Riis Skov-pavillonen eller Aarhus Vandrerhjem i det nordlige Aarhus er et større pavillonkompleks ved Marienlundsvej og Østre Skovvej i Riis Skov. Den var oprindeligt et populært etablissement, som lå midt i skoven, men i dag er den schweizisk inspirerede ottekantede pavillon hjemsted for Aarhus Vandrerhjem. Knap 70 år før vandrerhjemmet blev åbnet, var bygningen dog ikke hjemsted for turister, men for sang, dans, keglespil og udskænkning.

Liv og glade dage i Riis Skov
Modsat Marselisborgskovene, som indtil 1896 var under privat eje, var Riis Skov byens egen skov. Her måtte der gerne oprettes etablissementer, og på trods af at ramsløgene også dengang sendte sin markante lugt ud over skoven, var Riis Skov et populært udflugtsmål. Da Pavillonen, som vandrerhjemmet tidligere blev kaldt, åbnede i 1869 fandtes der allerede to andre udskænkningssteder i Riis Skov; nemlig Salonen, som i 1938 blev omdøbt til Sjette Frederiks Kro og Selskabspavillonen ved Ferdinandspladsen. Men de var åbenbart ved at blive forældede, for Skovkommissionen anmodede i 1867 Aarhus Byråd om en hensigtsmæssig, tidssvarende beværtningspavillon i Riis Skov. Det førte til, at Aarhus Byråd nedsatte et udvalg, som behandlede sagen. Da der blev givet tilladelse til at bygge Pavillonen, blev den bygget på resterne af det gamle skovfogedhus, hvor der traditionen tro også havde fundet udskænkning sted.

Pavillonens værter omkring århundredeskiftet
Den tidligere vært på Pavillonen Christian Madsen, blev vært på Pavillonen i starten af 1890'erne. Madsen blev efterfulgt af den tidligere tjener på d'Angleterre i København, Ivar P. Rasmussen, som igen i 1902 blev efterfulgt af Hans Peter Olsen. Hans Peter Olsen, blev senere en populær vært ved Pavillonen i Vennelystparken, men også på Pavillonen viste han sin kunnen med opvisninger fra Danmarks mest berømte solister og skuespillere. De forskellige værter på Pavillonen satte hver deres præg på underholdningen, der spændte fra slaviske Tamburitza-orkestre og symfonikoncerter til digt-recitation og solistoptræden.

Fru Olsens borgmesterkringle
Under Olsen tid blev Pavillonen især kendt for en ting; nemlig Fru Olsens borgmesterkringle. Pinselørdag måtte Mathilde Olsen op kl. 2 om natten for at påbegynde bagningen, som allerede kl. 6 blev nydt af de første morgenfriske gæster. Opskriften på kransekagemassen i kringlerne kom fra den lige så populære Café Rozzi, der havde til huse på Bispetorvet. I forhold til Salonen, som var et folkeligt samlingssted, hvor især byens unge mødtes, hørte Pavillonens gæster til byens bedre borgerskab. Eksempelvis mødtes flere af byens storkøbmænd hver lørdag til keglespil i pavillonen, og også den daværende kronprins Christian besøgte Pavillonen efter at have været til fugleskydning ved Aarhus Borgerlige Skydeselskab på Ferdinandspladsen. At kronprinsen fik serveret persillesovs, som ikke faldt i hans smag, er en anden sag.

Med droske, tog og dampbåd

Transporten til Pavillonen foregik i 1890'erne med drosker, som for 15 øre transporterede gæsterne fra Skolebakken til Pavillonen. Statsbanerne meldte sig hurtigt ind i kampen og sommeren over kørte der ekstra tog på Østbanegården om søndagen, så man for blot 10 øre kunne komme på skovtur. Dette fik vognmændene på barrikaderne, og det lykkedes dem at få suspenderet statsbanernes ekstra kørsel, med henvisning til deres egen manglende indtjening. Selvom byrådet prøvede at gribe ind ved at henvende sig til ministeriet, blev togtrafikken først genoptaget i 1925, da de nye villakvarterer blev opført nord for skoven. I 1898 blev det muligt at sejle til Riis Skov, da skovbådene Turisten og Marselisborg, fik udvidet deres rute fra ikke kun at sejle til Moesgård, Ørnereden og Varna Pavillonen, men nu også til Salonen, hvor der blev anlagt en anløbsbro. I 1904 blev sejladsen til Riis Skov indstillet, for igen i 1906 at blive genoptaget med Dampbåden Riis Skov, der sejlede indtil 1. Verdenskrig.

Tilbagegang for Riis Skov

Hans Peter Olsen trak sig i 1909 tilbage til Vennelyst og i 1912 overtog Carl Hansen værtsrollen, hvilken han beholdte i 18 år. Hansen var en driftig mand og arrangerede foreningsudflugter, soireer, julehygge og sangerstævner, anlagde legeplads og skydebane og under første verdenskrig producerede han konserves i vinterhalvåret, som kunne sælges til overpris til det krigshærgede Tyskland. Da Hansen i 1930 opgav værtsrollen på Pavillonen til fordel for Café Rømer, var Riis Skov ikke længere noget populært udflugtsmål, og efter et par år med stilstand blev Pavillonen i 1938 omdannet til vandrerhjem, hvilket har været dets funktion lige siden.

Kilder og henvisninger

Bygninger, konstruktioner og anlæg i Aarhus

Riis Skov-pavillonen


Gideon Brand van Zyl, PC (; 3 June 18731 November 1956) was Governor-General of the Union of South Africa from 1945 to 1950.

Born in Cape Town, he was the son of a prominent attorney, and he joined the family firm after qualifying at the University of Cape Town. During the Anglo-Boer War (1899–1902), he was a legal adviser to the British War Office.

In World War I (1914–1918), he was Deputy Director of War Recruiting, and served in the Cape Peninsula Garrison Regiment (a home defence unit).

Van Zyl entered politics in 1915, as a member of the Unionist Party. He was a member of the Cape Provincial Council (the provincial legislature) until 1918, and then a member of Parliament until 1942. He was Deputy Speaker from 1934 to 1942 (the Speaker being Dr Ernest George Jansen, who was later also governor-general).

From 1942 to 1945, Van Zyl was Administrator of the Cape Province. He served as Governor-General from 1945 until 1950. He was appointed to the Privy Council of the United Kingdom in 1945. In 1947, he hosted King George VI and the British Royal Family when they toured South Africa.

Van Zyl married Marie Fraser in 1900. He died in 1956.

References

1873 births
1956 deaths
Afrikaner people
South African people of Dutch descent
Governors-General of South Africa
Unionist Party (South Africa) politicians
Members of the House of Assembly (South Africa)
South African members of the Privy Council of the United Kingdom
Provincial political office-holders in South Africa
Politicians from Cape Town
Scouting and Guiding in South Africa
Cape Colony people

Gideon Brand van Zyl


Schupbach ist ein geographischer Name:

 Schupbach, Ortsteil der Gemeinde Beselich, Landkreis Limburg-Weilburg, Hessen
 Schupbach (Ohrn), rechter Zufluss der Ohrn beim Weiler Schuppach (!) der Gemeinde Pfedelbach, Hohenlohekreis, Baden-Württemberg

Siehe auch:
 Schuppach

Schupbach (Begriffsklärung)


is a Japanese video game designer and director best known for being the creator of the Pokémon franchise and one of the founders, and president of video game developer Game Freak. A fan of arcade games, Tajiri wrote for and edited his own video gaming fanzine Game Freak with Ken Sugimori, before evolving it into a development company of the same name. Tajiri claims that the joining of two Game Boys via a link cable inspired him to create a game which embodied the collection and companionship of his childhood hobby, insect collecting. The game, which became Pokémon Red and Pokémon Green, took six years to complete and went on to spark a multibillion-dollar franchise which reinvigorated Nintendo's handheld gaming scene. Tajiri continued to work as director for the Pokémon series until the development of Pokémon Ruby and Sapphire, when he changed his role to executive producer, which he holds to this day.

Tajiri has also worked for other Game Freak projects. He was also an executive producer on the live-action film Detective Pikachu.

Early life

Satoshi Tajiri was born on August 28, 1965, in Setagaya, Tokyo. Tajiri grew up in Machida, Tokyo, which at the time still maintained a rural atmosphere and was rapidly growing. As a child, Tajiri enjoyed insect collecting as a hobby, which would be an inspiration for his later video game work. Other children called him "Dr. Bug", and he wanted to become an entomologist. As urban areas of Japan spread and more land was paved over, habitats for hunting bugs were lost. Tajiri wanted his games to allow children to have the feeling of catching and collecting creatures as he had.

He became fascinated with arcade games as a teenager, though his parents thought he was a delinquent for this pastime. He particularly enjoyed playing Taito's Space Invaders (1978), which drew him into other video games. Space Invaders got him interested in video games; after playing Space Invaders and its video game clones, he wanted to make his own sequel to Space Invaders. He was also inspired by Namco games designed around a single specific action, notably Dig Dug (1982). His interest eventually evolved into attempting to plan his own games. He took his Famicom apart to see how it worked, and won a contest for a video game idea sponsored by Sega.

Because of his fascination with video games, Tajiri frequently cut classes. He took make-up classes and eventually earned his high school diploma. Tajiri did not attend university, but instead attended a two-year technical degree program at the Tokyo National College of Technology, where he majored in electronics and computer science.

Career
Tajiri wrote and edited a fanzine called Game Freak from 1981 to 1986, focusing on the arcade game scene. It was handwritten and stapled together. Satoshi created the Game Freak fanzine to help gamers with winning strategies and lists of easter eggs. The highest selling issue, at more than 10,000 copies, details how to get a high score in Xevious. Ken Sugimori, who later illustrated the first 151 Pokémon, saw the magazine at a dōjinshi shop, and became its illustrator. As more contributors came to Game Freak, Tajiri began to realize that most games were lacking in quality, and he and Sugimori decided the solution was to make their own games. Tajiri studied the Family BASIC game programming package, to better grasp the concepts of Famicom game design. He then purchased the requisite hardware for game development. Tajiri and Sugimori evolved the magazine into the video game development company Game Freak in 1989. Soon after, the two pitched their first game, an arcade-style game called Quinty, to Namco, who published the game. Tajiri also wrote as a freelance writer for the magazine Famicom Hisshōbon, later called Hippon, and reviewed arcade games for Family Computer Magazine and Famicom Tsūshin.

Tajiri first conceived the idea of Pokémon in 1990. The idea came together after he saw a Game Boy and the ability to communicate between Game Boys, and Tajiri decided Pokémon made the most sense on the handheld console. When he thought about the link cable being able to interact with two Game Boys, he envisioned bugs crawling back and forth, recalling his childhood love of bug collecting. Tajiri advanced the connectivity between handheld game consoles beyond Tetris style competition, by suggesting that Game Boys could use their link cables to trade collectibles.

When he first pitched the idea of Pokémon to Nintendo staff, they could not quite grasp the concept, but were impressed enough with Tajiri's game design reputation that they decided to explore it. Shigeru Miyamoto began to mentor Tajiri, guiding him during the creation process. Pokémon Red and Green took six years to produce, and nearly bankrupted Game Freak in the process; often, there was barely enough money to pay the employees. Five employees quit, and Tajiri did not take a salary, instead living off of his father's income. Investment from Creatures Inc. allowed Game Freak to complete the games, and in return, Creatures received one-third of the franchise rights.

Between the approval and completion stages of the project, Tajiri assisted in the design of two Mario spin-off games for Nintendo: Yoshi and the Japanese-only release Mario & Wario. He also worked on 1994's Pulseman for Sega.

Once the games were completed, very few media outlets gave it attention, believing the Game Boy was a dead console; a general lack of interest of merchandising convinced Tajiri that Nintendo would reject the games. The Pokémon games were not expected to do well, but sales steadily increased until the series found itself among Nintendo's top franchises. Rumors of a hidden Pokémon creature named Mew, which could only be obtained by exploiting programming errors, increased interest in the game. Tajiri had included Mew in the game in order to promote trading and interaction between players, but Nintendo was not aware of the creature upon release. The franchise helped Nintendo's waning sales. Tajiri deliberately toned down violence in his games. In this vein, he designed Pokémon creatures to faint rather than die upon their defeat, as he believed it was unhealthy for children to equate the concept of death with losing a game. After the completion and release of Red and Green in Japan, Tajiri later worked on 1997's Bushi Seiryūden: Futari no Yūsha. Tajiri continues to be involved in the more modern Pokémon games as well. For Pokémon FireRed and LeafGreen, he supervised the process from start to finish and approved all the text. While developing games, Tajiri works irregular hours, often laboring 24 hours at a time and resting 12 hours.

Inspirations
Tajiri cites Shigeru Miyamoto as a major influence, thinking of him as a sort of mentor. For this reason, his developmental style closely matches that of Miyamoto. In the Japanese version of the Pokémon anime, the main character is named Satoshi (Ash Ketchum in the English version), and his rival is Shigeru (Gary Oak in the English version).

Tajiri drew much of his inspiration from old Japanese shows and anime, including Godzilla and Ultraman. He has stated that if he did not design video games, he would most likely be in the anime field.

Awards and recognition
IGN named Tajiri one of the top 100 game creators of all time, mainly for his ability to have built Pokémon into a "worldwide phenomenon". Electronic Gaming Monthly credited Tajiri as one of the 10 most influential people who made the modern video game market. Video game magazine Edge placed Tajiri on their list of the "Hot 100 Game Developers of 2008". Tajiri, alongside Tsunekazu Ishihara, received the Special Award from the Computer Entertainment Developers Conference in 2011. The Economist has described Pokémon as "Japan's most successful export."

Works

Games
{| class="wikitable sortable"
!Year!!Game title!!Role
|-
|1989||Mendel Palace||Director, producer, game designer
|-
| rowspan="2" |1991||Smart Ball||Director, game designer, scenario
|-
|Yoshi||Director, game designer
|-
|1992||Magical Tarurūto-kun||Producer
|-
|1993||Mario & Wario||Director, game designer, map design
|-
| rowspan="2" |1994||Nontan to Issho: KuruKuru Puzzle||Planner
|-
|Pulseman||Director, game designer
|-
|1995||Jerry Boy 2 (unreleased)||Supervisor
|-
|rowspan="2" |1996||Pokémon Red, Green and Blue||Director, game designer, map design, scenario
|-
|Bazaar de Gosāru no Game de Gosāru||Advisor
|-
|1997||Bushi Seiryūden: Futari no Yūsha||Concept, game designer
|-
|1998||Pokémon Yellow||Director, game designer, map design, scenario
|-
| rowspan="2" |1999||Click Medic||Concept
|-
|Pokémon Gold and Silver||Director, game designer
|-
|2000||Pokémon Crystal||Director, executive director
|-
|2002||Pokémon Ruby and Sapphire|| rowspan="2' |Executive director
|-
|2003||Pokémon Box: Ruby and Sapphire
|-
| rowspan="2" |2004 ||Pokémon FireRed and LeafGreen||Scenario, executive director
|-
|Pokémon Emerald
|Executive director
|-2005 Pokémon Emerald Executive director
|2005||Drill Dozer|| rowspan="21" |Executive producer
|-
|2006||Pokémon Diamond and Pearl
|-
|2008||Pokémon Platinum
|-
|2009||Pokémon HeartGold and SoulSilver
|-
|2010||Pokémon Black and White
|-
| rowspan="2" |2012||Pokémon Black 2 and White 2
|-
|HarmoKnight
|-
| rowspan="2" |2013||Pocket Card Jockey
|-
|Pokémon X and Y
|-
|2014||Pokémon Omega Ruby and Alpha Sapphire
|-
|2015||Tembo the Badass Elephant
|-
|2016||Pokémon Sun and Moon
|-
| rowspan="2" |2017||Giga Wrecker
|-
|Pokémon Ultra Sun and Ultra Moon
|-
|rowspan="2" |2018||Pokémon Quest
|-
|Pokémon: Let's Go, Pikachu! and Let's Go, Eevee!
|-
| rowspan="2" |2019||Little Town Hero
|-
|Pokémon Sword and Shield
|-
|2021
|Pokémon Brilliant Diamond and Shining Pearl
|-
| rowspan="2" |2022||Pokémon Legends: Arceus
|-
|Pokémon Scarlet and Violet
|}

 Filmography

Bibliography

See alsoPokémon''
Game Freak
Ash Ketchum

References

External links

1965 births
Japanese video game designers
Living people
Nintendo people
People from Machida, Tokyo
People from Setagaya
Pokémon
Japanese video game directors

Satoshi Tajiri


بلدية هوركايو دي سانتاياغو ، هي إحدى بلديات مقاطعة قونكة إحدى مقاطعات إسبانيا، و التي تقع في منطقة قشتالة لا منتشا وسط البلاد, و المائلة لجهة الشرق من إسبانيا.

يبلغ عدد سكانها 4.025 نسمة وفقاً لإحصائية سنة (2007).

أعلام
 أنخل بالنثيا

مراجع

أماكن مأهولة في قونكة
بلديات قونكة

هوركايو دي سانتاياغو


38962 Chuwinghung este un asteroid din centura principală de asteroizi.

Descriere
38962 Chuwinghung este un asteroid din centura principală de asteroizi. A fost descoperit pe  la Desert Beaver Observatory de William Kwong Yu Yeung. Asteroidul prezintă o orbită caracterizată de o semiaxă mare de 2,79 ua, o excentricitate de 0,19 și o înclinație de 8,9° în raport cu ecliptica.

Vezi și
 Lista planetelor minore: 38001-39000
 Centura de asteroizi

Referințe

Obiecte astronomice descoperite în 2000
Centura de asteroizi

38962 Chuwinghung


La iglesia de Nuestra Señora de la Asunción en Vilvestre (Salamanca, España) es un templo parroquial de estilo arquitectónico gótico final, construido en el .

Este templo está construido en sillería de granito. La capilla mayor realizada con bóveda de cruceria en su interior, y rematada con ángeles y gargolasen el exterior, fue edificada en 1540 por Pedro de Lanestosa.
La nave principal es posterior () y conserva su artesonado mudéjar. Destaca el retablo mayor de estilo barroco del año 1678

Retablos

Retablo de la capilla mayor

El retablo está fechado en el 1678. Está hecho de madera, es de estilo barroco, de medio punto, de dos cuerpos con cuatro columnas salomónicas.

En la calle principal se sitúa en el centro imagen de talla policromada de la Virgen de la Asunción; a la izquierda otra de San Pedro con la espada en la mano, y a la derecha San Pablo.

En el centro talla policromada de San Sebastián, patrón de la localidad, procedente de su antigua Ermita.

En la parte superior está situado un cuadro donde se pueden ver las murallas de Jerusalén, el sol y la luna, sobre que hay una talla policromada de Cristo crucificado, imagen del .

Todo el conjunto va dorado y policromado con molduras y motivos vegetales; en el vano central aparecen dos ángeles. El sagrario de madera es de estilo moderno en talla policromada y forma cuadrangular con el motivo de la Epifanía (Reyes Magos).

Retablos Laterales

Retablos de estilo churrigueresco, situados a ambos lados de la capilla mayor, datan del  de dos columnas salomónicas con racimos y toda la moldura va con relieves tallados, todo el conjunto va sobre dorado y policromado.

Retablo de la Virgen del Rosario

Este retablo cuenta con una talla moderna con la imagen de la Virgen del Rosario. En la parte inferior va una pintura sobre tabla representando cinco ánimas en formato muy apaisado. En la parte superior lleva una lámina moderna con imagen de la Inmaculada de Murillo

Retablo de San Antonio de Padua

Este retablo cuneta con una imagen de San Antonio de Padua con el niño Jesús. En la parte superior tiene una pintura sobre lienzo en formato cuadrangular de buena factura (posiblemente representa a la Virgen Dolorosa, pintura del ).

Referencias

Vilvestre
Diócesis de Ciudad Rodrigo
Iglesias de la provincia de Salamanca
Vilvestre

Iglesia de Nuestra Señora de la Asunción (Vilvestre)


Alonso de Egea, también llamado Alonso de Córdoba, (Ejea de los Caballeros, Zaragoza, España, alrededor de 1360-Cantillana, Sevilla, 1417)  fue un clérigo español que recibió los nombramientos de Obispo de Ávila, Obispo de Zamora, Patriarca Latino de Constantinopla, administrador apostólico  perpetuo y Arzobispo de Sevilla.

Fue un fiel aliado del Papa Benedicto XIII, conocido como Papa Luna, asistió a las negociaciones que tuvieron lugar en el Concilio de Perpiñán para intentar solucionar el cisma que se había producido en la iglesia católica entre Aviñón y Roma.

En mayo del año 1410 participó en la toma de Antequera a los musulmanes, acompañando al infante Don Fernando, dividió la ciudad en parroquias y la administró desde el punto de vista religioso hasta la toma de Málaga por las tropas cristianas.

Falleció a mediados del año 1417 cuando contaba 57 años, está enterrado en la Capilla de San Laureano de la Catedral de Sevilla. En su sepulcro puede leerse la siguiente inscripción: Aquí yace el reverendísimo señor Don Alonso de Egea, patriarca de Constantinopla, y administrador perpetuo de la iglesia de Sevilla. Finó miércoles víspera del Corpus Christi a 9 de junio de 1417.

Referencias

Enlaces externos

Obispos de Zamora
Obispos de Ávila
Arzobispos de Sevilla
Patriarcas latinos de Constantinopla
Obispos de España del siglo XIV
Obispos de España del siglo XV
Militares de España del siglo XIV
Militares de España del siglo XV
Religiosos de Aragón
Fallecidos en Cantillana
Nacidos en Ejea de los Caballeros

Alonso de Egea


Seiza  ( or ;  ; ) is the formal, traditional way of sitting in Japan. It involves a specific positioning and posture in a kneeled position so as to convey respect, particularly toward elders. It developed among samurai during the Edo period and was later widely adopted by the public.

Seiza is associated with straw tatami flooring or zabuton pillows that allow for comfortable sitting, and it is commonly used in several Japanese practices, including Japanese martial arts and the Japanese tea ceremony. Sitting seiza-style is often difficult for people who are not accustomed to it or for the physically infirm, such as injured people and the elderly. Sitting seiza-style for long periods of time is associated with health problems, particularly those of the knees. Seiza may be compared to similar seated positions in other cultures, such as Indian Vajrasana.

Form
To sit seiza-style, one must first be kneeling on the floor, folding one's legs underneath one's thighs, while resting the buttocks on the heels. The ankles are turned outward as the tops of the feet are lowered so that, in a slight "V" shape, the tops of the feet are flat on the floor and big toes overlapped, the right always on top of the left, and the buttocks are finally lowered all the way down. Depending on the circumstances, the hands are folded modestly in the lap, or are placed palm down on the upper thighs with the fingers close together, or are placed on the floor next to the hips, with the knuckles rounded and touching the floor. The back is kept straight, though not unnaturally stiff. Traditionally, women sit with the knees together while men separate them slightly. Some martial arts, notably kendō, aikidō, and iaidō, may prescribe up to two fist widths of distance between the knees for men.

Stepping into and out of seiza is performed mindfully. There are codified traditional methods of entering and exiting the sitting position depending on occasion and type of clothing worn.

History

Prior to the Edo period, there were no standard postures for sitting on the floor. During this time, seiza referred to "correct sitting", which took various forms such as sitting cross-legged (胡坐, agura), sitting with one knee raised (立て膝, tatehiza), or sitting to the side (割座, wariza), while the posture commonly known as seiza today was called kiza (危座).

People's social circumstances, clothing styles, and the places where they sat naturally brought about their manners of sitting. The development, in the Muromachi period, of Japanese architecture in which the floors were completely covered with tatami (thick straw mats), combined with the strict formalities of the ruling warrior class for which this style of architecture was principally designed, heralded the adoption of the sitting posture known today as seiza as the respectful way to sit. By the middle of the Edo period, it had become a convention for samurai to sit in this manner when meeting authority figures such as the Shogun as a symbol of obedience and loyalty. However, it probably was not until around the years surrounding the turn of the 18th century (the Genroku to Kyōhō eras in Japanese history) that the Japanese generally adopted this manner of sitting in their everyday lives and during the Meiji era, it had become firmly established as the proper sitting posture, as part of the "Japanese culture and tradition" purposefully created during this time.

The posture serves as the standard floor sitting posture for most traditional formal occasions, and it is generally considered the respectful way to sit in the presence of superiors or elders unless otherwise permitted.  There is a similar sitting posture in India called vajrasana. It would be done during a form of yoga and practiced during visiting temples and doing prayer in temples. Indians believe that this posture has health benefits.

Floor
Seiza involves sitting down on the floor and not on a chair. In traditional Japanese architecture, floors in various rooms designed for comfort have tatami floors. Seiza thus is closely connected with tatami flooring. There are circumstances, however, when people sit seiza-style on carpeted and hardwood floors. In many martial arts, for instance, this sitting position generally takes place on hardwood floors. Depending on the formality of the occasion, the setting, and the relative status of the person, it is sometimes acceptable to sit on a special cushion called a zabuton (literally a "sitting futon").

Difficulties

Sometimes stools are provided for elderly or injured people even when others are expected to sit seiza-style. It is recommended, particularly in formal situations, to at least try to sit seiza-style. Non-Japanese who have not grown up sitting in this posture may, however, have difficulty assuming it at all. Those unfamiliar with seiza will likely find that maintaining it for more than a minute or two tends to lead to paresthesia, whereby the compression of the nerves causes a loss of their blood flow, with the accompanying "pins and needles" feeling, followed by painful burning sensations, and then eventually complete numbness in the legs. However, the physical discomfort lessens with experience as the circulation of the blood improves. Experienced seiza practitioners can maintain the posture for forty minutes or more with minimal discomfort. Certain knee problems are made worse when assuming this position, specifically Osgood-Schlatter disease.

Special seiza stools are available in Japan. They are folding stools, small enough to be carried in a handbag, which are placed between the feet and on which one rests the buttocks when sitting seiza-style. They allow one to maintain the appearance of sitting seiza while discreetly taking pressure off the heels and feet.

A law that came into effect in April 2020 recognizes seiza for extended periods of time as a morally unacceptable form of punishment according to Japan's Ministry of Health, Labour and Welfare.

Use in traditional arts

Doing seiza is an integral and required part of several traditional Japanese arts, such as certain Japanese martial arts and tea ceremony  (a table-style version of tea ceremony known as ryūrei was invented in the 19th century). Seiza is also the traditional way of sitting while doing other arts such as shodō (calligraphy) and ikebana (flower arranging), though with the increasing use of western-style furniture it is not always necessary nowadays.

Many theatres for traditional performing arts such as kabuki and sumo still have audience seating sections where the spectators sit in seiza style.

Shikkō
Walking on the feet and knees while in the seiza posture, known as , is considered more polite than standing up and walking regularly. Shikkō is today quite rare, but is found in some traditional formal restaurants and ryokan, and is practiced in the martial art of aikido, where practitioners learn to defend themselves while moving in shikkō.

To perform this knee-walking movement correctly the heels must be kept close together, and the body must move as a whole unit. Movement in shikkō forces one to engage the hips in a way that is considered valuable for aikido training.

Alternative sitting positions

Agura

Sitting cross-legged, agura, is considered informal: it is appropriate for certain situations but not others. It is common in informal situations, such as eating at a low table in a casual restaurant, and allowed in formal situations especially for those for whom seiza is difficult, such as elderly or non-Japanese people.

Yokozuwari

Some sitting postures (e.g. agura, tatehiza, etc.) are impossible to do in skirts or certain types of women's traditional clothing (such as the premodern kimono) without risk of exposure, so an alternative informal sitting posture has both legs off to one side, with one side of the hips on the floor, termed .

Wariza
Another informal sitting posture for women is called  which resembles seiza posture, whereby the buttocks are on the floor and the lower legs are bent off to their respective sides.

Kiza
To sit in seiza requires coming to a kneeling position momentarily, with the heels  propped up; if one remains seated on the heels with the balls of the feet touching the floor and toes flexed forward, it is called . If one then lowers the tops of the feet to the floor, one then will be in the seiza position.  In some schools of iaido, practitioners stand up to draw the sword and cut after momentarily assuming kiza, so as not to sprain the instep jumping up directly from seiza.

See also
 Genuflection
 Kowtow
 Vajrasana (yoga)

References

East Asian traditions
Human positions
Japanese culture
Kneeling
Sitting

Seiza


La calle Viana, antigua calle El Pino, es una vía del centro histórico de la ciudad tinerfeña de San Cristóbal de La Laguna (Canarias, España), declarado Patrimonio de la Humanidad por la Unesco en 1999. Esta calle, que desemboca en la Plaza del Cristo, fue una de las primeras del casco en ser peatonal.

Referencias

Calles de San Cristóbal de La Laguna

Calle Viana (San Cristóbal de La Laguna)


Cerro Las Tetas (también Las Tetas de Cayey y Las Piedras del Collado) son dos picos de montaña situados en la jurisdicción municipal de Salinas, en el Estado libre asociado de Puerto Rico, al norte de la ciudad de Salinas propiamente. A partir del 2 de septiembre de 2000, las cumbres se han convertido en parte de una Reserva Natural de Puerto Rico y están protegidas por la ley.  Su altura es de 2.759 pies (840,94 metros) sobre el nivel del mar.

Véase también
 Geografía de Puerto Rico
 Geografía de América

Referencias

Montañas de Puerto Rico
Cerros de Puerto Rico
Salinas (Puerto Rico)

Cerro Las Tetas


La Rouxière ist eine Ortschaft und eine Commune déléguée in der französischen Gemeinde Loireauxence mit  Einwohnern (Stand ) im Département Loire-Atlantique in der Region Pays de la Loire.

Seit dem 1. Januar 2016 ist die Gemeinde La Rouxière gemeinsam mit den früheren Gemeinden Belligné, La Chapelle-Saint-Sauveur und Varades Teil der Commune nouvelle Loireauxence. Sie gehörte zum Arrondissement Ancenis und zum Kanton Ancenis.

Bevölkerungsentwicklung

Persönlichkeiten
 Bernard Thareau (1936–1995), Abgeordneter im Europaparlament ab 1981–1994, geboren in La Rouxière

Literatur
 Le Patrimoine des Communes de la Loire-Atlantique. Flohic Editions, Band 2, Charenton-le-Pont 1999, ISBN 2-84234-040-X, S. 1321–1326.

Weblinks

Ort in Pays de la Loire
Commune déléguée im Département Loire-Atlantique
Loireauxence
Gemeindeauflösung 2016

La Rouxière


العناصر الوراثية المتحركة  هي نوع من الدنا التي يمكنها التحرك داخل الجينوم. ويضم:
 الينقولات.
 الينقولات الرجعية.
 ينقولات الدنا.
 اٍدراج المتواليات.
 بلازميدات.
 عناصر العاثية مثل عاثية Mu التي تندمج بشكل عشوائي في الجينوم.
 إنترون مجموعة II.

مجموع العناصر الوراثية المتحركة في الجينوم يمكن الاٍشارة اٍليها بالمتحركات

المراجع

 Miller, W.J. and Capy, P. eds. 2004. Mobile genetic elements : protocols and genomic applications. Humana Press. ISBN 1-58829-007-7
 Shapiro, J.A. ed 1983. Mobile genetic elements. Academic Press. ISBN 0-12-638680-3

عناصر وراثية متحركة


Tropinino (, , ) ist ein Ort in der russischen Oblast Kaliningrad und gehört zur Pogranitschnoje selskoje posselenije (Landgemeinde Pogratschny) im Rajon Bagrationowsk.

Geographische Lage
Tropinino liegt am östlichen Ufer des Frischen Haffs und ist 14 Kilometer von der früheren Kreisstadt Mamonowo entfernt. Die nächste Bahnstation ist Primorskoje-Nowoje an der Bahnstrecke von Kaliningrad  über Mamonowo nach Polen (ehemalige Preußische Ostbahn).

Geschichte
Das einst Heide genannte Dorf bestand vor 1945 aus ein paar kleinen Höfen und einem Bahnwärterhaus. Ab dem 11. Juni 1874 wurde der Ort in den neu errichteten Amtsbezirk Pohren  eingegliedert, der zum Landkreis Heiligenbeil im Regierungsbezirk Königsberg der preußischen Provinz Ostpreußen gehörte. Am 1. Dezember 1910 waren in Heide 39 Einwohner gemeldet.

Am 30. September 1928 schlossen sich Heide, Fedderau (heute nicht mehr existent) und teilweise auch Lokehnen zur neuen Landgemeinde Fedderau zusammen, die dann ab 1929 zu dem umbenannten Amtsbezirk Windkeim (der Ort existiert auch nicht mehr) gehörte.

Infolge des Zweiten Weltkrieges kam Heide mit dem nördlichen Ostpreußen zur Sowjetunion und erhielt 1950 die russische Bezeichnung "Tropinino". Bis zum Jahr 2009 war der Ort in den Pjatidoroschni selski sowjet (Dorfsowjet Pjatidoroschnoje) eingegliedert und ist seither – aufgrund einer Struktur- und Verwaltungsreform – eine als "Siedlung" (russisch: posssjolok) qualifizierte Ortschaft innerhalb der Pogranitschnoje selskoje posselenije (Landgemeinde Pogranitschny) mit Sitz in Sowchosnoje im Rajon Bagrationowsk.

Kirche
Die überwiegende Mehrheit der Einwohner Heides waren vor 1945 evangelischer Konfession. Das Dorf war in das Kirchspiel Bladiau eingepfarrt und gehörte so zum Kirchenkreis Heiligenbeil  innerhalb der Kirchenprovinz Ostpreußen der Kirche der Altpreußischen Union.

Heute liegt Tropinino im Einzugsbereich der beiden evangelischen Gemeinden in Mamonowo bzw. Nowo-Moskowskoje, die beide Filialgemeinden der Auferstehungskirche in Kaliningrad sind. Sie gehören zur Propstei Kaliningrad der Evangelisch-lutherischen Kirche Europäisches Russland (ELKER).

Einzelnachweise

Weblinks
 Tropinino bei bankgorodov.ru

Tropinino

Tropinino


إذاعة الأهقار أو إذاعة تمنراست، هي إحدى الإذاعات الجزائرية بدأت ببث برامجها يوم 16 أبريل 1992 وتبث على موجة أف أم 98.0

تاريخ
تغطي ربع مساحة الجزائر تزيد عن 1100 كلم طولا من عين قزام حدود النيجر إلى عين صالح وتين زاوتين حدود مالي وتاظروك وسيلت وأبلسة وغيرها لتشكل بذلك خارطة ثقافية واجتماعية مهمة تمتد عبر كل منطقة الأهقار والتديكلت فهي تعرف المجتمع بالعادات والتقاليد والحياة اليومية للسكان وبذلك تقدم لوحة واقعية لما يجري في ربوع الأهقار والتديكلت وتقريبها للمستمعين من أجل فهمها والتعرف عليها بشكل أقرب، تبث الإذاعة برامجها باللغة العربية إلى جانب اللهجة التارقية وتبث مجموعة من البرامج تقوم من خلالها بتقديم المعلومات عن مختلف جوانب الحياة في الأهقار والتديكلت كما تشارك المستمعين حصصها وآرائهم ومقترحات بالتواصل المباشر عن طريق الهاتف والرسائل وتمتد ساعات البث من السابعة صباحا إلى غاية السابعة والنصف مساء. وتبث برامجها من استديوهاتها في تمنراست بوسط المدينة.

البرامج
من بين أبرز برامجها التي لاقت إستحسانا من طرف المستمعين برنامج بحر القوافي، وبرنامج مع الأسرة، بالإضافة إلى البرنامج الشباني حوار مع الشباب، كما أن إذاعة تمنراست الجهوية تبث عدة برامج بالتارقية مثل برنامج أستمهاق، وبرنامج تفيرت تنون وغيرها من البرامج التفاعلية الهادفة والتي لاقت تجاوب المستمعين كبرنامج منار الأحلام، وبرنامج عالم الأطفال

أقسام الإذاعة
 القسم التقني
 قسم الإخراج
 قسم الصحافة
 قسم الإنتاج.
 الهاتف:0021329345511، 0021329345522
 صندوق بريد 1080 تمنراست 11000 الجزائر.

وصلات خارجية
 البث الحي للإذاعة

المراجع

إذاعات الجزائر
ولاية تمنراست

إذاعة تمنراست


العبيط هو فيلم مصري عرض عام 1966، بطولة فريد شوقي وناهد شريف وأبو بكر عزت، ومن إخراج السيد بدير.

قصة الفيلم
مصيلحي كاتب حسابات في إحدى الشركات، يراقب ما يحدث من حوله من اختلاسات وسرقات بلا مبالاة، إلا أن بعض الموظفين المرتشين يعتقدون أنه يخفي وراء شكله الأبله الكثير من الدهاء، وأنه يعرف الكثير، وقد صار مصدر خطر بالنسبة لهم، يحيلون عليه الموظفة ليلى التي تحاول إيهامه بأنها تحبه، وتسعى إلى أن تعرف منه ماذا يعلم، ويتصدى له الجميع حين يقرر إبلاغ الشرطة.

طاقم التمثيل
 فريد شوقي: (مصيلحي عبد الصبور عبد الجليل)
 ناهد شريف: (ليلى - صاحبة الشركة)
 أبو بكر عزت: (حمدي - شريك ليلى وخطيبها)
 سهير زكي: (روايح مرسي)
 حسن مصطفى: (مختار - عم ليلى والمدير العام)
 سمير صبري: (صفوت - مدير الحسابات)
 سامية شكري: (نجوى - السكرتيرة)
 السيد راضي: (عبده - الفراش)
 كوثر شفيق: (هدى - صديقة حمدي)
 زكي إبراهيم: (زكي - العجوز النصاب)
 سلوى فؤاد: (ميرفت - صديقة حمدى)
 سمير ولي الدين: (بواب)
 أنور مدكور: (بهجت - المرتشي)
 إسكندر منسي: (باشكاتب الحسابات)
 أحمد مرسي: (عامل النقاشة)
 سميحة محمد: (المعلمة وهيبة)
 علي عرابي: (عرفان - بائع الطرشي)
 كوثر رمزي: (زوجة عامل النقاشة)
 صالح الإسكندراني: (بواب)

فريق العمل
 إخراج: السيد بدير
 قصة: رشاد حجازي
 سيناريو وحوار: السيد بدير
 مدير التصوير: علي حسن
 مونتاج: فكري رستم
 إنتاج: أفلام الاتحاد (عباس حلمي)
 توزيع: دولار فيلم

مراجع

أفلام أبو بكر عزت
أفلام حسن مصطفى
أفلام دراما مصرية
أفلام سمير صبري
أفلام فريد شوقي
أفلام كوميدية مصرية
أفلام مصرية إنتاج 1966
أفلام مصرية بالأبيض والأسود
أفلام ناهد شريف

العبيط (فيلم)


Die Canon EOS 5D Mark III ist eine digitale Spiegelreflexkamera des japanischen Herstellers Canon, die im März 2012 in den Markt eingeführt wurde. Der Preis lag 2012 bei 3.300 Euro. Der Hersteller richtet sie an professionelle Nutzer. Sie wurde 2014 mit einem iF award ausgezeichnet.

Im September 2016 wurde das Nachfolgemodell Canon EOS 5D Mark IV eingeführt.

Technische Merkmale
Die Kamera besitzt einen 22,3-Megapixel-Vollformat-CMOS-Sensor. Sie kann bis zu 6 Bilder pro Sekunde kontinuierlich aufnehmen. Videos kann sie in 1080p-Auflösung mit 23,976 (ATSC), 25 (PAL) oder 29,97 (ATSC) Bildern pro Sekunde aufzeichnen. Ebenso stehen die Auflösungen 720p und VGA zur Verfügung. Um die durch das FAT-Dateisystem vorgegebene maximale Dateigröße nicht zu überschreiten, werden Videos bei Bedarf in mehreren Dateien abgespeichert.

Der Belichtungsindex des Bildsensors beträgt in den Standardeinstellungen ISO 100 bis 25.600 und ist erweiterbar auf ISO 50 bis ISO 102.400.

Die Kamera besitzt im Weiteren folgende technische Merkmale:

 61 Punkt-Messfelder
 8,11-cm-(3,2")-LC-Display im 3:2-Format mit einer Auflösung von 720 × 480 Pixeln (1.036.800 Subpixel) bei 270 ppi
 Nutzung sowohl von CompactFlash-Karten als auch SD-, SDHC- oder SDXC-Speicherkarten in zwei unabhängigen Steckplätzen
 Sucher mit 100 % Bildfeld
 HDR-Modus
 DIGIC-5+-Bildprozessor
 für 150.000 Auslösungen ausgelegter Schlitzverschluss
 abgedichtetes Gehäuse aus einer Magnesiumlegierung

Eine Funkübertragung von Fotos ist mit dem optionalen Funkdateiübertrager (wireless file transmitter) WFT-E7 des Kameraherstellers möglich.

GPS-Anschluss
Als Zubehör bietet der Hersteller den GPS-Empfänger GP-E2 an. Bei dieser Kamera kann er wahlweise über den Blitzschuh oder über den USB-Anschluss direkt mit der Kamera genutzt werden. Die vom GPS-Empfänger ermittelten GEO-Koordinaten werden in den Exif-Daten der Fotos und Videos gespeichert (Geo-Imaging). Der im GPS-Empfänger eingebaute elektronische Kompass ermittelt die Blickrichtung, welche ebenfalls in den Exif-Daten der Fotos gespeichert wird.

Einfuhrsteuer
Durch die Begrenzung auf eine Videomaximallänge von 29 Minuten und 59 Sekunden vermeidet der Hersteller eine Besteuerung des Geräts als Video-Kamera.

Siehe auch
 Zeitleiste der EOS-Digitalkameras

Weblinks

 Die Canon EOS 5D Mark III auf der Seite des Herstellers
 Datenblatt

Einzelnachweise

Eos 0005D Mark III
Canon Eos 0005D Mark III

Canon EOS 5D Mark III


Stellan John Skarsgård (; ) este un actor suedez. Este cunoscut pentru rolurile sale an Nyman în Breaking the Waves (1996), căpitanul Tupolev în The Hunt for Red October (1990), profesorul Gerald Lambeau în Good Will Hunting (1997), Bootstrap Bill Turner în Pirates of the Caribbean: Dead Man's Chest (2006) și Pirates of the Caribbean: At World's End (2007), Bill Anderson în Mamma Mia! (2008), Maximilian Richter în Angels and Demons (2009), Martin Vanger în The Girl With the Dragon Tattoo (2011), dr. Erik Selvig în Thor (2011), The Avengers (2012), Thor: The Dark World (2013)  Avengers: Age of Ultron (2015) și Marele Duce în Cinderella (2015).

Biografie
Născut la Göteborg, Suedia, este fiul lui Gudrun (născută Larsson) și Jan Skarsgård. În copilărie s-a mutat adesea și a trăit printre altele în  Helsingborg, Totebo, Kalmar, Marielund și Uppsala.

Skarsgård și-a început cariera devreme; până la vârsta de 21 de ani, experiența sa în film, televiziune și scenă era considerabilă. Majoritatea rolurilor sale inițiale au fost în filmele și televiziunea suedeză (cum ar fi Bombi Bitt). Dintre filmele suedeze, probabil cel mai cunoscut rol al său este portretizarea diplomatului suedez Raoul Wallenberg, care a lucrat pentru salvarea victimelor Holocaustului.

Skarsgård este asociat în mod special cu regizorul Lars von Trier și a apărut în șase dintre filmele regizorului danez: The Kingdom, Breaking the Waves, Dancer in the Dark, Dogville, Melancholia și  Nymphomaniac. Totuși, cea mai personală relație de lucru este cu regizorul norvegian Hans Petter Moland, cu care actorul a lucrat la Zero Kelvin, Aberdeen, In Order of Disappearance și A Somewhat Gentle Man. Skarsgård îl consideră pe Moland un prieten apropiat și, în 2009, a spus despre relația lor:
"Suntem ca un vechi cuplu căsătorit și am anxietate de separare". O altă operă scandinavă prin care el este cunoscut este filmul norvegian din 1997 Insomnia, în care joacă rolul polițistului Jonas Engström.

Primul film american al lui Skarsgård a fost filmul Noon Wine din 1985 regizat de Michael Fields, în care Skarsgård a jucat un imigrant perturbat mental urmărit de un vânător de recompense. În 1990, a jucat într-un alt film american, The Hunt for Red October, jucând rolul căpitanului Tupolev, comandant al submarinului sovietic.

El a fost avut în vedere pentru rolul Oskar Schindler în Schindler's List. Skarsgård a spus că oamenii adesea l-au confundat cu Liam Neeson , care l-a interpretat pe Schindler în film. De fapt, Skarsgård trebuia să-l înlocuiască pe Neeson în filmul Exorcist: The Beginning din 2004.

Skarsgård l-a jucat pe dr. Erik Selvig în filmul Thor din 2011, și apoi în 2003, în continuarea lui, Thor: The Dark World, precum și în The Avengers (2012) și Avengers: Age of Ultron (2015). Skarsgård s-a reîntâlnit cu regizorul filmului Thor , Kenneth Branagh, pentru filmul Cinderella din 2015, în care l-a interpretat pe Marele Duce.

Skarsgård a apărut, de asemenea, în videoclipuri muzicale împreună cu colegi suedezi. A apărut în "Vem Tänder stjärnorna" ("Cine luminează stelele") a Evei Dahlgren în 2009 și în videoclipul lui Lykke Li din 2011, "Sadness Is a Blessing".

Viața personală
S-a căsătorit cu My Skarsgård, de profesie medic, în aprilie 1975 și împreună au șase copii: Alexander (n. 1976), Gustaf (n. 1980), Sam (n. 1982), Bill (n. 1990), Eija (n. 1992) și Valter (n. 1995). Alexandru, Gustaf, Bill și Valter sunt de asemenea actori, în timp ce Eija este o fostă model. Skarsgård și My au divorțat în mai 2007. Stellan s-a căsătorit cu Megan Everett în ianuarie 2009. Cuplul are doi fii: Ossian și Kolbjörn. Skarsgård și-a făcut vasectomie, afirmând că opt copii este suficient.

Actorii Paul Bettany și Jennifer Connelly l-au botezat pe fiu lor Stellan, după Skarsgård.

Filmografie

Film

Note

Legături externe

Nașteri în 1951
Actori suedezi
Oameni din Göteborg
Ursul de Argint pentru cel mai bun actor

Stellan Skarsgård


O Movimento Islâmico Armado (MIA, ; ) foi um grupo guerrilheiro islamista e organização terrorista no norte da Argélia nas décadas de 1980 e 1990. O grupo foi a maior e mais ampla organização extremista islamista argelina dos anos 1980. Foi fundado por Mustafa Bouyali em 1981 ou abril de 1982 ou julho de 1982 após um confronto com os serviços de segurança. A organização, que realizou ataques contra o governo na região de Larbaa, era uma associação frouxa de pequenos grupos dos quais Bouyali se proclamou o emir. Envolvido em guerrilha semelhante ao Maquis da Segunda Guerra Mundial, e baseou-se nas áreas rurais das montanhas do Atlas e no distrito de Blida, pois fornecia o terreno ideal para grupos extremistas, visando especificamente o Mitidja. Bouyali originalmente era um pregador na Mesquita El-Achour em Argel, onde ganhou seguidores. Em 1979 ou 1981, formou o Grupo de Defesa Contra o Ilícito, pressionando o governo a implementar a lei islâmica e adotar políticas que refletissem os valores muçulmanos "reais". Este grupo atacou bares e indivíduos, mas não tinha poder real, então Bouyali decidiu recorrer à luta armada. No entanto, ele foi perseguido implacavelmente pelos serviços de segurança, devido ao seu discurso contra o regime e seu apoio a um estado islâmico.

Em julho de 1982, o MIA fez sua primeira bomba, porém as atividades do grupo foram notadas pelas autoridades quando decidiram experimentá-la. Em 3 de outubro, Bouyali escapou de uma tentativa de sequestro por agentes da segurança militar. Isso o levou a se esconder; em janeiro de 1983, ele se escondeu com Hadi Hamoudi nas proximidades da Montanha Bouguerra perto de El Aouinet. Em 12 de novembro de 1982, Bouyali e quatro outros atiraram pela primeira vez contra as forças de segurança em um bloqueio policial em Oued Romane, perto de El Achour. Em seguida, atacaram um depósito de uma empresa estatal e roubaram 160 quilos de TNT. Bouyali e outros testaram uma nova bomba em uma praia de Argel e roubaram explosivos perto de Cap Djinet. Devido a essas atividades, um mandado foi emitido contra Bouyali em 10 de dezembro de 1982. Em janeiro de 1983, o irmão de Bouyali foi morto por engano no fogo cruzado de um tiroteio saindo de sua casa. A morte de seu irmão serviu como um importante catalisador para o aumento de suas ações violentas. No início de 1983, possivelmente em fevereiro ou março, Bouyali se reuniu com Hadi Khadiri, chefe de polícia e ministro do Interior, embora a reunião tenha sido um fracasso e não tenha impedido a campanha de Bouyali. Em algum momento nos estágios iniciais do grupo, Bouyali enviou às autoridades um memorando em treze partes e criou um guia de noventa e nove partes com o objetivo de criar uma república islâmica na Argélia.

Em maio de 1992, cinco batalhões do exército foram mobilizados contra um grupo afiliado ao MIA em uma região remota perto de Lakhdaria. O grupo planejava usar sua base para atacar forças de segurança e outros alvos na região. Abdelkader Chebouti também teria estabelecido um acampamento para abrigar desertores do exército islamista. O grupo frequentemente atraía jovens desempregados porque "sua retórica evocava 'memórias dos bandidos de honra nas montanhas, traçando um paralelo com a vida do Profeta e inspirando-se na guerra de libertação original'". Um dos partidários de Bouyali era Ali Benhadj, o homem que viria a ser o vice-presidente da Frente Islâmica de Salvação (FIS). Em 1983, o grupo de Bouyali atacou uma unidade de produção em Ain Naadja, Argel, e roubou os salários dos trabalhadores. Em 1983, o MIA também recrutou muitos novos membros devido à libertação de uma centena de prisioneiros islamistas em maio de 1983. Em 12 de abril de 1984, Sheikh Soltani morreu em sua casa durante a prisão domiciliar. No dia seguinte, sem qualquer menção do governo sobre sua morte, uma grande reunião islâmica de 25.000 pessoas apareceu em seu funeral em Kouba. Na sequência desta manifestação, o julgamento de um grande grupo de islamistas marcado para 13 de maio foi cancelado e, em vez disso, um grupo de 92 presos políticos foi libertado. Embora muitos de seus companheiros tenham sido absolvidos, Bouyali foi acusado à revelia no mesmo julgamento e condenado à morte. Na noite de 21 de agosto de 1985, Bouyali e seus militantes assaltaram uma fábrica da DNC (empresa estatal) em Aïn-Naadja o valor de ₤ 110.000  ou um milhão de dinares  e em 25, 26, 27 ou 29, de agosto de 1985, insurgentes do MIA chefiados por Bouyali, atacaram uma academia de polícia em Soumaâ, matando um oficial e apreendendo 340 armas e mais de 18.000 peças de munição. Em 1986, Bouyali organizou células clandestinas, compostas por membros veteranos dos mujahedin do Afeganistão. O grupo de várias centenas de militantes durou cinco anos, até que Bouyali foi morto em 3 de janeiro ou 3 de fevereiro de 1987 (provavelmente 3 de janeiro), quando a polícia recebeu informações do motorista de Bouyali. Bouyali e cinco outros estavam dirigindo nas montanhas perto de Larbaa quando o motorista acendeu os faróis e disparos soaram de ambos os lados da estrada. O ato final de Bouyali foi atirar na cabeça do motorista segundos antes de ele ser morto por um tiro na testa. Todos os seis, incluindo o motorista, foram mortos nos confrontos finais, assim como um policial que era o chefe das forças de segurança de elite.

Outros membros importantes do MIA, como Abdelkader Chebouti e Mansouri Meliani, foram condenados à morte e posteriormente presos, mas libertados em 1989 e perdoados em 1990 devido a reformas políticas. Mais tarde, Meliani seria preso em julho de 1992 e executado em 1993, depois que ele e Chebouti foram capturados após uma batalha em Ashour, a algumas centenas de metros do túmulo não marcado de Bouyali. Após a morte de Bouyali, o MIA efetivamente desmoronou e a maioria dos membros foi presa. Em 15 ou 20 de junho de 1987, o maior julgamento de islamistas argelinos começou, com 202 réus e quatro à revelia representados por um conselho de defesa de 49 homens. Em 10 de julho, quatro foram condenados à morte, sete a doze anos, 166 entre um e a quinze anos e 15 foram absolvidos.

Grupos rebeldes da Argélia

Movimento Islâmico Armado


Pontvallain ist eine französische Gemeinde mit  Einwohnern (Stand ) im Département Sarthe in der Region Pays de la Loire. Sie gehört zum Arrondissement La Flèche und zum Kanton Le Lude.

Nachbargemeinden von Pontvallain sind Requeil, Château-l'Hermitage, Saint-Biez-en-Belin, Écommoy, Mayet, Sarcé, Coulongé und Mansigné.

Bevölkerungsentwicklung

Sehenswürdigkeiten
 Burgruine La Faigne, von der lediglich die Motte blieb, der Wassergraben und die Kapelle
 Kapelle Notre-Dame de La Faigne, die ehemalige Schlosskirche, Pilgerstätte seit dem 11. Jahrhundert
 Auerochse von Pontvallain (Skelett 1947 entdeckt, jetzt im Musée Vert in Le Mans)
 Kirche Saint-Pierre-et-Saint-Paul

Städtepartnerschaft
Seit 1988 besteht eine Städtepartnerschaft der neun Gemeinden Cérans-Foulletourte, Château-l'Hermitage, La Fontaine-Saint-Martin, Mansigné, Oizé, Pontvallain, Requeil, Saint-Jean-de-la-Motte und Yvré-le-Pôlin des ehemaligen – 2015 aufgelösten – Kantons Pontvallain zur niedersächsischen Gemeinde Visbek.

Weblinks

Einzelnachweise

Ort in Pays de la Loire

Pontvallain


Andrew Joseph "Fuzzy" Levane (Brooklyn, Nueva York, 11 de abril de 1920-30 de abril de 2012) fue un jugador y entrenador de baloncesto estadounidense que disputó tres temporadas entre la BAA y la NBA, además de jugar en la ABL y la NBL. Fue además entrenador durante cinco temporadas en la NBA. Con 1,88 metros de estatura, jugaba en la posición de escolta.

Trayectoria deportiva

Universidad
Jugó durante tres temporadas con los Red Storm de la Universidad de St. John's, en las que promedió 6,7 puntos por partido. En 1943 ganó el Premio Haggerty al mejor baloncestista universitario del área metropolitana de Nueva York, además de ganar con el equipo el NIT.

Profesional
Comenzó su carrera profesional en 1945 en los Rochester Royals, que en aquellos años jugaban en la NBL, dando el salto a la BAA en , donde jugaría una temporada, en la que promedió 3,4 puntos y 1,1 asistencias por partido. Tras no renovar con los Royals, al año siguiente ficha como agente libre por los Syracuse Nationals, donde en su única temporada en el equipo disputa las Finales ante Minneapolis Lakers, cayendo por 4-2. Levane promedia ese año 5,5 puntos y 2,6 asistencias por partido.

Tras esa temporada jugó un año en la ABL, para regresar a la NBA en , fichando por los Milwaukee Hawks como jugador-entrenador. Tras 7 partidos, dejó la cancha para ejercer únicamente como entrenador.

Estadísticas de su carrera en la NBA

Temporada regular

Playoffs

Entrenador
Se mantuvo en el cargo de entrenador de los Milwaukee Hawks hasta mediada la temporada 1953-54, cuando tras perder 35 de los primeros 46 partidos de liga fue despedido, siendo sustituido por Red Holzman.

En  sustituyó a Vince Boryla al frente del banquillo de los New York Knicks, clasificando al equipo para los playoffs tras lograr 40 victorias y 32 derrotas. Al año siguiente, tras un mal comienzo de temporada, con 8 victorias y 19 derrotas, es sustituido por Carl Braun.

En  firmó con los St. Louis Hawks para sustituir a Paul Seymour, donde pasó una temporada discreta, con 20 victorias por 40 derrotas, sin alcanzar los playoffs, siendo cortado antes del final de la temporada regular y reemplazado por Bob Pettit, que pasaba a ejercer como jugador-entrenador.

Trasa varios años alejado de los banquillos, en 1978 se hizo cargo de los New York Guard de la All-American Basketball Alliance, una liga que apenas duró un mes y que desapareció sin llegar a finalizar una temporada.

Referencias

Enlaces externos

 Ficha de Andrew Levane en ultimatenba.com

Baloncestistas de Nueva York
Baloncestistas de la NBA
Baloncestistas de los Milwaukee Hawks
Baloncestistas de los Rochester Royals
Baloncestistas de los St. John's Red Storm
Baloncestistas de los Elmira Colonels
Baloncestistas de los Syracuse Nationals
Entrenadores de baloncesto de Estados Unidos
Entrenadores de la NBA
Entrenadores de los Milwaukee Hawks
Entrenadores de los New York Knicks
Entrenadores de los St. Louis Hawks

Andrew Levane


Ardabil province (; ) is one of the 31 provinces of Iran. It is in the northwest of the country, in Region 3, bordering the Republic of Azerbaijan, and the provinces of East Azerbaijan, Zanjan, and Gilan. Its administrative centre is the city of Ardabil.  The province was established in 1993 from the eastern part of East Azerbaijan.

At the time of the 2006 National Census, the province had a population of 1,209,968 in 281,433 households. The following census in 2011 counted 1,248,488 people in 337,943 households. According to the National Census of 2016, the population of Ardabil province was 1,270,420 in 377,423 households.

Administrative divisions

Cities
According to the 2016 census, 866,034 people (over 68% of the population of Ardabil province) live in the following cities: Abi Beyglu 6,516, Anbaran 5,757, Ardabil 529,374, Aslan Duz 6,348, Bileh Savar 16,188, Eslamabad 3,068, Fakhrabad 999, Germi 28,967, Hashatjin 5,725, Hir 2,080, Jafarabad 7,226, Khalkhal 39,304, Kivi 7,101, Kolowr 2,347, Kuraim 831, Lahrud 2,149, Meshginshahr 74,109, Moradlu 671, Namin 13,659, Nir 5,873, Parsabad 93,387, Qosabeh 2,095, Razey 1,581, Sareyn 5,459, Tazeh Kand-e Angut 2,645, and Tazeh Kand-e Qadim 2,575.

Geography
Many tourists come to the region for its cool climate (max 35 °C (95°F)) during the hot summer months. The winters are bitterly cold, with temperatures plummeting to −25 °C (-13°F).

Its famous natural region is the Sabalan mountains. The province is considered the coldest province in Iran by many. Large parts of the province are green and forested.

Ardabil's capital stands about 70 km from the Caspian Sea and has an area of 18,011 km2. Neighboring the Caspian Sea and the Republic of Azerbaijan, the city is of political and economic significance.

History

The natural features of the province of Ardabil are mentioned in the Avesta, according to which Zoroaster was born by the river Aras and wrote his book in the Sabalan Mountains. During the Islamic conquest of Iran, Ardabil was the largest city in Azarbaijan, and remained so until the Mongol invasion period.

Shah Ismail I started his campaign to nationalize Iran's government and land from here, but consequently announced Tabriz as his capital in 1500 CE. Yet Ardabil remained an important city both politically and economically until modern times.

Culture

Ardabil is the seat of the sanctuary and tomb of Shaikh Safî ad-Dîn, eponym of the Safavid dynasty Kulliye.
It has many hot springs and natural landscapes which attract tourists. The mineral springs of Ardabil are Beele-Darreh, Sareyn, Sardabeh and Booshloo, which are known throughout Iran for their medicinal qualities.
It also has a number of lakes: the largest of which are Ne'or, Shoorabil, ShoorGel, NouShahr and Alooche, which are the habitats of some species of water birds.

Lake Ne'or is located in a mountainous area 48 km south-east of the city of Ardabil. It covers an area of 2.1 km2 and has an average depth of 3 metres. It is fed by springs in the lake bed. Lake Shoorabil is located in a hilly area south of the city of Ardabil and covers an area of 640,000 m2. The surface of the lake is covered with a thin white layer of minerals, which is useful for healing skin diseases and rheumatism. Near the lake there is the leisure complex of Shoorabil.
Ardabil is a city of great antiquity. Its origins go back 4000 to 6000 years (according to historical research in this city). This city was the capital of Azerbaijan province in different times, but its golden age was in the Safavid period.

One of the most ancient cities in Iran is Meshkin Shahr. It is located in the north-west of Iran in Azerbaijan, 839 kilometers from Tehran. It is the closest city to the Sabalan mountains. In the past, it was called "Khiav", "Orami", and "Varavi".

Colleges and universities
 Ardabil University of Medical Sciences
 Mohaghegh Ardabili University
 Islamic Azad University of Ardabil
 Payam Noor University of Ardabil
 Soureh University of Ardabil
 Islamic Azad University of Khalkhal

Language
The primary language of Ardabil province is Azerbaijani, a Turkic language. Other languages in Ardabil include Tati and Talysh. In and around Khalkhal, there is a significant group of Kurmanji-speaking Kurds known as Gormanj.

See also

 Lerd tourist village

References

External links
Encyclopedia of Orient About Ardabil

Ardabil entries in the Encyclopædia Iranica

Provinces of Iran

Ardabil province


Wanker er en kortfilm instrueret af Niels Holstein Kaa efter eget manuskript.

Handling

Martin, 16, er startet på sportsefterskole og bor på værelse med barndomsvennen Søren. Martin har et brændende ønske om at blive populær på skolen, men det står hurtigt klart, at det er svært med Søren ved hans side. Martin må nu beslutte, hvor langt han er villig til at gå for at blive en succes.

Referencer

Eksterne henvisninger

Danske film fra 2012
Kortfilm fra Danmark

Wanker


12396 Amyphillips este un asteroid din centura principală de asteroizi.

Descriere
12396 Amyphillips este un asteroid din centura principală de asteroizi. A fost descoperit pe  la Catalina Station de Carl W. Hergenrother. Asteroidul prezintă o orbită caracterizată de o semiaxă mare de 3,15 ua, o excentricitate de 0,31 și o înclinație de 20,1° în raport cu ecliptica.

Vezi și
 Lista planetelor minore: 12001-13000
 Centura de asteroizi

Referințe

Obiecte astronomice descoperite în 1995
Centura de asteroizi

12396 Amyphillips


Hans Iber (* 24. September 1886 in Schmalkalden; † 10. Januar 1946 im Speziallager Nr. 1 Mühlberg/Elbe) war ein deutscher Reichsgerichtsrat.

Leben
Er war der Sohn eines Studienrats i. R. Seine Konfession war evangelisch. Er legte 1908 die erste Staatsprüfung mit "gut", die zweite 1912 mit "ausreichend" ab. Im selben Jahr wurde er Gerichtsassessor. Am 1. August 1918 wurde er Staatsanwalt in Duisburg. 1921 wurde er zum Staatsanwaltschaftsrat befördert. 1927 wurde zum I. Staatsanwalt bei der Staatsanwaltschaft beim Landgericht Potsdam ernannt. 1930 wurde er Kammergerichtsrat. Am 23. Januar 1935 wurde er als Hilfsrichter an die Reichsanwaltschaft abgeordnet. Am 15. Mai kam er an das Reichsgericht als Hilfsrichter. Reichsgerichtsrat wurde Iber am 1. August 1936. Er war unter anderem im V.  und IV. Strafsenat tätig. Am 29. Dezember 1937 beantragte er die Aufnahme in die NSDAP und wurde rückwirkend zum 1. Mai desselben Jahres aufgenommen (Mitgliedsnummer 5.823.882), seit Februar 1939 war er Blockleiter. Am 20. April 1938 erhielt er das silberne Treudienst-Ehrenzeichen.

Nach der Besetzung Leipzigs durch die Rote Armee 1945 wurde er durch den NKWD verhaftet. Er starb 1946 im Speziallager Nr. 1 Mühlberg. Für 34 der dort umgekommenen Reichsgerichts- und Reichsanwaltschaftsmitglieder gibt es seit 1957 im Hauptgebäude des Bundesgerichtshofes eine Gedenktafel. 1979 wurde die Gedenktafel kritisiert, da Iber 1939 einen jüdischen Elektriker wegen versuchter "Rassenschande" mitverurteilt hat. In dem Fall hat der Elektriker ein Mädchen zum Geschlechtsverkehr aufgefordert. Die Richter begründeten das Urteil damit, "die versuchte Rassenschande liegt bei einer Handlung vor, die wegen ihrer unmittelbaren Zusammengehörigkeit zu einer geschlechtlichen Handlung nach natürlicher Auffassung als deren Bestandteil erscheint. Sie kann daher schon in der bloßen mündlichen Aufforderung des Mannes liegen. Darauf, dass die Elli C. mit dem Ansinnen des Angeklagten nicht einverstanden gewesen ist, kommt es rechtlich nicht an, ebenso wenig, dass der Angeklagte das Mädchen gar nicht berührt hat."

Schriften
 Die Haftung der Schutzgebiete für ihre Beamten, Diss. Marburg 1911 (Referent Schücking), Kassel 1911.

Literatur
 Friedrich Karl Kaul, Geschichte des Reichsgerichts, Band IV (1933–1945), Ost-Berlin 1971, S. 275.
 Adolf Lobe: "Fünfzig Jahre Reichsgericht am 1. Oktober 1929", Berlin 1929, S. 411.

Weblinks
 Gedenkseite des Speziallagers Nr. 1 Mühlberg

Einzelnachweise

Richter (Reichsgericht)
Richter (Kammergericht)
Staatsanwalt (Deutschland)
NSDAP-Mitglied
Speziallagerhäftling
Deutscher
Geboren 1886
Gestorben 1946
Mann

Hans Iber


Joane Portekiz'de Vila Nova de Famalicão belediyesine bağlı olan, 7,25 km² yüzölçümüne sahip, 7.528 nüfuslu (2001) bir bucaktır (Portekizce: freguesia).

Portekiz'in freguesiaları
Vila Nova de Famalicão

Joane


The Acura EL is a subcompact executive car that was built at Honda's Alliston, Ontario, plant, and also the first Acura built in Canada. It was also exclusively sold in Canada. The EL is a badge-engineered Honda Civic with a higher level of features. There is no Type-S trim offered on any Acura EL.

The Acura EL was a sales success. Representing 51% of Acura Canada's annual new-vehicle sales in its first full year, the EL remained Acura's top seller in Canada from 1997 to 2003.  The Acura EL was replaced for the 2006 model year by the Acura CSX which, like the EL, was available only in Canada.

First generation (1997–2000)

Seeing that sales within Canada for the four-door Acura Integra were extremely low, Honda decided to replace it with the four-door-only Acura EL. The first generation of the EL was a somewhat altered version of the 1997–2000 Honda Civic with the differing front end, trunk, lights and various interior pieces. Produced by Honda Canada, the EL would also be rebadged and exported to Japan as the second-generation Honda Domani.

The EL has a moonroof, CD player, and a 1.6-litre SOHC VTEC engine produces  at 6,600 rpm and  at 5,500 rpm, making it similar to the American Civic EX sedan (which was not sold in Canada) and the Canadian Civic Si Coupe (which was equivalent to the American Civic EX Coupe). The EL has additional features not available on Civics such as amber-lit LED interior dash display, tachometer, power trunk (no keyhole on the trunklid), alarm, 15-inch (195/55/15) wheels, antenna in the rear window glass, chrome interior door handles, extra pocket underneath the centre console, paint-matched mirrors, side mouldings, and door handles, slightly stiffer suspension, 12-mm rear sway bar and 26-mm front sway bar, heated mirrors, and an amplifier. From 1999, all 5-speed models had a leather-wrapped shift knob, similar to the one in the Acura Integra GS-R.

Model configurations
In addition to the above:
 Base: CD player, air conditioning
 Sport: 15-inch alloy wheels, CD player, air conditioning. From 1999: folding heated mirrors, a sunroof, and an upgraded grill on the front end.
 Premium: in addition to the Sport, leather seats, and decorative spoiler.

Second generation (2001–2005)

The EL was completely redesigned for the 2001 model year and was then based on the seventh-generation Civic. Besides the slightly more powerful and torquier VTEC-equipped 1.7 L 4-cylinder SOHC engine with 127 hp (95 kW), headlight and taillight designs and available leather interior trimmings set it apart from the Civic.  Other differences include 15-inch multi-spoke alloys, heated power mirrors, cruise control, and rear disc brakes. The badging was changed to Acura 1.7EL and was dropped altogether for 2004.

The second generation was available in touring and premium trim levels,  the latter adding leather seats, heated front seats and a power sunroof. Automatic climate control was added for the premium trim in 2003 and the touring trim in 2004. All second generation EL models came with ABS anti-lock braking, but in 2003 an electronic brakeforce distribution system was made standard. For 2003 and 2004, a special dealer-installed 'aero package' was made available for both trims levels adding unique front and rear lips, side stills and a rear spoiler. In 2004, the EL underwent a slight exterior makeover with restyled headlamps, front bumper and grille, taillights, trunk lid, and rear bumper.  The new look came with standard fog lights, a restyled steering wheel, new woodgrain trim patterns, and two additional tweeters powered by two amplifiers to complete the 6-speaker audio system.

Discontinuation
Despite being Acura Canada's best-selling vehicle, Honda announced that it would discontinue the EL. In 2006, the CSX was confirmed to be a replacement for the EL. Like the EL, the CSX was sold only in Canada. The CSX was discontinued in 2011.

References

EL
Honda Civic
Compact executive cars
Compact cars
Front-wheel-drive vehicles
Sedans
Cars of Canada
2000s cars
Cars introduced in 1997

Acura EL


Gainsbourg (vie héroïque) (bra: Gainsbourg - O Homem Que Amava as Mulheres) é um filme biográfico francês de 2010 escrito e dirigido por Joann Sfar e estrelado por Éric Elmosnino no papel do cantor Serge Gainsbourg.

O filme ganhou três Prêmios César, incluindo o de melhor ator para Elmosnino e o de melhor primeiro filme para Sfar. A atriz Lucy Gordon faleceu durante a pós-produção do filme, que foi dedicado em sua memória.

Enredo
O filme segue as façanhas do notório músico Serge Gainsbourg (Éric Elmosnino), desde sua criação na França ocupada pelos nazistas, passando por sua ascensão à fama e casos amorosos com Juliette Gréco (Anna Mouglalis), Brigitte Bardot (Laetitia Casta) e Jane Birkin (Lucy Gordon).

Elenco
Éric Elmosnino	... Serge Gainsbourg
Kacey Mottet Klein ... Serge Gainsbourg jovem
Lucy Gordon ... Jane Birkin
Laetitia Casta	... Brigitte Bardot
Doug Jones ...	La Gueule (caneca de Gainsbourg)
Deborah Grall...	Lise Levitzky
Mylène Jampanoï ... Bambu (Caroline von Paulus)
Anna Mouglalis ...	Juliette Gréco
Yolande Moreau ...	Fréhel
Sara Forestier ...	France Gall
Philippe Katerine... Boris Vian
Philippe Duquesne...	Lucky Sarcelles
Gregório Gadebois...	Phyphy

Recepção
No Rotten Tomatoes, o filme detém um índice de 73% de aprovação com base em 78 críticas, com uma nota média de 6,2/10. O consenso do site diz: "Pode ser mal escrito e feito desordenadamente, mas Gainsbourg: A Heroic Life também é apropriadamente glamoroso e intenso - e poderosamente liderado por uma performance emocionante de Éric Elmosnino".  O Metacritic deu ao filme uma pontuação de 58 em 100, com base em 26 avaliações, indicando "críticas mistas ou médias".

Filmes da França de 2010
Filmes em língua francesa
César de melhor primeiro filme
Cinebiografias de músicos
Filmes sobre judeus e/ou judaísmo
Filmes baseados em casos reais
Filmes da Universal Pictures
Filmes ambientados na década de 1960
Filmes ambientados na década de 1980
Filmes ambientados na década de 1990
Serge Gainsbourg

Gainsbourg (vie héroïque)


Metadon - Aktiv Dødshjælp er en dokumentarfilm instrueret af Ulla Kampmann, Marie Berthelsen efter manuskript af Ulla Kampmann.

Handling
Ulla Kampmann har besøgt 3 private narkobehandlingscentre i Italien: Saman, der tager udgangspunkt i 60'ernes antiautoritære bevægelse, og bygger på non-verbal danseterapi hentet fra indisk filosofi. L'Incontro grundlagt af den katolske præst Don Pierino og baseret på hårdt fysisk arbejde og C.e.I.S. grundlagt af Don Mario Picchi, der gennem 30 år har udviklet specielle terapiformer og familiestøttearbejde.

Referencer

Eksterne henvisninger

Danske film fra 1994

Dokumentarfilm fra Danmark

Metadon - Aktiv Dødshjælp


Onthophagus subextensus é uma espécie de inseto do género Onthophagus, família Scarabaeidae, ordem Coleoptera.

Foi descrita cientificamente por Kolbe em 1895.

Referências

Ligações externas

subextensus
Coleópteros descritos em 1895

Onthophagus subextensus


Kogia is a genus of toothed whales within the superfamily Physeteroidea comprising two extant and two extinct species from the Neogene:

Pygmy sperm whale, Kogia breviceps
Dwarf sperm whale, Kogia sima
†Kogia pusilla,  Italy, Middle Pliocene
†Kogia danomurai Pisco Formation, Peru, latest Miocene

References

Cetacean genera
Taxa named by George Robert Gray

Kogia


في الهندسة الرياضية، نوعان من المثلثات القائمة:

 «المثلثات القائمة على الزوايا» وتعتمد على النسبة بين زوايا المثلث القائم.
 «المثلثات القائمة على الأضلاع» وتعتمد على النسبة بين أطوال أضلاع المثلث القائم.

إن معرفة النسبة بين زوايا المثلث القائم تمكننا من معرفة أطوال أضلاعه.

المثلث القائم المتطابق الضلعين
المثلث القائم المتطابق الضلعين هو مثلث قائم النسبة بين زواياه  وقياسها 45°, 45°, 90° ، والنسبة بين أطوال أضلاعه .

يجمع هذا المثلث بين خصائص المثلث القائم والمثلث المتساوي الضلعين.

يمكن الحصول على هذا المثلث برسم قطر في مربع.

المثلث القائم 30-60

المثلث القائم 30-60 هو مثلث قائم النسبة بين زواياه
 وقياسها 30° ، 60° ، 90°، والنسبة بين أطوال أضلاعه
.

يمكن الحصول على هذا المثلث بإسقاط ارتفاع في مثلث متساوي الأضلاع.

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 مثلث قائم

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