A bansuri is an ancient side blown flute originating from India and Nepal. It is an aerophone produced from bamboo and metal like material used in many nepali lok songs.

A bansuri is traditionally made from a single hollow shaft of bamboo with seven finger holes. Some modern designs come in ivory, fiberglass and various metals. The six hole instrument covers two and a half octaves of music. The bansuri is typically between  and  in length, and the thickness of a human thumb. One end is closed, and few centimeters from the closed end is its blow hole. Longer bansuris feature deeper tones and lower pitches. The traditional design features no mechanical keys, and the musician creates the notes they want by covering and uncovering the various finger holes.

The bansuri-like flute is depicted in ancient Buddhist, Hindu and Jain temple paintings and reliefs, and is common in the iconography of the Hindu god Krishna. it is intimately linked to the love story of Krishna and Radha. The bansuri is revered as Lord Krishna's divine instrument and is often associated with Krishna's Rasa lila dance. These legends sometimes use alternate names for this wind instrument, such as the murali. However, the instrument is also common among other traditions such as Shaivism. The early medieval Indian texts also refer to it as vaṃśi, while in medieval Indonesian Hindu and Buddhist arts, as well as temple carvings in Java and Bali dated to be from pre-10th century period, this transverse flute has been called wangsi or bangsi. There are many origins of bansuri but the word bansuri itself is a Nepali word and is a traditionally used musical instrument of Nepal. Bansuri is an musical instrument mostly used in Nepal, according to various religious books Lord Krishna used muralie not bansuri so it is very important to know the difference between bansuri and muralie

Etymology and nomenclature

The word bansuri originates in the bans (बाँस) [bamboo] + sur (सुर) [melody].

A phonetically similar name for the same instrument, in early medieval texts, is the Sanskrit word vaṃśi which is derived from root vaṃśa (Sanskrit: वंश) meaning bamboo. A flute player in these medieval texts is called vamsika.

Other regional names of -style, six to eight play holes, bamboo flutes in India include , , , , , , , , , , , , , , , , , , , and .  The instrument is also used in Nepal, under the name Bām̐surī (बाँसुरी). Nepalese also use the word murli (मुरली), but that word can mean not only flute or fife, but also a reed instrument.

Ancient regional innovations, such as those in the Himalayan foothills of India, developed more complex designs, such as the  which is a "twin bansuri" in different keys constructed as a single instrument, allowing the musician to play more complex music. In central and south India, a similar innovation is called  or , and Buddhist stupa reliefs in central India, from about the 1st century BCE, depict the single and twinned flute designs.

History
According to Ardal Powell, flute is a simple instrument found in numerous ancient cultures. According to legends the three birthplaces of flutes are Egypt, Greece, and India. Of these, the transverse flute (side blown) appeared only in ancient India, while the fipple flutes are found in all three. It is likely, states Powell, that the modern Indian bansuri has not changed much since the early medieval era. However, a flute of a somewhat different design is evidenced in ancient China (dizi) which Powell, quoting Curt Sachs' The History of Musical Instruments, suggests may not have originated in China but evolved from a more ancient Central Asian flute design. It is, however, not clear whether there was any connection between the Indian and Chinese varieties.

The early medieval Indian bansuri was, however, influential. Its size, style, bindings, mounts on ends and playing style in medieval Europe artworks has led scholars, such as Liane Ehlich, a flute scholar at the music school in the University of Lucerne, to state that the bansuri (venu) migrated from India into the Byzantium Empire by the 10th century and from there on to medieval Europe where it became popular.

The flute is discussed as an important musical instrument in the Natya Shastra (~200 BCE to 200 CE), the classic Sanskrit text on music and performance arts. The flute (Venu or Vamsa) is mentioned in many Hindu texts on music and singing, as complementary to the human sound and Veena (vaani-veena-venu). The flute is however not called bansuri in the ancient, and is referred to by other names such as nadi, tunava in the Rigveda (3000–2500 BCE) and other Vedic texts of Hinduism, or as venu in post-Vedic texts. The flute is also mentioned in various Upanishads and Yoga texts.

According to Bruno Nettl, a music historian and ethnomusicologist, the ancient surviving sculptures and paintings in the temples and archaeological sites of India predominantly show transverse flutes being played horizontally (with a downward tilt). However, beginning in the 15th century, vertical end blowing style are commonly represented. This change in the relevance and style of bansuri is likely, states Nettl, because of the arrival of Islamic rule era on the Indian subcontinent and the West Asian influence on North Indian music.

Construction

A bansuri is traditionally produced from a special type of bamboo, that naturally grows to long lengths between its nodes (knots). These grow abundantly in Himalayan foothills up to about 11,000 feet with high rainfall. These are particularly found in the northeastern (near Assam, Arunachal Pradesh, Meghalaya, Manipur, Mizoram, Nagaland, Sikkim, Tripura) and Western Ghats (near Kerala) states of India where numerous bamboo species grow with internodal lengths greater than .

The harvested bamboo with a desired diameter is cut, dried and treated with natural oils and resins to strengthen it. Once ready, the artisans examine the smoothness and straightness and measure the dried hollow tube. They mark the exact positions for the holes, then use hot metal rod skewers of different diameters to burn in the holes. Drilling and other methods of hole making are avoided as it is believed they damage the fiber orientation and the splits affects the music quality. The burnt-in holes are then finished by sanding, one end plugged, the flute ringed at various positions to stabilize its form and shape over time and the unit tested for its musical performance. The distance of a finger-hole from the mouth-hole, and the diameter of the finger-hole controls the note it plays. Adjustments to the diameters of various holes is made by the artisans to achieve purity of the musical notes produced. The wall thickness of the bansuri determines the tone, range and octave tuning. Once all the holes have reached their performance range, the bansuri is steeped in natural oils, cleaned, dried and decorated or bound with silk or nylon threads.

There are two varieties of bansuri: transverse and fipple. The fipple flute is usually played in folk music and is held at the lips like a tin whistle. Because the transverse variety enables superior control, variations and embellishments, it is preferred in Indian classical music.

Musical notes
Six holes are sufficient to produce seven basic swaras: sa, re, ga, ma, pa, dha, and ni. When all holes are closed, it produces the bass scale that is the root note of the bansuri (pa). With one hole farthest from the closed end of the bansuri open, the instrument plays the dha. Similarly, ni is produced with two farthest holes open, sa with three farthest open, ri with four, ga with five, and ma is produced with all holes open.

Every bansuri by its design and construction has a specific key and tonal center, corresponding to sa (shadja, natural tonic) of the swara scale. This key is achieved by variations in length, inner diameter of the instrument and the relative size and placement of the finger holes. This allows the musician to select a bansuri constructed in the key of the music they want to create and share.

Playing

A bansuri is typically held horizontally slanting downwards towards right by the bansuri player. The index, middle and ring fingers of the right hand cover the outer fingerholes, while the same fingers of the left hand cover the rest. The bansuri is supported by the thumb and little finger, while the airhole is positioned near the lips and air blown over it at various speeds to reach the desired octave. For the seven-hole bansuri, the little finger (pinky) of the right hand is usually employed.

As with other air-reed wind instruments, the sound of a bansuri is generated from resonance of the air column inside it. The length of this column is varied by closing or leaving open, a varying number of holes. Half-holing is employed to play flat or minor notes. The 'sa' (on the Indian sargam scale, or equivalent 'do' on the octave) note is obtained by covering the first three holes from the blowing-hole. Octaves are varied by manipulating one's embouchure and controlling the blowing strength. Either finger tips or finger pads are used by bansuri players to partially or fully cover the tap holes.

In order to play the diatonic scale on a bansuri, one needs to find where the notes lie. For example, in a bansuri where Sa or the tonic is always played by closing the first three holes, is equivalent to C, one can play sheet music by creating a finger notation that corresponds to different notes. A flutist is able to perform complex facets of Raga music such as microtonal inflections, ornamentation, and glissando by varying the breath, performing fast and dexterous fingering, and closing/opening the holes with slow, sweeping gestures.

See also
 Hindustani classical music
 Venu
 Bamboo musical instruments

References

Bibliography

Side-blown flutes
Hindustani musical instruments
Indian musical instruments
Pakistani musical instruments
Bangladeshi musical instruments
Nepalese musical instruments
Bansuri players
Bamboo flutes

as:বাঁহী
hi:बांसुरी
pnb:ونجلی

Bansuri


Ben Halloran (født 14. juni 1992) er en australsk fodboldspiller. Han har tidligere spillet for Australiens landshold.

Australiens fodboldlandshold

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Referencer

Eksterne henvisninger

Fodboldspillere fra Australien
Deltagere ved verdensmesterskabet i fodbold 2018

Ben Halloran


Čudesni park (engl. Wonder Park) je računalno animirana avanturistička komedija iz 2019. godine koju su proizveli Paramount Animation i Nickelodeon Movies, a animacija se bavi Ilion Animation Studios.

Radnja

Glasove posudili

Ostali glasovi:
 Silvija Ferara
 Matej Čolakić
 Lana Dučkić
 Leonardo Čolakić
 Paulina Dučkić
 Magdalena Palić
 Gašpar Palić
 Lea Macukić
 Tomo Klabučar
 Vid Begić
 Dragan Peka
 Božidar Peričić
 Sara Spinčić
 Mima Karaula
 Martina Kapitan Bregović

Sinkronizacija
 Sinkronizacija: Duplicato Media d.o.o.
 Redatelj dijaloga: Luka Rukavina
 Prijevod i prilagodba: Dražen Bratulić

Američki animirani filmovi 2010-ih

Čudesni park


(* 4. Juni 1724 in ; † 5. April 1804 in ) war ein englischer Künstler, Geistlicher der , Schulleiter und Schriftsteller. Er wurde bekannt als einer der Urheber der Idee des  (, "malerische Schönheit"), worunter er eine aus der Ungeordnetheit der Natur abgeleitete, eigene Schönheit mit Bildqualität verstand, die er zum Ideal sowohl der Landschaftsmalerei als auch des englischen Landschaftsgartens erhob.

Jugend und Beruf
Gilpin stammte aus der der Grafschaft , er war der Sohn von  (geboren 1701), einem Rittmeister und Amateurkünstler. Seit seiner frühesten Kindheit war William ein begeisterter Zeichner und Sammler von Stichen und Drucken. Im Gegensatz zu seinem Bruder , der Maler wurde, entschied er sich nach dem Abschluss des  in  1748 für eine kirchliche Laufbahn.

Noch während seiner Zeit in Oxford erschien anonym seine Schrift  ("Ein Gespräch über die Gärten in Stowe …"). Mit dem Buch, das Gartenbeschreibung mit ästhetischen Beobachtungen verband, begann  die Idee des  zu entwickeln. Zeitgenössisch noch ungewöhnlicher als seine, mit der in  verbrachten Kindheit erklärbare, Wertschätzung wilder und schroffer Berglandschaften, war Gilpins von Überlegungen wie Moral oder Nützlichkeit losgelöste, ausschließlich ästhetischen Kriterien verpflichtete Betrachtungsweise.

Nach der Arbeit als Anwärter und Lehrer an der Schule in  wurde er 1755 deren Leiter. Er war ein Erzieher der Aufklärung, der körperliche Züchtigung durch ein System von Geldstrafen ersetzte und die Knaben ermutigte Gärten anzulegen. Gilpin verließ Cheam 1777 mit seiner Frau Margaret, um eine Stelle als Pfarrer in  anzunehmen.

Gilpins Konzept des
1768 bezeichnete Gilpin in seinem  ("Abhandlungen über Stiche") das  als  ("die Art der Schönheit, die in einem Bild gefällig ist") und entwickelte seine  ("Prinzipien pittoresker Schönheit"), die er weitgehend auf seinen Kenntnissen der Landschaftsmalerei gründete. Im Laufe der 1760er und 1770er Jahre überprüfte er die aufgestellten Regeln auf umfangreichen Reisen während der Sommerferien; seine Landschaftsbeschreibungen und -skizzen fanden Eingang in eigene Reisenotizen.

Gilpins Reisemanuskripte zirkulierten sowohl unter Freunden, zu denen der Dichter  zählte, als auch in einem größeren Kreis, der ,  und George III. einschloss. 1782 veröffentlichte  auf Betreiben  in London die  ("Beobachtungen entlang des Flusses Wye und einigen Gegenden Südwales' usw., hauptsächlich in Hinsicht auf deren pittoreske Schönheit; angefertigt im Sommer des Jahres 1770"). Das Buch war mit Radierungen seines Neffen William Sawrey Gilpin bebildert, die dieser mittels des noch neuen Aquatinta-Verfahrens angefertigt hatte. Dem Werk folgten 1791 ein Buch über den  und Westengland sowie, nach dem Umzug nach , die  ("Anmerkungen über Forstszenen und andere Ansichten bewaldeter Gegenden ...").

Für Gilpin war ein Landschaftsausschnitt nur dann "richtig" , wenn die Szene zwei Bedingungen erfüllte: Sie musste von ihrer Beschaffenheit geeignet sein ("rauh", "eigentümlich", "abwechslungsreich", "gebrochen", ohne geradlinige Einzelheiten) und bezüglich der Zusammenfügung verschiedene Elemente beinhalten: Ein dunkler "Vordergrund" mit direktem Blick auf ein zentrales oder zwei seitliche Objekte, ein hellerer "Mittelgrund" und ein im Ungenauen verbleibender "Hintergrund" in größerer Entfernung. Die Ruine einer Abtei oder Burg könnte als wirkungssteigerndes Gestaltungselement hinzugefügt werden.

Ein tiefliegender Standpunkt (des Betrachters oder Spaziergängers) unterstreicht die Erhabenheit, das "Sublime", und ist daher dem Blick von einem erhöhten Standort in jedem Fall vorzuziehen. Gilpin sah die natürlichen Vorgaben einer Szene in Eigenschaft und Farbgebung meist erfüllt, bemängelte jedoch das meist ungenügende kompositorische Ganze: Es bedürfe der helfenden Ergänzung durch den Künstler, etwa durch wohlüberlegte Platzierung eines zusätzlichen Baumes.

Im Gegensatz zu anderen Reiseschriftstellern seiner Zeit, wie , räumte  historischen Schilderungen wenig Platz ein und sparte auch mit Fakten und Anekdoten. Seine Beschreibungen beließen Vieles im Ungefähren und beschränkten sich häufig darauf, die Situation hinsichtlich der  darzustellen. Eine von Gilpins vielzitierten Zuspitzungen bestand in der Äußerung, der geschickte Gebrauch eines Holzhammers könne dem unbefriedigend ruinösen Giebel der  zur nötigen pittoresken Schönheit verhelfen.

Obwohl Gilpin sich manche Kritik zuzog und gelegentlich Gegenstand satirischen Spotts wurde (William Combe: The Tour of Dr Syntax in Search of the Picturesque. A Poem (1812)), hatte er den richtigen Zeitpunkt für seine Veröffentlichungen getroffen. Verbesserte Straßenverbindungen auf der Britischen Insel bei gleichzeitigen Reisebeschränkungen auf dem europäischen Festland führten zu einem Anstieg des heimischen Tourismus in den 1780er und 1790er Jahren. Viele dieser das  suchenden Reisenden zeichneten selbst oder sprachen über das Gesehene in Ausdrücken der Landschaftsmalerei. Gilpins Bücher waren die geeigneten Begleiter für eine zeitgenössisch neue Generation von Reisenden.

und die Folgen
Obwohl sich  einige Male kritisch über künstliche Landschaftsgestaltungen äußerte, betrachtete er das  hauptsächlich als ein Regelwerk der Naturbeschreibung. Es blieb anderen, vor allem ,  und , überlassen,  Einfälle zu umfangreicheren ästhetischen Theorien weiterzuentwickeln und für Landschaftsgestaltung und Architektur anwendungsfähig zu machen. Letzten Endes führten all jene großen Theorien über die Schönheit der ungezügelten Natur in der Mitte des 19. Jahrhunderts zu einer "gezähmten" pittoresken Schönheit, die für den Kommerz brauchbar gemacht wurde. Gilpins Werk blieb desungeachtet populär, mehrere neue, von  ergänzte Ausgaben erschienen. So mancher Fototourist dürfte bei der Motivsuche unbewusst  zu Allgemeingut gewordenen Sichtweisen von Landschaft sich zu eigen machen.

 veröffentlichte außer seinen Schriften zum  zahlreiche Arbeiten zu moralischen und religiösen Themen sowie Biographien über ,  und . Ein Teil des Erlöses seiner Bücher verwendete er in seiner Kirchengemeinde für wohltätige Zwecke einschließlich der Ausstattung der Schule in Boldre, die heute seinen Namen trägt. Viele seiner Manuskripte, darunter ganz oder teilweise unveröffentlichtes Material, bewahrt die  in  auf.

Literatur
 Malcolm Andrews: The search for the picturesque: landscape aesthetics and tourism in Britain, 1760–1800. Scholar Press, 1989.
 Francesca Orestano: Gilpin and the picturesque. In: Garden History, Bd. 31, 2, 2004.
 Joan Percy: In pursuit of the picturesque: William Gilpin's Surrey excursion. Surrey Gardens Trust, 2001.
 Michael Symes: William Gilpin at Painshill. Painshill Park Trust, 1994.

Weblinks

 Tate Gallery, London, Werke auf Papier im Bestand
 William Gilpin: Observations, relative chiefly to Picturesque Beauty .... London 1792. Online: (Teil 1), (Teil 2).

Dieser Artikel ist eine leicht gekürzte Übersetzung aus der englischen Wikipedia vom 3. März 2012

Anglikanischer Geistlicher (19. Jahrhundert)
Maler (Vereinigtes Königreich)
Autor
Geboren 1724
Gestorben 1804
Mann

William Gilpin (Maler)


ක්‍රිකට් ක්‍රීඩාවේදී ඉනි යනු බේල්ස් සමඟ  කඩුල්ල සෑදීමට යොදා ගන්නා සිරස් ඉනි  තුනයි.

Stump (cricket)


මූලික රෝහල - හෝමාගම, ශ්‍රී ලංකාවේ පිහිටි රෝහලකි.

ශ්‍රී ලංකාවේ රෝහල්

මූලික රෝහල - හෝමාගම


O WTA Tour de 1995 foi a turnê de elite do tênis feminino profissional organizado pela Women's Tennis Association (WTA) para a temporada de 1995.

O WTA Tour de 1995 incluiu os quatro torneios Grand Slam, o WTA Championships e os eventos WTA Tier I, Tier II, Tier III e Tier IV. Os torneios da ITF não faziam parte do WTA Tour, embora atribuíssem pontos para o WTA World Ranking.

Ranking de final de ano
Lista das 20 primeiras do ranking de final de ano da WTA de 1995 em competições de simples e duplas:

∗ Também ranqueada como #1 em seus primeiros seis torneios

Ver também
 Temporada do Grand Prix de tênis de 1995
 Associação de Tênis Feminino (WTA)
 Federação Internacional de Tênis (ITF)

Ligações externas
 WTA Tournaments - 1995 WTA

1995
W
Temporadas da WTA

Temporada da WTA de 1995


Jack Palance ( ; born Volodymyr Palahniuk (); February 18, 1919 – November 10, 2006) was an American actor known for playing tough guys and villains. He was nominated for three Academy Awards, all for Best Actor in a Supporting Role, for his roles in Sudden Fear (1952) and Shane (1953), and winning almost 40 years later for City Slickers (1991).

Born in Lattimer Mines, Pennsylvania, the son of Ukrainian immigrants, Palance served in the United States Army Air Forces during World War II. He briefly attended Stanford University before pursuing a career in the theatre. He made his film acting debut in Panic in the Streets (1950). Following his roles in Sudden Fear and Shane, he starred as Count Dracula in the 1974 television film Bram Stoker's Dracula, and played crime lord Yves Perret in Tango & Cash (1989). He was also the host of the ABC television series Ripley's Believe It or Not! (1982–1986).

Early life
Palance was born Volodymyr Palahniuk on February 18, 1919, in Lattimer Mines, Pennsylvania, the son of Anna (née Gramiak) and Ivan Palahniuk, an anthracite coal miner. His parents were Ukrainian immigrants, his father a native of Ivane-Zolote in southwestern Ukraine (modern Ternopil Oblast) and his mother from the Lviv Oblast. One of six children, the young Volodymyr Palahniuk worked in coal mines during his youth before becoming a professional boxer in the late 1930s.

Boxing under the name Jack Brazzo, Palahniuk lost his only recorded match, in a four-round decision on points, to future heavyweight contender Joe Baksi in a Pier-6 brawl rough fight. Years later he recounted: "Then I thought, 'You must be nuts to get your head beat in for $200.' The theater seemed a lot more appealing."

College
Palance won a football scholarship to the University of North Carolina at Chapel Hill but left after two years, disgusted by commercialization of the sport.

World War II

With the outbreak of World War II, Palance's athletic career ended, and his career as a member of the United States Army Air Forces began. His face was said to have become disfigured while bailing out of a burning B-24 Liberator bomber during a training flight over Southern Arizona (where he was a student pilot). His distinctive cheekbones and deep-set eyes were said to have been the result of reconstructive surgery.

The story behind Palance's face was repeated numerous times (including in respected film reference works), but on his death, several obituaries quoted his saying that the entire story had been contrived: "Studio press agents make up anything they want to, and reporters go along with it. One flack created the legend that I had been blown up in an air crash during the war, and my face had to be put back together by way of plastic surgery. If it is a 'bionic face', why didn't they do a better job of it?"

Palance (Flight Officer Walter Polanski)  was honorably discharged from the United States Army Air Forces in September 1945. Shamokin News Dispatch, September 22, 1945.

Early acting career
After the war, he attended Stanford University, leaving just one credit shy of graduating in order to pursue a career in the theatre.

During his university years, he worked as a short order cook, waiter, soda jerk, lifeguard at Jones Beach State Park, and photographer's model.

His last name was actually a derivative of his original name. In an episode of What's My Line?, he described how no one could pronounce his last name, and how it was suggested that he be called Palanski. From that he decided just to use Palance instead.

A Streetcar Named Desire
Palance made his Broadway debut in 1947 as a Russian soldier in The Big Two, directed by Robert Montgomery.

His acting break came as Marlon Brando's understudy in A Streetcar Named Desire, and he eventually replaced Brando on stage as Stanley Kowalski. (Anthony Quinn, however, gained the opportunity to tour the play.)

Palance appeared in two plays in 1948 with short runs, A Temporary Island and The Vigil. He made his television debut in 1949.

Film career
Palance made his big-screen debut in Panic in the Streets (1950), directed by Elia Kazan, who had directed Streetcar on Broadway. He played a gangster, and was credited as "Walter (Jack) Palance".

That year he was featured in Halls of Montezuma (1951), about United States Marines during World War II. He returned to Broadway for Darkness at Noon (1951) by Sidney Kingsley, which was a minor hit.

Two Oscar nominations
Palance was second-billed in just his third film, opposite Joan Crawford in the thriller Sudden Fear (1952). His character is a former coal miner, as Palance's father had been. Palance received an Oscar nomination for Best Supporting Actor.

He was nominated in the same category the following year for his role as hired gunfighter Jack Wilson in Shane (1953). The film was a huge hit, and Palance was now an established film name.

Stardom
Palance played a villain in Second Chance opposite Robert Mitchum, and was an Indian in Arrowhead (both 1953). He got a chance to play a heroic role in Flight to Tangier (1953), a thriller.

He played the lead in Man in the Attic (1953), an adaptation of The Lodger. He was Attila the Hun in Sign of the Pagan with Jeff Chandler, and Simon Magus in the Ancient World epic The Silver Chalice (both 1954) with Paul Newman.

He had the star part in I Died a Thousand Times (1955), a remake of High Sierra, and was cast by Robert Aldrich in two star parts: The Big Knife (1955), from the play by Clifford Odets, as a Hollywood star; and Attack (1956), as a tough soldier in World War II.

In 1955 he had an operation for appendicitis.

Palance was in a Western, The Lonely Man (1957), playing the father of Anthony Perkins, and played a double role in House of Numbers (1957).

In 1957, Palance won an Emmy Award for best actor for his portrayal of Mountain McClintock in the Playhouse 90 production of Rod Serling's Requiem for a Heavyweight.

International star
Warwick Films hired Palance to play the hero in The Man Inside (1958), shot in Europe. He was reunited with Robert Aldrich and Jeff Chandler when they worked on Ten Seconds to Hell (1959), filmed in Germany, playing a bomb disposal expert.

He made Beyond All Limits (1959) in Mexico, and Austerlitz (1960) in France, then did a series of films in Italy: Revak the Rebel, Sword of the Conqueror, The Mongols, The Last Judgment, and Barabbas (all 1961), and Night Train to Milan and Warriors Five (both 1962).

Jean-Luc Godard persuaded Palance to take on the role of Hollywood producer Jeremy Prokosch in the nouvelle vague movie Le Mépris (1963) with Brigitte Bardot. Although the main dialogue was in French, Palance spoke mostly English.

Return to Hollywood
Palance returned to the U.S. to star in the TV series The Greatest Show on Earth (1963–64).

In 1964, his presence at a recently-integrated movie theatre in Tuscaloosa, Alabama, prompted a riot from segregationists who assumed Palance was there to promote civil rights.

He played a gangster in Once a Thief (1965) with Alain Delon. In the following year he appeared in the television film Alice Through the Looking Glass, directed by Alan Handley, in which he played the Jabberwock, and had a featured role opposite Lee Marvin and Burt Lancaster in the Western adventure The Professionals. Palance guest-starred in The Man from U.N.C.L.E., and the episodes were released as a film, The Spy in the Green Hat (1967).

He went to England to make Torture Garden (1967), and made Kill a Dragon (1968) in Hong Kong.

Palance provided narration for the 1967 documentary And Still Champion! The Story of Archie Moore. He was in the TV film The Strange Case of Dr. Jekyll and Mr. Hyde produced by Dan Curtis, during the making of which he fell and injured himself.

In 1969, Palance recorded a country music album in Nashville, released on Warner Bros. Records. It featured his self-penned song "The Meanest Guy that Ever Lived". The album was re-released on CD in 2003 by the Water label (Water 119).

His films tended to be international co-productions by now: They Came to Rob Las Vegas, The Mercenary (both 1968), The Desperados, and Marquis de Sade: Justine (both 1969).

Palance had a part in the Hollywood blockbuster Che! (1969) playing Fidel Castro opposite Omar Sharif in the title role, but the film flopped. Palance went back to action films and Westerns: Battle of the Commandos (1970), The McMasters (1970) and Compañeros (1970).

He had another role in Monte Walsh (1970), from the author of Shane, opposite Lee Marvin, but the film was a box-office disappointment. So too was The Horsemen (1971) with Sharif, directed by John Frankenheimer.

Palance supported Bud Spencer in It Can Be Done Amigo and Charles Bronson in Chato's Land (both 1972), and had the lead in Sting of the West (1972) and Brothers Blue (1973).

In Great Britain he appeared in a highly acclaimed TV film, Bram Stoker's Dracula (1973), in the title role; it was directed by Dan Curtis. Three years earlier, comic book artist Gene Colan had based his interpretation of Dracula for the acclaimed Marvel Comics comic book series The Tomb of Dracula on Palance, explaining, "He had that cadaverous look, a serpentine look on his face. I knew that Jack Palance would do the perfect Dracula."

Palance went back to Hollywood for Oklahoma Crude (1973) then to England to star in Craze (1975).

He starred in the television series Bronk between 1975 and 1976 for MGM Television, and starred in the TV films The Hatfields and the McCoys (1975) and The Four Deuces (1976).

Italy
In the late 1970s, Palance was mostly based in Italy. He supported Ursula Andress in Africa Express and L'Infermiera, Lee Van Cleef in God's Gun, and Thomas Milian in The Cop in Blue Jeans (all 1976).

Palance was in Black Cobra Woman; Safari Express, a sequel to Africa Express; Mister Scarface; and Blood and Bullets (all 1976). He travelled to Canada to make Welcome to Blood City (1977) and the US for The One Man Jury (1978), Portrait of a Hitman and Angels Revenge (both 1979).

Palance later said his Italian sojourn was the most enjoyable of his career. "In Italy, everyone on the set has a drinking cubicle, and no one is ever interested in working after lunch", he said. "That's a highly civilized way to make a movie."

Palance went back to Canada for H. G. Wells' The Shape of Things to Come (1979).

Return to the U.S. and Ripley's Believe It or Not!
In 1980, Jack Palance narrated the documentary The Strongest Man in the World by Canadian filmmaker Halya Kuchmij, about Mike Swistun, a circus strongman who had been a student of Houdini. Palance attended the premiere of the film on June 6, 1980, at the Winnipeg Art Gallery.

He appeared in The Ivory Ape (1980), Without Warning (1980), Hawk the Slayer (1980), and the slasher film, Alone in the Dark (1982).

In 1982, Palance began hosting a television revival of Ripley's Believe It or Not!. The weekly series ran from 1982 to 1986 on the American ABC network. The series also starred three different co-hosts from season to season, including Palance's daughter Holly Palance, actress Catherine Shirriff and singer Marie Osmond. Ripley's Believe It or Not! was in rerun syndication on the Sci-fi Channel (U.K.) and the Sci-fi Channel (U.S.) during the 1990s.

He appeared in the films Gor and Bagdad Café (both 1987).

Later career

Career revival

Palance had never been out of work since his career began, but his success on Ripley's Believe It or Not! and the international popularity of Bagdad Cafe (1987) created a new demand for his services in big-budget Hollywood films.

He made memorable appearances as villains in Young Guns (1988) as Lawrence Murphy, Tango & Cash (1989) and Tim Burton's Batman (1989). He also performed on Roger Waters' first solo album release, The Pros and Cons of Hitch Hiking (1984), and was in Outlaw of Gor (1988) and Solar Crisis (1990).

City Slickers
Palance was then cast as cowboy Curly Washburn in the 1991 comedy City Slickers. He quipped:
I don't go to California much any more. I live on a farm in Pennsylvania, about 100 miles from New York, so I can go into the city for dinner and a show when I want to. I also have a ranch about two hours from Los Angeles, but I don't go there very often at all...But I will always read a decent script when it is offered, and the script to City Slickers made sense. Curly (his character in the film) is the kind of man I would like to be. He is in control of himself, except for deciding the moment of his own death. Besides all that, I got paid pretty good money to make it.
Four decades after his film debut, Palance won an Academy Award for Best Supporting Actor on March 30, 1992, for his performance as Curly. Stepping onstage to accept the award, the 6' 4" (1.93 m) actor looked down at 5' 7" (1.70 m) Oscar host Billy Crystal (who was also his co-star in the movie) and joked, mimicking one of his lines from the film, "Billy Crystal ... I crap bigger than him." He then dropped to the floor and demonstrated his ability, at the age of 73, to perform one-armed push-ups.

The audience loved the moment as host Crystal turned it into a running gag. At various points in the broadcast, Crystal announced that Palance was "backstage on the StairMaster", had bungee-jumped off the Hollywood sign, had rendezvoused with the space shuttle in orbit, had fathered all the children in a production number, had been named People magazine's "Sexiest Man Alive", and had won the New York primary election. At the end of the broadcast Crystal said he wished he could be back next year, but "I've just been informed Jack Palance will be hosting."

Years later, Crystal appeared on Inside the Actors Studio and fondly recalled that, after the Oscar ceremony, Palance approached him during the reception: "He stopped me and put his arms out and went, 'Billy Crystal, who thought it would be you?' It was his really funny way of saying thank you to a little New York Jewy guy who got him the Oscars."

In 1993, during the opening of the Oscars, a spoof of that Oscar highlight featured Palance appearing to drag in an enormous Academy Award statuette with Crystal again hosting, riding on the rear end of it. Halfway across the stage, Palance dropped to the ground as if exhausted, but then performed several one-armed push-ups before regaining his feet and dragging the giant Oscar the rest of the way across the stage.

He appeared in Cyborg 2 (1993); Cops & Robbersons (1994) with Chevy Chase; City Slickers II: The Legend of Curly's Gold (1994); and on TV in Buffalo Girls (1995). He also voiced Rothbart in the 1994 animated film The Swan Princess.

Final years
Palance's final films included Ebenezer (1998), a TV Western version of Charles Dickens's classic A Christmas Carol, with Palance as Scrooge; Treasure Island (1999); Sarah, Plain and Tall: Winter's End (2000); and Prancer Returns (2001).

Palance, at the time chairman of the Hollywood Trident Foundation, walked out of a Russian Film Festival in Hollywood in 2004. After being introduced, Palance said, "I feel like I walked into the wrong room by mistake. I think that Russian film is interesting, but I have nothing to do with Russia or Russian film. My parents were born in Ukraine: I'm Ukrainian. I'm not Russian. So, excuse me, but I don't belong here. It's best if we leave." Palance was awarded the title of "People's Artist" by Vladimir Putin, president of Russia; however, Palance refused it.

In 2001, Palance returned to the recording studio as a special guest on friend Laurie Z's album Heart of the Holidays to narrate the classic poem "The Night Before Christmas".

In 2002, he starred in the television movie Living with the Dead opposite Ted Danson, Mary Steenburgen and Diane Ladd. In 2004, he starred in another television production, Back When We Were Grownups, opposite Blythe Danner; it was his final performance.

Personal life

Palance lived for several years around Tehachapi, California.

He was married to his first wife, Virginia (née Baker), from 1949 to 1968. They had three children: Holly, Brooke, and Cody. On New Year's Day, 2003, Virginia was struck and killed by a car in Los Angeles.

Palance's daughter Brooke married Michael Wilding, son of Michael Wilding Sr. and Elizabeth Taylor; they have three children. Cody Palance, also an actor, appeared alongside his father in the films God's Gun and Young Guns.

In May 1987, Palance married his second wife, Elaine Rogers.

Palance painted and sold landscape art, with a poem included on the back of each picture. He was also the author of The Forest of Love, a book of poems published in 1996 by Summerhouse Press. He was a supporter of the Republican Party.

Palance enjoyed raising cattle on his ranch in the Tehachapi Mountains.  He gave up eating red meat after working on his ranch, commenting that he couldn't eat a cow.

Palance acknowledged a lifelong attachment to his Pennsylvania heritage, and visited there when able. Shortly before his death, he sold his farm in Butler Township and put his art collection up for auction.

Novelist Chuck Palahniuk, author of Fight Club and other works, acknowledged in a 2007 interview that he was a distant nephew of Palance.

Death
Palance died on November 10, 2006 at his daughter Holly's home in Montecito, California, at age 87.

Legacy
Palance has a star on the Hollywood Walk of Fame at 6608 Hollywood Boulevard.

In 1992, he was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma.

According to writer Mark Evanier, comic book creator Jack Kirby modeled his character Darkseid on the actor.

The Lucky Luke 1956 comic Lucky Luke contre Phil Defer by Morris features a villain named Phil Defer who is a caricature of Jack Palance.

The song "And now we dance" by punk band The Vandals features the lyrics, "Come on and do one hand pushups just like Jack Palance."

American comedian Bill Hicks incorporated a reference to Palance in one of his most famous routines, likening Palance's character in Shane to how he views the United States' role in international warfare.

Novelist Donald E. Westlake stated that he sometimes imagined Palance as the model for the career-criminal character Parker he wrote in a series of novels under the name Richard Stark.

Filmography

Television movies/miniseries

Television series

Awards and nominations

Discography
 Palance, Warner Bros, 1969

References

External links

1919 births
2006 deaths
American male boxers
American male film actors
American male stage actors
American male television actors
Best Supporting Actor Academy Award winners
Best Supporting Actor Golden Globe (film) winners
Boxers from Pennsylvania
Outstanding Performance by a Lead Actor in a Miniseries or Movie Primetime Emmy Award winners
Male actors from Pennsylvania
People from Luzerne County, Pennsylvania
American people of Ukrainian descent
Male Western (genre) film actors
Stanford University alumni
United States Army Air Forces pilots of World War II
20th-century American male actors
21st-century American male actors
California Republicans
Pennsylvania Republicans
Military personnel from Pennsylvania

Jack Palance


Dungra es una ciudad de la India en el distrito de Valsad, estado de Guyarat.

Geografía
Se encuentra a una altitud de 24  a 274 km de la capital estatal, Gandhinagar, en la zona horaria UTC +5:30.

Demografía
Según estimación 2011 contaba con una población de 28 339 habitantes.

Referencias

Enlaces externos

Localidades de Guyarat

Dungra


→ Bu madde Hayfa şehri ile ilgilidir. Hayfa Bölgesi için bu sayfaya bakınız.

Hayfa (İbranice: חיפה; Arapça: حَيْفَا), İsrail'in kuzeyinin en büyük şehri ve ülkenin üçüncü büyük şehridir. Hayfa, önemli bir liman ve sanayi şehridir.

İsrail'de yoğun olarak Arap nüfus barındıran bir kenttir. Kutsal Kitaplarda (Ahd-i Atik, Tevrat) adı geçmiştir. İbraniler, Romalılar, Araplar,Haçlılar, Osmanlılar Hayfa'yı yönetimlerinde tutmuşlardır. Kavalalı Mehmet Ali Paşa'nın kenti tekrar ele geçirmesi öncesinde Hayfa 1799'da Napolyon Bonapart tarafından da işgal edilmiştir.

Kutsal Kitaplarda geçen Kermil Dağı Hayfa'dadır. Bu dağda Hristiyanlık, Müslümanlık için kutsal bir kalıntı olan İlyas Peygamberin mağarası vardır.

Ayrıca bu dağ yamaçlarında Bahai Dininin Dünya Merkezi ile güzelliğiyle tanınmış bahçeleri ve terasları vardır.

Coğrafya
Hayfa, İsrail'in Akdeniz kıyı ovasında, Avrupa, Afrika ve Asya arasındaki tarihi kara köprüsü ve Kişon Nehri'nin ağzındadır. Karmel Dağı'nın kuzey yamaçlarında ve Hayfa Körfezi çevresinde yer alan şehir, üç katmana bölünmüştür. En alttaki, Hayfa Limanı da dahil olmak üzere ticaret ve sanayi merkezidir. Orta kat, Karmel Dağı'nın eteklerinde yer alır ve eski yerleşim mahallelerinden oluşurken, üst kat, alt katlara bakan modern mahallelerden oluşur. Buradan, İsrail'in Batı Celile bölgesinden Rosh HaNikra ve Lübnan sınırına doğru bakılabilir. Hayfa, Tel Aviv şehrinin yaklaşık  kuzeyindedir ve Akdeniz üzerinde çok sayıda plajı vardır.

Flora ve fauna
Carmel Dağı'nın üç ana vadisi vardır: Lotem, Amik ve Si'ach. Çoğunlukla bu vadiler, kıyıdan dağın tepesine kadar şehrin içinden geçen gelişmemiş doğal koridorlardır. İşaretli yürüyüş yolları bu alanlardan geçer ve yaban domuzu, altın çakal, yaban faresi, Mısır firavunu, baykuşlar ve bukalemunlar gibi vahşi yaşam için yaşam alanı sağlar.

İklim

Ekonomi

İsrail'in yaygın "Hayfa çalışıyor, Kudüs dua ediyor ve Tel Aviv oynuyor" sözü, Hayfa'nın bir işçi ve sanayi şehri olarak ününü doğrular. Hayfa'nın sanayi bölgesi şehrin doğu kesiminde, Kişon Nehri civarındadır.

İsrail'deki iki petrol rafinerisinden birisi olan Hayfa petrol rafinerisi buradadır (diğer petrol rafinerisi Aşdod'dadır). Hayfa rafinerisi yılda 9 milyon ton (66 milyon varil) ham petrolü işlemektedir. 1930'larda inşa edilen ve günümüzde kullanılmayan 80 metre yüksekliğindeki ikiz soğutma kuleleri, İngiliz Mandası döneminde inşa edilen en yüksek binalardı.

İsrail'deki en büyük ve en eski iş parkı olan Matam (Merkaz Ta'asiyot Madanın kısaltması– Bilimsel Endüstriler Merkezi), şehrin güney girişinde olup Apple, Amazon, Abbot, Cadence Design Systems, Intel, IBM Israel, Magic Leap, Microsoft, Motorola, Google, Yahoo!, Elbit Systems, CSR plc, Philips, PwC ve Amdocs gibi çok sayıda İsrailli ve uluslararası yüksek teknoloji şirketinin imalat ve Ar-Ge tesislerini barındırır.

Hayfa Üniversitesi kampüsünde aynı zamanda IBM Haifa Labs' da vardır.

Kuralsızlaştırmayla Aşdod Limanı tarafından egemenliğine meydan okunmuş olsa da Hayfa Limanı, İsrail limanları arasında yolcu trafiğinde liderdir ve aynı zamanda büyük bir kargo liman'ıdır.

Hayfa alışveriş yerleri ve alışveriş merkezleri şunlardır: Hutsot Hamifratz, Horev Center Alışveriş Merkezi, Panorama Merkezi, Castra Merkezi, Koloni Merkezi (Lev HaMoshava), Hanevi'im Tower Alışveriş Merkezi, Kanyon Haifa, Lev Hamifratz Alışveriş Merkezi ve Grand Canyon. 2010 yılında, Monocle (yaşam tarzı dergisi) Hayfa'yı en umut verici iş potansiyeline ve büyük yatırım fırsatı olan şehir olarak belirlemişti. Dergi, "kasabadaki iskele ve vinçlerden yenilenmiş cephelere ve yeni akıllı yemek mekanlarına kadar, tepeden tırnağa büyük bir yenilenmenin bir etkisi olmaya başladığını" belirtti. Hayfa belediyesi yollar ve altyapı için 350 milyon dolardan fazla harcamıştı ve inşaat izinlerinin sayısı önceki iki yılda %83 arttı.

2014 yılında, Tel Aviv Menkul Kıymetler Borsası ile rekabet edebilmek için teknoloji odaklı bir borsa kurulacağı açıklandı.

Halen, çoğu butik otel olmak üzere yaklaşık 40 otel ya planlanıyor, ya onaylandı ya da yapım aşamasındadır. Hayfa Belediyesi, şehri gezginlerin Acre, Nasıra, Tiberias ve Celile'ye günübirlik geziler düzenleyebilecekleri Kuzey İsrail'in turizm merkezine dönüştürmek istiyor. Matam sanayi parkına bitişik 31 duman (7.75 dönüm) arazi üzerinde 85,000 metrekarelik beş binadan oluşan yeni bir yaşam bilimleri sanayi parkı inşa edilmektedir.

Turizm

2005 yılında Hayfa'da toplam 1.462 odalı 13 otel bulunuyordu. Şehrin  sahili olan  kıyı şeridi vardır. Hayfa'nın başlıca turistik cazibe merkezi, altın kubbeli Báb Mabedi ve çevresindeki bahçelerin bulunduğu Bahá'í Dünya Merkezi'dir. 2005 ve 2006 yılları arasında türbeyi 86,037 kişi ziyaret etti. 2008 yılında, Bahá'í bahçeleri UNESCO Dünya Mirası Sit Alanı olarak belirlendi. Tapınakçılar, Stella Maris ve Elijah's Cave tarafından kurulan restore edilmiş Alman Kolonisi de çok sayıda turist çeker. Hayfa bölgesinde 90'dan fazla sanatçı ve zanaatkarın stüdyo ve sergilerinin bulunduğu Ein Hod sanatçı kolonisi, ve Neandertal ve erken Homo Sapiens kalıntılarının bulunduğu mağaralarla Karmel Dağı milli park vardır.

Hayfa Belediyesi tarafından yaptırılan 2007 tarihli raporda, daha çok otel inşa edilmesi, Hayfa, Akka ve Kayserya arasında bir feribot hattının oluşturulması, Limanın bir dinlenme ve eğlence alanı olarak batı demirlemesinin geliştirilmesi, yerel havaalanı ve limanın uluslararası seyahatleri ve kruvaziyerleri karşılamak için genişletilmesi çağrısında bulunuldu.

Kardeş şehirler

Kaynakça

Kutsal şehirler
Haçlı kaleleri

Hayfa


La liotironina sódica es el isómero L de la triyodotironina (T3), un tipo de hormona tiroidea usada para tratar el hipotiroidismo y el coma mixedematoso. Se comercializa bajo la marca Cytomel (o Tertroxin en Australia).

Farmacología
La liotironina es la forma más potente de hormona tiroidea. Como tal, actúa sobre el cuerpo para aumentar la tasa metabólica basal, afecta la síntesis proteica y aumenta la sensibilidad del cuerpo a las catecolaminas (como la adrenalina) por permisividad. Las hormonas tiroideas son esenciales para el desarrollo y diferenciación adecuada de todas las células del cuerpo humano. Estas hormonas también regulan las proteínas, las grasas y el metabolismo de los hidratos de carbono, afectando cómo las células humanas usan los compuestos energéticos.

En comparación con la levotiroxina (T4), la liotironina tiene un inicio de acción más rápido, así como una semivida más corta, que podría ser debido a una menor unión a proteínas plasmáticas como la globulina fijadora de tiroxina y transtiretina.

Efectos secundarios
La liotironina podría causar una serie de efectos secundarios, en su mayoría similares a los síntomas del hipertiroidismo, que incluyen:
 pérdida de peso
 temblor
 dolor de cabeza
 molestias estomacales
 vómitos
 diarrea
 calambres estomacales
 nerviosismo
 irritabilidad
 insomnio
 sudoración excesiva
 aumento del apetito
 fiebre
 cambios en el ciclo menstrual
 sensibilidad al calor
 arritmias en general taquiarritmias (aceleradas) extrasístoles o Fibrilación Auricular.

Advertencia de recuadro negro
El prospecto del Cytomel contiene la siguiente advertencia de recuadro negro:

Fármacos con actividad de hormona tiroidea, solo o junto con otros agentes terapéuticos, se han utilizado para el tratamiento de la obesidad. En pacientes eutiroideos, las dosis dentro del rango de las necesidades diarias de hormonas no son eficaces para la reducción de peso. Dosis mayores podrían producir manifestaciones graves o incluso mortales de toxicidad, especialmente cuando se administra en asociación con aminas simpaticomiméticas, tales como las utilizadas por sus efectos anorexígenos.

Véase también
 Levotiroxina
 Triyodotironina

Referencias

Hormonas tiroideas

Liotironina sódica


Vsévolod Viacheslávovich Ivánov (ruso: Все́волод Вячесла́вович Ива́нов - ˈfsʲɛvələd vʲɪtɕɪˈslavəvʲɪtɕ ɪˈvanəf) (Lebyázhie, provincia de Pavlodar, 12 de febrero de 1895-Moscú, 15 de agosto de 1963), escritor soviético conocido por sus historias de aventuras en la parte asiática de Rusia durante la Guerra Civil rusa.

Nació al norte de Kazajistán, en el seno de una familia de profesores. De niño, Vsévolod se escapó de casa para hacerse payaso en un circo ambulante. Su primera historia, publicada en 1915, cautivó a Máximo Gorki, quien posteriormente aconsejó a Vsévolod Ivánov a lo largo de su carrera.

Vsévolod Ivánov se enroló en el Ejército Rojo durante la Guerra Civil y combatió en Siberia. Este hecho inspiró sus historias Partisanos (1921) y El tren blindado 14-69 (1922).

El hijo de Vsévolod Ivánov, Viacheslav Ivánov, es uno de los filólogos indoeuropeos más destacados de finales del siglo veinte y principios del veintiuno. Vsévolod Ivánov adoptó al hijo ilegítimo de Isaak Bábel, Emmanuil, cuando se casó con la exmujer de este, Tamara Kashírina. El nombre de Emmanuil fue cambiado por el de "Mijaíl", y más tarde Mijaíl Ivánov fue un artista notable.

Bibliografía parcial
 1919: Партизаны
 1922: Бронепоезд 14-69
 1922: Цветные ветра
 1927: Тайное тайных
 1935: Похождения факира
 1947: Встречи с Максимом Горьким.

Bibliografía y enlaces externos
 Ivanov, Vsevolod. Fertility and Other Stories (European Classics). Evanston, IL: Northwestern University Press, 1998 (paperback, ISBN 0-8101-1547-6).
 "Campesinos y bandidos", 1930. Vsévolod Ivánov.
 (en inglés) IMDb
 (en inglés) Find-A-Grave
(en ruso)www.krugosvet.ru

Ivanov
Ivanov
Ivanov
Kazajos del siglo XX
Fallecidos en Moscú
Miembros del Partido Comunista de la Unión Soviética

Vsévolod Ivánov


Hesliviður, evrópuhesli (Corylus avellana), stundum kallað einfaldlega hesli er runni af bjarkarætt og hesliættkvíslinni sem vex í Evrópu og V-Asíu. Hæð er vanalega 3-8 metrar. Hann hefur verið notaður hefðbundið á Englandi í húsveggi og girðingar. Hesliviður er einnig ræktaður vegna hneta sem hann gefur af sér.

Ekki er hann ræktaður mikið á Íslandi en ætti að geta þrifist hér.

Tilvísanir

Hesli

Hesliviður


Doğan Kuban (10 Nisan 1926 Paris -  22 Eylül 2021, İstanbul), Türk mimar ve akademisyen.

Türkiye'nin ilk ve en önemli mimarlık tarihçilerindendir.

Yaşamı
1926 yılında babasının Fransız Harp Akademisi'nde öğrenci olduğu sırada Paris'te doğdu. Altı yaşında iken ailesi ile Türkiye'ye geldi. Çocukluk ve gençliği Elazığ, Eğirdir, Denizli ve Ankara gibi şehirlerde geçti.  Lise öğrenimini Ankara Gazi Lisesi'nde tamamladı. Dayısı Emin Onat'ın teşvikiyle mimarlık eğitimi aldı.  1949 yılında İstanbul Teknik Üniversitesi Mimarlık Fakültesi'nden Yüksek Mimar olarak mezun oldu. 1952'de aynı kurumun Mimarlık Tarihi ve Rölöve Kürsüsü'ne asistan olarak atandı. Türkiye'de ilk restorasyon dersini veren Paolo Verzone'nin çevirmenliğini yaptı.

1953'te Aspendos Tiyatrosu onarımında danışmanlık yapan Kuban, 1953-1956 arasında Kapadokya ve Pisidia'daki Antik Çağ ve Hristiyan anıtlarının araştırılmasında Verzone'nin asistanlığını yaptı. 1954'te yeterlilik tezi olarak, Türkiye'de batılılaşmayı ilk kez bir mimarlık ya da sanat tarihi sorunsalı olarak ele alan "Osmanlı Barok Mimarisi Hakkında Bir Deneme" adlı çalışmasını hazırladı. 1954'te İTÜ Mimarlık Fakültesi'nce Rönesans mimarlığının araştırılması amacıyla İtalya'da görevlendirildi ve Roma'da yaşadı. Yurda döndükten sonra "Osmanlı Dini Mimarisi'nde İç Mekan Teşekkülü - Rönesansla Bir Mukayese" (1958) adlı teziyle doçent unvanını aldı. Verzone Mimarlık Tarihi ve Rölöve Kürsüsü'nden ayrıldıktan sonra Mimarlık Tarihi ve Rölöve Kürsüsü'sorumlusu olarak restorasyon dersini ve birçok başka dersi üstlendi.

1962-1963 yıllarında Fulbright doktora sonrası araştırma bursuyla ABD'de, Ann Arbor'daki Michigan Üniversitesi sanat tarihi bölümünde konuk öğretim üyesi olarak ders verdi. 1963-1964'te Washington DC'deki Dumbarton Oaks Bizans Araştırmaları Merkezi'nde Anadolu'daki Hristiyan Yapıları Kataloğu üzerinde çalıştı. 1964'te Suriye'de Oleg Grabar yönetimindeki Doğu Kasr-ül Hyr kazısının ilk mevsiminde kazı mimarlığını yürüten Kuban, yurda döndükten sonra  "Anadolu Türk Mimarisinin Kaynak Sorunları" adlı teziyle profesör oldu (1965). 1966-1976 arasında aynı kurumun finanse ettiği İstanbul Kalenderhane Camisi kazısı ve restorasyonunda Cecil Striker'la eşbaşkan olarak proje ve kontrollük çalışmaları yaptı.

İTÜ Mimarlık Bölümü öğretim programında "Modern Mimarlık Tarihi"nin ayrıntılı olarak yer almasını sağlayan Kuban, doçentliğinden 1993 yılında emekli oluncaya kadar bu kurumda sırasıyla Mimarlık Tarihi ve Rölöve Kürsüsü, Mimarlık Tarihi ve Restorasyon Kürsüsü ile Restorasyon Ana Bilim Dalı başkanlığı yaptı, 1974-1977 arasında da İTÜ Mimarlık Fakültesi dekanlığı görevini üstlenmiştir.

1967'den başlayarak ABD ve Suudi Arabistan'da da konuk öğretim üyesi olarak İslam ve Türk Sanatı üzerine ders verdi, seminerler düzenledi.  Kuban, konuk öğretim üyeliklerinin yanı sıra 1963'ten başlayarak, çeşitli ABD eyaletleri, Danimarka, Hollanda, İsviçre, İtalya, Macaristan, Kanada, Pakistan, Sudan, Suudi Arabistan, Mısır, Fas, Endonezya ve Singapur'daki üniversite, müze ve araştırma merkezi gibi pek çok bilim kurumunda konferanslar verdi.

1968-1972 arasında İTÜ tarafından finanse edilen "Edirne Anıtları Monografik Çalışması ve Alan Araştırmaları" konulu proje ile Edirne sarayı kazısını yürüttü.; 1968-78 arasında Uluslararası Anıtlar ve Sitler Konseyi (ICOMOS) Türkiye kolunun kurulması için çalıştı. 1974'te İTÜ Mimarlık Fakültesi'ne bağlı Mimarlık Tarihi ve Restorasyon Enstitüsü'nü (MTRE) kurdu ve başkanlığını üstlendi.

Kuban, 1979-1980'de Uluslararası İslam Tarihi Sanatı ve Kültürü Araştırmaları Merkezi (IRCICA) başkanı seçilmiş ve merkezin İstanbul'da kurulması çalışmalarını gerçekleştirdi.

Taç Vakfı (1976), Tarihi Evleri Koruma Vakfı (1977) ve Türkiye Sosyal ve Ekonomik Tarih Vakfı'nın (1991) kurucuları arasında yer aldı. Kuban,  1968-1981 arasında Gayrimenkul Eski Eserler ve Anıtlar Yüksek Kurulu üyeliği, sonra da aynı kurumda başkanlık yapmış,1978-1979'da Kültür Bakanlığı Yüksek Kültür Kurulu üyeliğinde  bulunmuştur.

Mimarlık ve Sanat (1960-1961),  Mimarlık (1967-1970) dergileri, İTÜ Mimarlık Fakültesi Mimarlık Tarihi Bölümü'nün yayımladığı Anadolu Sanatı Araştırmaları (1968-1970), İTÜ Mimarlık Fakültesi ve Restorasyon Enstitüsü'nün yayımladığı MTRE Bülteni (1975-1981),  İstanbul dergisi (1991'den beri),  Dünden Bugüne İstanbul Ansiklopedisi (1993-1995) yayın kurulu eş-başkanlığını yaptı; 1983'te O. Grabar'ın yayın yönetmenliğini yaptığı, İslam sanatı ve mimarlığı alanındaki Muqarnas dergisinin danışma kurulu üyesi oldu.

1979-1983 arasında, merkezi Cenevre'de bulunan Ağa Han Mimarlık Ödülü'nde yönetim komitesi üyesi idi. 1980'de Pakistan'ın Lahor kentinde düzenlenen "İslam Ülkeleri Koruma" konulu uluslararası kongreye UNESCO uzmanı olarak katılan Kuban, 1986'da Ankara'da düzenlenen 1. Uluslararası Asya-Avrupa Sanat Bienali'''nde Türkiye Grubu başkanlığı ve sergi düzenleyiciliği görevlerini üstlendi.

 Hatırası
Şubat 2021'de Doğan Kuban, Doğan Tekeli ve Doğan Hasol'la bir nehir söyleyişi Mimar Doğan'lar… adıyla kitaplaştı.
Ölümü sonrasında, Toplumsal Tarih'' dergisi Eylül 2022'de çıkan 345. sayısını Doğan Kuban'a ayırdı. 21 Eylül 2022'de ise İstanbul Üniversitesi Mimarlık Fakültesi'nde Kuban'ı anma programı düzenleneceği açıklandı.

Eserleri
 Türk Barok Mimarisi Hakkında Bir Deneme, İstanbul, 1954 (An Easy on the Turkish Baroque Arhitecture)
 Osmanlı Dini Mimarisinde İç Mekan Teşekkülü. Rönesansla Bir Mukayese, İstanbul, 1958 (Space Formation in the Ottoman religious Architecture.
 A Comparison with Renaissance Architecture)
 Bir Batı Anadolu Gezisi İzlenimleri, İstanbul, 1961
 Anadolu-Türk Mimarisinin Kaynak ve Sorunları, İstanbul, 1965 (The Source and Problems of the Anatolian-Turkish Architecture)
 Türkiye Sanatı Tarihi, İstanbul, 1970; 7. Baskı 1996 (Gerçek Yayınları, 100 Soruda Serisi) (Çağdaş Yayınları) (A History of Art in Turkey)
 Mimarlık Kavramları, İstanbul, 1973; 4. Baskı 1998 (YEM) (Concepts of Architecture)
 Muslim Religious Architecture, Part I, Leiden, 1974; Par II, Leiden, 1985 (Iconography of Religions, XXII, 2, 3) (BRILL)
 Sanat Tarihimizin Sorunlan, İstanbul, 1975; Genişletilerek Türk ve İslam Sanatı Üzerinde Denemeler, İstanbul, 1982; 2. Baskı, 1995 (Arkeoloji ve Sanat) (Essays on Turkish and Islamic Arts)
 Turkish Culture and Arts, İstanbul, 1985 (BBA)
 Batıya Göçün Sanatsal Evreleri. Anadolu'dan Önce Türklerin Sanat Ortaklıkları, İstanbul, 1993 (CEM) (Artistic Etapes of the Migration to the West)
 İzmir ve Ege'den Mimari İzlenimler, (D. Goffman'la birlikte; Çizimler Kaya Dinçer, İzmir, 1994 (Çimentaş, İzmir) (Architectural Impressions from the Aegan and İzmir)
 The Turkish Hayat House, İstanbul, 1995; Türkçe Çevirisi: Türk Hayatlı Evi, İstanbul, 1995 (Eren, şimdiki hak Eren'de)
 İstanbul, An Urban History. Byzantion, Constantinopolis, İstanbul, İstanbul, 1996; Türkçe Çevirisi: İstanbul, Bir Kent Tarihi. Bizantion, Konstantinopolis, İstanbul, İstanbul, 1996; İkinci Türkçe Baskısı, İstanbul, 2000 (Tarih Vakfı)
 Sinan'ın Sanatı ve Selimiye, İstanbul, 1997; 2. Baskı 1998; İngilizce Çevirisi: Sinan's Art and Selimiye, İstanbul, 1997 (Aydın Doğan Vakfı Sosyal Bilimler 1997 Ödülü) (Tarih Vakfı)
 Kalenderhane in İstanbul. The Building, Mainz, 1997 (With C.L. Striker) (Verlag Philip Von Zaben Gmbh, Mainz)
 Mimarlık ve Kent Üzerine İstanbul Yazıları, İstanbul, 1998 (YEM) (Architectural and Urban Essays on İstanbul)
 Divriği Mucizesi, Orta Çağ İslam Bezemesi Üzerine Yorumlar, İstanbul, 1999 (The Miracle of Divrigi, htanbul, 2001) (2nd ed. 2002)
 Sinan, An Architectural Genius, (Photographs Ahmet Ertuğ), Bern, 1999 (Ertuğ, Borusan)
 Tarihi Çevre Korumanın Mimarlık Boyutu, Kuram ve Uygulama, İstanbul, 2000 (The Architectural Dimensions of Historical Environment, Theory and Practice)
 Ahşap Saraylar (Kaybolan Kent Hayalleri); Wooden Palaces of the Ottomans, İstanbul, 2001 (YEM)
 Türkiye'de Kentsel Koruma, Kent Tarihleri ve Koruma Yöntemleri, İstanbul, 2001 (Tarih Vakfı) (Urban Conservation in Turkey, City Histories and Methods of Conservation)
 Selçuklu Çağında Anadolu Sanatı, İstanbul, 2002 (YKY) (Anatolian Art in the Seljuk Period)
 Osmanlı Mimarisi, İstanbul, 2007, YEM Yayınları

Ödüller
 2019: Cumhurbaşkanlığı Kültür ve Sanat Büyük Ödülü

Kaynakça

Dış bağlantılar
 Osmanlı Mimarisi https://web.archive.org/web/20160121015930/http://www.turkishairlines.com/tr-cy/skylife/makaleler/2007/temmuz/dogan-kuban
 Osmanlı Mimarisi, Hazır Beton Dergisi, Mayıs-Haziran 2007, s.76-79 (Doğan Kuban'la röportaj)
 İlk Ayrıntılı Osmanlı Mimarisi Tarihi'ni Yazan Dünyaca Ünlü Mimarlık Tarihçimiz Doğan Kuban, Mimari Bakış Dergisi, Ocak-Mart 2008, sayı 24
 İstanbul Nasıl Bir Kültür Başkenti?, Haytap Hayvan Hakları Federasyonu

20. yüzyıl Türk mimarları
21. yüzyıl Türk mimarları
1926 doğumlular
Türk mimarlık akademisyenleri
İstanbul Teknik Üniversitesi Mimarlık Fakültesinde öğrenim görenler
İstanbul Teknik Üniversitesi öğretim üyeleri
İstanbul Teknik Üniversitesi Mimarlık Fakültesi dekanları
Paris doğumlular
2021 yılında ölenler
Kurgusal olmayan eserler veren Türk yazarlar
Gazi Lisesinde öğrenim görenler

Doğan Kuban


A equipe de voleibol feminino do Junta Administradora de Deportes de Bogotá (Jundeportes), foi um clube colombiano da cidade de Bogotá, que desenvolveu atividades esportivas e na modalidade do vôlei foi campeão do Campeonato Colombiano de 1991 e semifinalista do Campeonato Sul-Americano de Clubes em 1991 no Brasil.

Histórico

O Ministério da Educação criou em 1968 o Instituto Colombiano de la Juventud y el Deporte (Coldeportes),com objetivo de executar os planos de estímulo e embasar a educação física, esportes, atividades recreativas e o bem-estar da juventude, então, em 1969 nascia a Junta Administradora de Deportes (Jundeportes) de Bogotá e permaneceu com este nome até 1983, depois passou a se chamar Junta Administradora Seccional de Deportes de Bogotá e perdurou até 1995. .

Voleibol feminino

Em 1991, com nome de Jundeportes-Avianca conquista o título nacional e disputou o Campeonato Sul-Americano de Clubes em Ribeirão Preto, Brasil, a base do time era a seleção de Bogotá e com reforços de outras regiões, se preparando na altitude 2.600 metros, visando as fase semifinalocasião que conquistou a quarta posição.

Voleibol masculino

Em 1993, o elenco masculino disputou a o Sul-Americano de Clubes sem a chancela da Confederação Sul-Americana de Voleibol sediado na cidade de São Paulo, Brasil

Títulos conquistados

 Campeonato Sul-Americano de Clubes (0)
{| class="wikitable"

Campeonato Colombiano de Voleibol (1)
{| class="wikitable"

Elenco

Ligações externas

 Perfil no Instagram

Clubes de voleibol feminino da Colômbia
Clubes de voleibol masculino da Colômbia

Jundeportes


Das Taschengeld für Kinder und Jugendliche ist ein regelmäßiger Geldbetrag zur persönlichen Verfügung eines Kindes, Jugendlichen oder Heranwachsenden. Es dient der Erfüllung individueller Wünsche und hat den allgemeinpädagogischen Zweck, junge Menschen mit dem selbstständigen Umgang mit Geld vertraut zu machen.

Deutschland

Zahlung und Höhe
Die Höhe des durch Eltern gezahlten Taschengelds ist nicht gesetzlich festgelegt; Kinder und Jugendliche haben keinen Rechtsanspruch auf Taschengeld. Die Höhe ist eine Entscheidung der Eltern und gegebenenfalls Verhandlungssache innerhalb der Familie.

Das Familienhandbuch des Staatsinstituts für Frühpädagogik und andere private oder gemeinnützige Initiativen legen inzwischen Vorschläge für die Art und die Höhe des Taschengeldbezugs vor. Kosten für Kleidung, Schulbedarf und Schulfahrten werden oft unabhängig vom Taschengeld durch die Eltern finanziert. Auch weitere Dienstleistungen wie etwa die Mithilfe im Haushalt können zusätzlich belohnt werden.

Taschengeld bei getrennt lebenden Eltern
Taschengeld ist ein Teil der Kosten der Erziehung nach  BGB: die Einträge der Düsseldorfer Tabelle "berücksichtigen die durchschnittlichen Lebenshaltungskosten eines minderjährigen Kindes, das bei einem Elternteil lebt. Enthalten sind also die Kosten für Wohnung, Nahrung, Krankenvorsorge, Ferien und Freizeit, Pflege musischer und sportlicher Interessen sowie das Taschengeld".

Taschengeld für Minderjährige im Betreuten Wohnen
Jungen Menschen, die in Jugendhilfe fremduntergebracht sind, wird nach  SGB VIII "ein angemessener Barbetrag zur persönlichen Verfügung" gewährt. Landes-Verwaltungsschriften enthalten Tabellen, die für diesen Fall die Höhe des Taschengelds regeln.

Vertragswirksamkeit
In Deutschland ist durch den Taschengeldparagraphen ( BGB) festgelegt, dass Verträge, die Kinder und Jugendliche im Umfang des ihnen zur freien Verfügung gestellten Geldes abschließen, rechtswirksam sind. Der Taschengeldparagraph beruht auf  BGB, demzufolge Kinder und Jugendliche von 7 bis unter 18 Jahren nur eingeschränkt geschäftsfähig sind.

Siehe auch
 Kindheit und Jugend in Deutschland
 Kindschaftsrecht (Österreich)#Unterhalt für Kinder von Eltern (Großeltern): Kindesunterhalt
 Taschengeld

Einzelnachweise

Jugend und Freizeit
Kinder- und Jugendhilfe
Familienrecht
Einkommen
Elternhauserziehung

Taschengeld für Kinder und Jugendliche


Gebizon (lat. Gebizzo, Gebizzone, Gepizon, Gepizone) (?, prva polovica 11. stoljeća – ?, iza ožujka 1097.), papinski izaslanik u Hrvatskoj u 11. stoljeću. Okrunio je Dmitra Zvonimira († 1089.) za kralja Hrvatske i Dalmacije. Često ga se miješa sa svetim Gebizonom.

Obnašao je službu opata benediktinskog samostana sv. Bonifacija i Aleksija u Rimu. Zajedno s biskupom Fulkoinom bio jedan od izaslanika pape Grgura VII. (1073. – 1085.) na pokrajinskom crkvenom saboru koji je održan u bazilici sv. Petra i Mojsija u Solinu. Nakon sabora Gebizon je dana 8. listopada 1075. predao hrvatskom vladaru znakove kraljevske vlasti – zastavu, mač, žezlo i krunu, a od njega primio vazalsku prisegu papi Grguru VII.

Vrativši se u Rim, Gebizon je 1082. godine postao biskupom u Ceseni.

Bilješke

Vanjske poveznice

 Gebizon - Hrvatska enciklopedija
 Gebizon - Proleksis enciklopedija
 Kardinali Svete Rimske Crkve - webdept.fiu.edu

Benediktinci
Dmitar Zvonimir

Gebizon


Patrick Damien "Pat" Secker (born 6 June 1956), Australian politician, was a Liberal member of the Australian House of Representatives from October 1998 to August 2013, representing the Division of Barker, South Australia.

Biography
Secker was born in Happy Valley, South Australia, and was educated at Flinders University, Adelaide gaining a degree in Economics and Politics. He was a primary producer, small business retailer and company director before entering politics. He was a member of the Meadows District Council 1981-83 and the Mt Barker District Council 1983–92.

Secker was Deputy Speaker of the House of Representatives and Deputy Chair of the National Capital and External Territories Joint Standing Committee of Parliament. He was Secretary of the Opposition backbench committee on Agriculture and Infrastructure as well as Chair of the Liberal Party Rural and Regional affairs Committee and a member of the Liberal Party Federal Executive and Federal Council.

Secker was booked by a police officer in April 2006 for tailgating a prime mover. He was accused of travelling half a second behind, Secker pleaded not guilty and asserted that he was travelling five seconds behind. In September 2007 he was found guilty of tailgating a prime mover by the Magistrates Court at Berri in the SA Riverland, given a $450 fine and lost one demerit point. It followed a speeding incident in 2005, at 17 km/h over the limit whilst overtaking a truck. In his defence, Secker stated:

I think I'm like most people and that's why I challenged that ruling is that when you pass a B-double you need to speed up. I think most people still do that on the basis that it's safer.

In a Liberal Party pre-selection ballot on 3 March 2012, Secker lost Liberal Party endorsement for the 2013 election  to Mount Gambier lawyer Tony Pasin, only receiving 78 votes to his opponent's 164 votes.

He made his valedictory speech in parliament on 25 June 2013.

References

External links
Patrick Secker's website

1956 births
Living people
Liberal Party of Australia members of the Parliament of Australia
Members of the Australian House of Representatives
Members of the Australian House of Representatives for Barker
Flinders University alumni
21st-century Australian politicians
20th-century Australian politicians

Patrick Secker


El Museo del Bicentenario es un museo argentino emplazado en las antiguas galerías de la Aduana de Taylor de la ciudad de Buenos Aires, inaugurado el 24 de mayo de 2011. Funciona como anexo de la Casa Rosada y expone unas 10.000 piezas históricas que pertenecieron a muchos presidentes de la República Argentina, originarias de la colección del Museo Presidencial Casa Rosada. Fue inaugurado en el año 2011 durante la presidencia de Cristina Kirchner.

Abrió sus puertas con el nombre actual, pero durante el gobierno de Mauricio Macri llevó el nombre de «Museo Casa Rosada».

Contiene fotografías, pinturas y material audiovisual que recrean en una línea de tiempo los distintos períodos históricos del país. También exhibe objetos históricos hallados en excavaciones, los restos arqueológicos del Fuerte de Buenos Aires, y la obra mural Ejercicio plástico del artista mexicano David Alfaro Siqueiros, que data de 1933. La superficie total del edificio es de 5000 metros cuadrados, presenta algunos techos y paredes de vidrio que intensifican su luminosidad. Cuenta también con una confitería y una tienda de recuerdos.

El 10 de diciembre de 2011 fue la sede elegida para la jura y asunción de los ministros designados por Cristina Fernández de Kirchner para su segundo mandato presidencial, para la jura de ministros de Mauricio Macri el 10 de diciembre de 2015, y de la Asunción de ministros de Alberto Fernández el 10 de diciembre de 2019. El lugar es utilizado por la presidencia para reuniones multitudinarias.

Muestra permanente

El mural

Como parte de la colección permanente que exhibe el Museo del Bicentenario se destaca el mural Ejercicio plástico, considerado como una obra destacada del muralismo latinoamericano, pintado en 1933 por el artista David Alfaro Siqueiros, junto a sus colegas argentinos Lino Enea Spilimbergo, Antonio Berni y Juan Carlos Castagnino, y el escenógrafo uruguayo Enrique Lázaro.

En el 2003 el mural fue declarado Bien de Interés Histórico Artístico Nacional mediante el decreto 1045/2003, medida que impidió la venta de la obra y su salida del país. En el año 2008 fue trasladado a un taller de restauración ubicado en Plaza Colón. En el 2009 el Congreso Nacional lo declaró "de utilidad pública y sujeto a expropiación".

Línea temporal audiovisual

El Museo del Bicentenario se compone de catorce cámaras o recintos interiores, delimitados por los arcos de la vieja Aduana de Buenos Aires, que representan puntos en una línea de tiempo de la historia argentina. En el centro de cada cámara grandes pantallas reproducen vídeos sobre el período histórico reseñado y a su alrededor se encuentran diversos objetos de la época, como urnas para el sufragio, objetos personales, obras de arte, publicaciones periódicas, afiches y literatura política.

La línea temporal se divide en distintas cámaras en función de cada época de la historia argentina:

Arco N° 01: "De la Revolución" (1810-1829)

Esta cámara contiene varios manuscritos relacionados con la Revolución de Mayo de 1810 y los hechos posteriores más destacados:
 La Declaración de la Libertad de Vientres (parte de la colección de manuscritos de la Asamblea del Año XIII), que garantizaba la libertad de los hijos de esclavos como primer paso para la abolición.

 La Declaración de la Abolición de los títulos de Nobleza, que anulaba todas la prerrogativas de sangre y nacimiento sobre los habitantes del territorio nacional.

Artículos incluidos en este arco: "Ataque por los Ingleses a Buenos Aires" (litografía coloreada - 1807), "Los Ingleses atacan a Buenos Ayres y son rechazados" (grabado a mano negra - Madrid - 1807), "Soldados de Regimientos Patriotas" (varias reproducciones de acuarelas originales de la época), Manuscritos varios.

Arco N° 02: "La anarquía. Rosas, el restaurador de las leyes. Unitarios y Federales" (1829-1861)

Artículos incluidos en este arco: "Sillón Presidencial" (1860), "Fragmento de Cadena" (1845), "Constituyentes de 1853" (Destouches-Lemercier, París - litografía 1955), "Combate de la Vuelta de Obligado" (Lemercier, París - litografía 1850), "Constitución de la Confederación Argentina" (1860), "Escudo de la Confederación Argentina" (Entre Ríos - 1855), "Retrato del Brig. Gral. Juan Manuel de Rosas" (litografía retocada 1845).

Arco N° 03: "Organización del Estado Nacional" (1861-1890)

Artículos incluidos en este arco: "Secreter que perteneció al presidente Domingo F. Sarmiento" (un escritorio y archivo de avanzada, importado de los Estados Unidos de América.), "Vista de Buenos Aires" (litografía coloreada de Luis Lebreton), "Vajilla que perteneció al presidente Nicolás Avellaneda" (Porcelana inglesa, del tercer cuarto del , que ostenta su monograma: "N A"), "Buenos Aires a vista de pájaro" (copia de litografía de la época de una vista aérea de Buenos Aires, con la aduana Taylor al centro de la imagen).

Arco N° 04: "Gran inmigración y el orden conservador" (1890-1916)

Artículos incluidos en este arco: "Alegoría del Centenario" (medallón de cobre plateado 1910), "Retrato de la Infanta Isabel de Borbón y Borbón" (Fotografía con dedicatoria y firma, conservada en su marco original), "Bandeja" (de loza alemana, con una vista del frente de la Casa Rosada pintada en ella), "Casa de Gobierno" (óleo sobre tela), "La Casa Rosada" (Ángel Della Valle, reproducción de litografía, vistas del frente este), "La Casa Rosada" (Ángel Della Valle, reproducción de litografía, vistas del frente oeste).

Arco N° 05: "Del sufragio popular, el Radicalismo y las luchas sociales" (1916-1930)

Artículos incluidos en este arco: "Sombrero bombín, bastón y chalina" (pertenecieron al presidente Hipólito Yrigoyen), "Cigarrera" (de plata inglesa con dedicatoria grabada), "Condecoraciones extranjeras" (pertenecientes al presidente Marcelo Torcuato de Alvear), "Retrato del Presidente Hipólito Yrigoyen" (óleo sobre tela), "Retrato oficial del Presidente Marcelo T. de Alvear" (pintura sobre porcelana en marco original), "Mate Paraguayo" (obsequiado al presidente Hipólito Yrigoyen), "Urna electoral" (utilizada en las elecciones generales de 1916).

Arco N° 06: "De la década Infame al ascenso de Perón" (1930-1945)

Artículos incluidos en este arco: "Par de botas militares, gorra militar y fusta" (pertenecieron al presidente general Agustín P. Justo), "Afiche" (correspondiente a la agrupación FORJA), "Galera" (Perteneciente al Presidente Roberto M. Ortiz), "Manifiesto al Pueblo" (En tintas, realizado a mano, con firma del general José Félix Uriburu).

Arco N° 07: "El Peronismo" (1945-1955)

Artículos incluidos en este arco: "Amparo de los humildes" (afiche de 1948), "Forjador de la nueva gran Argentina" (afiche de 1948), "17 de octubre - Inconmovible" (afiche de 1946), "Revista PBT" (ejemplar de 1950), "Billetera" (souvenir del primer gobierno peronista), "Constitución año 1949" (de la nueva constitución peronista), "Muñeca "Cachirla"" (regalo que entregaba la Fundación Eva Perón.

Arco N° 08: ""La Libertadora": La proscripción de las mayorías" (1955-1968)

Artículos incluidos en este arco: "Llave Simbólica" (otorgada al presidente Arturo Frondizi), "Asunción del Presidente Arturo Illia" (témpera sobre cartulina, de 1963), "Retrato oficial del Presidente Arturo Frondizi" (fotografía), "Sombrero de calle y anteojos" (pertenecientes al Presidente Arturo Frondizi).

Arco N° 09: "La resistencia Peronista. Organizaciones políticas y sociales" (1968-1973)

Artículos incluidos en este arco: "1° de Mayo - Libertad a Tosco" (afiche de 1972), "Federación Gráfica Bonaerense" (afiche de 1973), "Libertad y Amnistía" (afiche de 1973).

Arco N° 10: "Del gobierno popular al golpe de Estado" (1973-1976)

Artículos incluidos en este arco: "Cámpora" (afiche de 1973), "La vida por Perón" (afiche de 1974), "Lealtad" (afiche de 1973).

Arco N° 11: "La dictadura militar: "El Proceso"" (1976-1983)

Artículos incluidos en este arco: "La Guerra de Malvinas" (par de cascos militares utilizados durante la guerra en 1982, y diarios de la época), "Pañuelo: Madres de Plaza de Mayo" (pañuelo bordado con la leyenda: "Aparición con vida de los desaparecidos / Madres de Plaza de Mayo").

Arco N° 12: "La recuperación democrática y sus límites" (1983-1989)

Artículos incluidos en este arco: "Atributos Presidenciales" (banda presidencial de seda, con los colores patrios), "Alfonsín Argentinazo" (afiche de 1983), "Retrato de Raúl Ricardo Alfonsín" (fotografía de 1983).

Arco N° 13: "El Neoliberalismo" (1989-2002)

Artículos incluidos en este arco: "Reloj Pulsera" (original, perteneciente Carlos Menem hijo; su padre, el presidente Carlos Saúl Menem comenzó a usar este objeto personal tras la desaparición física de su hijo), "Asunción Presidencial año 1999" (fotografía), "Lapicera Estilográfica" (obsequiada en 1999 por el presidente saliente, Dr. Carlos Menem, al sucesor de la presidencia Fernando De la Rúa luego del acto de firma de asunción), "Campera de Gamuza" (atuendo característico del presidente Fernando De la Rúa), "Corbata" (perteneciente al Presidente Fernando De la Rúa, utilizada durante su asunción), "Traje de Gala" (utilizado por el presidente Carlos Menem en diversos actos oficiales).

Arco N° 14:"La recuperación política, económica y social. El Bicentenario" (2003-2010)

Artículos incluidos en este arco: "Camiseta de Fútbol" (camiseta del Racing Club de Avellaneda, perteneciente al presidente Néstor Carlos Kirchner), "Sillón" (utilizado en el despacho presidencial por los presidentes Néstor Carlos Kirchner y luego por Cristina Fernández de Kirchner), "Mocasines" (pertenecientes al presidente Néstor Carlos Kirchner), "Traje cruzado" (pertenecientes al presidente Néstor Carlos Kirchner).

Colección de arte
En el Museo del Bicentenario se exhiben varias obras de arte entre las que se destaca Retrato del Presidente Juan Domingo Perón y su señora esposa María Eva Duarte de Perón, el Retrato Oficial del Presidente de la Nación Juan Domingo Perón y el único en el que aparece sonriente y acompañado por la primera dama, María Eva Duarte de Perón. Fue realizado en 1948 por el pintor francés Numa Ayrinhac.

También existe en el Museo del Bicentenario, prendas que son parte de la historia de Argentina, entre ellos está el pañuelo de las Madres de Plaza de Mayo. Este ha sido y es símbolo del reclamo de las Madres desde el inicio de la desaparición forzada de sus hijos a manos de las fuerzas de la represión militar, llevada a cabo desde mediados de la década del '70 y hasta fines de la dictadura militar en el año 1983. Con este pañuelo sobre la cabeza, las Madres realizaron incansablemente marchas en reclamo de la aparición de sus hijos.

Muestras temporarias
 En Unión y Libertad: Fue inaugurada el 31 de enero de 2013 en conmemoración del Bicentenario de la Asamblea General Constituyente del año 1813. La muestra exhibió documentos únicos sobre la abolición de la inquisición y las torturas, la libertad de vientres y la supresión de los títulos de nobleza, entre otros.
 Los Pesebres del Vaticano en Buenos Aires: En enero de 2013 se exhibieron ocho pesebres que en años anteriores fueron exhibidos en dependencias de los Palacios y Museos Vaticanos.
 Quiera el pueblo votar: Fue inaugurada el 24 de octubre de 2012 en conmemoración del Centenario de la Ley Sáenz Peña. En la muestra se presentó una selección de objetos, afiches e imágenes relacionadas con el sufragio universal, secreto y obligatorio.
 Mercedes Sosa, un pueblo en mi voz: Fue inaugurada el 19 de septiembre de 2012 y mostró los momentos más importantes de la vida y carrera artística de la cantante Mercedes Sosa mediante fotografías, videos, objetos personales y música.
 76.11 Afiches: Fue inaugurada el 11 de abril de 2012 y presentó material producido por Organismos de Derechos Humanos desde la última dictadura cívico-militar.

Referencias

Enlaces externos

 Sitio oficial

Museos de historia de Argentina
Museos en la ciudad de Buenos Aires
Monumentos y lugares históricos de la Argentina
Edificios del barrio de Monserrat (Buenos Aires)
Arquitectura postmoderna en Argentina
Museos de Argentina del siglo XXI
Museos inaugurados en 2011
Presidencia de Cristina Fernández de Kirchner

Museo del Bicentenario


Tour Down Under 2016 var den 18. udgave af cykelløbet Tour Down Under. Det australske etapeløb er det første arrangement på UCI's World Tour-kalender i 2016 og blev arrangeret mellem 19. og 24. januar 2016. Simon Gerrans blev den samlede vinder af løbet.

Hold og ryttere

Danske ryttere
 Lars Bak kørte for Lotto-Soudal
 Michael Valgren kørte for Tinkoff

Etaperne

Trøjernes fordeling gennem løbet

Resultater

Eksterne henvisninger
 Officielle hjemmesideside

2016
UCI World Tour 2016

Tour Down Under 2016


Fringilla, Fringillidae familyasına bağlı bir hayvan cinsidir.

Dış bağlantılar
 Internet Bird Collection: Finches, Crossbills, and Allies

Kaynakça

Fringillidae
Carl Linnaeus tarafından adlandırılmış taksonlar

Fringilla


Căsătoria Prințului Harry cu Meghan Markle a avut loc la 19 mai 2018 la capela St George de la Palatul Windsor. Mirele, Prințul Harry, este membru al familiei regale britanice, iar mireasa, Meghan Markle, este o actriță americană.

Anunțul logodnei

Prințul Henry de Wales, cunoscut ca Prințul Harry, este al doilea fiu al Prințului Charles de Wales și al Dianei, Prințesă de Wales, și Meghan Markle, o actriță americană cunoscută pentru rolul ei din serialul TV Suits au început o relație în iunie 2016. Relația a fost recunoscută pentru prima dată public la 8 noiembrie 2016, când secretarul de comunicații al familiei regale a făcut o declarație oficială care se referea la "valul de abuz și hărțuire" îndreptat spre Markle.

La 27 noiembrie 2017, Casa Clarence a anunțat că Prințul Harry se va căsători cu Meghan Markle în primăvara anului 2018. Ei s-au logodit mai devreme în aceeași lună, la Londra, Prințul Harry dăruindu-i lui Megan un inel de logodnă personalizat realizat de Cleave and Company, alcătuit dintr-un diamant central mare din Botswana, cu două diamante mai mici din colecția de bijuterii a mamei sale. În același timp s-a anunțat că după căsătorie ei vor locui la Nottingham Cottage, un complex imobiliar ce face parte din structura Palatului Kensington, unde locuiesc deja Prințul William și membrii familiei sale.

Deoarece Harry este al șaselea în linia de succesiune la tronul britanic, el trebuie să obțină permisiunea regală pentru a se căsători, conform Actului de Succesiune a Coroanei din 2013. Regina și Ducele de Edinburgh s-au exprimat încântați de știre. După anunț, cuplul a dat un interviu exclusiv lui Mishal Husain de la BBC News.

Ceremonia
Ceremonia religioasă a avut loc sâmbătă, 19 mai 2018, la Capela St. George de la Castelul Windsor. Este locul unde, anterior, a avut loc nunta unchiului prințului Harry, Contele de Wessex, nunta vărului său, Peter Phillips, precum și binecuvântarea pentru căsătorie a Prințului de Wales și a Ducesei de Cornwall, mama vitregă a lui Harry.

Primele 2.640 de persoane (1.200 de tineri, 200 de membri ai organizațiilor caritabile, 100 de elevi de la școlilele învecinate, 610 membri ai comunității castelului și 530 de angajați regali) care au fost invitate în parcul Castelului Windsor să participe la sosirea mirilor și a oaspeților lor, au intrat în parc începând cu ora locală 10:30.

Ceremonia, condusă de Protopopul de Windsor Dean David Conner a început la ora 12 pm. Cuplul s-a căsătorit în conformitate cu ritualul tradițional al Bisericii Anglicane. Reverendul american Michael Bruce Curry, primul episcop de culoare aflat în fruntea Bisericii Episcopale americane a ținut un discurs despre iubire și Iisus iar arhiepiscopul de Canterbury, Justin Welby, a oficiat  ceremonia jurămintelor.

Anterior, sora lui Lady Diana a citit un fragment din Cântarea Cântărilor, un poem de dragoste (8.6: "Pune-mă ca o pecete pe inima ta").

Note

Referințe

2018 în Regatul Unit
Casa de Windsor
Nunți princiare


Dulovce este o comună slovacă, aflată în districtul Komárno din regiunea Nitra. Localitatea se află la , se întinde pe o suprafață de  și în 2017 număra 1.727 de locuitori.

Istoric
Localitatea Dulovce este atestată documentar din 1356.

Note

Legături externe

Localități din Slovacia

Dulovce


රුවන්වැල්ල බලකොටුව, 1550 දශකයේ පෘතුගීසින් විසින් කෑගල්ලේ රුවන්වැල්ල ඉදිකරන ලද බලකොටුවකි. 1665 වසරේදී බලකොටුව ලන්දේසින්ගේ පාලනයට නතුවිය.

1817 වර්ෂයේදී බ්‍රිතාන්‍යයන් විසින් බලකොටුව අට්ටාල ද්විත්වයක් සමග ගලින් නිමවන ලදී.

වර්තමානයේ මෙම බලකොටුව පොලිස් ස්ථානයක් ලෙස භාවිතයට ගැනේ.

වැඩිදුර කියවීම්

ආශ්‍රිත

බාහිර සබැඳි
 රුවන්වැල්ල

බලකොටු - ශ්‍රී ලංකා

රුවන්වැල්ල බලකොටුව


El Marquesado de Blondel del Estanque es un título nobiliario español creado el 12 de noviembre de 1789 por el rey Carlos IV a favor de Luis Blondel de Druhot y Dávalos, Gobernador de Lérida, propietario del señorío de Estanque de Bellcaire, en la actual provincia de Gerona.

Su denominación hace referencia a la localidad de Estanque de Bellcaire en el Ampurdán, (Gerona).

Marqueses de Blondel del Estanque

Historia de los Marqueses de Blondel del Estanque

Luis Blondel de Druhot y Dávalos (1728-1797), I marqués de Blondel del Estanque.
Casó con María Francisca Wyts de la Boucharderi y de Valenciá.

-El primer marqués no tuvo sucesores de ninguno de sus hijos varones, solamente de su hija María Genoveva de Blondel y Wyts que casó con Juan de Miquel y Vilaplana, barón de Púbol, cuyos sucesores se intitularon barones de Púbol y barones del Castillo de Púbol, pero nunca usaron el título de marqueses de Blondel del Estanque, por lo que este título quedó vacante.

Rehabilitado en 1915 por:

Luis José de Miquel y Bassols, II marqués de Blondel del Estanque. General de Brigada.

-El título fue declarado "caducado" el 17 de mayo de 1923 por falta de pago de los impuestos correspondientes.

-Nunca se volvió a rehabilitar el título por lo que actualmeente no está en vigor. Está definitivamente caducado y es simplemente un título histórico.

Referencias

Blondel del Estanque

Marquesado de Blondel del Estanque


Acanthopale, biljni rod iz porodice primogovki. Postoji desetak priznatih vrsta koje rastu po Africi i Madagaskaru.

Vrste
 Acanthopale aethiogermanica Ensermu
 Acanthopale breviceps (Benoist) Callm. & Phillipson
 Acanthopale confertiflora (Lindau) C.B.Clarke
 Acanthopale cuneifolia (Benoist) Callm. & Phillipson
 Acanthopale decempedalis C.B.Clarke
 Acanthopale humblotii (Benoist) Callm. & Phillipson
 Acanthopale laxiflora (Lindau) C.B.Clarke
 Acanthopale macrocarpa Vollesen
 Acanthopale madagascariensis (Baker) C.B.Clarke ex Bremek.
 Acanthopale perrieri (Benoist) Callm. & Phillipson
 Acanthopale pubescens (Lindau ex Engl.) C.B.Clarke
 Acanthopale ramiflora (Benoist) Callm. & Phillipson

Izvori

Ruellieae

Acanthopale (Plantae)


Venture to the Moon (1956) conține șase povestiri science fiction legate între ele scrise de Arthur C. Clarke care au apărut prima dată în Evening Standard.

Conținut
"The Starting Line"
"Robin Hood FRS"
"Green Fingers"
"All that Glitters"
"Watch this Space"
"A Question of Residence"

Referințe

Clarke, Arthur C. The Best of Arthur C Clarke; 1956 - 1972. Published 1973

Legături externe

Vezi și
Bibliografia lui Arthur C. Clarke

Luna în ficțiune
Colecții de povestiri de Arthur C. Clarke
Povestiri de Arthur C. Clarke
Colecții de povestiri științifico-fantastice
Povestiri științifico-fantastice
1956 în literatură

Venture to the Moon


El tordo pico de oro (Catharus aurantiirostris), también conocido como zorzal piquianaranjado o zorzalito piquigualda, es una especie de ave paseriforme de la familia Turdidae. Es nativo de Colombia, Costa Rica, El Salvador, Guatemala, Honduras, México, Nicaragua, Panamá, Trinidad y Tobago y Venezuela. Su hábitat natural incluye bosque tropical y subtropical, matorrales y humedales.

Subespecies
Se distinguen las siguientes subespecies:
 Catharus aurantiirostris aurantiirostris
 Catharus aurantiirostris aenopennis Catharus aurantiirostris clarus Catharus aurantiirostris melpomene Catharus aurantiirostris bangsi Catharus aurantiirostris costaricensis Catharus aurantiirostris russatus Catharus aurantiirostris insignis Catharus aurantiirostris sierrae Catharus aurantiirostris inornatus Catharus aurantiirostris phaeopleurus Catharus aurantiirostris birchalli Catharus aurantiirostris barbaritoi Catharus aurantiirostris griseiceps''

Referencias

Enlaces externos

aurantiirostris
Aves de América Central
Aves de América del Sur
Animales descritos en 1850
Taxones descritos por Gustav Hartlaub

Catharus aurantiirostris


The Great War deveti je studijski album švedskog heavy/power metal sastava Sabaton. Album je objavljen 19. srpnja 2019. godine, a objavila ga je diskografska kuća Nuclear Blast. Prvi je studijski album s gitaristom Tommyjem Johanssonom.

Prvi singl s albuma, "Fields of Verdun", objavljen je 3. svibnja. Sljedeći singl "The Red Baron" objavljen je 13. lipnja. Najnoviji singl "Great War" objavljen je 27. lipnja.

Popis pjesama

Osoblje
Sabaton
Joakim Brodén – vokali, klavijature
Pär Sundstrom – bas-gitara, prateći vokali
Chris Rörland – gitara, prateći vokali
Tommy Johansson – gitara, prateći vokali
Hannes van Dahl – bubnjevi, prateći vokali
Dodatni glazbenici
Thobbe Englund – glavna gitara (na pjesmi 8)
Ostalo osoblje
Maor Appelbaum – mastering
Péter Sallai – ilustracije
Jonas Kjellgren – produkcija

Izvori

Albumi iz 2019.
Albumi sastava Sabaton

The Great War


Allen John (* 31. August 1987 in Ludwigshafen am Rhein) ist ein deutscher Profigolfer. Er begann im Alter von zehn Jahren mit dem Golf und durchlief mehrere regionale Kader bis hin zum Nationalkader. Bis zum Beginn seiner Profikarriere 2011 spielte John neben der Nationalmannschaft auch für den Golfclub St. Leon Rot. Er spielte 2008 für die Georgia State Universität in Atlanta, Georgia.
In seinem ersten Profijahr spielte John auf der EPD-Tour und hat für die Saison 2012 die Spielberechtigung für die Challenge Tour errungen.

Nach einer zwei Jahre andauernden Schambeinverletzung, ließ er sich reamateurisieren und war Anfang 2015 als Amateur spielberechtigt. In den kommenden zwei Jahren holte er neben dem Weltmeistertitel der Gehörlosen auch die Goldmedaille bei den Deaflympics.

Profisiege

EPD TOUR

Weblinks
 Allen John auf golftime.de

Golfer (Deutschland)
Deutscher
Geboren 1987
Mann

Allen John


Musseque(mn. musseques) su sirotinjska divlja naselja u Angoli. Osobito se to odnosi na naselja oko Luande. Slična su favelama u Brazilu i caniçosima u Mozambiku.

Etimologija
Riječ dolazi iz bantu jezika kimbundua i kovanica je od dviju riječi: mu = mjesto i seke = pijesak, pri čemu  seke izvorno znači crveno, pa se odnosi na crveni pijesak iz okolice Luande.

Povijest
Nastajala su otkako se industrijalizirala Luanda 1962. godine. Otad je sve više stanovnika iz zaleđa doselilo u glavni grad. Prema podrijetlu su se naselili u mussequese. Izbijanjem angolskog rata za neovisnost 1975. godine pojačao se dotok ljudi u nekoliko gradova te je nastalo još više i još većih četvrti nevoljne sirotinje. (:de:Elend).

Angolski intelektualci, naimence pjesnik Viriato da Cruz kodificirao je koncept angolstva 1948. kao literarni pokret sloganom, a koji je podupirao časopis A Mensagem. Pisac iz literarnog pokreta "Otkrijmo Angolu!" (port. Vamos Descobrir Angola), poslije predsjednik Angole Agostinho Neto identificirao je i istakao živu kulturu mussequesa. kao protustavku gledanja kolonijalne vlade na njih kao krajnje jadna, prljava, nesigurna, neugodna, zapuštena mjesta puna zločina.

Mussequi se dijele u četiri kategorije: musseque antigo, musseque ordenado, musseque em transição i musseque periférico.

Vidi
 Paraíso (Angola), jedna od najvećih sirotinjskih četvrti u okružju Luande
 Kikolo, općina od četvrti nevoljničke sirotinje u okružju Luande

Izvori

Vanjske poveznice
 Case study Luanda, Angola (PDF) (eng.)
 Os musseques de Luanda  (PDF) (port.)

Angola
Antropogeografija

Musseque


In ancient Roman religion, the Quinquatria or Quinquatrus was a festival sacred to the Goddess Minerva, celebrated from the 19–23 of March. The older festivals were of Etruscan origin and were to celebrate the Spring equinox, the spring rebirth rites of women. According to Varro, it was so called because it was held on the fifth (quinqu-) day after the Ides, in the same way as the Tusculans called a festival on the sixth day after the Ides Sexatrus or one on the seventh Septimatrus. Both Varro and Festus state that the Quinquatrus was celebrated for only one day, but Ovid says that it was celebrated for five days, hence the name: on the first day no blood was shed, but that on the last four there were contests of gladiators. The first day was the festival proper, and that the following four were an expansion made perhaps in the time of Caesar to gratify the people. The ancient Roman religious calendars assign only one day to the festival.

Ovid says that this festival was celebrated in commemoration of the birthday of Minerva; but according to Festus it was sacred to Minerva because her temple on the Aventine was consecrated on that day. On the fifth day of the festival, according to Ovid, the trumpets used in sacred rites were purified; but this seems to have been originally a separate festival called Tubilustrium, which ancient calendars place on 23 March. When the celebration of Quinquatrus was extended to five days, the Tubilustrium would have fallen on the last day of that festival.

As this festival was sacred to Minerva, it seems that women were accustomed to consult fortune-tellers and diviners upon this day. Domitian caused it to be celebrated every year in his Alban villa, situated at the foot of the Alban hills, and instituted a collegium to superintend the celebration, which consisted of shows of wild beasts, of the exhibition of plays, and of contests of orators and poets.

There was also another festival of this name called Quinquatrus Minusculae or Quinquatrus Minores, celebrated on the Ides of June, on which the tibicines went through the city in procession to the temple of Minerva.

Historical significance
At the Quinquatria in 59, Nero invited his mother, Agrippina the Younger, to his villa near Baiae, in an attempt to assassinate her. His old tutor, Anicetus, whom he had raised to be captain of the fleet of Misenum, had undertaken to construct a vessel which could be sunk, without exciting suspicion. Agrippina landed at Bauli, between Baiae and Cape Misenum, and completed her journey in a litter. After the banquet, when night had fallen, she was induced to return to Bauli in the vessel which had been prepared for her destruction. But the mechanism did not work as planned, and Agrippina succeeded in swimming to shore, from which she proceeded to her villa on the Lucrine lake. Nero soon after succeeded in his goal, however, with further help from Anicetus.

Notes

References

Bury, John Bagnell. The Student's Roman Empire. Harper. 1893.

Ancient Roman festivals
March observances
Festivals of Athena
Minerva

Quinquatria


Dănilă Vincaș (n. 1860, Husăsău, comitatul Bihor, Regatul Ungariei – d. secolul al XX-lea) a fost un deputat în Marea Adunare Națională de la Alba Iulia, organismul legislativ reprezentativ al "tuturor românilor din Transilvania, Banat și Țara Ungurească", cel care a adoptat hotărârea privind Unirea Transilvaniei cu România, la 1 decembrie 1918.

Biografie
Dănilă Vincaș s-a născut în 1860 în comuna Husăsău. A avut șapte clase primare, a fost membru al gărzii comunale. După 1918 a devenit primar al comunei.

Activitate politică

A luat parte la Marea Adunare Națională de la Alba Iulia din 18 noiembrie/ 1 decembrie 1918, unde a votat Marea Unire ca delegat al cercului electoral Tinca, Bihor.

Note

Bibliografie
 Ioan I. Șerban, Dorin Giurgiu, Ionela Mircea, Nicolae Josan, Dicționarul personalităților Unirii. Trimișii românilor transilvăneni la Marea Adunare Națională de la Alba Iulia, Muzeul Național al Unirii, Alba Iulia, 2003, ISBN 973-8141-90-7

Lectură suplimentară
 Daniela Comșa, Eugenia Glodariu, Maria M. Jude, Clujenii și Marea Unire, Muzeul Național Transilvania, Cluj-Napoca, 1998
 Florea Marin, Medicii și Marea Unire, Editura Tipomur, Târgu Mureș, 1993
 Silviu Borș, Alexiu Tatu, Bogdan Andriescu, (coord.), Participanți din localități sibiene la Marea Adunare Națională de la Alba Iulia din 1 decembrie 1918, Editura Armanis, Sibiu, 2015

Legături externe
  Membrii de drept ai Marii Adunării Naționale de la Alba-Iulia din 1 decembrie 1918, lista publicată în "Gazeta Oficială", Sibiu, nr. 1, 1/14 decembrie 1918

Vezi și
 Lista delegaților la Marea Adunare Națională de la Alba Iulia

Nașteri în 1860
Decese în secolul al XX-lea
Delegați la Marea Adunare Națională de la Alba Iulia
Oameni din județul interbelic Bihor
Români din Austro-Ungaria
Primari din România

Dănilă Vincaș