LUSS Radford (DD-446), du nom du contre-amiral , était un destroyer de classe Fletcher de l'United States Navy. Entré en service en 1942 pendant la Seconde Guerre mondiale, le navire a également été utilisé pendant la guerre de Corée et la guerre du Viêt Nam. Le navire a été retiré du service en 1969 et vendu à la ferraille en 1970.

Construction
Radford a été établi par la Federal Shipbuilding and Drydock Company à Kearny dans le New Jersey le  et a été lancé le  par la petite-fille de Radford Edith ( François E. Matthes). Le destroyer a été mis en service le .

Historique

Seconde guerre mondiale
Radford a participé à la bataille du golfe de Kula et à la bataille de Kolombangara en . Il s'est engagé dans un balayage offensif contre le Tokyo Express et a reçu la Presidential Unit Citation pour le sauvetage de 468 survivants du croiseur léger  , qui avait été coulé dans le Golfe de Kula. Radford chargea en profondeur et coula le sous-marin japonais I-19, qui avait déjà coulé le destroyer  et le porte-avions , le . Le destroyer fut endommagé par une mine japonaise alors qu'il soutenait la libération de Luçon (Bataille de Luçon) en décembre 1944 et a reçu la Philippine Liberation Medal. Le navire est désarmé le  et placé en réserve à San Francisco.

Après-guerre
Radford a été remis en service le 17 octobre 1949 et a opéré avec la Septième flotte des États-Unis à l'appui des forces des Nations Unies pendant la guerre de Corée. Après l'armistice de 1953, le navire alterne les opérations le long de la côte ouest et dans les eaux hawaïennes avec des déploiements annuels dans le Pacifique occidental avec la septième flotte. En 1960, Radford a subi une vaste révision de la réhabilitation et de la modernisation de la flotte (FRAM II) à la Base navale de Pearl Harbor.

Le , Radford, en compagnie d'autres unités de la 252 division de destroyers, quitta Pearl Harbor à court préavis pour augmenter les forces de destroyers pour les engagements navals en expansion rapide dans la mer de Chine méridionale. En octobre et décembre, Radford a servi de navire de récupération alternatif dans le programme Gemini et a participé aux  et , a patrouillé dans le cadre de missions de recherche et de sauvetage et a effectué des missions d'appui au tir naval (NGFS) pendant la guerre du Vietnam de 1965 à 1969.

Sa onzième  (WestPac) a commencé le . Au cours de cette période, elle a participé à des opérations anti-sous-marines, escorté des porte-avions dans le golfe du Tonkin, effectué deux tours de service sur des missions NGFS, un tour sur la patrouille de Taïwan, servi comme avant piquet pour les unités de la septième flotte opérant dans la mer de Chine méridionale et escorté les unités de soutien du président Lyndon B. Johnson en Malaisie lors de sa tournée en Asie du Sud-Est. DesDiv 252 est revenu à Pearl Harbor le 16 décembre 1966.

Radford a été désarmé à San Francisco quelques mois seulement après son retour de sa tournée WestPac en 1969. Le navire a été rayé du Naval Vessel Register le  et vendu à la ferraille en , mais pas avant d'avoir mené une dernière bataille par lui-même. Il s'est détaché du remorqueur qui la remorquait de Vallejo, en Californie, au parc à ferraille de Portland, en Oregon, et les a emmenés dans une poursuite de 34 miles (), toute la journée, vers la côte de l'Oregon.

Récompenses
Radford a reçu :
 Deux  Presidential Unit Citation avec douze Battle star pour le service de la Seconde Guerre mondiale,
 Cinq Battle star pour la guerre de Corée,
 Quatre Battle star pour la guerre du Vietnam,
 Une  Armed Forces Expeditionary Medal

Musée naval national de l'USS Radford

Le musée naval national de l'USS Radford  était une collection de souvenirs sur le navire qui se trouvait à Newcomerstown, dans l'Ohio. Le musée a fermé ses portes en 2011 et son contenu a été transféré au musée naval , situé à Lake Charles, en Louisiane. Les expositions comprennent des photos, des uniformes et des expositions sur le navire et son service.

Voir aussi

Notes et références

Liens internes
 Liste des destroyers de l'United States Navy
 Classe Fletcher
 Bataille du golfe de Kula
 Bataille de Kolombangara

Liens externes

  USS Radford (DD-446) - Site NavSource Online
  USS Aries - Navalsite.de
  DD-446 - Site Hazegray.org
  USS Radford National Naval Museum

Classe Fletcher
Destroyer de l'US Navy de la Seconde Guerre mondiale
Bateau de l'US Navy de la guerre du Viêt Nam
Destroyer de l'US Navy de la guerre froide
Bateau lancé en 1942
Navire construit à Kearny (New Jersey)
Navire musée dans l'Ohio
Navire démoli en 1970

USS Radford (DD-446)


ශ්‍රී ලංකාවේ අධ්‍යාපන ආයතන
ශ්‍රී ලංකාවේ පාසල්
ශ්‍රී ලංකාවේ රජයේ පාසල්

රාජකීය විද්‍යාලය, හොරණ


Niklas Bäckström (født 22 august 1989 i Luleå i Sverige, er en professionell svensk MMA-uddøver som konkurrerede i organisationen Ultimate Fighting Championship (UFC) i fjervægt-klassen. Den 31. maj, 2014 debuterede Bäckström i UFC med at besejre Tom Niinimäki via sybmission (rear-naked choke) i første omgang.

Biografi
Som 10-årig begyndte Bäckström at træne jiu jitsu. I 14-årsalderen trænede han også boksning og brydning. Efter gymnasiet flyttede han til Stockholm for at kunne fortsætte med at udvikle sig inden sporten. Bäckström debuterede i Europa MMA den 22. marts 2014 da han besejrede tyske Max Coga på knockout efter 15 sekunder i første omgang.

Ultimate Fighting Championship

Den 31. maj, 2014 kæmpede Bäckström sin første kamp i organisationen Ultimate Fighting Championship (UFC) mod Tom Niinimäki på UFC Fight Night: Muñoz vs. Mousasi som blev afholdt i Berlin i Tyskland. Han erstattede Thiago Tavares, som skulle have mødt Niinimäki men var tvunget til at melde afbud på grund af en skade. Bäckström vandt over Niinimäki efter 4.15 i første omgang via submission.
Bäckström fick även utmärkelsen Performance of the Night för matchen mot Niinimäki.

Den 25. juli, 2014 blev det offentliggjort at Bäckströms anden kamp i UFC skulle finde sted den 4. oktober i Stockholm på UFC Fight Night: Nelson vs. Story. Niklas modstander var britiske Mike Wilkinson.

Før kampen mod Mike Wilkinson udtrykte Bäckström i et interview at han var sikker på at han ville vinde kampen og anså Unibets matchodds på 1.17 for at være for høje. I et interview til svenske TV 4 Sport fortsatte han i den overmodige tone: "Jag kan ha en dålig dag men ändå ha en bättre teknik och fightingförmåga än vad han skulle ha på en bra dag, så jag anser att han behöver prestera över sina färdigheter".

I første omgang ramte Bäckström med nogle velplacerede spark mod Wilkinsons hoved. Det lykkedes dog Wilkinson at kontrobokse og ramme med et lynhurtigt slag, der slog Bäckström ud og dommeren stoppede kampen. Tiden var 1 minut og 19 sekunder i 1. omgang.

Efter kampen har Bäckström undskyldt over for flere medier om sit agerande efter knockouten, då han lige efter kampen havde ment at den var blevet afsluttet for tidligt.

Den 2. april, 2015 blev det offentliggjort at Bäckström skulle møde israeleren Noad Lahat i Berlin, Tyskland, den 20. juni, 2015. Niklas tabte kampen via enstemmig afgørelse.

Den 27. august, 2015 blev det offentliggjort at Ultimate Fighting Championship (UFC) havde opsagt samarbejdet med Bäckström.

Efter UFC
Den 19. oktober, 2015 meddelte den svenska MMA-organisationen Battle of Botnia at Bäckström skulle mæde Georgi Stoyanov på deres galla den 28. november, 2016 i Umeå. Niklas dominerede kampen under den korte tid den varede og submittede bulgaren via rear-naked choke i anden omgang.

Mesterskaber og meritter

MiMA
 Ultimate Fighting Championship
 Performance of the Night vs. Tom Niinimäki

Referencer

Externe henvisninger
 Officielle hjemmeside
 Niklas Bäckström UFC
 Niklas Bäckström på Sherdog.com
 Niklas Bäckström på Under Ground
 Niklas Bäckström på Kimura

MMA-udøvere fra Sverige
Kampsportsudøvere fra Sverige

Niklas Bäckström


Hannah More (2 February 1745 – 7 September 1833) was an English religious writer, philanthropist, poet, and playwright in the circle of Johnson, Reynolds and Garrick, who wrote on moral and religious subjects. Born in Bristol, she taught at a school her father founded there and began writing plays. She became involved in the London literary elite and a leading Bluestocking member. Her later plays and poetry became more evangelical. She joined a group opposing the slave trade. In the 1790s she wrote Cheap Repository Tracts on moral, religious and political topics, to distribute to the literate poor (as a retort to Thomas Paine's Rights of Man). Meanwhile, she broadened her links with schools she and her sister Martha had founded in rural Somerset. These curbed their teaching of the poor, allowing limited reading but no writing. More was noted for her political conservatism, being described as an anti-feminist, a "counter-revolutionary", or a conservative feminist.

Early life
Born in 1745 at Fishponds in the parish of Stapleton, near Bristol, Hannah More was the fourth of five daughters of Jacob More (1700–1783), a schoolmaster from a strong Presbyterian family in Harleston, Norfolk, who had joined the Church of England. He sought to pursue a clerical career, but after losing a lawsuit over an estate he had hoped to inherit he moved to Bristol, where he became an excise officer and later taught at the Fishponds free school.

The sisters were first educated by their father, learning Latin and mathematics. Hannah was also taught by elder sisters, through whom she learned French, which she improved conversationally by spending time with French prisoners of war in Frenchay during the Seven Years' War. She was an assiduous, discerning student. Family tradition has it that she began writing at an early age.

In 1758 Jacob established a girls' boarding school at Trinity Street, Bristol, for the elder sisters, Mary and Elizabeth, to run, while he and his wife moved to Stony Hill in the city to open a school for boys. Hannah More became a pupil in the girls' school when she was twelve and taught there in early adulthood.

In 1767 More gave up her share in the school on becoming engaged to William Turner of the Belmont Estate, Wraxall, Somerset, whom she had met when he began teaching her cousins. After six years the wedding had not taken place. Turner seemed reluctant to name a date and in 1773 the engagement was broken off. It seems this led More into a nervous breakdown, from which she recuperated in Uphill, near Weston-super-Mare. She was induced to accept a £200 annuity from Turner as compensation. This freed her for literary pursuits. In the winter of 1773–1774 she went to London with her sisters, Sarah and Martha – the first of many such trips at yearly intervals. Some verses she had written on David Garrick's version of King Lear led to an acquaintance with him.

She later moved to Bath where she stayed between 1792 and 1802 on Great Pulteney Street.

Playwright
More's first literary efforts were pastoral plays written while she was still teaching and suitable for young ladies to act. The first was The Search after Happiness, written in 1762. By the mid-1780s over 10,000 copies of this had been sold. Among her literary models was Metastasio, on whose opera Attilio Regulo she based a drama, The Inflexible Captive.

In London, More sought to associate with the literary elite, including Samuel Johnson, Joshua Reynolds and Edmund Burke. Johnson is quoted as scolding her: "Madam, before you flatter a man so grossly to his face, you should consider whether or not your flattery is worth having." He would later be quoted as calling her "the finest versifatrix in the English language". Meanwhile, she became prominent in the Bluestocking group of women engaged in polite conversation and literary and intellectual pursuits. She attended the salon of Elizabeth Montagu, where she met Frances Boscawen, Elizabeth Carter, Elizabeth Vesey and Hester Chapone, some of whom would be lifelong friends. In 1782 she wrote a witty verse celebration of her friends and circle: The Bas Bleu, or, Conversation, published in 1784.

Garrick wrote a prologue and epilogue to Hannah More's tragedy Percy, which was successful at Covent Garden in December 1777 and revived in 1785 with Sarah Siddons at Theatre Royal, Drury Lane. A copy of Percy was found among Mozart's possessions in 1791. Another drama, The Fatal Falsehood, produced in 1779 after Garrick's death, was less successful and she stopped writing for the stage. However, a tragedy entitled The Inflexible Captive appeared in 1818. In 1781 she met Horace Walpole and corresponded with him. At Bristol she discovered the poet Ann Yearsley. When Yearsley became destitute, More raised a considerable sum of money for her benefit. Lactilla, as Yearsley was known, published Poems, on Several Occasions in 1785, earning about £600. More and Montagu held the profits in trust to protect them from Yearsley's husband. However, Ann Yearsley wished to receive the capital and made insinuations of stealing against More, forcing her to release it. These literary and social failures prompted More's withdrawal from London intellectual circles.

Evangelical moralist

In the 1780s Hannah More became a friend of James Oglethorpe, who had long been concerned with slavery as a moral issue and who was working with Granville Sharp as an early abolitionist. More published Sacred Dramas in 1782, which rapidly ran through 19 editions. These and the poems Bas-Bleu and Florio (1786) mark a gradual transition to graver views, expressed in prose in Thoughts on the Importance of the Manners of the Great to General Society (1788) and An Estimate of the Religion of the Fashionable World (1790). By this time she was close to William Wilberforce and Zachary Macaulay, sympathising with their evangelical views. Her poem Slavery appeared in 1788. For many years she was a friend of Beilby Porteus, Bishop of London and a leading abolitionist, who drew her into a group of anti-slave traders that included Wilberforce, Charles Middleton and also James Ramsay at Teston in Kent.

In 1785 More bought a house at Cowslip Green, near Wrington in northern Somerset, where she settled with her sister Martha and wrote several ethical books and tracts: Strictures on the Modern System of Female Education (1799), Hints towards Forming the Character of a Young Princess (1805), Coelebs in Search of a Wife (only nominally a story, 1809), Practical Piety (1811), Christian Morals (1813), Character of St Paul (1815) and Moral Sketches (1819). She was a rapid writer. Her work, though discursive and animated, was deficient in form. Her popularity may be explained by her originality and forceful subject-matter.

The outbreak of the French Revolution in 1789 did not worry More initially, but by 1790 she was writing, "I have conceived an utter aversion to liberty according to the present idea of it in France. What a cruel people they are!" She praised Edmund Burke's Reflections on the Revolution in France for combining "the rhetoric of ancient Gaul" and the "patriot spirit of ancient Rome" with "the deepest political sagacity". Part II of the Rights of Man, Thomas Paine's reply to Burke, appeared in 1792. The government was alarmed by its concern for the poor and call for world revolution, coupled with huge sales. Porteus visited More and asked her to write something for the lower orders to counteract Paine. This prompted a pamphlet, Village Politics (1792). More called it "as vulgar as [the] heart can wish; but it is only designed for the most vulgar class of readers." The pamphlet (published pseudonymously as by "Will Chip") consists of a dialogue in plain English between Jack Anvil, a village blacksmith, and Tom Hood, a village mason. After reading Paine, Tom Hood expresses admiration for the French Revolution to Jack Anvil and speaks in favour of a new constitution based on liberty and the "rights of man". Jack Anvil responds by praising the British constitution, saying Britain already has "the best laws in the world". He attacks French liberty as murder, French democracy as tyranny of the majority, French equality as a levelling down of social classes, French philosophy as atheism, and the "rights of man" as "battle, murder and sudden death". Tom Hood finally accepts Anvil's conclusion: "While old England is safe I'll glory in her, and pray for her; and when she is in danger I'll fight for her and die for her."

More's biographer summed up the pamphlet against Paine as "Burke for Beginners". It was well received: Porteus called it "a masterpiece of its kind, supremely excellent, greatly admired at Windsor". Frances Boscawen thought it exceeded William Paley's The British Public's Reasons for Contentment and Richard Owen Cambridge claimed "Swift could not have done it better." More's next anti-Jacobin tract, Remarks on the Speech of M. Dupont, condemned atheism in France. Its profits were passed to French Catholic priests exiled in England.

The two pamphlets attracted praise from the Association for the Discountenancing of Vice, an evangelical publishing society founded in Dublin in 1792. The membership wrote to her in June 1793 congratulating her on it and inviting her to become an honorary member. Accepting, More asked the Association to send her "two or three printed papers explaining the nature of the Association as perhaps I may use them to advantage with a friend or two, distinguished for their piety and active zeal."

Cheap Repository Tracts
In 1794, when Paine published The Age of Reason, a deist attack on Christianity, Porteus again requested More's help in combating Paine's ideas, but she declined, being preoccupied with her charity-school work. However, by the end of the year, More, encouraged by Porteus, decided to embark on a series of Cheap Repository Tracts, three of which appeared every month from 1795 to 1798. In January 1795, More explained to Zachary Macaulay: "Vulgar and indecent penny books were always common, but speculative infidelity brought down to the pockets and capacity of the poor forms a new era in our history. This requires strong counteraction." Her scheme developed from the ideas of the Association for discountenancing vice, though written in a more "readable and entertaining a style". The tracts sold 300,000 copies in March and April 1795, 700,000 by July 1795 and over two million by March 1796. They urged the poor in rhetoric of ingenious homeliness to rely on virtues of contentment, sobriety, humility, industry, reverence for the British Constitution, hatred of the French, and trust in God and the kindness of the gentry. Perhaps the most famous is The Shepherd of Salisbury Plain, describing a family of phenomenal frugality and contentment. This was translated into several languages. She also invited the Association for the Discountenancing of Vice to reprint her tracts in Ireland, which they did with success in more than 230 editions of 52 titles.

More was shocked by the strides made for female education in France: "They run to study philosophy, and neglect their families to be present at lectures in anatomy."

Views on schooling for poor and for girls
Intending "to escape from the world gradually", More moved in 1802 to Wrington in rural Somerset, where she had built a comfortable house and laid out a garden. She remained, however, active with several Somerset schools for the destitute that she and her sister Martha had founded from the 1780s, with Wilberforce's encouragement. She modelled the idealised hero and heroine in Coelebs in Search of Wife (1809) on the schools' prodigious benefactors: John and Louisa Harford of Blaise Castle.

The schools taught the Bible and the catechism on Sundays and during the week taught "such coarse works as may fit them for servants". In regards to her choice of subjects More declared "I allow of no writing for the poor" and that they were not to be made "scholars and philosophers". There was local opposition: Church of England vicars suspected her of advancing Methodism and landowners saw even rudimentary literacy as a step above the children's proper station. At Wedmore, the Dean of Wells was petitioned to have More removed from the school.

To the Bishop of Bath and Wells she protested that her schools taught only "such coarse works as may fit them [their charges] for servants. I allow no writing for the poor. My object is... to train up the lower classes in habits of industry and piety."

More refused to read Mary Wollstonecraft's Vindication of the Rights of Women (1792). While many women may be "fond of government", they are not, she believed, "fit for it": "To be unstable and capricious is but too characteristic of our sex." More turned down honorary membership of the Royal Society of Literature, seeing her "sex alone a disqualification".

Those heeding Wollstonecraft's call to embrace the liberty without which women could "neither possess virtue or happiness" or reading with equal ardour the pedagogy of Anna Laetitia Barbauld and Elizabeth Hamilton saw More much as Wollstonecraft had seen Burke in her earlier Vindication of the Rights of Man (1790): as a writer with a "mortal antipathy to reason". Having met Hannah More and her sisters in Bath and discussed their schools and other good works, Jane Greg reported to a friend, Martha McTier in Belfast, that she found their "minds crippled in an astonishing degree". McTier was proud that in her school for poor girls her pupils "do not gabble over the testament only" and that she had those who "can read Fox and Pitt".

More in 1820 donated money to Philander Chase, the first Episcopal Bishop of Ohio for the foundation there of Kenyon College. A portrait of More hangs in its Peirce Hall.

Last years

In Hannah More's last years, philanthropists from all parts made pilgrimages to Wrington, and after 1828 to Clifton, where she died on 7 September 1833. More left about £30,000, chiefly in legacies to charitable institutions and religious societies. The residue was to go to a new Church of St Philip and St Jacob in Bristol. She was buried beside her sisters at the Church of All Saints, Wrington, which has a bust of her in the south porch, beside one of the local son John Locke.

Legacy
Several local schools and St. Michael's Church (Reisterstown, Maryland) are named after More. Hannah More Primary School was built in Bristol Old Market in the 1840s. Her image appeared in 2012 on the Bristol Pound, a local currency. The street in Wrington where she was buried has been named Hannah More Close.

However, the Liberal politician Augustine Birrell, in his 1906 work Hannah More Once More, claimed to have buried all 19 volumes of More's works in his garden in disgust.

Veneration
In 2022, More was officially added to the Episcopal Church liturgical calendar with a feast day on 6 September.

Archives
Letters to, from and about Hannah More are held by Bristol Archives, including one from William Wilberforce (Ref. 28048/C/1/2) (online catalogue).
Records relating to Hannah More appear at the British Library, Manuscript Collections, Longleat, Newport Central Library, the Bodleian Library, Cambridge University: St John's College Library, the Victoria and Albert Museum, Bristol Reference Library, Cambridge University Library, The Women's Library, Gloucestershire Archives, and National Museums Liverpool: Maritime Archives and Library.

References

Sources

Resources

Primary sources
Hannah More, Works of Hannah More, 2 vols. New York: Harper, 1840

Biographies
Anna Jane Buckland, The life of Hannah More. A lady of two centuries. London: Religious Tract Society, 1882,
Jeremy and Margaret Collingwood, Hannah More. Oxford: Lion Publishing, 1990,
Patricia Demers, The World of Hannah More. Lexington: University Press of Kentucky, 1996,
Charles Howard Ford, Hannah More: A Critical Biography. New York: Peter Lang, 1996,
Marion Harland, Hannah More. New York: G. P. Putnam's Sons, 1900
Mary Alen Hopkins, Hannah More and Her Circle. London: Longmans, 1947
M. G. Jones, Hannah More Cambridge: Cambridge University Press, 1952
Helen C. Knight, Hannah More; or, Life in Hall and Cottage. New York: M. W. Dodd, 1851
Elizabeth Kowaleski-Wallace, Their Fathers' Daughters: Hannah More, Maria Edgeworth, and Patriarchal Complicity. New York: Oxford University Press, 1991
Annette Mary Budgett Meakin, Hannah More: A Biographical Study. London: John Murray, 1919
Karen Swallow Prior, Fierce Convictions: The Extraordinary Life of Hannah More—Poet, Reformer, Abolitionist. Nashville: Nelson Books, 2014,
William Roberts, ed., Memoirs of Mrs Hannah More. New York: Harper & Bros., 1836
Anne Stott, Hannah More: The First Victorian. Oxford: Oxford University Press, 2003,
Thomas Taylor, Memoir of Mrs. Hannah More. London: Joseph Rickerby, 1838
Henry Thompson, The Life of Hannah More With Notices of Her Sisters. London: T. Cadell, 1838
Charlotte Yonge, Hannah More. Boston: Roberts Brothers, 1888

Other sources

Jacqueline McMillan, "Hannah More: From Versificatrix to Saint", In Her Hand: Letters of Romantic-Era British Women Writers in New Zealand Collections. Otago Students of Letters. Dunedin, New Zealand: University of Otago, Department of English, 2013. pp. 23–46. Includes five letters and a poem, hitherto unpublished.
Mitzi Myers, "Hannah More's Tracts for the Times: Social Fiction and Female Ideology", Fetter'd or Free? British Women Novelists, 1670–1815. Mary Anne Schofield and Cecilia Macheski, eds. Athens: Ohio University Press, 1986

Mona Scheuerman, In Praise of Poverty: Hannah More Counters Thomas Paine and the Radical Threat. Lexington: University Press of Kentucky, 2002

Kathryn Sutherland, "Hannah More's Counter-Revolutionary Feminism", Revolution in Writing: British Literary Responses to the French Revolution. Kelvin Everest, ed. Milton Keynes: Open University Press, 1991

A Comparative Study of Three Anti-Slavery Poems Written by William Blake, Hannah More and Marcus Garvey: Black Stereotyping by Jérémie Kroubo Dagnini for GRAAT On-Line, January 2010

Archives
Papers of Hannah More are held at The Women's Library in the Library of the London School of Economics. 9/16

External links

Hannah More at the Eighteenth-Century Poetry Archive (ECPA)

Works by Hannah More at Osborne Collection of Early Children's Books (Toronto Public Library)

Hannah More from Brycchan Carey's listing of British abolitionists
The full text of Slavery, A Poem available online
The full text of The Sorrows of Yamba available online
Original 1797 edition of a printed pamphlet of The Sorrows of Yamba

1745 births
1833 deaths
English religious writers
British women essayists
English philanthropists
English Anglicans
English abolitionists
Evangelical Anglicans
Writers from Bristol
Clapham Sect
English children's writers
English dramatists and playwrights
British women dramatists and playwrights
18th-century British women writers
18th-century British writers
English women non-fiction writers
Women religious writers
Burials in Somerset
18th-century essayists
Anglican writers
Christian humanists
British evangelicals
English evangelicals
Conservatism in the United Kingdom
Anglican saints
19th-century English educators
Members of the Blue Stockings Society

Hannah More


Guilhofrei Portekiz'de Vieira do Minho belediyesine bağlı olan, 11,40 km2 yüzölçümüne sahip, 1.154 nüfuslu (2001) bir bucaktır (Portekizce: freguesia).

Portekiz'in freguesiaları
Vieira do Minho

Guilhofrei


An Rhaphidophora spuria in uska species han Liliopsida nga syahan ginhulagway ni Heinrich Wilhelm Schott, ngan ginhatag han pagkayana nga asya nga ngaran ni Dan Henry Nicolson. An Rhaphidophora spuria in nahilalakip ha genus nga Rhaphidophora, ngan familia nga Araceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Rhaphidophora (Araceae)

Rhaphidophora spuria


La concession austro-hongroise de Tientsin est un territoire alloué par l'empire de Chine à l'Autriche-Hongrie après la révolte des Boxers. Ce territoire est rétrocédé à la Chine le , date de l'expiration du bail austro-hongrois.

Création de la concession

Fondements légaux de la présence austro-hongroise en Chine

Enjeux de la présence austro-hongroise en Chine

Installation de la concession

Institutions

Une gestion partagée

Le rôle de la marine austro-hongroise

La fin de la concession

La Première Guerre mondiale vue de la concession

Le déclenchement du conflit mondial oblige le commandement austro-hongrois à rappeler une partie des effectifs déployés en Chine ; ainsi, sur les 82 militaires austro-hongrois présents à Tientsin, à Beijing et à Tanggu, 20 sont rappelés en Europe.

Rétrocession à la Chine

La concession est officiellement rétrocédée le . Cette rétrocession s'opère alors que les Alliés cherchent à prendre le contrôle du territoire austro-hongrois, cimentant une alliance de fait entre les autorités chinoises, désireuses de recouvrer la concession, et les représentants austro-hongrois sur place.

Abandon des prétentions autrichiennes

La République d'Autriche reprend à son compte les prétentions austro-hongroises en Chine, mais la défense de ces prétentions se révèle symbolique après la perte de la façade maritime de l'empire d'Autriche.

Le , à Saint-Germain-en-Laye, la République d'Autriche renonce officiellement à toute prétention en Chine.

Notes et références

Notes

Références

Voir aussi

Bibliographie

Articles connexes
 Révolte des Boxers
 Concessions étrangères de Tientsin

Tientsin
Histoire de Tianjin
Colonisation européenne de l'Asie

Concession austro-hongroise de Tientsin


Paprena metvica (lat. Mentha × piperita), vrsta metvice, biljke iz porodice medićevki. Ne raste divlje u prirodi nego je hibrid vodene (M. aquatica) i klasaste metvice (M. spicata).

Poznata je još od 17. stoljeća, a opisao ju je Linnaeus. Naraste do 90cm. Listovi su jakog i aromatičnog mirisa na mentol, pa se koristi u prehrambenoj i duhanskoj industriji. Ljekovita je ali navodno izaziva neplodnost, te svojim mirisom odbija pauke.

Kemijski sastav
Biljke sadrže eterično ulje ( ulje paprene metvice ) (2,4-2,75% u lišću, 4-6% u cvatovima), tanine i smolaste tvari, karoten (0,007-0,0075%, u lišću 0,0105- 0,012), hesperidin, askorbinsku kiselinu (0,0095%), klorogenske (0,7%), kava (0,5-2%), ursolna (0,3%) i oleanolna (0,12%) kiseline, rutin (0,014%), betain, arginin, neutralne saponine, glukozu, ramnozu ,fitosterol . U sjemenkama je pronađeno masno ulje (20%).

Ulje je bezbojno, sa žućkastom ili zelenkastom bojom, ugodnog osvježavajućeg okusa i mirisa. Stojeći se zgušnjava i potamni. Glavna komponenta eteričnog ulja je sekundarni alkohol l -mentol (45-92%). Ulje lista također sadrži estere mentola s octenom i valerijanskomom kiselinom, α- i β- pinen, limonen, dipenten, felandren, cineol , citral, geraniol, karvon, dihidrokarvon .

Medicinska primjena
Kao ljekovita sirovina koriste se listovi paprene metvice ( lat.  Folium Menthae piperitae ). Berba se vrši po suhom vremenu, kada otprilike polovica biljaka procvjeta  .

Listovi metvice u medicini su dio želučanih, karminativnih, sedativnih i koleretičnih čajeva, kapi od metvice protiv mučnine kao sredstvo za poboljšanje apetita i antispazmodični lijek za želudac. Tinktura i "voda od mente" dobivaju se od ljekovitih sirovina  .

Glavni aktivni sastojak pripravaka od metvice je mentol koji je sadržan u eteričnom ulju biljke. Uz spomenuto ulje, metvica sadrži terpenoide (limonen, cineol, dipenten), karoten, rutin, askorbinsku, ursolnu, oleanolnu kiselinu, flavonoide, tanine i elemente u tragovima. Koristi se kod upalnih bolesti gornjih dišnih putova, smiruje glavobolju, poboljšava apetit.

Listovi metvice popularni su u narodnoj medicini. Izvana se koriste za neuralgiju, kao antiseptik za upalne procese, opekline, bolesti gornjih dišnih putova, promuklost, bronhitis i bronhiektazije, zubobolju ; iznutra - s gastrointestinalnim i jetrenim kolikama, kao adstringens, antitusik, kod mučnine, žgaravice, kao sedativ za živčanu preosjetljivost u menopauzi...

Mentol koji se oslobađa iz ulja konzumira se kod nadimanja, angine, dio je kapi i masti za rinitis , a koristi se i u proizvodnji niza lijekova  - validol, valokordin, ingafen, Olimetin, kapi Zelenin sve primjenjivo kod bolesti praćenih grčem koronarnih žila .

Primjena u kuhinji
U suvremenom kulinarstvu koristi se lišće i nadzemni dijelovi ubrani tijekom razdoblja cvatnje. Od njih se dobivaju eterično ulje i mentol, koji se široko koriste u medicini, parfumeriji, slastičarstvu i industriji alkoholnih pića, u proizvodnji konjaka .

Paprena je metvica popularna u engleskoj kuhinji, dodaje se umacima za janjetinu. U američkoj kuhinji dodaje se za pojačavanje okusa i arome miješanih napitaka od soka od rajčice i raznih salata od voća i povrća. U arapskoj, španjolskoj i talijanskoj kuhinji metvica se služi kao začin ili se dodaje raznim mješavinama začina. Listovi metvice poboljšavaju okus pečenja, pečene janjetine,  piletine. Dodaje se dinstanom kupusu, mrkvi, grašku ili poriluku. Male količine svježih izbojaka mogu se koristiti za dodavanje juhama od povrća, te u marinadama za jela od mesa i sira .

Dodatna literatura
Wilfort, R. Ljekovito bilje i njegova upotreba, Zagreb 1974.

Vanjske poveznice
https://pfaf.org/User/Plant.aspx?LatinName=Mentha+x+piperita+officinalis

Izvori

Metvica
Ljekovito bilje

Paprena metvica


Kenzo Nambu (født 22. august 1992) er en japansk tidligere professionel fodboldspiller.

Han har spillet for flere forskellige klubber i sin karriere, herunder Kataller Toyama.

Eksterne henvisninger

Fodboldspillere fra Japan

Kenzo Nambu


Die Escola Superior de Teatro e Cinema (ESTC) ist die Theater- und Filmhochschule des Polytechnischen Institutes Lissabon. Sie ist der Nachfolger des Nationalkonservatoriums (Conservatório Nacional). Die ESTC ist aufgeteilt in die Fachbereiche Theater (Departamento de Teatro) und Film (Departamento de Cinema).

Geschichte
Die ESCT geht zurück auf das Nationalkonservatorium, welches seinerseits auf den Beschluss von 1836 zurückging, mit dem Almeida Garrett mit der Gründung eines Nationaltheaters und einer entsprechenden Theaterschule beauftragt wurde. Neben dem Teatro Nacional D. Maria II entstand so das Conservatório Geral de Arte Dramática ("Allgemeines Konservatorium der Theaterkünste"), bestehend aus der Theater- und Vortragsschule Escola Dramática e de Declamação, der Musikschule Escola de Música, und der Tanzschule Escola de Dança, Mímica e Ginástica especial. Die seit 1835 bestehende Musikschule Conservatório de Música der Casa Pia wurde dabei in die Escola de Música eingegliedert.

Im Zuge einer Reform wurde der Name in Conservatório Real de Lisboa ("Königliches Konservatorium von Lissabon") geändert, während seine Escola Dramática e de Declamação fortan Escola de Arte de Representar ("Schule der Darstellerkunst") hieß. Mit Ausrufung der Portugiesischen Republik 1910 wurde die Umbenennung in Conservatório Nacional vorgenommen. 1914 erhielt die Escola de Arte de Representar Verwaltungautonomie.

1971 wurde ein unabhängiger Film-Lehrgang eingerichtet, welcher 1973 mit der Escola Piloto para a Formação de Profissionais de Cinema ("Erste Ausbildungsschule für Filmberufe") eine eigene Schule im Nationalkonservatorium erhielt. Diese verpflichtete sich gleichermaßen der technischen wie der kreativen Seite des Kinos.

1983 wurde die Einrichtung einer Film- und Theaterhochschule beschlossen. Eine Einrichtungskommission nahm die Arbeit auf, um aus der Escola Piloto para a Formação de Profissionais de Cinema die ESTC – Escola Superior de Teatro e Cinema (wörtlich: "Hochschule für Theater und Film") zu machen. 1985 wurde die neugeschaffene ESTC, die bisher der ministerialen Direcção Geral do Ensino Superior ("Generaldirektion für das Hochschulwesen") unterstellt war, dem Polytechnischen Institut Lissabon (IPL) angegliedert. Bis zur Verabschiedung ihrer vollständigen Statuten im Regierungsblatt (Diário da República) am 18. Januar 1995 blieb die ESTC dabei unter der formalen Leitung der Einrichtungskommission.

1998 zog die ESTC aus ihren, noch von Almeida Garrett eingerichteten Räumen im ehemaligen Kloster Convento dos Caetanos (in der Gemeinde Misericórdia, in der Innenstadt Lissabons), in den Neubau in Amadora. Dort sind neben den unterschiedlichsten Schulungsräumen auch Bibliothek, Studios, Veranstaltungs- und Vorführräume, und die Kantine untergebracht.

Internationale Einbindungen
Die ESTC ist stark international ausgerichtet, mit Einbindung in die UNESCO-Einrichtung des Internationalen Theaterinstitutes (ITI bzw. IIT) und als UNESCO-Lehrstuhl. Auch in das Centre International de Liaison des Écoles de Cinéma et de Télévision (CILECT) und seinem GEECT (Groupement Européen des Ecoles de Cinéma et de Télévision) ist sie eingebunden, ebenso in der ELIA (European League of Institutes of Arts).

Die ESTC nimmt teil an internationalen Austauschprogrammen wie dem Sokrates- und dem Erasmus-Programm sowie dem Leonardo da Vinci-Austauschprojekt. Dazu hat sie bi-laterale Austauschabkommen mit verschiedenen lateinamerikanischen Hochschulen getroffen, in Brasilien, dazu in Argentinien und Mexiko.

Aktivitäten
Die ESTC hat ihre Aufgaben in fünf Punkten festgeschrieben:
 Ausbilden
 Forschen
 Experimentieren
 selbst Projekte durchführen und sich an anderen Projekten beteiligen
 gesellschaftliche Dienstleistungen

Die ESTC hat sich dem Bologna-Prozess angeschlossen und bietet Bachelor- und Master-Studiengänge an.

Das Forschungszentrum der ESTC arbeitet mit dem der Universität der Algarve zusammen, außerdem unterhält sie lokale pädagogische und kulturelle Projekte in den benachbarten Gemeinden.

Die Arbeiten, die die Studenten der Fachbereiche erarbeiten, werden in der ESTC, aber auch in öffentlichen Räumen, darunter Theatern, Museen und der Cinemateca Portuguesa, der Öffentlichkeit gezeigt und diskutiert.

Weblinks
 Offizielle Webseite (port. und engl.)

Siehe auch
 Portugiesischer Film

Einzelnachweise

Filmhochschule
Hochschule in Portugal
Organisation (Amadora)
Bildung und Forschung in Lissabon
Film (Lissabon)
Misericórdia
Mina de Água
Organisation (Lissabon)

Escola Superior de Teatro e Cinema


في الهندسة الرياضية، التحويل التآلفي بين فضائين شعاعيين (أو بشكل دقيق فضائين تآلفيين) يتكون من تحويل خطي يتبع بعملية نقل:

(أصل كلمة تآلف هي من اللغة اللاتينية affīnis وتعني "المتصل").

في البعد التآلفي، كل تحويل تآلفي يعطى بالمصفوفة A والمتجهة b .

بالمعنى الفيزيائي، التحويل التآلفي هو التحويل الذي يحافظ على:
 العلاقة الخطية بين النقاط، أي أن أي ثلاث نقاط واقعة على مستقيم واحد تبقى واقعة على مستقيم بعد التحويل
 النسب على طول المستقيم، أي من أجل ثلاث نقاط , ,  تقع على مستقيم، فإن النسبة  تكون محققة قبل وبعد التحويل.

تقابل افيني في الهندسة الوصفية
التقابل الافيني في الهندسة الوصفية هو نوع من التناظر بين شكلين مستويين ج ج'، حيث لكل نقطة من مستوى ج يقابلها نقطة واحدة من مستوى ج', وكل خط يقابه خط. النقاط المتقابلة تصطف بالتوالي على خطوط تلتلقي في نقطة لانهائية. التي تسمى مركز التقابل. والخطوط المتقابلة تلتقي على خط يسمى محور التقابل. الذي عندما يكون لانهائي، فأن التقابل الافيني في هذه الحالة يكون انزلاق. وبالتالي فالخطوط المتقابلة تكون متوازية فيما بينها.

مثال عن العلاقة التآلفية
تنشأ العلاقة التقابلية بشكل عام عندما نسقط الشكل نفسه (في هذه الحالة مضلع تقاطع المنشور مع المستوى α) من مركزي إسقاط (اتجاه رأس المنشور واتجاه انقلاب α) على المستوى نفسه (π1). في العلاقة التقابلية بين الإسقاطين (قاعدة المنشور والشكل الحقيقي لمضلع التقاطع)، تكون النقاط المتقابلة (Q1 و Q*) مصطفة مع النقطة نفسها (اتجاه عمودي على محور التقابل t'α) التي تسمى مركز التقابل؛ والخطوط المتقابلة تلتقي في نقاط تنتمي للخط نفسه، الذي يسمى محور التماثل (t'α). يتم تحديد المركز على أنه نقطة تقاطع مستوى الإسقاط (π1) مع الخط المار بمركزي الإسقاط (اتجاه رأس المنشور واتجاه انقلاب ألفا). نظرًا لأن المركزين، في هذه الحالة، يمثلان نقطتين لانهائتين، أي خطين، لتحديد مستوى بيتا. الذي يقطع π1 وفقًا لخط (m1) عمودي على الأثر الأول للمستوى α، ويمثل اتجاه مركز التقابل. أما محور التقابل فهو خط التقاطع بين مستوى مضلع التقاطع (α) ومستوى الإسقاط π1.

مراجع

انظر أيضًا
 هندسة تآلفية
 تحويل خطي
 تركيب تآلفي
 تناظر (هندسة وصفية) أو علاقة تقابلية بين شكلين

تحويل رياضي
جبر خطي
هندسة تآلفية

تحويل تآلفي


Alfredo James Pacino (d. 25 Nisan 1940; New York City, New York) Amerikalı aktör ve yapımcı. 20. yüzyılın en önemli oyuncularından biri olarak kabul edilen Al Pacino, 1 Oscar kazandı. Baba serisinde canlandırdığı Michael Corleone karakteriyle geniş çevrelerce tanındı.

Hayatı
Alfredo James Pacino, 25 Nisan 1940 tarihinde New York City, New York'ta Rose Gerardi ve Salvatore Pacino çiftinin 4. çocuğu olarak dünyaya geldi. Kendisi henüz 2 yaşındayken ailesi boşandı.

Annesi ile beraber Corleone, Sicilya, İtalya'dan gelen göçüp Bronx'a gelen aile üyeleri Kate ve James Gerardi ile beraber yaşamak için Bronx'a taşındı. Pacino'nun babası da San Fratello, Sicilya, İtalya'lıydı ve bir boşanmalarının ardından bir sigorta şirketinde çalışmak için Covina, Kaliforniya'ya taşındı.

Gençlik yıllarında arkadaşları ona "Sonny" veya "The Actor" diyordu. Kendisi bir beyzbol oyuncusu olmak istiyordu. Herman Riddler Junior Lisesi'ne gitti ama kısa süre geçmeden İngilizce dışındaki derslerini ektiği için okuldan atıldı. High School of Performing Arts'a (Performans Sanatları Lisesi) gitti. Annesi bu kararına karşı çıktı ve annesi ile bir tartışma yaşadı. Bu tartışmanın ardından evi terk etti. Oyunculuk derslerini finanse etmek için düşük ücretlerle de olsa postacı, garson, posta memuru ve temizlikçi olarak çalıştı. Bir kere de Commentary dergisinde çalıştı.

9 yaşında sigara ve içki kullanmaya başladı. 13 yaşında marihuana kullandı ama diğer uyuşturuculardan uzak durdu. En yakın arkadaşları yüksek dozda uyuşturucu kullanımından 19 ve 30 yaşlarında öldü. Bronx'ta büyümek onu zaman zaman kavgalara ve okulda sürekli sorun çıkartan bir çocuk olmaya itti. New York'ta bazı tiyatro oyunlarında yer aldı, Actors Studio okuluna katılmak istedi fakat reddedildi. Sonra HB Studio'ya katıldı. Burada ileride akıl hocası ve en yakın arkadaşı olacak Charlie Laughton ile tanıştı. Bu dönemde sık sık işsiz kaldı. Sokaklarda, tiyatrolarda ve bazen arkadaşlarının evinde uyudu.

1962 yılında 43 yaşında olan annesi öldü. Aynı yıl büyükbabası James de öldü. Al Pacino, bu dönemleri hayatının en kötü dönemleri olarak dile getirdi. Sonraları bir röportajda bu zamanları şöyle dile getirdi: "22 yaşındaydım ve beni en çok etkileyen iki insan ölmüştü. Bu da benim hayatımı değiştirmeme sebebiyet verdi."

4 yıl boyunca HB Studios'da çalıştıktan sonra profesyonel aktörlerin, tiyatro yönetmenlerinin ve oyun yazarlarının üye olduğu bir organizasyon olan Actors Studio'ya seçildi. Sonradan The Godfather: Part II'de ve ...And Justice For All filmlerinde beraber rol alacağı Lee Strasberg ile metod oyunculuğu çalıştı.

Sonradan yayınlanan biyografi kitabı olan Grobel'de Lee Strasberg'in ve Actors Studio'nun kariyerini nasıl etkilediğini şöyle anlattı: "Actors Studio benim için çok şey ifade ediyor. Bence Lee Strasberg de hak ettiği övgüyü alamıyor. Benim bütün bu oyunculuk işlerini bırakmayı düşündüğüm zamanlarda o elimden tuttu ve beni buraya getirdi. Bu, hayatımda işaretlemeye değer bir dönüm noktasıydı." Başka bir röportajda da şunları söyledi: "Lee Strasberg ile çalışmak çok heyecan verici bir şeydi. Çünkü kendisi çok ilgi çekici bir insandı. Bir sahne veya bir karakter hakkında söyledikleri şeyleri, yorumları başka kimseden duyamazdınız. Bu sektöre ve oyuncularına gerçekten değer veren bir insandı."

2010 yılında Ellen Burstyn ve Harvey Keitel ile beraber Actors Studio'nun eş başkanlığını yapmaya başladı.

Kariyeri
Actors Studio'ya girdikten sonra James Earl Jones ile çalıştığı The Place Creep'te rol aldı. 1967-68 tiyatro sezonunda zalim bir sokak serserisini oynadığı The Indian Wants the Bronx ile Obie Ödülleri En İyi Erkek Oyuncu ödülünü aldı.

Al Pacino'nun Broadway'de sahneye çıktığı ilk oyun Does the Tiger Wear a Necktie?'dır. Her ne kadar oyun kırk gösterimden sonra kaldırıldı ise de Pacino, topluma uyum sağlayamayan bir uyuşturucu bağımlısını canlandırdığı rolüyle Tony Ödülü'nün sahibi oldu. Al Pacino'nun kariyerindeki ilk filmi, 1969 yılında çevirdiği Me, Natalie'dir. Buradaki başarısıyla, yapımcılığını Paramount Pictures'un üstlendiği, Francis Ford Coppola'nın The Godfather filminde Michael Corleone rolünü oynamaya hak kazanacaktır. Bu filmdeki performansı ile En İyi Yardımcı Erkek Oyuncu dalında Oscar Ödülü'ne aday gösterildi. Sonra Broadway oyunlarına döndü ve başrolünü oynadığı The Basic Training of Pavlo Hummel ile ikinci kez Tony Ödülü'nün sahibi oldu.

Pacino'nun daha sonra rol aldığı filmleri, homoseksüel bir seri katilin peşinde olan bir polis memurunu canlandırdığı Cruising ve Author! Author! adlı komedi filmleri gişede battı. 1983 yılında Brian De Palma'nın yönettigi, şiddeti bol Scarface ise ilk gösterildiğinde sinemanın kült filmleri arasındaki yerini aldı.

Fakat başarının arkasından tekrar başarısızlık geldi ve Pacino tarihsel epik Revolution filminden sonra gözlerden uzaklaştı. Bu arada The Local Stigmatic filmiyle yönetmenliği denedi. Film, hiç sinemalara çıkmadı fakat New York'ta bir müzede bir kere gösterildi.

Al Pacino'nun dönüşü, 1989'da çekilen Sea of Love filmi ile oldu. Film büyük sükse yaptı. 1990'da gösterişli bir gangsteri oynadığı Dick Tracy ile altıncı kez Oscar'a aday olan Pacino, aynı yıl çevrilen, üçlemenin üçüncü ayağı The Godfather: Part III'de yer aldı.

Ertesi yıl çevirdiği romantik komedi Frankie and Johnny ve ardından gelen Glengarry Glen Ross, sevilen filmleriydi. Uzun süren sessizliğin ardından Scent of a Woman'daki (Kadın Kokusu) oyunculuğu ile nihayet Oscar ödülüne kavuşmayı başardı.

1993'te Brian De Palma ile tekrar çalıştığı Carlito's Way ve 1995'te Michael Mann'in yazıp yönettiği ve Robert De Niro'nun canlandırdığı bir hırsızın peşindeki polisi oynadığı Heat ile kariyerine devam eden Pacino, 1996'da politik bir dram olan City Hall'da rol aldı. Fakat o sene dikkatleri daha çok yazıp yönettiği ve rol aldığı Looking for Richard ile çekti.

1997 senesinde genç Hollywood yıldızları ile oynadığı filmler ile gündemdeydi. Önce Johnny Depp ile Donnie Brasco ve sonra Keanu Reeves ile Şeytanın Avukatı'nda rol aldı.

1999 senesinde Russell Crowe ile beraber The Insider filminde yer aldı. Bu filmde sigara şirketlerinin halktan gizlediği sırların anlatıldığı ve yayın aşamasında kıyametin koptuğu 60 Minutes adlı programın yapımcısı Lowell Bergman'ı canlandırdı.

2000 yılında yönetmenliğini Oliver Stone'un üstlendiği ve başrollerinde Cameron Diaz, James Woods ve Dennis Quaid gibi deneyimli oyuncuların yer aldığı Any Given Sunday adlı filmde oynayan oyuncu, Tony D'Amato adında futbol aşığı bir koçu canlandırdı.

2002 yılında Andrew Niccol'ün yönettiği, Rachel Roberts'in S1M0NE karakterini canlandırdığı S1M0NE adlı eserde Al Pacino, Hollywood yıldızlarının kaprislerine karşı tesadüfen eline geçen bir fırsatla tepki göstermeyi amaçlayan bir yönetmen olan Viktor Taransky'yi canlandırdı. 2003 yılında genç yıldızlardan olan Colin Farrell ile Çaylak isimli filmde oynadı. 2003 yılında rol aldığı Angels in America adlı mini dizi 12 dalda Emmy ödülü aldı, Al Pacino da bu dizi ile ilk Emmy ödülünü almış oldu. Aynı yıl Venedik Taciri isimli filminde yahudi tefeci Shylock'u oynadı. 2005 yılında Kirli Para adlı pek beğenilmeyen filmde rol aldı. 2007 yılında ise Jon Avnet'in yönetmenliğini yaptığı 88 Minutes isimli filmde başrolü oynadı. Bu filmde geçmişte kendisinin tespitleri sonucu yakalanan ve idama mahkûm edilen bir cinayet zanlısının suçunu kaldırmak isteyenler tarafından tehdit edilen bir cinayet psikiyatristi ve üniversite hocasını canlandırdı.

Diğer taraftan 1995 yılında Michael Mann tarafından yönetilen Heat filminde Robert De Niro ile bir araya gelen Al Pacino, bu kez Jon Avnet'in yönetmenliğini üstlendiği Righteous Kill filminde başrolü paylaştı, film 2008 yılında gösterime girmiştir.

Oscar Ödülü
Al Pacino 1992 yılında Scent of a Woman filminde sergilediği performansla En İyi Drama Filmi Erkek Oyuncusu dalında Oscar Ödülü'nü kazandı. Ödüle aday olan diğer oyuncular ise The Unforgiven filmi ile Clint Eastwood; Crying Game filmi ile Stephen Rea; Chaplin filmi ile Robert Downey Jr.; Malcolm X filmi ile Denzel Washington.

Filmografi

Kaynakça

Dış bağlantılar

1940 doğumlular
Yaşayan insanlar
Manhattan doğumlular
Obie Ödülü sahipleri
Tony Ödülü sahipleri
Emmy Ödülü sahipleri
Drama Desk Award sahipleri
Amerikalı film yönetmenleri
İtalyan asıllı Amerikalılar
New York doğumlu erkek oyuncular
Amerikalı erkek sinema oyuncuları
Amerikalı erkek tiyatro oyuncuları
Cecil B. DeMille Onur Ödülü sahipleri
20. yüzyılda Amerikalı erkek oyuncular
21. yüzyılda Amerikalı erkek oyuncular
Ekran Oyuncuları Derneği Ödülü sahipleri
BAFTA En İyi Erkek Oyuncu Ödülü sahipleri
David di Donatello Ödülü sahibi oyuncular
En İyi Erkek Oyuncu Akademi Ödülü sahipleri
En İyi Erkek Drama Filmi Oyuncusu Altın Küre Ödülü sahipleri
En İyi Erkek Oyuncu National Board of Review Ödülü sahipleri
En İyi Yardımcı Erkek Oyuncu National Board of Review Ödülü sahipleri
En İyi Erkek Mini Dizi veya Televizyon Filmi Oyuncusu Altın Küre Ödülü sahipleri
Boston Film Eleştirmenleri Derneği En İyi Erkek Oyuncu Ödülü sahipleri
20. yüzyıl Amerikalı erkek yazarları
20. yüzyıl Amerikalı senaristleri
Amerikalı erkek senaristler
Amerikalı erkek dizi oyuncuları
İtalyan asıllı Amerikalı yazarlar
Directors Guild of America Ödülü sahipleri
New York doğumlu film yönetmenleri
Fiorello H. LaGuardia High School'da öğrenim görenler
Kennedy Center Onur Ödülü sahipleri
Ulusal Sanat Madalyası sahipleri
Bronx doğumlu yazarlar
David di Donatello En İyi Yabancı Erkek Oyuncu Ödülü sahipleri
David di Donatello Ödülü sahipleri
En İyi Erkek Oyuncu Tony Ödülü (Oyun) sahipleri
En İyi Yardımcı Erkek Oyuncu Tony Ödülü (Oyun) sahipleri
Yaşam Boyu Başarı Altın Aslan Ödülü sahipleri

Al Pacino


Tanya DePass, également connue sous son nom d'utilisatrice Cypheroftyr, est une journaliste, activiste et streameuse américaine.

Elle est la fondatrice de l'organisation à but non lucratif I Need Diverse Games (en français « J'ai besoin de jeux diversifiés ») qu'elle a créée en 2016.

Biographie

Jeunesse
Tanya DePass a grandi dans une famille pauvre de Chicago. Elle est fan de jeux sur table et de jeux vidéo depuis son plus jeune âge.

Carrière
Tanya DePass a écrit des articles sur des thématiques en lien avec la diversité, les féminismes et la race, pour des publications telles que Polygon et Vice. Elle fournit des services de consultation sur la diversité aux studios et organisations de développement de jeux. Elle est coordinatrice de la programmation et de la diversité pour OrcaCon et . Tanya DePass est l'éditrice de Game Devs & Others: Tales from the Margins (2018), une anthologie d'essais de spécialistes de l'industrie du jeu et d'utilisateurs et utilisatrices qui se sentaient marginalisées par l'industrie. De plus, elle est membre de la cohorte 2020 de Annenberg Innovation Lab Civic Media Fellowship à l'USC.

DePass est la co-développeuse du RPG de la cinquième saison, basé sur la trilogie Broken Earth de NK Jemisin (2020). Son travail a été présenté dans l'exposition Design/Play/Disrupt (Concevoir/Jouer/Perturber en français) du Victoria and Albert Museum.

En ligne, Tanya DePass porte le nom d'utilisatrice Cypheroftyr. Elle est streameuse sur Twitch, où elle a été victime de harcèlement. En 2020, lors des manifestations de George Floyd, Tanya DePass a organisé une diffusion en streaming à but caritatif pour collecter des fonds pour  – le flux a collecté plus de  en une seule journée.

Elle joue également à Donjons & Dragons dans le livestream , qui met en vedette un casting représentant des personnes d'origines diverses. L'émission a débuté en 2018 à Chicago en tant que production officielle de Wizards of the Coast, diffusée sur la chaîne officielle Dungeons & Dragons Twitch. Tanya DePass est également la directrice créative de  et sa série de jeux Into the Mother Lands.

Fireside Magazine, pour lequel Tanya DePass était la rédactrice des suppléments spéciaux, a été nominée pour un Prix Hugo du Meilleur Semiprozine en 2019. En 2020, le  a été consacré à la Black Excellence in Gaming (en français : Excellence des Personnes Noires dans les Jeux Vidéos) dont le comité récompense spécifiquement deux douzaines de personnes noires de l'industrie des jeux vidéos, dont Tanya DePass. Kotaku a nommé Tanya DePass l'une de ses quatre «joueurs et joueuses de l'année» pour 2020.

En 2021, Tanya DePass est devenue actrice dans The Black Dice Society, une émission de jeu réel de Ravenloft sur le thème Dungeons & Dragons sur les chaînes officielles de Wizards of the Coast.

Son travail pour rendre l'industrie plus inclusive a été mis en évidence dans Game Changer, réalisé par Tina Charles, star de la WNBA et olympienne ainsi que cinéaste. Le court documentaire a été présenté en avant-première à Tribeca 2021, dans le cadre du Queen Collective. Il s'agit d'une initiative lancée par Queen Latifah et soutenue par Procter & Gamble dans le but d'attirer davantage de femmes noires dans la réalisation de films au cinéma. Tanya DePass a également été présentée dans le cadre de la programmation Juneteenth 2021 de BETHer le 19 juin 2021.

Organisation
En 2014, Tanya DePass a utilisé le hashtag #INeedDiverseGames tout en répondant à une déclaration d'Ubisoft affirmant qu'il ne serait pas possible d'animer des personnages féminins pour le prochain jeu Assassin's Creed. Tanya DePass a notamment dit qu'elle en avait « marre des jeux où [elle] ne peux pas être l'héroïne ». Bien qu'antérieur à la controverse, le hashtag est devenu particulièrement populaire lors de la campagne de harcèlement du Gamergate car il a été l'un des principaux tweets anti-Gamergate utilisés à ce moment-là. Les tweets utilisant le hashtag étaient principalement ceux qui partageaient des messages positifs sur le désir d'une diversité accrue et d'une représentation plus large de la population dans les jeux vidéos.

DePass a fondé une organisation à but non lucratif sous le nom de I Need Diverse Games en août 2016. L'organisation, basée à Chicago, vise à soutenir la visibilité et l'accès des personnes sous-représentées au sein de l'industrie des jeux vidéos, et est financée par Patreon et des campagnes de collecte de fonds. L'une des initiatives de l'organisation consiste à fournir un soutien financier et des laissez-passer pour les conférences sur les jeux vidéos telles que la Game Developers Conference. Depuis 2020, I Need Diverse Games a envoyé chaque année environ deux douzaines de personnes à la Game Developers Conference. L'organisation propose également des séminaires sur la diversité lors d'autres événements de l'industrie du jeu et met en lumière le travail des personnes sous-représentées.

Œuvres

 Game Devs & Others: Tales from the Margins (2018) : Éditrice.
 RPG de la cinquième saison (2020) : Co-développeuse.

Filmographie

  : rôle à préciser

Références

Annexes

Articles connexes
 Polygon
 Tina Charles

Liens externes

Streameur Twitch
Militante américaine
Journaliste afro-américain
Journaliste américain du XXIe siècle
Personnalité afro-américaine du XXe siècle
Naissance en 1973

Tanya DePass


An Pleurothallis candida in uska species han Liliopsida nga ginhulagway ni Carlyle August Luer ngan Alexander Charles Hirtz. An Pleurothallis candida in nahilalakip ha genus nga Pleurothallis, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Pleurothallis

Pleurothallis candida


"Josie" (ponekad zvana "Everything's Gonna Be Fine") je pjesma američkog rock sastava Blink-182, objavljena 17. studenog 1998. godine, kao četvrti singl s drugog studijskog albuma sastava, Dude Ranch iz 1997. godine. "Josie" je primarno napisao basist Mark Hoppus, a govori o njegovoj idealnoj djevojci, kao i o turnejama Unwritten Law i Dance Hall Crashers, na kojima je sastav bio 1995. i 1996. godine.

Singl, kojeg je remiksao Tom Lord-Alge, dostigao je 31. mjesto u Australiji. Remiksana inačica singla "Josie" objavljena je na Greatest Hits albumu sastava. U glazbenom videu za "Josie" glumi Alyssa Milano kao djevojka Hoppusove pažnje iz srednje škole. Izvorna ideja za video je bila da sastav nastupa na brodu koji tone, ali zbog cijene je odbačena.

Zadnji je singl sastava na kojem svira bubnjar Scott Raynor.

Pozadina
"Josie" je dobila ime po psu Elyse Rogers, pjevačice sastava Dance Hall Crashers, a djevojka u pjesmi je zamišljena. "Pjesma je o tom osjećaju kojeg svatko može osjetiti, a taj je osjećaj ludost za djevojkom," Hoppus je rekao 1998. godine za Billboard. Tekst govori o idealnoj djevojci koja tolerira dečkove mane te koja voli istu glazbu kao on. Rečenica "Yeah my girlfriend, likes UL and DHC" sugerira na turneje sastava Unwritten Law i Dance Hall Crashers. Rečenica "She brings me Mexican Food from Sombreros just because" sugerira na restoran meksičke hrane Sombrero, koji se nalazi u San Diegu.
Pjesma je skladana u B dur tonalitetu, s mjerom 4/4 i brzim tempom od 200 otkucaja u minuti. Hoppusov raspon glasnica kreće se od G#3 do F#4.

U Australiji, pjesma je osam tjedana bila u Top 50 i čak 24 tjedna u Top 100, na kojoj je 6. srpnja dosegla 31. mjesto.

Glazbeni video
Za treći glazbeni video, sastav je htio nešto ozbiljnije pa su se obratili redatelju Jasonu Matzneru i njegovom suradniku Brendanu Lambeu. Hoppusova prvobitna ideja za video bila je da nastupaju na brodu koji tone. Sastav bi svirao dok bi se sve oko njih rušilo i tonulo. Postepeno, brod bi doživio katastrofu ("ljudi bi trčali, iskre frcale, sve bi se urušavalo"), a prije no što bi u potpunosti potonuo prikazao bi se tekst "everything's gonna be fine." Pošto bi diskografsku kuću sastava, MCA, video koštao milijune dolara, smislila se alternativa: sastav nastupa u podrumu, a jedan od članova slučajno udari cijev, koja poplavi cijelu sobu. Video je snimljen u dvorištu Universal Studiosa te je bio Matznerov prvi video. "Snimanje prvog 'Josie' videa bilo je odvratno," Hoppus se prisjetio 2000. godine. "Trebali smo donijeti staru opremu koju smo mogli uništiti." Trio je bio nesretan s iznenađujuće hladnom vodom, a DeLonge je porezao glavu na plutajući šrapnel. Kada su dobili prvi konačan video, sastav je odlučio odbaciti video i krenuti ispočetka.

Sastav se vratio redatelju Darrenu Doaneu, koji je također snimio glazbene videe za "M+M's" i "Dammit". Video je snimljen u srednjoj školi Westlake, u Thousand Oaksu, Kalifornija. U videu glumi Alyssa Milano kao djevojka Hoppusove pažnje. "Osjećao sam se stvarno loše zbog nje jer se pojavila na setu na kojem su bili samo ona i gomila perverznih frajera koji nisu radili ništa nego joj gledali u sise. Nisu si mogli pomoći," Hoppus se prisjetio 2001. godine. Scena borbe hranom snimljena je iz jednog pokušaja, pošto je menza bila uništena poslije prvog snimanja. "Sva ta djeca morala su se vani kuhati na suncu, ali su nas na kraju dana ipak mogli izgađati hranom," rekao je Hoppus. Iako "Josie" nije bila prečesto svirana na MTV-u, ipak je bila nevjerojatan uspjeh za sastav.

Dio prvobitnog videa za "Josie" pojavio se na internetu 2011. godine.

Osoblje
Mark Hoppus – bas-gitara, vokali
Tom DeLonge – gitara, vokali
Scott Raynor – bubnjevi

Bibliografija
Hoppus, Anne (1. listopada 2001.). Blink-182: Tales from Beneath Your Mom. MTV Books / Pocket Books. ISBN 0-7434-2207-4.
Shooman, Joe (24. lipnja 2010.). Blink-182: The Bands, The Breakdown & The Return. Independent Music Press. ISBN 978-1-906191-10-8.

Izvori

Skladbe sastava Blink-182
Singlovi iz 1998.

Josie


Moscú, Cheryomushki (en ruso, Москва, Черемушки; transliterado Moskva, Cheryomushki) es una opereta en tres actos con música de Dmitri Shostakóvich, su Op. 105 y libreto en ruso escrito por el experimentado equipo de Vladímir Mass y Mijaíl Chervinski, destacados humoristas soviéticos de la época. A veces se le llama, simplemente, Cheryomushki. Cheryomushki es un distrito en Moscú lleno de edificios baratos construidos en 1956, y la palabra es a veces usada para este tipo de casas baratas en general. Se estrenó en Moscú el 24 de enero de 1959 en el Teatro de Opereta Mayakovski.

La trama satírica, trata de temas tópicos alrededor de una de las más acuciantes preocupaciones de los rusos urbanitas, la escasez de vivienda y las dificultades de asegurarse condiciones de vida aceptables. La obra se terminó en 1958 y se estrenó en la capital el 24 de enero de 1959 en el Teatro de Opereta Mayakovski bajo la dirección de Grigori Stolyarov. Se repuso el 8 de febrero de 2004 en el Gran Teatro de Ginebra, y el 17 de diciembre de 2004 en la Opéra Nouvel de Lyon.

Esta ópera se representa poco; en las estadísticas de Operabase aparece la n.º 226 de las óperas representadas en 2005-2010, siendo la 18.ª en Rusia y la tercera de Shostakóvich, con 11 representaciones en el período.

Referencias
Notas

Licencia

Enlaces externos

Operetas
Óperas en ruso
Óperas de Dmitri Shostakóvich
Óperas de 1958
Óperas estrenadas en Moscú

Moscú, Cheryomushki


جامعة حضرموت للعلوم والتكنولوجيا جامعة في حضرموت في اليمن. تعد أول جامعة أهلية يمنية، وثالث جامعة في اليمن تحصل على العضوية العاملة في اتحاد الجامعات العربية، وهي عضو اتحاد الجامعات الإسلامية في العام 2000م, وعضو في اتحاد الجامعات العالمية. استضافت الجامعة الدورة الأربعين لاتحاد  الجامعات العربية.

حصلت الجامعة على جائزة الاستثمار لعام 2009م من قبل الهيئة العامة للاستثمار كأفضل جامعة أهلية في اليمن. وعلى جائزة التميز والإبداع في التعليم المفتوح للعام 2011م على مستوى الجامعات العربية.

تاريخ
كانت البداية بنشأة الكلية الوطنية للعلوم والتكنولوجيا، بوصفها  أول كلية أهلية تقنية في اليمن في 29 ديسمبر 1992 ثم افتتحت جامعة العلوم والتكنولوجيا بموجب القرار الوزاري  رقم (2/94) عام 1994 الصادر عن وزارة التعليم العالي.

وقد استوعبت الجامعة منذ إنشائها عدداً كبيراً من التخصصات في مختلف المجالات الطبية والهندسية والتقنية والإدارية والإنسانية والاجتماعية، وركزت على توفير تخصصات نوعيه غير متوفرة في الجامعات المحلية ويحتاج إليها المجتمع.

وحرصاً من الجامعة على توفير التعليم المتميز للجميع، أنشأت فرعاً خاصاً بالطالبات، يشمل جميع برامج كليات الجامعة، كما تم افتتاح فروع للجامعة في المحافظات اليمنية؛ لتوفير فرص التعليم المتقدم، ومكاتب في بعض الدول الشقيقة ، وقدمت الجامعة عدد من برامج الماجستير بالتنسيق مع جامعات عربية وأجنبية، وتحرص الجامعة على تطوير علاقاتها مع نظيراتها من مؤسسات التعليم العالي في المجالات المختلفة، وذلك من خلال عقد اتفاقيات تعاون وتوأمة.

مراجع

ح
جامعات اليمن

جامعة العلوم والتكنولوجيا (حضرموت)


Aizároz (Aizarotz en euskera y de forma oficial) es una localidad española de la Comunidad Foral de Navarra perteneciente al municipio de Basaburúa Mayor.

Está situado en la Merindad de Pamplona, en la comarca de Ultzamaldea,  y a 37 km de la capital de la comunidad, Pamplona. Su  población en  fue de  habitantes (INE).

Geografía física

Situación
La localidad de Aizároz está situada en la parte central del municipio de Basaburúa Mayor a una altitud de 560

Demografía

Evolución de la población

Véase también
 Basaburúa Mayor

Referencias

Localidades de Basaburúa Mayor

Aizároz


This Land belongs to me

This Land belongs to you

This Land belongs to all of us

To live in harmony

To listen

English kid's song


An Aloe mandotoensis in uska species han Liliopsida nga ginhulagway ni J.-b.Castillon. An Aloe mandotoensis in nahilalakip ha genus nga Aloe, ngan familia nga Xanthorrhoeaceae.

Mabibilngan ini ha Madagascar. Waray hini subspecies nga nakalista.

Mga kasarigan

Aloe

Aloe mandotoensis


An Oberonia segawae in uska species han Liliopsida nga ginhulagway ni T.C.Hsu ngan Shih Wen Chung. An Oberonia segawae in nahilalakip ha genus nga Oberonia, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Oberonia

Oberonia segawae


Afrosternophorus longus est une espèce de pseudoscorpions de la famille des Sternophoridae.

Distribution
Cette espèce est endémique du Tamil Nadu en Inde. Elle se rencontre vers Yercaud et Dindigul.

Description
Le mâle holotype mesure  et la femelle paratype , les mâles mesurent de  à  et les femelles de  à .

Systématique et taxinomie
Cette espèce a été décrite par en Mathew & Joseph 2021.

Publication originale
 Mathew & Joseph, 2021 : « New species of Afrosternophorus Beier, 1967 (Pseudoscorpiones: Sternophoridae) from the eastern ghats and first record of Afrosternophorus ceylonicus Beier, 1973 from the western ghats in Kerala. » International Journal of Entomology Research, , , .

Notes et références

Sternophoridae
Espèce de pseudoscorpions (nom scientifique)
Faune endémique du Tamil Nadu

Afrosternophorus longus


Bert Keizer (born 1947 in Amersfoort) is a Dutch writer and geriatrician.

He lived in England from 1968-1972 and studied philosophy at the University of Nottingham, then medicine at the University of Amsterdam.  He qualified as a doctor in 1981 and then worked shortly in Kenya.  Since 1985 he has been a geriatrician in Amsterdam.

Writing
As a physician in a nursing home he has written about physician assisted suicide (which has been legal in the Netherlands for some years), most notably in his book Het refrein is Hein, which was translated into English (by Keizer himself) as Dancing with Mr D and published by Transworld-Doubleday in 1994. The book was also translated into German, Spanish, Japanese, Danish, Swedish and French.

His style is contemplative, with an undercurrent of realism (or some would say pessimism) about the limits of medicine which most people prefer not to think about, and a remarkable intellectual honesty about the emotions of the patient as well as the physician.

While the topic of euthanasia and assisted suicide was the most salient point for the literary criticism, it is not a very large part of the book.

References

1947 births
Living people
Dutch geriatricians
Dutch writers
Alumni of the University of Nottingham
People from Amersfoort

Bert Keizer


Istraživački satelit je umjetni satelit namijenjen znanstvenim istraživanjima bližeg i daljnjega Zemljina okružja, primjerice gornjih slojeva Zemljine atmosfere, njezina magnetskog polja, istraživanju drugih nebeskih tijela, svemirskoga prostora među njima, kozmičkoga zračenja i drugog. Istraživački sateliti se razlikuju prema vrsti istraživanja za koje su namijenjeni, a zbog toga i po konstrukciji, masi i znanstvenoj opremi. Staze (putanje) tih satelita također su različite, od onih udaljenih 150 kilometara od Zemljine površine (nestabilne putanje na samom rubu gornjih slojeva atmosfere), pa sve do staza između Zemlje i Sunca na oko 1,5 milijarde kilometara od Zemljine površine.

Povijest
Prvi istraživački satelit bio je Sputnik 3, lansiran 15. svibnja 1958. u tadašnjem SSSR-u. Taj je satelit u povodu Međunarodne geofizičke godine proveo složena mjerenja tlaka zraka i sastava gornjih slojeva atmosfere, Zemljina magnetskoga i elektrostatičkoga polja, kozmičkoga zračenja, broja udara mikrometeorita i drugog.

Istraživački sateliti koriste se pojedinačno, ali i u skupinama. Tako je na primjer 2001., u organizaciji Europske svemirske agencije, lansirana skupina od četiriju satelita iz serije Cluster radi istraživanja međudjelovanja (interakcije) Sunčeva zračenja sa Zemljinim magnetskim poljem. Ti se sateliti oko Zemlje kreću na udaljenosti između 19 000 kilometara i 119 000 kilometara. Istraživački sateliti GRACE (akronim od eng. Gravity Recovery and Climate Experiment) djeluju također u skupini, a kao zajednički projekt Njemačke i SAD-a istražuju lokalne promjene (varijacije) u Zemljinu gravitacijskom polju. Taj par satelita, međusobno udaljenih 220 kilometara, leti u polarnoj stazi (putanji) na visini od 496 kilometara. Istraživanje se provodi preciznim mjerenjem promjena njihova međusobnoga položaja (otkrivaju se čak i promjene njihove udaljenosti od 10 μm).

Izmjereni se podatci na Zemlju najčešće šalju telekomunikacijskim sustavima, ali mogu stići i posebnim modulom. Tako se, primjerice, na američkom istraživačkom satelitu Genesis, lansiranome 2001., uzorci čestica koje stižu sa Sunca (Sunčev vjetar) prikupljaju kolektorima načinjenima od vrlo čistih silicijevih pločica. Bilo je predviđeno je da se 2004. uzorci spuste na Zemlju modulom, koji će, nakon kočenja u atmosferi i otvaranja padobrana, u letu prihvatiti helikopteri.

Osim istraživačkih satelita isključivo znanstvene namjene, znanstvenoistraživačka oprema često se postavlja i na umjetne satelite s drugom osnovnom funkcijom, primjerice na satelite namijenjene daljinskim istraživanjima te na svemirske sonde koje istražuju prostor oko drugih planeta Sunčeva sustava.

Izvori

Umjetni sateliti

Istraživački satelit


Joan Soteras Vigo, conocido como Joan Soteras, que nació en Sabadell el 31 de agosto de 1948, es tintorero, empresario de tintes y acabados, y expresidente del Centre d'Esports Sabadell. Actualmente es Presidente de la Federació Catalana de Futbol y Vicepresidente de la Real Federación Española de Futbol.

Trayectoria
Su primera etapa en el club arlequinado (1994-1996) no fue muy prolija (11º y 16º puesto tras ascender de Tercera), pero que volvió en verano de 2006 para devolver la ilusión a un club que acababa de descender a Tercera división, y que logró devolver a Segunda B en un solo año. Tras ese ascenso, se prometió el retorno a la segunda máxima categoría del fútbol español, y tras un segundo año en 2ª B, y un Play off fallido contra el Real Unión de Irún, la prometida vuelta a Segunda división se produjo tras otro Play off de infarto, en esta ocasión contra el SD Eibar. Tras lograr su objetivo, ni corto ni perezoso, el expresidente del Sabadell prometió que el equipo arlequinado volvería a estar en Primera en un periodo de no más de tres años. Estaría en el club hasta el 2013, cuando el club pasó a manos japonesas.

Posteriormente, el 2018 fue nombrado presidente de la Federación catalana de futbol, y poco després vicepresidente de la RFEF.

Referencias

Enlaces externos
 Ficha de Joan Soteras en la web del CE Sabadell

Centre d'Esports Sabadell Futbol Club
Nacidos en Sabadell

Joan Soteras Vigo


سيرات إحدى بلديات دائرة بوقيرات التابعة لولاية مستغانم.

مراجع

أماكن مأهولة في ولاية مستغانم
سيرات

سيرات


Goeppertia tuberosa é uma espécie de  planta do gênero Goeppertia e da família Marantaceae.

Taxonomia
A espécie foi descrita em 2012 por Stella Suárez e Finn Borchsenius.
Os seguintes sinônimos já foram catalogados:
 Thalia tuberosa  Vell.
 Calathea neoviedii  Petersen
 Goeppertia neoviedii  (Petersen) Borchs. & S.Suárez
 Calathea tuberosa  (Vell.) Körn.

Forma de vida
É uma espécie terrícola e herbácea.

Descrição
Ervas, 0,2-0,4 m
altura. Lâmina foliar não ornamentada, verde. Brácteas vináceas ou alvas com ápice verde, cálice e corola alvos.

Conservação
A espécie faz parte da Lista Vermelha das espécies ameaçadas do estado do Espírito Santo, no sudeste do Brasil. A lista foi publicada em 13 de junho de 2005 por intermédio do decreto estadual nº 1.499-R.

Distribuição
A espécie é endêmica do Brasil e encontrada nos estados brasileiros de Espírito Santo e Rio de Janeiro.
A espécie é encontrada no domínio fitogeográfico de Mata Atlântica, em regiões com vegetação de floresta ombrófila pluvial e restinga.

Notas
Contém texto em CC-BY-SA 4.0 de Saka, M.N. 2020. Goeppertia  in Flora do Brasil 2020.

Ligações externas
 Goeppertia tuberosa no projeto Flora e Funga do Brasil

Goeppertia
Plantas descritas em 2012
Flora do Espírito Santo (estado)
Espécies citadas na Lista Vermelha de Ameaça da Flora Brasileira
Espécies citadas na Lista de Espécies da Flora Ameaçadas do Espírito Santo

Goeppertia tuberosa


Olle Boström ist der Name folgender Personen:

* Olle Boström (Bogenschütze) (1926–2010), schwedischer Bogenschütze
 Olle Boström (Orientierungsläufer) (* 1990), schwedischer Orientierungsläufer

Olle Boström


An Eltroplectris misera in uska species han Liliopsida nga syahan ginhulagway ni Friedrich Fritz Wilhelm Ludwig Kraenzlin, ngan ginhatag han pagkayana nga asya nga ngaran ni Dariusz Lucjan Szlachetko. An Eltroplectris misera in nahilalakip ha genus nga Eltroplectris, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Eltroplectris

Eltroplectris misera


Oakley puede hacer referencia a:

 Oakley, Inc., una empresa estadounidense dedicada al diseño y fabricación de gafas;
 Oakley (Fife), Escocia
 Inglaterra
 Oakley (Bedfordshire)
 Oakley (Buckinghamshire)
 Oakley (Dorset)
 Oakley (Gloucestershire)
 Oakley (Hampshire)
 Oakley (Oxfordshire)
 Oakley (Staffordshire)
 Oakley (Suffolk)
 varios lugares de Estados Unidos:
 Oakley, una ciudad en el estado de California;
 Oakley, una ciudad en el estado de Idaho;
 Oakley, un municipio en el estado de Illinois;
 Oakley, un municipio en el estado de Kansas;
 Oakley, una ciudad en el estado anterior;
 Oakley, una villa en el estado de Míchigan;
 Oakley, una ciudad en el estado de Utah;
 Oakley, un lugar designado por el censo en el estado de Wyoming;
 varias personas de nacionalidad estadounidense:
 Charles Oakley (1963), un exjugador de baloncesto;
 Bill Oakley (1966), un guionista de televisión;
 Annie Oakley (1860-1926), una tiradora que participó durante años en el espectáculo de Buffalo Bill;
 Berry Oakley (1948-1972), un bajista y uno de los miembros fundadores de The Allman Brothers Band;
 Margaret Oakley Dayhoff (1925-1983), una fisicoquímica pionera en el campo de la bioinformática.

Oakley


Yusuf Atılgan (27 Haziran 1921, Manisa - 9 Ekim 1989, İstanbul), Türk yazar ve öğretmen. Türk edebiyatının ve Türk romanının modernist bir düzleme geçtiği 1950-1980 yılları arasında yazdı. Bu dönemin ilk modernist Türk yazarlarından birisiydi.

Hayatı
Atılgan, 1921'de Manisa'da doğdu. Yunanların Manisa'yı işgaliyle (Eylül 1922) ailesi oturdukları dağlık bölgeden Hacırahmanlı'ya göç etti. Atılgan, Necâti Bey İlköğretim Okulu ve Balıkesir Lisesi'nden mezun olduktan sonra İstanbul'a giderek İstanbul Üniversitesi Edebiyat Fakültesi Türk Dili ve Edebiyatı Bölümü'ne kaydoldu. Burada Ahmet Hamdi Tanpınar, Reşid Rahmeti Arat, Ali Nihat Tarlan, Ragıp Hulusi Özdem ve Halide Edib Adıvar gibi isimlerin öğrencisi oldu.

Atılgan, üniversite yıllarında sol öğrenci hareketlerine katılmaktan dolayı bir süre tutuklu kaldı. Daha sonra bitirme tezini tamamlayarak mezun oldu. Bir yıl Akşehir'de bulunan Maltepe Askeri Lisesi'nde edebiyat öğretmenliği yaptıktan sonra Hacırahmanlı köyüne geri döndü (1946).

Babasının ölümüyle çiftlik işleri kendisine kaldı. 1949 yılında evlendi ve 3 yıl sonra köydeki işlerinden feragat ederek edebiyata yoğunlaştı. 1954'te "Ziya Atılgan" ve "Nevzat Çorum" mahlaslarıyla yazdığı 2 hikâyesiyle Tercümanın  hikâye yarışmasına katıldı. Bu yarışmada, Evdeki adlı hikâyesiyle birinci, Kümesin Ötesi ile yedinci oldu. Kendisiyle özdeşleşen Aylak Adamla da (1958) Yunus Nadi Roman Ödülü'nde ikincilik aldı. Bu süreçte geniş kitlelerce tanınmaya başladı.

Sonraları hikâye alanındaki yetkinliğini Varlık ve a Dergisi'nde gösterdi. 1973 yılında ikinci romanı Anayurt Oteli'ni yayımladı. Geçim sıkıntısı yaşadığı dönemlerde tiyatro oyuncusu Serpil Gence ile ikinci evliliğini yaptı (1974). Çeşitli yayınevlerinde redaktörlük yaptığı dönemlerde birtakım çeviriler de yapıyordu. 1987 yılında Anayurt Oteli'nin Ömer Kavur tarafından sinemaya aktarılması tanınırlığının artmasını sağladı.

9 Ekim 1989'da, Canistana çalıştığı dönemde, peşi sıra gelen hastalıklar sonrasında kalp krizinden vefat etti. Moda Camii'nde kılınan cenaze namazı sonrasında Bülbülderesi Mezarlığı'na defnedildi.

Romancılığı
Atılgan arkasında bıraktığı kısa külliyatla kendinden sonraki kuşakları etkilemeyi başardı. Reşat Nuri Güntekin'in "miskini" (bkz. Miskinler Tekkesi) onun ilk romanında C. karakteri ile Aylak Adama döner. Bu romanında insan ve şehir yaşamı psikolojik bir yaklaşımla verilir ve yabancılaşma, yalnızlık ve aile kavramı irdelenir. Bunu bir başkaldırı olarak görenler vardır ve başka bir kült roman olan Tutunamayanlar ile aynı düzleme oturtmak mümkündür.

Anayurt Otelindeki Zebercet karakteri ise yaşadığı anı anlamlandırmaya çalışan insan tipolojisinin bir örneğidir. Bu anlamlandırma "neden ve niçin yaşıyorum sorusu" ile, yalnızlık, aşk ve cinsellik ekseninde gerçekleşir.

Canistanda yazar bu kez, doğduğu döneme ve coğrafyaya geri döner. Kendi hayatından izler taşıyan ve ölümüyle yarım kalan bu romanda döneminin havasını olaylar, mekânlar ve yerel ağızlar ile yansıtmaya çalışır.

Yazarın eserlerinin telif haklarının Yapı Kredi Yayınları'ndan Can Yayınları'na geçmesi sonrasında, Atılgan'ın el yazısı notlarını, şiirlerini, çevirilerini ve dergilerde kalmış kısa öykülerinden örnekleri içeren Siz Rahat Yaşayasınız Diye adlı eseri yayımlanmıştır. Kitapta, yazarın yok ettiği Eşek Sırtındaki Saksağan adlı roman denemesinin giriş kısmı da bulunmaktadır.

Eserleri

Roman
 Aylak Adam (1959)
 Anayurt Oteli (1973)
 Canistan (2000)

Öykü
 Bodur Minareden Öte (1960)
 Eylemci (Bütün Öyküleri, 1992)
 Çocuk Kitabı: Ekmek Elden Süt Memeden (1981)

Çeviri
 Toplumda Sanat (K. Baynes; 1980).

Piyes
 Çıkış Gecesi (Barıman Yayınevi, İst. 1947)

Kitaplaşmamış öteki yazıları
Şiirleri
 Ölü Su (şiir) Yazı, Sayı 1,1978.
 Ayrılık (Şiir) Milliyet Sanat Dergisi, sayı 1, Şubat 1980.

Çeviri şiirler
 "Gözler", (Şiir) Ezra Pound'dan, Yusuf Atılgan'a Armağan, s. 129-130
 "Bir Yerde Hiç Gitmediğim", E. E. Cummings'ten, yayımlanmamıştır.

Çeviri yazıları
 Kierkegaard'dan (Korku ve Titremeden),Değişim, Sayı 2
 Kierkegaard'dan (Günceden), Değişim, Sayı 1
 Kierkegaard'dan (Ölümcül Hastalıktan), Değişim, Sayı 7

Hakkında yazılanlar
 Yusuf Atılgan'a Armağan, İletişim Yayınları, 1992, ISBN 975-470-280-2.

Ödülleri

 1955 Tercüman Gazetesi Öykü Yarışması'nda takma adla katıldığı Evdeki öyküsü ile birincilik ve Kümesin Ötesinde öyküsü ile dokuzunculuk
 Aylak Adam romanı ile 1957-1958 Yunus Nadi Roman Ödülleri'nde ikincilik
 Bodur Minareden Öte ile Sait Faik Öykü Ödülü

Kaynakça

1921 doğumlular
Manisa doğumlu yazarlar
Balıkesir Lisesinde öğrenim görenler
İstanbul Üniversitesi Edebiyat Fakültesinde öğrenim görenler
Türk çiftçiler
Türk tutuklular ve hükümlüler
20. yüzyıl Türk roman yazarları
20. yüzyıl Türk hikâye yazarları
Türk çevirmenler
1989 yılında ölenler
İstanbul'da ölenler
Bülbüldere Mezarlığı'na defnedilenler
Türkiye tarafından tutuklanan kişiler
İngilizceden Türkçeye çeviri yapanlar
Manisa doğumlu çevirmenler

Yusuf Atılgan


Die Kanadische Badmintonmeisterschaft 1948 fand Anfang März 1948 in Toronto statt.

Finalresultate

Literatur
 The Calgary Herald, 8. März 1948, S. 15.

1948
Badminton 1948
Badmintonwettbewerb in Toronto

Kanadische Badmintonmeisterschaft 1948


Ilijić je srpsko i hrvatsko prezime, koje se najčešće pojavljuje u Omišlju, Zagrebu, Rijeci, Banjolu i u Turjacima.

Osobe s prezimenom Ilijić
Alen Ilijić (rođ. 1975.), srpski skladatelj
Đuraš Ilijić (1326. – 1362.), srpski čelnik
Stjepko Ilijić (1864. – 1933.), hrvatski književnik i prevoditelj
Verka Škurla-Ilijić (1891. – 1971.), hrvatska književnica, publicistica, prevoditeljica i novinarka
Zvonimir Ilijić ( r.1950.), hrvatski tv, filmski i kazališni redatelj

Izvori

Hrvatska prezimena
Srpska prezimena

Ilijić


Mrs. Beeton's Book of Household Management, also published as Mrs. Beeton's Cookery Book, is an extensive guide to running a household in Victorian Britain, edited by Isabella Beeton and first published as a book in 1861. Previously published in parts, it initially and briefly bore the title Beeton's Book of Household Management, as one of the series of guidebooks published by her husband, Samuel Beeton. The recipes were highly structured, in contrast to those in earlier cookbooks. It was illustrated with many monochrome and colour plates.

Although Mrs. Beeton died in 1865, the book continued to be a best-seller. The first editions after her death contained an obituary notice, but later editions did not, allowing readers to imagine that every word was written by an experienced Mrs. Beeton personally.
Many of the recipes were copied from the most successful cookery books of the day, including Eliza Acton's Modern Cookery for Private Families (first published in 1845), Elizabeth Raffald's The Experienced English Housekeeper (originally published in 1769), Marie-Antoine Carême's Le Pâtissier royal Parisien (1815), Hannah Glasse's The Art of Cookery Made Plain and Easy (1747), Maria Eliza Rundell's A New System of Domestic Cookery (1806), and the works of Charles Elmé Francatelli (1805–1876). This practice of Mrs. Beeton's has in modern times repeatedly been described as plagiarism.

The book expanded steadily in length until by 1907 it reached 74 chapters and over 2000 pages. Nearly two million copies were sold by 1868, and  it remained in print. Between 1875 and 1914 it was probably the most often-consulted cookery book.  Mrs. Beeton has been compared on the strength of the book with modern "domestic goddesses" like Nigella Lawson and Delia Smith.

History

The author, Isabella Beeton, was 21 years old when she started working on the book. It was initially serialised in 24 monthly instalments, in her husband Samuel Orchart Beeton's publication The Englishwoman's Domestic Magazine; the first instalment appeared in 1859. On 1 October 1861, the instalments were collected into one volume with the title The Book of Household Management, comprising information for the Mistress, Housekeeper, Cook, Kitchen-Maid, Butler, Footman, Coachman, Valet, Upper and Under House-Maids, Lady's-Maid, Maid-of-all-Work, Laundry-Maid, Nurse and Nurse-Maid, Monthly Wet and Sick Nurses, etc. etc.also Sanitary, Medical, & Legal Memoranda: with a History of the Origin, Properties, and Uses of all Things Connected with Home Life and Comfort.

In its preface she wrote:

Beeton's half-sister, Lucy Smiles, was later asked about her memories of the book's development. She recalled:

Previously published as a part-work, it was first published as a book in 1861 by S. O. Beeton Publishing, 161 Bouverie Street, London, a firm founded by Samuel Beeton.
The book was an immediate best-seller, selling 60,000 copies in its first year and totalling nearly two million by 1868. In 2010 a copy of the first edition of Household Management in "top condition" was stated to be worth more than £1,000. In 1863 a revised edition was issued.

In 1866, a year after Isabella's death, Samuel was in debt due to the collapse of Overend and Gurney, a London discount house to which he owed money. To save himself from bankruptcy he sold the copyright to all of his publications for a little over £19,000. Of that, the rights to Household Management were sold to publishers Ward, Lock and Tyler for £3,250. The early editions included an obituary notice for Beeton, but the publishers insisted it be removed "allowing readers to imagineperhaps even as late as 1915that some mob-capped matriarch was out there still keeping an eye on them".

Revisions to Household Management by its publisher have continued to the present day. The effort has kept the Beeton name in the public eye for over 125 years, although current editions are far removed from those published in Mrs. Beeton's lifetime. By 1906 the book had 2,056 pages, "exclusive of advertising", with 3,931 recipes and was "half as large again" as the previous edition.

Book

Contents

The following description refers to the 1907 edition; the book was greatly extended in the decades since Mrs. Beeton's death (in 1865) to 74 chapters and over 2000 pages; the first edition had 44 chapters.

The book begins with general chapters on the duties of the "mistress", the housekeeper, and the cook. There follow chapters on the kitchen itself, "marketing" (choosing good-quality produce at the market), and an introduction to cookery (Chapter 6). Together, these take up over 100 pages. Chapters seven to 38 (roughly 1000 pages) cover English cooking, with recipes for soups, gravies, fish, meat (principally veal, beef, mutton and lamb, and pork), poultry, game, preserves, vegetables, pastries, puddings, sweets, jams, pickles, and savouries. Chapter 39 describes the "art of carving at table", supported by eleven illustrations. Chapters 40 to 50 (some 200 pages) give instructions for dairy products, vegetarian and invalid (sick person) cookery, making bread, biscuits and cakes, and beverages. Chapters 51 to 59 describe cooking in various international styles including French, German, Spanish, Jewish, Australian, South African, Indian, American, and Canadian cookery. Chapters 60 to 68 guide on matters from trussing poultry to the definitions of culinary terms, arranging meals, decorating the table, making menus, and the duties of domestic servants. Chapters 69 to 73 describe "household recipes" and medical preparations. The final chapter, 74, offers "legal memoranda".

There is a detailed index. The edition includes advertisements for products such as "Lemco" beef extract and "Cadbury's Cocoa".

Approach

The preface sets out the book's goal of providing "men" with such well-cooked food at home that it may compete with what they could eat "at their clubs, well-ordered taverns, and dining-houses". Mrs. Beeton claims that:

She explains that she was thus attempting to make the basics of cookery "intelligible" to any "housewife".

The first chapter sets the tone of the book with a quotation from the Book of Proverbs, and in early editions cites also The Vicar of Wakefield with:

The book thus advocates early rising, cleanliness, frugality, good temper, and the wisdom of interviewing servants rather than relying on written references.

Cookery is introduced with words about "the progress of mankind from barbarism to civilization", with a mention of man "in his primitive state, [living] upon roots and the fruits of the earth", rising to become in turn "a hunter and a fisher"; then a "herdsman" and finally "the comfortable condition of a farmer." It is granted that "the fruits of the earth, the fowls of the air, the beasts of the field, and the fish of the sea, are still the only food of mankind", but that:

The text then swiftly passes to a description of simple measures like a table-spoonful, and the duties of servants.

The whole rest of the book is taken up with instructions for cooking, with an introduction in each chapter to the type of food it describes. The first of these, on soups, begins "Lean, juicy beef, mutton, and veal form the basis of all good soups; therefore it is advisable to procure those pieces which afford the richest succulence, and such as are fresh-killed." The account of how to make soup consists of a single essay, divided into general advice and numbered steps for making any kind of (meat-based) soup. This is followed in early editions by a separate chapter of recipes for soups of different kinds.

Each recipe is structured into a title, a list of ingredients (with quantities, either naturalas a number of eggs or vegetables, a number of slices of hamor measured in Imperial unitsounces of salt, quarts of water. The actual instructions are headed "Mode", as "Cut up the veal, and put it with the bones and trimmings of poultry". A separate section gives the overall preparation time, and the average cost as, for example, "9d. per quart". Many recipes state in separate brief sections when a recipe is "seasonable and for how many persons it is "sufficient".
Finally, a "note" gives any required advice, such as "When stronger stock is desired, double the quantity of veal, or put in an old fowl." This highly structured presentation was the book's main innovation.

Oddities

Despite professing to be a guide of reliable information about every aspect of running a house for the aspirant middle classes, the original edition devotes 23 pages to household management, then discusses cooking for almost all of the other 900. Even with the emphasis on food, some of her cooking advice is so odd as to suggest that she had little experience preparing meals. For example, the book recommends boiling pasta for an hour and forty-five minutes. Like many other British people of her social class and generation, Mrs. Beeton adopted a distaste for unfamiliar foods, saying that mangoes tasted like turpentine, lobsters were indigestible, garlic was offensive, potatoes were "suspicious; a great many are narcotic, and many are deleterious", cheese could only be consumed by sedentary people, and tomatoes were either good or bad for a range of reasons.

Unlike earlier cookbook authors, such as Hannah Glasse, the book offered an "emphasis on thrift and economy". It also discarded the style of previous writers who employed "daunting paragraph[s] of text with ingredients and method jumbled up together" for what is a recognisably modern "user-friendly formula listing ingredients, method, timings and even the estimated cost of each recipe".

Plagiarism

In a critical letter, Mrs. Beeton's acquaintance Mrs. Henrietta Mary Pourtois English advised her that "Cookery is a Science that is only learnt by Long Experience and years of study which of course you have not had. Therefore my advice would be to compile a book from recipes from a Variety of the Best Books published on Cookery and Heaven knows there is a great variety for you to choose from." The recipes were largely copied from the most successful cookery books of the day, the copying in several cases unacknowledged in the text. The "variety" included Eliza Acton's Modern Cookery for Private Families and her The English Bread–Book, Elizabeth Raffald's The Experienced English Housekeeper, Marie-Antoine Carême's Le Pâtissier royal Parisien, Louis Eustache Ude's The French Cook, Alexis Soyer's The Modern Housewife or, Ménagère and The Pantropheon, Hannah Glasse's The Art of Cookery Made Plain and Easy, Maria Eliza Rundell's A New System of Domestic Cookery, and the works of Charles Elmé Francatelli.

In modern times Mrs. Beeton's practice has been criticised as plagiarism; Beeton's modern biographer Kathryn Hughes talks of her "lifting" and "brazenly copying" recipes from others, and says that this was "the way that cookery books had been put together from time immemorial ...". The New York Times said, "Isabella [Beeton] plagiarised only the best".  This led to the comment that "Mrs Beeton couldn't cook but she could copy". Hughes recounts that Beeton's "first recipe for Victoria sponge was so inept that she left out the eggs" and that her work was "brazenly copied ... almost word for word, from books as far back as the Restoration". The influential 20th-century food writer Elizabeth David dismissed her as "a plagiarist" and later wrote: "I wonder if I would have ever learned to cook at all if I had been given a routine Mrs. Beeton to learn from".

Illustrations

The 1907 edition runs to some 30 full-page colour plates and over 100 full-page illustrations in monochrome. These include photographs, such as of the housekeeper standing with hands behind her back in her kitchen (pictured), facing the first page of Chapter two, "The Housekeeper". An idea of the amount of detail may be gained from the fact that there are eleven illustrations of types of fish (one pictured), such as "steamed sole" and "soused mackerel", and another of "fish entrées".

One full-page colour plate (pictured) illustrated a range of puddings, showing jelly, raspberry cream, a centre dish piled high with fruits, a trifle, and an ornamental flowerpot containing a strawberry plant.

Another full-page colour plate (pictured) showed a variety of fruits including apricots, white and black cherries, white, red, and black currants, a melon, strawberries, and varieties of plums, all piled high on circular dishes or fruit stands.

Influence and legacy

Contemporary

The preface of Wilhelmina Rawson's Queensland Cookery and Poultry Book (1878), published in Australia, observes that: "Mrs. Lance Rawson's Cookery Book ... is written entirely for the Colonies, and for the middle classes, and for those people who cannot afford to buy a Mrs. Beeton or a Warne, but who can afford the three shillings for this."

The Oxford English Dictionary recognised that, by the 1890s, Beeton's name "was adopted as a term for an authority on all things domestic and culinary". The Robert Mondavi Institute for Wine and Food Science observed that "it was probably found in more homes than any other cookery book, and [was probably] the most often consulted, in the years 1875 to 1914".

A chapter of Sir Arthur Conan Doyle's novel A Duet, with an Occasional Chorus (1899) is entitled, "Concerning Mrs. Beeton"; a character declares: "Mrs. Beeton must have been the finest housekeeper in the world, therefore Mr. Beeton must have been the happiest and most comfortable man".

Modern

Mrs. Beeton has been described as "the grandmother of modern domestic goddesses", like Nigella Lawson and Delia Smith, who saw, as Beeton did, the need to provide reassuring advice on culinary matters for the British middle classes. However, while Lawson and Smith "insist that cooking can be easy, fun and uncomplicated", Beeton "acknowledges the labour and skill required to cook well".

The food writer and chef Gerard Baker tested and revised 220 of Beeton's recipes, and published the result as Mrs. Beeton: How To Cook (2011).

For the book's 150th anniversary in 2011, the Royal Society of Chemistry planned to feature one of Beeton's recipes. Due to the financial climate at the time in wake of the Great Recession, the Society selected Beeton's toast sandwich, a dish that Beeton included to cater to the less well-off.

In 2012 the food economist for the British television period drama Downton Abbey described Beeton's book as an "important guide" for the food served in the series.

In 2019, during Season 1 Episode 2 of "Good Omens" a Victorian style hardback book is used as a prop by the archangel Gabriel (played by Jon Hamm) as he visits the angel Aziraphale (played by Michael Sheen) at his book shop, and the binding is displayed at 1:17 into the episode. While the title of the episode is referring to a different book, the close-up shot of the binding and the width make it clear to the viewer that Jon Hamm's character is holding the 2,000 page full text, with "Modern Edition" added below the title on the spine.

Editions

The book has appeared in many editions, including:

Notes

References

External links

 The Book of Household Management, digital copy of 1st edition, 1861.

 Online version of Mrs Beeton's Book of Household Management with original illustrations (various formats)

1861 non-fiction books
Books involved in plagiarism controversies
Catering education in the United Kingdom
19th-century British cookbooks


شبكة أخبار الأنمي () هو موقع ويب عن أخبار صناعة الأنمي يبلغ عن حالة الأنمي، المانغا، ألعاب الفيديو، الموسيقى اليابانية الرائجة والثقافات الأخرى المتعلقة بالأوتاكو داخل أمريكا الشمالية، أستراليا واليابان. إضافة إلى ذلك، يبرز الموقع أحياناً أحداثاً مشابهة على مدار الأنجلوسفير والأماكن الأخرى في العالم. يقدم الموقع نشرات ومواد تحريرية أخرى، منتديات حيث يستطيع القراء مناقشة القضايا والأحداث الحالية، وموسوعة تحتوي على عدد كبير من الأنمي والمانغا مع معلومات عن الطاقم الياباني والإنجليزي، أغاني الشارة، ملخصات القصص، وتقييم المستخدمين.

أُسس في يوليو 1998 على يد جاستن سيفاكس، يصرح الموقع على أنه المصدر الرائد باللغة الإنجليزية للأخبار والمعلومات عن الأنمي والمانغا على الإنترنت. يدير الموقع مجلة بروتوكلتشر أدكتس. لدى الموقع نسخ منفصلة لمحتوياته الإخبارية موجهة نحو الجمهور في الولايات المتحدة، أستراليا والمملكة المتحدة.

التاريخ
أُسست شبكة أخبار الأنمي على يد جاستن سيفاكس في يوليو 1998. في مايو 2000، انضم رئيس التحرير الحالي كريستوفر ماكدونالد إلى طاقم تحرير الموقع، مستبدلاً رئيس التحرير السابق إسحاق ألكسندر. في يوليو 2002، أطلقت شبكة أخبار الأنمي موسوعتها، وهي قاعدة بيانات تعاونية لعناوين الأنمي والمانغا وتتضمن أيضاً معلومات عن الطاقم، الممثلين، والشركات المشاركة في إنتاج أو ترجمة تلك العناوين. في يناير 2007، أطلقت شبكة أخبار الأنمي نسخة منفصلة للجمهور الأسترالي. في 4 يوليو 2008، أطلقت شبكة أخبار الأنمي منصة الفيديو الخاصة بها بمكتبة من أفلام الأنمي القصيرة وأيضاً عرضها الإخباري الخاص ANNtv.

في خريف 2004، صار الطاقم التحريري في شبكة أخبار الأنمي مشاركاً بشكل رسمي في مجلة الأنمي بروتوكلتشر أدكتس؛ بدأت المجلة النشر تحت الرقابة التحريرية لشبكة أخبار الأنمي في يناير 2005. في سبتمبر 2004، سمت نشرة ساي فاي الإخبارية على الإنترنت، ساي فاي ويكلي، الموقع «موقع الويب للأسبوع».

المميزات
تنشر شبكة أخبار الأنمي القصص الإخبارية المتعلقة بالأنمي والمانغا المبحوث فيها من قبل طاقم شبكة أخبار الأنمي. المشاركون الآخرون، تحت سلطة العاملين التقديرية، يساهمون أيضاً في المقالات الإخبارية.

يحافظ الموقع على قائمة بعناوين الأنمي والمانغا، وكذلك الأشخاص والشركات المشاركة في إنتاج هذه العناوين، الذي يسميه «موسوعة». يستضيف الموقع العديد من الأعمدة الاعتيادية، بما فيها عمود سؤال-و-جواب «هيه أنسرمان (Hey Answerman)»، عمود نقد باسم «حياة الرف (Shelf Life)»، عمود للوسائل الإعلامية القديمة والمنسية باسم «الكنز المدفون (Buried Treasure)» من تأليف سيفاكس، وقائمة بالاختلافات المزعومة بين النسختين الأصلية والمعدلة من مسلسلات الأنمي بعنوان «قائمة التعديل (The Edit List)». أعضاء شبكة أخبار الأنمي أيضاً ينشرون مدوناتهم الخاصة باستضافة الموقع.

يستضيف الموقع المنتديات أيضاً، ويتضمن مواضيع لمرافقة كل عنصر أخبار بهدف المناقشة. تستضيف شبكة أخبار الأنمي قناة آي آر سي على شبكة WorldIRC، #animenewsnetwork. كان الموقع محجوباً في السعودية لأكثر من سنة لما اعتقد أنه يحتوي على مواد إباحية.

المصادر

وصلات خارجية
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مواقع ويب أسترالية
مواقع ويب أسست في 1998
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