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Tesla Rides Roughshod Over Naysayers
The Shares Look Extremely Richly Valued, but That Alone Won't Be Enough to Send Them Lower
Did you hear the one about how Tesla Motors shares are overvalued? By this point, everybody has.
After gaining 54% in just two months, Tesla looked ridiculously expensive at the start of May, when it traded at 121 times expected earnings and was worth $6.1 billion. Any valuation-based argument for buying the stock was predicated on the belief that the company would go from selling 20,000 or so electric cars this year to something...


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1. Where I lived @20: In a Corps dorm on the Texas A&M University campus in College Station, TX.
2. What I did @20: I went to college, was in Company C-1 in the Corps, and was a Fish Camp Counselor. One weekend I was named the "Meanest Sophomore" and the Outfit Chaplain, which inspired much head-scratching for others yet a burst of pride for me.
3. What I dreamed @20: Likely mayhem, because my dream of designing cars ended early that year when I was booted from Mechanical Engineering. haha
4. My favorite song @20: One by Metallica.
5. What I wore @20: My uniform, mostly.
6. Who I loved @20: God, my family, and friends. Not much has changed.
7. What made headlines when I was @20: The world was abuzz with the hysteria that was Y2K. Would we survive? haha
What were YOU like at 20? Create your own Me@20 blog post today, or share the
Me@20 questionnaire in your social networks. 🙂
About Me@20 Day:
Me@20 Day celebrates personal history and the 20th anniversary of the Association of Personal Historians on May
20th, 2015. APH supports it's members in recording, preserving and sharing life stories of people, families, communities
and organizations around the world. personalhistorians.org
Check out these other Me@20 blog posts from my fellow APH members!

subset: commoncrawl


text: Note: The estimated pricing provided by HippoCMMS Pricing Calculator are for discussion purposes only and are not binding on either you or Hippo. Your actual fees may be higher or lower than the estimate. A more detailed and specific list of fees will be provided at the time of personalized demo. To know more about HippoCMMS Platform and purchase services, please schedule a personalized demo.


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Philadelphia Eagles at New York Giants – Sunday 18:00, Sky Sports 2
A huge game kicks off Sunday's live NFL action as the (4-3) Philadelphia Eagles travel to fellow NFC East rivals the (4-3) New York Giants. This is probably the most competitive division in the NFL right now and with the Eagles losing against the Dallas Cowboys last week they can't afford another divisional loss with a current record of 0-2.
The Giants are coming off a bye but had won their two previous games going into that so with some rest they'll be confident of putting up another good performance. The Giants strength used to be their offense with Eli Manning at quarterback and Odell Beckham at wide receiver but this year it's been a bit of a struggle as they average less than 20 points per game. Their defence though, has improved dramatically.
The Eagles defence has also been solid all season and they're near the top pf the rankings in yards and points gained against them, which bodes well against a Giants offence that just can't seem to run the ball at the moment. With two strong defensive units going head to head, backing the total points spread seem a sensible option.£10 Free Credit and a £500 Deposit Bonus


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Friday, 19 August 2016
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Countdown to NI Awards Evening !!!!!!
Colerain & District Motor Club hosts the 1st round of the NI Championship this Saturday at the distinguished North West 200 Paddock. Anyone requiring more details or an entry should contact Stephen Tosh on 07718876385 or e mail: email@example.com
Great family day out if in the area practice starts around 10am with racing all day thereafter.
Related posts


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SOAD Drummer: 'I'm Not Happy With Where the Band Is Right Now'
"15 years are gonna go by before we make a new album," John Dolmayan complains.
As nearly a decade has gone since their latest album, System of a Down drummer John Dolmayan stated that the situation within the band is "not okay."
Chatting with Loudwire, the drummer compared the band's 2010 reunion with a relationship break. "When we decided to get back together, it was weird. It wasn't a comfortable feeling in the beginning," he kicked off.
"I can equate it to if you've ever had difficulties with a girlfriend and you guys took some time off from each other, when you get back together there's that elation that you're back together, but there's also a little bit of fear, you know? Is it going to work? Is it going to be fun? Will it be the same? Is there going to be resentment?
"It took a long time to get past that, I'd say months. As we played more and more shows, it became more and more fun. Those feelings started to subside. I feel like this band still has a lot of issues, things we just have to work out.
"I'm not really happy with where the band is right now," John added. "I think that it's been way too long since we've made an album and I've kind of had enough of the mentality of 'that's okay.' It's not okay."
Reacting to the interviewer's comment about being the most eager band member in terms of making the new album, Dolmayan noted, "I'm not sure if I'm the member who wants it the most. It's probably true about [me] being the most vocal about wanting it.
"For me, there's no ego involved. I don't write songs, so I'm not worried about who's going to write the song. I'm just ready. You just give me the canvas so I can paint on it, that's how I look at it. So it's easier for me, but look, there's a lot of emotions involved with being an artist; there's a lot of emotions involved to being a songwriter; and there's a lot of fear involved with anything that you haven't done in a long time.
"To go in together and work together?" he asked. "We're different people. 2005 was the last time we were in the studio together. That's what, nine years ago?"
Finally, the skinsman once again stressed how annoying he considers the lack of album progress, adding, "We're turning into the f--king Eagles now. 15 years are gonna go by before we make a new album. [Laughs] For me, it's irritating. But I do the best I can to understand that there's a lot to be worked through in order to make something great and if it isn't fantastic, there's no reason for us to do it."
In related news, John is working on an all-star cover project These Grey Men. The band has kicked off a fundraiser to support the debut album and tour, more info here.


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For years, scores of lawyers and judges have served on multiple committees to develop and present plans to get the Michigan Supreme Court and the State Court Administrative Office to adopt technology that will transform Michigan's judiciary. Kirk Tabbey, chief ...Read More »
Blanket policies against hiring ex-cons could get employers into big trouble
Jane Doe was 19 years old when she was charged with prescription fraud. She altered the quantity on a painkiller prescription she received for tooth pain. To make things right after her youthful mistake, she entered a diversion program and ...Read More »
Small claims likely to grow
Court Administrator Donna Beaudet looks around her busy office at 46th District Court in Oakland County, and wonders: How much busier can we possibly get? She's going to find out soon, she said, if the Michigan House of Representatives approves ...Read More »
Speak up, and pay up
Berkley attorney Jules Olsman had never seen anything quite like the language in one of his clients' settlement agreements until a couple of months ago. But now, he's concerned that it might be more common in medical-malpractice settlement agreements, and ...Read More »
'Smart justice' is a good start
Last month, Gov. Rick Snyder rolled out his plans to implement statewide "smart justice" initiatives. When he announced his plans, he introduced a laundry list of law-and-order initiatives, including the allocation of an additional $15 million to Michigan State Police ...Read More »
Drug immunity bill surfaces again
If lawmakers choose not to rescind the law that keeps Michigan residents from suing drug companies, a few representatives in the Legislature say that they should at least know what it's costing the state. For years, Democrats have fought to ...Read More »
Age neutral: If your practices have a disparate impact on older workers, be ready to explain yourself
Employers who make hiring, firing and compensation decisions that impact older workers more negatively than their younger counterparts are going to have to explain themselves a little more clearly, due to new regulations by the Equal Employment Opportunity Commission (EEOC). ...
Tagged with: EEOCRead More »
Crossing the line?: MSC considers the point when free speech becomes disruptive behavior
Jared Rapp was sick and tired of getting parking tickets on campus when he was a student at Michigan State University College of Law. One day in 2008, after finding a ticket on his windshield, he lost his cool and ...
Tagged with: Michigan Supreme CourtRead More »
Tab for Michigan prisons continues to grow
As state finances get stretched, it's become impossible to ignore the 21 percent of the budget that goes to Michigan's prisons. In response, the Michigan Department of Corrections (MDOC) has taken measures to curb its budget — prison closures, reducing ...Read More »
The element of surprise
A little more than five years ago, a woman showed up at Lori Buiteweg's office in Ann Arbor. The woman had received a packet in the mail informing her that her husband had filed for divorce in Washtenaw County Circuit ...Read More »


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Matthew Hite
A native of Bardstown, Matthew graduated from Bardstown High School in 1987. He obtained his undergraduate degree in Business Administration from the University of Louisville School of Business, and earned his Juris Doctorate from the University of Louisville School of Law in 1994. He was admitted to practice law that same year. After working as counsel for an insurance company and the Department of Insurance in Frankfort, he joined Kelley & Kelley in 1998 and has been in private practice ever since. He is admitted to practice in all State and Federal Courts in the Commonwealth of Kentucky.
Janie Hite
Janie Asher Hite has nearly 20 years of experience handling all aspects of real estate law, and focuses her practice in that area as well as in probate, business law, adoptions and most other aspects of civil practice. She was appointed as Assistant Nelson County Attorney in December, 2012. She obtained her undergraduate degree from the University of Kentucky and Juris Doctorate from the University of Louisville School of Law. She in her husband, Steven Hite, live in Nelson County, where she has practiced law since her admission to practice law in 1995.
John Pottinger
John is the eighth consecutive generation of Pottingers to call Nelson County home. He graduated with a Political Science degree in the Honors Program of University of Kentucky in 1992, and went on to receive a nursing degree from Jefferson Community College in 1995. Prior to attending law school, John practiced as an RN and later as a Case Manager for Managed Care Companies. He graduated cum laude from the University of Louisville Brandeis School of Law in 2000 on a full academic scholarship. John focuses his practice in the area of Personal Injury, and his background as a nurse gives him a unique perspective in handling the medical issues that often arise in these cases.


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Hayabusa Pro Handwraps Review
Hayabusa produces one of the most complete range of MMA gear, including the humble handwraps! These are Mexican style wraps, and are elastic.
Official Specs:
- Unique cotton blend for maximum comfort and perfect elasticity
- Top quality construction and fabric
- Direct embroidered logo
- 180" Length
The handwraps come either in black or red, with the Hayabusa logo near the end of the velcro strap. Basic handwrap design, but the colour choices offer an alternative. The red is actually much deeper in person though closer to blood red.
Word of caution with red handwraps, their colours run easily. I made the mistake of soaking mine in a bucket with other stuff, and the red came off almost immediately, turning the Hayabusa words pink. There also seems to be some unevenness in the dyeing process, as there are marks and areas with slightly lighter colours.
Of course, all these are minor issues as the main purpose of handwraps are functional, rather than aesthetics. You can always go for black to be safe.
Form & Fit
Generally with handwraps, they are one size fits all. However, there are always exceptions, and these pair fit better on bigger hands than mine.
The handwraps have a larger width of about 5.5cm compared to my Fairtex and Everlast handwraps which are 5cm. This may not seem like much, but it makes a big difference in feel, as there is much more overlap when wrapping around my hands. Moreover, the material feels slightly thicker than regular wraps, so the two work out to give me an extra bulky feeling when I wrap my hands up.
The texture of the wraps are also different, they are more rough, though by no means uncomfortable. The roughness seems to help reduce slip better, as the wraps don't loosen up as much during training. They are also very elastic! I have to be careful not to stretch them too tight or I'll lose blood circulation after wrapping. The combination of these two factors allow for super tight wraps that stay tight for a long time.
At 180", this should be long enough to cover most hands. For smaller hands, you just have to wrap more around the wrist or knuckles, so length is seldom an issue. One surprising thing though, was that my handwraps had different lengths, one side was longer than the other. I have never encountered this before, and did not expect this out of a quality brand like Hayabusa.
The thickness of the wraps combined with the larger width and 180" length meant that there was excellent protection for the knuckles. However, the material isn't all that breathable, and it can get a little warm. The elasticity ensures that while it's tight, there's still room for movement.
I'm not too happy with the velcro system though. While the velcro strap is a robust strip that fills almost the entire width of the wrap instead of a thin strip found on some wraps, the length of the loop patch falls a little short. For some reason, I always end up with the end of the handwrap barely touching the loop patch, which means it can come undone with any accidental brushing of the strap. That's a small problem that could have easily been fixed by lengthening the loop patch!
Given the thickness of the material, this pair of wraps will not wear out as quickly as the softer and thinner wraps on the market. Expect these to last for a while.
Officially going for US $7.99 (SGD $11), they are priced decently for a pair of Mexican style wraps. Given that handwraps are not all that expensive, I'd suggest forking out that extra dollar or two for quality wraps such as these. Given shipping costs, these are best bought together with other products to reduce costs, or hunt for the free shipping dealers on eBay.
If you're in the States though, you can get it from Budovideos.
These are great if you have bigger hands or need more knuckle protection. Handwrap prices don't differ much between brands, so go for what suits you best in terms of style and colour.
All comments in the review are my own personal opinion. Prices provided in brackets are merely for reference and are based on exchange rates at the time of writing.
If you like this review and found it helpful, please post a comment or let the company or retailer know too. Should you decide to purchase them online, you might want to consult the online buying guide for advice.
Ive found these to be far too thick for my own tastes. It is very difficult to wrap them in such a way that they are not too loose and start coming off during training, or too tight that when it gets sweaty they cut off the blood flow in my hands.
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Theme works well locally but fails when deploy on bluehost server
I developed a theme and it works well on my local machine, running on MAMP on Mac OS 10.6. The wordpress version is 3.4.2.
I then tested it again by install 3.4.2 wordpess again, copy the my_theme_folder into wp-content/themes and install the theme again. It works perfectly fine.
However, when I copied the my_theme_folder to bluehost server and try to install it there, theme does not work at all. css does not work at all. Note that I also have 3.4.2 wordpress installed on the server.
I wonder if there's anything different between working on local host and deploying on server? why my theme does not work on bluehost server? What's the correct procedure to move theme from local machine to remote server? Is there any log file that I can look at to see what was wrong?
- The topic 'Theme works well locally but fails when deploy on bluehost server' is closed to new replies.


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Throwback Thursday : Angelina Jolie
Description:This week's Throwback Thursday is devoted to Angelina Jolie: Oscar winning actress, global philanthropist and Brad Pitt's other half. We dug up some modeling shots from years back that show how Angelina stood out long before she made it big.
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[PvP] "Bomblade" Magicka NB Group PvP Build – One Tamriel
This topic by Luckyluke92 contains 12 posts by 7 members, and was last updated by Cr33pnD3a7h, 8 months, 1 week ago.
Hi guys! This is my Magicka NB Build for group PvP! don't use this build for Solo unless you want to be a bomber, because it has no protection and not so high healing and you will die really fast!
The damage is really insane!
– High Elf
– Dunmer
– Breton
– Magicka: 40420
– Health: 25579
– Stamina: 9435
– Magicka Regen: 1245
– Spell Damage: 2500 unbuffed – 4100 buffed
– Spell Crit: 49%
– Critical Resistance: 2043
– Max Health and Max Magicka
– Magicka + Spell Damage
Gear: 5 light + 1 medium + 1 heavy
– Alchemist: 5 pieces, all impenetrable, 4 pieces of armor (heavy chest, medium leg, light other 2 pieces) and destructio staff (fire)
– Vicious: 5 pieces, 3 pieces of armor (light – divines), 2 rings (with spell damage glyph)
– Willpower: neckle (arcane – spell damage glyph) and 2 sword (sharpened)
Champion Ponts:
– Thaumaturge: 10
– Spell Erosion: 55
– Elemental Expert: 92
– Elfborn: 10
– Tumbling 27
– Arcanist: 75
– Magician: 85
– Quick Recovery: 22
– Hardy: 50
– Elmental Defender: 50
– Thick Skinned: 15
– Resistance: 50
Dualwield Bar:
– Lotus Fan
– Siphoning Attacks
– Mass Hysteria
– Sap Essence
– Inner Light
– U: Soul Harvest
Destro Bar:
– Double Take
– Vulcanic Rune
– Shadowy Disguise
– Shallow Soul
– Proximity Detonation
– U: Eye Of Flame (destro ultimate)
Total Posts: 189
Khajiit Nightblade
Ah, the classic raid buster build from a quick glance! I will have to watch the video when time permits but this is a build I have very much wanted to try!
Total Posts: 706
Dunmer Nightblade
Did you try Grothdarr? I really like it. I´m running 2 Groth 5 Vicious 5 Spinners atm and it works really good. I also run the witches food max health/max mag/mag reg and shadow mundus.
that's an other option, really viable too!
Total Posts: 103
Altmer Nightblade
I tried the grothdarr, but switched to ice heart…
I find that I crit often and the shield is a nice little bonus. Does slightly less damage than the grothdar set but the cold also slows them two to help keep them in my blast radius. So you get a DOT and a CC.
i never thought about using Ice Heart, it seems good as you tell me so!
Total Posts: 3
Love the build. Exactly what im looking for on my new toon. How viable is this on a non-perfect race? I just made a really cool looking Argonian nightblade…
Well you won't lose so much, but of course your damage Will be lower. Go with argonian, destro ultimate is really OP even with a non-perfect race.
I'm testing some new gear combo to be more efficent and have always a good damage output, instead of only for 15 seconds. Stay tuned! build video will come soon!
- This reply was modified 8 months, 2 weeks ago by Luckyluke92.
Total Posts: 4
Khajiit Nightblade
Great to hear that! I am suggesting this build to a friend, he will be a bomber for our raid.
last few test and the build video will be up!
Total Posts: 11
Really love this build, thanks!
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Sermon: Sunday 1 June 2014
The Very Revd David Monteith, Dean of Leicester
Easter 7
Acts 1:6-14, John 17:1-11 – Witnesses
'You will be my witnesses in Jerusalem, in all Judea and Samaria, and to the ends of the earth' – Acts 1:8b
St Luke's account of the Ascension of Jesus in his Acts of the Apostles tells of the disciples being gathered with the resurrected Jesus in Jerusalem. As he leaves them to ascend into heaven, he promises them the Holy Spirit to empower them to be his witnesses in the city, in the wider community and as far as the ends of the earth.
I've had to become more familiar with the work of the courts in the past year and in particular, with respect to the Cathedral being an Interested Party in the Judicial Review case concerning Richard III. We've had to submit 'witness statements' and indeed the very important post-script of the judgement includes a quotation from my witness statement as Dean.
I'm not sure we exactly spelt this out to each other but we've been trying to get this right. So we have been trying to find succinct and compelling words for the court and its process to understand our experience here. Rightly the courts are concerned about the relevant point of law but our witness accounts tried to explain something of our day to day reality, our work and welcome over the past year. We had to try and discern what was relevant to say, trying to second guess the questions that might be considered. We wanted others to understand that despite the media reports and at times malign commentary on social media sites, that our intent was entirely honourable. We were not primarily motivated by money or fame. Rather we are concerned about the truth of history, the care of a human person and an anointed king. And we had to do all this with utter truthfulness. I have learnt that being a witness is demanding but a good and fulfilling thing.
As Christians we are called to be witnesses to our experience and love of God made visible in Jesus Christ. Some people are able to do this with great naturalness and sensitivity – we often recognise them as evangelists. But I suspect most people here don't think of themselves in that way and may even feel a bit shy or embarrassed to think of yourself like that. I spend a fair amount of time with people of other faiths and whilst those faiths also may have their evangelists, I am often struck by how much they act as witnesses simply by being themselves in a way which is truthful, revealing that faith is in their DNA as much as family or culture or their profession. Christianity has been the majority faith for a long time but now in Leicester city there is no single faith in majority. Yes of course, the history and traditions of this country are shaped by the Christian witness but both in a multi-faith context and in an increasingly secular context, Jesus promise of help to be his witnesses seems ever more needful.
There are one or two things I notice in the passage from the Acts of the Apostles which may point to aspects of our Christian life which might help us in considering our witness.
The first and really obvious thing to say is that this is about people. Our scriptures and worship bear witness to a story about people and their experience of God. We are not looking for a different kind of language but we are looking for our language which does justice to what we know, what we are discovering and what we're finding hard to describe about this journey with Jesus. When people who are exploring a sense of calling to be a priest come to see me, I always ask them to tell me 'what is their gospel' and to pretend they were talking to somebody in the pub or when they were walking in the park with another dog owner. What is your gospel? One of my favourite bible verses is in Peter's first letter chapter 3 – 'always be ready to make your defence to anyone who demands from you an account of the hope that is in you yet do it with gentleness and reverence'. You might like to picture a simple sail boat with its hull and rudder lying beneath the water which gives the boat its stability and its direction. What words could you use to describe your faith with respect to the stability and direction of your life?
Related to that is an understanding of the word witness itself. It appears 34 times in the New Testament. The Greek word martyreo is the origin of our word 'martyr'. I think this makes explicit something that we sense – namely that there is a cost to trying to tell the truth and sometimes there are consequences too. We've read this week about the horrific story of Meriam Ibrahim in Khartoum who has had to give birth shackled in prison because she has been convicted of apostasy and sentenced to the death penalty because she has refused to renounce her Christian faith. We are unlikely to face such circumstances and God forbid we should but the cost of being truthful is real for every Christian in a host of ways.
Our story from Acts reveals that the friends of Jesus have experienced his Ascension on Mount Olivet or the Mount of Olives. This is just across the Kidron Valley from Jerusalem. Firstly, it is just outside the city limits like the place of crucifixion. Zechariah prophesies (14:1-4) that from there the mighty armies gathered against Jerusalem would be destroyed in apocalyptic fury. This leads to a Jewish zealot from Egypt gathering a mob to march on Jerusalem during the Roman period to oust the invaders. This Mount is shaped by political conflict.
Jesus used this mountain as his safe route to retreat during the last week of his life as he went back and forth to Bethany. Rather than with guns blazing, he entered the city from there weeping for Jerusalem. And here at his own parting, he sends his followers back to the city to wait for spiritual blessing, not to fight for political freedom. So part of our witness is an important interrogation of the context, the place, the geography both physical and social of our lives and then to try and see how given that, we might critique it, subvert it or reframe it. There is a call here as witnesses to explore a counter-cultural response. Maybe there are a host of small ways that we could reveal something about the truth of life as we see it. Real significant witness is often achieved through small actions. Just think about the Pope last weekend asking his driver to stop on the way into Bethlehem and standing with his head hung up against the wall of separation – he didn't stand in defiance with fists in the air, nor did he express anger with more graffiti, nor did he really blame anyone. His head hung in sadness against the wall was deeply counter-cultural revealing the love and way of Jesus.
Finally, the disciples leave the mountain and go back to the city. Like Jesus himself, they also go up. They go to the upper room. This is the place of memory where feet were washed, bread was broken and wine was poured. This was the place where they were with Jesus and it is to there that they return to pray and to wait for the coming of the Spirit. Christian witness is rooted in Christian community – the coming together in the safe familiar place to remember how God has been and is with his people. This is both the place to find strength and companionship in one another and the place to make the journey of the heart. In our upper room, we experience afresh the abundance of the Lord's feast and the fickleness of the human will because even that safe place has the memory of Judas. It is another place of truth, a place from which the witness comes.
'You will be my witnesses in Jerusalem, in all Judea and Samaria, and to the ends of the earth' – Acts 1:8b
© The Very Revd David Monteith


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Tiramisu Trailer (2008)
06 March 2008 Drama, Mystery, Foreign 90 mins
Bookkeeper Jacob newest client is the talented and flamboyant actress Anne. They first meet each other on her houseboat, the morning after the premiere of Anne's new theatrical play. Jacob soon discovers that Anne has made a mess of her personal finances and that she has several debts. She may even have to sell her houseboat. Anne gets into a blind panic as she definitely has no intention to sell the boat where she has so many memories. Jacob becomes fascinated about Anne's world and is not concerned anymore with his own personal life and wife. Anne is trying to get money and is convinced that Jacob can save her financial mess. Despite Anne's plans and efforts, the boat must be sold by auction. During the evening of the auction, Anne has organized a big good-bye dinner and has invited all her colleagues and friend on the boat. When Jacob is about to inform Anne about how he wants to save Anne's houseboat (he has bought it himself for her), she comes up with a totally different plan..
Watch the official Tiramisu 2008 trailer in HD below or find more Tiramisu videos on Vidimovie.


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Artistic Director of Documenta 14 Criticizes Handling of Exhibition's Audit Report
Germany Appoints New President of Commission on Nazi-Looted Art
Artist Organizing Alternative Havana Biennial Released on Bail
Performa Names Kemang Wa Lehulere as 2017 Malcolm McLaren Award Winner
Henri Cartier-Bresson Foundation Relocates and Names New Managing Director
Dallas Museum Curator Resigns Following Allegations of Inappropriate Behavior
Founder of Brazil's Inhotim Institute Sentenced to Nine Years in Prison
Nick Pinkerton on "The Lost Years of German Cinema: 1949–1963"
Nick Pinkerton on Poverty Row Classics at the Museum of Modern Art
Tony Pipolo on Robert Mitchum at the 55th New York Film Festival
Claudia La Rocco on Sarah Michelson's September2017/\ at Bard College
Bruce Hainley and David Velasco on Molly Nesbit's Midnight: The Tempest Essays
Left: Christie's doorman Gil at work. Right: Chief auctioneer Christopher Burge. (All photos: David Velasco)
What exactly does the art market look like? From the press pen at the back of Christie's Post-War and Contemporary Evening Sale on Tuesday night, it was a sea of bald patches and faux blondes. The men were in grey, black, and blue, many wired up with ear pieces attached to cell phones, looking like the bodyguards and chauffeurs that they left leaning against their town cars outside, except that their suits were made-to-measure. The women were small servings of bare legs in high heels and diamonds.
There are two ways to ready oneself for a major auctionsparkling water and aspirin or a double scotch on the rocks. Christopher Burge, Christie's twinkly-eyed chief auctioneer, swears by the latter. With a total of ninety-one lots, this was the longest evening sale Burge had ever taken. The marathon had to start a half-hour early to accommodate the clients' dinner reservations, and was characterized by such unbearable cold that many people speculated that Christie's had jacked up the air conditioning in order to keep people from falling asleep.
The sale opened with twenty-six works by Donald Judd. The wall pieces consistently outperformed the floor pieces, but together they commanded $24.4 millionwell over their high estimate. Still the consensus among the press pack was that the sale was "underwhelming." Later I encountered a long-time Judd dealer who said the reverse: "Minor pieces sold for major money. For us in the Judd world, the earth moved." In the context of the sale, I found it oddly reassuring that, despite Christie's innovative marketing, Flavin Judd's impeccably hung show, and Roberta Smith's impassioned rave in the New York Times (which some say added "a couple million dollars credibility to the sale"), the room hardly went wild. Rather, this was a low-key affair befitting the memory of the restrained, cerebral master. As one Christie's expert admitted, "the artist is incorruptible."
Left: View from the press pitthe Christie's crowd. Right: Christie's call center takes donations for Andy Warhol.
Only ten to fifteen people left after the Judd lots, suggesting that both the collectors who'd come to "watch the market" and the dealers here to "take a position" were principally interested in the customary fare. Marlene Dumas, the only living female artist featured in the sale, was first on the block with Feathered Stola, a sensuous painting of a slender woman masturbating. This was business as usual and the room immediately loosened up. Bang went Burge's happy hammer and the intriguing crotch shot sold for $1.2 million, double its high estimate.
In the end, the sales total was a whopping $143.2 millionthe second largest in the Contemporary department's historybut nobody even got close to the edge of their seat. There were no gasps or reverent silences. Josh Baer (dealer and editor of the baerfaxt) informed me that the technical term for such auction house profits was "shitload." When debate among the reporters turned to why the Stones, a San Francisco-based collecting couple, were selling their Eva Hesse, one offered, "They're bored," though the work sold for $2,256,000, an auction record for the artist and more than twenty times what they paid for it in 1992. Perhaps they were simply keen to cash in.
It was good business, but lackluster drama. As Glenn Scott Wright, director of Victoria Miro Gallery, commented after the sale of the night's "top lot," Andy Warhol's 1962 Small Torn Campbell's Soup Can (Pepper Pot): "It's a sign of the times that the vendor of a tiny painting made during our lifetime exited the room looking crestfallenof all thingswhen his lot sold for only $10.5 million hammer." The painting was put on the block by Warhol's original LA dealer, Irving Blum, and guaranteed by Christie's for $11 million. Was Blum's disappointment more emotional than financial? As high prices become the norm, it becomes harder and harder to get that euphoric fix. Or perhaps it was because his close colleague, Larry Gagosian (bidding for suspected third-party guarantor Eli Broad), made the winning bid?
At the press conference afterward, Christie's staff knocked back champagne to celebrate the "testimony to Judd" as well as the world auction records made for Hesse, David Hockney, Damien Hirst, Mike Kelley, Richard Prince, Brice Marden, Morris Louis, Lucio Fontana, Piero Manzoni, and Dirk Skreber. Burge said the event bore witness to a "strong, engaged, sensible market." Later, with a well-deserved fresh scotch in hand, he leaned over and said, "Auctions are the most boring things on God's earth."


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Pierre Boulez And The Lucerne Festival Academy
Release Date: 29 March 2010 | Certificate: Exempt
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NTSC, Bonus Concert of Debussy's JEUX and Boulez's own NOTATIONS AND REPONS, recorded live in 2009
Release Date: 29 March 2010
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Main Language: English
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Everyone is entitled to a smoke free environment in all areas used for study, work or relaxation. Smoking is forbidden in all buildings, properties or vehicles.
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Hop Valley Hops that Help
May 10, 2017 -
5:00pm to 8:00pm
Join us for a fun-filled evening at one of your favorite local brewpubs. $1 of every pint sold at Hop Valley Brewing on Wednesday, May 10 between 5PM and 8PM will be donated to the Science Factory. Bring your friends and have a pint (or two) in the name of science!
Science Factory educators will be on-site with fun hands-on activities for kids and adults alike.
Hop Valley Brewing, 990 W. 1st Ave.


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Los Angleles, California (PressExposure) April 08, 2009 -- Although, a defensive driving technique is a great tool that would save anyoneâs life on the road, joining a defensive driving course can benefit you in many ways. http://www.4trafficschoolbyimprov.com offer you the defensive driving online courses to dismiss your traffic ticket, get points reduce from your driving record and get insurance rate discounts. Driving carefully is great but driving defensively is an assurance to be safe. http://www.4trafficschoolbyimprov.com provides a fun and simple online defensive driving class for ticket dismissal, insurance reduction and point reduction programs. These defensive driving online courses have been designed so that a user can self manage without much difficulty. All the courses here are entirely user-controlled. The defensive driving course online by http://www.4trafficschoolbyimprov.com comes with many features. For instant, it is a 100% online course. This easy online traffic school helps participants to take advantage of the flexibility in terms of time. Whether you off on a business trip, vacation or have a busy schedule the defensive driving online course will ease the problem of time. The online traffic school provides an unlimited log in and log out options as well as auto-saving option. The online defensive driving class offers more flexibility and allows the participants to complete the defensive driving course on their own pace. The Internet offers the user convenience, and now you can take advantage of the online defensive driving course. Have you heard of the word âEdutainmentâ? The defensive driving online course by http://www.4trafficschoolbyimprov.com is designed to be enjoyable and interesting for the participants. Anyone will find this online defensive driving class very interactive than any other classes. The defensive driving online courses offered here have been certified by authorities including California Superior Courts, Florida DMV, New York DMV, New Jersey Commission on Motor Vehicles, Virginia DMV and many others after completing the course, participants are given the certificate of completion. This certification will satisfy all the legal requirements for dismissing tickets, availing insurance discounts and reducing points from driving record.
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The Clinton Valley Board of Directors meets on a monthly basis to discuss conservation projects, education efforts and other important chapter planning opportunities. All Board of Directors Meetings will be held at Camp Ticonderoga with a start time of 7:00PM.
These meetings are open for the general membership to attend, however, due to reservation limitations an RSVP with the Chapter President, Matt Niemiec, is required for attendance.
All CVTU board meetings are held on the fourth Tuesday of the month. Any changes in this schedule will be noted on our chapter's calendar of events.


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The current Crossville Town Council met for their final formal meeting before the new councilors and mayor take over on November 7. Mayor Vicky Stone called the meeting to order, Councilman Ray led the Pledge of Allegiance, and incoming councilman Nelson Ferrell led invocation.
Under old business, the two submitted landscaping bids for the Town of Crossville were reviewed and discussed for approval. The duties to be performed for landscaping included replacement of plants and flowers, pruning of shrubbery, fertilization of plants, spring cleanup, mulch, and general cleanup of needed areas. The bids were discussed and by a vote of 3-2, the Town Council approved DeKalb County Lawn Maintenance's bid to landscape for the Town of Crossville.
Under new business, the Crossville Diamond Club sign was renewed. The Town Council also approved money for the annual Trunk-R-Treat which also included a $50 prize for the best trunk at the event. More information on the Trunk-R-Treat will be available closer to the time of the event. A major infrastructure repair was discussed for Justice Street North. Every time it rains, water washes out the ditches of several town residents and fills their yards with trash from the school. More information will be needed to determine what actions the council will take, so the issue will be discussed further at the council's workshop on October 16 at 6:30. The workshop is open to the public.
A discussion about how to better insulate the shop building on Highway 227 was also tabled for the workshop in order to get more information on what exactly needed to be done.
Under department reports, the Crossville Fire Department still has tee shirts available for Breast Cancer Awareness Month and they are sold at the Crossville home football games.
As this is Mayor Vicky C. Stone's final Council meeting as mayor, she saved her mayor's comments as the final item on the agenda. Her closing remarks are below:
"This is my last regular council meeting. It has been a pleasure to serve on Town Council for 11+ years. When looking back at the accomplishments from these years, I feel I have served my town prayerfully to the best of my ability. It has been an honor to have the opportunity to sit in the Mayor's seat for the past six months. It has been a short ride, but one that I will not soon forget. It came with many challenges that I have met to the best of my ability. I feel that good accomplishments have been made with the help of the council these past six months. Now we must all look forward to the coming change: the November meeting when our town will begin a new journey, under new leadership along with three new council members. New people bring new ideas. May God continue to bless my town and yours."
We will miss Mayor Stone as she continues on the path that God has set for her, and we wish her a very bright future.
The next council meeting is November 7 at 6:30. The new mayor and council members will be sworn in at 6.


text: (Nelumbium nelumbo Druce) Chronic water plant a beautiful, native of mainland Asia. Teratai dibudidayakan and swimming in the water, sometimes found growing wild in the swamps. Water plants that grow upright. Rimpang thick scaly, growing vine. Leaves and flowers out of direct rimpangnya a bound on the mud at the bottom of the pond. Blade width and rounded leaves, supported by a long stalk and rounded berdiameter 0,5-1 cm, 75-150 cm long. The leaves emerge to the surface water, such as vertical tower shield. Berlilin leaf surface; keputihan the color green, flat edge, the middle rather mencekung, bone leaves spread from the center to the edge leaves, 30-50 cm diameter. Fragrant flowers, grow tower above the surface of the water with the rod length and rounded solid, long flower stalk 75-200 cm. 15-25 cm diameter flower, stamen many of yellow pollen, flower crown width, there is a single and a double with pink, white and yellow. Flowers bloom day from morning until evening. After fading, crown flower berguguran until finally left the base interest rate will be the future fruit, shaped like inverted cone with a flat surface such spons and perforated contain 15-30 seeds, the color green colors, green and brown and finally black, diameter 6 -11 cm. The seeds of such as peanuts, there are holes in the fruit shaped like a wasp nest. The seeds that are old blackish green color, age approximately 1 month since the interest rates rise. Normal leaves used as wrapping, rimpang young and seeds can be eaten. Embraces Buddhism considers it as a symbol of purity, reflected in a variety of painting and sculpture that depicts the Buddha was sitting bersemedi on the lotus flower. Local Name: Padma, seroia, terate, tarate, taratai large.; Can Diobati Diseases: Diarrhea, dysentery, keputihan, nasopharynx cancer, fever, insomnia; Hypertension, vomiting blood, nosebleed, coughing blood, heart disease; Tell-beri, headache, blood, feces and urine, anemia, ejakulasi; Composition: SIFAT chemical FARMAKOLOGIS AND EFFECT: The seeds: Keeping heart condition, useful to strengthen the spleen and kidney. Lotus seeds sprout: Eliminate heat in the heart, reduce heat, stop the bleeding, holding ejakulasi early. Skin lotus seeds: Stop the bleeding, remove heat in the stomach, removing the hot and humid from the gut. Benangsari (mustache lotus flower): remove heat from the heart, strengthen the kidney function, holding ejakulasi early and stop the bleeding. Buffer interest: Membuyarkan frozen blood, stop the bleeding, humid decline. Lotus stem (stalk leaf, flower stalk): Reduce heat and expedite urine. Leaf: Clearing heat and the humid, raising the clear, stop the bleeding. Basic leaves: Reduce the heat and humid, menormalkan menstruasi, strengthen pregnancy. Rimpang: Dimakan raw nutritious reduce heat, cool down the hot blood and blood membuyarkan frozen. When cooked, nutritious strengthen the spleen, the food tastes, penambah blood, muscle growth and help cure diarrhea. Roots: Stop the bleeding, blood clot membuyarkan, tranquilizer. Powder rimpang: Stop the bleeding, the blood, regulating the spleen and kidney. KANDUNGAN CHEMISTRY: Flowers: Quercetin, luteolin, isoquercitrin, kaempferol. Benangsari: Quercetin, luteolin, isoquercitrin, galuteolin, there are also alkaloid. Buffer interest (reseptacle): Protein, fat, carbohydrate, caroten, nikotinat acid, vitamin B1, B2, C, and contain little nelumbine. The seeds: Rich in starch, also containing raffinose, protein, fat, carbohydrates, calcium, phosphor and iron. Skin lotus seeds contain nuciferine, oxoushinsunine, N-norarmepavine. Lotus seeds sprout: Liensinine, isoliensinine, neferine, nuciferine, pronuciferine, lotusine, methylcorypalline, demethylcoclaurine, galuteolin, hyperin, routine. Rimpang: Pati, protein, asparagine, vitamin C. It also contains catechol, d-gallocatechol, neochlorogenic acid, leucocyanidin, leucodelphinidin, peroxidase, etc.. Roots: Zat tannic and asparagine. Leaf: Roemerine, nuciferine, nornuciferine, armepavine, pronuciferine, N-nornuciferine, DN-methylcoclaurine, anonaine, liriodenine, quercetin, isoquercitrin, nelumboside, citric acid, tartaric acid, malic acid, gluconic acid, oxalic acid, succinic acid, tannic substances , etc.. Basic lotus leaves: Roemerine, nuciferine and nornuciferine. Leaf stalk: Roemerine, nornuciferine, resin and tannic substances. Oxoushinsunine that are on the skin of lotus seed development nutritious pressing nose and throat cancer, while lotus seeds and stalk nutritious anti hypertension.


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Once I had the bagpipe reed fitted and kinda working, I marked out the expected hole positions according to Trevor Robinson's plan.
I cautiously formed the sound holes in the foot section to the correct diameter, and then the tuning holes at the end of the upper section (these are on the side of the body so can't be seen in this photo. I started at 4mm diameter, and cautiously opened them up, testing all the while for a C. In the end, I had to enlarge these holes well past the Robinson specification to get to C, and even then I had to push it a bit to be on pitch.
And so it went, up the scale. For each hole, I had to open the diameter beyond the plan, which suggests that the holes should have been placed further up. After a few holes, I started drilling them further north than the original plan. By this process, I made it from C to G without too much bother.
At this point, the holes are: four for the right hand fingers, and the lowest one of the three left hand holes.
Already, you can see a closed off hole beween the second and third holes.
Blocking off was easy enough: I stuffed a plastic bag up the bore to block the holes from the inside, and filled them with woodfiller. Once this hardened, I sanded the outside flush with the surface, and buffed the inside bore to a reasonable state.
Noting that the original holes were all on the flat side, I sited some new holes at convenient finger spacings and angles, not far down the body. However, I was finding it harder and harder to get a consistent tone from the reed, and the instrument as a whole seemed to want to jump up the octave, even for very low volumes.
It seemed to me that I had to revisit the whole reed and pirouette thing, and get a consistent operation.
All this would be after Canterbury Faire!
I decided to make a clean sweep of it and start the tuning again; I filled in all the finger holes.
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Two Surprises!
The paperback version of My Hope is Found is just $2.99 on CBD! Yep! You can grab the novel for under three bucks! Just click the link above and if you haven't finished Lonnie and Gideon's story, I hope you enjoy both the journey! And for that second surprise… A while back, a family friend contacted me to see if his college students might use an excerpt of one of my books for their sound recording project. He requested several sections that contained a bit of energy – different voices and sound effects. I sent them two different sections of this...Read More
My Hope is Found – SDCWG Novel of the Year
Update : We've drawn a winner at random and congratulations to Karen Clinton for winning the 3-book series. Thank you to ALL for your kind words and warm wishes! This weekend I had the honor of receiving the members' award for 'Best Fiction Book' published in 2013 from the San Diego Christian Writer's Guild. It was a joy to celebrate with friends, receive the award from one of my absolutely favorite authors, Susan Meissner, and feel an overflowing of gratitude. Now I just need to tell Lonnie and Gid. I think they'll...Read More
My Hope is Found – Release Day!
I have a thank you. A thank you that's been two years in the making. Because it was nearly two years ago that I posted this picture on my blog. And I told you all that I would be writing three books for WaterBrook Multnomah. My how two years have flown by! A very special thank you to WaterBrook Multnomah for giving this newbie a chance. I had absolutely no idea what I was doing, but you walked me through the steps and you gave this story wings. I will be forever grateful. You gave these books some of the prettiest covers a girl could ever hope for, introduced me to...Read More
My Hope is Found: Sneak Peek!
Just arrived on my doorstep… The advanced reading copies of My Hope is Found!! Some of you may be wondering, what is an "advanced reading copy". Also known as an ARC, they're a printed book thats quite similar to what the final book will look like. There are typos and some other odds and ends that will be changed, but I gotta tell you, it was so exciting to see that the story was at this stage! Within the next few days, I'll be sending these out to bloggers and reviewers who are part of a launch team for the book. I know, that's pretty...Read More


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When private detective Charlotte Austin accepts her latest commission, she immediately knows it will be an unusual one. A bizarre letter from the Mayor of Port Providence arrives asking for help investigating the mysterious disappearance of a missing ship, which has suddenly reappeared without crew or cargo.
During her first attempts to solve the case, Charlotte realizes that the reports in the local press about an alleged curse may be more than local folklore. Her encounter with a hooded figure in the supposedly abandoned shipwreck, along with other seemingly impossible events, reinforce her belief that there is more going on in Portsmouth than meets the eye.
Detective Austin must discover the link between the abandoned ship, Devil Island, and the unsolved murder of a local family.
Will she discover the curse that is dooming ships out of Portsmouth, and be able to stop it before more people die?
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This interview, proposed by Jane Joritz-Nakagawa to Pam Brown upon the publication of Brown's book, Home by Dark, was conducted via email in late 2013.
Jane Joritz-Nakagawa: Shall we start at the beginning? Perhaps you could tell how Home by Dark began, came about? Can you remember the first impetus or first poems created for it? What set the book in motion?
Pam Brown: The poems were written over four years, from 2008 until late 2012. I can't recall a specific impetus to make a book, but I suppose it could be that by the time I'd written "Closed on Mondays," I'd gone as far as I'd wanted to in that period of time, and thought I could present that particular series of poems and then move on to whatever else I might do. "Closed on Mondays" isn't the final poem in the book but it was the last poem written in that group. The book's not arranged chronologically.
JJN: Now I'm wondering which poem was written first! "Closed on Mondays" seems to make a sublime ending, doesn't it, beginning with: "too nice / & when you leave / everything is white noise, / no traffic, / no music, no muffle, just thick air / whirring." And ending of course with "the neighbour / who died / on boxing day."
At a conference, somebody asked me if I wrote poems or books, and it was hard to answer. What do you think about that? Initially, I only wrote poems. After putting together a couple of books of collected works, I wrote some books that started with an overall plan or concept, like incidental music, where I set out to write a book of poems written in form. My fourth book, The Meditations, had poems chronologically sequenced (mostly, maybe entirely). In other cases a concept, or group of these emerged later.
Is Home by Dark typical for you, then, as a collection of poems versus a book that began with a central concept? Since it's not chronological, can I ask what principles you followed and what thoughts were in mind when sequencing the work in Home by Dark? I imagine you may have noticed interesting threads pulling the poems together into a book as you worked on the manuscript, even if the book may not have started with a central concept. What seems to pull things together, ideas you were preoccupied with during that period or something else?
PB: I think your book notational can be read as both a conceptual long poem and a collection of standalone poems. That's partly because of the absence of titles and sections.
I can't remember which poem came first in Home by Dark. Yes, I write individual poems and then, after a few years, when I'm tiring of the folder I keep them in, I start thinking about compiling them as a collection. Sometimes the poems can run to six or seven pages. These days some of them are becoming more fragmentary. Of course, some of the poetry in the folder never leaps into a book.
I suppose, rather than anything thematic, my poems are often agenda-free. Many of them start somewhere locatable (on a street, at a table, looking out a window, going for a walk, on a plane, at the kitchen sink, catching a bus and so on) so they're basically "in the world." And then they move along, cinematically, often accompanied by a kind of soundtrack of questions or small observations. So there's an accumulated multiplicity of imagery, thought, feeling, jokes and so on by the time the notes become a poem.
At first, I assembled the poems as a group to be read straight through without breaks. I sent the manuscript to a friend, the poet Ken Bolton, to see what he thought of it. He wondered if the whole thing might be "too much" all at once. Ken is always right. So I looked at it again, discarded some poems, and then decided to break it into sections as an attempt to be kinder to anyone who might read it.
"Closed on Mondays" is, I guess, typical of what I do. It's a kind of sometimes tough-minded, elegiac thing, wandering about in a realm of bricolage. It includes literary comment sometimes—like, say, the manuscript of drafts left fortuitously open by the "well-polished" poet who calls the manuscript "my stuff," waiting there in supposed nonchalance for its critic or its admirer. In real life I would find that kind of supposedly casual situation or set-up very amusing.
Home by Dark is my seventeenth book of poems, so I did have a four-decade habit of intermittent yet continuous poetry-making (and I always hope that there'll be some kind of fresh trajectory or tone to whatever's happening with a new poem). I should say that I was preoccupied during two-and-a-half of the four years of writing those poems with the effects of a dire treatment I underwent for a condition I'd had for a long time, but that was only diagnosed by chance in 2009. It had a huge effect on my life but not really directly on my poetry, though of course the thread or trace of that experience is there in some of the poems—"Spirulina to go," for instance. I don't care for "illness poetry" as a genre. I just kept on with my process of compilation, the accretion-method of making poems, whenever I had the energy or had something to notate. I also continued my work editing for Jacket Magazine. I just didn't "socialize" much for a time.
JJN: I can't detect the treatment underwent in the book! It's interesting what you say about some of your work becoming increasingly fragmentary, and about "illness poetry." I recently participated in a panel where I talked about the relationship of Marxist-feminism and cultural relativism to avant-garde writing by contemporary female poets, while one of the panelists discussed poems about cancer. I believe Bernstein has said or written (I refer to this in my interview with Eric Selland, published in The Conversant) that a difference between experimental and traditional poetry could be that, in the latter case, one sets out to write about something, while in the former one writes and then discovers what the something is. And then of course the reader discovers whatever she discovers (i.e., poems lead to new discoveries each time one returns to the work). For me that is an important distinction: the readers' and the writer's discoveries are variable, and this discovery and exploration are part of the reading and writing.
With notational and the book that followed (FLUX, published in 2013), I removed all the titles. The pieces in both books had been published individually with titles in journals and anthologies, but then sequencing them and so on led to revisions. When working on the books I saw my project, especially with FLUX, as one large piece, though neither book was entirely conceived of that way to begin with. Each book has been a little different for me, but I've only completed seven books compared to your seventeen! I thought of putting sections and divider pages into FLUX, but I had the idea that I wanted it to be messy and kind of overwhelming, like being lost at sea. Of course the final format of a book dictates many aspects of its appearance, such as layout and the book's overall vision, but I wanted the pages to overlap and not be in tidy boxes—a mirror of my "true" mind, so to speak.
When I wrote The Meditations, I had a back injury and was stuck at home a lot, and I think those circumstances account for that book's introspection. The poems, though, are not traditional lyrics and the backgrounds for many of them are not going to be obvious.
So your comment about the personal circumstances surrounding Home by Dark is interesting. I could not find any "illness poetry" in Home by Dark, and there is a lot of the urban/urbane in it for me. But there's also a balance between inwardness and outwardness, and, as you said, a kind of shifting between the observable outer world and reflection—with, for example, "poets perceive language/directly," which follows on the heels of "sympathy card envelope" (in "Haywire here").
A fun coincidence: you told Michael Brennan in an interview, published on the Poetry International Web, 2011, that your first artistic efforts began when ill in bed at the age of 7, or 8?
PB: Ha, I'd forgotten that. But, introspection: I think there are tinges of introspection in Home by Dark,too. Yes, you just become generally more self-involved when you're incapacitated and can't get around the way you usually would.
JJN: Silliman's essay "Asterisk," which is on Rae Armantrout's poems in We Who Love to Be Astonished, describes her work as poems that don't tell too much, and which leave "the reader with a sense of incompleteness and awkwardness." I think this is pertinent—that both the writer and the reader are left with interpretive options, which requires understatement in poetry (or a "light touch," as is said about Home by Dark on the back cover). So I guess when we talk about work that is "agenda-free," it can be related both to process and to post-editing result. Although a poet's poems may be agenda-free, the poet him/herself may have agendas elsewhere. I read Alice Notley's recent interview in Boston Review, where she said:
Everybody's sexist. Most women are sexist. It's a tremendous fight and it's totally ongoing. Men have all the prestige and all the power in the poetry world, still. Women have space now, they have space but it's not the same as prestige or power. It's as if I've had to re-write all of the history of poetry so that I could be as great as I want to be. My "project" is to be a great poet. I'm not interested in poetry schools; I have absolutely no interest in any of that.
PB: Yes, I read that interview with Alice Notley, too. I like the way she says, after instructing the interviewer not to ask about her "project" (apparently a term she despises), that her project is "to be a great poet." I recoiled at the words "great poet," because I know male poets who take being "great" for granted (often when they're not), but I think Alice intended that to mean being really super good at writing poems, which she clearly is. She's right about everybody being sexist.
But what I mean by "agenda-free" is that a poem isn't being written to an agenda, and often ends without concluding, or without a fanfare, if you know what I mean. I don't mean that there's absence of politics or critique.
JJN: Absolutely. As in Home by Dark, the camera that is spinning around, so to speak, in the cinematic book may fall upon sociopolitical objects and ideas.
I like how the dividers in Home by Dark have quotations. As I've just finished two books without titles or dividers; I think the next book will be only dividers and titles. Actually, the next book is a chapbook-length poem coming out soon, all left-margin justified, written entirely in quatrains, so a bit tidier than the last two. Since then I've started something that is like haibun but not actually haibun.
PB: Ah, the haibun. I once wrote a poem I called a 'low-bun' to parody the haibun. I'm generally hopeless with form. I've tried villanelles and sonnets and pantoums and so on but they always seem so contrived. One of my sonnets wouldn't get past being twelve lines in length and it grew wider as I wrote it. A failure. It was included in The Reality Street Book of Sonnets that Jeff Hilson edited in the U.K. back in 2008.
JJN: The sestina is the most difficult form I've tried in terms of being satisfied with the result, and I find that the three I've finished/published ended up being written in an unusual "voice." A friend of mine told me she liked the obsessiveness of pantoums. I think when I write in a form, if I do at all, it's usually with a very deep sense of irony. This is also true if I write something resembling a more traditional lyric, as it tends to become tongue-in-cheek, a lyric with a wink. But it's also fun to start with a form, and then totally subvert it or allow yourself to depart substantially from it.
You mention that some poems start with something on a street or table, etc. I remember hearing a musician/composer talk about how some songs had begun simply with a sound he had heard. Poems may begin in a similar way, too, with a word or phrase. Certainly that's true of how I begin to compose. Often it seems to be in part a poetry of coincidence. Much of what painters, sculptors and musicians write about in terms of their creative processes appeals to me as a reader/listener, because it's a parallel with what I'm doing as a writer. Their comments become a "companion." Most of what I have read written by poets about poetry concerns the result more than process, though I've also found discussions of process in interviews with poets.
PB: Process. I have written process into many of my poems. I suppose I'm very conscious of what I'm doing when I'm making a poem and very conscious of its probable irrelevance to most people other than poets. Though I wouldn't want that statement to be received as an absolute.
JJN: How would you characterize the poetry scene, so to speak, in Australia now? What effect does international poetry have on you and your work? What thoughts do you have about critical writing about poetry, its importance or non-importance?
PB: The poetry scene seems pretty vital here at the moment. There was a lull for a decade or so from the mid-1980s until the late '90s. There didn't seem to be many younger poets "arriving" (if that's what a poet does). But recently a plethora of younger poets has shown up.
The current Australian poetry scene is diverse. It's not as fractured as it once was, though there are coteries within it and there are various mini-movements I suppose—like groups of poets concerned with ecology, land and its ownership, ethnicity; others concerned mostly with experimentation (I know that's a broad term); and then there are always the lyricists, which probably includes most of us in some often-complicated or even conflicted way. Plus a few old and new romantics are still hanging on in there. So there's a healthy variousness—many different angles, which is positive, if frustrating for me, because there's possibly too much going on. Who can read all of it and maintain interest in all of it?
As well as local work I read a lot of contemporary English-language and translated poetries from the U.S., U.K., Canada, Europe, Asia, all over, you know. It is important for Australian poets to read internationally, but not exclusively European and North American writing. We had a nationalist thread in the culture here for a long period, and then the complications of indigeneity and multiculturalism interrupted a thriving cultural cringe that looked north rather than inward and east towards Oceania. Anyway, to get back to the question, international poetry is incredibly important to me and has always been an influence on my writing.
Poetics or critical writing is important to me, too. I don't read a lot of fiction so I tend to read critical books when I'm not engaging with poems—poetics, philosophy, politics, art, ecology. It's a source of enjoyment for me. And I like to think about the context in which I write, and the insurmountable problem of how to live in a super-capitalist world. Somehow this material gets filtered down and informs a few short phrases or lines when I write poems. That "somehow" indicates the mystery of the process.
JJN: I have the same reading habits as you mention, though I may possibly read less poetics written by poets (though poetics written by non-poet philosophers is another story—their agenda is different), and I don't read a lot of poetry book reviews. Currently I'm re-reading Heidegger. I don't fit into the super-capitalistic world at all. I've never been very materialistic but rather attracted to the spiritual, artistic and intellectual, the theoretical. As you say it's useful to read outside various Western poetries as well too, and of course the reference list in Home by Dark includes non-Australian poets. From being in Japan for so long, of course Japanese and other Asian poetries have become increasingly influential for me.
PB: No I'm not "materialistic" either (anyway, by circumstance, I couldn't afford to be). But everything I do, including making poetry, is done within the strictures of a capitalist system. My general response to the inequities of the system is to shout at the TV news, deface newspaper images, attend certain street demonstrations, letterbox for education reform and for The Australian Greens political party, and so on. But I've stopped signing online petitions—there are so many of them and I no longer think they're very effective in Australia. This world is, basically, fucked up.
I haven't really read Heidegger, not seriously. Though I bought The Graphic Guide to Heidegger at the Auckland University Bookshop when I was in New Zealand for a month last September. That and the graphic Continental Philosophy.
JJN: I read a lot of philosophy without feeling like I'm some kind of expert in that area. But it has always appealed to me (or at least, some works, as with poetry), and many philosophers have respect for poets and poetry. As far as materialism, I left a tenured university faculty position for no job at all. It's been almost two years now. And part of my dissatisfaction with that job was related to Alice Notley's words above related to sexism in the world. To be without a regular steady income is new territory for me. In any case, I'm aware of almost everything I do from a gendered perspective.
PB: I admire your action of leaving an unsatisfactory job. That's a courageous move. But about reading theory: I suppose, alongside "philosophy," I read a lot of what might be called "political aesthetics"—for example, work by Susan Buck-Morss, Esther Leslie, Meaghan Morris and so on. And, of course, I read many poeticists too.
JJN: When people talk about philosophers, it often ends up being a list of dead white men, so you know, I often need to bring up great women who are alive, well and influential. Life without Cixous, Irigaray and Kristeva would be hell, for example! And all three of them so literary.
The literary comment within Home by Dark is of huge interest to me (something Catherine Walsh does too in her book Optic Verve, a book I focused on at the aforementioned recent literary conference). To be thoughtful about what one and others are doing is important and interesting. Your comment about poetry's lack of relevance to people who don't write poems is of interest as well (and, I might say, lack of interest for those who write in different styles). Sometimes it all reminds me of the Democrats and Republicans back in my native U.S. That is to say: some people may feel they can't read and write outside certain stylistic parameters. Though to have broad tastes can be an advantage in certain respects, of course. The person who introduced me at the Irish literary conference said Walsh is one of Ireland's most overlooked poets, and when I asked somebody about it he said that's because she's female and avant-garde.
PB: I don't mind poetry's irrelevance to the world-in-general, Jane. Perhaps I did when I was younger, though I never regarded it as a world-changing art form.
And, of course, I think it's OK that different styles and tastes exist. If and when poets start getting dogmatic about their preferences (you know, "conceptual-poetry-R-us!" or "formalism entirely stinks!"), then that kind of positioning seems limited to me. If poets feel or think they have to conform to whatever they perceive as the latest in new, then that's going to be restricting.
JJN: I agree. And actually I'd probably more often wish to share what I like with interested others, than trample on what others may like but doesn't appeal to me. So far if I review a book or interview a poet, it's because I like the work in question versus because I don't like it.
As far as poetry's small audience, it would be nice to make money from doing the kind of writing I like to do, but since that's not possible, I've come to terms with it. I think if poetry changes you then you change (your change is within) the world, so in that small way, you know, when we interact with others or do poetry (and even non-poetry) related things in the world…
As you've noted, you've had a long career in poetry already. I wonder how you view your earlier work and midcareer work in comparison to your recent work, including Home by Dark. What fluctuations and what sort of continuity do you note?
PB: I love that word "career." If I review my four decades of writing and publishing poetry I find a distinctly different woman in each decade. There are threads and traces that connect through the years—minimalism, say, or skeptical humor, a certain cinematic method perhaps, and inferred political critique. But yes, so far, it's been a life of fluctuation, and my poetry has generally been "of the times" as the times have altered. I used to say that I aimed for intelligibility, but I freed myself from that in the 1990s—and although the poems haven't become obscure I think, looking at the last 10 years, I have stretched them "poetically" and, as I said earlier, I have also released them from having any particular agenda. Recently, the poet and critic Justin Clemens said about what he called my "extraordinary mining of the vicissitudes of existence" in Home by Dark: "No cures or conclusions are offered, only 'imaginary solutions' in the pataphysical way, where the prognosis remains open and who knows what will become of the present in the future."
JJN: In conclusion, we don't write illness poetry but if the mainstream is allegedly healthy, perhaps we can happily call ourselves ill, and poetry is perhaps part of the form our (imaginary?) illness takes, as it is definitely not mainstream. I look forward to seeking out imaginary solutions (to an illness from which we don't wish to be cured, apparently) in your next book of poems, Pam. Thanks so much for engaging in this conversation with me and congrats on your new book, Home by Dark.
PB: And one of the interesting questions is whether poetry is a side-effect of philosophy, inferring philosophy as part of the probable failure of treatment! Thanks for inviting me into this conversation, Jane—I appreciate the opportunity.
Pam Brown was born in Victoria, Australia. She grew up on military bases in Queensland and has spent her adult life living and working in Sydney. She writes poetry and reviews, and makes collages. Since 1971 she has published seventeen books, ten chapbooks, and an e-book. Most recently, she has published Home by Dark. A bilingual French-English edition of her poems, Alibis, is forthcoming in 2014. She has been an editor for Overland, Jacket and Jacket2, and is currently a contributing editor for Fulcrum and VLAK. In 2013 she edited "A New Compendium of Australian Poetry" for PennSound. Brown lives in the motley inner-urban district of Alexandria in Sydney. She blogs intermittently here.


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Warner Bros. has finally figured out what to do with Superman: give it to Christopher Nolan! The writer/director did wonders in his resuscitation of the Batman franchise, and now Warner Bros. is hoping he can do something similar for Superman.
Deadline Hollywood reports that Christopher Nolan is becoming the "godfather" of the Superman reboot, whatever that means. It seems to mean he's going to oversee the development of the project and, most of all, the story, which seems to mean Superman is going to go in a much grittier direction than it's gone before:
Let us emphasize that Superman 3.0 is in the early stages of development. And we doubt Nolan would direct. This wouldn't be a sequel to Superman Returns but a completely fresh franchise. As one of our insiders reassures: "It would definitely not be a followup to Superman Returns."...Another insider explained to us, "We know what we don't want to do. But we don't know what we want to do. We learned a lot from the last movie, and we want to get it right this time."
This is serious business. For so long the thought of another Superman movie was a less-than-inspiring idea to fans and movie buffs alike. But with Nolan heading up the new story, and possibly production, this is a whole new ball game.
It sounds as if Bryan Singer is definitely out, as he's back in the mix at Fox working on X-Men: First Class.
Which means it's Nolan's time to shine. Again. Is it possible he can do for Superman what he did for Batman? And if so, does that mean everyone from the 2006 film is out?
Source: Frazer Harrison/Getty Images
© 2017 Spike Cable Networks. All Rights Reserved.


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Obama returns to Kenya, reunites with father's familyJuly 24, 2015
Photo: SAUL LOEB, Staff / AFP / Getty Images
NAIROBI, Kenya — Fulfilling the hopes of millions of Kenyans, Barack Obama returned to his father's homeland Friday for the first time as U.S. president, a long-sought visit by a country that considers him a local son.
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hi everyone i am looking for a specific font, i am looking for the font the hells angels use. any help would be awesome. it is their logo font. thanks
Hessian is the most widely
Hessian is the most widely suggested for this font. not exact. how old is the logo? seems like it's probably pre-digital and maybe based on something that is not currently available. maybe?
Early 19th century type
Early 19th century type category called Tuscan had these split & curled ends -- like a "bad hair" day. Were various photo-composition era versions that could have been used for the logo. Digital versions usually are dumped in various unrelated categories like western, circus, and as in the case of Hessian, biker/motor cycle.So far found nothing closer than Hessian.
As usual with Tuscan, very
As usual with Tuscan, very frustrating as I couldn't get a match or a name. This one reminds me of those used in the embroidery industry mainly for baseball team purpose. Some suggestions for similars: Bosox (Boston Red Sox fan font), Stahl's Tiffany, MLB Tuscan (Major League Baseball fan font), akaPosse, High On Fire, Los Banditos, Warriors
AFAIK the Hells Angels patch
AFAIK the Hells Angels patch and logo are protected under copyright. So if you find a pirate copy of a digital file that was originated by Hells Angels be careful not to break the law by using it, or that's not all that might be broken:) However, seems to be no LEGAL problem [at least in USA] with creating a new digital design that matches an image provided it has a name that will not infringe.
Seems to be an exact match in
Seems to be an exact match in Bike by Fontalicious. Love the explanation:
---start quote---
When I was working on a project one day, I went a-lookin' for the Hell's Angels font. Not only did I not find it, but along the way I bumped into the information that they don't give that font out, it's in their secret files. Really guys?? I guess now we all know one more thing about the infamously bad ass biker gang…they pilfer cool fonts. Well, I went ahead and made it, that's how I roll. Last time I checked, no other designers were putting their life on the line making fonts. You're welcome.
---end quote---
How close? decide for yourself:
Oh dear, oh dear! Some people
Oh dear, oh dear! Some people will never learn - and it seems to be turning into my life's mission to inform the general public about the dangers of this stuff.
This as a Public Information Message.
NB: Both Bike and Hessian are dangerously close approximations, but please BEWARE - the actual font you are seeking has NEVER been made available to the general public.
FYI: HELLS ANGELS and the winged deaths head logo (R) are trademarks owned by Hells Angels Motorcycle Corporation, registered in the USA and in many other countries. All logos and designs of Hells Angels are trademark-protected (TM) and protected according to international law. Copying and other use is not allowed.
You really should have a damn good reason to be even thinking about using it, but if you're really brave you could just walk into your local 81 clubhouse and ask advice from members of the Big Red Machine. Believe me, being sued by these guys for copyright infringement would be the very least of your worries.
For your own sake - take this information in the spirit it is intended - from one who knows (and no I'm not a member!)
Oh yeah! If you want a really good Tuscan Spurred font you should stop messing around with all those nasty Bosox/Tiffany variants and check this out:
Rare and Unique Fonts.
You can download similar to
You can download similar to that of the hells angels of typography here :https://mega.co.nz/#!OZhHjbRC!-76KQB_JCTEI1FhNGCFvuBT5nZTFvwxF9jLTUX5vBO0


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During the 1930's, Kurt Lewin led a team of individuals on a research project that was designed to develop an understanding of basic leadership styles. They published their findings in 1939, and the results were extremely fascinating. Those results are still studied and utilized to a substantial degree to this day.
Leadership Styles Defined By Kurt Lewin
Any research conducted on the various leadership styles in play in this day and age is going to utilize information that was culled from the study conducted by Lewin and his team. Even a brief overview of that information is certain to include the following:
1. The published results of the study conducted by Lewin and his associates indicated 3 generic forms of leadership. These forms of leadership are designed to explain how someone in a leadership role might make a decision.
2. The first form of leadership covered in the study was referred to as autocratic. This leadership style believes in giving orders, and having those orders followed without question. It typically does not seek the counsel of others. Communicating with autocratic leaders can be seen as something of a one-way street. It is said that this type of leadership is best suited to situations in which input is not needed. It allows for quick decisions to be made, but it eliminates the potential good that can come out of collaboration.
3. The second form of leadership explained in the study was referred to as democratic. This leadership style believes that others should be involved in the decision-making process. The leader will ultimately make the final decision, but that decision will have some degree of influence from the advice and opinions of others. While this style of leadership can motivate those working under the direction of the leader, the decision-making process can sometimes be slower than the situation demands.
4. The third form of leadership that was featured in the study was referred to laissez-faire. This type of leadership minimizes direct involvement, instead letting those under the direction of the leader make decisions for themselves. This type of leadership is notable in the way that it allows individuals to utilize their full talents and feel empowered. The main drawback to this leadership style is that it is only effective when subordinates are fully capable of making their own decisions.
Lewin's study suggested that the democratic leadership style is perhaps the most effective one. However, the study added that it is ultimately up to the person in the leadership role.


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For most of us, getting dressed for the date with boyfriend, husband or going out on Saturday- is a matter what to wear. I will advice you a short dress by Blackfive, it is not just cheap and great quality dress, but also super stylish. And a white coat will add a spring stream into your outfit. This combination is perfect for any event, whatever you go out with your friends, or you have a fancy dinner with your husband.
Date Outfit
By Diana Horsfall 7:19 PM
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My Nonprofit Reviews
Review for Rainbow Kitchen Community Services, Homestead, PA, USA
Rainbow Kitchen Community Services has been an integral part of the Steel Valley for 26 years. From its inception they have provided the community with services to help them through the ups and downs of life. Without this agency many would not have enough to eat or a place to live. My experiences with Rainbow Kitchen have made me a better person and I am thankful for the wonderful staff and board which has kept us successful in serving the community. The efforts of us all may someday bring an end to hunger, but for now we must push on and provide food and essential services to the less fortunate in our community.
More Feedback
I've personally experienced the results of this organization in...
seeing the many faces that Rainbow Kitchen serves. Knowing that the coats we collect and distribute each year keep them warm and the food that is distributed is keeping hunger at bay.
If I had to make changes to this organization, I would...
not change a thing. The staff are caring and knowledgeable in their jobs and create a comfortable atmosphere for their clients.


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GraphicRiver Winter Party Flyer Template 9332189
Category: Print Template | Comment: ( 0 )
GraphicRiver Winter Party Flyer Template 9332189
Print Template \ Flyers \ Events \ Clubs & Parties
Party \ Christmas \ Winter \ Poster \ Season \ Seasons \ Year \ Skis \ Template \ White
Print Template - Winter Party Flyer Template 9332189 by Gugulanul @ GraphicRiver
Print Template \ Flyers \ Events \ Clubs & Parties
Graphics Files Included: Photoshop PSD; Layered: Yes; Minimum Adobe CS Version: CS; Print Dimensions: 4x6.
You can use the flyer to promote any winter party, holiday party or other similar events.
1 CMYK PSD file – 4 X 6 inch with 0.25 inch bleeds | 300dpi |
1 RGB PSD file – 4 X 6 inch with 0.25 inch bleeds | 300 dpi |
The PSD file is well organized,very easy to customize.
All of the text is fully editable. To enable "Snowman version", turn off the visibility for the layer "Model", located inside the folder "Objets&Main Title"
and then turn on the visibility for the folder "Snowman", located in the same folder.
NOTE: The MODEL IMAGE in the preview IS NOT INCLUDED !!! Download link included in read me file.
The free fonts used in the design are.
Christmas Party Flyer Template; Thanksgiving Day Flyer Template ; Celebration Flyer Template; Music Night Flyer Template; Mojito Night Flyer Template; Classy Party Flyer Template; Ladies Night Flyer Template.
Keywords: bash, celebration, christmas, christmas tree, club, cold, december, drink, drinks, event, flyer, frozen, fun, holiday, ice, modern, music, new year, party, poster, season, seasons, ski, skis, snow, snowflake, template, white, winter, winter party.


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Economists do it with models. Mental models. Mental models that fall to pieces the moment they are faced with the cold light of reality. - Me
Tuesday, July 11, 2017
Jobless rates for blacks and hispanics back down
Well, this is a nice piece of news:
WSJ - jobless rates for blacks and hispanics fall to all-time lows. They're the last ones to get hired back after the job losses of a recession, and by the way undergraduate economics fails to explain why.
So with all of them back to work, I guess it's about time for the Fed to start raising rates to drive them all back out of work, right?
I mean, that's what happens when you raise rates to choke off employment growth, right?
The Fed knows this, right?
So therefore it's explicit Fed strategy to keep blacks and hispanics underemployed,, right?
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