A Batalha de Raate Road foi uma batalha travada durante a Guerra de Inverno entre a União Soviética e a Finlândia em janeiro de 1940, como parte da Batalha de Suomussalmi.

Em 7 de dezembro de 1939, a 163ª Divisão de Rifles soviética capturou Suomussalmi, mas se viu presa no interior do território finlandês, e a 44ª Divisão de Rifles soviética foi enviada para ajudar a 163ª. Durante a semana seguinte, a 9ª Divisão do Coronel Hjalmar Siilasvuo, em desvantagem numérica, parou e derrotou decisivamente as forças soviéticas na estrada Raate-Suomussalmi.

A maioria dos historiadores militares datam a Batalha de Raate Road de 1º de janeiro a 7 de janeiro de 1940. A Raate Road foi um campo de batalha durante toda a Guerra de Inverno. Antes da batalha principal contra a 44ª Divisão, os finlandeses travaram batalhas defensivas contra uma parte da 163ª Divisão na Raate Road. Além disso, algumas batalhas foram travadas no lado leste, perto da fronteira, na estrada durante o resto da Guerra de Inverno.

Batalha
No início da batalha, a 9ª Divisão de Siilasvuo já havia destruído a 163ª Divisão soviética. Depois disso, recebeu ordens para destruir a 44ª Divisão Soviética, que foi parada na estrada perto de Haukila, a 12 quilômetros de Suomussalmi. A 9ª Divisão finlandesa foi dividida em quatro esquadrões, cada um com o nome de seus comandantes. A batalha decisiva foi ordenada para começar em 5 de janeiro de 1940, 08h30.

As batalhas se concentraram em Haukila, onde a maioria das tropas soviéticas estava localizada e onde os esquadrões "Mandelin" e "Mäkiniemi" atacaram. O esquadrão "Mäkiniemi" começou a se mover em direção a Haukila alguns dias antes do ataque oficial. Ao mesmo tempo, o novo 3º Regimento de Guardas de Fronteira do NKVD estava chegando para ajudar a 44ª Divisão soviética. Na manhã seguinte, as tropas finlandesas mantinham fortes posições de bloqueio reforçadas com minas em vários pontos no meio da coluna soviética. Durante 6 de janeiro, intensos combates ocorreram ao longo da Raate Road, enquanto os finlandeses continuavam a dividir as forças inimigas em pedaços menores. Os soviéticos tentaram invadir as barreiras finlandesas com blindagem, perdendo vários tanques em ataques frontais, mas não tiveram sucesso. Finalmente, às 21h: Alexei Vinogradov ordenou tardiamente que sua divisão recuasse para a fronteira soviética.

As desesperadas tropas soviéticas começaram a fugir para o norte sobre o Lago Kiantajärvi . Muitos soldados morreram congelados sem roupas ou suprimentos adequados. Remanescentes de unidades soviéticas já tentaram escapar para o leste, mas foram bloqueados pelo esquadrão "Kari". Mais a leste, o esquadrão "Fagernäs" não conseguiu manter uma ponte estratégica sob controle finlandês. Em 7 de janeiro, o esquadrão "Fagernäs" recapturou a ponte e antes do meio-dia toda a resistência soviética foi suprimida. A limpeza durou dois dias, durante os quais os finlandeses reuniram centenas de soldados soviéticos famintos e congelados. Outros remanescentes da 44ª Divisão foram forçados a se retirar da área, fugindo pelas florestas do norte perseguidas pelos finlandeses, chegando finalmente à fronteira em vários pequenos grupos.

O exército finlandês capturou uma tremenda quantidade de material nesta batalha. Os soviéticos tinham tanta certeza de sua vitória que uma banda militar, completa com instrumentos, faixas e notas, viajou com a 44ª Divisão para se apresentar em um desfile de vitória. Os finlandeses encontraram seus instrumentos entre o material capturado.

Vítimas
Por muitos anos, os historiadores finlandeses estimaram as perdas soviéticas em cerca de 17 000 homens. A estimativa foi baseada no interrogatório dos prisioneiros de guerra capturados no início de janeiro. Oficiais do 27º Regimento de Infantaria soviético haviam dado suas baixas em 70% e os finlandeses supunham que a força da 44ª Divisão era superior a 20 000 homens. Historiadores ocidentais conformaram seus números com as estimativas finlandesas. Os soviéticos desafiaram o número de baixas publicado no mundo ocidental imediatamente em janeiro e alegaram não ter perdido mais de 900 homens, a maioria por congelamento, enquanto infligiam cerca de 2 000 mortes de finlandeses. Mais tarde, historiadores finlandeses realizaram mais esforços para determinar o número de baixas soviéticas na batalha. Os estudos finlandeses mais recentes indicam que os soviéticos perderam pelo menos 7 000 a 9 000 homens.

Fontes

Winter War 1939-40: Finnish Soldier Versus Soviet Soldier by David Campbell

História da Finlândia
1940 na Finlândia

Batalha de Raate Road


Die Landtagswahl im Saarland 1994 fand am 16. Oktober 1994 statt. Die Wahl war ursprünglich für Januar 1995 geplant, fand schließlich jedoch zusammen mit der Bundestagswahl 1994 und den Landtagswahlen in Mecklenburg-Vorpommern und in Thüringen statt. Die SPD verlor zwar Stimmen, stellte jedoch weiterhin eine Alleinregierung.

Ausgangssituation
Bei der Landtagswahl 1990 konnte der seit 1985 amtierende Ministerpräsident Lafontaine die absolute Mandatsmehrheit der SPD noch ausbauen und erzielte das beste Ergebnis seiner damaligen Partei in diesem Bundesland. CDU und FDP blieben in der Opposition.

Spitzenkandidaten
Für die SPD trat der amtierende Ministerpräsident Oskar Lafontaine an. Der Spitzenkandidat der CDU war erneut Klaus Töpfer.

Ergebnis
Die allein regierende SPD büßte zwar fünf Prozentpunkte ein und verlor mit 49,4 % die absolute Stimmenmehrheit, konnte ihre absolute Mandatsmehrheit jedoch halten. Die CDU blieb zweitstärkste Partei und gewann 5,2 Prozentpunkte sowie drei Sitze hinzu. Bündnis 90/Die Grünen erreichten bei Gewinnen von knapp drei Prozentpunkten insgesamt 5,5 % und erhielten drei Mandate; sie waren somit erstmals im saarländischen Landtag vertreten. Die FDP/DPS verlor 3,5 Prozentpunkte und war mit 2,1 % erstmals seit 1970 nicht mehr im Landtag vertreten. Die Republikaner verfehlten mit 1,4 % nach 3,4 % im Jahre 1990 den Einzug in den Landtag deutlich.

Die Wahlbeteiligung stieg von 83,2 % auf 83,5 % leicht an.

Für die Liste der gewählten Abgeordneten siehe Liste der Mitglieder des Saarländischen Landtages (11. Wahlperiode).

Siehe auch
 Kabinett Lafontaine III
 Kabinett Klimmt

Einzelnachweise

Weblinks

1994
Saarland Landtag
Oskar Lafontaine

Landtagswahl im Saarland 1994


Zestrea este un film românesc din 1973 regizat de Letiția Popa. Rolurile principale sunt interpretate de actorii Victor Rebengiuc și Margareta Pogonat.

Rezumat

Distribuție
Distribuția filmului este alcătuită din:

 Victor Rebengiuc — ing. Teodor ("Doru") Șerban, șef de secție la întreprinderea mecanică "Zori noi"
 Margareta Pogonat — ing. Livia Gavrilescu (n. Bocancea), iubita din tinerețe a lui Doru, care lucrează pe un șantier din Pitești
 Sanda Toma — Aurora ("Lola") Șerban, soția lui Doru, pontatoare la Secția Transporturi a întreprinderii "Zori noi"
 Sebastian Radovici — procurorul care anchetează cazul soților Șerban
 Mircea Bașta — ing. Mituș Gavrilescu, soțul Liviei (menționat Mircea Basta)
 Ioana Ciomîrtan — doamna Vasiliade, bunica Nanei, bătrâna pe care Lola a împrumutat-o cu 8000 de lei
 Nicolae Ifrim — Diaconu, încărcător de vagoane
 Geta Măruță — gazda ing. Șerban
 Ion Anghel — încărcător de vagoane
 Liana Dan Rizea — dactilografa de la Procuratură, prietena Liviei (menționată Liana Dan)
 Dinu Ianculescu — dr. Dolciu, participant la nunta Lolei cu Doru
 Dorin Dron — un chefliu, participant la nunta Lolei cu Doru
 Eftimie Popovici — prietenul lui Doru, cel care i-o prezintă pe Lola
 Maria Munteanu — participantă la nunta Lolei cu Doru
 Valeriu Trancea
 Adriana Georgescu
 Virgil Constantinescu
 Alexandru Vasiliu
 Florin Stroe
 Theo Partisch
 Paul Nadolschi
 Mircea Cosma
 Virgil Marcelos
 George Ulmeni
 George Pufulete
 Cătălina Popescu
 Rozina Cambos — participantă la nunta Lolei cu Doru (menționată Rozina Cambosie)
 Maria Dembrovschi
 Lucia Ocraim
 Ioana Solomon
 Irina Ivanovici
 Marta Rădulescu
 Carmen Dirna

Primire
Filmul a fost vizionat de 1.618.708 spectatori în cinematografele din România, după cum atestă o situație a numărului de spectatori înregistrat de filmele românești de la data premierei și până la data de 31 decembrie 2014 alcătuită de Centrul Național al Cinematografiei.

Note

Legături externe

Vezi și
 1973 în film

Filme din 1973
Filme regizate de Letiția Popa
Filme românești
Filme în limba română
Filme dramatice românești

Zestrea


In bioinformatics and biochemistry, the FASTA format is a text-based format for representing either nucleotide sequences or amino acid (protein) sequences, in which nucleotides or amino acids are represented using single-letter codes.

The format allows for sequence names and comments to precede the sequences. It originated from the FASTA software package but has now become a near-universal standard in the field of bioinformatics.

The simplicity of FASTA format makes it easy to manipulate and parse sequences using text-processing tools and scripting languages.

Overview
A sequence begins with a greater-than character (">") followed by a description of the sequence (all in a single line). The next lines immediately following the description line are the sequence representation, with one letter per amino acid or nucleic acid, and are typically no more than 80 characters in length.

For example:

>MCHU - Calmodulin - Human, rabbit, bovine, rat, and chicken
MADQLTEEQIAEFKEAFSLFDKDGDGTITTKELGTVMRSLGQNPTEAELQDMINEVDADGNGTID
FPEFLTMMARKMKDTDSEEEIREAFRVFDKDGNGYISAAELRHVMTNLGEKLTDEEVDEMIREA
DIDGDGQVNYEEFVQMMTAK*

Original format
The original FASTA/Pearson format is described in the documentation for the FASTA suite of programs. It can be downloaded with any free distribution of FASTA (see fasta20.doc, fastaVN.doc, or fastaVN.me—where VN is the Version Number).

In the original format, a sequence was represented as a series of lines, each of which was no longer than 120 characters and usually did not exceed 80 characters. This probably was to allow for the preallocation of fixed line sizes in software: at the time most users relied on Digital Equipment Corporation (DEC) VT220 (or compatible) terminals which could display 80 or 132 characters per line. Most people preferred the bigger font in 80-character modes and so it became the recommended fashion to use 80 characters or less (often 70) in FASTA lines. Also, the width of a standard printed page is 70 to 80 characters (depending on the font). Hence, 80 characters became the norm.

The first line in a FASTA file started either with a ">" (greater-than) symbol or, less frequently, a ";" (semicolon) was taken as a comment. Subsequent lines starting with a semicolon would be ignored by software. Since the only comment used was the first, it quickly became used to hold a summary description of the sequence, often starting with a unique library accession number, and with time it has become commonplace to always use ">" for the first line and to not use ";" comments (which would otherwise be ignored).

Following the initial line (used for a unique description of the sequence) was the actual sequence itself in the standard one-letter character string. Anything other than a valid character would be ignored (including spaces, tabulators, asterisks, etc...). It was also common to end the sequence with an "*" (asterisk) character (in analogy with use in PIR formatted sequences) and, for the same reason, to leave a blank line between the description and the sequence. Below are a few sample sequences:
;LCBO - Prolactin precursor - Bovine
; a sample sequence in FASTA format
MDSKGSSQKGSRLLLLLVVSNLLLCQGVVSTPVCPNGPGNCQVSLRDLFDRAVMVSHYIHDLSS
EMFNEFDKRYAQGKGFITMALNSCHTSSLPTPEDKEQAQQTHHEVLMSLILGLLRSWNDPLYHL
VTEVRGMKGAPDAILSRAIEIEEENKRLLEGMEMIFGQVIPGAKETEPYPVWSGLPSLQTKDED
ARYSAFYNLLHCLRRDSSKIDTYLKLLNCRIIYNNNC*

>MCHU - Calmodulin - Human, rabbit, bovine, rat, and chicken
MADQLTEEQIAEFKEAFSLFDKDGDGTITTKELGTVMRSLGQNPTEAELQDMINEVDADGNGTID
FPEFLTMMARKMKDTDSEEEIREAFRVFDKDGNGYISAAELRHVMTNLGEKLTDEEVDEMIREA
DIDGDGQVNYEEFVQMMTAK*

>gi|5524211|gb|AAD44166.1| cytochrome b [Elephas maximus maximus]
LCLYTHIGRNIYYGSYLYSETWNTGIMLLLITMATAFMGYVLPWGQMSFWGATVITNLFSAIPYIGTNLV
EWIWGGFSVDKATLNRFFAFHFILPFTMVALAGVHLTFLHETGSNNPLGLTSDSDKIPFHPYYTIKDFLG
LLILILLLLLLALLSPDMLGDPDNHMPADPLNTPLHIKPEWYFLFAYAILRSVPNKLGGVLALFLSIVIL
GLMPFLHTSKHRSMMLRPLSQALFWTLTMDLLTLTWIGSQPVEYPYTIIGQMASILYFSIILAFLPIAGX
IENY
A multiple-sequence FASTA format would be obtained by concatenating several single-sequence FASTA files in a common file (also known as multi-FASTA format). This does not imply a contradiction with the format as only the first line in a FASTA file may start with a ";" or ">", hence forcing all subsequent sequences to start with a ">" in order to be taken as different ones (and further forcing the exclusive reservation of ">" for the sequence definition line). Thus, the examples above may as well be taken as a multisequence (i.e. multi-FASTA) file if taken together.

Modern bioinformatic programs that rely on the FASTA format expect the sequence headers to be preceded by ">", and the actual sequence, while generally represented as "interleaved", i.e. on multiple lines as in the above example, may also be "sequential" when the full stretch is found on a single line. Users may often need to perform conversion between "Sequential" and "Interleaved" FASTA format to run different bioinformatic programs.

Description line

The description line (defline) or header/identifier line, which begins with ">", gives a name and/or a unique identifier for the sequence, and may also contain additional information. In a deprecated practice, the header line sometimes contained more than one header, separated by a ^A (Control-A) character. In the original Pearson FASTA format, one or more comments, distinguished by a semi-colon at the beginning of the line, may occur after the header. Some databases and bioinformatics applications do not recognize these comments and follow the NCBI FASTA specification. An example of a multiple sequence FASTA file follows:

>SEQUENCE_1
MTEITAAMVKELRESTGAGMMDCKNALSETNGDFDKAVQLLREKGLGKAAKKADRLAAEG
LVSVKVSDDFTIAAMRPSYLSYEDLDMTFVENEYKALVAELEKENEERRRLKDPNKPEHK
IPQFASRKQLSDAILKEAEEKIKEELKAQGKPEKIWDNIIPGKMNSFIADNSQLDSKLTL
MGQFYVMDDKKTVEQVIAEKEKEFGGKIKIVEFICFEVGEGLEKKTEDFAAEVAAQL
>SEQUENCE_2
SATVSEINSETDFVAKNDQFIALTKDTTAHIQSNSLQSVEELHSSTINGVKFEEYLKSQI
ATIGENLVVRRFATLKAGANGVVNGYIHTNGRVGVVIAAACDSAEVASKSRDLLRQICMH

NCBI identifiers
The NCBI defined a standard for the unique identifier used for the sequence (SeqID) in the header line.  This allows a sequence that was obtained from a database to be labelled with a reference to its database record.  The database identifier format is understood by the NCBI tools like makeblastdb and table2asn. The following list describes the NCBI FASTA defined format for sequence identifiers.

The vertical bars ("|") in the above list are not separators in the sense of the Backus–Naur form but are part of the format. Multiple identifiers can be concatenated, also separated by vertical bars.

Sequence representation

Following the header line, the actual sequence is represented. Sequences may be protein sequences or nucleic acid sequences, and they can contain gaps or alignment characters (see sequence alignment). Sequences are expected to be represented in the standard IUB/IUPAC amino acid and nucleic acid codes, with these exceptions: lower-case letters are accepted and are mapped into upper-case; a single hyphen or dash can be used to represent a gap character; and in amino acid sequences, U and * are acceptable letters (see below). Numerical digits are not allowed but are used in some databases to indicate the position in the sequence. The nucleic acid codes supported are:

The amino acid codes supported (22 amino acids and 3 special codes) are:

FASTA file

Filename extension
There is no standard filename extension for a text file containing FASTA formatted sequences. The table below shows each extension and its respective meaning.

Compression
The compression of FASTA files requires a specific compressor to handle both channels of information: identifiers and sequence. For improved compression results, these are mainly divided into two streams where the compression is made assuming independence. For example, the algorithm MFCompress performs lossless compression of these files using context modelling and arithmetic encoding. Genozip, a software package for compressing genomic files, uses an extensible context-based model. For benchmarks of FASTA file compression algorithms, see Hosseini et al., 2016, and Kryukov et al., 2020.

Encryption
The encryption of FASTA files can be performed with the encryption tool Cryfa. Cryfa uses AES encryption and enables to compact data besides encryption. Alternatively, Genozip can encrypt FASTA files with AES-256 during compression.

Extensions
FASTQ format is a form of FASTA format extended to indicate information related to sequencing. It is created by the Sanger Centre in Cambridge.

A2M/A3M are a family of FASTA-derived formats used for sequence alignments. In A2M/A3M sequences, lowercase characters are taken to mean insertions, which are then indicated in the other sequences as the dot ("") character. The dots can be discarded for compactness without loss of information. As with typical FASTA used in alignments, the gap ("") is taken to mean exactly one position. A3M is similar to A2M, with the added rule that gaps aligned to insertions can too be discarded.

Working with FASTA files

A plethora of user-friendly scripts are available from the community to perform FASTA file manipulations. Online toolboxes are also available such as FaBox or the FASTX-Toolkit within Galaxy servers. For instance, these can be used to segregate sequence headers/identifiers, rename them, shorten them, or extract sequences of interest from large FASTA files based on a list of wanted identifiers (among other available functions). A tree-based approach to sorting multi-FASTA files (TREE2FASTA) also exists based on the coloring and/or annotation of sequences of interest in the FigTree viewer. Additionally, Bioconductor.org's Biostrings package can be used to read and manipulate FASTA files in R.

Several online format converters exist to rapidly reformat multi-FASTA files to different formats (e.g. NEXUS, PHYLIP) for use with different phylogenetic programs, such as the converter available on phylogeny.fr.

See also
 The FASTQ format, used to represent DNA sequencer reads along with quality scores.
 The SAM and CRAM formats, used to represent genome sequencer reads that have been aligned to genome sequences.
 The GVF format (Genome Variation Format), an extension based on the GFF3 format.

References

External links
Bioconductor
FASTX-Toolkit
FigTree viewer
Phylogeny.fr
GTO

Bioinformatics
Biological sequence format

FASTA format


Spanish Town () is the capital and the largest town in the parish of St. Catherine in the historic county of Middlesex, Jamaica. It was the Spanish and British capital of Jamaica from 1534 until 1872. The town is home to numerous memorials, the national archives, and one of the oldest Anglican churches outside England (the others are in Virginia, Maryland, and Bermuda).

History

The Spanish settlement of Villa de la Vega was founded by the Spanish in 1534 as the capital of the colony. Later, it was also called Santiago de la Vega or St. Jago de la Vega. Indigenous Taino had been living in the area for approximately a millennium before this, but this was the first European habitation on the south of the island.

When the English conquered Jamaica in 1655, they renamed the settlement as Spanish Town in honour to the original Spanish root of this town. Since the town was badly damaged during the conquest, Port Royal took on many administrative roles and functioned as an unofficial capital during the beginning of English rule. By the time Port Royal was devastated by an earthquake in 1692, Spanish Town had been rebuilt and was again functioning as the capital. Spanish Town remained the capital until 1872, when the seat of the colony was moved to Kingston.

Kingston had been founded in the aftermath of the 1692 earthquake. By 1755, serious rivalry from lobbyists caused increasing speculation about the continued suitability of Spanish Town as the capital. In 1836, Governor Lionel Smith observed that "the capital was in ruins, with no commercial, manufacturing and agricultural concern in operation." To worsen the situation, following the Morant Bay Rebellion of 1865, Sir John Peter Grant ordered the removal of the capital in 1872 to Kingston. As a larger port, it had come to be considered the natural capital of the island.  After the seat of government was relocated, Spanish Town lost much of its economic and cultural vitality.

Points of interest
Built on the west bank of the Rio Cobre, the town lies thirteen miles from Kingston on the main road.  Its history was shaped by two significant colonial periods: Spanish rule from 1534 to 1655 and the English from 1655 to 1872. After that the capital was relocated to Kingston. The Anglican Church took over the 16th century cathedral.

The historic architecture and street names mark the colonial history, such as Red Church and White Church streets, symbolic of the Spanish chapels of the red and white cross, as well as Monk Street, in reference to the monastery that once stood nearby. Nugent and Manchester streets were named for the British Colonial Governors, George Nugent and William Montagu, 5th Duke of Manchester. King Street runs past the King's House, the governor's residence, and Constitution Street, near to the Square, refers to the island's former administrative centre. Regency buildings in the town centre include the Rodney Memorial flanked by two guns from the French ship Ville de Paris (1764), and the façade of the Old King's House, which was the residence of the governor until 1872.

Old Iron Bridge

Spanish Town is the site of an early cast-iron bridge, designed by Thomas Wilson and manufactured by Walker and Company of Rotherham, England. Spanning the Rio Cobre, the bridge was erected in 1801 at a cost of £4,000. Its four arched ribs are supported on massive masonry abutments. After the abutments deteriorated, endangering the structure, it was listed in the 1998 World Monuments Watch by the World Monuments Fund.

A restoration project began in 2004, with funding provided by American Express through World Monuments Fund. Progress was slow until 2008, when a renewed restoration effort was made. A first phase of restoration was completed in April 2010, when the repair of the abutments allowed the bridge to be reopened for the public. More recently, violence in the area has prevented the bridge from achieving the status of a UNESCO World Heritage Site.

Today
In 2009 the population of Spanish Town was estimated to be about 160,000. The population of Spanish Town, like the rest of the St. Catherine, has been growing rapidly.

It is sometimes referred to colloquially as "Spain" or "Prison Oval" within Jamaica. The latter nickname is a reference to the cricket pitch or oval located just outside the St. Catherine District Prison, where some inmates can get a limited view of the sport through their cell windows. Association football is also played at the Prison Oval; Rivoli United F.C. is the major team.

The town had one of the first Spanish cathedrals to be built in the New World, constructed around 1525. Many Christian denominations have churches or meeting halls in the town, including a Roman Catholic church and Wesleyan, Baptist and Seventh-day Adventist chapels. There is also a mosque.

Standing untouched in character is a historic alms-house, public hospital, and a penal institution built in the eighteenth century. The town contains a factory that manufactures dyes from logwood, a salt factory, and a rice processing plant. In the neighbourhood are five large sugar estates, a milk condensary, and a large textile mill.

Government and infrastructure
The Rio Cobre Juvenile Correctional Centre of the Department of Correctional Services, Jamaica is located in Spanish Town.

Transport

Roads
Spanish Town is on the main A1 (Kingston to Lucea) and A2 (Spanish Town to Savanna-la-Mar) roads. It is well served by buses, mini buses and taxis, which operate from the Spanish Town Transport Hub.

Rail
The now disused Spanish Town railway station formerly provided access to four lines:
Kingston to Montego Bay
Spanish Town to Ewarton
Bog Walk to Port Antonio
Linstead to New Works

The station opened in 1845 and closed in October 1992 when all passenger traffic on Jamaica's railways abruptly ceased.

Notable people

 Yohan Blake, sprinter, attended school in Spanish Town
 Anne Brodbelt (1751–1827), letter writer and social observer
 Cornel Chin-Sue, footballer
 Davian Clarke, sprinter
 Chronixx, singer
 Chevelle Franklyn, gospel reggae singer, born in Tawes Pen, Spanish Town
 DJ Akademiks, YouTuber and podcaster, born in Spanish Town
 Lutan Fyah, reggae singer
 Rajiv Maragh, Jockey
 Uriah Hall, mixed martial artist, born in Spanish Town
 Andrew Holness, politician, Prime Minister of Jamaica
 Grace Jones, singer and actress, born in Spanish Town
 Diana King, reggae singer, born in Spanish Town
 Koffee, reggae singer/rapper, born in Spanish Town
 Jermaine Lawson, cricketer
 Amelia Lewsham, "White Negress" born in Spanish Town in the 1740s
 Oswald George Powe, political and equality activist
 Prince Far I, reggae deejay, born in Spanish Town
 Kirk Diamond, reggae singer and social activist.
 Bunny Shaw, Jamaican woman footballer
Shirley Anne Tate, Jamaican sociologist, scholar, researcher, educator, and author; born in Spanish Town.
 Spice, dancehall musician, born in Spanish Town
 Alfred Valentine, cricketer
 Micheal Ward, British actor, born in Spanish Town

 Precious Wilson, soul singer, born in Spanish Town

Notable incidents
 The famous pirate Calico Jack and his crew were hanged in Santiago de la Vega in 1720 following a trial conducted by the governor, Sir Nicholas Lawes.
 Danish singer Natasja Saad died in a car crash near the city on 24 June 2007.

In popular culture
The band The Spanishtonians, also known as The Spanish Town Skabeats, best known for their hit song "Stop That Train", are named after the city.

The location has also been referenced by Charlotte Brontë in her 1847 novel Jane Eyre, in which Mr Rochester's mentally ill wife, Bertha Mason had originated from Spanish Town. This location and the characterisation of Bertha was further explored by Jean Rhys in her 1966 prequel toJane Eyre, Wide Sargasso Sea.

References

Other sources

 James Robertson, Gone is the Ancient Glory, Spanish Town Jamaica 1534–2000, Kingston, Jamaica: 2005.
 Parish Information

Populated places established in 1534
Former colonial capitals
Populated places in Saint Catherine Parish
1534 establishments in the Spanish Empire
1534 establishments in North America

Spanish Town


Asociația pentru Tehnologie și Internet (ApTI) este o organizație neguvernamentală din România care militează pentru apărarea libertății de exprimare, a vieții private (intimității online - împotriva supravegherii în masă) și a altor drepturi individuale în mediul digital.

Conform propriului sit web, "ApTI este o asociație nonguvernamentală formată din persoane fizice implicate în Internetul românesc, care își propunere susținerea și promovarea unei lumi digitale libere și deschise, prin respectarea drepturilor fundamentale ale omului. Un Internet liber este un mediu în care libertatea de exprimare și viata privată sunt respectate și garantate. O lume digitală deschisă reprezintă o garanție a accesului legal și sigur la beneficiile aduse de tehnologia informației."

Obiectivele ApTI
Asociația susține neutralitatea Internetului - tratamentul egal al surselor de informații online, aplicat acestora de către furnizorii de servicii Internet (ISP), fără diferențieri arbitrare privind viteza de acces și alte restricții impuse prin contracte comerciale - pentru că o consideră o componentă esențială a dreptului utilizatorilor finali de a alege singuri ce resurse ale Internetului să utilizeze.

ApTI militează pentru reforma legilor privitoare la drepturile de autor (copyright), în sensul creșterii ponderii operelor culturale și datelor aflate în domeniul public și a celor publicate cu acces liber ("open access" - adică sub licență liberă). Ca un capitol special, organizația susține o mai mare transparență a instituțiilor guvernamentale naționale, prin publicarea tuturor seturilor de date nesecrete produse de acestea în domeniul public, accesibil oricui.

Referințe

Legături externe
 Situl web oficial al ApTI
 Despre dreptul Internetului în România
 Ghid despre prelucrarea datelor personale din categoriile speciale

Internetul în România
Asociații din România
Organizații neguvernamentale din România
Fondări în 2005

Asociația pentru Tehnologie și Internet


Africa Movie Academy Award du meilleur maquillage est un mérite annuel décerné par l'Africa Film Academy pour récompenser la meilleure transformation d'un film de l'année.

Références

Africa Movie Academy Awards
Pages avec des traductions non relues


Wojciech Fibak (; popularly Wojtek Fibak ; born 30 August 1952) is a Polish former professional tennis player, entrepreneur, and art collector. Fibak is best known for his doubles success with Dutch pro Tom Okker and Australian Kim Warwick, although he also reached the Top 10 in singles.

Throughout his career, he won 15 ATP career singles titles as well as 52 ATP doubles titles including one Grand Slam title, the 1978 Australian Open. He was also the runner-up at the 1976 ATP Finals.

Biography and personal life
Born in Poznań, Poland, he won his first tournament in 1976, and between then and 1982 won 15 singles titles and 52 doubles titles. His best year was arguably 1980, when he reached the quarter-finals at the French Open, the US Open and Wimbledon. Fibak's career singles win–loss record was 520–310, and he reached his career-high singles ranking of World No. 10 on 25 July 1977. His highest doubles ranking was World No. 2, which he reached in February 1979. He was consistently ranked in the top 20 in singles, and earned $2,725,403 in career prize money.

The highlight of his career was winning the Australian Open men's doubles in 1978 with Kim Warwick. They beat Paul Kronk and Cliff Letcher 7–6, 7–5 to take the title.

In 1983 he was banned from his local Poznań tennis club and faced reduced involvement from the Polish Tennis Federation and Davis Cup national team for his opposition to the communist PZPR government.

In 1985, Fibak founded the Polish Tennis Club (Polish Tennis Association of Southern California); in the 1990s he was head of the Polish Tennis Federation and widely credited with popularising the sport in his native country. After the fall of communism in the early 1990s his company Fibak Press acquired the regional former PZPR mouthpiece Gazeta Poznańska, until it was acquired by rivals Głos Wielkopolski in 2006, and published several other newspapers and magazines as well as being involved in books related to tennis.

He is also a businessman and an avid art collector, and used his tennis fortune to open the art gallery Galeria Fibak in 2001.

Fibak divides his time between Warsaw and Monaco, where he was Poland's honorary consul. He is a self-declared local patriot and was close to fellow local billionaire Jan Kulczyk.

He has three daughters: Agnieszka, Paulina, and Nina.

Grand Slam finals

Doubles: 2 (1 title, 1 runner-up)

Career finals

Doubles (52 titles, 33 runners-up)

Singles (15 titles, 19 runners-up)

Grand Slam doubles performance timeline

References

External links

1952 births
Living people
Sportspeople from Poznań
Polish male tennis players
Grand Slam (tennis) champions in men's doubles
Polish chief executives
Polish company founders
Businesspeople from Poznań
Polish billionaires
Australian Open (tennis) champions

Wojciech Fibak


Cleopatra Hrșanovschi () a fost o cântăreață de lied (soprană), compozitoare și profesoară din Basarabia.

A studiat la  în anii 1882–1886, având-o ca profesoară de canto pe .

Era membră a Societății Compozitorilor Români. În 1902, a organizat și condus Școala Particulară de Muzică "Clasa cântului individual" din Chișinău. A compus creații scenice, păstrate la Conservatorul "Unirea" din Chișinău, care au fost distrise în urma bombardamentului din 15 iulie 1941. A fost prima femeie compozitor din Basarabia și una din primele profesoare din învățământul privat, educând talente precum: Elena Măcărescu-Șeidenvald, Petre Nică, Iosif Binder, Ana wexler, Ida Cornfeld ș.a.

Bibliografie

Soprane din Republica Moldova
Compozitori moldoveni
Pedagogi moldoveni
Oameni din Chișinău
Nașteri în 1861
Decese în 1939
Decese pe 15 martie
Decese în Chișinău

Cleopatra Hrșanovschi


Fort Wayne Pistons, bugün NBA liginde Detroit'te kurulu bulunan Pistons takımının 1941 ile 1957 arasında anıldığı isimdir.

O dönemde Pistons takımı İndiana eyaletinin Fort Wayne şehrinde bulunduğu için takım bu isimle anılmaktadır.

İlgili Bağlantılar

 Detroit Pistons
 NBA

Feshedilen NBA takımları
Indiana'da spor

Fort Wayne Pistons


Gunnars kvæði á Hlíðarenda er sagnadans eða danskvæði sem telst séríslenskur. Þetta er eini íslenski sagnadansinn, svo vitað sé, sem fjallar um atburði úr Íslendingasögunum. Fræðimenn hafa gert tilraun til þess að aldursgreina kvæðið út frá málfari og orðalagi og var kvæðið að öllum líkindum ort í lok 16. aldar eða í byrjun 17. aldar. Kvæðið er varðveitt í Kvæðabók Gísla Ívarssonar frá 1819 (JS 405 4to.).

Sagnadansar

Gunnars kvæði á Hlíðarenda


Inariyamski mač je željezni mač iz Inariyame iskopan na inariyamskom kofunu 1968. godine. Inariyamski mač iz grobne gomile (kanji: 稲荷山古墳出土鉄剣, hiragana: いなりやまこふんしゅつどてっけん, romaji: Inariyama kofun shutsudo tekken) ili "zlatom ugravirani željezni mač" (金錯銘鉄剣 kinsakumei tekken) iskopan je iz megalitske grobne humke u prefekturi Saitami. Kad je otkriven, opisan je kao otkriće stoljeća za studiranje drevne japanske povijesti. Designiran je kao nacionalno blago Japana (国宝, kokuhō) .

Tekst na maču iz Inariyame je mogući najstariji primjerak man'yōgane. 1978. godine je analizom X-zrakama otkriven u zlatu utisnuti napis od barem 115 kineskih znakova i ovog teksta, napisanog na kineskom, uključujući japanska osobna imena koja su vjerojatno napisana fonetski. Za mač se mislilo da je napravljen godine 辛亥年 (471. po Kristu prema opće prihvaćenoj teoriji).
Postoji mogućnost da je napis na Inariyamskom maču možda napisan na inačici kineskog jezika rabljenog u kraljevstvu s Korejskog poluotoka Baekjeu.

Izvori

Japanski mačevi

Inariyamski mač


Stachydeae, tribus biljaka iz potporodica medićevki, opisan 1827. godine. Postoji 13 priznatih rodova a tipični je Rod Stachys.

Rodovi
 Betonica L.
 Chamaesphacos Schrenk ex Fisch. & C.A.Mey.
 Haplostachys (A.Gray) Hillebr.
 Hypogomphia Bunge
 Melittis L.
 Phlomidoschema (Benth.) Vved.
 Phyllostegia Benth.
 Prasium L.
 Sideritis L.
 Stachys L.
 Stenogyne Benth.
 Suzukia Kudô
 Thuspeinanta T.Durand

Izvori

Lamioideae

Stachydeae


Jorge Esquinca (México DF, 1957)  Poeta, traductor, ensayista, editor. Nació en la Ciudad de México el 5 de abril de 1957. Vivió de niño en la provincia mexicana (Irapuato, León) y desde 1968 en Guadalajara, Jalisco.

Estudió la licenciatura en Ciencias de la Comunicación en el Instituto Tecnológico y de Estudios Superiores de Occidente (ITESO).

En 1979 ingresó al Taller de Literatura del Departamento de Bellas Artes de Jalisco, coordinado por Elías Nandino.

En 1982 fundó la editorial independiente Cuarto Menguante.

Entre 1992 y 1995 fue director del Departamento de Literatura de la Secretaría de Cultura de Jalisco y dirigió la colección de libros de poesía "Orígenes"; editó Nostromo, suplemento cultural del periódico Siglo 21; fue columnista de la revista Vuelta, en la que colaboró además con poemas, artículos y traducciones.

De 2000 a 2010 coordinó las actividades culturales de la Librería José Luis Martínez del Fondo de Cultura Económica en Guadalajara.

En 2012 se estrenó el montaje coreográfico Anímula, creado a partir de sus poemas, bajo la dirección de la bailarina Gabriela Cuevas.

Ha recibido becas del Ministerio de Cultura de Francia y de la Fundación Civitella Ranieri de Italia.

Desde 1993 es Miembro del Sistema Nacional de Creadores de Arte.

Durante los últimos treinta años, además de realizar múltiples actividades magisteriales en su país, ha dado lecturas, conferencias, cursos y talleres literarios en Argentina, Ecuador, Estados Unidos, Francia, Italia, Holanda y España.

Es director del sello Mano Santa Editores, especializado en libros de poesía.

Actualmente vive en San Antonio Tlayacapan, en la ribera del lago de Chapala, Jalisco.

Premios y Becas

 Premio Poesía Joven de México (segundo lugar) 1982
 Premio de Poesía Aguascalientes. 1990
 Premio Nacional de Traducción de Poesía. 1991
 Beca para Creadores Intelectuales. CNCA-FONCA.1991
 Miembro del Sistema Nacional de Creadores de Arte. 1993
 Miembro del Sistema Nacional de Creadores de Arte. 1997
 Beca de Traductor Residente. Ministerio de Cultura de Francia. 1999
 Beca del Programa de Fomento a la Traducción Literaria. FONCA. 2001
 Miembro del Sistema Nacional de Creadores de Arte. 2003
 Beca de Escritor Residente. Civitella Ranieri Foundation. Italia. 2009
 Miembro del Sistema Nacional de Creadores de Arte. 2009
 Premio Iberoamericano de Poesía Jaime Sabines para Obra Publicada. 2009
 Miembro del Sistema Nacional de Creadores de Arte. 2012
 Miembro del Sistema Nacional de Creadores de Arte. 2016

Publicaciones
Poesía

 La noche en blanco. Cuarto Menguante. México.1983
 Alianza de los reinos. Fondo de Cultura Económica. México.1988
 Paloma de otros diluvios. Taller Martín Pescador. México. 1990
 El cardo en la voz. Joaquín Mortiz. México. 1991
 La edad del bosque. Universidad Autónoma Metropolitana. México. 1993
 Sol de las cosas. Toque de poesía. México. 1993
 Ejercicio del agua que arde. Antología. Fundación Guberek. Colombia. 1994
 Isla de las manos reunidas. Aldus. México. 1997
 Paso de ciervo. Fondo de Cultura Económica. México. 1998
 La eternidad más breve. Ediciones Oro de la Noche. México. 1999
 Uccello. Filo de Caballos. México. 2001
 Invisible línea visible. Antología personal. Editorial Arlequín. México. 2002
 Vena cava. Editorial Era. México. 2002
 Región 1982-2002. Universidad Nacional Autónoma de México. México. 2004
 Alianza de los reinos. Edición especial en la colección "La Centena". Verdehalago. CONACULTA. México. 2004
 Uccello. Segunda edición corregida y aumentada. Editorial Bonobos. México. 2005
 Un chardon dans la voix / El cardo en la voz. Edición bilingüe. Traducción al francés de Francoise Roy. Ecrits des Forges / Mantis Editores. Québec. 2007
 Cuaderno para iluminar. Mantis Editores. México. 2008
 Descripción de un brillo azul cobalto. Editorial Pre-Textos. España. 2008
 Descripción de un brillo azul cobalto. Era. Pre-Textos. Gobierno del Estado de Chiapas. México. 2010.
 Anímula. Antología. Selección y nota de Hernán Bravo Varela. Prólogo de Vicente Quirarte. Colección "Clásicos Jaliscienses". Secretaría de Cultura de Jalisco. México. 2010.
 Descripción de un brillo azul cobalto / Descricao de um brilho azul cobalto. Traducción al portugués de Victor del Franco. Edición bilingüe. Mantis Editores. Conaculta. INBA. México. 2013.
 Teoría del campo unificado. Bonobos. UNAM. México. 2013.
 Houdini contra los médiums. Mano Santa Editores. México. 2014,
 Caja negra con inscripciones. Ediciones Papeles Privados. México. 2015.
 Nostalghia. Una meditación frente a la Madonna del Parto de Piero della Francesca. La Dïéresis Editorial. Ediciones Monte Carmelo. México. 2015.
 Cámara nupcial. Editorial Era. México. 2015
 Description of a flash of cobalt blue / Descripción de un brillo azul cobalto. Edición bilingüe. Traducción al inglés de Dan Bellm. Unicorn Press. EE. UU.. 2015
 Parvadas / Flocks. Edición bilingüe. Traducción al inglés de Rustum Kozein. Mano Santa Editores. México. 2017.
 Cámara nupcial. Editorial Pre-Textos. España. 2017.

Ensayo

 Elogio del libro. Rayuela, diseño editorial. México. 2001
 Nuevo elogio del libro. Rayuela, diseño editorial. México. 2014.
 Breve catálogo de fuerzas. Conjeturas, tentativas, vislumbres. Bonobos Editores/ CONACULTA. México. 2015.
 Nuevo elogio del libro. Universidad Autónoma de Querétaro. Cuadernos de Lectura. México. 2017.
 Las piedras y el arco. Universidad Autónoma de Querétaro. Prosa Nostra. México. 2018

Libros de artista

 Piedra, una fábula. En colaboración con Jan Hendrix. Petra Ediciones. Holanda. 2003
 Habitar el paisaje / Dwelling in the landscape. En colaboración con Humberto Baca. Rayuela, diseño editorial. Secretaría de Cultura de Jalisco. México. 2004.
 Canijos canes. En colaboración con Penélope Downes. LÍA. México. 2013.

Libros para niños

 El rapto de Eloísa. Con ilustraciones de Chiara Carrer. Petra Ediciones. México. 2013.
 Los Músicos de Bremen. Hermanos Grimm. Adaptación de Jorge Esquinca. CONACULTA. 2015.

Libros traducidos

 El canto de los muertos de Pierre Reverdy. UNAM. México. 1992
 La rosa náutica de W.S. Merwin. El Tucán de Virginia. México. 1993
 Emergencias-Resurgencias de Henri Michaux. UNAM. México. 1996
 Nómadas bajo el mismo cielo. Antología de traducciones. Monte Carmelo. México. 1997
 El pulso de las cosas de Henri Michaux. Universidad Iberoamericana. México. 1998
 Rimbaud. La hora de la fuga de Alain Borer. UNAM. México. 1999
 Portador de un libro en la montaña de André du Bouchet. Filo de Caballos. México. 2001
 Las islas. Los misterios de H.D. Filo de caballos. México. 2001
 Poemas de amor de la antigua India. Ediciones de la noche. México. 2002
 Araire. Una antología de André du Bouchet. Editorial Aldus, CONACULTA, Embajada de Francia. México. 2005
 El cuaderno verde de Maurice de Guérin. Ediciones sin nombre. México. 2006
 Poemas de amor de la antigua India. Segunda edición aumentada. Secretaría de Cultura de Michoacán. México. 2006
 Rey de los vientos de Adonis. Universidad Autónoma de Nuevo León. México. 2009
 Poemas de amor de la antigua India. Tercera edición corregida y aumentada. Mano Santa Editores. México. 2012.
 Salmo de la estrella de la mañana de O.V. de Lubicz-Milosz. Bonobos. México. 2015
 Albertine. Rutina de ejercicios de Anne Carson. Vaso Roto. México. 2015.
 Algo como un tragaluz de Jacques Dupin. Universidad Autónoma de Nuevo León. México. 2018.

Poemas en antologías nacionales

 Antología del poema en prosa en México. Selección y estudio preliminar de Luis Ignacio Helguera. Fondo de Cultura Económica. México. 1993.
 Las palabras son puentes. A Octavio Paz en sus ochenta años. Editorial Vuelta. México. 1994.
 La literatura mexicana del siglo XX. Selección y prólogo de José Luis Martínez y Christopher Dormínguez Michael. CNCA. México. 1995.
 La rosa escrita. Selección de Francisco Hernández. Aldus. México. 1996.
 Prístina y última piedra. Poesía latinoamericana presente. Selección de Eduardo Milán y Ernesto Lumbreras. Aldus. México. 1999.
 Los mejores poemas mexicanos. Selección de Francisco Hernández. Editorial Planeta. México. 2005.
 Vientos del siglo. Poetas mexicanos 1950-1982. Antología de Luis Jorge Boone, Margarito Cuéllar, Mario Meléndez y Mijail Lamas. UNAM. México. 2012.
 Antología general de la poesía mexicana. Selección, prólogo y notas de Juan Domingo Argüelles. Editorial Océano. México. 2014.
 Espejo de doble filo. Antología binacional sobre violencia. Colombia-México. Selección de Iván Trejo. Editorial Atrasalante. México. 2014.

Poemas en antologías internacionales

 New Writing from Mexico. Selección de Reginald Gibbons. TriQuarterly books. EE. UU.. 1992.
 Cuatro nuevos poetas mexicanos. Selección de Darío Jaramillo. Golpe de dados. Colombia. 1992.
 Light from a nearby window. Selección de Juvenal Acosta. City Lights. EE. UU.. 1994.
 Poetes Mexicains Contemporains. Selección de Jorge Von Ziegler. Traducción de Emile Martel. Ecrits des forges/Phi/UNAM/Aldus. Canadá. 1996.
 Poesía de México. Selección de Samuel Ortega. Ave del Paraíso. España. 1997.
 Poetry International Festivalbook. Traducciones de Robert L. Jones y K. Michel (Traducciones al inglés y al holandés). Stitching Poetry International. Holanda. 1998.
 Trois continents pour Trois-Riviéres. Ecrits des Forges. Canadá. 1999.
 Las ínsulas extrañas. Selección de José Ángel Valente, Blanca Varela y Eduardo Milán. Galaxia Gutenberg. España. 2002.
 Contemporary World Poetry /México. Tadashi Tsuzumi, Yukata Hosono y Aurelio Asiain, editores. Gendai Mekishiko Shi Shuu, Tokio, Doyobijutsusha Shuppan, 2004.
 The River is Wide. El río es ancho. A bilingual anthology. Selección y traducción de Marlon L. Fick. University of New Mexico Press. EE. UU.. 2005.
 Connecting Lines. New Poetry from Mexico. Luis Cortés Bargalló y Forrest Gander, editores. Sarabande Books. National Endowment for the Arts. EE. UU.. 2006.
 Antología de la poesía mexicana de hoy. Selección, prólogo y notas de Mario Campaña. Editorial Bruguera. España. 2008.
 La poesía del siglo XX en México. Edición de Marco Antonio Campos. Editorial Visor. España. 2009.
 Feathers from the angel's wing. Poems inspired by the paintings of Piero della Francesca. Edited by Dana Prescott. Persea Books. EE. UU.. 2016.

Libros de divulgación literaria

 Álbum de zoología. Un bestiario de José Emilio Pacheco. Selección y poema-prólogo de Jorge Esquinca. Cuarto Menguante Editores. México. 1985 y 1991. Collages de Alberto Blanco. La misma antología (aumentada) fue publicada por Editorial Era. México. 1998 y 2013. Con dibujos de Francisco Toledo. Hay también una edición en inglés: An Ark for the Next Millenium. Traducción de Margaret Sayers Peden. University of Texas Press. EE. UU.. 1993.
  El azul es el verde que se aleja. Antología poética de Elías Nandino. Selección, prólogo y notas de Jorge Esquinca. Secretaría de Cultura de Jalisco. México. 2008.
 País de sombra y fuego. 34 poetas mexicanos de cara al bicentenario. Selección y prefacio de Jorge Esquinca. Prólogo de José Emilio Pacheco. Maná. Fundación Selva Negra. Universidad de Guadalajara. 2010.
 Arca. Poesía reunida de Guillermo Fernández. Edición y prólogo de Jorge Esquinca. Secretaría de Cultura de Jalisco. México. 2010.
 Éste de Guillermo Fernández. Prólogo de Jorge Esquinca. Fondo de Cultura Económica. Colección Vida y Pensamiento de México. México. 2017.
 Papá es un animal doméstico. Escritores mexicanos hablan de sus papás. Coordinado por Jorge Esquinca y con un prólogo del mismo. Instituto de Cultura de Aguascalientes. México. 2018.

Otros

 Augurios. Grabados de Roberto Márquez y poemas de Jorge Esquinca. Edición de 25 carpetas. Cuarto Menguante Editores. México. 1984.
 El barrio de Malasaña. Grabados de José Luis Cuevas y un poema de Jorge Esquinca. Edición de 60 carpetas. Taller Gráfico Bordes. México. 1987.
 Promesas de inmortalidad. Fotografías de Humberto Muñiz. Presentación de Jorge Esquinca. Secretaría de Cultura de Jalisco. México. 2000.
 Roberto Márquez: Relación de una ausencia. Presentación de Jorge Esquinca. Museo de Arte Moderno. Universidad de Guadalajara. México. 2003.
 Alumbramientos. Reflexiones. Fotografías de Laura Magaña. Presentación de Jorge Esquinca. Fluxus. México. 2003.
 Octavio Paz. La palabra en libertad. Coordinador: Jacques Lafaye. Ensayos de Christopher Domínguez, Agustín Vaca, Jesús Silva-Herzog Márquez, Jorge Esquinca, Charles Malamoud, Fabienne Bradu y Guillermo de la Peña. El Colegio de Jalisco. México. 2013.
 Escribir poesía en México II. Compiladores: Julián Herbert y Santiago Matías. Bonobos. Universidad Autónoma de Nuevo León. México. 2013.
 En esto ver aquello. Octavio Paz y el arte. VVAA. "La búsqueda del agua. Octavio Paz y el surrealismo", de Jorge Esquinca. CONACULTA. INBA. MPBA. México. 2014.
 En el cauce del sueño. Fotografías de luis/caballo. Texto de Jorge Esquinca "El agua que se canta". Pandora Impresores. México. 2018.

Enlaces externos

 Publicaciones del autor en la revistas Vuelta y Letras Libres http://www.letraslibres.com/autores/jorge-esquinca
 Entrevista a Jorge Esquinca en Italia http://www.youtube.com/watch?feature=player_embedded&v=vl2P5xCpAcE#!
 Programa de Poesía. Discutamos México. 2010.
 http://www.elem.mx/autor/datos/1537
 Los inadaptados.
 https://www.youtube.com/watch?v=7TNPZxYBMEs
 Descarga Cultura.UNAM.
 https://www.youtube.com/watch?v=CBaho4WurTo

Nacidos en Ciudad de México
Alumnado del Instituto Tecnológico y de Estudios Superiores de Occidente
Escritores de Jalisco

Jorge Esquinca


رينا ساتو (佐藤利奈 ساتو رينا) هي مؤدية أصوات يابانية ولدت في 2 مايو 1981 في كيتاكيوشو.

أدوارها في الأنمي

مسلسلات أنمي تلفزيونية
 طاغية الحب - آميشا كيتشوغاساكي
 المعلم الساحر نيغيما! - نيغي سبرينغفيلد
 نيغيما!؟ - نيغي سبرينغفيلد
 يوكيو هولدر! - نيغي سبرينغفيلد
 موشيشي - إيو (المستنقع المتجول)
 المقيم الأبدي - أسانو رين
 بينتشو-تان - رين-تان
 سر نوغيزاكا هاروكا - شينا أماميا
 مينامي-كي - هاروكا مينامي
 تنجن توبا جورين لاجان - كيو
 عندما تبكي النوارس - آنجي أوشيروميا
 إندكس معينة خاصة بالسحر - ميكوتو ميساكا
 إندكس معينة خاصة بالسحر II - ميكوتو ميساكا
 إندكس معينة خاصة بالسحر III - ميكوتو ميساكا
 رايلغان معينة خاصة بالعلم - ميكوتو ميساكا
 رايلغان معينة خاصة بالعلم S - ميكوتو ميساكا
 رايلغان معينة خاصة بالعلم T - ميكوتو ميساكا
 كيشين تايسن جيجانتيك فورميولا - مانا كاميشيرو
 كيوران كازوكو نيكي - غيكّا ميداريزاكي
 هيرويك إيج - برومي أو
 الرمية الكبرى - سوزوني مياشيتا
 إم إم! - تاتسوكيتشي هاياما
 صاحب التعاويذ الأزرق - شورا كيريغاكوري
 صاحب التعاويذ الأزرق: ملك كيوتو الملوث - شورا كيريغاكوري
 بليتش - مايو
 أرشيف دانتاليان - ليتيشيا سيركيس
 بلود سي - كائن أثري (العمود الفقري ذو الشعر)
 بليزبلو ألتر ميموري - راغنا ذا بلادإدج (أيام الطفولة)
 خليلة (مؤقتة) - أكاني ساكوراي
 غوغوري! كوكوري-سان - كوريها
 أبطال الزهور الستة - مورا تشيستر
 زخرفة الحظ - ريو ماتشيكو
 بادي كومبليكس - إلفيرا هيل
 M3 الفولاذ الأسود - إيواتو ناميتو (أيام الطفولة), ميميه ماكي
 فرسان سيدونيا - نومي تاهيرو
 فرسان سيدونيا: معركة الكوكب التاسع - نومي تاهيرو
 آيدولماستر سندريلا جيرلز - تشيهيرو سينكاوا
 كيزناييفر - هونوكا ماكي
 هاروتشيكا - والدة تشيكا
 تيلز أوف زيستيريا ذا كروس - فيلفيت كرو
 مغامرة جوجو الغريبة: الماس لا ينكسر - هاياتو كاواجيري
 هندريد - سوفلي كليرريل
 ماذا تفعل في نهاية العالم؟ هل أنت مشغول؟ هل تستطيع إنقاذي؟ - ليليا أسبلاي
 بيرسونا 5: ذا أنيميشن - ماكوتو نيجيما
 كابتن تسوباسا - ناتسوكو أوزورا، مانابو أوكاوا
 الخطايا السبع المميتة: إعادة إحياء الوصايا - ماترونا

أنمي الإنترنت
 سيلور مون كريستال - ري هينو/سيلور مارس
 وقت حواء - ناغي

أوفا أنمي
 المعلم الساحر نيغيما!: الربيع - نيغي سبرينغفيلد
 المعلم الساحر نيغيما!: الصيف - نيغي سبرينغفيلد
 المعلم الساحر نيغيما!: الجناح الأبيض ALA ALBA - نيغي سبرينغفيلد
 المعلم الساحر نيغيما!: عالم آخر - نيغي سبرينغفيلد
 المعلم الساحر نيغيما!: عالم آخر EXTRA الفتاة الساحرة يوي - نيغي سبرينغفيلد
 إير جير: الأجنحة السوداء و غابة النوم Break on the sky - ريكا نويامانو
 حفل الجثث - ناومي ناكاشيما

أفلام أنمي
 تنجن توبا جورين لاجان: فصل جورين - كيو
 تنجن توبا جورين لاجان: فصل لاجان - كيو
 إندكس معينة خاصة بالسحر: معجزة إنديميون - ميكوتو ميساكا
 فيلم الإكسورسيست الأزرق - شورا كيريغاكوري

أدوارها في ألعاب الفيديو
 تيلز أوف إكسيليا - بريزا
 تيلز أوف إكسيليا 2 - بريزا
 تيلز أوف بيرسيريا - فيلفيت كرو
 كوربس بارتي - ناومي ناكاشيما
 خليلة (مؤقتة) - أكاني ساكوراي
 بيرسونا 5 - ماكوتو نيجيما
 بيرسونا 5 رويال - ماكوتو نيجيما
 بيرسونا 5 دانسينغ إن ستارلايت - ماكوتو نيجيما

انظر أيضًا
 صراع الإخوة

وصلات خارجية

مراجع

 ويكيبيديا اليابانية

أشخاص على قيد الحياة
مغنون يابانيون في القرن 21
مغنيات بوب يابانيات
مغنيات يابانيات في القرن 21
ممثلات أداء صوتي من محافظة فوكوكا
ممثلات أداء صوتي يابانيات
ممثلات ألعاب فيديو يابانيات
ممثلات يابانيات في القرن 21
ممثلو أداء صوتي من كيتاكيوشو
مواليد 1981
مواليد في كيتاكيوشو
موسيقيون من فوكوكا

رينا ساتو


Der FC Vilshofen ist ein Fußballverein aus der niederbayerischen Stadt Vilshofen an der Donau.

Geschichte
Der Verein wurde 1919 gegründet.

1978 und 1981 stieg er als Meister der Landesliga Bayern Mitte in die Bayernliga auf, in der er sich insgesamt sechs Saisonen hielt.

1979 qualifizierte er sich für den DFB-Pokal. In der 1. Hauptrunde unterlag man auf eigenem Platz dem Zweitligisten FV Würzburg 04 nach Verlängerung mit 2:3.

Nach der Relegation 1985 spielte der Verein zehn Jahre in der Landesliga.

Danach spielte der Klub in der Bezirksoberliga Niederbayern, bevor er 2001 in die Bezirksliga relegiert wurde.

Nach einer Saison in der Kreisliga stieg der Klub wieder auf und kam 2008 wieder in die Bezirksoberliga.

Persönlichkeiten
 Fred Arbinger
 Klaus Augenthaler
 Michael Miedl
 Lutz Pfannenstiel
 Günther Stockinger

Weblinks
 Website des Vereins

Fußballverein aus Bayern
Verein im Bayerischen Fußball-Verband
Sportverein (Landkreis Passau)
Fc
FC Vilshofen
Sport (Vilshofen an der Donau)

FC Vilshofen


An Bromus pellitus in uska species han Liliopsida nga ginhulagway ni Eduard Hackel. An Bromus pellitus in nahilalakip ha genus nga Bromus, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Bromus

Bromus pellitus


FBI özel ajanı Alexander 'Alex' Mahone Prison Break dizisine 2. sezonunda dahil olmuştur. Fox River kaçaklarını yakalaması için görevlendirilmiştir.

Alexander Mahone, dizide acımasız karakteriyle göze çarpmaktadır. Sinir haplarıyla ayakta kalabilen Mahone, çok zeki bir karakter olsa da Michael Scofield'ın planlarını çürütebilecek bir zekaya sahip değildir. Bunu 4. sezonda Michael Scofield'a "Senin planlarının hep hayranı oldum. Umarım bir planın vardır." üstü kapalı bir şekilde belli etmiştir. Amacı mahkûmları yakalamak değil öldürmektir. Eski kaçak Oscar Shales'i öldüren de odur. Şirket kendisine Oscar Shales olayını örtmek karşılığında Michael'i öldürme görevini vermiştir. Sona adlı bölümde Michael Scofield tarafından kendisine kurulan tuzakla kokain bulundurmak suçundan tutuklanmıştır. Daha sonra Scofield'ın ekibine katılarak şirketi çökertmek için çalışmıştır. Zekası ve şirket hakkındaki tecrübesiyle Scofield ve ekibine büyük katkı sağlamıştır. Kendisi 4. sezonda oğlunu öldüren Wyatt'dan etkileyici bir intikam almıştır. Ayrıca eski esi Pam'in dizideki konuşmalarından anladığımız kadarıyla intikam atesi içine düştüğünde intikamını alana kadar başka bir şeye konsantre olamamaktadır. Bunu oğlunu öldüren Wyat'i öldürene kadar gecen sureyi, şirketi çökertmeye çalışmak yerine Wyat'ı bulmaya adamasından da anlayabiliriz. Ayrıca Prison Break : The Final Break filminde Michael'a ihanet etmeye çalışmış ancak sonra Michael'e her şeyi anlatmış,
Michael da planı değiştirmiştir.Bu sayede hem plan yürüyecek hem de Mahone FBI rozetini geri alacaktır.

Dizi finalinde Pam ile değil en yakın arkadaşı olan FBI ajanı ile birliktedir.

Dış bağlantılar
 Alexander Mahone Biyografisi  - Fox.com

Büyük Kaçış karakterleri
Michigan doğumlu kurgusal karakterler
Kurgusal FBI ajanları
Kurgusal askerî personel
Kurgusal suikastçılar
Kurgusal erkek karakterler

Alexander Mahone


también conocida como Hatarakids My Ham Gumi o Master Hamsters, es una serie de anime japonesa dirigida principalmente al público infantil. La animación fue producida por los estudios Toei Animation, dirigida por Tetsuo Imazawa y se emitió en Japón desde el 7 de octubre de 2007 hasta el 28 de septiembre de 2008 por la cadena televisiva TV Asahi. La serie finalizó con un total de cincuenta episodios de unos veinticinco minutos cada uno. Durante su emisión, contó con la canción  como tema de apertura y con  como tema de cierre.

En Cataluña fue emitida en Super3.

Argumento
La serie relata la historia de Gaudi, un hámster experto en trabajar con madera, el cual viaja a Hoshihama con su dueño, Kaito, con el objetivo de llegar a ser un maestro carpintero como su padre. Una vez ahí, se hace amigo un grupo de hámsteres y juntos emprenderán una serie de aventuras.

Enlaces externos
 はたらキッズ マイハム組 Página web oficial en Toei Animation (en japonés)
 Hatara Kizzu Maihamu Gumi en Anime News Network (en inglés)

Anime de 2007

Hatara Kizzu Maihamu Gumi


Wladimir Eliseo Herrera Marilicán (Hualaihué, Chile, 12 de diciembre de 1981) es un exfutbolista chileno. Jugaba como defensa central y su último club fue Deportes Puerto Montt.

Realizó sus estudios básicos en la Escuela Rural Caleta El Manzano y los de enseñanza media en el Liceo Hornopirén.

Clubes

Palmarés

Campeonatos nacionales

Enlaces externos
 Ficha en BDFA
 Ficha en Soccerway

Nacidos en Hualaihué
Futbolistas de Chile
Futbolistas del Club de Deportes Laja
Futbolistas del Club Deportivo Ñublense en los años 2000
Futbolistas del Audax Italiano La Florida en los años 2000
Futbolistas del Club de Deportes Lota Schwager en los años 2000
Futbolistas del Club de Deportes Melipilla en los años 2000
Futbolistas del Club de Deportes Copiapó en los años 2000
Futbolistas del Club de Deportes Puerto Montt en los años 2010
Futbolistas del Club de Deportes Lota Schwager en los años 2010
Futbolistas del Club de Deportes Cobresal en los años 2010
Futbolistas del Club Social de Deportes Rangers en los años 2010

Wladimir Herrera


أولاد يحيى لوطا هي قرية مغربية،بإقليم بن سليمان . تقع أولاد يحيى لوطا بين الرباط والدار البيضاء، و تضم 9.642 نسمة (إحصاء 2 سبتمبر 2004).

مصادر

أماكن مأهولة في إقليم بنسليمان
جماعات قروية في المغرب
جماعات قروية في إقليم بنسليمان
جماعات قروية في جهة الدار البيضاء سطات

أولاد يحيى الوطا


The British Columbia Party was a right-wing political party in the Canadian province of  British Columbia, founded in 1998 as a populist party by John Motiuk, a North Vancouver lawyer.

The party did not nominate candidates in the 2001 provincial election. It nominated two candidates for the 2005 provincial election: David Andrew Wright, who won 185 votes (0.86% of the total) in Delta North, and Jack Kortmeyer, who won 169 votes (1.39% of the total) in Bulkley Valley-Stikine. It did not nominate candidates in the 2009 provincial election.

The party was one of five whose members merged to form the British Columbia Unity Party, but like all but one of the others, the party later left BC Unity.

The party ran three candidates in the 2013 general election: Carra-Lynn Hodgson in North Vancouver-Lonsdale, Trevor Hendry in Skeena, and Jim Laurence in Surrey-White Rock.

It did not nominate candidates in the 2017 general election.

Leadership
The party was led by former Social Credit leader Eric Buckley.  Buckley was ousted by the party's board of directors, and replaced by former Reform Party of BC Leader Wilf Hanni.

Hanni was subsequently ousted by the board and replaced by Grant Mitton.  Mitton, a popular former radio talk show host, had run as a candidate for Social Credit in 2001, winning over 17% of the vote in his riding. He left the moribund Socreds to join the British Columbia Party as a "traditional conservative party", hoping to attract support from conservatives, particularly social conservatives dissatisfied with the policies of the ruling British Columbia Liberal Party.

Mitton and Hanni left the BC Party, and joined the British Columbia Conservative Party.

Party program

Founding philosophy
The philosophy of the British Columbia Party is rooted in traditional conservatism: the protection and preservation of whatever is beneficial, respect for the individual, economic responsibility, and government which is enabling, not restrictive. Essential components of the philosophy:
 Honouring the will of the people as the highest authority in a democratic society, obeying the mandate of the majority while respecting the rights and opinions of the minority.
 Recognition that the individual is the most important element in an organized society, and that government must protect individual citizens' inalienable rights and remain responsive to their potential and their needs.
 Responsible management of public affairs by government, to achieve the objectives of the electorate, ensuring that what is physically possible and morally correct is financially viable.
 Security of person and property.
 Belief in the supremacy of God and the rule of law as declared in the Constitution of Canada.

Policy and principles

 While members of the legislature are responsible primarily to their constituents, they must vote in accordance with party principles. In issues not guided by party principles, they must be allowed to vote freely, in accordance with their consciences and the best interests of their constituents.
 The executive, legislative and judicial branches of government and all their members will be held fully accountable for the execution of their duties and all their activities in the public arena.
 The government is responsible for protecting the rights and freedoms of all citizens. These include the right to life; freedoms of religion, speech, assembly, association and movement; the right to own private property, and equality before the law.
 Taxes must be responsible and fair. A balanced budget must be maintained.
 The private sector is recognized as the most effective and equitable area for job creation and economic stability.
 A balanced labour/management relationship must be maintained to encourage investment and stimulate job creation.
 There must be simultaneous and coordinated management of natural resources and protection of the environment to provide maximum sustainable benefit for the citizens of British Columbia.
 Social security and supporting infrastructure must balance the roles of government, individuals and charities, with services provided efficiently and effectively.
 An educational system providing the highest standards of academic opportunities must be universally available, with full public funding for the education of every minor and freedom for parents to choose the mode of education most suitable to each child's individual needs within that system.
  A comprehensive health care system must be based on accessibility and portability for the user, affordability and accountability for the government. Priority health care disbursements will be given to essential services.

See also

 List of political parties in Canada

References

Provincial political parties in British Columbia
Conservative parties in Canada
Burnaby
1998 establishments in British Columbia
Political parties established in 1998

British Columbia Party


Manuel García Gil, O.P. (* 14. März 1802 in Lugo; † 28. April 1881 in Saragossa) war ein spanischer Erzbischof und Kardinal der Römischen Kirche.

Leben
Manuel García Gil wuchs in San Salvador de Camba bei Lugo auf und empfing bereits im Alter von zwei Monaten, am 20. Juli 1802, das Sakrament der Firmung. Als junger Mann begann er das Studium der Theologie am Priesterseminar von Lugo und trat im Jahr 1826 in den Orden der Dominikaner ein.

Am 10. März 1827 empfing García Gil die Priesterweihe. Danach wirkte er als Professor für Theologie an den Dominikanerklöstern in Lugo und Santiago de Compostela. Anfang der 1830er Jahre übernahm er als Direktor das Priesterseminar in Oviedo. Ein Gesetz, welches die spanische Regierung 1836 unter Königin Isabella II. verabschiedete – ein Kapitel der spanischen Geschichte, besser bekannt geworden als Desamortisation in Spanien – wonach kirchliche Güter in das Eigentum des Staates zu gehen hatten, zwang García Gil im Jahr 1836, Oviedo aufzugeben und nach Lugo zu ziehen. Erst 1848 kehrte er als Vizerektor nach Oviedo zurück.

Am 22. Dezember 1853 wurde Manuel García Gil zum Erzbischof des Erzbistums Badajoz ernannt. Die Bischofsweihe spendete ihm am 23. April 1854 Miguel García Cuesta, der Erzbischof des Erzbistums Santiago de Compostela; Mitkonsekratoren waren Santiago Rodríguez Gil, Bischof von Lugo, und Telmo Maceira, Bischof von Mondoñedo. Nur vier Jahre später, am 23. Dezember 1858, wurde er als Erzbischof in das Erzbistum Saragossa versetzt. Von 1869 bis 1870 war er Konzilsvater beim Ersten Vatikanischen Konzil.

Am 12. März 1877 nahm ihn Papst Pius IX. mit der Titelkirche Santo Stefano Rotondo ins Kardinalskollegium auf. Die feierliche Kreierung, in der García Gil Kardinalshut und Kardinalsring empfing, fand am 21. September 1877 statt. Nur wenige Monate später zählte er im Konklave von 1878 zu einem der Wahlmänner von Papst Leo XIII.

Manuel García Gil starb am 28. April 1881 im Alter von 79 Jahren und wurde in einem Ehrengrab in der Kathedrale von Saragossa bestattet.

Weblinks

Kardinal (19. Jahrhundert)
Römisch-katholischer Bischof (19. Jahrhundert)
Konzilsvater (Erstes Vatikanisches Konzil)
Bischof von Saragossa
Dominikanerbruder
Spanier
Geboren 1802
Gestorben 1881
Mann

Manuel García Gil


Osman Kavuncu (1918, Kayseri - 11 Kasım 1966), Türk siyasetçi. 9 Eylül 1950 - 7 Şubat 1954 ve 7 Şubat 1954 - 17 Eylül 1957 tarihleri arasında, iki dönem Kayseri Belediye Başkanlığı yaptı.

1957 seçimlerinde Demokrat Parti listesinden Kayseri milletvekili olarak Meclis'e girdi. 1960 askeri harekâtından sonra Yassıada'da yargılandı ve hapis cezasına çarptırıldı. 11 Kasım 1966'da öldü.

Bedenî arızası nedeni ile kambur olarak anılan Kavuncu'nun belediye başkanlığı yaptığı dönemin izleri şehirde görülür. Şehir merkezinde kendi ismini taşıyan bir mahalle, bir cadde ile bir geçit, sanayi sitesi ve yazlarını geçirdiği Eğribucak bağ evinin yakınında kendi yaptırdığı cami vardır.

İyi derecede saz çalardı. "Asmalar da kol uzatmış dallere" gibi birçok Kayseri türküsünü derleyerek, Türk halk müziği repertuvarına girmesini sağlamıştır.

1918 doğumlular
Kayseri doğumlu siyasetçiler
1966 yılında ölenler
Kayseri belediye başkanları
TBMM 11. dönem Kayseri milletvekilleri
Demokrat Parti (1946) mensubu siyasetçiler

Osman Kavuncu


Die Sozialistische Volksallianz (; kurz Taallof) ist eine linke Partei in Ägypten, die im Zuge der Revolution in Ägypten 2011 gegründet wurde. Sie gehört dem Bündnis "Die Revolution geht weiter" an, das sie nach ihrem Ausscheiden aus dem Ägyptischen Block maßgeblich mitinitiiert hat.

Die Sozialistische Volksallianz entstand im April 2011 aus einem Zusammenschluss der Gruppe Sozialistische Erneuerung mit ehemaligen Mitgliedern der post-kommunistischen National-Progressiven Unionistischen Sammlungspartei (Tagammu), die aus dieser nach Streitigkeiten über die Parteiposition bei der Parlamentswahl im November 2010 ausgetreten waren. Die Volksallianz strebt an, ein breites Bündnis von radikalen bis moderaten Linken zu sein. Ihre Mitgliederschaft umfasst viele linksgerichtete Organisationen; im August 2012 fusionierte die Volksallianz sie mit der Sozialistischen Partei Ägyptens.

Einzelnachweise

Partei (Ägypten)
Sozialistische Partei
Gegründet 2011

Sozialistische Volksallianz


Mate. Feed. Kill. Repeat. ist ein Demo-Album der US-amerikanischen Metal-Band Slipknot. Sie gilt als die erste Veröffentlichung der Band.

Entstehung
Nach der Gründung von Slipknot 1995 tat man sich mit dem Produzenten Sean McMahon zusammen und nahm die Demo innerhalb von sieben Monaten auf. Das Album wurde im SR Audio, einem Studio in ihrer Heimat Des Moines in Iowa aufgenommen. Dort nahmen Slipknot später auch ihr selbstbetiteltes Debütalbum auf. Die Band musste das Album selbst finanzieren. Insgesamt kam man bei den Kosten auf 40.000 US-Dollar. Als das Album abgemixt wurde, verließ Gründungsmitglied Donnie Steele die Band. Gründe waren, dass er es wegen seiner Religion nicht mehr für angebracht hielt Mitglied bei Slipknot zu sein. Sein Nachfolger wurde Mick Thomson. Durch die Veröffentlichung von Mate. Feed. Kill. Repeat. erweckte Slipknot das Interesse großer Plattenfirmen. Die Demo wurde in einer Auflage von 1000 Exemplaren verkauft und gilt daher als Sammlerstück.

Stil
Auf der Demo experimentierten Slipknot mehr als sie es auf ihren späteren Alben taten. So ist beispielsweise der Song Confessions am Jazz orientiert. In weiteren Songs sind die Gitarren zudem vom Funk beeinflusst worden. Trotzdem ist an einigen Liedern erkennbar, welchen Weg die Band später eingeschlagen hat. Beispiele hierfür sind Slipknot oder Only One. Das Album enthält außerdem Einflüsse aus dem Death Metal.

Trackliste

Trivia

 Das Cover zeigt Schlagzeuger Joey Jordison, der nackt in einem Käfig sitzt.
 Mick Thomson ist im Booklet der Demo als Gitarrist angegeben, obwohl er an den Aufnahmen nicht beteiligt war.
 Auch der später für das Sampling verantwortliche Craig Jones ist im Booklet als Mitglied aufgelistet. Er war ebenfalls nicht an den Aufnahmen beteiligt. Jones stieg kurz nach Steeles Ausstieg bei Slipknot ein.
 Der Strichcode der Demo lautet 742617000027. Nach ihm wurde das Intro des Debüt-Albums der Band benannt.
 Keines der Bandmitglieder besitzt ein Exemplar von Mate. Feed. Kill. Repeat.
 Der Titel der Demo sowie weite Teile der Liedtexte beziehen sich auf das Pen-&-Paper-Rollenspiel Werewolf: The Apocalypse des US-amerikanischen Rollenspielverlags White Wolf, welches einen großen Einfluss auf die Gründungsmitglieder der Band ausübte.

Einzelnachweise

Album 1996
Album (Alternative Metal)
Album (Nu Metal)
Slipknot-Album

Mate. Feed. Kill. Repeat.


ලෝරන්ස් කුමරු යනු බෙල්ජියමේ දෙවන ඇල්බට් රජතුමාගේ සහ පාවෝලා රැජිනගේ දූ කුමරිය වන ඇස්ට්‍රිඩ් කුමරියගේ සැමියා වේ.

බෙල්ජියමේ ලෝරන්ස් කුමරු, ඔස්ට්‍රියා-එස්ටේහි ආදිපාදවරයා


Der Arroyo del Tala ist ein Fluss in Uruguay.

Er entspringt in der Cuchilla del Rincón nordwestlich von Trinidad unweit östlich der Ruta 3. Von dort verläuft er auf dem Gebiet des Departamento Flores in nördliche Richtung, durchfließt auf seinem Weg bis zur Mündung das Gebiet der Cuchilla del Rincón und passiert dabei die kartographisch verzeichneten Punkte Paso del Sauce und Costas del Tala. Er mündet als linksseitiger Nebenfluss östlich von Andresito und unweit flussaufwärts der gegenüberliegenden Einmündung des Arroyo Gamarra in den Río Yí.

Einzelnachweise

Fluss im Departamento Flores

Arroyo del Tala (Río Yí, linksseitig, II)


Clara Josephine Schumann (fædd Wieck; 13. september 1819 – 20. maí 1896) var þýskur píanóleikari, tónskáld og píanókennari. Hún var einn þekktasti píanóleikari rómantíska tímabilsins og átti yfir 60 ára feril þar sem hún fékkst við breitt svið verka, frá verkum sem sýndu framúrskarandi fingrafimi að alvarlegri tónverkum. Hún samdi einleiksverk fyrir píanó, píanókonsert (ópus 7), kammertónlist, kórverk og sönglög.

Hún ólst upp í Leipzig þar sem faðir hennar, Friedrich Wieck, var píanóleikari og kennari og móðir hennar, Mariane Bargiel, var píanóleikari, söngkona og píanókennari. Hún var undrabarn sem hlaut þjálfun hjá föður sínum og hóf að koma fram opinberlega frá 11 ára aldri. Hún hélt vel sótta tónleika í París og Vín, meðal annars. Hún giftist tónskáldinu Robert Schumann og átti með honum átta börn. Þau voru nánir vinir Johannes Brahms sem þau hvöttu áfram í tónsmíðum. Clara frumflutti mörg af verkum Brahms og eiginmanns síns opinberlega.

Eftir lát Roberts Schumann hélt hún áfram tónleikum í Evrópu í áratugi, oft með fiðluleikaranum Joseph Joachim og öðru kammertónlistarfólki. Frá 1878 var hún píanókennari Hoch-tónlistarskólans í Frankfurt, þar sem nemendur sóttu til hennar alls staðar að úr heiminum. Hún sá um útgáfu verka Roberts Schumann. Hún lést í Frankfurt, en var grafin í Bonn við hlið eiginmanns síns.

Nokkrar kvikmyndir hafa verið gerðar um ævi Clöru Schumann, allt frá þýsku myndinni Träumerei frá 1944. Geliebte Clara eftir Helmu Sanders-Brahms kom út árið 2008. Mynd hennar, byggð á steinþrykksmynd eftir Anders Staub frá 1835, var á 100 marka seðlinum milli 1989 og 2002. Áhugi á verkum hennar fór vaxandi frá lokum 20. aldar og á 200 ára afmæli hennar árið 2019 komu út nokkrar bækur um hana.

Þýskir píanóleikarar
Þýsk tónskáld
Þýskir tónlistarkennarar

Clara Schumann


Le Havre es una película de género dramático con un toque de comedia, escrita y dirigida por Aki Kaurismäki, y protagonizada por André Wilms, Kati Outinen, Jean-Pierre Darroussin y Blondin Miguel. Su argumento se centra en la historia de Marcel Marx, escritor y conocido bohemio autoexiliado en la ciudad de El Havre, y su interacción con un joven africano que llega al puerto a bordo de un carguero.

La película se estrenó en la sección competitiva del Festival de Cannes 2011, recibiendo el premio FIPRESCI de la crítica. En total obtuvo 34 nominaciones y 15 galardones.

Sinopsis
Marcel, un conocido escritor bohemio, decide autoexiliarse en El Havre donde siente que está más cerca de la gente después de adoptar el honrado —aunque no muy provechoso— oficio de limpiabotas. Ha enterrado el sueño de convertirse en un reconocido autor y vive felizmente dentro de un triángulo compuesto por su bar preferido, su trabajo y su esposa Arletty.

El destino provoca que se cruce con un inmigrante menor de edad llegado del África negra. Arletty cae enferma, y a Marcel no le quedará más remedio que alzarse una vez más ante el frío muro de la indiferencia humana con su optimismo y la solidaridad de los habitantes del barrio como únicas armas. Pero se enfrentará a la maquinaria ciega de un Estado constitucional, representado por la policía, que sigue la pista al joven refugiado. Ha llegado el momento de que Marcel se lustre los zapatos y enseñe los dientes.

Reparto
 André Wilms como Marcel Marx. Nombre en honor a Karl Marx.
 Kati Outinen como Arletty. Nombre en honor a Arletty.
 Jean-Pierre Darroussin como Monet. Nombre en honor al detective de Crimen y castigo.
 Blondin Miguel como Idrissa.
 Elina Salo como Claire.
 Evelyne Didi como Yvette.
 Quoc Dung Nguyen como Chang.
 Laika como Laika.
 François Monniè como Grocer.
 Roberto Piazza como el pequeño Bob.
 Pierre Étaix como el doctor Becker.
 Jean-Pierre Léaud como Denouncer.

Referencias

Enlaces externos
 Sitio web oficial .

Le Havre en Eurochannel con Era una vez: Le Havre, el puerto de la esperanza

Películas de Alemania
Películas dramáticas de Francia
Películas cómicas

Le Havre (película)


التفسير الموضوعي مفهوم يشير إلى أكثر من معنى.

هل تبحث عن:
 التفسير الموضوعي (تفسير القرآن الكريم)
 التفسير الموضوعي (أو التواصل الموضوعي في التواصل والإنسانيات البيئية)

تفسير موضوعي (توضيح)


Slovačke eurokovanice su euro kovanice koje je iskovala Slovačka, a pustila ih je u optjecaj slovačka kovnica Kremnica. Euro je 28. studenoga 2005. (ulazak u ERM II) zamijenio bivšu nacionalnu valutu slovačku krunu po tečaju 1 euro = 30,1260 kruna. Slovačke eurokovanice zakonsko su sredstvo plaćanja u eurozoni od 1. siječnja 2009.

Kao i sve optjecajne kovanice eura, slovačke kovanice ispunjavaju zajedničke tehničke specifikacije i imaju zajedničko naličje koje koriste sve zemlje u eurozoni. Ono označava vrijednost kovanice.

Povijest
Proces odabira izgleda slovačkih kovanica započeo je u srpnju 2004. pozivom na dostavu prijedloga koji je objavila Narodna banka Slovačke. Na kraju ove prve faze, 31. siječnja 2005., predana su 64 projekta. Računajući alternativne verzije, predloženo je 658 crteža koje su proučila dva povjerenstva sastavljena od predstavnika narodne banke te kulturnih i znanstvenih institucija. Trideset i šest projekata konačno je odabrano za drugi krug. Dizajneri su pozvani u svibnju 2005. da izrade gipsani model svog projekta. Među gipsanim modelima, dva su odbora odabrala 20. Nacionalna banka je zatim odabrala 10 za javno savjetovanje, koje je održano od 12. do 20. studenog 2005. godine. Ukupno je 140,653 Slovaka biralo motive kovanica. Upravni odbor nacionalne banke odlučio je da će tri projekta koja su dobila najviše glasova biti predstavljena na slovačkim kovanicama. Konačno, 33,068 građana odabralo je projekt koji predstavlja dvostruki križ prisutan na slovačkoj zastavi; 24 589 planina Kriváň i 21 792 bratislavski dvorac. Budući da su tri crteža izradili različiti umjetnici, bile su potrebne određene izmjene kako bi se osigurala određena koherentnost svih dijelova.

Osam komada stoga ima tri različita dizajna:

Kovanice od 1, 2 i 5 centa: planina Kriváň (2,495 m nadmorske visine) u Visokim Tatrama, najvišem dijelu Karpata, ispod koje je navedena zemlja izdavanja SLOVENSKO (naziv za Slovačku na slovačkom) i godina izdavanja. Ispod je grb Slovačke, uključujući dvostruki križ. Cijela je kovanica okružena s 12 zvijezda s zastave Europske unije.

Kovanice od 10, 20 i 50 centi: Bratislavski dvorac, službena rezidencija predsjednika Slovačke u povijesnom središtu glavnog grada Slovačke, pogled odozdo. Ispod dvorca, s lijeve strane, grb Slovačke, uključujući dvostruki križ. Na dnu ispod letvice naziv države izdavanja SLOVENSKO. Cijela je okružena s 12 zvijezda zastave Europske unije u prstenu. Gravuru su izradili Ján Černaj i Pavol Károly.

Kovanice od 1 i 2 eura: Dvostruki križ, simbol triju najvažnijih svetaca u zemlji: sv. Benedikta, sv. Ćirila i Metoda, postavljen na najvišem vrhu skupa od tri brda koja simboliziraju planine: Tatre, Velika Fatra i Mátra, slično grb Slovačke, ispred pozadine od stiliziranih stijena. S desne strane naziv države izdavanja SLOVENSKO. Cijela je okružen s 12 zvijezda zastave Europske unije na vanjskom prstenu. Gravuru je izradio Ivan Řehák.

Opis nacionalnih strana Slovačke objavljen je u Službenom listu Europske unije 28. listopada 2008.

Galerija

Izvori

Eurokovanice po državama
Gospodarstvo Slovačke

Slovačke eurokovanice


Dittmar Machule (* 8. Dezember 1940 in Luckau) ist ein deutscher Architekt, Stadtplaner und Bauforscher.

Machule besuchte 1947–1961 die Grundschule Neuruppin und 1954–1961 das mathematisch-naturwissenschaftliche Gymnasium Berlin-Tiergarten. 1961–1967 studierte er Architektur an der Technischen Hochschule Berlin und promovierte 1977.

1967–1968 war er wissenschaftlicher Mitarbeiter am Institut für Städtebau und Siedlungswesen und 1968–1971 arbeitete er im Architekturbüro Hans Bandel in Berlin und war wissenschaftlicher Mitarbeiter beim Architekten- und Ingenieurverein Berlin. 1971–1976 war er wissenschaftlicher Assistent an der Technischen Hochschule Berlin.

Ab 1982 hatte er an der Technischen Universität Hamburg-Harburg eine C3-Universitätsprofessur für Städtebau, insbesondere Stadtbaugeschichte und Stadtbildpflege mit Forschungsschwerpunkt Stadt, Umwelt und Technik. 1979 übernahm er im Auftrage der Deutschen Orientgesellschaft die Grabungsleitung der bronzezeitlichen Stadt Ekalte in Syrien. Seit 1998 kooperierte er die Ausgrabungsarbeiten mit Felix Blocher. Seit 2007 ist er emeritiert.

Er moderiert in Birkenwerder die Gestaltung der Ortsmitte.

Weblinks
 http://www.societaets-verlag.de/autoren/autordetails/article/dittmar-machule/
 http://www.jurablogs.com/de/der-professor-und-der-terrorist
 http://www.maerkischeallgemeine.de/cms/beitrag/12258639/61129/Dittmar-Machule-Fuer-alle-eine-Loesung-hinbekommen-Den.html
 http://www.tu-harburg.de/tuhh/aktuelles/spektrum/oktober-1998/orientforschung.html
 https://de.book-info.com/author/Dittmar_Machule.htm

Architekt (Deutschland)
Stadtplaner (Deutschland)
Bauforscher
Hochschullehrer (Technische Universität Hamburg)
Deutscher
Geboren 1940
Mann

Dittmar Machule


Heinrich Schilausky (* 1912 in Köln; † nach 2000) war ein deutscher Radrennfahrer.

Heinrich Schilausky startete für den Rad- und Kraftfahrerbund Solidarität Köln-Zollstock. Mit 15 Jahren begann er, Radrennen zu fahren. Während seiner gesamten Laufbahn errang er rund 200 Siege und war damit einer der wenigen Spitzenfahrer aus Kreisen des Arbeitersportes. Sein größter Erfolg war der Gewinn der Goldmedaille bei der 2. Arbeiterolympiade in Wien 1931 im Sprint auf der Bahn. Mit der Machtergreifung durch die Nationalsozialisten im Januar 1933 endete seine sportliche Laufbahn, da die Arbeiter-Sportvereine verboten wurden und sich Schilausky aus Überzeugung keinem anderen Verein anschließen wollte; Angebote, zu den Profis überzutreten, lehnte er ebenfalls ab.

Schilausky begann ein Ingenieur-Studium und war während des Zweiten Weltkriegs unter anderem beim Bau des Westwalls eingesetzt; ein Versuch von ihm, in die Vereinigten Staaten auszuwandern, war zuvor gescheitert. Nach dem Krieg gründete er in Köln eine Heizungs- und Sanitärfirma. Bis ins hohe Alter bildete er Meister an einer Berufsschule aus und nahm Prüfungen ab. 1983 wurde er gemeinsam mit sechs weiteren Arbeiter-Olympiasiegern in Wien geehrt. Die Ehrung nahm Annemarie Renger vor, damalige Vizepräsidentin des deutschen Deutschen Bundestag und Tochter von Fritz Wildung, einem prominenten Vertreter des Arbeitersports.

Literatur
 Kölnische Rundschau, 30. Juli 1984.

Einzelnachweise

Radsportler (Deutschland)
Sportler (Köln)
Sieger bei der Arbeiterolympiade (Radsport)
Teilnehmer an der Arbeiter-Sommerolympiade 1931
Teilnehmer an der Arbeiterolympiade (Deutschland)
Deutscher
Geboren 1912
Gestorben im 21. Jahrhundert
Mann

Heinrich Schilausky