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La iglesia de San Bartolomé es la iglesia más antigua de la ciudad de Logroño. Su construcción se remonta al , por lo que conserva en parte estilo románico, en la cabecera y en la parte inicial de la torre, y transcurre durante el , con el estilo gótico en desarrollo, construyéndose la magnífica portada ojival, que contiene algunas esculturas románicas que narran la vida del santo y otros pasajes de la Biblia.
La Iglesia de San Bartolomé está en el Hito N.º 9 en el Camino de Santiago Francés. Se encuentra a 612 km de Santiago de Compostela. Fue declarado Monumento Nacional en 1866.

Portada

La vistosa portada gótica, del  aunque con ciertas reminiscencias románicas, junto con la torre, es uno de los elementos más destacables de este templo.

Escenas del pórtico
Las escenas de la portada constan de 19 viñetas, representando en el lado izquierdo el martirio de San Bartolomé y en el derecho el hallazgo de sus restos.
De forma más detallada, si empezamos por el extremo derecho, vemos en la primera escena a San Bartolomé salvando a la hija lunática del rey Polemón, son tres cuadros, un hombre (1), una mujer(2) y el santo(3), el cuarto está vació pero podría haber estado Polemón ; en la segunda vemos al santo en un cuadro(5) y a un grupo de doncellas en otro(6), está evangelizando en la Corte; en la tercera, está expulsando al demonio de entre los ídolos paganos, y haciendo que el resto se convierta, enfadando así a algunos sacerdotes, consta de los siguientes cuadros, los sacerdotes (7), el ídolo Berith sobre una columna y debajo orando (8) y el santo con un cofre en la mano expulsando al demonio(9); en los siguientes dos cuadros (10,11) vemos como el santo es conducido por un soldado ante el rey Astiages. En el extremo izquierdo podría haber habido alguna escena más, puede que fueran destruidas al construir el Palacio de Monesterio. El cuadro doce está vacío. Los cuadros 13-16 Bartolomé derrota al ídolo Baldach, a quien Astiages adora y haciendo que le mande azotar por su enfado, pero le manda desollar vivo por parecerle insuficiente castigo. Podemos verle sujeto de los cuatro miembros siendo despellejado sobre una mesa que sujetan tres figuras femeninas: la lujuria, la vanidad y la pereza. Los cuadros 18 y 19 nos muestran a San Bartolomé predicando con su propia piel al hombro.

El tímpano
El tímpano de la portada, que muestra a Cristo Redentor entre la Virgen y San Juan, queda desplazado hacia abajo ya que en el  el cantero Pedro de Acha reforma el coro y hace una pequeña ventana para que entre luz. De esta reforma es fruto también el arco renacentista que sustenta este coro.

Estructura

La planta basilical consta de tres naves separadas por pilares octogonales cubiertas por una bóveda de crucería, resaltando el crucero y el ábside románico, ya que no hay retablo, aunque hubo en su día retablo mayor, de estilo dieciochesco, pintado en blanco y oro con gran semejanza al de los Santos Mártires de Calahorra.

La capilla funeraria del lado sur, acoge dos sarcófagos de piedra de estilo gótico de dos caballeros, de la familia Márquez (según la inscripción de 1341) o de la casa de Beláiz. Esta parece haber sido añadida a posteriori. Los féretros, muy similares, descansan sobre leones y las tapas representan sendos caballeros yacentes.

La torre
Durante los quince días que Logroño resistió el cerco del ejército francés en 1521, la torre fue atacada por la artillería enemiga sufriendo desperfectos, ya que se halla cerca de las murallas defensivas de la ciudad, y custodiaba la puerta de Herbentia, cerca del antiguo ayuntamiento. Años después se reconstruye en ladrillo, de estilo mudéjar con influencias aragonesas.

Durante la primera guerra civil carlista se ubicaba en la torre el telégrafo óptico.

Marcas de cantería

Se han identificado un total de 9 marcas de 7 tipos diferentes situadas en el exterior del templo, una de ellas un reloj de sol canónigo situado en un sillar reutilizado.

Otros usos y alrededores
En 1823, durante la desamortización, en el , fue usada como almacén para madera y como carbonera. También desaparecen todas las obras de arte que pudiera haber a excepción de los féretros tallados en piedra de estilo gótico. Tuvo otros usos como hospital militar, taller, cuadra... y a mediados del s. XIX se pensó en derribarla para construir con su piedra un teatro en el lugar en el que estaba el palacio episcopal (actualmente se encuentra en este lugar el mercado de abastos).

La plaza de San Bartolomé también ha sufrido transformaciones a lo largo del tiempo, en la Edad Media y principios del Renacimiento formaba parte del recorrido taurino y de los encierros, y hasta finales del  solo se podía acceder desde las calles Caballerías y Herrerías, haciendo de la plaza un espacio íntimo en el que se representaban obras teatrales, otros espectáculos y se organizaba un mercado, que siguió funcionando hasta 1930, ya que se construyó en el lugar el mercado de abastos de San Blas, ahora desmantelado.

Junto a la iglesia e incluso adosados a ella se edificaron varios edificios, algunos de los cuales han sido restaurados o derribados por lo que ahora se puede ver la parte del ábside desde el exterior. Entre los que la rodean se encuentra el Palacio de los Marqueses de Monesterio, que data de 1751 y fue propiedad de los marqueses de Monesterio y Lapilla. A lo largo de los años albergó instituciones como el Círculo Católico de Obreros, escuelas y el cine del Padre Marín y tras años sin uso alguno, ha sido reformado y reutilizado como edificio oficial.

Véase también
 Iglesia de Santa María de Palacio (Logroño)
 Javier Velasco Yeregui
 Anexo:Bienes de Interés Cultural de La Rioja (España)

Notas y referencias

 Carlos Álvarez González, Folleto del taller ¿Conoces Logroño? 2002-2003, Universidad Popular de Logroño. DL: LR-484-2002
 Rugo de Seya, Las parroquias de Logroño Volumen 2 de Temas y Autores Riojanos, pág 89-97, Wilsen, 1989, Facsímil de la edición de Logroño de 1941. ISBN 84-85918-45-2
 Módulo de Promoción y desarrollo de la escuela taller «Puente de Piedra», Guía de las parroquias antiguas de Logroño, 1992, Ayuntamiento de Logroño, ISBN 84-85375-49-1
 Breve descripción
 Descripción en La Rioja Turismo
 Riojanos en la red
 Arquivoltas

Logroño
Logroño
Logroño
Bienes de interés cultural de La Rioja
Iglesias de La Rioja (España)
Monumentos del Camino de Santiago
Edificios y estructuras de Logroño
Arquitectura románica de La Rioja
Bienes protegidos de España declarados en 1866
Elementos asociados con el Camino de Santiago (Unesco) en La Rioja
Logronzzo

Iglesia de San Bartolomé (Logroño)


Serri (sardisk: Sèrri) er en by og en kommune (comune) i provinsen Sud Sardegna i regionen Sardinien i Italien. Byen ligger i 640 meters højde og har 653 indbyggere (2016). Kommunen har et areal på 19,18 km² og grænser til kommunerne Escolca, Gergei, Isili, Mandas, Mandas og Nurri.

Referencer

Henvisninger

Kommuner i provinsen Sud Sardegna

Serri


Fonni (sardisk: Onne) er en by og en kommune (comune) i provinsen Nuoro i regionen Sardinien i Italien. Byen ligger i 1000 meters højde og har 3.944 indbyggere (2016). Kommunen har et areal på 112,27 km² og grænser til kommunerne Desulo, Gavoi, Lodine, Mamoiada, Orgosolo, Ovodda og Villagrande Strisaili.

Referencer

Henvisninger

Kommuner i provinsen Nuoro

Fonni


Kel balık (Amia calva), Amiiformes takımının günümüze kadar nesilini korumayı başaran tek türüdür ve Amiidae familyasının Amia cinsine aittir.

Kel balıklar Kuzey Amerika'da bulunurlar, uzun bir sırt yüzgeçleri ve bir sürü küçük pulları vardır.

En büyükleri 1 metre uzunluğa ve 7 kilo ağırlığa varabilir. Geceleri aktif olan yırtıcı balıklardır. Küçük balıklar, kurbağalar ve yengeçler ile beslenirler.

Üreme zamanları mayıs ile haziran aylarındadır ve bu zamanda erkekleri su bitkileri parçaları ile yuva yaparlar. Bu yuva inşaatı ve yumurtlama daima geceleyin gerçekleşir. Erkek balık, önce yumurtaları ve sonra da 8 ila 10 gün içinde yumurtadan çıkan yavruları korur.

Dış bağlantılar
 MN DNR
 Bowfin Anglers' Group
 FishBase info for Amiidae
 Bowfin info by Brent Courchene

Kaynakça

Asgari endişe altındaki hayvanlar
Amiiformes
1766'da tanımlanan balıklar

Kel balık


(6654) Luleå, denumire internațională (6654) Lulea, este un asteroid din centura principală de asteroizi.

Descriere
6654 Luleå este un asteroid din centura principală de asteroizi. A fost descoperit pe  la Observatorul La Silla în cadrul programului UESAC. Asteroidul prezintă o orbită caracterizată de o semiaxă mare de 3,15 ua, o excentricitate de 0,17 și o înclinație de 5,9° în raport cu ecliptica.

Vezi și
 Lista planetelor minore: 6001-7000
 Centura de asteroizi

Referințe

Obiecte astronomice descoperite în 1992
Centura de asteroizi

6654 Luleå


El Votanikos Arena o Estadio de Votanikos será en un futuro la futura casa del Panathinaikos FC, que abandonará el Estadio Olímpico de Atenas para mudarse a su nueva casa. Este recinto deportivo está situado en el barrio de Votanikos dentro de la ciudad de Atenas, que es una zona industrial importante que ha estado en declive desde hace varias décadas. En la actualidad alberga en su mayoría ruinas, y ha sido una necesidad urgente de renovación y mejora de esta zona. Si bien debido a muchos problemas este proyecto se encuentra parado.

Estadios de fútbol de Grecia
Pabellones de baloncesto de Grecia
Pabellones de voleibol de Grecia

Votanikos Arena


An anodyne is a drug used to lessen pain through reducing the sensitivity of the brain or nervous system. The term was common in medicine before the 20th century, but such drugs are now more often known as analgesics or painkillers.

The term anodyne derives from Greek anōdynos (), from an- (, "without") and odynē (, "pain"). Etymologically, the word covers any substance that reduces pain, but doctors used it more narrowly. Some definitions restrict the term to topical medications, including herbal simples such as onion, lily, root of mallows, leaves of violet, and elderberry. Other definitions include ingested narcotics, hypnotics, and opioids. In the 19th century, the primary anodynes were opium, henbane, hemlock, tobacco, nightshade (stramonium), and chloroform.

Certain compound medicines were also called by this name, such as anodyne balsam, made of castile soap, camphor, saffron, and spirit of wine, and digested in a sand heat. It was recommended not only for easing extreme pain, but also for assisting in discharging the diseased tissue that caused or occurred with the pain.

In literary usage, the word has escaped its strictly medical meaning to convey anything "soothing or relaxing" (since the 18th century) or even anything "non-contentious", "blandly agreeable", or unlikely to cause offence or debate.

See also
Hua Tuo
Mandrake

Notes

References
 .

Analgesics
History of pharmacy
Obsolete medical terms

Anodyne


The Battle of Newtown (August 29, 1779) was the only major battle of the Sullivan Expedition, an armed offensive led by Major General John Sullivan that was ordered by George Washington to end the threat of the Iroquois who had sided with the British in the American Revolutionary War. Opposing Sullivan's four brigades were 250 Loyalist soldiers from Butler's Rangers, commanded by Major John Butler, and 350 Iroquois and Munsee Delaware. Butler and Mohawk war leader Joseph Brant did not want to make a stand at Newtown, and instead proposed to harass the enemy on the march, but were overruled by Sayenqueraghta and other Indigenous war leaders.

This battle, which was the most significant military engagement of the campaign, took place at the foot of a hill along the Chemung River just outside what is now Elmira, New York.

Terrain
The engagement occurred along a tall hill, now called Sullivan Hill and part of the Newtown Battlefield State Park. The hillside, running southeast to northwest next to the Chemung River, was a mile long at its crest, which rose  above the road at its base leading into the Delaware village of Newtown. The slope of the hill was covered with pine and a dense growth of shrub oak. Hoffman Hollow, a marshy area of small hillocks and thick stands of trees, was just to the east of the hill. A small watercourse, called Baldwin Creek, ran through the hollow and emptied into the Chemung River (referred to as the Cayuga branch in Sullivan's reports). The creek followed the hill northwest on the opposite side from the river and had steep western banks.

Iroquois and British Preparation

In May 1779, in response to rumours of a planned American invasion of Iroquois territory, Butler, accompanied by five companies of Butler's Rangers and a detachment of the 8th Regiment of Foot, left Fort Niagara and established a forward operating base at Kanadaseaga located near the northern end of Seneca Lake. In the middle of August, Butler accompanied by about 300 Seneca and Cayuga warriors led by Sayenqueraghta, Cornplanter, and Fish Carrier moved south to the Chemung River where they were joined by Joseph Brant and Brant's Volunteers, as well as a number of Delaware.

Butler and Brant suggested that, because of the size and composition of Sullivan's forces, harassment raids would be more effective than making a stand. They were overruled by Sayenqueraghta, Cornplanter and the Delaware who selected a position on the north side of the Chemung River for an ambush.

The Rangers and their native allies hastily constructed a horseshoe-shaped camouflaged breastwork of logs about  up the southeast spur of the hill, within musket range of the road. The hill was used as both an observation point and a barrier to the approach of the Continental Army.

Expedition and battle
On August 26, 1779, Sullivan left Fort Sullivan, where the two columns of his army had converged, with an estimated 3200 well-armed troops. They marched slowly up the Chemung River with the intention of destroying the towns and crops of the Six Nations in central New York. Mid-morning on Sunday, August 29, about ten miles upriver from Fort Sullivan, the advance guard, three companies of riflemen formerly with the Provisional Rifle Corps of Col. Daniel Morgan, drew close to Butler's position. Suspecting an ambush, they halted and scouted the area. Between eleven and eleven-thirty they discovered the hidden breastwork and immediately notified Brigadier General Edward Hand. Hand dispatched his light infantry to take up firing positions behind the bank of Baldwin Creek. The defenders made several unsuccessful attempts at luring the Continentals into an ambush. As the extended army continued to arrive and assemble, Sullivan called a council of war with his brigade commanders. Together they devised a plan of attack.

The 1st New Jersey Regiment, commanded by Colonel Matthias Ogden, was detached from Brigadier General William Maxwell's New Jersey Brigade and sent west along the Chemung River to a position on Major Butler's flank. Similarly, the New York Brigade of Brigadier General James Clinton and the New Hampshire Brigade of Brigadier General Enoch Poor were dispatched together eastward, along a circuitous route through Hoffman Hollow, with the mission of approaching the hill's northeastern flank and then facing left in preparation for a full ahead assault upon the enemy. Meanwhile, Brigadier General Edward Hand's brigade and the remainder of Maxwell's brigade remained behind at the ready, bolstered by a provisional regiment composed of all the light infantry companies in the expedition. At the end of the first hour, the artillery of six three pounders, two howitzers, and a cohorn posted on a rise near the road, would open fire on the breastwork. The guns would signal General Hand to feint an attack upon the center of the horseshoe, at which time the brigades to the northeast would swing inward, climb to the summit of the hill and turn to the left to attack the rear of the breastwork. When the guns of Poor's and Clinton's attack were heard by Hand, his brigade would storm the works, supported by Maxwell's brigade, putting the defenders in a crossfire.

The plan was complex and conceived on short notice but the ultimate result was a defeat for Butler's Rangers and their Indigenous allies. Crossing the swampy marsh (which Sullivan termed a "morass") in Hoffman Hollow slowed the advance of Poor's and Clinton's brigades, disrupting the timing of the plan, and this provided just enough delay to allow Butler and the Iroquois to escape. The artillery barrage opened well before Poor and Clinton were in position which forced the Rangers and Iroquois back from the breastwork before they could be encircled. While some of the defenders turned and ran, the main body of Butler's forces skirmished with the Americans as they withdrew.

Nearly all of the Continentals' casualties occurred in the attack of Lieutenant Colonel George Reid's 2nd New Hampshire Regiment. Assigned to the extreme left of Poor's assault formation, it climbed where the slope was steepest and lagged considerably behind the rest of the brigade. Joseph Brant led a counterattack of Indigenous warriors and nearly encircled Reid. The next regiment in line, the 3rd New Hampshire Regiment of 28-year-old Lieutenant Colonel Henry Dearborn, about-faced, fired two volleys and attacked down the hill. Clinton, whose brigade was climbing the hill below and slightly to the right of Poor, sent his 3rd and 5th New York Regiments to help, and the counterattack was turned back.

After razing two Munsee Delaware villages and destroying all crops in the vicinity, Sullivan's army turned north and over the next three weeks destroyed numerous abandoned Seneca and Cayuga villages.

Sullivan's Casualties

Sources differ as to the number of American casualties. Captain James Norris of the 3rd New Hampshire recorded three dead and 36 wounded during the battle. In his report to George Washington, General Sullivan also reported three dead but increased the number of wounded to 39. Five of the wounded died from their wounds within three weeks of the battle bringing the total to eight dead.

Dead:
Lieutenant Nathaniel McCauley (died August 30 following amputation of his leg)
Private Abner Dearborn (nephew of Lieutenant Colonel Henry Dearborn died September 2)
Sergeant Demeret and Corporal Hunter
Josiah Mitchell, Sylvester Williams and two other privates.

Wounded:
Major Benjamin Titcomb
Capt. Elijah Clayes (died November 30, 1779)

Sgt. Oliver Thurston
28 additional wounded

Iroquois and British Casualties

Major Butler reported five of his Rangers killed or taken and three wounded as well as five killed and nine wounded among the Iroquois. American sources reported two prisoners taken, and twelve dead natives including a woman.

Legacy

In 1973 the Newtown Battlefield National Historic Landmark was established by the federal government, recognizing its significant history. The Landmark encompasses nearly  in the towns of Ashland, Chemung and Elmira.

Today, the site of the battle is partially obscured by the Wellsburg exit of Interstate 86 and New York State Route 17. Several roadside signs in the vicinity of the interchange mark various troop locations.

To commemorate the battle's 100th anniversary in 1879, a small parcel of land atop what is now known as Sullivan Hill was donated to create Newtown Battlefield Park. A  fieldstone tower was built. This tower collapsed during a thunderstorm on August 30, 1911. That same year,  of land including the park was deeded to the State of New York and named the Newtown Battlefield Reservation. A new  granite obelisk monument was erected and dedicated in 1912. Further expansion eventually resulted in the creation of the  Newtown Battlefield State Park.

The American Battlefield Trust and its partners have acquired and preserved an additional  of the battlefield adjacent to the Newtown Battlefield State Park.

In an effort to incorporate the Newtown Battlefield site into the National Park System, Congressional resolution H.R. 6866, which directed Secretary of the Interior Dirk Kempthorne to conduct a special resource study to evaluate the significance of the Newtown Battlefield and the suitability and feasibility of its inclusion in the National Parks System, was put forth for consideration by Congressman Randy Kuhl. The bill stalled in January 2009 after being referred to the Subcommittee on National Parks, Forests and Public Lands.

References

External links
Journals of Major General John Sullivan's Expedition online
Newtown Battlefield State Park
American Battlefield Trust map of the Battle of Newtown

1779 in the United States
Newtown
Newtown 1779
Newtown 1779
Newtown 1779
Newtown 1779
Chemung County, New York
Newtown 1779
Newtown
1779 in New York (state)

Battle of Newtown


Saleh Al-Sharabaty (Zarqa, 12 de setembro de 1998) é um taekwondista jordaniano, medalhista olímpico.

Carreira

Al-Sharabaty começou a jogar taekwondo aos sete anos de idade no Jabal Amman Center. Formado em Marketing pela Universidade de Ciências Aplicadas, conquistou a medalha de prata nos Jogos Olímpicos de Verão de 2020 em Tóquio, após confronto na final contra o russo Maksim Khramtsov na categoria até 80 kg.

Taekwondistas olímpicos da Jordânia
Taekwondistas nos Jogos Olímpicos de Verão de 2020
Medalhistas nos Jogos Olímpicos de Verão de 2020

Saleh Al-Sharabaty


Marco Manetti (* 15. Januar 1968 in Rom) und Antonio Manetti (* 16. September 1970 in Rom) sind italienische Schauspieler, Filmregisseure und Drehbuchautoren.

Nach Studium des Drehbuchschreibens bei Agenore Incrocci, Furio Scarpelli und Ettore Scola legte Antonio Manatti 1994 einen Kurzfilm vor, den er auf Video drehte. Einem Episodenbeitrag für De Generazione folgte 1997 Torino Boys, wie ersterer mit seinem Bruder Marco zusammen inszeniert. Marco arbeitete mit Vittorio Sindoni und drehte den Kurzfilm Passaparola, bevor er sich seinem Bruder anschloss. Vom gleichen Duo folgte 2000 der kommerzieller ausgerichtete Zora la vampira. Dem 2005 entstandenen Thriller Piano 17 ließen die Brüder Folgen für eine Fernseh-Krimiserie und 2011 L'arrivo di Wang folgen. Hin und wieder nahm Manetti Angebote als Schauspieler wahr.

Seit der Jahrtausendwende produzieren die Brüder Manetti ihre Filme selbst.

Filmografie (Auswahl)
 1997: Torino Boys
 2000: Zora la vampira
 2005: Piano 17
 2011: L'arrivo di Wang
 2012: Paura
 2013: Song 'e Napule
 2017: Ammore e malavita
 2021:  Diabolik

Weblinks

 Manetti bei mymovies (italienisch)

Einzelnachweise

Geschwister
Filmemacher-Duo

Gebrüder Manetti


An Carex xiangxiensis in uska species han Liliopsida nga ginhulagway ni Zheng Ping Wang. An Carex xiangxiensis in nahilalakip ha genus nga Carex, ngan familia nga Cyperaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Carex

Carex xiangxiensis


Skye Blue (nacida el 30 de julio de 1961 en Morristown) es una actriz pornográfica y directora estadounidense. Es presidenta y CEO de la compañía de cine para adultos, Platinum Blue Productions. En 2008, ingresó en el AVN Hall of Fame.

En 1994, Blue encontró a la actriz porno Summer Cummings, y mantuvieron una relación lesbiana, que duró varios años. Frente a las cámaras realizaron juntas muchos filmes mientras duró la relación, incluso lanzaron una página web juntas. Pero su relación personal y también comercial acabó en 2005.

Apariciones en TV & radio
Blue ha hecho numerosos cameos en varios programas de televisión y radio tanto dentro como fuera de los Estados Unidos, incluyendo The Jerry Springer Show, The Jenny Jones Show, y The Howard Stern Radio Show.

Referencias

Enlaces externos

Actrices pornográficas de Estados Unidos

Skye Blue


, stylized as BEMANI, is Konami's music video game division. Originally named the Games & Music Division (G.M.D.), it changed its name in honor of its first and most successful game, Beatmania, and expanded into other music-based games, most notably rhythm games such as Dance Dance Revolution, GuitarFreaks, and DrumMania.

Bemani games
Since 1997, Konami has released many different series of music games under the Bemani brand. Each series has a unique way of playing the game and detaches players from the typical hand held controller of modern game systems by using their whole body to control the game. Dance Dance Revolution lets players dance with their feet, Beatmania gives players a DJ style mixing board complete with turntable, ParaParaParadise is controlled with the players hands and arm by setting off motion sensors during the dance routine, and GuitarFreaks & DrumMania let players use simplified instruments to create music. Below are the Bemani series of video games in no particular order.

Beatmania

Modeled after nightclub DJs and mixing boards, Beatmania, known as Hip Hop Mania in North America and Beatstage in Korea, allows the player to "spin" the music with five activator keys and a turntable. The Beatmania series was the first Bemani game introduced and its successor is still the most popular Bemani game in Japan. With numerous releases in arcades and on video game platforms Beatmania set itself as a role model for future Bemani titles. The music featured in this series of games is still in use today in Beatmania IIDX and other Bemani games.

Beatmania IIDX

Continuing the Beatmania series, Beatmania IIDX (typically pronounced "Two Dee Ecks") was released in 1999. The rules of the game remain the same from Beatmania with the addition of two more keys giving players seven keys to play with along with the turntable. "IIDX" stands for 2 Deluxe, "Beatmania 2 Deluxe", as Konami gave the series an entire internal and external makeover. The deluxe versions of the arcade machines were bulked up with larger displays, a platform for players to stand on and literally feel the bass of the music, and other amenities. As time went on Konami ceased production of the standard cabinet and went exclusively with the deluxe cabinet.

Beatmania IIDX has been released on the PlayStation 2 and PC platforms for home players and continues to this day with arcade releases worldwide. In 2006, the game was released on the PlayStation 2 in North America for the first time, simply titled Beatmania.

Beatmania III

Built off the Beatmania gameplay, Beatmania III added a foot pedal to the five keys and turntable used by players. The Beatmania III series was short lived with only a few releases and a series run of only two years, ending in 2002. Many songs from Beatmania III were ported to the IIDX series as well as other Bemani games.

Dance Dance Revolution

Dance Dance Revolution, often initialized to DDR and also known in Europe as Dancing Stage, was first produced in 1998. The game is played by stepping to music on a dance platform with four pressure-sensitive arrow pads. The game has changed little since its introduction but has come a long way in terms of musical selection and visual appearance. While originally an arcade title, many versions of Dance Dance Revolution have been released on many different platforms including the Sony PlayStation 2, Sega Dreamcast, Nintendo Wii, and Microsoft Xbox. Other versions have also appeared on portable handhelds, cell phones, and as standalone TV plug'n'play devices. Dance Dance Revolution is commonly considered to be the most well-known BEMANI series outside of Japan.

Dance Dance Revolution Solo

An offshoot of the Dance Dance Revolution series, Dance Dance Revolution Solo added two additional arrows to the dance stage, but supported only single-player gameplay. The Solo series saw two major releases and two complementary releases before being canceled in 2001. Most of the music exclusive to Dance Dance Revolution Solo was reused in the main Dance Dance Revolution series.

Dance Maniax

Dance Maniax is an arcade video game controlled by two pairs of infrared motion sensors that detect movement of arms and legs. Several versions have been produced in 2000 and 2001. Instead of the usual concept of dropping notes in the genre (like Beatmania), they scroll up to the top of the screen instead. They can be judged as a "hit" or "miss", depending on the timing accuracy. The game featured a song list from Konami's in-house artists and Dancemania music label.

Pop'n Music

Released in 1998, Pop'n Music is like a simplified Beatmania. With larger, colorful buttons, no turntable, and easier note patterns, Pop'n Music presents players with a more childlike appearance. However Pop'n Music is viewed as every bit as difficult as Beatmania IIDX, with modes that use up to nine hand buttons at once, and having some songs that aren't keysounded. Pop'n Music is stylized with cute cartoony characters and a musical selection to match. The series continues to this day as one of the most popular Bemani games.

Pop'n Stage

Combining game elements from Dance Dance Revolution and Pop'n Music, Pop'n Stage takes the colorful buttons and lets players play the game on a stage with their feet. There was only one version of the game released.

GuitarFreaks and DrumMania

Also known as Gitadora in Japan, the combined series of GuitarFreaks and DrumMania are games that use simplified instruments after their namesake. GuitarFreaks uses a small, plastic guitar with three buttons known as "frets", a strum bar, and a motion sensor that players set off by pulling the neck of the guitar up and quickly down again. Despite the similarities, Guitar Freaks predates Guitar Hero by several years; in fact, the heads of RedOctane, Charles and Kai Huang, were reportedly inspired by the GuitarFreaks gameplay to develop the Western game's guitar peripheral and pitch its gameplay proposal for what would eventually become Guitar Hero.

Drum Mania lets players play a set of drums. Modeled after modern digital drum kits, the player strikes the appropriate piece with the drumsticks on cue with the music and failure to do so causes the song to sound incorrect. Many American players will recognize the Drum Mania setup from more recent games like Rock Band, which is unrelated to the Konami game.

Similar to the 5-key to 7-key upgrade from Beatmania to Beatmania IIDX, GuitarFreaks and DrumMania received a major gameplay overhaul with the 2010 release of GuitarFreaks XG and DrumMania XG, with a total of 5 frets and 9 drums respectively. While standard GuitarFreaks and DrumMania games were originally being released alongside the XG games, the latter has now become the primary focus of the series, with the last standard series game being V8, released in 2011. The XG series was rebranded in 2013 as simply "GITADORA".

Despite being separately released games that can be played independent of each other, Konami markets the GITADORA series as a pair that can be linked for co-operative play in the arcades. The two series continue to be released to this day.

Keyboardmania

A MIDI synthesizer game. Keyboardmania features a mini-musical keyboard and players create the primarily piano based music by striking the keys to the note patterns on the screen. Keyboardmania saw only three major releases before being canceled but features exceptionally difficult and unique gameplay for the Bemani series of games. "Real Mode" actually requires players to know how to play the piano in order to easily pass the songs.

Keyboardmania can be multi-session linked with certain versions of the GuitarFreaks and DrumMania series.

Para Para Paradise

Built around the Para Para dance style made popular in Japan, Para Para Paradise recreates official dance moves within the game by setting off arrows on screen by using players' hands under a set of motion sensors. The music in the game centers around Eurobeat and features songs from Konami and Avex Trax. Only three versions of the game were released as Para Para dancing fell out of mainstream popularity in Japan, and the series never saw light outside of the country beyond music game importers and localized Korean versions of the arcade machines.

Jubeat

Announced on December 22, 2007, Jubeat (pronounced "you beat", title changed to UBeat and Jukebeat in the American test releases) is similar to Whac-A-Mole, where players must tap the square-shaped panels on a touch screen when they light up. It was released in Japan in July 2008. A localized version of the game for North America was announced the month after with tests held at an arcade in Southern California alongside Dance Dance Revolution X. After two separate testing phases Konami canceled all plans to release the game in North American Arcades. Jubeat arcade presence is localized in Japan and several East Asian countries.  Free-to-Play adaptations for mobile were eventually released in 2010.  Japan received Jubeat Plus, available for iOS and Android. International regions received a localized version called Jukebeat, available solely on iOS. While the apps may appear similar, Jukebeat songlist is far more restricted and features different licences.

Bemani Pocket

Similar in style to Tamagotchi handhelds, the Bemani Pocket series released small, handheld versions of Dance Dance Revolution, Beatmania, and ParaParaParadise intended to be played with one's fingers. Rarer Pop'n Music and GuitarFreaks variants were produced later on.

Reflec Beat

Reflec Beat was first released on November 4, 2010. Its gameplay is similar to air hockey, but Reflec Beat uses fingers. Players must touch circular symbols that match the color of their line moving to the player at the right time. It features a one-on-one matching system. Mobile adaptations for iOS were made in 2011, with Japan receiving Reflec Beat Plus and international regions receiving a localized version called Reflec Beat + in 2012. Like Jukebeat, Reflec Beat + contains a more restricted song list, with no licensed tracks at all.

SOUND VOLTEX

SOUND VOLTEX was first released on January 18, 2012. Its gameplay involves four white buttons, two orange "FX" buttons, and two knobs, one blue and one pink. While the white and orange buttons are simply pressed or held, the knobs must be adjusted on cue with blue and pink lasers which quickly move left and right across the track. Similar to beatmania, this gameplay is meant to mimic a DJ controller, but places more focus on layering effects over the music. Besides music featured in other BEMANI series, many songs are arrangements of music from Touhou Project, and some are produced by Vocaloid artists. SOUND VOLTEX also holds regular song contests, officially called SOUND VOLTEX FLOOR, in which fans submit original songs (sometimes including artwork) for a chance to be part of the game's extensive setlist.

Dance Evolution ARCADE

A Kinect-based game called Dance Evolution ARCADE is also considered a part of Bemani series, previously being exclusive to Xbox 360. It was released on March 27, 2012. Its gameplay is similar to the original game, in which players must follow the in-game character's movements by touching and drawing line on the air correspondingly with the movement. The game ceased receiving e-Amusement service on August 31, 2016, discontinuing most cabinets that require constant e-Amusement connection, installing the offline patch and effectively terminating support for the game.

Mirai Dagakki FutureTomTom

Mirai Dagakki (ミライダガッキ) FutureTomTom was first released on June 20, 2013. Its gameplay involves hitting drums to match the notes on the screen, akin to Taiko no Tatsujin. The game ceased receiving e-Amusement service on July 31, 2015, discontinuing most cabinets that require constant e-Amusement connection, installing the offline patch and effectively terminating support for the game.

BeatStream

Released on July 17, 2014, and discontinued on March 1, 2017, its gameplay involves hitting notes that come from eight directions to an octagonal judgment lines within a wide touch panel. The notes have several types: some need to be held down, and some need to be slid. Similar to Beatmania IIDX, the player starts with 30% clear gauge (represented by a ring in the middle of the screen) and have to obtain at least 70% by the end of the game to pass the stage. The music library features a good number of songs from Vocaloid and Touhou Project, like Sound Voltex, but BeatStream does have its fair share of original songs. e-Amusement support for BeatStream ended on September 1, 2017, discontinuing most cabinets that require constant e-Amusement connection, rendering the game unable to run after boot and recycling cabinets for other games.

MÚSECA

First released on December 10, 2015, after five location tests, MÚSECA gameplay involves a pedal and five spinners which can be pressed, held or rotated, depending on the note type. One of MÚSECA most important aspects are the illustrations named Grafica. A Grafica gives the player GIFTs, which are in-game bonuses that are auto-triggered at some points of the charts, slightly modifying the chart lane's judgment line. GIFTs include Life Support, Score Gain, Play Risk, and Item Collect. Most Grafica characters have their own voices that play when they're triggered in-game. The game ceased receiving e-Amusement service on July 31, 2018, discontinuing most cabinets that require constant e-Amusement connection, installing the offline patch, recycling some cabinets for other games and effectively terminating support for the game.

NOSTALGIA

 was first released on March 1, 2017, available as an upgrade kit for BeatStream cabinets or as a new machine. The game serves as a spiritual successor to Keyboardmania, with its gameplay involving a keyboard-esque controller used to hit notes coming from the top of the screen. Unlike Keyboardmania though, the player does not have to hit a specific key, just one in the note's general area. Only one row of keys is used as well; while the cabinet does have black keys, they are solely for decoration. The touchscreen used by BeatStream is reused to navigate the game's interface. Similar to Keyboardmania, "Real" charts requires players to know how to play the piano in order to easily pass the songs.

DANCERUSH
DANCERUSH was first released on March 23, 2018. Similar to other Bemani series like Dance Dance Revolution and Dance Evolution, Dance Rush has three game modes: Light (up to two songs), Standard (up to two songs, plus Extra Stage) and Premium (record any song and upload them to YouTube). It uses Microsoft Kinect-like hardware and a touchpad-like dance stage. Dance Rush has four buttons for navigating the menu.

DANCE aROUND
Introduced on November 10, 2021, DANCE aROUND began location tests in select portions of the Japanese market through November 2021. Unlike its predecessors DANCERUSH or Dance Dance Revolution, DANCE aROUND uses cameras in combination with "real-time AI" to generate an avatar on screen that mimics the players movements in the real world. The game features two different styles of dancing: a simple mode using only hands, and an advanced mode that uses full body tracking. DANCE aROUND is most closely comparable to the Just Dance game series.

Martial Beat
Martial Beat was designed for the PlayStation in Japan in 2001. It is based on the players' actions by use of wristband sensors. The game was shipped in a modified Dance Dance Revolution cabinet, with the sensors and the game's art on it. Although there are two sets of selection buttons (as Dance Dance Revolution supported two players), the game is one player only. To play the game, one needs to follow the on-screen instructor, and when a red light turns on located on top of the screen, the player must perform the move by repeating the instructor.

Bemani artists

In addition to licensed music tracks, primarily from Toshiba EMI and Avex Trax, Konami employs a list of in-house artists to produce the music for its Bemani series, which in 2017 started being referred to as the "BEMANI Sound Team". These artists often go by pseudonyms when credited with their songs. Some Konami employees have broken off and become independent artists.

References

External links
Konami company website

Konami
Lists of video games by franchise

Bemani


Windon ist der Familienname folgender Personen:

 Colin Windon (1921–2003), australischer Rugbyspieler
 Keith Windon (1917–1998), australischer Rugbyspieler
 Marc Windon (* 1983), australischer Kameramann
 Stephen F. Windon (* 1959), australischer Kameramann

Siehe auch:
 Winden

Windon


Guillaume Lamy  (1641 - 15 de janeiro de 1683) foi um médico e filósofo francês, notório por sua filosofia antifinalista de inspiração epicurista, que exerceu uma influência significativa no pensamento materialista do século XVIII. Contribuiu especialmente ao debate em torno da natureza da alma, entretanto, também participou de diversas polêmicas científicas de sua época, criticando alguns dos consensos mais recentes da medicina da época a partir das ideias do epicurismo e da medicina grega antiga.

Pensamento
Lamy escreveu poucos livros, do quais se destaca a obra, publicada em latim no ano de 1669, De principiis rerum, onde expõe as concepções de mundo e matéria presentes no aristotelismo, no cartesianismo, e no epicurismo, do qual toma partido. Além disso, produziu dois textos entre a medicina e a filosofia, Discours anatomiques e Explication  mécanique et physique des functions de l'âme sensitive, o primeiro, especialmente, lhe rendeu acusações de impiedade na época. Sua participação nas polêmicas científicas é marcada pela oposição da teleologia implícita em proposições como as teorias do 'ovismo', como também elabora uma negação do antropocentrismo galenista, argumentando, alternativamente, pela similitude entre humano e animal enquanto seres materiais. Criticou igualmente as experiências de transfusão de sangue, tanto entre animais e humanos, quanto entre pessoas, alertando o perigo da mistura dos 'corpusculos' que compõe cada um, espécies e indivíduos, distintamente; cujo efeito, afirmava, podia ser uma alteração do humor no recepiente.

A teoria médica e filosófica elaborada por Lamy tenta prover uma explicação material das funções intelectuais, sem recurso à ideia de 'alma espiritual' e aos artigos de fé. Apresenta suas ideias na forma de conjunturas, equilibrando uma certa discrição demandada pela censura. O Discours anatomiques expõe sua compreensão da estrutura do cérebro, enfatizando sua vinculação com o corpo, cuja disposição, saúde e o consumo de substâncias como o ópio, afetam significativamente o funcionamento da cognição. Já na Explication  mécanique et physique... ele define a alma como um corpo sútil e ágil, concentrado no cérebro e nos nervos, e assim disperso por todo o corpo. Através dessa proposição, Lamy recupera a teoria epicurista, que concebe a alma como um modo particular de matéria, ao invés de explicá-la como um efeito da organização da matéria.

Posterioridade
A explicação materialista de Guillaume Lamy sobre a alma e as capacidades intelectuais humanas influenciaram fortamente o desenvolvimento do pensamento materialista posterior. Julien Offray de la Mettrie retomou frequentemente as proposições de Lamy, apresentando-as sob uma luz simpática, e considerando-o como um precursor. O textos de filosofia clandestina L'Amê matérialle reproduz passagens e ideias de Lamy. Influenciou, assim, algumas correntes do pensamento materialista e da filosofia libertina no século XVIII, especialmente na primeira metade do século.

Referências

Bibliografia

Materialistas
Filósofos epicuristas
Médicos do século XVII
Filósofos do século XVII
Filósofos da França

Guillaume Lamy


මාළිගාවිල බුදු පිළිමය ශ්‍රී ලංකාවේ මොණරාගල දිස්ත්‍රික්කයේ මාළිගාවිල ග්‍රාමයේ පිහිටා තිබේ. ශ්‍රී ලංකාවේ වූ පැරණි බුද්ධ ප්‍රතිමා අතුරින් විශාලතම අනාබද්ධ (සම්පූර්ණයෙන් ම වෙනම නෙළන ලද) ශෛලමය බුද්ධ ප්‍රතිමාව ලෙස මාළිගාවිල බුද්ධ ප්‍රතිමාව සැලකේ.

ඉතිහාසය
මහාවංශයට අනූව මෙම ප්‍රථිමාව, මහා තිස්‌සගේ සහ සංඝසිවා බිසවගේ වැඩිමහල් පුත්‍රයා වූ අග්ගබෝධි රජතුමන් විසින් කරවූ බව සඳහන් වේ. එසේම මහාවංශය ඇතුළු වෙනත් ලේඛන කිහිපයකම අරියකාර විහාරය, අරියකෝටි විහාරය, අරියකාරි, ආර්යකර ආදී නම් වලින් මාළිගාවිල හඳුන්වා දී තිබේ.  මාළිගාවිල ප්‍රතිමාව සහ ඒ ආසන්නව පිහිටි දඹේගොඩ මෛත්‍රී බෝධිසත්ව ප්‍රතිමාව අතීතයේදී එකම ආරාම සංකීර්ණයකට අයත්ව තිබෙන්නට ඇතැයි සැළකේ.

ප්‍රතිමාව
මාළිගාවිල බුදු පිළිමය වෙනත් ස්‌ථානයකදී නිම කිරීමෙන් අනතුරුව වත්මන් ස්ථානයට ගෙනැවිත් ඊට සුදුසු ආසනයක ප්‍රතිෂ්ඨාපනය කොට ඇති බවට විශ්වාස කෙරේ. ස්ඵටික හුණු ගලින් නිමවා ඇති එහි උස අඩි 37 අඟල් 10  ක්  වේ. පද්මාසනයත් සමග උස අඩි 41 යි අඟල් 10 කි. ප්‍රතිමාවේහි වූ ලක්ෂණ අනුව එය ක්‍රි.ව. 6– 8 සියවස් වලට අයත් වේ.

සංරක්ෂණය
1934 වර්ෂයේදි පුරාවිද්‍යා දෙපාර්තුමේන්තුවේ අවධානයට ලක්වූ මාළිගාවිල ප්‍රතිමාව 1936 වර්ෂයේදී පුරාවිද්‍යා ආරක්ෂිත ස්මාරකයක් බවට නම් කරන ලදී. කෙසේනමුදු 1948 වර්ෂයේදී නිදන් හොරුන් විසින් ප්‍රතිමාව විනාශ කොට දමන ලදුව 1951 වසරේදී ප්‍රදේශය ආශ්‍රිත කැණීම් ආරම්භ කරන ලදී.

මුල් සමයේ ප්‍රතිමාවෙහි උස අඩි 45ක් පමණ හා වැඩසිටි පද්ම පීඨයෙහි උස අඩි 4ක් පමණ වූ බව පැවසෙයි. නමුත් ප්‍රතිසංස්කරණයෙන් අනතුරුව ප්‍රතිමාවෙහි වර්තමාන උස අඩි 35 අඟල් 08 පමණ වේ.

මූලාශ්‍ර

මොණරාගල දිස්ත්‍රික්කයේ බෞද්ධ සිද්ධස්ථාන
මොණරාගල දිස්ත්‍රික්කයේ පුරාවිද්‍යා ආරක්‍ෂිත ස්මාරක

මාළිගාවිල බුදු පිළිමය


تقع قرية ليانة شرق مدينة بسكرة الجزائرية في دائرة زريبة الوادي. هي قرية تارخية أثرية، لا تزال تلك الآثار على حالها القديم؛ مساجد عديدة ومعاهد ومزارات للأولياء والصالحين ،ومقبرتين. امتازت ليانة عن الحواضر ثقافيا بالعديد من المعالم المتواجدة فيها: معهد سيدي الوردي .مسجد سي لمبارك.زاوية سيدي بوسبع حجات. مقام سيدي عيسى. مقام سيدي بوزاهر.

معرض الصور

مراجع

مدن الجزائر

ليانة


Jarrón con lirios es una pintura al óleo sobre lienzo realizada en 1889 por el pintor Vincent Van Gogh. Se conserva en el Museo Van Gogh de Ámsterdam. Es una de las obras realizadas cuando se encontraba ingresado en la clínica psiquiátrica en Saint–Rémy, una localidad cercana a Arlés.

Van Gogh tiene una obra similar, con el mismo nombre, aunque conocida también como Jarrón con iris, ubicada en el Museo Metropolitano de Arte de Nueva York.

En esta serie de obras sobre flores (Jarrón con aciano y amapolas, Jarrón con rosas, Jarrón japonés con rosas y anémonas) se perciben los influjos de las estampas japonesas, tema que le atrajo durante gran parte de su carrera artística y muy de moda entre la sociedad de su época, lo que le lleva a eliminar las sombras y ocupar gran parte del cuadro con densas flores y sus gruesos tallos.

Referencias

Véase también
 Posimpresionismo

Enlaces externos

Colecciones del Museo van Gogh
Cuadros de 1889
Pinturas de flores

Jarrón con lirios


An Specklinia feuilletii in uska species han Liliopsida nga ginhulagway ni Carlyle August Luer. An Specklinia feuilletii in nahilalakip ha genus nga Specklinia, ngan familia nga Orchidaceae.

Mabibilngan ini ha French Guiana. Waray hini subspecies nga nakalista.

Mga kasarigan

Specklinia

Specklinia feuilletii


Coşkun Aral (d. 1 Mayıs 1956, Siirt), Türk savaş muhabiri, fotoğrafçı, seyyâh, belgesel film ve televizyon yapımcısı.

Yaşamı
Coşkun Aral, 1 Mayıs 1956'da Siirt'te doğdu. Baba tarafı Kürt, Anne tarafı Arap asıllıdır. Okul hayatına İstanbul'da 14 Eylül İlkokulunda başladı, Oruç Gazi Ortaokulu ve Mecidiyeköy Lisesinde eğitimini tamamladı. Çocukluk yıllarında Doğan Kardeş ve Hayat dergilerini okuyarak büyüdü. Foto muhabirlik mesleğine 1974 yılında Günaydın ve Gün gazetelerinde başladı. 1976 yılından itibaren Ekonomi ve Politika gazetesinde meslek hayatına devam etti.

1977 yılında meydana gelen 1 Mayıs Olaylarında Savaş Ay ile beraber çektiği fotoğraflar, Sipa Press fotoğraf ajansı tarafından dünya basınına dağıtıldı. Bu olaya ilişkin fotoğraflarıyla ilk kez Amerikan Time ve Newsweek dergilerinde yer aldı. Bunu izleyen yıllarda Sipa Press'in Türkiye muhabirliğini üstlendi. Aynı dönemde Türk basınında da Türk Haberler Ajansı, Milliyet ve Hürriyet gazeteleri adına serbest muhabir olarak çalıştı. Burada Hikmet Feridun Es, Ara Güler, Ergin Konuksever, Atılay Kayaoğlu ve Gökşin Sipahioğlu gibi isimlerle beraber çalıştı.

1980 yılında ilk defa Sipa Press fotoğraf ajansı adına Türkiye dışında görev aldı. Polonya'da ünlü Gdańsk Grevi, İran-Irak Savaşı'ndaki çalışmalarıyla uluslararası piyasada da adını duyurdu. 12 Eylül Darbesi hakkındaki fotoğrafları, Newsweek ve Time'''ın yanı sıra Fransız L'Express haber dergisinde de kapak fotoğrafı olarak yayımlandı.

14 Ekim 1980 tarihinde Münih-İstanbul-Ankara seferi esnâsında kaçırılan Türk Hava Yolları uçağında, uçağı kaçıran hava korsanlarıyla bir mülâkat gerçekleştirmeyi başardı. Bu mülâkat ile ulusal ve uluslararası ödüller kazandı. 1980 yılından itibaren düzenli olarak savaş muhabirliği yaparak Lübnan, İran, Irak, Afganistan, Kuzey İrlanda, Çad ve Uzak Doğu'da meydana gelen savaşları fotoğrafladı. Freddie Mercury'nin doğduğu yer olan Zanzibar'ın Stone Town'a kentine gidip onu tanıyan insanlarla röportaj gerçekleştirdi. Sovyetler Birliği'nin Afganistan'ı işgali sırasında Ahmed Şah Mesud ile, Nevin Sungur ile beraber de Bob Marley'in kardeşiyle röportajlar gerçekleştirdi. Time, Newsweek, Paris Match, Stern, Epoca gibi dergiler adına foto muhabiri olarak çalıştı.

1985 yılında başlayan 32. Gün programıyla Mehmet Ali Birand'ın ekibine katıldı. Yapım ve yönetimini üstlendiği, yardımcılığını Meltem İnan'ın yaptığı Haberci programı, Türkiye'nin yanı sıra uluslararası televizyon kanallarında da yayımlandı.

Türkiye'nin ilk tematik televizyon kanalı İz Tv'nin kurucularından olan Aral, uzun yıllar bu kanalın yayın yönetmenliğini de üstlendi. 2006 yılında Avrupa'da verilen Hot Bird Televizyon Ödülleri'nden bir mansiyonla dönen İz Tv, 2007 ve 2009'da ise belgesel dalında ödüle layık görüldü.

2014'te İsveç'te Landskrona Fotoğraf Festivali tarafından seçilen Coşkun Aral, Landskrona'da çalışmalar yapması için konuk edildi. "Exodus" adını verdiği sergisi şehirde sergilendi.

2018 yılından beri Coşkun Aral Anlatıyor adlı YouTube kanalında anılarını, gazetecilik maceralarını ve güncel konular hakkında yapmış olduğu çalışmaları paylaşmaktadır. İz TV'nin TMSF'ye devrinden sonraki süreçte bahsi geçen kanaldan ayrılıp, yeni bir kanal olan Habitat TV'yi kurdu. Habitat TV, 11 Ocak 2021 tarihinde internet platformları ve uydu üzerinden yayın hayatına başladı.

Türkiye'de ve dünyada birçok sergisi açıldı. 2016 yılında Exodus Déjà vu adını verdiği mülteciler üzerine gerçekleştirdiği sergi projesi, 6 fotoğrafçının da katılımıyla Kuala Lumpur'da gerçekleşti.  Haziran 2017'de Ankara'da ve Kasım 2017'de İstanbul'da açılan Exodus Déjà vu sergisi, Şubat 2018'de Bangkok'ta gerçekleştirildi. Proje, dünyadan farklı fotoğrafçıların katılımıyla büyümeye devam ediyor. Aynı isimle kitabı da basılan sergi, dünyanın değişik bölgelerinde sergileniyor.

Coşkun Aral, günümüzde dünyanın çeşitli bölgelerinde bağımsız ve kurumsal belgeseller yapmaya devam ediyor.

 Fotoğraf sergileri

1983 - 85 yılları arasında çektiği savaş fotoğrafları Paris'te FNAC'da sergilendi.
Aynı yıllarda New York'ta Time Life Galerisi'nde savaş fotoğrafları sergilendi.
1988 yılında Ara Güler ile birlikte Danimarka ve Finlandiya'da birer sergi açtı.
1993 yılında Almanya'nın Düsseldorf kentinde yabancılar kültür merkezinde savaş ve insan konulu bir sergi hazırladı.
2001 yılının şubat ayında, Viyana'da Avusturya Kültür Bakanlığı Yabancılar Kültür Merkezi'nde savaş'' konulu fotoğraf sergisi açıldı.
2008 yılında Le Figaro dergisi tarafından seçilen fotoğrafı son 30 yıla damgasını vuran fotoğraflar arasında yer aldı ve Paris'te Luxembourg Bahçeleri'nde sergilendi.

Kitapları

1983 yılında aralarında National Geographic'in ünlü fotoğrafçısı Reza ve Yan Morvan'ın da bulunduğu dört savaş fotoğrafçısı ile birlikte hazırladığı "Galile'de Barış" başlıklı fotoğraf albümü Fransız Edition de Miniut yayınevi tarafından yayımlandı. Lübnan Savaşı'nı konu alan bu kitap, daha sonra Almanya ve Cezayir'de de basıldı.
Yine New York'ta, Pantheon Yayınevi tarafından son dönemin en iyi 31 savaş muhabirini içeren "War Torn" kitabında yer aldı.
1988 yılında "Türkiye: Bin Millik Büyük Serüven" başlıklı macera fotoğraf albümü yayımlandı.
1995 yılında Amerika Birleşik Devletleri'nde Fielding Worldwide Yayınevi tarafından biri "Savaş Tehlikeli Işık", diğeri "Dünyanın En Tehlikeli Yerleri" adlı iki kitabı yayımlandı.
2000 yılının Temmuz ayında ise, Aral'ın savaş muhabirliği yaptığı yıllardaki çalışmalarını içeren "Sözün Bittiği Yer" başlıklı fotoğraf albümü yayımlandı. Albümde, dünyada son 20 yılda gerçekleşen savaşlardan fotoğraflar yer alıyor.
2003 yılında Alkım Yayınları'ndan savaş anılarını derlediği "Ölümün Yakasında İliştirilmiş Hayatlar" başlıklı anıları yayımlandı.
2010 yılında Hotpoint - Ariston'un sponsorluğunda TEV yararına satışa sunulan "Annemin Yemekleri" adlı geleneksel yemek tariflerinin yer aldığı kitabı yayımlandı.
2015 yılında Nebil Özgentürk ve Can Dündar ile beraber hazırlamış olduğu "Biz Kültür Yolcuları" başlıklı belgesel kitap, DVD içeriğiyle birlikte yayımlandı.

Belgeselleri
Haberci (her biri 45 dakikalık 190 bölümden oluşan belgesel dizisi)
Global Vision ve Go East Go West (Almanya'da yayınlanan belgesellerin yapımcılığı)
Savaşın Tanıkları (her biri 50 dakikalık 4 bölümden oluşan belgesel dizisi)
Türkiye Notları (her biri 50 dakikalık 4 bölümden oluşan belgesel dizisi)
Abidin Dino Portresi (Biyografik Belgesel)
Pamir'den Van'a Özgürlüğün Nal Sesleri (Belgesel Film)
Anadolu Aslanı: Kangal (Belgesel Film)
Sonsuz Mavilikler Ülkesi Bodrum (Belgesel Film)
Dünya Güncesi (her biri 40 dakikadan oluşan belgesel dizisi, İZ TV'de yayınlanmaya devam ediyor.)
Türkiye Notları (her biri 40 dakikadan oluşan belgesel dizisi, İZ TV'de yayınlanmaya devam ediyor.)
Haberci İz Peşinde (her biri 30 dakikadan oluşan 13 bölümlük belgesel dizisi. (TRT TÜRK'te yayımlandı.)
Ülke Rehberi (her biri 4 dakikadan oluşan 52 bölümlük ülke tanıtıcı rehber niteliğinde dizi. TRT TÜRK'te yayımlandı.)
İstanbul'a Dokun (Türkiye'nin ilk 3D belgesel filmi, İZ TV)
Sınır Tanımayan Arılar (Belgesel - 2016)

Ödülleri

1980 ve 1981, Türkiye Gazeteciler Cemiyeti fotoğraf dalında başarı ödülü
1984 Nokta dergisi "Doruktakiler" ödülü
1996, Magazin Gazetecileri Derneği başarı ödülü
1996, Radyo ve Televizyon Gazetecileri Derneği'nden Cengiz Polatkan ödülü
1997 ve 1999, İstanbul Üniversitesi İletişim Fakültesi en iyi belgesel ödülü
1998, Çağdaş Gazeteciler Derneği en başarılı tv programı ödülü
1998, Türkiye Gazeteciler Cemiyeti belgesel dalında başarı ödülü
1998, Sedat Simavi Ödülleri'nin en iyi belgesel ödülü
1998 ve 1999, Marmara Üniversitesi İletişim Fakültesi en iyi belgesel ödülü
2001, Gazi Üniversitesi İletişim Fakültesi tarafından çocuk haklarına saygılı en iyi televizyon programı ödülü
2005, Çağdaş Gazeteciler Derneği tarafından Mahmut Tali Öngören televizyon programı ödülü
2012, ODTÜ Senatosu kararı uyarınca, mesleğinin gelişmesindeki öncü rolü, örnek kişiliği, ulusal ve uluslar arası başarıları ve ülkesine yaptığı katkılardan dolayı Üstün Hizmet Ödülü'ne layık görüldü.

Kaynakça

Dış bağlantılar

 Habitat TV Web Sitesi
 Habitat TV YouTube Kanalı
 Coşkun Aral & Emrah Safa Gürkan (2) , Devr-i Alem 101, 15 Mayıs 2022

1956 doğumlular
Siirt doğumlular
Yaşayan insanlar
Türk foto muhabirleri
Türk belgeselciler
Türk belgesel sunucuları
Türk gezginler
Türk savaş muhabirleri
Türk televizyon yapımcıları
Türk belgesel yönetmenleri
Savaş fotoğrafçıları
20. yüzyıl Türk gazetecileri
21. yüzyıl Türk gazetecileri
Sedat Simavi Ödülü sahipleri
Türkiye Gazeteciler Cemiyeti Başarı Ödülü sahipleri
Resim aranan kişiler
İran-Irak Savaşı muhabirleri
Kürt asıllı Türkler
Arap asıllı Türkler

Coşkun Aral


Galska ruža (majska ruža, vrtna ruža, lat. Rosa gallica), korisni listopadni mirisni grm iz roda ruža, porodica ružovki. Staništa su joj sunčana i suha mjesta, često uz rubove šuma, na livadama i pašnjacima. Raširena je po južnoj i srednjoj Europi, po zapadnoj Aziji i sjevernoj Africi.

Naraste do jedan metar visine, dubokog je i dobro razvijenog korijena, trnovitih grana i velikih mirsnih cvjetova s tamno ružičastim laticama koji cvatu od svibnja do srpnja.

Latinski naziv vrste "gallica" znači galska, francuska.

Izvori

Ruža

Galska ruža


Hacimbey, Sakarya ilinin Hendek ilçesine bağlı bir mahalledir.

Tarih
Hacimbey mahallesi ilk olarak Kafkasya'dan göçle gelen Abhazların kurduğu bir mahalledir.

Coğrafya
Sakarya il merkezine 50 km, Hendek ilçesine 12 km uzaklıktadır.

Nüfus

Dış bağlantılar
 Yerelnet

Hendek'in mahalleleri

Hacimbey, Hendek


Christopher T. Walsh NAS IoM AAA&S AAM (Boston, 16 de fevereiro de 1944 – 10 de janeiro de 2023) foi um professor Hamilton Kuhn de bioquímica e farmacologia na Escola de Medicina Harvard. Sua pesquisa se concentrou em enzimas e inibição das enzimas e, mais recentemente, focou no problema da resistência a antibióticos.  Foi eleito para a Academia Nacional de Ciências dos Estados Unidos em 1989.

Walsh morreu após uma queda em 10 de janeiro de 2023, aos 78 anos.

Infância e educação

Walsh ganhou sua graduação bacharelado em artes em biologia pela Universidade Harvard em 1965.  Na graduação, trabalhou com E. O. Wilson e publicou um artigo como primeiro autor na revista Nature, onde ele e seus colegas descreveram a composição da substância de trilha das formigas-lava-pés.  Ele fez pós-graduação na Universidade Rockefeller, onde obteve seu Ph.D. em ciências da vida em 1970.

Carreira

Walsh completou uma bolsa de pós-doutorado na Universidade Brandeis em 1972, e mais tarde naquele ano ingressou no corpo docente do Instituto de Tecnologia de Massachusetts como professor de química e biologia. Em 1987, ingressou no corpo docente da Escola de Medicina Harvard, onde permaneceu. Walsh foi autor de mais de 650 publicações em periódicos acadêmicos e treinou vários alunos de pós-graduação e pesquisadores de pós-doutorado.  Entre suas atividades profissionais, Walsh foi membro do Conselho de Governadores Científicos da The Scripps Research Institute, a American Philosophical Society, Academia Nacional de Ciências dos Estados Unidos, Institute of Medicine, Academia de Artes e Ciências dos Estados Unidos e a Sociedade Americana de Microbiologia.

Morte

Walsh morreu após uma queda em 10 de janeiro de 2023, aos 78 anos.

Publicações notáveis

Livros
Enzymatic Reaction Mechanisms (1978). Publicado por Freeman Inc ().
Antibiotics: Actions, Origins, Resistance (2003), por Christopher Walsh. Publicado por ASM Press ().
Post-translation Modification of Proteins: Expanding Nature's Inventory (2006), por C.T. Walsh. Publicado por Roberts and Company ().

Naturais de Boston
Bioquímicos dos Estados Unidos
Professores dos Estados Unidos
Professores da Escola de Medicina Harvard

Christopher T. Walsh


Bargenstedt Almanya'nın kuzeyinde Schleswig-Holstein eyaletinde, Dithmarschen iline bağlı bölge. 11,91 km² yüzölçümüne sahiptir. Nüfusu, 31 Mart 2010 itibarıyla 916 olarak tespit edilmiştir. Belediye Başkanlığı Jens Heuer tarafından yürütülmektedir.

Dış bağlantılar
 www.amt-meldorf-land.de

Bargenstedt


Die Kubanische Verfassung von 1976 ist die aktuell gültige Verfassung der Republik Kuba und damit die rechtliche und politische Grundordnung des Staates. Sie definiert Kuba als sozialistischen Staat der Arbeiter und Bauern und beruft sich auf Marx, Engels und Lenin sowie José Martí als ideologische Leitfiguren, folgt tatsächlich jedoch eng der von Stalin entwickelten Struktur der am Kommunismus ausgerichteten Ein-Parteien-Herrschaft, wie sie nach dem Modell der Sowjetunion auch in den übrigen realsozialistischen Staaten verfassungsmäßig abgesichert war. So definiert die kubanische Verfassung die Kommunistische Partei Kubas als "höchste führende Kraft der Gesellschaft und des Staates" (Artikel 5) und beschwörte bis 1992 die "brüderliche Freundschaft und Zusammenarbeit mit der Sowjetunion und anderen sozialistischen Staaten" (Präambel) – ähnliche Formulierungen enthielt beispielsweise die Verfassung der DDR von 1968. Die kubanische Verfassung ist die erste der westlichen Hemisphäre, die sich explizit auf den Sozialismus als politische Ideologie beruft.

In den Jahren 2018 und 2019 wurde die Verfassung grundlegend überarbeitet. So wurde erstmals seit der Revolution bestimmte Formen des Privateigentums anerkannt und die Unschuldsvermutung in das Rechtssystem eingeführt. Die Befugnisse des Staatspräsidenten wurden begrenzt und auf das wiedereingeführte Amt eines Regierungschefs übertragen. Ferner wurde der Klimawandel als Herausforderung erkannt. Ursprünglich sollten gleichgeschlechtliche Ehen in der Verfassung festgelegt werden, was jedoch zunächst nicht verwirklicht wurde. Die Verfassung von 2019 lässt jedoch die Möglichkeit für eine künftige Anerkennung.

Entstehungsgeschichte

Seit Februar 1959 galt das ohne demokratische Legitimierung durch die Revolutionsregierung erlassene Grundgesetz ("Ley Fundamental") als Übergangsverfassung. Fidel Castro hatte damit bereits kurz nach seinem Sieg sein überaus populäres und seit 1953 mehrfach wiederholtes Versprechen gebrochen, die zuvor gültige und durch den Militärputsch Fulgencio Batistas 1952 teilweise außer Kraft gesetzte Verfassung von 1940 mit all ihren verfassungsmäßigen Garantien wieder einzusetzen.

Die kubanische Verfassung wurde im Jahr 1975 erstellt und öffentlich zur Diskussion gestellt, bei der sich mehr als sechs Millionen Menschen beteiligten und Änderungsvorschläge zu mehr als 60 Artikeln machten, wobei allein die Regierung Entscheidungsbefugnis über die Einarbeitung der Vorschläge in den Entwurf hatte. Vorschläge außerhalb des von der Staatsführung unter Fidel Castro vorgegebenen Rahmens waren nicht möglich, ebenso wenig hatte die Bevölkerung freien Zugang zu politischen Informationen, die nicht unmittelbar von der Regierung kontrolliert wurden.
Am 15. Februar 1976 fand ein Referendum statt, bei dem 97,7 Prozent der Wähler für die Verfassung stimmten. Die Verfassung trat am 24. Februar 1976 in Kraft.

Inhalt
Die Verfassung besteht in ihrer Form von 1976 aus 12 Kapiteln und 141 Artikeln. Sie beinhaltet Prinzipien wie die Volkssouveränität und definiert den Sozialismus bzw. Kommunismus als Endziel der kubanischen Gesellschaft. Die Verfassung legt fest, dass alle Bürger gleiche Rechte und Pflichten genießen und verbietet die Diskriminierung nach Hautfarbe, Religionszugehörigkeit oder Geschlecht. Außerdem garantiert die Verfassung das Recht auf Arbeit, Schutz bei Krankheit und Invalidität, Erholung, Bildung, Sport und Kultur und die Freiheit der Religionsausübung.

Die Verfassung beinhaltet zudem das Recht, Beschwerden oder Anträge bei Behörden einzureichen und garantiert eine angemessene Antwortzeit. Die Verfassung regelt auch das politische System Kubas, wie die Wählbarkeit der staatlichen Organe und deren Rechenschaftspflicht nach den Prinzipien des demokratischen Zentralismus.
Auch die Verhinderung wirtschaftlicher Privilegierung durch die Abgeordneten der Nationalversammlung wird durch die Verfassung geregelt, die eine Lohnfortzahlung ihrer letzten Arbeitsstelle für die Dauer ihrer Abgeordnetentätigkeit vorschreibt.

Änderungen 1992 und 2002
Seit 1992 besteht die Verfassung aus 15 Kapiteln und 137 Artikeln. Wesentliche Veränderungen waren die Aufwertung der Religionsfreiheit, indem der Staat anstatt bisher als atheistisch nun als säkular definiert wurde, und die Garantien für die mit ausländischen Investoren abgeschlossenen Gemeinschaftsunternehmen, die nach dem bisherigen Wirtschaftsmodell ausgeschlossen waren.

Im Jahr 2002 wurde der Sozialismus als "unwiderruflich" in der Verfassung verankert. Mehr als 8,1 der 8,2 Millionen kubanischen Wahlberechtigten sprachen sich in einer Volksabstimmung für die Verfassungsänderung aus (98,9 %).

Siehe auch
 Kubanische Verfassung

Weblinks
 Constitución de la República de Cuba (spanisch, seit 2002 gültige Version)
 Kubanische Verfassung auf deutsch als PDF (Stand: 1992)
 Ley Fundamental de la República de Cuba (PDF; 218 kB) Grundgesetz von 1959 (spanisch)
 Kubanische Verfassung auf EcuRed (spanisch)
 Gesetzesinitiative zur Verfassungsänderung von 2002 (PDF; 133 kB)

Einzelnachweise

1976
Politik 1976

Kubanische Verfassung von 1976


L'Iran participe aux Jeux olympiques d'hiver de 2022 à Pékin en Chine du 9 au . Il s'agit de sa douzième participation à des Jeux d'hiver.

La délégation officielle compte trois athlètes et quatre officiels ; le slogan de la délégation pour ces Jeux est « puissant comme des montagnes, blanc comme neige, fier comme l'Iran ».

Athlètes engagés

Résultats

Ski alpin

Deux quota sont attribués au comité au terme de la saison 2021-2022.

Chez les femmes, Atefeh Ahmadi a notamment participé à deux mondiaux avec deux 46es places à la clé (slalom en 2019 et géant en 2021) ; en 2018, elle était proche de participer à ses premiers jeux à l'âge de 17 ans mais la fédération iranienne ne lui avait pas accordé le quota la jugeant trop jeune.

Chez les hommes, Hossein Saveh-Shemshaki avait participé aux jeux olympiques de Vancouver en 2010 avec son frère Pouria puis porte-drapeau de la délégation à Sotchi en 2014. Il revient en 2022 où il doit être aligné en slalom et en slalom géant.

Le 9 février il est suspendu pour toute la durée des Jeux en raison d'un contrôle positif à un stéroïde anabolisant.

Ski de fond

Si le fondeur Sattar Seid a bien pu décrocher un quota en ski de fond, il ne participe finalement pas aux jeux, qui aurait pu être sa quatrième olympiade, à la suite d'un test positif au Covid-19.

Danial Saveh Shemshaki est amené alors à le remplacer

Notes et références

Liens externes
 Iran aux Jeux de Pékin 2022 sur le site du CIO

Iran
2022
Sport en Iran en 2022

Iran aux Jeux olympiques d'hiver de 2022


Nisse may refer to:

 Nisse, Netherlands, a town in the municipality of Borsele
 Nisse (folklore), a mythical creature in Scandinavian mythology also known as Tomte
 Niels, a Scandinavian given name, as a pet form
 Nils, a Scandinavian given name, as a pet form

See also

 Nissedal, a municipality in the county of Telemark, Norway
 Nissa (disambiguation)

Nisse


Adeloneivaia catharina é uma espécie do gênero Adeloneivaia.

Saturniidae

Adeloneivaia

Adeloneivaia catharina


Pearys ekspedition til Grønland 1891-1892 var en polarekspedition, hvor Robert Edwin Peary, sr. satte sig for at undersøge, om Grønland var en ø, eller var en halvø til nordpolen. Peary sejlede fra Brooklyn i New York den 6. juni 1891 om bord på "SS Kite". Ombord var Aboard Josephine Diebitsch Peary, hvilket gjorde hende til den første kvinde på en polarekspedition. En ekspedition for at finde Peary blev arrangeret af Philadelphia Academy of Natural Sciences i 1892.

Besætning

Besætningen bestod ved siden af Robert E. Peary af følgende medlemmer:
 dr. Frederick Albert Cook, kirurg og etnolog
 John M. Verhoeff, mineralog og meteorolog
 Langdon Gibson, ornitolog
 Matthew Alexander Henson,
 Eivind Astrup,
 Josephine Diebitsch Peary, Pearys hustru
Han blev ledsaget af professorerne Benjamin Sharp og J.F. Holt begge zoologer fra akademiet.
 William E. Hughes, ornitolog
 dr. Robert N. Keely, jr., kirurg
 Levi Walter Mengel, entomolog
 Alexander C. Kenealy, korrespondent for New York Herald
 Frazer Ashhurst og
 W.H. Burk

Polarekspeditioner


Federico Bernardeschi (pronunția italiană: [federico bernardeski], n. 16 februarie 1994, Carrara, Italia) este un fotbalist italian profesionist care joacă ca mijlocaș pentru Juventus și echipa națională a Italiei.

Și-a început cariera cu Atletico Carrara și Polisportiva Ponzano. În 2003, s-a mutat în sistemul de tineret Fiorentina, unde a petrecut 10 ani, înainte de a petrece un sezon de împrumut la Crotone în timpul sezonului 2013-2014. S-a întors la Fiorentina în sezonul următor. În iulie 2017, a fost vândut lui Juventus.

La nivel internațional, a reprezentat Italia la nivel de tineret, debutând la seniori în 2016 și a fost membru al echipei naționale la UEFA Euro 2016.

Porecla lui este Brunelleschi, după faimosul arhitect Fillipo Brunelleschi, pentru tehnica și eleganța sa pe teren.

Carieră: primii ani
A început să joace fotbal la vârsta de șase ani la Atletico Carrara. Un an mai târziu, el s-a transferat la Ponzano, o școală de fotbal din Empoli, înainte de a ajunge la Fiorentina, care l-a introdus în grupul de vârstă "Pulcini", la vârsta de nouă ani în 2003.

După ce a trecut prin rândurile sistemului de tineret la Fiorentina, a petrecut sezonul 2013-14 în Crotone în Serie B. A debutat la 19 ani, la 8 septembrie 2013 împotriva echipei Pescara, când a intrat pe teren după 75 de Minute, înlocuindu-l pe Soufiane Bidaoui. La sfârșitul sezonului, Bernardeschi a marcat 12 goluri în 39 de apariții, iar Crotone și-a exercitat opțiunea de a dobândi jumătate din contractul de jucător în coproprietate.

Fiorentina
La 20 iunie 2014, Fiorentina a răscumpărat oficial jumătate din contractul lui Bernardeschi cu Crotone și a fost introdus în prima echipă sub conducerea lui Vincenzo Montella. În timpul sezonului 2014-15 a avut 10 apariții și trei goluri în toate competițiile, parțial împiedicat de o fractură la gleznă, care l-a ținut pe bară în noiembrie 2014. A debutat în seria A la 14 septembrie 2014, la vârsta de 20 de ani, când a intrat de pe bancă în minutul 57 într-o remiză de 0-0 împotriva lui Genoa. Patru zile mai târziu, el a debutat într-o victorie cu 3-0 acasă împotriva lui Guingamp în Europa League, în care a marcat primul gol pentru club. După ce s-a întors în echipă după accidentarea sa, a marcat primul său gol în Serie A în ultimul meci al sezonului, într-o victorie de 3-0 cu Chievo la 31 mai 2015.

El a primit tricoul cu numărul 10 la începutul sezonului 2015-16, purtat anterior de Giancarlo Antognoni și Roberto Baggio. La 26 noiembrie 2015, Bernardeschi a înscris două goluri într-o remiză cu 2-2 în deplasare cu Basel în etapa de grupe a Ligii Europa [10]. La 6 februarie 2016, Bernardeschi a marcat al doilea gol în Serie A, în timpul unei remize 1-1 împotriva Bolognei.

Juventus
La 24 iulie 2017, Bernardeschi a semnat cu Juventus pentru suma de 40 de milioane de euro pe un contract de cinci ani.

Carieră internațională
La 5 martie 2014, el și-a făcut debutul la Italia U-21, într-un meci de calificare Euro 2015 împotriva Irlandei de Nord. [14] A participat la Campionatul European de 21 de ani al UEFA sub conducerea lui Luigi Di Biagio. [15] În perioada 10-12 martie 2014, a fost chemat la echipa națională a Italiei de seniori de antrenorul Cesare Prandelli, ca parte a unui stagiu de evaluare a tinerilor jucători înainte de Cupa Mondială din 2014 [16], confirmat la următoarea întâlnire între 14 și 15 aprilie [17].

Bernardeschi a primit primul său apel la echipa de seniori a Italiei de către managerul Antonio Conte în martie 2016 pentru jocurile amicale împotriva Spaniei și Germaniei [18]. El a făcut debutul internațional pentru Italia pe 24 martie, venind de pe banca într-o remiză de 1-1 împotriva Spaniei și a fost implicat în golul marcat de Lorenzo Insigne. La 31 mai 2016, a fost numit în echipa lui Conte de 23 de jucători din Italia pentru UEFA Euro 2016. [20] El a făcut singura apariție a turneului la 22 iunie, în meciul final din grupă al Italiei, care s-a încheiat cu o înfrângere de 1-0 cu Irlanda. A marcat primul său gol internațional pe 11 iunie 2017, într-o victorie de 5-0 pe teren propriu împotriva lui Liechtenstein într-un meci contând pentru Cupa Mondială din 2018.

În iunie 2017, a fost inclus în echipa italiană de sub 21 ani pentru campionatul european sub 21 de la UEFA de către managerul Di Biagio. [23]

Referințe

Fotbaliști italieni
Fotbaliști ai lui Juventus
Fotbaliști ai Fiorentinei

Federico Bernardeschi


Andrew Feenberg (rođen 1943.) je profesor filozofije na sveučilištu Simon Fraser u Vancouveru. Njegovi glavni interesi su filozofija tehnologije, kontinentalna filozofija, kritika tehnologije te istraživanje znanosti i tehnologije.

Pozadina
Feenberg je studirao filozofiju gdje mu je mentor bio profesor Herbert Marcuse na Kalifornijskom sveučilištu u San Diegu te je doktorirao 1972. Za to vrijeme Feenberg je bio aktivan u pokretu Nove ljevice osnivanjem časopisa pod nazivom Alternative i sudjelovanjem u događajima u svibnju 1968. u Parizu.

Feenbergova filozofija tehnologije
Glavni Feenbergov doprinos filozofiji tehnologije je njegov stav za demokratsku transformaciju tehnologije.

Feenberg pruža teorijske osnove za ovu ideju u okviru Kritičke teorije tehnologije koju razvija u tri knjige: Kritička teorija tehnologije (1991.) (ponovno objavljena kao Transformiranje tehnologije: Preispitivanje kritičke teorije, 2002.), Alternativna suvremenost: Tehnički zaokret u filozofiji i društvenoj teoriji (1995.), i Ispitivanje tehnologije (1999.). Temelj Feenbergove kritičke teorije tehnologije je koncept dijalektičke tehnološke racionalnosti koji on naziva instrumentalizacijskom teorijom. Instrumentalizacijska teorija kombinira društvenu kritiku tehnologije poznatu iz filozofije tehnologije (Karl Marx, Herbert Marcuse, Martin Heidegger, Jaques Ellul) sa zaključcima koji su izvučeni iz empirijskih istraživanja u znanosti i tehnologiji. Primjena njegove teorije uključuje istraživanja online obrazovanja, Minitela, Interneta i digitalnih igara.

Feenberg je također objavio knjige i članke o raznim filozofima (Herbert Marcuse, Martin Heidegger, Jürgen Habermas, Karl Marx, Georg Lukacs i Kitarō Nishida).

Objavljena djela

Knjige
Autor:
 Lukacs, Marx i izvori kritičke teorije (Rowman i Littlefield, 1981.; tisak Sveučilište Oxford, 1986.)
 Kritička teorija tehnologije (tisak Sveučilište Oxford, 1991.), kasnije ponovno objavljena kao Transformiranje tehnologije (tisak Sveučilište Oxford, 2002.)
 Alternativna suvremenost (tisak Kalifornijsko sveučilište, 1995.)
 Ispitivanje Tehnologije (Routledge, 1999.)
 Transformiranje tehnologije: Preispitivanje kritičke teorije (tisak Sveučilište Oxford, 2002.)
 Heidegger i Marcuse: katastrofa i pomirenje povijesti (Routledge, 2005.)
 Između razuma i iskustva: Eseji tehnologije i suvremenosti (tisak MIT, 2010.)
 Filozofija prakse: Marx, Lukacs i Frankfurtska škola (tisak Verso, 2014.)
Urednik:

 u suradnji s R. Pippen i C. Webel, Marcuse: Kritička teorija i obećanje o Utopiji (tisak Bergin i Garvey, 1988.)
 u suradnji s A. Hannay, Tehnologija i politika znanja (tisak sveučilište Indiana, 1995.)
 u suradnji s T. Misa i P. Brey, Suvremenost i tehnologija (tisak MIT, 2003.)
 u suradnji s D. Barney, Komuniciranje u digitalnom dobu (Rowman i Littlefield, 2004.)
 u suradnji s W. Leiss, Suština Marcusea: Odabrani spisi filozofa i socijalnog kritičara Herberta Marcusea (tisak Beacon, 2007.)

Izvori

Vanjske poveznice
 Dr. Andrew Feenberg: Deset paradoksa tehnologije - video na YouTubeu na kanalu sveučilišta Simon Fraser
 Kvaliteta digitalnog obrazovanja: kritička pedagogija i filozofija tehnologije, intervjuu s Petrom Jandrićem (Knowledge Cultures, 3(5), str.132-148, 2015.)
 Andrew Feenberg u razgovoru s Laureanom Ralónom, Figure/Ground, 18. kolovoza 2010.

Filozofi
Životopisi, SAD

Andrew Feenberg


Agave rzedowskiana ist eine Pflanzenart aus der Gattung der Agaven (Agave). Ein englischer Trivialname ist "Rzedowskiana´s Agave".

Beschreibung
Agave rzedowskiana wächst gruppenbildend mit einem Durchmesser von 50 bis 80 cm. Die grünen bis bläulichen, linealischen bis dreikantigen variabel angeordneten Blätter sind 11 bis 50 cm lang und 7 bis 14 cm breit. Die Blattränder sind fein gezahnt. Der rötliche bis braune Enddorn wird bis 2,5 cm lang.

Der rispige, gerade bis gebogene Blütenstand wird 0,4 bis 1,7 5 m hoch. Die grünen bis purpurfarbenen, zahlreichen, trichterförmigen Blüten sind 20 bis 25 mm lang, erscheinen am oberen Teil des Blütenstandes und bilden sich bis zur Spitze. Die Blütenröhre ist bis 10 mm lang.

Die kugelförmigen bis länglichen, dreikammerige Kapselfrüchte sind 7 bis 13 mm lang und 6 bis 9 mm breit. Die schwarzen, halbkugeligen, dreikantigen Samen sind 2,5 bis 3 mm lang und 1 bis 2 mm breit.

Die Blütezeit reicht von Februar bis März.

Systematik und Verbreitung
Agave rzedowskiana wächst in Mexiko in den Bundesstaaten Jalisco und Sinaloa an steinigen, steilen  Hängen in Waldland in 1600 bis 1700 m Höhe. Sie ist vergesellschaftet mit Agave pedunculifera, Agave guadalajarana, Agave pedunculifera, Mammillaria scrippsiana und zahlreichen Sukkulentenarten.

Die Erstbeschreibung durch Pablo Carillo-Reyes, Rito Vega Aviña und Raymundo Ramírez-Delgadillo ist 2003 veröffentlicht worden.

Agave rzedowskiana ist ein Vertreter der Gruppe Striatae und ist verstreut an steinigen, steilen Hängen im westlichen Teil von Sierra Madre Occidental angesiedelt. Typisch sind die engen, gefurchten, harten, dicken, fleischigen, variabel angeordneten Blätter, die Agave striata subsp. falcata ähneln. Agave rzedowskiana ist nahe verwandt mit Agave dasylirioides und Agave petrophila, die jedoch in unterschiedlichen Höhenlagen vorkommen. Gleichwohl sind Unterschiede in Größe, Form, Blatt- und Blütenstruktur erkennbar.

Literatur
 Abisai Garcia-Mendoza, Esteban Martinez Salas: Una nueva especie de Agave, subgenero Littaea (Agavaceae) de Guerrero y Oaxaca, Mexico. In: Sida. Band 18, 1998, S. 227–230 (online).

Einzelnachweise

Agaven
Rzedowskiana

Agave rzedowskiana


The Nomenclature of Territorial Units for Statistics (NUTS) is a geocode standard for referencing the administrative division of Denmark for statistical purposes. The standard is developed and regulated by the European Union. The NUTS standard is instrumental in delivering the European Union's Structural Funds. The NUTS code for Denmark is DK and a hierarchy of three levels is established by Eurostat. Below these is a further levels of geographic organisation - the local administrative unit (LAU). In Denmark, the LAU 1 are municipalities and the LAU 2 is Parishes.

Overall

NUTS codes

Local administrative units
Below the NUTS levels, the two LAU (Local Administrative Units) levels are:

The LAU codes of Denmark can be downloaded here:

NUTS codes

Before 2003
In the 2003 version, before the counties were abolished, the codes were as follows:

See also
 Administrative divisions of Denmark
 FIPS region codes of Denmark
 ISO 3166-2 codes of Denmark

References

Sources
 Hierarchical list of the Nomenclature of territorial units for statistics - NUTS and the Statistical regions of Europe
 Overview map of EU Countries - NUTS level 1
 Overview map of EU Countries - Country level
 Overview map of EU Countries - NUTS level 1
 Correspondence between the NUTS levels and the national administrative units
 List of current NUTS codes
 Download current NUTS codes (ODS format)
 Regions of Denmark, Statoids.com

Denmark
Nuts

NUTS statistical regions of Denmark


Erika Dobosiewicz (Varsóvia, 5 de novembro de 1967-Cidade de México, 30 de março de 2023) é uma violinista polonesa que morou no México. Ela foi a concertista da Orquestra Filarmônica da Cidade de México.

Biografia

Primeiros anos
Nascida na Varsóvia Polonia, cresceu num ambiente musical, pois alguns dos seus familiares dedicavam-se à música.

Erika Dobosiewicz estudou música na Universidade da Música Fryderyk Chopin em Varsóvia, graduando-se com louvor. Mais tarde, ela completou seus estudos de pós-graduação na Bélgica, no Royal Conservatory of Music em Gante.

Ela chegou ao México em 1992, convidada pelo diretor Luis Herrera de la Fuente para participar no Festival Musical Internacional de Morelia.

Reconhecimentos
 Premio no concurso de violín "Ruth Railton" em Varsóvia, Polónia.
 Concurso da Música de Cámara en el Festival de Schleswig-Holstein en Alemanha
 Concurso Internacional da Música de Cámara de Lodz, Polónia.
 Concurso Ravel em Saint Jean de Luz na França
 Primer lugar no Concurso Internacional "Henryk Szeryng". 1992, Toluca, México.

Discografia
 La musique mexicaine au XXe siècle, vol. II. Quindecim, 1999
Piramidal: Barroco Hispanoamericano. Urtext, 2004

Ligações externas

Violinistas do México
Naturais de Varsóvia
Maestros do México
Polacos expatriados no México

Erika Dobosiewicz


In crystallography, the monoclinic crystal system is one of the seven crystal systems.  A crystal system is described by three vectors. In the monoclinic system, the crystal is described by vectors of unequal lengths, as in the orthorhombic system. They form a parallelogram prism. Hence two pairs of vectors are perpendicular (meet at right angles), while the third pair makes an angle other than 90°.

Bravais lattices

Two monoclinic Bravais lattices exist: the primitive monoclinic and the base-centered monoclinic.

For the base-centered monoclinic lattice, the primitive cell has the shape of an oblique rhombic prism; it can be constructed because the two-dimensional centered rectangular base layer can also be described with primitive rhombic axes. The length  of the primitive cell below equals  of the conventional cell above.

Crystal classes

The table below organizes the space groups of the monoclinic crystal system by crystal class. It lists the International Tables for Crystallography space group numbers, followed by the crystal class name, its point group in Schoenflies notation, Hermann–Mauguin (international) notation, orbifold notation, and Coxeter notation, type descriptors, mineral examples, and the notation for the space groups.

Sphenoidal is also called monoclinic hemimorphic, domatic is also called monoclinic hemihedral, and prismatic is also called monoclinic normal.

The three monoclinic hemimorphic space groups are as follows:
 a prism with a wallpaper group p2 cross-section
 ditto with screw axes instead of axes
 ditto with screw axes as well as axes, parallel, in between; in this case an additional translation vector is one half of a translation vector in the base plane plus one half of a perpendicular vector between the base planes.

The four monoclinic hemihedral space groups include
 those with pure reflection at the base of the prism and halfway
 those with glide planes instead of pure reflection planes; the glide is one half of a translation vector in the base plane
 those with both in between each other; in this case an additional translation vector is this glide plus one half of a perpendicular vector between the base planes.

In two dimensions

The only monoclinic Bravais lattice in two dimensions is the oblique lattice.

See also
Crystal structure
Crystal system

References

Further reading

Crystal systems

Monoclinic crystal system


بلدية ألباتانا (بالإسبانية: Albatana) هي بلدية تقع في مقاطعة البسيط التابعة لمنطقة كاستيا لا مانتشا وسط إسبانيا.

الديموغرافيا
بلغ عدد سكان بلدية ألباتانا 794 نسمة عام 2011 (وفقاً للمعهد الوطني الإسباني للإحصاء).

مراجع

مصادر
  الموقع الرسمي لبلدية ألباتانا

أماكن مأهولة في البسيط
بلديات البسيط

ألباتانا


Two ships of the United States Navy have been named USS Guadalcanal, after the epic Battle of Guadalcanal in the Solomon Islands during World War II.

 The first  was an escort carrier in service from 1943 to 1946.
 The second  was an  in service from 1963 to 1994.

United States Navy ship names

USS Guadalcanal


Ratko Ninković (Višegrad, 16. travnja 1967.), bosanskohercegovački nogometni trener i bivši nogometaš. Vodio je nekoliko hrvatskih klubova u Hrvatskoj i BiH.

Životopis
Rođen u Višegradu, a u Sarajevu od osme godine. Diplomirao na pravnom fakultetu. Završio višu trenersku. Posjeduje Uefinu "PRO" diplomu, Uefinu "A" diplomu te Uefinu "B" diplomu.

Polaznik je prva naraštaja bh. trenera s UEFA-inom profesionalnom licencijom.

Igračka karijera
Igrati je nogomet počeo u sarajevskom Željezničaru u kojem je proveo šest godina, od 1985. do 1991. godine. Nakon toga otišao je igrati nogomet u inozemstvo, u Australiju (Adelaide), Maleziju (Penang) i Nizozemsku (Sparta, Spijkenisse), gdje je okončao karijeru 1999. godine.

Trenerska karijera
Trenerskim se poslom bavi od 2000. godine i povratkom u BiH. Bio je trener Famosa iz Hrasnice dvije sezone, nakon toga u mladoj momčadi Željezničara. 2005. izabran je za glavnog trenera Željezničara. Ondje nije ostao dugo i već ožujka sljedeće godine odstupio je s dužnosti. Bio je glavnim trenerom u čitlučkom Brotnju. Od ljeta 2007. trenirao je Zvijezdu iz Gradačca u kojoj se afirmirao kao trener. Drugoligaša Zvijezdu preuzeo je na polusezoni i odveo u najviši razred bosanskohercegovačkog nogometa. 5. srpnja 2010. preuzeo je hrvatskog ligaša Segestu iz Siska u kojoj je ostao do siječnja 2011. godine. U Hrvatskoj je šest godina bio trenerom HAŠK-a iz Zagreba. Po tome je postao najdugovječniji trener u Hrvatskoj. U HAŠK-u je ostvario izvrsnu suradnju s upravom. Ostvarili su s uspjehom koncepciju stvaranja i razvitka mladih igrača, rasta u svim kategorijama od seniora do najmlađih kategorija. Sa zadovoljstvom je istaknuo da su profilirali podosta mladih igrača koji danas igraju u trećoj, drugoj i prvoj ligi. Zbog umora podnio je ostavku krajem rujna 2017. godine. Od 30. siječnja 2018. vodi Slogu iz Simin Hana, drugoplasiranog ligaša FBiH.

Izvori

Životopisi, Višegrad
Životopisi, Sarajevo
Bosanskohercegovački nogometaši
Bosanskohercegovački nogometni treneri
Treneri HNK Segeste
Srbi u Bosni i Hercegovini

Ratko Ninković