An Anadelphia trichaeta in uska species han Liliopsida nga syahan ginhulagway ni A. Reznik, ngan ginhatag han pagkayana nga asya nga ngaran ni Clayton. An Anadelphia trichaeta in nahilalakip ha genus nga Anadelphia, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Anadelphia

Anadelphia trichaeta


A Fase de Qualificação da Liga Europa da UEFA de 2022–23 foi disputada entre 4 e 25 de agosto de 2022.

Times
Participam um total de 14 equipas na terceira pré-eliminatória, que foram divididos em dois caminhos:
 Caminho dos Campeões (10 equipes): 10 eliminadas na segunda pré-eliminatória da Liga dos Campeões da UEFA de 2022–23 (Caminho dos Campeões).
 Caminho da Liga (4 equipes): 2 equipas que entraram nesta fase e 2 eliminadas na segunda pré-eliminatória da Liga dos Campeões da UEFA de 2022–23 (Caminho da Liga).
Os vencedores da terceira pré-eliminatória foram ajuntados em um único caminho para o Play-off:
Play-off (20 equipes): 13 times que entraram nesta fase (incluindo 6 perdedores da terceira pré-eliminatória da Liga dos Campeões da UEFA de 2022–23) e os 7 vencedores da rodada anterior.
Todos os times eliminados na fase de qualificação entraram na Liga Conferência:
Os 5 perdedores do Caminho dos Campeões na terceira pré-eliminatória entraram no no Caminho dos Campeões da rodada de Play-off;
Os 2 perdedores do Caminho da Liga na terceira pré-eliminatória entraram no Caminho da Liga da rodada de Play-off;
Os 10 perdedores do Play-off entraram na fase de grupos.

Abaixo estão os times participantes (com os seus coeficientes da UEFA 2022, que, no entanto, não foram utilizados para fins de sorteio na fase de qualificação), agrupados por rodada.

Terceira pré-eliminatória
O sorteio desta fase ocorreu no dia 18 de julho de 2022. As partidas foram disputados entre 4 e 11 de agosto de 2022.

|+Caminho dos Campeões

|}

|+Caminho da Liga

|}

Caminho dos Campeões

Malmö venceu  por 5–2 no agregado.

Shamrock Rovers venceu  por 5–2 no agregado.

Zürich venceu  por 5–0 no agregado.

3–3 no agregado. Olympiacos venceu por 4–3 nos penâltis.

HJK venceu  por 3–0 no agregado.

Caminho da Liga

AEK Larnaca venceu  por 4–3 no agregado.

Fenerbahçe venceu  por 4–1 no agregado.

Play-off
O sorteio desta fase ocorreu em 2 de agosto de 2022.

Chaveamento
Um total de 20 times jogaram no Play-off. As equipes foram chaveadas em quatro grupos de prioridade:
Prioridade 1: Os 6 times das associações, que entraram nesta fase, mais bem colocadas no ranking;
Prioridade 2: Os 6 perdedores da terceira pré-eliminatória da Liga dos Campeões 2022–23 (Caminho dos Campeões), os quais não eram conhecidos na época do sorteio;
Prioridade 3: Os 5 vencedores da terceira pré-eliminatória da Liga Europa (Caminho dos Campeões), os quais não eram conhecidos na época do sorteio;
Prioridade 4: Os times restantes que entraram nesta fase e os 2 vencedores da terceira pré-eliminatória da Liga Europa (Caminho da Liga), os quais não eram conhecidos na época do sorteio;
O procedimento do sorteio ocorreu como a seguir:
 Três times da Prioridade 1 foram emparelhados com os três times na Prioridade 4;
 Os três times restantes na Prioridade 1 foram emparelhados com times da Prioridade 3;
 Os dois times restantes na Prioridade 3 foram emparelhados com times da Prioridade 2;
 Os quatro times restantes na Prioridade 2 foram então sorteados uma após a outra para completar o nono e o décimo emparelhamento.
Restrição de países não foi aplicada. O primeiro time sorteado em cada encontro foi o mandante na partida de ida.

Partidas

|+ Play-off

|}

AEK Larnaca venceu por 5–1 no agregado.

Omonia venceu por 4–0 no agregado.

Fenerbahçe venceu por 6–1 no agregado.

Zürich venceu por 3–1 no agregado.

HJK venceu por 2–1 no agregado.

Malmö venceu por 5–1 no agregado.

Ferencváros venceu por 4–1 no agregado.

2–2 no agregado. Olympiacos venceu por 3–1 nos penâltis.

0–0 no agregado. Sheriff Tiraspol venceu por 3–2 nos penâltis.

Ludogorets venceu  por 4–3 no agregado.

Liga Europa da UEFA de 2022–23
Eventos esportivos afetados pela invasão da Ucrânia pela Rússia em 2022

Liga Europa da UEFA de 2022–23 – Fase de Qualificação e Play-off


Baloče (baljuška, baloće, lat. Gagea), rod jednosupnica u porodici ljiljanovki. Pripada mu preko 200 vrsta trajnica, od kojih nekoliko raste i po Hrvarskoj: vlasasto baloče (G. villosa), cjevasto baloče (G. pusilla), livadno baloče (G. pratensis), žuto baloče (G. lutea), malo baloče (G. minima)

Rod lojdija (Lloydia), uklopljen je u baloče.

Vrste

 Gagea × absurda Levichev
 Gagea afghanica A.Terracc.
 Gagea aipetriensis Levichev
 Gagea alashanica Y.Z.Zhao & L.Q.Zhao
 Gagea alberti Regel
 Gagea alexeenkoana Miscz.
 Gagea alexejana Kamelin ex Levichev
 Gagea alexii Ali & Levichev
 Gagea algeriensis (Chabert) Chabert ex Batt.
 Gagea alii Levichev
 Gagea almaatensis Levichev, A.Peterson & J.Peterson
 Gagea altaica Schischk. & Sumnev.
 Gagea amblyopetala Boiss. & Heldr.
 Gagea ancestralis Levichev
 Gagea angelae Levichev & Schnittler
 Gagea angrenica Levichev
 Gagea anisopoda Popov
 Gagea antakiensis Kayikçi, Ocak & Teksen
 Gagea apulica Peruzzi & J.-M.Tison
 Gagea artemczukii Krasnova
 Gagea azutavica Kotukhov
 Gagea baluchistanica Levichev & Ali
 Gagea baschkyzylsaica Levichev
 Gagea bashoensis Ali
 Gagea bergii Litv.
 Gagea bezengiensis Levichev
 Gagea bithynica Pascher
 Gagea bohemica (Zauschn.) Schult. & Schult.f.
 Gagea bornmuelleriana Pascher
 Gagea bowes-lyonii Levichev
 Gagea brevistolonifera Levichev
 Gagea bulbifera (Pall.) Salisb.
 Gagea caelestis Levichev
 Gagea calantha Levichev
 Gagea calcicola Zarrei & Wilkin
 Gagea calyptrifolia Levichev
 Gagea capillifolia Vved.
 Gagea capusii A.Terracc.
 Gagea caroli-kochii Grossh.
 Gagea chabertii A.Terracc.
 Gagea chanae Grossh.
 Gagea charadzeae Davlian.
 Gagea chinensis Y.Z.Zhao & L.Q.Zhao
 Gagea chitralensis S.Dasgupta & Deb
 Gagea chlorantha (M.Bieb.) Schult. & Schult.f.
 Gagea chloroneura Rech.f.
 Gagea chomutovae (Pascher) Pascher
 Gagea chrysantha (Jan) Schult. & Schult.f.
 Gagea circumplexa Vved.
 Gagea commutata K.Koch
 Gagea confusa A.Terracc.
 Gagea cuneata Levichev & Murtaz.
 Gagea czatkalica Levichev
 Gagea daghestanica Levichev & Murtaz.
 Gagea daqingshanensis L.Q.Zhao & Jie Yang
 Gagea davlianidzeae Levichev
 Gagea dayana Chodat & Beauverd
 Gagea delicatula Vved.
 Gagea deserticola Levichev
 Gagea divaricata Regel
 Gagea drummondii Levichev & Ali
 Gagea dschungarica Regel
 Gagea dubia A.Terracc.+
 Gagea durieui Parl.
 Gagea eleonorae Levichev
 Gagea exilis Vved.
 Gagea fedtschenkoana Pascher
 Gagea ferganica Levichev
 Gagea fibrosa (Desf.) Schult. & Schult.f.
 Gagea filiformis (Ledeb.) Kar. & Kir.
 Gagea flavonutans (H.Hara) Zarrei & Wilkin
 Gagea foliosa (C.Presl) Schult. & Schult.f.
 Gagea fragifera (Vill.) E.Bayer & G.López, jagodasta baljuška
 Gagea gageoides (Zucc.) Vved.
 Gagea germainae Grossh.
 Gagea glacialis K.Koch
 Gagea glaucescens Levichev
 Gagea goekyigitii Eker & Teksen
 Gagea goljakovii Levichev
 Gagea gracillima Pamp.
 Gagea graeca (L.) Irmisch
 Gagea graminifolia Vved.
 Gagea granatellii (Parl.) Parl.
 Gagea granulosa Turcz.
 Gagea gymnopoda Vved.
 Gagea gypsacea Levichev
 Gagea × haeckelii C.W.Dufft & M.Schulze
 Gagea helenae Grossh.
 Gagea hiensis Pascher
 Gagea hissarica Lipsky
 Gagea humicola Levichev
 Gagea huochengensis Levichev
 Gagea ignota Levichev
 Gagea incrustata Vved.
 Gagea intercedens Pascher
 Gagea iranica Zarrei & Zarre
 Gagea jaeschkei Pascher
 Gagea japonica Pascher
 Gagea jensii Levichev & Schnittler
 Gagea jispensis Ali & Levichev
 Gagea joannis Grossh.
 Gagea juliae Pascher
 Gagea kamelinii Levichev
 Gagea kneissea J.Thiébaut
 Gagea kopetdagensis Vved.
 Gagea kunawurensis (Royle) Greuter
 Gagea kuraiensis Levichev
 Gagea kuraminica Levichev
 Gagea lacaitae A.Terracc.
 Gagea leosii Ali & Levichev
 Gagea libanotica (Hochst.) Greuter
 Gagea lojaconoi Peruzzi
 Gagea longiscapa Grossh.
 Gagea × luberonensis J.-M.Tison
 Gagea ludmilae Levichev
 Gagea lusitanica A.Terracc.
 Gagea lutea (L.) Ker Gawl., žuto baloče
 Gagea luteoides Stapf
 Gagea maeotica Artemczuk
 Gagea marchica Henker, Kiesew., U.Raabe & Rätzel
 Gagea mauritanica Durieu
 Gagea menitskyi Levichev
 Gagea mergalahensis Ali & Levichev
 Gagea michaelis Golosk.
 Gagea micrantha (Boiss.) Pascher
 Gagea minima (L.) Ker Gawl., malo baloče
 Gagea minutiflora Regel
 Gagea minutissima Vved.
 Gagea moniliformis J.-M.Tison
 Gagea multipedunculifera Levichev
 Gagea nabievii Levichev
 Gagea nakaiana Kitag.
 Gagea neopopovii Golosk.
 Gagea nevadensis Boiss.
 Gagea noltiei Peruzzi, J.-M.Tison, A.Peterson & J.Peterson
 Gagea novoascanica Klokov
 Gagea olgae Regel
 Gagea omalensis J.-M.Tison
 Gagea paedophila Vved.
 Gagea pakistanica Levichev & Ali
 Gagea × pampaninii A.Terracc.
 Gagea paniculata Levichev
 Gagea pauciflora (Turcz. ex Trautv.) Ledeb.
 Gagea pedata Levichev
 Gagea peduncularis (C.Presl) Pascher
 Gagea peruzzii J.-M.Tison
 Gagea podolica Schult. & Schult.f.
 Gagea × polidorii J.-M.Tison
 Gagea polymorpha Boiss.
 Gagea × pomeranica R.Ruthe
 Gagea popovii Vved.
 Gagea praemixta Vved.
 Gagea pratensis (Pers.) Dumort.,  livadno baloče
 Gagea pseudominutiflora Levichev
 Gagea pseudopeduncularis J.-M.Tison
 Gagea punjabica Levichev & Ali
 Gagea pusilla (F.W.Schmidt) Sweet, cjevasto baloče
 Gagea quasitenuifolia Levichev
 Gagea quettica Levichev & Ali
 Gagea ramulosa A.Terracc.
 Gagea rawalpindica Levichev & Ali
 Gagea reinhardii Levichev
 Gagea reticulata (Pall.) Schult. & Schult.f.
 Gagea reverchonii Degen
 Gagea rigida Boiss. & Spruner
 Gagea robusta Zarrei & Wilkin
 Gagea rubicunda Meinsh.
 Gagea rubinae Ali
 Gagea rufidula Levichev
 Gagea rupicola Levichev
 Gagea sarmentosa K.Koch
 Gagea sarysuensis Murz.
 Gagea schachimardanica Levichev
 Gagea schugnanica Levichev & Navruzsh.
 Gagea scythica Artemczuk
 Gagea serotina (L.) Ker Gawl., kasna lojdija
 Gagea setifolia Baker
 Gagea shmakoviana Levichev
 Gagea sicula Lojac.
 Gagea siphonantha Rech.f.
 Gagea sivasica Hamzaoglu
 Gagea soleirolii F.W.Schultz
 Gagea spathacea (Hayne) Salisb.
 Gagea spumosa Levichev
 Gagea staintonii Rech.f.
 Gagea stepposa L.Z.Shue
 Gagea subtilis Vved.
 Gagea sulfurea Miscz.
 Gagea tadshikistanica Levichev
 Gagea takhtajanii Levichev
 Gagea talassica Levichev
 Gagea taschkentica Levichev
 Gagea taurica Steven
 Gagea tenera Pascher
 Gagea tenuissima Miscz.
 Gagea tesquicola Krasnova
 Gagea × theobaldii Brügger
 Gagea tisoniana Peruzzi, Bartolucci, Frignani & Minut.
 Gagea toktogulii Levichev
 Gagea toppinii S.Dasgupta & Deb
 Gagea transversalis Steven
 Gagea triflora (Ledeb.) Schult. & Schult.f.
 Gagea trinervia (Viv.) Greuter
 Gagea turanica Levichev
 Gagea ucrainica Klokov
 Gagea ugamica Pavlov
 Gagea ulazsaica Levichev
 Gagea uliginosa Siehe & Pascher
 Gagea utriculosa Levichev
 Gagea × vaga Levichev
 Gagea vaginata Pascher
 Gagea vanensis Teksen & Karaman
 Gagea vegeta Vved.
 Gagea villosa (M.Bieb.) Sweet, vlasasto baloče
 Gagea villosula Vved.
 Gagea vvedenskyi Grossh.
 Gagea wallichii Levichev & Ali
 Gagea wendelboi Rech.f.
 Gagea xiphoidea Levichev

Vanjske poveznice

Izvori

Lilioideae

Baloče


Les textiles africains sont des textiles provenant de divers endroits du continent africain. Celui-ci abrite de nombreux styles, techniques, méthodes de teinture et objectifs décoratifs et fonctionnels distinctifs. Ces textiles ont une signification culturelle et également une valeur historique en tant que témoignage de l'évolution du design africain.

Afrique de l'Ouest
Le tissage en Afrique de l'Ouest partage des caractéristiques communes : il s'agit d'une activité traditionnellement exclusivement masculine (dans certaines régions, la femme est même interdite de tisser), elle consiste à réaliser des bandes de tissu de 12 à 20-22 cm selon les ethnies, en utilisant du coton principalement, et selon la technique du brocart pour l'insertion des motifs.

Les tissus traditionnels sont principalement blancs et bleus en raison de l'abondance de diverses espèces indigènes de coton et de plantes à indigo puissantes, notamment l'Indigofera arrecta et le Lonchocarpus cyanescens.

Au Sahel, les bandes de gabak (coton écru) étaient utilisées comme monnaie d'échange pour les paiements de sommes importantes.

Côte d'Ivoire

 le tissus Korhogo, tissé dans le Village de Waraniéné et teint dans le village de Fakaha
 le pagne baoulé, fabriqué à Bomizambo et autour

Ghana

 le kente, une étoffe fabriquée initialement pour le roi Ashanti du Ghana et sa famille

Burkina Faso

 le Faso dan fani, un tissu burkinabè en coton lourd devenu le pagne officiel des grandes manifestations au Burkina Faso.
 Le cocodounda est tissu burkinabè qui tire ces origines  a l'ouest du pays.

Sénégal

 le rabal (mandjack) du Sénégal

Nigeria

 le wukari du Nigeria

Mali
 le bazin
 le bogolan

Guinée

 le lépi ou « pagne indigo » est un des pagne traditionnel en Moyenne-Guinée constitué d'un morceau de tissu en coton tissé, très léger.

Afrique centrale

 le ndop, une étoffe traditionnelle bamiléké du nord-ouest du Cameroun
 le toghu, un tissu du nord-ouest du Cameroun réalisé avec du velours noir sur lequel sont brodés à la main des motifs et décorations de différentes formes (étoile, carré, losange, cercles…) au fil jaune, rouge et blanc.
 le N'Tchak, pagne ancestral et traditionnel venant de l'ethnie Kuba.

Afrique de l'Est

 Kikoy

Notes et références

Art textile africain

Textile africain


Daniel Herman Anton Melbye () a fost un pictor și fotograf danez specializat în scene maritime. El a fost fratele pictorilor Vilhelm și Fritz Melbye.

Biografie
Tatăl său a fost un ofițer vamal regal. Inițial a planificat să aibă o carieră navală, dar, din cauza miopiei, a fost trimis să învețe în loc construcții navale. Înclinațiile sale pentru muzică și artă l-au făcut să renunțe la școala de inginerie pentru a învăța să cânte la chitară.

De asemenea, a vrut să fie pictor de scene marine și a urmat Școala Regală Daneză de Arte Frumoase pentru un an, în 1838, avându-l pe C. W. Eckersberg ca mentor. Până în 1840, a expus deja unele peisaje marine, care au atras atenția colecționar german de artă, Karl Friedrich von Rumohr. La recomandarea lui, Melbye l-a însoțit pe regele Christian al VIII - pe corvetta lui pentru o călătorie prin Marea Baltică și de Nord.

Curând după aceea, a fost invitat să-l însoțească pe rege într-o călătorie în Maroc, unde a asistat la Bombardamentul asupra Tangerului. În 1845, s-a înscris la Academia Regală pentru o bursă de călătorie, dar a fost respins. Cu sprijinul regelui, a primit bursa în 1846 și pictura lui Farul Eddystone a fost achiziționat pentru Colecția Regală. A câștigat, de asemenea, medalia Thorvaldsen.

Anii din Paris
A ajuns în cele din urmă la Paris, în 1847 și a rămas pe timpul revoluției; a primit un an de prelungire a bursei. Numele lui a devenit curând cunoscut în cercurile locale și a rămas acolo mai mult timp. În 1853, a avut posibilitatea de a călători la Istanbul alături de o expediție franceză . Pentru un timp, a trăit cu ambasadorul francez, Achille Baraguey d'Hilliers, și a pictat un portret al Sultanului Abdul-Medjid. În timpul acestor ani, a primit o comandă de la Napoleon al III-lea și a învățat cum să facă dagherotipuri direct de la Louis Daguerre, chiar înainte de moartea sa.

S-a căsătorit în 1857 și s-a întors în Danemarca în anul următor. La sosirea sa, a fost numit membru al Academiei Regale și i s-a acordat Ordinul Dannebrog. În 1862, el a devenit profesor. În ultimii săi ani, el și-a împărțit timpul între Copenhaga, Hamburg și Paris. În ciuda marelui său succes, a fost de multe ori frustrat de faptul că toată lumea care l-a cunoscut se referea la tabloul lui cu farul ca la cea mai importantă pictură a sa. Agravarea treptată a sănătății i-a afectat capacitatea de a picta, așa că a revenit la schițe cu cărbune și cretă. A murit în timpul unui sejur în Paris și a fost îngropat acolo.

Picturile sale sunt realiste, de multe ori îmbunătățite cu lumină dramatică și efecte meteorologice (îi plăcea să picteze îndeosebi vremea rea), și arată influența lui Camille Corot asupra sa, pe care l-a întâlnit la Paris.

Referințe

Legături externe
 ArtNet: Mai multe lucrări de Melbye.

Nașteri în 1818
Decese în 1875
Pionieri ai fotografiei
Pictori danezi
Danezi din secolul al XIX-lea

Anton Melbye


An Maxillaria mejiae in uska species han Liliopsida nga ginhulagway ni Germán Carnevali ngan Gustavo Adolfo Romero. An Maxillaria mejiae in nahilalakip ha genus nga Maxillaria, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Maxillaria

Maxillaria mejiae


El cine de Azerbaiyán es la actividad cinematográfica producida en dicha nación.
La industria cinematográfica en Azerbaiyán se inició desde la década de 1890, cuando la corte lleva un cinematógrafo de Francia. Una producción específica de Azerbaiyán se inició desde la década de 1910 y desarrolla a lo largo del siglo XX y el cine de Azerbaiyán es una parte importante de la cultura de Azerbaiyán.

Historia

Después de la sesión primera organizada en Francia, en 21 de junio de 1898 se demuestraron sujetos de cine Paseo popular en el jardín de ciudad, La entrada del tren a la estación ferroviaria, La calle de Bakú a la madrugada, que trata de la vida de Bakú, en el circo teatral de Vasil-Vyatsci en Bakú como una parte de contenido del espectáculo. Este espectáculo tenía un carácter experimental. Y ese año, en el 2 de agosto Alexandre Michon, quien había vivido en Bakú más de 25 años, el secretario de círculo de foto científico de Bakú, el editor y fotógrafo, organizó la demostración independiente de los sujetos de documental crónicos y los de argumento rodados por él mismo llamados El incendio de pozo brotante de petróleo en Bibijeybet, La despedida del emir de Su Majestad de Buxara, El baile de Caucaso y Ya te cogí.

Los sujetos citados se proyectaron y se conservaron en la exposición mundial organizada en París en 1990. Dos de éstes - El incendio de pozo brotante de petróleo en Bibijeybet y El pozo brotante de petróleo de Balajani – se devolvieron a Azerbaiyán desde el archivo de cine de Francia en 2001. Estos sujetos en la actualidad se guardan en la película de 35 mm y en las cintas de video en el fondo de filmes. Derivando del resultado de este hecho histórico, en 18 de diciembre de 2000 según el orden de Haydar Aliyev el Presidente de la República de Azerbaiyán, 2 de agosto fue declarado como el día vocacional de los trabajadores de la cinematografía – Día del Cine de Azerbaiyán.
En 1908 Grossman, el camarógrafo profesional empezó rodar sujetos sobre la vida de explotaciones petroleras de Bakú. Este tema interesó a las campañias de cine de Francia como Paté y Gomón y ellas enviaron sus camarógrafos a Bakú. Filmes rodados se proyectaron en cinemas de la ciudad Record, Micado, Expreso, Francés.

En 1915 los hermanos Pirone crearon una Sociedad por Acciones y en 1916 y en 1917 se rodaron películas principales de cortometraje adecuadamente En el reino de petróleo y millones sobre la base de narración homónima de Ibrajim bay Musabayov y Arshin mal alan sobre la base de la opereta homónima de Uzeyir Hajibeyov. El director de ambas películas fue Boris Svetlov y el camarógrafo Grigori Lemberg. Ambos de ellos fueron invitados de San Petersburgo.
En mayo de 1918, después de la proclamación de la República Democrática de Azerbaiyán el gobierno nuevo hizo muchas reformas culturales y políticas. Las relaciones exteriores diplomáticas, culturales, políticas contribuyeron a las vistas públicas y a que los ejemplos primeros del cine mundial se trajeron a Bakú. En el resultado comenzó aumentarse la cantidad de aficionados a cinematografía en Bakú. En 1918 ellos se unieron en el Consejo de personalidad teatral y de Cinematografía. En 28 de mayo de 1919 se rodó una película de actualidades dedicada al aniversario de la República Democrática de Azerbaiyán. Por desgracia, esta película, que era el primer ejemplo publicístico de blindaje de Azerbaiyán, no ha llegado hasta nuestro días.

Después de apropiación de Azerbaiyán por el Ejército Rojo Bolchevique y la decadencia del gobierno nacional en abril de 1920, Nariman Narimanov, el jefe del comité revolucionario, firmó el decreto sobre la nacionalización de entidades de cinematografía y fundaron Azerbaijanfilm. Ese año se rodó las películas de actualidades como El desfile de unidades del Ejército Rojo en Bakú, El congreso de pueblos orientales y El entierro de 26 comisarios de Bakú.
En 1923 se estableció estudio de cine en Azerbaiyán. Desde el año 1925 se dio al uso la fábrica del cine que era una rama principal del estudio de cine.
El estudio de cine en los años 1923-1926 fue nombrado La Entidad de Foto-Cine de Azerbaiyán (EFCA), en 1926-1930 como Azdovlatquino (El Cine Estatal de Azerbaiyán), en los años 1930-1933 Azerquino (Cine de Azerbaiyán), en 1934 Azdovletquinosenayesi (La Producción de Cine Estatal de Azerbaiyán), en los años 1935-1940 Azerfilm (Filme azerbaiyano), en 1941-1959 El estudio de Bakú y desde 1961 lleva el nombre del estudio de cine de Filme de Azerbaiyán por nombre de Dzafar Dzabbarli.

La película Bismillah rodada por Abbas Mirza Sherifzade en 1926 es la primera obra independiente y Sherifzade es el primer director nacional de cine de la cinematografía de Azerbaiyán. En 1925 con el fin de apoyar a cuadros de cine nacional fueron invitados a Bakú famosos directores de cine como I. Savchenco, V. Pudovquin, A. Becnazarov, N. Shenguelaya.
En la antología de cine Glorioso Azerbaiyán rodada en 1926 bajo la dirección de B. Pumpyansqui y V. Yeremeyev han hablado Piri Nuriyev, el petrolero y Gudrat Samedov, el cultivador de algodón. Y así se fundamentó la primera filmación sincronizada en república.
Y ese año se rodó el primer filme sonoro de nuestro cine nacional – la comedia A la orilla del mar azul que era la producción conjunta de estudios de cine Azerfilm y Mejrabpomfilm. Este filme bajo la dirección de Boris Barnet y Samed Mardanov en 1995 se incluyó a la lista de 10 obras bueníssimas del cine mundial según la solicitud presentada de la revista Notas de ciencia cinematográfica por motivo de centenario del cine mundial entre cineastas más conocidos, además a las listas de Bernar Ayzenshitsin en Francia, y la de Naum Cleyman en Rusia.
Samed Mardanov, el segundo director de este cine se educó en el estudio del genio Serguéi Eisenstein en el instituto de Cinematografía Estatal de toda la Unión Soviética y es el primer director de cine educado en la historia de Cine de Azerbaiyán. Campesinos, el primer filme principal independiente del director de cine, es uno de las muestras mejores de nuestro cine nacional por su nivel de profesionalidad.

Aunque la producción de película se dismunió en los años de la Segunda Guerra Mundial, los camarógrafos siempre fueron en la línea principal del frente. Las secuencias rodadas en el fragor del combate de la guerra por los camarógrafos S. Badalov, Dz. Mamedov, M. Mustafayev, A. Hasanov, etc. al presente se utilizan en los materiales de actualidades. Los camarógrafos, entrados a Irán – Azerbaiyán del Sur desde principios de la guerra en el cuerpo del ejército soviético, han grabado en cinta la vida de pueblo de ahí, el desfile del ejército soviético en Tabriz en 7 de noviembre de 1942, el proceso de movimiento democrático y los líderes del movimiento.
En 1945 Rza Tajmasib, el director rodó Arshin mal alan (sobre la base de la opereta homónima de Uzeyir Hajibeyov). Arshin mal alan desde su producción hasta hoy día es la película de Azerbaiyán más proyectada en interior y exterior del país. Esta película se incluyó a la Lista de oro en la lista de 100 películas más favorables proyectadas durante muchos años en la pantalla soviética según la opinión unánime de los famosos especialistas de cine en las encuestas sosiológicas hechas por motivo del centenario del cine ruso.

En los años 1950 en Bakú se celebró la semana de películas indias. Viendo el torrente de gente a los cinemas los directores de cine comenzaron incluir los elementos del cine indio a sus películas. En los años 1950 en la producción de cine se daba preferencia a las comedias musicales, a melodramas ricos con los elementos indios – Bajtiyar (dir. Latif Safarov 1955), La entrevista (dir. Tofig Taguizade 1955), Si no es ella, que sea la otra (1956), Bajo el Sol abrasador (dir. Latif Safarov 1957), La madrastra (dir. Jabib Ismailov 1958). Eses años son el tiempo de disminución del ritmo del desarrollo en el cine de Azerbaiyán.
A mediados de los años 1960 y a principios de los años 1970 la situación se cambia. Hasan Seyidbayli, el director y guion ha traído muchos personajes nuevos, inteligentes, multicapas (La chica telefonista, ¿Por qué te callas?, etc.). En las películas rodadas en ese período – Batallón invencible (dir. Hasan Seyidbayli 1965), Yo no era tan guapa (dir. Tofig Taguizade 1968), Ultima noche de infancia (dir. Arif Babayev 1968), En una ciudad de sur (dir. Eldar Guliyev 1969), Nuestro professor Dzabish (dir. Hasan Seyidbayli 1969), El pan indivisible (dir. Shamil Majmudbayov 1969), Yo quisiera 7 hijos (dir. Tofig Taguizade 1970) – se siente la influencia de neorealismo italiano.

Los años 1970 han quedado en la memoria con la creación de la primera película-ópera en el cine de Azerbaiyán. En 1970 Vladimir Gorriquer, el director de cine rodó la película-ópera Sevil sobre la base de los motivos de la obra y la de la ópera homónimas de Ficrat Amirov, el compositor.
A fines de los años 1970, a principios de años 1980 la lucha hecha en el nivel estatal contra la corrupción en toda la Unión Soviética, luego la perestroika y la política de glásnost se dejó ver en cine también. En las películas de eses años La investigación (dir. Rasim Ochagov 1979), Quiero entender (dir. Oqtay Mirgasumov 1980), Su amor desgraciado (dir. Ziyafet Abbasov 1980), El diablo está ante el ojo (dir. Oqtay Mirgasumov 1987) se ha dado lugar más a los temas sociales – estratificación en la sociedad, sobornación, arbitrariedad de funcionarios, etc.
La llegada de XXI se acuerda más de la dismunición considerablemente de la cantidad de estudios independientes, alejamiento de medios privados de cine. Pues, en los años 2000 Estado se ha convertido gradualmente a fuente financiero dominante para la cinematografía y ha tomado la producción a su control. Estos años se caracterizan también por la llegada de nueva generación al cine nacional. Esta generación, que persigue de cerca los procesos en el cine mundial, procuran producir filmes que podrán salir a fuera de los límites del país desde punto de vista de visual y de dramatismo. Entre los filmes en largometraje y en cortometraje de últimos años unos como La casa de Asif Rustamov, El nudo de Ali Isa Dzabbarov, La puerta cuadragésima de Elchin Musaoglu, La torre de Shamil Nadzafzade, Las muñecas de Chinguiz Rasulzade se proyectaron en los festivales internacionales de cine en Róterdam, Montreal y Tabriz, y ha conseguido mucho éxito.

Directores prominentes
 Dzafar Dzabbarli
 Abbas Mirza Sherifzade
 Samed Mardanov
 Rza Tajmasib
 Latif Safarov
 Tofig Taguizade
 Jabib Ismailov
 Hasan Seyidbayli
 Arif Babayev
 Eldar Guliyev
 Shamil Majmudbayov
 Rasim Ochagov
 Oqtay Mirgasumov
 Ziyafet Abbasov
 Asif Rustamov
 Ali Isa Dzabbarov
 Elchin Musaoglu
 Shamil Nadzafzade
 Chinguiz Rasulzade

Estudios de cine
Azerbaijanfilm

Enlaces externos

 IMDb Azerbaijani film list
 Cinema of Azerbaijan
 Azerbaycan.tv
 Kinozal.az

Cine de Azerbaiyán


Satori (Japonca: 悟 satori; Çince: 悟 wù) sözcüğü uyanıp aydınlanma anlamına gelir; Zen Budizmin temel amaçlarından biridir. Aslında Sakyamuni Buddha'nın Gaya'daki Bodhi ağacı'nın altında aydınlanması olayını anlatmak için kullanılan tam ve aşılamaz aydınlanma (Sanskrit: anuttara-samyak-sambodhi) kavramıyla eş anlamlıdır.

Diğer Budist okullar da aydınlanma yaşantısına büyük önem vermektedir. Ancak Zen Budizm satoriyi temel hedef olarak gösterir. Zazen ve koan gibi teknikleri izledikten sonra erişebilinen Satori, kişinin dünyaya bambaşka bir açıdan bakmasını sağlar. D. T. Suzuki'ye göre bu bakış açısı her şeyin özünü görmektir ve entelektüel ya da mantıksal anlayışın tersine sezgiseldir. Satoriye ulaşılmadan Zen gerçekliğine ulaşmak olası değildir. Zen, "satorinin açılmasıyla" başlar ve karmaşa içindeki dualistik akılla önceden algılanamayan yeni bir dünyanın belirlemesi olarak gerçekleşir. Satori Zen'ın varoluş nedenidir. Dolayısıyla Zen disiplini içindeki her oluşum ve çaba satoriye yöneliktir.

Notlar

Zen terimleri
Budist felsefe kavramları
Japonya'da Budizm

Satori


Olaylar

Doğumlar
 29 Şubat - III. Paulus, papa (ö. 1549)
 tarihi bilinmeyen
 Ahmed Karahisari, Osmanlı hattatı (ö. 1556)
 Francesco Donato, Venedik Cumhuriyeti'ne "Doçe" unvanı ile devlet başkanlığı yapan 79. düka (ö. 1553)
 Rodrigo de Bastidas, İspanyol kâşif ve fatih (ö. 1527)

Ölümler
 17 Ocak - İskender Bey, Arnavutların ulusal kahramanı (d. 1405)
 3 Şubat - Johannes Gutenberg, hareketli parçalar ile yazı baskısını Avrupa'da başlatan matbaacı, yayıncı ve kuyumcu (d. 1398)
 8 Eylül - Sejo, Joseon Hanedanlığı'nın 7. kralı (d. 1417)
 tarihi bilinmeyen
 Ebü'l-Hayr Han, Özbek hükümdar (d. 1412)
 Sabuncuoğlu Şerefeddin, Osmanlı döneminde tıp alanında önemli eserler vermiş Türk hekim ve cerrah, ilk Türkçe cerrahi eserin sahibi (d. 1385)

1468


A temporada da Sociedade Esportiva Palmeiras de 2023 é a 109ª na história do clube. Nesta temporada atualmente está disputando o Campeonato Brasileiro. O clube fez sua estreia na temporada no dia 14 de janeiro no Campeonato Paulista, contra o São Bento.

Logo no primeiro mês da temporada, conquistou o título inédito da Supercopa do Brasil, da qual participou por ser o atual campeão do Campeonato Brasileiro. O clube alviverde venceu o Flamengo por 4 a 3 em um eletrizante jogo, em que Raphael Veiga e Gabriel Menino fizeram dois gols cada.

No Campeonato Paulista, foi sorteado no grupo D, com ,  e . Passou como líder geral para a fase eliminatória, onde passou pelo clube de São Bernardo (vice-líder do grupo) nas quartas e eliminou o  nas semifinais. Chegou invicto até os jogos da final contra . Perdeu por 2-1 no jogo de ida, mas reverteu o placar na volta aplicando uma goleada de 4-0, conquistando seu 25° título paulista.

Pela Libertadores da América, o Verdão entrou direto pela fase de grupos e foi sorteado no grupo C, junto com , do Equador, , da Bolívia, e , do Paraguai. Fez a melhor campanha da fase de grupos. Nas oitavas de final, eliminou o Atlético-MG, após vencer o primeiro jogo fora de casa, no Mineirão, por 1-0, e empatar por 0-0 em casa, no Allianz Parque. Nas quartas, enfrentou o Deportivo Pereira, da Colômbia. Venceu a primeira partida no Estádio Hernán Ramírez Villegas por uma goleada de 4-0 e empatou sem gols o jogo de volta em casa. Nas semifinais, caiu para o argentino Boca Juniors, após empatar os dois jogos e ser superado na disputa por pênaltis.

No Campeonato Brasileiro, estreou jogando em casa contra o . Está no quarto lugar do torneio.

Na Copa do Brasil, o clube entrou a partir da terceira fase, enfrentando por sorteio o , quando venceu a equipe por 5-3 no placar agregado. Venceu o  por 3-1 no agregado nas oitavas e se despediu da competição nas quartas ao ser eliminado pelo  por 1-3 no agregado.

A presidente na temporada é a Leila Pereira. Na comissão técnica, o clube conta com o técnico Abel Ferreira na sua quarta temporada no comando.

Clube

Elenco Principal
 Última atualização feita em 27 de julho de 2023.

 Legenda

 : Capitão
 : Jogador contundido
 : Prata da casa (jogador da base)

Jogadores da base inscritos no time principal na temporada

Comissão Técnica

Transferências
 Legenda

Chegadas

Saídas

Empréstimos

Jogadores emprestados pelo Palmeiras

Referência:

Competições
 Todos os horários dos jogos estão no horário de Brasília (UTC−3).

Resumo das participações

Campeonato Paulista

Primeira Fase

 Grupo D

Desempenho por rodada

Partidas

Fase Final

Copa Libertadores da América

Fase de Grupos
Classificação - Grupo C

Desempenho por rodada

Partidas

Fase Final

Campeonato Brasileiro

Desempenho por rodada

Jogos

Primeiro turno

Segundo turno

Copa do Brasil

Supercopa do Brasil

Estatísticas
 Última atualização feita em 15 de abril de 2023.

Time

Estatísticas gerais

Aproveitamento

Aproveitamento por mês

Desempenho dos treinadores

Origem dos gols

Tempo dos gols

Pênaltis a favor

Aproveitamento dos pênaltis a favor

Pênaltis contra

Jogadores
Riscados os jogadores que foram transferidos antes do fim da temporada.

Estatísticas gerais

Artilheiros

Dobletes

Assistências

Estatísticas dos goleiros

Cartões

Jogos realizados

Minutos em campo

Adversários

Clássicos

Paulistas

Cariocas

Mineiros

Mato-grossense

América do Sul

Estádios

Ligações externas

 Site oficial

Palmeiras
2023
Futebol de 2023 em São Paulo

Temporada da Sociedade Esportiva Palmeiras de 2023


Champenois, Fransa'da Champagne, Belçika'da Valonya bölgelerinde konuşulan bir Latin dilidir. Valonya'da bölgesel dil olarak tanınmaktadır.

Doğal diller
Oïl dilleri
Bilgi kutusu bulunmayan sayfalar

Champenois


Joss paper, also known as incense papers, are papercrafts or sheets of paper made into burnt offerings common in Chinese ancestral worship (such as the veneration of the deceased family members and relatives on holidays and special occasions). Worship of deities in Chinese folk religion also uses a similar type of joss paper. Joss paper, as well as other papier-mâché items, are also burned or buried in various Asian funerals, "to ensure that the spirit of the deceased has sufficient means in the afterlife." In Taiwan alone, the annual revenue that temples received from burning joss paper was US$400 million (NT$13 billion) as of 2014.

Traditional

Joss paper is traditionally made from coarse bamboo paper, which feels handmade with many variances and imperfections, although rice paper is also commonly used. Traditional joss is cut into individual squares or rectangles. Depending on the region, Joss paper may be decorated with seals, stamps, pieces of contrasting paper, engraved designs or other motifs.

Different types of spirit money are given to distinct categories of spirits. The three main types of spirit money are cash (also known as copper), silver and gold. Cash monies are given to newly deceased spirits and spirits of the unknown. Golden Joss papers (jin) are mostly offered to the Deities such as the Jade Emperor. Silver Joss paper (yin) is given exclusively to ancestral spirits as well as other spirits. These distinctions between the three categories of spirit money must be followed precisely to avoid confusing or insulting the spirits.

Contemporary

More contemporary or westernized varieties of Joss paper include paper currency, credit cards, cheques, as well as papier-mâché clothes, houses, cars, toiletries, electronics and servants (together known as Zhizha in Mandarin zhǐzhā :zh:紙紮). The designs on paper items vary from the very simple to very elaborate (with custom artwork and names).

In 2006, in response to the burning of "messy sacrificial items", such as paper cars, houses, and pills, Dou Yupei, the PRC deputy minister for civil affairs, announced that the ministry intended to ban at least the more extreme forms of joss paper.

"Hell Bank Notes"

Much like the traditional gold and silver paper, Hell Bank Notes are a modernized version of joss paper and serve as the official currency for the afterlife. Living relatives offer them to dead ancestors by burning (or placing them in coffins in the case of funerals) the bank notes as a bribe to Yanluo for a shorter stay or to escape punishment, or for the ancestors themselves to use in spending on lavish items in the afterlife.

The word "hell" may have been derived from:
The preaching of Christian missionaries, who told the Chinese that non-Christians and their ancestors would go to hell when they died as non-believer. Purgatory as taught by certain Christian denomininations is a parallel.
A translation of the word "hell" that matches the pre-existing Chinese concept of "underworld realm," which in Taoist cosmology had been considered one of the destinations on the journey of rebirth of every soul of the dead regardless of his or her virtue during life.

Hell Bank Notes are also known for their enormous denominations ranging from ten thousand to five million. The bills almost always are in the form of dollars or yuan, and usually feature an image of either the Jade Emperor or Yanluo Wang on the front and the "headquarters" of the Hell Bank on the back. Another common feature is the signatures of both the Yanluo Wang and the Judges of Underworld, both of whom apparently also serve as the Hell bank's governor and deputy governor (as featured on the back). Yet another feature is a Hell Bank Note being a replica of a United States one-hundred-dollar bill, with a disclaimer noting the bill is counterfeit.

Use

Spirit money is most often used for venerating those departed but has also been known to be used for other purposes such as a gift from a groom's family to the bride's ancestors. Spirit money has been said to have been given for the purpose of enabling their deceased family members to have all they will need or want in the afterlife. It has also been noted that these offerings have been given as a bribe to Yanluo Wang to hold their ancestors for a shorter period of time.

Venerating the ancestors is based on the belief that the spirits of the dead continue to dwell in the natural world and have the power to influence the fortune and fate of the living. The goal of ancestor worship is to ensure the ancestor's continued well-being and positive disposition towards the living and sometimes to ask for special favours or assistance. Rituals of ancestor worship most commonly consist of offerings to the deceased to provide for their welfare in the afterlife which is envisioned to be similar to the earthly life. The burning of spirit money enables the ancestor to purchase luxuries and necessities needed for a comfortable afterlife.

Many temples have large furnaces outside the main gate to burn joss paper. Folding the paper is an essential part of the burning ceremony as it distinguishes joss paper from actual money; and, it provides good luck for those who fold it. Burning actual money would be untenable for most people, and is also considered unlucky in Asian cultures. The Joss paper may be folded into specific shapes which are meant to bring on good luck and people tend to burn lavish amounts to ensure that the offering is well received.

Every fifteen days business owners in Taiwan burn spirit money in red braziers and set out offering tables on the sidewalk for both gods and ghosts. This coincides with an ancient calendar system divided into twenty-four fifteen-day periods.

A simplified modern Chinese offering is made by drawing a circle with chalk on the sidewalk or the pavement between residential buildings and burning the paper offering within the circle. This is quite common in all Chinese cities and villages today.

Due to environmental concerns, some contemporary Joss paper burners are now fitted with a special cover which eliminates the spread of burning ashes. The cover allows enough oxygen in to ensure that all of the offering are completely burned.

Spirit money is most commonly burned, but may also be offered by being held into the wind or placed into the deceased's coffin at funeral ceremonies.

Depending on the type and status of the deity being worshiped, paper with metal foil or with ink seals of various sizes may be burned. Different regions of the world have different preferences for the type of Joss paper that is used. For instance, Hell Bank Notes are commonly found in regions where Cantonese populations dominate but are rarely seen or used in places such as Taiwan or Macau, which use "gold paper". The Joss paper is folded in half, or bought pre-folded into the shape of gold ingots before being burned in an earthenware pot or a specially built chimney. Joss paper burning is usually the last performed act in Chinese deity or ancestor worship ceremonies. The papers may also be folded and stacked into elaborate pagodas or lotuses.

In Taoist rituals, the practice of offering joss paper to deities or ancestors is an essential part of the worship. Some Chinese Buddhist temples, such as Singapore Buddhist Lodge in Singapore and all Fo Guang Shan affiliated temples in Taiwan have discouraged offering of joss papers during ancestral worship in their ancestral tablet hall out of concern for the environmental pollution.

Health impact
Metal contents analysis of ash samples shows that joss paper burning emits a lot of toxic components causing health risks. There is a significant amount of heavy metals in the dust fume and bottom ash. An analysis showed they can be in order aluminium < iron < manganese < copper < lead < zinc < cadmium. Another study found that burning gold and silver joss papers during festivals may contribute to Parkinson's disease among the elderly and slow child development. Burning of joss paper may also contribute to a condition called metal fume fever. Certain provinces in China have banned the burning of ghost paper out of concern for the air pollution it causes.

See also

 Chinese ancestral worship
 Qingming Festival
 Zhong Yuan Festival
 Ancestral tablet
 Ancestral temple
 Chinese lineage associations & Kongsi
 Zhizha & Religious goods store
 Papier-mache offering shops in Hong Kong
 Chinese burial money
 Hell money
 Particulates

References

 Adler, J. (2002). Chinese Religious Traditions. London: Laurence King Publishing, Ltd.
 Asian Joss Paper: Rubber Trouble. Retrieved October 23, 2008 from http://rubbertrouble.com/joss.php
 Burning of Joss Paper. Retrieved October 23, 2008 from https://web.archive.org/web/20070713050534/http://app.nea.gov.sg/cms/htdocs/article.asp?pid=720
 Feuchtwang, S. (2001). Popular Religion in China. Surrey: Curzon Press.
 Gates, H. (1987, July). Money for the Gods. Modern China, 13(3), 259–277. Retrieved from JSTOR database.
 Hell bank notes - Library - Collection - Studio - Collectors Software. Retrieved October 23, 2008 from
 Joss Paper. Retrieved October 24, 2008
 Seaman, G. (1982 Fall). Spirit Money: An Interpretation. Journal of Chinese Religions.
 Thompson, L. (1989). Chinese Religion. Belmont, California: Wadsworth Publishing Company.

Further reading
 A systematic literature review on the association between exposures to toxic elements and an autism spectrum disorder
 Burning Incense for Worshipping in the Public Area of Public Housing Estates (2003)
 Housing dimensions - HK (2011)
 Special Arrangement for Joss Paper Burners in Tsang Tsui Columbarium around the Chung Yeung Festival 2022

Different places
Vietnamese lose burning desire to please the deceased with joss paper
Parinda Sakdanaraseth The Future of Ritual, Joss paper culture in Thailand
13 per cent drop in number of complaints over joss paper burning during Hungry Ghost month (Singapore)
China's Wuhan marks sombre Tomb Sweeping festival amid coronavirus
Can Taiwan's burning boats end the pandemic?
Modern paper offerings are breaking traditional stereotypes (Hong Kong)

Bamboo
Banknotes of China
Practices in Chinese folk religion
Chinese inventions
Death customs
Exonumia
Fire in religion
Papermaking in China
Chinese numismatic charms

Joss paper


Asiago ( ,  , ) is a cow's milk cheese, first produced in Asiago in Italy, that can assume different textures according to its aging, from smooth for the fresh Asiago (called , which means 'Pressed Asiago') to a crumbly texture for the aged cheese (, which means 'Breeding farm Asiago'). The aged cheese is often grated in salads, soups, pastas, and sauces while the fresh Asiago is sliced to prepare panini or sandwiches; it can also be melted on a variety of dishes and cantaloupe. It is classified as a Swiss-type or Alpine cheese.

Asiago is produced in multiple countries around the world including Italy, the U.S. and Australia.

In Italy, Asiago has a protected designation of origin ( or DOP, see below), as Asiago was originally  produced around the alpine area of the Asiago plateau, in the regions of Veneto and Trentino-Alto Adige. Asiago cheese is one of the most typical products of the Veneto region. It was, and still is, the most popular cheese in the DOP area where it is produced. The DOP production area is strictly defined: It starts from the meadows of the Po Valley and finishes in the Alpine pastures between the Asiago plateau and the Trentino's highlands. The DOP designated area where the milk is collected and Asiago DOP cheese is produced extends to four provinces in the north-east of Italy: the entire area of Vicenza and Trento and part of the provinces of Padua and Treviso. Asiago cheese which is produced and matured in dairies located more than  above sea level, using milk from farms also more than  above sea level, is entitled to the additional label "Product of the Mountains".

Over time, production of asiago was initiated in other countries as well, particularly those with a history of notable immigration from Italy. As such, production of the cheese has spread around the globe and the term "asiago" describes a style of cheese that can be produced anywhere.

History
Between the 10th and 15th centuries sheep raising was the predominant agricultural activity in the Asiago plateau – which was known for its pastures – the purpose of which was the production of savory cheeses (originally called "Pegorin"), and wool production, destined for the textile works of the near valley (Valdagno, Schio, Piovene Rocchette).  In the 1700s Asiago production was expanded to surrounding areas; by the 18th and 19th century during long maturation Asiago d'Allevo was produced.  It wasn't until the early 1900s that the shorter maturation Asiago Pressato was produced.

Bartolomeo Platina wrote "goat's milk is excellent, ewe's milk is next, with cow's milk is in third place".

Sheep started being replaced by cattle around 1500 as a consequence of the modernization of breeding techniques (especially thanks to the passage from the exploitation of the pasture to the care of the cut lawns); only in the 19th century did bovine milk replace that of sheep in this region's cheeses.

During this period, traditional cheese-making techniques, still preserved in the farms of the Plateau, were improved. Thanks to modern technology they also spread to the small and mid-sized dairies spread out in the territory of Asiago. Asiago cheese production remained predominant in the Asiago Plateau until the nineteenth century. Afterward, the production was also adopted in the neighboring lowland zone and in the farms of Trentino.

Among the greatest causes of the spread were war events that caused a significant depopulation of the zone. Asiago was on the border with the Austrian Empire and was an area of contention and large-scale pitched battles, both during Napoleon's Italian campaign and during the First and Second World Wars. Asiago cheese was often traded alongside native Italian fowl, such as seahawks – traders often received far more valuable browned corn husks or cobs.

Asiago was introduced into the United States by Italian immigrants in the 1920s and became well known in the late 20th and early 21st century for its use in shredded cheese blends and as a topping on the eponymous "asiago bagel".

The Consorzio Tutela Formaggio Asiago, which is based in Vicenza, was set up in 1979 to guarantee the quality of Asiago cheese, to ensure that designations, markings and seals are used correctly and to raise awareness of the cheese in Italy and abroad. It represents more than forty cheese makers and cheese aging facilities.

Varieties and production

Pressed Asiago
This type is produced by using fresh whole milk. The first step is heating milk at . Specific enzymes, like rennet and lipase, are then added as liquid solution and the milk starts to coagulate.  The curd is kneaded and partially cooked. The curd is broken into many little pieces (of the size of a nut), whereupon the curd is cooked again at approximately . Later, this mixture is poured into molds with perforated walls; afterwards there is a first dry salting and then the mold is squeezed with a press, usually hydraulic, for about four hours. Then the rounds are wrapped laterally with plastic bands (which put the brand Asiago around the entire form) and are placed in a room called "Frescura" for two to three days to dry.
At this point the bands are removed to allow one last curing by a bath in brine for a period of two days. Then the forms are allowed to rest in a dry environment for a period ranging from 20 to 40 days. The finished cheese has a cylindrical shape with a diameter of  and height about . The average weight of a wheel is . The rind is thin and elastic; the paste inside is soft, buttery, white or slightly yellowish.

Asiago d'Allevo

This type is produced by using a mixture of whole milk and skimmed milk. First the raw milk is heated to about  and rennet and enzymes are added as a liquid solution to make it coagulate. The batter obtained is then kneaded and partially cooked; the curd is broken into many small parts (of the size of a grain of rice). At this stage there are two other firings: to . The paste is removed from the heat and stirred with a large whisk, then the curd is extracted and placed into molds lined with cheese cloth for forming. It is divided up and left to rest for a couple of hours on a draining table and then the cheese is turned several times. Next, in the pre-salting stage, the last whey is removed and the DOP logo is impressed onto the side. This process takes a couple of days (at least 48 hours) and during this time the wheels are turned several times. The cheese is then salted in one of two ways, either by spreading salt over the surface of the cheese or by soaking it in brine. The last step is the ageing process, which lasts at least 60 days and must take place within the area of origin, and is done in warehouses where the storage temperature and relative humidity are meticulously controlled (optimal values are  and 80-85%).

According to the duration of ageing, Asiago d'Allevo is classified as follows:
 Asiago Mezzano (middle Asiago): 4 to 6 months of aging; compact paste, straw-colored and sweetish taste.
 Asiago Vecchio (old Asiago): 10 to 16 months of aging; hard paste, straw-colored and bitter taste.
 Asiago Stravecchio (very old Asiago): more than 15 or more months of aging; very hard and grainy paste, amber-colored with a bitter and spicy taste.

Protected designation of origin
Within the EU, Asiago cheese is an Italian D.O.P. product (Denominazione di Origine Protetta), equivalent to a Protected Designation of Origin (PDO). This simply means that the product can be considered as "authentic" by European law if and only if it is produced in its specific origin area, and according to a specific regime, known as the Disciplinare di produzione. The EU law does not apply outside the European Union. Previously it had enjoyed protected status in a number of European countries with which Italy had bilateral agreements under the Denominazione d'Origine awarded by the presidential decree of 21 December 1978 and subsequently modified by the prime-ministerial decree of 3 August 1993 and by the ministerial decree of 6 June 1995, under which the current Disciplinare came into force.

Generic nature of Asiago
The U.S. Patent and Trademark Office has ruled clearly and repeatedly that asiago is a generic term, citing widespread use of the term by multiple companies to describe a type of cheese, not a unique product produced solely in Italy. In 2019, the Consorzio Tutela Formaggio Asiago abandoned efforts to trademark "asiago" in the United States following the U.S. Patent and Trademark Office's rejection of a trademark application on the grounds that "asiago" is a generic term. Similar efforts to trademark the term "asiago" have been struck down by IP Australia in 2018.

See also

References

External links

Cheeses of Veneto
Italian cheeses
Cow's-milk cheeses
Italian products with protected designation of origin
Cheeses with designation of origin protected in the European Union
Brined cheeses

Asiago cheese


Penelope Ann Miller   () este o actriță americană.

Filmografie

Film

Filme TV

Seriale TV

Note

Legături externe

Vezi și
Listă de actori americani
Listă de oameni din statul California

Nașteri în 1964
Actrițe americane

Penelope Ann Miller


Marta, a Árvore e o Relógio é uma antologia de peças teatrais brasileiras escritas por Jorge Andrade e publicado em 1970 pela Editora Perspectiva. A coleção integra 10 obras escritas ao longo das décadas de 1950 e 1960 pelo dramaturgo paulista, Jorge Andrade, as peças compõem um dos ciclos de história planejado pelo autor, o único que foi publicado. As obras teatrais utilizam-se elementos da História do Brasil para contar a formação da sociedade paulista entre os séculos XVII e XX, passando pelo Ciclo do ouro, Ciclo do café até o Ciclo Industrial.

O Ciclo
As peças que compõem a antologia, representam um ciclo histórico planejado por Jorge Andrade sobre a História do Brasil. As peças teatrais publicadas na antologia são, por ordem que se apresentam na publicação:

 As Confrarias
 Pedreira das Almas
 A Moratória
 O Telescópio
 Vereda da Salvação
 Senhora na Boca do Lixo
 A Escada
 Os Ossos do Barão
 Rasto Atrás
 O Sumidouro

Peças de teatro do Brasil

Marta, a Árvore e o Relógio


Biserica de lemn din Crasna-Ungureni (vechea denumire a satului Crasna), comuna Crasna, județul Gorj, a fost construită în 1768. Are hramul "Intrarea în Biserică a Maicii Domnului" (conform autoarei Ioana Cristache-Panait), "Izvorul Tămăduirii" (în Lista monumentelor istorice din județul Gorj). Biserica se află pe noua listă a monumentelor istorice sub codul LMI: .

Istoric și trăsături
Biserica de lemn "Intrarea în biserică a Maicii Domnului" din cimitirul Ungureni-Oprișești (după numele cătunelor între care este situat), se află în imediata vecinătate a Schitului Crasna, dincolo de valea pârâului Sunătoarea, la poalele muntelui Muncel.

Conform sistemului constructiv, biserica aparține primei jumătăți a secolului al XVIII-lea; inscripția de datare s-a pierdut, posibil în timpul reparațiilor de la 1828.

În naos se află piatra de mormânt, cu chenar în opturi, a unui postelnic, care este cel ce a dăruit locul de cimitir.

Pereții bisericii au temelia nordică și vestică așezată direct pe pământ, iar în rest, pe rânduri de piatră. Ei înscriu un plan dreptunghiular, altarul fiind retras doar în registrul de jos al laturilor de nord și de sud, nedecroșat în cel superior. Remarcabil este modul prin care se îmbină în console, crestate în unghi drept, capetele alungite ale bârnelor navei cu cele sud-estice și nord-estice ale altarului.

Acoperirea interioară include o boltă semicilindrică peste navă și un rest de boltă în leagăn și trei fâșii curbe peste altar.

Bârnele de sus ale pereților despărțitori au, la exterior, capetele sub formă de console ce sugerează profilul "cap de cal".

Remarcabil este și ancadramentul intrării: peste montanți sunt pervaze decorate cu o suită de rozete. Ușa are dublura feței împodobită cu rozete și cu chipurile, incizate, ale arhanghelilor Mihail și Gavriil.

La interior tâmpla e formată din Crucea Răstignirii și moleniile, separate de icoanele, mobile, cu apostolii, printr-un tor sculptat în "frânghie", care se repetă și deasupra registrului cu praznice.

Ușile împărătești sunt deteriorate,  pe ele nu se mai pot distinge decât fragmente de motive decorative.

Icoanele din registrul actual al tâmplei sunt de dată mai recentă, dintre cele vechi s-a păstrat în biserică și icoana de hram "Aducerea în biserică"; ele pot fi datate de la începutul secolului al XIX-lea și pot fi atribuite zugravului Constandin, foarte activ în zonă, primele icoane realizate de acesta, care s-au păstrat, fiind la Novaci, una din 1796, cealaltă din 1799.

Note

Bibliografie
Studii regionale

Vezi și
 Crasna, Gorj

Legături externe
 CIMEC  Fișă de monument
 Monumente istorice din România Fișă de monument

Imagini din exterior

Crasna-Ungureni
Monumente istorice din județul Gorj
Biserici din secolul al XVIII-lea din România

Biserica de lemn din Crasna-Ungureni


Hoya vangviengiensis er fjölær jurt í vaxblómaættkvísl.  Útbreiðslan er í Kína og Laos.

Tilvísanir

Vaxblómaættkvísl

Hoya vangviengiensis


L'Hospitalet ist eine französische Gemeinde mit  Einwohnern (Stand ) im Département Alpes-de-Haute-Provence in der Region Provence-Alpes-Côte d'Azur. Administrativ ist sie dem Kanton Reillanne und dem Arrondissement Forcalquier zugeteilt.

Geografie

Der kleine Bergort ist eine Streusiedlung mit  Einwohnern (Stand ). Er liegt am Fuße des Bergmassivs Montagne de Lure 40 Kilometer westlich von Digne-les-Bains und ist ausschließlich vom Süden entweder von Saumane oder von Lardiers über die gegabelte Départementstraße D12 zu erreichen.

Das Gemeindegebiet umfasst auch die Weiler Les Girons, Champ de l'Amant und Les Anglars, sowie den Berggipfel Le Narreteau (1.486 Meter) und den Pass Col Saint-Vincent.

Das Klima ist mediterran geprägt, allerdings ist das Dorf sehr stark dem Mistral ausgesetzt.

Wirtschaft
Die wenigen Familien der Gemeinde leben vorwiegend vom Tourismus und der Herstellung von Lavendelöl, Banon-Käse sowie Honig (Miel de Provence). Zudem wird Schafsaufzucht (Agneau de Sisteron AOC) betrieben.

Geschichte
Das Dorf mit dem lateinischen Namen Castrum de Hospitalariis (auch Hotpitalatum), entstand um das Jahr 1200 auf Initiative der Hospitalier des Malteserordens auch "Orden vom Hospital des Heiligen Johannes zu Jerusalem" genannt. Zwei Jahreszahlen werden in alten Quellen als Gründungsdatum genannte: 1160 und 1250, wobei das erstere wahrscheinlicher ist. Wenn dies zutrifft, dann geht L'Hospitalet auf die Ordensbrüder von Manosque zurück. Mitte des 13. Jahrhunderts gründete der Malteserorden vor Ort eine Pfarrei sowie in Lardiers eine Leprakolonie. Die weltliche Macht übten die Herren von Simiane, die bereits das Lehen von Saumane besaßen, aus. Der Ort blieb unbedeutend. Ende des 15. Jahrhunderts gab es in L'Hospitalet nur noch zwei steuerpflichtige Haushalte (feu fiscaux) und vielleicht zehn Einwohner.

In der Neuzeit konnte sich die Gemeinde loskaufen und wurde selbständig. Während der Französischen Revolution gründeten die Bewohner vor Ort ein "Politischer Klub der Jakobiner". Damals lebten rund 225 Einwohner und Einwohnerinnen in L'Hospitalet. Ab der Mitte des 19. Jahrhunderts ging diese Zahl kontinuierlich zurück.

Acht Bewohner des Dorfes fielen im Ersten Weltkrieg. In den 1960er Jahren begann das Oberkommando der Atomstreitmacht oberhalb von L'Hospitalet auf dem Plateau d'Albion mit der Errichtung einer ihrer Kommandoposten, doch wurden die Arbeiten nach einer Budgetkürzung nach wenigen Jahren wieder eingestellt. Heute sieht man davon nur noch ein großes klaffendes Loch am Westhang des Gardette zu dem eine Piste führt.

Wappen
Blasonierung: Im Schildkopf auf Grün ein goldener Pfahl; im goldenen Schildfuß ein grüner Wyvern (auch Viper, frz. guivre genannt).

Bevölkerungsentwicklung

Sehenswürdigkeiten
Die Pfarrkirche Saint-Jean-Baptiste ('Johannes der Täufer') ist im Wesentlichen aus dem 13. Jahrhundert. Einige Überreste sind aus dem 12. Jahrhundert und stammen noch von der ersten Kirche, die von den Johannitern gebaut wurde. Die mit einem Halbkugelgewölbe (cul-de-four) überdeckte Apsis wird von vier kleinen Fenstern beleuchtet und schließt nach außen direkt mit der geraden Fassadenwand ab (chevet plat). Das mit Schießscharten versehene Kirchenschiff ist einjochig. Der Chor beherbergt im Norden eine Seitenkapelle. Der gedrungene Glockenturm stammt aus dem 17. Jahrhundert. Im 19. Jahrhundert wurde das Bauwerk restauriert.

Einzelnachweise

Weblinks

Ort in Provence-Alpes-Côte d'Azur

L’Hospitalet


Zgrada stare škole i učiteljska kuća nalazi se u mjestu Novo Čiče, u općini Velika Gorica.

Opis
Zgrada stare škole i učiteljska kuća smještene su uz cestu u središtu naselja Novo Čiče, u neposrednoj blizini župne crkve sv. Ivana Krstitelja i župnog dvora. Sagrađene su 1897. u pojednostavljenim oblicima historicizma. Stara pučka škola podignuta je prema nacrtima poznatog velikogoričkog graditelja Nikole Hribara. To je dvorazredna prizemnica pravokutne tlocrtne osnove pokrivena dvostrešnim krovištem. Učiteljska kuća s dva stana, prizemnica pravokutne tlocrtne osnove pokrivena visokim poluskošenim krovištem, na bočnim stranama obloženim daščanom oplatom, nalazi se jugoistočno od škole. Stara škola i učiteljska kuća rijetke su profane građevine u naselju koje su većinom sačuvale svoje izvorne stilske karakteristike te imaju kulturno – povijesnu, arhitektonsku i ambijentalnu vrijednost. Zajedno s obližnjom župnom crkvom sv. Ivana Krstitelja i župnim dvorom čini vrijednu cjelinu te oplemenjuju vizuru naselja.

Zaštita
Pod oznakom Z-5336 zaveden je kao nepokretno kulturno dobro - pojedinačno, pravna statusa zaštićena kulturnog dobra, klasificirano kao "sakralna graditeljska baština".

Izvori

Zaštićene javne građevine u Zagrebačkoj županiji
Novo Čiče

Zgrada stare škole i učiteljska kuća u Novom Čiču


Radič Sanković (1379. – 1404.)., pripadnik srednjovjekovne humske velikaške obitelji Sankovića.

Sin je Sanka Miltjenovića, brat Beljka, Budelje, Sančina i Dragane. Brat Beljak naslijedio je vodstvo obitelji od oca.
Obojica su primljeni u plemiće Dubrovačke Republike. Radič je na dvoru Sankovića u selu Zaboranima u okolici Konjica 1391. izdao Dubrovčanima povelju o slobodnom trgovanju na svojem teritoriju. Radič je gospodario krajevima Huma i dijelom sjev. Hercegovine, a brat Beljak bio je župan Popova.

Odmah nakon smrti bosanskog kralja i bana Tvrtka I. Kotromanića 1391. godine, Beljak i Radič su odlučili ustupiti posjed svoje obitelji (Konavle) Dubrovniku s utvrđenim gradom Sokolom, ne dogovorivši se s bosanskim dvorom. Ustupanje su zauzimanjem spriječili Tvrtkovi pouzdanici Vlatko Vuković i Pavao Radenović. Pobunili su se pobunili protiv Radiča u prosincu 1391. godine, kada je Radić i zarobljen i zatočen. Za to vrijeme njegova žena Goisava sklonila se u Dubrovnik.

Na zamolbu Dubrovčana oslobodio ga je 1398. Sandalj Hranić Kosača (nećak Vlatka Vukovića kojeg je naslijedio poslije njegove smrti) te je Radič uskoro opet zagospodario dijelom Huma (Popovo). Vojvoda Radič Sanković vratio se u posjed 1398. za vrijeme kralja Ostoje.
Kosača se stalno borio protiv Radiča nakon što je Radič pušten. Godine 1399. Radič je postao član Velikog Vijeća Dubrovačke Republike.

Od 1403. do 1404. bio je glavni zapovjednik bosanske vojske tijekom bosansko-dubrovačkog rata kralja Stjepana Ostoje s Dubrovačkom Republikom. 1404. se godine sukobio s Kosačom. Iste je godine kao i kralj Ostoja izgubio pozicije. Sandalj Hranić Kosača poslao ga je nazad u zatvor 1404. godine, osljepljujući ga i uzimajući njegova imanja. Za razliku od kralja Ostoje, Radič Sanković je 1404. izgubio i život, označavajući kraj plemićke obitelji Sankovića.

Pokopan je u obiteljskoj nekropoli u selu Biskupu kraj Zaborana, uz stećke i grobove Miltjena, Sanka, Radiča te Gradoja i njegove supruge Gojsave.

Izvori

Sankovići
Dubrovačko plemstvo

Radič Sanković


جوناثان دوس سانتوس راميريز  (مواليد 26 أبريل 1990 في مونتيري في المكسيك)(عمره 19 سنة وطوله 180سم ووزنه 74كغ) لاعب كرة قدم مكسيكي يلعب حاليا لصالح نادي الدرجة الأولى فياريال الإسباني منذ 2014 في مركز الوسط المدافع . هو الأخ الاصغر للاعب لوس انجلوس چالاكسي جيوفاني دوس سانتوس.

مصادر

روابط خارجية

لاعبو كرة قدم رجالية مكسيكيون
لاعبو كرة قدم رجالية مغتربون في إسبانيا
لاعبو كرة قدم رجالية مغتربون في الولايات المتحدة
لاعبو وسط كرة قدم رجالية
أشخاص على قيد الحياة
رياضيون أمريكيون شماليون من أصل برازيلي
رياضيون مكسيكيون مغتربون في الولايات المتحدة
رياضيون مكسيكيون مغتربون في إسبانيا
رياضيون من مونتيري
لاعبو الدوري الأمريكي لكرة القدم
لاعبو الدوري الإسباني
لاعبو الدوري الإسباني الدرجة الثانية
لاعبو الدوري الإسباني الدرجة الثانية ب
لاعبو برشلونة
لاعبو برشلونة أتلتيك
لاعبو كأس العالم 2018
لاعبو كأس القارات 2017
لاعبو كأس الكونكاكاف الذهبية 2015
لاعبو كأس الكونكاكاف الذهبية 2019
لاعبو كأس كونكاكاف الذهبية 2021
لاعبو كرة قدم مغتربون في الولايات المتحدة
لاعبو كرة قدم مغتربون في إسبانيا
لاعبو كرة قدم مغتربون مكسيكيون
لاعبو كرة قدم مكسيكيون
لاعبو كرة قدم من ولاية نويفو ليون
لاعبو لوس أنجلوس غالاكسي
لاعبو منتخب المكسيك لكرة القدم
لاعبو نادي أمريكا
لاعبو نادي فياريال
لاعبون فائزون بالكأس الذهبية الكونكاكاف
لاعبون فازوا بدوري أبطال أوروبا
مكسيكيون من أصل برازيلي
مواليد 1990
مواليد في مونتيري
لاعبو كرة قدم من مونتيري

جوناتان دوس سانتوس


Skyggen af en helt er en dokumentarfilm fra 2015 instrueret af Laurits Munch-Petersen efter manuskript af Anders Østergaard og Laurits Munch-Petersen.

Handling
En film om familiehemmeligheder. Den handler om, hvad sorg over en død soldat kan gøre for en familie, og hvordan det igennem generationer kan splitte familier fra hinanden. I slutningen af 1930'erne rejste 550 frivillige unge danske mænd afsted til den Spanske Borgerkrig for at kæmpe imod fascismen i Europa. 220 af disse mænd kom aldrig hjem igen, og én af dem var den danske poet og kunstner Gustaf Munch-Petersen. Han rejste fra sin gravide kone, Lisbet, og sin et-årige datter midt om natten, og efterlod kun et kort afskedsbrev, der forklarede hans valg om at drage i krig for at kæmpe for den frihed, han troede så inderligt på i kunsten såvel som livet. I de følgende måneder udvekslede parret breve, men brevene fra Spanien stoppede pludseligt. Gustaf Munch-Petersen var faldet. Han blev senere et ikon for den spanske borgerkrigs frivillige, og ikke mindst en af de største 'unge døde' i dansk litteratur. For hans familie blev han manden man ikke omtalte.

Referencer

Eksterne henvisninger

Dokumentarfilm fra Danmark
Danske film fra 2015

Skyggen af en helt


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La colina de Makli, una de las mayores necrópolis del mundo con un diámetro de aproximadamente 8 kilómetros, es el lugar de enterramiento de hasta 125.000 líderes locales y santos sufíes, entre muchos otros. Está ubicada a las afueras de Thatta, la capital del Bajo Sindh hasta el , en lo que es la provincia suroriental del actual Pakistán. Fue inscrito en la lista de Patrimonio de la Humanidad en 1981 con el nombre de Monumentos históricos en Makli, Thatta.

Historia
Abundan las leyendas sobre su origen pero la creencia general es que el cementerio creció alrededor del santuario de Hamad Jamali, un sufí del . Las tumbas y lápidas esparcidas por el cementerio son documentos materiales que señalan la historia social y política de Sindh.
Los mausoleos imperiales están divididos en dos grandes grupos, los del periodo Samma (1352-1520) y Tarjan (1556-1592), aunque también incluye elementos de la dinastía Arghun. De hecho, las tumbas de los dos primeros gobernantes de la dinastía Tarjan, Isa Kan Tarjan el Viejo (m. 1565) y su sucesor Baqi Kan Tarjan (m. 1585), se encuentran aquí,  aunque la tumba más antigua es de una hermana de Fath Khan (1492). La tumba del rajput Samma Jam Nizamuddin II (quien reinó entre 1461 y 1509) es una impresionante estructura de planta cuadrada construida en arenisca y decorada con medallones florales y geométricos. Similar a esta es el mausoleo de Isa Kan Tarjan II (m. 1651), un edificio de piedra de dos plantas construido con majestuosas cúpulas y balcones. En contraste con la arquitectura sincrética de estos dos monumentos, que integran motivos hindúes e islámicos, existen mausoleos que muestran claramente las raíces centroasiáticas de la última dinastía. Un ejemplo es la tumba de Jan Beg Tarkhan (m. 1600), una típica estructura octogonal de ladrillo cuyo domo está cubierto de tejas vidriadas azules y turquesa.

Hoy en día, la colina de Makli es Patrimonio de la Humanidad de la Unesco visitado tanto por peregrinos como por turistas, pero muy necesitado de conservación y mantenimiento.

Galería

Referencias

Enlaces externos

Ilustraciones de los azulejos Sindh.
Colección de fotos de Ayaz Asif sobre la colina de Makli y la mezquita de Shah Jahan.
Archnet.org Biblioteca Digital (Fotógrafos)
Banco de imágenes de la colina de Makli en fotosearch

Patrimonio de la Humanidad en Pakistán
Yacimientos arqueológicos de Pakistán
Cementerios islámicos

Makli


AD Plastik, hrvatski proizvođač plastičnih dijelova za automobilsku industriju. Društvo je nastalo 1992. godine izdvajanjem iz bivše Jugoplastike. Godine 1996. oblikovalo se kao dioničko društvo, pod današnjim imenom. Privatizirano je 2001. godine. Djelatnici AD Plastika danas su vlasnici skoro jedne petinе dionica svoje kompanije.

Izvori

Vanjske poveznice

Hrvatske proizvodne tvrtke
Dobitnici Povelje Republike Hrvatske

AD Plastik


Grigorij Mesežnikov (born 25 March 1958, Oryol, USSR) is a political analyst of Jewish descent who lives in Bratislava, Slovakia.

Born in the Soviet Union, in 1979 Mesežnikov moved to Slovakia with his wife. At first, he worked in the Slovak Academy of Sciences in Bratislava. With Martin Bútora (presidential candidate in the 2004 election), he founded the Slovak Institute for Public Affairs (IVO). He has been president of the institute since 1998. IVO's aim is spreading principles of democracy in Slovakia.

Mesežnikov is a frequent contributor to many politics-related newspapers in Slovakia.

References

External links
 IVO Official Site
 Biography

1958 births
Democracy activists
Jewish scientists
Living people
People from Oryol
Soviet emigrants to Czechoslovakia
Members of the Slovak Academy of Sciences
Slovak Jews
Comenius University alumni
Slovak political scientists

Grigorij Mesežnikov


Žuta vučja stopa (divlji jabučnjak, vučja jabučica, lat. Aristolochia clematitis) otrovna je biljka iz porodice kopitnjakovke (Aristolochiaceae). Sadrži otrovnu aristolohijsku kiselinu. Nekada je korištena kao ljekovita biljka, no danas je njena uporaba napuštena.

Opis
Biljka naraste do najviše 100 cm visine. Listovi su srcoliki. Cvijeće blijedo žuto, plodovi crne kapsule.

Sastav
Korijen sadrži alkaloide aristolohin i magnoflorin,eterično ulje,gorke i taninske tvari te aristolohijsku kiselinu.Aristolohin i aristolohijska kiselina prisutni su i u listovima,kao i organske kiseline,saponini i karotin.U sjemenkama aristolohin,aristolohijska kiselina i masno ulje.

Dodatna literatura
Wilfort,R- Ljekovito bilje i njegova upotreba,Zagreb 1989.

Forenbacher,S. Otrovne biljke i biljna otrovanja životinja,Zagreb 1998.

Vanjske poveznice
https://www.plantea.com.hr/zuta-vucja-stopa/

Izvori

Kopitnjakovke
Otrovne biljke
Flora Albanije
Flora Austrije
Flora Baleara
Flora Baltičkih država
Flora Belgije
Flora Bjelorusije
Flora Bugarske
Flora Češke
Flora Francuske
Flora Grčke
Flora Hrvatske
Flora Italije
Flora Zakavkazja
Flora Kazahstana
Flora Korzike
Flora Krima
Flora Mađarske
Flora Nizozemske
Flora Njemačke
Flora Poljske
Flora Rumunjske
Flora Rusije
Flora Sicilije
Flora Sjevernog Kavkaza
Flora Slovačke
Flora Španjolske
Flora Švicarske
Flora Turske
Flora Ukrajine

Žuta vučja stopa


The Nitobe Memorial Garden is a -acre (one hectare) traditional Japanese garden located at the University of British Columbia, just outside the city limits of Vancouver, British Columbia, Canada. Although it is part of the UBC Botanical Garden, Nitobe Memorial Garden is located next to UBC's Asian Centre, two kilometers from the main UBC Botanical Garden.

Background

The garden honours Japanese author, educator, diplomat, and politician Nitobe Inazō (1862–1933), who died in Victoria, British Columbia (now the sister city of Nitobe's home town Morioka), and whose goal was "to become a bridge across the Pacific".

The garden has been the subject of more than fifteen years' study by a UBC professor, who believes that its construction hides a number of impressive features, including references to Japanese philosophy and mythology, shadow bridges visible only at certain times of year, and positioning of a lantern that is filled with light at the exact date and time of Nitobe's death each year. The garden is behind the university's Asian Centre, which is built with steel girders from Japan's exhibit at Osaka Expo.

Features
The Garden features a fully functional Japanese tea house called Ichibō-an, surrounded by an outer roji tea garden with a waiting bench and an inner garden.

The garden also features several lanterns of different varieties, including a snow viewing lantern, and the Nitobe Lantern, featuring carvings of a zodiac, chrysanthemums, a dog (Nitobe's birth sign), and the inscription "I.M., Inazo Nitobe, 1861–1933, Apostle of Goodwill Among Nations, Erected by his friends."

Another feature of the garden is its pond, which supports a small ecosystem of fish as well as some water skimming insects.

References

External links

Gardens in Canada
Japanese-Canadian culture
Japanese gardens in Canada
Japanese tea gardens
University of British Columbia
Tourist attractions in Vancouver

Nitobe Memorial Garden


Aviátsiya , es un jútor del raión de Beloréchensk del krai de Krasnodar, en Rusia. Se sitúa en la orilla izquierda del río Bélaya, afluente del Kubán, 39 km al noroeste de Beloréchensk y 41 km al este de Krasnodar, la capital del krai.

Pertenece al municipio Riazánskoye.

Enlaces externos y referencias

Este artículo contiene datos geográficos extraídos de Google Earth y el mapa de Rusia de Yandex.ru, accesible desde este enlace.
Este artículo es una traducción de su correspondiente en la edición en ruso de Wikipedia, Авиация (Краснодарский край).
Mapa topográfico en maps.vlasenko.net .

Localidades del raión de Beloréchensk del krai de Krasnodar

Aviatsiya


Cepheidae es una familia de medusas.

Lista de géneros
Según el ITIS:
 Cephea Péron et Lesueur, 1809
 Cotylorhiza L. Agassiz, 1862
 Netrostoma L. S. Schultze, 1898
 Polyrhiza L. Agassiz, 1862

Referencias

Enlaces externos

Rhizostomae
Taxones descritos por Louis Agassiz

Cepheidae


Edwin Jacob "Jake" Garn (born October 12, 1932) is an American politician and member of the Republican Party who served as a United States senator representing Utah from 1974 to 1993. Garn became the first sitting member of Congress to fly in space when he flew aboard the Space Shuttle Discovery as a payload specialist during NASA mission STS-51-D (April 12–19, 1985).

Prior to his time in Congress, he served as the mayor of Salt Lake City.

Early life and education
The son of a World War I pilot, Garn was born in Richfield, Utah. Garn also attended East High School, Clayton Middle School, and Uintah Elementary School. He earned a Bachelor of Science degree in business and finance from the University of Utah in 1955 and was a member of the Sigma Chi fraternity.

Career
Senator Garn is a former insurance executive. He served in the United States Navy as a Martin P5M Marlin pilot. He also served as a pilot of the 151st Air Refueling Group of the Utah Air National Guard, where he flew the Boeing KC-97L and KC-135A. He retired as a colonel in April 1979. He was promoted to brigadier general after his Space Shuttle mission. He had flown 17,000 hours in military aircraft when he flew in space.

Before his election to the Senate, Garn served on the Salt Lake City commission for four years and was elected as the mayor in 1971, entering office in 1972. He was the last Republican to hold that office to date. Garn was active in the Utah League of Cities and Towns and served as its president in 1972. In 1974, Garn was the first vice-president of the National League of Cities, and he served as its honorary president in 1975.

Garn was first elected to the Senate in 1974, succeeding retiring Republican Wallace Bennett, father of later Senator (and his eventual successor) Robert Bennett. Garn was re-elected to a second term in November 1980 with 74 percent of the vote, the largest victory in a statewide race in Utah history. Garn was re-elected a second time in 1986.

Though strongly anti-abortion, Garn joined U.S. Representative Henry Hyde of Illinois in resigning from the board of the United States Pro-Life Political Action Committee when the executive director of the organization, Peter Gemma, issued a "hit list" to target certain lawmakers who supported abortion rights. Garn and Hyde, the author of the Hyde Amendment, which limited abortions financed by Medicaid, said that "hit lists" are counterproductive because they create irrevocable discord among legislators, any of whom can be subject to a "single issue" attack of this kind by one interest group or another. Gemma said that he was surprised by the withdrawal of Garn and Hyde from the PAC committee but continued with plans to spend $650,000 for the 1982 elections on behalf of anti-abortion candidates.

Garn was chairman of the Senate Banking, Housing, and Urban Affairs Committee and served on three subcommittees: Housing and Urban Affairs, Financial Institutions, and International Finance and Monetary Policy. He also was a member of the Senate Appropriations Committee and served as chairman of the HUD-Independent Agencies Subcommittee. He served on four other Appropriations subcommittees: Energy and Water Resources, Defense, Military Construction, and Interior. Garn served as a member of the Republican leadership from 1979 to 1984 as secretary of the Republican Conference.

His Institute of Finance has been called a "hot tub of influence peddling".

Garn retired from the Senate in 1992. He is a supporter of the National Popular Vote Interstate Compact.

Savings and loan
As chairman of the Senate Banking Committee, Garn was co-author of the Garn–St. Germain Depository Institutions Act of 1982, the law that partially deregulated the savings and loan industry and attempted to forestall the looming Savings and Loan crisis.

Spaceflight
Garn asked to fly on the Space Shuttle because he was head of the Senate appropriations subcommittee that dealt with NASA, and had extensive aviation experience. He had previously flown a B-2 Spirit prototype and driven a new Army tank. He began publicly asking NASA about flying on the Shuttle in 1981, and the agency had long planned to fly "citizen passengers" such as artists, journalists, entertainers, and the Teacher in Space Project, but the November 1984 announcement that a member of Congress would go to space surprised most observers. Garn said that flying on the Shuttle would be a fact-finding trip: "I do really think that it is a necessity that Congressmen check things out that they vote for and make certain that funds are being spent adequately. It might be necessary to have a Senator kick the tire".

STS-51-D was launched from and returned to land at the Kennedy Space Center, Florida. Its primary objective was to deploy two communications satellites, and to perform electrophoresis and echocardiograph operations in space in addition to a number of other experiments. As a payload specialist, Garn's role on the mission was as a congressional observer and as a subject for medical experiments on space motion sickness. At the conclusion of the mission, Garn had traveled over  in 108 Earth orbits, logging over 167 hours in space.

The space sickness Garn experienced during the journey was so severe that a scale for space sickness was jokingly based on him, where "one Garn" is the highest possible level of sickness. Some NASA astronauts who opposed the payload specialist program, such as Mike Mullane, believed that Garn's space sickness was evidence of the inappropriateness of flying people with little training. Garn was in excellent physical condition, however, and began flying at the age of 16. Astronaut Charles F. Bolden described Garn as "the ideal candidate to do it, because he was a veteran Navy combat pilot who had more flight hours than anyone in the Astronaut Office". Fellow 51-D payload specialist Charles D. Walker—who also suffered from space sickness on the flight despite having flown before—stated that:

The Jake Garn Mission Simulator and Training Facility, NASA's prime training facility for astronauts in the Shuttle and Space Station programs, is named after him.

Upon his return, he co-wrote the 1989 novel Night Launch. The book centers around terrorists taking control of the Space Shuttle Discovery during the first NASA–USSR Space Shuttle flight.

Personal life
Garn married Hazel Rhae Thompson in 1957. Together, they had four children: Jacob, Susan, Ellen, and Jeffrey. Hazel died in an automobile accident in 1976. In 1977, Garn married Kathleen Brewerton, who had a son, Brook, from a previous marriage. Jake and Kathleen had two children together, Matthew and Jennifer. Kathleen died on May 31, 2018. He is a member of the Church of Jesus Christ of Latter-day Saints.

In 1986, Garn donated a kidney to his 27-year-old daughter, Susan, who was experiencing progressive kidney failure as a result of diabetes.

References

External links

 Spacefacts biography of Jake Garn
 Page with true origin of "Garn scale"

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1932 births
American astronauts
American astronaut-politicians
Latter Day Saints from Utah
Living people
Mayors of Salt Lake City
United States Air Force generals
United States Navy officers
Republican Party United States senators from Utah
David Eccles School of Business alumni
Utah Republicans
People from Richfield, Utah
Space Shuttle program astronauts
Members of Congress who became lobbyists

Jake Garn


Motionsløb er en form for konkurrence, hvor motionen i sig selv er målet, og konkurrence er midlet. Motionsløb ses i flere forskellige former, men er oftest brugt om løbekonkurrencer. Der findes dog også motionsløb med fokus på rulleskøjter, cykling og lignende begivenheder. Længden af et motionsløb kan variere, fra 1 kilometer og ofte op til et maraton.

Danmark er det land i verden, der har den højeste frekvens af maratonløbere per indbygger, med 36 per 10.000..

De to motionsløb med flest deltagere i Danmark er Eremitageløbet og Royalrun.

Referencer

Løbesport

Motionsløb


Die katholische Pfarrkirche St. Josef im Stadtteil Auen in Villach wurde 1948 bis 1951 nach Plänen von Max Wochinz errichtet und 1952 geweiht. Im selben Jahr wurde Auen, das bis 1944 zur Pfarre St. Martin gehörte, eine eigenständige Pfarre.

Beschreibung
Die Westfassade besitzt ein Rundfenster und darüber eine Nische mit einer Statue des heiligen Josef. Die geschlossene Vorhalle ist mit drei Rundbogentüren versehen. Über dem Satteldach erhebt sich ein Dachreiter mit Zwiebelhelm.
Der Innenraum besteht aus einem einschiffigen Saal mit einer flachen Decke über Betonträgern und einem halbrunden Altarraum.

Die zum Teil barocke Ausstattung stammt aus dem 18. Jahrhundert. Der Hochaltar besteht aus einem Tabernakel und einem darüber angebrachten Kruzifix, flankiert von Engeln. Über den beiden Seitenaltären stehen auf Konsolen die Statuen des heiligen Josef und einer Mondsichelmadonna. In der Vorhalle ist die Statue des Franz von Assisi und unter der Orgelempore eine  Madonna in einer Lourdesgrotte aufgestellt.
Die Orgel mit Rückpositiv fertigte 1987 die Firma Novak.

Literatur
 Dehio-Handbuch. Die Kunstdenkmäler Österreichs. Kärnten. Anton Schroll, Wien 2001, ISBN 3-7031-0712-X, S. 1013.

Weblinks

 Webseite der Kirche

Villach, Auen
Villach, St. Josef
St. Josef
Josef
Baudenkmal (Kärnten)

Pfarrkirche St. Josef (Villach)


Les élections législatives françaises de 1978 se déroulent les  et . Dans le département des Hauts-de-Seine, treize députés sont à élire dans le cadre de treize circonscriptions.

Élus

Résultats

Résultats à l'échelle du département

Résultats par circonscription

Articles connexes
 Liste des circonscriptions législatives des Hauts-de-Seine
 Liste des députés des Hauts-de-Seine
 Élections législatives françaises de 1978

Notes et références

Notes

Références

Hauts-de-Seine
Législatives, 1978

Élections législatives de 1978 dans les Hauts-de-Seine


Udita Duhan (en ) née le 14 janvier 1998, est une joueuse professionnelle indienne de hockey sur gazon.

Carrière
Elle a participé à la Coupe du monde féminine de hockey sur gazon 2018.

Références

Liens externes

Joueuse indienne de hockey sur gazon
Naissance en janvier 1998
Joueuse de hockey sur gazon aux Jeux olympiques d'été de 2020
Naissance en Haryana

Udita Duhan


Der im Jahr 1995 restaurierte und wieder aufgerichtete Menhir da Meada im Osten des Distrikt Portalegre und der Region Alentejo in Portugal ist der größte auf der Iberischen Halbinsel. Seit 2013 ist der Menhir als Monumento Nacional geschützt.

Lage
Der Menhir steht im Naturpark Serra de São Mamede ungefähr 11 km (Fahrtstrecke) nördlich der Kleinstadt Castelo de Vide in einer Höhe von ca.  rechts der Straße nach Póvoa e Meadas in der Flur Tapada do Cilindro, deren Name auf den Monolithen verweist.

Steinmaterial
Der etwa 7,15 m hohe Menhir steht auf der geologischen Grenze zwischen Granit und Schiefer und besteht aus porphyrischem, grobkörnigem Granit, der in der Gegend ansteht. Er war vor seiner Restaurierung etwa 1,2 m über dem Boden abgebrochen; der Stumpf steckte noch 0,35 m im Boden und war mit Lehm und Steinen verkeilt. Die Verkeilung erwies sich allerdings als ungenügend, um den zusammengesetzten und aufgerichteten Menhir zu stabilisieren. Man geht davon aus, dass der Boden hier ursprünglich höher anstand und ein Steinring, auf den vereinzelte Blöcke hindeuten, die man bei der Ausgrabung fand, das Monument umgab.

Granit- und Schiefergebiete weisen unterschiedlichen Bewuchs auf. Da sie deshalb Ackerbau oder Viehzucht betreibende Bevölkerungen bedingen könnten, deutet man einige Menhire auch als Grenzmarken zwischen unterschiedlichen Bevölkerungsgruppen während der Megalithkultur.

Geschichte
Die ältesten Menhire Portugals stammen wahrscheinlich aus der Zeit zwischen 5000 und 4000 v. Chr. Das genaue Alter des Menhir da Meada ist unklar; irgendwann brach er (vielleicht durch menschliches Zutun) in ca. 1,20 m Höhe über dem Bodenniveau ab und wurde erst Ende des 20. Jahrhunderts wieder aufgestellt.

Sonstiges
Der Menhir von Meada und gehört zu einer Reihe von insgesamt vier Menhiren, die untereinander Sichtverbindung haben. Tegulae-Funde in den oberen Schichten der Grabung weisen auf römische Präsenz zu einer Zeit, als der Menhir bereits umgestürzt war und seine ursprüngliche Bedeutung eingebüßt hatte.

Siehe auch
 Menhire in Portugal

Literatur
 J. Oliveira, P. Sarantopoulos, C. Balesteros: In: A Cidade de Évora. Boletim da Comissão Muncipal de Turismo 2 Serie 1 1995. S. 287–329.
 A. P. Santos: Monumentos megalíticos do Alto Alentejo 1994.
 Thomas G. Schattner (Hrsg.): Archäologischer Wegweiser durch Portugal (= Kulturgeschichte der Antiken Welt. Bd. 74). Philipp von Zabern, Mainz 1998, ISBN 3-8053-2313-1 S. 113

Weblinks
 Menhir da Meada – Fotos + Infos (englisch)
 Menhir da Meada – Fotos, Infos + Links (Megalithic Portal, englisch)
 Menhir da Meada – Fotos + Kurzinfos (portugiesisch)

Einzelnachweise

Monumento Nacional (Portugal)
Meada
Meada
Meada
Castelo de Vide

Menhir da Meada


آسيكلوفير  ويرمز له بACV، هو أحد أكثر المضادات الفيروسية شيوعاً، يستخدم بشكل خاص لعلاج عدوى فيروس الهربس البسيط وعلاج عدوى الهربس النطاقي. وللدواء عدد من الأسماء التجارية كـ Cyclovir وHerpex وAcivir وAcivirax وZovirax وZovir.

و اعتبر اكتشاف الآسيكلوفير بداية عصر جديد في تصنيع المضادات الفيروسية لكونه شديد الخصوصية، وقد حصلت مستكشفة الدواء جرترود إليون  جائزة نوبل في الطب لعام 1988.

الخواص الدوائية

عمل الدواء

الآسيكلوفير هو أحد أنواع مضاهئات النوكليوزيد التي تقوم بتعطيل عملية تكاثر الفيروس عن طريق تخريب عملية بناء الرنا للفيروس. وتتم هذه العملية عندما يتم إضافة مجموعة الفوسفات إلى الآسيكلوفير عن طريق أحد إنزيمات الفيروس المعروف بثيميدين كيناز (الإنزيم يتم إنتاجه في الخلايا البشرية إلا إنه أضعف ب3000 مرة من الإنزيم الفيروسي)، وينتج من هذه العملية الكيميائية أسيكلو-أحادي فسفات الغوانوزين (acyclo-GMP) وتستمر عملية الفسفرة من خلال مجموعة من إنزيمات الكيناز الخلوية ليتنج أسيكلو-ثلاثي فسفات الغوانوزين (acyclo-GTP). ويعتبر أسيكلو-ثلاثي فسفات الغوانوزين مثبط جيد لبوليميراز الرنا مع قدرة لتعطيل البوليميراز الفيروسي تفوق ب100 مرة قدرته لتعطيل البوليميراز الخلوي.

و باختصار، يعتبر الآسيكلوفير دواء مبدئي يتم تحويله لمنتج أكثر فاعلية بواسطة الإنزيمات الفيروسية والبشرية داخل الخلية.

الأحياء الدقيقة

الآسيكلوفير فعال ضد أغلب مجموعة فيروسات الهربس. ويمكن ترتيب فاعلية الفيروس تنازلياً:
 فيروس الهربس البسيط 1 (HSV-1)
 فيروس الهربس البسيط 2 (HSV-2)
 فيروس نطاقي حماقي (VZV)
 فيروس إبشتاين-بار (EBV)
 الفيروس المضخم للخلايا (CMV) -- الأقل فاعلية

فعالية الدواء محدودة لكل من فيروس إبشتاين-بار والفيروس المضخم للخلايا، كما أنه غير فعال للفيروسات داخل العقد العصبية. ولم تسجل أي حالات مقاومة للدواء ذات قيمة إكلينيكية، وطرق مقاومة الدواء تشمل نقص إنزيم ثيميدين كيناز لدى الفيروس أو طفرة في إنزيم ثيميدين كيناز أو إنزيم بوليميراز الرنا.

الحرائك الدوائية

الآسيكلوفير شحيح الذوبان في الماء، وقليل التوافر البيولوجي (10-20%) ولهذا يتم إعطاء الدواء من خلال الحقن الوريدية عند الحاجة لتركيز عالٍ من الدواء في الدم. عند أخذ الدواء عن طريق الفم، تصل قمة تركيزه في الدم بعد ساعة إلى ساعتين.
و يبلغ عمر النصف للدواء حوالي 3 ساعات، ويتخلص الجسم منه عن طريق الكلى عن طريق الترشيح الكبيبي والإخراج الأنبوبي.

يمكن تحسين التوافر البيولوجي عن طريق إعطاء المريض لدواء الفالسيكلوفير حيث يتحول في خلايا الكبد رلى آسيكلوفير وبتوافر بيولوجي يقدر ب55%.

استخدامات الدواء

يستخدم الآسيكلوفير في عدوى فيروس الهربس البسيط والفيروس النطاقي الحماقي، وتشمل على:
 الهربس التناسلي (علاج ووقاية)
 الهربس الشفوي
 هربس نطاقي
 الحالات الحادة من جدري الماء في المرضى منقوصي المناعة
 التهاب الدماغ الهربسي البسيط
 التهابات الهربس البسيط التي تصيب المخاط الجلدي للمرضى منقوصي المناعة
 التهاب القرنية الهربسي البسيط
 التهاب الجفن الهربسي البسيط
 شلل بل

الجرعات الدوائية

أكثر أنواع الآسيكلوفير شيوعاً هو الأقراص (200 mg و400 mg و800 mg و1 gram) ودهان موضعي (5%) وحقن وريدية (25 mg/mL) ومرهم للعين (3%). يستخدم الدهان الموضعي للهربس الشفوي بشكل خاص، بينما تستخدم الحقن الوريدية عند الحاجة لإعطاء كميات مركزة من الدواء.

الأعراض الجانبية

علاج مجموعي
أكثر الأعراض الجانبية شيوعاً (≥1% من المرضى) والمرتبطة بالعلاج المجموعي للآسيكلوفير (عن طريق الفم أو الحقن الوريدية) تشمل على: غثيان وقيء وإسهال وصداع. وقد يسبب الدواء هلوسة عند الجرعات العالية. وتشمل الأعراض الأقل شيوعاً (0.1–1% من المرضى) على: هياج ودوار ودوخة وآلام المفاصل واحتقان البلعوم وإمساك وآلام البطن وطفح جلدي واستسقاء. وتشمل الأعراض نادرة الحدوث (<0.1% من المرضى) على: غيبوبة ونوبة صرعية وقلة الكريات البيض وقلة الشهية المرضية والتهاب الكبد ومتلازمة ستيفن-جونسون.

كما قد تسبب الحقن الوريدية من الآسيكلوفير (1% من المرضى) اعتلالاً دماغياً. وجرعات كبيرة من الدواء قد تسبب اعتلالات في وضائف الكلى نتيجة ترسب الدواء على هيئة كريستالات في الكلى.

علاج موضعي

دهان الآسيكلوفير يسبب لدى أكثر من 1٪ من المرضى تقشر ونشفان في الجلد وإحساس بحرارة في موضع الدواء. كما قد يسبب إحمرار وحكة.
كما أن الأعراض الجانبية الشائعة لمرهم الآسيكلوفير للعين تشمل على إحساس لاسع في العين.

السمية

يجب تجنب استخدام الدواء أثناء الحمل وذلك لتدخله في صنع الرنا، إلا لم تثبت أي حاله امساخ.

المراجع

أدوية أساسية حسب منظمة الصحة العالمية
بيورينات
مضادات الفيروسات

آسيكلوفير


est un giallo italien réalisé par Cesare Canevari et sorti en 1968.

Synopsis

Fiche technique
 Titre original italien :  ( « Une hyène dans un coffre-fort »)
 Réalisation : Cesare Canevari
 Scénario : Cesare Canevari, Alberto Penna
 Photographie : Claudio Catozzo
 Montage : Enzo Monachesi
 Musique : Gian Piero Reverberi
 Décors : Mario Solá
 Costumes : Giorgio De Dauli
 Société de production : Fering
 Pays de production :
 Langue de tournage : italien
 Format : Couleur par Eastmancolor - 1,85:1 - Son mono - 35 mm
 Durée : 100 minutes ()
 Genre : Giallo
 Dates de sortie :
 Italie :

Distribution
 Dmitri Nabokov : Steve
 Maria Luisa Geisberger : Anna
 Ben Salvador : Juan
 Alex Morrison : Albert
 Karina Kar : Karina
 Cristina Gaioni : Jeanine
 Otto Tinard

Production
Le film a été intégralement tourné à la  à Varèse en Lombardie.

Notes et références

Liens externes

Film italien sorti en 1968
Film réalisé par Cesare Canevari
Film en italien
Giallo
Film policier italien
Film tourné dans la province de Varèse
Film se déroulant en Lombardie

Una jena in cassaforte


Pastuchov este o comună slovacă, aflată în districtul Hlohovec din regiunea Trnava. Localitatea se află la , se întinde pe o suprafață de  și în 2017 număra 975 de locuitori. Se învecinează cu Dolné Trhovište, Nové Sady (okres Nitra), Lukáčovce, Kľačany și Hlohovec.

Istoric
Localitatea Pastuchov este atestată documentar din 1275.

Note

Legături externe

Localități din Slovacia

Pastuchov


Între 1890 și 1918, expansiunea coloniilor vestice din Africa au adus în Europa multe opere și obiecte de artă. Aceste artefacte au intrat în muzee și colecții private din Europa și din Statele Unite.

Înainte de Conferința Colonială de la Berlin din 1885, comercianții și exploratorii care treceau prin Africa au furat sau luat obiecte de artă ca suveniruri.

Note

Artă africană

Arta africană în colecțiile vestice


Ludolf Wedekind von Uslar (von Usslar) (* 3. Januar 1867 in Nützen; † 28. Juli 1939 in Hamburg) war ein deutscher Marineoffizier, zuletzt Vizeadmiral.

Leben

Herkunft
Er entstammte einer Nebenlinie des niedersächsischen Adelsgeschlecht derer von Uslar. Durch Allerhöchste Kabinettsorder vom 15. August 1908 mit Diplom vom 13. November 1908 wurde für die in Preußen lebenden Nachfahren seines gleichnamigen Großvaters Ludolf von Uslar (1787–1862) als Schreibweise des Nachnamens "von Usslar" festgelegt.

Militärkarriere
Uslar trat am 11. April 1885 als Kadett in die Kaiserliche Marine ein und absolvierte seine Grundausbildung auf dem Schulschiff Niobe. Anschließend besuchte Uslar vom 4. Oktober 1885 bis 7. April 1886 die Marineschule. Für drei Wochen absolvierte er dann Spezialkurse und wurde zwischenzeitlich am 13. April 1886 zum Seekadett ernannt. Zur weiteren Ausbildung versah er Dienst auf den Kreuzerfregatten Prinz Adalbert und Gneisenau. Während eines vom 31. März bis 27. Mai 1888 dauernden Lehrganges wurde Uslar am 18. Mai 1888 zum Unterleutnant zur See befördert, dann auf das Panzerschiff Württemberg versetzt und war dann letztmals bis 30. September 1889 an der Marineschule. Er kam dann als Kompanieoffizier zur II. Torpedo-Abteilung und wurde hier zugleich auf dem Torpedodivisionsboot D 5 als Wachoffizier eingesetzt. In gleicher Funktion war Uslar dann auf dem Panzerschiff Preußen tätig, ehe er im Februar 1891 die Ausreise nach Shanghai antrat. Hier war Uslar bis Mitte Juni 1883 als Wachoffizier auf dem zum Ostasiengeschwader gehörenden Kanonenboot Iltis und wurde zwischenzeitlich am 16. Juni 1891 zum Leutnant zur See befördert. Als solcher kehrte er dann auf dem Dampfer Neckar Anfang August 1893 in die Heimat zurück und wurde zunächst zur Verfügung der Kaiserlichen Werft Wilhelmshaven gestellt. Vom 1. Oktober 1893 bis 30. September 1895 versah er dann dort Dienst als Adjutant.

1907 bis 1910 war er als Chef der Sektion für Mobilmachungsangelegenheiten im Allgemeinen Marinedepartement des Reichsmarineamtes tätig. Danach wurde Uslar als Kommandant auf den Großen Kreuzer Gneisenau versetzt. 1915/16 war er als Chef des Stabes des Befehlshabers der Aufklärungsstreitkräfte der östlichen Ostsee eingesetzt.

Als Nachfolger von Vizeadmiral Alfred Begas war er ab 17. Februar 1918 Befehlshaber der Marineanlagen in Kurland geworden. Zusätzlich übernahm er ab 2. Mai 1918 nebendienstlich von Konteradmiral Hugo Meurer die Führung des Sonderverband der Ostsee. Am 1. Juni 1918 wurde Konteradmiral Uslar Befehlshaber über den neu eingerichteten Befehlshaber der Baltischen Gewässer, welcher aus dem aufgelösten Sonderverband der Ostsee aufgestellt worden war.

Nach Kriegsende stand Uslar vom 20. November 1918 bis 7. April 1919 zur Verfügung des Chefs der Marinestation der Ostsee und wurde anschließend zur Disposition gestellt. Vom 1. Juni 1919 bis 30. Juni 1933 fungierte er dann als Reichskommissar bei Seeamt Hamburg und erhielt am 4. September 1919 den Charakter als Vizeadmiral. Das Patent zu diesem Dienstgrad verlieh man Uslar am 21. Juni 1920.

Familie
Uslar verheiratete sich 1900 mit Erna von Monbart (1871–1962), verwitwete Ruscombe. Sie war eine Schwester von Helene Keßler. Familie von Uslar hatte eine Tochter und zwei Söhne.

Auszeichnungen
 Kronenorden II. Klasse
 Preußisches Dienstauszeichnungskreuz
 Ritter des Silbernen Kreuzes des Erlöser-Ordens
 Ritter des Ordens der Heiligen Mauritius und Lazarus
 Russischer Orden der Heiligen Anna III. Klasse
 Roter Adlerorden II. Klasse mit Eichenlaub und Schwertern
 Eisernes Kreuz (1914) II. und I. Klasse
 Hanseatenkreuz Bremen
 Hanseatenkreuz Hamburg
 Hanseatenkreuz Lübeck
 Mecklenburgisches Militärverdienstkreuz II. Klasse

Literatur
 Dermot Bradley (Hrsg.), Hans H. Hildebrand, Ernest Henriot: Deutschlands Admirale 1849–1945. Die militärischen Werdegänge der See-, Ingenieur-, Sanitäts-, Waffen- und Verwaltungsoffiziere im Admiralsrang. Band 3: P–Z. Biblio Verlag. Osnabrück 1990, S. 476–477. ISBN 3-7648-1700-3.
 Walter von Hueck, Friedrich Wilhelm Euler: Genealogisches Handbuch der Adeligen Häuser / B (Briefadel/ nach 1400 nobilitiert), Band XVI, Band 86 der Gesamtreihe GHdA, Hrsg. Deutsche Adelsverbände in Gemeinschaft mit dem Deutschen Adelsarchiv, C. A. Starke, Limburg an der Lahn 1985, S. 452–462. (Mit Portrait). .

Einzelnachweise

Konteradmiral (Kaiserliche Marine)
Vizeadmiral (Reichsmarine)
Kleiner-Kreuzer-Kommandant (Kaiserliche Marine)
Großer-Kreuzer-Kommandant (Kaiserliche Marine)
Träger des Preußischen Königlichen Kronenordens 2. Klasse
Träger des Erlöser-Ordens (Ritter)
Träger des Ordens der hl. Mauritius und Lazarus (Ritter)
Träger des Ordens der Heiligen Anna
Person im Ersten Weltkrieg (Deutsches Reich)
Träger des Roten Adlerordens 2. Klasse
Träger des Hanseatenkreuzes (Bremen)
Träger des Hanseatenkreuzes (Hamburg)
Träger des Hanseatenkreuzes (Lübeck)
Träger des Eisernen Kreuzes I. Klasse
Träger des Mecklenburgischen Militärverdienstkreuzes
Reichskommissar
Adliger
Deutscher
Geboren 1867
Gestorben 1939
Mann

Ludolf von Uslar


La proteína tirosina quinasa receptora erbB-4 es una enzima que en los humanos es codificada por el gen . Se han descrito diferentes isoformas por splicing alternativo que codifican diferentes variantes, no todas ellas han sido caracterizadas completamente.

Función

La tirosina proteína quinasa receptora erbB-4 es una tirosina proteína quinasa miembro de la familia de los receptores del factor de crecimiento epidérmico. La ERBB4 es una proteína transmembrana de un único paso que contiene múltiples dominios ricos en cisteína parecidos a la furina, un dominio tirosina quinasa, un sitio de unión de la fosfatidilinostol 3-quinasa y un motivo de unión dominio PDZ. La proteína se une y es activada por las neuregulinas 2 y 3, HB-EGF y betacelulina. La unión del ligando induce una variedad de respuestas celulares incluyendo la mitogénesis y la diferenciación. La secuencia de múltiples eventos proteolíticos permite la liberación de un fragmento citoplasmático y de un fragmento extracelular.

Relevancia clínica

Las mutaciones de este gen se han asociado con el cáncer. Otros polimorfismos de nucleótido simple y un riesgo de haplotipo se han relacionado con la esquizofrenia.

Referencias

Tirosina proteína quinasas
EC 2.7.10

ERBB4