Christopher Nolan, İngiliz film yönetmeni.
 Sidney Nolan, ressam.
 Nolan Roux, fransız futbolcu.

Nolan


Kaitag (ou Qaidaqlan; Kaidak, Karakaitak, Karkaidak) ) é uma língua que faz parte do continuum dialetal e Dargini falado por cerca de 21 mil pessoas no Daguestão, Rússia. Muitas vezes é considerado um dialeto divergente de Dargwa.

Nomes
Kaitag também é conhecido como Kaitag, Kaitak, Kajtak, Kaytak, Xajdak, Sanchi ou Sanzhi.

Classificação
Kaitag é um membro do ramo Dargin da família das línguas caucasianas do nordeste. É falado no distrito de Kaytagsky (Кайтагский район) da República Autônoma do Daguestão, no sudoeste da Federação Russa. É classificado como um dialeto de Dargwa em algumas fontes e como uma língua separada em outras.  Until 1930 Kaitak was considered a distinct language. Kaitak is divided into two dialects: northern (Magalis-Kaitak) and southern (Karakaitak).

Dialetos
A língua é composta por 7 variedades, formando dois grupos. Cada uma das variedades corresponde a uma província histórica da região.
 Shurkkant -  Os Moradores do Penhasco " - Shurkkantla lug'at (noroeste).
 Qattagan -  Os moradores do desfiladeiro  - Qattagan Lugat (central).
 Irchamul -  A Terra dos Nove - Irchamulla lug'at (sul).
 Kaitag Baixo– Ubahӏ Haydak (nordeste).
 Barshamai - Barshamagan lugat (norte).
 Karatsan.
 Jibahni - Chiivhan lugat.
 Sanchi - Sunclan lughat.
Escrita
Kaitag foi escrito com a escrita árabe desde o final do século XV. No século XX, foi criada uma adaptação o alfabeto cirílico com um total de símbolos que incluem as letras tradicionais do cirílico + símbolos especiais + encontros consonantais, ditongos, etc, foi adotado para Kaitag, embora os falantes de Kaitag geralmente usem Dargwa como sua língua escrita.
 Fonologia
 Consoantes
São 62 consoantes, formadas por séries de variantes sonoras, aspiradas, fortis, ejetivas e labializadas. A fricativa palatal [ç] pode ser a fricativa pós-palatal surda'', que pode ser mais precisamente transcrita como [ç̠] ou [x̟].

Vogais
Existem 4 vogais básicas e 4 contrapartes faringealizadas. Os fonemas adjacentes às consoantes faríngeas /ʡ/ e /ħ/ são sempre faríngeos. Além disso, a harmonia vocálica, onde vogais faringealizadas giratórias propagam o efeito para as adjacentes.

Notas

Ligações externas
Kaitag em Omniglot.com
Kaitag em ethnologue

Kaitag
Kaitag

Língua kaitag


Violette and Co est une librairie lesbienne, féministe et LGBTQIA+ installée à Paris depuis 2004.

Histoire

102 Rue de Charonne

Fondée par Catherine Florian et Christine Lemoine en février 2004, la librairie spécialisée dans les écrits lesbiens, féministes et LGBTQIA+, est située 102 rue de Charonne. Christine Lemoine avait déjà de l'expérience dans le domaine littéraire, puisqu'elle travaillait auparavant aux Éditions gaies et lesbiennes.  Elle est la seule librairie de France avec ce positionnement, les autres librairies étant soit féministes, soit LGBTIA+, mais pas avec la double approche. Cette fondation se fait dans le cadre du mouvement plus général de massification de l'édition LGBTIA+ en France au début du , qui arrête d'être limitée à des événements saisonniers comme la Marche des fiertés pour occuper les rayons tout au long de l'année.

Le nom est un quadruple hommage : à Violette Leduc, écrivaine lesbienne française ; au violet comme symbole du féminisme et notamment des suffragettes anglaises ; aux violettes, symbole lesbien ; et enfin à la librairie parisienne Shakespeare and Company fondée par une lesbienne.

Le financement permettant l'ouverture est compliqué, les banques parisiennes ne comprenant pas leur projet, pensant qu'il s'agira d'une librairie pornographique, et font preuve de lesbophobie lors des discussions.

De nombreuses personnalités lesbiennes et féministes, de France ou de l'international, présentent leurs pensées à la librairie, notamment : Alison Bechdel, Judith Butler, Natacha Chetcuti-Osorovitz, Alice Coffin, Chloé Delaume, Wendy Delorme, Virginie Despentes, Elsa Dorlin, Léonora Miano, Michelle Perrot, Paul B. Preciado, Sarah Schulman, Pinar Selek ou Simone Veil.

À l'automne 2019, les gérantes annoncent leur futur départ à la retraite et leur intention de revendre la marque et le fond de commerce de la librairie. Elles reçoivent plus de 50 demandes d'informations dont 25 se transforment en propositions. En février 2020, elles décident de renoncer à la vente suite à la mise en vente de l'immeuble par le propriétaire les mettant dans une position incertaine. Au printemps 2021 suite à la crise du Covid-19, elles reviennent sur leur décision et cherchent de nouveau une relève.  Elles souhaitent trouver preneuses avant le renouvellement du bail prévu à la fin de mars 2022. En janvier, elles vendent à un collectif répondant à leurs critères de connaissances de la communauté LGBTQIA+ et du savoir-faire de libraire.

52 Rue Jean-Pierre Timbaud

La reprise de la librairie se fait par le collectif Violette and Coop constitué de 6 personnes, qui organise un financement participatif afin de réunir les fonds nécessaires à la reprise de la librairie en mars 2022. Celui-ci mobilise les communautés lesbienne, LGBTIA+ et féministe, avec soirées de soutien, dons de contreparties, et communication de noms de la communauté, telles que Fatima Daas ou Fania Noël. Pendant cette période sans local, les libraires tiennent des stands dans les festivals lesbiens, LGBTQIA+ et féministes. Dans le cadre de leurs travaux et équipement, elles sollicitent des associations et personnes de la communauté.

Elles y apportent un enrichissement du catalogue pour les ouvrages jeunesse, la bande-dessinée, les mangas, les sciences humaines et les publications anti-racistes. Elle ouvre un coin café destiné à proposer un lieu de sociabilité LGBTIA+ calme et sans-alcool et ainsi adapté à un public qui ne fréquente pas les bars, notamment les personnes neuroatypiques. Elle propose également un sous-sol destiné à accueillir les événements associatifs de la communauté LGBTQIA+. Il s'agit de créer un tiers-lieu safe, de « convivialité et de flânerie ».

Les repreneuses rencontrent de nombreuses difficultés dans l'année 2022-2023, liées à des changements administratifs peu adaptés au statut SCOP mais aussi au peu de locaux de la Semaest, acteur mandaté par la ville de Paris pour le maintien d'activités commerciales diversifiées, adaptés aux besoins de la librairie et aux prix excessifs du marché privé. Si les repreneuses choisissent un local situé au 52 rue Jean-Pierre Timbaud dans le 11ème arrondissement dès octobre 2022, elles ne l'obtiennent qu'en juillet 2023. Cette rue avait hébergé la librairie féministe Carabosses de 1978 à 1985, qui avait été un lieu de fréquentation lesbien (à défaut d'avoir été créé à leur intention).

En octobre 2023, l'équipe ayant repris la marque et le fond de commerce annonce la réouverture le vendredi 13 octobre.

Fonctionnement
Outre de livres directement lesbiens, féministes ou LGBTIA+, la librairie propose des ouvrages généraux sur la discrimination notamment le racisme, ou de la littérature avec des personnages féminins bien construits, pour un ensemble de 7000 références. Le positionnement militant de la librairie impose aux gérantes un arbitrage constant entre la promotion de petits éditeurs et la vente de succès commerciaux.

En raison de son positionnement quasiment unique en France, la librairie attire un public venu de toutes les régions, qui se déplace à Paris spécialement pour s'y rendre. Les clientes sont plus nombreuses que les clients, avec pas mal de militantes ou d'étudiantes en littérature et en sciences humaines et sociales, mais aussi des personnes simplement du quartier.

La librairie est aussi un lieu communautaire d'évènements : ateliers d'écriture, rencontre avec des autrices, expositions, en faisant un lieu de référence pour les évènements lesbiens, trans et féministes.

Références

Voir aussi

Autres articles

 Les Mots à la bouche
 LGBT à Paris
 Lesbiennes en France
 LGBTI en France
 Littérature lesbienne
 Violette Leduc
 Culture LGBT
 Bibliothèques et communautés LGBT

Liens externes

 Site officiel
Un portrait de la librairie Violette & co, Libfly
Christine Lemoine, de la librairie homo Violette and Co, yagg

Lesbianisme en France
Féminisme en France
LGBT à Paris
Librairie à Paris
Librairie féministe
11e arrondissement de Paris
Entreprise fondée en 2004
Librairie LGBT en France
Lieu lesbien

Violette and Co


Homero Manzi, un poeta en la tormenta es una película argentina del género documental dirigida por Eduardo Spagnuolo sobre su propio guion, que se estrenó el 24 de septiembre de 2009 y que tuvo como protagonistas a Carlos Portaluppi, Angélica Torres, Martín Slipaky Luciano Acosta.

Sinopsis
La película refleja la biografía del poeta, murguero, cineasta, periodista, libretista de radio, político, docente y dirigente gremial Homero Manzi desde su nacimiento en Añatuya, Santiago del Estero, hasta su muerte a los 43 años, pasando por su niñez, ya en Pompeya; su militancia radical, a favor de Hipólito Yrigoyen, luego cofundador de FORJA; la cárcel, sus amistades, la bohemia, su paso por el cine y sus memorables composiciones como Barrio de tango, Malena, Sur y Milonga sentimental.

Reparto
 Carlos Portaluppi - Homero Manzi
 Angélica Torres
 Martín Slipak
 Luciano Acosta
 Tom CL

Comentario
Adolfo C. Martínez, el crítico de La Nación opinó que se trata de una muy buena película, con una labor brillante de su director, en la que Carlos Portaluppi hace un excelente trabajo. Señala que se trata de una recreación con sobriedad con secuencias ficcionales y documentos en los que Manzi tuvo mucho que ver -la caída de Hipólito Yrigoyen, el salto a la popularidad de Perón, las películas que guionó o dirigió y con las letras de algunos de sus tangos más emblemáticos con las cuales el filme va tomando cada vez más fuerza emotiva. Se retrata así el Manzi que halló en el suburbio, esa mezcla de campo y ciudad; en el gaucho devenido hombre de la gran capital; en el compadrito; en el inmigrante o en los indios desplazados de su tierra el germen de sus poemas tangueros.Hay una cuidada selección de material documental y una exacta recreación de época, debida a Paula Pires Dos Barros. Para el crítico de Clarín se trata de una película calificable solamente como regular, en la que considera que recursos como la sobreimpresión de palabras sobre las imágenes o los parlamentos de los personajes que ficcionalizan la vida de Manzi, que en vez de dialogar entre sí, están dando información al espectador, termina por banalizar todo lo que se ve, como en las obras teatrales estudiantiles.

La crónica de La Prensa a cargo de Isabel Croce señala la multiplicidad de elementos, que incluyen abundancia de fotos fijas, películas de la época tanto de ficción como documentales, de que se vale el director y cómo el filme, con respeto y buen ritmo narrativo, cuenta la vida de Manzi. El sentimiento tanguero es el que predomina en la historia de Spagnuolo, ya sea con la melodía de sus canciones o con los compases bailados de sus obras en cuadros coreográficos de atractiva estética. Valiosa interpretación de Carlos Portaluppi, que se asemeja naturalmente a Manzi y logra penetrar en el magnetismo e intimidad de su personalidad. Un elenco de buen nivel y la cuidada dirección de arte hacen de esta película un recomendable testimonio de uno de nuestros valiosos personajes populares.

Notas

Referencias

Enlaces externos

Documentales de Argentina

Homero Manzi, un poeta en la tormenta


Un  pomo de escalera  o pomo de barandilla es un soporte, normalmente con forma de esfera, que está diseñado para apoyar la mano o tomarlo cuando se sube o baja una escalera, en el tramo final de una barandilla (o al principio, depende de cómo se mire). Proporciona apoyo a las personas y una mejor estabilidad cuando son de edad avanzada para evitar malas caídas. Sobre todo puede ayudar a prevenir estas caídas si los peldaños están mojados o resbaladizos.

Variantes
Se han empleado como motivo decorativo y en entornos lujosos han llegado a ser sustituidos por estatuas, con motivos muy variados, algunas de ellas verdaderas obras de arte. Se pueden montar directamente en el pasamanos o en una columna aparte que le sirve de pedestal. Pueden ser metálicos o de cualquier material. En Cataluña, durante los siglos  y , se popularizaron unos pomos de cristal (plateado o de colores), con múltiples burbujitas interiores muy brillantes, que pasaron a ser distintivo de los hogares catalanes.

Son de uso general en las escaleras clásicas, mientras que son más difíciles de ubicar en las escaleras mecánicas, ya que los pasamanos son móviles (de cinta de caucho), obligando a situarlos a un lado.

Véase también
 Balaustre
 Barandilla

Referencias

Enlaces externos

Escaleras

Pomo de escalera


Sentrozom, hayvanlarda hücre döngüsünün ilerlemesini düzenleyen zarsız bir organeldir. Sentriyol denilen, birbirine dik iki silindirik nesneden oluşur. Her sentriyol, birbirine koşut üç küçük borudan oluşmuş dokuz iplik içerir ve buna 9-3 modeli denir. Bu iplikler protein yapısında olup arası matriks ile doludur. Mikrotübüller silindirik biçimde dizilirler. Sitoskeletin üç temel maddesinde bir olan mikrotübülleri üretmekte ve yaymakta görevlidir.

Mayoz bölünmede İğ ipliklerinin oluşturulması, bölünme sırasında kromozomların ayrılması ve kutuplara taşınmasında görevlidir.

Organeller

Sentrozom


Bitschart, Bitzschart, war ein Getreidemaß. Im Französischen  war es das bichet und  im Elsass verbreitet. In Freiburg im Üechtland entsprach es 12 Immi und als vier Viertel war es dort ein Mütt.

Weblinks
 Bitschart im  Mittelhochdeutschen Wörterbuch online

Einzelnachweise

Altes Maß oder Gewicht (Frankreich)
Volumeneinheit
Getreidemaß (Schweiz)
Getreidemaß (Frankreich)

Bitschart


Crkva sv. Roka je katolička crkva u Trebimlji u Bosni i Hercegovini. Zajedno s grobljem u kojem se nalazi 10 kamenih križeva proglašena je 2017. godine nacionalnim spomenikom Bosne i Hercegovine.

Povijest

Podignuta je vjerojatno krajem 16. ili početkom 17. stolјeća, a u pisanim izvorima spominje se u vremenu od početka 17. do polovine 18. stoljeća. Izvorno je bila posvećena Uznesenju BDM. Znatno je oštećena u velikom potresu 1667. godine. U izvorima iz 1751. navodi se kako je crkvu u Trebimlјi obnovio trebinjsko-mrkanjski biskup Šiško Tudišić. Današnji oblik dobila je obnovom 1825. godine, kada je vjerojatno i dobila današnjeg zaštitnika, sv. Roka.

Prema narodnoj predaji, crkva je prvotno bila na Glavici sv. Roka u Rupnom Dolu (gdje postoje temelji crkve sv. Roka), a premještena je na današnju lokaciju.

Opis

Crkva pripada tipu jednobrodnih crkava pravokutne osnove, dimenzija oko 10,85 x 5,64 m (zajedno s apsidom). Orijentirana je u pravcu sjeverozapad-jugoistok s ulazom na zapadnoj te apsidom na istočnoj strani. Krov crkve i apside prekriveni su kamenim pločama. Zidana je od kamenih blokova visine oko 30 cm, promjenjive širine, a pod je popločan kvadratnim kamenim pločama. Osim glavnog oltara, u crkvi se nalaze i dva bočna oltara. Kao i zidovi crkve, zvonik na preslicu zidan je od klesanog kamena, izveden u jednoj arkadi s kamenim stupovima iznad kojih se nalazi polukružni luk na kojem se nalazi kameni križ. U više je navrata crkva je oštećivana te obnavljana. Znatno je bila oštećena i u Domovinskom ratu nakon kojeg je ponovno obnovljena.

U dvorištu oko crkve nalazi se 10 nadgrobnih spomenika u obliku križa koji datiraju u kraj 19. i početak 20. stoljeća. Dio njih ukrašen je floralnim, geometrijskim motivima ili križem, a na nekima se nalaze natpisi o pokojniku.

Izvori

Literatura

Članci

Mrežna sjedišta

Građevine u Ravnom
Katoličke crkve u Bosni i Hercegovini
Nacionalni spomenici Bosne i Hercegovine
Trebinjsko-mrkanska biskupija

Crkva sv. Roka u Trebimlji


Eurinom (starogrč. Εὐρύνομος; lat. Eurynomus), duh ili demon iz grčke mitologije koji proždire raspadajuće leševe i obitava u podzemnom svijetu Hadu. Opisuje ga se kao biće s plavo-crnom kožom i oštrim zubima koje na leđima nosi lisičju kožu i hoda sagnutih koljena. Ponekad se spominje kao sluga božice Hekate.

Uzrokuje propadanje i truljenje stvari oko sebe, može pomoći vješticama u vezi proricanja kristalnim kuglama, runama i tarot kartama. Također, pomaže čarobnjacima da postanu hrabri i podučava ih crnoj magiji.

Bilješke

Vanjske poveznice

 Eurynomos - hellenicaworld.com

Demoni
Grčka mitološka stvorenja

Eurinom (demon)


Diego Lainez ist der Name folgender Personen:

* Diego Laínez (1512–1565), Generaloberer der Societas Jesu (Jesuitenorden)
 Diego Lainez (Fußballspieler) (* 2000), mexikanischer Fußballspieler

Diego Lainez


පීට්රස් ස්ටේෆානස් "ෆානි" ඩි විලියස් (සිංහල වහරේ බොහෝ විට "ෆැනී") (උපත 1964 ඔක්තෝබර 13) යනු 1992 හා 1998 හා අතර දකුණු අප්රිකාව වෙනුවෙන් ටෙස්ට් තරඟ 18ක් හා එක්දින දෑබැඳි තරඟ 83ක් තරඟ කළ ඉසිඹුලත් ක්‍රිකට් ක්‍රීඩකයෙකි.

ඉසිඹුලත් පසු හේ දැනට දෑබැඳි ඉංගිරිසි ක්‍රිකට් විස්තර විචාරකයකු ලෙස කටයුතු කරයි. ඕස්ට්‍රේලියාව හා දකුණු අප්රිකාව අතර තෙවන ටෙස්ට් තරඟය අතරතුර, තරඟයේ සිව්වන දා  ඕස්ට්‍රේලියානු ක්‍රිකට් පිල ප්‍රතිදෝලනය ලබාගැන්මට පන්දුව පළුදු කිරීමෙන් පසු උන් විසින් කැරුණු මුළාව හඳුනාගැන්මට හේ කාර්යභාරයක් ඉටු කළේය: තරඟයේ විස්තර විචාරකයෙකු ලෙස කටයුතු කළ ඩි විලියස් කැමරාකරුවනට යෝජනා කර තිබුනේ වංචා කළේ දැ යි සොයා බලන ලෙසයි.

තරඟ දිවිය
ඩි විලියස් 1985-86 දී උතුරු ට්‍රාන්ස්වාල බී වෙනුවෙන් පළමු පෙළ ක්‍රිකට් ක්‍රීඩාවට පිවිසියේ ඉන්ම දෙකේ දී මැ පන්දු යැවීම අරඹා දෙවැනි ඉන්මේ දී ලකුණු 33කට කඩුලු 5ක් දවාලමිනි. හේ 1990 දී ඉංගිරිසි කෙන්ට් ප්‍රාන්ත පිල වෙනුවෙන් ද තරඟ සමයක් ක්‍රීඩා කළේ ය.

1993-94 දී, වයස අවුරුදු 29ක් වූ ඔහු ඕස්ට්‍රේලියාවේ ටෙස්ට් සැරියාව සඳහා කැඳැවිණ. මෙල්බනයේ පැවති පළමු ටෙස්ට් තරගයට තේරී පත් වූ නමුදු හේ ටෙස්ට් මට්ටමින් තමාව තහවුරු කර ගත්තේ සිඩ්නියේ පැවැති දෙවන තරගයේ දී යැ. ජයගැන්මට ඕස්ට්‍රේලියාවට ලකුණු 117ක් පමණක් අවැසි වැ තිබිය දී, ඩි විලියස් ලකුණු 43කට කඩුලු 6ක් දවාගත්තේ (අවසන් කඩුල්ල ද ඇතුළුව - ග්ලෙන් මැක්ග්‍රාත්ගේ නැවත උඩ පන්දුවක්) දකුණු අප්රිකාව ලකුණු 5ක ජයක් කරා රැගෙන යමිනි. මුළු තරගයේ දී ලකුණු 123කට කඩුලු 10ක් ලබා ගත් ඩි විලියස් තරගයේ වීරයා ලෙස නම් විණි.

එංගලන්ත හිටපු ක්‍රිකට් නයු ටෝනි ග්‍රේග් අවසන් ඉන්ම ඇරැඹුමේ දී පවසා තිබුණේ දකුණු අප්රිකාව ජය ගැනීමේ ඉඩ 100-1ක් බවයි. තරගයේ වීරයා පිළිගැන්වීමේ දී ඩි විලියස් ග්‍රේග් පැවැසූ කරුණ මතක් කර දෙමින්, "ඔබ දකුණු අප්රිකානුවන් හඳුනනවා; අපි කිසිදා අත් නො හරින්නෙමු." යැ යි පැවැසී.

ඇඩිලේඩ්හි පැවැති තෙවන ටෙස්ට් තරගයේ ඔස්ට්‍රේලියානු දෙවැනි ඉන්මේ දී පන්දු යැවීමට නොහැකි වූවත් ගොම්මන් පිතිකරුවකු (සැඳෑ ආරක්ෂකයකු) ලෙස මිනිත්තු 198ක් (විනාඩි* 495ක්) පන්දුවට පහර දී දකුණු අප්රිකාවේ පරාජයේ දී ලකුණු 30ක් රැස් කරමින් තවදුරටත් සිය දිරිය පෙන්නුම් කළේ ය. (*සිංහල විනාඩි)

මේ සැරියාවේ දී, ඩි විලියස්, දොළොස්වැන්නා ලෙස කටයුතු කරත, පිටියේ පිතිකරුවනට බීම යවනුව දුරින් හැසිරැවෙන කාරයක් යොදා ගත්තේ ය.

1994 දී එංගලන්තයට එදිරි වැ ලන්ඩන ඕවාලයේ දී ඩි විලියස් විසින් යැවුණු බවුන්සර පන්දුවක් හිස් ආවරණයේ ඉදිරිපස වැදී බිම ඇද වැටුණු වෙයින් පන්දු යවන ඩෙවොන් මැල්කම් යළි නැඟිටීමෙන් පසු, අසැ සිටි දකුණු අප්රිකානු පන්දු රකින්නන් හට "ඔබලා ඉතිහසට අයිතියි" යැ යි පැවසූ හ යි සැළ වේ. මැල්කම් දකුණු අප්රිකා දෙවැනි ඉනිමේ දී , ඒ වන විට ටෙස්ට් ඉතිහසේ හයවැනි හොඳම පන්දු යැවීම වූ, ලකුණු 57කට කඩුලු 9ක් දවාගත්තේ එංගලන්තයට කඩුලු 8කින් ජය ගෙන දෙමිනි.

1994-95 ඩි විලියස්ගේ කැපී පෙනෙන තරඟ සමයක් විය. ටෙස්ට් තරග පහක දී ඔහු 17.47ක සාමාන්‍යයකින් කඩුලු 36ක් දවා ගත්තේය. පකිස්තානයට එදිරි වැ ජොහැන්නස්බුරුගයේ පැවැති ටෙස්ට් තරගයේ දී ඩි විලියස් නොදැවී ලකුණු 66ක්, 81ට කඩුළු  6ක් සහ 27ට කඩුළු 4ක් ලබාගනිමින් එකම ටෙස්ට් තරගයේ දී මැ අඩ සියයක් හා කඩුලු දහයක් දවාගත් පළමු දකුණු අප්‍රිකානු ක්‍රීඩකයා බවට පත්විය. පසුව ඔහු 1995 වසරේ දකුණු 'අප්රිකානු ක්‍රිකට්' වසරේ ක්‍රිකට් ක්‍රීඩකයා ලෙස නම් වුණු අතර, ඒ ඔහු මීට පෙර 1989 දී ද දිනාගත් සම්මානයකි.

ජනප්‍රිය ක්‍රීඩකයකු වන ඩි විලියස් ඔහුගේ ඇෆ්රිකාන්ස් බස කතා කරන රසිකයින් විසින් "ෆෙන~හ ෆානී" (වේගවත් ෆානි) යන අනුරුත් නමින් හැඳින්විණ.

චරිතාපදානය
හයිඩෙල්බ'ග් වොක්ස්කෝල් හි උගෙන 1982 දී උසස් අදියෙදුම් වරම් ලබා ගත් ඩි විලියස් එහි දී හෙල්ල විසිකිරීමේ ක්‍රීඩකයෙකු ලෙස දකුණු අප්රිකානු පාසල් නියෝජනය කළේ ය.

ක්‍රිකට් දිවියෙන් පසු
ඉසිඹු ලැබූ පසු, ඩි විලියස් දකුණු අප්රිකාවේ තෙල දසුන් විස්තර විචාරකයෙකු ලෙස සේවය කර ඇති අතර ආයතනික දෙසුවකු (කථිකයෙකු) ලෙස ද කටයුතු කරයි. හේ 1995 වසරේ සන් සිටි හි පැවැති ලෝ රූ රැජන තරඟයේ විනිසුරුවෙක් වී යැ. ඩි විලියස් බිහිරි පුණ්‍යායතන සඳහා මුදල් රැස් කිරීමට සම්බන්ධ වී ඇත්තේ ඔහුට බිහිරි සොහොවුරකු හා දුවක සිටින බැවිනි. ඒ සඳහා ඔහු කේප් ටවුනයේ සිටැ ප්‍රිටෝරියාව දක්වා පාපැදි පැදීමෙන් රෑන්ඩ 800 000 හා සෙන්චූරියන්හි පැවති ටෙස්ට් තරඟයකදී විදිලි පහන් කුළුණක මුදුනේ වාඩි වී රෑන්ඩ189,000 ක් උපාය දුන්නේ ය.

පන්දුව පළුදු කිරීම හඳුනාගැනීමේදී ඩි විලියස්ගේ මැදිහත්වීම
2018 වසරේ දකුණු අප්රිකාව හා ඕස්ට්‍රේලියාව හා අතර පැවැත්වුණු තරග 4කින් සමන්විත ටෙස්ට් තරගාවලියේ තෙවැනි ටෙස්ට් තරගයේ දී, එම තරගයේ විස්තර විචාරකයකු ලෙස කටයුතු කළ ඩි විලියස්, හොඳ ප්‍රතිදෝලනයක් ලබා ගැනීම සඳහා ඕස්ට්‍රේලියානු ක්‍රිකට් ක්‍රීඩකයින් පන්දුව පළුදු කරන බව හෙළිදරව් කිරීමට උදව් කළේය. ටෙස්ට් තරඟයේ සිව්වන දා උදෑසන සැසියේ දී මැ  ඕස්ටේ‍්‍රලියානු කි‍්‍රකට් පිල පිළිබැඳි අවදියෙන් සිටින ලෙස රූපවාහිනී කැමරාකරුවන්ගෙන් ඉල්ලා සිටීමෙන් පසු ඩි විලියස් මේ වංචාව හඳුනා ගැනීමට සමත් වූ අතර ඕස්ටේ‍්‍රලියානු කි‍්‍රකට් කී‍්‍රඩකයන් රහස් උපා භාවිතා කළ බවට ඉඟි පළ කළේය.

2003 දී, ට්‍රෙව චෙස්ටෆීල්ඩ විසින් ෆැනී ඩි විලියස්: ටෙස්ට් පන්දු යවන්නකුගේ සිතුවම නමින් ඩි විලියස් ගේ චරිතාපදානයක් පළ කැරුණි.

යොමු කිරීම්

බාහිර සබැඳි

 Fanie de Villiers at ESPNcricinfo
ජීවමාන ජනයා
1964 උපත්

ෆැනී ඩි විලියර්ස්


بلدية زهراء أو صحراء ، هي إحدى بلديات مقاطعة قادس, التي تقع في منطقة الأندلس جنوب إسبانيا.

يبلغ عدد سكانها 1.526 نسمة وفقاً لإحصائية سنة (2002).

مراجع

أماكن ذات اسم عربي الأصل في شبه الجزيرة الإيبيرية
أماكن مأهولة في قادس
بلديات قادس

زهرا


Mem de Sá (c. 1500 – 2 March 1572) was a Governor-General of the Portuguese colony of Brazil from 1557 to 1572. He was born in Coimbra, Kingdom of Portugal, around 1500, the year of discovery of Brazil by a naval fleet commanded by Pedro Álvares Cabral.

In the early sixteenth century, Brazil was not a major settled area of the Portuguese empire. The Jesuits had established aldeias in order to evangelize the Brazilian Indians. Portuguese settlers actively enslaved the indigenous populations. Mem de Sá was nominated the third Governor-General of Brazil in 1556, succeeding Duarte da Costa, who was Governor-General from 1553 to 1557. The seat of the government at the time was Salvador, in the present-day state of Bahia.

He was fortunate in securing the support of two important Jesuit priests, Fathers Manuel da Nóbrega (1517-1570) and José de Anchieta (1533-1597), who founded São Paulo, on 25 January 1554, which is today one of the largest metropolises in the world. The Jesuits were stern and persistent missionaries of the Catholic faith with the indigenous people, and their pacification of these warrior societies was one of the most important conquests of Mem de Sá's government. The Jesuits had conflicts with Duarte da Costa, because he supported the plantation owners, who tried to force slavery upon the Indians. Mem de Sá opposed the usury of the Portuguese plantation owners in their trade in Indian slaves and helped the Jesuits expand the number of their aldeias.

Mem de Sá also had an important military and political mission when, in 1560, leading a naval expedition of 26 ships and 2,000 soldiers and sailors, he was sent by the Portuguese crown to attack France Antarctique, a colony founded by Nicolas Durand de Villegaignon, a Catholic French vice-admiral on the site of present-day Rio de Janeiro. Fort Coligny, built by the French colonists on a small island of the Guanabara Bay was destroyed, but Mem de Sá was able to expel definitely the French invaders in 1567 only, with the help of his nephew, Estácio de Sá, who was also the founder of Rio de Janeiro on 1 March 1565. With the help of the Jesuits, Mem de Sá was able to convince the Tamoyo Confederation to withdraw their support to the Frenchmen.

Mem de Sá died on 2 March 1572, in Salvador.

See also
History of Brazil
Portuguese colonization of the Americas
De gestis Mendi de Saa
José de Anchieta#Works

References

Further reading
Norton, Luis. A dinastia dos Sás no Brasil, 1558-1662. 2nd. ed. 1965.
Nowell, Charles E. "The French in sixteenth-century Brazil." The Americas 5.04 (1949): 381-393.
Varnhagen, Francisco Adolfo de, História geral do Brasil, 9th ed. 1975.
Vianna Júnior, Wilmar da Silva. Espelho dos governadores do Brasil, a administração de Mem de Sá. 2007
Wetzel, Herbert Ewaldo, Mem de Sá: Terceiro governador geral, 1557-1572. 1972.
Padre José de Anchieta. Feitos de Mem de Sá, ASIN: B00A6FRKE8. Maison Editora. 2013.

1500s births
1572 deaths
Governors-General of Brazil
Portuguese colonization of the Americas
Colonial Brazil
16th-century Portuguese people
People from Coimbra
France Antarctique

Mem de Sá


Spiritbox est un groupe canadien de heavy metal, originaire de l'île de Vancouver, en Colombie-Britannique. Les critiques ont qualifié leur style de metalcore, de post-metal, de djent, de metal progressif, de metal alternatif et de « post-metalcore ». Le style metal du groupe est ainsi difficile à classer dans un genre de musique metal spécifique, car il puise dans une variété d'influences et incorpore des éléments électroniques. La particularité du groupe est l'expérimentation.

Le groupe Spiritbox est formé en 2017 par le couple Mike Stringer (guitariste) et Courtney LaPlante (chanteuse), après avoir quitté leur ancien groupe, Iwrestledabearonce car ils recherchaient davantage de liberté artistique. En 2017, ils sortent tous les deux un premier EP intitulé Spiritbox, puis en 2018, deux nouveaux membres se greffent au duo : Bill Crook à la basse et Ryan Loerke à la batterie. Ils sortent tous les quatre en 2019, un second EP nommé Singles Collection.

Le groupe gagne en popularité au fil de singles qui atteignent les classements du Billboard, avant de sortir leur premier album  (2021), atteignant la  au Billboard 200 américain. Leur musique est actuellement diffusée par leur label, Pale Chord, en partenariat avec Rise Records.

Biographie

Formation et débuts (2015-2019)
Courtney LaPlante et Mike Stringer se sont fiancés en 2011. Ils souhaitaient monter un projet musical en commun, mais ont intégré, en 2012 pour Courtney et 2013 pour Mike, le groupe Iwrestledabearonce. Fin 2015, ils décident de quitter le groupe. LaPlante et Stringer avaient chacun remplacé un ancien membre d'Iwrestledabearonce et n'étaient pas à l'aise avec ce statut dans le groupe ; tous deux souhaitaient également poursuivre une nouvelle direction personnelle et créative. Ils ont décidé de faire une pause dans leur tournée et de retourner dans leur ville natale pour trouver un emploi régulier. Tout au long de 2015, Mike présente à Courtney des démos de chansons affichant différents styles musicaux. Ils se marient en 2016, et deux semaines après le mariage, ils commencent à investir leur argent dans l'enregistrement des chansons. Puis Mike écrit les parties de batterie pour un EP prévu, qui sont réarrangées par leur batteur de session à l'époque, l'ancien coéquipier d'Iwrestledabearonce, Mikey Montgomery. L'EP est enregistré par le couple dans leur home studio, avec leur ami Tim Creviston. Il est mixé et masterisé par Dan Braunstein à Los Angeles.

Le , Courtney et Mike annoncent le lancement de leur groupe nommé Spiritbox, c'est Mike qui trouve le nom du groupe donnant le ton à leurs chansons qu'ils qualifiaient d'effrayantes. Spiritbox s'est formé à Victoria, situé sur l'île de Vancouver, en Colombie-Britannique. Courtney a expliqué qu'Iwrestledabearonce n'avait fait aucune déclaration concernant leur situation, et ainsi, elle a officiellement confirmé son départ du groupe le 25 octobre 2017. Spiritbox reçoit un budget de FACTOR (the Foundation to Assist Canadian Talent on Records), financé par le gouvernement du Canada et des diffuseurs privés, pour soutenir les investissements nécessaires à l'enregistrement et aux tournées.

Spiritbox sort un premier EP éponyme de sept chansons le , très inspiré par Tesseract , suivi d'un single, . Peu de temps après, leur projet est interrompu pendant un moment, car ils ne pouvaient jouer leurs chansons en live sans autres musiciens.

En 2018, Bill Crook du groupe de pop punk Living with Lions rejoint le groupe en tant que bassiste permanent. Peu de temps après, ils ont trouvé Ryan Loerke en tant que batteur. Jason Mageau, l'ancien manager d'Iwrestledabearonce, fonde le label Pale Chord, qui estdistribué via The Orchard afin de sortir la musique de Spiritbox. Mageau (qui fait partie de Roc Nation) et le groupe décident de promouvoir et d'établir de la musique en ligne plutôt que de dépenser de l'argent dans de petites tournées de clubs. Par conséquent, ils choisissent de ne pas tourner pendant deux ans. Après ce premier EP, le groupe gagne une base de fans croissante, ils sortent un second EP de cinq chansons intitulé Singles Collection le  via Pale Chord. Tout au long de 2018 et 2019, le groupe compose la plupart des chansons de leur premier album prévu.

(depuis 2020)

Ryan Loerke quitte le groupe en 2020. Ils recrutent ensuite le batteur Zev Rose (nom de famille complet Rosenberg). À cause des restrictions dues à la pandémie de Covid-19, Ils ont rencontré Zev Rose en personne deux jours avant que le groupe ne se lance dans sa première tournée avec lui.

La production de l'album et sa sortie prévue pour  sont interrompues en raison de la pandémie de Covid-19. Spiritbox rencontre un succès critique et commercial avec la sortie du single Holy Roller en . Il fait ses débuts à la  place au Billboard Hot Hard Rock Songs. La version originale de la chanson a été la chanson numéro pendant sept semaines sur la station Devil's Dozen de Sirius XM Liquid Metal, et a été considérée comme la meilleure chanson de 2020 par les auditeurs de la station. En , Spiritbox annonce avoir signé avec Rise Records dans un cadre de partenariat avec Pale Chord. Le groupe a ensuite sorti un remix de Holy Roller en octobre, avec Ryo Kinoshita de Crystal Lake en featuring. La version remix Holy Roller a été n°2 pendant cinq semaines sur Devil's Dozen de Sirius XM Liquid Metal. En , Spiritbox lance Constance, une chanson sur la démence dédiée à la grand-mère de Courtney. Dans le même mois, le sondage des lecteurs du magazine Kerrang! a élu Spiritbox comme . La sortie continue de clips  a créé une attente pour le prochain album de Spiritbox.

En ,  inclut l'album  dans sa liste des . À ce stade, le groupe a déménagé à Joshua Tree, en Californie, pour continuer à travailler sur leur premier album. La date limite pour l'enregistrement de l'album a été fixé au mois d'avril 2021 pour pouvoir sortir l'album la même année. Le troisième single de l'album, Circle with Me, sort en avril. En mai, Courtney apparait sur sa première grande couverture de magazine, le numéro de mai de Kerrang!. Plus tard ce mois-là, le groupe sort le single Secret Garden, qui a atterri dans le Top 40 du palmarès Billboard Mainstream Rock. En juin 2021, dans le cadre de leur série Collection: Live, le Grammy Museum a demandé à Spiritbox d'interpréter et d'enregistrer une version acoustique en direct de Constance dans une église accompagnée d'un ensemble à cordes. Un dernier single, Hurt You, sort avant l'album fin août.

Fin août 2021, les chansons du groupe dépassent les  d'écoute sur toutes les plateformes de streaming mondiales, et tous les articles de sortie physique et de merchandising étaient épuisés. Réfléchissant à l'anticipation de la sortie de l'album, il est décrit comme le  par Alternative Press, Kerrang!, et Metal Hammer. À l'approche de la sortie dEternal Blue à la mi-, Courtney révèle que le batteur Zev Rosenberg était un membre officiel de Spiritbox ; cependant, les restrictions frontalières mutuelles résultant de la Covid-19 l'avaient empêché d'apparaître sur les photos promotionnelles du groupe en raison de sa résidence aux États-Unis. L'album est sorti le 17 septembre 2021, avec des critiques positives de la part des critiques. Courtney déclare qu'elle considère  comme . Eternal Blue a été à la  place au   200. L'album atterrit à la  place sur le tableau des meilleures ventes d'albums au cours de la semaine se terminant le 2 octobre 2021. Il s'est classé en tête pour les catégories Top Rock Albums et Hard Rock Albums du .

Style musical et influences
Spiritbox utilise plusieurs styles musicaux basés sur le heavy metal. Écrivant pour Metal Injection, Max Morin a écrit qu'essayer de classer le groupe dans un style de musique particulier est . Les critiques ont qualifié leur style de metalcore, de post-metal de djent, de metal progressif et de metal alternatif. Il a également été étiqueté comme . Bobby Olivier de Billboard a écrit que le groupe affichait des aspects allant de l'atmosphérique à l'industriel. Selon Courtney, la musique du groupe a été construite à partir d'une base de métal progressif avant d'être condensée pour la version finale des chansons. Eli Enis de Revolver  décrit le style musical du groupe comme un arrangement de . Courtney elle-même a défini le genre musical de Spiritbox comme du metalcore ; cependant, elle a également déclaré que .

Le groupe intègre des éléments électroniques tels que des samples et des tambours programmés dans leur son comme des caractéristiques distinctives, dans le cadre d'un genre musical évoluant grâce à l'utilisation artistique des nouvelles technologies. Guitar World a écrit que Spiritbox  tout en . Le synthétiseur numérique apparait comme un aspect sonore particulier du groupe. Spiritbox a combiné des styles électroniques après s'être inspiré de la scène musicale pop des années 1980, comme Nine Inch Nails, et des premiers groupes post-punk tels que The Cure. Le groupe a reconnu que l'impact des groupes de dark rock et de pop des années 1980, incarné par des compositions musicales épurées à travers le minimalisme du synthétiseur dans des structures de chansons , a inspiré le style de Spiritbox et a servi de colonne vertébrale à leur travail.

Spiritbox a crédité Alexisonfire et Protest the Hero comme les premières influences musicales. Le groupe fait référence à Depeche Mode et Tears for Fears comme des influences particulièrement importantes. Le style de jeu de guitare de Mike Stringer comprend la . Courtney a cité Tesseract, Deftones, Kate Bush, et Tool comme influences ; et a mentionné que Meshuggah était son  dans le heavy metal. Elle a également exprimé son admiration pour Gojira, Björk, Beyoncé, et FKA Twigs.

La première expérience de Courtney LaPlante avec le chant guttural est venue de l'écoute de Cannibal Corpse à l'âge de cinq ans, qui s'est développée en un intérêt marqué pour les voix dures au début de son adolescence tout en écoutant du nu metal. À l'âge de dix-huit ans, Courtney LaPlante a déposé sa voix hurlée pour la première fois sur un breakdown d'une chanson écrite par son frère. Elle a déclaré qu'il était nécessaire de repousser les limites du genre metalcore en apportant de la modernité et de la diversité dans les styles vocaux pour rester pertinent. Son phrasé vocal basé sur son expression musicale, principalement ancrée dans le RnB contemporain, deviendra un trait distinctif ; elle a cité Doja Cat, HER, SZA et The Weeknd comme influences. Le chant de Courtney a été acclamé par les critiques musicaux. Morin l'a qualifiée de . Sam Coare de Kerrang! met en évidence sa performance vocale en disant que .

Tournée
Le groupe a entamé sa première tournée en février 2020, soutenant After the Burial en Europe, bien qu'elle ait été annulée en cours de route en raison de la pandémie de Covid-19. Leur deuxième tournée en juillet 2021, soutenant Limp Bizkit aux États-Unis, a également été annulée après quelques dates en raison de problèmes de sécurité liés à la pandémie. Cette tournée avortée avec Limp Bizkit a conduit le groupe à de nombreuses dépenses imprévues. Le chanteur de Shinedown, Brent Smith, a offert à Spiritbox  pour aider à couvrir les dépenses de tournée perdues, tandis que We Came as Romans a décidé de ne pas facturer le forfait d'éclairage que le groupe leur avait loué. Smith a déclaré :  En octobre 2021, Spiritbox s'est produit sur la croisière SS Neverender en tête d'affiche de Coheed et Cambria, produite par le partenaire de Norwegian Cruise Line Sixthman. En août 2021, Spiritbox a été annoncé comme l'un des groupes de soutien de la tournée Voyeurist d'Underoath, qui devrait commencer en février 2022.

Membres

Membres actuels
 Courtney LaPlante - chant (depuis 2016)
 Mike Stringer - guitare (depuis 2016)
 Zev Rosenberg - batterie (depuis 2020)
 Josh Gilbert - basse (membre de tournée depuis 2022, membre permanent depuis 2023)

Ancien membre d'enregistrement
 Mikey Montgomery - batterie (2017)

Anciens membres
 Ryan Loerke - batterie (2018-2020)
 Bill Crook - basse (2018-2022)

Discographie

Albums studio

EP

Singles

Vidéographie

Notes et références

Liens externes

Groupe canadien de metalcore
Groupe canadien de heavy metal
Groupe musical formé en 2017
Groupe musical de Victoria (Colombie-Britannique)

Spiritbox


O Templo de Júpiter (em croata: Jupiterov hram) é um antigo templo romano, construído entre os anos de 295 e 305 a mando do Imperador Diocleciano. Posteriormente, o templo foi transformado em Batistério de São João Batista. Está localizado na cidade de Split, no condado de Split-Dalmácia, na Croácia.

História
Durante a construção do Palácio de Diocleciano, entre os anos de 295 e 305, o Templo de Júpiter foi construído como parte integrante do palácio. Com o Imperador abdicando do trono no ano de 305, as obras do palácio pararam e o templo ficou inacabado. No século VI, o templo foi transformado em Batistério de São João Batista.

No século XIII, uma bacia de batismo, que foi feita com peças de um altar do século XI, e estava instalada na Catedral, foi transferida para o templo.

Em 1928, descobriram uma esfinge nas fundações de uma casa destruída, acreditando-se ser uma das doze esfinges trazidas do Egito pelo imperador Diocleciano, a instalaram na entrada do Templo de Júpiter.

Arquitetura

A edificação possui planta retangular com teto abobadado, construída com blocos de pedra sobre uma base elevada. Na entrada do templo, há uma esfinge sem cabeça, esculpida em granito, trazida do Egito pelo imperador. No portal de entrada, na parte superior, há esculpido em alto relevo a representação de Vitória, Tritão, Hélio, Hércules, Júpiter e Apolo.

Na parte interna do templo, há dois sarcófagos de arcebispos de Split, Lawrence e João II; uma escultura de São João Batista, feita em bronze, pelo artista Ivan Meštrović; e uma bacia de batismo do século XI com telas de mármore, uma delas representando o rei croata Peter Krešimir IV ou Demetrius Zvonimir com seus súditos, uma outra tela representando a Santíssima Trindade com Jesus Cristo, o divino e Jesus Cristo, o homem.

Templos romanos
Split

Templo de Júpiter (Split)


Sâbiîler () güney Mezopotamya ovasına özgü etno-dinsel bir gruptur ve tek tanrılı Gnostik bir din olan Sâbiîliğin takipçileridir. Muhtemelen antik çağlardan kalan son Gnostik gruplardan biri ve vaftizi ilk uygulayanlardandır. Sâbiîler, bugün günlük Irak Arapçası ve Modern Farsça konuşuyor olmalarına rağmen, geçmişte Aramice'den gelişen bir Sami dili Sâbiîce'yi anadili olarak kullanmaktaydı. Sâbiîce esas olarak ayin dili olarak korunmuştur. 2003 Irak Savaşı'ndan sonra 60.000-70.000 kişilik Iraklı Sâbiî topluluk dünyaya dağıldı; topluluğun çoğu komşu İran, Suriye ve Ürdün'e taşındı veya Orta Doğu'nun ötesinde diaspora toplulukları oluşturdu. İran Sâbiîleri ise dinsel zulümlerin bir sonucu olarak sayıca azalmaktadır.

Kaynakça

Sami halkları
Sabiilik
Irak'taki etnik gruplar
İran'daki etnik gruplar
Orta Doğu'daki etnik gruplar
Eski etnik gruplar
Kaynaksız anlatımlar içeren maddeler

Sâbiîler


Engelbrekt Engelbrektsson (1390s – 27 April/4 May 1436) was a Swedish nobleman, rebel leader and military leader of German ancestry. He was the leader of the Engelbrekt rebellion in 1434 against Eric of Pomerania, king of the Kalmar Union. Engelbrekt Parish (Engelbrekts församling) and Engelbrekt Church (Engelbrektskyrkan) in the Church of Sweden Diocese of Stockholm were both named in his honor.

Biography
Engelbrekt Engelbrektsson was the owner of a mine and ironworks  in the historic mining region of Bergslagen. He was from the parish of Norberg (Norbergs socken) in Västmanland. His family originally came from Germany, having migrated to Sweden in the 1360s.  The family coat of arms shows three half-lilies formed into a triangle.

Engelbrekt was dissatisfied by the numerous offences of the Danish local bailiffs and heavy taxation. In 1434 he started a rebellion with the support of mine workers and peasants from his home area. The background was the widespread discontent against the king's bailiff in Västerås, , who was blamed for the distress that mining men suffered under his rule. Following formal complaints made by Engelbrekt on the behalf of the mining men an inquiry was made by Erik of Pomerania which eventually found that Jösse's actions were criminal. Despite this Jösse was not replaced which led to a large host of peasants going to Västerås to protest. While the Riksråd intervened to peacefully resolve the protests, no actions were taken against the bailiff. In the spring of 1433 the protests escalated into violence and Dalecarlians besieged the bailiff's castle. The Riksråd fired Jösse and replaced him with Hans von Eberstein. However, Engelbrekt was not satisfied since Jösse had not been prosecuted for his admitted crimes. A host of dalecarlians and västmanlanders destroyed the castles of Borganäs and Köpingshus. At this point, many nobles joined the rebels. The rebellion grew into a massive force sweeping the country. The uprising took place against the background of the Kalmar Union.

In 1435 Engelbrekt was appointed , Commander in chief, at a Riksdag in Arboga that is often considered the first Riksdag in Sweden. However, he was not able to withstand the Swedish nobility, who wanted to exploit the rebellion. He was somewhat forced into the background. The nobility and clergy decided to support Karl Knutsson Bonde, who in 1436 supplanted Engelbrekt as Rikshövitsman. Jösse Eriksson returned to Sweden the same year, but was lynched by peasants in Motala after presenting him to the local thing who condemned him to death.

On 4 May 1436 Engelbrekt was murdered at , an islet in Lake Hjälmaren, by the aristocrat , who lived in the nearby Göksholm Castle. Måns's father had been involved in a legal dispute with Engelbrekt regarding an illegal burning of a ship. The killing is considered by some historians to have been an assassination. Engelbrekt was buried in  Örebro at Saint Nicholas Church.

Måns Bengtsson was a Swedish knight and chief judge in the traditional Swedish province of Närke. He was a member of the family Natt och Dag, a family from Östergötland which belongs to the Swedish noble class.

Aftermath

Over the next few decades Engelbrekt became a national hero, depicted as a public protector and an opponent of the Kalmar Union. His rebellion came to be seen as the start of the Swedish national awakening, which would triumph in the following century with the victory of King Gustav Vasa (reigned 1523–1560). Engelbrekt himself had no such ideas, which must have been anachronistic at the time; however his rebellion gave peasants a voice in Swedish politics which they never lost afterwards. The Engelbrekt rebellion caused the unity of the Kalmar Union to erode, leading to the expulsion of Danish forces from Sweden. Although later Danish kings regained influence over Sweden, the rebellion had set a precedent for Swedish claims to sovereignty.

Legacy
A bronze statue representing Engelbrekt by Swedish sculptor Carl Gustaf Qvarnström was unveiled in Örebro in 1865.

A statue of Engelbrekt is atop a pillar located outside of Stockholm City Hall.
Carl Georg Starbäck published the novel Engelbrekt Engelbrektsson in two parts in 1868–69.
Gustaf Wilhelm Gumælius published the poem Engelbrekt in 1858.

August Strindberg included   Engelbrekt  in the 1899 five-act play Saga of the Folkungs (Folkungasagan).
Engelbrekt became the subject of Engelbrekt (1928), an opera by the Swedish composer Natanael Berg (1879–1957).

References

Other sources
Harrison, Dick (2002) Sveriges historia medeltiden (Stockholm: Liber)
Moberg, Vilhelm  (1971) Min svenska historia, II. Från Engelbrekt till och med Dacke (Stockholm: Norstedt)
Larsson, Lars Olof  (1984) Engelbrekt Engelbrektsson och 1430-talets svenska uppror (P.A. Norstedt)
Lindkvist, Thomas (1990) Sveriges medeltid (Solna: Almqvist & Wiksell)
Lönnroth, Erik (1961)  Från svensk medeltid (Stockholm: Aldus/Bonniers )

1390s births
1436 deaths
People from Norberg
People murdered in Sweden
Swedish people of German descent
15th-century Swedish people
Swedish rebels
Assassinated Swedish politicians
Medieval rebels

Engelbrekt Engelbrektsson


Crkva sv. Vida u Vrbovcu, rimokatolička crkva u mjestu i općini Vrbovec, zaštićeno kulturno dobro.

Opis dobra
Crkva je izvorno gotička građevina sagrađena krajem 15. ili početkom 16. st. koja današnji izgled dobiva baroknom obnovom u drugoj polovini 18. st. te prigradnjom bočne kapele i ulaznog trijema u 19. st. Jednobrodna je, užeg svetišta zaključenog poligonalnom apsidom, a križni tlocrt proizlazi iz postave kapele sv. Križa sjeverno, te zvonika sa sakristijom u prizemlju južno uz svetište. U cijelosti je svođena u razdoblju baroka. Srednjovjekovno porijeklo vidljivo je na eksterijeru s obzirom na elemente poput poligonalnog svetišta s kontraforama ili zvonika s ugaonim klesancima i gotičkim biforama, dok je interijer poprimio barokni karakter. Djelomično je sačuvan barokni inventar.

Zaštita
Pod oznakom Z-2064 zavedena je kao nepokretno kulturno dobro - pojedinačno, pravna statusa zaštićena kulturnog dobra, klasificirano kao "sakralna graditeljska baština".

Izvori

Građevine u Vrbovcu
Zaštićene sakralne građevine u Zagrebačkoj županiji
Katoličke crkve u Hrvatskoj
Vrbovec

Crkva sv. Vida (Vrbovec)


Sümerler tarafından, Nibiru, yani geçiş gezegeni ismi verilen, Babil astronomları tarafından ise Marduk.

Maya takviminin bittiği Aralık 2012 tarihini takiben Dünya'ya yakın geçiş yapacağı öne sürülmektedir. Zecharia Sitcin tarafından yapılan araştırmalara konu olmuştur. Dünyadan 4 kat daha büyük olduğu ve güneş çevresindeki turunun 3600 yıllık periyoda sahip, eliptik bir yörüngesinin olduğu bu araştırmalarda ortaya atılmıştır. Sitchin, Mısır ve Mezopotamya'daki araştırmaları esnasında eski uygarlıkların da bu gezegenden haberdar olduğunu ileri sürülmüştür.
Sümerler tanrılarına gökten gelenler diye adlandırırlardı.

NASA'nın resmi açıklaması
NASA'nın resmi sitesinde bir video açıklamasında sözü edilen uzay cisminin bir gezegen olmadığı açıkça ifade edilmiştir.

Kaynakça

Mezopotamya ilahları

Nibiru


Zgrada ljekarne, Ulica braće Kazić 13 u Jastrebarskom, građevina u mjestu i gradu Jastrebarskom, zaštićeno kulturno dobro.

Opis
Zgrada stare ljekarne nalazi se u središnjem dijelu grada Jastrebarsko. Sagrađena je u drugoj polovici 19. stoljeća. To je ugrađena jednokatna građevina tlocrtno u obliku slova L, pokrivena dvostrešnim krovištem. Primjer je reprezentativne gradske kuće historicističkih stilskih karakteristika u čijem je prizemlju smještena ljekarna, dok kat ima stambenu namjenu. Ljekarna se sastoji od prostorije za izdavanje lijekova (oficina), laboratorija, prostorije za zalihe (materijalka) te pripadajućih pomoćnih prostorija. Sačuvan je vrijedan apotekarski drveni namještaj. Zgrada stare ljekarne ima najreprezentativnije oblikovano historicističko pročelje u Jastrebarskom. Zbog sačuvane povijesne konstrukcije, arhitektonskih elemenata i stilskih detalja ima arhitektonsku i ambijentalnu vrijednost, a kako je u prizemlju smještena prva jaskanska ljekarna, neupitna je i njezina kulturno – povijesna vrijednost.

Zaštita
Pod oznakom 6652 zaveden je kao nepokretno kulturno dobro - pojedinačno, pravna statusa zaštićena kulturnog dobra.

Izvori

Zaštićene stambeno-poslovne građevine u Zagrebačkoj županiji
Građevine u Jastrebarskom

Zgrada ljekarne (Jastrebarsko)


An Hechtia marnier-lapostollei in uska species han Liliopsida nga ginhulagway ni Lyman Bradford Smith. An Hechtia marnier-lapostollei in nahilalakip ha genus nga Hechtia, ngan familia nga Bromeliaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Hechtia

Hechtia marnier-lapostollei


الأَثل عديم الأوراق أو الطرفاء المفصلية  هو أكبر أنواع الأثل. هو شجرة دائمة الخضرة يمكن أن يصل ارتفاعها إلى 18 متراً.

الموطن الأصلي
موطن الأثل عديم الأوراق هو الوطن العربي، امتداداً من المغرب العربي والمشرق العربي وصولاً إلى بعض مناطق جنوب آسيا. يستعمل النبات كمصد للرياح وللاستظلال.

مراجع

أثل
أشجار إفريقيا
أشجار متحملة للجفاف
أصنوفات سماها كارولوس لينيوس
الحياة النباتية في الوطن العربي
نباتات إريتريا
نباتات فلسطين
نباتات إسرائيل
نباتات الجزائر
نباتات السودان
نباتات الشام
نباتات باكستان
نباتات تشاد
نباتات زينة في إفريقيا
نباتات شبه الجزيرة العربية
نباتات شمال إفريقيا
نباتات غرب آسيا
نباتات غرب إفريقيا
نباتات ليبيا
نباتات مصر

أثل عديم الأوراق


Two submarines of the United States Navy have been named USS Trout for the trout fish:
, a  submarine, was lost during World War II and is most famous for one mission which successfully transported 20 tons of gold and various other securities of the Philippine currency reserve to Pearl Harbor
, a , that was scrapped in 2009

United States Navy ship names

USS Trout


Die Liste der denkmalgeschützten Objekte im Okres Bratislava I/G–J enthält die nach slowakischen Denkmalschutzvorschriften geschützten Objekte im Stadtbezirk Okres Bratislava I, der den Stadtteil Staré Mesto umfasst, in den Straßen beginnend mit den Buchstaben G bis J.

Denkmäler

Legende

Einzelnachweise

Weblinks

Bratislava I/G-J
!Denkmalgeschutzte Objekte G


Guillermo González Ruiz (Chascomús, 18 de marzo de 1937) es un arquitecto y diseñador gráfico argentino. Fue director y profesor en la carrera de diseño gráfico de la Facultad de Arquitectura, Diseño y Urbanismo (Universidad de Buenos Aires). Recibió un Premio Konex (Diploma al Mérito) en Diseño Gráfico.

Biografía
En 1950 ingresó en el Colegio Nacional de Buenos Aires y egresó en 1955. Se graduó de arquitecto en 1965 en la Facultad de Arquitectura de la Universidad de Buenos Aires.

Desde 1961 a 1966 fue diseñador gráfico de diversas agencias de publicidad. En 1968 pasó a integrar el estudio González Ruiz, Méndez Mosquera y Ronald Shakespear, siendo socio de este último hasta 1973. Durante los años 1971 y 1972 fue director del grupo de diseño encargado de proyectar el sistema de señalización de Buenos Aires, hoy implantado en la mayoría de las ciudades del país. Desde 1974 ha diseñado numerosos trabajos para empresas estatales y privadas y fue asesor de señalización de los principales estudios de arquitectura.

Entre los años 1985 y 1990 fue director de la carrera de Diseño Gráfico de la Facultad de Arquitectura, Diseño y Urbanismo de la Universidad de Buenos Aires. Ha escrito diversos trabajos dentro del campo del diseño gráfico y sus obras han sido publicadas en revistas y anuarios de diseño de Inglaterra, Estados Unidos, Alemania, Suiza, Italia y Japón.

Hasta 2011, fue profesor titular de las materias de Diseño Gráfico niveles 1, 2 y 3 de la carrera de diseño gráfico en la FADU.

Inicios como diseñador

En 1955, en la Facultad de Arquitectura, Onetto, Méndez Mosquera, Jannello, Le Pera, Oliver, Moller, Breyer y otro grupo de docentes fueron los encargados de demostrar a través de la formación de nuevos arquitectos que las teorías racionalistas de la Bauhaus habían llegado a Buenos Aires y se iban a expandir por todo el país. En este contexto, se nutren muchos profesionales que luego concentrarán su labor en el área del diseño de comunicación. Así, en los años 60, el grupo empresario Siam crea su propia agencia de publicidad y diseño —Agens—, por la que pasan algunos jóvenes que serán los pilares de la renovación del diseño argentino: Roberto Alvarado, Guillermo González Ruiz, Martín Mazzei, América Sánchez y Ronald Shakespear.

Poco después, ese mismo grupo económico funda el Instituto Di Tella que durante toda una década será la principal institución privada del país dedicada a las artes y las ciencias sociales. Los catálogos, programas de teatro, afiches y publicaciones marcan un hito en la evolución del diseño gráfico local. En 1971, el estudio González Ruiz-Ronald Shakespear proyecta el Plan Visual de la Ciudad de Buenos Aires, abarcando todos los aspectos relacionados con la imagen y la señalización de la ciudad. Según Fontana: «Fue el más completo realizado en tal sentido y significó el posicionamiento definitivo de la cultura del diseño en la vía pública».

En 1985, la creación de la carrera de Diseño Gráfico en la Facultad de Arquitectura, Diseño y Urbanismo de la UBA, se suma a las que ya existían en la Universidades de Cuyo y La Plata. En la de Buenos Aires, su primer director es Guillermo González Ruiz, contando en su plantel docente con los mejores profesionales del medio de ese momento.

En cuanto a su influencia en el pensamiento y la práctica del diseño, González Ruiz afirma: «La tesis que subyace en el trasfondo de este libro sostiene que la Teoría de la Gestalt es uno de los pensamientos más altamente científicos de la época contemporánea, porque ha posibilitado nuestra relación con el mundo de la forma, del espacio, del tiempo, del movimiento y del medio ambiente. Que por ser dicha teoría una de las matrices del pensamiento del diseño, éste puede aprenderse y enseñarse partiendo del principio de que no percibimos las cosas como elementos inconexos, sino que las organizamos mediante el proceso perceptivo, en conjuntos significativos. Que dichos conjuntos de significación se manifiestan como ciertos estadios de comprensión de la mente (…) El libro intenta demostrarla, exponiendo un estudio que basado en ella trata sobre la teoría de la práctica del Diseño» (Estudio de Diseño. Guillermo González Ruiz. Emecé Editores, 1994).

Publicaciones

 1972. Sistemas de Señales Urbanas.
 1986. Diseño Gráfico y comunicación visual.
 1989. El Diseño Gráfico en la Universidad de Buenos Aires.
 1994. Estudio de Diseño, sobre la construcción de las ideas y su aplicación a la realidad

Reconocimientos

 1982. Premio al mejor diseñador del período 1978/1982. Lápiz de Plata del CAYC.
 1990. Premio ADG. Asociación de Diseñadores Gráficos de Buenos Aires.
 1992. Premio Konex: Diploma al mérito de Artes Visuales en la disciplina de Diseño Gráfico.
 2021. Reconocimiento como "Personalidad destacada de la Universidad de Buenos Aires", durante los festejos por el Bicentenario de dicha universidad, recibiendo también una medalla personalizada, una moneda acuñada por la Casa de la Moneda y un sello postal del Correo Argentino (especialmente elaborados para la ocasión).

Referencias
Arquitectos de Argentina del siglo XX
Diseñadores gráficos de Argentina
Alumnado de la Facultad de Arquitectura, Diseño y Urbanismo de la Universidad de Buenos Aires
Chascomunenses
Profesores de Argentina

Guillermo González Ruiz


Trajektna luka Split je, izvorno bila, trgovačko mjesto koje su prvotno osnovali grčki doseljenici s otoka Visa, a potom su ga preuzeli Rimljani. Luka je napredovala kroz srednji vijek, ali je doživjela pad krajem 18. i početkom 19. stoljeća kada je Riječka luka preuzela ulogu primarne trgovačke i pomorske luke u regiji.

Povijest

Prvi transport u blizini gdje je današnja Trajektna luka bila je tadašnja luka Asphalatos, kojeg su osnovali  Grčki starosjedioci osnovali u 4. st. pr. Kr. Pozicija transportne luke bila je izabrana zbog prirodne lokacije luke i ima široki izlaz i pogled na Jadransko more te na susjedne otoke naseljene Ilirima, najviše zbog blizine  Salone. Znatniji pomorski promet odvijao se u to doba u Solinskoj uvali, gdje su se nalazila obalna postrojenja Salone, te u lukama grčkih naselja Epetiona na mjestu današnjega Stobreča i Traguriona na mjestu današnjega Trogira. Split je dobio na značenju tek izgradnjom Dioklecijanove palače početkom 4. st. Tada je u njezinu južnom dijelu uređena mala luka namijenjena pristajanju carskih brodova. U antičkome razdoblju postojala je još jedna luka u uvali Spinut, na sjevernoj strani splitskoga poluotoka.

Nakon toga splitsku obalu je preuzeo Bizant sve do nastanka Hrvatskog Kraljevstva u početku 10. stoljeća. Već u 11. st. Split je najmoćniji i najbogatiji grad na našoj obali, a u sljedećem stoljeću splitska luka već je toliko razvijena da je smatrana najpovoljnijom lukom Ugarsko-Hrvatskog Kraljevstva. Hrvatska i Kraljevina Ugarska su se 1102. ujedinili u personalnu uniju. Do 12. stoljeća Split je razvio trgovačke rute sa svojim zaleđem i pomorskom trgovinom diljem Jadranskog mora i Sredozemlja. U 13. st. grad je imao gotovo 10 000 stanovnika i vrlo razvijenu pomorsku trgovinu, naročito s Apulijom preko mora i s Bosnom na kopnu. U to vrijeme postaje prva izvozna i uvozna luka istočne obale Jadrana za područje današnje Bosne i Hercegovine. Mletačka Republika dobila je potpunu kontrolu nad Dalmacijom i gradom Splitom do 1428. godine. U 16. stoljeću Split je bio središte pomorske trgovine Balkana gdje se prevozila roba koja je dolazila iz Osmanskog Carstva, Indije i Perzije do Mletačke Republike i obrnuto. Nakom pada Mletačke Republike, Split je između 1797. i 1806. godine došao pod vlast Habsburške Monarhije i Austro-Ugarske Monarhije do Napoleonove Francuske koja je vlast nad gradom i njenom lukom preuzela od 1806. do 1813. kad je grad pao ponovno pod vlašću Austro-Ugarske, nakon njene obnove, preciznije Split je bio pod izravnom kontrolom Beča i njenog Austrijskog Carstva. U tom su razdoblju trgovački brodovi i njihove trgovačke rute bili preusmjereni u druge istočnojadranske pomorske luke, pogotovo u riječku luku što je uzrokovalo pad gradskog gospodarstva. Dolaskom Splita pod austrijsku vlast 1797. prestale su čvrste mletačke stege i ograničenja, oživjela je trgovina i ojačalo brodarstvo. Karavane iz Osmanskoga Carstva ponovno su počele dolaziti, a tereti su se, umjesto samo u Veneciju, otpremali u mnoge druge luke. Nakon što je 1805. grad došao pod francusku vlast, vojni zapovjednik Dalmacije maršal August Marmont započeo je velike građevinske radove. Srušene su stare mletačke utvrde, a materijal je iskorišten za nasipanje mora. Duljina obale u splitskoj luci tijekom tih je zahvata udvostručena.

U drugoj polovici 19. stoljeća gospodarstvo grada Splita i okolice počelo se oporavljati i Split je ubrzo postao središte srednje Dalmacije, povezujući zaleđe i susjedne otoke. To je potaknulo razvoj gradske luke i njezinih prometnih veza, uključujući izgradnju novog lukobrana i željezničke pruge Split – Knin. 1925. godine željeznica je povezana sa željezničkom prugom između Rijeke i Zagreba preko Gospića što je omogućilo razvoj moderne luke. Od 1957. godine, teretni terminali luke Split premješteni su iz središta grada na područjima industrijske zone u Stinicama, Solinu i Kaštelima dok se za potrebe putničkog prometa još uvijek koristi luka na istočnoj obali grada.

Izvori

Vanjske poveznice

Promet u Splitu
Split
Hrvatske tvrtke
Gospodarstvo Splita

Trajektna luka Split


O   é um instituto de pesquisa japonês localizado em Chiyoda, Tóquio, Japão. O NII foi criado em abril de 2000 com o objetivo de promover o estudo da informática. Este instituto também trabalha na criação de sistemas para facilitar a disseminação de informações científicas para o público em geral. Ele supervisiona e mantém um grande banco de dados de informações pesquisáveis em uma variedade de tópicos científicos e não científicos chamados Webcat. NII é o único instituto de pesquisa abrangente em informática no Japão. É uma parte importante da Universidade de Pós-Graduação para Estudos Avançados, SOKENDAI, e desde 2002 oferece um Ph.D. programa em informática.

História
O NII teve sua origem em uma proposição do Ministério da Educação, Ciência, Esportes e Cultura apresentada ao Conselho Científico em outubro de 1973, intitulada "Sistema Melhorado de Circulação de Informações Acadêmicas". Em 1976, o Centro de Pesquisa para Biblioteconomia e Ciência da Informação foi estabelecido na Universidade de Tóquio, abrindo caminho para o instituto que se tornaria o Instituto Nacional de Informática. Em 1983, o centro de pesquisa foi reorganizado e transformado em Centro de Informação Bibliográfica, mas continuou a operar sob a égide da Universidade de Tóquio. Este centro foi então reestruturado em 1986 e renomeado para National Center for Science Information Systems (NACSIS).

O NACSIS foi a primeira encarnação do instituto a ser independente da Universidade de Tóquio. O instituto se desenvolveu e cresceu de acordo com os avanços na tecnologia de computadores e Internet, eventualmente superando a visão inicial por trás do National Center for Science Information Systems. Em abril de 2000, este centro foi reformulado e reformado como o Instituto Nacional de Informática. A NII está localizada no distrito de Chiyoda, em Tóquio. É uma parte principal do prédio do Centro Nacional de Ciências, juntamente com a Escola de Pós-Graduação em Estratégia Corporativa Internacional da Universidade de Hitotsubashi e o Centro de Finanças da Universidade.

Pesquisas
O instituto se concentra na pesquisa científica sobre técnicas de coleta de informações e sistemas para gerenciamento de informações em todas as disciplinas acadêmicas. O NII tenta equilibrar as abordagens de pesquisa teórica e prática, com o objetivo de criar novas técnicas para pesquisar e organizar bancos de dados de volume extremamente alto, usando novas oportunidades apresentadas pelos avanços nos recursos de rede de alta velocidade. O NII realiza pesquisas em parceria com inúmeras universidades e outras instituições de pesquisa, tanto públicas quanto privadas.

O principal objetivo do instituto é aprimorar o conhecimento de informática no Japão, mas também trabalha em estreita colaboração com pesquisadores e institutos internacionais e de intercâmbio para o avanço de múltiplos objetivos, incluindo o desenvolvimento de padrões internacionais em informática. O NII hospeda vários programas de intercâmbio de pesquisa para estudantes visitantes, estagiários de pesquisa, pós-doutorandos e professores visitantes, como os programas japoneses JSPS e DAAD da Alemanha. O NII organiza um popular estágio internacional que convida e financia estudantes de todo o mundo para virem ao Japão e realizarem pesquisas sob a orientação de professores do NII por até 6 meses, duas vezes por ano.

Além de suas funções de pesquisa, o NII tem uma função de ensino de pós-graduação desde 2002 como Departamento de Informática, Escola de Ciências Multidisciplinares, Universidade de Pós-Graduação para Estudos Avançados, SOKENDAI.

Webcat
Webcat e Webcat Plus são bancos de dados de pesquisa avançada oferecidos e mantidos como parte da divisão GeNii (ambiente global para informações intelectuais em rede) da NII. O GeNii foi criado como meio de integrar e unificar o conteúdo de vários serviços de recuperação de informações e bibliotecas eletrônicas supervisionados pelo NII, cujo principal resultado foram os sistemas de busca Webcat. O Webcat e seu sucessor mantido simultaneamente, o Webcat Plus, são sistemas de pesquisa de livros e periódicos que fornecem informações sobre acervos de materiais mantidos em institutos de pesquisa e coleções de bibliotecas universitárias em todo o Japão. Atualmente, o Webcat Plus possui informações sobre mais de doze milhões de títulos, e ambos os sistemas podem ser pesquisados em inglês e japonês. Os planos adicionais da GeNii para o sistema Webcat incluem a integração de todos os acervos da Biblioteca da Dieta Nacional no banco de dados pesquisável. Nenhuma informação está disponível atualmente sobre a data de conclusão programada para este projeto.

Ver também

 CiNii
 J-STAGE

Referências

Ligações externas

 Official website
 Telkom University Kampus Teknologi
 Systems:
 Digital Silk Road
 IMAGINE Book Search
 GeNii: NII Scholarly and Academic Information Portal
 CiNii: Search for papers, theses, etc.
 WebcatPlus: Search for books, magazines, etc.
 KAKEN: Search for research subjects
 NII-DBR: Search for specialized academic information
 JAIRO: Search for research and educational contents

Fundações no Japão em 2000
Instituições de pesquisa do Japão
Estudos japoneses
!Artigos com texto em japonês

National Institute of Informatics


Podsavezna nogometna liga Bjelovar, također i kao Prvenstvo Bjelovarskog nogometnog podsaveza je bila liga četvrtog stupnja nogometnog prvenstva Jugoslavije u sezoni 1959./60.
Sudjelovalo je ukupno 8 klubova, a prvak je bila "Česma" iz Bjelovara.

Ljestvica

 Žabno – tadašnji naziv za Sveti Ivan Žabno

Rezultatska križaljka

 Izvori:

Povezani članci
 III. A zona nogometnog prvenstva Hrvatske 1959./60.
 Kotarsko nogometno prvenstvo Bjelovar 1959./60.

Vanjske poveznice

Izvori
 library.foi.hr, "Bjelovarski list"
 library.foi.hr, "Bjelovarski list", br. 26, god. XIV, izdano 23. lipnja 1960., str. 6, preuzeto 15. srpnja 2019.

1959-60 Bjelovar-1
Bjelovar-1
1959-60 Bjelovar

Podsavezna nogometna liga Bjelovar 1959./60.


الجنرال باتيستا تاجمي ناواي (Batista Tagme Na Waie أو Batista Tagme Na Wai). (1949 - 1 مارس 2009)، قائد جيش غينيا بيساو حتى اغتياله في عبوة ناسفة في عام 2009.

مراجع

أشخاص قتلوا في غينيا بيساو
أشخاص من إقليم تومبالي
جرائم قتل في إفريقيا 2009
ضحايا قتل غينيون بيساويون
عسكريون غينيون بيساويون
غينيون بيساويون مغتالون
مواليد 1949
وفيات 1430 هـ
وفيات 2009
وفيات بعبوة ناسفة
وفيات في بيساو

باتيستا تاغمي ناواي


is a series of novels written by Japanese author Hideyuki Kikuchi and illustrated by Yoshitaka Amano since 1983.

As of April 2022, 40 novels have been published in the main series, with some novels comprising as many as four volumes. They have sold over 17 million copies worldwide, making Vampire Hunter D one of the best-selling book series in history. The series has also spawned anime, audio drama, manga, comic adaptations, a video game, as well as a short story collection, art books, and a supplemental guide book.

Premise
Vampire hunter D wanders through a far-future post-nuclear war Earth that combines elements of pulp genres: western, science fiction, horror and Lovecraftian horror, dark fantasy, folklore and occult science. The planet, once terrified by the elegant but cruel vampires known as , ancient demons, mutants and their technological creations, is now slowly returning to a semblance of order and human control—thanks in part to the decadence that brought about the downfall of the vampire race, to the continued stubbornness of frontier dwellers, and to the rise of a caste of independent hunters-for-hire who eliminate supernatural threats.

Some time in 1999, a nuclear war occurred. The Nobility were vampires that planned for a possible nuclear war and sequestered all that was needed to rebuild civilization in their shelters. They use their science combined with magic to restore the world in their image. Nearly all magical creatures on Earth are genetically engineered by the Nobility to possess seemingly supernatural abilities, regeneration, and biological immortality, with a very small number being demons, gods, aliens, and extradimensional beings who survived the holocaust. Despite their technology being advanced enough to create a blood substitute as food, they still prefer to feed on humans. As such, they created a civilization where vampires and humans coexisted, eventually developing the planet into parklands and cities. The society eventually stagnates when vampire technology perfects scientific prophecy, which determines they are at their zenith of existence and thus are doomed to fall, overthrown by humans. The human race was also transformed at this time, with fear for the vampires being woven into their genetics, and the inability to remember vampire weaknesses such as garlic and crucifixes.

Unlike vampires from traditional lore, the Nobility have the ability to reproduce sexually, although their offspring will permanently cease aging after reaching physical maturity, having inherited their vampire parent's immortality.

Main characters

D

D is a dhampir, the half-breed child of a vampire father and human mother (actually genetically engineered by the ruler and first of vampires called Sacred Ancestor using his own DNA and that of humans in an experiment to create a vampire without vampires' typical weaknesses like the sun and having to drink blood), the ideal vampire hunter. He is renowned for his consummate skill and unearthly grace but feared and despised for his mixed lineage: born of both races but belonging to neither. Often underestimated by his opponents, D possesses surprising power and resourcefulness, having most of the strengths of the Nobility and only mild levels of their common weaknesses. It has been seen in both movies that his power is not only physical, but extends into the magical realm as well. His supernatural powers make him one of the strongest beings in the world, if not the second strongest (second only to his father). However, D prefers his physical abilities, only using his magic in times of great need. Unlike most dhampirs, D is able to live as a "normal" human; however, he is marked by his unearthly beauty and exceptionally potent aura and thus rarely accepted by human settlements. In terms of weaknesses, he is randomly susceptible to sun-sickness, a severe type of sunstroke, about once every five years (far less than most dhampirs). D also recovers from it at a rate far greater than other dhampirs. Usually, it takes several days to recover from sunlight syndrome, longer if the dhampir is exceedingly powerful, but D recovered in a few hours (around 1–6 hours approximately) despite being one of the strongest dhampirs alive. Otherwise, D does not appear to suffer from other vampiric weaknesses usual to dhampirs, being able to physically restrain opponents with his aura and having godlike reflexes surpassing even those of Nobles.

His symbiotic left hand states, in Vampire Hunter D: Bloodlust: "The List Ahri" The Sword" is D's sword or not is debatable. It is important to note here, however, that the movie differs sharply from the book it takes its story from, Vampire Hunter D: Demon Deathchase, and future entries in the novel series do not differentiate between Dracula, The Vampire King, The Sacred Ancestor, and D's father, proposing that they are one and the same.

D rides a cybernetic horse with mechanical legs and other enhancements, wields a crescent longsword which looks similar to Yoshitaka Amano's scimitar sword design found in many of his works of art, but the sword has a hefty length, similar to that of a Japanese nodachi. D always wears a mystical blue pendant; it prevents many of the automatic defenses (such as laser fields and small nuclear blasters) created by the Nobility in past millennia from working properly and allows him to enter their sealed castles. He also uses wooden needles in the novels and game, which he can throw with super speed. He protects his milk-white face from the noonday sun with long black hair, flowing black clothing and cape, and the shadow of a wide-brimmed hat. D is described as appearing as a youth between 17 and 18 years old, though D's age is unknown (although in the novel Pale Fallen Angel parts I and II, it is made known that he is at least 5,000 years old, and later it is revealed that he is over 10,000 years old). His beauty is mesmerizing, often unintentionally wooing women and sometimes flustering men.

Very little is known of D's past, and the identity of his parents is ambiguous, but his innate power suggests that his father is an extraordinarily powerful vampire. Regarding D's birth, some Nobles whisper dark rumors about their vampire progenitor, the Sacred Ancestor known as Count Dracula, bedding a human woman called "Mina the Fair" (implied to be Mina Harker). Dracula conducted bizarre crossbreeding experiments involving himself and countless human women or even other vampires. The only successful product of the experiments was D. D, wanting nothing to do with his father save for killing him, refusing to go by his true name. Instead, he shortens it to the first letter. In Twin Shadowed Knight, D has a twin who goes unnamed. The twin states that he and D were born from the same woman in exactly the same conditions.

Left Hand

D is the host for a sentient symbiote, Left Hand, a wisecracking homunculus with a human face residing in his left palm, who can suck in massive amounts of matter through a wind void or vacuum tunnel. Left Hand enjoys needling the poker-faced D, but only appears as needed, rarely witnessed or heard by anyone other than D, yet aware of many of D's thoughts and actions. At all other times, D's left hand appears normal. Besides providing a contrast to D's reserved demeanor, Left Hand is incredibly useful, possessing many mysterious powers such as psychometry, inducing sleep, hypnotizing others, determining the medical condition of a victim, absorbing matter, energy, and even souls and magic, healing and reviving D and himself, and the ability to size up the supernatural powers or prowess of an enemy, even beyond D's keen senses. After absorbing four elements, Left Hand can use them to generate powerful attacks, regenerate D and himself, and to transform D into full vampire state rivaling Sacred Ancestor. Left Hand can store absorbed objects in a pocket dimension inside his stomach, and later spit them out.

In the first and second novels, Left Hand can also revive D when his physical condition is suffering, by consuming the four elements and converting the resulting energy into life force. This ability even saved D from the usually fatal for vampires stake through the heart he received from Rei-Ginsei in the first novel. Left Hand has its own mind and will, and acts as D's guide and sole permanent companion, providing a reservoir of knowledge pertaining to the lost Noble culture. So far, Left Hand's origins are unknown, and it is unclear how they came to be joined. However, some of its nature is revealed in the third book, which features a similar creature; it is implied he was one of the Barbarois (mutant/demon hybrids) who served in the personal retinue of the Sacred Ancestor, and was experimented on by him to increase his powers over other Barbarois.

Sacred Ancestor
The Sacred Ancestor's role in the novels is very mixed, appearing both as the bane and savior to isolated towns, and deified as a legendary god-king to the vampires, many of whom have never even met him in person. D quotes the Sacred Ancestor's precepts ("Transient guests are we"—implied to refer to the Nobility) in the first novel. The Sacred Ancestor appears both as a lawgiver honored for his intelligence, who showed some interest in preserving humans, and as a ruthless scientist (in the second novel), conducting hybrid breeding experiments with humans in order to perpetuate his own dwindling species. D appears to have encountered his alleged father on at least one occasion, as when at times D reaches a place where the imprint of the Sacred Ancestor's power remains, D remembers the Sacred Ancestor telling him that "You are my only success." Like D, the Sacred Ancestor is portrayed as a mysterious and handsome young wanderer who deals with both life and death. However, in the English dub of the anime, D states that the Sacred Ancestor respected humanity and did not feed on innocent people.

Production
In the postscript of the first Vampire Hunter D novel, Hideyuki Kikuchi cited Hammer Films' Horror of Dracula (1958) as his first inspiration in horror. He also praised horror manga artist Osamu Kishimoto for his distinct style, that he described as "a gothic mood in the Western tradition". Kikuchi is famous for writing his manuscripts by hand. Having written the Vampire Hunter D series for 40 years, the author has previously admitted that he does not remember all of its mythology, only that of a couple of volumes, and therefore one might find some contradictions in it. Kikuchi explained that the two points he is always careful of are, not to "mix up the characteristics of D", and "not to lose sight of the purpose of the journey". When asked if the Sacred Ancestor will ever be given a larger role, Kikuchi said the character "will come out someday" and "When that happens, please expect that to be your warning that Vampire Hunter D is speeding toward an ending". The author has previous said that he has "a final conflict for D" in mind, but that final conflict will not be the entire ending of the series.

Publication history

Beginning in January 1983, Kikuchi has written 40 Vampire Hunter D novels spanning 52 volumes as of April 2022. All of the publications in the series were published by Asahi Sonorama until the branch went out of business in September 2007. The release of D – Throng of Heretics in October 2007 under the Asahi Bunko – Sonorama Selection label marked the transition to the new publisher, Asahi Shimbun Publishing, a division of Asahi Sonorama's parent company. From December 2007 through January 2008, Asahi Shimbun Publishing reprinted the complete Vampire Hunter catalogue under the Sonorama Selection label.

On May 11, 2005, the first official English translation was released under DH Press, translated by Kevin Leahy. As of 2020, 24 novels have been published in English, spanning 29 volumes. In 2021, Dark Horse began releasing the series in an omnibus format. The first volume, featuring the first three novels, was released on October 27, 2021. In December 2021, Dark Horse Comics in partnership with GraphicAudio began publishing dramatized audiobook adaptations of the Vampire Hunter D novel series featuring a full English voice cast, soundtrack, and sound effects.

In January 2011, Hideyuki Kikuchi published the first spinoff set in the Vampire Hunter universe, a series of prequels titled , illustrated by Ayami Kojima, artist and character designer for the Castlevania series of video games. It takes place over 5,000 years before Vampire Hunter D and focuses on expanding the history of the Nobility, following the exploits of the vampire warrior Lord Greylancer. In 2013, Viz Media's Haikasoru imprint released the first official English translation of the prequel series, retitled Noble V: Greylancer, translated by Takami Nieda with newly commissioned cover artwork by Vincent Chong.

Adaptations

1985 animated film

Vampire Hunter D remains a cult classic among English-speaking audiences. Billed by the Japanese producers as a "dark future science-fiction romance" Vampire Hunter D is set in the year 12,090 AD, in a post-nuclear holocaust world where vampires, mutants and demons "slither through a world of darkness" (in the words of the film's opening introduction).

1988–1990 audio dramas
Asashi Sonorama created audio drama adaptations of three of the novels, in five parts:
 Raiser of Gales "D" (January 1988) (the book it was based on was published May 1984)
 D – Demon Deathchase (June 1988)
 D – Mysterious Journey to the North Sea I: To the North Sea (March 1990)
 D – Mysterious Journey to the North Sea II: Summer at Last (May 1990)
 D – Mysterious Journey to the North Sea III: When Winter Comes Again (June 1990).

Most of the voice cast for the original OVA reprised their roles. Originally released on cassette tape, in 2005 they were re-released as a special edition, five-disc Vampire Hunter D Audio Drama Box, including a small supplemental booklet with a new short story by Kikuchi and an "art cloth" with an illustration by Amano.

1999 video game

A video game based on Vampire Hunter D Bloodlust was also made for the PlayStation game console, titled Vampire Hunter D. It is a survival horror game, but also similar to a standard adventure title. The player can see D from different pre-rendered angles throughout the game, and allow D to attack enemies with his sword. D can also use magic, Left Hand's abilities, and items. The story of the game is similar to that of Vampire Hunter D Bloodlust, although it takes place entirely within the castle as D fights all the enemies. Only two of the Barbarois mutants appear as enemies. There are three endings, one of which is similar to the end of the anime.

2000 animated film

The second film, Vampire Hunter D: Bloodlust garnered respect for its advanced animation techniques, detailed art style and character designs, voice acting originally recorded in English (English voice casting/direction by Jack Fletcher), and its sophisticated orchestral soundtrack composed, arranged and conducted by Marco D'Ambrosio. Its art style closely mirrored that of the illustrator and original character designer of the first movie, Yoshitaka Amano.

The storyline features a larger cast than the first film. The second Vampire Hunter D movie (known as Vampire Hunter D: Bloodlust outside of Japan) is based on the third of Hideyuki Kikuchi's Vampire Hunter D novels (Demon Deathchase in English). Unlike the first film, which was released in 1985, this movie is rated NC-16 in Singapore, M in Australia, 15 in the UK, R13 in New Zealand and R for violence/gore in the USA (except for the Blu-ray release, which is unrated).

2007 manga adaptation

In November 2007, the first volume of Saiko Takaki's manga adaptation of Hideyuki Kikuchi's series was published simultaneously in the U.S., Japan, and Europe. The project, overseen by Digital Manga Publishing and Hideyuki Kikuchi, aimed to adapt the entire catalogue of Vampire Hunter D novels into a manga form, however it had concluded after the eighth volume

2022 comic book series
On June 30, 2016, a Kickstarter crowdfunding campaign for a five-issue Vampire Hunter D comic book series titled Vampire Hunter D: Message from Mars was announced. Published by Stranger Comics with supervision from series creator Hideyuki Kikuchi and support from the creative teams at Unified Pictures and Digital Frontier, Message from Mars is an adaptation of the 2005 short story Message from Cecile and acts as a prequel to the then-in-development animated series. The series is written by Brandon M. Easton and illustrated by Michael Broussard, with visual development by Christopher Shy. The campaign's stretch goals also include an official Vampire Hunter D Pathfinder Roleplaying Game supplement written by F. Wesley Schneider. The campaign reached its $25,000 funding goal on July 1, 2016, and its initial $50,000 stretch goal on July 7, 2016. The campaign concluded on August 9, 2016, with 1,736 backers pledging a total of $107,025, reaching four out of five stretch goals.

Following the first issue the series was placed on temporary hiatus due to a serious medical emergency in Broussard's family, resuming production in early 2018 with new artists Ryan Benjamin and Richard Friend. As of December 2020 all production work for the five-issue run is complete, but publication plans were placed on an indefinite hiatus due to the ongoing COVID-19 pandemic. In December 2021 the completion of the project was announced via Kickstarter update, with limited publication planned to begin in 2022 following a recovery from pandemic conditions, to be followed by a wide retail and digital release in the future. The graphic novel Kickstarter campaign was launched on January 26, 2022, offering a limited hardcover collector's edition, variant cover single issue editions, and a digital edition. The campaign achieved its initial $30,000 funding goal within 90 minutes, and surpassed $100,000 within the first day, concluding on February 19, 2020, with 4,095 backers pledging a total of $445,205.

Upcoming animated series
In June 2015, a new CGI animated series tentatively titled Vampire Hunter D: Resurrection was announced, produced by Unified Pictures and Digital Frontier. The series would be produced by Kurt Rauer and Scott McLean, and directed by Yoichi Mori, with Bloodlust director Yoshiaki Kawajiri acting as supervising director and series creator Hideyuki Kikuchi providing editorial supervision. The series was currently in pre-production, and is developed as an hour-long serial drama with the intent of being broadcast on a major American cable network or on-demand provider, with Japanese distribution to follow. As of June 2016 the series is still in pre-production, with plans to begin shipping the project to distributors by the end of the year. Given the abundance of source material, the current plan is to produce as many as seven seasons, without revisiting the source material that was adapted into the first two films. In February 2018 it was announced that the pilot episode would be written by Brandon M. Easton, writer for the Message from Mars comic book series. The first draft of the pilot was completed in October 2018. Pre-production on the series was put on hold in early 2020 as a result of the COVID-19 pandemic.

Other media
In July 2008, Devils Due Publishing announced that it had acquired the rights to publish an English-language Vampire Hunter D comic book mini-series titled Vampire Hunter D: American Wasteland, to be written by Jimmy Palmiotti and pencilled by Tim Seeley, however the project was cancelled in 2009. Intended to infuse the standard Vampire Hunter D formula and mythos with more Western sensibilities, it would have told an original story about D departing the Frontier to embark on a journey to a new land still ruled by the vampiric Nobility.

In 2010, it was reported in Japanese horror magazine Rue Morgue that Hideyuki Kikuchi was in talks with one of the producers for Capcom's Resident Evil video game series to develop a live-action Vampire Hunter D adaptation.

Reception
By 2008, the Vampire Hunter D novels had sold over 17 million copies worldwide, making it one of the best-selling book series in history. Theron Martin of Anime News Network called the first novel "a competent vampire-hunting story with enough strong points to balance out its weaknesses" and gave it a B rating. He praised the setting as a wholly credible world ruled by vampires and grounded in science fiction, rather than fantasy or the supernatural. However, he called the plotting "fairly rudimentary" and a standard tale of a hero and heroine struggling against colorful opposition coming from different directions, where even the few twists are hardly unique. While Martin praised the characters of Doris and Rei-Ginsei, he criticized D and Count Magnus Lee as having weak characterizations. His colleague Rebecca Silverman also strongly praised the world and setting of the first three Vampire Hunter D novels, finding it to clearly be a post-apocalyptic "version of our reality" that in many ways is just as much a character as D. She wrote that the books are "practically dripping with atmosphere" as the story's descriptions are florid and detailed. In her four out of five stars review, Silverman did note that the series could sometimes feel melodramatic and criticized most of the heroines as outdated. Reviewing the first three novels for Anime UK News, Ian Wolf gave the series an 8/10 rating and wrote "Vampire Hunter D is an entertaining read, mixing elements of many different genres to create something very different from what is often available." He noted that D's Left Hand adds some comedy to the overall dark tone of the series.

See also

 Vampire literature
 Vampire film

Notes

References

External links
 Dark Horse
 Digital Manga Publishing
 Haikasoru
 Asashi Sonorama – Japanese publisher of the Vampire Hunter D series books and audio dramas.
Hideyuki Kikuichi Official Fan Club (Japanese)
 The Vampire Hunter D Archives

Book series introduced in 1983
Japanese serial novels
Biopunk
Transhumanism
Transhumanism in fiction
Demons in popular culture
Novels about magic
Fiction about artificial intelligence
Artificial wormholes in fiction
Mutants in fiction
Cyborgs in fiction
Fiction about robots
Genetic engineering in fiction
Nanotechnology in fiction
Science fiction novel series
Soft science fiction
Science fiction horror
Science fantasy
Dystopian fiction
Lovecraftian horror
Horror fiction
Dark fantasy
Gothic fiction
Fantasy novel series
Fictional half-vampires
Fictional vampire hunters
Fictional bounty hunters
Fiction about the Solar System
Fiction about immortality
Fiction set in the 7th millennium or beyond
Apocalyptic fiction
Post-apocalyptic fiction
Post-apocalyptic literature
Vampire novels
Novels adapted into comics
Japanese novels adapted into films
Novels adapted into video games
Retrofuturism
Anime productions suspended due to the COVID-19 pandemic
Comic books suspended due to the COVID-19 pandemic

Vampire Hunter D


Le Quasi andante, op. 152, est une œuvre de la compositrice Mel Bonis, datant de 1928.

Composition
Mel Bonis compose son Quasi Andante pour orgue et harmonium. L'œuvre, datée de 1928, est publiée par les éditions Carrara en 1933. Elle est rééditée sous le titre  en 1971 par la même édition, puis en 2011 par les éditions Armiane.

Analyse
L'œuvre devait être réunie avec l'Élévation ou Communion en ré majeur. L'œuvre emploie un langage musical d'une grande modernité, ressemblant à celui des élèves des disciples de César Franck.

L'œuvre possède une forme tripartite de type ABA'. On trouve une présence de la modalité, notamment dans quelques fragments mélodiques, mais aussi dans les formules cadentielles. On trouve aussi cette modalité dans la présence de lignes de basses conjointes.

Réception

Discographie

Références

Sources

Liens externes

Œuvre de Mel Bonis
Œuvre pour orgue
Œuvre réalisée en 1928

Quasi Andante


Die Schweizerische Zahnärzte-Gesellschaft SSO ist die Berufsorganisation der Schweizer Zahnärztinnen und Zahnärzte und die allgemeine wissenschaftliche Gesellschaft für Zahnmedizin in der Schweiz. Als Vertreterin der schweizerischen Zahnärzteschaft sorgt sie dafür, dass ihre rund 5000 Mitglieder die berufsethischen Verpflichtungen erfüllen. Gleichzeitig vertritt die SSO die Interessen der Zahnärzteschaft gegenüber Politikern, Behörden und Öffentlichkeit.

Ziele der SSO
Die SSO fördert
 die Mundgesundheit der Schweizer Bevölkerung
 die optimale zahnmedizinische Versorgung der Schweizer Bevölkerung
 eine freie und unabhängige Berufsausübung
 die theoretische und praktische Weiterbildung ihrer Mitglieder
 die Zusammenarbeit mit wissenschaftlichen Institutionen
 die Beziehungen zu zahnärztlichen Standesorganisationen in andern Ländern und zu internationalen Organisationen mit ähnlichen Zielen.

Struktur und Organisation
Die SSO hat 20 kantonale Sektionen, die weitgehend selbstständig arbeiten. Die Gesellschaft Liechtensteinischer Zahnärzte ist ebenfalls eine SSO-Sektion.
Die SSO ist zu einem Grossteil im Milizsystem organisiert. Oberstes Führungsorgan ist der Vorstand mit 7 Mitgliedern. Er wird durch Stabsstellen (Sekretariat, Presse- und Informationsdienst), Kommissionen und Sonderbeauftragte unterstützt. Die Aufgaben des Vorstandes sind in sechs einzelne Departemente zusammengefasst (Information, Wirtschaft, Finanzen, Praxisteam, Gesundheit und Soziales, Bildung und Qualität).

Geschichte
Die Schweizerische Zahnärzte-Gesellschaft, ursprünglich "Société Suisse d'Odontologie" ("Schweizerische Odontologische Gesellschaft"; SSO), wurde am 7. März 1886 in Zürich gegründet. Der Gründervater Friedrich Wellauer bezeichnete es als Pflicht der neuen Standesorganisation, "die prophylaktischen und sozialen Aufgaben der Zahnheilkunde zu erfüllen". Diesem Ziel ist die SSO bis heute treu geblieben.
Die SSO sorgte dafür, dass auf Gemeindeebene die Schulzahnpflege eingeführt wurde. Seit den 1960er Jahren erfasst sie praktisch alle schulpflichtigen Kinder und die Kindergärten. Die SSO förderte auch die Anreicherung von Kochsalz und Zahnpasten mit Fluorid, ein wichtiger Schutz vor Karies: Seit den 1970er Jahren sind fluoridierte Zahnpasten, seit den 1980er Jahren ist fluoridiertes Kochsalz schweizweit erhältlich. Das grosse Engagement der SSO für eine verbesserte Mundhygiene und eine regelmässige zahnärztliche Betreuung hat dazu geführt, dass Karies und Parodontitis in den letzten 50 Jahren massiv zurückgegangen sind. Bei Schweizer Kindern und Jugendlichen gingen die Zahnschäden seit den 1960er Jahren um 90 % zurück.
Die SSO hat sich von Beginn an für eine hochstehende Aus- und Weiterbildung eingesetzt. Dank dieser geniessen Schweizer Zahnärztinnen und Zahnärzte auch international einen hervorragenden Ruf.

Publikation
Das Swiss Dental Journal SSO ist das wissenschaftliche Publikationsorgan der Schweizerischen Zahnärzte-Gesellschaft SSO. Es erscheint elf Mal pro Jahr mit einer Auflage von 5'500 Exemplaren (Stand 2016). Es ist dreisprachig (deutsch, englisch, französisch) verfasst und gliedert sich in drei Teile: "Forschung/Wissenschaft", "Praxis/Fortbildung" und "Zahnmedizin aktuell". Das Swiss Dental Journal SSO wurde 1891 gegründet und hiess vor 2014 zuerst "Schweizerische Monatsschrift für Zahnheilkunde", dann "Schweizerische Monatsschrift für Zahnmedizin".

Quellen
 Schweizerische Zahnärzte-Gesellschaft SSO

Fachverband
Zahnmedizinische Vereinigung
Schweizerische Organisation (Gesundheitswesen)


අප්‍රිකානු-ඇමරිකානු අධ්‍යයනය යන්න අප්‍රිකානු අධ්‍යයන හෝ කළු ජාතික අධ්‍යයනවල උප කොට්ඨාසයකි. මෙය කළු ඇමරිකානුවන්ගේ ඉතිහාසය, සංස්කෘතිය හා දේශපාලනය පිළිබඳ වූ අන්තර් කලාපීය අධ්‍යයන ක්ෂේත්‍රයකි. වඩා පුළුල් අර්ථයෙන් ගත් කළ මෙය හුදෙක් ඇමරිකාවේ වෙසෙන අප්‍රිකානුවන් පිළිබඳ අධ්‍යයනයක් පමණක් නොව, බ්‍රිතාන්‍ය දූපත්වල සිට කැරිබියානු දූපත් දක්වා විසිර සිටින සමස්ත අප්‍රිකානු ඩයස්පෝරාව පිළිබඳ අධ්‍යයනයකි. මෙම ක්ෂේත්‍රය, අප්‍රිකානු-ඇමරිකානු සාහිත්‍යය, ඉතිහාසය, දේශපාලනය, ආගම හා ආගම් අධ්‍යයනය, සමාජ විද්‍යාව සහ වෙනත් බොහෝ සමාජ විද්‍යාත්මක හා මානව ශාස්ත්‍ර විෂය පථයේ කොට්ඨාස හරහා විහිද ඇත.

සැන් ෆ්රැන්සිස්කෝ ප්‍රාන්තයේ කළු ජාතික අධ්‍යයනයන් උදෙසා පස් මසක වැඩ වැරුමෙන් ඇරඹී අන්තර් වාර්ගික සිසුන් විසින් විශ්ව විද්‍යාල පද්ධති තුළ ගෙන ගිය බොහෝ ක්‍රියාකාරකම් හේතුවෙන් 1960 හා 1970 දශකවල දී බොහෝ විශ්ව විද්‍යාලවල අප්‍රිකානු-ඇමරිකානු අධ්‍යයනය සඳහා පාඨමාලා හා පීඨ නිර්මාණය විය. 1968  පෙබරවාරි මස දී සැන් ෆ්රැන්සිස්කෝ ප්‍රාන්තය විසින් නේදන් හෙයාර් නම් සමාජ විද්‍යාඥයා පළමු කළු අධ්‍යයන පාඨමාලාව සම්බන්ධීකරණය කිරීමටත්, පළමු කළු ජාතිකයන් පිළිබඳ අධ්‍යයන  පීඨය සඳහා යෝජනා ඉදිරිපත් කිරීමටත් සහභාගි කර ගන්නා ලදී. 1968 දී පීඨය ඇරඹුනු අතර එතෙක් පැවති පස් මස් වැඩ වැරුම අවසන් කරමින් 1969 වසන්තයේ දී නිල වශයෙන් ක්‍රියාත්මක විය. කළු ජාතික අධ්‍යයන පිළිබඳ පීඨ හා පාඨමාලා ආරම්භ කිරීම පිළිබඳ ඉල්ලීම් හා උද්ඝෝෂණ සුළුතර ශිෂ්‍ය ප්‍රජාව හා ඔවුනගේ සහයෝගීන් අතර සුළභ විය. තම සංස්කෘතීන් හා විෂය පථයන් සාම්ප්‍රදායික අධ්‍යාපනික රාමු නිසා පසෙකට වී ඇති බව ඔවුනගේ මතය විය.
කළු ජාතික අධ්‍යයන යනු ලෝකයෙහි වෙසෙන කළු ජාතික ජනතාව පිළිබඳ කෙරෙන ක්‍රමානුකූල අධ්‍යයනයකි. එයට ඔවුනගේ ඉතිහාසය, සංස්කෘතිය, සමාජ විද්‍යාව සහ ආගම ආදිය ඇතුළත් වේ. එය කළු ජාතික අත්දැකීම් පිළිබඳ අධ්‍යයනයක් වන අතර ඔවුන්ගෙන් සමාජයටත්, සමාජයෙන් ඔවුනටත් සිදු වූ බලපෑම් පිළිබඳ විග්‍රහයකි. මෙබඳු අධ්‍යයනයක් බොහෝ වාර්ගික ඒකාකෘතීන් විනාශ කිරීමෙහි ලා වැදගත් විය හැකිය.

http://en.wikipedia.org/wiki/African_American_studies

අපරිකානු ඇමරිකානු අධ්‍යනය


Guevarizm Küba Devriminin önde gelen liderlerinden biri olan Ernesto "Che" Guevara ile eşleştirilen bir komünist devrim ve gerilla savaşının silahlı bir stratejisidir. Soğuk savaş sırasında, ABD ve SSCB, özellikle Üçüncü Dünya'nın gelişmekte olan ülkelerinde, birçok sömürgeden kurtulma mücadelesini de içerecek şekilde bir dizi savaşta karşı karşıya gelmişlerdir.

Komünizm
Soğuk Savaş
Küba Devrimi
Siyasetçiye göre siyaset felsefesi

Guevarizm


Posebna nagrada žirija (Sarajevski filmski festival) je nagrada koja se daje na Sarajevskom filmskom festivalu. Smatra se kao nagrada za drugo mjesto nakon glavne nagrade, Srce Sarajeva. Dodjeljuje se u dvije kategorije: igrani film i dokumentarni film. Posebnu nagradu žirija za igrani film pruža Agnès B., prijateljica i dugogodišnji pokrovitelj Sarajevskog filmskog festivala.

Dobitnici nagrade

Igrani film

Dokumentarni film

Više informacija
Sarajevski filmski festival
Srce Sarajeva
Nagrada za ljudska prava

Vanjske poveznice
 Službeni sajt
 Sarajevo Film Festival na IMDb-u

Sarajevski filmski festival
Bosanskohercegovačka filmska umjetnost


Rezet ist eine schleswig-holsteinische Speed- und Thrash-Metal-Band, die im Jahr 2003 in Schleswig gegründet wurde.

Geschichte
Die Band wurde im Jahr 2003 von Sänger und Gitarrist Richard Wagner und Gitarrist Thorben Schulz gegründet. In den Folgejahren veröffentlichte die Band einige Demos, wobei die Besetzung häufig wechselte. Im Februar 2008 erschien die EP Toxic Avenger. Nach der Veröffentlichung folgten Auftritte zusammen mit Bands wie Tankard, Flotsam and Jetsam, Steelwing, Skull Fist, Violator und Gama Bomb. Während einer Tour zusammen mit Enforcer und Portrait Anfang 2009 erreichte die Band einen Vertrag mit Iron Kodex Records.

Das Debütalbum Have Gun, Will Travel erschien bei diesem Label im Juli 2010. Iron Bonehead Productions aus Berlin veröffentlichte die Vinyl-Version des Albums. Es folgten einige Touren durch Europa mit Auftritten in Deutschland, Österreich, den Niederlanden, Belgien, Großbritannien und der Schweiz. In den Jahren 2009 und 2010 spielte die Band zudem auf dem Wacken Open Air. Im Jahr 2011 trat die Gruppe auf dem Headbangers Open Air auf.

Das zweite Album Civic Nightmares erschien am 30. März 2012 über Twilight Distribution.

Am 8. Juni 2012 gab die Band auf ihrer Homepage bekannt, sich von ihrem Bassisten Sascha Marth getrennt zu haben. Als Grund wurden unüberbrückbare bandinterne Differenzen genannt. Schnell fand die Band in dem ehemaligen Mitglied Frank Gehde einen Ersatz.

Am 1. September 2017 feierten sie während ihres Auftritts beim Meltdown Festival in Schuby die Veröffentlichung ihrer EP You Asked for It.

Die Band ist aktiv und spielte 2023 ca. 25 Konzerte.

Diskografie

Demos
 2004: Raped Law (Eigenveröffentlichung)
 2006: Cage of Destruction (Eigenveröffentlichung)
 2006: Metal Night (Eigenveröffentlichung)
 2007: Rezet to Zero (Eigenveröffentlichung)
 2009: Have Gun, Will Travel (Eigenveröffentlichung)
 2013: Demo 2013 (Eigenveröffentlichung)

Singles
 2017: Minority Erazer (Eigenveröffentlichung)

EPs
 2008: Toxic Avenger (Eigenveröffentlichung)
 2017: You Asked for It (Enorm Music)

Alben
 2010: Have Gun, Will Travel (Iron Kodex Records / Iron Bonehead Productions)
 2012: Civic Nightmares (Twilight Distribution)
 2016: Reality Is a Lie (Mighty Music)

Live-DVDs
 2015: End of a Decade: 10th Anniversary Show Dec. 13, 2014 (Eigenveröffentlichung)

Weblinks
 Offizielle Website
 Rezet bei Myspace

Einzelnachweise

Deutsche Band
Musikgruppe (Schleswig-Holstein)
Speed-Metal-Band
Thrash-Metal-Band

Rezet