Shadow Zone deveti je studijski album njemačkog heavy metal gitarista Axela Rudija Pella. Diskografska kuća Steamhammer objavila ga je 29. travnja 2002.

Popis pjesama

Osoblje

 Axel Rudi Pell

 Mike Terrana – bubnjevi
 Volker Krawczak – bas-gitara
 Ferdy Doernberg – klavijature
 Axel Rudi Pell – gitara
 Johnny Gioeli – vokal

 Ostalo osoblje

 Charlie Bauerfeind – miks
 Ulf Horbelt – mastering
 Marc Klinnert – naslovnica
 Axel Jusseit – fotografije
 Klaus Heinrich – dizajn, umjetnički smjer
 Ulrich Pösselt – produkcija, inženjer zvuka

Izvori

Albumi Axela Rudija Pella
Albumi iz 2002.

Shadow Zone (album)


In the End ist ein Song der US-amerikanischen Nu-Metal-Band Linkin Park. Es wurde als vierte und letzte Single des Debütalbums Hybrid Theory am 9. Oktober 2001 bei Warner Bros. veröffentlicht. Indem sie Platz zwei der US-Billboard-Charts erreichte, wurde die Single dort zur erfolgreichsten von Linkin Park. Es existieren mit Enth E Nd (von Reanimation) und Izzo/In the End (mit Jay-Z, von Collision Course) auch zwei Remixe, die beide als Promo-Singles veröffentlicht wurden.

Entstehung
Der Song wurde ursprünglich als Gedicht von Chester Bennington geschrieben und benannt, wurde jedoch diverse Male umgeschrieben und angepasst, damit es auf das Album passte. So kamen auch zwei Rap-Parts von Mike Shinoda dazu.

Frühere Demoaufnahmen des Liedes trugen die Arbeitstitel Untitled oder The Untitled. Eine solche Version aus dem Jahr 1999 erschien 2011 auf dem exklusiven Fanclubalbum Linkin Park Underground Eleven.

Musikvideo
Das Musikvideo wurde von Nathan "Karma" Cox und Bandmitglied und DJ Joe Hahn gedreht. Es war das erste von vielen Musikvideos unter der Regie von Joe Hahn. Der Hintergrund des Videos wurde in der kalifornischen Wüste gedreht, die Band jedoch wurde während des Ozzfests 2001 im Studio gefilmt. Die fertige Version wurde mit Hilfe von CGI angefertigt.

Im Video rappt Mike Shinoda in einer Wüste, die nach einsetzendem Regen schlussendlich von Gräsern überwuchert wird. Weil der Text des Liedes sehr negativ sei, soll das Video die umgekehrte Entwicklung zeigen, indem dort die Welt zu einem schöneren Ort wird, erklärt Nathan Cox. Die übrige Band spielt bzw. singt auf einer gigantischen Statue, welche der Kolossalstatue Ramses II. stark ähnelt, ebenfalls in der Wüste. Parallel dazu fliegt außerdem ein Wal durch den Himmel, der das ganze Video gut zu sehen ist. Die Idee stammt von Joe Hahn, der erklärte, dass der im Meer lebende Wal als Kontrast zur trockenen Wüste stehe. Er sagte auch, dass das Video genauso wie der Song für den Kreislauf des Lebens stehe.

Das Video wurde 2002 mit dem MTV Video Music Award in der Kategorie Best Rock Video ausgezeichnet.

Titelliste
 CD Single (In the End Pt. 1)
 In the End – 3:38
 In the End (Live BBC Radio One) – 3:28
 Points of Authority (Live at Docklands Arena, London) – 3:31

 CD Single (In the End Pt. 2)
 In the End – 3:38
 A Place for My Head (Live at Docklands Arena, London) – 3:12
 Step Up (1999 Demo) – 3:31

 Japanische EP (In the End: Live & Rare)
 In the End (Album Version) – 3:36
 Papercut (Live at Docklands Arena, London) – 3:11
 Points of Authority (Live at Docklands Arena, London) – 3:26
 A Place for My Head (Live at Docklands Arena, London) – 3:10
 Step Up (1999 Demo) – 3:55
 My December – 4:21
 High Voltage – 3:45

Charts und Chartplatzierungen
Nach Chester Benningtons Tod stieg das Lied in zahlreichen Ländern wieder in die Charts ein. Unter anderem in Deutschland konnte es in den offiziellen Single-Charts seine Platzierung (# 13), die es nach Veröffentlichung erreichte, übertreffen.

Jahrescharts

Weblinks
 Michel Peters: In the End. In: Songlexikon; abgerufen am 27. Oktober 2014.

Einzelnachweise

Nu-Metal-Song
Linkin-Park-Lied
Lied 2001
Mehrfach-Platin-Lied (Vereinigtes Königreich)
Mehrfach-Platin-Lied (Vereinigte Staaten)

In the End


An Paspalum soukupii in uska species han Liliopsida nga ginhulagway ni E.Carbono. An Paspalum soukupii in nahilalakip ha genus nga Paspalum, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Paspalum

Paspalum soukupii


Lego Star Wars: Cronicile Yoda (engleză Lego Star Wars: The Yoda Chronicles) este o serie animată de televiziune și web ce se bazează pe seria de jucării Lego Star Wars. A fost produsă în colaborare cu compania LEGO.

Serialul a fost lansat în Statele Unite cu primele 3 episoade difuzate pe Cartoon Network din 29 mai 2013. Apoi 4 episoade noi au fost difuzate pe Disney Channel, datorită faptului că toate drepturile de autor ale francizei Star Wars au fost cumpărate de compania Disney, începând din 4 mai 2014.

În România primele 3 episoade au fost difuzate de Cartoon Network începând din 22 septembrie 2013, iar următoarele patru de Disney Channel începând din 31 mai 2014.

Premisă
Serialul se învârte în jurul poveștilor lui Yoda ce au loc înainte de primul film, Lego Star Wars : Amenințarea Padawanilor. Yoda începe în a-i antrena pe Padawani la Templul Academiei de Jedi, dar simte un deranj în forță și se grăbește să se lupte cu Partea Întunecată.

Episoade

Legături externe

Filme Lego
Filme de animație
Filme americane
Războiul stelelor
Filme în limba engleză
Filme de televiziune din 2013
Filme de televiziune
Filme americane de televiziune
Cartoon Network
Disney Channel
Filme de animație americane
Seriale de televiziune americane
Seriale de animație
Desene animate
Seriale de televiziune Lego
Seriale de televiziune din 2011

Lego Star Wars: Cronicile Yoda


Outlook pe web (denumit anterior Exchange Web Connect, Outlook Web Access (OWA) și Outlook Web App în Office 365 și Exchange Server 2013) este o aplicație Web de gestionare a informațiilor personale de la Microsoft . Acesta este inclus în Office 365, Exchange Server și Exchange Online .  Acesta include un client de e-mail pe bază de web, un instrument de calendar, un manager de contact și un manager de activități. Acesta include, de asemenea, integrarea add-in, Skype pe web, și alerte, precum și teme unificate care acoperă toate aplicațiile web.  Outlook Web App este navigat folosind pictograma App Launcher care aduce în jos o listă de aplicații web de la care utilizatorul poate alege.  În 2015, Microsoft a început să actualizeze Outlook.com și Outlook Web App pentru a utiliza infrastructura Office 365  care a fost aproape completă în ianuarie 2017  după lansarea următoarei versiuni de Outlook.com.

Scop
Outlook Web App este disponibil pentru abonații Office 365 și Exchange Online și este inclus în Exchange Server local, pentru a permite utilizatorilor să se conecteze la conturile lor de e-mail prin intermediul unui browser web, fără a necesita instalarea Microsoft Outlook sau alți clienți de e-mail . În cazul serverului Exchange, acesta este găzduit pe un intranet local și necesită o conexiune de rețea la serverul Exchange pentru ca utilizatorii să poată lucra cu e-mail, agendă, calendare și sarcini.  Versiunea Exchange Online, care poate fi cumpărată fie independent, fie prin programul de licențiere Office 365, este găzduită pe serverele Microsoft pe web .

Istoric
Outlook Web Access a fost creat în 1995 de către managerul de programe Microsoft, Thom McCann, în echipa Exchange Server. O versiune timpurie a fost demonstrată de vicepreședintele Microsoft, Paul Maritz, la celebrul summit Microsoft de la Microsoft din Seattle, din data de 27 decembrie 1995. Prima versiune a clientului a fost o parte a lansării Exchange Server 5.0 la începutul anului 1997.

Prima componentă care permite scripturilor de pe partea clientului să emită cereri HTTP ( XMLHTTP ) a fost inițial scrisă de echipa Outlook Web Access.   A devenit curând o parte din Internet Explorer 5 . Redenumit XMLHttpRequest și standardizat de către World Wide Web Consortium,  a devenit unul dintre pietrele de temelie ale tehnologiei Ajax utilizate pentru a construi aplicații web avansate.

Componente

Mail
Mail este componenta webmail a Outlook de pe web. Ecranul implicit este o vizualizare a trei coloane cu dosare și grupuri din stânga, e-mail este situat în mijloc și mesajul selectat în partea dreaptă. Odată cu actualizarea din 2015, Microsoft a introdus posibilitatea de a activa, de a mătui și de a arhiva mesaje și de a anula ultima acțiune, precum și de a îmbunătăți caracteristicile de editare a imaginilor.  Se poate conecta la alte servicii cum ar fi GitHub și Twitter prin intermediul conectorilor Office 365. Mesajele acționabile în e-mailuri permit unui utilizator să completeze o sarcină din e-mail, cum ar fi retweeting un Tweet pe Twitter sau setarea unei date de întâlnire într-un calendar.

Outlook Web App acceptă S/MIME și include funcții pentru gestionarea calendarelor, contactelor, sarcinilor, documentelor (utilizate cu SharePoint sau Office Web Apps) și a altor conținuturi de cutie poștală. În versiunea Exchange 2007, Outlook pe Web (încă numit Outlook Web App la acel moment) oferă de asemenea acces numai în citire la documentele stocate în site-urile SharePoint și în acțiunile UNC din rețea.

Calendar
Calendarul este componenta calendare a Outlook de pe web. Prin actualizare, Microsoft a adăugat o prognoză meteo direct în Calendar, precum și pictograme ca repere vizuale pentru un eveniment. În plus, mementourile de e-mail au venit la toate evenimentele, iar calendarele speciale de Zi de naștere și sărbători sunt create automat. Calendarele pot fi partajate și există mai multe vizionări, cum ar fi ziua, săptămâna, luna. O altă viziune este săptămâna de lucru care include zilele de luni până vineri în vizualizarea calendaristică.

Detaliile calendarului pot fi adăugate prin editarea a codului HTML, iar fișierele pot fi atașate evenimentelor și întâlnirilor din calendar.

Oameni
Oamenii reprezintă componenta managerului de contact din Outlook Web App. Un utilizator poate căuta și edita contactele existente, precum și poate crea altele noi. Persoanele de contact pot fi plasate în dosare și contactele duplicate pot fi conectate din mai multe surse, cum ar fi LinkedIn sau Twitter.  În Outlook Mail, un contact poate fi creat făcând clic pe un expeditor de adresă de e-mail, care selectează o carte de vizită cu un buton de adăugare pentru a adăuga Outlook Persoane. Contactele pot fi importate și plasate într-o listă care poate fi utilizată la executarea unui e-mail în Outlook Mail.

Oamenii se pot sincroniza de asemenea, cu prietenii și listele de conexiuni de pe LinkedIn, Facebook și Twitter.

Sarcini
Sarcina a fost inițial lansată ca Sarcini pentru Outlook Web App. Microsoft a lansat o previzualizare a sarcinilor către serviciul Outlook.com bazat pe consumatori, care, în mai 2015, a fost anunțat că se deplasează la infrastructura Office 365. A fost inițial o parte a Calendarului ca o vedere. Microsoft a separat serviciile în propria aplicație web din Outlook pe Web. Într-o postare de pe blogurile Office din 2015, Microsoft a anunțat că Outlook Web App va fi redenumit Outlook pe Web și că Sarcini se va mișca sub acel brand. Un utilizator poate crea sarcini, pune în categorii și le poate muta într-un alt dosar. O caracteristică adăugată a fost abilitatea de a stabili zilele cuvenite și de a sorta și de a filtra sarcinile în funcție de aceste criterii. Aplicația furnizează utilizatorului câmpuri cum ar fi datele subiectului, începutul și sfârșitul, procentul complet, prioritatea și cantitatea de muncă depusă în fiecare activitate. Au fost introduse și funcții de editare bogate, cum ar fi literele îndrăznețe, italice, subliniere, numerotare și bullet. Sarcinile pot fi editate și clasificate în funcție de modul în care utilizatorul dorește ca acestea să fie sortate.

Caracteristici eliminate
Outlook pe web are două interfețe disponibile: unul cu un set complet de funcții (cunoscut ca Premium) și unul cu funcționalitate redusă (cunoscut sub numele de Light sau uneori Lite). Înainte de Exchange 2010, clientul Premium a solicitat Internet Explorer . Exchange 2000 și 2003 necesită Internet Explorer 5 și versiuni ulterioare,   și Exchange 2007 necesită Internet Explorer 6 și versiuni ulterioare.  Exchange 2010 acceptă o gamă mai largă de browsere web: Internet Explorer 7 sau o versiune ulterioară, Firefox 3.01 sau o versiune ulterioară, Chrome sau Safari 3.1 sau o versiune ulterioară.  Cu toate acestea, Exchange 2010 își restricționează sprijinul pentru Firefox și Safari pentru MacOS și Linux .  În Exchange 2013, aceste restricții ale browserului au fost ridicate.

În Exchange 2010 și mai devreme, interfața de utilizator Light este redată pentru alte browsere decât Internet Explorer. Interfața de bază nu a acceptat căutarea pe Exchange Server 2003. În Exchange Server 2007, interfața Light acceptă căutarea articolelor de poștă electronică; gestionarea contactelor și a calendarului a fost îmbunătățită.   Versiunea 2010 se poate conecta la un cont de e-mail extern.

Abilitatea de a adăuga conturi noi în Outlook pe Web utilizând caracteristica conturilor conectate a fost eliminată în septembrie 2018, iar toate conturile conectate au oprit sincronizarea e-mailului în luna următoare.

Note

Vezi și
 Microsoft Outlook
 Outlook Express

Legături externe
 Site oficial
 Exchange Team Blog

Aplicații web
Clienți de poștă electronică
Pages with unreviewed translations

Outlook pe web


Steam je digitalna distribucijska platforma koju je razvila tvrtka Valve Corporation koja nudi upravljanje digitalnim pravima, multiplayer i virtualne igre,video streaming i usluge društvenog umrežavanja. Steam omogućuje korisniku instalaciju i automatsko ažuriranje igara i značajke zajednice kao što su popisi prijatelja i grupe, spremanje u "oblaku" i funkcionalnost glasa i chata u igri. Softver osigurava slobodno sučelje za programiranje (API), pod nazivom Steamworks koje programeri mogu koristiti za integraciju mnogih funkcija Steama u svoje proizvode, uključujući umrežavanje, usklađivanje, dostignuća, mikro-transakcije i podršku za sadržaj kojega je korisnik stvorio u Steam radionici (workshopu). Iako su igre u početku razvijane za korištenje na operacijskim sustavima Microsoft Windows, kasnije su objavljivane inačice za OS X i Linux. Mobilne aplikacije s povezanom funkcijom s glavnim softverom kasnije su izdane za iOS, Android i Windows Phone uređaje 2010-ih.

Steam platforma smatra se najvećom digitalnom distribucijskom platformom za računalne igre. Screen Digest procjenjuje da Steam ima oko 75 % tržišnog prostora u listopadu 2013. godine. U 2015. godini korisnici koji kupuju naslove putem Steama ili putem Steamovih ključeva od dobavljača treće strane ukupno su potrošili oko 3,5 milijarda dolara, što predstavlja 15 % globalne prodaje PC igara za godinu dana, prema procjenama Steam Spy web stranice za praćenje. Krajem 2017. godine usluga je imala više od 150 milijuna registriranih naloga, a dosegla je vrhunac od 17,5 milijuna istovremenih korisnika. Uspjeh Steam platforme doveo je do razvoja linije mikro-konzole s Steam Machineom, kao i SteamOS operativnog sustava.

Izvori

Videoigre
Računalni programi

Steam


Crkva sv. Jurja u Gornjem Psarjevu rimokatolička je crkva u naselju Gornje Psarjevo koje je u sastavu općine Sveti Ivan Zelina i zaštićeno kulturno dobro.<.

Opis dobra
Crkva klasicističkih obilježja današnji izgled dobila je 1860., ali sadrži arhitektonske elemente poput okvira na ulazu u sakristiju ili obrađenih ugaonih klesanaca, koji ukazuju na moguće srednjovjekovno porijeklo. Pripada tipu jednobrodnih građevina pravokutnog tlocrta sa zaobljenim svetištem i zvonikom nad glavnim pročeljem. U cijelosti je svođena češkim kapama i velikim dijelom oslikana. Djelomično je sačuvan barokni inventar.

Zaštita
Pod oznakom Z-2833 zavedena je kao nepokretno kulturno dobro – pojedinačno, pravna statusa zaštićena kulturnog dobra, klasificirano kao "sakralna graditeljska baština".

Izvori

Katoličke crkve u Hrvatskoj
Zaštićene sakralne građevine u Zagrebačkoj županiji
Građevine u Svetom Ivanu Zelini

Crkva sv. Jurja u Gornjem Psarjevu


فيليكا نوفوسيلكا (Велика Новосілка) هي مدينة في أوبلاست دونيتسك في أوكرانيا.

يبلغ عدد سكانها حوالي 7031 نسمة.

أعلام
 ميكولا شابارينكو

مراجع

مقاطعة دونيتسك
مدن مقاطعة دونيتسك

فيليكا نوفوسيلكا (دونيتسك)


Welliton Soares de Morais (Conceição do Araguaia, Pará, Brasil, 22 de octubre de 1986), o simplemente Welliton, es un futbolista brasileño. Juega como delantero y su equipo es el Goiás E. C. del Campeonato Brasileño de Serie A.

Trayectoria
Welliton comenzó su carrera en el club brasileño del Goiás E. C. y en julio de 2007 fue traspasado al Spartak de Moscú, firmando un contrato de cinco años.

En su primera temporada, Welliton anotó seis goles en sus primeros nueve partidos de liga. Sin embargo, su buen comienzo de liga fue interrumpido por una lesión muscular que le dejó de baja durante diez meses.

Tras un exitoso retorno en 2009, Welliton ayudó al Spartak a alcanzar un puesto en la Liga de Campeones de la UEFA tras su octavo puesto en la liga en 2008. Anotó su primera tripleta de su carrera el 8 de agosto de 2009 ante el Spartak Nalchik y en los últimos siete partidos marcó seis goles para asegurarse el título de máximo goleador con 21 goles.

La siguiente temporada también fue prolífica para el ariete brasileño. En agosto de 2010, Welliton anotó dos tripletas consecutivas. La primera de ellas, el 15 de agosto, fue ante sus rivales locales del FC Lokomotiv Moscú en una victoria a domicilio por 2-3. La segunda fue el 21 de agosto ante el Tom Tomsk en una victoria 4-2 en Moscú. Esta última tripleta fue lograda en seis minutos, convirtiéndose en la tripleta más rápida en la historia del club (el anterior registro lo tenía Vladimir Beschastnykh en nueve minutos). Sus buenas actuaciones hicieron que equipos como el Arsenal F. C., Liverpool F. C. o el F. C. Porto se interesaran en él, ambos conjuntos ofrecieron 12 millones de euros para llevarse al delantero brasileño. El Spartak de Moscú lo tasó en 14 millones de euros.
.

Polémica

El 5 de mayo de 2014 fue detenido en Vigo (España) a las 5 de la madrugada por quintuplicar la tasa de alcohol, a gran velocidad, saltándose varios semáforos en rojo cuando venia de la gasolinera de plaza de España después de comprar cajas de cerveza "Estrella Galicia". Le acompañaban en el coche un amigo y cuatro mujeres.

Internacional
Welliton aún no ha recibido ninguna llamada para ser convocado con la  y ha expresado su interés en representar a .

Clubes

Palmarés

Distinciones individuales

Referencias

Enlaces externos

 Welliton en globoesporte
 Brazilian FA Database

Futbolistas de Brasil
Futbolistas del Goiás Esporte Clube
Futbolistas del Ituano Futebol Clube
Futbolistas del FC Spartak de Moscú
Futbolistas del Grêmio Foot-Ball Porto Alegrense
Futbolistas del São Paulo Futebol Clube
Futbolistas del Real Club Celta de Vigo en los años 2010
Futbolistas del Mersin İdmanyurdu
Futbolistas del Kayserispor
Futbolistas del Sharjah FC
Futbolistas del Al Wasl Football Club

Welliton


Europska Formula 2 - sezona 1967. je bila 1. sezona Europske Formule 2.

Poredak

Izvori

 1967

Europska Formula 2 – sezona 1967.


Der Gerichtsbezirk Eisenstadt ist einer von sechs Gerichtsbezirken im Burgenland und umfasst die Freistädte (Statutarstädte) Eisenstadt und Rust sowie den gesamten Bezirk Eisenstadt-Umgebung. Der übergeordnete Gerichtshof ist das Landesgericht Eisenstadt.

Gerichtssprengel
Der Gerichtssprengel Eisenstadt umfasst die beiden Freistädte Eisenstadt und Rust, sowie alle 23 Gemeinden des politischen Bezirks Eisenstadt-Umgebung.
Einwohner: Stand

Freistädte
 Eisenstadt ()
 Rust ()

Städte
 Neufeld an der Leitha ()
 Purbach am Neusiedler See ()

Marktgemeinden
 Breitenbrunn am Neusiedler See ()
 Donnerskirchen ()
 Großhöflein ()
 Hornstein ()
 Loretto ()
 Oggau am Neusiedler See ()
 Sankt Margarethen im Burgenland ()
 Siegendorf ()
 Steinbrunn ()
 Wulkaprodersdorf ()

Gemeinden
 Klingenbach ()
 Leithaprodersdorf ()
 Mörbisch am See ()
 Müllendorf ()
 Oslip ()
 Schützen am Gebirge ()
 Stotzing ()
 Trausdorf an der Wulka ()
 Wimpassing an der Leitha ()
 Zagersdorf ()
 Zillingtal ()

Siehe auch
 Gerichtsorganisation in Österreich
 Liste österreichischer Gerichte

Weblinks
 Gerichtssuche in der Gerichtsdatenbank des Bundesministeriums für Justiz

Politik (Eisenstadt)
Bezirk Eisenstadt-Umgebung
Eisenstadt

Gerichtsbezirk Eisenstadt


مكسيم أليكسندر «ماكس» بالدري (ولد في 5 يناير 1996 في ريدهيل، سري) ممثل إنجليزي وطالب مدرسة. أنجح دور له في الفيلم الكوميدي إجازة السيد بين في عام 2007 بدور ستيبان.

الحياة الشخصية

عاش بالدري في موسكو، روسيا عندما كان صغيرًا إلى سن السابعة بعدها عاد إلى وطنه إنجلترا في عام 2003 . بعد ذلك أصبح مهتمًا بالتمثيل في سن مبكر جدًا، وشارك في العديد من الإنتاجات، مثل: «بيتر والذئب» في V & A قبل أن ينضم إلى مدرسة «مسرح جاكي بالمر» في عام 2005 . والديه هم سيمون وكارينا بالدري.

المهنة
كانت أول انطلاقة لبالدري في عام 2007 عندما حصل على دور «ستيبان» مع روان أتكينسون في إجازة السيد بين. ترشح بالدري لجائزة جوائز الممثل الشاب في فئة أفضل أداء في فيلم روائي طويل. بعد ذلك أدى دور قيصرون في روما. كانت لديه تجربة على خشبة المسرح في «المسرح الوطني» في عام 2008 في إنتاج «وشم الوردة». أدى بعض الأداء الصوتية، مثل: الدب القطبي الصغير 2 - الجزيرة الغامضة، وكينوماتوغراف بواسطة «توميك باغينسكي». حصل على جزء في بي بي سي راديو 4 تطوعًا من «جون إيرفين» «صلاة من أجل أوين مينى» 'حيث أدى دور جوني مع توبي جونز.

في الآونة الأخيرة تم اختيار ماكس ليكون جزءًا من مسرح الشباب الوطني في عام 2010 . يدرس حاليًا في مدرسة بركهامستد، كما أنه يكمل مسيرته في تعلم التمثيل. أدى دور فتى بولندي في مسلسل تلفزيوني للأطفال سادي جيه.

الأفلام

التلفاز

الجوائز والترشيحات

وصلات خارجية

 Official Website - www.maxbaldry.net

أشخاص على قيد الحياة
أشخاص من لندن
أشخاص من موسكو
إنجليز مغتربون في بولندا
إنجليز مغتربون في روسيا
إنجليز من أصل أرمني
إنجليز من أصل روسي
ممثلو أفلام إنجليز
ممثلو أفلام من لندن
ممثلو تلفزيون إنجليز
ممثلو مسلسلات طويلة ذكور إنجليز
ممثلون أطفال إنجليز
ممثلون أطفال ذكور روس
ممثلون إنجليز في القرن 21
ممثلون من سري
ممثلون وممثلات إنجليز
مواليد 1996

ماكس بالدري


Symbian, ortak bir işletim sistemi kurmak üzere yola çıkmış olan bir şirkettir. Şirket faaliyetlerini 2 Aralık 2008 tarihinde sonlandırmıştır.

Symbian OS

Symbian işletim sistemini kullanan birkaç farklı arabirim bulunmaktadır. Bunlar arasında UIQ ve Nokia'nın Seri 60 ve Seri 80 arabirimleri bulunur.

Seri 60

Seri 60 Nokia tarafından geliştirilmiş Smartphone yazılımı platformudur. (Smartphone, e-posta ve İnternet tarama gibi görevlerin bazılarını bilgisayar gibi yapabilen ilave uygulamalar yükleyebilen ve kullanabilen telefondur.) Seri 60 platformu, Smartphone yapmak için gerekli kullanıcı arabirimi (UI) ve yazılımın ve uygulamaların tümünü içerir.

Symbian İşletim sisteminin yüklü olduğu bir cep telefonu, birçok amaca birden hizmet edebilmektedir.

Symbian kullanım lisansı olan markalar
 Arima
 BenQ
 Ericsson
 Fujitsu
 Lenovo
 Panasonic
 Motorola
 Nokia
 Samsung
 Sharp Corporation
 Siemens
 Sony
 Sony Ericsson
 RedBerry

Dış bağlantılar
 Symbian

Nokia varlıkları

Symbian


පුරාතන ඊජිප්තුවේ වංශවත් කාන්තාවක වූ ස්ට්රේ ඉන් (හෙවත් ස්ට්රා ඉන්, හෝ ඉන් ලෙස හැඳන්වෙන සිට්-රේ හෝ ඉනෙට්) ගේ දේහය රජුන්ගේ නිම්නයේ KV60 සොහොන්ගැබෙහි භුමදානය කරන ලදී. ඇය හට්ෂෙප්සුට් රැජිනගේ කිරි මවක යැයි සැලකේ. ගේ ජීව ප්‍රමාණයේ ප්‍රතිමාවක ඇගේ කාර්යය සඳහන් කර ඇත. ඇය රාජකීය පවුලේ සාමාජිකාවක නොවූවද, ඇය රාජකීය සුසාන භූමියෙහි භූමදානය ලැබීමේ ගෞරවය හිමි කරගත්තා ය. ඇගේ මිනීපෙට්ටියෙහි sdt nfrw nsw in m3't ḥrw යනුවේන කැටයම් කොට ඇත. එහි අරුත රාජකීය කිරි මව යන්නයි.

මූලාශ්‍ර

ක්‍රි.පූ. 16වන සියවසේ කාන්තාවන්
ඊජිප්තුවේදහඅටවන රාජවංශය
පුරාතන ඊජිප්තුවරුන්

සිට්රේ ඉන්


Das Hotel Blaue Gans befindet sich im ehemaligen Sprinzenbergerhaus in der Getreidegasse Nr. 43 von Salzburg.

Geschichte
Das Gebäude wurde vermutlich in der Mitte des 15. Jahrhunderts errichtet, als Besitzer scheinen die Aufners auf. 1432 übergab Martin Aufner das Haus dem Bürgerspital.1458 übernahm Bürgermeister Hans Koppler das Leibgedinge von den Geschwistern Georg, Martin und Scolastica Schaurer und veräußerte dieses 1468 an den Spitalsmeister Andre Swaiger.  1569 wird es als des Matheusen Huebers wierths behausung beschrieben. 1601 kam es an Peter Sprinzenberger, der bereits vorher im Haus den Gastbetrieb geführt hatte. Unter dem Pächter Bartlmä Rexeisen wird das Haus Mitte des 17. Jahrhunderts erstmals zur plaben Gans genannt. Eine Zeit lang waren unter Franz Knuzinger "Die Blaue Gans" und "Der Goldene Hirsch" in einer Hand vereint. Die Blaue Gans führte aber ein Pächter. Ende des 19. Jahrhunderts wurde die Blaue Gans mit dem heute nicht mehr existierenden Haus in der Getreidegasse Nr. 41 vereint.

Gegenwart
Am 25. April 1945 wurde das Haus durch einen Bombenangriff teilweise beschädigt. Nach 1945 war hier der Sitz der United Nation Forces in Austria, d. h. eine Unterkunft für die US-amerikanische Militärpolizei. 1973 hat der Gastronom und Musiker Adi Jüstel die Blaue Gans übernommen und eröffnete im Keller des Hauses den legendären Mexicano-Keller mit seiner internationalen Jazz-Szene. Künstler wie Fatty George oder Ella Fitzgerald, aber ebenso Friedrich Gulda, José Feliciano, der Gitarrist Barney Kessel oder Michael Honzak traten hier auf. Dieses Lokal schloss 1996. Danach wurde hier der Altstadtkeller eröffnet, der bis 2005 bestand und ebenfalls ein Treffpunkt für Swing- und Volksmusiker war.  Adi Jüstel selbst wirkte als Musiker am Klavier oder mit seiner Trompete immer mit.

1998 übernahm Andreas Gfrerer die im Familienbesitz befindliche Blaue Gans. Nach Umbauten zwischen 1998 und 2002 wurde es als Arthotel eröffnet.
2012 folgte ein weiterer Umbau.

Literatur
 Gerhard Ammerer; Jutta Baumgartner: Die Getreidegasse. Salzburgs berühmteste Straße, ihre Häuser, Geschäfte und Menschen. 2011, Salzburg: Colorama Verlagsgesellschaft, ISBN 978-3-902692-21-4.
 Adi Jüstel: Anekdoten mit und ohne Noten. Ein höchst persönlicher Streifzug durch die Salzburger Musikszene von 1945 bis heute, vom Jazz bis hin zu authentisch gelebter Volksmusik und zu den Spielstätten und Institutionen in Stadt und Land Salzburg. A. Jüstel, Salzburg 2009, ISBN 978-3-200-01497-8.

Weblinks
 Homepage des arthotels Blaue Gans
 Gänsehaut Blog Arthotel Salzburg

Einzelnachweise

Blaue Gans, Hotel
Blaue Gans

Hotel Zur Blauen Gans (Salzburg)


الأمير عبد الله بن سعود بن عبد العزيز آل سعود ، هو الابن الرابع من انجال الملك سعود، ولد في مدينة الرياض عام 1339هـ نشأ تحت رعاية والده ولي العهد وابتدا دراسته مع أخوته في مدرسة ولي العهد في قصر والدهم وتحت رعايته والتي أصبحت معهد الانجال فيما بعد. وحفظه والده القرآن الكريم وعلمه القراءة والكتابة وفي عام 1358هـ للهجرة تخرج من الثانوية العامة والتحق بجامعة كالفورنيا وتخرج منها عام 1363هـ.

مناصبه
عاد إلى المملكة العربية السعودية، ثم عينه والده وزيرا للمعارف وبقي فيها حتى عام 1373للهجرة عندما تولى الأمير فهد بن عبد العزيز آل سعود هذه المنصب بدله
 أمير البساتين والمزارع الملكية، فتركها في 27\4\1375هـ الموافق 12\12\1955م
 أمير منطقة مكة المكرمة في 5\5\1375هـ الموافق 20\12\1955م، فعل إنجازات بصيمة عند توليه هذا المنصب ولم يغادر المنطقة إلا مرات قليلة، وترك هذه المنصب في 10\7\1381هـ الموافق 18\12\1961م،
 عينه الأمير خالد بن عبد العزيز سفير المملكة لدى إسبانيا وبقي في هذه المنصب حتى 21\10\1417هـ الموافق 1\3\1997م.

صفاته
كان رحمة واسعة متواضعا، وكريما، ومتسامحا، وكان أيضا يعطف على الفقراء جدا، وبعض المؤرخين يقولون قد يكون من أفضل أبناء الملك سعود.

وفاته
في 9 / 5 / 1418 هـ الموافق11 / 10 / 1997 م توفي في هذه اليوم رحمة واسعة وأسكنه فسيح جناته وتوفي وعمره يناهز 73عاما والأمير سلطان بن عبد العزيز حضر الصلاة بصعوبة رغم أنه مريض وتم دفنه في مقبرة العود في الرياض.

أبناؤه
 الأميرة جهير بنت عبد الله بن سعود آل سعود.
 الأمير متعب بن عبد الله بن سعود آل سعود. (متوفي) زوجته الاميرة العنود حبيب العريعر (متوفيه)
 الأمير نواف بن عبد الله بن سعود آل سعود
 الأمير عبد العزيز بن عبد الله بن سعود آل سعود. متزوج من الاميرة أمل بنت فيصل بن سعود وله نورة وسعود ومضاوي وجواهر وخالد
 الأمير خالد بن عبد الله بن سعود آل سعود
 الأميرة نوف بنت عبد الله بن سعود آل سعود.
 الأميرة عبير بنت عبد الله بن سعود آل سعود.
 الأمير نهار بن عبد الله بن سعود آل سعود. عميد طيار ركن، قائد جناح السلامة بقاعدة الرياض الجويه وله عبد العزيز بن نهار والذي توفيت والدته أي زوجة نهار بن عبد الله بن سعود يو الخميس 25 أغسطس 2016 وصُلي عليها الجمعة بعد صلاة العصر في جامع الإمام تركي بن عبد الله بمدينة الرياض.
 الأمير نايف بن عبد الله بن سعود آل سعود. عميد طيار ركن مدير إدارة الاستطلاع الجوي بهيئة استخبارات القوات الجويه
 الأمير فيصل بن عبد الله بن سعود آل سعود
 الأمير محمد بن عبد الله بن سعود آل سعود (متوفى). له من الأبناء الأمير فيصل بن محمد، (متوفى) الأحد 19/2/1435 عن عمر يناهز 26 عاماً. وصلي عليه بعد صلاة العصر في جامع الإمام تركي بن عبد الله في مدينة الرياض.
 الأمير سعود بن عبد الله بن سعود آل سعود. زوجته الاميرة فوزية بنت فواز بن سعود وابناءه عبد الله وعلياء والجوهره
 الأمير سلطان بن عبد الله بن سعود آل سعود. متزوج من الأميره مها بنت نواف بن سعد بن سعود بن عبد العزيز
 الأميرة نايفة بنت عبد الله بن سعود آل سعود.
 الأميرة دانية بنت عبد الله بن سعود آل سعود.
 الأميرة دينا بنت عبد الله بن سعود آل سعود.
 الأميرة غدير بنت عبد الله بن سعود آل سعود.

أبناء سعود بن عبد العزيز آل سعود
أمراء منطقة مكة المكرمة
خريجو جامعة كاليفورنيا
مدفونون في مقبرة العود
مواليد 1339 هـ
وفيات 1997

عبد الله بن سعود بن عبد العزيز بن عبد الرحمن آل سعود


Luis Amado puede referirse a:

 Luis Amado Tarodo (1976), jugador de fútbol sala español, que juega como portero en el Inter Movistar de División de Honor.
 Luis Amado Carballo (1901-1927), escritor español en lengua gallega.
 Luis Amado-Garcia (2006) niño estudioso.

Luis Amado


Inspired by Guru's Jazzmatazz project, the German formation Jazzkantine was founded in 1993 in Braunschweig. Their first album Jazzkantine won them the "Echo Award" in 1996, the most important German music prize.

The music of Jazzkantine is a cross-over between jazz funk and hip hop music: German rap over music and beats heavily influenced by jazz standards, often interpreted in a very funky way. This genre is also known as jazz rap.

In 1998, they played at the Montreux Jazz Festival.

In 1999, they started a collaboration with the ballet ensemble of Braunschweig, resulting in the successful Tanzzkantine project.

Discography

References

External links
Jazzkantine

German musical groups
Musicians from Braunschweig
Musical groups established in 1993
1993 establishments in Germany

Jazzkantine


Deutschland rundet auf (Eigenschreibweise "DEUTSCHLAND RUNDET AUF") ist eine Spendenkampagne der Deutschland rundet auf Gemeinnützige Stiftungs-GmbH mit Sitz in Berlin. Die Kampagne wurde im März 2012 von Christian Vater, Matthias Dammann und Henryk Seeger gegründet und vom "Social Venture Fund" mitfinanziert.

Kunden im Einzelhandel wird bei teilnehmenden Unternehmen die Möglichkeit geboten, durch die Worte "Aufrunden bitte!" während der Bezahlung den Endbetrag um maximal 10 Cent aufzurunden. Dieser Betrag wird an die Deutschland rundet auf Gemeinnützige Stiftungs-GmbH in Berlin abgeführt und nach eigenen Aussagen zu 100 Prozent an Projekte für sozial benachteiligte Kinder in Deutschland weitergeleitet.

Weitere Spendenmodelle der Stiftung sind die Gehaltsspende sowie die Bonusspende.

Die gGmbH ist Unterzeichnerin der Initiative Transparente Zivilgesellschaft.

Verwendung
Bei der Förderungswürdigkeit liegt der Fokus darauf, erfolgreiche regionale oder bundesweite Projekte für sozial benachteiligte Kinder in Deutschland zu skalieren, d. h. weiter auszubauen. Anschließend erfolgt eine Auswahl durch ein Experten-Gremium, bestehend aus Sebastian Braun, Inge Kloepfer, Franziska Hilp-Pompey, Roland Roth und Helmut Schneider, sowie eine Wirkungsanalyse des Analyse- und Beratungshauses PHINEO gAG. Die Entscheidung über den Zuschlag fällt das Kuratorium, dem u. a. Simone Bagel-Trah, Marcel Fratzscher, Stephan Grünewald, Georg F. Thoma und Stefan Genth angehören. Deutschland rundet auf fördert die Projekte zweckgebunden, nach vorab definierten Zwischenzielen und Förderzweck und über einen Förderungszeitraum von mindestens einem Jahr. Der Förderungsbetrag pro Projekt ist unterschiedlich, aktuell sind es zwischen 200.000 und 300.000 Euro.

Partnerunternehmen
Stand April 2023 kooperierten unter anderem folgende Handelsunternehmen mit der Initiative: aktiv&irma, BabyOne, EDEKA Center Möllenkamp, Jochen Schweizer, Kaufland, Naturkind, Wackler, Trapo AG, Grant Thornton und Wenko GmbH.

Spendenprojekte
Zu den inzwischen 46 geförderten Projekten gehören unter anderem (chronologisch abfolgend):

 Papilio e.V. – Prävention gegen Sucht und Gewalt
 Eltern AG
 Klasse2000
 Big Brothers Big Sisters Deutschland
 HIPPY Deutschland
 wellcome
 Parents as Teachers (PAT)
 BuddY-Programm
 Work and Box Company
 Seniorpartner in School
 Balu und Du
 Teach First Deutschland
 Off Road Kids
 Kindergarten Plus
 Opstapje
 buntkicktgut
 Kisiko
 START: Bildung wirkt!
 Refugio Bremen
 Spielmobil Falkenflitzer
 Papilio Eltern-Club
 Akinda: Einzelvormundschaften für geflüchtete Kinder
 brotZeit
 Jugendwerk
 Litcam
 climb
 ROCK YOUR LIFE!
 GemüseAckerdemie

Bis Ende 2022 wurden rund 22,1 Millionen Euro gespendet.

Verwaltungskosten
Deutschland rundet auf besteht aus den zwei Gesellschaften Deutschland rundet auf Gemeinnützige Stiftungs-GmbH und der 100%igen Tochter Deutschland rundet auf Partner GmbH.

Die Stiftung verwaltet die aufgerundeten Spenden. Die Partner GmbH tätigt das operative Geschäft und finanziert sich aus Gebühren der teilnehmenden Handelspartner, die diese, in Abhängigkeit von ihrer Umsatzgröße, an die Partner GmbH entrichtet. Sie liegt zwischen 999 Euro und 99.999 Euro. Darüber hinaus kann die Stiftung auf Pro-Bono-Dienstleistungen zurückgreifen.

Auswirkungen
Laut einer Studie der Unternehmensberatung OC&C vom Oktober 2013 zeigt sich, dass 21 Prozent der Aufrunder nie zuvor gespendet haben. Zudem erreicht die Aktion auch deutlich jüngere Spender – so sind 43 Prozent der Spender unter 39 Jahre alt. Demgegenüber sind unter allen Privatspendern laut des Marktforschungsinstitutes GFK nur 15 Prozent dieser jungen Spendergruppe zuzuordnen.

Kritik
Kritiker bemängeln, dass Kunden unter einen "gesellschaftlich-moralischen" Druck gelangen können, wenn sie an der Kasse angesichts des maximalen Spendenbetrags von 10 Cent nicht als "kleinlich" erscheinen wollen.

Siehe auch
 Kleinstspende

Weblinks
 Offizielle Website

Einzelnachweise

Spende
Dienstleistungsunternehmen (Berlin)
Initiative Transparente Zivilgesellschaft
Non-Profit-Organisation
Soziales Engagement

Deutschland rundet auf


Şahin Aygüneş (* 1. Oktober 1990 in Ansbach) ist ein deutsch-türkischer Fußballspieler, der zuletzt beim SV Sandhausen in der 2. Fußball-Bundesliga unter Vertrag stand.

Karriere

Vereine
Şahin Aygüneş kam 1990 als Sohn türkischer Gastarbeiter, die von der Hafenstadt Sürmene nach Deutschland emigriert waren, in Ansbach zur Welt. Er wuchs in Hockenheim auf und begann in der Jugend des dortigen FV 08 mit dem Fußballspielen. Hier wurde er von den Talentspähern des SV Waldhof Mannheim gesichtet. Wenig später lag von Mannheim ein Angebot vor und so wechselte der dreizehnjährige Aygüneş in die Jugend der Mannheimer. Nach einem einjährigen Aufenthalt bei Waldhof Mannheim wechselte er in die Jugend des Karlsruher SC. In der Jugend der Karlsruher war er bis zum Sommer 2009 aktiv.

Ab dem Sommer 2008 durfte er neben seiner Tätigkeit in der Jugendmannschaft auch mit der Reservemannschaft des Karlsruher SC, der Karlsruher SC II  trainieren. So absolvierte er für die in der Regionalliga spielende Mannschaft insgesamt fünf Begegnungen. Sein Debüt gab er am 27. September 2008 gegen den SC Pfullendorf.

Zur Spielzeit 2009/10 verpflichtete ihn der türkische Erstligist Kasımpaşa. In seiner ersten Saison kam er auf 17 Ligaeinsätze und erzielte dabei sechs Treffer. Am Ende der Saison 2010/11 stieg er mit seinem Verein in die TFF 1. Lig ab. Zur neuen Saison blieb er bei Kasımpaşa und erreichte mit diesem Verein nach dem Playoff-Sieg den indirekten Wiederaufstieg in die Süper Lig. Aygüneş war im Allgemeinen mit seinen Einsätzen und Toren in der regulären Saison und mit seinen zwei Treffern in der Playoff-Phase maßgeblich an diesem Erfolg beteiligt.

Nachdem Aygüneş zuletzt bei Kasımpaşa zu kaum Spieleinsätzen gekommen war und zuletzt sogar nur für die Reservemannschaft spielte, wechselte er im Frühjahr 2014 innerhalb der Süper Lig zu Trabzonspor. Mitte Juli 2014 löste Trabzonspor den Vertrag mit Aygüneş auf.

Zur Saison 2014/15 wechselte er zum Zweitligisten Antalyaspor. Hier wurde er zum Saisonende mit seinem Klub Play-off-Sieger der TFF 1. Lig und erreichte damit den Aufstieg in die Süper Lig. Für die Rückrunde der Saison 2015/16 wurde er an den Zweitligisten Karşıyaka SK ausgeliehen. Nach der Rückkehr zu seinem Stammverein kam er dort zu keinen weiteren Einsätzen. Im Januar 2017 wechselte er in die dritte türkische Liga zu Tuzlaspor. Nach Ende der Spielzeit war Aygüneş zunächst vereinslos. Er kehrte in die Kurpfalz zurück, wo er sich beim SV Sandhausen fit hielt und auch bei Vorbereitungsspielen eingesetzt wurde. Mitte August 2017 erhielt Aygüneş dort einen Vertrag bis zum Ende der Spielzeit mit der Option auf eine Verlängerung.

Nationalmannschaft
Şahin Aygüneş fing früh an für die türkischen Jugendnationalmannschaften zu spielen. Er durchlief ab der U-16 nahezu alle Jugendmannschaften. Obwohl er auch Anfragen von den deutschen Jugendnationalmannschaften erhielt, entschied er sich für die türkische Jugendnationalmannschaften.

Erfolge
 Mit Kasımpaşa Istanbul
 Playoff-Sieger der TFF 1. Lig und Aufstieg in die Süper Lig: 2011/12

Mit Antalyaspor
 Play-off-Sieger der TFF 1. Lig und Aufstieg in die Süper Lig: 2014/15

Weblinks

Einzelnachweise

Fußballspieler (Karlsruher SC)
Fußballspieler (Antalyaspor)
Fußballspieler (Karşıyaka SK)
Fußballspieler (Kasımpaşa Istanbul)
Fußballspieler (Trabzonspor)
Fußballspieler (Tuzlaspor)
Fußballspieler (SV Sandhausen)
Deutscher
Türke
Geboren 1990
Mann

Şahin Aygüneş


يوروكوبتر أي سي 130 )بالإنجليزية: Eurocopter EC130) هي مروحية أوروبية خفيفة ذات محرك واحد، وهي تطور للإنتاج من مروحية يوروكوبتر إيه إس 350.

التصميم والتطوير
المروحية إي-سي-130 هي أحد الطرازات المبنية على أساس يوروكوبتر إيه إس 350 بي3، وقامت برحلتها الأولى في 24 يونيو 1999. وتتميز المروحية إي-سي-130 باستبال مروحة التوجيه الخلفية بمضخة هوائية. وقد أدخل هذا التعديل الذي يسمى بالفرنسية «الشباك الصغير/فنسترون» Fenestron من أجل خفض ضوضاء تلك المروحة خارج الطائرة بنسبة 50%، حيث يصل ضجيجها 8.5 dB وهذا أقل من الحد القياسي 2.

صممت إي-سي-130 بمشاركة شركات السياحة، وهي تحتوي على مقصورة واسعة تتمتع بروئية ممتازة إلى الخارج، وتسع لعدد 7 من السياح. ومقد بدأت إي-سي-130 بالخدمة في أسطول بلو هاوايان للسياحة عام 2001، وهي حاليا تستعمل يوميا في هاواي والجراند كانيون بكاليفورنيا.

كما أصبحت إي-سي-130 تستخدم كثيرا في الخدمات الطبية بفضل اتساعها ويمكنها احتواء واحا إو اثنين من أسرة نقل المرضى، كما تتميز بأبواب جانبية واسعة ونافذة فنسترون تمنع دوران المروحية عشوائيا. ويضم الآن أكبر ناقل للمرضى في العالم AMS ستة مروحيات إي-سي-130 في أسطوله.

بعض موديلات إي-سي-130

بعض الموديلات

مستخدمين
توجد عدد كبير لتلك المروحية يعمل في البلاد المختلفة، نذكر منها :
 الإمارات العربية المتحدة، والولايات المتحدة الأمريكية، وألمانيا وأستراليا وموناكو ونيوزيلندا وغيرهم.

مراجع

طائرات مروحية ذات توربين واحد
طائرات منافع مدنية دولية 1990–1999
مروحيات إيرباص
مروحيات بدوار خلفي مدمج مع الذيل
مروحيات فرنسية 1990–1999
مروحيات يوروكوبتر

يوروكوبتر إي سي 130


A lista a seguir contém as músicas mais tocadas na plataforma de streaming de áudio Spotify.

Desde Julho de 2023, "Blinding Lights", do cantor canadense The Weeknd, é a música mais tocada de todos os tempos no Spotify, enquanto "Dance Monkey", da cantora e compositora australiana Tones and I é a música mais tocada por uma artista feminina. O cantor canadense Justin Bieber detém o maior número de músicas na lista das 100 músicas mais tocadas, com seis entradas, enquanto Dua Lipa, cantora anglo-albanesa, tem o maior número de músicas no top 100 para uma artista feminina, com quatro entradas.

Antes de fevereiro de 2014, a música mais transmitida do Spotify era "Radioactive", da banda de pop estadunidense Imagine Dragons. Desde então, seis canções reivindicaram o topo do ranking, todavia a que ficou mais tempo foi "Shape of You", do cantor e compositor inglês Ed Sheeran.

Em Agosto de 2023, um total de mais de 457 músicas ultrapassaram um bilhão de streamings no Spotify.

100 músicas mais ouvidas

A tabela a seguir lista as 100 músicas com mais streamings no Spotify, estes arredondados ao milhão mais próximo, bem como o(s) artista(s) e a data de lançamento.

Artistas com mais músicas no top 100

30 músicas mais ouvidas no Spotify Brasil
A tabela a seguir lista as 30 músicas com mais streamings no Spotify dos usuários brasileiros, estes arredondados ao milhão mais próximo, bem como o(s) artista(s) e a data de lançamento.

50 músicas em português mais ouvidas no Spotify

Ver também

 Lista dos artistas mais ouvidos no Spotify
 Lista dos vídeos mais visualizados no YouTube
 Lista dos canais com mais inscritos do YouTube
 Lista das páginas mais seguidas no Facebook
 Lista das postagens mais curtidas no Instagram
 Lista das contas mais seguidas no Instagram
 Lista das contas mais seguidas no TikTok
 Lista dos vídeos mais curtidos no TikTok
 Lista das contas mais seguidas no Twitter
 Lista dos vídeos online mais vistos nas primeiras 24 horas

Notes

Listas de superlativos relacionados à Internet
Listas de música
Spotify

Lista das músicas mais tocadas no Spotify


Sidney Earle Smith,  (March 9, 1897 – March 17, 1959) was an academic and Canada's Secretary of State for External Affairs in the government of Prime Minister John Diefenbaker.

Early life and education
Born and raised on Nova Scotia's Port Hood Island, Smith grew up speaking both English and Gaelic. He received a B.A. and an M.A. from the University of King's College, followed by an LL.B. from Dalhousie University.

Career
Smith became a lawyer and a professor of law, lecturing at Osgoode Hall Law School and then at Dalhousie University. In 1929, he became dean of Dalhousie's law school.  In 1934, he left the Maritimes to become president of the University of Manitoba.  In 1945, he was appointed the president of the University of Toronto. He remained in that role for twelve years, overseeing a major period of the university's expansion.

Politics
A strong Conservative in the Red Tory tradition, Smith became a prominent member of the Progressive Conservative Party. In 1956, he was considered a possibility for the party's leadership, but decided not to run, disappointing those in the party establishment who wished to prevent the populist John Diefenbaker from becoming leader.

After Diefenbaker won a surprise minority government in 1957, Smith was appointed as Secretary of State for External Affairs. Despite Smith's brilliance and popularity in academia, his success in this new role was limited. After holding the position for two years, he died suddenly of a stroke in 1959.

Posthumous recognition
Sidney Smith Hall, the central building of the Faculty of Arts and Science at the University of Toronto, is named after him.

Election results

References

Martin Friedland, The University of Toronto: A History. Toronto: University of Toronto Press, 2002.

External links

Sidney Earle Smith archival papers held at the University of Toronto Archives and Records Management Services
Sidney Earle Smith fonds s held at Library and Archives Canada

1897 births
1959 deaths
Canadian legal scholars
Dalhousie University alumni
Deans of law schools in Canada
Members of the House of Commons of Canada from Ontario
Members of the King's Privy Council for Canada
Members of the United Church of Canada
People from Inverness County, Nova Scotia
Presidents of the University of Toronto
Progressive Conservative Party of Canada MPs
Canadian people of Scottish descent
University of Manitoba
Schulich School of Law alumni
Canadian Secretaries of State for External Affairs

Sidney Earle Smith


Højt skum - en film om Storm P. er en dansk biografisk dokumentarfilm fra 2015, der er instrueret af Jørgen Vestergaard efter manuskript af ham selv og Bo hr. Hansen. Peter Vimmelskaft og pingvinen Ping fortæller om deres skaber, Robert Storm Petersen, som er bedre kendt under navnet Storm P.

Handling
Robert Storm Petersen (1882-1949) var lige så alsidig som han var flittig. Derfor er hans efterladte produktion af figurer, tegninger, malerier, tegnefilm, tegneserier og fortællinger en uudtømmelig kilde til jubel og undren. Næppe nogen anden dansker - bortset fra H.C. Andersen - har bidraget så meget til folkevid og sproglig fornyelse som Storm P. Det vil filmen gerne bevise: Filminstruktør Jørgen Vestergaard har levendegjort tegneseriefigurerne Peter og Ping, der boede på Storms skrivebord fra 1922 til 1949, og fået dem til at fortælle om deres liv med kunstneren og privatmennesket. Med sine daglige avistegninger stimulerede han vores lattermuskler, men han var også samfundskritiker, filosof og seriøs maler.

Referencer

Eksterne henvisninger

Biografiske film fra Danmark
Dokumentarfilm fra Danmark
Dansksprogede film
Danske film fra 2015
Storm P

Højt skum - en film om Storm P.


Georgi Charalampiew Kostadinow (auch Georgi Haralampiev Kostadinov geschrieben, ; * 16. Januar 1950 in Burgas) ist ein ehemaliger bulgarischer Boxer. Er wurde 1972 Olympiasieger im Fliegengewicht und ist der erste bulgarische Olympiasieger im Boxen.

Boxkarriere
Kostadinow trainierte in der Boxabteilung von Tschernomorez Burgas und später ZSKA Sofia, sein Trainer war Wasil Kostow. Er wurde 1969 erstmals Bulgarischer Meister bei den Erwachsenen und gewann 1970 eine Bronzemedaille bei der Junioren-Europameisterschaft (U21) in Miskolc.

1971 war er Viertelfinalist der Europameisterschaft in Madrid und gewann 1972 die Balkanmeisterschaft in Ankara.

Sein größter Erfolg war der Gewinn der Goldmedaille im Fliegengewicht bei den Olympischen Sommerspielen 1972 in München. Er besiegte dabei Jan Balouch aus Pakistan (TKO), Chris Ius aus Kanada (5:0), Calixto Pérez aus Kolumbien (3:2), Leszek Błażyński aus Polen (5:0) und Leo Rwabwogo aus Uganda (5:0). Es handelte sich um die bis dahin fünfte bulgarische Olympiamedaille im Boxen und um den ersten Olympiasieg eines bulgarischen Boxers überhaupt. Die nächsten bulgarischen Olympiasieger im Boxen wurden 1980 Petar Lessow, 1988 Iwajlo Marinow und 1996 Daniel Petrow

1974 gewann er die Silbermedaille bei der Balkanmeisterschaft in Constanța und startete bei den Olympischen Sommerspielen 1976 in Montreal. Nach einem Sieg gegen den Südkoreaner Kim Jeong-cheol (5:0), verlor er im Achtelfinale gegen den Venezolaner Alfredo Pérez.

Nach seiner Wettkampfkarriere wurde er Trainer und Sportlehrer in Burgas.

Einzelnachweise

Weblinks
 databaseOlympics

Boxer (Bulgarien)
Olympiasieger (Boxen)
Olympiateilnehmer (Bulgarien)
Teilnehmer der Olympischen Sommerspiele 1976
Teilnehmer der Olympischen Sommerspiele 1972
Sportler (Burgas)
Ehrenbürger von Burgas
Bulgare
Geboren 1950
Mann

Georgi Kostadinow (Boxer)


Purcelușa Peppa (în ) este o serie britanică de televiziune animată, produsă de Astley Baker Davies în colaborare cu Entertainment One, care a fost difuzată inițial pe data de 31 mai 2004. Programul de televiziune pentru copii este difuzat pe canalul 5 și Nick Jr. în Marea Britanie, Nickelodeon / Nick Jr. în SUA, ABC 4 Kids în Australia și Discovery Kids în America Latină, inclusiv Brazilia. În prezent, Purcelușa Peppa are șapte sezoane, iar un episod durează cinci minute. În România, serialul este difuzat pe Nick Jr. și Minimax.

Premisă
Spectacolul se învârte în jurul personajului Peppa, un porc femelă antropomorfizată, împreună cu familia și prietenii ei. Fiecare dintre prietenii săi fac parte din specii diferite de animale și sunt de aceeași vârstă ca și ea. Episoadele au tendința să includă activități de zi cu zi precum: participarea la grupurile de joacă, înotul, vizita la bunici, verișoare, mersul pe terenul de joacă sau plimbări cu bicicleta. Personajele poartă haine, locuiesc în case și conduc autoturisme, dar prezintă și unele caracteristici ale animalelor pe care se bazează. Peppa și familia ei grohăie ca niște porci adorabili în timpul conversațiilor pe care le țin în limba engleză. Celelălte animale emit sunetele corespunzătoare speciei atunci când vorbesc, iar unele dintre ele prezintă și alte caracteristici reprezentative. Deși personajele principale - mai ales mamiferele - sunt antropomorfizate, alte personaje animale, precum Tiddles - broasca țestoasă, Polly - papagalul și rațele, nu sunt.

Personaje

Purcelușii
 Purcelușa Peppa
 Purcelușul George
 Purcelușa mamă
 Purcelușul tată
 Purcelușul bunic
 Purcelușa bunică
 Purcelușa mătușă
 Purcelușa Chloe
 Bebelușul Alexander
 Purcelușa mătușă Dottie

Iepurașii
 Iepuroaica Rebecca
 Iepurașul Richard
 Doamna iepuraș
 Iepuroaica mamă
 Iepurașul tată
 Iepurașul bunic
 Rosie și Robby

Episoade

Parcul Tematic Peppa Pig World
Peppa Pig World este un parc tematic de familie situat în New Forest, Hampshire și a fost deschis pe 9 aprilie 2011 la Paultons Park, Hampshire, Marea Britanie. Parcul are zone de joacă în interior, un Aqua Park și mai multe clădiri tematice.

Referințe

Legături externe

Seriale de televiziune din 2004
Seriale de animație
Minimax

Purcelușa Peppa


Biserica de lemn din satul Nețeni a fost construită în anul 1722. Are hramul "Sfântul Dimitrie, izvorâtorul de mir". Ea deservește liturgic localitatea în care mai viețuiesc doar 13 persoane, majoritatea foarte în vârstă.

Istoric și trăsături
Biserica din satul bistrițean Nețeni face parte din categoria "bisericilor călătoare". Biserica a fost construită, din lemn, în anul 1722 în localitatea Deda, din județul Mureș. Biserica a fost mutată apoi în localitatea bistrițeană Monor, iar în 1890, când monorenii și-au construit o biserică nouă, a fost dezafectată, iar din materialul recuperat, reconstruită în Nețeni.

Între anii 2014-2016, prin strădaniile preotului paroh Ioan Lucian Blaga, au avut loc ample lucrări de renovare, iar biserica a fost împodobită iconografic de pictorul  Simion Săsărman. Biserica a fost resfințită în data de 10 aprilie 2016 de I.P.S. Andrei, mitropolitul Clujului, alături de un sobor de peste zece preoți și diaconi.

Note

Bibliografie
Studii regionale
 (1982) Monumente istorice și de artă religioasă din arhiepiscopia Vadului, Feleacului și Clujului, Cluj Napoca: Arhiepiscopia Ortodoxă Română a Vadului, Feleacului și Clujului.
 Chintăuan, Ioan, Bolog, Mihaela și Pop, Florica (2002). Biserici de lemn din Bistrița-Năsăud, ghid, Cluj Napoca: Supergraph. ISBN 973-99892-4-1.

Vezi și
 Nețeni, Bistrița-Năsăud

Legături externe
 Fișă monument

Imagini din exterior

Imagini din interior

Nețeni
Biserici din secolul al XVIII-lea din România
Biserici cu hramul Sfântul Dumitru

Biserica de lemn din Nețeni


Glymur er et vandfald i elven Botnsá i det vestlige Island. Højden er ifølge Islands Statistik 190 m, andre angivelser siger 198 m.

Glymur er normalt regnet for Islands højeste vandfald, men i 2011 viste uformelle målinger at et nyt vandfald i Morsárjökull i Nationalparken Vatnajökull måske er højere med 218 m.

Glymur ligger tæt på bunden af fjorden Hvalfjörður. Botnsá løber ud fra søen Hvalvatn og falder efter omkring 2 km ned i en kløft.

Fra bunden af fjorden er der en sti til vandfaldet. Den ret stejle sti op til kanten af den dybe flodkløft kaldes Leggjabrjótur, som betyder "benbrud". Umiddelbart før stigningen passeres en lille grotte og floden kan krydses over en smal, improviseret bro. Broen er lukket i vintermånederne, således at man må krydse floden selv.

Referencer

Vandfald i Island

Glymur


"Um Sinal" é uma canção da cantora brasileira Ivete Sangalo e do trio compatriota Melim, lançada como single em 3 de agosto de 2018 através da Universal Music Brasil. A música marcou o retorno de Sangalo ao mercado da música, após sua licença-maternidade.

Composição
De acordo com Sangalo, a faixa foi inspirada por conversas com sua sobrinha Laís. "Ela além de minha amiga, é minha confidente. Então eu conto muita coisa de mim pra ela e ela pra mim. Nessa coisa da gente conversar, ela é muito conselheira, ela me fala muita coisa massa. Nosso papo foi rendendo tanto que, antes de dormir, ela foi embora pra casa e eu peguei o papel, escrevi a letra, e mandei para o Ramon musicar", narrou a cantora. Segundo Caian Nunes do website POPline, a música "segue uma linha mais leve, diferente das músicas super animadas que costuma lançar".

Videoclipe
O clipe, dirigido por Philippe Noguchi, foi gravado em cenários perto da Praia do Forte, no município de Mata de São João, na Bahia, lugar que fez parte da trajetória da cantora. Além da banda, participa do clipe o ator Alejandro Claveaux.

Desempenho nas tabelas musicais

Tabelas musicais

Singles de 2018
Canções gravadas por Ivete Sangalo
Canções de 2018

Um Sinal


Her Highness and the Bellboy é um filme de comédia romântica estadunidense dirigido por Richard Thorpe e estrelado por Hedy Lamarr, Robert Walker e June Allyson. Escrito por Richard Connell e Gladys Lehman, o filme foi lançado pela Metro-Goldwyn-Mayer nos Estados Unidos em 11 de julho de 1945.

Elenco
 Hedy Lamarr como Princesa Veronica
 Robert Walker como Jimmy Dobson
 June Allyson como Leslie Odell
 Carl Esmond como Barão Zoltan Faludi
 Agnes Moorehead como Condessa Zoe
 Rags Ragland como Albert Weever
 Ludwig Stössel como Sr. Puft
 George Cleveland as Dr. Elfson
 Warner Anderson como Paul MacMillan
 Konstantin Shayne como Yanos Van Lankovitz
 Tom Trout como Hack
 Ben Lessy como ele mesmo
 Patty Moore como Fae
 Edward Gargan como 1º Policial

Filmes dos Estados Unidos de 1945
Filmes de comédia romântica dos Estados Unidos
Filmes em preto e branco
Filmes dirigidos por Richard Thorpe
Filmes da Metro-Goldwyn-Mayer
Filmes ambientados em Nova Iorque

Her Highness and the Bellboy


Das Patrimonio Nacional ist eine spanische Behörde, die die Verwaltung der Objekte im Staatsbesitz, die vom König und der königlichen Familie und für Staatszeremonien genutzt werden, zur Aufgabe hat. Die Behörde verwaltet Paläste, Gärten, Klöster und Kirchen und organisiert in ihnen Ausstellungen und Konzerte. Zudem betreut es das Publikationsprogramm zu den königlichen Einrichtungen und Sammlungen. Das Patrimonio Nacional gibt zudem die Zeitschrift Real Sitios heraus.

Der Verwaltungsrat der Behörde besteht nach dem Gesetz 23/1982 aus zehn Mitgliedern, sowie einem Vorsitzenden und einem Manager, die vom König nach Vorschlag des Ministerpräsidenten ernannt werden. Den Vorsitz hat derzeit Nicolás Martínez-Fresno y Pavía inne.

Einrichtungen
 Paläste
 Palacio Real
 Real Sitio de San Lorenzo de El Escorial
 El Pardo
 Palacio de la Zarzuela
 Palacio Real (Aranjuez)
 La Granja de San Ildefonso
 Palacio Real (Riofrio)
 Alcázar von Sevilla
 Palacio Real de La Almudaina

 Klöster und Kirchen
 Monasterio de las Descalzas Reales (Madrid)
 Real Monasterio de la Encarnación
 Real Monasterio de Santa Clara de Tordesillas
 Las Huelgas
 Valle de los Caídos
 Convento de San Pascual (Aranjuez)
 Real Monasterio de Santa Isabel
 Colegio de Doncellas de Toledo

 Weitere
 Casita del Príncipe (El Escorial)
 Casita del Príncipe (El Pardo)
 Casita del Infante
 Panteón de Hombres Ilustres

Weblinks

 Offizielle Webpräsenz des Patrimonio Nacional

Spanische Monarchie

Patrimonio Nacional


Lea Bridge is a district in the London Borough of Hackney and the London Borough of Waltham Forest in London, England. It lies 7 miles (11.3 km) northeast of Charing Cross.

The area it takes its name from a bridge built over the River Lea in either 1745 – or sometime after 1757 – and the Lea Bridge Road which leads through the area and across the bridge. The bridge also gives its name to a ward in Waltham Forest (Lea Bridge) on the eastern, Leyton, bank of the river, and to a ward in Hackney on the Western side of the river, also called Lea Bridge ward. The boundary between the two boroughs runs down the middle of the river at this point.

Within Hackney, Lea Bridge Road forms the customary boundary between Upper and Lower Clapton.

History
In 1582 Mill Fields Lane ran from Clapton to Jeremy's Ferry in the Leyton Marshes. At the same spot a timber bridge was built in either 1745, or sometime after 1757. After this, the road became known as Lea Bridge Road, with a tollgate at the Clapton end. A toll house was built on the west bank of the river in 1757, and the bridge rebuilt in iron in 1820–1. Tolls continued to be levied until 1872.

Clapton Orient played at the Lea Bridge Stadium between 1930 and 1937 before moving to Brisbane Road. The stadium was also used for speedway and was the home track of the Lea Bridge speedway team. It was demolished in the 1970s and a housing estate built on the site.

Local area
There are few crossing points for the Lea Marshes. The nearest major river crossing to the south is at Hackney Wick and to the north at Tottenham Hale.

The area contains large amounts of open space, dominated by Millfields recreation grounds, one of the largest parks in Hackney and recently awarded a Green Flag, to mark the high standard of the park environment and its maintenance. Along the southern border of the park is the site of what was once a coal-fired Millfields power station, now used as a sub-station, on the London Ring, and recently upgraded. This was built in 1901, well before the creation of the National Grid in 1938, a period when power had to be generated near to the consumer. It provided electric street lighting throughout the then Metropolitan Borough of Hackney.

Lea Bridge gives ready access to the lower reaches of the extensive Lee Valley Park, which stretches for about  on both banks of the river. Next to the south side of the bridge is a pub, the "Princess of Wales" and a Grade *II listed Victorian Old School Room, built in 1862, for the education of the children of those who lived by a now built over dock - the former schoolhouse is now restored and occupied by a Buddhist Order. To the south are the Hackney Marshes, and beyond Leyton Marsh to the north are the Walthamstow Marshes and Nature Reserve. Also to the South is the former Olympic Park, now called the Queen Elizabeth Olympic Park.

Below the bridge, the river flows over the Middlesex Filter Beds Weir, marking the boundary with Leyton and providing the supply for the former East London Waterworks Company. The old Middlesex Filter Beds have been converted into a nature reserve, and on the Leyton side the corresponding Essex Filter Beds are now a reserve for birds. The Lee Navigation continues south in an artificial channel known as 'Hackney Cut', to the next lock at Old Ford (about 1.7 miles), where the natural channel rejoins the Navigation after its  meander towards Leyton.

To the North of the river is an ice rink, which got a planning application granted (in October 2020) to demolish and replace with a double pad ice rink and other leisure facilities. There is also Oxbow Island, created by the meandering of the river, along the north bank, which is one of the remaining areas of wild land and wildlife in the area and is the responsibility of the Canal & River Trust.

Geography

Education

Transport

The local station for Lea Bridge is Lea Bridge railway station on the Lea Valley lines. Also close by is Clapton railway station on the Liverpool Street to Chingford line. Lea Bridge Road is well served by buses having seven bus routes in total, two of which are night routes, and one 24-hour route. Buses in the area include routes 55, 56, 58 and W19, with the addition of night routes N38, N55 and 24-hour operated route 158. More recently, there is now a 308 bus which comes from Leabridge roundabout and turns into Chatsworth Road, going to Stratford.

From Leabridge roundabout intersection with Upper and Lower Clapton roads, a number of buses travel south through Hackney, and to the City, and to the north through Stamford Hill and Stoke Newington.

References

External links
 Lee Valley Park
 Lea Bridge Road Nature Reserves Leaflet (PDF)
 Lea Bridge Road Nature Reserves Map (PDF)
 The River Lee (for young people)

Districts of the London Borough of Hackney
Areas of London

Lea Bridge


Arlie Russell Hochschild (; born January 15, 1940) is an American professor emeritus of sociology at the University of California, Berkeley and writer.  Hochschild has long focused on the human emotions that underlie moral beliefs, practices, and social life generally. She is the author of nine books including, most recently, Strangers in Their Own Land: Anger and Mourning on the American Right, a finalist for the National Book Award.  In The Managed Heart (1983), The Second Shift (1989),  The Time Bind (1997) and many of her other books, she continues the sociological tradition of C. Wright Mills by drawing links between private troubles and public issues. Her impact worldwide is recognized, as her books have been translated into 16 different languages (World Affairs).

Hochschild seeks to make visible the underlying role of emotion and the work of managing it, the paid form of which she calls "emotional labor."  For her, "the expression and management of emotion are social processes. What people feel and express depend on societal norms, one's social category and position, and cultural factors."

In 2021 she was elected to the American Philosophical Society. Additionally, she is a member of various other sociological societies; such as the American Sociological Association, the Gerontological Society of America, the Sociological Research Association, the Sociologists for Women in Society, and the American Federation of Teachers.

Biography

Early life and family background
Arlie Hochschild was born in Boston, Massachusetts, the daughter of Ruth Alene (Libbey) and Francis Henry Russell, a diplomat who served in Israel, New Zealand, Ghana, and Tunisia. In her 2016 book, Strangers in Their Own Land, Hochschild says that her first experiences reaching out and getting to know people different from her stem from her fathers profession as a diplomat. Hochschild grew up in a household where her mother was the primary caregiver and her father was the provider. Her mother "volunteered for the PTA, and helped start a preschool program in Montgomery County, Maryland, all the while supporting [her] father's job as a government official and diplomat". Hochschild drew on her positive childhood experiences to study and write on caregiving and having a loving relationship with your children. In the preface of her book,  The Commercialization of Intimate Life, she says that her mother was a wonderful woman who committed her life to care for her family and was excellent at it, but who never appeared pleased doing so.

In Hochschild's early life, she became fascinated with the boundaries people draw between inner experience and outer appearance. Living internationally at a young age challenged her to see the world in a unique way.
As she writes in the preface to her book The Managed Heart: the Commercialization of Human Feeling, "I found myself passing a dish of peanuts among many guests and looking up at their smiles; diplomatic smiles can look different when seen from below than when seen straight on. Afterward, I would listen to my mother and father interpret various gestures. The tight smile of the Bulgarian emissary, the averted glance of the Chinese consul . . . I learned to convey messages not simply from person to person but from Sofia to Washington, from Peking to Paris, and from Paris to Washington. Had I passed the peanuts to a person, I wondered, or to an actor? Where did the person end and the act begin? Just how is a person related to an act?" The Managed Heart: the Commercialization of Human Feeling explores how we grapple with the emotions we are truly feeling versus the emotions we think we are supposed to feel.

Hochschild has been married to her husband, writer Adam Hochschild, since June 1965. They met at a Quaker work camp in Spanish Harlem when she was 20 and he was 17. Although they aren't practicing Quakers, they still like to embody some of the Quaker values, which are also what drew her to Swarthmore College. Hochschild joined Swarthmore as a sophomore transfer student after spending one year in New Zealand for college, where her family was located at the time. She and her husband used their learning from Swarthmore to participate in "civil rights work in Vicksburg, Miss." before their marriage in 1965. She later became a mother herself and raised two sons named David Russell and Gabriel Russell.

Hochschild says that "By making herself a player in this evolving social phenomenon, she's signaling, 'You're not just an insect being scientifically inspected by the white-coated scientists.'.. She has traveled to an infertility clinic in India to personally interview pregnancy surrogates, where she interacted with poor women who were "paid to carry fetuses for infertile American couples." Here, she met an Indian journalist, Aditya Ghosh, who she later helped to get a Ph.D.

Education and academic career
Hochschild graduated from Swarthmore College in 1962 where she majored in International Relations and was a member of the political action group and the peace corps committee. After, she earned her M.A. and Ph.D. from the University of California, Berkeley, whose faculty she soon joined. Prior to joining the staff at University of California, Berkeley, she was an assistant professor at University of California, Sant Cruz, from 1969-1971. She wrote her first book, The Unexpected Community: Portrait of an Old Age Subculture, which was focused on how community affects the differences in elderly peoples' mental health, in 1973. As a graduate student, Hochschild was greatly inspired by the writings of well-known sociologists, Erving Goffman and C. Wright Mills. In White Collar, Mills argued that we "sell our personality." This resonated with Hochschild, however, she felt that more needed to be added. As she writes,

"Mills seemed to assume that in order to sell personality, one need only have it. Yet simply having personality does not make one a diplomat, any more than having muscles makes one an athlete. What was missing was a sense of the active emotional labor involved in the selling. This labor, it seemed to me, might be one part of a distinctly patterned yet invisible emotional system—a system composed of individual acts of 'emotion work,' social 'feeling rules,' and a great variety of exchanges between people in private and public life."

Hochschild went on to create concepts that illuminate the power of emotion in social life.

Politics
Although Hochschild identifies as more "left-leaning" politically, her work shows consideration and reflection on those opposite of her on the political spectrum. While she may not agree with them politically, she understands the importance of learning and connecting with those who do not agree with her personally on politics. In her book Strangers in Their Own Land - Anger and Mourning on the American Right, she discusses the motives behind members of the Tea Party learning about them and how their lives led them to support political figures such as Donald Trump. She spent five years in Lake Charles, Louisiana to examine their community, as it is a republican dominated environment. As well, she tries to see if a liberal like herself can empathize with people who voted for him. In a discussion where Hochschild reflects on her research for this project , she says, "I knew I would have to climb an empathy wall". The book was a National Book Award finalist, as well as one of the top ten best non-fiction books of the decade by the Boston Public Library. Hochschild has also written political opinion pieces for the New York Times, The Guardian, The Atlantic, Time Magazine, Los Angeles Times, as well as many others.

"Prior to writing Strangers in Their Own Land, Hochschild said she noticed the hostility developing in the political world, specifically between the two parties. As a liberal, it was easy to see where the left was coming from but she had a harder time understanding the right. In the book she says, "Since that time both parties have split their seams and Donald Trump has burst onto the scene, quickening the pulse of American political life. I had some understanding of the liberal left camp, I thought, but what was happening on the right?

Hochschild can be passionate about her political leanings, but she is equally willing to put them aside to try and learn from those who do not think similarly to her. She quotes in the discussion of Strangers in Their Own Land:

"What I'm really interested in is understanding how people feel. I'm not focusing pragmatically on policies, but trying to get into what it would feel like to be a person who has a certain set of experiences and lives in a certain social world and has certain news sources. I think that in itself is the whole project — turning your alarm system off and really listening."

Hochschild's sociological theories
Hochschild has a personal fascination with the relationship between peoples inner experiences and outer appearance, so Mills' concepts were very influential in the direction of her later works in studying emotion sociologically.

Emotion as a social norm

Through her work, Hochschild proclaims that human emotions—joy, sadness, anger, elation, jealousy, envy, despair—are, in large part, social. Each culture, she argues, provides us with prototypes of feeling which, like the different keys on a piano, attune us to different inner notes. She provides an example of the Tahitians, who have one word, "sick," for what in other cultures might correspond to envy, depression, grief, or sadness.

Culture guides the act of recognizing a feeling by proposing what's possible for us to feel. In The Managed Heart Hochschild cites the Czech novelist Milan Kundera, who writes that the Czech word "litost" refers to an indefinable longing, mixed with remorse and grief—a constellation of feelings with no equivalent in any other language. It is not that non-Czechs never feel litost, she notes; it is that they are not, in the same way, invited to lift out and affirm the feeling.

Apart from what we think a feeling is, Hochschild asserts in The Managed Heart, we have ideas about what it should be. We say, "You should be thrilled at winning the prize" or "You must be furious at what he did." We evaluate the fit between feeling and context in light of what she calls "feeling rules," which are themselves deeply rooted in culture. In light of such feeling rules, we try to manage our feelings—i.e., we try to be happy at a party, or grief-stricken at a funeral. In all of these ways—our experience of an interaction, our definition of feeling, our appraisal, and management of feeling—feeling is social.

In Hochschild's later work, she introduces the "concept of "framing rules", which provide the context for feeling rules." She explains that framing rules are the "rules governing how we see situations" and how they "point to the cognitive, meaningful, and interpretive frame within which feeling rules are situated." An example that clarifies the relationship between framing rules and feeling rules would be:
"The norm that women should be at home is a framing rule, while the norm to feel happy about being at home or to feel guilty about being absent, is a feeling rule."

Emotional expression and management are learned in the private sphere, then later through participation in public life.

Emotional labor

"Emotional labor", a term first defined by Hochschild, refers to the management of one's feelings and expressions based on the emotional requirements of a job. For example, in The Managed Heart, Hochschild writes of how flight attendants are trained to control passengers' feelings during times of turbulence and dangerous situations while suppressing their fear or anxiety. Bill collectors, as well, are often trained to imagine debtors as lazy or dishonest, so they can feel suspicious and intimidating. As the number of service jobs grows, so too does the amount of kinds of emotional labor. In the era of COVID-19, she argues, many front-line workers will do the emotional labor of suppressing heightened anxieties about their own health and that of their families while dealing with the fear, anxiety and sometimes hostility of the public. Hochschild claims "that emotional labor is now in greater demand than ever before as our society moves from factories and the production of material goods to a service economy requiring more face-to-face interaction".

Hochschild also explores the concepts of 'feeling rules' and emotional labor as they relate to class structure and how it can vary based on economic or social class. For example, she argues that middle class families prepare their children for emotion management more than working class families. Similarly, the level of emotion management taught in a family is often related to the type of job the parent holds. A bank manager, for example, which is typically a middle class job, might need more 'feeling rules' than a working class job, which might instead involve more external behavior, such as assembling car parts. Overall, Hochschild argues that, "Given the general pattern of class inheritance, each class tends to prepare its children with the skills necessary to 'its' type of work environment and to pass on class-appropriate ways." In other words, middle class parents tend to try to control feelings, whereas working class parents tend to control behavior and/or consequences. Overall, she claims that the way in which we are taught to manage our feelings and emotions can depend heavily on our economic class and how we are raised.

Finally, Hochschild argues, emotional labor has gone global. In her essay, "Love and Gold," in Global Woman she describes immigrant care workers who leave their children and elderly back in the Philippines, Mexico or elsewhere in the global South, to take paid jobs caring for the young and elderly in families in the affluent North. Such jobs call on workers to manage grief and anguish vis-a-vis their own long-unseen children, spouses, and elderly parents, even as they try to feel—and genuinely do feel—warm attachment to the children and elders they daily care for in the North. In an interview with Journal of Consumer Culture, Hochschild focuses on the emotional labor of female immigrants, "So you have women from the Philippines, Sri Lanka, India, and Mexico leaving their children and elderly behind to take jobs caring for American, Canadian, Saudi, and European children and elderly. It was also not uncommon to hear nannies say, 'I love the kids I take care of now more than my own. I hate to say it, but I do'". "Extending from the eldest daughter in a rural village who takes care of siblings while a mother cares for an employer's children in the city of a poor country to that employer's employer—and children—in a rich country, outsourcing care work creates a global care chain with a different emotional task at each link of it." Hochschild coined the term global care chain to refer to "a pattern of women leaving their own families in developing countries to care for the children of well-off families." These networks are created by the worldwide exchange of domestic services, which connect women all over the world. She connects her ideas about emotional labor to Richard Sennett's concept about "hidden injuries". Hochschild writes:

"The idea of emotional labor—and of a sociology of emotions in general—helps illuminate the "hidden injuries," to quote Richard Sennett, of all the systems we study, including the latest versions of sexism, racism, and capitalism".

Work and family

In other books, Hochschild applies her perspective on emotion to the American family. In The Second Shift, she argues that the family has been stuck in a "stalled revolution." Most mothers work for pay outside the home; that is the revolution. But the jobs they have and the men they come home to haven't changed as rapidly or deeply as she has; that is the stall. Hochschild argues couples have implicit "gender ideologies" when they marry; the marital role that the women will take on the domestic duties within a home. Mothers, specifically working mothers end up doing the lion's share of the work—both emotional and physical—of tending the home, which leads her to feel resentment. Hence, when a mother is working full time during the day and must come home to perform the majority of the domestic work, this is her "second shift".  Hochschild traces links between a couple's division of labor and their underlying "economy of gratitude." Who, she asks, is grateful to whom, and for what? Even those who can balance work and family life face some difficulties. This includes a variety of high-funded daycare options, jobs with little flexibility for missing work to care for a sick child, school schedules that are based on having a stay at home parent, and the assumption that mothers will work a "second shift," meaning they will still take on the majority of domestic labor (Hochschild 1989). To be clear, Hochschild doesn't "advocate a simple return to traditional motherhood." Instead, she is pushing for more equality of roles in society: for both genders to share the responsibilities of home life, creating a more manageable balance for mothers. On the twenty fifth anniversary of The Second Shift, Hochschild did an interview with the Washington Post about the impact and legacy of the book. She claimed that we are now in the "second stall" and that progress has been made. In the original book, Hochschild claimed that there are three stalls, what happens to men, what happens in the workplace, and missing government help. Hochschild said, "Today, I think we are in stall number two. There's good news, there's old bad news and there's new bad news. And the good news, is that, the revolution continues and women are now half the labor force and they've moved up in it, they've earned more. And have gotten into more training, and broken ranks in a number of professions. And men have changed substantially. We're all beginning to understand that the family has been a shock absorber of larger trends. And we're finally seeing that these are not individual, private problems, but that they point to a larger cause."

In The Time Bind, Hochschild studied working parents at a Fortune 500 company dealing with an important contradiction.  On one hand, nearly everyone she talked to told her that "my family comes first." However, she argues that working parents in the United States put in long hours at work not because "employers demand long hours nor out of financial need, but because their work lives are more rewarding than their home lives." For this reason, working parents feel a magnetic draw to work. For about a fifth of these working parents, she found home felt like work and work felt like home. When she asked informants "Where do you get help when you need it?" or "Where are you most rewarded for what you do, work or home?" often the answer was work. One man told her, "When I'm doing the right thing with my teenage son, chances are he's giving me hell for it. When I'm doing the right thing at work, my boss is clapping me on my back."  She found, handled this strain in several ways. One way was to reduce their idea of what they needed. ("Oh, I don't really need time to unwind.")  Another was to outsource personal tasks.  A third was to develop an imaginary self, the self you would be if only you had time. The "time bind" refers to the lack of time parents had to themselves, the feeling that they were always running late, and the thought that they were confined to the limited hours of the day. Thus, in the "time bind" Hochschild denotes this paradox of "reversed worlds, in which family becomes like work and work takes on the feel and tone of the family."

Hochschild goes on to "suggest that the flight into work is coerced at least as much as it is voluntary." Because of a pervading feeling of dissatisfaction in home life, and a greater sense of home being given at work, Americans have taken refuge in their work more than ever before. Hochschild described a friend on maternity leave who felt that her time at home with her newborn was at the expense of 'sacrificing' time at work. Furthermore, Hochschild acknowledges that this discontent with home life prompts more questions such as, "What kind of gratification do people get when they commit to the workplace as an alternative to the dissatisfactions of home life? And, why are people dissatisfied at home?" She does mention that one component could include the fact that contemporary managerial practices have started emphasizing a cohesive workplace family and a unified corporate culture".

Ultimately, Hochschild hopes for a society where "the desire to work doesn't automatically trump the desire to raise children." In order for this shift to occur, she argues, there is a need to challenge the culture of time as a measure of work commitment. This would involve a greater awareness of a variety of needs and preferences of working parents.

In an interview with Journal of Consumer Culture, Hochschild describes how capitalism plays a role in one's "imaginary self". She explains, "Many workers put in long hours, and return home exhausted. They turn to television as a form of passive 'recovery' from work. In the four hours of television, they're exposed to thousands of amusing, fun advertisements. Those ads function as a conveyor belt to the mall. At the mall, they spend the money they've earned on objects that function as totems to a 'potential self' or hypothetical self – a self we would be if only we had time". It is also a self in danger of being perpetually in emotional debt to loved ones.

Politics and emotion
Hochschild describes herself as politically liberal and religiously agnostic.

Her latest book, Strangers in Their Own Land: Anger and Mourning on the American Right, is based on five years of immersion research among Louisiana supporters of the Tea Party. It explores the role of emotion in politics by first posing a paradox.  Why she asks, do residents of the nation's second poorest state vote for candidates who resist federal help? Why in a highly polluted state, do they vote for politicians reluctant to regulate polluting industries?  Her search for answers leads her to the concept of the "deep story."  A deep story is a story that feels true about a highly salient feature of life. One takes facts out of a deep story. One takes moral precepts out of the deep story. What remains is simply what feels true about a highly salient issue, and can be described through a metaphor, as the experience of "waiting in line" for a valued reward, and witnessing unwelcome "line-cutters." Everyone, she argues, has a deep story—and for many on the right, it reflects a keen sense of decline, the sting of scorn, and the sense of being a stranger in one's land.  These people have waited a long time to get what they want and now people are coming into America with more progressive beliefs and taking their possible chances away from them. In this situation, Hochschild believes the reward for this line is  a metaphor for the American Dream. Hochschild believes that the people living in this area are "insulated" in their ideas and beliefs. Similarly, the way the media depicts these people creates a strong narrative about them and their conservative beliefs (Zussman).

In a 2020 OpEd for The Guardian, she proposes the concept of "emotional strategy"—a strategy of focusing primarily on emotion—which many politicians pursue as a minor part of an overall strategy, and others pursue as a central project. She has added other "chapters" to the deep story that have occurred since 2016, which she relates in an interview Derik Thompson conducted with her in "The Deep Story of Trumpism" for the Atlantic Monthly. She's suggested other ideas on politics through OpEds and book reviews.

Hochschild's work also describes the many ways in which each individual becomes a shock absorber of larger forces and focuses on the impact of these forces on emotion.

Looking again at Hochschild's concept of "global care chains," there have been more initiatives to feminize global migration with a concentration on these care chains. (Hochschild 2000, 2002) When northern or Western women enter the paid labor market, they typically hire other women to care for their children and other dependents, most often what is considered a more poor woman from a developing country. Migrant caregivers are regularly forced to abandon their children in their home countries to be cared for by even destitute caregivers or family members who are already caring for others or working. The growth of global care networks has been impacted because of several reasons. In affluent countries, the entry of women into labor has resulted in high demand for paid domestic employees, with no corresponding increases in public childcare or gender-based distribution of extra requirements.

Disengagement theory
Hochschild critiqued the disengagement theory of aging. According to that theory, inevitably and universally, through disengagement, the individual experiences a social death before they experience physical death. This could be seen through an individual beginning to reduce the amount of "roles" they have in their life and society, leaving them with less obligations in their life, making it easier for them to accept a nearer death. There are different "norms" of aging, she suggests, and ways of actually experiencing near-death and death. Specifically, Hochschild argues that the theory of disengagement itself is 'unfalsifiable,' partly because the conception or assessment of aging can vary based on the researcher and their constitution of aging. She also points out that a person's age with implied relation to death and society's stance towards disengagement is an independent variable, whereas the dependent variable is disengagement itself. In this way, the relation between age and disengagement can be modified. In the low-income housing project she studied for her PhD Dissertation and later, The Unexpected Community, for example, the residents - a lively group of elderly midwestern women seemed to die un-disengaged, i.e "with their boots on." She even points out that "a higher proportion of women in their sixties actually have a larger "life space" than do those in their fifties." One example of this is that older women are more likely to see their children on the same or previous day than younger women, meaning they may have more opportunity for social engagement. Across the world's cultures and sub-cultures, she suggests, groups and individuals differ in their ideals of aging. These various groups of people and individuals have differences in the feeling rules they apply to their experience of aging, dying and death. Thus leading to them all experiencing these phenomena, dying and death, differently. However, it is important to note that she has considered the fact that disengagement has happened in all aspects of life thorough all time. She quotes "it must happen sometime in the individual's future if it is not happening now; it is also intrinsic, which I take to mean that social factors alone do not cause it".

Honors

Hochschild has received eight Honorary Doctoral Degrees from, respectively, Harvard University, 2021, Swarthmore College, 1993, Aalborg University, 2004 (Denmark), the University of Oslo, 2000, (Norway), the University of Lapland, 2012, (Finland), Mount St. Vincent University, 2013 (Canada), Westminster College (Pennsylvania), 2018 (U.S.) and University of Lausanne, 2018 (Switzerland). She also received the Ulysses Medal from University College Dublin, 2015 Ireland, and was elected to the American Philosophical Society, 2021.

Hochschild has also been recognized for her work as an educator. She won the Distinguished Teaching Award for the Division of Social Sciences 2000-2001, University of California, Berkeley (August 2001) and the Outstanding Teacher Award, University of California, Berkeley (1968).

Hochschild was a finalist for the 2016 National Book Award for Strangers In Their Own Land: Anger and Mourning on the American Right and the book was a New York Times Bestseller.  The book was also listed by the New York Times as one of "6 Books to Help Understand Trump's Win" (November 9, 2016.)  She was also awarded a prize for this book (translated by Xia Fan and published by SSAP) in 2020 by the Beijing News Book Review, Beijing, Mainland China.

Hochschild has also won Guggenheim, Fulbright and Mellon fellowships, and three awards granted by the American Sociological Association—the Charles Cooley Award (for The Managed Heart) the Jessie Bernard Award (for The Second Shift, The Time Bind and Global Woman), and the Award for Public Understanding of Sociology (for lifetime achievement). In awarding Hochschild the Jessie Bernard Award, she was observed for her "creative genius for framing questions and lines of insight, often condensed into memorable, paradigm-shifting words and phrases."

The Managed Heart, The Second Shift, The Time Bind, and Strangers In Their Own Land have been named "Notable Books of the Year" by The New York Times.
The Outsourced Self: Intimate Life in Market Times was chosen by Publishers Weekly as one of the "Best Books of 2012." The last chapter was excerpted in The New York Times (May 5, 2012). In 2022, Hochschild was inducted into the California Hall of Fame.

Quotes
"Most women without children spend much more time than men on housework; with children, they devote more time to both housework and child care. Just as there is a wage gap between men and women in the workplace, there is a "leisure gap" between them at home. Most women work one shift at the office or factory and a "second shift" at home."

"The more anxious, isolated and time-deprived we are, the more likely we are to turn to paid personal services. To finance these extra services, we work longer hours. This leaves less time to spend with family, friends and neighbors; we become less likely to call on them for help, and they on us."

"For many of us, work is the one place where we feel appreciated. The things that we long to experience at home- pride in our accomplishments, laughter and fun, relationships that aren't complex- we sometimes experience most often in the office. Bosses applaud us when we do a good job. Co-workers become a kind of family we feel we fit into."

"The deal we made with the workplace wasn't made with families in mind: to work year-round in eight hour workdays through thick and thin, newborns, normal childhood illnesses, difficulties at school, elderly people getting sick. In whose interest is this? And can't we change it, making of two nine-hour days three six hour days, creating an extra job and making life livable for everyone?"

"Formerly, many men dominated women within marriage. Now, despite a much wider acceptance of women as workers, men dominate women anonymously outside the marriage. Patriarchy has not disappeared; it has changed form. In the old form, women were forced to obey an overbearing husband in the privacy of an unjust marriage. In the new form, the working single mother is economically abandoned by her former husband and ignored by a patriarchal society at large."

"Men who shared the load at home seemed just as pressed for time as their wives, and torn between the demands of career and small children...But the majority of men did not share the load at home. Some refused outright. Others refused more passively, often offering a loving shoulder to lean on, an understanding ear as their working wife faced the conflict they both saw as hers."

"It is not that we have the truth and they have the norms. We have norms too. Weber, Marx, Durkheim, Simmel, Tönnies, Horkheimer, Fromm - all of us have norms. But as sociologists, we don't just have norms. We use norms. They are our research tools, our measuring rods, and with those in hand, we get surprised, and dismayed by many things. In fact, for me, the very best of sociology is animated by a deeply disciplined dismay - its true of all the greats."

Legacy

Within sociology, Hochschild is known as the founder of the sociology of emotion and, outside of it, as a public sociologist, contributing to publications, such as The New York Times op-ed page and Book Review, The Washington Post, Mother Jones, The American Prospect, Harper's Magazine, The Progressive and The New York Review of Books.

Concepts developed by Hochschild, such as "emotional labor," "feeling rules", the "economy of gratitude," and "global care chains" have been adopted by scholars in a range of disciplines. Capturing a range of research and debate, a collection published in 2011, At the Heart of Work and Family: Engaging the Ideas of Arlie Hochschild, critically explores some of her key concepts.

Another collection of papers devoted to her work is Pathways to Empathy: New Studies on Commodification, Emotional Labor and Time Binds (2013) edited by Gertraud Koch and Stephanie Everke Buchanan (Campus Verlag-Arbeit und Alltag, University of Chicago Press). The book is based on papers given at an "International Workshop in Honour of Hochschild" at Zeppelin University, Friedrichshafen, Germany (November 12–13, 2011).

A monograph by Madalena d'Oliviera-Martins entitled Arlie Russell Hochschild: Un Camino Hacia El Corazon De La Sociologia explores the main ideas found in her work.  (Centro de Investigaciones Sociologicas, Monograph 309, 242 ps,  Montalban, 8, 28014, Madrid, Spain, 2018).  Her work appears in 16 languages.

"Hochschildian Sociology"
Through research and education on her various social theories, some students and sociologists have come to practice what they call "Hochschildian Sociology" in which they build on her ideas. This idea is reflected on within the book, At the Heart of Work and Family: Engaging The Ideas of Arlie Hochschild, which is based on further exploring many of the sociological theories created by her. It has been noted before that Hochschild has done much to help engage and work with those who have been inspired to study her particular social theories further. As revealed in the book, "Hochschildian Sociology" works to analyze concerns within families, children, and "the private life". As well, it asks us to look at how relationships between people are shaped by our emotions and commitments to both our private and public lives, especially in consideration of the workforce. The influence Hochschild has over contemporary sociology can be proven by the fact that other sociologists look to create ways of thinking based on her own work.

Bibliography

Books

Hochschild, Arlie Russell, and Rhiannon Williams. Coleen the Question Girl, Blurb, S.l., 2016. ISBN 9781367458970
Juvenile fiction

Essays and reporting

See also
 Commercialization of love
 Emotion work
 Emotional labor
 Time bind
 The Second Shift
 Feeling rules
 Strangers in Their Own Land

References

Further reading

 Greco, Monica, Carmen Leccardi, Roberta Sassatelli and Arlie Hochschild. "Roundtable on and with A. R. Hochschild, Rassegna Italiana di Sociologia," October/December 2014, pp. 819–840.
 Mazzarela, Marete. 2014. "How to Turn Emotions into Capital," Svenska Dagbladet (February 27).
 Smith, Stephen. 2014. "Arlie Russell Hochschild: Spacious Sociologies of Emotion," Oxford Handbook of Sociology, Social Theory, and Organization Studies: Contemporary Currents, (edited by Paul Adler, Paul du Gay, Glenn Morgan and Mike Reed).
 Introduction by A. Grandey, in Emotional Labor in the 21st Century: Diverse Perspectives on Emotion Regulation at Work (2013) by Grandey, A., Diefendorff, J.A., & Rupp, D. (Eds.). New York, NY: Psychology Press/Routledge.
 Kimmel, Sherri. 2013. "A Playful Spirit," Swarthmore College Bulletin, April, A Playful Spirit - Swarthmore College Bulletin.
 Koch, Gertraud, & Stephanie Everke Buchanan (eds). 2013. Pathways to Empathy: New Studies on Commodification, Emotional Labor and Time Binds. Campus Verlag-Arbeit und Alltag, University of Chicago Press. (The book is based on papers given at an "International Workshop in Honour of Arlie Russell Hochschild," Zeppelin University, Friedrichshafen, Germany (November 12–13, 2011).)
 Garey, Anita Ilta and Karen V. Hansen. 2011. "Introduction: An Eye on Emotion in the Study of Families and Work." pp. 1–14 in At the Heart of Work and Family: Engaging the Ideas of Arlie Hochschild, edited by Anita Ilta Garey and Karen V. Hansen. New Brunswick: NJ.
 Wharton, Amy S. 2011. "The Sociology of Arlie Hochschild", Work and Occupations, 38(4), pp. 459–464.
 Alis, David. 2009. "Travail Emotionnel, Dissonance Emotionnelle, et Contrefaçon De I'Intimité: Vingt-Cinq Ans Après La Publication de Managed Heart d'Arlie R. Hochschild." in Politiques de L'Intime, edited by I. Berrebi-Hoffmann. Paris, France: Editions La Decouverte.
 Sakiyama, Haruo. 2008. "Theoretical Contribution of Arlie Hochschild" (in Japanese). In Japanese Handbook of Sociology, edited by S. Inoue and K. Ito. Kyoto, Japan: Sekai-Shiso-Sya
 Farganis, James. 2007. Readings in Social Theory: The Classic Tradition to Post-Modernism. Boston, MA: McGraw-Hill.
 Wilson, N. H., & Lande, B. J. 2005. Feeling Capitalism: A Conversation with Arlie Hochschild. Sage Publications, Ltd.
 Skucinska, Anna. 2002. "Nowe Obszary Utowardowienia" (in Czech).
 Adams, Bert N. and R.A. Sydie. 2001. Sociological Theory. Thousand Oaks, CA: Pine Forge Press.
 Hanninen, Vilma, Jukka Partanen, and Oili-Helena Ylijoki, eds. 2001. Sosiaalipsykologian Suunnannäyttäjiä. Tampere, Finland: Vastapaino.
 Smith, Stephen Lloyd. 1999. "Arlie Hochschild: Soft-spoken Conservationist of Emotions: Review and Assessment of Arlie Hochschild's work," in Soundings, Issue 11 – Emotional Labour, Spring 1999, pp. 120–127.
 Williams, Simon J. 1998. Chapter 18. pp. 240–251 in Key Sociological Thinkers, edited by R. Stones. New York: New York University Press.

External links

 Arlie Russell Hochschild page at UC Berkeley
 Biography in Context
 The Outsourced Life (NYTimes.com: May 5, 2012)
 Key Pedagogic Thinkers
 Emotional Labor Around the World: An Interview with Arlie Hochschild
What Drives Trump Supporters?: Sociologist Arlie Russell Hochschild on Anger & Mourning of the Right
Arlie Russell Hochschild on "Strangers in Their Own Land: Anger and Mourning on the America" Part 2
"The Homes in Dorian's Path are in a High-Risk Area. Why Do They Cost So Much?" (The New York Times, September 4, 2019)
"How the White Working Class is Being Destroyed" (The New York Times, March 17, 2020)
When a Pandemic Strikes Americans Who Are Already Suffering (The New York Times, March 20, 2020)

1940 births
Living people
American sociologists
American women sociologists
Family sociologists
Feminist studies scholars
Arlie
Members of the American Philosophical Society
The New Republic people
Swarthmore College alumni
University of California, Berkeley College of Letters and Science faculty

Arlie Russell Hochschild