Ulusal Elektronik ve Kriptoloji Araştırma Enstitüsü (UEKAE), TÜBİTAK'ın bünyesinde yer alan bir enstitüdür.

UEKAE'nin görevi, "bilgi güvenliği, haberleşme ve ileri elektronik alanlarında Türkiye'nin teknolojik bağımsızlığını sağlamak ve sürdürmek için nitelikli insan gücü ve uluslararası düzeyde kabul görmüş altyapısı ile, bilimsel ve teknolojik çözümler üretmek ve uygulamaktır".

Bu ana hedef göz önünde bulundurularak belirlenen "bilgi güvenliği, haberleşme ve ileri elektronik alanlarında yeni teknolojilerin geliştirilmesine öncülük eden uluslararası bilim, teknoloji ve üretim merkezi olmak" vizyonuna ulaşılabilmesi ve ülkenin ihtiyacı olan teknolojilerin geliştirilmesi için Enstitü'nün akredite test ortam ve laboratuvarlarında temel ve uygulamalı araştırmalar yapılmakta ve ihtiyaç sahiplerine teknik destek sağlanmaktadır.

UEKAE ayrıca, açık kaynak kodlu yazılımlara Uludağ Projesi ile Türkiye'de destek veren ilk devlet kurumudur.

Kamu kuruluşlarına elektronik imza sertifikası dağıtacak olan Kamu Sertifikasyon Merkezi de bu enstitüde bulunmaktadır.

UEKAE bünyesindeki optoelektronik grubu, lazer ve sensör uygulamaları, sayısal/akıllı kamera tasarımı, görüntü işleme, tekstil ve cam endüstrisi için endüstriyel kalite kontrol otomasyonu, evrak inceleme cihazları, DLP projeksiyon sistemleri gibi proje ve ürünler geliştirmektedir.

Tarihçe
İTÜ Elektrik Fakültesi hocalarından Yılmaz Tokad tarafından ODTÜ Mühendislik binasında Elektronik Araştırma Ünitesi adı ile 1968 yılında kuruldu ve 4 yıl sonra Marmara Araştırma Enstitüsü'ne bağlı olarak faaliyet göstermek üzere TÜBİTAK Gebze kampüsüne taşındı.

TÜBİTAK bünyesinde yer alan TÜBİTAK Ulusal Elektronik ve Kriptoloji Araştırma Enstitüsü(UEKAE) ile daha önce TÜBİTAK Marmara Araştırma Merkezine (MAM) bağlı olarak faaliyet gösteren Bilişim Teknolojileri Enstitüsü (BTE), TÜBİTAK BİLGEM çatısı altında birleştirildi.

Kaynakça

Dış bağlantılar
 Tübitak Ulusal Elektronik ve Kriptoloji Araştırma Enstitüsü sayfası

Türkiye'deki araştırma enstitüleri
Türkiye merkezli savunma şirketleri
TÜBİTAK enstitüleri
Kocaeli merkezli kuruluşlar
Gebze
1972'de kurulan kuruluşlar

UEKAE


Hreflang fait référence à l'attribut d'une balise HTML  de la page
 En-tête HTTP
 Sitemaps XML

Codes langue et codes pays
Une langue ou une combinaison de langue et de région géographique (que l'on appelle locale) doit être utilisée comme valeur. Afin d'éviter toute erreur de paramétrage, pour la génération de ces valeurs il est très important de se référer Hreflang à la norme ISO 639-1 pour les langues et ISO 3166-1 pour les codes pays. Il n'est pas autorisé de ne mentionner qu'un seul code pays, il doit toujours être accompagné d'un code langue en première position.

Exemple de langueenfrbe

Exemple de langue et de région géographiquefr-CAen-CAen-US

Erreurs courantes dans la mise en place
Une utilisation incorrecte des balises hreflang peut amener les moteurs de recherche à les ignorer. Les robots indexeurs se basent alors sur d'autres informations qui peuvent les amener à ne pas présenter la bonne version (dans la bonne langue) aux bons utilisateurs.

Voici quelques erreurs courantes lors de la mise en œuvre des balises hreflang :

 Les codes langues ou les codes pays sont erronés
 Ordre incorrect des codes langue et codes pays
 Utiliser uniquement le code pays sans la langue
 Pas de balise hreflang auto-référencée
 Plusieurs URL sont spécifiées pour la même valeur hreflang
 Le lien hreflang pointe vers une page redirigée
 Définir un code pays UK plutôt que GB
 Lien hreflang rompu
 Balises hreflang réciproques manquantes dans les URL de destination
 Utilisation d'un underscore plutôt qu'un tiret pour séparer la langue du pays
 La non-utilisation d'URL absolues

HTML
<link rel="alternate" hreflang="en-US" href="http://example.com/page.html"><html>
    <head>
        <link rel="alternate" hreflang="en-US" href="http://example.com/page.html">
        <link rel="alternate" hreflang="en-CA" href="http://example.com/en-ca/page.html">
        <link rel="alternate" hreflang="en-GB" href="http://example.com/en-gb/page.html">
        <link rel="alternate" hreflang="fr-CA" href="http://example.com/fr-ca/page.html">
        <link rel="alternate" hreflang="x-default" href="http://example.com/page.html">
    </head>
    <body>
    ...
    </body>
</html>

HTTP
HTTP/1.1 200 OK
Content-Type: application/pdf
Link: <http://example.com/page.pdf>; rel="alternate";hreflang="x-default", <http://uk.example.com/page.pdf>; rel="alternate";hreflang="en-GB",
<http://us.example.com/page.pdf>; rel="alternate";hreflang="en-US"
...

Sitemaps XML
<?xml version="1.0" encoding="UTF-8"?>
<urlset xmlns="http://www.sitemaps.org/schemas/sitemap/0.9"
  xmlns:xhtml="http://www.w3.org/1999/xhtml">
<url>
    <loc>http://example.com/page.html</loc>
    <xhtml:link
                 rel="alternate"
                 hreflang="en-US"
                 href="http://us.example.com/page.html"
                 />
    <xhtml:link
                 rel="alternate"
                 hreflang="en-GB"
                 href="http://uk.example.com/page.html"
                 />
    <xhtml:link
                 rel="alternate"
                 hreflang="x-default"
                 href="http://example.com/page.html"
                 />
</url>
<url>
    <loc>http://us.example.com/page.html</loc>
    <xhtml:link
                 rel="alternate"
                 hreflang="en-GB"
                 href="http://uk.example.com/page.html"
                 />
    <xhtml:link
                 rel="alternate"
                 hreflang="x-default"
                 href="http://example.com/page.html"
                 />
    <xhtml:link
                 rel="alternate"
                 hreflang="en-US"
                 href="http://us.example.com/page.html"
                 />
</url>
<url>
    <loc>http://uk.example.com/page.html</loc>
    <xhtml:link
                 rel="alternate"
                 hreflang="en-US"
                 href="http://us.example.com/page.html"
                 />
    <xhtml:link
                 rel="alternate"
                 hreflang="x-default"
                 href="http://example.com/page.html"
                 />
    <xhtml:link
                 rel="alternate"
                 hreflang="en-GB"
                 href="http://uk.example.com/page.html"
                 />
</url>
</urlset>
...

Liens externes

 Générateur de balises hreflang

Références

HTML
Référencement

Hreflang


Godwine or Godwin refers to the following people

 Godwin, Earl of Wessex (d. 1053) Earl of Wessex
 Godwine (floruit 995) (d. c. 1020) Bishop of Rochester
 Godwine (floruit 1013) (d. c. 1052) Bishop of Rochester

Godwine


Joep de Mol né le 10 décembre 1995 à Berkel-Enschot, est un joueur de hockey sur gazon néerlandais. Il évolue au poste de défenseur au HC Oranje-Rood et avec l'équipe nationale néerlandaise.

Carrière

Coupe du monde
  : 2018

Championnat d'Europe
  : 2017, 2021
  : 2019
 Top 8 : 2020

Références

Liens externes

Naissance en décembre 1995
Naissance à Tilbourg
Joueur néerlandais de hockey sur gazon
Champion d'Europe de hockey sur gazon
Joueur de hockey sur gazon aux Jeux olympiques d'été de 2020

Joep de Mol


Eighth Wonder of the World is an unofficial title sometimes given to new buildings, structures, projects, designs or even people that are deemed to be comparable to the seven Wonders of the World.

Candidates for the Eighth Wonder of the World

Natural places
 Burney Falls in California, United States; called so by Theodore Roosevelt
 Deadvlei Clay Pan in Namibia
 Giant's Causeway in County Antrim, Northern Ireland
 Gros Morne National Park in Newfoundland, Canada
 Milford Sound in New Zealand; called so by Rudyard Kipling
 Natural Tunnel, Virginia, United States, so dubbed by William Jennings Bryan
 Niagara Falls, between the province of Ontario, Canada and the state of New York, United States.
 Pink and White Terraces in New Zealand, prior to them being encrusted in 40 meters of rock during the 1886 eruption of Mount Tarawera.
 Plitvice Lakes National Park in Croatia, with a stunning series of tufa lakes that are connected by beautiful waterfalls, along with very deep caves.
 Torres del Paine National Park, Chile.
 The great wildebeest migration in the Maasai Mara, Kenya and Serengeti, Tanzania

Pre-1900 creations

 Amber Room in the Catherine Palace near Saint Petersburg, Russia
 Angkor Wat, Cambodia
 Banaue Rice Terraces, Philippines
 Borobudur, in Magelang, Indonesia
 The Citadelle Laferrière, Haiti
 The Eads Bridge, St. Louis, Missouri, United States
 The Erie Canal, New York, United States.
 Monastery of El Escorial, Spain.
 The Forth Railway Bridge in Scotland
 Great Wall of China, China
 The original 1882 Kinzua Viaduct (railway bridge) in Pennsylvania, United States.
 The Leaning Tower of Pisa, Italy
 Machu Picchu, Peru
 The moai statues of Easter Island, Chile
 The Obelisk of Axum, Ethiopia
 The Polhem dry dock, Karlskrona, Sweden
 The rock-hewn churches at Lalibela, Ethiopia (Church of Saint George, Lalibela)
 Royal Palace in Amsterdam, Netherlands
 Sigiriya, Sri Lanka
 Statue of Liberty (Liberty Enlightening the World), New York Harbor, United States
 Stonehenge, England
 The Taj Mahal, India
 Chapel of the Rosario, Puebla City, Mexico
 The Terracotta Army, China
 The original rail-only Victoria Bridge (Montreal), Canada.
 Thames Tunnel, London, United Kingdom

Post-1900 creations
 Aswan Dam in Egypt, called as such by Nikita Khrushchev
 Bahá'í terraces, on Mount Carmel, Haifa, Israel.
 Delta Works, the Dutch provinces of Zeeland and South Holland, the Netherlands. The Delta Works has been called one of the Seven Wonders of the Modern World by Quest magazine and the American Society of Civil Engineers, and the "Eighth Wonder of the World" by several other sources.

 Empire State Building, New York City, United States.
 George Washington Bridge, New York City, United States
 Great Manmade River in Libya; given the title by Muammar Gaddafi.
 Hibernia Oil Platform, Newfoundland, Canada
 Houston Astrodome, Texas, United States
 Karakoram Highway in Pakistan, and China
 Palm Islands of Dubai
 Panama Canal, Panama
 Pikeville Cut-Through in Pikeville, Kentucky, United States; given the title by The New York Times.
 Queensway Tunnel, Liverpool, Merseyside, United Kingdom
 Rogers Centre, originally named SkyDome, in Toronto, Ontario, Canada
 Statue of Unity, Kevadia, India, given the title by Shanghai Cooperation Organization.
 Sydney Opera House in Sydney, Australia; the story of its construction was recounted in the opera The Eighth Wonder
 Thames Barrier, London, United Kingdom.
 Three Gorges Dam in Hubei, China
 West Baden Springs Hotel in West Baden Springs, Orange County, Indiana, United States.

In fiction
 King Kong, a fictional giant movie monster resembling a colossal gorilla, that has appeared in several movies since 1933. His captor promotes public exhibitions of the caged Kong with the tagline: "Eighth Wonder of the World".
 Similarly, Gorgo, a fictional 65-foot tall dinosaur-like creature captured off the coast of the fictitious Irish isle of Nara Island from the British kaiju film of the same name is promoted as the "8th Wonder of the World" while on display at a circus in London.

See also
 New Seven Wonders of the World
 Wonders of the World
 Andre the Giant (a pro wrestler who was given the nickname 'The 8th Wonder of the world')
 Aishwarya Rai (pageant winner and actress was dubbed as '8th Wonder of the world')

References

8 (number)
Lists of buildings and structures
8
Seven Wonders of the Ancient World

Eighth Wonder of the World


Ned Miller Rorem (October 23, 1923 – November 18, 2022) was an American composer of contemporary classical music and a writer. Best known for his art songs, which number over 500, Rorem was considered the leading American of his time writing in the genre. Frequently described as a neoromantic composer, he showed limited interest in the emerging modernist aesthetic of his lifetime. As a writer, he kept—and later published—numerous diaries in which he spoke candidly of his exchanges and relationships with many cultural figures of America and France.

Born in Richmond, Indiana, Rorem found an early interest in music, studying with Margaret Bonds and Leo Sowerby. He developed a strong enthusiasm for French music and received mentorship from Aaron Copland and Virgil Thomson, among others. After two productive years in Morocco, Rorem was hosted by the arts patron Marie-Laure de Noailles in Paris, where he was influenced by the neoclassicist group Les Six, particularly Francis Poulenc and Darius Milhaud. He returned to America in around 1957, establishing himself as a prominent composer and receiving regular commissions. For the American Bicentennial, he worked on seven different commissions concurrently, among which was Air Music: Ten Etudes for Orchestra, which won a Pulitzer Prize for Music in 1976.

Much of Rorem's life was spent with his lifelong partner James Holmes, between his apartment in New York and house in Nantucket. From 1980 onwards he taught at the Curtis Institute, where his students included Daron Hagen and Jennifer Higdon. He wrote the large-scale song cycle Evidence of Things Not Seen (1997) to 36 texts by 24 writers, for the New York Festival of Song. It is considered by commentators and Rorem himself to be his magnum opus. Much of his later compositions were devoted to concertante and his final major work was the opera Our Town (2006).

Life and career

1923–1940: Childhood and youth

Ned Miller Rorem was born in Richmond, Indiana, US on October 23, 1923. Born to parents of Norwegian descent, he was their second child after his sister Rosemary. His father Clarence Rufus Rorem was a medical economist at Earlham College whose work later inspired the Blue Cross Blue Shield Association, while his mother Gladys Miller Rorem was active in antiwar movements and the Religious Society of Friends (Quakers). Ned described his background as "upper middle-class, semi-bohemian but with a strong Quaker emphasis". He later explained that his family was more culturally but not religiously Quaker; he described himself as a "Quaker atheist" throughout his life. The family moved to Chicago a few months after Rorem's birth, where he attended the University of Chicago Laboratory Schools. Though not musicians themselves, his parents were enthusiastic about the arts, and brought their children to numerous concerts by the famous pianists and dancers.

Rorem showed an early talent and interest in music, learning piano in his youth with Nuta Rothschild. Though he had other teachers before Rothschild, she was his first to make a lasting impression: she inaugurated his life-long enthusiasm for French music and culture, especially Impressionists such as Claude Debussy and Maurice Ravel. By age 12, Rorem began piano lessons with Margaret Bonds, who helped foster his interest in music composition and introduced him to both American jazz and American classical music by composers such as Charles Tomlinson Griffes and John Alden Carpenter. The music of Igor Stravinsky and songs of Billie Holiday were also particularly impressionable. He began piano study with Belle Tannenbaum in 1938, under whom he learned and performed the first movement of Edvard Grieg's Piano Concerto. Throughout his youth he also studied music theory at the American Conservatory of Music with Leo Sowerby, a well known church music composer of the time. He graduated high school in 1940, around when he began a close friendship with the future-writer Paul Goodman, whose poems he would later set to music. Rorem also found interest in literary activities, having kept a diary since his youth.

1940–1948: Emerging composer

Rorem attended the School of Music of Northwestern University in 1940, studying composition with Alfred Nolte and piano with Harold Van Horne. Under the latter he focused on standard repertoire by Bach, Beethoven and Chopin, but transferred to the Curtis Institute of Music in 1942. There, he studied composition and orchestration under Gian Carlo Menotti and counterpoint under Rosario Scalero. He had numerous compositions premiered, including The 70th Psalm (1943), a choral piece with orchestral accompaniment, and a Piano Sonata for Four Hands. Considering Scalero unprogressive, he left Curtis after a year; his parents disagreed with the decision and ceased providing him a regular allowance. Moving to New York in late 1943, to support himself he took a job as copyist for the composer Virgil Thomson, with whom he also studied orchestration and prosody. Via a mutual friend, he became acquainted with the conductor and composer Leonard Bernstein, and Bernstein introduced him to Aaron Copland. Rorem later attended two of the Tanglewood Music Center's summer sessions to study with Copland. He later remarked in an article of The New York Times: "Well, I took the job with Virgil, became an instant fan of Aaron and Lenny, and for the next 42 years with many an up and a down I've remained staunch friends with all three men. Some weekend!"

Later in 1943 he enrolled in the Juilliard School and studied composition with Bernard Wagenaar. Rorem graduated from Juilliard with a Bachelor of Arts in 1946 and a Master of Music in 1948. While a student he worked as a piano accompanist for performers such as the dancer Martha Graham and the singer Éva Gauthier. Due to his interest in literature he became increasingly interested in composing art songs, and also wrote incidental music, ballet music and music for a puppet show. In 1948, his song The Lordly Hudson on a poem by Goodman won the Music Library Association's published song of the year award. That same year, his orchestral Overture in C won a Gershwin Prize and was premiered by New York Philharmonic under  in May 1948. The positive reception of both these compositions was an important milestone in his career as an emerging composer.

1949–1957: France and Morocco

Rorem later remarked that the 1940s were formative for charting his future career and by 1950 he was certain of being a composer. With money from the Gershwin Prize, he left for France in early 1949, though spent much of the next two years in Morocco. He was hugely productive in the comparatively quieter Morocco, and produced a variety of compositions in rapid succession. He later explained that "The best influence for a composer is four walls. The light must come from inside. When it comes from outside, the result is postcard music." Among his earliest large-scale works, he wrote the ballet Melos in 1949, and both his Piano Concerto No. 2 and Symphony No. 1 1950. The ballet won the Prix de Biarritz in 1951, while the Symphony was premiered in Vienna in February 1951 by Jonathan Sternberg and the piano concerto in 1954 by Julius Katchen via French Radio. During this period he wrote numerous song cycles dedicated to a single textual source: Flight for Heaven (1950) to Robert Herrick; Six Irish Poems (1950) to George Darley; Cycle of Holy Songs (1951) to biblical texts; and To a Young Girl to W. B. Yeats. He composed his first opera, A Childhood Miracle, to Elliott Stein's libretto based on The Snow-Image, and Other Twice-Told Tales by Nathaniel Hawthorne. Though written in 1951, the opera was not premiered until May 10, 1955 in New York. He later received two further honors: the Lili Boulanger Memorial Fund Award in 1950 and a Fulbright Scholarship in 1951.

On the Fulbright Scholarship, in 1951 Rorem settled in Paris to study with Arthur Honegger, a representative from the Les Six group of neoclassicist music. Unlike most young American musicians in the city, he did not study with Nadia Boulanger, as she opined that her instruction might tarnish his already individual style. He became associated with the wealthy arts patron Marie-Laure de Noailles, at whose mansion he resided. Through her influence, he met with the leading Parisian cultural figures of his time, including other composers of Les Six, Francis Poulenc, Georges Auric and Darius Milhaud. Their proximity solidified the French influence of his style and he set numerous medieval French poems in the 1953 song cycle Poémes pour la paix. Other compositions written in Paris include: Piano Sonata No. 2 (1950); two ballets, Ballet for Jerry (1951) and Dorian Gray (1952); Design for Orchestra (1953); The Poet's Requiem (1955); and Symphony No. 2. A Paris concert in 1953 featured solely Rorem's compositions.

1957–1973: Return to the US

Rorem returned to the US in either 1957 or 1958 to further pursue composition. By now, his music had attracted the attention of several important American musicians and ensembles, and most of his compositions from the 1960s onwards were commissions. In 1959, the Philadelphia Orchestra under Eugene Ormandy premiered Rorem's Eagles, a Whitman-inspired and dreamlike tone poem. His Symphony No. 3 (1958) was premiered by Bernstein and the New York Philharmonic in 1959 to critical praise; the New York Herald Tribune's music editor Jay S. Harrison called it "lavish, luscious, and luxe". Conversely, his first full-length opera, Miss Julie, was not well received at its 1965 premiere at the New York City Opera. Rorem received commissions from organizations such as the Elizabeth Sprague Coolidge Foundation, Ford Foundation and Koussevitzky Foundation among others. By this time, he was established as a neoromantic composer, who largely rejected a strict application of modernist techniques or emerging genres such as electroacoustic music.

Rorem held his first teaching position at the University of Buffalo from 1959 to 1960, during which he wrote 11 Studies for 11 Players. A few years later he taught composition at the University of Utah from 1965 to 1967. His short tenures were because he believed that "this is the kind of assignment that should not last more than two years as a teacher begins to believe what he says after that long a time and becomes sterile". His compositions of the time included more instrumental music, although songs remained a central aspect of his activities. These songs were largely set to 20th-century American poets, though copyright issues sometimes prevented their immediate publication. Among these was the song cycle for mezzo-soprano and piano, Poems of Love and Rain (1963), written to texts by W. H. Auden, Emily Dickinson, Howard Moss and Theodore Roethke. Premiered by Regina Sarfaty and Rorem at the piano on April 12, 1964, it included two different musicals settings for each of the poems.

Throughout the 1950s and 60s, Rorem struggled with alcoholism. He commented that "The minute a drop of wine touches my lips I begin to be this other person—an infantile regression takes place", though he insisted that he was "not be categorized as an alcoholic because [he had] such a puritanical sense of order". Although he scheduled it carefully, he admitted to feeling a strong sense of guilt when drinking, which he considered detrimental to his artistic creativity. Rorem attended Alcoholics Anonymous meetings and used Antabuse, to little success. In late 1967 he became partners with the organist James Roland Holmes; their relationship offered enough stability for Rorem to abandon alcohol completely.

1974–1999: Pulitzer and Curtis

In 1974 Rorem and Holmes bought a summer house in Nantucket, Massachusetts. His time there was generally peaceful and he later remarked that "I wrote Air Music, made pies, felt no competition, was content". There Rorem worked on seven different commissions concurrently between 1974 and 1975 for the American Bicentennial. One of these was Air Music: Ten Etudes for Orchestra for Thomas Schippers with the Cincinnati Symphony Orchestra, where each movement was limited to different combinations of instruments. Air Music would win the Pulitzer Prize for Music in 1976; Rorem later noted his surprise from the award, having been convinced that his music would not be accepted by "those stuffy Pulitzer people". Other major works of this time include the 1977 orchestral suite Sunday Morning, inspired by the poem of the same name by Wallace Stevens.

Rorem accepted his third teaching post in 1980 at the Curtis Institute, his alma mater, where he headed the composition department with David Loeb until 2001. His students at Curtis included Daron Hagen and Jennifer Higdon. During this time, Rorem's pace of composition did not diminish. He wrote compositions for varied genres, including The Santa Fe Songs (1980) song cycle for baritone and piano quartet and the String Symphony (1985), a recording of which by the Atlanta Symphony Orchestra won the 1989 Grammy Award for Best Orchestral Recording.

In 1993, Rorem wrote the Piano Concerto No. 4 for Left Hand and Orchestra for his Curtis colleague with an injured right hand, Gary Graffman. The following year, his earlier opera Miss Julie was revived at the Manhattan School of Music Opera Theater. For the 1997 New York Festival of Song, Rorem wrote the large-scale song cycle Evidence of Things Not Seen, described as his "masterwork" by Daniel Lewis in the Times. A deeply personal work, the composition included settings of 36 texts by 24 poets, split into three larger sections: "Beginnings" for optimistic and forward-looking songs, "Middles" exploring coming of age and the devastation of war, as well as the final "Ends" that concerns death, particularly Rorem's friends killed by AIDS. With an hour and a half duration, it called for a soprano, mezzo-soprano, tenor, and baritone with piano accompaniment. The music critic Peter G. Davis called it "one of the musically richest, most exquisitely fashioned, most voice-friendly collections of songs", while Rorem himself lauded it as his best work. His partner Holmes died in 1999, after having lived with Rorem for 32 years.

2000–2022: Later years
In the Times, Daniel Lewis noted that "Well into the 21st century, when quite a few of his modernist critics had passed into irrelevance, Mr. Rorem was still going strong. Admirers turned up at concerts to help celebrate his 80th birthday, his 85th, his 90th, his 95th; the audiences looked that much older each time around, while he looked pretty much as always". The music critic Steve Smith furthered that compared to the birthday anniversaries of Britten, Verdi and Wagner, "Mr. Rorem's birthday has occasioned less fanfare, seemingly confirming his oft-repeated assertions about the invisibility of living composers". This latter sentiment would be a focus of his tenure while president of the American Academy of Arts and Letters from 2000 to 2003. During this time he engaged in a series of larger works, beginning with Aftermath (2002) a ten-part song cycle written in response to the September 11 attacks. Set to English-language poets from the 18th-century to present day, it was written for medium voice accompanied by violin, cello and piano. What followed next was concertante: a Cello Concerto (2002) and Flute Concerto (2002), both written in memory of Thomas Schippers. His next concerto, the 2003 Mallet Concerto, was compared by the writer Bret Johnson in its evocation and sparseness to his first two symphonies. In 2006, his opera Our Town premiered at the Indiana University Opera Theater, Bloomington.

From 2010 onwards, Rorem essentially ceased composing, explaining that "I've kind of said everything I have to say, better than anyone else". Two exceptions were the 2013 song "How Like a Winter", based on Shakespeare's Sonnet 97, as well as his final work, Recalling Nadia, a brief organ piece written in 2014. Regardless, Rorem himself noted that by then he didn't receive commissions, "but then, nobody I know does". His last years were instead spent in the care of his niece, playing piano, doing crossword puzzles and walking through Central Park. Rorem died at home in Manhattan on November 18, 2022, at age 99.

Music

Although Rorem wrote works for piano, orchestra and chamber ensemble and solo instruments, he considered all of his music vocal and song-like in nature.  Often described as a neoromantic composer, Rorem generally rejecting the emergence of strict modernist aesthetics. He wrote in a generally tonal manner, Grove Music Online asserts that he did so with considerable diversity, complexity and potency.

Songs

He is best known for his art songs, of which he wrote more than 500. Many are coupled into some thirty or so song cycles, written from the early 1940s to 2000s. Rorem stressed the importance of a cycle's overall structure, paying close attention to the song order, progression of keys and transition between songs. He also emphasized theatricality, aiming to convey an overarching message via a unified emotional affect or mood. Like in other genres, the musicologist Philip Lieson Miller remarked that "Rorem's chosen field of song is not for the avant garde and he must be classified as [...] conservative", and that "he has never striven for novelty". Rorem's strict definitions of what constitutes a song has molded them to be typically be single-voice and piano settings of lyrical poems of moderate length. He named songs by Monteverdi, Schumann, Poulenc and the Beatles as particular favorites. To obtain certain effects, however, Rorem has occasionally experimented with more modernist sentiments, such as intense chromaticism, successive modulations and alternating time signatures.

Rorem's main interest in the art song is the setting of poetry, rather than the sound of the human voice. Numerous commentators have lauded his abilities in prosody, with Grove Music Online noting that he "sets words with naturalness and clarity, without compromising the range and scope of vocal lines". The vast majority of Rorem's songs are set in English and he has criticized American colleagues who prioritize setting other languages over English. In his early years, he was particularly devoted to the poems of his friend Paul Goodman, and later set many works by Theodore Roethke. Rorem often composed entire cycles to the poetry of a single writer: John Ashbery, Witter Bynner, Demetrios Capetanakis, George Darley, Frank O'Hara, Robert Herrick, Kenneth Koch, Howard Moss, Sylvia Plath, Wallace Stevens, Alfred, Lord Tennyson, and Walt Whitman, to whom he dedicated three cycles. His few settings in other languages include French poems by Jean-Antoine de Baïf, Jean Daurat, , Henri de Régnier, Pierre de Ronsard, as well as ancient Greek texts by Plato.

Many of Rorem's songs are accompanied by piano, though some have mixed instrumental ensemble or orchestral accompaniment. A pianist himself, his accompaniment parts for the instrument are not completely secondary to the voice and more a "full complement to the melody". They include motives to emphasize textual elements—such as rain and clouds—and are wildly diverse in function, sometimes responding to the voice in counterpoint or simply doubling the vocal line. He sometimes uses the Renaissance-derived ground bass technique of a slow and repeated bassline in the left hand. Reflecting on his piano accompaniments, the writer Bret Johnson describes Rorem's musical hallmarks as "chiming piano, rushing triplets, sumptuous harmonies".

Operas

Only two full-length operas were written by Rorem: Miss Julie (1965) and Our Town (2005). Miss Julie was not well-received; the music critic Harold C. Schonberg commented that his melodies were bland and lacked individuality. Holmes explained that Rorem himself "contends that song specialists cannot automatically turn out good operas any more than opera composers can turn out true songs: a gift for tune and a gift for tragedy do not always join hands". The opera's libretto was written by Kenward Elmslie, itself based on the play of the same name by August Strindberg. Rorem revised it for a more successful revival in 1979; it was again revived again in 1994 at the Manhattan School of Music Opera.

His second full-length opera, Our Town, was written 40 years later on the play of the same name by Thornton Wilder. It received a successful 2006 premiere at the Indian University Opera Theater and was later performed at the Juilliard Opera Center, New York (2008) and the Central City Opera, Denver (2013). The music critic Joshua Barone noted that it is "a tastefully restrained echo of the play's text that has found a home on smaller stages but deserves bigger ones". The play's already small-scale set and condense narrative was matched by Rorem's setting as a chamber opera and Johnson explained that "the economy of resources may well be the key to the opera's mobility and then its success". The work's final monologue-aria from the character Emily Webb is particularly well-regarded and often standard repertoire for soprano singers.

Throughout his career Rorem wrote some 6 small one-act operas, many of which do not fit squarely into the genre. The first of these was A Childhood Miracle of 1951, which had to wait three years for its premiere in New York 1955. Rorem wrote his own libretto for his 1958 opera based on Chaucer's "The Pardoner's Tale", The Robbers. His 1961 two-act opera The Anniversary was never performed. It included a libretto by Jascha Kessler and was, unusually for Rorem, based on the serialist tone row which he included on the title page. Rorem wrote the one-act Bertha (1968) to a libretto by Kenneth Koch. The same year he wrote the three-act Three Sisters who are Not Sisters (1971), his second collaboration with Stein as the librettist. The 1970s saw his two final short operas: Fables (1971), 5 brief scene based on La Fontaine's Fables; and Hearing (1976) on a libretto by Holmes based on Rorem's song cycles.

Orchestral works

Rorem's three numbered symphonies were written in a span of eight years during the 1950s. They have remained relatively "ostracized", even during the late 20th-century revival of neoromanticism. The music critic David Hurwitz remarked that "Ned Rorem's symphonies are shot through with long, lyrical melodies that some observers might relate to his gifts as a songwriter, but strike me as more likely inspired by the "Sunrise" sequence from Ravel's Daphnis et Chloë–music so strikingly lovely that the beauty it describes can only exist in the world of fantasy and make-believe."

Rorem's Symphony No. 1 (1950) is cast in four fairly brief movements: I: Maestoso, II: Andantino, III: Largo, and IV: Allegro; the composer himself noted that it "could easily be called a Suite". The AllMusic critic Blair Sanderson considered it the most lyrical and gentle of his symphonies. His Symphony No. 2 (1956) is cast in 3 movements, I: Broad, Moderate; II: Tranquillo; III: Allegro. They are of highly unequal propertion—the 2nd & 3rd combined being less than half the length of the first—akin to the structure of Symphony No. 6 by Dmitri Shostakovich. Both the first and second symphonies are infrequently performed; the second in particularly had not been performed since 1959 until, as the composer puts it, "José Serebrier resurrected" it 43 years later. The Third Symphony (1958) is cast in five movements: I: Passacaglia, II: Allegro molto vivace, III: Largo, IV: Andante, V: Allegro molto. It is the best known of Rorem's numbered symphonies, described by Sanderson as "the most fully realized, [with] resilient rhythms and cogent structures". Hurwitz opines that it should be among the "great American symphonies". Rorem later arranged the Scherzo movement for wind orchestra in 2002.

Piano music
From 1948 onwards, Rorem wrote numerous pieces for solo piano, usually dedicated to relatives or close friends. Many of these were written for his partner Holmes, and others are named for their recipient, such as For Shirley (1989) and For Ben (1999). Johnson described most of them as brief sketches that contained precedents for his later works. His earliest published piano work was the 1948 set A Quiet Afternoon, written for his sister's children.

Among his main piano compositions are three sonatas written in his early years 1948, 1949 and 1954. Barone singles out the "sparking Toccata" third movement from the First Sonata, noting that it is a common encore for pianists. A few months after its publication, Rorem published the Toccata as a separate piece.

Legacy

Rorem's reputation primarily revolves around art songs, during a time when the genre lacked interest from other American composers. Since the 1950s, he has been described as the "America's foremost composer of art songs", a designation echoed by the choral conductor Robert Shaw. Miller ranks him highly with the British song composers Ralph Vaughan Williams, Peter Warlock, Gerald Finzi and Benjamin Britten. His mentor Thomson characterized him as "an American Poulenc", explained by Grove Music Online as due to his expression of "restraint, wit, elegance and direct yet unsentimental expressivity" Although his music for orchestra, piano and chamber ensemble is substantial, it less known than his art songs. In light of his renown for small-scale works, Barone concludes that "You would be hard-pressed to find greatness in Mr. Rorem's vast oeuvre. But he has never aimed to be a Beethoven."

Rorem was called "an icon of gay history" by Barone, who cited his confidence and openness towards his sexuality. Barone furthered that although his writings were not central Gay liberation texts, they offered impetus for the movement. Rorem himself frequently commented as to the general unremarkability of both homosexuality and heterosexuality. In an interview with Rorem, the physician and writer Lawrence D. Mass compared Rorem's indifference to the writer William Hoffman—who "is similarly defensive about being called a gay writer"—and contrasted it to Lou Harrison—who is "proud to be a gay composer and interested in talking about what that might mean". Rorem similarly rejected any connection between a composer's music and sexuality, ridiculing the proposal that Schubert's supposed homosexuality had any effect on his music.

A dedicated diarist, Rorem wrote candidly on his and other men's sexuality, describing his relationships with Leonard Bernstein, John Cheever, Noël Coward and Tennessee Williams. Rorem's writings estimate his total romantic and sexual relationships as 3,000. He wrote extensively about music as well, collected the anthologies Music from Inside Out (1967), Music and People (1968), Pure Contraption (1974), Setting the Tone (1983), Settling the Score (1988), and Other Entertainment (1996).

Writings
Books

Articles

Recordings

Awards and honors
 1950: Lili Boulanger Memorial Fund Award
 1951: Fulbright Fellowship
 1957: Guggenheim Fellowship
 1968: Award from the National Institute of Arts and Letters
 1976: Pulitzer Prize for Music
 1977: Honorary doctorate from Northwestern University
 1977: Guggenheim Fellowship
 2003: ASCAP's Lifetime Achievement Award
 2004: Chevalier de l'Ordre des Arts et des Lettres

References

Notes

Citations

Primary
This list identifies each item's location in Rorem's writings.

Secondary

Sources
Books

Articles

Online

Further reading
See  for an extensive bibliography

External links

 Profile for Ned Rorem at Boosey & Hawkes

 Interview with Ned Rorem  on WNIB Classical 97, Chicago, April 24, 1986

1923 births
2022 deaths
20th-century American composers
20th-century American male musicians
20th-century classical composers
21st-century American composers
21st-century American male musicians
21st-century classical composers
American Conservatory of Music alumni
American contemporary classical composers
American diarists
American gay musicians
American LGBT composers
American people of Norwegian descent
American male classical composers
American opera composers
Bienen School of Music alumni
Chevaliers of the Ordre des Arts et des Lettres
Curtis Institute of Music alumni
Juilliard School alumni
LGBT classical composers
Gay composers
Male opera composers
Musicians from Richmond, Indiana
Presidents of the American Academy of Arts and Letters
Pulitzer Prize for Music winners
University of Chicago Laboratory Schools alumni
Fulbright alumni

Ned Rorem


An Gahnia graminifolia in uska species han Liliopsida nga ginhulagway ni Rodway. An Gahnia graminifolia in nahilalakip ha genus nga Gahnia, ngan familia nga Cyperaceae.

Mabibilngan ini ha Tasmania. Waray hini subspecies nga nakalista.

Mga kasarigan

Gahnia

Gahnia graminifolia


Luidji, de son nom complet Luidji Jordan Alexis, né à Villiers-le-Bel, dans le Val-d'Oise, est un rappeur français d'origine haïtienne.

Biographie

Enfance
Luidji, né à Villiers-le-Bel dans le Val-d'Oise, est un rappeur français. Il est l'aîné d'une sœur, Deborah, ainsi que d'un frère, Beeby, qui deviendra l'un des membres de La Capsule, son collectif, composé notamment de Dinos et de Tuerie Balboa.

Il grandit en banlieue, à Aubervilliers ainsi qu'à la Courneuve, où il fera une partie de sa primaire avant de partir à Issy les Moulineaux et y faire tout son collège et lycée.

Débuts
Vers l'âge de 15 ans, il écrit ses premiers textes, les enregistre, et les publie en indépendant sur la plateforme skyblog. En 2009, Luidji sort sa première mixtape Freshness. En 2012, à la suite d'une deuxième année d'étude en informatique et mathématique, il prend la décision de se consacrer pleinement à son art et signe dans la maison de disque Wagram Music, grâce à laquelle il sortira deux nouvelles mixtapes, Station 999 et Mécaniques des fluides.

En 2015, Luidji quitte Wagram Music et monte son propre label en indépendant Foufoune Palace Records ,chaperonné par la Def jam, et ainsi sortira des titres qui le feront connaitre du grand public, comme Marie-Jeanne, ou bien Foufoune Palace.

Tristesse Business : Saison 1 (2019)
Luidji sort en 2019 son premier album Tristesse Business : Saison 1. Sa chanson Vent d'hiver a été diffusée dans la série américaine Ballers diffusée sur HBO.

En octobre 2020, il participe à deux émissions Colors+Studios, émission musicale allemande sur YouTube, en livrant une prestation live sur son titre Système tiré de son premier album, et une autre sur un titre exclusif Le Rouge de son nouvel EP Boscolo Exedra.

Saison 00 (2023)
Entre décembre 2020 et février 2022, Luidji ne sort aucun morceau et ne fait pas de featuring. L'année 2022 est marquée par trois apparitions sur les albums de MadeInParis, Oscar Emch et Prince Waly.

Le 22 juin 2023, Luidji fait son grand retour et dévoile son deuxième album, intitulé Saison 00. Celui-ci est composé de 14 titres, dont les morceaux Reste en vie et Alexis qui connaissent rapidement un grand succès, notamment sur l'application TikTok.

Discographie

Albums studios

EPs / Maxi

Mixtape / Street album

Collaborations
 2011 : Luidji feat. S-Pi, Tuerie, Kostan & Meelf - Cypher Part V.
 2012 : Luidji feat. Dinos - CQLP
 2012 : Luidji feat. Grizzly942, Rabah, L-Kaiss, Briganté, Zino, Georgio, Dinos, Ladea, Abdallah et Makiavel - Freestyle Daylimotion
 2014 : Luidji feat. Dinos P. Freestyle Talk to me [vidéo]
 2016 : Luidji feat. Dinos - Appel manqué
 2017 : Tuerie Balboa feat. Luidji - Golden State
 2020 : Enchantée Julia feat. Luidji - Cinéma

Single
 2017 : Galope Salope
 2017 : Foufoune Palace
 2017 : Marie-Jeanne
 2017 : Dernier Souffle
 2017 : 7H59
 2017 : Boom
 2017 : Pour deux âmes solitaires (Part. 1)
 2017 : Pour deux âmes solitaires (Part. 2)
 2017 : 488
 2017 : Épilogue
 2017 : Boulevard (Live Version)
 2017 : Reste en Soif
 2017 : Jeune Surfeur
 2017 : Vent d'hiver
 2018 : Pour deux ames solitaires (Part. 3)
 2018 : Néons Rouges/ Belles chansons
 2018 : Mauvais réflexe
 2018 : Champagne
 2019 : Femme Flic
 2019 : Tu le mérites
 2019 : Millésisme
 2020 : Palace Mafia
 2020 : Gisèle - Part. 4 (Piano Session)

Notes et références

Liens externes

 https://raplume.eu/article/boscolo-exedra-luidji-et-ses-demons/
 https://www.mouv.fr/musique/rap-fr/luidji-tristesse-business-saison-2-approche
 https://ventesrap.fr/entretien-avec-luidji-lindependance-comme-devise/
 https://raplume.eu/article/devenir-ce-quon-est-avec-nietzsche-et-luidji/
 https://soundcloud.com/foufounepalacerecords/sets/foufoune-palace-1
 https://www.musiqueurbaine.fr/album/2012-2/
 https://theshowtime.fr/wp-content/uploads/2019/11/DSC_6733-1140x713.jpg
 https://www.musiqueurbaine.fr/album/freshness/
 https://ventesrap.fr/entretien-avec-luidji-lindependance-comme-devise/
 https://www.youtube.com/watch?v=XqUQbAUnIkc

Rappeur français

Luidji


Eleanor Jane Nora Hopper Chesson, plus connue sous son nom de plume de Nora Chesson, née le  à St Leonards, dans le Devon et morte le  à  dans le Surrey (comté) est une poète, romancière, librettiste, journaliste britannique et une des actrices du mouvement dit de la Renaissance de la littérature irlandaise.

Biographie

Jeunesse et formation

Eleanor Jane Nora Hopper Chesson est la fille du capitaine Harman Baillie Hopper, un officier Irlandais à la retraite du 31e régiment d'infanterie indigène du Bengale et  de Caroline Augusta Francis Hopper issue d'une famille Galloise. En 1871, peu de temps après sa naissance son père meurt.  Nora, sa mère et sa tante célibataire Sarah emménagent à Londres, plus précisément dans le district londonien de Kensington avant de s'installer dans le quartier de Londres, Notting Hill.

Eleanor Nora Hopper a suivi ses études à la  dans le South Kensington où elle a notamment reçu une formation d'artiste peintre.

Carrière

Eleanor Nora Hopper commence à composer des poèmes dès l'âge de , son premier poèmes est publié en 1887 au sein du , c'est le début d'une carrière fertile où elle publie poésies et nouvelles dans différents journaux et magazines comme  The Sketch, Household Words, le , le National Observer (Royaume-Uni), Pilot, The Yellow Book.

La folkloriste
Parallèlement, Eleanor Nora Hopper étudie le folklore au British Museum, où pendant trois ans elle étudie les sagas islandaises   avec le soutien de deux bibliothécaires du musée : Richard Garnett et d'.

Ballads in Prose
Eleanor Nora Hopper publie son premier ouvrage Ballads in Prose en 1894, qui est relecture des contes de fées irlandais selon un style inspiré de l'esthétique de William Butler Yeats et de celle de Katharine Tynan.

Ballads in Prose attire l'attention de William Butler Yeats, bien qu'il soit conscient que le style de bien des passages est empreint de son propre style, il n'en tient pas rigueur à Eleanor Nora Hopper, il met cela sur le compte de la passion et de l'inexpérience. Aussi, en 1895, aussi inégal et naïf que soit Ballads in Prose, William Butler Yeats classe ce recueil comme faisant partie des « meilleurs livres irlandais » et le considère comme .

La maturité, Under Quicken Boughs

Avec la publication de Under Quicken Boughs, Eleanor Nora Hopper conforte son orientation en s'inscrivant dans la mouvance de la Renaissance de la littérature irlandaise et elle est invitée à lire ses poèmes auprès de l'antenne londonienne de l'  fondée par William Butler Yeats et  Douglas Hyde.

De nouveaux magazines et journaux lui ouvrent leurs pages tels que le The Folk-Lore Journal, le  ,  , le Cornish Magazine, la .

La vie dans le Surrey
Après son mariage en 1901 avec Wilfrid Hugh Chesson, Nora Chesson achète une résidence sise au 337, Sandycombe Road, à North Sheen dans le Surrey, résidence qui devient le lieu de sa famille, achat fait avec ses droits d'auteurs et ses revenus de lectrice pour des maisons d'éditions.

En dehors de son activité de lectrice, Nora Chesson publie divers articles pour l'hebdomadaire  et pour le mensuel .

Diversification

Le compositeur  contacte Nora Chesson pour qu'elle lui écrive le livret de son opéra  d'après le roman de George Moore. Dans un premier temps le livret devait être écrit en gaélique mais sous les pressions politiques, Nora Chesson le rédige en anglais. L'opéra est monté au  en  avec des danseurs membres de la Ligue gaélique. L'opéra est traduit plus tard en irlandais par .

En 1904, son époux  Wilfrid Hugh Chesson est atteint par une dépression nerveuse qui met en danger les ressources financières de la famille, ce qui pousse Nora Chesson à écrire un roman The Bell and the Arrow qui est publié en 1905. Toujours en 1905, grâce à l'appui de G. K. Chesterton et E. V. Lucas, elle obtient un aide financière auprès de  Chesson fit une demande réussie au Royal Literary Fund, qui lui permet de faire un voyage en Irlande en .

Une fin tragique
De retour à Londres, le , Nora Chesson  accouche de sa deuxième fille, Dagmar. Le 14 avril 1906, Nora Chesson décède chez elle à North Sheen des suites d'une fièvre puerpérale.

Vie privée
Le , Eleanor Nora Hopper  épouse l'écrivain et journaliste Wilfrid Hugh Chesson qui travaille comme lecteur pour la maison d'édition T. Fisher Unwin. Le couple donne naissance à trois enfants Ann Caroline Spry (née en 1902), Dermot (né en 1904) et Dagmar (née en 1906).

Œuvres
Quand une œuvre est suivie d'un identifiant ISBN, cela signifie qu'elle a fait l'objet de rééditions récentes souvent sous forme de fac-similé, l'identifiant est celui, en principe, de la réédition la plus récente, sans préjuger d'autres rééditions antérieures ou ultérieures. La lecture en ligne est généralement celle de la publication originale.

Recueils de poésie
 ,
 ,
 ,
 ,
 ,

Contes

 ,

Roman

 ,

Notes et références

Bibliographie

Notice dans des encyclopédies ou manuels de référence
 ,
 ,

Articles dans des revues académiques
Les articles de JSTOR, sont librement accessibles à la lecture en ligne jusqu'à la concurrence de 99 articles par mois.
 ,
 ,
 ,
 ,
 ,
 ,

Liens externes

Naissance en janvier 1871
Naissance dans le Devon
Décès en avril 1906
Décès dans le Surrey
Poétesse britannique
Journaliste britannique du XIXe siècle
Journaliste britannique du XXe siècle
Nom de plume
Poétesse irlandaise
Journaliste irlandais
Folkloriste irlandais
Romancière britannique
Romancière irlandaise
Librettiste britannique d'opéra
Décès à 35 ans

Nora Chesson


est une comédie dramatique américaine écrite et réalisée par Jared Frieder et sortie en 2022.

Synopsis
En 2011 en Floride. À la veille de l'obtention de son diplôme, Caleb Khan, un adolescent gay, apprend qu'il a été exposé au VIH. Il doit alors attendre trois mois pour obtenir les résultats de son test et réalise que sa vie est sur le point de prendre un tournant.

Fiche technique

 Réalisation et scénario : Jared Frieder
 Musique : Roger Neill
 Décors : Melisa Jusufi
 Costumes : Whitney Anne Adams
 Photographie : Chananun Chotrungroj
 Montage : Robert Hoffman
 Production : Lara Alameddine, Daniel Dubiecki, Alexander Motlagh
 Sociétés de production : MTV Entertainment Studios et The Allegiance Theater
 Société de distribution : Paramount+ (États-Unis)
 Pays de production :
 Langue originale : anglais
 Format : couleur
 Genre : comédie dramatique, teen movie
 Durée :
 Dates de sortie :
 États-Unis :  (sur Paramount+)

Distribution
 Troye Sivan : Caleb
 Viveik Kalra : Estha
 Brianne Tju : Dara
 Javier Muñoz :  Diaz
 Judy Greer : Suzanne
 Amy Landecker : Edith
 Louis Gossett Jr. : Benny
 Ellen Burstyn : Valerie

Production

Accueil
Sur Rotten Tomatoes, le film a actuellement un taux d'approbation de 79% sur la base de 14 critiques.

Notes et références

Liens externes

Film américain sorti en 2022
Comédie dramatique américaine
Teen movie
Film au récit initiatique
Film en anglais
Film de MTV Entertainment Studios
Film se déroulant dans les années 2010
Film se déroulant en Floride
Film sur l'adolescence
Film américain sur l'homosexualité masculine
Film sur les enfants et les adolescents LGBT
Film sur le sida et les LGBT
Premier long métrage sorti en 2022

Three Months


Girasole (sardisk: Gelisùli) er en by og en kommune (comune) i provinsen Nuoro i regionen Sardinien i Italien. Byen ligger i 10 meters højde og har 1.291 indbyggere (2016). Kommunen har et areal på 13,16 km² og grænser til kommunerne Lotzorai, Tortolì og Villagrande Strisaili.

Referencer

Henvisninger

Kommuner i provinsen Nuoro

Girasole


São João do Campo Portekiz'de Coimbra belediyesine bağlı olan, 7,31 km2 yüzölçümüne sahip, 2.309 nüfuslu (2001) bir bucaktır (Portekizce: freguesia).

Coimbra'nın bucakları

São João do Campo


A list of notable religious movements that had their origins in the United States or the colonies which would form the United States.

18th century
Louisiana Voodoo (c.1720) () describes a set of spiritual beliefs and practices developed from the traditions of the West and Central African diaspora in Louisiana.
Old Lights and New Lights (c.17301740) were terms first used during the First Great Awakening in British North America to describe those that supported the awakening (New Lights) and those who were skeptical of the awakening (Old Lights).
River Brethren (1770).
Methodist Episcopal Church (1783).
Universalist Church of America (1793).
Longhouse Religion (1799).

19th century
Black church, 1790s-onward
African Union First Colored Methodist Protestant Church and Connection, 1813
African Methodist Episcopal Church, 1816
Christian Methodist Episcopal Church, 1870
National Baptist Convention, USA, Inc., 1880
Original Church of God or Sanctified Church, 1890s
Church of Christ (Holiness) U.S.A., 1896
Church of God in Christ, 1897
African Orthodox Church, 1921
Mount Sinai Holy Church of America, 1924
Church of Universal Triumph, Dominion of God, 1944
Black theology, 1966
Reformed Mennonites, 1812
various subgroups of Amish, throughout 19th and 20th centuries
American Unitarian Association, 1825
Unitarian Universalism, 1961 (consolidation of the Universalist Church and the AUA)
Latter Day Saint movement/Mormonism, 1830
New Thought Movement, 1830s-onward
Divine Science, 1888
Unity Church, 1889
Science of Mind, 1927
Adventist/Millerites, 1840s
Seventh-day Adventist Church, 1863
Spiritualism, 1840s
Christadelphians 1848
Jehovah's Witnesses, 1870 (1931)
Old Order Mennonites, c.1872
The Theosophical Society (Eastern Theosophy), 1875
Ethical Culture, 1877 onward
Church of Christ, Scientist (Christian Science), 1879
Indian Shaker Church, 1881
Black Hebrew Israelites, 1886
Ghost Dance, 1889
Native American Church, 1890s
Polish National Catholic Church, 1897

20th century
Pentecostalism
Azusa Street Revival, 1906
Pentecostal denominations in North America
The Rosicrucian Fellowship (Esoteric Christianity, Western Theosophy, Western mystery tradition), 1909 (1313)
Moorish Science Temple of America, 1913
Reconstructionist Judaism, 1920s
Jewish Renewal, 1960s
Nation of Islam, founded in Detroit, Michigan by Wallace Fard Muhammad in July 1930
Spiritual Christian (Dukh-i-zhizniki), 1928
Huna (New Age),1936
Scientology, 1954
Peoples Temple, 1955
Branch Davidians, 1955
Universal Life Church, 1959
Discordianism, 1963
Reformed Druids of North America, 1963
Moorish Orthodox Church of America, 1964
Eckankar, 1965
Church of Satan (LaVeyan Satanism), 1966
Universal Eclectic Wicca, 1969
Georgian Wicca, 1970
Church of the SubGenius, 1970s
Dianic Wicca, 1970s
Kemetism, 1970s
Heaven's Gate, 1970s
The Creativity Movement, 1973
Jews for Jesus, 1973
Ausar Auset Society, 1973
Kemetic Orthodoxy, 1988
Endeavor Academy (Course in Miracles), 1992
Dudeism, 1998

21st century

Jediism, 2001
Church of the Flying Spaghetti Monster, 2005
The Genesis II Church of Health and Healing, either 2009 or 2010
Our Lady of Perpetual Exemption, 2015

See also

 Baptists
 Born again
 Calvinism
 Christian fundamentalism
 Christian revival
 Deism
 Dispensationalism
 Evangelicalism
 Mainline Protestant
 Methodism
 Religion and politics in the United States
 Religion in the United States
 Religious history of the United States
 Restoration Movement
 Utopian movements

References

Notes

References

Bibliography
 Hall, D. D. (2019). The Puritans: A transatlantic history. Princeton: Princeton University Press.
 Koester, N. (2015). Introduction to the history of Christianity in the United States: Revised and expanded. London: Fortress Press.
 Noll, M. (2019). A history of Christianity in the United States and Canada (2nd ed.). New York: William B. Eerdmans Publishing Company.

External links

 History of religion in the United States
Religious movements

List of religious movements that began in the United States


En depeche er en stav, der videregives fra løber til løber indenfor stafetløb. Staven er glat og hul, og oftest i en stærk synlig farve, fx orange. En depeche har typisk en omkreds på 12-13 cm, en diameter på ca. 4 cm og en længde på ca. 29 cm. Depechen vejer minimum 50 g.

Referencer

Stafetløb (løbesport)

Depeche (stafet)


نمور ، هي بلدية فرنسية في فرنسا تقع في إقليم السان ومارن في منطقة إيل دو فرانس.

سُميت المدينة لقصرها شاتو دي نيمور للقرن الثاني عشر، كذلك لأجل متحف النواحي لعصر ما قبل التاريخ إيل دو فرانس.

يُدعى سكانها بالنموريين.

توأمة
لنمور اتفاقيات توأمة مع كل من:

 تشيرينيولا

أعلام

 إيتيين بوزو
 فيليب بوتي
 نيكولاس كوزين
 جيوفري كوندوبيا
 رودي غارسيا

روابط خارجية
 Site de la mairie
 Site de l'office de tourisme

مراجع

بلديات إقليم سين ومارن
مدن فرنسا

نمور


Fraggle Rock: Back to the Rock (A Rocha Encantada: De Volta à Caverna no Brasil) é uma série de televisão de fantoches de comédia de fantasia musical infantil estadunidense sobre sociedades interconectadas de criaturas, é o reboot da série original de mesmo nome de 1983, criado por Jim Henson. A primeira temporada foi lançada no Apple TV+ em 21 de janeiro de 2022.

Um especial de natal Night of the Lights Holiday Special foi lançado em 18 de novembro de 2022. Foi renovada para uma segunda temporada.

Elenco
 Lilli Cooper como Doc

Bonequeiros
 John Tartaglia como Gobo Fraggle, Sprocket, Architect Doozer, Gunge, Barry Blueberry, Lyle Craggle (somente fantoches)
 Donna Kimball como Mokey Fraggle, Cotterpin Doozer, Storyteller Fraggle
 Jordan Lockhart como Wembley Fraggle, Murray the Minstrel
 Frank Meschkuleit como Boober Fraggle (apenas marionetes) Uncle Traveling Matt (apenas marionetes em episódios selecionados), The World's Oldest Fraggle (apenas marionetes), Pa Gorg (face e performance de voz), Large Marvin Fraggle, Mantivore
 Aymee Garcia como Ma Gorg (face e performance de voz), Archivist (apenas marionetes), Marjorie the Trash Heap, Brool the Minstrel, Henchy Fraggle, Bongo, Styles Craggle
 Dan Garza como Junior Gorg (face e performance de voz), Philo, Kyle Craggle
 Ali J. Eisner como Turbo Doozer, Jack Hammer Doozer (apenas marionetes), Joogie the Inkspot, Balsam the Minstrel
 Kira Hall como Brio the Menestrel
 Kanja Chen como Pogey
 Kevin Clash como Uncle Traveling Matt (marionetes apenas em episódios selecionados)
 Andy Hayward como Pa Gorg (performance de terno), Wrench Doozer, Jamdolin (somente marionetes), Rupert Fraggle, Giant Talking Raddish
 Ingrid Hansen como Ma Gorg (performance de terno), Skitter Stone
 Ben Durocher como Junior Gorg (performance de terno)

Vozes
 Dave Goelz como Boober Fraggle, Uncle Travelling Matt, The World's Oldest Fraggle
 Daveed Diggs como Jamdolin
 Cynthia Erivo como Arquivista
 Ed Helms como Lyle Craggle
 Patti LaBelle como Merggle Queen
 Kenan Thompson como Jack Hammer Doozer

Episódios

Produção
Em janeiro de 2021, a The Jim Henson Company anunciou que a produção havia começado oficialmente em uma reinicialização do programa. Este novo show é distinto do Fraggle Rock: Rock On! curtas que foram lançados em abril de 2020 e consistirão em episódios completos. O show está sendo filmado no Calgary Film Centre. Um trailer do programa, agora intitulado Fraggle Rock: Back to the Rock, foi lançado juntamente com a data de estreia de 21 de janeiro de 2022.

Em 26 de maio de 2020, após o sucesso do Fraggle Rock: Rock On! curtas, a Apple TV+ anunciou que assinou um acordo com a Henson Company para produzir uma reinicialização completa de Fraggle Rock, consistindo em episódios de meia hora, além de direitos exclusivos de streaming para a série original e especiais. Cada episódio apresenta músicas originais, bem como reprises de músicas da série original.

Junto com o retorno de personagens da série original, o novo programa apresenta novos personagens dublados por convidados famosos, incluindo Patti LaBelle, Cynthia Erivo, Daveed Diggs, Ed Helms e Kenan Thompson. Foo Fighters também aparecem como eles mesmos em um episódio.

A pré-produção da série começou no outono de 2020 sob o título de trabalho Raphanis (derivado da palavra latina para "radish"). As filmagens começaram em 25 de janeiro de 2021, em estúdio no Calgary Film Centre em Calgary, Alberta, Canadá e terminaram em junho.

Trilha sonora

Fraggle Rock: Back to the Rock (Apple TV+ Original Series Soundtrack) é a trilha sonora original da série homônima da Apple TV+, lançado no formato de streaming em 21 de janeiro de 2022 pela Lakeshore Records. E foi lançado em LP em 9 de dezembro.

Lista de faixas

Ligações externas
 Fraggle Rock: Back to the Rock at Apple TV

 AppleTV+ Press
 ToughPigs's Spoiler-Free Review

Séries de televisão de comédia infantis da década de 2020
Programas de televisão dos Estados Unidos que estrearam em 2022
Séries de televisão de comédia infantis dos Estados Unidos
Séries de televisão de comédia
Séries de televisão de fantasia
Séries de televisão de aventura dos Estados Unidos
Séries de televisão de fantasia dos Estados Unidos
Séries de televisão musicais dos Estados Unidos
Séries de televisão de comédia musical dos Estados Unidos
Séries de televisão infantis dos Estados Unidos
Programas originais do Apple TV+
Programas de televisão em língua inglesa
Séries de televisão da The Jim Henson Company
Reinícios de séries de televisão

Fraggle Rock: Back to the Rock


Each Dawn I Die  é um filme estadunidense de 1939, dos gêneros suspense e drama criminal, dirigido por William Keighley, e estrelado por James Cagney e George Raft. O roteiro de Warren Duff, Norman Reilly Raine e Charles Perry foi baseado no romance homônimo de 1938, de Jerome Odlum.

A trama retrata a história de um repórter que é injustamente jogado na prisão e faz amizade com um famoso gângster.

Sinopse
Frank Ross (James Cagney) é um repórter inocente que é acusado de um crime que não cometeu, o que o leva para a prisão, onde conhece "Hood" Stacey (George Raft), um gângster famoso. Frank, de início, não quer se associar a Stacey e nem tampouco a outros prisioneiros, mas o sofrimento na prisão o transforma cada vez mais em uma pessoa durona e amarga. Quando finalmente chega a hora de sua audiência para ver se consegue responder sua acusação em liberdade, Frank alega inocência, mas o júri que votaria em sua condicional é um dos contatos de W.J. Grayce (Victor Jory), o homem responsável pela sua condenação. Sua liberdade condicional é negada, e isso aumenta sua revolta. Então, Stacey concorda em ajudá-lo.

Elenco
 James Cagney como Frank Ross
 George Raft como "Hood" Stacey
 Jane Bryan como Joyce Conover
 George Bancroft como John Armstrong, diretor da prisão
 Slapsie Maxie Rosenbloom como Fargo Red
 Stanley Ridges como Meuller
 Alan Baxter como Carlisle
 Victor Jory como W.J. Grayce
 John Wray como Pete Kassock
 Edward Pawley como Dale
 Willard Robertson como Lang
 Emma Dunn como Sra. Ross
 Paul Hurst como Garsky
 Louis Jean Heydt como Joe Lassiter
 Joe Downing como Limpy Julien
 Thurston Hall como Jesse Hanley
 William Davidson como Bill Mason
 Clay Clement como Lockhart, advogado de Stacey
 Charles Trowbridge como Juiz
 Harry Cording como Temple

Produção
O romance foi publicado em 1938. Os direitos do filme foram comprados pela Warner, que anunciou como um veículo para James Cagney. Edward G. Robinson foi discutido como uma possível co-estrela. Robinson foi, no entanto, substituído por John Garfield. Michael Curtiz dirigiria o filme.

Curtiz foi, eventualmente, substituído por William Keighley. Fred MacMurray ia substituir Garfield – como o repórter, e Cagney interpretaria o gângster. A agenda de MacMurray o indisponibilizou, então Jeffrey Lynn foi testado. Depois de alguns testes com atores diversos, George Raft assinou para fazer o filme. Ele trocou de papéis para interpretar o gângster e Cagney interpretar o repórter.

"Each Dawn I Die" estrela Raft e Cagney em seu único filme juntos como protagonistas. Raft fez uma aparição não creditada, embora bastante memorável, no filme de Cagney, "Taxi!" (1932), no qual ele ganha um concurso de dança contra o personagem de James, o que faz os dois brigarem.

Raft também "apareceu" muito brevemente no drama sobre boxe de Cagney, "Winner Take All" (1932), em uma sequência de flashback selecionada do filme de estreia de Raft no cinema, "Queen of the Night Clubs" (1929), estrelado por Texas Guinan.

Recepção
A revista Filmink disse: "O desempenho de Raft é elétrico – firmemente ferido, com o diálogo aparado, usando seus olhos".

Bilheteria
O filme foi um dos mais populares da Warner Bros. em 1939. De acordo com os registros da Warner, a produção ganhou US$ 1.111.000 nacionalmente e US$ 459.000 no exterior, totalizando US$ 1.570.000 mundialmente.

O filme levou George Raft a assinar um contrato de longo prazo com a Warner Bros.

Ligações externas
 Each Dawn I Die na Variety

Filmes dos Estados Unidos de 1939
Filmes de suspense dos Estados Unidos
Filmes de suspense da década de 1930
Filmes de drama dos Estados Unidos
Filmes de drama da década de 1930
Filmes da Warner Bros.
Filmes baseados em romances de autores dos Estados Unidos
Filmes com trilha sonora de Max Steiner
Filmes dirigidos por William Keighley
Filmes em preto e branco
Filmes em língua inglesa

Each Dawn I Die


Aignerville () is a former commune in the Calvados department in the Normandy region of northwestern France. On 1 January 2017, it was merged into the new commune Formigny La Bataille.

The inhabitants of the commune are known as Aignervillais or Aignervillaises.

Geography
Aignerville is located in the Regional Natural Park of Marshes of Cotentin and Bessin, two kilometres north-west of Trevieres and 16 km east by north-east of Bayeux in the valley of the Aure. The commune is bisected in the northern part from west to east by Route nationale N13 Motorway (E46) which runs between Carentan and Bayeux. Aignerville village is reached by road D198 from Asnieres-en-Bessin in the north which passes through the length of the commune and the village and continues south to join the D124 on the southern border. The commune consists almost entirely of farmland with the villages of Carrefour-Berigot, La Grande Route, and Chapelle-Saint-Louis along the north of the motorway and Normanville, Hameau-Lair, La Croix-Toutin, and Aignerville to the south.

The Ruisseau-de-Formigny river flows from south to north through the commune into the Aure Interieur which flows from the east forming the south-eastern border of the commune. In the south of the commune is a network of irrigation canals which is the beginning of a much larger network outside the commune.

Administration

List of Successive Mayors of Aignerville

Population

Sites and monuments

The Parish Church of Saint Peter dates from the 14th century and contains a Painting: The Judgement of Solomon (16th century) which is registered as an historical object.

See also
Communes of the Calvados department

References

External links
Agnerville on the 1750 Cassini Map

Former communes of Calvados (department)
Populated places disestablished in 2017

Aignerville


Die Liste der denkmalgeschützten Objekte in Cabaj-Čápor enthält die sechs nach slowakischen Denkmalschutzvorschriften geschützten Objekte in der Gemeinde Cabaj-Čápor im Okres Nitra.

Denkmäler

Legende

Einzelnachweise

!
Cabaj-Capor


Carl Kraft, auch Karl (* 18. September 1874 in Nieste; † 25. Juni 1952 in Kassel) war ein deutscher Landwirt und Politiker (SPD).

Leben
Carl Kraft wurde als Sohn eines Arbeiters geboren. Nach dem Besuch der Volksschule absolvierte er eine Lehre als Horndrechsler und arbeitete seit 1899 als Drechsler in einer Stockfabrik. Später war er als Landwirt in Nieste tätig. Er leistete von 1894 bis 1896 Militärdienst und nahm von 1914 bis 1918 als Soldat am Ersten Weltkrieg teil, davon drei Jahre in Russland.

Kraft trat 1902 in die SPD ein und war von 1902 bis 1926 Vertrauensmann bzw. Vorsitzender der Sozialdemokraten in Nieste. Er war von 1904 bis 1919 Mitglied der Gemeindevertretung und amtierte von September 1919 bis März 1933 als Bürgermeister der Gemeinde Nieste. Von 1919 bis 1925 war Mitglied des Kreisausschusses und von 1928 bis 1933 Mitglied des Kreistages des Landkreises Kassel. Im Dezember 1924 wurde er als Abgeordneter in den Preußischen Landtag gewählt, dem er bis 1933 angehörte.

Nach der Machtübernahme der Nationalsozialisten wurde Kraft in "Schutzhaft" genommen und von Juni bis Juli 1933 im KZ Breitenau interniert. Nach dem Attentat vom 20. Juli 1944 wurde er im Zuge der "Aktion Gitter" im August des gleichen Jahres erneut verhaftet, zunächst ins Zuchthaus Wehlheiden nach Kassel und von dort aus in das KZ Sachsenhausen verbracht. Am 17. Oktober 1944 erfolgte seine Entlassung aus der KZ-Haft.

Kraft nahm nach dem Ende des Zweiten Weltkrieges seine politische Tätigkeit wieder auf und wurde 1945 Zweiter Vorsitzender der SPD Nieste. Er war von 1945 bis 1947 sowie von 1952 bis zu seinem Tode erneut Bürgermeister der Gemeinde Nieste und gleichzeitig Verwaltungsmitglied des Landkreises Kassel. Von 1947 bis 1952 war er Erster Kreisdeputierter des Landkreises Kassel.

Literatur
 Ernst Kienast (Hrsg.): Handbuch für den Preußischen Landtag, Ausgabe für die 5. Wahlperiode, Berlin 1933, S. 349.

Weblinks

Mitglied des Preußischen Landtags (Freistaat Preußen)
Bürgermeister (Landkreis Kassel)
SPD-Mitglied
Deutscher
Geboren 1874
Gestorben 1952
Mann
Opfer der Aktion Gitter (1944)

Carl Kraft (Politiker)


بلدية غواردِيُولا دي بيرغيدا (بالكاتالانية: Guardiola de Berguedà) هي إحدى بلديات مقاطعة برشلونة، والتي تقع في منطقة كاتالونيا، شرق إسبانيا.

يبلغ عدد سكانها 948 نسمة وفقاً لإحصائية سنة (2007).

مراجع

بلديات في مقاطعة برشلونة

جوارديولا دي بيرجا


Waiting in the Wings conocido en América Latina como Tras Bambalinas y en España como Al margen es el décimo tercer episodio de la tercera temporada de la serie de televisión estadounidense Ángel. Escrito y dirigido por Joss Whedon. Se estrenó originalmente el 4 de febrero de 2002.

En este episodio Ángel y la pandilla investigan la extraña actividad paranormal desatada en una producción de Giselle, pues la bailarina que Ángel vio hace más de 100 años es la misma.

Argumento
Un emocionado Ángel invita al equipo de IA a ver su obra de ballet favorita Giselle, que está siendo producida por la misma compañía que vio por el año 1890. Gunn es el único que está horrorizado pues como un buen matón de las calles teme que su reputación se baje, pero se convence cuando Fred lo anima.

Vestidos de etiqueta, todo el equipo de IA asiste al teatro donde Cordelia se duerme de aburrimiento mientras los demás la disfrutan. Angel se da cuenta de que la bailarina que interpreta la obra es la misma que vio hace tantos años. Ángel solo convence a Cordelia de salir a investigar un poco y se quedan atrapados en el corredor tras el escenario encantado. Ángel y Cordelia llegan al vestidor de la bailarina, ambos la sienten tibia. De repente Ángel y Cordelia comienzan a actuar como si fuesen otras personas y a decir un montón de palabras como sacadas de un libreto de una novela. Los dos hacen grandes esfuerzos por salir de la habitación y comprenden que fueron poseídos por espíritus de unos amantes, al parecer con la típica relación prohibida, pues mientras estaban poseídos balbucearon algunas cosas que les parecen sospechosas.

Fred convence a Gunn y a Wesley de ir a buscar a Ángel y Cordelia que ya se han tardado demasiado y se pierden de la misma manera que sus amigos. Cordelia le pide a Ángel que se dejen poseer de nuevo con tal de averiguar si en el teatro los amantes fueron asesinados. Ambos entran de nuevo a la habitación donde reanuadan sus escenas esta vez a punto de hacer el amor, hasta que son interrumpidos por unos demonios. Wesley, Gunn y Fred son atacados por más demonios que hieren a Gunn. Ángel y Cordelia consiguen reunirse con el resto de sus amigos y tratan de descubrir que pasa. Cuando Fred y Gunn se quedan solos ambos se besa y son observados por Wesley que se aparta y cae arrodillado en un acto de tristeza y traición.

Mientras el Ballet continua en el exterior. Wesley se reúne con el equipo para explicarles que el responsable es el Conde Kursvok, un hechicero que condenó a la bailarina a bailar para el por siempre luego de descubrir que la misma estaba enamorada de un bailarín llamado Stefan. Ángel le pide de favor a sus amigos que se enfrentan a los demonios mientras él va en busca del conde para detener su obra.

En el Hyperion Lorne está cuidando de Connor hasta que escucha a alguien entrar y al verlo reacciona familiarizado. En el teatro Ángel rastrea Kursvok pero solo encuentra a la bailarina a quien convence de no seguir haciendo la voluntad del conde y modificar su baile de siempre para poder detener el hechizo. La bailarina le hace caso modificando el final de su rutina (en el que siempre se fracturaba el tobillo) mientras Ángel enfrenta al conde y destruye la gema que mantiene presa a la bailarina.

Al regresar de la función, Angel trata e confesarle sus sentimientos a Cordelia. No obstante no puede cuando Lorne presenta el Groosalugg como el invitado que apareció inesperadamente en el hotel. Lorne explica que Groo fue destronado en Pyla y que regresó a Los Angeles para reunirse con su verdadero amor.

Elenco

Principal
 David Boreanaz como Ángel.
 Charisma Carpenter como Cordelia Chase.
 Alexis Denisof como Wesley Wyndam-Pryce.
 J. Agust Richards como Charles Gunn.
 Amy Acker como Fred Burkle.

Continuidad
 Wesley y Cordelia recuerdan la ocasión que comenzaron una relación de coqueteo mutuo.
 Groo regresa de Pylea.
 Fred y Gunn inician su relación.
 Este episodio comienza la separación de Wesley con el grupo; debido al romance entre su mejor amigo y la chica que le gusta.
 Existe un error de continuidad: Ángel menciona que ya había sido poseído por espíritus de amantes, aunque en realidad fue Ángelus el que fue poseído. Dado que no fue su alma la que fue poseída como recordaría aquello si cuando recuperó su alma por segunda vez actúa como si no recordara nada?

Enlaces externos

Episodios de la tercera temporada de Angel

Waiting in the Wings (Angel)


Reichskomisariatul  Niederlande a fost un regim civil de ocupație înființat de Germania nazistă în Țările de Jos ocupate în timpul celui de-al Doilea Război Mondial. Denumirea sa completă a fost Reichskomisariatul  pentru teritoriile olandeze ocupate (). Administrația a fost condusă de Arthur Seyss-Inquart. Acesta a fost ultimul cancelar al Austriei înainte de anexarea ei de către Germania ( Anschluss).

Bibliografie
 L. de Jong (1969–1991). Het Koninkrijk der Nederlanden in de Tweede Wereldoorlog. Staatsuitgeverij, Haga.

Germania nazistă
Foste state din Europa
Fondări în 1940
Desființări în 1945

Reichskomisariatul Niederlande


Fernando Álvarez de Sotomayor y Zaragoza, né à Ferrol le  et mort à Madrid le , est un peintre espagnol. Artiste important dans les cercles d'art académique espagnol de la première moitié du , il est nommé directeur du Musée du Prado et est membre de l'Académie royale des beaux-arts de San Fernando de Madrid.

Biographie
Né dans une famille bourgeoise d'origine madrilène et andalouse à Ferrol, il étudie au Real Colegio Agustino de San Lorenzo de El Escorial. Il suit divers cours, puis se consacre entièrement à la peinture. Un de ses principaux mentors est Manuel Domínguez Sánchez, et ses études coïncident avec celles d'autres jeunes peintres de l'époque comme  et Eduardo Chicharro. En 1899, il obtient une bourse pour continuer ses études à Rome, où il vit pendant quatre ans. Avant son retour en Espagne en 1904, il visite la France, la Belgique et les Pays-Bas.

En tant que professeur, l'influence d'Álvarez de Sotomayor a été fondamentale au Chili. Il y arrive en 1908, embauché comme professeur de Couleur et Composition pour l'École des Beaux-Arts de Santiago, institution dont il deviendra le directeur (1911-1915).

Le Musée National des Beaux-Arts du Chili, dans sa page consacrée au peintre, indique : « Sa gestion a marqué une étape importante dans le développement artistique et culturel du pays. Sotomayor, comme s'appelait le maître lui-même, a obtenu un bon accueil dans l'École chilienne. À son style d'enseignement classique et réaliste épurée, il ajoute la tendance hispanique qui a remplacé l'influence romantique française qui régnait dans les arts nationaux jusqu'à présent. Il a mis l'accent sur la composition et a sauvé la valeur des thèmes costumbristas aussi bien de sa terre natale que du Chili, caractéristique qui a réussi à se diffuser largement parmi ses disciples. Il a été responsable de la formation d'un groupe de nombreux artistes, cité sous différents titres selon les événements du début du  : Generación del Centenario, Generación del 13 (d'après l'exposition de 1913 durant laquelle ses élèves ont fait connaître leurs œuvres), la Génération Sotomayor (en l'honneur du maître) et Génération Tragique (ce dernier en raison du caractère bohème des vies que beaucoup des membres du groupe ont mené, artistes de talent notable mais avec peu de moyens et de mœurs libres) ». Il a laissé une marque originale en avantageant les thèmes populaires et l'empreinte hispanique dans cette génération d'artistes chiliens.

Il dirige le musée du Prado en deux occasions : entre 1922 et 1931, et après la Guerre Civile Espagnole, de 1939 jusqu'à sa mort en 1960.

En 2016, ses Mémoires, inédites, sont publiées, jalousement gardés par ses descendants pendant plus d'un demi-siècle.

Œuvres
Une part importante de son œuvre se trouve en Amérique.

 Musée national des Beaux-Arts, Argentine :

  (Villageoise galicienne)
 Musée national des Beaux-Arts, Chili :
 Orphée attaqué par les bacchantes ()
 Portrait de Monsieur Marcial Martínez
 Dîner galicien (), 1915
 Portrait du peintre Alfredo Helsby, 1917
 Don Alejandro Silva de la Fuente, 1914
 Doña Carmen Yoacham Varas de Silva, 1914
 Portrait de Madame Luisa Mendeville de Valdés, 1910
 Doña Mercedes Fernández de Yrarrázabal, 1915, portrait au charbon
 Banco del Estado de Chile :
 Les ivrognes ()
 Pinacothèque de l'Université de Talca :
 Femme ()
 Ministère des Relations extérieures du Chili :
 Portrait de Marcial Martínez

  : diverses huiles, aquarelles et dessins.

Notes et références

Annexes

Bibliographie
 .

Articles connexes
 Peinture espagnole
 Generación del 13

Liens externes

Naissance en septembre 1875
Naissance à Ferrol
Décès à Madrid
Décès en mars 1960
Décès à 84 ans
Maire de La Corogne
Membre de l'Académie des arts de Berlin
Grand-croix de l'ordre d'Alphonse X le Sage
Grand-croix de l'ordre d'Isabelle la Catholique
Membre de l'Académie royale des beaux-arts de San Fernando
Directeur du musée du Prado
Peintre espagnol du XXe siècle

Fernando Álvarez de Sotomayor


Melsted er en bebyggelse umiddelbart sydøst for Gudhjem på det nordøstlige Bornholm.

Oprindelsen er et mindre samfund af fiskere, omkring det naturgivne fiskerleje ved de tre skær, Guleklippe, Sorteskær og Guleskær.

Mellem havnen og Melsted Badehotel findes der en badestrand kaldet Melsted strand.

Se også
 Tejn Mølle
 Melstedgård

Referencer

Lokaliteter på Bornholm

Melsted


Reacția Suzuki este o reacție organică de cuplare în care reactanții sunt acidul boronic și o halogenură organică, și este catalizată de un complex al paladiului (0). Reacția a fost descoperită în anul 1979 de către chimistul Akira Suzuki, care a primit Premiul Nobel pentru Chimie în 2010 împreună cu Richard F. Heck și Ei-ichi Negishi pentru dezvoltarea și descoperirea unor reacții de cuplare cu catalizatori pe bază de paladiu. În multe publicații, reacția apare sub denumirea de  reacție Suzuki–Miyaura.

Reacția este folositoare pentru sinteza organică a unor poli-olefine, stireni și bifenili substituiți. Au fost publicate câteva revizuiri ale reacției.

Forma generală a reacției Suzuki este prezentată mai jos; are loc formarea unei legături simple carbon-carbon în urma cuplării speciei organice cu bor (R1-BY2) cu o halogenură organică (R2-X). utilizând un catalizator de paladiu și o bază.

Mecanism

Vezi și
 Reacție Heck
 Reacție Stille

Referințe

Reacții de substituție
S
Suzuki
Paladiu

Reacție Suzuki


Mannar steht für:

 Mannar (Indien), Stadt im indischen Bundesstaat Kerala
 Mannar (Sri Lanka), Stadt in Sri Lanka
 Mannar (Distrikt), Distrikt in  Sri Lanka
 Mannar (Insel), Insel in Sri Lanka
 Golf von Mannar, Meeresbucht zwischen Indien und Sri Lanka
 Bistum Mannar, römisch-katholische Diözese mit Sitz in Mannar, Sri Lanka

Mannar


A Igreja Presbiteriana na Malásia (IPM) - em malaio Gereja Presbyterian Malaysia - é uma denominação reformada presbiteriana, formada em Singapura em 1974, como resultado da dissolução da Igreja Presbiteriana na Malásia e Singapura depois da independência de Singapura.

História

Em 1829, o Rev. Benjamin Keasberry foi enviado pela Sociedade Missionária de Londres para Malásia e Singapura para plantar igrejas. Em 1881 foi formalmente organizada a Igreja Presbiteriana na Malásia e Singapura (IPMS). A partir do crescimento do número de igrejas, foi organizado o sínodo da denominação em 1901.

Em 1965, Singapura tornou-se independente da Malásia. Sendo assim, em 1974, a a IPMS foi dissolvida, dando origem à Igreja Presbiteriana na Malásia (IPM) e à Igreja Presbiteriana em Singapura (IPS).

À época da separação, a IPM era formada por 52 Igrejas e 5.000 membros.

Doutrina

A IPM subscreve o Credo dos Apóstolos e Confissão de Fé de Westminster.

Relações Intereclesiásticas

A denominação é parte do Conselho de Igrejas da Malásia, Comunhão Mundial das Igrejas Reformadas e Conselho Mundial Para Missão.

Denominações presbiterianas na Malásia

Igreja Presbiteriana na Malásia


5030 Gyldenkerne este un asteroid din centura principală de asteroizi.

Descriere
5030 Gyldenkerne este un asteroid din centura principală de asteroizi. A fost descoperit pe  la Brorfelde de Poul Jensen. El prezintă o orbită caracterizată de o semiaxă mare de 2,26 ua, o excentricitate de 0,09 și o înclinație de 8,9° în raport cu ecliptica.

Vezi și
 Lista planetelor minore: 5001-6000
 Centura de asteroizi

Note

Obiecte astronomice descoperite în 1988
Centura de asteroizi

5030 Gyldenkerne


Romênia participou dos Jogos Olímpicos de Inverno de 2022, realizados em Pequim, na China.

Foi a 22.ª aparição do país em Olimpíadas de Inverno. Foi representado por 21 atletas, sendo 13 homens e oito mulheres.

Competidores

Desempenho

Masculino

Feminino

Masculino

Feminino

Masculino

Feminino

Masculino

Feminino

Masculino

Feminino

Feminino

Masculino

Feminino

Ligações externas

Romenia
2022
Desporto na Romênia em 2022

Romênia nos Jogos Olímpicos de Inverno de 2022


Türkiye Cumhuriyeti Dışişleri Bakanlığı, Türkiye Cumhuriyeti Cumhurbaşkanlığı bağlı olarak çalışan, dışişlerinden sorumlu olan bakanlık. Türkiye'nin diğer ülkeler ve uluslararası örgütlerle olan ilişkilerinin yürütülmesinden sorumlu olan bakanlığın başında şu an Hakan Fidan bulunmaktadır.

Tarihçe

Osmanlı İmparatorluğu dönemi
19. yüzyıla kadar Osmanlı Devleti'nin dış işleri Reis-ül Küttabın yönetiminde idare edilmekteydi. Ancak Reis-ül Küttap aynı zamanda devlet yazışmalarını yapmak ve devletin ana kayıtlarını tutmak gibi başka görevler de üstlenmişti. 1793'te III. Selim döneminde ilk sürekli Büyükelçilik Londra'da açılmış ve Yusuf Agah Efendi ilk sürekli Osmanlı Büyükelçisi olarak atanmıştır. Böylece Osmanlı Devleti de sürekli temsil ve karşılıklılık esaslarına dayalı diplomasiyi uygulamaya başlamıştır. Avrupa ülkelerinde görev yapan Osmanlı Büyükelçileri, ikili ilişkilerin yürütülmesine ek olarak atandıkları ülkelerle ilgili bilgiler aktarmak suretiyle İmparatorluğun Batılılaşma ve reform sürecini hızlandırıcı rol oynamış, devlette modernleşmenin öncüleri olmuşlardır.

Reis-ül Küttaplık sisteminin günün diplomatik ihtiyaçlarına ve koşullarına uygun olarak yapılandırılması çerçevesinde II. Mahmut döneminde önce Tercüme Odası kurulmuştur. 1835 yılında ise Padişah, harici işlerin çok artmış ve önem kazanmış olması sebebiyle, Reis-ül Küttaplık makamını nezaret seviyesine yükseltmiştir. Son Reis-ül Küttap Yozgatlı Akif Efendi, müşirlik rütbesiyle ilk Umur-ı Hariciye Nazırı yapılmıştır.

Cumhuriyet dönemi
Cumhuriyet dönemi dış politikasının temelleri Millî Mücadele yıllarında atılmıştır. 23 Nisan 1920'de Türkiye Büyük Millet Meclisi'nin açılışının hemen ardından oluşturulan ilk Millî Hükûmetle birlikte "Hariciye Vekaleti" de 3 Mayıs 1920 tarihinde resmen kurulmuş ve başına Bekir Sami Bey getirilmiştir. Son derece kısıtlı imkânlarla kurulan Hariciye Vekaleti, Millî Mücadele döneminde dış temasların artan yoğunluğuyla birlikte, tüm zorluklara rağmen özverili biçimde görev yapmış ve Lozan'a giden süreçte önemli rol oynamıştır.

Cumhuriyetin kurulmasının ardından Hariciye Vekaleti, hem iç seçimi hem de dış seçimi teşkilatını geliştirmeye başlamıştır. 1927 yılında Hariciye Vekaleti teşkilatına dair ilk kapsamlı hukuki düzenleme yapılmış ve 1154 sayılı kanun ile bakanlığın günümüzdeki yapısının temelleri atılmıştır.

Türkiye Cumhuriyeti'nin 1923 yılında kuruluşundan bu yana Mustafa Kemal Atatürk'ün görüş ve ilkeleri Türk Dış politikasının yürütülmesinde rehber olmuş, "Yurtta barış, dünyada barış" özdeyişi Türk Dış Politikasının temel hedefini oluşturmuştur. Bu doğrultuda Türkiye, 1930'lu yıllardan itibaren aktif ve barışçı bir dış politika izleyegelmiştir. Türkiye'nin II. Dünya Savaşı'nın içine çekilmesi ve bunun ülkeye getireceği yıkım, tüm baskılara rağmen ülkenin çıkarlarını gözeten etkin bir diplomasi sayesinde engellenmiştir.

II. Dünya Savaşı sonrasında oluşan uluslararası ortam, Türk Dış Politikasını ve dolayısıyla Bakanlığın yapısını ve faaliyetlerini de önemli ölçüde şekillendirmiştir. 1945 sonrasında artan dış iktisadi ilişkiler ve uluslararası ekonomik kuruluşların yaygınlaşmasıyla birlikte bu alandaki çıkarların gözetilmesi de anılan Bakanlığın uhdesine alınmıştır.

Aynı şekilde 1945 sonrası giderek yaygınlaşan uluslararası siyasi ve ekonomik işbirliği ve örgütlenme çabalarına uygun olarak, ikili ilişkilerin yürütülmesinin yanı sıra Bakanlığın işlevleri arasında çok taraflı siyasi ve ekonomik işler de ağırlıklı bir yer almıştır. Çok taraflı diplomasi faaliyetlerinin ve uluslararası örgütlerin çoğalması çerçevesinde daimi temsilciliklerin sayısı da arttırılmıştır.

II. Dünya Savaşı sırasında kapanmak zorunda kalan dış misyonların yeniden açılması ve buna yeni misyonların ve anılan daimi temsilciliklerin de eklenmesiyle birlikte 1950'li yıllardan itibaren Bakanlık dış teşkilatı önemli ölçüde büyümüştür.

1970'li yıllarla birlikte dış teşkilatta görevli memurları hedef alan planlı ve organize Ermeni terörizmi yaşanmıştır. Ermeni örgütü ASALA'nın gerçekleştirdiği suikastlere, Yunanistan'da faaliyet gösteren 17 Kasım örgütüne hedef olan Türk diplomat ve görevlilerimiz de eklendiğinde, Dışişleri şehitlerimizin sayısı beşi Büyükelçi olmak üzere 39'u bulmaktadır.

Soğuk Savaşın bitişiyle birlikte Bakanlıkta önemli gelişmeler yaşanmış ve teşkilat şemasında yapısal değişiklere gidilmiştir. Bu dönemde ortaya çıkan yeni devletlerle birlikte dış misyonların sayısı artmıştır. Öte yandan, 1990'larda Türkiye'nin içinde bulunduğu coğrafyada yaşanan değişim, Türk Dış Politikası açısından çeşitli risk ve fırsatları beraberinde getirmiş ve ülkenin bu hassas coğrafyada barış, istikrar ve refahın sağlanması yönündeki önemini ve görevlerini daha da arttırmıştır.

1924 yılında 39 dış temsilciliğe sahip olan Türkiye Cumhuriyeti, 2019 yılı sonu itibarıyla yurt dışında 246 misyonla temsil edilmektedir. Bu dış misyonların 142'si büyükelçilik, 13'ü daimi temsilcilik, 89 tanesi başkonsolosluk ve 1 tanesi ticaret ofisidir.

Görevleri
Dışişleri Bakanlığının görev ve yetkileri şunlardır:
 Türkiye Cumhuriyetinin dış politikasının tespiti için hazırlık çalışmaları yapmak ve tekliflerde bulunmak, Cumhurbaşkanı tarafından tayin ve tespit edilen hedef ve esaslara göre dış politikayı uygulamak ve koordine etmek.
 Türkiye Cumhuriyetini ve Cumhurbaşkanını yabancı devletler ve uluslararası kuruluşlar nezdinde yetkili makam olarak temsil etmek, yabancı devletler ve uluslararası kuruluşlarla temas ve müzakereleri ilgili kurum ve kuruluşlarla işbirliğinde bulunmak suretiyle yürütmek, Türkiye Cumhuriyetinin dış ilişkilerini tüm boyutlarıyla ve ilgili kurum ve kuruluşlarla işbirliğinde bulunmak suretiyle tesis etmek, yürütmek, yönlendirmek, geliştirmek ve ülkenin çıkarlarını korumak.
 Devlet organlarının uluslararası temaslarının yürütülmesinde bu organlara yardımcı olmak.
 5/5/1969 tarihli ve 1173 sayılı Milletlerarası Münasebetlerin Yürütülmesi ve Koordinasyonu Hakkında Kanun çerçevesinde, diğer kamu kurum ve kuruluşlarınca dış politika ile bağlantılı olarak yurt dışında yürütülen faaliyetlerin Cumhurbaşkanınca saptanan dış politikaya uygunluğunu gözetmek, bu faaliyetleri koordine etmek ve bunlara katılım sağlamak,
 Cumhurbaşkanını dış dünyadaki gelişmeler ve değişen şartlar konusunda bilgilendirmek.
 Türkiye Cumhuriyeti hakkında yurt dışında bilgilendirici faaliyetler yürütmek.
 Yurt dışında yaşayan vatandaşların hak ve menfaatlerini korumak ve yaşam kalitelerinin yükseltilmesine yönelik çalışmalar yürütmek, ülke dışındaki vatandaşlara ve Türkiye Cumhuriyeti uyrukluğunu taşıyan tüzel kişilere destek, yardım ve konsolosluk himayesi sağlamak.
 Milletlerarası Antlaşmalara ilişkin Cumhurbaşkanlığı Kararnamesi çerçevesinde, diğer devletlerle ve uluslararası kuruluşlarla akdedilen antlaşmalara ilişkin temas, müzakere, yetki belgesi, imza, onay ve tescil süreçlerini ilgili kamu kurum ve kuruluşları ile işbirliği içinde yürütmek, bu antlaşmaları veya tescil edilmiş kopyalarını muhafaza etmek ve sicillerini tutmak, antlaşma taslaklarının mevzuata uygunluğunu incelemek ve görüş bildirmek.
 Uluslararası hukukun ve uluslararası hukuk içtihadının gelişimine yönelik süreçleri takip etmek ve bu süreçlere iştirak etmek.
 Türkiye Cumhuriyetinin tarafı olduğu siyasi nitelikli uluslararası davaları ve Adalet Bakanlığı ile işbirliği yapmak suretiyle Avrupa İnsan Hakları Mahkemesindeki davaları ikame ve takip etmek.
 Türkiye Cumhuriyetini temsil yetkisine sahip olarak Cumhurbaşkanı kararı ile belli bir geçici görevle görevlendirilen temsilciler ve temsil heyetlerine Türkiye Cumhuriyetini bağlayan hususlarda Cumhurbaşkanının talimatlarını iletmek, bu temsilci ve temsil heyetlerinin ihtisasa dair hususlarda ihtiyaç duyacakları talimatları ilgili bakanlıklar ile istişare suretiyle tespit edip onlara iletmek, heyetlerin başkanları diğer bakanlıklardan ise bu heyetlerde temsilci bulundurmak.
 Kamu kurum ve kuruluşları tarafından yurt dışı teşkilatı kurulması ve dış temsilcilik açılması konusunda görüş bildirmek.
 Mali, iktisadi ve diğer teknik konularda ilgili kurum ve kuruluşlarca yürütülmesi gereken veya statülerinde, üyelerinin ve ortaklarının belirli bakanlık veya merci vasıtasıyla işlem yapacağı belirtilen uluslararası kuruluşlarla yürütülen dış temas ve müzakerelerin dış politikaya uygun olarak yürütülmesini gözetmek, gerekirse bunlara katılmak.
 Diplomasi ve konsolosluk ilişkilerinin yürütülmesi ile bağlantılı olarak uluslararası antlaşmalardan kaynaklanan iş ve görevleri yerine getirmek.
 Uluslararası kuruluşlarla işbirliğini geliştirmek.
 1173 sayılı Kanun çerçevesinde ve Cumhurbaşkanının politikaları doğrultusunda Türkiye'nin Avrupa Birliği üyeliğine hazırlanmasına yönelik yapılacak çalışmaların yönlendirilmesi, izlenmesi ve koordinasyonu ile üyelik sonrası çalışmaların koordinasyonunu yürütmek.
 Kanunlarla ve Cumhurbaşkanlığı kararnameleriyle verilen diğer görevleri yapmak.

Bağlı birimler

Merkez teşkilatı
 İkili Siyasi İşler Genel Müdürlükleri
 Uluslararası Güvenlik İşleri Genel Müdürlüğü
 Çok Taraflı Siyasi İşler Genel Müdürlükleri
 Küresel ve İnsani Konular Genel Müdürlüğü
 Çatışmayı Önleme ve Kriz Yönetimi Genel Müdürlüğü
 Çok Taraflı Ekonomik İşler Genel Müdürlüğü
 İkili Ekonomik İşler Genel Müdürlükleri
 Uluslararası Hukuk Genel Müdürlüğü
 Andlaşmalar Genel Müdürlüğü
 Konsolosluk İşleri Genel Müdürlükleri
 Araştırma ve Güvenlik İşleri Genel Müdürlüğü
 Enformasyon Genel Müdürlüğü
 Yurtdışı Tanıtım ve Kültürel İşler Genel Müdürlüğü
 Protokol Genel Müdürlüğü
 Avrupa Birliği Başkanlığı
 Dış Politika Danışma Kurulu Başkanlığı
 Teftiş Kurulu Başkanlığı
 Strateji Geliştirme Başkanlığı
 Stratejik Araştırmalar Merkezi Başkanlığı, merkezi Çankaya, Ankara'da bulunan Türk dış politikasında karar alma mekanizmasında görev yapanlara ilgili konularda bilimsel ve entelektüel danışmanlık ve geleceğe yönelik bir perspektif sağlamak amacı ile kurulan; amaç, kuruluş ve işleyiş esasları 17 Nisan 1995 tarihli Dışişleri Bakanlığı Stratejik Araştırmalar Merkezi Yönetmeliği 'nde belirtilen düşünce kuruluşudur. Başkanlığını Doç. Mesut Özcan yürütmektedir.
 Personel Dairesi Başkanlığı
 Diplomasi Akademisi Başkanlığı
 Destek Hizmetleri Dairesi Başkanlığı
 Bilgi İşlem Dairesi Başkanlığı
 Diplomatik Arşiv Dairesi Başkanlığı
 Tercüme Dairesi Başkanlığı
 Dış Politika, Analiz ve Eşgüdüm Genel Müdürlüğü
 Hukuk Hizmetleri Genel Müdürlüğü
 Özel Kalem Müdürlüğü

Yurt dışı teşkilatı
 Büyükelçilikler
 Daimi Temsilcilikler
 Başkonsolosluklar

Yurt içi temsilcilikler
 İstanbul Temsilciliği
 İzmir Temsilciliği
 Antalya Temsilciliği
 Edirne Temsilciliği
 Gaziantep Temsilciliği
 Hatay Temsilciliği
 Diyarbakır Temsilciliği

Dışişleri bakanları

Kaynakça

Dış bağlantılar

Dışişleri bakanlıkları
1920'de Osmanlı İmparatorluğu'nda kurulan oluşumlar
Türkiye'nin dış ilişkileri

Dışişleri Bakanlığı (Türkiye)


Robert Nigel Fitzhardinge Kingscote ( - ) est un soldat britannique, homme politique libéral, courtisan et agriculteur.

Jeunesse
Kingscote est le fils du colonel Thomas Henry Kingscote, de Kingscote Park, Gloucestershire, par sa première épouse, Isabella Anne Frances, fille de Henry Somerset (6e duc de Beaufort). Sa mère est décédée alors qu'il a moins d'un an, peu de temps après la naissance de son deuxième enfant, une fille. Son frère, Thomas Kingscote, rejoint également la maison royale.

Carrière militaire
Kingscote est officier aux Scots Fusilier Guards en 1846. Il est aide de camp de son grand-oncle, Lord Raglan, pendant la Guerre de Crimée, et obtient plus tard le grade de lieutenant-colonel dans les Royal Scots Fusiliers. Il est nommé colonel honoraire de la Royal North Gloucestershire Militia (plus tard 4th (Militia) Battalion, Gloucestershire Regiment) le 28 janvier 1862 et conserve le poste jusqu'à la dissolution de l'unité en 1908.

Carrière politique
Kingscote est député de Gloucestershire West entre 1852 et 1885. Il est nommé adjoint Lord-lieutenant du Gloucestershire en 1856. La dernière année, il est nommé commissaire des bois et forêts, poste qu'il occupe jusqu'en 1895. Il est également juge de paix pour le Gloucestershire et le Wiltshire et administrateur du manoir de Horsley.

Kingscote est groom-in-waiting de la reine Victoria entre 1859 et 1866, lorsqu'il démissionne, et écuyer supplémentaire du prince de Galles en 1867. Il sert comme surintendant des écuries du prince de Galles jusqu'en 1885, est nommé au Conseil du prince de Galles en 1886 et comme receveur général du duché de Cornouailles en 1888, Extra Equerry d'Édouard VII entre 1901 et 1902 et payeur général de la maison royale entre 1901 et 1908. Il est nommé Compagnon de l'Ordre du Bain en 1855, Chevalier Commandeur de l'Ordre du Bain en 1889 et Chevalier Grand-Croix de l'Ordre royal de Victoria en 1902.

Kingscote est également impliqué dans les affaires agricoles et est président de la Royal Agricultural Society en 1878.

Famille

Kingscote est marié deux fois.

Il épouse d'abord Caroline Sophia Wyndham, fille de George Wyndham (1er baron Leconfield), en 1851. Elle meurt en couches le 19 mars 1852 à Drove, Westhampnett dans le West Sussex : son fils nouveau-né meurt le même jour.

Kingscote épouse ensuite Emily Marie Curzon, fille de Richard Curzon-Howe (1er comte Howe), en 1856. Emily est dame de chambre à coucher de la la reine Alexandra. Ils ont deux fils et deux filles. Sa fille aînée, Harriet, épouse Arthur Wilson et est la mère du maréchal Henry Maitland Wilson. Sa fille Winifred épouse Lord Rocksavage, plus tard marquis de Cholmondeley, le 16 juillet 1879. Kingscote est décédé en septembre 1908, à l'âge de 78 ans. Lady Kingscote lui survit deux ans et meurt en décembre 1910.

Références

Liens externes

Député du 22e Parlement du Royaume-Uni
Député du 21e Parlement du Royaume-Uni
Député du 20e Parlement du Royaume-Uni
Député du 19e Parlement du Royaume-Uni
Député du 18e Parlement du Royaume-Uni
Député du 17e Parlement du Royaume-Uni
Député du 16e Parlement du Royaume-Uni
Chevalier grand-croix de l'ordre royal de Victoria
Chevalier commandeur de l'ordre du Bain
Décès en septembre 1908
Naissance en février 1830
Décès à 78 ans

Robert Kingscote


Ardent Worship es el primer álbum en vivo de la banda Skillet. Fue publicado siete meses después de Invincible en el año 2000. Consta de seis canciones de adoración escritas por Skillet y cuatro covers de otros artistas fue un tema muy sonado...

Lista de canciones

AlbumPersonal
Álbum personal John Cooper- bajo y voz principal.
Korey Cooper – guitarra rítmica, teclado y voz secundaria.
Kevin Haaland - guitarra líder.
Lori Peters - batería.
Ken Steorts - guitarra líder  (en "Safe With You" y "Shout to the Lord").
Trey McClurkin - batería (en "Safe With You" y "Shout to the Lord").

Música cristiana

Ardent Worship


O Jugovizija (em cirílico: Југовизија; em português: Jugosvisão), conhecido também como Festival Opatija, por se ter realizado várias vezes durante a década de 1970 na cidade croata de Opatija e, após 1981, como Jugoslavenski izbor za Pesmu Evrovizije, foi um concurso anual promovido pela JRT, de 1961 até 1992, com o objectivo de selecionar uma canção para o Festival da Eurovisão. A competição era organizada pela Rádio e Televisão Jugoslava (JRT), a corporação nacional de rádio e televisão de oito centros regionais de rádio e televisão, correspondendo às capitais de cada república socialista federativa jugoslava: República Socialista da Bósnia e Herzegovina (RTV Sarajevo), República Socialista da Croácia (RTV Zagreb e RTV Split), República Socialista da Macedónia (RTV Skopje), República Socialista do Montenegro (RTV Titograd), República Socialista da Sérvia (RTV Belgrado) e República Socialista da Eslovénia (RTV Ljubljana), como também dos serviços de radiodifusão das regiões autônomas pertencentes à Sérvia: Província Socialista Autónoma do Kosovo (RTV Priština) e Província Socialista Autónoma da Voivodina (RTV Novi Sad).

As primeiras emissoras públicas subnacionais a competir em 1961 foram RTV Belgrado, RTV Ljubljana e RTV Zagreb, enquanto outras se juntaram nos anos seguintes. continha a participação das televisões públicas sub-nacionais.

Durante a sua existência, a RSF da Jugoslávia foi representada por vários artistas de 5 das 8 federações jugoslavas. Esses artistas eram da Bósnia e Herzegovina, Croácia, Montenegro, Sérvia e Eslovénia, com a Macedónia, Voivodina, e Kosovo a nunca terem ganho uma final nacional. Croácia foi a república socialista mais bem sucedida, sendo representada 13 vezes e ganhando uma, em 1989. Entre 1977 e 1980, e em 1985, a Jugoslávia não participou.

A única canção a vencer o Festival Eurovisão da Canção foi "Rock Me" pelo grupo Riva, em 1989. No ano seguinte, o Festival Eurovisão da Canção 1990 teve lugar em Zagreb.

Participantes

Edições

Vitórias e organizações

Participações

Sedes

Festival Eurovisão da Canção
Jugoslávia no Festival Eurovisão da Canção
Música da Jugoslávia

Jugovizija