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The Ashanti regional deputy director of the Electoral Commission (EC), Lawrence Sarpong confirmed this to Pulse.com.gh.
Speaking to Pulse.com.gh, Mr Sarpong said he is not aware of the disqualification of the 24 MP aspirants.
"Everything was sent to Accra and we have not received any information from Accra regarding the matter so I think the source of the story should check their facts and come clean," he said.
About 240 aspirants from 12 political parties have filed to contest the 47 parliamentary seats in the region. 19 aspirants out of the 240 are contesting as independent candidates.
READ ALSO: EC to begin balloting positions for qualified aspirants
Thirteen presidential hopefuls were disqualified from contesting in the race to the Flagstaff house on Monday, October 9 by the commission.
The EC Chair who made the announcement cited some irregularities on their forms which include fraudulent signatures, the absence of required number of signatures, the improper filing of nomination forms among others as the reasons for their disqualification.
The disqualified nominees include Hassan Ayariga of the All People's Congress (APC), Dr Papa Kwesi Nduom representing the Progressive People's Party (PPP), Dr. Edward Mahama of the People's National Convention (PNC), Nana Konadu Agyemang-Rawlings of the National Democratic Party (NDP), Dr Henry Herbert Lartey of the Great Consolidated Popular Party (GCPP) and host of others.
Meanwhile, nominations of President John Mahama of the National Democratic Congress (NDC), Nana Akufo-Addo of the main opposition New Patriotic Party (NPP), Ivor Greenstreet of the Convention People's Party (CPP) and Jacob Osei Yeboah – an independent aspirant have been accepted by the EC.
The EC has, however, reported the false information provided by some of the nominees to the police.


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Loewrote a review of Forum Sauce Chillydog Snowboard - Women's on November 14, 2011
Sick steeze
By: Loe
1 minute ago
This board is sick, not only does it impress by graphics but can press with ease. I recommend this board to any chick who loves the park, but can go into a backside press over the powder.
The picture attached's colors are faded, in person they are bright.

subset: commoncrawl


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Original paper
Biozonation and biochronology of Paleogene calcareous nannofossils from low and middle latitudes
Agnini, Claudia; Fornaciari, Eliana; Raffi, Isabella; Catanzariti, Rita; Pälike, Heiko; Backman, Jan; Rio, Domenico
Newsletters on Stratigraphy Volume 47 Number 2 (2014), p. 131 - 181
published: Jun 1, 2014
ArtNo. ESP026004702001, Price: 29.00 €
Calcareous nannofossils have provided a powerful biostratigraphic tool since the 1950's and 1960's, when several milestone papers began to highlight their potential use in dating Cenozoic sediments and rocks. Here, we present a new calcareous nannofossil biozonation for the Paleogene Period, which is based on biostratigraphic data collected during the past 30 years. Semi-quantitative counting methods applied on DSDP/ODP drill sites and marine on-land sections have been used to demonstrate the details of the abundance patterns of each biostratigraphically useful calcareous nannofossil taxon. This new biozonation still partly relies on older biozonations and thus represents an integration between those classical biohorizons that proved reliable and new biohorizons proposed as substitutes for bioevents considered problematic. Thirtyeight new Paleogene biozones are proposed using a new code system: 11 Paleocene biozones (CNP1–CNP11), 21 Eocene biozones (CNE1–CNE21) and 6 Oligocene biozones (CNO1–CNO6). The new scheme uses a limited number of biohorizons, one for each biozone boundary, which guarantees more stability although with a coarser resolution. A series of additional biohorizons are included in almost every biozone. This new Paleogene biozonation has an average duration of 1.1 Myr per biozone, ranging from 0.9 Myr in the Paleocene, to 1.0 Myr in the Eocene, and 1.8 Myr in the Oligocene. Age estimates provided for calcareous nannofossil biohorizons are calculated using both magnetostratigraphic and astronomically tuned cyclo stratigraphic data.
biochronology • biozonation • calcareous nannofossils • paleogene


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Chinese dairy farms target 'elite' cows
The number of dairy herds in China with over 100 cows has increased to 45pc with 'elite' cows being imported from abroad, according to a leading dairy professor in the country.
An extra three million tonnes of milk were produced in China last year as national dairy production intensified
Since 2008 the number of herds of over 100 cows have increased from 19.5pc to 45pc of all dairy herds last year.
"An important development for the industry has been the increase in large-scale dairy farms, with more than 100 head of cattle, leading to 90pc of Chinese raw milk now produced with a mechanised system," said Professor Li Shengli, the chief dairy professor with China Agriculture University in Beijing. "It is very important for milk to be affordable in China."
Professor Li was speaking at an event in Alltech's European headquarters in Co Meath to mark a number of Chinese students finishing internships on Irish dairy farms.
"While Chinese consumption of dairy products is very low compared with Europe, I predict this will increase with reform of the one-child family policy," said Professor Li.
The 2008 melamine scandal had resulted in slower increases in dairy production in China and an obsession with the safety of dairy products.


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Boat name to honour man killed in the Cork air crash
One of two new Co Antrim-built boats bought by Belfast Harbour in a deal worth £1.4m will be named after a former colleague killed in the Cork air crash.
Captain Michael Evans was one of six people killed when the Manx2.com plane crashed trying to land in thick fog in 2011.
Belfast Harbour has now bought two new 16.5m vessels from Cushendall-based Red Bay Boats.
And it will name one of the new boats after its late colleague.
Trevor Anderson, Belfast Harbour's operations director, said it was "a poignant moment for the wider harbour family as the vessel is named after our former and much missed colleague".
"Recent investments of £100m in dredging and infrastructure have enabled Belfast Harbour to handle significantly larger cargo and cruise vessels.
"The new more multi-functional pilot boats will play a vital role in servicing these larger vessels, which now regularly call at the port".
Belfast Telegraph


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Results 1 to 2 of 2
Thread: segment advisor
04-28-11, 07:09 #1Registered User
- Join Date
- Apr 2011
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Unanswered: segment advisor
what is the use of runing following procedure inside dbms_space???
what this procedure is actually doing???
i found "Automatic Segment Advisor is implemented by the AUTO_SPACE_ADVISOR_JOB job. This job executes the DBMS_SPACE.AUTO_SPACE_ADVISOR_JOB_PROC procedure at predefined points in time."
but not getting anything...
anyone can plss explain me
05-03-11, 05:12 #2Registered User
Provided Answers: 1
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Have you examined the view?:
Oracle DBA_AUTO_SEGADV_SUMMARY view can be used to display the information specific to Automatic Segment Advisor. Each row of this view summarizes one Automatic Segment Advisor run90% of users' problems can be resolved by punching them - the other 10% by switching off their PCs.


text:
VINTAGE~ LEA STEIN PARIS ~ Red, White, Black SAILOR BOY
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VINTAGE-- For your pleasure is this red, white and black SAILOR BOY brooch signed LEA STEIN, PARIS. This is from her earlier years in Paris, sometime between 1968- 1981. Lea's jewels are made from laminated rhodoid with fabric between the layers of plastic, to achieve depth and variations of texture and color. You can actually see the 2 layers of laminate by looking at the back of this pin. This hands-on process allows every brooch to be a little different, making sure no 2 are alike! This handsome SAILOR measures 2 1/4 by 1 3/4 inches. The pin is straight and the clasp is her original "v" shaped trademark attached with glue and signed. Brooch is in excellent vintage condition.NOTE: Vintage means that an item has been used, unless stated otherwise; t may be some wear. I package with extra care, box larger items and ship in a timely manner. If you feel that my shipping and handling charges are high or you might be disappointed with an item, please do not bid. I apologize to all my customers (loyal) for placing this note on my listing, but find it to be necessary due to the new Ebay policies.


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In 2014, Kaya Press celebrated 20 years of publishing innovative Asian Pacific American and Asian diasporic literature. Since relocating to Los Angeles in 2011, Kaya continues its mission to publish "challenging, thoughtful, and provocative" work. In this conversation, Brandon Som talks to Nicholas Wong about his book, Crevasse, published by Kaya Press.
Brandon Som: Crevasse begins with a quote from Maurice Merleau-Ponty: "… my body itself is a thing, which I do not observe: in order to be able to do so, I should need the use of a second body which itself would be unobservable." Your poems seem to take up this conundrum of body and perception as a kind of challenge. In the poem "Trio with Hsia Yü," you write, "Use a pen to write on the body, / then use the body to unbind // the heart. Roll the heart / over a few pages of grammar // and see whose rules are cruder." Here, the speaker is both a writer of the body as well as a body that writes. Can you talk a little about the book's project in regards to the body?
Nicholas Wong: The body does play a significant role in "exchange" within the queer community. At least, it is how I experienced my 20s and 30s. As a gay poet from postcolonial Hong Kong, the body is also an inevitable subject matter in most discourses (academic or not) about the city. I did not intend to relate Crevasse to the body, but body politics is just part of me, my upbringing; it is queerness, and also me. After Gerald Maa finished reading an earlier draft of the manuscript, he pointed out that it had lots of diseases, which I was not aware. I took it as a sign that I was moving from exploring what a body could do to writing about its limitations.
BS: I see this in the poems. What strikes me is how in writing about disease and the individual body, your poems are able to also address issues of colonialism and the national body. A poem like "Side Effects of Leukemia" reminds us of how we often speak of both cancer and colonialism in a similar or shared set of metaphors. In that poem you write, "Holes are drilled around your / clavicle." I know from my own father, who has been fighting cancer for several years now, that these holes (used for administering chemotherapy) are commonly referred to as "ports." This particular poem works with language from Susan Sontag's work, specifically, Illness as Metaphor and AIDS and Its Metaphors. Can you say a little bit about your use of metaphor and how your poems explore body as nation and nation as body?
NW: "Side Effects of Leukemia" still speaks intimately to me, perhaps because I actually called my sick friend (during his short homestay after weeks at the ICU), and asked him for specificities about the body. Yet, I never knew they are called 'ports,' which sounds awkward to me, because of the connotative departure of the word, which we have no other ways to interpret, except to recovery. If you believe in the theory that the body is a contested site of numerous cultural, gender and racial discourses, you probably understand why I have to write about the body as I do. I cannot write about the black body or the trans body, as my body has only been informed and disturbed in certain ways. I am a body poet, and I am sure I can find many more out there. But a Hong Kong body is different from an American body, and the queerness experienced is therefore different.
BS: You were a teenager in 1997 when Britain "handed over" the island back to China. Throughout your poems, we find descriptions—centaur, conjoined twins, second tier citizen—to represent Hong Kong's doubleness. Could you talk about growing up within colonial and post-colonial Hong Kong and how this has informed your poetics?
NW: What British colonialism affects me most is that I, like everybody else, grew up in an English literary vacuum. I think it is also showing in my poetics, which may or may not be a bad thing. Our English textbooks are outcome-based, very practical, and contrived in a way that the language can only be approached in a certain way. There is no emotion in them, thus in the language. Channeling emotions and verbs is what I often struggle with when I write poems. Also, Hong Kong is about density and intensity. One can quickly lose his momentum in the city, because speed is everything–the way people walk, work, and talk. It is not the only means of survival, but is an uncoded way of living here. When I read my own work, I find that the space given in some poems is always diminishing. I cannot help it. I just have to admit that I cannot write about stars and birds. To me, even animals are urban. Does the city offer me a lot of inspiration? Not so much as it does constantly ask me to think about who I am, especially in recent years, because of our socio-political ties with China. The whole identity thing is becoming an erasure. However, my 'doubleness' allows me to speak two languages (or three, if you regard Mandarin and Cantonese as different languages), hence better accessibility to two different canons, popular cultures, and sound systems.
BS: Fascinating. Could you say a little more about your relationship to English? As a writer, are there things you can do in English that you cannot in Mandarin and Cantonese? What are some of the constraints of English? What are some of its pleasures?
NW: Constraints? Yes, many: grammar, syntax, punctuation, pronunciation, intonation… Basically, it's everything. For example, I find Carl Phillips's syntax very sexy and luring because of the way he uses appositives, which do not exactly exist in my mother language. To answer this question, I need to reveal my true personalities. Weirdly enough, I find myself a nicer person, when I speak in English. And I often ask myself if I mean it. Also, I don't listen to western pop. A student in my creative writing class wrote T.S. in his poem, and I thought he was referring to T. S. Eliot. I only found that he meant Taylor Swift when we're in a workshop. I listen to Canton pop. There's so much wisdom in the language.
BS: Throughout Crevasse, we find poems titled "Self-Portrait." In the poem, "Self-Portrait as a Cubicle," the speaker explains "On my body, / there are words, / drawings, // phone numbers. And / a hole, // small, but beg enough for your eye." Could you say a little more about the poem as self-portrait and the tension between private and public bodies in your poems?
NW: It is hard to "make it new," if I am to write about gay cruising from the perspective of the cruiser(s). When I worked on this poem, an idea I had was to write about what separated them, yet through which the sexual transgression took place. The cubicle was both confinement and facilitation, a covering and an unveiling at the same time. This thought intrigued me. I always like to think about undercurrents in things.
BS: You explore the tensions between public and private, between "covering" and "unveiling" in the poem "Neighbor." In that poem, in which these issues culminate in tragedy, you write, "The way a tent is zipped / to eclipse his plunge from public talks / because he has taken another he too personally, / privately—" The poem is powerful because it observes and critiques accepted practices—"the way" in which we cover up and avoid what is clearly evident. For you, is poetry a kind of witnessing, a refusal to turn away?
NW: I think all good poems should explore how the world covers and unveils at the same time. Isn't it Louise Glück who once said that poetry starts with what a poet tends to confront, and ends with what a poet doesn't know?
BS: Considering the poems' obsession with writing an account of bodies, I'm wondering about the measure of the line—its ability to contain bodies, its ability to give shape to bodies. I note in several poems throughout the book the presence of iambic meter. Can you talk a little about form, specifically about the aesthetics and pleasures of your line as well as the politics of using what might be considered Western measures?
NW: Form is my weakness. I have not read lots of classics, and always shy away from rhymed verse. I am not intrigued by metaphysical, or Romantic poets. This is probably why I have put Marilyn Hacker's new book on my summer reading list. This said, "Physiognomy" is a syllabic poem. Writing it was a fun self-given training. The form forced me to alter the syntax, or drop things that extend a line unnecessarily. Poets with English as their first language are definitely more advantaged in executing "Western measures." I do what I do comfortably, which allows the voice to flow better. I like to see how poets manipulate forms, yet maintain the energy either horizontally or vertically in a poem. This includes, to name a few, Kimiko Hahn's zuihitsus, Anne Carson's The Beauty of the Husband, Timothy Liu's powerful poem "A Requiem for the Homeless Spirits" that opens Don't Go Back to Sleep, Dawn Lundy Martin's Life in a Box is a Pretty Life, and Terrance Hayes's new poems that read like a police report in How to Be Drawn. These are what I want to read and do.
BS: One of the first poems I read of yours was the "Schuyler Haikus, 1954-58," first published in the Asian American Literary Review. The poem is an erasure of Schuyler's letters to Frank O'Hara. In addition, you've crafted the poem as a series of linked haikus. I am struck by the daily-ness or quotidian of Schuyler and the presence or mindfulness of the haiku practice. Add to that erasure—a redaction, a whittling but also a correspondence with correspondence. Can you talk about how you came to the project and the process by which you made the poems?
NW: I remember picking the book from my institute's library rather randomly. I did not know their work very well (and still don't). But look, this is a book of letters between two men. That was interesting enough, and when I read the first letter, I saw the line: "your check bounced." Then I immediately knew I had to do something with it. I chose to erase their correspondences because I was trying to see if I could outline (or impose?) certain erotics in their relationship. Also, I was bored with my day job, and I had to do something with language that made absolutely no sense. I was erasing a book about how to raise cats. I was erasing a notice from the U.S. Transportation Department left in my suitcase, telling me that they opened my suitcase for a regular check. So, I erased the book, trying not to know too much about what was actually being said. (Mary Ruefle compares this erasing practice to picking flowers – no one actually "reads" each flower; we stand in a distance, and pick those that jump out at us.) After I erased the book, I got some lines. How to render them was a problem. However, I was lucky enough to have come across Ravi Shankar's "Lines on a Skull," which is a haiku erasure of a Lord Byron poem. The syllabic requirement breaks my erasure into lines in a way I would not normally do, and I find the outcome elliptical and mystical in its suggestion of a queer subtext within the appropriated text.
BS: You mentioned your institute, which was the international MFA program at City University of Hong Kong. The program was recently shut down, a move that is widely seen as a reaction to the Hong Kong Protests of 2014 and an overt suppression of free expression. Could you talk about the importance of the program for you as a writer, and the importance of a multilingual and multi-canonical international program in creative writing?
NW: The program is the first of its kind: a low-residency MFA with an Asian focus. I was the only poet in the first cohort, and it was not until recently that I learned the real deal of being a writer is to function and serve the community as one. I have lots of amazing teachers and alumni fighting this with me. But doing things that are different is always difficult in Hong Kong because there must be people who only know how to follow rules in your way. I know the press (local and overseas) is keen on relating the closure of the program to the protests, thus the issue of government censorship. We don't know it, and we won't. The MFA has been nurturing writers who want to engage with Asia (either personally or thematically in their work). Even Junot Diaz said he'd love to trade his position at MIT to teach here. There is value in new Asian writings. The demise of the program is going to affect the English literary scene in all of Asia.
Brandon Som is the author of two poetry collections: The Tribute Horse, winner of the 2015 Kate Tufts Discovery Award, and Babel's Moon, winner of Tupelo Press' Snowbound Chapbook Prize. His poems have appeared in Indiana Review, Black Warrior Review, Octopus Magazine, and Prairie Schooner. He has received fellowships to the Virginia Center for the Creative Arts and the Provincetown Fine Arts Work Center. He currently lives in Los Angeles where he teaches composition in The Writing Program at the University of Southern California.
Born and educated in Hong Kong, Nicholas Wong received his MFA from City University of Hong Kong and has been a finalist for the New Letters Poetry Award and the Wabash Prize for Poetry. Described as a "firestarter" by Time Out: Hong Kong, he is on the teaching faculty of the Hong Kong Institute of Education.


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GUYTON - February's citizens and scholars of South Effingham Elementary School were recently recognized.
First grade - Allie Colbert, Hannah Davis, DJ Peavler, Ben Jacques and Morgan Yarberry.
Second grade - Emily Panhuyzen, Ian Morrison, Kimberly Duncan, Caitlyn Lariscy and Sarina Lewis.
Third grade - Ansley Norris, Lori Dodd, Madison Thornton, Sarah Sellars, Miriam Coon, Sabrina Jones and Reed Clifton.
Fourth grade - Johnnie Holmes, Ben Brennan, Jessica Oberlander and Jacob Anderson.
Fifth grade - Justin Heath, Brooke Lewis, Dalton Matthews, Rebecca Klein and Andrew Allen.
First grade - Kyle Rish, Caison Kirkland, Christian Koger, Blake Lee and James Reardon.
Second grade - Mackenzie Baxter, Aaron Jameson, Yvonne Ellison, Ethan Smith and Kat McGuire.
Third grade - Margeau Cutter, Kolton Beaty, Kimberly Chagnon, Coy Kirkland, Abbigale Miller and Elizabeth Kicklighter.
Fourth grade - Bailey Thompson, Hannah Bevis, Shelby Kitchings and Kaitlyn Strickland.
Fifth grade - Jessica Medina, Thanddeus "TJ" James, Melanie Heath, Shelby Duncan and Raychel Martin.
- Compiled by Brenda Kelley


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Judgment In Engle Progeny Suit Affirmed; Taxable Penalties Reversed
(Opinion available. Document #04-151118-003Z.)
Judges Joseph Lewis Jr., T. Kent Wetherell II and Scott Makar of the First District Court of Appeal affirmed the judgment of Duval County Fourth Judicial Circuit Judge Gregg McCaulie against...
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MyEssayWriting.com - Essay Writing Services.
This clear, concise, and inexpensive spiralbound handbook is designed for writing students who may not know grammatical terminology. Harris, widely known in the writing community, provides an easy-to-use resource featuring coverage of a wide variety of traditional topics as well as the most current information on writing with computers, conducting online research, and using MLA and APA formats for citations, including electronic sources.


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Dorian Gray is the titular protagonist villain of The Picture of Dorian Gray by Oscar Wilde. He is a young heir who wish to become immortal while his portrait made by a friend, will age instead. Also, when he does something evil, his painting gets uglier. In the end he guiltily stabs his painting but kills himself in the process.
Dorian's evolution from good to evil has been part of the dynasty of supervillains. He is also one of the pioneers of supervillains alongside Professor Moriarty, Mr. Hyde.
His tragic story starts from his deal with the devil to give him eternal youth that sparked his greed and ignorance, until to the part his own fiancée committed suicide and for he too kill himself too. Dorian got rid of his curse by stabbing his grotesque portrait. After that the portrait returned to its normal and beautiful creation and for Dorian's face to be returned to its original and true age. In the movie The League Of Extraordinary Gentlemen, Dorian was the one who betrays the league, instead of Hawley Griffin being the original traitor in the comics. In the movie he died when Mina Harker showed him his grotesque painting, where the paintings grotesque appearance transfered on to him.


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Stop in Barnes & Noble this Saturday to check out the new Nook and enjoy a free cup of coffee. Might not be worth the drive for most of you, but I know some of you caffeine addicts are always looking for a cheap way to feed your addiction 😉 Barnes & NobleRead More »
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Monthly Archives: January 2011
Letter to Detroit Free Press columnist Rochelle Riley
Dear Ms. Riley,
I met you at the Dominican Literacy Center Tutor Appreciation dinner last year. You may recall that my 14-year old son, Ryan, played violin for the guests prior to the dinner.
I loved hearing you speak and your passion for stamping out illiteracy. Your columns on the subject have inspired me and endeared you to me.
I have another two passions that I think we share: Detroit and its symphony, the DSO.
The media needs to start seriously addressing the topic of this strike. The loss of patrons to the corridor around The Max is affecting Detroit businesses. The loss of a DSO season may do irreparable harm to Detroit's economy and may result in the loss of the DSO. Why is the media not asking more questions of the DSO management? I attended the luncheon for the DSO's Annual Meeting on December 9, 2010 and the DSO's President and CEO, Ann Parsons, did not address the strike at all. Her talk to the donors was weak and showed a lack of leadership given the crisis facing the DSO. The consultant who spoke revealed management's true vision driving their actions to prolong the strike. A small handful of people have decided that Detroit is better off with a chamber-styled orchestra, not the current world-class orchestra Detroit currently has. The media has not addressed the underlying issues behind the strike. It is not about pay. It is about much more than that and Detroit stands to lose one of its greatest jewels if Ms. Parsons is successful.
I have literally shed tears over this. Did you know that my son quit playing the violin this past fall? He told me he was too busy. Last night it dawned on me. We haven't been to the symphony once this year. The music not only died for me on the stage at The Max, but in my home as well. I don't think its a coincidence that my son lost interest in the violin the same year we quit going to hear the DSO. Don't let the music die in Detroit. Please address this topic in your column.
I helped form the group Save Our Symphony. You can read about SOS' position in this email or at saveoursymphony.info. We are the DSO's audience and are trying to raise public awareness; but this is an uphill battle and time is short.
Thank you Rochelle Riley for all you do. You have become a solid and sane voice for what's important to Detroit. Please give voice to the tragedy happening to Detroit right under everyone's nose.
Denise Neville
SOS Board Member
Posted in Open Letters, SOS 1 Comment
Write a letter to the DSO Board of Directors
Many of you have asked what YOU can do to, right now, to help us work toward getting the musicians of the DSO back on the stage of Orchestra Hall where they belong.
One thing that you can do today is write a letter to the members of the Board of Directors of the DSO. You can write to this email address:
We will collect these letters and deliver them to every board member! We will also post your letters on the SOS website. If you do not want your letter posted, please indicate so in the subject line
Remember, the members of the Board are the 'custodians and stewards' of the DSO. It is their responsibility to support and preserve the orchestra, not drastically change it into a smaller, lesser organization.
Here are some points you could include in your letter:
- WHY does the Board stand by while the DSO's crisis continues to escalate? Why does it not demand from management an immediate, mutually satisfactory resolution?
- WHY does the Board permit management to collect full salary to administer an orchestra that is not playing and to spend its advertising budget publicizing programs that won't take place?
- WHY does the Board stand by and not demand accountability from management to explain how it can run through four Development Officers in five years, making it practically impossible to expand the list of donors and develop the kinds of relationships that result in major gifts?
- WHY does the Board stand by while distrust and hostility are corroding the relationship between management and the musicians? And why does it not ask management if and how it plans to eventually repair that relationship? And …
- WHY did the Board not open the floor to stakeholder's questions at the Dec. 9th Annual General Meeting, as is customary? And, why did the Board leadership leave the meeting so quickly when one of the DSO's major donors rose to speak?
- ASK THE BOARD to help us save the DSO as a world-class orchestra—not as a small, second-class orchestra reflecting a small vision.
It is our hope that through our efforts and with your support we will bring about a resolution to the current contract dispute and once again have world class symphonic music at Detroit's Orchestra Hall!
Posted in SOS 5 Comments
Anne Parsons' Letter to the DSO Board of Directors
Dear members of the Board,
We hope everyone enjoyed a restful holiday season. As the first week of the New Year comes to a close, we wanted to provide an update.
I wish it could be more positive than the facts allow.
On December 24, we formally communicated to the union and each individual Player our most recent proposal which would bring total average player compensation (salary, healthcare, pension and other benefits) to $133,000. (See attached communication) The Players' elected leadership has refused to negotiate around that proposal, and have rejected our request that they provide detail of their newly and quite publically accepted position that embraces the terms of the Levin/Granholm recommendation.
Instead, the Orchestra's elected leadership has spent their time scheduling additional strike concerts (including their own Rogers and Hammerstein pops concert in the church next door to Orchestra Hall) and continues a communications campaign filled with misinformation and personal attacks of board and management leadership. Further, we know they have been in touch with our sponsors asking them to disassociate themselves from their historic DSO support. They have been in contact with UMS and MOT seeking to independently (and competitively) present Mahler's epoch Symphony No. 8. Community partners have expressed deep disappointment that the Players appear to be more invested in these activities than responding to our recent proposal and bargaining in good faith towards a conclusion that will restore our orchestral concert season. With all this in mind, there are two things to be aware of:
- ·first, the ongoing strike now forces the cancellation of all DSO Rodgers & Hammerstein Pops concerts (see below).
- ·Second, at the January Executive Committee meeting, the Board will evaluate the merit of suspending the remainder of the 2010-11 season, as well as indefinitely deferring the announcement of the 2011-12 season, until a settlement can be achieved.
This clarity of action is intended to allow our patrons to exchange tickets, request refunds, and make alternative plans. It respects the future relationships with guest artists and conductors affected by these cancellations. Finally, it tasks the staff with redoubling its work in the area of education, rentals, retail, jazz, and fundraising – all which have come through 2010 with encouraging results.
As always, if you have any questions or comments, I welcome your email or call.
Posted in SOS 3 Comments


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Yes, all features of the course are available if you use a modern smartphone like the iPhone or recent Android devices. Most tablets such as iPads or Android tablets are supported as well. If you are not sure if your device works with everything feel free to contact us and ask.
Posted in: Technical


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- select colour
it's an internet thing!
it's an internet thing!
09:55 22 May 2013
So, you have money sitting in the bank that doesn't earn enough interest. And you are paying for a mortgage which you are being charged a much higher interest rate on. Now you're probably thinking paying off your mortgage is wiser than saving your money.
In order for you to make well-informed decision, you need to understand the principle behind debt and savings. When you take out a loan, you borrow money from the bank and you're being charged interest. Saving, on the other hand, means lending your money to the bank. In return it pays you interest.
However, there is a huge difference between the interest that you and the bank pays. The bank pays way less interest compared to the amount it will charge you. This is how they make profit.
In UK, if you have £1,000 credit card debt, you will normally have to pay £180 interest per month if the interest rate is 18per cent. If you have £1,000 savings, you'll usually earn £20; this is 2per cent after tax.
With this explanation in mind, figure out if your mortgage's rate is higher when compared to the after-tax saving interest. If it is way too high, overpaying your mortgage will mean saving yourself a lot of money.
Disclaimer: Supanet is not responsible for, and disclaims any and all liability for the content of comments written by contributors to this website


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Published: Saturday 28th February 2015 by The News Editor
The Duke of Cambridge was transformed into a samurai warlord when he visited the set of a long-running Japanese drama.
Wearing a glittering helmet, regal red and gold tunic and carrying a replica samurai sword William looked every inch a formidable ruler.
He was transformed into Toyotomi Hideyoshi, the Japanese warlord who unified his country in the 16th century, during a tour of the Tokyo studios where the Sunday night historical drama Taiga is filmed.
Now in its 54th series, it features famous characters from Japanese history but changes the period for the action every year with the current series called Hana Moyu or Ardent Flower.
When William first arrived at the studios of Japan's public broadcaster NHK (Nippon Hoso Kyokai) which makes the show, he was greeted by a long line of actors dressed as soldiers.
He asked one of the senior staff: "Is it a show like EastEnders?" before being taken on to the set that depicted a chaya or tea house, used by samurai as a members' club, complete with geisha.
As staff put the helmet on his head, the Duke joked: "I feel there should be a sword in my hand as well." And when he was told actors wore the costume and heavy armour for many hours he replied: "Not particularly easy to go for a coffee break."
When they were finished he looked into a mirror and asked his entourage: "How do I look?" before adding: "I feel ready for action."
Before dressing up he watched three geisha actresses dance, while another Maki Shiran, 23, played a three-stringed guitar-like instrument called a shamisen.
At the end of the performance he tried strumming it himself and said "it's a wonderful noise", as he plucked the silk strings with a large plectrum, which he was told was made of ivory.
The Duke, who will be travelling to China, where he will speak out against the ivory trade, said with a wry smile: "Oh, is it?"
Mao Inoue, the female star of Hana Moyu, who plays a character called Humi Sugi, presented the Duke with a bouquet of flowers and a hand-made wooden toy for Prince George.
In the hair and make-up department William dissolved into a fit of giggles when Tim Hitchens, Britain's ambassador to Japan, put on a samurai wig.
The former Queen's deputy private secretary was game for a laugh and sat in a chair as Kahame Mimura, head of hair dressing and wigs, covered his scalp with a piece of cloth before fitting the hairpiece.
The Duke had considered wearing the wig, made with real hair and slicked back into a tiny ponytail, but said: "If I put this on my brother would never let me forget it – I seriously can't."
After the transformation of the senior diplomat William could not resist poking fun and told him through laughter: "This is going straight on to the Foreign Office website – brilliant."
The ambassador stood up and flexed out his arms as if he were a sumo wrestler and the Duke quipped: "A bit more weight and you would be sorted, get the sumo wrestling going – impressive, a good look."
Published: Saturday 28th February 2015 by The News Editor


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Vatican prefect visits Christians in Holy Land
Cardinal Ignace Moussa Daoud arrived in Jerusalem on Tuesday for a five-day visit to Christians in the Holy Land. The cardinal, who is the Vatican prefect of the Congregation for the Eastern Churches, travelled from Jerusalem to Bethlehem, where he was welcomed by the Franciscans who administer the Basilica of the Nativity. Cardinal Moussa Daoud, a Syrian-rite Catholic who was the Patriarch of Antioch before his appointment to his current post, also met with Palestinian civil authorities and with representatives of other Christian groups in the region, including Greek Orthodox and Armenian Apostolic clerics. He returned to Jerusalem the next day for a visit to the Church of the Holy Sepulchre. Later this week Cardinal Moussa is due to meet with the Latin-rite Catholic Patriarch of Jerusalem, Michel Sabbah, and other leaders of the Eastern Catholic communities in the Holy Land.


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Extranet Solutions
The need to collaborate with other companies, clients, partners, suppliers, customers, or a distributed workforce has many organizations searching for the right extranet solution. Providing remote access to your internal systems brings challenges and complexities that must be addressed and overcome. A successful extranet can be critical for success at organizations that need to work with people outside of their organization, or provide flexible working options. At Summit 7 Systems, we can help you plan and implement an extranet that meets the demands of your organization.
A successful extranet is:
- Highly available
- Secure and reliable
- Contains accurate information
- Cost Effective
Implement an extranet that will meet the needs of your organization. When planning your extranet there are many important things to consider. Summit 7 Systems can review the options with you helping you to make an informed decision for a successful implementation of your extranet.
Want to learn more?


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Double Down and Split... For Free!
Looking for an exciting spin on blackjack? Free BetSM Blackjack lets players double down and split for free! If they chose the free-bet option, the dealer places a special lammer next to their original wager. If they end up winning the hand, players get paid as if they had made a traditional split or double, even though they didn't put any additional money at risk.
Free Bet Blackjack plays almost identically to the standard game of 21. To start, players make a bet against the dealer and the additional Push 22 side bet if they chose. Each player and the dealer will get two starting cards, as in standard blackjack. Next, depending on the player's cards, players have the following Free Bet options:
Players can split any pair, except 10-value cards, for free.Free re-splitting is allowed.
Players can double their bets on any hard 2-card total of 9,10, or 11 for free. Free doubling after splitting is allowed, when the above double rule is followed.
If the player chooses to use the Free Bet, the dealer will place the special Free Bet lammer next to the cards.
If the dealer busts with a point total of 22, any bets players have left in action push. The Push 22 side bet wins if the dealer busts with a point total of 22. If the dealer's final point total is any number other than 22, the Push 22 side bet loses.
NOTE: Player blackjacks are paid before the dealer hits out his or her hand, so they are exempt from the Push 22 rule.
For more information on the paytable or odds, please contact your Bally Account Executive.


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Ok so i don't have a before pic 9 i never think about it until after i'm already cutting it up. :-\but anyway my friend's cousin had this old terry cover-up thing and so i cut it up and made buttons out of old caps to coke bottles. This is the result.
*since i couldnt flip them, amyb444 had the kindness to flip them for me on her photobucket. This was SO nice and unending thanks go out ot her.YAY!*
detail of the coke bottle button
So what do yall think? thanx for looking


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Invest in Oil & Gas Software that Scales With Your Growth
When the decision is made to migrate your operation to a modern system, it is important to seek out a program that you will be able to use with a high level of satisfaction for a long time. Selecting a program that will scale with your company will prevent you from having to go through this change again in the future. Here is a short list of characteristics that are an indication that a software program will scale with the growth of your company.
The presence of many options and features allows you to handle many different situations as you can adapt the setup for each situation that arises. A rigid program that limits your data entry, processing, and corrections will force you to either change your process, or handle special situations outside the program.
Options available at every level will increase the amount of unique situations that can be handled seamlessly with a normal routine. The availability of optional modules can also allow you to add common capabilities that are needed among some but not all operators. You can skip these while you are small, then add them as needed while your operation develops.
Network Capability
Many smaller operators will have one person that handles everything while larger operators may have whole departments designated for various tasks. Growing companies are often adding new employees which results in a need for additional computers with access to the distribution. Be sure to select a software that can easily accommodate installation on a server and any additional workstations as they are needed. A solid security process that allows the setup of multiple users with access to designated areas of the software is also a necessity.
Learning Curve
New employees will quickly need to be brought up to speed so they can become proficient with the distribution process in a short time. Select a software that offers a variety of platforms for training and support.
General video tutorials can give an overview of the program while Help Files and manuals can allow a new user to dig into the depths of a particular feature.
Live web training provides for a one on one discussion that allow an expert to guide the trainee through the process the first time while efficiently answering any questions that they have.
On-Site training can be helpful in some situations when a group is being trained, but it is often costly and not as effective as several one on one web based sessions with one or two trainees.
A knowledgeable support desk is also a huge benefit as it will allow you to quickly resolve any questions or issues that arise during the process. Seek out a software that provides all or most of these tools to ensure smooth transitions as new employees are added.
The unique deals that are made in the oil and gas industry on a regular basis can create challenges that no software program or process would have ever dreamt up. Some software companies are willing to create custom processes and reports for just your company.
A willingness to work with the user and create custom processes will assure you that you
will be able to tackle any new challenges that appear.
Selecting a program with an advanced reporting module that gives you the ability to create your own reports is also a key feature for growing companies.
A software program with the above features are a necessity as you transition into a new program. They will provide peace of mind that you are ready to handle anything that comes your way as your company develops over the next few decades.


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Lanyon Bowdler Solicitors offer a full range of specialist legal services designed to meet your everyday individual and business needs. With offices in Shrewsbury, Hereford, Ludlow, Oswestry and Telford, we are conveniently placed to support people, businesses and communities in those regions as well as The Marches, Mid & North Wales.
We offer a variety of seminars, some of which are free to attend, plus we produce three newsletters each quarter.
Please see below links to some of our recent press coverage:
Economic Growth - Shropshire Live, Love Shrewsbury
David Brammer Joins Lanyon Bowdler - Midlands Business News, Shropshire Live, Love Shrewsbury
Agricultural Law Firm Re-appointed to NFU Legal Panel - Hereford Times, Business Information Portal
First Time Buyers in Hereford - Hereford Times
Lanyon Bowdler Corporate Sponsors of Museum - Shropshire Live
Oswestry Community Games - Shropshire Live
Apology after cancer death mix up - Shropshire Star
Lanyon Bowdler Raise Thousands for Charity - Shropshire Live
Women in Agriculture - The Journal


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MOVIE SYNOPSIS [ General Audiences ] With the film direction of Ilkka Tarumaa, Erik Forss leads the cast of this feature film originally of Finland, with original script in Finnish (see subtitles), whose premiere was scheduled for 2014. You can watch 500 Grammaa online on TV cable or theaters with original audio in Finnish at different dates. This film premiered in theaters in 2014.
Rating: 5 by 10 users./
Runtime: 71 minutes
Erik Forss, Tero-Matias Junnila, Emmi Kujala, Markus Mäkelä, Teemu Sytelä and Teija Vallinaho.
71-minute film (full movie) directed by Ilkka Tarumaa.
The original audio of 500 Grammaa has dialogues in or Finnish, it was produced in Finland.
It premiered in cinemas or television in 2014.
Screenplay written by Jevgeni Lensu and Ilkka Tarumaa.
Ilkka Tarumaa.
Ilkka Tarumaa.
Composed by Moby and Kevin MacLeod.
Without commercial breaks, the full movie 500 Grammaa has a duration of 71 minutes; the official trailer can be watched in streaming on the Internet. You can watch this full movie free in English or Finnish in movie TV channels, renting the DVD or with VoD services (Video On Demand player, Hulu) and PPV (Pay Per View, Netflix).
See the page of this full movie, 500 Grammaa in FULLTV Movies.


text: The octave3.2 package failed to autobuild on ia64 and is stuck on powerpc. This is blocking our planned transition of the octave-forge packages from octave3.0 to octave3.2 [1]. The failure on caballero is due to the infamous alternatives problem [2] but nobody seem to care. I wish I could ask for this: gb octave3.2_3.2.0-2 . ia64-but-please-not-on-caballero but I guess that the syntax is wrong. ;-) OTOH, the problem with powerpc seems to be easier to fix. I have asked for a dep-wait in the past [3] but I think it is wrong now, since arpack_2.1+parpack96.dfsg-2 has migrated into testing. Please, could the dep-wait be removed or the following be done: gb octave3.2_3.2.0-2 . powerpc 1: http://lists.alioth.debian.org/pipermail/pkg-octave-devel/2009-June/006308.html 2: http://lists.debian.org/debian-wb-team/2009/06/msg00058.html 3: http://lists.debian.org/debian-wb-team/2009/06/msg00017.html Cheers, -- Rafael


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The Best Hotels in Toronto
The best hotels in Toronto let you travel in style, no matter what your budget or your interests. Want to be in the heart of the art and design district, where the likelihood of getting inspired is about as easy as opening your door? Or are you looking to hobnob with the rich and famous? Want pampering, fine dining or a party? The best hotels in Toronto have something for everyone, even your pets.
Here are the best hotels in Toronto.
See also:
The best boutique hotels in Toronto
The best luxury hotels in Toronto
The best airport hotels in Toronto
The best cheap hotels in Toronto
The best hostels in Toronto
The Best B&B in Toronto
It may not have a swimming pool or a bird's eye view of the city, but there is still no cooler place to stay in Toronto than The Drake Hotel, the premier boutique hotel in the city. Food and drink are stellar at the café, bar and patio, and the hotel hosts a wide variety of art, music and cultural events. Rooms range from cozy extra small spaces ($169), to full suites ($319).
Each room at the Gladstone is uniquely designed by an artist, with its own theme and attributes. The Melody bar is known for its live music brunches and late night drinks, the ballroom for live music and dancing, and the gallery and second floor space for art and design. Staying competitive with the Drake, rooms run between $189 and $375 for the best, a corner suite with a Queen bed.
The Shangri-La is arguably Toronto's most luxurious hotel, and one of the tallest buildings in the city. Start in the hotel's gym, but finish at Bosk, the hotel's bar and restaurant. Or better yet, sneak over Momofuku next door. You'll be paying for those views, though; rooms start at $375 a night, and the executive suites, up around the 17th floor, well the sky's the limit on those.
The name is synonymous with fine hotel living, and Toronto's Ritz-Carlton is no exception, with city and lake views, a beautiful cocktail bar and Canada's only cheese cave At $445 to $595 a night there are no cheap seats to this lux locale, but when you're putting on the Ritz, you're usually putting on the credit card anyway.
"Where are you staying?" "The Four Seasons." See how nicely that rolls off the tongue? With 55 storeys, a relaxation pool and fitness facilities, plus Michelin starred chef Daniel Boulud's Café Boulud, the Yorkville's asking price - $455 for a basic room, $815 for a premier suite- doesn't seem so steep. The presidential suite, though - that's going to cost you.
Part of the Thompson chain, this boutique hotel is probably best known for its killer rooftop pool, downstairs nightclub as well as the Thompson Diner and newly opened Colette Grand Cafe full of good eating. The diner is 24 hours, too, so you can get something anytime. Rooms range in price from $309-$2500, perfect for (nearly) every budget.
With rooms between $285 and $1400, Hotel Le Germain covers all the bases. They even have two locations, one at Maple Leaf Square and the other on Mercer St. just steps from the Club District and King West. Their commitment to the environment is of note, as all surplus hotel supplies are distributed to local charities during the holidays.
Dubbed "Toronto's first true luxury hotel", the Hazelton Hotel remains one of the city's best. Notable features include the private screening room for 25 guests, the Hazelton Spa and Mark McEwan's One restaurant. It's pet and celebrity-friendly, with rooms from $475 upwards, peaking at the three bedroom presidential suite, fit for a king (or president).
The Park Hyatt is in the beautiful corner building at Bloor and Avenue Road and the roof top lounge have old world charm and breath taking views. It's a place for codgy businessmen to enjoy their Morton's Steakhouse, and the rich aunts love the Stillwater spa. Rooms run $289 to $1289.
Join the conversation Load comments


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Eastview 2014-2015. Mission Statement The mission of the White Plains City School District is to educate and inspire all students, while nurturing their dreams, so they learn continually, think critically, pursue their aspirations and contribute to a diverse and dynamic world.
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"Alone we can do so little; together we can do so much." Helen Keller


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White drunk boy licks smelly kitty of black busty MILF
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tibia.com was registered 1 decade 5 years ago. It has a alexa rank of #13,559 in the world. It is a domain having .com extension. This site has a Google PageRank of 4/10. It is estimated worth of $ 613,440.00 and have a daily income of around $ 852.00. As no active threats were reported recently, tibia.com is SAFE to browse.
|Daily Unique Visitors:
|Daily Pageviews:
|Income Per Day:
|$ 852.00
|Estimated Worth:
|$ 613,440.00
|Google Indexed Pages:
|Not Applicable
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|Not Applicable
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|Not Applicable
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|Alexa BackLinks:
|Google Safe Browsing:
|No Risk Issues
|Siteadvisor Rating:
|No Risk Issues
|WOT Trustworthiness:
|Very Poor
|WOT Privacy:
|Very Poor
|WOT Child Safety:
|Very Poor
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commercetools ist ein führender Anbieter cloudbasierter E-Commerce-Lösungen. Unser Ansatz: Eine Plattform für alle Kanäle - offen, flexibel und skalierbar.
|Domain Registrar:
|Registration Date:
|2002-04-21 1 decade 5 years 6 months ago
|Last Modified:
|2013-07-06 4 years 4 months 1 week ago
|Expiration Date:
|2018-04-21 4 months 3 weeks 1 hour from now
|IP Address
لاودان,پل بین کاربران و سایت های مورد نیاز اینترنت,آخرین اخبار ایران و جهان,سایت مرجع شما در اینترنت
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When it comes to making historic television, few know how to do it like Ryan Murphy. Murphy has been responsible for some of the biggest shows in #TV history, including the iconic Glee and the super scary American Horror Story. His latest hit, American Crime Story received rave reviews and multiple awards, showing that he's also capable of producing pure unadulterated drama.
However, American Crime Story may have cleaned house at both the Emmys and the Golden Globes but it looks like Murphy has no intention of slowing down where the show is concerned. According to The Hollywood Reporter, Murphy is showing interest in exploring the scandal between former President of the United States Bill Clinton and his highly publicized affair with White House intern Monica Lewinsky in a future season of American Crime Story.
Allegedly, Murphy has already optioned author Jeffrey Toobin's A Vast Conspiracy: The Real Sex Scandal That Nearly Brought Down a President as source material for the project. Toobin was heavily involved in the production of the award winning first season of the hit series and his book The Run of His Life: The People v. O.J. Simpson was the primary inspiration behind it.
It Won't Be Coming Any Time Soon
Although the topic is being discussed now, it's important to remember that a Lewinsky based season of American Crime Story won't be coming any time soon. American Crime Story has already been renewed for a second and third season, both of which the themes and storylines have already been confirmed.
- Murder Is So In Vogue, Darling! American Crime Story Season 3 Explores The Unsolved Death Of Gianni Versace
The second season will focus on the aftermath of Hurricane Katrina and, although it was due for release in 2017, it has been delayed until 2018 due to Murphy working on new anthology series Feud. The third season of American Crime Story will focus on the murder of Gianni Versace and will likely air in 2019 meaning that if Murphy and the other American Crime Story execs decide to tackle the Lewinsky case then it could be 2020 at the earliest before we see this series.
Is Murphy Taking On Too Much At Once?
Murphy may be the kingpin of television but even the kingpin needs to take a break. Hot off the success of The People v. OJ, Murphy already has two more seasons of American Crime Story to produce before he can even think about the Lewinsky centric season. Additionally, his juggernaut American Horror Story just completed it's stylistically different sixth season and preparation for the upcoming seventh is well underway, not to mention that FX recently picked the horror anthology series up for an eight and ninth season — this means that AHS will be on the air until at least 2019.
- American Horror Story Renewed For Seasons 8 & 9 — When Will We See The Murder House/Coven Crossover?
Murphy is currently working on Feud: Bette and Joan with AHS alum Jessica Lange leading the series. Feud is set for debut in March. Also, let's not forget that he helms Scream Queens too. That's a lot of shows which means that he must be under a lot of pressure. Murphy may have it all but he will be trying to do the impossible if he takes on much more. Don't get me wrong, all of his projects sound fantastic and I would personally love to see the Lewinsky scandal covered on a future season of Crime Story but it deserves his full attention — something that's going to be difficult to accomplish while he's helming all of the above shows.
Criminally craving more American Crime Story news? Check these out:
- Ryan Murphy Puts An End To That Lady Gaga American Crime Story Rumor
- American Crime Story Season 3: The True Story Behind Gianni Versace's Murder
- Going 'Gaga' For American Crime Story Season 3: A Fan Casting
All Eyes Will Be On The Cast
According to The Hollywood Reporter, Murphy and other producers are fast-tracking the drama and are already meeting with actresses to portray Lewinsky and colleague Linda Tripp. If American Crime Story does tackle this storyline then the casting will need to be on point like it was with The People v. OJ. The Lewinsky scandal was and still is a high profile case so casting is extremely important and it'll be interesting to see if Murphy will cast in house like he has in the past or if he will go for other actors and actresses.
The People v. OJ was a mix of both, with American Horror Story regular Sarah Paulson leading the pack as Marcia Clark while veteran actors David Schwimmer, John Travolta and Cuba Gooding Jr. all came on board — the latter of whom joined Paulson in the latest season of American Horror Story.
- Sarah Paulson Finally Won An Emmy For Her Sixth Nomination — Here's Why She Should Have Won The Other Five Too
Hot off her Emmy and Golden Globe win, I could definitely see Murphy cast Paulson in the role of Lewinsky but maybe the role will go to an outsider — actress Megan Hilty bears somewhat of a resemblance. If Murphy does cast some of his regulars then Kathy Bates and Jessica Lange could play the roles of Linda Tripp and Hilary Clinton, respectively. This is all speculation, but the point is is that in order to pull off such an important storyline, Murphy would need a stellar cast to do so.
The Lewinsky scandal was a huge moment in American politics and it'll definitely make for an interesting season of American Crime Story. If Murphy and co can pull off a production anywhere near as compelling as The People v. OJ then viewers will definitely be in for a treat. Not only that, but if it's successful then American Crime Story could very well be leading the award nominations once again. Now that would be politically correct!
Would you like to see American Crime Story tackle the Lewinsky scandal? Who would you like to see play the roles? Tell us in the comment section below.


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to be royally screwed with no lube.
man you really got hobarted.
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HOLYROOD Academy students dressed in frocks and suits for the end of year prom to celebrate the end of their exams.
The event was at Haselbury Mill in Crewkerne on Friday and photographer Martin Smith snapped the glamorous girls and boys.
To obtain a copy of the photos, contact Martin here.


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Baby Bottles Sterilizer Steam Electric Infant Teethers Pacifier Bacteria Kitchen
Baby Bottles Sterilizer Steam Electric Infant Teethers Pacifier Bacteria Kitchen
Product Description:
Help protect your baby from harmful bacteria with munchkin's steam guard electric sterilizer. The large capacity sterilizer can sterilize up to 9 bottles and accessories at a time. The fast, easy-to-use system starts the cleaning cycle with the push of one button and automatically shuts off when sterilization is complete. The heat resistant handle and tongs help prevent steam burns. A one-way latch helps remind you to open the lid away from the body and the tabs lock upward to prevent accidental opening.
- Large capacity, sterilizes up to 9 bottles and accessories at a time
- Easy to use, start cleaning cycle with one button
- Sterilizes in only 6 minutes
- Automatic shut-off when sterilization is complete
- Protects your baby from harmful bacteria without harsh chemicals
Buy it Now.. Special Savings
Please Note ... Since computer monitors vary in color -- the actual color of the item may differ from what's shown on your computer screen.
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Sunrise and Sunset Wall Murals
Bored of a particular space? Create a unique feature wall with our customised, self adhesive wall murals; choose from some amazing sunsets and sunrises! Made from self adhesive vinyl, these wall murals can be customised to the size of your wall. Prices start from $137.