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Making items of your own by pursing arts and crafts projects is a wonderful way to express your creative side and get some welcomed relaxation. But, perhaps you are wondering what sort of activity suits you best or how to do the crafts you already love even better. This article is intended to provide useful guidance on those subjects.
Do you want to get new materials for your arts and crafts projects? A variety of online stores are at your disposal. Browse the web and see what you can find. Some of the best Internet stores offer free shipping to help you save money.
One of the best places to find crafting materials is Amazon. By signing up for an Amazon Prime account, you can get free shipping for an entire year. Additionally, many of Amazon's sellers offer Free Super Shipping items. To qualify for Free Super Shipping you must spend at least $25 dollars in merchandise.
If you are into arts and crafts projects, make sure that you set aside some materials for yourself before allowing your children to have free rein. Parents who love crafts are very likely to micromanage what their children do. This likelihood is reduced if you know you will be doing a project of your own later.
If you are a fan of art and craft projects, you should use the Sunday circulars to your advantage. There are many stores that offer great deals on art supplies, and you won't know about them unless you go through the sales papers, so don't throw those circulars to the side.
Do not make the mistake of believing that you have to pay a lot of money for arts and craft supplies. Try using old scrap materials you have at home for your next project. Things like old cloth, bottle caps and paper bags have all been used to create masterpieces.
There are several national chain craft stores that you could find. Take the time to go online to check out their weekly specials prior to actually going to the store. If you time it right, you can find some great deals. Many also offer coupons that you can print and take with you.
Make friends with the people who own or work at the local hobby store. This can help you get valuable insight on sales, loyalty discounts and special offers. You may even be able to display your crafts or meet others who are interested in the same crafts that you are.
http://www.thewesterlysun.com/news/westerly/10659799-154/an-art-heist-in-watch-hill-its-all-for-a.html is a great source for learning how to do a craft. there are thousands of videos on every craft project available for you to watch and learn from. Simply http://www.news-herald.com/arts-and-entertainment/20170802/gallery-glances-chardon-arts-festival-and-nearby-nature-arts-festival-two-musts-on-aug-6 in the name of the craft you are interested in and then peruse the videos until you find the one that is right for you.
When looking for new arts and craft ideas, have a look at the website of your favorite craft store. Many of them offer low cost training sessions at night and weekends. These are the perfect introduction to a craft that may have previously taken your fancy but you were too afraid to try out.
If you're creating arts and crafts for a sale or a give-away, map out the project you are considering first. When you need to make dozens of the same items, it's important to understand the costs of each and the time you'll need to make each one. Otherwise, you could end up with some very late nights and an empty wallet!
To keep your painting hobby from taking over an entire room, consider purchasing a collapsible easel. That way, when you are done working on your masterpiece for the day, the easel goes right into the closet, along with your canvas. That leaves your bedroom free for the rest of the day.
Never recycle or throw away newspaper if arts and crafts are done in your home. Old newspaper is sometimes a craft material in itself for some projects. It is more often valuable as something to cover surfaces with. Thick newspapers spread out over a table give you a work area and protection for the table.
Find a dedicated area of the house to do your arts and crafts projects. You could put down newspaper, cloths and other things to prevent messes, but even these things do not totally ensure you will not stain or ruin something. Pick an area like a garage or basement where a stain is not a big deal.
If you are interested in quilting as a favored arts and crafts activity, consider perusing your local fabric store's selection of fabric fat quarters. These small pieces of colorful fabric may initially seem somewhat useless, but they can add all sorts of variety and interest to your finished products. In this way, you can enhance your quilts without spending a fortune.
If you've found that you're pretty good with arts and crafts, consider turning it into a business. You can sell your wares at all sorts of flea markets and local events. It's a lot of fun turning what you love into something that makes you some extra spending money!
If you start getting bored with your arts and crafts projects, try something new. There are so many different types of projects out there. You don't need to do the same thing over and over. You'll find that the skills you've gained for one may easily translate into another project!
Creating things with your own hands is what many people love about arts and crafts. Though you may have been curious as to whether there might new ways to explore the world of arts and crafts that may provide an even better experience, we hope you are wondering no longer. Happy crafting!
Information That Will Help You With Arts And Crafts
Making items of your own by pursing arts and crafts projects is a wonderful way to express your creative side and get some welcomed relaxation. But, perhaps you are wondering what sort of activity suits you best or how to do the crafts you already love even better. This article is intended to provide useful guidance on those subjects.


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This story is for Fatima.
"Mimi!" A shrill voice interrupted Mimi's reverie.
She groaned, but didn't move. She knew she was in trouble, again. Rather than return with the water she had fetched from the stream, as her aunt had ordered her to do, Mimi retreated to her favorite spot under a beautiful banyan tree and spent a good part of the afternoon staring at the great mountain, called Dragon. So deep in thought, she didn't notice the tiny tree frog gazing up at her face, wondering about her secrets.
"Mimi!" her aunt screeched again. Reluctantly Mimi stirred and got to her feet. The little frog hopped back out a short distance.
Whenever she could steal away from chores and the watchful eyes of her aunt and cousins, Mimi sought solace in the view of the mountain. For some reason, she was drawn to it. The villagers said there were a handful of people who knew what lived at the top, but those people would never speak of it. Sometimes, a person climbed the mountain and didn't come back. The worst is when they did come back, but weren't really alive. They crawled or dragged themselves into the village, moaning, their skin rotting, their hair falling out. In the best cases, they died shortly after arriving. It was enough to keep most people off the mountain.
The sun dipped well past its zenith, and Mimi had been carrying buckets of water to and from the stream since before dawn so her cousins could take baths. She was tired, and she missed her family. Their ship had wrecked on a voyage to the City a few years ago, and Mimi lived with her mother's sister and family ever since. Her aunt took every opportunities hurl abuse at her, but even worse than her aunt were her cousins. Three girls, and they all hated her. They hated her for her soft form, where they were all bones, and they hated her for her jet black hair, deep green eyes and honey-colored skin. They had their own beauty, but they just hated that she had any at all. For some reason, it was very important to them that she was inferior to them in every way.
"MIMI!" Her aunt screamed.
With a groan, she stood up, stretching her stiff aching muscles, and heaved the pole with the buckets of water on each end over her shoulders.
As she trudged back to her aunt's modest home at the edge of the forest, anger began to simmer in Mimi's heart. It always started this way. She thought about the abuse her aunt had given her over the years. Even though they were related by blood, her aunt never treated Mimi as anything more than the lowest servant, ordering her to sleep in the drafty barn with the animals and forcing her to do the most difficult and menial tasks from before the sun rose until after it set. Soon, Mimi knew, the anger would become a raging fire within her she couldn't control, and it would overtake her. She said things she could never take back. She destroyed things she could never repair, and sometimes, sometimes things around her would burst into flames. Her aunt hated her for it. And the truth was, Mimi didn't blame her.
She reached the edge of the forest and saw her aunt's tall, slender form rigid with anger.
"Mimi!" she yelled as soon as Mimi came within eyeshot. "Where have you been all afternoon? I sent you to the stream hours ago!"
Mimi didn't reply. It wasn't even true. It hadn't been hours; it had probably been an hour. Although, admittedly, most of that had been spent sitting on the mound. Ok, maybe two hours, but definitely not more than that. Her aunt always exaggerated and used it as an excuse to punish Mimi. Anger at the unfairness of it all boiled in her belly. It burned her throat. Soon, she would lose control over it, and when it erupted, something nearby would be destroyed in inexplicable flames. She fought with all her might to keep it down, but it was no use.
Mimi let the buckets fall to the ground heavily, the water all but spilling out. She glared at her aunt. No one noticed the little tree frog as he stopped beside her and began climbing up the seam of her billowy purple pant leg.
"What's wrong with you, you little wretch!" her aunt continued her screaming. A couple of her cousins came out to watch, but they remained silent, except for sadistic snickers. They loved to watch. "I give you a home, food, and care, and this is how you repay me?"
Be careful, a soft voice whispered in her right ear. Mimi looked to see who it was, but saw no one.
The anger grew and grew, and she began to feel the sparks shooting from her fingertips. Her breath grew hot. If she opened her mouth, she knew the fire within her might leap out, scorching everything in its path.
"You crazy little witch!" Her aunt's tirade continued as the fire grew even more uncontrollably within her. "You're insane! You deserve to be locked up! One of these days I'm going to bring the sheriff here to look at what you've done to our home. We'll never have to see your mean little face again!"
That was it. Mimi couldn't control the fire any longer. It exploded from her in a scream of rage, and it flew in sparks from her fingertips. All she could see was the fire. Everywhere, nothing but fire.
Run, beloved! Run back to the banyan tree. Leave the buckets. Leave this place forever! The little voice in her ear became more insistent. It was the only thing she could perceive besides the fire around her.
She turned around and ran, looking back once to see what had happened. Small fires smoldered where she had stood. Her aunt's apron danced with flames, as she tried frantically to untie it. Mimi saw her aunt throw the apron on the ground before Mimi turned around and kept running, not looking back again. The little tree frog clung with all his might to the collar of her shirt. If a frog could smile, he would be smiling.
Mimi arrived at the mound under the tall tree at the edge of the meadow and threw herself down on it, sobbing hysterically. This always happened. After the fire receded, the water came, and just as the fire always almost burned her alive, she almost drowned in the waves that crashed over her. She sobbed for what seemed like forever, until, through the tears and fear and sorrow, she heard that small voice again, very close to her ear. It sang softly in a language she didn't know, but it was a song of hope and sunrise.
Look, beloved. Look up, the little voice said.
Mimi looked up. A little tree frog sat right in front of her face, staring at her.
"Was that you that I heard?" she asked him.
The tree frog trilled. Yes, that was me. I've been watching you all season. Do you know what's inside you?
Mimi shook her head. "I get angry, and things catch on fire. Then, I get sad, and all I want is to die." Tears began welling up again. She swallowed them forcefully.
You can feel what you feel, beloved, the tree frog said gently, in his little lilting voice. Feeling is healing. You can't know your own truth if you don't know what you feel and why.
Mimi sat silently. After a moment, she replied, "But it's too much. I can't control it. It's either going to hurt me or hurt someone else, and then I start drowning in it."
That's your power, but you'll understand that soon enough. Look, he said, and he turned to look at something. She followed his gaze and a small path through the woods lit up where she had never seen a path before. Follow that path until you reach the foot of the Mountain called Dragon where you'll find an old woman living in a cave by a waterfall. Ask her if you may drink from her pool.
Mimi said good bye to the tree frog and began walking down the path. As she walked, the forest began to grow cool as the light faded. It was later in the day than she'd realized, and she had no food, no blankets, no way to light a fire.
I hope I reach the old woman soon, she thought. I hope she will help me.
Mimi began to fear what the dark night would bring. What if there are wolves out here? Would she survive the cold of the night without shelter? She began shivering, more in fear of what might come than from the cold in the air of the forest as she followed the path.
Chip-chip, chippity-chippity chip! A brown bird sang in the branches above her. It'll be ok! It'll be ok! Trust the path! the bird seemed to say. Mimi looked up in shock at the cheerful bird in the branch above her. Was the bird speaking to her? How? She didn't understand what was happening. First the frog and now the bird. Maybe she was going insane! This is impossible.
Then she remembered reading a passage in the Book of Light, which tells the story of a people who had learned the language of the birds, but Mimi couldn't remember anything at all about it other than that.
She looked up again at the bird. It winked at her, chirped one more time, and flew away.
With renewed strength and hope, Mimi continued walking on the path toward the old woman by the waterfall. She walked a little faster, not knowing how far away the woman lived, hoping she reached her before the sun set.
The forest grew gray, and the shadows deepened. The sounds changed as some of the creatures of the forest settled into their homes for sleep and others began waking up to begin their prowl. Just as the shadows began to completely engulf the forest, Mimi saw a light in the distance, and she could hear the muffled song of the waterfall echoing through the trees.
The path led her to a small clearing where, just as the little tree frog told her would be, a waterfall crashed into a pool near a cave. Someone clearly occupied the cave. Mimi could just barely see a small garden surrounded by a wicker fence, and animal hides stretched over wooden racks dried nearby. There was more, but it was hard to make out in the dim light of the small fire she had followed to find this place.
Despite the signs of life all around, Mimi saw no one. Being a little cold now, and shivering from the damp chill in the air, rather than from her fear, Mimi approached the fire and sat down in front of it, hoping the old woman would appear.
After awhile, when the old woman still had not emerged from the surrounding darkness, Mimi thought she would just lay down a for a moment by the fire until the old woman returned. Putting in another log, which had been chopped and piled nearby to feed the fire, Mimi laid down in the fire's warm glow.
For the first time, she thought about what had happened, and what she'd done. Tears rolled down her face, stuffing up her nose and making her skin itchy. She hated crying. She wished she would never have to cry again.
"Be careful what you wish for, beloved," a warm voice cracked in the darkness, and an old woman hobbled up to the fire. Mimi knew this was the woman she had come here to find.
The old woman tossed a basket of freshly wildcrafted herbs, roots, and mushrooms on the ground near Mimi.
"There you go, my dear," the old woman continued. "This is your medicine. I spent the day gathering it in the woods. I'm sorry I'm late. There was one herb that I had to take my old bones a bit of a way up the mountain and wait for the bear that tends it to give me permission to take it. You might meet him, actually."
The old woman pulled out a pot and made her way over to the pool to fill it up with water. She returned with the full pot and placed it directly on the still-glowing coals. She sat down next to Mimi as Mimi sat up from her repose by the fire.
"Take a look in the basket. Do you recognize any of what's in there?" the old woman asked.
Mimi peaked in, tipping the homemade but beautifully woven basked of cattail rushes toward her. The bright, airy fragrances of some pungent herbs mixed with the earthy and serious sincerity of the mushrooms and roots. A hint of spicy twang from some unknown herbs mingle with the more homely smells of the basket. It smelled of heaven and earth and adventure at once.
"I smell mint and lavender," Mimi replied. "But I don't know the rest. Nobody ever taught me much herb craft." Mimi looked shyly up at the old woman from under the heavy blue scarf wrapped around her head and shoulders.
"You must remember all the creatures of this world and seek to know them whenever you're given the opportunity," the old woman said, as she threw bunches of herbs and roots into the pot and began to stir them. "They are all inside you. Everything is one."
Mimi remained silent. She wasn't sure what that meant or how to respond.
"Sleep now, beloved," the old woman murmured gently. "The medicine will be ready in the morning, and I will prepare you for your journey."
Mimi slept.
She awoke in the morning slightly damp and stiff, and a heaviness weighed on her heart. She rose from her place on the ground she hadn't left since she sat by the lonely fire the night before. She found the old woman already up and busy, tending to some sheep and chickens Mimi hadn't noticed last night. The fire glowed and the black pot of herbs, roots, and mushrooms sighed and simmered in contentment.
The weight of her journey was just beginning to truly dawn on Mimi. With all the emotions of yesterday washed away by the night, the view of her future loomed.
"Good morning, beloved," the old woman said, glowing with her own light. Mimi hadn't noticed it the night before, but today it was unmistakeable. This woman glowed.
Mimi accepted the cup of steaming broth-tea, blowing on the hot liquid before bringing it to her lips. It smelled of earth and healing, but it tasted like the compost pile. Her lips puckered with the bitterness, but she kept drinking until she emptied the cup.
"Grandmother, I've been sent here to ask you a favor," Mimi said, after gathering her courage. She looked up at the old woman, afraid of what she might see. Rejection? Scorn? Anger? Those are all things she could have expected from her aunt if she had dared ask for anything.
But the old woman's face lit with a gentle smile.
"I know," she replied. "You aren't the first dragon-child to come to my humble cave."
"Dragon-child?" Mimi asked, confused.
"Oh yes," she replied, mischievous delight danced in her eyes. "The dragon-children come to me to help them climb the mountain so they can meet the dragon. They don't all know that's why they've come, though."
"Dragon? Aren't dragons dangerous?"
"Oh my, little one, dragons can destroy the world. They can be very dangerous. They need to learn to master their power, so that it doesn't overpower them and burn them up."
"Is that where I'm going? Why do I have to go there?" Mimi replied.
"Because the dragon has what you're seeking." The old woman smiled at Mimi.
"What am I seeking?"
Mimi sat quietly, and the old woman refilled Mimi's mug with the large wooden ladle. She drank the bitter brew, feeling revived.
"Do you remember what you came here to ask me?" the old woman asked as Mimi handed her the mug with thanks.
"Yes, the frog told me to ask you for a drink from your pool," Mimi replied. "Grandmother, may I take a drink of water from your pool."
"Of course, child," the old woman said. She disappeared into her cave for a moment, coming back out with a skin flask on a rope and handed it to Mimi. "Take this, and fill it up with water from the pool. Drink from it until your thirst is satisfied, then fill it up again, and take the flask with you up the mountain."
Mimi did as she was told. The water chilled her throat, but it felt like life. Once she began drinking, she wanted to never stop, but after she emptied about half of the skin, her thirst was quenched. She refilled it and returned to her place by the glowing, stone-rimmed fire. Jays mimicked eagles in the distance and a couple of crows traded banter in the trees nearby.
"Thank you, Grandmother," Mimi said, with reverence. Tears began welling up in her eyes. She tried to swallow them, but the dam burst, and they poured down her hot cheeks as flushed with embarrassment.
"Oh my, beloved," the old woman clucked in concern and came over to Mimi to wrap her in the warmest hug Mimi could remember. "Don't fight your tears. Don't fight what you feel. That's you, living. When you push it down, down, down, you die. Your fire goes out. You must always tend your fire. And you must always honor the messages the fire gives you to tell you what is true. Feeling is healing," the old woman said, echoing the tree frog.
Mimi burst into heart-wrenching sobs and returned the old woman's hug, losing herself completely in it.
When she finally relaxed her arms around the old woman's slender but strong frame, she had no idea how much time had passed. It was still morning. The sun hadn't reached its zenith above the canopy of the trees, but it was getting high, and it was time for her to go. She wished she could stay here forever and be the old woman's servant, tending her sheep and digging for roots for her in the forest, but Mimi knew she must leave. She had to meet the dragon at the top of the mountain.
The old woman disappeared once again into her cave, reappearing shortly with a leather belt and a shoulder sack stuffed with what Mimi imagined were provisions for her journey.
"It's time," the old woman said, as she handed Mimi the belt and stuffed leather sack. "You're ready, and this should help you. Take a look inside."
"Oh, Grandmother! Thank you so much," Mimi said. Tears threatened to overflow again, but this time Mimi let them flow freely. Mimi lifted the flap on the soft-brown leather satchel and peered inside. A blanket roll nestled inside beside some food wrapped in. A flint and steel strike base, for making fire. A tin cup. A pot and a spoon. A very nice knife with a hilt carved to resemble a dragon's head. Some squares of white cloth and some cordage. And another small bag that Mimi opened and found various vials of oil and sachets of dried herbs. She looked up at the old women inquiringly.
"Ah yes, the medicines," the old woman said. "You may need these at some point, and in any case, you should know what they are and do. Any number of things can happen to you on your journey. Some of them are for your physical health and some of them are for the health of your heart. This oil right here, this is myrrh," she said, lifting a small, blue glass bottle with a cork stopper. "If you get cut, wash it right away with clean water, rub some myrrh on—here, smell it. That's what myrrh smells like."
Mimi smelled it; it was strong, but beautiful. She smiled, and the old woman to continued.
"This oil, this is if you get a headache. It's peppermint. Comfrey salve for a broken bone. You can use a stick with those white cloths to bind it. Usnea, also called "witches' beard", that's for an infection in your lungs. Goldenseal, for stomach infection, and this one is black walnut, in case you catch a case of gut worms." Mimi grimaced at the thought of getting worms. The old woman went on to explain how to identify each of the herbs and roots in the wild, in case Mimi needed more, and also how to use each herb.
"Now, here are some oils for your heart's health," the old woman continued. "Flowers are a gift to us from The One who is reflected in all things. Flowers are your companion on the heart journey of life. Here is a blend of flower oils if you feel fear." She unstoppered a small brown bottle and held it up to Mimi's nose. "Do you smell that?"
Mimi nodded. The oil smelled like heaven.
"It's chamomile, frankincense, and sandalwood," the old woman continued. "They are precious, so take good care of this bottle. When you feel fear, put a dab on your pulse points." The old woman put a couple drops on her fingertips and dabbed the fragrant oil on Mimi's wrists, temples, under her ears and under her nose.
Mimi inhaled deeply and a deep sense of grounding and peace pervaded her. "I love this," she said. "Thank you so much."
The old woman chuckled. "It's nice to be introduced to a new friend, isn't it?"
Mimi smiled and nodded in agreement.
"One more," the old woman said. She unstoppered another small brown bottle, this one slightly larger than the last. "This is a blend of lavender, orange blossom, and clary sage. When you feel sad or lonely or anxious, dab it on your pulse points and under your nose. You should be able to push through the feelings. You can't avoid them, and you should never avoid your feelings, but like a friend to lean on when you're weak or tired, the essences of these flowers will help you."
The old woman put everything back in the satchel, closed it, and handed it to Mimi. She accepted it with thanks, swinging it over her shoulder. The old woman also gave her a heavy woolen cloak, wrapping it around Mimi's shoulders.
"And the last thing, Mimi," the old woman continued. "And this is very important, always ask The One who is reflected in all things for help, because without the will of The Oneness, nothing can help you. And if it is the will of The One who is reflected in all things that you be helped, nothing can harm you. So when you need help, look deep into your heart, and ask The One who is reflected in all things to give you what you need and guide you where you need to go. After you ask for help, don't deny the help that comes to you, no matter what form it takes. Don't be afraid, and don't think yourself too good for it."
"Why?" Mimi asked, looking at the old woman without comprehension. Most of what the old woman said flew right over her head, but Mimi tried to catch what she could.
"Those who turn away the help offered to them from The One who is reflected in all things are unable to complete the journey. Those who are afraid to accept the help give up, and they die on the mountainside. Those who turn away from the help that's offered, believing themselves in no need of what the one who offers has to offer, these are the ones who return to their villages as the living dead. They rot on the inside and are turned inside out, so all can see the truth of what they are. Their very breath reeks of death."
Mimi's eyes widened in horror. She couldn't imagine dying on the mountainside or become the living dead. She'd heard about both, but now, to be faced with the possibility of either end, a coldness ran down her spine.
"You'll be fine, beloved," the old woman said, placing a warm, reassuring hand on Mimi's cheek. "Just remember what I told you, and never forget to rely on The One who is reflected in all things and to accept the gifts offered to you, no matter what form they take."
"Thank you, Grandmother," Mimi said, overcoming her fear and giving the old woman a final, strong hug. "I would be lost without you."
The old woman returned Mimi's hug.
"Can I ask you one more thing?" Mimi asked, drawing away as she began to prepare to depart.
"Of course, my child."
"What is your name?"
"I have been known by many names, beloved, but most know me as Lady Ama."
"You're a Lady?" Mimi asked, confused. She didn't think ladies lived in caves.
"I am," Lady Ama replied with a smile and winked at her. "And it is now time for your journey to begin!"
"Thank you, Lady Ama," Mimi said, a tear slipping once again down her cheek. She wondered if, now that the tears had begun, they would ever stop. But she didn't care. "Thank you."
With that, Mimi turned toward the path that would lead to the top of the mountain, and she began walking.


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When you think about losing weight, it seems difficult and exhausting. There is a lot of effort to choose a new diet, stick to it, resist temptations, and exercise. Losing weight often means changing our whole life system, so we often need stimulation strategies.
5 ways will motivate you to lose weight 2018
These are a group of methods that have proven successful in stimulating weight loss.
1. Improve your performance at work:
Studies have shown that those who follow a weight loss program improve their work performance and are able to work longer hours, as weight loss improves their health and helps them increase productivity.
If you find it difficult to concentrate and complain about your poor productivity, it may be time to change your diet and a more healthy system. When your health improves, and your stress is reduced, your performance will probably improve and your confidence will increase.
2. Financial incentive:
A study was conducted on two groups committed to weight loss diets, and found that the group was stimulated by a physical reward when achieving weight loss goal. They lost twice as much weight as other members of the group.
You can apply this in your life by setting a reward or incentive when you lose a certain number of kilograms, buy new clothes, enter the cinema or whatever you prefer as a reward.
3. List of reasons why you want to lose weight:
Do you want to lose weight because of health problems? Do you want to wear your old clothes that are smaller than you? Do you want to lose weight before an important occasion, or a trip waiting for it?
Whatever your reasons, write them down and place them in a place you can easily see, either on the refrigerator door or as a note on your phone screen.
4. Support Circuits:
Do not miss the trip alone Get a support group, both friends who want to lose weight with you, or groups interested in weight loss on social media. These groups help to share achievements and support in difficult times when the nostalgia of a Chinese woman attacks you for example.
5. Set realistic goals:
If you set unrealistically large goals, you will be frustrated and you may end up gaining weight.
10 important rules to reduce your weight without deprivation
For example, make your goal a loss of half to one kilogram per week. In general, losing 5 percent of your weight is a realistic goal and is easy to achieve.
and what about you?
How do you motivate yourself to lose weight?


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Howdy , this photo is about Bedroom Ideas For Kids Images #3 Bedrooms That Look Like Playrooms. Bed IdeasKids .. This image is a image/jpeg and the resolution of this photo is 667 x 1000. It's file size is just 76 KB. Wether You ought to save This image to Your PC, you should Click here. You also also see more photos by clicking the following photo or read more at this post: Bedroom Ideas For Kids.
These days, with all the usage of mirrors getting increasingly more preferred, decorating tips are increasingly important. The more mirrors around the wall, the higher the design and experience of a toilet that provides a fuller image of the area that is tiny.
The thought of designing a Bedroom Ideas For Kids may be improved frequently so that the toilet happens to be a better place. It is possible to enhance your bathtub knowledge with all the wall design that is right. The use of wallhangings shunned inside the bathroom because the use of water from heated water can actually hurt this wall decoration. The kids's bathrooms likewise have wall accessories that are individual.
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Bedroombed•room (bed′ro̅o̅m′, -rŏŏm′),USA pronunciation n.
- a room furnished and used for sleeping.
- concerned mainly with love affairs or sex: The movie is a typical bedroom comedy.
- sexually inviting;
amorous: bedroom eyes.
- inhabited largely by commuters: a bedroom community.
Ideasi•de•a (ī dē′ə, ī dēə′),USA pronunciation n.
i•de′a•less, adj.
- any conception existing in the mind as a result of mental understanding, awareness, or activity.
- a thought, conception, or notion: That is an excellent idea.
- an impression: He gave me a general idea of how he plans to run the department.
- an opinion, view, or belief: His ideas on raising children are certainly strange.
- a plan of action;
an intention: the idea of becoming an engineer.
- a groundless supposition;
- a concept developed by the mind.
- a conception of what is desirable or ought to be;
- (cap.) [Platonism.]Also called form. an archetype or pattern of which the individual objects in any natural class are imperfect copies and from which they derive their being.
- [Kantianism.]See idea of pure reason.
- a theme, phrase, or figure.
- [Obs.]
- a likeness.
- a mental image.
Forfor (fôr; unstressed fər),USA pronunciation prep.
- with the object or purpose of: to run for exercise.
- intended to belong to, or be used in connection with: equipment for the army; a closet for dishes.
- suiting the purposes or needs of: medicine for the aged.
- in order to obtain, gain, or acquire: a suit for alimony; to work for wages.
- (used to express a wish, as of something to be experienced or obtained): O, for a cold drink!
- sensitive or responsive to: an eye for beauty.
- desirous of: a longing for something; a taste for fancy clothes.
- in consideration or payment of;
in return for: three for a dollar; to be thanked for one's efforts.
- appropriate or adapted to: a subject for speculation; clothes for winter.
- with regard or respect to: pressed for time; too warm for April.
- during the continuance of: for a long time.
- in favor of;
on the side of: to be for honest government.
- in place of;
instead of: a substitute for butter.
- in the interest of;
on behalf of: to act for a client.
- in exchange for;
as an offset to: blow for blow; money for goods.
- in punishment of: payment for the crime.
- in honor of: to give a dinner for a person.
- with the purpose of reaching: to start for London.
- contributive to: for the advantage of everybody.
- in order to save: to flee for one's life.
- in order to become: to train recruits for soldiers.
- in assignment or attribution to: an appointment for the afternoon; That's for you to decide.
- such as to allow of or to require: too many for separate mention.
- such as results in: his reason for going.
- as affecting the interests or circumstances of: bad for one's health.
- in proportion or with reference to: He is tall for his age.
- in the character of;
as being: to know a thing for a fact.
- by reason of;
because of: to shout for joy; a city famed for its beauty.
- in spite of: He's a decent guy for all that.
- to the extent or amount of: to walk for a mile.
- (used to introduce a subject in an infinitive phrase): It's time for me to go.
- (used to indicate the number of successes out of a specified number of attempts): The batter was 2 for 4 in the game.
- for it, See in (def. 21).
- seeing that;
- because.
Kidskid1 (kid),USA pronunciation n., v., kid•ded, kid•ding, adj.
- a child or young person.
- (used as a familiar form of address.)
- a young goat.
- leather made from the skin of a kid or goat, used in making shoes and gloves.
- a glove made from this leather.
v.i., v.t.
- (of a goat) to give birth to (young).
kid′dish, adj.
- made of kidskin.
- younger: his kid sister.
kid′dish•ness, n.
kid′like′, adj.
Imagesim•age (im′ij),USA pronunciation n., v., -aged, -ag•ing.
- a physical likeness or representation of a person, animal, or thing, photographed, painted, sculptured, or otherwise made visible.
- an optical counterpart or appearance of an object, as is produced by reflection from a mirror, refraction by a lens, or the passage of luminous rays through a small aperture and their reception on a surface.
- a mental representation;
- a mental representation of something previously perceived, in the absence of the original stimulus.
- form;
semblance: We are all created in God's image.
- counterpart;
copy: That child is the image of his mother.
- a symbol;
- the general or public perception of a company, public figure, etc., esp. as achieved by careful calculation aimed at creating widespread goodwill.
- a type;
embodiment: Red-faced and angry, he was the image of frustration.
- a description of something in speech or writing: Keats created some of the most beautiful images in the language.
- a figure of speech, esp. a metaphor or a simile.
- an idol or representation of a deity: They knelt down before graven images.
- the point or set of points in the range corresponding to a designated point in the domain of a given function.
- [Archaic.]an illusion or apparition.
im′age•a•ble, adj.
- to picture or represent in the mind;
- to make an image of;
portray in sculpture, painting, etc.
- to project (photographs, film, etc.) on a surface: Familiar scenes were imaged on the screen.
- to reflect the likeness of;
- to set forth in speech or writing;
- to symbolize;
- to resemble.
- [Informal.]to create an image for (a company, public figure, etc.): The candidate had to be imaged before being put on the campaign trail.
- to transform (data) into an exact replica in a different form, as changing digital data to pixels for display on a CRT or representing a medical scan of a body part in digital form.
im′ag•er, n.
Bedroomsbed•room (bed′ro̅o̅m′, -rŏŏm′),USA pronunciation n.
- a room furnished and used for sleeping.
- concerned mainly with love affairs or sex: The movie is a typical bedroom comedy.
- sexually inviting;
amorous: bedroom eyes.
- inhabited largely by commuters: a bedroom community.
Thatthat (ᵺat; unstressed ᵺət),USA pronunciation pron. and adj., pl.those;
- (used to indicate a person, thing, idea, state, event, time, remark, etc., as pointed out or present, mentioned before, supposed to be understood, or by way of emphasis): That is her mother. After that we saw each other.
- (used to indicate one of two or more persons, things, etc., already mentioned, referring to the one more remote in place, time, or thought;
opposed to this): This is my sister and that's my cousin.
- (used to indicate one of two or more persons, things, etc., already mentioned, implying a contrast or contradistinction;
opposed to this): This suit fits better than that.
- (used as the subject or object of a relative clause, esp. one defining or restricting the antecedent, sometimes replaceable by who, whom, or which): the horse that he bought.
- (used as the object of a preposition, with the preposition standing at the end of a relative clause): the farm that I spoke of.
- (used in various special or elliptical constructions): fool that he is.
- at that:
- in spite of something;
nevertheless: Although perhaps too elaborate, it seemed like a good plan at that.
- in addition;
besides: It was a long wait, and an exasperating one at that.
- that is, (by way of explanation, clarification, or an example);
more accurately: I read the book, that is, I read most of it.Also, that is to say.
- that's that, there is no more to be said or done;
that is finished: I'm not going, and that's that!
- with that, following that;
thereupon: With that, he turned on his heel and fled.
- (used to indicate a person, place, thing, or degree as indicated, mentioned before, present, or as well-known or characteristic): That woman is her mother. Those little mannerisms of hers make me sick.
- (used to indicate the more remote in time, place, or thought of two persons, things, etc., already mentioned;
opposed to this): This room is his and that one is mine.
- (used to imply mere contradistinction;
opposed to this): not this house, but that one.
- that way, [Informal.]in love or very fond of (usually fol. by about or for): The star and the director are that way. I'm that way about coffee.
- (used with adjectives and adverbs of quantity or extent) to the extent or degree indicated: that much; The fish was that big.
- to a great extent or degree;
very: It's not that important.
- [Dial.](used to modify an adjective or another adverb) to such an extent: He was that weak he could hardly stand.
- (used to introduce a subordinate clause as the subject or object of the principal verb or as the necessary complement to a statement made, or a clause expressing cause or reason, purpose or aim, result or consequence, etc.): I'm sure that you'll like it. That he will come is certain. Hold it up so that everyone can see it.
- (used elliptically to introduce an exclamation expressing desire, a wish, surprise, indignation, or other strong feeling): Oh, that I had never been born!
Looklook (lŏŏk),USA pronunciation v.i.
- to turn one's eyes toward something or in some direction in order to see: He looked toward the western horizon and saw the returning planes.
- to glance or gaze in a manner specified: to look questioningly at a person.
- to use one's sight or vision in seeking, searching, examining, watching, etc.: to look through the papers.
- to tend, as in bearing or significance: Conditions look toward war.
- to appear or seem to the eye as specified: to look pale.
- to appear or seem to the mind: The case looks promising.
- to direct attention or consideration: to look at the facts.
- to have an outlook or afford a view: The window looks upon the street.
- to face or front: The house looks to the east.
- to give (someone) a look: He looked me straight in the eye.
- to have an appearance appropriate to or befitting (something): She looked her age.
- to appear to be;
look like: He looked a perfect fool, coming to the party a day late.
- to express or suggest by looks: to look one's annoyance at a person.
- [Archaic.]to bring, put, etc., by looks.
- look after:
- to follow with the eye, as someone or something moving away: She looked after him as he walked toward the train station.
- to pay attention to;
concern oneself with: to look after one's own interests.
- to take care of;
minister to: to look after a child.
- look back, to review past events;
return in thought: When I look back on our school days, it seems as if they were a century ago.
- look daggers, to look at someone with a furious, menacing expression: I could see my partner looking daggers at me.
- look down on or upon, to regard with scorn or disdain;
have contempt for: They look down on all foreigners.
- look down one's nose at, to regard with an overbearing attitude of superiority, disdain, or censure: The more advanced students really looked down their noses at the beginners.
- look for:
- to seek;
search for: Columbus was looking for a shorter route to India when he discovered America.
- to anticipate;
expect: I'll be looking for you at the reception.
- look forward to, to anticipate with eagerness or pleasure: I always look forward to your visits.
- look in:
- Also, look into. to look briefly inside of: Look in the jar and tell me if any cookies are left.
- Also, look in on. to visit (a person, place, etc.) briefly: I'll look in some day next week.
- look into, to inquire into;
examine: The auditors are looking into the records to find the cause of the discrepancy.
- look on or upon:
- to be a spectator;
watch: The crowd looked on at the street brawl.
- to consider;
regard: They look upon gambling as sinful.
- look out:
- to look to the outside, as from a window or a place of observation: From her office window, she could look out over the bustling city.
- to be vigilant or on guard: Look out, there are dangers ahead.
- to afford a view;
face: The room looks out on the garden.
- look out for, to take watchful care of;
be concerned about: He has to look out for his health.
- look over, to examine, esp. briefly: Will you please look over my report before I submit it?
- look sharp:
- to be alert and quick: If you want to get ahead, you must look sharp.
- Also, look slippy. to hurry: You'd better look sharp! It's getting late.
- look to:
- to direct one's glance or gaze to: If you look to your left, you can see the Empire State Building.
- to pay attention to: Look to your own affairs and stay out of mine.
- to direct one's expectations or hopes to: We look to the day when world peace will be a reality.
- to regard with expectation and anticipation: We look to the future and greater advances in science and technology.
- look up:
- to direct the eyes upward;
raise one's glance: The other guests looked up as she entered the room.
- to become better or more prosperous;
improve: Business is looking up.
- to search for, as an item of information, in a reference book or the like: Look up the answer in the encyclopedia.
- to seek out, esp. to visit: to look up an old friend.
- [Naut.](of a sailing ship) to head more nearly in the direction of its destination after a favoring change of wind.
- look up to, to regard with admiration or respect;
esteem: A boy needs a father he can look up to.
- the act of looking: a look of inquiry.
- a visual search or examination.
- the way in which a person or thing appears to the eye or to the mind;
aspect: He has the look of an honest man. The tablecloth has a cheap look.
- an expressive glance: to give someone a sharp look.
- looks:
- general aspect;
appearance: to like the looks of a place.
- attractive, pleasing appearance.
Bedbed (bed),USA pronunciation n., v., bed•ded, bed•ding.
- a piece of furniture upon which or within which a person sleeps, rests, or stays when not well.
- the mattress and bedclothes together with the bedstead of a bed.
- the bedstead alone.
- the act of or time for sleeping: Now for a cup of cocoa and then bed.
- the use of a bed for the night;
lodging: I reserved a bed at the old inn.
- the marital relationship.
- any resting place: making his bed under a tree.
- something resembling a bed in form or position.
- a piece or area of ground in a garden or lawn in which plants are grown.
- an area in a greenhouse in which plants are grown.
- the plants in such areas.
- the bottom of a lake, river, sea, or other body of water.
- a piece or part forming a foundation or base.
- a layer of rock;
a stratum.
- a foundation surface of earth or rock supporting a track, pavement, or the like: a gravel bed for the roadway.
- the underside of a stone, brick, slate, tile, etc., laid in position.
- the upper side of a stone laid in position.
- the layer of mortar in which a brick, stone, etc., is laid.
- the natural stratification of a stone: a stone laid on bed.
- skirt (def. 6b).
- the flat surface in a printing press on which the form of type is laid.
- the body or, sometimes, the floor or bottom of a truck or trailer.
- a compact mass of a substance functioning in a reaction as a catalyst or reactant.
- the canvas surface of a trampoline.
- the smooth, wooden floor of a bowling alley.
- the slate surface of a billiard table to which the cloth is fastened.
- flesh enveloping the base of a claw, esp. the germinative layer beneath the claw.
- Also called mock, mock mold. [Shipbuilding.]a shaped steel pattern upon which furnaced plates for the hull of a vessel are hammered to shape.
- See bed and board.
- get up on the wrong side of the bed, to be irritable or bad-tempered from the start of a day: Never try to reason with him when he's gotten up on the wrong side of the bed.
- go to bed:
- to retire, esp. for the night.
- to engage in sexual relations.
- go to bed with, to have sexual intercourse with.
- in bed:
- beneath the covers of a bed.
- engaged in sexual intercourse.
- jump or get into bed with, to form a close, often temporary, alliance, usually with an unlikely ally: Industry was charged with jumping into bed with labor on the issue.
- make a bed, to fit a bed with sheets and blankets.
- make one's bed, to be responsible for one's own actions and their results: You've made your bed--now lie in it.
- put to bed:
- to help (a child, invalid, etc.) go to bed.
- to lock up (forms) in a press in preparation for printing.
- to work on the preparation of (an edition of a newspaper, periodical, etc.) up to the time of going to press.
- to provide with a bed.
- to put to bed.
- [Hort.]to plant in or as in a bed.
- to lay flat.
- to place in a bed or layer: to bed oysters.
- to embed, as in a substance: bedding the flagstones in concrete.
- to take or accompany to bed for purposes of sexual intercourse.
bed′less, adj.
- to have sleeping accommodations: He says we can bed there for the night.
- to form a compact layer or stratum.
- (of a metal structural part) to lie flat or close against another part.
- [Archaic.]to go to bed.
- bed down:
- to make a bed for (a person, animal, etc.).
- to retire to bed: They put out the fire and decided to bed down for the night.
bed′like′, adj.


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Energy Awareness Month
In recognition of National Energy Awareness Month in October, the New York Power Authority's (NYPA) Niagara Power Vista has organized free educational programs to promote the importance of a clean energy economy at its visitor center. The programs will feature several of its all-new state-of-the-art interactive exhibits complete with various challenges. Take a seat in a 4-D theatre virtual roller coaster ride, create a transmission distribution system on a one-of-a-kind transmission grid table, build a dam or simulate the coordination of power across the state during bad weather. Parking and admission are free at the Power Vista.


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Avista Solutions Announces Partnership with ComplianceEase®
The mortgage software companys latest integration directly connects customers to ComplianceEases automated compliance auditing solution, ComplianceAnalyzer®.
Charleston, SC, December 15, 2011 --(
)-- Avista Solutions, a leading provider of a web-based, end-to-end mortgage loan origination system, is pleased to announce its completion of a direct integration to ComplianceAnalyzer®, an industry leading, automated compliance auditing solution from risk management solution company ComplianceEase®.
Avista Solutions and ComplianceEase have a number of mutual customers and this integration allows those customers to access the ComplianceAnalyzer solution directly from their Avista Agile™ LOS.
ComplianceAnalyzer gives mortgage lenders real-time compliance audits at any point in the lending process, safeguarding them from potential loan risks. As part of recent electronic examination (e-Exam) initiatives, state regulators have been using ComplianceAnalyzer and other e-Exam tools to audit as much as 100% of licensees' loans in regulatory examinations. By leveraging integrated audits using the same auditing software, lenders can prepare in advance for their e-Exams. ComplianceAnalyzer covers a full spectrum of government regulations, including the Home Ownership and Equity Protection Act, the Truth in Lending Act, RESPA, state and local anti-predatory lending laws, state license-based consumer lending regulations and secondary market investor and GSE compliance guidelines.
"Avista Solutions recognizes the importance of providing our customers with access to industry leading compliance tools," Avista Solutions COO & CFO Jerry White said. "As the company behind robust tools that state banking and mortgage regulators rely on, ComplianceEase is a significant force in the mortgage industry and we are excited to now offer a seamless, system-to-system interface to their ComplianceAnalyzer solution."
Avista customers who choose to sign up for ComplianceAnalyzer may utilize the tool to pinpoint a mortgage loan's compliance risk factors, whether the loan is in the pre-close or post-close stage, with a single click and without leaving their Avista Agile LOS. ComplianceAnalyzer returns comprehensive, user-friendly audit reports to lenders within seconds. Each report features the industry standard RiskIndicator™, a score that reflects a loan's compliance risk, as well as quantitative analysis of thresholds and detailed qualitative overviews with narrative descriptions of regulatory requirements.
"Avista users can enjoy the best of both worlds with this seamless integration, continuing to use their LOS of choice, while managing compliance with ComplianceAnalyzer," said ComplianceEase Senior Vice President Jason Roth. "Major secondary market investors use ComplianceAnalyzer to check every loan prior to purchase and state regulatory examiners are using it to audit as much as 100% of licensees' portfolios. To safeguard their reputations and reduce financial risks, it makes a lot of sense for lenders to do the same."
Avista customers who would like to access this automated compliance auditing solution from their Avista Agile LOS should contact their Avista Relationship Manager or their ComplianceEase Sales Director.
About Avista Solutions
Avista Solutions, the Mortgage Technology magazine "2007-2008 Mortgage Technology Help Desk Award Winner" and a perennial "Top 50 Mortgage Technology Provider," is a leader in sophisticated web-based loan origination systems. Avista Solutions' suite of mortgage lending software provides complete, end-to-end solutions incorporating loan origination, product eligibility, pricing and imaging that can be rapidly implemented across all origination channels. For more information, please call (843) 619-4800, or visit www.AvistaSolutions.com.
About ComplianceEase®
ComplianceEase, a division of LogicEase Solutions Inc., headquartered in the Silicon Valley region of Northern California, is a leading provider of risk management solutions to the financial services industry. ComplianceEase's patented platform includes ComplianceAnalyzer®, the mortgage industry's most adopted automated compliance solution. ComplianceEase combines industry and regulatory compliance expertise with innovative technology to power beginning-to-end solutions in a fraction of the time and for a fraction of the cost of traditional approaches, while providing high levels of accuracy and integrity. ComplianceEase's significant and growing client base includes four of the top five mortgage lenders in the nation, financial institutions, service providers, law firms and regulators. ComplianceEase's automated compliance solutions have been adopted as e-Exam tools by state banking and mortgage regulators, through the Conference of State Bank Supervisors. For more information, visit www.ComplianceEase.com or call 1-866-212-EASE.
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We are India's leading manufactures of rice elevating machine,etc
Historically IFW stands for Quality. One of its own kind in Northern India. Established in 1956 by Late. S.Mohinder Singh Giani, who came in industrial sector in 1946. Indian Foundry Works is the first manufacturer of Rice Mills on engineered approach, comprehensive planning right performance and standardised parts. Every machine is planned, fabricated and manufactured in a different section. We have an option to start feed paddy from right hand or from left hand. Uncleaned paddy which has metallic objects, stones or any other impurity is cleaned by the preliminary, pneumatic and cyclonised
paddy cleaner. Cleaned paddy is fed in an overhead paddy bin, which distributes it into rubber roll dehuskers and is shelled upto 90% - 95%. This shelled mixture is conveyed through a V.B. elevator to over head husk aspirator which sucks and throws out the husk. Passing the mixture of Rice and paddy to paddy separator which separates sophisticatedly paddy and rice.
Thus unshelled paddy is again fed to paddy bin which is reprocessed by R.R. Dehuskers. Brown rice coming out of the paddy separator is fed to cone polishers by bucket elevators. This process is repeated in a number polisher to get finest and healthy quality of edible rice. Finally polished rice is seived off through a riddle type chalna or plain sifter or both, the rice bran coming out of the rice polisher is collected at one point by a screw worm and sieved by a riddle chalna or purified from impurities by a pneumatic bran cleaner.
It is a point of appreciation that our plain sifter or riddle chalna seives varieties of cleaned full rice, half broken, quarter broken, 1/8 broken and kernels of rice free of husk or bran.
Best raw material like casting, Carbon Steel of Shafts and gears, High Quality bearings ISI/Q marked iron and steel structural material and seasoned teak wood is used.
R & D unit has set up with us to modify and improve our products. Cones and most of the pulleys are Computer balanced.
We depute our engineers to visit our supplied machinery, After putting the mill in operation 2/3 times with in warranty period and generally every year to know and remove any difficulty.
We are backed by an experience of about half century by the engineer founder and excellent experienced staff. The old mother machines are always replaced by modernised ones from time to time. We give national products of international standards as we pace with the time. Due to standardization and keeping the pace ahead from others we are awarded GOLD MEDAL at Madras by the then Tamil Naidu Industry Minister in 1982. We were also awarded the STATE PRODUCTIVITY AWARD along with the cash prize of Rupees One Lac in 1995 - 96 by the then Chief Minister, S.Beant Singh. We were again award BEST DISPLAY AWARD at Chandigarh at Techno Fair -97.
We are proud of to display our products without any rental charges at Punjab Pavilion ITF for so many years.
Copyright © 2010 Wholesale lots. All rights reserved. Contact Us:email@example.com
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Some time over the last week a video surfaced of a mostly naked woman beating her daughter with a machete.
These images are not foreign to Jamaica or, I would hazard, most black and Caribbean communities.
It's re-ignited a national debate about the boundaries of corporal punishment and child abuse and, of course, the mainstay of how unstable and unsuitable ( poor)black women are to mother.
Thankfully some new thought leaders are emerging with more compassionate and de-colonial readings of the incident including Jaevion Nelson whose Gleaner Article is available here and Damien "I am Worthy" Williams.
What I think we also need to discuss is the issue of dignity and why we are so comfortable sharing images of black shame and suffering whole claiming black people deserve more respect.
My own two cents on the matter can be found here on my youtube channel.
Remember to subscribe and, as always, that shares and clicks won't save the world, we have to get out and actually support each other.
Happy Sunday my darlings.


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text: West Oak Mall officials in the Orlando suburb of Ocoee said Monday that all teens must be accompanied by an adult after 9 pm 'You need to know where your kids are at all times'The policy was implemented after 100 teens rushed a movie theatre Saturday night after they were denied tickets to see Fifty Shades of Grey, which is rated R and requires the viewer to be accompanied by a parent if they are under age 17.Orange County deputies and police from Ocoee, Winter Garden and Windermere fired shots in an attempt to quell the situation. Some 300 teens also stormed mall's food court.Witnesses who phoned 911, described riots, blocked doors, being locked in and death threats at the hands of the teenagers."There is a disturbance. There's many kids running around. There's many people running around at the West Oaks movie theatre, and I think they've locked the doors. I can't, we can't figure our way out," a 911 caller said."Our main concern is this," Lt Paul Hopkins told the West Orange Times and Observer. "These are middle- to high-school kids who have guns, who are shooting guns, who are robbing people, driving stolen cars, and they have drugs in their car,""You need to know where your kids are at all times."One teen was arrested for battery and resisting an officer, another on misdemeanour drug charges off mall propertyNo one was injured, and there wasn't any damage.Additional sources: wotimes.com, ksn.com


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Let's Talk Music
LACM's "Let's Talk Music" series is an event hosted regularly for students and alumni of LACM, and for the music community. Other musicians previously featured in the series including Glen Ballard, Taboo of the Black Eyed Peas, Ziggy Marley, Moby, Dave Wakeling, Gavin Rossdale, Linda Perry, Stewart Copeland, Joe Walsh and more.
Los Angeles College of Music's "Let's Talk Music" series presents an interview with singer, songwriter, and record producer NE-YO, interview by Gaelen Whittemore, on Wednesday, January 24th, 2018.
Ne-Yo was one of the most successful songwriters and artists of the 2000s. His breakthrough didn't come until late 2004, as the co-songwriter of Mario's "Let Me Love You," a number one Hot 100 hit that Billboard later determined to be the eighth most successful single of the decade. By the close of 2009, however, Ne-Yo had racked up a career's worth of accomplishments. He released three albums, all of which went platinum in the United States. Seven of his singles, as well as five on which he appeared as a featured artist, peaked within the Top Ten of the country's Hot R&B/Hip-Hop chart. Beyoncé's "Irreplaceable" and Rihanna's "Take a Bow," two of the many songs he wrote for other artists, were smash hits as well. His music added a high level of sophistication to pop-R&B while appealing to younger audiences. The following decade, he wasn't as busy as a recording artist and devoted time to artist development.
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Gord Downie, lead singer of The Tragically Hip, has died
Credit: The Associated Press
Credit: The Associated Press
KINGSTON, Ontario — Gord Downie, who made himself part of Canada's national identity with songs about hockey and small towns as lead singer and songwriter of iconic rock band The Tragically Hip, has died at age 53 after a battle with brain cancer.
A statement on the band's website said he died Tuesday night "with his beloved children and family close by." The statement did not give a cause of death, though he had been diagnosed earlier with brain cancer.
|The article you requested is no longer available on BostonHerald.com.
- More On:
- Gordon Downie
- Justin Bieber
- The Tragically Hip


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Liberty Bridge to close in both directions overnight Friday
Lane closures on the Liberty Bridge will continue through the weekend.
The bridge will be closed in both directions from 8 p.m. Friday through noon Saturday, PennDOT said in a news release.
The bridge closure is in addition to the previously announced closure of the Liberty Tunnel overnight Thursday and Friday. The tunnel will be closed from 8 p.m. to 5 a.m. each night. One inbound lane of the tunnel will be closed from 5 a.m. until noon Saturday.
Some single-lane restrictions are also planned on the bridge.
One outbound lane of the bridge will be closed from 7 p.m. Thursday through 5 a.m. Friday, while one inbound lane will be closed from 8 p.m. Saturday to noon Sunday.
Additionally, Second Avenue will be closed between Ross Street and B Street from 7 p.m. Friday through 6 a.m. Monday. Ross Street will be closed between First and Third streets during the same time. Crews will conduct painting lines on the Boulevard of the Allies.
Signs will be posted to guide motorists around the closures.
The Liberty Bridge closures are part of an $80 million bridge rehabilitation project that is scheduled to be finished in July, according to PennDOT. The Liberty Tunnel closures are part of a $30 million tunnel rehabilitation project slated to be finished in February 2019.
Since the bridge will not close for the entire weekend, it doesn't count as one of the project's numbered weekend closures, a PennDOT spokeswoman said. There is one more full weekend closure planned.
Theresa Clift is a Tribune-Review staff writer. Reach her at 412-380-5669, firstname.lastname@example.com or via Twitter @tclift.


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2 Considerations You Do Definitely Not Know With Respect To LASIK Eye ProceduresThe eye can be examined with relative ease regarding both its function and its structure. A functional examination consists of the ability to relocate the orbit and the response of the student to light and accommodation.
The function of the eye may be evaluated in several methods. The client may be asked to identify illuminated letter or things of varying sizes on exactly what is known as the Snellen chart.
Conversely, the assessment of the structural part of the eye might be made in a number of ways. Stress within the eyeball is measured by a "tonometer." In certain illness, specifically in glaucoma, the tension in the eyeball is increased noticeably.
It should be well kept in mind that a patient with an eye issue may have other issues. Often other physical conditions are main and impact the eye as a consequence. The look of the eye can notify the patient and the physician to difficulties in some disturbances of other parts of the body even before other symptoms present themselves.
One's reliance on sight is stressed when one deals with a possible or short-term irreversible loss of this essential sense. When restorative measures are looked for, particular forms of vision correction such as contact lenses or eyeglasses are prescribed.
On the other hand, some people are bothered with the fact that they have some framed lenses or contact lenses in front of their eyes.
For this factor, advanced surgical operations were established to encourage decreased usage of contact lenses or glasses. Among which is the now popular LASIK eye surgical treatment.
Generally, LASIK eye surgical treatment is the brief term for "Laser-Assisted In Situ Keratomileusis." Like its concrete equivalent, LASIK eye surgical treatment is another kind of vision correction. The only distinction is that with this kind of surgery, one's vision is fixed permanently.
With LASIK eye surgery, the refractive mistakes in the cornea are permanently transformed. This can be done using an "excimer laser."
The primary function of this here surgery is to create a threadlike, rounded "flap" in the cornea using a blade understood as "microkeratome." In a series of unfolding and laser processing, the cornea is finally reformed, allowing better the eye to direct more light into the retina.
Popularity vs. Disadvantages
In the middle of the growing appeal of LASIK eye surgical treatment, there are still disadvantages that people must understand. Most likely, the primary reason this type of eye surgical treatment has actually become well accepted is because many of its cases had actually succeeded.
In spite of its success, there are still some drawbacks. Here is the list:
1. It is an operation used to the most delicate part of the eye
Due to the fact that LASIK eye surgery involves the operation of the retina, which is among the most sensitive portions of the eye, the majority of people state that the operation can be extremely risky.
To puts it simply, a simple mistake might almost trigger an individual's life time loss of sight. It is important to consider lots of elements prior to deciding whether LASIK eye surgery is the ideal restorative measure one has to undergo.
2. It is not a best treatment
LASIK eye surgery might correct your vision however it does not necessarily indicate that it can offer you a best vision. Even if analytical reports reveal that 70% of the clients may have 20/20 vision, this does not necessarily indicate they have perfect vision too.
Offered all these things, it can be deduced that, in spite of the appeal of the operation, LASIK may not constantly be the perfect eye surgical treatment the way many people view it
Conversely, the examination of the structural check my reference part of the eye might be made in a number of methods. It ought to be well kept in mind that a client with an eye problem might have other problems. Often other physical conditions are primary and impact the eye as a consequence. The appearance of the eye can inform the patient and the physician to difficulties in some disturbances of other parts of the body even before other symptoms provide themselves.
Like its tangible equivalent, LASIK eye surgical treatment is another kind of vision correction.


text:
Known primarily as an activist for the indigent insane, Dorothea Dix spent much of her life working on behalf of mental institutions and their inmates. During the American Civil War, she served as Superintendent of Army Nurses.
Born 4 April 1802, the 12-year-old Dorothea Dix left her abusive father in Worcester, Massachusetts, and went to live with her grandmother in Boston.
In 1821 she opened a school for girls in Boston, but poor health obliged her forced her to abandon her position. She spent two years with a Quaker family in England which opened her eyes to the work of social reform.
Dorothea Dix and the insane
Returning to Boston, despite receiving a generous inheritance, Dix was determined to work. She took up a post working in a Sunday School within a prison, and there was shocked at how abused and badly treated were the patients deemed insane. She spent two years visiting similar institutions and observing the same state of affairs in each. When she enquired into the harsh treatment, she was told, 'the insane do not feel heat or cold'.
A detailed report submitted to the Massachusetts State paved the way for legislation to enlarge and improve facilities for the insane. She toured other states, pushing for reform in each, and continued her work in Britain and in Italy, where she even urged the pope, Pius IX, to see for himself the conditions suffered by Rome's insane.
Civil War
With the outbreak of the Civil War in 1861, Dorothea Dix, aged 59, worked for the Union Army as the superintendent of Union Army Nurses. Introducing women into what had been another male preserve, she used her organizational skills and determination to greatly improve army nursing care. Dix established guidelines for nurses that insisted that they be between the ages of 35 and 50, and be plain-looking. She required her nurses to wear dowdy black or brown dresses with no jewelry or cosmetics. (One such nurse, employed by Dix, was Louisa May Alcott, who would later write the perennial favorite, Little Women). Dix was of the opinion that younger, attractive women would be vulnerable to exploitation by the patients and doctors.
Constantly at odds with Army doctors over control of medical facilities and nursing staff, she also had to deal with doctors who were opposed to female nurses. The War Department issued an order giving Dix and the Surgeon General shared responsibility for hiring and firing of nurses, but put control of the assignment of employees in the hands of the doctors. This left Dix as little more than a figurehead and she resigned in August 1865. She later referred to the episode as a failure.
She was known for treating Union and Confederate patients equally, which did not sit well with many. When Robert E Lee retreated from his defeat at Gettysburg, more than 4,000 Confederate wounded had to be left behind. It was Dix's nurses who looked after them.
After the war, Dix resumed her campaign to help prisoners, the disabled and the mentally ill. But in later years, her health began to fail. In 1881, she moved into the New Jersey State Hospital at Morris Plaines where the state had provided her with private rooms. She remained there as an invalid until her death on July 17, 1887.
Kat Smutz
Read more about the Civil War in The American Civil War In An Hour available in various digital formats and audio.
See also Clara Barton – Civil War nurse and founder of the American Red Cross


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Meaning of CLOSURE in English
clo ‧ sure /ˈkləʊʒə $ ˈkloʊʒər/ BrE AmE noun
[ Word Family: noun : close, ↑ closure , ↑ closing ; adjective : ↑ closed , ↑ closing ; verb : ↑ close ]
1 . [uncountable and countable] when a factory, school, hospital etc has to close permanently:
Several military bases are threatened with closure.
factory/hospital/school etc closure
the problem of school closures
closure of
the closure of St Bartholomew's Hospital
2 . [uncountable and countable] when a road, bridge etc is closed for a short time so that people cannot use it:
On the M40, there are lane closures near Oxford.
3 . [uncountable] when an event or a period of time is brought to an end, or the feeling that something has been completely dealt with:
Funerals help give people a sense of closure.
Longman Dictionary of Contemporary English. Longman - Словарь современного английского языка. 2012