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Jones Refuses to Comment on McCormack Future
Thursday, 12th Aug 2010 10:16
Cardiff boss Dave Jones refused to comment on striker Ross McCormack's future after Bluebirds' 4-1 extra-time Carling Cup victory over Burton Albion last night. Town target McCormack scored twice before handing his shirt to a supporter at the end of the match, something which has been interpreted as a farewell by Cardiff fans.
Jones says he doesn't speak about deals until they are done and dusted: "I'll talk about players when things are rubber-stamped and not before. While they're here they are Cardiff City players."
The Blues and Bluebirds are understood to be discussing a swap involving McCormack and Jon Stead with a double loan deal now reported to be amongst the options.
Town turned their attentions to McCormack having failed to land team-mate Michael Chopra.
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Be Careful What You Wish For... Which Was? by parkinshair
With the Paul Hurst era beginning in earnest in just a couple of weeks, so begins a new dawn, a new day, a new start, as the song goes. A change was needed.
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As an occasional poet of the third rate variety, I have been scratching around for a few weeks trying to think of a rhyme or song to fit our new manager. Paul Hurst is hardly a name to get the creative juices overflowing, which is due to its no-nonsense shortage of syllables rather than his achievements in the beautiful game.
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By Jacob Stockinger
If you are a fan of the award-winning program "From the Top" – which spotlights talented young classical musicians (below) and is broadcast weekly on National Public Radio (NPR) – you will want to know that this season is the last one for pianist Christopher O'Riley (below), who has hosted the show for the past 18 years.
NPR is not renewing his contract and O'Riley will NOT return for the 2018-19 season.
"From the Top" airs locally on Sunday nights — including tonight — at 8 p.m. on Wisconsin Public Radio (WPR).
You might recall that O'Riley — a gifted and award-winning pianist is his own right — has also played his own concerts in Madison.
Years ago, he played his solo piano transcriptions of rock songs by Radiohead at the Wisconsin Union Theater.
This past spring, he played a Mozart piano concerto to close the season of the Madison Symphony Orchestra.
For more about the 61-year-old O'Riley, here is a link to his biography on Wikipedia:
For the radio program, he accompanied some of the talented young classical musicians who were featured, and also provided short interludes of solo piano music, which were compiled on a CD several years ago.
For more about the show (below), go to: https://www.fromthetop.org and view the YouTube video at the bottom, which features a behind-the-scenes look at the show:
Although it focuses on string players who have appeared on "From the Top," here is a story, with many names and details, from The Violin Channel:
One thing worth mentioning is that O'Riley's departure will NOT mark the end of the show. "From the Top" will continue with guest hosts, some of whom will be successful or famous alumni of the show.
What do you think of the news about Christopher O'Riley?
What do you think of "From the Top"?
What do you think of Christopher O'Riley as a host and a pianist?
The Ear wants to hear.
By Jacob Stockinger
Many individuals and groups, large and small, like to program neglected works and new music.
But no one does it better than the Willy Street Chamber Players, who are now in the middle of their fourth annual summer season.
So what is the secret of the Willys?
Some clues were given at the outstanding and thoroughly successful opening concert last Friday night, when the Willys, with guest mezzo-soprano Jazimina MacNeil (below), played new music by Caroline Shaw, Colin Jacobsen and Michael Kelley – all to a very enthusiastic reception from the large audience.
More chances to experience such success and figure out the reasons behind it are coming up.
Tonight from 4 to 7 p.m. – and again on next Thursday, July 19, at the same time and place — at the Art and Literature Laboratory, 2021 Winnebago Street, the Willys will hold an open rehearsal. Admission is FREE, and you can bring something to eat and have a drink, including beer ($5 donation), as you listen and wander around to explore the space.
Then on Friday from noon to 1:30 p.m., during the Community Connect Concert for the whole family at the Goodman Community Center (below top) at 149 Waubesa Street, the Willys will perform "Leyendas: An Andean Walkabout" by the contemporary American composer Gabriela Lena Frank (below bottom) and the rarely performed "Procession of the Military Night Watch in Madrid" by the Classical-era composer Luigi Boccherini. (Starting at 11 a.m. there is also an instrument "petting zoo.")
(You can hear an excerpt from the work by Gabriela Lena Frank in the YouTube video at the bottom.)
On this Sunday from 5 to 6 p.m., the Willys will perform the same program — which also features some string quartet selections by Romantic composer Robert Schumann — for FREE on the Union Terrace (below).
Other regular series concerts include the rarely heard String Quintet in A Major by Alexander Glazunov on July 20 and "Light Screens" (2002) by Andrew Norman (below) on July 27.
For times, place and details about series and special concerts, and for other information, go to: http://www.willystreetchamberplayers.org/calendar.html
Anyway, the way The Ear sees it there are several reasons to explain the Willys' success with new and neglected music.
One can start with the basics: The impressive musicianship of all the Willys, who are remarkable for both technique and interpretation.
Another reason is the players' unflagging ability to project energy and enthusiasm, suggested by upbeat and exciting tempi and by even such a small gesture as the two violinists and two violists playing while standing up, as was the custom in the Baroque era, rather than seated.
The Willys also introduce the pieces, providing not only information but also some humor, often self-deprecating. They prepare you for liking the music, not just for listening to it.
They often choose shorter and easily digestible pieces, so it is never an ordeal that overwhelms you. Sometimes you want a musical short story, not a musical novel.
But most of all the Willys do what more proponents of new music should do: They seem to keep their listeners in mind when they choose the pieces they will play.
Never do you get the feeling that listening to new or neglected music is some sort of aesthetic obligation imposed on you. It is there to be enjoyed, and you are there to be pleased, not just instructed or preached to.
Too often new music seems chosen as a gesture of R&D – research and development – that feels more important to the performers rather than to the audiences.
Maybe there is more to say? What do others think? The Ear looks forward to hearing what you think.
In the meantime, The Ear suggests you take in as much as you can of the superlative music-making of both classics and new music by the Willy Street Chamber Players.
He doubts you will be disappointed and is pretty sure you will be as pleased and impressed as he is.
By Jacob Stockinger
The fourth annual concert series by the Willy Street Chamber Players (below) promises to be one of the high points of the summer season.
For more background about the Willys, go to:
Three concerts in July – at 6 p.m. on July 6, 20 and 27 in the Immanuel Lutheran Church (below) at 1021 Spaight Street on the near east side – are all inviting. (A subscription to all three is $40, while admission is $15 for each one separately.)
Each concert lasts about 60 to 90 minutes with no intermission.
That's something The Ear really likes and would like to see copied by other groups and presenters. Such a format leaves you plenty of time to do other things to start the weekend – including enjoying the post-concert reception (below) with snacks the Willys obtain from east-side providers.
The opening concert seems especially promising to The Ear.
That is because so far the Willys have had a knack for programming new music that The Ear really likes.
This time is no different.
Along with the regular members, who rotate in and out, a guest singer, mezzo-soprano Jazimina MacNeil (below), who sang a new work by John Harbison with the UW-Madison's Pro Arte String Quartet this past winter, will team up to present new works.
The three contemporary composers and their works are: "Cant voi l'aube (composed in 2015 and heard in the YouTube video at the bottom) by Caroline Shaw (below top), a composer whose work the Willys have performed before with great success; "For Sixty Cents" (2015) by Colin Jacobsen (below middle, in a photo by Erin Baiano); and "Five Animal Stories" for string sextet and "Ashug" (2018) by Michael Kelley (below bottom).
Then to leaven newness with something more classic and familiar, the concert will close with the String Quintet No. 2, Op. 111, by Johannes Brahms. (The Willys have been working their way through the string quintets and sextets of Brahms with terrific performances.)
Other concerts will include:
On July 20, six arias from the opera "Porgy and Bess" by George Gershwin as transcribed and played by UW-Madison soprano saxophonist Les Thimmig (below) and the rarely performed String Quintet in A Major, Op. 39, by the Russian composer Alexander Glazunov ;
And on July 27, a program featuring wind music that includes "Night Music in the Streets of Madrid," Op. 30, No. 6, by Luigi Boccherini; the Overture on Hebrew Themes by Sergei Prokofiev "Light Screens" (2002) by Andrew Norman (below); and the Kaiser Waltzes of Johann Strauss II, as arranged by Arnold Schoenberg.
The three local soloists for the final concert are: flutist Timothy Hagen (below top) and clarinetist Alicia Lee (below middle), who both teach at the UW-Madison and are members of the Wingra Wind Quintet, and pianist Thomas Kasdorf, who is finishing his doctorate at the UW-Madison and has often soloed with the Middleton Community Orchestra.
For more information about the Willy Street Chamber players—including a FREE community concert at the Goodman Community Center on Friday, July 13, at noon (with an instrument "petting zoo" for children at 11 a.m.) and at the Wisconsin Union Terrace — go to:
ALERT: Today is the fifth annual Make Music Madison. More than 300 FREE outdoor performances will be featured at some 100 venues. For information about artists, kinds of music, places and times, go to: http://www.makemusicmadison.org
By Jacob Stockinger
Today is Thursday, June 21, 2018.
The summer solstice arrives in Wisconsin early today at 5:07 a.m. Central Daylight Time.
If you want to know more about the summer solstice, here are two stories from NBC and The Washington Post with some interesting information you might not know:
Quite a few composers and works of classical music celebrate the coming of summer.
Twenty of the best-known are featured on a blog at the famous classical radio station WQXR FM in New York City. Here is a link:
The blog posting features many terrific sound samples, including such well-known works as "Summer" section from "The Four Seasons" violin concertos by Antonio Vivaldi.
Still, some of the titles – including the famous Overture to "A Mid-Summer Night's Dream" by Felix Mendelssohn – are not accompanied by sound.
That includes one of The Ear's favorites, "Knoxville, Summer 1915" by the American composer Samuel Barber with words by the journalist and documentarian James Agee.
Here it is, in a much-praised recording by soprano Dawn Upshaw, in the YouTube video at the bottom.
Here's hoping summer is better in this part of the country than spring was, what with record cold in April and record rainfall in May that seems to be continuing with disastrous flooding in June.
Happy Summer, all.
By Jacob Stockinger
Four performances on this coming Friday night, Saturday night, Sunday afternoon and Sunday night will open the 27th annual summer concert series of the critically acclaimed but always informal and light-hearted Madison-based Bach Dancing and Dynamite Society (below and in the YouTube video at the bottom).
There will be six programs in 12 concerts performed in three venues over the next three weekends.
The venues are: The Playhouse in the Overture Center (below top) at 7:30 p.m.; the Stoughton Opera House (below middle) at 7:30 p.m.; and the Hillside Theater (below bottom) at Taliesin, the Frank Lloyd Wright compound in Spring Green, at 2:30 and 6:30 p.m.
Ticket prices are $43, or $48 if you want a prime seat at the Overture Center. For more information, go to: http://bachdancing.org/tickets/season-tickets/
This opening weekend features a lot of flute music and a lot of string music plus some unusual arrangements or transcription and music by unknown women composers.
As usual, BDDS has lined up a series of impressive local talent as well as favorite guest performers, including the critically acclaimed soprano Emily Birsan (below top) and bass-baritone Timothy Jones (below bottom).
Also on the schedule is a Madison-based hip-hop dancer and choreographer, Blake Washington (below), for two pieces during the second weekend: Igor Stravinsky's "The Soldier's Tale" and Francis Poulenc's "The Masked Ball." In addition, four players from the BDDS Dynamite Factory – the apprentice school of BDDS for emerging performers – will take part.
Again, as always, there is a unifying theme to the season. This year it is "Toy Stories," playing off the idea of "playing" pieces of chamber music.
Here is a background and overview story that appeared this week in The Wisconsin State Journal: http://host.madison.com/wsj/entertainment/music/bach-dancing-and-dynamite-gets-playful-with-toy-stories/article_918d38c4-1eba-5196-822e-2b2616eddb75.html
Here is an explanation from UW-Madison graduate and San Francisco-based teacher and pianist Jeffrey Sykes (below left), who co-founded, co-directs and performs in the series with retired UW-Madison and Madison Symphony Orchestra principal flutist Stephanie Jutt (below right):
"When we were kids, we would ride our hobby horses around the back yard pretending to be knights on a quest. We'd race our Slinkies down the stairs, cheering their contorted yet gymnastic moves. We made crazy cyborgs with our Mr. and Mrs. Potato Heads. The cyborgs would fight for world domination, and then they'd sit down to tea with our dolls. We cuddled our stuffed animals as we prepared for bed, confessing our deepest dreams and aspirations to them. How easily those toys sparked our imaginations and transported us to fantastic realms!
"I'm a grownup now, sort of, and while I might get a short-lived bang out of newfangled tech toys, I've mostly left behind the dolls, bears and rubber ducks (below) of my childhood. The "toys" that really light my fire are incredible pieces of chamber music that have their own personalities; that delight me, surprise me, cry with me, and laugh with me.
"Performing chamber music is called "playing" for a good reason. Ask any artist who joins BDDS for our festival: chamber music is a magical way to recapture the spirit of imaginative play that came to us so easily as kids.
"We cherish favorite old toys — the great chamber works of Bach, Mozart, and Brahms, for example. Yet we can also delight in the new toys that come our way — the music of Gabriela Lena Frank (below top), Paul Wiancko (below middle) and Kevin Puts (below bottom).
"Whether these new playthings become favorite old friends, who's to say? One thing's for sure, we'll never know unless we play with them.
"BDDS's 27th season theme is TOY STORIES, and co-artistic director Stephanie Jutt and I have organized each of our programs around a quirky take on iconic toys.
"To celebrate the festival's age, we've also scattered various "27s" across our programs. In the spirit of imaginative play, rather than spell ing everything out, here are some clues to what you'll hear this June.
TEDDY TALKS. Just change the motto "ideas worth spreading" to "music worth hearing" and you have our modus operandi. In this case, we have all sorts of Teddies talking to us through their music: I wonder what they'll say.
AMERICAN GIRLS. Proud and multi-ethnic, they have been coming on strong as composers for a hundred years, and here's the proof!
PLAY DO(H). C Major is the most malleable of keys.
GI JOE. War is no game, but it has inspired some seriously imaginative music.
RUBBER DUCKY, YOU'RE THE ONE. Sesame Street's beloved Ernie adored his bath toy: see who else jumps into the tub.
TRANSFORMERS. I'm amazed how a couple of twists and turns can transform a few unassuming blocks into something breathtakingly complex.
"Join us June 8-24 for TOY STORIES in Madison, Stoughton, and Spring Green. We'll play together with some irresistible toys and have ourselves some serious fun.
"With a bang!"
For the schedule of performances, with times and places, go to: http://bachdancing.org
For the full programs, including the many new or neglected composers and works to be performed, go to: http://bachdancing.org/concerts/festival-concerts/
For a complete list of performing and helping personnel, go to:
And for a complete and impressive list of BDDS repertoire throughout the years, listed in alphabetical order by the composer's last name, go to:
By Jacob Stockinger
Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. He also took the performance photos.
By John W. Barker
The season's closing concert by the Con Vivo! chamber ensemble (below) took on an extra degree of novelty.
Usually the group has performed in the main sanctuary of the First Congregational United Church of Christ. But the acoustics there are variable and not always ideal for small ensembles.
This time, the performers moved to the chapel, a much smaller room in the building complex. With a high ceiling but modest space, this venue has a much more appropriate quality for chamber music. It's a trifle hard, but not reverberant — a good place for intimacy and directness of sound. This should become one base of choice for the ensemble now.
The program was split interestingly between two different musical realms.
The first half consisted of duos. At the core was a set of six brief pieces drawn from the 44 Duos by Bela Bartok, published as his Op. 104. Written for two violins, but adaptable to other string instruments, they were delivered here by violist Janse Vincent and cellist Maggie Darby Townsend (below), in charming fashion.
Framing them were two violin romances, each written with orchestral accompaniment that was rendered on the piano by Dan Lyons. One was the Romance No. 2 in F Major, Op. 50, by Ludwig van Beethoven played by Kathryn Taylor (below).
The other — which in fact originally began life as a movement of a string quartet — was the Romance in F minor, Op. 11, by Antonin Dvorak. This was played by Olga Pomolova (below). It is no disrespect to the other players to note that her performance was outstanding for rich tone and strong feeling. (You can hear Dvorak's lovely Romance in its orchestral version in the YouTube video at the bottom.)
A different world was drawn upon after the intermission, one for larger-scale chamber writing. This was the wonderful Quintet in B minor, Op. 115, for Clarinet and Strings. In this work, clarinetist Robert Taylor joined the four string players.
This is a mellow late work from Brahms, full of his artful denseness of textures, yet finely sensitive to balances. It is remarkable how the clarinet is constantly shifted between blending with the strings and standing apart from them. The performance was worthy of the challenges, full of spirit yet carefully controlled at all times — a performance that allowed the listener to ponder, and savor.
The sum total was a very satisfying concert, and one that suggested experiences with this chapel chamber should continue to be explored.
By Jacob Stockinger
Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT FM 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison.
By John W. Barker
The amateur Middleton Community Orchestra (below) closed its eighth season with another program of mainstream works. Maestro Steve Kurr clearly likes to challenge his players not only with demanding music, but also with works so familiar that audience expectations are extra high.
Of the two works presented, the first was the beloved Piano Concerto in A Minor by Robert Schumann. He wrote it for his wife, born Clara Wieck and an acclaimed pianist, to show off her talents. The soloist was the ubiquitous Thomas Kasdorf (below), a Middleton native and UW-Madison graduate who finds the MCO a wonderful platform in which he can have experience with a range of concertos.
Kasdorf is clearly working to make this concerto his own. He strove to integrate the polarities of melodiousness and showiness in the first movement, and seemed to have settled nicely into the extravagance of the final movement.
But it was the middle movement that intrigued me. (You can hear that movement, played by Sviatoslav Richter, in the YouTube video at the bottom.) Usually treated as a simplistic interval between the other movements, it emerged here as music of true delicacy, much of it a dialogue between the soloist and the orchestra. I daresay Kasdorf (below) will be able to make even more of this work as he grows in it, but he is off to a persuasive start.
The other warhorse — if you will — on the program was the Symphony No. 1 of Johannes Brahms. Kurr was the more daring in tackling it since the Madison Symphony Orchestra had already performed it just this past February. It is a deliberately monumental work, an ostentatious demonstration by Brahms that he had truly arrived as symphonist. Consequently, the composer made his players work hard to bring this off.
Though it sounds unfair, my initial grading would be an "incomplete": a performance in the making. This was true certainly in the first movement, which did not yet have full coordination and coherence.
A major problem was the orchestra's horn section. Brahms certainly wrote strong music for them in this work, but these players were occasionally inaccurate and, most damaging, far too loud and out of balance with the full ensemble. That distorted or undercut the performance all the way.
On the other hand, the string choir (below) continues to mature, and it delivered a very satisfying sound in the passages featuring it.
Most important of all, however, was Kurr's interpretative approach, particularly in the second and third movements. These are usually presented as bits of superficial repose between the big flanking movements. But Kurr almost made them the genuine center of the work.
Taking much slower tempos than we usually hear, Kurr (below) turned the slow movement into a flow of beautiful sound, the third movement a subtly clever piece of whimsy. And the introduction to the finale, again taken more slowly than usual, unfolded with a powerful eloquence of its own, the more to pave the way for the Big Tune in the remaining body of the movement.
I am not sure I would advocate always treating Brahms's First this way. But I salute Kurr for making me think anew about a score I had assumed I already knew well. He was able to lead his players, despite any shortcomings, in a performance of genuine artistic perceptions—an achievement in which this orchestra can take great pride.


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Anatomy Physiology Made Incredibly EasyAuthor : Lippincott Williams & Wilkins
Genre : Medical
File Size : 39. 75 MB
Format : PDF, ePub, Docs
Download : 265
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No need to feel stressed over anatomy and physiology—grasp all the basic terms and concepts, with the fully updated Anatomy and Physiology Made Incredibly Easy!, 5th Edition. Using humor and friendly guidance, this colorful text gives you the pure-and-simple clarity you need to understand the basic structure and functions of all major body systems, while also guiding you through genetics, nutrition, reproduction, and more. This handy quick-reference guide is the ideal NCLEX® study aid, textbook support, or quick refresher for nurses and other healthcare practitioners. Grasp the details of anatomy and physiology, in the Incredibly Easy!® way . . . NEW and completely updated content in easy-read format to simplify the core concepts of anatomy and physiology Defines anatomic terms such as cell structure, cell reproduction and energy generation, the four basic tissue types and their characteristics, and more End-of-book, pocket-sizedstudy cards for easy review anywhere, anytime Explains the forms and locations of body structures – the directional terms, reference planes, cavities, and regions of every major body system Dozens of full-color drawings and diagrams illustrating all major body systems—integumentary, musculoskeletal, neurosensory, endocrine, cardiovascular, and more, plus: fluids and electrolytes reproduction and lactation genetics nutrition chemical organization Special features include: "Nurse Joy" and "Jake" – expert insights, key concepts, and important care reminders Zoom in – an up-close look at anatomic structures Now I get it! – complex physiology processes stated in easy-to-handle terms Just the facts – quick content summary at start of each chapter Quick quiz – multiple-choice questions at end of each chapter to help you retain what you learned Senior moment – explains physiologic changes that occur with aging in each body system Body shop – illustrates how body systems and structures work together Memory jogger – helpful tricks and tips to help you retain vital data Just for fun – fun puzzles for boosting your understanding of anatomical terms and pathophysiological concepts Practice Makes Perfect – end-of-book NCLEX® practice questions, for solid exam preparation
Fast Facts For The Er NurseAuthor : Jennifer R. Buettner, RN, CEN
Genre : Medical
File Size : 24. 44 MB
Format : PDF, ePub, Docs
Download : 408
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"The book is clearly written and concise and uses sidebars to highlight core concepts." Score: 90, 4 stars --Doody's Because ER nurses need to think fast and act fast... Fast Facts for the ER Nurse is an orientation guide and reference, designed specifically for new ER nurses and the preceptors responsible for their orientation. The chapters provide a brief overview of equipment, treatments, and drugs used to manage common disorders and conditions frequently seen in the ER. Critical information presented in each chapter includes disorder definitions, signs and symptoms, interventions, and critical thinking questions. With this guide, nurses can get the information they need fast in bullet-point lists. Each chapter is conveniently organized alphabetically by disease and disorder for quick access. The book serves as an organized, reliable, and thorough ER guide, ensuring a structured approach to orientation. All new ER nurses and their preceptors will find this book to be a reference they cannot do without. Key topics covered include: Cardiovascular Emergencies Disaster Response Emergencies Infectious Disease Emergencies Mental Health Emergencies Shock and Multisystem Trauma Emergencies Substance Abuse and Toxicologic Emergencies And many more!


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130jobs - Page 1 of 10 (0.06 seconds)
NJ India Invest|
Gandhinagar, Gujarat
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To Foresee the execution of the planned activity. Achievement of Targets. To ensure that the targets in terms of recruitment of Partners, Net Sales, SIP Sales, Sale of Real Estate Project and...
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Ahmedabad, Gujarat
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Qualification. Experience. Graduate (fulltime). Post Graduate. Minimum 3 to 4 years of Sales & Business Development experience in a B2B environment. Experience in Real Estate and B2B Sales...
S&P Global|
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Makaan and Housing.com, two of India's leading online real estate service providers, is India's first... PropTiger is the largest online residential real estate brokerage firm, having completed transactions...
American Express Company.|
Ahmedabad, Gujarat
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Candidates with more than 12 months of experience in B2C, IT sales, Ecommerce, Travel, Lifestyle, Healthcare, Real Estate can also apply. Skills Required. Consultative selling experience. Proven...
Vodafone Limited|
Ahmedabad, Gujarat
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Coordinate the resolution of high priority BAU issues (late and missing payments). Oversee and controll all BAU processes implemented within One Real Estate programme. Provide daily support for...
Michael Page|
Ahmedabad, Gujarat
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Job Description. Developing relationships with real estate developers in Surat, Ahmedabad, Baroda & Rest... micro analysis of the relevant real estate market. Work with the team in preparing financial model...
Ahmedabad, Gujarat
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Salary. INR Negotiable. Industry. Real Estate. Property. Functional Area. Accounts, Finance, Tax... Experience in FEMA would be 1st Preference10. Experience in Real Estate. Builder. would be 1st...
Ahmedabad, Gujarat
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Job Description. Meeting & Interacting with Real Estate Clients. Acquisition of Clients and Relationship Management. Developing strong market knowledge of existing and potential clients for...
2COMS Consulting Private Limited|
Ahmedabad, Gujarat
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Urgent opening for Corporate Sales executive at Real Estate Industry in Ahmedabad Chennai Noida. Bangalore location Designation. Corporate Sales Executive Eligibility. Any Graduation & Post...
Prime Placement and Manpower Services|
Ahmedabad, Gujarat
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Role Construction Construction Management. Employment Type. Permanent Job, Full Time. Keyskills. prime civil engineer civil construction contract management contracting real estate property...
Space Factor|
Ahmedabad, Gujarat
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INR 12,500 per monthLead Generation Handle day to day in house processGood skills to communicate and negotiate effectivelyAge between 25 and 40 yearsOwn 2 or 4 wheeler for conveyanceExperience in Sale...
Smart city|
Ahmedabad, Gujarat
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Minimum 1 year experience in marketing Real estate marketing Possesses good understanding of the real estate market and processes in the life cycle of Real Estate transaction Designing and...


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In The Early Days Of The United States Of ...
Contributed by Jimmy Chapman on Nov 18, 2006 (message contributor)
In the early days of the United States of America a weary traveler came to the banks of the Mississippi River for the first time. There was no bridge. It was early winter, and the surface of the mighty stream was covered with ice. Would he dare cross over? Would the uncertain ice be able to bear his weight?
Night was falling, and it was urgent that he reach the other side. Finally, after much hesitation and with many fears, he began to creep cautiously across the surface of the ice on his hands and knees. He thought that he might distribute his weight as much as possible and keep the ice from breaking beneath him.
About halfway over he heard the sound of singing behind him. Out of the dusk there came a man, driving a horse-drawn load of coal across the ice and singing merrily as he went his way.
Here he was--on his hands and knees, trembling lest the ice be not strong enough to bear him up! And there, as if whisked away by the winter's wind, went the man, his horses, his sleigh, and his load of coal, upheld by the same ice on which he was creeping!
Like this weary traveler, some of us have learned only to creep upon the promises of God. Cautiously and timidly we venture forth upon His promises, as though the lightness of our step might make His promises more secure. Carefully we crawl as though we might contribute even in the slightest to the strength of His assurances!
Let us believe the promises of the Father! He has promised to uphold us and deliver us safely on the other side.
We are not to creep upon these promises as though they were too fragile to uphold us. We are to stand upon them--confident that God is as good as His word and that He will do what He has pledged.


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account_circle Sumit
date_range Sep-2016 to Sep-2016
location_onDalhousie - Dharamshala
Package Cost 18180/- INR*For 2 Adults Enquire
Delhi to Shimla (8-9 hrs. Journey) We'll start our journey from Delhi in the morning. Reach Shimla in the evening check in the hotel have dinner and overnight stay at hotel.
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Arrive at Pathankot and head to Dalhousie (3 hrs. Journey) - Start your journey from Pathankot (Pick-up 7 A.M. from Pathankot railway station) and drive to Dalhousie. Reach there and check in at the ...
Arrive at Pathankot and drive to Dalhousie (4 hrs Journey) - Arrive at Pathankot Railway station in morning (8.30 A.M.) from where we'll start our journey to Dalhousie. Reach Dalhousie at around noon....
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About Us
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location_on Office address - 177 Squadron
Leader Mohinder Kumar Jain Marg, Opp. B2 Prajapat Nagar, New Delhi,
India - 110049
location_onRegistered address -95 B Second Floor,
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Meistgesucht im Deutsch WörterbuchMeistgesucht im Englisch Wörterbuch
PelvisThe pelvis (plural pelves or pelvises) is either the lower part of the trunk of the human body between the abdomen and the thighs (sometimes also called[...]https://en.wikipedia.org/wiki/Pelvis
Renal pelvisrenal pelvis or pelvis of the kidney is the basin-like or funnel-like dilated proximal part of the ureter in the kidney. In humans, the renal pelvis is the[...]https://en.wikipedia.org/wiki/Renal_pelvis
Pelvic cavitythat is bounded by the bones of the pelvis. Its oblique roof is the pelvic inlet (the superior opening of the pelvis). Its lower boundary is the pelvic[...]https://en.wikipedia.org/wiki/Pelvic_cavity


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FAA 107 Pilot located near Pittsburg Kansas.
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There either is or is not, that's the way things are. The colour of the day. The way it felt to be a child. The saltwater on your sunburnt legs. Sometimes the water is yellow, sometimes it's red. But what colour it may be in memory, depends on the day. I'm not going to tell you the story the way it happened. I'm going to tell it the way I remember it.
The Lizzie Bennet Diaries is an innovative, original episodic video and social media series produced for the web. Adapting Pride and Prejudice to the modern era, Lizzie Bennet tells the classic Jane Austen tale from the point of view of an Elizabeth "Lizzie" Bennet who grew up in a world of cell phones, video cameras, and social media. The series was created by popular YouTube personality Hank Green and Streamy Award winning web video writer Bernie Su.
The holiday season is bringing more than cheer for actress Jessica Capshaw. The Grey's Anatomy star announced on Monday that she and her husband, Honest Company co-founder Christopher Gavigan, are expecting their fourth child. "The holidays have certainly arrived … All of our lives are being added to by the lights, the music and cheer!!" she captioned a photo of her family at a Christmas tree farm on Instagram. "This year our family has reason to further broaden our smile … baby number four is on the way!! I am a lucky, lucky girl…"
The quickest way to tell whether an actor is serious about his or her career is to look at their "headshot".Is it a professional photo? Or is it a snapshot taken on prom night? If you're using a snapshot, it's like showing up to race the Indy 500 in a VW Beetle. Nobody is going to take you seriously. I'm sorry, people… you can send me as much angry e-mail as you want about this, but it's true! Don't tell me you're destined to be a major Hollywood star but you cannot scrape together the cash to get professional headshots.
The Grinch from Dr. Seuss' How the Grinch Stole Christmas! The Musical stole the spotlight at the Empire State Building's 86th Floor Observatory December 14, 2012, to promote the musical's limited holiday engagement. Discover the magic of Dr. Seuss' classic holiday tale as it comes to life on stage. Featuring the hit songs "You're A Mean One, Mr. Grinch" and "Welcome Christmas," The Grinch discovers there's more to Christmas then he bargained for in this heart-warming holiday classic.
All actors and actress | all rights reserved | photos by googler | design by en000t


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Certification in LEGO® SERIOUS PLAY® Methods: Playing with Strategy
Pre-requisite: Anyone of the following courses:
LEGO® SERIOUS PLAY® Methods for (Teams and Groups or Creative Coaching or Strategic Storytelling)
Playing with Strategy utilizing the LEGO® SERIOUS PLAY® methodology
The LEGO® SERIOUS PLAY® methodology system is the perfect tool for preparing for the unexpected. Join us for Advanced LEGO® SERIOUS PLAY® Certification training for strategy makers.
Too often, strategic planning is a misplaced word that really only means work planning. You need to see this powerful tool in action if:
- Your organization or business clients are finding themselves unprepared and unsure of what to do next;
- Your organization or clients keep solving the wrong problems;
- Leaders discover that key individuals are confused and misaligned when it comes to making important decisions;
- Tactics deployed lack imagination and creative problem solving;
- People are not spontaneous and lack the ability to 'think on their feet".
You will build on your previous LSP knowledge to create 3D models that illustrate the complex environments where entities like organizations, boards, communities, and other interconnected systems function. See how these play out in real time as the ever changing environment tests the foundations and core. This tool will allow you to apply creative problem solving and use powerful visual tools to diagnose, consider new business models, uncover the real challenges, create large systems, test scenarios, and visually plan the work.
If you do not have a previous LSP certification course, please sign up now for one of the scheduled courses being offered before jumping into this advanced class!
This is a fast-paced, jam-packed program, so be prepared to become immersed in deep-level thinking. The training is based on our work with clients, and client cases will be presented such as in health care, governments, and private industry. The underpinnings of our strategy work are based on the work and research of the founding fathers of LSP—Johan Roos, and Bart Victor—as well as their collaborations with Statler & Burgi.
Along with your manual, you will also receive templates you can use to better understand clients' needs, research articles, LSP diagnostic cards, sample road maps for visioning, succession planning, and cases where you need to help people out imagining the competition and all other situations where strategic thinking and core senior team alignment is critically required. Remember, you can apply all workshop formats to sessions for mergers & acquisitions, new product development, disaster planning, service design and re-design, and business model planning.
Have we caught your interest? Get in touch with us and we'll be happy to answer your questions:
Toll-fee in North America 1-888-238-2608
Have questions about Advanced Certification "Playing with Strategy" with LEGO® SERIOUS PLAY® methods? Email us at strategicplay%23com|hello
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Do we deliver this training in another language? Yes, check here!
Spanish Panama & Central America
Strategic Play® delivers LEGO® SERIOUS PLAY® methods under the creative commons license held by the LEGO® Systems Group. LEGO® SERIOUS PLAY® methodology is an internationally-renowned facilitated process used by organizations to engage participants to generate innovative ideas for organizational improvement.


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- B B Dzuba, Eugeny Kopeika
- Cryo letters
- 2002
We have investigated the hypothesis that the spermatozoa of marine fish are more resistant than freshwater species to the dynamic changes in osmotic pressure that occur during the process of… (More)
- Julia Kopeika, Eugeny Kopeika, Tiantian Zhang, David M. Rawson
- Cryo letters
- 2003
The process of sperm cryopreservation consists of several steps: equilibration of sperm in cryoprotectant medium, freezing of sperm to subzero temperatures, low temperature storage and thawing of the… (More)
- Sergey Drokin, T N Vaisberg, Eugeny Kopeika, Karmina Miteva, Ganka Lubenova Pironcheva
- Cytobios
- 1999
The effect of low temperature preservation on the motility and morphology of acrosomes, acrosomal proteolytic activity, phospholipid and fatty acid composition of phosphatidyl choline (PC) and… (More)
- Julia Kopeika, Eugeny Kopeika, Tiantian Zhang, David M. Rawson, William Vincent Holt
- Theriogenology
- 2004
Semen cryopreservation is widely used in clinical medicine, agriculture, aquaculture and biomedical research, but it is an inefficient technique that induces extensive cytoplasmic damage and loss of… (More)
- A Iu Pugovkin, Eugeny Kopeika, Oleg A. Nardid, Ia O Cherkashina
- Biofizika
- 2014
The fundamentals of a photometry method for determination of membrane permeability of some fish spermatozoa for water molecules are presented. Osmotic tolerance of carp spermatozoa membranes was… (More)
- Eugeny Kopeika, Julia Kopeika, Tiantian Zhang
- Methods in molecular biology
- 2007
This chapter provides detailed descriptions of the protocol used for fish sperm cryopreservation. The principles described can be applied to any species, but details are also given for individual… (More)
- Julia Kopeika, Eugeny Kopeika, Tiantian Zhang, David M. Rawson, William Vincent Holt
- Cryobiology
- 2003
Cryopreservation can cause changes to the genetic material of cells, but the mechanism and significance of these changes are still unknown. It has been suggested that some damage to the sperm genome… (More)
- S I Ochkur, Eugeny Kopeika, Paluri Suraj, Valery Grishchenko
- Cryobiology
- 1994
The objective of this study was to estimate the effect of cryopreservation on the main pathways of energetic metabolism and motility of fowl spermatozoa. Sperm diluted 1:5 with the cryoprotective… (More)
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