Grace Under Pressure deseti je studijski album kanadskog rock-sastava Rush. Diskografska kuća Anthem Records objavila ga je 12. travnja 1984. Nakon što je promidžbena turneja za prijašnji album Signals (iz 1982.) završila sredinom 1983., Rush je u kolovozu te godine počeo raditi na novom albumu. Članovi skupine odlučili su da neće raditi s producentom Terryjem Brownom, s kojim su radili od 1974. Na novim je pjesmama naglašena izmjena dotadašnjeg glazbenog stila grupe u korist pjesama utemeljenih na sintesajzerima (što je bio slučaj i na prijašnjem uratku). Nakon ponešto dulje potrage za prikladnim producentom uradak je snimljen s producentom Peterom Hendersonom.

Grace Under Pressure dosegao je 4. mjesto na kanadskoj ljestvici albuma, 5. mjesto na britanskoj ljestvici albuma i 10. mjesto na američkoj ljestvici Billboard 200; u SAD-u je naposljetku dostigao platinastu nakladu jer je bio prodan u milijun primjeraka.

Pozadina i snimanje
U srpnju 1983. završila je promidžbena turneja za album Signals koja je počela godinu prije i održala se u Sjevernoj Americi i Ujedinjenom Kraljevstvu. Članovi skupine sastali su se sredinom kolovoza u kućici u Horseshoe Valleyju u ontarijskom gradu Barrieju kako bi napisali pjesme za novi album i naučili ih svirati. Rad na pjesmama bio je uspješan, dijelom zato što su si članovi odredili dovoljno vremena za rad i jer su već unajmili studio na određeno razdoblje. Pjesme su nastale na temelju metode uobičajene za skupinu; Geddy Lee i Alex Lifeson radili su na glazbi, a Neil Peart pisao je tekstove. Vijesti iz torontskih novina The Globe and Mail nadahnule su neke od pjesama na albumu, a naročito "Distant Early Warning", "Red Lenses" i "Between the Wheels". Peart je izjavio da su pjesmu "Between the Wheels" napisali prve noći, a nakon nekoliko dana napisali su "Kid Gloves" i "Afterimage". U tri je tjedna sastav snimio demovrpcu na kojoj su se nalazile prethodno spomenute skladbe, "Red Sector A" i "The Body Electric". Članovi grupe privremeno su prestali raditi na pjesmama u rujnu 1983. da bi mogli održati pet noćnih koncerata u Radio City Music Hallu u New Yorku, nakon čega su se ponovno posvetili novom uratku.

Grace Under Pressure prvi je Rushev album od njegova istoimenog debitantskog uratka iz 1974. čiji producent nije Terry Brown. Na početku turneje za Signals u travnju 1982. skupina se sastala s Brownom u Miamiju i obavijestila ga da je odlučila raditi s drugim producentom. Željela se posvetiti različitim pristupima i tehnikama koje bi joj mogao ponuditi netko drugi te tako razviti njezin glazbeni stil, no istaknula je da nije tako odlučila jer općenito nije bila zadovoljna Brownovom produkcijom. Peart je izjavio da je rastanak teško pao i skupini i producentu jer su dugo radili zajedno, no da su naposljetku ostali u dobrim odnosima. Brown je naveden u zahvalama na Grace Under Pressureu; na francuskom jeziku napisana mu je posveta koja u prijevodu glasi "i našem uvijek dobrom starom prijatelju".

Potraga za novim producentom počela je tijekom europske turneje 1983., tijekom koje je skupina upoznala nekoliko kandidata u Ujedinjenom Kraljevstvu. Sastali su se sa Steveom Lillywhiteom, koji je u početku pristao raditi na projektu, no na kraju je odustao dva tjedna prije početka proba jer je odlučio raditi s grupom Simple Minds. Na koncert grupe u Wembley Areni došli su Yesov basist Chris Squire te pjevač i producent Trevor Horn koji je pjevao na Yesovu albumu Drama iz 1980.; skupina je namjeravala izabrati jednog od njih za producenta. Članovi Rusha naposljetku su samostalno počeli raditi na albumu; Peart smatra da im je to pojačalo želju za uspjehom: "Zbog toga smo se svi zbilja oslanjali jedni na druge – postali smo vrlo odlučni i svi smo kanili snimiti odličan album." Rush se tijekom proba sastao s još jednim obećavajućim engleskim producentom, no zbog različitih problema na kraju ipak nije bio dostupan za rad. Članovi skupine potom su se sastali s Englezom Peterom Hendersonom; svidio im se, pa su ga prihvatili za producenta i ton-majstora, no zbog njegove povremene neodlučnosti naposljetku su većinu kreativnih odluka donosili bez njega. Usprkos tomu Rush i Henderson navedeni su kao koproducenti u zaslugama na albumu.

Nakon što je doradila zbirku demosnimki, grupa je ušla u Le Studio u kvebečkom gradu Morin-Heights kako bi snimila novi album. U tom je studiju snimala od studenog 1983. do 1984., što je u to vrijeme bilo najdulje razdoblje koje je skupina provela snimajući. Članovi sastava provodili su četrnaest sati dnevno u studiju. U intervjuu iz 1984. Lifeson je izjavio da Grace Under Pressure "zadovoljava više od svih naših albuma".

Naslov uratka nadahnut je citatom američkog književnika Ernesta Hemingwaya. Peart je bio strastven čitatelj njegovih djela i svidio mu se citat "courage is grace under pressure" ("hrabrost je dostojanstvo u najtežim trenutcima") jer je smatrao da odražava ozračje prisutno tijekom snimanja albuma.

Glazbeni spot snimljen za pjesmu "The Enemy Within" prvi je koji je reproducirao kanadski glazbeni televizijski program MuchMusic, pokrenut u kolovozu 1984.

Glazbeni stil i tekstovi
U glazbenom smislu uradak označava još jedan pomak u Rushevu glazbenom stilu; iako se i dalje obilato služio sintesajzerom kao na albumu Signals, sastav je također u neke od pjesama uvrstio elemente žanrova kao što su ska i reggae. Gitara je istaknutija na tom uratku nego na Signalsu; Lifeson je izjavio: "Mislim da je gitara na Signalsu bila u drugom planu. Klavijature su zbilja bile na čelu ... premda smo to na neki način i željeli, željeli smo sagledati cijeli zvuk iz drugačije perspektive. No vjerojatno smo na Signalsu ponegdje i izgubili." Također je istaknuo da na Grace Under Pressureu nema akustične gitare i balada.

Na pjesmi "The Body Electric" nalazi se gitarska solodionica čija je visina zvuka umjetno izmijenjena s odgodom (tehnikom delaya); Lifeson je taj spoj efekata nazvao "prilično bizarnim".

"Afterimage" govori o Robbieju Whelanu, ton-majstoru Le Studija koji je umro u automobilskoj nesreći godinu dana prije objave albuma.

Omot albuma
Naslovnicu je dizajnirao i naslikao Hugh Syme, autor svih Rushevih naslovnica od 1975. Na poleđini se nalazi fotografija skupine koju je izradio armensko-kanadski fotograf Yousuf Karsh. Skupina je odlučila unajmiti Karsha kad je tijekom proba u Horseshoe Valleyju raspravljala o idejama za omot albuma. Lifeson je Peartu predložio crno-bijelu fotografiju članova sastava jer takvo nešto nikad nisu imali na prijašnjim uradcima. Leeju se svidjela ideja i predložio je Karsha za izradu takve slike. Lifeson je o završnom rezultatu izjavio: "Zasigurno nije rock 'n' roll slika, ali je vrlo istinita, realistična slika nas trojice." Na izvornom izdanju na gramofonskoj ploči nalazila se i fotografija jajeta u stezaljci za masu.

Na naslovnici se također nalazi i ime albuma izraženo razlomkom ("gr/p").

Popis pjesama
Sve je tekstove napisao Neil Peart; svu su glazbu skladali Alex Lifeson i Geddy Lee.

Objava i recenzije
Grace Under Pressure objavljen je 12. travnja 1984. Dosegao je četvrto mjesto na glazbenoj ljestvici albuma u Kanadi, peto mjesto na glazbenoj ljestvici albuma u Ujedinjenom Kraljevstvu i 10. mjesto na američkoj glazbenoj ljestvici Billboard 200. U SAD-u je naposljetku dostigao i platinastu nakladu za milijun prodanih primjeraka. Za pjesme "Distant Early Warning", "Afterimage", "The Body Electric" i "The Enemy Within" snimljeni su glazbeni spotovi.

AllMusicov recenzent Greg Prato dodijelio mu je tri zvjezdice od njih pet te je izjavio da je "nešto pristupačniji od prethodnika" i da je "označio početak razdoblja za koji mnogi obožavatelji Rusha smatraju da su sintesajzeri i elektronika previše upotrebljavani i tako otjerali gitarista Alexa Lifesona u drugi plan", ali je istaknuo da su "pjesme i tekstovi i dalje dojmljivi", što je bilo u raskoraku "s mnogim drugim rock-sastavima osnovanima tijekom sedamdesetih godina 20. stoljeća koji su u osamdesetima objavljivali nedosljedne uratke lišene ideja (koji danas zvuče vrlo staromodno)". Kurt Louder iz Rolling Stonea također mu je dodijelio tri zvjezdice od njih pet, no u recenziji je bio kritičniji: "[M]anjak melodija i razvoja bilo kakve vrste harmonije osim one osnovne brzo počinje tlačiti. K tome, Alex Lifeson nije naročito zanimljiv glavni gitarist, a ograničenja skupine s troje izvođača i dalje dovode do prskajućeg zvuka bubnjeva do kojeg vam neće biti toliko stalo. Rush se bogme iskazao na djelu: prisutne su snažne društvene poruke okružene krupnim zvukom koji lupa. No to su stare vijesti i stara glazba."

Časopis Guitar World uvrstio je uradak na svoj popis "New Sensations: 50 Iconic Albums That Defined 1984".

Zasluge

Rush
Geddy Lee – bas-gitara, sintesajzer, vokali
Alex Lifeson – gitara, sintesajzer
Neil Peart – bubnjevi, udaraljke, elektroničke udaraljke

Ostalo osoblje
Peter Henderson – produkcija, tonska obrada
Frank Opolko – pomoćnik pri tonskoj obradi
Robert Di Gioia – pomoćnik pri tonskoj obradi
Hugh Syme – naslovnica, umjetnički direktor
Yousuf Karsh – portret
Jim Burgess – programiranje sintesajzera
Paul Northfield – programiranje sintesajzera
Jon Erickson – tonska obrada (tijekom pretprodukcije)
Bob Ludwig – masteriranje

Ljestvice

Izvori

Albumi iz 1984.
Albumi sastava Rush

Grace Under Pressure


O Jerry West NBA Clutch Player of the Year Award (em português: Prêmio Jerry West de Jogador Mais Decisivo da NBA) é uma honra concedida a um jogador da National Basketball Association (NBA) que "melhor se destaca por seus companheiros de equipe no clutch time (momentos decisivos)". O prêmio leva o nome de Jerry West, que tinha a reputação de ser um jogador extremamente eficaz nos momentos decisivos quando jogou pelo Los Angeles Lakers. Apesar de a NBA ter uma métrica oficial para o "clutch time" que abrange o período dos cinco minutos finais de um jogo em que a diferença esteja em 5 pontos ou menos, além do tempo de prorrogação, quando necessário, o prêmio é votado por membros da mídia com base nas indicações dos treinadores principais da NBA. O jogador que tiver o maior número de votos em 1º lugar leva o Troféu Jerry West. A temporada de estreia do prêmio foi a temporada de 2022-23.

O primeiro vencedor do prêmio foi De'Aaron Fox, armador do Sacramento Kings. Disputaram com ele na final DeMar DeRozan, ala-armador do Chicago Bulls e Jimmy Butler, ala-armador do Miami Heat.

Vencedores

Veja também
 NBA Most Valuable Player Award
 Bill Russell NBA Finals Most Valuable Player Award

Prêmios da National Basketball Association

NBA Clutch Player of the Year Award


A Organização das Nações Unidas para a Educação, a Ciência e a Cultura (UNESCO) propôs um plano de proteção ao patrimônio cultural do mundo, através da Convenção sobre o Patrimônio Cultural Imaterial da Humanidade, cujo processo de implementação teve início em 1997 e foi oficializado em 2003. Esta é uma lista do Patrimônio Cultural Imaterial existente na Dinamarca, especificamente classificada pela UNESCO visando catalogar e proteger manifestações da cultura humana no país. A Dinamarca ratificou a convenção em 23 de novembro de 2005, tornando suas manifestações culturais elegíveis para inclusão na lista.

A manifestação Tradições nórdicas de barcos de casco trincado foi a primeira manifestação cultural da Dinamarca incluída na lista do Patrimônio Cultural Imaterial da UNESCO por ocasião da 16.ª Sessão do Comitê Intergovernamental para a Proteção do Patrimônio Cultural Imaterial da Humanidade, realizada virtualmente em 2021. Desde então, a Dinamarca totaliza 2 elementos culturais classificados como Patrimônio Cultural Imaterial.

Bens imateriais
A Dinamarca conta atualmente com as seguintes manifestações declaradas como Patrimônio Cultural Imaterial pela UNESCO:

Ver também
 Lista do Patrimônio Mundial na Dinamarca
 Cultura da Dinamarca

Dinamarca
Conservação na Dinamarca
Cultura da Dinamarca

Lista do Património Cultural Imaterial da Humanidade na Dinamarca


Matějovský ist der Familienname folgender Personen:

 Marek Matějovský (* 1981), tschechischer Fußballspieler
 Zdeněk Matějovský (1930–2014), tschechischer Orthopäde und Hochschullehrer

Matějovský


Senta Verhoeven (née Berger; Austrian German: , ; born 13 May 1941) is an Austrian-German actress. She received many award nominations for her acting in theatre, film and television; her awards include three Bambi Awards, two Romys, an Adolf Grimme Award, both a Deutscher and a Bayerischer Fernsehpreis, and a Goldene Kamera.

Early life
Berger was born in Vienna to musician Josef Berger and teacher Therese Jany. She first appeared on stage at the age of four, when her father accompanied her singing on the piano. At the age of five she started ballet lessons.

Berger also took private acting lessons. In 1957, she won her first small role in The Unexcused Hour, one of the final films directed by Austrian auteur Willi Forst. She applied for the Max Reinhardt Seminar, a famous acting school in Vienna, and was accepted, but she left shortly afterwards after accepting a film role without permission. In 1958, she became the youngest member of the Josefstadt Theatre in Vienna and appeared in productions of L'Œuf, Charley's Aunt, Much Ado About Nothing and Cat on a Hot Tin Roof.

Career

In 1960, Bernhard Wicki and Artur Brauner produced the comedy film The Good Soldier Schweik with Berger and the German actor Heinz Rühmann. Brauner used Berger in several films, but she soon tired of musicals. In 1962, she went to Hollywood and worked with stars such as Charlton Heston, Dean Martin, Frank Sinatra, Richard Widmark, John Wayne, Kirk Douglas, and Yul Brynner. She returned to Germany to accept an offer for a role in a series, which would have included an obligation of several years. Early publicity material compared her to Brigitte Bardot and Sophia Loren.

In 1963, Berger met Michael Verhoeven, son of the German film director Paul Verhoeven (not to be confused with the Netherlands Paul Verhoeven). In November 1964, she guest starred in an episode of the U.S. television show The Man from U.N.C.L.E, entitled "The Double Affair". It was later expanded and released in cinemas as the feature film The Spy with My Face (1965). Also in 1965, she starred in The Glory Guys, a dramatic representation of Custer's Little Big horn disaster, based on the novel The Dice of God by Hoffman Birney. Filmed by Levy-Gardner-Laven and released by United Artists, it stars Tom Tryon, Harve Presnell, Senta Berger, James Caan, and Michael Anderson Jr. Berger and Verhoeven started their own film production company in 1965, and married in 1966. Berger continued to develop her European career in France and Italy.

In 1966, Berger co-starred with Kirk Douglas in the film Cast a Giant Shadow. Berger played the role of Magda, a soldier in the Israeli army during the 1948 Arab–Israeli War. Also in 1966, the British film Our Man in Marrakesh, called Bang, Bang, You're Dead in the U.S., was released, starring Senta Berger opposite Tony Randall. In The Quiller Memorandum, a third film of hers released in 1966, she played opposite Max von Sydow and George Segal in the role of a German schoolteacher involved in neo-Nazi activity. In 1967, Berger acted in the pilot film for the Robert Wagner television series It Takes a Thief, which aired on the U.S. television network ABC on 9 January 1968. She reprised her role in the series in October 1969, in an episode in which her character was killed.

In 1970, Berger starred for the first time in a film produced by her own company and directed by her husband. Other internationally successful films made by their joint production company included, Die weiße Rose (1982), The Nasty Girl (1990) and  (1995). In 1971, Berger participated in the media campaign "We've had abortions!" launched by German feminist Alice Schwarzer with a cover story in the Stern political magazine. In 1972, she also campaigned for Willy Brandt's Social Democratic Party.

Following the birth of her first son, Berger soon returned to theatre work. She played at the Burgtheater in Vienna, at the Thalia Theater in Hamburg and at the Schiller Theater in Berlin. Between 1974 and 1982, she played the "Buhlschaft" in the play Jedermann at the Salzburg Festival with Curd Jürgens and Maximilian Schell. She also acted alongside Schell and James Coburn in a supporting role in the acclaimed war film Cross of Iron (1977). In 1977, she was head of the jury at the 27th Berlin International Film Festival. Twenty-one years later, she was part of the jury at the 48th Berlin International Film Festival.

In 1985–86, Berger started a comeback in front of German-speaking audiences in the TV serial Kir Royal. (In the 1980s, Berger discovered she was admired by Scottish drifter Arthur Richard Jackson who had attempted to murder American actress Theresa Saldana in 1982.) Further serial hits followed, like Die schnelle Gerdi ("The fast Gerdi", 1989–2002), where she played a taxi driver. In the same year, she also started a career as a singer of chansons. From 2003 to 2010, Berger was president of the German Film Academy, which seeks to support the careers of actors and actresses in Germany and across Europe. Since 2005, the academy assigns the annual German Film Awards, or Lolas.

2005 saw her in the film, Einmal so wie ich will ("Once according to my will"), as a woman trapped in an unhappy marriage who finds love on holiday, but turns her back on the relationship. In 2016, she played one of the leading roles in the film Welcome to Germany, written and directed by her son Simon Verhoeven. The film grossed more than US$20 million, making it the most successful German picture of the year. It also won numerous awards, among them the Deutscher Filmpreis, the peace award Friedenspreis des deutschen Films, and was nominated for a European Film Award for Best Comedy.

She played the role of doctor Eva Maria Prohacek in the popular German crime television series Unter Verdacht ("Under Suspicion") from 2002 till March 2020, when she retired from the role.

In June 2023, her romantic dramedy Weißt du noch (Remember Me; screenplay by Martin Rauhaus, directed by Rainer Kaufmann) premiered at the 40th Filmfest München.

Memoirs

In the spring of 2006, Berger's autobiography was published in Germany: Ich habe ja gewußt, daß ich fliegen kann ("I Knew That I Could Fly"). Among her memories of Hollywood are a less-than-subtle attempt by Darryl Zanuck to get her on his casting couch, and of all the shallow people she met in Hollywood.

Personal life

Berger married German film director Michael Verhoeven in 1966; their sons are actor-director Simon Verhoeven (born 1972) and actor/producer Luca Verhoeven (born 1979). She lives in Germany. She is Jewish.

Selected filmography

Film

Television

Honors and awards

 Bambi Prize (1968)
 Bravo Otto in Bronze (1969)
 Film Award in Silver (production) for Die Weiße Rose on behalf of the film company Sentana (1983)
 German Actor Award (Chaplin-shoe) for her role in Kir Royal (1987)
 Bambi Prize, Special Bambi "Unknockable Stars" (1990)
 Golden Gong (1996)
 Austrian Cross of Honour for Science and Art, 1st class (1999)
 Karl Valentin Order (1998)
 Golden Romy as the most popular actress (1998)
 Bambi Prize in the category for the ARD miniseries Love and Other Catastrophes (1999)
 Federal Cross of Merit (1999)
 Bavarian Order of Merit (2002)
 German Hörbuchpreis (2003)
 Medal Munich shines (for outstanding service to Munich) (2003)
 Hessian TV award as an ensemble member of the film The Conference (2005)
 Golden Ox – Honorary Award of the Film Arts Festival Mecklenburg-Vorpommern to the Sentana Film Production Senta Berger and Michael Verhoeven (2005)
 Billy Wilder Award (2006)
 Platinum Romy for lifetime achievement (2007)
 Special Prize of the German TV crime Award for her starring role in the WDR production Schlaflos ("Sleepless") (2009)
 Herbert-Strate Prize of the NRW Film Foundation and the Association HDF Kino Cinema (2009)
 German Television Award for Best Actress for her leading role in Schlaflos (2009)
 Special Prize at the Television Film Festival in Baden-Baden for outstanding dramatic performance in Frau Böhm sagt Nein (2009)
 Golden Camera Award in the category Best Actress in German Frau Böhm sagt Nein and Schlaflos (2010)
 Adolf Grimme Award for her performance in Frau Böhm sagt Nein (2010)
 Bavarian Television Award for best actress says in the "TV Movie" for her role in the film Frau Böhm sagt Nein (2010)
 Grand Diagonale drama prize for lifetime achievement (2010)
 Star on the Boulevard of Stars in Berlin (2010)
 Hans Abich Award for outstanding services in television and film (Television Film Festival, Baden-Baden, 2010)
 Cultural Award of the City of Munich (2011)
 Bear (B.Z. culture prize) (2012)

References

External links

Senta Berger-links (Yahoo group)
Interview in the FAZ newspaper on her autobiography (in German)

1941 births
Living people
Actresses from Vienna
Austrian stage actresses
Austrian film actresses
Austrian television actresses
20th-century Austrian actresses
21st-century Austrian actresses
Officers Crosses of the Order of Merit of the Federal Republic of Germany
Recipients of the Austrian Cross of Honour for Science and Art, 1st class
Writers from Vienna
Jewish Austrian actresses

Senta Berger


بلدية سان سادورنينو ، هي إحدى بلديات مقاطعة لا كرونيا إحدى مقاطعات إسبانيا، و التي تقع في منطقة جليقية شمال غرب إسبانيا. يبلغ عدد سكانها 2,828 نسمة وفقاً لإحصائية سنة (2018).

مراجع

بلديات قرجيطة
قلاع في منطقة غاليسيا

سان سادورنينو


Akba Atatdia (Akbaatatdia, Isaahka, Isaahkawuattee, Baakukkule, Iichikbaaalee; Old Man Coyote, First Coyote, First Maker, Old Man), Kojot je igrao ulogu i Stvoritelja i varalice u mitologiji Indijanaca Vrana. U nekim verzijama mita o stvaranju kod Indijanaca Vrana zapravo su postojala dva Kojota, Starac Kojot koji je stvorio ljude, životinje i zemlju, i obični Kojot koji je imao avanture i upadao u nevolje. U drugim verzijama bili su jedno te isto.

Izvori

Indijanska mitologija (bogovi stvaratelji)
Crow

Akba Atatdia


Gotički ljetnikovac u Bolu na Braču nalazi se na adresi Račić 2.

Opis
Zgrada je podignuta koncem 15. stoljeća kao ljetnikovac u luci. Južno pročelje na prvom katu je rastvoreno gotičkom biforom i monoforama, a na zapadnom je rekonstruirana bifora po ostacima stare. Mrežište bifore oblikovano je isprepletenim lukovima, a lukovi su oblika trolista. Krajem 16. i početkom 17. stoljeća kuća je povišena i opremljena obrambenim elementima zbog opasnosti od turskih napada s mora zvana te dobiva naziv Kaštil.

Zaštita
Pod oznakom Z-1865 zavedena je pod vrstom "nepokretno kulturno dobro - pojedinačno", pravna statusa zaštićena kulturnog dobra, klasificirano kao "stambene građevine".

Izvori

Vanjske poveznice

Zaštićene stambene građevine u Splitsko-dalmatinskoj županiji
Građevine u Bolu

Gotička kuća u Bolu


Mythimna speciosa es una polilla de la familia Noctuidae. Se encuentra en la India.

La longitud de las alas es de 16,4 mm. Las alas anteriores son de color amarillo parduzco. Las alas posteriores son oscuras en la mitad externa y el área basal es ligeramente blanquecina.

Referencias

Enlaces externos

speciosa

Mythimna speciosa


ශ්‍රී ලංකාව හා සබැඳි ලැයිස්තු
කොළඹ දිස්ත්‍රික්කයේ පුරාවිද්‍යා ආරක්‍ෂිත ස්මාරක

කොළඹ පරිපාලන දිස්ත්‍රික්කයේ ආරක්‍ෂිත පුරාවිද්‍යා ස්මාරක ලැයිස්තුව


Isah Abdulahi Eliakwu (n. Lokoja, Nigeria; 25 de octubre de 1985) es un futbolista nigeriano. Juega como delantero en el FC Anzhi Majachkalá de la Liga Premier de Rusia.

Trayectoria
Eliakwu ingresó en la Reggiana en la temporada 2000-01 junto a otros jóvenes nigerianos como Stephen Makinwa, Akande Ajide, Adewale Wahab, Obafemi Martins y Saidi Adeshokan. En verano de 2002, cuando contaba con 16 años, fue fichado por el Inter de Milán, aunque nunca llegó a debutar con el equipo nerazzurri, pues estuvo cedido constantemente en el Ascoli y Triestina.

En 2006 fue el Triestina el club que se hizo con sus servicios en propiedad y allí militó durante tres temporadas. En 2009 fue traspasado al Gallipoli y en 2010 firmó por el Varese. En septiembre de ese mismo año fue fichado por el Anzhi Majachkalá de la Liga Premier de Rusia.

Clubes

Referencias

Enlaces externos

 archivio.Inter.it
 Perfil en Soccerway
 Perfil en AIC.Football.it

Futbolistas de Nigeria
Futbolistas del Inter de Milán

Futbolistas del Ascoli Picchio Football Club 1898
Futbolistas del Reggio Audace Football Club

Futbolistas del Varese Calcio Società Sportiva Dilettantistica
Futbolistas de la Unione Sportiva Triestina Calcio 1918
Futbolistas del Spezia Calcio 1906
Futbolistas del FK Anzhí Majachkalá

Isah Eliakwu


Kladavac je mjesto koje se nalazi u Hrvatskoj, u županiji Vukovarsko-srijemska a pripada općini Babinoj Gredi.

Izvori

Vanjske poveznice

 Maruša Stamać:  Naselje u Hrvatskoj bez kilometra asfaltirane ceste Dnevnik.hr, 1. travnja 2017.
 Marija Lešić Omerović: Za kiše i snijega autobus po kaljužavoj cesti ne može do Kladavca po đake, Glas Slavonije, 20. kolovoza 2016.
 Kladavac na Facebooku

Naselja u Vukovarsko-srijemskoj županiji

Kladavac


عمار بن بلقاسم  ولد بباريس يوم 18 جوان 1979، هو رسام تونسي فرنسي.

ترجمته
ولد بفرنسا من أبوين تونسيين، وعاش بفرنسا إلى سن الخامسة، حيث أعاده والداه إلى تونس للدراسة، وبقي بها إلى سن التاسعة عشرة. وهو رسام عصامي وقد أمكن له العرض في عشرين بلدا. ووسمه وزير الثقافة التونسي بوسام الاستحقاق الثقافي (2006. وهو عضو الجمعية الدولية للفنانين التشكيليين واتحاد الفنانين التشكيليين التونسيين وجمعية الفنانين التشكيليين بالحمامات.

توفي في 24 أغسطس 2010.

معارضه
 2006-2008:
 معارض شخصية بكل من قصر اليونسكو بباريس وسفارة تونس بواشنطن ورواق يحي ومدينة تونس وسيتو وطوكيو باليابان
 مشاركة في معارض دولية: بلافاليت بمالطة
 2001-2005:
 معارض شخصية بأروقة بباريس وغرونوبل ورادس وصنعاء
 بالمشاركة في معرض معهد العالم العربي بباريس في إطار الأيام التونسية.
 1996-2000:
 معارض بقصر الأونسكو ببيروت، ومقر البنك العالمي بواشنطن، وكذا بمالطة وباريس وسيدي بوسعيد وسوسة

مراجع

توائم فرنسيون
توائم من تونس
رسامون تونسيون
رسامون تونسيون في القرن 20
رسامون تونسيون في القرن 21
رسامون فرنسيون
رسامون فرنسيون في القرن 20
رسامون فرنسيون في القرن 21
فرنسيون من أصل تونسي
فنانون ذكور فرنسيون في القرن 20
فنانون ذكور فرنسيون في القرن 21
فنانون ذكور في القرن 20
فنانون ذكور في القرن 21
مواليد 1979
مواليد في باريس
وفيات 2010
وفيات في باريس

فنانون ذكور تونسيون في القرن 20
فنانون ذكور تونسيون في القرن 21

عمار بن بلقاسم


In the Dark Room er en dansk kortfilm fra 2016 instrueret af Anna María Helgadóttir.

Handling
B er træt af sit triste liv med mand og to børn i en kedelig lejlighed. Da hun fanger et glimt af hendes genbo på den anden side af gaden, sætter det gang i en fantasi om et mere eksotisk liv.

Medvirkende
 Ida Cæcilie Rasmussen, B
 Shanti Roney, Bror
 Ulrik Wivel, Ulf
 Amanda Collin, Olga
 Bjørn Grundtvig Bencard, Dag
 Mimi Ellen Bringø Bachmann, Nat

Referencer

Eksterne henvisninger

Kortfilm fra Danmark
Danske film fra 2016

In the Dark Room


مشط اليد أو العظم السنعي هو عبارة عن وصلة عظمية تصل رسغ اليد من جهة وسلاميات الأصابع من جهة أخرى والعظام السنعية خمسة، أو يُعرف على أنه مجموعة العظام التي تشكل راحة اليَد وعددها خمسة، تربط بين السلاميات والرسغ ،ولا تعتبر سلاميات الأصابع من مشط اليد.و عظام مشط اليد تقابل عظام مشط القدم.

التكوين

و تمثّل العظام السنعية شكل قوس عرضى حيث يتثبت الصف الجامد من العظام الرسغية البعيدة.العظام السنعية الطرفية (تلك التي من الإبهام والخنصر) يشكلان جانبى كأس من القناة الراحيّة الضيقة وو عندما يقتربان من بعضهما البعض فهذا يزيد من عمق هذه القناة.العظمة السنعية لإصبع السبابة هي الأكثر ثباتاً على الإطلاق.في حين أن الإبهام يتمفصل مع العظمة المربعية ويعمل بشكل مستقل عن البقية.العظام السنعية المتوسطة متحدة بقوة مع العظام الرسغية بواسطة عناصر عظمية متداخلة.أما العظمة السنعية الخاصة بالبنصر فتعتبر عنصراً انتقالياً للعظمة السنعية الأخيرة شِبه المستقلة.

وتتكون كل عظمة سنعية من جسم وطرفين (رأس وقاعدة)

جسم العظمة

جسم العظمة يكون موشورىّ الشكل ومنحنى بحيث يكون الطرف المحدب في الخلف في الوضع الطولى للعظمة. والناحية المقعرة في الأمام.ويمثل جسم العظمة ثلاثة أسطح (وسطى/ أفقى/ ظهرى).السطحان الإنسى والجانبى كلاهما مقعر حيث ترتبط العضلات بين العظام ويفصلها عن بعضهما سلسلة من البروزات الأمامية.السطح الخلفى في الثلثين البعيدين منه يمثل منطقة مثلثة سلسة مستوية مُغطّاة بأوتار العضلات الباسطة.هذا السطح يكون مُحاطاً بخطّين يكوّنان عقد أو حبيبات على طرفى أقصى الأصابع.يعبران نحو الأعلى، يتقاطعان ويتقابلان على مسافةٍ ما من مركز العظمة حيث يُشكّلان تلّة تمتد على الجزء المتبقى من السطح الخلفى وحتى النهاية القصوى الرسغية.وهذه التلال تفصل بين سطحين مائلين حيث تتصل العضلات بين العظام الخلفية.

 تتصل أربطة المفاصل السنعية-السلاميّة المرافقة بالدرنات الموجودة على النهايات القصوى للأصابع.

القاعدة

قاعدة العظام السنعية تكون مكعبة الشكل وأكثر عرضاً في الخلف عنها في الأمام.وتقوم بالتمفصل مع عظام الرسغ وكذلك مع العظام السنعية المجاورة.السطحان الظهري والأخمصى يكونان يتميزان بالخشونة حيث تتصل الأربطة.

الرأس

تتميز رؤوس العظام السنعية أنها تمثل سطحاً مستطيلاُ محدباً كثيراً من الأمام إلى الخلف.أقل تحدباً على المستوي المستعرض ومستوياً من جانبٍ لأخر.وتتمفصل مع السلامية القريبة.وتكون أكثر عرضاً وتمتد بعيدا إلى أعلى على الناحية الرسغية أكثر من الظهرية.كما أنها تكون أكثر طولاً على مستوى القطر الأمامى الخلفى أكثر من القُطر المُستعرض.على كل ناحية من رأس العظمة يوجد نتوء لاتّصال الأربطة المصاحبة على مستوى المفصل السلامى السنعى.السطح الظهري يكون متسعاً ومستوياً مُشكلاً بذلك دعماً لأوتار العضلات الباسطة.السطح الرسغى يكون مُخدداً في الخط المَنصّف حيث تعبر أوتار العضلات القابضة وعلى كل جانب توجد قمَّة مفصلية متصلة بالسطح المفصلى النهائي.

التمفصل

وبالإضافة إلى المفاصل السلامية، فإن عظام المشط تتمفصل بواسطة المفاصل الرسغية على النحو التالي:

1. الأول مع العظمة المربعيّة.

2.الثاني مع العظمة المربعية، العظمة شبه المنحرفة، العظمة رأسية الشكل والعظمة السنعية الثالثة.

3.الثالث مع العظمة الرأسية والعظمتين السنعيتين الثانية والرابعة.

4.الرابع مع العظمة الرأسية، العظمة الكُلابية والعظمتين السنعيتين الثالثة والخامسة.

5.الخامس مع العظمة الكُلابية والعظمة السنعية الرابعة.

الإدراج

العضلتان الكعبرية الطويلة والقصيرة الباسطتان للرسغ تدرجان في قاعدة العظمة السنعية الثانية وتساعدان بذلك في بسط المِعصم وثنيِهِ إلى الجهة الكعبرية.

العضلة الزندية الباسطة للرسغ تدرج في قاعدة العظمة السنعية الخامسة والتي تقوم بثنى وفرد المِعصم عندما تكون الأصابع مثنيّة.كما تساعد على ثنى المعصم إلى الناحية الزندية.

العضلة الطويلة المبعدة لإبهام اليد تدرج في العظمة المربعية وقاعدة العظمة السنعية الأولى.تقوم بإبعاد إبهام اليد في المستوى الأمامى وتقوم بفرد الإبهام على مستوى المفصل الرسغى السنعى.

العضلة المقابلة لإبهام اليد تدرج في العظمة السنعية الأولى وتقوم بثنيها لتقوم بتقريب الإبهام ناحية أطراف الأصابع.

العضلة المقابلة للخنصر تدرج في السطح الإنسى للعظمة السنعية الخامسة وتقوم بثنيها على مستوي المفصل الرسغى السنعى فين حين يقوم الخنصر بمقابلة طرف الإبهام وحينها يصبح باطن اليد أكثر عمقاً.

الأهمية الطبيّة

الشذوذ الخلقى
العظمتان السنعيتان الرابعة والخامسة تكونان قصيرتان أو جلفتان بشكلٍ عام في حالتين : القصور الكاذب في الغدة الدرقية والقصور الكاذب الكاذب فيها.

إذا كانت العظمة السنعية الرابعة جلفة والخامسة طبيعية تماماً فهذا يشير إلى متلازمة تِرنر.

العظام السنعية الجلفة (الرابعة شكلٍ خاص) فهذا يشكّل أحد أعراض مُتَلاَزِمَة سَرَطانَ الخَليَّة القاعديَّةِ الوَحْمانِيَّة.

الكسور

رقبة العظام السنعية (ما بين الرأس والجسم) تعتبر مكاناً شائعاً جداً للكسور في المُلاكِمين.

في الحيوانات الأخرى

في الحويوانات التي تدب على أربع تمثل العظام السنعية جزءاً من مقدمة القدم وتقل كثيراً في العدد بحيث تناسب عدد أصابع القدم في الحيوانات أصابعية المشى حافرية المشية.تتمتد العظام السنعية كثيرا وتكون أكثر قوة ممثلةً جزءاً إضافياً في الأطراف وهذا بدوره يساعد على تعزيز سرعة الحيوان.في كلٍ من الطيور والخفافيش تشكل العظام السنعية جزءاً من الجناح.

لفتة تاريخية

تعليل أصل التسمية

الطبيب اليونانى جالينوس أشارَ إلى العظام الرسغية بـ μετακάρπιον والتي تعنى في اللاتنينية السنع أو مشط اليد.,

مراجع

جهاز هيكلي
عظام طويلة
مقالات تتضمن نصوصا من الطبعة العشرين لكتاب تشريح جرايز (1918)
يد

مشط اليد


Gabriela Cichowska (* 1984 in Rzeszów) ist eine polnische Grafikerin und Illustratorin, unter anderem von Bilderbüchern. Seit ihrer Auszeichnung mit einer Lobenden Erwähnung auf der Kinderbuchmesse in Bologna für ihr Bilderbuch Fantje gilt als eine der wichtigsten Nachwuchsillustratoren Polens. Derzeit ist sie für das von ihr illustrierte Buch Fräulein Esthers letzte Vorstellung für den Deutschen Jugendliteraturpreis 2014 nominiert. Sie lebt und arbeitet in Łódź.

Leben und Werk
Gabriela Cichowska besuchte die Sekundarschule P. Michalowski in Rzeszów und studierte an der Akademie der Schönen Künste in Krakau an der Fakultät für Grafik, das sie 2011 erfolgreich abschloss. Cichowskas Werk wurde vielfach ausgezeichnet und wird in verschiedenen nationalen und internationalen Kulturinstitutionen und Privatkollektionen gesammelt und ausgestellt.

Cichowska hat bislang ein Buch illustriert - Fantje, von Autor und Verleger Adam Jaromir. In diesem Buch packt ein kleiner weißer Elefant sein Bündel und zieht in die Welt hinaus, ausgestattet mit fünf Nüsschen. Am Ende seiner Fahrt landet er in Meissen in einem Porzellanladen. Auch für Fantje erhielt Cichowska verschiedene Auszeichnungen. Ihr neues Bilderbuch, Fräulein Esthers letzte Vorstellung - Eine Geschichte aus dem Warschauer Ghetto (2013), wurde ebenfalls von Adam Jaromir verfasst. Die Entstehung des Buches konnte im Internet auf der Webseite von Adam Jaromir verfolgt werden. In Deutschland ist die Illustratorin bislang nur einem Fachpublikum bekannt, vor allem durch eine Ausstellung in der Internationalen Jugendbibliothek München 2009.

Obwohl Cichowska erst ein Bilderbuch illustriert hat, begeisterte sie die Fachwelt augenblicklich und gilt als wichtigste Nachwuchsillustratorin von Bilderbüchern in Polen. Fantje wurde international ausgezeichnet, unter anderem mit einer lobenden Erwähnung beim Bologna Ragazzi Award 2011. In der Jurybegründung heißt es, Fantje sei getragen "von einer meisterhaften Grafik, die aus dem Reichtum der Kulturen schöpft" und sei eine "gleichermaßen heitere wie ernsthafte Hommage an das Mysterium kindlicher Wahrnehmung in jenen Jahren, in denen alles winzig klein oder überlebensgroß ist".

Außerdem erhielt Fantje einen Weißen Raben der Internationalen Jugendbibliothek München 2010, eine lobende Erwähnung des polnischen Verlegerverbandes PTWK als eins der schönsten Bücher des Jahres 2011 und eine Nominierung zum Buch des Jahres 2011 vom IBBY Polen. Für die Zeitschrift "Eselsohr" vereint Fantje "pop-up-artige Formen, osteuropäische Erzähl- und Zeichenkunst und jene zauberhafte Spintisiererei, die man in vielen Bilderbüchern heute vermisst".

2012 war sie Jurymitglied der Auszeichnung Das außergewöhnliche Buch des Kinder- und Jugendprogramms des Internationalen Literaturfestivals Berlin.

Presseschau

Künstlerische Bedeutung

Fantje (2010)

Fräulein Esthers letzte Vorstellung - Eine Geschichte aus dem Warschauer Ghetto (2013)

Bibliografie

Auszeichnungen
 2007: Grand Prix bei der 1. Studentenbiennale Malych Form in Racibórz in Polen
 2007: Auszeichnung bei der Biennale in Barreiro in Portugal
 2007: 2. Preis beim 15. Nationalen Vincent van Gogh-Kunstwettbewerb in Rybnik in Polen
 2008: 2. Preis beim Nationalen Klimawettbewerb in Tarnów in Polen
 2008: 1. Preis beim 16. Nationalen Vincent van Gogh-Kunstwettbewerb in Rybnik in Polen
 2011: White Raven der Internationalen Jugendbibliothek München für Fantje
 2011: Lobende Erwähnung im Rahmen der Bologna Ragazzi Awards in der Kategorie Opera Prima am 7. April für Fantje
 2011: Nominierung zum Buch des Jahres 2011 für Fantje durch den IBBY Polen
 2013: Fräulein Esthers letzte Vorstellung - Eine Geschichte aus dem Warschauer Ghetto  erscheint auf der Deutschlandfunk-Bestenliste Die besten 7 - Bücher für junge Leser im September
 Eintragung in die Ehrenliste des Museums für Kinder- und Jugendliteratur in Warschau
 2014: Nominierung für den Deutschen Jugendliteraturpreis 2014 in der Kategorie Sachbuch für Fräulein Esthers letzte Vorstellung - Eine Geschichte aus dem Warschauer Ghetto
 2014: Gustav-Heinemann-Friedenspreis für Kinder- und Jugendbücher für Fräulein Esthers letzte Vorstellung als Illustratorin

Ausstellungen
 2005: Ausstellung in Lemberg in der Ukraine
 2005: Ausstellung in Łańcut in Polen im Rahmen des 44. Internationalen Musikfestivals
 2006: Ausstellung in Polichrono in Griechenland
 2006: Ausstellung in Ustroń in Polen
 2006: Ausstellung in Łańcut in Polen im Rahmen des 45. Internationalen Musikfestivals
 2006: Ausstellung im Ethnographischen Museum in Lemberg in der Ukraine
 2008: Ausstellung in Bytom in Polen
 2009: Ausstellung in Krakau im Januar im Rahmen der Ausstellung Artist Mirror Self-Portrait
 2009: Teilnahme als Künstlerin an der Ausstellung Und die Tiere kamen zu zweit - Józef Wilkoń und die aktuelle polnische Kinderbuchillustration in der Internationalen Jugendbibliothek München
 2010: Ausstellung SZTUKA! - Positionen aktueller polnischer Kunst in Pinneberg im Juni und Juli im Rahmen des KulturSommers in Schleswig-Holstein
 2010: Auszeichnung als eins der schönsten Bücher des Jahres für Fantje durch den Polnischen Verlegerverband PTWK
 2012: Präsentation von Fräulein Esthers letzte Vorstellung - Eine Geschichte aus dem Warschauer Ghetto im Rahmen der Ausstellung Ich bin klein, aber wichtig - Die Kinderrepublik des Janusz Korczak, dargestellt in Illustrationen und Bildern in der Wehrgang-Galerie der Internationalen Jugendbibliothek München vom 5. Juli bis 16. September

Festivalteilnahmen

 2012: Kinder- und Jugendprogramm des 12. internationalen literaturfestival berlin im September

Weblinks
 Website von Gabriela Cichowska
 Porträts über Gabriela Cichowska: internationales literaturfestival berlin - Gimpel-Verlag - Internationale Jugendbibliothek (PDF; 3,0 MB)
 Kritiken zu Fantje: White Ravens-Katalog - Hannoversche Allgemeine Zeitung (PDF; 868 kB) - Der rote Elefant (PDF; 81 kB) - Eselsohr - Librikon.de
 Fräulein Esthers letzte Vorstellung - Eine Geschichte aus dem Warschauer Ghetto: Website zur Entstehung des Buches - Buchtrailer

Einzelnachweise

Illustrator (Polen)
Pole
Geboren 1984
Frau

Gabriela Cichowska


Yığınot, Karabük ilinin Ovacık ilçesine bağlı bir köydür.

Tarihçe
Köy, 1521 yılından beri aynı adı taşımaktadır.

Coğrafya
Köy, Karabük il merkezine 58 km, Ovacık ilçe merkezine 10 km uzaklıktadır.

Nüfus

Kaynakça

Dış bağlantılar

Ovacık (Karabük) belde ve köyleri

Yığınot, Ovacık


Gregg Edmund Easterbrook (born March 3, 1953) is an American writer and a contributing editor of both The New Republic and The Atlantic Monthly.  He has authored ten books (six nonfiction, one of humor, and three literary novels), and writes for op-ed pages, magazines, and journals.

Early life and education
Gregg Easterbrook was born in Buffalo, New York, the son of George Easterbrook, a dentist, and Vimy Hoover Easterbrook, a teacher. Easterbrook attended Kenmore West High School in Tonawanda, New York.  He has a bachelor's degree in political science from Colorado College and a master's in journalism from Northwestern University.

Career
In 1979, Easterbrook became an editor of The Washington Monthly. In 1981, he joined The Atlantic as a staff writer, later becoming national correspondent; since 1988, he has been a contributing editor.

Easterbrook has been a political columnist for Reuters, a senior editor and then contributing editor to The New Republic, and a fellow in economic studies and then in governance studies at the Brookings Institution (that fellowship lasted for nine years up until 2011).  He has lectured at the Aspen Institute and Chautauqua Institution, and spoken at many colleges.

Easterbrook's journalistic style has been characterized as "hyper-logical" and he himself as "a thoughtful, deliberate, and precise journalist ... a polymath and a quick study." His areas of interest include environmental policy, global warming, space policy, social science research, Christian theology, and sports — especially professional football. In 2017, he was elected to the American Academy of Arts & Sciences.

Football column
Easterbrook writes the eclectic football column "Tuesday Morning Quarterback" (TMQ), originally published by Slate in 2000, and then on ESPN.com starting in 2002.  TMQ was published for two weeks on the independent website Football Outsiders, and then by NFL.com, moving back to ESPN.com prior to the 2006 season.  The column relocated to the New York Times in 2015, then to The Weekly Standard in 2017. The column went on hiatus for the 2019 season and resumed with the 2023 season, on Substack.

Fans of the TMQ column include journalist Chuck Todd who has described it as "the best and most compelling sports column anywhere". Detractors include Drew Magary (an editor at the website Deadspin) who said of one Easterbrook column that his thesis lacks "any basis in reality".

A Moment on the Earth
Easterbrook wrote the book A Moment on the Earth (1995), subtitled "the coming age of environmental optimism," which presaged Bjørn Lomborg's book The Skeptical Environmentalist, first published in Danish three years later; Easterbrook argued that many environmental indicators, with the notable exception of greenhouse gas production, are positive. He called the environmental movement "among the most welcome social developments of the twentieth century," but criticized environmentalists who promoted what he saw as overly pessimistic views that did not accept signs of improvement and progress.

A Moment on the Earth proved to be very controversial, especially among environmentalists. Easterbrook was accused of mischaracterizing data concerning environmental health, using faulty logic, and being overly optimistic. Other reviewers, like Michael Specter in The New York Times, had praise for the book's efforts to raise positive points in the debate over environmental policy.

Norman Borlaug, one of the most important figures in the Green Revolution, was the subject of an admiring Easterbrook article in 1997, and again in 2009 marking Borlaug's passing.  Both articles said that Borlaug had disproved the earlier dire predictions of Paul R. Ehrlich, author of the 1968 book The Population Bomb.  Ehrlich has severely criticized Easterbrook's 1995 book A Moment on the Earth.

Until 2006, Easterbrook was skeptical about whether global warming was a serious manmade problem, pointing out several times that even the National Academy of Sciences had expressed doubt about whether global warming was caused by humans.  He publicly modified his position in 2006 as a result of scientific developments.  Easterbrook wrote:

[T]he science has changed from ambiguous to near-unanimous. As an environmental commentator, I have a long record of opposing alarmism. But based on the data I'm now switching sides regarding global warming, from skeptic to convert. Once global-warming science was too uncertain to form the basis of policy decisions — and this was hardly just the contention of oil executives. ...  Clearly, the question called for more research.  That research is now in, and it shows a strong scientific consensus that an artificially warming world is a real phenomenon posing real danger. ...

He says that greenhouse gas emissions must be curbed in order to win the fight against climate change.  Easterbrook anticipates that climate change could benefit some regions, even while causing drastic problems elsewhere.

Other books
Easterbrook has written three novels: This Magic Moment (1986), The Here and Now (2002) and The Leading Indicators (2012).  This Magic Moment is a love story as well as a philosophical work about the meaning of life. The second novel (The Here and Now) was called "moving" by both the New York Times Book Review and the Los Angeles Times, and tells a "satisfying tale of disillusionment and redemption" in the opinion of the San Francisco Chronicle.  According to Kirkus Reviews, The Leading Indicators provides social commentary in the form of literary fiction, filtering "leveraged buyouts, derivatives marketing and multimillion-dollar CEO bonuses through the lens of one ... family."

Among his nonfiction books, Beside Still Waters (1998) is a work of Christian theology, discussing whether religion matters as much as it did before we gained so much knowledge about ourselves and the world.  The book Tuesday Morning Quarterback (2001) — not to be confused with his similar column of the same name — uses haiku and humor to analyze pro football.

Another of Easterbrook's books, focusing on social science, is The Progress Paradox: How Life Gets Better While People Feel Worse (2003), which explores people's perception of their own well-being. The book cites statistical data indicating that Americans are better off in terms of material goods and amount of free time but are not happier than before. Easterbrook argues that this has occurred due to choice anxiety (too many decisions to make) and abundance denial (not realizing how well we are doing).  His proposed remedy is to make our lives more meaningful by doing good while living well.

His book Sonic Boom: Globalization at Mach Speed (2009) asserts that globalization has only just begun and is a good thing to look forward to.  Another book, The King of Sports: Football's Impact on America (2013) says that American football in many ways reflects the cultural contradictions of the United States.

Other activities and areas of interest
Easterbrook was a longtime critic of the Space Shuttle program. After the Challenger disaster in 1986, his prescience made him a frequent commentator on space issues.  He has also been critical of the International Space Station, because of its expense and the feasibility of conducting the same experiments on Earth instead of in orbit.  Easterbrook has called a proposed crewed mission to Mars "ridiculously impractical", and has written that the rationale for a proposed permanent base on the Moon is closely tied to pork barrel politics.  He has supported other NASA projects such as using uncrewed space probes and protecting Earth from asteroids.

Easterbrook had a blog at The New Republic Online, until mid-2004. In October 2003, he wrote a blog post critical of what he considered to be the senseless violence in the Quentin Tarantino film Kill Bill, saying that, "Recent European history alone ought to cause Jewish [movie] executives to experience second thoughts about glorifying the killing of the helpless as a fun lifestyle choice."  This caused an uproar, and Easterbrook wrote that he "mangled" his own ideas by his choice of words, and apologized.  The New Republic accepted blame for the piece in a further apology, and denied that his comments were intentionally anti-Semitic. Disney, the parent of the film's distributor Miramax Films and ESPN, fired Easterbrook in October 2003.

Besides writing for many magazines, journals, and op-ed pages on a wide variety of subjects, and producing books of his own, Easterbook has also written various book chapters.  An example is a book chapter about the 9-11 terrorist attacks.

Personal
Easterbrook is married to Nan Kennelly, an American diplomat. He is the brother of Judge Frank H. Easterbrook and Neil Easterbrook, English professor at Texas Christian University. Gregg Easterbrook lives in Bethesda, Maryland.

List of his books
The Blue Age: How the US Navy Created Global Prosperity—And Why We're in Danger of Losing It (PublicAffairs, 2021).
It's Better Than It Looks: Reasons for Optimism in an Age of Fear (PublicAffairs, 2018).
The Game's Not Over: In Defense of Football (PublicAffairs, 2015).
The King of Sports: Football's Impact on America (St. Martin's, 2013). .
Leading Indicators (St. Martin's, 2012). .
Sonic Boom (Random House, 2009).
The Progress Paradox (Random House, 2003).
The Here and Now (St. Martin's, 2002).
Tuesday Morning Quarterback (Universe 2001).
Beside Still Waters (William Morrow. 1998).
A Moment on the Earth (Viking, 1995).
This Magic Moment (St. Martin's, 1986).

Awards and honors
Investigative Reporters and Editors Award, 1980 and 1982
Livingston Award, 1985
Honorary doctorate, Colorado College, 1992
Fiftieth Anniversary Distinguished Fellow, Fulbright Foundation, 1996
Fellow of the American Academy of Arts & Sciences, 2017

References

External links

 Gregg Easterbrook website
 Tuesday Morning Quarterback articles at The Weekly Standard

"Q&A With Brian Lamb", C-SPAN, October 10, 2013.
Articles in The Atlantic by Easterbrook, index
The Diane Rehm Show: interviews about The King of Sports (December 9, 2013) and about Sonic Boom (January 13, 2010)

1953 births
Living people
21st-century American non-fiction writers
American Presbyterians
American bloggers
American male bloggers
American male journalists
American non-fiction environmental writers
The Atlantic (magazine) people
ESPN.com
Fellows of the American Academy of Arts and Sciences
Medill School of Journalism alumni
Writers from Bethesda, Maryland
Sportswriters from Maryland
Sportswriters from New York (state)
Writers from Buffalo, New York
Brookings Institution people
Cornucopians

Gregg Easterbrook


HRT je organizirao Doru 2022. kako bi odabrao svog predstavnika na Eurosongu 2022. Na natjecanju je sudjelovalo 14 pjesama među kojima je jedna pjesma izašla kao pobjednik Dore i kao predstavnik Hrvatske na Eurosongu 2022 godine.

Popis natjecateljskih pjesama

Rezerve

Glasovi
Dana 2. veljače 2022. otkriven je sustav glasovanja za natječaj. Pobjednik Dore 2022. određen je glasovima deset regionalnih žirija i javnosti, od kojih svaki čini 50% rezultata. U slučaju izjednačenog rezultata, javno glasovanje imalo bi prednost. Žiriji su se sastojali od po tri člana (po jedan glazbeni djelatnik HRT-a, jedan član Hrvatskog društva skladatelja i jedan član Hrvatske glazbene unije), u predstavništvu sljedećih regija: Rijeka, Pula, Osijek, Čakovec i Varaždin, Split, Vukovar, Knin i Šibenik, Zadar, Dubrovnik, Zagreb.

Na probi haljina, održanoj 18. veljače, svaki član žirija rangirao je pjesme od 1. do 14. mjesta, pri čemu su tri rang-liste svakog žirija sažete u jednu. Prvih deset pjesama na svakoj ljestvici žirija tada je nagrađeno s 12, 10, 8, 7, 6, 5, 4, 3, 2 boda i 1 bodom.

Javnost je mogla glasovati telefonskim pozivom ili SMS-om, s najviše 10 glasova dopuštenih po biraču. Postotak glasova dobivenih svakim unosom primijenjen je na ukupno 580 bodova koji će se raspodijeliti u skladu s tim.

Detaljni broj poziva, poruka publike i rezultati glasovanja objavljeni su dva dana kasnije.

Žiri
Svaki ocjenjivački sud bio je sastavljen od tri člana: jednog radnika HRT-a (glazbeni urednik Hrvatskog radija (HR) ili novinar koji se bavi glazbom), jednog člana HDS-a i jednog člana HGU-a. Evo tko je to bio ove godine:

Zagreb
 Željko Barba, urednik Glazbenih sadržaja HR
 Emilija Kokić, pjevačica, HGU
 Nika Turković, pjevačica i skladateljica HDS

Split
 Želimir Škarpona, glazbeni urednik HR Radio Split
 Leo Škaro, aranžer HGU
 Luka Mrduljaš, skladatelj i glazbenik, HDS

Rijeka
 Albert Petrović, novinar-voditelj HR Radio Rijeka
 Ivan Pešut, glazbenik, autor i producent, HGU
 Ivan Popeskić, skladatelj, HDS

Pula
 Serđo Valić, glazbeni urednik HR Radio Pula
 Gabrijela Galant Jelenić, pjevačica, HGU
 Marko Matijević Sekul, skladatelj, tekstopisac, producent HDS

Osijek
 Marina Ban, glazbena urednica – voditeljica na HR Radio Osijeku
 Goran Bošković, pjevač, autor glazbe i tekstova grupe Fluentes, HGU
 Mario Vestić, skladatelj i tekstopisac, HDS

Čakovec i Varaždin
 Danijela Bratić-Herceg, novinarka HRT centra Čakovec
 Bojan Jambrošić, pjevač HGU
 Aleksandar Sandi Cenov, pjevač i skladatelj HDS

Dubrovnik
 Milivoj Kravarović, glazbeni urednik HR Radio Dubrovnik
 Maja Grgić, pjevačica i skladateljica, HGU
 Damir Butigan, skladatelj i aranžer, HDS

Zadar
 Toni Dunatov, šef Glazbene redakcije HR Radio Zadra
 Jure Brkljača, pjevač, HGU
 Vjekoslav Šuljić, skladatelj, aranžer i klapski pjevač, HDS

Knin i Šibenik
 Nenad Tisaj, glazbeni urednik (vanjski suradnik) HR Radio Knin
 Ivana Lovrić, pjevačica grupe Colonia, HGU
 Branimir Bubica, skladatelj, tekstopisac, pjevač i producent, HDS

Vukovar
 Zvominir Mandić, glazbeni urednik na HR Radio Osijek
 Dominik Blaževac, pjevač, HGU
 Goran Dragaš, skladatelj filmske glazbe, HDS

Izvori

 2022

Dora 2022.


M10 3 inç KMO, Amerika Birleşik Devletleri Ordusu tarafından II. Dünya Savaşı sırasında tank imha edici olarak kullanılan araçtır.

Üretim
T35 M10 tankının prototipi olarak üretilmişti. T35 tankının tareti daha eğimli, dairesel ve üstü açıktı. Bu taret daha önceleri Orta Sınıf M4A2 tankı şasesi üzerinde kullanılarak T1/M6 ağır tankı üretilmişti. Bu model Ruslar'a ait T-34 tankının başarıları da göz önüne alınarak tasarlanmıştır.

T35 modeli daha da geliştirilerek,M4A2 kasası üzerine daha eğimli bir kule(dairesel kule yerine beşgen kule) kullanılarak 3 in Gun Motor Carriage T35E1 modeline dönüştürüldü. Haziran 1942 tarihinde 3in GMC T35E1 daha iyi bir zırhla kaplanarak 3 in Gun Motor Carriage M10 modeline ulaşıldı.

Tanımı
ABD ordusunun amacı tankları muharebe alanında piyade birliklerinin desteklenmesi amacıyla kullanmak, düşman tankları ile karşılaşılan bir durumda ise bunları tank imha ediciler ile düşman tanklarını safdışı etmekti.3in GMC M10lar orta sınıf M4A2 şasesi üzerine konulmuş üstü açık taretli ve 76.2 mm M7 topu taşıyordu. Bu top AP M79 Zırh Delici , APC M62 Balistic Mermi, HVAP M93 Mermi ve APHE(Yüksek Patlayıcılı Zırh Delici) mühimmatı kullanıyordu. Taret kısmının arka tarafının çok farklı görünmesinin sebebi bu mühimmatları burada taşımasıydı.

Ayrıca taretin arka kısmına 300 mermi kapasiteli .50 mm Browning marka ağır makinalı tüfek yerleştirilmişti.

Görevleri
M10 II. Dünya Savaşı sırasında Amerikan ordusunun en önemli tank imha edicisi olmuştur. Kuzey Afrika muharebelerinde, M10'nun 76.2 mm M7 topu birçok Alman tankını uzak mesafelerden etkisiz hale getirmiştir. M10'nun kasasının ağır olması sebebiyle 1944 yılının başlarında ondan daha hafif ve hızlı 76 mm GMC M18 Hellcat modeli  üretildi. Normandiya Çıkarması sırasında M10'nun ateş gücünün Alman Panther tankına karşı etkisiz kalmasından sonra ordu 1944 sonbaharından itibaren 90 mm GMC M36 Jackson ile bu tankı değiştirmek zorunda kalmıştır. Pasifik Cephesi'nde ise taretlerinin üstlerinin açık olması büyük sorun teşkil etmiştir. Bunun en önemli sebebi Japonların tank savaşları yerine çok yakın piyade saldırıları olmuştur. Taretin üstünün açık olması içindeki mürettebatı korumasız bırakıyordu.

Tahminen 54 adet M10 kayıt dışı olarak Rus Kızıl Ordu'suna verilmiştir. Özgür Fransız Ordusu'na verilen M10'ların en başarılı olduğu çatışma ise Paris yakınlarındaki Place de la Concorde yakınlarında bir Alman Panther tankını yok etmeleridir.

M10'ların tepesinin açık olması en önemli sorundu. Bu sebepten havan saldırısına, şehir içinde ve ormanlık alanlarda ise taretin içine atılacak bir el bombası ile mürettebatını kaybetmeye müsaitti. Savaşın sonlarına doğru zırhı yeni nesil Alman tanklarına, antitank silahlarına ve toplarına karşı etkisiz kaldı. M10'nun en kötü yanlarından biri de taretinin 360 derecelik bir dönüşü 2 dakikada yapmasıydı. Tareti motorlu bir düzenek değil elle çevrilen bir düzenek döndürüyordu.

Modelleri

 3 in Gun Motor Carriage T35 (Prototip) - İlk model Orta Sınıf M4A2tankı şaseli.
 3 in Gun Motor Carriage T35E1 / 3in GMC M10 (3in SP, Wolverine) - dizel motorlu  (~5000)
 3 in GMC M10A1 - Ford GAA benzin motorlu (~1700)
 17pdr SP. Achilles - 3in GMC M10 üzerine Ordnance QF 17 pounder Mark V topu kullanılmıştır.
 Dizel motorlu ile M10  17pdr SP. Achilles IC,
 Benzin motorlu ile M10A1  17pdr SP. Achilles IIC
 Full-Track Prime Mover M35 - Taretsiz M10A1 ağır silah çekmek için kulanılıyordu.

Ayrıca bakınız
II. Dünya Savaşı Zırhlı Araç Listesi

Kaynakça

Dış bağlantılar
  M-10 Factory Inspection Manual (ingilizce)
 OnWar (ingilizce)
 WWII Vehicles (ingilizce)

Amerika Birleşik Devletleri tank imha edicileri

M10 Wolverine


Sulfanilamida este un antibiotic din clasa sulfamidelor care a fost mult utilizat în trecut în tratamentul unor infecții bacteriene. Din punct de vedere chimic este o anilină care conține o grupă funcțională sulfonamidă. Sulfanilamida pulbere era utilizată de către aliați în timpul celui de-al Doilea Război Mondial pentru a reduce frecvența infectărilor și pentru a reduce rata mortalității cauzate de acestea. În prezent are utilizări restrânse, fiind câteodată utilizată în tratamentul candidozelor vaginale.

Note

Bibliografie
 Costin D. Nenițescu, Chimie Organică, vol. II, ediția a VIII-a, Editura Didactică și Pedagogică, 1980

Vezi și
 Prontosil
 Sulfafurazol
 Sulfafurazol
 Sulfametoxazol

Sulfamide
Aniline

Sulfanilamidă


Shanghai International Circuit er et motorsportsanlæg beliggende i Jiading-distriktet, 25 kilometer nordvest for centrum af Shanghai, Kina. Siden åbningen i 2004, er det kinesiske grand prix i Formel 1-serien blevet kørt her.

Historie
Efter at et statskontrolleret selskab havde bevilget 450 millioner US dollar, blev første spadestik til banen taget i april 2003. I løbet af 18 måneder blev der arbejdet i døgndrift, og over 3000 personer forvandlede et sumpområde til en moderne racerbane. Den tyske banearkitekt Hermann Tilke lavede banens design.

Shanghai International Circuit blev officielt indviet 26. september 2004, da det første Formel 1-løb blev kørt i Shanghai, med Rubens Barrichello som en senere vinder.

I 2011 indgik banens ejere og Formel 1-chefen Bernie Ecclestone en ny aftale, der indebar at der fortsat skulle køres et årligt F1 Grand Prix til og med 2017.

Vindere af Formel 1 i Shanghai

Referencer

Eksterne henvisninger

 Shanghai International Circuits officielle hjemmeside

Formel 1-baner
Motorsportsanlæg i Kina
Etableret i 2004
International Circuit

Shanghai International Circuit


An Nervilia ballii in uska species han Liliopsida nga ginhulagway ni Graham Williamson. An Nervilia ballii in nahilalakip ha genus nga Nervilia, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Nervilia

Nervilia ballii


In a historical context, a rake (short for rakehell, analogous to "hellraiser") was a man who was habituated to immoral conduct, particularly womanizing. Often, a rake was also prodigal, wasting his (usually inherited) fortune on gambling, wine, women, and song, and incurring lavish debts in the process. Cad is a closely related term. Comparable terms are "libertine" and "debauchee".

The Restoration rake was a carefree, witty, sexually irresistible aristocrat whose heyday was during the English Restoration period (1660–1688) at the court of King Charles II. They were typified by the "Merry Gang" of courtiers, who included as prominent members John Wilmot, George Villiers, and Charles Sackville, who combined riotous living with intellectual pursuits and patronage of the arts. At this time the rake featured as a stock character in Restoration comedy.

After the reign of Charles II, and especially after the Glorious Revolution of 1688, the cultural perception of the rake took a dive into squalor. The rake became the butt of moralistic tales, in which his typical fate was debtors' prison, venereal disease, or, in the case of William Hogarth's A Rake's Progress, insanity in Bedlam.

In history

The defining period of the rake was at the court of Charles II in the late seventeenth century. Dubbed the "Merry Gang" by poet Andrew Marvell, their members included King Charles himself, George Villiers, John Wilmot, Charles Sedley, Charles Sackville, and playwrights William Wycherley and George Etherege. Following the tone set by the monarch himself, these men distinguished themselves in drinking, womanizing, and witty conversation, with Wilmot, the Earl of Rochester, outdoing all the rest. Many of them were inveterate gamblers and brawlers. Some were also duelists, but not with the approval of King Charles, who discouraged the practice of dueling. Highlights of their careers include Sedley and Sackville preaching naked to a crowd from an alehouse balcony in Covent Garden, as they simulated sex with each other, and the lowlight was Buckingham's killing of Francis Talbot in a duel for the latter's wife. In 1682 Thomas Wharton broke into a church at night and relieved himself against the communion table and in the pulpit.

A later group of aristocratic rakes were associated with the Hellfire Club in the eighteenth century. These included Francis Dashwood and John Wilkes.

Other rakes include Francis Charteris, Alessandro Cagliostro, Lord Byron, Jimi Arundell, John Mytton, Giacomo Casanova, Charles Mohun, the Marquis de Sade, Robert Fielding, and Beauchamp Bagenal.

In restoration comedy

On the whole, rakes may be subdivided into the penitent and persistent ones, the first being reformed by the heroine, the latter pursuing their immoral conduct. Libertinistic attitudes, such as (sexual) licentiousness, alcoholism, vagrancy, cheating and gambling, can be discerned in characters belonging to the satiric norm as well as to the satiric scene. However, only the degree of wit brings the rakish gentleman, the Truewit, closer to the satiric norm, whereas Falsewits are always exploded in the satiric scene. The motivation of a rake to change his libertine ways is either hypocritical (falsewits) or honest (truewits). In other words, penitent rakes among the falsewits only abandon their way of life for financial reasons, while penitent truewits ever so often succumb to the charms of the witty heroine and, at least, go through the motions of vowing constancy.

Another typology distinguishes between the "polite rake" and the "debauch", using criteria of social class and style. In this case, the young, witty, and well-bred male character, who dominates the drawing rooms, is in sharp contrast to a contemptible debauch, who indulges in fornication, alcoholism, and hypocrisy.

Still other assessments of the libertine concentrate on the kind and intensity of libertine demeanor. Here, the rake falls into any one of three categories: extravagant libertine, vicious libertine, and philosophical libertine.

The extravagant rake is characterized by anti-normative conduct throughout, even though he finally settles down in matrimony. Between 1663 and 1668, examples are Wellbred in James Howard's The English Mounsieur (1663/64), Philidor in James Howard's All Mistaken (1665/1672), and Celadon in Dryden's Secret Love (1667). In the 1690s, Sir Harry Wildair in George Farquhar's The Constant Couple (1699) represents this kind of gentlemanly rake. The extravagant rake is as promiscuous and impulsive as he is wild and frivolous, and he finally finds his match in an equally extravagant and witty heroine. He is, above all, a self-aware character who "is what he wants to be", who delights in those qualities "with which he is endowed", and who provides "carnival release". Thus, the extravagant rake is a comic figure because his actions are exaggerated. But he is never a comic fool.

The vicious rake is invariably presented as a despicable, if wealthy person, who thrives on scheming and intrigue. He is frequently married and abuses his wife (examples are Pinchwife in The Country Wife or Sir John Brute in John Vanbrugh's The Provok'd Wife).

Finally, the philosophical rake, the most attractive libertine figure, is characterized by self-control and refined behavior as well as by a capacity for manipulating others. His pronounced libertine leanings are not supposed to contribute anything to the comic development of the plot. Rather, his libertinism is serious, thus reflecting the philosophical principles of the pleasure-seeking, cynical Court Wits. It is this kind of libertinism that has secured the notoriety of, say, William Wycherley's The Country Wife, George Etherege's The Man of Mode, and Sir Charles Sedley's Bellamira: or, The Mistress. Not only characters like Horner and Dorimant spring to mind but also Rodophil and Palamede in Dryden's Marriage-a-la-Mode, Longvil and Bruce in Thomas Shadwell's The Virtuoso and the eponymous heroine in Sedley's Bellamira. These plays are not representative of the average Restoration comedy, however. The reform of the ordinary rakish gentleman is the common pattern for the ending of the play. Similarly, extravagant rakes enter into marriage. However, as soon as the persistence of the rakes remains almost unquestioned, it is difficult to decide whether libertines, no matter of what "colour", play a major part in their authors' satiric strategies. Although Etherege's Dorimant is "tamed" by Harriet, his conversion at the end is rather doubtful. Similarly, Wycherley's Horner is not punished satirically.

The libertine philosophy that the scintillating persistent rakes display seems to rebel against the narrow-mindedness and hypocrisy lurking behind the facade of Puritan honesty and bourgeois moral standards. It has been pointed out that the views of the philosophical libertine were strongly influenced by the philosophy of Thomas Hobbes. But then, Hobbes was not necessarily an unquestioned ideal among the court élite, and Hobbesian ideas certainly did not permeate many comedies. John Dryden, for one, drew on Hobbesian ideas in his tragedies but these ideas are internalised by villains only.

In his pursuit of pleasure and sensual satisfaction, the philosophical libertine shows hedonistic, Epicurean, and anti-rationalist patterns of thought. In their ideal of life, the libertines of this order may almost be compared to the genius of a somewhat later time: like the genius, the libertine rake is anti-authoritarian, anti-normative, and anti-traditional.

It is, above all, the emotional distance from the objects of his desire as well as from the havoc he creates, which renders the persistent rake so frightening. Criticism of the libertine was heard not only in the 1670s when sex comedies were en vogue but also earlier, whenever the male partner of the gay couple was blamed for having indulged in immoral behaviour. One major counter-argument was the call for poetic justice. Shadwell and Dryden, for example, discussed the necessity of poetic justice to punish dissoluteness in their plays. To reintroduce moral standards, the rake, they demanded, had to be reformed towards the end of the play. If a persistent rake was allowed to propagate his philosophical libertinism, "poetische Ungerechtigkeit" ("poetic injustice") was likely to threaten the norm. Shadwell's Epsom Wells may be regarded as a chief instigator of an excessive libertinism which is not questioned. The play, significantly, ends with a divorce rather than the standard device of a marriage.

However, the number of persistent rakes continued to grow, together with an upsurge in cuckolding action, and, between 1672 and 1687, not all persistent rakes are punished satirically. Only towards the end of the century did the increasing criticism of dramatic immorality and obscenity make the authors return to more traditional moral standards. In 1688, Shadwell's Squire of Alsatia initiated the return to a Horatian prodesse in comedy, which had already been put forth in the Preface to The Humorist (1671): "My design was it, to reprehend some of the Vices and Follies of the Age, which I take to be the most proper, and most useful way of writing Comedy" (The Complete Works of Thomas Shadwell, ed. Montague Summers, Vol. I, p. 183).

As a consequence, future emphasis was no longer on libertine adventures but on the conversion and domestication of the dashing young men. Thomas d'Urfey's Love for Money (1691) and Colley Cibber's Love's Last Shift (1696) are moralizing plays and pave the way for the sentimental comedy of the early eighteenth century.

See also

 Bad boy archetype
 Lovable rogue
 Don Giovanni, opera in two acts with music by Wolfgang Amadeus Mozart
 Fop
 Lad culture
 Nice guy
 Promiscuity
 Shamela, a novel that was a satire of Pamela
 Rake (Australian TV series)
 Rake (American TV series)

References

Further reading
E. Beresford Chancellor (1925) The Lives of the Rakes (6 vols). Philip Allen.
Fergus Linnane (2006) The Lives of the English Rakes. London, Portrait.
D. Squibb (2011) The Art of Being a Rake in 21st Century Britain

External links

Restoration comedy
Stock characters

Rake (stock character)


Hugo Becker (Metz, Francia, 13 de mayo de 1987) es un actor francés de películas y televisión. Es conocido por su papel en la serie de televisión Gossip Girl como el príncipe Louis Grimaldi.

Historia
Luego de graduarse en la Escuela de teatro, Conservatorio de Lille, Cours Florent, Real Academia de Arte Dramático, tanto en francés como en inglés, Hugo fue galardonado con talentosos jóvenes en 2010 en el festival de Cine de Cannes.
Durante ese mismo año, hizo su debut en la pantalla francesa como un joven político en "El asalto" (L'assaut), dirigido por Julien Leclerq. Un autoestopista borracho en la prensa en "El crucero" (Le croisiére) dirigido por Pascale Pouzadoux.
También pudimos verlo en dos programas de televisión policial, en la que interpretó a jóvenes delincuentes.
Becker hizo su debut en la televisión estadounidense en la reconocida serie Gossip Girl, interpretando el papel de Louis Grimaldi, un Príncipe de Mónaco, el interés amoroso de Blair Waldorf. Su primera aparición fue en los primeros capítulos de la cuarta temporada donde Blair estaba en París junto a Serena.
En el 2011 Becker regresa a la serie en cinco episodios adicionales de la misma temporada y retoma su papel mediante el episodio número 10 de la quinta temporada.
Hugo aparece en un papel protagonista junto a Greta Gerwing y Adam Brody en "Damiselas en peligro", dirigida por Whit Stillman, que cerro en el 68.º Festival de cine de Venecia y fue seleccionado para el Festival de Cine de Toronto

Filmografía

Películas

Televisión

Enlaces externos

Actores de televisión de Francia
Actores de cine de Francia
Alumnado de la Real Academia de Arte Dramático
Nacidos en Metz

Hugo Becker


1. til 11. etape af Giro d'Italia 2017 finder sted mellem 5. og 17. maj. Løbet vil starte i Alghero på Sardinien.

1. etape
5. maj – Alghero til Olbia (206 km)

2. etape
6. maj – Olbia til Tortolì (221 km)

3. etape
7. maj – Tortolì til Cagliari (148 km)

4. etape
9. maj – Cefalù til Etna (Rifugio Sapienza) (181 km)

5. etape
10. maj – Pedara til Messina (159 km)

6. etape
11. maj – Reggio di Calabria til Terme Luigiane (217 km)

7. etape
12. maj – Castrovillari til Alberobello (224 km)

8. etape
13. maj – Molfetta til Peschici (189 km)

9. etape
14. maj – Montenero di Bisaccia til Blockhaus (152 km)

10. etape
16. maj – Foligno til Montefalco (39,8 km) (enkelstart)

11. etape
17. maj – Firenze (Ponte a Ema) til Bagno di Romagna (161 km)

Henvisninger

Giro d'Italia

1. til 11. etape af Giro d'Italia 2017


The Majestic ist ein exklusives, traditionsreiches Apartmenthaus in New York City in der Upper West Side, welches zwischen der 71st Street und der 72nd Street, sowie dem Central Park West liegt. Ein Nachbargebäude ist das Dakota. Es ist neben dem San Remo, dem Century und dem Eldorado eines von vier in den 1930er Jahren gebauten Häusern mit Zwillingstürmen am Central Park West.

Hintergrund
Das Majestic wurde einst dort gebaut, wo zuvor das Majestic Hotel stand, welches von Alfred Zucker 1894 entworfen wurde und Heim des Komponisten Gustav Mahler, der Schriftstellerin Edna Ferber und vielen weiteren war. Das Gebäude wurde ursprünglich als 45-stöckiges Hotel geplant. Allerdings wurde dies während der Weltwirtschaftskrise und nach dem Verabschieden des Multiple Dwelling Act zugunsten eines Appartementhauses aufgegeben.

Bewohner
 Schauspieler Milton Berle
 Schauspieler Zero Mostel
 Modesdesigner Marc Jacobs lebte mit seiner Großmutter bis Mitte der 1980er Jahre dort
 Talkshow-Moderator Conan O'Brien verkaufte Mitte 2010 seine Wohnung
 Mehrere bekannte Mitglieder der Genovese-Familie, darunter Lucky Luciano, Frank Costello und Meyer Lansky
 Mobster Louis Buchalter, Führungsmitglied der Murder, Inc., lebte 1933 in Apartment 17J

Im Jahr 1957 verübte der Mobster Vincent Gigante auf Frank Castello in der Lobby des Majestic einen Mordanschlag, welcher allerdings misslang.

Literatur
 Jorg Brockmann, Bill Harris: One Thousand New York Buildings. New York: Black Dog & Leventhal, 2002, ISBN 978-1-57912-237-9

Weblinks

Einzelnachweise

Erbaut in den 1930er Jahren
Bauwerk des Art déco in den Vereinigten Staaten
Wohnhochhaus in Manhattan
Hochhaus in Nordamerika
Bauwerk der Moderne in New York City

The Majestic (Gebäude)


عين غرابة إحدى بلديات دائرة المنصورة بولاية تلمسان الجزائرية.

السكان
يتوزع سكان البلدية بين عاصمة البلدية مدينة عين غرابة ومجموعة من القرى :
 1-قرية المطمر محل البلدية ( غرابة ).
 2-قرية بوحسون .
 3-قرية الولجة .
 4-قرية حفير (دار الزرع).
 5-قرية القنطرة (تيرملي).
 6-قرية تيغزة.
 7-قرية تل تيرني.
 9-قرية أولاد بونوار.
 10-قرية غار بو معزة.
 11-قرية دار معمر .
 12-قرية السهب
 13-قرية بوفايلة .

التاريخ

الجغرافيا

النشاطات الاقتصادية

مصادر

عين غرابة

عين غرابة


NGC 5767 est une galaxie spirale barrée située dans la constellation du Bouvier. Sa vitesse par rapport au fond diffus cosmologique est de , ce qui correspond à une distance de Hubble de . NGC 5767 a été découverte par l'astronome américain Lewis Swift en 1885.

La classe de luminosité de NGC 5767 est I-II. Selon la base de données Simbad, NGC 5767 est une galaxie LINER, c'est-à-dire une galaxie dont le noyau présente un spectre d'émission caractérisé par de larges raies d'atomes faiblement ionisés.

Notes et références

Notes

Références

Voir aussi

Articles connexes
 Liste des objets du New General Catalogue

Liens externes

 NGC 5767 sur le site du professeur C. Seligman

5767
Constellation du Bouvier
Galaxie spirale
Galaxie spirale barrée
Galaxie LINER
Objet céleste découvert en 1885
Objet céleste découvert par Lewis Swift

NGC 5767


Francisco Torres, en latin Turrianus est un jésuite espagnol et philologue.

Biographie
Francisco Torres naquit vers 1509, à Herrera de Pisuerga, diocèse de Valence, en Espagne. Bartolomé Torres, son oncle, évêque des Canaries, prit soin de son éducation. Il étudia le grec, l'hébreu, la théologie et les antiquités ecclésiastiques. Étant allé à Rome, il s'attacha d'abord aux cardinaux Jean Salviati et Jérôme Seripandi. Le pape Pie IV, dont il gagna la confiance, l'envoya au concile de Trente, en 1562. Lorsqu'il fut question de permettre la communion sous les deux espèces, Francisco Torres s'y opposa fortement. À son retour, il entra dans la compagnie de Jésus et en prit l'habit le jour de Noël 1566. Il voyagea ensuite en Allemagne, revint à Rome et y mourut le 21 novembre 1584. Il avait fouillé dans les bibliothèques les plus célèbres d'Espagne et d'Italie, pour consulter les anciens manuscrits. On l'accusa souvent d'en avoir cité d'imaginaires : mais ce reproche était injuste, car après sa mort, de savants bibliographes, entre autres Colomiès, ont reconnu l'existence de ces manuscrits prétendus supposés. Au reste, Francisco Torres n'était pas un habile critique : il soutenait l'authenticité des fausses décrétales, assertion qui a été facilement réfutée par David Blondel.

Œuvres
Francisco Torres traduisit plusieurs Pères grecs en latin, et composa un grand nombre d'ouvrages également en latin, entre autres :

 ln monachos apostatas, Rome, 1549, in-4°. C'est le premier ouvrage de Francisco Torres, qui depuis l'augmenta beaucoup et le fit reparaître sous ce titre : De votis monasticis liber I ; De inviolabili religione votorum monasticorum liber II, Rome, 1561 et 1566, in-4° ;
 De residentia pastorum, Florence, 1551, in-8°. L'auteur enseigne que la résidence des évêques dans leurs diocèses est de droit divin ; mais au concile de Trente il abandonna cette opinion.
 De summi pontificis supra concilium auctoritate, ibid., 1551 et 1559, in-4° ;
 Pro canonibus apostolorum, et pro epistolis decretalibus pontificum apostolicorum defensio adversus Centuriatores Magdeburgenses, ibid., 1572 ; Paris, 1573 ; Cologne, 1575, in-8°. C'est cet ouvrage qui a été réfuté par Blondel.

Il écrivit aussi deux Traités de l'Eucharistie contre Andreas Volanus, disciple polonaise de Calvin, Paris, 1577.

Bibliographie
 .

Voir aussi

Bibliographie

Articles connexes
 Juan Luis de la Cerda

Liens externes

Naissance en 1509
Décès en novembre 1584
Décès à Rome
Philologue espagnol
Jésuite espagnol
Décès à 75 ans

Francisco Torres


An Festuca inguschetica in uska species han Liliopsida nga ginhulagway ni Evgenii Borisovich Alexeev. An Festuca inguschetica in nahilalakip ha genus nga Festuca, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Festuca

Festuca inguschetica


Sir George Prevost, 1st Baronet (19 May 1767 – 5 January 1816) was a British Army officer and colonial administrator who is most well known as the "Defender of Canada" during the War of 1812. Born in New Jersey, the eldest son of Genevan Augustine Prévost, he joined the British Army as a youth and became a captain in 1784. Prevost served in the West Indies during the French Revolutionary Wars and the Napoleonic Wars, and was commander of St. Vincent from 1794 to 1796. He became Lieutenant-Governor of Saint Lucia from 1798 to 1802 and Governor of Dominica from 1802 to 1805. He is best known to history for serving as both the civilian Governor General and the military Commander in Chief in British North America (now part of Canada) during the War of 1812 between Britain and the United States.

Early life
George Prevost was born on 19 May 1767, in New Barbadoes Township (now Hackensack), New Jersey. His father was Augustin Prévost, a French-speaking Protestant from the Republic of Geneva, and a lieutenant-colonel in the British Army. His mother was Anne Francoise Marguerite "Nanette" Grand. George Prevost was educated at schools in England and in the North American continent.

Early military career

1779–1790
On 3 May 1779, Prevost was commissioned at the age of eleven, as an ensign in the 60th Regiment of Foot, in which his father was a senior officer. In 1782, he transferred to the 47th Regiment of Foot, as a lieutenant, followed in 1784 by a move to the 25th Regiment of Foot as a captain. He then returned to the 60th Foot on 18 November 1790 with the rank of major, at the age of 23. Prevost's maternal grandfather was a wealthy banker in Amsterdam, and his money is considered to have certainly been responsible for his grandson's quick advancement up the chain of command in the British Army, as promotion could then be obtained "by purchase".

1791–mid-1802
While serving in the 60th, Prevost was promoted to lieutenant-colonel on 6 August 1794. He was stationed in St Vincent from 1794–1795. During fighting on 20 January 1796, he was wounded twice, and he returned to England shortly after, where he was appointed to become an inspecting field officer. On 1 January 1798, Prevost became a colonel, and on 8 March he became a brigadier-general, at the age of 30. In May he was appointed to be the lieutenant governor of St Lucia, where his fluency in French and conciliatory administration won him the respect of the French planters living there. In 1802, he returned to Britain as a result of ill health.

Late 1802–1806
On 27 September 1802, soon after fighting against France resumed, Prevost was chosen to be the Governor of Dominica. In 1803, the French attempted to seize the island, and Prevost fought against them. He would also fight against the French in an effort to reclaim St Lucia. On 1 January 1805, at the age of 37, Prevost was promoted to major-general, and soon after he was granted leave to return to England, where he became Lieutenant-Governor of Portsmouth and General Officer Commanding South-West District in December 1805, and where he was appointed to be a baronet. In 1806, Prevost became a colonel commandant of his regiment.

Service as Lieutenant Governor of Nova Scotia

On 15 January 1808, Prevost was appointed to become the Lieutenant Governor of Nova Scotia, and he was also promoted to lieutenant-general, although this was a rank that he held only in Nova Scotia. He was tasked with improving the military defences of the Atlantic colonies. He arrived at Halifax on 7 April 1808 and by the end of April he had taken steps to increase opposition in New England to the American government's hostile attitude towards Britain. The President of the United States of America in 1808, Thomas Jefferson, had placed an embargo on American trading with Britain. From 1808, to the beginning of the War of 1812, Prevost tried to encourage New England to trade with Britain by setting up "free ports" in Nova Scotia and New Brunswick, where American goods could be landed without a need to pay customs duties. This led to a substantial increase in Nova Scotia's trade not only with New England, but also with the West Indies. Prevost could do little to improve the sub-standard fortifications in Nova Scotia, but was able to secure the approval of the legislature in Nova Scotia to amend a militia law, which led to Prevost's ability to mobilize a small, effective militia force to work with the regular garrison during an emergency.

The amendment of the law is considered to be a good achievement by Prevost, because his predecessor as lieutenant governor, John Wentworth, had been responsible for relations between the executive and legislative bodies of Nova Scotia weakening. Wentworth had tried to increase his own executive power at the expense of the legislative House of Assembly. When Prevost arrived, the House of Assembly, led by William Cottnam Tonge, was struggling to control government expenditures. In an effort to appease Tonge, Prevost appointed him to be his second-in-command during an expedition against Martinique.

Invasion of Martinique (1809)

They departed from Halifax on 6 December 1808. Unfortunately, Tonge's departure did not lead to a peaceful relationship between the House of Assembly and the executive body as Prevost's replacement during his absence, Alexander Croke, fought with the Assembly over a supply bill. Eventually, Croke rejected the bill on the basis that it did not fit in with royal prerogatives, and then could not reach an agreement with the Legislative Council over how to settle the dispute between himself and the Assembly.

Martinique was captured, and Prevost returned to Halifax on 15 April 1809. Tonge did not return, as he decided to stay in the West Indies. Prevost opposed Croke's actions, restored "good understanding" with the Legislative Council, and then calmed the Assembly by deciding not to follow the constitution of Nova Scotia down to the letter. On 10 June 1808, the House of Assembly passed the supply bill, and also voted to use 200 guineas to purchase a sword for Prevost as a sign of their approval for Prevost's conduct during the expedition against Martinique. Prevost believed he had successfully maintained the crown's prerogative. In 1809, using his good relationship with the Assembly, he was able to secure a tax on distilled liquors, with the proceeds of which he could pay the cost of equipment for the provincial militia. For the rest of his term as lieutenant governor of Nova Scotia, Prevost ensured he did not make an executive act that the Assembly would oppose to a great degree.

Prevost had become a popular lieutenant governor, but this was threatened by his attempts, beginning in 1810, to strengthen the Church of England in Nova Scotia, since that might alienate other religious groups. He persuaded the British government to allow him to use surplus arms funds to develop Anglican churches, and to enlarge King's College in Windsor. He also appointed Anglican clergy to be civil magistrates, protected the Anglican ownership of land and their influence over the education of children, and placed an Anglican bishop in the Legislative Council. On the condition that the bishop resided in Halifax, Prevost was able to increase the salary of the bishop. In an effort to appease other religious groups, he appointed a number of Roman Catholic and Presbyterian clergy to be magistrates, and he authorized a grant of money for the Church of Scotland.

During May 1811, when Prevost was preparing to oppose the Assembly over its policy of compensating its members for their expenses, feeling that it was irregular, open to abuse, and "an evil highly dangerous to the prerogative of the Crown", he was ordered to move to Lower Canada to replace Governor Craig.

Service as Governor-in-Chief of British North America

On 4 July 1811, Prvost became a lieutenant-general outside of Nova Scotia, and was appointed as commander-in-chief of British forces in North America. On 21 October, he was appointed to be the governor-in-chief of British North America (Captain-General and Governor-in-Chief in and over the Provinces of Upper-Canada, Lower-Canada, Nova Scotia, and New-Brunswick, and their several Dependencies, Vice-Admiral of the same, Lieutenant-General and Commander of all His Majesty's Forces in the said Provinces of Lower-Canada and Upper-Canada, Nova Scotia and New-Brunswick, and their several Dependencies, and in the islands of Newfoundland, Prince Edward, Cape Breton and the Bermudas, &c. &c. &c. Beneath Prevost, the staff of the British Army in the Provinces of Nova-Scotia, New-Brunswick, and their Dependencies, including the Islands of Newfoundland, Cape Breton, Prince Edward and Bermuda were under the Command of Lieutenant-General Sir John Coape Sherbrooke. Below Sherbrooke, the Bermuda Garrison was under the immediate control of the Governor of Bermuda, Major-General George Horsford). As commander-in-chief, he took over the presidency and administration of Lower Canada from Thomas Dunn on 14 September. He would remain the president of Lower Canada until 15 July 1812. During his time as commander-in-chief, he was focused on ensuring the military security of the Atlantic colonies.

Prevost was worried about the disposition of Canadians if a war started involving British North America and tried to conciliate Canadian political leaders, who had been disappointed by the partisan alliance between Craig and the British oligarchy. The leader of the Canadian party, Pierre-Stanislas Bédard, was opposed by several people trying to gain his position, and Prevost exploited the rivalry. In 1812, Bédard, losing his motivation for continuing as leader, was given a judgeship in an area of British North America from which he could not have a major influence over the general political system. Prevost worked with the moderate Louis-Joseph Papineau, treating him as the leader. Prevost also nominated five Canadians to be appointed to the Legislative Council between 1811 and 1815, an unusual move as Canadians had usually been excluded from being appointed since 1798. In a report to the Colonial Office, Prevost said that he wanted to create a Legislative Council "possessed of the consideration of the country, from a majority of its members being independent of the government", in order to transfer to it "the political altercations which have been hitherto carried on by the governor in person."

War of 1812
For most of the War, Prevost's strategy was defensive and cautious. Learning in August 1812 that the British government had repealed some of the Orders in Council (1807) which the United States regarded as a cause of war, he negotiated an armistice with commanding General Henry Dearborn, but President James Madison soon repudiated Dearborn's agreement and the war resumed. During the early months of 1813, Prevost twice visited Upper Canada where the military and civil situation was unsatisfactory after the Governor and Commander there (Major General Isaac Brock) had been killed in action. As a result, he was present in Kingston in May, and took personal charge of an attack on the main American naval base on Lake Ontario. A victory here could have been decisive but the expedition was hastily mounted and at the Battle of Sackett's Harbor both Prevost and the naval commander, Commodore James Lucas Yeo, attacked hesitantly. After meeting stiff resistance, they withdrew.

In 1814, large reinforcements became available after the defeat of Napoleon Bonaparte. Prevost was appointed Colonel of the 16th, Bedfordshire Regiment in April. He planned an attack along Lake Champlain and the Hudson River, but the army which he led personally was driven back at the Battle of Plattsburgh after the British naval squadron on Lake Champlain was defeated. Commodore Yeo considered that the British ships under Captain George Downie (who was killed in the action) had been ordered into action prematurely by Prevost, and that Prevost had failed to order an attack by his own troops until it was too late to avert the defeat of Downie's squadron.

Prevost had also made himself unpopular among some of the Army officers under his command who were veterans of the Peninsular War (such as Manley Power, Thomas Brisbane, and Frederick Philipse Robinson) by his perceived over-caution, and his niggling insistence on correct dress and uniform. He had also alienated several successful Canadian officers (such as Charles de Salaberry) by seeming to claim their successes for himself and failing to reward them properly. However, it was the complaints by the Navy and Peninsular veterans which prompted his recall. Although the Duke of Wellington accepted that Prevost's strategy was correct, he wrote on 30 October 1814,
It is very obvious to me that you must remove Sir George Prevost. I see he has gone to war about trifles with the general officers I sent him, which are certainly the best of their rank in the army; and his subsequent failure and distresses will be aggravated by that circumstance; and will probably with the usual fairness of the public be attributed to it.

In December, Wellington's former Quartermaster General, Sir George Murray, was sent to Canada with the local rank of Lieutenant General specifically to order Prevost to return to London to explain his conduct of the Plattsburg campaign. He delivered the order on 2 March 1815, by coincidence only a day or so after news of the ratification of the Treaty of Ghent, which ended the war, arrived in Quebec. Prevost felt himself publicly humiliated by the manner and timing of his succession. After ordering hostilities to cease and disbanding the militia, he left Quebec on 3 April. He was given a hasty vote of thanks by the Assembly in Quebec.

Later life

On his return to England, the Government and Army authorities at first accepted Prevost's explanations for his conduct at Plattsburgh and during the War generally. Soon afterwards, the official naval despatch on the Battle of Plattsburgh was published, together with Yeo's complaints. Both these accounts blamed Prevost for the defeat at Plattsburgh. Prevost requested a court martial to clear his name. The trial was set for 12 January 1816, the delay being necessary to allow witnesses to travel from Canada, but Prevost was already in ill health and died a week before it was due to convene. His widow declined the offer of a peerage in honour of her husband, as she did not consider herself and her family to have sufficient means to support the dignity.

Later historians judge Prevost's preparations for defending the Canadas with limited means to be energetic, well conceived, and comprehensive, and against the odds he had achieved the primary objective of preventing an American conquest.

Prevost is buried in the church of St Mary the Virgin, East Barnet, North London, England.

Honours
A schooner  was named in his honour in 1813.

In 1819 a monument to his memory, sculpted by Francis Chantrey, was erected in Winchester Cathedral.

In 2016, Prevost was named a National Historic Person by the Canadian government.

References

Sources

 (updated by Donald E. Graves)

External links

Biography of Sir George Prevost
Backgrounder Sir George Provost– Government of Canada News section
 Archives of Sir George Prevost (Sir George Prevost fonds, R9686) are held at Library and Archives Canada
Prevost (GE), in the Historical Dictionary of Switzerland.

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1767 births
1816 deaths
Baronets in the Baronetage of the United Kingdom
British Army lieutenant generals
British Army personnel of the French Revolutionary Wars
British Army personnel of the Napoleonic Wars
British Army personnel of the War of 1812
Governors of Dominica
Governors of the Colony of Nova Scotia
Governors of British North America
Politicians from Hackensack, New Jersey
Deaths from edema
King's Royal Rifle Corps officers
Persons of National Historic Significance (Canada)
British people of the War of 1812
British military personnel of the War of 1812

George Prevost