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The worst position you can be in is searching for a service business when you have an emergency situation.
Unfortunately, this is a familiar circumstance for many people. When you have a heating repair service emergency situation, nevertheless, you aren't really in a position to canvas your friends and family for a determined and thoughtful opinion on whom you need to call.
You normally simply tear open the phonebook and choose the number at the top of the list. If you choose your services when there is no emergency, though, you can see to it you find a business that you can rely on when one takes place. Here are some things you can do in leisure to find dependable service.
Get Suggestions
There is no much better means to find a heating repair business than to request suggestions. You can ask your neighbors, your good friends, your co-workers, and any individual else you understand. Put out a get in touch with Facebook and see what people return with. You'll be surprised at just how much feedback you get. Do not have any good friends? Count on the Web and see exactly what people are stating. Look at various business and see if they have testimonials. This doesn't imply much, however it's better than absolutely nothing. Look for independent testimonials and ratings from sites that specialize in that kind of thing.
Get a Price quote
Don't work with a heating repair company without demanding a quote in advance. There are laws in many states that require home service contractors to supply this to their consumers upon request. If you are declined an estimate, you may have a legitimate legal complaint. Even if you do not, this is factor enough to look somewhere else. It's too simple for a dubious company to obtain you to sign an open-ended contract and then just start stacking on charge after charge. You may never utilize them again, but on the other hand, how do you truly understand you were duped? This is why getting a quote ahead of time is such a great idea.
Forge a Relationship
You're going to get much better emergency situation heating repair service services from a business with whom you do the majority of your company. If you make use of one company for sales and maintenance and another one for emergency situations, you're most likely missing out on some terrific deals-not to discuss service enhancements. If you have just one set of eyes and hands doing the majority of your work, you're less most likely to run into issues and options that contradict each other. Search for a company that can do it all.


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BigHaat, empowering farmers since January 2015By : CIOL Writers |June 11, 2016 0
Several new ventures in e-commerce with innovative service offerings have flooded the urban market. BigHaat, a new e-commerce startup, however, seeks to address the problems of our farmers by providing quality agro-inputs and accessories through a marketplace platform.
The market portion you ask? If the statistics released by industry body FICCI is anything to go by, the addressable market is huge. A report released by FICCI says that about 65 percent of the Indian population depends directly on agriculture and it accounts for around 22 percent of India's Gross Domestic Product (GDP). But farmers have repeatedly faced unprecedented challenges like unpredictable weather, non-availability of good quality seeds and fertilisers and unreliable avenues to sell their crops after the harvest. BigHaat team believes that there is a large scope to implement modern technology to solve these inherent problems.
The company has already impacted the lives of about 50,000 farmers through their platform since January 2015, when it was launched. BigHaat was started by Sachin Nandwana, S Kumar, and Raj Kancham, who have decades of experience in public sector, corporate and startup roles. The team currently consists of 25 employees.
The startup piloted operations in specific clusters in Karnataka, for a couple of months, and is now present in Key clusters of Andhra Pradesh, Telangana, and Rajasthan.
The startup has partnered with multiple brands such as Namdhari, Monsanto, Indus, Mahyco, UPL, PRIVI, Fito and others. BigHaat was also the first ones to offer field crops inputs online. The online marketplace lets customers shop across categories like seeds, crop protection nutrients and solutions and agro instruments.
The platform works on a hybrid model. It accepts online orders and also from their 'feet on the street' model, where sales people directly interact with farmers to help them place orders for products they need. For last-mile logistics and delivery, the startup works with its own logistic teams and also relies on partners like India Post and Ship Rocket. Bighaat has so far shipped about 5,000 orders with an average ticket size of Rs 10,000, to over 20 States, including remote locations like Jammu and Kashmir and Andaman islands.
BigHaat is bootstrapped so far and is currently in the process of raising an external round of funding. The company recently closed a deal and IFFCO eBazar, which is now a strategic channel partner for BigHaat to sell seeds at their pilot stores in Ghaziabad and Karnal locations.

subset: commoncrawl


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Guest Editorial
All lawyered up
Our boy Trenk is all lawyered up and it's sort of entertaining to count the ways. To begin with, he had to get lawyered up to even get on the ballot last year. He was not a resident of Cave Creek under the law, and probably still isn't, but he hired a clever lawyer and a got friendly judge to determine that he "intended" to move back to Cave Creek and he got on the ballot. That's one. The same clever lawyer was then used to keep Dick Esser off the ballot to clear the deck to get his Slate elected. That's two. After dumping an estimated $25 – $50,000 into his campaign, he bought enough votes to get elected. Then he, along with his co-conspirators Monachino, Durkin, and Spitzer, irresponsibly and recklessly fired the best town manager Cave Creek ever had and, of course, he and his co-conspirators had to get all lawyered up again. That pesky little bit of stupidity has cost the Cave Creek taxpayers hundreds of thousands of dollars in legal fees – and climbing every day. That's three. Understandably, a heavy dose of voters' remorse set in and a PAC was formed to initiate the process to recall this reckless and dishonest Slate of Trenk and his bobbleheads. So what did Trenk do? He got all lawyered up again to subvert our democratic process and avoid an election to recall himself and Monachino, and it worked. That's four. But, to hold his conspiratorial Slate together, he had to get Durkin and Spitzer all lawyered up to get their signatures invalidated, as well. That's five. Being the vindictive little man he is, Trenk then hired his lawyer to make sure that Susan Clancy was disqualified as a school board candidate. Her crime was having the audacity to lead the PAC to recall Trenk and likely run against him. The lesson here is don't get in Trenk's way or you may see his lawyer up close and personal. That's six. Then he was served with a federal lawsuit for violating the First Amendment rights of the town manager he fired and this is a biggie - $3 million on himself and the town. This will cost you and me even more for legal defense even though the town will be defended by its insurance carrier, not to mention the potential $3 million hit. Trenk has reportedly hired his own big time New York lawyer. That's seven. His latest is the investigation by the County Attorney into his reported and admitted violation of the recall election laws. You can bet he lawyered up for that and that's eight.
A recent editorial posed the pertinent question "How much justice can you afford?" Here is a boy with access to seemingly unlimited amounts of money who has lawyered up eight times in the past 18 months or so to get and try to retain an unpaid seat on the Cave Creek Town Council or to punish his perceived enemies. How many of you could afford that? How many of you would do it even if you could afford to? How many of you have the behavioral issues that would cause you to hire lawyers eight times in 18 months? Trenk is a lawyer's dream client – he generates unending problems and apparently has unlimited money to buy his way out. I suspect he bit off a couple issues here he can't buy his way out of and if he can't, you can be sure it won't be for his lack of lawyers. Time will tell.
This New Jerseyite has spent thousands – easily in the range $150,000 - $200,000, to get and retain an unpaid council seat in this small Arizona town and he is not through. He retains professional talent to manage his campaigns and prepare his election publications. Prior to the upcoming March recall election, you are going to receive a ton of Trenk's very professional, full color campaign mailers and literature that will vary from disingenuous to outright laughable.
Now, if you believe Trenk is spending all of this money just so he can anoint us poor Cave Creek residents with his boundless grace, I will give you my very best price on the Golden Gate Bridge. Trenk's seemingly insane monetary investment in this unpaid council seat tells you Cave Creek is crucial to his political ambitions. However, Cave Creek does not need Mr. Trenk and all his lawyers.


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Insolvency Advice Ireland
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Ryan Brenizer - NYC Wedding Photographer. Storyteller, Issue Solver.
October 2017
There are some conditions in pregnancy that you cannot avoid, and others that you could. None of them came out of college or some particular photograhy school a specialist. Most of wedding photographer them charge today for "session/tutoring" to have a non-pro along on a shoot, even an esession. I spent the early years of my picture taking profession in big, dark, well equipped..
Both of these folks have seen the work I have finished with my camera and I did so some portraits at Christmas for a pal which they where more than pleased with. I'm shooting my first wedding photographer wedding in weekly. The few appeared on Dallas' regional NBC Information station , lamenting their experience working with Polito.
Finally - in case you are not really a NATURALLY ARTISTIC person after that don't even pursue it. Wedding photography IS ABOUT ART not about shooting a couple of shots of individuals wedding photographer eating cake - therefore be true to the art and be a wedding photographer ONLY if you can compose and moreover INVISION beautiful wedding scenes.
Tip...Always dress appropriately for the marriage, especially if you're not a family member just assisting out with the photography. I switched to wedding ceremony wedding pgotography photography from studio picture taking a couple of years ago and have an excellent success. Before the reception, they do the group and family pictures.
I am shooting my 1st "real" wedding this week (other ones have already been family weddings but not 'official' photographer). Polito said her studio, like many, withholds high-res images until the entire wedding photographer wedding package is finished, culminating in the delivery of a custom wedding album, usually a few months after the wedding.
Great advice, but I had that wedding ceremony this weekend just gone. You will probably be working with your wedding ceremony photographer for a yr, or longer in some cases, by enough wedding pgotography time you element in your engagement program and post wedding photography and albums. I have no idea why you so called "pro" professional wedding photographers are even scanning this.
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Nanuet, NY Speaking Voice Lessons
Looking for private in-home or in-studio Speaking Voice classes? Our Nanuet teachers are ready to get you started. Find your teacher today!
Our online tools make booking, managing your schedule and paying for lessons easy and hassle-free.
Easily search and compare teachers in your area, including past student reviews and background checks.
If you're not completely satisfied, we'll help you find a new teacher or refund any unused lesson credits.
Why TakeLessons?
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lessons and counting!
Popular Speaking Voice Teachers near Nanuet, NY
Check out some of our most popular teachers near Nanuet, NY including New York, Brooklyn, Bronx, Jersey City and Astoria.
About Gina B.Close
I have alot of techniques to help the speaking voice. It's an instrument and is helped by repetition. I will listen and watch to make sure you are not employing tensions instead of techniques. -tone, vitality, a quick tongue for quick language. How to deal with all kinds of language styles and demands. And the emotional component of being in the center of oneself.
About Gina
I've completed two graduate degrees: one in Music and the other in Dance and Theater studies.
My undergrad degree is from The Juilliard School and it is in Dance.
I've taught children and grown ups for many years. I have a strong performing career and love the way teaching keeps me in a giving and learning place.
*** Lesson Details ***
With beginning students I am very laid back and patient and believe strongly that in the play of games and experiments technique will develop and manifest. As the student becomes more advanced I become more demanding as do the materials.
As an Acting teacher I have the capacity to take students along all the way to professional and beyond. I'm a membe
For Dance, I have a wide knowledge and can teach several forms as well as history and materials. In Juilliard I specialized in historical dance of the French Court which is also known as pre-ballet. At present I am studying Tango and other ballroom forms and can teach the beginning levels as well as help choreograph for weddings or events. Of course I also teach Ballet and many forms of Modern Dance. I adore teaching dance composition. To help a dance student make their own dances is very fulfilling.
For the Visual Arts I teach Abstract Painting as well as Installation and Performance Art.
*** Studio Equipment ***
I have supplies and space. Visual Art students need to contribute to materials by finding or purchasing whatever they like and adding to the mix. My students are welcome to use what I have here and I am always adding materials. Many people throw away materials that are perfectly good for art making so keep your eyes open and you'll find all kinds of good things. Visual Art students need to book a 2 hour minimum and I will lower the price if you just let me know you need it.
My fees: I start at a higher fee and after you've been a regular student we can lower the fee for you if you need.
*** Travel Equipment ***
just a space to work in - we can create a work space out of any space.
*** Specialties ***
In dance I teach classical ballet principles for beginners or those who are returning and want to work carefully and privately. I teach from the tradition of Alfredo Corvino's principles of relationship to organic forms and structures for sound development. I studied with Mr Corvino for years and continue to study with Ernesta Corvino.
For acting I teach a combination of classical acting technique with American sense memory and relaxation skills. I am well versed in the teachings of Lee Strasberg and then spent time in London to 'fill in the cracks' of my training with analytical skills as well as the various european influences that the Royal National embrace.
I teach creative discovery in combination with classical devices so the student can discover their own artistry while learning actual classical devices for accomplishing specific goals.
· Abstract Painting · In home
· Acting · In studio
She loves the craft and it shows in her teaching. Shes tough but so loving and enthusiastic.
· Acting · In studio
P.S. She is a great Dancer and a great Musician.
Good Luck!
Gina B.
Gina B.
About Rachel H.Close
View Full Profile
About Rachel
I've been teaching voice, guitar, and piano lessons for the past four years, as well as coaching students for specific auditions (school plays, national tours, honors choir auditions). Let me aid you in achieving your dreams!
*** Lesson Details ***
As a performer, I have learned that "learning" is never done in this field. Even as a professional, I still take private voice lessons, dance classes, and acting classes. As well as the occasional piano, guitar, and dialect coachi
My teaching style is based off of my many years of being a student to some of the finest performers in the world. I am direct and focused, but like to keep my students relaxed. My key to teaching success is adapting to each student's specific needs.
*** Studio Equipment ***
At my home studio in Jersey City, NJ and at my studio in midtown Manhattan I have a: Keyboard (piano at studio in Manhattan); Guitar; Pitch Pipe; Laptop with speakers; Mirror
*** Travel Equipment ***
If travelling to your home, I would require you have a keyboard. I can bring my guitar and pitch pipe.
*** Specialties ***
Classical Music (art songs, opera)
Traditional Broadway (Rodgers and Hammerstein...)
Contemporary Broadway (Stephen Schwartz...)
Disney Music
Pop Music
Country Music
Beginner Piano
Beginner Guitar
Music Theory
Public Speaking
Audition Technique
· Piano · In studio
· Singing ·
Ms. Rachel was an amazing vocal teacher! We would always start off with simple and fun warm-ups, breathing techniques, and would practice singing songs from musicals. My first couple lessons she taught me how to sing I Feel Pretty from West Side Story and we both had so much fun with it! After a little while we learned Cups from Pitch Perfect and then we got into the Vaccai book and I learned a couple songs from there. Overall Ms. Rachel was the best! She even offered to Skype a lesson with me since she moved. She cared about me and always helped me improve my voice in every way she could. I love her!
Rachel H.
Rachel H.
About David NClose
View Full Profile
About David
*** Lesson Details ***
My teaching includes all aspects of music; Musical theory, sight singing, as well as Music History. My teaching style allows the child to have fun while they learn their instrument, but I emph
*** Studio Equipment ***
Lessons in the living room, drums set, piano,
*** Travel Equipment ***
I require that students buy the books I suggest, but if it is necessary, I can provide photocopies of pages from the books that I own. I also require my students to provide all writing equipment.
*** Specialties ***
all methods and styles. I've played clarinet and saxophone for orchestras, symphonic bands, and jazz bands. I've played drums for jazz, rock, and acoustic sets.
· Piano · In home
· Saxophone · In home
· Trumpet · In home
David N
David N
About Gabriel W.Close
View Full Profile
Want a rich, clear, authentic, strong and powerful voice? You've already got one! It's just covered with in a bunch of dust and hesitation. I love working with people who are afraid of letting themselves be heard, because I've been there before and I have found some of the best and most convincing points and tools available. I have a passion to get all people I work with to find and keep the great, resonant and unique voice that is simply our birthright. Let's get started!
About Gabriel
Gabriel doesn't just possess a formal college education, but more importantly an "informal" education based on his experiences on the stage and in the studio in the real world. Gabriel's approach is direct, simple and to the core, getting straight to the heart of the matter: developing the voice from the inside out by breaking things down to the essentials.
An expert at creating vocal warm-ups, vocal exercises, and vocal cool-downs and deeply passionate about psychology, this is your guy for learning to keep your voice in shape and having access to helpful insights and advice. Learn to cultivate a healthy attitude and how to create
With a kind and compassionate, yet stern and strong tone, Gabriel will work with you to develop the focus and dedication necessary to get your voice beyond what you even knew was possible.
*** Lesson Details ***
Regardless of the genre you sing, developing your voice with Gabriel's help will improve your tone, range, power and overall ability. You can expect to become a much better singer without losing any of your personal and unique traits.
His approach isn't a technical or mysterious one. It's all about re-learning the facts about how the voice functions best.
You can expect to clear away a lot of confusions regarding how the voice works and to take away the guesswork from the vocal development process.
If you want to improve your voice quickly, being guided by someone who understands how it all works and by someone who was where you are today and is now closer to where you want to be in the future is the best way to go. And Gabriel is that guy!
Gabriel's approach is quite simple, yet very effective at developing the entire voice.
"There are two basic levels that every singer must address. The first one is addressing the condition of the body and voice and the second one is addressing the functioning of the voice and body."
I - Silent Foundation
The silent foundation refers to the condition of your instrument as it is silent. If we are looking at the body as an instrument that sings, we first have to make sure that our instrument is in good condition. How healthy is your instrument? Is it well rested, well hydrated and loose? Or is it tired, dehydrated and tense? As you could guess, the condition of your instrument will have a significant impact on the quality of the sounds you make. So the first thing to be addressed is how your instrument is before it starts making sound.
II - Conditioning of Singing Behaviors
This is when we get busy. Once we have a well rested, healthy, hydrated and relaxed instrument we can start working it out. The goal is to condition our singing behaviors to be reflexive, reliable and strong. The way to do this is through a series of vocal exercises that will condition your voice to respond to the desires of your heart. Whatever it is that you want to express will be possible once your instrument is conditioned to the point where there is no gap between what you want to express and your ability to do so. Learning to sing is all about learning how to express yourself without barriers. You should be able to develop enough range, power, control and skill so that you can express your heart without feeling like you're incapable of achieving what you pursue. To achieve these abilities training is often necessary.
*** Specialties ***
Confidence Building, Warming-Up, Releasing Tension and Strain, Eliminating Stage Fright, Expanding Range, Improving Tone, Developing Vocal Power and Presence, Eliminating Doubt, Simplifying Singing, Strengthening The Voice, Improving Pitch, Building Stamina, Increasing Creativity, Performance Tips, Artist Development, Acting and Songwriting.
Once we have a good foundation any contemporary genre or style can be improved.
· Singing · In home
· Vocal Training · In studio
· Vocal Training · In home
Gabriel W.
Gabriel W.
About Marjorie K.Close
For anyone that needs to have their breath and vocals working properly under the stress of public speaking will learn how to breath property, speak with confidence and conviction, resonance and a sense of commitment.
I teach what it takes to be prepared for that special speech. These skills eradicate stage fright and performance anxiety.
About Marjorie
Marjorie received her Bachelor of Music degree from the University of Georgia and a Special Studies Award in Voice and Opera from the Eastman School of Music. Marjorie has sung at Venice's Grand Teatro La Fenice, Carnegie Hall in NY, Rome's Teatro dell'Opera, Cagliari's Teatro Lirico and the New York Grand Opera.
She was the winner of the Luciano Pavarotti International Voice Competition and a finalist in both the Enrico Caruso Voice Competition and McAllister Opera Awards Competitions. Recently she was featu
~~Teaching Philosophy~~
IF YOU CAN TALK YOU CAN SING and I guarantee it!!!!!
I teach beginners and advanced of all ages as well as all styles of music:
Opera - Classical - Musical Theatre - Pop - Jazz - Folk - Rock - R&B - Gospel
*I teach the freedom of the jaw, neck and shoulders to allow the breath to connect without tension allowing the production of a free vocal tone.
*Singing on the vowels with clean articulated consonants before and after the vowel is sung.
*Correct understanding and pronunciation of French, Italian, German and English languages
*Musicianship, theory, piano, all musical styles and song writing
*Performance and acting skills
*Audition techniques
*Career guidance
*Annual Student Recitals in professional New York City Venues
*** Lesson Details ***
Lessons take place at my home studio. Lessons may be recorded on my professional recording equipment or you may bring your own recording devices. This is an excellent learning tool. I teach my students how to extend their range, increase breath control and the freedom of their body in order to enable a free and easy produced vocal tone. I teach song repertoire to the student's particular musical style choices. I also work with students that wish to write their own songs so that their musical ideas can be heard clearly and precisely. A guitar is available for students if they wish to use it to accompany themselves. I teach my students how to deal with performance anxiety . Students are presented in recitals twice a year and performance classes are held once a month in addition to the private lessons.
IF you can talk you can sing and I guarantee it!!!! I teach beginners to advanced of all ages.
*** Specialties ***
Voice, Piano
I teach the freedom of the jaw, neck and shoulders to allow the breath to come without tension allowing the production of a free vocal tone.
Beginners and advanced of all ages. "If you can Talk you can Sing and I guarantee it!!!! Opera - Classical - Musical Theater - Jazz - Folk - R&B - Gospel - Country - Rock -
· Singing · In studio
· Singing · In studio
· Singing · In studio
Marjorie K.
Marjorie K.
About Nicholas M.Close
30 years of working in classical theater as an actor and director has giving me the experience to work on Vocal Production and Support as well as Diction and Dialect work.
My work has also given me insight into reducing accents and speech impediments.
About Nicholas
I've taught acting for 18 years privately as well as at Brooklyn College, St Frances College, Marymount Manhattan College, and the American Musical and Dramatic Academy.
"Nicholas is patient, insightful, friendly, and gets
results. After working with Nicholas, I felt great
about my auditions, got two callbacks, and landed
a touring job.
I would recommend him to any actor."
*Jonathan M.
Shakespeare Theater of New Jersey
Pennsylvania Shakespeare Festival
Millbrook Playhouse
I am the Producing Artistic Director of the Hudson Warehouse and have been since its inception in 2004. Known as "The Other Free Shakespeare in the Park," we produce free classical theater in Riverside Park during the summer months and we hav
"Mr. M has been my director, coach and
mentor in productions and the classroom. His patience,
insight and his passion excites students, and makes
them feel safe and supported enough to take risks."
*Joseph H.
Shakespeare Theater of New Jersey
Pearl Theater Company
York Theater Company
Hudson Warehouse
*** Teaching Methods ***
I foster a safe, relaxed and engaging environment to explore truthful human behavior on stage.
The objective is 'the truth' to which end there is no one technique. Actors are encouraged to find their own tools and to draw from elements of different practices to discover a technique that works best for them as individuals.
I studied the methods of Constantin Stanislavski for acting with Sergei Pomerov of the Moscow Circus Theater. I am classically trained as well.
I work primarily as a guide to help navigate the way and to interpret 'the signs.' I teach the lesson in the moment and address the challenges of both the beginner and the experienced actor.
***Classical Work***
My basic approach to classical work focuses primarily on the connection of the breath with the feeling on the word.
This is the foundation on which you can then build. From the 'words' to the 'thoughts' to entire 'passages' of text, as you work and explore, the richness of the playwright's words comes to life. Your own unique emotional life is allowed to come through the text and you are able to fully embody the role.
*** Teaching Levels and Focuses ***
*Beginning Actors
-Work With Classical Text.
-Vocal Work.
-"Moment to Moment" Work.
-"Sense Memory" Work.
*Experienced Actors
-In depth Classical Text Analysis.
-Connecting to the Text.
-Audition Technique
-Monologue Coaching
· Method Acting · Online
· Acting · In studio
· Method Acting · In home
Nicholas M.
Nicholas M.
About Carolyn S.Close
About Carolyn
I have a broad range of students that include young actors here in New York, as well as students applying to high school, college theater, and conservatory training programs.
Each series of sessions begins with an assessment of the student's needs. The Series is then tailor-made for the student based on their individual goals.
All sessions last an hour and can be done in person at a studio location in Manhattan or via Skype. Every session begins with vocal/physical warm-up, brief imaginative work, and then detailed text analysis in connection to the piece.
Past clients of mine have been accepted to NYU's Undergraduate Theater Program, Carnegie Mellon, Fordham, and
I coach because I care about the work. Dedication to my students comes from a deep love for what I do, and the possibility that I can help inspire them through the work as well.
*** Studio Equipment ***
Bring a yoga mat, comfortable clothing, and bottled water.
*** Specialties ***
Shakespeare Training
IPA Knowlege and Instruction
Movement Training (Suzuki, ViewPoints)
Improv Training
Alexander Training
· Acting · Online
· Acting ·
· Acting · In home
Very nice to work with.
Carolyn S.
Carolyn S.
About Rachel M.Close
View Full Profile
Learn how to safely project the voice with clear diction and ease. Learn to warm up your voice so you can speak for long periods of time without getting tired or straining the voice and ways to keep your voice healthy. This technique is perfect for any kind of public speaking.
About Rachel
Rachel's private studio is where you not only learn healthy technique, but how to become a self-sufficient artist. Professional training and customized programs in singing and acting technique. All learning styles, all ages, and all levels. Private lessons and group classes.
We prepare our students for the real world with up to date training (singing and acting) and both performance opportunities and showcases in front of industry professionals when students are ready.
Students come from all walks of life. All voice types, all ages, all levels, all mediums (TV-film-theatre), all character - ingenue actors, and ALL genres (Rock, Pop, Alternative, Funk, Soul, Musical Theater, R&B, Jazz, Opera) welcome!
Rachel's students have gone on nati
Owner/Teacher: Rachel M.
SAG-AFTRA, VASTA, NATS (certified), NARAS, NAMTA, BMI, MAC, NJMEA, NAfME. NJ Theatre Alliance, & Certified Artist Developer with Conquer Entertainment,
16+ years of teaching to children - teens - adults (Ages 6+ group classes, 8+ private lessons)
Rachel is a member of SAG-AFTRA, The National Association of Teachers of Singing (NATS certified), VASTA (Voice And Speech Trainers Association), NARAS (The Grammy Awards), NAMTA, NJMEA (New Jersey Music Educators Association), NAfME (National Association of Music Education), NYSSMA (New York State School Music Association,) MAC (Manhattan Association of Cabarets and Clubs), The NJ Theatre Alliance, NSA (Nashville Songwriting Association International), and BMI (Broadcast Music Inc). She has been teaching Bel Canto singing technique for the modern singer and Stella Adler-Stanislavsky-Chekhov-Meisner acting technique for all mediums for 16+ years to children, teens, and adults.
Rachel has trained at The Hages Music Studio under a master teacher for 22+ years in the Bel Canto singing technique for all genres, studied at The Stella Adler Studio of Acting in NYC as well as recorded and released her first album called "Just Meant To Be". Other credits include commercials, films, TV shows (One Tree Hill, AMC, Food Network), music videos (including Rachel's singles "Don't Even Try", "You Will Love On"), & numerous stage credits (Off-Broadway/NYC Theatre). Rachel most recently was seen in the reading of a new play "Vanishing Son" by Peter Gil-Sheridan performed in NYC. She is also a songwriter (16+ years), scriptwriter (10+ years), director (14+ years), and an international recording artist (10+ years).
Rachel has been performing for 20+ years, has performed in front of sold out crowds, and has been honored with many standing ovations. Other honors include magazine covers, featured articles, singing to thousands of people, studio recordings/albums, originated the role of "Antigone" in "Oedipus: The Musical", 2002 Helen Hayes Nomination for" Outstanding Vocal Performance in a Musical" ("Miss Adelaide" in "Guys And Dolls"), & 2008 finalist for NYC Singing Idol Competition. Rachel has also been fortunate to have worked & performed with many people in the business including Grammy-Tony-Emmy Award Winners/Nominees.
Whether you are a parent looking for instruction for your child, or for yourself, Rachel can customize the right program that best suits your needs. Her students come from all walks of life and have different goals, but they all have one thing in common. They love performing and have the desire to be the best at their chosen craft (singing/acting).
Some students want to sing/act for themselves, others want to sing/act for a hobby, and others want to be professional performers. That's where Rachel comes in. No matter what your goals are, she can help. Rachel teaches her students how to become true artists without tearing them down and without taking away the part of them that makes them unique. She teaches healthy technique that is based off of the human anatomy; the science of how the body/mind works and how the body/mind can work as efficiently as possible while singing or acting.
Learning how to sing/act is a process and doesn't happen overnight. Rachel's ultimate goal as a teacher is to not only make her students the best performers and singers they can be, but also give them all of the proper tools they need to have a more productive mind frame and become self-sufficient. Of course this can take years to master. It takes time and dedication.
SINGING: Bel Canto singing technique for the modern singer is taught in private and group classes. No one sounds like old opera singers, even if the student wants to sing opera. Students are allowed to choose most of the material they learn in the lesson. There will be times when Rachel will suggest a song to a student but if the student doesn't enjoy the song, they will work as a team to find a song that does work for the student. Gain a better tone quality, complete control of your voice, bigger range, more flexibility, and confidence. Learn healthy voice technique, how to fully take care of your own voice so you can sing for the rest of your life (even after lessons), and become a self sufficient performer for life.
ACTING: Stella Adler, Stanislavsky, Chekhov, and Meisner Acting Technique for Theatre/Camera is taught in private and group classes. All students are exposed to each technique and Rachel sees which technique each student responds to the most. Once the student and Rachel are able to identify the technique, Rachel continues to use the terminology of that technique for the remainder of the time the student is in lessons. Students eventually are able to play roles truthfully and realistically, even if the roles are opposite of the student's own personality.
1. Gain a lifelong, solid, consistent, and healthy technique that they can always count on in practice and performance.
2. Gain specific technical and personal notes in a notebook and/or computer file that is organized and always accessible for review.
3. Gain artistry, performance skills, and a strong voice that will look/sound authentic; Singers will sound appropriate to whatever style of music they are singing. (No fake sound or look.) Actors will just be in the moment and truthful whether they are on stage or in front of the camera.
4. Gain the confidence to always put on a great performance.
5. Gain focus and a more productive mind frame.
6. Become self-sufficient by knowing how to assess a problem and then fix it without creating a new issue.
*** Studio Equipment ***
PRIVATE HOME STUDIO: Keyboard, speakers (smartphone, iPod, iPad), CD player, tape recorder/player, digital recorder, music stand, mirror, laptop, sheet music selections, HD video camera, tripod, video editing software, audio editing software, USB microphone, and high speed WiFi internet. Full PA, two mixers (one mixer with 8 inputs and the other with 4), 8 Lavaliere microphones ("body mics"), multiple hand held microphones, laptop stand, and music stands.
*** Specialties ***
We specialize in Bel Canto voice technique for the modern singer. Each student can sing all genres without sounding too classical, "fake", and without losing their voice while singing for long periods of time.
Other Specialties: Teaching acting technique for theatre-TV-Film (Stella Adler, Stanislavsky, Chekhov, & Meisner), performance skills, songwriting, and creating self-sufficient singers-actors-performers (Artist Development).
CANCELLATION: 48 hour lesson cancellation policy and emergencies (determined by me) are handled on a case by case basis. If the student needs to miss a lesson due to an other activity or vacation, they or their parents/guardian if under 18, must contact Rachel Menconi at least a week from their next scheduled lesson in advance to prevent from forfeiting the lesson.
MAKE UPS: Make up lessons will be scheduled when time allows. No make up lesson or class will be given to 'no shows' or late cancellation, and no extra time will be given to students who are late to their lesson or class. If there is ever a time Rachel Menconi is running late, extra time will be given to make the lesson a full 60 minutes. If Rachel Menconi needs to reschedule, a make up lesson will be scheduled as close to the same week as possible. Make up lessons are scheduled at Rachel Menconi's discretion.
ONLINE LESSONS FOR IN-PERSON LESSON CLIENTS: In the event that the student is sick but still would like their lesson, an online lesson can be scheduled instead. Students can NOT come to their in person lesson sick, coughing, sneezing, with a runny nose, cold, flu, "allergies", fever, etc. (This is to make sure no germs will be spread).
An online lesson can also be scheduled if there is bad weather, if a student is having car trouble, or any other reason for the student not being able to physically get to Rachel during their normallly scheduled lesson time. Online lessons are conducted through FaceTime, Google, Hangouts, or Skype.
Lessons are weekly, on the same time/day of the week unless we have rescheduled or we have discussed in writing another lesson plan. If the student's lesson falls on a holiday, we will either reschedule or if no other day is available, resume the following week.
If a student is going to be late they need to contact Rachel Menconi as soon as possible, to let her know they will be late. Lessons will end on time unless she is able to extend the lesson due to a late student or her schedule allows for it though please understand, Rachel Menconi would be extending a courtesy and would not be obligated to do so. If on the rare occasion Rachel Menconi is running late, she will always make up the time.
Parents/Guardians are ONLY permitted to stay for the first lesson and are NOT permitted to sit in for any other lesson/class unless invited. This is to promote good/strong teacher-student relationship quickly and easily. Also, many times students feel more comfortable when their parents/guardians leave.
Of course there will be times when the parent will be invited back in at the end of some of the lesson to showcase progress.
"I try to be as fair as possible to both parties when it comes to cancellations, rescheduling, lateness, and make ups. Have a concern or question? Just talk with me. I'm all about communication!" - Rachel Menconi
· Singing · In home
· Acting · In studio
· Film Acting · In studio
Rachel M.
Rachel M.
About Jonathan E.Close
Do you want to improve your projection? Do you often feel raspy or tired after a long day teaching or giving a presentation? Do you struggle with speaking in English and want to improve your diction? I'm here to help!
About Jonathan
*breathing for singers
*vocal range
*jaw, neck, shoulder and/or tongue tension
*dynamic range
*musicality...and so much more!
As a graduate of the Juilliard School and having performed worldwide, I want to share how fun, healthy and effective sing is possible with consistence and informed work! No matter your goals, lets build on the skills you already poses and confidence in your own abilities. Let's sing!
The key to great singing is enthusiasm, focus and some hard work. I have worked with students of all ages and my goal is to get you singing the right way and take you from shower diva to confident performer.
As a professional singer and graduate of The Juilliard Sch
With performances at Carnegie Hall and with major orchestras such as the Toronto, Vancouver and Seattle Symphonies and around the world, I feel this gives me a unique perspective on the challenges and successes that are possible with a fun, yet focused and healthy technique based approach. Whether a beginners, intermediate or advanced singers looking to hone your skills in musical theatre classical, jazz and even pop voice.
My goal is a well rounded, relaxed yet supported vocal tone with a focus on breath, and feeling rather than by ear. This ensures that no matter what the repertoire, the situation, or the acoustics of the room, you are always focused on healthy, articulate and projected singing.
· Singing · In home
· Jazz Voice · In studio
· Audition Prep · Online
Jonathan E.
Jonathan E.
About Carolyn M.Close
Born and raised on Long Island, Carolyn began working professionally at 8 years old and has since appeared on stage, in national commercials, recorded voiceovers, and booked principal roles in both film and television. She earned her Bachelor of Fine Arts in 2011 from the Boston Conservatory, where she majored in musical theatre with an emphasis in directing. Her voice currently be heard nationally on the radio in "Pepsi" ads, as well as the new "Don't Text and Drive" public service announcements. Carolyn most recently narrated 52 episodes for the children's cartoon "Zula Patrol" on PBS.
About Carolyn
· Broadway Singing · Online
· Singing · In studio
· Audition Prep · In studio
Carolyn M.
Carolyn M.
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text:
Golfing Swing Tips For Any Degree Of Play
Finally, it is actually needed to make the body. Yes, the body! The program should have the flexibility, strength, endurance, and power to carry out the golfing swing properly. When the program is inflexible, weak, and powerless, how are we currently heading to get in a location to carry out the mechanics from the swing properly?
Appreciate golfing to aid we continue the motivation to rehearse consistently for normal enjoy. In no way quit looking to heighten through a awesome deal of exercise, because well as the assistance of athletes with increased expertise. If you apply the details you see out, a activity continue to have greater each time we strike the hyperlinks.
A helpful tip whenever it comes to golf is to make sure which we protect the heads of the golf clubs with covers. This really is important so that they are not damaged by contact with different clubs and anything else which will come into contact with them. This equally helps you to cut down found on the amount of noise caused whenever moving a carrying case around.
After the backswing arrives the downswing, this might be whenever we use a strength and agility to offer electrical power and electric power to the balls.
The 2nd purpose is the fact that a rhythmic swing aids a fantastic deal toward the objective of every swing, which is to strike the ball inside the precise center with all the club face-"on the screws," because the pros state. Theres a fairly little region around the face, diagnosed to all golfers because the "sweet spot," that transmits the maximum propelling drive. When create contact with is made about this spot, the ball usually go considerably farther than if the talk to is towards the clubs heel or toe.
Although countless people usually argue this golf swing tip and guidance which a stance ought to be where the feet are at the same width aside because the shoulders Commonly are. This may not function as the right golf swing tip you are able to be available, because for a good solid base, you need to have a feet aside more than the shoulder span. Then confirm which a knees, hips chin and shoulders are in proper alignment.
Great tempo usually equally allow details to function with each different far better in the swing. Swinging too fast is naturally a problem yet swinging equally progressive won't a golfer greatly great perhaps. A golfer that swings equally sluggish frequently falls into the problem of steering or guiding the club equally a lot. For the golfing club to swing obviously it should be swung, not lifted or guided in the backswing.
You have to practice a unique setup at the driving range in purchase to develop a unique pattern and routine. Take 2 golf clubs and lay them parallel to each different. One is laying simply outside the ball a are hitting and is facing towards a target. The different club is laying found on the ground at a feet line. If you are hitting balls at the range and practicing pre-shot routines, and snagging different clubs, and placing more balls down, it is actually effortless to walk oneself right into an incorrect alignment. The clubs found on the ground makes sure we are stepping right into a square alignment every time.


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The Long Burn Method of Jim Minion
"I was cooking in a competition, and on the morning of the turn-ins I had my wife go to a shop and pick up my
first WSM*. I put it together, filled the ring with charcoal, and needed a way to light if off. I never did read the
directions. I decided to do what is today call 'The Method'. We took a 1st in chicken and 2nd in ribs that day. The
only real debate was the fact that you were putting unburnt charcoal in the ring and it was lighting off as you go.
Knowing a little about Jedmasters, I knew this was not really a problem and the results answered that."
- The history of the Minion Method, as told by Jim Minion
There are times that those of us who study with laser-like focus the science of all the various barbecue and grilling methods that not everyone who owns a grill and not everyone is so OCD about it.
For many a backyard chef, getting started for a day of smoking or grilling involves pouring a pile of charcoal into our starter chimney and light it up. We wait for the briquettes to turn white before tossing them into the grill or smoker. This starts the process whenin we end up repeating a few times during the mooking process. And that is where the Minion Method of low and slow cooking comes into play.
The Minion Method involves a different way of maintaining your heat source for a longer period of time and is really quite simple to adapt.
Basically, you only need to add an empty coffee can to your arsenal of smoking/grilling tools.
In a nut shell, you start things off as usual. You figure out how much charcoal you might need initally and get it heating up in your trusty starter chimney. While the chimney is doing its thing, you can then place your empty coffee can in the middle of where you usually dump your pile of briquettes. Next you pour out unlit briquettes and arrange them so that they surround the coffee can.
When the briquettes in the chimney are hot and have turned white, carefully dump them into the coffee can. You might want to have a heavy pair of bbq gloves and a set of tongs for this part because not only is the chimney going to be hot, but after a few minutes of having the lit briquettes in it, the coffee can is going to be too hot to handle bare-handed.
After filling the coffee can with hot coals, remove the can and adjust your vents carefully, to control the amount of air entering the cooker to keep the fire burning low and steady. You may find that this particular method could be perfect for those long, overnight cooks. It has been reported that this style can be good for up to about 18 hours at a time.
The coffee can creates a void in the pile of unlit briquettes. When this void is filled with hot briquettes, the unlit briquettes will catch gradually throughout the cooking session. This results in long burn times of up to 18 hours, depending on the weather. The nice thing is that you can start cooking right away, 15-30 minutes from lighting. I bet this method of low and slow cooking will allow more backyard chef's the opportunity to enjoy longer periods of peace and quite while they kick back with an extra cold brew or two.
Give this method a try and chances are you will discover that this is an excellent method for slow-smoking brisket or shoulders overnight and without having to set the alarm every 2-3 hours!
Now the universal wisdom is or has been that the harsh "just lit" briquette smell permeates the meat during cooking, hence the admonition to never put food over the fire until the coals are totally gray. But, for whatever reason, the Minion Method doesn't seem to affect the appearance, aroma, or taste of food.
This method is used with a good deal of success by many winning teams on the barbecue competition circuit, so chances are it's probably okay for your backyard as well.
- Place a small, bottomless coffee can in the center of the charcoal chamber. Fill around the can with unlit briquettes. Using a chimney starter, light a small number of briquettes. For warm, calm days = 20 briquettes. On cold, rainy, or windy days = 30-40 briquettes, Really cold days = 50-60 briquettes. Burn until evenly grey.
- Bury smoke-wood chunks throughout the unlit fuel, followed by a few chunks on top.
- Put hot coals inside the can, then carefully remove using a long pair of tongs and heat resistant gloves. Put a couple of chunks of wood on top of the hot coals to start generating smoke right away.
- If your cooker is equipped with a water pan, fill it. Tip: Use cool tap water on warm days, and hot tap water on cold days. If not, place a pan of water in the pit's cook chamber, or on the "cool side" of your kettle.
- Open all vents fully. You'll want to leave the top vent, or your smoke pipe, fully open throughout the entire cooking process.
- Get whatever you are going to cook as well as your smoke wood to the cooker immediately.
- The temperature will start off by rising slowly. At about 200°F, close up the bottom vents to about 1/4 open. Watch carefully until it reaches 225°F - 250°F, and adjust the vents as needed to maintain this temp.
- Check the water pan every 2-4 hours and add hot water as needed.
- Depending on the weather and the amount of food being cooked, it may be necessary to add fuel after about 12 hours of cooking. Light a full or partial chimney of charcoal and add the hot coals to the cooker.
NOTE: For shorter cook times, follow the steps above, but fill the firebox with half as many unlit charcoal. This works well for 6-8 hour cooks.


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Rain Gives Green Pole in Dover
Jun. 01, 2001
%mlink(STRY:; PHOTO:; AUDIO:%)
DOVER, Del. (AP) _ Busch series points leader Jeff Green earned his first pole at Dover Downs International Speedway when rain Friday precluded qualifying for the MBNA Platinum 200.
Green has started second twice on The Monster Mile, most recently last September for the MBNA.com 200. He'll be seeking his first Dover victory Saturday in his 11th career start on the high-banked concrete oval.
Already a two-time winner this season, the defending series champion will go for his 13th victory in Busch competition. He took the points lead last week by winning at Lowe's Motor Speedway.
Green got the pole because he leads Kevin Harvick by 19 points. They are in a four-way fight with rookie Greg Biffle and Green's teammate, defending race champion Jason Keller.
Because starting positions were awarded on the basis of points, Green's Ford will be flanked on the front row by the Chevrolet of Harvick. He won the pole for this race a year ago.
Biffle's Ford will go from the inside of the second row. Keller, a second-place finisher to Matt Kenseth last September, will start fourth in his Ford. Mike McLaughlin, who got the first six career victories by winning in at Dover 1995, will start fifth.
Jeff Purvis, Jimmie Johnson, Tony Raines, Kenseth and Mike Skinner complete the top 10 for the 43-car field.
Skinner, Harvick's Winston Cup teammate with Richard Childress Racing, set the Busch track qualifying record last September with a lap at 155.932 mph.


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It's been a busy few weeks for flash vendor SolidFire, being recognized as a visionary in Gartner's first Magic Quadrant for Solid-State Arrays, as well as getting a top score for the research company's 2014 Critical Capabilities Study2. Then it unveiled two all-flash storage arrays (SF2405 and SF4805) which 'dramatically decrease the cost of entry for the industry's only cloud-scale All-Flash Array.' To top it all off, SolidFire also announced it had secured $82 million in new funding (bringing its total funding to $150 million) that it plans to use to extend its global reach and advance its all-flash storage architecture.
Gartner said the huge disparity between CPU and disk performance over the last decade has fueled the massive growth of solid-state arrays. 'Over the last decade, CPU performance has improved by an order of magnitude, while the performance of HDD within general-purpose storage arrays stagnated, an increasingly accentuating divergence. SSAs have corrected this imbalance by temporarily satiating the demand for storage performance. This has led to the quick and successful adoption of SSA, evidenced by the fact that the total revenue for SSA in 2013 was $667 million, with a huge year-over-year growth of 182%.'
EMC, IBM and Pure Storage made up the Leaders category, with HP and NetApp in the Challengers' quadrant, and Cisco and Huawei relegated to the Niche Players. In addition to SolidFire, the Visionaries segment included Violin Memory, Kaminario, Nimbus Data and Skyera.
It's GMQ report card on SolidFire noted that it is an emerging company yet to be profitable, with a product that has been in general availability for less than two years. It's strengths included: the ability to deliver high scalability in capacity and performance makes it an attractive platform for running next-generation cloud and big data workloads; a high degree of emphasis on keeping costs low through usage of cMLC-based PC SSDs and no-charge data reduction features, such as compression and deduplication that are always turned on, and operating in-line; and the QoS and multitenancy allow customers to run multiple workloads in isolation with guaranteed performance, eliminating disruption or degradation from unwieldy workloads.
The buyer-beware Cautions' list included: the initial acquisition costs are high, even for SolidFire's low-end platforms, given that there needs to be at least four nodes in a cluster; it has limited field services and support personnel outside the U.S. and the U.K., and, given that a high portion of its revenue is generated from a direct sales force, enterprise customers need to be cautious regarding the availability of reseller partners for implementation and support.
Starting at 35TB of effective capacity and 200,000 predictable IOPS, all below $100,000, the SF2405 (Oct. 31 GA) lowers the entry point into SolidFire product family. The company said the SF4805 (mid-Nov. GA) doubles the density of the SF2405 while providing 44% more storage capacity at a 30% lower cost than the previous SF3010, delivering SolidFire's lowest $/GB, with a starting 4-node footprint providing 69TB of effective capacity and 200,000 predictable IOPS.
"This allows customers to get into the platform much easier than they could before," said Jay Prassl, VP of Marketing, SolidFire. The company's architectural design means both nodes can be used for new SolidFire clusters, or added to existing SolidFire clusters to increase capacity and performance cost-effectively, he told IT Trends & Analysis.
In the Next Generation Data Centers (NGDC), "[flash] performance is merely table-stakes – whereas such things as simplicity, efficiency, scalability, automation, and integration will determine the winning and losing vendors," noted Mark Peters, Senior Analyst, Enterprise Strategy Group, after SolidFire's first Analyst Day at the end of February. "CSPs were some of the first disciples of this new mantra; now that checkbooks are being opened for such abilities across the IT board, SolidFire is happy to point out its ability to play."
His boss, ESG founder and Senior Analyst Steve Duplessie shouted the company's praises in a canned comment announcing Carbon, the 6th release of SolidFire's OS, which was announced in March. "SolidFire attacks what to me is the most glaring missing element in tomorrow's enterprise data center – Quality of Service." As more and more applications are delivered from shared storage infrastructure – performance predictability and scale have become paramount, he stated. "That's been the problem with traditional storage architectures in the modern era of infrastructure virtualization."
Prassl said SolidFire's software-based architecture allows it to validate and integrate the latest flash technology quickly, and its mixed-node scale-out architecture allows customers to buy just what they need to start, and incorporate the latest flash technology seamlessly in the years to come. "With SolidFire the issue of obsolescence never arises."
"We have allowed customers to get into our platform very easily. And now they can scale that platform." Providing investment protection is an extremely powerful tool for SolidFire, and important for customers, he added.


text:
EUGENE, Ore. — There was no time for LSU sprinters Aaron Ernest and Tremayne Acy to hang their heads and wonder what went wrong Wednesday when they didn't qualify for the final in the 100 meters at the NCAA track and field championships.
There was only about an hour to refocus and get ready for the 200 meters semifinals because of a new schedule format that had only men competing Wednesday at Hayward Field.
Still, there was hardly anything for either to be upset about.
Both ran career bests in the 100 semifinals with Ernest clocking a time of 10.12 seconds and Acy coming up with a 10.16 when it took a swift 10.09 to make the eight-man final.
They came back to each take second in their semifinal heats of the 200 meters to automatically advance to Friday's final. After Ernest posted a time of 20.35 seconds in the first heat, Acy had another PR when he crossed the finish line in 20.17 seconds.
While they didn't advance in the 100, which wasn't a shock because Acy was seeded 14th and Ernest 16th coming into the meet, fourth-ranked LSU did get seven of 10 entrants they had on the track Wednesday into Friday's finals.
Both relay teams advanced along with Vernon Norwood in the 400, Joshua Thompson in the 110-meter hurdles and Quincy Downing in the 400 hurdles.
While Norwood had the fastest time of the day in winning his semifinal heat in 45.42 seconds, LSU had to have Ernest and Acy make it in the 200 if they want to be in the team race on Friday after the women take the stage Thursday.
"I wasn't mad about the 100," said Acy, a sophomore who was in an individual event at the NCAA championships for the first time. "I had a bad start (in the 100), but I knew there couldn't be any mistakes in the 200. I had to focus."
He did, coming off the curve strong and chasing Florida's Dedric Dukes, who won the heat in 20.03 seconds, to the finish line. Until a couple of weeks ago, his PR was a 20.51, which he dropped to 21.25 at the NCAA East preliminary rounds.
"Usually the 100 is my better event, but I keep dropping my time in the 200," Acy said. "I find that very weird to me. I just keep shocking myself."
Like his teammate, Ernest said he remained upbeat after not making the 100.
"I came in and got a PR, so at the end of the day I wasn't mad," Ernest said. "I knew I just had to bounce back in the 200 and keep going forward."
He did despite rolling his ankle slightly about 30 or 40 meters into the race.
"I was about fourth or fifth coming off the curve, and that's not good for me," Ernest said. "But I couldn't quit. That wasn't going to be the last individual race of my career. I had to give it everything I had to make the final."
They also were on the 4x100-meter relay team that advanced in the first race on the track Wednesday.
Thompson, Norwood, Acy and Ernest got the stick around in 38.92 seconds, just getting edged at the line by Florida, which ran a 38.91.
"We had to clean some things up (after the NCAA East prelims)," Ernest said. "But the goal was just to get the stick around and finish in the top-two to get a good lane for the final and that's exactly what we did."
LSU finished with the fourth-fastest time in the spring relay and was one of five SEC schools to get in the eight-team final along with Florida, Texas A&M, Arkansas and Alabama.
Thompson later finished second in his heat of the 110 hurdles in 13.66 seconds and automatically advanced to the final as did Norwood a bit later with the fastest time of the semifinals at 45.42 seconds.
Just before Acy and Ernest qualified in the 200, Downing took second in his 400 hurdles heat in 49.64 seconds to automatically reach the final.
His time was the third-fastest overall on the day.
LSU finished the day with Downing, Cyril Grayson, Fitzroy Dunkley and Norwood winning their heat in 3 minutes, 04.73 seconds.
Follow Sheldon Mickles on Twitter: @MicklesAdvocate.


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Microsoft Outlook is a stable software program, at the best of times. It does not crash that easily. However, just like any other software, it too is vulnerable to issues. When facing a problem, the MS Outlook issues error messages. The Outlook PST cannot be found error is one such error message that is displayed by the software if it cannot locate a PST file on the system.
The Outlook PST cannot be found error is displayed by the Microsoft Outlook software because of a number of reasons. You will have to determine this reason before you can fix Outlook PST cannot be found error. One of the reasons for this error is a possible conflict between the Outlook software and the other software that have recently been installed on the computer. Corruption of the PST file, a mailbox that has exceeded its size limit and issues with the office program can all cause this error to occur.
The Outlook PST cannot be found error is usually caused because of corruption of the PST file. There are several factors that can cause a PST file to get corrupted. For instance, the presence of viruses and malicious software on the system, unexpected shutdown of the Outlook software and improper shutdown of the PC can all lead to the corruption of the PST file.
Creating a new PST file is one of the methods that can be used to fix Outlook PST cannot be found error. It requires you to generate a brand new PST file. You will have to make use of the Mail Setup Wizard to create a new PST file. It involves following a few simple steps. You will have to follow these steps to generate a new PST file.
An Inbox Repair Utility has been provided in the MS Outlook software by Microsoft. You can use it to fix Outlook PST cannot be found error. It involves the use of the scanpst.exe. You will have to execute this program by finding it in the Office folders. Once it has been executed, this utility is going to scan the corrupted PST file. If it finds out any errors in it, it will ask you to initiate the repair process. Once the repair process is done, you can start the Outlook software to see if the repair has fixed the error message or not.
If the two methods that have been mentioned above aren't able to fix Outlook PST cannot be found error then you might have to consider using third-party Repair software to repair the corruption of the PST file. While there are a lot of third-party repair tools available on the internet that claim to perform this task, most of them fail at it miserably. The only utility that has been recommended to repair PST file in a safe manner is Stellar Phoenix Outlook PST Repair.
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Country Modern Homes
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As noun, plural countries
a state or nation:What European countries have you visited?
the territory of a nation
the people of a district, state, or nation:The whole country backed the president in his decision
the land of one's birth or citizenship
rural districts, including farmland, parkland, and other sparsely populated areas, as opposed to cities or towns:Many city dwellers like to spend their vacations in the country
any considerable territory demarcated by topographical conditions, by a distinctive population, etc
:mountainous country; the Amish country of Pennsylvania
a tract of land considered apart from any geographical or political limits; region; district
the public
the public at large, as represented by a jury
country music
As adjective
of, from, or characteristic of the country; rural:a winding country road
of, relating to, or associated with country music:That Nashville station plays country records all day long
rude; unpolished; rustic:country manners
of, from, or pertaining to a particular country
of one's own country
As Idioms
go to the country, British
to dissolve a Parliament that has cast a majority vote disagreeing with the prime minister and cabinet and to call for the election of a new House of Commons
Also, appeal to the country
put oneself upon the / one's country, Law
to present one's cause formally before a jury
As adjective
of or relating to present and recent time; not ancient or remote:modern city life
characteristic of present and recent time; contemporary; not antiquated or obsolete:modern viewpoints
of or relating to the historical period following the Middle Ages:modern European history
of, relating to, or characteristic of contemporary styles of art, literature, music, etc
, that reject traditionally accepted or sanctioned forms and emphasize individual experimentation and sensibility
(initial capital letter) new (def )
noting or descriptive of a font of numerals in which the body aligns on the baseline, as
Compare old style (def )
As noun
a person of modern times
a person whose views and tastes are modern
a type style differentiated from old style by heavy vertical strokes and straight serifs
As noun
a house, apartment, or other shelter that is the usual residence of a person, family, or household
the place in which one's domestic affections are centered
an institution for the homeless, sick, etc
:a nursing home
the dwelling place or retreat of an animal
the place or region where something is native or most common
any place of residence or refuge:a heavenly home
a person's native place or own country
(in games) the destination or goal
a principal base of operations or activities:The new stadium will be the home of the local football team
home plate
one of three attack positions nearest the opposing goal
As adjective
of, relating to, or connected with one's home or country; domestic:home products
principal or main:the corporation's home office
reaching the mark aimed at:a home thrust
played in a ball park, arena, or the like, that is or is assumed to be the center of operations of a team:The pitcher didn't lose a single home game all season
Compare away (def )
As adverb
to, toward, or at home:to go home
deep; to the heart:The truth of the accusation struck home
to the mark or point aimed at:He drove the point home
into the position desired; perfectly or to the greatest possible extent: sails sheeted home
in the proper, stowed position: The anchor is home
toward its vessel: to bring the anchor home
As verb (used without object), homed, homing
to go or return home
(of guided missiles, aircraft, etc
) to proceed, especially under control of an automatic aiming mechanism, toward a specified target, as a plane, missile, or location (often followed by in on):The missile homed in on the target
to navigate toward a point by means of coordinates other than those given by altitudes
to have a home where specified; reside
As verb (used with object), homed, homing
to bring or send home
to provide with a home
to direct, especially under control of an automatic aiming device, toward an airport, target, etc
As Idioms
at home, in one's own house or place of residence
in one's own town or country
prepared or willing to receive social visits: Tell him I'm not at home
We are always at home to her
in a situation familiar to one; at ease: She has a way of making everyone feel at home
well-informed; proficient: to be at home in the classics
played in one's hometown or on one's own grounds: The Yankees played two games at home and one away
bring home to, to make evident to; clarify or emphasize for:The irrevocability of her decision was brought home to her
home and dry, British Informal
having safely achieved one's goal
home free, assured of finishing, accomplishing, succeeding, etc
: If we can finish more than half the work today, we'll be home free
certain to be successfully finished, accomplished, secured, etc
: With most of the voters supporting it, the new law is home free
write home about, to comment especially on; remark on:The town was nothing to write home about
His cooking is really something to write home about
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Parents and Family Weekend
Published date: September 28, 2018
Fall Open House
Published date: October 6, 2018
Other news
Virginia State University cancels classes and sets up shelter for students and students from Norfolk State University
Published date: September 25, 2018
Due to the anticipated arrival of Hurricane Florence, Virginia State University administration cancelled classes through Friday, September 14. Classes will resume at 8 a.m. on Monday, September 17.
National Park Service Awards $8.6 Million in Preservation Grants to Historically Black Colleges and Universities
Published date: September 25, 2018
The National Park Service awarded $8.6 million in grant funding to support projects that preserve significant historic structures on the campuses of 18 Historically Black Colleges and Universities (HBCUs).
U.S. News and World Report ranks Virginia State University as a Top-Ranked HBCU
Published date: September 25, 2018
Virginia State University (VSU) is ranked as the No. 19 historically black college or university on the 2019 U.S. News & World Report's Best Colleges rankings. This is up 12 spots from the 2018 rankings where the University was ranked No. 31.
VSU Board Member Selected for the 2018 Executive Women in Business Achievement Award
Published date: September 25, 2018
Jennifer Hunter, member of the Virginia State University (VSU) Board of Visitors (BOV), was selected as one of Style Weekly's 2018 Executive Women in Business.
VSU Small Farm Outreach Program Creates Incubator Farm and Demonstration Site in Culpeper County, Va
Published date: September 25, 2018
The Small Farm Outreach Program (SFOP) at Virginia State University (VSU) has entered into a memorandum of understanding with the George Washington Carver Agriculture Research Center (GWCARC) in Culpeper County, Virginia, to create an incubator farm and demonstration site.
Best HBCU of the Year
Published date: September 25, 2018
Virginia State University was named the HBCU of the Year by HBCU Digest on June 22.