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Residency at Spinnerei, LIA Leipzig, April 2018. https://liap.eu/index.php/de/
Spaced 3, North by South, Residency Part 2, Deep in the Underground and Up Above, Busselton Australia. Jan to March 2018. http://three.spaced.org.au/spaced-3-north-by-southeast/
Bridging Art + Text
DEC 1 st, 2017
Time : 19.30- 20.30 p.m.
CAMP, Thoravej 7
2200 Copenhagen N
more info athttp://michelleeistrup.com/link/BAT_Bridging_Art_and_Text
BAT is a 3 volume publication edited by Michelle Eistrup and Annemari B Clausen,
produced by Anders Juhl & published in collaboration with The Karen Blixen Museum.
The overriding themes are: Spirituality, Black Identity and Aesthetics, Art &
Independence and Spaces for Art & Literature.
Contributers: Artists Christopher Cozier, Gillion Grantsaan, Ebony Patterson, Sasha Huber, Jeannette Ehlers, Charl
Landvreugd, Yo-Yo Gonthier, James Muriuki, Curators and Writers Carlos Moore,
Françoise Vergès, Britt Kramvig, Nicholas Laughlin, C. Daniel Dawson, Robert Farris
Thompson and many more.
FOUR BOXES: POOR and NEEDY exhibit OPENING 20th October 2017
Krabbensholmen Højskoles gallery, Skive, Denmark
Curated by by Yvette Brackman and Lise Haller Baggesen.
Go see NORDIC DELIGHTS exhibit at Fotografisk Center, Copenhagen
14.01 to 05.03.2017
Spaced 3, Residency in Busselton, Australia. October 5th - November 5th.
This Particular Masquerade, unmasked, NORDIC DELIGHTS exhibit , OSLO- Opening 1st October 2016
Poor and Needy, organized by Yvette Brackman and Lise Baggesen August 2016, Wisconsin, USA. http://poorfarmexperiment.org/2016-2/
Statens Kunstfonden one year grant--very happy to have received their support.
This Particular Masquerade, unmasked, NORDIC DELIGHTS exhibit , OSLO- Opening 22nd April 2016
Residency at Botkyrka, Sweden + Collaboration with Museum of Ethnography, Stockholm
+ Collaboration with Temi Odomosu + Luanda Carneiro Jacoel
Publication of BAT: Bridging Art + Text
The book presents contemporary artists born or based in the Caribbean, Africa,
Europe and the US creating an insight into aesthetics not often presented in
Bridging: We wish to bridge the art works and their historical, political and
personal contexts. These narratives not only influence the works but are also
transformed through their aesthetics.
Art: Photography, installations, sculptures, paintings and stills from
performances and video works.
+: The extract presents works inspired by spirituality, Jamaican dancehall culture,
racial segregation in Cuba and being a woman of Black ancestry and parentage
living in a Nordic culture.
Text: Fiction, poetry, song lyrics, personal narratives, academic accounts and
political discussions.
The texts look into historical accounts of slavery, colonialism, racism and the
transfer of cultural and spiritual knowledge and resistance across the Atlantic. The
politics of Blackness are discussed in texts on Negritude and Pan-Africanism, Black
identity and ethno-aesthetics.
Layout: Built up around the idea of the hidden and revealed foldouts the layout
creates an intimate and tactile relation to the visuals. Generous attention and
detail is given to the art works, as their stories and production envelops the
heart of the book. Size: 290mm (height) x 220mm (width). Pages aprox. 550.
Pitch Molded Animability was recorded in Senegal and Trinidad, explores the idea of living on the edge of the urban, in the grey area between wild and tame, either in the peripheral areas of the city, or quite openly in the midst of the people. It explores connecting diverse landscapes together through portals of soundscapes. In the new work the donkeys are attached to the elements earth and water. Earth is represented in slowly flowing form of Trinidad's Pitch Lake, and water will be buoyant like memories.
GENEROUS SUPPORT and FUNDING comes from:
The National Danish Arts Council and the International Danish Arts Council
This Particular Masquerade by M.Eistrup
FOUR lambdaprint prints, 2x 300 x 4.1 x 24.1 cm and 2 x 600 x 4.1 x 24.1 cm.
INSTALLED as prints or in Wenge lightboxes.
First Exhibited at AMNESIA, Haugaur Museum, Vestfold, Trømso, Norway, (2013) Curator of Exhibit:Grethe Hald.
Exhibited at FORGOTTEN, Possesion: Art, Power and Black Womanhood, Curated by Dr. Temi Odomosu,
New Shelter Plan Artspace, Cph, DK.(2014)
Generous SUPPORT and FUNDING comes from:
The National Danish Arts Council and the International Danish Arts Counci http://www.kunst.dk/english/ towards the production of This Particular Masquerade, Unmasked and towards residency at Alice Yard in Trinidad.
How can I see you when you do not see me?
How can you imagine that I want to loose my color, my culture to your norms of validity, which means
being like you. How can you forget where you were and why I am here. How can you just not touch on
this part of your history, caress it and just for a moment let the pain seep in. Everything I tough, caress, and
validate around me in this foreign land denies my existence and yet it is there
Extract of Amnesia Sound_M.Eistrup Production: Anders Juhl
In 2005, the national museums of Denmark, Sweden, Norway and Finland curated an exhibition "The Congo and the North",based on 40,000 objects. Rais Boneza comments the following in 'Rethinking Nordic Colonialism (2006):
"It is stupefying that the Nordic countries have decided to exhibit "their" trophies, taken brutally from the people of the Congo without concern or any consultation with the Democratic Republic of Congo" "We remember that under itsabusive colonization by Belgium, the population of the Congo, then estimated to 20 million people, decreased to the half. It was during that period that Nordic missionaries, members of the armed forces, seafarers and other adventurers took part in the pillage of the country".
Boneza demonstrate that these national institutions stepped seriously away from reflecting on the history in this exhibit where they overlooked how the objects were initially acquired. Can their mistake be an grave example of a national Amnesia, which forms the basis of the atmosphere that we who come from a different background/history daily reside and move in?
My work is a response to what I perceive as a woman both of black ancestry and parentage who lives in a Nordic culture where a selective view of world history is the rule - and where real knowledge about Scandinavia's relation to black people during the colonial period is the exception. Nowadays, it seems there is a great focus on Nordic charity for developing countries, and here again, the countries involved overlook the economic advantages being acquired through their relationships with these parts of the world.
Amnesia by Grethe Hald
Exerpt from catalog
'Commemorative exhibitions jog our memories. Historical societies keep the past alive in their publications,and history lives on in cinema and theatre'.
'Amnesia: this Greek word for forgetfulness is also used for a condition that embraces nuances of exposure and concealment.Amnesia is suffered first and foremost by those who lose their memory, but indirectly the family and friends of someone afflicted with dementia are harshly affected. The causes of memory loss can be many and complex. Disease, accidents, and trauma may play a part, but it may also be linked to repression, the brain inducing temporaryamnesia to keep out unwanted impulses for a period of healing.
Amnesia brings together eight leading Nordic artists who offer their highly individual takes on the many-faceted condition of forgetfulness. Some are pre-existing works, others have been created or further developed for this exhibition. The artists have been free to interpret the open title in any way they wish. As are the public to interpret the works.
See AMNESIA Catalog
Possession by Temi Odumosu
1 the state of having, owning, or controlling something
2 an item of legal property; something belonging to a person, group or
political entity (i.e the government)
3 the state of being controlled by (or under the influence of) a demon,
spirit, idea or intense emotion
"If I didn't define myself for myself, I would be crunched into other people's
fantasies for me and eaten alive." - Audre Lorde
"There is no agony like bearing an untold story inside of you" - Maya Angelou
This exhibition showcases the work of 12 international Black women artists, whose work explores multiple concepts of being and belonging.Through deeply personal expressions these artists reflect on Black womanhood as a dynamic archive of knowledge, formed of flesh, spirit and memory. In mixed media practices and against the backdrop of their own biographies, they offer rare and beautiful insights into what it means to travel with this identity through public and private spaces, to dare to speak
where voices are often subdued or silenced, and to honour ancestral inheritances as creators of art. Whilst clearly confronting the enduring legacies of slavery and colonialismexperienced in their own lives, these artists also poetically demonstrate the
healing and transformative power of sharing ones own story with a community of witnesses.
Too Long Are Our Memories + Borders by Michelle Eistrup and James Muriuki(Kenya).
Single Channel Video: 9 mins, Exhibition Format: Projection + Screen. Light Box 12 meters x 15 cm x 15 cm installation adjusted to the space.
First Exhibited at NotAboutKarenBlixen, Karen Blixen Museum, (2010) Curator of Exhibit: Michelle Eistrup + Brooke Minto (U.S.A.)
Exhibited at Naturama, Svendborg, Fyn, (2012). Curator of Exhibit: Thomas Bjørneboe Berg
Exhibited at IKM, Oslo, Norway(2012).Organizer: Grethe Hald(Norway)
Funded by the MY WORLD IMAGES 2010 and DCCD, INTERNATIONAL ARTS COUNCIL and NATIONAL ARTS COUNCIL towards the production and travel of Too Long Are Our Memories, Not About Karen Blixen, and Copenhagen's Municipality of Art and Culture Fund.
STATENS VÆRKSTEDER FOR KUNST OG HÅNDVÆRK I GAMMEL DOK towards the production of Wild as the Wind, and Too Long are Our Memories.
In the video, Too Long Are Our Memories, an old black doll sits in a mantle, her eyes are nearly gone, a white and brown deer slope in between the fantasy and the imaginary, a girl picks coffee and a seer stands with a mirror reflecting the woody white wintery landscape around him. A voice of memories from another time slips in and out of the passages: 'The Kenyans could not plant coffee, they could not plant sisal…'. Dudley Thompson, the lawyer who assembled the primary defence team of Kenyatta, recollects and describes the tension between the British colonizers and Kenyans. Old pictures on a wall refer to the past, the Kenyan Railway, royalty, Mombasa, versus the workers, the builders, who died to construct that lunatic line.
The piece is a meditation on the interaction and shifts that exist between these realities and questions our historical perspectives in connection to those times. There is redemption as well, we see three black workers reclaiming their train, dancing in and out of its remains to the symbolic music of freedom: jazz and ska. The souls of colonial maids and workers are suspended over the train and walk through different time dimensions arriving today as immigrants in the cold North, finding balance on the sharp cliff edges of this past. Too Long Are Our Memories speeds, splices and interweaves many visual layers and sounds, thereby creating imaginary spaces - or worlds - where the paths of dislocation and migration lead humans in search of a future.
Borders is a light-box installation that explores the reality and metaphor imagined in both time and space. "Through memories, connections, looped borders, hedges, pathways, habitats are intertwined. In these light boxes we show different notions of land, division and border, open or hidden. Borders reflect on the relation between spaces from the outer to the inner and the areas in between them. In general, borders indicate a division, a difference. Geographical borders exist in reality, while there are invisible borders between concepts such as multi-culture and monoculture, progress and tradition, present and past…" – says Michelle Eistrup.
About James Muruiki
James Muriuki works as a photographer, graphic designer and was a curator at the Rahimtulla Museum of Modern Art (RaMoMA), Nairobi, where he worked since it's opening in 2001. In 2010, he, together with Miriam Syowia Kyambi and Dr. Kivubiro Tabawebbula founded 3Collect, an artist's collective engaging the curatorial practice, under which he works besides other individual curatorial engagements.
He says, "Over time, I have taken interest in exploration of gaps and spaces that are left by using photography and other art media. I endeavor to use photography as a medium of practicing art, either alone or collaboratively, rather than as a photographer. This has extended from photographic experiments to using photo-based medium and new digital media with a personal attitude and aesthetic. The art is a personal journey that has kept proving dynamic and yet static in many ways within my environment."
Recently James Muriuki was awarded 2nd prize in 4th Photoafrica contest, which took place within 8th African Film Festival of Tarifa. He had a retrospective at Goethe Institute in Nairobi, is part of the Walther Collection in Ulm, Germany and he has exhibited in Snap Judgments: New Positions in Contemporary African Photography, curated by Okwui Enwezor. James lives and works in Nairobi and his work has been exhibited and collected in Kenya, South Africa, USA, Denmark, Spain, and Germany among other countries.
NotAboutKarenBlixen evolved as a long-term collaborative project between three Kenyan artists, three Danish artists, and a German artist, working in various media. For the participating artists, the NotAboutKarenBlixen project offered a unique opportunity to create works of art, which incorporate impulses from Denmark and Kenya.The artists started their projects in Denmark at the Danish Art Workshops in snow-covered Denmark in February, working in cross-national pairs. Their collaboration was continued in Nairobi in June in what was, for the Danish participants, an unexpectedly cold Kenyan winter. Works created by these 'art-duos' have been exhibited at the RaMoMA Museum of Modern Art in Nairobi in July 2010 and at the Karen Blixen Museum Sept – Nov. 2010. The entire project was curated by curator and artist Michelle Eistrup(Dk/Jamaica) and Brooke Minto(USA)
"We hope through collaboration to extend ourselves and to relearn, re-evaluate the past in a present context. The collaboration is also based on medium and experimentation. The artists had to learn the other's artistic language, an essential tool for gaining knowledge and understanding of the other"– explains Michelle Eistrup. The title, NotAboutKarenBlixen, signals that this exhibition is not directly about Karen Blixen. The exhibition uses the name of Karen Blixen to inspire both artists and audience to reflect on present and future relations between Europe and Africa. It illuminates current and historic issues through contemporary art media and performance. Thus the work and legacy of Karen Blixen becomes a catalyst for a bridging Danish and Kenyan culture, or, as Michelle Eistrup puts it: "We wish to contribute to a wider understanding of Kenya's and Denmark´s postcolonial heritage through the artistic process and modern media in art, such as photography, video, sound installation and performance".
WILD AS THE WIND by Michelle Eistrup
6 Prints x 300 x 79,4 cm , 2010 +2014 + 1 Single Channel Video, Wild as the Wind, Green Curtain.
Generous SUPPORT and FUNDING comes from:
KULTURSTYRELSEN INTERNATIONAL AND NATIONAL DANISH ART FOUNDATION, towards the production of WILD AS THE WIND, NEW PRINTS, PINGYAO China.
Wild as the Wind by M.Eistrup
Single Channel Video 8 mins.
Exhibited at Pingyao Film Festival, 2014 The Danish National Museum of Arts, Children's Exhibition,Statens Museum For Kunst, 2011, and Galleri Image 2010.
HORSE POWER by Mark Le Fanu
Art begins with the depiction of animals. The caves of Lascaux and Chauvet are decorated with images not of hunters, but of the beasts which the caves' primitive inhabitants hunted, lived with and dreamt about. The mystery of living in the world with creatures besides ourselves (creatures with whom we communicate, but not by language) has been a more or less fundamental motif in art since art began.
And among all the beasts – the lions and gryphons and eagles and elephants and oxen – perhaps none so important, so iconic as the horse. From the friezes of the Parthenon, through the statues of mounted warriors and victors that have given grandeur and meaning to public spaces since the renaissance, down to those amazing romantic canvases of artists such as Rubens, Géricault and Delacroix, the horse, in art, has transfixed man's collective imagination. There seems to be something uniquely stirring about the way that, while harness-able to human need, the animal retains in a deeper sense its mystery, pride and inviolability.
These are some of the attributes observable in Michelle Eistrup's images of wild horses taken over a two year period on the Danish island of Læsø. She approaches the recording task not as a professional wild-life photographer intent on some captioned magazine article (excellent as such photo-features sometimes are), but as a free-floating artist, alert to the mythic quality of the animal she is photographing, yet in a loose and unforced way that avoids the tricks of postmodernist games-playing. There is a gentle humour at work throughout these images, one might even call it a humanism – though humans are conspicuously absent. The animals are left to their own devices, to graze or gambol, to nuzzle and be nuzzled; or merely to scratch their itchy parts against the branches of the island's seaside forests.
Still, the artist's proper concern with form is discernible in several ways, above all in the subtle play of contrasts that weave in and out of Eistrup's photographs: snow with sand, darkness with light, stillness with movement, repose with wakefulness. Taken by themselves the pictures are extraordinarily beautiful; they have an unforced brilliancy - sober and unshowy without being tiresomely "minimalist".
Once you have paused in front of these static images, a further treat lies in store for the gallery visitor behind the thick black curtains that divide the central exhibition space in two. Eistrup is as good at video-photography as she is at traditional stills work, reminding us that at a certain stage in the history of art there emerged the possibility of our contemplating not just the frozen image of exotic animals (the original cave paintings, as it were) but their movement too. It was, after all, the experimental photographs of Eadward Muybridge – one of the principal aims of which was to discover the lineaments of a horse's galloping motion – that paved the way for the modern art form of cinema. Eistrup's horses are closer to the riderless beasts of Tarkovsky and Fellini than they are to the more familiar mounts of the Hollywood Western – though the Western too, of course, has lovely images of horses on the roam; horses in landscape, free and untrammeled.
Installations are now so much a part of gallery art that one tends to take them for granted. But Eistrup's installation here is exemplary, combining as it does experimentalism of form (it is not a "movie" or narrative) with a pleasingly uncomplicated readability. The effect communicated is one of delicate intelligence, the hallmark of this artist's work. Eistrup's images have the integrity of someone who watches closely over a substantial period of time; who effaces herself in front of the object, rather than trying to force upon it an outside interpretation. Such selfless attention to process is rare in contemporary art, where (at least until recently) "gesture" and "concept" have tended to rule supreme.
NOTABOUTKARENBLIXEN Picture: NotAboutKarenBlixen 2010 Lambda dibon 120 x 83 cm.
From NAKB Performance, Mombasa, Kenya. Participants in Foto: James Muruiki, Gillion Grantsaan, Miriam Syowia Kyambi, Michelle Eistrup and Simora.Instigated by Gillion Grantsaan with NAKB group Courtesy of Oder, Curator, Michelle Eistrup.Too Long Are Our Memories + Borders by Michelle Eistrup and James Muruiki(Kenya)
NotAboutKarenBlixen co-curated with Brooke Minto
KAREN BLIXEN MUSEUM, Rungstedlund, Denmark, My World Images Festival 2010
Participating Artists:
Gillion Grantsaan (DK) in cooperation with Ato Malinda (Kenya); Søren Assenholt (DK)in cooperation with Miriam Syowia Kyambi (Kenya); Michelle Eistrup (DK),in cooperation with James Muruiki (Kenya) Stefan Saffer (Germany)
Lesley-Ann Brown (DK) is associated with the project as performance writer.
RaMoMA, Kenya.
Participating Artists:
Gillion Grantsaan (DK) in cooperation with Ato Malinda (Kenya);Michelle Eistrup (DK),in cooperation with James Muruiki (Kenya)
NotAboutKarenBlixen is a long-term collaborative project between three Kenyan artists, three Danish artists, and a German artist working in various media. For the participating artists, the NotAboutKarenBlixen project has offered a unique opportunity to create works of art which incorporate impulses from Denmark and Kenya. • Working in pairs, the artists started their projects in Denmark at the Danish Art Workshops in snow-covered Denmark in February. The work was continued in Nairobi in June in what was, for the Danish participants, unexpectedly cold Kenyan winter weather. Parts of the projects created by these 'art-duos' have been exhibited at the RaMoMa Museum of Modern Art in Nairobi in July 2010.
• The participating artists represent considerable international experience, with exhibition activities in USA, England, Continental Europe and partsof Asia and Africa. • "We hope through collaboration to extend ourselves and to relearn, reevaluate the past in a present context. The collaboration is alsobased on medium and experimentation. The artists had to learn the other's language, an essential tool for gaining knowledge and understanding of the other."– explains curator and artist Michelle Eistrup. • The title, NotAboutKarenBlixen, signals that this exhibition is not directly about Karen Blixen. Not-AboutKarenBlixen uses the name of Karen Blixen to inspire reflection on present and future relations between Europe and Africa. It illuminates current and historic issues through contemporary art media and performance. The artists use the collaboration in pairs to explore Karen Blixen´s legacy and its significance in a postcolonial context. • Placing the exhibition project at Rungstedlund in the exhibition rooms and in the front yard of the house where Karen Blixen was born adds a special quality to the project. It links Rungstedlund to the farm at Ngong Hills in Kenya. This year – 125 years after Karen Blixen was born – the focus of the museum is on Africa. • We hope to contribute to a wider understanding of Kenya's and Denmark´s postcolonial heritage through the artistic process and modern media in art, such as photography, video, sound installation and performance.
APPETIZER by Housing Spirits
2001 Take OFF20:01, The Museum of Modern Art Aarhus, Dk.
2000 Momentum, Nordic Biennual for artists, Moss, Norway. 2000. Crossing Boundaries, International Docu.filmfestival, Cph, 2000.
1999 Blick, video show, The Museum of Modern Art, STHM, Sv. Private Parts, The State Museum of Modern Art, Cph, 1999.
MAMI WATA by Housing Spirits
2001 Take OFF20:01, Museum of Modern Art Aarhus, Dk.
2000 Exit graduateshow, Kunstforeningen Gl.strand, Cph.
2000 Momentum, Biennal for Young artists, Moss, N. 2000.
2000 Selected Works, Shoot, Video/Film Festival, Kyikarmyndir,
Living Art Museum, Reykjavik, Iceland.
2000 Stand Art Performance Festival, Gotenborg, Sv.
2000 Shoot, video/film program, Malmø Kunsthal, Sv.


text:
If you are at my site for the first time, you most likely have been in the recording industry long enough to appreciate that it takes a great team to make things happen. I've worn all the hats during a recording project as the engineer/producer/mixer. During this process I noticed my energy level starting to fluctuate near the end of tracking a great project. By the time I got to the mix stage I started to take elements within the song for granted, or being cautious with the balance of things. Generally speaking I was also a little burnt out. I was fortunate to have a few opportunities where my productions were mixed by other people. This was a little ego busting at first, however it became way more exciting when I heard the first mix. Around that time I also understood why the "Major" artists had someone else mix their project instead of their production team. My new motto everntually became "DON'T MAKE THE PRODUCER MIX"! You can send me your digital files and we'll do a test mix to see if this works for you.
As 90% of my clients are not in Canada, I'm able to efficiently work with them on their mixes as I offer real time listening during the process. I have Protools, Cubase, Nuendo etc. with all the usual plug ins everyone else is using. They're great but not the same. The bulk of what I do is on an Analog console and industry proven outboard processing. The lay out of this room allows me to be in the stereo field as I'm adjusting (for example) my LA2 on the Bass. You can actually stand up and move. I like to have my screen off to the side of the console so I'm listening to the mix not looking at it. Hopefully this helps demystify what a mixer can do for your project.
Recording Engineering Bootcamp
Recording Engineering Bootcamp
You have a great home studio and you are not getting the results you want. Instead of buying more gear, invest in yourself and make the gear you have sound better. I will spend a week with you doing a one on one Private Educational Recording Engineering and Production Boot camp. Bring your project in and we'll go over how you tracked, produced, mixed and mastered your recording. I'll show you how the tools you have will take things to the next level using the same digital and the heritage analog pieces that makes things happen.
You will get all of the information we used for over 20 years in our accredited Recording Arts College.
Education lasts a life time. Call (780) 453 3284

subset: commoncrawl


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text: "; _cf_contextpath=""; _cf_ajaxscriptsrc="/CFIDE/scripts/ajax"; _cf_jsonprefix='//'; /* ]]> */ 2606 Buena Vista Way, Duluth, GA 30097 - Search Access Every Home Instantly! Free Access in Seconds Name E-Mail Phone Number(will be used as your password) Continue to Homes ›› Already a Member? Login ›› X CLOSE Member Login Login E-Mail Login Phone Number(your phone number is your password) Login Now ›› Create an Account ›› X CLOSE firstname.lastname@example.com Favorites Recent Homes Sign In Home Search Homes Search All Homes Search Condos / Townhomes Search Neighborhoods Search Schools Featured Homes Homes Just Listed New Homes Foreclosures Basement Homes Finished Basement Homes Golf Course Homes Waterfront Homes Short Sales Sell Your Home Contact Us Menu HOME SEARCH SELL CONTACT GO BACK SEARCH ALL HOMES SEARCH CONDOS / TOWNHOMES SEARCH NEIGHBORHOODS SEARCH SCHOOLS FEATURED HOMES HOMES JUST LISTED NEW HOMES FORECLOSURES BASEMENT HOMES FINISHED BASEMENT HOMES GOLF COURSE HOMES WATERFRONT HOMES SHORT SALES Search Gwinnett County Duluth Sugarloaf Country Club Buena Vista Way 2606 Buena Vista Way 2606 Buena Vista Way, Duluth, GA 30097 For Sale $975,000MLS Number 8406873 4 Bedrooms4 Bathrooms1 Half BathsSquare Footage - 5,884 *estimated PHOTO GALLERY VIRTUAL TOUR WOW! Perched on a cul-de-sac lot boasting huge entrance columns, this amazingly-priced 4 side brick home features a grand 2 story foyer that floods the home with natural light. Pass through soaring Tuscan columns into a 2 story great room! A large chef's kitchen features a breakfast area as well as a sitting area for morning coffee. Master BR has dual sided fireplace, separate sitting area and gorgeous master bath. Finished terrace with wet bar, theater room and flex room that can be used as a workout/bedroom. A must see park-like, exquisitely lush, landscaped backyard offers a soothing water feature! CountyGwinnett NeighborhoodSugarloaf Country Club Year Built1998 Lot Size.5 to 1 Acre Taxes$10,665 High SchoolPeachtree Ridge Middle SchoolRichard Hull Elementary SchoolM H Mason BasementYes Finished BasementYes Community GolfYes Community PoolYes Community TennisYes Community LakeYes 2606 Buena Vista Way - Map & Directionsview in Google Maps 85N to Sugarloaf Parkway exit (108) Right on Sugarloaf Pkwy, Left on Sugarloaf Club Dr. Right on Thurleston, Left on Chieftan Run, Left on Buena Vista Way. Home is at end of cut-de-sac. Welcome Home! Summary of 2606 Buena Vista Way 2606 Buena Vista Way is a 5,884 (*estimated) square foot home with 4 bedrooms and 4 bathrooms located in Duluth GA, Gwinnett County. This property is listed for sale at $975,000 and is currently active and accepting offers. Bedrooms Lower - 0Bedrooms Main - 0Bedrooms Upper - 4Full Baths Lower - 1Full Baths Main - 0Full Baths Upper - 3Half Baths Lower - 0Half Baths Main - 1Half Baths Upper - 0Fireplace Type - Gas StarterTotal Fireplaces - 0Construction - Brick 4 SidedConstruction Status - ResaleCooling Source - ElectricCooling Type - Ceiling Fan,CentralDate of Possession - NegotiableDays on MLS - 90Energy Related - None,Tankless Water HeaterFireplace Location - In Great/Family Room,In Master BedroomHeating Source - Other (See Remarks)Heating Type - CentralHome Warranty - NoInterior - Bookcases,Cable In Street,Ceilings - Trey,Ceilings - Vaulted,Ceilings 9 Ft Plus,Double Vanity,Foyer - 2 Story,Hardwood Floors,Rear Stairs,Separate Shower,Tile Bath,Tile Floors,Whirlpool BathKitchen Equipment - Cooktop - Separate,Dishwasher,Double Oven,Garbage Disposal,Icemaker Line,Microwave - Built In,RefrigeratorKitchen - Breakfast Bar,Breakfast Room,Keeping Room,Pantry,Solid Surface Counters,Walk-in PantryLaundry Location - Laundry Type - RoomList Agreement Type - Exclusive Right To SellLot - 271Lot Dimensions - .74Original List Price - 975000Photo - Broker Will Provide PhotoPossible Financing - Property Type - Single Family DetachedRoof Type - Sale-Rent - For SaleState - GAStatus Category - ActiveStories - Over 2 StoriesStyle - TraditionalTax ID - R7120 111Virtual Tour Available - YesWater Description - Water-Sewer - Public Water,Sewer Connected courtesy of keller williams rlty atl. part Anne Rains - Rains Teamcall for more info404-620-4571 Ask a Question Add to Favorites Send to a Friend Schedule a Showing Request More Info Sugarloaf Country Club Homes Our Financing Partner Dalton Carter Mortgage Lender Lic. NMLS 1566538 / GA 46959 Office: 678-425-4140 Direct: 470-252-3566 Homestar Financial 139 West Candler St Winder Ga 30680 Apply for a Loan Contact Us Anne Rains - Rains Team firstname.lastname@example.com direct. 404-620-4571 Office PEND Realty 4335 South Lee St Buford GA 30518 office. 888-641-7363 Quick Links Search for Homes List with Us Search All Neighborhoods Read Our Blog Contact Us All information deemed reliable but not guaranteed and should be independently verified. The data relating to real estate for sale on this web site comes in part from the Broker Reciprocity Program of the Georgia Multiple Listing Service (GAMLS). Real estate listings held by brokerage firms other than the Georgia Multiple Listing Service (GAMLS) are marked with the Broker Reciprocity logo and detailed information about them includes the name of the listing brokers. Each brokerage office is independently owned and operated.Site updated Sep/26/2018. 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The impressive kitchen of the charming Juniper includes a large center island, a huge walk-in pantry, and a spacious breakfast area. The inviting great room features a cathedral ceiling and a fireplace. A generously sized covered porch is perfect for enjoying outdoor living. Additional highlights include a covered entry, dramatic two-story foyer, versatile study, formal dining room, first-floor master bedroom and master bath, first-floor secondary bedroom with walk-in closet and private bath, large second-floor game room with cathedral ceiling, and second-floor secondary bedrooms with nine-foot ceilings, walk-in closets, and private baths.
Located on Eldorado Parkway between the Dallas North Tollway and Preston Road, this community offers convenient access to all the area amenities your lifestyle demands including the Frisco North Platinum Corridor.
Residents will enjoy living within walking distance of the Warren Sports Complex and moments away from Frisco Square, Toyota Stadium, The Star, entertainment opportunities for all, and fine and casual dining.
Commuting to many of the major employment centers in nearby Frisco and Plano will be easy and hassle-free. Homeowners have access to exceptional Frisco schools. Community amenities will include a resident-exclusive pool, cabana, fire pit, and playground.
Fantastic master with tray ceiling and bath
Appealing first-floor guest room with full bath
Fantastic master with tray ceiling and bath
Appealing first-floor guest room with full bath
Gorgeous Mediterranean elevation
Open and great entertaining floor plan
Gorgeous Mediterranean elevation
Open and great entertaining floor plan
Impressive two-story great room with fireplace
Appealing versatile study with double door entry
Impressive two-story great room with fireplace
Appealing versatile study with double door entry
Learn what it takes to make your dream home a reality – with absolutely no obligation.
Contact a TBI Mortgage Company representative to answer all your financing questions.
Visit TBIMortgage.com to learn more about the wide variety of financing programs we can offer you and complete the online Pre-Application Worksheet.
*Offer, if any, is valid for new buyers who purchase a home in a participating community and deposit between 9/8/18 and 9/30/18, sign an agreement of sale, and close on the home. Offers, incentives, and seller contributions, if any, vary by community and are subject to certain terms, conditions, and restrictions. Not all communities, not all home sites, and not all options and upgrades are included in the National Sales Event so see the Sales team in your desired community for specific details. Toll Brothers reserves the right to change or withdraw any offer at any time. Not valid with any other offer. Photos are images only and should not be relied upon to confirm applicable features. This is not an offering where prohibited by law.


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By Robert C. Owen
Does most likely endured U.S. involvement in counterinsurgencies demand including really good airplane, education, or different assets to the final airlift fleet? ordinarily, latest U.S. airlift forces can accomplish so much such missions successfully. yet persevered operations most likely would require reinforcement of the final airlift fleet and, might be acquisition of a small fleet point optimized for yes counterinsurgency missions.
Read Online or Download Airlift Capabilities for Future U.S. Counterinsurgency Operations PDF
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Additional info for Airlift Capabilities for Future U.S. Counterinsurgency Operations
Sample text
Airlift and Counterinsurgency 23 JFCs employ their allotted airlift forces expertly and efficiently, both for the sake of effectiveness and to minimize the impact on other global commitments. Counterinsurgency airlift planners and operators should expect their priorities to match those of most other counterinsurgent commanders: (1) to defeat and suppress insurgent conventional capabilities, if these exist; (2) to suppress guerilla activity enough to permit effective security-phase government and economic activities; and (3) to mop up residual insurgent forces.
These intratheater aircraft, in turn, received support from an intertheater, or global, airlift fleet of hundreds of large military and commercial jets linking the battle zone to the homeland. Virtually every American who traveled to or from Southeast Asia did so by air. S. Air Force theater transports lifted an average of nearly 3,000 tons of cargo and almost 10,000 passengers per day within Vietnam alone. S. " Since 1991, the United States has again employed airlift on a very large scale in support of counterinsurgency operations.
Typically less prominent in counterinsurgency histories and doctrinal manuals, but no less important than logistics, are other strategic effects of airlift. Indeed, the integration of airlift with other elements of airpower and modern land forces has altered the character and conduct of counterinsurgency warfare fundamentally. By combining these military elements, democratic states in particular have been able to pursue counterinsurgency operations more aggressively, yet with greater restraint in their overall use of force, than in the past.


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Wii U Error While Updating
jorgeluisblMember Since: October 16, 2005Posts: 1479jorgeluisblFollowForum Posts: 1479Followed by: 0Reviews: 0 Stacks: 0Forum Karma: 0#9 Posted by jorgeluisbl (1479 posts) - 9 years, 2 months ago[QUOTE="jorgeluisbl"] I'm trying to update my Was it my Wi-Fi? I copy pasted what you typed into the address bar of both mozilla firefox and internet explorer, but all I get is a "page that cannot be displayed" type stuff. Ekle Bu videoyu daha sonra tekrar izlemek mi istiyorsunuz?
Also on GameFAQs...Help - Answers to the most commonly asked questions about GameFAQs.FAQ Bookmarks - Access and manage the bookmarks you have added to different guides.FAQ Bounty - Write a FAQ JUGAMER 217.019 görüntüleme 2:17 Install The Homebrew Channel Wii 4.3U - Süre: 7:40. Otherwise it will keep trying to re-install the same file.Click to expand... Gezinmeyi atla TRYükleOturum açAra Yükleniyor...
Wii Will Not Update 32007
boardn720Member Since: June 12, 2008Posts: 5310boardn720FollowForum Posts: 5310Followed by: 0Reviews: 2 Stacks: 0Forum Karma: 0#12 Posted by boardn720 (5310 posts) - 7 years, 6 months agoYour best bet at this point Have you deleted the update in the system menu and re-downloaded? It takes 10 minutes to update, but in the end, I get the update. thattotallyMember Since: February 18, 2008Posts: 3842thattotallyFollowForum Posts: 3842Followed by: 0Reviews: 10 Stacks: 0Forum Karma: 0#11 Posted by thattotally (3842 posts) - 7 years, 6 months agoNow, just as a reminder, seeing
Video kiralandığında oy verilebilir. Do not unplug your system while the update is downloading or installing. How to Try disabling your router's firewall, as this may be blocking necessary traffic. Wii Won't Update I mean for starters, am I to work on the computer?
Too bad I can't download it. Super Smash Brothers Brawl doesn't have like anyone to battle. but barely)Packets Received: 9, 932 (also counting, barely)Now I could have sworn that back then, the number of packets (whatever these things are) were around 1,000,000 or so, and I have I Can't perform the Wii System Update!
Wii Wont Update 32007
This is very perplexing I must admit, just what is going on here? https://gbatemp.net/threads/wii-u-error-occurred-while-installing-update.338693/ Video kiralandığında oy verilebilir. Wii Will Not Update 32007 Lütfen daha sonra yeniden deneyin. 13 Ara 2013 tarihinde yayınlandıPLEASE HELP MY SYSTEM UPDATE FIX ON MY WII AND SORRY FOR THE EEEKY SOUND FROM MY CAM. Wii Wont Update 32004 Yükleniyor... Çalışıyor...
Brent Byron 165.514 görüntüleme 4:28 Daha fazla öneri yükleniyor... Here's the thing, since December 4th at around 8am EST, I've been trying to update my Wii U to version 2.1.0 U. Check, my Wii U is roughly six feet from my wireless router. Don't have an account? Wii Error 32002
I did that when I started my console for the first time, and I use Google's 18.104.22.168 and 22.214.171.124. I would hate to see what happens if we tried to have you port foward :lol: thattotallyMember Since: February 18, 2008Posts: 3842thattotallyFollowForum Posts: 3842Followed by: 0Reviews: 10 Stacks: 0Forum Karma: 0#13 Oturum aç Paylaş Daha fazla Bildir Videoyu bildirmeniz mi gerekiyor? I guess we're stuck.
It's not a matter of bringing them closer.And yes I have most certainly been able to download Wii updates perfectly back in the day. Wii Update Failed From Disc screen and slowly creeps up to 48% and quickly speeds up to 60% and the error pops up. IP address 4.
All that did was make the interent not work, so I doubt it could have worked with the Wii.
Almost immediately I assumed that this error was my fault, not Nintendo's. rickyakaeltitan 59.209 görüntüleme 5:35 Como Piratear Hackear Wii Sin Chip ni Juego | Incluye v4.3 | Paso a Paso | Tutorial en Español - Süre: 2:18:04. Nintendo Support Support Home > Article Search Find the answer to your question Search Unable to Perform a System Update Applies to: Wii U Deluxe, Wii U Basic Situations: Unable to Wii Support Code 11172 GameFAQs.comfacebook.com/GFAQstwitter.com/GameFAQsHelp / Contact UsChange Colors Blue (Default)Blue on BlackRedRed on BlackGreenGreen on BlackOrangeOrange on BlackPurplePurple on BlackCloudy BlueGrayscaleSepiaCotton Candygamespot.comgiantbomb.commetacritic.comgamerankings.com© 2016 CBS Interactive Inc.
Close your web browser and check if now you can update your Wii. Oturum aç İstatistikler 108.201 görüntüleme 330 Bu videoyu beğendiniz mi? The Wii U does not have an ethernet jack, or else I would have been running a hard line to the console since day one. Nintendo of America Inc.
After performing the update, you can enable the firewall again. That furniture is made of wood, not metal, so signal interference should be minimal. Well, at least Mario Kart Wii... Yükleniyor...
Yükleniyor... SER69Member Since: November 4, 2003Posts: 7096SER69FollowForum Posts: 7096Followed by: 0Reviews: 0 Stacks: 0Forum Karma: 0#17 Posted by SER69 (7096 posts) - 7 years, 6 months agoWell, would you believe it, I Ekle Bu videoyu daha sonra tekrar izlemek mi istiyorsunuz? Maybe it'll work then.
Here is someone better. No, create an account now. JUGAMER 368.154 görüntüleme 10:00 Como Desbloquear um Nintendo Wii - Süre: 13:31. Every time the update tries to install it gives me this error: 'An error occurred.
They suggest that users try a different DNS.


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Tag: Research
Vitamin B Deficiencies
Deficiencies in vitamin B2 (riboflavin), B6 (pyridoxine) and amino acids Histidine, lysine or phenylalanine may also bring reddened eyes. Other causes of reddened eyes include inflammation and eye infections that cause redness, itchiness, pain and vision problems. While the reddened eyes can occur at any time of the day, are sometimes more prone them after certain activities or after a long day of exposure and irritation. Possible causes of reddened eyes * sleep/sleep/deprivation sleep apnea * Alcohol (usually as a result of interrupted sleep and/or a hangover) * food and diet * cosmetic products used at night * decreased secretion of tears in the night * environmental toxins * sun exposure * Tension/abuse * fatigue * cigarette smoke * chemical fumes * abuse of other possible causes of reddened eyes contact lenses * blepharitis * conjunctivitis * Ulcers and infection of the cornea * corneal Abrasion * Diabetes * bodies strangers in the cornea and the conjunctiva * ocular laceration and intraocular foreign bodies * Uveitis * blood clots reducing drug * Tension and anxiety * catarrh and flu * allergies and hay fever * pregnancy * problems of kidney kidney stones * liver disease * blood pressure high/hypertension * glandular fever * menstruation/menopause * mumps causes of eyes reddened in infants and children often infants and children may have reddened eyes for the same reasons that make it the adults. However, babies and children do not know sometimes that should not rub your eyes, which can make the condition worse, nor can vocalize when they are experiencing itching or discomfort. Ear infections, dehydration and even artificial heating may be guilty. Be sure to supervise additional symptoms, and when in doubt, consult your child's pediatrician. The infections are especially problematic for children in day care or school, since they are easily transmitted to others during close physical contact. While it is extremely rare, Kawasaki disease, which involves inflammation of the blood vessels, can occur in children about 19 of every 100,000 in the United States.
Republican Association
The main carriers of rabies in the area are foxes (57%), productive animals (23%), dogs and cats (20%). In December-January 2007-2008, in the Novgorod region revealed nine cases of rabies in domestic and wild animals. The only affected by the epizootic was 34-year-old resident of Staraya Russa, bite an infected kitten. To date, veterinarians have planted about 8000 pets, vaccination is continues. A leading source for info: PCRM. In Saransk, the cases of homeless animals attack humans. Since the beginning of the year in the health facility for help asked 36 people who were bitten by stray dogs. Meanwhile, Thai microbiologists against rabies have decided to use old-fashioned way: 'button – fire with fire' and was invented by the methods of genetic engineering prototype 'treatment' of the virus.
Thus, Thai scientists have managed to create a prototype RNA genome of the virus that can arrest the spread of this dangerous infection inside the body. Kerch Strait: pollution problems are not solved yet another surge relevance was dedicated last week the problem of eliminating the consequences of ecological disaster in the Kerch Strait. On Tuesday, during the talks between Vladimir Putin and Viktor Yushchenko in Moscow raised the issue of 'damages caused by accidents Russian ships in the Kerch Strait. " At the end of the week the oil slick area of five thousand square meters was discovered in the Crimea in the coastal strip of Kerch Strait from Cape to Cape Small Taquile. Crimean ecologists Republican Association "Ecology and Peace 'on-site release of petroleum has recorded the deaths of several dozen birds, many of jellyfish and other marine animals.


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Adaptive Intelligent Apps
Oracle Adaptive Intelligent Apps Transform Business Across CX, ERP, HCM, and Manufacturing With Connected Intelligence
Oracle Adaptive Intelligent Apps (Oracle AI Apps) provide a suite of prebuilt AI and data-driven capabilities for the entire enterprise across Customer Experience (CX), Human Capital Management (HCM), Enterprise Resource Planning (ERP), and Manufacturing.
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Uniquely, Oracle AI Apps autonomously connect and coordinate smart outcomes, data, and derived data insights across all major business functions, platforms, and channels. This connected intelligence provides in-the-moment context and understanding for better business decision-making, higher productivity, and improved results. For example, across Oracle AI Apps for CX, smart outputs from marketing orchestration processes can become smart inputs to lead optimization processes. Future use cases will use ERP financial and project management data to feed Oracle AI Apps for HCM to intelligently source and model the best project teams to meet business goals.
CHRO: The People
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Acquire, retain, and grow a world-class workforce. Respond to business needs by sourcing the best talent quickly and efficiently.
Acquire, retain, and grow a world-class workforce. Respond to business needs by sourcing the best talent quickly and efficiently.
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Minimize financial risk; maintain credit rating and access to capital. Lead procurement while managing spend and contract compliance.
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Maintain an effective and efficient sales force. Exceed revenue goals.
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Engage, acquire, and retain new customers. Generate sales through successful marketing and lead generation.
Oracle Adaptive Intelligent Apps
Oracle AI Apps for CX is a suite of AI and data-driven features that helps marketing, sales, and service professionals engage smarter, sell smarter, and serve smarter across their functions. Oracle AI Apps for CX continuously and autonomously learns and adapts to changing customer patterns and preferences. Through adaption, it optimizes marketing and sales programs to better resonate with customers, increase conversion, and close more business. Not a black box, Oracle AI Apps provide in-the-moment insights into the performance of AI and data-driven recommendations and actions. Oracle AI Apps for CX enable users to adjust, boost, and bury them (products, channels, etc.) with supervisory controls.
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Oracle Adaptive Intelligent Apps for ERPComing Soon
Oracle AI Apps for ERP is a suite of AI and data-driven features that helps finance and procurement professionals automate smarter, operate smarter, and influence smarter. Oracle AI Apps for ERP helps increase agility and efficiency across payables and procurement—extending to receivables and inventory in the future—with smarter, optimized business processes. Smart automation and optimization free up resources so that the office of the CFO can focus on more strategic initiatives.
Future features of this suite will intelligently automate repetitive and mundane tasks, such as approvals, driving greater efficiencies and reducing the cost of human error, single points of failure, and information latency.
Oracle Adaptive Intelligent Apps for HCMComing Soon
Oracle AI Apps for HCM is a suite of AI and data-driven features that helps HR professionals and employees hire smarter, work smarter, engage smarter, and adapt smarter. Recruiters benefit from in-line AI and data-driven candidate recommendations that reduce time-to-fill and cost-to-hire. Oracle AI Apps for HCM can help recruiters source the best candidates with optimal skill sets to improve retention and achieve business goals. Future use cases will maximize employee engagement with AI-generated guided advice for optimal employee onboarding, immediate productivity, and on-going career growth.
AI, ML, and Oracle's Adaptive Intelligent Applications
Oracle's Jack Berkowitz joins Mark Rittman to talk about a new category of continuously adapting, self-learning applications.
6 Things CEOs Must Know About Machine Learning
Read about six insights for CEOs thinking about their company's machine-learning strategy.
Oracle Supercharges Its Cloud Applications With Embedded Artificial Intelligence
Oracle Adaptive Intelligent Apps embed AI capabilities directly into Oracle Cloud applications.


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In good condition
Cast iron flat tube stove. Very detailed decorations.
Suitable for wood or coals.
In a good condition.
Height: 85 cm.
PLEASE NOTE! It cannot be shipped.
|Reviews given:
|Member since:
|March 17, 2016
Please note: some elements on this page have been translated automatically.voldoet geheel aan de verwachting
The seller prefers the lot to be picked up
The seller prefers the lot to be picked up from Sint-maartensdijk (Netherlands). Shipping is possible by arrangement only. Costs of shipping are at the buyer's expense.
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Socks on Mannequins
Flight Team
We've had a bunch of requests to show what a sock looks like 'on' - we have had socks-on-feet photos, but decided to find a mannequin foot and show all of our customers how the new crew-length socks fit. First of all, we hope no one reading this needs to EVER buy any part of a mannequin - it was kind of a creepy experience. And finding a single foot was not a simple task. But now that we have a mannequin foot (we are going to name it) - take a look at how the crew length fits. This mannequin foot is Size 9. The sock is our Buttoned Up Sock.


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Dr. Aurora Chirino is a Dentist practicing in Hialeah, FL. Dr. Chirino specializes in preventing, diagnosing, and treating diseases and conditions associated with the mouth and overall dental health. Dentists are trained to carry out such treatment as professional cleaning, restorative, prosthodontic, and endodontic procedures, and performing examinations, among many others.
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Michael David Barrett leaves the Metropolitan Correctional Center this afternoon. (Nuccio DiNuzzo/Chicago Tribune)
A federal judge today ordered an electronic ankle bracelet and no Internet for the suburban man accused of stalking and secretly videotaping ESPN reporter Erin Andrews.
Michael David Barrett, 47, of Westmont sat quietly in federal court in Chicago in his orange prison jumpsuit, his short hair graying around his temples. The traveling insurance salesman had whispered conversations with his lawyer but never turned toward the roomful of reporters at the bond hearing.
He was later released from the downtown Metropolitan Correctional Center on his own recognizance after being outfitted with the electronic monitoring device.
A prosecutor told U.S. Magistrate Judge Arlander Keys that Barrett went through a lot of work to track Andrews to hotels. After removing the peephole eyepieces in doors to at least two rooms, he used a hacksaw to alter them and secretly videotaped Andrews unclothed, prosecutors alleged.
"This was an obsession, your honor, and one he acted on," said Assistant U.S. Attorney Steven Grimes.
(Click HERE to read the complaint against Barrett; HERE to read the search warrant affidavit; HERE to read the warrant itself.)
Agreeing with prosecutors that Barrett represented a danger to women, Keys ordered him confined to his home unless he is at work, at a doctor's office or conferring with his lawyer. He will be monitored electronically each day from 9 p.m. until 6 a.m.
The judge also barred him from accessing the Internet.
"If the allegations are true, they are horrific," Keys said.
Barrett requested rooms next to Andrews at hotels in Nashville and Milwaukee while she was covering sporting events for the cable network, authorities said.
The divorced father allegedly first tried to sell the video clips he made to the celebrity news site TMZ.com before uploading them to another Web page. The FBI linked Barrett to the videos through e-mail addresses and screen names he used, according to court documents.
Some of the same information has been used to link Barrett to Internet clips of other naked women that were uploaded to the same Web site, Grimes said, but he is not charged with producing those images.
"We also believe he's a danger to other women in this area and also nationally," Grimes told Keys.
Court records unsealed Monday showed that investigators conducted a search over the weekend at Barrett's DuPage County home.
The warrant sought the seizure of materials demonstrating Barrett's interest in Andrews, his possible videotaping of other women and how to tamper with peepholes.
Grimes told the judge two computers and two mini-computer drives were removed from the residence and sent to investigators in California, where the case will be prosecuted.
Barrett's attorney, Richard Beuke, disputed that his client represents a danger to anyone.
He said he has known him personally for years and that Barrett has many supporters.
"He has a whole host of friends that I've gotten calls from the last several days," Beuke said. "It's certainly not the Michael Barrett that any of us know. These allegations are totally contrary to the young man that we've been friends with."
Some of Barrett's out-of-state family members will travel to the Chicago area soon to help Barrett, he said.
"Certainly, this is a tough time for them," he said.
Barrett is expected to continue to work after he was assured by his employer that he would keep his job, Beuke said.
Barrett is due in federal court in Los Angeles on Oct. 23. He will enter a plea of not guilty, Beuke said.


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Less than 24 hours before a violent, and deadly, clash Saturday in Charlottesville, Va., between alt-right protesters and a counter-protest group, the Rev. Jesse Jackson had suggested in a …
Less than 24 hours before a violent, and deadly, clash Saturday in Charlottesville, Va., between alt-right protesters and a counter-protest group, the Rev. Jesse Jackson had suggested in a telephone interview with the Cleveland Daily Banner that race relations have improved; at least, since the turbulent 1960s.
But Saturday's violence, which both sides are blaming on the other, seemingly showed racism remains alive in America.
While visiting Memphis on Sunday to promote health care and to bring awareness to the coming 50th anniversary of the assassination of Dr. Martin Luther King Jr. — two days after his Banner interview — Jackson condemned the Charlottesville violence.
In a press conference held at the historic Mt. Pisgah CME Church in Orange Mound, he called on President Donald Trump to take a firm, more direct stand. Trump, who over the weekend denounced bigotry and hatred on "many sides" but stopped short of condemning by name the actions of neo-Nazis, white supremacists and alt-right leaders who are reported to have plotted the original protest in support of a statue of Confederate Gen. Robert E. Lee in a city park which municipal leaders had already voted to remove.
Although the U.S. president didn't call out the groups by name, White House aides on Sunday issued a statement saying, Trump "of course" condemns white supremacists. In a brief speech Saturday, Trump blamed multiple sides for the weekend clash and offered his condolences to the families of those who died in connection with the incident.
The White House statement read, "The president said very strongly in his statement yesterday (Saturday) that he condemns all forms of violence, bigotry and hatred. Of course that includes white supremacists, [Ku Klux Klan], neo-Nazi and all extremist groups. He called for national unity and bringing all Americans together."
Still, Trump's failure to condemn the radical groups by name himself has drawn the ire of many Democratic and fellow Republican leaders in Washington, D.C.
On Sunday, Jackson stressed, "This is a very sensitive time for our country."
Although Jackson remains hopeful that race relations will continue to improve — as he mentioned in the Banner interview Friday — he believes the man most recognized as the leader of the Civil Rights movement (King) would probably be pleased with the advances made since an assassin's bullet ended his life in 1968 at the Lorraine Motel in Memphis.
"In the 50 years since Dr. King's assassination, which in some sense defined the dimensions of our struggle, we now sit together at ballgames now – we couldn't do it at that time, and we can share public facilities," Jackson said.
He said before Dr. Martin Luther King Jr.'s death in Memphis in 1968, King said even though the right to vote had been won "there is still too much poverty."
"We had come to Memphis for the Poor People's Campaign, and here we are 50 years later, and from Appalachia to Delta, the areas with the richest soil have the poorest people," Jackson said. "Now the [Trump] administration is fighting diligently to take resources from the poorest people and give a tax subsidy to the richest, which is a common culture move by the administration."
Jackson said there is a "New South" that has developed over the years.
"We should not let people manipulate us against each other by race because we have had such progress," he said. "You could not have Toyota and Honda and Volkswagen in the 'Old South.' You could not have had the Grizzlies and the Titans in the 'Old South.' You couldn't sit together or play together."
"So many walls have come down. There is no reason to live in fear on the basis of race," Jackson said, adding with a chuckle, "We did not know how good baseball could be until everybody could play."
"That's true about living," he added. "We don't know how good life can be until all of us can live under one big tent."
Jackson was with King the night before the assassination as King delivered one of his many iconic speeches, noting that "I can see the promised land."
"He saw new possibilities of relationships – to go from the balcony in Memphis to the balcony in Washington where Barack Obama became president is a tremendous statement about America," Jackson said. "What is not commonly dealt with is the crown jewel of our struggle is the protected right to vote."
"I see the Titans play Dallas, and all people see are the colors of the uniforms and not the skin color," he said. "The 'New South' industry is made possible by bringing the walls down. When the walls come down and bridges are built, great things happen."
The Civil Rights Act was led to passage by Democratic President Lyndon B. Johnson, working with the Senate Minority Leader Everett Dikeson of Illinois.
Jackson was asked if that kind of cooperation in politics is still possible today.
"What happened then was many of the Southern 'Jefferson Davis Democrats' supported slavery and segregation," he said. "When we got the Civil Rights Act in 1964, those Democrats became Goldwater/Reagan Republicans" and "Lincoln Republicans' became Johnson/Kennedy Democrats. It was a major shift at the time."
"Now you have the poorest Americans trying to coalesce with the richest, with who they have nothing in common," he said.
Jackson said Republicans made an ideological decision, "not a practical one," to defeat any measure Obama produced as president.
He said the Affordable Care Act, commonly known as "ObamaCare," was actually that of the Massachusetts act led by 2008 Republican presidential candidate and former governor Mitt Romney.
"They plastered Obama's name on the bill," Jackson said. "There is no such bill. It's the Affordable Care Act," he said. "There are people who opposed Obama, but are for affordable health care."
"Ideally, the best plan would be 'single payer' where everybody is in and nobody is out," Jackson said of health care. "But short of that, in some of the areas the cost is too great. You can get the medicine cheaper in Cleveland, Tennessee than you can across the border in Canada. You should be able to get the best medicine at the best price with 'free market medicine.' That's an example."
He said there are people in Washington working together on that problem.
"That's a good thing and it's doable," he said.
Jackson said the reason there has not been a successful repeal and replace of the Affordable Health Care Act is because it would "hurt [the Republicans'] own base."
Jackson said although President Trump won, "he lost [the popular vote] by 3 million votes."
He said the biggest reason was because of black voter suppression.
"It wasn't [Russian President Vladimir] Putin, it was the Republicans hacking our votes – suppressing our votes, that became the difference," Jackson said. "There is also an element of Republican which never gave up on the 'Old South.' They are anti-Martin Luther King and anti-his legacy. Those are actually the biggest beneficiaries of that legacy."
Jackson, who has been involved in bringing Americans home from unfriendly countries, said the North Korean standoff needs to be brought to a table with the world's nations in attendance.
"Kim Jong Il is afraid of us and we're afraid of him," he said. "You have two leaders driven by fear with their fingers on the trigger of mass destruction."
"We convinced [former Libyan leader Moammar Gadhafi to drop his weapons. He's in the graveyard now," Jackson said.
He said the North Korean leader is afraid of the United States because the U.S. "bombed Granada at Christmastime. We bombed Panama in the heart of the city. We violated international law in Iraq."
"On the other hand, we were afraid of them," he said.
"Since you have this 'recycling fear,' it seems to me the United Nation's role is to bring these countries together to work out a relationship," Jackson said. "North Korea has now entered the nuclear zone and they cannot be ignored."
"Every time we put another economic strangulation on them, it incites more fear and more missiles," he said. "The Bible says there will be peace in the valley when the lion and the lamb lie together. It seems absurd, but the lion and the lamb have something in common like the U.S. and North Korea who do not want to get hit with missiles."
Returning to the domestic scene, Jackson spoke of the days when colleges like Alabama and Clemson would not allow African- Americans to attend their schools.
"My heart rejoices when I see those teams play," he said, "It's now orange-and-white versus red-and white instead of skin color. That's the 'New South.'"
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Dirch Passer, one of the most beloved comedians to act in Danish films, stars in this zany crime comedy. His chief talent is to survive as a small-time operator amid a group of big-time crime sharks. One of the ways he does this is to utilize his talents at disguise, especially in drag. ~ Clarke Fountain, Rovi
All Mafiaen - Det Er Osse Mig! cast + crew photos
Movies.com, the ultimate source for everything movies, is your destination for new movie trailers, reviews, photos, times, tickets + more! Stay in the know with the latest movie news and cast interviews at Movies.com.
Copyright © 2018 FANDANGO MOVIES.


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Whether you're a beauty novice or a confirmed fashionista, this topic is for consulting Mumsnetters on all things style-related. Plus, check out our Swears By page for the inside track on the next Mumsnet must-have.
Hair dyes to cover grey for more than a week!(22 Posts)
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People may think that a model's only job is to look pretty — but they also have to learn to walk in some pretty crazy shoes!
And some are clearly better at it than others. Exhibit A: the VFILES show during New York Fashion Week where one model fell THREE times while trying to walk the runway in a pair of fur heels.
(Photo Credit: Facebook)
The poor girl didn't get very far before she took a spill on the concrete floor, composing herself only to fall again two steps later. Refusing to be "that model" who makes a fool of herself on the catwalk, she wisely went barefoot the rest of the way — to the cheers of the audience.
RELATED: Former Model Admits Women in the Industry Stuff Their Underwear! Here's Why
But when all of the models reemerged for the finale, she tried to manage the heels again, only to fail for a third time.
Hey, it's pretty clear that shoes made out of fur aren't for everyone. Watch below:
Model down! (0:18)Posted by Charles Manning on Wednesday, September 9, 2015


text: Charl Johnson had told the High Court in Pretoria that he heard gunshots from a Pretoria townhouse 177m from his own in the early hours of February 14."I understand your believing that the noises you heard were gunshots," Barry Roux, for Pistorius, said to Johnson. Once he had subsequently learnt that the sounds had come from Pistorius's home, and that he shot dead his girlfriend Reeva Steenkamp, it would "cement your belief", Roux said. "But there are problems with your belief... A man's life is at stake." 'But there are problems with your belief... A man's life is at stake'Roux had been suggesting that the shots Johnson said he heard were in fact Pistorius breaking down the door of his toilet with a cricket bat after Steenkamp, who was behind it, was shot.Court was adjourned shortly before 11am.The State will try to prove that Pistorius committed premeditated murder when he shot Steenkamp.In addition he is charged with illegal possession of a firearm and ammunition, and recklessly discharging a firearm in public.Pistorius contends he mistook her for an intruder when he shot through the toilet door.


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"Says it contains latex and is latex free. Which one is it?"
Love this rug. I am using it in my den where there is a lot of traffic. Easy to clean and doesn't show dirt. Pattern blends in with all types of furnishings....
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ITEM#: 16051139Perfect for indoor or outdoor use, the Sun n Shade Collection offers a fresh perspective and a breathtaking palette of exciting color. This versatile rug features a combination of today's style and a timeless fashion.
- Primary materials: 100-percent polyester
- Pile height: .50 inches
- Contains latex
- Primary color: Brown
- Secondary color: Ivory
- Style: Transitional
- Pattern: Abstract
Nourison draws from over 35 years of craftsmanship knowledge to deliver bold, stylish area rugs and decor for your home. Click here to shop more.
Tip: We recommend the use of a non-skid pad to keep the rug in place on smooth surfaces.
All rug sizes are approximate. Due to the difference of monitor colors, some rug colors may vary slightly. We try to represent all rug colors accurately. Please refer to the text above for a description of the colors shown in the photo.
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