2003 Eurovision Şarkı Yarışması, 24 Mayıs 2003'te Letonya'nın başkenti Riga'da, Skonto Hall'de gerçekleştirilen 48. Eurovision Şarkı Yarışması'dır. Yarışmanın sunuculuğunu, geçmiş yılın galibi Marie N ile birlikte Renārs Kaupers üstlenmiştir. Yarışmanın galibi 167 puanla "Everyway That I Can" isimli şarkıyla Türkiye adına yarışan Sertab Erener olmuştur. Belçika 165 puanla ikinci, Rusya ise 164 puanla üçüncü olmuştur.

2003 Eurovision Şarkı Yarışması, 2004'te yarı final sistemine geçilmesinden önce gerçekleştirilen, yalnızca finalden oluşan ve geçmiş yıl yarışmayı son altı sırada tamamlayan ülkelerin elendiği son yarışmadır. Yarışma finalinde yirmi altı ülke yarışmıştır. 2002 yılında yarışmaya katılmayan altı ülke yarışmaya geri dönmüş, 2002 yılında yarışan beş ülke ise yarışmadan çekilmiştir. Ukrayna ilk defa yarışmaya katılmıştır.

Yarışma öncesinde Rusya'nın temsilcisi t.A.T.u. medyada çok ilgi topladı. Şarkısını açıklayan ilk ülkeler ise, aslen bir komedyen olan Alf Poier'ı yarışmaya gönderen Avusturya ve ev sahibi ülke Letonya oldu. Birleşik Krallık adına yarışan Jemini hiçbir ülkeden puan almayı başaramayarak, yarışma tarihinde ilk defa Birleşik Krallık'a bir sonunculuk kazandırdı. İrlanda teleoylama sırasında yaşadığı teknik sorunlar nedeniyle oylamayı Avrupa Yayın Birliği (EBU) kuralları çerçevesinde jüri oylamasıyla yaptı. Rusya ve Bosna-Hersek de telekomünikasyon ağlarının yetersizliği nedeniyle jüri oluşumuyla oylamalarını gerçekleştirdiler. Rusya'nın devlet kanalı Pervıy Kanal İrlanda'nın oylamasına itirazda bulundu. t.A. T.u. grubunun halk oylamasıyla daha çok puan alabileceğini öne süren kanal, yarışma sonucunu geçersiz saydıklarını duyurdu. Ancak daha sonra İrlanda devlet televizyonu halk oylaması sonuçlarını açıklayarak birinci sırada bir değişiklik olmadığını, Rusya'nın beklentisinin haksız çıkarak puan alamadığı ancak Belçika'nın televoting sonuçlarına göre jürinin verdiği on puana karşılık halk oylamasından yalnızca iki puan aldığı ve dolayısıyla Belçika'nın bu sonuca göre yarışmayı ikinci değil üçüncü sırada bitireceği, Rusya'nın ise ikinci sırada bitireceği belli oldu.

1956'dan beri yalnızca beşinci kez, yarışmaya geri dönen hiçbir sanatçı olmadı. Tüm sanatçılar Eurovision sahnesine ilk defa çıktılar.

Ev sahibi
25 Mayıs 2002 tarihinde Letonya, Marie N'nin "I Wanna" isimli şarkısıyla 2002 Eurovision Şarkı Yarışması'nın galibi oldu. Bu, Letonya'nın ilk zaferiydi ve ülkenin 2003 Eurovision Şarkı Yarışması'na ev sahipliği yapacağı anlamına geliyordu. Letonya delegasyon başkanı Arvids Babris, ülkenin para konusunda sıkıntıda olmasına rağmen yarışmaya ev sahipliği yapacağını onayladı ve yarışma için 2.300.000 Euro bütçe ayrıldığını duyurdu. Aynı zaman da Babris, programın yapımcılığını da üstlendi. 5 000 kişi kapasiteli Skonto Hall, yarışmanın ev sahibi olarak belirlendi. Aralık 2002'de LTV yarışmanın sunuculuğunu ülkeye zafer getiren Marie N ve 2000 Eurovision Şarkı Yarışması'nda Letonya'yı temsil eden Renārs Kaupers'ın üstleneceğini duyurdu. İsveç'in ulusal televizyon kanalı Sveriges Television, üçüncü kez yarışmanın yapımcılığını üstlendi (Sven Stojanovic'in yönetmenliğinde). Ve İsveçli aydınlatma şirketi Spectra +, tıpkı 2000 ve 2002 yarışmalarında olduğu gibi, 2003 Eurovision Şarkı Yarışması için de aydınlatma görevi üstlendi. Yarışmanın sloganı "Magical Rendez-vous" geçmiş yılların aksine Fransızcaydı ve Türkçede "Büyülü Buluşma" anlamına geliyordu. Yarışmanın resmî CD'si ise EMI etiketiyle piyasa sunulmuştur.

Sonuç

Katılım
Tallinn'de gerçekleştirilen 2002 Eurovision Şarkı Yarışması'nda yarışan yirmi dört ülkeden Danimarka, Finlandiya, İsviçre, Litvanya, Makedonya ve Türkiye yarışmayı son sekiz sırada tamamladığı için elenmiştir. Ancak, 2002 yarışmasında Türkiye'nin Almanya'dan hiç puan alamaması üzerine şüphelenen TRT, durumu EBU'ya bildirmiş ve şikayetçi olmuştur. Karşılığında Türkiye'ye finalde yarışma hakkı verilmiş ve Türkiye yarışmadan çekilmek zorunda kalmamıştır. 2002 yarışmasına katılmayan İzlanda, İrlanda, Hollanda, Norveç, Polonya ve Portekiz ise yarışmaya 2003'te geri dönmüştür. Yirmi altıncı yarışmacı ise tarihinde ilk kez yarışmaya katılan Ukrayna olmuştur. Sırbistan-Karadağ, Arnavutluk ve Belarus, yarışmaya katılmak için başvuru yapsalar da, EBU, küme düşme prosedüründeki tavizler nedeniyle katılımlarını onaylayamamıştır. Üç ülke de yarışmaya 2004 yılında katılmıştır.

Puan Tablosu

12 puan

Yarışmada 12 puan alan ülkeler

Kaynakça

Dış bağlantılar

 Official Eurovision Song Contest Website
 BBC ESC 2003 Website
 ESC Today
 Information about the 2003 Eurovision Song Contest in Riga

2003 Eurovision Şarkı Yarışması


Kat Zhang (nascida em 1991) é uma premiada autora americana de literatura para jovens adultos e de nível médio. Ela também escreveu dois livros ilustrados, Amy Wu and the Perfect Bao e Amy Wu and the Patchwork Dragon. Sua primeira trilogia, The Hybrid Chronicles, foi publicada pela HarperCollins nos Estados Unidos. De acordo com o WorldCat, a série é realizada em 2.545 bibliotecas, e foi traduzida para chinês, alemão, espanhol, francês, português, polonês e italiano. O primeiro volume, What's Left of Me, foi publicado em 2012; o segundo volume, Once We Were, foi publicado em 2013; e o terceiro e último volume, Echoes of Us, foi publicado em 2014.

Vida Pessoal
Zhang nasceu no Texas, filho de imigrantes da China. Seu pai era de Wuhan e sua mãe de Fuzhou.

Zhang se formou na Universidade Vanderbilt.

Obras

Young Adult novels

Hybrid Chronicles trilogy

 What's Left of Me (2012)
 Once We Were (2013)
 Echoes of Us (2014)

Middle Grade novels

 The Emperor's Riddle (2017)
 The Memory of Forgotten Things (2018)

Picture Books

 Amy Wu and the Perfect Bao (2019)
 Amy Wu and the Patchwork Dragon (2020)

The Hybrid Chronicles
A série Hybrid Chronicles se passa em uma sociedade de universo alternativo em que cada corpo possui duas 'almas' ou identidades humanas no nascimento. Uma dessas identidades, chamada de "alma recessiva", supostamente desaparece com a idade. Aqueles que retêm ambas as almas são rotulados de 'híbridos' e são excluídos da sociedade normal. As protagonistas da série são Addie e Eva, as almas dominantes e recessivas, respectivamente, que habitam o mesmo corpo. As meninas escondem a presença de Eva, que perdeu o controle de seu corpo compartilhado, mas nunca desapareceu completamente, por medo do que poderia acontecer se elas fossem descobertas. Ao longo da trilogia, as meninas são inicialmente institucionalizadas por sua natureza híbrida, depois se unem a uma força de resistência por direitos híbridos.

A trilogia Hybrid Chronicles inclui What's Left of Me (2012), Once We Were (2013) e Echoes of Us (2014).

Novelas de nível médio
The Emperor's Riddle, o primeiro romance de nível médio de Zhang, se passa em Fuzhou, China. Ele descreve as aventuras de uma garota sino-americana enquanto ela procura um antigo tesouro da dinastia Ming. O livro detalha as lendas envolvendo o assassinato do imperador chinês Zhu Yunwen, o segundo imperador da dinastia Ming, e aborda os eventos da revolução cultural chinesa.

O segundo romance de segundo grau de Zhang, The Memory of Forgotten Things, é um retorno à ficção científica. A protagonista de doze anos, Sophia Wallace, tem memórias de sua falecida mãe que não fazem sentido, memórias que acontecem após a morte de sua mãe. Ela acredita que um próximo eclipse solar lhe permitirá atravessar para um mundo paralelo onde sua mãe nunca morreu.

Recepção da crítica
The Hybrid Chronicles recebeu uma recepção geralmente positiva de vários sites. O primeiro da trilogia, What's Left of Me, foi escolhido como um livro do BEA Buzz de 2012 e recebeu uma crítica com estrela na Publishers Weekly. Foi avaliado positivamente no The New York Times. Em 2017, The Emperor's Riddle ganhou uma menção honrosa para o Prêmio Freeman do NCTA. Ele também ganhou um Parent's Choice Award.

The Memory of Forgotten Things foi selecionado como o melhor livro infantil do ano de Bank Street.

O primeiro livro ilustrado de Amy Wu, Amy Wu and the Perfect Bao, recebeu uma crítica estrelada de Kirkus, e foi um Kirkus Best Picture Book de 2019.[21] Também foi escolhido como primeiro e melhor livro de 2019 pela Biblioteca Pública de Toronto.

Referências

Kat Zhang


Jerzy Oskar Stuhr (n. 18 aprilie 1947, Kraków, Polonia) este un actor și  regizor de film polonez. El a interpretat roluri principale în mai multe filme regizate de Krzysztof Kieślowski.

Filmografie
 Trzecia część nocy (1970) - regizat de Andrzej Żuławski
 Milion za Laurę (1971)
 Na wylot (1972)
 Die Schlüssel (1974)
 Cicatricea (Blizna) (1976) - regizat de Krzysztof Kieślowski
 Spokój (1976) - regizat de Krzysztof Kieślowski
 Prezentatorul (Wodzirej, 1978)
 Bez znieczulenia (1978) - regizat de Andrzej Wajda
 Aktorzy prowincjonalni (1978) - regizat de Agnieszka Holland
 Amatorul (Amator, 1979) - regizat de Krzysztof Kieślowski
 Noroc chior (Przypadek, 1981) - regizat de Krzysztof Kieślowski
   Seksmisja (1983) -  regia  Juliusz Machulski
 Rok spokojnego słońca (1984) - regizat de Krzysztof Zanussi
 Decalogul (Dekalog, 1988) - regizat de Krzysztof Kieślowski
 Trei Culori: Alb (Trzy kolory: Biały, 1993) - regizat de Krzysztof Kieślowski

Note

Legături externe

Nașteri în 1947
Actori de film polonezi
Polonezi din secolul al XX-lea
Polonezi din secolul al XXI-lea
Polonezi în viață
Actori din secolul al XX-lea
Actori din secolul al XXI-lea
Regizori de film polonezi

Jerzy Stuhr


Raper peut faire référence à :
 Johnny Raper (1939-2022), joueur et entraîneur de rugby à XIII australien.
 Judy Raper (née en 1954), ingénieure chimiste australienne.
 Kenneth Bryan Raper (1908-1987), botaniste et mycologue américain.
 Matthew Raper (1705-1778), astronome et mathématicien britannique.

Raper


قبيلة ضبيعة بن قيس بن ثعلبة بن عكابة بن صعب من بكر بن وائل والتي تعود إلى ربيعة أحد فرعي قبيلة معد العدنانية والآخر مضر. اشتهر منها الفارس الحارث بن عباد بن ضبيعة، صاحب الفرس النعامة أشهر خيول ربيعة.

مساكن القبيلة
مثل قبائل ربيعة التي استوطنت نجد حتى العراق. فقد استوطنت قبيلة بنو ضبيعة إقليم اليمامة وسط نجد وتحديدا قرية الضبيعة التي سميت باسم القبيلة. والتي ما زالت تحمل الاسم حتى هذا اليوم وهي أحد مدن محافظة الخرج، والتي تم إنشائها منذ أن سكنت قبيلة بنو ضبيعة فيها قبل الهجرة ب 200 سنة. فقد كانت اليمامة من أكثر أقاليم الجزيرة العربية وفرة بالماء والأودية الخصبة والكثيرة.

من مشاهير القبيلة في الجاهلية
 الشاعر الفارس الحارث بن عباد
 تميم بن قيس بن ثعلبة
 ضبيعة بن قيس بن ثعلبة بن عكابة بن صعب

جد جاهلي من بني بكر بن وائل كان له من الولد: مالك وجحدر وعباد وسعد ونزل بنوه بعد الإسلام بالبصرة.
 جويرية بن أسماء بن عبيد الضبعي

نسبته إلى ضبيعة من بكر بن وائل أطلق ويعرف بالبصري نسبة إلى
المحلة التي سكنوها بالبصرة عالم بالحديث ثقة بقي من آثاره صحيفة في مكتبة شهيد علي بإسطنبول توفي سنة (173هـ)
 جحدر بن ضبيعة بن قيس البكري

أبو مكنف فارس بكر في الجاهلية وله شعر قيل اسمه ربيعة وسمي جحدر (وهو في اللغة القصير) له وقائع كثيرة وقتل في حرب تغلب يوم تحلاق اللمم وكان قبل الإسلام بنحو مائة سنة وإليه ينسب عامر بن عبد الملك بن مسمع الجحدري النسابة وجده مسمع بن مالك الجحدري من كبار البكريين كان معاصراً لعبد الملك بن مروان وكان لبني مسمع هذا وبني أخوته في البصرة عدد وثروة كما يقول إبن حزم ومن بنيه الأمير المسمعي إبراهيم بن عبد الله
 سعد بن ضبيعة بن قيس

من بني بكر بن وائل من ربيعة جد جاهلي قال القلقشندي: كان له من الولد جذيمة وقيس وذهل وعدي وصعب وسمى ابن حزم من بنيه عوفاً وثعلبة ولم يذكر الأولين ومن نسله أعشى قيس
 عمرو بن خالد الضبعي القيسي البكري

من بني ضبيعة بن قيس بن ثعلبة شاعر جاهلي اشتهر بأشعاره يوم (الوقيط) وهو يوم لبكر ابن وائل على بني تميم وهو القائل:
أن الفـوارس يـوم نـاعـجـة الـنـقـا نـعـم الـفـوارس مـن بـنـي سـيــار
 سعد بن مالك بن ضبيعة بن قيس بن ثعلبة البكري

من سراة بني بكر وفرسانها المعدودين في الجاهلية قال البغدادي له أشعار جياد في كتاب بني قيس بن ثعلبة قتل في حرب البسوس.
 رقاش بنت ضبيعة بن قيس بن ثعلبة

أم جاهلية ينسب إليها بنو ((رقاش)) وهم بنوها من زوجها شيبان بن
ذهل من بني بكر بن وائل من ربيعة.
 المسيّب بن علس بن مالك بن عمر الضبعي

ابن قمامة من بني ضبيعة من ربيعة شاعر جاهلي كان أحد المقلين المفضلين في الجاهلية وهو خال الأعشى ميمون وكان الأعشى راويته وقيل اسمه زهير وكنيته أبو فضة له (ديوان شعر) شرحه الأمدي.
 جرير بن عبد العزي المتلمس الضبعي

من بني ضبيعة بن ربيعة شاعر جاهلي من أهل البحرين وهو خال طرفة بن العبد كان ينادم عمرو بن هند اللخمي ملك الحيرة ثم هجاه فأراد عمرو قتله ففر إلى الشام ولحق بآل جفنة (ملوكها) ومات في بصرى من أعمال حوران نحو عام (50) قبل الهجرة وهو صاحب الصحيفة التي يضرب بها المثل بحيث يقال (اِِشأم من صحيفة المتلمس).
 وائل بن شرحبيل بن عمرو بن مرثد الضبعي

من ضبيعة بكر بن وائل شاعر فارس جاهلي بين قومه (بني ضبيعة بن قيس) وبني أسد ويربوع وقعة في (خوي) بضم الخاء وفتح الواو قُتل فيها (يزيد بن القحادية) اليربوعي فقال من قصيده:
وغـادرنـا يـزيـد لـدى خـوي فليس بآيـب أخـرى الليـالـي
وأسر في وقعة فحمل إلى لعلع وهو موضع بين مكاني البصرة والكوفة فقال قرواش بن حوطة الضبي:
إذا وائل حل القطاط ولعلعا وقتل بنو أسد عمه (بشر بن عمرو بن مرثد) فأدرك بنو ضبيعة ثارهم فقال وائل:
أبي يوم هرشي أدرك الوتر فاشتفى بـيـوم قـلاب والـصـروف تـــدور .

المشاهير في الإسلام
 نصر بن عمران بن عاصم بن واسع الضبعي

من بني ضبيعة من ربيعة أبو جمرة من ثقات الحديث له ذكر في الفتوح من أهل البصرة أقام بنيسابور وانتقل إلى مرو ودخل خراسان مع يزيد بن المهلب ثم أقام بسرخس وتوفي بها سنة (128هـ)
 عبد الله بن بن محمد بن عبد الله بن عاصم الضبعي

من بني ضبيعة من ربيعة يلقب (الأحوص) شاعر هجاء صافي الديباجة من طبقة جميل بن معمر ونصيب كان معاصراً ل جرير والفرزدق وهو من سكان المدينة وفد على الوليد بن عبد الملك (في الشام) فأكرمه الوليد ثم بلغه عنه ما ساءه من سيرته فردّه إلى المدينة وأمر بجلده فجُلد ونفي إلى دهلك وهي جزيرة بين اليمن والحبشة كان بنو أمية ينفون إليها من يسخطون عليه فبقي بها إلى ما بعد وفاة عمر بن عبد العزيز وأطلقه يزيد بن عبد الملك فقدم دمشق فمات فيها سنة (105هـ) وكان حماد الراوية يقدمه في النسيب على شعراء زمنه ولقب بالحوص لضيق في مؤخر عينه له ديوان شعر وأخباره كثيرة ولإبن بسام الحسن بن علي المتوفي سنة 303 هـ كتاب (أخبار الأحوص)
 قيس بن عباد الضبعي

من بني ضبيعة من ربيعة من ثقات التابعين ومن كبار صالحيهم قدم المدينة في خلافة عمر بن الخطاب وروى الحديث وسكن البصرة وخرج مع إبن الشعث فقتله الحجاج وذلك سنة (85 هـ)
 هيصم بن جابر الضبعي

أبو بيهس من بني سعد بن ضبيعة من ربيعة رأس الفرقة (البيهسية) من الخوارج كان فقيهاً متكلماً من الأزارقة وتفرّق هؤلاء إلى فرق منها الأباضية والصفرية والبيهشية وكفّر أبو بيهس نافع بن الأزرق وعبد الله بن إباض التميمي في بعض ما ذهبا إليه وتبعته جماعة وكان ذلك في أيام الوليد الأموي وطلب الحجاج بن يوسف الثقفي أبا بيهس فهرب إلى المدينة وظفر بت واليها عثمان بن حيان المري فاعتقله ولم يشتد عليه إلى أن ورد كتاب من الوليد بقطع يديه ورجليه وصلبه قال المقريزي قتل بالمدينة وصلب سنة (94 هـ) قبحه الله.

مصادر

إقليم اليمامة
حرب البسوس
قبائل العرب في الجاهلية
قبائل ربيعة
نجديون

ضبيعة


Boris Schröder (Boris Schröder-Esselbach; * 1968) ist ein deutscher Geoökologe und Professor für Landschaftsökologie an der TU Braunschweig.

Schröder absolvierte seinen Zivildienst von 1988 bis 1990 in der Stiftung Ummeln, Bielefeld-Ummeln. Von 1990 bis 1997 studierte er Geoökologie an der TU Carolo-Wilhelmina Braunschweig. Ab 1991 belegte er auch Philosophie in Braunschweig. Er promovierte in Braunschweig bei Otto Richter im BMBF-Projekt "Ecosystem management of fens – Land use models for the development and assessment of management for species and habitat conservation in fens".

Nach seiner Dissertation waren die Carl von Ossietzky Universität Oldenburg (Michael Kleyer), die University of Sheffield, Biodiversity & Macroecology Group (KJ Gaston) und die Geoökologie der Universität Potsdam, (AG Leiter Quantitative Landscape Ecology Group) Stationen seiner "Lehr- und Wanderjahre". 2008 wurde er nach verschiedenen Rufen als W2-Professor schließlich Professor an der Technischen Universität München, Freising-Weihenstephan. Seit 2013 leitet er die Abteilung Umweltsystemanalyse am Institut für Geoökologie der TU Braunschweig.

Schröder forscht und lehrt zur Themen der Biogeographie, Makroökologie und Ökosystemfunktionen- und Leistungen. Seine Lehrveranstaltungen finden zu landschaftsökologischen Themen, zur Ökologischen Modellbildung und zur Geoökologie statt.

Publikationen
Schröder veröffentlichte bisher über 60 Fachartikel (2012), unter anderem:

 T. Häring, B. Reger, J. Ewald, T. Hothorn, B. Schröder: Predicting Ellenberg's Soil Moisture Indicator Value in the Bavarian Alps Using Additive Georegression. In: Applied Vegetation Science. Band 16, Nr. 1, 2013, S. 110–121. doi:10.1111/j.1654-109X.2012.01210.x
 C. F. Dormann, J. Elith, S. Bacher, C. Buchmann, G. Carl, G. Carré, J. R. García-Marquéz, B. Gruber, B. Lafourcade, P. J. Leitão, T. Münkemüller, C. McClean, P. Osborne, B. Reineking, B. Schröder, A. Skidmore, D. Zurell, S. Lautenbach: Collinearity: a review of methods to deal with it and a simulation study evaluating their performance. In: Ecography. Band 36, Nr. 1, Januar 2013, S. 27–46. doi:10.1111/j.1600-0587.2012.07348.x

Einzelnachweise

Hochschullehrer (Technische Universität München)
Geoökologe
Deutscher
Geboren im 20. Jahrhundert
Mann

Boris Schröder


La ville d'Himatangi est une petite localité de la région de Manawatu-Wanganui dans l'île du Nord de la Nouvelle-Zélande.

Situation
Elle est localisée à la jonction de la route  et de la route , à  à l'ouest de la ville de Palmerston North, et à  à l'est du village côtier de Himatangi Beach.

Chemin de fer
Himatangi était autrefois la localisation de la jonction entre la  du chemin de fer du  et le  propriété du .
Les  sont maintenant fermées: l'utilisation du tramway ayant cessé en 1945, suivie par l'embranchement du chemin de fer en 1959.

Installations
Il y a  dans le secteur:
 Le Marae «Motuiti» avec sa maison de rencontre nommée «Rakau ou Paewai», qui est affiliée avec les : hapū des  et les  de l'hapū des .
 Le Marae «Paranui» et sa maison de rencontre nommée , qui est affiliée avec les  de l'hapū des  et des    .

Voir aussi

Liste des villes de Nouvelle-Zélande
Himatangi Beach

Notes et références

Ville en Nouvelle-Zélande
Manawatu-Wanganui

Himatangi


An Eleocharis ayacuchensis in uska species han Liliopsida nga ginhulagway ni Maria del Socorro González Elizondo ngan Anton Albert Reznicek. An Eleocharis ayacuchensis in nahilalakip ha genus nga Eleocharis, ngan familia nga Cyperaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Eleocharis

Eleocharis ayacuchensis


Crina Elena Pintea (født 3. april 1990 i Podu Turculai) er en rumænsk håndboldspiller, der spiller for CSM Bucuresti og Rumæniens kvindehåndboldlandshold.

Internationale resultater

 EHF Cup
 Finalist: 2012
 Semifinalist: 2013

Referencer

Eksterne henvisninger

Håndboldspillere fra Rumænien

Crina Pintea


A campaign setting is usually a fictional world which serves as a setting for a role-playing game or wargame campaign.  A campaign is a series of individual adventures, and a campaign setting is the world in which such adventures and campaigns take place. Usually a campaign setting is designed for a specific game (such as the Forgotten Realms setting for Dungeons & Dragons) or a specific genre of game (such as medieval fantasy, or outer space/science fiction adventure).  There are numerous campaign settings available both in print and online. In addition to published campaign settings available for purchase, many game masters create their own settings, often referred to as "homebrew" settings or worlds.

While obviously connected to game materials, campaign settings are supported also by other media, such as novels and comic books.

Examples of major campaign settings include numerous settings within Dungeons & Dragons, as well others such as BattleTech.

Types of setting

The use of the term "world" in describing a campaign setting is loose, at best. Campaign worlds such as the World of Greyhawk detail entire cosmologies and timelines of thousands of years, while the setting of a game such as Deadlands might only describe one nation within a brief segment of alternate history.

There are three primary types of campaign setting:
 The first type of setting is specifically tied to a single game, such as Warhammer or World of Darkness, where the game has only the one setting.
 The second type of setting is for games that have multiple settings such as modern Dungeons & Dragons or generic roleplaying systems such as GURPS or Fudge
 The third type of setting is developed without being tied to a particular game system. Typically this last sort are developed first as stand-alone works of fiction, which are later adapted to one or more role playing systems such as the Star Wars universe or Middle-earth, though there are a few exceptions of settings which were designed explicitly for role playing gaming, but without a specific system in mind, such as Hârn.
Nikolai Butler distinguished two types of campaign settings, homebrewed and official. According to games journalist David M. Ewalt, established campaign settings have the advantage of providing a wealth of material written by professional game designers. When creating a homebrew setting "you're on your own - but without limits and preconceptions", which can lead to more interesting games as the game master may be "more invested in the material and passionate about its development".

Setting genres have touched on every genre of high-action fictional storytelling from role-playing's roots in fantasy to science fiction in settings such as Traveller to horror in the World of Darkness. Even modern-day spy thriller-oriented settings such as Spycraft have been introduced.

A small number of campaign settings fuse two or more genres in a single game. In GURPS Infinite Worlds, for example, the characters play "Infinity Patrol" agents who travel to alternate worlds. Shadowrun combines fantasy with cyberpunk, Castle Falkenstein draws on fantasy and steampunk elements, and Torg mixes fantasy, science fiction, pulp and horror elements while Feng Shui combines Chinese historical fantasy with kung fu action tropes and dystopian science fiction.

Fantasy
Fantasy settings draw their inspiration almost exclusively from fantasy literature, such as the works of J. R. R. Tolkien and Robert E. Howard. The setting in these games is usually a world with a level of technology similar to that of medieval Europe. Fantasy elements include magic and supernatural/mythological creatures, such as dragons, elves, dwarves and orcs.

The very first role-playing settings from the late 1960s and early 1970s (World of Greyhawk, and Blackmoor) were based in the fantasy genre, primarily based on the popularity of fantasy works by authors such as J. R. R. Tolkien and C. S. Lewis. Over the decades since, fantasy role-playing has evolved and expanded tremendously, even developing its own subgenres.  The genre can be subdivided into high fantasy where supernatural events are commonplace, and low fantasy where there are few or no supernatural aspects.

While pure fantasy games were initially popular, games such as Ars Magica popularized the notion of fantasy set within elements of real-world history. Later games would update this concept even further, bringing fantasy gaming into the present day in a genre known as urban fantasy (e.g. Mage: The Ascension) or even into the future by combining urban fantasy with cyberpunk (e.g. Shadowrun).  Even when the main setting of a game is not taken directly from the history of our world, they still tend to draw heavily on historical models, though distorted by the presence of magic; also, as gods often have direct and tangible interactions with the world, religion is usually very unlike our world.

Fantasy typically remains the most played roleplaying genre. RPGs of the fantasy genre are sometimes collectively called "Fantasy roleplaying games" ("FRP").

See Category:Fantasy roleplaying games

Science fiction
Science fiction settings are inspired by science fiction literature. The setting is generally in the future, sometimes near future but also quite often in the far future, though in many cases the setting bears no connection to the world we live in, e.g. Star Wars. Common elements involve futuristic technology, contact with alien life forms, experimental societies, and space travel. Psionic abilities (i.e. ESP and telekinesis) often take the place of magic. The genre can be divided similarly with science fiction literature into subgenres, such as cyberpunk or space opera.

Science fiction settings for role playing were  introduced with Metamorphosis Alpha in 1976 -- dungeon adventuring on a "lost starship" -- and in 1977 soon followed with Traveller, a space opera game. Its Third Imperium setting covered multiple worlds and alien races. Due to the success of Star Wars, and the impact that the franchise had on popular culture, many science fiction settings were introduced or adapted, especially during the 1980s. The scope of a science fiction setting is typically larger than that of a fantasy setting, encompassing multiple worlds or even entire galaxies. Such settings often involve detailed accounts of military and/or trading operations and organizations.

Gamma World, introduced in 1978, explored the replacement of traditional elements of fantasy settings with the pseudo-scientific elements of post-apocalyptic fiction. These settings lend themselves to the "adventuring" mode of most fantasy games, and thus focus on developing specific locations and loosely defined cultural or racial groups.

See Category:Science fiction roleplaying games

Historical
Historical settings take place in the past. Because historical games often overlap the fantasy genre, a distinguishing mark is that fantasy games are set on a "fantasy world" similar to but distinct from Earth, while historical games are set in the past of Earth. Settings that have been explored in roleplaying games include Pendragon (Arthurian), Sengoku (Japanese warring states), Recon (Vietnam War), Tibet (historical Tibet), and Fantasy Imperium (historical Europe).

The roleplaying game Ars Magica is one such 'historical' game, set in what its source materials call 'Mythic Europe': while history is generally accepted to unfold as depicted in real-world historical accounts, Ars Magica presents a detailed background for its setting, tying the existence of magic, wizards and the Faerie realms into a historical context while allowing for 'fantasy' elements to come into play.

See Category:Historical roleplaying games

Horror
Horror settings take their inspiration from horror literature. Horror role-playing can be divided into two major groups.

Modern horror settings such as Call of Cthulhu were first introduced in the early 1980s, creating a hybrid of fantasy horror and modern thrillers. These settings tend to focus on organizations and societies in which generally normal people fight against malevolent supernatural entities. Such games often are structured as a straightforward "monster hunt", though Call of Cthulhu also involves a great deal of investigation and clue-finding.

The second style of horror game reverses the roles, with the player characters being such supernatural creatures as vampires and werewolves. This second style was popularized by White Wolf's Vampire: The Masquerade. A series of games by the same company followed, sharing a setting called the World of Darkness.

The setting in both these styles of horror games is often contemporary, between the 19th century and the current day. Creating the correct mood and air of suspense is very important in these games.

Some elements of fantasy role-playing settings were often related to the horror genre. Vampires and ghosts are typical fare in most such settings, for example. Campaign settings that combine horror and fantasy elements on an even footing include the Dungeons & Dragons settings Ravenloft and Ghostwalk. The D&D Heroes of Horror sourcebook also provides ways to emphasize horror elements within a more typical fantasy milieu.

See Category:Horror roleplaying games

Humor
Humor games are based on creating situations which are funny or have a funny premise. Humor is not usually a genre in itself (although it can be), but a modifier added to other genres.  In 1983 Bureau 13 introduced humorous modern horror/fantasy gaming. In 1984, the Paranoia game introduced a science fiction setting which used a post-apocalypse world in which to set a tongue-in-cheek game of futile struggle against a computer-controlled dictatorship. Humorous settings for multiple genres have since been released. Humorous settings typically develop few if any locations and organizations, focusing instead on specific characters of note and general tone.

See Category:Comedy roleplaying games

Multi-genre
Multi-genre games that mix elements of different genres together. For example, Deadlands presents a Wild West in which elements of horror, magic and steampunk are prevalent,  and Castle Falkenstein presents a Victorian-era world with Jules Verne- and H. G. Wells-inspired technology alongside fantasy elements like magics and the denizens of Faerie.

Similarly, Shadowrun presents a futuristic dystopia that draws heavily from Cyberpunk influences such as cyberized limbs, megacorporations and the virtual reality internet in the form of the Matrix, while also including, as a major plot element, the return of magic to the world and the classic Dungeons & Dragons races of elves, dwarfs, trolls and so forth. Likewise, the superhero genre typically emulates the comic book universes such as the DC and Marvel Universes as a form of science fantasy set in contemporary setting where all fantastic elements from futuristic technology to mythic beings co-exist.

More extreme mashups are also possible; Torg combined fantasy, science fiction, pulp, and horror elements while Feng Shui combined Chinese historical fantasy with Kung Fu action tropes and dystopian science fiction. In GURPS Infinite Worlds, the characters played "Infinity Patrol" agents who travel to alternate worlds characterized by different genre elements including steampunk and horror.

Licensed
Licensed games are tie-ins to larger media franchises. They were once rare but the number of these games is increasing. Licensed games are usually considered part of their franchise's genre rather than a genre in and of themselves. Many licensed products are now defunct because of license expiration, while others such as Blood of Heroes take a system designed for a licensee's game world and create a new world to match it.

See also
Fantasy world
List of campaign settings
List of fictional universes
Campaign (role-playing games)
Dungeons & Dragons campaign settings

References

de:Spielwelt

Role-playing game terminology

Campaign setting


Colin Campbell ( - ) est un homme politique libéral écossais qui siège à la Chambre des communes de 1878 à 1885.

Biographie

Campbell est le cinquième fils de George Campbell (8e duc d'Argyll), et de son épouse Elizabeth Georgiana, fille de George Sutherland-Leveson-Gower (2e duc de Sutherland). Il fait ses études au Collège d'Eton, à l'Université de St Andrews et Trinity College, Cambridge. Il entre au Middle Temple en 1875 et est lieutenant dans le 2nd Argyll Rifle Volunteers. Il entre au Parlement pour l'Argyllshire en 1878, siège qu'il occupe jusqu'en 1885. Un certain nombre d'électeurs de Campbell sont déçus par lui, adoptant une parodie d'une chanson traditionnelle sur la famille Campbell : "Mais leur but et leur revendication, qui sont une seule et même,/sont fondées sur des mensonges de sable, vous savez. /Les Campbell sont rusés, oho, oho . ." . L'une des conséquences de l'impopularité de Campbell est que son frère, le marquis de Lorne, gendre de la reine Victoria, qui a auparavant été député d'Argyllshire et cherche à revenir à la politique après avoir été gouverneur général du Canada, se sent contraint de trouver un siège en dehors de l'Ecosse. Il se présente comme candidat libéral dans Hampstead en 1885, mais perd.

Campbell épouse Gertrude Elizabeth Blood (1857-1911), fille du propriétaire foncier irlandais Edmund Maghlin Blood, en 1881. Ils n'ont pas d'enfants et se séparent en 1884, en partie à cause de la ferme conviction de Gertrude Blood que Campbell l'a infectée par la syphilis. Une bataille juridique acrimonieuse s'ensuit en 1886, aboutissant au refus de divorcer de Gertrude. Le procès médiatique implique des accusations d'adultère des deux côtés et des visites du jury au domicile des Campbell à Londres au 79 Cadogan Place pour vérifier les témoignages sur ce que le majordome a vu à travers un trou de serrure des rencontres de Lady Colin Campbell avec d'autres hommes. Le couple reste marié jusqu'à la mort de Lord Colin à Bombay en 1895 de la syphilis .

Gertrude Elizabeth est une mondaine et écrivaine bien connue. Elle meurt en novembre 1911.

Références

Liens externes

Mort de la syphilis
Député du 22e Parlement du Royaume-Uni
Député du 21e Parlement du Royaume-Uni
Représentant de l'Écosse à la Chambre des communes
Étudiant de Trinity College (Cambridge)
Étudiant de l'université de St Andrews
Élève du collège d'Eton
Décès en juin 1895
Naissance en mars 1853
Décès à 42 ans

Colin Campbell (homme politique)


Log4Shell (CVE-2021-44228) é uma vulnerabilidade de dia zero no Log4j, uma estrutura de registro Java popular, envolvendo execução arbitrária de código. A vulnerabilidade - sua existência não percebida desde 2013 - foi divulgada em particular à The Apache Software Foundation, da qual Log4j é um projeto, por Chen Zhaojun da equipe de segurança em nuvem do Alibaba em 24 de novembro de 2021, e foi divulgada publicamente em 9 de dezembro de 2021. O Apache deu ao Log4Shell uma classificação de gravidade CVSS de 10, a pontuação mais alta disponível. Estima-se que a exploração afete centenas de milhões de dispositivos e seja muito simples de executar.

A vulnerabilidade se aproveita do Log4j permitindo solicitações a servidores arbitrários LDAP e JNDI, e não verificando as respostas, permitindo que invasores executem código Java arbitrário em um servidor ou outro computador, ou vazem informações confidenciais. Uma lista de seus projetos de software afetados foi publicada pela Equipe de Segurança Apache . Os serviços comerciais afetados incluem Amazon Web Services, Cloudflare, iCloud, Minecraft: Java Edition, Steam, Tencent QQ e muitos outros. De acordo com Wiz e Ernst & Young, a vulnerabilidade afetou 93% dos ambientes de nuvem corporativos.

Os especialistas descreveram o Log4Shell como a maior vulnerabilidade de todos os tempos. LunaSec caracterizou-o como "uma falha de design de proporções catastróficas", e o The Washington Post disse que as descrições feitas por profissionais de segurança "beiram o apocalíptico".

História
Log4j é uma estrutura de registro de código aberto que permite aos desenvolvedores de software registrar dados em seus aplicativos. Esses dados podem incluir a entrada do usuário. Ela é usada de forma onipresente em aplicativos Java, especialmente em software corporativos. Originalmente escrita em 2001 por Ceki Gülcü, agora faz parte do Apache Logging Services, um projeto da Apache Software Foundation. O ex-membro da comissão de segurança cibernética do presidente Barack Obama, Tom Kellermann, descreveu o Apache como "um dos gigantescos suportes de uma ponte que facilita o tecido conectivo entre os mundos dos aplicativos e os ambientes de computador".

Mitigação
As correções para esta vulnerabilidade foram lançadas em 6 de dezembro de 2021, três dias antes da publicação da vulnerabilidade, no Log4j versão 2.15.0-rc1. A correção incluiu restringir os servidores e protocolos que podem ser usados para pesquisas. Os pesquisadores descobriram um bug relacionado, CVE-2021-45046, que permite a execução local ou remota de código em certas configurações não-padrão e foi corrigido na versão 2.16.0, que desabilitou todos os recursos usando JNDI e suporte para pesquisas de mensagem. Para versões anteriores, a classe org.apache.logging.log4j.core.lookup. JndiLookup precisa ser removida do caminho de classe para mitigar ambas as vulnerabilidades. Uma correção recomendada para versões anteriores era definir a propriedade do sistema log4j2.formatMsgNoLookups como true, mas essa alteração não impede a exploração de CVE-2021-45046.

Uso
A exploração permite que os hackers obtenham o controle de dispositivos vulneráveis usando Java. Alguns hackers empregam a vulnerabilidade para utilizar os recursos dos dispositivos das vítimas; os usos incluem mineração de criptomoeda, criação de botnets, envio de spam, estabelecimento de backdoors e outras atividades ilegais, como ataques de ransomware. Nos dias seguintes à publicação da vulnerabilidade, o Check Point monitorou milhões de ataques sendo iniciados por hackers, com alguns pesquisadores observando uma taxa de mais de cem ataques por minuto que resultou em mais de 40% de redes de negócios sendo atacadas internacionalmente.

Resposta e impacto

Governamental
Nos Estados Unidos, a diretora da Cybersecurity and Infrastructure Security Agency (CISA), Jen Easterly, descreveu a exploração como "uma das mais sérias que já vi em toda a minha carreira, senão a mais séria", explicando que centenas de milhões de dispositivos foram afetados e aconselhando os fornecedores a priorizar as atualizações de software. As agências civis contratadas pelo governo dos Estados Unidos tinham até 24 de dezembro de 2021 para corrigir as vulnerabilidades, embora isso já tivesse permitido o acesso a centenas de milhares de alvos até essa data.

O Centro Canadense de Segurança Cibernética exortou as organizações a agirem imediatamente. A Agência de Receitas do Canadá encerrou temporariamente seus serviços online após saber da exploração, enquanto o Governo de Quebec fechou quase 4.000 de seus sites como uma "medida preventiva".

Referências
2021 na informática

Hackers
Segurança da informação
Falhas em segurança de computadores
Cibersegurança

Log4Shell


La Facultad de Medicina de la Universidad Complutense de Madrid (UCM) es una de las subdivisiones académicas de esta Universidad. Se localiza en la Plaza de Ramón y Cajal de Madrid junto a las facultades de Odontología y Farmacia. La Facultad de Enfermería, Fisioterapia y Podología está situada en el mismo edificio de la Facultad de Medicina. Su festividad patronal es el 18 de octubre, San Lucas el Evangelista.

La facultad se creó en 1845 tras la separación de la Facultad de Ciencias Médicas en las facultades de Medicina y Farmacia.

Actualmente, la Facultad de Medicina de la UCM es la facultad de España que más nuevos médicos forma cada año. Según el ranking del diario El Mundo de 2014 el segundo centro mejor considerado para estudiar medicina de toda España es la Facultad de Medicina de la UCM.

La facultad es conocida por haber sido el lugar donde los dos únicos premios Nóbeles de Medicina españoles han impartido clase: Severo Ochoa y Santiago Ramón y Cajal.

Estudios

Programas de grado
 Grado en Medicina.
 Grado en Nutrición Humana y Dietética.
 Grado en Terapia Ocupacional.

Programas de máster
 Máster Universitario en Iniciación a la Investigación en Salud Mental (conjunto con UCA, UB, UAB y UC).
 Máster Universitario en Investigación en Ciencias Biomédicas.
 Máster Universitario en Investigación en Ciencias de la Visión (conjunto con UAH, UM, UN, USC, UVa y el CSIC).
 Máster Universitario en Investigación en Inmunología.
 Máster Universitario en Nutrición Humana y Dietética Aplicada.
 Máster Universitario en Pericia Sanitaria.
 Máster Universitario en Salud, Integración y Discapacidad.

Programas de doctorado
 Doctorado en Ciencias de la Visión (conjunto con UM, UAH, UVa, USC y UN).
 Doctorado en Investigación Biomédica.
 Doctorado en Investigación en Ciencias Médico-Quirúrgicas.

Programas de título propio de la UCM
 Máster Propio UCM en Cirugía Reconstructiva y Oncoplástica de la Mama.
 Máster Propio UCM en Electrofisiología Cardiaca, Diagnóstica y Terapéutica.
 Máster Propio UCM en Enfermedades Infecciosas del Paciente Inmunodeprimido.
 Máster Propio UCM en Infección Nosocomial.
 Máster Propio UCM en Manejo Integral del Cáncer de Cabeza y Cuello.
 Máster Propio UCM en Trastornos del Comportamiento y de la Personalidad.
 Máster Propio UCM en Acupuntura: Diagnóstico y Tratamiento.
 Máster Propio UCM en Arritmología Clínica y Básica: Teórico-Práctico.
 Máster Propio UCM en Cardiología Intervencionista.
 Máster Propio UCM en Cardio-Renal (semipresencial).
 Máster Propio UCM en Dirección y Gestión de Departamentos Científicos de la Industria Farmacéutica.
 Máster Propio UCM en Hemodiálisis para especialistas en nefrología (semipresencial).
 Máster Propio UCM en Hipertensión Arterial de Difícil Control (en línea).
 Máster Propio UCM en Imagen Cardiaca Diagnóstica.
 Máster Propio UCM en Infectología Pediátrica.
 Máster Propio UCM en Medicina de Emergencia.
 Máster Propio UCM en Medicina Estética y Antienvejecimiento.
 Máster Propio UCM en Medicina Estética y Antienvejecimiento (en línea).
 Máster Propio UCM en Medicina Manual y Osteopatía.
 Máster Propio UCM en Monitorización y Gestión en Investigación Clínica.
 Máster Propio UCM en Reproducción Humana.
 Máster Propio UCM en Técnicas en Circulación Extracorpórea y Soporte Circulatorio.
 Máster Propio UCM en Técnico en Ecocardiografía (sonocardiografista) (semipresencial).
 Especialista en Discapacidad Infantil.
 Especialista en Ecografía Obstétrico-Ginecológica.
 Especialista en Senología y Patología Mamaria.
 Experto en Aféresis Terapéuticas.
 Experto en Ecografía para Cirujanos.
 Experto en Enfermería de la Actividad Física y el Deporte.
 Experto en Ortopedia y Ayudas Técnicas.

Colaboración en otros programas
 Doctorado en Bioquímica, Biología Molecular y Biomedicina.

Departamentos
 Departamento de Anatomía Patológica.
 Departamento de Anatomía y Embriología Humanas.
 Departamento de Biología Celular.
 Departamento de Bioquímica y Biología Molecular III.
 Departamento de Cirugía.
 Departamento de Farmacología.
 Departamento de Fisiología.
 Departamento de Medicina.
 Departamento de Medicina Física y de Rehabilitación. Hidrología Médica.
 Departamento de Medicina Preventiva y Salud Pública (Historia de la Ciencia).
 Departamento de Microbiología I.
 Departamento de Obstetricia y Ginecología.
 Departamento de Oftalmología y Otorrinolaringología.
 Departamento de Pediatría.
 Departamento de Psiquiatría.
 Departamento de Radiología y Medicina Física (Radiología).
 Departamento de Toxicología y Legislación Sanitaria.
 Sección Departamental de Estadística e Investigación Operativa.

Hospitales universitarios asociados
La Facultad de Medicina de la UCM cuenta con los siguientes hospitales universitarios donde se imparten clases y rotaciones clínicas desde el tercer curso:
 Hospital General Universitario Gregorio Marañón.
 Hospital Universitario 12 de Octubre.
 Hospital Clínico San Carlos.
 Hospital Infanta Cristina.
 Hospital Infanta Leonor.

Antiguos alumnos destacados

 Carlos Jiménez Díaz – Médico pionero.
 Gregorio Marañón - Científico, historiador, escritor, filósofo y reformista político.
 José Rizal – Héroe de Filipinas.
 Santiago Ramón y Cajal – Premio Nobel de Medicina.
 Severo Ochoa – Premio Nobel de Medicina.
 Genaro Borrás – Médico de la selección española de fútbol y del Real Club Celta de Vigo.

Otros servicios y asociaciones
 Asociación de estudiantes IFMSA-COMPLUTENSE.
 Asociacíón de estudiantes Katharsis.
 Asociación de familiares y amigos de personas con discapacidad. (AFADIS-UCM).
 Asociaciones y Publicaciones.
 Banco de Tejidos para investigaciones neurológicas de Madrid.
 Cafetería.
 Centro de Magnetoencefalografía.
 Club Deportivo.
 Delegación de Alumnos.
 Donación de cuerpos.
 Museo de Anatomía.
 Museo de Antropología Médica y Forense, Paleopatología y Criminalística.

Véase también
 Facultad de medicina.
 Pabellón 8.
 Facultad de Enfermería, Fisioterapia y Podología de la Universidad Complutense de Madrid.
 Facultad de Farmacia de la Universidad Complutense de Madrid.
 Facultad de Odontología de la Universidad Complutense de Madrid.
 Facultad de Óptica y Optometría de la Universidad Complutense de Madrid.
 Facultad de Psicología de la Universidad Complutense de Madrid.
 Facultad de Veterinaria de la Universidad Complutense de Madrid.

Referencias

Bibliografía
  Antecedentes históricos de la  Facultad de Medicina.

Enlaces externos

 Facultad de Medicina de la UCM
 Universidad Complutense de Madrid

Medicina
Complutense de Madrid
Ciudad Universitaria de Madrid
Bienes de interés cultural en tramitación de la Comunidad de Madrid
Sanidad en Madrid

Facultad de Medicina (Universidad Complutense de Madrid)


Leeanna Walsman, født 22. november 1979 i Sydney i New South Wales i Australien, er en australsk skuespillerinde.
Walsman har medvirket i flere tv-produktioner og film og er mest kendt som Zam Wessel i Star Wars Episode II: Klonernes angreb og har også spillet en fremtrædende rolle som fængselsdirektøren Erica Davidson i tv-serien Wentworth.

Eksterne henvisninger

Skuespillere fra Australien

Leeanna Walsman


රසායන විද්‍යාවෙහි ද්විත්ව බන්ධනයක් යනු, රසායනික මූලද්‍රව්‍ය දෙකක් අතර පවතින සහ  සාමාන්‍යයෙන් අදාල වන  බන්ධන ඉලෙක්ට්‍රෝන දෙකක් වෙනුවට සතරක සහභාගීත්වයෙන් සැදෙන රසායනික බන්ධනයකි.

ද්විත්ව බන්ධනය


An Colpodium humile in uska species han Liliopsida nga syahan ginhulagway ni Friedrich August Marschall von Bieberstein, ngan ginhatag han pagkayana nga asya nga ngaran ni August Heinrich Rudolf Grisebach. An Colpodium humile in nahilalakip ha genus nga Colpodium, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Colpodium

Colpodium humile


Le  (ou ) est un ragoût de la cuisine bolivienne, plus précisément le plat emblématique de Punata, dans le département de Cochabamba.

Ce plat épicé à base de poulet est préparé avec de l (poivre jaune), des œufs, du  et du  de Valle Alto. Il est accompagné de petits pois, de  et de pommes de terre bouillies.

Notes et références

Cuisine bolivienne
Spécialité à base de poulet

Cusqueño


Antonió Victorino D´Almeida (født 21. maj 1940 i Lissabon, Portugal) er en portugisisk komponist, pianist og dirigent.

D´Almeida studerede klaver på Det Nationale Musikkonservatorium i Lissabon, og blev uddannet som koncertpianist.
Han tog herefter til Wien, hvor han studerede komposition på Vienna Academy of Music hos bl.a. Karl Schiske.
D´Almeida opnåede en betydelig karriere som koncertpianist, og er en alsidig komponist i alle genrer.

Han har skrevet 4 symfonier, orkesterværker, kammermusik, filmmusik, teatermusik, klaverstykker, korværker etc.

Udvalgte værker

 Symfoni nr. 1 (1999) "Benifica" - for orkester
 Symfoni nr. 2 (2004) - for orkester
 Symfoni nr. 3 (2007) - for orkester
 Symfoni nr. 4 (2009) - for orkester

Kilde
 Om Antonió Victorino D´Almeida på musicweb-international.com

Komponister fra Portugal
Pianister
Dirigenter
Personer fra Lissabon

Antonió Victorino D´Almeida


Non-heterosexual is a word for a sexual orientation or sexual identity that is not heterosexual. The term helps define the "concept of what is the norm and how a particular group is different from that norm". Non-heterosexual is used in feminist and gender studies fields as well as general academic literature to help differentiate between sexual identities chosen, prescribed and simply assumed, with varying understanding of implications of those sexual identities. The term is similar to queer, though less politically charged and more clinical; queer generally refers to being non-normative and non-heterosexual. Some view the term as being contentious and pejorative as it "labels people against the perceived norm of heterosexuality,
thus reinforcing heteronormativity". Still, others say non-heterosexual is the only term useful to maintaining coherence in research and suggest it "highlights a shortcoming in our language around sexual identity"; for instance, its use can enable bisexual erasure.

Background
Many gay, lesbian and bisexual people were born into different cultures and religions that stigmatized, repressed or negatively judged any sexuality that differed from a heterosexual identity and orientation. Additionally the majority of heterosexuals still view non-heterosexual acts as taboo and non-conventional sexual desires are generally hidden entirely or masked in various ways. Non-heterosexual is more fully inclusive of people who not only identify as other than heterosexual but also as other than gay, lesbian and bisexual. Some common examples include same gender loving, men who have sex with men (MSM), women who have sex with women (WSW), bi-curious and questioning. Non-heterosexual is considered a better general term than homosexual, lesbian and gay, LGBT or queer for being more neutral and without the baggage or gender discrimination that comes with many of the alternatives. For instance, until 1973, the American Psychological Association listed homosexual as a mental illness, and it still has negative connotations.

Usage
Non-heterosexual is found predominantly in research and scholarly environments possibly as a means to avoid terms deemed politically incorrect like lesbian, dyke, gay, bisexual, etc. that lesbian, gay, and bisexual (LGB) people use as self descriptors. When used by those who do not identify as LGB or when used by LGB people disparagingly, the terms are generally considered pejorative, so non-heterosexual is a default and innocuous term unlikely to offend readers. For example, the Kinsey scale can be divided between those exclusively heterosexual and everyone else. The term has come into more prominence in the academic field starting in the 1980s and more prominently in the 1990s with major studies of identities of non-heterosexual youth and a smaller number of studies specifically looking at non-heterosexual college students. Non-heterosexual is also used to encompass transgender and intersex people, because although these are gender identities rather than sexual identities, they are within the LGBT and queer umbrella communities. Additionally, non-heterosexual encompasses a wide variety of terms used by different cultures whose own terms might never neatly translate to a homosexual or bisexual identity; for researching and extrapolating data it is a practical and accepted term.

In a 2004 book that integrates "the academic disciplines of cinema studies, sociology, cultural and critical studies" regarding the Big Brother phenomena, non-heterosexual was used as a universal term to help compare information from over thirty countries. In exploring and studying the emerging field of gay, lesbian and bisexual seniors, non-heterosexual is a default term to demonstrate that the "vast majority" of literature assumes that older people are heterosexual and makes "no effort" to explore the experiences and attitudes of those who are not. In Welfare and the State the authors describe the perceived advantages of lesbians in the workplace as they, in theory, wouldn't have children so would be advantageous to the labor force. The authors point out, however, that not only do many lesbians have children but they routinely identify as heterosexual through much of their lives or at least until their children are old enough that a non-heterosexual identity would not greatly impact their families negatively.

Non-heterosexual is also used when studying lesbian and gay families and family structures. It came into wider use in this context when the AIDS pandemic's impact on gay male communities was being explored as many gay men created families out of extended networks of friends and these became their support systems.

Critique

The use of the term 'non-heterosexual' to refer to LGBTQ people as a blanket term could perpetuate heterosexuality as the norm.

Jonathan Ned Katz argues that historically, the term was used to force people into one of two distinct identities; the "normalization of a sex that was 'hetero' proclaimed a new heterosexual separatism — an erotic apartheid that forcefully segregated the sex normals from the sex perverts." He argues that it enforces the idea of "compulsory heterosexuality" and that anyone who does not fit into that category is going against the norm. He states that heterosexuality, as a categorization and as a term, was not created until the late nineteenth century, that prior to this relations between the sexes were not believed to be overtly sexual, and that in the Victorian era sex was seen as an act between "manly men and womanly women, [as] procreators, not specifically as erotic beings or heterosexuals." He further argues that the division between the heterosexual and the non-heterosexual came in the 1860s after the "growth of the consumer economy also fostered a new pleasure ethic," and the erotic became a commodity to be bought and sold; at the same time the "rise in power and prestige of medical doctors allowed those upwardly mobile professionals to prescribe a healthy new sexuality." He states that men and women were now meant to  enjoy sex; relations between those of the 'opposite sexes' was seen as healthy and encouraged by medical professionals; and this creation and celebration of the 'Normal Sexual' ultimately resulted in its counterpart: the 'Sexual Pervert,' anyone who fell outside the heterosexual ideal. He states, "In its earliest version, the twentieth-century heterosexual imperative usually continued to associate heterosexuality with a supposed human 'need,' 'drive,' or 'instinct' for propagation, a procreant urge linked inexorably with carnal lust... giving praise to vent to heteroerotic emotions was thus praised as enhancing baby-making capacity, marital intimacy and family stability." The basic oppositeness of the sexes was seen as the basis for normal, healthy sexual attraction. Katz concludes that the term heterosexuality was created as a way to subjugate and other anyone who did not confirm to mainstream ideals of sexuality. It was a term that created a sense of validation that heterosexuality was the normal, healthy version of human sexuality.

Margaret Denike and Patrick Hopkins have argued that "heterosexism and homophobia are founded on and sustained by binary gender categories, specifically the assumption that there are distinct and proper masculine and feminine gender roles and identities against which deviation is measured." According to Erika Feigenbaum, the use of the term non-heterosexual indicates a departure from what is acceptable in society while highlighting the juxtaposition between the ideal heterosexual and unideal non-heterosexual, stating, "Heterosexism is about dominance, and the practices that support it are often replicated, reinforced, and reflected by the attitudes, behaviors, and practices of even [the] best-intentioned allies."

Although "non-heterosexuality" is considered a blanket term for all LGBTQ identities, it is often interpreted as another word for homosexual which contributes to the continuation of systematic bisexual erasure. Bisexuality has a long history of being overshadowed and ignored in favour of the belief in monosexuality, it "[represents] a blind spot in sex research." The term non-heterosexual suggests a division between heterosexual and homosexual, the heterosexual-homosexual dichotomy, rather than the heterosexual-homosexual continuum, which  accounts for identities that are not exclusively heterosexual or homosexual. By separating identities into either/or, bisexual identities are left in a place of ambiguity, "bisexuals transgress boundaries of sexually identified communities and thus are always both inside and outside a diversity of conflicting communities." The implied homosexual-heterosexual dichotomy that the term puts in place negates its use as a truly inclusive term; "[the] categories are constructed in such a way as to allow everyone access to one and only one, and to insist that anyone who is not already neatly situated in one category or the other had best be on the way to one." This focus on either/or logic, heterosexuality or non-heterosexuality, where non-heterosexuality is closely associated with homosexuality rather than general queerness, slights those that the term attempts to describe; "where bisexuality does rate a mention, it is almost always rendered an epistemological and incidental by-product, aftereffect, or definitional outcome of the opposition of hetero/homosexuality."

Non-heterosexuality is often used to describe those in the LGBT+ community with non-cisgender identities. This is seen as problematic as sexual orientation and gender identity are different. However the distinction between the two is relatively modern. Historically "[transgender people] were classified as homosexuals by everyone, including the physicians who specialized in their treatment, and it is only in the past fifty years or so that transgender has been theorized as different in kind from homosexuality." Many people still fail to understand or make the distinction between gender minorities and sexual minorities.

Queer people "are often expected to account for [their] sexual identifications by either proving [their] normality (that is, [they] are inside the sphere of heteronormativity), or by accepting that [their] difference from the heterosexual norm constitutes some form of essence." The term non-heterosexual is used to highlight the absolute difference between heterosexual and queer identities. The language needs to change to describe LGBTQ people as autonomous beings "rather than considering [them] solely as sexual beings constituted within a heterosexual logic of sameness or difference." The implied binary that the term non-heterosexual perpetuates erases those whose identities fall in the spectrum between heterosexuality and homosexuality. The hetero/homosexual dichotomy continues the systematic erasure of bisexual identities by emphasizing an assumed oppositeness with nothing allowed in between. It ignores those who identify as non-binary, as the term non-heterosexuality has been interpreted as categorizing those who are sexually attracted to people of the 'same sex' as opposed to those who are attracted to those of the 'opposite sex.'

See also

 Gender binary
 Heterosexism
 Heterosexual–homosexual continuum
 Sexual diversity

References

LGBT terminology
Sexual orientation
English words

Non-heterosexual


Gößeberg ist ein Ort in Kärnten. Durch den Ort verläuft die Grenze zwischen den Katastralgemeinden Liemberg und Sankt Urban, die gleichzeitig die Grenze zwischen den politischen Gemeinden Liebenfels und Sankt Urban sowie zwischen den Bezirken Sankt Veit an der Glan und Feldkirchen ist. Dadurch zerfällt der Ort in zwei Ortschaften: die Ortschaft Gößeberg in der Gemeinde Liebenfels hat  Einwohner (Stand ), die Ortschaft Gößeberg in der Gemeinde St. Urban hat  Einwohner (Stand ). Somit verfügt der Ort insgesamt über  Einwohner.

Lage

Der Ort liegt in den Wimitzer Bergen, an den Hängen des Gößebergs bzw. Veitsbergs. Durch den Ort verläuft eine Katastralgemeindegrenze: der westliche Teil des Orts liegt auf dem Gebiet der Katastralgemeinde Sankt Urban, der östliche Teil des Orts auf dem Gebiet der Katastralgemeinde Liemberg.

Geschichte
Der Ort wurde 958 erwähnt als Coziach, was sich von slowenisch kozjak (= Geißberg) ableitet. Im 17. und 18. Jahrhundert lebten hier zahlreiche arme Keuschler, seither kam es zu einer starken Absiedlung.

In der ersten Hälfte des 19. Jahrhunderts gehörte der damals zur Gänze in der Steuergemeinde Liemberg liegende Ort zum Steuerbezirk Liemberg. Bei Bildung der Ortsgemeinden im Zuge der Reformen nach der Revolution 1848/49 kam der Ort an die Gemeinde Liemberg. Durch die Fusion der Gemeinden Liemberg, Hardegg und Pulst kam der Ort 1958 an die neu entstandene Gemeinde Liebenfels.

Im Zuge der Gemeindestrukturreform 1973 wurde der südwestliche Teil des Ortes von der Gemeine Liebenfels an die Gemeinde Sankt Urban abgetreten. Seither wird in beiden Gemeinden jeweils eine Ortschaft Gößeberg geführt.

Bevölkerungsentwicklung des gesamten Orts
Für den Ort ermittelte man folgende Einwohnerzahlen:

 1869: 18 Häuser, 92 Einwohner
 1880: 17 Häuser, 73 Einwohner
 1890: 18 Häuser, 84 Einwohner
 1910: 17 Häuser, 69 Einwohner
 1923: 15 Häuser, 84 Einwohner
 1961: 4 Häuser, 29 Einwohner
 2001: 9 Gebäude, 19 Einwohner
 2011: 7 Gebäude, 14 Einwohner

Im Ort gibt es 0 Arbeitsstätten (Stand 2011) und 2 land- und forstwirtschaftliche Betriebe (Stand 2001).

Ortschaft Gößeberg (Gemeinde Liebenfels)

Lage
Die Ortschaft umfasst die Höfe Valtl (Haus Nr. 3) und Fercher (Haus Nr. 4) am nördlichen Abhang des Gößebergs, Zacher (Haus Nr. 6) am Rand des Freundsamer Mooses, Steinbauer (Haus Nr. 13) knapp außerhalb von Liemberg und Lugstuber (Haus Nr. 16) südöstlich unterhalb des Veitsbergs.

Bevölkerungsentwicklung
Für die Ortschaft (vor 1973 einschließlich der heute zur Gemeinde Sankt Urban gehörenden Gebäude; seither nur mehr im heutigen Umfang der Ortschaft) zählte man folgende Einwohnerzahlen:
 1869: 18 Häuser, 92 Einwohner
 1880: 17 Häuser, 73 Einwohner
 1890: 18 Häuser, 84 Einwohner
 1900: 18 Häuser, 82 Einwohner
 1910: 17 Häuser, 69 Einwohner
 1923: 15 Häuser, 84 Einwohner
 1934: 84 Einwohner
 1961: 4 Häuser, 29 Einwohner
 2001: 6 Gebäude (davon 2 mit Hauptwohnsitz) mit 6 Wohnungen und 3 Haushalten; 9 Einwohner und 1 Nebenwohnsitzfall
 2011: 6 Gebäude, 8 Einwohner

In der Ortschaft gibt es 0 Arbeitsstätten (Stand 2011; 2001: 0) und 1 land- und forstwirtschaftlichen Betrieb (Stand 2001).

Ortschaft Gößeberg (Gemeinde Sankt Urban)

Lage
Die Ortschaft liegt am südwestlichen Abhang des Gößebergs bzw. Veitsbergs. Sie umfasst den Hof Rottsteiner (Haus Nr. 1).

Bevölkerungsentwicklung
Für die Ortschaft zählte man folgende Einwohnerzahlen:
 2001: 3 Gebäude, 10 Einwohner
 2011: 1 Gebäude, 6 Einwohner

In der Ortschaft gibt es 0 Arbeitsstätten (Stand 2011; 2001: 0) und 1 land- und forstwirtschaftlichen Betrieb (Stand 2001).

Einzelnachweise

Ort in Kärnten
Liebenfels
Sankt Urban (Kärnten)

Gößeberg


A Serra do Pastinho é um conjunto de montanhas íngremes localizada em sentido noroeste a sudeste na Chapada Diamantina, região central do estado brasileiro da Bahia.

Em sua área corre o rio Água Suja, um dos principais afluentes do rio de Contas. Tem altitude máxima de  metros, e fica localizada na cidade de Abaíra.

Geografia de Abaíra
Chapada Diamantina
Pastinho

Serra do Pastinho


Metanisering er en række processer, hvor mikroorganismer nedbryder biologisk materiale i fravær af ilt.   Processen anvendes til industrielle eller private formål til at håndtere affald eller til at producere brændstoffer. Meget af den gæring, der anvendes industrielt til at producere mad og drikkeprodukter, bruger anaerob nedbrydning.

Anaerob nedbrydning forekommer naturligt i nogle områder og i søer samt i havsedimenter, hvor det er normalt omtales som "anaerob aktivitet". Dette er kilden til sumpgas.

Metanisering bliver brugt som en del af processen til behandling af bionedbrydeligt affald og spildevandsslam. Som en del af forvaltning af affald, bruges metanisering bl.a. til at producere biogas.

Anaerob nedbrydning er almindeligt anvendt som en kilde til vedvarende energi. Metanisering producerer biogas, som består af ca. 60% metan, 40% kuldioxid og spor af andre "forurenende stof' gasser. Denne biogas kan anvendes direkte som brændsel i kraft-varme gas motorer eller opgraderes til naturgas-kvalitet biometan. Ved en opgradering kan en række teknologier bruges. Opgraderet biogas indeholder op mod 50% mere biogas, fordi CO2 udnyttes i reaktioner med f.eks. brint. Den afgassede biomasse bruges som gødning.

Henvisninger

Kraftværkteknologi
Vedvarende energi
Spildevand
Bæredygtige teknologier

Metanisering


Madelen Fatimma Maria Janogy (født 12. november 1995) er en svensk fodboldspiller, der spiller som angriber for Piteå IF og Sveriges kvindefodboldlandshold.

Referencer

Eksterne henvisninger

Kvindelige fodboldspillere fra Sverige
Medaljevindere fra Sverige ved sommer-OL 2020
Olympiske sølvmedaljevindere fra Sverige
Olympiske medaljevindere i fodbold
Fodboldspillere ved sommer-OL 2020

Madelen Janogy


Nurgül Yeşilçay (d. 26 Mart 1976, Afyonkarahisar), Türk oyuncudur. Sanatçı, özellikle 2000'lerde aldığı rollerle tanınmaktadır.

Kariyeri
26 Mart 1976 tarihinde Afyonkarahisar'da doğdu. Bununla beraber, kendi bir röportajında, babası Afyonkarahisarlı olduğundan nüfus cüzdanına babası tarafından doğum yeri olarak Afyonkarahisar yazdırıldığını, aslında İzmir doğumlu olduğunu söylemiştir. Ortaokul ve lise eğitimini İzmir'de tamamladı. 2001'de Eskişehir Anadolu Üniversitesi Tiyatro Bölümünden mezun oldu. Üniversite eğitimi sırasında rol aldığı İkinci Bahar dizisindeki "Gülsüm" rolü ile tanındı. 2002 yılında yönetmenliğini Çağan Irmak'ın yaptığı Asmalı Konak dizisinde "Bahar Karadağ" rolüyle ününü artırdı. Aynı yıl Teoman'la beraber Mumya Firarda filminde oynadı. 2003 yılında Abdullah Oğuz'un yönettiği Asmalı Konak dizisinin devam filmi olan ''Asmalı Konak: Hayatta Özcan Deniz'le başrolü paylaştı. Yönetmenliğini Atıf Yılmaz'ın yaptığı Eğreti Gelin filmindeki "Kostak Emine" rolü ile 2005 12. Adana Altın Koza Film Festivali'nde En İyi Kadın Oyuncu Ödülü'nü aldı. Aynı yıl Hande Ataizi ile Melekler Adası dizisinde rol aldı. Aynı dizide rol alan Cem Özer ile 26 Ekim 2004'te evlendi. Hamileliğinin son ayında Melekler Adası dizisinden ayrıldı. 22 Mayıs 2005'te oğlu Osman Nejat'ı dünyaya getirdi.

Yine 2004'te beş yönetmenin yönettiği Anlat İstanbul filminde "Saliha" karakterini canlandırdı. 2005-2006 sezonunda atv'de yayımlanan Belalı Baldız dizisinde Berna Laçin ve Kenan Işık'la başrolü paylaştı. 2006'da Cem Özer'le Sen Olmasaydın adlı tiyatro oyununda rol aldı. 2006 yılının Eylül ayında Fatih Akın'ın senaryosunu yazdığı, yönettiği ve yapımcılığını üstlendiği Yaşamın Kıyısında isimli filmin çekimlerine başladı. "Ayten Öztürk" adlı lezbiyen Türk kızını canlandırdığı film, 2007'de 60. Cannes Film Festivali'nde Altın Palmiye için yarıştı ve "En İyi Senaryo" ödülünü kazandı. 2007'de Ezo Gelin dizisinde "Ezo Gelin"i canlandırdı. Orta Doğu'nun en önemli film festivallerinden biri olarak kabul edilen 31. Uluslararası Kahire Film Festivali'nde başkanlığını ünlü İngiliz yönetmen Nicolas Roeg'in yaptığı ana jüride yer aldı.

Şubat 2011'de Cem Özer'den boşandı. 5 Ocak 2010'da atv'de yayımlanmaya başlayan Aşk ve Ceza isimli dizide Murat Yıldırım'la başrolü paylaştı ve dizi 2011 yılında sona erdi. Aynı yıl içerisinde Show TV'de yayımlanan Sensiz Olmaz adlı dizinin başrolünde yer aldı. Ardından 2012 yılında Kanal D'de yayımlanan Sultan dizisinde rol aldı ve dizi 20. bölümü ile final yaparak ekranlara veda etti. 2013 yılında ise Aşk Kırmızı filminde oynadı. Galip Derviş ve İşler Güçler dizilerinde konuk oyuncu olarak rol aldı. Aynı yıl içerisinde Bebek İşi dizisinde "Candan" karakterini canlandırdı. 2014 yılında Gece filminde oynadı ve Cinayet adlı dizide rol aldı. 2015 yılında efsane dizi Paramparça'da canlandırdığı "Gülseren" karakteriyle yeniden zirvenin sahibi olan Yeşilçay, 2016 yılında senaryo gereği ölerek diziden ayrıldı. Nurgül Yeşilçay, 2020-2021 yılları arasında FOX'ta yayınlanan Kefaret adlı dizide başrolü Mert Fırat ile paylaştı.

Afra Saraçoğlu ile birlikte Bir Barda Bir Gece oyununda yer aldı. FOX'ta yayınlanan Son Nefesime Kadar dizisinde başrol olarak oynadı. Dizi, 23 Mart 2022 tarihinde yayınlanan 5. bölümüyle final yaparak sona erdi.

 Filmografisi

 Tiyatro oyunları
 2002: Aşk Gibi
 2006: Sen Olmasaydın (Cem Özer ile birlikte)
 2021: Bir Barda Bir Gece (Afra Saraçoğlu ile birlikte)

 Ödülleri
2007'de Barış Pirhasan'ın yönetmenliğini yaptığı Adem'in Trenleri filmindeki Hacer rolüyle 13. Sadri Alışık Ödülleri'nde En İyi Kadın Oyuncu ödülünü kazandı. Ayrıca Çağdaş Sinema Oyuncuları Derneği (ÇASOD) Geleneksel 15. Oyuncu Ödülleri En İyi Kadın Oyuncu ödülünü, iki ayrı filmde (Yaşamın Kıyısında ve Adem'in Trenleri) birbirinden çok farklı iki rolde birden etkili olmayı ve doğal kalmayı başarması nedeniyle kazandı. Bir sene sonra Nisan, 2008'de 27.si düzenlenen Uluslararası İstanbul Film Festivali'nde Semih Kaplanoğlu'nun jüri başkanlığını yaptığı ulusal yarışma jürisinde yer aldı ve aynı yıl 26 Mayıs 2008'de tarihinde çekimlerine başlanan Erden Kıral'ın Vicdan adlı filminde Aydanur karakteri ile 45. Antalya Altın Portakal Film Festivali'nde En İyi Kadın Oyuncu''' ödülüne layık görüldü.

Kazandığı ve aday gösterildiği ödüller

|-
| 2001
| Magazin Gazetecileri Derneği
| "En iyi kadın oyuncu"
|
|-
| 2002
| Magazin Gazetecileri Derneği
| "En iyi kadın oyuncu"
|
|-
| 2005
| Altın Koza Film Festivali
| "En iyi kadın oyuncu"
|
|-
| 2007
| Sadri Alışık Ödülleri
| "En iyi kadın oyuncu"
|
|-
| 2007
| Çağdaş Sinema Oyuncuları Derneği
| "En iyi kadın oyuncu"
|
|-
| 2008
| Sinema Yazarları Derneği Ödülleri
| "En iyi kadın oyuncu"
|
|-
| 2008
| Antalya Altın Portakal Film Festivali
| "En iyi kadın oyuncu"
|
|-
| 2014
| Altın Bamya Ödülleri
| "Kadın karakter ödülü"
|
|-
| 2015
| 20. Sadri Alışık Tiyatro ve Sinema Oyuncu Ödülleri
| Dram dalında "Yılın En Başarılı Kadın Oyuncusu" (Gece)
|
|-
| 2017
| DIAFA Uluslararası Arap Festivali Ödülleri
| "En iyi kadın oyuncu"
|

Kaynakça

Dış bağlantılar
 Beyazperde'de Nurgül Yeşilçay
 IMDb'de Nurgül Yeşilçay
 Sinemalar.com'da Nurgül Yeşilçay
 SinemaTürk'da Nurgül Yeşilçay
 TSA'de Nurgül Yeşilçay

1976 doğumlular
Afyonkarahisar doğumlular

20. yüzyılda Türk kadın oyuncular
21. yüzyılda Türk kadın oyuncular
Türk kadın tiyatro oyuncuları
Türk kadın sinema oyuncuları
Türk kadın dizi oyuncuları
Anadolu Üniversitesinde öğrenim görenler
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Nurgül Yeşilçay


Mecopodinae es una subfamilia de insectos ortópteros de la familia Tettigoniidae.

Especies
Según Orthoptera Species File (28 mars 2010):
 Aprosphylini Naskrecki, 1994
 Aprosphylus Pictet, 1888
 Cedarbergeniana Naskrecki, 1994
 Ewanella Naskrecki, 1994
 Griffiniana Karny, 1910
 Pseudosaga Brancsik, 1898
 Zitsikama Péringuey, 1916
 Leproscirtini Gorochov, 1988
 Leproscirtus Karsch, 1891
 Mecopodini Walker, 1871
 Anoedopoda Karsch, 1891
 Arachnacris Giebel, 1861
 Austromecopoda Rentz, Su & Ueshima, 2006
 Characta Redtenbacher, 1892
 Eumecopoda Hebard, 1922
 Mecopoda Serville, 1831
 Pomatonotini Willemse, 1961
 Pomatonota Burmeister, 1838
 Sexavaini Karny, 1924
 Albertisiella Griffini, 1908
 Dasyphleps Karsch, 1891
 Diaphlebus Karsch, 1891
 Huona Kuthy, 1910
 Mossula Walker, 1869
 Mossuloides Willemse, 1940
 Ocica Walker, 1869
 Paradiaphlebus Bolívar, 1903
 Paramossula Willemse, 1940
 Paraphrictidea Willemse, 1933
 Phrictaeformia Willemse, 1961
 Phrictaetypus Brunner von Wattenwyl, 1898
 Phrictidea Bolívar, 1911
 Pseudophrictaetypus Willemse, 1961
 Segestes Stål, 1877
 Segestidea Bolívar, 1903
 Sexava Walker, 1870
 Tabariini Braun, Chamorro Rengifo & Morris, 2009
 Encentra Redtenbacher, 1892
 Rhammatopoda Redtenbacher, 1892
 Tabaria Walker, 1870
 tribu indeterminada
 Afromecopoda Uvarov, 1940
 Apteroscirtus Karsch, 1891
 Aulocrania Uvarov, 1940
 Biroa Bolívar, 1903
 Charisoma Bolívar, 1903
 Corycoides Uvarov, 1939
 Diaphlebopsis Karny, 1931
 Elumiana Uvarov, 1940
 Euthypoda Karsch, 1886
 Gressittiella Willemse, 1961
 Gymnoscirtus Karsch, 1891
 Ityocephala Redtenbacher, 1892
 Kheilia Bolívar, 1898
 Leptophyoides Willemse, 1961
 Neodiaphlebus Kästner, 1934
 Pachysmopoda Karsch, 1886
 Paradiaphlebopsis Kästner, 1934
 Philoscirtus Karsch, 1896
 Pseudophyllanax Walker, 1869
 Vetralla Walker, 1869
 Zacatula Walker, 1870

Referencias

 Walker, 1871 : Supplement to the catalogue of Dermaptera Saltatoria. Catalogue of the specimens of Dermaptera Saltatoria in the collection of the British Museum. Part V, British Museum, London, 1-116.

Enlaces externos

 http://tolweb.org/Mecopodinae
 Mecopodinae en Biolib

Tettigoniidae

Mecopodinae


Senatet (nederlandsk: De Belgische Senat, fransk: Le Sénat de Belgique, tysk: Der belgische Senat) er overhuset i Belgiens føderale parlament, som også omfatter Repræsentant-kammer, som er underhuset.

Før 2014
Indtil 2014 havde Senatet 71 valgte medlemmer. De 40 medlemmer blev valgte gennem valgmænd. De næste 21 blev valgt af Belgiens tre sproglige parlamenter (flamsk, fransk og tysk). De sidste 10 blev udpeget af de 61 først valgte medlemmer af senatet.

Udover de 71 valgte senatorer, så var nogle repræsentanter for kongehuset fødte medlemmer af Senatet.

Henvisninger
 Senatets hjemmeside

Senat
Parlamenter
Politiske forsamlinger

Belgiens senat


Nogometna prvenstva za klubove u Južnoafričkoj Republici se održavaju od 1959. godine, ali zbog politike aparthejda su prvotno organizirana odvojena prvenstva prema rasnim skupinama u JAR-u: Bijelci (engl. White South African, afr. Blanke Suid-Afrikaners), Crnci, (engl. Blacks, afr. Swart), Obojeni (engl. Coloureds, afr. Kleurlinge) i Azijati (engl. Asian South Africans, afr. Asiatiese Suid-Afrikaners).

Povijest ligaških natjecanja u Južnoafričkoj Republici
Zbog politike aparthejda je južnoafričko društvo bilo rasno podijeljeno, te su postojale paralelne organizacije za pojedine skupine, tako i dva nogometna saveza - Football Association of South Africa (FASA) (za Bijelce, podržavali aparthejd) te South African Soccer Federation (SASF) (za ostale skupine),a također su postojale South African National Football Association (SANFA) (za Crnce),  South African Indian Football Association (SAIFA) (za Azijate) te South African Coloured Football Association (SACFA) (za Obojene) te su organizirali vlastita natjecanja. S vremenom se aparthejd u nogometu ublažio, a 1991. je stvoren jedinstveni nogometni savez  - South African Football Association (SAFA).

Do 1995. godie su se prvenstva igrala tokom kalendarske godine, a od 1996. godine i nastanka Premier Soccer League se igraju jesen-proljeće.

Od 1959. godine je postojalo šest liga čiji se prvaci smatraju prvacima Južne Afrike:
 NFL (National Football League) je prva profesionalna nogometna liga u JAR-u. Igrana je od 1959. do 1977. godine, a u njoj su igrali Bijelci, uz manje iznimke koje je dozvoljavalo vodstvo NFL-a. U sezoni 1977. se liga nazivala Datsun league. 1978. se liga spojila s NPSL Castle league for Blacks u novu NPSL Castle league tako da je stvorena nova liga za Bijelce i Crnce. 1969. godine je NFL osnovao drugu ligu naziva NFL Division II, dok je u ranijim sezonama druga liga bila regionalno podijeljena
 SASL (South African Soccer League) je igrana između 1961. i 1967. godine., a organizirao ju je South African Soccer Federation. U njoj su igrali Crnci, Obojeni i Azijati. Liga je ukinuta 1967. zbog problema s nalaženjem terena za igru i organizacijskih poteškoća, ali je 1969. SASF osnovao novu ligu - FPL.
 FPL (Federation Professional League) je igrana od 1969. do 1990. godine. U njoj su najviše nastupali Obojeni i Azijati. Liga je također bila poznata i pod nazivima Mainstay League, FPL Castle League, Seven Seas League, Quindrink League, La Mercy Beach League. Drugi rang lige je predstavljao FPL - Second Division Liga je 1991. godine prikjučena National Soccer League.
 NPSL (National Professional Soccer League) je igrana od 1971. do 1995. godine, ali kroz tri rzličite organizacije. Od 1971. do 1977. su u njoj igrali samo Crnci te je bila poznata pod nazivom NPSL Castle League (for blacks) (ili NPSL Castle League for blacks). 1978. se ujedinila s NFL u ligu naziva  NPSL Castle League, te su u njoj igrali klubovi Crnaca i Bijelaca, ali je bilo ograničenje da za klubove Bijelaca mogu igrati najviše tri igrača Crnca. 1985. godine je većina klubova napustila NPSL i osnovala NSL. Preostali klubovi su nastavili igrati u NPSL-u do 1995. godine, koji je tada postao nezavisna liga. Ujedinjenjem s NSL-om u sezoni 1996./97. preostali klubovi NPSL-a su igrali u National First Division (ligi drugog ranga)
 NSL (National Soccer League) je igrana od 1985. do 1995. godine, a činili su je prijašnji članovi NPSL-a. Bila je poznata i pod nazivom NSL Castle League. Za razliku od NPSL-a, u njoj nije bilo ograničenja po principima aparthejda. Organizirala je također i ligu drugog ranga naziva NSL Second Division, odnosno OK League. 1991. godine su se ligi priključili članovi FPL-a, a 1996. NPSL-a, što je dovelo do jedinstvenog ligaškog sustava u JAR-u.
 PSL (Premier Soccer League), također i pod nazivima Premier Soccer League Premier Division, Castle Lager Premiership, ABSA Premiership, se igra od 1996. godine. Nastala zbog reorganizacije NSL-a i spajanja NPSL-a u novi ligaški sustav predstavlja otad najviši rang nogometne lige u Južnoj Africi. Također je i odigravanje lige otad pomaknuto na jesen-proljeće, za razliku od dotadašnjeg, koji je igran kroz kalendarsku godinu.

Popis prvaka

Klubovi po uspješnosti

Poveznice
 Premier Soccer League
 safagoal.net
 Apartheid

Izvori
  rsssf.com, South Africa Champions - National Championships
  kickoff,com, Kaizer Chiefs most successful side in South African football history , objavljeno 2. kolovoza 2013., pristupljeno 5. veljače 2016.
  sahistory.org.za, Football in South Africa Timeline 1862-2012, pristupljeno 5. veljače 2016.
  sahistory.org.za, Football in South Africa, pristupljeno 5. veljače 2016.
  sahistory.org.za, SA Soccer timeline 1862-1974 ,  pristupljeno 5. veljače 2016.
  safagoal.net, About SAFA , pristupljeno 5. veljače 2016.

Nogomet u Južnoafričkoj Republici
Južna Afrika

Prvenstva Južnoafričke Republike u nogometu


Miezul fierbinte al pâinii este un film românesc din 1983 regizat de Alecu Croitoru. Rolurile principale au fost interpretate de actorii Vistrian Roman, George Motoi, Octavian Cotescu.

Prezentare

Distribuție
Distribuția filmului este alcătuită din:

Primire
Filmul a fost vizionat de 1.444.542 de spectatori în cinematografele din România, după cum atestă o situație a numărului de spectatori înregistrat de filmele românești de la data premierei și până la data de 31 decembrie 2014 alcătuită de Centrul Național al Cinematografiei.

Note

Legături externe

Vezi și
 1983 în film

Filme românești
Filme în limba română
Filme din 1983
Filme regizate de Alecu Croitoru

Miezul fierbinte al pâinii


FFF may refer to:

Arts and entertainment

Film festivals
 Fantasy Filmfest, annual genre film festival in Germany
 Fashion in Film Festival, a biennial festival in London and New York City
 FreedomFilmFest, an annual documentary film festival in Malaysia
 Lund International Fantastic Film Festival, a fantastique film festival in Sweden

Music
 Fun Fun Fun Fest, an annual music festival held in Austin, Texas
 "FFF", a song from the album Cryptic Writings by American thrash metal band Megadeth
 "FFF", a song from the album Album by Public Image Ltd
 "FFF", a song from the album Född förlorare by Swedish black metal group Shining
"FFF", a song from the album Poster Girl by Swedish singer Zara Larsson
 "F.F.F.", a song from the EP All Your Fault: Pt. 1 by American singer Bebe Rexha
 fff, in music dynamics, forte fortissimo or fortississimo—as loud as can be played
 F.F.F. (musical), a 1920 Australian musical comedy

Television
FFF, the production code for the 1971 Doctor Who serial The Mind of Evil
Family Food Fight (Australian TV series), a cooking show that is frequently abbreviated to FFF
Family Food Fight (American TV series), a cooking reality competition television series based on the Australian television series
Fastest Finger First, the preliminary round on Who Wants to Be a Millionaire?, an international game show franchise originated in Britain.

Organisations
 Fridays For Future, a youth-led climate justice movement
 FFF (gang), a gang active in the San Fernando Valley during the 1980s
 Federation of Free Farmers, an agricultural organization in the Philippines
 FFF, ICAO code for Freedom Air Services a defunct Nigerian airline
 Fuck for Forest, an environmental group that raises money through the production of pornography
 Fédération Française de Football (French Football Federation), the governing body of football in France

Breweries
 Triple fff Brewery, a brewery in Alton, Hampshire, England
 Three Floyds Brewing, a microbrewery in Munster, Indiana, U.S.

Science and technology
 Fused filament fabrication, a 3D printing process making use of thermoplastic material
 FFF system, a humorous system of measurement
 Field flow fractionation, a fluid separation technique
 Feed-forward filter, the forward part of decision feedback equalizer
 Parafluorofuranylfentanyl, an opioid designer drug

Sport
 Falkenbergs FF, a Swedish football team
 French Football Federation (French: )
 Full Force Fighting, an American mixed martial arts promotion
 FFF Racing Team, a Chinese auto racing team

See also
 Five finger fillet, a game played with a knife
 Three Fs, a series of demands first issued by the Tenant Right League in Ireland
 3F (disambiguation)

FFF


Potres u Rijeci 1750. bio je razoran potres koji je 28. studenoga 1750. pogodio grad Rijeku i njegovu širu okolicu oko devet sati navečer, s nizom povremenih trešnji sve do 17. prosinca. Potres je u potpunosti izmijenio lice grada, koji je sveobuhvatnom obnovom izrastao u pomorsko i lučko središte Hrvatskog primorja, kao i hrvatskog dijela Sjevernog Jadrana. U potresu su oštećeni Gradski toranj, stara gradska vijećnica, Trsatski kaštel, crkve Uznesenja Marijina (Kosi toranj), sv. Roka, sv. Tri Kralja, sv. Jurja na Trsatu, sv. Jeronima, isusovačko zdanje i samostan benediktinki, kao i kuće plemićkih obitelji Peri, Minoli, Zanchi i drugih.

Carica Marija Terezija odobrava 3. studenoga 1753. novčana sredstva za obnovu Starog i izgradnju riječkog Novog grada (»Civitas novae«).

Izvori

 1750-11-28
Povijest Rijeke
 1750-11-28

Potres u Rijeci 1750.


Die Digital Business Transformation verändert langfristig durch die Möglichkeiten und Potenziale digitaler Medien und des Internets das Fundament jedes Unternehmens in seiner Strategie, Struktur, Kultur und seinen Prozessen. Es wirkt sich in der Organisation über das Change Management aus. Mit Digital Business Transformation begegnen Unternehmen den Veränderungen des Digitalzeitalters, dem Digital Age. Als begriffliche Weiterentwicklung leitet sich Digital Business Transformation vom englischen Begriff "Business Transformation", der Erschließung neuer Geschäftschancen sowie die Umsetzung neuer Geschäftsmodelle durch ein Unternehmen, ab.

Hintergrund
Das fortschreitende digitale Zeitalter führt zu einem Wandel des bestehenden Verständnisses von Kunden, Mitarbeitern, Geschäftsbeziehungen und Wertschöpfungsketten. Eine internationale Studie des MIT Center for Digital Business und der Capgemini Consulting belegt, dass bis Ende 2011 nur rund ein Drittel der Unternehmen Erfolge wahrnehmen konnten im Bestreben, ihr Geschäftsmodell ins digitale Business zu transformieren. Herausforderungen lagen überwiegend in der richtigen Digital-Strategie, der effektiven konzeptionellen Einbindung, im professionellen Wissensmanagement, einer flexiblen Unternehmenskultur und zügigen Einbindung in die IT-Struktur. Die Erfolgsfaktoren sind laut MIT:

 eine klare Vision für das künftige Geschäft mit Blick auf den Einsatz von IT
 Investitionen in moderne wie klassische IT, um deren Potenziale auszuschöpfen
 Veränderungen müssen vom Top-Management getragen werden.

Um eine strukturierte Transformation durchzuführen, können Unternehmen Digitale Transformationsstrategien und einen systematischen digitalen Transformationsprozess anwenden.

Anwendung
Digital Business Transformation befasst sich mit der Planung, Steuerung, Optimierung und Umsetzung der Wertschöpfungskette eines Unternehmens in der digitalen Ära. Im Zentrum steht die Identifikation von Auswirkungen der Digitalisierung auf bestehende Geschäftsmodelle, die Umsätze, Erlösströme und Differenzierungsmerkmale eines Unternehmens im Markt. Ganze Wertschöpfungsketten verändern sich. Nicht nur einzelne Funktionen und Unternehmensbereiche sind betroffen. Die nachhaltige Veränderung und Neuausrichtung von Kommunikation, Marketing, Vertrieb und Service sind essentiell. Digital Business Transformation nutzt die Vorteile und Potenziale der Integration und Implementierung neuer Technologien als Chance für einen Wandel bestehender Geschäftsmodelle und Generierung neuer Geschäftspotenziale aus technischen und funktionalen nutzenorientierten Innovationen heraus.

Der digitale Transformationsprozess
Die Veränderungen, die durch die Digitalisierung in den Unternehmen induziert werden, sind weitreichend. Prozesse werden erneuert, Arbeit ändert sich und die Anforderungen an die Mitarbeiter wandeln sich gleichermaßen. Die sozialverträgliche Gestaltung dieses Change-Prozesses wird Unternehmen insbesondere im Mittelstand in den nächsten Jahren weiterhin vor große Herausforderungen stellen. In diesem Kontext der digitalen Transformation in Unternehmen wird oftmals das Bild einer Digitalisierung in zwei Geschwindigkeiten bemüht: Einerseits schreitet die technologische Entwicklung rasant voran, während andererseits die erforderliche Gestaltung der Organisationen deutlich mehr Zeit und Veränderungswillen bedarf. Dieses Bild lässt sich ebenso auf den Unterschied zwischen großen und kleinen Unternehmen übertragen. Während man in Großkonzernen bereits ein hohes Maß an technologischer Reife und viele Beispiele flankierender Maßnahmen zur Neudefinition von (Zusammen-)Arbeit finden kann, gibt es viele kleinere Unternehmen, die sich erst allmählich auf den Weg machen. Die grundlegenden Herausforderungen liegen meist in der systematischen Identifikation von Digitalisierungspotenzialen, der Formulierung einer eigenen Digitalisierungsstrategie sowie der strukturierten Umsetzung der digitalen Transformation unter Einbezug aller relevanten Akteure im Unternehmen.

Um den vielfältigen Veränderungen begegnen zu können, bietet sich ein strukturiertes Vorgehen an, mit dem die aufkommenden und bestehenden Herausforderungen aufgegriffen werden. Denn die Umsetzung von Digitalisierungsvorhaben birgt nicht nur viele Chancen und Möglichkeiten, sondern auch Risiken und Herausforderungen. Sie sind tiefgreifende Veränderungen, bei denen komplexe Zusammenhänge zwischen technischen, organisationalen und mitarbeiterbezogenen Aspekten beachtet werden müssen, um den effektiven Einsatz und das Ausschöpfen des vollen Potenzials zu ermöglichen. Insbesondere für kleine und mittlere Unternehmen (KMU) ist die digitale Transformation mit finanziellen Risiken verbunden. Um Fehlinvestitionen zu vermeiden und die Wettbewerbsfähigkeit des Unternehmens nicht zu gefährden, müssen digitale Transformationsprozesse hier noch sorgfältiger geplant werden.

Der digitale Transformationsprozess gliedert sich in fünf Phasen:

Inspirationsphase
Der digitale Transformationsprozess beginnt für viele Unternehmen mit einer Inspirationsphase, in der sich Unternehmer und Verantwortliche über bestehende Technologien und Lösungen informieren. Hierzu können sowohl Praxisbeispiele herangezogen als auch Demonstrationsanlagen besichtigt werden, die in einem ähnlichen betrieblichen Umfeld umgesetzt wurden. Darüber hinaus können ebenfalls Lösungsansätze aus anderen Branchen oder einem abweichenden Unternehmensumfeld betrachtet werden, da diese oftmals auch auf eigene, konkrete Herausforderungen übertragen werden.

Orientierungsphase
Nachdem das Unternehmen eine Zukunftsvision entwickelt hat, steht in der Orientierungsphase eine Standortbestimmung im Mittelpunkt. Oftmals wird hierfür ein Reifegradmodell genutzt, mit dem das Unternehmen seine digitale Reife, auch im Vergleich zu anderen Unternehmen, ermitteln kann. Aus diesem Vergleich können Handlungsfelder für das Unternehmen abgeleitet werden, die die Entwicklungsrichtung der Digitalisierung aufzeigen können. Im Zuge dessen, sollte auch eine Digitalisierungsstrategie entwickelt werden, falls im Unternehmen noch keine vorhanden ist.

Planungsphase
Die sich anschließende Planungsphase definiert erste Pilotprojekte, um die festgelegten Ziele der Digitalisierungsstrategie fristgerecht erfüllen zu können. Hierfür sollten Teams gebildet werden, die wiederum Umsetzungsziele und damit verbundene Zielwerte festsetzen. Dieser Vorgang schafft Verbindlichkeiten, auch wenn die Ziele im Prozess ggf. wieder angepasst werden müssen. Bei der Umsetzung des ersten Pilotprojekts sollte darauf geachtet werden, dass ein Projekt ausgewählt wird, bei dem schnell erste sichtbare Erfolge zu erwarten sind. Diese können Mitarbeitern, aber auch Kunden und Partnerunternehmen präsentiert werden, wodurch die Motivation für die Umsetzung weiterer Vorhaben steigen kann.

Realisierungsphase
In der vierten Phase des digitalen Transformationsprozesses, der Realisierungsphase, werden die geplanten Maßnahmen schrittweise umgesetzt. Dabei sollten technische Maßnahmen immer gemeinsam mit organisationalen Veränderungen realisiert werden. Insbesondere die partizipative Gestaltung des Prozesses ist dabei wichtig, da eine fehlende Einbindung der Mitarbeiter zur Ablehnung des Projekts und somit zum Scheitern des Digitalisierungsvorhabens führen kann. Werden Mitarbeiter frühzeitig in den Prozess eingebunden, steigt die Akzeptanz gegenüber der neuen Technologie und dem Wandel im Unternehmen, da die Mitarbeiter die Möglichkeit erhalten aktiv Einfluss auf die Gestaltung zu nehmen. Auch für die Umsetzung des Projekts können sich unmittelbare Vorteile durch die Beteiligung der Mitarbeiter ergeben, da diese ihr Arbeitsumfeld und ihre Arbeitsaufgabe am besten beurteilen und somit wichtige Hinweise zu Funktionalitäten und Nutzungsweisen der neuen Technologien machen können. Mitarbeiter werden so ermutigt, sich aktiv für das neue System zu engagieren und eigene Ideen einzubringen. Durch den direkten Kontakt mit den beteiligten Mitarbeitern können auch Veränderungen hinsichtlich der Akzeptanz der Veränderung frühzeitig erkannt und die Kommunikation entsprechend angepasst werden.

Auswertungs- und Anpassungsphase
Durch die Auseinandersetzung mit den vorangegangenen Prozessschritten können wichtige Erkenntnisse für Folgeprojekte gewonnen werden. Für das Projektmanagement lässt sich feststellen, welche Aspekte der Umsetzung positiv verlaufen und an welchen Stellen Verbesserungspotenziale vorhanden sind. Hinsichtlich des geplanten Transformationsprozesses lässt sich im Rückblick auf die Planungsphase festhalten, wie sich die digitale Reife entwickelt hat und ob positive Entwicklungstrends aus dem aktualisierten Vergleich mit anderen Unternehmen abgeleitet werden können.

Kritik
Mit der Digitalen Transformation – so der deutsche Unternehmensberater Frank M. Scheelen – "bummeln wir in Europa [..] hinterher", dies biete jedoch die Möglichkeit, "Technologie und Ethik gleich schnell [zu] entwickeln."

Als Beispiel einer bedenklichen Entwicklung führt er den Hedgefonds Bridgewater Associates an: Dort "wird jeder Mitarbeiter gezwungen, eine App namens 'Dots' auf dem firmeneigenen iPad zu installieren." Die Software enthält "die Profile aller Mitarbeiter, die nach 100 Kategorien bewertet werden können."

Unter anderen JPMorgan Chase habe damit begonnen, "Artificial Intelligence Systeme aufzubauen, die Personalentscheidungen und alltägliche Management-Aufgaben [..] alleine übernehmen." Die US-Bank folge auch "dem Beispiel des 'totalen Mitarbeiter-Rankings'", wobei von den "243.000 Mitarbeitern ständig Feedback und Kritik" untereinander verlangt wird: "die Informationen werden mit dem Vergütungssystem verknüpft. Allgemein zeigt sich: 'Management 4.0 und HR 4.0' wird immer stärker 'entmenschlicht'."

Scheelen mahnt "in (EU-)Europa, in Deutschland, […] eine Diskussion unter Aspekten der unternehmerischen Ethik" an und "sobald Menschen als Gruppen klassifiziert, normiert, behandelt und vor allem bewertet werden sollen": dem "einen Riegel vor[zu]schieben".

Siehe auch
 Digitale Transformation
 Business Engineering
 Veränderungsmanagement
 Change Agent
 Organisationsentwicklung
 Transformationale Führung
 Change Management (ITIL)
 Digitale Welt
 Auswirkungen der COVID-19-Pandemie#Arbeitswelt

Literatur
 Rocco Agrifoglio, Rita Lamboglia, Daniela Mancini, Francesca Ricciardi (Hrsg.): Digital business transformation: organizing, managing and controlling in the information age. (Lecture notes in information systems and organisation; 38) Springer, Cham [2020], ISBN 978-3-030-47354-9.

Anmerkungen

Einzelnachweise

Betriebswirtschaftslehre
Management
Projektmanagement
Planung und Organisation
Systems Engineering
Digitale Transformation

Digital Business Transformation


Manuka (novozelandski čajevac, lat.  Leptospermum scoparium), zimzeleni grm ili manje drvo iz porodice mirtovki. Domovina manuke su Novi Zeland i Australija, a uvezena je u mnoge države, među kojima Sjedinjene Države (Havaji), Južna Afrika, Madeira i drugdje, i danas se smatra invazivnom vrstom.

Naraste od 2 do 5. metara visine. Cvate od svibnja do lipnja. Cvat manuke bogat je nektarom od kojeg se proizvodi najkvalitetniji i najskuplji med koji ima antibakterijsko djelovanje, djeluje protuupalno i kao prirodni antibiotik.,  i poznat je kao manuka med.

Sinonimi
 Leptospermum bullatum Fitzh.
 Leptospermum floribundum Salisb., nom. illeg.
 Leptospermum humifusum A.Cunn. ex Schauer
 Leptospermum linifolium (Sol.) Dum.Cours., nom. illeg.
 Leptospermum multiflorum Cav.
 Leptospermum nichollsii Dorr.Sm.
 Leptospermum obliquum Colla
 Leptospermum oxycedrus Schauer
 Leptospermum pungens Otto & A.Dietr., nom. illeg.
 Leptospermum scoparium var. bullatum Rehder
 Leptospermum scoparium var. confertifolium S.Schauer
 Leptospermum scoparium var. eximea B.L.Burtt
 Leptospermum scoparium var. forsteri S.Schauer
 Leptospermum scoparium var. incanum Cockayne
 Leptospermum scoparium var. linearifolium Otto & A.Dietr.
 Leptospermum scoparium var. linifolium (Sol.) Dum.Cours.
 Leptospermum scoparium var. linifolium Hook.fil., nom. illeg.
 Leptospermum scoparium var. myrtifolium (Aiton) W.T.Aiton
 Leptospermum scoparium var. myrtifolium Hook.fil., nom. illeg.
 Leptospermum scoparium var. nichollsii (Dorr.Sm.) Ewart
 Leptospermum scoparium var. parvum Kirk
 Leptospermum scoparium var. prostratum Hook.fil.
 Leptospermum scoparium var. sericeum Regel
 Melaleuca scoparia (J.R.Forst. & G.Forst.) L.fil.
 Melaleuca tenuifolia J.C.Wendl.

Izvori

Myrtoideae

Manuka


La serie Pratt & Whitney Canada PW300 es una familia de motores turbofán desarrollada por Pratt & Whitney Canada específicamente para su aplicación en los aviones de negocios .

Diseño y desarrollo
La configuración básica del PW300 es la que sigue: ventilador monoetapa, dirigida por una turbina de baja presión de tres etapas, supercargada por una etapa de compresor de alta presión de cuatro etapas axial/simple, conducida por una turbina de alta presión de dos etapas. Presenta también un carburador anular. Algunas versiones presentan una salida de gases sin mezcla, pero los PW306 y PW308 incluyen una mezcla forzada. Incorpora así mismo un sistema FADEC.

El PW307A es un nuevo motor de línea central desarrollado específicamente para su aplicación en el avión de tres turbinas Dassault Falcon 7X. El PW307 fue certificado por Transporte de Canadá en marzo de 2005.

El PW308A ha sido elegido como planta motriz del White Knight Two de Scaled Composites, el avión de lanzamiento para el SpaceShipTwo de Virgin Galactic.

Variantes
PW305A
Variante de 20,81 kN usado en el Gates Learjet 60
PW305B
Variante de 23,41 kN usado en el Hawker 1000
PW306A
Variante de 25,36 kN usado en el IAI Galaxy
PW306B
PW306C
25,67kN
PW307A
Variante de 28,49 kN usado en el Dassault Falcon 7X
PW307B
PW308A
Variante de 30,69 kN (6.900 lb) usado en el Hawker 4000
PW308C
Variante de 31,14 kN usado en el Dassault Falcon 2000EX

Aplicaciones
 Cessna Citation Sovereign
 Dassault Falcon 2000EX/DX/LX
 Dassault Falcon 7X
 Fairchild Dornier 328JET
 Fairchild Dornier 428JET
 Gulfstream G200
 Hawker 1000
 Hawker 4000
 Learjet 60
 Learjet 85
 White Knight Two

Especificaciones
Tipo: Turbofán
Empuje máximo: 28,46 kN

Véase también
 Anexo:Lista de motores de aeronave

Referencias

Enlaces externos
 Página del Pratt & Whitney Canada PW300

Motores turbofán de alto índice de derivación

Pratt & Whitney Canada PW300


Allisonia, rod jetrenjarki smješten u vlastitu porodicu Allisoniaceae, dio reda Fossombroniales. Jedina priznata vrsta Allisonia cockaynei, endem je s Novog Zelanda.

Za vrstu Allisonia moerckioides Herzog, status nije riješen.

Izvori

Fossombroniales

Allisonia


Medole ist eine norditalienische Gemeinde (comune) mit  Einwohnern (Stand ) in der Provinz Mantua in der Lombardei. Die Gemeinde liegt etwa 30 Kilometer nordwestlich von Mantua.

Geschichte
Die Pfarrkirche wurde von Tizian mit Gemälden ausgestattet. Der Konvent von Annunciata entstand Mitte des 15. Jahrhunderts und ist seit dem 19. Jahrhundert geschlossen.
1859 fand die Schlacht von Medole statt. Eine Auseinandersetzung zwischen französischen und habsburgischen Truppen im Zweiten italienischen Unabhängigkeitskrieg mit dem Sieg Frankreichs.

Verkehr
Durch Medole führt die frühere Strada Statale 236 Goitese (heute die Provinzstraße 17) von Mantua nach Brescia.

Einzelnachweise

Weblinks

Medole