WWE Cruiserweight Championship este un campionat de wrestling profesionist creat și utilizat de către compania americană WWE, marca Raw. Campionatul a fost creat pe 16 septembrie din 2016 și prezentat la sfârșitul turneului Cruiserweight Classic de Triple H. Actualul campion este Jordan Devlin, care este în prima sa deținere.

În ciuda a avea același nume, acest campionat nu are nici o relație cu WWE Cruiserweight Championship, a apărat în World Championship Wrestling (WCW) și World Wrestling Entertainment (WWE) între 1991 și 2008.

Istorie
După nouă separare de branduri care a avut loc la mijlocul anului 2016, Raw anunțat că divizia de luptători greutate cruiserweight ar fi exclusiv pentru marca asta. În paralel, prin WWE Network a avut loc un turneu numit WWE Cruiserweight Classic, care a participat 32 de luptători din toate colturile planetei, lupta pentru a fi "cel mai bun luptător cruiserweight". O secundă înainte de a avea loc finala turneului între T. J. Perkins si Gran Metalik, Triple H a apărut și a anunțat că lupta va fi, de asemenea, pentru noul Campionat de greutate Cruiserweight din WWE.

Campioni
Din  , .

Referințe
Titluri de campion ale WWE

NXT Cruiserweight Championship


Grimaldi Industri er et svensk holdingselskab med hovedkontor i Stockholm. Det er ejet af Salvatore Grimaldi.

Selskabet ejer blandt andet cykelfabrikanten Cycleurope.

Eksterne henvisninger
 www.grimaldi.se

Virksomheder i Stockholm
Holdingselskaber

Grimaldi Industri


Gottfried von Strassburg (died c. 1210) is the author of the Middle High German courtly romance , an adaptation of the 12th-century Tristan and Iseult legend. Gottfried's work is regarded, alongside the Nibelungenlied and Wolfram von Eschenbach's Parzival, as one of the great narrative masterpieces of the German Middle Ages. He is probably also the composer of a small number of surviving lyrics. His work became a source of inspiration for Richard Wagner's opera Tristan und Isolde (1865).

Life
Other than an origin in or close association with Strasbourg, nothing is known of his life. It would seem, however, that he was a man of good birth and position, who filled an important municipal office in his native city of Strasbourg, but since he is always referred to in German as Meister (master) and not Herr (sir), it seems safe to assume he was not a knight, a conclusion supported by the rather dismissive attitude toward knightly exploits shown in Tristan.

Tristan ends abruptly, and according to the testimony of Ulrich von Türheim and Heinrich von Freiberg, two people who provided endings for Tristan,  Gottfried died before finishing the work. References in the work suggest it was written during the first decade of the 13th century, and 1210 is taken, conventionally, as the date of Gottfried's death.

His thorough familiarity with Latin literature and rhetorical theory suggest someone who had enjoyed a high level of monastic education. He also shows detailed technical knowledge of music and hunting, far beyond anything found in the works of his contemporaries. Gottfried draws more on the learned tradition of medieval humanism than on the chivalric ethos shared by his major literary contemporaries.  He also appears to have been influenced by the writings of contemporary Christian mystics, in particular Bernard of Clairvaux.

That his home was in Strasbourg is supported by the fact that the earliest manuscripts of Tristan, dating from the first half of the 13th century, show features of Alemannic and specifically Alsatian dialect.

Style
Gottfried's rhetorical style is very distinct among his contemporaries.
It is incredibly complex, marked by the extensive use of symmetrical structure in his organization of Tristan as a whole, as well as in the structure of individual passages.  Gottfried also uses detailed word and sound patterns, playing with such things as rhyme, alliteration, and assonance.  See Batts (1971) for a detailed analysis.

One of the greatest hallmarks of Gottfried's style is his skillful use of irony, to both humorous and tragic effects.  He may also have relied on irony to disguise his criticisms of contemporary society in order to avoid censure.

Sources
Gottfried states that the Tristan of Thomas of Britain, an Anglo-French work of around 1160, was the source of his work. He explains that he bases himself on Thomas because he "told the tale correctly", distancing himself from the less courtly versions of the story represented by Béroul in Old French and Eilhart von Oberge in Middle High German.

Unfortunately, Thomas's work, too, is fragmentary and there is little overlap with Gottfried's poem, making it difficult to evaluate Gottfried's originality directly. However, Thomas's Tristan was the source of a number of other versions, which makes it possible to get some idea of style and content. It is clear that while Gottfried's statement of his reliance on and debt to Thomas is correct, he both expanded on his source and refined the story psychologically. The discovery in 1995 of the Carlisle Fragment of Thomas's Tristan, which includes material from one of the central parts of the story, the Love Grotto episode, promises a better understanding of Gottfried's use of his source.

Thomas's source, in turn, is a now lost Old French Tristan story, reconstructed by Joseph Bédier, which derives ultimately from Celtic legend.

Text
The text of Tristan is 19,548 lines long, and is written, like all courtly romances, in rhyming couplets.

The first section (ll. 1-44) of the prologue is written in quatrains and is referred to as the "strophic prologue", while pairs of quatrains, of sententious content, mark the main divisions of the story. The initial letters of the quatrains, indicated by large initials in some manuscripts, form an acrostic with the names Gotefrid-Tristan-Isolde, which runs throughout the poem. In addition, the initial letters of the quatrains in the prologue give the name Dieterich, which is assumed to have been the name of Gottfried's patron.

If Gottfried had completed Tristan it would probably have been around 24,000 lines long.

Story
The story starts with the courtship of Tristan's parents. Riwalin, King of Parmenie, travels to the court of King Marke in Cornwall, where he and Marke's sister, Blanschefleur, fall in love. Blanschfleur becomes pregnant and the couple steal back to Parmenie, but Riwalin is killed in battle. When she hears the news, Blanschfleur dies, but the baby is delivered and survives. He is named Tristan because of the sorrowful circumstances of his birth.

Tristan grows up in Parmenie, passed off as the son of Riwalin's marshal Rual li Fointeant, becoming the perfect courtier. While on board a merchant ship which has docked in Parmenie, Tristan is abducted by the Norwegian crew. Once at sea, the ship is struck by a tempest, the crew conclude that they are being punished by God for abducting Tristan, so they set him ashore in a country that turns out to be Cornwall.

Tristan encounters a hunting party, whom he astonishes with his skill, and he accompanies them to Marke's court, where his many accomplishments make him popular, particularly with Marke. Eventually, after years of searching, Rual comes to Cornwall and finds Tristan, who is now revealed as Marke's nephew. Tristan is knighted.

Cornwall is being forced to pay tribute to the King of Ireland, Gurmun, collected by his brother, the monstrous Morold. Tristan challenges Morold to a duel and defeats him, though he becomes wounded by Morold's poisoned sword. In order to seek a cure Tristan travels to Ireland incognito (under the name Tantris), and contrives to get himself cured by Gurmun's Queen Isolde (Isolde the Wise). He is struck by the beauty and accomplishments of her daughter, Isolde the Fair, and returns to Cornwall singing her praises.

Jealous of Tristan, Marke's councillors press him to marry, so that Tristan can be ousted as heir. Hoping that he will be killed in the process, they suggest Tristan be sent to Ireland to woo Isolde for Marke. Tristan travels to Ireland (as Tantris) and kills a dragon which has been threatening the countryside, thus winning Isolde's hand. However, observing that the splinter previously found in Morold's skull matches Tantris's sword, Isolde realises Tantris is in fact Tristan, and threatens to kill him as he sits in the bath. Her mother and her kinswoman Brangaene intervene and Tristan explains the purpose of his journey, which leads to a reconciliation between Ireland and Cornwall. Tristan leaves for Cornwall with Isolde as a bride for Marke.

Isolde the Wise has given Brangaene a magic potion to be drunk by Marke and Isolde on their wedding night to ensure their love. On the voyage, however, it is drunk by Tristan and Isolde by mistake. They avow their love for each other, but know that it cannot be made public, and they enjoy a brief idyll on board before arriving in Cornwall. This is followed by a series of intrigues in which the lovers attempt to dupe Marke, starting with the wedding night, when the virgin Brangaene substitutes for Isolde in the marriage bed. Marke is suspicious but is constantly outwitted by the lovers' guile.

Eventually, Marke resigns himself to their love and banishes them from court. They go off into the wilderness, to a Love Grotto, where they enjoy an idyllic life away from society. By accident, Marke discovers the grotto and sees them lying side by side. However, aware of his approach, Tristan has placed his sword between himself and Isolde, duping Marke into believing that perhaps they are not lovers after all.

With their secret hideaway discovered, the lovers return to court. However, Marke's suspicions return and finally he finds them together and can no longer doubt their adultery. Tristan flees to Normandy, where he encounters Isolde of the White Hands, daughter of the Duke of Arundel. Gottfried's poem ends with Tristan expressing his emotional confusion over the two Isoldes.

In Thomas's poem, which is preserved from around this point, Tristan marries Isolde of the White Hands, though the marriage is never consummated. Tristan creates a hall of statues, with statues of Isolde and Brangaene. Tristan is wounded with a poisoned spear by Estult li Orgillus, and sends for Isolde the Fair, who is the only one who can cure him. It is agreed that the ship sent for her will bear a white sail if it returns with her on board, but a black sail if not. However, the jealous Isolde of the White Hands lies about the colour of the sail, and Isolde the Fair arrives to find Tristan dead of grief. She kisses him and dies.

Interpretation
Gottfried's Tristan has proved problematic to interpret, probably in part because it was arguably left unfinished.  Much of critics' difficulty in interpreting the work was entirely intentional on the part of Gottfried; his extensive use of irony in the text is clearly the greatest cause of disagreement over the meaning of his poem.

"Tristan" contrasts significantly with the works of Gottfried's contemporaries in three ways:
 The hero of Tristan is a primarily an artist and trickster rather than a knight, that is, he lives on his wits rather than his martial prowess. While Tristan has all the accomplishments of a knight, questions of chivalric ethos are irrelevant to the story and the role of the fighting man in society, central to the works of Hartmann von Aue and Wolfram von Eschenbach, is never at issue.
 Contemporary heroes fall in love with a lady because of her beauty and her moral worth. Tristan and Isolde, in spite of their physical beauty and many accomplishments, which cause them to be generally adored, fall in love not for any such explicable reason, but because the love potion leaves them no choice.
 Where contemporaries look for balance in life and subordination of the will of the individual (whether to God, or society, or both), Gottfried appears to exalt love as the supreme value, regardless of social consequences and heedless of the sinful nature of Tristan and Isolde's adultery.

This "exaltation of love" has led some critics to see Tristan as effectively heretical, with Tristan and Isolde as "saints" of a religion of love, though how such a work could have been repeatedly read and copied at 13th century courts remains puzzling. Does the use of religious language imagery for the lovers mean that they represent an alternative religion, or is this simply a technique to communicate their exemplary role and the sublime nature of their love?

Alternatively, some critics see the work not as a pure exaltation of love, but rather as an exploration of the conflict between passionate love and courtly social order.  That Tristan is not knightly represents a rejection of the norms of feudal society; he allows himself to be guided by love and physical passion rather than chivalry.  The deaths of Tristan and Isolde would then seem inevitable, in that their love could not overcome the contemporary social order.

The role of the potion remains contentious - is it:
 simply a narrative device, of no import in itself, but required to deflect moral criticism?
 a symbol of their falling in love?
 the cause of their love, indicating love's irrational and irresistible nature?

The story itself also raises problems. If the power of the love potion is irresistible, how can Tristan's marriage to Isolde of the White Hands be explained? If love is the supreme value, why do Tristan and Isolde leave their idyllic life in the Love Grotto, to return to a life of occasional secret trysts? Some have even argued that Gottfried abandoned the work, unable to solve these contradictions.

Gottfried and his contemporaries
One of the most important passages in Tristan, one which owes nothing to Thomas, is the so-called literary excursus, in which Gottfried names and discusses the merits of a number of contemporary lyric and narrative poets. This is the first piece of literary criticism in German.

Gottfried praises the Minnesänger Reinmar von Hagenau and Walther von der Vogelweide, and the narrative poets Hartmann von Aue, Heinrich von Veldeke and Bligger von Steinach, the former for their musicality, the latter for their clarity, both features which mark Gottfried's own style. Conversely, he criticises, without naming him directly, Wolfram von Eschenbach for the obscurity of his style and the uncouthness of his vocabulary.

Reception

There are 29 known manuscripts of Gottfried's Tristan, dating from the 13th to the 15th century. Of these 11 are complete.

The unfinished Tristan was completed by two later poets, Ulrich von Türheim around 1235 and Heinrich von Freiberg around 1290, but their source for the latter part of the story is not Thomas's Tristan, and is generally thought to be the earlier and less courtly version of the story by Eilhart von Oberge, written around 1175. All but two of the complete manuscripts of Gottfried's work include a continuation by Ulrich or Heinrich; one uses the final part of Eilhart's work. Only one has no continuation at all.

Gottfried's work is praised by a number of later 13th-century writers, including Rudolf von Ems and Konrad von Würzburg, and was used, together with Eilhart von Oberge's version and Heinrich von Freiberg's continuation as a source for the Old Czech Tristan, written in the latter third of the 14th century.

While Gottfried's poem was still being copied in the 15th century, it was Eilhart von Oberge's less sophisticated narrative of the Tristan story that was the source of the first printed version, the 1484 Tristrant und Isalde, a work in prose which is not to be confused with the French Prose Tristan, also known as the Roman de Tristan en Prose.

Gottfried's work was rediscovered in the late 18th century, and is the source of Richard Wagner's opera Tristan und Isolde (1865).

Editions
The first modern edition of Gottfried's Tristan was that of Christian Heinrich Myller in 1785, and there have been many since. However, there is still no satisfactory critical edition and three editions are in use:
 Friedrich Ranke (Weidmann 1930, with corrections 1949). This is the standard edition, but contains no critical apparatus. Most readily available in 3 volumes with Modern German translation, commentary and epilogue by Rüdiger Krohn (Reclam 1980) ,  and . The text of Ranke's edition (without line numbering) is available at Projekt Gutenberg-DE. All Tristan literature uses Ranke's line numbering for references to the text.
 K. Marold (de Gruyter 1906), republished in 2004 with an afterword by Werner Schröder . Though the text is inferior to Ranke's, this is the only edition to provide full critical apparatus.
 R. Bechstein (2 vols, Leipzig, 1870), re-issued in a revised version edited by Peter Ganz (2 vols, Brockhaus 1978), which includes Bechstein's running commentary and indicates differences from Ranke's text.

Translations
English translations:
Jessie Weston (London, 1899)
E.H. Zeydel (Princeton, 1948)
A.T. Hatto, with the Tristran of Thomas (London: Penguin, 1960).
William T. Whobrey, Tristan and Isolde, with Ulrich von Türheim's Continuation (Indianapolis: Hackett, 2020).
Modern German translations:
Xenja von Ertzdorff, Doris Scholz, Carola Voelkel (Fink, 1979)
Wolfgang Mohr (Kümmerle, 1979), in verse, based on Hermann Kurtz's translation
Rüdiger Krohn (Reclam 1980)  and
Dieter Kühn (Reclam, 1998)
Peter Knecht (de Gruyter, 2004)

There are many older translations. However, any made before 1930, when Ranke's edition was first published, will be based on an outdated edition of the text.

Notes

References

External links

An excerpt from Gottfried's prologue to Tristan, as translated by Matthew Wildermuth

12th-century births
13th-century German poets
1210 deaths
Alsatian-German people
Writers of Arthurian literature
Minnesingers
Writers from Strasbourg
Epic poets
German male poets
12th-century German poets
Tristan and Iseult

Gottfried von Strassburg


Yui Sunami (født 7. juni 1991) er en japansk håndboldspiller, som tidligere har spillet for den japanske klub Hokkoku Bank Handball og det japanske landshold.

Hun repræsenterede , da hun var blandt de udvalgte i landstræner Ulrik Kirkelys endelige trup ved Sommer-OL 2020 i Tokyo, hvor holdet endte på en samlet 12. plads. Hun deltog også ved VM 2015 i Danmark og VM 2017 i Tyskland.

Hun var også med til at vinde sølv ved Asienmesterskabet i 2018 på hjemmebane, dog efter finale-nederlag til , med cifrene 25-30.

Referencer

Håndboldspillere fra Japan
Håndboldspillere ved sommer-OL 2020

Yui Sunami


An Festuca altopyrenaica in uska species han Liliopsida nga ginhulagway ni Vicente de la Fuente García ngan Ortúñez. An Festuca altopyrenaica in nahilalakip ha genus nga Festuca, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Festuca

Festuca altopyrenaica


Goša nagara, pisano i kao Goša-nagara (azerski: Qoşa dumbul, Qoşanağara ili Qoşa-nağara, ruski: Гоша нагара ili Гоша-нагара) azerbajdžansko je narodno glazbalo koje spada pod udaraljke. Goša nagara jedna je od najčešćih udaraljka u Azerbajdžanskoj narodnoj glazbi.

Etimologija
Qoşa na azerskome znači par, a nagara dolazi od arapske riječi نقارة koja znači kucanje, tucanje.

Struktura
Po strukturi Goša nagara nalikuje na dva bubnjeva koji su međusobno povezani u obliku kaveza. U Azerbajdžanu također poatoji još jedan bubanj u obliku kotla pod nazivom "Timplipito" (ruski: тимплипито) koji izgleda kao dva mala međusobna povezana bubnjeva. Goša nagara se svima dvama drvenim štapićima koji su najčešće izrađeni od drveta drijena.

U početku tijelo Goša nagare bilo je napravljeno od gline, a poslije se počelo izrađivati od drveta i metala. Za izradu membrane koriste se teleća, kozja i rijetko devina koža. Membrana se povezuje za tijelo uz pomoć metalnih vijaka koji istodobno služe za podešavanje alata.

Izvedba
Svira se posebnim drvenim štapićima na podu ili na posebnome stolu. Goša nagara je obavezna kod svih azerbajdžanskih ansambla, orkestra narodnih glazbala, vjenčanja i proslava. Također se koristi za izvođenje azerbajdžanskoga folklora. Goša nagara ima jedinstven timbar te se rijetko koristi kao solo instrument.

Izvori

Vidi još
 Nagara
 Goltug nagara
 Džura nagara
 Bejuk nagara

Azerbajdžanski bubnjevi

Vanjske poveznice

 The Azerbaijan musical instruments
 Ударные музыкальные инструменты

Goša nagara


آيزوتريتينوين  (يلفظ aɪsoʊtrɨˈtɪnɵʊɨn) وهو دواء يستخدم لعلاج الحالات المتوسطة والشديدة من حب الشباب، وفي حالات نادرة يستعمل أيضا للوقاية من بعض أنواع السرطان التي تصيب الجلد مثل سرطان الخلية الحرشفية. ويستخدم أيضا لمعالجة الأطفال الذين يولدون بمرض السماك الهارج، وهو مرض يصيب الجلد وقد يقتل المصاب به بعد الولادة مباشرة. الآيزوتريتينوين يعتبر من الريتونيئدات، والتي هي مشتقة من فيتامين أ وبدورها موجودة في الجسم ولكن بكميات قليلة. أحد مشتقاته هو التريتينوين، وهو أحد الادوية المستعلة لعلاج حب الشباب.

يتهم تسويق يسوتريتينوين تحت أسماء تجارية مختلفة، وأكثر الأدوية شيوعا Accutane من شركة هوفمان-لا روش [قبل يوليو 2009] وأيضًا يتم تسويقه تحت اسم «روكتان».

التاريخ
أستخدمت لأول مرة في عام 1930، وكان علاجا فعالا لحب الشباب، وكان فيه نسبة عالية من [الدهون] مما يؤدي إلى ذوبان فيتامين أ.
لدى هذه الجرعة مستويات(أحيانا 500,000 حبة يوميا) من الممكن أن يلاحظوا انخفاض إخراج الزهم وجفاف الشعر.ومع ذلك، وعند هذه الأدوية سمية من مستويات فيتامين أ.
واستخدام الحيوانات لفيتامين أ مرتكز على نظام غذائي.

التأثيرات الماسخة
إنّ المستويات العالية من فيتامين أ يُمكن أن تكون ماسخة خلال الحمل. وتُقدر المستويات الآمنة بين 25,000 و 37,000 وحدة دولية/اليوم. يرتبط الإيزوتريتينوئين لدى الإنسان بطيف واسع من اضطرابات الولادة بما في ذلك شذوذات الجهاز العصبي والشذوذات القلبية والشذوذات القحفية الوجهية. ويُعتقد أن الإيزوتريتينوئين يُسبب حدوث شق قبة الحنك لدى الإنسان.

التأثيرات النفسية
هناك دليل قوي يتضمن 400 تقرير حالة تلقتها إدارة الغذاء والدواء الأمريكية (FDA) من العام 1982م إلى العام 2000م فقط, ويقترح هذا الدليل وجود صلة بين الإيزوتريتينوئين والاكتئاب, وخلال هذه الفترة أيضاً تم تسجيل 37 حالة وفاة متعلقة بالإيزوتريتينوئين.

في الولايات المتحدة الأمريكية تم تصنيف الإيزوتريتينوئين من قبل إدارة الغذاء والدواء الأمريكية FDA على أنه واحد من أكثر عشر أدوية مرتبطة بتقارير للاكتئاب ومحاولات الانتحار.

المراجع

إينونات
أحماض كربوكسيلية
أدوية حب الشباب
العلامة التجارية هوفمان لا روش
بوليين
ريتينويدات
سيكلوهكسينات

آيزوتريتينوين


Werner Bernhard Wiater (* 8. Oktober 1946 in Wassenberg) ist ein deutscher Schulpädagoge und ehemaliger Vize-Präsident der Universität Augsburg.

Wiater studierte im Lehramtsstudium ab 1965 in Bonn Religion (katholisch) und Romanistik (Französisch). Während der nachfolgenden dreijährigen Lehrtätigkeit promovierte er in Theologie. Von 1975 bis 1978 unterrichtete er als Hochschullehrer in Hildesheim. 1977 promovierte er an der Universität Bonn in Pädagogik und erhielt 1979 eine Professur für Pädagogik in Clausthal. 1983 habilitierte er sich in Hildesheim mit einem pädagogischen Thema. Von 1987 bis 2015 war er Ordinarius für Schulpädagogik an der Universität Augsburg. Er ist verheiratet und hat drei Kinder.

Wiater hat Schriften und Lehrbücher zur Schulpädagogik veröffentlicht, auch zum Thema Schultheorie. Seine Forschungsgebiete sind unter anderem Schul- und Unterrichtstheorie, Hermeneutische Bildungsforschung, Mehrsprachigkeit und Schulbuchforschung.

Einzelnachweise

Hochschullehrer (Universität Augsburg)
Deutscher
Geboren 1946
Mann
Absolvent der Rheinischen Friedrich-Wilhelms-Universität Bonn

Werner Wiater


الجمعية الوطنية الفرنسية (بالفرنسية: Assemblée nationale) تكون مع مجلس الشيوخ الفرنسي، البرلمان الفرنسي الحالي للجمهورية الفرنسية الخامسة. دوره الرئيسي هو مناقشة وتعديل والتصويت على القوانين والتشريعات. هذه المؤسسة، وبعكس مجلس الشيوخ الفرنسي، لديها صلاحية إسقاط وتغيير الحكومة، وهو مما ينبغي ألا تكون الأغلبية في المجلس تخالف الحكومة. مقر المجلس في قصر بوربون في باريس في فرنسا.
في 2012، يتكون المجلس من 577 نائب، تم انتخابهم أو أعيد انتخابهم في الانتخابات التشريعية 2012 وذلك عبر الاقتراع العام المباشر في شكل اقتراع على دورتين وذلك لمدة 5 سنوات. جاءت هذه الانتخابات بالدورة النيابية الرابعة عشر أين الكتلة الاشتراكية الجمهورية والمواطن كانت لها الأغلبية مع حلفائها ب290 مقعد منهم 280 للحزب الاشتراكي.
كلود بارتولون فاز برئاسة هذا المجلس في 26 يونيو 2012.

العلاقة بين التنفيذية والجمعية الوطنية

الإدارة

الميزانية
ميزانية الجمعية الوطنية الفرنسية حددت في سنة 2010 ب 000 910 533 يورو.

مقالات ذات صلة
 قائمة الشخصيات الأجنبية المستدعاة للتحدث في الجمعية الوطنية الفرنسية
 قائمة رؤساء الجمعية الوطنية الفرنسية
 النساء في الجمعية الوطنية الفرنسية
 البرلمان الفرنسي
 مجلس الشيوخ الفرنسي
 نظام جمهوري في فرنسا
 كتلة برلمانية
 برلمان الطفل

روابط خارجية
 الموقع الرسمي للجمعية الوطنية الفرنسية

الدائرة السابعة في باريس
تأسيسات سنة 1958 في فرنسا
حكومة فرنسا
مجالس عموم وطنية

الجمعية الوطنية الفرنسية


Come Out and Play četvrti je studijski album američkog heavy metal sastava Twisted Sister. Album je objavio Atlantic Records 9. studenog 1985. godine. Bio je manje uspješan od svog prethodnika Stay Hungry iz 1984. godine, i kritički i komercijalno.

Popis pjesama

Osoblje
Twisted Sister

Dee Snider – vokali
Jay Jay French – gitara, vokali
Eddie "Fingers" Ojeda – gitara, vokali
Mark "The Animal" Mendoza – bas-gitara
A. J. Pero – bubnjevi
Dodatni glazbenici
Don Dokken – prateći vokali (na 7. pjesmi)
Alice Cooper – vokali (na 6. pjesmi)
Brian Setzer - gitara (na 6. pjesmi)
Billy Joel - klavir (na 6. pjesmi)
Clarence Clemons - saksofon (na 6. pjesmi)
Crispin Cioe - saksofon (bariton) (na 6. pjesmi)
Arno "Cool-Ray" Hecht - saksofon (tenor) (na 6. pjesmi)
Bad Bob Funk - trombon (na 6. pjesmi)
Maxine Waters - prateći vokali (na 6. pjesmi)
Julia Waters - prateći vokali (na 6. pjesmi)
Hollywood Paul Litteral - truba (na 6. pjesmi)
Gary Holland - prateći vokali (na 7. pjesmi)
Alan St. John - klavijature

Ostalo osoblje
Craig Engel - pomoćni inženering
Craig Vogel - pomoćni inženering
Suzette Guillot-Snider - kostimi
Dee Snider - dizajn
Mikael Kirke - ilustracije
Tom McPhillips - omot albuma
Mark Weiss - fotografija
Barry Diament - mastering
Bob Ludwig - mastering
Dieter Dierks - produciranje
Eddy Delana - inženjering

Izvori

Vanjske poveznice
 Tekstovi pjesama na službenoj stranici sastava

Albumi iz 1985.
Američki glazbeni albumi

Come Out and Play


أحمد بن سفيان الوهبي (؟؟؟ - 1285هـ/1868م) خطاط عراقي، هو أحمد بن الخطاط المعروف سفيان الوهبي، ولد في بغداد ونشأ فيها، وتخرج في فن الخط على يد والدهِ، وكان يجيد الخط إجادة تامة بضروبهِ النسخ والثلث والرقعة، ومن آثاره الخطية مخطوطة كتاب في علم الصرف من مخطوطات مكتبة الشيخ عبد الوهاب ملوكي، وكان أحمد الوهبي رجلاً صالحاً وله مواهب فنية وأجاز الكثير من الخطاطين البغداديين.

وفاته
توفي الخطاط أحمد الوهبي في بغداد عام 1285هـ/1868م.

مصادر

أشخاص من بغداد
خطاطو الخط العربي في القرن 13 هـ
خطاطون عراقيون
صفحات تحتاج تصنيف سنة الولادة
وفيات 1285 هـ
وفيات 1868

أحمد بن سفيان الوهبي


إيدن ريجل  ممثلة أمريكية من مواليد 1 يناير 1981، حاصلة على جائزة الإيمي 2005 لأفضل ممثلة صغيرة في مسلسل درامي عن دورها في كل أطفالي.

أدوارها في العاب الفيديو
 بيرسونا 4 غولدن - ماري

المراجع

روابط خارجية

أشخاص على قيد الحياة
أمريكيون من أصل يهودي
خريجو جامعة هارفارد
مخرجو صوت
ممثلات أداء صوتي أمريكيات
ممثلات أطفال أمريكيات
ممثلات ألعاب فيديو أمريكيات
ممثلات أمريكيات في القرن 20
ممثلات أمريكيات في القرن 21
ممثلات تلفزيون أمريكيات
ممثلات سوب أوبرا أمريكيات
ممثلات مسرح أمريكيات
ممثلات من فرجينيا
ممثلات من واشنطن دي سي
ممثلات يهوديات أمريكيات
ممثلون أمريكيون ظهروا في مسلسلات تلفازية طويلة
مواليد 1981
مواليد في واشنطن العاصمة
يهود أمريكيون في القرن 21

إيدن ريجل


Ventosa Portekiz'de Vouzela belediyesine bağlı olan, 9,11 km² yüzölçümüne sahip, 1.128 nüfuslu (2001) bir bucaktır (Portekizce: freguesia).

Portekiz'in freguesiaları
Vouzela

Ventosa (Vouzela)


خطبة حالة الدولة هو خطاب سنوي يلقيه رئيس الولايات المتحدة الأمريكية أمام جلسة مشتركة للكونغرس الأمريكي (مجلسي النواب والشيوخ) في مبنى الكابيتول. يقر الرئيس في هذه الخطبة حال الأمة ويضع تصوراً للأجندة التشريعية والأولويات الوطنية أمام الكونغرس.

مراجع

تأسيسات سنة 1790 في الولايات المتحدة
حكومة الولايات المتحدة
خطب رؤساء دول
المادة الثانية من دستور الولايات المتحدة

خطاب حالة الاتحاد


بلدية سانتا سوزانّا (بالكاتالانية: Santa Susanna) هي إحدى بلديات مقاطعة برشلونة، والتي تقع في منطقة كاتالونيا، شرق إسبانيا.

يبلغ عدد سكانها 3.019 نسمة وفقاً لإحصائية سنة (2007).

توأمة
لسانتا سوزانا اتفاقيات توأمة مع كل من:
 كونين

مراجع

بلديات في مقاطعة برشلونة

بلديات في ماريسمى

سانتا سوزانا


Donabe (Japanese: 土鍋, literally "earthenware pot") are pots made out of a special clay for use over an open flame in Japanese cuisine, and in the case of semi-stoneware Banko ware of high petalite content. Often, the food is cooked at the table on a gas burner for various nabemono dishes such as shabu-shabu and dishes served simmering including nabeyaki udon. They are sized by sun, one of the Japanese units of measurement.

The donabe is usually glazed on the inside and porous on the outside. While the material is similar to earthenware or stoneware, donabe can be used over an open flame as well as in an oven if three precautions are taken. First, the outside of the donabe should be dry before use, as moisture within the clay will expand in the heat and may chip or crack the pot. Secondly, the pot should be heated gradually to reduce the possibility of cracks due to heat stress. Third, the pot should never be left over the flame while empty.

Donabe is a traditional cooking vessel. It is made from a clay that is porous and coarse. In the area around Iga, Iga-yaki (Iga-style) donabe, have been made since 1832; Iga-yaki pottery in general dates back to the 7th century and is highly valued. It became particularly popular for donabe during the Edo Period. The highest-quality donabe can take two weeks to make. There are multiple styles of donabe made for the preparation of different dishes. Donabe can be used over an open flame, and food is often served out of the donabe.

A culture surrounding donabe developed called "nabe o kakomu", which means "surrounding the pot" or a communal meal. The concept has been featured repeatedly in the media and in donabe cookbooks.

With use, donabe develop a patina of crackling of the interior glaze called kannyu. This patina is valued as a sign of character.

If properly treated, these pots should last for decades and a few special ones have survived for centuries.  When a new donabe is obtained, one should let the donabe boil water for hours and dry before using it for cooking.  Other sources suggest that the user should simply fill the donabe with water and let it sit overnight.  This process should be repeated if the donabe has been unused for a long time.

In old ryoutei of Kyoto, decades-old donabe would be stored and only used for special guests.  Young donabe would be used for preparing lunch menus and food for cooks, to age them for this purpose.

Donabe is produced by potters of Banko ware, Iga ware, Shigaraki ware, and Mashiko ware.

The pots are made by kneading clay, then forming and trimming the formed vessels. They are partially dried and then knobs and handles applied. After another period of drying, they are fired, glazed, and fired again.

See also
Clay pot cooking
List of Japanese cooking utensils

Notes

References

Japanese food preparation utensils
Japanese pottery

Donabe


Die Ärzte (njem. "liječnici") je njemački glazbeni rock/punkrock sastav iz Berlina koji se koji je osnovan u 1982. godini. Sastav se razišao u 1988. godini i ponovo se okupljaju u promijenjnom sastavu 1993. g.

Sastav uglavnom svira rock glazbu s njemačkim tekstovima i koristi elemente punkrocka. Uz glazbenu skupinu Die Toten Hosen, jedan su od komercijalno, najuspješnijih njemačkih sastava s korijenima u punk rocku.

Diskografija

Albumi

1984.: Debil
1985.: Im Schatten der Ärzte
1986.: Die Ärzte
1987.: Ist das alles? (kompilacija)
1987.: Ab 18 (kompilacija)
1988.: Das ist nicht die ganze Wahrheit …
1988.: Nach uns die Sintflut (uživo)
1989.: Die Ärzte früher! (kompilacija)
1993.: Die Bestie in Menschengestalt
1994.: Das Beste von kurz nach früher bis jetze (kompilacija)
1995.: Planet Punk
1996.: Le Frisur
1998.: 13
1999.: Wir wollen nur deine Seele (uživo)
1999.: Hot Action Records (uživo)
2000.: Runter mit den Spendierhosen, Unsichtbarer!
2001.: Männer haben kein Gehirn (kompilacija)
2001.: Die Ärzte (kompilacija)
2001.: 5, 6, 7, 8 – Bullenstaat!
2002.: Rock 'n' Roll Realschule (uživo)
2003.: Geräusch
2006.: Bäst of (kompilacija)
2007.: Jazz ist anders
2009.: Jazzfäst (uživo)
2012.: auch
2013.: Die Nacht der Dämonen (uživo)
2018.: Seitenhirsch (kompilacija)
2019.: They've Given Me Schrott! – Die Outtakes (kompilacija)

Vanjske poveznice
 Službena stranica

Rock-sastavi
Punk glazbeni sastavi
 Njemački glazbeni sastavi

Die Ärzte


Gordon Phillip "Joe" Allen (April 29, 1929 – December 23, 2010) was a Democratic member of the North Carolina General Assembly and an insurance professional from Roxboro, North Carolina.

After graduating from Mars Hill College, Allen served in the United States Army during the Korean War and then served in the North Carolina National Guard.

Allen was elected to three terms in the North Carolina Senate, serving from the beginning of 1969 through the end of 1974. In just his second term, Allen rose to the highest rank of Senate leadership when he was elected President Pro Tem and simultaneously Majority Leader. He was re-elected to a second term as Senate leader for the 1973–1974 General Assembly.

After leaving the legislature, Allen spent 20 years lobbying for the N.C. Bankers Association. Then, he was elected to the North Carolina House of Representatives in 1997, serving until 2005. He represented the state's fifty-fifth House district, including constituents in Orange and Person counties.

Allen was also the first chairman of the board of trustees for Piedmont Community College and later
received the Order of the Long Leaf Pine in 2010.

He was a father of five children and grandfather of seventeen grandchildren. One granddaughter was named Rachael Gordon after her grandfather.

References

External links

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1929 births
2010 deaths
Democratic Party members of the North Carolina House of Representatives
Democratic Party North Carolina state senators
United States Army personnel of the Korean War
Mars Hill University alumni
21st-century American politicians

Gordon P. Allen


An Disperis thomensis in uska species han Liliopsida nga ginhulagway ni Victor Samuel Summerhayes. An Disperis thomensis in nahilalakip ha genus nga Disperis, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Disperis

Disperis thomensis


Youssef Toutouh (* 6. August 1992 in Kopenhagen) ist ein dänischer Fußballspieler mit marokkanischen Wurzeln. Der Mittelfeldspieler steht aktuell beim rumänischen Erstligisten FC Botoșani unter Vertrag.

Karriere

Verein
Der als Sohn marokkanischer Einwanderer in Dänemark geborene und aufgewachsene Toutouh entstammt den Jugendmannschaften von Hvidovre IF und gab am 3. Oktober 2010 beim 1:2 am neunten Spieltag der Zweitliga-Spielzeit 2010/11 gegen Roskilde FC sein Debüt im Herrenbereich. Zum Saisonende stieg der Verein als Tabellenletzter in die dritte Liga ab.

Danach wechselte Toutouh in die erste Liga zum FC Kopenhagen. Zum Ende seiner ersten Saison, in der er sich nicht durchsetzen konnte, belegte der Rekordmeister lediglich den zweiten Tabellenplatz. Im September 2012 wechselte Toutou leihweise zum Aufsteiger Esbjerg fB und gewann mit dem Verein aus Esbjerg zum Ende der Saison den dänischen Pokal und belegte in der Liga den sechsten Tabellenplatz. Im Pokalfinale gegen Randers FC gelang ihm der 1:0-Siegtreffer. Danach kehrte Toutouh zum FC Kopenhagen zurück und gab am 17. September 2013 beim 1:1-Unentschieden in der Gruppenphase der UEFA Champions League gegen Juventus Turin sein Europapokaldebüt. Zum Ende der Saison 2013/14 belegte Toutouh mit dem FC Kopenhagen erneut den zweiten Tabellenplatz, wobei er das Saisonende aufgrund eines Fußbruches verpasste. In der Spielzeit 2014/15 wurde Toutouh mit den Kopenhagenern zum dritten Mal nacheinander Vize-Meister, doch 2016 feierte er den ersten Meistertitel seiner Karriere. Ein Jahr später gelang dem Verein die Titelverteidigung. In der Saison 2017/18 belegte der FC Kopenhagen in der Meisterrunde einen enttäuschenden vierten Platz. Toutouhs' Vertrag lief bis zum 30. Juni 2018.

Nationalmannschaft
Toutouh absolvierte eine Partie für die dänische U20-Auswahl und 13 für die dänische U21-Nationalmannschaft.

Am 26. Januar 2016 gab er bekannt, künftig für die marokkanische Nationalmannschaft aufzulaufen.

Erfolge
 Dänischer Meister: 2011, 2016, 2017
 Dänischer Pokalsieger: 2012, 2013, 2015, 2016, 2017

Weblinks

Einzelnachweise

Fußballspieler (Esbjerg fB)
Fußballspieler (FC Kopenhagen)
Fußballspieler (Hvidovre IF)
Fußballspieler (Aarhus GF)
Fußballspieler (Stabæk Fotball)
Fußballspieler (FAR Rabat)
Fußballspieler (FC Botoșani)
Däne
Geboren 1992
Mann

Youssef Toutouh


Prins August Wilhelm af Preussen (August Wilhelm Heinrich Günther Viktor; kaldet Auwi) (29. januar 1887 – 25. marts 1949) var en tysk prins, der var den fjerdeældste søn af Tysklands sidste kejser, Wilhelm 2., og dennes hustru Augusta Viktoria af Slesvig-Holsten-Sønderborg-Augustenborg.

Efter afskaffelsen af monarkierne i Tyskland ved Novemberrevolutionen i 1918, var Prins August Wilhelm aktiv i den paramilitære organisation Stahlhelm. Han meldte sig i senere ind i NSDAP og blev obergruppenführer i SA.

Ægteskab og børn
Prins August Wilhelm giftede sig den 22. oktober 1908 på Berliner Stadtschloss med sin kusine prinsesse Alexandra Viktoria af Slesvig-Holsten-Sønderborg-Glücksborg. Parret blev skilt i marts 1920. I ægteskabet blev der født en søn:
 Prins Alexander Ferdinand (26. december 1912 – 12. juni 1985)

Eksterne henvisninger

Huset Hohenzollern
Tyskere i 1900-tallet
Medlemmer af tyske rigsdag 1933-1945
Personer fra Potsdam
Kongelige fra Preussen
Prinser
Nazister fra Tyskland

August Wilhelm af Preussen (1887-1949)


Elpida (eigentl.: Elpida Karayiannopoulou, griech.: Ελπίδα Καραγιαννοπούλου, * 1. Oktober 1949 in Spercheiada) ist eine griechische Sängerin.

Von Kindheit an beschäftigte sie sich mit Musik und zog mit 14 Jahren zusammen mit ihren Brüdern nach Athen. Während sie dort später ein Topografie-Studium begann, wurde sie Sängerin eines Orchesters. 1972 debütierte sie als Solosängerin beim Thessaloniki Music Festival mit dem Song "Den Ton Eida" (Δεν τον είδα) was ihr große Aufmerksamkeit brachte. Sie nahm in den nächsten drei Jahren an 13 internationalen Songwettbewerben teil, beim Internationalen Songfestival von Viña del Mar im chilenischen Viña del Mar erreichte sie Platz 1 im Jahr 1975.

Sie wurde ausgewählt, Griechenland beim Eurovision Song Contest 1979 in Jerusalem zu vertreten. Ihr Titel Sokrati schaffte es auf Platz 8. Bei Eurovision Song Contest 1986 nahm sie erneut teil, diesmal für Zypern. Mit dem Popsong Tora Zo wurde sie Letzte.
Ihre Punkte kamen aus:

 - 3 Punkte für Zypern
      - 1 Punkt für Zypern

Diskografie (Alben)
 1972: Den Ton Eida
 1973: Elpida
 1975: Koita To Fos
 1975: Epi Skinis
 1976: Elpida
 1978: Borei
 1979: Sokrati
 1979: Elpida
 1981: Me Tin Elpida
 1983: Me Logia Apla
 1987: Flas
 1989: Ela na Paizoume
 1990: Tragoudontas Tis Epohes, 10
 1990: Selida 16
 1992: To Palio Na Legetai
 1994: Mes Sti Nihta Hathika
 1995: To Lathos Kai To Pathos

Weblinks

 Elpida bei Discogs (englisch)

Einzelnachweise

Sänger
Musiker (Griechenland)
Interpret eines griechischen Beitrags beim Eurovision Song Contest
Interpret eines zyprischen Beitrags beim Eurovision Song Contest
Pseudonym
Grieche
Geboren 1949
Frau

Elpida (Sängerin)


Srpsko narodno vijeće (srpski: Српско народно вијеће, engleski: Serb National Council), skraćeno SNV, izabrano je političko, savjetodavno i koordinacijsko tijelo sa sjedištem u Zagrebu koje djeluje kao samouprava Srba u Republici Hrvatskoj. Tijelo je posvećeno radu na zaštiti i afirmaciji ljudskih, građanskih i nacionalnih prava, politike očuvanja identiteta te na promociji aktivnog sudjelovanja i integracije Srba u hrvatsko društvo. Temeljne vrijednosti SNV-a su demokracija, razvijeno civilno društvo, tolerancija i multikulturalnost. SNV djeluje i kao nacionalna koordinacija lokalnih i regionalnih vijeća srpske nacionalne manjine u Hrvatskoj.

Tijelo je osnovano 1997. godine na inicijativu Saveza srpskih organizacija (SKD Prosvjeta, Srpski demokratski forum, Zajednica Srba Rijeke i Istre, Zajedničko vijeće općina). Zakonsko utemeljenje za osnivanje organizacije nastalo je činom potpisivanja Erdutskog sporazuma kojim je započeta mirna reintegracija hrvatskoga Podunavlja. SNV aktivno sudjeluje u radu Savjeta za nacionalne manjine, krovnog autonomnog tijela svih nacionalnih manjina.

SNV organizira značajnu izdavačku djelatnost koja uz prepoznatljivi tjednik Novosti i znanstveni časopis Tragovi uključuje i brojne druge pojedinačne i serije publikacija. Tijelo je 9. travnja 2005. donijelo odluku o usvajanju zastave srpske nacionalne manjine u Republici Hrvatskoj kojom se ovaj nacionalni simbol počeo službeno koristiti i izvan istočne Slavonije (gdje se koristi od 1997.) u cijeloj Hrvatskoj.

Osnivanje i status
Temeljni dokument SNV-a, Statut, definira povijesno utemeljenje postojanja organizacije na pravnim izvorima koji su kroz prošlost potvrđivali pravo Srba na osobnu autonomiju pozivajući se posebice na A) odluke vladara iz 8 nabrojenih godina kao i dokument Rescriptum Declaratorium iz 1779. godine, B) zakonske članke iz 1790., 1848. i 1868. godine, C) carski ukaz od 10. kolovoza 1868. godine, D) Zakon od 14. svibnja 1887. godine i druge akte Sabora koji se odnose na prava Srba u Trojednoj Kraljevini, E) dokumente Narodnog vijeća SHS te D) dokumente Zemaljskog antifašističkog vijeća narodnog oslobođenja Hrvatske. Statut kao pravne osnove za rad SNV-a navodi članke 3., 14., 15. i 43. Ustava Republike Hrvatske, Ustavni zakon o pravima nacionalnih manjina kao i brojne nabrojene međunarodne instrumente za zaštitu ljudskih i manjinskih prava.

Odluka Ustavnog suda o statusu krovne organizacije
Status SNV-a kao krovne organizacije srpske manjine u Hrvatskoj bio je predmet pravnog spora pred Ustavnim sudom Republike Hrvatske koji su protiv SNV-a pokrenuli Srpski demokratski forum i Socijalistička partija Hrvatske koji su odbijali obvezu da im SNV bude krovna odganizacija. Spor je bio motiviran promjenama Ustavnog zakona o pravima nacionalnih manjina iz 2010. godine koje su sadržavale odredbu "Srpsko narodno vijeće djeluje kao Koordinacija vijeća srpske nacionalne manjine za područje Republike Hrvatske i ima pravnu osobnost". Tužitelji su osporili ovaj članak smatrajući da budući da ustavni zakon ne propisuje drugim manjinama nacionalne koordinacije već to ostavlja samoj zajednici, ova odredba dovodi Srbe u neravnopravan položaj prema drugim manjinama.

Ustavni sud tom je prilikom odbio SNV-u svojstvo pravne osobe s određenim javnim ovlaštenjima te istakao kako je vijeće po svom pravnom karakteru jedna od udruga. Prema tadašnjoj interpretaciji suda, priznanje pravne osobnosti javnog tijela dalo bi SNV-u dvostruki i međusobno suprotstavljeni subjektivitet od kojih status udruge jamči slobodu udruživanja dok za pravnu osobu javnog prava tog jamstva nema te ga se zakonom može čak i ograničavati. Kako Ustavni zakon o pravima nacionalnih manjina ipak predviđa mogućnost postojanja krovnih udruga nacionalnih manjina Ustavni je sud donio zaključak kako zakon SNV doživljava kao posebno istaknutu i glavnu udrugu građana srpske nacionalne manjine u Republici Hrvatskoj ali da mu to svojstvo ne dolazi na temelju propisa, nego samo na temelju slobodnog izraza demokratske volje ostalih pripadnika srpske nacionalne manjine u Republici Hrvatskoj.

Povijest

1997. do 2000. godine
1999. godine SNV je započeo s objavljivanjem tjednika Novosti koji je kroz godine postao medij sa prepoznatljivim identitetom dostupan i u komercijalnoj prodaji na brojnim kioscima diljem zemlje.

Od 2000. do ulaska Hrvatske u EU 2013. godine
5. siječnja 2004. godine hrvatski premijer Ivo Sanader bio je prvi premijer koji je bio gost na SNV-ovom prijemu pred proslavu pravoslavnog Božića po julijanskom kalendaru. Dolazak premijera, njegov proeuropski govor naklonjen integriranju srpske zajednice i korištenje pozdrava Mir Božji, Hristos se rodi doživljeni su tada kao pozitivan šok za cijelu zemlju.

2006. godine SNV je osnovalo Arhiv Srba u Hrvatskoj kao tijelo koje prikuplja gradivo koje se odnosi na povijest Srba u Republici Hrvatskoj. U zajedničkoj organizaciji s kustoskim kolektivom WHW i uz podršku Zagrebačkog gradskog ureda za kulturu, Ministarstva kulture i Rosa Luxemburg fondacije, 2012. godine organizirana je izložba Spomenici u tranziciji. Rušenje spomenika NOB-e u Hrvatskoj.

Povijest organizacije nakon ulaska Hrvatske u EU
Od travnja 2016. godine, zajedno sa židovskom zajednicom i organizacijama antifašista, SNV je zbog relativizacije i revitalizacije ustaštva u hrvatskom društvu započeo bojkot službene državne komemoracije u koncentracijskom logoru Jasenovac te su organizirane odvojene komemoracije predstavnika naroda žrtava i antifašističkih organizacija. Odvojenim komemoracijama prisustvovali su veleposlanici ili predstavnici veleposlanstava Izraela, SAD-a, Francuske, Norveške, Kanade, Njemačke, Austrije, Rusije, Ujedinjenog Kraljevstva, Australije i Srbije u Hrvatskoj što je protumačeno kao jasna poruka diplomatskog zbora. Udruge i pojedinci na političkoj radikalnoj desnici prosvjedovali su u prosincu 2016. pred zgradom SNV-a protiv odluke saborskog odbora za Ustav o uklanjanju ploče sa natpisom "Za dom spremni" iz Jasenovca uzvikujući ustaški pozdrav. SNV i druge organizacije prihvatile su ponovno sudjelovanje na službenoj državnoj komemoraciji tek 2020. godine uz ogradu da je povratak znak dobre volje prema vlastima i da povratak ne znači da će tamo biti i dogodine ako se odnos prema žrtvama Jasenovca ne popravi.

Treća Velika skupština SNV-a koja je 13. veljače 2018. godine održana u Koncertnoj dvorani Vatroslava Lisinskog zatražila je da se Zajedničkom vijeću općina i SNV-u formalno prizna status manjinske samouprave, u skladu s posebnim osnivačkim izvorištima, a koji bi bio pravno usporediv bar sa statusom bolnice ili fakulteti, a ne neformalnog udruženja općina. Vlada Republike Hrvatske odgovorila je na zahtjev kako vlada promiče uvažavanje i suradnju s nacionalnim manjinama ali i da Operativni programi za nacionalne manjine za razdoblje 2017.–2020. ne predviđaju promjenu pravnog statusa tijela srpske zajednice dok je predsjednica Kolinda Grabar Kitarović istakla kako "svatko ima pravo postaviti zahtjev za ispunjenjem prava koja smatra važnima, tako i Srpsko narodno vijeće, a isto tako svatko ih ima pravo podržavati ili ne podržavati".

Krajem ožujka 2018. u prostorijama SNV-a osnovano je i Sportsko rekreativno društvo Srba u Hrvatskoj usmjereno na promoviranje sportskih interesa srpske zajednice, organiziranu participaciju u radu Hrvatskog nogometnog saveza i Hrvatskog olimpijskog odbora te početak korištenja sredstava namijenjenih nacionalnim manjinama koja HNS dobiva od FIFA-e i UEFA-e.

Razdoblje od početka 2020.
Dan nakon potresa kod Petrinje krajem prosinca 2020. godine SNV je pokrenuo akciju Banija je naša kuća vrijednu 6.812.414,39 kuna kojom je do ožujka 2021. godine pružena pomoć osobama i obiteljima na području Sisačko-moslavačke županije. Od ukupnog iznosa u novcu je prikupljeno 2.142.688,99 kuna kojima je osigurano 39 kontejnera za smještaj i 1300 paketa kao i pružanje pomoći udrugama kao što su pučka kuhinja Merhameta, Udruga slijepih SMŽ i Crveni križ SMŽ. Materijalne donacije u vrijednosti od 4.744.751,12 kuna uključivale su 86 kontejnera koje je donirala Srpska pravoslavna crkva, a 25 kontejnera Veleposlanstvo Srbije kao i građevinski materijal u vrijednosti od 688.801,44 kuna. Akcija je po okončanju prvog ciklusa od prosinca 2020. do kraja ožujka 2021. ponovno započela u kolovozu 2021.

U prosincu 2021. godine gradonačelnik Zagreba Tomislav Tomašević bio je prvi gradonačelnik na komemoraciji ubijenoj obitelji Zec koju su 30 godina nakon zločina organizirali SNV i Antifašistička liga Hrvatske.

Dodjela nagrada i priznanja
Svake godine SNV na Božićnom prijemu dodjeljuje sljedeće nagrade (povelja i medalja):

 Nagrada Svetozar Pribićević - za doprinos unapređenju odnosa između Hrvata i Srba.
 Nagrada Nikola Tesla - za doprinos razvoju srpske zajednice u Republici Hrvatskoj.
 Nagrada Gojko Nikoliš - za afirmaciju antifašizma.
 Nagrada Dijana Budisavljević - za predanost humanosti.

Popis dobitnika nagrade

1 Nagrade su dobili postumno.

Vidi još
 Hrvatsko nacionalno vijeće Republike Srbije

Izvori

Vanjske poveznice
 Srpsko narodno vijeće
 Službeni Twitter profil
 Službeni YouTube kanal
 Službena Facebook stranica

Srbi u Hrvatskoj
Udruge nacionalnih manjina u Hrvatskoj
Hrvatske udruge za zaštitu ljudskih prava

Srpsko narodno vijeće


Soluna Samay Kettel (Ciudad de Guatemala, Guatemala, 27 de agosto de 1990) es una cantante guatemalteca-danesa. Representó a Dinamarca en el Festival de la Canción de Eurovisión 2012 con la canción "Should've Known Better".

Origen
El padre de Samay es el músico alemán Gerd G. Kettel (de nombre artístico Gee Gee Kettel) y su madre es la artesana suiza Annelis Ziegler. Samay creció en las orillas del Lago de Atitlán de Guatemala, mientras acudía a la escuela estadounidense "Robert Muller LIFE". Soluna se trasladó a Dinamarca en 2000, ya que sus padres habían comprado una pequeña granja en la isla de Bornholm. Samay es políglota: habla inglés, danés, español y alemán con soltura.

Carrera musical
El contacto de Samay con la música comenzó a los cinco años de edad cuando acompañaba a su padre en la batería y pronto comenzó a cantar junto a él. A los diez años de edad se cambió al bajo eléctrico y a los dieciséis al contrabajo. Con sus padres, pasaba los veranos en Bergen, Noruega, y tocando música por las calles de Europa, y durante los inviernos vivía en Guatemala. Soluna comenzó a tocar la guitarra hacia los doce años cuando también compuso sus primeras canciones.

Álbum debut
Samay grabó su álbum debut en solitario "Sing Out Loud" en un período de dos años, producido por Jesper Mejlvang y Michael Friis. Fue publicado por Baltic Records el 23 de septiembre de 2011.

Eurovisión 2012
Samay fue invitada por la televisión danesa DR1 a participar en su preselección para Eurovisión, el Dansk Melodi Grand Prix, con la canción "Should've Known Better", escrita por Remee Remee y Isam B (de Outlandish) y producida por Chief1. Ganó el Dansk Melodi Grand Prix 2012 el 21 de enero de 2012, con lo que representó a Dinamarca en el Festival de la Canción de Eurovisión 2012 que se celebró en Bakú, Azerbaiyán, quedando en la posición 23 con 21 puntos.

Referencias

 Foto de Soluna: Michael Dreves Beier.

Enlaces externos

Cantantes femeninas de Dinamarca
Participantes en Eurovisión 2012
Representantes de Dinamarca en Eurovisión
Nacidos en Ciudad de Guatemala
Cantantes femeninas de Guatemala

Soluna Samay


Die Parlamentswahl in Griechenland 1985 fand am 2. Juni 1985 statt.

Ergebnisse
Gewinner war die seit der Wahl 1981 regierende PASOK unter Andreas Papandreou. Papandreou konnte ohne Koalitionspartner weiterregieren; er bildete das Kabinett Papandreou II.

Alle anderen Parteien erreichten weniger als 0,2 %.

Weblinks
Der Spiegel 24 / 1985: Reifes Volk (Bericht über den Wahlkampf und die damalige politische Situation in Griechenland)

Anmerkungen

1985
Griechenland Parlament
Griechische Geschichte (20. Jahrhundert)

Parlamentswahl in Griechenland 1985


Morfar er en dansk kortfilm fra 2013 instrueret af Elisabeth Nordentoft efter eget manuskript.

Medvirkende

 Lars S. Jakobsen, Ole
 Birte Riisbjerg, Else

Eksterne henvisninger

Kortfilm fra Danmark
Filmskolefilm fra Danmark
Danske film fra 2013

Morfar (film)


Die Estnische Badmintonmeisterschaft 1992 fand im März 1992 in Tartu statt. Es war die 28. Austragung der Titelkämpfe.

Medaillengewinner

Weblinks
Statistiken zum estnischen Badminton

1992
Badminton 1992
Badmintonwettbewerb in Tartu

Estnische Badmintonmeisterschaft 1992


Adalbert Marc de La Bonninière de Beaumont né à Paris le  et mort à Boulogne-Billancourt le  est un peintre, dessinateur et céramiste français.

Biographie

Famille
Né dans une famille aisée, Adalbert Marc de La Bonninière de Beaumont est le fils de Marc-Antoine de Beaumont (1763-1830) et le neveu  du maréchal Louis Nicolas d'Avout, dit Davout, prince d'Eckmüh.

Voyages
En 1836, Adalbert de Beaumont voyage jusqu'au Cap Nord.

Entre 1834 et 1854, il se rend fréquemment dans le bassin méditerranéen. En 1843-1844, il séjourne en Égypte.

Fabrique de céramique
Adalbert de Beaumont crée en 1863 une fabrique de céramique dans le jardin du Palazzo Persico à Boulogne-sur-Seine, sous la raison commerciale de son ami Eugène Victor Collinot. Il présente ses créations dans les expositions du palais de l'Industrie et à l'Exposition universelle de 1867. Collinot développe dans cette petite entreprise un enseignement pratique pour adolescents, un apprentissage aux méthodes pédagogiques modernes.

Œuvre

Adalbert de Beaumont publie livres et dessins issus de ses nombreux voyages. Il y témoigne d'un goût original pour l'architecture et la nature. Il montre un intérêt marqué pour l'art industriel, dans le sillage de Léon de Laborde.

Avec la publication en 1861 de planches ornées de motifs japonisants dans son Recueil des dessins pour l'art et l'industrie en collaboration avec Collinot, Adalbert de Beaumont joue un rôle important pour la diffusion du japonisme en France.

Notes et références

Annexes

Bibliographie
 Chantal Bouchon, « Adalbert de Beaumont (Paris 1809-Boulogne 1869), du cap Nord à l'aventure céramique », Sèvres, 12, 2003, .
 Chantal Bouchon, « Voyage, ornement, industrie : Adalbert de Beaumont saisi par l'Orient », in: Rémy Labrusse (dir.), Purs décors ? Arts de l'Islam, regards du , Paris : Les Arts décoratifs/Musée du Louvre, 2007, .

Liens externes

Peintre français du XIXe siècle
Céramiste français
Japonisme
Naissance en mai 1809
Naissance à Paris
Décès en avril 1869
Décès à Boulogne-Billancourt
Décès à 59 ans

Adalbert de Beaumont


ඔබට අවැසි ලිපිය තෝරාගන්න
 ශ්‍රී ලංකා ප්‍රජාතාන්ත්‍රික සමාජවාදී ජනරජයේ ආණ්ඩුක්‍රම ව්‍යවස්ථාව - 1978
 ශ්‍රී ලංකා සමාජවාදී ජනරජයේ ආණ්ඩුක්‍රම ව්‍යවස්ථාව - 1972

ශ්‍රී ලංකා ජනරජයේ ආණ්ඩුක්‍රම ව්‍යවස්ථාව


La Ligue des champions féminine de la CAF 2022 est la deuxième édition de la plus importante compétition inter-clubs africaine de football féminin.

Les Marocaines de l'AS FAR s'imposent en finale contre les Sud-Africaines des Mamelodi Sundowns sur le score de 4 buts à 0.

Désignation du pays hôte
L'Afrique du Sud, dont les championnes, les Mamelodi Sundowns, sont les tenantes du titre, est le premier pays à manifester son intérêt pour accueillir la compétition, renonçant à la finale de Ligue des champions masculine. Finalement, seule la Fédération marocaine se porte candidate et décroche donc l'organisation de la compétition.

Format
Huit clubs participent à la compétition : le champion du pays hôte, le champion en titre et les six clubs vainqueurs des tournois qualificatifs organisés par zones.

Ces huit équipes sont réparties en deux groupes de quatre équipes. Les deux premiers de chaque groupe sont qualifiés pour les demi-finales.

Un prize money est introduit pour la première fois, à hauteur de , répartis comme suit :

  pour le vainqueur
  pour le finaliste
  pour les demi-finalistes
  pour les troisièmes de chaque groupe
  pour les derniers de chaque groupe.

À titre de comparaison, le vainqueur de la compétition masculine empoche .

Qualifications

UNAF
Le tournoi qualificatif de la zone UNAF se déroule du 14 au  à Agadir au Maroc. L'AS FAR, tenant du titre zonal, est qualifié d'office en tant que représentant du pays hôte.

Participants

Résultats

Statistiques individuelles

UFOA zone A
Le tournoi qualificatif de la zone UFOA-A se déroule à Monrovia au Liberia du 17 au 21 août 2022. L'AS Mandé est le tenant du titre.

Participants

Résultats

Statistiques individuelles

UFOA zone B
Le tournoi qualificatif de la zone UFOA-B se déroule du 20 août au  2022 à Yamoussoukro en Côte d'Ivoire.

Participants

Poule A

Poule B

Phase finale

Statistiques individuelles

UNIFFAC
Le tournoi qualificatif de la zone UNIFFAC est prévu le 20 août du 10 au  au Cameroun. Il se déroule finalement en Guinée Équatoriale. Les Malabo Kings sont les tenantes du titre. Elles sont donc exemptées de quart de finale, et affrontent en demi-finale le meilleur perdant des quarts, repêché. Finalement, les Congolaises de l'AC Colombe ne se déplacent pas et sont éliminées sur terrain vert, qualifiant les Tchadiennes du Cecus FC et permettant aux Camerounaises de l'AS Awa d'être repêchées malgré leur défaite face au TP Mazembe

Participants

Résultats

Statistiques individuelles

CECAFA
Le tournoi qualificatif de la zone CECAFA se déroule du 14 au  à Dar es Salam en Tanzanie. Les Vihiga Queens, tenantes du titre, ne peuvent pas défendre leur couronne à cause de la suspension de la Fédération du Kenya.

En demi-finales, les Simba Queens dominent largement l'AS Kigali (5-1), tandis que She Corporate renverse le CBE FC (2-1). Les Simba Queens remportent finalement le tournoi à domicile, après avoir battu en finale les Ougandaises de She Corporate grâce à un penalty de la Kenyane Corazone (1-0). Cette dernière est nommée meilleure joueuse du tournoi, tandis que l'Éthiopienne du CBE FC Loza Abera termine meilleure buteuse avec 11 réalisations. Gelwa Yona, la Tanzanienne des Simba Queens, est nommée meilleure gardienne, et l'AS Kigali remporte le prix du fair-play.

Participants

Poule A

Poule B

Phase finale

Statistiques individuelles

COSAFA
Le tournoi qualificatif de la zone COSAFA se déroule du 7 au  au Sugar Ray Xulu Stadium de Durban en Afrique du Sud. Le tournoi est conçu comme une compétition à part entière sous le nom de Ligue des champions féminine du COSAFA. Les Mamelodi Sundowns sont les tenantes du titre, et sont d'ores et déjà qualifiées pour le tournoi final, mais disputent malgré tout la compétition régionale. La meilleure des autres équipes sera donc également qualifiée pour la phase finale. Finalistes l'année précédente, les Black Rhinos Queens ne peuvent pas participer à cause de la suspension de la fédération zimbabwéenne.

Les Green Buffaloes rejoignent la finale après deux larges victoires, où elles retrouvent les Sundowns, qualifiés malgré leur match nul face au Double Action. Bien que les deux équipes soient déjà qualifiées pour la phase continentale, cette finale est la revanche de la demi-finale de la saison 2021, où les Sud-Africaines avaient dominé les Zambiennes 1-0. Finalement, les Green Buffaloes l'emportent aux tirs au but (0-0, 6-5) et décrochent le titre.

La Sud-Africaine des Sundowns Melinda Kgadiete est élue meilleure joueuse de la compétition et la Zambienne des Green Buffaloes Aisha Mbwana meilleure gardienne, tandis que sa coéquipière et compatriote Ireen Lungu repart avec le soulier d'or grâce à ses 5 buts inscrits. Le Double Action remporte le prix du fair-play.

Poule A

Poule B

Match pour la

Finale

Statistiques individuelles

Phase finale
Le tirage au sort des poules se déroule le .
La phase finale se déroule du 30 octobre au 13 novembre 2022.

Participants

Déroulement
Le match d'ouverture oppose les Green Buffaloes aux Determine Girls. Ces dernières sont écrasées par les Zambiennes 4-0. Les locales de l'AS FAR dominent ensuite les Simba Queens sur la plus petite des marges, grâce à un but d'Ibtissam Jraidi. Les Marocaines dominent ensuite les Green Buffaloes 2-1, avec un doublé de Fatima Tagnaout, et se qualifient pour les demi-finales dès la deuxième journée. Les Simba Queens attendent la dernière journée pour rejoindre le dernier carré après avoir battu les Green Buffaloes 2-0. De son côté, l'AS FAR s'impose sur le même score face aux Determine Girls, avec notamment un but de Oumaima Harcouch, qui devient la plus jeune buteuse de l'histoire de la compétition, deux jours avant ses 18 ans.

Dans la poule B, le TP Mazembe réussit son entrée en ouvrant le score dès la  face à Wadi Degla, puis en gérant son avance pour s'imposer 1-0. Les Égyptiennes s'inclinent ensuite très largement face aux Mamelodi Sundowns (5-0). Les Bayelsa Queens, qui avaient aussi été battues par les Sud-Africaines, se relancent de leur côté en dominant le TP Mazembe 2-0. Lors de la dernière journée, les Nigérianes dominent facilement Wadi Degla (3-0). Cette victoire, combinée à la défaite de Mazembe contre les Sundowns, propulse les Bayelsa Queens en demi-finale. Wadi Degla quitte la compétition sans avoir inscrit un seul but.

En demi-finale, l'AS FAR affronte les Bayelsa Queens. Les Nigérianes s'offrent les premières occasions franches, mais les Marocaines ouvrent le score à la  grâce à Jraidi. La défense des Militaires est solide et résiste aux bonnes entrées de Sabastine et Edidiong côté nigérian. L'AS FAR se qualifie donc pour la finale 1-0. Dans l'autre demie, les Simba Queens tentent de renverser les Mamelodi Sundowns, qui s'en remettent à leur star leothane Boitumelo Rabale pour inscrire le seul but de la rencontre. La finale oppose donc les clubs marocain et sud-africain, dans une forme de revanche de la finale de la CAN quelques semaines auparavant, qui avait vu l'Afrique du Sud battre le Maroc, déjà sur le sol marocain.

Les Bayelsa Queens s'imposent par la plus petite des marges pour décrocher la troisième place, meilleur résultat pour un club nigérian dans la compétition. Dans un stade Moulay-Abdallah très largement acquis à sa cause, puisque c'est leur enceinte habituelle, l'AS FAR met la pression d'entrée sur les Mamelodi Sundowns. Les tenantes du titre sont pénalisées par leur indiscipline, encaissant un penalty dès la , puis deux cartons rouges. À 9 contre 11 depuis la , les Sud-Africaines encaissent un deuxième but dans la foulée, puis craquent en fin de match et encaissent deux nouveaux buts. Ibtissam Jraidi inscrit un triplé et devient la meilleure buteuse de l'histoire de la compétition. L'AS FAR succède donc au palmarès à ses adversaires du soir.

Résultats

Poule A

Poule B

Phase à élimination directe

Statistiques individuelles

Récompenses

 Meilleure joueuse :  Fatima Tagnaout (AS FAR)
 Meilleure gardienne :  Khadija Er-Rmichi (AS FAR)
 Meilleure buteuse :  Ibtissam Jraidi (AS FAR)
 Fair-play :  Bayelsa Queens

Notes et références

2022
Football en 2022
2022 en Afrique


The Killer () is a 1989 Hong Kong action thriller film written and directed by John Woo. The film stars Chow Yun-fat, Danny Lee and Sally Yeh. Chow plays assassin Ah Jong, who accidentally damages the eyes of singer Jennie (Yeh) during a shootout and sets out to perform one last hit for her treatment.

After the financial backing from Tsui Hark became problematic following the release of Woo's film A Better Tomorrow 2, Woo had to find backing through Chow Yun-fat's and Danny Lee's financing companies. Woo went into filming The Killer with a rough draft whose plot was influenced by the films Le Samouraï, Mean Streets and Narazumono. Woo wanted to make a film about honour, friendship and the relationship of two seemingly opposite people. After finishing filming, Woo referred to The Killer as a tribute to directors Jean-Pierre Melville and Martin Scorsese.

The Killer was not an immediate success in Hong Kong, but received critical acclaim internationally with reviewers praising its action scenes and over-the-top style. The film became Woo's steppingstone to Hollywood and has been a strong influence on many directors, including Quentin Tarantino, Robert Rodriguez and Johnnie To. In the years since, The Killer has come to be considered one of the greatest action films ever made.

Plot
Ah Jong, a hitman, decides to retire after one final job. During a shootout with gangsters, he accidentally blinds a young nightclub singer named Jennie when his gun fires too close to her eyes. Over the next six months, he quietly watches over her, attending all of her performances. One night, he intervenes to save her from being mugged and assaulted; Jennie then invites him into her apartment. They grow close and begin a relationship. However, Jennie then learns from her doctor that if she does not undergo a corneal transplant, she will lose what remains of her sight. Ah Jong agrees to kill a high-ranking triad boss to pay for the operation.

Meanwhile, Detective Li Ying performs a botched undercover sting but is scolded and demoted by his superior for shooting his enemy inside the tram and unintentionally causing the fatal heart attack of a hostage. Li later spots Ah Jong in the middle of the hit on the Triad boss, but eventually loses him. Ah Jong's client, Hay Wong Hoi, betrays him by sending hitmen to kill Ah Jong at the location of his getaway car. Ah Jong guns down the hitmen, but a child is badly injured in the crossfire. Ah Jong rushes the child to a nearby hospital while being followed by Li and his partner, Sgt. Tsang Yeh. Ah Jong holds Yeh at gunpoint until the girl regains consciousness, then escapes from the police. Li becomes obsessed with Ah Jong's act of good will. He and Tsang learn about Jennie; when Ah Jong visits her, he manages to outwit and elude the two cops once again.

Li and Tsang explain to Jennie that Ah Jong was the assassin that blinded her at the nightclub. Ah Jong meets with his manager, Fung Sei, and demands the money he was promised for his last job. Sei betrays him by giving him a briefcase of blank notes and send hitmen on Ah Jong in his own home. Ah Jong kills his attackers, but spares Sei out of loyalty. The next day, Ah Jong attempts to kill Wong Hoi in a drive-by shooting but fails. Wong Hoi hires hitman Frank Chen, to kill Ah Jong. Jennie is persuaded to help the police set a trap for Ah Jong at the airport, but Sei distracts them while Ah Jong flees with Jennie. Tsang follows Sei to his house, where Ah Jong and Jennie are hiding, but gets fatally wounded by Chen's gang and dies in the hospital moments after sharing his discovery with Li.

Li goes to arrest Ah Jong, but winds up helping him, and Jennie fight their way out of an ambush. Ah Jong and Li flee, and while Ah Jong's wounds are mended, they find themselves bonding and becoming friends. Ah Jong makes Li promise that should anything happen to him, he will make sure that Jennie has her operation. Li, Ah Jong, and Jennie take refuge in a church while Sei goes to get Ah Jong's money from Hoi. He is badly beaten after trying to shoot Hoi and sustains several mortal gunshot wounds, but manages to get the money to the church. Ah Jong shoots Sei to end his suffering, and he and Li arm themselves before engaging in a bloody shootout with dozens of gangsters.

Li and Ah Jong are wounded, and eventually find themselves in a Mexican standoff between Ah Jong, Li, and Hoi. Hoi holds a gun to Jennie's head and shoots Chen dead when Li takes him hostage. Ah Jong has his eyes shot out, and bleeds to death as Jennie, now completely blind, crawls around helplessly trying to find him. As the police arrive, Hoi immediately surrenders, but an enraged Li kills him promptly during the process of his arrest. In the end, for disobeying the law by murdering Hoi as an unknown suspect in public, Li is terminated from his career, arrested, humiliated, and surrounded by the police, and collapses to the ground in despair at the loss of his friend.

Cast
 Chow Yun-fat as Ah Jong (阿莊 Ā Zhuāng, aa3 zong1), an assassin who accidentally blinds singer Jennie when he is on a mission for the triads. Ah Jong decides to take on one last mission to pay for surgery to repair her eyes. Ah Jong is called John and Jeff in some subtitled prints of the film. The nickname given to Ah Jong by Li is "Har Tau", which roughly translates as "Shrimp Head." In some dubbed and subtitled prints, his nickname is "Mickey Mouse" or "Butthead".
 Danny Lee as Detective Li Ying (李 鷹, Lǐ Yīng, lei5 jing1). Li works with his partner Tsang to find Ah Jong. After his first meeting with him, Li becomes obsessed with Ah Jong's morals and character. The nickname given to Li by Ah Jong is "Ah B" which roughly translates to baby or kid. In some dubbed and subtitled prints, his nickname is "Dumbo" or "Numbnuts".
 Sally Yeh as Jennie (珍妮 Zhēnnī, zan1 nei4), a nightclub singer who is blinded by Ah Jong in a shootout. Jennie falls in love with Ah Jong, before learning of his profession as a killer.
 Kenneth Tsang as Sgt. Tsang Yeh, Li's police partner and only sympathizer. Tsang helps find the whereabouts of Fung Sei that lead Li to Ah Jong before getting killed by the triads. In some subtitled prints, his name is Randy Chang.
 Chu Kong as Fung Sei, Ah Jong's oldest friend and "manager"; he previously worked as an assassin himself before suffering a hand injury that ended his career. In some subtitled prints, his name is "Sidney Fong."
 Shing Fui-on as Hay Wong Hoi (汪海 Wāng Hǎi, wong1 hoi2), a ruthless triad boss who tries to kill Ah Jong after hiring him to kill his uncle. Both Ah Jong and Fung Sei consider him a symbol of the triads losing their honor. In some subtitled versions he is "Johnny Weng."
 Ricky Yi Fan-wai as Frank Chen, a contract killer/assassin hired by Wong Hoi to kill Ah Jong.
 John Woo as the first target killed by Ah Jong in the film.

Themes
Director John Woo has described The Killer as being about "honour and friendship", "trying to find out if there is something common between two people" and as a "romantic poem". The structure of the film follows two men on opposite sides of the law who find a relation to each other in their opposition to a greater evil, Wong Hoi, a Triad boss. Li and Ah Jong's relationship was influenced by the Spy vs. Spy comics from Mad Magazine. Woo recalled "When I was young I was fascinated with the cartoon–I love it very much ... the white bird and the black bird are always against each other, but deep in their heart, they are still friendly, and the idea came from that." Woo uses Ah Jong and Li as a central motif to illustrate moral points. Scenes with this reflective doubling include the hospital sequence with Li and Ah Jong on opposite sides of a hospital hall and in the final battle scene where Li and Ah Jong are in a standoff with Wong. The focus on male friendships in Woo's film have been interpreted as homoerotic. Woo has responded to these statements stating "People will bring their own preconceptions to a movie .... If they see something in The Killer that they consider to be homoerotic then that is their privilege. It's certainly not intentional."

Woo is a Christian and instills his films with religious imagery while stating that The Killer is "not a religious film". In the opening of The Killer, Ah Jong is found in a church stating he enjoys the "tranquility". Ah Jong is later found in the church again getting several slugs pulled out of his back showing his intense pain while the altar and cross are shown prominently behind him. The idea was influenced by Martin Scorsese's film Mean Streets, Woo stated the imagery was used to show that "God is welcoming, no matter if it's a good or a bad man, everyone is welcome".

Woo draws on animal symbolism throughout the film. He filled the church with doves and pigeons, employing doves to represent the spirits of the people. This was the first film in which Woo used the dove symbolism that he would later use for a similar effect in Hard Target, Face/Off and Mission: Impossible II. A cat appears when Ah Jong first meets Jennie on her visit home, and secondarily when Li's partner Tsang tries to catch Ah Jong in Jennie's apartment. In Chinese culture, a cat coming into a home is an omen of ruin and poverty for its inhabitants. Both Tsang and Jennie meet negative outcomes in the film.

Production

Pre-production

The Killer was director Woo's follow-up to A Better Tomorrow 2 which was released in 1987. The first cut of A Better Tomorrow 2 was too long for the studio so the film was edited within a week separately by both producer Tsui Hark and Woo. According to producer Terence Chang, Tsui Hark felt that John Woo ruined A Better Tomorrow 2 and asked Chang to fire Woo from the studio. When Chang refused, Hark began rejecting Woo's new film ideas, including ideas for films that would later be made, such as Bullet in the Head and Once a Thief.
When Woo proposed the story of The Killer to Tsui Hark, it was denied; Hark's reaction was that "[n]obody wants to see a film about a killer".

The Killer was not able to be filmed until actor Chow Yun-fat stepped in and enlisted the company he was contracted with, Golden Princess Film, to fund part of the project. Chow had worked previously with Woo on the two A Better Tomorrow films. Woo wanted Danny Lee to play Li Ying, but Lee was under an exclusive contract with Cinema City and was only able to work on The Killer if his production company, Magnum, was involved. John Woo approached his friend, Sally Yeh, asking her to be in a film to play an important female character. Yeh was currently contracted with Tsui Hark and accepted the role but later felt she did not give her best performance. The supporting roles were filled out by friends of the actors and director. Chu Kong was a friend of Chow Yun-fat who had entered retirement and returned to acting in The Killer as a favor. Two of Woo's close friends joined the cast: actor Kenneth Tsang and screenwriter Barry Wong. Wong Wing-Hang was hired to be the director of photography for The Killer but had to leave the set for an extended period of time, so Peter Pau was added to shoot the rest of the film.

Filming

Woo had over 90 days to shoot The Killer which was nearly double the amount of time that the average Hong Kong film was shot in the late 1980s. Woo went into filming with only a short treatment for the film and wrote the details of the script while filming. During promotion periods for the film, Woo described the film as a tribute to Martin Scorsese and French director Jean-Pierre Melville. Woo cites Melville's Le Samouraï as an influence on the story. Woo borrows plot elements for the film, including the set-up where Jef enters a nightclub and looks at the female singer. Woo also described the influence of a Japanese film, , about a killer (Ken Takakura) who only kills delinquents. When a mob tricks him into killing an innocent person, he swears revenge but then meets a woman who has tuberculosis and wants to go home. The killer promises the woman that he will take her home after getting his revenge.

The scene where Danny Lee chases a gunman onto a tram was filmed in Causeway Bay and the crew only had three hours to film. Residents thought it was a real gunfight and phoned the police. However, when the police arrived, Danny Lee talked to the superintendent so they could continue filming. Scenes from the Dragon Boat festival were shot months apart, some footage was of the boat races and rest of the footage involving the actors was shot months later. It was planned for the boats to flip over during the chase, but the owners refused because they felt it would bring bad luck. The scene at the airport were filmed at the Kai Tak Airport. The scenes at Paul Chu Kong's character's house were filmed in Stanley, Hong Kong. John Woo wanted this house to be by a beach, but a suitable location could not be found. The action scene inside the house took 28 days to shoot. The final action scene took 36 days to shoot and was shot at a remote building made to look like a church while the exterior seen from Ah Jong's apartment is a real church. The original ending of the film involved Jennie waiting at an airport for Li to give her the money and for them to travel to the United States. Due to Sally Yeh's tight filming schedule, the scene was not filmed and replaced with Ah Jong playing the harmonica.

Music
Tsui and Woo disagreed on the musical aspects of the film. For the opening scene, Woo wanted the singer to perform a jazz song and have the killer playing a saxophone. Tsui rejected this idea as he felt that the Hong Kong audiences did not understand or like jazz. Woo stated that he "had to change it to a Chinese song, the kind of song they always use in Hong Kong movies." Actress Sally Yeh who performed the Cantopop songs did not feel they were appropriate for the film. The songs were requested by the studio and written specifically for The Killer.

The film's music was composed by Lowell Lo and edited by David Wu. A reoccurring musical theme is a haunting vibraphone theme which is first heard over the opening credits. The harmonica motif in the film was influenced by the soundtracks of Ennio Morricone, specifically the soundtrack to Once Upon a Time in America and used a bottle blower to give the music a haunting effect. David Wu said the influence of the Harmonica music in Sergio Leone's western films was a strong influence on his work. During the final action scene when the statue of the Virgin Mary is destroyed, the action music transitions to "Overture" from Messiah by George Frideric Handel. This was the idea of editor David Wu who felt that it would break up the numbing effect of the kinetic violence.

Release

The Killer was first released in Taiwan in March 1989 with a running time of 124 minutes. It was then cut to its current running time of 110 minutes and released in Hong Kong on 6 July 1989, Woo felt this cut was "much better". The film was not an immediate success in Hong Kong due to the Tiananmen Square massacre but eventually gained fame, grossing $18,255,083 and reached ninth at the 1989 Hong Kong box office. At the 9th Hong Kong Film Awards, the film won for Best Director (John Woo) and Best Editing (Fan Kung Ming) and was also nominated for Best Picture, Best Supporting Actor (Paul Chu Kong), Best Screenplay (Woo) and Best Cinematography (Wong Wing Hang and Peter Pau). The Killer was popular in Korea taking seventh highest place in the year end box office receipts.

The Killer was shown at several film festivals outside Asia including the 1989 Toronto Festival of Festivals and, during the film's United States premiere, at the Palm Springs International Film Festival in January 1990. It was also shown at the Sundance Film Festival in the United States and the Cannes Film Festival in France in 1990. Film producer Terence Chang suggested that The Killer'''s success around the world made several Hong Kong filmmakers jealous: "It created a certain kind of resentment in the Hong Kong film industry. One thing I can say for sure is, the American, European, Japanese, Korean and even the Taiwanese audiences and critics appreciated The Killer a lot more than it was in Hong Kong." The Killer received a wide release in the United Kingdom on 8 October 1993.

 Home media The Killer was released in the United States on VHS by Fox Lorber in November 1992, in a dubbed and subtitled version. On 25 June 1996 Fox Lorber released The Killer along with Hard Boiled as a double feature on home video. The Killer was released on DVD by The Criterion Collection on 1 April 1998 in the original Cantonese language track with English subtitles. Bonus features on DVD included the trailer, production notes, and a commentary track. Woo was very happy with the film being included in the Criterion Collection stating, "it was great because it would let people know what [The Killer and Hard Boiled] are about...when I saw that Criterion Collection selected The Killer, I was very happy as The Killer and Bullet in the Head are my two favourites".

On 3 Oct 2000 Fox Lorber released a DVD of The Killer with English and Cantonese audio, including a commentary track with John Woo and film trailers. This Fox Lorber disc was also included in a two disc DVD collection with Hard Boiled but both the Fox Lorber and Criterion DVDs went out of print.

On 30 March 2010 The Killer was released by the Dragon Dynasty label on two-disc DVD and Blu-ray. Bonus features included were interviews with John Woo, a location guide, and a trailer gallery.

In the United Kingdom, The Killer was released on DVD by Hong Kong Legends on 21 October 2002 which included an audio commentary with Bey Logan and interviews with Kenneth Tsang, Sally Yeh and cinematographer Peter Pau.

 Reception

 Critical response
On review aggregator Rotten Tomatoes, the film has an approval rating of 95% based on 43 reviews by critics, with and average rating of 8.7/10. Its critical consensus reads, "The Killer is another hard-boiled action flick from John Woo featuring eye-popping balletic violence and philosophical underpinnings."

Stephen Holden of The New York Times referred to the film as "Alternately gripping and laughable" and that "The scenes of gore and destruction are even more spectacular than Hong Kong's fog-shrouded skyline". Variety gave a positive review, describing the film as an "extremely violent and superbly made actioner demonstrates the tight grasp that director John Woo has on the crime meller genre". Kathleen Maher of The Austin Chronicle praised the film stating that it "defies all categorization but demands comparisons, if only to prove that there's never been anything like this before." Hal Hinson of The Washington Post wrote a positive review, describing the film as "like eating popcorn, but it's not just any old brand; it's escape-velocity popcorn, popcorn with a slurp of rocket fuel...[Woo's] ideas overreach themselves with such a virile swagger that they border on comedy. With excess like this you can't help but laugh. This is a rush of a movie".

Later critiques of the film remained positive. The Washington Post stated that "the plot doesn't exactly break new crime-story ground. It's all the Woo flourishes...that elevates The Killer to another level". Lucia Bozzola of the online film database Allmovie gave the film a five star rating, and stated it as "One of the high points of 1980s Hong Kong action cinema". Empire gave the film five stars and proclaimed that "John Woo's trademark style reached its zenith in The Killer". In 2010, Time Out New York ranked The Killer at number 50 on their list of the top 50 foreign films of all time. In 2014, Time Out polled several film critics, directors, actors and stunt actors to list their top action films. The Killer was listed at 24th place on this list.

 Legacy The Killer has been recognized as an important and influential film for both Western and Asian filmmakers. Film scholars have noted the similarities between Woo's style and The Killer with the films Nikita (1990) and Léon (1994) directed by French director Luc Besson.Mazdon, 2000. p.108 Kenneth E. Hall described Léon as having the similar character configuration of a hitman and the person he protects. In Nikita, the main character's crisis of conscience after performing a number of hits is also seen in The Killer. Lucy Mazdon described the style of Nikita as recalling "the work of directors like John Woo. Like Nikita, Woo's films show alienated and often brutal characters and graphic violence". Brandon Lee used The Killer as an influence when choreographing his fight scenes in the film Rapid Fire. In the United States, directors Robert Rodriguez and Quentin Tarantino developed films that were influenced by The Killer.Elder, 2005. p.143 Rodriguez's films El Mariachi (1992), Desperado (1995), & Once Upon a Time in Mexico (2003) contain stylistic homages to The Killer. In the film Jackie Brown, Tarantino wrote dialog referencing The Killer. No references to the film are made in the original novel. Asian-based directors were also influenced by the film. Hong Kong director Johnnie To borrows from The Killer's gunfighting style, oppositional character pairing, and parody in his films A Hero Never Dies, Running Out of Time, and Fulltime Killer.Hall, 2009. p.63The Killer was also influential on hip hop music. American hip hop artist, and Wu-Tang Clan member Raekwon released his critically praised debut album Only Built 4 Cuban Linx... (1995) that sampled numerous portions of dialog from the film. RZA, the producer of the album described the album's themes by stating that "Rae and Ghost was two opposite guys as far as neighborhoods was concerned, I used John Woo's The Killer. [In that movie] you got Chow Yun Fat [playing the role of Ah Jong] and Danny Lee [Inspector Li]. They have to become partners to work shit out." Woo felt honored that the group sampled The Killer and asked for no monetary return from them. In 2005, Vibe magazine placed The Killer at number 21 on their list of top fifty films that shaped hip hop. In October 2018, Supreme paid homage to the movie by releasing a collection of hoodies, jackets, shirts, and skateboards featuring graphics and quotes from the movie.

Accolades

 Remake
In 1992, American filmmaker Walter Hill and David Giler wrote a screenplay for Tri-Star Pictures titled The Killer that was dated 6 April 1992. The press release of this remake stated the script was written for actors Richard Gere and Denzel Washington. In June 1992, it was announced Walter Hill and Giler were writing a script titled Hong Kong based on The Killer with Hill directing. The producers had difficulty with the relationship between two main characters in the script as they felt that American audiences would interpret it as a homoerotic one. Producer Terence Chang, who worked with Woo on several productions, suggested to the American producers to have Hong Kong actress Michelle Yeoh play the role of the police officer to resolve any homoerotic reading of the film. A year later, screenwriters Jim Cash and Jack Epps, Jr. were hired by producers Charles Roven and Robert Cavallo to write a screenplay based on The Killer for Tristar, in which they wrote a third draft of the script was that was dated on 23 August 1993 which featured a story of a Caucasian hitman living in Hong Kong. This screenplay moved the focus from the pairing the hit man and the police detective characters to the characters of blinded night club singer and the hit man.

In October 2007, The Hollywood Reporter announced that a remake of The Killer was announced with Korean-American director John H. Lee directing. The remake would take place in Los Angeles's Koreatown, Chinatown, and South Central. Lee named The Killer as one of his favorite films and that he was excited to make his own version of the film. Lee's version was set to be produced by Woo, and star Jung Woo-sung and shot in 3D. Seven Stars Film Studios was slated to finance the production with a screenplay by Josh Campbell. Sarah Li was initially cast to play the role of the blind singer. Woo spoke about the remake in October 2015, stating that Lee's film was in development for some time and Lee eventually took on other projects.

Woo commented in 2015 that he would return to Hollywood after filming Manhunt (2017) in order to make an American adaptation of The Killer''. Universal Pictures was announced to be developing the film with a script written by Eran Creevy based on drafts by Josh Campbell and Matt Stuecken, with additional contributions by Brian Helgeland. Actress Lupita Nyong'o had been cast for the lead role. Woo said that filming would begin in January 2019. About the decision of flip both the gender and race of the lead, Nyong'o remarked that she "did not see it coming, either", stating that she had received, read and liked the script without having seen the original movie. However, Woo told Deadline in November 2019 that Nyong'o had left the film due to scheduling conflicts as a result of a script rewrite. In May 2022, it was announced that the film will be directed by Woo, produced by Universal and released exclusively on Peacock. In August 2022, Universal announced that Omar Sy will lead the film as the cop character. In March 2023, Nathalie Emmanuel was cast as the lead role.

See also
 Chow Yun-fat filmography
 Hong Kong films of 1989
 List of action films of the 1980s
 List of crime films of the 1980s

References

Bibliography

External links

 The Killer at Hong Kong Cinemagic
 The Killer an essay by David Chute at the Criterion Collection

1989 films
1989 action thriller films
1980s buddy cop films
1980s Cantonese-language films
1980s crime action films
1980s Hong Kong films
1980s police procedural films
Films about blind people
Films about contract killing
Films about violence
Films directed by John Woo
Films set in Hong Kong
Hong Kong films about revenge
Hong Kong action thriller films
Hong Kong buddy films
Hong Kong crime action films
Hong Kong New Wave films
Media Asia films
Police detective films
Triad films

The Killer (1989 film)


Brigada 7 Artilerie a fost o mare unitate de artilerie, de nivel tactic, care s-a constituit la 14/27 august 1916, prin mobilizarea unităților și subunităților existente la pace. Din compunerea brigăzii făceau parte Regimentul 4 Artilerie și Regimentul 8 Artilerie. Brigada a făcut parte din organica Divizia 7 Infanterie, fiind dislocată la pace în garnizoana Roman.
La intrarea în război, Brigada 7 Artilerie a fost comandată de colonelul Teodor Petrescu. Brigada 7 Artilerie a participat la acțiunile militare pe frontul român, pe toată perioada războiului, între 14/27 august 1916 - 28 ocotmbrie/11 noiembrie 1918.

Participarea la operații

Campania anului 1916

Campania anului 1917

În campania din anul 1917 Brigada 7 Artilerie a participat la acțiunile militare în dispozitivul de luptă al Diviziei 7 Infanterie, participând la Bătălia de la Mărășești. În această campanie, brigada a fost comandată de colonelul ConstantinTulea.

Comandanți
 Colonel Teodor Petrescu
 Colonel ConstantinTulea

Note

Bibliografie
 Dabija, Gheorghe (general), Armata română în răsboiul mondial (1916-1918), vol.I-IV, Tipografia "Lupta" N. Stroilă, București, 1932-1936
 Kirițescu, Constantin, Istoria războiului pentru întregirea României, Editura Științifică și Enciclopedică, București, 1989
 Ioanițiu Alexandru (Lt.-Colonel), Războiul României: 1916-1918,vol 1, Tipografia Geniului, București, 1929
  ***, România în războiul mondial 1916-1919, vol I-IV, Monitorul Oficial și Imprimeriile Statului, București, 1934-1941
 ***, Istoria militară a poporului român, vol. V, Editura Militară, București, 1989

Vezi și
Participarea României la Primul Război Mondial
Ordinea de bătaie a Armatei României (1916)
Ordinea de bătaie a Armatei României (1917)

Unități militare române din Primul Război Mondial

Brigada 7 Artilerie (1916-1918)


Bastel, bastle, or bastille houses are a type of construction found along the Anglo-Scottish border, in the areas formerly plagued by border reivers.  They are fortified farmhouses, characterised by security measures against raids.  Their name is said to derive from the French word "bastille".

Characteristics
The characteristics of the classic bastle house are extremely thick stone walls (about 1 metre thick), with the ground floor devoted to stable space for the most valuable animals, and a vaulted stone or flat timber floor between it and the first floor with internal access such as a stairway or ladder.  The family's living quarters were on the floor above the ground, and during the times before the suppression of the reivers, were only reachable by a ladder which was pulled up from the inside at night.  The windows were small or even only arrow slits.

Bastle houses have many characteristics in common with military blockhouses, the main difference being that a bastle was intended primarily as a family dwelling, instead of a pure fortification.

Many bastle houses survive today; their construction ensured that they would last a very long time, but most are either ruined or much altered for use as residences or farm buildings.  They may be seen on both sides of the Anglo-Scottish border.  Some well-preserved examples are Thropton Pele, Hole Bastle, Woodhouses Bastle and Black Middens Bastle.

See also
 Architecture in early modern Scotland#Vernacular architecture (section)
 Bastille
 La Haye Sainte
 Peel tower
 Scottish Vernacular
 Tower house
 Tower houses in Britain and Ireland
 Vernacular architecture

References

Bibliography
Herman Gabriel Ramm, R. W. McDowall, Eric Mercer (1970) 'Shielings and Bastles. HMSO: London.

Border Reivers
Fortified houses
History of Northumberland
History of agriculture in England
History of the Scottish Borders
History of agriculture in Scotland
Housing in England
Housing in Scotland
House types in the United Kingdom
Human habitats
Rural Scotland
Scots language
Vernacular architecture

Bastle house


The Wicked Symphony četvrti je studijski album projekta metal opere Avantasia. Album je objavljen 3. travnja 2010. godine, zajedno s albumom Angel of Babylon. Predzadnji je dio trilogije "The Wicked", nakon kojeg dolazi album Angel of Babylon koji je ujedno i konačni dio.

Osnivač projekta, Tobias Sammet opisao je naslovnu pjesmu kao "desetominutnu bitku vokala između Jørna Landea, Russella Allena i mene."

Popis pjesama

Osoblje
Avantasia
Tobias Sammet – vokali, bas-gitara, klavijature (na pjesmi 10), orgulje (na pjesmi 8), produciranje
Sascha Paeth – gitara, klavijature (na pjesmama 4, 5, 7 i 9), bas-gitara (na pjesmi 10), produciranje, miksanje
Miro – klavijature, orkestar, mastering
Eric Singer – bubnjevi (na pjesmama 2, 4, 6 i 7)

Gostujući glazbenici

Gitaristi
Bruce Kulick (na pjesmama 6 i 11)
Oliver Hartmann (na pjesmama 2, 7 i 8), prateći vokali
Bubnjari
Felix Bohnke (na pjesmama 1, 5, 9 i 11)
Alex Holzwarth (na pjesmama 3, 8 i 10)
Orguljaši
Simon Oberender (na pjesmi 11), dodatni inženjer zvuka
Pjevači
Jørn Lande (na pjesmama 1, 6-8)
Michael Kiske (na pjesmama 2 i 6)
Russell Allen (na pjesmama 1 i 10)
Bob Catley (na pjesmi 6)
Klaus Meine (na pjesmi 4)
Tim "Ripper" Owens (na pjesmi 3)
Andre Matos (na pjesmi 5)
Ralf Zdiarstekv (na pjesmi 9)
Cloudy Yang (prateći vokali)
Amanda Somerville (prateći vokali)
Tiffany Kirkland (prateći vokali)
Ina Morgan (prateći vokali)
Cinzia Rizzo (prateći vokali)
Thomas Rettke (prateći vokali)
Matthias Kontny (prateći vokali)
Michael Voy (prateći vokali)

Ostalo osoblje
Olaf Reitmeier – dodatni inženjer zvuka
Alex Kuehr – fotografija
Thomas Ewerhard – omot albuma

Izvori

Albumi iz 2010.
Njemački glazbeni albumi

The Wicked Symphony