قرار مجلس الأمن الدولي رقم 317 لعام 1972 بتاريخ 21 يوليو حيث أعرب مجلس الأمن فيه عن أسفه لتخلف إسرائيل عن إعادة رجال الجيش والأمن السوريين واللبنانيين المخطوفين ودعوتها إلى إعادتهم دون تأخير.

مراجع

إسرائيل في 1972
سوريا في 1972
لبنان في 1972
أحداث يوليو 1972
عملية السلام الإسرائيلية العربية
عنصرية إسرائيل
قرارات مجلس الأمن التابع للأمم المتحدة بشأن إسرائيل
قرارات مجلس الأمن التابع للأمم المتحدة بشأن لبنان
قرارات مجلس الأمن التابع للأمم المتحدة عام 1972

قرار مجلس الأمن التابع للأمم المتحدة رقم 317


Događaji
 York je uzdignut u nadbiskupiju

Rođenja

Smrti

Izvori

Vanjske poveznice

735.


Phlomideae, tribus biljaka iz porodice usnača. Sastoji se od dva roda čija je postojbina Euroazija. Najvažniji rod je gostanka (Phlomis), od kojega nekoliklo vrsta raste i u Hrvatskoj, a među njima grmolika (P. fruticosa) i gomoljasta gostanka (P. tuberosa)

Tribus je opisan 2010.

Rodovi
 Phlomis L.
 Phlomoides Moench

Izvori

Lamioideae

Phlomideae


Mio Nishimaki (jap. , Nishimaki Mio; * 15. Juli 1987) ist eine japanische Ringerin. Sie wurde 2008 und 2009 Weltmeisterin in der Gewichtsklasse bis 63 kg Körpergewicht.

Werdegang

Mio Nishimaki ringt seit 1991. Sie ist Mitglied der Ringermannschaft der ehemaligen Chūkyō-Frauenuniversität (heute: Shigakkan-Universität; engl. Chukyo Womens University Wrestling Club) in Ōbu und wird seit 2003 von Kazuhito Sakae trainiert. Die Studentin ist nur 1,61 Meter groß und ringt meist in der Gewichtsklasse bis 63 kg Körpergewicht. In dieser Gewichtsklasse hat sie in Japan in Kaori Icho eine schier unschlagbare Konkurrentin, die bisher verhinderte, dass Mio Nishimaki zu noch größeren Erfolgen kam, als die bisher von ihr erzielten.

Die Erfolge von Mio Nishimaki begannen im Jahre 2005, als sie bei der japanischen Meisterschaft in der Gewichtsklasse bis 59 kg hinter Seiko Yamamoto und Ayoko Shoda den 3. Platz belegte. Im gleichen Jahr wurde sie in Jeju/Südkorea dann asiatische Juniorenmeisterin und in Vilnius sogar Junioren-Weltmeisterin, jeweils in der Gewichtsklasse bis 63 kg. In Vilnius schlug sie im Endkampf die Inderin Generika Jakhar.

2006 holte sich Mio Nishimaki den Sieg bei den Universitäten-Weltmeisterschaften in Ulaanbaatar und ließ dabei Badrachyn Odontschimeg aus der Mongolei und Alaina Berube aus den Vereinigten Staaten hinter sich. Anschließend wurde sie in Guatemala-Stadt zum zweiten Mal Junioren-Weltmeisterin in der Gewichtsklasse bis 63 kg. Dabei besiegte sie in den entscheidenden Kämpfen Justine Bouchard aus Kanada und Jelena Schalygina aus Kasachstan. Im Dezember 2006 wurde sie erstmals japanische Meisterin bei den Frauen in der Gewichtsklasse bis 59 kg. Dabei verwies sie Kei Yamana und Ayako Sato auf die Plätze.

Im Jahre 2007 kam Mio Nishimaki bei keiner internationalen Meisterschaft zum Einsatz, wurde aber im Dezember des Jahres erneut japanische Meisterin und zwar in der Gewichtsklasse bis 67 kg. Im Finale besiegte sie dabei Mami Shinkai, nachdem sie im Halbfinale Eri Sakamoto geschlagen hatte.

2008 fanden nach den Olympischen Spielen in Peking in Tokio auch noch Weltmeisterschaften statt. Mio Nishimaki wurde dort anstelle der Olympiasiegerin Kaori Icho in der Gewichtsklasse bis 63 kg eingesetzt und holte sich dort mit Siegen über Paulina Grabowska, Polen, Lili Meng, China, Olesja Samula, Aserbaidschan und Ljubow Michailowna Wolossowa aus Russland den Weltmeistertitel. Im Dezember 2008 wurde Mio Nishimaki dann zum drittenmal japanische Meisterin vor Kayoko Kudo und Akiko Maruyama.

Im Jahre 2009 wurde Mio Nishimaki in Pattaya vor Wilaiwan Thongkam aus Thailand Asienmeisterin. Sie wurde dann auch wieder bei der Weltmeisterschaft in Herning/Dänemark eingesetzt und wurde dort in der Gewichtsklasse bis 63 kg zum zweitenmal Weltmeisterin. Dabei besiegte sie Olesja Samula, Stefanie Stüber aus Deutschland, die ihr härtesten Widerstand entgegensetzte und nur knapp mit 1:2 Runden und 1:3 Punkten verlor, Jelana Schalygina und Ljubow Michailowna Wolossowa. Im Finale der japanischen Meisterschaft 2009 verlor sie gegen Kaori Icho und belegte den 2. Platz.

2010 war Mio Nishimaki nur bei den Asien-Spielen in Guangzhou am Start. Sie war dort aber in keiner guten Form und musste gegen Chen Meng aus China und Otschirbatyn Nasanburmaa aus der Mongolei Schulterniederlagen hinnehmen, womit sie nur auf den 7. Platz kam.

Aus der Zeit danach gibt es von Mio Nishimaki keine Ergebnisse mehr.

Internationale Erfolge

Japanische Meisterschaften

Erläuterungen

 alle Wettkämpfe im freien Stil
 WM = Weltmeisterschaft

Quellen

 Fachzeitschrift Der Ringer
 Website "Foeldeak Wrestling Database"
 Website "www.japan-wrestling.org"

Weblinks

Zeitungsbericht über Mio Nishimaki

Ringer (Japan)
Teilnehmer an den Asienspielen (Japan)
Weltmeister (Ringen)
Japanischer Meister (Ringen)
Geboren 1987
Frau
Japaner

Mio Nishimaki


Wolf Meinhard von Staa (* 3. März 1893 in Elberfeld; † 22. April 1969 in Berlin; auch Wolfgang von Staa) war ein preußischer Ministerialdirektor und deutscher Verleger. Bedeutsam ist seine Rolle im Zusammenhang mit der Ausstellung Entartete Kunst.

Leben
Von Staa studierte Rechtswissenschaften in Tübingen, wo er Mitglied des Corps Rhenania wurde und später in Berlin und Kiel. Mit dem Referendarexamen meldete er sich freiwillig zum Kriegsdienst und wurde vor allem im Orient und in Palästina eingesetzt, wo er Hans von Hentig kennenlernte.

Nach Kriegsgefangenschaft wurde er 1921 in Berlin zum Dr. iur. promoviert. Nach Tätigkeiten in der Verwaltung in Schleswig und Koblenz war von Staa ab 1927 im Preußischen Ministerium für Wissenschaft, Kunst und Volksbildung tätig und stieg hier binnen kurzer Zeit zum Ministerialdirektor auf. 1933 wurde er in den Vorstand der Villa Romana berufen. 1934 leitete er als Ministerialdirektor die Kunstabteilung im Reichserziehungsministeriums.

Tätigkeit im Preußischen Ministerium für Wissenschaft, Kunst und Volksbildung
Von Staa nutzte seine Möglichkeiten im Preußischen Ministerium für Wissenschaft, Kunst und Volksbildung, sich auch nach der Machtergreifung für moderne Kunst und abweichende Meinungen einzusetzen. So intervenierte von Staa 1934 zugunsten von Hans von Hentig, als die Nationalsozialisten dessen Absetzung in Kiel betrieben.

Als Leiter der Kunstabteilung bemühte er sich, die Galerie der Lebenden im Kronprinzenpalais vor Zugriffen zu schützen. Robert Scholz brandmarkte von Staa bereits 1934 gegenüber Alfred Rosenberg als "Boykotteur der NS-Kulturpolitik". Aufgrund seines Engagements für zeitgenössische Kunst und wegen seiner fortlaufend kritischen Haltung im Zusammenhang mit der Ausstellung Entartete Kunst wurde von Staa gemeinsam mit Eberhard Hanfstaengl zunächst beurlaubt und dann in den Ruhestand versetzt.  Nachfolger des zwangsbeurlaubten von Staa wurde der weniger kritische Klaus Graf von Baudissin.

Verleger
Er wurde anschließend Teilhaber und Geschäftsführer des Verlages Walter de Gruyter und war an der Neugründung des Berliner Bibliophilen Abendes 1954 beteiligt.

Einzelnachweise

Ministerialdirektor (NS-Staat)
Ministerialdirektor (Preußen)
Corpsstudent (20. Jahrhundert)
Verleger (20. Jahrhundert)
Deutscher
Geboren 1893
Gestorben 1969
Mann

Wolf Meinhard von Staa


Hür ve Kabul Edilmiş Masonlar Büyük Locası, İngiltere Büyük Locası tarafından tanınan, en eski Türk Mason Büyük Locası. Dünyada kabul gördükleri ve kendi kullandıkları şekliyle isimleri Türkiye Büyük Locası olarak da geçer.

Tarih
Her ne kadar Türkiye'de Masonluğun ve ilk Masonların 1720'li yıllardan bu yana var olduğu bilinse de, daha ziyade dış obediyanslara bağlı ve Osmanlı topraklarındaki yabancıların etkinliğinde sürdürülen bu çalışmalar, 18. yüzyılın ortalarından itibaren Türkleri de içine almaya başlamıştır. Bilinen ve kayıtları günümüze ulaşan ilk Türk Masonlar, bu yüzyılın ortalarında topluluğa kabul edilmiş olan İbrahim Müteferrika ve Yirmisekizzade Mehmed Said Paşa'dır.

1861 yılına kadar, daha ziyade İngiltere, Fransa ve İtalya milli obediyanslarına bağlı localarda çalışmalarını sürdüren Türk Masonluğu, bu yıl içerisinde Mısır asıllı Osmanlı Prensi Abdülhalim Paşa'nın önderliğinde Osmanlı Yüksek Şurası'nı, o zamanki ismi ile Makbul İskoç Riti Şura-ı Ali-i Osmani'yi kurar. Bu resmi cemiyeti ilk tanıyan dış obediyans ise 1869 yılında ABD Güney Jüridiksiyonu olur ve böylece Milli bir hüviyet kazanmış olan Türk Masonluğu, dış obediyanslarca da tanınmaya başlamış ve ABD'yi diğer bazı obediyanslar takip etmiştir.

Dönemin Osmanlı Yüksek Şurası'nın yanı sıra yabancı obediyanslara bağlı olarak Osmanlı topraklarında varlıklarını sürdüren localar da çok sayıdaydı. Örneğin, İttihat ve Terakki üyelerinin çok büyük kısmını içinde barındıran ve bu harekete bir yerde ev sahipliği yapan iki locadan Macedonia Risorta İtalyan, Veritas ise Fransa Grand Orient'i bünyesindeki localardı.

Büyük Loca, Sultan tarafından 1876 yılında yasaklandı. 1909 yılında İstanbul'un yeni yönetimiyle geri dönen Büyük Loca, gizli çalıştığı için 1922 yılında tekrar kapatılıp, 1925 yılında yeniden açıldı. Fakat 1930 yılında, dünya ve ülke konjonktürünün gelişimine bağlı olarak, sivil toplum kuruluşlarının yürüttüğü faaliyetlerin Halkevleri bünyesinde toplanmaya başlamış olması ve İçişleri Bakanı Şükrü Kaya'nın da isteğine uyarak Ekim 1935'de çalışmalarını durdurmuştur.

1956 yılında dönemin Başbakanlık Müsteşarı Ahmet Salih Korur'un Büyük Üstatlığında, Yüksek Şura'dan bağımsız ve Masonluğun 3 âli derecesinde (Çırak, Kalfa, Üstat) çalışmak üzere ilk Türkiye Büyük Locası kurulur, fakat muntazam Masonluk tarafından, bir obediyansın düzenli sayılabilmesi için kabul edilen, Büyük Loca'nın Yüksek Şura'dan bağımsız olarak kurulabilmesi ilkesine riayet edilmemesi ve ilk Türk obediyansının bir Büyük Loca değil bir Yüksek Şura olması itibarıyla Türk masonluğu uzun yıllar boyunca Düzensiz Masonluk (Grand Orient) tarafında kalır. Yine de 1956 yılındaki bu oluşum ile birlikte, dünya düzenli Masonluk camiası içerisine dahil olma çabalarının asli amaç olarak belirlenmesi ile birlikte Türkiye Büyük Locası ismi, Hür ve Kabul Edilmiş Masonlar Büyük Locası olarak tasdik edilmiştir.

Dünya düzenli Masonluğunu temsil eden ve bir yerde Hür Masonluğun (Fikri Masonluk, Spekülatif Masonluk) atası sayılan İngiltere Birleşik Büyük Locası'nın Türkiye Büyük Locası'nı kabul etmesi ise ancak 1970 yılında, 1909 yılında Mısır'da kurulmuş bulunan ve Resne Locası'nın düzenli köklerine bağlanarak gerçekleşir. Ondan önce İskoçya Büyük Locası tarafından 1965 yılında, aynı gerekçe ile kabul edilerek konsekre edilen Türkiye Büyük Locası bu yıldan itibaren dünya düzenli Masonluğunca kabul edilerek ritüelleri, kıyafetleri, mabetleri geleneksel Masonluğa göre yeniden tanzim edilerek muntazam bir hal alır ve bu düzenli Büyük Locanın kuruluş tarihi 1909 olarak tasdik edilir.

1965 yılında İskoçya Büyük Locası tarafından tanınması ve tasdik töreninin icra edilmesinden kısa bir süre sonra; çeşitli dini, siyasi ve yönetimsel problemleri olan çok küçük bir grup Türk Masonluğu'ndan ayrılarak düzensiz bir oluşuma gider ve hemen akabinde, bu grubun Türk ve Dünya Masonluğu ile alakaları, 1966'nın Ağustos ve Eylül aylarında birbiri ardına gelen kararlar ile süresiz olarak kesilir.

Türkiye'de Masonluk
Bugün, İstanbul, Ankara, İzmir, Bursa, Adana, Eskişehir, Denizli, Bodrum, Marmaris, Kuşadası, Antalya, Çeşme, Fethiye'de 200'ün üzerinde Locasında çalışan 14.000 üyesi ile Hür ve Kabul Edilmiş Masonlar Büyük Locası; geleneksel, düzenli Masonluğun Türkiye'deki tek temsilcisidir. Yıllık %3 oranındaki üye artışı ile de dünyanın en hızlı büyüme oranına sahip obediyanslarından birisidir. Çalışmalarında din ve siyaset tartışmaları haricinde tüm konuşmaların özgürce yapıldığı ve analitik felsefi çalışmalar üzerine yoğunlaşan Localarına, 21 yaşını doldurmamış, Tanrı inancına sahip olmayan ve hür bir erkek olmayan kimseler kabul edilmezler.

Türkiye Büyük Locası, Masonluğun üç derecesinde (Çırak, Kalfa, Üstat) çalışır. 4 ile 33 arasındaki yüksek derecelere devam edip etmemek üyelerin kendi inisiyatiflerindedir. Bu dereceleri yöneten Türkiye Yüksek Şurası'nın ise Büyük Loca ile herhangi bir organik bağı yoktur, aralarında sadece iyi niyet antlaşması vardır. Yüksek Şura'nın çalışmalarına katılabilmek için bir Masonun, kendi Locasında Üstat derecesini haiz olması ve Locasında düzenli ve iyi durumda olması gerekir. Kendi Locasındaki düzenini kaybeden bir üye, otomatik olarak yüksek derecelerde çalışma ve devam hakkını da kaybeder.

Her yıl bir kere yapılan kadınlara açık celselerde Mason eşleri, kızları, anneleri ve kızkardeşleri Mabetlere alınır ve onlara Masonik hikâyeler anlatılır. Bu özel gecelerde Masonik çalışma yapılmaz ve herhangi bir ritüel gerçekleştirilmez. Sadece hikâye anlatımı ve kutsal masonik su vecaizi yapılır.

Dereceler ve çalışma sistemi
Türkiye Büyük Locası da, dünyanın diğer tüm düzenli Büyük Locaları gibi Masonluğun üç derecesinde, yani Çırak, Kalfa ve Üstat derecelerinde çalışırlar. Üstat derecesinin üzerinde bir derece, Büyük Loca bünyesinde yoktur.

Masonluğa kabul edilen ve düzenli bir Locada usulüne uygun olarak yapılan düzenli bir tören ile üyeliğe kabul edilen üye Çırak unvanını kazanır. Kabul töreninin ardından en az 12 ay geçmeden Kalfalığa yükselinmez. Bu 12 ay içerisinde Çırak Mason, kendisine verilen çeşitli Masonik ödev ve tezleri başarıyla tamamlamalı ve Kalfalığa layık olduğunu, farklı zamanlarda verdiği bu tezler ile ispatlamalıdır.

Kalfa olduktan sonra da en az 12 ay geçmeden Üstatlığa yükselinmez. Üstat olabilmek için de Çıraklık dönemindekine benzer Masonik çalışmalar, bu sefer Kalfa gözüyle yapılır ve verilen tezler sonrasında Üstat olunabilir.

Büyük Üstatlar
1909'dan günümüze Hür ve Kabul Edilmiş Masonlar Büyük Locası Büyük Üstatlar listesi:
 Remzi Sanver 2023 - devam
 Rint Akyüz 2021 - 2023
 Bülent Akkan 2017 - 2021
 Ömer Köker 2013 - 2017
 Remzi Sanver 2010 - 2013
 Salih Evcilerli 2007 – 2010
 Asım Akin 2005 - 2007
 Kaya Paşakay 2003 - 2005
 Demir Savaşçın 2000 - 2003
 Sahir Talat Akev 1998 - 2000
 Tunç Timurkan 1996 - 1998
 Can Arpaç 1992 - 1996
 Suha Tuğrul Aksoy 1991
 Orhan Alsaç 1988 - 1991
 Cavit Yenicioğlu 1986 - 1988
 Şekûr Ökten 1981 - 1986
 Halit İ. Arpaç 1980 - 1981
 Nafiz Z. Ekemen 1973 - 1979
 Hayrullah Örs 1965 - 1973
 Enver Necdet Egeran 1965
 Ekrem Tok 1962 - 1965
 Kemalettin Apak 1960 - 1962
 Ahmet Salih Korur 1955 - 1960
 Fethi Erden 1953 - 1955
 Mustafa Hakkı Nalçacı 1951 - 1953
 Muhittin Osman Omay 1933 - 1936
 Mustafa Hakkı Nalçacı	1932 - 1933
 Mim Kemal Öke 1930 - 1932
 Mustafa Edip Servet Tör	1927 - 1930
 Fikret Takiyeddin Onuralp 1925 - 1927
 Mehmet Servet Yesari 1924 - 1927
 Besim Ömer Akalın 1921 - 1924
 Fuat Hulusi Demirelli 1918 - 1921
 Rıza Tevfik Bölükbaşı 1918 - 1919
 Mehmet Cavid Bey 1916 - 1918
 Faik Süleyman Paşa 1915 - 1916
 Mehmet Ali Erel (Baba) 1912 - 1915
 Faik Süleyman Paşa 1910 - 1912
 Mehmet Talat Paşa 1909 - 1910

Ayrıca bakınız
 2003 2003 Hür ve Kabul Edilmiş Masonlar Büyük Locası saldırısı
 Anderson Anayasası
 Skoç riti

Dış bağlantılar

 Mason Müzesi
 Mimar Sinan Dergisi Resmi Sitesi - Üyelere Özel
 Tesviye Dergisi Resmi Sitesi
 Masonluk, Masonlardan Ogrenilmelidir

Kaynakça

Türkiye merkezli kuruluşlar


15370 Kanchi este un asteroid din centura principală de asteroizi.

Descriere
15370 Kanchi este un asteroid din centura principală de asteroizi. A fost descoperit pe  la Kuma Kogen de Akimasa Nakamura. El prezintă o orbită caracterizată de o semiaxă mare de 2,73 ua, o excentricitate de 0,10 și o înclinație de 2,7° în raport cu ecliptica.

Vezi și
 Lista planetelor minore: 15001-16000
 Centura de asteroizi

Referințe

Obiecte astronomice descoperite în 1996
Centura de asteroizi

15370 Kanchi


Der Graf Verlag ist ein deutscher Buchverlag mit Sitz in München. Er wurde 2010 gegründet und gehört zu den Ullstein Buchverlagen. Der Verlag wird seit 1. März 2015 nicht weitergeführt.

Der Verlag
Der Graf Verlag wurde beim Amtsgericht Charlottenburg in das Handelsregister eingetragen und von den Geschäftsführern Siv Bublitz und Christian Schumacher-Gebler vertreten.

Gründerin und Verlegerin war Tanja Graf, die zuvor als Cheflektorin und Programmleiterin Belletristik beim Piper Verlag tätig war und 2003 mit dem Münchner Kunstverleger Lothar Schirmer den ehemaligen SchirmerGraf Verlag gründete, bevor sie 2010 ihre eigenständige Verlegertätigkeit begann.

Ohne Frau Graf habe eine Weiterführung keinen Sinn, teilte die Verlegerin der Ullstein Buchverlage, Siv Bublitz, mit. Während seines fünfjährigen Bestehens habe der Graf Verlag wichtige Autoren wie Erri De Luca oder Daniela Krien etabliert. Die Backlist-Verlagstitel werden künftig von Ullstein in Berlin betreut.

Programm
Zum Programm gehören Werke von Lena Gorelik, Daniela Krien, Anna Kaleri, Erri De Luca und Nancy Mitford, unter anderem:

Daniela Krien: Irgendwann werden wir uns alles erzählen, Graf Verlag, (16. September 2011), ISBN 3-8622-0019-1.
Nancy Mitford: Landpartie mit drei Damen, Graf Verlag (28. Oktober 2011), ISBN 3-8622-0014-0.
Erri de Luca: Das Gewicht des Schmetterlings, Graf Verlag (30. September 2011), ISBN 3-8622-0007-8.
Anna Kaleri: Der Himmel ist ein Fluss, Graf Verlag (5. Oktober 2012), ISBN 978-3-86220-032-0.
Daniela Krien: Muldental. Zehn Geschichten. Graf Verlag, München 2014, ISBN 978-3-86220-022-1.
Deniz Utlu: Die Ungehaltenen. Graf Verlag, München 2014,  ISBN 978-3-86220-049-8.

Weblinks
Graf Verlag bei Ullstein

Einzelnachweise

Buchverlag (Deutschland)
Verlag (München)
Gegründet 2010

Graf Verlag


Klorsiklizin, ilk kez 1949'da kullanılan yapay antihistaminiktir. Saman nezlesi, ürtiker ve temas dermatitininde belirtilerin denetim altına alınmasını sağlar. Etki süresi oldukça uzundur; hidroklorür tuzu halinde ağızdan alınır. En sık görülen yan etkisi uyuşukluktur.

H1 reseptör antagonistleri
Organoklorürler

Klorsiklizin


An Ochlandra wightii in uska species han Liliopsida nga syahan ginhulagway ni William Munro, ngan ginhatag han pagkayana nga asya nga ngaran ni Cecil Ernest Claude Fischer. An Ochlandra wightii in nahilalakip ha genus nga Ochlandra, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Ochlandra

Ochlandra wightii


Kotešová este o comună slovacă, aflată în districtul Bytča din regiunea Žilina. Localitatea se află la , se întinde pe o suprafață de  și în 2017 număra 1.993 de locuitori.

Istoric
Localitatea Kotešová este atestată documentar din 1234.

Note

Legături externe

Localități din Slovacia

Kotešová


Hibiscus syriacus is a species of flowering plant in the mallow family, Malvaceae. It is native to south-central and southeast China, but widely introduced elsewhere, including much of Asia, both in the east and the west. It was given the epithet syriacus because it had been collected from gardens in Syria. Common names include the rose of Sharon, (especially in North America), Syrian ketmia, shrub althea (or simply althea), and rose mallow  (in the United Kingdom). It is the national flower of South Korea and is mentioned in the South Korean national anthem.

Description
Hibiscus syriacus is a hardy deciduous shrub. It is upright and vase-shaped, reaching  in height, bearing large trumpet-shaped flowers with prominent yellow-tipped white stamens. The flowers are often pink in color, but can also be dark pink (almost purple), light pink or white.  Individual flowers are short-lived, lasting only a day.  However, numerous buds produced on the shrub's new growth provide prolific flowering over a long summer blooming period.  The soil in which the Hibiscus thrives on is a moist, but well-drained, mixture of sand, clay, chalk, and loam. Hibiscus syriacus is highly tolerant of air pollution, heat, humidity, poor soil and drought. The species has naturalized very well in many suburban areas and might even be termed slightly invasive, so frequently does it seed.

Growth
The branches are thin and gray, white-lenticeled, with raised leaf scars and small buds. Stems and branches do not branch very much unless pruned, resulting in many long, straight stems that originate from about  above the ground, giving rise to the shrub's overall vase shape. The leaves appear unusually late in the season, in May. They are usually green or yellowish green, alternate, broadly ovate, palmately veined, and  long. They have three distinct lobes with coarsely-toothed margins.

Flowers

H. syriacus has 5-petaled flowers (to  diameter) in solid colors of white, red, purple, mauve, violet, or blue, or bicolors with a different colored throat, depending upon the cultivar. Extending from the base of these five petals is the pistil at the center, with the stamen around it. These basic characteristics give the H. syriacus flower and its many variants their distinctive form. The plant can bloom continuously from July through September, usually at night. With maturity, flexible plant stems become weighted under the load of prolific summer flowers, and bend over halfway to the ground.

Fruits and seeds
Most modern cultivars are virtually fruitless. The fruits of those that have them are green or brown, ornamentally unattractive 5-valved dehiscent capsules, which persist throughout much of the winter on older cultivars. They will eventually shatter over the course of the dormant season and spread their easily germinating seeds around the base of the parent plant, forming colonies with time.

Cultivation

Though it has no fall color and can be stiff and ungainly if badly pruned, H. syriacus remains a popular ornamental shrub today, with many cultivars. Full-grown plants can tolerate a wide range of conditions, including frost, drought and urban pollution. However, the best results are produced in a warm, sheltered position; a well-drained neutral soil; and full sun.

Propagation
Hibiscus syriacus is fairly easily propagated from either seeds, with variable results, or by layering or cuttings, cloning the original.

Pests and diseases
Old shrubs can develop trunk cankers that may eventually prove fatal to the plant. The plant has some susceptibility to leaf spots, blights, rusts and canker. Japanese beetles, whiteflies and aphids are occasional insect visitors. Japanese beetles can severely damage foliage if left unchecked.

Cultivars
The following cultivars have gained the Royal Horticultural Society's Award of Garden Merit:

'Blue Chiffon' ('Notwood3') (blue, semi-double)
'Diana' (single, white)
'Hamabo' (pale pink, red centre)
'Lavender Chiffon' ('Notwoodone') (pale lilac)
'Meehanii' (pink, variegated leaves)
'Oiseau Bleu'('Blue Bird') (blue-violet, maroon centre)
'Red Heart' (white, red centre)
'White Chiffon' ('Notwoodtwo') (white, double)
'William R. Smith' (white, single)
'Woodbridge' (deep pink)

National flower

Hibiscus syriacus, also known as the Korean rose, is the national flower of South Korea. The flower appears in national emblems, and Korea is compared poetically to the flower in the South Korean national anthem. The flower's name in Korean is mugunghwa (Hangul: 무궁화; Hanja: 無窮花) or mokkeunhwa (Hangul: 목근화; Hanja: 木槿花). The flower's symbolic significance stems from the Korean word mugung, which means "eternity" or "inexhaustible abundance". Various state emblems of South Korea contain Hibiscus syriacus; it is generally considered by South Koreans to be a traditional symbol of the Korean people and culture.

History and culture

Hibiscus syriacus  was originally endemic to China. It is recorded that it was brought to Japan in the 8th century and cultivated for horticulture. According to records, it was introduced to the Korean Peninsula before the 9th century. Its leaves were brewed into an herbal tea and its flowers eaten in Korea. Later on it was introduced and grown in the gardens of Europe as early as the 16th century, though as late as 1629 John Parkinson thought it was tender and took great precautions with it, thinking it "would not suffer to be uncovered in the Winter time, or yet abroad in the Garden, but kept in a large pot or tubbe in the house or in a warme cellar, if you would have them to thrive." (sic) By the end of the 17th century, some knew it to be hardy: Gibson, describing Lord Arlington's London house noted six large earthen pots coddling the "tree hollyhock", as he called it, "that grows well enough in the ground". By the 18th century the shrub was common in English gardens and in the North American colonies, known as Althea frutex and "Syrian ketmia".

References

Further reading

External links

 How to Grow a Rose of Sharon

syriacus
Flora of China
Medicinal plants of Asia
Garden plants
South Korean culture
National symbols of South Korea
Plants described in 1753
Taxa named by Carl Linnaeus

Hibiscus syriacus


Musa Kazım Onar (d. 1881, Hadim, Konya - ö. 5 Aralık 1930 Viyana), Türk siyasetçidir.

Mekteb-i Sultani ve Konya Hukuk Mektebi mezunudur. Selanik Hukuk Mektebi Fıkıh Usulü ve Mecelle Öğretmenliği, Serbest Avukatlık, Osmanlı Meclis-i Mebûsan IV. Dönem Konya Mebusluğu, TBMM I., II. III. ve IV. Dönem Konya Milletvekilliği, Ziraat Encümeni Başkanlığı, I. Dönem Büyük Millet Meclisi 1. ve 2. Reis Vekilliği, 4. ve 2. Şube Başkanlığı, 5. İcra Vekilleri Heyeti Şer'iye ve Evkâf Vekilliği yapmıştır. Osmanlı İmparatorluğu'nun İstanbul'dan sonraki ikinci barosu olan Konya Barosu'nu 1912 yılında kurmuş ve vefat edene dek baronun başkanlığını yürütmüştür.

Eğitim hayatı

Musa Kazım Efendi (Onar), 1881 yılında Konya'da doğdu. Musa Hocazade Ahmet Efendi'nin oğludur. Eğitim hayatına Hadim'de başlayan Musa Kazım Efendi, daha sonra Konya'ya gelerek İrfaniye Medresesi'ne girer. Orada Yalvaçlı Ömer Vehbi Efendi olarak da bilinen eski Konya milletvekillerinden Ömer Vehbi Büyükyalvaç'tan sarf, nahiv, mantık, maânî, beyan, bediî, usul-ı fıkıh, ilm-i kelâm ve hadis gibi ilimlerde eğitim alır. İrfaniye Medresesi sonrasında bugün İstanbul Üniversitesi olarak bilinen Darülfünun'a bağlı Konya Hukuk Mektebi'ne girer ve 1911 yılında birincilikle bitirir.

Selanik Hukuk Mektebi ve Konya Barosu yılları

1912 yılında, İstanbul'da, o dönem yeni açılan Selanik Hukuk Mektebi'nde müderrislik (günümüzdeki anlamıyla akademisyenlik) sınavlarını kazanır ve Mecelle ve Usul i Fıkıh müderrisi olarak Selanik'te göreve başlar. Balkan Savaşları başlayana kadar Selanik'te hukuk öğrencilerine eğitim veren Musa Kazım Onar, Selanik'in Osmanlı egemenliğinden çıkmasıyla Konya'ya geri döner ve Selanik Hukuk Mektebi de kapanır.

Konya'ya geri dönen Musa Kazım Efendi burada avukat olarak çalışmaya başlar ve Osmanlı İmparatorluğu'nun İstanbul'dan sonraki ikinci barosu olan Konya Barosu'nu kurar. Vefat edene kadar Konya Barosu'nun başkanlık görevini yürütür.

Milletvekilliği ve Bakanlık Dönemi

1919 Konya Mebusu olarak Osmanlı Mebusan Meclisi'ne katılır ve hem Konya'yı temsil eder hem de Osmanlı'nın son mebuslarından biri olur. Osmanlı Devleti'nin İtilaf Devletleri'nce işgaline direniş göstermek amacıyla kurulan Türkiye Büyük Millet Meclisi'ne yine Konya Milletvekili olarak 23 Nisan 1920 tarihinde katılır. Türkiye Cumhuriyeti'nin kurucu kadrosu içinde yer alan Musa Kazım Onar, milletvekilliğine ek olarak 1920-1922 yılları arasında TBMM'de birinci Reis vekilliği görevinde bulunur.

Musa Kazım Efendi, 1. 2. 3. ve 4. dönemlerde milletvekili olarak mecliste bulunur. Ayrıca 15 Nisan 1923 tarihinde, Ali Fethi Okyar'ın kurmuş olduğu hükûmette Şeriyye ve Evkaf Vekili (Diyanet ve Vakıflar Bakanı) olarak atanır. Bunlara ek olarak Türkiye Ziraat Bankası'nın bozulduğu bir dönemde, bankanın İdare Meclisi Reisliği'ne de getirilir ve bu alanda faydalı çalışmalarda bulunur.

Ölümü

1929'da verem rahatsızlığı nedeniyle tedavi için Viyana'ya gönderilir ve tedavisi bitip Türkiye'ye geri dönmek üzereyken Viyana Tren Garı'nda rahatsızlanarak 1930 yılında vefat eder. Naaşı İstanbul'a getirilmiş ve Edirnekapı Şehitliği'ne defnedilmiştir. Atatürk'ün yakın bir dostu olan Musa Kazım Onar'ın vefatı Mustafa Kemal Atatürk'ü de derinden etkilemiştir ve Musa Kazım Efendi'nin çocuklarının eğitimi ile yakın olarak ilgilenmiştir.

Musa Kazım Onar, hem Konya Barosu hem de Osmanlı Mebusan Meclisi ve sonrasında TBMM'deki çalışmaları nedeniyle sık sık İstanbul, Ankara ve Konya arasında seyahat eder. Doğan beş çocuğu da eğitim hayatlarına İstanbul'da başlar. Evlatlarından Ahmet Onar, Orhan Onar ve İhsan Onar ilkokuldan itibaren yatılı olarak Galatasaray Lisesi'nde okurlar. Kız evlatları Leman Göksü ve Melahat Kırkağaçlıoğlu ise yine İstanbul'daki Vefa Kız Lisesi'nde okurlar. Evlatlarının tamamı eğitim hayatlarına babalarının vefatı sonrasında İstanbul Üniversitesi'nde devam eder.

Onar ailesi, Musa Kazım Efendi'nin vefatından sonra "Onar" soyadını yeni kurulan ülkenin temellerini kurma ve onarma görevi ile almıştır. Musa Kazım Onar'ın evlatları da Türkiye Cumhuriyeti'ne hizmette bulunmuşlardır. Ahmet Onar Konya senatörü, Orhan Onar Anayasa Mahkemesi Başkanı ve İhsan Onar Konya İl Başkanı olarak görev almışlardır.

Aile

Musa Kazım Efendi, evli ve beş çocuk babasıdır.

Ailenin önde gelen isimleri arasında Konya Senatörü Ahmet Onar, Anayasa Mahkemesi Başkanı Orhan Onar, Konya İl Başkanı İhsan Onar ve Mustafa Kemal Atatürk'e Atatürk soyadının verilmesini sağlayan eski Konya Milletvekili Mehmet Naim Onat da yer alır. Konya'nın önde gelen ailelerinden, Vedat Milor'un da mensubu olduğu Karahafız ailesi ve de Gilisralıoğlu ailesi ile akrabalardır.

Son Osmanlı şeyhülislamlarından olan Musa Kazım Efendi ile karıştırılmamalıdır.

Konuyla ilgili yayınlar

Arabacı, a.g.e. s. 290-291
M. Ali Uz, Konya Hukuk ve Baro Tarihçesi, Konya 2006, s. 71-74
Sural a. g. dizi yazı, 12 Eylül 1975

Kaynakça

1881 doğumlular
Hadim doğumlular
Konya doğumlu siyasetçiler
Son Osmanlı Meclis-i Mebusanı (1920) Konya üyeleri
TBMM 1. dönem Konya milletvekilleri
TBMM 2. dönem Konya milletvekilleri
TBMM 3. dönem Konya milletvekilleri
TBMM 1. dönem başkanvekilleri
TBMM Tarım, Orman ve Köyişleri Komisyonu Başkanları
20. yüzyılda Osmanlılar
20. yüzyıl Türk avukatları
1930 yılında ölenler
Viyana'da ölenler
Edirnekapı Şehitliği'ne defnedilenler

Musa Kazım Onar


Lumea de Dincolo: Războaie Sângeroase (titlu original: Underworld: Blood Wars) este un film american din 2016 regizat de Anna Foerster (debut regizoral). Rolurile principale au fost interpretate de actorii Kate Beckinsale în rolul Selenei, Theo James, Lara Pulver, James Faulkner și Charles Dance. Este al cincilea film din seria Lumea de dincolo (Underworld) și o continuare a filmului Lumea de dincolo: Trezirea la viață (2012).

Prezentare

Distribuție
 Kate Beckinsale - Selene, a Death Dealer
 Theo James - David, un Vampir hybrid și aliatul/protejatul Selenei.
 Tobias Menzies - Marius, un conducător al Lycanilor și principalul antagonist al filmului.
 Bradley James - Varga, the Eastern Coven's leading Death Dealer.
 Peter Andersson - Vidar, the elder of the Nordic Coven
 James Faulkner - Cassius
 Clementine Nicholson - Lena, the Nordic Coven's greatest warrior and daughter of Vidar.
 Daisy Head - Alexia, a neophyte Death Dealer from the Eastern Coven and Marius's vampire lover
 Oliver Stark - Gregor
 Charles Dance - Thomas, a Vampire Elder and David's father.

Producție
Filmările au început la 19 octombrie 2015, în Praga, Republica Cehă, fiind programate a dura peste 10 săptămâni. Cheltuielile de producție s-au ridicat la  35 milioane $.

Primire
A avut încasări de 81,1 milioane $.

Note

Legături externe

Vezi și

Filme din 2016
Filme americane
Filme în limba engleză
Filme regizate de Anna Foerster
Filme Screen Gems
Filme de acțiune americane
Filme de groază americane
Filme de acțiune din anii 2010
Lumea de dincolo
Filme de groază din anii 2010
Filme cu vampiri
Filme cu vârcolaci
Filme fantastice din anii 2010
Filme thriller din anii 2010
Filme Lakeshore Entertainment

Lumea de Dincolo: Războaie Sângeroase


Cataratas de Kongouhttp://www.brainforest.org/barragesurkongou.html (también llamada las Cataratas Koungou) son unas cataratas grandes de 2 a 3 millas de ancho, situadas en el parque nacional de Ivindo en el este del país africano de Gabón. Forman parte del río Ivindo y tienen una altura total de 56 metros.

Tiene fama de ser una de las cascada más bellas de África Central. Esta parte del río Ivindo es un importante centro de biodiversidad de peces. Las cataratas se encuentran dentro de un parque nacional creado en 2002 para proteger, entre otras cosas este hermoso y biológicamente más diverso tramo del río.

Véase también
Geografía de Gabón
Geografía de África

Referencias

Enlaces externos
Fotos de la cascada

Cascadas de Gabón

Cataratas de Kongou


O monarca-do-cabo-york (Arses lorealis) é uma espécie de ave canora da família Monarchidae. É endêmico das florestas tropicais do norte da Península do Cabo York, na Austrália.

Taxonomia e sistemática
O monarca-do-cabo-york foi descrito pela primeira vez em 1895 pelo ornitólogo e ex-clérigo inglês Charles Walter De Vis, a partir de um espécime coletado por Kendall Broadbent naquele ano. No entanto, espécimes não descritos existiam no Museu Macleay em Sydney e no Museu Nacional de Melbourne por vinte anos antes. Os primeiros ovos foram coletados por HG Barnard no ano seguinte em Somerset, Cape York.

O monarca-do-cabo-york é membro de um grupo de pássaros denominados papa- moscas-monarca. Este grupo é considerado como uma subfamília Monarchinae, juntamente com os fantails como parte da família drongo Dicruridae, ou como uma família Monarchidae por direito próprio. Pesquisas moleculares no final da década de 1980 e início da década de 1990 revelaram que as monarcas pertencem a um grande grupo de pássaros principalmente da Australásia, conhecido como Parvorder Corvida , composto por muitos passeriformes tropicais e australianos. Mais recentemente, o agrupamento foi refinado um pouco, pois os monarcas foram classificados em um grupo 'Core corvine' com os corvos e corvos, picanços, aves do paraíso, fantails, drongos e construtores de lama.

Algumas autoridades consideram o monarca-do-cabo-york como uma subespécie do monarca-de-pescoço-branco.

O monarca-do-cabo-york mede cerca de 14 centímetros (5,5 em) de comprimento, e as penas podem se tornar eretas; o macho é predominantemente preto e branco, e pode ser distinguido do monarca-alvinegro semelhante e mais comum por seu peito todo branco, a última espécie possui uma ampla faixa preta no peito. A garganta, nuca, ombros e costas são brancos, enquanto as asas e a cabeça são pretas. Tem um anel de olho de pele nua e uma barbela azul brilhante. O bico é cinza-azulado pálido e os olhos são escuros. A fêmea é semelhante, mas tem cores e queixo brancos.

Reprodução
A época de reprodução é de novembro a fevereiro. O ninho é uma taça rasa feita de folhas e gravetos, tecidos com teias de aranha e material vegetal desfiado e decorada com líquen. Geralmente é colocado em um laço pendurado de videira bem longe do tronco ou folhagem de uma árvore de tamanho considerável a cerca de 2 a  acima do solo. Dois ovos brancos ovais tingidos de rosa manchados com lavanda e marrom-avermelhado são colocados medindo 19 mm x 14 milímetros.

Aves descritas em 1895
Arses

Monarca-do-cabo-york


Kota Bharu (Kelantanese: Koto Baru; Jawi: كوتبهارو), colloquially referred to as KB, is a town in Malaysia that serves as the state capital and royal seat of Kelantan. It is situated in the northeastern part of Peninsular Malaysia and lies near the mouth of the Kelantan River.

The town is home to many religious buildings, various museums, the unique architecture of the old royal palaces (still occupied by the sultan and sultanah and off-limits to visitors but viewable from outside) and former royal buildings (which can be visited). It is served by Keretapi Tanah Melayu's East Coast Line at the nearby Wakaf Bharu Terminal Station, in the town of Wakaf Bharu across the Kelantan River and Sultan Ismail Petra Airport, located in Pengkalan Chepa.

Etymology
Kota Bharu means "new city" or "new castle/fort" in Malay. Occasionally, the name of the city is written as Kota Baharu.

History
Kota Bharu was founded during the late 19th century. Before the establishment, Kota Bharu was home to Kelantan's Royal Palace, then established by Sultan Muhammad II of Kelantan in 1844 as Kelantan's state capital who wanted the new state capital built in his honour. Prior to this, Kota Bharu was known as Kuala Kelantan. Before Kota Bharu assumed the role, the Kelantanese capital was divided into two which were Kota Kubang Labu and Kota Pengkalan Datu. During the 19th century, Kelantan was a prosperous and populous state with a population of around 30,000 to 50,000 people including a thousand Chinese. Production from within the state include gold, tin ore, black pepper, areca nut, rice, rattan, bamboo, agarwood and songket. Kota Bharu acts as entrepot for goods due to its strategic location beside the Kelantan River.

During World War II, Pantai Sabak, about  from Kota Bharu, was the initial landing point of the Japanese invasion forces on 8 December 1941, beginning the Battle of Kota Bharu, the first battle of the Malayan campaign. Japanese forces captured the city and would go on to successfully engage the British in jungle warfare and ultimately capture Singapore.

Kota Bharu was declared as the "Cultural City" on 25 July 1991 by the late Sultan Ismail Petra on the basis of two important aspects – the history of Kota Bharu and the uniqueness of its local arts and cultures. Kota Bharu was rebranded as the "Islamic City" () by the Kelantan State Government on 1 October 2005 through its "Developing With Islam" () policy.

Government

Kota Bharu Municipal Council, officially known as the Islamic City of Kota Bharu Municipal Council (, Jawi: مجليس ڤربندرن كوتا بهارو بندراي اسلام) and formerly known as the Kota Bharu Town Council () from 1936 until 1971 and the Kota Bharu Town Board () from 1971 until 1978, is the local authority of Kota Bharu.

Demographics
The vast majority of Kota Bharu's population is ethnically Kelantanese Malay. The language spoken in Kota Bharu is Kelantan Malay dialect. There is also a fairly large Chinese population.

Religion
Kota Bharu town's population is 93% Muslim, with the remainder consisting of Buddhists, Hindus and Christians. The predominantly urban local Chinese community mainly practices Buddhism.

Culture

The Kelantanese culture is highly distinctive as compared to other states of Malaysia but also with some influences from Thailand due to its geographical proximity.

Food
Nasi berlauk, nasi dagang, nasi lemak and nasi kerabu are popular elements of the local cuisine. Sweet cakes, or kuih, are also popular amongst the Kelantanese. Other popular foods include nasi tumpang, etok, akok, lompat tikam & netbak.

Climate
Kota Bharu features a tropical monsoon climate bordering on a tropical rainforest climate. Kota Bharu does not have a true dry season although the city experiences noticeably heavier rainfall from August through January. Also, Kota Bharu experiences slightly cooler temperatures between December and February than during the rest of the year.The city sees on average about  of precipitation annually.

Transportation

Public transportation
Grab Car services, available for 24 hours a day, are provided in Kota Bharu since April 2017.

Kota Bharu is serviced by Sultan Ismail Petra Airport, the busiest airport in east coast of Peninsular Malaysia (IATA: KBR).

The closest railway station is the Wakaf Bharu station on the other side of the river, 6 km from the city centre.

The under construction MRL East Coast Rail Link will have a station at Kota Bahru. The Kota Bharu station will be located near Kampung Tunjong.

Roadways
Highway 8 is the main highway leading Kota Bharu to the federal capital Kuala Lumpur. Highway 3 connects Kota Bharu to Pasir Mas and the Thailand border in the west, or Kuala Terengganu, Kuantan or even Johor Bahru due south. Connection to Penang is possible via highway 4. The Lebuhraya Rakyat, or People's Expressway, is a planned expressway that is to connect Kota Bharu to Kuala Krai in southern Kelantan. The project has been integrated into the Central Spine Road project (assigned as highway 34), scheduled to be complete by 2020.

Education
Notable educational establishments include Open University Malaysia, Universiti Tun Abdul Razak, MSU College and Wadi Sofia International School. However, the most plentiful type of school are national schools, which include

 Private schools
 Islamic religious schools
 National schools
 Chinese Type Primary and Secondary School
 Technical secondary schools: Sekolah Menengah Teknik (SMT)
 MRSM and SBP

Shopping

The most famous shopping destination in Kota Bharu is Siti Khadijah Market. Most of its sellers are women. Next to Central Market is the Kota Bharu Trade Centre (KBTC) which was opened in August 2009, with Parkson as the anchor tenants for the mall.

Other shopping centres in Kota Bharu are the KB Mall, Kota Seri Mutiara, G-Orange Mall, Pantai Timur and Platinum Mall. A Tesco supermarket opened in 2008, later renamed Lotus's. In March 2010, the Mydin Mall in Bandar Baru Kubang Kerian opened. AEON Mall in Lembah Sireh opened in April 2016. A new Giant Hypermarket located in Bandar Baru Tunjong was opened in 2016, as well as a Mydin store at Bandar Baru Tunjong by 2021.

Tourism

Beaches
Strong surf threatens all major beaches in the vicinity of Kota Bharu with substantial erosion. The community has been implementing wave breakers by piling up massive amounts of boulders in an effort to protect the coastline. Regular beach activity has become impossible as visitors frequent beaches further south. In terms of tourism, the most famous beach in Kota Bharu is Pantai Cahaya Bulan.

Wreck diving
Diving in Kota Bharu is a relatively new activity. At present, only one dive shop operates in the area. Trips out to the wreck of the IJN Awazisan Maru (known locally as the "Japanese Invasion Wreck") are among the sites offered. This Japanese transport ship was the very first vessel to sink in the Pacific War. The wreck is a 30-minute boat journey from a jetty which is 10 minutes outside of Kota Bharu.

Notable people

Academician & Corporate Figures
 Omar Abdul Rahman
 Nik Safiah Karim
Athletes
 Badhri Radzi, footballer. Currently playing for Kelantan FA
 Hafiz Hashim, former national badminton player.
 Khairul Fahmi Che Mat, national football goalkeeper
 Luqman Hakim Shamsudin, footballer. Currently playing for KV Kortrijk
 Mohd Hashim Mustapha, former footballer
 Roslin Hashim, former national badminton player.
 Sidique Ali Merican, former sprinter.
Entertainers
 Bienda
 Izzue Islam
 Issey Fazlisham
 Misha Omar
 Julia Rais
 Nelydia Senrose
 Neelofa
 Saharul Ridzuan
Politics
 Asri Muda
 Khalid Samad
 Mohamed Nasir
 Ng Yen Yen
 Nga Kor Ming
 Nik Ahmad Kamil
 Nik Aziz Nik Mat
 Tan Seng Giaw
 Tengku Razaleigh Hamzah
 Zaid Ibrahim
 Tengku Maimun Tuan Mat

International relations

Sister city
, Kota Bharu has two sister city:
  Kasaoka, Japan.
  Linxia Hui ,China

References

External links

 Kelantan at Tourism Malaysia

Populated places established in 1844
World War II sites in British Malaya

Kota Bharu


لاور شیخ   قرية تقع في محافظة هرمزغان في جنوب إيران. في تعداد عام 2006، كان عدد سكانها 544 نسمة من أصل 115 عائلة.

المراجع

أماكن مأهولة في مقاطعة بستك
بلدة كوخرد
مدن إيران

لاور شيخ


Dragana Nuić-Vučković (Ljubuški, 1965.) je hrvatska slikarica i likovni pedagog.

Životopis
Rođena je u Ljubuškom, osnovnu i srednju školu završila je u Metkoviću, a diplomirala je na Akademiji likovnih umjetnosti u Zagrebu 1991. u slikarskoj klasi  prof. Eugena Kokota, te interdisciplinarni studij slikarstva i povijest umjetnosti na Filozofskom fakultetu u Zagrebu. Poslijediplomski studij slikarstva završila na Akademiji likovnih umjetnosti u Sarajevu. Docentica na kolegiju metodike na Akademiji likovnih umjetnosti u Mostaru.

Članica je Hrvatske udruge likovnih umjetnika Split, Udruge likovnih umjetnika BiH i udruge likovnih umjetnika En Face.
Izlagala na 36 samostalnih i sudjelovala na 260 skupnih izložbi u zemlji i inozemstvu, te je dobitnica više strukovnih nagrada i priznanja za crtež i slikarstvo.

Udovica je akademskog kipara Nikole Vučkovića.

Izvori

Životopisi, Ljubuški
Životopisi, Metković
Hrvatski slikari

Dragana Nuić Vučković


Aceasta este o listă de filme românești din 1978:

Lista

Note

Legături externe
Filme românești din 1978 la IMDb.com
Filme românești din 1978 la Cinemagia.ro

Filme din 1978Filme românești
România
Liste de filme românești

Listă de filme românești din 1978


Fiefbergen Almanya'nın kuzeyinde Schleswig-Holstein eyaletinde, Plön iline bağlı belediye. 5,8 km² yüzölçümüne sahiptir. Nüfusu, 31 Aralık 2015 itibarıyla yaklaşık 573 olarak tespit edilmiştir. Kilometrekare başına yaklaşık 99 kişilik bir nüfus yoğunluğuna sahiptir. Belediye Başkanlığı Silke Lorenzen tarafından yürütülmektedir.

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 http://www.fiefbergen.de

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Powers er et mærke af irsk whisky. Historisk har de produceret som single pot still whiskey, men flagskibsproduktet Powers Gold Label blev omdannet til en trippeldistilleret pot still og grain whiskyer i 1900-tallet. I de senere år har de lanceret adskillige single pot still-varianter under mærket Powers.

Historisk har Powers Gold Label været den bedst sælgende whisky i Irland, og i 2006 var den det stadig. Powers blev produceret første gange i 1791 af James Power, der var pub-ejer i Dublin.

Referencer

Whisky fra Irland
Fødevarevirksomheder fra Irland

Powers (whiskey)


What a Cartoon! (conocido en Hispanoamérica como ¡Qué historia tan maravillosa! y en España como ¡Vaya un dibujo!), es un proyecto de animación estadounidense creado por Fred Seibert de Hanna-Barbera emitida en Cartoon Network y luego sería transmitido  por Boomerang y Tooncast.

El proyecto sirvió como punto de partida para varias exitosas series de Cartoon Network, incluyendo El laboratorio de Dexter, Johnny Bravo, The Powerpuff Girls, Cow and Chicken y Courage the Cowardly Dog.

La serie es influyente para dar a luz una serie de éxitos originales de Cartoon Network y ayudar a revivir la animación de televisión en la década de 1990.

Historia

Origen

Fred Seibert asumió la presidencia de Hanna-Barbera Cartoons, Inc en 1992 y ayudó a guiar el estudio de animación que luchaba en su mayor producción en años, con programas como 2 perros tontos y SWAT Kats - The Radical Squadron. Seibert deseaba que el estudio produjera caricaturas cortas, justamente en la onda de la denominada Edad de Oro de la animación americana. Aunque un proyecto que consta de 48 cortos costaría dos veces tanto como una serie normal, Seibert había involucrado a Cartoon Network con 48 prometedoras posibilidades de "triunfar o fracasar", que darían las posibilidades para nueva programación original, y ofrecía varios nuevos cortos a los miles que ya están presentes en la biblioteca de Turner Entertainment. Según Seibert, la calidad no importaba mucho para los operadores de cable que distribuyen la red, estaban más interesados en nuevos programas prometedores.

Con el CEO y fundador de Turner Broadcasting, Ted Turner, y Seibert como Jefe junto a Scott Sassa, el estudio se desplegó en todo el mundo para anunciar que el estudio estaba en una "fase sin precedentes", en el que los animadores tuvieron una mejor idea de lo que caricaturas deben ser no guiados y Hanna-Barbera los apoyó. La empresa comenzó a tomar nota en serio en 1993, y había recibido más de 5.000 parcelas para las 48 ranuras. la diversidad de los cineastas de diversas nacionalidades, raza y género se había incluido. Seibert más tarde describió su esperanza de una diversidad idealista como "La más amplia en la paleta de influencias creativas, y la más amplias y más grande para las audiencias".

La idea de Seibert para el proyecto fue influenciado en gran medida por los Looney Tunes. Los fundadores y presidentes de Hanna-Barbera, William Hanna y Joseph Barbera, así como animador veterano de Friz Freleng, le enseñaron a Seibert cómo se produjeron los cortos de la Edad de Oro de la animación americana. John Kricfalusi, creador de Ren y Stimpy, se convirtió en un maestro de clases para Seibert y fue la primera persona para Seibert en llamar para estar en la búsqueda de nuevos talentos para el proyecto.

Como era costumbre en las película de acción en vivo y televisión, la empresa no le pagó cada creador del guion gráfico presentado y lanzado. Por primera vez en la historia del estudio, los creadores individuales podrían conservar sus derechos, y ganar regalías sobre sus creaciones. Si bien la mayoría en el sector se burlaba de la idea, el estímulo, según Seibert, provenía de los dibujantes que acudían a Hanna-Barbera con ideas originales.

Formato
El formato de What a Cartoon! era ambicioso, ya que nadie habí intentado algo similar en la era de la animación de la televisión. Los cortos producidos sería un producto de la visión de los humoristas gráficos originales, sin intervención del Ejecutivo, tanto así, que incluso la música sería elaborada individualmente. Cada corto con duración aproximada de 7 minutos debutaría, por sí mismo, como un dibujo animado independiente en Cartoon Network. Seibert explicó el objetivo del proyecto en una publicación de 2007: "No nos importa lo que las tendencias de comedia de situación eran, lo que Nickelodeon estaba haciendo, lo que querían los departamentos de ventas [...] Nosotros queríamos dibujos animados".

Equipo
El personal de What a Cartoon! tenía creadores de Europa y Canadá (Bruno Bozzetto), Asia (Achiu So), y Estados Unidos (Jerry Reynolds y su colega Seth MacFarlane). También estaban personas que eran consideradas como novatos en aquel momento (como Genndy Tartakovsky, Craig McCracken, Van Partible, Rob Renzetti, Butch Hartman y John R. Dilworth), y veteranos también (como Don Jurwich, Jerry Eisenberg, y Ralph Bakshi). Además de los veteranos y creadores de Hanna-Barbera, William Hanna y Joseph Barbera, produjeron cada uno dos cortos cada uno para What a Cartoon!. Muchos de los miembros de producción clave de series anteriores de Hanna-Barbera como 2 perros tontos se unieron al equipo de What a Cartoon! también.

Emisión

World Premiere Toons
El primer dibujo animado del proyecto What a Cartoon! que fue transmitido en su totalidad era The Powerpuff Girls: Meat Fuzzy Lumpkins, que hizo su estreno mundial el lunes 20 de febrero de 1995 a las 19:00, durante un especial de televisión llamado el World Premiere Toons. El especial fue organizado por Space Ghost y el elenco del Fantasma del Espacio de costa a costa, que contó con entrevistas cómicas y un concurso con los creadores de los diversos dibujos animados. El Toons se transmitió en simultáneo a través de Cartoon Network, TBS, y TNT. Para promover los cortos, el departamento de marketing de Cartoon Network se le ocurrió el concepto de "Dive-In Theater" en 1995 para mostrar los 48 cortos de dibujos animados. Las caricaturas fueron mostrados en los parques acuáticos y grandes piscinas municipales, el tratamiento de los niños y sus padres a exámenes exclusivos junto a la piscina en pantallas de cine 9' x 12'.

A partir del 26 de febrero de 1995 cada corto de What a Cartoon! comenzó a estrenarse el domingo por la noche. Cada semana después del estreno, Cartoon Network mostró una diferentes World Premiere Toons hecho por un artista diferente. Después de una aclimatación de dibujos animados, la red une los cortos como una presentación de media hora titulado World Premiere Toons: The Next Generation, con reposiciones de los cortos originales, y también nuevos estrenos.

What a Cartoon!
Con el tiempo, todas las caricaturas fueron compiladas en un solo programa donde se utilizó el nombre World Premiere Toons: The Show hasta el verano de 1996 cuando empezó con el nombre del proyecto original: What a Cartoon!. El programa pasa a estrenarse para el bloque de los domingos por la noche de Cartoon Network. Los cortos continuaron al aire los domingos hasta 1997, cuando la red movió a los cortos para los miércoles a 21:00. Para julio de 1997 la serie vuelve a cambiar de horario, pasando los jueves por la noche. What a Cartoon! continuó transmitiendo nuevos episodios los jueves hasta el 28 de noviembre de 1997, cuando el último corto de los 48 contratados salio al aire.

Reposiciones
El 2 de junio de 2000, What a Cartoon! fue relanzado como The Cartoon Cartoon Show. En este nuevo formato, se emitieron reposiciones y nuevos episodios de las series completas de Cartoon Cartoons, así como cortos de What A Cartoon!. en una encuesta a los espectadores, se añadieron luego a la antología. El espectáculo continuó en el aire hasta el 16 de mayo de 2003, cuando fue eliminado de la programación de la red.

Lista de cortos

Segunda etapa (1998-2002)
Dos cortometrajes de dibujos animados de dibujos animados se produjeron en 1998 y uno en 1999. Todo corto de Cartoon Cartoons producidos entre 2000 y 2001 se introdujeron en La Gran Selección, un concurso para elegir el más nuevo de Cartoon Cartoon. Los cortos se estrenaron en Cartoon Cartoon los viernes en las semanas previas a la "Gran Selección" y el ganador fue revelado durante el evento real. Los ganadores fueron The Grim Adventures of Billy & Mandy, en 2000, y Codename: Kids Next Door, en 2001.

Legado
El laboratorio de Dexter fue el primer corto más popular de acuerdo a la votación que tuvo lugar en 1995 y, finalmente, se convirtió en la primera spin-off de What a Cartoon! en 1996. Otras dos series basa en los cortos, Johnny Bravo y Cow and Chicken, se estrenaron en 1997, y The Powerpuff Girls se convirtió en un programa semanal de media hora en 1998. Courage the Cowardly Dog (escindida del Óscar, nominado por el corto El pollo del espacio exterior) siguió como el spin-off final en 1999. Además, la serie Cow and Chicken tuvo luego un spin-off, que fue I Am Weasel. En total, seis series de dibujos animados se pusieron en marcha en última instancia por el proyecto, de los cuales ganaron el dinero suficiente para que la empresa pagara por todo el programa, además de las eventuales decisiones. El corto Larry y Steve de Seth MacFarlane presentaron prototipos de personajes que más tarde llegaría a convertirse en el éxito masivo de MacFarlane, Padre de familia.

What a Cartoon! y sus variados spin-offs trajeron Cartoon Network más éxito comercial y crítico, y la red se convirtió en un líder de la industria de la animación cuando la década de 1990 llegó a su fin. En 2001, coincidiendo con la muerte de William Hanna, Hanna-Barbera Productions se fusionó con Warner Bros. Animation y Cartoon Network abrió su propio brazo de producción, Cartoon Network Studios, en Burbank, como el legítimo sucesor de Hanna-Barbera para producir programación original para la red y proyectos de futuro. Dos cortos de What a Cartoon!, Windup Wolf y Hard Luck Duck, fueron los últimos cortos de dibujos animados dirigido y producido por el cofundador y copresidente William Hanna. Además, What a Cartoon! y sus spin-offs fueron las últimas producciones originales publicadas por Hanna-Barbera.

El creador de What a Cartoon! Show, Fred Seibert, dejó Hanna-Barbera a finales de 1996 para abrir su propio estudio, Frederator Studios, y ha continuado persistentemente en la tradición de emerger nuevos talentos, personajes y series con cortos similares "de incubadores", incluyendo Oh Yeah! Cartoons (Nickelodeon, 1998), The Meth Minute 39 (Channel Frederator, 2008), Random! Cartoons (Nickelodeon/Nicktoons, 2008), Too Cool! Cartoons (Cartoon Hangover, 2012) y GO! Cartoons (Cartoon Hangover, 2016). Oh Yeah! Cartoons ha exhibido a exalumnos de What a Cartoon! (Butch Hartman, Rob Renzetti) y puesto en marcha varias series de Nickelodeon que han sido éxito, incluyendo Los padrinos mágicos, Zona Tiza y My Life as a Teenage Robot. Frederator Studios lanzó otro escaparate de animación en 2006, titulado Random! Cartoons, que produjo Fanboy y Chum Chum en 2009 para Nickelodeon, y Adventure Time en 2010 para Cartoon Network.

En abril de 2008 se anunció una secuela de clases What a Cartoon!, que es un proyecto de la red de dibujos animados titulado La Cartoonstitute. Creado por el ejecutivo de Cartoon Network, Rob Sorcher, y encabezada por creador de The Powerpuff Girls, Craig McCracken, el proyecto era "establecer un grupo de expertos y crear un entorno en el que los animadores pueden crear personajes e historias", y también crear nueva posible serie de Cartoon Network. Sin embargo, el proyecto fue finalmente desechado como consecuencia del pleno inicio de la crisis económica de 2008-2015, siendo sólo 14 de los 39 previstos los que se completaron. Sin embargo, el corto de Regular Show de J. G. Quintel, y Secret Mountain Fort Awesome de Pete Browngardt, tuvieron luz verde para convertirse en una serie completa.  Un personaje recurrente, Uncle Grandpa, tendría su propia serie de dos años después.

Referencias

Enlaces externos
What a Cartoon! at Frederator

Series de televisión animadas de los años 1990
Animaciones en Flash
Series y personajes de Hanna-Barbera
Cartoon Network
Series de televisión de Cartoon Network
Series de televisión de Tooncast
Programas de televisión iniciados en 1995
Programas de televisión finalizados en 1997
Series dobladas al español en México
Series dobladas al español en Colombia
Series dobladas al español en Venezuela
Series dobladas al español en Los Ángeles
Series dobladas al español en España

What a Cartoon!


Joy of Living: A Tribute to Ewan MacColl é uma compilação e álbum tributo a Ewan MacColl por vários artistas, lançado pela Cooking Vinyl Records no Reino Unido e Compass Records nos EUA em 18 de setembro de 2015. O álbum foi montado e produzido pelos filhos de MacColl, Calum e Neill.

Álbuns de tributo
Coletâneas de 2015


Uri - Ardahan'ın merkez ilçesine bağlı Altaş köyünün eski adı.
Uri - İsviçre'de bir kanton.

Uri (anlam ayrımı)


Ernst-Wilhelm Rahe (* 29. Dezember 1958 in Bad Oeynhausen) ist ein deutscher Politiker der SPD. Er war von 2012 bis 2017 und von 2019 bis 2022 Landtagsabgeordneter in Nordrhein-Westfalen.

Ausbildung und Beruf
Rahe stammt aus der Hüllhorster Ortschaft Tengern. Er studierte von 1980 bis 1984 Sozialarbeit an der Fachhochschule Bielefeld mit dem Abschluss Diplom-Sozialarbeiter. Danach arbeitete er in diesem Beruf beim Paritätischen Wohlfahrtsverband, Kreisgruppe Minden-Lübbecke. Von 1988 bis 2012 war Rahe Fachberater in der Medien- und Öffentlichkeitsarbeit beim Paritätischen Wohlfahrtsverband NRW. Seit 2001 ist er zudem Fachreferent in der Behindertenhilfe beim Paritätischen Wohlfahrtsverband in Nordrhein-Westfalen.

Politik
Rahe trat 1976 in die SPD ein. Bei der Landtagswahl 2012 trat er, nachdem er zuvor schon 2010 in dem Landtagswahlkreis Minden-Lübbecke I als Nachfolger für den SPD-Kandidaten und Landtagsabgeordneten Karl-Heinz Haseloh erfolglos angetreten war, erneut für die SPD Minden-Lübbecke als Direktkandidat an und gewann erstmals den Wahlkreis. Bei der Landtagswahl am 14. Mai 2017 konnte er das Direktmandat nicht verteidigen und schied aus dem Landtag aus.

Nachdem am 2. Mai 2019 der SPD-Abgeordnete Guido van den Berg gestorben war, rückte Rahe am 10. Mai 2019 in den Landtag nach. Nach der Landtagswahl 2022 schied er wieder aus dem Landtag aus.

Weblinks

 Homepage von Ernst-Wilhelm Rahe

Einzelnachweise

Landtagsabgeordneter (Nordrhein-Westfalen)
SPD-Mitglied
Politiker (Kreis Minden-Lübbecke)
Politiker (21. Jahrhundert)
Deutscher
Person (Hüllhorst)
Geboren 1958
Mann

Ernst-Wilhelm Rahe


Lonnie Ray Frisbee (June 6, 1949 – March 12, 1993) was an American Charismatic evangelist in the late 1960s and in the 1970s; he was a self-described "seeing prophet". He had a hippie appearance. He was notable as a minister and evangelist in the Jesus movement.

Eyewitness accounts of his ministry, documented in the 2007 documentary, Frisbee: The Life and Death of a Hippie Preacher portray Frisbee; he became a charismatic spark igniting the rise of Chuck Smith's Calvary Chapel and the Vineyard Movement. They are two worldwide denominations and among the largest evangelical denominations beginning at that time. Reportedly, "he was not one of the hippie preachers, but rather that "there was one—Frisbee". His brand of ministry was named power evangelism'. Later he was harshly criticized for his great focus and concentrating heavily on the Holy Spirit and the gifts of the Spirit, often by individuals in the same churches which he co-founded.

Frisbee influenced prophetic evangelists including Jonathan Land, Marc Dupont, Jill Austin and several others. Frisbee co-founded the House of Miracles commune and found many converts. The House of Miracles grew into nineteen communal houses; they later moved to Oregon to form Shiloh Youth Revival Centers, the largest and one of the longest-lasting Jesus People communal groups.

Frisbee had an evangelical ministry while privately socializing as a homosexual man, before and during his evangelism career, although in interviews he said that he never believed homosexuality was anything other than sin in the eyes of God. Both denominations he helped  found prohibited homosexual behavior, and he was later excommunicated by the denominations because of his active sexual life. They first removed him from leadership positions, and later fired him. He is portrayed by Jonathan Roumie in the 2023 film Jesus Revolution, which highlights his ministry with Chuck Smith and the impact he had on Greg Laurie's evangelism.

Early life and career
Frisbee was raised in a single-parent home and was exposed to "sketchy, dangerous characters" as a child. His brother claimed Lonnie was raped at the age of eight and documentarian David di Sabatino postulated that an incident like that "fragments your identity." Lonnie's father ran off with another woman; Lonnie's mother tracked down and married the jilted husband.

Lonnie Frisbee showed intense interest in the arts and cooking. He won awards for his paintings and even appeared as a featured dancer on Casey Kasem's mid-60s TV show Shebang. He exhibited a "bohemian" streak and regularly ran away from home. As a teen he became involved in the drug culture as part of his spiritual quest, and at fifteen he entered Laguna Beach's homosexual underground scene with a friend. His spotty high school education left him barely able to read and write. At 18 he joined thousands of other flower children and hippies for the Summer of Love in San Francisco in 1967. He described himself as a "nudist-vegetarian-hippie".

Frisbee's unofficial evangelism career began as a part of a soul-searching LSD acid-trip as part of a regular "turn on, tune in, drop out" session of getting high. He would often read the Bible while on a trip. On a pilgrimage with friends to Tahquitz Canyon outside Palm Springs, instead of looking for meaning again in mysticism and the occult, Frisbee started reading the Gospel of John to the group, eventually leading the group to Tahquitz Falls and baptizing them. A later acid-trip in the same area produced "a vision of a vast sea of people crying out to the Lord for salvation, with Frisbee in front preaching the gospel." His "grand vision of spreading Christianity to the masses" alienated his family and friends. Frisbee moved to San Francisco where he had won a fellowship to the San Francisco Art Academy. He soon met members of Haight-Ashbury's Living Room mission. At the time he talked about UFOs, practiced hypnotism, and talked about dabbling in occultism and mysticism. When Steve and Sandi Heefner and Ted and Connie Wise first met him, they said he was talking about "Jesus and flying saucers". Frisbee converted to Christianity and joined their first street Christian community, The Living Room, a storefront coffeehouse commune of four couples in the Haight-Ashbury district of San Francisco started in 1967. He quit the art academy and moved to Novato, California, where the Heefners and Wises set up a commune and later reconnected with his former girlfriend Connie Bremer, whom he then married. The community was soon dubbed The House of Acts after the community of early Christians in the Acts of the Apostles. Frisbee designed a sign to put outside the house, but was informed that if he gave it an official name, it would no longer be considered a mere guest house and would be subject to renovations. The community took the sign down to avoid the financial obligation. Frisbee continued painting detailed oils including several of missions.

Jesus movement, Calvary Chapel
Chuck Smith had been making plans to build a chapel out of a surplus school building in the city of Santa Ana, near Costa Mesa, when he met Frisbee. Smith's daughter's boyfriend John was a former addict who had turned to Christianity. When Smith said he wanted to meet a hippie, John brought home Frisbee (who was hitch-hiking), so he could meet people to talk about Jesus and salvation. Frisbee and his wife Connie joined the fledgling Calvary Chapel congregation and Smith was struck by Frisbee's charisma. Smith said, "I was not at all prepared for the love that this young man would radiate." Frisbee became one of the most important ministers in the church when on May 17, 1968, Smith put the young couple in charge of the Costa Mesa rehab house called "The House of Miracles" with John Higgins and his wife Jackie. Within a week it had 35 new converts. Bunk beds were built in the garage to house the new converts. Frisbee led the Wednesday night Bible study, which soon became the central night for the church attracting thousands. Frisbee's attachment to the charismatic Pentecostal style caused some disagreement within the church, since he seemed focused more on gaining converts and experiencing the presence of the Holy Spirit than on teaching newer converts Biblical doctrine. Chuck Smith took over teaching and welcomed Frisbee into his church. Frisbee's appearance helped appeal to hippies and those interested in youth culture, and he believed that the youth culture would play a prominent role in the Christian movement in the United States. He cited Joel the prophet and remained upbeat despite what the young couple saw as unbalanced treatment, as Frisbee was never paid for his work and another person was hired full-time as Smith's assistant.

The country was being swept with a youth movement with California as an epicenter. The counterculture of hippies and surfers hung around the beaches; music and dancing to the music was the main form of communication. Frisbee walked on the beaches during the day and convert the young people; he brought them to church for the nightly services.

The House of Miracles grew into a series of nineteen communal houses that later migrated to Oregon to form Shiloh Youth Revival Centers, the largest and one of the longest lasting of the Jesus People communal groups which had 100,000 members and 175 communal houses spread across North America. This may have been the largest Christian communal group in U.S. history.

From 1968 to 1971, Frisbee was a leader in the Jesus movement, bringing in thousands of new converts and influencing Calvary Chapel leaders including Mike MacIntosh and Greg Laurie, whom he mentored.

Fame
"Jesus Freaks", or "Jesus People" as they were often called, were documented in media including the Kathryn Kuhlman I Believe In Miracles show; Frisbee was a featured guest on the show talking about Jesus, the prophets, and quoting scripture. By 1971, the Jesus Movement was covered in the media with major media outlets like Life, Newsweek and Rolling Stone reporting on it. Frisbee, due to his prominence in the movement, was often photographed and interviewed. Also in 1971 Frisbee and Smith parted ways because their theological differences had become too great. Smith discounted Pentecostalism, maintaining that love was the greatest manifestation of the Holy Spirit, while Frisbee was strongly involved in theology which centered on spiritual gifts and New Testament experiences. Frisbee announced that he would leave California altogether and go to a movement in Florida led by Derek Prince and Bob Mumford which taught a pyramid shepherding style of leadership and was later referred to as the Shepherding Movement.

In 1973, the Frisbees divorced because Frisbee's pastor had an affair with his wife. Frisbee mentioned that in a sermon he gave at the Vineyard Church in Denver a few years before he died. Connie later remarried and Lonnie left the organization.

Vineyard movement
Meanwhile in May 1977, John Wimber laid the groundwork for what would become the Association of Vineyard Churches, also known as the Vineyard Movement. He witnessed the explosive growth of Calvary Chapel and wanted to build a church which embraced the healings and miracles that he had previously been taught were no longer a part of Christian life. He began teaching and preaching about spiritual gifts and healings, but Wimber held that it wasn't until May 1980, when Frisbee gave his testimony during an evening service at what was then the Yorba Linda branch of the Calvary Chapel movement (later the Anaheim Vineyard Christian Fellowship) that the charismatic gifts of the Holy Spirit took hold of the church.

Since his early days at Calvary Chapel Costa Mesa, Frisbee shifted in his emphasis from evangelism to the dramatic and demonstrative manifestation of the power of the Holy Spirit. After speaking Frisbee invited all the young people 25 and under to come forward; he invited the Holy Spirit to bring God's power into their lives. Witnesses say it looked like a battlefield as young people fell and began to shake and speak in tongues. The young kids, many in junior high and high school, were so "filled with the Spirit" that they soon started baptizing friends in hot tubs and swimming pools around town.

The church catapulted in growth over the next few months and the event is credited with launching the Vineyard Movement. After that time Frisbee and Wimber began traveling the world, visiting South Africa and Europe. Frisbee was a much sought-after preacher with his "Jesus-like" look getting him instant recognition from South Africa to Denmark. While there, they performed many healings and miracles for people. As reported by many who were there, Frisbee was integral to the development of what would later become Wimber's "Signs and Wonders theology".

Sexuality revealed
Although Frisbee's homosexuality was documented as a "bit of an open secret in the church community" and that he would "party" on Saturday night then preach Sunday morning, many in the church were unaware of his "other life." Eventually some church officials felt that Frisbee's inability to overcome sexual immorality became a hindrance to his ministry. An article in The Orange County Weekly, headlined "The First Jesus Freak," chronicles Frisbee's life in which Matt Coker writes, "Chuck Smith Jr. says he was having lunch with Wimber one day when he asked how the pastor reconciled working with a known homosexual like Frisbee. Wimber asked how the younger Smith knew this. Smith said he'd received a call from a pastor who'd just heard a young man confess to having been in a six-month relationship with Frisbee. Wimber called Smith the next day to say he'd confronted Frisbee, who openly admitted to the affair and agreed to leave."

By his own account, Frisbee was raped by a man who had attended one of Lonnie's revival meetings six years prior. Lonnie says "Over the next few weeks, this man began to spread it around that he had a sexual relationship with Lonnie Frisbee. He told people, including church leaders, that he had sex with me. Not true. I was violently forced at knifepoint totally against my will. His lies caused me years of not being able to minister, as this accusation spread throughout the Christian community." He describes next some of the fallout. "I gave in to drugs and sexual temptation.  I had become deceived and overpowered. I had been constantly accused of things, mostly of which I didn't do---so why not live up to my reputation? That was more or less my subconscious justification for crossing the lines. I blamed everyone else, including the church."

However Frisbee never characterized himself as a homosexual: "... in the last segment of my life story. I said it was a counterfeit. But I would like to go into the subject a little more at this time... I stated 'I never lived the gay lifestyle,' I would like to add that I have never even considered myself a homosexual at all, even though I had been molested for years as a child, had sexually experimented as a part of the rebellious 'free love generation'... and there is also my disappointing backsliding days in the mid-eighties."

In 2005, film critic Peter Chattaway interviewed David Di Sabatino (director of the documentary Frisbee: The Life and Death of a Hippie Preacher) for Christianity Today; they spoke about addressing Frisbee's homosexuality with his family. Di Sabatino said, "I brought to light some things that not a lot of people knew. I've been in rooms with his family where I've had to tell them that he defined himself as gay, way back. Nobody knew that. There's a lot of hubris in that, to come to people who loved him and prayed for him, and to stand there and say, 'You didn't really know this, but...'" In the same interview Di Sabatino also said, "His early testimony at Calvary Chapel was that he had come out of the homosexual lifestyle, but he felt like a leper because a lot of people turned away from him after that, so he took it out of his testimony—and I think that's an indictment of the church." Di Sabatino commented on Frisbee's homosexuality as a flaw, stated that Frisbee's brother claimed Frisbee was raped at the age of eight, and said that an incident of that nature "fragments your identity, and now I can't say that I'm surprised at all." In other research Di Sabatino discovered that Frisbee had come from a broken home and entered into Laguna Beach's homosexual underground scene with a friend when he was 15.

Death
At the time of his death in 1993, a brain tumor was named as the cause. A source claimed Frisbee contracted AIDS and died from complications associated with the condition; At his funeral at the Crystal Cathedral, Calvary Chapel's Chuck Smith eulogized Frisbee as a spiritual son and said he was a Samson-like figure, saying that he was a man through whom God did many great works, but that he was the victim of his own struggles and temptations. Some saw this as further maligning Frisbee's work and an inappropriate characterization at the service. Others including Frisbee's friend John Ruttkay, saw the Samson analogy as being spot on, and said so at his funeral. Frisbee was interred in the Crystal Cathedral Memorial Gardens.

In popular culture

Frisbee: The Life and Death of a Hippie Preacher
David Di Sabatino produced and directed the video documentary: Frisbee: The Life and Death of a Hippie Preacher. Narrated by Jim Palosaari, it received an Emmy Award nomination from the National Academy of Television Arts and Sciences (San Francisco/NorCal chapter).

Finished in March 2005, Frisbee was first accepted to the Newport Beach Film Festival where a showing at the Lido Theater was sold out. The theater is not far from the Blue Top commune, a Christian community of young hippie believers which was run by the Frisbees in the late 1960s. The documentary was also accepted to the Mill Valley (2005), Reel Heart (2005), Ragamuffin (2005), San Francisco International Independent (2006), New York Underground (2006), and Philadelphia Gay & Lesbian (2006) film festivals. The edited version of the movie was shown on San Francisco's KQED in November 2006; the film was released on DVD in January 2007.

A soundtrack featuring the music of The All Saved Freak Band, Agape, Joy, and Gentle Faith was released in May 2007. A pre-release version of the DVD was produced that featured 21 recordings of songs by Larry Norman as a solo artist, other songs by Randy Stonehill, Love Song, Fred Caban, Mark Heard, and Stonewood Cross are included. However, due to licensing issues most of the music was changed for the final release.

Jesus Revolution
The 2023 movie Jesus Revolution starred Jonathan Roumie as Lonnie Frisbee, and Kelsey Grammer as Pastor Chuck Smith. The movie's theme is the rise of the Jesus Movement and features Frisbee as one of the film's main characters.

See also

 Jesus music
 Duane Pederson
 Troy D. Perry
 Mel White

References

External links

 Frisbee: The Life and Death of a Hippie Preacher, official site

 Lonnie Frisbee's testimony (preaching) on Mother's Day at Pastor John Wimber's Church, May 11, 1988, part 2; audio only with extensive photo slideshow. It is believed by some that this very meeting inspired the Vineyard Church movement (trailer on video gives date of 5-11-88, however vineyardusa.org states that this occurred in 1980).
 Lonnie Frisbee ministering at Tom Stipe's Vineyard Christian Fellowship in Denver, Colorado
 Lonnie Frisbee related videos on YouTube
 photo of Frisbee
 Understanding Ministries -- Lonnie Frisbee : The Problem of Charismatic Hypocrisy by Paul Fahy, a theological criticism of charismatic religion allowing 'emotion' to triumph over doctrine, using Lonnie Frisbee as case study and example.
  Interview with Connie Frisbee discussing Lonnie in response to Frisbee:The Life and Death of a Hippie Preacher

1949 births
1993 deaths
20th-century Protestants
20th-century Christian mystics
AIDS-related deaths in California
American evangelicals
American Charismatics
American Christian mystics
American Protestant ministers and clergy
Jesus movement
LGBT people from California
LGBT Protestant clergy
People from Costa Mesa, California
People from Novato, California
Prophets in Christianity
Protestant mystics

Lonnie Frisbee


Rønne fyr (også kaldet: Rønne Bagfyr og Svenskefyret). Fyret ligger på Lygtestræde, tæt på havnen i Rønne på Bornholm.

Historie og beskrivelse
Fyret blev bygget af det bornholmske firma H. Wichmann & Co. i 1880 for en sum af 9900 kr (foruden en lynafleder og en doseringsmur for yderligere 597 kr). Fyret erstattede det simple fyr, som tidligere stod på stedet. Det blev taget i brug den 27. september 1880, i første omgang med grønt lys, som snart blev ændret til rødt, en anden kilde nævner i stedet en fyrkarakteren L.Fl.W

Rent fysisk består fyret af et tilspidset, hvidmalet ottekantet tårn i støbejern på i alt 12 meter, og konstruktionen på toppen består af en signallanterne og galleri som giver tårnet sin fulde højde på 18 meter og en flammehøjde på 24 moh. Kuplen på tårnet er af kobber.

Fyret blev restaureret og malet i 2000. Det står mellem husene lidt tilbage fra havnen og havnefronten. Fyret blev taget ud af brug i 1987.

Se også
 Liste over fyrtårne i Danmark

Henvisninger

Fyr
Fyrtårne i Danmark

Rønne Fyr


Made in Italy (titlul original: Made in Italy) este un film de comedie italian, realizat în 1965 de regizorul Nanni Loy. Filmul are treizeci de episoade grupate în cinci secțiuni (Obiceiuri și tradiții; Femeia; Munca; Cetățeanul, statul și biserica; Familia) și descrie obiceiurile italienilor, între o secțiune și alta sunt inserate un intermezzo: patru muncitori aflați la bordul unui avion cu direcția Stockholm, anticipează secțiunea următoare.

Pentru realizarea acestui film, Nanni Loy a ales un număr mare de actori, de talie internațională.

Conținut

Distribuție

Vezi și
 Listă de filme străine până în 1989
 Commedia all'italiana

Referințe

Legături externe

Filme din 1965
Filme regizate de Nanni Loy
Filme în limba italiană
Filme de comedie
Filme Commedia all'italiana

Made in Italy (film din 1965)


Holtsee Almanya'nın kuzeyinde Schleswig-Holstein eyaletinde, Rendsburg-Eckernförde iline bağlı bölge. 21,71 km² yüzölçüme sahiptir. Nüfusu, 30 Eylül 2006 itibarıyla yaklaşık 1364 olarak tespit edilmiştir. Belediye Başkanlığı Ulfert W. Geertz tarafından yürütülmektedir.

Dış bağlantılar
 www.amt-wittensee.de

Rendsburg-Eckernförde iline bağlı yerleşim birimleri

Holtsee


Jackass, MTV'de 2000'de yayınlanmış televizyon dizisi. Her biri birbirinden çılgın olan Johnny Knoxville, Bam Margera, Chris Pontius, Dave England, Steve-O, Brandon Dicamillo, Ehren McGhehey, Jason "Weeman" Acuna, Ryan Dunn ve Preston Lacy bir araya geliyor. Jackass'te bu grubun az önce saydığımız elemanlarının akıllara durgunluk verecek türden oyunlarını ve kaba şakalarını izleyebileceksiniz. Saçma oyunlar, gülünç güç gösterileri ve pek çok çılgınlığın yapıldığı Jackass, Johnny Knoxville tarafından sunuluyor. Gruptan Ryan Dunn trafik kazasında ölmüştür. Dizinin 5 sinema versiyonu bulunmaktadır: Jackass: The Movie (2002), Jackass Number Two :The Movie (2007) ve Jackass 2 nin kamera arkası görüntüleri, Jackass 2,5 (2007), Jackass 3 (2009), Jackass: The Lost Tapes (2009), Jackass 3,5 (2011).

2000'de başlayan Amerika Birleşik Devletleri televizyon dizileri
2002'de sona eren televizyon dizileri
2000'lerde Amerika Birleşik Devletleri televizyon dizileri
Amerika Birleşik Devletleri komedi dizileri
Reality şovlar
MTV televizyon dizileri

Jackass


İnci gurami (Trichogaster leeri), doğal yaşam alanı Asya olan, yaklaşık 10–12 cm boyunda Osphronemidae ailesine ait bir balık türü.

Aynı yaşam ortamından barışcıl türler ile karma akvaryumlarda beslenebilir. Akvaryumun üst ve orta düzeylerinde yüzer. Yumurtayla çoğalır, erkek suyun üzerine köpükten yuva yapar ve yumurtalara burada bakar. Su üstü bitkilerinin olması üremeyi kolaylaştıracaktır. Akıntısız akvaryumlardan hoşlanırlar. Hem etçil hem de otçuldurlar.Erkeklerin üst yüzgeçleri dişiye oranla daha uzun, sivridir. Dişilerin üst yüzgeçleri yuvarlaktır.

Dış bağlantılar

Osphronemidae
Akvaryum balıkları

İnci gurami


An Koeleria praeandina in uska species han Liliopsida nga ginhulagway ni A.Molina. An Koeleria praeandina in nahilalakip ha genus nga Koeleria, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Koeleria

Koeleria praeandina