Basic Instinct is a 1992 neo-noir erotic thriller film directed by Paul Verhoeven and written by Joe Eszterhas. Starring Michael Douglas, Sharon Stone, George Dzundza, Jeanne Tripplehorn, and Wayne Knight, the film follows San Francisco police detective Nick Curran (Douglas) as he investigates the brutal murder of a wealthy rock star. During the course of the investigation, Curran becomes entangled in a passionate and intense relationship with Catherine Tramell (Stone), an enigmatic writer and the prime suspect.

The script for Basic Instinct was developed by Eszterhas in the 1980s, and it became the subject of a bidding war. Carolco Pictures secured the rights to the film and brought Verhoeven on board to direct. Stone was cast as Tramell after the role was rejected by several actresses. Production was plagued by protests and intense conflict between Eszterhas and Verhoeven.

Basic Instinct premiered in Los Angeles on March 18, 1992, and was theatrically released in the United States by TriStar Pictures on March 20, 1992. The film received mixed reviews upon its release, with praise for the performances of the cast, score, and editing, while its writing and character development were criticized. It also generated controversy due to its sexually explicit content, violence, and depiction of homosexual relationships. Despite the public protest, Basic Instinct was a commercial success, grossing $352.9 million worldwide and becoming the fourth-highest-grossing film of 1992.

Since its release, Basic Instinct has undergone a critical reevaluation. The film has been recognized for its groundbreaking depictions of sexuality in mainstream Hollywood cinema, and was described by one scholar as "a neo-film noir masterpiece that plays with, and transgresses, the narrative rules of film noir." Numerous versions of the film have been released on videocassette, laserdisc, DVD, and Blu-ray, including a director's cut with extended footage previously unseen in North American cinemas.

A sequel, Basic Instinct 2, was released 14 years later in 2006. The film stars Stone, but was made without the involvement of Verhoeven or Douglas. It received negative reviews and was relatively unsuccessful.

Plot

Homicide detective Nick Curran investigates the murder of retired rock star Johnny Boz in San Francisco. Boz was stabbed to death with an ice pick while having sex with a mysterious blonde woman. Nick's prime suspect is Boz's girlfriend, crime novelist Catherine Tramell, whose novel mirrors the crime. Catherine is uncooperative and taunts the investigators by smoking and exposing herself. Although she is released, Nick discovers that she has a history of befriending murderers. This includes Roxy Hardy, Catherine's girlfriend, who impulsively killed her two younger brothers at the age of 16, and Hazel Dobkins, who killed her husband and children.

Nick, who accidentally shot two tourists while high on cocaine during an undercover assignment, attends counseling sessions with Police Psychologist Dr. Beth Garner. The two have an on-and-off affair. Nick discovers that Catherine is using him as the basis for the protagonist of her latest book, in which his character is murdered after falling for the wrong woman. He becomes suspicious that she has bribed Lt. Marty Nilsen for his psychiatric file. In response, Nick assaults Nilsen in his office. Nilsen is found murdered, and Nick becomes a suspect and is put on leave.

Nick and Catherine embark on a passionate but tense affair. One night, Nick sees Catherine snorting cocaine with Roxy at a club. They return to Catherine's place and Roxy observes Nick and Catherine having rough sex, with Catherine tying Nick to the bed. This mirrors the way Boz was tied up by the mystery blonde. Jealous of Nick, Roxy tries to run him over with Catherine's car but dies when the vehicle crashes. Catherine is saddened by Roxy's death and confesses to Nick about a college encounter with a girl that ended badly as the girl became obsessed with her. Nick identifies that girl as Beth; Beth claims that it was Catherine who was obsessed. Nick discovers that a college professor of Catherine and Beth's was killed with an ice pick in an unsolved homicide that inspired one of Catherine's early novels.

Nick discovers the final pages of Catherine's book, where the fictional detective finds his partner's body in an elevator. Catherine breaks off their affair, leaving Nick upset and suspicious. He meets his partner, Gus Moran, who has arranged to meet Catherine's college roommate to learn about Catherine and Beth. Gus is stabbed to death with an ice pick in the elevator and Nick finds Gus' body in a fashion similar to the description in the book. Beth arrives unexpectedly and claims that she received a message to meet Gus. Nick suspects Beth of killing Gus and shoots her when he believes she's reaching for a gun. However, Beth was only fiddling with her keychain.

Evidence implicates Beth in the murders of Boz, Nilsen, Moran, and her own husband. The investigators also find photos and newspaper clippings of Catherine that imply an obsession with her. Nick is left confused and dejected. Catherine meets him at his apartment and explains her reluctance to commit to him due to her loved ones dying. However, they have sex and discuss their future. As they do, an ice pick is seen under the bed, confirming that Catherine was the killer.

Cast

Production
The screenplay, which was written in the 1980s, sparked a bidding war until it was finally purchased by Carolco Pictures for US$3 million. Eszterhas, who had previously been the creative force behind several blockbuster films such as Flashdance (1983) and Jagged Edge (1985), managed to complete the script in just 13 days. However, Verhoeven had suggested changes to the script that Eszterhas strongly disagreed with, including a lesbian sex scene that Eszterhas deemed "exploitative". With Verhoeven unwilling to budge, Eszterhas and producer Irwin Winkler left the production.

Gary Goldman was subsequently brought on board to rewrite the script four times at Verhoeven's suggestion. However, by the fourth draft, Verhoeven himself acknowledged that his proposals were "undramatic" and "really stupid". By the fifth and final draft, the script had returned to Eszterhas' original vision, with only minor tweaks to visuals and dialogue. As a result, Joe Eszterhas received sole writing credit for the film.

In preparation for the car chase scene, Douglas drove up the steps on Kearny Street in San Francisco for four nights by himself.

The home of Stone's character, prominently featured in the film, is said to be in Stinson Beach, California, just north of San Francisco. In reality, the scenes were shot at a mansion near Carmel-by-the-Sea, about  south of San Francisco. In 2018, the residence was purchased by software engineer Gary Vickers, who combined it into an estate with four adjoining cottages he also owned; he put the entire property on sale the following year for $52.4 million. By 2022, the asking price had been lowered to $29.6 million.

Casting
Mel Gibson, Kevin Costner, and Richard Gere were considered for the role of Nick Curran, which eventually went to Michael Douglas. Douglas was cast in the project early on. He recommended Kim Basinger for the role of Catherine Tramell, but she declined. He also suggested Julia Roberts, Greta Scacchi, and Meg Ryan, but they all turned down the role. Debra Winger, Michelle Pfeiffer, Geena Davis, Kathleen Turner, Kelly Lynch, Ellen Barkin, and Mariel Hemingway all turned down the role as well when offered by Verhoeven and producers.

Verhoeven considered Demi Moore, but ultimately chose Sharon Stone, with whom he had previously worked on Total Recall. Verhoeven had been particularly struck by the way she quickly transitioned from evil to love in a couple of seconds before her character's death in that film. Michael Douglas was upset that the relatively unknown Stone was cast in the role, determined to have another A-list actress star in the movie with him. Worried about taking the risk on his own, he said, "I need someone to share the risks of this movie. [...] I don't want to be up there all by myself. There's going to be a lot of shit flying around." Stone was paid $500,000 for her role, while Douglas received $14 million.

Music

Soundtrack

The musical score for Basic Instinct was composed by Jerry Goldsmith and earned him nominations for an Academy Award and a Golden Globe Award. Goldsmith described the process as challenging, stating, "Basic Instinct was probably the most difficult [score] I've ever done. It's a very convoluted story with very unorthodox characters. It's a murder mystery, but it isn't really a murder mystery. The director, Paul Verhoeven, had a very clear idea of how the woman should be, and I had a hard time getting it. Because of Paul pushing me, I think it's one of the best scores I've ever written. It was a true collaboration."

In terms of featured music, commercially released tracks played a minor role in the film. The club scene prominently features "Blue" by Chicago house music performer LaTour and "Rave the Rhythm" by the group Channel X, as well as "Movin' on Up" by Jeff Barry and Ja'Net DuBois. Chris Rea's "Looking for the Summer" is heard during a scene between Douglas and his partner at Mac's Diner.

The film's official soundtrack was released on March 17, 1992. In 2004, Prometheus Records issued an expanded version of Goldsmith's score, which included previously omitted sections and alternative compositions for certain elements.

Release

Theatrical

The film opened in North American theatres in March 1992, and after being entered into the 1992 Cannes Film Festival continued on to a worldwide release.

MPAA rating
Basic Instinct is rated R for "strong violence and sensuality, and for drug use and language". Initially, the film was given an NC-17 rating by the MPAA for "graphic depictions of extremely explicit violence, sexual content and strong language". However, under pressure from TriStar and Carolco, Verhoeven cut 35 to 40 seconds from the film to achieve an R rating. Verhoeven described the changes in a March 1992 article in The New York Times:
The European theatrical release did not require these cuts. The uncut version was later released in the USA on home video.

Home media
Following its theatrical version, an unrated version of the film was released on video in 1992, running at 129 minutes. In 1997, a "bare bones" DVD release containing only the R-rated version was issued, followed by a "collector's edition" DVD release in 2001. This edition contained the uncut version of the film along with a commentary by Camille Paglia and a small ice pick (which was actually a pen), the villain's weapon of choice. This version, which runs 127 minutes, was subsequently re-released twice in 2003 and 2006, respectively.

In March 2006, the unrated version, also known as the "director's cut", was re-released on DVD and labeled as the "ultimate edition". The film was released on Blu-ray in 2007 with the "director's cut" label.

The theatrical release of the film was cut by 35 to 40 seconds to avoid an NC-17 rating, with some violence and sexually explicit content removed. The missing or censored material, later released on video and DVD as the director's cut, included:
 The murder of Johnny Boz in the opening scene. In the director's cut, the killer is seen stabbing him in his neck, in the chest and through his nose. In addition, the killer is still having violent sex with him while stabbing him at the same time.
 The scene where Nick has sex with Beth is cut in the US theatrical version, as he is seen ripping off her clothes and forcing her over the couch, before a cut to the two of them lying on the floor. In the uncut version, they are seen having rougher sex.
 The scene where Nick and Catherine have sex after going to the club is longer and much more explicit in the uncut version.

Recently, in 2021, StudioCanal released a restored 4K Ultra HD 'collector's edition' of the film on Blu-ray, DVD, and digital download in the UK (June 14), Australia (July 7), and New Zealand (July 14). The restoration was supervised by the director and completed in 2019–2020, using the original 35MM negative. Additionally, a new documentary titled "Basic Instinct, Sex, Death & Stone" was added as a special feature.

Reception

Box office
Basic Instinct opened in theaters in the United States and Canada on March 20, 1992, and became one of the highest-grossing films of that year. It debuted at number one at the US box office, grossing $15 million in its opening weekend. After briefly dropping down the charts, it returned to number one in its fifth week, where it remained for four weeks. In total, the film grossed $117.7 million in the United States and Canada. Internationally, it grossed $352,927,224, making it the fourth-highest-grossing film released in 1992 worldwide. In Italy, it had a record opening of $5.44 million and remained number one for four weeks, ultimately grossing $20 million and becoming the highest-grossing film for the year. It was the highest-grossing film in Spain of all time, with a gross of $21.6 million, and in the United Kingdom, it was number one for three weeks and the highest-grossing film for the year with a gross of £15.5 million. It was also number one for the year in France ($27 million), Germany (4.5 million admissions), South Africa ($3 million), Iceland, and Ireland. In Australia, it was number one for three weeks and the second-highest-grossing film for the year, grossing A$13.1 million.

Critical response
Basic Instincts critical reaction was mixed. On Rotten Tomatoes, the film holds a score of 57% based on 74 reviews, with an average rating of 6.20/10 and the consensus that "Unevenly echoing the work of Alfred Hitchcock, Basic Instinct contains a star-making performance from Sharon Stone, but is ultimately undone by its problematic, overly lurid plot." On Metacritic the film holds a score of 43 based on 28 critics, indicating "mixed or average" reviews. Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.

Janet Maslin of The New York Times praised the film, saying "Basic Instinct transfers Mr. Verhoeven's flair for action-oriented material to the realm of Hitchcockian intrigue, and the results are viscerally effective even when they don't make sense." Peter Travers of Rolling Stone also praised the film, saying it was a guilty pleasure film; he also expressed admiration for Verhoeven's direction, saying his "cinematic wet dream delivers the goods, especially when Sharon Stone struts on with enough come-on carnality to singe the screen," and praised Stone's performance: "Stone, a former model, is a knockout; she even got a rise out of Ah-nold in Verhoeven's Total Recall. But being the bright spot in too many dull movies (He Said, She Said; Irreconcilable Differences) stalled her career. Though Basic Instinct establishes Stone as a bombshell for the Nineties, it also shows she can nail a laugh or shade an emotion with equal aplomb."

Australian critic Shannon J. Harvey of the Sunday Times called it one of the "1990s['] finest productions, doing more for female empowerment than any feminist rally. Stone—in her star-making performance—is as hot and sexy as she is ice-pick cold."

The film had many detractors. Roger Ebert of the Chicago Sun-Times awarded it two out of four stars, saying the film was well crafted but died down in the last half-hour: "The film is like a crossword puzzle. It keeps your interest until you solve it. Then it's just a worthless scrap with the spaces filled in." Dave Kehr of the Chicago Tribune also gave a negative review, calling it psychologically empty: "Verhoeven does not explore the dark side, but merely exploits it, and that makes all the difference in the world."

Controversy
The film generated controversy upon its release due to its explicit sexuality, violence against women, and its negative depiction of both a bisexual woman and homosexual relationships. In recent years, controversy over the film has become regenerated over Verhoeven's direction and the treatment of Stone and other women working on the film.

Initial
After the script was made available to gay rights activist groups in early 1991, concerns arose as to the film's depiction of homosexual relationships, and the portrayal of a bisexual woman as a murderous psychopath. Activists claimed that the film followed a pattern of negative depictions and stereotypes of homosexuals in film. While Eszterhas was open to addressing these concerns, Verhoeven, Douglas, and producer Alan Marshall rejected the changes, claiming that they "undermined" Eszterhas' script and "lessen the integrity of the picture." Upon resuming filming in San Francisco in late April 1991, gay and lesbian rights activists and demonstrators attended, and the San Francisco Police Department's riot police were present at every location to manage the crowds. Protesters outside the filming locations held signs that said "Honk if you love the 49ers" and "Honk if you love men." On April 29, Marshall ordered a citizen's arrest and personally identified each protester he wanted arrested. However, this did not result in any action by the local police department.

Members of the lesbian and bisexual activist group LABIA protested against the film on its opening night. Others also picketed theatres to dissuade people from attending screenings, carrying signs saying "Kiss My Ice Pick", "Hollywood Promotes Anti-Gay Violence" and "Catherine Did It!"/"Save Your Money—The Bisexual Did It". Verhoeven himself defended the groups' right to protest, but criticized the disruptions they caused, saying "Fascism is not in raising your voice; the fascism is in not accepting the no."

Film critic Roger Ebert mentioned the controversy in his review, saying "As for the allegedly offensive homosexual characters: The movie's protesters might take note of the fact that this film's heterosexuals, starting with Douglas, are equally offensive. Still, there is a point to be made about Hollywood's unremitting insistence on typecasting homosexuals—particularly lesbians—as twisted and evil." Camille Paglia denounced gay activist and feminist protests against Basic Instinct, and called Sharon Stone's performance "one of the great performances by a woman in screen history", praising her character as "a great vamp figure, like Mona Lisa herself, like a pagan goddess."

Women's rights groups also protested the film over its negative depiction of women and a brutal rape scene, with a branch of The National Organization for Women calling the film "the most blatantly misogynistic film in recent memory." Its Los Angeles branch president at the time claimed the movie sent a message "that women like violence, women like to be used, women like to be raped." The film was also criticized for glamorizing cigarette smoking. Screenwriter Joe Eszterhas was later diagnosed with throat cancer and publicly apologized for glamorizing smoking in his films.

Renewed
Since the release of the film, Stone has alleged multiple times that a scene in which her vulva was exposed as she crossed her legs was filmed without her knowledge. Stone later said she was told that her lack of underwear would only be alluded to and not shown. She had been wearing white underwear until Verhoeven said they reflected light on the camera lens and asked her to remove them, assuring her that only a shadow would be visible. Stone stated that it was not until she saw the film in a screening room with a test audience that she became aware of the visible nudity, leading her to slap Verhoeven in the face and leave the screening. In her 2021 memoir, Stone alleged once again that she was misled by Verhoeven with regard to the circumstance of the filming of the scene, even though she ultimately did not seek an injunction against it. Verhoeven responded that it was "impossible" and "she knew exactly what we were doing." However, despite having a "radically different" memory about the particular scene, he praised Stone's performance and said they are on good terms. However, in her 1998 Inside the Actors Studio interview, Stone said that while she was initially angry, she realized the director's decision was the right one, saying "And I thought about it for a few days and I knew in my heart, he was right. I hated that it existed, I hated it more than he stole it from me instead of allowing me to choose. But he was right."

Jeanne Tripplehorn has also said that the notorious scene in which her character and Douglas' had brutal, bruising sex was somewhat "lighter" when described to her by Verhoeven before shooting. During the trial of the murder of Jun Lin, the prosecution stated that Luka Magnotta was inspired by the film and Stone's character, Catherine Tramell.

Awards and nominations

AFI's 100 Years...100 Heroes & Villains
 Catherine Tramell - Nominated Villain

See also

 Fatal Attraction, a 1987 film, also starring Douglas, exploring similar themes
 Fatal Instinct, a 1993 film parody

References

External links

Basic Instinct
1992 films
1992 crime thriller films
1992 LGBT-related films
1990s American films
1990s British films
1990s English-language films
1990s French films
1990s erotic thriller films
1990s feminist films
1990s mystery thriller films
1990s psychological thriller films
1990s serial killer films
American LGBT-related films
American crime thriller films
American erotic thriller films
American feminist films
American mystery thriller films
American neo-noir films
American police detective films
American psychological thriller films
British LGBT-related films
British crime thriller films
British erotic thriller films
British feminist films
British mystery thriller films
British neo-noir films
British psychological thriller films
Carolco Pictures films
English-language French films
English-language crime thriller films
English-language mystery thriller films
Erotic mystery films
Female bisexuality in film
Film controversies
Films about murderers
Films about narcissism
Films about rape
Films about writers
Films directed by Paul Verhoeven
Films produced by Alan Marshall (producer)
Films produced by Mario F. Kassar
Films scored by Jerry Goldsmith
Films set in San Francisco
Films shot in California
Films shot in San Francisco
Films with screenplays by Joe Eszterhas
French LGBT-related films
French crime thriller films
French erotic thriller films
French feminist films
French mystery thriller films
French neo-noir films
French psychological thriller films
LGBT-related controversies in film
LGBT-related thriller films
Obscenity controversies in film
Rating controversies in film
TriStar Pictures films

Basic Instinct


حرب كرة القدم  و المعروفة أيضًا باسم حرب المائة ساعة، كانت نزاعًا عسكريًا قصيرًا بين السلفادور وهندوراس في عام 1969. حدث النزاع خلال تصفيات كأس العالم 1970 وهو نفس التاريخ الذي كانت فيه التوترات قائمة بالفعل بين البلدين. بدأت الحرب في 14 يوليو 1969 عندما شن الجيش السلفادوري هجوماً على هندوراس. تفاوضت منظمة الدول الأمريكية (OAS) على وقف إطلاق النار ليلة 18 يوليو، والذي دخل حيز التنفيذ الكامل في 20 يوليو. في أوائل أغسطس من نفس العام انسحبت القوات السلفادورية.

خلفية الأحداث
على الرغم من أن تسمية «حرب كرة القدم» قد توحي بأنه صراع متعلق بكرة القدم، إلا أن الأسباب التي أدت إلى الحرب أعمق من ذلك بكثير. فجذور الحرب تعود لقضايا الإصلاح الزراعي في هندوراس والهجرة والمشاكل الديموغرافية في السلفادور. فهندوراس رغم كون مساحتها أكبر بخمسة أضعاف من حجم السلفادور المجاورة، إلا أن عدد سكان السلفادور سنة 1969 كان يضاعف عدد سكان هندوراس. وبسبب سيطرة ملاك الأراضي على معظم الأراضي الصالحة للزراعة في السلفادور نتجت هجرة أكثر من 300,000 من السلفادوريين إلى هندوراس المجاورة، فبدأ المهاجرون من السلفادور يشكلون نحو 20% من فلاحي هندوراس. تعمقت مشكلة البطالة في هذا البلد الأخير، فأصدرت حكومة هندوراس سنة 1962 قانونا جديدا للإصلاح الزراعي. أعطى هذا القانون الحكومة المركزية والبلديات الحق في تملك الكثير من الأراضي المحتلة بشكل غير قانوني من قبل المهاجرين السلفادوريين وإعادة توزيعها على مواطني هندوراس «الأصليين» وتم حظر امتلاك الأراضي على مواطني السلفادور، وطرد السلفادوريون الذين عاشوا فيها لأجيال وانقطعت من بعدها العلاقات الدبلوماسية حتى تدخل الرئيس الأمريكي ليندون جونسون في مهمة حكومية لإعادتها.

هذا التصعيد كان يستخدم من قبل حكومتي البلدين لتوجيه انتباه الناس إلى الخارج، بدلا من الصراعات السياسية الداخلية في كل بلد. وسائل الإعلام في كلا البلدين لعبت دورا هاما، وشجعت على الكراهية بين هندوراس والسلفادور.

ففي تصفيات بطولة كأس العالم لكرة القدم 1970 وقع البلدان في مواجهة حاسمة لتحديد الفريق الذي سوف يتأهل إلى المرحلة النهائية المقامة على ملاعب المكسيك ففي المباراة الأولى فازت هندوراس على ملعبها واعتدت الجماهير الهندوراسية على الجماهير الفقيرة من أنصار السلفادور. وتطورت الأمور إلى مهاجمة الأحياء التي يقيم فيها سلفادوريون مما دفع السلفادوريين إلى الفرار إلى بلادهم تاركين ممتلكاتهم وبيوتهم وقدمت السلفادور شكوى للأمم المتحدة وهيئة حقوق الإنسان. وبعد أسبوع واحد فازت السلفادور في ملعبها ونال أنصار هندوراس نصيبهم من الاعتداءات.

المواجهة

يوم 14 يوليو 1969 كان موعدا فاصلا للمباراة الفاصلة بينهما، فازت فيها السلفادور وتأهلت. ومع نهاية اللقاء كانت الدولتان قد نشرتا قواتهما على طول الحدود بينهما، وفي 3 يوليو انتهكت طائرة من هندوراس أجواء السلفادور وأطلقت على كتيبة من السلفادور النيران داخل الأراضي السلفادورية مما أدى لقيام السلفادور بهجوم واسع النطاق ودخلت القوات السلفادورية إلى مسافة 40 كم ولم تتورع هندوراس بل أرسلت طائراتها لضرب مدينة سان سلفادور وأكابوتلا بالقنابل. وبعد أسبوعين وتدخل الوساطات من الدول توقفت الحرب بعد أن أدت إلى دمار كبير وخسائر في الأرواح بالآلاف.

معرض صور

مراجع

أمريكا الوسطى في 1969
السلفادور في 1969
هندوراس في 1969
أحداث يوليو 1969 في أمريكا الشمالية
الرياضة والسياسة
السلفادور في كأس العالم 1970
العلاقات السلفادورية الهندوراسية
تاريخ أمريكا الوسطى
تاريخ هندوراس
تصفيات كأس العالم 1970
حروب السلفادور
حروب هندوراس
خلافات كرة القدم
رياضة سلفادورية في 1969
رياضة هندوراسية في 1969
كأس العالم 1970
كرة القدم الأمريكية الأوسطية في 1969
كرة القدم الهندوراسية في 1969-70
منتخب السلفادور لكرة القدم
منتخب هندوراس لكرة القدم
نزاعات في 1969
هجمات في هندوراس

حرب كرة القدم


Crkva sv. Petra na Kamenu i arheološko nalazište su zaštićeno kulturno dobro na Kamenu kod Splita.

Opis
Sagrađeni su od 13. do 17. stoljeća.
Arheološko nalazište i crkva sv. Petra na Kamenu nalaze se na predjelu Brižine ispod naselja Kamen na istočnoj granici grada Splita. Crkva je jednobrodna romanička građevina s apsidom na istočnoj strani sagrađena krajem XII. ili početkom XIII. st. Prvi put se spominje 1227. g. kao S. Petrus in Bade, a u XVII. st. je pregrađena. Lađa je nekad bila presvođena, a danas ima drveno krovište, dok je apsida presvođena polukupolom. Lađa je pokrivena utorenim crijepom, a apsida kamenim pločama. Na nadvratniku glavnog ulaza je uz Kristov monogram uklesana godina 1675. Iznad vrata je kamena rozeta, a na vrhu pročelja kameni križ.

Zaštita
Pod oznakom Z-5172 zavedeni su kao nepokretno kulturno dobro - pojedinačno, pravna statusa zaštićena kulturnog dobra, klasificiranog kao sakralna graditeljska baština.

Izvori

Petar, Kamen
Arheološki lokaliteti u Hrvatskoj
Templari
Zaštićene sakralne građevine u Splitsko-dalmatinskoj županiji
Zaštićene kopnene arheološke zone i nalazišta u Splitsko-dalmatinskoj županiji


Alseis, biljni rod iz porodice broćevki smješten u tribus Condamineeae. Sastoji se od desetak vrsta raširenih u Americi od južnog Meksika do južnog Brazila

Vrste
 Alseis blackiana Hemsl.
 Alseis costaricensis C.M.Taylor
 Alseis eggersii Standl.
 Alseis floribunda Schott
 Alseis gardneri Wernham
 Alseis hondurensis Standl.
 Alseis involuta K.Schum.
 Alseis labatioides H.Karst. ex K.Schum.
 Alseis latifolia Gleason
 Alseis longifolia Ducke
 Alseis lugonis L.Andersson
 Alseis microcarpa Standl. & Steyerm.
 Alseis mutisii Moldenke
 Alseis peruviana Standl.
 Alseis pickelii Pilg. & Schmale
 Alseis reticulata Pilg. & Schmale
 Alseis smithii Standl.
 Alseis yucatanensis Standl.

Izvori

Ixoroideae

Alseis


البطولة الأفريقية لكرة القدم الخماسية المؤهلة لكاس العالم اقيمت البطولة الأفريقية لكرة القدم الخماسية 2008 للكرة الخماسية 2008 في ليبيا وهي البطولة الأفريقية المؤهلة لبطولة العالم لكرة القدم داخل الصالات في البرازيل، وشارك في هذه البطولة 10 فرق قسمت إلى مجموعتين

سيصل إلى بطولة العالم لكرة القدم داخل الصالات بالبرازيل المنتخبان اللذان سيتحصلان على الترتيبين الأول والثاني في مباراة الدور النهائي لهذه البطولة.وهما  و

الفرق المشاركة

الملاعب
ثلاث قاعات بمدينة طرابلس
 قاعة الاتحاد الإفريقي (القاعة الرئيسية)
 قاعة قرطبة(قاعة مساندة)
 محمد عاشور(قاعة مساندة)

المجموعة 1

المباريات

المجموعة 2

المباريات

نصف النهائي

المركز الثالث

النهائي

المترشحان لكأس العالم 2008 بالبرازيل

بطل الدورة

الاحصائية العامة للبطولة
 ليبيا (لعب 6 – له 27 – علية 8 – فوز 6 – تعادل 0 – خسارة 0 – نقاط 18 – فارق 19)
 مصر (لعب 6 – له 27 – علية 12 – فوز 3 – تعادل 2 – خسارة 1 – نقاط 11 – فارق 15)
 مغرب (لعب 6 – له 20 – علية 11 – فوز 4 – تعادل 0 – خسارة 2 – نقاط 12 – فارق 9)
 موزمبيق (لعب 6 – له 27 – علية 19 – فوز 2 – تعادل 1 – خسارة 3 – نقاط 7 – فارق 8)
 أنغولا (لعب 4 – له 20 – علية 19 – فوز 2 – تعادل 1 – خسارة 1 – نقاط 7 – فارق 1)
 نيجيريا (لعب 4 – له 9 – علية 12 – فوز 1 – تعادل 1 – خسارة 2 – نقاط 4 – فارق -3)
 تونس (لعب 4 – له 9 – علية 16 – فوز 1 – تعادل 0 – خسارة 3 – نقاط 3 – فارق 7)
 جنوب أفريقيا (لعب 4 – له 17 – علية 31 – فوز 1 – تعادل 0 – خسارة 3 – نقاط 3 – فارق -14
 زامبيا (لعب 4 – له 15 – علية 28 – فوز 1 – تعادل 0 – خسارة 3 – نقاط 3 – فارق -23)
 كمرون (لعب 4 – له 6 – علية 22 – فوز 0 – تعادل 1 – خسارة 3 – نقاط 1 – فارق -16)

اقوى هجوم ودفاع
أقوى هجوم
 أنغولا (5)
 ليبيا (4,5)
 مصر (4,5)
 موزمبيق (4,5)
 زامبيا (3,75)
 مغرب (3,33)
 نيجيريا (2,25)
 تونس (2,25)
 جنوب أفريقيا (1,75)
 كمرون (1,5)

أقوى دفاع
 ليبيا (1,33)
 مغرب (1,83)
 مصر (2)
 نيجيريا (3)
 موزمبيق (3,16)
 زامبيا (3,75)
 تونس (4)
 جنوب أفريقيا (4,25)
 انجولا (4,75)
 كمرون (5,5)

هداف الدورة
  4 محمد شاحوت

أفضل حارس
  محمد الشريف

روابط إضافية
 المنارة للإعلام خدمة بث مباشر
 الموقع الرسمي
 تغطية حية للبطولة بالصور
 CAF Official Site
 Futsal On RSSSF

كرة القدم داخل الصالات في 2008
الرياضة في طرابلس
طرابلس في القرن 21
بطولة إفريقيا لكرة القدم الخماسية
الرياضة في ليبيا
كرة القدم الإفريقية في 2008
كرة القدم الليبية في موسم 2007–08
منافسات كرة قدم داخل الصالات دولية تستضيفها ليبيا

بطولة إفريقيا لكرة القدم الخماسية 2008


Roper was a Christian pop-punk band formed in Denver, Colorado. The band consisted of Reese Roper (lead singer of Five Iron Frenzy) on lead vocals, Jonathan Byrnside on lead guitar, Jonathan Till on bass, Matt Emmett on rhythm guitar, and Nick White on drums.

Background

Guerilla Rodeo was a short-lived project founded by Reese Roper, meant to follow his prior band Five Iron Frenzy. In addition to vocalist Reese Roper, the band was formed by fellow Five Iron member Sonnie Johnston (guitar), Ethan Luck (guitar), John Warne (bass, background vocals), and Josh Abbott (drums). The project yielded only a three-track EP, Ride, Rope and Destroy, released in 2004. It has been confirmed by both Ethan Luck and Reese Roper that there never was a fourth, unreleased song recorded for the EP. Reese Roper often compared the sound of the band to Letters to Cleo. Their name was a play on the Rage Against the Machine single "Guerrilla Radio".

When the Guerilla Rodeo project came to an end, Reese reformed the band under his own name, Roper. Roper's full-length album, Brace Yourself for the Mediocre, was produced before the band was officially together and released on Five Minute Walk Records. All songs on the album with the exception of "Day of Pigs" and "You're Still The One" were written by Reese Roper, Masaki Liu, and Ethan Luck. Because of the incomplete state of the band at the time of the album's release, the only official member appearing on the CD is Reese Roper. As a result, the album features many additional musicians such as Frank Lenz (drums), Elijah Thomson (bass), Phil Bennett (organ), Bob Schiveley (guitar), Masaki Liu (guitar), Jason White (additional drums), Ethan Luck (guitar), and many additional vocalists. Some of the songs on the album were originally written for Guerilla Rodeo.  One of the online forums spawned by this group is the Roper Board in which many fans of both Roper and Reese's previous band Five Iron Frenzy congregate.

Roper issued a statement regarding the status of the band in 2006:

In 2009 Reese Roper told HM that the probability of making another album was "somewhere around 3%." The Roper project sold close to 30,000 albums in total, about the same as Brave Saint Saturn and other Five Iron related side projects. He also stated that, in retrospect, the project was "doomed from the beginning," but that musically it was the highlight of his career.

Members
Reese Roper – vocals and synthesizer
Jonathan Byrnside – guitar
Matt "Emo" Emmett – guitar
Johnathan Till – bass guitar
Nick White – drums
Stephen Till – guitar

Discography

References

External links
Roper on Myspace
Concert review from 2004

Christian punk groups
American Christian rock groups
Musical groups from Denver
Musical groups established in 2004
American pop punk groups
Punk rock groups from Colorado
2004 establishments in Colorado

Roper (band)


Acanthobrama é um gênero de peixes com nadadeiras raiadas da família Cyprinidae encontrado principalmente no Oriente Próximo.

Espécies

 Acanthobrama centisquama Heckel, 1843
 Acanthobrama hadiyahensis Coad, Alkahem & Behnke, 1983
 †Acanthobrama hulensis Goren, Fishelson & Trewavas, 1973
 Acanthobrama lissneri Tortonese, 1952
 Acanthobrama marmid Heckel, 1843
 Acanthobrama microlepis (De Filippi, 1863)
 Acanthobrama orontis (Berg, 1949)
 Acanthobrama persidis (Coad, 1981)
 Acanthobrama telavivensis Goren, Fishelson & Trewavas, 1973
 Acanthobrama terraesanctae Steinitz, 1952 (Kinneret bleak)
 Acanthobrama thisbeae Freyhof & Özulug, 2014
 Acanthobrama tricolor, Lortet, 1883
 Acanthobrama urmianus, (Günther, 1899)

Referências
 Species in Acanthobrama (n = 9) FishBase (Março 2015)

Leuciscinae

Acanthobrama


Strygejernet er en dansk dokumentarfilm fra 1955 instrueret af Kirsten Bundgaard.

Eksterne henvisninger

Dokumentarfilm fra Danmark
Danske film fra 1955

Strygejernet (dokumentarfilm)


Naria erosa, la Porcelaine érodée, est une espèce de mollusques gastéropodes de la famille des Cypraeidae (« porcelaines »).

Description

C'est une petite porcelaine (3 à ), au dos gris, rosé, jaune ou ocre ponctué de pois blancs et marbré de zones plus foncées. A la base, blanche claire et striée de brun, les pois sont plus foncés. De chaque côté on trouve une tache foncée grossièrement rectangulaire. Le manteau est hérissé de très nombreux tentacules se terminant en bouquets de pointes coniques.

Répartition et habitat
On rencontre cette porcelaine dans la zone Indo-pacifique tropicale, principalement dans les écosystèmes coralliens, entre la surface et une dizaine de mètres de profondeur. Elle est fréquente dans la region Indo-malaisienne et aux Philippines.

Écologie et comportement
Cette porcelaine vit cachée la journée, le manteau rentré dans la coquille. Elle sort de nuit pour se nourrir, principalement d'algues qu'elle broute au moyen de sa radula, le manteau lui permettant de se camoufler et de percevoir son environnement.

Liste des sous-espèces
Selon  :
 sous-espèce Naria erosa chlorizans (Melvill, 1888)
 sous-espèce Naria erosa erosa (Linnaeus, 1758)
 sous-espèce Naria erosa fuscocincta Bozzetti, 2008

Références taxinomiques

Notes et références

Cypraeidae
Espèce de gastéropodes (nom scientifique)

Naria erosa


Liviu Nedelcu (n. 26 februarie 1962, Petrești, Bacău) este un pictor român contemporan.

Biografie
Liviu Nedelcu s-a născut pe 26 februarie 1962 în localitatea Petrești, județul Bacău. În anul 1985, a absolvit Facultatea de Arte din Iași, secția pictură, clasa profesorului Dan Hatmanu. În anul 2006, obține titlul de doctor în arte vizuale al Universității de Vest Timișoara.

Expoziții de grup
În perioada 1984 – 2016 a participat la expoziții de grup, anuale și bienale organizate la (București, Iași, Arad, Brăila, Cluj, Galați, Ploiești, Bacău, Bârlad, Focșani, Moinești, Oradea, Piatra Neamț, Ploiești, Rm. Vâlcea, Suceava, Târgu Mureș, Tîrgoviște, Timișoara) și în străinătate (Cehia, Olanda, Republica Moldova, Franța, Turcia, Germania, Polonia, Finlanda, SUA, Suedia).

Expoziții personale

- 2016, Muzeul Național al Salutului "Dimitrie Gusti", Sala Focșa, București
- 2016, Galeriile de Artă Focșani
- 2014, Muzeul Național de Artă al Moldovei
- 2013, Galeriile Căminul Artei – București;
- 2012, Muzeul de Artă Vizuală, Galați, Galeriile de Artă, Focșani
- 2011,  Focșani, Galeriile de Artă
- 2010, Focșani, Galeriile de Artă; Galeriile Căminul artei, București; Muzeul de artă, Bacău
- 2009, Muzeul Vrancei
- 2008, Muzeul Vrancei - Focșani;  Galeria Alianța artelor - Cluj
- 2006, Galeriile Senso – București
- 2006, Muzeul Mixt - Tecuci
- 2005, Focșani, Galeriile de Artă
- 2003, ART point-Gallery-București
- 2003, Focșani, Galeriile de Artă
- 2002, Focșani, Galeriile de Artă
- 2002, Galeriile de Artă Cupola- Iași
- 2002, Centrul Cultural Internațional George Apostu - Bacău
- 2002, Muzeul de Artă, Bacău
- 2000, 2001, Focșani, Galeriile de Artă
- 1998, București - Muzeul Național Literaturii Române
- 1997, Bacău - Galeriile de Artă
- 1997, Focșani - Galeriile de Artă
- 1986, 1987, 1989,1990,1993, Focșani, Galeriile de Artă

Premii

- 2014, Premiul pentru Pictură al Uniunii Artiștilor Plastici din România – Salonul Național de Pictură-2014
- 2012 Mențiune, Bienala Gh. Petrașcu Tîrgoviște
- 2006 și 2010, Nominalizare la Saloanela Moldovei
- 1998, Premiul Ștefan Dimitrescu, Bîrlad; Nominalizare la Bienala Lascăr Vorel, Piatra-Neamț
- 1994, Premiul U.A.P. din Republica Moldova  la Saloanele Moldovei
- 1993, Premiul U.A.P. din România la Saloanela Moldovei
- 1990, Premiul al II-lea, Voronețiana - Suceava

Lucrări în muzee

- Muzeul Național de Artă al Moldovei - Pinacoteca Parlamentului României
- Muzeul de Artă Bacău
- Muzeul de Artă Suceava
- Muzeul de Artă Galați
- Muzeul Vrancei
- Muzeul de Artă Târgoviște

Editor

- Sinteze contemporane - artă românească, Editura Brumar, Timișoara, 2011
- Corpul uman în arta balcanică, Editura Brumar, Timișoara, 2012
- Nudul, Editura Terra, Focșani, 2014

Operă
Constantin Prut: "Pictorul dezvoltă un bogat evantai de procedee plastice, adaptate comunicării unor urgențe ale orizontului profund și, în același timp, unui proiect conceptual care răspunde unor exigențe culturale pe care și le asumă. Existența unui nivel profund al senzației, care poate atinge uneori intensități expresioniste, este vizibilă în tușele spontane, în accentele cromatice care însoțesc conturarea formei. Astfel de accente nu au de cele mai multe ori un rol constructiv direct, ci privesc doar o descărcare energetică, susținând un discurs care se desfășoară în paralel cu construcția figurativă. Această structură figurativă poate viza un sistem de trimiteri cu caracter istoric sau se concentrează asupra unor evocări autobiografice. Câteodată, discursul pur pictural este dublat de inscripții, titluri, numele unor personaje, fragmente de gânduri, ceea ce amplifică și adâncește elaborarea conceptuală a tabloului."

Alexandra Titu: "Ciclul Abstract, căruia i-a integrat și lucrări din subciclul Cuiburi aduce în pictura lui Liviu Nedelcu un plus remarcabil de concretețe materială, o densitate a traseului cromatic la care participă atât consistența suportului pigmentar, cât și intensitatea- armonică - a culorii. Raporturile între tonurile de roșu, tonurile de albastru, secondate de alb, sunt uneori extinse pe suprafețe ample în economia compoziției, și de trasee de un negru intens, și la care participă uneori și alte culori verde, orange, galben, brunuri calde. Dinamismul gestual susține o tramă narativă la fel de consistentă, deși lipsită de suportul explicit al unei "istorii", confruntarea, continuitatea dintre mișcarea energic-deschisă, angajând spațiul, și nuclee care convertesc această mișcare, uneori curbilinie spre o circularitate aproape închisă, cu tensiuni de tridimensionalitate (cuiburile, sau simple aluzii la nod sau centru) generând, un centru spațial și de condensare temporală."

Referințe

Bibliografie
- Liviu Nedelcu, Albumul expoziției Boca et ses amis, 2008, Galeriile de Artă Focșani, text Alexandra Titu

- Liviu Nedelcu, Albumul expoziției 10+1, Galeriile de Artă Focșani, 2008, 2011, 2012, 2013, 2014, 2015, text Alexandra Titu

- Liviu Nedelcu, Albumul expoziției Artă și sacralitate – Ediția I, Galeriile de Artă, Focșani, 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, text Alexandra Titu

- Liviu Nedelcu, Albumul expoziției Zoon politikon, Galeriile de Artă Focșani, 2009, text Alexandra Titu

- Liviu Nedelcu, Albumul expoziției Interferențe - Galeria Brâncuși – București, 2010,  text Alexandra Titu

- Liviu Nedelcu, Albumul expoziției Corpul uman în arta contemporană, Galeriile Căminul artei – București, 2010, text Alexandra Titu

- Liviu Nedelcu, Albumul expoziției Nud, Centrul Internațional de Cultură și Artă George Apostu,  Bacău, 2011, text Alexandra Titu

- Liviu Nedelcu, Albumul Sinteze contemporane - artă românească, Editura Brumar, Timișoara, 2011

- Liviu Nedelcu, Albumul expoziției Sinteze Contemporane-Artă Românească, Sala Constantin Brâncuși, Palatul Parlamentului, București, 2011 text Alexandra Titu și Constantin Prut

- Liviu Nedelcu, Albumul expoziției Sunt eu oare păzitorul fratelui meu? Expoziție națională, Galeria Bastion din Timișoara, 2012, text Alexandra Titu

- Liviu Nedelcu, Albumul Sinteze contemporane - corpul uman în arta balcanică, Editura Brumar, Timișoara, 2012

- Liviu Nedelcu, Albumul expoziției Interferențe 2012, Sala Brâncuși - Palatul Parlamentului, București, 2012, text Alexandra Titu

- Liviu Nedelcu, Albumul expoziției Peisajul, Muzeul Național al Satului Dimitrie Gusti - Sala Focșa, București, 2013, text Alexandra Titu

- Liviu Nedelcu, Albumul expoziției Rezonanțe, Galeriile Simeza, București, 2014, text Alexandra Titu

- Liviu Nedelcu, Albumul expoziției Abstract, Galeriile de Artă, Bârlad, 2014, text Luiza Barcan

- Liviu Nedelcu, Albumul expoziției personale Drumul spre înălțare, Muzeul Național de Artă al Moldovei, Chișinău, 2014, text Alexandra Titu

- Liviu Nedelcu, Albumul expoziției 10+1, Muzeul Național de Artă al Moldovei, Chișinău, 2014, 2015, 2016, text Alexandra Titu

- Liviu Nedelcu, Albumul expoziției West meets east – A Cultural Book Exchange, ediția a VIII-a, Galliery, București, 2015, text Mihaela Varga

- Liviu Nedelcu, Dicționar de Artă Modernă și Contemporană de Constantin Prut, Editura Polirom, 2016

- Liviu Nedelcu, Albumul expoziției Intersalon Muzeul Husit, Tabor, 2016

- Liviu Nedelcu,  Albumul expoziției Semnul plastic între imagine și text, Galeriile de Artă Focșani, 2009, text Alexandra Titu

- Liviu Nedelcu, Albumul expoziției personale Abstract,Muzeul Național al Satului Dimitrie Gusti - Sala Focșa, București, 2016, text Alexandra Titu

Nașteri în 1962
Nașteri pe 26 februarie
Pictori români în viață
Artiști plastici români
Artiști români în viață
Desenatori români

Liviu Nedelcu


Duša Počkaj (Lendava, 16. studenoga 1924. – Ljubljana, 24. lipnja 1982.) bila je slovenska filmska i kazališna glumica.

Životopis
Nakon završene srednje škole upisala je Arhitektonski fakultet u Ljubljani, a nakon Drugoga svjetskoga rata studirala je glumu na ljubljanskoj Akademiji scenskih umjetnosti (slv. Akademija za igralsku umetnost, današnja Akademija za kazalište, radio, film i televiziju). Od 1946. do smrti bila je članicom ljubljanske Drame Slovenskoga narodnoga gledališča. Na filmu je debitirala 1953. ulogom Blondinke u igranom filmu Jara gospoda Bojana Stupice. Tijekom glumačke karijere ostvarila je više od stotinu kazališnih i filmskih uloga te više od sto radijskih drama. Iako Duša Počkaj nikada nije bila profesionalna pjevačica i nije snimila nikakve ploče, njene su odabrane pjesme i šansone objavljene 1998. godine na CD-u »Šansoni« u izdanju izdavačke kuće Sanje. Umrla je tijekom izvedbe komedije "Šuma" Aleksandra Nikolajeviča Ostrovskog na sceni matične Drame Slovenskoga narodnoga gledališča u Ljubljani.

Filmografija (izbor)
 Jara gospoda (1953.)
 Ples v dežju (hrv. Ples na kiši, 1961.)
 Minuta za umor (hrv. Minuta za umorstvo, 1962.)
 Tistega lepega dne (hrv. Toga lijepog dana, 1962.)
 Sedmina (hrv. Karmine, 1969.)
 Cvetje v jeseni (hrv. Cvijeće u jesen, 1973.)
 Ubij me nežno (hrv. Ubij me nježno, 1979.)

Nagrade i priznanja
 1961. – Pula: Zlatna arena i nagrada kritike
 1962. – Prešernova nagrada
 Priznanje Metoda Badjure za ulogu Maruše Rdečelaske u filmu Ples v dežju
 1979. – priznanje Glumica godine
 1980. – Celje / Niš: nagrada Carica Teodora za ulogu tetke u filmu Ubij me nežno

Izvori

Vanjske poveznice
 LZMK / Hrvatska enciklopedija: Počkaj, Duša

Životopisi, Ljubljana
Slovenski filmski umjetnici
Slovenski kazališni glumci

Duša Počkaj


Peter van Nieuwenhuizen (né le ) est un physicien néerlandais. Il est professeur distingué à l'université d'État de New York à Stony Brook. Van Nieuwenhuizen est surtout connu pour sa découverte, avec Sergio Ferrara et Daniel Freedman, de la supergravité.

Biographie
Peter van Nieuwenhuizen étudie la physique et les mathématiques à l'université d'Utrecht, où il obtient un doctorat en 1971 sous la direction de Martinus Veltman. Après ses études à Utrecht, il rejoint le CERN à Genève, puis l'université de Paris à Orsay et l'université Brandeis (Waltham), chacun pendant deux ans.

En 1975, il rejoint l', où il succède à Chen Ning Yang comme directeur de 1999 à 2002.

Il est marié à Marie de Crombrugghe et le couple a trois enfants.

Notes et références

Liens externes

Membre de l'Académie royale néerlandaise des arts et des sciences
Personnalité du CERN
Physicien théoricien
Étudiant de l'université d'Utrecht
Physicien néerlandais du XXe siècle
Naissance en octobre 1938

Peter van Nieuwenhuizen


Mi vuelta a la vida (It's Not About the Bike: My Journey Back to Life) es un libro autobiográfico publicado en el año 2000 por el ciclista Lance Armstrong con Sally Jenkins.

El libro fue escrito poco después de que Armstrong había ganado el Tour de Francia 1999: pasó a ganar seis veces más en años sucesivos, realizando un récord que finalmente sería anulado por dopaje. En 1996, había sido diagnosticado con cáncer testicular, que se extendió a sus pulmones, el abdomen y el cerebro, y se le dio sólo un 40 por ciento de probabilidades de sobrevivir.

El libro cubre la historia desde la infancia hasta el Tour de 1999, y el posterior nacimiento de su primer hijo. Una entrega autobiográfica posterior, titulado Vivir cada segundo (Every Second Counts), y también con Sally Jenkins como coautora, sigue el relato hasta su victoria en el Tour de 2003.

Referencias

Autobiografías
Ciclismo en Estados Unidos
Medios de comunicación deportivos de Estados Unidos

Mi vuelta a la vida


මයිට්‍රල් කපාටය (), ද්විතුණ්ඩ කපාටය () හර්දය තුල පිහිටි කපාටයකි.

මයිට්‍රල් කපාටය පිහිටා ඇත්තේ වම් කර්ණිකාව සහ වම් කෝෂිකාව අතර ය. එයහි තුණ්ඩ දෙකක් ඇති හෙයින් ද්විතුණ්ඩ කපාටය ලෙස ද හඳුන්වයි.

මූලාශ්‍ර

හෘදය

මයිට්‍රල් කපාටය


L'accident ferroviaire de Saint-Georges-sur-Meuse s'est déroulé sur la ligne 125 d'Infrabel qui relie Liège et Namur, dans la nuit du  vers , lorsqu'une automotrice de train de voyageurs de type AM96 de la société nationale des chemins de fer belges a percuté un train de fret à hauteur de Saint-Georges-sur-Meuse, dans la province de Liège, en Belgique.

La cause est la négligence du conducteur qui n'a pas respecté un feu rouge lui intimant de s'arrêter.

Le bilan humain est de 3 morts et 10 blessés.

Description des trains
Le train de voyageurs est un InterCity AM96 SNCB de la société nationale des chemins de fer belges qui circulait sur la ligne 125 d'Infrabel, en provenance de Liège et à destination de Namur.

Déroulement
Peu avant , le train InterCity D quitte la gare d'Engis en direction de la gare de Haute-Flône. Arrivé à hauteur de Saint-Georges-sur-Meuse il a passe un feu de deux lumières orange, intimant au conducteur de réduire sa vitesse jusqu'à l'arrêt, mais celui-ci ne réagit pas. Le train passe ensuite un signal rouge qui lui impose normalement de s'arrêter, mais il le franchit. Apercevant alors le train de marchandises, le conducteur actionne le freinage d'urgence, mais il est trop tard. La collision a lieu vers  à une vitesse de . L'accident fait 3 morts et 10 blessés.

Enquête

Conducteur
À la suite d'une enquête, il sera démontré que le conducteur est responsable de l'accident mais n'était pas sous l'emprise de drogue ou d'alcool.

Signaux
L'arrêt du train de marchandises avait été provoqué par un impact de foudre : par mesure de sécurité, les signaux de la section concernée étaient passés au rouge. Les signaux couvrant la zone occupée par le train de marchandises ont fonctionné convenablement.

Système TBL 1
Les résultats de l'enquête démontreront que la zone n'était pas équipée de système de sécurité TBL 1 alors que cela avait été prescrit pour l'ensemble du réseau d'Infrabel à la suite de l'accident ferroviaire de Buizingen, survenu en 2010 sur la ligne 96. Le rôle principal du TBL 1 est d'éviter le passage d'une signalisation imposant l'arrêt immédiat. Le système stoppe immédiatement le train par un frein d'urgence et renforce la sécurité sur le réseau ferré belge.

Victimes

Le , une cérémonie d'hommage aux victimes est organisée dans la commune de Saint-Georges-sur-Meuse avec la création d'un mémorial pour les 3 victimes de l'accident.

Premier accident (3 juillet 2008)
La section de ligne entre les gares de Bas-Oha et Hermalle-sous-Huy avait déjà été le théâtre d'une collision frontale entre un train de marchandises et un train de voyageurs en 2008. À , un train InterCity de Namur à Liers circulant à pleine vitesse fait face à un signal rouge. Ne parvenant pas à freiner à temps, il talonne les aiguillages menant à la voie adjacente où un train de marchandises attend d'accéder au raccordement de l'usine de chaux. Deux personnes sont grièvement blessées et plusieurs légèrement.

Malgré les similitudes entre les deux accidents, celui-ci trouve sa cause dans un défaut de fonctionnement du signal qui aurait dû afficher deux lumières orange pour avertir le conducteur que le signal suivant serait rouge. Néanmoins, les conclusions du rapport de ce premier accident mentionnent déjà l'absence de système TBL1 à cet endroit.

Notes et références

Voir aussi

Bibliographie

 Rapport officiel de l'accident de Saint-Georges-sur-Meuse du 5 juin 2016

Articles connexes
 Accident ferroviaire ;
 Liste des accidents ferroviaires en Belgique ;
 Liste de catastrophes en Belgique.

Saint-Georges-sur-Meuse
Saint-Georges-sur-Meuse
2016 en Belgique
Juin 2016
Catastrophe ferroviaire en 2016

Accident ferroviaire de Saint-Georges-sur-Meuse


Olaylar
 11. yüzyıl ve 2. milenyum bu yılın başlaması ile başladı.
 Gazneli Mahmut, İlig Nasır Han'ın kızıyla evlendi

Doğumlar
 Godwine, Wessex Kontu (ö. 1053)
 Kaim, Abbâsî halifesi (ö. 1075)

Ölümler
 3 Ağustos - Tâi, Abbasi halifesi (d. 932)
 tarihi bilinmeyen
 Wang Yi-Ch'eng, Çinli şair

1001


ආමන්ඩ් ද සූසා (1874 ඔක්තෝබර් 29- 1921) යනු ලංකා පුවත්පත් කතුවරයෙකු සහ ප්‍රජාතන්ත්‍රවාදී ක්‍රියාකාරිකයෙකි.

ළමා අවධිය
ද සූසා උපත ලැබුවේ ගෝවා හි ඇසගවුම් හි සරස්වත් බ්‍රහ්ම ප්‍රජාවට අයත් රෝමානු කතෝලික පවුලක ය. ඔහු 1537 දී කතෝලික ආගමට හැරුණු රුලු කැමොටින් ගේ දසවන පරම්පරාව වන අතර, ඔහුගේ බව්තීස්මයේදී ඩියාගෝ ද සූසා ඔහුගේ නම ලෙස භාවිතා කළේය. ආමන්ඩ් ද සූසා යනු අධිනීතිඥ Antonio Narcisso Vasconcellos de Souza ගේ පුත්‍රයා වන අතර, ඔහුම අධිනීතිඥ සහ ලතින් විශාරද Antonio José de Souza ගේ පුත්‍රයා විය.

තරුණ වියේදීම අනාථ වූ ඔහු වයෝවෘද්ධ ආච්චි කෙනෙකුගේ භාරයේ තබා ඇති අතර ඔහු පිරිමි ළමයාගේ මාමා වන වෛද්‍ය ලිස්බෝවා පින්ටෝ විසින් ඔහුව හදා වඩා ගැනීමට කටයුතු කළේය.  පින්ටෝ ලංකාවේ ජනපදයේ එක්සත් ජනපදයේ ගෞරවනීය කොන්සල්වරයා විය.  ඔහු පහළොස් හැවිරිදි ද සූසාව කොළඹ රාජකීය විද්‍යාලයට ඇතුළත් කළේය. රාජකීය විද්‍යාලයේ විදුහල්පති ජෝන් හාවර්ඩ් ද සූසාගේ ඉතිහාසය සහ ඉංග්‍රීසි සාහිත්‍ය කෙරෙහි ඇති ඇල්ම දිරිමත් කළේය. ද සූසා රාජකීය විද්‍යාල සඟරාවේ කර්තෘවරයා ලෙස කතුවැකි දත් කපා ගත්තේය. පාසැලේදී ඔහු ලිවීමට හා කථිකත්වයට ප්‍රසිද්ධ විය.  ද සූසා පවුලේ සම්ප්‍රදායට අනුව නීතීඥ වෘත්තියට කැඳවනු ඇතැයි අපේක්ෂා කළ නමුත් ඔහු තම මාමා සමඟ විරසක වී තම ජීවිතය ගත කළේය.

වෘත්තීය
ද සූසා වසර අටක් සේවය කළ ද ටයිම්ස් ඔෆ් සිලෝන් හි මාධ්‍ය පුහුණුව ලබා ඇත. ඔහු ස්ටෑන්ඩර්ඩ් වෙත මාරු වූයේ ඔහු මහජන ගැටළු සම්බන්ධයෙන් ටයිම්ස් කතුවරයා සමඟ එකඟ නොවූ බැවිනි. ඔහු 1907 ජූලි මාසයේදී වයස අවුරුදු තිස් තුනේදී සිලෝන් මෝනිං ලීඩර් ආරම්භ කළේය. ඔහු ප්‍රධාන වාර්තාකරු සහ උප කර්තෘ ලෙස කටයුතු කළ අතර ප්‍රධාන කර්තෘ තනතුර JT Blazé වෙත හිමි විය. කෙසේ වෙතත්, හිමිකරුවන් අවධාරනය කළේ, බ්ලේස්ගේ මෘදු ගද්‍යය වෙනුවට වඩාත් ප්‍රබල වාචාලකම ආදේශ කරමින් ඩි සූසා භාර ගන්නා ලෙසයි.  වසර පහක් පුරා "ඔහු සමාජ, දේශපාලනික සහ බුද්ධිමය කාරණා සම්බන්ධයෙන් විවිධ ප්‍රජාවන් අතර පුනරුදයක් ඇති කළේය. දිවයිනේ ස්ථීර ජනගහනයේ විවිධ පන්ති සහ ප්‍රජාවන් අතර ජාතික පිබිදීම සඳහා ඔහු විශාල වශයෙන් වගකිව යුතු විය.....විශේෂයෙන් සිංහලයන් පිබිදීම සඳහා ඉතා විශාල ප්‍රමාණයකට"  ඔහු ව්‍යවස්ථා ප්‍රතිසංස්කරණ සඳහා, විශේෂයෙන් 1911 නොවැම්බර් 15 දක්වා නිල සහ පත්කළ සාමාජිකයන්ගෙන් සමන්විත වූ ව්‍යවස්ථාදායක සභාවට එක් 'උගත් ලංකා මන්ත්‍රීවරයෙකු' ඇතුළුව සාමාජිකයින් හතර දෙනෙකු තෝරා පත් කර ගැනීමේ අයිතිය. ඉන්පසු ඔහු මැතිවරණ කොට්ඨාශ අනුව සියලුම නිල නොවන මන්ත්‍රීවරුන් තෝරා පත් කර ගැනීම සඳහා සහ ව්‍යවස්ථාදායක සභාවේ නිල නොවන බහුතරය සඳහා සටන් කළේය.   ඔහු ව්‍යවස්ථාදායක සභාව තුළ වාර්ගිකව පදනම් වූ නියෝජනයට සහ පරම්පරා කිහිපයක් පුරා පවුල් දෙකක් විසින් පිළිවෙලින් ප්‍රධාන ජාතීන් දෙක නියෝජනය කිරීමට විරුද්ධ විය.

1914 දී තෝමස් ආතර් හොඩ්සන් දිසා විනිසුරු සහ පොලිස් මහේස්ත්‍රාත්වරයා ලෙස නඩු විභාග කරන විට තෝමස් ආතර් හොඩ්සන් කොස්තාපල්වරයාගේ අදහස්වලට අනුකම්පා කළ බවට යෝජනා කරන ලද "යුක්තියේ නුවරඑළිය" නමින් කතුවැකියක් ලිවීම සම්බන්ධයෙන් ද සූසාට අධිචෝදනා ගොනු කරන ලදී.  ශ්‍රේෂ්ඨාධිකරණයේ ත්‍රිපුද්ගල විනිසුරු මඩුල්ලක් (රෙන්ටන්, පෙරේරා සහ ද සම්පායෝ) ඉදිරියෙහි ඔහු වෙනුවෙන් කේසී බාවා විසින් ඔහු වෙනුවෙන් පෙනී සිටි අතර එය ඔහුට මාසයක සිර දඬුවමක් නියම කළේය. මහජන විරෝධතාවක් ඇති විය. හැරී ක්‍රේසි මෙසේ ලිවීය, "[i]මෙම ජනපදයේ සෑම පිරිමියෙකුටම සහ ගැහැණු ළමයෙකුටම වැදගත් වන්නේ, රජයේ සහ සියලුම රාජ්‍ය නිලධාරීන්ගේ ක්‍රියාවන් විවේචනය කිරීමට සහ ප්‍රශංසා කිරීමට හෝ හෙළා දැකීමට පුවත්පත්වලට පූර්ණ නිදහස තිබිය යුතු අතර එය අධිකරණය දැඩි ලෙස කළ යුතුය. එවැනි විවේචන හෝ හෙළා දැකීම් වලදී ඕනෑම අනවශ්‍ය බලපත්‍රයක් මර්දනය කරන්න.  මුද්‍රණාලය ද සූසාට සහය පළ කළේය. දින හයක් ඔහුගේ සිර මැදිරියේ සිටි ඩී සූසා ආණ්ඩුකාර ශ්‍රීමත් රොබට් චාමර්ස්ගේ නියෝගයෙන් නිදහස් කරන ලදී. ඔහුව බන්ධනාගාරයේ සිට අශ්ව රථයකින් ගෙන යන ලද්දේ බොහෝ මහජන ඝෝෂාවකටය.

කටයුතු
ද සූසා 1915 දී ලංකාවේ වාර්ගික කෝලාහල ලේඛනගත කළේ Hundred days: Ceylon under martial law in 1915 නම් කෘතියෙනි. පිටපතක් ලෙනාඩ් වුල්ෆ්ගේ පුස්තකාලයේ ඇත, දැන් වොෂින්ටන් රාජ්‍ය විශ්වවිද්‍යාල පුස්තකාල විශේෂ එකතුවේ.

මරණ
ඩි සූසා 1921 දී වයස අවුරුදු 47 දී ආන්ත්‍රයික රෝගයෙන් මිය ගියේය. 1921 මැයි 18 වැනි දින සිලෝන් මෝනිං ලීඩර් පුවත්පතේ ඔහුගේ අවමංගල්‍ය ප්‍රකාශය මෙසේය.

පවුලක්
ඔහු ලසසපයේ ( ලංකා සමසමාජ පක්ෂය, ශ්‍රී ලංකාවේ ට්‍රොට්ස්කිවාදී පක්ෂය) සෙනෙට් සභික ඩොරික් ද සූසා සහ ටයිම්ස් කර්තෘ ටොරිස්මන්ඩ් ද සූසා මෙන්ම කුඩා කල මිය ගිය ඇලරික් සහ ලීනාගේ පියා විය. නිළි ෆේබියන් තෙරේස් ඔහුගේ මී මිණිබිරියයි.

යොමු කිරීම්

මූලාශ්‍ර

 "Mr. Armand de Souza". The African Times & Orient Review . 1913 ජූනි, පි. 40.

 ද සූසා, ආමන්ඩ්. දින සියය: 1915 දී යුධ නීතිය යටතේ ලංකාව. ද සිලෝන් මෝනිං ලීඩර් 1919. 318 පි.

1921 මරණ

ආමන්ඩ් ද සූසා


An Ronnbergia maidifolia in uska species han Liliopsida nga ginhulagway ni Carl Christian Mez. An Ronnbergia maidifolia in nahilalakip ha genus nga Ronnbergia, ngan familia nga Bromeliaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Ronnbergia

Ronnbergia maidifolia


The Afghan Women is a play by Emmy Award-winning playwright William Mastrosimone. It was produced by the Passage Theatre Company and premiered in 2003 at the Mill Hill Playhouse in Trenton, New Jersey. The first dozen performances raised US$10,000 for Afghan orphans. In January 2004, Mastrosimone presented a reading of the play to actors in Kabul which is the capital of Afghanistan.

Plot summary
The play is set after the U.S. invasion of Afghanistan. The heroine is an Afghan woman who had fled her homeland during the Civil War, but now returns from the United States to found an orphanage. In the ensuing plot, a warlord fails as he attempts a coup. As he retreats, he tries to use the orphans as human shields, prompting the heroine to kill the warlord. She then inspires the warlord's vengeful son to find choices other than violence, a theme that is common throughout Afghanistan.

References

Plays by William Mastrosimone
2003 plays

The Afghan Women


Çamoba, Balıkesir'e 134 km, Ayvalık'a 19 km mesafede olan 739 nüfuslu (2000 yılı), Ayvalık ilçesine bağlı bir mahalledir.

Bölgede ılıman Marmara iklimi görülür.

Kaynakça
https://www.e-icisleri.gov.tr/Anasayfa/MulkiIdariBolumleri.aspx  Genel Mahalle Listesi, T.C.İçişleri Bakanlığı, Mart 2020.

Ayvalık'ın mahalleleri

Çamoba, Ayvalık


Jokerit er en professionel ishockeyklub i Helsinki, Finland, som har hjemmebane i Hartwall Arena. Klubben blev stiftet den 27. oktober 1968 og har vundet det finske mesterskab i ishockey seks gange: 1973, 1992, 1994, 1996, 1997 og 2002. Klubben har siden 2014 som den første finske klub spillet i den Kontinentale Hockey-Liga, hvor den i sin første sæson tabte i konferencesemifinalen i kampen om Gagarin-pokalen.

Klubbens navn betyder "Jokerne".

Titler

Nationale titler
 Finsk mester (6 titler): 1973, 1992, 1994, 1996, 1997, 2002.

Internationale titler
 Mesterholdenes Europa Cup (2 titler): 1995, 1996.
 IIHF Continental Cup (1 titel): 2003.

Kilder
 Jokerit

Tidligere ishockeyklubber i KHL
Ishockeyklubber i Finland
Helsinki
Etableret i 1968

Jokerit


Le deuxième pont de Womey est un pont situé à Womey dans la ville d'Abomey-Calavi. Long de 350 mètres, il relie le quartier Womey à Cocotomey, Cococodji et environs, et la route inter-états Cotonou-Lomé.

Histoire
Après la décision du conseil des ministres le 27 novembre 2019, les travaux de construction commencent. Ce pont vient compléter le pont de l'alliance, en service depuis le 29 avril 2019, et décongestionne la circulation des populations de Womey et ses environs.

Caractéristiques techniques
Le pont présente une longueur de 350 mètres linéaires supportés par 38 pieux moullant sur une profondeur de 60 mètres.

Il compte une chaussée composée de 2 voies 3,5 mètres de circulation chacune et 2 trottoirs de 1,75 mètre dédiés aux piétons.

Notes et références

Articles connexes
 Ancien pont de Cotonou
 Pont Martin Luther King de Cotonou
 Pont Konrad-Adenauer de Cotonou

Pont au Bénin
Cotonou

Deuxième pont de Womey


The THC Ministry, founded by Roger Christie from the Religion of Jesus Church, is a religion which considers cannabis to be a sacrament. Members base their practices on what they see as an eclectic mixture of ancient wisdom, modern science, and the enlightening and healing properties of cannabis sacrament. Its mission includes "liberating the Cannabis plant and the minds of those who do and of those who do not revere it," and is actively involved in the legal and social discussions  surrounding cannabis use in society. On July 8, 2010, Christie and 13 other individuals allegedly associated with the THC Ministry were indicted by a Federal grand jury in Honolulu on Marijuana Possession and Trafficking charges. Christie served four years in jail following an April 2014 sentencing, and was on probation until 2018.

Beliefs
THC Ministry believes that "cultivation and enjoyment of cannabis sacrament is a fundamental human right provided by God and protected by the Constitution." It states cannabis is the original sacrament of Hebrew, Christian, Muslim, Hindu, Shinto, Buddhist, Rasta and more, and fulfills the prophesies to 'feed all our hungers'. It believes cannabis to be one of the main ingredients in the original Anointing Oil, as described in the Bible. Some members also believe it is the substance used in the burnt offerings at the altar and special occasions throughout the Bible numerous times.

History

THC Ministry, which is the abbreviated and popularized name for the original Hawai'i Ministry of Cannabis Sacrament and all of its chapters, was founded in June 2000 by Roger Christie in Hawaii. It is present in Australia, Canada, the Netherlands, the United Kingdom and many states of the United States, including Alabama, Arizona, California, Colorado, Florida, Illinois, Indiana, Iowa, Michigan, Missouri, Montana, Nebraska, Ohio, Oregon, Wyoming, Texas, and Tennessee with at least one other chapter forming in New York. It is an officially registered religion in many countries on different continents.

According to the THC Ministry, identification of cannabis specifically as an ingredient of the holy anointing oil, can be found in the Torah (Five Books of Moses), Exodus 30:23; contrary to the translation of the Septuagint and supported by both Aramaic translations (the Targum and the Peshitta).

The Hebrew Bible possibly mentions cannabis in Exodus 30:23 where God commands Moses to make a holy oil of myrrh, cinnamon, qěnēh bośem and cassia to anoint the Ark of the Covenant and the Tabernacle (and thus God's Temple in Jerusalem). The Biblical Hebrew term qěnēh bośem (קְנֵה בֹּשֶׂם), possibly derived from Sumerian kanubi,  literally "reed of balm", probably refers to cannabis according to some etymologists, but is more commonly thought to be lemon grass, calamus, or even sweet cane, due to widespread translation issues.

Notably, the specific anointing oil in question, is a special herbal formula that functions as a kind of polish and fragrance for the Ark and Tabernacle, and the Bible forbids its manufacture and use to anoint people (Exodus 30:31-33)
with the exception of the Aaronic priesthood (Exodus 30:30).

In Aryeh Kaplan's contemporary English translation of the Five Books, "The Living Torah", he includes a picture of the hemp plant as an illustration (p. 442).

A judge in Colorado ruled that a man's belief that marijuana was a sacrament did not rise to the level of religion and ordered him to pay $450 in fines and costs and serve 15 hours of community service as a sentence.

See also

Religious use of cannabis
Cannabis (drug)
Charas
entheogen

References

External links
THC Ministry Chapters:
Hawai'i Cannabis Ministry (Original organization founded by Roger Christie)
THC Ministry Amsterdam (European headquarters and first official THC Ministry founded outside the USA.)
Green Earth Ministries Alabama (Official THC Ministry founded in Alabama, USA.)
Other Recognized Churches Supporting THC Ministries
 greenfaith ministry Cannabis Caregiving Church, (Cannabis Sacrament/Medicine Church Recognized by the States of WY, TX, & CO)
 The Entheogenic Reformation Church
 U.L.C. Headquarters   (world-renowned U.L.C. church and supporter of thc-ministries.)
 Ministry of Cannabis   (Cannabis seedbank based in Amsterdam, the Netherlands.)
 Christians for Cannabis   (Idaho USA Cannabis Ministry, Christians for Cannabis)

Cannabis law reform organizations
Cannabis and religion
New religious movements
Religious organizations using entheogens
Religious organizations established in 2000
2000 establishments in Hawaii
Cannabis in Hawaii
2000 in cannabis
Religious belief systems founded in the United States

THC Ministry


بلدية هينوخوسا ديل دوكوي ، هي إحدى بلديات مقاطعة قرطبة إحدى مقاطعات إسبانيا، و التي تقع في منطقة الأندلس جنوب إسبانيا.

يبلغ عدد سكانها 7.506 نسمة وفقاً لإحصائية سنة (2007).

مراجع

بلديات قرطبة

هينوخوسا ديل دوكوي (قرطبة)


Yann Millon (* 26. März 1970 in Yvetot, Frankreich) ist ein ehemaliger französischer Duathlet und Crossläufer. Er ist zweifacher Duathlon-Weltmeister (1998, 1999).

Werdegang
Yann Millon war 1998 und 1999 Weltmeister sowie 1997 und 2000 Vizeweltmeister der Internationalen Triathlon Union im Duathlon über die Kurzdistanz (10 km Laufen, 40 km Radfahren und 5 km Laufen).

Mit der französischen Nationalmannschaft war er 1996 und 1997 Vizeeuropameister im Crosslauf und wurde 2000 Europameister.
Darüber hinaus gewann er mit seiner Staffel die französischen Meisterschaften über 4 × 1500 m (1990) und wurde mehrfach mit seinem Team französischer Meister im Crosslauf (1993, 1994).

2002 erklärte er seine aktive Zeit für beendet.

Sportliche Erfolge

Duathlon

Weblinks
 Website von Yann Millon

Duathlet (Frankreich)
Crossläufer (Frankreich)
Weltmeister (Duathlon)
Franzose
Geboren 1970
Mann

Yann Millon


Lipe Veloso (født 7. april 1997) er en brasiliansk fodboldspiller.

Referencer

Eksterne henvisninger

Fodboldspillere fra Brasilien

Lipe Veloso


John Forbes (1 September 1950 – 23 January 1998) was an Australian poet.

Forbes was born in Melbourne, but during his childhood his family lived in northern Queensland, Malaya and New Guinea. He went to Sydney University, and his circle of friends included the poets Robert Adamson, Martin Johnston, and John Tranter. It was at this time that the work of the American poets Ted Berrigan, John Ashbery and Frank O'Hara made a strong and lasting impression on him.

He returned to live in Melbourne in the late 1980s, where he became the poetry editor of Scripsi. His friends around this time included the poets Gig Ryan, Laurie Duggan and Alan Wearne.

Forbes died in Melbourne of a heart attack, aged 47.

Works
Collected Poems, 1970–1998; 2001, Brandl & Schlesinger, .
Damaged Glamour; 1998, Brandl & Schlesinger, .
Humidity; 1998, Equipage.
New and Selected Poems; 1992, Angus & Robertson, .
The Stunned Mullet; 1988, Hale & Iremonger.
Stalin's Holidays; 1981, Transit Poetry.
Drugs; 1979, Black Lamb Press.
On the Beach; 1977, Sea Cruise Books.
Tropical Skiing; 1976, Angus & Robertson.

Related works
Ken Bolton (ed.) Homage to John Forbes. (Brandl & Schlesinger, 2002)

References

External links
Poems, links etc., including obituary by Alan Wearne
Forbes issue of Jacket
Essay on Forbes by Philip Mead

1950 births
1998 deaths
Poets from Melbourne
University of Sydney alumni
20th-century Australian poets
Australian male poets
20th-century Australian male writers

John Forbes (poet)


977 (CMLXXVII) pazartesi günü başlayan bir yıldır.

Olaylar
 İmam Ali Türbesi'nin yapımı tamamlandı.

Doğumlar
 4 Mart - El-Musabbihi, Fatımi tarihçi (ö. 1030)

Ölümler
 1 Mart - Rudesind, Galiçya piskoposu (d. 907)
 II. Boris, Bulgar imparator

977


Younes ist der Familienname folgender Personen:

 Abdul Majid Younes, palästinensischer Waffenhändler
 Ali Mohd Younes Idriss (* 1989), sudanesischer Hochspringer
 Amin Younes (* 1993), deutscher Fußballspieler
 Georges M. Saad Abi Younes (* 1948), libanesischer Geistlicher, Bischof in Mexiko
 Lincoln Younes (* 1992), australischer Schauspieler

Siehe auch:
 Ben Younes

Younes


Em 1911 foram realizadas duas edições do Campeonato Europeu de Halterofilismo.

Torneio 1
O 14º Campeonato Europeu de Halterofilismo foi realizado em Budapeste, na Hungria em 13 de outubro de 1911. Foram disputadas duas categorias.

 Medalhistas

Torneio 2
O 15º Campeonato Europeu de Halterofilismo foi realizado em Leipzig, na Alemanha em 28 de dezembro de 1911. Foram disputadas duas categorias.

 Medalhistas

Quadro de medalhas

Ligações externas
Site da Federação Europeia de Halterofilismo

1911
Europeu
Halterofilismo
Halterofilismo
Halterofilismo
Halterofilismo

Campeonato Europeu de Halterofilismo de 1911


Mulmets viser (danski: "Pjesme tame") drugi je studijski album danskog folk metal sastava Svartsot. Album je 24. ožujka 2010. godine objavila diskografska kuća Napalm Records.

Popis pjesama

Osoblje

Svartsot
Cris J.S. Frederiksen – gitara, mandolina, zborski vokali
Hans-Jørgen Martinus Hansen – flauta, zviždaljka, harmonika, zborski vokali
James Atkin – bas-gitara, zborski vokali
Danni Jelsgaard – bubnjevi
Thor Bager – vokali

Dodatni glazbenici
Lasse Lammert – zborski vokali, produkcija, snimanje, miksanje, mastering
Brenden Casey – zborski vokali
Ostalo osoblje
Gyula Havancsák – naslovnica, ilustracije
Jonas Højgaard Andersen – fotografija
Mads Schou Jensen – fotografija

Izvori

Albumi iz 2010.
Danski glazbeni albumi

Mulmets viser


Kazuhisa Iijima (født 6. januar 1970) er en tidligere japansk fodboldspiller.

Han har spillet for flere forskellige klubber i sin karriere, herunder Nagoya Grampus Eight.

Eksterne henvisninger

Fodboldspillere fra Japan

Kazuhisa Iijima


Andrew Paul Marshall (born 27 August 1954) is a British comedy screenwriter, most noted for the domestic sitcom 2point4 children. He was also the inspiration for Marvin the Paranoid Android in The Hitchhiker's Guide to the Galaxy. Although he had also previously adapted stories for Agatha Christie's Poirot, in 2002 he made a further move into writing "straight" drama, with the fantasy horror series Strange. He has also written several screenplays.

Career
Born in Lowestoft, Marshall attended Fen Park School and then Lowestoft Grammar School, and afterwards Borough Road College where he studied mathematics and psychology. Around the same time, he worked regularly on Radio 4's Week Ending, together with David Renwick, Douglas Adams, Alistair Beaton, John Lloyd, Simon Brett and others. Shortly afterwards he began writing The Burkiss Way with David Renwick and John Mason (who later dropped out to go to acting school). Renwick and Marshall remained scriptwriting partners for many years.

Brought by Humphrey Barclay to London Weekend Television, originally to repeat his 'nursery slopes comedy' Do Not Adjust Your Set with End of Part One, Marshall and Renwick went on to write a series of television satires, including Whoops Apocalypse, Hot Metal and If You See God, Tell Him — the latter originally for Channel 4, but postponed for several years when the channel refused to let them direct it, and finally ending up at the BBC later.

They also experimented with a type of neo-Vaudeville style in The Steam Video Company for Thames Television, ultimately ending up at the BBC, writing, with Alexei Sayle, Alexei Sayle's Stuff. Along the way they also wrote the screenplay for a film version of Whoops Apocalypse and adapted Tom Sharpe's novel Wilt for a film of the same title.

After a tentative and unsuccessful attempt at solo writing with Sob Sisters at Central Television, Marshall found long-lasting success BBC One's 2point4 children, adding to it Health and Efficiency and later, Dad. He also found time to adapt Alexei Sayle's short story "Lose Weight, Ask Me How" for the series Spinechillers, in which Sayle also starred.

Having also contributed to Agatha Christie's Poirot on ITV, he next wrote drama with the telefantasy series Strange for Saturday nights on BBC One. However, due to scheduling issues, a one-year gap between the pilot episode and the series and the BBC's decision not to repeat the pilot before the series began, the series failed to find a large audience in its Saturday night slot and was not recommissioned for a second run.

Until recently Marshall has avoided publicity of any kind, explaining that "it's very bad for you", and cites his major influences as "Alfred Hitchcock and Walt Disney... which explains a lot." In 2005, he had a small cameo appearance on-screen in an episode of David Renwick's comedy-drama Love Soup on BBC One, alongside Renwick himself, as members of a sitcom scriptwriting team. He also appeared as a member of the Critics Panel on several editions of BBC 7's "Serious About Comedy" in 2006–7.

More recently he began a new collaboration with Rob Grant, producing directing and writing the Radio 4 Series "The Quanderhorn Xperimentations" - and also the novel version published by Gollancz. In a further unexpected turn, he and Rob Grant launched a Radio 4 sketch Series "The Nether Regions" as writer/performers in October 2019. Grant and Marshall are working together on other projects as well.

Screenography

With David Renwick
The Burkiss Way (BBC Radio 4)
End of Part One (London Weekend Television for ITV)
Whoops Apocalypse (London Weekend Television for ITV)
Whoops Apocalypse (movie version)
The Steam Video Company (Thames Television for ITV)
Alexei Sayle's Stuff (BBC) - also with Alexei Sayle
There's a Lot of It About (BBC) - also with Spike Milligan
If You See God, Tell Him (BBC)
Hot Metal (LWT)
Wilt

With John Lloyd
Hordes of the Things (BBC Radio 4)

With Rob Grant
The Quanderhorn Xperimentations (BBC Radio 4) and Gollancz
The Nether Regions (BBC Radio 4)

Solo
 Sob Sisters (ITV)
2point4 children (BBC)
Strange (BBC)
Dad (BBC)
Health and Efficiency (BBC)
Poirot: The Victory Ball; How Does Your Garden Grow? (LWT)

External links

Andrew Marshall interview at bbc.co.uk.

English television writers
1954 births
Living people

Andrew Marshall (screenwriter)


ولاية دبا هي إحدى الولايات التابعة لمحافظة مسندم في سلطنة عمان.

المعالم الأثرية
و من المعالم الأثرية في ولاية «دباء» تلك القلعة المسماة «السيبة» والتي أعيد بناؤها في عهد السلطان قابوس بن سعيد كما يوجد بها قلعة «سبطان» والمقبرة المعروفة بمقبرة «أمير الجيش» والتي ينسب وجودها إلى حروب الردة. ومن معالمها السياحية وجود الخلجان الواسعة الواقعة في وسط الجبال والمعروفة بخلجان «الغباين» والتي يتخذها الصيادون ملجأ لهم عند هياج البحر ومن أهم هذه الخلجان خور معلى والميم. كما يوجد بالولاية عين ماء يسمونها «السقطة» إلى جانب عدد من الكهوف الواسعة داخل الجبال.

الحرف والصناعات التقليدية
و في ولاية دباء عدد من الحرف والصناعات التقليدية. فمن أهم الحرف صيد الأسماك الذي يكثر في أماكن الخلجان والزراعة حيث تنتج التمور والحمضيات والفاكهة إضافة إلى تربية الحيوانات. ومن أهم صناعاتها التقليدية: صناعة السفن الصغيرة والحدادة والسعفيات والنسيج.

مراجع

ولاية دبا
أماكن مأهولة في سلطنة عمان
محافظة مسندم
مدن آسيا
نزاعات الإمارات الإقليمية
ولايات سلطنة عمان

ولاية دبا


La Línea C1 es un servicio de pasajeros del transporte de la ciudad de Caleta Olivia. Esta línea pertenece a la empresa MAXIA S.R.L..

Recorrido

Servicio diurno

Véase también
 Caleta Olivia

Enlaces externos
 https://www.caletaolivia.gob.ar/sites/default/files/recorrido-linea-c.jpg

Caleta Olivia
Transporte público en la provincia de Santa Cruz (Argentina)
Líneas de colectivos de Caleta Olivia

Línea C1 (Caleta Olivia)


El Rondó para piano y orquesta en la mayor, K. 386, es un rondó de concierto compuesto por Wolfgang Amadeus Mozart a finales de 1782, según Alfred Einstein, musicólogo y especialista en Mozart.

La composición

Mozart escribió la obra aproximadamente en el mismo momento en que compuso sus tres conciertos para piano de Viena, números 11, 12 y 13.

Durante un tiempo se pensó que Mozart dejó esta composición inacabada, porque cuando Constanze Mozart vendió el manuscrito en 1799 al editor Johann Anton André, las páginas finales estaban perdidas. Sin embargo, Alan Tyson descubrió la conclusión que se había perdido en la Biblioteca Británica en 1980. Antes de este hecho, el resto del autógrafo había sido desmemebrado y esparcido, y la única versión completa conocida era el arreglo para piano de Cipriani Potter, aproximadamente de 1838. Alfred Einstein, empleando esta versión y solo dos hojas hasta entonces conocidas de la obra, publicó una reconstrucción del rondó en 1936, y las hojas del manuscrito que aparecieron posteriormente se reflejaron en el Neue Mozart-Ausgabe y en una conclusión de 1962 llevada a cabo por Paul Badura-Skoda y Charles Mackerras. Las hojas últimas descubiertas por Tyson han sido ahora incorporadas en las grabaciones más recientes del rondó, como las de Murray Perahia y Malcolm Bilson.

Posibles intenciones

Alfred Einstein consideró que la pieza fue concebida por Mozart como finale original o alternativo para su Concierto para piano n.º 12 en la mayor. Ambas composiciones están en la misma tonalidad, y las dos fueron compuestas en el mismo periodo de tiempo.

Sin embargo, existen diferencias considerables. Mozart compuso los tres conciertos para ser a quattro (solo con acompañamiento de cuarteto de cuerdas), mientras que el rondó no podría interpretarse de esta manera, ya que los violonchelos tienen una línea independiente de los contrabajos. La primera página del manuscrito fue también intitulada y fachada por Mozart, lo que sugiere individualidad de la pieza.

Descripción

La pieza está marcada como allegretto, confiriéndole un carácter vivo pero apacible. La composición comienza, como muchas obras concertantes de Mozart, con la cuerda, que interpreta el tema principal de la pieza. También típico de los comienzos de las obras pianísticas y orquestales de Mozart es el hecho de que el piano solo entre tras un minuto en que toca la orquesta. Así se da en la pieza, y comienza por interpretar nuevamente el tema principal, aunque de un modo muy íntimo y elegante. Seguidamente, aparece un segundo tema, y se mezclan elementos frívolos y juguetones con secciones introspectivas y soñadoras. Reaparece el tema original, seguido de otra melodía diferente, más imponente y seria que las precedentes, hasta que regresa maravillosamente a la melodía original. La pieza concluye con una coda en verdadera forma rondó, con una estructura A-B-A-C-A-D. La interpretación de esta composición suele durar entre ocho y diez minutos, en función de cómo sea completada.

Fuentes

Referencias

Bibliografía

Enlaces externos

Conciertos para piano de Wolfgang Amadeus Mozart
Composiciones de 1782
Composiciones musicales inacabadas
Composiciones de música clásica publicadas póstumamente
Composiciones en la mayor

Rondó para piano y orquesta en la mayor (Mozart)


The Minister for Foreign Affairs () is a senior minister in the Government of Ireland and leads the Department of Foreign Affairs.

The Minister's office is located at Iveagh House, on St Stephen's Green in Dublin; "Iveagh House" is often used as a metonym for the department as a whole. From 1922 until 1971 the title of the office was "Minister for External Affairs".

The current office holder is Micheál Martin, TD. He is also Minister for Defence.

He is assisted by:
Peter Burke, TD – Minister of State for European Affairs
Seán Fleming, TD – Minister of State for International Development and Diaspora

Overview

The department has the following divisions:
 Finance Unit – oversees the financial control of the department.
 Anglo-Irish Division – deals with Anglo-Irish relations and Northern Ireland.
 Cultural Division – administers the state's Cultural Relations Programme.
 European Union Division – coordinates the state's approach within the European Union (EU).
 Development Cooperation Division – responsible for the Irish Aid programme and for Irish international development policy.
 Passport and Consular Division – is responsible for the issuing of passports to Irish citizens.
 Political Division – is responsible for international political issues and manages the state's participation in the EU's Common Foreign and Security Policy.
 Protocol Division – is responsible for the organisation and management of visits of VIPs to the state and of visits abroad by the President of Ireland.

The minister has responsibility for the relations between Ireland and foreign states. The department defines its role as: "The Department of Foreign Affairs advises the Minister for Foreign Affairs, the Ministers of State and the Government on all aspects of foreign policy and coordinates Ireland's response to international developments.

It also provides advice and support on all issues relevant to the pursuit of peace, partnership and reconciliation in Northern Ireland, and between North and South of the island, and to deepening Ireland's relationship with Britain."

List of office-holders

Notes

References

External links
Minister for Foreign Affairs

Foreign relations of Ireland
Government ministers of the Republic of Ireland
Lists of government ministers of Ireland
Ireland, Foreign Affairs

Ireland
Minister

Minister for Foreign Affairs (Ireland)


Adnaviria é um reino de vírus que inclui vírus arqueais que possuem um virion filamentoso (isto é, corpo) e um genoma de DNA linear de fita dupla. O genoma existe na forma A (A-DNA) e codifica uma proteína dimérica do capsídeo principal (MCP) que contém a dobra SIRV2, um tipo de feixe alfa-hélice contendo quatro hélices. O virion consiste no genoma envolto em proteínas do capsídeo para formar um complexo nucleoproteico helicoidal. Para alguns vírus, essa hélice é cercada por uma membrana lipídica chamada envelope. Alguns contêm uma camada de proteína adicional entre a hélice de nucleoproteína e o envelope. Virions completos são longos e finos e podem ser flexíveis ou rígidos como uma haste.

A Adnaviria foi estabelecida em 2020 depois que a microscopia eletrônica criogênica mostrou que os vírus no reino estavam relacionados devido a um MCP compartilhado, A-DNA e estrutura geral do vírion. Os vírus em Adnaviria infectam archaea hipertermofílicos, ou seja, archaea que habitam ambientes de temperatura muito alta, como fontes termais. Seu genoma A-DNA pode ser uma adaptação a este ambiente extremo. Os vírus em Adnaviria existem potencialmente há muito tempo, pois acredita-se que eles possam ter infectado o último ancestral comum archaeal. Em geral, eles não mostram nenhuma relação genética com nenhum vírus fora do reino.

Etimologia
Adnaviria leva a primeira parte de seu nome, A-dna, de A-DNA, referindo-se ao DNA genômico da forma A de todos os vírus no reino. A segunda parte, - viria é o sufixo usado para domínios de vírus. O único reino no reino, Zilligvirae, recebeu o nome de Wolfram Zillig (1925–2005) por sua pesquisa sobre archaea hipertermofílico, com o sufixo do reino do vírus - virae. O nome do único filo, Taleaviricota, é derivado do latim talea, que significa "vara", referindo-se à morfologia dos vírus no reino, e ao sufixo do filo do vírus - viricota. Por fim, a única classe no reino, Tokiviricetes, é construída a partir do georgiano toki (თოკი), que significa "fio", e o sufixo usado para classes de vírus, - viricetes.

Características
Os vírus em Adnaviria infectam arqueas hipertermofílicas e possuem genomas lineares de DNA de fita dupla (dsDNA) variando de cerca de 16 a 56 pares de quilobases de comprimento. As extremidades de seus genomas contêm repetições terminais invertidas. Notavelmente, seus genomas existem na forma A, também chamada de A-DNA. A forma A é proposta como uma adaptação que permite a sobrevivência do DNA em condições extremas, uma vez que seus hospedeiros são microrganismos hipertermófilos e acidófilos do domínio archaea. Além disso, os vírus Adnaviria têm alta redundância genômica, um mecanismo de adaptação para sobreviver em ambientes tão extremos.

A criação do A-DNA genômico é causada por uma interação com os dímeros da proteína principal do capsídeo (MCP), que, durante a montagem do virion, cobre o B-DNA pré-genômico para formar um complexo nucleoproteico helicoidal contendo o A-DNA genômico.

A hélice de nucleoproteínas é composta por unidades assimétricas de duas MCPs. Para rudivírus, este é um homodímero, enquanto para lipothrixvírus e tristromavírus, é um heterodímero de MCPs parálogos. Os MCPs dos vírus em Adnaviria contêm uma estrutura dobrada que consiste em um tipo de feixe alfa-hélice que contém quatro hélices chamado de dobra SIRV2, nomeado após o vírus de mesmo nome, Sulfolobus islandicus vírus em forma de bastonete 2 (SIRV2). Existem variações na estrutura da proteína, mas a mesma estrutura de base é mantida em todos os adnavírus.

Os adnavírus têm vírions filamentosos, ou seja, são longos, finos e cilíndricos. Os lipohrixvírus têm vírions flexíveis com cerca de 900 nanômetros (nm) de comprimento e 24 nm de largura, nos quais a hélice de nucleoproteína é cercada por um envelope lipídico. Os tristromavírus, com cerca de 400 por 32 nm, também possuem vírions flexíveis com um envelope e contêm uma camada de bainha de proteína adicional entre o complexo de nucleoproteína e o envelope. Os rudvírus têm vírions rígidos, semelhantes a bastonetes, com cerca de 600–900 por 23 nm. Em ambas as extremidades do virion, os lipothrixvirus têm estruturas semelhantes a esfregões ou garras conectadas a um colar, enquanto os rudivírus e os tristromavírus têm tampões em cada extremidade, dos quais emanam feixes de filamentos finos.

Filogenética
Os vírus em Adnaviria existem potencialmente há muito tempo, pois acredita-se que eles possam ter infectado o último ancestral comum archaeal. Em geral, eles não apresentam relação genética com vírus fora do reino. Os únicos genes que são compartilhados com outros vírus são glicosiltransferases, fatores de transcrição fita-hélice-hélice e proteínas anti- CRISPR. Os adnavírus são morfologicamente semelhantes aos vírus filamentosos não archaeais, mas seus vírions são construídos a partir de diferentes proteínas do capsídeo. Os vírus de Clavaviridae, uma família de vírus archaeal filamentosos morfologicamente semelhantes aos adnavírus, também possuem MCPs que não apresentam relação com os MCPs de vírus em Adnaviria e, por esse motivo, são excluídos do reino.

Classificação
Adnaviria é monotípica até o nível de sua única classe, Tokiviricetes, que tem três ordens. Esta taxonomia é mostrada a seguir:

 Reino: Adnaviria
 Reino: Zilligvirae
 Filo: Taleaviricota
 Classe: Tokiviricetes
 Ordem: Ligamenvirales, que contém vírus que infectam archaea da ordem Sulfolobales, contendo as famílias Lipothrixviridae e Rudiviridae
 Ordem: Maximonvirales, que contém vírus que infectam archaea da ordem Candidatus Menathophagales, atualmente contendo a única espécie Yumkaaxvirus pescaderoense
 Ordem: Primavirales, que contém vírus que infectam archaea da ordem Thermoproteales, contendo a família Tristromaviridae

História
Os vírus de Adnaviria começaram a ser descobertos na década de 1980 por Wolfram Zillig e seus colegas. Para descobrir esses vírus, Zillig desenvolveu os métodos usados para cultivar seus hospedeiros. Os primeiros a serem descritos foram TTV1, TTV2 e TTV3 em 1983. O TTV1 foi classificado como o primeiro lipothrixvirus, mas agora é classificado como um tristromavirus. O SIRV2, um rudivírus, tornou-se um modelo para estudar as interações vírus-hospedeiro após sua descoberta em 1998. As famílias Lipothrixviridae e Rudiviridae foram então unidas sob a ordem Ligamenvirales em 2012 com base em evidências de sua relação. A microscopia eletrônica criogênica mostraria mais tarde em 2020 que os MCPs de tristromavírus continham uma dobra semelhante a SIRV2 como ligamenvírus, fornecendo justificativa para o estabelecimento de Adnaviria no mesmo ano.

Ver também

Referências

Ligações externas

Domínios de vírus

Adnaviria


محمد عفيفي مطر (1935 - 28 يونيو 2010)، شاعر مصري ولد بمحافظة المنوفية تخرج في كلية الآداب ـ قسم الفلسفة. حصل على جائزة الدولة التشجعية في الشعر عام 1989 وحصل على التقديرية 2006 وصدرت أعماله الكاملة عن دار الشروق عام 2000

يعتبر مطر من أبرز شعراء جيل الستينات في مصر، وقد تنوّعت مجالات عطائه بين المقالات النقدية وقصص الأطفال وترجمة الشعر، وفاز بجوائز عديدة منها جائزة سلطان العويس في 1999. ومن دواوين عفيفي مطر 'الجوع والقمر' الذي صدر في دمشق عام 1972، 'ويتحدث الطمي' الذي صدر في القاهرة عام 1977، ورباعية 'الفرح'، وصدر في لندن عام 1990، واحتفالية 'المومياء المتوحشة'، وصدر في القاهرة عام 1992م

يقول عنه الشاعر الفلسطيني المتوكل طه'. لقد استطاع محمد عفيفي مطر- هذا الشاعر المنسي أو المُغيَّب - أن يقدم صيغة مبدعة لعلاقة الشاعر/ المثقف بالسلطة وإفرازاتها وهيمنتها وما تضعه حولها من نخب تتبنى وتردد أطروحاتها، خالقة بذلك 'ظلاماً ' كثيفاً يمنع الرؤيا ويقتل الرؤية ويغتال البصيرة والحياة. إنّ مفردة 'الظلام' التي يستعملها الشاعر محمد عفيفي مطر هي من أكثر المفردات تكراراً في دواوينه
الظلام الذي يعيشه الشاعر ليس فقط، في زنزانته التي يسميها 'جحيماً' وإنما في لحظته المعيشة وفي تاريخه. إن ما يعانيه ويكابده الشاعر جعله يرى الأشياء من جديد ويقرأ التاريخ بعيون وروح جديدة، أو لنقل، بنظرية جديدة هي نظرية 'الخوف من الخوف'. وما بين 'الظلام' و'الخوف' يكون الموت، وفي هذه الكآبة، والقتامة، تلد قصيدة الشاعر محمد عفيفي مطر، قصيدة تضجّ بالألم والفزع والكوابيس والرؤى المقتولة والأماني المغدورة ووجوه الأحبة الموتى والمدن التي يسكنها الأشباح كما أنها قصيدة مُركّبة تستند إلى الأسطورة التي يُعيد إنتاجها بلغة حداثية فلسفية، تؤكد أن صاحبها شاعر رجل يستحق الاحترام.

من أعمال عفيفي
 احتفاليات المومياء المتوحشة.
 فاصلة إيقاعات النمل.
 رباعية الفرح.
 أنت واحدها وهي أعضاؤك انتثرت.
 يتحدث الطمي.
 والنهر يلبس الأقنعة.
 شهادة البكاء في زمن الضحك.
 كتاب الأرض والدم.
 رسوم على قشرة الليل.
 الجوع والقمر.
 ملامح من الوجه الأمبيذوقليسي.
 من دفتر الصمت.
 من مجمرة البدايات.

وصدرت أعماله الكاملة عن دار الشروق سنة 2000

مصادر عن شعره
 Encyclopedia of Arabic Literature. London: Routledge, 1998
 "العلاقات النحوية وتشكيل الصورة الشعرية عند محمد عفيفي مطر، تأليف: محمد سعد شحاته، الناشر: الهيئة العامة لقصور الثقافة، القاهرة، 2002

المراجع

أشخاص من محافظة المنوفية
اشتراكيون مصريون
خريجو جامعة عين شمس
سياسيو حزب البعث
شعراء مصريون
شعراء مصريون في القرن 20
كتاب في القرن 20
مصريون حائزون على جائزة الدولة التشجيعية
مصريون حائزون على جائزة الدولة التقديرية
مواليد 1935
وفيات 1431 هـ
وفيات 2010
وفيات بسبب أمراض الكبد

محمد عفيفي مطر


Olaylar
 Cücenler'de Mouhanheshenggai Khan hakimiyeti sona erdi, Chilian Khan hakimiyeti başladı.

Doğumlar

Ölümler

429


Genevieve Cortese (8. januar 1981) er en amerikansk skuespiller. Siden 2010 har hun været gift med skuespilleren Jared Padalecki med hvem hun har tre børn.

Eksterne henvisninger

Skuespillere fra Californien
personer fra San Francisco

Genevieve Cortese


William Alfred Smith, né le 11 mai 1877 à Ottawa et mort le 12 mars 1953 dans la même ville, est un tireur sportif canadien.

Carrière
William Smith participe aux Jeux olympiques de 1908 à Londres où il est médaillé de bronze en rifle d'ordonnance par équipes.

Notes et références

Liens externes

Tireur sportif canadien
Tireur aux Jeux olympiques de 1908
Médaillé de bronze olympique canadien
Naissance en mai 1877
Naissance à Ottawa
Décès en mars 1953
Décès à Ottawa
Décès à 75 ans

William Smith (tir sportif)


La Société béninoise des manutentions portuaires (Sobemap) est une société publique béninoise à caractère commercial spécialisée dans les opérations liées à la manutention, la consignation, le transit port et aéroport. Elle fait également office de commissionnaire agréé en douane. La Sobemap est située dans la ville de Cotonou et est un établissement public doté d'une personnalité juridique régie par la loi 88-005 du 26 avril 1989 portant organisation et fonctionnement des entreprises publiques et semi-publiques en république du Bénin.

Historique et missions
Avant de prendre l'appellation de Société béninoise des manutentions portuaires après sa création en 1969 par décret N°69-80 /PR /MTPT du 27 mars 1969, la Sobemap est passée par plusieurs autres dénominations. En effet, c'est depuis l'époque coloniale que les prémices de cette société ont vu le jour. Ainsi, à la suite de l'installation de Warf en 1891, le groupement des entreprises maritimes du Dahomey (GEMADA) voit le jour en 1929. Dans la perspective d'assurer le monopole des activités liés à la manutention, l'office dahoméen des manutentions portuaires (ODAMAP) voit le jour et devient par la suite  l'office béninois des manutentions portuaires (OBEMAP). À partir du 29 août 1989 l' OBEMAP devient la SOBEMAP.

Elle a pour mission d'exécuter au port de autonome de Cotonou des activités de manutention, de transit et de Consignation maritime et offre à ses clients des services pour faciliter toutes leurs activités.

Notes et références

Entreprise ayant son siège au Bénin
Entreprise publique au Bénin