الدكتور محمد عبد الله خالد عبد الرحمن العبد الجادر، من مواليد 3 يناير 1964 ، نائب في مجلس الأمة الكويتي 2008  وعضو المجلس الأعلى للتخطيط  حاليا .

حصل على ليسانس الآداب من جامعة الكويت في عام 1986، وفي عام 1998 حصل على درجة الماجستير في الجغرافيا السياسية من جامعة القاهرة بتقدير امتياز، وفي عام 2008 حصل على درجة الدكتوراه في الجغرافيا السياسية في موضوع انتخابات المجلس البلدي.

شارك في انتخابات مجلس الأمة الكويتي 2006 في الدائرة السادسة، وحصل على المركز الثالث برصيد 1646 صوت وخسر الانتخابات ، وشارك في انتخابات مجلس الأمة الكويتي 2008 في الدائرة الثانية، وحصل على المركز العاشر برصيد 3770 صوت وفاز بالانتخابات.

مواقفه في مجلس الأمة

مراجع

الموقع الرسمي لمحمد العبد الجادر

أشخاص على قيد الحياة
أعضاء مجلس الأمة الكويتي
أعضاء مجلس الأمة الكويتي 2008
سياسيو التحالف الديمقراطي الوطني
مواليد 1964

محمد العبد الجادر


Aydıncık, Mersin ilinin bir ilçesidir.

Tarihçe
Çeşitli medeniyetlere beşiklik etmiş olan Aydıncık'ın tarihî adı Kelenderis'tir. Mitolojiye göre Kelenderis, denizcilik ve ticarette çok ilerlemiş Fenikelilerden Sandakos tarafından üç bin yıl önce bir liman ve ticaret şehri olarak kurulmuştur. Kente daha sonra Hititler, Asurlular, Sisamlılar, Selefkoslar, Mısırlılar, Romalılar, Bizanslılar, Emeviler, Ermeniler, Karamanoğulları ve Osmanlılar hakim olmuştur.

Kelenderis ilk parlak dönemini, MÖ 5. ve 4. yüzyıllarda yaşamıştır. Kendi parası MÖ 5. yüzyılda görülmeye başlamış ve Büyük İskender'in Anadolu'ya gelişine kadar sürmüştür. MÖ 425-400 yıllarına tarihlenen gümüş bir Kelenderis sikkesinin ön yüzünde şaha kalkmış bir atın üstünde yan oturmuş bir süvari, arka yüzünde ise başını sağa çevirmiş ve diz çökmüş vaziyette bir keçi bulunmaktadır.

Romalılar yöreye hakim olurca, Kelenderis Limanı'ndan önemli ölçüde yararlanılmış ve burası Roma'nın vazgeçilmez bir ticaret şehri olmuştur. Romalılar zamanında kent imar olmuş, şato, saray, su yolları, hamam ve limanı ile mükemmel bir şehir özelliği taşıyordu.

Bizanslılar devrinde de imar olan kent, çağının en güzel ve medeni yörelerinden birisi olmuştur. Yöre 11. yüzyılda Ermenilerin eline geçmiş. 1228 yılında Karamanoğlu Alaeddin Bey'in komutanlarından Ertokuş Bey, Kelenderis Kalesi'ni Ermeniler'den alarak buraya doğudan gelen Türkler'i yerleştirmiştir. Gülnar Hatun'a bağlı Oğuz boyları Horasan Bölgesi'nin Merv Kenti'nden göçerek Toroslar'a gelip yerleştikleri için yöremize Gülnar adı verilmişti. 1461 yılında Silifke ve Mut ile birlikte Gülnar da Fatih Sultan Mehmet döneminde, Gedik Ahmet Paşa tarafından Osmanlı yönetimine katılmıştır.

Kelenderis adı zaman içinde değişerek Kalendria, Kelendri, Gelendir, Gilindir derken Gilindire'ye dönüşmüştü. İlçedeki Rumlar mübadele gereği iskeleden kayıklara binerek Kıbrıs üzerinden Yunanistan'a gitmişlerdir. 1920'li yıllarda 500 kadar Rum'un Gilindire'de zanaatla uğraştıkları, göçten sonra Gilindire merkezinde çok az bir nüfus kaldığı anlatılmaktadır.

1867 Vilayet Nizamnamesi'nin getirdiği yeni yönetsel bölümlenme uyarınca, İçel Sancağı'nın  kazaları şunlardı: Anamur, Mut, Silifke ve merkezi Kilindria olan Gülnar.

Nüfus 1970'li yılların sonuna doğru arttı. 1965 yılında da Gilindire adı tarihe karıştı. Kasabanın yeni adı artık Aydıncık oldu. Gülnar İlçesi'ne bağlı bir bucak olan Aydıncık'ta 1972 yılında İskele Belediyesi kuruldu.

Aydıncık 392 Sayılı Kanun'a göre 19 Haziran 1987 tarihinde ilçe oldu. Ayrıca bu kanunla İskele Belediyesi'nin adı da Aydıncık Belediyesi'ne dönüştürüldü.

Bugünkü Aydıncık, bir zamanlar Gülnar ilçesinin merkezi olan Gilindire'nin devamıdır.

Coğrafya

Coğrafi konum
Aydıncık, Akdeniz Bölgesi'nde, Akdeniz kıyısı boyunca uzanan Torosların denize en yakın seyreden kolunun yamacına kurulmuş olup, bağlı olduğu Mersin merkeze 173 km, komşu il Antalya merkeze ise 325 km. uzaklıkta bir ilçedir. İlçenin kuzeyinde Gülnar, doğusunda Silifke, batısında Bozyazı ilçesi, güneyinde ise Akdeniz var.

Yüzey şekilleri
Aydıncık merkez, deniz kıyısında, bir kısmı düzlükte bir kısmı da kıyı boyu seyreden dağın yamacında kurulmuştur.  Aydıncık'a bağlı Yenikaş ve Hacıbahattin köyleri deniz kıyısında, fakat Karadere, Karaseki, Teknecik, Yeniyürük, Yeniyürükkaş, Eskiyürük, Pembecik ve Duruhan köyeleri ise Toros Dağları'nın platolarındadır.

Aydıncık'ın kıyı uzunluğu 38 km. olup Ege kıyısı kadar olmasa da görece girintili çıkıntılıdır. İlçe merkezine hakim bir tepe olan Taşmasa'dan ilçe merkezinin güneyine Akdeniz'e doğru bakıldığında, ilçe merkezinin doğusunda kıyıya paralel olarak uzanan Torosları oluşturan dağ silsilesinin bir kolunun Akdeniz'e doğru uzanarak Sancak Burnu'nu oluşturduğu görülür. Taşmasa'dan Sancak Burnu'nun batısına doğru bakıldığında ise, denizin karaya sokulmasıyla oluşan Büyükalan, Küçükalan, Gilindire ve Soğuksu koyları görülür. Ayrıca; Sancak Burunu ile Büyükalan arasında, karaya neredeyse bitişik olan Yelkenliada, karadan 250 m uzaklıkta olan Küçükada, biraz ileride (kıyıya yaklaşık 1 km mesafede) Büyükada, en ileride ise (kıyıdan 3 km kadar uzaklıkta) Yılanlıada olmak üzere 4 adacığın yer aldığı görülür. Sancak Burnu ile bu bölgenin batısında ve doğusunda 1. derece sit alanı ilan edilmiş sahalar bulunmaktadır. Sancak Burunu'nun doğusunda yer alan Gemidurağı ile Yelkenliada arasındaki bölgede ise Akdeniz foku'nun yaşam alanı olan mağaralar bulunmaktadır. Ayrıca, Doğu Akdeniz'de toplam 40 çift olan ada martısının  (Larus audouini) 20 çifti Yelkenliada ile Küçükada'da barınmaktadır. Yılanlıada, Aydıncık'ta bulunan dört adadan en uzakta olanıdır. ODTÜ Sualtı Topluluğu, Batık Araştırmaları Grubu (ODTÜ-SAT BAG) ve Sualtı Araştırmaları Derneği, Sualtı Arkeolojisi Araştırma Grubu (SAD SAAG), 2002 yılı içinde Yılanlıada çevresinde birçok dalışlar yaptılar. Bu bölgede çeşitli tür ve şekillerde çapalar ile bir batık alanı keşfettiler. Bu nedenle Yılanlıada I. derece arkeolojik sit alanıdır.

İnce uzun 9 km'lik bir kıyı şeridi üzerinde kurulmuş olan Aydıncık merkez ilçenin, doğudan batıya doğru olmak üzere, sırasıyla Yenimahalle, Hürriyet, Cumhuriyet, Merkez ve Atatürk olmak üzere beş mahallesi vardır.

İklim ve bitki örtüsü
Aydıncık'ın kıyı kesimlerinde iklim yumuşaktır ancak yukarı yayla kesimlerinde, İç Andolu Bölgesin'de hüküm süren kara iklimi kadar sert olmasa da kıyı kesimlerine oranla sertleşmektedir. Bitki örtüsü Aydıncık'ın kıyı kesimlerinde defne, keçiboynuzu, yaban mersini, püren, yaban zeytini, pırnal meşesi vb. maki bitkileri, yukarı yayla kesimlerinde ise çam, palamut, ardıç, alıç, servi vb ağaçlarla kaplıdır.

Nüfus

Köyleri
Duruhan, Hacıbahattin, Pembecik, Karadere, Karaseki, Teknecik, Yenikaş, Yeniyörük, Yeniyürükkaş, Eskiyörük

Ekonomi
Aydıncık'ın ekonomisi tarım ve hayvancılık üzerinedir. Aydıncık'ta tarımsal uğraşlar daha çok Aydıncık'ın kıyı kesimindeki yerleşim bölgesinde, hayvancılık ise yayla bölgesindeki kırsal kesimde yapılmaktadır. Kıyı kesiminde, ilçe halkının %90'ı geçimini  tarım ve tarım işçiliğinden sağlamaktadır. İlçenin daha çok kıyı kesiminde, örtü altı sebze yetiştiriciliği yapılmaktadır ki bu uğraşın 30-35 yıllık bir geçmişi vardır. Yaklaşık (2007 yılı itibarıyla) 4700 adet seranın %6'sında domates tarımı yapılmakta, geri kalan %94'ünde ise salatalık ve patlıcan yetiştiriciliği yapılmaktadır. İlçenin yayla kesimindeki kurak arazilerde nohut, buğday, arpa, mercimek, burçak vb. hububat ürünleri, su altı arazilerde elma, kiraz, kayısı, erik, şeftali; kurak arazilerde ise ceviz, badem, armut, üzüm, incir, zeytin vb. meyve yetiştiriciliği yapılmaktadır.

Sosyal ve kültürel durum
Aydıncık; sosyal, kültürel ve sosyo-kültürel değerler bakımından oldukça zengindir. İlçe merkezinde ve ilçeye bağlı köylerde zaman zaman sosyal ve kültürel etkinlikler düzenlenmektedir.

Sosyal, kültürel ve sosyo-kültürel etkinlikler
İlçe merkezinde her yıl yaz aylarında sosyal, kültürel ve sosyo kültürel etkinlikler düzenlenmektedir. Örneğin Aydıncık Turizm ve Kültür festivali her yıl Temmuz ayında halkın katılımıyla kutlanmaktadır.

Kültür ve Tabiat Varlıkları
İlçe tabiat ve kültür varlıkları açısından oldukça zengindir. Bu nedenle ilçe, bölgede önemli bir turizm merkezi olmaya adaydır.

 Dörtayak Anıtmezarı

Dörtayak, iri yarı dört adet ayağa sahip olduğu için, halk tarafından "Dörtayak" diye adlandırılmıştır. Mezar, düzgün kesme taşlarla ve harç kullanılmadan yapılmıştır. Tarihin  derinliklerinden günümüze sağlam biçimde ulaşan, 8 m. yüksekliğindeki anıtın MS 2. yüzyılda yapıldığı sanılmaktadır. Kaptan Beaufort'un  Chelindreh (eski Kelenderis) limanı haritasında "cenotaph" yani ölüp de başka bir yerde gömülmüş olan bir kişi anısına yaptırılan boş mezar olarak işaretlenmiştir.

 Gilindire (Kelenderis) Kalesi

İskelenin güneyinde en üst kısmı denizden yaklaşık 25 m yüksekliğinde, batıdan doğuya doğru ise yaklaşık 200 m uzunluğunda bir yarımada üzerindedir.

Romalı iki vali Pison ile Sentius MS 19. yüzyılda bu kalede savaşmışlar.

1226'da Selçuk Türkmenleri'nden Ertokuş Bey ile Çavlı Bey Gilindire Kalesi'ni Ermenilerden alarak buraya doğudan gelen Türkleri yerleştirmiştir.

Pirî Reis (1521) haritasında Kelenderis koyundaki burnun üzerinde bir kale göstermektedir.

Cem Sultan, Rodos adasına bu limandan gitmiştir. Kaptan Beaufort (1818) sekizgen bir kuleden ve ortası depremden yıkılmış kale kalıntılarından bahseder, çizdiği Kelenderis limanı haritasında yarımada üzerinde sekizgen planlı bir kule ile yıkık bir şato işaretlenmiştir.

Kilikya limanı ve Gilindire Kalesi ile ilgili ayrıntılı bilgi, J. Carne'nin 1836 yılında yayımlanan "Suriye, Kutsal Toprak, Küçük Asya" adlı kitabındaki W.H. Bartlett'e ait bir gravürden çıkartılabilir. Bu gravür, bugünkü limana inen yol üzerinden bakılarak çizilmiş ve Kıbrıs'a gidecek bir posta yelkenlisini ve kentin limanı ile buradaki yarımada üzerinde bulunan kalıntıları göstermektedir. Kilikya limanı tasvirinde görülen sur duvarları ve kuleden günümüze sadece surların temel taşları ulaşabilmiştir.

Gilindire'nin Gülnar ilçesinin merkezi olduğu yıllarda Kaymakamlık binası bu yarımada üzerindeydi. Yine son yıllara kadar PTT binası da buradaydı.

 Roma Hamamı

Hamam MS 4. yüzyılda ya da MS 5. yüzyılın ilk yarısında inşa edilmiştir. 1962 yılında eski ve dar olan Mersin- Antalya yolu genişletilirken, hamamın bir kısmı yıkılmıştır.

 Kilise ve tiyatro

Kilisenin 19. yüzyıl yapıldığı sanılmaktadır. Canlı kaynaklardan almış olduğumuz bilgilere göre, Rumlar Gilindire'den göçmeden önce bu kiliseyi kullanıyorlarmış. Tiyatro bölümünde kazısı biten tabakalarda Roma dönemine kadar ulaşılmıştır.

 Han Yıkığı

Limana yakın "Hanyıkığı" adı verilen yerde 1992 yılında bir zemin mozaiği bulunmuştur. 7x3=21 m² olan mozaik Kelenderis kentinin MS 5. yüzyıldaki panoraması açısından eşsiz bir örnektir. Mozaik üzerindeki görüntünün 3x3 m'lik panosunda MS 5. yüzyıldaki Kelenderis'in kent manzarası ile içerisinde iki yelkenlinin bulunduğu limanı betimlenmiştir.

 Mezarlar

Batı Mezarlığı denilen, Orman işletmesi odun deposuyla Çamlıbel Düğün Salonu arasında kalan bölgede  pek çok yeraltı oda mezarları bulunmuştur. Bunun yanında çukur ve tonozlu mezarlar da dikkat çeker. Mezarlarda ele geçen, MÖ 5. ve 4. yüzyıllara tarihlenen küp ve amforaların Fenike ve Pers kökenli olarak kabul edilmektedir. Merkez Mahallesi'nde, Mersin- Antalya Karayolu kenarında, Jandarma Karakolu civarında, ayrıca Karaseki Caddesi üzerinde tonozlu mezarlar hâlâ mevcuttur.

 Gilindire Mağarası

Aydıncık'ın doğusundaki Gemi Durağı Mevkii'nde 2000 yılında çobanlar tarafından bulunmuştur. Balıkçı teknesiyle bir saatlik yolculuktan sonra varılır. Girişi deniz seviyesinden 46 metre yukarıdadır. Toplam uzunluğu 555 m olan mağaranın içi, her türden damlataş oluşumları ile kaplıdır. Mağaranın sonunda, genişliği 18-30, uzunluğu 140, tavan yüksekliği 35-40, derinliği 5-47 metre olan büyük göl bulunmaktadır. Gölün kenarında da sarkıt, dikit, sütun ve mağara iğneleri yer almaktadır. Göl deniz ile aynı düzeydedir. Deniz seviyesinden 47 m daha derin olan ve denizden yatay olarak 240 metre uzakta bulunan gölün ilk 10 m'nde acı su, sonraki derinliklerde de tuzlu su yer almaktadır. Göl içerisinde sıcaklık hemen hemen aynıdır.

Aydıncık-Silifke Karayolu'nun yaklaşık 10. km'den 3 km'lik bir yol açılmıştır. Maden Teknik Arama (M.T.A), mağaranın aydınlatılması ve iç düzenlemeleri için mimari uygulama projeleri de yapmıştır ve turizme açma çalışmaları devam etmektedir.

Kaynakça
 The Princeton Encyclopedia of Classical Sites (eds. Richard Stillwell, William L. MacDonald, Marian Holland McAllister)Princeton University Press, 1976.
 Günaydın, Kelenderis, Mustafa Yalçıner, 2004.
 Harry Thurston Peck, Harpers Dictionary of Classical Antiquities (1898)] (12.66)Harpers Dictionary of Classical Antiquities (1898)
 Dictionary of Greek and Roman Geography (1854) (ed. William Smith, LLD)] (11.91)
 Reference Article written by S. Pétridès. Transcribed by Gerald M. Knight.
The Catholic Encyclopedia, Volume III. Published 1908. New York: Robert Appleton Company. Nihil Obstat, November 1, 1908. Remy Lafort, S.T.D., Censor. Imprimatur. +John Cardinal Farley, Archbishop of New York
 Dictionary of Greek and Roman Geography (1854) (ed. William Smith, LLD)
 Karamania, or a Brief Description of the south Coast of Asia Minor and of the Remains of antiquity with Plans, Views &c, Francis Beaufort F.R.S., 2nd Edition, London, 1818
 Victor Langlois, Voyage dans la Cilicie, Paris,1861, chez Benjamin Duprat
 Vital Cuinet, La Turquie d'Asie, Tome 2, Paris, Ernest Leroux, Editeur, 28, Rue Bonaparte, 28; 1891
 Levent Zoroğlu, Kelenderis I: Kaynaklar, Kalıntılar, Buluntular, Ankara 1994.
 Z. Friedman-L.Zoroğlu, "Kelenderis Ship-Square or Lateen Sail?", The International Journal of Nautical Archaeology
35(2006),1: 108-116.

Kaynakça

Aydıncık, Mersin


In the music of Ireland, Irish rebel songs refer to folk songs which are primarily about the various rebellions against English (and later British) Crown rule. Songs about prior rebellions are a popular topic of choice among musicians which supported Irish nationalism and republicanism. In the 20th and 21st centuries, Irish rebel songs focus on physical force Irish republicanism in the context of the Troubles in Northern Ireland.

History
The tradition of rebel music in Ireland date back to the period of English (and later British) Crown rule, and describe historical events in Irish history such as rebellions against the Crown and reinforcing solidarity amongst the people of Ireland.

As well as a deep-rooted sense of tradition, rebel songs have nonetheless remained contemporary, and since 1922, the focus has moved onto the nationalist cause in Northern Ireland, including support for the IRA and Sinn Féin. However, the subject matter is not confined to Irish history, and includes the exploits of the Irish Brigades, who fought for the Republican side in the Spanish Civil War, and also those who participated in the American Civil War. There are also some songs that express sorrow over war (from a Republican perspective), such as Only our rivers run free, and some have been covered by bands that have tweaked lyrics to be explicitly anti-war, such as the cover of The Patriot Game by Scottish band The Bluebells.

Over the years, a number of bands have performed "crossover" music, that is, Irish rebel lyrics and instrumentation mixed with other, more pop styles. Damien Dempsey is known for his pop-influenced rebel ballads and bands like Seanchai and the Unity Squad,Beltaine's Fire, and Kneecap combine Rebel music with Political hip hop and other genres.

Contemporary music
Irish rebel music has occasionally gained international attention.  The Wolfe Tones' version of A Nation Once Again was voted the number one song in the world by BBC World Service listeners in 2002. Many of the more popular acts recently such as , , Athenrye, Shebeen,  and  are from Glasgow.  The Bog Savages of San Francisco are fronted by an escapee from Belfast's Long Kesh prison who made his break in the September 1983 "Great Escape" by the IRA.

Music of this genre has often courted controversy with some of this music effectively banned from the airwaves in the Republic of Ireland in the 1980s. More recently, Derek Warfield's music was banned from Aer Lingus flights, after the Ulster Unionist politician Roy Beggs Jr compared his songs to the speeches of Osama bin Laden. However, a central tenet of the justification for rebel music from its supporters is that it represents a long-standing tradition of freedom from tyranny.

Themes include "Arbour Hill", about the place; "Fergal O'Hanlon", about the man; "Northern Gaels"/"Crumlin Jail", about the prison; "The Ballad of Mairead Farrell", about the woman; "Seán Treacy", about the man; and "Pearse Jordan", about the man.

List of notable songs
Alternative Ulster, 1978
Amhrán na bhFiann, (a.k.a. The Soldier's Song) – The National Anthem 1910
Belfast Brigade
Back Home in Derry, by Bobby Sands; to the tune of The Wreck of the Edmund Fitzgerald
The Bold Fenian Men a.k.a. Down by the Glenside
The Broad Black Brimmer
Come All You Warriors
Come Out, Ye Black and Tans
Connaught Rangers (a.k.a. The Drums Were Beating), about the regiment
Erin Go Bragh
Follow me up to Carlow
Four Green Fields by Tommy Makem
Give Ireland Back To The Irish
God Save Ireland
Go on home, British soldiers
The Helicopter Song
Irish Citizen Army; about the organisation
Irish Volunteers; about the organisation
Johnston's Motor Car
Join the British Army
My Little Armalite
The Men Behind the Wire
The Minstrel Boy
Oró Sé do Bheatha 'Bhaile
The Peeler and the Goat
Roll of Honour
Soldiers of '22
 Sunday Bloody Sunday (by John Lennon and Yoko Ono — the U2 song of the same name is "not a rebel song")
Tiocfaidh ár lá (a.k.a. SAM song))
You'll Never Beat the Irish
Ambush At Drumnakilly
A Nation Once Again
Arthur McBride
Banna Strand (a.k.a. Lonely Banna Strand)
Boolavogue
The Boy from Tamlaghtduff
The Boys of the Old Brigade
The Boys of Wexford
The Croppy Boy
Dunlavin Green
Dying Rebel
Éamonn an Chnoic (a.k.a. Ned of the Hill)
The Fields of Athenry
The Foggy Dew (Irish ballad)
Four Green Fields
Gerard Casey; about the man.
Ireland Unfree; named for the oration
James Connolly; about the man
Joe McDonnell; about the man
Kevin Barry
Martin Hurson; about the man
Men of the West;
Only Our Rivers Run Free; by Mickey MacConnell
Pat of Mullingar
The Patriot Game
The People's Own MP
The Rising of the Moon
Sean South
Skibbereen
Streets of Sorrow/Birmingham Six
Take It Down from the Mast
Tom Williams; about the man.
Tone's Grave (a.k.a. Bodenstown Churchyard)
There Were Roses, by Tommy Sands
The Valley of Knockanure
The Wearing of the Green
The Wind that Shakes the Barley
Women of Ireland (a.k.a. Mná na h-Éireann)

Sunday Bloody Sunday (U2 song)

The 1983 U2 album War includes the song "Sunday Bloody Sunday", a lament for the Northern Ireland troubles whose title alludes to the 1972 Bloody Sunday shooting of Catholic demonstrators by British soldiers. In concert, Bono began introducing the song with the disclaimer "this song is not a rebel song". These words are included in the version on Under a Blood Red Sky, the 1983 live album of the War Tour. The 1988 concert film Rattle and Hum includes a performance hours after the 1987 Remembrance Day bombing in Enniskillen, which Bono condemns in a mid-song rant.

In response, Sinéad O'Connor released a song with the title "This is a Rebel Song", as she explains in her live album How About I Be Me (And You Be You)?

Satire
During the 1990s, Irish comedian Dermot Morgan lampooned both the Wolfe Tones and the clichés of Irish rebel songs by singing about the martyrdom of Fido, an Alsatian dog who saves his IRA master in the Irish War of Independence. During a search of the house by the Black and Tans, Fido hides his master's hand grenade by eating it.  When Fido farts and the grenade explodes, the British comment: "Excuse me, mate, was there something your dog ate?!" In a parody of Thomas Osborne Davis' famous rebel song "A Nation Once Again", the song climaxes with the words: "Another martyr for old Ireland, by Britannia cruelly slain! I hope that somewhere up there I hope he'll be an Alsatian once again! An Alsatian once again! An Alsatian once again! That Fido who's now in ribbons will be an Alsatian once again!"

See also
Charlie and the Bhoys
The Clancy Brothers and Tommy Makem
The Dubliners
Go Lucky Four
David Kincaid
Christy Moore
Dermot O'Brien
Tuan

References

Rebel song
Irish styles of music
Political music genres
Songs about revolutions

Irish rebel song


The Maidu are a Native American people of northern California. They reside in the central Sierra Nevada, in the watershed area of the Feather and American Rivers and in Humbug Valley. In Maiduan languages, maidu means "man".

Local division
The Maidu people are geographically dispersed into many subgroups or bands who live among and identify with separate valleys, foothills, and mountains in northeastern Central California. The three subcategories of Maidu are:
 The Nisenan or Southern Maidu occupied the whole of the American, Bear, and Yuba River drainages. They live in lands that were previously home to the Martis.
 The Northeastern or Mountain Maidu, also known as Yamani Maidu, lived on the upper north and middle forks of the Feather River.
 The Konkow (Koyom'kawi/Concow) occupied a valley between present-day Cherokee, and Pulga, along the north fork of the Feather River and its tributaries. The Mechupda live in the area of Chico, California.

Population

Estimates for the pre-contact populations of most native groups in California have varied substantially. Alfred L. Kroeber estimated the 1770 population of the Maidu (including the Konkow and Nisenan) as 9,000. Sherburne F. Cook raised this figure slightly, to 9,500.

Kroeber reported the population of the Maidu in 1910 as 1,100. The 1930 census counted 93, following decimation by infectious diseases and social disruption. As of 1995, the Maidu population had recovered to an estimated 3,500.

Culture

Baskets and basket making
The Maidu women were exemplary basketweavers, weaving highly detailed and useful baskets in sizes ranging from thimbles to huge ones 10 or more feet in diameter. The weaving on some of these baskets is so fine that a magnifying glass is needed to see the strands. In addition to making closely woven, watertight baskets for cooking, they made large storage baskets, bowls, shallow trays, traps, cradles, hats, and seed beaters. They used dozens of different kinds of wild plant stems, barks, roots and leaves. Some of the more common were fern roots, red bark of the redbud, white willow twigs and tule roots, hazel twigs, yucca leaves, brown marsh grassroots, and sedge roots. By combining these different kinds of plants, the women made geometric designs on their baskets in red, black, white, brown or tan.

Maidu elder Marie Potts explains, "The coiled and twining systems were both used, and the products were sometimes handsomely decorated according to the inventiveness and skill of the weaver and the materials available, such as feathers of brightly plumaged birds, shells, quills, seeds or beads- almost anything that could be attached."

Subsistence

Like many other California tribes, the Maidu were primarily hunters and gatherers and did not farm. They practiced grooming of their gathering grounds, with fire as a primary tool for this purpose. They tended local groves of oak trees to maximize production of acorns, which were their principal dietary staple after being processed and prepared.

According to Maidu elder Marie Potts:

Preparing acorns as the food was a long and tedious process that was undertaken by the women and children. The acorns had to be shelled, cleaned, and then ground into meal. This was done by pounding them with a pestle on a hard surface, generally a hollowed-out stone. The tannic acid in the acorns was leached out by spreading the meal smoothly on a bed of pine needles laid over sand. Cedar or fir boughs were placed across the meal and warm water was poured all over, a process that took several hours, with the boughs distributing the water evenly and flavoring the meal.

The Maidu used the abundance of acorns to store large quantities for harder times. Above-ground acorn granaries were created by the weavers.

Besides acorns, which provided dietary starch and fat, the Maidu supplemented their acorn diet with edible roots or tubers (for which they were nicknamed "Digger Indians" by European immigrants), and other plants and tubers. The women and children also collected seeds from the many flowering plants, and corms from wildflowers also were gathered and processed as part of their diet. The men hunted deer, elk, antelope, and smaller game, within a spiritual system that respected the animals. The men captured fish from the many streams and rivers, as they were a prime source of protein. Salmon were collected when they came upstream to spawn; other fish were available year-round.

Housing
Especially higher in the hills and the mountains, the Maidu built their dwellings partially underground, to gain protection from the cold. These houses were sizable, circular structures 12 to 18 feet in diameter, with floors, dug as much as 3 feet below ground level. Once the floor of the house was dug, a pole framework was built. It was covered by pinebark slabs. A sturdy layer of earth was placed along the base of the structure. A central fire was prepared in the house at ground level. It had a stone-lined pit and bedrock mortar to hold heat for food preparation.

For summer dwelling, a different structure was built from cut branches tied together and fastened to sapling posts, then covered with brush and soil. The summer shelters were built with the principal opening facing east to catch the rising sun, and to avoid the heat of afternoon sun.

Social organization
Maidu lived in small villages or bands with no centralized political organization. Leaders were typically selected from the pool of men who headed the local Kuksu cult. They did not exercise day-to-day authority, but were primarily responsible for settling internal disputes and negotiating over matters arising between villages.

Religion
The primary religious tradition was known as the Kuksu cult. This central California religious system was based on a male secret society. It was characterized by the Kuksu or "big head" dances. Maidu elder Marie Mason Potts says that the Maidu are traditionally a monotheistic people: "they greeted the sunrise with a prayer of thankfulness; at noon they stopped for meditation, and at sunset, they communed with Kadyapam and gave thanks for blessings throughout the day." A traditional spring celebration for the Maidu was the Bear Dance when the Maidu honored the bear coming out of hibernation. The bear's hibernation and survival through the winter symbolized perseverance to the Maidu, who identified with the animal spiritually.

The Kuksu cult system was also followed by the Pomo and the Patwin among the Wintun. Missionaries later forced the peoples to adopt Christianity, but they often retained elements of their traditional practices.

Traditional narratives
Stories of K'odojapem/World-maker and Wepam/Trickster Coyote are particularly prominent in Maidu traditional narratives.

Languages

The Maidu spoke a language that some linguists believe was related to the Penutian family. While all Maidu spoke a form of this language, the grammar, syntax, and vocabulary differed sufficiently that Maidu separated by large distances or by geographic features that discouraged travel might speak dialects that were nearly mutually unintelligible.

The four principal divisions of the language were Northeastern Maidu or Yamonee Maidu (known simply as Maidu); Southern Maidu or Nisenan; Northwestern Maidu or Konkow; and Valley Maidu or Chico.

Rock art
The Maidu inhabited areas in the northeastern Sierra Nevada. Many examples of indigenous rock art and petroglyphs have been found here. Scholars are uncertain about whether these date from previous indigenous populations of peoples or were created by the Maidu people. The Maidu incorporated these works into their cultural system, and believe that such artifacts are real, living energies that are an integral part of their world.

Tribes

Federally recognized
 Berry Creek Rancheria of Maidu Indians
 Enterprise Rancheria of Maidu Indians of California
 Greenville Rancheria of Maidu Indians of California
 Mechoopda Indian Tribe of Chico Rancheria
 Mooretown Rancheria of Maidu Indians of California
 Shingle Springs Band of Miwok Indians, Shingle Springs Rancheria (Verona Tract)
 Susanville Indian Rancheria
 United Auburn Indian Community of the Auburn Rancheria

Not federally recognized
 Honey Lake Maidu Tribe
 KonKow Valley Band of Maidu Indians
 Nisenan of Nevada City Rancheria
 Strawberry Valley Band of Pakan'yani Maidu (aka Strawberry Valley Rancheria)
 Tsi Akim Maidu Tribe of Taylorsville Rancheria
 United Maidu Nation
 Colfax-Todds Valley Consolidated Tribe of the Colfax Rancheria

Notable Maidu people

 Dalbert Castro (Nisenan), artist, painter
 Wallace Clark (Koyom'kawi yepom), traditional arts
 Frank Day (Konkow), artist
 Harry Fonseca (Nisenan/Miwok), artist, painter
 Janice Gould (Konkow Maidu), artist
 Judith Lowry (Mountain Maidu/Achomawi), artist, painter
 Jacob A. Meders (Mechoopda-Konkow), painter, printmaker, installation artist
 Marie Mason Potts (Mountain Maidu), journalist, activist
 Frank Tuttle (KonKow Maidu), artist, ceremonialist

Notes

References

Further reading
 Cook, Sherburne F. 1976. The Conflict between the California Indian and White Civilization. University of California Press, Berkeley.
 Kroeber, A. L. 1925. Handbook of the Indians of California. Bureau of American Ethnology Bulletin No. 78. Washington, D.C.
 Heizer, Robert F. 1966. Languages, Territories, and Names of California Indian Tribes. University of California Press, Berkeley.
 Pritzker, Barry. 2000. A Native American Encyclopedia: History, Culture, and Peoples. Oxford University Press, New York.

External links
 Nisenan
 Maidu Headmen with Treaty Commissioners, July/August 1851
 Maidu Indians and Treaty Commissioners; Original Image at George Eastman House.

People from California
Native American tribes in California
History of the Sierra Nevada (United States)
History of Amador County, California
History of Butte County, California
History of El Dorado County, California
History of Placer County, California
History of Sacramento County, California
History of Nevada County, California
History of Sierra County, California
History of Yuba County, California

Maidu


Iodobenzamide (IBZM or iolopride) is a pharmaceutical drug used for diagnostic purposes. It is a dopamine antagonist and it can be used by nuclear medicine physicians as a radioactive tracer for SPECT where the radioactive isotope is iodine-123 or iodine-125. The main purpose of a brain study with IBZM is the differentiation of Parkinson's disease from other neurodegenerative diseases such as Lewy Body dementia and multiple system atrophy.

References

Radiopharmaceuticals
Benzamides
Iodoarenes
Phenols

Iodobenzamide


Bleach Sezonul 7 – Arrancar: Intrarea în Hueco Mundo (2007)

Episoadele din sezonul șapte al seriei anime Bleach se bazează pe seria manga Bleach de Tite Kubo. Sezonul șapte din Bleach, serie de anime, este regizat de Noriyuki Abe și produs de Studioul Pierrot și TV Tokyo și a început să fie difuzat pe data de 4 iulie 2007 la TV Tokyo și s-a încheiat la data de 5 decembrie 2007.

Episoadele din sezonul șapte al seriei anime Bleach fac referire la Ichigo Kurosaki care intră în Hueco Mundo pentru a o salva pe Orihime Inoue, care a fost răpită de arrancarii sub comanda fostului căpitan shinigami Sosuke Aizen.

Lista episoadelor

Referințe

Bleach
Liste cu episoade anime
Sezoane de televiziune din 2007

Bleach (sezonul 7)


Rauenstadt ist ein Gemeindeteil der Großen Kreisstadt Dinkelsbühl im Landkreis Ansbach (Mittelfranken, Bayern).

Geografie
Der Weiler liegt fünf Kilometer westnordwestlich des Dinkelsbühler Zentrums unmittelbar an der Grenze zur Gemeinde Fichtenau in Baden-Württemberg. Im Ort entspringt der Rauenstädter Bach, der mit weiteren Bächen einen rechten Zufluss der Wörnitz bildet. Im Osten liegt das Flurgebiet Stocklach, im Westen der Hauerhut und das Gemeindeholz, im Südosten das Bannholz. Eine Gemeindeverbindungsstraße führt nach Ketschenweiler (0,5 km nördlich) bzw. nach Buckenweiler (1,4 km südlich).

Geschichte
Die Fraisch über Rauenstadt war strittig zwischen dem ansbachischen Oberamt Crailsheim, dem oettingen-spielbergischen Oberamt Mönchsroth und der Reichsstadt Dinkelsbühl. Die Dorf- und Gemeindeherrschaft hatte das ansbachische Klosterverwalteramt Auhausen. Gegen Ende des 18. Jahrhunderts gab es 5 Anwesen und 1 Ansbacher Streiferhaus. Grundherren waren das Klosterverwalteramt Auhausen (4 Güter) und das Rittergut Bernhardsweiler (1 Gütlein). Von 1797 bis 1808 unterstand der Ort dem Justiz- und Kammeramt Crailsheim.

Im Jahr 1809 wurde Rauenstadt infolge des Gemeindeedikts dem Steuerdistrikt und der Ruralgemeinde Weidelbach zugeordnet. Mit dem Zweiten Gemeindeedikt (1818) wurde der Ort in die neu gebildete Ruralgemeinde Esbach überwiesen. Am 1. April 1971 wurde Rauenstadt im Zuge der Gebietsreform in Bayern nach Dinkelsbühl eingegliedert.

Einwohnerentwicklung

Religion
Der Ort ist seit der Reformation evangelisch-lutherisch geprägt und nach St. Ulrich (Weidelbach) gepfarrt. Die Katholiken sind nach St. Georg (Dinkelsbühl) gepfarrt.

Literatur

Weblinks

Fußnoten

Geographie (Dinkelsbühl)
Ort im Landkreis Ansbach
Weiler in Mittelfranken

Rauenstadt


الرشايدة أو بني رشيد (يلقب المنتمي إليها بالرشيدي) هي قبيلة عربية يعود نسبها إلى قبيلة بني عبس من عدنان.

النسب
يعود نسب القبيلة إلى رشيد بن شرول من بني عبس بن بغيض بن ريث بن غطفان بن سعد بن قيس عيلان بن مضر بن نزار بن معد بن عدنان.

التواجد

في المملكة العربية السعودية
 البراك، وبلادهم في قرية البعيجاء، وفي قرية الخنقة، وفي قرية الذكري عند جبل ضبي، وفي قرية الصخنة، وفي قرية المثواة، وفي قرية مرغان، وعند جبل وسمة.
 البراقعة، وبلادهم في وادي المطاوي.
 العراعرة:
 الجريشات.
 الطرانية.
 الحلاليق.
 المراشدة.
 الهروف.
 الطرائبة.
 المسعد.
 السعدون.
 الحراميس.
 آل جلدان، وبلادهم في وادي الحليفة وفي قرية روض ابن هادي في وادي الروض.
 الخيارات، وبلادهم في قرية الأسمرة وفي الشويمس.
 الدواميك، وبلادهم في شعيب القرن بالقرب من جبل ريك.
 الذيبة، وبلادهم في قرية اللحن وفي قرية الصلصلة، وينقسمون إلى:
 السمرات، وينقسمون إلى:
 جماعة سعود بن فالح بن سمرة ويسكنون في قرية الديسة بالقرب من خيبر.
 جماعة سند بن سرور بن سمرة، ويسكنون في قرية البحرة.
 الرقيان.
 الصوادرة.
 العتيق.
 العويض.
 الفجاوين.
 الهونة.
 المسرة.
 السنين.
 البويدي.
 الجداعين.
 العويد.
 الفرادسة، ويسكنون بالقرب من وادي الثمد ومن وادي الخرزة، وينقسمون إلى:
 القميشات.
 الراشد.
 الحماد.
 الحيازين.
 المضابرة:
 الردافين.
 الفغوم.
 المهيمزات أو المهامزة، وينقسمون إلى:
 جماعة ابن هديبان، ويسكنون في وادي المرير.
 جماعة ابن رفادان، ويسكنون في وادي صفيط.
 جماعة يسكنون في العوشزي.
 جماعة ابن خزيم، ويسكنون في قرية أم هشيم.
 جماعة يسكنون في قرية بالقرب من وادي الرقب.
 العمامير.
 الزعاترة.
 النميان.
 الدناهرة.
 المعيوفات.
 العوامرة ويسكنون في هجرة أبلة، وفي قرية الصبان، ويسكن جماعة منهم بالقرب من وادي كرانيف، وينقسمون إلى:
 الشنانية.
 ذوي علي.
 العدلات.
 العوران.
 الشرمان.
 الشوالعة ويسكنون بالقرب من وادي بدع بن خلف.
 الرويضات، ويسكنون في قرية أبو صور، وفي قرية أفيعية، وفي قرية شعيلا.
 الزبون، ويسكنون هجرة مزعلة.
 العايضات، ويسكنون في قرية بدائع قني.
 العجاونة.
 العونة.
 القعابيب، ويسكنون في قرية الخفج وغيرها، وينقسمون إلى:
 الصقرة.
 العيفان.
 ذوي جميل.
 الخشمان.
 ذوي بليم.
 المعاودة.
 ذوي مناور.
 المكاحلة، ويسكنون في قرية الحميمة.
 النوامسة، ويسكنون في قرية بالقرب من وادي الشقة.
 الوهادين.

في دولة الكويت
يتواجد الرشايدة في منطقة سهل الدبدبة وفروعهم هي:
 المهيمزات.
 العجارمة.
 العونة.
 ذو صياد.

في فلسطين
للرشايدة تواجد في منطقة عين جدي، وفي بلدة عرب الرشايدة وفروعهم هي:
 الصقور، وينقسمون إلى:
 صقور.
 قرينات.
 الجريات، وينقسمون إلى:
 جريات.
 سعيدات.
 الرشايدة، وينقسمون إلى:
 رشايدة.
 بصايصة.

في مصر والسودان وإريتريا

للرشايدة تواجد في مصر، وفي السودان، وفي إريتريا التي يقدر عدد الرشايدة فيها ما بين 80 ألف إلى 100 ألف نسمة وفقاً للإحصاء الحكومي وكانوا في سنة 1996 يشكلون 2.4% من سكان إريتريا وقد شاركوا في دعم استقلال الدولة من الاحتلال الأثيوبي. يوجد لقبيلة الرشايده جيش باسم (حزب الأسود الحرة ) تاسس هذا الحزب بقيادة الدكتور مبارك مبروك سليم الرشيدي عند نقض الحكومة بعض بنود مؤتمر البجا, للرشايدة في مصر والسودان وإريتريا العديد من الفروع وهي:
 الزنيمات وينقسمون إلى:
 ذوي عايد.
 الحليمات.
 النفيشات.
 ذوي بريغث.
 الحويجات.
 الجليدات.
 البراعصة وينقسمون إلى:
 ذوي حيان.
 الجلادن.
 الكعيكات.
 ذوي مهدي.
 السحامين.
 ذوو عمري.
 العميرات.
 ذوو هويدي.
 الفعيرات.
 البراطيخ وينقسمون إلى:
 العويمرات.
 الدلقان.
 الدهمان.
 اليميني.
 المناقير.
 الخيارات.
 الكريفات.

شيوخ بني رشيد (الرشايدة)
 الشيخ / سرور بن سمران بن سمرة الرشيدي - وهو شيخ شمل بني رشيد في الحجاز .
 الشيخ / دليم بن جاسم بن براك الرشيدي - وهو شيخ شمل القبيلة في نجد .
 الشيخ / ديبان بن عواد الجحيش - شيخ (شمل المهيمزات) .
 الشيخ/ نافع بن مزعل بن شميلان الجلادي الرشيدي .
 الشيخ / غازي بن هادي الجلادي الرشيدي .
 الشيخ / مصلح بن بدوي المضيبري الرشيدي .
 الشيخ/ ساكر بن مناور بن قعبوب الرشيدي
 الشيخ / عبد الله مطلق المسيلم. شيخ (شمل صياد بالكويت - والمتوفي عام 1427 هـ)
 الشيخ / محمد بن مفرج بن عاصي بن مفرج المسيلم. شيخ (شمل صياد بالكويت - والمتوفي عام 1439 هـ)
 الشيخ/ جاسم محمد مفرج المسيلم.شيخ (شمل صياد بالكويت)

معرض صور

مراجع

باللغة العربية

باللغة الإنجليزية

العرب في السودان
قبائل السعودية
قبائل السودان
قبائل الكويت
قبائل عربية
قبائل فلسطينية
قبائل مصرية
قبائل يمنية
مجتمعات إسلامية في إفريقيا
مجموعات بدوية
مجموعات عربية
مجموعات عرقية في الأردن
مجموعات عرقية في السعودية
مجموعات عرقية في السودان
مجموعات عرقية في الشرق الأوسط
مجموعات عرقية في إريتريا
مجموعات عرقية في عمان

رشايدة


جوزيف سيمون غالياني  قائد عسكري فرنسي (24 أبريل 1849-27 مايو 1916). شارك في بداية الحرب العالمية الأولى.
 خدم غالياني في الحرب الفرنسية البروسية، وتعرض للأسر.
 أصبح القائد الفرنسي العام في السودان الفرنسي (مالي) ما بن عامي 1886 و1888.
 تولى منصب الحاكم العام لمدغشقر ما بين عامي 1896 و1905، وعانى ككثير من الحكام الفرنسيين لمدغشقر من مقاومة أهلها لحكمهم، وقد قال غالياني ما معناه بأن هذه التمرد سببه نزعتهم القتالية (أي ميلهم للقتال)، في حين أن خليفته فكتور أوغانغور  بأن سبب ذلك هو الضرائب المتزايدة، ووجهات النظر لمتسلطة لأصحاب المواقع العسكرية، أو المستوطنون المعزولون.
 في بداية الحرب العالمية الأولى صيف عام 1914، شنت القوات الألمانية هجوماً على فرنسا نجح أول الأمر نجاحاً كبيراً، مما حدا بالفرنسيين إلى نقل حكومتهم خارج باريس، وتحويل باريس إلى منطقة عسكرية، وكلف غالياني بقيادة هذه المنطقة. وفي بداية سبتمبر 1914 نصح غالياني جوزيف جوفر القائد الفرنسي العام بإيقاف الانسحاب والاستعداد للهجوم، وقرر جوفر أن يبدأ الهجوم يوم 6 سبتمبر، وقد عرف هذا الهجوم باسم معركة المارن الأولى التي انتهت بانتصار قوات الحلفاء، وكان مساهمة غالياني في هذا النصر كبيرة.

معرض صور

روابط خارجية

مصادر

 A. Adu Boahen (ed.), "General History of Africa; vol. 7; Africa under Colonial Domination", Henmann, California, Unesco, 1985.
 Peter Young(ed.), "The Victors", Bison Books, London, 1981.

أشخاص من الجمهورية الفرنسية الثالثة
أشخاص من غارون العليا
أشخاص من غرب إفريقيا الفرنسي
أفراد عسكريون فرنسيون في الحرب الفرنسية البروسية
حكام عسكريون في باريس
خريجو مدرسة سان سير العسكرية
عسكريون فرنسيون في الحرب العالمية الأولى
فرنسيون من أصل إيطالي
قادة الحرب العالمية الأولى
مارشالات فرنسا
مواليد 1849
وفيات 1916
وفيات في فرساي

جوزيف غالياني


ඇරෝමැටිික කාබනික සංයෝගයකි. ප්‍රබල ප්‍රතිඔක්සිකාරකයකි.

යොදාගැනීම්

ආහාර
ප්‍රතිඔක්සිකාරකයක් වන මෙය ආහාරයට ගන්නා එලවළු තෙල් සහ සත්ත තෙල් වල ආහාර සංරක්‍ෂකයක් ලෙස යොදාගැනේ. මෙම සංයෝලය මගින් ආහාරයක රසයට හෝ සුවඳට බලපෑමක් එල්ල නොවේ.

කාර්මික

සුරක්‍ෂිතබව සහ රෙගුලාසි

E319


An Restio singularis in uska species han Liliopsida nga ginhulagway ni Esterh.. An Restio singularis in nahilalakip ha genus nga Restio, ngan familia nga Restionaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Restio

Restio singularis


الزوجة الثانية غيثة
علم فنانين كثيرين في منزله بطنجة شارع الأنطاكي اقامه إحسان منهم عبد السلام الخلوفي و نور الدين السرغني

من هو محمد فويتح؟

مغني مغربي وكاتب أغاني، يعتبر أحد مجددي الأغنية المغربية، إسمه الحقيقي محمد التدلاوي وقد عرف بإسمه الفني محمد فوتيج. أصدر العديد من الأغاني المغربية الأصيلة الخالية من نمطية تقليد الأغاني الشرقية. كانت بعض أغانيه تحمل معاني وطنية جليلة مشفرة لا يفهمها إلا من أحسن الإنصات وذلك للخلاص من الرقابة الثقافية التي مارسها المستعمر. فأغنية آومالولو والتي صدرت بعد نفي الملك محمد الخامس تجسد التلاحم القوي بين الملك والشعب في تلك الفترة وذلك بشكل مبيت.

حياة فويتح وطفولته

ولد فويتح الذي أخذ لقبه عن أبيه (الحاج فاتح الحلاق)- ببفاس حوالي 1929. ومنذ صغر سنه كان مولعا بفن الموسيقى والغناء وبعد تدريبه وتعلم العزف على آلة العود بدأ يشارك بين الفينة والأخرى كعازف مع مجموعات موسيقية مثل جوق الملحون للحاج التهامي الهاروشي ومجموعات أخرى كانت تجد مرتعها الخصب في حفلات الأعراس ومناسبات الزفاف. كان في البداية يقلد الأغاني الخالدة " للعديد من الفنانين المشارقة مثل فريد الأطرش، ومحمد عبد الوهاب، وأم كلثوم، وبعد ذلك أخذ يعمل على حفظ الموروث الغنائي الشعبي خصوصا، أغاني الحسين السلاوي داخل إذاعة فاس.

بدايته الفنية

تتوالى الأيام ليؤسس محمد فويتح فرقة موسيقية أطلق عليها «جوق الشعاع» وهو الجوق الذي عزف أول محاولة قام بها محمد فويتح ومع نهاية الأربعينيات هاجر فويتح إلى فرنسا وسجل للإذاعة الفرنسية وإذاعة «مونتي كارلو» بعض القصائد الغنائية التي لم تسلم من الطابع الشرقي. وفي باريس التقى فويتح الموسيقار الراحل محمد عبد الوهاب الذي نصحه باستغلال الإيقاعات المغربية وتلحين أغاني تبتعد عن «الموديل» الشرقي. نصيحة محمد عبد الوهاب كانت بمثابة الشعلة التي أنارت له طريق الفن الصحيح البعيد عن النمطية والتقليد، فتوالت العطاءات تلو العطاءات ليترك لنا محمد فويتح أغاني مغربية أصيلة وهادفة بعيدة عن الركاكة وعن الأهدف التجارية.

مراجع
عن موسوعة موقع المغرب الموسوعة المغربية

روابط خارجية
موسوعة موقع المغرب

مراجع

أشخاص من فاس
مغنون ومغنيات مغاربة
مواليد 1346 هـ
مواليد 1929
وفيات 1417 هـ
وفيات 1996

محمد فويتح


Le KRI Nagabanda (406) est un sous-marin de classe Whiskey (Project 613) fabriqué en Union soviétique, navire de tête de la classe Nagabanda (nom local de la classe Whiskey) de la marine indonésienne.

Conception

La conception initiale a été développée au début des années 1940 en tant que suite du sous-marin de classe Chtchouka. À la suite de l'expérience de la Seconde Guerre mondiale et de la capture de la technologie allemande à la fin de la guerre, les Soviétiques ont émis une nouvelle exigence de conception en 1946. La conception révisée a été développée par le bureau d'études Lazurit basé à Gorki. Comme la plupart des sous-marins conventionnels conçus de 1946 à 1960, la conception a été fortement influencée par le Unterseeboot type XXI de l'Allemagne nazie. Au cours des années 1950, les chantiers navals soviétiques ont produit plus de 200 bateaux de classe Whiskey.

Historique
Au cours des années 1950, l'Indonésie nouvellement indépendante a cherché à étendre son contrôle politique sur les îles périphériques, dont certaines arboraient encore le drapeau colonial néerlandais. Sous la direction du leader indépendantiste Soekarno, Jakarta a commencé à faire des achats importants d'armes soviétiques pour soutenir sa politique de « confrontation » consistant à utiliser la pression militaire. Ces acquisitions comprenaient douze sous-marins diesel-électriques soviétiques de 1470 tonnes de classe Whiskey et un ravitailleur de sous-marins (le KRI Ratulangi) pour les soutenir. Grâce à cet achat, pendant environ une décennie, l'Indonésie a eu la plus grande flotte de sous-marins d'Asie du Sud-Est. Les sous-marins ont été livrés entre 1959 et 1962, avec des torpilles acoustiques anti-navires SAET-50 alors d'une technologie avancée. Les premiers équipages indonésiens ont reçu neuf mois de formation en anglais à Gdańsk, en Pologne, de la part d'instructeurs russes, y compris des croisières sur la mer Baltique.

Jakarta a rapidement utilisé ces sous-marins dans sa campagne pour le contrôle de la Nouvelle-Guinée occidentale, comme décrit par le contre-amiral Agung Pramono dans son Histoire de l'escadrille de sous-marins indonésiens :

En 1962 près de Biak, le Nagabanda a été impliqué dans un incident qui aurait pu finir de façon tragique. Un avion de patrouille maritime hollandais Lockheed P-2 Neptune s'est approché du Nagabanda par derrière. L'équipage ne l'a détecté que lorsque l'avion était au-dessus d'eux. Le commandant du sous-marin, le major Tjipto Wignjoprajitno, a donné à 12 h 15 l'ordre de plonger à une profondeur de 15 mètres, en indiquant que si les Hollandais larguaient des bombes, le sous-marin était perdu. Le Nagabanda a continué à plonger jusqu'à une profondeur de 50 mètres. Les Hollandais ont largué une bouée sonar. L'équipage entendait le son : ping ... ping... ping... Le Nagabanda a continué à plonger jusqu'à 70 mètres. Peu de temps après, les Hollandais ont commencé à larguer des charges de profondeur. Pendant trois heures, le Nagabanda a zigzagué en immersion pour tenter de s'échapper. Les charges de profondeur continuaient à exploser. La situation sur le sous-marin est devenue critique, en particulier après que le gouvernail horizontal du sous-marin ait été endommagé. Le bateau ne pouvait plus remonter de sa plongée. Le commandant du Nagabanda a décidé d'éteindre le moteur Diesel pour éviter de descendre trop profond. Après cela, ils ont recherché une « piste liquide » : une couche d'eau de mer avec une densité plus élevée que les eaux environnantes. Là, ils ont gardé le silence et éteint tous les équipements produisant du bruit. Même l'équipage avait l'interdiction de se déplacer. Ils ont survécu dans l'air étouffant, la chaleur et le manque d'oxygène pendant 36 heures avant que finalement les Hollandais décident d'abandonner. À minuit, ils sont remontés à la surface de la mer en chassant aux ballasts. De là, ils ont navigué jusqu'à Halmahera, où ils ont découvert que les dommages au gouvernail horizontal avaient été causés par le détachement des plans droit et gauche en raison de l'explosion des charges de profondeur.

Jakarta a finalement atteint son objectif de forcer les Néerlandais à quitter la Nouvelle-Guinée occidentale. Puis, de 1963 à 1966, il s'est opposé militairement sans succès à la création d'un État malaisien indépendant, l'entraînant dans des affrontements répétés avec les forces australiennes. Par conséquent, en 1964, le Nagabanda a été envoyé pour espionner la côte de l'Australie-Occidentale, qui s'est avérée avoir des eaux plus froides que celles auxquelles l'équipage était habitué. En rentrant, l'équipage a décidé de jeter leurs ordures dans les eaux australiennes, en particulier les boîtes de conserve vides fabriquées en Indonésie.

Plus tard le Nagabanda a été envoyé pour photographier la plage de Terengganu en Malaisie afin de déterminer s'il était possible d'y débarquer des troupes. Détecté par une frégate britannique et un avion de patrouille maritime Avro Shackleton, l'équipage a temporairement repeint son numéro de coque pour tromper leurs poursuivants.

Cependant, le réchauffement des relations de Sukarno avec l'Union soviétique a inspiré les efforts américains pour le déstabiliser. Enfin, en 1966-1967, la CIA a aidé à orchestrer un coup d'État militaire de droite, qui a entraîné le massacre de plus d'un demi-million de communistes indonésiens et de minorités ethniques. Cette boucherie a refroidi les relations avec l'Union soviétique, qui a cessé de fournir les pièces de rechange et l'expertise de maintenance nécessaires pour faire fonctionner les sous-marins, forçant l'Indonésie à cannibaliser la majeure partie de sa flotte dans les années 1970.

Notes et références

Bibliographie
 .

Liens externes
 .
 .
 .
 .

Voir aussi

Liens internes
 Liste des sous-marins de l'Indonésie

Sous-marin d'attaque conventionnel
Sous-marin de la marine indonésienne
Navire construit en Union soviétique
Bateau lancé en 1954

KRI Nagabanda


සිදුවීම්
217 BC – රාෆියාහි සටන: ඊජිප්තුවේ සිවුවැනි ටොලමි ෆිලපටර් විසින් සෙලුසිඩ් රාජධානියේ තුන්වන මහා ඇන්ටිකස්  පැරදවීම.
168 BC – පිඩ්නාහි සටන: තෙවන මැසිඩෝනියානු යුද්ධය අවසන් කරමින් ලුසියස් අමිලියස් පෝල්ස් යටතේ රෝමානුවන් මැසිඩෝනියානු පර්සියස් රජු පරාජය කිරීම.

ජූනි
ග්‍රෙගරි දිනදසුනේ දින
අවුරුද්දේ දින

ජූනි 22


Bilohorivka (en ) ou Belogorovka (en ) est une commune urbaine de l'oblast de Louhansk, en Ukraine. Sa population s'élevait à  au .

Géographie
Bilohorivka est située sur la rive sud du Severski Donets, à  à l'ouest de Lyssytchansk, à  au nord-ouest de Louhansk et à  à l'est-sud-est de Kyiv.

Bilohorivka forme administrativement une agglomération de commune avec les villages de Chypylivka (Шипилівка), Zolotarivka (Золотарівка) et Verkhniokamianka (Верхньокам'янка).

Histoire
Le lieu est mentionné pour la première fois par écrit en 1720, sous le règne de Pierre le Grand, ce qui en fait l'un des plus anciens de l'oblast et aurait été fondé à la fin du . On y fait venir à la fin du  des paysans du gouvernement de Tchernigov et d'ailleurs. Depuis 1958, il a le statut de commune urbaine.

Lors de l'invasion de l'Ukraine par la Russie en 2022, l'école du village, où environ 90 civils s'étaient réfugiés, est touchée par un raid aérien le .

En mai 2022, durant la bataille de Bilohorivka,  brigade blindée ukrainienne, détruit près d'un bataillon de troupes russes (dont plus de 50 véhicules) qui tentaient de traverser la rivière Donets.

La ville est le théâtre de combats majeurs lors de la bataille de Lyssytchansk ; les Russes proclament la prise de la ville le .

La localité est reprise le  par les Forces Armées Ukrainiennes lors de la contre-offensive dans l'Est de l'Ukraine. Elle constitue alors l'une des rares zones de l'oblast de Louhansk sous contrôle ukrainien.

Le 2 février 2023, les autorités pro-russes de Louhansk revendiquent la prise du village par les forces russes.

Le 5 février 2023, le gouverneur de l'oblast de Louhansk Serhiy Haidai dément la capture du village.

Population

Liens externes

 Informations sur l'emplacement (ukrainien)

Notes et références

Commune urbaine dans l'oblast de Louhansk

Bilohorivka


Le col de Cabre est un col pédestre situé à  d'altitude dans les monts du Cantal, dans le département français du même nom, en Auvergne-Rhône-Alpes.

Géographie
Il est situé entre le puy Bataillouse () au sud-est et le puy de Peyre Arse () au nord-ouest, et permet de basculer de la vallée de la Santoire (commune de Lavigerie) à la vallée de la Jordanne (commune de Mandailles-Saint-Julien). Un hameau de Lavigerie en contrebas du col, au nord-est, porte son nom.

Histoire
Le col était emprunté par la via Celtica, une voie romaine fréquentée jusqu'à la percée du tunnel routier du Lioran d'une longueur de , inauguré le 4 décembre 1843.

Activités

Randonnée
Le col constitue un important site de randonnée sur le sentier de grande randonnée 4 reliant Royan à Grasse et sur le GR 400, dit Tour des Monts du Cantal.

Parapente
Si l'absence de route proche n'encourage pas cette pratique, le col est cependant emprunté comme une étape possible par les parapentistes notamment lors du Cantal air tour.

Notes et références

Liens externes

Cabre
Cabre
Monts du Cantal

Col de Cabre (Cantal)


Himatnagar (en guyaratí: હિંમતનગર ) es una ciudad de la India capital del distrito de Sabarkantha, en el estado de Guyarat.

Geografía
Se encuentra a una altitud de 143  a 61 km de la capital estatal, Gandhinagar, en la zona horaria UTC +5:30.

Demografía
Según estimación 2011 contaba con una población de 59 650 habitantes.

Referencias

Enlaces externos

Localidades de Guyarat

Himatnagar


USS Darter (SS-227), a , was the first ship of the United States Navy to be named for the darter.

Construction and commissioning
Darter′s keel was laid down on 20 October 1942 by the Electric Boat Company of Groton, Connecticut. She was launched on 6 June 1943, sponsored by Mrs. E. B. Wheeler, wife of Edwin B. Wheeler, Shipbuilding Manager of Electric Boat, and commissioned on 7 September 1943.

World War II
Darter put out from New London, Connecticut on 31 October 1943 for Pearl Harbor, arriving on 26 November.

First patrol
On 21 December 1943, she cleared harbor on her first war patrol, bound for the heavily traveled shipping lanes south and west of Truk. This patrol was twice interrupted for repairs, at Pearl Harbor from 29 December 1943 – 3 January 1944, and at Tulagi and Milne Bay from 30 January–8 February. She performed a reconnaissance of Eniwetok on 12 January, and the next day scored a torpedo hit on a large ship, only to receive a severe depth-charging from her target's escorts. She stood by on patrol during the carrier air strikes on Truk of 16–17 February, then fueled at Milne Bay on her way to refit at Brisbane from 29 February–17 March. She suffered her only casualty of the war during this refit when Motor Machinist's Mate, Second Class Robert Richard Gould, Jr. was electrocuted.

Second patrol
On her way to her second war patrol north of Western New Guinea and south of Davao, Darter topped off fuel at Milne Bay on 21–22 March 1944. On 30 March, she sank a ship, then patrolled off New Guinea during Allied landings on its coast. She put into Darwin to refuel on 29–30 April, then returned to her patrol area until 23 May, when she arrived at Manus Island.

Third patrol
Refitted, she put out for action waters once more on 21 June on her third war patrol off Halmahera and Mindanao. She sank the IJN minelayer  off Morotai on 29 June 1944, and again endured a heavy depth charge barrage as a result of her attack.

Fourth patrol

Returning to Brisbane on 8 August 1944, Darter cleared on her fourth and last war patrol. She searched the Celebes Sea and South China Sea, returned to Darwin to fuel and make minor repairs on 10 September, and put back to the Celebes Sea. She pulled into Mios Woendi on 27 September for additional fuel, and sailed on 1 October with  to patrol the South China Sea in coordination with the forthcoming invasion of Leyte. She attacked a tanker convoy on 12 October, and on 21 October headed with Dace for Balabac Strait to watch for Japanese shipping moving to reinforce the Philippines or attack the landing forces.

In an outstanding performance of duty, which was to award both submarines the Navy Unit Commendation and Darters commanding officer, David Hayward McClintock, the Navy Cross, Darter and Dace made contact with the Japanese Center Force approaching Palawan Passage on 23 October. Immediately, Darter flashed the contact report, one of the most important of the war, since the location of this Japanese task force had been unknown for some days. The two submarines closed the task force, and with attacks on the cruisers of Center Force, initiated the attacks in the Palawan Passage, the first action of the decisive Battle for Leyte Gulf. Darter sank the heavy cruiser  and seriously damaged the cruiser . With Dace, she tracked the damaged cruiser through the tortuous channels of Palawan Passage until just after midnight of 24–25 October when Darter grounded on Bombay Shoal .

As efforts to get the submarine off the shoal began, the  closed, unsuccessfully tried to tow her off the reef or to destroy her, but then sailed on. With the tide receding, all Daces and Darters efforts to get her off failed. All confidential papers and equipment were destroyed, and the entire crew taken off to Dace. When the demolition charges planted in Darter failed to destroy her, Dace fired torpedoes which exploded on the reef due to the shallow water. Dace did, however, score 21 hits with her  gun.  was called in and fired 10 torpedoes at Darter with similar lack of success. Finally,  arrived on 31 October and scored 55 hits with her  guns. Her report states, "It is doubtful that any equipment in DARTER at 1130 this date would be of any value to Japan – except as scrap. Estimated draft of DARTER – 4 feet." With the scuttling occurring late in the war, the Japanese made no further efforts to recover the wreck, and her hulk remained remarkably intact as late as 1962.

Dace reached Fremantle safely with Darters men on 6 November. In order to retain their high esprit de corps, the entire Darter crew was ordered to take over , then being built at Manitowoc, Wisconsin.

Postwar
In January 1952 a salvage party from the US Navy arrived at the wreck to dispose of the six torpedoes left on board in the forward torpedo room. Charges were placed around the torpedoes, and the resulting detonation blew off the entire bow. As of 1998 her badly deteriorated remains protrude above the surface on the reef.

Awards
In addition to the Navy Unit Commendation, Darter received four battle stars earned during her four war patrols, the last three of which were designated as "successful". She is credited with having sunk a total of  of Japanese shipping.

References

External links
hazegray.org: USS Darter
navsource.org: USS Darter
On Eternal Patrol: USS Darter
Kill record: USS Darter

Gato-class submarines
World War II submarines of the United States
United States submarine accidents
Lost submarines of the United States
World War II shipwrecks in the South China Sea
Shipwrecks of the Philippines
Ships built in Groton, Connecticut
1943 ships
Maritime incidents in October 1944

USS Darter (SS-227)


Funariidae, podrazred pravih mahovina. Opisan je 2003. godine, a u njega su ukjljučena tri reda.

Redovi
 Disceliales Ignatov, Ignatova & Fedosov
 Encalyptales Dixon
 Funariales M. Fleisch.

Izvori

Prave mahovine

Funariidae


Le cape Soucis, en māori , est un cap néo-zélandais situé à la frontière des régions de Marlborough et de Nelson. Il marque à la fois le dernier sommet septentrional du chaînon Bryant, l'entrée occidentale de Croisilles Harbour et la limite nord-ouest des Marlborough Sounds.

Toponymie

Le nom māori du cap est .

Géographie
Le cap constitue le dernier sommet septentrional du chaînon Bryant. Il marque par ailleurs l'entrée occidentale de Croisilles Harbour. Enfin, c'est la limite nord-ouest généralement fixée des Marlborough Sounds.

Relief et géologie
Le relief du cap est constitué d'une côte abrupte et rocheuse s'élevant avec une pente de près de 100 % : le sommet situé à 270 mètres d'altitude est à moins de trois cents mètres de la mer. La zone est décrite en 1966 comme .

Le sous-sol du cap est composé d'argilite sous laquelle est située une couche de roches ultramafiques.

Climat
Le cape étant situé au vent, il reçoit directement les masses d'air chargées d'humidité en provenance du nord-ouest ; aussi les précipitation annuelles dépassent .

Histoire
En 1856, une surface de , soit , entourant le sommet du cap Soucis, est intégrée dans les possessions de la Couronne ; en effet, les autorités prévoient d'installer un phare sur les hauteurs du cap. Toutefois, ce projet n'est pas publié au journal officiel et non réalisé. Le devenir de la zone ne suscite l'intérêt qu'à partir de 1962. En mars de cette année, un agriculteur local, Norman Thompson, souhaite louer ce terrain pour ses activités. R. Firth, l'agent gouvernemental en charge de son dossier, indique à tort que la zone est une « terre māori non louée ». Le , M. Thompson reçoit en conséquence une réponse négative. Mais il ne s'y résigne pas et adresse une nouvelle demande l'année suivante, arguant notamment que le terrain est utilisé indûment par des Māoris s'y livrant à la chasse de manière . Une suite de négociations ministérielles s'ensuit, après quoi la réservation de la zone est révoquée le .

Végétation
Les pentes du cap ont été partiellement déboisées, surtout en parties basse. La forêt reboisée, qui correspond à un espace de transition entre la forêt originelle haute et la partie déboisée basse, a été souvent replantée en pins. Dans les zones non forestière, on trouve également des plantes grasses endémiques de Nouvelle-Zélande, comme Peperomia urvilleana. En 1966, un descriptif gouvernemental donne la répartition de la couverture végétale : .

La zone néritique comprend des rochers, des promontoires rocheux, des fonds de sable et de boue. La couverture algale dépasse rarement les six mètres de profondeur et est dominée par Carpophyllum flexuosum et Carpophyllum maschalocarpum.

Faune et pêche
En ce qui concerne la faune marine, le cap est notamment régulièrement visité par des groupes de grands dauphins. Il constitue également l'habitat de populations d'invertébrés, comme le coquillage , et de crustacés comme l'écrevisse Jasus edwardsii. Ces deux dernières espèces ont souffert d'un surpêche qui a fortement réduit leur population.

La morue bleue a été également trop pêchée, ce qui a conduit l'Autorité unitaire de Marlborough à édicter des règles et des interdictions valables pour l'ensemble des Marlborough Sounds, y compris le cap Soucis.

Notes et références

Liens externes

Bibliographie

Marlborough Sounds
Cap en Nouvelle-Zélande

Cap Soucis


1996 Eurovision Şarkı Yarışması, 41. Eurovision Şarkı Yarışması'dır. Yarışma 1995 yarışması'nı kazanmasından dolayı 18 Mayıs 1996 tarihinde Norveç'in başkenti Oslo'da bulunan Oslo Spektrum'da yapılmıştır. Yarışmanın sunuculuğunu Ingvild Bryn ve a-ha grubunun solisti Morten Harket yapmıştır. Norveç ikinci defa yarışmaya ev sahipliği yapmıştır.

Yarışmanın kazananı 'yı temsil eden "The Voice" adlı şarkısıyla Eimear Quinn olmuştur. İrlanda yarışmayı yedinci ve son kez kazanmıştır. Böylece İrlanda yarışmanın en çok kazanan skorunu arttırmıştır.

Televizyonda yayınlanmayan, yalnızca sesli olan bir ön eleme turu, Avrupa Yayın Birliği (EBU) tarafından, televizyon finalinde yarışacak olan katılımcı ülkelerin sayısını yirmi dokuzdan daha yönetilebilir sayıya yirmi üçe kadar kısaltmak amacıyla düzenlendi.

Yer

Oslo, Norveç'in başkenti ve en kalabalık şehridir. Hem ilçe hem de belediye oluşturur. İlk kez, Norveç'in başkenti yarışmaya ev sahipliği yaptı. Bu, Bergen'deki 1986 yarışmasının ardından etkinliğin Norveç'te gerçekleştirildiği ikinci yarışma oldu.

Ev sahibi mekan olarak çok amaçlı bir kapalı arena olan Oslo Spektrum seçildi. Aralık 1990'da açılan, her yıl düzenlenen Nobel Barış Ödülü Konseri ve ulusal ve uluslararası şöhretin sanatçılarının konserleri gibi önemli etkinliklere ev sahipliği yapmasıyla tanınıyor.

Format
Avrupa Yayın Birliği, çok sayıda potansiyel katılımcı ülkeyi daha gerçekçi bir kesime indirgemeye yönelik kabul edilebilir bir yöntem bulma çabalarını denemeye devam etti. Bu yıl, 1993 için kullanılmış olan ön eleme turuna geri döndüler, ancak bu sefer yalnızca bir ülke bu süreçten muaf tutuldu - ev sahibi Norveç. Asla televizyonda yayınlanmayan veya radyoda yayınlanmayan sadece sesli ön eleme turu EBU tarafından televizyonda finalde yarışacak katılımcı ülkelerin sayısını kısaca listelemek için kullanıldı. Ev sahibi Norveç haricinde, yirmi dokuz ülkeden gelen şarkılar ulusal jüriler için çalındı, bunlardan sadece yirmi ikisi Oslo'daki televizyon finaline seçildi. , , , , Rusya, Makedonya ve Romanya'nın hiçbiri final gecesinde yer alamadı. Sonuç olarak, Makedonya'nın katılımı hiçbir zaman EBU tarafından bir ilk katılım olarak sınıflandırılmadı, ülke nihayetinde  yılındaki yarışmada ilk katılımını gerçekleştirdi. Ayrıca bu yıl, Bulgaristan ve Ukrayna'nın başlarda katılması söz konusuyken sonradan bu ülkeler katılmaktan vazgeçmişlerdir.

Bunun yanında, yarışma tarihinde ilk defa oylama bölümü Silicon Graphics tarafından sağlanan sanal gerçeklik teknolojisi kullanılarak yapıldı. Sunucu Ingvild Bryn, izleyicilere 3 boyutlu bir puan tablosu, yeşil oda görüntüleri, jüri sözcüleri ve ülke grafiklerinin yer aldığı "mavi oda"yı tanıttı. Tek fiziksel yönler Ingvild'in kendisi ve iki podyumdu. Yarışma tarihinde ilk kez, telefon veya video bağlantısı yerine puanları iletmek için bir jüri sözcüsünün kendisi sahneye çıktı. Norveçli jüri sözcüsü Ragnhild Sælthun Fjørtoft, Norveç'in skorlarını duyurmak için mavi ekran setinde Ingvild Bryn'e katıldı. Sanal puan tablosu sadece ülkenin adını ve toplam skorunu listelemekteydi; bunun yanında puan tablosu 1984 yılından beri ilk kez ülkelerin bayraklarını göstermiyordu. 1985'ten önce, bayraklar sadece 1977 ve 1982'de tabloda görünmekteydi. Puan tablolarındaki bayraklar 1997'de geri döndü ve göründü. O zamandan beri çoğu puan tablosunda düzenli olarak bayraklar yer almıştır; tek istisna 2000 ve 2001'dir.

Bu yılki başka bir yenilik ise; tüm yarışmacılara kendi ülkelerinden bir politikacı tarafından kendi dillerinde iyi şanslar dilenmesiydi. Bu önceden kaydedilmiş mesajlar, performanslarından hemen önce gösterildi. Bu, Eurovision'da bu tür dileklerin olduğu tek yıldı.

Son olarak, Eurovision Şarkı Yarışması'nın adı bu yıl değiştirildi, yeniden markalandı ve bu yıl çoğunlukla "Eurosong '96" olarak anıldı. Ancak bu isim hiç popüler olmadı ve gelecek yıldan itibaren yeniden "Eurovision Song Contest" (Eurovision Şarkı Yarışması) olarak kullanılmaya devam edildi.

Orkestra Şefleri

  – Levent Çoker
  – Ernie Dunstall
  – Eduardo Leiva
  – Pedro Osório
  – Stavros Lantsias
  – Paul Abela
  – Alan Bjelinski
  – Mischa W. Krausz
  – Rui dos Reis
  – Michael Rozakis
  – Tarmo Leinatamm
  – Frode Thingnæs
  – Fiachra Trench
  – Jože Privšek
  – Dick Bakker
  – Bob Porter
  – Noel Kelehan
  – Olli Ahvenlahti
  – Ólafur Gaukur
  – Wiesław Pieregorólka
  Bosna-Hersek– Sinan Alimanović
  – Juraj Burian
  – Anders Berglund

Yeniden Katılan Şarkıcılar

Sonuçlar

Ön Elemeler

Skor Tablosu

12 puanlar

Aşağıda ön eleme turundaki tüm 12 puanların bir özeti verilmiştir:

Final

12 puanlar

Aşağıda finaldeki tüm 12 puanların bir özeti verilmiştir:

Uluslararası yayın ve Oylama

Oylama ve Oyları okuyanlar

  - Ömer Önder
  - Colin Berry
  - Belén Fernández de Henestrosa
  - Cristina Rocha
  - Marios Skordis
  - Ruth Amaira
  - Daniela Trbović
  - Martina Rupp
  - Yves Ménestrier
  - Niki Venega
  - Annika Talvik
  - Ragnhild Sælthun Fjørtoft
  - Laurent Broomhead
  - Mario Galunič
  - Marcha (Dutch representative in 1987)
  - An Ploegaerts
  - Eileen Dunne
  - Solveig Herlin
  - Svanhildur Konráðsdóttir
  - Jan Chojnacki
  Bosna-Hersek - Segmedina Srna
  - Alena Heribanová
  - Ulla Rundqvist

Yorumcular

Katılımcı ülkeler

  – Ernst Grissemann (ORF1); Stermann & Grissemann (FM4)
  – Felemenkçe: Michel Follet and Johan Verstreken (BRTN TV1), Guy De Pré and Bart Pieters (BRTN Radio 2) French: Jean-Pierre Hautier and Sandra Kim (RTBF La Une); Alain Gerlache and Adrien Joveneau (RTBF La Première)
  Bosna-Hersek – Sead Bejtović (TVBiH)
  – Aleksandar "Aco" Kostadinov (HRT 2); Draginja Balaš (HR 2)
  – Evi Papamichail (RIK 1); Pavlos Pavlou (CyBC Radio 2)
  – Jüri Pihel (Eesti Televisioon); Marko Reikop (Raadio 2)
  – Erkki Pohjanheimo and Sanna Kojo (YLE TV1); Iris Mattila and Pasi Hiihtola (YLE Radio Suomi)
  – Olivier Minne (France 2); Laurent Boyer (France Inter)
  – Dafni Bokota (ET1); Giorgos Mitropoulos (ERA ERT1)
  – Jakob Frímann Magnússon (Sjónvarpið); Jakob Frímann Magnússon
  – Pat Kenny (RTÉ One); Larry Gogan (RTÉ Radio 1)
  – Charles Saliba (TVM)
  – Willem van Beusekom (Nederland 1); Hijlco Span (Radio 2)
  – Jostein Pedersen (NRK 1); Stein Dag Jensen and Anita Skorgan (NRK P1)
  – Dorota Osman (TVP1)
  – Maria Margarida Gaspar (RTP1)
  – Stanislav Ščepán (STV2)
  – Miša Molk (SLO1)
  – José Luis Uribarri (TVE1)
  – Björn Kjellman (SVT1), Claes-Johan Larsson and Lisa Syrén (SR P3)
  – Almanca: Sandra Studer (SF DRS), Fransızca: Pierre Grandjean (TSR), Italian: Joanne Holder (TSI)
  – Bülend Özveren (TRT 1); Ümit Tunçağ (TRT Radyo 3)
  – Terry Wogan (BBC1); Ken Bruce (BBC Radio 2)

Katılmayan ülkeler

  – Jørgen de Mylius (DR TV1); Camilla Miehe-Renard (DR P3)
  – Ulf Ansorge (WDR Fernsehen/N3); Thomas Mohr(Deutschlandfunk/NDR 2)
  – István Vágó (MTV2)
  – No commentator
  – Vlado Janevski (MTV 1)
  - Doina Caramzulescu and Costin Grigore (TVR1)
  – Vadim Dolgachev (RTR)
  Yugoslavya FC – Mladen Popović (RTS2) (one day later)

Dış bağlantılar

 Resmî site

Kaynakça

Yıla göre Eurovision Şarkı Yarışması
1996'da müzik
1996'da Norveç

1996 Eurovision Şarkı Yarışması


Seyyid ile şunlardan biri kastediliyor olabilir:

 Seyyid, İslam dininin son peygamberi Muhammed'in torunu Hüseyin'den dolayı soyu peygambere dayanan kişiler için kullanılan unvan.
 Seyyid (film), 1985 tarihli Türk filmi.

Seyyid (anlam ayrımı)


Sabine Kehm, née le  à Bad Neustadt an der Saale, est une journaliste allemande, et la manager du septuple champion du monde de Formule 1 Michael Schumacher et de son fils Mick Schumacher.

Biographie

Jeunesse, formation et débuts dans le journalisme
Après une enfance passée à Bad Neustadt an der Saale, Sabine Kehm étudie le sport et le journalisme sportif à l'Université allemande du sport de Cologne. Elle y décroche un diplôme de professeur de sport puis effectue un apprentissage à l' à Berlin. Elle débute dès lors sa carrière dans le journalisme en exerçant au sein du service des sports du quotidien Die Welt. Elle travaillera aussi pour le magazine Sports et le Süddeutsche Zeitung. En 1994, après sept années de métier, elle est amenée à couvrir la Formule 1. Durant les années suivantes, elle réalise plusieurs interviews de Michael Schumacher.

Carrière d'attachée de presse puis de manager
En 1999, elle reçoit un appel téléphonique de Willi Weber, qui est le manager de Michael Schumacher, car ce dernier, après avoir eu recours aux services de plusieurs attachés de presse, en recherche encore un nouveau. Elle accepte l'offre proposée et devient ainsi l'attachée de presse et la conseillère en communication du pilote, assurant le lien avec les médias, transmettant les paroles, faits et gestes publics du champion allemand. Après la retraite sportive de ce dernier en 2006, elle devient responsable des communications pour Ferrari pour l'Europe centrale et orientale. Elle continue également sa collaboration avec Michael Schumacher, devenu consultant pour Ferrari, en organisant ses rendez-vous médiatiques.

En 2010, Schumacher fait son retour en Formule 1 avec l'écurie Mercedes. À cette occasion, désireux de prendre plus en main les affaires commerciales, il choisit de promouvoir Kehm comme manager à la place de Willi Weber.

Michael Schumacher prend sa retraite de pilote de Formule 1 en 2012. Fin 2013, il est victime d'un grave accident de ski à Méribel provoquant d'importantes lésions cérébrales. Face à une intense attention médiatique, notamment de la part de la presse à sensation, la famille Schumacher, dont l'épouse Corinna, lui confie la communication sur l'état de santé de l'ancien pilote. Un avocat spécialisé dans le droit des médias s'implique par la suite à ses côtés.

Elle devient par la suite la manager de Mick Schumacher, fils de Michael, lui aussi pilote automobile et qui évolue en Formule 1 à partir de 2021.

Le 15 septembre 2021 sort le documentaire Schumacher, dans lequel elle témoigne.

Vie privée
Après avoir vécu à Francfort-sur-le-Main, elle déménage en 2010 en Suisse, près du domicile des Schumacher, après avoir été promue manager de Michael.

Notes et références

Liens externes

Personnalité de la Formule 1
Femme d'affaires allemande
Naissance en décembre 1964
Naissance en Bavière

Sabine Kehm


An Fuirena repens in uska species han Liliopsida nga ginhulagway ni Johann Otto Boeckeler. An Fuirena repens in nahilalakip ha genus nga Fuirena, ngan familia nga Cyperaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Fuirena

Fuirena repens


Allt í grænum sjó var ein fyrsta íslenska revían, samin og sviðsett árið 1913. Sviðsetningin olli hneyksli meðal Reykvíkinga sem ekki áttu því að venjast að dregið væri dár af kunnum einstaklingum á leiksviði. Verkið var ritskoðað fyrir frumsýningu að kröfu yfirvalda en að henni lokinni lagði bæjarfógeti bann við frekari sýningum og varð sú ákvörðun afar umdeild í Reykjavík.

Saga og bakgrunnur
Vorið 1913 auglýsti Stúdentafélag Reykjavíkur sjónleik í þremur þáttum sem sagður var eftir "færustu höfunda landsins". Um var að ræða fjáröflunarsýningu fyrir húsbyggingarsjóð félagsins. Síðar átti eftir að koma í ljós að höfundar þessir voru allir milli tvítugs og þrítugs: Andrés Björnsson, Sigurður Sigurðsson, Jón B. Norland, Guðbrandur Jónsson og Skúli Thoroddsen yngri. Mun verkið hafa verið samið heima hjá þeim síðastnefnda í Vonarstræti 12, á heimili foreldra hans Skúla og Theodóru Thoroddsen.

Söguþráður verksins var sundurlaus samtíningur með skírskotunum til ýmissa málefna sem efst voru á baugi í íslenskri þjóðfélagsumræðu, s.s. sögulegar sættir fornra pólitískra andstæðinga, Hannesar Hafstein og Björns Jónssonar í Sambandsflokknum á þingi skömmu fyrr. Þetta óvænta bandalag var uppnefnt Bræðingurinn, en aðalflétta verksins snýst um skyndilegar ástir og trúlofun erkifjendanna Heimastjórnar-Dabba og Sjálfstæðis-Guddu". Komu leikarar verksins fram í gervum sem minntu á marga helstu stjórnmálaforingja tímabilsins og var m.a. hermt svo vel eftir röddu Hannesar Hafsteins að sumir áhorfendur töldu að hann hefði sjálfur verið þar á ferðinni.

Það voru þó ekki pólitísku brandararnir sem mestur styr stóð um. Æfingar verksins fóru að miklu leyti fram í húsnæði Háskólans, en flestir í hópi leikenda og aðstandenda voru stúdentar. Fljótlega fór eitt og annað að kvisast út um efniviðinn og gripu yfirvöld í taumana og létu fjarlægja tvö atriði úr sýningunni. Annað þar sem talið var farið óvirðulega með danska fánann en hitt þar sem óviðeigandi var talið að syngja kersknisfullan texta við sálminn Hærra minn guð til þín. Þær breytingar reyndust ekki nægja til að slökkva gagnrýnisraddir.

Fengist hafði leyfi fyrir tveimur sýningum á verkinu, laugardaginn 3. maí og daginn eftir. Seldist upp á þær á augabragði og var fyrirhugað að bæta þriðju sýningunni við. Ekki kom til þess því daginn eftir frumsýninguna tilkynnti Jón Magnússon lögreglustjóri bæjarins um bann við frekari sýningum. Ástæðan var sögð athugasemdir frá almenningi vegna óviðurkvæmilegs innihalds verksins, en sjálfur hafði lögreglustjórinn raunar ekki séð sýninguna.

Fljótt varð altalað að umkvartanir skáldsins Einars H. Kvaran hefðu ráðið mestu um ákvörðun fógeta. Einar var sjálfur skotspónn í sýningunni en fast var skotið á spíritista í verkinu og spaugað með samkomur þeirra. Fleiri félagar í Sálarrannsóknarfélaginu brugðust illa við gamanmálunum og var þar sérstaklega gagnrýnt að breski spíritistinn William Stead væri þar látinn koma fram sem draugur, en um hann lék mikill hetjuljómi um þær mundir þar sem hann þótti hafa dáið hetjudauða þegar skemmtiferðaskipið
RMS Titanic sökk árið áður.

Fjöldi blaðagreina var ritaður um ákvörðun yfirvalda og réttmæti hennar, auk þess sem nokkrir þátttakendur í deilunum héldu opinbera fyrirlestra um málið.

 Heimildir
  Allt í grænum sjó, Lesbók Morgunblaðsis, 17.3.1979.
 Una Margrét Jónsdóttir: Gullöld revíunnar, fyrra bindi''. Reykjavík, 2019.

Íslensk leikrit

Allt í grænum sjó


Caiçara es un municipio brasileño del estado de Paraíba, localizado en la microrregión de Guarabira. Según el Censo del IBGE del año 2010, la población era de 7220 habitantes.

Referencias

Enlaces externos
 Página de la prefectura

Localidades de Paraíba

Caiçara (Paraíba)


Víctor Conde (Santa Cruz de Tenerife, 1973) es el seudónimo del escritor español Alfredo Moreno Santana, autor de obras de ciencia ficción, terror y fantasía.

Ha sido galardonado con diversos premios, entre los que se encuentran el prestigioso Premio Minotauro o el premio Ignotus, ambos por su novela Crónicas del multiverso, y también el Premio Kelvin del festival Celsius 232 de Avilés por su novela Las Puertas del Infinito.

Fue miembro de la Asociación Española de Escritores de Terror, denominada Nocte.

Obras publicadas
 El ojo de Átropos (Premium Editorial, 2023)
 Horizonte de estrellas (Editorial Minotauro, 2022, premio Minotauro)
 6 A.M.: En la marisma al borde del universo (Apache Libros, 2021)
 Barcos a la deriva (Mainstream, SAGA Edgemont, 2021)
 El hombre del momento (Mainstream, SAGA Edgemont, 2021)
 Dana y el teorema del vacío (Mainstream, SAGA Edgemont, 2021)
 El beso de Copacati (Terror, Dolmen Ediciones, 2020)
 Lívidos (Terror, Dolmen Ediciones, 2019)
 Fundido a blanco (thriller policiaco, Ediciones Idea, 2018)
 Imperio. Crónicas del Multiverso (cf, Editorial Sportula, 2018)
 Voces remotas en Albión (cf, Cerbero, 2018)
 La Orfíada (fantasía épica medieval, Fantascy, 2017)
 De las ciudades, vuestras tumbas (terror, Dolmen Editorial, Stocker, 2017)
 Las Puertas del Infinito (coescrito con José Antonio Cotrina, fantasía, Fantascy, 2016)
 Ecos (Ciencia Ficción, Editorial Sportula, 2015)
 El códice de las brujas (terror, Colección Stocker, Dolmen Editorial, 2015)
 Sangre berserker (fantasía épica, Kelonia, 2014)
 Diversos librojuegos infantiles para editorial Hidra (2010 en adelante)
 He oído a los mares gritar mi nombre (terror, Col. Stoker, Dolmen Editorial, 2013)
 La ópera de la Mente (cf, Scyla, 2013)
 Miniaturizados (infantil, Hidra, 2013)
 Los monstruos del mar (antología terror Nocte, Nowtilus, 2013, como antologista)
 Los nuevos mitos de Cthulhu (relato, antología compartida, 2012)
 Heraldos del Bien y del Mal (juvenil, Hidra, 2012)
 Malpaís (mainstream, Aguere, 2012)
 Campamento vampiro (infantil, Hidra, 2012)
 Heraldos de la oscuridad (juvenil, Hidra, 2011)
 Oniromante (cf, Scyla, 2011)
 Hija de lobos (terror-histórica, Minotauro, 2011)
 Heraldos de la luz (juvenil, Hidra, 2010)
 Los relojes de Alestes (steampunk, AJEC, 2010)
 Crónicas del Multiverso (cf, Minotauro, 2010, premio Minotauro, premio Ignotus)
 El libro de las almas (antología relatos, Erídano, 2010)
 Naturaleza muerta (terror, Línea Z, Dolmen Editorial, 2009)
 El teatro secreto (fantasía, Parnaso, 2008, finalista premio Minotauro)
 El dragón estelar (juvenil, Timun Mas, 2007)
 Mystes (cf, Minotauro, 2005, finalista premio Minotauro)
 El tercer nombre del emperador (cf, Sirius, 2002)
 Piscis Arena (juvenil, Artifex, 2002)
 Piscis de Zhintra (juvenil, Artifex, 2002)

Referencias

Enlaces externos
 Entrevista a Víctor Conde

Escritores de literatura fantástica de España
Escritores de ciencia ficción de España
Novelistas de España del siglo XXI
Escritores de terror de España
Escritores en español del siglo XX
Escritores en español del siglo XXI
Nacidos en Santa Cruz de Tenerife

Víctor Conde


Kenneth Laurence "Kenny" Baker (30 de septiembre de 1912 – 10 de agosto de 1985) fue un actor y cantante estadounidense, dado a conocer como cantante en el programa radiofónico The Jack Benny Program en la década de 1930.

Biografía
Nacido en Monrovia (California), en la cúspide de su fama radiofónica, y tras dejar el show de Benny en 1939 (sustituido por Dennis Day), actuó en un total de diecisiete películas musicales, entre ellas Mr. Dodd Takes the Air (1937), Una tarde en el circo (1939), y The Harvey Girls (1946).

Posteriormente volvió a la radio como intérprete regular del programa de Fred Allen Texaco Star Theater (1940–1942). Baker más adelante coprotagonizó junto a Mary Martin la producción original representada en el circuito de Broadway de la obra de Kurt Weill y Ogden Nash One Touch of Venus (1943).

Baker también grabó diversos discos de himnos de carácter religioso y, tras retirarse de la actuación en los primeros años cincuenta, se hizo practicante y conferenciante de la ciencia cristiana.

Kenny Baker falleció en 1985, a causa de un infarto agudo de miocardio, en Solvang, California. Tenía 72 años de edad. Sus restos fueron incinerados, y las cenizas esparcidas.

Audio
 Command Performance 1942-03-18_ep004- Fred Allen y Kenny Baker
  with new introduction.
 Best of Jack Benny Spotlight Podcast! 1935-11-03 - Kenny Baker's First Show!  with new introduction.
 Fred Allen Podcast 1940-10-02 (ep 01)Grab It Or Leave It - Kenny Baker's First Show with Fred Allen! with new introduction.

Enlaces externos

Nacidos en Monrovia (California)
Actores de cine de Estados Unidos
Cantantes de pop de Estados Unidos
Actores de California
Fallecidos por infarto agudo de miocardio
Paseo de la Fama de Hollywood

Kenny Baker (actor y cantante)


التوافقية مع متصفحات الويب (بالإنجليزية: Cross-Browser) معناها أن الموصوف سواء كان صفحة ويب، موقع ويب، أو تطبيق الويب يمكن عرضه بنفس الشكل على كافة متصفحات الويب الإنترنت مثل فايرفوكس وإنترنت إكسبلورر وغيرها.

وسبب استخدام هذا المصطلح هو أن بعض المتصفحات تدعم بعض التقنيات الموجودة في المواقع لا تدعمها متصفحات أخرى، فعلى سبيل المثل يدعم متصفح الإنترنت إنترنت إكسبلورر تغيير شكل المؤشر بينما لا يدعمه متصفح فاير فروكس.

اقرأ أيضا
 مشروع معايير الويب

مراجع

برمجة
عمل بيني
متصفحات ويب
منصات حوسبة

التوافقية مع متصفحات الويب


Kevin Lavallée (* 14. Mai 1985 in Moose Jaw, Saskatchewan) ist ein deutsch-kanadischer Eishockeyspieler, der seit 2022 für Lippe-Hockey-Hamm in der Eishockey-Oberliga spielt.

Karriere

Kevin Lavallée begann seine Karriere in der Saskatchewan Junior Hockey League bei den Nipawin Hawks. Nach einer Saison bei der University of Manitoba entschloss er sich zu seinem ersten Europa-Engagement bei den Groningen Grizzlies in der niederländischen Eishockeyliga. Von dort aus wurde er von Trainer Fred Carroll zu den Roten Teufeln Bad Nauheim geholt. Mit 30 Punkten aus 18 Spielen entwickelte er sich gleich zu einem Topscorer und Publikumsliebling. Hier lernte er auch seine Frau Jana kennen, die er im Dezember 2009 heiratete. Nach seinen überragenden Leistungen in der Saison 2008/09, in der er 74 Punkte in 51 Spielen der Hauptrunde erzielte, und dem verpassten Aufstieg der Bad Nauheimer in die 2. Bundesliga, entschloss er sich zu einem Wechsel zum EV Füssen. Nachdem er auch dort mit hervorragenden Leistungen und 60 Punkten aus 37 Spielen auf sich aufmerksam machen konnte, nahm er in der kommenden Saison ein Angebot aus der 2. Bundesliga an und wechselte zu den Freiburger Wölfen. Als der Verein kurz darauf Insolvenz anmeldete, kehrte er in die Oberliga, zum EHC Dortmund, zurück. In der Saison 2010/11 spielte er wieder bei den Roten Teufeln Bad Nauheim. Nachdem auch diese vorerst ihr Ziel Aufstieg in die 2. Bundesliga aufgeben mussten, erhielt Lavallée dank seiner hervorragenden Scorerqualitäten bei den Lausitzer Füchsen in Weißwasser einen Vertrag für die 2. Bundesliga-Saison 2012/13. Im Sommer 2012 nahm er die deutsche Staatsbürgerschaft an.

Nach dem Aufstieg der Roten Teufel in die DEL2 wechselte Kevin Lavallée zur Saison 2013/14 zurück nach Bad Nauheim, nahm eine Spielzeit später aber erneut ein Angebot der Lausitzer Füchse an.

Nach drei Jahren bei den Heilbronner Falken beendete er 2019 seine Profikarriere. Anschließend unterschrieb er einen Zweijahresvertrag bei der EG Diez-Limburg aus der Regionalliga, um neben dem Hauptberuf weiter auf Amateurlevel Eishockey zu spielen. Zur Saison 2021/22 wurde die EG in die Oberliga aufgenommen. Im Januar 2022 verließ der Deutsch-Kanadier den Klub und wechselte in die DEL2 zu den Eispiraten Crimmitschau.

Lavallée wohnt in Rödgen, einem Ortsteil von Bad Nauheim.

Karrierestatistik

Weblinks

Einzelnachweise

Eishockeyspieler (Lausitzer Füchse)
Eishockeyspieler (Heilbronner Falken)
Eishockeyspieler (EC Bad Nauheim)
Eishockeyspieler (Eispiraten Crimmitschau)
Kanadier
Deutscher
Geboren 1985
Mann

Kevin Lavallée (Eishockeyspieler, 1985)


Morcego-de-bigodes (Myotis mystacinus) é uma espécie de morcego de pequena dimensão e pêlo comprido, presente na Europa. Encontra-se geralmente em redor das habitações e próximo de água. É morfologicamente semelhante ao morcego de Brandt (Myotis brandtii) e ao Myotis alcathoe. É a mais pequena espécie de Myotis que ocorre em Portugal.

Myotis
Mamíferos da Europa
Mamíferos de Portugal

Morcego-de-bigodes


Francisco José Torres Sampaio (Barcelos, 7 de Junho de 1937 - 31 de dezembro de 2021), também conhecido como Senhor Turismo e Noivo do Minho,  foi um professor português. Foi fundador e antigo presidente da Região de Turismo do Alto Minho, sendo considerado uma referência do turismo da região do Alto Minho, e uma das maiores figuras do turismo de Portugal.

Nasceu em Barcelos, a 7 de Junho de 1937, residindo em Afife durante a infância e juventude. Licenciou-se em Ciências Históricas pela Faculdade de Letras da Universidade do Porto, obtendo uma pós-graduação em Programa de Direção de Empresas, pelo Instituto de Estudos Superiores da Empresa.

Exerceu funções docentes no ensino secundário, no Instituto Superior de Turismo e Empresas, tendo sido membro da Comissão Instaladora da Escola Superior de Tecnologia e Gestão do Instituto Politécnico de Viana do Castelo, onde foi professor e coordenador do curso superior de Turismo, assim como presidente do Conselho Pedagógico, entre 1993 e 2000.

Entre 1973 a 1979 presidiu à Junta de Turismo de Vila Praia de Âncora, no concelho de Caminha, onde residia. Participou no processo de constituição da Região de Turismo do Alto Minho, que presidiu desde 1980 até se reformar, em 2009, defendendo a instalação da sede no Castelo Santiago da Barra, onde continua até hoje.

Foi fundador da Confraria dos Gastrónomos do Minho, da qual foi juiz entre 1984 e 2012, tendo, neste âmbito, sido responsável pela organização de uma quinzena de Congressos de Gastronomia, assumindo a publicação de diversas obras no âmbito da Gastronomia e Vinhos, produto turístico reconhecido em 2007 em grande medida pelo trabalho que desenvolveu tanto como docente, como Presidente da Região de Turismo.

Ao longo de 40 anos foi responsável pelas Festas da Senhora da Agonia, nas quais se destacava como organizador do cortejo histórico etnográfico. Era tido como um dos maiores conhecedores das tradições da Romaria d'Agonia, tendo redigido a Declaração de Interesse para o Turismo da Romaria d'Agonia, aprovada em 2013. Desenvolveu um trabalho semelhante nas Festas da Senhora da Bonança, em Vila Praia de Âncora.

É autor de cerca de 50 livros sobre temas de caráter histórico, arqueológico, turístico, etnográfico e gastronómico, sendo também colaborador de várias publicações do Alto Minho e de centenas de pequenas publicações em jornais e revistas.

Morreu a 31 de dezembro de 2022, aos 84 anos. A Câmara Municipal de Viana do Castelo divulgou no mesmo dia um voto de pesar pela sua morte.

Homenagens
Em 1996, foi condecorado com a Medalha de Mérito Turístico – Grau Prata, da Secretaria de Estado do Turismo.

Em 2000, recebeu a Medalha de Ouro ao Mérito Turístico, do Comércio de Pontevedra 2000.

Em 2003, foi agraciado com a Medalha de Honra – Grau Prata, da Junta da Galiza, recebendo em 2004 o título de Cidadão de Mérito de Viana do Castelo pela Câmara Municipal da mesma cidade.

Em 2005, recebeu a Medalha de Mérito Turístico – Grau Ouro, da Secretaria de Estado de Turismo, e em 2007, a Medalha da Academia Portuguesa de Gastronomia.

Em junho de 2019, o Município de Viana do Castelo atribuiu o nome de Francisco Sampaio à galeria do piso 0 do Museu do Traje.

Em outubro de 2021, foi homenageado numa cerimónia que contou com a presença dos presidentes da Entidade de Turismo do Porto e Norte (ETPN), da Comissão de Coordenação e Desenvolvimento Regional do Norte (CCDR-N) e da Câmara Municipal de Viana do Castelo. Durante a homenagem, foi atribuído o nome de Francisco Sampaio ao Centro de Congressos do Castelo Santiago da Barra, em Viana do Castelo.

Naturais de Barcelos
Professores do ensino secundário de Portugal
Professores universitários de Portugal
Turismo em Portugal

Francisco Sampaio


U sezoni 2021./22. NK Osijek II natjecao se u Drugoj HNL. Bila je to šesta natjecateljska sezona za drugu momčad NK Osijek i četvrta u Drugoj HNL. Osvajanjem pretposljednjeg, 15. mjesta, na kraju sezone momčad je ispala iz Druge HNL. Prethodno je Hrvatski nogometni savez donio odluku kojom se drugim momčadima prvoligaša zabranjuje igranje u stupnju natjecanja koji je veći od trećeg, čime je Osijek II unaprijed bio predviđen za ispadanje, bez obzira na konačni plasman.

Natjecanja

Utakmice

Druga HNL

Statistika igrača
ažurirano: 28. svibnja 2022.

Strijelci

Vratari po broju utakmica bez primljenog pogotka

Kartoni

Nastupi i pogodci

Transferi

Dolasci

Odlasci

Dolasci na posudbu

Odlasci na posudbu

Povezani članci
 NK Osijek 2021./22.

Izvori i bilješke

2021-22

NK Osijek II 2021./22.


Yonkers station is a Metro-North Railroad and Amtrak railroad station located in Yonkers, New York. It serves Metro-North commuter trains on the Hudson Line. It is one of four express stations on the line south of Croton–Harmon, but most Metro North express trains do not stop here. It is the only intercity rail station in the southwestern portion of Westchester County, connecting the region to Albany and points beyond.

The station is two blocks west of the center of Getty Square in downtown Yonkers (where additional Bee-Line Bus System connections can be made), across the street from the historic Yonkers Post Office. It is also near the former Yonkers Trolley Barn.

, daily commuter ridership was 922. Four outdoor bicycle parking racks sit across Buena Vista Avenue from the station at the edge of Van Der Donck Park.

History
The current station building was built in 1911 for the New York Central & Hudson River Railroad (NYC) in the Beaux-Arts style. The architects were Warren and Wetmore, one of the firms responsible for Grand Central Terminal. It was meant to be a smaller version of Grand Central; Guastavino tiles are featured prominently in both stations.

Upon the merger of the NYC and the Pennsylvania Railroad in 1968, the station became a Penn Central commuter rail station. By this time, intercity service to Yonkers had ended. Penn Central continued operating commuter travel until 1976, when it was taken over by Conrail, which in turn transferred the service to Metro-North in 1983. Intercity service returned to Yonkers in 1989 after a two-decade absence in an effort to revitalize the Saw Mill riverfront. In 2004, Metro-North completed a $43 million restoration of the Yonkers station.

The ticket office at the station closed on July 7, 2010, so that passengers must now buy their tickets from vending machines at street level.  A Metro-North Railroad Police substation is in the terminal on the ground floor.

Amtrak's Berkshire Flyer began running on July 8, 2022, providing direct service to  on summer weekends.

Station layout
The station has two high-level island platforms each 10 cars long.

References

Further reading

External links

Governor Pataki Celebrates Restoration of Historic Yonkers Station (N.Y. State press release)
Station House from Google Maps Street View
Comparison of Yonkers Train Station with Grand Central Terminal

Metro-North Railroad stations in New York (state)
Former New York Central Railroad stations
Amtrak stations in New York (state)
Transportation in Yonkers, New York
Railway stations in Westchester County, New York
Railway stations in the United States opened in 1911
Warren and Wetmore buildings
1911 establishments in New York (state)
Transportation in Westchester County, New York

Yonkers station


Tripun Bizanti JUD (Kotor, 1460. – Ceneda, 1540.) bio je hrvatski prelat Katoličke Crkve koji je služio kao biskup kotoski od 1514./14. do 1532. godine.

Podrijetlom je iz hrvatske plemićke obitelji Bizanti iz Kotora.

Životopis

Studirao je u Italiji gdje je stekao doktorat iz obaju prava, filozofije i teologije. Predavao je klasičnu filologiju na sveučilištima u Bologni i Perugi. Prema nekim navodima bio je i nadvojvodin knjižničar u Modeni. Iz oskudnih životopisnih vijesti zna se da je u Kotoru bio natpop Kaptola, a zatim biskup od 1514./14. do 1532. godine. Kasnije je biskupiju prepustio sinovcu Luki.

Aktivno je sudjelovao u radu Peti lateranskog koncila u Rimu. Najvjerojatnije je kraj života proveo u Italiji. Prema nekim navodima bio je, vjerojatno pomoćni biskup u Cenedi kraj Venecije. U svojim pismima iz Kotora, koja je slao svome dobrotvoru i prijatelju, akvilejskome patrijarhu Dominiku Grimaniju, opisuje crkvene i društvene prilike u svojoj biskupiji, prodore Turaka i borbe s njima, posebno u Dalmaciji (npr. buna pučana na Hvaru).

Giovanni Giacomo Coleti je uvrstio u "Illyricum sacrum" (sv. 6) neke njegove epistole, vjersko-crkvene odredbe te odlomke iz opširne poslanice Grimaniju (1514.). Od njegove službene korespondencije s papama, objavio je A. Theiner tri poslanice što ih je Bizantiju upravio papa Lav X.

Neki pisci tvrde da je postojala i njegova zbirka latinskih pjesama u kojoj je opisivao borbe protiv Turaka.

Bio je poznati i kao bibliofil; knjige (s karakterističnim grbom) iz njegove bogate knjižnice razasute su poslije po brojnim bibliotekama. U kotorskoj katedrali nalazi se sarkofag s natpisom i njegovim likom.

Podatci o njegovom životu do povratka u Kotor često se isprepliću s podacima o Iliji (Helius) Tripunu Bizantiju te ih neki čak spajaju u jednu osobu.

Izvori

Bizanti
Kotorski biskupi

Tripun Bizanti


Richard Cannings est un nom pouvant désigner:

Richard Cannings (né en 1953), homme politique canadien de Colombie-Britannique
Richard Cannings, homme politique canadien en Ontario

Voir aussi

Cannings, Richard

Richard Cannings


El río Ginel es un corto río de la provincia de Zaragoza (Aragón, España), afluente del Ebro por su margen derecha.

Geografía

Nacimiento
Nace cerca de la ermita de María Magdalena (La Malena) en  Mediana de Aragón, riega Rodén y afluye al Ebro cuando pasa por Fuentes de Ebro, a unos 8 km de Mediana. Riega los campos, la mayoría de alfaces (alfalfa), de Mediana, Rodén y Fuentes de Ebro.

En la vega del río Ginel tuvo lugar el asentamiento ibérico de Los Castellazos, zona que según los investigadores fue de las primeras en las que se desarrolló la agricultura de regadío en el Valle del Ebro.

Notas y referencias

Ginel
Ginel

Río Ginel


Ultratango est un groupe de neotango et electrotango argentin, originaire de Buenos Aires. Ses membres sont Leonardo et Gastón Satragno et Braulio D'Aguirre.

Biographie

Débuts et premiers albums (2002—2009)
Les frères Satragno commencent leur carrière musicale avec El Signo, un groupe pionnier de la musique électronique dans la ville de Buenos Aires. Après avoir mêlé pendant des années tango et musique électronique, Leo et Gastón Satragno décident de former Ultratango, un groupe avec sa propre identité, qui, tout en respectant le tango comme le genre qui a marqué leur développement musical, refléterait fidèlement la vie d'une ville cosmopolite comme Buenos Aires.

En 2002, ils réunissent des musiciens issus de la scène électronique et rock, comme Sami Abadi et Braulio D'Aguirre, et plus spécifiquement de la scène tango, comme Julio Pérez. En juin 2002, ils jouent en direct pour la première fois au Festival Internacional Astor Piazzolla. Depuis, ils ont participé à plusieurs festivals sur la scène locale et internationale. À la fin 2003, le son d'Ultratango est capturé dans , leur premier album. Il s'agit d'un voyage à travers certaines des œuvres les plus significatives du compositeur argentin Astor Piazzolla. On y retrouve la participation du chanteur de tango Raúl Lavié, en tant qu'invité sur  et . Les paroles de la chanson  sont composées par Raúl Lavié avec ses fils Leo et Gastón. En 2004, ils jouent au Teatre Chacarerian dans le Festival del Tango VI de la ville de Buenos Aires.

Leur deuxième album, , sort en 2007. Ils y reprennent des morceaux d'Astor Piazzolla, et des tangos classiques tels que  avec Raúl Lavie,  et . Ils jouent également leurs propres compositions comme  et . Pendant l'hiver, ils se produisent au Teatro Vergina du Hyatt Regency Casino de Thessalonique, en Grèce. Ils jouent également au XI Festival Iberoamericano de Teatro de Bogotá, à l'Aniversario 141 de la Universidad Nacional de Bogotá et au Teatro Metropolitano de Medellín.

Au cours de l'année 2008, ils donnent un spectacle au Festival de Invierno de Porto Alegre et en 2009, ils sont invités à participer au Fashion Rio dans la ville de Rio de Janeiro. Ils donnent également un grand nombre de spectacles à l'hôtel Claridge.

Nouveaux albums (depuis 2010)
En 2010, ils participent à d'innombrables spectacles dans des hôtels de la ville de Buenos Aires, ainsi qu'au Festival de Tango de La Falda, et au Festival de Tango de Pehuajo, entre autres. En 2011, ils participent à l'événement Buenos Aires Futura au Planétarium Galileo Galilei dans la ville de Buenos Aires. Ils accompagnent également Raúl Lavié au Festival de Tango et à la Coupe du Monde de Tango à Buenos Aires.

En 2012, Ultratango publie les albums 1994, Ambienttango, Astornautas Reloaded, Nocturama et Psicoboussa sous le label Undermalabia Records. La même année, ils ont participé à l'inauguration de l'"Usina del Arte", un espace culturel de grand travail d'infrastructure qui a permis la récupération et la mise en valeur du bâtiment historique de l'ancienne Compañía Italo Argentina de Electricidad, dans le quartier de La Boca. Ils jouent pour la présentation du nouveau parfum Her Secret d'Antonio Banderas, au musée Soumaya, de Mexico.

En 2013, Ultratango est invité à participer au Festival Anual del Tango de Medellín, en Colombie. Ils participent également à la Noche de los Museos au Planétarium de la ville de Buenos Aires, et réalisent le spectacle d'ouverture officiel.

À la mi-2014, Julio Pérez cesse de faire partie du groupe. Par la suite, le groupe deviendra un quatuor. Ils commencent à enregistrer de nouveaux morceaux avant le départ de Sami Abadi, au cours de 2015, qui quitte le groupe après 13 ans d'adhésion, pour se consacrer exclusivement à son projet solo. À la fin de cette année, le dernier album du quintette, , sort sur Undermalabia Records.
À la fin 2015, le premier album d'Ultratango en tant que trio,  sort. Le groupe se distingue lors de l'événement Fuga Industrial, organisé par le musicien Luis Marte, dans les installations de l'Ex Fabrica Bagley, dans le quartier de Barracas. Ils sortiront ensuite un album de tango, avec le mélange électronique qui les caractérise, comprenant des versions de classiques tels que  chanté par Carlos Gardel et . Au cours de l'année 2018, Ultratango publie l'album Milongaton sur Undermalabia Records.

Membres
 Leo Satragno — synthétiseurs, échantillonneurs, programmations, voix solo, basse
 Gastón Satragno — synthétiseurs, piano
 Braulio D'Aguirre — batterie en live

Discographie
 2003 :
 2007 :
 2012 : 1994
 2012 :
 2012 :
 2012 :
 2013 :
 2014 :
 2015 :
 2018 :
 2018 :

Notes et références

Liens externes

Groupe argentin de musique électronique
Groupe de tango
Groupe musical formé en 2001
Groupe musical des années 2000

Ultratango


L'église Notre-Dame-de-l'Assomption de Rabat-les-Trois-Seigneurs est située sur la commune de Rabat-les-Trois-Seigneurs, en vallée de la Courbière, dans le département de l'Ariège, en France.

Localisation
Avec cimetière attenant, elle est située au nord-est du village.

Historique

Initiée au XIe siècle, voire à l'époque carolingienne, l'église est inscrite au titre des monuments historiques par arrêté du .

Description
Son clocher octogonal est couvert en ardoise.

Mobilier
Sont présents un remarquable retable du  siècle intégrant une statue de saint Éloi et seize autres objets inventoriés dans la base Palissy.

Galerie

Valorisation du patrimoine
L'association des amis de la vallée de la Courbière mobilise des fonds pour entretenir notamment ce patrimoine.

Références

Annexes

Articles connexes
 Liste des monuments historiques de l'Ariège.
 Liste des églises de l'Ariège.

Liens externes

Rabat-les-Trois-Seigneurs
Monument historique inscrit en 1992
RabatLesTroisSeigneurs

Église Notre-Dame-de-l'Assomption de Rabat-les-Trois-Seigneurs