Perho était une école professionnelle située dans le quartier d'Etu-Töölö à Helsinki en Finlande.

Présentation
Perho était une école de restauration privée finlandaise et une école professionnelle où l'industrie hôtelière et de la restauration.
L'école a fonctionné de 1935 à 2016.

L'école de restauration Perho, Helmi Liiketalousopisto et Haaga-Perho ont fusionné le 1er janvier 2017 pour devenir Perho Liiketalousopisto.
Les activités de formation dans le secteur de la restauration se poursuivent à Töölö.
La formation est organisée par Perho Liiketalousopisto Oy.

Bâtiment
Le bâtiment de l'école a été conçu par le professeur Aarne Ervi et achevé en 1957. Le terrain pour le bâtiment avait déjà été acquis en 1951 et les travaux d'excavation sur le montu avaient commencé, mais le manque d'argent a empêché les travaux de construction proprement dits de commencer pendant longtemps.

À l'automne 2015, la construction du bâtiment supplémentaire Perhon Proffa s'est achevée.
Son inauguration a eu lieu le 10 septembre 2015.
Le nouveau bâtiment a été conçu par le professeur d'architecture Jan Söderlund.
Les dessins sur le thème des plantes et des fruits sur les façades ont été conçus par le professeur Oiva Toikka.
L'annexe a une superficie de 1 500 mètres carrés sur cinq étages.

Notes et références

Voir aussi

Liens externes

Liens internes

Etu-Töölö
Enseignement à Helsinki
Bâtiment de Aarne Ervi
École professionnelle en Finlande

École de restauration Perho


Horace Andy (born Horace Keith Hinds, 19 February 1951) is a Jamaican roots reggae songwriter and singer, known for his distinctive vocals and hit songs such as "Government Land", as well as "Angel", "Spying Glass", and "Five Man Army" with English trip hop group Massive Attack. He is also famous for a cover version of "Ain't No Sunshine". Andy is often described as one of the most respected and influential singers in Jamaica.

Biography

Early years
Born in Kingston, Jamaica, Hinds recorded his first single, "This is a Black Man's Country," in 1967 for producer Phil Pratt. "This is a Black Man's Country" failed to make an impact, and it wouldn't be until 1970 that he achieved a breakthrough. After unsuccessfully auditioning at Coxsone Dodd's Studio One as a duo along with Frank Melody, he successfully auditioned on his own a few days later. Dodd decided Hinds should record as Horace Andy, partly to capitalise on the popularity of Bob Andy, and partly to avoid comparisons with his cousin, Justin Hinds, with whom his singing style at the time showed a resemblance. "Got To Be Sure", the song he had auditioned with, became his first release for Studio One. The following two years saw the release of further singles such as "See a Man's Face", "Night Owl", "Fever", and "Mr. Bassie". One of Andy's most enduring songs, "Skylarking", first appeared on Dodd's Jamaica Today compilation album, but after proving a sound system success, it was released as a single, going on to top the Jamaican chart. The next few years saw Andy regularly in the reggae charts with further singles for Dodd such as "Something on My Mind", "Love of a Woman", "Just Say Who", and "Every Tongue Shall Tell", as well as singles for other producers such as "Lonely Woman" (for Derrick Harriott), "Girl I Love You" (Ernest and Joseph Hoo Kim), "Love You to Want Me" and "Delilah" (Gussie Clarke), and "Get Wise", "Feel Good", and "Money Money" for Phil Pratt. Andy had a second Jamaican number one single in 1973 with "Children of Israel". Andy's most successful association with a producer, however, was with Bunny Lee in the middle part of the 1970s. This era produced a series of singles now regarded as classics such as a re-recorded "Skylarking", "Just Say Who", "Don't Try To Use Me", "You Are My Angel", "Zion Gate", "I've Got to Get Away", and a new version of "Something on My Mind".

In 1977, Andy moved to Hartford, Connecticut, with his first wife, Claudette, where he recorded for Everton DaSilva, including the In The Light album and its associated dub album, and singles such as "Do You Love My Music" and "Government Land". Andy set up his own Rhythm label, which became an outlet for his work with DaSilva. The association with the producer was brought to an abrupt end when DaSilva was murdered in 1979. Andy's 1978 album Pure Ranking had anticipated the rise of dancehall reggae, and he was a key figure in the early development of the genre, confirmed by 1982's Dance Hall Style album. Andy continued to record with a variety of producers in the first half of the 1980s. In 1985, with his second wife Caroline, he relocated to Ladbroke Grove, London, and he recorded in the United Kingdom as well as regularly visiting Jamaica for further recording work.

Mainstream success with Massive Attack and after
1990 saw Andy's profile further raised when he began collaborating with Bristol trip hop pioneers Massive Attack, going on to contribute to all five of their albums (the only artist to do so), most notably on "Angel" (a new version of "You Are My Angel"), released on their third album, Mezzanine, and later on their 2010 release Heligoland with the tracks "Splitting the Atom" and "Girl I Love You". In the mid-1990s, he also worked with Mad Professor, releasing the albums Life Is for Living and Roots and Branches. He then continued to record new music, with the album Living in the Flood, released in 1999 on Massive Attack's Melankolic record label, and Mek It Bun in 2002. He also featured on the world music project 1 Giant Leap and on the Easy Star All-Stars 2006 album Radiodread.

2022 saw the release of Andy's album Midnight Rocker, produced by Adrian Sherwood of On-U Sound. Andy's vocals were recorded in Jamaica, with the tracks sent back and forth between vocalist and producer until they were complete. The album received critical acclaim upon its release.

Personal life
Andy is a Rastafarian.

Some of his lyrics have been criticized for being homophobic. Andy confirmed that Trojan Records only agreed to release his album On Tour after removing a track containing the lyrics "The Father never make Adam and Steve, he make Adam and Eve".

Discography

Albums
 Skylarking (1972) Studio One
 You Are My Angel (1973) Trojan
 Earth Must Be Hell (1974) Atra (with Winston Jarrett) aka The Kingston Rock
 Earth Must Be Hell – Dub (1974) Atra (with Winston Jarrett)
 In the Light (1977) Hungry Town
 In the Light Dub (1977) Hungry Town
 Pure Ranking (1978) Clocktower
 Bim Sherman Meets Horace Andy and U Black Inna Rub a Dub Style (1980) Yard International (with Bim Sherman and U Black)
 Natty Dread a Weh She Want (1980) New Star
 Unity Showcase (1981) Pre (with Errol Scorcher)
 Dance Hall Style (1982) Wackies aka Exclusively (1982) Solid Groove
 Showcase (1984) Vista Sounds
 Confusion (1984) Music Hawk
 Sings For You and I (1985) Striker Lee
 Clash of the Andy's (1985) Thunderbolt (with Patrick Andy)
 Elementary (1985) Rough Trade – Horace Andy & Rhythm Queen
 Reggae Superstars Meet (1986) Striker Lee (with Dennis Brown)
 From One Extreme to Another (1986) Beta (with John Holt)
 Haul & Jack Up (1987) Live & Love
 Fresh (1988) Island in the Sun
 Shame and Scandal (1988)
 Everyday People (1988) Wackies
 Rude Boy (1993) Shanachie
 Jah Shaka Meets Horace Andy (1994) Jah Shaka Music
 Dub Salute 1 Featuring Horace Andy (1994) Jah Shaka Music
 Seek and You Will Find (1995) Blackamix International
 Seek and You Will Find – The Dub Pieces (1995) Blackamix International
 Life Is for Living (1995) Ariwa
 Roots and Branches (1997) Ariwa
 See and Blind (1998) Heartbeat
 Living in the Flood (1999) Melankolic
 Mek It Bun (2002) Wrasse
 From the Roots: Horace Andy Meets Mad Professor RAS
 This World (2005) Attack
 Livin' It Up (2007) Medium (with Sly & Robbie)
 On Tour (2008) Sanctuary
 Two Phazed People (2009) dontTouch (with Alpha)
 Serious Times (2010)
 Broken Beats (2013), Echo Beach
 Live It Up (2019), Pioneer International
 Midnight Rocker (2022), On-U Sound

Contributing artist
 The Rough Guide to Dub (2005) World Music Network

References

External links

 Searchable discography at Roots Archives
 Interview with Horace Andy (2014) on Reggae.Today

Jamaican reggae musicians
1951 births
Living people
Musicians from Kingston, Jamaica
Converts to the Rastafari movement
Performers of Rastafarian music
Jamaican Rastafarians
Tenors
Wrasse Records artists
Trojan Records artists
Trip hop musicians

Horace Andy


Kosuke Uchida (født 2. oktober 1987) er en tidligere japansk fodboldspiller.

Han har spillet for flere forskellige klubber i sin karriere, herunder Oita Trinita.

Eksterne henvisninger

Fodboldspillere fra Japan

Kosuke Uchida


Çayyaka, İnegöl - Bursa ili İnegöl ilçesine bağlı mahalle
 Çayyaka, Sungurlu - Çorum ili Sungurlu ilçesine bağlı köy
 Çayyaka, İliç - Erzincan ili İliç ilçesine bağlı köy
 Çayyaka, Cide - Kastamonu ili Cide ilçesine bağlı köy

Çayyaka


Steen Langeberg (født 18. august 1976 i Kolding) er en dansk journalist og tv-vært. Han er kendt som vært på Go Morgen Danmark og Jo Færre, Jo Bedre, som er den danske udgave af det britiske quizshow Pointless. Han har også haft små biroller i forskellige danske serier: Hotellet, Langt fra Las Vegas, og Klovn. Langeberg startede sin karriere som receptionist, men skiftede til TV 2 Radio i 2007.

Referencer

Eksterne henvisninger

Tv-værter fra Danmark
Personer fra Kolding
Ansatte ved TV 2

Steen Langeberg


Drachen a fost un tip de balon captiv de observație, de fabricație germană, folosit de armata română în timpul Primului Război Mondial, ca platformă pentru culegerea de informații și reglare a tirului artileriei.
Balonul Drachen a fost inventat în 1894 de maiorul August von Parseval, și căpitanul Rudolf Hans Bartsch von Sigsfeld. Balonul avea o formă cilindrică, era umplut cu hidrogen și folosea pentru stabilizare o cârmă verticală fixă, de tip balon umplut cu aer, nontată în partea posterioară.

Note

Bibliografie
 ***, Istoria militară a poporului român, vol. V, Editura Militară, București, 1989

Vezi și
 Participarea României la Primul Război Mondial
 Aviația română în Primul Război Mondial
 Aviația în Primul Război Mondial
 Listă de aeronave militare ale Antantei
 Listă de aeronave militare ale Puterilor Centrale
 Balon de observație

Aeronave din înzestrarea Armatei României din Primul Război Mondial
Cioturi din proiectul România în Primul Război Mondial

Balon captiv „Drachen”


Wladimir Alexandrowitsch Prassolow (; * 1953 in Taganrog) ist ein russischer Politiker und Oberbürgermeister der Stadt Taganrog.

Leben
 1970 absolvierte Wladimir Prassolow die Taganroger Schule № 7.
 1975 absolvierte er das Rundfunkinstitut Taganrog.
 1974–1979 – Sekretär des Komsomol (Jugendorganisation der KPdSU) der Fakultät des Instituts, er arbeitete als Instrukteur des Taganroger Stadtkomitees vom Komsomol und als zweiter Sekretär des Lenin-Bezirkskomitees vom Komsomol.
 1979–1997 – Militärdienst. Oberstleutnant.
 1997–2003 – Tätigkeit in der Bundesagentur der Steuerpolizei.
 2003–2007 – Arbeit in der Stadtverwaltung Taganrog als stellvertretender Bürgermeister der Stadt Taganrog für wirtschaftliche Angelegenheiten, dann als erster stellvertretender Bürgermeister.
 2007–2009 – Arbeit als Direktor für soziale Angelegenheiten von Taganroger Kesselbauwerk Krasny Kotelschik AG.

Vor den Oberbürgermeisterwahlen war W. Prassolow als stellvertretender Direktor der AG Verwaltungsgesellschaft "Priasowje". Bei der Wahl wurde er von der Partei "Gerechtes Russland" unterstützt. Gewählt als OB am 4. Mai 2012. Die Amtseinführung fand am 15. Mai 2012 in der Halle des Taganroger Tschechow-Theaters statt. Er ist verheiratet und hat drei Kinder.

Quellenangaben

Bürgermeister (Taganrog)
Russe
Sowjetbürger
Geboren 1953
Mann
Komsomol-Funktionär

Wladimir Alexandrowitsch Prassolow


María de la Paz Luna Félix (* 31. Januar 1962) ist eine mexikanische Badmintonspielerin.

Karriere
María de la Paz Luna nahm 1985, 1991 und 1993 an den Badminton-Weltmeisterschaften teil. 1990 siegte sie bei den Zentralamerika- und Karibikspielen, 1991 gewann sie Bronze bei den Panamerikameisterschaften. 1999 wurde sie Dritte bei den Argentina International.

Sportliche Erfolge

Weblinks

Badmintonspieler (Mexiko)
Teilnehmer an den Zentralamerika- und Karibikspielen
Sieger bei den Zentralamerika- und Karibikspielen (Badminton)
Mexikanischer Meister (Badminton)
Mexikaner
Geboren 1962
Frau

María de la Paz Luna Félix


زكي طُلَيْمات (29 أبريل 1894 - 22 ديسمبر 1982)، ممثل ومؤلف ومخرج وأحد رواد المسرح المصري. عرف بدور (الدوق آرثر) في فيلم (الناصر صلاح الدين). أسس المسرح المدرسي في عام 1937، وشغل منصب أول مدير للمعهد العالي للتمثيل في عام 1944. أخرج زكي 12 عمل مسرحي، وعمل على ترجمة عدد من الأعمال المسرحية العالمية. حاز على جائزة التفوق المسرحي، ومنحه المجلس الأعلى لرعاية الفنون والآداب والعلوم الاجتماعية جائزتي الدولة التشجيعية والتقديرية في الفنون في عام 1961 وعام 1975.

حياته
ولد بحي عابدين في القاهرة، حصل على البكالوريا من الخديوية الثانوية، والتحق بمعهد التربية ثم أوفد في بعثة إلى فرنسا لدراسة فن التمثيل في باريس في مسرح الكوميدي فرانسيز والأوديون، وعاد حاملًا دبلومًا في الإلقاء والأداء وشهادة في الإخراج.

عمل مراقبًا للمسرح المدرسي من 1937 إلى 1952 ثم مديرًا للمسرح القومي من 1942 إلى 1952، ثم مؤسسًا وعميدًا لمعهد التمثيل، وأيضًا عمل مديرًا عامًا للمسرح المصري الحديث، ومشرفًا فنيًا على فرقة البلدية في تونس من 1954 إلى 1957 ثم مشرفًا فنيًا على المسرح العربي في الكويت.

عُرف زكي طليمات بدور آرثر الشهير في فيلم «صلاح الدين» وقد عرفه مشاهدو هذا الفيلم بجملته الشهيرة لليلى فوزي «في ليلة أقل جمالًا من ليلتنا ستأتين زاحفة إلى خيمتي يا فرجينيا».

ويعرفه جمهور السينما أيضًا بشخصية المليونير والد زبيدة ثروت في فيلمها مع عبد الحليم حافظ «يوم من عمري» وهو حاصل على جائزتي الدولة التشجيعية والتقديرية، ودرجة الدكتوراه الفخرية، وتوفي عام 1982.

أعماله

الإخراج

المسرحيات

الأفلام

التمثيل

الأفلام

المؤهلات العلمية
 حصل على البكالوريا من الخديوية الثانوية.
 التحق بمعهد التربية.
 أوفد في بعثة إلى فرنسا للدراسة في معهد التمثيل بباريس، ومسرح الكوميدي فرانسيز، ومسرح الأوديون، ومعهد حرفية المسرح بباريس.
 حصل من المعاهد والمسارح المذكورة على دبلوم في الإلقاء والأداء، وشهادة فن الإخراج وشهادة المناظر المسرحية وحرفية المسرح.

الوظائف التي شغلها
 مراقب المسرح المدرسي (1937-1952).
 المدير الفني للمسرح القومي (1942-1952).
 العميد المؤسس لمعهد فن التمثيل العربي (1944-1952).
 مدير عام المسرح المصري الحديث (1950-1952).
 المشرف الفني العام لفرقة البلدية بتونس (1954-1957).
 المشرف الفني العام لفرقة المسرح العربي بالكويت (1961-1963).

أوجه نشاطه
 اشترك في مؤتمر المسارح الدولية بباريس، 1931، 1937.
 أسندت إليه بعض الأدوار التمثيلية، كما ساعد في الإخراج في المجال السينمائي.
 كتب في جرائد ومجلات عديدة مثل: الهلال، المقتطف، الفكر العربي، الرسالة، العربي.
 كتب مقدمات فنية لعدة مؤلفات ومسرحيات.
 يمتاز إخراجه للمسرحيات بالدراسة العميقة والتناسق بين الملابس والمناظر والحركة المسرحية وتوزيع الإضاءة.

الهيئات التي ينتمي إليها
عضو لجنة المسرح بالمجلس الأعلى لرعاية الفنون والآداب والعلوم الاجتماعية سابقا.

ترجماته
 مسرحية «الجلف» لتشيكوف.
 مسرحية «الوطن» لسارود.
 مسرحية «المعركة» لفروندى.
 مسرحية «حلاق إشبيلية» ل كارون دي بومارشيه

الجوائز والأوسمة
 نيشان الافتخار من درجة كوماندور من الحكومة التونسية، عام 1950.
 جائزة الدولة التشجيعية في الفنون من المجلس الأعلى لرعاية الفنون والآداب والعلوم الاجتماعية، عام 1961.
 جائزة الدولة التقديرية في الفنون من المجلس الأعلى لرعاية الفنون والآداب والعلوم الاجتماعية، عام 1975.

المصادر

حاصلون على الصنف الثاني من نيشان الافتخار
مصريون حائزون على جائزة الدولة التقديرية
ممثلو أفلام مصريون
ممثلو مسرح مصريون
مواليد 1311 هـ
مواليد 1894
وفيات 1403 هـ
وفيات 1982
مصريون حائزون على جائزة الدولة التشجيعية

زكي طليمات


Prince Bertil, Duke of Halland (Bertil Gustaf Oskar Carl Eugén; 28 February 1912 – 5 January 1997), was a member of the Swedish royal family. He was the third son of King Gustaf VI Adolf  and his first wife, Princess Margaret of Connaught, as well as the uncle of King Carl XVI Gustaf of Sweden, Queen Margrethe II of Denmark and Queen Anne-Marie of Greece.  From 1973 to 1979 he was heir presumptive to his nephew King Carl XVI Gustaf and the Swedish throne.

Early life
Bertil was born 28 February 1912 at Stockholm, as the fourth of five children born to Princess Margaret of Connaught and Crown Prince Gustaf Adolf of Sweden.
His siblings included: Prince Gustaf Adolf, Duke of Vasterbotten, Prince Sigvard, Duke of Uppland, Princess Ingrid and Prince Carl Johan, Duke of Dalarna.

The family lived in apartments at Stockholm Palace in Stockholm, at Ulriksdal Palace near the capital in Ulriksdal and at the summer residence: Sofiero Castle in Helsingborg in the southernmost province of Sweden, Scania.

Royal role

Bertil was granted a very old dukedom, one that was bestowed in the Middle Ages on various Danish and Swedish royal relatives, such as Benedict, Duke of Halland. After his eldest brother, Prince Gustaf Adolf, died in 1947, leaving an infant son, Prince Carl Gustaf, in the line of succession, and because his elder brother Sigvard had already given up his place in the succession (owing to a constitutionally unacceptable marriage), it seemed likely that Bertil could one day become regent. After Carl Gustaf became king, Bertil remained the next in line to the throne (until the birth of Prince Carl Philip in 1979), and continued to act as the King's deputy.

When the Act of Succession was changed in 1980, rights to the throne were restricted to Carl XVI Gustaf and his descendants; however, a special addendum was made for Bertil's case, so that he became third (and, after the birth of Princess Madeleine in 1982, fourth) in line to the throne.

Personal life
Bertil became a naval officer; and, during the Second World War, he served as Swedish naval attaché at the embassy in London.

In 1943, Bertil had met his long-term partner, Welsh commoner Lilian Craig. However, in order to preserve his place in the royal succession, Bertil and Lilian did not marry for decades. They lived together discreetly, as a fully private arrangement, from the 1940s until their marriage was announced and took place in 1976. Their common base was a home in Sainte-Maxime, in the south of France.

Since his life with Craig was not official, Prince Bertil's single status meant he was suggested as a match for, among others, Princess Margaret of the United Kingdom. After the death of Gustaf VI Adolf in 1973, the new king, Carl XVI Gustaf, married a non-royal woman and approved the marriage of Bertil and Lilian, which took place at Drottningholm Palace on 7 December 1976.

Bertil was fond of cars, owning a rare Aston Martin DB2 and a Chevrolet Corvette. Volvo asked him to open the Volvo Halifax Assembly plant in 1963 in Nova Scotia, Canada. A parking garage in Sainte-Maxime is named after him.

Prince Bertil was a keen supporter and practitioner of various sports, notably tennis and boules. In 1947, he was elected Chairman of both the Swedish Sports Confederation and Sweden's Olympic Committee. He was also a member of the fine-dining society La Chaine des Rotisseurs.

He died at his home the Villa Solbacken in Stockholm in 1997, with Princess Lilian at his side. Their grave is at the Royal Cemetery in Haga Park.

Military ranks
  4 October 1934: Acting sub-lieutenant
  1936: Underlöjtnant
  1937: Sub-lieutenant
  13 February 1942: Lieutenant
  1 April 1948: Lieutenant commander
  ????: Commander
  1952: Captain
  1956: Rear admiral
  1956: Major general in the Army
  1956: Major general in the Air Force
  17 October 1969: Admiral
  17 October 1969: General in the Army
  17 October 1969: General in the Air Force

Honours

National Honours
 Knight of the Royal Order of the Seraphim (1912)
 Commander Grand Cross of the Order of the Sword (1912)
 Commander Grand Cross of the Order of the Polar Star (1912)
 Knight of the Order of Charles XIII (1912)
 Commander Grand Cross of the Order of Vasa (28 February 1952)
 Recipient of the King Gustaf V's Jubilee Commemorative Medal (1948)
 Recipient of the King Gustaf V's Jubilee Commemorative Medal (1948)
 Recipient of the King Gustaf VI Adolf's Commemorative Medal (1967)
 Recipient of the Illis quorum in gold of 18th size with chain (1969)
 Recipient of the H. M. The King's Medal, 12th size gold medal with diamonds worn around the neck on a chain of gold (silver-gilt) (1987)
 Recipient of the King Carl XVI Gustaf's Jubilee Commemorative Medal I (1996)

Foreign honours
 : Grand Cross of the Order of the Liberator General San Martín
 : Grand Cordon of the Order of Leopold
 :
 Grand Cross of the Order of Merit
 Grand Cross of the Order of Bernardo O'Higgins
 : Grand Cross of the Order of Boyaca
 : Knight of the Order of the Elephant
  Egypt: Grand Cross of the Order of Muhammad Ali
 : First Class of the Order of the Cross of Terra Mariana
 :
 Grand Cross of the Order of Solomon
 Grand Cross of the Order of Menelik II
 : Grand Cross of the Order of the White Rose of Finland
 : Grand Cross of the Legion of Honour
 : Grand Cross 1st class of the Order of Merit of the Federal Republic of Germany
 : First Class of the Order of the Two Rivers
 :
 Second Class of the Order of Pahlavi
 Knight Grand Cordon of the Order of the Crown
 : Grand Cross of the Order of the Falcon
 : Knight Grand Cross of the Order of Merit of the Italian Republic
 : Grand Cordon of the Order of the Chrysanthemum
 : Grand Cross of the Order of the Aztec Eagle
 : Knight Grand Cross of the Order of the Netherlands Lion
 :
 Grand Cross with Collar of the Order of St. Olav (23 March 1953)
 Grand Cross of the Order of St. Olav (1 March 1952)
 : Grand Cross of the Order of the Sun of Peru
 : Grand Cross of the Order of Christ
 : Grand Cross of the Saxe-Ernestine House Order
 : Grand Cross of the Order of Charles III
 : Knight of the Order of the Royal House of Chakri (21 September 1960)
 : Honorary Knight Grand Cross of the Order of the Bath (June 1956)
 : Commander of the Legion of Merit (4 June 1948)
 : Grand Cordon of the Order of the Liberator
 : Recipient of the Order of the Yugoslav Great Star (29 March 1976)

Arms

On his creation as Duke of Halland, Prince Bertil was granted use of a coat of arms based on the Arms of Dominion of Sweden, with the arms of Halland in the third quarter.

Ancestry

References

External links

1912 births
1997 deaths
Swedish princes
Dukes of Halland
House of Bernadotte
People from Stockholm
Swedish people of British descent
Burials at Kungliga begravningsplatsen
Swedish Lutherans

Knights of the Order of Charles XIII
Knights Grand Cross of the Order of the Falcon
Grand Crosses of the Order of Christ (Portugal)
Members of the Royal Swedish Society of Naval Sciences
Swedish Navy admirals
Swedish naval attachés
Honorary Knights Grand Cross of the Order of the Bath
Grand Crosses of the Order of the Sun of Peru
Grand Cross of the Legion of Honour
Recipients of the Order of the Netherlands Lion
Grand Crosses 1st class of the Order of Merit of the Federal Republic of Germany
Knights Grand Cross of the Order of Merit of the Italian Republic
Sons of kings
Recipients of the Illis quorum
Recipients of orders, decorations, and medals of Ethiopia

Prince Bertil, Duke of Halland


Samba Coração é um programa de televisão brasileiro exibido pela TV Bandeirantes Rio de Janeiro nas tardes de sábado, desde 10 de dezembro de 2022. A atração tem o objetivo de apresentar reportagens, quadros de entretenimento e números musicais relacionados ao universo do Carnaval do Rio de Janeiro. O programa é uma parceria do Grupo Bandeirantes de Comunicação com a LIESA.

Foi idealizado a partir do Departamento de Marketing da LIESA, que com os acontecimentos da Pandemia de COVID-19, começou a estimular projetos para a valorização do Carnaval do Rio de Janeiro, suprindo demandas de sambistas e organizadores do evento. Como premissa, o programa foi projetado como uma forma de empoderamento e protagonismo negro, sendo dirigido por Shirlene Paixão e Caíque Nogueira. A apresentação do programa ficou a cargo de Selminha Sorriso, porta-bandeira da escola de samba Beija-Flor de Nilópolis e Evelyn Bastos, rainha de bateria da escola de samba Estação Primeira de Mangueira.

Antecedentes
Em 2021, Gabriel David assumiu a direção de marketing da LIESA, afirmando uma mudança na venda dos ingressos do evento, a criação da marca do carnaval e a modernização da comunicação da Liga. Um ano depois, os esforços da David tinham garantido a criação do programa de televisão Seleção do Samba transmitido pela Rede Globo, lançamento da marca Rio Carnaval 2022 e a construção de um contrato de quatro anos com a Prefeitura do Rio de Janeiro para uso do Sambódromo da Marquês de Sapucaí, que viabilizou a volta dos ensaios técnicos na avenida, oferecendo a transmissão deles pela internet.

Concepção e produção
Após a concepção do Seleção do Samba, primeiro programa inteiramente interligado com o Carnaval do Rio de Janeiro, e a confirmação da Rede Bandeirantes na transmissão dos desfile das escolas de samba da Série Ouro do Rio de Janeiro em 2023, criou-se o conceito de Samba Coração. Foi idealizado pelo diretor de makerting da LIESA, Gabriel David, com o objetivo de "suprir uma demanda do público que vive a festa o ano inteiro, desejando se sentir reconhecido na TV".

A produção do programa decidiu escolher apresentadoras e equipe constituídas por pessoas negras, como uma forma de ""reparação histórica" às pessoas negras do mundo do samba que não se viam representadas na TV" e por um empoderamento e protagonismo negro no carnaval. Portanto, foi escolhida a porta-bandeira da escola de samba Beija-Flor de Nilópolis, Selminha Sorriso, por seu histórico em comunicação sobre o samba nas redes sociais em época de Pandemia de COVID-19, somando com a presença da rainha de bateria da escola de samba Estação Primeira de Mangueira, Evelyn Bastos. No time de repórteres do programa, conta com a presença da presidente de honra e baluarte da Velha Guarda da Portela, Tia Surica.

Ver também
 Rio Carnaval 2022

Programas da Rede Bandeirantes
Programas de televisão do Brasil que estrearam em 2022
Programas de televisão em língua portuguesa
Programas musicais do Brasil
Carnaval da cidade do Rio de Janeiro

Samba Coração


Dalmatinska nogometna liga u sezoni 1976./77. je predstavljala ligu četvrtog stupnja nogometnog prvenstva Jugoslavije.
Sudjelovalo je 14 klubova, a prvak je bio "Jadran" iz Kaštel Sućurca.

Ljestvica

Rezultatska križaljka

 Izvori:

Unutarnje poveznice
 Hrvatska nogometna liga – Jug 1976./77.
 Međuopćinska nogometna liga Dubrovnik – Metković – Korčula – Lastovo 1976./77.
 Međuopćinska nogometna liga Split – Makarska 1976./77.
 A liga NSO Zadar 1976./77.
 Liga NSO Šibenik 1976./77.

Vanjske poveznice

Izvori
 Jurica Gizdić: HNK Sloga : 90 godina nogometa u Mravincima : 1925. – 2015., Mravince, 2015., , str. 71-73
 Jurica Gizdić: NK Omladinac : 100 godina baluna u Vranjicu, Vranjic, 2014., , str. 150-153
 Jurica Gizdić: HNK Trogir : 95 godina nogometa u Trogiru, Trogir, 2007., , str. 119-121
 Jurica Gizdić: Počelo je prije osam desetljeća, Kaštel Gomilica, 2004., , str. 94-96

1976-77
1976-77
Dalmacija

Dalmatinska nogometna liga 1976./77.


الهيجيكي HIJIKI
وهي من الاعشاب البحرية ,تنمو في بحار شرق آسيا وفي شمال المحيط الأطلسي على عمق ثلاثين مترا وتجنى في فصل الربيع و تجفف .

تتميز باللون البني ويتحول للأسود عند طهيها ,كما وتتميز بنكهة و رائحة ثمار بحر القوية .

استخداماتها

يفضل تناول الهيجيكي كطبق جانبي صغير ,وهي شهية الطعم مع الخضر الجذرية أو التوفو المقلية أو المجففة، وتتميز بطعمها الذيذ عن طهوها مع القمح الكامل المطهو , ويمكن اعداد طبق منعش من السلطة باستخدام الهيجيكي والخضر .

فوائدها

تحتوي الهيجيكي على أعلى معدل من كالسيوم 1400 ملغم وأعلى معدل من حديد 55 ملغم في كل 100 غ من اعشاب الهيجيكي , كما وتعتبر مصدرا هاما للمعادن و العناصر النادرة بالإضافة إلى فيتامين (A) بنسبة 310 وحدة دولية وتحتوي أيضا على فيتامين بي B12 الفوسفات و الكاربوهيدرات و الالياف وبروتين ,ماء نياسين ,ريبوفلافين,ثيامين, بوتاسيوم، صوديوم.

السعرات الحرارية= صفر

المصدر
 طعام المايكروبيوتك الموسع لمريم نور وكمال مزوق (بتصرف).

مراجع

أعشاب بحرية صالحة للأكل
خضروات يابانية
علم الأحياء الدقيقة
فوقسيات
كائنات حية
مأكولات بحرية يابانية
مصطلحات المطبخ الياباني
مطبخ ياباني

هيجيكي


La Davallie des Canaries (Davallia canariensis), également appelée  Fougère patte-de-lapin, est une espèce de fougères de la famille des Davalliacées.

Liens externes

Espèce de Ptéridophytes (nom scientifique)
Davalliaceae

Davallia canariensis


قائمة دورة رولان غاروس لعام 1950 (المعروفة الآن باسم دورة رولان غاروس) :

الكبار

فردي رجال

 بدج باتي هزم  ياروسلاف دروبوني, النتيجة:6-1 6-2 3-6 5-7 7-5

فردي سيدات

 دوريس هارت هزمت  باتريسيا تود, النتيجة:6-4 4-6 6-2

مراجع

أحداث مايو 1950 الرياضية في أوروبا
أحداث يونيو 1950 الرياضية في أوروبا
باريس في 1950
أحداث مايو 1950 الرياضية
أحداث يونيو 1950 الرياضية
دورات رولان غاروس
دورات رولان غاروس حسب السنة
رياضة فرنسية في 1950
كرة المضرب في 1950
كرة مضرب فرنسية في 1950

البطولات الفرنسية 1950 (كرة مضرب)


Alan Bond (* 22. April 1938 in London, Vereinigtes Königreich; † 5. Juni 2015 in Perth, Western Australia) war ein australischer Unternehmer. Internationale Bekanntheit erlangte er als Eigner der Australia II, die 1983 die Segelregatta America's Cup gewann. Nach dem Aufsehen erregenden Bankrott seiner Firmengruppe 1992 musste er wegen Betrugs eine Gefängnisstrafe von mehreren Jahren absitzen.

Leben
Alan Bond kam 1938 in London zur Welt. 1950 wanderten seine Eltern mit ihm nach Australien aus. Bereits im Alter von 19 Jahren gründete er 1959 mit der Bond Corporation sein erstes eigenes Unternehmen. In Perth und der Umgebung der Stadt baute er mit geliehenem Geld zunächst ein Immobiliengeschäft auf, zu dem später in Australien wie international andere Bereiche wie Brauereien, Diamantenminen, Großhandelsfirmen, Zeitungen und Fernsehstationen hinzu kamen. 1982 war die Bond Corporation das größte Unternehmen im Bundesstaat Western Australia.

Internationale Bekanntheit erlangte Bond durch seine Teilnahmen am traditionsreichen Segelturnier America's Cup. Als Schiffseigner versuchte er erstmals 1974 mit der Southern Cross, gefolgt 1977 und 1980 mit der Australia, vergeblich den seit seiner Stiftung 1851 stets von Amerikanern verteidigten Pokal für Australien zu gewinnen. Auch wenn er bis dahin den Cup nicht gewinnen konnte, erhielt er für sein sportliches Engagement 1978 die Auszeichnung als Australian of the Year. Schließlich gelang es ihm 1983 als erstem Nichtamerikaner mit dem Boot Australia II und seiner Crew die Auszeichnung zu gewinnen und den Pokal, und damit auch den nächsten Wettbewerb um den Pokal nach Australien zu holen.

Alan Bond, der selbst keine Hochschule absolviert hatte, trat in den 1980er Jahren als bedeutender Mäzen im Bereich Bildung hervor. Er stiftete mit der Bond University die erste private Universität in Australien, deren Campus 1987 in Gold Coast eröffnet wurde. Im selben Jahr sorgte er als Kunstsammler für Schlagzeilen. Teuerstes Stück seiner Kollektion sollte das Gemälde Schwertlilien von Vincent van Gogh werden, das Bond für 53,9 Millionen US-Dollar im New Yorker Auktionshaus Sotheby's erwarb. Zunächst ging die Öffentlichkeit davon aus, dass es sich bei diesem Preis um die höchste je auf einer Auktion erzielte Kaufsumme handelte, aber später wurde bekannt, dass Sotheby's etwa die Hälfte des Auktionspreises als Darlehen vorgestreckt hatte. Nachdem Bond weder seinen Anteil am Kaufpreis in voller Höhe bezahlen, noch das Darlehen zurückzahlen konnte, ging das Gemälde zurück an das Auktionshaus und gelangte später für eine nicht genannte Summe an das J. Paul Getty Museum.

Bonds finanzielle Probleme begannen mit dem Börsencrash des Schwarzen Montags, in dessen Folge er einen Großteil seines Vermögens verlor. So hatte er 1987 für eine Milliarde australischer Dollar den Fernsehsender Channel Nine Television Network erworben, den er drei Jahre später mit erheblichen Verlusten wieder verkaufen musste. Mit mehr als neun Milliarden AU$ Schulden wurde die Firmengruppe von Bond 1992 für bankrott erklärt. Es folgten in diesem Zusammenhang verschiedene Betrugsverfahren, die 1997 zu einer siebenjährigen Gefängnisstrafe führten. Im Jahr 2000 kam Bond vorzeitig aus der Haft und leitete danach zusammen mit seinem Sohn Craig ein Unternehmen, das im Öl- und Diamantengeschäft tätig ist.

Bond war von 1955 bis zur Scheidung 1992 mit Eileen Hughes verheiratet. Aus dieser Ehe gingen vier Kinder hervor. 1995 heiratete er die Stewardess und spätere Theaterproduzentin Diana Bliss. Sie beging 2012 Suizid.

Literatur
 Paul Barry: The Rise And Fall Of Alan Bond, Bantam Books, Sydney 1991 ISBN 1-86359-037-4.
 Alan Bond, Rob Mundle: Bond, HarperCollinsPublishers, Pymble 2004 ISBN 0-7322-7494-X.

Weblinks
 Internetpräsenz von Alan Bond

Einzelnachweise

Unternehmer (20. Jahrhundert)
Unternehmer (21. Jahrhundert)
Unternehmer (Australien)
Person (Medien, Australien)
Verurteilte Person
Australier
Geboren 1938
Gestorben 2015
Mann
Mitglied der America's Cup Hall of Fame

Alan Bond


Ars nova (în latină pentru arta noua) se referă la un stil muzical care a înflorit în Franța și în Țările Burgunde de jos în Evul mediu târziu: în special, în perioada cuprinsă între pregătirea Romanului de Fauvel (1310s) și moartea compozitorului Guillaume de Machaut în 1377. Termenul este uneori folosit pentru a se referi în general la toate polifoniile Europene ale muzicii secolului al 14-lea. De exemplu, denumirea "ars nova italiană" este uneori utilizată pentru a desemna muzica lui Francesco Landini și compatrioții săi (deși Muzica Trecentro este cel mai comun termen folosit pentru muzică în Italia).  "Ars" în "ars nova" poate fi citit ca "tehnică" sau "stil" Termenul a fost folosit pentru prima dată în două tratate muzicale, intitulate Ars novae musicae (Noua Tehnică muzicală) (aprox. 1320) de către Johannes de Muris, și o colecție de scrieri (aprox. 1322) atribuită lui Philippe de Vitry de multe ori numită astăzi simplu "Ars nova". Cu toate acestea, termenul a fost folosit doar pentru prima dată, pentru a descrie o epocă istorică de Johannes Wolf în 1904.

Termenul de "ars nova" este adesea folosit în juxtapunere cu un alt termen, "ars antiqua", care se referă la muzica din epoca imediat precedentă, de obicei extinzându-se înapoi incluzând perioada de polifonie a școlii Notre Dame (prin urmare, acoperind perioada de la aproximativ 1170 la 1320). Așadar,  "ars antiqua" este aproximativ, muzica secolului al xiii-lea, și "ars nova" muzica celui de al paisprezecelea; multe istorii muzicale utilizează termenii în sensul acesta general.

Perioada de la moartea lui Machaut (1377) până la începutul secolului al xv-lea, incluzând inovațiile ritmice ale ars subtilior, este uneori considerată parte a ars novei și, uneori, considerată o perioadă independentă. Alte perioade muzicale și stiluri au fost numite, în momente diferite "arta nouă" (Tinctoris a folosit termenul pentru a descrie Dunstaple), cu toate acestea, în utilizarea istoriografiei moderne, este limitat în totalitate perioadei descrisă mai sus.

Față de/Versus ars antiqua
Stilistic, muzica din ars nova se deosebește de epoca precedentă în mai multe moduri. Evoluții în notație au permis notelor să fie scrise cu o mai mare independență de ritm, ignorând limitele modurilor ritmice, care au prevalat în secolul al xiii-lea; muzică laică a dobândit mult din rafinamentul polifoniei, găsit anterior doar în muzica sacră; de asemenea, noile tehnici și forme, cum ar fi isorhytmul și motetul isoritmic, au devenit predominante. Efectul estetic general al acestor schimbări a fost crearea muzicii de o mai mare expresivitate și varietate decât a fost în secolul al XIII-lea. Într-adevăr, schimbările istorice subite care au avut loc, cu uimitorul grad de expresivitate muzicală nou, pot fi asemănate cu introducerea perspectivei în pictură, și este util să considerăm că modificările aduse artei muzicale în perioada ars nova au fost contemporane cu marile revoluții de la începutul Renașterii în pictură și literatură.

Cel mai renumit practicant al noului stil muzical a fost Guillaume de Machaut, care a avut de asemenea o carieră distinsă ca și compozitor la Catedrala din Reims și ca poet. Stilul Ars nova este evident în volumul său considerabil de motete, lais, virelais, rondeaux, și balade.

Spre sfârșitul secolului al xiv-lea s-a dezvoltat o nouă școală stilistică de compozitori și poeți centrată la Avignon , în sudul Franței; stilul extrem de manierat al acestei perioade este adesea numit ars subtilior, deși unii cercetători aleg să îl considere o dezvoltare târzie al ars novei, mai degrabă decât a-l cataloga ca o școală separată. Acest repertoriu muzical ciudat, dar interesant, limitat în distribuția geografică (sudul Franței, Aragon și mai târziu Cipru), și în mod clar destinat pentru performanță de către specialiști pentru un public de cunoscători, este ca o notă finală a întregului Ev mediu.

Discografie
 Cântări du xivème siècle. Mora Vocis Ansamblu. Franța: Mandala, 1999. De înregistrare CD-OM 4946.
 Denkmäler modifica Musik aus dem Codex Reina (14./15. Jh.). Syntagma Musicum (Kees Otten, dir.). Das Alte Werk. [N. p.]: Telefunken, 1979. LP înregistrare 6.42357.
 Domna. Esther Lamandier, voce, harpă, și portative de organe. Paris: Alienor, 1987. CD-ul de înregistrare AL 1019.
 La fontaine amoureuse: Poezie și Muzică de Guillaume de Machaut. Muzica pentru un Timp, cu Tom Klunis, narator. Berkeley: 1750 Arc Înregistrări, 1977. LP înregistrare 1773.
 Guillaume de Machaut. Je, Guillaumes Dessus Nommez. Ansamblul Gilles Binchois (Dominique Vellard, dir.). [N. p.]: Cantus, 2003. De înregistrare CD-uri 9804.
 Guillaume de Machaut. La Messe de Nostre Dame und Motetten. James Bowman, Tom Sutcliffe, contratenori; Capella Antiqua München (Konrad Ruhland, dir.). Das Alte Werk. Hamburg: Telefunken, 1970. LP înregistrare 6.41125 CA.
 Guillaume de Machaut. La messe de Nostre Dame; Le voir-dit. Oxford Camerata (Jeremy Summerly, dir.). Hong Kong: Naxos, 2004. De înregistrare CD-uri 8553833.
 Guillaume de Machaut. Messe de la Notre Dame. Ansamblul Organum (Marcel Pérès, dir.). Arles: Harmonia Mundi, 1997. De înregistrare CD-uri 901590.
 Guillaume de Machaut. Messe de la Notre Dame; Le lai de la fonteinne; D fin est mon începerea. Hilliard Ensemble (Paul Hillier, dir.). Londra: Hyperion, 1989.
 Guillaume de Machaut. Motete. Hilliard Ensemble. Munchen: ECM Records, 2004.
 Philippe De Vitry și Ars Nova—Motete. Orlando Consoarta. Wotton-Under-Edge, Glos., Anglia: Amon Ra, 1990. De înregistrare CD-uri CD-SAR 49.
 Philippe de Vitry. Motete Și Șansonete. Sequentia (Benjamin Bagby și Barbara Thornton, dir.) Freiburg: Deutsche Harmonia Mundi, 1991. De înregistrare CD-uri 77095-2-RC.
 Roman de Fauvel. Jean Bollery (difuzor), Studio der Frühen Musik (Thomas Binkley, dir.). Reflexe: Stationen europäischer Musik. Köln: EMI, 1972. LP înregistrare 1C 063-30 103.
 Le roman de Fauvel. Anne Azema (soprano, narațiune), Dominique Visse (countertenor, narațiune), Boston Camerata și Ansamblul Proiectului "Ars Nova" (Joel Cohen, dir.). Franța: Erato, 1995. De înregistrare CD-uri 4509-96392-2.
 Serviciul de Venus și Marte: Muzica pentru Cavalerii ordinului Jartierei, 1340-1440. Gotic Voci (Christopher Pagina, dir.). Londra: Hyperion, 1987. De înregistrare CD-uri CDA 66238.
 Spiritul de Anglia și Franța I: Muzica din Evul mediu Târziu pentru Curtea și Biserica. Gotic Voci (Christopher Pagina, dir.). Londra: Hyperion Records, 1994. De înregistrare CD-uri CDA66739.
 Studiul de Dragoste: Melodii franceze și Motete secolului al 14-Lea. Gotic Voci (Christopher Pagina, dir.). Londra: Hyperion Records, 1992. De înregistrare CD-uri CDA66619.

Note

Referințe
 Earp, Lawrence (1995). "Ars nova". În Franța Medievală: O Enciclopedie, editate de William W. Kibler, Grover A. Zinn, Lawrence Earp, și John Bell Henneman, Jr., 72-73. Ghirlanda de Referință Biblioteca de științe Umaniste 932; Ghirlanda Enciclopedii din Evul mediu 2. New York: Ghirlanda Editori. .
 Schrade, Leo (1956). "Philippe de Vitry: Unele Descoperiri Noi". Muzical Trimestrial 42, nr. 3 (iulie): 330-54.

Lectură suplimentară
 (1980). "Ars nova". The New Grove Dictionary of Music și Muzicieni, editate de către Stanley Sadie. 20 de volume. London: Macmillan Publishers Ltd. .
 Fuller, Sarah (1985-86). "O Fantomă Tratat secolului al Xiv-Lea? La Ars Nova". Jurnalul de Muzicologie 4, nr. 1 (Iarna): 23-50.
 Gleason, Harold, și Warren Becker (1986). Muzica în Evul mediu și Renaștere. Muzica Literatura De Specialitate Prezintă Seria 1. Bloomington, Indiana: Frangipani De Presă. .
 Hoppin, Richard H. (1978). Muzica Medievala. New York: W. W. Norton & Co. .
 Leech-Wilkinson, Daniel (1990). "Ars Antiqua—Ars Nova—Ars Subtilior". În Antichitate și Evul mediu: De la Grecia Antică până în secolul al 15-Lea, editat de James McKinnon, 218-40. Om și Muzică. London: Macmillan Publishers.  (casetat);  (pbk).
 Philippe de Vitry, ARS NOVA (1320) franceză: http://centrebombe.org/livre/Ars.Nova.html
 Snellings, Dirk (2003). "Ars Nova și Trecento Muzică în secolul al 14-Lea Europa" (accesat la 2008-06-14), tradus prin Stratton Taur, 12. CD Broșură CAPI 2003.

Muzică medievală

Ars nova


Alfred Jean François Mézières (født 19. november 1826 i Réhon, departementet Meurthe-et-Moselle, død 10. oktober 1915 sammesteds) var en fransk politiker og litterærhistoriker.

Mézières beklædte forskellige lærerposter i retorik og litteraturhistorie, indtil han 1863 blev professor i fremmed litteratur ved Sorbonnen. I 1848 var han kaptajn i generalstaben og adjutant hos general Bréa, der blev snigmyrdet ved juniopstanden; også under den fransk-tyske krig gjorde han tjeneste. I 1874 blev han medlem af Akademiet efter Saint-Marc Girardin. Fra 1881 blev han gentagne gange valgt til Deputeretkamret og øvede ved afgørende spørgsmål ikke ringe indflydelse ved sin sikre og forfatningstro optræden. I litteraturen har han især indlagt sig fortjeneste af Shakespeare-forskningen og ved værdifulde arbejder over Dante og Petrarca. Af hans produktion må fremhæves: Étude sur les œuvres politiques de Paul Paruta (1853), Shakespeare, ses œuvres et ses critiques (1861), Prédécesseurs et contemporains de Shakespeare (1863), Contemporains et successeurs de Shakespeare (1864), Dante et l'Italie nouvelle (1865), Pétrarque (1867, ny udgave 1895), La société française (1869), Récits de l'invasion (1871), Gœthe, les œuvres expliquées par la vie (2 bind, 1872—73, ny udgave 1895), En France, XVIII. et XIX. siècles (1883), Hors de France, Italie, Espagne, Angleterre etc. (1883), Vie de Mirabeau (1891), Morts et vivants (1897), Au temps passé (1906), Silhouettes de soldats (1907), De tout un peu (1909), Pages d'automne (1911), Sous l'ombrelle (1914) og Ultima verba (1914).

Kilder

Litteraturhistorikere fra Frankrig
Politikere fra Frankrig
Faglitterære forfattere fra Frankrig
Medlemmer af Académie française
Franskmænd i 1800-tallet
Franskmænd i 1900-tallet

Alfred Mézières


Festival bunjevački' pisama 2017. bio je sedamnaesto izdanje tog festivala.

Festival se održao 24. rujna 2017. u sportskoj dvorani Srednje tehničke škole "Ivan Sarić" u Subotici u 20 sati. Organizator je Hrvatska glazbena udruga "Festival bunjevački pisama". Izvedeno je 18 pjesama.

Stručno prosudbeno povjerenstvo bili su:

Posebno stručno prosudbeno povjerenstvo bili su:

Izvođače je pratio festivalski orkestar pod ravnanjem Mire Temunović.

Voditelji Festivala:

Glasovanje:

Televizijski i radijski prijenos: K23 TV

Na natječaj je stiglo kompozicija, a stručno povjerenstvo odabralo je najbolje koje su i izvedene. Najavljeni izvođači bili su, i među njima i debitanti:

 Gabrijel Lukač - S izvora (Pere Ištvančić - Stipan Bašić Škaraba - Pere Ištvančić)
 Miljana Kostadinović
 Ines Bajić
 Martina Stantić
 Lidija Ivković
 Milan Horvat
 Marinko Rudić Vranić
 Tamburaški orkestar Rujna zora
 Ansambl Hajo
 Ansambl Biseri
 Ansambl Ravnica
 duet Zvonko Markovinović i Ljiljana Tomić Markovinović
 Kristina Crnković
 Luka Matatić
 Josip Miljački Matak
 David Crvenković
 Tamburaški sastav SAN
 Mugdin Nuhanović uz pratnju Gradskog tamburaškog orkestra Pljevlja - Kada prođem putom kraj salaša

Stručnji ocjenjivački sud dodijelio je nagrade za skladatelje:
Prva nagrada:  Pere Ištvančić, glazba i aranžman za pjesmu S izvora. Stihove je napisao Stipan Bašić Škaraba. Pjesma govori o doseljavanju Hrvata Bunjevaca na ove prostore. Izvodi ju Gabrijel Lukač uz pratnju tamburaša i Augustina Žigmanova koji je svirao gajde.
Druga nagrada:  Uroš Manojlović, autor teksta i glazbe za pjesmu Briga me za sve
Treća nagrada: Josip Francišković, za pjesmu Bećaruša.

Najbolja pjesma po izboru publike: Pere Ištvančić, glazba i aranžman za pjesmu S izvora

Nagrada za najbolji do sada neobjavljeni tekst po izboru posebnog stručnog žirija:  Stipan Bašić Škaraba, za pjesmu S izvora

Nagrada za najbolji aranžman: Miran Tikvicki za pjesmu Uspavanka

Nagrada stručnog žirija za najbolju interpretaciju: Gabrijel Lukač, za izvedbu pjesme S izvora

Nagrada za najboljeg debitanta: Mugdin Nuhanović, uz pratnju Gradskog tamburaškog orkestra Pljevlja, za izvođenje pjesme Kada prođem putom kraj salaša

Izvori
Zavod za kulturu vojvođanskih Hrvata  J.Dulić Bako/Hrvatska riječ: XVII. Festival bunjevački pisama - 13. listopada 2017.

Vanjske poveznice
Facebook XVII. Festival bunjevački pisama
Hrvatska nezavisna lista Subotica Gabrijel Lukač s pjesmom 'S izvora' pobjednik XVII. po redu Festivala bunjevački pisama - 25. rujna 2017.

2017.

Festival bunjevački’ pisama 2017.


Karaöz, Antalya ilinin Manavgat ilçesine bağlı bir mahalledir.

Tarihçe

Coğrafya
Antalya iline 86 km, Manavgat ilçesine 9 km uzaklıktadır.

Nüfus

Manavgat'ın mahalleleri

Karaöz, Manavgat


රෝග, ප් සහ ඒවායින් සුවය ලැබීම පිණිස සාම්ප්‍රදායික ශාන්ති කර්ම සිදු කරනු ලැබේ.

වර්ගීකරණය
ශන්තිකර්මයේ පරමාර්ථය අනුව ප්‍රධාන වර්ග 2කි.
 තොවිල් : නිශ්චිතව තෝරාගත් ආතුරයෙක් හෝ අතුරයෝ කීපදෙනෙකු වෙනුවෙන් සිදුකරන අභිචාර විධි
 පූජාකර්ම : පොදුවේ සිදුකරන පූජා විධි
සිදුකරන ජනතාව හෝ ප්‍රදේශය අනුව

සිංහල ශාන්තිකර්ම

සිංහල සම්ප්‍රදායන්ට ආවේණික වූ විවිධාකාර වූ ශාන්ති කර්ම දැක ගත හැකි අතර, ඒ එක් එක් ශාන්ති කර්ම ප්‍රාදේශීය වශයෙන් සහ පූජා විධි වලට මුල්වන දෙවිවරු හා යකුන් අනූව වෙනස් වේ. උදාහරණයක් ලෙස පහතරට සන්නි යකුම දැක්විය හැකිවේ. කළුතර ප්‍රදේශයේ සන්නි යකුම ශාන්ති කර්මයේ සැන්දෑ සමයම පුද ලබන යකුන් වන්නේ කළු යකා, රීරි යකා, තොට යකා හා අභිමාන යකා වූවත්, අම්බලන්ගොඩ ප්‍රදේශයේ පුද ලබන්නේ කළු යකා, රීරි යකා, අභිමාන යකා, සූනියම් යකා හා බිල්ලේ යකා වේ.

උඩරට ශාන්ති කර්ම

පහතරට ශාන්ති කර්ම

සබරගමු ශාන්ති කර්ම

ආශ්‍රිත
ඕං ග්‍රීං පුලිප්පුඩා කකුන් පෝඩුම් අඩි නඩි නාක්කුන් පදියාරේ  ඕඩ්ඩියා වාවා කාලී වාවා ත්‍රීප්‍රාරි වාවා ආකාස කාලී වාවා උදයගිරි පර්වතේ නොසිට වර අවරගිර පර්වතේ  නොසිට වර නීලගිර පර්වතේ මදනගිර පර්වතේ නොසිට වර තාල කූට පර්වතේ රත්මල් ඇල්ලෙන් වර කපුරු ඇල්ලෙන් වර සෘද්ධි ඇල්ලෙන් වර කෝවිල් හතේ නොසිට වර අටකොන නොසිට වර සොළොස් කොන  නොසිට වර අහස පොළව ඉර සඳ මුහුදු ජල අකනිටා බඹ ලොව නොසිට වර සදෙව් ලොව නොසිට වර ඔඩ්ඩියා යාළුවේ මගේ මස්සිනේ මාගේ තීන්දුවට වර වර කෛලේ කොන්ඩුකතුන් පෝඩුම් කෛකොන්ඩේන් ඉරත්තනානේ ඕන් ඔරුවේන් ඔරු කෛලේන් මදනරූපී ශ්‍රියා කාලී මහමෙර සලිතකර වර මෙරඟ මඩලට වර ක්‍රිදනේ කාරී ඔඩ්ඩියා පුල්ලේ ගුරු මුණ්ඩේන් ගුරු වෙන්තිලේන් ආකාසක්කාලී තකරී මකරී යමකාරීය යමීය යම දූතීය කාලරාක්ෂී ඔඩ්ඩි යක්ෂණී මොහුට විනකල ඇදුරාගේ හිස තකරීට බාරයි.

ඕං උපුටාගන් ගිණි උපුටන් ගිණ කාමීට බාරයි කාම රූපණී අම්මේ කැපගන් ලේ රීරි බීගන් මරාගන් බිල්ල කෙලගන් මකරීට දකුණු උරය බාරයි.

ඕං ගුරු වාලකට්ටි අඩි මුරින්ඩී අම්මේ ඔහු ගිණි කර ගිණි උපුටං ගිණි කාමීට බාරයි යමීට වම් උරය බාරයි.

ඕං තකරී මකරී ඔඩ්ඩි කාලී ත්‍රිංචි කාලී අම්මේ ඔහු හතුරාගේ සියොගත ගිණිජල් විහිදුවා ගිණිවිසගන් ගිණි කන්ඩී මරාගන් බිල්ල කෙළගන් යම දූතීට දෙතන අක්මා කැවුතු ලේ රීරි බාරයි.

ඕං ගුරු මුණ්ඩී ස්ලෙන්ද්‍රීකක නීලේ ගුරු මුණ්ඩී අයිසෛලේ ත්‍රින්චි මකරික්කුන් පදිනෙට්ටු කෝලේ පුරන්ද කැපගන් දිෂ්ටි ගන් සියොගත ගිණි වෙලාගන් මරාගන් කාල රාක්ෂිට බඩවැල් දරන බාරයි.

ඕං ග්‍රීං සොරාෂ්ධ ක්‍රි පුරන්දරී නාහා බහිරවී ක්‍රි කාලී අම්මේ ඔහු හතුරාගේ සියොගත ගිනිජල් විහිදුවා ඔහු උපුටා ගන් ඔහුට උපුට උපුටා පුෂ්ප සුන්දරී ඔහු හතුරාගේ දෙකලව දණහිස් සන්ධි බාරයි.

ඕං පුෂ්ප සුන්දරී විනදර දේවී ගිණි පන්දු කෝවිලේ සත් යොදුනක් බුරා වදිනා ගිණි ජල් මාලාවේ වැඩ ඉන්නා ගිණි ජල් කාම රාක්ෂ දේවතාවීට බාරයි. කැපයි දිෂ්ටියි. සලිත කුමාරීට දෙකන් දෙවළු කර දෙපිටි පතුල විසි නිය බාරයි.

ඕං සලිත කුමාරී අන්ජන කූට දේවී අකක්‍ර විකක්‍ර වී වාරුන් එන් නාරායනේ සේ ගැප්පුල්ලේ ඔහුට උපුට උපුටන් කැපගන් ගිණි වැදී ගන් මරා ගන් බිල්ල කෙලගන් අටසීයක් සාඩී ලේ කාලී ලේ මස්  අම්මාට බාරයි. සිටකරි කරින්චි වන්ද තකු යායා රීරා නේම් ඉඩගු ස්වාමියානේ  ඕං විල්ලූ වන්නී ඊස්වර අනින් පෝ පෝ ස්වාමියානේ පොඃ

ඕං ආනා සේවා ගුරුවරනේහ් තික්කා අඩුතතු හසපතත්‍රහේ නේරියං ඉඩහරු.

ඕං සයිං සයිං කමත්ව කාලියා උපදදු අංතේරේ නමයසන්ත කුලංය අරුපපරී යාන්යාහඃ ....

ඕං ඉක්කාත්කුන්නේරු පානේ රීරිනේකෝ ඉඩහරු .

ඕං සන්තානේන් කුරු කුරු ඉඩන්කෝ රීරි මංගලියානේ කූක්නරු පොඃ....... මෙය සුදුසු පරිදි මාතෘකාවක් යටතේ එක් කරන්න තවත් විවිධ මන්ත්‍ර එක් කළ හැකිවේ.
ශාන්තිකර්ම

ශාන්තිකර්ම


The Yusufzai or Yousafzai (, ), also referred to as the Esapzai (, ) , or Yusufzai Afghans historically, are one of the largest tribes of ethnic Pashtuns. They are natively based in the northern part of Khyber Pakhtunkhwa (Malakand, Dir, Swat, Shangla, Buner, Swabi, Mardan, Bajaur, Peshawar, Tor Ghar), to which they migrated to from Kabul during the 16th century, but they are also present in smaller numbers in parts of Afghanistan, including Kunar, Kabul, Kandahar and Farah. Outside of these countries, they can be found in Ghoriwala District Bannu (Mughal Khel), Balochistan Sibi (Akazai), Chagai (Hassanzai) and Rohilkandh.

Most of the Yusufzai speak a northern variety of Pashto and some southern variety of Pashto (as in case of Mughal Khel) and Afghan dialect Persian; the Yusufzai dialect is considered prestigious in Pakistan's Khyber Pakhtunkhwa province.

Etymology
In Pashto phonology, as /f/ is found only in loanwords and tends to be replaced by /p/, the name is usually pronounced as Yūsəpzay or Īsəpzay. The name literally means "descendant of Yusuf" in Pashto; Yūsuf () is an Arabic and Aramaic masculine given name meaning "(God) shall add."

According to some scholars, including philologist J.W. McCrindle, the name Yūsəpzay or Īsəpzay is derived from the tribal names of Aspasioi and Assakenoi – the ancient inhabitants of the Kunar Valley and the Swat Valley who offered resistance when Alexander invaded their land in 327–326 BCE. According to historian R.C. Majumdar, the Assakenoi were either allied to or a branch of the larger Aspasioi, and both of these ancient tribal names were probably derived from the word Aśvaka, which literally means "horsemen", "horse breeders", or "cavalrymen" (from aśva or aspa, the Sanskrit and Avestan words for "horse").

McCrindle noted: "The name of the Aśvaka indicates that their country was renowned in primitive times, as it is at the present day, for its superior breed of horses. The fact that the Greeks translated their name into "Hippasioi" (from ἵππος, a horse) shows that they must have been aware of its etymological signification."

The name of the Aśvakan or Assakan is also the origin of the ethnonym Afghān, which has been historically used for all Pashtuns.

Mythical genealogy
According to a popular mythical genealogy, recorded by 17th-century Mughal courtier Nimat Allah al-Harawi in his book Tārīkh-i Khān Jahānī wa Makhzan-i Afghānī, the Yusufzai tribe descended from their eponymous ancestor Yūsuf, who was son of Mand, who was son of Khashay (or Khakhay), who was son of Kand, who was son of Kharshbūn, who was son of Saṛban (progenitor of the Sarbani tribal confederacy), who was son of Qais Abdur Rashid (progenitor of all Pashtuns). Qais Abdur Rashid was a descendant of Afghana, who was described as a grandson of the Israelite king Saul and commander-in-chief of the army of prophet Solomon. Qais was claimed to be a contemporary of the Islamic prophet Muhammad and a kinsman of Arab commander Khalid ibn al-Walid. When Khalid ibn al-Walid summoned Qais from Ghor to Medina, Qais accepted Islam and the prophet renamed him Abdur Rashīd (meaning "Servant of the Guide to the Right Path" or "Servant of God" in Arabic). Abdur Rashid returned to Ghor and introduced Islam there. The book stated that Yūsuf's grandfather (and Mand's father), Khashay, also had two other sons, Muk and Tarkalāṇī, who were the progenitors of the Gigyani and Tarkani tribes, respectively. Yūsuf had one brother, Umar, who was the progenitor of the Mandanr tribe, which is closely related to Yusufzais.

The 1595 Mughal account Ain-i-Akbari also mentioned the tradition of Israelite descent among Pashtuns, which shows that the tradition was already popular among 16th-century Pashtuns.

History

Peace treaty with Babur

During the early modern period, the Yusufzai tribe of Afghans was first explicitly mentioned in Baburnama by Babur, a Timurid ruler from Fergana (in present-day Uzbekistan) who captured Kabul in 1504. On 21 January 1519, two weeks after his Bajaur massacre, Babur wrote: "On Friday we marched for Sawad (Swat), with the intention of attacking the Yusufzai Afghans, and dismounted in between the water of Panjkora and the united waters of Chandāwal (Jandul) and Bajaur. Shah Mansur Yusufzai had brought a few well-flavoured and quite intoxicating confections."

As part of a treaty with Yusufzai Afghans, Babur married Bibi Mubarika, daughter of Yusufzai chief Shah Mansur, on 30 January 1519. Bibi Mubarika played an important role in the establishment of friendly relations of Yusufzai Pashtun chiefs with Babur, who later founded the Mughal Empire after defeating Pashtun Sultan Ibrahim Lodi at the First Battle of Panipat in 1526. One of Mubarika's brothers, Mir Jamal Yusufzai, accompanied Babur to India in 1525 and later held high posts under Mughal emperors Humayun and Akbar.

Skirmishes with Mughal forces
During the 1580s, many Yusufzais and Mandanrs rebelled against the Mughals and joined the Roshani movement of Pir Roshan. In late 1585, Mughal Emperor Akbar sent military forces under Zain Khan Koka and Birbal to crush the rebellion. In February 1586, about 8,000 Mughal soldiers, including Birbal, were killed near the Karakar Pass between Swat and Buner by the Yusufzai lashkar led by Kalu Khan. This was the greatest disaster faced by the Mughal Army during Akbar's reign.

In 1630, under the leadership of Pir Roshan's great-grandson, Abdul Qadir, thousands of Pashtuns from the Yusufzai,  Mandanrs, Kheshgi, Mohmand, Afridi, Bangash, and other tribes launched an attack on the Mughal Army in Peshawar. In 1667, the Yusufzai again revolted against the Mughals, with one of their chiefs in Swat proclaiming himself the king. Muhammad Amin Khan brought a 9,000 strong Mughal Army from Delhi to suppress the revolt. Although the Mughal Emperor Aurangzeb was able to conquer the southern Yusufzai plains within the northern Kabul valley, he failed to wrest Swat and the adjoining valleys from the control of the Yusufzai.

Durrani period

Ahmad Shah Durrani (1747–1772), the founder of the Afghan Durrani Empire, categorized all Afghan tribes into four ulūs (tribal confederacies) for administrative purposes: Durrani, Ghilji, Sur, and Bar Durrani ("Upper Durranis"). The Yusufzai were included in the Bar Durrani confederacy along with other eastern Pashtun tribes, including the Mohmand, Afridi, Bangash, and Khattak. The Bar Durrani were also known as the Rohilla, and comprised the bulk of those Pashtuns who settled in Rohilkhand, India.

Najib ad-Dawlah, who belonged to the Yusufzai tribe, was a prominent Rohilla chief. In the 1740s, he founded the city of Najibabad in Rohilkhand. In 1757, he supported Ahmad Shah Durrani in his attack on Delhi. After his victory, Ahmad Shah Durrani re-installed the Mughal emperor Alamgir II on the Delhi throne as the titular Mughal head, but gave the actual control of Delhi to Najib ad-Daula. From 1757 to 1770, Najib ad-Daula served as the governor of Saharanpur, also ruling over Dehradun. In 1761, he took part in the Third Battle of Panipat and provided thousands of Rohilla troops and many guns to Ahmad Shah Durrani to defeat the Marathas. He also convinced Shuja-ud-Daula, the Nawab of Awadh, to join the Durrani forces. Before his departure from Delhi, Ahmad Shah Durrani appointed Najib ad-Dawlah as mir bakshi (paymaster-general) of the Mughal emperor Shah Alam II. After his death in 1770, Najib ad-Dawlah was succeeded by his son, Zabita Khan, who was defeated in 1772 by the Marathas, forcing him to flee from Rohilkhand. However, the descendants of Najib ad-Dawlah continued to rule Najibabad area until they were defeated by the British at Nagina on 21 April 1858 during the Indian Rebellion of 1857.

Today, many Yusufzais are settled in India, most notably in Rohilkhand region, as well as in Farrukhabad, which was founded in 1714 by Pashtun Nawab Muhammad Khan Bangash.

State of Dir

In Dir, descendants of 17th-century Akhund Ilyas Yusufzai, the founder of the city of Dir, laid the foundation of the state of Dir. In 1897, the British Raj annexed Dir and granted the title of the "Nawab of Dir" to Sharif Khan Akhundkhel, the ruler of Dir (1886–1904).

The princely state of Dir existed until 1969, after which they were merged into West Pakistan, and then in 1970 into the North-West Frontier Province (present-day Khyber Pakhtunkhwa) of Pakistan. Its area is part of the present-day Buner, Lower Dir and Upper Dir.

Yousafzai of Ghoriwala

One of Iliaszai grandson through Taje, was a man named Gadezai, who had five sons: Hassan, Behram, Ali Sher, Hussain, and Ibrahim. The first four sons settled in present-day District Buner, while Ibrahim was separated from them during the massacre of Yousafzai by Ulugh Beg in Kabul. Initially settling in Kurram, Ibrahim's descendants eventually migrated to Ghoriwala in present-day District Bannu.

Ibrahim had only one son named Hassan Khan, and his family was known as Hassan Khel. However, after one of his descendant, Mughal Khan Yousafzai, his tribe came to be known as Mughal Khel. Mughal Khan's leadership and capabilities helped establish his tribe as one of the leading and honorable tribes of Bannu. Jaffar Khan Yousafzai, Mughal Khan's grandson, also earned a name and place for himself among the elders of the district. He also commissioned the construction of a beautiful mosque in Bannu Bazar in around 1820s.

The Mughal Khel tribe has the following sub-tribes: Qasim Khel, Jaffar Khel, Hakim Khel, and Muhammad Hassan Khel. The Mughal Khel have ruled and held the position of maliks in Ghoriwala for more than 300 years. Due to centuries of living in a land far away from their brethren, the Mughal Khels gradually assimilated in the local society, adopting the local elements and thus have transitioned from the Hard Pashto pronunciations to Soft Pashto but still in their speech and appearance their long lost characters can be identified.

As the author of Bannu Gazetteer said:

Pashto dialect
Yusufzai Pashto, which is a variety of Northern Pashto, is the prestige variety of Pashto in the Khyber Pakhtunkhwa province of Pakistan. Some of its consonants differ from the other dialects:

Society
The Yusufzai Pashtun aristocracy was historically divided into several communities based on patrilineal segmentary groups:
Khān
The khān referred to the Yusufzai landowners. In the 16th century, saint Sheikh Milli, a prominent Yusufzai dignitary, distributed the Yusufzai land among the major Yusufzai tribal clans (khēl). However, to avoid inequalities, he ordered that the lands should not become permanent property of the clans, but rather they should be realloted within the patrilineal clans periodically after every ten years or so. In this system (wēsh), each landowning khān would own shares (brakha) representing his proportion of the total area distributed. Through a regular rotation of ownership, the Yusufzai landowners would migrate for up to 30 miles for their new share after each cycle, although the tenants cultivating the land would stay on.

The wēsh system operated among the Yusufzai of Swat region until at least 1920s.
Hamsāya
The hamsāya or "shade sharers" were the clients or dependents from other (non-Yusufzai) Pashtun tribes who became attached to the Yusufzai tribe over the years.
Faqīr
The faqīr or "poor" were the non-Pashtun landless peasants who were assigned to the Yusufzai landowners. As dependent peasants, the faqīr used to pay rent for the land they cultivated.

In the 19th century, the distinction between hamsāya as a "dependent Pashtun tribe"  and faqīr as "non-Pashtun landless peasants" became blurred. Both terms were then interchangeably used to simply refer to landless dependents or clients.
Mlātəṛ
The mlātəṛ or "supporters" provided services to their patrons as artisans (kasabgar), musicians (ḍəm), herders, or commercial agents, mostly in return for a payment in grain or rice.
Ghulām
The ghulām or "slaves" were more closely attached to their patron and his family and frequently entrusted with a variety of functions within their master's household. Although the ghulām were less free as compared to the hamsāya or the faqīr, they generally enjoyed a higher status in the society.

Subtribes
Abakhel

Azizkhel
Akazai
Babuzai
Shamozai
Balarkhel
Chagharzai
Degankhel
Hassanzai
Kamalzai
Khan Khel
Khwaja Khel (Khwajgan)
Madakhel
Mahabatkhel
Malizai
Mandanr
Khadarzai
Mughal Khel
Niamatkhel
Nikpikhel
Ranizai
Tahirkheli

Notable Yusufzais/Yousafzais
 Gaju Khan, Pashtun Revolutionary and founding chief of the Yusufzai tribe
 Shaukat Ali Yousafzai
 Bibi Mubarika
 Kalu Khan (16th Century), Yusufzai leader who rallied his tribe and rebelled against Mughal Emperor Akbar and inflicted one of their greatest defeats in 1586
 Malala Yousafzai (born 1997), Pashtun female education activist and Nobel Peace Prize laureate, from the Dalokhel subclan
 Ziauddin Yousafzai (born 1969), Pashtun education activist and father of Malala Yousafzai, from the Dalokhel subclan
 Khan Roshan Khan Yousafzai, Pashtun Historian and educationist writer who served as President of the Muslim League in Swabi
 Najib ad-Dawlah Yousafzai, Afghan Serviceman who fought with Ahmed Shah's Durrani Empire to Victory at Panipat, 1761
 Karnal Sher Khan, Military Officer who fought and died in the Kargil Conflict and one of 11 recipients to be awarded Nishan-e-Haider for highest Military Gallantry of Pakistan
 Rahimullah Yusufzai
 Murad Saeed
 Nigar Johar, only female General in Pakistan Army history
 Muhammad Ali Jauhar, prominent member of the Muslim League, Khilafat Movement and served as President of the Indian National Congress
 Junaid Khan
 Abaseen Yousafzai
 Jafar Khan Yusufzai, Former Raes of Mughal Khel Tappa, Bannu

Notes
 In Pashto, "Yusufzai" (, [jusəpˈzay]) is the masculine singular form of the word. Its feminine singular is "Yusufzey" (, [jusəpˈzəy]), while its plural is "Yusufzee" (, [jusəpˈzi]).

References

Social groups of Pakistan
Groups claiming Israelite descent

Yusufzai


Aleochara sulcicollis er bjöllutegund ættuð frá Ameríku (suður, mið og norður).

Tilvísanir

Jötunuxaætt
Bjöllur

Aleochara sulcicollis


Black Majesty is an Australian power metal band formed in 2001 as Kymera. The band was founded by guitarist Steve Janevski (ex-Cyclone Tracy) and bassist Cory Betts (ex-Pegazus). After the release of a three track sampler album, they signed a five-album contract with German-based label, LMP Records. The group released their fifth studio album, Stargazer, in July 2012.

History

Early: Kymera
The band was formed in Melbourne in 2001 under the name Kymera. Guitarist Steve Janevski was drawn from Cyclone Tracy, a long-running heavy rock/hair metal outfit. Bassist Cory Betts was a member of Pegazus, a Melbourne power metal band that had toured Europe in 1998, although he did not join that band until early 1999. Kymera's other guitarist Hanny Mohammed had recorded an album with a band called Catwitch who had been featured on a television documentary. The band dropped the Kymera moniker due to a US band sharing the same name. After a flirtation with the name Arkaya, the band began recording material but Betts then left and the group renamed itself Black Majesty.

Black Majesty
The Sands of Time album was recorded in 2002 and prefaced by a three-track promo disc that gained them a five-album contract with German label LMP. The album's sound was a mixture of progressive metal and power metal drawing influence from Queensrÿche and Jag Panzer. Reviews of the album were extremely positive, and in several online polls it won "Album of the Year" honors. Bass tracks were recorded by both Betts and Evan Harris, and Cavaliere duetted with Silvio Massaro from Vanishing Point and cousin Danny Cecati from Eyefear on two tracks. Joe Fata replaced Betts in the interim but left before the album was released in 2003 and since then Black Majesty has not had a permanent bass player, instead looking towards local bass players to fill duties. During this time period guitarist Hanny Mohammed played bass at infrequent live shows with fellow Australian power metal band Pegazus, although by the end of 2002 Mohammed fully focused on his work in Black Majesty.

Bassists Mark Kelson of Melbourne doom band The Eternal and Harris have featured as touring members, Harris contributing to the band's next release also, 2005's Silent Company. The album's sound slightly changed from Sands of Time, the band dropping their small progressive touches and going for a more straightforward melodic sound. For the recording of "Silent Company" Pavel Konvalinka recorded his drum tracks in Germany with Piet Sielck of Iron Savior whilst the remainder of the band recorded their tracks at Palm Studios in Melbourne with producer Endel Rivers. The album's release was preceded by a short tour of Europe, where the band gained exposure to their primary market by playing solo shows and gaining spots on festivals featuring bands such as HammerFall and Edguy. On the band's return to Australia they launched the album with additional solo dates before touring with British band DragonForce and American metal group Nevermore. The band then began writing songs for their next album while sporadically performing live shows, focusing on the writing and recording of their third studio effort.

Black Majesty's third album Tomorrowland was released on 1 June 2007. The album was launched by another European tour which featured slots at festivals such as Masters of Rock, Benatska Noc, and Europe's biggest heavy metal festival, Wacken Open Air, along with a few solo club dates. Bass duties were filled by Richard Filak. Upon Black Majesty's return to Australia, they launched Tomorrowland with various shows around Melbourne. In the following months Black Majesty continued to display their prominence on the Australian Power Metal scene playing solo shows along with supporting Helloween in February. They recently supported Saxon on their April tour of Australia.

Black Majesty started work on its fourth album in February 2009 for Limb Music Products. The group supported former Iron Maiden singer Paul Dianno on two of his Australian shows on 30 May at the Hifi Bar & Ballroom in Melbourne, and on 6 June at the Manning Bar in Sydney. In November that year they appeared at Screamfest in Sydney. Black Majesty will play a one-off concert in Jakarta, Indonesia as part of the Jak Sound, Jakarta Sound & Music Expo on 6 February 2010. Black Majesty released their fourth album, In Your Honour, in 2010 which was mixed by Roland Grapow. The release was promoted with several shows around Australia as well as a headlining slot at Indonesia's Bla Bla Bla Festival. The band recently announced a European tour to support the album's release.

Timeline

Discography

References

External links

Musical groups established in 2002
Victoria (state) musical groups
Australian heavy metal musical groups
Australian power metal musical groups
2002 establishments in Australia

Black Majesty


Monster High: Boo York, Boo York este un film de animație din 2015 produs de Mattel și regizat de William Lau.

Desene animate
Filme de animație
Filme din 2015

Monster High: Boo York, Boo York


Leylâ ile Mecnun, Arap efsanesine dayanan klasik bir aşk hikâyesidir.

Birbirini seven; ama bir türlü kavuşamayan, kara sevdalı iki gencin çileli aşklarını konu edinir. Hikâye, 10. yüzyılın sonlarında İran'a geçmiş ve ilk defa Azerbaycan şairi Nizami (Azerbaycan,Gence) tarafında yazılmıştır. Türk edebiyatında otuzdan fazla şair tarafından işlenen ve çok sevilen bu aşk için yazılan en ünlü mesnevi,  1533 yılında Fuzûlî'nin Leylâ ile Mecnun adıyla kaleme aldığı eserdir.  Leyla ve Mecnun teması, Farsça'dan  Urdu ve Hint edebiyatına da girmiş; 16.yüzyıldan itibaren Türk halk edebiyatına da geçerek anonim bir halk hikâyesine dönüşmüştür.

Konusu
Necid'de bulunan Beni Amir kabilesine mensup Leylâ ve Kays birbirlerine âşık olmuşlardır. Kısa zamanda her yere yayılan bu aşkı duyan annesi Leylâ'yı okuldan alır ve Kays'la görüşmesini yasaklar. Ayrılık ıstırabıyla mahvolan Kays halk arasında Arapçada "deli" anlamına gelen "Mecnun" diye anılmaya başlar. Kays, babasına Leyla'yı istemesini söyler ancak  aşkları sebebiyle kızın adı dillere düşüp namusu lekelendiği için teklif reddedilir, Leyla bir başkası ile evlendirilir.  İyice deliye dönen Mecnun'a birçok kişi Leylâ'yı unutmasını söyler; ancak onun için kainat artık Leylâ'dan ibarettir ve hiçbir şekilde bu aşktan vazgeçmez. Ailesi bu dertten kurtulmak için  Allah'a yakarmak üzere onu Kabe'ye götürür; ama o tam tersine derdinin artması için dua eder; çöllere kaçarak vahşi hayvanlarla birlikte yaşamaya başlar.

Başkasıyla nikahlandırılan Leylâ, kocasından kendisini uzak tutmak için bir hikâye uydurur ve bir süre sonra adam ölür. Bu sırada Mecnun çöldedir ve aşkın bin bir türlü cefasıyla yoğrulmaktadır. Dünyayla bütün bağlantısı kesilir ve sadece ruhuyla yaşar hale gelir. Leylâ'nın vücudu da dahil olmak üzere bütün maddi varlıklarla ilişkisi bitmiştir.

Bir gün Leylâ çölde onu bulur ama Mecnun onu tanımaz ve "Leylâ benim içimdedir, sen kimsin?" der. Leylâ, Mecnun'un ulaştığı mertebeyi anlar ve evine geri döner ve üzerinden fazla zaman geçmeden Leylâ hayata gözlerini yumar.  Leyla'nın öldüğünü öğerenen Mecnun, onun mezarına gidip uzanır ve canından can gitmiş gibi hıçkıra hıçkıra ağlar. Yaradana feryat figan dualar ederek canını almasını, kendisini Leylâ'sına kavuşturmasını ister. Duası kabul olur, göklerin gürlemesiyle birlikte Leylâ'sına kavuşur âşıklar âşığı Mecnun.

Ortaya çıkışı

Leylâ ile Mecnun öyküsüne dair rivayetlerden birine göre bu aşk, hicretin birinci yılında Arabistan yarımadasında yaşanmıştır.  "Kays bin Mülevvah Amirî" ile  aynı kabileye mensup Leylâ binti Mehdî b. Sa'd Amirîye'nin başından geçen bir aşk öyküsü olduğu söylenir. Kays, aşkı yüzünden aklını yitirip "Mecnun" lakabıyla tanınmıştır.

Leyla ile Mecnun'un aşkı Arap  halk edebiyatında ortaya çıktıktan sonra Arapça ve Farsça'da kaleme alınmış; 10. yüzyılda  edebiyatçılar tarafından çok yaygın olarak işlenmiş; Mecnun'a ait olduğu söylenen şiirlerin arasına nesirler de eklenerek hikâye haline getirilmiştir.

Bu konu daha sonra Fars ve Türk edebiyatlarında da şiir olarak işlenmiştir. Bunların arasında Azeri asıllı olup Farsça şiirleri ile (özellikle "Beş Mücevher (پنج گنج Panj Ganj)" adlı hamsesi ve bunun içinde bulunan 1181'de hazırlanmış Farsça "Laylā o Majunūn" mesnevisi ile) ün kazanmış olan Nizami Gencevi (1141-1209), Herat'ta yaşamış ve Farsça yazdığı hamsesinde bulunan "Leylâ ve Mecnun" mesnevisi ile ünlü olmuş Hatifi (1454-1521), Azerbaycan edebiyatı ve Türkçe divan şiirinin başta gelen şairlerinden olduğu kabul edilen Fuzûlî (1483-1556) tarafından 1535'te yazılan "Leylâ vu  Mecnûn" adlı mesnevisi sayılabilir.

Fuzûli, Leylâ ile Mecnun Mesnevisi'ni istek üzerine yazmıştır. Kanuni Sultan Süleyman Bağdat şehrini ele geçirdikten sonra burada toplanan bilim ve sanat adamları, Fuzûli'den, bu türde bir eser yazmalarını istemişler, bunu bir çeşit sınanma sayan Fuzûli de 1535 yılında eserini tamamlayıp Bağdat valisi Süleymani Paşa'ya sunmuştur.

Efsanenin farklılaşması
Efsane ile ilgili Fuzûlî'nin yazdığından farklı şekilde hikayeler de bulunmaktadır. Emir Hüsrev-i Dehlevi'nin hamsesindeki Leylâ ile Mecnun'da Mecnun bir Hint prensi, Leylâ ise Nevfel'in kızıdır. Diğer versiyonlarda daha başka yakıştırma tanımlar vardır. Cami, Heft Evreng'inde bu konuya ayırdığı 6. kitabında, Agani'deki kurguya bağlı kalmakla birlikte öykünün sonunu değiştirmiştir. Mecnun'u kucağında bir ceylanla çölde ölü bulan bir bedevinin haber vermesi üzerine Leylâ, sevgilisinin mezarına giderek orada ölür. Başka şairler de kerametler, olağanüstü ögeler, canlandırmalar, cinayetler ekleyerek öyküye yenilikler katmışlardır.

Ayrıca bakınız
 Hemse
 Sırlar Hazinesi  (مخزن الاسرار Makhzan al-Esrār; 1176): Erzincan'daki Mangucakların Bahmanşah bin Davud'a armağan edilmiştir.
 Yedi Güzel (هفت پيكر Heft Peyker): Sasani Hanedanı'nın V. Behram ve eşlerini anlatan şiir.
 Hüsrev ve Şirin (خسرو و شيرين Khusraw o Shīrīn; 1177 - 1181): Sasani Hanedanı'nın I. Hüsrev ile Azerbaycan prensesi Şirin arasında yaşanan aşk anlatan bir şiir. İldenizliler hükûmdarı Cahanşah Pehlevan ve Kızıl Alslan ve Selçukluların son sultanı III. Tuğrul Bey'e övgü sözleri yazılmıştır.
 İskendername (اسكندر نامه Iskandar Nāma): "Şerefname" (شرف نامه Şeref Nāme; 1196-1200) ve "İkbalname" (اقبال نامه Iqbal Nāma 1200-ölüm) olmak üzere iki bölümden olan ve "İskender Zülkarneyn"in hayatını anlatan şiir.

Diğer eserler
 Yusuf ile Züleyha
Ferhat ile Şirin

Kaynakça

Arap edebiyatı
Orta Çağ'da efsaneler
Mesneviler

Leylâ ile Mecnun


Etkileri
Parazitler genel olarak organizmayı tahrip etmekte soyucu, sömürücü, mekanik olarak etkilemekte ve diğer hastalıklara canlıları dispoze kılmaktadırlar. Paraziterlerin hemen hemen bütün salgıları, sindirilmemiş artıkları organizma için toksiktir.  Ayrıca bazı parazitlerin özel toksinleri vardır. Bunları salgılayarak hücre ve dokuları eritirler, kanın pıhtılaşmasına engel olurlar. Bu toksinlerle organizma tedricen zehirlenir. Alyuvarları erittiğinden Anemi meydana gelir. Kan tablosu değişir. Toksinlerin sinir sistemine de etkisi vardır. Bunun sonucu bazen felçler ve kuduz benzeri semptomlar meydana gelir. Gelişmede gerilik meydana gelir. Genital organların küçüldüğü, atrofiye olduğunu bildiren araştırmalar vardır.

Gelişmeler

Organlara verdikleri zararlar
Parazitler mekanik olarak da organizmaya zarar vermektedirler. Bulundukları organlara mekanik olarak basınç yapmaktadırlar. Bunların sayısı kadar bulundukları organın da önemi vardır. Beyin,göz gibi nazik organlarda bulundukları zaman, sayıları az da olsa meydana getirdikleri etki büyüktür. Hücre parazitleri çoğalırken hücreleri parçalarlar. Bazı parazitler safra kanalını tıkayarak sarılık meydana getirirler. Bazı parazitler de, örneğin bağırsakta yaşayanların birkaç tanesi bir araya gelerek bağırsakları tıkarlar ve şiddetli hazımsızlıklara sebep olurlar. Parazitlerin genç şekilleri organizmada göç ederken diğer bazı hastalık etkenlerini de beraberinde sürükledikleri gibi, zayıf düşürdükleri organizmalarda salgın hastalıkların kolaylıkla etkimesine sebep olurlar. Bundan ötürüdür ki, paraziter hastalıklara yakalanan hayvanlarda diğer hastalıklar da kolaylıkla yerleşebilmektedir. Parazitlerden mütevellit metabolik bozukluklar, vitamin,hormon dengesinin bozulması, özelikle hayvanların iyi beslenemedikleri hallerde doğal direncin bozulması sonucu parazitlerin etkileri artmaktadır.

Teşhis
Paraziter hastalıklar bariz bir şekilde dikkat çekmediği, ölüm olayları görülmediği hallerde, bunların meydana getirdikleri verim düşüklüğünü kesin olarak hesaplamak güçtür. Paraziter hastalıklarda görülen semptomlarla, klinik olarak hastalığı teşhis etmek zordur. Ancak parazitin kendisini veya gelişme devirlerini görmek ile kesin teşhis konur. Bazı hallerde birkaç paraziter hastalık birlikte seyreder ki böyle durumlarda telefat artar.

Paraziter hastalık


මේජර් ජෙනරල් මිලින්ද පීරිස් (ඉංග්‍රීසි: Milinda Peiris) RWP, RSP, VSV, USP, psc යනු  ශ්‍රී ලංකා යුද්ධ හමුදා හිටපු මාණ්ඩලික ප්‍රධානී වන අතර ඔහු උප කුලපති සහ කමාන්ඬර් සර් ජෝන් කොතලාවල ආරක්ෂක විශ්ව විද්‍යාලය තනතුරු හොබවයි.

මේජර් ජෙනරල් මිලින්ද පීරිස්, ශ්‍රී ලංකා බාලදක්ෂ සංගමයේ ප්‍රධාන කොමසාරිස් තනතුරු හොබවයි.

මේජර් ජෙනරල් මිලින්ද පීරිස්  කොළඹ නාලන්දා විද්‍යාලයයේ ආදි සිසුවෙකි.

ආශ්‍රිත
  මේජර් ජෙනරල් මිලින්ද පීරිස්යන් ගේ ඉංග්‍රීසි විකිපීඩියා පිටුව

 කොළඹ නාලන්දා විද්‍යාලයයේ ආදි සිසු හමුදා නිලධරයන්

 Nalanda College Colombo RANAVIRU UPAHARA ' 16

 ත්‍රිවිධ හමුදාවේ තිහක් වීඑස්වී සම්මානය ලබති

 මම ඉපදුණේ ගුවන් යානයකද කියලා බොහෝ දෙනෙක් අහනවා

 විශ්‍රාම යන මේජර් ජෙනරාල් මිලින්ද පීරිස් වෙත හමුදා ආචාරය

 යුද හමුදා මාණ්ඩලික ප්‍රධානී මේජර් ජෙනරාල් මිලින්ද පීරිස්

 මිලින්ද පීරිස් යුද හමුදා මාණ්ඩලික ප්‍රධානියා වෙයි

 යුද හමුදාවේ දෙවැනියා මේජර් ජනරාල් මිලින්ද පීරිස්

 ශ්‍රී ලංකා යුද හමුදාවේ 47 වැනි මාණ්ඩලික ප්‍රධානී මේජර් ජනරාල් මිලින්ද පීරිස්

 යුද හමුදාවේ මාණ්‌ඩලික ප්‍රධානී තනතුරට මේජර් ජෙනරාල් මිලින්ද පීරිස්

 යුධ හමුදාවේ ඉහලම තනතුරු සඳහා නව නිලධාරින්

චරිත කතා
ශ්‍රී ලාංකිකයෝ
ආදි නාලන්දියයෝ
ශ්‍රී ලංකා යුද්ධ හමුදා නිලධාරීන්
ශ්‍රී ලාංකික බෞද්ධයෝ
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මිලින්ද පීරිස්