Windows NT 4.0, Microsoft'un ürettiği işletim sistemi ailesi Windows'un NT çekirdeği üzerinde yükselen dördüncü ana sürümüdür. 3.51 sürümünden 1 yıl sonra, 29 Haziran 1996 tarihinde piyasaya sürülmüştür.

Yenilikleri
 Windows NT 3.51'e göre getirmiş olduğu en büyük yenilik Windows 95 benzeri arabirimidir. Bu sayede, kullanım konusunda çok büyük bir kolaylık sağlanmıştır.
 Windows NT 4.0'a Active Desktop'lu Internet Explorer yüklenmesiyle birlikte son derece kolay kullanımlı bir işletim sistemine sahip olunulabilmektedir. Öte yandan, özellikle çoklu ortam konusunda Windows NT 4.0 yetersiz kalmaktadır: DirectX desteği Windows NT ailesinde Windows 2000'den itibaren düzgün bir şekilde entegre edilmiştir.
 Microsoft Message Quequing hizmeti eklendi.
 Windows NT 4.0, Windows Vista'da sidebar eklentisi olarak geri dönene kadar nostaljik analog saat programının var olduğu son Windows sürümüydü.

Servis Paketleri
Windows NT 4.0'ın bugüne kadar toplam 6 servis paketi çıkmıştır ve Windows NT 4.0 kullanıcılarının en son çıkmış olan Service Pack 6a'ya geçmesi tavsiye edilmektedir. Öte yandan, MS03-010 sorununa Windows NT 4.0'ün temelini değiştirmek gerektiğinden bir düzeltme yapılmamıştır. Sorunun tek çözümü, Windows 2000'e geçmektir.

Sürüm
Tarih
Release To Manufacture (RTM)
29 Haziran 1996

General release
24 Ağustos 1996

Service Pack 1
16 Ekim 1996

Service Pack 2
14 Aralık 1996

Service Pack 3
15 Mayıs 1997

Service Pack 4
25 Ekim 1998

Service Pack 5
4 Mayıs 1999

Service Pack 6
22 Kasım 1999

Service Pack 6a
30 Kasım 1999

Post Service Pack 6a Security Rollup
26 Haziran 2001

1996 yazılımları
NT 4.0
PowerPC işletim sistemleri
IA-32 işletim sistemleri
Windows NT

Windows NT 4.0


Berry Linux is a Live CD Linux distribution that has English and Japanese support. Berry Linux is based on  and is compatible with Fedora 37 packages. The distribution is primarily focused on use as a Live CD, but it can also be installed to a live USB drive. Berry Linux can be used to try out and showcase Linux, for educational purposes, or as a rescue system, without the need to make changes to a hard disk. The current version is 1.37 released on 14 December 2022.

Features
Berry includes read/write NTFS support, and AIGLX and Beryl are bundled for 3D  desktop effects. Berry also uses bootsplash, giving it a graphical startup.

The full version (v1.12) includes  and runs on Linux Kernel 3.0.4. It has the ALSA sound system, ACPI support, and SELinux. Berry Linux features automatic hardware detection, with support for many graphics cards, sound cards, SCSI, USB devices and many other peripherals. Network devices are automatically configured with DHCP.

The full version of Berry Linux uses KDE (Version 4.6.5) while Berry Linux Mini uses the Fluxbox window manager. The full version is 512.7MB, while the mini version is 273.4MB. To test Berry Linux it is not necessary to install the distribution to a hard disk, as the operating system runs entirely from CD-ROM. It is, however, possible to install Berry Linux to a hard disk, which requires 1.7 gigabytes of free space.
Supporting Japanese, Berry includes Whiz, a sharp Kana-Kanji conversion system. It also comes with LibreOffice version 3.4.3, a Microsoft Office compatible office suite, as well as TextMaker/PlanMaker as Berry's office software. The GIMP, version 2.6.10, is bundled for graphics software.

Berry includes the media players Audacious, MPlayer, Xine, and Kaffeine. DVD and DivX codecs are installed by default.

Version history
Berry Linux's historical releases are as following.

See also

Fedora

References

External links

 Berry Linux Project
 Berry Linux Project (Japanese)
 Berry Linux Project (English)
 Download Berry

RPM-based Linux distributions
Live CD
Linux distributions

Berry Linux


La resolución 131 del Consejo de Seguridad de las Naciones Unidas, fue aprobada el 9 de diciembre de 1958, tras haber examinado la petición de incorporación a las Naciones Unidas de la República de Guinea. En esta resolución, el Consejo recomendó a la Asamblea General la aceptación de Guinea como miembro.

La resolución fue aprobada por diez votos con la abstención de Francia.

Véase también
Guinea
Anexo:Estados miembros de las Naciones Unidas

Resoluciones del Consejo de Seguridad de las Naciones Unidas aprobadas en 1958
0131
Resoluciones del Consejo de Seguridad de las Naciones Unidas referentes a Guinea

Resolución 131 del Consejo de Seguridad de las Naciones Unidas


La Cruz ist eine Ortschaft in Uruguay.

Geographie
La Cruz befindet sich auf dem Gebiet des Departamento Florida in dessen Sektor 3. Der Ort liegt im westlichen Teil des Departamentos in der Cuchilla de La Cruz einige Kilometer nördlich der Departamento-Hauptstadt Florida, sowie des Ortes La Macana und südöstlich von Pintado. Unweit südlich des Ortes entspringt der Arroyo Lindero.

Geschichte
Am 23. Oktober 1929 wurde La Cruz durch gesetzliche Regelung (Ley No. 8.497) als Pueblo eingestuft.

Infrastruktur
Durch den von der Ruta 5 tangierten Ort führt eine Eisenbahnlinie.

Einwohner
Die Einwohnerzahl von La Cruz beträgt 747 (Stand: 2011), davon 381 männliche und 366 weibliche.

Quelle: Instituto Nacional de Estadística de Uruguay

Einzelnachweise

Ort im Departamento Florida

La Cruz (Uruguay)


An Goodyera perrieri in uska species han Liliopsida nga syahan ginhulagway ni Schltr., ngan ginhatag han pagkayana nga asya nga ngaran ni Schltr.. An Goodyera perrieri in nahilalakip ha genus nga Goodyera, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Goodyera

Goodyera perrieri


Rita Indiana Hernández Sánchez (11 de junio de 1977, Santo Domingo, República Dominicana) es una escritora, compositora y cantante dominicana. En 2011, fue seleccionada por el diario El País como una de las 100 personalidades latinas más influyentes.

Biografía
Nació en Santo Domingo el 11 de junio de 1977. Es sobrina nieta de la soprano Ivonne Haza del Castillo y trastataranieta del poeta y prócer de la Guerra de la Restauración Manuel Rodríguez Objío. También es prima segunda del periodista Óscar Haza y del político Víctor Bisonó Haza; ella fue bautizada en honor a su bisabuela Rita Indiana del Castillo y Rodríguez-Objío.

Inició su carrera publicando poesía en la revista Vetas, para luego pasar al campo de la narrativa. Su primer libro fue Rumiantes (1998), un revelador conjunto de relatos con aprestos postmodernos sobre la cotidianidad en una isla. Su lanzamiento como escritora, sin embargo, se produjo con sus novelas. Publicó La estrategia de Chochueca (2000) y Papi (2005), donde la creación literaria se nutre de los giros coloquiales del lenguaje marginal y popular dominicano a partir de la voz de una niña.

Años después, decidió explorar la música popular dominicana mediante una reinvención del merengue en su forma dance, a través de sus composiciones e interpretaciones con su agrupación "Los misterios". Con su banda, Rita se presentó en el célebre "S.O.B.S" de la ciudad de Nueva York. Sus canciones abarcan desde temas de interés social hasta la heterodoxia sexual. Ha manifestado públicamente su homosexualidad.

En el 2011 el periódico español El País la declaró como una de las 100 personalidades del mundo latinoamericano.

Algunas de sus canciones han sido recreadas por importantes intérpretes de la canción latinoamericana como Julieta Venegas y Calle 13. Actualmente (2021) reside en Nueva York. Su novela Nombres y animales (2013) fue traducida al italiano (I gatti non hanno nome), La mucama de Omicunlé (2015) al alemán (Tentakel) y al inglés (Tentacle), y Hecho en Saturno (2018) también al inglés.

Sus primeros libros —Rumiantes (1998), Ciencia succión (2000)—, así como su performance Azúcal y sus poemas iniciales, fueron compilados por Ediciones Cielonaranja bajo el título Cuentos y poemas (1998-2003).

Libros publicados
Cuento
 Rumiantes, Edición de autor, Santo Domingo, 1998.
 Ciencia Succión, Amigo del hogar, Santo Domingo, 2001.
 Cuentos y poemas (1998-2003), Ediciones Cielonaranja, Santo Domingo, 2017.
 Los trajes, Ediciones Cielonaranja, Santo Domingo, 2021.Novela
 La estrategia de Chochueca, Riann, Santo Domingo, 2000.
 Papi, Vértigo, 2005; Periférica, 2011.
 Nombres y animales, Periférica, 2013.
 La mucama de Omicunlé, Periférica, 2015.
 Hecho en Saturno, Periférica, 2018.

Sobre Rita Indiana
 Archivos de Rita Indiana, Fernanda Bustamante Escalona, editora, Ediciones Cielonaranja, Santo Domingo, 2017.

 Discografía
 Demos (2009)
 El juidero'' (2010)
 Mandinga Times (2020)

Canciones lanzadas
"El Blu del Ping Pong"
"La Hora de Volvé"
"Jardinera"
"Equeibol"
"El Juidero"
"Oigo Voces"
"Flores de Fuego"
"Da Pa Lo Do"
"Como un ladrón en la noche"
"Bajito a selva*"
"Maldito Feisbu"
"El Castigador"
"Como un dragón"
"El Zahir"
"Miedo"

Véase también

 Mujeres en la música

Referencias

Escritoras de la República Dominicana
Músicos de la República Dominicana
Compositoras de canciones de la República Dominicana
Músicas lesbianas
Lesbianas de República Dominicana

Rita Indiana


Control Data Corporation (CDC) blev grundlagt i 1957 og var en af de ni større computer selskaber i USA igennem det meste af 1960'erne; de andre var IBM, Burroughs Corporation, DEC, NCR, General Electric, Honeywell, RCA og UNIVAC. CDC var dengang velkendt og høj estimeret i hele industrien. I det meste af 1960'erne arbejdede Seymour Cray ved CDC og udviklede en serie af maskiner som dengang var de hurtigste computere i verden. I 1970'erne forlod Cray CDC og grundlagde Cray Research (CRI).

I 1988 begyndte CDC at forlade computerfremstilling og solgte dele af virksomheden fra, en proces som blev fuldendt i 1992 med dannelsen af Control Data Systems, Inc. Det tilbageværende af CDC bliver til Ceridian.

Kilder/referencer

Computervirksomheder fra USA

Control Data Corporation


Der Fog Bowl (dt.: "Nebelspiel") ist die informelle Bezeichnung für das Halbfinalspiel der National Football Conference (NFC) in der National Football League (NFL) zwischen den Chicago Bears und den Philadelphia Eagles, das am 31. Dezember 1988 im Soldier Field in Chicago stattfand. Die Bears gewannen mit 20-12, während die Sicht in der zweiten Halbzeit aufgrund von dichtem Nebel fast auf null gesunken war. Spielabsagen sind in der NFL nicht üblich. Gespielt wird bei jedem Wetter und so gilt es als eines der bizarrsten Spiele in der NFL-Geschichte.

Spielbericht

In der ersten Halbzeit, die bei strahlendem Sonnenschein stattfand, waren die Bears nach zwei Touchdowns und einem Field Goal mit 17-9 in Führung gegangen. Doch kurz vorm Halbzeitpfiff kroch dichter Nebel von den Great Lakes über das Spielfeld, so dicht, dass der Quarterback der Bears, Mike Tomczak, dachte, dass der Parkplatz in Flammen stünde. Grund hierfür war ein seltenes meteorologisches Phänomen: da die Luft durch die starke Sonneneinstrahlung untypisch aufgeheizt wurde, wurden kalte, dichte Nebelmassen landeinwärts getrieben, ehe sie sich auflösten. Der Nebel reduzierte die Sicht auf zehn bis 15 Meter, so dass die Referees kaum noch den Spielzug überblicken konnten.

Die das Spiel live sendende CBS bekam ernsthafte Probleme. Der Nebel zwang den Sendehelikopter zum Landen, und er wurde so dicht, dass keiner der beiden Livekommentatoren, Verne Lundquist und Terry Bradshaw, etwas erkennen konnte. An einer bemerkenswerten Stelle stritten sie sich, ob der Quarterback der Eagles, Randall Cunningham, gesackt worden war oder nicht, ohne sich einigen zu können. Die CBS wollte sogar ihren dritten Kommentator Brent Musberger an die Seitenlinie schicken, doch er gab es auf, da er sogar von dort nichts sah. Man schickte hektisch zwei Kameraleute mit Handkameras an die Seitenlinie und hielt das Spiel fest, so gut es ging. Die Coaches kommunizierten untereinander mit Walkie-Talkies, und der Center der Bears, Dave Rimington, meinte: "Ich habe in der zweiten Halbzeit keine Leute mehr gesehen, nur noch Schatten."

In der zweiten Halbzeit war geregeltes Spielen kaum noch möglich. Bears-Reservequarterback Jim McMahon, der den verletzten Tomczak ersetzte, wagte in der ganzen zweiten Hälfte nur drei Würfe (im Vergleich hatte Tomczak in der sonnigen ersten Halbzeit 20 genommen). Randall Cunningham leistete sich drei Interceptions. Der Puntreturner der Bears, Greg Garrity meinte: "Jeder Punt war wie ein Horrorfilm - man hat den Football erst im letzten Moment gesehen." Ein Abbruch kam aber nicht in Frage: Referee Jim Tunney fragte sowohl bei Bears-Coach Mike Ditka als auch Eagles-Coach Buddy Ryan, und beide wollten weiterspielen lassen. Cunningham behauptete: "Wir hätten mit allen 53 Mann auf dem Platz stehen können, keiner hätte es bemerkt." Bears-Linebacker Mike Singletary bezeichnete es als "das coolste Spiel, an dem ich je teilgenommen habe ... du konntest absolut miserabel spielen, aber dem Coach vorlügen, dass man alles im Griff habe - und er hätte keine Chance, dies aufzudecken."

In dieser bizarren Halbzeit kam keines der beiden Teams zu einem Touchdown, nur jeweils zu einem Field Goal, so dass das Spiel 20-12 endete. Cunningham hätte beinahe einen Touchdown-Wurf auf Tight End Keith Jackson vollendet, doch gelang es ihm nicht, den Ball im dichten Nebel zu fangen. Das Spiel wurde später salopp von der New York Times "das beste Spiel, was keiner gesehen hat" getauft. Nach einer Stunde verzog sich der Nebel.

Quellen

Weblinks
 NFL.com: The Fog Bowl
 Boxscore des Fog Bowl auf pro-football-reference.com

National Football League
Sport (Chicago)
American-Football-Veranstaltung 1988
American-Football-Spiel
Chicago Bears
Philadelphia Eagles

Fog Bowl


An Peristylus wheatleyi in uska species han Liliopsida nga ginhulagway ni Phillip James Cribb ngan Beverley Ann Lewis. An Peristylus wheatleyi in nahilalakip ha genus nga Peristylus, ngan familia nga Orchidaceae.

Mabibilngan ini ha Vanuatu. Waray hini subspecies nga nakalista.

Mga kasarigan

Peristylus

Peristylus wheatleyi


Siphonarioidea es un grupo taxonómico de caracoles de mar del clado Panpulmonata.

Taxonomía
Taxonomía 2005
Antes era una superfamilia del grupo informal Basommatophora dentro de Pulmonata.

Taxonomía 2010
Basommatophora (Siphonarioidea y Amphiboloidea y Hygrophila) se considera polifilético y así Jörger lo ha trasladado de Siphonarioidea a Panpulmonata.

Referencias

Enlaces externos

Panpulmonata

Siphonarioidea


زيتونة القديس أوغسطين، تقع في وسط مدينة سوق أهراس بجانب زاوية سيدي مسعود حيث أكتشفتها أولى البعثات الفرنسية الاستكشافية إلى المنطقة سنة 1843، وتقول الروايات بأن القديس أوغسطين (354-430) كان يتعبّد ويدرس تحتها.

ترميم الموقع

هذه الشجرة كانت العام 2005 محل عملية إعادة تأهيل واسعة بالتنسيق مع بلدية أوستي بإيطاليا أين دفنت والدة القديس أوغسطين، القديسة مونيكا، شملت تهيئة محيطها وإنجاز متحف صغير يضم ألواحا للقديس وعائلته ورفاقه جسدها بتقنية معمارية جذابة فريق من المختصين في المجال، حيث تعتبر منطقة سياحية هامة ويحج لها المئات من السياح كل سنة من جميع أنحاء العالم.

قالوا عن طاغاست
 نصيرة بن صديق، طاغاست، سوق أهراس، جزء من القديس أوغسطين.

المصادر الخارجية
 منظمة الأقدام السوداء فرنسية
 أبناء سوق أهراس فرنسية

المراجع

مسيحية شرقية

زيتونة القديس أوغسطين


في كأس القارات 2009 ، دور خروج المغلوب و النهائي يتبعون دور المجموعات ، بطل و وصيف كل مجموعة يتأهلون لدور خروج المغلوب لتكملة المشوار ، حيث يتباري الفائزين في النهائي و الخاسرين على المركز الثالث و الرابع .

المخطط

الأدوار النهائية

نصف النهائي

مباراة المركز الثالث

النهائي

مصادر

البرازيل في كأس القارات 2009
الولايات المتحدة في كأس القارات 2009
إسبانيا في كأس القارات 2009
كأس القارات 2009
كرة القدم الجنوب إفريقية في 2008-09

مرحلة خروج المغلوب في كأس القارات 2009


An Lipocarpha filiformis in uska species han Liliopsida nga syahan ginhulagway ni Vahl, ngan ginhatag han pagkayana nga asya nga ngaran ni Carl Sigismund Kunth. An Lipocarpha filiformis in nahilalakip ha genus nga Lipocarpha, ngan familia nga Cyperaceae. Ginklasipika han IUCN an species komo diri gud kababarak-an. Waray hini subspecies nga nakalista.

Mga kasarigan

Lipocarpha

Lipocarpha filiformis


The  is one of the most famous schools of Japanese painting.  The Kanō school of painting was the dominant style of painting from the late 15th century until the Meiji period which began in 1868, by which time the school had divided into many different branches.  The Kanō family itself produced a string of major artists over several generations, to which large numbers of unrelated artists trained in workshops of the school can be added.  Some artists married into the family and changed their names, and others were adopted.  According to the historian of Japanese art Robert Treat Paine, "another family which in direct blood line produced so many men of genius ... would be hard to find".

The school began by reflecting a renewed influence from Chinese painting, but developed a brightly coloured and firmly outlined style for large panels decorating the castles of the nobility which reflected distinctively Japanese traditions, while continuing to produce monochrome brush paintings in Chinese styles.  It was supported by the shogunate, effectively representing an official style of art, which "in the 18th century almost monopolized the teaching of painting".  It drew on the Chinese tradition of literati painting by scholar-bureaucrats, but the Kanō painters were firmly professional artists, very generously paid if successful, who received a formal workshop training in the family workshop, in a similar way to European painters of the Renaissance or Baroque.  They worked mainly for the nobility, shōguns and emperors, covering a wide range of styles, subjects and formats.  Initially innovative, and largely responsible for the new types of painting of the Azuchi–Momoyama period (1573–1614), from the 17th century the artists of the school became increasingly conservative and academic in their approach.

Early period

The school was founded by the very long-lived Kanō Masanobu (1434–1530), who was the son of Kagenobu, a samurai and amateur painter.   Masanobu was a contemporary of Sesshū (1420–1506), a leader of the revival of Chinese influence, who had actually visited China in mid-career, in around 1467. Sesshū may have been a student of Shūbun, recorded from about 1414 (as an apprentice) and 1465, another key figure in the revival of Chinese idealist traditions in Japanese painting.  Masanobu began his career in Shūbun's style, and works are recorded between 1463 and 1493.  He was appointed court artist to the Muromachi government, and his works evidently included landscape ink wash paintings in a Chinese style, as well as figure paintings and birds and flowers.  Few works certainly from his hand survive; they include a large screen with a crane in a snowy landscape in the Shinju-an, a sub-temple of Daitoku-ji.  Masanobu's Chinese-style Zhou Maoshu Appreciating Lotuses in the Kyushu National Museum (illustrated left) is a National Treasure of Japan.

Masanobu trained his sons Kanō Motonobu (1476–1559) and the younger Yukinobu (or Utanosuke).  Motonobu is usually credited with establishing the school's distinctive technique and style, or rather different styles, which brought a firmer line and stronger outlines to paintings using Chinese conventions.  Less interest was taken in subtle effects of atmospheric recession that in the Chinese models, and elements in the composition tend to be placed at the front of the picture space, often achieving decorative effects in a distinctively Japanese way.  Motonobu married the daughter of Tosa Mitsunobu, the head of the Tosa school, which continued the classic Japanese yamato-e style of largely narrative and religious subjects, and Kanō paintings subsequently also included more traditional Japanese subjects typical of that school.

Castle decoration

The school was instrumental in developing new forms of painting for decorating the new styles of castles of the new families of daimyōs (feudal lords) that emerged in the struggles of the Azuchi–Momoyama period of civil war that ended with the establishment of the Tokugawa shogunate in 1603.  The new lords had risen to power by military skill, and mostly lacked immersion in the sophisticated traditions of Japanese culture long cultivated in Buddhist monasteries and the Imperial court.  Bold and vigorous styles using bright colour on a gold ground (background in gold leaf or paint) appealed to the taste of these patrons, and were applied to large folding screens (byōbu) and sets of sliding doors (fusuma).  In the grandest rooms most of the walls were painted, although interrupted by wooden beams, with some designs continuing regardless of these.  Very many examples in castles have been lost to fires, whether accidental or caused in war, but others were painted for monasteries, or given to them from castles, which if they survived World War II bombing have had a better chance of survival.

Common subjects were landscapes, often as a background for animals and dragons, or birds, trees or flowers, or compositions with a few large figures, but crowded panoramic scenes from a high viewpoint were also painted.  The animals and plants shown often had moral or perhaps political significance that is not always obvious today; the Chinese-style ink wash scroll by Kanō Eitoku of Chao Fu and his Ox, illustrated in the gallery below, illustrates a Chinese legend and contains a "Confucian moral [which] points to the dangers inherent in political position", a very topical message for Japan in the period following the disruptive civil wars caused by naked political ambition.

Some of the most famous examples of castle decoration can be found at the Nijō Castle in Kyoto.  In 1588 the warlord Toyotomi Hideyoshi is said to have assembled a walkway between 100 painted screens as the approach to a flower party.  That, unlike scrolls, sliding doors were by convention not signed, and screens only rarely, considerably complicates the business of attributing works to painters who were able to paint in several styles. At the same time the school continued to paint monochrome ink-on-silk landscapes for hanging scrolls in the Chinese tradition, as well as other types of subjects such as portraits. The types of scrolls were both vertical for hanging, with a backing usually of thick woven silk, the traditional Chinese format which became the most common in Japan in this period (kakemono in Japanese), and in the long horizontal handscroll (emakimono) format as used for books.  Many screens and doors were also painted in monochrome, especially for monasteries, and scrolls were also painted in full colour. Kanō ink painters composed very flat pictures but they balanced impeccably detailed realistic depictions of animals and other subjects in the foreground with abstract, often entirely blank, clouds and other background elements. The use of negative space to indicate distance, and to imply mist, clouds, sky or sea is drawn from traditional Chinese modes and is used beautifully by the Kanō artists. Bold brush strokes and thus bold images are obtained in what is often a very subtle and soft medium. These expertly painted monochrome ink paintings contrast with the almost gaudy but no less beautiful gold-on-paper forms these artists created for walls and screens.

Cypress screen by Eitoku

This eight panel screen attributed to Eitoku, around 1590, shows the vigour of the new Momoyama castle style, which he is probably mainly responsible for developing.  It is a National Treasure of Japan in the Tokyo National Museum, and described by Paine as "typical for hurried sweep of composition, for pure nature design, and for strength of individual brush stroke. ... Golden cloud-like areas representing mist are placed arbitrarily in the background, and emphasize the decorative magnitude of what is otherwise the powerful drawing of giant tree forms".

The screen is unusually large and there are noticeable discontinuities in the composition at the breaks between (counting from the left) panels 2 and 3, 4 and 5, 6 and 7.  These reflect the original format as a set of four sliding doors, which can be deduced from this and the covered-over recesses for the door-pulls.  The discontinuities would be much less obvious when the screen was standing in a zig-zag pattern, as would normally have been the case.  The screen uses the "floating-cloud" convention of much older Yamato-e Japanese art, where areas the artist chooses not to represent are hidden beneath solid colour (here gold) representing mist.  Designs of this type, dominated by a single massive tree, became a common composition in the school, and this one can be compared to the similar screen of a plum tree by Sanretsu from a few decades later (illustrated below), which shows a more restrained version of the first bold Momoyama style.

Height of influence and decline

Kanō Eitoku (1543–1590), a grandson of Motonobu and probably his pupil, was the most important painter of this generation, and is believed to have been the first to use a gold-leaf background in large paintings.  He appears to have been the main figure in developing the new castle style, but while his importance is fairly clear  there are few if any certain attributions to him, especially to his hand alone; in the larger works attributed to him he probably worked together with one of more other artists of the school.  Despite having two painter sons, at the suggestion (if not the order) of Toyotomi Hideyoshi, Eitoku adopted Kanō Sanraku (1561–1635), who married his daughter and succeeded him as head of the school.  Sanraku's works (two illustrated here) at their best combine the forceful quality of Momoyama work with the tranquil depiction of nature and more refined use of colour typical of the Edo period.  When Sanraku had no son he married Kanō Sansetsu (1589–1651) to his daughter and adopted him.  Sansetsu and his school remained in Kyoto when most Kanō artists moved to Edo (often after a summons from the shōgun), and he continued to adhere to the brightly coloured style of the Momoyama period.  His son Einō painted in the same style, but is better known for a biographical history of Japanese painting, which gave the Kanō school pride of place.

The range of forms, styles and subjects that were established in the early 17th century continued to be developed and refined without major innovation for the next two centuries, and although the Kanō school was the most successful in Japan, the distinctions between the work of it and other schools tended to diminish, as all the schools worked in a range of styles and formats, making the attribution of unsigned works often unclear.  The Kanō school split into different branches in Kyoto and the new capital of Edo, which had three for much of this period: the Kajibashi, Nakabashi and Kobikicho, named after their locations in Edo.

The last of the "three famous brushes" of the school, with Motonobu and Eitoku, was Kanō Tan'yū (originally named Morinobu, 1602–1674), who was recognised as an outstanding talent as a child, attending an audience with the shōgun at the age of 10, and receiving a good official appointment in 1617. He was Eitoku's grandson through his second son Kanō Takanobu (1572–1618), also a significant painter; Tan'yū's brother Yasunobu was adopted into the main line of the family. Tan'yū headed the Kajibashi branch of the school in Edo and painted in many castles and the Imperial palace, in a less bold but extremely elegant style, which however tended to become stiff and academic in the hands of less-talented imitators.  The best Kanō artists continued to work mostly for the nobility, with increasingly stultified versions of the style and subject-matter already established, but other Kanō-trained artists worked for the new urban merchant class, and in due course moved into the new form of the ukiyo-e print. Hiroshige is among the ukiyo-e artists whose work shows influence from the Kanō school.  Despite the loss of official patronage with the Meiji period, artists continued to work in the Kanō style until the early 20th century.  Kanō Shōsen'in, who died in 1880, was a descendant of the main line of the family.  One late follower of the school was Kanō Kazunobu (1816–1853), who adopted the name as a sign of his respect, and painted a series of large scrolls of the 500 Arhats which has recently received a revival of attention after being hidden away since World War II.

National Treasures

A number of paintings by the schools that are still in Japan are included in the official List of National Treasures of Japan (paintings). From the 15th century Azuchi–Momoyama period come the Chinese-style hanging scroll Zhou Maoshu Appreciating Lotuses by Kanō Masanobu (illustrated above), and a six-section screen by Kanō Hideyori of Maple Viewers, an early Kanō example of Yamato-e subject matter. From the Momoyama period there is a set of room decorations on walls, doors and screens by Kanō Eitoku and his father Shōei, in the Jukō-in (abbot's lodging) at the Daitoku-ji monastery in Kyoto; this includes the doors with Birds and flowers of the four seasons illustrated here. Also by Eitoku is the screen with a Cypress tree in the Tokyo National Museum, discussed and illustrated above, and a pair of six panel screens showing crowded panoramic views of Scenes in and around the capital in a museum in Yonezawa, Yamagata. By Kanō Naganobu there is a pair of screens (less two sections lost in an earthquake in 1923) showing relatively large figures Merry-making under aronia blossoms, also in the Tokyo National Museum.  Other artists with works on the list, for example Hasegawa Tōhaku (16th century) and Maruyama Ōkyo (19th century), were trained by the school or otherwise influenced by it.  Many other works by the school have received the lower designation of Important Cultural Properties of Japan.

Artists
The following list is an incomplete group of major figures of their day, mostly from the Kanō family itself; there were many other artists named Kanō who retained links with the various family workshops, and still more who trained in one of these before continuing their careers independently:

 Kanō Masanobu (1434–1530): founder of the Kanō school
 Kanō Motonobu (1476–1559): son of Masanobu
 Kanō Soshu (1551–1601)
 Kanō Eitoku (1543–1590)
 Kanō Hideyori (d. 1557)
 Kanō Dōmi (1568–1600)
 Kanō Mitsunobu (d. 1608)
 Kanō Sanraku (1559–1635)
 Kanō Naizen (1570–1616)
 Kanō Sansetsu (1589–1651): the leader of the  school, an offshoot of the Kanō school, based in Kyoto
 Kanō Tan'yū (1602–1674)
 Kanō Naonobu (1607–1650)
 Kanō Yasunobu (1643–1682)
 Kanō Einō (1631–1697)
 Kanō Tsunenobu (1636–1713)
 Kiyohara Yukinobu (1643–1682), niece of Kanō Tan'yū
 Kanō Tanshin (1653–1718)
 Kanō Chikanobu *Kanō-ryu* (1660–1728)
 Kanō Michinobu (1730–1790)
 Kanō Shōsen'in (1823–1880)
 Kanō Hōgai (1828–1888)
 Hashimoto Gahō (1835–1908)

The Kanō family
The Kanō family of painters was founded by Kanō Masanobu (1434–1530). Through his father, Kanō Kagenobu, Masanobu is said to be a descendant of Kanō Muneshige, a samurai of the Kamakura period of the Kanō clan. Through this lineage, the Kanō family would descend from the Fujiwara clan through the Kudō clan.

The following list is of biological members of the Kanō family and its branches.

From Masanobu until Tan'yū

Kanō Masanobu (1434–1530)
 Kanō Motonobu (1476–1559): son of Masanobu
Kanō Shōei (1519–1592): son of Motonobu
Kanō Munenobu: son of Motonobu
Kanō Hideyori: son of Motonobu
Kanō Eitoku (1543–1590): son of Shōei
Kanō Sōshū: son of Shōei
Kanō Naganobu (1577–1654): son of Shōei
Kanō Naizen (1570–1616): son of Shōei
Kanō Jinnojō: son of Sōshū
Kanō Mitsunobu (1565–1608): son of Eitoku
Kanō Takanobu (1571–1618): son of Eitoku
Kaihō Yūshō (1533–1615): son of Eitoku
Kanō Sanraku (1559–1635): son of Eitoku
Kanō Sadanobu (1597–1623): son of Mitsunobu
Kanō Kōkei: son of Mitsunobu
Kanō Tan'yū (1602–1674): son of Takanobu
Kanō Naonobu (1607–1650): son of Takanobu
Kanō Yasunobu (1614–1685): son of Takanobu

The Kobikicho House (Naonobu's side)

 Kanō Naonobu (1607–1650)

The Nakabashi House (Hideyori's side)

 Kanō Hideyori

Gallery

See also

Several Kanō school artworks are deemed National Treasures of Japan, further reading on these specific pieces can be found at List of National Treasures of Japan (paintings).

Notes

References
"Masters of Mercy", Smithsonian, Sackler Gallery. Online exhibition Masters of Mercy
Paine, Robert Treat, in: Paine, R. T. & Soper A, The Art and Architecture of Japan, Pelican History of Art, 3rd ed 1981, Penguin (now Yale History of Art),
Watson, William, The Great Japan Exhibition: Art of the Edo Period 1600–1868, 1981, Royal Academy of Arts/Weidenfeld & Nicolson

External links

 Department of Asian Art. "The Kano School of Painting". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2003
JANNUS / Kanouha
Momoyama, Japanese Art in the Age of Grandeur, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on the Kanō school
Bridge of dreams: the Mary Griggs Burke collection of Japanese art, a catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on this school (see index)

Schools of Japanese art

Kanō school


Gmunden es un distrito del estado de Alta Austria (Austria).

División administrativa

Localidades con población (año 2018)

El distrito de Gmunden se divide en 20 municipios de los cuales tres son ciudades y siete son ciudades-mercado.

Ciudades
Bad Ischl
Gmunden
Laakirchen

Ciudades-mercado
Altmünster
Bad Goisern
Ebensee
Hallstatt
Sankt Wolfgang im Salzkammergut
Scharnstein
Vorchdorf

Municipios
Gosau
Grünau im Almtal
Gschwandt
Kirchham
Obertraun
Ohlsdorf
Pinsdorf
Roitham
Sankt Konrad
Traunkirchen

Enlaces externos

Distritos de Alta Austria

Distrito de Gmunden


Radarul P-18 (în limba rusă "Tepek", index GRAU - 1RL131, după clasificarea NATO "Spoon Rest D") este o stație de radiolocație produsă în fosta URSS din anul 1971, mobilă, de observare circulară, pentru determinarea a două coordonate, care lucrează în gama de unde metrice. Radarul a fost și în înzestrarea țărilor fostului Tratat de la Varșovia, inclusiv în Armata României. În prezent este în exploatare.

Scurt istoric
Prototipul radarului P-18 l-a constituit radarul P-12NA, care a fost varianta modernizată a radarului de descoperire îndepărtată a avioanelor, P-12 "Enisei". Radarul P-18 a fost realizat pe baza radarului P-12MP, pe calea translatării aparaturii pe noua bază de elemente (două camioane tot-teren de tip Ural). În același timp a fost prevăzută conjugarea radarului cu sistemul de recunoaștere prin radiolocație a apartenenței de stat a mijloacelor aeriene, apărut la aceea vreme, care lucrează în sistemul "Kremnîi-2M", aparatura "Parola". După trecerea cu succes a testelor din teren, noul radar P-18, în anul 1971, a fost introdus în înzestrarea Armatei Sovietice. În Rusia ultima livrare de radare P-18 a fost realizată în anul 2007. În prezent Rusia produce radare în gama de unde metrice încadrate în familia "Nebo".

Destinație
Radarul P-18 este destinat pentru observarea permanentă a spațiului aerian, urmărirea mijloacelor aeriene, inclusiv a celor realizate cu tehnologia "Stealth", în limitele zonei de cercetare, determinarea apartenenței de stat și transmiterea coordonatelor (distanță, azimut) beneficiarilor de informații despre situația aeriană.

Scurtă prezentare
 Spre deosebire de radarele P-12, radarul P-18 asigură transmiterea cu mai mare precizie a indicării țintelor mijloacelor terestre de nimicire a mijloacelor aeriene (tunuri și rachete antiaeriene) și, de asemenea, dirijarea aviației de vânătoare la avioanele inamice. În afară de aceasta radarul are posibilități mărite de protecție la bruiajul radioelectronic. Radarul a avut în complet interogatorul terestru NRZ-12. În anul 1979 în completul radarului a fost introdus noul interogator "Parola" dispus pe șasiul unui automobil. Toată aparatura radarului este dispusă, în cabine, pe șasiul a două automobile (de tip Ural), într-o cabină este dispusă aparatura radioelectronică cu locurile de muncă ale operatorilor, în a doua cabină instalația de antenă. Pentru alimentarea autonomă a radarului cu energie electrică se folosesc două agregate diesel-electrice (de tip AD-10), de bază și de rezervă, dispuse în a doua mașină. Radarul mai are un indicator portativ de observare circulară care se poate instala într-un punct de comandă la o distanță de până la 500 de metri, cu posibilitatea de control total al radarului.
 Emițătorul este format dintr-o cavitate rezonatoare coaxială cu lungimea de aproximativ 2 metri cu un tub triodă cu vid de tip GI - 19B și alimentează un grup de antene tip Yagi cu 16 antene de bandă largă. Comutatorul de antenă emisie-recepție este format din tub tiratron (cu descărcare luminiscentă într-un tub electronic umplut cu gaz) și diode pin. Un sistem mecanic poate schimba lungimea liniară a acestei cavități rezonatoare coaxiale pe patru frecvențe de lucru pregătite și mai ales reglate. Controlul automat al frecvenței urmărește mai constant frecvența receptorului. Datând de la un radar mai vechi (P-12), și construit cu tuburi cu vid, receptorul are un preamplificator tranzistorizat sensibil. Sistemul de selecție a țintelor mobile (SȚM), lucrează cu două potențialoscoape ca un bloc de memorie. Acest sistem de compensare a vitezei vântului poate fi folosit cu succes și împotriva norilor de bruiaj pasiv de înșelare provocați cu benzi reflectoare de staniol. Aceste tuburi de memorie (potențialoscoapele) sunt utilizate împotriva bruiajului asincron în canalul de amplitudine. Sistemul de operare oferă un control complet de la distanță prin retehnologizarea cu tranzistoare cu efect de câmp ca întrerupătoare rapide. Cu excepția vechiului sistem SȚM și a tuburilor catodice indicatoare de mari dimensiuni celelalte căi de semnal sunt tranzistorizate. Controlul antenei este un sistem de servo-urmărire cu diverse porturi de intrare, de control și poate lucra cu alte stații radar, prin urmare, sincron. Aceste stații radar, pot trimite semnalul video  pe ecranul radarului P-18 sau se poate combina semnalul de la cele două stații.
 Față de alte frecvențe radar banda de frecvență VHF are avantajul că nu există rachete antiradar pentru această frecvență. O antenă cu lățimea fasciculului necesară pentru această frecvență ar avea  mărimea geometrică foarte mare, această antenă nu este transportabilă cu racheta aer-sol. La aceste frecvențe, la suprafața pământului, în plus, difracția  undelor electromagnetice are o importanță mai mare decât la alte frecvențe. P-18 "arată" cu aproximativ 5 până la 10% mai mult "după colț", decât alte unități radar de frecvență mai mare, cu mult mai performante. Radarul poate lucra pe orice vreme, în condițiile schimbării temperaturii mediului înconjurător de la -50 grade la +50 grade Celsius și o viteză a vântului de până la 30 metri pe secundă.

Date tehnico-tactice
 frecvența de lucru: 150 – 170 MHz;
 frecvența de repetiție a impulsurilor: 360 Hz;
 durata impulsului de sondaj: 6 microsecunde;
 puterea în impuls: 260 kw;
 puterea medie: 540 W;
 lățimea diagramei de directivitate: 6 grade;
 viteza de rotire a antenei: de la 2 la 10 ture/minut;
 unghiul de înălțare al diagramei de directivitate: 5 și 15 grade, sistemul de antenă se poate înclina mecanic.
 distanța de descoperire pentru un avion MIG-21 (în condiții de bruiaj):
 la înălțimea de 500 m - până la 60 (40) km;
 la înălțimea de 10.000 m - până la 180 (90) km;
 la înălțimea de 20.000 - 27.000 m - până la 260 (170) km;
 descoperirea țintelor pe fondul bruiajului activ de zgomot: nu se asigură;
 numărul de ținte însoțite: 10;
 intervalul de împrospătare a datelor: de la 10 la 30 de secunde;
 precizia de determinare a coordonatelor:
 în distanță: 1.800 m (1.400 m după modernizare);
 în azimut: 6 grade (47 minute după modernizare);
 coeficientul de suprimare a bruiajului:
 bruiajul activ de zgomot: - 0 (zero);
 bruiajul pasiv: 20 dB;
 timpul de desfășurare: 45 minute (90 minute după modernizare);
 puterea consumată: 10 kW;
 echipaj: 7 persoane (4 după modernizare);
 timpul mediu între două defecțiuni: 140 ore.
Modernizare:
Între anii 2005 și 2013 a fost elaborat și realizat radarul P-18-2 modernizat, în care se folosește prelucrarea digitală a informației.
 distanța de descoperire pentru un avion MIG-21 în condițiile unui bruiaj activ de zgomot cu densitatea de 200 W/MHz:
 la înălțimea de 3.000 m - până la 84 km;
 la înălțimea de 10.000 m - până la 150 km;
 la înălțimea de 20.000 - 27.000 m - până la 162 km;
 numărul de ținte însoțite: 120;
 intervalul de împrospătare a datelor: 10 secunde;
 precizia de determinare a coordonatelor:
 în distanță: 250 m;
 coeficientul de suprimare a bruiajului:
 bruiajul activ de zgomot: - 23 dB;
 bruiajul pasiv: 26 dB;
 puterea consumată: 10 kW;
 timpul mediu între două defecțiuni: 800 ore.

Legături externe
Radarul P-18

 Echipament militar
 Radar

P-18 (radar)


بلدية كانجايار , هي بلدية تقع في مقاطعة المرية. جنوب شرق إسبانيا. يبلغ عدد سكانها 1.573 نسمة.

وصلات خارجية
  (بالإسبانية)

مراجع

أماكن مأهولة في المرية
بلديات المرية

كانجايار


Henry Bryant (12 de mayo de 1820 – 2 de febrero de 1867) fue un médico y naturalista estadounidense, abuelo del oceanógrafo y biólogo marino Henry Bryant Bigelow. Nació en Boston y se graduó en 1843 de la Escuela Médica de Harvard. En 1847, problemas de salud lo obligaron a dejar la medicina y se avocó entonces a la historia natural, particularmente a la ornitología. Fue miembro del Megatherium Club, un grupo de jóvenes naturalistas en el seno del recientemente fundado Instituto Smithsoniano. Recolectó aves de Florida, las Bahamas, Ontario, Labrador, Carolina del Norte, Cuba, Jamaica y Puerto Rico.

Bryant sirvió como cirujano en el 20.º Regimiento de Voluntarios de Massachusetts durante la Guerra Civil Estadounidense y resultó herido en la Segunda batalla de Bull Run. Abandonó su empresa antes de la finalización de la guerra debido a problemas de salud y viajó a Europa. Compró la colección de aves de Francia de Frédéric de Lafresnaye y la donó a la Sociedad de Historia Natural de Boston. Falleció en Puerto Rico.

Véase también
Taxones descritos por Henry Bryant

Referencias

Bibliografía
 Mearns, Barbara; Mearns, Richard. The Bird Collectors. ISBN 0-12-487440-1

Nacidos en Boston
Ornitólogos de Estados Unidos del siglo XIX
Alumnado de la Universidad de Harvard

Henry Bryant


İlk Üç Dakika (), kuramsal fizikçi Steven Weinberg'in ilk basımı 1977 yılında yapılam kitabıdır. Güncelleştirilmiş ve geliştirilmiş baskısı 1993 yılında yapıldı. Türkçedeki ilk çevirisi 1995'de yayımlandı. Kitap, büyük patlama evrenbilimi, kozmik mikrodalga arka plan ışınımı ve evrenin oluşumunun ilk üç dakikasını anlatır.

Astronomi kitapları
İngilizce kitaplar
Amerikan kitapları
1977 kitapları
Kozmoloji kitapları
Fizik kitapları

İlk Üç Dakika


John G. Brennan (12 de enero de 1961 en Nueva York, Estados Unidos) es un actor y guionista estadounidense conocido por ser uno de los miembros del dúo The Jerky Boys que acostumbraba a hacer bromas telefónicas junto a Kamal Ahmed desde 1989 hasta 2001 volviendo de nuevo en 2006.

En 1995 escribió y protagonizó junto con su compañero una adaptación cinematográfica (aunque en realidad, se realizó en 1993). En 1997 Brennan realizó un cameo en el videoclip Honey de Mariah Carey. Actualmente es más conocido por prestar su voz a varios personajes de Padre de familia, entre los que se encuentra Mort Goldman, basado en el personaje de The Jerky Boys: Sol Rosenberg, y Horace, el camarero de la Almeja Borracha.

En 2007, lanza un álbum de estudio bajo la marca de Jerky Boys titulado: Sol's Rusty Trombone siendo el primero desde 2001. En abril del mismo año, retomó su papel de Franck Rizzo en la webserie animada Clock Suckers.

En 2010, publicó dos aplicaciones para Apple iPhone y iPod Touch llamadas The Jerky Boys Prank Caller y The Jerky Boys Pinball desarrolladas por Inner Four.

Filmografía
 Space Ghost Coast to Coast (1994)
 The Jerky Boys: The Movie (1995)
 Big Money Hustlas 2000
 Stewie Griffin: La historia jamás contada (2005)
 Mind of Its Own (2010)
 Spring Break '83 (2011)
 Padre de familia (2000-presente)

Véase también
 The Jerky Boys
 Mort Goldman
 Broma telefónica

Enlaces externos

Actores de Estados Unidos
Actores de voz de Estados Unidos
Reparto de Padre de familia
Humoristas de Estados Unidos
Guionistas de Estados Unidos

John G. Brennan


Cambridge, Amerika Birleşik Devletleri'nin Massachusetts eyaletinde bulunan ve Boston kentinin komşusu olan bir kenttir. Özellikle MIT ve Harvard Üniversitelerini barındırmasıyla tanınır.

Cambridge'den manzaralar

Kaynakça

Dış bağlantılar

Cambridge, Massachusetts


Meana Sardo (sardisk: Meàna) er en by og en kommune (comune) i provinsen Nuoro i regionen Sardinien i Italien. Byen ligger i 588 meters højde og har 1.813 indbyggere (2016). Kommunen har et areal på 73,8 km² og grænser til kommunerne Aritzo, Atzara, Belvì, Laconi og Samugheo.

Referencer

Henvisninger

Kommuner i provinsen Nuoro

Meana Sardo


Annemarie Schwarzenbach (født 23. maj 1908 i Zürich, død 15. november 1942 i Engadin) var en schweizisk forfatter, journalist og fotograf.

Biografi
Schwarzenbach voksede op i en af datidens rigeste familier i Schweiz. Hun studerede i Zürich og Paris og skrev sin doktorafhandling som 23-årig i 1931. Hun havde allerede da skrevet sin første bog og var venner med Klaus og Erika Mann, der var børn af forfatteren Thomas Mann.

Schwarzenbach arbejdede en tid som journalist i Berlin men gav sig år 1933 ud på en rejse mod Pyrenæerne med fotografen Marianne Breslauer. På rejsen besøgte hun blandt andet Beirut, Jerusalem, Bagdad, Baku og Teheran. I Teheran mødte hun den franske diplomat Claude Clarac, som hun senere blev gift med. Alt var godt, hun fik fransk statsborgerskab og diplomatpas. Men hendes affære med den tyrkiske ambassadørs datter i Teheran forårsagede en skandale.

To af hendes bøger blev udgivet i Schweiz i 1937 efter at Schwarzenbach var rejst til USA. Hun tog senere til Østeuropa hvor hun fotograferede. Hendes fotografier portrætterer Europa under fascismens stigende indflydelse.

Under sin tid i Berlin havde Schwarzenbach for første gang anvendt morfin, og stofafhængighed kom til at plage hende resten af livet. Efter at være vendt tilbage til Europa, og under den følgende rejse til Afghanistan, som var tænkt som en afvænningsrejse, blev hendes afhængighed i stedet forværret. Hun forlod sin rejsekammerat i Kabul efter konflikter og rejste derefter endnu en gang til USA hvor hun blev ramt af en depression på grund af en ulykkelig kærlighedshistorie. Den psykiatriske klinik, hvor hun var indlagt, udskrev hende på en betingelse: at hun forlod landet.

Schwarzenbach døde i november 1942, kort efter en cykelulykke i nærheden af Silssøen i Schweiz.

Selektiv bibliografi
Ingen af Schwarzenbachs værker er oversat til dansk (endnu).
 Freunde um Bernhard. Roman. Amalthea-Verlag, Wien 1933
 Lyrische Novelle. Rowohlt Verlag, Berlin 1933
 Winter in Vorderasien. Tagebuch einer Reise. Rascher, Zürich 1934
 Lorenz Saladin. Ein Leben für die Berge. Hallwag, Bern/Stuttgart 1938
 Das glückliche Tal, Morgarten, Zürich 1940
 Bei diesem Regen. Lenos, 1989.
 Jenseits von New York. Lenos, 1992
 Tod in Persien. Lenos, 2003.
 Auf der Schattenseite. Lenos, 1995
 Flucht nach oben. Lenos, 1999
 Alle Wege sind offen. Lenos, 2000.
 Winter in Vorderasien. Lenos, 2002.
 Insel Europa. Lenos, 2005
 Kongo-Ufer / Aus Tetouan. Erstdruck aus dem Nachlass, esperluète editions, 2005
 Georg Trakl. In: Mitteilungen aus dem Brenner-Archiv 23/2004, S. 47-81
 Pariser Novelle. In: Jahrbuch zur Kultur und Literatur der Weimarer Republik 8, 2003, S. 11-35.
 Unsterbliches Blau. Gemeinsam mit Ella K. Maillart und Nicolas Bouvier, Neuauflage bei Scheidegger & Spiess, 2003
 Wir werden es schon zuwege bringen, das Leben. Briefe von A. Schwarzenbach an Klaus und Erika Mann. Centaurus-Verlag, 1992
 Eine Frau zu sehen,, Kein & Aber, Zürich 2008
 Vor Weihnachten. [1933]. In: Wolfgang Klein u.a. (Hrsg.): Dazwischen. Reisen – Metropolen – Avantgarden. Aisthesis, Bielefeld 2009, S. 69–79. .
 Orientreisen. Reportagen aus der Fremde. Edition Ebersbach, Berlin 2010; 2. Auflage 2011. .
 Das Wunder des Baums. Roman. Aus dem Nachlass herausgegeben und mit einem Nachwort von Sofie Decock, Walter Fähnders und Uta Schaffers. Chronos, Zürich 2011, .
 Afrikanische Schriften. Reportagen – Lyrik – Autobiographisches. Mit dem Erstdruck von «Marc». Hrsg. von Sofie Decock, Walter Fähnders und Uta Schaffers. Chronos, Zürich 2012, .

Eksterne henvisninger

 Literary estate of Annemarie Schwarzenbachin the archive database HelveticArchives of the Swiss National Library
 Publications by and about Annemarie Schwarzenbach in the catalogue Helveticat of the Swiss National Library

 Barbara Lorey de Lacharrière. "Annemarie Schwarzenbach: A Life" from the Swiss Institute
 Der Engel Zum 100. Geburtstag von Annemarie Schwarzenbach
 Marianne Breslauer: Annemarie Schwarzenbach. Photo of Annemarie Schwarzenbach 1931
 Photos by Marianne Breslauer of Annemarie Schwarzenbach (søg på Annemarie Schwarzenbach)
 Annemarie Schwarzenbach

Forfattere fra Schweiz
Journalister fra Schweiz
Personer fra Zürich

Annemarie Schwarzenbach


Roche (roş okunur) Fransızca kaya anlamında kelime. Yer, kişi ve şirket ismi olarak sıklıkla kullanılır.

 Roche (ilaç firması), İsviçre kökenli çokuluslu ilaç firması
 Roche, Cornwall, Cornwall, İngiltere'de köy
 La Roche-sur-Yon, Vendée département
 Roche limiti, uzay mekaniğinde bir kavram
 Roche (hayvan), Ochyroceratidae familyasına bağlı bir örümcek cinsi

Roche


Türkmenler, Kahramanmaraş ilinin Ekinözü ilçesine bağlı bir köydür.

Tarihçe

Coğrafya
Kahramanmaraş iline 190 km, Ekinözü ilçesine 26 km uzaklıktadır.

Kaynakça

Ekinözü'nün mahalleleri

Türkmenler, Ekinözü


Eratinó, en , appelé Embelí Machalesí et Eretlí Machalé () jusqu'en 1926, est un village du dème de Néstos dans le district régional de Macédoine-Orientale-et-Thrace en Grèce.

Selon le recensement de 2011, la population du village compte .

Notes et références

Voir aussi

Liens externes

Village en Macédoine-Orientale-et-Thrace
Géographie de Kavála (district régional)

Eratinó


كلية سانت جونز هي إحدى كليات جامعة كامبريدج الواحدة والثلاثون. تم تأسيسها عام 1511م من قبل مارغريت بوفورت والدة هنري السابع ملك إنجلترا. تعد الكلية ثاني أهم كليات جامعة كامبريدج ودرس فيها تسعة أشخاص حازوا على جائزة نوبل و ستة أشخاص شغلوا منصب رئيس الوزراء.

درس بها الفزيائى الهندي فيكرام سرابهاي والفيزيائي الباكستاني محمد عبد السلام، وكذلك وليام غريغور.

مراجع

تأسيسات سنة 1511 في إنجلترا
كليات جامعة كامبريج
هيئات تعليمية أسست في عقد 1510

كلية سانت جونز (كامبريدج)


Greenspun (Anglicized from ) is a surname. Notable people with the surname include:

 Hank Greenspun (1909–1989), American newspaper publisher, and founder of the Greenspun Corporation
 Philip Greenspun (born 1963), American computer scientist and entrepreneur
 Roger Greenspun, American journalist and film critic

See also
Greenspan
Greenspoon
Greenspun Media Group
Greenspun's Tenth Rule
The Greenspun Corporation
Grinspun
Grünspan

Surnames of Jewish origin
Yiddish-language surnames

Greenspun


Ratna fotografija obuhvaća sve vidove fotografije odnosno fotografske umjetnosti koji sadržajno pokrivaju rat, njegove sudionike, ratna razaranja, zločine, ali i prikaze ratne svakodnevnice, kao i fotografije proturatne poruke. Sadržajno, ali i načinski, može se podijeliti na medicinsku, dokumentarističku/izvjestiteljsku, povijesnu, političku i društvenu ratnu fotografiju te na proturatnu fotografiju. Unatoč različitim razinama korisnosti (funkcionalnosti), ratna fotografija posjeduje svojstveni stupanj umjetničkoga izričaja i sva potrebna obilježja umjetnine. Iako je njezino nadahnuće pitanje puke potrebe, dokumentaristička pobuda ne umanjuje njezinu umjetničku vrijednosti.

Literatura
 Marušić, Matko i Marušić, Ana: Ratna fotografija u medicini, Medijska istraživanja, sv. 10, br. 2 (2004.), str. 107-116.
 Viculin, Marina: Tko sam ja koji gledam? Fotografija devedesetih u Hrvatskoj, Život umjetnosti, sv. 90, br. 1 (2012.), str. 22-35.

Ratovi
Fotografija

Ratna fotografija


, also known as , is a Japanese inventor. He regularly appears on Japanese talk shows demonstrating his inventions.

Creative process
In interviews, Nakamatsu has described his "creativity process", which includes listening to music and concludes with diving underwater, where he says he comes up with his best ideas. He then records them while underwater. Nakamatsu claims to benefit from lack of oxygen to the brain during his dives, making inventions "0.05 seconds before death." He also claims that his "Calm Room," a bathroom constructed without nails and tiled in 24-karat gold, encourages creative thinking by blocking television and radio waves. He also has an elevator in his house that he claims helps him think better, although he strictly denies that it is an elevator and describes it as a "vertical moving room". He predicts that he will live until the age of 144.

Inventions

Nakamatsu is a prolific inventor, and he even claims to hold the world record for number of more than 3,200 inventions.  While his claim to a "world record" has been described as a record for patents by several media articles, several other sources do not list Nakamatsu among the world's most prolific inventors (he has 6 patent families).

Among Nakamatsu's early inventions is the Shoyu Churu Churu, a siphon pump used in the home to move soy sauce from large containers to smaller vessels for cooking and serving.  His patented inventions include:
Juusyoku Record (or "Jūshoku Record") (重色レコード, stacked color record / dual color record) - An optical sound media which uses printed paper sheet instead of transparent film (1952)
 "Magnetic record sheet" - "a method for forming signal record track comprising a number of spiral signal track loops ..." (1964)
 "Enerex" - System for generating hydrogen and oxygen
 "PyonPyon" - Jumping shoes with leaf springs on their soles
 "Cerebrex" armchair, a chair that supposedly improves mental function such as calculation and thinking by cooling the head and heating the feet
 A toilet seat lifter
 A condom with an embedded magnet, supposedly "improving sensitivity" as "electricity is generated in the blood vessels in the female organs by Fleming's left-hand rule"
 A protective envelope for floppy disk (1975-1983), and a head-cleaning floppy disk (1981-1988)
 A CD for supposedly "enhancing brightness or sexual function"
 A cigarette-like device for supposedly "activating the brain"
 A pillow preventing falling asleep while driving (an air compressor strapped to the cars headrest, forcibly feeding air to the driver)
 A peephole in a sheet of material, described as a "oneway visible shielding object"
 Spectacles in the shape of eyes, so that the user appears to wear no spectacles
 A "wig for self defense" — a strip and a weight are attached to a wig. The wearer swings the wig to hit an attacker.
 Love Jet - A sexual enhancement product which he created out of concern about Japan's declining birthrate.  In a 1995 interview, he explained that the purpose of the aphrodisiac was "to save Japan".

Floppy disk

Upon the basis of the Juusyoku Record patent issued in 1952, Nakamatsu claims to have invented the first floppy disk well before IBM's floppy disk patent  was filed in 1969. However, what Nakamatsu patented in 1952 was a paper for optical sound player.  In contrast to a floppy disk, this Nakamatsu patent discloses the use of printed paper for storage instead of the magnetic material of a floppy disk.  It is not rewritable and lacks most elements of the IBM floppy disk patent. Since the paper was 'floppy' material, he claims he had invented the floppy disk (sometimes he uses the phrase "floppy media"); however, flexible magnetic recording media was well known prior to 1952, in tape and wire recording.

Nakamatsu claims IBM reached licensing agreements with him in the late 1970s. He also claims to have licensed his floppy disk to IBM in 1979, but that the details are "confidential". An IBM spokesman, Mac Jeffery, confirmed that the company did license some of his patents, but said that they were not for the floppy disk, which he said IBM invented on its own. Another IBM spokesman, Brian Doyle, said they licensed 14 patents from Nakamatsu, but also claimed that they do not have anything to do with the floppy disk.

Personal life
Nakamatsu is the son of Hajime Nakamatsu, a banker, and Yoshino Nakamatsu, a teacher who provided early tutoring in mathematics and science and encouraged him to begin inventing. He studied engineering at the University of Tokyo. He has three children.

In June 2014, Nakamatsu, who has contended that it should be possible for people to reach 144 years of age by taking care of their health, revealed that he is suffering from prostate cancer and that his doctors did not expect him to live past the end of 2015. He has sought a new treatment for the disease. In September 2015, Nakamatsu appeared at the awards ceremony for the Ig Nobel prizes, where he performed a song about his medical condition.

Political aspirations
Nakamatsu is a perennial political candidate.  In 2004 he told the Japan Times that "politics is a part of inventions," explaining that it is an "invisible invention" along the lines of concepts such as education and happiness.  Since 1995 he has unsuccessfully campaigned multiple times to be elected Governor of Tokyo, most recently in the 2014 election.  He has also campaigned unsuccessfully for election to the House of Councillors, the upper house of the National Diet.  In 2010 and 2013 he ran as a candidate of the  Happiness Realization Party.

Media coverage and recognition
Nakamatsu has appeared on several American TV shows, including Lifestyles of the Rich and Famous, Late Night with David Letterman, CNN's Make, Create, Innovate, and Bizarre Foods with Andrew Zimmern. He also appeared on the BBC show Adam and Joe Go Tokyo and the BBC radio show Jon Ronson On... In 2005, Nakamatsu was awarded the Ig Nobel Prize (a parody of the Nobel Prize) for Nutrition, for photographing every meal he has consumed during a period of 34 years. In 2009, Danish filmmaker Kaspar Astrup Schröder made a humorous documentary about Nakamatsu titled The Invention of Dr. NakaMats. In 2010, Nakamatsu claimed he had been granted an honorary title by the Sovereign Military Order of Malta, and introduces himself as Sir Dr. NakaMats, although his claim has been denied by a representative of the order.

In 2013, Nakamatsu was featured on the Sky 1 programme The Moaning of Life, where Karl Pilkington travels the world to see how people face up to life's biggest issues. In 2015, Full Metal Breakfast released a song called "Dr. NakaMats." in 2016, Nakamatsu was awarded the first Museum Lifetime Visionary Award "in recognition of a uniquely decorated life dedicated to the pursuit of that which we do not yet know" during a celebration of his 88th birthday. The ceremony, held in Cortlandt Alley in New York City, was planned in conjunction with the museum's exhibition of various inventions and personal artifacts of Nakamatsu.

In 2019, Nakamatsu was featured in a mini-documentary by popular YouTube channel Great Big Story, in which Nakamatsu discussed some of his successful inventions and demonstrated his creative process. , it had more than 4.2 million views.

See also
 List of prolific inventors

References

External links

1928 births
Living people
Japanese inventors
Japanese political candidates
Tokyo gubernatorial candidates

Yoshiro Nakamatsu


An Phreatia rupestris in uska species han Liliopsida nga ginhulagway ni Johannes Jacobus Smith. An Phreatia rupestris in nahilalakip ha genus nga Phreatia, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Phreatia

Phreatia rupestris


{{Otomatik taksonkutu
| italik_başlık = evet
| en_eski_fosil= 9
| en_genç_fosil= 0
| resim = Wildkatze MGH.jpg
| resim_altyazı = Avrupa yaban kedisi (Felis silvestris)
| takson = Felis
| alt_sıralama = Linnaeus, 1758
| altbölüm_sıra = Türler
| altbölüm =
Felis bietiFelis catusFelis chausFelis lybicaFelis margaritaFelis nigripesFelis silvestrisFelis attica †Felis lunensis †
| aralık_haritası = Felis range.png
| aralık_haritası_altyazı = Felis cinsinin doğal dağılımı
}}Felis, kedigiller (Felidae) familyasından çok sayıda küçük kedi türünü kapsayan bir etçil memeli cinsidir.

 Ortak özellikleri Felis cinsi üyelerinin dil kemiği normal gelişimini tamamlamıştır. Hiçbiri kükreyemez ama mırlar. Diğer özelliği de göz bebeklerinin dikey bir yarık görünümünde olmasıdır. Çöl ve ağaçlık bölgelerde yaygındırlar.

 Türler
 Gri kedi (Felis bieti)
 Sazlık kedisi (Felis chaus)
 Benekli kedi (Felis margarita)
 Kara ayaklı kedi (Felis nigripes)
 Yaban kedisi (Felis silvestris)
 Evcil kedi (Felis silvestris catus)
 Afrika yaban kedisi (Felis silvestris lybica)
 Asya yaban kedisi (Felis silvestris ornata)
 Avrupa yaban kedisi (Felis silvestris silvestris'')

Kaynakça

Carl Linnaeus tarafından adlandırılmış taksonlar

Felis


El zamarrito del Pinche (Eriocnemis isabellae) es una especie de ave endémica de la Serranía del Pinche, El Plateado, Cauca, en Colombia.

Hábitat
Vive en el bosque nuboso y el bosque enano entre los 2.600 y 2.900 m de altitud, en zonas húmedas de la Cordillera Occidental de los Andes.

Descripción
Mide entre 9 y 10 cm de longitud. El macho es verde negruzco; con garganta bicolor azul violácea iridiscente y verde brillante; grupa azul verdoso iridiscente y cola negra azulada; bajo la cola violeta azulado y mechones blancos en los muslos. La hembra presenta barbilla de color azul pálido, color verde azulado en las coberteras supracaudales y las partes inferiores intensamente rojizas rufas y con reflejos color turquesa en el centro del vientre.

Referencias

Enlaces externos

Cortés Alex Fotografía, macho; BirdLife International.

isabellae
Aves de América del Sur
Aves endémicas de Colombia

Eriocnemis isabellae


Une drôle de fin (A Futile and Stupid Gesture) est un film américain réalisé par David Wain, sorti en 2018.

Synopsis
La vie de Douglas Kenney, fondateur du magazine National Lampoon.

Fiche technique
 Titre : Une drôle de fin
 Titre original : A Futile and Stupid Gesture
 Réalisation : David Wain
 Scénario : Michael Colton et John Aboud d'après le livre de Josh Karp
 Musique : Craig Wedren
 Photographie : Kevin Atkinson
 Montage : David Egan, Jamie Gross et Robert Nassau
 Production : Peter Principato, Ted Sarandos et Jonathan Stern
 Société de production : Artists First et Abominable Pictures
 Pays :
 Genre : Biopic et comédie
 Durée : 101 minutes
 Dates de sortie :
Netflix :

Distribution

 Will Forte  : Douglas Kenney
 Martin Mull  : Douglas de nos jours, le narrateur
 Frank et Morgan Gingerich : Douglas jeune
 Domhnall Gleeson : Henry Beard
 Neil Casey  : Brian McConnachie
 Jon Daly : Bill Murray
 Nelson Franklin : P. J. O'Rourke
 John Gemberling : John Belushi
 Rick Glassman : Harold Ramis
 Seth Green : Christopher Guest
 Max Greenfield : Chris Miller
 Harry Groener : Harry Kenney, le père de Douglas
 Camille Guaty  : Alex Garcia-Mata
 Ed Helms : Tom Snyder
 Thomas Lennon  : Michael O'Donoghue
 Joe Lo Truglio  : Brad Zotti
 Matt Lucas  : Tony Hendra
 Natasha Lyonne  : Anne Beatts
 Joel McHale  : Chevy Chase
 Annette O'Toole : Stephanie Kenney, la mère de Douglas
 Emmy Rossum  : Kathryn Walker
 Jackie Tohn : Gilda Radner
 Matt Walsh  : Matty Simmons
 Finn Wittrock : Tim Matheson
 Elvy Yost : Mary Marshmallow
 David Wain : l'intervieweur
 Brad Morris  : Peter Ivers
 Michael Sherman : Ed Sullivan

Accueil
Le film a reçu un accueil mitigé de la critique. Il obtient un score moyen de 55 % sur Metacritic.

Notes et références

Liens externes

Film américain sorti en 2018
Film biographique américain
Comédie américaine
Adaptation d'une œuvre littéraire au cinéma
Film distribué par Netflix

Une drôle de fin


Yohanan Boehm (født 1914 i Breslau, Tyskland - død august 1986 i Jerusalem, Israel) var en tysk/israelsk komponist, valdhornist, lærer og avisanmelder.

Boehm har skrevet to symfonier, orkesterværker, kammermusik, instrumental værker for mange instrumenter og vokalværker.

Han emigrerede til Israel i 1936, hvor han studerede og senere underviste på Jerusalem Music Academy. Boehm spillede tillige valdhorn i Palestinas Radio Symfoniorkester, og var anmelder på avisen Jerusalem post.

Udvalgte værker

 Symfoni nr. 1 (1952) - for orkester
 Symfoni nr. 2 (1955) - for orkester

Kilde
 Om Yohanan Boehm på musicweb-international.com

Komponister fra Israel
Valdhornister
Lærere

Yohanan Boehm


é uma estação de trem na cidade de Okazaki, província de Aichi. Passam por ela as linhas Linha principal Tōkaidō, .

A Estação de Toyohashi é a única estação na qual os passageiros podem fazer a troca de trens da linha  e da linha  (Aikan) sem passar pelas catracas.

Linhas
 JR Tōkai
 Linha principal Tōkaidō
 Ferrovia anel de aichi
 ■ (Aikan)

História
A estação de Okazaki foi inaugurada em 1º de setembro de 1888, quando a seção da linha ferroviária do governo japonês (JGR) conectando Hamamatsu a Obu foi concluída. Esta linha foi nomeada Linha principal Tōkaidō em 1895, e Linha Principal Tōkaidō em 1909. A Ferrovia Nishio iniciou suas operações na Estação Okazaki em 30 de outubro de 1911 (posteriormente assumida por Meitetsu, as operações foram descontinuadas em 1943). Em 1930, o primeiro sistema de ônibus operado pelo governo nacional começou a operar na Estação Okazaki. Após a Segunda Guerra Mundial, a JGR tornou-se a Ferrovia Nacional do Japão (JNR). Uma parte da antiga Linha Nishio foi reaberta em dezembro de 1951 como a "Linha Fukuoka", que operou até junho de 1962. A Linha JNR Okata (precursora da Linha ferrovia anel de aichi) iniciou as operações de carga em outubro de 1970 e as operações de passageiros em abril de 1976 No entanto, as operações de frete foram descontinuadas em janeiro de 1984. Com a privatização e dissolução da JNR em 1º de abril de 1987, a estação ficou sob o controle da JR Tōkai. Um novo edifício da estação elevada foi concluído em outubro de 1990.

Plataformas
Uma plataforma de tipo único com uma plataforma e um trilho (Aikan) e uma plataforma de ilha com duas plataformas e quatro trilhos (Linha principal Tōkaidō).

Instalações ao redor da estação

Saída leste
  Okazaki

 KOKO OKAZAKI

Saída oeste
 Hotel Trend Okazaki Ekimae
 My Hotel Okazaki

Estações adjacentes
 JR Tōkai
  Linha principal Tōkaidō
 Special Rapid(特別快速), New Rapid(新快速), Rapid(快速)
 (Alguns trens param na ) - Estação de Okazaki -
 Sectional Rapid(区間快速)
  - Estação de Okazaki -
 Local(普通)
  - Estação de Okazaki -
 Ferrovia anel de aichi
  ■Linha ferrovia anel de aichi
 Estação de Okazaki -

Ligações externas

 Informações da estação JR Central
 Informações da estação Ferrovia anel de aichi
 Encontre imagens da Estação Okazaki -

Okazaki
Okazaki
Estações ferroviárias inauguradas em 1888

Estação de Okazaki


Articles with hCards
නීරා කොන්ජිත් වික්‍රමසිංහ නෙදර්ලන්තයේ ලයිඩන් විශ්වවිද්‍යාලයේ  නූතන දකුණු ආසියානු අධ්‍යයන පිළිබඳ මහාචාර්යවරියක් වන අතර ප්‍රසිද්ධ ජාත්‍යන්තර ශාස්ත්‍රඥයෙකි. ඇය 2009 දක්වා ශ්‍රී ලංකාවේ කොළඹ විශ්වවිද්‍යාලයේ ඉතිහාස හා ජාත්‍යන්තර සබඳතා අංශයේ මහාචාර්යවරියක් ලෙස කටයුතු කළාය. ඇය පැරිසියේ හැදී වැඩුණු අතර 1981 සිට 1984 දක්වා පැරිස් IV - සෝබෝන් විශ්ව විද්‍යාලයේ සහ 1985 සිට 1989 දක්වා ඔක්ස්ෆර්ඩ් විශ්ව විද්‍යාලයේ ඉගෙනුම ලැබූ අතර එහිදී ඇය නවීන ඉතිහාසය පිළිබඳ ආචාර්ය උපාධිය ලබා ගත්තාය.  1990 දී කොළඹ විශ්වවිද්‍යාලයට බැඳුණු ඇය 2009 දක්වා එහි ඉගැන්වූවාය. ඇය ලෝක බැංකුවේ රොබට් මැක්නමාරා සගයෙකු, නිව් යෝර්ක් විශ්ව විද්‍යාලයේ ෆුල්බ්‍රයිට් ජ්‍යෙෂ්ඨ විශාරදවරියක්, පැරිසියේ Ecole des Hautes Etudes en Sciences Sociales හි බාහිර මහාචාර්යවරියක් සහ මෑතකදී ඔක්ස්ෆර්ඩ්හි ශාන්ත ඇන්ටනි විද්‍යාලයේ බ්‍රිතාන්‍ය ඇකඩමි සාමාජිකාවක් වී ඇත. ඇය දැනට යටත් විජිත ශ්‍රී ලංකාවේ මහන මැෂිම පිළිගැනීමේ ඉතිහාසයක් මත වැඩ කරමින් සිටින අතර, 2008-2009 ප්‍රින්ස්ටන් විශ්ව විද්‍යාලයේ ඉතිහාස අධ්‍යයන සඳහා වූ ෂෙල්බි කලම් ඩේවිස් මධ්‍යස්ථානයේ විවේක කාලයේදී ඇය පර්යේෂණ කළ මාතෘකාවකි.

ප්‍රකාශන
වික්‍රමසිංහ පහත ග්‍රන්ථ ප්‍රකාශයට පත් කර ඇත:

 ශ්‍රී ලංකාව නූතන යුගයේ. ඉතිහාසයක්'. සංශෝධිත සංස්. New York, New Delhi : ඔක්ස්ෆර්ඩ් විශ්වවිද්‍යාල මුද්‍රණාලය, 2015
 ලෝහමය නවීන. යටත් විජිත ශ්‍රී ලංකාවේ එදිනෙදා යන්ත්‍ර', ඔක්ස්ෆර්ඩ්: Berghahn Publ. 2014
 නූතන යුගයේ ශ්‍රී ලංකාව: තරඟකාරී අනන්‍යතා ඉතිහාසයක් . ලන්ඩන්: Hurst & Co. සහ Honolulu: University of Hawaii press, 2006.
 ශ්‍රී ලංකාවේ සිවිල් සමාජය: නව බල කව . නවදිල්ලිය: Sage Publications, c2001.
 යටත් විජිත ශ්‍රී ලංකාවේ වාර්ගික දේශපාලනය, 1927-1947'' . නවදිල්ලිය: විකාස් පබ්. නිවස, 1995.
 විශ්ව විද්‍යාල අවකාශය සහ වටිනාකම්: රචනා තුනක්'' . කොළඹ: වාර්ගික අධ්‍යයනය සඳහා වූ ජාත්‍යන්තර මධ්‍යස්ථානය කොළඹ, 2005.
 L'Invention du Vetement National au Sri Lanka. Habiller le corps colonise'' . පැරිස්: කර්තලා මුද්‍රණාලය, 2006.

යොමු කිරීම්

බාහිර සබැඳි

 ශ්‍රී ලංකාවේ ගැටුම: අතීතයේ සංස්කෘතිය සහ පෙළපත්
ජීවමාන ජනයා
1964 උපත්

නීරා වික්‍රමසිංහ


يوهانس ليشتنبرجر Johannes Lichtenberger (مات في سنة 1503) كان منجما ألمانيا شهيرا. أشهر كتبه Prognosticatio in latino المنشور سنة 1488 وطبع الكثير من الطبعات وترجم إلى لغات عدة. ويقال أنه كان منجما في بلاط الإمبراطور فريدريش الثالث في السبعينيات من القرن الثالث عشر.

مراجع

منجمون ألمان
منجمون في القرن 15
منجمون في القرن 16
مواليد 1440
وفيات 1503

يوهانس ليشتنبرجر


Johnny Chan (; )  un jucător american de poker de origine chineză. Este deținătorul a 10  de , câștigând finalele din  și .

Viață timpurie
Chan s-a mutat cu familia sa în 1962 din Guangzhou în Hong Kong, apoi în 1968 în Phoenix, Arizona, iar în 1973 în Houston, Texas, unde familia sa a deținut restaurante. La vârsta de 21 de ani, Chan a abandonat , unde învăța managementul în domeniul hotelelor și restaurantelor, și a plecat în Las Vegas pentru a deveni un jucător profesionist de poker.

Campionate de poker

World Series of Poker
Chan a câștigat  (WSOP) în  și , devenind primul străin (non-american) câștigător al acestui campionat. Un fragment din înregistrarea finalei WSOP din 1988 a fost inclus în filmul , în care Chan a avut un rol cameo. A fost cât pe ce să ia al treilea titlu consecutiv, dar a pierdut în finala din  fiind învins de . Chan este ultimul jucător de poker care a câștigat două finale WSOP consecutiv. , avid jucător de poker și proprietar al clubului de baschet Los Angeles Lakers, i-a promis lui Chan că îi conferă un "" (titlu prestigios în baschetul american) dacă acesta reușește să câștige trei WSOP consecutiv.

În , Chan a devenit primul jucător deținător al zece brățări WSOP, după ce l-a învins pe  în formatul Texas hold 'em. În prezent, după numărul de brățări Chan împarte locul 2 cu  și , în spatele lui  cu 15 brățări. Chan a fost inclus în "" în 2002.

În , Chan a avut prima încasare la un "Main Event" după o pauză de 16 ani, obținând  dolari SUA și poziționându-se pe locul 329. Doi ani mai târziu, la , a încasat  dolari SUA în "Main Event", pe locul 156.

Către noiembrie 2018, Johnny Chan avea la activ 48 de încasări la WSOP, dintre care 28 prezențe la runda finală.

Brățări

Poker Superstars
Chan a participat la , versiunea $400.000, în februarie 2005. După ce s-a pomenit într-o situație de risc rămânând cu doar  jetoane din cele  în joc, a revenit și a ajuns pe locul 2, cedând lui . În vara aceluiași an, Chan a participat la Poker Superstars II, unde a depășit 22 de jucători, a ajuns în finală și l-a învins pe  în trei meciuri, luând premiul mare de  dolari SUA. Chan și-a făcut apariția și în Poker Superstars III, unde a ajuns în semifinale și a fost învins de același Todd Brunson, la fel după trei meciuri.

Poker After Dark
La show-ul televizat  difuzat noaptea târziu de NBC, în care șase jucători plătesc  dolari SUA ca să joace, Johnny Chan a jucat de șase ori, devenind câștigător de patru ori. Cele patru apariții de succes au fost:
"WSOP Champions" — difuzat la 15-20 ianuarie 2007 — l-a învins pe
"World Champions" — difuzat la 11-16 februarie 2008 — l-a învins pe
"International" — difuzat la 25 februarie - 1 martie 2008 — l-a învins pe
"Dream Table III" — difuzat la 23-27 martie 2009 — a învins-o pe

Alte campionate
Chan a câștigat Cupa Americană de poker din 1981 găzduită de . Acesta i-a învins pe toți cei 9 adversari ai săi în mai puțin de o oră. Stupak a rămas impresionat, poreclindu-l pe Chan "The Orient Express".

La  (WPT), Chan a avut cinci încasări și o singură prezență la runda finală.

În 2004 și 2005 a jucat la  și .

Către noiembrie 2018, încasările sale din participarea la campionatele de poker depășeau cifra de  dolari SUA.

Alte activități
Johnny Chan deține o franciză de restaurante fast-food în hotelul . El mai oferă și consultanță în cazinouri și dezvoltatorilor de jocuri.

A scris articole în revistele Card Player și . În 2005, a colaborat cu Mark Karowe și a lansat cartea Play Poker Like Johnny Chan (). La 28 noiembrie 2006, a lansat o continuare: Million Dollar Hold'em: Winning Big in Limit Cash Games ().

Și-a făcut apariția în sezoanele din 2006 și din 2011 ale concursului televizat  difuzat de . În 2007, a lansat un serviciu de poker online, ChanPokerOnline.com, care a fost închis în august 2008.

Filmografie
Johnny Chan s-a jucat pe sine însuși în filmul american  din 1998. Într-o scenă, Chan este convins să renunțe la cărțile sale de o cacealma executată de personajul principal Mike McDermott (Matt Damon). Chan a mai jucat și în filmul  din 2009, la fel într-un rol cameo.

Note explicative

Note

Legături externe

Articol și interviu la Goldsea
Profil pe PokerListings.com

Nașteri în 1957
Jucători de poker chinezi
Deținători de brățară World Series of Poker
Chinezi în viață

Johnny Chan


An Aglaonema pictum in uska species han Liliopsida nga syahan ginhulagway ni William Roxburgh, ngan ginhatag han pagkayana nga asya nga ngaran ni Carl Sigismund Kunth. An Aglaonema pictum in nahilalakip ha genus nga Aglaonema, ngan familia nga Araceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Aglaonema

Aglaonema pictum


Kiros Stanlley Soares Ferraz (født 21. august 1988) er en brasiliansk fodboldspiller.

Eksterne henvisninger

Fodboldspillere fra Brasilien

Kiros Stanlley Soares Ferraz


An Asphodelus albus in uska species han Liliopsida nga ginhulagway ni Philip Miller. An Asphodelus albus in nahilalakip ha genus nga Asphodelus, ngan familia nga Xanthorrhoeaceae.

Subspecies

Ini nga species ginbahin ha masunod nga subspecies:

 A. a. albus
 A. a. carpetanus
 A. a. delphinensis
 A. a. occidentalis

Mga kasarigan

Mga sumpay ha gawas

Image gallery

Asphodelus

hu:Genyőte

Asphodelus albus


Tosu or tOSU may refer to:

Cities
 Tosu, Russia, a selo (village) in Vilyuysky District, Sakha Republic
 Tosu, Saga, a city in Japan
 Sagan Tosu, an association football club in Tosu, Saga
 Shin-Tosu Station, a railway station in Tosu, Saga
 Tosu Futures, a former football club in Tosu, Saga
 Tosu Stadium, a football stadium in Tosu, Saga
 Tosu Station, a railway station in Tosu, Saga
 Tosu language, in the Qiangic and Tibeto-Burman language groups
 Toșu, a Romanian surname

Universities
 Ohio State University, from a marketing tactic used by the university to refer to it as "The Ohio State University".

See also

Tosu


"Desconfio" é uma canção da banda de rock brasileira CPM 22, lançada em 2002 como o primeiro single de seu terceiro álbum de estúdio, Chegou a Hora de Recomeçar (2002). Um videoclipe foi feito para a canção e incluído no DVD O Vídeo (1995 a 2003).

Composição

Créditos
Com base no encarte do CD de Chegou a Hora de Recomeçar.

Prêmios e indicações

Canções de 2002
Singles de 2002
Canções gravadas por CPM 22
Canções de rock brasileiro

Desconfio


Borne Sogn  (på tysk Kirchspiel Boren) er et sogn i det sydlige Angel i Sydslesvig, tidligere i Slis Herred (Gottorp Amt), nu Borne Kommune i Slesvig-Flensborg Kreds i delstaten Slesvig-Holsten.

I Borne Sogn findes flg. stednavne:
 Affergynt (Affegünt)
 Albrovad
 Bognæs (Boknis) ved Slien med Bognæs Færgehus
 Borne
 Bornemark
 Bremsvad (Bremswatt)
 Bækhus (Bekhaus)
 Dytnæs (også Dyttenæs, Düttnis)
 Faartoft (Fahrtoft)
 Egenæs (delt i Nørre og Sønder Balle)
 Guderød (også Gyderød, Güderott)
 Guderødmark (også Gyderødmark)
 Grabølvad (Grabbelwatt)
 Gaardvang (Lindau-Gaarwang)
 Hegnholt (også Hegeholt, Hegeholz)
 Hyrød (Hürye)
 Kalvtoft (Kaltoft)
 Kamp (Lindaukamp)
 Ketelsby (også Ketilsby)
 Kisby
 Knobberdam
 Lille Borne (Kleinboren)
 Lille Næs
 Lindå (også Lindaa, Lindau)
 Lindå Nor ( Lindau Noor el. Lindauer Noor)
 Lindånæs (Lindaunis) med kongeligt fiskerhus
 Lindå Mølle
 Mølleskov (Mühlenholz)
 Paverød (Pageroe)
 Poppenfelt (Papenefeld)
 Poltlykke
 Rebjerg (også Renbjerg, Rehberg)
 Skelkær
 Store Næs
 Tyrnæs
 Ulvekule (Uhlekuhl)
 Vadløkke
 Vridam el. Vridom (Wrium)
 Aageby (også kaldt Borne Aageby eller Øster Aageby for at skelne byen fra (Vester) Aageby i Torsted Sogn)

Litteratur
 M. Mørk Hansen: Kirkelig Statistik over Slesvig Stift: Med historiske og topografiske bemærkninger, bind 2, Kjøbenhavn 1864, side 411
 Jens Peter Trap: Statistisk-topographisk beskrivelse af hertugdømmet Slesvig, Kjøbenhavn 1864, side 528

Eksterne henvisninger
 Borne og Ulsnæs Menighed / Kirchengemeinde Boren und Ulsnis

Noter

Sogne i Sydslesvig

Borne Sogn


Stadion Deodoro je višešportsko borilište u istoimenoj gradskoj četvrti Rio de Janeira. Izgrađen je za potrebe Olimpijskih igara 2016., a na njemu su održana natjecanja u ragbiju sedam i modernom petoboju na tim Igrama. Također, stadion je bio domaćin utakmica nogometa sa sedam igrača na Paraolimpijskim igrama 2016.

Od pet natjecanja u modernom petoboju na Olimpijskim igrama, ovdje su održana dva: natjecanja u jahanju i streljaštvu.

Osim jahanja i ragbija, na stadionu se može igrati i nogomet i tenis, uz promjenu podloge. Također, održavaju se natjecanja u BMX biciklizmu.

Vanjske poveznice
 Borilišta Olimpijskih igara - Deodoro
 Zemljovid i položaj borilišta OI 2016.
 Borilišta Olimpijskih igara 2016. - Google Maps

Borilišta OI 2016.
Športski objekti u Rio de Janeiru

Stadion Deodoro


This is a list of members of the Privy Council of Northern Ireland.  The Privy Council was created in 1922, and ceased to meet in 1972, since when no appointments have been made although it has never been formally abolished.  Two members are still living as of August 2022.

Members

See also
List of Northern Ireland members of the Privy Council of the United Kingdom

References

History of Northern Ireland

Northern Ireland
Privy Council

List of Privy Counsellors of Northern Ireland


Cunda ya da Alibey Adası ( Moshonisi, Grekçe: Εκατόνησα Hekatonisa), idari bakımdan Balıkesir'in Ayvalık ilçesine bağlı bir ada. Ayvalık koyundaki Ayvalık Adaları olarak adlandırılan irili ufaklı 22 adanın içerisinde yerleşime açık tek ada Alibey'dir. Türkiye'nin Ege Denizi'nde bulunan sırasıyla Gökçeada, Bozcaada ve Uzunada'dan sonra 4. büyük adasıdır. Konumu gereği Batı Anadolu'da deniz yollarının kesişme noktasında bulunan bir adadır.

13 Nisan 2023'te, Cunda Adası cumhurbaşkanlığı kararı ile doğal sit alanının koruma statüsünün yeniden değerlendirilmesi sonucunda kesin korunacak hassas alan olarak tescil ve ilan edildi.

Etimoloji
Index Anatolicus'a göre Cunda isminin kökeni Türkçe yaban atı anlamına gelen yunt kelimesine dayanmaktadır. Piri Reis'in Kitâb-ı Bahriye eserinde Ayvalık Adaları'nın bütünü için "Yund Adaları" adı kullanılmıştır. Cunda'nın, Türkçe yunt adının Rum telaffuzuna uydurulmuş biçimi olduğu belirtilmektedir. Bu isim günümüzde sadece en büyük ada için kullanılmaktadır. 1922'den sonra adaya Kuvâ-yi Milliye reislerinden Ali Çetinkaya onuruna Alibey adı verilmiştir.

Ada MÖ 454'de Atina'ya haraç ödeyenler listesinde, MS 150'de ise Batlamyus'un Coğrafya eserinde Pordoselênê (Πορδοσελήνη) olarak geçmektedir. Modern Rumca Μοσχονήσι (Mosxónisi) adı "misk adası" anlamına gelmektedir.

Tarihçe

Modern dönem
Adanın nüfusunun çoğunluğu Girit ve Midilli adalarından Türkiye-Yunanistan nüfus mübadelesi zamanında göç eden Türklerden oluşmaktadır. Bu yüzden adanın yaşlı nüfusunun çoğu Yunancayı bilmektedir. Son yıllarda ada nüfusu, emeklilik günlerini sakin bir yörede geçirmek isteyen büyük şehir sakinleri tarafından arttırılmıştır.

Adanın nüfusu 2000 yılı itibarıyla 3.000'dir. Ancak bu rakam yazın 20.000'e kadar çıkabilir.

Coğrafya
Alibey Adası'nın anakaraya bağlantısı iki ayrı köprü ile sağlanmaktadır. Dolap Boğazı mevkiinde 1964 yılında inşa edilmiş olan Türkiye'nin ilk boğaz köprüsü, Alibey ve Lale adalarını birleştirmektedir. Lale Adası ise anakaraya 1817 yılında denizin doldurulmasıyla yapılan 700 metrelik bir hemzemin bir köprü-yol ile bağlanmaktadır.

Ekonomi

Alibey Adası son yıllarda yerli turizm merkezleri arasına girmiştir. Özellikle sahil şeridindeki balık lokantaları ile bilinir. Günlük tekne gezileri sayesinde civar adalara ve adanın karadan ulaşılması zor bölgelerine gitmek mümkündür. Midilli Adası'na günü birlik seferler ise özellikle yaz aylarında yabancı turistlerin adaya ve Ayvalık'a gelmelerini sağlamıştır.

Ada halkının turizm yanında iki büyük geçim kaynağı vardır: zeytincilik ve balıkçılık. Ada zeytinleri özellikle zeytinyağı üretimi için uygundur.

Turizm
Alibey Adası doğal güzellikleri ve tarihi yapıları nedeniyle koruma altına alınmış ve 1976 yılında Ayvalık ve çevresindeki 17.900 hektarlık alan doğal ve tarihi sit alanı olarak kabul edilmiştir. Alibey Adası'nda mübadele öncesinden, Rum Ortodoks cemaatinden kalma birçok kilise ve manastır mevcuttur. Bu yapıların koruma altına alınması ancak Alibey Adası'nın tanınması ve restorasyon için sermaye aktaracak sponsorların adada mülk satın almaları ile mümkün olabilmiştir. Son olarak 'Aşıklar Tepesi' olarak bilinen mevkide bulunan değirmenin restorasyonu 2006 yılında tamamlanmış ve ziyarete açılmıştır. Adada, hâlen restorasyon için sponsor bekleyen pek çok tarihi eser bulunmaktadır.

Adadaki tarihi binalardan bazıları aşağıdaki gibidir:

 Çamlı Manastır/Taksiyarhis Ta Çamya: Ada merkezinden yaya olarak ve Patriça yolundaki Ekşi Çeşme'nin solundaki yol izlenerek  yarım saatte varılabilir
 Koruyan Meryem Manastırı/ Panagias Tis Lekai :Ayvalık Dalyan Boğazı'ndan çıkışta sağda zeytin ağaçlarının arasından gözüken boğaza hakim manzaralı restore edilmiş özel mülk
 Ay Işığı Manastırı/ Ai Dimitri Ta Salina: Patriça 2. köyden yürüyüşle 45 dakika mesafededir
 Ayos Apostolos Manastırı/ Adaya giderken köprüyü geçtiğinizde soldaki sahil yoluna saptığınızda 500 metre mesafe sonra sağ yukarıdaki küçük tepeciktedir
 Tavuk Adası Manastırı/Ayiu Ionnu Tu Podromu: Alibey Adası'nın karşısındaki Tavuk Adası üzerinde inşa edilmiştir
 Güvercin Adası Manastırı/Ai Yorgi: Pateriça Körfezinin ortasında, andezitten oluşmuş küçük bir adanın üzerinde inşa edilmiştir
 İlyas Peygamber Manastırı/Profit İliya: Köprünün Ada'ya giriş yönünde 200 metre sonra deniz tarafındadır; temel kalıntılarından az miktarı geriye kalmıştır.
 Kızlar Manastırı/Evangelistriya
 Panaya Kilisesi
 Taksiyarhis Kilisesi
 Hamidiye Camii

Diğer

Harvard ve Koç Üniversitelerinin ortak Osmanlı Türkçesi Yaz Okulu, 1997 yılından beri Alibey Adası'nda gerçekleşmektedir.

Kaynakça

Konuyla ilgili yayınlar

Balıkesir iline bağlı adalar
Türkiye'nin Ege Denizi'ndeki adaları

Cunda


عين اشرب واهرب عين طبيعية تقع على الطريق الوطني رقم 18 بين ولاية المدية ومدينة خميس مليانة بعين الدفلى، تابعة إقليميا لدائرة وامري بدولة الجزائر.

كانت غير مستغلة فقام الاستعمار الفرنسي ببنائها وذلك سنة 1889. وإلى غاية اليوم بقيت هذه العين يشرب منها العابر للطريق وسكان البلديات المجاورة مثل حناشة، حربيل، وامري، ومناطق عمورة والجمعة، وبلدية وادي الشرفاء.

مذاق هذه العين طيب وخفيف كأنك لم تشرب. أما سبب هذه التسمية يعود لفترة الاستعمار الفرنسي للجزائر، حيث كانت العين موجودة في منطقة بها غابة كثيفة لدرجة حجب أشعة الشمس في وضح النهار فكان قطاع الطرق يستغلون هذا الوضع للاعتداء على المارة ليكون هذا الاسم دليل على خطورة المكان.

في وقتنا الحالي الأمن متوفر ويوجد باعة يبيعون الفواكه وخاصة في فصل الصيف والخريف أين يكثر الهندي فاكهة محلية والعين بمحاذاة وادي حربيل وتحتها مرتفع يسما محليا كاف القهوة.

عيون ماء

عين اشرب واهرب


Fear of Music is the third studio album by American rock band Talking Heads, released on August 3, 1979, by Sire Records. It was recorded at locations in New York City during April and May 1979 and was produced by Brian Eno and Talking Heads. The album reached number 21 on the Billboard 200 and number 33 on the UK Albums Chart. It spawned the singles "Life During Wartime", "I Zimbra", and "Cities".

Fear of Music received favorable reviews from critics. Praise centered on its unconventional rhythms and frontman David Byrne's lyrical performances. The album is often considered one of Talking Heads' best releases and has been featured in several publications' lists of the best albums of all time.

Background
Talking Heads' second album More Songs About Buildings and Food, released in 1978, expanded the band's sonic palette. The record included a hit single, a cover of Al Green's "Take Me to the River", which gained the quartet commercial exposure. In March 1979, the band members played the song on nationwide U.S. music show American Bandstand. In the days after the performance, they decided they did not want to be regarded simply as "a singles machine".

Talking Heads entered a New York City studio without a producer in the spring of 1979 and rehearsed demo tracks. Musically, the band wanted to expand on the "subtly disguised" disco rhythms present in More Songs About Buildings and Food by making them more prominent in the mixes of new songs. The recording plans were shelved after the quartet was not pleased with the results during the sessions. A decision was taken to rehearse in drummer Chris Frantz's and bassist Tina Weymouth's loft, where the band members had played before they signed to a record label in the mid-1970s. Brian Eno, who had produced their previous full-length release, was called in to help.

Recording and production
On April 22 and May 6, 1979, a sound engineering crew in a Record Plant van parked outside Frantz's and Weymouth's apartment building and ran cables through their loft window. On these two days, Talking Heads recorded the basic tracks with Eno.

Weymouth later stated that Byrne's sense of rhythm is "insane but fantastic" and that he was key to the band's recording drive during the home sessions. As songs evolved, the performances became easier for the band members. Eno was instrumental in shaping both their sound and recording confidence, and worked on electronic treatments of tracks once they were all crafted.

Composition
Fear of Music is largely built on an eclectic mix of disco rhythms, cinematic soundscapes, and conventional rock music elements.

Byrne credits the inspiration for the album, especially "Life During Wartime", to life on Avenue A in the East Village. Instead of incorporating characters in society, as he did on More Songs About Buildings and Food, Byrne decided to place them alone in dystopian situations. Weymouth was initially skeptical of Byrne's new compositions, but the frontman managed to persuade her.

Album opener "I Zimbra" is an African-influenced disco track and includes background chanting from assistant recording engineer Julie Last. The lyrics are based on a nonsensical poem by Dadaist writer Hugo Ball. The sound of the lyrics, combined with the tribal sound of the song (enhanced by guesting guitar virtuoso Robert Fripp), gave it an "ethnic" style; band member Jerry Harrison has said that this song influenced what the band was to do on their next album, Remain in Light (1980).

"Cities" details a search for the perfect urban settlement to live in and was born out of Talking Heads' preferences for urban homes, especially in Manhattan. "Paper" compares a love affair with a simple piece of paper. In "Life During Wartime", Byrne cast himself an "unheroic urban guerrilla", who renounced parties, survived on basic supplies like peanut butter, and heard rumors about weapons shipments and impromptu graveyards. The character is only connected to the imminent collapse of his civilization. Byrne considered the persona "believable and plausible". "Air" is a protest song against the atmosphere, an idea Byrne does not consider "a joke". Inspired by The Threepenny Opera, the lyricist wanted to create a melancholic and touching track about a person who feels so depressed that even breathing feels painful.

Artwork
The LP sleeve was designed by Harrison. It is completely black and embossed with a pattern that resembles the appearance and texture of diamond plate metal flooring, reflecting the album's urban subject matter. The rest of the artwork was crafted by Byrne and includes heat-sensitive photography created by Jimmy Garcia with the help of Doctor Philip Strax. The final design was one of the nominees for the 1980 Grammy Award for Best Recording Package. Harrison suggested the "ludicrous" title to the band. According to Weymouth, it was accepted because it "fit" with the album's themes and the fact that the quartet was under a lot of stress and pressure when making it.

Promotion and release
After completing Fear of Music, Talking Heads embarked on their first Pacific region tour in June 1979 and played concerts in New Zealand, Australia, Japan, and Hawaii. The album was released worldwide on August 3.

A U.S. tour to showcase the new material was completed during August 1979. At the time, Byrne told Rolling Stone, "We're in a funny position. It wouldn't please us to make music that's impossible to listen to, but we don't want to compromise for the sake of popularity." The band shared the headliner slots with Van Morrison and the Chieftains at the Edinburgh Festival in September and embarked on a promotional European tour until the end of the year.

Reception

Critical
The album was well received by reviewers. Jon Pareles, writing in Rolling Stone, was impressed with its "unswerving rhythms" and Byrne's lyrical evocations; he concluded, "Fear of Music is often deliberately, brilliantly disorienting. Like its black, corrugated packaging (which resembles a manhole cover), the album is foreboding, inescapably urban and obsessed with texture." John Rockwell of The New York Times suggested that the record was not a conventional rock release, while Stephanie Pleet of the Daily Collegian commented that it showed a positive progression in Talking Heads' musical style. Robert Christgau, writing in The Village Voice, praised the album's "gritty weirdness", but noted that "a little sweetening might help". Richard Cromelin of the Los Angeles Times was impressed with Byrne's "awesome vocal performance" and its nuances and called Fear of Music "a quantum leap" for the band. Tom Bentkowski of New York concluded, "But what makes the record so successful, perhaps, is a genuinely felt anti-elitism. Talking Heads was clever enough to make the intellectual infectious and even danceable."

In retrospective reviews, AllMusic's William Ruhlmann felt that Fear of Music was "an uneven, transitional album", but nonetheless stated that it includes songs that match the quality of the band's best works. In the 1995 Spin Alternative Record Guide, Jeff Salamon called it Talking Heads' most musically varied offering. In a 2003 review, Chris Smith of Stylus Magazine praised Byrne's personas and Eno's stylized production techniques. In The Rough Guide to Rock published the same year, Andy Smith concluded that the album is a strong candidate for the best LP of the 1970s because it is "bristling with hooks, riffs and killer lines".

Commercial
Fear of Music was certified Gold by Recording Industry Association of America on September 17, 1985, after more than 500,000 copies were sold in the U.S.

Accolades
Fear of Music was named as the best album of 1979 by NME, Melody Maker, and the Los Angeles Times. The New York Times included it on its unnumbered shortlist of the 10 best records issued that year. Sounds placed the album at number two on its "Best of 1979" staff list, behind the Specials' eponymous release. It placed fourth in the 1979 Pazz & Jop critics' poll run by The Village Voice, which aggregates the votes of hundreds of prominent reviewers.

In 1985, NME placed Fear of Music at number 68 on its writers' list of the "All Time 100 Albums". In 1987, Rolling Stone placed it at number 94 on its list of the best albums of the previous 20 years. In 1999, it was included at number 33 on The Guardians list of the "Top 100 Albums That Don't Appear in All the Other Top 100 Albums of All Time". In 2004, Pitchfork featured the record at number 31 on its "Top 100 Albums of the 1970s" list, while in 2005, Channel 4 ranked it at number 76 during its "100 Greatest Albums" countdown. The album was also included in the book 1001 Albums You Must Hear Before You Die.

Track listing

 The original LP issue credited all songs to David Byrne, except "I Zimbra". After complaints from other band members, the credits were changed to the above on later CD issues.
 A limited edition UK LP included a live version of "Psycho Killer" and "New Feeling" from Talking Heads' debut album, Talking Heads: 77, on a bonus 7-inch record.

 The remastered reissue was produced by Andy Zax, with the help of Talking Heads, and was mixed by Brian Kehew.
 The DVD portion of the European reissue contains videos of the band performing "I Zimbra" and "Cities" on German music show Rockpop in 1980.

Personnel
Those involved in the making of Fear of Music were:

Talking Heads
David Byrne – lead vocals, guitar; backing vocals ("I Zimbra")
Jerry Harrison – guitar, backing vocals, keyboards
Tina Weymouth – bass guitar, backing vocals
Chris Frantz – drums

Additional musicians
Brian Eno – treatments; backing vocals ("I Zimbra"), additional vocals
Gene Wilder – congas ("I Zimbra", "Life During Wartime")
Ari – congas ("I Zimbra", "Life During Wartime")
Robert Fripp – guitar ("I Zimbra")
The Sweetbreathes (Lani Weymouth, Laura Weymouth, Tina Weymouth) – backing vocals ("Air")
Julie Last – backing vocals ("I Zimbra")
Hassam Ramzy – surdo ("I Zimbra")
Abdou M'Boup – djembe, talking drum ("I Zimbra")
Assane Thiam – percussion ("I Zimbra")

The birds on "Drugs" were recorded at Lone Pine Koala Sanctuary, Brisbane, Australia

Technical
Brian Eno – producer
Talking Heads – producers
Rod O'Brian – engineer
Dave Hewitt – engineering crew
Fred Ridder – engineering crew
Phil Gitomer – engineering crew
Kooster McAllister – engineering crew
Joe Barbaria – engineer
Chris Martinez – assistant engineer
Tom Heid – assistant engineer
Neal Teeman – engineer
Julie Last – assistant engineer
Greg Calbi – mastering
Jerry Harrison – cover concept
Jimmy Garcia – thermograph (heat sensitive photo)
Dr. Philip Strax – thermograph
David Byrne – concept
Spencer Drate – cover/inner sleeve typography design

Charts

Certifications and sales

Release history

Footnotes

Bibliography

External links
 Fear of Music lyrics at Rhapsody

1979 albums
Talking Heads albums
Albums produced by Brian Eno
Albums produced by David Byrne
Albums produced by Chris Frantz
Albums produced by Jerry Harrison
Albums produced by Tina Weymouth
Albums recorded at Record Plant (New York City)
Sire Records albums
Post-punk albums by American artists

Fear of Music


La gare de Bakhmout (en ukrainien : ) est une gare du Réseau ferré de Donetsk, elle est située en Ukraine.

Situation ferroviaire

Elle se trouve sur la ligne Lyman-Mykitivka.

Histoire
Elle fut mise en service en 1913, elle est aussi connue comme gare de Bakhmout II et Artemivsk II. La gare a été remaniée en 1953. Jusqu'en 1924 elle était le gare de Bakhmout, entre 1924 et 2016, gare d'Artemivsk.

Service des voyageurs

Accueil

Desserte

Elle accueille des trains de voyageurs, depuis 2018 le train de nuit à grande vitesse Halychyna y stoppe, puis pour améliorer la desserte, depuis 2021 le train n°7096/7057 de Kharkiv s'y arrête.

Intermodalité

Notes et références

Voir aussi

Articles connexes
 Transport ferroviaire en Ukraine.
 Liste de gares en Ukraine.

Liens externes

Gare dans l'oblast de Donetsk
Gare
Gare mise en service en 1913
Bakhmout

Gare de Bakhmout


غريبينسكايا  هي مدينة في جمهورية الشيشان في روسيا. ويبلغ عدد سكانها حوالي 5456 نسمة.

مراجع

مدن الشيشان

غريبينسكايا (سيسينيجا)


Divisional Hospital (Type A) යනු ශ්‍රී ලංකාවේ රෝහල් වර්ගීකරණයේ භාවිතා කරන ප්‍රවර්ගයකි.

Divisional Hospital (Type A)


Oplemenjivanje biljaka znanost je o mijenjanju svojstava biljaka kako bi se dobila željena svojstva.

Koristi se za poboljšanje prehrambene kvalitete ljudskih i životinjskih proizvoda. Ciljevi oplemenjivanja biljaka su proizvesti sorte usjeva s jedinstvenim i vrhunskim svojstvima za različite primjene u poljoprivredi. Najčešće su to svojstva koja se odnose na: otpornost na biotski i abiotski stres, prinos zrna ili biomase, karakteristike kvalitete kao što su okus ili koncentracija specifičnih bioloških molekula (proteini, šećeri, lipidi, vitamini, vlakna) i jednostavnost obrade (žetva, mljevenje, pečenje, pretvaranje u slad, miješanje itd.)

Oplemenjivanje biljaka može se postići pomoću mnogo različitih tehnika, od jednostavnog odabira biljaka s poželjnim svojstvima za razmnožavanje, do metoda koje koriste znanje o genetici i kromosomima, te do složenijih molekularnih tehnika (vidi: kultigen i kultivar). Prema genima u biljci određuju se kvalitativna ili kvantitativna svojstva. Uzgajivači nastoje postići specifičan rezultat u biljkama i potencijalno novim biljnim sortama.

Diljem svijeta oplemenjivanje biljaka prakticiraju pojedinci kao što su vrtlari i farmeri, kao i profesionalni uzgajivači biljaka zaposleni u organizacijama kao što su vladine institucije, sveučilišta, industrijska udruženja ili centri za istraživanje specifičnih usjeva.

Međunarodne razvojne agencije smatraju, da je uzgoj novih usjeva važan za osiguravanje sigurnosti hrane razvojem novih sorti koje daju veće prinose, otporne su na bolesti, sušu ili su regionalno prilagođene različitim sredinama i uvjetima uzgoja.

Izvori

Molekularna biologija
Agronomija

Oplemenjivanje biljaka


Baudenkmäler nach Ortsteilen

Kirchweidach

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Berg

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Hütting

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Neukirchen an der Alz

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Weitere Ortsteile

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Siehe auch
 Liste der Bodendenkmäler in Kirchweidach

Anmerkungen

Literatur

Weblinks

Kirchweidach
!

Liste der Baudenkmäler in Kirchweidach


بلدية سانتايوردي دي راينوسا ، هي إحدى بلديات منطقة كانتابريا, المصنفة على أنها مقاطعة أيضاً، في شمال إسبانيا.

يبلغ عدد سكانها 327 نسمة وفقاً لإحصائية سنة (2002).

مراجع

أماكن مأهولة في كانتابريا
بلديات كانتابريا

سانتايوردي دي راينوسا