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Yawm dashed towards me, the ground cracking beneath him. I shouted, "Remember, we're fighting to learn."
He reached me as I flared my runes. He swatted the back of his hand towards me. It was a wild, unrestrained strike. I bent backwards, the tip of his finger snapping across my armor. He slashed his other hand, a joyful glee in the act. I took another step backwards, my feet sliding as his strike slipped just past my nose.
As his hand pulled backwards, I charged towards him, countering him with a right straight. I struck him with a telekinetic bullet from the punch. It did nothing as the kinetic force dispersed. Yawm laughed,
"Excellent. You're far more nimble than I imagined you'd be."
I grinned, "Being able to overpower your enemies is no excuse for being sloppy."
He raised an eyebrow, "An interesting point of view. I thought you enjoyed playing with food?"
I slammed my fists together, "That's when I know I'll win."
"Hah! It's good to see I've garnered a measurable respect in another warrior's eyes."
I activated my new skill, Gravitational Celerity. It used both gravity and antigravity to enhance my movements. I'd never used in combat, so now was the perfect time.
Yawm dashed towards me again, his speed blistering. He struck out with another wide slash. I drilled a left straight into his jaw, interrupting the move. His foot pierced through the ground as he took a step back. I stepped forward, firing two more sharp, compact strikes into his jaw. He lashed out with his left arm.
I ducked under the strike by sinking into the ground as I leaned towards his arm. It passed over my head as I slammed a cracking left hook into his torso. With my telekinetic fields extending my grip, my attack sent him flying away.
He tumbled across the ground, his enormous frame decimating the trees in his way like toothpicks. He rolled back to his feet. He clapped his hands,
"Your well versed in this style of combat. Are you certain you need practice in it?"
I smirked, "It seems like you could use some practice at the very least."
He laughed before dashing towards me. He reached me like a flash, his pace increasing. He ripped out three rapid slices with his hands. I shifted between the strikes, slowing them with fields of gravity that pulled against his attacks. Yawm needed a grip for his feet at that point. Knowing this, I put my foot under his.
I jerked my foot sideways, throwing his center of gravity off. He fell sideways. I dashed forward, my balance shifting on my feet. With an overhand right, I slammed my fist into his face, pressing him into the ground. A crater formed beneath us before I dashed away. Yawm grabbed for where I was.
As his hand pulled back, I returned with a stomp onto his face. The crater beneath us both deepened. He grabbed for me again, his pace even faster. As he sped up, I minimized my dodges further. Even if I was slower, my techniques were sharper, closing the obvious gap between us.
I lifted my foot for yet another stomp. He bent his neck sideways, my foot puncturing into the dirt beneath him. A root from beneath him wrapped around my foot and pulled me deeper. Yawm stood up while wiping dirt off his shoulders,
"You're much better than I imagined you'd be. It's insulting that I'm moving faster yet you're still dominating our exchanges. I cannot laud this enough. How will you handle this?"
Yawm sliced a quick hook towards my face. I let myself sink into the dirt, dodging his attack. Once under the ground, I reached up and grabbed Yawm's foot. I dragged him into the dirt, making him slam against a roots of trees. I walked out of the ground, slinging Yawm with a single hand, the earth exploding from his rise.
I swung him around. Yawm's enormous frame tore the trees apart like a boulder crushing matchsticks. I released him before he tumbled across the ground and regained his footing.
As he stood, he shook off dirt,
"I prefer this kind of sparring. I enjoy how humbling it is. In its own way, I find it motivating. Let's see if I can catch up to your own prowess, given time."
Once again he dashed towards me. I charged him, each of us weaving through the trunks of trees. Once we reached each other, Yawm slowed his assault. He reached out with another swipe of his right hand, this one sharper and more restrained. While it lacked the raw power of his old attack, it made him far less vulnerable to a counter.
Still, it wasn't enough. His swipe scraped against my shoulder as I leaned away from his attack. Molding my armor, I diverted his right hand upwards. I amplified this deflection with a stream of gravity, redirecting his hand upwards. Sparks floated off my armor before I whipped in another attack onto his side.
I held back my full power, letting him keep close this time. It was so that I could dish out more damage and get some practice with my gravity magic. He stayed close, his swipes turning denser and more compact. Within a few hours, he no longer lashed out. His swipes were like an ametuer's that had tremendous talent.
He finally nailed me with a clean strike after I stomped on a root. When it did land, I bunched myself up, making the impact disperse into my legs. Since I was so grounded, Yawm shoved himself back, throwing himself off balance. He stumbled backwards as I charged him. I stepped on his front foot, making him fall back.
As he fell, I lifted my other foot. I stomped his chest, forcing him against the ground. Throughout my movements, gravity flowed like a liquid to help me move. It was like swimming in currents that pushed me forward and pulled him back. For some reason, using all the skills together just clicked at that moment.
As a crater formed beneath Yawm, a ringing echo spreading through the glass forest. A notification appeared in the side of my vision that explained the sudden ease in using gravity.
Unique Skill gained! You've fused the skills Antigravity, Antigravitational Shift, Gravitational Celerity, Antigravity Vortex, and Resourceful into Gravitational Flux. Half of unearned points rewarded for the creation of a unique skill. +205 Tree Points.
Gravity Flux(lvl 1) - By mastering gravity, you move in an ever changing liquid of it. By creating streams of gravity, you reinforce yourself and destabilized enemies. +1% to power of gravity magic on movement.
After landing the attack, I moved my foot off of Yawm's chest. After this fight, I'd need to check out my trees and work on them. I've been so busy learning the cipher and fighting Yawm that I hadn't been keeping up to date on them. Considering what I was up against, that wasn't the smartest idea.
I needed to handle Yawm first. I offered him a hand. He grabbed it and pulled himself up,
"And after I finally land a strike against you, it plays in your favor rather than my own. Would you mind explaining for me?"
I shrugged, "You'll need to ground yourself more when fighting someone who matches you evenly. Otherwise the more stable fighter will absorb your shots and counter immediately. That's assuming they're able to take a hit."
Yawm nodded, "Interesting. I've also noticed my own attacks feel...off. Is there a reason for that?"
Yawm nodded, "Hmmm...Controlling gravity to throw your opponent off balance and enhance your own techniques. It's no wonder why you needed us to fight so slowly. Otherwise you'd never get the practice you needed to master such an advanced technique."
"That's exactly it." I opened a hand to him, "You improved since we started too. You were leaving yourself wide open before. Now your hits are more composed. If anything, I'm wondering where you learned to fight like that."
Yawm glanced up, staring at the light reflecting off the leaves of the trees,
"It could have to do with the competition I've been fighting. During warfare, I fought thousands of weaklings. They couldn't hope to counter or parry my strikes, so I focused on hitting with more power rather than precision. Against a foe that is my equal in skill, well, you've already exposed my style of fighting."
I shrugged, "Then it's good that you're getting back in fighting shape."
Yawm nodded, glancing back down at me,"Indeed it is. Would you mind us continuing at a faster pace? At our current speed, I believe our fights are too unrealistic for actual use."
I nodded, "Uh, sure."
Yawm cracked the fingers in his hands, "If anything, exercising my skill is far more difficult when moving in slow motion."
A bit of cold sweat fell down my forehead, "Yeah, slow motion."
Yawm took a few steps backwards before leaning over, "Come now, let's fight with a more visceral touch."
I raised a finger, "Wait one second. I need to check something out on my status."
Yawm sighed, "Then I'll wait until you finish."
I thanked him before opening up my tree menu. I remembered speccing into Immense, which reminded me why I hadn't checked out my trees. It required 2,500 points for completion, and I only had put one point into it. With 360 tree points lying around, I poured them into the tree and closed my menu. So much for a power boost before Yawm put his big boy pants on.
Speaking of Yawm, I glanced back up at him. His hand rested against a tree as he closed his eyes. He listened to it, discovering secrets about this world. I couldn't help but be curious about what a tree might say. Still, I wanted to get this over with eventually, so I interrupted him,
"Yawm, I'm finished."
Yawm glanced up, his glowing green eyes pulsing. He turned towards me,
"Did you know that the weather of this world is dictated by location rather than time?"
I frowned, "What does that even mean?"
Yawm raised his hands,
"The weather is always like this at this location. It never rains or turns to night here. The only reason there is life here is because we are near an area with eternal rain. If we teleported another fifty miles away from the rain, there would only be a windy, hateful dessert. If we teleported fifty miles towards the rain, we would be in a vast ocean and endless storm."
Yawm spread out his hands, "We teleported to the most peaceful place on this planet. Imagine that."
I looked at the ground, seeing the intertwined roots in the dark soil, "Damn. What a weird world." I set myself into my normal fighting stance while looking up at him, "You ready?"
Yawm leaned over, "Always."
Right before our second session started, I activated every tool at my disposal. My legendary skill, Force of Nature was rearing at full force. My telekinesis extended my footing. I grounded myself with Gravitational Flux. I extended my perception with Tactile Cognition. I extended outwards with Event Horizon, clustering it over Yawm.
Even with all my precautions, Yawm's speed and power was unreasonable. He made contact using the same wide strikes that he started with. I couldn't move fast enough to keep up. His right hand was coming at my side, but I moved like I was underwater when compared with him.
His enormous, clubbing hand slammed against my side. The impact left my ears and eyes ringing from sheer whiplash as I crashed through a dozen trees. Yawm dashed towards me again before I could become stable. Once more, he struck out before I could react to what I was seeing.
His wide strikes didn't seem so wide anymore. All the openings that were present before evaporated under the might of his raw speed. Yawm didn't need technique to make his fighting function. He just needed to reach out his hand faster than the opponent could dodge. His strength would handle the rest.
After tanking a few more slicing strikes, I fumbled across the ground enough to dive into the earth. Under the soil, I had a few seconds to think. I perceived Yawm just fine. I needed some boost in movement in order to keep up and apply my superior hand to hand skills. If I could do that, his speed would work against him as I countered each of his wild lashes.
An idea popped in my head as the earth above me disintegrated. A moment later, a hand grabbed my leg and slung me into the air. As I flopped through the air, I pumped mana into my new unique skill, Gravity Flux. The streams of force enhanced, becoming strong, jerking forces. I kept adding extra mana before Yawm clashed against me.
Another rippling echo shot out before he slung me towards the ground. Even with all the power behind his attacks, my health hadn't even dented. My regeneration was too strong. Still, I needed to up the ante, otherwise Yawm would start questioning my own power.
So instead of slamming into the ground, I dived into it. After digging several feet into the ground, I turned myself around as I faced the sky. I channeled mana until I was no longer regenerating health. An ocean of mana poured into the gravitational streams, creating a dense aura around me.
The dirt disintegrated above me once more. A rippling echo shot out above me before Yawm sliced towards me. With my skill strained to its limits, I reacted once more. I moved fast enough to retaliate. I ducked sidways, the streams disrupting his own attack. With a counter right, I slammed my fist into his face.
The ground beneath me crumbled in an enormous circle. It was from my telekinetic grip extending my footing. The sound cracked nearby leaves before Yawm was sent flying. He shot into the air before I dashed where he was bound to fall. Before he did, the air near him turned green.
Sparks shot through the air before Yawm laughed, "You're mana pours out like a never ending fountain. Allow me to match it."
I dispersed my weight outwards using Overwhelming Presence. I shot sideways as Yawm reached out a hand. I reached a tree before diving back into the ground. Above me, the tree boiled into a liquid before evaporating. With a stomp of my foot, I reversed my trajectory. Once more, the trees nearby melted into a liquid before evaporating.
I couldn't even tell what he was doing, but there was no way I wanted it to touch me. I dashed and weaved between each of his attacks. As he clashed into the ground, he ran out of stored mana before I dashed towards him.
Using Event Horizon, I gained a bit more mana for my enhanced movements. We collided, each of us ducking and weaving around the other. With brutality, he used pure speed and strength to match my superior technique. As we moved fast, my vision blurred. Instead I used my sense for gravity to sense Yawm and my movements.
As I reached out with the sense, I found something on both our backs. As I realized this, Yawm roared out in rage for some reason. He shot out a punch towards my gut. It pierced my stomach, his fist reaching out with my spine. A shockwave ebbed behind us, trees blowing away as the excess force dispersed behind me.
Yawm shook his head before pulling his arm out of my gut. He took a step back, staring at his hands, one of them coated in silver blood. He glanced up at me, confusion riddled over his strange face,
"What's going on? Why did I become so angry?"
I played off the damn hole in my chest like it was nothing as I gurgled on my own blood,
"I don't know, but if you could reign that shit in, that'd be great."
Yawm slung his right arm, slinging the silver blood off of it,
"I...I don't know what came over me."
As my chest healed, I walked over towards him, "I might. Before that though-"
The first thing I did was punch Yawm. He was still left standing, but he rubbed his cheek, "I will relent about this...I deserved that."
I nodded, "Hell yeah you did. Anyways, there's something on your back." I walked behind him, seeing nothing. I moved my hand where I sensed the gravitational fluctuation. There was no resistance, like it was normal air. I pulled back my helmet before inspecting closer.
Besides for cracks of vibrant, pulsing energy flowing down his back, there wasn't anything off about Yawm. I leaned back and scratched the side of my head.
"This is odd."
Yawm reached around, scraping his back with a massive hand,
"Is it a terrestrial parasite or something like it?"
I shook my head, "I don't know what it is. If anything, I can hardly even tell it exists."
I stared at it a for a moment before raising a hand and creating a dense gravity well on the invisible thing. The theory was that if it could influence our gravity here, our gravity could influence it over there. Yenno, wherever there was.
All I needed was enough of a pull that it responded. As I increased the pull, Yawm turned his head towards me,
"What exactly are you doing?"
"Trying to capture this thing, whatever it is."
Yawm grumbled, "Not one for explaining yourself, are you?"
I waved away his concern, "Not until after I'm finished."
I kept pouring more and more mana into the gravity well. Once the consumption eclipsed my mana generation, Yawm braced himself onto the ground. At that point, I felt the pull of the well too, so I clasped my hand, condensing it. I grit my teeth as I balled the gravity well into a small point before a shrill scream rang out.
It was a sound that sent a chill up my spine and made me grab my ears. Yawm turned around towards me as the well dissipated, "What kind of alien sound is that?"
I shook my head, bracing myself against the sound, "I don't know. It isn't me though."
Yawm frowned before turning around again. Along Yawm's back, a tiny, red tendril had appeared about six inches off his back. It was writhing around, trying to grip onto him. Once it did, it shivered before settling down.
"What exactly is that?"
I frowned, "It looks like a creepy ass tentacle that's grabbing onto you."
Yawm lifted his hands, "Harbinger, I may put up a convincing mask of calm, but that isn't quite the case. In fact, the longer this situation drifts on, the more unsettled I'm becoming. The idea of an alien parasite infesting me is disconcerting to say the least."
I nodded, "I know, I know. Now be quiet so I can fix whatever the hell this is."
Yawm's hands flopped against his sides before I created another well of gravity. Once it ramped back up, the screaming started once more. Since I was ready, I already covered my ears with my armor. I only felt the vibrations of it. That's when I saw it.
As I kept the steady pull on the well, other tentacles came out of the center of gravity. They shifted around, squirming around before attaching themselves too Yawm. As more and more of them attached to him, he shivered. Yawm turned towards me, his eyes opening wide. A second later, he turned back around and placed his hands over his eyes.
It looked like he was mumbling something to himself. I laughed a bit at the all powerful overlord being squeamish. The cluster of tentacles grew along his back, taking up three quarters of its surface. In a rippling spark, an eye popped out of the gravity well. It was yellow with a vertical iris. It opened wide, glancing around with a feverish concern.
The entire thing latched itself to Yawm's back, gripping him before he turned towards the creature. The giant, yellow eye locked gazes with Yawm. They held their glance for a second before Yawm ran forward, panicking,
"Get this monstrosity the fuck off me."
He reached behind him, the monster squirming away from his grip several times. Yawm ran in circles as he tried gripping the creature. He jumped against the ground, rolling over roots before jumping back up and rubbing his back against a tree.
I busted out laughing. It was a long, loud laugh, and after a minute or two, a few tears were streaming down my eyes. I wiped them away before walking up to Yawm. He had finally calmed down, his breathing deep and controlled now. He turned towards me, and an awkward silence passed over us.
"I ask of you to never speak of this with anyone."
I laughed at him, "Don't worry. I won't tell them that the world eater is scared of a giant octupus."
Yawm raised a hand at me, "It's not fear...it's just, ahem, concern."
I rolled my eyes, "Yeah, sureeeeee."
He turned his back to me and sighed. I grabbed the weird, writhing creature on his back and pulled. It took a solid effort before I finally got the thing off him. I placed it onto the ground as Yawm and I stared at it. It was a misshapen lump of moving parts, a creature that should not be. Yawm shivered,
"That was on me..."
I nodded, "Yup, it's been on you for a while it looks like."
Yawm lifted his hands and placed a two fingertips onto each side of face,
"Keep composed, Yawm. Keep composed."
I chuckled at him again before analyzing the creature. A cold, sinking feeling spread through my gut as I read the message of what the monster was. It was like my stomach was turning to ice.
Baldowah's Wrath(lvl 5,000) - This is a creature that follows the Old One Baldowah's bidding. It is nigh undetectable, latching onto creatures across parallel dimensions. It siphons feelings of wrage, hate, and anger into its victims. These feelings can result in sudden outbursts of rage.
Baldowah will use these parasites to destabilize the mental state of sentients over time. They operate much like a disease that whittles away at the mind of whoever is infected with them. Considering how difficult their detection is, it's often too late to save their victims by the time someone finds the creature on them.
This is why their threat level is considered so high. They can decimate creatures of untold strength, given enough time to do their malignant work. Baldowah uses them to eliminate threats it deems worth killing. Usually it's reserved for beings that are breaking the laws of a given universe. In this case, that being was Yawm.
You would do well to kill this monster given the chance before it finds another victim.
I looked up at Yawm who stared back at me,
"Well, what in Baldowah's name is it then? Surely Schema gave an analysis of it?"
I frowned, "I don't know if you're going to like what I'm about to tell you."
Hope you guys enjoyed. Remember my patreon and what not. There's a link in the bio of the story for that and voting. Thanks for the support as always.


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For hip hop fans, author Brian Coleman is doing the Lord's work. In 2005, the writer and historian self-published Rakim Told Me, an oral history of some of the genre's most influential albums told by its creators. Coleman would expand on Rakim with 2007's Check the Technique and recently released Volume 2 of the popular series that's become a must-read for rap geeks wanting the inside story to their favorite albums.
As in previous books, Coleman devotes one chapter each of Volume 2 to a classic hip-hop album, including Raekwon's Only Built 4 Cuban Linx, Ice Cube's AmeriKKKa's Most Wanted and Mos Def & Talib Kweli's Mos Def & Talib Kweli Are Black Star. In this exclusive Volume 2 excerpt, Naughty by Nature's Treach and Kaygee break down the creation and effect of their ubiquitous 1991 Number One hit "O.P.P."
Kaygee: I was just scratching that Jackson 5 "ABC" section one day, and Treach heard it and wanted to build on it. Everybody is saying these days how sample clearance is so high, but we sampled that in 1991 and [Motown's publishing arm] Jobete took 75 percent of the publishing on that song. But we knew that it made the record, so we had to have it. One hundred percent of nothing is nothing, and 25 percent of 2 million sold is a lot. We knew that it was gonna be huge, so we didn't care. At that time there was so much hardcore stuff out, but people weren't using pianos and melodic stuff like on "O.P.P." When we first did the demo, our people around the way knew it was a hit, and that's all we needed to know.
Treach: That was recorded in the first quarter of our recording. We didn't try to make a pop hit; it just happened it was the [Melvin Bliss "Synthetic] Substitution" beat and a [Jackson 5] sample. It's a call-and-response song and we're talking about fuckin' other niggas' bitches. The record probably would have been banned if radio had known what we was talkin' about. It took them a year or two to figure out what it meant. If you weren't listening or weren't really into hip-hop, it wasn't easy.
After we heard it on playback, I just hoped that mo'fuckas would be up on it. I was trying to make the record so to-the-point where mo'fuckas would figure out what I was talkin' about. I didn't want the meaning to get lost; I wanted people to understand. Since I was fast [with rhymes], people had to catch on to my flow, and catch on to what the record really meant. I thought a lot of it was over peoples' heads.
Most of the rest of the album is more hardcore, street type of shit. But we knew that we had to have something that radio wasn't scared of when we came out. I didn't think the success of that song hurt the other songs on the album. In fact, it helped them. People who love hip-hop know "Guard Your Grill" and "1, 2, 3." Those never got lost.
We was out on a promotional run, and the video for "O.P.P." came out when we were on the road. During the first half of the tour we could go wherever, and nobody knew us. But then the single heated up, it went gold, platinum, double-platinum. Then we went into malls and security was like, "Yo, don't ever come in here again without tellin' us." Because it was a mob. We had to run out the back door to get away. One other thing: we changed the whole Video Music Box game back then, because that channel would play whatever you called for. They had to change the whole format, because you wouldn't see nothin' but "O.P.P.," all day and night. There wasn't nobody else getting any video play!
- The 50 Greatest Hip-Hop Songs of All Time
- 'Jeopardy!' and Alex Trebek Go Hip-Hop
- Fabolous on Why the Nineties Were Hip-Hop's 'Golden Era'
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The boys and I went with some close friends of ours to see the movie Inside of Out. I liked it. Everything about it. In actuality, my friend Rachel can attest to the truth that I acquired a minimal (or a great deal) choked up in direction of the conclude. Remember when Andy leaves for higher education in Toy Story 3 and his mom flashes back again to when he was minimal taking part in with Woody and Excitement? Yeah, it was kinda like that… pulling on your sentimental mom heartstrings at its finest.
If you haven' found Inside Out, I would remarkably advise it! My boys loved the motion picture (who doesn't appreciate heading to the motion pictures?!?!), whilst I don't feel they really some parts of it like older people, teens or even tween would who know the areas/features of the brain. My boggy good friend Amanda has an magnificent evaluation/dialogue guide that you have to have to check out out and I entirely concur with fairly considerably all parts of her overview of the film.
Provided Small Brother' existing fascination with Perler Beads and my adoration of the movie Inside of Out, I figured it would be fun to make some Inside of Out Perler Bead Designs!
Here' what you' have to have:
- Perler Beads (we have this set)
- Clear pegboards
- An iron
- Waxed paper (or the paper that will come with the pegboards)
- Our printable Inside of Out template
Obtain the Within Out Perler Bead Patterns here.
Just a word of warning, the template isn' extravagant but it need to get the position carried out. I essentially photocopied just one of our obvious Perler Bead templates, established a coloration-coded template for each individual character, and then scanned all the internet pages.
Get your perler beads and get started off! Slide the printable patterns underneath the clear pegboard and get started positioning your beads on the pegboard according to the sample.
Disgust Pattern
Comply with the instructions on the perler bead bundle to iron.
Panic Pattern
Joy (this is my minimum preferred of all of our creations as she form of seems to be like a clown… we did the best we could) 🙂
Have you seen Within Out? What ended up your feelings?


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Landscape cushion | Topiary Garden
£65.00 Sold Out
Inspired by the topiary at Hever Castle these cushions are hand printed on a white linen ground. Each element is printed by hand so no two cushions are the same. Design placement therefore may vary slightly.
Supplied with a feather/ fibre pad. The mixture of feather and fibre provide a feeling of plumpness and luxury.
Size (Approx)
58 x 28 cm
Hand printed and made in the United Kingdom.
Postage and packing for the United Kingdom is included in the price.
Items in stock will be posted by Royal Mail first class (signed for) within two working days of your order.
Please get in touch for a quote if you are outside the U.K.


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LA QUINTA Inn and Suites
Project Scope: Seven Story Suites and Convention Center hotel to include 168 guest rooms. Working closely with the architectsOfficeSource, Ltd. assisted in specification, procurment and installation of all furniture including artwork selection and installation.
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The very first article of equipment you need to begin your yoga clinic is just a excellent yoga mat. You know that perhaps not all yoga mats have been created evenly, in the event you've ever done yoga before. Each personality and also material provides an alternative set of goals and needs, and design modifications may either hurt or harm your movement patterns along with your regular aches and pains in virtually any pose. There really are a lot of aspects to consider once you're on the lookout that best serves your needs. Dimension and portability are important to several yogis, if you don't do your clinic in the comfort of your 39, chiefly because you'll need to bag your mat on the fitness center or Pilates mat along with you. Many mats are somewhat longer than others, Thus should you like long mats, have a glance at more lengthy mats. Most folks will soon be content together with the period.
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Radiodating and analysis
14-Feb-2015 10:39
A form of radiometric dating used to determine the age of organic remains in ancient objects, such as archaeological specimens, on the basis of the half-life of carbon-14 and a comparison between the ratio of carbon-12 to carbon-14 in a sample of the remains to the known ratio in living organisms. A technique for measuring the age of organic remains based on the rate of decay of carbon 14.
The carbon 14 present in an organism at the time of its death decays at a steady rate, and so the age of the remains can be calculated from the amount of carbon 14 that is left. The cells of all living things contain carbon atoms that they take in from their environment.
Back in the 1940s, the American chemist Willard Libby used this fact to determine the ages of organisms long dead.
The Shroud of Turin , which many people believe was used to wrap Christ's body, bears detailed front and back images of a man who appears to have suffered whipping and crucifixion.
At the same time, the British Museum was invited to help in the certification of the samples provided and in the statistical analysis of the results. The age of the shroud is obtained as AD 1260-1390, with at least 95% confidence. The three containers containing the shroud (to be referred to as sample 1) and two control samples (samples 2 and 3) were then handed to representatives of each of the three laboratories together with a sample of the third control (sample 4), which was in the form of threads.


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Teaching in North Salem Central School District
Westchester County, New York
Getting Started in North Salem Central School District
District Financials
Total District Revenue:$40,725,000
Percent of Revenue from Westchester County County:86 %
Percent of Revenue from New York: 13 %
Percent of Revenue from US: 1 %
Comparing districts in NY (See all Districts in NY)
Largest Districts
Highest Total Education Expenditure
- Public Elementary/Secondary School Universe Survey Data, Common Core of Data (CCD) 2015-16, National Center for Education Statistics, https://nces.ed.gov/ccd/pubschuniv.asp
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I can't determine that I SHOULD be voted Miss Jetset unless I had personally judged the other contesters, which I have not. I can say that I would do amazing given this opportunity because of the life I have already experienced and lived. Long story, but this is my new beginning time in life. I have however been given the advantages of gaining the wisdom that I did not have at such times before. I am blessed to have a humble heart and amazing opportunities to live out these great attributesWhat is your edge over the other candidates?
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The Order
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She could not thus be here also? With certainty! said it, with a pretty smile. Soon is delivers, you! Thanks a lot my son! I do not know as to be thankful to it! does not need to thank Sir to me! said it acariciando the hand Mr. But I make dear question! I come, I pay a snack to it does not need Sir! said it. Please, esnobe my does not offer. It comes with me, will be fast. Choice what to want my son! Me of the one bread in the plate, please? asked for it to the attendant.
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Photo 1 of 4Next
This blog post of Ice House Minneapolis was uploaded on April 2, 2018 at 8:31 am. This image is posted at the Home category. Ice House Minneapolis is tagged with Ice House Minneapolis, Ice, House, Minneapolis..
Iceice (īs),USA pronunciation n., v., iced, ic•ing, adj.
- the solid form of water, produced by freezing;
frozen water.
- the frozen surface of a body of water.
- any substance resembling frozen water: camphor ice.
- a frozen dessert made of sweetened water and fruit juice.
- See ice cream.
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formality: The ice of his manner betrayed his dislike of the new ambassador.
- a diamond or diamonds.
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- break the ice:
- to succeed initially;
make a beginning.
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- cut no ice, [Informal.]to have no influence or importance;
fail to impress: Her father's position cuts no ice with me.
- on ice, [Informal.]
- with a good chance of success or realization: Now that the contract is on ice we can begin operating again.
- out of activity, as in confinement or imprisonment.
- in a state of abeyance or readiness: Let's put that topic on ice for the moment.
- on thin ice, in a precarious or delicate situation: You may pass the course, but you're on thin ice right now.Also, skating on thin ice.
- to cover with ice.
- to change into ice;
- to cool with ice, as a drink.
- to cover (cake, sweet rolls, etc.) with icing;
- to refrigerate with ice, as air.
- to make cold, as if with ice.
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make sure of, as by signing a contract: We'll ice the deal tomorrow.
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- to kill, esp. to murder: The mobsters threatened to ice him if he went to the police.
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freeze: The sherbet is icing in the refrigerator.
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- ice it, [Slang.]stop it;
that's enough: You've been complaining all day, so ice it.
- ice the puck, [Ice Hockey.]to hit the puck to the far end of the rink, esp. from the defensive area across the offensive area.
ice′less, adj.
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- on or done on the ice: ice yachting.
ice′like′, adj.
Househouse (n., adj. hous;v. houz),USA pronunciation n., pl. hous•es (hou′ziz),USA pronunciation v., housed, hous•ing, adj.
- a building in which people live;
residence for human beings.
- a household.
- (often cap.) a family, including ancestors and descendants: the great houses of France; the House of Hapsburg.
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business firm: the House of Rothschild; a publishing house.
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- the members or residents of any such residential hall.
- a brothel;
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- Also called parish. [Curling.]the area enclosed by a circle 12 or 14 ft. (3.7 or 4.2 m) in diameter at each end of the rink, having the tee in the center.
- any enclosed shelter above the weather deck of a vessel: bridge house; deck house.
- one of the 12 divisions of the celestial sphere, numbered counterclockwise from the point of the eastern horizon.
- bring down the house, to call forth vigorous applause from an audience;
be highly successful: The children's performances brought down the house.
- clean house. See clean (def. 46).
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paper the house.
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manage a household.
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free: Tonight the drinks are on the house.
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lodge: to house flood victims in schools.
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- to remove from exposure;
put in a safe place.
- to stow securely.
- to lower (an upper mast) and make secure, as alongside the lower mast.
- to heave (an anchor) home.
- [Carpentry.]
- to fit the end or edge of (a board or the like) into a notch, hole, or groove.
- to form (a joint) between two pieces of wood by fitting the end or edge of one into a dado of the other.
- to take shelter;
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- served by a restaurant as its customary brand: the house wine.
MinneapolisMin•ne•ap•o•lis (min′ē ap′ə lis),USA pronunciation n.
- a city in SE Minnesota, on the Mississippi. 370,951.
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Monthly payment on credit card debt
Assume you have a balance of $3,200 on your credit card that you want to pay off. Calculate your monthly payment and total payment under the given conditions. Assume you make no additional charges to the card, The credit card APR is 20% and you waant to pay off the balance in 2 years:
a) 139,47: $3,036.03
b) 245.12: $5,882,80
c) 195.70: $4,255.90
d) 162,87: $3,908.80


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Lockport settles suits on commercial assessments City sets valuations through 2015; figures are higher than numbers on 2010 tax rolls
City officials, determined to solve the issue for years to come, have made a long series of out-of-court settlements on assessment challenges from commercial property owners this year.
In every case, the arrangements set the valuations of the properties through 2015.
The largest set of settlements so far was made with Granchelli Development and its associated companies, but other property owners have made similar deals.
"This wasn't political. There was justice behind all these numbers," City Assessor Joseph Macaluso said.
Michael J. Norris, deputy corporation counsel, who worked out the settlements for the city, said the new figures in every instance were higher than the assessments in force before the citywide reassessment in 2011.
"There's been no refunds given in any of these," Norris said.
For 19 downtown properties controlled by Elmer A. Granchelli, the total assessed valuation was set at just under $3.25 million, which is $170,000 more than the total for the same properties in 2010.
The 2011 tax roll had valued the 19 properties at a total of $4.58 million. Macaluso said those numbers were rolled back after more detailed appraisals were done.
The city has spent more than $10,000 so far with Girasole Appraisal of Niagara Falls, which dug deeper than the 2011 revaluation figures by KLW Group.
"KLW's [work] was built on a history of appraisals," Macaluso said. "The Board of Assessment Review just passed on their figures."
After receiving no change in figures from that board on Grievance Day last June, many of the city's commercial landlords filed lawsuits.
The primary exception was David L. Ulrich, who had sued the city the previous year.
The settlements Ulrich received set the standard for the blizzard of deals this year. Ulrich received a three-year fixed valuation for his downtown properties and did not receive a refund for previous taxes paid.
However, Macaluso acknowledged that the new figures presented to judges for approval this year often aren't much higher than the numbers used before revaluation.
"We had to build the refunds into the settlements, which is why we took it three years into the future," the assessor said.
Norris said there were other reasons behind the multiyear deals that set commercial properties at the same assessed valuation through 2015.
"For us, it provides stability for the taxpayers," he said. Companies will have a rough idea what their tax bills will be, although, of course, the Common Council, Board of Education and County Legislature will alter the rates.
"We can also avoid doing this every year," Norris added.
Macaluso said the settlement numbers made use of not only historical trends and exterior observations, as KLW's figures did, but also analysis of the financial performance of the commercial properties in question.
In the Granchelli cases, he said, "we had income and expense statements for every property."
Some of Granchelli's downtown properties are largely vacant, and many lack on-site parking.
"When you go through them, they were in disrepair, and then you take into account the parking situation," Macaluso said.
The upshot was a settlement such as the one for the F&M Building, a Granchelli-owned property at Main and Locust streets.
In 2010, before the citywide revaluation, the mostly vacant structure was carried on the tax rolls at $50,000.
Last year's reassessment boosted that to $154,100. Granchelli sued, and the settlement figure was $100,000, substantially lower than the 2011 number but still twice as high as the 2010 valuation.
The city made out well on Granchelli's Rite Aid Plaza at 50 East Ave. The city assessed it at $475,000 in 2010 and $998,600 in 2011. The settlement figure was $700,000.
On the other hand, the Lockview Plaza at 21 Main now is assessed at $475,000, which is only $25,000 more than it was before the 2011 revaluation. The lawsuit was brought after the city reassessed the property at $622,000.
The Niagara Frontier Plaza at 120 Main is now assessed at $82,000, a dramatic drop from the $342,900 on the 2011 tax roll and from the $255,000 figure on the 2010 roll.
"When you go in there, there were little wading pools, the roof was leaking so badly," Macaluso said. "The estimate to fix the roof was $600,000."
In a few cases, there was no reduction at all in the 2011 figure. A holding company called 5CR Limited Partnership, which owns the Clark Rigging property on Ohio Street, couldn't get the city to budge on one of the two parcels that make up that property. The city reassessed it at $72,000, and $72,000 it remains.
However, the city did agree to reduce the assessment on a neighboring parcel owned by 5CR from $351,300 to $315,500.
Granchelli also attempted to lower the assessments on his home and those of his children, but the city didn't give an inch on any of them.
Hydraulic Race Co., Upson Co., Briarwood Manor and Beautiful Vision, owner of a series of storefronts on West Main, all won settlements after suing the city over the 2011 assessments.
Other settlements were made with some attorneys who sued over the valuations of their downtown law offices and with owners of residential rental property such as SDK Villager, owner of the South Street Apartments, and Michael A. Dascoli, owner of Locust Gardens Estates.
Still left unsettled is a lawsuit brought by the owners of Lockport Professional Park, a collection of doctors' offices and other professional buildings.
Macaluso said he, Terry Girasole of the city's appraisal company and a representative from GAR Associates, an Amherst appraiser working for the Rochester investors who own the property, toured the 27 parcels May 3.
They are assessed now at a total of nearly $9.3 million. The lawsuit filed by the owners seeks to lower that total by $5.5 million.
Macaluso hopes the results of the inside visits and a look at the property's financial performance will lead to a settlement, perhaps before the city files the 2012 tax rolls July 1.
email: email@example.com


text:
You need to reboot for the change to take effect. It stays open for as long as you hold the button down — not very convenient for exposure times of more than a few seconds. Once patched, works well with Linux. Its an infrared remote using the sensor on the front of the camera – so what else were they expecting If you have the remote control set to 2-second delay, there will be a 2-second delay before the shutter first opens. Here is a more complete map for every key on the remote except the Red Power Button.
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I've already loaned out to a couple of photo students who are now want to pick one up their own. When you press to RC-6 button the camera rc6 remote control autofocus and then fire. It is also detected as MCE remote by lircd, but has slightly different keycodes, which are incompatible with xbmc defaults. This one has the ability to control 4 devices PC, TV, Sat, Amp and can be programmed using the manufacturer codes database supplied. Now when you fire the RC-6 at the camera you will have a couple of seconds to move the device out of the field-of-view before the picture is taken.
rc6 remote control
List of MCE remote controls – Official Kodi Wiki
It came with a battery installed and all I needed to do was pull the battery insulator and the remote was ready. This item doesn't belong on this page.
The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. There is no way round this without using some helper app like Eventghost, but the Info action could rc6 remote control mapped to one of rc6 remote control other buttons.
See patch in https: Being able to stay near your subject to assist in composition or ease stress is another benefit. It's certified for Windows 7 32bit or 64bit. The most difficult part was remembering how to set up the camera to work with the remote.
Canon Rc-6 Wireless Remote Control – 4524B001
Rc6 remote control from " https: Ckntrol is a basic remote that works. The RC-6 is a wireless transmitter infrared rather than radio waves. The RC-6 will operate in either 2-second delay mode or will instantly take a shot.
It is not possible to rc6 remote control a separate receiver for the RC Similar to the buttons to the Microsoft MCE remote, but with a full keyboard and a 'nipple' for moving the mouse. See all 16 brand new listings. The FinTek driver does not work on some XP configurations cause unknown.
XBMC has all the required keyboard mappings for these remotes so they should work out of the box. Case Show More Rc6 remote control. The RC-5 only has the immediate firing mode.
The rc6 remote control everyone is ready, I can push the button on the remote control and take the picture. This is because they send a bunch of keypresses ctrl, shift, arrow, letter "B" etc.
Canon RC-6 Wireless Remote Control Review
It is supposed to work within 30′ of the camera. Configure VRC remote for Ubuntu. Rc6 remote control remotes in this section all use the Microsoft eHome driver on Windows.
Handy when you don't want to wait. It is so small that you can even put it on your key ring. I'm sure we can all use the camera's shutter release time delay but we can't be so accurate in predicting that actual burst that rc6 remote control want to capture, can we?
I rc6 remote control to set it up to take some before, during, and after shots as I work on my old motorcycle and needed the convenience of a hands-off shutter trigger.
For the curious or bored there is a specification for the Windows Media Center remote. I will continue to purchase and recommend these units.


text:
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Just when you work your butt off and finish editing a photo, the app crashes. Otherwise, it's great. Fix it please!
Just when you work your butt off and finish editing a photo, the app crashes. Otherwise, it's great. Fix it please!
Crashes too much
Now crashes every time on my iPad also has annoying ad page that the orig version did not have. I must say the orig ver did a fantastic job when it worked, but now it is garbage can't even select a single image from the photo lib without it crashing. I suggest that the dev get on it, as this is now a worthless app he needs to fix all the bugs stat as it appears it crashes for most.
Get started and get the middle of something and then it crashes. Every time I try it crashes. Uninstalled and reinstalled it and it still crashes.
Some good filters so pained for the premium- however it does crash, allot- but pretty easy to redo the lost work- 2 stars versus 4 stars as you are not able to adjust the amount of filter you can apply to a photo- if they added that it would be a must buy for a quick line drawing / comic book time saver- Would like to see the developers follow up on this app and improve as I would love to change my review- for now stick with the free version.
This app is interesting but I am having issues with it. It seems that there is a timer on it you have to pick which picture you want to use and then you have to decide which effect you want before the app times out and closes on it own rather you are done or not.
The best one I have found yet
Love this app but you have to have patience due to constant crashes. Using iPhone X with latest iOS but still having issues. Amazing results with finished products!
This seems like an interesting app but it doesn't stay up long enough for me to do much with it. Maybe I'll try it again after they get the bugs worked out.
Good basic and stable program with reliability in the performance.
I didn't even have the opportunity to really try this app out as it constantly crashed while I was applying the very first affects to the original picture. I never even got to try out a second a fact because the app would crash again! I tried playing with this app for approximately 20 minutes before I finally gave up and within that short period of time, the app crashed at least 15 times! I can't even say whether the app was fun or worthwhile or effective because of the crashing. This was a very unfortunate effect of the app that kept me from enjoying it.
Very annoying. This app crashes in the middle of altering a photo. Just when you think you are done and click the check mark it crashes and the pic is lost. Grrrrrr
I've honestly really been in love with this picture sketch app so I'm going to always keep it on my phone always and forever because it's FUN & AWESOME SO IT'S GETTING 5 STARS❣❤❣❤❣❤❣
its very nice, very cool , very awesome. I love it **********
Just wish I could get the red circle with the 1 in it to go away!!!
My favorite
There is a red circle with a 1 inside it, on my app icon. This seems to be a message, but can't clear it. Other than that I've had fun so far.
Love it
I like it a lot and I does every a lot of neat things for free without having to upgrade. It is a must to try it out.
Love this app
Good but lacking information
I like apps that are simple to use, apps that don't take up too much time but deliver good results. This is my go to for photo editing.
Fun and easy to use 😎
Makes pictures even better.
Is good o like thank's
I love it , just need some more textures and paint effects
I like that!!! This app is one of the coolest photo changing apps I have ever used.
Great selection of sketch formats
I recommend this app to other users
Really good
Good so far from what I have seen, still need to play around with the app a little more to decide.... made me write a review to continue. love the first app!
Good app
It is nice
Amazing af
me like app
Love it
Kind of crooked but I'd rather not pay.
I don't like that Im forced to do this to continue
Good from what I've seen. Made me write a review to continue
Forced good
Like the app but forced me to decide to rate it before I could official see


text:
- Europe
- Malta
- Malta (general)
- Naxxar
- Search
Traveling Luck for Naxxar Malta (general), Malta
Alternatively known as In-Naxxar, Nasciar, Nashar, Naxaro
The timezone in Naxxar is Europe/Malta
Morning Sunrise at 05:50 and Evening Sunset at 17:58. It's Dark
Rough GPS position Latitude. 35.9136°, Longitude. 14.4436°
Morning Sunrise at 05:50 and Evening Sunset at 17:58. It's Dark
Rough GPS position Latitude. 35.9136°, Longitude. 14.4436°
Weather near Naxxar Last report from Luqa, 8.7km awayTemperature: 23°C / 73°F
Wind: 3.5km/h West/Northwest
Cloud: Few at 2000ft
Satellite map of Naxxar and it's surroudings...
Geographic features & Photographs around Naxxar in Malta (general), Malta
locality a minor area or place of unspecified or mixed character and indefinite boundaries.
- Il-Ġwejdija (0.6km)
- San Pawl tat-Tarġa (0.9km)
- L-Għaqba (0.9km)
- Birguma (1.2km)
- Is-Sgħajtar (1.3km)
- Ix-Xwieki (1.5km)
- Ħal Mann (1.7km)
- Tat-Tabib (1.7km)
- Ix-Xagħra ta' Santa Margarita (1.8km)
- Ta' l-Awrora (1.8km)
- Tal-Gozzu (1.9km)
- Tad-Daħla (1.9km)
- Il-Ħanqa (2.1km)
- Tax-Xiħ (2.2km)
- Ta' San Pietru (2.2km)
- Ta' Ġannara (2.3km)
- Misraħ Għonoq (2.4km)
- Ix-Xwieki (2.4km)
- Tat-Torba (2.4km)
- It-Torba ta' Mlit (2.5km)
- Il-Fanal (2.5km)
- Tad-Dib (2.5km)
- Ta' Raddiena (2.5km)
- Tal-Balal (2.6km)
populated place a city, town, village, or other agglomeration of buildings where people live and work.
- Naxxar (0km)
- L-Iklin (1.2km)
- Għargħur (1.7km)
- Lija (1.8km)
- Mosta (2.1km)
- Balzan (2.3km)
- Ta' l-Ibraġ (2.4km)
- Tal-Balal (2.4km)
- Ix-Xgħajriet (2.4km)
section of populated place a neighborhood or part of a larger town or city.
- Il-Ħamrija (0.4km)
- Is-Simblija (0.4km)
- Il-Gwejdi (0.5km)
- Tal' Uai (0.9km)
- San Pawl tat-Tarġa (0.9km)
- Il-Qasbija (1.9km)
- Ta' Mlit (2.2km)
- Il-Bwieraq (2.5km)
church a building for public Christian worship.
- Santa Maria Church (1.3km)
- Santa Margerita Church (1.6km)
- Santa Katerina Church (2km)
Accommodation around Naxxar
Number 19 Executive Suites Alley 3 Saint Lucy Street, Naxxar
Chapel 5 Suites 19 alley 3 st lucy street, Naxxar
Chapel 5 Palazzo Suites Malta alley 5 st lucy street, naxxar
palace a large stately house, often a royal or presidential residence.
- Il-Palazz l- Aħmar (1.7km)
- Il-Palazz ta' Sant'Anton (2.4km)
triangulation station a point on the earth whose position has been determined by triangulation.
- Għargħur Church (1.8km)
- Mosta Church Dome (2.1km)
fort a defensive structure or earthworks.
- Għargħur Battery (1.7km)
- Fortizza tal- Mosta (2.4km)
square a broad, open, public area near the center of a town or city.
- Piazza Rotunda (2.1km)
- Piazza San Leonardu (2.3km)
wadi a valley or ravine, bounded by relatively steep banks, which in the rainy season becomes a watercourse; found primarily in North Africa and the Middle East.
- Wied ta' Santa Katarina (1.9km)
- Wied ta' Piswella (1.9km)
hill a rounded elevation of limited extent rising above the surrounding land with local relief of less than 300m.
- Ġebel San Pietru (2.2km)
independent political entity An independent state.
- Malta (1.2km)
island a tract of land, smaller than a continent, surrounded by water at high water.
- Malta (1.2km)
bridge a structure erected across an obstacle such as a stream, road, etc., in order to carry roads, railroads, and pedestrians across.
- Mosta Bridge (2km)
islands tracts of land, smaller than a continent, surrounded by water at high water.
- Maltese Islands (1.2km)
garden(s) an enclosure for displaying selected plant or animal life.
- Il-Ġnien ta' Sant'Anton (2.6km)
pass a break in a mountain range or other high obstruction, used for transportation from one side to the other [See also gap].
- Naxxar Gap (1.7km)
Wikipedia entries close to Naxxar
- Naxxar city o city
- Maltese International Trade Fair Grounds landmark landmark
- Lija city o city
- Iklin city o city
- Mosta city o city
- Għargħur city o city
- Rotunda of Mosta church landmark
- San Anton Palace building landmark
- Balzan city o city
- Attard city o city
- Birkirkara city o city
- Flarestar Observatory science
- San Ġwann city o city
- Malta (Insel) isle isle
- Ta'Qali Stadium sport landmark
- Ta'Qali city o city
Airports close to NaxxarLuqa(MLA), Malta, Malta (8.7km)
Lampedusa(LMP), Lampedusa, Italy (215.2km)


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Edgar Kennedy
|Edgar Kennedy
Kennedy in A Star Is Born (1937)
April 26, 1890
Monterey County, California, U.S.
November 9, 1948 (aged 58)
Woodland Hills, California, U.S.
|Cause of death
|Throat cancer
|Years active
Patricia Violet Allwyn
(m. 1924; his death)
Edgar Livingston Kennedy (April 26, 1890 – November 9, 1948) was an American comedic film character actor, known as "Slow Burn".[1][2] A slow burn is an exasperated facial expression, performed very deliberately; Kennedy embellished this by rubbing his hand over his bald head and across his face, in an attempt to hold his temper. Kennedy is best known for a small role as a lemonade vendor in the Marx Brothers film Duck Soup, as well as the many Hal Roach films he appeared in.
Early years[edit]
Kennedy was born on April 26, 1890, in Monterey County, California, to Canadians Neil Kennedy and Annie Quinn. He attended San Rafael High School before taking up boxing.[3][4] He was a light-heavyweight and once went 14 rounds with Jack Dempsey. After boxing, he worked as a singer in vaudeville, musical comedy and light opera.[3]
Film career[edit]
Making his debut in 1911,[3][5] Kennedy appeared in about 500 films,[3][5] working with some of the biggest film comedians in the United States, including Roscoe Arbuckle, Charlie Chaplin, Laurel and Hardy, the Marx Brothers, Charley Chase, and the Our Gang series. He was also one of the original Keystone Kops.
Kennedy's burly frame originally suited him for villainous or threatening roles in silent pictures. By the 1920s Kennedy was working for producer Hal Roach, who kept the actor busy playing supporting roles in short comedies. Kennedy starred in one short, A Pair of Tights (1928), in which he plays a tightwad determined to spend as little as possible on a date. His antics with comedian Stuart Erwin are reminiscent of Roach's Laurel and Hardy comedies, produced concurrently. Roach also used Kennedy as a director on half a dozen two-reeler comedies.
In 1930, Edgar Kennedy was featured by RKO-Pathe in a pair of short-subject comedies, Next Door Neighbors and Help Wanted, Female. Kennedy's characterization of a short-tempered householder was so effective that RKO built a series around it. The "Average Man" comedies starred Kennedy as a blustery, stubborn guy determined to accomplish a household project or get ahead professionally, despite the meddling of his featherbrained wife (usually Florence Lake), her freeloading brother (originally William Eugene, then Jack Rice) and his dubious mother-in-law (Dot Farley). Kennedy pioneered the kind of domestic situation comedy that later became familiar on television. Each installment would end with Edgar embarrassed, humbled or defeated, looking at the camera and doing his patented slow burn. The Edgar Kennedy Series, with its theme song "Chopsticks", became a standard part of the movie-going experience: Kennedy made six "Average Man" shorts a year for 17 years. In 1938, Kennedy worked as a straight man for British comedian Will Hay in Hey! Hey! USA.
Kennedy became so identified with frustration that practically every studio hired him to play hotheads. He often played dumb cops, detectives, and even a prison warden; sometimes he was a grouchy moving man, truck driver, or blue-collar workman. His character usually lost his temper at least once. In Diplomaniacs, Kennedy presides over an international tribunal, where Wheeler & Woolsey want to do something about world peace. "Well, ya can't do anything about it here", yells Kennedy, "this is a peace conference!" Kennedy, established as the poster boy for frustration, even starred in an instructional film titled The Other Fellow, in which loudmouthed roadhog Edgar always vents his anger on other drivers (each one played by Kennedy as well), little realizing that, to them, he is "the other fellow."[7]
Perhaps his most unusual roles were as a puppeteer in the detective mystery The Falcon Strikes Back and as a philosophical bartender inspired to create exotic cocktails in Harold Lloyd's last film, The Sin of Harold Diddlebock (1947). He also played comical detectives opposite two titans of acting: John Barrymore in Twentieth Century (1934) and Rex Harrison in Unfaithfully Yours (1948); in the latter, he tells conductor Harrison that "Nobody handles Handel like you handle Handel."
Kennedy died of throat cancer at the Motion Picture Hospital, San Fernando Valley on 9 November 1948.[5][8] His body was interred at the Holy Cross Cemetery, Culver City, Los Angeles County, California.
Selected filmography[edit]
As actor:
- Brown of Harvard (1911, Short) as Claxton Madden
- Hoffmeyer's Legacy (1912, Short) as Keystone Kop (uncredited)
- The Bangville Police (1913, Short) as 3rd Deputy (in straw hat)
- The Star Boarder (1914, Short) as Landlady's Husband
- The Knockout (1914, Short) as Cyclone Flynn (uncredited)
- Tillie's Punctured Romance (1914) as Restaurant Owner / Butler (uncredited)
- The Stolen Triumph (1916) as Edwin Rowley, Jr.
- The Blue Streak (1917)
- Mickey (1918) as Stage Driver / Bookie (uncredited)
- Yankee Doodle in Berlin (1919) as German Prison Guard (uncredited)
- Daredevil Jack (1920)
- Puppets of Fate (1921) as Mike Reynolds
- Skirts (1921)
- The Leather Pushers (1922) as Ptomaine Tommy
- Bell Boy 13 (1923) as Chef (uncredited)
- The Little Girl Next Door (1923) as Hank Hall
- The Night Message (1924) as Lem Beeman
- Racing for Life (1924) as Tom Grady
- Paths to Paradise (1925) as Detective (uncredited)
- The Trouble with Wives (1925) as Detective
- The Golden Princess (1925) as Gewilliker Hay
- The People vs. Nancy Preston (1925) as Gloomy Gus
- His People (1925) as Thomas Nolan
- Oh What a Nurse! (1926) as Eric Johnson
- My Old Dutch (1926) as Bill Sproat
- Across the Pacific (1926) as Cpl. Ryan
- The Better 'Ole (1926) as Cpl. Austin
- Going Crooked (1926) as Detective
- Finger Prints (1927) as O.K. McDuff
- The Gay Old Bird (1927) as Chauffeur
- The Wrong Mr. Wright (1927) as Trayguard
- Wedding Bill$ (1927) as Detective
- The Chinese Parrot (1927) as Maydorf
- Leave 'Em Laughing (1928, Short) (First appearance with Laurel and Hardy)
- Two Tars (1928, Short) as Motorist
- Trent's Last Case (1929) as Inspector Murch
- Perfect Day (1929, Short) as Uncle Edgar
- They Had to See Paris (1929) as Ed Eggers (uncredited)
- Welcome Danger (1929) as SFPD Desk Sergeant (uncredited)
- Night Owls (1930, Short) as Officer Kennedy
- Quick Millions (1931) as Cop (uncredited)
- Bad Company (1931) as Buffington - Doorman
- The Carnival Boat (1932) as Baldy
- Westward Passage (1932) as Elmer
- Hold 'Em Jail (1932) as Warden Elmer Jones
- Little Orphan Annie (1932) as Daddy Warbucks
- Rockabye (1932) as Water Wagon-Driver (uncredited)
- The Penguin Pool Murder (1932) as Donovan
- Scarlet River (1933) as Sam Gilroy
- Diplomaniacs (1933) as Chairman - Peace Conference
- Son of the Border (1933) as Windy
- Cross Fire (1933) as Ed Wimpy
- Professional Sweetheart (1933) as Tim Kelsey
- Tillie and Gus (1933) as Judge
- Duck Soup (1933) as Lemonade Vendor
- Good Housewrecking (1933)[9]
- Twentieth Century (1934)
- Murder on the Blackboard (1934)
- King Kelly of the U.S.A. (1934)
- Affairs of a Gentleman (1934)
- The Marines Are Coming (1934)
- Heat Lightning (1934)
- We're Rich Again (1934)
- Flirting with Danger (1934)
- Money Means Nothing (1934)
- Gridiron Flash (1935)
- 1,000 Dollars a Minute (1935)
- Woman Wanted (1935)
- The Bride Comes Home (1935)
- In Person (1935)
- Little Big Shot (1935)
- Living on Velvet (1935)
- The Robin Hood of El Dorado (1936)
- Yours for the Asking (1936)
- Small Town Girl (1936)
- Fatal Lady (1936)
- Mad Holiday (1936)
- San Francisco (1936) as Sheriff
- Will Power (1936)[10]
- A Star Is Born (1937) as Pop Randall
- Hollywood Hotel (1937)
- When's Your Birthday? (1937)
- True Confession (1937)
- Double Wedding (1937)
- The Other Fellow (1937)
- Hey! Hey! USA (1938)
- Scandal Sheet (1938)
- Peck's Bad Boy with the Circus (1938)
- The Black Doll (1938)
- Laugh it Off (1939)
- It's a Wonderful World (1939)
- The Quarterback (1940)
- Dr. Christian Meets the Women (1940)
- Sandy Gets Her Man (1940)
- Sandy Is a Lady (1940)
- Who Killed Aunt Maggie? (1940)
- Too Many Blondes (1941)
- Private Snuffy Smith (1942)[11]
- There's One Born Every Minute (1942)
- Pardon My Stripes (1942)
- In Old California (1942)
- Air Raid Wardens (1943)
- Hitler's Madman (1943)
- Hold Your Temper (1943)[12]
- The Falcon Strikes Back (1943) as Smiley Dugan
- The Girl from Monterrey (1943)
- Crazy House (1943)
- It Happened Tomorrow (1944)
- Radio Rampage (1944)[13]
- Anchors Aweigh (1945)
- The Sin of Harold Diddlebock (1947) (a.k.a. Mad Wednesday)
- Heaven Only Knows (1947)
- Unfaithfully Yours (1948) as Detective Sweeney
- My Dream Is Yours (1949) as Uncle Charlie
As director:
- From Soup to Nuts (1928) — Laurel and Hardy two-reeler (silent)
- You're Darn Tootin' (1928) — Laurel and Hardy two-reeler (silent)
- ^ a b "Death of Kennedy Recalls Actor's 1945 Visit Here". The Evening Independent. 10 Nov 1948. Retrieved 14 February 2012.
- ^ Heffernan, Harold (3 October 1939). "Edgar Kennedy Charges Film Heroes Steal His Stuff". The Calgary Herald. Retrieved 16 February 2012.
- ^ a b c d "Edgar Kennedy, Film Actor, Dies". St. Petersburg Times. 10 Nov 1948. Retrieved 16 February 2012.
- ^ Swenson, Bette (24 May 1945). "Movie Funny Man Declares He's Really Serious Fellow". St. Petersburg Times. Retrieved 14 February 2012.
- ^ a b c "Actor Edgar Kennedy Dies of Throat Cancer". The Pittsburg Press. 10 Nov 1948. Retrieved 14 February 2012.
- ^ Lahue, Kalton (1971); Mack Sennett's Keystone: The man, the myth and the comedies; New York: Barnes; ISBN 978-0-498-07461-5; p. 194
- ^ Edgar Kennedy in "The Other Fellow," on YouTube
- ^ "Edgar Kennedy Dies". Herald-Journal. 10 Nov 1948. Retrieved 14 February 2012.
- ^ "Good Housewrecking" (1933), Edgar Kennedy on YouTube
- ^ "Will Power" (1936), Edgar Kennedy (short) on YouTube
- ^ "Private Snuffy Smith" (1942), Edgar Kennedy, Bud Duncan on YouTube
- ^ A full digital copy of Kennedy's 1943 short film Hold Your Temper, co-starring Irene Ryan (later "Granny" on the television sitcom The Beverly Hillbillies), is available for viewing on YouTube. Retrieved June 18, 2017.
- ^ "Radio Rampage" (1944), Edgar Kennedy (short) on YouTube
External links[edit]
|Wikimedia Commons has media related to Edgar Kennedy.
- 1890 births
- 1948 deaths
- American male film actors
- American male silent film actors
- American male comedians
- Deaths from esophageal cancer
- Deaths from cancer in California
- Hal Roach Studios actors
- Burials at Holy Cross Cemetery, Culver City
- People from Monterey County, California
- Male actors from California
- Light-heavyweight boxers
- Boxers from California
- 20th-century American male actors
- American male boxers
- Comedians from California
- 20th-century American comedians
- American male comedy actors