A barca Carolina foi uma embarcação veleira que conduziu, em 1862, partindo do porto de Antuérpia, Bélgica, 167 colonos até a hospedaria da Associação Central de Colonização, no Rio de Janeiro.

Histórico
Em 2 de agosto de 1862, após chegada da barca sueca Carolina no porto do Rio de Janeiro, os imigrantes a bordo foram recebidos pela hospedaria da Associação Central de Colonização, os quais vinham das regiões dos Estados de Baden, Prússia, Oldenburgo e Bélgica.

No dia 6 de agosto do mesmo ano, os colonos seguiram para Santa Catarina a bordo do vapor Tocantins.

Lista de passageiros

 01 Johann Franz
 02 Margaretha
 03 Helena
 04 Anna
 05 Catharina
 06 Margaretha
 07 Maria
 08  Johann
 09 Jacob
 10 Peter
 11 Michael
 12 Elisabeth
 13 recém-nascido
 14 Carl Schunper
 15 Maria Elis.
 16 Louise
 17 Carl
 18 Caroline
 19 Phillipine
 20 Jos. Carl Bruch
 21 Carlotte
 22 Charlotte
 23 Jacob Loch
 24 Catharina
 25 Christine
 26 Louise
 27 Jacob
 28 Peter Jacob
 29 recém-nascido
 30 Joh. Jacob Bruch
 31 Louise
 32 Catharina
 33 Carl
 34 Carl Shell
 35 Andreas Theilacker
 36 Maria
 37 Carl
 38 Maria
 39 Margaretha
 40 Cornelia Maegen
 41 Geeske
 42 Aljen
 43 Heen
 44 Cornelis
 45 Gerrit
 46 Geesje
 47 Sepke
 48 Dirk
 49 Maegen
 50 Marine Küller
 51 Friedrich Momm
 52 Johanna
 53 Wilhelm
 54 Friedrich
 55 Adam Bess
 56 Elisabeth
 57 Anton
 58 Karl
 59 Mannuel
 60 Magdalena
 61 Ludwig
 62 Phillip
 63 Johannes
 64 Elisabeth
 65 Anna
 66 Catharina
 67 Sophie
 68 Johan Schadt
 69 Anna
 70 Fortunatus
 71 Magdalena
 72 Dumium
 73 Veranicker
 74 Catharina
 75 Franz Anton
 76 Anna Maria
 77 Carolina
 78 Elisabeth
 79 Anna Maria
 80 Adolphe Batthauer

 81 Clemens August Lehmkuhl
 82 Magdalena
 83 Rosa
 84 Melehios
 85 Martin
 86 Joseph
 87 Johann
 88 Wendelin Rupp
 89 Louise
 90 Sebastian
 91 Johanna Weil
 92 Peter Wilhelm Kaspers
 93 Barbara
 94 Emilie
 95 Wilhelm
 96 Friedrich
 99 Fried Wihl Klopp
 98 Frid. Wihl Hortmann
 99 Carolina
 100 Wilhelm
 101 Julius
 102 Eduard
 103 Rosina
 104 August
 105 Julie
 106 Peter Ruttgen
 107 Peter Wilhelm
 108 Clara
 109 Margretha
 110 Elisabeth
 111 Johann
 112 Agnes
 113 August Mabe
 114 Helena
 115 Aratho
 116 Franz Köpp
 117 Magdalena
 118 Margretha
 119 Marie
 120 Barbara
 121 Lusanna
 122 Margretha
 123 Maria
 124 Karl Schmitt
 125 Margretha
 126 Peter
 127 Elisabeth
 128 Bern. Anton Schmüller
 129 Francisca
 130 Franz Anton
 131 Christoph
 132 Elisabeth
 133 Antonius
 134 Bernard
 135 Nicolaus Schmitt
 136 Catharina
 137 Johanna
 138 Jacob
 139 Nicolaus
 140 Joseph
 141 Carl
 142 Catharina
 143 Margaretha
 144 Louise
 145 Bernard Müller Weseler
 146 Anton Kestering
 147 Sophie
 148 Francisca
 149 Gertrud
 150 Clara
 151 Anton Brasilius
 152 Hermann
 153 Elisabeth
 154 Wilhem
 155 Bernard Lehmkuhl
 156 Maria Anna

 157 Bernard Anton
 158 Elisabeth
 159 August
 160 Georg Anton
 161 Hermann
 162 Hermann Enkrott
 163 Agnes
 164 Joseph
 165 Angela
 166 Agnes
 167 Anton

Ver também

 Imigração alemã no Brasil

Ligações externas

Imigração alemã no Brasil
História de Santa Catarina
Navios mercantes do Brasil
História do estado do Rio de Janeiro
Colonização do Brasil

Barca Carolina (1862)


An Tillandsia spathacea in uska species han Liliopsida nga ginhulagway ni Carl Christian Mez ngan Luis Aloysius, Luigi Sodiro. An Tillandsia spathacea in nahilalakip ha genus nga Tillandsia, ngan familia nga Bromeliaceae. Ginklasipika han IUCN an species komo harani ha karat-an.

Mabibilngan ini ha Ecuador. Waray hini subspecies nga nakalista.

Mga kasarigan

Tillandsia

Tillandsia spathacea


5717 Damir este un asteroid din centura principală de asteroizi.

Descriere
5717 Damir este un asteroid din centura principală de asteroizi. A fost descoperit pe  la Observatorul de Astrofizică din Crimeea de Liudmila Karacikina. El prezintă o orbită caracterizată de o semiaxă mare de 2,40 ua, o excentricitate de 0,22 și o înclinație de 2,3° în raport cu ecliptica.

Vezi și
 Lista planetelor minore: 5001-6000
 Centura de asteroizi

Referințe

Obiecte astronomice descoperite în 1982
Centura de asteroizi

5717 Damir


Mellem rum er en film instrueret af Caroline Sascha Cogez.

Referencer

Eksterne henvisninger

Danske film fra 2004

Kortfilm fra Danmark

Mellem rum


An Triraphis mollis in uska species han Liliopsida nga ginhulagway ni Robert Brown. An Triraphis mollis in nahilalakip ha genus nga Triraphis, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Triraphis (Poaceae)

Triraphis mollis


Eka Kurniawan (født 28. november 1975 i Tasikmalaya, Vestjava) er en indonesisk forfatter og grafisk designer. Han har studeret filosofi på Gadjah Mada Universitetet, Yogyakarta, og har skrevet romaner, noveller, essays, filmmanuskripter og tegneserieromaner. Kurniawan regnes som indonesisk litteraturs nye store navn og kaldes "landets fineste forfatter siden Pramoedya Ananta Toer". Kurniawans bøger er oversat til flere end 30 sprog, og på dansk er udkommet Skønheden er et sår (eng. Beauty Is a Wound), der var på New York Times' liste over de 100 vigtigste bøger i 2015. I 2016 blev Kurniawan som den første indonesiske forfatter nomineret til Man Booker International Prize for romanen Man Tiger, der samme år indbragte ham prisen Emerging Voices Fiction Award.

Eka Kurniawan sammenlignes med blandt andre Günter Grass, Gabriel García Márquez, Salman Rushdie og Haruki Murakami.

Priser og nomineringer
 2016 Vinder af Financial Times/OppenheimerFunds Emerging Voices i kategorien Fiktion for Man Tiger.
 2016 Nomineret til Best Translated Book Award i kategorien Fiktion for Beauty Is a Wound.
 2016 Nomineret til Man Booker International Prize for Man Tiger.
 2016 Vinder af World Readers' Award for Beauty Is a Wound.
 2015 Foreign Policy's Global Thinkers "for at sætte indonesisk litteratur på verdenskortet".
 2015 Vinder af IKAPIs Book of the Year for Man Tiger.

Kilder

Eksterne henvisninger
 Eka Kurniawans  forfatterhjemmeside (engelsk).
 Eka Kurniawans forfatterprofil  på det danske forlag Batzer & Co.

Forfattere fra Indonesien

Eka Kurniawan


Jaqueline Adina Cristian, née le  à Bucarest, est une joueuse de tennis roumaine, professionnelle depuis 2015.

Carrière
Après avoir connu une progression régulière sur le circuit ITF, Jaqueline Cristian enregistre ses premiers résultats significatifs sur le circuit WTA en 2021 en atteignant tout d'abord les quarts de finale du tournoi de Saint-Pétersbourg. Elle se révèle en fin de saison en étant demi-finaliste à Karlsruhe et Noursoultan. Elle atteint ensuite la finale du WTA 250 de Linz avec un statut de lucky loser, où elle perd contre Alison Riske. Pour y parvenir, elle profite d'un abandon et d'un forfait et bat Veronika Kudermetova.

Palmarès

Titre en simple dames
Aucun

Finale en simple dames

Titre en double dames
Aucun

Finale en double dames

Parcours en Grand Chelem

En simple dames

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Parcours en « WTA 1000 »
Les WTA 1000 constituent les catégories d'épreuves les plus prestigieuses, après les quatre levées du Grand Chelem.

En simple dames

Classements WTA en fin de saison

Références

Liens externes

Joueuse roumaine de tennis
Naissance en juin 1998
Naissance à Bucarest

Jaqueline Cristian


شبه موصل أصيل  هو شبه موصل نقي يحتوي على عدد من الفجوات مساو لعدد الإلكترونات الحرة لكنه يختلف عن العازل حيث انه في درجة حرارة أعلى من الصفر المطلق هناك إمكانية محدودة أن يتحرر الإلكترون من مكانه ويترك خلفه فجوة إلكترونية لكن في درجات الحرارة الاعتيادية ينبغي أن يخضع شبه الموصل النقي إلى عملية تشويب حتى يمكن استغلالها في التطبيقات الإلكترونية لإن عدد الإلكترونات في نطاق التوصيل يكون مساو لعدد الفجوات في نطاق التكافؤ.

مراجع

إلكترونيات

شبه موصل أصيل


Jean Lowenstamm est un linguiste français, né en 1947.

Biographie
Jean Lowenstamm est professeur émérite de l'Université Paris-Diderot et ancien directeur du Laboratoire de linguistique formelle (LLF).

Il est spécialiste de phonologie, de morphologie, de morphosyntaxe et des langues afro-asiatiques.

Publications
 Studies in afroasiatic grammar : papers from the second conference on afroasiatic languages, Sophia Antipolis, 1994, édité avec Jacqueline Lecarme et Ur Shlonsky, La Haye, Holland Academic graphics, 1996.
 Research in afroasiatic grammar : papers from the third conference on afroasiatic languages, Sophia Antipolis, 1996, édité avec Jacqueline Lecarme et Ur Shlonsky, Amsterdam, Benjamins, 2000.
 Grammaire et gabarits, numéro dirigé par Jean Lowenstamm, Saint-Denis, Presses universitaires de Vincennes, 2003
 À propos des gabarits, Recherches linguistiques de Vincennes, 2003.
 Développements récents en linguistique arabe et sémitique, avec Jean-Pierre Angoujard, Jean-Patrick Guillaume, Geneviève Humbert, Jean-Michel Tarrier et Georges Bohas, Damas, Presses de l'Ifpo, 2014.

Références

Liens externes

Naissance en 1947
Linguiste français
Professeur à l'université Paris-VII (Diderot)

Jean Lowenstamm


Hemsön es una isla en el mar de Botnia, al noreste de Härnösand, en la desembocadura del río Angerman. Su superficie es de 54 kilómetros cuadrados y su población es de 140 personas según datos del año 2006. Administrativamente hace parte de la Provincia de Västernorrland en las coordenadas geográficas

Referencias

Véase también
 Islas del mar Báltico
 Geografía de Suecia

Archipiélagos e islas del mar Báltico de Suecia
Archipiélagos e islas de la provincia de Västernorrland

Hemsön


Anas Seko est un activiste écologiste béninois né le . Il est le précurseur du mouvement "Pression écologique" au Bénin et du concept "Mon anniversaire, Ma patrie". Son engagement dans la lutte pour la préservation de l'environnement lui vaut des récompenses.

Biographie

Enfance et études
Anas Seko est né le 23 novembre 1996 au Bénin. Après son baccalauréat en 2015, il étudie la sociologie à l'Université d'Abomey Calavi.

Engagements sociaux
Anas Seko est membre de plusieurs associations et directeur exécutif de l'association Excellence For Africa. Engagé dans la lutte contre la dégradation de l'environnement, il mène de nombreuses actions dans ce sens et ses combats touchent toutes les couches sociales.

Anas Seko organise régulièrement des évènements pour le ramassage collectif d'ordures. Il est également l'initiateur de multiples stratégies et campagnes de communication environnementale pour sensibiliser la population, en particulier la jeunesse sur les thématiques vertes. Parmi ceux-ci figurent la campagne de salubrité « tous en veste  », la campagne « Être Frais C'est Aussi Préserver Son environnement ». Aussi, en novembre 2021, pour son anniversaire et suivant le concept «Mon anniversaire Ma patrie  » dont il est l'initiateur, Anas Seko organise l'évènement  «Nique pas ta Mer  » où il mobilise la jeunesse contre la pollution maritime.

Anas Seko est aussi un photographe engagé. Il place les images au centre de ses campagnes sur les réseaux sociaux pour choquer et convaincre la population de se mobiliser contre l'insalubrité.

Sossoukpe Ghislain et Gueli Ulrich documentent en film les actions d'Anas Seko et ses collaborateurs. Le film intitulé « SOS Embarcadère » est nominé en 2021 à la deuxième édition du Festival «  Film Santé pour tous » organisé par l'OMS, dans la catégorie « Meilleure santé et bien-être».

Distinctions

 Prix Spécial Activiste Environnement, 2020
 Prix de l'Écocitoyen aux Écolo Awards, 2021

Notes et Références

Naissance en novembre 1996
Naissance au Bénin
Militant béninois
Écologiste

Anas Seko


Jacob Lund kan henvise til følgende personer:

 Jacob Lund (musiker) - dansk percussionist
 Jacob Lund (politiker) - dansk politiker

Jacob Lund


TikTok, poznat u Kini kao Douyin (kin. 抖音; pinyin: Dǒuyīn), usluga je društvenog umrežavanja usmjerena na videe. U vlasništvu je kineske tvrtke ByteDance Ltd. Sadrži niz kratkih korisničkih videozapisa u žanrovima kao što su šale, vratolomije, trikovi, ples i zabava u trajanju od 15 sekundi do tri minute. TikTok je međunarodna verzija Douyina, koja je izvorno objavljena na kineskome tržištu u rujnu 2016. godine. Pokrenut je 2017. za iOS i Android na većini tržišta izvan kontinentske Kine, međutim, postao je dostupan diljem svijeta tek nakon spajanja s drugom kineskom uslugom društvenih medija, Musical.ly, dana 2. kolovoza 2018.

TikTok i Douyin imaju gotovo isto korisničko sučelje, ali nemaju međusobni pristup sadržaju. Svaki od njihovih poslužitelja temelji se na tržištu na kojemu je dostupna odgovarajuća aplikacija. Ova dva proizvoda su slična, ali obilježja nisu identična. Douyin uključuje značajku pretraživanja unutar videozapisa koja može pretraživati po licima ljudi više njihovih videozapisa i druge značajke kao što su kupnja, rezervacija hotela i izrada recenzija s geografskim oznakama. Od svojega pokretanja 2016., TikTok/Douyin je brzo stekao popularnost u Istočnoj Aziji, Južnoj i Jugoistočnoj Aziji, Sjedinjenim Američkim Državama, Turskoj, Rusiji i ostalim dijelovima svijeta. U listopadu 2020. TikTok je premašio više od 2 milijarde mobilnih preuzimanja diljem svijeta.

Društvene mreže
Mobilna telefonija

TikTok


Epilogue er en dansk eksperimentalfilm fra 1991 med instruktion og manuskript af Jens Asbjørn Seehuusen.

Handling
En mand og en kvinde har elsket hinanden og levet sammen. De har igennem et stykke tid været borte fra hinanden men mødes tilfældigt til et selskab. De skilles atter, men i et parallelt forløb følger filmen manden og kvinden samme nat, som det overraskende møde har fundet sted

Referencer

Eksterne henvisninger

Eksperimentalfilm fra Danmark
Danske film fra 1991

Epilogue


La strongylose équine est une strongylose, une maladie parasitaire due à un nématode de l'ordre des Strongylida. C'est une maladie affectant les chevaux due à la présence du nématode Strongylus equinus.

Références

  Herd R.P., 1986. Epidemiology and control of equine strongylosis at Newmarket. Equine Veterinary Journal, 18: 447-452, .

Liens externes

Strongylida
Santé du cheval
Infection parasitaire

Strongylose équine


Arvi Pohjanpää, né le 10 juillet 1887 à Helsinki et mort le 21 décembre 1959 dans la même ville, est un gymnaste artistique finlandais.

Carrière
Arvi Pohjanpää participe aux Jeux olympiques de 1908 à Londres où il est médaillé de bronze du concours général par équipes.

Notes et références

Liens externes

Gymnaste artistique masculin finlandais
Gymnaste artistique masculin aux Jeux olympiques de 1908
Médaillé de bronze olympique finlandais
Naissance en juillet 1887
Naissance à Helsinki
Décès en décembre 1959
Décès à Helsinki
Décès à 72 ans

Arvi Pohjanpää


As relações diplomáticas entre Croácia e Portugal remontam a 3 de fevereiro de 1992, e são geralmente positivas, marcadas por diversos acordos bilaterais, visitas oficiais e de estado por parte de governantes dos dois países, e cooperação em diversas áreas, sendo que o relacionamento entre os dois países foi aprofundado apos a entrada da Croácia na União Europeia em 2013.

História

Portugal reconhece a Republica da Croácia a 15 de janeiro de 1992, vindo a estabelecer relações diplomáticas no mês seguinte, a 3 de fevereiro. A primeira Missão Diplomática de Portugal à Republica da Croácia ocorre a 23 de maio de 1996, com o Embaixador português em Budapeste a apresentar credenciais em Zagreb como Embaixador não residente.

As relações entre os dois países têm sido aprofundadas ao longo dos últimos anos, destacando-se a colaboração de Portugal com a Croácia no seguimento do terramoto de dezembro de 2020, através do Mecanismo Europeu de Proteção Civil, bem como a formação no parlamento croata do Grupo Parlamentar de Amizade Croácia-Portugal, também em dezembro de 2020.

Acordos Bilaterais
Verifica-se a assinatura de diversos acordos bilaterais entre os dois países, incluindo os seguintes:

 Acordo sobre Supressão de Vistos, a 15 de julho de 1994;
 Acordo sobre a promoção e a proteção recíproca de investimentos, a 10 de maio de 1995;
 Acordo sobre a Cooperação nos Domínios da Cultura, da Educação e da Ciência, a 14 de abril de 1998;
 Acordo sobre a Cooperação Económica, Industrial, Técnica e Científica, a 12 de maio de 1999;
 Convenção para Evitar a Dupla Tributação e Prevenir a Evasão Fiscal em Matéria de Impostos sobre o Rendimento, a 4 de outubro de 2013;
 Acordo de Cooperação no Domínio do Turismo, a 21 de novembro de 2014;
 Acordo sobre o Exercício de Atividades Remuneradas de Membros da Família do Pessoal das Missões Diplomáticas e Consulares, a 18 de maio de 2017;
 Acordo sobre Cooperação em Matéria de Defesa, a 19 de julho de 2019;
 Acordo sobre a Proteção Mútua de Informação Classificada. a 30 de junho de 2020;

Visitas de Estado e Oficiais
Verificam-se diversas Visitas de Estado ou oficias por parte de governantes dos dois países, das quais se destacam as seguintes visitas por parte de Chefes de Estado de ambos os países:

 6 de junho de 1998, Franjo Tudjman, Presidente da República Croata.
 4 a 6 de abril de 2004, Stjepan Mesié, Presidente da República Croata.
 18 e 19 de maio de 2017, Marcelo Rebelo de Sousa, Presidente da República Portuguesa.
 11 e 12 de maio de 2018, Kolinda Grabar-Kitarović, Presidente da República Croata.

Relações Económicas
As relações económicas entre os dois países são robustas, fruto da relativa proximidade geográfica entre as duas nações, e à sua pertença à União Europeia, e consequentemente ao Espaço Económico Europeu. Em 2020, o comércio de bens entre os dois países atingiu um total de 83 milhões de euros, com um excedente, da perspetiva portuguesa, de aproximadamente 125 mil euros.

Os principais grupos de produtos exportados por Portugal para a Croácia foram, em 2020, os Veículos e Outro Material de Transporte, os Plásticos e Borracha e as Máquinas e Aparelhos. Inversamente, os principais grupos de produtos exportados pela Croácia com destino a Portugal foram, no mesmo ano, os Têxteis, os Produtos Químicos, e as Peles e Couros.

Missões Diplomáticas

 Portugal tem uma Embaixada em Zagreb.
 A Croácia tem uma Embaixada em Lisboa, além de 3 consulados Honorários, nas cidades de Faro, Funchal e Porto.

Ver também
 Política externa de Portugal

Relações entre Croácia e Portugal


කලාකෘතියක අවධානය යොමුවන ප‍්‍රධාන වස්තුව කුමක්ද යන්න සිත්තරා විසින් තීරණය කරනු ලබයි. අනතුරුව ඒ අනුව අනෙකුත් වස්තූන් සංවිධානය කෙරෙයි නරඹන්නාගේ බැල්ම මෙම උන්න්දුවක් දක්වන වස්තූන් වෙත යොමුවනු ඇත. වස්තූන් සකස් කිරීමේදී අපේක්‍ෂිත ප‍්‍රකාශනය ඉදිරිපත් වන සේ වස්තූන් සියල්ල තනි සාම්‍යයක් තුලට ගොනු කිරීම කෙරෙහි සැලකිල්ල යොමුවේ.

පින්තූරයක රූප සංයෝජනයේදී සැලකිල්ලට ගනු ලබන සාධක කිහිපයක් පහතින් දැක්වේ.
හැඩය සහ ප‍්‍රමාණය
භාණ්ඩ අතර සමබරතාවය
භාණ්ඩ අතර සාම්‍යය හෝ ඒකමිතිය
භාණ්ඩයන්ගේ පෙළගැස්ම
පින්තූරය භාවිතා කරන දර්ශන පථයේ ප‍්‍රමාණය
නරඹන්නා රූපය නැරඹීමේදී ඔහුගේ හෝ ඇයගේ ඇස ගමන් කරන මාර්ගය
හිස් අවකාශය
වර්ණ
තිලක්‍ෂණනය -  පින්තූරය තුල ආලෝකය හා අඳුර භාවිතා කරනු ලැබ ඇති ප‍්‍රමාණය
රිද්මය
දීප්තිය හෝ ආලෝකමත් බව
පුනරාවර්තනය (සමහර අවස්ථාවලදී යම් යම් දේ කිසියම් රටාවකට පිහිටුවා තිබෙනු ඇත මෙහිදි රිද්මය හා ජ්‍යාමිතියද වැදගත් වෙයි)
පර්යාලෝකය
රීති කඩකිරීම ආතතියක් හෝ අපහසුතාවයක් ජනනය කරයි

පහත දක්වන ලද ආකාරයේ රූප සංයෝජනයේදී සැලකිල්ලට ගනු ලබන සාධකයන් කලාවේ සංඝටකයන් සමඟ පටලවා ගැනීමෙන් වැලකිය යුතුය. උදාහරණයක් ලෙස හැඩය සංඝටකයක් වන අතරම හැඩය භාවිතා කිරීම සංයෝජනයෙදී වැදගත් වෙයි.

ද්‍රෘෂ්ඨිකෝණය

නරඹන්නා ස්ථානගතවී සිටින ආකාරය රූපයක සෞන්දර්යාත්මක බව කෙරෙහි තදින්ම බලපායි. රූපය සම්පූර්ණයෙන්ම පරිකල්පනීය, එනම් 'මනසින් දකින්නක්' වුවද එය වෙනස් නොවේ. එය චිත‍්‍රයක ඇති වස්තූන් කෙරෙහි පමණක් නොව නරඹන්නා එයට ලබාදෙන අර්ථනිරූපනය කෙරෙහිද එය තදින් බලපායි.

උදාහරණයක් ලෙස පිරිමි ළමයකු ඉහල සිට සමහරවිට වැඩිහිටියකුගේ ඇස් මට්ටමේ සිට ඡායාරූපයකට නැගුවහොත් ඔහුගේ පෞරුෂය අවප‍්‍රමාණ වී දර්ශනය වේ. එය ඡායාරූපයට නැගුවේ දරුවාගේ ඇස් මට්ටමේ සිට නම් එහිදි ළමයාට හිමිවන්නේ සමාන තත්වයකි. පහල සිට ඡායාරූපය ලබාගත්තේ නම් ප‍්‍රතිඵලය වනු ඇත්තේ ළමයාට අධිපතිත්වය හිමිය වැනි අර්ථයකි. ඒ අනුව ඡායාරූප ශිල්පියා තොරන්නේ නරඹන්නාගේ පිහිටුමය.

වස්තුවක් සම්පූර්ණ රාමුවම පුරවන විට එය වඩාත් නාට්‍යමය ආකාරයෙන් සලකනු ලැබිය හැක. එහිදි සැබෑ ප‍්‍රමාණයට වඩා විශාලව දේවල් පෙනෙයි. රාමුව පිරී තිබීම නිසාවෙන් මානසිකවද පිරුනු ස්වභාවයක් ඇතිවේ. පසුබිමින් ඇතිවන බාධාවන් ඉවත්කිරීම සඳහාද මෙය යොදාගත හැක.

ඡායාරූප ශිල්පයේදී කැමරාවේ පිහිටුම වෙනස් කිරීම මඟින් පසුබිම වෙනස් කළ හැක. එවිට වස්තුව කෙරෙහි අවධානය යොමුකිරීමට ඇතිවන බාධාවන් අවම කළ හැක. වස්තුවට ළංවීම, පාර්ශ්විකව චලනය වීම හෝ කැමරාව සිරස් අතට හැරවීම මගින්ද මෙය සිදුකළ හැක.

රූප සංයෝජන න්‍යාය


Rindal er þéttbýli og stjórnsýslumiðstöð sveitarfélagsins Rindal í Þrændalögum í Noregi. Í byggð eru 704 íbúar og í sveitarfélaginu 1.980 (2022). Rindal er staðsett í suðvesturhluta fylkisins, 145 metra hæð yfir sjávarmáli, 55 km suður af Orkanger og 95 km suðvestur af Þrándheimi.

Auk verslunar og þjónustugreina er opinber stjórnsýsla og þjónustuveiting, málm-, timbur- og matvælaiðnaður og hótel á staðnum.  Í miðjum bænum er fjölnotahúsið Rindalshuset með íþróttahúsi, skotvelli, sundlaug, gufubaði, bíósal (Attanova), fræðasetri, söluturni, skrifstofuaðstöðu og bókasafni.

Nálægt Rindalshuset er Rindal grunn- og framhaldsskóli, Rindal leikskólinn og Rindal þorpssafn.

Við Kirklandet í Rindal er Rindalskirkja, krosskirkja í timbri í nýgotneskum og svissneskum stíl, byggð 1874.

Bæir í Þrændalögum

Rindal


Casimir-effekten og Casimir-Polder-kraften er en fysisk kraft, som opstår fra kvantefelteffekter. Det almindeligste eksempel er med to uladede metalplader, som placeres nogle mikrometer fra hinanden i vakuum. Ifølge klassisk elektrodynamik skulle der ikke være noget felt mellem pladerne, og dermed ingen kraft.
Ifølge kvanteelektrodynamik derimod, kommer pladerne til at påvirke mængden af virtuelle fotoner i feltet mellem pladerne, hvilket giver ophav til en nettokraft,
som kan enten attraktiv eller repulsiv afhængig af pladernes form og placering.

Kraften kan måles, og er et slående eksempel på en ren kvanteeffekt uden fortilfælde i klassisk fysik.
Dette var dog ikke Casimirs oprindelige hensigt, og der findes flere måder at tolke fænomenet.

Casimir-effekten forudsagdes teoretisk af de hollandske fysikere Hendrik B. G. Casimir og
Dirk Polder 1948, som også foreslog en måde at måle den eksperimentelt. Eksperimentet i sin klassiske form bekræftede den forudsagte effekt indenfor 15% af Casimirs beregning.

Eftersom kraftens styrke hurtigt aftager med afstanden, er den kun målbar når afstanden er ekstrem lille, men kan helt dominere vekselvirkningen mellem pladerne på afstande under en mikrometer. På 10 nanometers afstand kan kraften nå op til 100.000 Newton per kvadratmeter.

Kilder/referencer

Yderligere læsning

Grundniveau
 Casimir effect description from University of California, Riverside's version of the Usenet physics FAQ.
 A. Lambrecht, The Casimir effect: a force from nothing , Physics World, September 2002.
 Casimir effect on Astronomy Picture of the Day
 Physicists have 'solved' mystery of levitation Telegraph interviews Prof. Ulf Leonhardt and Dr Thomas Philbin

Videnskabelige artikler og bøger
 H. B. G. Casimir, and D. Polder, "The Influence of Retardation on the London-van der Waals Forces" , Phys. Rev. 73, 360-372 (1948).
 H. B. G. Casimir, "On the attraction between two perfectly conducting plates" Proc. Kon. Nederland. Akad. Wetensch. B51, 793 (1948)
 S. K. Lamoreaux, "Demonstration of the Casimir Force in the 0.6 to 6 µm Range", Phys. Rev. Lett. 78, 5–8 (1997)
 M. Bordag, U. Mohideen, V.M. Mostepanenko, "New Developments in the Casimir Effect", Phys. Rep. 353, 1–205 (2001), arXiv. (200+ page review paper.)
 Kimball A.Milton: "The Casimir effect", World Scientific, Singapore 2001,
 G. Bressi, G. Carugno, R. Onofrio, G. Ruoso, "Measurement of the Casimir force between Parallel Metallic Surfaces", Phys. Rev. Lett.  88 041804 (2002)
 O. Kenneth, I. Klich, A. Mann and M. Revzen, Repulsive Casimir forces, Department of Physics, Technion - Israel Institute of Technology, Haifa, February 2002
 J. D. Barrow, "Much ado about nothing ", (2005) Lecture at Gresham College. (Includes discussion of French naval analogy.)
  (Also includes discussion of French naval analogy.)
 Jonathan P. Dowling, "The Mathematics of the Casimir Effect", Math. Mag. 62, 324-331 (1989).

Eksterne henvisninger
 Casimir effect article search on arxiv.org
 G. Lang, The Casimir Force web site, 2002
 J. Babb, bibliography on the Casimir Effect web site, 2009

Kvantemekanik

Casimir-effekten


Margaret Marian McPartland OBE ( Turner; 20 March 1918 – 20 August 2013), was an English–American jazz pianist, composer, and writer. She was the host of Marian McPartland's Piano Jazz on National Public Radio from 1978 to 2011.

After her marriage to trumpeter Jimmy McPartland in February 1945, she resided in the United States when not travelling throughout the world to perform. In 1969, she founded Halcyon Records, a recording company that issued albums for 10 years. In 2000, she was named a National Endowment for the Arts Jazz Master. In 2004, she was given a Grammy Award for lifetime achievement. In 2007, she was inducted into the National Radio Hall of Fame. Although known mostly for jazz, she composed other types of music as well, performing her own symphonic work A Portrait of Rachel Carson with the University of South Carolina Symphony Orchestra in 2007. In 2010, she was named a member of the Order of the British Empire.

Early life
Margaret Marian Turner was born on 20 March 1918 to Frank and Janet (née Payne) Turner. She had one younger sibling, a sister, Joyce. She demonstrated early aptitude at the piano, and would later realize that she had perfect pitch. Margaret (Maggie to her family) studied violin from the age of nine, but never took to the instrument. She also trained as a vocalist and received a number of favorable reviews in the local paper. Janet refused to find her daughter a piano teacher until the age of 16, by which time Margaret was already adept at learning songs by ear. This lack of early education meant that Margaret was never a strong reader of notated music, and would always prefer to learn through listening.

Turner studied at Miss Hammond's School for Young Children from 1924 to 1927, Avonclyffe from 1927 to 1929, Holy Trinity Convent from 1929 to 1933, and finally Stratford House for Girls from 1933 to 1935. There, she met Doris Mackie, a teacher who would be hugely influential on her. Mackie suggested to the Turners that Margaret should apply to the Guildhall School of Music and Drama in London, since she clearly had an aptitude and passion for music. She was accepted in the spring of 1935 on the merit of her "rampant enthusiasm, God-given faculty, and a dangerous surplus of imagination" and in spite of the fact that she was "sadly lacking in technique."

Early career (Europe)

Turner pursued studies at the Guildhall School of Music and Drama in London, where she worked toward a performance degree that would enable her to become a concert pianist, though she also did coursework in vocal performance. She studied with Orlando Morgan, who also taught Myra Hess. Turner's talents for improvisation and composition were recognized early when she won the Wainwright Memorial Scholarship for Composition, the Worshipful Company of Musicians Composition Scholarship, and the Chairman's School Composition Prize in 1936 and 1937. Much to her family's dismay, she developed a love for American jazz and musicians such as Duke Ellington, Fats Waller, Teddy Wilson, and Mary Lou Williams, among others. In 1938, Turner sought out Billy Mayerl at his School of Modern Syncopation to seek lessons, and was convinced to audition for his piano quartet. Despite her family's efforts to keep her at Guildhall, Turner left to join Billy Mayerl's Claviers, a four-piano vaudeville act. There, she elected to perform under the stage name of Marian Page. She promised her family that she would one day return to finish her degree at Guildhall. After the Claviers tour, Marian returned to London in the fall of 1938 and played sporadically for shows and on the Carroll Lewis Show. To avoid conscription during World War II, she volunteered for the Entertainment National Service Association (ENSA), a group that was playing for Allied troops, in fall 1940. In 1944, her friend Zonie Dale recommended that Marian join the United Service Organizations (USO) because they paid more and played with American men.

With the USO, Marian went through basic training and was issued a set of combat gear – GI boots, helmet, and uniform. Marian was assigned to a group called the Band Wagon, which followed the Allied forces after the D-Day invasion. In anticipation of wartime demands, Marian learned to play the accordion in the event that there was no piano available with which to play for the troops.

In St Vith, Belgium, on 14 October 1944, Marian met a Chicago cornetist named Jimmy McPartland at a jam session. McPartland had volunteered for the army and was serving active duty when his superiors realized that he could do better work as an entertainer, since he was well known among the troops. Jimmy was solicited to put together a sextet to entertain the troops, and invited Marian to join him as their pianist. They soon fell in love, and signed an official US Army marriage document on 14 December 1944. They married on 3 February 1945, in Aachen, Germany, and played at their own military base wedding. Her marriage to an American male automatically gave Marian US citizenship, side by side with her British citizenship. Marian was reluctant to tell her parents of the marriage, and had Jimmy's commanding officer tell them when he had lunch with them in England in early 1945. It was with Jimmy that Marian began her first real training in jazz. Jimmy and Marian did their first recording together on 6 January 1946 in London before leaving for the US. They arrived in New York City on 23 April 1946, and Marian would never live outside of the US again. However, she kept her British citizenship throughout her life.

Early career (Chicago 1946–50 and New York City 1950–62)

After the war, Marian and Jimmy moved to Chicago to be near his family. Jimmy was raised in the Austin neighborhood of Chicago, and was an original member of the Austin High Gang that played Chicago-style Dixieland jazz in the 1920s. In June 1946, Marian made her American debut at the Moose Lodge. Soon, Jimmy's group, which now included Marian, landed a standing gig at the Rose Bowl through the end of 1946. This engagement was followed by ones at Taboo, Capitol Lounge, and finally Brass Rail. Marian flourished in Jimmy's group, and by her association with him. They played at clubs like Blue Note and Silhouette with stars like Billie Holiday.

During their Chicago years, Jimmy and Marian visited France in 1949 for the Paris Jazz Festival. This was semi-important for their association with the European jazz scene, but more significant because it marked the beginning of Marian's writing career. Marian's testimonial about the festival ran in the July 1949 issue of DownBeat.

In 1949, the McPartlands settled in Manhattan, living in an apartment in the same building as the Nordstrom Sisters. In 1950, she announced that she would no longer go by her stage name, Marian Page, but would now go by her married name, Marian McPartland. With Jimmy's help and encouragement, Marian started her own trio, which started performing at the newly opened 54th street club called The Embers on 8 May 1951. Here, she learned how to lead her own group, and played with musicians such as Roy Eldridge, Coleman Hawkins, and Terry Gibbs. After trying out different combos, she settled on a trio of piano, bass, and drums that would soon become standard. This gig led to a laudatory DownBeat profile by Leonard Feather, an advocate for women in jazz, who wrote that French fans would be unlikely to accept her because "She is English, white and a girl--three hopeless strikes against her from the Gallic angle. Yet, if you ask Coleman Hawkins...or any of the other cats...you'll know from their enthusiasm that ...She's a fine, swinging pianist..." (McPartland sometimes loosely paraphrased Feather as saying "Oh, she'll never make it: she's English, white and a woman.") She signed her first record deal without Jimmy in 1951, with Savoy Records.
On 2 February 1952, McPartland opened a gig at the Hickory House that continued regularly through November 1962. During her time at the Hickory House, Duke Ellington would often be in the audience. Ellington was influential on McPartland's development as a pianist, and told her she played too many notes, a sentiment she would take to heart. The drummer Joe Morello joined the group in 1953 and was a member of the trio until he departed to join Dave Brubeck's Quartet in late 1956. In December 1953, Bill Crow replaced Vinnie Burke as her bass player. This trio of McPartland, Morello, and Crow would stay together through 1956, and be named Small Group of the Year by Metronome in 1954. The success of this trio would lead to the signing of McPartland to Capitol Records for five albums. The group of McPartland, Crow, and Morello would become McPartland's best-known trio. It has been argued that McPartland never received the acclaim she deserved because she never stayed with any sidemen long enough to develop a unique sound, her 1953-1956 group being the exception to this rule.

In 1956, McPartland and Morello began an affair that would continue for almost ten years. In late 1956, Morello's wife discovered their affair, and Brubeck hired Morello away.

McPartland continued writing testimonial pieces for journals such as Down Beat after the favorable reception of her first piece in 1949. Toward the end of the 1950s, she began to write about the issue of being a woman in jazz. She questioned "Can't we women make our own contribution to jazz by playing like women, but still capturing the essential elements of jazz – good beat – good ideas – honesty and true feeling?"

In the 1953–54 season, McPartland appeared as a regular on NBC's Judge for Yourself quiz program emceed by Fred Allen.

In 1958 a black and white group portrait of 57 notable jazz musicians, including McPartland, was photographed in front of a brownstone in Harlem, New York City. Art Kane, a freelance photographer working for Esquire magazine, took the photo, which was called, "A Great Day in Harlem", and it became a well-known image of New York's jazz musicians of the time. Immediately preceding her death in August 2013, she was one of only four of the 57 participating musicians who were still alive. After many years of recording for labels such as Capitol, Savoy, Argo, Sesac, Time, and Dot, in 1969 she founded her own record label, Halcyon Records, before having a long association with the Concord label. Marian and Jimmy divorced in 1972, but they remained close, and remarried in 1991, shortly before Jimmy's death.

Mid-career (New York City 1962–78)
After McPartland's Hickory House engagement ended, Benny Goodman offered her a spot in his septet for his 1963 tour. It quickly became clear that Goodman did not like her more modern playing style, and she shifted out of the full septet to play exclusively in the trio numbers. The physical and emotional strain of the last few years weighed hard on Marian during the stressful tour, and she checked herself into the Menninger Clinic in Topeka, Kansas for two weeks as an outpatient when the tour finished. There, she was referred to Dr. William Benjamin, a psychotherapist who would counsel her for many years.

McPartland's counselling with Benjamin eventually led her to a number of important choices, the first being the decision to end her affair with Morello in the spring of 1964. The second was her decision to divorce Jimmy in the summer of 1967, a separation that was made public in December of the same year. Despite their divorce, Marian and Jimmy would remain close friends and eventually remarry weeks before Jimmy's 1991 death.

In the late 1960s, McPartland began reviewing albums for DownBeat. During 1966–69, she reviewed 34 albums. Her perspective was unique, because she approached the review from her background as a peer musician. After 1969, she stopped reviewing, but continued to write instructional pieces. In May 1966, she began hosting a weekly radio show called A Delicate Balance that aired for two hours each Saturday. The show began as a traditional program, but soon shifted to include interviews as well. These interviews and connections would prove to be an important precursor to McPartland's Piano Jazz series.

Marian struggled to connect to the avant-garde jazz of the late 1960s, though she did endeavor to learn and adapt the free jazz style for her own use. She was not in high demand as a performer through the 1960s, and her focus shifted to focus on jazz education. Marian became aware of the need for jazz education when she was convinced to do a workshop at a high school in Rochester, New York, in 1956. She realized that the adolescents were totally unaware of jazz, and utterly enamored with the new rock and roll sweeping the country. In 1964, she began teaching at jazz clinics organized by Clem DeRosa, one of her former drummers. DeRosa was developing a jazz curriculum in the Huntington, New York school district. In 1966, DeRosa received a grant that allowed him to further develop his method, and he moved to the Cold Spring Harbor High School. Through this grant, he was able to pay Marian full-time to teach with him through 1967. McPartland continued to work in jazz education throughout the following decade. One of her most challenging projects was in 1974 when she received a Washington DC grant to teach in poor black neighborhoods. McPartland would be recognized for her work in jazz education in 1986, when she received the Jazz Educator of the Year award. She would continue to teach and judge jazz festivals for young people for the rest of her life.

During an engagement at the Apartment, a New York club, in February 1967 she met Alec Wilder, a man with whom she would develop a great friendship and who would encourage her to write and compose. They encountered each other again when Marian was touring in Rochester and began a collaboration that would become important, though difficult, for both of them. In 1974, Marian recorded an album, Marian McPartland Plays the Music of Alec Wilder, which was released by Halcyon Records.

After many years of recording for labels such as Capitol, Savoy, Argo Records, Sesac, Time, Design, and Dot Records, in 1969 McPartland co-founded her own record label, Halcyon Records. She would later have a long association with the Concord Records label. McPartland founded Halcyon with Sherman Fairchild and Hank O'Neal. They joined together with a mind to produce the work of underrated or underrepresented jazz artists. Their first album was Interplay, a McPartland–Linc Milliman (bass) album of duets. Fairchild died in 1971, and McPartland bought out O'Neal in order to maintain the label for self-distribution or other projects. The last Halcyon album was released in 1979.

By 1977, McPartland had become a public advocate for women in jazz, and headlined the first Women's Jazz Festival, which took place in Kansas City, March 17–19, 1978. In the late '70s, Marian performed internationally, including appearances in Asia, Europe, South America, and across the United States. McPartland rarely used women in her combos, but she helped many young women find their feet in the jazz business such as Mary Fettig (first female musician in the Stan Kenton band) and Susannah McCorkle.

McPartland appears in the December 5, 1977 issue of The New Yorker - Goings On About Town, "presides over the keyboard in the Bemelmans Bar (at the Carlyle Hotel) Mondays through Saturdays from nine-thirty to one (a.m.)."  It's likely this was a gig she held for a time in 1977.

In 1978, McPartland performed Grieg's Piano Concerto in A Minor with the Rochester Philharmonic Orchestra. Though the performance was poorly reviewed by most critics, she went on to perform the work with many symphonies across the country. Due to her poor sight-reading skills, she learned the piece principally by ear.

Late career (Piano Jazz and on)

In 1964, Marian McPartland launched a new venture on WBAI-FM (New York City), conducting a weekly radio program that featured recordings and interviews with guests. Pacifica Radio's West Coast stations also carried this series, which paved the way for Marian McPartland's Piano Jazz, a National Public Radio (NPR) series that began recording on 8 October 1978 and premiered on 1 April 1979 on WLTR (South Carolina) and was offered nationally by NPR. McPartland was offered the opportunity primarily on the recommendation of her friend Alec Wilder, who hosted American Popular Song until his health prevented him from continuing the program. Piano Jazz was the longest-running cultural program on NPR, as well as one of the longest-running jazz programs ever produced on public radio. The theme, "Kaleidoscope", was an original composition by McPartland. The program featured McPartland at the keyboard with guest performers, usually pianists, but also singers, guitarists, other musicians, and even the author Studs Terkel, who was not a musician. The first show aired April 1, 1979, with guest Mary Lou Williams. Several Piano Jazz programs have been released on CD by Concord Records.

In 1984, Piano Jazz received the Peabody Award for excellence in broadcasting. In 1986, it won both the Gabriel Award and the NY Gold Medal Awards.

She celebrated the 25th anniversary of the NPR series with a live taping at the Kennedy Center for which Peter Cincotti was the guest. After not having recorded a new show since September 2010, on 10 November 2011, NPR announced that McPartland was stepping down as host of Piano Jazz. She then asked her long-time friend, jazz pianist Jon Weber, to carry on with the show. As a result, Piano Jazz: Rising Stars, an NPR series hosted by Weber, began broadcast on 3 January 2012. Piano Jazz soon returned to the air in repeat broadcasts.
Due to Marian's increased profile, mostly from the success of Piano Jazz, she began booking increasingly prestigious shows and recording more often. McPartland was beloved for bringing in an underrepresented demographic to jazz clubs. She also used her celebrity to champion young artists and feature them in her combos.

In 1979, McPartland received an NEH grant to write a book about women in jazz, focusing specifically on The International Sweethearts of Rhythm. This endeavor was further supported with a 1980 Guggenheim Fellowship. Although she published a provisional essay in June 1980, she struggled to complete her book. In the early '80s, many books were published about the rise of women in jazz, including interviews with many of the same people that she interviewed, thereby reducing the novelty of her own research. She eventually published a collection of 13 essays, All in Good Time, in 1987. She attempted to write her autobiography for many years, with the encouragement of Alec Wilder, but never completed the project.

Death and legacy

DownBeat honored McPartland with a Lifetime Achievement Award in 1994.

McPartland was awarded a Grammy in 2004, a Trustees' Lifetime Achievement Award, for her work as an educator, writer, and host of NPR Radio's long-running Marian McPartland's Piano Jazz. Although a master at adapting to her guest's musical styles and having a well-known affinity for beautiful and harmonically-rich ballads, she also recorded many tunes of her own. Her compositions included "Ambiance", "There'll Be Other Times", "With You in Mind", "Twilight World", and "In the Days of Our Love".

Just before her 90th birthday, McPartland composed and performed a symphonic piece, A Portrait of Rachel Carson, to mark the centennial of the environmental pioneer.

McPartland was appointed Officer of the Order of the British Empire (OBE) in the 2010 New Year Honours, "For services to jazz and to aspiring young musicians in the USA".

McPartland's encyclopaedic knowledge of jazz standards, highly musical ear, involvement in over 60 years of evolving jazz styles, and rich experience blending with radio guests led to a musical style that was described as "flexible and complex, and almost impossible to pigeonhole." She was known as a harmonically and rhythmically complex and inventive improviser. "She was never content to be in one place, and always kept improving. She has great ears and great harmonics. Because of her ear, she can go into two or three different keys in a tune and shift with no problem."

McPartland was also a synesthete, associating different musical keys with colours, stating that "The key of D is daffodil yellow, B major is maroon, and B flat is blue."

McPartland died on 20 August 2013 of natural causes in her home in Port Washington, New York. She was 95 years old.

Discography

 Jazz at Storyville (Savoy, 1951)
 Lullaby of Birdland (Savoy, 1952)
 Marian McPartland Trio (Savoy, 1952)
 The Magnificent Marian McPartland at the Piano (Savoy, 1952)
 Moods (Savoy, 1953)
 Jazz at the Hickory House (Savoy, 1953)
 Marian McPartland at the Hickory House (Capitol, 1954)
 Marian McPartland After Dark (Capitol, 1956)
 The Marian McPartland Trio (Capitol, 1956)
 Marian McPartland Trio with Strings: With You in Mind (Capitol, 1957)
 Marian McPartland Trio: At the London House (Argo, 1958)
 Marian McPartland Plays the Music of Leonard Bernstein (Time, 1960)
 Jimmy and Marian McPartland Play TV Themes (Design, 1960)
 Marian McPartland: Bossa Nova + Soul (Time, 1963)
 She Swings with Strings (Marian McPartland with the Frank Hunter Orchestra) (Sesac, 1964)
 My Old Flame: Marian McPartland Performs the Classic Hits of Sam Coslow (Dot, 1968)
 Interplay (Halcyon, 1969)
 Elegant Piano: Solos and Duets by Teddy Wilson and Marian McPartland (Halcyon, 1970)
 Marian McPartland: A Delicate Balance (Halcyon, 1972)
 Live at the Monticello: Jimmy and Marian McPartland (Halcyon, 1972)
 Swingin': Marian and Jimmy McPartland and Guests (Halcyon, 1973)
 Marian McPartland: Plays the Music of Alec Wilder (Halcyon, 1974)
 Marian McPartland: Solo Concert at Haverford (Halcyon, 1974)
 Let It Happen (RCA, 1974) as the Jazz Piano Quartet with Dick Hyman, Hank Jones and Roland Hanna
 The Maestro and Friend: Marian McPartland and Joe Venuti (Halcyon, 1974)
 Concert in Argentina: Earl Hines, Teddy Wilson, Marian McPartland, Ellis Larkins (Halcyon, 1974)
 Marian McPartland: Plays the Music of Alec Wilder (Halcyon, 1974)
 Live in Tokyo: Marian McPartland and Hank Jones (TDK, 1976)
 Now's the Time (Halcyon, 1977)
 Tony Bennett, the McPartlands, and Friends Make Magnificent Music (Improv, 1977)
 From This Moment On (Concord, 1978)
 Marian McPartland: Live at the Carlyle (Halcyon, 1979)
 Ambiance (Jazz Alliance, 1970)
 At the Festival (Concord, 1979)
 Portrait of Marian McPartland (Concord, 1980)
 Marian McPartland: At the Festival (Concord, 1980)
 Marian McPartland and George Shearing: Alone Together (Concord, 1982)
 Personal Choice (Concord, 1982)
 Willow Creek and Other Ballads (Concord, 1985)
 Marian McPartland Plays the Music of Billy Strayhorn (Concord, 1987)
 Marian McPartland Plays the Benny Carter Songbook (Concord, 1990)
 Marian McPartland: Live at the Maybeck Recital Hall, Volume Nine (Concord, 1991)
 In My Life (Concord, 1993)
 Marian McPartland Plays the Music of Mary Lou Williams (Concord, 1994)
 Live in Tokyo: Marian McPartland and Hank Jones (Concord, 1994)
 Live at Yoshi's Nitespot (Concord, 1995)
 Marian McPartland with Strings: Silent Pool (Concord, 1997)
 Marian McPartland: Just Friends (Concord, 1998)
 Marian McPartland's Hickory House Trio: Reprise (Concord, 1999)
 Marian McPartland: Portraits (NPR, 1999)
 Marian McPartland: The Single Petal of a Rose, The Essence of Duke Ellington (Concord, 2000)
 Marian McPartland and Willie Pickens: Ain't Misbehavin' – Live at the Jazz Showcase (Concord, 2001)
 Windows (Concord, 2004)
 Marian McPartland Trio with Joe Morello and Rufus Reid – Live in New York (Concord, 2005)
 Marian McPartland & Friends: 85 Candles – Live in New York (Concord, 2005)
 Twilight World (2008)

With Helen Merrill
 Merrill at Midnight (EmArcy, 1957)

Awards

Honorary degrees
 Bates College
 Berklee College of Music
 Bowling Green State University
 City University of New York
 Eastman School of Music
 Hamilton College
 Ithaca College
 Union College
 University of South Carolina

Other awards
 2007 – National Radio Hall of Fame
 2006 – Long Island Music Hall of Fame induction
 2004 – Grammy Trustees Award from the Recording Academy
 2004 - Sapientia et Doctrina award, from Fordham University, NYC
 2001 – American Eagle Award from the National Music Council
 2001 – Gracie Allen Award from the American Women in Radio and Television
 2000 – NEA Jazz Masters Award
 2000 – Mary Lou Williams Women in Jazz Award
 1994 – Down Beat Lifetime Achievement Award
 1991 – ASCAP-Deems Taylor Award
 1986 – International Jazz Association of Jazz Education Hall of Fame induction
 1983 – Peabody Award

References

External links

The Sweet and Lovely Legacy of Marian McPartland
Marian McPartland's Official Facebook Page
Marian McPartland bio
Piano Jazz: Meet Marian McPartland
Marian McPartland's Piano Jazz NPR
Marian McPartland, Grande Dame of 'Piano Jazz'
"Marian McPartland Plays Ornette Coleman (and Everything Else!") by Ted Gioia, Jazz.com.
"Interview with Marian McPartland" by Arnold Jay Smith, Jazz.com.
"Marian McPartland, Jazz Pianist: An Overview Of A Musical Career"
"ETV Radio celebrates 90th birthday of jazz legend Marian McPartland"
 "Marian McPartland" (obituary), The Telegraph, 21 August 2013.
 Martin Chilton, "Marian McPartland and Jane Harvey: Jazz pioneers – Jazz world mourns the loss of two trailblazing women stars", The Telegraph, 22 August 2013.
 Marian McPartland Interview NAMM Oral History Library (1997)
 "Marian McPartland, jazz pianist and radio host, dies", BBC News, 22 August 2013.
Guide to the Jimmy and Marian McPartland Collection 1923-1990 at the University of Chicago Special Collections Research Center

1918 births
2013 deaths
People from Slough
American jazz pianists
American radio personalities
Alumni of the Guildhall School of Music and Drama
Bebop pianists
Bowling Green State University alumni
British composers
British jazz pianists
British radio presenters
Capitol Records artists
Concord Records artists
Cool jazz pianists
Dot Records artists
Grammy Award winners
Mainstream jazz pianists
NPR personalities
Officers of the Order of the British Empire
Peabody Award winners
Post-bop pianists
Savoy Records artists
Swing pianists
Women jazz pianists
British women pianists
Federal Records artists
People from Port Washington, New York
20th-century British musicians
20th-century American pianists
20th-century American women pianists
Jazz musicians from New York (state)
British women radio presenters
British emigrants to the United States
21st-century American women
Argo Records artists

Marian McPartland


الْمُقَوْقِس  في التّاريخ الإسلامي هو عظيم القبط في فترة ما قبل وأثناء الفتح الإسلامي لمصر. غالبًا ما ينسب إلى البطريرك كيرس أو كيرولوس اليوناني الذي كان بطريركًا ملكانيًّا متوليًا كرسي كنيسة الإسكندرية في القرن السّابع، وأحد واضعي عقيدة المشيئة الواحدة، وآخر حاكم بيزنطي لمصر. وقد عينه هرقل إمبراطور بيزنطة واليًا عليها وبطريركًا لكنيسة الإسكندرية سنة 631 ضد رغبة الأقباط الذين كانوا يتبعون المذهب اليعقوبي. وجهة نظر بديلة تنسب المقوقس إلى الوالي الساساني على مصر. توفي حوالي سنة 641 م.

لم يكن المقوقس اسمًا لرجل، وإنما كان لقبًا أو اسمًا لوظيفة، فهو تعريب للكلمة اليونانية Μεγαλειότατος (مِِغَلْيُوتَتُس) والتي تعني «جلالته» أو «صاحب الجلالة»، وهو لقب كان يستخدم كتتويج في الإمبراطوريّة البيزنطيّة ولبطاركتها. وقد ظهر هذا اللّفظ في رسالة الرّسول محمّد إلى المقوقس عظيم القبط، ثم عاد إلى الظّهور مرّة أخرى في أحداث فتح مصر.

رسالة الرّسول محمّد
أرسل الرّسول محمّد رسالة جاء فيها:

 وتقول الرواية: إنّ المقوقس لمّا قرأ الكتاب سأل حامله حاطب بن أبي بلتعة: ما منع صاحبك إن كان نبيًّا أن يدعو على من أخرجُوه من بلده فيسلّط الله عليهم السّوء؟ فقال حاطب: وما منع عيسى أن يدعو على أولئك الّذين تآمروا عليه ليقتلوه فيسلّط الله عليهم ما يستحقون؟ قال المقوقس: أنت حكيم جئت من عند حكيم.

استقبل المقوقس الرّسالة بالإكرام، وأمر بوضع الخطاب في نعش عاجي لحفظه في خزانة الحكومة بأمان، وأهدى النّبي محمّد جاريتين أختين هما مارية القبطية وسيرين ابنتا شمعون، بالإضافة إلى ملابس وبغلة تدعى دلدل. وفي رواية أخرى بعث المقوقس بطبيب ولكن النبي محمدًا ردّه قائلا .

ذكر الطبري أنّ الوفد قد تمّ إرساله في شهر ذي الحجة 6 هـ، (أبريل أو مايو 628). يقول ابن سعد إنّ المقوقس أرسل هداياه إلى الرّسول محمّد في 7 هـ (بعد مايو 628). يتماشى ذلك مع تأكيده أن مارية حملت إبراهيم بن محمّد في أواخر مارس أو أبريل  630، لذلك وصلت مارية إلى المدينة قبل يوليو 629.

تمّ حِفظ رسالة الرّسول محمّد إلى المقوقس في دير أخميم المسيحي في مصر. وهناك ألصقها راهب على كتابه المقدس. كانت الرّسالة مكتوبة على ورق الرق. من هناك، حصل عليها مستشرق فرنسي وباعها إلى السلطان عبد المجيد العثماني، مقابل 300 جنيه استرليني. ثبّت السّلطان الرّسالة في إطار ذهبي وحفظها في خزانة القصر الملكي، إلى جانب الآثار الأخرى المقدّسة. أكّد بعض العلماء المسلمين أنّ الرّسالة كتبها أبو بكر الصديق.

في السينما والتلفزيون
قُدِّمت شخصية المقوقس في أكثر من عمل فني، منها:
 مسلسل محمد رسول الله إلي العالم من إنتاج التليفزيون المصري في سنة 1993، وقدَّمها الممثل الراحل صلاح ذو الفقار.

انظر أيضا
 رسائل محمد

المصادر

الإسلام في القرن 7
بيزنطيون
حكام مصر

المقوقس


An Carex neopolycephala in uska species han Liliopsida nga ginhulagway ni Tang, Fa Tsuan Wang ngan Lun Kai Dai. An Carex neopolycephala in nahilalakip ha genus nga Carex, ngan familia nga Cyperaceae.

Subspecies

Ini nga species ginbahin ha masunod nga subspecies:

 C. n. neopolycephala
 C. n. simplex

Mga kasarigan

Carex

Carex neopolycephala


A Igreja Presbiteriana Reformada Associada no Malawi (IPRAM) - em inglês Associate Reformed Presbyterian Church in Malawi (ARPCM)  - foi uma denominação reformada presbiteriana no Malawi, formada em 2014, pelo Rev. John Joseph Matandika.

Em 2020, foi incorporada à Igreja Presbiteriana Reformada do Malawi.

História

Em 2007, John Joseph Matandika começou a trabalhar com a Missão "Alegria Para o Mundo" no Malawi, uma missão que promove o Calvinismo no país.

Em 2012, o pastor se formou em Teologia na Faculdade Bíblia Africana, o Uganda.

Após voltar ao Malawi, fundou a Igreja Presbireriana Reformada Associada no Malawi em 2014.

Em 2020, a denominação foi absorvida pela Igreja Presbiteriana Reformada do Malawi.

Doutrina

A IPRAM subscrevia a Confissão de Fé de Westminster, Catecismo Maior de Westminster e Breve Catecismo de Westminster.

Relações intereclesiásticas

A denominação já foi membro parte da Fraternidade Reformada Mundial

Denominações presbiterianas extintas no Malawi
Igrejas ex-membras da Fraternidade Reformada Mundial


An Elegia marlothii in uska species han Liliopsida nga syahan ginhulagway ni Neville Stuart Pillans, ngan ginhatag han pagkayana nga asya nga ngaran ni Moline och Hans Peter Linder. An Elegia marlothii in nahilalakip ha genus nga Elegia, ngan familia nga Restionaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Elegia (Restionaceae)

Elegia marlothii


يوم آخر، مسلسل قطري. أُنتج وعرض عام 2003، يتمحور موضوعه عن عائلة من أربع بنات والدهم ووالدتهم متوفيان. الأخت الكبرى هي (مها) وتحاول ان تكون بمثابة الام لشقيقاتها والأخت الثانية تدعى (هالة) وهي حادة الطباع وتهوى الطبخ ولم تكمل دراستها والثالثة هي (الجازي) والوحيدة التي اكملت دراستها الجامعية من بين شقيقاتها وتطمح في الحصول على وظيفة لتساعد عائلتها مادياً واما الاخت الصغرى (ريم) فهي فظة ومتمردة بسبب عدم رضاها لحالة عائلتها المادية وتأثير صديقتها الثرية واللعوب (شمس) عليها. الأخوات لديهن خال دائما يشرب الخمر ولديه 3 بنات وولد بالإضافة إلى عمهن الذي أخذ مالهن وحقهن في الورث ولا يحبهن وزوجته مسيطره عليه لأنها المسؤولة عن اموالهم.

الفنانين المشاركين

إنتاج تلفزيون قطر
مسلسلات تلفزيونية قطرية
مسلسلات رمضان 1424 هـ

يوم آخر (مسلسل)


Øbro og Tornbjerg er et dansk forfatterpar bestående af ægteparret Jeanette Øbro og Ole Tornbjerg.
Parret debuterede som skønlitterære forfattere, da de vandt Politikens Store Krimikonkurrence i 2010 med krimien Skrig under vand.

Skrig under vand handler om den dansk-engelske kriminalpsykolog Katrine Wraa, der er uddannet i England og bliver hentet til Danmark for at arbejde for drabsafdelingen i København.

Serien med Katrine Wraa fortsætter med Djævlens Ansigt (2011), Evas sidste nat (2013) og Det norske job (2014). Serien udkommer på Politikens Forlag og er solgt til udgivelse i fem lande.
Alle bøger har fået fire – fem-stjernede anmeldelser  og har givet Øbro og Tornbjerg en stor læserskare. I 2015 vandt parret Martha-Prisen for Det norske job.

Femte bind i Katrine Wraa-serien, Pigen og Vogteren, udkom i efteråret 2016 og sjette bind, De ustraffede, udkom i 2018.

Bibliografi
 Skrig under vand (2010)
 Djævlens ansigt (2011)
 Evas sidste nat (2013)
 Det norske job (2014)
 Pigen og Vogteren (2016)
 De ustraffede (2018)

Noter

Eksterne henvisninger
 Øbro & Tornbjerg på bibliografi.dk
 Jeanette Øbro på KrimiWiki.dk
 Ole Tornbjerg på KrimiWiki.dk
 Øbro & Tornbjergs officielle hjemmeside
 Jeanette Øbros officielle hjemmeside
 Ole Tornbjergs officielle hjemmeside
 Øbro & Tornbjerg på Litteratursiden

Par
Romanforfattere fra Danmark

Øbro og Tornbjerg


Zoran Miloševic (* 5. August 1967 in Živinice) ist ein bosnischer Fußballtrainer und ehemaliger Spieler, der momentan den Landesligisten SV Bad Bentheim trainiert. In seiner fast drei Jahrzehnte andauernden Spielerkarriere wurde er nach seinem Wechsel vom VfL Herzlake bei dem Oberligisten Eintracht Nordhorn heimisch und wurde dort in 13 Jahren zum Rekordspieler und Publikumsliebling. Der Mittelfeldstratege machte für die Eintracht aus Nordhorn bis zu seinem Karriereende, im Sommer 2011, 408 Spiele.

Karrierebeginn in der Heimat und Flucht nach Frankreich
Miloševic spielte in seiner Kindheit zunächst für NK Omladinac Mionica, ehe er als Jugendlicher zum FK Budućnost Banovići wechselte. Dort wurde er bald von dem bosnischen Erstligisten FK Sloboda Tuzla entdeckt und unter Vertrag genommen. Mit 18 Jahren bestritt er seine ersten Spiele bei den Profis in der damaligen 1. jugoslawischen Liga. Der größte Vereinserfolg in dieser Zeit war die Herbstmeisterschaft 1989. Nach einer chaotischen Rückrunde konnte Sloboda sich aber nicht an der Spitze halten. Tuzla blieb er bis 1992 treu, als er den Club, um dem Bürgerkrieg zu entfliehen verließ und zum französischen Zweitligisten SC Amiens wechselte.

Stationen in Deutschland
Um das Jahr 95 zog er mit seinem Sohn nach Deutschland und schloss sich dem VfL Herzlake an, welcher damals noch in der Regionalliga spielte. Nachdem der Verein in finanzielle Schwierigkeiten geriet und auch sportlich nicht mehr die Klasse halten konnte, wechselte Miloševic zu Eintracht Nordhorn um weiterhin in der Regionalliga spielen zu können. Dort wurde er heimisch und blieb dem Verein auch nach dem Zwangsabstieg im Jahre 2000 treu. In den folgenden Jahren wurde Miloševic zu einem der wichtigsten Spieler und zum Publikumsliebling.

Trotz seiner mittlerweile 37 Jahre suchte er bei dem SV Meppen kurzzeitig eine neue Herausforderung. Sein Halbjahresvertrag wurde nicht verlängert und so wechselte er in der Winterpause der Saison 2007/2008 wieder zur Eintracht Nordhorn, wo er direkt wieder Stammspieler war. Auch in seinen letzten drei Saisons trat Miloševic in jeweils mindestens 30 Spielen für Eintracht Nordhorn an. Da er auch mit über vierzig Jahren so gut wie nie verletzt war. In Zorans letzter Saison brach er gleich zwei Vereinsrekorde; er überholte Carsten Minich, der bis dato mit 394 Einsätzen für die Eintracht ihr Rekordspieler war. Gleichzeitig ist er mit 43 Jahren der älteste Spieler der in der Geschichte des Vereins 90 Minuten zum Einsatz kam.

Trainerlaufbahn
Am 6. Oktober 2011 hat Miloševic beim Landesligisten SV Bad Bentheim die Nachfolge des entlassenen Hartmut Johanninck angetreten. Er hat einen Vertrag bis zum 30. Juni 2013 unterschrieben. Darüber hinaus soll Zoran auch als Spielertrainer bei der Mannschaft auf dem Platz aushelfen, um den Abstieg doch noch abzuwenden. Er hat das Team auf dem letzten Platz übernommen und hat sie bis heute schon auf den 14. Platz geführt.

Spielweise und Besonderes
Miloševic zeichnete sich durch ein großes Spielverständnis und sichere Pässe, sowie eine starke Zweikampfpräsenz aus. Der defensive Mittelfeldspieler hat das spiel der Nordhorner gestaltet und stark geprägt.

Seine Fitness und Robustheit sucht auch in höheren Ligen nach Beispielen. Er war in 13 Jahren bei Eintracht Nordhorn nur einmal mehrere Wochen verletzt. Und da war er bereits 42 Jahre alt.

Außerdem ist er der einzige Spieler der Eintracht Nordhorn, der zusammen mit seinem Sohn ein Ligaspiel bestritt. Das war in der Saison 2010/2011 als sein 19-jähriger Sohn Vanja einige Male in der Schlussviertelstunde eingewechselt wurde.

Erfolge
Mit Sloboda Tuzla
 Jugoslawischer Herbstmeister 1989 (inoffizieller Titel)

Mit Eintracht Nordhorn
 DFB-Pokal Qualifikation 2008/2009 (1. Runde 3:9 gegen Werder Bremen)
 Vize-Meister der Oberliga Niedersachsen 2009
 Qualifikation für die eingleisige Oberliga Niedersachsen 2010

Persönliche Leistungen
 Rekordspieler des SV Eintracht Nordhorn mit 408 Spielen
 Ältester eingesetzter Spieler des SV Eintracht Nordhorn mit 43 Jahren und 10 Monaten

Weblinks
 Artikel im General-Anzeiger über Miloševic
 Artikel zum Trainerjob bei Bentheim

Fußballspieler (Jugoslawien)
Fußballspieler (Eintracht Nordhorn)
Fußballspieler (FK Sloboda Tuzla)
Fußballspieler (SC Amiens)
Fußballspieler (SV Meppen)
Fußballspieler (VfL Herzlake)
Fußballtrainer (Deutschland)
Jugoslawe
Bosnier
Geboren 1967
Mann

Zoran Miloševic


111660 Jimgray este un asteroid din centura principală de asteroizi.

Descriere
111660 Jimgray este un asteroid din centura principală de asteroizi. A fost descoperit pe  la Apache Point Observatory în cadrul programului Sloan Digital Sky Survey. Asteroidul prezintă o orbită caracterizată de o semiaxă mare de 3,26 ua, o excentricitate de 0,03 și o înclinație de 9,1° în raport cu ecliptica.

Vezi și
 Lista planetelor minore: 111001-112000
 Centura de asteroizi

Referințe

Obiecte astronomice descoperite în 2002
Centura de asteroizi

111660 Jimgray


Şevket Yorulmaz (1926, Konya - 10 Ağustos 1997, İstanbul), Türk millî futbolcudur. Beşiktaş'ın 1950'li yıllarındaki unutulmaz golcü oyuncularından. 10 Ağustos 1997 tarihinde geçirdiği kalp krizi sonucu ölmüştür. Cenazesi 11 Ağustos 1997 tarihinde, Beşiktaş'taki Sinan Paşa Camii'nde öğleyin kılınan cenaze namazının ardından defnedildi. Beşiktaş kulübü tarafından her sene ölüm yıldönümünde kabrinde anılmaktadır.

Futbolculuk kariyeri
Şevket Yorulmaz, 1926'da Konya'da dünyaya geldi ve futbola Konya İdman Yurdu'nda başladı. 1945'te Antalya 5. Jandarma Okulu'nda asker iken futbol maçlarında kendini göstermesi üzerine Ankara Jandarmagücü'ne gönderildi. 2 yıllık askerliğin ardından 1947'de Beşiktaş'a transfer oldu. Beşiktaş'ta 1951-1952 ve 1952-1953 sezonlarında iki kez üst üste gol kralı oldu.

Şevket Yorulmaz, özellikle ceza alanı içindeki fırsatçılığı, çabukluğu ve gol vuruşlarıyla dikkatleri çekti. 3 kez A Millî formayı giydi. Şevket Yorulmaz, Fenerbahçe ağlarına 10, Galatasaray ağlarına da 9 gol atarak, Beşiktaş tarihine adını yazdırdı.

Teknik direktörlük kariyeri
1955'te Beşiktaş'tan ayrılan Yorulmaz, antrenör-futbolcu olarak amatör lig ekibi Bursa Merinosspor ile anlaştı ve 1960'ta futbolculuk kariyerini noktalayan kadar bu kulüpte kaldı. 1964'te ise antrenörlük kursuna katılmasının ardından tekrar Bursa Merinosspor'u çalıştırmaya başladı ve 1978'e kadar görevde kaldı.

Futbolu bıraktıktan sonra uzun süre Beşiktaş yönetiminde görev alan Yorulmaz, daha sonra Divan Kurulu üyeliği ve kulüp müdürlüğü görevlerini de üstlendi.

Kaynakça

Dış bağlantılar

1926 doğumlular
Konya doğumlu futbolcular
1997 yılında ölenler
Türk erkek futbolcular
Türkiye 21 yaş altı millî futbol takımı futbolcuları
Türkiye millî futbol takımı futbolcuları
Beşiktaş JK futbolcuları
Zincirlikuyu Mezarlığı'na defnedilenler
Türkiye A2 millî futbol takımı futbolcuları

Şevket Yorulmaz


Rudolf Bachmann (* 8. Mai 1877 in Wien; † 4. April 1933 ebenda) war ein österreichischer Maler, Architekt und Medailleur.

Leben
Rudolf Bachmann studierte von 1900 bis 1903 Bildhauerei an der Akademie der bildenden Künste Wien (im ersten Jahr als Gasthörer). Dort war er unter anderem ein Schüler von Hans Bitterlich. 1904 stellte er erstmals mit dem Hagenbund aus, dessen Mitglied er von 1905 bis 1912 war. Außerdem gehörte er dem Wiener Künstlerhaus an.

Bachmann war überwiegend als Medailleur aktiv, insbesondere gestaltete er eine Reihe von Gedenkmedaillen. In der Medaillensammlung des Wiener Heeresgeschichtlichen Museums werden drei Medaillen von seiner Hand verwahrt. Seine Bronzemedaille auf den Tod des Thronfolgerpaares Erzherzog Franz Ferdinand und Sophie von Hohenberg am 28. Juni 1914 wird in der permanenten Schausammlung des Museums im Sarajevo-Travée gezeigt.

Bachmann stellte auch mit einer von ihm selbst konstruierten Reduktionsmaschine verkleinerte Elfenbeinreliefs her, zum Teil nach Modellen anderer Künstler.

Werke (Auszug)

 Reliefplakette Kaiser Franz Joseph I., 1914/18, Zinnguss, 1,5 × 24 cm; Heeresgeschichtliches Museum, Wien
 Reliefplakette Leopold Ritter von Dittel im Arkadenhof der Universität Wien, 1908
 Bronzerelief der Kaiserin Elisabeth, 1904, Kahlenberg, Wien (Architektur mit Steinbank von Oskar Felgel)
 Otto-Nikolai-Gedenktafel, Seilerstätte, Wien
 Statuette Kaiser Franz Joseph I. als offizielle Ausgabe der k. u. k. Kriegsfürsorge, 1914/18, Zinnguss, 7,7 × 7,3 × 26,5 cm; Massenproduktion, ein Exemplar im Heeresgeschichtliches Museum, Wien; weitere Exemplare im Kunsthandel
 Verschneites mittelalterliches Städtchen. Kirchgänger auf dem Weg zur Christmette, Öl auf Leinwand, 100 × 73 cm
 Sonnenaufgang über winterlichem Gebirge, 1899, Öl auf Leinwand, 42 × 80 cm

Literatur

 Jacek Stralkowski: Lexikon deutschsprachiger Medailleure und ihrer Werke in der ersten Hälfte des 20. Jahrhunderts. Lodz 2000, ISBN 83-90664-75-5, S. 31.
 Wladimir Aichelburg: Das Wiener Künstlerhaus 1861–2001. Wien 2003, S. 237, 241, 336.
 Ilse Krumpöck: Die Bildwerke im Heeresgeschichtlichen Museum. Wien 2004, S. 15–20.

Weblinks

 Historisches Architektenregister Baader – Bamm

Einzelnachweise

Medailleur
Maler (Wien)
Architekt (Wien)
Person (Cisleithanien)
Österreicher
Geboren 1877
Gestorben 1933
Mann

Rudolf Bachmann (Maler)


Sebastian König (* 15. März 1981 in Frankfurt am Main) ist ein deutscher Schauspieler.

Leben
König besuchte in Frankfurt am Main das Gymnasium und legte dort auch sein Abitur ab. Während seiner Schulzeit verbrachte er 1997/1998 ein Jahr an einer High School in Toronto, Kanada. Erste schauspielerische Erfahrungen machte er bereits während seiner Schulzeit an einem Frankfurter Theaterstudio, später dann, während seines Zivildienstes (2000/2001), am Papageno-Theater in Frankfurt am Main. Dort gab er 2001 sein Bühnendebüt in dem Märchenstück Der kleine Muck.

König absolvierte anschließend von 2002 bis 2005 eine Schauspielausbildung am Max Reinhardt Seminar in Wien, die er mit Auszeichnung  abschloss. Zu seinen Lehrern dort gehörten unter anderem Artak Grigorjan, Klaus Maria Brandauer und István Szabó. Während seiner Ausbildung spielte er 2003 am Schlosstheater Wien die Rolle des Sozialrevolutionärs Kaljajew in Die Gerechten. Dort wurde er von dem Regisseur und Intendanten Anselm Weber entdeckt, der ihn daraufhin 2005 an das Schauspiel Essen engagierte.
Er hatte Fest- und Gastengagements am Schauspiel Essen (2005–2008), an der Volksbühne Berlin (seit 2008 dort festes Ensemblemitglied), am Maxim-Gorki-Theater (2011) und bei den Luisenburg-Festspielen (2007). Für seine schauspielerische Leistung bei den Luisenburg-Festspielen erhielt er 2007 von der Kritiker-Jury den Nachwuchspreis der Stadt Wunsiedel.

König spielte als Theaterschauspieler ein breites Repertoire, das Rollen in Stücken von William Shakespeare, insbesondere aber auch Stücke der Moderne und des zeitgenössischen Theaters umfasste.

Zu seinen Bühnenrollen gehörten unter anderem Kai Carlsen in einer Bühnenfassung des Romans Stier von Ralf Rothmann (Schauspiel Essen, 2005/2006), Dankwart in Die Nibelungen (Schauspiel Essen, 2005/2006)), Lysander in der Komödie Ein Sommernachtstraum (Schauspiel Essen, 2005–2007), Karl Moor in Die Räuber (Schauspiel Essen, 2006/2007), Absyrtus in Das goldene Vlies (Schauspiel Essen (2007/2008), D'Artagnan in Die drei Musketiere (Luisenburg-Festspiele 2007), Malcolm in Macbeth (Volksbühne Berlin, 2008/2009), Charles in Quai West von Bernard-Marie Koltès (Volksbühne Berlin, 2010/2011; Regie: Werner Schroeter, neben Christoph Letkowski als Fak) und der Lehrer in Der Hofmeister (2011, Produktion des Maxim-Gorki-Theaters mit dem Campus Rütli).

König übernahm seit 2004 gelegentlich auch Filmrollen, in Kurzfilmen und Dokumentarfilmen. König ist jedoch fast ausschließlich als Theaterschauspieler tätig. Eine Episodenhauptrolle hatte er 2008 in der ZDF-Krimiserie SOKO Wismar (Folge: Das verschlossene Zimmer, als Patrick).

König arbeitet außerdem als Sprecher für Hörspiele und Hörbücher. Er wirkte unter anderem 2004 beim ORF in einer Hörspielfassung des Romans Holzfällen und 2006 beim Bayerischen Rundfunk in einer Thriller-Fassung des Romans Der Mann ohne Eigenschaften mit.

König lebt in Berlin.

Filmographie (Auswahl)
 2004: Niemals vergessen (Kurzfilm)
 2008: SOKO Wismar (Folge: Das verschlossene Zimmer)
 2009: Welt der Wunder (Kaspar Hauser)
 2010: Eintagsrebellen (Kurzfilm)

Weblinks

 Sebastian König – Agentur

Einzelnachweise

Filmschauspieler
Theaterschauspieler
Hörspielsprecher
Deutscher
Geboren 1981
Mann

Sebastian König (Schauspieler, 1981)


An Sporobolus quadratus in uska species han Liliopsida nga ginhulagway ni Clayton. An Sporobolus quadratus in nahilalakip ha genus nga Sporobolus, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Sporobolus

Sporobolus quadratus


Šamkirski rajon (azerski: Şəmkir rayonu) je jedan od 66 azerbajdžanskih rajona. Šamkirski rajon se nalazi na zapadu Azerbajdžana. Središte rajona je Šamkir. Površina Šamkirskog rajona iznosi 1.660 km². Šamkirski rajon je prema popisu stanovništva iz 2009. imao 191.428 stanovnika, od čega su 96.183 muškarci, a 95.245 žene.

Šamkirski rajon se sastoji od 57 općina.

Izvori

Rajoni Azerbajdžana

Šamkirski rajon


Pawel Kulikow ist der Name folgender Personen:

* Pawel Nikolajewitsch Kulikow (* 1992), russischer Skeletonpilot
 Pawel Wladimirowitsch Kulikow (* 1992), russischer Eishockeyspieler

Pawel Kulikow


La fosfoinosítido fosfolipasa C delta 1 (PLCD1) () es una isozima humana de la enzima fosfoinosítido fosfolipasa C. Cataliza la reacción:

 1-fosfatidil-1D-mio-inositol 4,5-bisfosfato + H2O  1D-mio-inositol-1,4,5-trisfosfato + diacilglicerol

Tiene como función la producción de las moléculas mensajeras diacilglicerol e inositol 1,4,5-trifosfato. Es esencial para el desarrollo de la placenta y de los trofoblastos. Se une a 3 iones calcio por subunidad. Dos de los iones calcio se unen al dominio C2. Otros dominios que contiene son 2 dominios manos EF, 1 dominio PH, 1 dominio PI-PLC X-box y 1 dominio PI-PLC Y-box.

Referencias

Fosfolipasas
EC 3.1.4

PLCD1


සෙංකඩගල පෙරහැර මංගල්‍යයේ ප්‍රධානතම සහ පෙරටුගැමී කොටස දළදා පෙරහැර මංගල්‍යයවේ.

මෙය දළදා මාළිගාව මගින් සංවිධානය කෙරේ. වැලිවිට සරණංකර හිමි විසින් මෙම පෙරහැර සෙංකඩගල දේවාල පෙරහර සමග  එක්කර ඇත.

වැඩිදුර කියවීම්
 සෙංකඩගල පෙරහැර මංගල්‍යය
 ශ්‍රී දළදා මාළිගාව
 සෙංකඩගල රාජකීය පරිශ්‍රය
 දළදා පෙරහැර

දළදා පෙරහැර

සෙංකඩගල දළදා පෙරහැර මංගල්‍යය


Mesillat Yesharim or Mesillas Yeshorim (, lit. "Path of the Upright") is an ethical (musar) text composed by the influential Rabbi Moshe Chaim Luzzatto (1707–1746). It is different from Luzzato's other writings, which are more philosophical.

Mesillat Yesharim was written and published in Amsterdam. The earliest known manuscript version, written in 1738, was arranged as a dialogue between a hakham (wise man) and a hasid (pious person). Before publication, it was rearranged to have only one speaker. The dialogue version often sheds light on the more well-known version.

Mesillat Yesharim is probably Luzzato's most influential work, widely learned in virtually every yeshiva since formal study of musar texts was introduced to the yeshiva curriculum by the Mussar Movement of Rabbi Yisroel Salanter.

Aim of the work
The aim of this work extends beyond the achievement of the perfection of human character in Divine service.  Its stated aim is to remind the reader of one's deepest obligations in this regard, as well as to encourage the centrality of the deep study of this subject matter in one's daily life.  Unlike many other musar books, which are ordered according to the authors' own lists of character traits, Luzzato builds his work on a Beraita in the name of the sage Pinchas ben Yair, whose list goes in order of accomplishment:

"Rabbi Pinchas ben Yair said: Torah leads to watchfulness; watchfulness leads to alacrity; alacrity leads to cleanliness; cleanliness leads to abstention; abstention leads to purity; purity leads to piety; piety leads to humility; humility leads to fear of sin; fear of sin leads to holiness; holiness leads to prophecy; prophecy leads to the resurrection of the dead".

Within each step, Luzzatto explains the step itself, its elements, how it can be acquired, and what might detract from its acquisition. For example: Watchfulness can be acquired by setting aside time for introspection, and acquiring watchfulness can be impaired by excessive mundane responsibilities, wrong company or a cynical stance in life. The same pattern is used for every single one of the traits mentioned.

Outline

 Introduction
 Man's General Duty in His World (Ch. 1)
 Watchfulness (zehirut) (Ch. 2-5)
 Alacrity (zerizut) (Ch. 6-9)
 Cleanliness (of sin, nekiyut) (Ch. 10-12)
 Abstention (of improper practices, perishut) (Ch. 13-15)
 Purity (tahara) (Ch. 16-17)
 Piety (chassidut) (Ch. 18-21)
 Humility (anava) (Ch. 22-23)
 Fear of sin (yirat chet) (Ch. 24-25)
 Holiness (kedusha) (Ch. 26-27)
 Epilogue

Influence
Mesillat Yesharim is perhaps the most important Jewish ethical text of the early modern period. The Vilna Gaon is reported to have commented that he could not find a superfluous word in the first eleven chapters of the work, and stated that he would have traveled to meet the author and learn from his ways if he had still been alive. These and similar pronouncements largely cleared Luzzato from misgivings by others as to his suspected Sabbatean leanings.

Text, translations, and commentaries
 Complete Messillat Yesharim online
Hebrew original
English translation
 Translations
 Luzzatto, Moses Hayyim. Messillat Yesharim: The Path of the Upright; translated by Mordecai Kaplan from the critical edition.  Philadelphia: Jewish Publication Society. .
 Luzzato, Rabbi Moshe Chayim. Mesillas Yeshorim; translated by Rav. Yaakov Bar Yosef. Netzari Faith Publishers. .
 Luzzato, Rabbi Moshe Chayim. Mesillas Yeshorim; translated by Yosef Leiber. New York: Feldheim Publishers. .
 Luzzato, Rabbi Moshe Chayim. The Path of the Just; translated by Yaakov Feldman. New York: Jason Aronson Publishers. .
 Luzzato, Rabbi Moshe Chayim. The Complete Mesillat Yesharim; translated by Avraham Shoshana and associates. Cleveland: Ofeq Institute. .
 Commentaries on Messilllat Yesharim
 Ira F. Stone's commentary, included in the new Jewish Publication Society edition of the book ().
 Hillel, Yaakov Moshe. Ascending the Path: Insights Into Mesillat Yesharim. Jerusalem: Yeshivat Hevrat Ahavat Shalom. 7 vol
 Ohr La'Yesharim  on Mesilat Yesharim with a compendium of commentaries and explanations by great rabbis from the Musar Movement.
 Mesilat Yesharim with commentary Sod L'Yesharim, a compendium of commentaries and explanations from other books by the Ramchal.
 Mandelbaum, Alexander Aryeh. Bam'silah Naale.
 Bilvavi Mishkan Evneh on Mesilias Yesharim

References

1738 books
Jewish philosophical and ethical texts
Hebrew-language religious books
Sifrei Kodesh
Ethics books
Dialogues

Mesillat Yesharim


Nová Polianka este o comună slovacă, aflată în districtul Svidník din regiunea Prešov. Localitatea se află la , se întinde pe o suprafață de  și în 2017 număra 72 de locuitori.

Istoric
Localitatea Nová Polianka este atestată documentar din 1414.

Note

Legături externe

Localități din Slovacia

Nová Polianka


La meseta del lago Buenos Aires consiste de un área relativamente plana y de una elevación de más de 1000 , ubicada en el departamento Lago Buenos Aires, de la provincia argentina de Santa Cruz en la Patagonia. El borde norte de la meseta se ubica a 13 km al sur de la ribera del lago Buenos Aires, en su sector sudoriental. El límite poniente de la meseta se levanta el monte Zeballos, de 2743  Aquí también se localizaría el futuro Parque Nacional Patagonia.

Referencias
Datación de lavas basálticas por 40Ar/39Ar y geología glacial de la región del Lago Buenos Aires. Revista de la Asociación Geológica Argentina, diciembre de 1999

Lago Buenos Aires
Geografía del departamento Lago Buenos Aires
Accidentes geográficos de la provincia de Santa Cruz (Argentina)

Meseta del lago Buenos Aires


Wolfgang Hirschmann (* 8. Januar 1937 in Breslau) ist ein deutscher Tonmeister und Musikproduzent mit einem Fokus auf der deutschen Jazzszene.

Leben
Hirschmann kam nach Abitur in Weimar an das Robert Schumann-Konservatorium in Düsseldorf, wo er bei Friedrich Trautwein studierte; er wechselte dann in die Tonmeister-Ausbildung der Nordwestdeutschen Musikakademie Detmold zu Erich Thienhaus. 1958 wurde er von Electrola in Köln als Tonmeister engagiert. Zu seinen ersten Produktionen gehörte eine Aufnahme mit den Feetwarmers um Klaus Doldinger. Am 7. Juli 1959 nahm er mit Rolf Kühn für Dietrich Schulz-Köhn die EP Holiday in Europe auf.

1960er Jahre
In den 1960er Jahren nahm Hirschmann häufig das Orchester Kurt Edelhagen für Fernsehproduktionen auf. Daneben traten zunehmend Produktionen für die in Köln tätigen Komponisten der Neuen Musik wie Karlheinz Stockhausen, David Tudor oder Mauricio Kagel. Hirschmann verantwortete bereits 1961 die LP Zyklus/Refrain/Transición II mit Werken von Karlheinz Stockhausen und Mauricio Kagel.

Am 18./19. Mai 1961 war Hirschmann für den Kölner Impresario Gigi Campi Tonmeister bei drei Aufnahmen des neu formierten Francy-Boland-Ensembles für Alfred Lions Blue Note Records. Diese Gruppe bildete den Kern der späteren Kenny Clarke/Francy Boland Big Band. Campi und Hirschmann waren von der ersten Aufnahme im Dezember 1961 bis zur letzten Aufnahme 1973 für alle Produktionen der Bigband verantwortlich. Am 23./24. September 1962 leitete Hirschmann die Aufnahmen eines Konzertes mit Klassik-Pianist Friedrich Gulda während der Berliner Festwochen, das sich für Hirschmann überraschend als Jazzkonzert herausstellte; denn Gulda hatte allein 1960 insgesamt 112 Auftritte als klassischer Pianist absolviert. Im Juni 1962 hatte sich der exzellente Beethoven-Interpret Gulda jedoch für den Jazz entschieden.

Mit Hirschmann als Tonmeister entstanden in den Elektrola-Tonstudios in Köln weitere Aufnahmen: 1962 nahm er mit Severino Gazzelloni & Aloys Kontarsky die Neue-Musik-LP Music for Solo Flute auf. Dann folgte die LP Jazz in Europe – Die deutschen All-Stars – Eine Dokumentation des Jazz in Deutschland, am 12./13. Januar 1963 in Baden-Baden von Hirschmann eingepegelt und unter Aufsicht von Joachim Ernst Behrendt. Die Jazz-LP Handle with Care für die Clarke/Boland Big Band entstand wenige Tage später am 25./26. Januar 1963. Auch das Johnny-Griffin-Quartet ließ seine LP Night Lady am 13. Februar 1964 von Hirschmann einpegeln.

Hirschmann war aber als Musikregisseur und Produzent bei der Electrola für alle musikalischen Bereiche zuständig. So hat er beispielsweise auch mit Gitte Hænning, Lotti Krekel und Marlene Dietrich produziert.
Die Sahib-Shihab-LP Summer Dawn wurde am 8. Mai 1964 bei Electrola produziert; die Clarke Boland Big Band-LP Swing, Waltz, Swing entstand am 28. Februar 1966 bei EMI. Marcel Marceau präsentierte das Clarke-Boland-Sextett auf der 1965 erschienenen LP Swing im Bahnhof, aufgenommen von Hirschmann am 25. September 1965 im Bahnhof Rolandseck.

Francy Boland kam für seine LP Out of the Background am 18. Februar 1967 nach Köln, während Hirschmann für die Francy-Boland-LP Flirt and Dream am 28. Mai 1967 mit nach Brüssel reisen musste. Auch die nächsten Aufnahmen dieser Band waren ein Auswärtstermin, denn das Clarke Boland Sextet nahm seine LP Music for the Small Hours am 16. Juni 1967 in Berlin auf, während die dritte Clarke-Boland-LP Sax no End am 18. Juni 1967 im Rhenus-Studio in Köln-Godorf entstand. Die Clarke-Boland-LP Sketches from the "Faces" Suite entstand am 14. Dezember 1967 bei EMI, die Mark-Murphy-LP Midnight Mood am 18. Dezember 1967 ebenfalls bei Electrola. Zusammen mit Heinz Gietz produzierte Hirschmann 1968 die LP Hallo Paulchen – Hallo Greetje mit Paul Kuhn und Greetje Kauffeld. Für The Lords arrangierte Hirschmann 1967 auch gemeinsam mit Claudio Szenkar; einer der Titel (John Brown's Body) wurde auch von Rex Gildo eingespielt.

Für die LP All Smiles holte Hirschmann die Clarke-Boland-Band am 13./14. Mai 1968 in die Electrola-Studios, während er deren nächste LP Faces am 28./29. Juni 1968 in den Kölner Sonopress-Studios aufnahm. Das Sahib-Shihab-Quintett (mit Clarke/Boland) stand am 9. Juni 1968 für die LP Seeds vor seinen Mikrofonen. Hirschmann kam 1968 auf die Idee, Gitte Hænning mit Boland zusammenzubringen, um ihr den Wunsch nach Jazzaufnahmen zu erfüllen (und sie so bei Electrola zu halten): Die Bigbandaufnahmen für die LP My Kind of World entstand am 13. August 1968 im Electrola-Studio mit Hirschmann; die Gesangsstimme wurde in Kopenhagen eingespielt. Die nächste Clarke-Boland-LP All Blues wurde am 27. Mai 1969 ebenfalls von Hirschmann eingepegelt, für Smiles versammelte man sich einen Tag später am 28. Mai 1969.

1970er Jahre

Ende 1966 gründete Heinz Gietz das Plattenlabel Cornet Records, dem 1969 unter Mitwirkung von Wolfgang Hirschmann die Cornet-Tonstudios in Köln-Junkersdorf (Aachener Straße 1112a) folgten. Die Studios konnten sich einen Namen für Aufnahmen aller Art machen, etwa für Graham Bonney oder Bill Ramsey mit den Jay-Five. Auch zahlreiche Jazz- und Bigband-Aufnahmen entstanden dort, weil die beiden Eigner "für Jazz-Musiker ihre Tarife halbierten". Hier entstanden nicht nur die Aufnahmen für Künstler des bis 1977 bestehenden Cornet-Labels, sondern ebenso labelfremde Auftragsproduktionen, an denen Hirschmann beteiligt war, etwa mit The Lords, Berry Lipman, Marek & Vacek oder Adamo. 2001 stellte das Studio seinen Betrieb ein.

Hirschmann erkannte als Produzent im Cornet-Studio das Potenzial von Hans Knipps Idee zum Kölner Karnevalsschlager Ne Besuch em Zoo, der im Dezember 1969 für Horst Muys zum ersten im Cornet-Tonstudio entstandenen Verkaufserfolg des Cornet-Labels mit über 100.000 Exemplaren innerhalb eines Zeitraumes von drei Monaten wurde (Cornet #3144). Eine der ersten Jazz-Aufnahmen, die im neuen Studio entstanden (noch mit von Electrola geliehenem Studio-Equipment), war Tough Tenors: Again 'n' Again mit Eddie Lockjaw Davis, Johnny Griffin, Francy Boland, Jimmy Woode und Kenny Clarke, aufgenommen am 24. April 1970. Die Cornet-Studios waren am 30. September 1970 für die LP Off Limits der Kenny Clarke/Francy Boland Big Band mit Tonmeister Hirschmann gebucht. Singing End – eine der Vorgänger-Gruppen der Kölsch-Band Bläck Fööss (mit Günther Lückerath Leadgitarre/Gesang, Herbert Ihle Rhythmusgitarre/Gesang, Rainer Pietsch Piano/Orgel u. a., Rolf Lammers Keyboard, Dieter Geis Schlagzeug) – buchte für ihre LP Listen to the Music! im Dezember 1970 die Cornet- und Rhenus-Studios (Köln-Godorf). Freddy Breck wurde von Lotti Krekel zu Cornet Records vermittelt, wo er unter Produzent Heinz Gietz 1970 seine erste Single Carola / My Sweet Candy (Cornet #3184) mit Hirschmann als Tonmeister aufnahm. Als er bei den Sessions nicht so recht vorankam, ermunterte ihn Hirschmann: "Nun mach' mal, Du Künstler."

Gemeinsam mit Gietz produzierte Hirschmann für das ZDF Musik ist Trumpf. Das Studio wurde kommerziell durch Aufnahmen für Peter Alexander, Rudolf Schock, Caterina Valente oder Heinz Rühmann getragen. Auch die Produktionen der Bläck Fööss und Walter Scheels Interpretation von Hoch auf dem gelben Wagen entstanden in diesem Studio.

Stan Getz nahm am 14. Juni 1971 mit der Bigband von Clarke/Boland 6 Titel für die LP Change of Scenes in Köln mit Hirschmann als Tonmeister auf. Nach 12 Jahren löste sich die Clarke-Boland Big Band nach Mai 1972 auf und hinterließ im Jazz und den Studios eine große Lücke. Dafür ließ Peter Herbolzheimer 7 Tracks für die LP Big Band Man im Januar 1973 von Hirschmann produzieren, Günter Noris erschien mit der Bundeswehr-Bigband für die LP Hit-Festival im November/Dezember 1974 in den Cornet-Studios. Auch neuere Entwicklungen des Jazz wie Fusion und Jazz-Rock überwachte Hirschmann, als Rolf Kühn im Januar 1975 im Cornet-Studio die LP Total Space aufnahm; ebenso die von Vera Brandes und Kurt Renker live am 6. Februar 1977 in Düren aufgenommene Nucleus-LP In Flagrante Delicto, am 28. Februar 1977 bei Cornet abgemischt.

1980er und 1990er Jahre
Udo Lindenberg & sein Panik Orchester suchte für die LP Odysee die Dienste des Cornet-Studios im Oktober/November 1982, die Francis Coppieters Selection nahm ihre LP Colours in Jazz im März 1986 ebenfalls in den Cornet Studios mit Hirschmann auf.

1986 wurde Hirschmann als Produzent und Redakteur der WDR Big Band Köln berufen. Als solcher hat er viele Produktionen des WDR-Klangkörpers auf CD verewigt, wobei es zu seinen Prinzipien gehörte, die Aufnahmen nicht allzu lange nachzubearbeiten. In der Regel veröffentlichte er Live-Mitschnitte oder First Takes von Studioproduktionen. Für die Konzerte der WDR Big Band in der Kölner Philharmonie mit prominenten Gastsolisten wurde auf seine Anregung ein "Jazz-Abo" eingerichtet. Hier entstand etwa im März 1991 mit der WDR Big Band und Bob Brookmeyer dessen LP Electricity. Die WDR Big Band selbst brachte eine Trilogie mit den LPs The World of Duke Ellington heraus, live in der Kölner Philharmonie am 16. Mai 1994 (Teil 1), 5. Juni 1994 (Teil 2) und 18. Juni 1994 (Teil 3) aufgenommen; 3 Titel entstanden im WDR-Studio 4. Die WDR Big Band wirkte auch auf der LP Jazzpaña von Vince Mendoza vom Oktober 1992 mit, sie ist eine Kombination aus Flamenco und Jazz, dem Flamenco Jazz. Vince Mendoza nahm Hirschmanns Dienste mit der WDR Big Band auch für die LP Scetches (aufgenommen im November/Dezember 1993 beim WDR) in Anspruch. Eddie Harris gab sein letztes Konzert am 14. März 1996 in Köln, produziert von Hirschmann mit der WDR Big Band.

Ab 1996 bis Januar 2002 war Hirschmann ihr Orchester-Manager, deren Repertoire er ständig erweiterte. Im Januar 2002 ging Hirschmann beim WDR in Pension und wurde abgelöst durch Lucas Schmid.

Für Schlagzeuger Kenny Clarke gab es nur drei bedeutsame Produzenten, nämlich Hirschmann, Rudy Van Gelder und den in Paris arbeitenden Deutschen Gerhard Lehner (Barclay Studios). Alle drei hatten unter anderem gemeinsam, dass sie sein Schlagzeug meist mit nur einem Mikrofon aufnahmen.

Auszeichnungen
Auf der 28. Tonmeistertagung 2014 in Köln, wurde ihm vom Verband Deutscher Tonmeister die VDT Ehrenmedaille verliehen.

Weblinks
 Interview in Jazzzeitung 3/2002

Einzelnachweise

Tonmeister
Jazz-Produzent
Kultur (Köln)
Deutscher
Geboren 1937
Mann

Wolfgang Hirschmann (Musikproduzent)


Dumont est une ville américaine située dans le Comté de Traverse, dans le Minnesota. Selon le recensement de 2020, sa population est de .

Références

Liens externes

Ville au Minnesota
Comté de Traverse

Dumont (Minnesota)


For livet er en dansk kortfilm fra 2013 instrueret af Martin Reinhard.

Handling
En far vender efter mange års fravær hjem for at forhindre sin søn, Peter, i at gentage et selvmordsforsøg. Peters naturlige skepsis overvindes af nysgerrigheden, og han følger sin far til et øde hus. Farens ekstreme metoder tvinger Peter til at kæmpe for egen overlevelse, og langsomt flytter han sit fokus fra selvmord til selvopretholdelse.

Medvirkende

 Frederik Christian Johansen, Peter
 Claes Bang, Faren

Referencer

Eksterne henvisninger

Kortfilm fra Danmark
Danske film fra 2013

For livet


دزهاليل  هي مدينة في جمهورية تتارستان في روسيا.

يبلغ عدد سكانها حوالي 14361 نسمة.

مراجع

بلدات من النمط المدني في جمهورية تتارستان
أماكن مأهولة أسست في 1964
مدن تتارستان

جليل (تتارستان)


O tornado em Sumaré e na região de Campinas em 2001 fez com que o município brasileiro de Sumaré entrasse em estado de emergência por causa dos fortes ventos que atingiram a área na tarde do dia 04 de maio de 2001.

Em Sumaré

Em Sumaré, o prefeito Dirceu Dalben (PPS) convocou os funcionários públicos a ajudar na limpeza das ruas e recuperação do município.

O forte temporal, que teve ventos de até 300 km/h e durou cinco minutos, arrancou árvores, derrubou postes, destelhou casas, levantou calçadas e deixou grande parte da cidade sem energia elétrica. A Defesa Civil e o Corpo de Bombeiros ainda não confirmaram o número total de feridos até os dias de hoje.

O fenômeno foi provocado pelo encontro de uma frente fria com o calor da região nos últimos dias. Entre os municípios atingidos estão, além de Sumaré: Americana, Paulínia, Itatiba, Campinas e Santa Bárbara D'Oeste.

Na manhã do dia seguinte, a cidade ainda sofria com as consequências do tornado. O abastecimento de energia elétrica não foi restabelecido completamente, comprometendo ainda a distribuição de água. Os telefones públicos não funcionaram durante a manhã e os serviços de comunicação estavam seriamente afetados.
Dos 150 desabrigados, apenas quatro famílias ainda não puderam voltar para suas casas, que foram destruídas pelos fortes ventos de até 300 km/h.

O prefeito disse contar também com a iniciativa privada e com doações de materiais de construção, além do fornecimento de mão-de-obra, para que os trabalhos de recuperação do município fossem agilizados.

O tornado atingiu uma área de 40 quilômetros. A cidade de Sumaré estava no caminho e foi a mais atingida. O vento retorceu torres de retransmissão de energia, destelhou indústrias, casas e arrancou pelo menos quatro mil árvores.

"Para que haja esse tipo de dano nas estruturas, como quebrar postes e entortar torres de transmissão, a velocidade do vento deve ter sido de aproximadamente 300 km/h", avalia o pesquisador Hilton Silveira, da Unicamp.

Em cidades vizinhas

O temporal, que começou por volta das 16h em Piracicaba, passou por sete cidades e chegou a Campinas por volta das 17h e durou até as 19h.

Em Campinas, uma agência do Banco Real foi parcialmente destruída. Bairros das zonas leste e norte da cidade ficaram sem energia até as 22h30.

Um engavetamento no km 76 da rodovia Santos Dumont com três carros causou congestionamento no início da noite. Não houve feridos. Os ventos também derrubaram o alambrado da Penitenciária 2, em Hortolândia.

Em Americana, a chuva durou 15 minutos e uma casa foi atingida por uma árvore no bairro Nova Americana. Não houve feridos.

Referências

Tornados no Brasil
Sumaré
2001 em São Paulo

Tornado em Sumaré e na região de Campinas em 2001


Karlovy Vary (Almanca: Karlsbad), Çekya'nın Bohemya bölgesinde bulunan bir şehirdir.

Batı Bohemya'da 1370'te İmparator IV. Karl tarafından kuruldu. Çekya'da kaplıcalarıyla ünlü bir turizm kentidir. Kâğıt helvaları ve porselenleri de ünlüdür. Uluslararası Karlovy Vary Film Festivali ile de bilinir. "Kralın Banyosu" anlamına gelen kenti bugüne kadar dünyadaki pek çok ünlü siyasi, asker ya da sanatçı ziyaret etmiştir.

Mustafa Kemal Atatürk'ün de tedavi için gittiği kent, sağlık kenti olarak bilinir. Sigara içilmesi tüm kent çapında yasaktır.

2021'de şehir, ünlü maden kaynakları ve 18. ve 19. yüzyıllarda Avrupa hamam kültürünün yükselişine dair mimari tanıklığı ile  "Avrupa'nın Büyük Kaplıca Şehirleri" adı altında ulusötesi UNESCO Dünya Mirası alanının bir parçası oldu.

Galeri

Ayrıca bakınız
 Karlovy Vary ili

Kaynakça

Dış bağlantılar

 Karlovy Vary Resmi Şehir Websitesi  (Çekçe)  (Erişim:24.2.2012)
 Karlovy Vary Turistik bilgi Websitesi   (Erişim:24.2.2012)
 Mustafa Kemal Atatürk'ün Karlovy Vary Günlüğü

Çekya'daki şehirler
Çekya'daki kaplıcalar

Karlovy Vary


Merced, California is a city in Merced County, California.

Merced (Spanish for mercy) can also refer to:

Locations

In Merced, California
 Merced College
 Merced County, California
 Merced Falls, California, an unincorporated community in Merced County, California
 Merced Regional Airport
 Merced Theatre (Merced, California)
 University of California, Merced

Other locations
 Merced River in California
 Lake Merced in San Francisco, California
 Merced (district), a district of the San José canton and province of Costa Rica
 Merced metro station, in Mexico City

People
 Isabela Merced (born 2001), American actress
 Nelson Merced (born 1947), Latino politician and activist
 Orlando Merced (born 1966), American baseball player
 Wilnelia Merced (born 1957), Puerto Rican beauty queen

Other
 Merced, the pre-release codename for the original Itanium processor
 Order of Merced, a Catholic order founded in 1218

See also
La Merced (disambiguation)
Mercedes (disambiguation)

Merced (disambiguation)


Die Madiun-Ereignisse waren ein kommunistischer Aufstand in der Stadt Madiun im Jahr 1948, während des Indonesischen Unabhängigkeitskriegs. Linke Parteien führten einen Aufstand gegen die Führer der neu deklarierten indonesischen Republik, der von republikanischen Truppen niedergeschlagen wurde.

Am 18. September 1948 wurde von Mitgliedern der Kommunistischen Partei Indonesiens (PKI) und der Indonesischen Sozialistischen Partei (PSI) in Madiun, im westlichen Teil von Ost-Java, eine 'indonesische Sowjetrepublik' ausgerufen. Sie betrachteten die Zeit als reif für einen proletarischen Aufstand und beabsichtigten ein Zentrum der Revolte gegen "Sukarno und Hatta, die Sklaven von Japan und Amerika" zu werden. Madiun wurde jedoch innerhalb weniger Wochen von republikanischen Kräften zurückgewonnen, und der Anführer des Aufstands, Manowar Musso, wurde getötet. Der Gouverneur von Ost-Java, sowie mehrere Polizisten und religiöse Führer wurden von den Rebellen getötet.

Die Niederschlagung der Rebellion führte zu diplomatischer Unterstützung der Republik Indonesien durch die USA. Auf internationaler Ebene wurde Indonesien nun als stramm antikommunistisch und als potenzieller Verbündeter in dem heraufziehenden globalen Kalten Krieg zwischen der von Amerika geführten "freien Welt" und dem sowjetisch geführten Block gesehen.

Anmerkungen

Literatur

Weblinks
 Die Aktion Madiun (Zeit.de)
 Macht der Messer (Spiegel.de)

Politikgeschichte (Indonesien)
Madiun
Aufstand (20. Jahrhundert)
Aufstand in Asien
Indonesischer Unabhängigkeitskrieg
Kommunismus
Ereignis 1948
Ereignis in Indonesien

Madiun-Ereignisse


Metóquio ou Metóque (grego: μετόχιον ou μετόχι) é uma embaixada eclesiástica, dentro da tradição ortodoxa, geralmente de uma Igreja autocéfala ou autônoma para outra. O termo também é usado para se referir a uma representação paroquial (ou dependência) de um Mosteiro ou de um Patriarca.

Embaixada Eclesiástica
No primeiro caso, a Igreja territorial local concede um terreno ou um edifício para uso da Igreja estrangeira representada, e o local é então considerado como pertencente canonicamente à Igreja estrangeira. Os cultos realizados lá geralmente são no idioma apropriado para a Igreja que está sendo representada, e a paróquia geralmente é composta por imigrantes ou visitantes da nação associada a essa Igreja. Normalmente, uma presença metoquiônica no território de uma Igreja autocéfala é limitada a apenas algumas paróquias, no máximo.

Dependência Monástica
No caso de um metóquio monástico, tal igreja paroquial é uma dependência de uma determinada comunidade monástica, talvez recebendo sustento do clero dessa comunidade ou outras formas de apoio. Durante a era bizantina, um metóquio monástico pode ter sido propriedade concedida a um mosteiro para fins de renda.

Metóquio é atualmente empregado, também, para se referir a um mosteiro dependente, skete, kellion ou sociedade monástica que está recebendo a bênção e apoio para se desenvolver em um mosteiro autônomo, skete, kellion ou sociedade.

Referências
Igreja Ortodoxa
Monasticismo cristão

Metóquio