Gordon Roger Alexander Buchanan Parks (November 30, 1912 – March 7, 2006) was an American photographer, composer, author, poet, and film director, who became prominent in U.S. documentary photojournalism in the 1940s through 1970s—particularly in issues of civil rights, poverty and African Americans—and in glamour photography. He is best remembered for his iconic photos of poor Americans during the 1940s (taken for a federal government project), for his photographic essays for Life magazine, and as the director of the films Shaft, Shaft's Big Score and the semiautobiographical The Learning Tree.

Parks was one of the first black American filmmakers to direct films within the Hollywood system, developing films relating the experience of slaves and struggling black Americans, and helping create the "blaxploitation" genre. The National Film Registry citation mentions it as "the first feature film by a black director to be financed by a major Hollywood studio."

Early life
Parks was born in Fort Scott, Kansas, the son of Andrew Jackson Parks and Sarah Ross, on November 30, 1912. He was the youngest of 15 children. His father was a farmer who grew corn, beets, turnips, potatoes, collard greens, and tomatoes. They also had a few ducks, chickens, and hogs.

He attended a segregated elementary school. His high school had both black people and white people, because the town was too small for segregated high schools, but black students were not allowed to play sports or attend school social activities, and they were discouraged from developing aspirations for higher education. Parks related in a documentary on his life that his teacher told him that his desire to go to college would be a waste of money.

When Parks was 11 years old, three white boys threw him into the Marmaton River, believing he couldn't swim. He had the presence of mind to duck underwater so they wouldn't see him make it to land. His mother died when he was fourteen. He spent his last night at the family home sleeping beside his mother's coffin, seeking not only solace, but a way to face his own fear of death.

Soon after, he was sent to St. Paul, Minnesota, to live with a sister and her husband. He and his brother-in-law argued frequently and Parks was finally turned out onto the street to fend for himself at the age of 15. Struggling to survive, he worked in brothels, and as a singer, piano player, bus boy, traveling waiter, and semi-pro basketball player. In 1929, he briefly worked in an elite gentlemen's club, the Minnesota Club. There he observed the trappings of success and was able to read many books from the club library. When the Wall Street Crash of 1929 brought an end to the club, he jumped a train to Chicago, where he managed to land a job in a flophouse.

Career

Photography
At the age of twenty eight, Parks was struck by photographs of migrant workers in a magazine. He bought his first camera, a Voigtländer Brillant, for $12.50 at a Seattle, Washington, pawnshop  and taught himself how to take photos. The photography clerks who developed Parks's first roll of film applauded his work and prompted him to seek a fashion assignment at a women's clothing store in St. Paul, Minnesota, owned by Frank Murphy. Those photographs caught the eye of Marva Louis, wife of heavyweight boxing champion Joe Louis. She encouraged Parks and his wife, Sally Alvis, to move to Chicago in 1940, where he began a portrait business and specialized in photographs of society women. Parks's photographic work in Chicago, especially in capturing the myriad experiences of African Americans across the city, led him to receive the Julius Rosenwald Fellowship, in 1942, paying him $200 a month and offering him his choice of employer, which, in turn, contributed to being asked to join the Farm Security Administration (FSA), which was chronicling the nation's social conditions, under the auspice of Roy Stryker.

Government photography

Over the next few years, Parks moved from job to job, developing a freelance portrait and fashion photographer sideline. He began to chronicle the city's South Side black ghetto and, in 1941, an exhibition of those photographs won Parks a photography fellowship with the FSA.

Working at the FSA as a trainee under Roy Stryker, Parks created one of his best-known photographs, American Gothic, Washington, D.C., named after the iconic Grant Wood painting American Gothic—a legendary painting of a traditional, stoic, white American farmer and daughter—which bore a striking, but ironic, resemblance to the Parks photograph of a black menial laborer. Parks's "haunting" photograph shows a black woman, Ella Watson, who worked on the cleaning crew of the FSA building, standing stiffly in front of an American flag hanging on the wall, a broom in one hand and a mop in the background. Parks had been inspired to create the image after encountering racism repeatedly in restaurants and shops in the segregated capital city.

Upon viewing the photograph, Stryker said that it was an indictment of America, and that it could get all of his photographers fired. He urged Parks to keep working with Watson, which led to a series of photographs of her daily life. Parks said later that his first image was overdone and not subtle; other commentators have argued that it drew strength from its polemical nature and its duality of victim and survivor, and thus affected far more people than his subsequent pictures of Mrs. Watson.

(Parks's overall body of work for the federal government—using his camera "as a weapon"—would draw far more attention from contemporaries and historians than that of all other black photographers in federal service at the time. Today, most historians reviewing federally commissioned black photographers of that era focus almost exclusively on Parks.)

After the FSA disbanded, Parks remained in Washington, D.C., as a correspondent with the Office of War Information, where he photographed the all-black 332d Fighter Group, known as the Tuskegee Airmen. He was unable to follow the group in the overseas war theatre, so he resigned from the O.W.I. He would later follow Stryker to the  Standard Oil Photography Project in New Jersey, which assigned photographers to take pictures of small towns and industrial centers. The most striking work by Parks during that period included, Dinner Time at Mr. Hercules Brown's Home, Somerville, Maine (1944); Grease Plant Worker, Pittsburgh, Pennsylvania (1946); Car Loaded with Furniture on Highway (1945); Self Portrait (1945); and Ferry Commuters, Staten Island, N.Y. (1946).

Commercial and civic photography

Parks renewed his search for photography jobs in the fashion world. Following his resignation from the Office of War Information, Parks moved to Harlem and became a freelance fashion photographer for Vogue under the editorship of Alexander Liberman. Despite racist attitudes of the day, Vogue editor Liberman hired him to shoot a collection of evening gowns. As Parks photographed fashion for Vogue over the next few years, he developed the distinctive style of photographing his models in motion rather than in static poses. During this time, he published his first two books, Flash Photography (1947) and Camera Portraits: Techniques and Principles of Documentary Portraiture (1948).

A 1948 photographic essay on a young Harlem gang leader won Parks a staff job as a photographer and writer with America's leading photo-magazine, Life. His involvement with Life would last until 1972. For over 20 years, Parks produced photographs on subjects including fashion, sports, Broadway, poverty, and racial segregation, as well as portraits of Malcolm X, Stokely Carmichael, Muhammad Ali, and Barbra Streisand. He became "one of the most provocative and celebrated photojournalists in the United States."

His photographs for Life magazine, namely his 1956 photo essay, titled "The Restraints: Open and Hidden," illuminated the effects of racial segregation while simultaneously following the everyday lives and activities of three families in and near Mobile, Alabama: the Thorntons, Causeys, and Tanners. As curators at the High Museum of Art Atlanta note, while the photo essay by Parks served as decisive documentation of the Jim Crow South and all of its effects, he did not simply focus on demonstrations, boycotts, and brutality that were associated with that period; instead, he "emphasized the prosaic details" of the lives of several families.

An exhibition of photographs from a 1950 project Parks completed for Life was exhibited in 2015 at the Boston Museum of Fine Arts. Parks returned to his hometown, Fort Scott, Kansas, where segregation persisted, and he documented conditions in the community and the contemporary lives of many of his 11 classmates from the segregated middle school they attended. The project included his commentary, but the work was never published by Life.

During his years with Life, Parks also wrote a few books on the subject of photography (particularly documentary photography), and in 1960 was named Photographer of the Year by the American Society of Magazine Photographers.

His fashion photography continued to be published in Vogue from the mid 1940s to the late 1970s.

Film
In the 1950s, Parks worked as a consultant on various Hollywood productions. He later directed a series of documentaries on black ghetto life that were commissioned by National Educational Television. With his film adaptation of his semi-autobiographical novel, The Learning Tree, in 1969 for Warner Bros.-Seven Arts. It was filmed in his home town of Fort Scott, Kansas. Parks also wrote the screenplay and composed the musical score for the film, with assistance from his friend, the composer Henry Brant.

Shaft, a 1971 detective film directed by Parks and starring Richard Roundtree as John Shaft, became a major hit that spawned a series of films that would be labeled as blaxploitation. The blaxploitation genre was one in which images of lower-class blacks being involved with drugs, violence and women, were exploited for commercially successful films featuring black actors, and was popular with a section of the black community. Parks's feel for settings was confirmed by Shaft, with its portrayal of the super-cool leather-clad, black private detective hired to find the kidnapped daughter of a Harlem racketeer.

Parks also directed the 1972 sequel, Shaft's Big Score, in which the protagonist finds himself caught in the middle of rival gangs of racketeers. Parks's other directorial credits include The Super Cops (1974) and Leadbelly (1976), a biographical film of the blues musician Huddie Ledbetter. In the 1980s, he made several films for television and composed the music and a libretto for Martin, a ballet tribute to Martin Luther King Jr., which premiered in Washington, D.C., during 1989. It was screened on national television on King's birthday in 1990.

In 2000, as an homage, he had a cameo appearance in the Shaft sequel that starred Samuel L. Jackson in the title role as the namesake and nephew of the original John Shaft. In the cameo scene, Parks was sitting playing chess when Jackson greeted him as, "Mr. P."

Musician and composer

His first job was as a piano player in a brothel when he was a teenager. Parks also performed as a jazz pianist. His song "No Love", composed in another brothel, was performed during a national radio broadcast by Larry Funk and his orchestra in the early 1930s.

Parks composed Concerto for Piano and Orchestra (1953) at the encouragement of black American conductor Dean Dixon and Dixon's wife Vivian, a pianist, and with the help of the composer Henry Brant. He completed Tree Symphony in 1967. In 1989, he composed and directed Martin, a ballet dedicated to Martin Luther King Jr., the civil-rights leader, who had been assassinated.

Writing
In the late-1940s, Parks began writing books on the art and craft of photography. This second career would produce 15 books and lead to his role as a prominent black filmmaker. His semi-autobiographical novel The Learning Tree was published in 1963. He authored several books of poetry, which he illustrated with his own photographs, and he wrote three volumes of memoirs: A Choice of Weapons (1966), Voices in the Mirror (1990), and A Hungry Heart (2005).

In 1981, Parks turned to fiction with Shannon, a novel about Irish immigrants fighting their way up the social ladder in turbulent early 20th-century New York. Parks's writing accomplishments include novels, poetry, autobiography, and non-fiction, including both photographic instructional manuals and books about filmmaking.

Painting
Parks's photography-related abstract oil paintings were showcased in a 1981 exhibition at Alex Rosenberg Gallery in New York titled "Gordon Parks: Expansions: The Aesthetic Blend of Painting and Photography."

Essence magazine
In 1970, Parks helped found Essence magazine, and served as its editorial director during the first three years of its circulation.

Personal life

Parks was married and divorced three times. His first two wives, comprising almost 40 years of marriage, were Black. He married Sally Alvis in Minneapolis in 1933 and they divorced in 1961, after more than 25 years. In 1962, he married Elizabeth Campbell, daughter of cartoonist E. Simms Campbell, and they divorced in 1973. Parks first met Chinese-American editor Genevieve Young (stepdaughter of Chinese diplomat Wellington Koo) in 1962 when he began writing The Learning Tree. At that time, his publisher assigned her to be his editor. They became romantically involved at a time when they both were divorcing previous spouses, and married in 1973. This was his shortest marriage, lasting only six years. It ended in divorce in 1979.

Parks had four children by his first two wives: Gordon, Jr., David, Leslie, and Toni (Parks-Parsons). His oldest son Gordon Parks, Jr., whose talents resembled his father's, was killed in a plane crash in 1979 in Kenya, where he had gone to direct a film. David is an author, with his first book, GI Diary, published in 1968. The book is included in the Howard University Press Classic Editions, Library of African American Literature and Criticism.

Parks was a longtime resident of Greenburgh, New York in Westchester County, New York, and his house was landmarked in 2007.

Parks has five grandchildren: Alain, Gordon III, Sarah, Campbell, and Satchel. Malcolm X honored Parks when he asked him to be the godfather of his daughter, Qubilah Shabazz.

Legacy

In film
With his 1971 film Shaft (along with Melvin Van Peebles's Sweet Sweetback's Baadasssss Song, released earlier the same year), Parks co-created the genre of blaxploitation, an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s. The action film also helped to alter Hollywood's view of African Americans, introducing the black action hero into mainstream cinema.

Director Spike Lee cites Parks as an inspiration, stating "You get inspiration where it comes from. It doesn't have to be because I'm looking at his films. The odds that he got these films made under, when there were no black directors, is enough."

The Sesame Street character Gordon was named after Parks.

In music
One of Parks' photographs, 1956 Alabama, is used for the album cover of Common's Like Water for Chocolate. It is a photo of a young black woman in Alabama, dressed for church, and drinking from a "colored only" drinking fountain.
Parks is referenced in Kendrick Lamar's music video for his song "ELEMENT.". In the video, some of Parks's iconic photographs are transformed into moving vignettes.

Preservation and archives

Several parties are recipients or heirs of different parts of Parks's archival record.

The Gordon Parks Foundation

The Gordon Parks Foundation in Pleasantville, New York (formerly in Chappaqua, New York) reports that it "permanently preserves the work of Gordon Parks, makes it available to the public through exhibitions, books, and electronic media." The organization also says it "supports artistic and educational activities that advance what Gordon described as 'the common search for a better life and a better world.'" That support includes scholarships for "artistic" students, and assistance to researchers. Their headquarters includes an exhibition space with rotating photography exhibits, open free to the public, with guided group tours available by arrangement. The foundation admits "qualified researchers" to their archive, by appointment. The foundation collaborates with other organizations and institutions, nationally and internationally, to advance its aims.

The Gordon Parks Museum/Center

The Gordon Parks Museum/Center in Fort Scott, Kansas, holds dozens of Parks's photos and various belongings, both given to the museum by Parks, and bequeathed to the museum by him upon his death. The collection includes "awards and medals, personal photos, paintings and drawings of Gordon, plaques, certificates, diplomas and honorary doctorates, selected books and articles, clothing, record player, tennis racquet, magazine articles, his collection of Life magazines and much more." The museum has also separately received some of Parks's cameras, writing desk and photos of him.

Library of Congress, Washington, D.C.

The Library of Congress (LOC) reports that, in 1995, it "acquired Parks' personal collection, including papers, music, photographs, films, recordings, drawings and other products of his... career."

The LOC was already home to a federal archive that included Parks's first major photojournalism projects—photographs he produced for the Farm Security Administration (1942–43), and for the Office of War Information (1943–45).

In April 2000, the LOC awarded Parks its accolade "Living Legend", one of only 26 writers and artists so honored by the LOC. The LOC also holds Parks's published and unpublished scores, and several of his films and television productions.

National Film Registry

Parks's autobiographical motion picture, The Learning Tree, and his African-American anti-hero action-drama Shaft, are both permanently preserved as part of the National Film Registry of the Library of Congress. The Learning Tree was one of the original group of 25 films first selected by the LOC for the National Film Registry.

National Archives, Washington, D.C.

The National Archives hold the film My Father, Gordon Parks (1969: archive 306.8063), a film about Parks and his production of his autobiographical motion picture, The Learning Tree, along with a print (from the original) of Solomon Northup's Odyssey, a film made by Parks for a Public Broadcasting System telecast about the ordeal of a slave. The Archives also hold various photos from Parks's years in government service.

Smithsonian Institution, Washington, D.C.

The Smithsonian Institution has an extensive list of holdings related to Parks, particularly photos.

Wichita State University

In 1991, Wichita State University (WSU), in Wichita, the largest city in Parks's home state of Kansas, awarded him its highest honor for achievement: the President's Medal. However, in the mid-1990s, after Parks entrusted WSU with a collection of 150 of his famous photos, WSU—for various reasons (including confusion as to whether they were a gift or loan, and whether the university could adequately protect and preserve them)—returned them, stunning and deeply upsetting Parks. A further snub came from Wichita's city officials, who also declined the opportunity to acquire many of his papers and photos.

By 2000, however, WSU and Parks had healed their division. The university resumed honoring Parks and accumulating his work. In 2008, the Gordon Parks Foundation selected WSU as repository for 140 boxes of his photos, manuscripts, letters and other papers. In 2014, another 125 of his photos were acquired from the foundation by WSU, with help from Wichita philanthropists Paula and Barry Downing, for display at the university's Ulrich Museum of Art.

Kansas State University

The Gordon Parks Collection in the Richard L. D. and Marjorie J. Morse Department Special Collections at Kansas State University primarily documents the creation of his film The Learning Tree. The Marianna Kistler Beach Museum of Art at Kansas State University holds a collection of 204 Gordon Parks photographs as well as artist files and artwork documentation. This collection is made up of 128 photographs that were chosen and gifted by Parks in 1973 to K-State, after receiving an honorary doctor of letters degree from the university in 1970. The gift included black and white images printed from negatives made between 1949 and 1970 and stored in the LIFE magazine archives; the donation also included color photographs printed from negatives in the artist's private collection. The K-State gift is the first known set of photographs specifically selected by Parks for a public institution. The collection also includes a group of 73 photographs printed after two residences by Parks in Manhattan, Kansas. Parks first returned for a residency in 1984, sponsored by the local newspaper The Manhattan Mercury for its centennial; he returned for another in 1985, initiated by the Manhattan Arts Council and sponsored by the city and various community organizations and individuals. Seventy-three photographs printed after these visits were transferred from the Manhattan Arts Center to K-State in 2017. The photographs are of locations in and around Manhattan, including churches and historic homes and K-State architecture and students.

Exhibitions
1984: The Photographs of Gordon Parks, Minnesota Museum of American Art, Landmark Center Galleries, St. Paul, Minnesota
1997: Half past autumn : a retrospective Gordon Parks, Corcoran Gallery of Art, Washington, D.C. A career retrospective.
2013: Gordon Parks: The Making of an Argument, New Orleans Museum of Art.
2015: Gordon Parks: Back to Fort Scott, Boston Museum of Fine Arts.
2015: Gordon Parks: Segregation Story, High Museum of Art, Atlanta.
2016: Invisible Man: Gordon Parks and Ralph Ellison in Harlem, Art Institute of Chicago, Chicago, Illinois.
2017: Gordon Parks: camera is my weapon, Zachęta Gallery, Warsaw, Poland.
2018: Gordon Parks: The Flavio Story, Ryerson Image Centre, Toronto, Ontario and the Getty Museum, Los Angeles.
2019: Gordon Parks: The New Tide, Early Work 1940-1950, Amon Carter Museum of American Art, Fort Worth, Texas.
2020: Gordon Parks X Muhammad Ali, The Image of a Champion, 1966/1970, Nelson-Atkins Museum of Art, Kansas City, Missouri. Comprising photographs from two Life magazine assignments.
2020: A Choice of Weapons Honor and Dignity: The Visions of Gordon Parks and Jamel Shabazz, Minnesota Museum of American Art, St. Paul, Minnesota.
2021: "The Impact of Gordon Parks," multiple Parks films (including Leadbelly) screened and retrospective panel, Tallgrass Film Festival, Wichita, Kansas

Collections
Work by Parks is held in the following public collections:

 Art Institute of Chicago, Chicago, Illinois
Minneapolis Institute of Art, Minneapolis, Minnesota
Cleveland Museum of Art
Minnesota Museum of American Art, St. Paul, Minnesota
Nelson-Atkins Museum of Art, Kansas City, Missouri
Untitled, Harlem, New York. Pérez Art Museum Miami, Florida

Awards and honors
Parks received more than 20 honorary doctorates in his lifetime.
1941: Awarded a fellowship for photography from the Rosenwald Fund. The fellowship allowed him to work with the Farm Security Administration.
1961: Named "Magazine Photographer of the Year" (1960) by the American Society of Magazine Photographers.
1970: Kansas State University awarded Parks the honorary degree of Doctor of Letters.
1972: The NAACP awarded Parks the Spingarn Medal.
1974: Kansas State University hosted a week-long "Gordon Parks Festival", November 4–11.
1976: Honorary Doctor of Humanities degree from Thiel College, a private, liberal arts college in Greenville, Pennsylvania
1989: The United States Library of Congress selects The Learning Tree as one of the first 25 films chosen for permanent preservation as part of the National Film Registry, deeming it to be "culturally, historically, or aesthetically significant" in part due to its being the first film directed by an African American to be financed by a major Hollywood studio.
1990: Missouri Honor Medal for Distinguished Service in Journalism, Missouri School of Journalism, University of Missouri, Columbia, Missouri
1998: Anisfield-Wolf Book Award for Lifetime Achievement
1999: Gordon Parks Elementary School, a nonprofit, K-5 grade public charter school in Kansas City, Missouri, was established to educate the urban-core inhabitants.
2000: The Congress of Racial Equality Lifetime Achievement Award.
2000: Library of Congress selects Parks's film Shaft for National Film Registry preservation—deeming it to be "culturally, historically, or aesthetically significant"
2000 (April): Library of Congress awards Parks its accolade "Living Legend"—honoring "artists, writers, activists, filmmakers, physicians, entertainers, sports figures and public servants who have made significant contributions to America's diverse cultural, scientific and social heritage"—one 26 writers and artists so honored by the LOC.
2001: Kitty Carlisle Hart Award, Arts & Business Council, New York
2003: Royal Photographic Society's Special 150th Anniversary Medal and Honorary Fellowship (HonFRPS) in recognition of a sustained, significant contribution to the art of photography.
2002: Jackie Robinson Foundation Lifetime Achievement Award.
2002: Inducted into the International Photography Hall of Fame and Museum.
2004: The Art Institute of Boston awarded the honorary degree of Doctor of Humane Letters.
2008: An alternative learning center in Saint Paul, Minnesota, renamed their school Gordon Parks High School after receiving a new building
2021: The Gordon Parks Award for Black Excellence in Filmmaking, Tallgrass Film Festival, Wichita, Kansas, instituted in Parks' honor.

Works

Books
 Flash Photography (1947)
 Camera Portraits: Techniques and Principles of Documentary Portraiture (1948) (documentary)
 The Learning Tree (1964) (semi-autobiographical)
 A Choice of Weapons (1967) (autobiographical)
 Born Black (1970) (compilation of essays and photographs)
 Flavio (1978)
 To Smile in Autumn (1979) (autobiographical)
 New edition with foreword by Alexs D. Pate. Minneapolis: University of Minnesota Press, 2009
 Voices in the Mirror, New York: Doubleday (1990) (autobiographical)
 The Sun Stalker (2003) (biography on J. M. W. Turner)
 A Hungry Heart (2005) (autobiographical)
 Gordon Parks: Collected Works (2012), Göttingen, Germany: Steidl; Slp Edition,
 The New Tide: Early Work 1940–1950 (2018), Göttingen, Germany: Steidl

Poetry
Half Past Autumn: A Retrospective, memoir excerpts by Gordon Parks. Bulfinch Press/Little, Brown (1997),
A Star for Noon – An Homage to Women in Images Poetry and Music Bulfinch. (2000),
Eyes With Winged Thoughts Atria Books (2005)

Photography
Arias of Silence (1994) Bulfinch Press,
Glimpses Towards Infinity. Bulfinch Press (1996),
A Harlem Family 1967. Göttingen, Germany: Steidl (2012),
Gordon Parks: a Poet and His Camera by Gordon Park, Viking Press (1968),
The Atmosphere of Crime, 1957. Göttingen, Germany: Steidl (2020),

Films
 Flavio (1964) (short)
 The World of Piri Thomas (1968)
 The Learning Tree (1969)
 Shaft (1971)
 Shaft's Big Score! (1972)
 The Super Cops (1974)
 Leadbelly (1976)
 Solomon Northup's Odyssey (1984)
 Moments Without Proper Names (1987)
Parks also wrote Diary of a Harlem Family (1968) for Joseph Filipowic, and appeared in the 2000 remake of Shaft as Lenox Lounge Patron / Mr. P.

Music
 Shaft's Big Score (1972)
 Moments Without Proper Names (1987)
 Martin (1989) (ballet about Martin Luther King Jr.)

Publications about Parks
 Peter W. Kunhardt, Jr., Philip Brookman (eds), Gordon Parks: The New Tide, Early Work 1940–1950. National Gallery of Art, Washington, D.C. and Steidl, 2018,
Paul Roth and Amanda Maddox (eds),Gordon Parks: The Flavio Story. Gordon Parks Foundation and Steidl, 2017,
Michal Raz-Russo and Jean-Christophe Cloutier, et al., Invisible Man: Gordon Parks and Ralph Ellison. Art Institute of Chicago and Steidl, 2016,
Peter Kunhardt, Jr. and Felix Hoffmann (eds), I Am You: Selected Works, 1942–1978. C/O Berlin, Gordon Parks Foundation and Steidl, 2016,
Karen Haas, Gordon Parks: Back to Fort Scott. Steidl, 2015,
Brett Abbott, et al., Gordon Parks: Segregation Story. High Museum of Art, Atlanta and Steidl, 2014,
Russell Lord, Gordon Parks: The Making of an Argument. Steidl, 2013,
Peter Kunhardt, Jr. and Paul Roth (eds), Gordon Parks: Collected Works. Gordon Parks Foundation and Steidl, 2012,
 Berry, S. L. Gordon Parks. New York: Chelsea House Publishers, 1990,
 Bush, Martin H. The Photographs of Gordon Parks. Wichita, Kansas: Wichita State University, 1983.
 Donloe, Darlene. Gordon Parks: Photographer, Writer, Composer, Film Maker [Melrose Square Black American series]. Los Angeles: Melrose Square Publishing Company, 1993,
Harnan, Terry, and Russell Hoover. Gordon Parks: Black Photographer and Film Maker [Americans All series]. Champaign, Illinois: Garrard Publishing Company, 1972,
 Parr, Ann, and Gordon Parks. Gordon Parks: No Excuses. Gretna, Louisiana: Pelican Publishing Company, 2006.
 Stange, Maren. Bare Witness: Photographs by Gordon Parks. Milan: Skira, 2006,
 Turk, Midge, and Herbert Danska. Gordon Parks. New York: Thomas Y. Crowell Company, 1971,

Documentaries on or including Parks

 My Father, Gordon Parks (1969) (National Archives item #306.08063A)
 Soul in Cinema: Filming Shaft on Location (1971)
 Passion and Memory (1986)
 Malcolm X: Make It Plain (1994)
 All Power to the People (1996)
 Half Past Autumn: The Life and Works of Gordon Parks (2000)
 A Great Day in Hip-Hop (2000)
 BaadAsssss Cinema (2002)
 Soul Man: Isaac Hayes (2003)
 Unstoppable: Conversation with Melvin Van Peebles, Gordon Parks, and Ossie Davis (2005)
  Documenting the Face of America: Roy Stryker & the FSA Photographers (2008)
 A Choice of Weapons: Inspired by Gordon Parks (2021)

See also
 List of photographers of the civil rights movement

References

Other sources

Primary source materials
Gordon Parks Collection. Special Collections, Kansas State University Library.
Collected Photography, other artwork, and texts. Marianna Kistler Beach Museum of Art.
Gordon Parks Papers Exhibit or Finding Aid. Special Collections and University Archives. Wichita State University Libraries.
 Digital Archive. Gordon Parks Foundation. Currently, the negatives are held at the Special Collections at Purchase College, New York.
Gordon Parks FSA OWI Photos. Held by the Library of Congress.
Gordon Parks Oral History from the National Visionary Leadership Project
Gordon Parks in the Minneapolis Institute of Art, Minneapolis, MN

Additional article-length works
Director Guild of America profile
International Photography Hall of Fame and Museum profile and biography
"The Peoples' Champions: Dorothea Lange and Gordon Parks—'Photographic Equality' and 'The Jackie Robinson/Muhammad Ali of the Arts, two long articles in one booklet researched and authored by David Joseph Marcou and published in February 2016 by DigiCOPY of La Crosse, WI.

External links

The Gordon Parks Foundation
Gordon Parks Collection, photograph and poetry exhibit in Gordon Parks's hometown
Some of his photography
Luminous-Lint page
Ordway Theater presents Gordon Parks in the VocalEssence Witness series
C-SPAN interview with Parks, discussing the exhibit "Half Past Autumn: The Art of Gordon Parks", November 25, 1997
PBS Newshour, January 6, 1998
Further biographical information can be found at the Thomson/Gale
Photo District News, Legends Online site for Gordon Parks
Gordon Parks's oral history video excerpts at the National Visionary Leadership Project
Gordon Parks Gallery at Metropolitan State University, Saint Paul, Minnesota gallery devoted to preserving the legacy of Gordon Parks
Art Directors Club biography, portrait and images of work

The chapter entitled "Gordon Parks: A Versatile Titan Who Made His Name First As a Photojournalist" is included in this representative world photo-history The Photographic Spirit: Inspiring Photo Lives and Images, authored by David Joseph Marcou and published in 2013 online (La Crosse History Unbound website) and also in paperback.
Audio recording of Gordon Parks, September 19, 1970, from Maryland Institute College of Art's Decker Library, Internet Archive
Gordon Parks interview on In Black America, September 1, 1984, at the American Archive of Public Broadcasting

1912 births
2006 deaths
20th-century African-American artists
20th-century American male actors
20th-century American photographers
21st-century African-American people
African-American film directors
African-American history of Westchester County, New York
African-American male actors
African-American photographers
African-American writers
American male film actors
American photojournalists
American portrait photographers
Artists from Minnesota
Blaxploitation film directors
Deaths from cancer in New York (state)
Fashion photographers
Film directors from Kansas
Film directors from Minnesota
Life (magazine) photojournalists
People from Fort Scott, Kansas
People of the United States Office of War Information
Social documentary photographers
Spingarn Medal winners
United States National Medal of Arts recipients
Writers from Minnesota

Gordon Parks


FM Federal es una emisora de radio argentina operada por la Policía Federal Argentina. Emite desde la Ciudad de Buenos Aires en los 99.5 megahertz de la frecuencia modulada.

Historia

En octubre de 1996, el ComFeR (Comité Federal de Radiodifusión) otorgó a la PFA la autorización para iniciar emisiones de prueba en la FM 87.9 y así empezaron a preparar las instalaciones en el histórico Departamento Central donde se albergaría la que sería la 1.ª Radio de Servicios en el mundo, sin fines de lucro, creada, dirigida, producida y operada por una institución policial.

Programación
Su programación es mayormente musical, de servicio público y educativa. En ella se pueden encontrar desde microprogramas dedicados al cuidado de la salud y al trabajo de las fuerzas de seguridad hasta música ligera, mayormente en inglés y en español. FM Federal emite Informes de tránsito y noticias de nacional e internacional local.

Referencias

Enlaces externos
Sitio web oficial

Emisoras de radio de la ciudad de Buenos Aires
Policía Federal Argentina

FM Federal


La  o Universidad de Toho  es una de las mejores y prestigiosas universidades privadas de Japón.

Historia

Los hermanos Yutaka Nukada y Susumu Nukada fundaron en 1925 el Imperial Colegio Médico para Mujeres en Ōmori, Tokio, en la ubicación de la actual Facultad de Medicina, con su propio dinero y luego establecieron el Imperial Colegio Médico y Farmacéutico para Mujeres y el Imperial Colegio de Ciencia para Mujeres. Su objetivo es mejorar la educación de las mujeres en campos científicos como la medicina, las ciencias farmacéuticas y la ciencia mientras se desarrollaba en ellas una mente sana y humanista.

Después de Segunda Guerra Mundial, la Facultad de Ciencias Farmacéuticas y la Facultad de Ciencias se trasladó a Funabashi, Chiba. Con la reforma del sistema de la escuela japonesa en 1950, la Universidad de Toho, se convirtió en una institución mixta, centrándose en las ciencias naturales, contando con las Facultades de Medicina, de Ciencias Farmacéuticas y de Ciencias.

Alumnos notables
Takeshi Morishita (médico)
Mark Lenders (futbolista)

Enlaces externos
Toho University

Referencias

Universidades de Japón

Universidad de Tōhō


Sandferhus Station (Sandferhus holdeplass) var en jernbanestation på Nordlandsbanen, der lå ved Værnes i Stjørdal kommune i Norge.

Stationen åbnede som trinbræt 1. juli 1953. Oprindeligt hed den Sandfærhus, men den skiftede navn til Sandferhus i november 1954. Betjeningen med persontog ophørte 29. maj 1988, og 28. maj 1989 blev stationen nedlagt.

Litteratur

Eksterne henvisninger

Stationer på Nordlandsbanen
Jernbanestationer i Trøndelag
Nedlagte jernbanestationer i Norge
Etableret i 1953
Ophørt i 1989

Sandferhus Station


Roy Stephenson (født 27. maj 1932, død 4. februar 2000) var en engelsk fodboldspiller (wing).

Gennem sin 16 år lange karriere spillede Stephenson for blandt andet Burnley, Blackburn og Ipswich. Hos sidstnævnte var han i 1962 med til at vinde det engelske mesterskab, kun ét år efter at holdet var rykket op i den bedste række.

Titler
Engelsk mesterskab
 1962 med Ipswich Town

Referencer

Eksterne henvisninger

Fodboldspillere fra England
Fodboldspillere fra Ipswich Town F.C.
Fodboldspillere fra Burnley F.C.
Fodboldspillere fra Rotherham United F.C.
Fodboldspillere fra Blackburn Rovers F.C.
Fodboldspillere fra Leicester City F.C.

Roy Stephenson


Kuno von der Kettenburg (* 4. August 1811 in Matgendorf; † 10. Juni 1882 in Matgendorf) war ein mecklenburgischer Gutsbesitzer, großherzoglich mecklenburg-strelitzer Kammerherr und Ehrenritter des Malteser-Ordens.

Leben
Kuno August Peter Freiherr von der Kettenburg entstammt dem ursprünglich lüneburgischen Adelsgeschlecht von der Kettenburg. In Mecklenburg siedelten die Kettenburgs 1623, wo sie die Rittergüter Matgendorf, Wüstenfelde und später Schwetzin bei Teterow erwarben. Kuno von der Kettenburg, der in Berlin Rechtswissenschaften studierte, war Erblehn- und Gerichtsherr auf Matgendorf, Wüstenfelde und Schwetzin, auf Kettenburg und Hünzingen sowie der Herrschaft Faal in der Steiermark. 1848/49 gehörte Kettenburg für den Wahlbezirk Vietgest der mecklenburgischen konstituierenden Abgeordnetenversammlung an.

Er heiratete 1836 in Strelitz Thekla Freiin von der Günderrode. Dieser Ehe entstammten vier Kinder:
 Kuno Maximilian Philipp Ludwig (* 3. Februar 1838, † 20. November 1907)
 Kuno Maximilian Johann Friedrich (* 3. Juni 1839, † 19. Februar 1915)
 Kuno Erich Karl August Octavio (* 9. September 1840, † 25. Mai 1881)
 Kuno Franz Heinrich August (* 22. November 1841, † 29. November 1899)

Die Familie war zunächst evangelisch und seit 1852 katholisch. Auch unter dem Einfluss der ebenfalls aus Mecklenburg stammenden, zwei Jahre zuvor konvertierten Schriftstellerin Ida Hahn-Hahn legten die Kettenburgs am 22. Mai 1852 vor dem Bischof Wilhelm Emmanuel von Ketteler in Mainz das katholische Glaubensbekenntnis ab. Ihr Übertritt entfachte in Mecklenburg heftige Auseinandersetzungen über den katholischen Gottesdienst im Land.

Werke
 Betrachtungen über die sogenannten Grundrechte des deutschen Volkes. Schwerin/Rostock: Stillersche Hofbuchhandlung 1849

Literatur
 (Wilhelm von Schröter, anonym erschienen) Die katholische Religionsübung in Mecklenburg-Schwerin. Geschichtlich und rechtlich  Jena: Frommann 1852 ( Digitalisat des Exemplars der Bayerischen Staatsbibliothek)

Weblinks

Autor
Person (Mecklenburg)
Mitglied der Mecklenburgischen Abgeordnetenversammlung
Ritter des Malteserordens (3. Stand)
Deutscher
Geboren 1811
Gestorben 1882
Mann

Kuno von der Kettenburg


Allen Rock may refer to:

See also
Allan Rock a Canadian politician

Allen Rock


Olga, la hija de aquella princesa rusa es una película argentina dirigida por Diego Santillán sobre su propio guion basado en su novela del mismo nombre, que se estrenó el 3 de agosto de 1972 y que tuvo como protagonistas a Eduardo Bergara Leumann, Homero Cárpena, Libertad Leblanc y Pablo Palitos.

Sinopsis
La princesa rusa Olga se refugia en París huyendo de la Revolución de Octubre y es protegida por varios amantes ricos hasta que se enamora de un médico pobre.

Reparto
 Eduardo Bergara Leumann
 Homero Cárpena
 Alberto del Solar
 Saúl Jarlip
 Libertad Leblanc
 Guillermo Macro
 Rodolfo Onetto
 Pablo Palitos
 Andrés Percivale
 Rogelio Romano
 Rogelio Román
 León Sarthié

Comentario
La crítica de La Nación  expresaba: "Farsa disparatada que intenta provocar la hilaridad con remanidas situaciones de alcoba y que luego deriva al género de vodevil". Por su parte el crítico de La Opinión escribió: "Ambientado en un París de cartón temblequeante y recorrida por personajes increíbles e insufribles […] el lugar de la farsa lo ocupa una falta de imaginación tan estridente como los decorados chillones".

Referencias

Enlaces externos

 Olga, la hija de aquella princesa rusa en CineNacional.com

Películas musicales
Películas de Argentina

Olga, la hija de aquella princesa rusa


Yola may refer to:

Culture
 Yola language, Forth and Bargy dialect, an Anglic language, historically of County Wexford, Ireland
 Jola people, of Africa

Music
 Yola (album), a 2001 album by Eleanor McEvoy
 YOLA, Youth Orchestra Los Angeles
 Yowlah, folk dance native to the United Arab Emirates and Oman

Places
 Yola, Adamawa, capital of Adamawa State, Nigeria
 Yola Airport, airport in the Adamawa State of Nigeria
 Yola North, a Local Government Area of Adamawa State, Nigeria
 Yola South, a Local Government Area of Adamawa State, Nigeria
 Yola Diocese,  a diocese of the Anglican Church of Nigeria in the Province of Jos
 County of Yola, the original name of Yolo County, California

People
 Yola (singer) (born 1983), English singer-songwriter
 Yola Berrocal (born 1970), Spanish media personality, dancer, singer, and actress
 Yola Cain (1954–2000), Jamaican-born aviator
 Yola d'Avril (1906–1984), French-born actress
 Yola Ramírez (born 1935), Mexican tennis player

Other uses
 Yola (beetle), a genus of beetles
 Yola (webhost), a website hosting company
 Yawl, sailing ship (Spanish: yola)

See also
 Yolanda (disambiguation)

Yola


Koninklijke Voetbalclub Oostende eller kendt som KV Oostende er en belgisk fodboldklub fra byen Oostende i Vestflandern. Klubben spiller til dagligt i den belgiske liga .

Fodboldklubber i Belgien
Etableret i 1904
Oostende

KV Oostende


Ólafur Ólafsson (fæddur á Brautarholti á Kjalarnesi 11. nóvember 1928, látinn 3. maí 2022) var íslenskur læknir.
Hann stundaði framhaldsnám í læknisfræði í Svíþjóð, Danmörku og Englandi og var viðurkenndur sérfræðingur í lyflækningum, hjartasjúkdómum, farsóttum og í embættislækningum.

Starfsvettvangur Ólafs var víða: Aðstoðaryfirlæknir á Karólínska sjúkrahúsinu í Stokkhólmi, forstöðumaður Rannsóknarstöðvar Hjartaverndar. frá 1972 til 1998 var hann landlæknir Íslands. Hann var enn fremur formaður í félögum og nefndum eins og Félagi eldri borgara og fastafulltrúi hjá Alþjóðaheilbrigðisstofnuninni.

Ólafur var sæmdur stórriddarakrossi hinnar íslensku fálkaorðu 1998, varð heiðursdoktor við læknadeild HÍ 1998 og heiðursfélagi í Læknafélagi Íslands 1998.

Ólafur var giftur Ingu-Lill Marianne (d. 2013) og eignuðust þau fimm börn.

Tilvísanir

Handhafar riddarakross Hinnar íslensku fálkaorðu
Íslenskir læknar
Landlæknar

Ólafur Ólafsson (landlæknir)


El Área Estadística Metropolitana de Ames, IA MSA, como la denomina la Oficina del Censo de los Estados Unidos, es un Área Estadística Metropolitana centrada en la ciudad de homónima, que solo abarca el condado de Story en el estado de Iowa, Estados Unidos. Su población según el censo de 2010 es de 89.542 habitantes, convirtiéndola en la 356.º área metropolitana más poblada de los Estados Unidos.

Área Estadística Metropolitana Combinada
El área metropolitana de Ames es parte del Área Estadística Metropolitana Combinada de Ames-Boone, IA CSA junto con el Área Estadística Micropolitana de Boone, IA µSA; totalizando 115.848 habitantes en un área de 2.973 km².

Comunidades del área metropolitana
Ciudades y pueblos
 Ames (ciudad principal)
 Cambridge
 Collins
 Colo
 Gilbert
 Huxley
 Kelley
 Maxwell
 McCallsburg
 Nevada
 Roland
 Sheldahl
 Slater
 Story City
 Zearing

Véase también
 Anexo:Áreas metropolitanas de Estados Unidos
 Anexo:Áreas micropolitanas de Estados Unidos
 Anexo:Áreas Estadísticas Combinadas de Estados Unidos

Referencias

A

Área metropolitana de Ames


මෙහි දැක්වෙන්නේ රට අනුව, මහාද්වීපය අනුව, body of water අනුව, සහ වෙනත් වර්ගීකරණ ක්‍රමවේද අනුව වර්ගීකරණය කරන ලද ලෝකයේ දූපත් ලැයිස්තු වේ. rank-order ලැයිස්තු සඳහා, පහත වෙනත් දූපත් ලැයිස්තු වෙත යොමු වන්න.

රට අනුව දූපත් ලැයිස්තු

අප්‍රිකාව

ඇන්ටාක්ටිකාව

ආසියාව

යුරෝපය

උතුරු ඇමෙරිකාව

ඕෂනියාව

දකුණු ඇමෙරිකාව

මහාද්වීපය අනුව දූපත් ලැයිස්තු

body of water අනුව දූපත් ලැයිස්තු

සාගරය අනුව:

වෙනත් bodies of water අනුව:

පුරාණ දූපත් ලැයිස්තු

වෙනත් දූපත් ලැයිස්තු

භාහිර සබැඳි
 Island Superlatives

දූපත් ලැයිස්තු


Live in Leipzig prvi je koncertni album norveškog black metal-sastava Mayhem. Snimljen je u klubu Eiskeller u Leipzigu u Njemačkoj 26. studenog 1990., ali nije objavljen sve do 1993. Pjesme izvedene tijekom koncerta bile su s demoalbuma Pure Fucking Armageddon, EP-a Deathcrush i još nesnimljenog albuma De Mysteriis Dom Sathanas. Ovo je jedno od rijetkih službenih izdanja sastava s Deadom kao pjevačem, iako posthumno.

Popis pjesama

Recenzije

Kritičar s web-stranice AllMusic, Steve Huey, napisao je: "Uz nedostatak službenog materijala Mayhema koji sadrži ovu [klasičnu] postavu, to je neophodna stavka za predane fanove, unatoč ne baš idealnoj kvaliteti zvuka."

Njemački časopis Rock Hard uvrstio ga je na popis "250 Black-Metal-Alben, die man kennen sollte" ("250 Black-Metal albuma koje biste trebali znati").

Osoblje

Mayhem
Dead – vokal
Euronymous – gitara
Necrobutcher – bas-gitara
Hellhammer – bubnjevi

Ostalo osoblje
TheOldNick – grafički dizajn

Izvori

Albumi sastava Mayhem
Albumi iz 1993.

Live in Leipzig


NGC 126 este o galaxie lenticulară situată în constelația Peștii, membră a grupului NGC 128. A fost descoperită în 4 noiembrie 1850 de către Bindon Stoney și observată încă o dată în 19 septembrie 1865 de către Heinrich d'Arrest.

Note

Vezi și
 NGC 125
 NGC 127

Legături externe
 NGC 126 pe WikiSky
 NGC 126 pe spider.seds.org
 NGC 126 pe SIMBAD

Galaxii lenticulare
Obiecte NGC
Constelația Peștii
Obiecte astronomice descoperite în 1850
Obiecte astronomice descoperite de Bindon Stoney

NGC 126


Kunta Kinte je glavni lik romana Korijeni Alexa Haleya, istoimene TV-serije iz 1977. godine, te remake-a TV-serije iz 2016. godine. Opisan je kao sin Mandinka poglavice u današnjoj Gambiji koga je otac odgojio da bude ponosni ratnik i pobožni musliman. Godine 1767. ga zarobljavaju i odvode na brod odakle će nakon tromjesečnog putovanja biti iskrcan u Sjevernoj Americi i prodan u roblje. Radnja romana prati njegove neuspješne pokušaje bijega, nakon kojih će za kaznu biti obogaljen, a potom nastojanje da zasnuje obitelj i svojim potomcima prenese tradiciju i kulturu svoje postojbine.

Mladi lik Kunta Kintea je u mini-seriji tumačio LeVar Burton, a stari lik John Amos.

Autor romana je tvrdio da je Kunta Kinte stvarni, a ne fiktivni lik, te da je serija mješavina stvarnih događaja i fikcije, a u selu Juffure u Gambiji žive ljudi koji tvrde da su s njim u dalekom srodstvu.

Zahvaljujući popularnosti serije izraz Kunta Kinte je ušao u široku upotrebu, iako se danas pejorativno koristi za afričke imigrante.

Izvori

Američka književnost
Književni likovi
Likovi iz televizijskih serija

Kunta Kinte


San Marcos es el distrito primero y ciudad cabecera del cantón de Tarrazú, en la provincia de San José, de Costa Rica.

Está ubicado en la región costarricense conocida como Zona de los Santos, famosa por la producción de café.

Ubicación
El distrito de San Marcos de Tarrazú es uno de los tres distritos que componen el cantón, sin embargo, sólo comparte su límite sur con el distrito San Lorenzo. Por lo demás, San Marcos también limita con los cantones josefinos de Dota al este y León Cortés al norte y oeste.

Historia
San Marcos fue creado el 3 de agosto de 1938 por medio de Decreto Ejecutivo 146.

Hasta 1930 San Marcos de Tarrazú representaba la totalidad del territorio del cantón más otros cantones aledaños (León Cortés). A partir de ese año, el distrito adquiriría su extensión territorial de 37,66 km², la que perduraría hasta el Censo 2000, donde aparecería con el área actual.

Geografía

Demografía

Localidades
 Barrios: Corea, I Griega, Las Tres Marías, Santa Cecilia, Rodeo, Sitio.
 Poblados: Alto Pastora, Bajo Canet, Bajo San Juan, Canet, Cedral (parte), Guadalupe, Llano Piedra, San Cayetano, San Guillermo, Sabana (parte), San Pedro.

Existen varios poblados con nombres de santos o santas, como Guadalupe, San Guillermo, San Cayetano, Bajo San Juan, San Pedro, San Luis, Santa Cecilia y otros barrios importantes como El Rodeo, El Llano de la Piedra, La Cruz, La Sabana y Bajo Canet. Cada uno de estos poblados o barrios cuenta con su propia escuela primaria y el Liceo de Tarrazú que se encuentra en el Barrio Santa Cecilia a 1 km al norte del centro de San Marcos de Tarrazú, camino a San Pablo del cantón de León Cortés Castro.

Transporte

Carreteras
Al distrito lo atraviesan las siguientes rutas nacionales de carretera:
 Ruta nacional 226
 Ruta nacional 303

Referencias

Distritos del cantón de Tarrazú

San Marcos de Tarrazú


රිෂී සුනාක් (; උපත 12 මැයි 1980), යනු බ්‍රිතාන්‍ය දේශපාලඥයෙක් වන අතර එක්සත් රාජධානියේ වතමන් අග්‍රාමාත්‍යවරයා සහ කොන්සර්වේටිව් පක්ෂයේ නායකයා. සුනාක් රිච්මන්ඩ් (යෝර්ක්ස්) ආසනය සඳහා කොන්සර්වේටිව් පක්ෂය නියෝජනය කරමින් බ්‍රිතාන්‍ය මහජන මන්ත්‍රී මණ්ඩලයේ (House of Commons) මන්ත්‍රීවරයෙක්. පෙර බ්‍රිතාන්‍ය රජයන්හි ඔහු මුදල් අමාත්‍ය (Chancellor of the Exchequer), භාණ්ඩාගාරයේ ප්‍රධාන ලේකම්, පළාත් පාලන පිළිබඳ පාර්ලිමේන්තු උප රාජ්‍ය ලේකම් ලෙසද කටයුතු කළේය.

ඔහු නැගෙනහිර අප්‍රිකාවෙන් සංක්‍රමණය වූ ඉන්දියානු දෙමාපියන්ගේ වැඩිමහල් පුත්‍රයා ලෙස එක්සත් රාජධානියේ සවුත්හැම්ප්ටන් හි උපත ලැබීය.ඔහු වින්චෙස්ටර් විශ්ව විද්‍යාලයේ අධ්‍යාපනය ලබා, පසුව ඔක්ස්ෆර්ඩ්හි ලින්කන් විද්‍යාලයෙන් දර්ශනය සහ දේශපාලන ආර්ථිකය හැදෑරූ අතර පසුව ඔක්ස්ෆර්ඩ් විශ්ව විද්‍යාලයෙන් ෆුල්බ්‍රයිට් විශාරදයෙකු ලෙස කළමනාකරණය පිළිබඳ ශාස්ත්‍රපති උපාධියක් ලබා ගත්තේය.ඔක්ස්ෆර්ඩ් විශ්වවිද්‍යාලයේ අධ්‍යාපනය ලබමින් සිටියදී ඔහුට තම අනාගත භාර්යාව වූ අක්ෂතා මූර්ති හමුවිය. අක්ෂතා මූර්ති යනු ඉන්දියානු ව්‍යවසායකයෙකු වන එන්.ආර්. නාරායන මූර්තිගේ දියණියයි.

සුනක් සහ ඔහුගේ බිරිඳ අක්ෂතා මූර්ති එක්සත් රාජධානියේ 222 වැනි ධනවත්ම පුද්ගලයන් වන අතර ඒකාබද්ධ ශුද්ධ වටිනාකම පවුම් මිලියන 730 කි.

මුදල් අමාත්‍යවරයා ලෙස, කොවිඩ්-19 වසංගතය සහ එහි ආර්ථික බලපෑම සම්බන්ධයෙන් බ්‍රිතාන්‍ය රජයේ මූල්‍ය ප්‍රතිචාරය තුළ සුනක් ඉතා ප්‍රසිද්ධියට පත් විය. ඔහු ආර්ථිකය ගොඩනැගීම සඳහා ආර්ථික ව්‍යාපෘති කිහිපයක් දියත් කළේය. 'Coronavirus Job Retention' සහ 'Eat Out to Help Out' ව්‍යාපෘති වැනි. 2022 ජූලි 5 වන දින ඔහු මුදල් අමාත්‍ය ධුරයෙන් ඉල්ලා අස්වූයේ රජයේ අර්බුදයක් හේතුවෙන් අවසානයේ එවකට අගමැති බොරිස් ජොන්සන් ඉල්ලා අස්වීමට හේතු විය. ජොන්සන් වෙනුවට කොන්සර්වේටිව් පක්ෂ නායකත්ව මැතිවරණයට ඉදිරිපත් වීමට සුනක් උත්සාහ කළ නමුත් ඔහු ලිස් ට්‍රස්ට පරාජය විය.කෙසේ වෙතත් යන්තම් දින 44 කට පසු ලිස් ට්‍රස් ද තවත් රජයේ අර්බුදයක් මධ්‍යයේ ඉල්ලා අස් වූ අතර සුනක් කොන්සර්වේටිව් පක්ෂයේ නායකයා ලෙස නිතරගයෙන් තේරී පත් වූ අතර එබැවින් අගමැති ලෙස පත් කරන ලදී. සුනක් ඔක්තෝබර් 25 වන දින තෙවන චාල්ස් රජු විසින් අගමැති ලෙස පත් කරන ලදී. ඔහු පළමු බ්‍රිතාන්‍ය දකුණු ආසියාතිකයා, පළමු සුදු නොවන පුද්ගලයා, පළමු හින්දු සහ ධනවත්ම පුද්ගලයා වේ.

මූලාශ්‍ර

1980 උපත්
ජීවමාන ජනයා

රිෂී සුනාක්


The Raven is a 1963 American comedy gothic horror film produced and directed by Roger Corman. The film stars Vincent Price, Peter Lorre, and Boris Karloff as a trio of rival sorcerers. The supporting cast includes Jack Nicholson as the son of Lorre's character.

It was the fifth in the so-called Corman-Poe cycle of eight films largely featuring adaptations of Edgar Allan Poe stories produced by Roger Corman and released by American International Pictures (AIP). The film was written by Richard Matheson, based on references to Poe's 1845 poem "The Raven". AIP released the film as a double feature with Night Tide.

Three decades earlier, Karloff had appeared in another film with the same title, Lew Landers's 1935 horror film The Raven with Bela Lugosi.

Plot
In the year 1506, the sorcerer Dr. Erasmus Craven has been mourning the death of his wife Lenore for over two years, much to the dismay of his daughter, Estelle. One night he is visited by a raven, who happens to be a transformed wizard, Dr. Bedlo. Together they brew a potion that restores Bedlo to his old self. Bedlo explains that he had been transformed by the evil Dr. Scarabus in an unfair duel, and both decide to see Scarabus, Bedlo to exact revenge and Craven to look for his wife's ghost, which Bedlo reportedly saw at Scarabus' castle. After fighting off an attack by Craven's coachman, who acted under the influence of Scarabus, they are joined by Craven's daughter Estelle and Bedlo's son Rexford, and set out to the castle.

At the castle, Scarabus greets his guests with false friendship, and Bedlo is apparently killed as he conjures a storm in an act of defiance. At night, however, Rexford finds Bedlo alive and well, hiding in the castle. Craven, meanwhile, is visited and tormented by Lenore, who is revealed to be alive and well too, having faked her death two years before to become Scarabus' mistress. As Craven, Estelle, Rexford and Bedlo try to escape from the castle, Scarabus stops them, and they are imprisoned. Bedlo panics and begs Scarabus to turn him back into a raven rather than torture him. He then flees the dungeon by flying away. Craven is forced to choose between surrendering his magical secrets to Scarabus or watching his daughter be tortured. Bedlo secretly returns and frees Rexford, and together they aid Craven.

Craven and Scarabus sit facing each other, and engage in a magic duel. After a series of attacks, counterattacks and insults, during which Scarabus sets the castle on fire, Craven defeats Scarabus. Lenore tries to reconcile with him, claiming that she had been bewitched by Scarabus, but Craven rejects her. Craven, Bedlo, Estelle and Rexford escape just as the castle collapses on Scarabus and his mistress; both survive but Scarabus' magic is gone.

In the final scene, Bedlo, still a raven, tries to convince Craven to restore him to human form. Craven tells him to shut his beak, and says, to camera, "Quoth the raven – nevermore."

Cast
 Vincent Price as Dr. Erasmus Craven
 Peter Lorre as Dr. Adolphus Bedlo
 Boris Karloff as Dr. Scarabus
 Hazel Court as Lenore Craven
 Olive Sturgess as Estelle Craven
 Jack Nicholson as Rexford Bedlo
 Connie Wallace as Maid
 William Baskin as Grimes
 Aaron Saxon as Gort

Production

Script
Roger Corman and Richard Matheson had both enjoyed making the comic "The Black Cat" episode of Tales of Terror and wanted to try an entirely comic Poe feature.

"After I heard they wanted to make a movie out of a poem, I felt that was an utter joke, so comedy was really the only way to go with it", said Matheson.

Shooting
The film was shot in 15 days.

Roger Corman said that although they kept closely to the structure and story script, "We did more improvisation on that film than any of the others." The improvisation was in terms of dialogue and bits of business from the actors.

During shooting, Peter Lorre ad-libbed a number of famous lines in the film including:
 "How the hell should I know?", after Vincent Price asks "shall I ever see the rare and radiant Lenore again?"
 "Where else?" after Vincent Price says "I keep her here." (referring to the body of his lost love Lenore, kept in a coffin in the hall)
 "Hard place to keep clean."
Roger Corman says that Lorre's improvisations confused both Vincent Price and Boris Karloff, but Price adapted to it well while Karloff struggled. Corman:
Overall I would say we had as good a spirit on The Raven as any film I've ever worked on, except for a couple of moments with Boris. There was a slight edge to it, because Boris came in with a carefully worked out preparation, so when Peter started improvising lines, it really threw Boris off from his preparation.
Corman says the tension between Peter Lorre and Jack Nicholson as father and son came from the actors rather than the script; the two did not get along well.

Vincent Price later recalled about the final duel:
Boris hated being strung up in the air on those chairs. He was terribly crippled, and we were both floating in the air on these wires. It wasn't a pleasant feeling! And I hated having that snake wrapped around my neck for two hours... I hate snakes.
Boris Karloff later said he was annoyed at having to wear the heavy cape.

The scene of the burning interior of the castle was reused film from Corman's 1960 film House of Usher.

Release

Critical reception
Bosley Crowther of The New York Times panned the film as "comic-book nonsense ... Strickly (sic) a picture for the kiddies and the bird-brained, quote the critic." Variety wrote that while Poe "might turn over in his crypt at this nonsensical adaptation of his immortal poem", Corman nevertheless "takes this premise and develops it expertly as a horror-comedy." The Chicago Tribune called it "fairly thin fare, made up mostly of camera tricks, and some very obviously false scenery, but Peter Lorre's performance is mildly entertaining. Youngsters may find it fun." A generally positive review in The Monthly Film Bulletin wrote that the film "starts off with the inestimable advantage of a script which not only makes it amply clear from the outset that [Corman] is cheerfully and wholeheartedly sending himself up, but manages to do it wittily." Its main criticism was a "long central section" of the film that drags until things pick up again for the final duel. Peter John Dyer of Sight & Sound wrote, "Richard Matheson's script, a good deal more tenuous than its predecessors in the Corman-Poe canon, at least treats its actors generously to props, incantations and quotable lines ... A pity the equation doesn't always add up; there's too much slack, due perhaps to an imbalance between the comedy, which runs riot, and the horror, which trails behind in the wake of previous Corman films."

Colin Greenland reviewed The Raven for Imagine magazine, and stated that "Not so much a raven, more a bit of a lark."

On Rotten Tomatoes the film has an approval rating of 88% based on reviews from 17 critics, with an average rating of 6.8 out of 10.

Shown on the MeTV show Svengoolie on January 7, 2022.

Box office
The film was popular at the box office.

In France it had admissions of 106,292.

Novelization
A novelization of the film was written by Eunice Sudak adapted from Richard Matheson's screenplay and published by Lancer Books in paperback. This novel was republished by Bear Manor Media in 2012.

Comic book adaptation
 Dell Movie Classic: The Raven (September 1963)

See also
 List of American films of 1963

References

External links

1963 films
1960s English-language films
1960s comedy horror films
1960s fantasy comedy films
1963 horror films
American comedy horror films
American International Pictures films
Films based on The Raven
Films directed by Roger Corman
Films set in the Middle Ages
Gothic horror films
Films with screenplays by Richard Matheson
Films produced by Roger Corman
Films scored by Les Baxter
Films set in castles
Films adapted into comics
1960s historical films
American historical films
1963 comedy films
1960s American films

The Raven (1963 film)


|- bgcolor="#eeeeee" align=center
! colspan="4" | Natjecatelj za  Hrvatsku

Tomislav Marijanović (Split, 30. kolovoza 1981.), hrvatski džudaš.

Natjecao se na Olimpijskim igrama 2012. u kategoriji do 81 kilograma. Završio je od 16. do 32. mjesta.

U kategoriji do 81 kilograma na europskom prvenstvu 2013. godine osvojio je srebrnu medalju. Na Mediteranskim igrama 2013. osvojio je brončanu medalju u istoj kategoriji.

Bio je član splitskog Studenta.

Izvori

Hrvatski džudaši

Tomislav Marijanović


Rezolucija Vijeća sigurnosti Organizacije ujedinjenih naroda 998 usvojena je 16. lipnja 1995. godine, radi osnivanja međunarodnih snaga jačine 12.500 ljudi koji bi su trebali biti razmješteni u Bosni i Hercegovini. Iz teksta rezolucije se dade razumjeti da je osnivanje ovih snaga bilo nastavak razmještanja UNPROFOR-a, jer se u tekstu same rezolucije izrijekom spominje Rezolucija Vijeća sigurnosti Organizacije ujedinjenih naroda 982 od 31. ožujka 1995. god., kojom je produžen mandat UNPROFOR-a na području BiH i Republike Hrvatske - ali se zapravo ne da razlučiti koji je stvarni cilj raspoređivanja tih znatnih dodatnih međunarodnih snaga.

Kontroverze
Joško Buljan, novinar i bivši časnik hrvatske vojne obavještajne službe angažiran u Središnjici elektroničkog izviđanja Ministarstva obrane Republike Hrvatske objavljuje 2013. godine članak u kojem, na temelju saznanja iz ondašnjeg angažmana na obavještajnim poslovima, iznosi prosudbu da su te snage trebale biti raspoređene po linijama koje provedbom Operacije Vaganj 95 uspiju zauzeti vojne snage bosanskih i hrvatskih Srba. To se zaključuje jer su britanske i francuske snage iskrcane s brodova uz objašnjenja da će biti korištene radi zaštite bošnjačkih civila na području Srebrenice Žepe, Goražda, Bihaća i drugdje - ali su začudo bile raspoređene na području Tomislavgrada (tj. na području gdje je, kako se kasnije saznalo, trebalo biti težište djelovanja srpskih snaga u Operaciji Vaganj 95) i najavile da će prijeći i na područje Republike Hrvatske. Znakovito je da te snage - čiji su časnici tvrdili da su došli braniti, među ostalim, Srebrenicu - uopće nisu reagirale u vrijeme dok se događao Genocid u Srebrenici 13. – 19. srpnja 1995. godine.

J. Buljan zaključuje da su vodstva Republike Hrvatske i BiH pravovremenim djelovanjem na diplomatskom polju, te pokretanjem Operacije Oluja 4. kolovoza 1995. god. i kasnijih zajedničkih vojnih akcija na teritoriju BiH - koje su slomile snage pobunjenih Srba u Hrvatskoj, te do sredine listopada 1995. godine dovele postrojbe Hrvatske vojske nadomak Banja Luke, što je početkom studenog iste godine rezultiralo mirovnim pregovorima u Daytonu - spriječile takvu uporabu međunarodnih snaga, koje bi možda poslije onemogućilo uspostavu kontrole legalnih vlasti Republike Hrvatske na cjelokupnom svojem području, kao i uspostavu legalne vlasti BiH na cijelom području te države.

Kraj UNPROFOR-a i dolazak američkih vojnih snaga u Bosnu i Hercegovinu
Pobjedničkim vojnim akcijama Hrvatske vojske i Armije BiH u drugoj polovini 1995. godine bitno je promijenjena sigurnosna i politička situacija na terenu, što je rezultiralo sklapanjem Daytonskog sporazuma i priznanjem neovisnosti Bosne i Hercegovine od strane Savezne Republike Jugoslavije (tj. od strane Crne Gore i Srbije). Radi implementacije toga ugovora u BiH dolazi umjesto UNPROFOR-a nova vojna snaga IFOR, gdje su Ujedinjeni narodi odgovornost za nadzor mira povjerili NATO-paktu. Tako u BiH po prvi put dolaze i američke snage, što je sagledano kao najveće jamstvo trajnog mira. Na području oko Tuzle je raspoređena američka 1. oklopna divizija.

Vanjske poveznice
 Potpuni tekst rezolucije Vijeća sigurnosti UN-a 998

Izvori

Rat u Bosni i Hercegovini
 0998

Rezolucija Vijeća sigurnosti UN-a 998


Joyce (Motto: "Was Frauen inspiriert") ist eine vierteljährlich erscheinende christliche Frauenzeitschrift aus dem SCM Bundes-Verlag in Witten. Mit einer Auflage in Höhe von 17.000 Exemplaren ist sie in Deutschland, der Schweiz und Österreich verbreitet. Die Zeitschrift ist über das Abonnement oder den christlichen Buchhandel erhältlich.

Geschichte
Joyce wurde 2001 mit einer kostenlosen Startauflage von 300.000 Exemplaren von Christel Eggers und Ulrich Eggers gegründet. 2006 gab Christel Eggers die Redaktionsleitung an Christina Rosemann ab. Zwei Jahre später folgte Melanie Carstens, die bis heute die Joyce-Redaktion leitet.

Mit der Ausgabe 4/2009 erlebte Joyce eine grafische und inhaltliche Neugestaltung. Die Ausgabe mit dem neuen Untertitel "Was Frauen inspiriert" wurde in einer 150.000 Exemplare umfassenden Auflage verbreitet. Den Neustart eröffnete die Redaktion im Rahmen einer "Joyce-Inspirationstour", die durch fünf Städte (Hamburg, Mülheim, Glauchau, Schorndorf und Thun) führte.

2011 feierte Joyce zehnjähriges Bestehen und veröffentlichte die kleinformatige Sonderausgabe "Schön, dass es dich gibt" zum Verschenken an Freundinnen.

Inhalt
Joyce wird von Frauen in jeder Lebens- und Interessenlage gelesen. Das 84-seitige Heft ist in die Teilbereiche "In jedem Heft", "Leben – Glauben – Feiern", "Dossier", "Glauben" und "Magazin" gegliedert. Die Rubriken "FamilienSinn", "SoloLeben", "JobGeflüster" und "HeimSpiel" sind ein fester Bestandteil jeder Ausgabe.

Joyce wird von einem freien Redaktionsteam und einem vierzigköpfigen Herausgeberbeirat unterstützt.

Autoren
 Bianka Bleier
 Christina Brudereck
 Anna-Maria Fennema
 Claudia Filker
 Anja Gundlach
 Kerstin Hack
 Stephanie Heimgartner
 Debora Kuder
 Christina Rosemann
 Birgit Schilling
 Angelika Steeb
 Christine Rösel
 Ann-Kristin Wagner
 Doro Zachmann

Weblinks
 Offizielle Website

Frauenzeitschrift (Deutschland)
Christliche Zeitschrift
Unternehmen (Witten)
Christentum in Witten
Medien (Witten)
Ersterscheinung 2001

Joyce (Zeitschrift)


Earl of Selborne, in the County of Southampton, is a title in the Peerage of the United Kingdom. It was created in 1882 for the lawyer and Liberal politician Roundell Palmer, 1st Baron Selborne, along with the subsidiary title of Viscount Wolmer, of Blackmoor in the County of Southampton. He had already been made Baron Selborne, of Selborne in the County of Southampton, in 1872, also in the Peerage of the United Kingdom. Both his son, the second Earl, and grandson, the third Earl, were prominent Liberal Unionist politicians. The latter was in 1941 called to the House of Lords through a writ of acceleration in his father's barony of Selborne. The third Earl's grandson, the fourth Earl, served as one of the ninety elected hereditary peers that remain in the House of Lords after the passing of the House of Lords Act 1999, and sat as a Conservative. As of 2021, the titles are held by the latter's son, the fifth earl, who succeeded his father in that year.

The family seat is Temple Manor, near Selborne, Hampshire.

Barons Selborne (1872)
 Roundell Palmer, 1st Baron Selborne (1812–1895) (created Earl of Selborne in 1882)

Earls of Selborne (1882)
 Roundell Palmer, 1st Earl of Selborne (1812–1895)
 William Waldegrave Palmer, 2nd Earl of Selborne (1859–1942)
 Roundell Cecil Palmer, 3rd Earl of Selborne (1887–1971)
 William Matthew Palmer, Viscount Wolmer (1912–1942).
 John Roundell Palmer, 4th Earl of Selborne (1940–2021)
 William Lewis Palmer, 5th Earl of Selborne (born 1971)

Present peer
William Lewis Palmer, 5th Earl of Selborne (born 1 September 1971) is the eldest of the three sons of the 4th Earl and his wife Joanna Van Antwerp James. Styled formally as Viscount Wolmer from birth, he was educated at Eton College,  Christ Church, Oxford, and the Institute of Development Studies at Sussex University. He succeeded to the peerages on 12 February 2021.

The heir apparent is his elder son, Alexander David Roundell Palmer, Viscount Wolmer (born 2002).

Heraldry
Arms of Palmer: Argent, on two bars sable three trefoils slipped of the field in chief a greyhound courant of the second collard or. Crest: On a mount vert a greyhound sejant sable collared or charged on the shoulder with a trefoil slipped argent. Supporters: On either side a greyhound sable collared or and charged on the shoulder with a trefoil argent.

See also
 Ralph Palmer, 12th Baron Lucas

References

Earldoms in the Peerage of the United Kingdom
Noble titles created in 1882
Noble titles created for UK MPs
Peerages created for lord high chancellors of Great Britain

Earl of Selborne


غوستاين  هي إحدى مدن مقاطعة ميرسيد، كاليفورنيا. تم إعطاءها لقب مدينة في 11 نوفمبر، 1915.

التركيبة السكانية
حدّد مكتب تعداد الولايات المتحدة بيانات التركيبة السكانية لغوستاين في تعداد الولايات المتحدة. في ما يلي، التركيبة السكانية حسب تعدادي 2000 و2010.

تعداد عام 2000
بلغ عدد سكان غوستاين 4,698 نسمة بحسب تعداد عام 2000، وبلغ عدد الأسر 1,683 أسرة وعدد العائلات 1,217 عائلة مقيمة في المدينة. في حين سجلت الكثافة السكانية . وبلغ عدد الوحدات السكنية 1,763 وحدة بمتوسط كثافة قدره .
وتوزع التركيب العرقي للمدينة بنسبة 72.26% من البيض و0.72% من الأمريكيين الأفارقة و0.98% من الأمريكيين الأصليين و1.51% من الأمريكيين ذوي الأصول الآسيوية و0.06% من سكان جزر المحيط الهادئ و18.97% من الأعراق الأخرى و5.49% من عرقين مختلطين أو أكثر و35.08% من الهسبانيون أو اللاتينيون من أي عرق.

بلغ عدد الأسر 1,683 أسرة كانت نسبة 39.2% منها لديها أطفال تحت سن الثامنة عشر تعيش معهم، وبلغت نسبة الأزواج القاطنين مع بعضهم البعض 56.3% من أصل المجموع الكلي للأسر، ونسبة 11.8% من الأسر كان لديها معيلات من الإناث دون وجود شريك، بينما كانت نسبة 4.2% من الأسر لديها معيلون من الذكور دون وجود شريكة وكانت نسبة 27.7% من غير العائلات. تألفت نسبة 24.7% من أصل جميع الأسر من عدة أفراد يعيشون في نفس المنزل ونسبة 15% كانت تتألف من شخص يعيش بمفرده يبلغ من العمر 65 عاماً أو أكثر. وبلغ متوسط حجم الأسرة المعيشية 2.79، أما متوسط حجم العائلات فبلغ 3.34.

بلغ العمر الوسطي للسكان 34.8 عاماً. وكانت نسبة 30.2% من القاطنين تحت سن الثامنة عشر، وكانت نسبة 8.2% بين الثامنة عشر والرابعة والعشرين عاماً، ونسبة 25.6% كانت واقعةً في الفئة العمرية ما بين الخامسة والعشرين والرابعة والأربعين عاماً، ونسبة 20% كانت ما بين الخامسة والأربعين والرابعة والستين، ونسبة 15.9% كانت ضمن فئة الخامسة والستين عاماً فما فوق. يوجد لكل 100 أنثى 94.9 ذكر، ويوجد لكل 100 أنثى في الثامنة عشر من عمرها فما فوق 88.8 ذكر.

بلغ متوسط دخل الأسرة في المدينة 38,824 دولارًا، أما متوسط دخل العائلة فبلغ 45,583 دولارًا. وكان متوسط دخل الذكور 35,920 دولارًا مقابل 22,149 دولارًا للإناث. وسجل دخل الفرد الخاص بالمدينة 16,821 دولارًا. وكانت نسبة 11.5% من العائلات ونسبة 16.9% من السكان تحت خط الفقر، وكان من هؤلاء نسبة 22.5% تحت سن الثامنة عشر ونسبة 15.4% في الخامسة والستين من العمر وما فوق.

تعداد عام 2010
بلغ عدد سكان غوستاين 5,520 نسمة بحسب تعداد عام 2010، وبلغ عدد الأسر 1,879 أسرة وعدد العائلات 1,370 عائلة مقيمة في المدينة. في حين سجلت الكثافة السكانية . وبلغ عدد الوحدات السكنية 2,087 وحدة بمتوسط كثافة قدره .
وتوزع التركيب العرقي للمدينة بنسبة 70.20% من البيض و1.32% من الأمريكيين الأفارقة و0.98% من الأمريكيين الأصليين و1.72% من الأمريكيين ذوي الأصول الآسيوية و0.14% من سكان جزر المحيط الهادئ و21.58% من الأعراق الأخرى و4.06% من عرقين مختلطين أو أكثر و50.16% من الهسبانيون أو اللاتينيون من أي عرق.

بلغ عدد الأسر 1,879 أسرة كانت نسبة 40.3% منها لديها أطفال تحت سن الثامنة عشر تعيش معهم، وبلغت نسبة الأزواج القاطنين مع بعضهم البعض 54.6% من أصل المجموع الكلي للأسر، ونسبة 12.1% من الأسر كان لديها معيلات من الإناث دون وجود شريك، بينما كانت نسبة 6.3% من الأسر لديها معيلون من الذكور دون وجود شريكة وكانت نسبة 27.1% من غير العائلات. تألفت نسبة 23.3% من أصل جميع الأسر من عدة أفراد يعيشون في نفس المنزل ونسبة 12.5% كانت تتألف من شخص يعيش بمفرده يبلغ من العمر 65 عاماً أو أكثر. وبلغ متوسط حجم الأسرة المعيشية 2.94، أما متوسط حجم العائلات فبلغ 3.50.

بلغ العمر الوسطي للسكان 35.3 عاماً. وكانت نسبة 28.6% من القاطنين تحت سن الثامنة عشر، وكانت نسبة 8.7% بين الثامنة عشر والرابعة والعشرين عاماً، ونسبة 24.5% كانت واقعةً في الفئة العمرية ما بين الخامسة والعشرين والرابعة والأربعين عاماً، ونسبة 23.9% كانت ما بين الخامسة والأربعين والرابعة والستين، ونسبة 14.3% كانت ضمن فئة الخامسة والستين عاماً فما فوق. وتوزع التركيب الجنسي للسكان بنسبة 49.6% ذكور و50.4% إناث.

مراجع

تأسيسات سنة 1915 في كاليفورنيا
مدن في مقاطعة ميرسيد (كاليفورنيا)
مدن كاليفورنيا

غوستاين


3Sun é uma fábrica de painéis fotovoltaicos fundada em 2010 em Catânia, Itália. Em 2015, a Enel Green Power (EGP) se tornou a única acionista da empresa.

Histórico
A 3Sun foi fundada num consórcio (joint venture) entre a Enel Green Power, a Sharp Corporation e a STMicroelectronics, cada uma possuindo 33% da 3Sun. Entre 2011 e 2014, a 3Sun construiu uma fábrica de células e módulos fotovoltaicos em Catânia que empregava tecnologia de filme fino. A Sharp contribuiu com a tecnologia de filme fino de múltiplas junções (multi-junction) de silício amorfo, a Enel Green Power foi responsável pela distribuição comercial e a STMicroelectronics forneceu pessoal especializado em processos e Pesquisa e Desenvolvimento.

Em 6 de março de 2015, a Enel Green Power se tornou a única proprietária da 3Sun.

Em agosto de 2018, foi iniciada a fabricação dos painéis bifaciais Heterojunction Technology (HJT), tornando a 3Sun a fábrica mais automatizada do mundo no setor, hábil de operação contínua. As primeiras células HJT foram produzidas em fevereiro de 2019, e a produção em massa começou em agosto de 2019.

Em abril de 2022, a Enel Green Power assinou um contrato de concessão com a Comissão Europeia para financiamento subsidiado, como parte do primeiro uso do Fundo de Inovação da UE para projetos de grande escala, contribuindo para o desenvolvimento do projeto TANGO (iTaliAN pv Giga factOry). Isso envolve a construção de uma instalação de produção em escala industrial de módulos fotovoltaicos (PV) inovadores, sustentáveis e de alta eficiência na fábrica da 3Sun em Catânia.

Referências

Empresas de energia da Itália
Empresas fundadas em 2010
Enel

3Sun


Constanța Târțău () a fost o actriță din Republica Moldova și prima prezentatoare TV din Chișinău (în 1958).

Biografie
S-a născut într-o familie de muzicanți și a fost pasionată atât de cântat cât și de compus poezie, la admiterea la facultate prezentându-se cu poezii și proză.

A studiat la  (astăzi Sankt Petersburg) pe care l-a absolvit în 1952. Începe să lucreze la Teatrul Muzical-Dramatic "A. Pușkin" (astăzi Teatrul "Mihai Eminescu") din Chișinău și debutează în 1971 în rol secundar în filmul Lăutarii.

A prezentat emisiunea Teatrul la microfon la Radio Moldova. A jucat și în spectacole teatrale televizate în cadul programului "Dialog".

Colegii de breaslă își amintesc de ea ca fiind una dintre puținele actrițe care să spună răspicat că este româncă într-o perioadă în care acest lucru i-a adus probleme.

S-a stins din viață la 83 de ani și a fost înmormântată în Cimitirul Central de pe strada Armenească din Chișinău.

Roluri
Într-o carieră care s-a întins pe mai bine de 30 de ani, a jucat în zeci de piese de teatru și filme.
 Julieta în Romeo și Julieta de W. Shakespeare;
 Tatiana în O fată își caută norocul de V. Vasilco;
 Haia Livșiț din Eroica de Gh. Malarciuc;
 Cordelia din Regele Lir de W. Shakespeare;
 Iulia din Ovidiu de V. Alecsandri;
 Liusi din Opera de trei parale de B. Breht;
 Aza din Țiganca Aza de M. Starițchi;
 Tiina din Tiina de A. Chițberg;
 Victoria din Două vieți și a treia de F. Vidrașcu;
 Pani Conti din Solo pentru orologii de O. Zagradnic;
 Zeinab din Dincolo de ușa verde de P. Ibraghimbecov;
 Eleonora din Casa mare de I. Druță;
 Lavinia din Toate trei anotimpurile de A. Busuioc;
 Veronica Micle din spectacolul Eminescu în regia lui V. Cupcea;
 Marta în spectacolul Interviu la Buenos-Aires de X. Borovic;
 Mașa din Cadavrul viu de L. Tolstoi;
 Tamara Ivanovna în Tata de D. Matcovschi;
 o mamă cu doisprezece copii în filmul Lăutarii de E. Loteanu;
 mama lui Făt-Frumos în filmul Făt-Frumos de V. Ioviță;
 o mamă a doi feciori - în filmul Tragedia basarabeană de N. Ghibu;
 Inga în În pofida zeilor de A. Delendic;
 Nadi în Duelul de M. Baijiev;
 Vasiluța în Casa mare de I. Druță;
 Lizi Mak-Kei în Lizi Mak-Kei de J.P. Cartr;
 Elena Colțova în Ambasadorul sovietic de A. și P. Tur.

Premii
 Titlul de Artistă Emerită;
 Laureată a premiului "Valeriu Cupcea".

Note

Bibliografie
 Constanța Târțău despre asasinii culturii
 CONSTANȚA TÂRȚĂU: UN DESTIN FRÂNT ÎN DOUĂ

Lectură suplimentară
Sârbu, Antonina - Constanța Târțău, Ultimul Dialog, Editura Arc, Chișinău, 2016.

Nașteri în 1930
Decese în 2014
Prezentatori de televiziune din Republica Moldova
Femei din Republica Moldova
Oameni din Chișinău
Români basarabeni
Actrițe sovietice
Artiști emeriți ai Uniunii Sovietice
Decese în Chișinău
Decorați cu Medalia "Mihai Eminescu"

Constanța Târțău


هذه المقالة عن المدينة، أما عن النهر أنظر فرباس (نهر)
فرباس (Врбас) هي مدينة في جوزنو-باكا في مقاطعة فويفودينا في صربيا.

يبلغ عدد سكانها حوالي 26029 نسمة.

أعلام

 ليوبومير فيسا
 دراغان مارجانك
 نيكولا كومازيتش
 ميروسلاف ريتشفيتش
 ميلان شايين

مراجع

بلدات في صربيا
أماكن مأهولة في مقاطعة جنوب باتشكا
بلديات ومدن فويفودينا

فرباس (مدينة)


A void deck is an open space found on the ground floor of HDB blocks in Singapore. It is used for community activities.

History
At first, HDB blocks did not have void decks in the 1960s. The Housing and Development Board changed the design of the blocks and made the first level free of flats for activities such as light industrial workshops. However, the term "void deck" was not mentioned in HDB's annual reports until 1977–1978. Precinct pavilions are added to newer void decks.

Decoration and artworks
Artists must apply for permission from relevant authorities before displaying their works at void decks as the space belongs to the Town Council of the area where the void deck is located.

Newer void decks
Some void decks are now not located on the ground floor and are integrated with sky gardens. Newer void decks are also smaller in size.

See also
Undercroft

References

External links
Housing and Development Board

Public housing in Singapore
Singaporean culture
1970s neologisms

Void deck


مطرقة المنعكسات هي عبارة عن جهاز طبي يستخدمه الأطباء لفحص انعكاسات الأوتار.

فحص الانعكاس هو جزء هام من الاختبارات العصبية لاكتشاف أي خلل في عمل الجهاز العصبي المركزي أو الجهاز العصبي المحيطي.

طرازات مطارق الانعكاس
 مطرقة انعكاس تايلور أو توماهوك صممت من قبل ماديسون تايلور في عام 1888. وهي أشهر أنواع مطارق الانعكاس في الولايات المتحدة الأمريكية، وتتكون من مثلث من المطاط موصول إلى مقبض معدني.

 مطرقة كوين سكوير كانت تصنع من الخيزران بطول مقبض من 25 إلى 40 سم موصولة إلى قرص معدني مع مخمد بلاستيكي قطره 5 سم.
 مطرقة بابينسكي وهي تشبه مطرقة كوين سكوير إلى أن القبضة المعدنية تكون قابلة للفك والتركيب.

انظر أيضاً
 طب الأمراض العصبية

مراجع

استحداثات 1888
طب الجهاز العصبي
مطارق
معدات طبية

مطرقة المنعكسات


{{Türkiye ilçe bilgi kutusu
| ad               = Keles
| harita           = Bursa in Turkey.svg
| harita boyut     = 250px
| harita açıklama  = Türkiye'de yeri
| harita1          = Bursa (tr).svg
| harita1 boyut    = 250px
| harita1 açıklama =
| harita2          =
| harita2 boyut    =
| harita2 açıklama =
| latd             = 39
| latm             = 52
| latNS            = N
| longd            = 29
| longm            = 12
| longEW           = E
| il               = Bursa
| bölge            = Marmara Bölgesi
| kaymakam         = Ertuğrul Arslan <ref>

Keles, Bursa ilinin, şehir merkezine 61 km uzaklıktaki bir ilçesidir. Doğusunda ve kuzeydoğusunda İnegöl ilçesi, güneydoğuda Kütahya'nın Domaniç ve Tavşanlı ilçeleri, kuzeyde merkez ilçe, batıda ise Orhaneli ilçesi ile çevrilidir. İlçenin yüzölçümü 640 kilometrekare, rakımı 1.050 metre civarındadır.

Keles Deresi vadisinde kurulmuştur. Keles Deresi, Uludağ-Eğriöz Dağları arasındaki platoyu yaran Kocasu Çayı'nın bir koludur. Batıdan Hüseyin Alanı Geçidi ile Bursa'ya, doğudan Tepel Geçidi ile İnegöl'e bağlanır.

Ekonomi
İlçe halkının büyük bölümü geçimini tarım ve hayvancılıktan sağlamaktadır. Tarım ürünleri içerisinde en önemli gelir kaynağını çilek, kiraz, vişne, tütün, nohut, anason gibi ürünler oluşturmaktadır. Verimli tarım ancak Nilüfer Çayı vadisi ve Kocasu ırmağı vadisinde yapılmaktadır.

İlçede sanayi kuruluşu yoktur. Son yıllarda süt işleme tesisleri merkez ve köylerde kurulmaya başlanmıştır. İlçede Keles Linyitleri Başmühendisliğine ait linyit kömürü ocağı bulunmaktadır. Son yıllarda biraz kar yapan işletme 2020'den sonra hızla zarar etmeye başlamıştır. Bölgenin doğal yapısına telafisi mümkün olmayan zararlar vermiştir.

İlçede sanayi gelişmediği için Keles ilçesi, Sanayi Kentleri Bursa ve İnegöl'e yoğun göç vermektedir. Halk tarım ve hayvancılık gelirlerinin yanında Bursa ve diğer illere mevsimlik işçilik için çalışmaya gitmektedirler.

Haydar ve Belenören (Hereke, Heracles) mahallesi yakınlarında doğal sıcak su kaynakları bulunur ancak turizme yönelik tesisler yapılmamıştır. Harmancık, trekking, kamp ve avcılık için uygun bir bölgedir.

Nüfus

İlçenin nüfusu 2020 genel nüfus sayımına göre 11.499'dur.

İlçe bağlısı 42 mahalleden oluşmaktadır.

Tarih

1953 yılına değin Orhaneli'ne bağlı nahiye olan Keles bölgesinde Bitinya, Doğu Rum (Bizans) kalıntıları bulunur. Vaktinde önemli yerleşim birimlerinden biri olmuştur. M.S. 548'de yaygın bir vebadan sonra yöre önemini yitirmiş ve kent terkedilmiştir ancak Uludağ'ın (Keşiş Dağı) keşişler tarafından önem kazanması ile Keles'e canlılık gelmiştir. Osmanlı Beyliği'nin kurulduğu 12. yüzyılda göçmen Yörük boyları bölgeye gelip yerleşmiştir. Moğol istilasından kaçarak Anadolu'ya göçen Türk boyları Selçuklu İmparatorluğu idaresinde uç beyliği olarak Karacadağ yöresine yerleşmişler, beylik genişleyince Keles ve civarındaki yaylalar yazlık olarak kullanılmıştır. Keles'e 4 km. mesafedeki Kocayayla'da o dönemde Sultan otağ çadırı kurulduğu bilinmektedir. Kocayayla'da yapılan Sultan Camii'nin ve ilçe merkezinde bulunan tarihi kilise zamanla tahrip edilmiş ve şu anda bu kalıntıntılara rastlamak artık mümkün değildir. Yıldırım Bayezid'in kardeşi Yakup Çelebi tarafından yaptırılan külliyeden geriye sâdece hamam kalmıştır ve ilçedeki en önemli tarihi eserdir.

Ahmet Vefik Paşa'nın valiliği döneminde Aydınlı (?) Yörükler Keles'e yerleştirilmiştir. Yunan işgali sırasında ilçe büyük zarar görmemiş, Kelesli milisler Türk Kurtuluş Savaşı'nda büyük yararlılık göstermiştir.

Keles uzunca bir süre Cebel (Dağ) ya da Cebel-i Cedîd (Yeni dağ) nahiyesi olarak anılmıştır, 1868-1882 arasında bir süre Bursa merkez kazaya bağlı nahiye yapılmış, sonra yeniden Adranos/Orhaneli kazasına bağlanmıştır, 1953'te ilçe olmuştur.

Bizanstan kalma olan Keles ismi Orta Asya kökenli zannedilmiş, hatta Özbekistan'da Taşkent'e bağlı bir yerleşim biriminin adının da Keles olduğu öğrenildikten sonra kardeş şehir ilân edilmiştir. Benzer şekilde İzmir'in Kiraz ilçesinin cumhuriyet evveli ismi de Keles olup eski Helen kolonilerindeki Koloê isminden kalmadır.

Coğrafya
Keles; 29° 10′ ve 29° 30′ batı meridyenleri, 39° 50′ ve 40° 10′ kuzey paralelleri arasında yer almakta olup ilçe topraklarının tamamı Ege Bölgesi sınırları içindedir. Topraklarını; doğuda İnegöl, güneydoğuda Domaniç ve Tavşanlı, güneyde Harmancık, batıda Orhaneli, kuzeyde Osmangazi ilçeleri çevirir.

İlçe; Uludağ'ın güneydoğu uzantılarından olan Tepel Dağı'nın yine güney ve güneybatı yamaçlarını içine alan, bazı bölümleri düz bazı bölümleri dalgalı bir araziye sahiptir. Arazinin hemen hemen tamamı dağlık olmasına rağmen genel olarak kültüre elverişlidir. Topraklarının % 57 'sini (364 km2) ormanların teşkil ettiği Keles, Bursa'nın orman bakımından en zengin ilçesidir.

İlçede hakim olan toprak tipi "kahverengi orman toprağı" olup fazla miktarda kireç ihtiva eder, ancak kil oranı düşük olduğundan kolay işlenir. Toprakta % 30 kireç, % 19 fosfor ve % 2 oranında organik madde bulunduğu, toprağın asidik derecesinin (PH) 7.70 olduğu tespit edilmiştir.

Kocasu yatağı ve havzası tamamen alüvyonlu topraklardan oluşur. Toprak kalınlığı bu sahalarda 8–10 m.yi bulur, diğer bölgelerde ise genellikle 50–100 cm.dir.

İlçe topraklarında birbirinden ayrı iki dağ sırası bulunmakta; bunlar güneydoğu-kuzeybatı doğrultusunda uzanmaktadır. Bu iki dağ sırası arasında yaylalar ve tepelik sahalar vardır. Genel olarak ilçenin deniz seviyesinden yüksekliği 1.050 m. olup en alçak yer Yazıbaşı Köyü'nün Kocasu kıyıları (500 m.), en yüksek yer Tepel Tepesi (2.052 m.) zirvesidir.

İklimi
Yöre; Marmara Denizi' ne yakın olmakla beraber Uludağ, deniz etkisinin içerilere kadar sokulmasını önler. Bu yüzden bölgede ılıman iklim ile karasal iklim arasında bir geçiş iklimi hüküm sürer. Yağışlar daha çok ilkbahar ve kış mevsimlerinde görülür. Kışın yağış genellikle kar şeklindedir. En soğuk ay Şubat, en sıcak ay ise Ağustos ayıdır. Yıllık ortalama 782,9 mm. ile Bursa'nın en çok yağış alan ilçesi Keles' te günlük yağış değeri en fazla 129,9 mm. olarak 23 Aralık 1986 günü ölçülmüştür.

Yerel Seçimler

Genel Seçimler

Kaynakça

Dış bağlantılar
 Belediye
 YerelNET

 Keles Kaymakamlığı
 Keles Belediyesi

Keles


واراجي  هو نوع من الصنادل المصنوعة من حبال القش، كانت في الماضي أحذيةً لعامة الشعب في اليابان، أما حالياً فيرتديها الرهبان البوذيون.

معرض الصور

المراجع

أحذية تراثية
أحذية يابانية
صنادل
كلمات وعبارات يابانية
ملابس الساموراي
ملابس يابانية
نسج

واراجي


Lantana fucata, também conhecida como cambará-roxo ou cambará, é uma espécie de planta do gênero Lantana e da família Verbenaceae.

É usada na medicina popular para tratar doenças respiratórias, possuindo compostos com propriedades anti-inflamatórias.

Seu óleo essencial contém cirsiliol e salvigenina.

Taxonomia
A espécie foi descrita em 1824 por John Lindley.
Os seguintes sinônimos já foram catalogados:
 Camara lilacina  (Desf.) Kuntze
 Camara lilacina grandifolia  Kuntze
 Camara lilacina media  Kuntze
 Camara salviifolia  Kuntze
 Lantana balansae hatschbachii  Moldenke
 Lantana cordatibracteata  Moldenke
 Lantana czermakii  Briq.
 Lantana fucata antillana  Moldenke
 Lantana fucata longipes  Moldenke
 Lantana lilacina  Desf.
 Lantana lilacina media  Briq.
 Lantana lilacina parvifolia  Briq.

Forma de vida
É uma espécie terrícola e arbustiva.

Descrição
Arbustos de 0,7-2 metros  de altura; ramos inermes, eretos, decumbentes, raro escandentes com ramos, faces abaxiais das folhas, pedúnculos e brácteas tomentosos a glabrescentes quando velhos, tricomas simples, brancos.

Suas folhas são decussadas, membranáceas; pecíolos 0,2-1,5 centímetros de comprimento, estrigosos, tomentosos a glabrescentes; lâminas 1,5-6,5 x 0,7-3,5 centímetros, ovais, ápices agudos a acuminados, margens serreadas, bases sub-sub-cordadas a atenuadas, discolores, faces adaxiais verdes escuros, hirtelas, tricomas simples, brancos, faces abaxiais verdes claros, levemente buladas, a não buladas. Inflorescência 1, 1,5-10 centímetros  de comprimento, menor, igual ou maior que a folhas; pedúnculo 1-8,5 centímetros de comprimento; raque 0,5-2 centímetros de comprimento, alongada na infrutescência; brácteas verdes, persistentes na infrutescência, desiguais, imbricadas, externas 6,5-10 x 5-6 milímetros,  de largura-ovais, ápices agudos a acuminados, internas ovais 5,5-6 x 2,5-3 milímetros, ápices agudos a acuminados. Cálice 1-2 milímetros de comprimento, tubular, truncado, acrescente no fruto; corola lilás, fauce branca ou amarela, tubo 6-10 milímetros  de comprimento, puberulento. Fruto imaturo verde, maduro vinho, mesocarpo conspícuo e suculento

Distribuição
A espécie é encontrada nos estados brasileiros de Alagoas, Bahia, Ceará, Distrito Federal, Espírito Santo, Goiás, Maranhão, Minas Gerais, Mato Grosso do Sul, Pará, Paraíba , Pernambuco, Piauí, Paraná, Rio de Janeiro, Rio Grande do Norte, Rio Grande do Sul, Santa Catarina, Sergipe e São Paulo.

Em termos ecológicos, é encontrada nos  domínios fitogeográficos de Caatinga, Cerrado, Mata Atlântica e Pampa, em regiões com vegetação de áreas antrópicas, caatinga, campos de altitude, campos rupestres, vegetação de carrasco, cerrado, mata ciliar, floresta estacional semidecidual, floresta ombrófila pluvial, mata de araucária e restinga.

Notas
Contém texto em CC-BY-SA 4.0 de Silva, T.R.D.S.; Schaefer, J.; Silva, G.B. Lantana  in Flora e Funga do Brasil.

Ligações externas
 Lantana fucata no projeto Flora e Funga do Brasil

Verbenaceae
Lantana
Plantas descritas em 1824
Flora do Brasil

Lantana fucata


سيمون رولفس  من مواليد 21 يناير 1982 في إبنبورن في ألمانيا ، لاعب كرة قدم ألماني.

السيرة الذاتية
ولد سيمون رولفس في قرية إبنبورن في ألمانيا الغربية . انطلق كروياً كناشئ في فريق ضاحيته تو إس ريكي لفترة كبيرة استمرت 13 سنة بداية من 1986 حتى وقعت عين كشافي فيردر بريمن عليه فضموه في 1999 وبقى ناشئاً لموسم واحد صعد بعدها للفريق الثاني لفيردر بريمن ولكنه لم يمثل الفريق الأول في أي مباراة وسجل اسمه كواحد من أكثر اللاعبين مشاركة مع الفريق الثاني لفيردر بريمن حيث شارك في 100 مباراة كاملة دون أن يظهر للأضواء مع الفريق الأول والذي جعل الأمر غريباً هو أن اللاعب كان من طراز لاعبي الارتكاز المسجلين للأهداف لكن القدر لم ينصفه فرصته في المشاركة في البوندزليجا .

في 2002 يأس رولفس من الوضع وطلب الرحيل فوافق بريمن على رحيل اللاعب على سبيل الإعارة لفريق إس إس في روتلينجين لمدة موسم واحد لكن اللاعب تعرض بعد 13 مباراة فقط لإصابة طويلة المدى ظن البعض معها أن رولفس فقد حياته المهنية كلاعب كرة قدم حيث عاد لبريمن مرة أخرى ولم يشارك في موسم 2003-2004 بأكمله بسبب تأثره بهذه الإصابة .

عندما عاد كان تعاقده قد انتهى بالفعل مع بريمن ولم يطلب منه النادي التجديد فذهب بدون مقابل ليوقع عقداً جديداً مع ألمانيا آخن وهو النادي الذي شهد الانطلاقة الفعلية لسيمون حيث شارك في 28 مباراة وسجل ثلاثة أهداف وقدم أول موسم رائع في تاريخه مع هذا النادي العريق .

تألق رولفس جعل منه هدفاً لأندية كبرى فعرض عليه بريمن العودة وفاوضه بوروسيا دورتموند وقدم شالكه عرضاً مغرياً له لكن اللاعب بحث عن المشاركة أكثر من الماديات ففضل الموافقة على عرض باير ليفركوزن الذي كان يعاني حينها على مستوى وسط الميدان بعد رحيل مايكل بالاك لصفوف بايرن ميونخ .

كان باير ليفركوزن هو التربة الخصبة التي ترعرع فيها رولفس حيث عرفه الشعب الألماني من خلال باير ليفركوزن وأصبح رولفس واحد من أكثر اللاعبين شعبية في البوندزليجا وشارك في 144 مباراة وسجل 25 هدف لكنه لم يشهد الكثير في مباريات هذا الموسم حيث أجبرته الإصابة في الكاحل على عدم مشاركة باير ليفركوزن في أفضل موسم للفريق خلال الخمس سنوات الأخيرة .

على مستوى المنتخب فتمثيل رولفس لألمانيا دولياً كان هو سبب بقاء اللاعب في الصورة خلال الفترات التي غاب فيها عن مباريات الفرق التي لعب لها حيث انضم لأول مرة لمنتخب ألمانيا تحت 21 سنة في 2002 عندما كان موقفه يتعقد مع بريمن .

مسيرته الكروية
لعب سيمون رولفس خلال مسيرته الاحترافية مع 4 أندية في ستة عشر موسمًا وسجل خلالها 62 هدفًا ضمن 429 مباراة. ولم يفز بأي موسم بالكأس أو بالدوري.

خاض سيمون رولفس مسيرته مع  في موسم 2000–01 في المرة الأولى واستمر معه طيلة ثلاثة مواسم ثم في موسم 2003–04 لمدة موسم واحد، مشاركًا طوالها في 100 مباراة سجل خلالها 18 هدفًا. ثم انتقل إلى  في موسم 2002–03 لمدة موسم واحد، حيث شارك في 13 مباراة ولم يسجل أي هدف. لينتقل بعدها إلى نادي ألمانيا آخن في موسم 2004–05 لمدة موسم واحد، مشاركًا في 28 مباراة سجل خلالها 3 أهداف. ثم انتقل إلى نادي باير 04 ليفركوزن في موسم 2005–06 ليلعب معه عشرة مواسم، مشاركًا في 288 مباراة سجل خلالها 41 هدفًا.

روابط خارجية

مراجع

 وجه من البوندزليجا (17) قيصر ليفركوزن الحكيم "سيمون رولفس"

لاعبو كرة قدم من مونستر (منطقة إدارية)
لاعبو وسط كرة قدم رجالية
أشخاص على قيد الحياة
أشخاص من إيبنبورن
لاعبو ألمانيا آخن
لاعبو الدوري الألماني
لاعبو الدوري الألماني الدرجة الثانية
لاعبو باير ليفركوزن
لاعبو بطولة أمم أوروبا 2008
لاعبو فيردر بريمن
لاعبو فيردر بريمن 2
لاعبو كرة قدم ألمان
لاعبو كرة قدم من شمال الراين-وستفاليا
لاعبو منتخب ألمانيا بي لكرة القدم
لاعبو منتخب ألمانيا تحت 21 سنة لكرة القدم
لاعبو منتخب ألمانيا لكرة القدم
مواليد 1982
مواليد في إيبنبورن

سيمون رولفس


El Manguebeat (también escrito como manguebit o mangue beat) es un movimiento musical que surgió en Brasil en la década de 1990 en Recife que mezcla ritmos regionales, como el maracatú, con rock, hip hop, funk y música electrónica.

El Manguebeat tiene comoiícono al músico Chico Science, exvocalista, ya fallecido, de la banda Chico Science e Nação Zumbi, idealizador del rótulo mangue y principal divulgador de las ideas, ritmos y características del Manguebeat. Otro gran responsable del crecimiento de ese movimiento fue Fred 04, vocalista de la banda Mundo Livre S/A y autor del primer manifesto del Mangue de 1992, titulado "Caranguejos com cérebro".

El objetivo del movimiento surgió de una metáfora idealizada por Fred 04. Como el ecossistema mangular es clave en la biodiversidad planetaria,
Como el manglar es el ecosistema biológicamente más rico del planeta, el manguebeat necesitaba formar una escena musical tan rica y diversificada como el mangue. Debido a que la principal bandera del mangue es la diversidad, la agitación en la música contaminó otras formas de expresión culturales como el cine, la moda y las artes plásticas. El manguebeat influenció a muchas bandas de Pernambuco y de Brasil, siendo el principal motor para que Recife volviera a ser un centro musical, y permanecer así hasta hoy.

Con el surgimiento de varias bandas en la escena recifense, grabadoras como Sony, Virgin y otras famosas, se dio inicio a una contratación de bandas que se incluían en ese escenario Mangue.

Notables bandas del género manguebeat son Mundo Livre S/A, Chico Science & Nação Zumbi, Sheik Tosado, Mestre Ambrósio, Eddie, Via Sat, Querosene Jacaré y Jorge Cabeleira.

Referencias

Bibliografía
João Freire Filho, Paulo Vaz; Construções do tempo e do outro: representações e discursos midiáticos sobre a alteridade Ed: Mauad Editora Ltda, 2006

Enlaces externos

 http://www.trama.com.br/mundos/brasileiro/atitude/mangue/
 https://web.archive.org/web/20110904061905/http://www.manguebeat.com.br/

Géneros de música latina
Música afroamericana
Música de Brasil
Géneros musicales de Brasil

Manguebeat


Erenler - Sakarya ili ilçesi
 Erenler, Ceyhan - Adana ili Ceyhan ilçesine bağlı mahalle
 Erenler, Artvin - Artvin ili merkez ilçesine bağlı köy
 Erenler, Orhaneli - Bursa ili Orhaneli ilçesine bağlı mahalle
 Erenler, Bayramören - Çankırı ili Bayramören ilçesine bağlı köy
 Erenler, Oğuzlar - Çorum ili Oğuzlar ilçesine bağlı köy
 Erenler, Karaçoban - Erzurum ili Karaçoban ilçesine bağlı mahalle
 Erenler, Şile - İstanbul ili Şile ilçesine bağlı mahalle
 Erenler, Andırın - Kahramanmaraş ili Andırın ilçesine bağlı mahalle
 Erenler, Devrekani - Kastamonu ili Devrekâni ilçesine bağlı köy
 Erenler, Pınarhisar - Kırklareli ili Pınarhisar ilçesine bağlı köy
 Erenler, Çayeli - Rize ili Çayeli ilçesine bağlı köy
 Erenler, Yıldızeli - Sivas ili Yıldızeli ilçesine bağlı köy
 Erenler, Araklı - Trabzon ili Araklı ilçesine bağlı belde
 Erenler, Devrek - Zonguldak ili Devrek ilçesine bağlı köy

Erenler (anlam ayrımı)


Ağlarca, Eskişehir ilinin Han ilçesine bağlı bir mahalledir.

Tarihçe
Köyü büyük Çerkes sürgünüyle Kafkasyadan gelen Çerkesler kurmuştur. Mahallenin tamamı Şapsığ'dır. Köyün doğu, batı ve güneyi ormanlıktır. 1993 yılında Eskişehir ilinin yüksek eğitim açısından birinci köyü olmuştur.

Coğrafya
Eskişehir iline 103 km, Han ilçesine 8 km uzaklıktadır.

Nüfus

Dış bağlantılar

Han'ın mahalleleri

Ağlarca, Han


Prinsesse Astrid kan referere til flere personer:

 Prinsesse Astrid af Sverige (1905-1935) – datter af Prins Carl af Sverige, gift med kong Leopold 3. af Belgien
 Prinsesse Astrid af Norge (født 1932) – datter af kong Olav 5. af Norge, gift med Johan Martin Ferner
 Prinsesse Astrid af Belgien (født 1962) – datter af kong Albert af Belgien, gift med ærkehertug Lorenz af Østrig-Este

Prinsesse Astrid


Isla de Bergeggi (en italiano: Isola di Bergeggi) es una isla italiana situada cerca de la costa de Liguria, en la Riviera di Ponente, frente a la ciudad de Bergeggi. La isla, que forma parte de la Reserva Natural Regional de Bergeggi, tiene una costa rocosa medianamente alta, que se eleva sobre el mar hasta 53 metros de altura.

El entorno natural incluye diversas especies del Mediterráneo. La isla muestra signos de asentamientos humanos en el caso de las poblaciones de Liguria que se remontan a la época prerromana.  En la parte superior se alza una torre de base circular y los restos de una iglesia del  dedicada a San Eugenio de origen africano.

La isla fue, de hecho, también conocida como "isla de San Eugenio". Está protegida como Zona Especial de Conservación (ZEC código IT1323202).

Véase también
 Geografía de Italia
 Geografía de Europa

Referencias

Enlaces externos

Bergeggi
Bergeggi
Zonas especiales de conservación de Italia

Isla de Bergeggi


Çamoba, Ayvalık - Balıkesir ili Ayvalık ilçesine bağlı mahalle
 Çamoba, Ezine - Çanakkale ili Ezine ilçesine bağlı köy
 Çamoba, Yenice - Çanakkale ili Yenice ilçesine bağlı köy
 Çamoba, Bergama - İzmir ili Bergama ilçesine bağlı mahalle
 Çamoba, Ortahisar - Trabzon ili Ortahisar ilçesine bağlı mahalle

Çamoba


Verdensmesterskabet i curling for mænd 2016 var det 58. VM i curling for mænd gennem tiden. Mesterskabet blev arrangeret af World Curling Federation og afviklet i arenaen St. Jakobshalle i Basel, Schweiz i perioden 2. - 10. april 2016. Schweiz var VM-værtsland for ottende gang, og det var anden gang at mesterskabet blev afholdt i Basel. Første gang var i 2012.

Mesterskabet blev vundet af Canadas hold bestående af Kevin Koe, Marc Kennedy, Brent Laing, Ben Hebert og Scott Pfeifer, som i finalen besejrede Danmarks hold, anført af Rasmus Stjerne, med 5−3. Det var 35. gang, at et canadisk hold vandt VM-titlen, men første gang siden 2012. Det var til gengæld første gang, at et dansk hold havde kvalificeret sig til VM-finalen, og Rasmus Stjernes hold kunne rejse hvem fra VM som de blot tredje danske medaljevindere i VM-historien og for første gang siden 1990. Bronzemedaljerne blev vundet af USA, som i bronzekampen vandt med 8−6 over Japan, som havde kvalificeret sig til medaljeslutspillet for første gang nogensinde.

Turneringen gjaldt endvidere som den første af de to VM-turneringer, hvor holdene kunne samle point i kampen om direkte kvalifikation til de Olympiske Vinterlege i 2018.

Hold

Mesterskabet havde deltagelse af 12 hold: Otte fra Europa, to fra Panamerika og to fra Asien/Oceanien:

De otte europæiske pladser gik til de syv bedst placerede hold ved A-EM i curling 2015 (hvoraf Schweiz som værtsland allerede var kvalificeret) samt til vinderen af B-EM, som i en dyst bedst af tre kampe om den sidste plads besejrede A-EM's nr. 8. Fra Asien og Oceanien kvalificerede de to bedste hold fra Stillehavsmesterskabet i curling 2015 sig til VM. I Panamerika kvalificerede Canada og USA sig til mesterskabet uden modstandere.

Resultater

Format

De tolv deltagende hold spillede først et grundspil alle-mod-alle, hvilket gav elleve kampe til hvert hold. De fire bedste hold efter grundspillet gik videre til slutspillet om medaljer, der afvikles som et Page playoff med bronzekamp.

Grundspil

De 12 hold spillede en enkeltturnering alle-mod-alle, hvilket gav 11 kampe til hvert hold. De fire bedste hold gik videre til slutspillet – de to bedste hold, Canada og Danmark, til playoff 1/2, og nr. 3 og 4, Japan og USA, til playoff 3/4.

Slutspil

De fire bedste hold fra grundspillet spillede i slutspillet om medaljer. Slutspillet afvikledes som et Page playoff med bronzekamp.

Skema

Kampe

Samlet rangering

Kilder / eksterne henvisninger
World Curling Federation - World Men's Curling Championship 2016

Noter

2016 (mænd)
Curling i 2016
Curling i Schweiz
Sport i Basel

VM i curling 2016 (mænd)