Nicolae Rădescu (; 30 March 1874 – 16 May 1953) was a Romanian army officer and political figure. He was the last pre-communist rule Prime Minister of Romania, serving from 7 December 1944 to 1 March 1945.

Biography

Early life and education
The son of small landowners (Radu and Zamfira), Rădescu was born on 30 March 1874 in Călimănești, Vâlcea County. He attended the Military School for Officers, graduating on 1 July 1898 with the rank of second lieutenant. He pursued his military studies at the Cavalry School, graduating in June 1900 and being promoted to lieutenant in 1903, and then at the Higher War School in Bucharest (1904–1905), being promoted to captain on 4 October 1909.

Second Balkan War and World War I
In the summer of 1913 he saw action with the 1st Cavalry Division in the military campaign in Bulgaria during the Second Balkan War. He was promoted to major on 1 April 1916, and served in World War I during the Romanian Campaign of 1916 with the 5th Regiment Călărași, fighting against the German forces at the Carpathian mountain passes. For his bravery and skill at the Battle of Sălătrucu, in the Topolog Valley, he was awarded on 10 January 1917 the Order of Michael the Brave, 3rd Class. In April 1917 he was promoted to lieutenant colonel; he served as Chief of Staff for the 2nd Cavalry Division until 1 September 1918, and was promoted to colonel in April 1919.

The Interwar period
On 27 May 1920 Rădescu was appointed adjutant of King Ferdinand, after which he served  as military attaché in London (1926–1928). Upon his return, he was promoted in March 1928 to brigadier general. He served as commanding officer of the 4th Brigade Roșiori, after which he was attached to the Inspectorate-General of Cavalry, and then commanded the 1st Cavalry  Division (1931–1933).  He resigned from the Army on 5 February 1933 and transferred to the retired reserves.  Upon presenting his resignation, he accused "profiteering politicians" and King  Carol II's camarilla of commercializing military life.

That same month Rădescu joined the People's Party of Marshal Alexandru Averescu.  In the mid-1930s, he became involved in nationalist politics; he supported a far right movement called Cruciada Românismului ("The Crusade of Romanianism"), aimed at the cultural "Romanization" of Germans and Hungarians in Transylvania. This short-lived movement was a splinter group of the Iron Guard, created by Mihai Stelescu. After Stelescu was assassinated in July 1936 by an Iron Guard death squad, Rădescu became a leader of the movement, which quickly faded afterwards. Because of his political stances and his opinions regarding the royal camarilla, he started being monitored by the secret police (Siguranța Statului).

World War II and the rise of Communism

After King Carol II abdicated in September 1940, Rădescu charged dictator Ion Antonescu with collaborating with the Nazis. As noted by ex-President Emil Constantinescu at a memorial ceremony, Rădescu opposed the advance of Romanian troops beyond the Dniester River after Bessarabia and Northern Bukovina had been recaptured in 1941 from the Soviet Union. In 1942, Rădescu wrote an article critical of the German ambassador Manfred Freiherr von Killinger and his constant intrusion in the internal affairs of Romania. He was interned as a political prisoner in the Târgu Jiu camp. On 23 August 1944, immediately after Antonescu's downfall in King Michael's Coup, Rădescu was released from prison. On 15 October he was appointed Chief of the Romanian General Staff at the insistence of the Soviet government, which favored him for his independence and his reputation as an ardent anti-fascist who was respected by the people.

He became prime minister on 7 December 1944.  The Soviet government initially supported him; on a visit to Bucharest, the Deputy Foreign Minister, Andrey Vyshinsky, publicly expressed Soviet confidence in the Rădescu government. Soon after the situation changed, as conflicts over the armistice agreement emerged, especially over Moscow's demand for $300 million in reparations; Rădescu also resisted the Soviet order to deport Germans from Romania to the Soviet Union. To assist with the imposition of a communist government, the Soviet NKGB and the Romanian communists supported the Patriotic Defense Guards; these paramilitary organizations, which appeared after August 1944, were placed under the command of Emil Bodnăraș. On January 15, 1945, Rădescu ordered the dissolution of the Guards, but Teohari Georgescu and Bodnăraș ignored the instructions. At the same time, Deputy Prime Minister Petru Groza, anticipating the imminent agrarian reform, encouraged the peasants to forcibly take the land of the big landlords.

On 24 February 1945, the Communist Party of Romania and its allies organized a mass rally in front of the Royal Palace to call for his resignation. As the protest carried on, communist agents opened fire from the Interior Ministry building situated across the street, killing several people. In a radio address later that day, Rădescu blamed the attack on Ana Pauker and Vasile Luca, calling them "hyenas" and "strangers without kin or God". The next day, the Communist Party orchestrated an unprecedented propaganda campaign against Rădescu. His son, Nicu, who had participated at the rally (he had been recruited into the Party in 1940), wrote an open letter to his father; the letter, published in Scînteia and România Liberă on 28 February, accused Rădescu of issuing the order to shoot peaceful demonstrators. Radio Moscow called Rădescu the "Butcher of Palace Square". Concomitantly, Vyshinsky arrived in Bucharest and demanded from King Michael the resignation of Rădescu; at the direction of Joseph Stalin, he warned that the Soviet Union would not allow Northern Transylvania to be returned to Romania if Rădescu were to remain prime minister. As a result of all these pressures, Rădescu resigned his position on 1 March.

On 6 March 1945, the first Communist-dominated government of Romania took office under the direction of Petru Groza. Over the next few years, the Communists completely consolidated their power.

Exile in the West
One of the first decrees of the Groza government (issued on 7 March 1945) was to impose mandatory domicile for General Rădescu. Pursued by the Communist authorities, Rădescu sought refuge in the British legation, stayed there for about two months, and was then handed over to Romanian authorities, who had guaranteed his safety but placed him under house arrest. On 17 June 1946, he managed to flee on board a plane to the British Crown colony of Cyprus, where he was detained in a refugee camp by the authorities until the Paris Peace Treaties were signed in 1947. Via Lisbon and Paris he ended up in the United States. Once in America, he and other exiled Romanian political figures, including , Mihail Fărcășanu, Grigore Gafencu, and Constantin Vișoianu, came together to form a united anti-communist opposition in exile called the Romanian National Committee. In 1950, after disagreements within the committee, he was one of the founders of the Liga Românilor Liberi ("The League of Free Romanians"), together with Grigore Gafencu, Nicolae Caranfil, Mihail Fărcășanu, Carol "Citta" Davila, Viorel Tilea, general , and Vintilă Brătianu.

Rădescu died of tuberculosis on 16 May 1953 in New York City; he was buried in the city's Calvary Cemetery. At the initiative of Prime Minister Mugur Isărescu, the remains of General Rădescu were brought back to Romania in 2000. Following the wishes expressed in his testament, he was reburied at the Orthodox Bellu Cemetery in Bucharest on 23 November 2000.

References

External links

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1874 births
1953 deaths
People from Călimănești
Carol I National Defence University alumni
Romanian military personnel of the Second Balkan War
Romanian military personnel of World War I
Romanian Land Forces generals
Recipients of the Order of Michael the Brave
Chiefs of the General Staff of Romania
Inmates of Târgu Jiu camp
Prime Ministers of Romania
Romanian Ministers of Interior
World War II political leaders
Romanian people of World War II
Romanian anti-communists
Romanian expatriates in the United States
Members of the Crusade of Romanianism
Tuberculosis deaths in New York (state)
20th-century deaths from tuberculosis
Burials at Calvary Cemetery (Queens)
Burials at Bellu Cemetery

Nicolae Rădescu


සර්කාර් (සිංහල - රජය) යනු 2018 වසරේ ඒ.ආර්.මුරුගදාස්ගේ අධ්‍යක්ෂණයෙන් තිරගත වූ ත්‍රාසජනක නාට්‍ය චිත්‍රපටයකි. කලානිදි මාරන්ගේ සන් පික්චර්ස් ආයතනය මගින් නිෂ්පාදිත මෙම චිත්‍රපටයේ සුපිරි නළු විජෙයි, කීර්ති සුරේෂ්, වරලක්ෂ්මි සරත්කුමාර් යන අය රංගනයෙන් දායක වෙති. විජෙයිගේ 62 වන චිත්‍රපටය වන මෙහි ඒ.ආර්.රහ්මාන් සංගීතයෙන් දායක වේ.

සර්කාර්


Anime Expo, abbreviated AX, is an American anime convention held in Los Angeles, California and organized by the non-profit Society for the Promotion of Japanese Animation (SPJA). The convention is traditionally held annually on the first weekend of July, spanning the course of four days. Anime Expo is regularly hosted at the Los Angeles Convention Center but has also been held in other cities such as Anaheim, San Jose, New York, and Tokyo.

Events and programming

Anime Expo features many events and activities during the convention for attendees to take part in such as guest panels, tabletop gaming, competitions, an arcade, and concerts.

Top attractions include the Masquerade cosplay contest, Anime Music Video (AMV) competition, Battle of the Bands, and Charity Auction. Anime Expo hosts a multitude of industry Guests of Honor (GoH), including notable music artists who often hold large concerts at Anime Expo. Anime Expo holds a large variety of focus panels, workshops, and events, some of which are fan or industry-sponsored. Numerous film and video rooms also show anime screenings that run all day and night.

Much like other conventions, Anime Expo also features a large-scale exhibit hall where attendees can purchase a variety of products from a wide range of exhibitors. This exhibit hall also features an artist alley where attendees can purchase fan-created artwork, as well as other varieties of crafts such as wigs, pins, and cosplay material.

Convention history

History

The first Anime Expo was held from July 3–6, 1992 at the Red Lion Hotel in San Jose, California. Many of its original staff came from Anime Con, an anime convention held in San Jose in 1991, and later absorbed by the SPJA in 1992. In 1994, Anime Expo made a strategic relocation to the Southern California area and all subsequent conventions have taken place there since.

The convention continues to thrive due to the growing popularity of anime and Japanese popular culture and maintains a strong draw due to the many notable Japanese guests it hosts. It currently holds the title of North America's largest anime convention, a title which it has consistently held every year except in 2003, in which its attendance was slightly edged out by the east coast anime convention Otakon. From 1,750 attendees in 1992, Anime Expo's size has increased to over 107,658 in 2017, making Anime Expo the largest anime and manga convention in North America.

In March 2009, chief executive officer Trulee Karahashi, who had been a part of Anime Expo and SPJA in various capacities for 11 years, left the organization. In September, former Universal Studios executive Michael Lattanzio was later hired as the SPJA's new CEO.

In January 2010, eight members of Anime Expo's upper management team (ConCom) publicly resigned because of disagreements over the organization's new direction set forth by Lattanzio. One significant point of contention was Lattanzio's decision to refocus and restructure the SPJA's marketing efforts, starting with the dismissal of a PR and marketing contractor that the organization had a close working relationship with since 2004. Additionally, two other personnel had already left for other reasons, leaving only the vice-chair and two others as returning members of the previous year's team.

In September 2010, Lattanzio was released from his CEO position. Then SPJA Chairman of the Board Marc Perez became acting CEO; In August 2011 he stepped down from the board of directors to take over as a full-time CEO (as required by the SPJA bylaws).

In early 2012, Anime News Network reported that Anime Expo suffered a $1.2 million loss in 2010. The 2011 convention saw a $100,000 profit and reduced the outstanding debt to $700,000. The article also stated that one of the creditors, IDG World Expo, will be taking over several aspects of the organization, with guest selection and programming remaining under SPJA control. Additionally, Takayuki Karahashi has been elected as chairman of the board of directors.

The convention continued to be located at the LACC through 2019. In April 2016, Marc Perez left the company, with Ray Chiang becoming acting CEO of SPJA.

On June 30, 2017, the first Pre-Show Night was added to the Anime Expo, which included the Neon District, hosting the World Cosplay Summit U.S. Finals, and premieres.

As the convention's attendance has grown, it's seen long lines for entry into the convention hall, which organizers said was due to safety and security concerns.

In the months leading to the 2020 event, a global coronavirus outbreak created concerns related to large gatherings, such as Anime Expo. On April 17, 2020, the SPJA announced that it was cancelling Anime Expo 2020, citing "health and safety" concerns. However, the SPJA stated it still planned to hold the 2021 event on its normal July dates. On May 27, 2020, they announced a two-day online convention, titled Anime Expo Lite, which took place on July 3 and 4, 2020. On March 3, 2021, the SPJA canceled the 2021 live convention, and announced that the Anime Expo Lite would instead be held on the 2021 schedule, citing "continued uncertainties surrounding the COVID-19 pandemic." Despite the COVID-19 pandemic, Anime Expo returned in-person in 2022; Anime Expo 2022 began on July 1 and ended on July 4 as an in-person event for the first time since 2019.

Anime Expo in 2023 suffered from serious overcrowding issues, and also occurred during a hotel staff strike.

Convention locations

Other Anime Expos
The SPJA twice ran conventions outside California: Anime Expo New York in 2002, and Anime Expo Tokyo in 2004.

Anime Expo New York
Anime Expo New York (AXNY) was held in 2002 in the Times Square district of New York City, New York. The event was originally a joint effort with Central Park Media and its industry event, Big Apple Anime Fest (BAAF). Due to differences, the event ran as separate entities within the same time frame and venues, with BAAF hosting the theatrical film screenings, and Anime Expo New York hosting the convention. The events shared some resources, with notable guests listed in the program guides of both events.
The SPJA ran the event in order to demonstrate that it could run events outside its home state of California. The event was a precursor to Anime Expo Tokyo which ran in Tokyo, Japan in 2004.
The SPJA has not run any events outside California since 2004.

Convention locations

Anime Expo Tokyo

Anime Expo Tokyo (AX Tokyo) was held in 2004 at the Sunshine City Convention Center in Ikebukuro, Tokyo, Japan. It was not technically organized directly by the SPJA, but rather was organized by the Japanese Association for Science Fiction International Communication (www.jasfic.or.jp)(JASFIC) with assistance from the SPJA. JASFIC had two goals for Anime Expo Tokyo. The first goal was to establish in Japan a non-corporate-sponsored convention dedicated to anime. The second goal was to demonstrate to the organizers of the World Science Fiction Convention (WorldCon) that Japan could serve as a suitable venue for conventions that attract foreigners. Although Anime Expo Tokyo did not go on to a second year, JASFIC was ultimately successful in attracting the 65th World Science Fiction Convention to Japan in 2007.

Anime Expo Tokyo had a list of over 40 guests such as manga artist Ken Akamatsu, MiQ, Under17, Hiroshi Aro, and many others, although a small handful had to make last-minute cancellations. Anime Expo Tokyo was also the very first Anime Expo that officially hosted guests from the U.S. anime industry such as webcomic artist Fred Gallagher and voice actor Crispin Freeman.

Of Anime Expo Tokyo's 4,249 attendees, approximately 300 of that number were estimated to have traveled from abroad. In addition to the attendance numbers were 240 members of the press, 40 of which were from overseas. An additional 430 people were composed of dealers, guests, or staff.

No plans to host another official Anime Expo outside California have been announced.

Convention locations

Anime Expo Chibi
Anime Expo Chibi (formerly Anime Expo Ontario) is  an annual two-day anime convention held during November at Ontario Convention Center in Ontario, California. Organized by Anime Expo, it is designed to be a smaller convention that focuses on the artist alley and exhibit hall.

Convention locations

Other conventions

Anime Conji

In 2010, Anime Conji began as an annual anime convention in San Diego. In 2013, it began to be run by SPJA. Anime Conji 2016 was cancelled due to event quality concerns. Anime Conji 2017 was also cancelled. The convention returned in 2018 under its original organizers, the San Diego Speculative Fiction Society (SanSFiS). Anime Conji held no event in 2020 due to financial and location problems.

Organizational structure
The Society for the Promotion of Japanese Animation (SPJA), the parent organization which produces Anime Expo, is a federal and California state registered 501(c)(3) non-profit charitable organization. Before January 1, 2020, they were registered as a 501(c)(6) non-profit trade benefit organization.

The operation of the Anime Expo is divided into two groups: Entertainment & Operations. Entertainment has the following divisions: AV Tech, Entertainment Hall, Guest Relations, Interactive Events and Programming. Operations have the following divisions: Exhibit Hall & Registration and Facilities. As of 2013, the SPJA employed 11 employees and over 1,000 volunteers for Anime Expo.

Anime Expo's parent company, the SPJA, has several additional paid positions whose roles are to conduct the organization's year-round operations.
Such positions also include the: Administration Director, chief executive officer, Finance Manager, HR Director, marketing director, and Technology Director.
The SPJA also hires consultants for outsourced functions such as: Marketing consultation, Governance & Strategic training, Legal Representation, Vending, and other matters on an as-needed basis.

Notes
 The 2009 event donated over $29,000 to the Children's Hospital of Orange County (CHOC) from the SPJA Charity Auction, announced during closing ceremonies on Sunday, July 5, 2009
 Masquerade main event was attended by a standing-room-only crowd with over 7,200 seats available.
 Total 2010 through-the-doors attendance achieved 105,000 (turnstile), compared to 2009's attendance of 109,000 (turnstile). This was Anime Expo's second attendance decline since its inception.
 Anime Expo's 20th Anniversary was celebrated in 2011.
 July 4, 2011 – Nearly $30,000 were raised at the SPJA Charity Auction for the Japanese Red Cross Society to aid in disaster relief.

References

External links

Recurring events established in 1992
Anime conventions in the United States
Culture of Anaheim, California
Culture of Los Angeles
1992 establishments in California
Conventions in Los Angeles

Anime Expo


SDSS J0841+3921, abréviation de SDSS J084159.26+392139.9, est le premier quadruple quasar à avoir été découvert. La découverte s'est faite en  avec le télescope Keck I dans les infrarouges. Selon les calculs, ce groupe de quasars se situe à plus de 10 milliards d'années-lumière, dans la constellation du Lynx.

Proto-structure
Le groupe de SDSS J0841+3921 est constitué de quatre quasars bien uniques (pas à une image due à une lentille gravitationnelle), tous situés dans une proto-structure. Il contient le quasar primaire SDSS J0841+3921A, le secondaire SDSS J0841+3921B, le tertiaire SDSS J0841+3921C ainsi que SDSS J0841+3921D, ainsi qu'une nébuleuse liée aux quatre astres nommée la nébuleuse du Jackpot.

Quasar
La structure SDSS J0841+3921 contient quatre quasars liés gravitationnellement. Ils sont tous dotés d'une activité très importante. Le quasar SDSS J0841+3921A a connu une phase d'éruption très violente qui a produit un flash infrarouge, X et radio ainsi qu'une luminosité égale à plusieurs milliards de fois celle du Soleil. Cette éruption serait due à une absorption d'un grand nuage de gaz par le trou noir supermassif qui siège au centre de SDSS J0841+3921A. Cette phase a été désignée comme une source multi-émettrice « hyper-lumineuse » par les scientifiques de l'université Harvard.

Nébuleuse du Jackpot
Tous ces quasars sont reliés par un immense nuage de gaz ou une nébuleuse géante très froide et dense (densité volumique ≃ ) entourant les quatre quasars, cet objet est très concentré au niveau de SDSS J0841+3921A. Cette proximité au quasar a pour effet de chauffer la matière autour de ce dernier. La structure gazeuse aurait une masse d'environ  de masses solaires (≈ ). Lors d'une étude des nébuleuses géantes faite avec les radiotélescopes Karl G. Jansky Very Large Array (VLA), le Northern extended millimeter array (NOEMA) ainsi que le Grand réseau d'antennes millimétrique/submillimétrique de l'Atacama (ALMA), les chercheurs ont découvert la présence très importante d'atomes de carbone ainsi que des isotopes du carbone grâce à la grande raie d'émission de ces nébuleuses. Les mesures montrent une raie associée à du carbone 12 ainsi que du carbone 16. Au centre du nuage de gaz, ALMA a détecté un halo de matière gazeuse très massif, il semble que la nébuleuse se recentre autour de SDSS J0841+3921A et SDSS J0841+3921B. Au vu des observations, les scientifiques ont supposé que cette région soit composée en grande partie de matière noire, cette matière noire s'organiserait comme un halo géant d'une masse de Mhalo ≈ .

Masses des trous noirs centraux de SDSS J0841+3921
Les vitesses radiales des gaz proches des quasars de SDSS J0841+3921 ont permis de mesurer la masse du trou noir central de SDSS J0841+3921A ainsi que la masse du trou noir central de SDSS J0841+3921B. Selon les calculs, la masse du trou noir serait de  de masses solaires, ce trou noir serait donc l'un des plus massifs connus et la masse du trou noir central de SDSS J0841+3921B serait de  de masses solaires.

Articles connexes
 Quasar
 Amas de quasars

Références

Liens externes

 .
  SDSS J084159.26+392139.9 sur Stellarium-web.org.
  Tous les quasars de SDSS J084159.25+392139.9 sur la base de données Simbad du Centre de données astronomiques de Strasbourg.

Quasar
Source radio
Source X

SDSS J084159.25+392139.9


Los ricos también lloran (pt-br: Os Ricos Também Choram) é uma telenovela mexicana produzida por W Studios e Carlos Bardasano para TelevisaUnivision, sendo exibida no Las Estrellas entre 21 de fevereiro a 13 de maio de 2022, substituindo Si nos dejan e sendo substituida por El último rey 2.

É um reboot do clássico homônimo de 1979, e é a quarta produção da franquia de Fábrica de sueños.

Protagonizada por Sebastián Rulli e Claudia Martín e antagonizada por Fabiola Guajardo, Azela Robinson, Víctor González, Arturo Barba, Thali García e Luis Gatica e com atuações estelares de Alejandra Barros e Dalilah Polanco, e participações dos primeiros atores Guillermo García Cantú e Sergio Reynoso.

Enredo
Permeada por drama e romance, a trama acompanha a trajetória de Mariana (Claudia Martín), uma jovem corajosa e humilde que lida com a solidão e o desamparo desde que perdeu a madrinha. Paralelamente, os membros da rica e aparentemente glamourosa família Salvatierra precisam lidar com os seus dramas pessoais. Luis (Sebastián Rulli) enfrenta o desprezo do próprio pai, Alberto (Guillermo García Cantú), um dos empresários mais poderosos do México.

Um dia, a pedido do padre Guillermo (Henry Zakka), Alberto consegue para Mariana uma oportunidade no Consorcio Salvatierra. Ela, muito agradecida, comparece ao RH da empresa e acaba sendo assediada pelo chefe do departamento. No estacionamento do edifício, depara-se com Alberto convulsionando após uma discussão com Luis e o socorre.

Ao chegar em casa, Mariana acaba sendo despejada pelo senhorio e, grato pela ajuda da moça, Alberto a acolhe em sua casa, além de demitir o chefe de recursos humanos e a contratar diretamente para trabalhar na Salvatierra. No casarão da família, Mariana conhece Luis e os dois acabam se apaixonando. Ele, além de se atrair por várias virtudes de Mariana, encontra nela um amor verdadeiro e sincero. Agora o romance dos dois terá que romper a barreira do preconceito social, passando por tragédias, mortes, intrigas e segredos.

Produção
A produção foi anunciada em outubro de 2018, como parte da franquia Fabrica de sueños e, em 2021, confirmada para ser lançada no ano seguinte.

As gravações começaram em 20 de setembro de 2021, revelando a identidade dos protagonistas e o restante do elenco.  Diferentemente das outras produções da franquia, que tiveram entre 25 e 27 episódios, a série contou com 60 episódios de 45 minutos, em média.

Elenco
 Sebastián Rulli - Luis Alberto Salvatierra Suárez
 Claudia Martín - Mariana Villarreal Arellano de Salvatierra / Mariana Montenegro Arellano
 Fabiola Guajardo - Soraya Montenegro Méndez
 Guillermo García Cantú - Don Alberto Salvatierra Ruiz
 Azela Robinson - Elena Suárez
 Alejandra Barros - Daniela Montesinos de Salvatierra
 Víctor González - León Alfaro
 Arturo Barba - Víctor Millán
 Thali García - Sofía Mandujano de López
 Sergio Reynoso - Ramiro Domínguez
 Dalilah Polanco - Chabela Pérez de Domínguez
 Luis Gatica - Osvaldo Valdivia
 Arturo Carmona - Pedro Villarreal García
 Ariel López Padilla - Efrain Torres
 Sachi Tamashiro - Dra. Altamira
 María Fernanda García - Sandra
 Agustín Arana - el Dr. Stramesi

Audiência

Exibição no Brasil
A novela foi lançada em 19 de setembro de 2022 na plataforma de streaming Globoplay, sendo o oitavo título mexicano a ser disponibilizado pelo serviço.

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!Artigos novos
Telenovelas do México
Telenovelas em espanhol
Telenovelas da Televisa da década de 2020
Programas de televisão do México que estrearam em 2022
Programas de televisão do México encerrados em 2022

Los ricos también lloran (2022)


Yaya DaCosta (født Camara DaCosta Johnson 15. november 1982 i Harlem, New York) er en amerikansk skuespiller og fotomodel.

DaCosta blev kendt i 2004 da hun deltog i den tredje sæson af America's Next Top Model hvor hun kom på en andenplads efter Eva Pigford. Som skuespiller har hun blandt andet haft roller i The Kids Are All Right (2010) og The Butler (2013).

Den 26. juni 2012 giftede Yaya DaCosta sig med Joshua Bee Alafia og tog efternavnet Alafia.

Filmografi
 2006 – Take the Lead
 2008 – All My Children (TV-serie) (44 afsnit)
 2009 – The Messenger
 2009 – Ugly Betty (TV-serie) (7 afsnit)
 2010 – Tron: Legacy
 2010 – The Kids Are All Right
 2011 – In Time
 2011 – Stand Off
 2013 – The Butler

Kilder

Modeller fra USA
Skuespillere fra New York
Personer fra New York City
Deltagere i America's Next Top Model

Yaya DaCosta


بلدية مينياكا  هي بلدية تقع في مقاطعة بيسكاي, التي تقع في منطقة الباسك شمالي إسبانيا.

أعلام
 ميغيل انخيل لوتينا

وصلات خارجية
  (بالإسبانية)

مراجع

أماكن مأهولة في بيسكاي
بلديات بيسكاي

مينياكا


Voici une liste de sources astronomiques radio inexpliquées.

Introduction

Depuis les années 1950, la radioastronomie a permis de nombreuses découvertes mais lors des programmes d'observations comme le NVSS (NRAO VLA Sky Survey), les radiotélescopes ont détecté de nombreux signaux radio inexpliqués. L'exemple le plus connu est le signal Wow! qui a été découvert par le radio télescope de l'État de l'Ohio en 1977. Un autre exemple très récent et connu est le signal GLEAM-X J162759.5−523504.3 découvert par le Murchison Widefield Array (MWA). Tous ces signaux ne sont pas expliqués car ils ne correspondent à aucun type d'objet ou phénomène stellaire connu. Les sources radio de ce type sont souvent découvertes par le NRAO à l'aide des données du Karl G. Jansky Very Large Array.

Liste
Cette liste a été érigée à l'aide de la base de données Simbad ainsi que les bases de données des découvreurs.

Signaux très particuliers

Liste des signaux inexpliqués venant de possibles objets célestes errants

Liste des signaux inexpliqués venant d'objets de type incertain

Liste des signaux inexpliqués venant de possibles phénomènes transitoires

Liste des signaux inexpliqués venant de possibles supernovas, kilonovas, hypernovas

Liste des signaux inexpliqués venant de galaxies très lointaines

Liste des signaux dont l'origine est totalement inconnue

Liste des signaux inexpliqués venant de possibles éruptions galactiques

Liste des signaux inexpliqués venant de possibles microquasars

Liste des signaux inexpliqués venant de possibles sursauts gamma

Liste des signaux inexpliqués venant de possibles étoiles éruptives

Liste des signaux inexpliqués venant de possibles galaxies actives

Liste des FRB (Fast Radio Burst) inexpliqués

Articles connexes

 Radiotélescope
 Source radio
 National Radio Astronomy Observatory
 Karl.G Jansky Very Large Array

Notes et références

Source radio
Phénomène stellaire
Radioastronomie

Liste de sources astronomiques radio inexpliquées


Kjeld Stub (født 10. december 1607 i Varberg, død 20. april 1663) var en dansk præst og officer.

Han var søn af præsten Laurids Stub, gik i skole i Landskrona og Slagelse, men udgik fra Københavns Skole 1626. Senere rejste han udenlands, tog kejserlig krigstjeneste i Brabant, og avancerede til ingeniørkaptajn, men vendte hjem 1631 og blev øverste hører ved Københavns Skole. Efter et par år drog han igen udenlands, til Nederlandene og Frankrig, nu som informatør for den norske adelsmand Gunde Langes barn og tillige understøttet af Ove Gjedde. I 1632 findes han innskrevet ved universitetet i Leiden som "stud. math."

Efter at have gjort endnu en rejse, som informator for statholder Christoffer Urnes barn, tog han 1635 magistergraden i København. Samme år blev han udnævnt til sognepræst i Christiania. Efter 6 år byttede han embede med sognepræsten i Ullensaker, Trugels Nielsen, efter at være kommet i strid med borgmester Lauritz Ruus.

Da Torstenson-krigen med Sverige brød ud, fik man brug for Stubs militære erfaring. Hannibal Sehested opsøgte ham straks ved krigens begyndelse i januar 1644 på Ullensaker præstegård. Under krigen holdt han titel af statholderens "Kammerraad". Han virkede særlig som ingeniør, som ved anlægget af en større skanse ved Eidskog kirke. Han havde også ansvaret for grænsebevogtningen. Efter krigen vendte Stub tilbage til sit præstekald og blev 1647 provst over Øvre Romerike og Solør.

Han var gift første gang med Karen Glostrup (død 1641), datter af biskoppen i Christiania, anden gang med Gunhild Andersdatter, og tredje gang med Maren Michaelsdatter. Han var svigerfar til Colbjørn Torstensen Arneberg.

Eksterne henvisninger
 Kjeld Stub i Norsk biografisk leksikon

Præster fra Danmark
Præster fra Norge
Personer fra Varberg
Undertegnere af Enevoldsarveregeringsakten
Udgåede fra Københavns Universitet
Alumni fra Københavns Universitet

Kjeld Stub


Carlos Muñoz Arosa (* 3. April 1919 in Vigo; † 15. April 2005 in Madrid) war ein spanischer Schauspieler.

Leben
Muñoz' Karriere begann (nach Kleinstrollen) zu Zeiten des Spanischen Bürgerkrieges, sodass er seine ersten Rollen in Kriegsfilmen und patriotischen Dramen spielte, so in Sin novedad en el Alcázar (1940), Escuadrilla (1941), Los últimos de Filipinas (1945) und El santuario no se rinde (1949). Daneben war einer seiner ersten Erfolge das Melodram Marianela (1940) von Benito Perojo, wo er neben Mary Carrillo spielte und in Cristina Guzmán neben seiner zukünftigen Frau, der Schauspielerin und Sängerin Marta Santaolalla.

Neben seiner Karriere beim Film, die bis in die 1990er Jahre andauerte und vor allem seit Mitte der 1960er Jahre zahlreiche Nebenrollen in Genrefilmen und Komödien umfasste, war Muñoz immer wieder auf der Bühne zu sehen; er spielte in Stücken von Gregorio Martínez Sierra, Pirandello, Torcuato Luca de Tena, José Zorrilla und Víctor Ruiz Iriarte. Seine publikumswirksamste Rolle hatte er als Familienoberhaupt in der Fernsehserie La casa de los Martínez im Jahr 1971, die zahlreiche weitere Engagements bei Film und Fernsehen nach sich zog.

Filmografie (Auswahl)
 1940: L'assedio dell'Alcazar
 1944: El sobrino de Don Buffalo Bill
 1972: Zwei Himmelhunde auf dem Weg zur Hölle (Più forte, ragazzi!)
 1984: Camila – Das Mädchen und der Priester (Camila)
 1992: El oro y el barro (Fernsehserie)

Weblinks
  (mit falschem Todesdatum)

 Muñoz bei Nuestrocine

Einzelnachweise

Filmschauspieler
Spanier
Geboren 1919
Gestorben 2005
Mann

Carlos Muñoz (Schauspieler)


is a Japanese multinational ceramics and electronics manufacturer headquartered in Kyoto, Japan. It was founded as  in 1959 by Kazuo Inamori and renamed in 1982. It manufactures industrial ceramics, solar power generating systems, telecommunications equipment, office document imaging equipment, electronic components, semiconductor packages, cutting tools, and components for medical and dental implant systems.

History

Origins to 2000
Kyocera's original product was a ceramic insulator known as a "kelcima" for use in television picture tubes. The company quickly adapted its technologies to produce an expanding range of ceramic components for electronic and structural applications.  In the 1960s, as the NASA space program, the birth of Silicon Valley and the advancement of computer technology created demand for semiconductor integrated circuits (ICs), Kyocera developed ceramic semiconductor packages that remain among its core product lines today.

In the mid-1970s, Kyocera began expanding its material technologies to produce a diverse range of applied ceramic products, including solar photovoltaic modules; biocompatible tooth- and joint-replacement systems; industrial cutting tools; consumer ceramics, such as ceramic-bladed kitchen knives and ceramic-tipped ballpoint pens; and lab-grown gemstones, including rubies, emeralds, sapphires, opals, alexandrites and padparadschahs.

The company acquired electronic equipment manufacturing and radio communication technologies in 1979 through an investment in Cybernet Electronics Corporation, which was merged into Kyocera in 1982.  Shortly afterward, Kyocera introduced one of the first portable, battery-powered laptop computers, sold in the U.S. as the Tandy Model 100, which featured an LCD screen and telephone-modem data transfer capability.

Kyocera gained optical technologies by acquiring Yashica Company, Limited in 1983, along with Yashica's prior licensing agreement with Carl Zeiss, and manufactured film and digital cameras under the Kyocera, Yashica and Contax trade names until 2005, when the company discontinued all film and digital camera production.

In the 1980s, Kyocera marketed audio components, such as CD players, receivers, turntables, and cassette decks.  These featured unique elements, including Kyocera ceramic-based platforms, and are sought by collectors to the present day.  At one time, Kyocera owned the famous KLH brand founded by Henry Kloss, though Kloss and the original Cambridge design and engineering staff had left the company by the time of the Kyocera purchase.  In 1989, Kyocera stopped production of audio components and sought a buyer for the KLH brand.

In 1989, Kyocera acquired Elco Corporation, a manufacturer of electronic connectors. In 1990, Kyocera's global operations expanded significantly with the addition of AVX Corporation, a global manufacturer of passive electronic components, such as ceramic chip capacitors, filters and voltage suppressors.

Expanding sales of photovoltaic solar energy products led the company to create Kyocera Solar Corporation in Japan in 1996, and Kyocera Solar, Inc. in the U.S. in 1999.

On August 4, 1999, Kyocera completed its merger with solar energy systems integrator Golden Genesis Company (Nasdaq:GGGO).

2000 to present

In January 2000, Kyocera acquired photocopier manufacturer Mita Industrial Company, following Mita's decline and bankruptcy in the late 1990s. This resulted in the creation of Kyocera Mita Corporation (now Kyocera Document Solutions Corporation), headquartered in Osaka, Japan, with subsidiaries in more than 25 nations.

Also in 2000, Kyocera acquired the mobile phone manufacturing operations of Qualcomm Incorporated to form Kyocera Wireless Corp. In 2003, Kyocera Wireless Corp. established Kyocera Wireless India (KWI), a mobile phone subsidiary in Bangalore. KWI has established alliances with several leading players providing CDMA services in India. Kyocera Wireless Corporation was the first to combine BREW capabilities and enhanced brilliant Color displays on entry-level CDMA Handsets, when it demonstrated BREW-enabled handsets at the BREW 2003 Developers Conference.

In 2008, Kyocera acquired Sanyo Mobile, the mobile phone division of Sanyo Electric Co., Ltd., and its associated operations in Japan, the United States and Canada.

In April 2009, Kyocera unveiled its EOS concept phone at CTIA, with an OLED and which is powered by kinetic energy from the user. The prototype phone also has a foldable design which is capable of morphing into a variety of shapes.

In 2009 Kyocera sold its Indian R&D Division (Wireless) to Mindtree Limited.

In March 2010, Kyocera launched its first Smartphone (Zio) since 2001, after focusing on lower cost phones.

In March, 2010, Kyocera announced the merger of its two wholly owned subsidiaries: San Diego-based Kyocera Wireless Corp. and Kyocera Communications, Inc. The merged enterprise continued under the name Kyocera Communications, Inc.

In June 2010, Kyocera acquired part of the thin film transistor (TFT) liquid crystal display (LCD) design and manufacturing business of Sony Corporation's subsidiary Sony Mobile Display Corporation.

In October 2010, Kyocera acquired 100% ownership of the shares of TA Triumph-Adler AG (Nuremberg, Germany) and converted the daughter company into TA Triumph-Adler GmbH. TA Triumph-Adler GmbH currently distributes Kyocera-made printing devices and software with TA Triumph-Adler and UTAX trademarks within the EMEA (Europe-Middle East-Africa) region. TA Triumph-Adler GmbH is located in Nuremberg, Germany and UTAX GmbH (subsidiary of TA Triumph-Adler) in Norderstedt, Germany.

In July 2011, Kyocera's wholly owned Germany-based subsidiary Kyocera Fineceramics GmbH acquired 100% ownership of the shares in Denmark-based industrial cutting tool manufacturing and sales company Unimerco Group A/S. The company name has since been changed to Kyocera Unimerco A/S.

In February 2012, Kyocera became the total stock holder of Optrex Corporation, which was subsequently renamed Kyocera Display Corporation.

In March 2016, Kyocera acquired an international cutting tool company called SGS Tool Company for $89 million.

In November, 2020, Kyocera acquired a light source company called SLD laser. The company innovated a product that uses phosphor to convert blue laser light to produce a broad-spectrum, incoherent, high luminance white light source.

Main products

Printers and multi-function devices

Kyocera Document Solutions Corporation manufactures a wide range of printers, MFPs. and toner cartridges which are sold throughout Europe, the Middle East, Africa, Australia and the Americas. Kyocera printing devices are also marketed under the Copystar name in Americas and under TA Triumph-Adler and Utax names in EMEA (Europe-Middle East-Africa) region. This division is overseen by Aaron Thomas (North American division President), Henry Goode, and Adam Stevens

Satellite phones
In the past, Kyocera manufactured satellite phones for the Iridium network. Three handsets were released in 1999 including one with an unusual docking station which contained the Iridium transceiver and antenna, as well as a pager for the Iridium network.

Mobile phones

North America (Kyocera International, Inc.)

Kyocera manufactures mobile phones for wireless carriers in the United States and Canada. Marketing is done by its subsidiary Kyocera International, Inc.

Kyocera acquired the terminal business of US digital communications technology company Qualcomm in February 2000, and became a major supplier of mobile handsets. In 2008, Kyocera also took over the handset business of Sanyo, eventually forming 'Kyocera Communications, Inc.'. The Kyocera Communications terminal division is located in San Diego.

Japan
Kyocera Corporation manufactures and markets phones for the Japanese market which are sold under different brands. Kyocera makes phones for some Japanese wireless carriers including au, willcom, SoftBank and Y!mobile.

In May 2012, Kyocera released the world's first speaker-less smartphone, the Kyocera Urbano Progresso. This phone produces vibration to conduct sound through the ear canal instead of the customary speaker, making it easier to hear phone conversations in busy and noisy places. This also benefits those who are having difficulty hearing, but are not totally deaf. It can be used across the world with CDMA, GSM, GPRS and UMTS antennas. This phone is only available in Japan.

Solar cells

Kyocera maintains production bases for photovoltaic cells and solar modules in Japan and China. In 2009, it was announced that Kyocera's solar modules were available as on option on the Toyota Prius.

The company also operates solar power plants, such as the Kagoshima Nanatsujima Mega Solar Power Plant.

Advanced ceramics

Kyocera sells ceramic knives via its web store and retail outlets under the name Kyocera Advanced Ceramics.

Corporate affairs
Kyocera's headquarters is  tall. A 1,900-panel photovoltaic power system is on the roof and south wall of the building, which can supply 12.5% of the facility's needed energy, generating, on a yearly basis, 182 megawatt hours.

Sponsorships

Between 1978 and 1998, Kyocera and the International Affairs Board of the City of San Diego sponsored an all-expense paid tour of Japan for students from the United States called HORIZON (stylized in all capital letters and designated by year: e.g. HORIZON '98). The program's purpose was to acquaint these students with the country of Japan, its people and their culture - and to promote friendship and understanding. The program was open to students ages 10 – 14 who filled out the application and were chosen in a random drawing of all those that apply.

The brand Mita was the first main sponsor of the Argentinian team Atlético Independiente. This relationship was maintained from 1985 to 1992.

Kyocera is currently the sponsor of the soccer club Kyoto Sanga F.C. of the J-League (its hometown team; here the word "Kyocera" is written in Japanese, everywhere else in the Latinized logo).

In Japan, Kyocera holds the naming rights for the Kyocera Dome Osaka, colloquially known as Osaka Dome. The indoor dome is the home field of the baseball teams Orix Buffaloes and Hanshin Tigers.

Between 2005 and 2008, Kyocera also sponsored Reading F.C. During this period Reading won the Football League Championship with a record 106 points.

Also between 2005 and 2008, Kyocera was the sponsor of Brazilian football team Atlético Paranaense, and acquired the naming rights of their stadium.

Gallery of products

See also
Cybernet (brand)
Kyoto Prize
Taito
List of digital camera brands

References

External links

Kyocera Global site
Kyocera Communications, Inc. site (archived 24 April 2014)
Kyotronic 85 (archived 27 July 2010)
Kyocera Plans to Build 350-MW Solar Cell Manufacturing Plant (archived 7 March 2012)
Kyocera Constructing New Solar Manufacturing Plant In China
Top 5 Best Kyocera Photocopiers

Electronics companies of Japan
Solar energy companies of Japan
Mobile phone manufacturers
Photovoltaics manufacturers
Conglomerate companies of Japan
Defense companies of Japan
Midori-kai
Multinational companies headquartered in Japan
Computer printer companies
Conglomerate companies established in 1959
Electronics companies established in 1959
Manufacturing companies established in 1959
Manufacturing companies based in Kyoto
Companies listed on the Osaka Exchange
Companies listed on the Tokyo Stock Exchange
Japanese brands
Japanese companies established in 1959
Knife manufacturing companies
1970s initial public offerings

Kyocera


Texas Chainsaw 3D (La masacre de Texas 3D en Hispanoamérica, Masacre en Texas: Herencia maldita en México y en Argentina, La matanza de Texas 3D en Chile y España) es una película de terror en 3D dirigida por John Luessenhop y escrita por Debra Sullivan y Adam Marcus, con un último retoque de Kirsten Elms, Stephen Susco y Luessenhop. Es la séptima película de la franquicia de The Texas Chainsaw Massacre. Siendo una secuela de la película original de 1974, semi reinicio de la saga e Ignorando las películas anteriores. El rodaje comenzó en julio de 2011.

Sinopsis
En esta nueva secuela de la original, se contarán los acontecimientos que pasaron tras la película de 1974, en Newt, Texas, donde durante décadas las personas desaparecieron sin dejar rastro. La gente del pueblo sospechó durante mucho tiempo que la familia Sawyer, propietaria de un local de carretera, era de alguna manera responsable de esas desapariciones.

Sus sospechas se confirmaron un caluroso día de verano, cuando una joven chica llamada Sally Hardesty escapó de la casa de los Sawyer después de que asesinaran brutalmente a sus amigos y a su hermano. La palabra se extendió por todo el pueblo muy rápidamente y una multitud de lugareños enfurecidos rodearon la casa, la quemaron y mataron hasta el último miembro de la familia. O al menos eso habían pensado.

Décadas más tarde y a cientos de kilómetros de distancia de la matanza original, una joven llamada Heather descubre que ha heredado una finca de un pueblo de Texas, propiedad de una abuela que nunca supo que tenía. Después de embarcarse en un viaje junto a unos amigos para descubrir de qué se trataba esa herencia, descubrirá que es la única propietaria de una mansión victoriana completamente aislada. Pero su nueva riqueza tendrá un precio, ya que se topará con un horror que le espera en los sótanos húmedos de la mansión.

Reparto
El reparto fue anunciado en un comunicado de prensa de Lionsgate el 19 de julio de 2011. +

Personajes
 Dan Yeager como Cara de Cuero primo de Heather
 Alexandra Daddario como Heather Miller.
 Tania Raymonde como Nikki, la mejor amiga de Heather.
 Trey Songz como Ryan Picharico, el novio de Heather.
 Keram Malicki-Sánchez como Kenny, novio de Nikki
 Paul Rae como Burt Hartman, el alcalde del pueblo.
 Thom Barry como Sheriff Hooper.
 Shaun Sipos como Darryl, chico que encuentran en el camino
 Elena Sánchez como Sally Hardesty (voz).
 James MacDonald como el oficial Marvin.
 Scott Eastwood como el oficial Hartman, "un oficial joven que está luchando contra una poderosa atracción hacia Heather"
 Richard Riehle como Farnsworth, el abogado de la familia Sawyer.

Familia Sawyer
 Bill Moseley como Drayton Sawyer; Moseley interpretó a Chop Top en la secuela de 1986 The Texas Chainsaw Massacre 2
 Jim Siedow interpretó a Drayton Sawyer en los dos primeros filmes.
 Dodie Brown como Loretta Sawyer.
 John Dugan como el Abuelo Sawyer.
 Gunnar Hansen tiene un cameo en la película como un miembro de la familia Sawyer; el jefe de familia. Hansen interpretó a Leatherface en la película original.
 Marilyn Burns que interpretó al personaje principal, Sally, también tiene un cameo como la abuela Verna Carson (integrante de los Sawyer)

Producción
En enero de 2007, cuando se le preguntó si era posible una tercera película que siguiera la trama de la versión de 2006 The Texas Chainsaw Massacre: The Beginning, el productor Bradley Fuller dijo que no tenía planes futuros con Platinum Dunes para continuar la franquicia. En octubre de 2009, Twisted Pictures llegó a un acuerdo sobre los derechos de The Texas Chainsaw Massacre con Bob Kuhn y Kim Henkel después de discusiones con Platinum Dunes. El acuerdo es para varias películas. Carl Mazzocone firmó un contrato para producir The Texas Chainsaw Massacre 3D, con Avi Lerner y Mark Burg como productor ejecutivos. El guion fue escrito por Debra Sullivan y Adam Marcus.  Luessenhop fue elegido como director.

La película comenzó su preproducción en junio de 2011. El rodaje comenzó a finales de julio de 2011 en los estudios del Milenium en Shreveport, Luisiana. El rodaje de una secuencia sobre una diesta en la piscina se llevó a cabo el 1 de agosto. A finales de agosto, la producción se trasladó a Mansfield en la plaza del Palacio de Justicia y la oficina del sheriff de la ciudad.

Leatherface 3D Fue estrenada el 4 de enero de 2013.

Recepción

Revisiones críticas
Basado en 66 comentarios recogidos por Rotten Tomatoes, Texas Chainsaw 3D recibió una calificación media de un 18% de aprobación general, con una puntuación media de 3.4/10, el consenso general es que la película está haciendo un "paso valiente" al tratar de convertir a Leatherface en un "anti-héroe del cine de horror", pero en última instancia no es más que "feo y cínico" en su intento. En Metacritic, la película recibió una puntuación de 33 sobre 100, indicando "críticas generalmente desfavorables", basado en 13 opiniones. El editor de IGN Eric Goldman escribió: "Algunos momentos de diversión en 3D asistido por salto asusta a un lado, Texas Chainsaw 3D es un intento genérico y risible a seguir el original.

El sitio español SOS Moviers dio una calificación de 4 estrellas sobre 10; alegando entre otras cosas "Sufre de una especie de incomprensión: no consigue trazar con exactitud la polaridad de adolescencia frívola / género de terror" y concluye "Si todo marchase según las reglas convencionales, si los personajes fuesen huecos, si la historia fuese estándar… este film sería igual de hueco y estándar, pero disfrutable. Sin embargo, los encargados del film han quedado obnubilados en cerrar la historia con un desenlace que estropea toda la película". Más tarde, el escritor del artículo en su Blogger ofreció la crítica completa del film, sobre la base de una edición que SOS Moviers hizo con la crítica para evitar anticipaciones del final; y la calificación fue de 2 / 5 (aproximación exacta con 4 / 10) agregando "debemos recordar que los protagonistas son jóvenes adultos, que todavía se comportan demasiado como adolescentes en fiesta. Es ahí donde el guion falla y decide dar una vuelta en contra de "Masacre De Texas": el protagonista sobreviviente empieza a adquirir una actitud arrogante y severa, provocando a un policía con un cuchillo, escupiendo accidentales frases vengativas, y aliándose al asesino que previamente masacró a todos sus amigos" (actualmente el blogger ha sido eliminado, y el autor publicó el artículo en otro sitio, consulte la sig referencia)

Taquilla
En su noche de estreno 4 de enero de 2013, Texas Chainsaw 3D obtuvo el primer lugar, ganando aproximadamente $ 10.200.000 en la taquilla de América del Norte. La película finalmente se llevó el primer lugar en el fin de semana, por lo que $ 25.601.740. En febrero de 2013, la película ha hecho que $ 34,074,400 a nivel nacional.

Referencias

Enlaces externos

Películas de terror
The Texas Chain Saw Massacre
Secuelas de películas

Texas Chainsaw 3D


Der Syrische Halbesel (Equus hemionus hemippus), auch als Syrischer Onager, Syrischer Wildesel, Hemippe oder lokal als Achdari bezeichnet, ist eine ausgestorbene Unterart des Asiatischen Esels (Equus hemionus). Er gilt als kleinste Form der modernen Equidae.

Merkmale

Der Syrische Halbesel erreichte eine Schulterhöhe von etwa 100 cm (Angaben von nur 97 cm Schulterhöhe basieren auf einem montierten Skelett eines weiblichen Tieres, das mit Weichteilbedeckung etwas über einen Meter hoch gewesen sein dürfte). Die allgemeine Fellfärbung des Männchens war hasel- oder hellgrau mit einer rosa Tönung. Im Alter färbte sich das Fell mausgrau. Am Kopf war die Färbung am hellsten und an den Hüften am dunkelsten. An der Vorderseite der Hüften war ein heller Bereich zu erkennen. Hinterteil, Bauch und Innenseite der Beine waren schmutzig grau-weiß. Die Außenseite der Beine, die Unterseite des Halses und die Oberfläche der Ohren waren stumpf violettgrau. Die Ohrenspitzen waren zunächst dunkelbraun, im Alter waren sie fast weiß. Die ziemlich lange Mähne war stumpf graubraun. Der Aalstrich, der sich von der Mähne bis zum Schwanzbüschel erstreckte, hatte dieselbe Färbung und wurde von einem helleren Bereich begrenzt. Der Bereich oberhalb der Nüstern war grauweiß. Die Nüstern waren sehr groß und der Nasalbereich geschwollen. Bei den Weibchen war die Fellfärbung haselnuss- bis rehbraun. Das Hinterteil und die Unterseite waren reinweiß.

Vorkommen

Das Verbreitungsgebiet erstreckte sich von Palästina über Syrien bis zum Irak.

Aussterben
Bereits in der Antike und den Schriften des Alten Testaments wird der Syrische Halbesel erwähnt. Eine Jagddarstellung befindet sich auf einem Palast-Relief des Königs Aššur-bāni-apli von Ninive. Eine weitere Erwähnung gibt es bei Xenophon aus dem Jahr 401 v. Chr. Während des 16. und 17. Jahrhunderts war der Syrische Halbesel noch häufig. Der britische Forschungsreisende John Eldred sah diese Wildesel 1584 zwischen der irakischen Stadt Hīt und Aleppo; Der englische Reisende John Cartwright erblickte 1603 nicht weit von Anah am Euphrat "jeden Tag große Scharen von wilden Tieren, die wie die Wildesel ganz weiß waren." 1625 beschrieb der italienische Reisende Pietro della Valle einen gefangenen Wildesel oder Onager in Basra im Südirak. Offenbar verschwand der Syrische Halbesel während des 19. Jahrhunderts aus Nord-Arabien, in der Syrischen Wüste und in Palästina wurde er ab 1850 immer seltener. Nach Angaben von Henry Baker Tristram waren die Wildesel gegen 1884 in Mesopotamien noch häufig. Er schrieb, dass man im Sommer noch große weiße Herden in den armenischen Bergen beobachten konnte. Der letzte Zufluchtsort der Syrischen Halbesel war das Lavaland im Südosten von Dschebel ad-Duruz, eine erhöhte vulkanische Region im Süden Syriens, im Regierungsbezirk as-Suwaida.

Mehrere Autoren geben an, dass der letzte Syrische Halbesel in menschlicher Obhut 1927 im Tiergarten Schönbrunn starb. Dagegen schrieb der Zoologe Otto Antonius, dass im selben Zoo 1928 noch ein männliches Exemplar lebte, das 1911 in der Wüste nördlich von Aleppo gefangen worden war. In der Wildnis starb der Syrische Halbesel etwa zur selben Zeit aus. Das letzte Exemplar wurde 1927 in Jordanien bei der Al-Gharns-Oase unweit des el-Azraq (Azraq-See) geschossen. Während des Ersten Weltkrieges wurden die Halbesel ein leichtes Jagdopfer für die schwer bewaffneten türkischen, beduinischen und britischen Truppen. Während dieser Zeit verdrängte das Automobil Kamele und Züge, und der Zugang zur Wüste wurde stark erleichtert. Otto Antonius schrieb 1938:

Einzelnachweise

Literatur
 Day, D. (1981): The Doomsday Book of Animals, Ebury Press, London.
 Harper, F. (1945): Extinct and Vanishing Mammals of the Old World. Special Publication No. 12, American Committee for International Wild Life Protection, New York Zoological Park, New York 60, N.Y.
 Qumsiye, Mazin: Mammals of the Holy Land. Texas Tech University Press, 1996, ISBN 978-0896723641.

Weblinks

Pferde
Neuzeitlich ausgestorbenes Säugetier

Syrischer Halbesel


La Bundesstraße 476 est une Bundesstraße du Land de Rhénanie-du-Nord-Westphalie.

Géographie
La route relie la B 475 à Sassenberg en passant par Versmold à l'A 33 à Borgholzhausen.

Histoire
Entre 1855 et 1857, une route entre Warendorf, Versmold et Borgholzhausen est transformée en chaussée pavée. La B 476 est établie au milieu des années 1960.

Après l'achèvement de l'A 33 au sud de Borgholzhausen, le tronçon de la B 476 entre l'A 33 et l'ancienne B 68 à Borgholzhausen-Bahnhof est déclassé en Landesstraße 785 début 2020.

Projet
L'éventuel prolongement de la B 476 de Borgholzhausen à l'A 30 à Melle, en Basse-Saxe, n'est pas dans le Plan fédéral d'infrastructure de transport 2030.

Source

Route en Allemagne
Transport en Rhénanie-du-Nord-Westphalie

Bundesstraße 476


Axel Thilson Locher (født 11. september 1879 i København, død 11. juni 1941 i Hjørring) var en dansk billedhugger og søn af marine- og skagensmaleren Carl Locher.

Liv og værk

Uddannelse
Som 12-årig fulgte Axel Locher i sin fars fodspor, da han blev elev af billedhuggeren Vilhelm Bissen. Locher assisterede i Bissens atelier, samtidig med at han gik på Gustav og Sophus Vermehrens forberedelsesskole, og i 1894 blev han som knap 15-årig optaget på Kunstakademiet, som han dog ikke tog afgang fra.

I 1897 debuterede han kun 18 år gammel på Charlottenborg med kvindefiguren Moderne. Han forlod akademiet i 1899 og begyndte samme år at arbejde som keramisk formgiver på porcelænsfabrikken Bing & Grøndahl under kunstnerisk ledelse af J.F. Willumsen.

De tidlige år
I 1899, samme år som han forlod akademiet, begyndte han at arbejde som keramisk formgiver på porcelænsfabrikken Bing og Grøndahl, som var under kunstnerisk ledelse af J.F. Willumsen.

På Bing og Grøndahl arbejdede Locher i to-tre år med blandt andet flere monumentale vaser, skabt efter Willumsens udkast. Senere modellerede han også lejlighedsvis statuetter i porcelæn. Det var hos Bing og Grøndahl, at Locher mødte Johanne(Jo) Hahn Jensen (1876-1960), som skulle blive hans kone og vigtigste arbejdsfælle.

Axel Locher var på studierejse i Paris i hele 1903, og i 1905 fik han Det Anckerske Legat og rejste til Italien og Tyskland. Det er sandsynligvis på disse rejser, at han stiftede bekendtskab med statuetten som kunstform og fik inspirationen til det, der blev hans livsværk – hans store produktion af teaterstatuetter.

Fra 1905 udstillede han efter invitation fra J.F. Willumsen på Den Frie, og internationalt udstillede han sine værker i Paris, Berlin, Rom og senere England og USA.

Axel Locher og Skagen
I 1910 overtog Axel Locher et transportabelt atelier fra faderen kaldet Det Døckerske telt, som Carl Locher havde brugt flittigt som både atelier og bolig, når han var i Skagen. Peter Schmidt Hansen beskriver i sin bog Carl Locher – Biografi og Værkfortegnelse det Døckerske telt som en militær opfindelse, der oprindeligt var tænkt som en mobil, militær kommandocentral under feltforhold som bedre kan sammenlignes med en barak end et egentligt telt. Axel Locher stillede teltet op ude i klitterne i Skagen Vesterby, og han og Jo byggede en fløj til atelieret, hvor de havde køkken og soveværelse. Her tilbragte ægteparret mange somre. De flyttede mere permanent til Skagen i 1939, og hvor Locher overtog sin fars hus i Skagen Østerby, som hans søster ellers havde arvet ved faderens død.

Offentlige opgaver

I år 1900 fik Axel Locher opgaven at udsmykke kapitælerne i Grundtvigs Hus med portrætter af store danskere som Ludvig Holberg, B.S. Ingemann og Adam Oehlenschläger. Dette ansporede ham til at begynde med at lave portrætbuster og skulpturer, som siden udviklede sig til portrætter af tidens store skuespillere i form af hans teaterstatuetter.

I 1918 påbegyndte Locher en stor opgave med at udsmykke spiret på Christiansborg. Øverst på spiret ses tre kongekroner, som symboliserer kongemagten i Norge, Sverige og Danmark. Axel Lochers opgave var at skabe noget til at repræsentere folket længere nede af spiret, under kongemagten, og her valgte han at skabe otte monumentale virksomhedsfigurer af bl.a. fiskeren og bonden.

I 1920 huggede Locher en genforeningssten til Hornbæk.

I 1930 indviedes Lochers Mindeanker på Hornbæk havn. Monumentet blev udført til minde om en berømt redningsdåd udført af Hornbækfiskere i 1774.

I anledning af Kong Christian X's 70 års fødselsdag i 1940, skabte Axel Locher en rytterstatue i bronze, som blev givet i fødselsdagsgave til Kongen fra Officersforeningen. Skagens Kunstmuseer har forarbejdet i gips, og den endelig version i bronze har nu hjemme på Christiansborg Slot.

Teaterstatuetter
Axel Lochers gennembrud kom i 1917, hvor han udstillede en række teaterstatuetter af den populære skuespiller og komiker Olaf Poulsen på Den Frie. Statuetterne fik en varm modtagelse og Locher fortsatte med at arbejde på sine portrætstatuetter af tidens store skuespillere til sin død i 1941. Han modellerede mere end 70 forskellige statuetter i gips, bronze og porcelæn. En del af gipsstatuetterne blev bemalet af hustruen Jo Hahn Locher.

Teatermuseet i København råder over en næsten komplet samling af teaterstatuetterne samt en del støbeforme. Skagens Kunstmuseer, Det Kongelige Teater og Den Gamle By har også hver især fine samlinger af Lochers statuetter og på CLAY findes en række af Lochers porcelænsfigurer, deriblandt også i teaterfigurer.

Axel Locher døde i 1941 på Hjørring sygehus. Han er, sammen med forældrene, begravet iblandt de såkaldte kunstnergrave på Assistens Kirkegård i Skagen.

Hæder
 Akademiets legat, 1904
 Det anckerske Legat, 1905
 Raben-Levetzaus legat, 1905
 Akademiets legat, 1907
 Hjelmstierne-Rosencroneske Legat, 1915
 Ronges legat, 1915

Kilder

 Peter Schmidt Hansen: Skagensmaleren Carl Locher - Biografi og værkfortegnelse, udgivet på eget forlag, 2010.

 Mindeankeret på www.helsingorleksikon.dk

Noter

Billedhuggere fra Danmark
Kunstnerkolonien i Skagen
Medlemmer af Den Frie

Axel Locher


Nick Mohammed est un acteur britannique, né le  à Leeds. Il est principalement connu pour ses rôles dans les séries :  Intelligence (2020-) et Ted Lasso (2020-).

Biographie
Nicholas George Mohammed est né à Leeds, West Yorkshire en Angleterre. Sa mère était née à Chypre médecin généraliste et son père était un Indo-Trinidadien professionnel du droit. Il a fait ses études à Abbey Lycée de Grange. Il a refusé une offre de l'Université de Cambridge et a choisi l'Université de Durham, où il était membre du St Aidan's College et a joué du violon dans l'orchestre universitaire. Il avait auditionné pour la Durham Revue à deux reprises mais n'a pas réussi à entrer et a plutôt fréquenté le circuit de la comédie locale. Son intérêt pour la comédie l'a incité à auditionner pour les Footlights, ce qu'il a fait avec succès. À la suite d'une représentation au Edinburgh Festival Fringe, il a été contacté par un producteur de la BBC.

Carrière
Nick Mohammed a figuré dans la deuxième série de Reggie Perrin de BBC One et a été co-présentateur de la série comique BBC Three  aux côtés de Simon Bird et Katy Wix.  Il a fait des apparitions dans Pete & Dud: The Lost Sketches, Miranda, How Not to Live  Your Life, Life's Too Short et est apparu dans un épisode de l'émission de comédie musicale de Radio 4 Alex Horne Presents The Horne Section.

Après ses débuts à succès sur BBC Radio 4 (), la deuxième série de Mohammed  a été acclamée par la critique.

Mohammed était un acteur de l'émission de sketchs CBBC nominée aux BAFTA Désolé, je n'ai pas de tête et a soutenu Angelos Epithemiou (comme l'un de ses personnages d'émission de radio, M. Swallow) lors de sa tournée nationale de 2010.

Il a joué un rôle de soutien dans les trois saisons de la série humoristique Drifters.

Il développe également The Making of Mr. Swallow pour BBC Television et écrit et joue dans une comédie dramatique originale Magic pour Channel 4 dans le cadre du . Il apparaît également dans la nouvelle émission CBBC Hank Zipzer dans le rôle de Mr. Love. Il a fait une apparition dans le dernier épisode de la série 1 et le premier épisode de la  de Oncle.  Il est ensuite apparu dans six épisodes de la série.

En 2015, il rejoint le casting de la comédie ITV The Job Lot.

Il a également écrit et joué dans deux séries de 'Detective Sergeant Nick Mohammed', une comédie se déroulant dans un poste de police, pour BBC Radio 4.

En 2018, il a interprété le rôle de Piglet dans le film Disney Jean-Christophe et Winnie.

En , il a été annoncé qu'il collaborerait sur une nouvelle série comique intitulée Intelligence avec David Schwimmer pour Sky One.

En 2019, il est apparu dans la deuxième série de Stath Lets Flats.

Depuis 2020, il interprète le rôle de Nate dans la série Apple TV+ Ted Lasso.

En , il a été annoncé que Mohammed jouerait le rôle d'officier de police dans le film de John Slattery Maggie Moore(s), rejoignant Jon Hamm et Tina Fey.

Filmographie

Acteur

Cinéma
 2015 : Seul sur Mars de Ridley Scott : Tim Grimes
 2014 : Absolutely Fabulous: The Movie : Casper
 2016 : Bridget Jones Baby de Sharon Maguire : Ariyaratina
 2017 : À l'heure des souvenirs : Danny
 2018 : Jean-Christophe et Winnie de Marc Forster : Porcinet (doublage)
 2019 : The Kid Who Would Be King : Monsieur Hyde

Télévision
 2020  - : Intelligence : Joseph Harries (12 épisodes)
 2020  - : Ted Lasso : Nathan "Nate" Shelley (22 épisodes)

Création
 2020  - : Intelligence

Scénariste
 2020  - : Intelligence

Producteur
 2020  - : Intelligence

Nominations
 Emmy Awards 2021 : Meilleur acteur dans un second rôle dans une série télévisée comique pour Ted Lasso
Screen Actors Guild Awards 2021 : Meilleure distribution pour une série télévisée comique pour Ted Lasso

Notes et références

Liens externes

Acteur britannique
Acteur anglais de doublage
Naissance en octobre 1980
Naissance à Leeds

Nick Mohammed


أبيل ريسينو  (مواليد 2 فبراير 1960 في فيلادا - إسبانيا) لاعب كرة قدم إسباني معتزل كان يجيد اللعب في مركز حارس مرمى وحاليا مدرب نادي الدرجة الأولى أتلتيكو مدريد الإسباني منذ 2009 .

روابط خارجية

مراجع

أشخاص على قيد الحياة
أشخاص من مقاطعة طليطلة
حراس مرمى كرة قدم رجالية
لاعبو الدوري الإسباني
لاعبو الدوري الإسباني الدرجة الثالثة
لاعبو الدوري الإسباني الدرجة الثانية
لاعبو أتلتيكو مدريد
لاعبو أتلتيكو مدريد ب
لاعبو رايو فايكانو
لاعبو كرة قدم إسبان
لاعبو كرة قدم رجالية إسبان
لاعبو كرة قدم من قشتالة والمنشف
لاعبو كرة قدم من مقاطعة طليطلة
لاعبو منتخب إسبانيا لكرة القدم
لاعبو نادي ديبورتيفو طليطلة
مدربو الدوري الإسباني
مدربو الدوري الإسباني الدرجة الثانية
مدربو أتلتيكو مدريد
مدربو ريال بلد الوليد
مدربو سلتا فيغو
مدربو سيوداد دي مورسيا
مدربو كرة قدم إسبان
مدربو نادي غرناطة
مدربو نادي كاستييون
مدربو نادي ليفانتي
مواليد 1960

أبيل ريسينو


Un mégamix (préfixe « méga », du grec , signifiant « grand ») est un remix, basé sur l'idée d'un collage musical et sonore, dans lequel le producteur ou le « mégamixeur » combine des éléments de différents morceaux musicaux pour créer un ensemble unitaire à part entière d'environ  approximativement. Il ne doit pas être confondu avec le DJ mix, qui consiste à assembler une liste musicale mixée, qui dure généralement plus de .

Le mégamixeur peut utiliser des échantillons et des fragments tirés des chansons originales, en utilisant ses compétences et ses ressources techniques pour développer une large gamme d'effets qui apportent une fraîcheur musicale, généralement le turntablism, le sampling, les scratches, les répétitions de beats, et même sa propre composition musicale inédite. Comme définition conceptuelle, en Espagne, il se réfère généralement à la phrase exprimée en 1991 par Fernandisco dans l'album Max Mix 11 : « Megamix is a million mixes » (le mégamix, c'est un million de mixes »).

Histoire
En 1997 en Espagne, avec l'aide de Ricardo Campoy, Toni Peret, José María Castells, Quique Tejada (qui forment « la Dream Team ») et Andreu Ugas, Vale Music est né, l'héritier moral et commercial de Max Music. Durant cette période, Vale Music publie des compilations telles que Dance Mix USA, Cronicas Marcianas Mix et It's Your Time. De son côté, Max Music poursuit certaines de ses grandes séries comme ,  ou , y compris des mégamixes beaucoup moins élaborés de Mike Platinas, qui a rejoint la société après le départ de « la Dream Team ». Dans un environnement raréfié par les guerres d'entreprises et l'évolution des habitudes de consommation, des compilations incluant des sessions de mixage voient le jour, au détriment du mégamix. Max Music finira par disparaître au milieu d'un scandale fâcheux impliquant extorsions, enlèvements et tentatives d'assassinat.

Au milieu de la décennie, Peret, Castells et Tejada reviennent en tant que « Dream Team Reload », se produisant en concert et publiant quelques titres à thème remember (rétro) : , , et Max Mix Live! ().

En 2015, Blanco y Negro Music publie la compilation  en deux éditions distinctes, dans laquelle Peret et Platinas sont revenus sur la série  pour réaliser deux mégamixes commémoratifs dans lesquels les titres classiques de la première époque du Max Mix ont été récupérés. Cependant, ces dernières années, cette société a changé sa politique commerciale dans le but de s'adapter aux nouveaux temps, laissant de nouveau de côté le mégamix, et misant surtout sur le streaming, au détriment du format physique.

À l'international, des artistes et groupes comme Avicii, Bananarama, Bobby Brown, Britney Spears, Michael Jackson, Tenacious D et Tina Turner possèdent leurs propres mégamixes officiels.

Notes et références

Bibliographie
 .

DJing
Format musical

Mégamix


Noppon Saengkham () este un jucător thailandez de snooker. În prezent se plasează pe poziția a 28-a în lume, cea mai bună din carieră. A realizat breakul maxim în 2019 la Openul Galez.

Note

Legături externe

 Profilul jcătorului pe Pro Snooker Blog

Nașteri în 1992
Nașteri pe 15 iulie
Jucători de snooker
Thailandezi în viață

Noppon Saengkham


Expurse of Sodomy es un EP lanzado por la banda de thrash metal alemán, Sodom en 1987 por Steamhammer/SPV.
Algunos ejemplares fueron publicados como picture disc.

Lista de temas
"Sodomy and Lust" – 5:10
"The Conqueror" – 3:38
"My Atonement" – 6:02

Créditos
 Tom Angelripper – Voz, bajo
 Frank Blackfire – Guitarra
 Chris Witchhunter – Batería

Referencias

Enlaces externos
 Sitio Oficial de Sodom

EP de 1987
Álbumes de Sodom

Expurse of Sodomy


Der Gefleckte Große Sandaal (Hyperoplus lanceolatus) ist ein langgestreckter Meeresfisch, der im nordöstlichen Atlantik von der Küste Portugals, über die Biskaya, die Küsten der Britischen Inseln und Norwegens bis Murmansks lebt. Er kommt auch in der Nordsee, im größten Teil der Ostsee, bei Island und Spitzbergen vor.

Merkmale
Der Gefleckte Große Sandaal wird maximal 40 cm lang, bleibt für gewöhnlich aber bei einer Länge von 20 cm. Die Geschlechtsreife tritt mit einer Länge von 11 bis 15 cm ein. Das Hauptmerkmal, das ihn vom Ungefleckten Großen Sandaal (Hyperoplus immaculatus), der einzigen weiteren Art der Gattung Hyperoplus, unterscheidet, ist ein dunkler Fleck auf jeder Schnauzenseite. Im Unterschied zum Kleinen Sandaal (Ammodytes marinus) und zum Tobiasfisch (Ammodytes tobianus) sind bei den beiden Hyperoplus-Arten die Oberkiefer nicht protraktil (nicht ausstülpbar). Am Gaumen tragen sie zwei spitze Zähne. Die lange Rückenflosse erstreckt sich über einen großen Teil der Körperlänge, die Afterflosse beginnt hinter der Mitte. Die Schwanzflosse ist gegabelt. Angelegt reichen die Brustflossen bis zum Beginn der Rückenflosse.

Lebensweise
Der Gefleckte Große Sandaal lebt küstennah im Meer und im Brackwasser in der Gezeitenzone, Flussmündungen und in Tiefen von 6 bis 30 Meter, im Winter etwas von der Küste entfernt in Tiefen bis 60 Meter. Er kommt normalerweise mit Ammodytes-Arten vergesellschaftet vor, verbringt den Tag vergraben im Sand und geht in der Dämmerung und in der Nacht in großen Schwärmen auf Nahrungssuche um Zooplankton und kleine Fische, wie junge Heringe und kleinere Sandaale zu fangen.

Gefleckte Große Sandaale laichen im Sommer, in der Nordsee von April bis September. Beim Laichvorgang in 20 bis 100 Meter Tiefe werden pro Weibchen bis zu 35.000 Eier gelegt, die am Sand haften. Nach etwa drei Wochen schlüpfen die Sandaallarven.

Nutzung
Wie andere Sandaale ist der Gefleckte Große Sandaal ein wichtiger Fangfisch der Industriefischerei und wird zu Fischmehl und Fischöl verarbeitet. Seltener wird sein Fleisch auch direkt konsumiert.

Literatur
 Bent J. Muus, Jørgen G. Nielsen: Die Meeresfische Europas in Nordsee, Ostsee und Atlantik. Kosmos, Stuttgart 1999, ISBN 3-440-07804-3.

Weblinks

Himmelsguckerartige

Gefleckter Großer Sandaal


Auquainville () is a former commune in the Calvados department in the Normandy region of north-western France. On 1 January 2016, it was merged into the new commune of Livarot-Pays-d'Auge.

The inhabitants of the commune are known as Auquainvillais or Auquainvillaises.

Geography
Auquainville is located some 10 km south of Lisieux and 13 km west by north-west of Orbec. Access to the commune is by the D149 road which comes from Saint-Martin-de-Mailloc in the north-east and passes south through the commune and the village continuing to Livarot in the south-west. The D64 road comes from Saint-Martin-de-la-Lieue in the north and passes south through the east of the commune to Fervaques. The D135B branches east off the D64 in the commune and joins the D135 just east of the commune. Apart from the village, there are the hamlets of La Blondeliere in the west with Le Mollants and Le Maubuisson in the east. The commune is mixed forest and farmland with a particularly large forest to the west of the village (the Bois des Grandes Ventes).

The Touques river passes through the commune from south to north just east of the village and continues north to join the ocean at Trouville-sur-Mer. The Ruisseau de la Marette rises in the commune and flows east into the Touques.

History
In 1831, Auquainville (456 inhabitants) merged with Saint-Aubin-sur-Aquainville (91 inhabitants). Saint-Aubin-sur-Auquainville was south of Auquainville.

Administration

List of Successive Mayors

Demography

In 2017 the delegated commune had 298 inhabitants.

Culture and heritage

Civil heritage
The commune has a number of buildings and structures that are registered as historical monuments:
Lortier Manor (17th century)
Caudemone Manor (15th century)
A Mill for Fuller's Earth (19th century)

Religious heritage

The commune has several religious buildings and structures that are registered as historical monuments:
The Church of Saint Aubin (15th century). The church was decommissioned when Saint-Aubin-sur-Auquainville was incorporated into the commune of Auquainville in 1831 and was then used as a burial chapel by the Custine family. The choir with a flat apse indicates the building is from the late Middle Ages. It has a single nave and tower sitting on the western gable. The windows and door have without doubt been re-engineered in the 18th century. Inside, the building has retained all of its former layout. The Church contains many items that are registered as historical objects:
The Main Altar, seating, Tabernacle urn, Retable, an Altar Painting: the Agony of Christ in the garden of olives, and 2 Statues of St. Aubin and St. Sebastian (1787)
A Secondary Altar, seating, Retables, and 2 Statues of the Virgin and St. Quentin (18th century)
The Church of Notre-Dame (15th century). The Church contains many items that are registered as historical objects:
A Retable (17th century)
A Group Sculpture: Education of the Virgin (17th century)
A Retable (17th century)
A Painting: The Annunciation (17th century)
A Retable (17th century)
A Tabernacle (17th century)
A fragment of Stained glass (16th century)
A Painting: The placing in the tomb (17th century)
A Painting: The martyrdom of Saint Ursula (17th century)
An Altar (17th century)
An Altar (17th century)
The Altar facing (17th century)
The Altar wood carving of the Annunciation (17th century)
The Church of Saint Pierre has a number of items that are registered as historical objects:
A Stained glass window with a lady's head (16th century)
Decorative stained glass (19th century)
2 Stained glass windows: St. John and St. Mark and St. Matthew and St. Luke (19th century)

Notable people linked to the commune
Astolphe Louis Léonor, Marquis de Custine (1790-1857), writer, is buried in the Chapel of Saint-Aubin-sur-Auquainville.

See also
Communes of the Calvados department

External links
Auquaniville on the 1750 Cassini Map (N.B. Misspelt on the map)

References

Former communes of Calvados (department)
Populated places disestablished in 2016

Auquainville


Knibtangen er et håndværktøj, der anvendes til at klemme, skære eller trække en genstand ud. Knibtangen er en optimal løftestang, som adskiller sig fra den almindelige tang ved koncentrationen af kraft enten ved et punkt eller vinkelret på en kant. Dette gør det muligt at bringe knibtangens tænder tæt på en overflade, som det ofte kræves ved udtrækning af søm.

Knibtange bruges primært til at fjerne objekter ud af et materiale, som de tidligere er blevet anvendt på. Dette kan eksempelvis været et søm i et bræt.

Tangen er et lignende værktøj med en anden type hoved, der bruges til at klemme, snarere end at skære og trække.

Eksterne henvisninger

Tænger

Knibtang


Dvorac Pignerolle nalazi se istočno od mjesta Angers u općini Saint-Barthélemy-d'Anjou u departmanu Maine-et-Loire u Francuskoj.

Izgrađen je 1776. godine za ravnatelja konjičke akademije u Angersu, Marcela Avrila de Pignerollea. Izgrađen je u neo-klasičnom stilu s pročeljem od četiri stupa, širine 25 metara i dužine 17 metara te se nalazi u parku od 80 hektara.

Galerija

Izvori

Pignerolle

Dvorac Pignerolle


El término humita puede referirse a:

 Humita, alimento de origen andino.
 Humita: como se le llama en Chile a la corbata de lazo.
 Humita, un mineral.

Humita (desambiguación)


U sezoni 2009./10. drugi rang nogometnog prvestva Bosne i Hercegovine su činile Prva liga Federacije BiH i Prva liga Republike Srpske. Prvaci ovih liga ostvaruju plasman u Premijer ligu BiH.

Prva liga Federacije BiH

Prva liga Republike Srpske

Poveznice

Izvori
 rsssf.com, Bosna i Hercegovina 2009./10., Prva liga F BiH
 sportsport.ba, Prva liga F BiH 2009./10.
 posavinasport.com, Prva liga F BiH 2009./10.
 futbol24.com, Prva liga F BiH 2009./10.

2009-10
 2

Nogometno prvenstvo Bosne i Hercegovine – 2. ligaški rang 2009./10.


Lawrence Block (d. 24 Haziran, 1938), Amerikalı yazardır.

Edgar Ödülü sahibi olan Block, çağdaş polisiye romanlarının önde gelen isimlerinden biridir. Kahramanı centilmen hırsız Bernie Rhodenbarr ile kahramanı sert hafiye Matthew Scudder'ın olduğu New York'ta geçen iki serisi ile tanınır. Yazar, 1994 yılında Mystery Writers of America tarafından Grand Master (Büyük Usta) olarak isimlendirildi.

Biyografi
Yazar, Buffalo, New York'ta doğdu. Antioch Koleji'ne devam etti, ancak mezun olmadan ayrıldı. İlk eserlerini takma isimlerle 1950'li yıllarda çoğunlukla porno dergilerde yayınladı. Kendi ismiyle basılan ilk çalışması You Can't Lose hikâyesiydi. Block, bu tarihten itibaren 50'den fazla roman ve 100'den fazla kısa hikâye yayınladı.

Uzun süredir New York'ta yaşayan Block'un öyküleri de çoğunlukla bu şehirde geçer. Şu anda Lynne Block ile evli olan yazarın daha önceki evliliğinden üç kızı vardır. Eşi ile birlikte zamanının büyük çoğunluğunu seyahat ederek geçirmesine rağmen (ikili 100'e yakın ülkeyi ziyaret etti), New York'u evi olarak düşünmeye devam etmektedir.

Block, 2005 yılında, Gumshoe Ömür Boyu Başarı Ödülü kazandı.

Karakterleri

Matthew Scudder
İlk macerası Block'un 1976 yılında yayınladığı The Sins of The Fathers (Babaların Günahları) adlı romanı olan alkolik, eski polis ve lisansız yeni özel dedektif karakteridir.

Bernie Rhodenbarr
1977 yılında yayınladığı Burglars Can't Be Choosers (Umduğunu Değil Bulduğunu Yiyen Hırsız) ile başlayan serinin kahramanı centilmen hırsız Bernie Rhodenbarr'dır. Scudder'ın aksine, Rhodenbarr 1977 yılındaki ilk kitaptan 2013 yılındaki son kitaba kadar aynı kalmış, hiç yaşlanmamıştır.

Eserleri
 Matthew Scudder Romanları
 1976 The Sins of the Fathers (Babaların Günahları)
 1976 In the Midst of Death (Ölümün Ortasında)
 1977 Time to Murder and Create (Cinayet ve Yaratma Zamanı)
 1981 A Stab in the Dark (Buzkıracağı Cinayetleri)
 1982 Eight Million Ways to Die (Ölmenin Sekiz Milyon Yolu)
 1986 When the Sacred Ginmill Closes (Kutsal Bar Kapandığında)
 1989 Out on the Cutting Edge (Bıçak Sırtı)
 1990 A Ticket to the Boneyard (Tahtalıköye Bir Bilet)
 1991 .A Dance at the Slaughterhouse (Mezbahada Dans)
 1992 A Walk Among the Tombstones (Mezartaşları Arasında Gezinti)
 1993 The Devil Knows You're Dead (Şeytan Biliyor Ki Ölüsün)
 1994 A Long Line of Dead Men (Bir Dizi Ölü Adam)
 1997 Even the Wicked (Kötüler Bile)
 1998 Everybody Dies (Herkes Ölür)
 2001 Hope to Die
 2005 All the Flowers are Dying

 Bernie Rhodenbarr Romanları

 1977 Burglars Can't Be Choosers (Umduğunu Değil Bulduğunu Yiyen Hırsız)
 1978 The Burglar in the Closet (Dolaptaki Hırsız)
 1979 The Burglar Who Liked to Quote Kipling (Kipling'den Alıntı Yapmayı Seven Hırsız)
 1980 The Burglar Who Studied Spinoza (Spinoza Felsefesi Öğrenen Hırsız)
 1983 The Burglar Who Painted Like Mondrian (Mondrian Gibi Resim Yapan Hırsız)
 1994 The Burglar Who Traded Ted Williams (Polisiye Romanlar Okuyan Hırsız)
 1995 The Burglar Who Thought He Was Bogart (Kendini Humphrey Bogart Sanan Hırsız)
 1997 The Burglar in the Library (Kütüphanedeki Hırsız)
 1999 The Burglar in the Rye (Gönülçelen Hırsız)
 2004 The Burglar on the Prowl (Av Peşindeki Hırsız)
 2013 The Burglar Who Counted the Spoons

 Evan Tanner Romanları
 1966 The Thief Who Couldn't Sleep
 1966 The Canceled Czech
 1967 Tanner's Twelve Swingers
 1968 The Scoreless Thai
 1968 Tanner's Tiger
 1968 Here Comes a Hero
 1970 Me Tanner, You Jane
 1998 Tanner on Ice

 Chip Harrison Romanları
 1970 No Score
 1971 Chip Harrison Scores Again
 1974 Make Out With Murder
 1975 The Topless Tulip Caper

 Keller Romanları
 1998 Hit Man
 2000 Hit List (Tetikçinin Listesi)
 2006 Hit Parade
 2008 Hit and Run (Tetikçi)

 Diğer Romanları
 1961 Cinderella Sims
 1961 Coward's Kiss
 1961 Grifter's Game
 1961 You Could Call it Murder
 1965 The Girl With the Long Green Heart
 1967 Deadly Honeymoon
 1969 After the First Death
 1969 The Specialists
 1969 Such Men Are Dangerous (Paul Kavanagh olarak)
 1971 Ronald Rabbit is a Dirty Old Man
 1971 The Triumph of Evil (Paul Kavanagh olarak)
 1974 Not Comin' Home to You (Paul Kavanagh olarak)
 1980 Ariel
 1988 Random Walk
 2002 Enough Rope (hikâyeler)
 2003 Small Town (Küçük Kasaba)

Dış bağlantılar
 Lawrence Block Resmi Sitesi

1938 doğumlular
Buffalo, New York doğumlular
20. yüzyıl Amerikalı yazarları
21. yüzyıl Amerikalı yazarları
Amerikalı polisiye yazarları
Edgar Ödülü sahipleri
Yaşayan insanlar
Resim aranan yazarlar
20. yüzyıl Amerikalı erkek yazarları
21. yüzyıl Amerikalı erkek yazarları

Lawrence Block


Castrul Diana (     , Tvrđava Diana) este un castru roman construit in 100-101 d. H., situat în Cladova , în estul Serbiei .

Este așezată pe stânci din Đerdap , deasupra Dunării ,  în situl arheologic Karataš din apropierea orașului Cladova.  Clădirile principale au fost construite într-o locație strategică, cu vedere la granița cu Dunărea, cu piatră în anul 100 d.Hr. în timpul domniei împăratului roman Traian  care avea o tabără militară situată în vecinătate.  Alte modificări au fost făcute la sfârșitul secolului al III-lea și începutul secolului al IV-lea, când au fost adăugate turnuri suplimentare spre râu pentru apărare suplimentară spre țărmurile Dunării.  La mijlocul secolului al patrulea, fortul a fost distrus de hunii invadatori și în 530 AD reconstruit de împăratul Iustinian .

Constatări și recunoașteri
Pe lângă clădirile militare, în interiorul zidurilor se află o necropolă sacrificială și o așezare civilă.  Au fost găsite elemente cum ar fi diverse scule de zi cu zi, sculpturi din marmură și bronz.

În 1983, Cetatea Diana a fost adăugată la lista siturilor arheologice de importanță excepțională , protejată de Republica Serbia .

Vezi si

 Situri arheologice de importanță excepțională

Referințe

Castrul roman Diana


Le dème d'Alíartos-Thespiés, en  / Dímos Aliártou-Thespiéon, est un dème du district régional de Béotie, en Grèce-Centrale.

Le dème actuel résulte de la fusion, en 2010,  des dèmes d'Alíartos et de Thespiés.

Selon le recensement de 2011, la population du dème compte .

Le siège du dème est le village d'Alíartos.

Notes et références

Voir aussi

Liens externes

Géographie de la Grèce-Centrale
Béotie

Dème d'Alíartos-Thespiés


Tsarevich (, ) was a title given to the sons of tsars. The female equivalent was tsarevna.

Under the 1797 Pauline house laws, the title was discontinued and replaced with tsesarevich for the heir apparent alone. His younger brothers were given the title of veliky knyaz, translated as grand prince or, more commonly, as grand duke.

Historically, the term was also applied to descendants of the khans (tsars) of Kazan, Kasimov, and Siberia after these khanates had been conquered by Russia. The descendants of the deposed royal families of Georgia or the batonishvili were given the titles of tsarevich until 1833, when they were demoted to knyaz after a failed coup to restore the Georgian monarchy.

Notes

References

Noble titles of Russia
Russian royalty

Tsarevich


La Legislatura de la Provincia de Córdoba tiene su asiento en la ciudad homónima.

Fue creada el 14 de septiembre de 2001 con la modificación de la constitución provincial, remplazando a la Cámara de Diputados y a la Cámara de Senadores.

Tiene su origen constitucional en la Segunda parte, Título primero, Sección primera, Capítulo primero de la Constitución. Es presidida por el vicegobernador de la provincia.

Duración
En orden al artículo 83 los legisladores duran cuatro años en sus funciones y son reelegibles. La Legislatura se constituye por sí misma.
Los legisladores inician y concluyen sus mandatos en la misma oportunidad que el Poder Ejecutivo.

Integración
En orden al artículo 78, la legislatura se integra de la siguiente forma:

1. Por veintiséis legisladores elegidos directamente por el pueblo, a pluralidad de sufragios y a razón de uno por cada uno de los departamentos en que se divide la provincia, considerando a estos como distrito único.

2. Por cuarenta y cuatro legisladores elegidos directa y proporcionalmente por el pueblo, tomando a toda la provincia como distrito único.

La distribución de estas bancas se efectúa de la siguiente manera:
a) El total de los votos obtenidos por cada una de las listas se divide por uno, por dos, por tres y así sucesivamente hasta llegar al número total de las bancas a cubrir.
b) Los cocientes resultantes, con independencia de la lista de la que provengan, se ordenan de mayor a menor hasta llegar al número cuarenta y cuatro.
c) Si hubiere dos o más cocientes iguales, se los ordena en relación directa con el total de los votos obtenidos por las listas respectivas, y si estas hubiesen logrado igual número de votos, el ordenamiento definitivo de los cocientes empatados resulta de un sorteo que a tal fin debe practicar el Juzgado Electoral.
d) A cada lista le corresponden tantas bancas como veces sus cocientes figuren en el ordenamiento de las cuarenta y cuatro bancas.
Para esta lista de candidatos a legisladores de distrito único se establece el voto de preferencia, conforme a la ley que reglamente su ejercicio.

Desde el mes de abril del 2023 asume funciones y en reemplazo del saliente legislador Eduardo Serrano, el legislador por lista provincial Walter Silvio Nievas

Requisitos

En orden al artículo 8,2 para ser legislador se requiere:

1. Haber cumplido la edad de dieciocho años al momento de su incorporación.

2. Tener ciudadanía en ejercicio con una antigüedad mínima de cinco años, para los naturalizados.

3. Tener residencia en la Provincia en forma inmediata y continua durante los dos años anteriores a su elección. A tales efectos no causa interrupción la ausencia motivada por el ejercicio de funciones políticas o técnicas al servicio del Gobierno Federal o de la Provincia.

Los legisladores de los departamentos deben ser oriundos o tener una residencia no menor a tres años en los mismos.

Composición

2019-2023

2015-2019

Notas

Referencias

Enlaces externos
 Página oficial - Dirección de Prensa de la Legislatura de la Provincia de Córdoba

Legislatura de la Provincia de Córdoba (Argentina)
Córdoba

Legislatura de la provincia de Córdoba


Aux champs, op. 13, est une œuvre de la compositrice Mel Bonis, datant de 1889.

Composition
Mel Bonis compose Aux champs en 1889. L'œuvre est publiée aux éditions Durdilly, en 1889, et rééditée en 2006 aux éditions Furore.

Analyse
Le matériel musical de cette œuvre a été réemployé en 1933 pour donner la Pastorale, op. 156.

Réception

Edition actuelle
 In Mel Bonis, œuvres pour piano, Volume 2 - Pièces pittoresques et poétiques A; éd. Furore, 2006

Références

Sources

Liens externes

Œuvre de Mel Bonis
Œuvre réalisée en 1889

Aux champs de Bonis


Die Dorfkirche Sanitz ist eine der Kirchen der Evangelisch-lutherischen Kirchengemeinde Sanitz im Landkreis Rostock. Die Kirchengemeinde gehört zur Propstei Rostock im Kirchenkreis Mecklenburg der Evangelisch-Lutherischen Kirche in Norddeutschland (Nordkirche).

Geschichte
Sanitz wurde schon 1256 als Kirchdorf genannt. Grund des urkundlichen Nachweises war die Zuweisung der Kirche in Dänschenburg als Sanitzer Tochterkirche. Erneute Erwähnung fand die Kirche Sanitz anlässlich eines Vertrages vom 2. Juni 1291, in dem Heinrich von Werle dem Bischof von Schwerin gegenüber seinem Mündel Nikolaus von Rostock das Patronatsrecht sicherte, das seitdem vom Landesherren gehalten wurde. Als Vasallen waren im 14. Jahrhundert verschiedene Familien verzeichnet. Durch Erbfolge gelangte das Dorf in den Besitz des Klosters Doberan, zu dem es bis zur Reformation gehörte.

Baubeschreibung

Die Kirche im Übergangsstil von der Romanik zur Gotik ist aus Feldsteinen errichtet, wobei die Ecken und Kanten aus behauenen Steinen gebildet werden. Der Bau besteht aus in gleicher Höhe liegenden Chor, Langhaus und Turm. Das untere Stockwerk des massiven Turms ist eingezogen und wird mit einem vierteiligen Gewölbe gedeckt, Langhaus und Chor mit einem achtteiligen Gewölbe. In den Fensterlaibungen wurde Backstein verwendet. Die Fenster haben die Form von rundbogig geschlossenen Schlitzen, auf der Süd- und Ostseite des Chors sind sie in Dreiergruppen angeordnet, die Nordseite des Chors ist ohne Fenster. Die Fenster im Langhaus deuten schon den gotischen Spitzbogen an. Die Stärke der Turmmauern geben zur Vermutung Anlass, dass ein höherer Turm geplant war, stattdessen wird der gedrungene Turm durch einen niedrigen Fachwerkhelm abgeschlossen. Der Übergang zwischen Turm und Langhaus ist wie der Triumphbogen zum Chor mit einem Spitzbogen gestaltet. Nördlich des Chors ist eine Sakristei, südlich eine Vorhalle angebaut.

Inneneinrichtung
Der Altar von 1811 ist ein Werk im klassizistischen Stil mit Gemälden des mecklenburger Hofmalers Rudolph Suhrlandt, die im Untersatz das Heilige Abendmahl und im Aufsatz das Leiden Christi am Ölberg zeigen. Rechts und links davon sind je zwei Säulen mit korinthischen Kapitellen und aus Holz geschnitzte Figuren angeordnet, die Glaube, Liebe, Hoffnung und Geduld verkörpern. Der Altar wurde vom Hauptmann von Koppelow aus Reppelin gestiftet. Die Kanzel von 1694 ist im Barockstil gefertigt.  Die Orgel ist ein Werk von Sauer Orgelbau aus dem Jahr 1969 mit sechs Registern auf einem Manual und Pedal.

Siehe auch
Liste der Kirchen in der Propstei Rostock

Weblinks und Quellen

 Kirchgemeinde Sanitz auf der Webseite kirche-mv.de
 Friedrich Schlie: Kunst- und Geschichtsdenkmäler Mecklenburgs Band 1, 1899, S. 425–431

Einzelnachweise

Kirchengebäude in Europa
Kirchengebäude im Landkreis Rostock
Kirchengebäude der Propstei Rostock
Gotisches Bauwerk in Mecklenburg-Vorpommern
Gotische Kirche
Kirche

Dorfkirche Sanitz


Nelson Rafael Payano (nacido el 13 de noviembre de 1982 en Santo Domingo) es un lanzador dominicano que actualmente se encuentra en la agencia libre. En la temporada 2009, Payano jugó para los Chunichi Dragons en la Liga Japonesa. En la temporada 2012 Jugó con los sultanes de Monterrey en la liga Mexicana. Y en el 2013 Firmó un contrato por un año nuevamente con (Chunichi Dragons) Liga Japonesa.

Payano comenzó su carrera profesional en 2003 con los Gulf Coast League Braves. En los próximos años, fue promovido a través de la organización de los Bravos de Atlanta, y en 2008, mientras jugaba para en Doble-A con Mississippi Braves, luego fue cambiado a los Marineros de Seattle para completar un acuerdo anterior en el que los Bravos adquirieron a Greg Norton.

Después de la temporada 2008, Payano fue adquirido por los Chunichi Dragons. En esa temporada, apareció en 34 juegos con los Dragones, ganando dos partidos y perdiendo uno. Después de que terminó la temporada, Payano fue liberado.

Antes de la temporada 2010, Payano firmó un contrato de ligas menores con de los Reales de Kansas City. Fue liberado durante la pretemporada y fue firmado por los Astros de Houston. Comenzó la temporada con los Corpus Christi Hooks, pero fue liberado el 11 de julio.

Vida personal
Tiene un hijo llamado Nelson Stevens sus padres Flerido payano ( onatrate) y Altagracia Santiago (tago).

Referencias

Enlaces externos
Baseball-Reference
The Baseball Cube
Japan Baseball Daily

Beisbolistas de República Dominicana
Lanzadores de República Dominicana
Beisbolistas dominicanos en la Liga Japonesa de Béisbol Profesional
Beisbolistas de los Leones del Escogido
Nacidos en Santo Domingo

Nelson Payano


An Cryptanthus microglazioui in uska species han Liliopsida nga ginhulagway ni Ivón Mercedes Ramírez Morillo. An Cryptanthus microglazioui in nahilalakip ha genus nga Cryptanthus, ngan familia nga Bromeliaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Cryptanthus

Cryptanthus microglazioui


Pittaer (Pittidae) er en familie af spurvefugle, som lever i det tropiske Asien og Australasien samt for enkelte arters vedkommende i Afrika. Familien indeholder tre slægter: Pitta, Erythropitta og Hydrornis.

Spurvefugle

Pittaer


Christian Lund (født 17. november 1983) er en dansk musicalperformer, skuespiller og sanger. Christian Lund er uddannet fra Det Danske Musicalakademi i Fredericia i 2008 og debuterede i The Wild Party på Gladsaxe Teater samme år. På Det Ny Teater har han medvirket i musicals såsom Les Misérables, , , som Raoul i The Phantom of the Opera og som Chris Scott i . På Fredericia Teater medvirket i musicals som Esaura, High School Musical 2, The Drowsy Chaperone, som prins Erik i Disneys Den Lille Havfrue og som Kaptajn Phoebus i Disneys Klokkeren fra Notre Dame. På andre teatre bl.a. medvirket i Dirty Dancing, I Love It, Elf, Spamalot, Jesus Christ Superstar, My Fair Lady og Grease, samt havde rollen som Frej (eng. Sky) i den danske opsætning af Abba-musicalen Mamma Mia. I England medvirket i rollen som The Prince i Sleeping Beauty (panto) i Aylesbury Waterside Theatre, i rollen som Viigand i Chess in Concert og som solist i The Night Of 1000 Stars i Royal Albert Hall, samt som solist i Best of... Rock Musicals i Eventim Apollo. Christian lægger stemme til en række tegnefilm/film såsom Netflix  Disneys Elena Fra Avalor, Disneys Gigantosaurus, som Prins Edward i Disneyfilmene Fortryllet og  samt som Prins Hans i Disneys animationsfilm Frost.

Eksterne henvisninger

 Christian Lund på Spotlight

Skuespillere fra Danmark
Personer fra Holstebro
Musicalperformere i Danmark
Musicalskuespillere
Sangere fra Danmark

Christian Lund (skuespiller)