The going-to future is a grammatical construction used in English to refer to various types of future occurrences. It is made using appropriate forms of the expression to be going to. It is an alternative to other ways of referring to the future in English, such as the future construction formed with will (or shall) – in some contexts the different constructions are interchangeable, while in others they carry somewhat different implications.

Constructions analogous to the English going-to future are found in some other languages, including French, Spanish and some varieties of Arabic.

Origin

The going-to future originated by the extension of the spatial sense of the verb go to a temporal sense (a common change, the same phenomenon can be seen in the preposition before). The original construction involved physical movement with an intention, such as "I am going [outside] to harvest the crop." The location later became unnecessary, and the expression was reinterpreted to represent a near future.

The colloquial form gonna and the other variations of it, as mentioned in the following section, result from a relaxed pronunciation of going to. They can provide a distinction between the spatial and temporal senses of the expression: "I'm gonna swim" clearly carries the temporal meaning of futurity, as opposed to the spatial meaning of "I'm going [in order] to swim", or "I'm going [in the pool] to swim".

Formation
The going-to idiom, used to express futurity is a semi-modal verb that consists of a form of the copula verb be, the word going followed by the word "to", for instance is going to. Like other modals, it is followed by the base infinitive of the main verb (compare with "ought to".) (An alternative description is that it uses the verb go in the progressive aspect, most commonly in present progressive form, serving as an auxiliary verb and having the to-infinitive phrase as its complement. However this description fails to take into account sentences in which the main verb is elided, such as "Yes, he's going to.")  It can be put into question and negative forms according to the normal rules of English grammar.

Some examples:
The boys are going to fight. (subject the boys + copula are + going to + base-infinitive fight)
I'm going to try the wine. (subject I + copula am + going to + base-infinitive phrase try the wine)
He's not going to make it. (negative form, copula negated with the addition of not)
Are you going to bring Sue? (interrogative form, featuring subject–auxiliary inversion)
Aren't they (more formal: Are they not) going to wear coats? (negative interrogative form)
We were going to tell you earlier. (past form of the going-to future, formed with the past copula were)
Yes  I'm going to. (main verb is elided).

The going to of this future construction is frequently contracted in colloquial English to (be) gonna, and in some forms of English the copula may also be omitted. Hence "You're going to like it" could be said as "You're gonna like it" or just "You gonna like it". In the first person, I'm gonna may further contract to I'm'n'a  or Imma , or frequently . (For derived forms found in English-based creole languages, see below.) This is true even when the main verb is elided, as in "Yes, I'm/you're/etc.  gonna (do that)."

That the verb go as used in this construction is distinct from the ordinary lexical verb go can be seen in the fact that the two can be used together: "I'm going to go to the store now." Also the lexical use of going to is not subject to the contractions to gonna and similar: "I'm gonna get his autograph" clearly implies the future meaning (intention), and not the meaning "I'm going [somewhere] [in order] to get his autograph."

Usage
The going-to future is one of several constructions used in English to refer to future events (see ). The basic form of the going-to construction is in fact in the present tense; it is often used when the speaker wishes to draw a connection between present events, situations, or intentions and expected future events or situations, i.e. to express the present relevance of the future occurrence. It may therefore be described as expressing prospective aspect, in the same way that the present perfect (which refers to the present relevance of past occurrences) is said to express retrospective (or perfect) aspect.

There is no clear delineation between contexts where going to is used and those where other forms of future expression (such as the will/shall future, or the ordinary present tense) are used. Different forms are often interchangeable. Some general points of usage are listed below.
The going-to future is relatively informal; in more formal contexts it may be replaced by the will/shall future, or by expressions such as plan(s) to, expect(s) to, is/are expected to, etc.
The ordinary present tense can be used to refer to the future when the context (or time adverbs) indicate futurity, and the reference is to some planned action: "We are painting the house tomorrow" (this could also be expressed with "... going to paint ..."). It is usually the present progressive that is used, as in the preceding example, but the simple present can also be used, particularly for precisely scheduled events: "My train leaves at 4.15." (See also the obligatory use of present tense with future meaning in some dependent clauses.)
When the expression of futurity is combined with that of some modality, such as obligation or possibility, a modal verb (not marked specifically for the future) may be used: "We must/can do it tomorrow." There is also the expression am to etc., which implies obligation or expectation as in "He is to deliver it this afternoon" (see the following section), and the expression to be about to (also to be due to and similar), implying immediacy ("I am about to leave").
The going-to form sometimes indicates imminence, but sometimes does not; and it sometimes indicates intention, but sometimes does not (compare "It's going to rain", which expresses imminence but not intention, and "I'm going to visit Paris someday", which expresses intention but not imminence).
The will future is often used for announcing a decision at the time when it is made, while going to is more likely for a plan already in existence: compare "All right, I'll help her" and "Yes, I'm going to help her".
The will future is used more often than going to in conditional sentences of the "first conditional" type: "If it rains, youll get wet" (although going to is also sometimes found in such sentences).
In some contexts the going-to form can express unconditionality while the will form expresses conditionality ("Don't sit on that rock, it's going to fall" means it's going to fall regardless of what you do, while "Don't sit on that rock, it will fall" means that it will fall conditional on your sitting on it). But in some contexts (particularly with "future in the past" – see the following section) the reverse can be true ("After 1962 ended, I would be a star" unconditionally describes what subsequently did happen, while "After 1962 ended, I was going to be a star" describes only intention).

The be + to construction
English has a construction formed by a form of the copula be followed by to and the bare infinitive of the main verb (i.e. the copula followed by the to-infinitive). This is similar in form to the going-to future, with the omission of the word going.  In the be + to construction only finite, indicative (or past subjunctive) forms of the copula can appear – that is, the copula used cannot be "be" itself, but one of the forms am, is, are, was, were (possibly contracted in some cases).

The meaning of this construction is to indicate that something is expected to happen at a future time (usually in the near future), as a result of either some duty (deontic modality) or some set plan. For example:
 Im to report to the principal this afternoon. (duty)
 The Prime Minister is to visit the West Bank. (plan)
 Troops are to be sent to war-torn Darfur. (plan; note passive voice)

In headline language the copula may be omitted, e.g. "Prime Minister to visit West Bank".

Compared with the will future, the be + to construction may be less expressive of a prediction, and more of the existence of a plan or duty. Thus "John will go ..." implies a belief on the speaker's part that this will occur, while "John is to go ..." implies knowledge on the speaker's part that there exists a plan or obligation entailing such an occurrence (the latter statement will not be falsified if John ends up not going). The be + to construction may therefore resemble a renarrative mood in some ways.

When was or were is used as the copula, the plan or duty is placed in past time (and quite often implies that it was not carried out). It may also be used simply as a way of expressing "future in the past" (see the following section). For example:
I was to visit my aunt, but I missed the train. (past plan, not in fact fulfilled)
This was the battle at which they were finally to triumph. (future in the past, also: they would finally triumph)

The construction also appears in condition clauses:
If you are to go on holiday, you need to work hard. (i.e. working hard is necessary for going on holiday)
If he was/were to speak, it would change things significantly. (also if he spoke)
When the verb in such a clause is were, it can be inverted and the conjunction if dropped: "Were he to speak, ..." For details of these constructions, see English conditional sentences.

Expressions using going to as relative future form
The going-to construction, as well as other constructions used in English refer to future events, can be used not only to express the future relative to the present time, but also sometimes to express the future relative to some other time of reference (see relative tense).

Some reference points appear more suitable for use in relative future than others. The following are universally attested:
Future relative to a past reference point is formed using the past tense of the copula, e.g. "I was going to eat dinner" (instead of the present "I am going to eat dinner"). This may express past intention ("I was going to eat dinner") or prediction ("It was going to rain").
Ongoing intention or prediction existing up to the present time is also attested, based on the present perfect progressive of the copula. For example, "I have been going to do it for some time" (but I haven't gotten around to it) or "It has been going to rain all afternoon" (but it hasn't started). Similar sentences can be formed on the past perfect progressive (e.g. "I had been going to eat").
Future relative to a past subjunctive is attested in a condition clause: "If I was/were going to eat..."

The following relative futures are more nebulous:
Future event relative to a future reference point. In theory, one could string two going-to futures together ("I'm going to be going to eat"), or, to more easily disambiguate them, use the modular future for the reference point ("I will be going to eat"). A strong example might be one that incorporates the precise difference in time between the reference point and the event: "We can't visit Louise in June, because she'll be going to have a baby three weeks from then."
However, it is not clear that English speakers would agree on the naturalness of this construction or on the interpretation. In fact, some have argued that such a construction does not occur in English or other natural languages with the intended meaning; the latter "going to" in these constructions may signify the main verb to go as in "to move from one place to another."
Others have speculated about this grammatical lacuna. Hans Reichenbach's scheme of tenses identifies a sequence S-R-E, i.e. speech act followed by reference point followed by event, but it does not correspond to an English tense in a strict sense. Latin had a form that may have corresponded to this use, e.g. in the phrase "abiturus ero", which could be translated "I shall be one of those who will leave." Other authors have argued that the future of the future is "not attested in natural languages." The South Indian language Kannada has a posterior future tense that might correspond to this usage, but reportedly denotes "to need to."
Some have speculated that the lacuna, if it exists, may have a semantic origin; that is, the future is already difficult to specify, and there is simply little occasion in human experience for using a future event as a reference point for a further future event.
Future relative to a hypothetical (conditional) state: "I would be going to eat." A similar interpretation to future relative to future may arise instead: "I would be going (on my way) to eat."
Future relative to unspecified time: the infinitive (or occasionally present subjunctive) of the copula can be used, e.g. "To be going to die is not a good feeling." The infinitive can be used in a variety of constructions, in line with the normal uses of the English infinitive; for example, "He is said to be going to resign." Speakers may differ on the interpretation of such constructions.

Relative future is also possible for a limited number of uses of the modular "will" or "shall" in their so-called past tense forms, respectively "would" and "should" (see future in the past).

Periphrastic phrases may be able to express some relative future meanings that are otherwise unattested. For example, the phrase "to be about to" means that in the very near future, one will do something. Hence, "I will be about to leave" expresses a future event relative to a future reference point.

Another construction, "to be to", also has similar denotations in some constructions, e.g. "I was to see the Queen the next day." However, its use is restricted to simple finite forms of the copula, namely the present indicative ("I am to do it"), the past indicative ("I was to do it"), and the past subjunctive ("if I were to do it" or "were I to do it"; these last have somewhat different implications, as described at English conditional sentences).

Related forms in creoles
Some creole languages have a marker of future time reference (or irrealis mood) modeled on the verb "go" as found in the going-to future of the English superstrate.

Examples include Jamaican English Creole /de go hapm/ "is going to happen", /mi a go ɹon/ "I am going to run", Belizean Creole English /gwein/ or /gouɲ/, Gullah Uh gwine he'p dem "I'm going to help them", Hawaiian Creole English /Ai gon bai wan pickup/ "I gonna buy one pickup", /Da gai sed hi gon fiks mi ap wit wan blain deit/ "The guy said he gonna fix me up with one blind date", and Haitian Creole /Mwen va fini/ "I go finish".

Analogous forms in other languages
Similarly to English, the French verb aller ("to go") can be used as an auxiliary verb to create a near-future tense (le futur proche). For example, the English sentence "I am going to do it tomorrow" can be translated by Je vais le faire demain (literally "I go it to do tomorrow"; French does not have a distinct present progressive form, so je vais stands for both "I go" and "I am going"). As in English, the French form can generally be replaced by the present or future tense: Je le fais demain ("I am doing it tomorrow") or Je le ferai demain ("I will do it tomorrow").

Likewise, the Spanish verb ir ("to go") can be used to express the future: Mi padre va a llegar mañana ("My father is going to arrive tomorrow"). Here the preposition a is used, analogous to the English to; the French construction does not have this.

In Welsh, a Brittonic and Celtic language, the verb mynd ("to go") is used much like the English verb go. In the sentence dw i'n mynd i wneud e yfory ("I am going to do it tomorrow") mynd is followed by the preposition i ("to, for") which is itself followed by the verb gwneud ("to do") in mutated form (hence the missing initial 'g'). This forms a going-to future as found in English.

The form is well established in urban varieties of Irish, using Tá (the Irish verb 'to be'), the preposition 'chun' ("to", "towards") and the verbal noun moved by transformation to the end of the verbal phrase. So "tá mé chun an bus a thógáil" - ("I am going to take the bus"). It is much less used in rural dialects, where the plain future tense is still preferred.

See also
Grammatical aspect
Grammatical tense
Shall and will

References

External links
 Use and Form of Be going to + Exercises
 Exercises and explanation

English grammar
Grammatical aspects
Time in linguistics

Going-to future


Naonobu ist ein Einschlagkrater auf der Mondvorderseite am östlichen Rand des Mare Fecunditatis, nordwestlich des Kraters Langrenus und nordöstlich von Bilharz.
Der Krater ist mäßig erodiert, der Kraterrand weist im Inneren eine konzentrische Struktur auf.

Der Krater wurde 1976 von der IAU nach dem japanischen Mathematiker Ajima Naonobu offiziell benannt, wobei allerdings "Ajima" der Familienname ist.

Weblinks

 Naonobu auf The-Moon Wiki

Einzelnachweise

Einschlagkrater (Mond)

Naonobu (Mondkrater)


Medianeira es un municipio brasileño del estado del Paraná. Su población estimada en 2010 es de 41.830 habitantes.

Enlaces externos

 Página de la prefectura

Referencias

Localidades de Paraná

Medianeira


الظهر منتصف النهار ای زوال الشمس، الوقت الذي وقع الشمس علی خط نصف النهار المحلي. وهو ساعة 12 من زمان الشمسي أي ما بین 11:43 إلى 12:14 زمان رسمي. و أيضا توجد صلاة فى هذا الوقت أسمها صلاة الظهر أو تسمى صلاة الهجير ( الإسلام ).

مراجع

أوقات اليوم
الزمن في الفلك

الظهر


Jablonové este o comună slovacă, aflată în districtul Bytča din regiunea Žilina. Localitatea se află la , se întinde pe o suprafață de  și în 2017 număra 899 de locuitori.

Istoric
Localitatea Jablonové este atestată documentar din 1268.

Note

Legături externe

Localități din Slovacia

Jablonové, Bytča


39558 Kishine este un asteroid din centura principală de asteroizi.

Descriere
39558 Kishine este un asteroid din centura principală de asteroizi. A fost descoperit pe  la Geisei de Tsutomu Seki. Asteroidul prezintă o orbită caracterizată de o semiaxă mare de 2,23 ua, o excentricitate de 0,13 și o înclinație de 3,7° în raport cu ecliptica.

Vezi și
 Lista planetelor minore: 39001-40000
 Centura de asteroizi

Referințe

Obiecte astronomice descoperite în 1992
Centura de asteroizi

39558 Kishine


Veteriner sağlık teknisyeni, Veteriner tıp alanında çalışmalar yapan yardımcı veteriner sağlık personeli.

Klinik hizmetlerinde veteriner hekime yardımcı olan, yetkileri kapsamında veteriner hekim gözetiminde veya gözetim olmaksızın tedavi ve koruyucu tıp uygulamalarını yerine getiren, kendi alanında yetiştiriciyi hayvan sağlığı konusunda bilgilendiren,  yapmış olduğu çalışmalarla ilgili kayıt tutan; Mesleki kanun, tüzük, yönetmelik, talimat, mesleki literatür ve gelişmeleri takip eden ve mesleki yazışmaları yapma bilgi ve becerisine sahip personeldir.

Eğitim
Tarım Meslek Liselerine bağlı Veteriner Sağlık bölümünde 4 yıl boyunca Anatomi, Mikrobiyoloji, Fizyoloji, Histoloji, Parazitoloji, Zootekni, Besin Hijyeni ve Kontrolü, İç Hastalıkları, Farmakoloji, Salgın Hastalıklar, Dış Hastalıkları, Suni Tohumlama, Doğum Bilgisi, Genel ve Lokal Anesteziyoloji, Klinik Muayene Uygulamaları, Enjeksiyon Bilgisi, Hayvan Besleme ve Beslenme Hastalıkları,, Özel Fizik, Biyokimya, Gıda Kontrolü,, Gıda Teknolojisi, Laboratuvar Teknikleri,, Hijyen ve Sterilizasyon, Operasyon Bilgisi ve değişik kültür dersleri alırlar.

Veteriner Sağlık Meslek Liseleri
Türkiye'de 2016 yılı itibarıyla 30 adet  Veteriner Sağlık dalında hizmet veren Lise mevcuttur. Erzincan, Samsun, İstanbul, Konya ve Van illerinde bulunan bu dalda hizmet veren liseler en eski okullardır. Veteriner Sağlık Meslek Liseleri daha önceleri Tarım ve Köyişleri Bakanlığına bağlıydı, 2005 yılında M.E.B'e bağlanmıştır. Okulun adı değiştirilip Tarım Meslek Lisesi olmuştur.2012 yılında tüm meslek liseleri Mesleki ve Teknik Anadolu lisesi adını almıştır.

Çalışma Alanları
Bu okullardan mezun olanlar çoğunlukla Gıda Tarım ve Hayvancılık Bakanlığına bağlı Tarım il ve ilçe müdürlükleri, İl kontrol laboratuvarları, Hayvancılık Araştırma Enstitüleri, Veteriner Kontrol ve Araştırma Enstitüleri, Belediyeler, Damızlık yetiştirici (Sığır, Koyun ve keçi) birlikleri, Süt üretici Birlikleri, Hayvan ve hayvan ürünleri yarışmalarında görevli olarak, Arıcılık, At yetiştiriciliği, Özel Veteriner Klinikleri (poliklinik, Pet-klinikleri), Hayvan Hastaneleri, Büyük ve küçükbaş hayvan çiftlikleri, Hayvancılık işletmeleri, kamuya ait üretim çiftlikleri, Gıda üretim tesisleri, Yem sanayii, Deney hayvanlarının üretim yerleri ve deney yapacak olan laboratuvarlar, hayvanat bahçeleri, hayvan barınakları, veteriner ilaç, aşı, serum, araç ve gereç üretimini yapan ve bunların tanıtımını pazarlamasını yapan firmalar ile yetki ve sorumlulukları içine giren diğer kuruluşlar çalışma alanlarıdır. KPSS sınavına girmek suretiyle kamuda görev alırlar. Özel sektörde yetki ve sorumlulukları çerçevesinde görev alabilirler. Veteriner Hekim, Veteriner Sağlık Teknikeri, Hayvan Sağlık Teknikerleri ile birlikte çalışırlar. Hayvancılık ünitelerinde çalışırlar. Ayrıca kendi özel hayvan sağlık kabini de açabilirler. Hayvan Sağlığı Memuru, Veteriner Teknisyeni ve Suni Tohumlama Teknisyeni olarak da anılırlar.

Mesleğin Geleceği ve Durumu
Hayvan hastalıkları ile mücadele edecek, koruyucu önlemler alacak, salgın hastalıklarla mücadele edecek, önemli hastalıkların eradikasyonu ile yerli hayvanların ıslah edilerek verim düzeylerinin arttırılmasına yönelik çalışmalarda görev alacak meslek elemanlarına olan ihtiyaç artarak devam etmektedir. İnsanlığın gıda ve giyecek ihtiyacı var olduğu sürece, hayvancılıkta var olmaya devam edecektir. Verim artışı ve ürün çeşidinin çoğalması ile ekonomik olarak üreticisine katkı sağlayacağından iyi bir planlama ile tarımsal sanayide var olacaktır. Bu da üretici ile birlikte sektörde çalışan veterinerlik, kimyasal sanayi, üretim ve pazarlama işinde çalışacak elemanlarına olan ihtiyacı arttıracaktır. Kalkınmakta olan Türkiye için stratejik bir alandır.

Mesleki hastalık riskleri
Zoonoz hastalıklar (bruselloz, şarbon, kuduz, tavuk vebası (kuş gribi), deli dana hastalığı (BSE) gibi), bit, pire kene gibi parazitlere maruz kalma ve bu parazitlerin taşıdığı hastalıklara yakalanma (Kırım Kongo Kanamalı Ateşi gibi) Yapılan koruyucu aşılamalardan hastalık etkeninin bulaşması (bazı aşıların vücuda teması yoluyla) Hayvanların saldırısına maruz kalma, (ısırılma-tekme- boynuz darbesi-tırmalanma gibi), Uyuz, Mantar, Lumbago Bel ağrısı, Kist oluşumu, Romatizmal Hastalıklar, Solunum Yolu Enfeksiyonları, yılan ısırmaları..

Eğitim ve kariyer imkanları
Veteriner sağlık teknisyenleri, Üniversitelerin Sağlık Programları Bölümlerinde olan, Laborant ve Veteriner Sağlık Ön Lisans Programlarına, Hayvan Yetiştiriciliği ve Sağlığı Meslek Yüksek Okullarına, Veteriner Sağlık Teknikerliği Ön Lisans Programlarına sınavlı/sınavsız girebilmektedirler. Sınavsız girdiği meslek yüksek okullarından dikey geçiş sınavı ile Veteriner Fakültelerine girebilmektedirler. Gerek kamu kurum ve kuruluşlarında, gerekse özel sektörde görev alarak yetki ve sorumluluklarını yürütürler.

Kaynakça
 Veteriner Sağlık Teknisyenleri Derneği Resmi Sitesi
 Veteriner Sağlık Çalışanları Blog

Teknisyenlikler
Teknisyen
Tıbbi meslekler

Veteriner sağlık teknisyenliği (Türkiye)


Hotalihuyana (Swanton, Hotalgihuyana), nekadašnje indijansko selo koje su osnovali Chiaha Indijanci na istočnoj obali rijeke Flint u okrugu Dougherti u Georgiji. Kasnije se k njima priključuju i pripadnici plemena Osochi.  Ime dolazi iz jezika creek hótali, hútali, vjetar, uragan, i huyána (prolaziti), odnosno, grad uragana (hurricane town)

Selo je 1799. imalo 20 obitelji, a 1832. 27 obitelji.

Izvori

Indijanska sela, Chiaha

Hotalihuyana


Seconds Apart est un film américain réalisé par Antonio Negret, sorti en 2011.

Synopsis
Seth et Jonah, deux frère jumeaux, ont des pouvoirs télékinétiques.

Fiche technique
 Titre : Seconds Apart
 Réalisation : Antonio Negret
 Scénario : George Richards
 Musique : Lior Rosner
 Photographie : Yaron Levy
 Montage : William Yeh
 Production : Moshe Diamant, Courtney Solomon et Franklin A. Vallette
 Société de production : After Dark Films
 Société de distribution : After Dark Films (États-Unis)
 Pays :
 Genre : Horreur, fantastique et thriller
 Durée : 89 minutes
 Dates de sortie :
 :

Distribution
 Orlando Jones : le détective Lampkin
 Edmund Entin : Jonah Trimble
 Gary Entin : Seth Trimble
 Samantha Droke : Eve
 Morgana Shaw : Rita Trimble
 Louis Herthum : Owen Trimble
 Marc Macaulay : le père Zinselmeyer
 James DuMont : Hardesty
 Jenn Foreman : Katie Dunn
 David Jensen : Dr. Houska
 Leticia Jimenez : Maybel
 Rusty Tennant : Kirby
 Chelsea Morgan Thomas : Emily

Distinctions
Le film a été présenté en sélection officielle en compétition au festival international du film fantastique de Puchon et au festival international du film de Catalogne.

Notes et références

Liens externes

Film américain sorti en 2011
Film d'horreur américain
Film fantastique américain
Thriller (film) américain
Film sur la télékinésie
Film sur la télépathie

Seconds Apart


داء المتوارقات  هي عدوى تنتج عن الاٍصابة بالمتوارقة البوسكية  (لنكستر 1857 م) وهي من أكثر ديدان الأمعاء البشرية اٍنتشارا (طولها أكثر من 7 سم) .

العلامات والأعراض

إن معظم الإصابات تكون خفيفة ولا عرضية.
وفي الإصابات الشديدة تتضمن الأعراض ألم بطني وإسهال مزمن وفقر دم وحبن وتجرثم دم واستجابات أرجية.
ينتج التحسس عن امتصاص النواتج الإستقلابية المؤرجة للدودة (والتي يمكن أن تتسبب بالنهاية بموت المريض ) والانسداد المعوي.

التشخيص

يُعدّ الكشف المجهري للبيوض، أو بشكل نادر للمثقوبات البالغة، في البراز أو القيء أساس التشخيص النوعي. يتعذّر تمييز هذه البيوض عن بيوض المتوِّرقة الكبديّة.

العامل المسبب

يصيب الطفيلي الحلزون البرمائي مثل :
(Segmentina nitidella
, Segmentina hemisphaerula
, Hippeutis schmackerie
, Gyraulus
, Lymnaea(المَنْقَعِيَّةُ ),
Pila البَيْلاء ( جِنْسٌ مِنَ القَواقِع )
, Planorbis (Indoplanorbis)) المُقَوقَعَةُ المُسْتَوِيَة .
وبعد تحرره من براز العائل الوسطي المصاب تجتاج خليفة الذائبة النباتات المائية مثل السبانخ المائي الذي يؤكل نيئا من قبل الإنسان والخنزير ..
من الممكن ان يكون الماء معدي أيضا عندما يشرب بدون غلي، حيث ان الذوائب المتكيسة يمكن ان تتواجد على سطح الماء وليس فقط على النباتات المائية.

الوقاية

تحقق الوقاية بسهولة من خلال غمر الخضار بالماء المغلي لبضع ثواني وذلك لقتل خَلاَئِفُ الذَّوَانب المعدية وتجنب استخدام البراز كسماد والمحافظة على الإصحاح المناسب والعادات الصحية الجيدة إضافة لذلك يجب محاولة مراقبة الحلزون.

العلاج
يعتبر دواء برازيكوانتيل  الخيار العلاجي الأول وتكون المعالجة فعالة في المراحل الأولى للعدوى وتكون الاصابات الشديدة صعبة العلاج.
اظهرت دراسات فعالية أدوية مختلفة لعلاج الأطفال المصابين بالمتوارقة البوسكية أن الرباعي كلورو ايتيلين  قادر على انقاص تعداد البيوض في البراز إلى 99%.
ومن مضادات الديدان التي يمكن استخدامها التيابيندازول  و الميبيندازول  و الليفاميزول  و البيرانتيل باموات .
كما أن الأوكزيكلوزانيد  و الهيكساكلوروفين  و النتروكزينيل  ذات فعالية عالية في المعالجة.

الوبائيات

المتوارقة البوسكية تستوطن قارة آسيا وذلك في كل من الصينوتايوان وجنوب شرق آسيا وأندونيسا وماليزيا والهند ، وتنتشر المتورقة البوسكية بنسبة تزيد عن 60% في كل من الهند والبر الرئيسي للصين، وتقدر أعداد الأشخاص المصابين بها ب10 مليون إصابة . تحدث الإنتانات عادة في الأطفال بعمر المدارس أو في المناطق الفقيرة التي لايوجد فيها أنظمة صرف صحي مناسبة.

أظهرت دراسة أن المتوارقة البوسكية كانت مستوطنة في الجزء المركزي من تايلاند متسببة في إصابة حوالي 2936 شخص بسبب النباتات المائية الملوثة والتي تدعى بأشواك الماء ( ) وبسبب الثوي (الحلزون ) الذي يرافقها .
إن الخمج أو البيوض التي تفقس في البيئة المائية ترتبط بالماء الملوث الموجود في مقاطعات مختلفة من تايلاند مثل منطقة أيوثايا .
إن المعدل المرتفع للإصابات هو أكثر شيوعا عند الإناث وعند الأطفال بعمر 10 إلى 14 سنة.

وصلات خارجية

المصادر

أمراض حيوانية المنشأ
أمراض ديدانية
متورقات

داء المتوارقات


Kuglački klub Željezničar (KK Željezničar; Željezničar; Željezničar Čakovec) je muški kuglački klub iz Čakovca, Međimurska županija.

O klubu
Kuglački klub Željezničar je nastao kao kuglačka sekcija športskog društva "Željezničar", koje je djelovalo od 1964. godine. Športsko društvo je rasformirano a kuglački klub postaje samostalan, te je oformljen u veljači 1977. godine, ali do njegove službene registracije dolazi 1978. godine. Članovi kluba su bili pretežno djelatnici Željezničkog kolodvora Čakovec i Radionice željezničkih vozila Čakovec.  Do 1984. godine klub djeluje rekreativno, a tada se uključuju i u redovna ligaška natjecanja. Do Domovinskog rata klub se natjecao u "Međimurskoj ligi i "Ligi Zajednice općina Varaždin".
Pri klubu je od 1982. do 1990. djelovala i ženska sekcija.
Osamostaljenjem Hrvatske, 1992. godine, klub postaje članom "4. HKL - Sjever", koju odmah osvajaju. Klub narednih godina nastupa u sjevernim skupinama "3. HKL" i "2. HKL". 2009. godine uspijevaju ući u "Prvu hrvatsku ligu", u kojoj povremeno nastupaju.

Uspjesi
 kvalifikacije za 1. Hrvatsku ligu
 pobjednik: 2009.
 drugoplasirani: 2015.

 1. B HKL - Sjever
 prvak: 2018./19.

 2. HKL - Sjever
 prvak: 2008./09., 2014./15.
 doprvak: 2005./06., 2007./08., 2012./13.

 3. HKL Sjever - skupina Varaždin
 prvak: 2006./07. (II. momčad)
 doprvak: 2008./09. (II. momčad), 2015./16. (II. momčad), 2016./17. (II. momčad)

 4. HKL - Sjever
 prvak: 1992.

 Prvenstvo Zajednice općina Varaždin
 prvak: 1990.
 doprvak: 1991.

 Međimurska liga
 prvak: 1987.

 Kup Međimurskog kuglačkog saveza
 pobjednici: 2010., 2013., 2014., 2015.

Pregled plasmana po sezonama

 Rezervna momčad

Poznati igrači

Unutrašnje poveznice
 Čakovec

Vanjske poveznice
 zeljeznicar-ck.hr - službene stranice
 zeljeznicar-ck.hr, Željo kroz sezone
 aplikacija.kuglanje.hr, Kuglački klub Željezničar
 klikaj.hr, VELIKO PRIZNANJE: Čakovečki kuglački klub 'Željezničar' među deset najboljih u Hrvatskoj , objavljeno 10. travnja 2019.

Izvori
 zeljeznicar-ck.hr, O klubu kroz povijest, pristupljeno 16. travnja 2019.
 zeljeznicar-ck.hr, Najveći uspjesi kluba, pristupljeno 16. travnja 2019.
 emedjimurje.rtl.hr, KUGLAČI Željezničara obilježavaju 40 godina rada kluba, objavljeno 20. travnja 2018., pristupljeno 16. travnja 2019.
 bisnode.hr, KUGLAČKI KLUB "ŽELJEZNIČAR" ČAKOVEC

Željezničar
Kuglački klubovi u Međimurskoj županiji

Kuglački klub Željezničar Čakovec


قرية الحميدية إحدى قرى الجولان ومحافظة القنيطرة السورية.

الحميدية... أرض طيبة عبقة خصوصيتها باريج زهرها البري وعطر النفل ونسيم الكينا
وبكثرة أبارها السطحية عذبة الماء نقية الهواء.
اختلط فيها التراب بدماء الفاتحين ودماء المحتلين الغاصبين على حد سواء.

ماتزال عيون عجائزها تنظر إلى ماوراء الأسلاك الشائكة عيون تنظر إلى ارض كانت حتى زمن قريب مراتع صباهم وعشق شبابهم ما زالت العيون تنتظر التحرير.
الشريط الحدودي يقسم القرية إلى نصفين محتل ومحرر.
الحميدية...
احتلتها إسرائيل اثر احتلالها لهضبة الجولان في عدوان 6حزيران عام 1967م
ولكنها لم تدخل قواتها الحميدية لغاية 11 حزيران.
يحدها من الجنوب الغربي مدينة القنيطرة ومن الشرق وادي الرقادومن الشمال أراضي عين الحمرا
وقرية الحرية ومن الغرب تل الخوين وهو تل صغير محتل من قبل إسرائيل ومقام علية مرصد وتحصينات عسكرية.

يقسم الشريط الحدودي أراضي الحميدية إلى شطرين غربي محتل تسيطر علية إسرائيل وشرقي محرر يتبع سوريا.

دمرت القرية بالكامل من قبل إسرائيل اثر انسحابها منها خلال حرب 6 أكتوبر عام 1973م.

تاريخيها
الحميدية تقع في منطقة اثرية في الجولان ويذكر ان محمد علي باشا بقيادة ابنه إبراهيم باشا والذي بنى جسر الرقاد المسمى إلى الآن باسمه ورمم حديثا" بعد التخريب الذي تعرض له اذبان الحرب.
سميت الحميدية بهذا الاسم نسبة للسلطان العثماني عبد الحميد الثاني كما تشير المصادر والمخطوطات العثمانية وذلك بداية القرن التاسع عشر الميلادي.والتي اقتطعها للشركس المهاجرين من القوقاز هربا" من المذابح التي تعرضوا لها من روسيا القيصرية.

وأول من دخلها من العرب هم آل أيوب من المسيحيين وبصحبتهم آل حمود، ثم توالت [قبيلة الفضل] التي يقودها الأمير محمد باشا الفاعور بني العباس في ذلك الوقت بالقدوم والاستقرار منهين حياة الترحال التي كان يعيشونها فسكنها الكيار وبنو شبيب والنبهان والبلاحسة والشرفة والخمايسة
وغيرهم وكلهم أبناء عمومه تربطهم روابط قوية ومتينه.
تم إعادة بناء القرية حديثا عام 1986م ضمن مشروع إعادة إعمار القرى المحررة بعد حرب تشرين
ومن جملة ما بني الرفيد والصمدانية وبريقة وبير عجم.
ومن القرى النموذجية مدينة البعث التي أصبحت حدود مع الحميدية حالياً.

وصلات خارجية

قرى الجولان

الحميدية (الجولان)


Stypandra glaucaes una especie de planta perenne, rizomatosa, dentro de la familia Xanthorrhoeaceae. Es originaria de Australia

Descripción
Es una hierba perennifolia con mechones de > 1 m de ancho en la base; a menudo florece cuando  alcanza los 30 cm de altura, y es parecida a un arbusto en las temporadas siguientes, por lo general llega a los 1,5 m de altura. Las hojas de 0.5-15 mm de ancho. Las flores con tépalos de 8-16 mm de largo, de color azul oscuro a blanco. Anteras 1-2 mm de largo. El fruto es una cápsula obovoide de 3-12 mm de largo; con semillas 1.5-3 mm de largo.

Distribución y hábitat
Crece en el bosque esclerófilo y está muy extendida, especialmente en la mitad oriental del estado de Queensland.

Taxonomía
Stypandra glauca fue descrita por Robert Brown y publicado en Prodromus Florae Novae Hollandiae 279, en el año 1810.
Sinonimia
Arthropodium glaucum (R.Br.) Spreng.
Arthropodium imbricatum (R.Br.) Spreng.
Stypandra frutescens Knowles & Westc.
Stypandra glauca var. grandiflora (Lindl.) Baker
Stypandra glauca var. minor F.Muell.
Stypandra glauca var. propinqua (A.Cunn. ex Hook.) Baker
Stypandra graminea Gand.
Stypandra grandiflora Lindl.
Stypandra laeta Gand.
Stypandra latifolia Gand.
Stypandra propinqua A.Cunn. ex Hook.
Stypandra scoparia Endl.
Stypandra virgata Endl.

Referencias

Enlaces externos

Stypandra

Stypandra glauca


Yurdal Tokcan (d. 1966, Ordu), ud sanatçısıdır.

Yaşamı
Yurdal Tokcan, 1988 yılında İTÜ Türk Musikisi Devlet Konservatuvarı'ndan mezun oldu. Aynı üniversitede master yaparken 1989-1997 yılları arasında ud sazı öğretim görevlisi olarak çalıştı. 1990 yılında, sanat yönetmenliğini Tamburi Necdet Yaşar'ın yaptığı Kültür Bakanlığı İstanbul Devlet Türk Müziği Topluluğu'na ud sanatçısı olarak atandı.

Yurdal Tokcan, ud sazının geleneksel icrasını günümüz tınılarıyla birleştirerek kendi özgün tekniğini geliştirdi. Bu tekniğin yansımalarını perdesiz gitar üzerinde de uygulayan Tokcan'ın, geleneksel melodi zenginliğini teknik ve çoksesli tınılarla birleştirdiği birçok saz eseri de bulunmaktadır.

İstanbul Devlet Türk Müziği Topluluğu'ndaki görevinin yanı sıra, İstanbul Fasıl Topluluğu, İstanbul Tasavvuf (Dergah) Topluluğu ve özellikle akademik kurumlarda konserler verdiği İstanbul Sazendeleri ile birlikte çalışmalarına devam etmektedir. Tokcan albüm ve kayıt çalışmalarına katıldığı bu ekiplerle birlikte Türk Müziğini temsilen birçok ülkede (Almanya, Fransa, Belçika, Hollanda, İspanya, Yunanistan, Türkmenistan, Bosna-Hersek, İsrail vb.) konserler vermiştir.

Bütün bu aktivitelerin yanı sıra, Nisan 2001'de Amsterdam Perküsyon Grubu ve Oda Orkestrası ile birlikte katıldığı 'Ud Sazı Etrafında Avrupa Müziği' konulu konserde solist sanatçı olarak yer almış; Mercan Dede Ensemble ile 2000-2001 yıllarında Akbank Uluslararası Caz Festivali'ne katılmıştır. Yine Şubat 2002'de Göksel Baktagir ve İsrailli Müzisyenlerle oluşturdukları Grup Baharat ile birlikte İsrail'de birçok konser vermiştir.

Almanya Dresten'de düzenlenen 3.Uluslararası Ud-Lavta Festivali'ne davet edilmiş ve burada Türkiye'yi temsilen yer almıştır.

Kudsi Erguner'in çeşitli projelerinde de yer alan Yurdal Tokcan, Erguner ile birlikte yurt içinde ve yurt dışında birçok konsere katılmıştır.

1997'de Fransa'da, Burhan Öçal, Göksel Baktagir, Selim Güler, Arif Erdebil'den oluşan ekiple yaptıkları konser aynı zamanda albüm olarak piyasaya sürülmüş ve 1998'de Fransız otoriteleri tarafından en iyi etnik albüm olarak ödüllendirilmiştir.

2002 yılında Hisleniş isimli solo ud albümü yayınlandı. 2004 yılında ise Bende Can isimli 2. solo albümünü yayınladı.

Besteleri
 Ay Işığında Hislerim
 Senle Can
 Can Suyum
 Benim Rüyam
 Gül
 Şenlik

Kaynakça

Dış bağlantılar

Türk udiler
İstanbul Teknik Üniversitesi Türk Musikisi Devlet Konservatuvarında öğrenim görenler
Yaşayan insanlar
1966 doğumlular
Ordu doğumlu sanatçılar
20. yüzyılda Türk erkek şarkıcılar
21. yüzyılda Türk erkek şarkıcılar

Yurdal Tokcan


Le Snooker Shoot-Out 2022 est un tournoi de snooker classé comptant pour la saison 2021-2022. L'épreuve se déroule du  au  à la Morningside Arena de Leicester, en Angleterre. Elle est organisée par la WPBSA et parrainée par la société de paris anglaise BetVictor.

Déroulement

Contexte avant le tournoi
Le tournoi fait partie de la BetVictor Snooker Series. Le sponsor décernera un bonus de  au joueur qui amassera le plus de points lors des huit tournois sponsorisés par la société BetVictor.

La règle du temps est toujours présente : chaque match dure au maximum 10 minutes, à l'issue desquelles une sirène retentit. Les joueurs disposent de 15 secondes par coup, puis de 10 secondes au bout de 5 minutes de match. Une fois le chronomètre écoulé, le joueur ayant marqué le plus de points s'impose. En cas d'égalité, ils doivent s'affronter en mort subite sur la bille bleue (à la façon des penalties).

Le tenant du titre est Ryan Day, il s'était imposé contre Mark Selby en finale l'an passé.

Faits marquants
Hossein Vafaei remporte le tournoi et devient le premier joueur iranien à remporter un tournoi classé. Il domine Mark Williams en finale grâce à un break de 71 points, le gallois n'ayant pu jouer d'autre coup que la casse.

Lors de sa demi-finale, Vafaei a bénéficié d'un miscue du chinois Liang Wenbo alors que ce dernier s'apprêtait à joueur la bille noire. Vafaei a pu positionner la bille blanche à sa convenance et effectuer une remontée au score.

L'amateur Daniel Womersley atteint le stade des quarts de finale, tirant partie de son intégration de dernière minute dans le champ de joueurs.

Lors de deux rencontres, les joueurs ont dû se départager par une mort subite sur la bille bleue. Yuan Sijun et Simon Lichtenberg ont remporté ces départages.

Dotation
La répartition des prix est la suivante :
 Vainqueur :
 Finaliste :
 Demi-finalistes :
 Quart de finalistes :
  de finalistes :
  de finalistes :
  de finalistes :
  tour :
 Meilleur break :
Dotation totale :

Tableau

tour
20 janvier – Session de l'après-midi

 Ryan Day 23–50  Jak Jones
 Allan Taylor 103–3  Liam Davies
 Jimmy Robertson 15–21  Simon Blackwell
 Dylan Emery 45–48  Simon Lichtenberg
 Lu Ning 27–53  Stan Moody
 Ali Carter 81–0  Matthew Stevens
 Craig Steadman 44–19  Gerard Greene
 Pang Junxu 20–39  Cao Yupeng

 James Cahill 16–64  Jackson Page
 Martin Gould 3–49  Nigel Bond
 Dominic Dale 32–36  Oliver Lines
 Jamie O'Neill 40–46  Liang Wenbo
 Gao Yang 64–35  Jamie Wilson
 John Astley 14–71  Ian Burns
 Haydon Pinhey 33–35  Farakh Ajaib
 Chang Bingyu 50–51  Shaun Murphy

20 janvier – Session du soir

 Mark Selby 43–38  Li Hang
 Paul Deaville 59–50  Chen Zifan
 Michael Judge 22–29  Mark Lloyd
 Fraser Patrick 6–64  Andrew Higginson
 Sunny Akani 24–29  David Gilbert
 Ross Bulman 75–1  Martin O'Donnell
 Aaron Hill 50–8  Lee Walker
 Stuart Carrington 1–59  Mark Williams

 Lyu Haotian 32–89  Dean Young
 Ricky Walden 27–54  Zak Surety
 Leo Fernandez 38–1  Fergal O'Brien
 Ben Woollaston 7–89  Jack Lisowski
 Peter Lines 38–33  Joe O'Connor
 Lei Peifan 40–22  Alfie Burden
 Reanne Evans 1–100  Fan Zhengyi
 Rod Lawler 3–52  Elliot Slessor

21 janvier – Session de l'après-midi

 Ashley Carty 4–74  Mark Allen
 Barry Pinches 55–1  Ross Muir
 Iulian Boiko 1–67  Robbie Williams
 Tian Pengfei 47–7  Rebecca Kenna
 Stuart Bingham 90–0  Mark Davis
 Noppon Saengkham 45–69  Daniel Womersley
 Mitchell Mann 32–21  Xiao Guodong
 Thepchaiya Un-Nooh 33–49  Kuldesh Johal

 Ryan Davies 21–27  Barry Hawkins
 Michael Georgiou 93–30  Si Jiahui
 Duane Jones 47–39  Xu Si
 Mark Joyce 78–61  Yan Bingtao
 Zhang Jiankang 17–66  Zhang Anda
 Jamie Clarke 38–10  Ben Hancorn
 Andrew Pagett 35–17  Liam Graham
 Jimmy White 5–56  Sanderson Lam

21 janvier – Session du soir

 Luca Brecel 40–20  Joe Perry
 Chris Wakelin 37–2  Michael White
 Scott Donaldson 24–27  David Lilley
 Hossein Vafaei 124–7  Peter Devlin
 Yuan Sijun 26*–26  Tom Ford
 Billy Joe Castle 61–23  Sean Maddocks
 Anthony Hamilton 82–0  Robert Milkins
 Jordan Brown 48–20  Jamie Jones

 Mark King 38–24  Graeme Dott
 Lukas Kleckers 67–1  Louis Heathcote
 Robbie McGuigan 21–64  Liam Highfield
 Zhou Yuelong 1–49  Steven Hallworth
 Bai Langning 26–32  Ken Doherty
 Andy Hicks 23–76  Gary Wilson
 Matthew Selt 66–36  Ashley Hugill
 Michael Holt 58–27  Zhao Xintong

de finale
22 janvier – Session de l'après-midi

 Barry Hawkins 20–36  Ali Carter
 Fan Zhengyi 23–64  Duane Jones
 Gary Wilson 33–56  Kuldesh Johal
 Liang Wenbo 67–18  Zak Surety
 Shaun Murphy 31–55  Ian Burns
 Liam Highfield 39–16  Craig Steadman
 Mark Joyce 12–20  Jamie Clarke
 Michael Georgiou 61–25  Farakh Ajaib

 Mark Lloyd 22–43  Mark Allen
 Oliver Lines 11–2  Stan Moody
 Zhang Anda 17–29  Matthew Selt
 Barry Pinches 36–86  Hossein Vafaei
 Simon Blackwell 54–35  Luca Brecel
 Paul Deaville 14–40  Jak Jones
 Aaron Hill 27–26  Jackson Page
 Mark Williams 50–26  Mark King

22 janvier – Session du soir

 Elliot Slessor 26–77  Mark Selby
 Nigel Bond 29–18  Peter Lines
 Lukas Kleckers 12*–12  Tian Pengfei
 Dean Young 76–5  Yuan Sijun
 Stuart Bingham 42–9  Lei Peifan
 Mitchell Mann 38–33  Jordan Brown
 Cao Yupeng 26–57  Allan Taylor
 Gao Yang 1–53  Steven Hallworth

 Ken Doherty 27–9  David Gilbert
 Billy Joe Castle 70–8  Andrew Pagett
 Anthony Hamilton 23–43  Chris Wakelin
 Leo Fernandez 16–57  Daniel Womersley
 Michael Holt 37–30  Simon Lichtenberg
 Sanderson Lam 30–5  Ross Bulman
 David Lilley 0–32  Andrew Higginson
 Jack Lisowski 18–68  Robbie Williams

de finale
23 janvier – Session de l'après-midi

 Jak Jones 22–63  Mark Allen
 Ian Burns 17–36  Mitchell Mann
 Simon Blackwell 23–29  Andrew Higginson
 Aaron Hill 4–89  Mark Williams
 Allan Taylor 1–63  Hossein Vafaei
 Dean Young 92–1  Michael Holt
 Liam Highfield 27–48  Daniel Womersley
 Matthew Selt 46–3  Ali Carter

 Oliver Lines 63–47  Stuart Bingham
 Duane Jones 22–54  Steven Hallworth
 Lukas Kleckers 20–30  Billy Joe Castle
 Michael Georgiou 70–15  Kuldesh Johal
 Ken Doherty 50–52  Chris Wakelin
 Nigel Bond 7–32  Jamie Clarke
 Liang Wenbo 37–35  Sanderson Lam
 Robbie Williams 57–1  Mark Selby

de finale
23 janvier – Session du soir

 Mark Williams 57–1  Matthew Selt
 Oliver Lines 28–56  Liang Wenbo
 Jamie Clarke 44–36  Mitchell Mann
 Hossein Vafaei 50–17  Michael Georgiou

 Steven Hallworth 21–46  Daniel Womersley
 Robbie Williams 39–14  Andrew Higginson
 Billy Joe Castle 42–16  Dean Young
 Chris Wakelin 6–79  Mark Allen

Quarts de finale
23 janvier – Session du soir

  Jamie Clarke 0–97  Mark Williams
  Mark Allen 21–49  Liang Wenbo

  Hossein Vafaei 71–3  Daniel Womersley
  Robbie Williams 69–0  Billy Joe Castle

Demi-finales
23 janvier – Session du soir
  Mark Williams 124–1  Robbie Williams
  Hossein Vafaei 92–48  Liang Wenbo

Finale
23 janvier – Session du soir (Arbitre :  Tatiana Woollaston)
  Mark Williams 0–71  Hossein Vafaei

Centuries
 123  Hossein Vafaei
 103  Allan Taylor

Notes et références

Notes

Références

Voir aussi

Articles connexes
 Snooker Shoot-Out 2021
 Snooker Shoot-Out

 Snooker
 Glossaire du billard
 Classement mondial de snooker

Liens externes

Snooker en 2022

Snooker Shoot-Out 2022


Courtenay may refer to:

Places

Australia
 Courtenay, Western Australia

Canada
 Courtenay, British Columbia, a city on the east coast of Vancouver Island
 Courtenay River, on Vancouver Island, British Columbia
 Courtenay Lake, a lake in north-eastern Saskatchewan

France
 Courtenay, Isère, a commune in the Isère département
 Courtenay, Loiret, a commune in the Loiret département

New Zealand
 Courtenay, New Zealand, a locality in the Selwyn District
 Courtenay (New Zealand electorate), a former electorate in Canterbury, based on the locality of the same name
 Courtenay River, the short-lived European name of the Waimakariri River

United States
 Courtenay, North Dakota, a city in Stutsman County
 Courtenay, Florida, an unincorporated community in Brevard County

People

Given name
Courtenay is a given name variant of Courtney. Notable people with the name include:

Male
 Courtenay Bartholomew (born 1931), Irish physician and scientist
 Courtenay Bennett (1855–1973), British diplomat
 Courtenay Boyle (1770–1844), British Royal Navy officer
 Courtenay Crocker (1881–1944), American attorney and politician
 Courtenay Daley (born 1950), Jamaican cricketer
 Courtenay Dempsey (born 1987), Australian rules footballer
 Courtenay Hughes Fenn (1866–1927), American missionary
 Courtenay Foote (1878–1925), English actor
 Courtenay Griffiths, British lawyer
 Courtenay Adrian Ilbert (1888–1956), English civil engineer and horologist
 Courtenay Ilbert (1841–1924), British lawyer
 Courtenay Knollys (1849-1905), British rower
 Courtenay Mansel (1880–1933), Welsh farmer
 Courtenay Morgan, 1st Viscount Tredegar (1867–1934), British military personnel
 Courtenay Reece (1899–1984), West Indian cricket umpire
 Courtenay Selman (born 1945), Barbadian cricketer
 Courtenay Edward Stevens (1905-1976), British classicist
 Courtenay Warner (1857–1934), British politician

Female
 Courtenay Becker-Dey (born 1965), American sailor
 Courtenay Finn, American curator
 Courtenay Stewart (born 1985), Canadian synchronized swimmer
 Courtenay Taylor (born 1969), American voice actress

See also
 Courtenay Place (disambiguation)
 House of Courtenay
 William Courtenay (disambiguation)
 Courtney (disambiguation)

Courtenay


Idiops sertania est une espèce d'araignées mygalomorphes de la famille des Idiopidae.

Distribution
Cette espèce est endémique du Brésil. Elle se rencontre au Minas Gerais, au Bahia, au Ceará, au Piauí, au Goiás, au Mato Grosso do Sul, au Mato Grosso et en Amazonas.

Description
Le mâle holotype mesure .

Étymologie
Son nom d'espèce lui a été donné en référence au lieu de sa découverte, le Sertão.

Publication originale
 Fonseca-Ferreira, Guadanucci, Yamamoto & Brescovit, 2021 : « Taxonomic revision of the Neotropical spiders of the genus Idiops Perty, 1833 (Araneae, Idiopidae), with description of four new species. » European Journal of Taxonomy, ,  (texte intégral).

Liens externes

Notes et références

Idiopidae
Espèce d'araignées (nom scientifique)
Faune endémique du Brésil

Idiops sertania


Barbara Wurster (* 13. August 1970 in Metzingen) ist eine deutsche Schauspielerin und Sprecherin. Von 1996 bis 2007 war sie in festen Engagements an verschiedenen Stadttheatern in Deutschland tätig, seit 2007 ist sie freischaffend. Sie lebt mit Sohn und Mann in Berlin/Prenzlauer Berg.

Leben und Wirken
Barbara Wurster ist die Tochter eines Unternehmerehepaares aus Metzingen, wo sie ihre Kindheit und Jugend verbrachte. Sehr früh erfreute sie ihre Familie mit kleinen improvisierten Theateraufführungen, wo sich schon ein gewisses schauspielerisches Talent abzeichnete. Ihre Begabung baute sie am Dietrich-Bonhoeffer-Gymnasium Metzingen in der dortigen Theater-AG weiter aus. Sie wirkte an öffentlichen Aufführungen in der Stadthalle Metzingen mit und entschied sich früh für den Beruf der Schauspielerin. 1990 beendete sie das Gymnasium mit dem Abitur.

Sie erhielt ihre Ausbildung in den Jahren 1991–1995 an der "Theaterakademie Spielstatt" Ulm, die sie 1995 mit der ZBF-Prüfung abschloss. Nach mehreren Jahren in festen Engagements erweiterte sie ihre Fähigkeiten 2008 am "Camera Actor's Studio" bei Detlef Rönfeld und Veronika Nowag-Jones, ISFF Berlin.

Theaterstationen
 1996–1998 Bühnen der Landeshauptstadt Kiel – Theater im Werftpark
 1998/1999 Kammerspiele Hamburg
 "Sitzen in Hamburg", als Natalia in einer Adaption von Anton Tschechows "Die drei Schwestern" (Regie: Christiane Pohle). Diese Produktion bekam den 1. Preis beim Impulse-Festival 2000 und wurde von dem Sender 3-SAT aufgezeichnet und gezeigt.
 1999 Theater Aachen: Gertrud Stauffacher in "Wilhelm Tell" – Friedrich v. Schiller – Regie: Michael Klette
 2001 Kestnergesellschaft Hannover: "Schwitters Merz 01. Die Rewüh" – Regie: Jens Paarmann
 2001–2002 Schauspielhaus Zürich:
 Marie Beaumarchais in "Clavigo" – J. W. v. Goethe – Regie: Christiane Pohle und LABORLAVACHE!
 Marja Lwowna in "Sommergäste" – Maxim Gorki – Regie: Christiane Pohle und LABORLAVACHE!
 2002 Thalia Theater, TIF Staatstheater Dresden, Theaterhaus Jena, Sophiensaele Berlin: Klar in "Schieß doch, Kaufhaus" – Martin Heckmanns und andere. – Regie: Simone Blattner
 '2002–2003 Theaterhaus Jena:
 Mutter Baumert in "Die Weber" – Gerhart Hauptmann – Regie: Claudia Bauer
 Hannelore A in "Die Weber" – Marc Becker und andere. – Regie: Christian von Treskow
 Gerlinde in "Gnadenlos" – Melanie Gieschen – Regie: Johannes Mager
 Die Brill in "Triumph der Provinz" – Felicia Zeller und andere. – Regie: Claudia Bauer
 2003–2005 Deutsches Nationaltheater Weimar:
 "4.48 Psychose" Monolog – Sarah Kane (Koproduktion mit Theater Heidelberg) – Regie: Sebastian Schug
 Eddy the king in "Margaretha. Eddy. Dirty Rich" – Tom Lanoye/Luc Perceval – Regie: Thomas Thieme
 Smeraldina in "Der Diener zweier Herren" – Carlo Goldoni – Regie: Jasper Brandis
 Gertrud Stauffacher in "Wilhelm Tell" – Friedrich Schiller – Regie: Stephan Märki (auf dem Rütli, Schweiz)
 Lady Capulet in "Romeo und Julia" – William Shakespeare – Regie: Georg Schmidleitner
 Frau Kovacic in "Volksvernichtung oder meine Leber ist sinnlos" – W. Schwab – Regie: Julia von Sell
 "Sekretärinnen" – Franz Wittenbrink – Regie: Thomas Potzger
 2005–2007 Theater Heidelberg:
 Magda in "Das erste Mal" – Michal Walczak – Regie: Orazio Zampeletti
 Mathilde Pusebach in "Frau Luna" – Paul Lincke – Regie: Bernd Mottl
 "Der Kick" – Andreas Veiiel – Regie: Sebastian Schug
 Oberköchin Brunelda in "Amerika" – Franz Kaffka – Regie: Annette Pullen
 Beatrice in "Viel Lärm um Nichts" – William Shakespeare – Regie: Axel Richter
 "Wir im Finale" – Marc Becker – Regie: Marc Becker
 Magenta in "The Rocky Horror Show" – Richard O'Brian – Regie: Andreas Nathusius
 "Planet Porno 1 & 2" – Patrick Wengenroth – Regie: Patrick Wengenroth
 Fürstin Antonia in "Der Sturm" – William Shakespeare – Regie: Annette Büschelberger
 "4.48 Psychose" Monolog – Sarah Kane (Koproduktion mit DNT Weimar) – Regie: Sebastian Schug
 2007 Staatstheater Braunschweig: Josepha Vogelhuber in "Im weißen Rössl" – Regie: Kay Neumann
 2008 Pathos Transport Theater München: Hilde in "What the building saw" – Regie: Judith Huber / Susanne Schröder
 2010 Produktion Hensel & Spatz: "Grüne Lunge, blutiges Pflaster" – Regie: Katja Hensel
 2010–2011 Schauspielhaus Düsseldorf: "Pünktchen und Anton", Regie: Franziska Steiof
 2011 Heimathafen Neukölln: "Endstation ewige Heimat", Regie: Nicole Oder
 2011 Neuköllner Oper: "Discount Diaspora", Regie: Markus Heinzelmann
 2011 Lichthof Hamburg: "Meet the incredible future super girl", Regie: Gero Vierhuf

Filmografie
 2009: Wolfsfährte, ARD
 2010: Mord in bester Gesellschaft, ARD
 2010: SOKO Wismar, ZDF
 2011: Gute Zeiten, schlechte Zeiten Gastrolle; RTL

Hörfunk und Sprechen
 2003 Lesungen in der Kunsthalle Faust, Hannover
 2004/2005 Lesungen für das Neue Schauspiel Erfurt
 2005 Hörspiele für Bauhausuniversität Weimar
 2005 "Audioguide" für Museen in Weimar
 seit 2006 Sprecherin beim SWR, Stuttgart
 seit 2007 Sprecherin für Tonstudios in Berlin

Weblinks

 Persönliche Webseite
 Barbara Wurster bei proxauf.de
 Barbara Wurster bei stimmgerecht.de

Einzelnachweise

Filmschauspieler
Theaterschauspieler
Hörspielsprecher
Deutscher
Person (Metzingen)
Geboren 1970
Frau

Barbara Wurster


Lovitura de stat din Uruguay din 1973 a avut loc în Uruguay la 27 iunie 1973 și a marcat începutul dictaturii civilo-militare care a durat până în 1985.

Președintele Juan María Bordaberry a închis parlamentul și a condus cu ajutorul unei junte de generali de armată. Motivul oficial a fost acela de a zdrobi Tupamaros, o mișcare marxistă de gherilă urbană. Federațiile sindicale de stânga au făcut apel pentru o grevă generală și ocuparea fabricilor. Greva a durat puțin mai mult de două săptămâni. S-a încheiat cu majoritatea liderilor sindicaliști aflați în închisoare, morți sau exilați în Argentina. În cadrul loviturii de stat, toate asociațiile, inclusiv sindicatele, au fost declarate ilegale și au fost interzise; Constituția Uruguayului din 1967 a fost practic suprimată.

Sindicatele și partidele politice au rămas ilegale până când o grevă generală din 1984 a forțat armata să accepte guvernarea civilă și restaurarea democrației în 1985.

Antecedente

La 9 septembrie 1971, președintele Jorge Pacheco Areco a însărcinat forțele armate să desfășoare operațiuni anti-gherilă împotriva Movimiento de Liberación Nacional-Tupamaros. La data de 16 decembrie, a fost creată o Juntă formată din Comandanți Șefi și din Statul Major Unit (Esmaco) ai Forțelor Armate. În urma alegerilor prezidențiale din noiembrie 1971, un nou guvern a preluat mandatul, la 1 martie 1972, condus de Juan Maria Bordaberry. Rolul forțelor armate în viața politică a continuat să crească. La 31 octombrie 1972, ministrul apărării Augusto Legnani a trebuit să demisioneze pentru că nu a demis un șef responsabil de o misiune de mare importanță pentru minister. Ulterior, comandanții militari au făcut declarații publice prin care îl acuzau pe președintele Republicii.

La 8 februarie 1973, pentru a controla acumularea presiunii militare, președintele Bordaberry l-a înlocuit pe ministrul Apărării Naționale, Armando Malet, cu generalul în rezervă Antonio Francese. În ziua următoare, noul ministru s-a întâlnit cu comandanții celor trei forțe și a găsit sprijin doar din partea Marinei.

La ora opt seara, comandanții armatei terestre și a forțelor aeriene au anunțat de la televiziunea de stat că vor dezavua ordinele lui Francese și au cerut ca Bordaberry să-l demită. La ora 10:30, Bordaberry a anunțat de la Canalul 4 (privat) că îl va menține pe Francese în minister și a cerut cetățenilor să se adune în Plaza Independencia, în fața sediului Guvernului (Casa de Gobierno).

În primele ore ale dimineții zilei de 9 februarie, Infanteria Marină a baricadat intrarea spre Ciudad Vieja din Montevideo. Ca răspuns, armata și-a scos tancurile în stradă și a ocupat diverse posturi de radio, de unde au îndemnat membrii marinei să se alăture inițiativelor (sau propunerilor) lor.

A fost emis Decretul nr. 4, semnat numai de comandanții Armatei și a Forțelor Aeriene, în care acestea s-au prezentat ca urmărind obiectivele socio-economice, cum ar fi încurajarea exporturilor, reorganizarea serviciului străin (problemă a Ministerului Afacerilor Externe), eliminarea datoriilor externe opresive, eradicarea șomajului, atacarea economiei ilicite și a corupției, reorganizarea administrației publice și a sistemului fiscal și redistribuirea terenului.

Sâmbătă, 10 februarie, trei miniștri au căutat să se apropie de pozițiile comandanților rebele, astfel încât președintele să își păstreze funcția. Noaptea, comandanții Armatei și a Forțelor Aeriene au emis un nou Decret nr. 7, care a relativizat cumva declarația anterioară. Mai mulți ofițeri din Marină au ignorat comanda viceamiralului Juan José Zorrilla și au susținut declarațiile Armatei și a Forțelor Aeriene. A doua zi, 11 februarie, Zorrilla a demisionat din funcția de comandant al Forțelor Navale, iar căpitanul Conrad Olazaba și-a asumat această funcție, astfel încât și această forță și-a abandonat poziția constituțională.

Luni, 12 februarie, Bordaberry s-a dus la baza aeriană "Cap. Juan Manuel Boiso Lanza", a acceptat toate cerințele comandanților militari și a negociat continuarea mandatului său de președinte, în ceea ce a devenit cunoscut sub numele de Pacto de Boiso Lanza. Acest "acord" a încredințat forțelor armate misiunea de a asigura securitatea pentru dezvoltarea națională și au stabilit forma implicării militare în chestiunile politico-administrative. Acest acord a condus la crearea Consiliului Național de Securitate (Consejo de Seguridad Nacional - COSENA), organism consultativ al puterii executive, înființat ulterior prin Decretul nr. 163/973 din 23 februarie 1973.

A doua zi după "acord", Néstor Bolentini a fost numit ministru de interne și Walter Ravenna în calitate de ministru al Apărării Naționale. Aceasta a completat guvernul civilo-militar, centrul puterii mutându-se în mâinile militarilor. Se consideră că acest episod a reprezentat într-adevăr o lovitură de stat.

Evenimente
La 27 iunie 1973, argumentând că actul criminal al conspirației împotriva țării, în concordanță cu automulțumirea politicienilor care nu au un sentiment național, este introdus în instituții, pentru a se prezenta în mod secret ca activitate juridică formală", Bordaberry a dizolvat legislativul cu sprijinul forțelor armate, a creat un Consiliu de Stat cu funcții legislative, constituționale și administrative, a limitat libertatea de gândire și a împuternicit forțele armate și poliția să asigure furnizarea neîntreruptă a serviciilor publice.

Într-un discurs difuzat la radio și televiziune în aceeași zi a loviturii de stat, Bordaberry a spus:

Ca răspuns la lovitura de stat, în aceeași dimineață, când lovitura a avut loc, secretarul CNT (Confederația Națională a Muncitorilor) a început cea mai lungă grevă din istoria țării, care a durat 15 zile.

Decretul
Decretul nr. 464/973 din 27 iunie 1973 poartă semnătura lui Bordaberry și a miniștrilor săi Néstor Bolentini și Walter Ravenna. Decretul conținea:

Președintele Republicii decretează:1° Camerele Senatorilor și ale Reprezentanților sunt declarate dizolvate.

2° Se instituie un Consiliu de Stat format din membri care pot fi desemnați, cu următoarele atribuții:A) îndeplinirea independentă a funcțiilor specifice ale Adunării Generale;

B) să controleze demersurile puterii executive în ceea ce privește respectarea drepturilor individuale și cedarea acestei puteri la normele constituționale și legale;C) Elaborarea unui proiect de Reformă Constituțională care să reafirme principiile fundamentale ale democrației și ale reprezentanților, care să fie aclamate în mod corespunzător de către Organismului Electoral.

3° Este interzisă divulgarea prin presă orală, scrisă sau televizată, a oricăror informații, observații sau înregistrări care indică direct sau indirect, sau fac trimitere la dispozițiile prezentului decret, atribuind intenții dictatoriale puterii executive.4° Forțele armate și poliția sunt împuternicite să ia măsurile necesare pentru a asigura continuarea furnizării serviciilor publice esențiale''.

Referințe

Istoria Uruguayului
Lovituri de stat

Lovitura de stat din Uruguay din 1973


Georg Daltrop (* 24. April 1932 in Burgsteinfurt; † 21. Januar 2023 in Ingolstadt) war ein deutscher Klassischer Archäologe.

Werdegang und Leistungen
Georg Daltrop studierte Klassische Archäologie an der Universität Münster und wurde 1957 bei Max Wegner mit der Dissertation Die stadtrömischen männlichen Privatbildnisse trajanischer und hadrianischer Zeit promoviert. Anschließend war er bis 1959 wissenschaftlicher Assistent in Münster. 1959 wechselte er als wissenschaftlicher Mitarbeiter an die Antikensammlung Berlin in den Westteil der Stadt. Unterbrochen wurde die Tätigkeit ein Jahr lang, als Daltrop 1961/62 als Inhaber des Reisestipendiums des Deutschen Archäologischen Instituts den Mittelmeerraum bereisen konnte. 1963 wurde er Leiter der Antikenabteilung am Museum für Kunst und Gewerbe in Hamburg. Vier Jahre später ging er als Nachfolger von Hermine Speier als Ispettore der Monumenti Musei e Gallerie Pontificie Città del Vaticano an die Vatikanischen Museen. Von 1972 bis 1983 war er Direktor der vatikanischen Antikensammlungen (Reparto Antichità Classiche). Nachdem er 1983 kurzzeitig als Berater gewirkt hatte, wurde er an der Katholischen Universität Eichstätt erster Professor für Klassische Archäologie. 1997 wurde er emeritiert; Nachfolger wurde Gerhard Zimmer.

Daltrop beschäftigte sich vorrangig mit der römischen Kunst. Als Mitarbeiter der Vatikanischen Museen befasste er sich vor allem mit Kunstwerken des Museums, etwa der Laokoon-Gruppe und Götterbildnissen. Darüber hinaus beschäftigte er sich mit Kaiser- und Privatporträts, aber auch kulturhistorischen Themen wie der Jagd, so der Kalydonischen Eberjagd oder antiken römischen Mosaiken mit Jagddarstellungen. Daltrop beschäftigte sich auch mit der griechischen Kunst, etwa der Athena des Myron.

Ab 1969 war er korrespondierendes, nach dem Wechsel nach Eichstätt ordentliches Mitglied des Deutschen Archäologischen Instituts, ab 1971 auch der Pontificia Accademia Romana di Archeologia. Daltrop war Mitglied der Erzbruderschaft zur schmerzhaften Muttergottes der Deutschen und Flamen des Campo Santo Teutonico.

Georg Daltrop starb am 21. Januar 2023 im Alter von 90 Jahren in Ingolstadt.

Schriften (Auswahl)
 Die stadtrömischen männlichen Privatbildnisse trajanischer und hadrianischer Zeit. Archäologisches Seminar der Universität Münster, Münster 1958 (Dissertation).
 Die kalydonische Jagd in der Antike, Parey, Hamburg-Berlin 1966 (Die Jagd in der Kunst).
 mit Ulrich Hausmann: Die Flavier. Vespasian, Titus, Domitian, Nerva, Julia Titi, Domitilla, Domitia (= Das römische Herrscherbild. Abteilung 2, Band 1). Gebr. Mann, Berlin 1966.
 Die Jagdmosaiken der römischen Villa bei Piazza Armerina, Parey, Hamburg-Berlin 1969 (Die Jagd in der Kunst).
 mit Adriano Prandi: Die Kunstsammlungen der Biblioteca Apostolica Vaticana Rom, DuMont Schauberg, Köln 1969.
 mit Francesco Roncalli: Vatikanische Museen, Musei e Gallerie Pontificie, Vatikanstadt 1972.
 Die Laokoongruppe im Vatikan. Ein Kapitel aus der römischen Museumsgeschichte und der Antiken-Erkundung (= Xenia Band 5). Universitätsverlag Konstanz, Konstanz 1982, 2. Auflage 1987, ISBN 3-87940-207-8.
 mit Peter C. Bol: Athena des Myron (= Liebieghaus-Monographie Band 8). Liebieghaus, Frankfurt am Main 1983.
 Antike Götterstatuen im Vatikan. Die vatikanisch-römische Tradition der Klassischen Archäologie (= Vorträge der Aeneas-Silvius-Stiftung an der Universität Basel Band 22). Helbing & Lichtenhahn, Basel und Frankfurt am Main 1987, ISBN 3-7190-0976-9.

Literatur
 Gerhard Zimmer (Hrsg.): Neue Forschungen zur hellenistischen Plastik. Kolloquium zum 70. Geburtstag von Georg Daltrop. Kastner, Wolnzach 2003, ISBN 3-937082-07-7 (darin S. 171–174 Schriftenverzeichnis von Georg Daltrop).
 Nadin Burkhardt, Gerhard Zimmer: Georg Daltrop †. In: Gnomon. Band 95, 2023, S. 478–479.

Einzelnachweise

Klassischer Archäologe
Hochschullehrer (Katholische Universität Eichstätt-Ingolstadt, Campus Eichstätt)
Wissenschaftlicher Mitarbeiter der Antikensammlung Berlin
Wissenschaftlicher Mitarbeiter der Vatikanischen Museen
Wissenschaftlicher Mitarbeiter des Museums für Kunst und Gewerbe Hamburg
Mitglied des Deutschen Archäologischen Instituts
Mitglied der Pontificia Accademia Romana di Archeologia
Deutscher
Geboren 1932
Gestorben 2023
Mann

Georg Daltrop


عادا إي. يونات (بالعبرية: עדה יונת، تُنطق [ˈada joˈnat]) (وُلدت في 22 يونيو 1939) هي عالمة بلورات إسرائيلية معروفة بعملها الريادي حول بنية الريبوسوم. تشغل حاليًا منصب مدير مركز هيلين وميلتون إيه. كيميلمان للبنية الجزيئية الحيوية وجمعية معهد وايزمان للعلوم.

حازت على جائزة نوبل في الكيمياء عام 2009 مع فينكاترامان راماكريشنان وتوماس إيه. ستايتز عن دراستها حول بنية الريبوسوم ووظائفه، لتصبح أول امرأة إسرائيلية تكسب جائزة نوبل من بين عشرة إسرائيليين حائزين على جائزة نوبل، وتُعتبر أول امرأة من الشرق الأوسط تفوز بجائزة نوبل في العلوم، وأول امرأة تظفر بجائزة نوبل للكيمياء منذ 45 عامًا.

سيرتها
وُلدت يونات (ليفشيتز قبل الزواج) في حي جيولا في القدس. كان والداها، هليل وإستير ليفشيتز، من اليهود الصهاينة الذين هاجروا إلى فلسطين من زدوسسكا فولا، بولندا عام 1933 قبل تأسيس إسرائيل. كان والدها حاخامًا وترعرع في عائلة حاخامية. استقروا في القدس وأداروا محل بقالة، لكنهم وجدوا صعوبة في تغطية نفقاتهم. سكنوا في أحياء ضيقة مع العديد من العائلات الأخرى، وتتذكر يونات أن «الكتب» هي الشيء الوحيد الذي أبقاها مشغولة. أرسلها والداها على الرغم من فقر العائلة إلى المدرسة في حي بيت هكيرم الراقي لضمان تعليمها الجيد. انتقلت العائلة إلى مدينة تل أبيب عندما توفي الأب عن عمر ناهز 42 عامًا.

قُبلت يونات في مدرسة تيشون هادش الثانوية على الرغم من عدم قدرة والدتها على دفع الرسوم الدراسية، إذ أعطت دروسًا في الرياضيات للطلاب في المقابل. قالت إنها استمدت الإلهام في صغرها من ماري كوري، العالمة البولندية ذات الجنسية الفرنسية. على أي حال، صرحت يونات لاحقًا أن كوري التي فُتنت بها عندما كانت طفلة نتيجة قراءتها سيرة مكتوبة بطريقة جيدة، لم تكن «قدوةً لها». عادت إلى القدس بهدف الدراسة الجامعية، وتخرجت من الجامعة العبرية في القدس بعد حصولها على درجة البكالوريوس في الكيمياء عام 1962، وشهادة الماجستير في الكيمياء الحيوية عام 1964. حازت على درجة الدكتوراه من معهد وايزمان للعلوم عام 1968 عن دراستها البلورات المكونة للكولاجين باستخدام الأشعة السينية، تحت اشراف مستشار الدكتوراه ولفي تراوب.

أنجبت يونات ابنة واحدة، هاجيت يونات، وهي طبيبة في مركز شيبا الطبي، وأنجبت هاجيت بدورها نوا، حفيدة عادا وإحدى أقرباء الناشطة المناهضة للاحتلال الدكتورة روتشاما مارتون.

طالبت يونات بالإفراج غير المشروط عن جميع سجناء حماس، قائلةً إن «أسر الفلسطينيين يشجع ويديم دوافعهم لإلحاق الأذى بإسرائيل ومواطنيها ... حالما لا يكون لدينا أي سجناء لإطلاق سراحهم، لن يملك الفلسطينيون أي سبب لخطف الجنود الإسرائيليين».

الجوائز والتكريمات
تُعتبر يونات عضوًا في الأكاديمية الوطنية للعلوم في الولايات المتحدة والأكاديمية الأمريكية للفنون والعلوم، وأكاديمية إسرائيل للعلوم والإنسانيات، والأكاديمية الأوروبية للعلوم والفنون، والمنظمة الأوروبية للبيولوجيا الجزيئية. اختار البابا فرنسيس البروفيسورة يونات يوم السبت، 18 أكتوبر 2014، لتصبح عضوًا عاديًا في الأكاديمية البابوية للعلوم.

تشمل جوائزها وتكريماتها ما يلي:

 جائزة إسرائيل عام 2002.
 جائزة هارفي عام 2002.
 جائزة ماسري عام 2004.
 الميدالية الذهبية لبول كارير عام 2004.
 جائزة لويزا غروس هورويتز عام 2005.
 جائزة وولف في الكيمياء مع جورج فيهير عام 2006.
 جائزة روتشيلد في علوم الحياة عام 2006.
 جائزة إيمت في الفنون والعلوم والثقافة في علوم الحياة، مع البروفيسور بيرتس لافي (الطب) والبروفيسور إيلي كيشت (علم الأحياء) عام 2006.
 جائزة باول إرليخ ولودفيش دارمشتيتر مع هاري نولر عام 2007.
 منحت عام 2008 جائزة ألبرت آينشتاين العالمية للعلوم لمساهماتها الرائدة في الاصطناع الحيوي للبروتين في مجال علم البلورات الريبوسومي وإدخالها تقنيات مبتكرة في علم البلورات البيولوجي بالتبريد العميق.
 حازت في عام 2009 على جائزة نوبل في الكيمياء (مع فينكاترامان راماكريشنان وتوماس ستايتز). أصبحت أول امرأة إسرائيلية حاصلة على جائزة نوبل.
 ميدالية ماري كوري من الجمعية الكيميائية البولندية عام 2011.
 ميدالية ويلهلم إكسنر عام 2010.
 حصلت عام 2015 على الدكتوراه الفخرية من جامعة ديلا ساليه، في مانيلا/الفلبين، وجامعة جوزيف فورييه، في غرونوبل/فرنسا، وجامعة لودز الطبية، في لودز/بولندا، وجامعة ووريك، في المملكة المتحدة.
 دكتوراه فخرية من جامعة كارنيغي ميلون عام 2018.

انظر أيضًا

 قائمة السيدات الحاصلات على جائزة نوبل
 لائحة اليهود الحاصلين على جائزة نوبل

روابط خارجية

مراجع

أشخاص على قيد الحياة
أشخاص من القدس
أشخاص من تل أبيب
أعضاء أجانب في الأكاديمية الوطنية الأمريكية للعلوم
أعضاء أجانب في الجمعية الملكية
أعضاء أكاديمية إسرائيل للعلوم والإنسانيات
أعضاء أكاديمية لوبلدينا للعلوم الألمانية
أعضاء الأكاديمية الأوروبية للعلوم والفنون
أعضاء المنظمة الأوروبية للبيولوجيا الجزيئية
أعضاء هيئة تدريس جامعة شيكاغو
إسرائيليون حازوا جائزة نوبل
إسرائيليون من أصل يهودي بولندي
حائزون على جائزة ألبرت أينشتاين العالمية للعلوم
حائزون على جائزة لويزا غروس هورويتز
حائزون على جائزة ماسري
حائزون على جائزة نوبل في الكيمياء
حائزون على جائزة ولف للكيمياء
حائزون على جوائز لوريال-اليونسكو للمرأة في العلوم
خريجو معهد وايزمان للعلوم
دعاة سلام إسرائيليون
دعاة سلام يهود
عالمات أحياء
عالمات القرن 20
عالمات القرن 21
عالمات إسرائيليات
عالمات يهوديات
علماء البلورات
كيميائيات إسرائيليات
كيميائيون حيويون إسرائيليون
كيميائيون يهود
مواليد 1358 هـ
مواليد 1939
مواليد في القدس
نساء حاصلات على جائزة إسرائيل
نساء حاصلات على جائزة نوبل
يهود إسرائيليون
يهود حازوا جائزة نوبل
يهود في فلسطين الانتدابية

عادا يونات


Ooh La La is the fourth and final studio album by the English rock band Faces, released in March 1973. It reached number one in the UK Albums Chart in the week of 28 April 1973. On 28 August 2015, the album was reissued in  remastered form on vinyl, and remastered and expanded on CD as part of the box set (along with the rest of the Faces catalogue of studio recordings) 1970–1975: You Can Make Me Dance, Sing Or Anything....

Background
By the end of 1972, following the critical and commercial successes of Rod Stewart's solo albums, the singer had become increasingly distanced from some of his Faces bandmates, who were frustrated that by this point they had come to be perceived by the public (and even by some concert promoters) as little more than Stewart's backing band for live work. Stewart himself was reportedly distracted enough by his newfound stardom that he missed the first two weeks of recording sessions for the latest Faces album entirely. The production of the album would continue to be hampered by the singer's apparent lack of commitment to the project, with Stewart not appearing in any capacity on three of the LP's ten tracks. As a result of this situation, Ooh La La was, according to Ian McLagan, "Ronnie [Lane]'s album", with Lane's contributions setting the tone of the album's quieter, more reflective second side.

Despite the difficult circumstances of the recording sessions, producer Glyn Johns held the group together, helping to placate internal tensions; his efforts enabled the Faces to record a focused, concise album in the manner of its predecessor, A Nod Is As Good As a Wink... to a Blind Horse (the band's first two albums were, in contrast, lengthier self-produced records). Once the recording of Ooh La La was completed, the album's credits optimistically suggested an intention to work with Johns again in the future, with the comment: "Produced by Glyn Johns (see you in a year)".

Contents
Stewart's compositions for the album were written mostly in tandem with Wood and McLagan, although in a departure from the norm two more songs were written by Stewart in sole partnership with Lane. One of these, "Flags and Banners", featured Stewart accompanying Wood on either banjo or a secondary guitar part, while Lane handled vocal duties.

The album included one composition by the whole band (excepting Stewart), the instrumental "Fly in the Ointment". This was the only joint composition by the four instrumentalists to make it onto any of their studio albums; usually their efforts were relegated to the B-sides of singles - such "Skewiff (Mend the Fuse)", which served as B-side to the "Cindy Incidentally" single.

The title track, by Wood and Lane, featured the only solo lead vocal performed in the studio by Wood during the band's existence, recorded at Glyn Johns' suggestion after neither Lane nor Stewart were said to be satisfied with their own attempts at it. Stewart apparently claimed at the time that the song was in the wrong key for him, but he later covered the song on his 1998 album When We Were the New Boys, in tribute to the recently deceased Lane. Lane performed the song on many occasions during his own post-Faces solo career.

Album cover
The cover of the album was designed by Jim Ladwig, around a stylised photograph of "Gastone", a stage character of 1920s Italian comedian Ettore Petrolini. The original LP's art deco-inspired cover was constructed in such a way that when the top edge of the sleeve was pressed down, a concealed die-cut design element would descend that made Gastone's eyes appear to discolour and move to the side, and his jaw would appear to drop into a leering smile. The back cover also featured art deco-inspired design elements, and detailed song information and album credits alongside tinted individual photographic portraits of the band members. The original gatefold sleeve's inner design depicted a large stylised photomontage of the band in typical 'laddish' pose, admiring the charms of a can-can dancer (referencing the lyric of the title track).

The album was reissued in a remastered and expanded form on 28 August 2015, including early rehearsal takes of three of its tracks. The vinyl reissue did not contain any bonus tracks, but did replicate the original LP cover with the animated picture of Gastone.

Legacy
Two other tracks from the sessions were released at the time; "Skewiff (Mend the Fuse)" as a B-side, and "Dishevelment Blues" (a blues parody) as the B-side of an album sampler flexi disc given away with copies of the New Musical Express to promote the LP. These two tracks (the latter long-prized by fans as a collector's item) were eventually compiled on the Five Guys Walk into a Bar... box set in 2004. Five outtakes from the sessions were also released as part of Five Guys..., while a number of other outtakes, mostly instrumentals, have also circulated unofficially among collectors over the years.

The album's title track "Ooh La La" is featured at the end of Wes Anderson's film Rushmore (1998), in the comedy film Without a Paddle (2004), and in numerous commercial and television soundtracks released since the year 2000. The song "Glad and Sorry" is featured in the films Blow (2001) and I'm Your Woman (2020).

Subsequent events
Shortly after Ooh La Las March 1973 release, Stewart reported to the New Musical Express that he felt that the LP was a "stinking rotten album". He expounded further in the pages of Melody Maker, stating that the album was "A bloody mess. But I shouldn't say that, should I? Well, I should say it in a few weeks' time. Not now. I mean, the public ain't gonna like me saying it's a bloody mess. It was a disgrace. Maybe I'm too critical. But look, I don't like it ... All that fucking about taking nine months [sic] to do an album like 'Ooh La La' doesn't prove anything. But I'm not going to say anything more about it." He later told Rolling Stone magazine that what he had actually meant to say was that the group was "capable of doing a better album than we've done. I just don't think we've found the right studios, or the right formula".

Despite Stewart's misgivings, the album reached number one in the UK Albums Chart during April, being the only Faces record to achieve that distinction. Rather than celebrate their success, however, the rest of the group were dismayed by the harshness of Stewart's comments, especially considering his perceived lack of commitment to fully participate in the album's recording. In his 2000 autobiography All the Rage, Ian McLagan wrote: "The week the album came out he did all he could to scuttle it and told anyone who would listen how useless it was".

Ronnie Lane, having assumed the creative workload due to Stewart's apparent disinterest, was especially stung by the vocalist's criticism. No longer content with the prospect of being increasingly sidelined in the band that he had co-founded, Lane left the Faces early in June, a decision that he would reportedly later regret. His role as bassist was filled shortly thereafter by former Free bassist Tetsu Yamauchi.

Faces went on to record two further singles, but while they toured extensively over the next two-and-a-half years, with Lane gone they never again recorded a full album of studio material (aside from a brief, abortive attempt early in 1975). The group eventually ground to a halt in November 1975 as Stewart seemed to lose interest in them entirely, while guitarist Ronnie Wood toured with the Rolling Stones prior to his official enlistment as Mick Taylor's replacement. For the remainder of the 1970s Lane went on to a more creatively fulfilling but financially unrewarding solo career, while Jones and McLagan reunited with Steve Marriott in a reformation of the Small Faces.

Track listing
Side one
"Silicone Grown" (Rod Stewart, Ronnie Wood) – 3:05
"Cindy Incidentally" (Ian McLagan, Stewart, Wood) – 2:37
"Flags and Banners" (Ronnie Lane, Stewart) – 2:00 (lead singer: Ronnie Lane)
"My Fault" (McLagan, Stewart, Wood) – 3:05 (lead singers: Rod Stewart, Ronnie Wood)
"Borstal Boys" (McLagan, Stewart, Wood) – 2:52

Side two
"Fly in the Ointment" (instrumental) (Kenney Jones, Lane, McLagan, Wood) – 3:49
"If I'm on the Late Side" (Lane, Stewart) – 2:36
"Glad and Sorry" (Lane) – 3:04 (lead singers: Ronnie Lane, Ronnie Wood, Ian McLagan)
"Just Another Honky" (Lane) – 3:32
"Ooh La La" (Lane, Wood) – 3:30 (lead singer: Ronnie Wood)

2015 reissue bonus tracks
 "Cindy Incidentally" [BBC Session] (McLagan, Stewart, Wood)
 "Borstal Boys" [rehearsal] (McLagan, Stewart, Wood)
 "Silicone Grown" [rehearsal] (Stewart, Wood)
 "Glad and Sorry" [rehearsal] (Lane)
 "Jealous Guy" [live at Reading Festival, Reading, UK, 25 August 1973, with Tetsu Yamauchi on bass] (John Lennon)

Charts

Personnel
Track numbering refers to CD and digital releases of the album.
Ronnie Lane – bass, rhythm and acoustic guitars, percussion, tambourine & lead vocal (tracks 3 & 8)
Ronnie Wood – lead electric, slide, acoustic and rhythm guitars, electric bouzouki, co-lead vocal (track 4 & 8) & lead vocal (track 10)
Ian McLagan – piano, organ, harmonium, backing vocals & co-lead vocal (track 8)
Kenney Jones – drums & percussion
Rod Stewart – lead vocal (tracks 1, 2, 4, 5, 7 & 9), banjo & secondary electric guitar (track 3) - not present on tracks 6, 8 & 10
Note: Stewart is only credited with playing electric guitar on track 3 in the Five Guys... booklet, so this credit may be in error (or may be the correction of an earlier omission).
Neemoi "Speedy" Aquaye – congas, shakers & percussion (track 6)
Glyn Johns – producer, engineer

Ron Nevison - engineer

References

1973 albums
Faces (band) albums
Warner Records albums
Albums produced by Glyn Johns
Albums recorded at Olympic Sound Studios

Ooh La La (Faces album)


François Camacho (Jerez de la Frontera, 1629 - Lima, 23 décembre 1698) est un religieux de l'ordre hospitalier de Saint-Jean-de-Dieu reconnu vénérable par l'Église catholique.

Biographie

Il naît à Jerez de la Frontera en 1630 et il est baptisé le 20 mai de la même année. Jeune homme, il aide sa famille comme ouvrier agricole. À vingt ans, il s'engage comme soldat et soutient le siège de Lérida (1647) lors de la guerre de Trente Ans. En 1653, il part avec une escadre pour l'Amérique et débarque à Carthagène des Indes où il contracte la syphilis. Il est soigné à l'hôpital des frères de saint Jean de Dieu, qui ont un hôpital dans cette ville.

Guéri, il prend sa retraite du service militaire et voyage à travers la Colombie, l'Équateur et le Pérou. Il s'installe à Lima pour diriger une hacienda, mais abandonne au bout de trois ans, pour continuer une vie d'errance dans plusieurs pays, sans parvenir à donner un sens à sa vie. Il se convertit en 1663 en écoutant un sermon du jésuite François del Castillo. De retour à Lima, il mène une vie de pénitence et de prière ; pour cela, il est traité de fou et interné à l'hôpital, ce qui est pourtant un bon discernement pour lui car son expérience auprès des malades mentaux le marque.

Le 2 octobre 1663, il prend la décision d'entrer dans l'ordre hospitalier des frères de Saint Jean de Dieu, à l'hôpital San Diego de Lima. Il fait sa profession religieuse le 4 octobre 1664pour se mettre au service des malades mais surtout en faisant l'aumône dans la ville pour les malades et l'hôpital. Il se consacre également à la réinsertion de femmes victimes de la prostitution. Il meurt d'hydropisie à Lima le 23 décembre 1698.

Culte

Il est reconnu vénérable le  janvier 1881 par Léon XIII. Ses restes sont conservés dans la cathédrale de Lima.

Notes et références

Naissance en 1629
Naissance à Jerez de la Frontera
Décès en décembre 1698
Décès à Lima
Vénérable catholique
Vénérable catholique espagnol
Frère hospitalier de Saint Jean de Dieu

François Camacho


O Grupo de Forcados Amadores de Riachos actual é um grupo de forcados fundado a 27 de Julho de 2012. A Vila de Riachos, pertencente ao município de Torres Novas, tem uma longa História ligada à forcadagem e à cultura tauromáquica. Foram forcados de Riachos os convidados para a corrida inaugural de 12 toiros da Praça de Toiros do Campo Pequeno em 1892.

História
A Vila de Riachos está rodeada de amplos campos agrícolas. Desde tempos remotos a população da vila teve aptidão e gosto pela tauromaquia.

Há registo de diversas formações com o nome do Riachos, datando a primeira ainda do tempo do Campo de Santana, em Lisboa, havendo registo de serem comandados por Júlio Rafôa. Por razões diversas os grupos tiveram efémera existência, tal como sucedeu com outras formações da época.

Constituído novo Grupo de Forcados de Riachos no final do século XIX, foi o mesmo convidado para a inauguração do Campo Pequeno a 18 de Agosto de 1892. Sob o comando de Manuel Alcorriol, coube ao forcado José Sapateiro efectuar a primeira pega da hoje centenária Monumental do Campo Pequeno, a mais importante Praça de Toiros de Portugal. Esta formação extinguiu-se pouco depois, nada tendo que ver com os Grupos de Forcados Amadores de Riachos fundados posteriormente.

Após 45 anos sem forcados em Riachos, novo Grupo foi fundado em 1995, sob o comando do Cabo João Santos. Este grupo terminou a actividade em 1998, com a despedida do Cabo nas Festas da Bênção do Gado na Vila de Riachos. Reunidos novamente vários aficionados de Riachos em 2010 e 2011, e realizados diversos treinos, foi formado o actual Grupo, tendo a estreia decorrido na Vila de Riachos a 27 de Julho de 2012 nas Festas da Bênção do Gado, sob a liderança do Cabo Carlos Branco.

Cabos
Carlos Branco (2011–2015)
João Branco (2015–presente)

Ribatejo

Grupo de Forcados Amadores de Riachos


هارون بن موسى النحوي القارئ الأعور الأزدي ولاء, أبو موسى, وقيل: أبو عبد الله البصري. صاحب القرآن والعربية, سمع من طاوس اليماني وثابت البناني. قال الخطيب البغدادي: كان يهوديًا فأسلم, وطلب القراءة؛ فكان رأسًا, وضبط النحو وحفظه وحدث؛ وهو أول من تتبع وجوه القرآن وألفها, وتتبع الشاذ منها وبحث عن إسناده, وكان شديد القول بالقدر. وثقه ابن معين, وروى له البخاري ومسلم.

قال ابن الجزري: علامة صدوق نبيل له قراءة معروفة , روى القراءة عن عاصم الجحدري وعاصم بن أبي النجود وعبد الله بن كثير وابن محيصن وحميد بن قيس وأبي عمرو بن العلاء عن عاصم وعرض على عبد الله بن أبي إسحاق وروى عن ثابت وأنس بن سيرين وشعيب بن الحبحاب, روى القراءة عنه علي بن نصر ويونس بن محمد المؤدب وشهاب بن شرنفة ووهيب بن عمرو وحجاج بن محمد والنضر بن شميل وشعيب بن إسحاق وأحمد بن محمد بن أبي عمرو العتبي.

ناظر إنسانًا يومًا في شيء فغلبه, فلم يدر المغلوب ما يصنع! فقال له: كنت يهوديًا فأسلمت, فقال له هارون: فبئس ما صنعت! فغلبه أيضًا في هذا. قال السيوطي: مات في حدود السبعين ومائة.

مصادر الترجمة
 تاريخ بغداد للخطيب البغدادي ( 14/3 ) .
 غاية النهاية في طبقات القراء لابن الجزري ( 2/348 ) .
 بغية الوعاة في طبقات اللغويين والنحاة للسيوطي ( 2/310 ) .

مراجع

صفحات تحتاج تصنيف سنة الولادة
لغويون عرب في القرون الوسطى
نحاة
وفيات 170 هـ
يهود اعتنقوا الإسلام

هارون بن موسى النحوي


Ioan Tarnița a fost delegat titular la Marea Adunare Națională de la Alba Iulia din partea cercului Electoral Dej.

Note

Delegați la Marea Adunare Națională de la Alba Iulia

Ioan Tarnița


An Goodyera sechellarum in uska species han Liliopsida nga syahan ginhulagway ni Spencer Le Marchant Moore, ngan ginhatag han pagkayana nga asya nga ngaran ni Paul Ormerod. An Goodyera sechellarum in nahilalakip ha genus nga Goodyera, ngan familia nga Orchidaceae.

Mabibilngan ini ha Seychelles. Waray hini subspecies nga nakalista.

Mga kasarigan

Goodyera

Goodyera sechellarum


A resolução 1267 do Conselho de Segurança das Nações Unidas foi adotada por unanimidade em 15 de outubro de 1999. Após recordar as resoluções 1189 (1998), 1193 (1998) e 1214 (1998) sobre a situação no Afeganistão, o Conselho designou Osama bin Laden e associados como terroristas e estabeleceu um regime de sanções para cobrir indivíduos e entidades associadas à Al-Qaida, Osama bin Laden e/ou Taliban onde quer que estejam.

Desde então, o regime foi reafirmado e modificado por mais uma dúzia de Resoluções do Conselho de Segurança da ONU. Foi alegado que o regime de sanções causou terríveis dificuldades ao povo do Afeganistão sob o regime do Talibã, numa época em que eles dependiam fortemente da ajuda alimentar internacional, embora não atendessem a nenhuma de suas demandas. Desde a invasão americana do Afeganistão em 2001, as sanções foram aplicadas a indivíduos e organizações em todas as partes do mundo.

O regime é composto por um Comitê do Conselho de Segurança da ONU, uma "lista consolidada" de pessoas e entidades determinadas como associadas à Al-Qaeda ou ao Talibã, e leis que devem ser aprovadas em cada país membro para implementar as sanções. O Comitê recebe relatórios de cada nação sobre o andamento do trabalho e pode variar as condições impostas a qualquer indivíduo conforme achar adequado.

Não havia direito de recurso contra a listagem até dezembro de 2006.

Links externos

 Text of the Resolution at undocs.org

Conselho de Segurança das Nações Unidas

Resolução 1267 do Conselho de Segurança das Nações Unidas


Erich Schmid (né le  à Bruck an der Mur; †  à Vienne) est un physicien autrichien qui s'est illustré par ses contributions aux mécanismes de déformation plastique dans les cristaux.

Biographie
Schmid étudie la physique et les mathématiques à l'université de Vienne, et soutient sa thèse en 1920 sous la direction de Felix Ehrenhaft. D'abord assistant du physicien Ludwig Flamm, il obtient en 1922 un poste de chercheur à l'Institut Kaiser-Wilhelm de chimie des fibres, avec un intermède (1924-1928) où il travaille pour le laboratoire de métallurgie de Metallgesellschaft AG à Francfort-sur-le-Main. En 1932, il se voit proposer la présidence de l'Institut de Physique de l'université de Fribourg en Suisse. De 1936 à 1946, il prend la direction du laboratoire de recherche de Metallgesellschaft, puis crée le laboratoire de recherche de "Vacuumschmelze AG" à Hanau. En 1951, il accepte la chaire de métallurgie de l'Université de Vienne et conserve ce poste jusqu'à sa nomination au rang de professeur émérite en 1967.

La loi du cisaillement critique porte son nom. Le traité de microplasticité qu'il publie en 1935 avec Walter Boas (Kristallplastizität mit besonderer Berücksichtigung der Metalle) devient classique dans le monde germanophone. L'Académie autrichienne des sciences lui décerne le Prix Erwin Schrödinger en 1960 pour l'ensemble de son œuvre, et donne son nom à son Institut des Sciences des Matériaux. Il reçoit l'Ordre des sciences et des arts d'Autriche ; est élu membre de l'Académie Léopoldine (1965), puis membre correspondant de l'Académie des sciences de Saxe (1971), et fait docteur honoris causa de l'École des mines de Leoben et de l'université de technologie de Clausthal.

Une rue de sa ville natale, Bruck an der Mur, porte désormais son nom.

Notes

Liens externes

  Plasticity of Crystals: with special reference to metals,

Naissance en mai 1896
Naissance à Bruck an der Mur
Physicien autrichien
Étudiant de l'université de Vienne
Professeur à l'université de Vienne
Docteur honoris causa de l'université de Leoben
Membre de l'Académie allemande des sciences Leopoldina
Théoricien de la plasticité
Décès en octobre 1983
Décès à Vienne (Autriche)
Décès à 87 ans
Naissance en Autriche-Hongrie

Erich Schmid (physicien)


Azat Armenaki Sherents (en , né le  à Tiflis (Géorgie) et mort le  à Erevan (Arménie), est un acteur arménien.

Il est l'un des fondateurs de la comédie cinématographique arménienne.

Biographie

En 1931, Azat Sherents commence sa carrière d'acteur sur la scène du Sundukyan Drama Theatre à Erevan. En 1934-1937, il étudie au studio de théâtre arménien à Moscou. En 1937-1968, Sherents se produit au théâtre dramatique de Leninakan. Depuis 1968, il travaille au studio Armenfilm, jouant dans des films arméniens jusqu'à sa mort, en 1993.

Filmographie partielle

Au cinéma

 1969 : Menq enq, mer sarere : Avag
 1970 : Kak stat muzhchinoy (segment "Buba")
 1971 : Khatabala :
 1971 : Vystrel na granitse : l'intrus
 1973 : Tghamardik : Vazgen
 1973 : Hayrik : le grand-père
 1974 : Odnoselchane : Ruben Stepanyan
 1974 : Kseniya, lyubimaya zhena Fyodora : Suren
 1974 : Qaos : Papasha
 1974 : Le Raisin vert (Hndzan) : le chef de gare
 1975 : Aystegh, ays khachmerukum : Mukuch
 1977 : Soleil d'automne (Ashnan arev) : Andranik, le frère de Simon
 1979 : Astghayin amar : le chef cuisinier
 1980 : Ktor me yerkinq : le prêtre
 1980 : Legend tzaghratzui masin :
 1981 : Avtomeqenan taniqi vra :
 1982 : Mi katil meghr :
 1985 : Khndzori aygin : Sahak
 1990 : Demqov depi pate

Récompenses et distinctions

  Azat Sherents: Awards, sur l'Internet Movie Database

Notes et références

Liens externes

 Profil sur Persons.am

Acteur arménien du XXe siècle
Naissance en avril 1913
Naissance à Tbilissi
Décès en décembre 1993
Décès à Erevan
Décès à 80 ans
Pages avec des traductions non relues

Azat Sherents


Mariana Efstratiou (, * 1962 in Athen) ist eine griechische Sängerin.

Erste Bekanntheit in Griechenland erhielt sie als Backgroundsängerin bei Big Alice. Schon 1987 war sie beim Eurovision Song Contest mit dabei: Sie begleitete als Backgroundsängerin die griechische Gruppe Bang. Zwei Jahre später wurde sie dann selbst ausgewählt: Sie vertrat ihr Land beim Eurovision Song Contest 1989 in Lausanne mit dem Schlager To thiko sou asteri und erreichte Platz 9. 1996 wurde sie erneut ausgewählt und durfte daher beim Eurovision Song Contest 1996 in Oslo antreten. Mit ihrem folkloristisch angehauchten Popsong Emis forame to heimona anoixiatika musste sie sich aber mit Platz 14 zufriedengeben.

Weblinks
 Mariana bei Discogs (englisch)

Einzelnachweise

Interpret eines griechischen Beitrags beim Eurovision Song Contest
Sänger
Musiker (Griechenland)
Grieche
Geboren 1962
Frau

Mariana Efstratiou


Classic Race Aarhus var en årlig motorsportsfestival, der blev afholdt over én weekend i og omkring Mindeparken i Aarhus. Start- og målområdet på den 2.600 meter lange banestrækning var placeret på Strandvejen, lige udfor Tangkrogen.

I 2018 deltog over 300 biler, og over tre dage var der 42.500 publikummer. Udover en del showløb afvikles der også ordinære mesterskabsafdelinger i blandt andet Danish Thundersport Championship (DTC).

Fonden, Classic Race Aarhus Fond, ejede festivalen, og dens primære mål var at lave Nordeuropas bedste racefestival, og at støtte børns trafiksikkerhed.

I 2020 måtte racet aflyses på grund af coronaviruspandemien. Året efter i 2021 måtte man rykke racet til september grundet restriktioner. Men samme år meddelte Classic Race Aarhus at fondet var gået konkurs og at racet 2021 ville blive det sidste.

Eksterne henvisninger
 Classic Race Aarhus' officielle hjemmeside

Bilsport
Sport i Aarhus
Etableret i 2010
Motorsport i Danmark

Classic Race Aarhus


Desde que te fuiste es una película estadounidense de 1944 dirigida por John Cromwell y protagonizada por Claudette Colbert, Jennifer Jones y Joseph Cotten en los papeles principales.

Argumento

Mientras su marido Tim está luchando en la Segunda Guerra Mundial, Anne Hilton intenta superar los problemas económicos y el racionamiento alquilando una habitación al coronel Smollet. Lo malo es que su hija Jane tiene una aventura con el nieto del coronel.

Reparto

Enlaces externos

Películas dramáticas de Estados Unidos
Películas dirigidas por John Cromwell
Películas en blanco y negro
Películas basadas en novelas
Películas de Selznick International Pictures
Películas con música de Max Steiner

Desde que te fuiste


El Ministerio de Transporte y Obras Públicas de Ecuador o MTOP es un Ministerio del Estado Ecuatoriano la cual es la rectora del Sistema Nacional del Transporte.

Historia
Fue creado por decreto ejecutivo número 8 el 8 de febrero del año 2007

El MTOP es el encargado de la construcción y mantenimiento de la Red Vial Nacional del Ecuador.

Orgánicamente cuenta con dos viceministros 5 subsecretarias

Objetivo
De acuerdo a su portal web su objetivo es:

Contribuir al desarrollo del País a través de la formulación de políticas, regulaciones, planes, programas y proyectos, que garanticen un Sistema Nacional del Transporte Intermodal y Multimodal, sustentado en una red de Transporte con estándares internacionales de calidad, alineados con las directrices económicas, sociales, medioambientales y el plan nacional de desarrollo.

Listado de ministros

Referencias

Transporte
Ecuador
Ecuador

Ministerio de Transporte y Obras Públicas (Ecuador)


Rudolf Vogeltanz (* 4. Juni 1941 in Graz; † 11. Jänner 1994) war ein österreichischer Geologe, Musiker und bildender Künstler.

Leben
Rudolf Vogeltanz wurde als erster Sohn seiner Eltern in Graz geboren und erfuhr durch seinen Vater eine sehr strenge und autoritäre Erziehung, die sein ganzes Leben prägte. Nach dem Besuch der Volks- und Mittelschule studierte er in Graz Geologie. Nach Studienabschluss und Promotion trat er im Jahr 1964 seine Stelle im Haus der Natur in Salzburg an. 1965 heiratete er die Lehrerin Elisabeth Tautscher, die er schon während des Studiums kennengelernt hatte. In der Nacht zum 11. Januar 1994 nahm er sich das Leben.

Beruf
Rudolf Vogeltanz arbeitete sich in kurzer Zeit beruflich in den Bereich Museumsdidaktik ein. Er informierte sich durch Exkursionen in andere Museen und gestaltete die Geologische Sammlung im Haus der Natur Salzburg völlig neu, wobei ihm sein künstlerisches Talent half. Nebenbei betreute er die paläologische Sammlerrunde, führte paläologische Grabungsexkursionen durch und verschaffte dadurch dem Museum interessantes neues Material. U. a. arbeitete er an der klassischen Fossilfundstelle in St. Pankraz am Haunsberg. Von Beginn seiner beruflichen Karriere an arbeitete Rudolf Vogeltanz wissenschaftlich, obwohl ihm wenig Literatur und Gerätschaften zur Verfügung standen. Das erst im Jahr 1967 gegründete Institut für Geologie und Paläontologie an der Universität Salzburg war ebenfalls schlecht ausgestattet und bot daher wenig Hilfe.

Als die Nachfolge von Eduard Paul Tratz feststand, bewarb sich Rudolf Vogeltanz beim Amt der Salzburger Landesregierung, wo er im Jahr 1971 zu arbeiten begann. Sein Auftrag war, einen geologischen Dienst aufzubauen, der vorwiegend aus Amtssachverständigengutachten mit Schwerpunkt Baugeologie und Hydrogeologie bestand. Im Jahr 1979 wurde ihm die Berufsbezeichnung Landesgeologe zugesprochen, 1989 wurde er zum korrespondierenden Mitglied der Geologischen Bundesanstalt ernannt und 1992 wurde ihm der Titel Hofrat verliehen.

Musiker und Künstler
Rudolf Vogeltanz war wie sein jüngerer Bruder Günther ein sehr musischer Mensch und hatte in seiner Jugend überlegt, Musiker zu werden. Er studierte Geige, spielte Klavier und Ziehharmonika. Ab 1966 setzte er sich mit Karikatur, Malerei und Grafik auseinander. Auch in der Kunst war er "ein ruhelos Ringender" wie Gottfried Tichy in seinem Nachruf auf Rudolf Vogeltanz schreibt. Auf der Suche nach neuen Ausdrucksmitteln befasste er sich seit 1975 mit Holz- und Linolschnitten, ab 1976 mit der Aquarelltechnik und Pastellarbeiten. Noch in seiner Zeit als erfolgreicher Landesgeologe überlegte er, den Brotberuf aufzugeben, um sich ganz der Kunst zu widmen. Er fühlte sich künstlerisch dem Grafiker Felix Vallotton nahe, dem Expressionismus verbunden, brachte im Eigenverlag Werkkataloge heraus und sammelte auch Holzschnitte, z. B. von Alfred Kubin und Beckmann. Er hatte regen Kontakt mit Künstlern wie den Malern Walter Berg, Fronius und Schnabel. Seine dennoch stets eher im Privaten gehaltene umfassende und vielseitige künstlerische Arbeit prägte auch den Comiczeichner, Illustrator und Regisseur Jörg Vogeltanz, seinen Neffen, in frühen Jahren und beeinflusste dessen künstlerische Entwicklung nicht unwesentlich. Rudolf Vogeltanz lebte auch sein großes Interesse an Literatur aus, besuchte Lesungen und lernte Gerhard Amanshauser kennen, der ihm im Laufe der Zeit ein enger Freund bis in die letzten Stunden seines Lebens wurde. Er war auch ein Reisender und besuchte fast alle Länder Europas, die Türkei, Thailand und die Vereinigten Staaten Amerikas.

Die Scheidung im Jahr 1993 nach einer außerehelichen Beziehung, aus der eine Tochter hervorging, setzte ihm sehr zu. Ein Selbstporträt aus dem Jahr 1993 zeigt seinen inneren Zustand. Am 11. Januar 1994 setzte er seinem Leben ein Ende.

Unterhalb der Festung Kniepass bei Unken, Unteres Saalachtal im Pinzgau wurde zu seinem Andenken eine Gedenktafel angebracht.

Veröffentlichungen
Rudolf Vogeltanz hat zwischen 1964 und 1994 zahlreiche Fachartikel publiziert und einige Kunstkataloge herausgegeben.
 Rudolf Vogeltanz: Holzschnitte 1977–1983 (Salzburg 1983, signierte und auf 500 Exemplare limitierte, nummerierte Ausgabe, Eigenverlag)
 Rudolf Vogeltanz: Zeichnungen, Aquarelle und Holzschnitte 1978–1990 (Salzburg 1990, Eigenverlag)
 Rudolf Vogeltanz: Zeichnungen (Salzburg 1991, Eigenverlag)
 Rudolf Vogeltanz: Die letzten Zeichnungen (Salzburg 1993, Eigenverlag)
 Rudolf Vogeltanz: Menschen und Tiere, Zeichnungen (Salzburg 1994, Eigenverlag)

Literatur
 Gottfried Tichy: Rudolf Vogeltanz. In: Mitteilungen der Österreichischen Geologischen Gesellschaft. Band 86, 1993, S. 187–190 (, Nachruf).

Weblinks
 https://www.sn.at/wiki/Datei:Rudolf_Vogeltanz.jpg

Geologe (20. Jahrhundert)
Grafiker (Österreich)
Maler (Österreich)
Österreicher
Geboren 1941
Gestorben 1994
Mann

Rudolf Vogeltanz


Ceftibuten (cu denumirea comercială Cedax) este un antibiotic din clasa cefalosporinelor de generația a treia, utilizat în tratamentul unor infecții bacteriene. Printre acestea se numără: infecții ale căilor respiratorii superioare și inferioare (acutizări ale bronșitelor acute). Calea de administrare disponibilă este cea orală.

Utilizări medicale

Reacții adverse
Printre reacțiile adverse se numără reacțiile gastrointestinale. Se poate instala o diaree cu colită pseudomembranoasă, datorită infectării cu Clostridium difficile.

Note

Vezi și
 Cefotiam
 Cefotaximă
 Ceftizoximă

Cefalosporine
Tiazoli

Ceftibuten


Johann Wirtz ist der Name folgender Personen:

* Johann Wirtz (Theologe) († 1658), Schweizer Theologe
 Johann Wirtz (Politiker) (1913–2003), deutscher Landwirt und Politiker (CDU)
 Johann Jacob Paul Wirtz (1881–1946), deutscher Überseekaufmann und Bankier

Johann Wirtz


سعدين هي قرية لبنانية من قرى قضاء عكار في محافظة الشمال. تقع في تجمع للقرى يسمى السهل في عكار.

المراجع

قرى لبنان

سعدين