The Sepang District is a district located in the southern part of the state of Selangor in Malaysia. Sepang District covers an area of around 600 square kilometres, and had a population of 190,889 in the 2010 Census (excluding foreigners).

The district of Sepang is also famous for the township of Cyberjaya, which is also known as the Silicon Valley of Malaysia due to its association with MSC Malaysia. The capital of Sepang district is Salak Tinggi, which took over from Sepang town.

The remaining areas of Puchong, such as Bukit Puchong 2, 16 Sierra, Pulau Meranti, Bandar Nusaputra, Taman Putra Perdana, Taman Putra Prima, Taman Meranti Jaya and Taman Mas, are located in this district.

History
Sepang district was formed from parts of the adjacent constituencies of Hulu Langat (Kajang) and Kuala Langat on 1 January 1975; though there was already a Sepang constituency in parliament as early as 1959. Sepang gained municipal status in 2005.

Geography
Sepang district is situated in the southern part of Selangor. It shares its border with Kuala Langat to the west, Petaling to the north, Hulu Langat to the northeast and the state of Negeri Sembilan to the east. Sepang also completely surrounds Putrajaya which is a Federal Territory.

Administrative divisions

Sepang District is divided into three mukims:
 Dengkil

 Sepang

Demographics

Federal Parliament and State Assembly seats

List of Sepang district representatives in the Federal Parliament (Dewan Rakyat)

List of Sepang district representatives in the State Legislative Assembly (Dewan Negeri Selangor)

Economy
Malaysia Airlines, a Malaysian national carrier; AirAsia, a Malaysian low-cost carrier; AirAsia X, a subsidiary of AirAsia; MASkargo, a cargo airline; and Malaysia Airports, the Malaysian Airport authority; are headquartered on the property of Kuala Lumpur International Airport in Sepang. Malaysia Airlines also operates its Flight Management Building at Kuala Lumpur International Airport.

Animonsta Studios has its headquarters in Cyberjaya.

Tourist attractions
 Sepang International Circuit
 Bagan Lalang Beach
 Avani Sepang Gold Coast
 Mitsui Outlet Park KLIA
 IOI City Mall

Transportation

Air
The district houses the Kuala Lumpur International Airport.

Rail
 KLIA,  klia2 and  Salak Tinggi stations of  and  of the Express Rail Link are located inside the district.

In addition, three MRT Putrajaya line stations (which is opening on 16 March 2023) are also located inside the district:  16 Sierra station (serving 16 Sierra & Pulau Meranti),  Cyberjaya Utara station and  Cyberjaya City Centre station (both stations serve Cyberjaya).

Bus
The most dominant bus operator for this district is Smart Selangor, operated by Handal Ceria and SKS-BUS. These free buses connect the main bus hub located in Taman Seroja, Bandar Baru Salak Tinggi to the areas in Sepang district such as Kuala Lumpur International Airport,  Salak Tinggi ERL station, Cyberjaya, Sungai Merab and IOI City Mall, as well from Tanjung Sepat to KLIA.

Other bus operators also serve areas in Sepang district. Causeway Link bus route 601 connects Kuala Lumpur to Taman Putra Perdana in Sepang district, while KR Travel & Tours bus route  connects  Putrajaya Sentral,  KTM Serdang or Kuala Lumpur to IOI City Mall – the largest mall in Malaysia & Southeast Asia. Rapid KL, the dominant bus operator in Klang Valley operates five routes in Sepang district which consists of one LRT Feeder bus route T603 from  Puchong Prima LRT station to Taman Mas Sepang, and four MRT Putrajaya line feeder bus routes T504, T505, T506 and T507 serving Cyberjaya areas.

Education

Tertiary
Sepang is home to several institutions of higher learning, which includes:
 Xiamen University Malaysia
 Multimedia University Cyberjaya Campus
 University of Cyberjaya
 Universiti Islam Malaysia
 Limkokwing University of Creative Technology

See also
 Districts of Malaysia

References

External links

 Sepang International Circuit
 Kuala Lumpur International Airport
 KLIA Express Rail

Sepang District


Ride or Die peut désigner :
 Ride or Die, le titre original du film américain RAP Connection sorti en 2003.
 Anarchy: Ride or Die (Cymbeline), un film américain sorti en 2014.
 Ride or Die (Kanojo), un film japonais sorti en 2021.
 Ride or Die, un album de Devon Allman sorti en 2016.
 « Ride or Die », une chanson de The Knocks ft. Foster the People sortie en 2018.

Ride or Die


El Papiro 2 (2) es un papiro del Nuevo Testamento antiguo. Este contiene todo el texto de Evangelio de Lucas (7,22-26.50) y Evangelio de Juan (12,12-15). Paleográficamente ha sido asignado al .

Descripción

El manuscrito es un fragmento de una hoja que contiene una columna por página, de aproximadamente (6.6 cm, por 5.8 cm) en 13 líneas por página.

La nomina sacra está escrita con abreviaturas.

El fragmento parece ser parte de un leccionario. El texto griego de este códice está mezclado, Aland lo ubicó la Categoría III.

El nombre de la ciudad ιεροσολυμα (Jerusalén) está con la variante ιερου[σο]λ̣υ̣[μα].

Ermenegildo Pistelli fechó el manuscrito al  o ; Ernst von Dobschütz al VI o VII.

Historia

Actualmente está guardado en la Museo Arqueológico Nacional de Florencia (Inv. no. 7134) en Florencia.

Véase también
 Lista de papiros del Nuevo Testamento
 Biblioteca Bodmer

Referencias

Lectura adicional
 Caspar René Gregory, Die griechischen Handschriften des Neuen Testament, J. C. Hinrichs'sche Buchhandlung, Leipzig, 1908, p. 45.
 Kurt Aland and Barbara Aland. The text of the New Testament: an introduction to the critical editions and to the theory and practice of modern textual criticism. Second edition. Translated by Erroll F Rhodes. Grand Rapids, Míchigan: William B. Eerdmans Publishing Company, 1989.
 Ellwood M. Schofield, The Papyrus Fragments of the Greek New Testament, Diss. Louisville 1936, pp. 86–91.

Enlaces externos
 Kurt Aland y Barbara Aland. The text of the New Testament: an introduction to the critical editions and to the theory and practice of modern textual criticism. Segunda edición. Traducida por Erroll F Rhodes. Grand Rapids, Míchigan: William B. Eerdmans Publishing Company, 1989.
 New Testament Transcripts

02
Manuscritos del Nuevo Testamento en edición bilingüe griego-copto
Papiros del Nuevo Testamento
Manuscritos bíblicos del siglo III
Manuscritos del Nuevo Testamento en griego antiguo
Colecciones del Museo Arqueológico Nacional de Florencia

Papiro 2


An Agrostis korczaginii in uska species han Liliopsida nga ginhulagway ni Senjan.-korcz.. An Agrostis korczaginii in nahilalakip ha genus nga Agrostis, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Agrostis

Agrostis korczaginii


was a district located in Nishimikawa Region in central Aichi Prefecture, Japan.

As of 2004 (the last data available), the district had an estimated population of 16,703 with a density of 43.84 persons per km2. Its total area was 381.06 km2.

Towns and villages
Prior to its dissolution, the district consisted of only one town:

 Miyoshi

Notes

History

Kamo District (加茂郡) was one of the ancient districts of Shinano Province, but was transferred to Mikawa Province during the Sengoku period. In the cadastral reforms of the early Meiji period, on July 22, 1878, Kamo District was divided into Nishikamo District and Higashikamo District within Aichi Prefecture. With the organization of municipalities on October 1, 1889, Nishikamo District was divided into 30 villages.

District Timeline

The village of Koromo was elevated to town status on January 29, 1892. In a round of consolidation, the remaining number of villages was reduced from 29 to seven in 1906. On March 1, 1951, Koromo gained city status and on April 1, 1953, the village of Sanage gained town status, merging with two neighboring villages on March 1, 1955. The village of Takahashi was annexed by Komoro in 1956. On April 1, 1958, the village of Miyoshi gained town status; however, on April 1, 1967, the town of Sange was merged into the city of Toyota. The village of Fujioka gained town status on April 1, 1978, leaving the district with two towns and one village. On August 5, 2003, Miyoshi rejected plans to merge with the city of Toyota.

Recent mergers
 On April 1, 2005 - The town of Fujioka, and the village of Obara, along with the towns of Asahi, Asuke and Inabu, and the village of Shimoyama (all from Higashikamo District), were merged into the expanded city of Toyota.
 On January 4, 2010 - The town of Miyoshi was elevated to city status. Therefore, Nishikamo District was dissolved as a result of this merger.

External links
 Counties of Japan

See also
 List of dissolved districts of Japan
 Higashikamo District, Aichi
 Kamo District, Gifu
 Kamo District, Hiroshima
 Kamo District, Shizuoka

Former districts of Aichi Prefecture

Nishikamo District


Giovanni Bastianini (født 17. september 1830, død 29. juni 1868) var en italiensk billedhugger.

Bastianini var elev af Fedi og Torrini, sluttede sig i sin kunst nærmest til renæssancens quattrocentister, hvem han formåede at efterligne i den grad, at en terrakottabuste (af Savonarolas ven, digteren Benivieni) blev købt 1866 til renæssanceafdelingen i Louvre; det var kun med nød og næppe, efter overbevisende dokumentationer, at man i Paris ville indrømme fejltagelsen. Bastianini har endvidere udført en buste af Savonarola, en malet lerstatuette af Giovanni dalle Bande Nere (Paris), en bakkantgruppe, arbejder, der gav løfter om en frugtbar fremtid, som imidlertid blev hurtig afbrudt ved kunstnerens tidlige død.

Kilder

Billedhuggere fra Italien
Italienere i 1800-tallet

Giovanni Bastianini


Rosana Ubanell (Pamplona, 20 de junio de 1958) es una periodista y escritora española residente en Ciudad de México. Alcanzó notoriedad en Estados Unidos, España y Latinoamérica por su novela de suspenso Volver a morir.

Biografía
Nació y se crio en Pamplona. Se graduó de licenciada en periodismo por la Universidad de Navarra y trabajó como corresponsal para diversas publicaciones españolas, entre ellas la revista Tiempo de Hoy, de la que fue corresponsal en Bruselas entre 1986 y 1990.
En 1990 se radicó en Washington, dónde se desempeñó como corresponsal de la revista Tribuna de la Actualidad. En 2002 se trasladó a Miami, dónde trabaja como subdirectora de la revista Nexos, de la compañía aérea American Airlines.
Posee un título de MBA en Transacciones Internacionales de la Universidad George Mason de Virginia.

Obra literaria
Ubanell ganó reconocimiento internacional por su novela Volver a morir, una historia de suspenso protagonizada por un detective cubano-estadounidense ambientada en Miami.
A dos meses de su lanzamiento, la novela había vendido más de 30.000 ejemplares. Lideró el ranking de libros en español de Amazon.com durante varias semanas y se convirtió en la primera novela de la Editorial Penguin publicada en español.
En 2012 la misma editorial anunció que publicaría otra novela de Ubanell mientras se preparaba, para 2013, una segunda entrega en torno al personaje Nelson Montero, protagonista de Volver a morir. También se anunció la preparación de una adaptación para TV de la misma historia.

En 2012 Rosana Ubanell publicó su segunda novela, Perdido en tu piel, que fue descrita por Fox News Latino como «la historia de dos amantes que se vuelven a encontrar luego de 30 años sin ninguna noticia sobre el otro, y que mezcla ese "primer amor único, sin fronteras" con una historia de suspenso y de secretos que se desarrolla, entre otros sitios, en Nueva York, Marbella y México». Ubanell también declaró en 2013 que estaba trabajando en otros dos libros de Nelson Montero para continuar la serie que debutó con su primera novela. Cuando le preguntaron por qué eligió una novela romántica para la trama de su segundo libro, ella respondió: «Se dice tanto sobre el amor pero todavía no sabemos lo que es. Quería explorarlo, ahondar en esa emoción universal que los griegos solían llamar "la locura de los dioses" debido a sus efectos, muy similares a los efectos de la embriaguez y de las drogas».

Referencias

Enlaces externos
 Rosana Ubanell en RTVE (entrevista radial)
 Rosana Ubanell en CNN en español

Alumnos de Ciencias de la Información de la Universidad de Navarra
Escritoras de España
Escritores de Navarra
Escritores de suspenso
Escritores hispanos
Periodistas de España del siglo XXI
Españolas del siglo XX
Españolas del siglo XXI
Nacidos en Pamplona
Emigrantes españoles hacia Estados Unidos
Emigrantes españoles hacia México

Rosana Ubanell


Schooled (2007) es una película independiente estadounidense de género dramático, escrita y dirigida por Brooks Elms, y producida por Brian Hennessy y  Lorenda Starfelt. La película sigue a un tradicional maestro de escuela de la Costa Este (Daniel Kucan), que se involucra con algo notradicional lo que conduce a cambios significativos en su filosofía personal y estilo de vida. La película tiene como coprotagonista a Alysia Reiner, Ashley Argota entre otros y fue coeditada por Frederick Marx, el escritor, productor y coeditor del documental de 1994 Hoop Dreams.

Producción

Schooled se rodó con un presupuesto limitado en los alrededores del condado de Los Ángeles en 2005-2006.

Lanzamiento

Schooled se estrenó en el Method Fest Independent Film Festival en Calabasas, California, donde fue nominada a "Mejor Reparto". De acuerdo con la Organización de Recursos de Educación Alternativa (Alternative Education Resource Organization), la película "irrumpió en las conferencias de educación en todo el mundo, incluyendo: Nueva York, San Francisco, Dallas, y Sídney, Australia". También fue presentada en 2008 en la Conferencia Europea de Educación Democrática (European Democratic Education Conference). La película tuvo su estreno en la costa este en el Queens International Film Festival.

Impacto

Desde su lanzamiento en 2007, la película ha generado un debate entre las comunidades que contemplan la participación en la educación alternativa.

Referencias

Enlaces externos
Official Website

 Educate Deviate Alternative Education Blog

Películas independientes

Schooled (película)


Indigenous music of Canada encompasses a wide variety of musical genres created by Aboriginal Canadians. Before European settlers came to what is now Canada, the region was occupied by many First Nations, including the West Coast Salish and Haida, the centrally located Iroquois, Blackfoot and Huron, the Dene to the North, and the Innu and Mi'kmaq in the East and the Cree in the North. Each of the indigenous communities had (and have) their own unique musical traditions. Chanting – singing is widely popular and most use a variety of musical instruments.

History

Traditionally, Indigenous Canadians used the materials at hand to make their instruments for centuries before Europeans immigrated to Canada. First Nation bands made gourds and animal horns into rattles, many rattles were elaborately carved and beautifully painted. In woodland areas, they made horns of birchbark and drumsticks of carved antlers and wood. Drums were generally made of carved wood and animal hides. Drums and rattles are percussion instruments traditionally used by First Nations people. These musical instruments provide the background for songs, and songs are the background for dances. Many traditional First Nations people consider song and dance to be sacred. For many years after Europeans came to Canada, First Nations people were forbidden to practice their ceremonies. That is one reason why little information about First Nations music and musical instruments is available.

Traditionally Inuktitut did not have a word for what a European-influenced listener or ethnomusicologist's understanding of music, "and ethnographic investigation seems to suggest that the concept of music as such is also absent from their culture." The closest word, nipi, includes music, the sound of speech, and noise. (Nattiez 1990:56)

Today, a revival of pride in First Nations art and music is taking and beauty of traditional First Nations art, music and musical instruments. Drums are closely associated with First Nations people. Some people say, "Drumming is the heartbeat of Mother Earth." First Nations made a great variety of drums. Healers sometimes use miniature drums. There are also tambourine-shaped hand drums, warrior drums, water drums, and very large ceremonial drums. Their size and shape depends on the First Nation's particular culture and what the drummer wants to do with them. Many are beautifully decorated. In many First Nations cultures, the circle is important. It is the shape of the sun and moon, and of the path they trace across the sky. Many First Nations objects, such as tipis and wigwams, are circular in shape. Traditional villages were place. First Nations people are recovering the knowledge, history often arranged with the dwellings placed in a circle. To this day, many First Nations people hold meetings sitting in a circle. Meetings often begin with a prayer, with the people standing in a circle holding hands.

Hand carved wooden flutes and whistles are less common than drums, but are also a part of First Nations traditional music. Chippewa men played flutes to serenade girlfriends and to soothe themselves and others during hard times. The Cree, Iroquois and Maliseet made and used whistles. Archaeologists have found evidence that both wooden whistles and flutes were used by the Beothuk, an extinct tribe who lived in Newfoundland until the early days of European settlement. The human voice is the primary instrument of all First Nations. As it is in most ancient music, singing is the heart of First Nations traditions. Every song had an original owner. Songs belonged to a society, clan, rite, ceremony, or individual. In some cultures, one could buy the right to sing a song owned by an individual. The original owner would then teach the buyer to sing the song. Many traditional songs are still sung by First Nations people who follow traditional ways.

Many artists also now combine First Nations and Inuit music with mainstream popular music genres such as country, rock, hip hop or electronic dance music. Between 2014 and 2018, the Polaris Music Prize has been won three times by First Nations or Inuit musicians; Tanya Tagaq won in 2014 for Animism, Buffy Sainte-Marie won in 2015 for Power in the Blood, and Jeremy Dutcher won in 2018 for Wolastoqiyik Lintuwakonawa. (Lido Pimienta, who won in 2017 for La Papessa, is also of South American indigenous descent.)

The compilation album Native North America, Vol. 1, released by Light in the Attic Records in 2014, collects many rare and out-of-print songs by First Nations and Inuit musicians from the era in which the rock and country and folk genres were beginning to emerge as influences on Indigenous music.

Music areas

Northeast Woodlands
Inhabiting a wide swath of the United States and Canada, Eastern Woodlands natives, according to Nettl, can be distinguished by antiphony (call and response style singing), which does not occur in other areas. Their territory includes Maritime Canada, New England, U.S. Mid-Atlantic, Great Lakes and Southeast regions. Songs are rhythmically complex, characterized by frequent metric changes and a close relationship to ritual dance. Flutes and whistles are solo instruments, and a wide variety of drums, rattles and striking sticks are played. Nettl describes the Eastern music area as the region between the Mississippi river and the Atlantic. The most complex styles being that of the Southeastern Creek, Yuchi, Cherokee, Choctaw, Iroquois and their language group, the simpler style being that of the Algonquian language group including Delaware and Penobscot. The Algonquian speaking Shawnee have a relatively complex style influenced by the nearby southeastern tribes.

The characteristics of this entire area include short iterative phrases, reverting relationships, shouts before, during, and after singing, anhematonic pentatonic scales, simple rhythms and metre and, according to Nettl, antiphonal or responsorial techniques including "rudimentary imitative polyphony". Melodic movement tends to be gradually descending throughout the area and vocals include a moderate amount of tension and pulsation.

Plains
Extending across the American Midwest into Canadian Prairies, Plains-area music is nasal, with high pitches and frequent falsettos, with a terraced descent (a step-by-step descent down an octave) in an unblended monophony. Strophes use incomplete repetition, meaning that songs are divided into two parts, the second of which is always repeated before returning to the beginning.

Large double-sided skin drums are characteristic of the Plains tribes, and solo end-blown flutes (flageolet) are also common.

Nettl describes the central Plains tribes, from Canada to Texas: Blackfoot, Crow, Dakota, Cheyenne, Arapaho, Kiowa, and Comanche, as the most typical and simple sub-area of the Plains-Pueblo music area. This area's music is characterized by extreme vocal tension, pulsation, melodic preference for perfect fourths and a range averring a tenth, rhythmic complexity, and increased frequence of tetratonic scales. The musics of the Arapaho and Cheyenne intensify these characteristics, while the northern tribes, especially Blackfoot music, feature simpler material, smaller melodic ranges, and fewer scale tones.

Nettl Arapaho music includes ceremonial and secular songs, such as the ritualistic Sun Dance, performed in the summer when the various bands of the Arapaho people would come together. Arapaho traditional songs consist of two sections exhibiting terraced descent, with a range greater than an octave and scales between four and six tones. Other ceremonial songs were received in visions, or taught as part of the men's initiations into a society for his age group. Secular songs include a number of social dances, such as the triple metre round dances and songs to inspire warriors or recent exploits. There are also songs said to be taught by a guardian spirit, which should only be sung when the recipient is near death.

Northwest Coast

Open vocals with monophony are common in the Pacific Northwest and British Columbia, though polyphony also occurs (this the only area of North America with native polyphony). Chromatic intervals accompanying long melodies are also characteristic, and rhythms are complex and declamatory, deriving from speech. Instrumentation is more diverse than in the rest of North America, and includes a wide variety of whistles, flutes, horns and percussion instruments.

Nettl describes the music of the Kwakwaka'wakw, Nuu-chah-nulth, Tsimshian, Makah, and Quileute as some of the most complex on the continent, with the music of the Salish nations (Nlaka'pamux, Nuxálk, and Sliammon, and others directly east of the Northwest tribes) as being intermediary between these Northwest Coast tribes and Inuit music. The music of the Salish tribes, and even more so the Northwest coast, intensifies the significant features of Inuit music, their melodic movement is often pendulum-type ("leaping in broad intervals from one limit of the range to the other"). The Northwest coast music also "is among the most complicated on the continent, especially in regard to rhythmic structure," featuring intricate rhythmic patterns distinct from but related to the vocal melody and rigid percussion. He also reports unrecorded use of incipient polyphony in the form of drones or parallel intervals in addition to antiphonal and responorial forms. Vocals are extremely tense, producing dynamic contrast, ornamentation, and pulsation, and also often using multiple sudden accents in one held tone.

Arctic – Sub-Arctic
Nettl describes Inuit music as recitative-like singing, complex rhythmic organization, relatively small melodic range averaging about a sixth, prominence of major thirds and minor seconds melodically, with undulating melodic movement.

Inuit

The Inuit are well known for Inuit throat singing or katajjaq, an unusual method of vocalizing found only in a few cultures worldwide. Narrow-ranged melodies and declamatory effects are common, as in the Northwest. Repeated notes mark the ends of phrases.

Box drums, which are found elsewhere, are common, as a tambourine-like hand drum.

Cree

Much Cree song takes the form of repeated sections delineated by rests and melodic or rhythmic patterns, though not all repetitions are exact.

Contributions of First Nations music to Canadian culture

Edward Gamblin

Edward Gamblin was a country rock singer-songwriter, who is widely credited as one of the most influential artists in the history and development of First Nations music as a genre, as one of the first artists ever to build a successful career by focusing primarily on First Nations audiences rather than pursuing crossover appeal.

Donald Harvey Francks

Donald Harvey Francks or Iron Buffalo born in Vancouver, British Columbia. He is a drummer, poet, native nations champion, motorcyclist, author and peace activist. He is interested in Tibet and supports Greenpeace. He appeared many times at George's Spaghetti House, a Toronto jazz club that was the equivalent of New York's Birdland. He was also known to sit in on drums at the Colonial Tavern and other Toronto afterhours clubs and jazz venues.

Robbie Robertson

Robbie Robertson was a Canadian singer-songwriter, and guitarist.  He is best known for his membership in The Band. He was ranked 78th in Rolling Stone magazine's list of the 100 Greatest Guitarists of All Time. Robertson was born to a Jewish father and a Mohawk mother and took his stepfather's last name after his mother remarried. He had his earliest exposure to music at Six Nations of the Grand River First Nation, where he spent summers with his mother's family. He studied guitar when he was a youth and wrote songs and performed since he was a teenager. From 1987 onwards, Robertson released a series of four solo albums.
His first was self titled followed by Storyville, Music for the Native Americans, and Contact from the Underworld of Redboy.

Jerry Alfred

First Nations singer and storyteller Jerry Alfred helps to preserve First Nations language and traditions. Jerry is the Northern Tutchone (too-SHOWnee)
"Keeper of the Songs." He lives in Pelly Crossing, a village in central Yukon, 300 kilometres north of Whitehorse. He was born in the nearby community of Mayo.
Jerry managed to keep his Tutchone language despite many years spent in a residential school. Like his father before him, Jerry was named a Song Keeper at
birth. A Song Keeper collects songs and sings them at potlatches and other First Nations ceremonial occasions. A self-taught guitarist, Jerry combines
modern guitar techniques and the traditional music of his people. His 1994 recording, "Etsi Shon" (EET-seeshown) or "Grandfather Song" helps to
keep his language and the spirit of his people alive.

Don Ross

Don Ross, guitarist and composer, is the son of a Mi'kmaq mother and a Scottish immigrant father. He is a band member of the Mi'kmaq community at Millbrook, Nova Scotia. Don was born and raised in Montreal and speaks both French and English. He earned an honors degree in fine arts (music) at York University in Toronto. He is one of the most respected musicians in Canada and is known as one of the top guitarists in the world. In September 1996, Don won the prestigious U.S. National Finger style Championship for the second time and is the only guitarist to have done so. In 1988, Don was the first Canadian, and first Indigenous person, to win this prize.

Don is a master of "fingerstyle" technique, which is like the technique used for classical guitar. His music is strongly influenced by jazz, folk, rock, and classical music, creating a personal style. Don calls his style "heavy wood!"

Buffy Sainte-Marie

Buffy Sainte-Marie was adopted into the Piapot First Nation. She received a PhD in Fine Arts from the University of Massachusetts Amherst. She is a songwriter, performer and artist who has written hit songs that were performed by other famous artists including Elvis Presley, Barbra Streisand, and Neil Diamond. Her song, "Up Where We Belong" won an Academy Award. Buffy has earned many other awards, including an Academy Award and the United States award for Lifetime Musical Achievement in the Arts. She has also received a medal of recognition from Queen Elizabeth II. France named her "Best International Artist of 1993." Buffy has drawn large crowds to her performances, with an audience of 100,000 in one Denmark concert. She regularly performs in the small First Nations communities. In 1993, she helped to create a special award category within the Juno Awards competition to recognize the best recordings of Canadian Indigenous musicians. Buffy received a Lifetime Achievement Award in Arts at the 1998 National Aboriginal Achievement Awards.

Kashtin

The duo quickly became popular regionally in Quebec, and in 1988 they were featured in a documentary on the Innu for a Quebec television station. They were soon brought to Montreal to record, and released their self-titled debut album in 1989. Although that album was recorded in their native Innu-aimun language, spoken by just 12,000 people in the world, the album quickly became a major hit in Quebec, and soon in English Canada as well, eventually being certified double platinum. The singles "E Uassiuian" and "Tshinanu" were popular hits for the band.

Leela Gilday

Leela Gilday is a singer and songwriter, born and raised in Yellowknife, Northwest Territories. She is one of the North's better known performing artists. Since her early start in music, Leela has been nominated at the Juno Awards for "Best Music of Aboriginal Canada (2003)" and has won three awards in 2002 from the Canadian Aboriginal Music Awards: Best Female Artist, Best Folk Album, Best Songwriter. She won the 2007 Juno for Aboriginal Recording of the Year for Sedzé, her second album.

Glen Meadmore

Glen Meadmore is an actor and performance artist currently residing in Los Angeles.  He has been described as "...the world's greatest exponent of the genre known as gay Christian punk". He is sometimes referred to as "Cowpunk". working as a performance artist, appearing at the famed punk, avant garde, artist scenester hangout nightclub the Anti-Club where he became renowned for his outrageous performances. During this time, he met African American queer political performance artist Vaginal Davis and the two formed the band Pedro, Muriel and Esther, also known as PME, one of the earliest queer punk bands to emerge.

Derek Miller

Derek Miller, born in Six Nations on 29 October 1974, is an Indigenous Canadian singer-songwriter. He is a two-time winner of the Juno Award for Juno Award for Indigenous Music Album of the Year, for his albums Lovesick Blues and The Dirty Looks. Derek has been brought to the attention of veteran and well respected musicians, such as Daniel Lanois and Buffy Sainte-Marie.

Black & Grey

Black & Grey is a Canadian pop rock/alternative band from Membertou, Nova Scotia in Cape Breton County made up of members: Brandon Johnson, Daniel Paul, Michael Mellen, and Tyler Mellen. They have had one self-titled EP released in 2013, and three successful singles to hit radio waves, "Goodbye Misery" (which was dedicated to Amanda Todd), "What Makes You Who You Are", and "Pretty Little Nightmare". They currently are working with ECMA award-winning producer Jamie Foulds for a full-length LP to be released in 2016.

See also

Aboriginal rock
Aboriginal hip hop
Blackfoot music
Iroquois music
Kwakwaka'wakw music
Music of Canada
Indigenous Canadian personalities

References
Citations

Bibliography

Further reading

External links
First Nations Music in Canada – Indian and Northern Affairs Canada
Aboriginal Sound Recordings: Music and Song – Library and Archives Canada
Songs and Music: Aboriginal – Aboriginal Canada Portal
Canadian Aboriginal Music Awards – The Canadian Aboriginal Festival
Musique Nomade
Aboriginal Music Program

First Nations musical groups
First Nations music

Indigenous music of Canada


Andrej Andrejevič Vlasov (Андрей Андреевич Власов; Lomakino, 14. rujna 1901. – Moskva, 1. kolovoza 1946. ) bio je sovjetski časnik ( general poručnik ) koji je surađivao s nacističkom Njemačkom tijekom Drugog svjetskog rata. Vlasov se istaknuo borbom na sovjetskoj strani u bitci za Moskvu. Zapovjedio je Drugom udarnom armijom u Ljubanjskoj ofenzivi kada je pao u njemačko zarobljeništvo i pristao surađivati s vodstvom Trećeg Reicha protiv SSSR-a i vodio Rusku oslobodilačku armiju (ROA), suradničku organizaciju koju čine ratni zarobljenici i emigranti. Vlasov je bio vođa Ruskog oslobodilačkog pokreta, predsjednik Prezidija Odbora za oslobođenje naroda Rusije (1944-1945), glavni zapovjednik ROA (28. siječnja - 12. svibnja 1945.). Godine 1945. zarobljen je od Crvene armije, a 1946. godine. osuđen na smrt zbog izdaje, lišen svog čina i državnih nagrada.

Sovjetski vojni zapovjednici u Drugom svjetskom ratu

Andrej Vlasov


بلدية فوغارس دي لا سيلبا (بالكاتالانية: Fogars de la Selva) هي إحدى بلديات مقاطعة برشلونة، والتي تقع في منطقة كاتالونيا، شرق إسبانيا.

يبلغ عدد سكانها 1.439 نسمة وفقاً لإحصائية سنة (2007).

مراجع

بلديات في مقاطعة برشلونة
بلديات في سيلبا

فوغارس دي لا سيلفا


Belpınar, Eskişehir ilinin Çifteler ilçesine bağlı bir mahalledir.

Tarihçe
1905 yılında Kafkasya'nın Karaçay-Çerkes Bölgesinden göç ederek gelen Karaçaylılar'ın 1915 yılında kurduğu mahalledir.

Nüfus

Kaynakça

Dış bağlantılar
 YerelNET
 Belpınar Köy Fotoğrafları ve Uydu Görüntüleri

Çifteler'in mahalleleri

Belpınar, Çifteler


Un mafiot sub canapea este un roman  de Alina Nour. A apărut la editura Cariatide în 1991.

Cuprins

Vezi și
1991 în literatură

Romane din 1991
Romane de Alina Nour

Un mafiot sub canapea


Goat Simulator 3 é um jogo eletrônico de ação e a sequência de Goat Simulator. O jogo foi anunciado durante o Summer Game Fest e foi lançado em 17 de novembro de 2022. O jogo apresenta um modo cooperativo para quatro jogadores, e se passa na ilha fictícia de San Angora. O jogo não terá multijogador multiplataforma no lançamento.

Jogabilidade

Goat Simulator 3, como seu antecessor, é um jogo de ação jogado em uma perspectiva de terceira pessoa onde o objetivo é controlar o personagem do jogador, uma cabra, enquanto causa estragos e realizar acrobacias no ambiente urbano do jogo. Uma mecânica do jogo anterior em que a cabra jogável pode se atrelar a itens e objetos encontrados no mundo lambendo-os é mantida neste jogo. Os desenvolvedores afirmam que seu mundo aberto é 18 vezes maior que o do primeiro jogo. Além disso, existem seções onde diferentes estilos de jogo são explorados, como uma paródia de Wolfenstein 3D com mecânica de tiro em primeira pessoa. Um modo de história novo na série, também está presente em Goat Simulator 3.

Recepção

De acordo com o Metacritic, a versão para PC e PlayStation 5 Goat Simulator 3 atualmente tem "análises mistas ou médias", com uma pontuação de 69 em 100, enquanto a versão do Xbox Series X atualmente tem uma pontuação de 80 em de 100, com "críticas geralmente favoráveis".

Jogos para PlayStation 5
Jogos eletrônicos de mundo aberto
Sequências de jogos eletrônicos
Jogos para Xbox Series X e Series S
Jogos para Windows
Jogos eletrônicos de ação
Jogos eletrônicos de 2022

Goat Simulator 3


Soluk borusu (veya nefes borusu ya da trachea) vücutta solunan havanın geçtiği, boru şeklinde bir organdır. Omurgalılarda trakea havanın boğazdan akciğerlere geçişini sağlarken, omurgasızlarda dışarıdaki havayı doğrudan iç dokulara ulaştırır.

Soluk borusu, gırtlağın altındadır, on iki santimetre boyundadır.(Yani çok uzun değildir.) Altıncı boyun omuru hizasında gırtlaktan başlar. Dördüncü sırt omurunda ikiye ayrılarak bronşları yapar. Arkası düz silindirik bir borudur. Arka duvarı zardan, diğer duvarları yarım halka biçiminde üst üste dizilmiş kıkırdaklar, kas ve zardan yapılıdır. Soluk borusunun içini örten mukoza hava ile gelen küçük yabancı cisimlerin dışarıya atılması için, titrek tüylü hücrelerle döşelidir .Bronşlar, soluk borusunun ikiye ayrılmasından doğanlar, soluk borusunun yapısındadırlar, yalnız kıkırdakları daha düzensizdir. Her biri bir akciğere girer, sağ bronş daha kalın, daha kısa, daha diktir; sol bronş daha ince, daha uzun ve daha yataydır. Bronşlar akciğerde ince dalcıklara ayrılırlar. Akciğer, göğüs boşluğunda sağ ve solda iki tanedir. Sağ akciğer, üç sol akciğer iki lobludur. Her akciğer tabanı diyaframda olan birer yarı koni biçimindedir. Dış ve iç iki yüz bir taban bir de tepeleri vardır. Akciğere giren çıkan yapılar iç yüzün ortasından girerler. Buraya akciğer atardamarları, akciğer toplardamarları, akkar yolları ,sinirler girer ve çıkarlar. Bronşlar içi hava ile dolu alveol denen keseciklerde biterler. Bu keseciklerin duvarlarında kılcal damarlar yayılır. Plevra, akciğerin dış yüzü ile diyafrağmanın üst yüzünü arasız örten seröz bir zardır. İç ve dış iki yaprağı arasında plevra boşluğu adı altında nemli ve kaygan boşluk vardır. Böylece, akciğerin solunum sırasında şişip küçülmesi kolaylıkla sağlanmış olur. En iç kısmında epitel doku vardır.

Soluk borusu epitel hücreleri
Soluk borusu epitel hücreleri, burada epitel ve goblet hücreleri bir arada yer alır. Epitel hücrelerinin bir kısmı, sil denilen kirpiksi uzantılar içerir. Goblet hücrelerinin salgıladığı mukus, soluk borusunun iç yüzeyinin kaygan ve nemli kalmasını sağlar. Siller, hem mukusun yayılmasını sağlar hem de toz gibi yabancı parçacıkların akciğerlere kaçmasını önler.

Toraks
Solunum sistemi
Hayvan anatomisi
Eklem bacaklılar anatomisi

Soluk borusu


Kiyohiro Hirabayashi (født 4. juni 1984) er en japansk fodboldspiller.

Han har spillet for flere forskellige klubber i sin karriere, herunder Nagoya Grampus Eight, Sagan Tosu, Zweigen Kanazawa og Renofa Yamaguchi FC.

Eksterne henvisninger

Fodboldspillere fra Japan

Kiyohiro Hirabayashi


Acer sikkimense er lauftré af ættkvísl hlyna (Acer) sem er frá Himalaja og nærliggjandi fjöllum í Sikkim, Bútan, Nepal, norður Indlandi, Myanmar, Tíbet, og Yunnan.  Hann getur orðið allt að 20 m hár.

Tilvísanir

Hlynir

Acer sikkimense


Kaffepausen er en dansk kortfilm fra 2007, der er instrueret af Johannes Pico Geerdsen efter manuskript af Lars Bang.

Handling
En harmløs kaffepause udvikler sig fatalt i denne film om de to politibetjente Christian og Erik. Det er en film om maskulinitet, magtbalance, rygter og skam.

Medvirkende
 Søren Malling - Erik
 Mads Koudal - Christian
 Charlotte Rathnov

Referencer

Eksterne henvisninger

Kortfilm fra Danmark
Danske film fra 2007

Kaffepausen


Mentalidade colonial é a atitude internalizada de inferioridade étnica ou cultural sentida pelas pessoas como resultado da colonização, ou seja, das pessoas que foram historicamente colonizadas por outros. Ela se corresponde com a crença que os valores culturais do colonizador são inerentemente superiores aos seus próprios. O termo tem sido usado por estudiosos do pós-colonialismo para discutir os efeitos transgeneracionais do colonialismo presentes nas ex-colônias após a descolonização.É comumente usado como um conceito operacional para enquadrar a dominação ideológica nas experiências coloniais históricas. Na psicologia a mentalidade colonial tem sido usada para explicar casos de depressão coletiva, ansiedade e outros problemas generalizados de saúde mental em populações que sofreram colonização. As notáveis influências do Marxismo no conceito pós-colonial de mentalidade colonial incluem Frantz Fanon, que trabalha sobre a fratura da psique colonial através da dominação cultural ocidental, bem como o conceito de hegemonia cultural desenvolvido pelo fundador do Partido Comunista Italiano, Antonio Gramsci.

Influências do marxismo

Frantz Fanon
Os escritos marxistas de Frantz Fanon sobre imperialismo, racismo e lutas descolonizadoras influenciaram as discussões pós-coloniais sobre a internalização do preconceito colonial. Fanon abordou pela primeira vez o problema do que ele chamou de "alienação colonial da pessoa" como uma questão de saúde mental através da análise psiquiátrica.

Em Os Condenados da Terra (Les Damnés de la Terre, na edição original), publicado em 1961, Fanon usou a psiquiatria para analisar como acolonização francesa e a carnificina da Guerra da Argélia afetaram mentalmente a autoidentidade e a saúde mental dos argelinos.O livro argumenta que durante o período da colonização houve uma patologia mental sutil e constante que se desenvolveu dentro da psique colonial. Fanon argumentou que a psique colonial é fraturada pela falta de homogeneidade mental e material como resultado da pressão do poder colonial cultura ocidental sobre a população colonizada, apesar das diferenças materiais existentes entre eles.

Aqui Fanon expande os entendimentos marxistas tradicionais de materialismo histórico para explorar como a dissonância entre existência material e cultura funciona para transformar o povo colonizado através dos moldes da burguesia ocidental. Isso significava que o nativo argelino passou a ver sua própria cultura e identidade tradicionais através das lentes do preconceito colonial. Fanon observou que os argelinos médios internalizavam e depois repetiam abertamente comentários que estavam de acordo com a cultura racista institucionalizada dos colonizadores franceses; descartando sua própria cultura como atrasada devido à internalização das ideologias coloniais ocidentais.

De acordo com Fanon, isso resulta em um conflito existencial desestabilizador dentro da cultura colonizada:

Ver também

Etnocentrismo
Mentalidade
Antropologia cultural
Estudos culturais
Supremacia branca
Raça e sociedade

Mentalidade colonial


Die südostdeutsche Fußballmeisterschaft 1906/07 war die erste Austragung der südostdeutschen Fußballmeisterschaft des Südostdeutschen Fußball-Verbandes (SOFV). Nach der Vereinigung des Verbandes Niederlausitzer Ballspiel-Vereine mit dem Verband Breslauer Ballspiel-Vereine erfolgte am 18. März 1906 die Gründung des SOFV. Die erste Meisterschaft wurde in vier regionalen Klassen ausgespielt, deren Sieger qualifizierten sich für die südostdeutsche Endrunde.

Die südostdeutsche Fußballmeisterschaft gewann der SC Schlesien Breslau durch einen 2:1-Erfolg über die TuFC Britannia Cottbus im Endspiel. Durch den Gewinn der Verbandsmeisterschaft qualifizierten sich die Breslauer für die deutsche Fußballmeisterschaft 1906/07, in der der Verein im Viertelfinale gegen Viktoria 89 Berlin mit 1:2 verlor und aus dem Wettbewerb ausschied.

Modus
Die Fußballmeisterschaft wurde in diesem Jahr in vier regionalen 1. Bezirksklassen ausgespielt, deren Sieger für die Endrunde qualifiziert waren.

Bezirksklasse I Breslau

1. Klasse

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2. Klasse

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Bezirksklasse II Niederlausitz

1. Klasse

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2. Klasse

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Bezirksklasse III Oberschlesien

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Bezirksklasse IV Niederschlesien

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Endrunde
Die Endrunde um die südostdeutsche Fußballmeisterschaft wurde in dieser Saison im K.-o.-System ausgetragen. Qualifiziert waren die Sieger der einzelnen Bezirksklassen. Mit dem Sieg über Britannia Cottbus konnten sich die Breslauer als Südostdeutscher Meister für die deutsche Fußballmeisterschaft 1906/07 qualifizieren.

Qualifikationsrunde

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Halbfinale

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| colspan="4"| SC Schlesien Breslau erhielte ein Freilos.
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Finale

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Quelle
 Udo Luy: Fußball in Süd-Ostdeutschland (Schlesien)  1893 – 1914., Kleinrinderfeld 2017
 Deutscher Sportclub für Fußball-Statistiken: Fußball in Schlesien 1900/01 – 1932/33, Herausgeber: DSfFS e. V., Berlin 2007.

1906
Fußballsaison 1906/07

Südostdeutsche Fußballmeisterschaft 1906/07


කොතලාවල වලව්ව ශ්‍රී ලංකාවේ බදුල්ල හිඳගොඩ පිහිටි පැරණි වලව්වක් වේ. එය බදුල්ල - පස්සර ප්‍රධාන මාර්ගයේ (A5), බදුල්ල නගරයේ සිට කිලෝ මීටර 1ක් පමණ දුරින් පිහිටයි. හිටපු මුහන්දිරම්වරයෙකු වූ දොන් කරෝලිස් කොතලාවලගේ නිවස්නය වූ මෙම වලව්ව ශ්‍රී ලංකාවේ පුරාවිද්‍යා ආරක්‍ෂිත ස්මාරකයක් ලෙස වර්තමානයේදී රජය විසින් නම් කොට තිබෙන අතර නාමකරණය 2002 වර්ෂයේ නොවැම්බර් 22වන දිනදී රජයේ ගැසට් අංක 1264 යටතේ සිදුකොට තිබේ.

ඉතිහාසය

බ්‍රිතාන්‍ය යටත් විජිත පාලනයට එරෙහිව දියත් කල 1818 නිදහස් කැරැල්ලෙහි පටන්, ඌව ප්‍රදේශය විනාශකාරී බ්‍රිතාන්‍ය හමුදා ක්‍රියාකාරකම් වෙතින් පීඩාවට පත්ව තිබුණි. බ්‍රිතාන්‍ය පාලකයින් විසින් ඌවෙහි ආර්ථික, ප්‍රවාහන සහ අධ්‍යාපන ක්ෂේත්‍රයන්හී සංවර්ධනය සිදුකිරීම සම්පූර්ණයෙන් පාහේ නොසළකා හැර තිබූ බව පැවසෙයි. එබැවින් උචිත සංවර්ධනයකින් තොරව බදුල්ල ප්‍රදේශයෙහි සමහර පෙදෙස් ග්‍රාමීය සහ වනාන්තර ප්‍රදේශ ලෙස පැවතිණි. මේ අතරවාරයේ 1847දී රයිගම් කෝරලයේ උඳුගොඩ උපන් දොන් කරෝලිස් කොතලාවල නම් තරුණයෙකු බදුල්ලට සංක්‍රමණය වී භාණ්ඩ ප්‍රවාහකයෙකු ලෙස සිය වෘත්තිය ආරම්භ කලේය. වනාන්තර පෙදෙස් ඔස්සේ භාණ්ඩ ප්‍රවාහනය සදහා ඔහු මුලින්ම හරකුන් යුගලක් යෙදවූ කරත්ත හඳුන්වාදුන් අතර සොරුන් සහ මංපහරන්නන්ගෙන් බාධාවට ලක්වූ එම ප්‍රවාහන කටයුතු ඔහු විසින් පුද්ගලිකවම අධීක්ෂණය කරන ලදී. ඔහුගේ වෘත්තියෙහි ලත් සාර්ථකත්වය ඔහුව ප්‍රදේශයේ ප්‍රසිද්ධ වෙළෙන්ඳෙකු සහ ඉඩම් හිමිකරුවෙකු බවට පත්කල අතර ඒ හේතුවෙන් ඔහුට බ්‍රිතාන්‍ය රජයෙන් මුහන්දිරම් තනතුරක්ද හිමිවිය. ප්‍රදේශයේ උසස් පෙළපතක කාන්තාවක වූ සුදු මැණිකා විජේකෝන් සමග විවාපත් වූ කොතලාවලගේ නිවහන බවට, වර්තමානයේ කොතලාවල වලව්ව නමින් හඳුන්වන හිඳගොඩ ඉදිකල ප්‍රතාපවත් මැදුර පත්විය.

මේවාද බලන්න
 ශ්‍රී ලංකාවේ ගෘහ නිර්මාණ ශිල්පය

මූලාශ්‍ර

බදුල්ල දිස්ත්‍රික්කයේ පුරාවිද්‍යා ආරක්‍ෂිත ස්මාරක

කොතලාවල වලව්ව


إبراهيم غالب لاعب سابق في نادي النصر، من مواليد عام 16 مايو 1991 بمدينة رأس تنورة . يحمل القميص رقم 14، وقد وقع عقد احترافي مع ناديه نادي النصر عام 2010 لمدة 5 سنوات، ويُعد اللاعب من اللاعبين الواعدين في المملكة.

بدايته

ذكريات الحارة واكتشاف الموهبة
كان ملعب ترابي بجانب محطة للدفاع المدني بمدينة رأس تنورة على موعد مع مولد النجم اللامع، لم تكن تلك المحافظة التي تملك بئرين من النفط وأكبر مصافي البترول على علم بأنها ستنتج جوهرة سمراء لكن من نوع آخر، حيث اكتشفه المسؤولون عن نادي رأس تنورة ليسجلوه رسمياً في كشوفات اللاعبين فئة الناشئين.

انتقاله إلى نادي النصر السعودي
لفت اللاعب أنظار الكشافين النصراويين ودخلوا مع ناديه في مفاوضات سريعة وجادة يقودها عضو الشرف الأمير الوليد بن بدر لتكسبه قبل الأندية الأخرى ولتطوي قيده في فئة الناشئين بالنادي العالمي بمبلغ مليون ومئه الف ريال سعودي.

إبراهيم مع المنتخب
كان أول مشاركة له مع المنتخب عام 2009 في مباراة ودية مع المنتخب التونسي لكرة القدم.

نادي الفيصلي
وقع مع نادي الفيصلي في عام 2019 بعد انتهاء عقده مع النصر و تم فسخ عقده بدون أن يلعب .

مميزاته
رغم صغر سن إبراهيم غالب إضافة إلى مظهره الجسماني ولكن دائماً في أرض الملعب ما يثبت العكس من خلال الالتحامات والضغط على حامل الكرة التي يتميز بها بالإضافة إلى إجادته لصناعة اللعب من خلال التمريرات السحرية المتقنة التي تنطلق من بين أقدامه إلى أقدام زملائه المهاجمين.
وتبدو الجدية والحماس والروح القتالية العالية - والتي يؤكد أنها اكتسبها من حبه لناديه وتأثراً بقائد الفريق حسين عبد الغني - والتي جعلت منه لاعباً قيادياً كرأي أغلب المحللين كما أنه يمتلك قدما قويه يبرع من خلالها بالتسديد الدقيق ومهارات عاليه كمحور في وسط الملعب تمكنه من الابداع كاليبروا مبدع.

وترغب الكثير من الأندية في الحصول على خدماتة نظير مستوياته الطيبة مع الفريق النصراوي

جوائز وإنجازات

الانجازات الشخصية
1- جائزة أفضل لاعب واعد موسم 2008 - 2009 المقدمة من شركة الاتصالات السعودية.
2- جائزة أفضل لاعب واعد موسم 2009 - 2010 المقدمة موبايلي الرياضية.
3- جائزة أفضل لاعب واعد موسم 2009 - 2010 في حفل الجوائز الخاص بالقناة الرياضية السعودية.
4- ضمن قائمة أفضل الاعبين الموهوبين عالميا وقدرة قيمته السوقيه 975 ألف جنيه استرليني .

الإنجازات : بطولة الدوري السعودي الممتاز موسم 2014 .2015 و2019 ، بطولة كاس ولي العهد موسم 2014 . بطولة كاس الأمير فيصل بن فهد موسم 2008. ، بطولة بنى ياس الدولية موسم 2013.2014

روابط خارجية

مراجع

لاعبو كرة قدم رجالية سعوديون
لاعبو وسط كرة قدم رجالية
أشخاص على قيد الحياة
أشخاص من المنطقة الشرقية (السعودية)
لاعبو دوري المحترفين السعودي
لاعبو كأس آسيا 2015
لاعبو كأس آسيا 2019
لاعبو كرة قدم سعوديون
لاعبو منتخب السعودية لكرة القدم
لاعبو نادي النصر (السعودية)
لاعبو نادي الفيصلي (السعودية)
مواليد 1411 هـ
مواليد 1990
مواليد 1991

إبراهيم غالب


Die Alte Reithalle ist ein bedeutendes Denkmal der Stahlarchitektur des 19. Jahrhunderts in der baden-württembergischen Landeshauptstadt Stuttgart. Erbaut wurde sie zur Entfaltung des städtischen Pferdemarktes.

Geschichte
Das Stahl-Glas-Gebäude wurde in den Jahren 1887/88 auf Initiative privater Interessensgruppen erbaut. Progressiv war die Verwendung neuer Technologien, im Stil der italienischen Renaissance. Das Gebäude steht unter Denkmalschutz. Konzipiert hatte die Halle der Architekt Robert von Reinhardt (verantwortlich auch für das Marienhospital Stuttgart) nach dem Vorbild einer modernen Mehrzweckhalle, die neben Reitsportveranstaltungen Pferdevorführungen, Zirkus- und Operettendarbietungen aufnehmen sollte können und anderen Ausstellungen und Vorführungen ein Forum bieten. Insoweit kann sie als Vorläufer der Hanns-Martin-Schleyer-Halle gelten. Für Reitsportveranstaltungen wurde vormals das 1839 erbaute "Königliche Reithaus" an der Neckarstraße genutzt, eine Halle, die vom Architekten Giovanni Salucci, bekannt für seine bis heute existierenden Bauten Schloss Rosenstein und Grabkapelle auf dem Württemberg, erbaut worden war und bis 1958 stand.

Die Alte Reithalle stammt vom Architekt Robert von Reinhardt, Schüler von Christian Friedrich von Leins, einem bedeutenden Stuttgarter Architekten und Professor an der Technischen Hochschule. Verwendet wurde Backstein, dieser teils mit Sandstein-Fassung. Die Halle hat einen umlaufenden basilikalen Aufriss mit offener Empore. Diese ruht auf filigranen Stützen und verläuft unter einem durchgehenden Fensterband. Architekturhistorisch interessant und auffällig ist eine ovale Manege mit weit gespannter Dachkonstruktion aus eisernen Fachwerkträgern. Die Stützen sind absichtlich sichtbar gehalten.

1926 erwarb Bosch die Reithalle. Während des Zweiten Weltkrieges wurde sie 1944 erheblich zerstört und in etwas vereinfachter Form wieder aufgebaut. 1969 erwarb das Land die Halle. Lange diente sie als Lagerstätte, obgleich Pläne für anderweitige Nutzungen vorlagen, so als Uni-Mensa und Kongresszentrum. 1989 wurde die Landesgirokasse Stuttgart Eigentümerin der Liegenschaft, die ab 1990 Renovierungsmaßnahmen durchführen ließ. Heute ist die Alte Reithalle in den Stuttgarter Maritim-Hotelkomplex integriert und dient diesem als Bankettsaal. Die Halle wird unter anderem für Kongresse, Ausstellungen, Produktpräsentationen und Gala-Veranstaltungen – sowohl geschäftlich als auch von Privatpersonen – genutzt. Zudem finden hier Eigenveranstaltungen des Hotels, z. B. die Weihnachts-Soulnight, statt. Highlight der Halle sind die beiden Kronleuchter, jeweils 6,50 m im Durchmesser und 672 kg schwer.

Sonstiges
Südlich grenzt das "Bosch-Areal", Firmenursitz des Bosch-Unternehmens, an. Südöstlich liegt die Liederhalle.

Einzelnachweise

Literatur
 Martin Wörner, Gilbert Lupfer und Ute Scholz, Architekturführer Stuttgart, Dietrich Reimer-Verlag Berlin, 2005, ISBN 3-496-01290-0
 Werner Skrentny, Rolf Schwenker, Sybille Weitz, Ulrich Weitz: Stuttgart zu Fuß. Silberburg-Verlag, ISBN 978-3-87407-813-9.

Weblinks

Kulturdenkmal in Stuttgart
Umgenutztes Bauwerk in Stuttgart
Reithalle
Erbaut in den 1880er Jahren
Veranstaltungsstätte in Stuttgart
Mehrzweckhalle
Pferdehandel
Stuttgart-Mitte

Alte Reithalle (Stuttgart)


Hermann Behrens ist der Name folgender Personen:

* Hermann Behrens (Prähistoriker) (1915–2006), deutscher Prähistoriker
 Hermann Behrens (Ingenieur) (1915–??), deutscher Ingenieur
 Hermann Behrens (Altorientalist) (1944–1996), deutscher Altorientalist
 Hermann Behrens (Ökologe) (* 1955), deutscher Ökologe, Umwelthistoriker und Landschaftsplaner
 Hermann Behrens (Rennfahrer), deutscher Automobilrennfahrer

Hermann Behrens


A linguagem erudita é um conjunto de práticas linguísticas que representa a locução de um idioma na sua forma mais rebuscada ou requintada possível, sendo uma opositora da linguagem coloquial e, em certos casos, até mesmo da norma-padrão. Na modernidade, a linguagem erudita e a linguagem popular são dois aspectos da variação sociolinguística relacionados à classe social, ao nível de escolaridade dos usuários como também ao registro utilizado em cada situação de comunicação. A linguagem erudita, de certa forma, elitiza o uso do idioma e implica na incompreensão da sociedade em geral, sendo uma característica por exemplo, de grupos neofascistas e extremistas, bem como de governos autoritários.

Aplicação
A linguagem erudita altera e foge totalmente à estrutura da linguagem popular, utilizando de meios arcaicos para resultar na sua condição. Por exemplo:

 A esposa do suíno contorce o tendão caudal;
 Verter secreção lacrimal em plenitude gástrica;
 Retirar o filhote de equino da perturbação.

Veja também

 Linguagem coloquial
 Norma-padrão

Linguística

Linguagem erudita


El ascensor (título original: De lift) es una película de terror del director holandés Dick Maas, estrenada en 1983, e interpretada por Huub Stapel y Willeke van Ammelrooy. La película narra los violentos sucesos que tienen lugar en un edificio de oficinas en Ámsterdam.

La cinta obtuvo dos galardones destacando el Gran Premio del Festival de cine fantástico de Avoriaz recibido por Maas en 1984.

Argumento
En Ámsterdam empiezan a suceder una serie de macabros accidentes relacionados con el ascensor de un edificio de oficinas. Una noche cuatro personas casi mueren por falta de aire; otro día un ciego cae por el hueco de un ascensor y un guardia es decapitado por el ascensor cuando funciona raramente. Ocurre la mayoría de veces en el octavo piso y todos estos acontecimientos tienen en vilo a trabajadores, visitantes y responsables del inmueble. Tras las revisiones del mismo no se aprecia ningún fallo mecánico pero algo sucede y el policía responsable al respecto no está haciendo su trabajo como debería.

Uno de los encargados del mantenimiento, Felix Adelaar, está dispuesto a descubrirlo con la ayuda de la periodista Mieke de Beer quien, conocedora de la situación, también está interesada al respecto. Poco a poco descubren que el ascensor es el producto de un experimento prohibido, en el que la empresa electrónica Rising Sun ha instalado una computadora controlada por biochips de última generación en el ascensor. Esos chips están prohibidos por su tendencia a reprogramarse y reproducirse con el tiempo, lo que les convierte, con el tiempo, en un peligro para la gente. Como era de prever los chips en la computadora del ascensor, que ha instalado la empresa, han empezado a reprogramarse y han causado que esa computadora haya empezado a cobrar vida propia. Viendo su antigua programación como una irritación a su descubierta existencia, la computadora ha empezado a actuar opuestamente a sus deberes y así convertirse en una asesina.

Felix Adelaar está decidido a detener la computadora del ascensor del edificio y con la ayuda de la periodista encuentra la computadora, que se había empezado a esconder desde su cambio y posicionado en el octavo piso a través de un tubo. Consigue causarle estragos desde ese piso pero no destruirla, ya que el ordenador separa los cables del ascensor para que se caiga y así evitar ser destruida y matar a Felix, lo que obliga a Felix a abandonar el lugar con la ayuda de Willeke, aunque a muy duras penas. Finalmente el científico responsable del experimento, que se ha dado cuenta de lo que está ocurriendo, aparece ante ambos en el octavo piso y, con disparos de una pistola propia, destruye la computadora que se había escondido en el hueco del ascensor en ese lugar.

Sin embargo, antes de morir, la computadora lo mata ahorcándolo con la ayuda de los cables del ascensor destruido. Ambos, horrorizados por todo lo ocurrido, bajan entonces por la escalera decididos a informar a todo el mundo sobre lo que ha ocurrido.

Reparto
Huub Stapel - Felix Adelaar
Willeke van Ammelroy - Mielke de Beer
 Josine van Dalsum - Saskia Adelaar
 Siem Vroom - Inspector
 Hans Veerman - Científico de Rising Sun

Producción
La película se rodó en 30 días con un presupuesto de 350.000 euros. Como no había dobles los actores tuvieron que realizar sus propias escenas de riesgo en esta producción.

La banda sonora instrumental, íntegramente de música electrónica, fue compuesta por Dick Maas. Para ello utilizó dos sintetizadores prestados, un Jupiter 8 y un Juno 60.

Pese a su reducido presupuesto y características la cinta consiguió fama internacional convirtiéndose en una película de culto de su género. El éxito llegó hasta tal punto que Warner Bros. compró los derechos de distribución después de que se estrenase con gran éxito en el Festival de Cannes.

Recepción
La cinta obtiene valoraciones mixtas en los portales de información cinematográfica y entre la crítica especializada. En IMDb con 6.855 valoraciones alcanza una puntuación de 6,2 sobre 10. En FilmAffinity obtiene una valoración de 5,0 sobre 10 contabilizando 1.059 votos de los usuarios del portal. En el agregador de críticas Rotten Tomatoes no alcanza el quorum mínimo entre la crítica profesional, con sólo dos críticas reseñadas ambas negativas, y obtiene una calificación de "fresco" para el 40% de los usuarios del portal con más de 500 críticas.

Recreación
En 2001 se estrenó un recreación de esta película, también dirigida por Dick Maas, titulada Down con un reparto en el que figuran James Marshall y Naomi Watts.

Referencias

Enlaces externos
 Ficha de la película en español en The Dreamers

El ascensor (película de 1983)


Xu Zhimo (, , Mandarin: , 15 January 1897 – 19 November 1931) was a Chinese romantic poet and writer of modern Chinese poetry who strove to loosen Chinese poetry from its traditional forms and to reshape it under the influences of Western poetry and the vernacular Chinese language. He died in a plane crash.

Biography
Xu Zhimo has several names. He is most known as Xú Zhìmó (; Wu IPA: , Wu pinyin: Zhi Tsymu; Mandarin IPA: , Wades-Giles: Hsü Chih-mo), while he was born Xú Zhāngxù () with the courtesy name Yǒusēn ().

Xu was born in Haining, Zhejiang and graduated from Hangzhou High School, a well-known school in Southern China. He married Zhang Youyi in 1915 and attended Peiyang University in 1916 (now Tianjin University) to study law. In 1917, he moved to Peking University (PKU) due to the law department of Peiyang University merging into PKU. In 1918, he traveled to the United States to earn his bachelor's degree at Clark University in Worcester, Massachusetts, where he took up a major in political and social sciences, along with a minor in history.

Shortly afterward, he enrolled at Columbia University in New York to pursue a graduate degree in economics and politics in 1919. He left New York in 1920, having found the U.S. "intolerable", to go study in England at London School of Economics. In 1921, he transferred to King's College, Cambridge as a special student, where he fell in love with English Romantic poetry like that of Keats and Shelley.

He was also influenced by the French romantic and symbolist poets, some of whose works he translated into Chinese. In 1922 he returned to China and became a leading figure of the modern poetry movement. In 1923, he founded the Crescent Moon Society, a Chinese literary society that was part of the larger New Culture Movement, believing in "art for art's sake" and often engaging in running debates with the "art for politics' sake" (Chinese Communist Party-driven) League of the Left-Wing Writers.

When the Bengali poet Rabindranath Tagore visited China, Xu Zhimo served as one of his oral interpreters. Xu used vernacular Chinese and translated Western romantic forms into modern Chinese poetry. He worked as an editor and professor at several schools before his death on 19 November 1931, dying in a plane crash near Jinan and Tai'an, Shandong while flying on a Stinson Detroiter from Nanjing to Beijing. He left behind four collections of verse and several volumes of translations from various languages.

Love affairs
Xu Zhimo's various love affairs with Zhang Youyi, Lin Huiyin, and Lu Xiaoman are well known in China. Xu married Zhang Youyi, (the sister of the politician Zhang Junmai) on 10 October 1915. This was an arranged marriage that went against Xu's belief in free and simple love. Although Zhang gave birth to two sons, Xu still couldn't accept her. While in London in 1921, Xu met and fell in love with Lin Huiyin (the daughter of Lin Changmin). He divorced Zhang in March 1922. Inspired by this newly found love, Xu wrote a large number of poems during this time. Lin and Xu became friends. However, she was already betrothed to Liang Sicheng by his father. Xu's last lover was Lu Xiaoman, who was married to Wang Geng, a friend of Xu. The marriage had been arranged by her parents and she felt trapped in this loveless marriage. When Xu and Lu met, they quickly bonded over the similarity of their respective experiences with arranged marriages. When it came to be known that they were in love, both were scorned by their parents and friends. Lu divorced her husband in 1925 and married Xu the next year. Their honeymoon period did not last long however and Lu gradually became more and more depressed. Because of Lu's spending habits and Xu's parents refusing to lend them money, Xu had to take several jobs in different cities to keep up with the lifestyle Lu desired. She was widowed when Xu died in an airplane crash.

Xu was also romantically linked to American author Pearl S. Buck and American journalist Agnes Smedley.

In an obituary, writer Wen Yuan-ning commented that Xu's "relations with women are exactly like Shelley's. Let no woman flatter herself that Tse-mo has ever loved her; he has only loved his own inner version of Ideal Beauty."

Airplane crash

On 19 November 1931, Xu prepared to leave Nanking to attend a lecture given by Lin Huiyin at a university in Peking. He boarded a China Airways Federal Stinson Detroiter, an aircraft contracted by Chunghwa Post to deliver airmail on the Nanjing-Beijing route. However, when the flight arrived in the Jinan area, the flight encountered severe fog, leaving the pilot with no clear view to land. The plane descended into the mountainous area below unnoticed as both the pilots were looking for the course according to the map. When the aircraft was aiming to turn left to go back to the course again, it hit the peak of a mountain and broke off the right wing. The plane spun out of control and crashed into the mountains near Jinan City and Tai'an City, in Shandong province. Xu Zhimo, who suffered from fatal cerebral trauma and several cuts on his body, was killed instantly as well as one of the two pilots. The first officer survived the initial impact, but also perished due to the delay in rescue.

The accident was attributed to both pilots' misjudgement of the flight's altitude as well as their failure to recognize the terrain. However, it was rumoured that Xu was murdered, although this was confirmed to be untrue.

Cambridge poem

Xu Zhimo's wrote Zaibie Kangqiao (), variously translated into English as "On Leaving Cambridge", "Saying Goodbye to Cambridge Again", "Goodbye Again, Cambridge", "Leaving the Revisited Cambridge" etc. To commemorate Xu, in July 2008, a stone of white Beijing marble was installed at the Backs of King's College, Cambridge (near the bridge over the River Cam).

The one used here (by permission) was translated by Guohua Chen and published in the University of Cambridge's 800th anniversary book, and differs from the one quoted in the carvings of the Xu Zhimo Friendship Garden added around the Memorial stone by King's College in 2018.

References

Further reading
 "Cambridge college love letter tree cuttings sent to China", BBC News September 2018
 Encyclopædia Britannica 2004, 2005 Ultimate Reference Suite DVD, article – "Hsü Chih-mo", now available online as Xu Zhimo
 Chen, Shan, "Xu Zhimo". Encyclopedia of China, first ed.
 "The Late Mr. Hsu Tse-mo: A Child," Wen Yuan-ning and others, Imperfect Understanding: Intimate Portraits of Modern Chinese Celebrities (Amherst, NY: Cambria Press, 2018), pp. 45–47.

External links

 Xu Zhimo. A Portrait by Kong Kai Ming at Portrait Gallery of Chinese Writers (Hong Kong Baptist University Library).

1897 births
1931 deaths
Modern Chinese poetry
Hangzhou High School alumni
Columbia Graduate School of Arts and Sciences alumni
Clark University alumni
Alumni of King's College, Cambridge
National University of Peking alumni
French–Chinese translators
Victims of aviation accidents or incidents in China
Tianjin University alumni
Writers from Jiaxing
20th-century Chinese translators
Poets from Zhejiang
20th-century Chinese poets
People from Haining
University of Shanghai alumni

Xu Zhimo


Hunting is the practice of pursuing animals to capture or kill them.

Hunting may also refer to:
 Predation, animals hunting animals

Geography
 Hunting, Moselle, a village in the French department of Moselle
 Hunting, Wisconsin, United States, a former unincorporated community

Film and television
 Hunting (film), 1991 Australian film
 "Hunting" (House), a 2005 episode of the television series House
 Good Will Hunting, a 1997 film
 The Hunting, a 2019 Australian TV series
 "Hunting" (Succession), a 2019 episode of the television series Succession

Companies
 Hunting Aircraft, a former British aircraft manufacturer (1933–1959); consumed into what, at 2010, is BAE Systems
 Hunting-Clan Air Transport, a former private British airline (1946–1960); consumed into what, at 2010, is British United Airways
 Hunting Engineering, a former engineering company, which later became INSYS (2001) and, as of 2005, is now part of Lockheed Martin Corporation
 Hunting plc, a British oil and gas company

Other
 Hunting (surname)
 Hunting (Carracci), a canvas by Italian painter Annibale Carracci, dated before 1595
 Hunting oscillation, a self-exciting oscillation, also known as shimmy, a side-to-side instability seen in railway trains

See also
 Hunt (disambiguation)
 Hunted (disambiguation)
 Hunter (disambiguation)
 Huntress (disambiguation)

Hunting (disambiguation)


Lelijokatleja (lat. × Laeliocattleya), hibridni rod iz porodice kaćunovki kojemu pripadaju četiri priznate vrste. Hibridi su rodova Laelia i Cattleya.

Vrste
 × Laeliocattleya calimaniana (L.C.Menezes) Van den Berg
 × Laeliocattleya menezesiana Van den Berg
 × Laeliocattleya micheliniana (Campacci) Van den Berg
 × Laeliocattleya pernambucensis (L.C.Menezes) J.M.H.Shaw

Izvori

Vanjske poveznice

Laeliinae

Lelijokatleja


William Petty (26.maí 1623 - 16.desember 1687) var enskur hagfræðingur, vísindamaður og heimspekingur. Petty var meðlimur í konunglega breska vísindafélaginu. Petty var atkvæðamikill í stjórnmálum í valdatíð Oliver Cromwell, Karls II, og Jakobs II.

Æviágrip
Lífsferill Petty var mjög skrautlegur. Hann ólst upp í Romsey á Englandi en þar ráku faðir hans og afi vefnaðarvöruviðskipti, en hljópst 13 ára gamall að heiman. Eftir ár á sjó endaði hann í Jesúítaskóla í Caen í Frakklandi, þar sem hann vakti athygli fyrir gáfur sínar og fróðleiksfýsn. Að námi loknu snéri Petty til Englands og eyddi næstu árum við ýmis störf. Hann var á sjó, starfaði sem augnlæknir í Hollandi, og sem einkaritari Thomas Hobbes í París þar sem hann var virkur þátttakandi í sæmræðum helstu hugsuða álfunnar.

Petty var skipaður prófessor í læknisfræði við Oxford árið 1650, en fylgdi her Cromwell til Írlands árið 1652 og var árið 1654 settur yfir landmælingar og manntal sem lágu til grundvallar stórfelldu landnámi Englendinga á írsku landi. Petty auðgaðist gríðarlega á Írlandi og var sakaður um ýmsa spillingu, en þær öftruðu ekki frama hans. Petty var aðlaður árið 1661.

Landnám í Írlandi
Petty yfirgaf Oxford árið 1652 til að sinna læknisstörfum í her Cromwell á Írlandi. Her Cromwell starfaði við að fylgja eftir nýrri löggjöf Englendinga en hún fól í sér landnám á írsku landi sem afleiðing á átökum þeirra við Englendinga. Þeir neyddu einnig fjölmarga Íra til flutninga í héraðið Connaught. Englendingarnir seldu hluta af landinu sem þeir tóku yfir en nýttu einnig hluta af því til að verðlauna hermenn sína í staðinn fyrir að borga þeim í peningum.

Benjamin Worsley var fenginn til að kortleggja og verðmeta þetta nýja land sem þeir höfðu öðlast en vegna starfshátta hans var álitið að það myndi taka rúmlega 13 ár. Petty sóttist eftir þessu hlutverki Worsley og eftir tvö ár af sannfæringum var honum treyst fyrir verkinu. Worsley notaði einungis nokkra mjög hæfa starfsmenn við verðmat sitt en Petty fékk þúsundir hermanna með sér í lið ásamt nokkrum kortagerðamönnum og kláraði verkið á rúmum 13 mánuðum.

Þessi aðferð hjá Petty varð að þekktu fyrirbæri sem bar heitið "Down Survey" og var notað sem staðlaða aðferðin við verðmat á landi langt inn í 19. öldina. Petty auðgaðist verulega á þessu tímabili en hann eignaðist land sem var samtals rúmlega 50.000 hektara að stærð. Hluti af auði hans fékk hann sem verðlaun fyrir störf sín en restina eignaðist hann með því að kaupa land af hermönnunum sem vildu frekar fá pening fyrir sín störf.

Ásakanir um spillingu
Petty varð fyrir verulegum ásökunum um spillingu og svik á þessum tíma vegna þáttöku hans í yfirtöku Englendinga á írsku landi. Stór hluti af þessum ásökunum átti rétt á sér en þær voru einnig að miklu leiti afleiðing pólitísks ágreinings á milli Henry Cromwell og Charles Fleetwood.

Framlög til hagfræði
Petty er talinn einn fremsti hagfræðingur Englands á 17. öld. Hann er þekktastur sem frumkvöðull í gerð hagtalna og þjóðhagsreikninga sem hann nefndi "political arithmetic". Hann taldi að hægt væri að beita hinni vísindalegu aðferð við greiningu efnahagslegra viðfangsefna. Taldi Petty að til efnahagsleg- og lýðfræðilega tölfræði væri forsend giftusællar hagstjórnar. Aðferðafræði Petty við hagtölugerð var engu að síður mjög frumstæð, enda áræðanlegar hagtölur af skornum skammti. Adam Smith hafnaði því hugmyndum Petty um nauðsyn hagtalna við greiningu hagfræðilegra álitaefna.

Þó Petty sé iðulega talinn til merkantílískra hagfræðinga taldi hann utanríkisviðskipti og jákvæðan viðskiptajöfnuð ekki uppsprettu auðs, heldur væri hún í raunhagkerfinu, landi og vinnu. Henn er einnig talinn einn fyrsti hagfræðingurinn, ásamt Cantillon og Quesnay til að líta á hagkerfið sem hringrásarkerfi.

Hagfræðiverk og kenningar
Tveir menn höfðu afgerandi áhrif á hagfræðikenningar Petty. Sá fyrsti var Thomas Hobbes, sem var enskur heimspekingur, en Petty starfaði sem persónulegur ritari fyrir hann. Seinni aðilinn var maður að nafni Francis Bacon en hann var einnig enskur heimspekingur sem var gjarnan kallaður faðir raunhyggjunnar.

Áhrif Francis Bacon á Petty voru mikil. Bacon, ásamt Hobbes, var sannfærður að stærðfræði hlyti að vera undirstaða allra skynsamlegra vísinda. Þessi áhersla á nákvæmni leiddi til þess að Petty lýsti eftirminnilega yfir því að hann myndi aðeins nota mælanleg fyrirbæri í sínum vísindastörfum og myndi leitast eftir mælanlegri nákvæmni, frekar en að treysta á samanburðarhætti. Þetta skapaði nýtt viðfangsefni sem hann nefndi "Political Arithmetic".

Skrif Petty áttu sér stað fyrir raunverulega þróun stjórnmálahagfræðinnar og voru því margar fullyrðingar hans um nákvæmni ekki fullnægjandi. Engu að síður skrifaði Petty þrjú aðalverk um hagfræði en þau voru: Treatise of Taxes and Contributions (skrifuð 1662), Verbum Sapienti (1665) og Quantulumcunque Concerning Money (1682). Þessi verk, sem fengu mikla athygli árið 1690, sýndu fram á kenningar hans á stórum sviðum sem myndu síðan þróast í hagfræði.

Skattar
Hvað varðar hækkun skatta, lagði Petty mikla áherslu á neysluskatta. Hann mælti með því að almennt ættu skattar að nægja til að mæta hinum ýmsu tegundum opinberra gjalda. Petty var talsmaður hlutfallslega skatta og hann fordæmdi skatta sem voru fastar upphæðir óháðar tekjum einstaklinga. Petty trúði því að innfluttar vörur ættu að vera skattlagðar en aðeins upp að því marki sem myndi setja innfluttar vörur og innlendar vörur á sama grundvöll. Hann trúði þar með því að innfluttar og innlendar vörur ættu að vera á sama grundvelli verðlags til að skapa sem sanngjörnustu samkeppnina. Á tíma Petty var hagkerfi að þróast úr svokölluðu "vöruviðskipta hagkerfi" í "peningahagkerfi". Í tengslum við þetta og meðvitaður um skort peningamagns taldi Petty að skattar ættu að vera greiddir í öðru formi en gulli eða silfri.

Laissez-faire
Í skrifum Petty ritaði hann oft um "Laissez-faire" eða frjálshyggju ríkisstjórn en hann varaði við of miklum afskiptum ríkisins af hagkerfinu og hvað það gæti leitt af sér. Einokun, útflutningur auðs og vöruviðskipti voru allt fyrirbæri sem Petty taldi vera bæði tilgangslaus og skaðleg fyrir þjóðir. Petty talaði einnig um mikilvægi stærðarhagkvæmni og sagði að vara yrði bæði gæðameiri og ódýrari ef fleiri starfsmenn koma að framleiðslu hennar. Hann sagði að ágóðin yrði stærri eftir því sem framleiðslan sjálf stækkar.

Verkaskipting
Í riti Petty, "Political Arithmetick", framkvæmdi hann hagnýta rannsókn um verkaskiptingu þar sem hann sýndi fram á tilveru og gagnsemi hennar í hollenskum slipp. Venjulega verkferlið í slipp er þannig háttað að verkamenn smíða heilt skip og klára það alfarið áður en þeir hefja vinnu á öðru. Ferlið hjá Hollendingunum var hins vegar þannig að þeir höfðu skipað nokkur teymi sem framkvæmdu sama verkið á mörgum mismunandi skipum.

Petty notaði verkaskiptingu eftirminnilega í verðmati sínu á Írlandi en þar skipti hann upp verkinu til þess að tryggja að fólk þyrfti enga sérþekkingu til leggja sitt af mörkum. Þessi byltingarkennda aðferð leiddi til þess að hann gat fengið gríðarlegan fjölda af fólki til að hjálpa sér og klára verkið á mettíma.

Arfleið
Petty hafði áhrif á nokkra framtíðar hagfræðinga, þar á meðal Richard Cantillon, Adam Smith og Karl Marx. Petty og Adam Smith deildu sömu hugmyndafræði um náttúruheim. Ef horft er í skattheimildir þeirra er hægt að sjá sameiginlega trú þeirra á náttúrulegu frelsi og jafnrétti. Þeir sáu báðir kosti sérhæfingar og verkaskiptingar.

Karl Marx tók upp trú Petty að heildarvinna hóps venjulegs launafólks væri mun stærra framlag til hagkerfisins en hugmyndir samtímans gerðu sér grein fyrir. Þessi trú leiddi til þess að Petty komst að þeirri niðurstöðu að vinnuafl væri mestu auðæfin. Marx trúði því hins vegar að umfram vinnuafl væri uppspretta alls gróða og að verkamaðurinn væri firrtur afgangi sínum og þar með samfélaginu. Petty sýndi fram á hvernig stjórnvöld gætu stjórnað heildareftirspurn til að örva framleiðslu og atvinnu á einfaldan hátt á 17 öld. Það var síðan John Maynard Keynes sem tók upp vinnu Pettys, þróaði og betrumbætti.

Heimildir

Tilvísanir

Enskir hagfræðingar

William Petty


Burgos-BH er et professionelt kontinentalhold. Holdet har sin hovedbase i Spanien. Holdet blev stiftet i 2006.

Sæsoner

2022

2021

2020

2019

Eksterne henvisninger

Cykelhold fra Spanien
Etableret i 2006

Burgos-BH


Vanilina este un compus organic cu formula moleculară C8H8O3. Este un compus cu funcțiuni mixte, conținând grupe aldehidă, hidroxil și eter. Este componenta primară a extractului de vanilie. Vanilina sintetică este utilizată mai des decât extractul natural de vanilie, fiind o aromă adăugată în alimente, băuturi și produse farmaceutice

Vezi și
Acid vanilic
Benzaldehidă
Lignină
Eugenol
Anisol
Fenol

Eteri
Fenoli
Aldehide
Arome
Ingrediente de parfum

Vanilină


Ariane es una ópera en cinco actos con música de Jules Massenet y libreto en francés de Catulle Mendès, basado en el relato de Ariadna de la mitología griega. Se estrenó en el Palais Garnier de París el 31 de octubre de 1906, con Lucienne Bréval en el rol titular.

Historia
Aunque no es en sí una secuela en sentido estricto, pues Ariane muere en ambas piezas, la posterior ópera de Massenet, Bacchus es un compañero de Ariane, conteniendo una serie de personajes en común y el mismo libretista.  Ariane nunca ha mantenido la popularidad y pertenece a las obras tardías de Massenet que fueron consideradas pasadas de moda ya en la fecha de su composición.  La pieza,, sin embargo, inspiró esta cita del gran compositor francés Gabriel Fauré: "Ariane, una obra noble, grande y conmovedora..." La ópera fue representada en vida de Massenet, luego cayó del repertorio, recibiendo sólo limitadas reposiciones en 1937 (21 de febrero y 27 de agosto de 1937) en la Ópera de París.

En las estadísticas de Operabase  aparece con dos representaciones en el período 2005-2010.

Roles

Argumento

La historia está basada en la mitología que rodea a Teseo y las hermanas Ariane y Fedra. Las dos hermanas se enamoran de Teseo, y él elige a Fedra. Cuando muere ésta bajo la estatua derribada de Adonis, Ariane viaja al inframundo para pedir a Perséfone la resurrección de su hermana. Conmovida por la ofrenda de rosas de Ariane, Perséfone acepta y Fedra regresa a la tierra. Teseo se enfrenta entonces a elegir nuevamente entre las hermanas y una vez más elige Fedra, abandonando Ariane en la costa de Naxos. Angustiada, Ariane es atraída hacia el mar por las voces de las sirenas.

Notas y referencias

Enlaces externos

Ariane en Bob's Universe
Partitura vocal de Ariane en IMSLP
Aria Ô frêle corps... Chère Cypris grabado por Joyce Didonato en en álbum Diva Divo

Óperas de 1906
ariane
Óperas en francés
Óperas estrenadas en París
massenet

Ariane (Massenet)


Pesni ognjenih let (ruski: Песни огненных лет) sovjetski je glazbeni crtani film iz 1971. godine.

Sažetak
Na početku crtanog filma nalazi se posveta "Slavnoj sovjetskoj armiji posvećeno" (ruski: Славной Советской Армии посвящается).

Film čine animirani prikazi varijacija popularnih sovjetskih pjesma iz Ruskog građanskog rata i sovjetskih pjesama o Ruskom građanskom ratu. Među tim pjesmama su: Tačanka (ruski: Тачанка), Tam, vdali za rekoj (ruski: Там, вдали за рекой), Ešelonaja (ruski: Эшелонная) i Krasnaja Armija vseh siljnej (ruski: Красная Армия всех сильней). U odjavnoj špici čuje se pjesma Poljuško-pole (ruski: Полюшко-поле).

Autori

Vanjske poveznice
 Pesni ognjenih let, IMDb
 Pesni ognjenih let, BCDB
 Pesni ognjenih let, Animator.ru
 Pesni ognjenih let, Kinopoisk.ru

SSSR
Ruski filmovi
Animirani filmovi 1970-ih

Pesni ognjenih let


Saki Hasemi [長谷見 沙貴 Hasemi Saki, 25 de octubre de (?), en Chiba] Es un escritor de manga y anime japonés.

Es conocido por su trabajo en colaboración con Kentaro Yabuki en To Love-Ru, un manga publicado en la Weekly Shonen Jump, el cual fue adaptado en una emisión de anime de entre el 3 de abril y el 25 de septiembre de 2008. Antes de esta serie, Saki se hizo cargo de las ilustraciones de varios videojuegos y en animes, como Ojamajo Doremi o Black Cat, esta última es un manga creado por Kentaro Yabuki.

Trabajos

Videojuegos:
 Little Buster Q
 Ojamajo Doremi

Anime:

 Pinky Street.
 Sugar Sugar Rune - Escritor de Episodios 12, 21, y 36.
 Black Cat - Escritor de episodios 3, 4, 5, 9, 13, 14, y 19.
 Demashita! Powerpuff Girls Z - Escritor de episodios 2, 12, 23, 25, y 41.
 Moetan.
Manga:

 To Love-Ru - Historia, creador original.
 To Love-Ru Darkness - Historia, creador original.

Referencias

Escritores de Japón del siglo XX

Saki Hasemi


Çankırı, Çankırı ilinin merkezi olan şehir.

Tarihçe
Çankırı, Türkiye'nin İç Anadolu Bölgesi'nde yer alan aynı adlı ilin merkezidir. Çankırı'nın adı, Batılı kimi gezginler tarafından "Çangırı" ya da "Çengiri" biçiminde yazılmıştır. Kent eski Gangra adlı kentin yerinde kurulmuştur. Önceleri Paphlagonia'ya bağlıydı. Sonra Pontus devletine, ardından da Galatia'ya bağlandı. Galatia hükümdarı Deiotarus, Gangra'yı merkez yaptı. MÖ 25'te Roma imparatorluğunun topraklarına katılan yöre, Bizanslılar zamanında bir ara sürgün yeri idi. Kimi kaynaklarda anılan Germanikopolis kentinin Gangra olduğu sanılıyor. Emeviler zamanında İslam orduları birkaç kez saldırdılarsa da bu kaleyi ele geçiremediler.

Çankırı ve çevresi, 1071 Malazgirt zaferinden sonra Danışmendoğullarınca ele geçirildi.

Selçukluların Malatya'da tutsak edilip Niksar kalesine kapattıkları Antakya hükümdarı Bohemond'u kurtarmak için 1101'de İstanbul'dan yola çıkan Raymond de Toulouse komutasındaki Haçlı Ordusu Ankara'yı aldıktan sonra Çankırı'ya yöneldiyse de kaleye giremediler. Amasya yakınlarında Selçuklu ordusuyla karşı karşıya gelen Haçlı Ordusu, bozguna uğradı. 1134'te Bizans İmparatoru Ioannes Komnenos şiddetli çarpışmalardan sonra kaleyi ele geçirebildiyse de, o döndükten sonra Danışmendliler kenti geri aldılar. Daha sonra yöreye Selçuklular egemen oldular. I. Murad zamanında Çankırı ve çevresi Osmanlı topraklarına katıldı. Timur, 1402'de Çankırı'yı eski sahiplerine verdiyse de, 1439'da I. Mehmet geri aldı.

Osmanlı döneminde yönetim bakımından anadolu eyaletine bağlı bir Livanın merkezi olan Çankırı, Cumhuriyetin ilanından önce Kastamonu vilayetine bağlı bir sancağın merkezi idi. Türk Kurtuluş Savaşı sırasında İnebolu üzerinden İstanbul'dan Ankara'ya yapılan malzeme ve insan naklinde Çankırı önemli bir aracı merkez rolünü oynamıştır. Cumhuriyet döneminde il merkezi haline getirilmiştir.

19. yüzyılın sonunda yaklaşık 16 bin olduğu tahmin edilen nüfusunu, Türkiye Cumhuriyeti'nin ilk yıllarında 10 binin altına düştüğü görüldü. (1927'de 8.847). Ancak 1940'ta 10 bini yeniden aşabilen (10.235) nüfus 1970'te 25 bini geçti (26.124). 1990'da da 45.496'ya ulaştı.

II. Dönem Çankırı Milletvekilleri Talât Bey (Ahmet Talât ONAY), Rifat Bey (Mehmet Rifat ÜNÜR), Yusuf Ziya Bey [Yusuf Ziya İSFENDİYAROĞLU (ESEN)]'in, 11.04.1925 tarihli Genel Kurul Toplantısında okunan 4/199 esas numaralı takririnin Başvekâlete havalesi ile Kângırı ismi Çankırı şeklinde değiştirilmiştir.

İlin merkezi olan Çankırı kenti, Kızılırmak'ın kolları Acıçay ile Tatlıçay'ın birleştiği yerde kurulmuştur. Deniz yüzeyinden 700–800 m. yüksekliktedir. Çankırı çok eskiden bir kale kentiydi. Kent, sonraları sırtını kaleye dayayarak, güneye doğru yayıldı. Günümüzde, Tatlıçay'ın her iki yakasına serpilmiş durumdadır. Kalenin eteklerindeki mahalleler, kentin çekirdeğini oluşturur. Bu mahalleler dar sokaklıdır. Kentin yeni kesimleri ise, daha modern görünüşlüdür.

Coğrafi konumu

Orta Anadolu'nun kuzeyinde, Kızılırmak ile Batı Karadeniz ana havzaları arasında yer alan Çankırı, 40° 30' ve 41º kuzey enlemleri ile 32° 30' ve 34º doğu boylamları arasında yer almaktadır. İlin komşuları batıda Bolu, kuzeybatıda Karabük, kuzeyde Kastamonu, doğuda Çorum ve güneyde Ankara ile Kırıkkale'dir. Denizden yüksekliği 730 metre olup, ülke topraklarının %0,94'lük bölümünü oluşturan toplam 7.388 Km²'lik bir alana sahiptir.

İklimi, bitki örtüsü ve yabani hayat
Çankırı'da genellikle İç Anadolu Bölgesine özgü iklim etkisi görünmektedir. Merkez, Ilgaz ve Yapraklı ilçelerinde kışlar serin, yazlar ılık geçerken, Çerkeş ilçesinde kışlar soğuk, yazlar ise serin geçmektedir.

İlin en fazla yağış alan ilçesi, Yapraklı'dır. Yapraklı'da hemen hemen her mevsim yağış gözlemlenir. Merkezden, güneye doğru gidildikçe iklim ve bitki örtüsünde değişiklik ve zayıflama görünmektedir. Araştırmalar sonucu, il topraklarının 2-3 yüzyıl öncesine kadar bazı tuzlu bölgeler hariç, ormanlarla kaplı olduğu belirlenmiştir. Ne var ki, tarla açmak amacıyla yapılan bilinçsiz kesimler, hayvan otlatmak için ormanlardan yararlanılması, müdahale imkânı olmayan orman yangınları ve iklim değişiklikleri yüzünden, bu orman bölgelerinin büyük çoğunluğu yok olmuştur.

İlin, bütün bu tahribattan sonra geriye kalan ormanları, Ilgaz ilçesi başta olmak üzere Elaman, Eğirova, Ovacık, Düvenlik, Ilısılık, Yapraklı, Sarıkaya, Karakaya ve Erikli Dağları ve çevresindedir.İldeki bitki örtüsünün üst florasını oluşturan iğne yapraklı ağaçlar, özellikle de karaçam, sarıçam, ardıç, meşe, ladin ve köknar gibi orman ağaçlarıyla ahlat ve kızılcık ağaçlarıdır. Bitki örtüsünün alt florasında ise hububat, yemlik ve yemeklik baklagiller ile ayrıkotu, devedikeni ve yumak gibi bitkiler bulunmaktadır. Ayrıca akarsular boyunca söğüt ve kavak ağaçları ile zengin meyve bahçelerine de rastlanmaktadır.

İlde rastlanan başlıca av hayvanları, kurt, tilki, tavşan,keklik ve sincaptır. Uzun yıllar düzenli mücadele edilmediği için, yaban domuzu sayısından belirgin bir artış olmuştur. Fakat son yıllarda yapılan düzenli ve etkin mücadeleler nedeniyle, yaban domuzu sayısında belirgin bir azalma sağlanmıştır. Çankırı tuz fabrikası da büyük önem taşır.

Nüfus

Toprak yapısı ve sanayisi
Genellikle çıplak dağlarla kaplı olan Çankırı toprakları, şiddetli erozyon tehdidi altındadır. Bu yüzden il toprakları, tarımsal amaçla kullanılmamaktadır. Bu topraklar sadece hayvan otlatmada kullanılır.

Çankırı ili sınırları içerisinde alüvyal, kolüvyal, kestane renkli, kahverengi orman ve kireçsiz kahverengi orman toprakları olmak üzere toplam beş tür toprak bulunmaktadır. Çankırı sanayi bakımından gelişmekte olan illerden biridir. Un, yem bitkileri ve askeri donatım fabrikaları ve 2 bin çalışan kapasiteli modern lastik üretim fabrikası da Çankırı il sınırları içerisinde bulunmaktadır

Ayrıca bakınız
 Çankırı Büyük Camii
 Çankırıspor

Kaynakça

Dış bağlantılar

 Çankırı Valiliği

Türkiye'deki Antik Yunan sitler
Paflagonya
Türkiye'deki Roma kentleri

Çankırı


Dimitar Kovačevski (; Kumanovo, 1974) é um político e economista macedônio, atuando como primeiro-ministro da Macedônia do Norte desde 17 de janeiro de 2022. Membro da União Social-Democrata da Macedónia (SDSM), Kovačevski atuou anteriormente como vice-ministro das finanças de 2020 até sua nomeação como primeiro-ministro em 2022.

Primeiros-ministros da Macedônia do Norte
Líderes nacionais atuais

Dimitar Kovačevski


{{Ficha de revista
|título            = The Nautilus
|abreviatura       = Nautilus
|imagen            = The Nautilus 88.jpg
|bajada            = Portada de The Nautilus'88. Este diseño fue utilizado desde 1972 a 1986.
|editor            = José H. Leal
|título del editor =
|subeditores       =
|categoría         = Zoología
|especialidad      = Malacología y Conquiliología
|frecuencia        = Trimestral
|circulación       = 1886 – al presente
|publicador        = Bailey-Matthews Shell Museum Florida
|circulación pagada=
|circulación no pagada =
|circulación total =
|costo             =
|año de fundación  = 1886
|compañía          =
|colaboradores     =
|país              =
|idioma            = Inglés
|sitio web         =  http://www.shellmuseum.org/nautilus/index.html
|factor impacto    = 1024
|factor impacto año= 2010
|ISSN              = 0028-1344
|ISSN-e            =
|LCCN              = sf80000648
|CODEN             = NUTLA5
|OCLC              = 1759527
}}The Nautilus'' es una revista de malacología arbitrada fundada en 1886 y publicada actualmente por el Bailey-Matthews Shell Museum Florida – Estados Unidos. Incluye en sus páginas artículos de biología, ecología y sistemática de los moluscos

Los dos primeros volúmenes fueron publicados por el  comerciante de conchas William D. Averell (1853-1928) bajo el nombre de The Conchologists' Exchange De 1958 a 1972, se le agregaba al título de El Nautilus el subtítulo de "El Pilsbry  de aparición trimestral  y dedicada a los intereses de conquiliólogos

Desde 1999, su publicación es patrocinada en parte por la división de Asuntos Culturales de La  Florida y el National Endowment for the Arts since 2002.

Resúmenes e indexado
La revista es resumida e indexada por: Aquatic Sciences and Fisheries Abstracts, Biological Abstracts, BIOSIS Previews, Current Contents, Science Citation Index, and The Zoological Record. De acuerdo a Journal Citation Reports  el impacto Nautilus en el 2009 fue 0.500

Editores

Los editores del Nautilus han sido destacados malacólogos:
 William D. Averell (1853-1928).  editor y administrador desde 1886-1889
 Charles Willison Johnson (1863-1932), administrador desde 1890-1932
 Henry Augustus Pilsbry (1862-1957), editor desde 1889-1957
 Horace Burrington Baker (1889-1971), administrador en 1932 y editor desde 1958-1968
 Charles B. Wurtz (1916-1982), editor en 1958
 Robert Tucker Abbott (1919-1995), editor desde 1968-1985
 Myroslaw George Harasewych (1949-****) editor desde 1985-1998

Véase también
 Anexo:Listado de malacólogos
 Conquiliología
 Johnsonia (revista)
 Journal of Molluscan Studies
 Malacología
 Malacologia (revista)
 The Veliger

Referencias

Enlaces externos

 The Nautilus A Quarterly Devoted to Malacology
 Facebook: The Nautilus
 Biodiversity Heritage Library BHL: The Nautilus (1889 a 2008).

Revistas científicas trimestrales
Revistas científicas de Estados Unidos
Revistas científicas en inglés
Revistas de malacología
Publicaciones fundadas en 1886
Malacología

The Nautilus


Blagoslov obitelji i domova kršćanski je čin u kojem svećenik moli i zaziva Božji blagoslov na sve članove obitelji, koje posjećuje u božićno vrijeme, kako bi kršćanski živjeli i svjedočili svoju vjeru.

U kršćanstvu, blagoslov obitelji i domova, drevna je tradicija, koja se može naći u rimokatolicizmu, pravoslavnom kršćanstvu i nekim granama protestantizma. Svećenik škropi prostor svetom vodom u pratnji ukućana, dok se moli za njih. Blagoslov obitelji potječe iz ranih dana kršćanstva, obred ima oblik molitve, uz zagovore i nekoliko blagoslova. Taj dan uređuju se kuće i nastoji se doista biti u kući i zajedno sa svećenikom moliti za svoju obitelj.

Prostor doma priprema se za blagoslov tako, da na stolu bude prisutno: raspelo, svijeća, blagoslovljena voda s grančicom, ponekad i Biblija. Budući da je to u božićno vrijeme, obično je prisutno i okićeno božićno drvce, jaslice i sl. Na početku, svećenik i svi nazočni učine znak križa: "U ime Oca i Sina i Duha Svetoga.", a zatim svećenik okupljenima kaže: "Mir kući ovoj i svima koji prebivaju u njoj."

Blagoslov obitelji obično se obavlja u vremenu nakon Božića do blagdana Sveta tri kralja, a nekada i duže. U pratnji svećenika može biti ministrant, sakristan ili neka druga osoba. Svećenik obitelji kao uspomenu na blagoslov daje naljepnicu, na kojoj je sveta slika, godina i slova C + M + B. Slova C, M i B označavaju tradicionalna imena mudraca (Gašpar (lat. Casparus), Melkior i Baltazar), ali također i latinski blagoslov "Christus mansionem benedicat" ('Neka Krist blagoslovi ovu kuću'). U nekim pak krajevima još uvijek postoji običaj da svećenik ili njegov pratitelj na nadvratniku kredom ispiše godinu blagoslova i spomenute inicijale. U većini župa običaj je, da se prigodom blagoslova obitelji i doma daje dar za Crkvu.

Izvori

Kršćanska teologija
Etnologija

Blagoslov obitelji


{{බුද්ධ ධර්මය}}

ඉන්දියාවේ බුදු දහම

බෞද්ධ ඉතිහාස

තාරාදේවි පිළිමය

ද්‍රවිඩයන්

පරිගණකමය පුරාවිද්‍යාව

බුදුදහම පීළිබද විද්‍යාඥයින් ඉදිරිපත් කරන ලද මත
 බුදුදහම හා විද්‍යාව
බෞද්ධ පුණර්ජීවනය සහ 1915 කෝළාහලය

https://si.wikipedia.org/wiki/බෝධිඝර_හෙවත්_බෝධිගර

බවය

මහා බෝධි විහාරයේ ඉතිහාසය

සොළොස් නිධාන | Twelve Nidanas

මහා බෝසත් භූමි

බෞද්ධ සංචේත

https://en.wikipedia.org/wiki/Christian_symbolism#Early_Christian_symbols

Heraclitus

පට්ඨානය

විවිධ හින්දු ආගමික දෙවියන්ගේ සංකේත

සකස්කඩ

සූවිසි බුදුවරු

සේද මාව‍තේ සංස්කෘතික හුවමාරුව

මූලාශ්‍ර

මනස   විඤ්ඤාණය

The mind-body relationship in Pali Buddhism: A philosophical investigation

බුදු දහමට සබැදි ලිපි


Binbaşı, birçok ülkenin kara ve hava kuvvetlerinde asıl görevi bölük veya tabur komutanlığı olan ve yüzbaşıyla yarbay arasındaki askerî rütbedir. NATO kodu OF-3'tür.

Türk Silahlı Kuvvetleri
Türk Silahlı Kuvvetleri'nde normal şartlarda görev süreleri 5 yıldır. Üstün kıdem ve erken terfi ile görev süreleri 2 yıla kadar inebilir. İlk 3 yıl "Binbaşı" iken son 2 yıl "Kıdemli Binbaşı" olarak anılırlar. Orduda tabur biriminin komutanı olarak adlandırılır ve üstsubay sınıfına dahil olunan en düşük rütbedir. Bu rütbede şapkaya sırma, omuzdaki apolete (deniz kuvvetleri hariç) defne yaprağından oluşan çelenk eklenir.

Osmanlı dönemi

Ayrıca bakınız
 Türk Silahlı Kuvvetleri subay rütbe dereceleri ve işaretleri

Binbaşı


El término Uliánovo  o Uliánove (Улянове) puede referirse a:

Uliánovo (Arcángel), localidad del óblast de Arcángel, en Rusia.
Uliánovo (Ilínskoye, Ivánovo), localidad del raión de Ilínskoye del óblast de Ivánovo, en Rusia.
Uliánovo (Kíneshma, Ivánovo), localidad del raión de Kíneshma del óblast de Ivánovo, en Rusia.
Uliánovo (Kaliningrado), localidad del óblast de Yaroslavl, en Rusia.
Uliánovo (Gavrílov-Jam, Yaroslavl), localidad del raión de Gavrílov-Jam del óblast de Yaroslavl, en Rusia.
Uliánovo (Tutáyev, Yaroslavl), localidad del raión de Tutáyev del óblast de Yaroslavl, en Rusia.
Uliánovo (Úglich, Yaroslavl), localidad del raión de Úglich del óblast de Yaroslavl, en Rusia.
Uliánovo (Kaliningrado), localidad del óblast de Kaliningrado, en Rusia.
Uliánovo (Kaluga), localidad del óblast de Kaluga, en Rusia.
Uliánovo (Kírov), localidad del óblast de Kírov, en Rusia.
Uliánovo (Krasnodar), localidad del Krai de Krasnodar, en Rusia.
Uliánovo (Komi), localidad de la república de Komi, en Rusia.
Uliánovo (Moscú), localidad del óblast de Moscú, en Rusia.
Uliánovo (Bor, Nizhni Nóvgorod), localidad del raión de Bor del óblast de Nizhni Nóvgorod, en Rusia.
Uliánovo (Lukoyánov, Nizhni Nóvgorod), localidad del raión de Lukoyánov del óblast de Nizhni Nóvgorod, en Rusia.
Uliánovo (Perm), localidad del krai de Perm, en Rusia.
Uliánovo (Opochka, Pskov), localidad del raión de Opochka del óblast de Pskov, en Rusia.
Uliánovo (Ostrov, Pskov), localidad del raión de Opochka del óblast de Pskov, en Rusia.
Uliánovo (Kuvshínovo, Tver), localidad del raión de Kuvshínovo del óblast de Tver, en Rusia.
Uliánovo (Zubtsov, Tver), localidad del raión de Zubtsov del óblast de Tver, en Rusia.
Uliánovo (Tver), localidad del raión de Tver del óblast de Tver, en Rusia.
Uliánovo (Vólogda), localidad del raión de Vólogda del óblast de Tver, en Rusia.

Uliánovo (Jmelnitski), localidad del óblast de Jmelnitski, en Ucrania.
Uliánovo (Mykolaiv), localidad del óblast de Mykolaiv, en Ucrania.

Uliánovo


Visegrádgruppen, også kaldet Visegrádlandene og V4, er et samarbejde imellem de fire mellemeuropæiske stater Polen, Tjekkiet, Slovakiet og Ungarn. Visegrádlandene har et indbyggertal på omkring 65 millioner og et samlet areal på ca. 530.000 km².

Navnet
Gruppens navn kommer af den ungarske by Visegrád ved Donauknæet. I 1335 afholdtes et møde i Visegrád imellem Johan af Luxemburg (konge af Bøhmen), Karl 1. af Ungarn og Kasimir 3. af Polen; dette møde har været historisk forbillede for den nutidige gruppe af lande.

Historie
I Visegrád indgik de daværende grundlæggerstater Polen, Ungarn og Tjekkoslovakiet en samarbejdsaftale den 15. februar 1991. Aftalens formål var at stræbe efter, at så mange som muligt af de problemer, der var opstået efter opløsningen af Østblokken og Den Kolde Krigs afslutning, skulle løses i fællesskab. De tre oprindelige lande havde været medlemmer af Warszawapagten og Comecon. Udover den fælles interesse i at arbejde for medlemskab af EU og NATO og forstærket samarbejde på det kulturelle område, drejede det sig for Visegrádgruppen også om teknisk samarbejde og spørgsmål om nationale mindretal. Endnu et møde fandt sted i Visegrád den 6. oktober 1991. I november 1998 enedes staterne (hvoraf Tjekkoslovakiet siden 1993 var delt i Tjekkiet og Slovakiet) ved et møde i Budapest om at genoptage samarbejdet i form af regelmæssige halvårlige møder.

Nutidige aktiviteter

Med virkning fra 14. maj 1999 oprettede landene Den Internationale Visegrádfond. Fonden finansieres af medlemmerne i fællesskab og understøtter bl.a. kulturelle netværk og uddeler årligt stipendier til studerende og forskere for at fremme akademisk udveksling.

Den fortsatte økonomiske integration i EU og tiltrækning af udenlandske investeringer er vigtige spørgsmål for Visegrádlandene. En fælles økonomisk politik imellem landene findes imidlertid ikke. Heller ikke i forhold til den europæiske integration er der enighed om fremgangsmåden; således har Slovakiet som det eneste af Visegrádlandene indført euroen. Alle fire lande tilstræber traditionelt tætte forbindelser imellem Europa og USA.

Trods medlemskabet af NATO er den kollektive sikkerhed fortsat et kerneanliggende for Visegrádgruppen, både som følge af det historisk anspændte forhold til Rusland og af aktuelle problemer som terrorisme og spørgsmål om grænsekontrol. Ved et møde den 12. maj 2011 i Levoča drøftedes muligheden af at opstille en fælles EU-kampgruppe fra 2016. Enheden skal have bataljonsstyrke og stå under Polens militære ledelse. Opstillingen af kampgruppen blev besluttet af forsvarsministrene på et møde i 2013 i Warszawa. Siden har også Ukraine tilsluttet sig V4-kampgruppen.

Visegrádsamarbejdet omfatter desuden delvist fælles diplomatiske repræsentationer i udlandet og en fælles migrationspolitik; i 2015 sendte Polen, Tjekkiet og Slovakiet embedsmænd til Ungarn for at bistå med grænsekontrollen under flygtningekrisen.

Den 15. februar 2016, på 25-årsdagen for grundlæggelsen af Visegrádgruppen, blev det fremhævet, at landene i fremtiden gerne vil optræde tættere sammen inden for EU. Tjekkiets regeringsleder, Bohuslav Sobotka, udtalte:
"I de seneste 25 år har V4 efter min opfattelse vist, at medlemsstaternes indflydelse i EU forstærkes, når de optræder i grupperinger. Nogle gange til gavn for én af staterne, andre gange til fælles gavn for alle fire lande. Det er en interessant regional gruppering, der er relativt indflydelsesrig. Den har fra begyndelsen haft sit eget koncept til løsning af flygtningekrisen."

Visegrád Plus
Tjekkiets præsident, Miloš Zeman, meddelte på en pressekonference den 3. april 2014 i Sloveniens hovedstad Ljubljana, at også Slovenien og Østrig fremover skal deltage i møder i en udvidet Visegrádgruppe. Dagen efter meddelte Ungarns udenrigsministerium imidlertid ved sin talsmand, Gábor Kaleta, at der ikke er planlagt nogen udvidelse af Visegrádgruppen, og tilbageviste dermed Zemans tilbud til Slovenien og Østrig. På grund af Ungarns afvisende holdning mødtes Tjekkiet, Slovakiet og Østrig i stedet i det såkaldte Austerlitz-format ved et møde den 29. januar 2015 i Slavkov u Brna (Austerlitz) i Tjekkiet.

Noter

Eksterne henvisninger
 Visegrad Group (officiel hjemmeside)
 International Visegrad Fund (IVF) (officiel hjemmeside)

Polen
Tjekkiet
Slovakiet
Ungarn

Visegrádgruppen


Ryan Mark Donaldson (* 1. Mai 1991 in Newcastle upon Tyne) ist ein englischer Fußballspieler, der vorwiegend im Mittelfeld zum Einsatz kommt. Bis 2012 stand er bei Newcastle United unter Vertrag, wo er seit seinem zehnten Lebensjahr spielte.

Karriere

Verein
Bei der Teilnahme am FA Youth Cup 2009 war Donaldson Kapitän seiner Mannschaft, in der fünften Runde scheiterten sie aber an Manchester City.
Bis 2011 wurde er überwiegend in der Reservemannschaft von Newcastle United im offensiven Mittelfeld eingesetzt. Im Januar 2011 wurde er bis zum Saisonende an Hartlepool United in die Football League One verliehen, im selben Jahr auch an die Tranmere Rovers, allerdings nur von September bis Oktober.

Nationalmannschaft
Zwischen 2007 und 2008 absolvierte Donaldson fünfzehn Spiele für die U-17-Nationalmannschaft Englands. Von 2009 bis 2010 spielte er zehn Partien für Englands U-19-Nationalmannschaft. In diesem Zeitraum konnte er ein Tor erzielen.

Weblinks

 Länderspieleinsätze bei thefa.com

Einzelnachweise

Fußballspieler (FC Gateshead)
Fußballspieler (Hartlepool United)
Fußballspieler (Newcastle United)
Fußballspieler (Tranmere Rovers)
Brite
Geboren 1991
Mann

Ryan Donaldson