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Club World Cup worth a shot
We've had two years to get used to the idea that we won't be hosting the 2022 World Cup. They say time heals all wounds but Frank Lowy, for one, freely admits it's a scar he'll take to his grave.
We've had two years to get used to the idea that we won't be hosting the 2022 World Cup. They say time heals all wounds but Frank Lowy, for one, freely admits it's a scar he'll take to his grave. For the rest of us, it's just as hard to separate the hurt from the humiliation of one measly vote. But painful as it may be, there's one surefire way to turn the page. Bring another major FIFA tournament to Australia, and put on a show. If nothing else, it's a chance to prove to those who saw such little merit in our World Cup bid exactly what they missed out on.
Clearly, the 2015 Asian Cup is one such opportunity, but it's an event which technically it belongs to the AFC, and not FIFA.
No, what we really need to keep football bubbling along is to host a global event. FIFA events are awarded, as much as anything else, to help conquer new frontiers. Australia, in a football sense, still needs help. So we could do with a major FIFA event before 2022. The question is, which one? To me, the one event which has the stature - above all others - to sell football's universal appeal to such a discerning domestic audience is the FIFA Club World Cup. And right now, the 2015 (and possibly 2016) edition of the CWC is up for grabs. Should we bid? Why not?
In the pecking order of FIFA tournaments beneath the World Cup, the Club World Cup has moved into second place. Not as grandiose in scale, perhaps, as a Women's World Cup, or an under-20 world championship, but in terms of prestige and potential, the CWC remains a big opportunity that's only going to get bigger.
It hasn't always been thus, of course. The seeds of the CWC were sewn with the establishment of the Intercontinental Cup in 1960, but this was an event limited to the champions of Europe and South America, and for a variety of reasons (both sporting and political) the rules were often manipulated to suit the circumstances of the day. In truth, it never really caught on.
In 1974, the respected French newspaper L'Equipe first proposed the idea of expanding the competition to include Africa (and ultimately Asia). But it wasn't until 2000 that FIFA truly embraced the ideal of a global event, took ownership of it, and replaced what had morphed into the Toyota Cup with the CWC. Ange Postecoglou was there in Brazil with South Melbourne, and recently wrote an eloquent column reminding us of his excitement, and awe, at sharing the Maracana with the likes of Corinthians and Manchester United. Since then two Hyundai A-League clubs - Sydney FC (representing Oceania) and Adelaide United (representing Asia) - have flown the Australian flag on the world stage as the CWC has steadily, and inexorably, grown in prestige.
There's no doubt that in recent years the big European clubs have finally begun to treat the event with the respect it deserves ($20million in prizemoney obviously helps). And having crossed that rubicon, watch the CWC take off. This year's edition, currently being played in Morocco, marks the 10th anniversary of the CWC, and as a platform for motivating club football in the lesser confederations it's working a treat.
Last week Oceania minnows Auckland City once again gave a much bigger club (host team Raja Casablanca) a fright. Then the Morrocans themselves assumed the role of underdogs to knock out the more fancied Mexicans, Monterrey (CONCACAF). The rise of Chinese heavyweights Guangzhou Evergrande (Asia) was confirmed by their victory over perennial African champions, Al Ahly.
These results, and performances, fascinate me more than the UEFA Champions League, or the Copa Libertadores, ever could. Listening to the Napoli president Aurelio de Laurentiis whinge last week about his team being knocked out of the Champions League made me wonder what planet he lives on. Certainly not the planet outside the five so-called 'big leagues' of Europe, which he believes should have sole access to the riches of the Champions League. And not the planet which FIFA hopes to make smaller by dividing wealth, and the opportunity, as equally as possible among all nations. Events like the CWC are critical in this regard.
Of course, it's likely to be a while before a club outside Europe or South America claims the world title. For instance Bayern Munich (Europe) and Atletico Mineiro (CONMEBOL) are at unbackable odds to make this weekend's final, and with the likes of Ronaldinho, Jo, Franck Ribery and Thomas Muller on show, that's no surprise.
But if you believe (as I do) that it will only take a generation before leagues in places like Mexico, US, Japan, South Korea, China, Argentina, Brazil and perhaps even South Africa become the equal of most European competitions, then the evolution of the CWC is particularly significant. Which is why the event such a prize.
India has already made a formal bid for the 2015 event. Fresh from hosting the Asian Cup, and with a collection of world-class stadiums at our disposal, give me one good reason why shouldn't we join the race?
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(Source: Accesshollywood.com)
LOS ANGELES, Calif. — Fans are now just a week away from "Beauty and The Beast's" mid-season finale next Thursday night on The CW, but today, AccessHollywood.com has your exclusive first look at Catherine (Kristin Kreuk) in her bridesmaid dress, with Vincent (Jay Ryan) beside her! Click HERE to see the photo & more pics of Kristin!
Whether Catherine somehow managed to bring Vincent to her dad's wedding as her date, he snuck in for a quick chat about a case (dressed in a suit!) or it's a charming dream sequence — all will be clarified when the episode (titled "Bridesmaid Up!") airs Thursday, December 13 at 9/8c on The CW.
(Source: tvfanatic.com)
Jay Ryan is responsible for the pain, violence and occasional shirtless scene on Beauty and the Beast.
What has the experience on this CW drama been like so far for the actor? What can fans expect from Vincent and Cat on the second half of Beauty and the Beast Season 1? Read on for an exclusive TV Fanatic interview with Ryan and consider yourself spoiler warned…
From being simple Kevin on Go Girls to taking on Hollywood in a beastly role, Jay Ryan is counting his lucky stars. Michele Manelis writes.
It's been quite a ride for Auckland-born actor Jay Ryan. The Go Girls star who made a name for himself in Neighboursand Sea Patrol, and more recently, the Aussie drama series Offspring, is becoming a regular fixture in Hollywood.
He most recently starred in the Steven Spielberg production, Terra Nova, and now has stepped up to the plate in the lead role opposite Smallville actress, Kristin Kreuk, in a modern take on the classic, Beauty and the Beast.
In Los Angeles, Ryan, 31, talks about his good fortune. "Beauty and the Beast is such an iconic show, even though ours is a complete reimagining of the original."
The show that inspired this version aired from 1987 to 1990. "I used to watch it with my grandmother who looked after me after school," he says.
Ryan plays Vincent Keller, an army veteran assumed dead from his time in the military service, who, in an experiment gone awry was injected with animal DNA. As a result he's in hiding due to his "beast-like" manifestations. Coincidentally, detective Chandler (Kreuk) was saved by a "mysterious creature" the night her mother was murdered, and they form an unusual bond.
There has been some controversy over his so-called "beastly" appearance, in that this handsome actor remains that way, save for a few scars.
He acknowledges, "Yes, It's been an issue with the media. How can I be a beast and not look like what people think a beast should be? I like that it's caused some controversy for the show, but Beauty and the Beast is heavily skewed towards a female audience. He is this human-looking guy but he transforms into a very horrid and demonic beast. It's a modern fairy tale and fairy tales are to be retold and changed around."
Ryan endures four hours of makeup each day to make the transformation. "There's eight pieces of prosthetics which cover my entire face and then contact lenses and teeth, as well as added hair," he explains. It's shot in Toronto, and he says, "Having glue stuck to your face in winter is not fun. It freezes as it hits the skin."
Please note: I do not post paparazzi stalking pictures or post rumours. We are here to support Jay through his career. His personal life is his own business.


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Watch the 2013 Emmy Nominations Live
The 2013 Primetime Emmy nominations were announced this morning and Speakeasy carried the stream of the announcement live. Neil Patrick Harris and Aaron Paul hosted the announcement. Check back in with Speakeasy for a complete list of nominees and interviews with the leading candidates.
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Just what VPN? Electronic Private Networks Explained
A digital private network provides you with online level of privacy and anonymity by building a private network from a public Web connection. Your visitors is encrypted until it comes the VPN server at the opposite end of the VPN tunnel. For instance, users may well connect by using a U.K. -based server to gain access to restricted LABELLISÉ BASSE CONSOMMATION content or perhaps through a Circumstance. Ring. -based hardware to access Netflix content that isn't available in all their region. One of the most regular types of VPNs employed by businesses is referred to as a online private dial-up network. A VPDN is definitely a user-to-LAN connection, where remote users need to hook up to the company LOCAL AREA NETWORK Another type of VPN is typically called a site-to-site VPN. EasyConnect – web-based VPN webpage in, which allows safe and sound access to many campus expertise, digital library resources, and out of the way desktop calculating lacking the installation of a software customer. jobcoach123.com
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Welcome to Tackle Underground. TU is the world's largest community of lure makers! We hope you'll join us.
Posted December 9, 2012
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Posted January 24, 2013
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Posted January 25, 2014
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Posted January 31, 2014
Awesome idea!
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Ask a Tradesman
Painting & Decorating Question
Dulux bathroom plus paint vs dulux trade diamond matt ?
Hello, i'm going to take the wallpaper off in the bathroom and want to paint the walls instead of rewallpapering. Which paint is better? dulux bathrom plus or dulux trade diamond matt? or should i use something else? can you also please advice what sealant and primer should i use before painting the walls? We keep the bathroom windows open, but the room does get steamy. many thanks.
4 Answers
Best Answer
We are not prefer wallpaper in bathroom or any steamy places.
Maybe you can think about re-plastering walls or full tiling?
We are use dulux diamond matt, but both paint is ok.
Regards Agnes
Answered 26th Mar 2013
Trade paints like Dulux or crown are better than retail paints like the dulux paint you can buy in b&q or wickes. They use a cheaper pigment in retail paint. Trade paint will cost you more but it is by far a lot better.
Answered 5th Feb 2014
Bathroom paints have a protective layer which allows water and steam not to breach and lift the paint from behind. So my recommendation would be to get a bathroom paint, although, regular paint would still be fine but would not have as long of a lifetime compared to the former. You will find though that bathroom paint has a completely different sheen level whereas matte is a flat paint the bathroom paint will shine.
Answered 13th Apr 2014
Let's start from the beginning!
After stripping the wall paper
Wash the walls in sugar soap! To remove any paste left over.
Then sand the walls to get a smooth finish and rewash to remove dust!
Ok as a primer PVA 4:1 will give a good seal if walls are porous?
Then apply 2 coats of crown or valsapr or whatever you want to use even wilko as long as it's a bathroom paint! (kitchen paint will be ok if you want to use any left over for first/undercoat)
Alow 12 hours to dry hard!
Job done
Hope that helps
D.C Paniting
Answered 23rd Feb 2018


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CNN has announced it's giving D.L. Hughley his own hourlong platform on the cable news network at 10 p.m. (Eastern) Saturdays, beginning Oct. 25, with repeats on Sundays. The show, as yet untitled, will tape before a live audience in New York City and feature Hughley and a panel of guests riffing on news, culture and issues of the day. (Variety) Essentially, it'll be a lot like HBO's Real Time with Bill Maher. Hughley proved insightful and witty as a frequent guest on Maher's show, and certainly has a kinder and more likeable persona than Maher, as well as a different racial and cultural background to draw upon, growing up African-American in Los Angeles, and being married with three kids. Hughley's previous late-night talker effort on Comedy Central, Weekends at the D.L., featured him sitting with his friends talking on sofas and drinking red wine. I'll certainly tune in to see how he does on CNN.
About The Author
Sean L. McCarthy
Editor and publisher since 2007, when he was named New York's Funniest Reporter. Former newspaper reporter at the New York Daily News, Boston Herald and smaller dailies and community papers across America. Loves comedy so much he founded this site.
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Funkmaster Flex has been taking time out of his busy schedule of Drake bashing to insult Drizzy's Young Money sister Nicki Minaj. His latest diss comes after she dropped her song 'Make Love' with Gucci Mane.
First, Flex made fun of the fact that Nicki was rhyming on a plastic animal in the video, then he blasted her verse.
This is the second time in weeks that the Hot 97 DJ went at the Young Money spitter. He trashed her 'No Frauds' single as soon as it came out.
What do you think about Ms. Minaj's bars on the "Make Love" song? Are they dope or trash like Flex said?
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WE THREE (aka HUM TUM AUR WOH)
Sagar Movitone (1938)
Director: Mehbhoob Khan
Music: Anil Biswas
Cast: Motilal, Maya Bannerjee, Rose, Yakub, Bhudo Advani, Harish, Sankatha, Pandey, Sunalina Devi.
Plot: Bina (Maya Bannerjee), Leela (Rose), and Moti (Motilal) are college classmates, the best of friends, and completely devoted to one another. Bina and Moti are in love, while Moti thinks of Leela as just a good friend. Leela, on the other hand, has developed feelings for Moti.
Joining the trio as a new student is Moti's wealthy friend, Rajgir (Yakub), who falls head-over-heels for Leela.
Rose and Yakub in WE THREE
At a party Bina jokingly makes Moti and Leela join their hands in marriage. But what was just fun-and-games turns serious for Leela who, from that moment on, begins to think of Moti as her husband and feels certain that she can make him love her back.
One night, Leela gets Moti to meet in her room. She makes advances upon him, convinced that the two are practically man and wife. Moti resists and almost passes out, but finds himself still in Leela's room the next morning. Feelings of guilt make Moti confess all to Bina, who, heartbroken, breaks off the relationship. Rajgir, meanwhile, asks Leela to marry him, but she refuses.
Rose and Motilal in WE THREE
Bina, who has become ill, is sent to a far off village where her family plans to get her married to a rich man. When Bina's dad (Sankatha) discovers that Moti is still pining away for his daughter, he tells him that the girl is dead, which causes Moti to lose all hope in life.
When Leela finds out that she is expecting a baby, her father (Pandey) insists she marry Moti or commit suicide. Leela finds no sin in her desire for Moti, but Moti wants nothing to do with her, his fondness for Leela having turned to hate.
Motilal in WE THREE
Rufy Khan was born in one of the most beautiful places on earth, Kashmir. He grew up in Srinigar and later earned a degree in engineering from Aligarh University in Uttar Pradesh state. His real ambitions, however, steered more toward the creative arts, so with his good looks and muscular physique he found steady work as a model doing print ads, commercials, and music videos. He also decided to try his hand at acting, something he had been interested in for a while, taking parts in small, independent productions which helped him gain experience and get noticed.
Rufy Khan is featured in this music video for Sunny Saleem's song JA BAEMANA
As an actor, Rufy's big break came when he was cast in a supporting role in Subhash Gai's melodrama YUVVRAAJ (2008). He then went on to receive good reviews as Pooja Savli's philandering ex-boyfriend in the comedy NAUTANKI SAALA! (2013). Since then, he has played mostly leads in films such as the disturbing "based-on-a-true story" feature KALA SAACH: THE BLACK TRUTH (2014) and in the action-packed crime drama DHARA 302 (2016).
More recently, Rufy has taken to working behind the camera, and his hard-hitting short film WHO DIES…?, which he wrote, produced and directed, has been making the rounds, and winning awards, at film festivals in India and internationally. It will next be screened at the Al-Nahj Film Festival in Karbala, Iraq.
Having enjoyed his work as an actor, and having been fortunate enough to recently see WHO DIES…?, I was very curious to know what led Rufy Khan to expand his show business horizons. And although he was quite busy getting ready for the latest showing of his film, the actor-turned-film maker was kind enough to take time out to provide answers to my many questions.
Mike Barnum: When did you first realize that acting was something you wanted to pursue?
Rufy Khan: It happens that when I was doing my engineering degree we went on a college tour to Mumbai. During that tour, I was actually being offered to act in films by some film directors who met us while we visited different locations to see film shoots. But at that time, I couldn't leave my schooling half way.
MB: Growing up, did you have any favorite films or performers?
Rufy Khan: Yes, I was amazed to see Amir Khan in JO JEETA WOH SIKANDAR (1992) and QAYAMAT SE QAYAMAT TAK (1988), and also I used to dream on Salman Khan's film songs from JAB PYAAR KISISE HOTA HAI (1998). These things gradually made a place in my heart, but I didn't know how to actually choose films as a career.
MB: You started out as a model, is that correct? What kind of modeling did you do?
Rufy Khan: Modeling was the perfect thing to start with. In modeling, acting stuff is less, and you keep learning from every small modeling shoot. I was lucky to get started with modeling assignments, and within one year I had worked with almost every advertisement director and appeared in prominent TV commercial works alongside stars like Priyanka Chopra, Shah Rukh Khan, Kareena Kapoor, and Hema Malini.
MB: You also have quite an athletic background, as can be seen in your show reel. What kind of athletics are you involved in?
Rufy Khan: I was in all type of sports in my academic life. I also played some sports till national level, like cricket and football. I was also involved with martial arts in my school and college days, and that helps me today to keep fit. Also, martial arts skills help you stand out from other actors because you have a skill to perform as an action character. Athletics and martial arts support you everywhere.
MB: YUVVRAAJ, with its all-star cast, was a big boost to your career.
Rufy Khan: I was a beginner when I did YUVVRAAJ with super-star Salman Khan. I played his stepbrother in that, and learnt a lot during the film shoots.
MB: NAUTANKI SAALA was your break-out film. What was that experience like?
MB: It was a lifetime learning experience! Mr Rohan Sippy, who is the director of NAUTANKI SAALA, took 15 day workshops to all his actors for this film, and that workshop was a turning point for my career. I learned all the aspects of film making during those 15 days. That was the point where I started really thinking that I can try to direct my own film, and then WHO DIES…? happened, which is the award winning short film that I directed and acted in.
MB: Is there more pressure for an actor working on a big picture such as, say, YUVRAAJ or NAUTANKI SAALA, as opposed to working on a smaller budget film?
Pooja Salvi, Ayushmann Khurana, and Rufy Khan in NAUTANKI SAALA
Rufy Khan: Yes, the pressure is to keep that trust which the director has shown on you. But once your director is convinced that you can deliver, then there is no pressure, then there is more fun. The director and other crew will be very supportive if you win them over through your acting skills
MB: DHARA 302 put your athleticism to very good use. Was it difficult to do such an action packed film?
Rufy Khan: I was looking for a film which can show my action skills, as I am very good in gymnastics and martial arts, so I grabbed the opportunity through DHARA 302 and I lead the film. It was an awesome and thrilling experience, and we shot in 50 degree temperature in Jaipur, Rajasthan [note: For those of us in America, that is equal to around 120 degrees Fahrenheit!!!]
MB: What can you tell me about KALA SACH?
Rufy Khan: KALA SACH was a film based on a true story. It was mostly made for festivals, but we did a release in theatres in Mumbai and all over India. It was a low profile release as the film was on a social awareness.
MB: As an actor, do you have a preference between comedy, action or drama?
Rufy Khan: I love comedy and humor. Action is my favorite subject, and drama has to be there whether it is action or comedy. Actually, I prefer films of any genre, but it should create curiosity in its screenplay
MB: You wrote and directed WHO DIES…? What made you choose to work behind the camera?
Rufy Khan: I had a few ideas which I turned into film scripts; WHO DIES…? was one of them. So, after NAUTANKI SALA I started working on my ideas and trying to put them on screen. It took me 1 ½ years to create 10 mins of short film for WHO DIES…?, but when I received the accolades and awards for my film, internationally and nationally, then I felt that the 1 ½ year's work was worth it.
MB: Who or what was your inspiration?
Rufy Khan: My inspiration is Mr. Rohan Sippy. He was my teacher when we took those 15 day workshops for NAUTANKI SAALA. There I was groomed as an actor, and as well, I kept a close eye on the making of the film. So, Rohan Sippy is my inspiration. I love his films also, which he has made. Apart from him, I get inspired by Christopher Nolan and Quentin Tarantino; both are the cause for me to be a director. I also want to be like them, inshallah.
MB: You also act in WHO DIES…? Was it difficult to juggle acting and directing at the same time?
Rufy Khan: Yeah, it was, but I did my homework for this film, so everything was kept in mind. I couldn't skip anything which I was supposed to direct in WHO DIES…? But if the pre-production is weak, then it is very, very tough to do both things, directing and acting.
MB: What did you learn, working as a first time director and producer?
Rufy Khan: I learnt economy as a producer, and as a director I learnt how to take advantage of the situation and get the performance done. A director has to be selfish sometimes for what he wants from the artist.
MB: WHO DIES…? has been making the rounds at film festivals worldwide. How has the reception been?
Rufy Khan: When I completed the post production of WHO DIES…? I kept showing the film to people. I showed to every section of people, whether it be a film guy, businessman, student, teacher, laborer, watchman of my building, doctor, house-wife, illiterate person, film critic, senior director, army chief …I showed it to everybody, and the reply I got from them was "Wow, what a film!" and that was the moment I felt good about my efforts.
Rufy Khan in a scene from his short film WHO DIES…?
MB: Have you had the opportunity to meet other film makers at the festivals you have attended?
Rufy Khan: When I showed my film in festivals I used to get a standing ovation and audiences used to say to get the director on stage, as they wanted to ask questions about the film. Then I'd get a flood of questions from all the film makers, which I would answer. Those questions also matured me as a film maker.
MB: Long before you made WHO DIES…? you were cast in a short film titled THE PINK MIRROR. Did working on it help at all when you made your own film?
Rufy Khan: That was my first short film with director Sridhar Rangayan. At that time I was a newcomer and I had no idea of acting and performing. But it was Mr Sridhar who extracted that skill in me, and for a film which was on a very sensitive subject. But at the end, it was an awesome film. You can watch THE PINK MIRROR on Netflix.
MB: Do you have any other projects coming up?
Rufy Khan: I am working on a script for a feature film which I want to direct or maybe act in, also.
MB: So you plan to continue with directing?
Rufy Khan: I love directing! I have a lot of wonderful ideas which I want to put on the screen, but at the same time I am doing modeling and am still open for acting assignments.
Rufy Khan and Simran Kaur Mundi in scenes from the television film PICTURE PERFECT.
MB: What film makers or performers do you most admire?
Rufy Khan: Christopher Waltz is my favorite actor, especially in INGLOURIOUS BASTARDS, and Quinton Tarantino is my most admired film maker.
MB: What hopes do you have for your film career?
Rufy Khan: The film business is a very creative thing. The more you are involved in this business, the more you grow. So, my future depends on my creativity, like with WHO DIES…? It was a piece of creativity, so it works all over the world, and still is performing in many parts of the globe.
Rufy Khan and director Mayank P. Srivastava on the set of KALA SACH: THE BLACK TRUTH
MB: Is there anything else you would like people to know about Rufy Khan?
Rufy Khan: Rufy Khan is an engineer by profession, but sacrificed his profession for his passion. I thank the almighty for this and that I chose what I loved.
DANCING GIRL (aka GUTTER NU GULAB)
Imperial Film Company (1927)
Director: B.P. Misra
Cast: Sulochana, Madanrai Vakil, Putli, K.P. Bhave, Elizer, Sakhu.
Scenes from DANCING GIRL (aka GUTTER NU GULAB)
Mohan Pictures (1939)
Director: K. Amarnath
Music: Pandit Bhagatram Batish
Cast: Indurani, Ashik Hussain, S. Nazir, Lobo, S.M. Sadique, Anvari, Shirazi A.M., Baby Indira, Shanti, Balabhai, Azar Ansari, Harun, Rafique, Varne, Nawaz, Garibshah, Pandit Kaul.
Plot: The city is terrorized by a mystifying, sword wielding woman who is plundering the wealthy citizens and distributing their riches among the poor.
The police department mobilizes to end this reign of terror known as "Chasmawali", and office Kumar (Ashik Hussain), in particular, promises to do his utmost to capture and bring her in.
While on duty one day, Kumar hears the singing of a beautiful melody. He investigates and finds it coming from Lata (Indurani), a lovely young lass from a well-to-do family. He falls head over heals in love.
On another day, without Lata knowing, Kumar follows her to a strange cave where he is shocked to discover that the girl he loves is none other than the master criminal that he has been hunting, and had vowed to bring to justice!
Note: Indurani (June 22, 1922 – February 18, 2012), sometimes billed as Indu, began her acting career in a small un-billed part in a Marathi film. After moving from Poona to Bombay she found plenty of work in stunt films and fantasy pictures, especially those produced by Mohan Studios. She is the sister of fellow stunt film actress Sarojini.
Too learn more about Indurani check out the 2017 book Indurani: An Unsung But Unforgettable Heroine Of The Early Talkies by Professor Surjit Singh.
Another amusing caption from the pages of Filmindia, this one for the 1951 film HUM LOG.
Kirit Films/Circo (1959)
Director: B.J. Patel
Producer: Dhanpat Rai
Music: Bulo C. Rani
Dog trainer: Jimmy Bharucha
Cast: Caesar, Nilofer, Samar Roy, Mirajkar, Tun Tun, Habib, Rajen Kapoor, Vishwa Mehra, Devchand, Moolchand, Bhudo Advani, Abdul Satar, Munni.
I'm a sucker for a movie about a dog, and the idea of a 1950s era Bollywood movie about a dog fascinates me no end.
That TIN-TIN-TIN is directed by B.J. Patel, the man who brought the movie-going public films like MISS TOOFAN MAIL (1958), RIFLE GIRL (1958), LADY ROBINHOOD (1959), HAWA MAHAL (1962), ROCKET TARZAN (1963), MAGIC BOX (1963), MARVELMAN (1964), and LADY KILLER (1968), intrigues me even more. And with a cast that includes Nilofer, Tun Tun, Habib, Rajen Kapoor and, of course, Dog Caesar…well, it has to be at least a little bit entertaining. Right?
I wish I could tell you more about this film, but unfortunately, the plot, as listed in the film booklet, is strangely vague (and somewhat unintelligible): "Ever since the exclaim of humanity, tale[s] of human weaknesses and [the] insecurity of men are an everyday affair, but those we know are the legends about the constant and silent friend of mankind, dog. This understanding animal has those stories of its sincerity to its credit [more than] any living soul can claim. Tin-Tin-Tin is a story of such a faithful dog."
This is, as far as I can tell, a movie about a dog…but, is it a comedy? A stunt film? A thriller? A drama? All the above??? Who knows, and maybe it doesn't really matter. Perhaps the fact that it ever existed at all should be enough.
Harishchandra Pictures/Asha Harish Productions (1943)
Director: Harbans
Music: Wahid Qureshi
Cast: Radha Rani, Harishchandra Rao, E. Billimoria, Dalpat, Bibi.
Plot: Jhatpat (Harishchandra Rao), a recently fired crime reporter, heads to a village where Jagdish, a hotel owner, produces illicit liquor and has committed murder.
Although no longer working for the paper, he is in love with the editor's daughter, Asha (Radha Rani), and is keen to prove the criminal activities of Jagdish, and thus get his job back.
During Jhatpat's investigation he discovers that Jagdish and the editor know each other and that Jagdish is holding Asha prisoner so as to keep the editor from reporting on what he knows.
M.H. Douglas was a well known stunt coordinator in countless films, but did you know that he tried his hand playing the hero, also? Here is the proof –in Mohammad Hussain's 1947 stunt film SHER-E-BENGAL costarring Rajkumari, Arvind Kumar, and Dalpat.
A unique event will be taking place in the Silicon Valley — The Festival of Globe (FOG), an annual cultural extravaganza that will run from August 5th through 13th, featuring film, music, dance, celebrities, a parade, and a health fair, to be held in Fremont, California and at Facebook Headquarters in Menlo Park.
Gavie Chahal stars in YEH HAI INDIA which will be shown at this year's Festival of Globe film festival.
Among the many events at FOG will be a weeklong film festival featuring an exciting line-up of movies including Welcome to Willits, Yeh Hai India, Buddha in a Traffic Jam, Mojo, Enlightenment Now, Tinker and many more. Celebrities scheduled to be in attendance include popular '90s leading ladies Pallavi Joshi and Ashwini Bhave, veteran Tamil actress Jayashree, actors Manoj Bajpayee and Prashantt Guptha and directors Lom Harsh and Vivek Agnihotri.
Shad Gaspard and Dolph Lundgren in WELCOME TO WILLITS, one of many films that will be showing at the film festival.
Vivek Agnihotra and Pallavi Joshi will be on hand to present their film BUDDHA IN A TRAFFIC JAM starring Arunoday Singh, Mahie Gill, and Anupam Kher.
Dr. Romesh Japra, the founder of FOG as well as the Chairman of the Federation of Indo-Americans of Northern California, was kind enough to share information about this marvelous endeavor which promotes artistic talent as well as cultural and social awareness, both locally and across the world.
Dr. Romesh Japra, the founder of Festival of Globe
Mike Barnum: For those who are not familiar with the Festival of Globe, how would you describe it?
Dr. Romesh Japra: Festival of Globe's (FOG) mission is to empower and integrate global cultures and communities through film arts, performing arts, visual arts, and folk arts. FOG creates various platforms and activities to champion social causes such as women's issues, child advocacy and the prevention of child abuse, youth development, elderly and senior support, ending hunger and homelessness, free health care, supporting the physically challenged, supporting disaster and relief efforts, and promoting individual freedom. The sense of mobilizing and empowering immigrant communities to give back to our local communities is a vital component of our goal of working with all ethnic communities towards these objectives. For the last 25 years the Festival of the Globe has demonstrated an unwavering commitment to building collaboration and creating opportunities for ethnic communities to work towards solving some of the most complex issues facing the United States. Through various events FOG has worked towards promoting art and culture as the common theme by which we create greater awareness amongst each other.
The effort of the Festival of the Globe – Silicon Valley has been in recognizing the need for communities to work together for a larger good. Through film, culture, dance, and art, we plan to be the largest festival that aims to engage global participation. Festival of the Globe will provide participants, brands, and audiences interacting with each other. Also, through the Global Movie Festival we want to amplify some of the burning issues of the day to a larger audience. Another goal is to introduce the global talent pool of movie makers to Silicon Valley investors.
Bappi Lahiri gets a red carpet welcome at 2015 Festival of Globe.
MB: How did the idea for this festival come about?
RJ: I take pride in being a cultural and social entrepreneur. I have been empowering the Indian-American community for the last 25 years by hosting the Festival of India and Parade here every year. It grew from 5,000 to 150,000 people during this time. Now we are engaging other ethnic communities and going from local to global and aiming for a million people. Besides performing arts, visual arts and folk arts, I jumped into film arts and entertainment as well, to integrate diverse communities of the globe through FOG.
Sushmita Sen at the India Day parade in the 1990s.
Dr. Romesh Japra with Dharmendra when he appeared for the India Day Parade.
MB: As an opportunity for filmmakers, are there any guidelines for getting a film shown at the festival?
RJ: At this point there are no specific guidelines. All submitted films by independent filmmakers are reviewed by our jury with a point system and then selected. In general, we favor films with a social message.
PENGUIN ISLAND, a documentary film which will be showing at this year's FOG film festival.
MB: Each year FOG has a theme. What is this year's theme?
RJ: The festival's theme is usually to promote a social initiative. This year it's "Celebrate Diversity."
Filmmaker Eddie Griffin and actor Prashantt Guptha were guests at Festival of Globe in 2014. Here they are with Dr. Romesh Japra.
MB: What are some of the other events to be found at FOG?
RJ: We have multiple cultural events. There will be a dance competition, FOG Idol singing contest, Freedom Fighters Reflections Contest, Youth Innovation Contest, Fashion Fest, Music Fest, FOG Awards, FOG Summit, a fair with arts, crafts and food stalls and a Grand Parade to celebrate freedom and democracy through India's Independence Day festivities.
MB: How has the festival evolved over the years?
RJ: It has been a wonderful journey. In 1993, it started with the parade and fair with 5,000 attendees. Last year, we had 150,000. FOG Movie Fest was added in 2014 and now we have 12 different verticals as part of FOG Extravaganza.
A float from a previous parade.
MB: Will there be celebrities in attendance?
RJ: Yes, film celebrities do attend and participate in many events including the parade. Last 25 years the parade had hosted legends like Amitabh Bachchan, Shatrughan Sinha, Vinod Khanna, Dev Anand, Dharmendra, Vyjaynthimala, and younger actors like Sushmita Sen, Sonu Sood, Aftab Shivdasani, Jimmy Sheirgill, Ayushman Khurana. With FOG, we have had the likes of Rajat Kapoor, Saurabh Shukla, Richa Chaddha, Divya Khosla Kumar, Krishika Lulla, Bappi Lahiri, Gulshan Grover, Randeep Hooda, Deepti Naval, Guneet Monga, Prashantt Guptha, Prosenjit Chatterjee and Raima Sen in attendance.
Guneet Monga, Richa Chadda, and Divya Khosla at the 2015 Festival of Globe
MB: Actor Prashantt Guptha has taken on the duties of ambassador. What are those duties and how did he become involved?
Prashantt Guptha and Dr. Romesh Japra
RJ: We have been blessed with his association with Festival of Globe since 2014. He first came as an actor with the film Identity Card and bagged an award as Best Actor in Supporting Role. He saw an opportunity to get involved right from the growing stage and we were more than happy to have him on board. Since 2015 he has been our India Ambassador. He has the passion, dedication and commitment to take the Festival to the next level. He is not only a great advocate and brand of the Festival but also gets engaged in details of it.
Filmmaker and actor Rajat Kapoor attended FOG in 2015.
Actor Prashantt Guptha, whose films include the thriller 6+5=2 and last year's highly acclaimed Neerja, and who I had the pleasure of interviewing recently about his film career, has been an integral part of FOG, acting as a mediator between the USA and India, assisting with marketing and in locating films and talent for the festival. I've asked Prashantt to give some info on one of the big events taking place at FOG, the FOG Summit.
Prashantt Guptha (far left) presents an Q&A at last year's FOG.
MB: Prashantt, what can you tell me about the FOG Summit?
Prashantt: The FOG Summit is basically a tie-up with the Headquarters of Facebook in Menlo Park. I like to call it the place where Mark goes to work (laughs). It was initiated last year with the purpose of addressing core issues that revolve around entertainment as a whole. I was the moderator last year, and will again moderate it this year. The main subject line this year is Emerging Trends in Entertainment. Last year, it was more about celebrities and social media and I was able to have a very in-depth chat with Bengali superstars Prosenjit Chatterjee, Raima Sen and veteran Indian actor Gulshan Grover about this subject. The audience loved it, it went live too. In essence, Facebook is an attractive location and it helps that the audience is engaged into the Q&A of notable speakers and celebs.
I want to thank Prashantt for bringing this festival to my attention and Dr. Japra for creating this wonderful event and for taking the time to chat with me about it. If you have the opportunity to attend, please feel free to post here about your experience. I'd certainly love to hear from you!
Known to film fans as a comedic sidekick in countless Bollywood films of the golden era, Bhagwan (full name Bhagwan Abaji Palav) played the lead in (and sometimes also directed) numerous B-grade comedy-action films throughout the 1940s and 50s.
Bhagwan often worked opposite former Wrestler Baburao (sometimes billed as Baburao Pehalwan). With Bhagwan's short, tubby stature, and Baburao's handsome physique, they made a popular pair.
Bhagwan entered films during the silent era. After a few years doing bit parts and supporting roles he tried his hand at directing with the 1938 stunt film BAHADUR KISAN starring popular action star Chandrarao. Bhagwan co-starred in the film along with Hunsa Wadker, Sunetra, and Vasantrao Pehalwan, another former wrestler who was often seen in Bhagwan's films.
BAHADUR KISAN was quickly followed by CRIMINAL (1939), VANMOHINI (1940), and RAJA GOPICHAND (1941) in which the comedian again acted and directed.
Rooplekha (1949)
Bhagwan's comedy-stunt film combination became quite popular, but are little remembered today, mostly due to the fact that no prints seemed to have survived.
Along with the stunt genre, Bhagwan took his brand of comedy and incorporated horror in HOUSE OF MYSTERY (1949), and spoofed Tarzan pictures with JUNGLE MAN (1950).
While the masses enjoyed these little B-films, it wasn't until ALBELA in 1951 that Bhagwan managed to impress the critics. This little musical-comedy ( produced under his banner Bhagwan Art Productions) also starred Geeta Bali and Baburao Pahelwan and it struck gold at the box office. Bhagwan tried to duplicate ALBELA's success with RANGILA and JHAMELA (both 1953), but both films flopped.
Bimla Kumari and Bhagwan in ALBELA, one of Bhagwan's few starring films available on DVD (and it's a film I highly recommend!),
DAMAD (1951) co-starred Krishan Kumari, Protima Devi, and Cuckoo.
Sadly, of Bhagwan's dozens of starring roles, only ALBELA and the comedy DAMAD are currently available to view on DVD or Youtube. Thankfully, we can at least enjoy the ads and posters from many of his lost or missing films….and who knows, maybe someday a few of these old classics will be unearthed for all to see.
ACTOR (1951) co-starred Ramola, Indurani, Sulochana, Cuckoo, and fellow comedian Sunder.
BHOLE PIYA (1949) featured Bhagwan's frequent leading lady, Leela Gupte.
JOKER (1949) co-starred comedian Shyam Sunder.
Dancer Cuckoo was often cast in Bhagwan's films, including DUSHMANI (1950) which also starred Sarla Devi and Usha Shukla.


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We Shall Know The Truth!
Reality needs better Game Design.
This is about harnessing the power of games innovatively to help solve some of the biggest challenges facing our world, for today and tomorrow.
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Actually, I think this is the pivotal century to warn all decent People within this earthly realm:
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While the corporate mass media and the alternative media are focused on the recent Oregon Militia Shooting, there is another Oregon crisis that goes unnoticed.
The severe homeless crisis in Oregon continues, and it is cold!


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One Foot In The Grave
Anmeldt av Matt Coe(Nuclear Blast, 2017)
Karakter: 4/6
Best known as a beer-fueled outfit with many lyrics championing a love for alcohol, Tankard are veterans of the thrash genre - as "One Foot in the Grave" is the group's 17th studio album since 1983. This time tackling some serious topics for "Arena of the True Lies" (discussion of internet 'click bait' and fake news) plus "Syrian Nightmare" beyond continuing their traditional humor/alcohol oriented songs they've become well known for, people forget that these songs really embody the true strength and might of classic thrash.
Gerre's barking and master of ceremonies delivery makes "Pay to Pray" and "Lock 'Em Up" instant standouts - the latter also containing a killer mid-tempo groove transition that probably propels bodies should the band choose to add these staples to the live show. "Sole Grinder" is a tribute to long-time manager Buffo, containing stories from the band's history - while "Secret Order 1516" as the longest cut at 7:27 features an eerie keyboard/chanting intro, frenzied speed changes that can be punkish, plus a group chorus and guitar instrumental action that reaches back into Iron Maiden/NWOBHM territory.
Will Tankard ever be considered pioneers at their art? Maybe if you want to look into the 'crossover party' segment of the recent revival that Municipal Waste spearheaded, possibly. There's something to be said though for an early 80's thrash act that stay the course, appealing to a blue collar, down to earth segment of the population who just want to have a good time and not think deeply about the music they crave. "One Foot in The Grave" contains enough hooks, riffs, and choruses to not dissuade the legions already into the band, and possibly could impress some fence sitters into the fold.
A logical follow up to "R.I.B.", Tankard achieve consistency without sending shock waves into their community.
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