text:
Search terms
Blissfully comfortable
With it's soft, gel cushioned speaker sleeves and a design that snug-fits your ear canal this headset will be your perfect match. Also comes with integrated mic, volume and track control for your iPhone, iPod and iPad.
Unfortunately this product is no longer available
With a choice of 3 interchangeable ear caps from size small to large, surely there is a pair that makes these Philips earphones fit your ear perfectly.
The soft flexi-grip material that the body of the headphone is sheathed in enhances its performance and extends its durability. It protects the cable connection from damage that otherwise could occur due to repeated bending of the headphone body from frequent contact with the user's fingertips when being put on and removed.
Want to skip a track? Change the volume? Accept or reject a call? Record a voice memo? The remote features a sensitive mic as well as volume controls, call and skip functions. It can also trigger voice control. With this headset control is at your fingertips - no need to keep your iPhone or iPod accessible or to unlock the screen.
Designed for blissfull comfort these headphones are wrapped in a gel sleeve. The soft sleeve gently moulds to the shape of your outer ear to make these your new favourite headphones.
The speaker driver is made of a composite mylar material for a highly sensitve yet powerful element that enables superior power output, delivers high-fidelity sound without any audible distortion.
Angled Acoustic Pipe is designed according to the curvature of the human ear canal so that soundwaves from the speaker are directed precisely to your ear drum with the highest definition
You don't have to turn up the volume in noisy places anymore. Angled Acoustic Pipe and the perfectly sealing earbuds cut off background noise significantly, delivering the same quality sound at lower volume and a longer battery life.
This case is the most convenient way to look after your headphones and prevent cable tangling when not in use.


text:
I thought that adjusting the RGB's indivually would be good for changing the luminosity, however, when I tried moving the levels of each colour individually to their upper and lower limits (without clipping any of them) it alters the colour balance. Do you have any idea why this would happen?
Think back when you first got into digital photography - was all this stuff so immediately obvious to you, or did you have to read, learn, think and experiment?
In case you didn't recognise yourself Eric, the first paragraph was an impersonation of you. You can take comfort in the fact that I've sunk to the right level.
(...) and just joined the site this month, I'd say the manners should start with you.
Shifting midpoint via the center gamma box or changing the black and/or white point doesn't matter. If you do any of these things to one color channel, you are altering the values of that channel relative to the other channels and will get a color balance shift.

subset: commoncrawl


text:
The good news is Kevin Kolb has attemped 28 passes in the preseason without being sacked.
The bad news is he was under constant pressure in Friday night's preseason game against the Bengals. And there were plays when Kolb didn't help his line by moving out of the pocket earlier than necessary.
"He got hit the first play," right tackle Winston Justice said yesterday. "So when that happens the first play, it's kind of like you don't know where that actual pocket is, and so it's something that comes with experience."
It will work both ways - Kolb learning when the pressure is real, and the linemen realizing where Kolb is when he extends plays.
"It's kind of hard to sense it because it's behind you," Justice said. "But once you feel a guy moving this way, there's a reason he's going that way, so you try to stick with a guy as best you can and block him."
Of course, it hasn't helped that the line Kolb has been working with has a different look than the one that will be protecting him in the regular season. Getting Todd Herremans back against the Chiefs should help a little in that respect.
Other thoughts:
* I understand Sean McDermott and Andy Reid defending Ernie Sims' play against the Bengals. McDermott talked about Sims setting the tone. There was a play where he took a shot at Terrell Owens, who was running over the middle within the 5-yard window. And as I mentioned in Man Up, Sims blitzed with Nate Allen on the Eagles' first interception. He was picked up, allowing Allen to rush freely.
The plays where Sims didn't look good were the ones where linemen were able to get to him, like the tight-end screen and a few running plays. It's clear the coaches like Sims and expect him to be a difference-maker. The Eagles will just have to find a way to give him space to move more freely in the regular season. Don't want to base too much off one half in a preseason game.
* I agree that Dimitri Patterson played well Friday. But I don't think he's a threat to Joselio Hanson for the nickel cornerback job.
* The biggest bright spot through the first two preseason games has been the Eagles' tackling. McDermott said when training camp started that tackling would be a major focus, and so far, it looks like the Eagles can expect a major improvement this season.
* I can't figure out how these two situations will be resolved: center and backup tight end. How far along will Jamaal Jackson be by the time the season starts? How serious is Nick Cole's injury? And will he get first-team reps when he returns?
The backup tight end situation is less concerning. Only two teams ran fewer two tight-end sets than the Eagles last season, according to Football Outsiders. I don't see this offense morphing into a smash-mouth, physical unit in 2010. But I will concede that it'd be nice to have a backup who was a capable blocker.
* I noticed in the comments section of my Kolb post over the weekend that I was called both a Kolb hater and a Kolb apologist. I guess that means I offered up a pretty fair evaluation?
Just to be clear, I don't claim to know more than NFL coaches or scouts. I re-watch the games because it's difficult to pick up on things the first time, and I write what I observe with no agenda. Are there things that I miss? Sure. But overall, I am able to gain a much better understanding of what's happening the second time around.
You can follow Moving the Chains on Twitter or become a fan on Facebook.
And download the 2010 MTC app from the ITunes store.


text:
HARTSDALE, N.Y. — Every year, Steven and Jill Abusch have to decide whether they can continue to afford to send their two daughters to the Solomon Schechter School of Westchester in Hartsdale.
If it weren't for the help offered by the school's scholarship program, they wouldn't be able to.
"The school can't continue to provide that without figuring a way to make up for the difference," Steven Abusch said.
The Abusches joined about a hundred other parents from Catholic and Jewish day schools across Westchester County Thursday night to hear from several New York state Assembly members and senators about what can be done to alleviate their burden of rising tuition. The forum, held at Solomon Schechter, also heard from Jim Cultrara, education director of the New York State Catholic Conference; and Timothy McNiff, superintendent of schools for the Archdiocese of New York.
While the panel addressed school safety and transportation issues at religious and independent schools, its main focus was pushing to enact the Education Investment Incentives Act. The bill would increase both public and private school scholarships by making donations from scholarship organizations eligible for a dollar-for-dollar tax credit from state tax liability. It would be a benefit for education across the board, said Sen. Ruth Hassell-Thompson (D-Mount Vernon).
Hassell-Thompson and the rest of the panel also encouraged parents to write to their Assembly members and senators to urge the bill's passing.
"We need your help so the governor knows we're trying to get education for all children," she said. "Education across the board has to be on the main agenda for the state of New York."'
The bill is Assembly bill A1826. To track its progress in the Legislature, search for A1826 at http://public.leginfo.state.ny.us .
Reimbursement for state mandates, including administering state tests, keeping immunization records and collecting student data, must also be on the agenda, McNiff added. If the archdiocese had been given the $31 million owed to it in delinquent reimbursements he wouldn't have had to announce the closing of 26 Catholic schools last week, he said.
What's even more frustrating is that among the 9,000 Catholic school students who were displaced, about 3,000 will go into the public school system — overcrowding the schools and creating even bigger obstacles, he said.
"Without that bill, we'll get the same pressure in five years as we're experiencing right now," McNiff said. "The state needs to become a partner in a serious and tangible way."
Catholic school parents Roger Rooney and his wife, Elizabeth Rooney, said they wished the state realized how difficult it is to afford sending children to private school while still having to worry about rising school district taxes .
"If religious school students are displaced and the public schools absorb them, they're going to have a lot of problems," said Roger Rooney, whose two daughters attend Transfiguration School in Tarrytown. "Every year it's tough."
Click here to sign up for Daily Voice's free daily emails and news alerts.


text:
OAKLAND - With the A's battered rotation in dire straits, two new faces will arrive at the Coliseum Monday to help stem the tide for the rest of the season and possibly offer more hope for the future as well.
With Sonny Gray, Sean Manaea and Andrew Triggs all currently unable to pitch, the A's will call up right-handers Raul Alcantara and Jharel Cotton from Triple-A Nashville, even though the Sounds are about to start a playoff series in the Pacific Coast League.
Alcantara, 23, was acquired from Boston along with Josh Reddick following the 2011 season for reliever Andrew Bailey, and he will start Monday's game against the Los Angeles Angels. Cotton, 24, was obtained in the deal that sent Reddick and starter Rich Hill to the Los Angeles Dodgers, and he will pitch on Wednesday. Both pitchers will be making their major league debuts, and it's possible they could remain in the rotation for more than just one start, and maybe even the rest of the year.
"I don't know that we have any other option, to tell you the truth," said A's manager Bob Melvin. "We'll see how Manaea and Triggs come along, but I would hope they'd pitch their way into that."
Oakland is high on both pitchers, however, particularly with what they've done of late. Alcantara, who has had a slow recovery from Tommy John surgery in 2014, started the season 5-6 with a 4.80 ERA at Double-A Midland, but since a promotion to Nashville in July, is 4-0 in eight starts with a 1.18 ERA.
"That's why he's created this opportunity for himself," said Melvin. "He's worked very hard from injuries he's had to battle through and put himself in position to where it's his time."
Cotton, meanwhile, is 3-1 with a 2.82 ERA in six starts since arriving from the Dodgers organization at the end of July, and in his second start for Nashville, came within one out of a perfect game. For his combined Triple-A year with Oklahoma City and Nashville, he has struck out 155 batters in 1352/3 innings.
"Obviously, with the trade that we made, he was the focal point of that," Melvin said. "He hasn't done anything to suggest that he isn't ready to pitch here, based on what our guys have seen in development, and again, he's another guy whose time is right for an opportunity, and we'll see what we have going forward in the future for us."


text:
Get the Flash Playerto see this player.
|Naughty At Home
Short review: If you're a hubby, would you get off on sharing your married woman with others? This female's husband does, and he loves every min of it.
Content Amount: You are going to get a lot of bang for your $ when you hook up with this web-site. A great looking preview division that holds promises such as; 350+ home shot videos, thousands of images to view, access to over 250 live novice camera young ladies and there is a ton of bonus internet-sites that membership will get you into. This is put together nicely, just like the Desirae on Naughty At Home. Come on inside!


text:
Sterre Duiker wrote:I just found out that my best friend (13) knows about Lucid Dreaming too. He says that, at his old school, they made their own "dreamworld" together. They even made some crazy-ass things, like Facebook, but if u click on your friend he or she pops up next to you, and many others I cannot bother to write, one of them including a type of bank process but you can't make your own money in the "server" somehow. Robert Wagoner (I think that's his last name at least) did say he shared a friends dream, but I do doubt a scale of at least more than 10 people could join in one dream. He did say it "lagged". I kinda doubt this, maybe he was overreacting or something. Anyways, I still wanted to know if its possible, or at least what is true about what he said, and what's false.
looking for attention, imo


text: iNViCTuS - do remember you said that in another post but, in looking at sun's site right now I see that sunscreen 3.2 will be pkgd out with solaris 9. Which, of course, is not even released yet. It has been pkg with sol 8 trusted already. I don't see the eol part. Do you have a link? quote"Sun has focused future efforts beyond SunScreen 3.2 towards more fully integrating stateful packet filtering into Solaris rather than producing seperate layered firewall products. This Solaris feature is still under development" Is this what you mean. If so, they are building it into future solaris releases.


text:
STOCKTON - The 2012-13 flu season is well under way, the federal Centers for Disease Control and Prevention reported, and communities across the country are continuing to see increases in flu activity.
STOCKTON - The 2012-13 flu season is well under way, the federal Centers for Disease Control and Prevention reported, and communities across the country are continuing to see increases in flu activity.
The CDC recommends that everyone 6 months old and older should get an annual seasonal flu vaccine to best protect against the flu and its potential complications.
"All those who have not done so already should get their annual flu vaccination now. It is not too late to protect yourself and your family against influenza this year," San Joaquin County Health Officer Dr. Karen Furst said.
It takes up to two weeks after vaccination for full immunity to take effect, and winter holiday activities and gatherings are prime opportunities for flu viruses to spread, Furst said. Flu activity usually climbs in January and peaks in February. It can last as late as May.
Vaccination is especially important to protect those who are at high risk for developing serious flu complications. At-risk groups include:
� Children younger than 5.
� Adults 65 and older.
� People with a compromised immune system.
� Pregnant women.
� Morbidly obese people.
� Residents of long-term care facilities.
� Those with medical conditions such as asthma, diabetes, heart disease and other chronic illness.
Others who are urged to receive the flu vaccine to protect those around them include health care workers and out-of-home caregivers for those at high risk, including infants.
In addition to getting vaccinated, avoid spreading the flu virus by covering coughs and sneezes, washing your hands often and staying home when you are sick. Symptoms of the flu include: fever, headache, extreme tiredness, dry cough and muscle aches. Complications can include pneumonia, ear and sinus infections and dehydration. The flu also might worsen chronic conditions.
Seasonal flu vaccine is available through various sources including doctor's offices, neighborhood pharmacies, grocery stores and at some work sites. To find immunization clinic sites that are convenient for you, visit flu.gov on the Internet.
San Joaquin County Public Health Services provides flu shots during its regular immunization clinic hours for people of all ages who do not have a regular source of medical care that provides influenza vaccine. The fee is $15; however, no one will be denied services because of inability to pay. Call (209) 468-3830 or visit sjcphs.org for clinic information.


text:
Whitney Canceled, Marvel's S.H.I.E.L.D. Nears Series Order, 24 Might Return
NBC also gave three other shows the axe.
The TV people are making moves concerning TV things! Firstly, Joss Whedon's Marvel's Agents of S.H.I.E.L.D. is reportedly close to getting a series order. Meanwhile at NBC, Whitney, Up All Night, 1600 Penn, and Guys with Kids have all been canceled. Also in the cancellation department, Fox has nixed Kiefer Sutherland's Touch after two seasons, although there's now a rumor about 24 returning as a limited series. The CW has renewed The Carrie Diaries for a second season and Nikita for a fourth, also giving the green light to Reign (about Mary Queen of Scots at age fifteen), The 100 (a batch of juvenile delinquents are deployed to see if a post-apocalypse Earth can be re-inhabited), Tomorrow People (a teen boy has psychic powers; presented by The Vampire Diaries and Arrow folk), and Star-Crossed (formerly titled Oxygen, about an alien boy in an American high school).


text:
NEW YORK (Reuters) - Public Advocate Bill de Blasio won the most votes in the New York City Democratic mayoral primary on Tuesday, according to exit polls reported by local media.
The results did not show whether de Blasio had secured the 40 percent of votes needed to avert a runoff with the second-place candidate in the race, according to exit polls cited by The New York Times and NY1 television.
(Reporting by Ellen Wulfhorst; Editing by Dina Kyriakidou)


text:
Blue Ridge Mountains
The Blue Ridge Mountains .com provides assistance to visitors about The Blue Ridge Mountains as a travel destination.
Social Networking
Interesting Links
- Blue Ridge Music Center
- Blue Ridge Parkway's 75th Anniversary
- Discover Appalachia
- FRIENDS of the Blue Ridge Parkway
- Great Smoky Mountains 75th Anniversary
- Shenandoah National Park 75th Anniversary
- Smokey Bear
- The Crooked Road
- Visit Appalachia
- Georgia Tourism
- Maryland Tourism
- North Carolina Tourism
- Pennsylvania Tourism
- South Carolina Tourism
- Tennessee Tourism
- Virginia Tourism
- West Virginia Tourism
Buzz Categories
Information About The Blue Ridge Mountains, The Blue Ridge Parkway, Bluegrass and Old Time Music, The Crooked Road, The Great Smoky Mountains, Skyline Drive, Shenandoah National Park, The Appalachian Mountains, and Surrounding Areas in Georgia, Maryland, North Carolina, Pennsylvania, South Carolina, Tennessee, Virginia and West Virginia.
- Welcome
- Advanced Search
- Area Information
- Blue Ridge Mountains Tweets
- Contact Us
- Cool Blue Getaways
- Directory Listings
- Events Listings
- Facebook Wall Page
- Featured Content
- Go Blue Go Green
- Great Smoky Mountains
- Interactive Map
- Octwitterfest
- Octwitterfest Polls
- Photo Galleries
- Send an Ecard
- Sitemap
- Skyline Drive And Shenandoah NP
- The Appalachian Mountains Region
- The Blue Ridge Parkway
- The Crooked Road
- Twitter Lists By tbrmdotcom


text:
If you were seeking a director to take the reins of the "Star Wars" franchise, you might not think Rian Johnson would be quite the droid you were looking for. Just ask Johnson himself. "I don't think I'm on those sorts of lists," he told an interviewer in early 2013 amid speculation over who would spearhead the newly relaunched series. "I don't think it's a problem that I'll have to deal with."
Well, so much for that.
On Friday Johnson was announced as the writer and director for "Star Wars: Episode VIII," the sequel to J.J. Abrams' upcoming installment. It's impossible, of course, to know exactly what Johnson has in mind for "Star Wars" — many Bothan spies would need to die to get that information. Unlike "Episode VII" director Abrams, though, whose successful "Star Trek" reboot almost looks in retrospect like an elaborate audition for the "Star Wars" gig, Johnson's own eclectic body of work doesn't on the face of it provide a clear indication of where he might steer the universe George Lucas created.
If there's been any consistent through-line to Johnson's work to date, it's been the lack of a consistent through-line. Johnson has a predilection for jumping between genres -- and then subverting them. His breakthrough movie, 2005's "Brick," was a whip-smart fusion of a high school movie and a hard-boiled noir, and 2008's "The Brother's Bloom" was a family dramedy in the guise of a con-man movie. 2012's "Looper" was a formally daring combination of hit-man drama and time-travel head trip.
Given this pedigree, we can expect Johnson to try to push the second film of the trilogy in unexpected directions. Asked in the past to run down some of his favorite films, Johnson name-checked Terry Gilliam's "Brazil" — a gonzo dystopian sci-fi film that's hardly a popcorn flick. "My favorite sci-fi always uses its hook to amplify some bigger theme or idea — some emotional thrust," he once said.
That said, as the steward of the "Star Wars" universe, Johnson will have to play by a fairly orthodox set of rules. And, of course, he will need to deliver slam-bang action and eye-popping spectacle on a level he's never demonstrated before. While he may have a personal penchant for cerebral cinematic jigsaw puzzles like the one he created with "Looper," this is a "Star Wars" film we're talking about — and, to quote Pauline Kael, a "Star Wars" movie, as much as anything, is like "a box of Cracker Jack which is all prizes."
While Johnson's specific vision for "Star Wars" may not be clear right now, there are other things we can safely discern from the news. First, it obviously puts to rest the widely held assumption that Abrams or any other single figure would oversee the entire trilogy. In tapping Johnson — along with Josh Trank ("Chronicle") and Gareth Edwards ("Godzilla"), who have been brought on to direct a pair of spinoff films — Disney and Lucasfilm appear to be following a model more commonly seen in TV, where bringing in different directors to helm different episodes is standard practice. Presumably there will be a degree of consistency to the trilogy — after all, there are a whole lot of toys to be sold here — but the idea of each film bearing a slightly different creative fingerprint, as in the "Harry Potter" series, is an intriguing one.
Beyond that, it's now apparent that, far from having a grand overarching plan, Disney and Lucasfilm are largely mapping out the future of the "Star Wars" franchise as they go along. Where George Lucas once claimed he had 12 "Star Wars" movies sketched out in his head, the handoff from Abrams to Johnson to presumably a third director to be named later (we'll refrain from any wild speculation for now) gives the impression of a multibillion-dollar franchise being created on the run. That may seem somewhat risky, but there's something undeniably exciting about it — and, in a Han Solo, shoot-from-the-hip kind of way, something fitting about it as well.
Follow @joshrottenberg for the stories behind Hollywood's biggest movies


text:
PsycTESTS™ is a research database that provides access to complete psychological tests, measures, scales, and other assessments. PsycTHERAPY™ is a database containing more than 300 hours of streaming videos featuring therapy demonstrations showing clinicians working with individuals, couples, and families.Learn more at ALA Annual booth #3340 or click here .
How to Fix Facebook's Fake News Problem (4:16)
The Accidental Data Scientist author Amy Affelt discusses leading technology experts' recommended remedies for fixing Facebook's fake news problem in this clip from Computers in Libraries 2018.
If you regularly read blogs, add these to your reader:
ITI Conference Blog – libconf.com – covering ITI's library conferences worldwide.
ILI365/InfoToday Europe Blog – infotoday.eu – news and ideas for, and by, innovative info pros from around the world, throughout the year.destinationCRM Blog – destinationcrmblog.com – a blog from the editors of CRM magazine, dedicated to providing Customer Relationship Management information in a timely manner to connect decision makers and providers.
SpeechTech Blog – speechtechblog.com – updates on speech technology and its applications in daily life, covering everything from ASR to VUI, with lots of links, threads, and even a few pictures thrown in for good measure.
Edited by Robert Berkman, The Information Advisor's Guide to Internet Research explores, evaluates, and provides critical analysis of free and fee-based information resources, web-based services, and search strategies to help you maximize your time and keep you up-to-date on the internet's role in research.
In addition to at least one feature by business specialist Berkman, each issue of The Information Advisor's Guide to Internet Research includes an in-depth article by Ran Hock, author of The Extreme Searcher book series and well-known seminar speaker, who checks out a major web resource.
Four regular columns are rotated; two appear each issue and give readers suggestions for cool internet tools to check out (Brian Smith McCallum, M.L.S., public and academic librarian); sites to turn to for more scholarly research needs (Briana McGuckin, reference and instructional librarian); sites to go to that provide information for the common good (Susan Fingerman, retired librarian instructor, STEM); and sites that give you "big data" facts and figures on a range of topics (Jackie Shane, former reference librarian).
Computers in Libraries magazine has posted its 2019 editorial calendar and has issued a call for article proposals at infotoday.com/cilmag/contrib.shtml#themes.


text:
Please check out my new podcast with Greg from "Occult of Personality"
German director Wolfgang Peterson's films were used as synchro-mystic crystal ball in Part 1 while investigating the validity of the claim that George W. Bush is a blood relative of Aleister Crowley. Specifically, the film "The Never Ending Story" was shown to contain Sphinxes (resonating Horus) and a reference to the "Moonchild". We looked at another Peterson film, "Air Force One" with Harrison Ford, as it concerns the President of the U.S.A. and a terrorist airplane hijacking, in resonance with 9/11. Included in this "Air Force One" American President and 9/11 resonance was the concept of the Holy Grail, the Grail having been the prize Harrison Ford (as Indiana Jones) searched for in the heavily Templar-themed "Indiana Jones and the Last Crusade". This post will continue using a few Peterson films syncromysticly. That is, I will look for meaningful coincidences involving these films, that resonate with occult and mystical significance and much more...
Peterson's Brad Pitt-starring "Troy" has been mentioned in these pages before as has the concept that many historical and biblical references believed to be "Israelite" are in fact real Egyptian Hyksos Pharaoh incidents that have been altered over time to suit the currently reigning ideological agenda.
Another posts dealing with Egyptian Hyksos Israelite syncs:
Akhenaton the Ancient Astronaut and the 9/11 Stargate
Ralph Ellis posits that the Trojan war was another such obfuscated historical incident. The reality of the Trojan war (as portrayed in Homer's "Iliad") being rather an invasion by Hyksos-Israelite forces into Egypt than as generally believed "Greek" forces trying to recapture stolen Helen.
"As I have speculated previously, one possible explanation for all of this is that the Sea People confederation was organized and lead by elements of the exiled Hyksos-Israelite nation... lead by the descendants of Pharaoh Dannus [Pharaoh Ay]" p.199, "Eden in Egypt"
Can any esoteric Egyptian resonance be found in or surrounding "Troy" and other pop-culture Trojan war references that might help support this claim?
Brad Pitt's presence in "Troy" alone already helps support this Hyksos-Trojan connection as his girlfriend Angelina Jolie has battled the Illuminati in "Tomb Raider". She is seen, in the Indiana Jones inspired film, jumping into a stargate (time vortex) and running up a giant pyramid after an artifact that resembles a free-floating triangular capstone or Benben. Pretty cool for our speculation; still a very poor film.
Another way of confirming the specific occult pyramid resonance of Brad Pitt is by sighting his leading role in last year's simply and relevantly titled, "Babel". Babel, the famous biblical tower that aspired to reach the heavens, is another intentionally veiled reference to the Great Pyramid of Giza, according to Ralph Ellis.
I have repeatedly pointed out over the last few posts how the Twin Towers and building seven intentionally invoked the three Great Pyramids at Giza during their ritualistic destruction. Interesting then, to see how the Tower of Babel and the Twin Towers can all esoterically be viewed as veiled pyramids.
A quick rundown of the most compelling evidence that the Twin Towers and building 7 were intended to symbolize and invoke the three great Pyramids of Giza:
*The floor plan of the WTC plaza seen from above reveals the Twin Towers symmetry to the two great Pyramids at Giza.
Overhead plan of the WTC complex compared to the layout of the three Great Pyramids of Giza. The double squares of the Twin Towers are a very good match for the Great Pyramids. Contemplation of the Orion/Pyramid connection observation made by Robert Bauval lead to this WTC/Pyramid clue.
*A profile view reveals the similar relative sizes of the ancient Pyramids and their modern counterparts, the Twin Towers and building seven.
Two almost equally sized buildings, WTC 1 and 2, and one much smaller WTC 7.
Compare the three Great Pyramids of Giza, two larger, one much smaller.
*The first degree Masonic tracing board's three pillars makes this comparison far more compelling realizing that the three pillars have the same relative sizes as the three towers destroyed on 9/11 and that the pillars themselves are modeled, originally, after the three Great Pyramids of Giza and Solomon's Temple (itself based on the layout and design of Giza).
"For instance, this is why the tracing board portrays the three pillars as all being of different heights, with two larger pillars in the foreground and a much smaller one behind. This is not simply a matter of perspective, as the two foreground pillars are placed at exactly the same depth within the picture, but are given slightly different heights; while a much smaller pillar lies behind. Yet this depiction exactly reflects the reality at Giza, where two major pyramids are nearly but not quite of the same height, while the third is much smaller."
"Eden in Egypt," p. 165, by Ralph Ellis
*"The Sphere" sculpture which stood right in the centre of the WTC plaza was deliberately intended to represent the Kaaba at Mecca, a holy Muslim sight of pilgrimage believed by the faithful to contain a black stone which fell from heaven or was given to Abraham (a Hyksos Pharaoh). The black stone could be a meteorite or representation of the Benben (heavily pyramid resonating) or provocatively, both!
* The destroyed buildings in N.Y. were situated on an island (Manhattan) just like representations of the primordial mound rising from the watery chaos in ancient Egyptian creation myths and seen portrayed in Masonic imagery.
The Island of Manhattan, with its three pillars: WTC 1, 2 and 7.
The primordial mound of Atum (island) rising out of the chaotic waters of the void. The mound/island sports the three candles representing the three pillars of the first degree tracing board, themselves, as we have learned thanks to Ellis, representations of the Great Pyramids of Giza. This image was scanned from a third degree certificate I bought at a flea market.
For more details on this subject try:
Contacting God our Alien Creator: The Occult Motivation for the 9/11 Mega-Ritual
Having shown convincingly (I believe) how the Twin Towers and building seven are intended to invoke the Pyramids of Giza in a decidedly Freemasonic symbol system and having learned the true identity of the Tower of Babel as pyramid itself, we can now see how towers have in many instances been used as veiled pyramids and how Brad Pitt's "Babel" (nominated for best picture and director Oscar this year) synchromysticly invokes the Pyramids of Giza.
Getting back to the Trojan war we have a classic bit of Monty Python comedy to ponder. In "Monty Python and the Holy Grail" we see a 'Trojan Rabbit' spoofing the famous giant horse the Greeks used in the "Iliad" to fool their way into Troy. A very overt sync between the Holy Grail and the Trojan horse can now be put forward for our consideration and illumination. The Grail is esoterically believed to be the Royal Bloodlines of Jesus Christ, still existing in certain monarchy of Europe through Mary the wife and sister of Jesus. It is also a simple task of connecting the Grail and the Trojan story line through proximity to King Arthur (a Grail legend) in the classic Python film. Aliens are included as the Pythons have featured E.T.'s numerous times in their routines and films. One such relevant connection is seen in "Life of Brian," where the messianic Brian is abducted by aliens, later to be crucified by the Romans as heretic. The Royal Bloodlines (Grail Kings) are, of course, believed to be descended from the Hyksos Egyptian Pharaohs (see researchers Michael Tsarion, Ralph Ellis, etc.) and aliens from Sirius or some such other worldly location (David Icke, Michael Tsarion, etc). Pharaohs like Akhenaton are shown in wall carvings as having grey alien features. Akhenaton was probably either expressing his own blood connection (DNA passed down from Atlantis/Mu?) or secret knowledge of the image of the gods. Connecting the Trojan (Hyksos Pharaoh) story to aliens as well as Egypt is another ulterior motive of the author as we head later to 9/11 (the modern pyramids of N.Y.), the stars and planet Mars.
I did a piece connecting the Grail to Mary and aliens here:
Pharaoh Jesus and the 9/11 Stargate. (WTC Pyramid: Part 1)
The idea of aliens involvement in humankind's early history and Royal Bloodlines carrying more original alien DNA in their bodies seems to divide many occult researchers and polarize readers. Some delight at the intrigue while others find it just too outlandish and unsubstantiated. Either way the syncronicities involved in 9/11 and Egypt point that way and my attention follows. As is my habit, I suggest accepting UFOs, aliens, stargates, etc. as metaphors for higher cosmic consciousness, illumination, etc. Therefore, in my view, the Royal Bloodlines could also be the 'Illuminati wizards' who understand magick and shamanic ecstasy as opposed to folks who have alien links. You may choose whichever fits your belief system more snugly, Illumination or real aliens who have interacted with mankind in the past, present or future... Really 'hip cats', in my opinion, would be able to see both possibilities at once.
Two Simpsons episodes deal with the Troy story. "Lemon of Troy" (above) shows Homer and company exiting a motor home used as Trojan horse ruse and "Tales from the Public Domain" (below) with Homer as Odysseus.
Connecting Homer Simpson (our Greek/Hyksos adventurer) to the esoteric grail tradition and occult view of Egypt is a simple task, much of which was already done in the previous post (Part 2 of this 3 Part series).
Homer as a Pharaoh, King Solomon presiding over a dispute involving Jesus (Grail King), being initiated into the Freemason inspired Stonecutters and fighting with George H.W. Bush.
Homer is seen in the episode "Two Bad Neighbours" (below) trying to fool George H.W. Bush with two cardboard cut-outs of his sons George W. and Jeb.
Within the mechanics of synchromysticism we can now speculate that George W. Bush is a puppet controlled by secret society forces involving the Egyptian Hyksos Pharaohs (as Homer invokes all of these). We can throw in the god Horus, aliens and Aleister Crowley as influences through the presence of Bart in this cardboard cut-out incident, just for good measure. See Part 2 for Bart/Sphinx/Horus 'sync-nificance'.
One more Simpsons sync that helps this esoteric view of the Trojan incident and we can move on to space/Mars. Above we see into an imagined future world of Bart from the "Lemon of Troy" episode. A close look will reveal a pyramid and even a Grey type alien in the crowd of onlookers. The crowd declares Bart, a synchromystic composite Hyksos Pharaoh and Aleister Crowley resonator, their new god!
Peterson's 1985 film, "Enemy Mine," leads us into space and reptilian alien themes as Wikipedia informs us: During the 21st century interstellar war between humans and Dracs (reptilian-like aliens) (presumably 'Drac' is the human name for the species rather than their own, as it implies the Latin word for 'dragon').
We have thus far, in these three posts, connected Peterson films "Air Force One" (President of the U.S.A, Terrorism, The Holy Grail), "The Never Ending Story" (Sphinx, Aleister Crowley), "Troy" (Pyramids, Occult Hyksos Egyptian History) and now "Enemy Mine" (reptilian aliens named after dragons, no less). Synchromysticly we can now consider all the attributed occult resonance of these films intimately connected to the concepts specified in brackets.
A short whimsical narrative about the attributes connected to these films would follow: The dynastic president of the United States "Moonchild" Bush, a secret society initiate and/or puppet connected to the Royal Bloodline of Jesus and one who is involved in the 9/11 mega-ritual. Through the fraternal occult networks connected to the wizards/magickians of ancient Egypt and possibly Atlantis, the human race is being prepared for the New World Order by the opening of stargates, involving aliens (cosmic illumination).
The poster of "Enemy Mine" sees a comet between the human and reptilian alien echoing (or giving me an excuse to mention) the recent arrival of Comet McNaught which made a dramatic entrance into human consciousness in the southern hemisphere of our planet. The fact that it was visible in the area of Venus in the night sky will become very relevant when we discuss Mars and theories by Immanuel Velikovsky.
It was visible in the northern hemisphere near Venus...
Part 1 of this series dealt with Orson Welles.
Orson Welles' last job before his death was voice acting as the planet destroying Unicron in the animated 1986 "Transformers" movie. Michael Bay and Steven Spielberg will be subjecting us to a revamped and updated 'slicker than snot' live action version this year. The wisdom of this move remains to be seen. As well as the Orson Welles connection, which causes "Transformers" to resonate with Crowley and Bush (see Part 1), this film brings Mars back into the occult synchro-web. Well, Mars is already invoked by the mention of Orson Welles given his "War of the Worlds" radio drama involvement but becomes doubly confirmed with Spielberg now in the mix, having remade the Martian invasion flick "War of the Worlds" in 2005, based on the same source. O.K, in fact Mars' relevance is completely overwhelming when we view the teaser trailer which sees Mars itself as part of the plot of the trailer, involved in a NASA conspiracy (just to make things perfect for my investigation).
The "The Mars Mystery" by Graham Hancock, Robert Bauval and John Grigsby posits that NASA has possibly covered up many facts about the Martian planetoid, including knowledge about non-natural objects on Mars, the Cydonia region specifically. Could NASA know more about Cydonia than it has admitted? Could it have discovered something there which it has decided to withhold from the Public? (p. 139)
Our own impression is that NASA has attempted to manipulate public perceptions concerning the issue of artificial origins at Cydonia and that it does seem to be covering something up. (p. 147)
It is even mentioned that NASA's true intentions behind certain missions to Mars might be more occult motivated than scientific. On Independence Day, 4 July 1997, NASA's lander Pathfinder touched down...Richard Hoagland was the first to point out that Pathfinder has a pronouncedly tetrahedral design with distinctive solar panels in the form of equilateral triangles. Moreover its landing site in Ares Vallis is located at 19.5 degrees north latitude (p. 136) More significance will be attached to this excerpt shortly.
For more controversial info online about space anomalies and NASA cover-ups try:
Researcher Richard Hoagland, a popularizer of the Face on Mars hypothesis and a veteran of the field at his websight:
Goro Adachi, a major personal influence of mine and master 'sync searcher' also has much to say about Mars and NASA:
Some interesting and relevant Mars related links from Etemenanki:
A very rough synopsis of the occult relevance of Mars hinted at by these and other sources, necessary for the full understanding of the amazing relevance of the Orson Welles "Transformers" (original animated and new live action film) sync would go tentatively given my developing understanding of the topic, as such:
The make-up of the solar system was vastly different at a far more recent point in Earth's history than currently maintained by orthodox astronomy. The planetary line-up, their geology and the solar systems constitutional parts were altered by large catastrophy(ies). Mars was inhabited by 'higher (humanoid?) life' or at the very least had an atmosphere and running water suitable for microbes or 'lower-life' forms. Following this(these) catastrophy(ies) intimately linked to Earth's own destructive past (ice age, deluge, Atlantis, etc.), the vibrant living Mars was rendered desolate. The inhabitants of Mars came to Earth, either mixing (DNA tampering?) with the extent population or being the original 'seed' that formed the Earth's population themselves. In less extravagant versions with a much older time line the 'seed' could be primitive life that sparked Earth's eco development. Models for the nature of the catastrophy(ies) are many but 2 important ones in my humble experience would be:
*Tom Van Flandern's Exploded Planet Hypothesis (EPH) in which Mars was a moon of a larger planet, remnants of which form the asteroid belt.
*Immanuel Velikovsky's theory that Mars was involved with numerous colisions with Venus, which was itself originally a comet! For more on this wonderful theory, read the hypnoticly vivid "Worlds in Collision" by Immanuel Velikovsky.
Remember that Comet McNaught was visible near Venus? I think it can be justified to get the feeling that Comet McNaught was highlighting Venus. This becomes very interesting considering Velikovsky's speculation of Venus as a comet and disruptive force in Mars' history. As if to solidify this line of reasoning, the cosmic giggle gave us another Venus highlight in the form of a film overtly called, "Venus." It's release coincided very closely with and theatrical run co-existed right alongside McNaught's flight through our planet's sky...
Peter O'Toole played Priam, King of Troy, in Wolfgang Peterson's "Troy," giving us a nice little sync-echo that harks back to this post's earlier emphasis on the suspected Hyksos-Trojan connection. Is the esoteric Comet Venus connected to the occult history of the Hyksos-Israelite-Sheppard-Pharaohs? Readers of Velikovsky's "Worlds in Collision" might know already, but more speculation in that direction will have to wait for future posts.
Ben Fairhall touches upon planetary intrigue in a new post over at his blog, "Battling the Behemoth". He has also mentioned the "Venus" film in an esoteric light there.
Researchers who adopt this line observe that the commonly accepted interpretations of ancient symbols and texts assume a consonance with present reality, whereas an entirely different astronomical order pertained a mere six thousand years ago. Could the symbols and poetry of the ancient world point to a far more distant epoch, when the skies contained things entirely unfamilar to us moderns?
If we now, armed with this knowledge about 'Mars and Comet Venus" and Flandern's EPH, look back at Orson Welles' (narrator of the historical Martian invasion radio drama incident) planet-destroying character, Unicron from "Transfomers," our ears should be opened to the cosmic giggle laughing at us very loudly indeed.
The above screenshots from "Transformers" shows Unicron, a giant alien robot voiced by Orson Welles, destroying a populated planet. Let's take a tally of the context and see if we can make anything of this complex sync. Welles is connected to Charleton Heston (Moses/Akhenaton) through "Touch of Evil" (see Part 2) and Aleister Crowley through the character Le Chiffre in "Casino Royal" (1967 version), thus George W. Bush "The Great Beast 666's" suspected grandson. "Casino Royal" also saw a cameo by Peter O'Toole from "Troy" and "Venus." Welles is also intimately connected to Mars through the "War of the Worlds" radio play which caused real life panic about alien attack, an event believed by some to be a reason for government apprehension to admit and cover-up knowledge of 'vistors'. The Crowley resonance of Welles makes it important to highlight the fact that Crowley meditated in the King's Chamber of the Pyramid before 'receiving' "The Book of the Law" through Aiwass (angel/alien), messenger of Horus (see Part 2). Remember that Mars itself invokes the Great Sphinx according to "The Mars Mystery" (relevant passage quoted in Part 1 and 2) and Goro Adachi.
Goro on Mars-Sphinx, WTC and Iraq:
Within the mechanics of syncromysticism I would say that the above sync, Unicron/Welles (resonating Mars, Crowley) destroying a populated planet, gives us good clear confirmation about Mars' suspected status as ancient inhabited world devastated by another planetoid in some manner, knowledge of which is known and suppressed by the higher levels of the secret society networks. Syncromystic proof; for empirical data I fear we must wait patiently in hope that the shadowy NASA isn't actively suppressing such knowledge. Until then, here's some more crazy cool "Transformer" action...
Another shot from a different teaser trailer for "Transformers" shows the alien robots arriving like a comet, again echoing Comet McNaught and the Venus Comet concept.
Remember "Tranformers" resonates Mars (through Welles and the NASA conspiracy teaser trailer), which makes its release date amazing for the following reason. In Velikovsky's "Worlds in Collision" we read in the Part 2, Mars, under the subject title "The Year -747".
"If this conclusion is correct the upheaval took place in the year -747". (p. 217) The upheaval referred to here is the Martian planet having an encounter with the Venus Comet, the resulting destabilization of Mars, Venus and Earth, affecting the earth profoundly and disastrously. This is a simply amazing sync and I for one would not begrudge a person, taking into account the "Transformers" Mars NASA conspiracy trailer, for thinking some kind of occult intention was at play in the minds of the film makers. But the universe's amazing interconnected underbelly, when exposed, tends to make things look like a controlled and directed conspiracy perpetrated by human agencies and one cannot rule out the "cosmic giggle" factor in these matters. Usually I opt for a bit of both, depending on the particulars of the sync.
The Pentagon, in the new Mars resonating "Transformers" film.
The release date of 7.4.7 (4 July 2007) seen dissolving into a shot of the Pentagon in the teaser brings up a pair of interesting 'coincidences' to mull over, considering esoteric interpretations of the true meaning of America's Independence Day. Graham Hancock and Robert Buaval's epic book "Talisman" elucidates:
It is the date of the Templar's massive defeat by Muslim armies in the Holy Land at the Horns of Hattin on 4 July AD 1187, which was followed by the loss of Jerusalem to Christendom. There could therefore hardly be a more evocative 'Templar' or 'Solomonic' date than 4 July - evocative, that is, of the aspiration to build Solomon's Temple in Jerusalem. The reader will also be aware, of course, that 4 July is Independence Day in the US, commemorating the signature of the Declaration of Independence and converting the date forever into a powerful talisman that spells out 'Independence' and 'Freedom" for the New World and, now by and large, for a new world order. (p. 470)
The attentive reader (I'm never one when writers say that...) will remember having seen the, as we now know occult date of 4 July, once before in another quote by the same authors in this very post. I will repeat it here for hopeful maximum dramatic effect:
On Independence Day, 4 July 1997, NASA's lander Pathfinder touched down...Richard Hoagland was the first to point out that Pathfinder has a pronouncedly tetrahedral design with distinctive solar panels in the form of equilateral triangles. Moreover its landing site in Ares Vallis is located at 19.5 degrees north latitude. (p. 136 "The Mars Mystery")
Let's get this all straight, as we have much to chew on. The amazingly overt Mars-resonating (even in a deliberate NASA Mars conspiracy context), alien-themed "Transformers" film highlights the Pentagon and the 'Templar' date of July 4. The Pentagon, obviously in my work, will be sited as a 9/11 reminder. We can thus in one image (the Pentagon/July 4 shot above) see almost the whole syncromystic narrative I am trying to put forward. The key elements are 9/11(represented by the Pentagon), secret society conspiracy (represented by the 4 July 'Templar' date and the implied pentagram of the Pentagon) and 'Mars/aliens' (represented by the fact that this is an image from "Transformers"). Adding to this, we have the speculation of NASA using tetrahedral-wrapped robots to explore and perhaps communicate occult messages to non-terrestrial intelligences through ritualized magickal invocation, using symbolically significant talisman on occult dates and meaningful co-ordinates.
Pathfinder is also the name of a film to be released on 27 April 2007 including pre-Columbus contact between the Vikings and Native Americans. The idea of contact between Europe and America before Columbus is an esoteric standard often connected to the Knights Templar. Reflect for a second, with the above context and taking into account what we have discussed thus far, on this little fact.
Landing on Mars was planned for July 4, 1976, the United States Bicentennial, but imaging of the primary landing site showed it was too rough for a safe landing.
This was the very mission (Viking 1) that captured the first photos sparking the Artificiality of Cydonia theory, again connected to 'Templar' date July 4.
The face on Mars has been connected to the Sphinx in works like "The Mars Mystery" because it seems to have a Pharaohnic Nemes as is seen on the Sphinx. In more recent times, newer photos have convinced researchers like Hoagland, Adachi and David Flynn that the face is half human and half lion. If true, this would fit like a glove with the attributes already connected to the Pyramids' giant sentinel, the Sphinx. Part 2: "The Sphinx/Horus and the 9/11 Stargate" explored the connections between Pyramids of Giza's giant stone sentinel, the Sphinx and Horus. Speculation was aired about the significance of Aleister Crowley's communication with Aiwass, a messenger of Horus, after meditating in the King's Chamber of the Great Pyramid. Added to this was the possibility that George W. Bush is Crowley's grand-son. It was suggested that if the blood relation is true, the fact that George W. was presiding as President of the U.S.A. over the 'Pyramid mega-stargate-rituals of 9/11' (as I believe) during September 11, 2001, surely a significance must exist between the fact that his grand-father, Aleister Crowley, received 'alien' communication, ushering in the new Aeon (of secret societies like the O.T.O.) in the Great Pyramid through "The Book of the Law"! Then if Horus was the 'alien' (angel, cosmic intelligence, Great White Brotherhood or whatever) who communicated through Aiwass to Crowley and the Sphinx is a representation of Horus and Mars, couldn't a distinct and tantalizing connection exist between Crowley, Bush, and 9/11?!
Can we connect the possible dynastic secret society lineage of Bush/Crowley to 9/11 and aliens? Aliens are relevant as my current belief system sees the purpose of the 'Pyramid mega-stargate-ritual of 9/11' as involving fraternal secret society higher ups (Illuminati, if you will) trying to send occult messages to their alien creator god (perhaps our creator?). This message operates, in a similar fashion, as the Mars Pathfinder tetrahedron. The timing and symbolism at play in 9/11 may be a kind of 3-D space/time communication to be picked up by non-local cosmic intelligences receptive to such techniques. A variety of metaphors could be suggested for the above statements that might help one swallow this bitter pill if it is not to your particular liking or engenders fear. Fear being the last thing I hope my work might stimulate. High level mystery school initiates using our very cities and bodies to stage and power their magickal emails to aliens could certainly be construed as alarming, I concede. Another slightly less sensationalistic way of explaining this is that a bunch of over-developed third eye occultists, attempting transcendental illumination through elaborately staged rituals, are causing trouble on our planet. We have to open our hearts (chakras) to these people and reclaim our own ecstatic connection to divinity.
The above scene from "Scary Movie 4" amazingly connects 9/11 to aliens and the President. Leslie Nielson is seen enacting a parody of the famous video, taped the first moment George W. Bush supposedly heard about the terrorist attacks, while reading along with elementary school children from "The Pet Goat".
In "Scary Movie 4" however, terrorist attack is replaced with aliens that are destroying the earth, as Nielson is being informed in this scene.
(Please see Part 1 for more George W. Bush syncs).
If we are looking at Aleister Crowley's grand-son in the image above reading "The Pet Goat," another part of the 9/11 mega-ritual might be revealed.
Jack Parsons, one of the founders of NASA Jet Propulsion Laboratories (JPL) and Crowley's hand-picked leader of the Ordo Templi Orientis, would invoke Pan (A Greek Goat God) with 'The Great Beast 666's' very own poem, "Hymn to Pan".
He is less well known than Wernher von Braun or Theodore von Kármán in the rocket program and the origins of JPL. Nonetheless, von Braun remarked that Parsons, and not he, should be regarded as the father of the American space program.
Before each test launch, he was in the habit of invoking Aleister Crowley's Hymn to Pan, the wild horned god of fertility.
Reflecting on this masterpiece, "Pan's Labyrinth" created a causal chain that uncovered the Bush/Pan invocation.
Is 'Moonchild' Bush sending a coded message to the upper echelons of the occult fraternities with his veiled invocation of Pan, or is the universe's uncanny synchronicity and entrainment exposing itself to our eyes? Is it the embedded seamless interconnectedness of all things merely playing with itself through coincidence and conspiracy? Could George W. Bush be unaware of how his possible dynastic roots are pulling him into the strange attractor of destiny? Is it just a coincidence that the "Skull and Bones" member is reading about a goat as the world is ushered into a new Aeon?
I can't find confirmation of this fact online but Michael Tsarion claims in his lecture, "The Subversive Use of Sacred Symbols in the Media," that John a.k.a. Jack Parsons helped design the Pentagon.
How does the Pentagon fit into the 9/11 ritual? I have pointed out in earlier posts that the Pentagon implies obviously, a pentagram and that this connects it easily to Freemasonry through their five-pointed "Blazing Star". The identity of the particular heavenly body this pentagram represents varies from researcher to researcher but whether it be Venus, Sirius or the Sun itself makes little difference to its undeniable esoteric allusion. All three speculated identities would yield interesting results. Be it Venus, it could remind us of Mars' violent past encounters with Comet Venus, perhaps memorialized by the design of the headquarters of the United States Department of Defense. Indeed, Velikovsky says Venus became a planet after emerging from it's comet tail cloud and could be the original new "Blazing Star" in our skies, later deified by ancient cultures. Sirius would connect the structure to Isis and remind us of her child Horus (also well-connected to Mars) and of course point towards the most often sighted local of our possible alien creators and/or genetic manipulators. Be it rather closer to home and merely the Sun (the real Eastern star?), it would still pass as the primary symbol of Akhenaton's Aton and central to the Egyptian roots of America's hidden masters. Further, we can connect the sun and all three possible five-pointed star candidates to Horus thusly:
The religion of the ancient Egyptians metaphorically linked any source of light with spiritual enlightenment. They also linked by association the eye as a collector of light to the sources of light. The Sun and Moon were thus often described as "eyes". The Egyptians also tended to merge their gods as if they were a continuum. The creator god Atum and the Sun god Ra/Re became Atum-Ra/Re. Similarly, through the association of sunrise with resurrection the god Horus became the patron of the rising Sun.
Therefore, whatever the 'real' intended heavenly body (if not indeed any light source in the heavens is applicable), the very idea of a "Blazing Star" connects the Pentagon through the pentagram to Horus and through Horus to Mars.
A companion of the controversial 'face' in Cydonia is a speculated five-sided pyramid, the D&M pyramid. In all honesty, I have never been too warm on the photographic evidence of Cydonia but there are many facets of this site that warrant closer attention and where the syncs lead I follow...
As the above image and the earlier Cydonia complex overhead shot indicate, the D&M pyramid and other features and mathematical relationships between them have the 19.5 number encoded in their geometry. Remember that 19.5 is the latitude where Pathfinder, the speculated occult NASA message, landed on Mars. Many crop circles, such as the famous Barbury Castle, have the tetrahedral resonating 19.5 number embedded in their make-up. Again we ask ourselves, is it intentional human-type agencies who interact through conspiracy in these matters or are we seeing the notes that make up the universe's beautiful symphony. In my opinion, it's a bit of both mixed together in different amounts depending on the individual case. In fact, the conspirators and the researcher might be involved in the beautiful symphony itself, the universal game of chasing your own tail, AUM!
So let's see... There is a five-sided, extremely likely "Blazing Star" representation, giant Pentagon in America as an important government building, construction of which started on 11 September, 1941. This building was part of what I have already called the "Pyramid-mega-ritual of 9/11". We have connected it's "Blazing Star" design to Horus and Mars. Now we also have a giant speculated five-sided pyramid on Mars. I would surely be negligent not to make a few observations.
The partially collapsed 'D&M Pyramid', on the other hand, is pentagonal -- echoed by the U.S. Pentagon partially destroyed in the 9/11 attacks.
Goro Adachi already made a connection between 9/11 and Cydonia back in 2002; it simply amazes me that I have not run across mention of this fact til starting to write this article. The man toils in relative obscurity while the rest of us are years in his wake.
As he says, the partially collapsed 'D&M Pyramid' echoes eerily the similar collapse on 9/11 of one of the sides of the Pentagon (Blazing Star) during the ritual. Could this sync be an intentional message sent by our secret society networks to our alien forefathers? Is it rather, the collective unconscious of mankind picking up the symbolic language on Mars and mimicking or sending messages to non-local intelligences in a strange unconscious fashion? Are these events so hypnotizing to some of us, leading us to view them from so many angles til they fit our unconscious desire to believe in the most ridiculous scenarios that can't really be proved or disproved? I can entertain many viewpoints but must admit my bias at this moment leads me to be suspicious of our hierarchical governments and their probable 'wizard chiefs' connections to cosmic intelligences.
As well as being partially collapsed, "The Mars Mystery" also points out that the D&M pyramid has a tunnel-like hole or entrance into the pyramid's side. Was part of the ritualistic connection on 9/11 between the Washington Pentagon and the D&M pyramid made to highlight this 'tunnel/hole'? Whatever hit the Pentagon left a tunnel in it's side; was this intentionally done to mimic the D&M pyramid?
We now have the possibility of including the Pentagon itself as a pyramid-referencing talisman in the 9/11 mega-ritual. Thus the major players of 9/11 WTC 1, 2 and 7 (referencing the Giza monuments of Earth) and the Pentagon (referencing Cydonia of Mars) are all likely veiled pyramids!
Online photos of the D&M pyramid and the tunnel/hole:
Ideas concerning the Pentagon involvement in strange alien activities is firmly embedded in the pop-culture sync-web.
An alien fetus being filed inside the government's giant magickal talisman in the "X-Files" season 1 ending.
Robert Anton Wilson and Robert Shea's cult classic conspiracy novel, "The Illuminatus! Trilogy" (circa 1970), has a prophetic moment involving the Pentagon and alien themes. The Pentagon in this novel is a five-sided temple that magickly imprisons the Yog Sothoth, an H.P. Lovecraft Cthulhu Mythos, Outer God. The former residence of this creature in the novel was a giant five-sided pyramid in Atlantis.
In any case, at 5:55 P.M., Washington time, a series of explosions destroyed one-third of the river side of the Pentagon, ripping through all four rings from the innermost courtyard to the outermost wall. (p. 361)
This sync helps lend weight to the idea of the Pentagon as magickal talisman and connects the structure again to aliens and pyramids (five-sided Atlantian ones, no less!).
The recent, uncomfortably humorous terror scare in Boston, involving an LED ad campaign also lends synchromystic alien undertones to American "terror" attacks. The character (Mooninite) the campaign was using in its promotion was an alien from the show, "Aqua Teen Hunger Force".
Goro Adachi has a particular interest in octagons. A primary reason to be concerned with this shape lies in the octagonal floor plan of the Dome of the Rock. The Dome of the Rock is the supposed location of the Temples of Solomon and a residence of the Knights Templar. Goro has pointed out many fascinating syncs involving octagons, most recently the "DHARMA Initiative" logo and doorway shapes in the show "Lost". The Dome of the Rock and Solomon's Temple seem, like Egypt's Great Pyramids and the WTC, likely candidates for locations where Pharaohnic Hyksos (or related 'Illuminati' wizards) mystery school initiates have opened stargates to heaven (contacted aliens). The faithful believe the rock to be the location where 'Pharaoh' Abraham ascended to heaven and communed with Moses (Akhenaton or his chief priest) and where 'Pharaoh' Jacob saw a stairway to heaven. Both these events sound like obvious ritualistic stargate (cosmic illumination) events to my mind.
Another occult "Lost" moment happens inside the mysterious hatch in season 2 (I forget the specific episode) when Lock is seen filling in a crossword puzzle.
42. Question: "Enkidu's Friend". Answer: "Gilgamesh".
Folks familiar with Zecharia Sitchin and William Henry will recognize these ancient Sumerian God names as suspect ancient astronauts (our alien creator gods).
The octagonal structure above is the Millennium Gate from "Star Trek Voyager" episode "11:59". It's name and shape express the gate and octagonal stargate themes explored herein. Included in this sync is the esoteric theme of building important structures on significant dates. As if there is not enough relevance, the cosmic giggle decides to throw us a bone. When we watch this episode (a pretty boring affair, mind), we learn that the Millennium Gate was 'the world's first self-sustaining civic environment' and--wait for it--'the model for the first habitat on Mars'.
Were I one given to rash sensation-seeking comments I might draw the following conclusion. Considering the stargate-themed sync echoes connected to the WTC, Pyramids of Giza and Dome of The Rock and the mysterious syncromystic links to Mars and Cydonia, is it possible that Mars is the location of a former or present (heaven forbid future) stargate? Syncromysticly, I would be inclined to say: Yes.
Beyond debate, synchromysticly or even empirically, secret societies use public structures as talisman. Read Hancock and Buaval's "Talisman" should you have some internal conflict with this concept. Given all the mysterious allegations put forward in these whimsical pages of "Illuminati wizards" and their extra planetary tomfoolery, reflect again on one more blatant occult structure...
The Freedom Tower--which I submit as the most erroneously titled structure in history--to be built on ground zero at the sight of the "Pyramid-mega-stargate-ritual of 9/11". The laughably overt occult symbolism at play here astounds one as to the gall of our Apiarists. The building is 1776 feet tall (Illuminati founding date) and will be finished on 2012. Here's the 'kicker'--at it's centre, the "Freedom Tower" is a giant octagon! An octagon (Templar stargate symbol of the Dome of the Rock) built right over the grounds of the 9/11 sacrificial ritual space an their symbolic Giza plateau and primordial mound island. Are we seeing more of the bizarre ongoing occult practices of the fraternal organizations utilizing our public space without our consent to further their questionable divine aspirations?
Of note is the interesting similarities between the Millennium Gate from Voyager (the model for the first habitat on Mars) and the Freedom Tower, both stargate-themed towers with octagons incorporated into their architecture.
"At its middle, the tower forms a perfect octagon."
Freedom Tower -Wikipedia
It is possible that the octagon shape of the Dome of the Rock hails from the double square floor plan of the King's Chamber in the Great Pyramid. Remember that Crowley meditated in this same space before receiving the book of the law from an angel and that a small yet tantalizing possibility has been put forward that George W. Bush is Crowley's grand-son. The interlocked double square forms the eight-pointed star. By joining the points of the star we get the octagon, which the Templars used as inspiration for their famous red cross. If correct, we again see how the Pyramids of Giza are being invoked in the architecture at the WTC in N.Y. Whatever else we learn from this speculation, one thing the octagon at ground zero reveals is the simple fact that the ritual is not over...
Cosmic intelligences (angels, aliens and archetypes) with active interest in consciousness development on Earth use sensitive mystics and occultists like Crowley to aid evolution towards the stars (cosmic illumination) through carefully directed yet subtle interaction of mutli-levelled forces such as coincidence and conspiracy. Some ancient Egyptian priests and Royalty had contact with these intelligences through stargates, opened with technology such as ritual, drugs and talisman (Pyramids). Akhenaton/Moses opened the stargate (his third eye) and learned many powerful secrets, passed down through the higher levels of the secret societies or in some special cases, intuited by private un-affiliated shamans and mystics (psychedelic rebels like Robert Anton Wilson, Timothy Leary, Terrence McKenna, etc). These 'secrets' include the traditional new-age 'usual suspects':
Humankind is much older than generally believed, many ancient civilizations are now forgotten, our heritage is from the stars, aliens exist, and the really scary 'big secret'...
...we can all live together in unity and love...
Here is my first attempt at putting my ideas on video. It's 10 min. long, exploring my theory that 9/11 was an occult ritual invoking the Pyramids of Giza and the opening of a stargate.
The video is basically a slide presentation with some video footage.
Now you can get your friends who don't like to read up to speed on "The Pyramid Mega-Ritual of 9/11". Yeah, good luck with that...
I will be making more.


text:
Meet thousands of Delisle singles through one of the best Delisle online dating sites. Matchmaker.com has great instant messenger and live video Delisle chat service for our members. Delisle dating has never been easier with our show interest feature that will allow you to break the ice with attractive local singles.
Matchmaker.com has some great services for Delisle singles looking for a longer term relationship. Besides our great Delisle chat product with live video matchmaker users can send email messages to people in the area. The Delisle dating scene can be hard to find the right person at times; however, we are here to help and our Delisle online dating service is free to register.
DelisleJoin Now Free!
Delisle Girls | Delisle Men | Delisle Gay | Delisle Lesbians
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
More Delisle Links:
Delisle Personals | Delisle Speed Dating | Delisle Chat | Delisle Singles | Delisle Love
Senior Dating | Catholic Dating | Christian Dating | Muslim Dating
Black Singles | Asian Singles | Latin Dating
Try our Delisle dating service today. Matchmaker.com is one of the oldest Delisle online dating services on the Internet and has brought thousands of couples together from the area. Test drive our Delisle Chat room with one of the best online communities for the Delisle single person. Also, keep in mind that we have a huge member base of Delisle singles and that we also cater to members of the many backgrounds.
Still not convinced that matchmaker is the free Delisle dating service for you? Once you've filled out the quick registration process you will be to see full size photos and profiles of thousands of Delisle singles. Did you know that free Delisle dating is a few clicks away? Find love and romance in Delisle at matchmaker today!


text:
Last year, while doing research for our book, The Art of Will Davies, Simon and I had the great fortune of meeting legendary automotive illustrator Ken Dallison. What began as a quick visit to Ken's house to shoot a couple of Will's originals that he and his lovely wife Gwen own, and to hear a few anecdotes about Ken and Will's long friendship, became a day of storytelling during which Ken regaled us with the most entertaining and informative recollections of his own career. I think we decided that very day that if the Will Davies book was a success, we would absolutely have to do one on Ken next. If you'd like to help make that book a reality, please visit our Kickstarter page and pledge any amount. Here's Part 1 of a series of excerpts from my interview with Ken...
Ken Dallison: I went to art college in 1948. All the schools were in upheaval because the soldiers were coming home from the war.
(Above: Ken Dallison, Cycle magazine, 1967, reprinted in Illustrators 10, 1968)
Leif Peng: How old were you then?
KD: Fourteen.
LP: Fourteen? That would have meant you'd have been just starting high school if you'd been living in Canada.
KD: I was in high school… uhh… junior high school, which went up to age fourteen. In fact, if I had not had the good fortune to sit for that examination for art college, I'd have been out of school and graduated at fourteen.
LP: So at that point would they say, 'ok, time for you to learn a skilled trade' or something?
KD: No. Just go. Go out and find a job.
LP: At fourteen?
KD: Yeah. Anyway… when I went to the college I discovered there were other people out there that were not only good, but better than me. So I was like, 'Oh shit. This isn't going to be the joy ride I'd imagined.' But as it progressed… we never worked in oils in the two years in the school. We worked in metal a bit, we did wood working, and the life drawing class, I enjoyed. It was a great time.
(Above: one of Ken's life drawings, done on an unfolded paper bag, glued to a board - year unknown)
KD: After two years I left art college and my main strength was lettering. I could paint the alphabet in Norman Serif with balanced kerning on every letter to such an extent I was the top student for doing san serif or whatever was required. I did go into the other classes but by that point I felt somewhat of an inferiority complex… so when I graduated I went and got a job right away doing lettering. Lucky for me, lettering was in demand.
LP: Wow! So at sixteen you were working? Where did you find a lettering job?
KD: I worked for a government office doing cartography, repairing old negatives. So they had these glass plates in the old days for the originals, and if a river changed it's name, or a new road was put in, I would go in and do reverse lettering. I would write for example 'River Ueze' backwards in serif cut into the glass plate, because they used this sort of a gel film on glass… it was sort of like a soft plastic. So if you used a needle… those diamond-headed pens we have, you know, for wood engraving? That's what we used as well. So you'd scrape the old name out - but now you've got to do it in italics, and all the lettering is backwards.
(Above: One of the maps Ken hand lettered on a glass plate while working at a cartography office)
Anyway, there was two year compulsory military service in England so at age eighteen I signed up. And since my workplace was sort of a military operation anyway, my boss said, 'Do your military training and you can come back and work here if you want.' Which meant I could live at home, I didn't have to wear a military uniform most of the time (except for parade or something like that) so… basic training, about twelve weeks or so and I was back at my old job!
(Above: Detail of one of the maps Ken hand lettered on a glass plate while working at a cartography office)
Then one day I sort of woke up and went, 'Ken… what the friggin' hell are you doing? You went to two years of art school. You want to paint, you want to draw and what are you doing? You're doing bugger-all. You're doing this stupid backwards lettering. You're better than that!' So I went to look for a job in the advertising world in London. Of course my portfolio in lettering got me my first job right away. I was doing point of sale material, so if you had a little Mexican guy with a bottle of tequila and some type next to him saying 'Mexican tequila' there would be a label on the bottle wrapping around it, and guess who did the lettering? They had an artist do the figure and the bottle and I'd do the fade-away lettering on the bottle.
(Above: A sample aviation illustration Ken painted at age 16 or 17, while he worked professionally as a hand lettering artist)
Continued tomorrow.
We need your help to make this book a reality. Please visit our Kickstarter page today!
Celebrating illustration, design, cartoon and comic art of the mid-20th century.
Wednesday, August 03, 2016
Ken Dallison: "One day I sort of woke up and went, 'Ken… what the friggin' hell are you doing?' "
3 comments:
QUANTUM BINARY SIGNALSReplyDelete
Get professional trading signals sent to your cell phone daily.
Follow our signals today & gain up to 270% per day.
Want to join additional affiliate networks?ReplyDelete
Visit our affiliate directory to take a look at the ultimate list of affiliate programs.
Very Nice And Interesting PostReplyDelete
Inspirational Quotes - Gym Quotes
Best Quotes - Future Quotes
Image Bank - Positive Life Quotes
Success Quotes - حكم قصيرة
اقوال وحكم - حكم عن الحياة
Subscribe to: Post Comments (Atom)


text:
Knowledge of the science behind fires is critical to understanding a fireas cause and successfully presenting that determination to the authorities or in litigation. Now in its second edition, Scientific Protocols for Fire Investigation focuses on the practical application of scientific principles to determine the causes of fires. Uniquely qualified with years of experience in on-site investigations, lab analyses, and courtroom presentation, the author provides a resource that is unparalleled in depth and focus. The book explores: The history of fire investigation and the basic chemistry and physics of fire The science of fire dynamicsahow things burn and how they interact with their surroundings while doing so Practical procedures for conducting fire scene inspections Laboratory examination of fire debris to test for the presence of ignitable liquid residues and for potential ignition sources Relevant scientific principles as applied to 30 actual fires The evolution of the mythology of arson investigation The common root causes of errors in fire investigation The final chapter discusses the professional practice of fire investigation. It examines quality assurance, business practices, and the fundamentals of being an expert witness, with advice for giving testimony in depositions and at trial. Other highlights of the second edition include new and expanded discussions on novel training methods, first assumptions, computer fire modeling, low voltage ignition sources, the questionable validity of some origin determinations, and recent changes in NFPA 921. Thorough and accessible, this volume not only provides the practical information necessary to conduct an effective inquiry but also offers insight into the science, history, and theory behind what makes fire investigation a multi-faceted profession. John Lentini discusses the book in a video on the CRC Press YouTube Channel.... unusual was observed on the instrument display. The measurement revealed that the speaker was seeing not only the appropriate audio signal but also an inappropriate, constant 12-V DC voltageathe equivalent of connecting a car batteryanbsp;...
|Scientific Protocols for Fire Investigation, Second Edition
|John J. Lentini
|CRC Press - 2012-10-02
You must register with us as either a Registered User before you can Download this Book. You'll be greeted by a simple sign-up page.
Once you have finished the sign-up process, you will be redirected to your download Book page.How it works:


text:
Employee Pay Day*
- When:
- March 26, 2014
- Category:
- General Events
- Location:
- Details:
*Officially, pay day is the 1st of each month. The HR Department will continue to make every effort to have paychecks ready before that date.
HR calendar dates are intended for informational purposes only. Dates are subject to change. For policy questions, please refer to the Hill College Policy Manual.