Vi hører til - buskmenneskers møde med den vestlige civilisation er en dokumentarfilm instrueret af Arthur Krasilnikoff efter manuskript af Arthur Krasilnikoff.

Handling
I Kalahari ørkenen i Botswana lever de lyse buskmennesker, Afrikas ældste folk. De bor nu i et af myndighederne indrettet reservat, regnes ikke for noget og er i moderniseringens navn ved at miste alt, hvad de har. Buskmændene fortæller om deres situation, som yderligere er forværret ved, at der er taget skridt til, at de skal flyttes. 50.000 buskmennesker er truet på livet.

Referencer

Eksterne henvisninger

Danske film fra 1988

Dokumentarfilm fra Danmark


جي إم سي إنفوي بالإنجليزية GMC ENVOY هي مركبة من فئة USV أي الرياضية المتعددة الأغراض وذات دفع رباعي، تنتجها شركة جي إم سي الأمريكية التابعة لشركتها الأم جنرال موتورز
تم إنتاجها في العام 2000 وقدمت الي الاسواق في العام 2002 وتباع في الولايات المتحدة الأمريكية -كندا - البرازيل - المكسيك - أستراليا ا - دول الخليج ولبنان ،ونالت شهرة واسعة، وقد تم ايقاف إنتاجها بشكل نهائي في 2010 هيا وشقيقتها التؤام شيفرولية ترايل بلايزر واستبدلت السيارتان بـسيرتان جديدتان هما جي إم سي - اكاديا وشيفرولية ترافيس

أنواع إنفوي

1- انفوي SLE الموديل القياسي

2- انفوي SLT الموديل الفخم

2- انفوي XL العائلي ذو الـ 3 صفوف من المقاعد

3- انفوي دينالي الفئة الفخمة المحدودة الإصدار

أنواع المحركات

انفوي مزودة بنوعين من محركات البنزين

1- محرك فورتيك بسعة 4200 سي سي بـ 6 اسطوانات (سلندرات) متتالية و24 صماما مع حقن وقود الإلكتروني وتحكم كامل بالمحرك عن طريق كمبيوتر مركزي يولد 295 حصان عند 6000 دورة في الدقيقة

2- محرك دوراتيك بسعة 5300 سي سي بـ 8 اسطوانات (سلندرات) على شكل V و16 صماما مع حقن قود الإلكتروني وتحكم كامل بالمحرك عن طريق كمبيوتر مركزي يولد 320 حصان عند 5800 دورة في الدقيقة

المحرك الأول ذو الـ 6 اسطوانات يجهز قياسيا جميع أنواع الانفوي بينما الآخر يأتي اختياريا فقط وحصريا على الفئة المحدودة دينالي

المواصفات الفنية والتجهيزات

مقاعد من القماش الفخم (قياسي) وجلدية للفئة دينالي بتحكم كهربائي كامل- جهاز ملاحة يعمل باللمس مع كاميرا خلفية (اختياري) و(قياسي) مع الفئة دينالي - 6 اكياس هوائية امامية وجانبية وعلوية - نظام ABS لمنع انغلاق الفرامل - جهاز التحكم بالتماسك - دفع رباعي كامل مع علبة تحويل (اختياري) و(قياسي) مع الفئة دينالي - نظام بوس سمعي - بصري ديجيتال - بلوتوث مع 3 شاشات (امامية واثنتان خلف مساند الرأس) مع 9 مكبرات صوت رقمية ومضخم سراوند (اختياري) و(قياسي) مع الفئة دينالي - جهاز تسجيل للصوت مركب في الكنسول العلوي - مكيف الإلكتروني التحكم بـ 3 مناطق للتحكم (اختياري) لجميع الفئات و(قياسي) مع الفئة دينالي - عجلات معدنية 18 انش من الالومنيوم الخفيف - إشارات انعطاف مركبة على المرايا الجانبية - فتحة سقف اختيارية

المميزات

الشكل الجميل - القوة الهائلة في المحركات - اتساع المقصورة - الفخامة البالغة - العزم الهائل وسرعة الاستجابة الفورية

العيوب

ندرة قطع الغيار وارتفاع أسعارها بشكل حاد والاستهلاك العالي للوقود

جنرال موتورز
جي ام سي دينالي
سيارات اخترعت في 2002
سيارات إس يو في
سيارات تدفع بجميع العجلات
سيارات جي أم سي
سيارات جي إم سي
سيارات خلفية الدفع
سيارات دفع أمامي
سيارات رباعية الدفع
سيارات عقد 1990
سيارات عقد 2000
نقل بري

جي إم سي إنفوي


Mustafā Sādiq ar-Rāfiʿī (; * 1. Januar 1880 in Bahtin im Nildelta; † 14. Mai 1937 in Tanta) gehörte zu den berühmtesten arabischen Poeten des frühen 20. Jahrhunderts. Er war ägyptisch-syrischer Abstammung. Ar-Rāfiʿī schrieb den Text der ägyptischen Nationalhymne "Eslami ya Misr", die von 1923 bis 1936 benutzt wurde. Zudem entwarf er zusammen mit Abu al-Qasim asch-Schabbi den Text für die, seit 1987 verwendete, tunesische Nationalhymne "Humat al-hima" (Verteidiger des Vaterlandes).

Leben
Mustafā Sādiq ar-Rāfiʿī wurde in Bahtin geboren, da seine Mutter ihren Erstgeborenen im Haus ihres Vaters gebären wollte. Er entstammte einer Kaufmannsfamilie und verbrachte sein Leben in Tanta, wo er die Volksschule besuchte. Im Alter von 30 Jahren erkrankte er an Typhus, welches ihn dazu zwang, einige Monate im Bett zu verbringen. Durch die Krankheit verlor er sein Gehör für immer.

Arbeit
In Awraq al-Ward philosophiert ar-Rāfiʿī über Liebe und Schönheit. Wobei er in Hadith al-Qamar viele traditionelle arabische Bräuche und islamische Werte verteidigt. Aber spricht in Kitab al-Masakin, was in Prosa geschrieben ist, auch andere Werte an wie, Armut, Nächstenliebe und Mitgefühl. Er philosophierte nicht nur, sondern schrieb auch Sachbücher wie Tarikh Adab al-Arab, was nicht die Geschichte der arabischen Sprache ist, sondern eine Sammlung von Daten über die arabische Sprache. Die Sammlung ist in eleganter Prosa geschrieben und zeigt seinen guten Umgang mit dieser Sprache.

Werke
 Al-Sahab al-Ahmar
 Awraq al-Ward (1931)
 Dewan Mustafa Sadiq Rafi'i
 Hadith al-Qamar (1922)
 Iʿǧāz al-Qurʾān wa-l-balāġa an-nabawīya (1928)
 Kitab al-Masakin (1917)
 Rasa'il al-Ahzan
 Tarikh Adab al-Arab (1911)
 Wahy al-Qalam

Weblinks
 Werke bei alkitab.com

Autor
Literatur (Arabisch)
Literatur (20. Jahrhundert)
Geboren 1880
Gestorben 1937
Mann

Mustafā Sādiq ar-Rāfiʿī


Michael E. Brown (born June 5, 1965) is an American astronomer, who has been professor of planetary astronomy at the California Institute of Technology (Caltech) since 2003. His team has discovered many trans-Neptunian objects (TNOs), including the dwarf planet Eris, which was originally thought to be bigger than Pluto, triggering a debate on the definition of a planet.

He has been referred to by himself and by others as the man who "killed Pluto", because he furthered Pluto's being downgraded to a dwarf planet in the aftermath of his discovery of Eris and several other probable trans-Neptunian dwarf planets. He is the author of How I Killed Pluto and Why It Had It Coming, published in 2010. He was awarded the Kavli Prize (shared with Jane Luu and David C. Jewitt) in 2012 "for discovering and characterizing the Kuiper Belt and its largest members, work that led to a major advance in the understanding of the history of our planetary system."

Early life and education
Brown was raised in Huntsville, Alabama, and graduated from Virgil I. Grissom High School in 1983. He earned his A.B. in physics from Princeton University in 1987, where he was a member of the Princeton Tower Club. Brown completed his senior thesis, titled "Simulating the measurement of the correlation function of the Shane–Wirtanen galaxy counts", under the supervision of Edward Groth. He did his graduate studies at the University of California, Berkeley, where he earned an M.A. degree in astronomy in 1990 and a Ph.D. degree in astronomy in 1994.

Career

Discoveries

Brown is credited by the Minor Planet Center with the discovery or co-discovery of 29 minor planets, not counting Haumea (see list below). He is best known in the scientific community for his surveys for distant objects orbiting the Sun. His team has discovered many trans-Neptunian objects (TNOs). Particularly notable are Eris, a dwarf planet and the only TNO known to be more massive than Pluto, leading directly to Pluto's demotion from planet status; Sedna, a planetoid thought to be the first observed body of the inner Öpik–Oort cloud; and Orcus. Brown's team famously named Eris and its moon Dysnomia with the informal names Xena and Gabrielle, respectively, after the two main characters of Xena: Warrior Princess. Together with Jean-Luc Margot in 2001, he also discovered Romulus and Linus, two minor-planet moons in the asteroid belt.

List of minor-planet discoveries

Haumea controversy

Brown and his team also had been observing the dwarf planet  for approximately six months before its announced discovery by José Luis Ortiz Moreno and colleagues from the Sierra Nevada Observatory in Spain. Brown originally indicated his support for Ortiz's team's being given credit for the discovery of Haumea. However, further investigation showed that a website containing archives of where the telescopes of Brown's team had been pointed while tracking Haumea had been accessed eight times in the three days preceding Ortiz's announcement, by computers with IP addresses that were traced back to the website of the Instituto de Astrofísica de Andalucía (CSIC, Institute of Astrophysics of Andalusia), where Ortiz works, and to e-mail messages sent by Ortiz and his student. These website accesses came a week after Brown had published an abstract for an upcoming conference talk at which he had planned to announce the discovery of Haumea; the abstract referred to Haumea by a code that was the same code used in the online telescope logs; and the Andalusia computers had accessed the logs containing that code directly, as would be the case after an internet search, without going through the home page or other pages of the archives. When asked about this online activity, Ortiz responded with an email to Brown that suggested Brown was at fault for "hiding objects", and said that "the only reason why we are now exchanging e-mail is because you did not report your object." Brown says that this statement by Ortiz contradicts the accepted scientific practice of analyzing one's research until one is satisfied that it is accurate, then submitting it to peer review prior to any public announcement. However, the Minor Planet Center only needs precise enough orbit determination on the object in order to provide discovery credit, which Ortiz provided (see Timeline of discovery of Solar System planets and their moons to verify typical time scale of observation and publication of discoveries).

The then director of the IAA, José Carlos del Toro, distanced himself from Ortiz, insisting that its researchers have "sole responsibility" for themselves. Brown petitioned the International Astronomical Union to credit his team rather than Ortiz as the discoverers of Haumea. The IAU has deliberately not acknowledged a discoverer of Haumea. The discovery date and location are listed as March 7, 2003, at Ortiz's Sierra Nevada Observatory. However, the IAU accepted Brown's suggested name of Haumea, which fit the names of Haumea's two moons, rather than Ortiz's Ataecina.

Proposed ninth planet
In January 2016, Brown and fellow Caltech astronomer, Konstantin Batygin, proposed the existence of Planet Nine, a major planet between the size of Earth and Neptune.   The two astronomers gave a recorded interview in which they described their method and reasoning for proposing Planet 9 on January 20, 2016.

Other work
In 2010 Brown published a memoir of his discoveries and surrounding family life, How I Killed Pluto and Why It Had It Coming.

Honors, awards and accolades
Brown was named one of Time 100 most influential people of 2006. In 2007 he received Caltech's annual Feynman Prize, Caltech's most prestigious teaching honor. Asteroid 11714 Mikebrown, discovered on April 28, 1998, was named in his honor. In 2012, Brown was awarded the Kavli Prize in Astrophysics.

Students and postdocs
Brown's former graduate students and postdocs include astrophysicists Adam Burgasser, Jean-Luc Margot, Chad Trujillo, Marc Kuchner, Antonin Bouchez, Emily Schaller, Darin Ragozzine, and Megan Schwamb. He also has created a course on Coursera.

Personal life
Brown married Diane Binney on March 1, 2003. They have one daughter.

See also
 Konstantin Batygin
 Planet Nine

References

External links

 Brown's homepage

  (plutokiller)
 Mike Brown's planets Brown's blog
 The Search for Planet Nine  Konstantin Batygin's and Brown's blog
 Brown's Talk on How I Killed Pluto and Why It Had It Coming Part of the Silicon Valley Astronomy Lecture Series
 The Tenth Planet, by Alec Wilkinson, The New Yorker, July 24, 2006

1965 births
Living people
20th-century American astronomers
21st-century American astronomers
California Institute of Technology faculty
Discoverers of asteroids
Discoverers of trans-Neptunian objects

Eris (dwarf planet)
Members of the United States National Academy of Sciences
People from Huntsville, Alabama
Planetary scientists
Pluto's planethood
Princeton University alumni
UC Berkeley College of Letters and Science alumni
Kavli Prize laureates in Astrophysics

Michael E. Brown


This is a list of artists who create contemporary art, i.e., those whose peak of activity can be situated somewhere between the 1970s (the advent of postmodernism) and the present day. Artists on this list meet the following criteria:
The person is regarded as an important figure or is widely cited by his/her peers or successors.
The person is known for originating a significant new concept, theory or technique.
The person has created, or played a major role in co-creating, a significant or well-known work, or collective body of work, that has been the subject of an independent book or feature-length film, or of multiple independent periodical articles or reviews.
The person's work either (a) has become a significant monument, (b) has been a substantial part of a significant exhibition, (c) has won significant critical attention, or (d) is represented within the permanent collections of several notable galleries or museums, or had works in many significant libraries.

A
 Martine Aballéa (born 1950), installation artist
 Marina Abramović (born 1946), performance artist
 Vito Acconci (1940–2017), installation and performance artist
 Rita Ackermann (born 1968), artist
 Bas Jan Ader (1942–1979), conceptual artist
 Eija-Liisa Ahtila (born 1959), video artist
 Peggy Ahwesh (born 1954), video artist
 Chantal Akerman (1950–2015), filmmaker
 Vikky Alexander (born 1959), installation artist
 Edward Allington (1951–2017), sculptor
 Francis Alÿs (born 1959), conceptual artist
 El Anatsui (born 1944), sculptor and installation artist
 Laurie Anderson (born 1947), performance artist
 Carl Andre (born 1935), sculptor
 Janine Antoni (born 1964), sculptor and installation artist
 Ida Applebroog (born 1929), painter
 Nobuyoshi Araki (born 1940), photographer
 Diane Arbus (1923–1971), photographer
 Siah Armajani (1939–2020), sculptor
 Arman (1928–2005), sculptor
 John Armleder (born 1948), performance artist, painter, sculptor, critic, and curator
 Art & Language, conceptual artist
 Richard Artschwager (1923–2013), sculptor and painter
 Roy Ascott (born 1934), new media artist
 Frank Auerbach (born 1931), painter
 Sofia Areal (born 1960), painter

B
 Francis Bacon (1909–1992), painter
 Jo Baer (born 1929), painter
 John Baldessari (1931–2020), conceptual artist
 Balthus (1908–2001), painter
 Banksy (born 1974), graffiti artist
 Fiona Banner (born 1966)
 Matthew Barney (born 1967), filmmaker
 Will Barnet (1911–2012), painter
 Artur Barrio (born 1945), interactive artist
 Bo Bartlett (born 1955), painter
 Jennifer Bartlett (born 1945), painter
 Georg Baselitz (born 1938), painter
 Jean-Michel Basquiat (1960–1988), painter
 Noah Becker (born 1970), painter
 Vanessa Beecroft (born 1969)
 Larry Bell (born 1939), sculptor
 Maurice Benayoun (born 1957), media artist
 Lynda Benglis (born 1941), sculptor
 Danelle Bergstrom (born 1957), painter
 José Bernal (1925–2010), painter/sculptor
 Joseph Beuys (1921–1986), sculptor, performance artist, installation artist
 Ashley Bickerton (born 1959), mixed-media artist
 Janet Biggs (born 1959), video and performance artist
 Dara Birnbaum (born 1946), video and installation artist
 Ned Bittinger (born 1951), painter
 Ronald Bladen, (1918–1988), sculptor
 David Blatherwick (born 1960), painter and video artist
 Guy Bleus (born 1950), performance artist, mail art
 Christian Boltanski (1944–2021), sculptor, photographer, painter and film maker
 Alighiero Boëtti (1940–1994), conceptual artist
 Maurizio Bolognini (born 1952), post-conceptual media artist
 Henry Bond (born 1966), writer, photographer and visual artist
 Christine Borland (born 1965)
 Michaël Borremans (born 1963), painter
 Eberhard Bosslet (born 1953), sculptor, installation artist
 Fernando Botero (1932–2023), painter
Jack Boul (born 1927), painter, printmaker and sculptor
 Louise Bourgeois (1911–2010), sculptor and installation artist
 Mark Bradford (born 1961), painter
 Robert J Brawley (1937–2006), painter
 Candice Breitz (born 1972), video artist
 Stuart Brisley (born 1933), performance artist
 Marcel Broodthaers (1924–1976), poet, filmmaker and artist
 Glenn Brown (born 1966)
 Tania Bruguera (born 1968), installation and performance artist
 Angela Bulloch (born 1966), installation artist
 Deborah Butterfield (born 1949), sculptor
 Chris Burden (1946–2015), performance artist, sculptor, installation artist
 Jack Bush (1909–1977), painter
 Gerard Byrne (born 1969), installation artist

C
 Sophie Calle (born 1953), conceptual artist from France
 Nuno de Campos (born 1969), painter
 Janet Cardiff (born 1957), installation artist
 Gerard Caris (born 1925), sculptor
 Norman Carlberg (1928–2018), sculptor
 Gillian Carnegie (born 1971), painter
 Anthony Caro (1924–2013), sculptor
 Antonio Caro (1950–2021), painter, conceptualization
 Nicolas Carone (1917–2010), painter, sculptor
 James Casebere (born 1953), photographer
 Maurizio Cattelan (born 1960)
 Nick Cave (born 1959), performance artist, sculptor
 John Cederquist (born 1946), American sculptor
 Vija Celmins (born 1938), painter
 Saint Clair Cemin (born 1951), Brazilian sculptor
 John Chamberlain (1927–2011), sculptor
 Suki Chan (born 1977), video and installation artist
 Hsia-Fei Chang (born 1973), performance, installation artist
 Gordon Cheung, (born 1975), contemporary artist
 Jake and Dinos Chapman (born 1966 and 1962)
 Judy Chicago (born 1939), feminist artist
 Dale Chihuly (born 1941), glass artist
 Nina Childress (born 1961), painter
 Luke Ching (born 1972), conceptual artist
 Dan Christensen (1942–2007), abstract painter
 Abraham David Christian (born 1952)
 Chinwe Chukwuogo-Roy (1952–2012), portrait painter and printmaker
 Christo and Jeanne-Claude (1935–2009)
 Paolo Cirio (born 1979), Internet artist
 Lygia Clark (1920–1988), painter, installation artist
 Brian Clarke (born 1953), multidisciplinary architectural artist, painter, stained glass designer
 Francesco Clemente (born 1952), painter
 Chuck Close (1940–2021), painter
 Claude Closky (born 1963), new media artist
 Arnaud Cohen (born 1968)
 Delphine Coindet (born 1969), sculptor, installation artist
 Robert Colescott (1925–2009), painter
 Mat Collishaw (born 1966), photographer, video artist
 George Condo (born 1957), painter
 Cortis & Sonderegger (born 1978 and 1980), installation
 Anne-Lise Coste (born 1973), painter
 Tony Cragg (born 1945), sculptor
 Michael Craig-Martin (born 1941), painter, printmaker, digital artist, sculpture
 Martin Creed (born 1968), installation artist
 Patricia Cronin (born 1963), cross-disciplinary artist
 José Luis Cuevas (1934–2017), painter, printmaker, sculptor

D
 Dado (1933–2010), painter
 Hanne Darboven (1941–2009), conceptual artist
 Ian Davenport (born 1966), painter and printmaker
 Ronald Davis (born 1937), abstract painter
 Richard Deacon (born 1949), sculptor
 Tacita Dean (born 1965), conceptual artist, filmmaker
 Wim Delvoye (born 1965), neo-conceptual artist
 Walter De Maria (1940–2013), installation artist, conceptual artist
 Abigail DeVille (born 1981), installation and sculpture artist
 Guy Denning (born 1965), painter
 Richard Diebenkorn (1922–1993), painter
 Rineke Dijkstra (born 1959), photographer
 Sam Dillemans (born 1965), painter
 DOT DOT DOT (artist) visual, public, conceptual artist
 Braco Dimitrijevic (born 1948)
 Jim Dine (born 1935), sculptor
 Mark di Suvero (born 1933), sculptor
 Harry Dodge (born 1966), visual artist
 Peter Doig (born 1959), painter
 Marlene Dumas (born 1953), painter
 John Duncan (born 1953), performance, installation artist

E
 Martin Eder (born 1968), painter
 Ólafur Elíasson (born 1967)
 Tracey Emin (born 1963)
 Ben Enwonwu (1917–1994), painter and sculptor
 Bracha Ettinger (born 1948)
 Valie Export (born 1940)
Mary Beth Edelson (1933–2021), feminist artist

F
 Jan Fabre (born 1958), multidisciplinary artist
 Öjvind Fahlström (1928–1976), multimedia artist
 Harun Farocki (1944–2014), filmmaker
 Angus Fairhurst (1966–2008), installation artist
 Hans-Peter Feldmann (born 1941), photographer, installation artist
 Kenneth Feingold (born 1952), conceptual artist
 Brendan Fernandes (born 1979), performance artist
 Teresita Fernández (born 1968), multidisciplinary artist
 Esther Ferrer (born 1937), conceptual and performance artist
 Carole Feuerman (born 1945), sculptor
 Stephen Finer (born 1949), painter
 Eric Fischl painter (born 1948), painter, sculptor and printmaker
 Peter Fischli & David Weiss (born 1952, 1946–2012)
 Dan Flavin (1933–1996)
 Bruno Fonseca (1958–1994), painter, sculptor
 Caio Fonseca (born 1959), painter
 Peter Forakis (1927–2009), sculptor
 Günther Förg (1952–2013), painter, graphic designer, sculptor and photographer
 Sam Francis (1923–1994), painter
 Helen Frankenthaler (1928–2011), painter
 Andrea Fraser (born 1965), performance artist
 Lucian Freud (1922–2011), painter
 Tom Friedman (born 1965), conceptual sculptor

G
 Ellen Gallagher (born 1965), multidisciplinary artist

 Anya Gallaccio (born 1963), installation artist
 Enrico Garff (born 1939), painter
Kendell Geers (born 1968), conceptual artist
 Isa Genzken (born 1948), sculptor
 Gilbert and George, (born 1943 and 1942), sculptors, performance artists
 Adrian Ghenie (born 1977), painter
 Sam Gilliam (born 1933), painter
 Liam Gillick (born 1964), conceptual artist
 Karin Giusti (born 1955), sculptor, installation artist
 Robert Gober (born 1954), sculptor
 Michael Goldberg (1924–2007), painter
 Nan Goldin (born 1953), photographer
 Jack Goldstein (1945–2003), painter
 Andy Goldsworthy (born 1956), sculptor, photographer
 Peter Golfinopoulos (born 1928), painter
 Leon Golub (1922–2004), painter
 Felix Gonzales-Torres (1957–1996), sculptor, installation artist
 Dominique Gonzalez-Foerster (born 1965), artist and filmmaker
 Robert Goodnough (1917–2010), painter
 Douglas Gordon (born 1966), video art, photography
 Antony Gormley (born 1950), sculptor
 Dan Graham (1942–2022), multidisciplinary artist
 Robert Graham (1938–2008), sculptor
 Rodney Graham (born 1949), photographer, installation artist
 Cleve Gray (1918–2004), painter
 Kaloust Guedel (born 1956), painter, sculptor
 Genco Gulan (born 1969), sculptor, performance artist
 Don Gummer (born 1946), sculptor
 Andreas Gursky (born 1955), photographer

H
 Hans Haacke (born 1936), conceptual artist
 Jacques Halbert (born 1955), neo-dada artist
 Petrit Halilaj (born 1986)
 David Hall (1937–2014), video artist
 Richard Hamilton (1922–2011), painter, collagist
 Keith Haring (1958–1990), painter, graffiti artist
 Mona Hatoum (born 1952), performance artist
 Susan Hauptman (1947–2015), graphic fine artist
 Carl Michael von Hausswolff (born 1956), sound artist
 Tim Hawkinson (born 1960), sculpture artist
 Al Held (1928–2005), painter
 Gottfried Helnwein (born 1948), multimedia artist, installation artist, painter, photographer, performance artist
 Diango Hernandez (born 1970), conceptual artist, painter
 Jeremy Henderson (1952–2009), artist and painter
 Eva Hesse (1936–1970), sculptor
 Andreas Heusser (born 1976), conceptual artist
 Hugo Heyrman (born 1942), painter, multimedia artist
 Gary Hill (born 1951), video artist
 Susan Hiller (1940–2019), installation artist
 Charles Hinman (born 1932), painter
 Thomas Hirschhorn (born 1957), installation artist
 Damien Hirst (born 1965), installation artist
 David Hockney (born 1937), painter
 Jim Hodges (born 1957), installation artist
 Howard Hodgkin (1932–2017), painter
 Candida Höfer (born 1944), photographer
 Tom Holland (born 1936), mixed media artist, painter
 Frank Holliday (born 1957)
 Saskia Holmkvist (born 1971), conceptual artist
 Christian Holstad (born 1972), conceptual artist
 Jenny Holzer (born 1950), interdisciplinary artist
 Roni Horn (born 1955), sculptor, installation artist and writer
 Peter Howson (born 1958), painter
 Teresa Hubbard/Alexander Birchler (born 1965/1962), video artists
 Gary Hume (born 1962), painter
 Philipp Humm (born 1959), painter, multi-disciplinary artist
 Pierre Huyghe (born 1962), media artist

I
 Jörg Immendorff (1945–2007), painter
 INO, visual artist

J
 Alfredo Jaar (born 1956), conceptual artist
 Richard Jackson (born 1939), painter, installation
Renata Jaworska (born 1979), painter
 Chantal Joffe (born 1969), painter
 Jasper Johns (born 1930), painter, printmaker
 Ray Johnson (1927–1995), pop artist, mail art
 Jennie C. Jones (born 1968), multidisciplinary
 Josignacio (born 1963), painter
 Ana Jotta (born 1946), multidisciplinary artist
 Donald Judd (1928–1994), sculptor
 Isaac Julien (born 1960), filmmaker

K

 Ilya Kabakov (born 1933), installation artist
 Eduardo Kac (born 1962), transgenic artist
 Stanya Kahn (born 1968), performance, video artist
 Wolf Kahn (1927–2020), landscapes, oil paints/pastels
 Anish Kapoor (born 1954), sculptor
 Allan Kaprow (1927–2006), painter, performance artist
 Deborah Kass (born 1952), mixed media artist
 On Kawara (1932–2014), conceptual artist
 Mary Kelly (born 1941), conceptual artist
 Mike Kelley (1954–2012), sculptor, installation artist, performance artist
 Ellsworth Kelly (1923–2015), painter
 William Kentridge (born 1955), draughtsman, film maker and sculptor
 Anselm Kiefer (born 1945), painter
 Manfred Kielnhofer (born 1967), sculptor, designer, photographer
 Edward Kienholz (1927–1994), installation artist
 Karen Kilimnik (born 1962), painter
 Bodys Isek Kingelez (1948–2015), sculpture
 Martin Kippenberger (1953–1997), conceptual artist, installation artist
 Komar and Melamid (born 1943 and 1945), conceptual artist
 Jeff Koons (born 1955), conceptual artist
 Mark Kostabi (born 1960), painter
 Barbara Kruger (born 1945), artist and photographer
 Peter Kuckei (born 1938), painter
 Yayoi Kusama (born 1929), installation artist, performance artist, painter

L
 David LaChapelle (born 1963), photographer
 Suzanne Lacy (born 1945), performance/public artist
 Suzanne Lafont (born 1949), photographer
 Ronnie Landfield (born 1947), painter
 Michael Landy (born 1963), conceptual artist
 Thomas Lanigan-Schmidt (born 1948), installation, collage
 Maria Lassnig (1919–2014), painter
 Matthieu Laurette (born 1970), multimedia, conceptual, installation, video artist
 Robert Lazzarini (born 1965), sculptor, installation artist
 Lee Bul (born 1964), sculpture, installation, conceptual artist
 Marc Lee (born 1969), installation, new media and conceptual artist
 Zoe Leonard (born 1961), photographer and visual artist
 Mark Lewis (born 1958), installation and film artist
 Sol LeWitt (1928–2007), installation and conceptual artist
 Richard Long (born 1945), sculptor, photographer, painter
 Robert Longo (born 1953), painter and sculptor
 Lee Lozano (1930–1999), painter
 Rafael Lozano-Hemmer (born 1967), installation artist
 Sarah Lucas (born 1962), photographer, sculptor, conceptual artist

M
 Robert Mangold (born 1937), painter
 Robert Mapplethorpe (1946–1989), photographer
 Christian Marclay (born 1955), composer, conceptual artist
Bruce McLean (born 1944), conceptual, performance, sculptor, painter
 Brice Marden (born 1938), painter
 Kerry James Marshall (born 1955), painter
 Milovan Destil Marković (born 1957), painter, performance artist
 Agnes Martin (1912–2004), painter
 Eugene J. Martin (1938–2005), painter
 Enrique Martinez Celaya (1964), painter, sculptor
 Gordon Matta-Clark (1943–1978), conceptual artist
 Amanda Matthews (born 1968), sculptor, painter, public art designer
 Paul McCarthy (born 1945), performance and installation artist
 Allan McCollum (born 1944), sculptor, installation artist
 Ryan McGinley (born 1977), photographer
 Steve McQueen (born 1969), filmmaker
 Cildo Meireles (born 1948), sculptor and installation artist
 Ana Mendieta (1948–1985), sculptor, performance and video artist
 Yucef Merhi (born 1977), installation and new media artist
 Thom Merrick (born 1963), sculptor, painter
 Boris Mikhailov (born 1938), photographer
 Ann Mikolowski (1940–1999), portrait miniaturist, waterscape painter, printmaker, book artist
 Haroon Mirza (born 1977), sculptor, installation artist
 Eva Moll (born 1961), painter, performance and installation artist
Dianna Molzan (born 1972), painter, sculptor
 Franco Mondini-Ruiz (born 1961), painter, sculptor, performance and installation artist
 Jonathan Monk (born 1969), conceptual artist
 Sebastian Diaz Morales (born 1975), video artist
 François Morellet (1926–2016), painter, engraver, sculptor and light artist
 Yasumasa Morimura (born 1951), photographer
 Robert Morris (1931–2018), sculptor, writer and conceptual artist
 Ed Moses (1926–2018), painter
 Antoni Muntadas (born 1942), installation and new media artist
 Vik Muniz (born 1961), photographer
 Bruce Munro, installation artist
 Takashi Murakami (born 1962), sculptor and painter
 Elizabeth Murray (1940–2007), painter
 Zoran Mušič (1909–2005), painter
 Wangechi Mutu (born 1972), painter

N
 Bruce Nauman (born 1941)
 Ernesto Neto (born 1964), installation artist
John Nieto (1936–2018), painter
 Odd Nerdrum (born 1944), painter
 Shirin Neshat (born 1957), visual artist
 NEVERCREW (born 1980 and 1979), urban artists, installation artists
 Alexander Ney (born 1939), sculptor and painter
 Graham Nicholls (born 1975), installation artist
 Olaf Nicolai (born 1962), conceptual artist
 Kenneth Noland (1924–2010), painter
 Thomas Nozkowski (1944–2019), painter
 Jim Nutt (born 1938), painter
Marina Núñez (born 1966), multimedia artist

O
 Albert Oehlen (born 1954), painter
 Markus Oehlen (born 1956), painter
 Chris Ofili (born 1968), painter
 Georgia O'Keeffe (1887–1986), painter
 Claes Oldenburg (1929–2022), sculptor
 Jules Olitski (1922–2007), painter
 Nathan Oliveira (1928–2010), painter
 Camila Oliveira Fairclough (born 1979), painter
 Yoko Ono (born 1933), musician, artist
 Bruce Onobrakpeya (born 1932), printmaker, painter and sculptor
 Orlan (born 1947), performance and body artist
 Roman Opałka (1931–2011), painter
Catherine Opie (born 1961), photographer
 Julian Opie (born 1958), digital artist
 Dennis Oppenheim (1938–2011), conceptual and installation artist
 Gabriel Orozco (born 1962), conceptual and installation artist
 Tony Oursler (born 1957), multimedia and installation artist

P
 Nam June Paik (1932–2006), video artist
 Roxy Paine (born 1966), sculptor
 Eduardo Paolozzi (1924–2005), sculptor
 Niki de Saint Phalle (1930–2002), sculptor
 Cornelia Parker (born 1956), sculptor and installation artist
 Ray Parker (1922–1990), painter
 Ed Paschke (1939–2004), painter
 Simon Patterson (born 1967), conceptual artist
 Oliver Payne and Nick Relph (born 1977 and 1979), video artists
 Grayson Perry (born 1960), ceramicist
 Maja Petric (born 1981), new media artist
 Raymond Pettibon (born 1957), drawing, video and installation artist
 Elizabeth Peyton (born 1965), painter
 Adrian Piper (born 1948), conceptual artist
 Steven Pippin (born 1960), sculptor
 Michelangelo Pistoletto (born 1933), painter, action and object artist
Lari Pittman (born 1952), painter
 Paola Pivi (born 1971), multimedia artist
 Sigmar Polke (1941–2010), painter, photographer
 Larry Poons (born 1937), painter
 William Powhida (born 1976), drawing, painter, writer
 Kenneth Price (1935–2012), ceramicist, sculptor
 Richard Prince (born 1949), painter and photographer
 Laure Prouvost (born 1978), installation artist, 2013 Turner Prize winner
 Martin Puryear (born 1941), sculptor

Q
 Marc Quinn (born 1964), sculptor

R
 Alessandro Raho (born 1971), painter and photographer
 Arnulf Rainer (born 1929), painter
 Yvonne Rainer (born 1934), performance artist
 Rallé (born 1949), painter
 Chitra Ramanathan (born 1955), painter, art educator
 Paul Henry Ramirez (born 1963), painter
 Neo Rauch (born 1960), painter
 Robert Rauschenberg (1925–2008), painter, collagist, printmaker, neo-dadaist
 Peter Reginato (born 1945), sculptor
 Paula Rego (born 1935), painter
 Seund Ja Rhee (1918–2009), painter, printmaker, and ceramicist
 Jason Rhoades (1965–2006), installation artist and sculptor
 Jesse Richards (born 1975), artist
 Gerhard Richter (born 1932), painter
 Pipilotti Rist (born 1962), video artist
 Larry Rivers (1923–2002), painter, multi-media
 James Rosenquist (1933–2017), painter
 Martha Rosler (born 1943), video artist, installation artist and performance artist
 Dieter Roth (1930–1998), artist's books, sculptor, installation artist
 Thomas Ruff (born 1958), photographer
 Allen Ruppersberg (born 1944), conceptualist, mixed media, installation artist
 Edward Ruscha (born 1937), painter, printmaker and filmmaker

S
 Anri Sala (born 1974), video artist
 Chéri Samba (born 1956), painter
 Jean-Michel Sanejouand (1934–2021), painter and sculptor
 David Salle (born 1952), painter
 Bojan Sarcevic (born 1974), sculptor
 Wilhelm Sasnal (born 1972), painter
 Jenny Saville (born 1970), painter
 Raymond Saunders (born 1934), painter
 Markus Schinwald (born 1973), painter, sculptor and filmmaker
 Julian Schnabel (born 1951), painter, sculptor and filmmaker
 Carolee Schneemann (1939–2019), performance artist
 Thomas Schütte (born 1954), sculptor
 Richard Serra (born 1939), sculptor
 Joel Shapiro (born 1941), sculptor
 Sonia Landy Sheridan (1925–2021), art researcher
 Cindy Sherman (born 1954), photographer, performance artist
 Yinka Shonibare (born 1962)
 Amy Sillman (born 1966), painter
 David Simpson, (born 1928), painter
 Lorna Simpson (born 1960), interdisciplinary artist
 Bob and Roberta Smith (born 1958)
 Jack Smith (1932–1989), film director
 Kiki Smith (born 1954), feminist artist
 Robert Smithson (1938–1973), land artist, sculptor and photographer
 Michael Snow (born 1929), filmmaker, musician, painter
 Joan Snyder (born 1940), painter
 Keith Sonnier (1941–2020), sculptor
 Pierre Soulages (1919–2022), painter
 Nancy Spero (1926–2009), painter
 Joe Stefanelli (1921–2017), painter
 Pat Steir (born 1940), painter
 Frank Stella (born 1936), painter, printmaker
 Thomas Struth (born 1954), photographer
 Hiroshi Sugimoto (born 1948), photographer
 Sarah Sze (born 1969), sculptor

T
 William Tillyer (born 1938), painter, printmaker, watercolorist
Tomoko Takahashi (born 1966), installation artist
 Mark Tansey (born 1949), painter
 Sam Taylor-Wood (born 1967), filmmaker, photographer
 Diana Thater (born 1962), video artist
 Paul Thek (1933–1988), painter, sculptor, installation artist
 Wayne Thiebaud (1920–2021), painter, printmaker
 Hank Willis Thomas (born 1976), conceptual artist
 Arthur Thrall (1926–2015), printmaker, painter
 Agnes Thurnauer (born 1962)
 Wolfgang Tillmans (born 1968), photographer
 Rirkrit Tiravanija (born 1961), conceptual and installation artist
 Mark Titchner (born 1973), painter
 Slaven Tolj (born 1964), performance, installation artist
 Seb Toussaint (born 1988), painter, street art, murals
 Scott Treleaven (born 1975), filmmaker
 Rosemarie Trockel (born 1952), installation artist
 Gavin Turk (born 1967), sculptor
 James Turrell (born 1943), installation artist
 Richard Tuttle (born 1941), postminimalist
 Luc Tuymans (born 1958), painter
 Cy Twombly (1928–2011), painter
 Keith Tyson (born 1969), drawing, painter, installation artist

U
 Francis Upritchard (born 1976), installation artist
Tomasz Urbanowicz (born 1959), architectural glass artist

V
 Koen Vanmechelen (born 1965), multimedia artist, social art
 Lydia Venieri (born 1964), painter, sculptor, photographer
 Bill Viola (born 1951), video artist
 Wolf Vostell (1932–1998), multimedia artist
 Peter Voulkos (1924–2002), ceramicist, sculptor
Marc Vaux (born 1932), conceptual, painter, sculptor

W
 Kara Walker (born 1969), installation artist
 Jeff Wall (born 1946), photographer
 Magnus Wallin (born 1965), video artist
 Mark Wallinger (born 1959), conceptual artist
 Suling Wang (born 1968), painter
 Andy Warhol (1928–1987), pop artist
 Gillian Wearing (born 1963), conceptual artist
 Carrie Mae Weems (born 1953), photographer
 Lawrence Weiner (1942–2021), conceptual artist
 Monika Weiss (born 1964), installation, video and performance artist
 Ai Weiwei (born 1957), Chinese, conceptual artist
 Elsa Werth (born 1985), installation artist
 Tom Wesselmann (1931–2004), painter
 Franz West (1947–2012), drawing, painter, sculptor
 Rachel Whiteread (born 1963), sculptor
 Jack Whitten (1939–2018), painter
 Alison Wilding (born 1948), sculptor
 Hannah Wilke (1940–1993), sculptor
 Thornton Willis (born 1936), painter
 Jane and Louise Wilson (born 1967), installation artists
 Richard Wilson (born 1953), installation artist
 Joel-Peter Witkin (born 1939), photographer
 Francesca Woodman (1958–1981), photographer
 Wu Guanzhong (1919–2010), painter
 Erwin Wurm (born 1954), sculptor, photographer
 Andrew Wyeth (1917–2009), painter

X
Xcopy (born unknown) digital artist
Xing Xin (born 1981), performance artist

Y
Lynette Yiadom-Boakye (born 1977), painter
Peter Young (born 1940), painter
Jack Youngerman (1926–2020), painter

Z
Andrea Zittel (born 1965), installation artist
Larry Zox (1936–2006), painter
Ricardo Estanislao Zulueta (born 1962), interdisciplinary artist

See also
Art
Lists of painters
List of modern artists
List of sculptors

References

Contemporary artists
Contemporary artists

List of contemporary artists


ثقافة حرة: كيف تستخدم وسائل الإعلام الكبرى التقنية والقانون لإغلاق الثقافة والتحكم في الإبداع أو كما طبع ثقافة حرة: طبيعة ومستقبل الإبداع هو كتاب للبروفيسير لورانس ليسيج. نشر الكتاب على الإنترنت تحت رخصة العموميات الخلاقة غير التجارية انظر هنا في 25 مارس، 2004.

ملخص
يحلل الكتاب التوتر القائم بين مفهومي الملكية والقرصنة في حقل الملكية الفكرية في ظل ما تمارسه الشركات المتعددة الجنسيات من تركيز علي تراكم رأس المال وليس على التبادل الحر للأفكار، كما يناقش القانون المعروف باسم قانون تعزيز الملك العام أو رفع القيود التنظيمية عن قانون حقوق التأليف والنشروينادي ليسيج في كتابه لإنشاء أقصر فترات قابلة للتجديد من حق المؤلف، كما يطالب بالحد من قدرة الناشرين علي وقف نشر نسخ من الكتب على شبكة الإنترنت لأغراض غير تجارية.

في مقدمة الكتاب، يقارن لورانس ليسج كتابه بكتاب سابق ألفه، الشفرة وقوانين أخرى للفضاء الافتراضي، في هذا الكتاب جاء الطرح بأن البرمجيات لها تأثير على القانون. ويقول لورانس في كتابه الأخير أن الرسالة مختلفة، لأن "الإنترنت سيصبح جزءا من تقاليدنا، وسيصبح أكثر أساسية"

يخلص ليسج في كتابه إلى أنه بينما يتطور المجتمع ليصبح مجتمعا معلوماتيا فإنه يجب الاختيار واتخاذ قرار في أن يكون هذا المجتمع حرا أو إقطاعيا.

انتشار الكتاب
بعد يوم من صدور الكتاب علي الإنترنت اقترح المدون AKMA أن يختار كل شخص فصل من الكتاب ويقوم بتسجيله صوتياً ولم يمض سوي يومين حتي نجح المتطوعون في تسجيل جميع فصول الكتاب، وبالإضافة إلى الإنتاج السمعي، ترجم هذا الكتاب إلى الصينية، الكاتالوينية، التشيكية، الفرنسية، الهنغارية، الإيطالية، البولندية والإسبانية الهولاندية .

اقرأ أيضا
 حركة الثقافة الحرة

مراجع

وصلات خارجية

 الموقع الرسمي للكتاب

كتب غير خيالية 2004
كتب لورانس ليسيج
كتب عن انحياز إعلامي

ثقافة حرة (كتاب)


The title Earl of Kellie or Kelly is a title in the Peerage of Scotland, created in 1619 for Sir Thomas Erskine, who was Captain of the Guard and Groom of the Stool for James VI. It is named after Barony of Kellie in Fife, Scotland. Since 1875, it has been held jointly with the Earldom of Mar (1565 creation).

The family seat is Hilton Farm, near Alloa, Clackmannanshire.

History
The Earldom of Kellie was united with the Earldom of Mar in 1835, when the 26th Earl of Mar became also the 11th Earl of Kellie. At the death of that Earl in 1866, the Earldom of Kellie and the family's estates passed to Walter Erskine, the cousin of the late Earl, and his heir-male. Meanwhile, it was assumed that the Earldom of Mar passed to John Francis Goodeve, the late Earl's nephew, and his heir-general. Goodeve changed his name to Goodeve Erskine; his claim was agreed upon by most individuals. He even participated in the election of representative peers for the Peerage of Scotland.

However, the Earl of Kellie submitted a petition to the House of Lords asking that the Earldom of Mar be declared his, dying before it could be considered. His son, the 13th Earl of Kellie, renewed the petition, and the Lords decided the matter in 1875, determining that the Earldom of Mar properly belonged to the Earl of Kellie. However, due to a sentiment that the Lords had decided wrongly, the Earldom of Mar Restitution Act was passed. That Act declared that there were two Earldoms of Mar — one that would belong to the Earl of Kellie, and another that would belong to John Goodeve Erskine.

The subsidiary titles belonging to the Earl of Mar and Kellie are: Viscount of Fentoun or Fenton (created 1606), Lord Erskine (1429) and Lord Erskine of Dirleton (1603), the former of which is used as a courtesy title for the eldest son and heir of the Earl. Both titles are in the Peerage of Scotland.  The Earl is Hereditary Keeper of Stirling Castle.

The family seat was Kellie Castle, near Pittenweem, Fife.

Earls of Kellie (1619)

 Sir Thomas Erskine, 1st Earl of Kellie (1566–1639)
 Thomas Erskine, 2nd Earl of Kellie (died 1643)
 Alexander Erskine, 3rd Earl of Kellie (died 1677)
 Alexander Erskine, 4th Earl of Kellie (died 1710)
 Alexander Erskine, 5th Earl of Kellie (died 1756)
 Thomas Alexander Erskine, 6th Earl of Kellie (1732–1781)
 Archibald Erskine, 7th Earl of Kellie (1736–1795)
 Charles Erskine, 8th Earl of Kellie (1765–1799). In 1791 he succeeded to the Erskine of Cambo Baronetcy which merged with the Earldom until its extinction in 1829.
 Thomas Erskine, 9th Earl of Kellie (–1828)
 Methven Erskine, 10th Earl of Kellie (c. 1750–1829)
John Francis Miller Erskine, 11th Earl of Kellie (1795–1866) (succeeded to Earldom of Kellie 1829, confirmed  9th/26th Earl of Mar 1835)
Walter Coningsby Erskine, 12th Earl of Kellie (1810–1872): (recognized posthumously as 10th Earl of Mar)
Walter Henry Erskine, 13th Earl of Kellie (1839–1888) (recognised 11th Earl of Mar 1875)
Walter John Francis Erskine, 12th Earl of Mar and 14th Earl of Kellie (1865–1955)
John Francis Hervey Erskine, 13th Earl of Mar and 15th Earl of Kellie (1921–1993)
James Thorne Erskine, 14th Earl of Mar and 16th Earl of Kellie (b. 1949)

The heir presumptive is the present holder's brother the Hon. Alexander David Erskine, Master of Mar and Kellie (b. 1952).
The heir presumptive's heir apparent is his only son Alexander Capel Erskine (b. 1979).

See also
Earl of Mar (seventh creation)
Erskine baronets
Clan Erskine
Kellie Lodge

References

External links

 The Great Historic Families of Scotland — The Erskines of Kellie (1887) by James Taylor

Earldoms in the Peerage of Scotland
Fife
Lists of Scottish people
Earl
Noble titles created in 1619

Earl of Kellie


Fjodor Köppen (på tysk Friedrich Theodor Köppen ;   ; født 30. december 1833 i Karabakh, død 24. maj 1908 i Sankt Petersborg) var en russisk zoolog med speciale i entomologi, botaniker, geograf, bibliograf og medlem af Videnskabernes Akademi i Sankt Petersborg. Søn af Peter von Köppen og storebror til Wladimir Köppen.

Fjodor Köppen blev uddannet ved Sankt Petersborgs Statsuniversitet.

Entomologer
Botanikere fra Rusland
Zoologer
Videnskabsfolk fra Rusland
Personer fra Sankt Petersborg
Russere i 1800-tallet
Russere i 1900-tallet

Fjodor Köppen


USS Abraham Lincoln යනු USA නාවික හමුදාෙවි 5වන Nimits නැවි පන්තිෙය් 2වන නැවයි. ෙමහි ප්‍රධාන නැවතුමි ෙපාළ වර්ජිනියාවල Norfork වලයි.

නැව ගැන...
දිග 333m පළල 78m
උස 63m (තටිටු 25ක මහල් නිවාස උස)
උපරිම ෙවිගය පැ:සැ: 30කි
අධිකාරීලත් දිනය 1989 (US $ බිලියන 3.5 කි)

නාවික කාර්ය මණ්ඩලය...
නැෙවි මුලු නාවික පිරිස 5000 යි
යුධ හා අාරක්ෂක කටයුතු සදහා නාවිකයන් 2000 යි
(58% වයස 24ට අඩු 42% 25ට වැඩිමල් අය ෙවි)
(85% පිරිමි / 15% ගැහැණු)

නිදාගන්නා අාකාරය...
ෙජ්ෂ්ඨ නිළධාරීන් : තනි තනි කාමර වල
කනිෂ්ඨ නිළධාරීන් : අැදන් 4 කාමර වල
අෙනකුත් අය : 30-40 බැගින් අැදන් දැමූ ශාලාවල

ෙපාලීසිය/ තැපැල් කාර්යාල/බැංකුවක්/අාපනශාලා/දුරකථන පහසුකමි සලසා අැත.
ගුවන් යානා 80ක් ගාල්කර තැබිය හැක.තත්පර 30ක් අැතුලත යානා 2ක් පියාසර කර පැ.සැ. 275ක ෙවිගයකට ළගාවිය හැක.

නාවිකයන්ෙග් අාහාර දිනකට...
අාහාර ෙවිල් 20 000 යි
පාන් රාත්තල් 800 යි
හැමිබර්ග් 280kg
ඒළවලු 360kg
බිත්තර 2160
කිරි 2300L
පැණි බීම කෑන් 13 000 යි.

විෙශ්ෂ ෙතාරතුරැ..
වරායකට ෙගාඩ ෙනාබා මුහුෙද් ගතවන සෑම දින 45කට වරක් නාවිකයකුට බියර් ෙබා්තල් 2කට අවස්ථාව ලබා ෙද්.
ෙකාණ්ඩා කැපීමි දිනකට 250ක් පමණ සිදු ෙවි.
සෑම සතියකම කි.මී 5-10 ධාවන තරග පවත්වයි.

USS Abraham Lincoln (CVN-72)


Bathurst Inlet ist eine tiefe Bucht an der Nordküste des kanadischen Festlands im Territorium Nunavut.
Im Norden öffnet sich die Bucht zum Coronation Gulf.

Der Western River mündet in das südliche Ende der Bucht.
Der Burnside River hat seine Mündung am Arctic Sound, einer westlichen Seitenbucht des Bathurst Inlet.

Der englische Name der Bucht, "Bathurst Inlet", sowie die Bezeichnung der Bucht durch die Ureinwohner, "Kingoak" ("Qingaut"), werden auch für die Siedlung Bathurst Inlet verwendet.
Diese liegt an der Westküste der Bucht.

Pläne eines Tiefwasserhafens
Ein Konsortium von sieben Minengesellschaften finanzierten eine Umweltstudie zum Bau eines Tiefwasserhafens im Bathurst Inlet.

Die Pläne beinhalteten den Bau einer 211 km langen Straße, welche den Hafen mit den Minen verbinden sollte. Der Hafen sollte für Schiffe bis zu 25.000 t ausgelegt sein.

Einzelnachweise

Bucht in Kanada
Bucht in Nordamerika
Bucht (Arktischer Ozean)
Geographie (Nunavut)

Bathurst Inlet (Bucht)


A Conferência de Londres sobre a Somália foi uma conferência diplomática organizada pelo Governo do Reino Unido, que ocorreu em Londres em 23 de fevereiro de 2012. Com a presença de funcionários do governo somali e membros da comunidade internacional, concentrou-se na resolução de questões que surgiram na Somália em consequência da Guerra Civil Somali.

Visão geral
A Conferência de Londres foi a mais recente das vinte conferências internacionais sobre a Somália que foram realizadas desde o início da guerra civil no país. De acordo com o Foreign and Commonwealth Office (FCO), a reunião tinha como objetivo apresentar uma nova abordagem, tratando tanto das causas profundas como dos efeitos dos problemas locais.

A conferência contou com a presença de representantes do Governo Federal de Transição da Somália, bem como dos presidentes das regiões autônomas de Puntland, Somaliland e Galmudug e do Ahlus Sunnah wal Jamaah (ASWJ). Além disso, participaram funcionários de cerca de 50 governos e de várias organizações internacionais, incluindo as Nações Unidas, União Africana, União Europeia, Banco Mundial, Autoridade Intergovernamental para o Desenvolvimento, Organização para a Cooperação Islâmica e Liga dos Estados Árabes. O grupo militante Al-Shabaab, que controla partes do centro-sul da Somália, não foi convidado a participar da reunião. A reunião foi realizada na Lancaster House.

Na preparação para a conferência, as partes interessadas somalis e globais se reuniram com as autoridades britânicas para discutir as principais áreas de preocupação da reunião. O Gabinete de Relações Exteriores e da Commonwealth britânico indicou que seriam necessários um compromisso político sustentado e uma ação tangível e que as partes envolvidas teriam de apoiar e desenvolver o trabalho existente dos grupos da sociedade civil somali, da ONU, da UA e das ONGs. Também afirmou que, embora o progresso provavelmente seja gradual, esperava-se que a conferência sirva como um catalisador e talvez venha a ser vista como um ponto de virada. O primeiro-ministro britânico David Cameron disse que o foco da comunidade internacional deve ser ajudar os esforços existentes das autoridades somalis para fortalecer a segurança e estabelecer um governo representativo, e assegurar a prestação de assistência humanitária para as áreas vulneráveis.

Objetivos
De acordo com os planejadores da conferência, havia sete áreas específicas de interesse para as quais esperavam chegar a um acordo sobre uma série de medidas práticas:

Segurança: financiamento sustentável para a Missão da União Africana na Somália (AMISOM) e apoio aos setores de segurança e justiça somali;
Processo Político: acordo sobre o que deve suceder as instituições de transição em Mogadíscio em agosto de 2012 e o estabelecimento de um Conselho de Gestão Financeira Conjunta;
Estabilidade Local: um pacote internacional coordenado de apoio às regiões da Somália;
Contraterrorismo: compromisso renovado para enfrentar coletivamente a ameaça terrorista proveniente da Somália;
Pirataria: rompendo com o modelo de negócios da pirataria;
Humanitário: compromisso renovado para lidar com a crise humanitária da Somália;
Coordenação internacional: acordo sobre o melhor tratamento internacional dos problemas da Somália.

Guerra Civil Somali
2012 nas relações internacionais
Conferências diplomáticas do século XXI

Conferência de Londres sobre a Somália


Ca'fer es-Sâdık (Arapça: جعفر الصادق; d. 699 veya 702, Medine - ö. 765, Medine) İsnâaşeriyye'nin altıncı, İsmâiliyye'nin beşinci imamı, Caferilik fıkhının kurucusu.

Hayatı
699 veya 702 senesinde Medine'de doğdu. Babası Ali'nin torunu Zeynelâbidîn oğlu Muhammed el-Bakır annesi ise Ebu Bekir'in torunu Kâsım bin Muhammed'in kızı Ümmü Ferve'dir. Künyesi büyük oğlunun İsmail olmasından dolayı Ebu İsmail'dir ancak oğlunun kendisinden önce ölmesinden dolayı daha çok Ebu Abdullah olarak anılmıştır. En meşhur lakabı Sadık olmakla birlikte Tahir, Sabir, Âtır ve Fazıl lakaplarıyla da zikredilmiştir. İlk eğitimini dedesi Zeynelâbidîn ve babasından aldı. Şiilere göre babasının ölümünden sonra imamet görevini 34 yıl devam ettirdi.

Şiîlikteki önemi

Şiîlik'te On İki İmâmların altıncısı olan "Câʿfer es-Sâdık," İsmâil bin Câ'fer el-Mûbarek ile Musa el-Kâzım'ın da babasıdır. Şiî öğretisine göre Câʿfer-i Sâdık'ın en büyük özelliği ise tam bir  rehber öğretmen olmasıdır.

Ölümü
Şiîlik öğretisine göre, 8 Aralık 765 tarihinde Abbâsî Hâlifesi Ebû Câʿfer "el-Mansûr"'un emriyle zehirletilerek öldürülmüştür. Medine'de meşhur Bâki Mezarlığı'nda yatmaktadır.

Kaynakça

Dış bağlantılar

|-

|-

|}

702 doğumlular
765 yılında ölenler
8. yüzyıl hekimleri
Bâki Mezarlığı'na defnedilenler
Evliyalar
Medine doğumlular
Medine'de ölenler
On İki İmam
Tebeut tâbiîn

Ca'fer es-Sâdık


Huttoniidae es una familia de arañas araneomorfas, con un solo género y una sola especie: Huttonia palpimanoides.
Forma parte de la superfamilia de los Palpimanoidea, juntamente con los Stenochilidae y los Palpimanidae. Producen seda no cribelada.

Sistemática
La familia fue separada de la familia Zodariidae el 1984, por Forster & Platnick. Los fósiles de este taxón se han encontrado en ámbar del Cretácico (Canadá), que alarga la edad geológica conocida de la familia en unos 80 millones de años, y que confirma la teoría de que Huttonia palpimanoides es una especie de reliquia exterior. Están, probablemente, estrechamente relacionadas con Spatiatoridae, una familia de arañas fósiles.

Huttonia palpimanoides es endémica de Nueva Zelanda. Aunque solo está descrita esta especie, existen alrededor de 20 especies más no descritas, todas de Nueva Zelanda (Forster & Forster, 1999).

Véase también
 Taxonomía de las arañas

Referencias

Enlaces externos

Palpimanoidea

Huttoniidae


මේජර් ජෙනරාල් හික්කඩුවගේ ග්‍රේෂන් සිල්වා, වීඑස්වී, එෆ්බීඅයිඑම් (1933 ජනවාරි 27 - 2015 නොවැම්බර් 8) ශ්‍රී ලංකා හමුදා නායකයෙකි, ඔහු හමුදා ලේකම්වරයා ලෙස කටයුතු කළේය.

මුල් ජීවිතය සහ අධ්‍යාපනය
ග්‍රේෂන් සිල්වා උපන්නේ ගාල්ලේ ගිංතොට ප්‍රදේශයේය . ඔහු තම අධ්‍යාපනය ගල්කිස්ස ශාන්ත තෝමස් විද්‍යාලයෙන් සහ කොළඹ ආනන්ද විද්‍යාලයෙන් ලබා ඇති අතර එහිදී ඔහු විද්‍යාලීය ක්‍රිකට් කණ්ඩායමට ක්‍රීඩා කරමින් අධ්‍යාපනික හා ක්‍රීඩාවන්හි දස්කම් දැක්වීය.

හමුදා වෘත්තිය
පාසල් අධ්‍යාපනය අවසන් කිරීමෙන් පසු ඔහු 1953 පෙබරවාරි 27 වන දින කැඩෙට් නිලධාරියෙකු ලෙස ලංකා හමුදාවට බැඳුණි. ඔහු 1955 පෙබරවාරි 3 වන දින සැන්ඩ්හර්ස්ට් රාජකීය හමුදා ඇකඩමියේ පුහුණුවෙන් පසු ලංකා කාලතුවක්කු හමුදාවේ 1 වන ගුවන් යානා නාශක රෙජිමේන්තුවේ දෙවන ලුතිනන්වරයෙකු ලෙස පත් කරන ලද අතර ත්‍රිකුණාමලයේ ස්ථානගතව සිටි අතර එහිදී ඔහු භටයෙකු සහ battery commander ලෙස සේවය කර තරුණ නිලධාරීන්ගේ පාඨමාලාවට සහභාගී විය. රාජකීය කාලතුවක්කු පාසලේදී . 1962 කුමන්ත්‍රණ ප්‍රයත්නයේ ප්‍රතිඵලයක් ලෙස 1 වන ගුවන් යානා නාශක රෙජිමේන්තුව සහ 3 වන ක්ෂේත්‍ර රෙජිමේන්තුව ඒකාබද්ධ කිරීමෙන් පසුව ඔහු 1962 දී 4 වන ක්ෂේත්‍ර රෙජිමේන්තුවට මාරු කරන ලදී. කැම්බර්ලි හි මාණ්ඩලික විද්‍යාලයට මේජර්වරයකු ලෙස ඇතුළත් වී බ්‍රිතාන්‍ය කළමනාකරණ ආයතනයෙන් කළමනාකරණය පිළිබඳ ඩිප්ලෝමාවක් ලබා ඇති සිල්වා, GSO 11 (පුහුණුව), GSO 11 (මිලිටරි බුද්ධිය) සහ GSO 1 ( හමුදා බුද්ධිය) ඇතුළත් හමුදා මූලස්ථානයේ මාණ්ඩලික තනතුරු කිහිපයකම සේවය කළේය. මෙහෙයුම්). 1971 ජවිපෙ කැරැල්ල 1971 අප්‍රේල් 5 වැනි දින අලුයම වැල්ලවාය පොලිස් ස්ථානයට එල්ල කරන ලද අකල් ප්‍රහාරයකින් ආරම්භ වන විට ඔහු යුද හමුදා මූලස්ථානයේ සාමාන්‍ය මාණ්ඩලික නිලධාරි I (මෙහෙයුම්) ලෙස සේවය කරමින් සිටියේය. එදින උදෑසන මේජර් සිල්වා නියෝජ්‍ය පොලිස්පති රුද්‍ර රාජසිංහම් ද කැටුව හෙලිකොප්ටරයකින් වැල්ලවාය බලා ගියේ ගොඩබිම් තත්ත්වය නිරීක්ෂණය කිරීමටය. ලුතිනන් කර්නල් නිලයට උසස් කරන ලද ඔහු යුධ හමුදා පුහුණු මධ්‍යස්ථානයේ සේනාවිධායක ලෙස සේවය කළ අතර පසුව 1975 මාර්තු මාසයේදී 4 වන ක්ෂේත්‍ර රෙජිමේන්තුවේ අණදෙන නිලධාරියා ලෙස පත් කර 1978 නොවැම්බර් දක්වා සේවය කළේය  කර්නල් තනතුරට උසස්වීම් ලැබූ ඔහු නීතිවිරෝධී සංක්‍රමණ විරෝධී කාර්ය සාධක බලකායේ අණදෙන නිලධාරියා ලෙස සේවය කළේය. ආඥාපති, උතුරු අණ; සම්බන්ධීකරණ අධිකාරිය - රත්නපුර; ආඥාපති, බටහිර විධානය; කර්නල් ජෙනරාල් කාර්ය මණ්ඩලය, හමුදා මූලස්ථානය; ආඥාපති, මධ්‍යම විධානය; අධ්යක්ෂ, අයවැය සහ මූල්ය කළමනාකරණය; අධ්යක්ෂ, පිරිස් පරිපාලනය සහ හමුදා ලේකම් . විශිෂ්ඨ සේවා විභූෂණ, පූර්ණ භූමි පදක්කම, ශ්‍රී ලංකා ජනරජ සන්නද්ධ සේවා පදක්කම, ශ්‍රී ලංකා යුද හමුදාවේ 25 වැනි සංවත්සර පදක්කම, ලංකා සන්නද්ධ සේවා දිගු සේවා පදක්කම, ශ්‍රී ලංකා සන්නද්ධ සේවා දිගු සේවා පදක්කම සහ ජනාධිපති සමාරම්භක පදක්කම ඔහුගේ සම්මාන අතර වේ.

පවුලක්
ඔහුගේ සොහොයුරා ශ්‍රී ලංකා නාවික හමුදාවේ 11 වන නාවික හමුදාපතිවරයා වූ වයිස් අද්මිරාල් හික්කඩුවගේ ආනන්ද සිල්වාය . ඔහුගේ පුතා විවාහ වූයේ බ්‍රිගේඩියර් එස්.බී. මියනදෙණියගේ දියණිය සමඟයි.

යොමු කිරීම්

ග්‍රේෂන් සිල්වා


Dame Jacqueline Marie Baillie, DBE (* 15. Januar 1964 in Hongkong) ist eine schottische Politikerin und Mitglied der Labour Party.

Leben
Baillie wurde in Hongkong als Tochter eines portugiesischen Vaters und einer schottischen Mutter geboren. Sie besuchte die St Anne's School in Windermere und erwarb dann an der Universität Glasgow einen Masterabschluss aus dem Wirtschaftsbereich. Danach war sie sowohl bei gemeinnützigen sowie öffentlichen Organisationen zur Arbeitslosenhilfe und wirtschaftlichen Entwicklung tätig. Sie lebt zusammen mit ihrem Ehemann und ihrer Tochter in Dumbarton.

Politischer Werdegang
Bei den ersten Schottischen Parlamentswahlen im Jahre 1999 trat Baillie erstmals zu Wahlen auf nationaler Ebene an. Sie bewarb sich um das Direktmandat des Wahlkreises Dumbarton und konnte es mit deutlichem Vorsprung vor dem SNP-Kandidaten erringen. Im ersten Kabinett bekleidete sie die Position der stellvertretenden Staatssekretärin für Gemeinden und wurde infolge der Kabinettsumstellung nach dem Tode des First Minister Donald Dewar zur Staatssekretärin für soziale Gerechtigkeit befördert. Diese Position hatte sie bis November 2001 inne. Bei den Parlamentswahlen 2003 und 2007 verteidigte Baillie ihr Mandat. Im Schattenkabinett der Labour Party war sie zu den Wahlen 2007 als Staatssekretärin für parlamentarische Angelegenheiten vorgesehen. Bei den Schottischen Parlamentswahlen 2011 verteidigte Baillie abermals ihr Mandat für Dumbarton und konnte dabei ihren Stimmenanteil erstmals steigern. Im Schattenkabinett der Labour Party ist sie als Gesundheitsministerin gesetzt. Mit einem Vorsprung von nur 109 Stimmen verteidigte Baillie bei den schottischen Parlamentswahlen 2016 ihr Mandat.

Auszeichnungen
Im Juni 2023 wurde Jackie Baillie in den Ritterstand erhoben.

Weblinks
 Informationen auf den Seiten des Schottischen Parlaments
 Informationen der Labour Party

Einzelnachweise

Abgeordneter im Schottischen Parlament
Mitglied der Scottish Labour Party
Dame Commander des Order of the British Empire
Politiker (20. Jahrhundert)
Politiker (21. Jahrhundert)
Geboren 1964
Brite
Frau
Politiker (Argyll and Bute)
Politiker (West Dunbartonshire)

Jackie Baillie


Sreymom Ouk (en ), né le , est une joueuse de pétanque cambodgienne.

Biographie

Clubs

Palmarès

Séniors

Championnats du Monde
 Championne du monde
 Tête à tête 2017 :  Équipe du Cambodge
 Tir de précision 2021 :  Équipe du Cambodge
 Troisième
 Triplette 2013 (avec Chantrea Oum, Leng Ke et Sreya Un) :  Équipe du Cambodge
 Triplette 2017 (avec Leng Ke, Sreya Un et Sorakhim Sreng) :  Équipe du Cambodge
 Triplette 2019 (avec Leng Ke, Sreya Un et Sovanna Keo) :  Équipe du Cambodge

Jeux d'Asie du Sud-Est
 Vainqueur
 Doublette 2017 (avec Leng Ke) :  Équipe du Cambodge
 Finaliste
 Tête à tête 2007 :  Équipe du Cambodge
 Tête à tête 2009 :  Équipe du Cambodge
 Doublette 2013 (avec Sophorn Duch) :  Équipe du Cambodge
 Troisième
 Doublette 2015 (avec Leng Ke) :  Équipe du Cambodge

Références

Liens externes

Joueuse cambodgienne de pétanque
Championne du monde de pétanque
Naissance en avril 1975
Lieu de naissance inconnu
Article à illustrer Pétanque

Sreymom Ouk


Trichuriaza, cunoscută și sub numele de infestarea cu viermele-bici, este o infestare provocată de un vierme parazit Trichuris trichiura (viermele-bici). Dacă infestarea este provocată de doar câțiva viermi, de obicei, nu există simptome. La persoanele infestate cu mulți viermi este posibil să existe dureri abdominale, oboseală șidiaree. Diareea conține uneori sânge. Infestarea, la copii, poate duce la întârzieri ale dezvoltării intelectuale și fizice. Poate apărea nivel scăzut de hematii în sânge, din cauza pierderii de sânge.

Cauze
Boala se răspândește, de obicei, atunci când oamenii consumă hrană sau apă ce conțin ouăle acestor viermi. Aceasta se poate petrece atunci când legumele contaminate nu sunt spălate sau gătite complet. Adesea, aceste ouă se află în sol, în zone în care oamenii defechează în exterior și acolo unde fecalele umane netratate sunt utilizate ca îngrășământ. Aceste ouă provin din fecalele persoanelor infectate. Copiii mici, care se joacă pe un astfel de sol și care își introduc, apoi, mâinile în gură, se infectează cu ușurință. Viermii trăiesc în intestinul gros și au aproximativ patru centimetri lungime. Infecția cu viermele-bici se diagnostichează prin constatarea prezenței ouălor acestuia în probele de materii fecale examinate la microscop. Ouăle au formă de butoiaș.

Prevenire și tratament
Prevenirea infestării constă în gătirea corespunzătoare a hranei și spălarea mâinilor înainte de a găti. Alte măsuri includ îmbunătățirea accesului la igienă, cum ar fi asigurarea utilizării toaletelor funcționale și curate, precum și accesul la apă curată. În zonele din lume unde infestările de acest tip sunt des întâlnite, grupuri întregi de oameni vor fi tratate simultan și în mod regulat. Tratamentul constă în administrarea timp de trei zile a următoarelor medicamente: albendazol, mebendazol sau ivermectină. De multe ori, oamenii se infestează din nou, după tratament.

Epidemiologie
Infestarea cu viermele-bici afectează aproximativ 600 până la 800 de milioane de oameni din întreaga lume. Este cel mai des întâlnită în țările tropicale. În țările în curs de dezvoltare, persoanele infestate cu viermele-bici suferă în mod frecvent și de infestări cu viermi-cârlig și de ascaridioză. Aceste aspecte au un efect negativ, pe scară largă, asupra economiei multor țări. Se lucrează la crearea unui vaccin împotriva acestei boli. Trichuriaza este clasificată ca boală tropicală neglijată.

Referințe

Trichuriaza


Poço das Andorinhas é uma piscina natural formada por uma queda d'água no leito do rio Água Suja na cidade brasileira de Rio de Contas, Chapada Diamantina, região central da Bahia, uma das atrações turísticas ali.

Descrição
Fica situada no distrito de Arapiranga, cerca de 25 quilômetros da sede da cidade. Sua trilha é de nível de dificuldade médio, com cerca de meia hora de caminhada. É considerada uma das belas atrações naturais da cidade.

O lugar possui ainda uma bela flora, com exemplares endêmicos e alguns que ainda não foram registradas, razão pela qual o turismo ali deve ser feito com cuidado.

Poco das Andorinhas
Geografia de Rio de Contas
Hidrografia da Chapada Diamantina

Poço das Andorinhas


Charleston er stærsta borg Suður-Karólínu með um 240.000 íbúa og 800.000 íbúa á stórborgarsvæðinu (2019).

Borgir í Suður-Karólínu

Charleston (Suður-Karólínu)


Die Fünfzehnte Bundesversammlung wählte am 18. März 2012 den deutschen Bundespräsidenten. Die Wahl wurde nach dem Rücktritt von Christian Wulff notwendig.

Zusammensetzung
Die Bundesversammlung setzte sich aus 1240 Mitgliedern zusammen: aus den 620 Mitgliedern des Deutschen Bundestages (MdB) sowie aus 620 Delegierten, die von den Landesparlamenten bestimmt worden waren.

Die Volksvertretungen der Länder wählten je folgende Anzahl von Mitgliedern der 15. Bundesversammlung:

Die Sitzverteilung nach Parteien sah wie folgt aus:

Liste der Mitglieder

Die Mitglieder sind mit Bundestag für Bundestagsabgeordnete oder dem delegierenden Land gekennzeichnet.

Einzelnachweise

15
Mitglieder Der 15 Bundesversammlung Deutschland
Mitglieder der 15 Bundesversammlung #Deutschland

Liste der Mitglieder der 15. Bundesversammlung (Deutschland)


Brøsjø Station (Brøsjø stoppested) var en jernbanestation på Sørlandsbanen, der lå i Drangedal kommune i Norge.

Stationen blev åbnet som holdeplads 10. november 1935, da banen blev forlænget fra Neslandsvatn til Nelaug. Den blev nedgraderet til trinbræt 1. juni 1958. Betjeningen med persontog ophørte 29. maj 1988, og 1. januar 1989 blev stationen nedlagt.

Stationsbygningen blev opført efter tegninger af Gudmund Hoel og er af samme type som på Oggevatn Station. Bygningen er solgt fra til private.

Litteratur

Eksterne henvisninger

Stationer på Sørlandsbanen
Nedlagte jernbanestationer i Norge
Etableret i 1935
Ophørt i 1989
Jernbanestationer i Telemark

Brøsjø Station


Labastida , İspanya'nın kuzeyinde otonom bölgelerinden biri olan Bask Özerk Bölgesi'nin Alava eyaletine bağlı bulunan belediyesi. Nüfusu 1,288 kişidir. (2002)

Álava'nın belediyeleri

Labastida


Clement Athelston Arrindell (19 de abril de 1931-27 de marzo de 2011) fue Gobernador de San Cristóbal y Nieves desde 1981 hasta 1983 y Gobernador-General después de la independencia del país en 1983. Tuvo el cargo hasta 1995.

Arrindell nació en Basseterre, se formó como abogado en Lincoln's Inn, y fue un magistrado en su isla natal desde 1964, antes de convertirse en juez de la Suprema Corte del Caribe Oriental en 1978 y luego gobernador en 1981.

Referencias

Políticos de San Cristóbal y Nieves
Caballeros grandes cruces de la Orden de San Miguel y San Jorge
Caballeros grandes cruces de la Real Orden Victoriana

Clement Arrindell


Cuglieri (sardisk: Cùllieri) er en by og en kommune (comune) i provinsen Oristano i regionen Sardinien i Italien. Byen ligger i 479 meters højde og har 2.671 indbyggere (2016). Kommunen har et areal på 120,54 km² og grænser til kommunerne Narbolia, Santu Lussurgiu, Scano di Montiferro, Seneghe, Sennariolo og Tresnuraghes.

Referencer

Henvisninger

Kommuner i provinsen Oristano

Cuglieri


Cariera de lângă satul Zaim este un monument al naturii de tip geologic sau paleontologic în raionul Căușeni, Republica Moldova. Este amplasat pe panta dreaptă a râului Botna. Are o suprafață de 4 ha, sau 3,03 ha conform unor aprecieri mai recente. Obiectul este administrat de Primăria comunei Zaim.

Descriere
Cariera abandonată este acoperită de vegetație, printre care ierburi rare. În ea se află depozite marine de calcare de vârstă chersoniană, cu conținut de cochilii de moluște din genul Mactra și amprente de plante.

Statut de protecție
Obiectivul a fost luat sub protecția statului prin Hotărîrea Sovietului de Miniștri al RSSM din 8 ianuarie 1975 nr. 5, iar statutul de protecție a fost reconfirmat prin Legea nr. 1538 din 25 februarie 1998 privind fondul ariilor naturale protejate de stat. Deținătorul funciar al monumentului natural este Primăria satului Zaim.

Amplasamentul geologic este unul din puținele aflorimente ale chersonianului din sudul Republicii Moldova. Prezintă interes geologic și paleontologic. Conform situației din anul 2016, aria naturală nu are un panou informativ și nu este bine delimitată.

Note

Bibliografie

Legături externe

Zaim, Cariera de lângă satul
Raionul Căușeni

Cariera de lângă satul Zaim


Auckland City Hospital est un hôpital public situé à Grafton, Auckland, Nouvelle-Zélande. C'est le plus grand hôpital de Nouvelle-Zélande, ainsi que l'un des plus anciens établissements médicaux du pays. Il offre un total de  lits (en date de 2021). Il a été créé en 2003 en tant que fusion de l'hôpital d'Auckland (soins aigus pour adultes), de l'hôpital Starship (soins aigus pour enfants), de l'hôpital Green Lane (soins cardio-thoraciques) et du National Women's Hospital (maternité, nouveau-né et obstétrique et gynécologie). Les hôpitaux d'Auckland sont gérés par le  depuis 2001.

Importance
Le service des urgences voit à lui seul environ  patients par an (plus de  en 2008), dont 44 % sont traités en hospitalisation. Colocalisé avec son service d'urgence se trouve le service d'urgence pour enfants, qui reçoit 30 000 autres patients par an, faisant du campus l'un des plus fréquentés d'Australasie.

L'hôpital est également un centre de recherche et d'enseignement, offrant une formation aux futurs médecins, infirmières, sages-femmes et autres professionnels de la santé. Des conditions médicales rares ou complexes de toute la Nouvelle-Zélande peuvent être référées ici. L'hôpital est étroitement associé au Starship Children's Health, un établissement subsidiaire distinct sur le même terrain, situé juste au nord-ouest de l'hôpital de la ville.

Histoire

Bâtiments précédents

Initialement, l'hôpital d'Auckland était logé dans un bâtiment en bois qui occupait le site de l'hôpital municipal d'Auckland de 1846 à 1877, offrant quatre salles de 10 lits chacune, et ayant été conçu par , l'architecte de l'église St Mary à Parnell. L'hôpital a traité à la fois les Européens et les Maoris, bien que les maladies soient différentes, les Pakeha étant traités principalement pour les effets de l'abus d'alcool, tandis que les Maoris venaient pour un traitement contre la tuberculose et les rhumatismes.  a été surintendant de l'hôpital de 1859 à 1883.

En 1877, un nouveau bâtiment de style à l'italienne a été construit pour , conçu par Philip Herepath, architecte du gouvernement provincial. Administré par T.M. Philson, le nouvel hôpital est devenu connu pour prendre en charge de nombreuses affaires caritatives mais, en partie en réponse, était également continuellement en sous-effectif et surpeuplé. Il y avait aussi des plaintes au sujet de la formation limitée du personnel, qui n'a changé qu'avec l'embauche d'une nouvelle matrone, Annie Alice Crisp, en 1883. Ayant été formée dans la nouvelle tradition de Florence Nightingale, on lui attribue la transformation de l'hôpital d'une « institution pour vieillards alcooliques » en un véritable hôpital et l'institution d'une véritable formation d'infirmière. Son titre était Lady Superintendent et elle a reçu la Croix-Rouge royale en 1894.

Bâtiments actuels

Le bâtiment Herepath a été démoli en 1964 pour faire place à une nouvelle structure conçue par les architectes , qui a été achevée en 1967 et qui existe toujours.

Lors des réformes de santé du système de santé néo-zélandais au début des années 90, l'hôpital d'Auckland était géré comme une entreprise - dans le modèle des , c'est-à-dire avec l'instruction de générer des bénéfices. Conformément à cette politique, l'hôpital d'Auckland était officiellement connu sous le nom d' Auckland Crown Health Enterprise.

L'établissement hospitalier actuel, ouvert en 2003, est un amalgame de quatre hôpitaux auparavant distincts : l'hôpital d'Auckland (soins aigus pour adultes), l'hôpital Starship (soins aigus pour enfants), l'hôpital Green Lane (soins cardio-thoraciques) et le National Women's Hospital (maternité, nouveau-né et gynécologie obstétrique).

L'hôpital est situé dans un bâtiment de 180 millions de dollars néo-zélandais qui a été construit entre 2000 et 2003. Il est haut de neuf niveaux, cinq niveaux de moins que la partie la plus ancienne de l'hôpital, devenue le bâtiment de soutien. La nouvelle structure avec  est l'un des plus grands bâtiments publics de Nouvelle-Zélande. Il a été conçu par Jasmax en collaboration avec McConnel Smith et Johnson Architects Sydney, et construit par .

Installations
Le bâtiment de soutien (ancien hôpital) contient principalement des bureaux administratifs, un soutien clinique et ménager, une physiothérapie et une ergothérapie, le service de greffe de moelle osseuse, certains services d'hospitalisation et de consultation externe ainsi que des installations d'enseignement et de recherche. Le bâtiment de soutien est une partie centrale du complexe hospitalier et est relié à la nouvelle section du bâtiment par une passerelle.

Voir aussi

 Hôpital Starship

Références

Liens externes

 Hôpital de la ville d'Auckland (site Web du DHB d'Auckland)
 Auckland City Hospital (entrée de la base de données sur le site web healthpoint.co.nz)
 Photographies de l'hôpital de la ville d'Auckland conservées dans les collections patrimoniales des bibliothèques d'Auckland.

Hôpital en Nouvelle-Zélande
Fondation en 1846
Auckland
Pages avec des traductions non relues

Auckland City Hospital


José Manuel Rivero Iglesias (Cambados, Pontevedra, 17 de marzo de 1967) es un ingeniero industrial y político español. Fue elegido Diputado de la Junta General del Principado tras las elecciones celebradas el 22 de mayo de 2011 y posteriormente fue nombrado Consejero de Economía y Empleo del Gobierno de Asturias en su VIII legislatura.

Formación y trayectoria
Estudió en el Colegio de la Inmaculada (Gijón) con la promoción de 1985 antes de ingresar en la universidad y cursar ingeniería industrial.

Previamente a su paso a la política trabajó en los departamentos de Secretaría General Técnica, Planificación Estratégica, Trading y Proyectos e Inversiones de HC Energía. Fue Consejero de Economía y Empleo del Gobierno de Asturias en la VIII legislatura, cargo del que tomó posesión el 18 de julio de 2011.

Referencias

Enlaces externos
 Biografía oficial en la web del gobierno del Principado de Asturias

Antiguos alumnos del Colegio de la Inmaculada (Gijón)
Consejeros del Principado de Asturias
Ingenieros de Asturias
Políticos de Foro Asturias

José Manuel Rivero


The Ottoman Empire developed over the years as a despotism with the Sultan as the supreme ruler of a decentralized government that had an effective control of its provinces, officials and inhabitants. Wealth and rank could be inherited but were just as often earned. Positions were perceived as titles, such as viziers and aghas. Military service was a key to many problems.

The expansion of the Empire called for a systematic administrative organization that developed into a dual system of military ("Central Government") and civil administration ("Provincial System") and developed a kind of separation of powers: higher executive functions were carried out by the military authorities and judicial and basic administration were carried out by civil authorities.  Outside this system were various types of vassal and tributary states.  Most of the areas ruled by the Ottomans were explicitly mentioned in the official full style of the sultan, including various lofty titles adopted to emphasize imperial rank and show the empire as being "successor-in-law" to conquered states.

The empire was divided into vilayets, with a governor assigned to each vilayet. The idea of vilayet originated from the Seljuk vassal state (Uç Beyliği) in central Anatolia.  Over the years the Empire became an amalgamation of pre-existing polities, the Anatolian beyliks, brought under the sway of the ruling House of Osman.

Central government
The central government was composed of the Sultan and his own staff (bookkeepers, etc.) in what was known as "House of Osman". The House of Osman was advised by the Divan, composed of the Grand Vizier and the ruling class (nobles). The ruling class was called the askeri, including the noblemen, court officials, military officers and the religious class called the ulema.

House of Osman

The Ottoman dynasty or House of Osman ( 1280–1922)

Throughout Ottoman history, however — despite the supreme de jure authority of the sultans and the occasional exercise of de facto authority by Grand Viziers — there were many instances in which local governors acted independently, and even in opposition to the ruler. On eleven occasions, the sultan was deposed because he was perceived by his enemies as a threat to the state. There were only two attempts in the whole of Ottoman history to unseat the ruling Osmanlı dynasty, both failures, which is suggestive of a political system which for an extended period was able to manage its revolutions without unnecessary instability.

After the dissolution of the empire, the new republic abolished the Sultanate and Caliphate and declared the members of the House of Osman as personae non gratae of Turkey. Fifty years later, in 1974, the Grand National Assembly of Turkey granted descendants of the former dynasty the right to acquire Turkish citizenship. The current head of the House of Osman is Harun Osman.

Imperial Harem

The Harem was one of the most important powers of the Ottoman court. It was ruled by the Valide sultan (Sultana Mother), mother of the reigning sultan, who held supreme power over the Harem and thus a powerful position in the court. On occasion, the Valide Sultan would become involved in state politics and through her influence could diminish the power and position of the sultan. For a period of time beginning in the 16th century and extending into the 17th, the women of the Harem effectively controlled the state in what was termed the "Sultanate of Women" (Kadınlar Saltanatı).

The harem had its own internal organization and order of formulating policies. Beneath the Valide Sultan in the hierarchy was the Haseki Sultan, chief consort of the sultan, who had the chance of becoming the next Valide Sultan when her son ascended to the throne. This position existed around the 16th and 17th centuries. The sultan also had four other official consorts, who were each called Kadın. Next in rank below the sultan's wives were his eight favourite concubines (ikbâls or hâs odalıks), and then the other concubines whom the sultan favoured and who were termed gözde. Next in rank were the concubines of other court officials. Pupils (acemî) and novices (câriye or şâhgird) were younger women who were either waiting to be married off to someone or who had not yet graduated out of the Harem School.

Palace schools

The Palace schools comprised not a single track, but two. First, the Madrasa () for the Muslims, which educated the scholars and the state officials in accordance with Islamic tradition. The financial burden of the Medrese was supported by vakifs, allowing children of poor families to move to higher social levels and income. The second track, the Enderun School, was a boarding school for converted Christians, which conscripted 3,000 students annually from Christian boys between 8 and 20 years old from about one in forty families among the communities settled in Rumelia and/or the Balkans; a process known as Devşirme. Orphans, single children, married boys, Jews, Russians, and craftsmen's and shepherd's sons were exempted.

The Palace Schools were fairly successful in this trans-culturation of students, and many statesmen were products of this process. The system functioned strictly for government purposes, and (ideally) the graduates were permanently devoted to government service and had no interest in forming relations with lower social groups.

The incoming students were called the inner boys (Ottoman Turkish: iç oğlanlar). It took seven years of professional development to graduate. The apprenticeship began in the Sultan's services; progressing to mastering natural and Islamic sciences (formal education); and finally to developing physical fitnesses, and vocational or artistic skills. It is reported by Madeline Zilfi that European visitors of the time commented "In making appointments, Sultan pays no regard to any pretensions on the score of wealth or rank. It is by merits that man rise..Among the Turks, honours, high posts and Judgeships are rewards of great ability and good service."

The Divan

Though the sultan was the "sublime monarch", he had a number of advisors and ministers. The most powerful of these were the viziers of the Divan or Imperial Council, led by the Grand Vizier. The Divan was a council where the viziers met and debated the politics of the empire. It was the Grand Vizier's duty to inform the sultan of the opinion of the Divan. The sultan often took his vizier's advice into consideration, but he by no means had to obey the Divan. Sometimes the sultan called a Divan meeting himself if he had something important to inform his viziers of, such as imminent war. The viziers then carried out his orders. The Divan consisted of three viziers in the 14th century and eleven in the 17th century; four of them served as Viziers of the Dome, the most important ministers next to the Grand Vizier. Sometimes the commander (ağa) of the Janissaries attended the Divan meetings as well.

Mehmed II conquered Constantinople in (1453) and established his court there. The Sultan presided in person over the Council of State - called Divan, after the seat he sat on, until an incident arose (so it is related) when a ragged Turcoman blundered into a meeting of the Divan and demanded "Well, which of you is the happy Emperor ?". Mehmed was incensed and the Grand Vizier suggested he sit above the fray. Consequently, a latticed bay was constructed "The eye of the Sultan", enabling Mehmed to look down unseen.

Provincial governance (civil administration)
Townspeople, villagers and farmers formed a lower class called the rayah. Both in contemporaneous and in modern usage, it refers to non-Muslim subjects in particular, also called zimmi.

Civil and judicial administration was carried out under a separate parallel system of small municipal or rural units called kazas administered by a qadi (kadı).  Kazas in turn were subdivided into nahiyas.  The qadis came from the ulema and represent the legal authority of the sultan. The civil system was considered a check on the military system since beys (who represented executive authority) could not carry out punishment without the sentence of a qadi.  Likewise, qadis were not permitted to personally effect punishment.  In the areas of sharia and kanun law, qadis were responsible directly to the sultan.

Vassal states

The Ottoman Empire had many vassal states of varying size attached to it. Vassals paid taxes to the sultan and often contributed with troops in various Ottoman military campaigns. Many of the imperial provinces were vassal states before being reduced to provinces. A vassal state that never became a province was the Khanate of Crimea in the region around Crimea, north of Black Sea—it would fall to Russia instead (1783; later in modern Ukraine).
 A special case was the Greek orthodox 'monastic republic' of Mount Athos, where Constantinople was only represented by an aga (officer) as its agent in Karyaes.
As the empire weakened militarily, it would inevitably lose control through foreign victories (Russia took large chunks of territory and helped parts of the Balkans secede, often after a vassalic stage, such as the hospodars) but also see real control over some of its (mainly remote) provinces slip away to a state of little more than formal sovereignty over tributary, de facto autonomous states.
The latter happened in North Africa: the Beys/Deys of Tunis and Algiers established themselves as 'regencies' and even Egypt went its own way under its great khedive Mohammed Ali—they would in turn be subjected to European colonial dominance, as protectorates, of France and Britain.

See also

 Government of the late Ottoman Empire

References

Government of the Ottoman Empire

Government of the classical Ottoman Empire


The Himalayan black-lored tit (Machlolophus xanthogenys), also known as simply black-lored tit, is a passerine bird in the tit family Paridae. The yellow-cheeked tit is probably its closest relative, and it may also be related to the yellow tit. These three tits almost certainly form a distinct lineage, as indicated by morphology, and mtDNA cytochrome b sequence analysis (Gill et al., 2005).

Lore in the bird's common name refers to the area between eye and bill.

This species is a resident breeder along the Himalayas in the Indian Subcontinent including Nepal.In Nepali, it is known as "Pandu Chichilkote".

It is an active and agile feeder, taking insects and spiders from the forest canopy, and sometimes fruit.

It uses woodpecker or barbet holes for nesting, and will also excavate its own hole or use man-made sites.

The Himalayan black-lored tit was formerly one of the many species in the genus Parus but was moved to Machlolophus after a molecular phylogenetic analysis published in 2013 showed that the members of the new genus formed a distinct clade.

References

Gill, Frank B.; Slikas, Beth & Sheldon, Frederick H. (2005): Phylogeny of titmice (Paridae): II. Species relationships based on sequences of the mitochondrial cytochrome-b gene. Auk 122: 121–143. DOI: 10.1642/0004-8038(2005)122[0121:POTPIS]2.0.CO;2 HTML abstract
Grimmett, Richard; Inskipp, Carol, Inskipp, Tim & Byers, Clive (1999): Birds of India, Pakistan, Nepal, Bangladesh, Bhutan, Sri Lanka, and the Maldives. Princeton University Press, Princeton, N.J..
Harrap, Simon & Quinn, David (1996): Tits, Nuthatches & Treecreepers. Christopher Helm, London.
Rasmussen, P.C., and J.C. Anderton. 2005. Birds of South Asia. The Ripley guide. Volume 2: attributes and status. Smithsonian Institution and Lynx Edicions, Washington D.C. and Barcelona.

Himalayan black-lored tit
Birds of the Himalayas
Himalayan black-lored tit
Taxa named by Nicholas Aylward Vigors

Himalayan black-lored tit


El , mejor conocido como  o  es una homologación utilizada en Japón para distinguir a los conductores noveles. Se trata de un sello amarillo y verde en forma de «V», y está en vigor desde 1972. La marca Shoshinsha está basada en el Foro de NF.

Los conductores noveles con un permiso estándar de vehículos deben llevar el sello pegado al automóvil, tanto en la parte delantera como en la trasera, durante el primer año después de haber obtenido la autorización para conducir. La distinción sirve para advertir a otros conductores de que el portador es menos hábil por su falta de experiencia. Cualquier infracción contra un conductor novel es susceptible de ser sancionada.

Más allá de su uso previsto, la marca Shoshinsha sirve en la cultura popular japonesa para designar a un principiante o aprendiz en cualquier materia. El símbolo está representado en el estándar Unicode como U+1F530 (🔰), dentro del bloque de ideogramas misceláneos.

La oficina de tráfico de Japón dispone también de otros símbolos especiales para designar a conductores: la , con forma de flor, obligatoria para cualquier conductor mayor de 75 años; el , con forma de mariposa; y el , con forma de trébol.

Referencias

Leyes de tránsito
Transporte de Japón

Marca Shoshinsha


Kerio Technologies, Inc. is a former technology company specializing in collaboration software and unified threat management for small and medium organizations. Founded in 2001, Kerio is headquartered in San Jose, California. In January 2017, GFI Software acquired Kerio. GFI Software is owned by Aurea SMB Solutions, which in turn is owned by ESW Capital Group.

History

Kerio Technologies incorporated in 2001, but its first product WinRoute Pro entered the Internet security market in 1997, as it was owned and maintained by Tiny Software  until February 1, 2002. Tiny Software then transferred sales and development of its software to Kerio, where the developers continued to work on it under the Kerio brand.

Kerio's main products (in the early 2000s) were Kerio Personal Firewall and Kerio WinRoute Firewall and the company focused on collaboration software with Kerio MailServer. Kerio discontinued its Personal Firewall in late 2005, which was then acquired by Sunbelt Software.

Starting in 2010, Kerio MailServer was renamed to Kerio Connect and Kerio WinRoute to Kerio Control. Kerio introduced Kerio Operator, an IP PBX system, in 2011 and Samepage, a file sharing and collaboration software, in 2013.

In January 2017, Kerio was bought by GFI Software. Kerio Connect, Kerio Control, Kerio Operator and Kerio Cloud became GFI assets but Samepage was not part of the acquisition.

References

External links

Defunct computer companies based in California
Software companies of the Czech Republic
Companies based in San Jose, California
Firewall software
Privately held companies based in California
VoIP companies of the United States
Defunct software companies of the United States

Kerio Technologies


Sha or Shu (Ш ш; italics: Ш ш) is a letter of the Glagolitic and Cyrillic scripts. It commonly represents the voiceless postalveolar fricative . More precisely, the sound in Russian denoted by ш is commonly transcribed as a palatoalveolar fricative but is actually a voiceless retroflex fricative . It is used in every variation of the Cyrillic alphabet for Slavic and non-Slavic languages.

In English, Sha is romanized as sh or as š, the latter being the equivalent letter in the Latin alphabets of Czech, Slovak, Slovene, Serbo-Croatian, Macedonian, Latvian and Lithuanian.

History
Sha has its earliest origins in Phoenician Shin and is possibly linked closely to Shin's Greek equivalent: Sigma (Σ, σ, ς). (The similar form of the modern Hebrew Shin (ש), which is probably where the Cyrillic letter was actually derived from,  derives from the same Proto-Canaanite source). Sha already possessed its current form in Saints Cyril and Methodius's Glagolitic alphabet. Most Cyrillic letter-forms were derived from the Greek, but as there was no Greek sign for the Sha sound (modern Greek uses simply "Σ/σ/ς" to spell the sh-sound in foreign words and names), Glagolitic Sha (Ⱎ) was adopted unchanged. There is also a possibility that Sha was taken from the Coptic alphabet, which is the same as the Greek alphabet but with a few letters added at the end, including one called "shai" (Ϣϣ) which somewhat resembles both sha and shcha (Щ, щ) in appearance.

Use in mathematics
The Cyrillic letter Ш is internationally used in mathematics for several concepts:

In algebraic geometry, the Tate–Shafarevich group of an Abelian variety A over a field K is denoted Ш(A/K), a notation first suggested by J. W. S. Cassels.  (Previously it had been denoted TS.) Presumably the choice comes from the first letter of Шафаре́вич = Shafarevich.

In a different mathematical context, some authors allude to the shape of the letter Sha when they use the term Shah function for what is otherwise called a Dirac comb.

The shuffle product is often denoted by ш.

Related letters
ش : Arabic letter Shin/Sin
Ⱎ : Glagolitic letter Sha/ša
Ⱋ : Glagolitic letter Shta/šta or Shcha/šča
Щ щ : Cyrillic letter Shcha
⧢ : Shuffle product
Ʃ ʃ : Latin letter Esh
Š š : Latin letter S with caron
Ŝ ŝ : Latin letter S with circumflex
Ş ş : Latin letter S with cedilla
Ș ș : Latin letter S with comma below

Computing codes

References

External links

Sha (Cyrillic)


Die Rothenmühlenau ist ein etwa zwölf Kilometer langer Fluss im schleswig-holsteinischen Kreis Segeberg in Deutschland.

Die Rothenmühlenau entsteht im Kiebitzholmer Moor nordwestlich vom Negernbötel. Sie fließt dann südlich von Rickling in westliche Richtung unter der Bundesstraße 205 und der Bahnstrecke Neumünster–Bad Oldesloe hindurch. In Heidmühlen, im Segeberger Forst kurz vor der Wassermühle, bildet sie zusammen mit der Radesforder Au die Osterau.

Fluss in Europa
Fluss in Schleswig-Holstein
Gewässer im Kreis Segeberg
Heidmühlen

Rothenmühlenau


مارسيل غانم(4 أبريل 1964-) محامٍ ومقدّم برامج وإعلامي لبناني، ذاع صيته ببرنامجه السياسي كلام الناس على قناة أل بي سي ويعمل كأستاذ في كلية الإعلام بجامعة القديس يوسف، وشقيق جورج غانم مدير الأخبار والبرامج السياسية في ال بي سي سابقا. استقال من أل بي سي ويقدم الآن برنامج صار الوقت الذي يعرض على شاشة أم تي في كل خميس بعد النشرة المسائيّة.

حياته الخاصة
ولد مارسيل غانم في يحشوش في محافظة جبل لبنان في لبنان في العام 1964 ولم يتزوج

العمل الإعلامي
أثناء دراسته للحقوق في الجامعة اللبنانية، خضع وهو على مقاعد الدراسة لاختبار صوتي وإنشائي أجرته إذاعة لبنان الحر، فبدأ عمله مذيعا لنشرات الأخبار، ثم تسلم مهام تحريرية وانتقل بعدها إلى مديرية الأخبار عقب سنوات معدودة. هذه التجربة قادته إلى التلفزيون عام 1991، فظهر في برنامج (كلام مسؤول)

برامج التوك شو
 أول برنامج تلفزيوني لمارسيل غانم كان مشتركا بين إذاعة لبنان الحر والـ(المؤسسة اللبنانية للإرسال) وقد قدمه بالتعاون مع مي شدياق وكان اسمه (كلام مسؤول).
 في العام 1995 وقف غانم على مسرح lbci وتوّج دينا عازار «ملكة جمال لبنان» إلى جانب مي شدياق
 في عام 1995 بدأ بتقديم برنامج (كلام الناس) عبر شاشة المؤسسة اللبنانية للإرسال، مساء كل خميس حتى آخر حلقة في 29 آذار 2018 ليعلن بأنه غادر المؤسسة التي عمل فيها على مدى أكثر من ثلاثة وعشرين عاما.
انتقل بعدها إلى محطة إم تي في اللبنانية ليقدم برنامج «صار الوقت» في 4 أكتوبر 2018 كل خميس، كما قدم سهرة انتخاب «ملكة جمال لبنان» 2018 بمشاركة أنابيلا هلال

إثارة الجدل
اتهمت الاعلامية مي شدياق مارسيل غانم بمضايقتها فاستقالت من ال بي سي كما سبقتها الاعلامية جيزيل خوري في الاستقالة وأيضا" اتهمت في أكثر من تصريح مارسيل غانم بمضايقتها لكنهما نفتا ذلك
وتعرض لانتقادات قوية في السنوات الماضية خصوصا" في الاعلام المكتوب لناحية موضوعيته ونزاع ال بي سي القضائي على الملكية مع القوات اللبنانية.

مثوله أمام القضاء اللبناني
في 4 كانون الثاني 2018، مثل أمام قاضي التحقيق في جبل لبنان نقولا منصور، في الإدعاء المقدم بوجهه من قبل وزير العدل سليم جريصاتي إثر حلقة كلام الناس بتاريخ 10 تشرين الثاني 2017. وكان صحافيان سعوديان من ضيوف الحلقة اعتبروا رئيس الجمهورية ميشال عون ومجلس النواب نبيه بري ووزير الخارجية جبران باسيل «شركاء في الإرهاب» بسبب موقفهم من حزب الله. تبعا لذلك، طلب وزير العدل سليم جريصاتي من النائب العام التمييزي سمير حمود إجراء التعقبات اللازمة بحق كل من مدير الأخبار في المؤسسة الإعلامية للإرسال جان فغالي والصحافيين السعوديين إلى جانب غانم الأمر الذي اعتبرته المؤسسة اللبنانية هدفا للمس بها، وعبرها بحرية الاعلام في لبنان.

تكريمات
 : تكريم من مهرجان الأردن للإعلام بدورته الرابعة 2021

مراجع

أشخاص على قيد الحياة
أشخاص من قضاء كسروان
أكاديميون لبنانيون
خريجو الجامعة اللبنانية
صحفيون لبنانيون
مذيعو أل بي سي
مذيعون لبنانيون
موارنة لبنانيون
مواليد 1383 هـ
مواليد 1964
أعضاء هيئة تدريس جامعة القديس يوسف

مارسيل غانم


Alice Kremelberg, née le  à Long Island (New-York), est une actrice américaine. Elle est notamment connue pour ses rôles dans les séries Doomsday, Orange Is the New Black et The Sinner.

Biographie

Vie privée
De 2007 à 2011, elle a été en couple avec l'acteur Connor Paolo.

Filmographie

Cinéma

 2008 : Baby Mama : la fille de Rob
 2009 : L'attaque du métro 123 : la petite amie de George
 2012 : Nancy, Please : Margaret
 2014 : Beach Pillows : Alex
 2015 : Campus Code : Izzy
 2018 : Les faussaires de Manhattan : une serveuse
 2018 : Ask for Jane : une jeune femme
 2018 : Love Is Dead ! : Cindy
 2020 : Ten Minutes to Midnight : Amy jeune
 2020 : Les Sept de Chicago : Bernardine
 2021 : Generation Wrecks : Jess
 Prévu : Iris : Iris
 Prévu : Bleecker : Duff

Télévision

 2006 : New York, unité spéciale : Julie
 2006 : Haine et passion : Olivia Spencer jeune (5 épisodes)
 2007 : 30 Rock : Margaret
 2010 : Fringe : Lisa Donovan
 2010 : Blue Bloods : Alyson Duvitz
 2011 : Nurse Jackie : Jenny
 2011 : The Big C : Ruby
 2013 : Smash : actrice #1
 2015 : Working on It : Michelle (2 épisodes)
 2016–2017 : Doomsday : Sorrell (4 épisodes)
 2018 : The Elevator : Felicity
 2018 : NCIS : Nouvelle-Orléans : Arlene
 2018–2019 : Orange Is the New Black : Nicole Eckelcamp (11 épisodes)
 2019 : New Amsterdam : Wendy Birdwell
 2019 : The Feels : Kat (3 épisodes)
 2020 : Monsterland : Abby
 2020 : Murder in Spacetown : Sharon Tweedles
 2021 : The Sinner : Percy Muldoon (8 épisodes)
 Prévu : Linked : Lauren

Notes et références

Liens externes

Actrice américaine de télévision
Actrice américaine de cinéma
Naissance en février 1990
Naissance à Long Island

Alice Kremelberg


Allodessus es un género de coleópteros adéfagos de la familia Dytiscidae.

Especies
Allodessus bistrigatus	(Clark 1862)
Allodessus megacephalus	(Gschwendtner 1931)
Allodessus oliveri	(Ordish 1966)
Allodessus skottsbergi	(Zimmermann 1924)
Allodessus thienemanni	(Csiki 1938)

Referencias

 ;  2004: Jumping across Wallace's line: Allodessus Guignot and Limbodessus Guignot revisited (Coleoptera: Dytiscidae, Bidessini) based on molecular-phylogenetic and morphological data. Australian journal of entomology, 43(2): 114-128.  PDF PDF
  1862: Catalogue of the Dytiscidae and Gyrinidae of Australasia with descriptions of new species. Journal of entomology, 1: 399–421. Internet Archive BHL
  1953: Trente-neuvième note sur les Hydrocantheres. Revue française d'entomologie, 20: 109–117.
  et al. 2010: [Chapter] NINE Phylum ARTHROPODA SUBPHYLUM HEXAPODA Protura, springtails, Diplura, and insects. Pp. 233-467 in  (ed.): New Zealand inventory of biodiversity. Volume 2. Kingdom Animalia. Chaetognatha, Ecdysozoa, ichnofossils. Canterbury University Press, Christchurch, New Zealand. ISBN 978-1-87725793-3
 ; ;  2011: Larval morphology of Allodessus Guignot (Coleoptera: Dytiscidae). Aquatic insects, 33(1): 27-40.
  1978: A revision of the Australian Dytiscidae (Coleoptera). Australian journal of zoology, supplementary series, (57)

Enlaces externos

 ION
 Nomenclator Zoologicus

 GBIF

Bidessini

Allodessus