Dónde Están los Ladrones? () is the fourth studio album by Colombian singer-songwriter Shakira, released on 29 September 1998 by Sony Music Colombia. After attaining success in Latin America with her major-label debut, Pies Descalzos (1995), Shakira met producer Emilio Estefan, who identified her potential to break into the US Latin market and became her manager. As co-producer, Shakira enlisted previous collaborator Luis Fernando Ochoa along with Pablo Flores, Javier Garza, Lester Mendez, and Estefan, who served as executive producers. Dónde Están los Ladrones? incorporates Latin pop styles, with influences of rock en español and Middle Eastern music.

Upon its release, Dónde Están los Ladrones? received positive reviews from music critics, who praised its sound and lyrics, with one reviewer comparing Shakira to Alanis Morissette. Commercially, the album was a success, selling over one million copies within its first month of release. Additionally, the album peaked at number 131 on the US Billboard 200, and topped the Top Latin and Latin Pop Albums charts. The album received numerous record certifications in various countries, including a platinum certification in the United States and a triple-platinum certification in Shakira's native Colombia. Dónde Están los Ladrones? won several accolades, and was nominated for Grammy Award for Best Latin Rock, Urban or Alternative Album at the 41st Grammy Awards.

Six singles were released from Dónde Están los Ladrones?. Its lead single, "Ciega, Sordomuda", reached the top of both Billboards Hot Latin and Latin Pop Songs component charts, and also reached number one on charts of countries in Central America and Venezuela. Follow-up singles "Tú", "Inevitable", "No Creo", "Ojos Así" and "Moscas en la Casa" peaked within the top thirty and top ten of the charts, respectively. "Dónde Están los Ladrones?", "Si Te Vas", and "Octavo Día" served as promotional singles. The album was promoted through several televised performances, including her debut on American television through The Rosie O'Donnell Show. In order to continue promoting it, along with her next release, MTV Unplugged, Shakira embarked on the Tour Anfibio, which visited North and South America throughout 2000.

Background and development

After she rose to prominence with the success of her major-label debut Pies Descalzos (1995), Shakira was introduced to Emilio Estefan, the most important producer in the Hispanic market at the time, by her promoter and longtime friend, Jairo Martínez. Estefan was renowned for launching the careers of several Hispanic singers, including Enrique Iglesias, Thalía, and his wife Gloria Estefan. He decided to work with Shakira as he identified her potential to break into the US Latin market. One of Shakira's concerns about working with Estefan was creative control over her music. Before signing their contract, the roles and duties were defined: Estefan would be her manager and executive producer, but she would be in charge of all material and arrangements and have final approval over her records. She later stated about Estefan, "He had a great respect for me as an artist and trusted me totally on this project". Since then, they started working at Estefan's Crescent Moon Studios in Miami.

Shakira was mindful of the many who would judge her fourth album, because of the "phenomenon" label recently applied to her. She knew that some would say that "she had changed too much" and others would reproach her if she remained the same. "All I could do was to be myself. I understood that all I had to do was write the music I knew how to write and to write from the heart when I was compelled to. In that way, everything developed naturally, more so than I could have imagined", she said. In addition, Shakira insisted on perfection, working on the material to the point of exhaustion. "I made two or three demos of each song. I became a human being so demanding of myself that until the song made my hair stand on end, I wouldn't stop". Equipment for the recording of Dónde Están los Ladrones? included old amplifiers to achieve a better sound, a 40-year-old German microphone, and several innovations in the instrumental mixes. Dónde Están los Ladrones? took nine months to produce, more than her previous records since more people worked on this album. Shakira commented, "To me it's a normal time, the gestation period for a baby. But many people wag their finger and tell me that the next one cannot take so long..."

Title and artwork

The album's title was inspired by one of Shakira's trips to the capital of her native country, Colombia. At the El Dorado International Airport in Bogotá, after finishing her Tour Pies Descalzos, part of her luggage was stolen, including a briefcase that contained all the lyrics Shakira had been working on for the album. Shakira commented, "The worst part about the whole thing was that I couldn't remember them because of the mental block that can be caused by such a traumatic experience as the robbery of such a personal item". Feelings of impotence and emptiness overcame Shakira with such violence that for a couple of days and nights she thought of nothing but the people who had taken her material. She could not stop thinking about them: "Who are they? What are they looking for? Where are they?". She searched for a reason behind the theft of her songs. "I came to the conclusion that there are all types of thieves. A thief is not just a person who takes a physical object that doesn't belong to him or her. There are thieves who steal feelings, space, time, dreams, rights", she explained.

The album's title also evolves into a reference to the political corruption and general social mistrust pervading contemporary Colombian society. The album cover features a photo of her, soot-covered palms up, caught with her hands dirty. Shakira explained the cover, saying, "[f]rom that point of view, we all have stolen at one time or another, myself included. The dirty hands [on the cover of her album] represent the shared guilt. No one is completely clean, in the end we are all accomplices". In keeping with her increasingly rocker sound, for this album she left her hair loose and messy and filled it up with little colorful braids, looking like a "modern Medusa" according to biographer Ximena Diego. Following the album's commercial success, girls from several countries were copying Shakira's style, colorfully braiding their hair and wearing friendship bracelets.

Composition

Dónde Están los Ladrones? consists of Latin pop and rock en español styles. The album opens with "Ciega, Sordomuda", which is musically filled by typical Mexican trumpets over a disco dance loop and an electric guitar. Second track "Si Te Vas" lyrically depicts an angry Shakira who tells her lover "". The next song, "Moscas en la Casa", was inspired by the singer's troubled relationship with Puerto Rican actor Osvaldo Ríos. Shakira lyrically expresses the sadness that she feels after a broken relationship. "", she sings. In the next track "No Creo", the singer expresses how she believes in nothing and nobody except her lover. The song references popular socially accepted or non-accepted norms such as herself, luck, Karl Marx, Jean-Paul Sartre, Venus and Mars, and Brian Weiss. The fifth song on Dónde Están los Ladrones? is "Inevitable". Lyrically, in the hard rock ballad, Shakira confesses that she does not know how to prepare coffee, does not understand football, that she must have been unfaithful at some point and that she never wears a watch. The next track "Octavo Día" is a rock-oriented song that refers to God coming to Earth after finishing his work and discovering everything to be in ruins, and decides to quit his job and become a normal man. She also namechecks Bill Clinton and Michael Jackson.

Seventh song "Que Vuelvas" is another song inspired by her relationship with Ríos. It was musically compared to Shakira's past single "Estoy Aquí" (1996). The following track, "Tú", lyrically expresses the sweetness of love, with Shakira singing: "" and "". The ninth song is "Dónde Están los Ladrones?", a guitar-driven song which criticizes the politic and social reality in South American nations at the time of the album's release. She sings, "". Finally, she sentences the aristocracy singing, "". The following track on Dónde Están los Ladrones? is "Sombra de Ti". During the song, Shakira remembers a past love, singing, "". The album's closing song "Ojos Así" is accompanied by a "Lambadalike middle eastern rhythm". Containing a verse in Arabic, lyrically Shakira laments that even though she has traveled from Bahrain to Beirut, she has never found eyes like her lover has.

Singles
"Ciega, Sordomuda" was released on 7 September 1998 as the album's lead single. It reached number one in Shakira's native Colombia less than a week after its release, becoming the fastest pop song to do so there. It also reached number one on charts of countries in Central America, Venezuela and the United States. The music video for the song was directed by Gustavo Garzón. In it, Shakira is arrested along with many other people, and escapes with the help of her love interest who later dresses as a policeman. Shakira hides in a wig store, pretending to be a mannequin, and drives a car blindfolded while the whole city searches for her, blindfolded as well. It was nominated for a Lo Nuestro Award for Video of the Year in 1999. "Tú" was selected as the second single from the album. It repeated the success of the previous single, reaching the top positions on both the US Latin Pop Songs and Hot Latin Songs charts. The black-and-white music video for the single was directed by Emilio Estefan in Orlando, Florida. "Inevitable" was released as the album's third single. In the music video directed by Garzón, Shakira sings the song to an audience in a circular stage. The single was also a success, reaching numbers two and three on the US Latin Pop Songs and Hot Latin Songs charts.

"No Creo" was released as the fourth single from Dónde Están los Ladrones?, and was also a commercial success, reaching numbers two and nine on the US Latin Pop Songs and Hot Latin Songs charts, respectively. The song received two music videos: the first was the performance from the MTV Unplugged album and the second was also directed by Gustavo Garzón. "Ojos Así" was released as the album's fifth single. The track reached numbers nine and twenty-two on the US Latin Pop Songs and Hot Latin Songs component charts, respectively. The music video for "Ojos Así" features Shakira performing the song for a crowd, with a giant neon eye in the background, which shoots out sparks and catches fire towards the end of the video. There are also scenes of Shakira belly dancing in front of a dark purple background, with snakes painted down her arms and red lines painted on her head. The video won the International Viewer's Choice Award (North) at the 2000 MTV Video Music Awards, while it was also nominated for the same award in the South category and for a Latin Grammy Award for Best Short Form Music Video. "Moscas en la Casa" was released as the sixth single from Dónde Están los Ladrones? It peaked at numbers ten and twenty-five on the US Latin Pop Songs and Hot Latin Songs charts, respectively. "Dónde Están los Ladrones?", "Si Te Vas", and "Octavo Día" served as promotional singles.

Critical reception

Dónde Están los Ladrones? received critical acclaim from music critics. Alex Henderson from AllMusic gave the album four and a half stars out of five, saying that the album was "arguably the finest and most essential album that she recorded in the 1990s" and also stated that besides its lyrics, the album would impress even non-Spanish-speaking listeners with its "attractive melodies and the emotion that the artist brings to her songs". He finished his review saying, "if you're acquiring your first Shakira release, this would be the ideal choice". Billboard magazine was also positive and called it a "like-minded set brimming with forlorn, lovesick testimonials set to a mainstream pop/rock sound laced occasionally with edgy guitar and vocal interludes", picking the song "Ojos Así" as the "most satisfying" track on the album. Christopher John Farley, while reviewing positively Dónde Están los Ladrones? in his Time magazine review, said that the buzz around Shakira was justified. "On her latest CD she charges Latin pop with rock 'n' roll to thrilling effect. Even when her music gets loud, Shakira's vibrant contralto remains sweet and expressive. [...] Missing out on this collection would be at least a misdemeanor", he completed. Mark Kemp, writing for the book The New Rolling Stone Album Guide, said that the album mined a familiar territory in Shakira's music, but it "holds together with stronger songs, a beefier sound, and more confident vocals". He finished his review by saying that it was "hard to imagine a singer barely into her 20s having written and recorded such an inventive set of songs", while complimenting Estefan's production, calling it "surprisingly tasteful and evenhanded".

A reviewer from MTV said that "Latin pop innovator Shakira represents the kind of eventuality for which Alanis Morissette, Bob Dylan and Beck are all precedents", but also noted that "Those expecting polite recreations of Latin styles past will be sorely disappointed, but listeners for whom crossover is the norm will find a wealth of satisfaction in Donde Estan los Ladrones, whether or not they understand the words". Leila Cobo Hanlon from Miami Herald was positive, saying that the album "retains Shakira's trademark sound — rock-laced pop melodies backed by acoustic guitars — as well as her deeply personal approach to music-making", but also noting that "ironically, the album's only failures occur when it looks too closely at its predecessor". Sputnikmusic website gave a positive review saying "¿Dónde Están Los Ladrones? is the gem of Shakira's discography, and one of the best Spanish pop releases of the past decade", although criticized its "slight lack of variety". Franz Reynold from Latin Beat Magazine noted that "while many of the cuts on this collection are definitely chart-bound, that is due more to the fact that she doesn't stray too far from the previous formula, than it does to any hope that success provides room for expansion", but complimented tracks like "Inevitable" and "Tú". Rubens Herbst from Brazilian newspaper A Notícia gave a mixed review, writing that the album was "homogenous, well-produced and full of potential hits", but "empty and forgettable, like every FM pop — and the fact of singing in Spanish doesn't take Shakira away from the label". In July 2017, the album ranked at number 95 on the list for the 150 greatest female albums of all time by the National Public Radio.

Accolades
At the 41st Annual Grammy Awards in 1999, Dónde Están Los Ladrones? received a nomination for Best Latin Rock/Alternative Album, which went to Sueños Líquidos by Maná. At the 11th Annual Lo Nuestro Awards in the same year, the recording won the Lo Nuestro Award for Pop Album of the Year in a tie with Sueños Líquidos. At the 1999 Billboard Latin Music Award, it won Pop Album of the Year by a Female Artist, and El Premio de la Gente for Female Pop Artist or Group at the Ritmo Latino Music Awards in the same year. Dónde Están los Ladrones? won in the category of Best Pop Album by a Female Artist at the 1999 Premios Globo. The record was recognized as Latin Album of the Year at the 2000 Premios Gardel. In the updated edition for The 500 Greatest Albums of All Time published in 2020 by American magazine Rolling Stone, the album ranked at number 496 and is described as a "stellar globetrotting dance-rock set, which blends sounds from Colombia, Mexico, and her father's native Lebanon."

Commercial performance

Dónde Están los Ladrones? sold 300,000 copies on the day of its release, and over one million copies by the end of its first month of release. On the US Billboard 200, the album debuted at number 141 for the week dated 17 October 1998, selling 10,500 units, 75% up in comparison to its previous week, when it did not sell enough to debut on the chart. The next week it climbed to its peak of number 131, after a 10% increase in sales. In addition, it reached number one on Top Latin Albums, Latin Pop Albums, and number 30 on Catalog Albums component charts. In December 1998, it was revealed that the album had reached 500,000 copies sold in the United States and 1.5 million worldwide. It was certified platinum by the Recording Industry Association of America (RIAA), recognizing a million shipments within the country. , the album sold over 920,000 copies in the US, making it the ninth bestselling Latin album in the country according to Nielsen SoundScan.

Across Europe, Dónde Están los Ladrones? made appearances on the lower end of music charts. In Germany, the album entered the Offizielle Top 100 albums chart at number 99 in the issue dated 11 February 2002. It finally peaked at number 79 weeks later, spending a total of nine weeks on the chart. In Netherlands, the album had a similar debut, at number 99 on 20 April 2002, falling out of the chart the next week. Two months later, it returned to the charts at number 88. After falling out of the chart one more time, the album returned to number 88 on 17 August 2002 and peaking at number 78 the week after. Dónde Están los Ladrones? debuted at number 89 in March 2002, and reached number 73 in late April. The album remained five weeks on the chart in total.

In Hispanic countries, the album was a success. In Shakira's native Colombia, it was certified triple-platinum by the Asociación Colombiana de Productores de Fonogramas (ASINCOL) after selling 180,000 copies within the country. The album was also certified triple-platinum in Chile and Venezuela, double-platinum in Mexico and Uruguay, quadruple-platinum in Argentina, and platinum in Spain. Dónde Están los Ladrones? sold over 4 million copies worldwide.

Legacy

According to music journalist Sebastián Peña from Shock magazine, the record was intended to surpass the success, quality and attention that Shakira had achieved with her previous album, something that she undoubtedly achieved. He added that Shakira dared to do something that very few artists of that time they had done for the fear of not playing on the radio, saying many things, criticizing the corrupt and those who live their lives superficially, achieving in several words to be revolutionary for that decade. Back then, when a new stream of Latin artists were taking off like Carolina Sabino, none managed to transcend with a well-established fan base, something that Shakira did. The singer was also credited with opening new doors for women in the industry and showed to people that she could become a "superhero" for men and women, despite the fact that female artists always had them in the background. She was seen by the media as the Latin Alanis Morissette due to their similarity in their way of expressing themselves and their visual proposal, and thanks to this album Shakira managed to give greater strength and visibility to the international female boom at the end of the first millennium. The album led Shakira to be dubbed by Time magazine as "The princess of rock" and to be described as "The Colombian Artist of the millennium" in her country.

According to Ximena Diego's book Shakira: Mujer Full of Grace, Shakira's style on her album and more specifically the video "Ciega, Sordomuda" became a trend in several young women of the time; various teenage girls imitated the outfit and accessories that the singer used during the time, thousands of letters reached her from fans, her music sounded in different children's toys around the country even establishing the bases to take Latin music to totally foreign cultures such as European and Asian. Rolling Stone credits Shakira with redefining Latin music with her first two albums, being Dónde Están los Ladrones? the album that changed the rules of rock en español, laying the foundation for future Latin rockers also introduced her to the American public and made her a household name in Latin rock. According to the same magazine, female artists such as Francisca Valenzuela and Jessie Reyez explained in interviews about the lyrics of love and heartbreak that in their words this album inspired a whole generation of women to write their own songs without "apologizing". It was also considered the most influential album among women and the LGBT community according to a survey.

Dónde Están los Ladrones? is considered a benchmark for a whole generation of young Latin artists. Sebastián Yatra, Francisca Valenzuela and Camilo all have cited it as a point of inspiration for their musical works. In 2020, it was selected as one of the 500 greatest albums of all time by Rolling Stone, being one of the few Latin and the only rock in Spanish on the list. In July 2017, the album ranked at number 95 on the list for the 150 greatest female albums of all time by the National Public Radio. Dónde Están los Ladrones? was included as one of the "1000 Recordings You Must Hear Before You Die" by Sony Music.

Promotion

Promotion for Dónde Están los Ladrones? began when Shakira performed its lead single "Ciega, Sordomuda" on the Con T de Tarde show in Spain, in September 1998. In October, Shakira traveled to Brazil and was featured in many TV programs, including Domingo Legal on SBT, which she appeared twice. On 28 January 1999, Shakira made her debut on American television by appearing on The Rosie O'Donnell Show. Gloria Estefan introduced and interviewed the singer instead of O'Donnell, before she performed an English version of "Inevitable", which she sang while suffering from fever due to nervousness. In February 1999, she went to Peru to perform on Laura TV show. Shakira also sang "Inevitable" in a medley with "Come to My Window" with singer Melissa Etheridge on the ALMA Awards on 6 March 1999. During a promotional tour she returned to Brazil in March 1999, and performed on several TV shows such as Domingão do Faustão. In May, she returned to the United States to perform at the Premio Lo Nuestro 1999 in Miami, and at the Cinco de Mayo Festival in Los Angeles. In November, Shakira sang at the Premios Amigo in Spain, while she also performed on the Miss Colombia 1999 election, closing the event. Shakira performed "Ojos Así" on the first-ever Latin Grammy Awards on September 13, 2000, giving a "wildly" choreographed performance against a backdrop of tiki torches and images of water as she writhed about in a red pantsuit.

In order to promote the album and MTV Unplugged, Shakira embarked on the Tour Anfibio which began on 17 March 2000 in Panama City, Panama, and ended on 12 May 2000 in Buenos Aires, Argentina. It was sponsored by Nokia. The name "anfibio" was chosen by Shakira for its resemblance with her: earthy, viscerally connected to the water element, capable of adapting and willing to undergo metamorphosis. Shakira said about the tour's name: "You'll have to find out. It's an invitation for you to watch the show and find out. It has nothing to do with past performances. You'll see an evolved and renewed Shakira. It's a spectacle of many transformations that will prevent the public from getting bored". The tour's setlist consisted of songs from her albums Pies Descalzos and Dónde Están los Ladrones? In addition, she included an a capella song, "Alfonsina y el Mar", originally by Argentine folk singer Mercedes Sosa. Criticism of the tour included the high ticket prices, overselling of tickets in Guatemala, which according to the press could have caused a tragedy, the long delays at the start of the show and its short duration, and the accusation of the use of pre-recorded music in Puerto Rico. Despite the criticism, the tour was a financial success, earning Shakira a position in the list of Top 50 Tours published in the summer of 2000 by Pollstar magazine.

English version
The success of Dónde Están los Ladrones? prompted American singer Gloria Estefan, Emilio Estefan's wife, to persuade Shakira to record the album in English and attempt to cross over into the mainstream pop industry. However, Shakira was initially hesitant to record songs in English as it was not her first language, so she offered to translate "Ojos Así" into English in order to show her that "it could translate well". Shakira then began translating the song herself and showed it to Gloria Estefan, and would say, "Quite honestly, I can't do this better!." As Shakira wanted to have full control over her recordings, she decided to learn English better to enable her to write her own songs. She was supposed to return to studio to record an English version of the album in January 1999. It did not came to fruition, and a new album titled Laundry Service was released instead as her first crossover album.

Track listing
All lyrics written by Shakira Mebarak.

Personnel
Credits adapted from the liner notes of Dónde Están los Ladrones?.

 Shakira – producer, songwriter, vocals, harmonica
 Emilio Estefan Jr. – executive producer
 Javier Garza – producer, engineer, mixer, programmer
 Luis Fernando Ochoa – producer, songwriter, guitar, bass guitar
 Lester Mendez – producer, string arrangements, programming, keyboards
 Pablo Flores – producer, programmer
 Sebastian Krys – engineer, mixer
 Steve Menezes – assistant engineer
 Alfred Figueroa – assistant engineer
 Kieran Wagner – assistant engineer
 Chris Wiggins – assistant engineer
 Bob Ludwig - Mastering
 Kevin Dillon – coordinator
 Wendy Pedersen – backing vocals
 Adam Zimmon – guitar
 Marcelo Acevedo – guitar
 Randy Barlow – accordion
 Teddy Mulet – trumpet
 Brendan Buckley – drums
 Edwin Bonilla – percussion
 John Falcone – electric bass guitar

Charts

Weekly charts

Year-end charts

Certifications and sales

See also
1998 in Latin music
List of number-one Billboard Top Latin Albums from the 1990s
List of number-one Billboard Latin Pop Albums from the 1990s
List of best-selling albums in Argentina
List of best-selling albums in Chile
List of best-selling albums in Colombia
List of best-selling albums in Mexico
List of best-selling Latin albums
List of best-selling Latin albums in the United States

Footnotes

References

1998 albums
Albums produced by Emilio Estefan
Sony Music Latin albums
Shakira albums
Spanish-language albums
Dance-rock albums

Dónde Están los Ladrones?


Guillermo II de Pallars Sobirá (? - 1035) fue el primer conde privativo de Pallars Sobirá (1011-1035).

Biografía
Fue el segundo hijo del conde Suniario I de Pallars y su primera esposa Ermengarda de Rouergue. A la muerte de su padre en 1010, junto con su hermano mayor Ramón apartaron del poder a Ermengol I y se repartieron los dominios de su padre.

El Pallars Sobirá, que quedó en posesión de Guillermo, comprendía el territorio de la cuenca alta del río Noguera Pallaresa, que había sido la cuna del condado de Pallars, y era el menos rico y poblado de los dos. Sin embargo, por su misma pobreza quedó protegido de las incursiones musulmanas y la codicia de sus vecinos cristianos, por lo que consiguió sobrevivir de forma independiente durante un período de tiempo considerable.

Nupcias y descendencia
De su matrimonio con Estefanía de Urgel, hija del conde Armengol I y Tetberga de Provenza, tuvo a:

Bernardo (?-1049), conde de Pallars Sobirá
Artal (?-1081), conde de Pallars Sobirá
Ramón de Pallars Sobirá (?-1091)
Eldiondis de Pallars Sobirá, casada con Guitart Isarn de Vallferrera

A su muerte fue sucedido por su hijo mayor, Bernardo.

Referencias

Bibliografía

Condes de Pallars
Nobles de España del siglo XI

Guillermo II de Pallars Sobirá


Phaswane Mpe (10 September 1970 – 12 December 2004) was a South African poet and novelist.  He was educated at the University of the Witwatersrand, where he was a lecturer in African literature. He did his master's degree in publishing at Oxford Brookes University in 1998.  His debut novel, Welcome to Our Hillbrow, was published in 2001. A collection of short stories and poems, Brooding Clouds, was published posthumously in 2008.

Mpe was born in the northern city of Polokwane in Tiragalong, and moved to Johannesburg at the age of 19 to attend university, and ended up living in the deprived inner city area of Hillbrow, a place where he later set his first novel.  Welcome to Our Hillbrow was an important work as it was the first novel to deal with the changes of inner-city life in South Africa in the ten years since Nelson Mandela and F. W. de Klerk engineered apartheid's demise.  The book depicts the native black South Africans facing the challenges of poverty, unemployment, and HIV/AIDS. The novel is striking in that the problems created by apartheid are in the background; the central problems of black South Africans are those of their own making: xenophobia, mean-spirited gossip, witchcraft, and the inability to fully love each other or themselves.

Perhaps unsurprisingly, considering the prevalence of the disease in South Africa, HIV and AIDS were common themes in Mpe's work. Before his death he embarked on doctorate studies on sexuality in post-apartheid South African literature with a particular focus on these two issues.

Mpe died suddenly at the age of 34, at a time when he was about to begin training as a traditional healer. The cause of death was unknown.

At the time of his death Mpe was teaching African literature and publishing studies in the school of literature and languages studies in the University of the Witwatersrand. His poems and short stories have been published in Imprint (1995), Staff Rider (1980). He also contributed short stories in Drum Magazine.

His book Welcome to Our Hillbrow, and short stories in Brooding Clouds have autobiographical information.

References

Further reading

1970 births
2004 deaths
People from Polokwane
Northern Sotho people
South African male novelists
AIDS-related deaths in South Africa
University of the Witwatersrand alumni
Academic staff of the University of the Witwatersrand
20th-century South African novelists
20th-century South African male writers
Place of death missing

Phaswane Mpe


Yer Demir Gök Bakır, Yaşar Kemal'in aynı adlı romanından Yaşar Kemal ve Zülfü Livaneli tarafından senaryosu yazılan, Zülfü Livaneli'nin çektiği filmdir.  Filmde ayrıca, Zülfü Livaneli'nin bu film için bestelediği müzikler kullanılmıştır.

Filmin kazandığı ödüller

 1987 OCIC Ödülü
 1988 Alman Kamera Ödülü

Filmin konusu ve çözümlemesi
Anadolu'da bir köyde kendi halinde yaşamakta olan Taşbaş'ın köylüler arasında yayılan söylencelerle nasıl "ermiş" düzeyine çıkarıldığı konu edilmektedir.  Taşbaş'ın kendisi de bu söylencelere engel olmaya, kendisinin ermiş olmadığını anlatmaya çalışsa da, söylencelerin önünü alamaz ve olaylar birbirini izler.  Filmde, Yaşar Kemal'in romanda kullandığı dille ve anlatımla, halkın yoksulluğu, eğitimsizliği ve hurafelerin peşinden sürüklenişi perdeye yansıtılmaktadır.

Sinemalarda gösterildiği dönemde eleştirmenler filmden övgüyle söz ederek, hem müziği hem de kamera kullanımını övüp, filmi "bir kar senfonisi" olarak nitelemişlerdir. Yaşar Kemal, filmin romanı başarıyla perdeye yansıttığını söylemiştir.

1987 çıkışlı Türk filmleri
Türk dramatik filmleri
Zülfü Livaneli'nin yönettiği filmler
1980'lerde Türkçe filmler

Yer Demir Gök Bakır (film)


Hymenophytaceae, porodica jetrenjarki u podredu Pallaviciniineae, dio reda Pallaviciniales.

Rodovi
 Hymenophyton Dumort.
 !Umbraculum Gottsche

Izvori

Pallaviciniales

Hymenophytaceae


2010 ශ්‍රී ලංකාවේ පාර්ලිමේන්තු මැතිවරණය, 2010 අප්‍රියෙල් මස 08 වන දින ශ්‍රී ලංකාවේ 14 වන පාර්ලිමේන්තුවේ සාමාජිකයින් 225 දෙනා තෝරා පත් කරගැනීම සඳහා පවත්වනු ලැබිණි.

පසුබිම

මහා මැතිවරණ - ශ්‍රී ලංකා

ශ්‍රී ලාංකික පාර්ලිමේන්තු මැතිවරණය, 2010


منتدى برشلونة (بالإنجليزية: Barcelona Meeting Point) هو منتدى سنوي دولي والوحيد على مستوى إسبانيا الي يجمع خبراء ومختصين في المجال العقاري، ويعقد جلساته خلال الخمسة الأيام الأولى من موسم خريف كل سنة. مبيناً أن المنتدى يقيم لقاءات مع المختصين والخبراء الكبار في هذا القطاع وكل ما له علاقة بالاستثمار وإيجاد فرص تمويل المشاريع. وأنه من أهم وأشهر المنتديات التي تعقد في ميدان العقارات والاستثمار بحضور ومشاركة نخبة من المختصين والخبراء من جميع أنحاء العالم.

مراجع

اقتصاد كاتالونيا
برشلونة
تأسيسات سنة 1932 في إسبانيا
شركات مقرها في برشلونة
مبان ومنشآت في برشلونة
مواقع جذب سياحي في برشلونة
مراكز مؤتمرات في كتالونيا

منتدى برشلونة


An Scaphosepalum verrucosum in uska species han Liliopsida nga syahan ginhulagway ni Heinrich Gustav Reichenbach, ngan ginhatag han pagkayana nga asya nga ngaran ni Ernst Hugo Heinrich Pfitzer. An Scaphosepalum verrucosum in nahilalakip ha genus nga Scaphosepalum, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Image gallery

Scaphosepalum

Scaphosepalum verrucosum


Brzeźno (;  /b̥ʁøzn/; ) is one of the quarters of the city of Gdańsk, Poland with a sandy beach and 130 m long pier.

Location

The north of the quarter is bordered by the Bay of Gdańsk. From the east, it is bordered by the suburbs of Nowy Port and Letnica, from the south by Wrzeszcz Dolny and from the west by Zaspa-Rozstaje and Przymorze Wielkie.

Ronald Reagan Park is nearby.

Etymology

There are numerous speculations surrounding the name "Brzeźno". According to one, the word "Brzeźno" was the name of a lake, with the possessive suffix -no, added to brzoza (birch). Thus, the name of the lake derives from birch trees surrounding its waters. The lake was located by the settlement named Prusęcino (deriving from the Old Prussians that lived there). It is believed that Prusęcino changed its name to Bresno (first noted in 1323). Due to the double-meaning of the name Bresno, the name of the lake was changed to Zaspa. The other hypothesis for the naming of the settlement derives from the word brzeg (Polish: coast), in regards to the coastal location of Brzeźno.

Tourism

Tourist attractions:
 Brzeźno Pier
Fortifications from the nineteenth and twentieth-century
Guarded beach
Bicycle route to Sopot
Brzeźno Park
Two abele trees – natural monuments, located by the crossroad of Południowa and Pułaska Street.

Gallery

References

Districts of Gdańsk

Brzeźno


Batman: The Animated Series er en amerikansk animations-tv-serie, der har vundet Emmys to gange. Den blev sendt fra 1992-1995 og var baseret på DC Comics superhelt Batman. Den blev udviklet af Bruce Timm og Eric Radomski og produceret af Warner Bros. Animation. Serien fik flere spillefilm baseret på tv-serien blandt andet Batman: Mask of the Phantasm, Subzero, Batman: Mystery of the Batwoman og en opfølgende ved navn Fremtidens Batman. Serien var også den første i kontinuiteten i det fælles DC animated universe, der skabte yderligere animerede tv-serier, tegneserier og videospil med det meste af det samme kreative talent.

Serien blev rost for dens tematiske kompleksitet, mørkere tone, kunstneriske kvalitet, film noir æstetik og modernisering af dets hovedkarakterens kriminalitetsbekæmpende oprindelse. IGN.com opregnede Batman: The Animated Series som den bedste tilpasning af Batman overalt udenfor tegneserier, den bedste tegneserie tv-serie nogensinde  og den næstbedste animerede serie nogensinde (efter The Simpsons).  Wizard Magazine rangerede den også som nr. 2 af de største animerede tv-serier nogensinde (igen efter The Simpsons). TV Guide rangerede den, som den syvende bedste tegneserie nogensinde.

Serien anses for at have spillet en vigtigt rolle for at have givet animerede actionserier mørkere og seriøsere, og kunne tilegne sit et ældre publikum, men anses samtidigt som børnevenlig.

Overblik
Serien fik indflydelse fra Tim Burtons live-actionfilm Batman (1989) og Batman Returns (1992) og den anerkendte Superman tegnefilmsserie produceret af Fleischer Studios i begyndelsen af 1940'erne. Ved udformningen af serien udgjorde skaberne Bruce Timm og Eric Radomski Burton-filmens "tidløshed", der inkorporerede perioden som sort-hvide titelkort, politiets luftskibe (selvom der ikke eksisterede dette, har Timm sagt, at han fandt på det for at tilpasse det seriens stil) og et "vintage" farveskema med film noir elementer.

Seriens visuelle stil var baseret på Radomski's artwork, og Gotham City's gotiske udseende blev afledt af hans oprindelige design. Derudover udstedte Radomski en stående ordre til animationsafdelingen om at alle baggrunde skulle males ved hjælp af lyse farver på sortpapir (i modsætning til industristandarden for mørke farver på hvidt papir). Den karakteristiske visuelle kombination af "noir" billeder og Art Deco design blev kaldt "Dark Deco" af producenterne.

Serien startede først med en variation af musik skrevet af Danny Elfman til Burton-filmene som tema; senere afnist af serien brugte et nyt tema med en lignende stil af Shirley Walker (Walker var lejlighedsvis Elfmans leder for film, som de samarbejdede med). Seriens soundtrack blev påvirket af Elfman og Walker's arbejde på Burton-filmene, samt musik fra 1940'ernes film noir.

Serien er mere voksenorienteret end tidligere superhelte-tegnefilm. Den viser rent fysisk vold mod antagonister, herunder realistiske skydevåben (selv om kun én karakter, kommissær Gordon, afbildes for at være blevet skudt i afsnittet "Jeg er natten"). Førstegangsproducenterne Timm og Radomski stødte på modstand fra studielederne, men succesen fra Burtons første film gjorde det muligt for embryonale serier at overleve tilstrækkeligt lang tid til at producere pilotafsnittet "On Leather Wings", som ifølge Timm "got a lot of people off our backs". Under serieproduktionen skrev producent Alan Burnett en stille episode (uden dialog) med titlen "Silent Night" for at udforske mere af Batmans seksuelle liv, men det blev aldrig produceret. Burnett havde også til hensigt at lave en episode med en kvindelig vampyr, der ville bide Batman for at suge sit blod, men planerne blev aldrig realiseret.

Serien er også bemærkelsesværdig for dens stemmeskuespillere - en række kendte skuespillere gav stemmer til forskellige klassiske skurke, især Mark Hamill (tidligere berømt for sin rolle som Luke Skywalker i den oprindelige Star Wars-trilogi), som senere fandt succes i stemmeskuespil takket være hans "muntert forvænnede" skildring af Jokeren. Rollen blev oprindeligt givet til Tim Curry, men han udviklede bronkitis under de første optagelsessessioner. Optagelsessessionerne, under tilsyn af stemmeinstruktør Andrea Romano, blev optaget sammen med skuespillerne sammen i et studie i stedet for at tage separate optagelser, hvilket, der gøres normalt. Denne metode blev senere anvendt til alle efterfølgende serier i DC's animerede univers. Al Pacino fik muligheden for at lægge stemme til Tofjæs i serien, men han afviste tilbuddet. Andre bemærkelsesværdige skuespillere omfattede Ron Perlman som Leransigt, Roddy McDowall som den skøre hattemager, David Warner som Ra's al Ghul, Michael York som Count Vertigo og George Dzundza som Bugtaler.

En af seriens mest kendte opfindelser er Jokerens assistent, Harley Quinn, som blev så populær at DC Comics senere tilføjede hende til den almindelige Batman-tegneserie-kontinuitet. Pingvinen gennemgik en forandring til serien; hans udseende blev ombygget efter versionen set i Batman Returns, som var i produktion samtidig med seriens første sæson. Nyt liv blev også givet til mindre kendte karakterer i serien som Tidskongen. Derudover blev der foretaget dramatiske ændringer hos andre skurke som Leransigt og Mr. Freeze, som blev ændret fra en gal videnskabsmand til en tragisk figur, hvis "frigide udvendige" [skjulte] en tabt kærlighed og hævngerrigt raseri".

Karakterer
Nye skurke som Red Claw, ninjan Kyodai Ken, Tygrus og Sewer King optrådte i serien, men blev ikke så populære. Mere fremgangsrig blev præsentationen af Harley Quinn (Jokerens sidekick), detektiv Renee Montoya og den psykopatiske Lock-Up, som alla blev figurer i serie-udgivelserne.

Bruce Wayne
En af de mest bemærkelsesværdige ændringer i The Animated Series er behandlingen af Batmans alter ego, Bruce Wayne. I næsten alle andre medier, herunder tegneserier, tv-seirer og film, spiller Bruce bevidst sit billede som en vakuum, selvabsorberet og ikke-for-klog playboy-millionær. I The Animated Series er hans karakter assertiv, ekstremt intelligent og aktivt involveret i ledelsen af Wayne Enterprises uden at bringe hans hemmelige identitet i fare. For eksempel: I episoden "Evig Ungdom" vises Bruce vredt beordre en af sine direktører til at annullere en aftale med et træfirma i Amazonas regnskov, der var blevet lavet bag hans ryg og truet ham med opsigelse ved manglende overholdelse.

Kevin Conroy anvendte forskellige stemmer for at skelne mellem hans skildring af Bruce Wayne og Batman, en taktik, der tidligere blev brugt af Michael Keaton i Tim Burtons live-actionfilm. Peter Aude anvender ligeledes samme stemmemetode sin fremstilling af protagonisten i den danske udgave.

Rolleliste

Indflydelse
På grund af Batmans: The Animated Series succes fortsatte mange fra produktionsholdet med at designe og producere Superman: The Animated Series til WB Network. I løbet af denne tid skabte de The New Batman Adventures, som fremhævede den samme strømlinede animationsstil som Superman: The Animated Series, samt talrige tegnreformeringer fra den oprindelige serie på trods af at de fandt sted i samme kontinuitet.

I 1999 præsenterede en futuristisk spin-off-serie med titlen Fremtidens Batman med premiere på The WB, med en teenager ved navn Terry McGinnis, der overtog Batmans opgaver under ledelse af en ældre Bruce Wayne. I 2001 fik Justice League animerede tv-serie premiere på Cartoon Network, med Batman som en af de grundlæggende medlemmer af Leaguen. Dette blev videreført i 2004 af Justice League Unlimited, med en stærkt udvidet liga. Mange DC-tegneserier, der ikke er relateret til det større DC-animerede univers, såsom Teen Titans og The Batman, fremhævede også tegndesigner, der var stærkt påvirket af Bruce Timms.

Det dramatiske manuskript og stiliserede kunst i Batman: The Animated Series adskiller den fra traditionelle tegneseriebaserede tegnefilm. Det kan betragtes som den dramatiske ækvivalent af flere voksenorienterede tegneserier som The Simpsons. Af denne grund opholder seriens popularitet (sammen med dens forskellige spin-offs) sig blandt et ældre publikum og tegneseriefans.

Legominifigure af forskellige Batman-karraktere er stærkere baseret på design fra Batman:The Animated Series end nogen anden form for Batman medier. Mere præcist synes Jokeren, Toansigt, Poison Ivy, Mr. Freeze og Harley Quinn's minifigurer at have identiske kostumer og ansigter til tegnene fra serien.

Den mørke atmosfære, modne temaer og endda nogle af stemmeskuespillerne fra serien er ansat i Batman: Arkham videospilserien. Desuden repræsenterer Kevin Conroy sin rolle som Batman, og de to første spil er medskrevet af seriens veteran Paul Dini. Batman's design og kostume i The Animated Series er også omtalt som en alternativ hud i Batman: Arkham City. Disse skins er tilgængelige som downloadbart indhold; de var også tilgængelige i forudbestillinger hos GameStop og et gyldigt medlemskab til Power-Up Rewards. Der er også animerede inspirerede alternative skins til Catwoman, Nightwing og Robin.

Afsnit

Hjemmevideo-udgivelser
Hele serien blev udgivet på DVD i region 1 den 4 november 2008. Den er også blevet udgivet på VHS og DVD i Danmark.

Internationalle udsendelser
Tv-serien blev første gang i Danmark vist i Snurre Snups Søndagsklub på TV2 i 1994 og senere TV2 Zulu.

Se også
The New Batman Adventures

Kilder

Fodnoter

Eksterne henvisninger
 www.batman-superman.com/index

 Batman: The Animated Series på Danske Film Stemmer

Animerede tv-serier fra USA
Amerikanske tv-serier fra 1990'erne
Tv-serier baserede på DC Comics
Krimiserier fra USA
The Animated Series

Batman: The Animated Series


An Goodyera ustulata in uska species han Liliopsida nga ginhulagway ni Cedric Errol Carr. An Goodyera ustulata in nahilalakip ha genus nga Goodyera, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Goodyera

Goodyera ustulata


Last Night in Soho est une expression pouvant désigner :

Cinéma

 Last Night in Soho, un film de Edgar Wright, sortie en 2021.
 , la bande originale du film éponyme.

Musique

 , une chanson de Dave Dee, Dozy, Beaky, Mick & Tich en 1968.

Last Night in Soho (homonymie)


මෙහි දැක්වෙන්නේ රට අනුව ලැයිස්තු මාලාවක් වෙයි. මෙම ලැයිස්තු පොදුවේ ස්වෛරී රාජ්‍ය ආශ්‍රිත මාතෘකා සාකච්ඡාකරන අතර; සමහර තැන් ති අර්ධ-ලෙස-පිළිගැනීමක් සහිත රටවල් ද ඇතුළත් වෙයි.

රටවල් පිළිබඳ මාතෘකා

ප්‍රධාන ලිපි

 පරිපාලනමය බෙදීම්
 දේශපාලනය

වෙනත්

 Current heads of state and government
 Election results
 Flags
 Intelligence agencies
 Legislatures
 Militaries
 National anthems
 National capitals
 National emblems
 National governments
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 Office-holders
 System of government
 ආණ්ඩුක්‍රම ව්‍යවස්ථා ලැයිස්තුව
 දේශපාලන පක්ෂ ලැයිස්තු

රට අනුව පෙළ ගස්වා ඇති මාතෘකා

 Airlines
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 දූපත් ලැයිස්තු
 යුනෙස්කෝ ලෝක උරුම අඩවි

බොහෝ රටවල් සඳහා වන ලැයිස්තු
Adjectival and demonymic forms of place names
Armed forces
Coats of arms
දේශීය ඇමතුම් සංකේත ලැයිස්තුව
Country-name etymologies
Divorce rate
FIPS country codes
Former national capitals
GDP
GDP per capita
Historical exchange rates to the USD
මානව සංවර්ධන දර්ශකය අනුව රටවල් ලැයිස්තුව
International rankings
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වෙනත්

යුරෝපා සංගමයේ සාමාජික රාජ්‍යයෝ
Former countries in Europe after 1815
Ship prefixes
Timeline of country and capital changes

 Lists by country

රට අනුව ලැයිස්තු


Canellaceae, biljna porodica iz reda Canellales koja je dobila ime po rodu kanela (Canella), čiji je jedini predstavnik Canella winterana. Ime roda je deminutiv koji dolazi od latinskog canna (trska),koji se isprva odnosio na koru drveta kasije, Cinnamomum aromaticum, a kasnije je to ime preneseno i na ovo stablo.

Vrste ove porodice raširene su u tropima Afrike i Amerike u nutar nje postoji pet rodova s 21 vrstom, običnom manja do srednja stabla, rjeđe grmovi, aromatična i zimzelena. Cvjetovi i plodovi najčešće su crveni.

Nekoliko vrsta značajno je za biljnu medicinu, a i zamjena za cimet. Od 2008 godine priznato je još pet novih vrsta, ali još nisu imenovane.

Rodovi
 Pleodendron Tiegh. (3 spp.)
 Cinnamodendron Endl. (12 spp.)
 Canella P. Br. (1 sp.)
 Warburgia Engl. (4 spp.)
 Cinnamosma Baill. (3 spp.)

Izvori

Canellales

Canellaceae


Serinyayla, Sivas ilinin Altınyayla ilçesine bağlı bir mahalledir. Eski adıyla Beydiğin olarak da bilinir.

Tarihçe
Köy şuan Deliilyas beldesine bağlı mahalledir. Eski adı Beydiğindir. İlk dönemlerden beri bölgede insan yerleriminin olduğu bilinmektedir. Türkiye Yüzey Araştırmaları çalışmaları sonucu köyün kuzeydoğusunda bulunan
Kuşaklıtepe'de  ilk tunç çağına ait seramik kaplara rastlanmıştır. Osmanlı döneminde Bağ-Değin olarak kaynaklarda karşıma çıkmaktadır. 1548 tarihli Yeni İl kazası tahrir defterinde bölgenin önceleri Bozol sancağına dahil olduğu ve Şam-Bayadı cemaatinin ziraat yeri olduğu daha sonra yeni oluşturulan ve Yeni İl kazası olarak geçen kazaya bağlandığı belirtilmektedir.1583 tarihinden itibaren Yeni İl de bulunan Tonus nahiyesine bağlı olduğu ve sonraki dönemlerde Yassıpınar ve Şahlı(Doğupınar) köyleri ile beraber Antep'te yaşayan Aşçı Hasanzade İbrahim Beye mukaataya ve iltizama verildiği bildirilmektedir. Yine başka bir vesikada köyün tımara verildiği de yer almaktadır. 1826 yılına ait vergi kayıtlarında da köyde şuanda yaşayan sülalelerin bizzat aynı isimle geçtiği görülmektedir.

Coğrafya
Serinyayla Köyü Altınyayla'ya 9 km, Sivas'a 88 km, eski ilçesi olan Şarkışla'ya 42 km dir.

Nüfus

Boz Dede Yatırı
Köyünün yakınındaki Boz Dede Dağı'na adını veren bir eren olduğuna inanılmaktadır. Ayrıca her Perşembe günü civardaki diğer kutlu kişilerin de burada toplanacağı inanışı mevcuttur. Köy ahalisi burayı ziyaret eder, kimi zamanda kurban olarak koyun keserler.

Davullu Dede Yatırı
Köyün yakınlarındaki Davullu dağına adını vermiştir ve burada yatmakta olduğuna inanılmaktadır ancak herhangi bir mezar yoktur. Köy halkının geçmişte topluca bu dağın üzerindeki düzlüğe giderek büyükbaş ve küçükbaş hayvan kurban ettikleri ve adaklar adayıp, dilekler diledikleri bilinmektedir. Davullu Dede'nin yattığı dağın zirvesi düzdür ve burada eskiden iki dilek ağacı bulunduğu söylenmektedir.

Taşkesen Efsanesi
Efsanede bahsedilen olayın geçtiği söylenen alan Serinyayla ile Karalar (Sivas merkeze bağlı) köyü arasındaki bir yerde bulunmaktadır. Herhangi bir mezar yoktur, kutsal sayılan bir taş yığınından oluşmaktadır. Rivayete göre çok eski zamanlarda koyunlarını güden bir çoban susuz kalmış ancak çevrede bulamamış. Allah'a dua etmiş ve su bulursa kesmek için bir kara, bir de ak koç kurban adamış. Kısa bir süre sonra yakınlarda topraktan bir su kaynamaya başlamış. Kendisi ve koyunları içerek kurtulmuşlar. Ancak kurbanları kesmek yerine dalga geçer gibi bulduğu iki biti öldürmüş ve bunları adak yerine saymış. Sürüsü de kendisi de orada o anda taş kesilmişler. Uzaktan bakıldığında yanındaki köpeği ve sürüsü ile çobana benzer bir kaya yığını orada durmaktadır.

Dipnotlar

Dış bağlantılar
 Serinyayla Köyü Tarihi Ve Kültürel Özellikleri , Burak Süngü, 2009

Altınyayla

Serinyayla, Altınyayla


Horblöðkuætt (fræðiheiti: Menyanthaceae) er ætt með um 80 tegundir í 6 ættkvíslum. Þær eru votlendis eða vatna plöntur. Ein tegund vex villt á Íslandi; Horblaðka.

Tilvísanir

Horblöðkuætt

Horblöðkuætt


La lampe de Thomson est une énigme philosophique autour de l'infini imaginée en 1954 par le philosophe britannique James F. Thomson. Cette expérience de pensée lui servit à analyser la possibilité d'une supertâche, c'est-à-dire l'accomplissement d'un nombre infini de tâches.

Soit une lampe munie d'un interrupteur, que l'on peut allumer ou éteindre à l'envie. Au début de l'expérience, on démarre un chronomètre.

Supposons maintenant qu'il existe un être capable d'accomplir la tâche suivante : au lancement du chronomètre, il allume la lampe. À la fin de la première minute, il l'éteint. Au bout de la demi-minute suivante (quand le chronomètre indique 1'30''), il la rallume. Au bout d'un autre quart de minute (à 1'45''), il l'éteint. Au huitième de minute suivant, il le rallume, et ainsi de suite, appuyant à chaque fois sur l'interrupteur après avoir attendu exactement la moitié du temps qu'il a attendu avant de l'actionner précédemment.

L'expérience requiert une infinité d'actions mais se déroule en un temps fini, puisque la somme de cette série infinie d'intervalles de temps est exactement de deux minutes.

On se pose alors la question suivante : a lampe est-elle allumée ou éteinte au bout des deux minutes ?  Cette super-tâche engendre, d'après Thomson, une contradiction :Il semble impossible de répondre à la question. [La lampe] ne peut être allumée, car je ne l'ai pas allumée sans immédiatement l'éteindre. Elle ne peut être éteinte, car je l'ai d'abord allumée puis je ne l'ai jamais éteinte sans l'allumer immédiatement. Mais la lampe doit être allumée ou éteinte. C'est une contradiction.

Lien avec la notion de série en mathématiques
La question est liée au comportement de la série de Grandi, c'est-à-dire la série infinie divergente

 S = 1 - 1 + 1 - 1 + 1 - 1 + · · ·

Pour les valeurs paires de n, la somme partielle de la série ci-dessus est égale à 1 ; pour les valeurs impaires, la somme partielle est égale à 0. En d'autres termes, la suite des sommes partielles de cette série est {1, 0, 1, 0, ...}, qui peut donc représenter l'état changeant de la lampe après n pressions sur l'interrupteur. La suite ne converge pas lorsque n tend vers l'infini, de même que la série infinie.

Une autre façon d'illustrer ce problème est de réorganiser la série :

 S = 1 - (1 - 1 + 1 - 1 + 1 - 1 + · · ·)

La série infinite entre parenthèses est exactement la même que la série originale S . Cela signifie S = 1 − S ce qui implique S = 1 ⁄ 2 . Cette manipulation n'est pas compatible avec la définition usuelle de la convergence des séries, mais peut être rigoureusement justifiée par des définitions généralisées des sommes de séries qui attribuent à la série de Grandi la valeur 1 ⁄ 2 .

L'un des objectifs de Thomson dans son article original de 1954 est de différencier les super-tâches de leurs analogues sous forme de série mathématique. Ainsi, Thomson écritLa question de savoir si la lampe est allumée ou éteinte se ramène donc à savoir quelle la somme de la série divergente

+1 -1 +1, ... ?

D'après les mathématiciens, cette série a une somme. Ils nous disent qu'elle vaut 1 ⁄ 2 . Mais cette réponse ne nous aide en rien, puisque l'on ne peut attribuer un sens à dire que la lampe est à moitié allumée. J'en déduis donc qu'il n'existe aucune méthode pour décider ce qui est accompli lorsqu'une super-tâche est accomplie. Il nous est impossible de concevoir cette idée, même si nous sommes capables de concevoir l'idée d'une ou plusieurs tâches accomplies et que nous connaissons les nombres transfinisPlus tard, il affirme que même la divergence d'une série ne fournit pas d'informations sur la super-tâche correspondante : "L'impossibilité d'une super-tâche ne dépend pas du tout du fait qu'une série arithmétique vaguement ressentie comme y étant associée soit convergente ou divergente."

Voir aussi

 Liste des paradoxes
 Paradoxe de Ross-Littlewood
 Paradoxes de Zénon
 Machine de Zénon

Références

Énigme

Lampe de Thomson


Diaspora coptă este formată din copți care trăiesc în afara zonei lor principale de reședință, în părți ale Egiptului actual, Libiei și Sudanului.

Numărul de copți din afara Egiptului a crescut puternic începând cu anii 1960. Cele mai mari populații de diasporă coptă se află în Statele Unite, Canada și Australia, dar Copții sunt prezenți în multe alte țări.

Populație

Referințe

DiasporaReligieBiserica Coptă

Diaspora coptă


Nikita Igorevich Kucherov (Russo: Никита Игоревич Кучеров; Maykop, 17 de junho de 1993) é um jogador russo de hóquei no gelo, atuando no Tampa Bay Lightning da National Hockey League. Considerado um dos melhores jogadores do mundo, Kucherov foi bicampeão da Stanley Cup, nas duas vezes sendo artilheiro do Lightning, e ganhou em 2019 três prêmios, o Troféu Memorial Hart como jogador mais valioso da NHL, o Troféu Art Ross como maior pontuador da liga, tendo marcado 128 pontos, e o Prêmio Ted Lindsay como melhor jogador de acordo com os outros atletas da NHL.

Jogadores de hóquei no gelo da Rússia
Vencedores do Troféu Hart

Nikita Kucherov


Habeas Corpses conocido en América Latina como Juicio Final y en España como Muertos vivientes es el octavo episodio de la cuarta temporada de la serie de televisión estadounidense Ángel. El guion del episodio fue escrito por Jeffrey Bell y la dirección estuvo a cargo de Skip Schoolnik. Se estrenó en los Estados Unidos el 15 de enero de 2003.

En este episodio Wolfram & Hart está siendo atacado por la bestia quien al parecer tiene un propósito allí. Ángel y la pandilla se ven obligados a intervenir cuando Connor creyendo ser el responsable se queda atrapado en el edificio junto al poderoso demonio y todos los empleados del despacho convertidos en zombis.

Argumento
Gunn, Lorne y Wesley regresan heridos al Hyperion, donde son recibidos por Fred quien se abraza con su novio, aliviada de que siga con vida. En la guarida de Connor, Cordelia le explica al adolescente que sólo se acostó con él porque estaban bajo una circunstancia explícita y que no se volverá a repetir. Connor se enfurece por escuchar eso y se va, culpándose nuevamente del surgimiento de la bestia. Lilah visita a Wesley y se alivia de encontrarlo vivo, pero el inglés ya no la trata con afecto y rompe de una vez por todas su relación con ella, escogiendo pelear por el lado del bien de nuevo.

Connor irrumpe en la oficina de Lilah y le exige respuestas sobre la bestia para esclarecer si está o no conectado al demonio. De repente, la luz del edificio se va y la bestia aparece, masacrando a todos los empleados del edificio que se encuentra en su camino, incluyendo a Gavin. Connor trata de detenerlo pero es derrotado fácilmente por el invencible demonio. La bestia trata de matar a Lilah, pero es detenido por Wesley, quien consigue escapar del edificio con su examante. Antes de separarse Lilah le confirma a Wesley que Connor está atrapado en el edificio.

Wesley llega al Hyperion para informarle a la pandilla de la situación de Connor. Todos menos Lorne y Cordelia (esta última obligada a quedarse por un herido emocionalmente Ángel) parten al edificio a buscar al hijo adolescente del vampiro. En el interior del edificio, la pandilla no tarda en encontrarse con Connor aunque también se encuentran con una sorpresa más desagradable: los empleados muertos de W&H convertidos en unos zombis. Al verse acorralados en una situación de tal magnitud, Ángel sugiere que todos escapen en la alcoba blanca, una habitación mística importante del edificio que puede conceder lo que sea. Para la sorpresa de todos, se encuentran con la Bestia asesinando a la niña de la alcoba blanca al succionarle una especie de extraña energía de su cuerpo. "La respuesta está entre ustedes" dice la niña antes de usar su último aliento para transportarlos a Investigaciones Ángel, fuera del edificio de Wolfram & Hart y por lo tanto lejos de la bestia.

Una vez que todos se encuentran sanos y salvos dentro del Hyperion, Ángel corre a Cordelia al revelarle que sabe que durmió con Connor.

Elenco

Principal
 David Boreanaz como Ángel.
 Charisma Carpenter como Cordelia Chase.
 J. August Richards como Charles Gunn.
 Amy Acker como Winifred Burkle.
 Vincent Kartheiser como Connor.
 Alexis Denisof como Wesley Wyndam-Pryce.

Redacción
Nunca se dio una explicación de la zombificacion de los empleados de Wolfram & Hart. Aunque se sugirió que se trataba de las acciones de la Bestia. Lilah Morgan posteriormente desmiente este hecho explicando que los empleados del despacho tienen esos efectos por culpa de sus contratos.

Referencias Culturales
 Habeas Corpus: El título del episodio está basado en la acción legal.

Continuidad
 Wesley rompe su complicada relación con Lilah tras unirse de nuevo a Investigaciones Ángel (Mañana).
 Este episodio marca las últimas apariciones de Gavin Park y la segunda y última aparición de la niña de la alcoba blanca.
 Ángel vuelve a mostrar tener una memoria fotográfica Supersimetría.

Referencias

Enlaces externos

Episodios de la cuarta temporada de Angel

Habeas Corpses


Friedrich Hartjenstein (3 July 1905 – 20 October 1954) was a Nazi German SS functionary and war criminal. A member of the SS-Totenkopfverbände, he served at various Nazi concentration camps such as Auschwitz and Sachsenhausen. After the Second World War, he was tried and found guilty of murder and crimes against humanity.

Concentration camp officer

Hartjenstein, who was born in Peine, began his SS work at Sachsenhausen in 1938. The following year, he was transferred to Niederhagen. In 1941, Hartjenstein served for a year with the 3rd SS Division Totenkopf, a Waffen SS combat division.

In 1942, he was appointed the commandant of Birkenau. It was the main camp at Auschwitz, and contained the extermination facilities and crematoria. In 1944, Hartjenstein was appointed commandant of Natzweiler concentration camp in France. In 1945, he worked at Flossenbürg concentration camp.

Post-war trials
Hartjenstein was arrested by the British and, on 6 June 1946, was sentenced to life imprisonment at Wuppertal for executing four female agents of the British clandestine Special Operations Executive organization. He was then tried for hanging a Royal Air Force POW, for which he was sentenced to death.

Hartjenstein was extradited to France, where he was tried for his crimes at Natzweiler, and received another death sentence. He died of a heart attack on 20 October 1954, aged 49, while awaiting execution in Paris.

References
 Karin Orth: Die Konzentrationslager-SS. Sozialstrukturelle Analysen und biographische Studien. ungek. Ausg. München 2004,
 Staatliches Museum Auschwitz-Birkenau (Hrsg.): Auschwitz in den Augen der SS. Oświęcim 1998,
 Tom Segev: Die Soldaten des Bösen. Zur Geschichte der KZ-Kommandanten. Rowohlt, Reinbek bei Hamburg 1995, .
 Ernst Klee: Das Personenlexikon zum Dritten Reich: Wer war was vor und nach 1945. Fischer-Taschenbuch-Verlag, Frankfurt am Main 2005, .
 Wacław Długoborski, Franciszek Piper (Hrsg.): Auschwitz 1940–1945. Studien zur Geschichte des Konzentrations- und Vernichtungslagers Auschwitz, Verlag Staatliches Museum Auschwitz-Birkenau, Oswiecim 1999, 5 Bände: I. Aufbau und Struktur des Lagers. II. Die Häftlinge - Existentzbedingungen, Arbeit und Tod. III. Vernichtung. IV. Widerstand. V. Epilog., .

1905 births
1954 deaths
German prisoners sentenced to death
German people convicted of crimes against humanity
People from Peine (district)
Auschwitz concentration camp personnel
Flossenbürg concentration camp personnel
Sachsenhausen concentration camp personnel
SS-Obersturmbannführer
Holocaust perpetrators in France
Holocaust perpetrators in Poland
Holocaust perpetrators in Germany
Natzweiler-Struthof concentration camp personnel
People from the Province of Hanover
Waffen-SS personnel
Prisoners sentenced to death by the British military
Prisoners sentenced to death by France
Prisoners who died in French detention
Nazis convicted of war crimes
Nazi concentration camp commandants who died in prison custody

Fritz Hartjenstein


Gooikse Pijl er et belgisk endagsløb i landevejscykling som arrangeres hvert år i september. Løbet er blevet arrangeret siden 2004. Løbet er af UCI klassificeret med 1.1 og er en del af UCI Europe Tour.

Vindere

Eksterne henvisninger

Cykelløb i Belgien
Etableret i 2004

Gooikse Pijl


Biblis (Hessen, Njemačka), općina u Njemačkoj
 Biblis (biljni rod), biljni rod vazdazelenih trajnica
 Biblis hyperia, vrsta leptira, iz monotipskog roda Biblis

Biblis


Denys Kharitonovytch Panassiouk (en  ), né en mai 1900 à Hanschyna et mort le  à Kiev, est un avocat et homme politique soviétique ukrainien. Il est député de la  convocation du Soviet suprême de l'URSS et membre du Comité central du Parti communiste de 1954 à 1966. De 1947 à 1953, il est ministre de la Justice de la République socialiste soviétique d'Ukraine et, d'août 1953 à février 1963, son procureur général (alors subordonné au ).

Références

Personnalité inhumée au cimetière Baïkov
Naissance en mai 1900
Naissance dans le gouvernement de Podolie
Décès en juin 1984
Décès à Kiev
Décès en RSS d'Ukraine
Décès à 84 ans

Denys Panassiouk


Bogdan Dimitrov Filov é um arqueólogo, historiador da arte e político búlgaro. Ele foi o primeiro-ministro da Bulgária nos governos 58 e 59 (1940-1943) e regente do rei menor Simeão II da Bulgária (1943-1944). Reitor da Universidade de Sófia (1931-1932).

Ele vem de uma família russófila. Seu pai participou dos distúrbios russófilos após a libertação da Bulgária e é parente de Hristo Botev.

Bogdan Filov é um cientista, considerado o fundador da arqueologia profissional e da história da arte na Bulgária, com importantes contribuições para a história da arte búlgara antiga e medieval. Ele é o político que assinou o Pacto Tripartido para a Inclusão do Reino da Bulgária na Segunda Guerra Mundial em 1º de março de 1941 com um tratado assinado no Palácio Belvedere em Viena.

Bogdan Filov, da tribuna da Assembleia Nacional da Bulgária, declarou a guerra da Bulgária contra o Império Britânico e os Estados Unidos da América em 13 de dezembro de 1941. Ele foi condenado à morte e executado em 2 de fevereiro de 1945.

Reitores da Universidade de Sófia
Primeiros-ministros da Bulgária
Regentes búlgaros
Historiadores da Bulgária
Arqueólogos da Bulgária
Alunos da Universidade de Leipzig
Alunos da Universidade de Freiburg
Alunos da Universidade de Würzburgo
Membros da Academia de Ciências da Bulgária
Políticos executados
Naturais de Stara Zagora

Bogdan Filov


Polemanniopsis, maleni biljni rod iz porodice  štitarki smješten u tribus Steganotaenieae.. Sastoji se od dvije vrste sa juga Afrike, jedna endemična za Namibiju druga za Južnu Afriku (Northern Cape i Western Cape).

Namibijska vrsta otkrivena je u pustinji Namib u blizini Lüderitza, gdje je relativno česta. Opisana je 2010

Ime roda Polemanniopsis dana je u čast Petera Heinricha Polemanna (1779. – 1839.), njemačkog kemičara i ljekarnika.

Vrste
 Polemanniopsis marlothii (H.Wolff) B.L.Burtt ex Engl.
 Polemanniopsis namibensis B.-E.van Wyk, A.Burke & Mannh.

Izvori

Saniculoideae

Polemanniopsis


An Pseuderia pauciflora in uska species han Liliopsida nga ginhulagway ni Schltr.. An Pseuderia pauciflora in nahilalakip ha genus nga Pseuderia, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Pseuderia

Pseuderia pauciflora


Darrah bezeichnet mehrere

Orte in den Vereinigten Staaten:
 Darrah (Alabama)
 Darrah (Kalifornien)

Darrah


ආලෝක-වර්ෂයක් (හෝ ආලෝක වර්ෂයක්, කෙටි යෙදුම: ly) යනු,  අවිධිමත් ලෙසින් තාරකාවිද්‍යාත්මක දුරවල් දැක්වීමට භාවිතා කෙරෙන දිග මැනීමේ ඒකකයකි. එය දළ වශයෙන් පෙටාමීටර 9 ක් හෝ, 9 කිලෝමීටර ට්‍රිලියනයක්  (හෝ සැතපුම් ට්‍රිලියන 6ක් පමණ) වෙයි. ජාත්‍යන්තර තාරකාවිද්‍යා සංගමය (IAU) විසින් අර්ථ දක්වා ඇති පරිදී, අලෝක වර්ෂයක් යනු එක් ජූලියන් වසරක් (දින 365.25) තුලදී රික්තයක් තුල අලෝකය ගමන් කරන දුර වෙයි  . එය සඳහා වර්ෂය, යන පදය ඇතුලත් නිසා ඇලෝක-වර්ෂය සමහරවිට කාලයෙහි ඒකකයක් ලෙස වරදවා අර්ථකථනය කෙරෙයි.

සටහන්

ආශ්‍රිත

ඒකක
මිනුම් ඒකක

ආලෝක-වර්ෂය


.sn Senegal için internet ülke kodu üst seviye alan adıdır. (CcTLD)

1993 tanıtımları
Senegal
sn

.sn


Leijten ist der Familienname von:

 Henriette van Lynden-Leijten (1950–2010), niederländische Diplomatin
 Renske Leijten (* 1979), niederländische Politikerin

Leijten


إحسان الله بن عبد القادر لطفي الجابري، ولد في مدينة حلب عام 1879 في أسرة ذات دين وعلم وجاه. ووالده مفتي حلب السيد الحاج عبد القادر لطفي الجابري بن العلامة السيد مراد بن السيد عبد القادر)الأول(مفتي حلب ونقيب أشرافها بن السيد مصطفى مفتي حلب ونقيب أشرافها بن الشيخ أحمد الشهير بالجابري بن السيد موسى بن السيد أبو بكر)باكير( نقيب أشراف حلب.

تلقى إحسان الله دراسته الأولى في مدينة حلب، ثم انتقل إلى الأستانة فدرس العلوم الإدارية والسياسية وعمل مع شباب العرب فيها وسجن مراراً، وتخرج من كلية الحقوق حاملاً شهادة الدكتوراه برتبة (علي الأعلى). اتصل بالهيئات السياسية والجمعيات الوطنية العربية التي تنادي باستقلال البلاد العربية، فأدخل السجن ثانية عام 1902 وقضى فيه ستة أشهر بتهمة تلقيه رسائل من عبد الرحمن الكواكبي. مارس المحاماة في استانبول من 1902ـ 1904، ونال في هذه الأثناء جائزة الشعر بالتركية.

دخل إحسان الله بواسطة صهره الكوراني ناظر الداخلية سلك الوظيفة في الدولة العثمانية، حيث عُين ترجماناً لوزارة الضابطة ثم كاتباً أولاً، وترقى في الوظيفة إلى أن أصبح رئيس ومفتش تنسيقات وتنظيمات الشرطة العامة، ثم أمين سر السلطان محمد الخامس فمحمد السادس. وفي عام 1913 حضر مؤتمر باريس الذي وضع قرارات هامة تضمنت مطالب وحقوق العرب في ظل الإمبراطورية العثمانية.

جمع من وظيفته ثروة مكنته بعد سقوط الدولة العثمانية من العمل طليقاً في السياسة يجوب بلداناً أوروبة وعربية. عاد إلى سورية بدعوة الملك فيصل حيث عُين رئيساً لبلدية حلب سنة 1919، ثم اختير عضواً في مجلس الشورى، فاشترك في إعلان استقلال سورية بصفته كبير الأمناء ورئيس ديوان الملك فيصل.

حضر الجابري معركة ميسلون عام 1920 فخرج مع الملك فيصل من سورية، وحكم عليه الفرنسيون بالإعدام وحجزوا أملاكه، فأقام في أوروبا يعمل لاستقلال بلاده. دعاه الجنرال غورو بكتاب رسمي مؤرخ (20/11/1920) للمفاوضة معه، لكن لم يتم الوصول إلى اتفاق، فاضطر لمغادرة باريس إلى جنيف حيث انتخب عضواً دائماً في المؤتمر (السوري ـ الفلسطيني) للدفاع عن القضية، وقد اشترك في هذا المؤتمر حزب الاستقلال والوفد الفلسطيني وممثلون لأمريكا الشمالية والجنوبية من العرب في المهاجر الأمريكية، وتألف المؤتمر من (إحسان الجابري، وشكيب أرسلان، وسليمان كنعان وبعد وفاته انتدب رياض الصلح). وبقي الوفد يعمل بكل ما أوتي من قوة حتى كانون الأول عام 1923 أي بعد أن حضر مؤتمر لوزان.

سافر إحسان الله عام 1923 بدعوة من الشريف حسين إلى عمّان حيث حضر المؤتمر العربي فيها، وتمكن من دخول سورية وهناك أسس جمعية حقوق الإنسان فأقبل الألوف من الشبان في المدن السورية على الانخراط في عضويتها، ومنها انبثق حزب الشعب وبعده الكتلة الوطنية. وعلى أثر هذا النشاط حاولت السلطة الفرنسية إلقاء القبض عليه إلا أنه تمكن من الهرب إلى تركيا، فحكمته السلطة الفرنسية للمرة الثانية بالإعدام، وغادر تركيا إلى سويسرا ومكث هناك حتى عام 1926، حيث دعي إلى باريس مع لطف الله وشكيب أرسلان لعقد معاهدة، وفعلاً تم الاتفاق ووقع بالأحرف الأولى، ولكن مجيء بوانكاريه إلى الحكم سبب تأخير الأمر، فعاد إلى سويسرا وأصدر في جنيف مع الأمير شكيب أرسلان مجلة باللغة الفرنسية بعنوان (الشعب العربي) للدفاع عن حقوق العرب والدفاع عن سورية.

بعد عقد معاهدة 1936 بين الحكومة السورية وفرنسا، وصدور العفو العام عاد إحسان الله إلى سورية، وبعد شهرين أجبرته الحكومة على قبول محافظة اللاذقية، وبقي هناك ما يقرب السنتين بمصارعة الانتداب الفرنسي، وفي نهاية العهد الوطني اعتقل وحددت إقامته في عينطورة في لبنان مدة أربع سنوات.

ثم عاد إلى حلب، وبعد وفاة أخيه سعد الله الجابري، انتخب نائباً عن حلب وترأس قائمة الوطنيين، كما أنتخب رئيساً للجنة الشؤون الخارجية فبقي فيها طيلة نيابته، وأعيد انتخابه عام 1954، وترأس التجمع القومي إلى أن تمت الوحدة بين مصر وسورية فترأس اتحاد الدول العربية.

وبعد اعتزاله السياسة أقام في القاهرة حيث توفاه الله ونقل جثمانه بالطائرة إلى عمّان في 11/3/1980، ومنها جواً إلى حلب حيث دفن هناك.

وُهب إحسان الله ذاكرة فذة، وكان يكتب مذكراته يوماً بيوم، وبلغ من أهميتها أنه عرض عليه مبلغ ستين ألف دولار في عام 1935 فرفض. لكن هذه المذكرات تلفت في منزله بالقاهرة أثناء غيابه في حلب وتحت ضغط أصدقائه حاول كتابتها من جديد بمساعدة أحد أفراد الأسرة وهو الدكتور مازن بن فيصل الجابري الذي كان يدرس الطب في القاهرة وقتها، فوصل فيها حتى عام 1927، ومرة أخرى سُرقت منه وهو قادم بالباخرة من بيروت إلى الإسكندرية.

له ابنة واحدة متزوجة من رئيس الوزراءالأردني الأسبق وصفي التل.
أثنى عليه شيخ مشايخ حلب العارف بالله الشيخ محمد أحمد النبهان ووصفه بالرجل المؤمن وأنه وقاف مع الحق حتى ولو كان الحق عليه .

له مؤلفات باللغة التركية:
 (موقع اقتدار).
 (الاشتراكية المثلى).

المراجع:

ـ (موسوعة السسياسة)، د. عبد الوهاب الكيالي، المؤسسة العربية للدراسات والنشر، بيروت، الطبعة الثالثة 1986، الجزء الأول، ص(85،86).

ـ (الموسوعة التاريخية الجغرافية)، مسعود الخوند، لبنان، طبعة أولى 1997، الجزء العاشر، ص(183).

ـ (مصادر الدراسة الأدبية)، يوسف أسعد داغر، مكتبة لبنان، بيروت، الطبعة الأولى 2000، ص(1326، 1327).

ـ (ذكرى سعد الله الجابري)، أحمد الجندي، طلاس للدراسة والترجمة والنشر، ص(126

آل الجابري
سياسيون سوريون في القرن 20
مواليد 1879
مسلمون سنة سوريون
مواليد في حلب
مواليد 1296 هـ
وفيات 1400 هـ
وفيات بعمر 100
مئويون رجال
مئويون سوريون

إحسان الجابري


Martin Agricola (født 6. januar 1486 i Schwiebus, Nedre Schlesien, død 10. juni 1556 i Magdeburg) var en tysk musikteoretiker, musikpædagog og komponist fra renæssancen.

Liv og virke

Acricola var søn af en rig bonde. Efter 1510 rejste han i de østlige dele af Tyskland, han var sandsynligvis blandt andet i Frankfurt an der Oder og Leipzig. På denne tid lærte han sig som autodidakt grundlaget for sin musikalske kundskab.

I 1519 slog Agricola sig ned i Magdeburg som musiklærer. Reformationen blev kort efter gennemført i byen, og Agricola sluttede sig til. Med indføringen af den nye kristendomsbekendelse blev byens ulige musikskoler slået sammen til én, og Agricola blev i 1525 ansat som skolens kantor. Ved siden af lærergerningen bestræbte Agricola sig frem for alt på at give den nye protestantiske bevægelse en egen kirkemusik. I 1528 offentliggjorde han Ein kurz deudsche Musica, en populær indføring i musikundervisning, og i 1529 en vigtig afhandling om tidens musikinstrumenter: Musica instrumentalis deudsch.

Agricola gav værdifulde bidrag til udviklingen af musiknotation, for eksempel skalaen, notenøglerne og taktslag.

Agricola var den første, som tonesatte Martin Luthers koral Ein feste Burg med fire stemmer.

Magdeburg by har opkaldt gaden Martin-Agricola-Straße efter ham.

Værker i udvalg
 Ein kurtz deutsche Música, (1528).
 Música instrumentalis deudsch, (1529).
 Música figuralis deutsch, Magdeburg 1532.
 Von der proportionibus, (1532).
 Rudimenta musices, (1539).
 Duo libri murices, (1561).

Noter

Litteratur
 Martin Agricola: Von der Lauten..., 1529. Leipzig Faksimile, Tree Edition, Lübeck 2003

Eksterne henvisninger

Renæssancekomponister
Kirkemusikkomponister
Komponister fra Tyskland
Musikkteoretikere fra Tyskland
Personer fra Swiebodzin

Martin Agricola


The East Coast Railway (abbreviated ECoR) is one of the 19 railway zones of Indian Railways. It came into existence on 1 April 2003. The headquarters of the zone are at Bhubaneswar, Odisha

History
Consequent upon the parliament's approval, East Coast Railway was the first of the seven new zones to be inaugurated by the then Prime Minister of India H. D. Deve Gowda on 8 August 1996. The Officer-on-Special Duty took over charge of the newly declared Zone on 16 September 1996. Initially, only one division namely Khurda Road was attached to this railway.

Subsequently, the zone became fully operational on 1 April 2003. The Waltair division was notified to be bifurcated from the East Coast Railway zone on 27 February 2019. The Odisha section of Waltair division will constitute the new Rayagada division, while the Andhra Pradesh section will be a part of the South Coast Railway zone upon operationalization.

Divisions
The geographical jurisdiction of East Coast Railway zone extends over three states encompassing almost all of Odisha and Bastar, Mahasamund and Dantewada districts of Chhattisgarh and a minor part [Palasa, Sompeta and seven other stations] of Srikakulam district in Andhra Pradesh. The zonal headquarters is at Bhubaneswar in Odisha.

The zone has three divisions: Sambalpur, Khurda Road and Waltair.

The Rayagada railway division has been proposed to succeed a section of the existing Waltair division which will remain in the East Coast Railway zone upon bifurcation.

Electrification
As of 31 December 2021, it is one of the three 100% electric railway zones in India. The East Coast Railway line integrated with the commissioned Howrah-Chennai electrified trunk route on 29 November 2005. There was a missing link between Kharagpur and Visakhapatnam stations and all trains from Howrah towards Chennai side had to undergo a locomotive change from electric to diesel at Kharagpur and vice versa at Visakhapatnam in order to pass through Odisha. Even trains from New Delhi such as the Bhubaneswar Rajdhani had to undergo the change at Kharagpur. This frequent loco change on a trunk route became a time-consuming and inconvenient process. With electrification along the 765 km Kharagpur-Visakhapatnam stretch, trains got speeded up and the need for double headed diesels for high speed express trains was eliminated thus saving on diesel consumption and a cleaner travel. Additionally the line branching off Khurda road towards Puri was also electrified. Gradually the Cuttack-Angul line, Cuttack-Paradeep line and branch line from Jakhapura towards Barbil got electrified too.

Major railway stations
The major railway stations in the entire zone are  Bhubaneswar, Cuttack, Chatrapur, Puri, Sambalpur, Khurda Road, Balugaon, Rayagada, Brahmapur, Angul, Dhenkanal, Bhadrak, Balangir,Bargarh,Jajpur Keonjhar Road, Titilagarh,Kesinga, Lanjigarh, Koraput, Mahasamund, Jagdalpur, Kendujhargarh, Palasa and Barbil.

Most of the major stations fall in the state of Odisha, Chhattisgarh.

Gallery

Rail infrastructure
 Electric Loco Shed – Angul
 Carriage Repair Workshop – Mancheswar, Bhubaneswar
 MEMU Shed – Khurda Road

Routes
East Coast Railway zone has about 273 railway stations with a track length of 5214 km spread as follows:-

Railway lines
ECoR zone has below tracks. All are  broad gauge. The sections are:-

 Bhadrak-Bhubaneswar-Khurda Road- Double Electrified BG line [92 Railway stations]
 Talcher-Cuttack Double Electrified BG line [21 Railway stations]

 Titlagarh Junction-Mahasamund Single Electrified BG line [15 Railway stations] (Electric doubling of this line is currently underway)
 Cuttack-Paradip Double Electrified BG line [10 Railway stations]
 Khurda road-Puri Double Electrified BG line [11 Railway stations]
 Sambalpur Junction-Talcher Single Electrified BG line [16 Railway stations](Electric doubling of this line is currently underway)
 Titlagarh Junction-Sambalpur Junction Single Electrified BG line [16 Railway stations] (Electric doubling of this line is currently underway)
 Sambalpur Junction-Jharsuguda Junction Double Electrified BG line [10 Railway stations]
 Rayagada-Koraput Single Electric BG line [15 Railway stations]
Naupada Junction-Gunupur Single Diesel BG line [14 Railway stations]
Jakhapura Junction-Banspani Single Electrified BG line [17 Railway stations] (Electric doubling of this line is currently underway)

Loco sheds
 Electric Loco Shed, Visakhapatnam
 Electric Loco Shed, Angul
 Diesel Loco Shed, Visakhapatnam

External links
 East Coast Railway Official Website
  Khurda Road Division
  Sambalpur Division
  Waltair Division

See also

 All India Station Masters' Association (AISMA)
 Zones and divisions of Indian Railways
 Indian Railway Signal Maintainers Union (IRSTMU)
 South Coast Railway

References

Zones of Indian Railways
Rail transport in Odisha
Rail transport in Andhra Pradesh
2003 establishments in India

East Coast Railway zone


Hana Andronikova (Zlín, 9 de septiembre de 1967-20 de diciembre de 2011) fue una escritora checa, ganadora del Premio Magnesia Litera en 2002 por su primera novela, Zvuk slunecnich hodin (2001).

Estudió inglés y checo en la Facultad de Artes y Filosofía de la Universidad Carolina en Praga. Murió el 20 de diciembre de 2011 de cáncer.

Obra

El Sonido del Reloj Solar (Zvuk slunečních hodin), 2001, con la que ganó el Premio Magnesia Litera. Knižní klub, Praha 2001, ISBN 80-242-0689-7.

El cielo no tiene piso (Nebe nemá dno), 2011, describe su lucha contra el cáncer. Euromedia Group-Odeon, Praha 2010, ISBN 978-80-207-1337-7.

 «Cafe Bero.» En: Schůzky s erotikou [«Cafe Nero.» En: Treffen mit Erotik. Kurzgeschichten]. Listen, Jihlava 2005, ISBN 80-86526-18-6.

 «Rituál.» En: Ber, po čem toužíš [«Ritual.» En: Nimm, wonach Du Dich sehnst. Kurzgechichten]. Listen, Jihlava 2006, ISBN 80-86526-20-8.

«V. Samsara.» En Words without Borders Magazine, noviembre de 2007.

Referencias

Bibliografía

Czech literature at the turn of the millennium. Autor: Czech Republic. Ministerstvo kultury. Editor: Radim Kopáč - Ministry of Culture of the Czech Republic, 2003 ISBN	8086310361, 9788086310367. 181 pág. (En inglés.)

Escritoras de la República Checa
Escritores de la República Checa del siglo XX
Escritores de la República Checa del siglo XXI
Alumnado de la Universidad Carolina
Fallecidos por cáncer en República Checa
Checas del siglo XX
Checas del siglo XXI
Nacidos en Zlín

Hana Andronikova


Franjo (Fran) Novljan  (Novljani, Boljunsko Polje, 7. kolovoza 1879. – Zagreb, 12. siječnja 1977.), hrvatski prosvjetni djelatnik, narodni prosvjetitelj, andragog, esperantist, skupljač narodnog blaga.

Životopis
Rođen u Novljanima. Na Sušaku išao u klasičnu gimnaziju. Ondje je osnovao đačko društvo Nova nada. U Beču studirao matematiku i fiziku. Tijekom studija 1901. s I. Ivančićem osnovao Istarski odbor Hrvatskoga akademskoga društva Zvonimir, a 1903. u Boljunu osnovao popularna predavanja za puk. Poslije studija jedno desetljeće, sve do izbijanja rata kad je mobiliziran u austro-ugarsku vojsku, predavao je matematiku i fiziku u Pazinu u privatnoj Ženskoj učiteljskoj školi i u Hrvatskoj gimnaziji Na njegov poticaj osnovana je 1907. u Pazinu gimnazijska ekstenzija (svojevrsno pučko učilište). Držao je javna predavanja u Narodnom domu, surađivao s Ferijalnim akademskim društvom »Istra«, radio u pazinskom Đačkom pripomoćnom društvu. Povratkom iz vojske 1918. godine uključio se u politiku i diplomaciju. sudionik osnivanja Narodnoga vijeća Slovenaca, Hrvata i Srba čiji je bio povjerenik u Zagrebu i Pragu. Članom izaslanstva na pariškoj mirovnoj konferenciji 1919. godine. Od Narodnog vijeća dobio je zadaću organizacije prihvata i smještaja izbjeglica iz Istre. Od 1920. predavao je u Zagrebu, zatim Bjelovaru, pa Novoj Gradišci. 1920. godine postao urednik zagrebačkog lista Radiše. U Novoj Gradišci je 1934. dao poticaj za djelovanje pučkoga sveučilišta. Iste godine je postao urednik novogradiške Sadašnjosti. Od 1939. je u Zagrebu gimnazijski ravnatelj. NDH ga je umirovila 1941. godine.

Istaknuti član i povjerenik Matice hrvatske za Istru.

Aktivni esperantist. Među utemeljiteljima Prosvjetnoga saveza, čiji je bio prvi tajnik.  Organizator esperantskih ustanova u Zagrebu. Surađivao je s esperantskim listovima i časopisima. Autor udžbenika esperanta Internacia lingvo esperanto i Esperanto en tridek lecionoj.

Prikupljanjem, zapisivanjem i opisivanjem etnografske građe na Boljunštini bavi se od mlade dobi. Rezultat rada je pored ostalog djelo Boljun, kmiečki život i už(a)nci. Pisao je u Našoj slozi, Narodnoj prosvjeti, Obzoru, Jutarnjem listu, Školskim novinama, La Studa Stelo i dr.
S Josipom Predavcem i Stjepanom Radićem napisao djelo Gospodarstvo, prosvjeta, politika i objavio ga u Zagrebu 1907. godine.

Izvori

Životopisi, Pazin
Životopisi, Zagreb
Hrvatski esperantisti
Skupljači narodnog blaga
Odgoj i obrazovanje u Hrvatskoj
Hrvatski diplomati
Hrvatski političari u Kraljevini Jugoslaviji

Fran Novljan


රිචඩ් ගේබ්‍රියල්  උපත ලබන්නේ 1924 පෙබරවාරි මාසේ 19 දි මාතරදිසී ය. සිය පියාගේ හදිසි වියෝවෙන් අනතුරුව සිය පවුලේ සාමාජිකයින් සමග ඔහු උපන් ගම වන මාතරින්  දෙහිවල පදිංචියට පැමිණේ. දෙහිවල ජීවත්ව සිටියදී ඔහු අධ්‍යාපනය ලබන්නේ බම්බලපිටියේ ශාන්ත පීතර විද්‍යාලයෙනි. අවුරුදු විස්ස පමණ  වියේදී ඔහු කොලඹ ශාන්ත ජෝසප් විද්‍යාලයේ චිත්‍ර ගුරුවරයෙකු හැටියට සේවය කරන ලද අතර  ඔහුගේ සහෝදරයෙකු වන එඩ්මන්ඩ් ගේ මාර්ගයෙන් එවක බිහිව තිබූ 43 කණ්ඩායමේ සාමාජිකයකු වන අයිවන් පීරිස් ගේ ආරාධනයෙන් ඔහු 43 කණ්ඩායමට එක් වේ. ඒ වන විට ඒ කණ්ඩායමේ සිටිය සාමාජිකයින් අතර ගේබ්රියල්
ලාබාලම සාමාජිකයා වේ.  ඔහු අයිවන් පීරිස් හා හැරී පීරිස් යන දෙපලගේ ශිෂ්‍යයකු වෙමින් චිත්‍ර කලාව තව දුරටත් හැදෑරු අතර 1952 දි බ්‍රිතාන්‍ය කවුන්සිලය මගින් පිරිනැමූ ශිෂ්‍යත්වකින් බ්‍රිතාන්‍යයේ ලන්ඩන් නුවර පිහිටි Chelsea School of Art හිදී කලාව පිළිබද දැනුම තව දුරටත් මුවහත් කර ගන්නා ලදි.ඔහුගේ කෘති අතර ආදම් සහ ඒව, මරණයේ හා සාමයේ දූතයා, තිම්බිරිගස්යාය ශාන්ත තෙරේසා දේවස්ථානයේ Bas-Relief Stations of the cross, ජේසු නිකායික දේවස්ථානයේ  උත්ථානවූ ක්‍රිස්තුස් කැටයම්, ජාතික සෙමනේරියේ අඩි අටහමාරක් උස මැඩෝනා කැටයම් ආදිය වේ.

රිචර්ඩ් ගේබ්රියල්


Fra Jeronim Filipović (Proslap,  Rama, 1686   †  Sinj, 1765.) katolički pisac, prosvjetitelj, profesor, provincijal.

Životopis

Jeronim Filipović rođen u Proslapu u Rami. Kao dojenče s majkom je iz Rame izbjegao u Sinj. U sinjskom franjevačkom samostanu školovao se i 1706. stupio u Franjevački red. Bogosloviju je  studirao u Makarskoj 1707–10. te u Perugi. Za svećenika je zaređen potkraj 1714. U Rimu je studirao pravo. Filozofiju je predavao u Perugi i Firenci. Bio je profesor teologije. Teologiju je predavao 1721–24. u bogoslovnoj školi u samostanu sv. Lovre u Šibeniku. Bio je lektor u Budimu (1732.-1734.). Bio prvi starješina Provincije sv. Kaja (poslije Provincija Presvetog Otkupitelja) 1734.-1738. godine. Tečaj niže teologije 1736. iz Šibenika premjestio je u Makarsku a učilište u Šibeniku postalo je Generalno učilište 1. razreda. U franjevačkom samostanu u Sinju od 1742. do 1745. bio je lektor filozofije. Od 1751. do 1754. godine po drugi put obnašao je dužnost provincijala, a po svršetku te službe ostao je u samostanu u Dobrome u Splitu. Bio je generalni pohoditelj Provincije Bosne Srebrene 1726, bugarske provincije 1734. i 1757. Provincije Presvetog Otkupitelja, a 1755. kao izaslanik generala Reda Bernardina a Terlitio u Bosni. Godine 1757. utjecao je na odluku o ustanovljenju  Provincije sv. Ivana Kapistranskog. Bio vrstan, propovjednik, prosvjetitelj i katolički pisac.
Najpoznatiji su hrvatski pisci iz XVIII. stoljeća: fra Lovre Šitović († 1729.), fra Toma Babić († 1750.), fra Andrija Kačić († 1760.), fra Jeronim Filipović († 1765.), fra Petar Knežević († 1768.) i drugi.  Mnoga filozofska i teološka djela fra Jeronima Filipovića uništilo je vrijeme.

Pokopan je u samostanskoj crkvi u Sinju.

Djela

 Pripovidagnie nauka karstjanskoga, 1–3. Po Simunu Occhi. U Mletczii 1750, 1759, 1765.
 Put križa. Budim 1830.
 Propoviedi o nauku kršćanskom. Od o. Jeronima Filipovića, franjevca iz Rame u Bosni, 1–8. Sarajevo 1886–1892.

Literatura (izbor)

 Ivan Kukuljević Sakcinski: Bibliografia hrvatska, 1. Zagreb 1860, 38–39.
 Jako Matković: Bibliografija bosanskih franjevaca. Sarajevo 1896, 24.
 Petar Krstitelj Bačić: Spomen-knjiga Franjevačke gimnazije u Sinju. K proslavi 50. godišnjega njegova obstanka. (Sinj) 1905, 22.
 Julijan Jelenić: Bio-bibliografija franjevaca Bosne Srebreničke, 1. Zagreb 1925, 94–98.
 Stanko Petrov: Gospin radnik fra Jerolim Filipović (1686–1765). Gospa sinjska, 7 (1928) 3, 61–62.
 Slavko Ježić: Hrvatska književnost od početka do danas. Zagreb 1944, 168.
 Mihovil Kombol: Povijest hrvatske književnosti do narodnog preporoda. Zagreb 1961, 347, 349, 436.
 Karlo Jurišić: O. fra Jeronim Filipović (u: Sinjska spomenica 1715–1965. Sinj 1965, 257–277).
 Karlo Kosor: Fra Jeronim Filipović kao kritičar vjere i morala svojih suvremenika. Kačić, 6 (1974) str. 123–140.
 Dušan Moro: Značenje i djelotvornost vjere u djelu fra Jeronima Filipovića. Kačić str. 127–135.
 Josip Ante Soldo: Seoba Ramljaka u Sinjsku krajinu. Nova et vetera, 38 (1988) 1/2, str. 32.
 Franjevačka visoka bogoslovija u Makarskoj. 250. obljetnica osnivanja i rada 1736–1986. Makarska 1989.

Izvori

Hrvatski franjevci
Životopisi, Sinj
Prozor-Rama

Jeronim Filipović


Skolegade i Aarhus ligger mellem Åboulevarden og Mejlgade. Skolegade hedder "Skolegade" fordi den tidligere gik hen forbi Aarhus Katedralskole. Den var én af de mest befærdede gader, da folk der kom nord eller øst for byen og skulle til torvehandel på Store Torv tog igennem Skolegade. I 1849 findes omtaler af Skolegade som "den mest befærdede gade" i Aarhus.

Frem til midten af 1800-tallet lå Skolegades haver helt ned til vandet. Dengang bestod havnen kun af moler langs åen og bugten. Dette ændrede sig da Havnegade blev anlagt. Havnegade startede som en sti, men udviklede sig efterhånden til en gade, den fik sit navn i 1880.

I 1835 åbnede Johan Frederik Kuur (1797-1857) forretning i J. J. Wellejus's tidligere købmandshandel i Skolegade 38. Her handlede Johan Frederik med kaffe, Sukker, Te, Ris, Rom, Brændevin m.m. I 1856 overdrog han forretningen til sin kommis Andreas Theodor Emborg.

Søbadeanstalt
I 1827 anlagde Laurids A. Jahnsen en søbadeanstalt i Skolegade 32. Dette var Aarhus første søbadeanstalt. I forbindelse med åbningen af søbadeanstalten indrykkede Laurids A. Jahnsen følgende annonce i Århus Stiftstidende: "Den Opmærksomhed som Søebade overalt finder ved sin Behagelighed og for Sundheden velgieørende Virkninger har tilskyndet Undertegnede at anlægge en almen Søe-Badeanstalt for Aarhuus og Omegn i Gaarden Nummer 32 paa Skolegaden, som dertil synes fortrinligen situeret og frembyder en af de behageligste Udsigter i Aarhuus. Anlægget er nu saavidt fuldført, at det fra Mandag af staaer til Afbenyttelse. Maatte det nu, som jeg haaber, vinde Publikums Bi-fald og svare til dets Bestemmelse; at forene Nytte med Behagelighed, vil jeg derved høste Lønnen for de Besværligheder Anlægget har været forbunden med."

Med tiden kom der flere søbadeanstalter til Aarhus, blandt andet en i Skt. Olufs Gade.

Kultur og natteliv
Igennem tiderne har skolegades centrale placering både tæt på by og havn, været særdeles attraktiv for restauratører. Gaden har i dag en god placering med både togstation, Aarhus Teater, Dokk1, Aarhus Domkirke og Århus Å som nærmeste naboer. Fra 1877 til 1933 var Aarhus Østbanegård endestation for Grenaabanen og dette genererede en del trafik fra folk via Mejlgade som derfor dengang var en travl butiksgade. Flere færger og skibe lagde også til på Aarhus Havn som Skolegade førhen grænsende direkte op til. I Nils Malmros film Århus by night, omhandlende hans liv i midten af 70'erne, ses skolegade som et moderne sted man kan tage i byen hver dag. I dag ses det at flere barer har ændret koncepter for at følge med tiden, særligt efter åens fritlægning i 1996. Der ses i dag spillesteder, natklubber, cocktailbarer, værtshuse og enkelte restauranter. Af de længstlevende af de nuværende kan nævnes Pinds Cafe hvis historie kan spores helt tilbage til 1848 , Casino Bar som flyttede til skolegade fra Rosenkrantzgade i 1964  og spillestedet Fatter Eskild med stor gårdhave med ude-servering siden 1973  Af restauranter kan nævnes Teater Bodega vis historie går helt tilbage til år 1911 som 'Torvecafeen', men har haft sin nuværende navn og koncept siden 1959. Flere af serverings stederne har bevillinger til kl 05.

Skolegade huser desuden Danmarks største natklub henvendt til LGBT miljøet.

Referencer

Eksterne henvisninger

Gader i Aarhus

Skolegade (Aarhus)


Chad Gaylord Smith (rođen 25. studenog 1961.) američki je glazbenik i bubnjar benda Red Hot Chili Peppers od 1988. godine. Također je bubnjar hard-rock super grupe Chickenfoot formirane 2008. te grupe Chad Smith's Bombastic Meatbats koja postoji od 2007.godine.

Smith je snimao za Glenn Hughes, Johnny Cash, John Fogerty, the Dixie Chicks, Jennifer Nettles, Kid Rock, Jake Bugg, the Avett Brothers, Joe Satriani, Post Malone, Lana Del Rey te Halsey.

Magazin spin smjestio je Smitha na deseto mjesto "100 najboljih bubnjara alternativne glazbe" u svibnju 2013 dok je također rangiran na četvrtom mjestu s basistom Red Hot Chili Peppersa Fleom za najbolju ritam sekciju svih vremena u lipnju 2013. godine.

Chad je također poznat po njegovom humanitarnom radu pogotovo s mladim glazbenicima. Lobist je u potpori glazbene edukacije u američkim javnim školama.

Rani život
Smith je rođen u Saint Paul, Minessoti, glavnom gradu američke savezne države Minnesote kao treće dijete Joana i Curtis Smitha. Većinu djetinjstva proveo je u Bloomfield Hillsu, Michigan gdje je i maturirao u 'Lahser High School' 1980. godine. Bubnjeve je počeo svirati sa 7 godina te je odrastao slušajući umjetnike poput Rush, the Rolling Stones, Humble Pie, Pink Floyd, Black Sabbath, Led Zeppelin, Deep Purple, the Who, the Jimi Hendrix Experience, i Kiss.

Chad nikad nije pohađao bubnjarsku školu niti uzimao lekcije već je dobio iskustva i znanja svirajući u školskim bendovima.

Kada je imao 15 godina pobjegao je od kuće, ali se vratio poslije ljeta.

Smith je svoje rane godine provodio u raznim rock bendovima počevši u srednjoj školi s bendom zvanim 'Paradise', gdje su osvojili borbu za najbolji bend u Birminghamu, Michigan 1977. godine.

Vanjske poveznice:
Službena stranica Red Hot Chilli Peppersa

Američki rock-glazbenici
Američki bubnjari

Chad Smith


El Marquesado de Ontiveros (a veces Marquesado de Hontiveros) es un título nobiliario español de carácter hereditario que fue concedido el 2 de enero de 1678 por Carlos II de España a Manuel de Bañuelos y Velasco, caballero de la Orden de Calatrava, Capitán General del Mar Océano, Comisario General de la Infantería y la Caballería de España, mayordomo de la Reina Mariana de Austria y del Consejo Supremo de Guerra, señor de la casa de su apellido en Córdoba y de los mayorazgos y cortijos de Peralta, Peraltilla, Las Pinedas y Estebanía Baja en la misma provincia. El concesionario era también patrono del Convento de Carmelitas Descalzos de Segovia y del monasterio de Dominicas de San Pedro de las Dueñas, como mayorazgo de la torre de los Mercado Peñalosa en Lastras del Pozo, todo en la provincia de Segovia.

El marquesado toma denominación de la villa de Fontiveros en la provincia de Ávila (Castilla y León), que era de señorío del concesionario por derecho de María Catalina Gómez de Sandoval y Rojas, su mujer, señora también de Cantiveros, Vita, Malaguilla y Herreros de Suso.

A mediados del  el título recayó en los poseedores del Marquesado de Villaseca, y sus fondos documentales se localizan en la actualidad en el Archivo Histórico de Viana, ubicado en el Palacio de los Marqueses de Viana (Córdoba).

Marqueses de Ontiveros

 Manuel de Bañuelos y Velasco.
 María Teresa de Bañuelos y Sandoval.
 María Manuela de Bañuelos y Sandoval.
 María Catalina Menéndez de Avilés y Bañuelos, III condesa de Canalejas.
 Ana Antonia Suárez de Góngora y Menéndez de Avilés.
 Pedro Francisco de Luján y Góngora.
 Josefa Dominga Catalá de Valeriola y Luján.
 José Cabrera Bernuy.

Rehabilitado en 1916 por:

Joaquín Cabrera y Trillo-Figueroa, ( f. en 1946)XI marqués de Ontiveros.
Casó con Clementina Marchesi y Rivas. Le sucedió, en 1956, su hijo:

Eduardo Cabrera y Marchesi, XII marqués de Ontiveros, XII marqués de Villaseca.
Casó con Concepción Muñoz Torralbo. Le sucedió, en 1984, su hijo:

Jaime Cabrera y Muñoz, XIII marqués de Ontiveros.
Casó con Eva Salcines de la Calle.

Bibliografía

 El Marquesado de Hontiveros.

 Genealogía de los Duques de Almodóvar del Río.

 Archivo Histórico de Viana.

Ontiveros
Ontiveros

Marquesado de Ontiveros


Polona Barič (født 15. Maj 1992 i Izola, Slovenien) er en slovensk håndboldspiller, der spiller for RK Krim og Sloveniens håndboldlandshold.

Referencer

Håndboldspillere fra Slovenien

Polona Barič


Indriati Gerald Bernardina (9. lipnja 1942), poznata po umjetničkom imenom Indriati Iskak, nakon braka kao Indri Makki, je bivša indonezijska psihologinja i poslovna žena koja se u mladosti nakratko bavila glumom te krajem 1950-ih i početkom 1960-ih godina stekla status filmske zvijezde.  Popularnost je stekla svojim prvijencem  Tiga Dara iz 1957. godine. Nakon toga je nastupila u još nekoliko filmova, te osnovala vlastitu girl group prije nego što se povukla iz industrije zabave 1963. godine Nakon toga je 1968. godine diplomirala psihologiju na Univerzitetu Indonezije, a nakon toga predavala na Umjetničkom institutu u Jakarti. Također je radila za tvrtku Unilever, od 1994. godine se bavi marketinškim konzaltingom.

Filmografija

Tiga Dara (1956)
Sengketa (1957)
Djuara Sepatu Roda (1958)
Tiga Mawar (1959)
Desa yang Dilupakan (1960)
Gadis Diseberang Djalan (1960)
Djantung Hati (1961)
Masih Ada Hari Esok (1961)
Daun Emas (1963)

Izvori

Vanjske poveznice
 Indiati Iskak na internetskoj bazi filmova IMDb

Literatura

Životopisi, Indonezija
Filmski glumci
Poduzetnici
Psiholozi

Indriati Iskak


Stephen Curry er bandarískur körfuboltaleikmaður sem spilar fyrir Golden State Warriors í NBA-deildinni. Hann spilar sem leikstjórnandi og er talinn vera besti 3-stiga skotmaður deildarinnar frá upphafi. Hann hefur skorað flestar 3-stiga körfur á tímabili eða 402 og á flestar 3-stiga körfur í deildinni frá upphafi, met sem hann sló árið 2021.

Curry hefur unnið fjóra NBA titla með Golden State Warriors. Hann var að leik loknum valinn mikilvægasti leikmaður, MVP, úrslitaeinvígisins 2022.

Hann hefur verið valinn besti leikmaður deildarinnar, MVP, tvisvar, hefur 7 sinnum verið valinn í stjörnulið NBA og tvisvar unnið 3-stiga keppnina.

Með landsliði Bandaríkjanna hefur hann unnið tvö gull á FIBA heimsmeistaramótinu; 2010 og 2014.

Faðir hans, Dell Curry og bróðir hans Seth Curry hafa einnig spilað í NBA.

Heimild

Bandarískir körfuknattleiksmenn
Fólk fætt árið 1988

Stephen Curry