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Before he remade himself as the master spy known as Garbo, Juan Pujol was nothing more than a Barcelona poultry farmer. But as Garbo, he turned in a masterpiece of deception that changed the course of World War II. Posing as the Nazis' only reliable spy inside England, he created an imaginary million-man army, invented armadas out of thin air, and brought a vast network of fictional subagents to life. The scheme culminated on June 6, 1944, when Garbo convinced the Germans that the Allied forces approaching Normandy were just a feint - the real invasion would come at Calais. Because of his brilliant trickery, the Allies were able to land with much less opposition and eventually push on to Berlin.
As incredible as it sounds, everything in Agent Garbo is true, based on years of archival research and interviews with Pujol's family. This pulse-pounding thriller set in the shadow world of espionage and deception reveals the shocking reality of spycraft that occurs just below the surface of history.
©2012 Stephen Talty (P)2013 Audible, Inc.
"The book presses ever forward down a path of historical marvels and astonishing facts. The effect is like a master class that's accessible to anyone, and Agent Garbo often reads as though it were written in a single, perfect draft." (The Atlantic)
"Stephan Talty's unsurpassed research brings forth one of the war's greatest agents in a must-read book for those who think they know all the great World War II stories." (Gregory Freeman, author of The Forgotten 500)
"Good story, writing overly dramatic"
The main, real life character (a failed chicken farmer who becomes the most important spy in WWII) is too fantastic not to be true and fascinating to follow (kind of like the one-eyed neurologist with Asperger's in the Big Short).
That said, the writing was too melodramatic. Lots of details/flourishes about scenes were added and seemed somehow artificial or at least unnecessary. The story line is fantastic, these descriptive trimmings weren't necessary
The main character and the idea that a fairly lone wolf guy could save literally thousands of lives from a windowless office in London during WWII
Despite my concerns, it's a good read and well worth reading.
"Awful narration - I am getting the book instead"
I. was really looking forward to this audiobook. Sometime last year the WSJ Weekend edition had an article on the relatively unknown spies of WW II and "Agent Garbo" seemed fascinating. But I had a headache after 30 minutes of listening. I have never heard a narrator who reads so fast yet manages a monotone so all the words run together at breakneck speed to create a mash of sounds that bury the story. Please reissue this audiobook with a narrator who appreciates his subject.
"Classic Spy Story But Real, Meaningful"
Story, performance flows like an Ian Fleming novel with plenty of suspense, plot twists, mistakes, etc. Yet, all real with historical impact.
"Heroism stranger than fiction!"
Yes. It's so over the top that you it's like something out of Hollywood but it's completely real. It makes you believe that extraordinary selflessness still exists.
Garbo because he's larger than life and yet is someone you would walk by on the street and never notice hi,.
All of them?
Get Garbo: The Greatest Spy
Firstly ignored by British intelligence this unbelievable man weaved a web of intrigue so powerful Hitler himself positioned his military on D-Day on the deception spun by Garbo & others. Saving thousands of lives.
The areas of the world he assisted during WW2 owe him a deep debt of gratitude for his help in winning the war. He amazingly created a fantasy network of spies in England and Spain that defies the imagination of the common person and became a double agent fooling the German high command into believing they really were receiving the most secret information on the Allied Command's movements and plans, when it was all pure fabrication. Hitler even awarded him the Iron Cross.
It is a fast read that pulls you back to it time and again until you get to the end. This is a true story and the action and intrigue will keep you glued to this book.
I would also highly recommend Agent Zig Zag, which I feel is an even better book.
"Must buy"
Espionage at it's finest. Fantastic, a much for any WW2 buff. 4 words remaining, Dave.
"Narrator needs to work on his German."
This was a well-written story. The narrator has a great voice. My only issue is his German language skill. While he did a decent job with the vocabulary, his emphasis is wrong on almost every German word. It may be a picky point but it makes it a bit challenging for German speakers.
"Great true story of one man that took action."
I think there should be more people like this to better the world. a must read for WW2 studies.
"AMAZING story and expert storyteller"
I was enthralled with the way that Talty weaves the story of secret agent Joan Pujol with the stories of his family, other agents, and the greater historical picture. Talty did a great job of meticulously collecting details and quotes that make you feel like you understand the man behind the Garbo legend.
I will definitely be checking out more books by Stephan Talty in the future! It's his insights into the people and their motivations that really draws you into the amazing story.
"A good read"
I enjoyed this World War II historical novel and the mostly unknown , but crucial, contribution of Juan puhol Agent Garbo.
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subset: commoncrawl


text:
Staten Island Trailer (1978)
Pat Place plays a creature who lives in an old abandoned barge on a rubbish strewn beach. The mood is post-apocalyptic and the music of Telstar mixed with domestic kitchen clatter.
Watch the official Staten Island 1978 trailer in HD below or find more Staten Island videos on Vidimovie.


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Реферат: How to write exam essay<span Times New Roman",«serif»; color:red;mso-ansi-language:EN-US">HOW TO WRITE AN ESSAY<span Times New Roman",«serif»; color:red;mso-ansi-language:EN-US"> <span Times New Roman",«serif»;color:red;mso-ansi-language: EN-US"> <span Times New Roman",«serif»; mso-ansi-language:EN-US;font-weight:normal">1. What is an essay?<span Times New Roman",«serif»; mso-ansi-language:EN-US">An organized collection of YOUR IDEAS about literary texts nicely written and professionally presented.
<span Times New Roman",«serif»; mso-ansi-language:EN-US">
In other words, the essay must bewell structured (i.e. organized) and presented in a way that the reader findseasy to follow and clear: it must look tidy and not present any obstacles tothe reader. It must have a clear readable interesting style. But, above all, itmust consist of your ideas about literary texts. This is the centre of it: this,and this only, gets the marks. Not quotes from critics, not generalisations atsecond hand about literary history, not filling and padding; your thoughts,that you have had while in the act of reading specific bits of literary texts,which can be adduced in the form of quotations to back up your arguments.
<span Times New Roman",«serif»; mso-ansi-language:EN-US"> In theEnglish Department you learn how to respond to literary texts. This is aninteresting and worthwhile thing to do, but unless you become a teacher ofEnglish remarkably few people in later life will be interested in your thoughtsabout Jane Austen. What they will be interested in (I'm talking about potentialemployers now, but not only them) is your ability to talk, to think, and towrite. This part of the course is where you learn to write: professionally. Theguidelines that follow tell you how to do it, or rather how to learn to do it.
They set a higher standard than isusually asked of a first year undergraduate essay in this Department. This isfor the following reasons. (1) I think it's my job to offer you the best adviceI can, not to tell you how to get by. (2) If you learn what these guidelinesteach, you will get better marks in all the essays you do from now on untilfinals. You will surprise the markers with the quality of your presentations,by producing a better quality than they expect. (3) You will learn a skill, anot-very-hard-to-learn skill, that will last you for the rest of your life.
3. Collecting the material
<span Times New Roman",«serif»; mso-ansi-language:EN-US"> The firsttask is to get the material together. The material comes in two kinds: primaryand secondary sources. Primary sources in this case are literary texts: theactual material that you work on. Secondary sources are works of criticism.Here is your Second Important Message:
<span Times New Roman",«serif»; mso-ansi-language:EN-US">(ii) It is always better to read an original text andrefer to it than to read and refer to a critic.
<span Times New Roman",«serif»; mso-ansi-language:EN-US"> The moreliterary texts you read and can refer to the better. You can't possibly readtoo many. Remember, the key to your essay is the number and quality of yourideas about literary texts. If you casually refer, from at least an apparentposition of familiarity, to some obscure literary text, you will win theadmiration of your marker. If you refer to a critic, particularly an obscureone, the chances are his or her eye will glaze over. There are exceptions tothis rule, which I will mention later, but the basic principle is extremelyimportant: original texts are better than critics, and you can't know too many.Whereas it is possible to get a first class degree and never to have read anycritics at all.<span Times New Roman",«serif»;mso-ansi-language: EN-US">3.1<span Times New Roman",«serif»; mso-ansi-language:EN-US;font-weight:normal"> What are critics for?
<span Times New Roman",«serif»; mso-ansi-language:EN-US"> The shortanswer: to be disagreed with. A longer answer: reading critics can give you anidea of what the state of critical opinion is about a literary text, to saveyou re-inventing the wheel and coming up with some brilliant originalperception that William Empson thought of sixty years ago. Reading criticsmeans that you can start at the coal face rather than have to dig your ownmine. Secondly, they can stimulate your ideas. But the thing to remember is:only your ideas obtain merit. Therefore, never, ever, quote a critic just toagree with him or her. Always, under all circumstances, quote a critic in thefollowing form: Leavis says x, but I disagree as follows. Or: Leavis says x,and this is very true, but I would develop his thought as follows. Never,NEVER: as Leavis says, followed by a quote, followed by nothing. This is verycommon in undergraduate essays, and it is simply a waste of space.
<span Times New Roman",«serif»; mso-ansi-language:EN-US"><span Times New Roman",«serif»;mso-ansi-language: EN-US">3.2<span Times New Roman",«serif»; mso-ansi-language:EN-US;font-weight:normal"> Books and articles
Asecondary point about critics. They publish in two forms, books and articles.You should be familiar with the library electronic catalogue and the ways ofsearching it, in order to find books: it's not difficult, and if you don't knowhow to do it by now go immediately and find out. If you have a problem, ask alibrarian, they'd be happy to help. Just spend half an hour simply playing withthe library computer, finding out what it can do. But: books are not usually muchuse. They're usually out, as you will surely have discovered by now. And yougain no special merit points for having read them, because so has everyoneelse.
Articles are a different matter.Articles in academic journals are (a) not normally read by undergraduates, andtherefore (b) normally on the shelves. They are more work to track down, butsuccess will be rewarded by the admiration of your examiner, becauseundergraduates aren't expected to know about such things. And they are full ofinteresting, original, and up-to-date ideas about literary texts, that, maybe,your examiner won't even have heard of (but don't count on this: stealing ideasis heavily penalized). Also of dross and garbage, of course. But this is goodtoo, because you'll have plenty to disagree with.
The way to get hold of articles is togo to the library and play with the CD ROM workstation. There's one on everymain floor. I can't tell you here how to work it: find out, it's not difficult,and, as before, a librarian will be glad to help you; also there are copiousinstructions. Spend some time playing with it: the database you want is calledthe MLA Index. You will come up with a lot of titles that aren't in thelibrary, which is very frustrating, but from every search you will find atleast a few relevant articles, and some of these will be valuable. This isalmost guaranteed.
Note: this information is now out of date.There is a wonderful database called BIDSthat lists articles published since 1981. It's on the Web; it's easy to search,very user-friendly, and it emails you the list of articles you are interestedin. Remarkable. You need to go to the equally friendly Information Desk in theMain Library to get a login and password first.<span Times New Roman",«serif»;mso-ansi-language: EN-US">3.3<span Times New Roman",«serif»; mso-ansi-language:EN-US;font-weight:normal"> Using the World Wide Web
TheWeb is rapidly becoming a fantastic resource: easily available, full ofmaterial, and with an an answer to every question. However, there are problems,and you should use the Web carefully.4. Reading, making notes, having ideas<span Times New Roman",«serif»; mso-ansi-language:EN-US">
<span Times New Roman",«serif»; mso-ansi-language:EN-US"> When youhave found the books and articles you are going to read, you will need to readthem. Here are the golden rules:
<span Times New Roman",«serif»;mso-ansi-language:EN-US">(iii)Always carry a notebook
Always read interactively
File and rewrite the notes so you can find them again
Make a bibliography
<span Times New Roman",«serif»; mso-ansi-language:EN-US">
I will explain. The key is: you arein the business of making a collection of your ideas (do I have to say itagain?) about literary texts. These can come to you at any time. If you don'twrite them down, you will probably forget them. If you do write them down, youwill probably think of some more ideas while you are writing. Write them downtoo. It doesn't matter if they don't seem very good: just write them down.Carry one of those spiral-bound shorthand notebooks at all times, and, if anidea comes to you, however intimate or urgent the accompanying moment, write itdown. No-one need ever see this notebook, so you need feel noself-consciousness about what you write in it. This is perhaps the most usefulattribute of the shorthand notebook: it beats the censor. The censor is thecause of writer's block: the small voice inside your head that tells you thatwhat you're writing is rubbish. In your notebook you can ignore that voice, andas a result you will accumulate ideas. Some will be good, some bad; when youre-read the notes you can sort out one from the other more rationally thanwhile under the stress of creative writing. Thus the censor has been by-passed.
Thebest time to have ideas is when you are reading, either a literary text or awork of criticism. This is where note-taking comes in. Don't make notes in theform of summaries, unless you need it to help you remember a plot (lecturenotes are an exception to this): it's normally best to read the thing again(and get more ideas the second time round). But always, always, read with a penand notebook to hand: read interactively. Think about what you're reading andwrite down your thoughts. Always. When a thought occurs under thesecircumstances it will be in reaction to a piece of the text at hand: aquotation. Copy out the quote, and a page reference so you can find it again tocheck it if necessary, and then put your idea underneath it. If you tie theidea in with the quote in this way, then your ideas will always be text-basedand close to the concrete life of the text, as Leavis might possibly have said.
Always write one idea and one ideaonly per page of the shorthand notebook. Why? So that you can file them. Once aweek go through all of the notes that you've accumulated during the week. Takethem out of the shorthand notebook: tear them out, or remove the spiral. Youput headings on each note, throwing away the dross (the obvious dross, that is:dross can turn to gold if left to itself for a bit). Rewrite if necessary; makemore notes if more ideas occur. Then file them in a way that you can find themagain. Make sure you know where all the quotes came from: editions, pagenumbers, and so on.
For this you need a booklist, eithercomputer-based, or in the form of a card index. A bibliography, some call it.Every book you read should have its details listed in your master book-list,your card index or computer file. Author/s, title, date, publisher, shelf mark,place of publication. I repeat: every single book and article you read shouldbe in this list. In (only) two and a bit years' time when you are desperatelytrying to find something original to say about The Book of the Duchessfor an exam that is going to happenin a few weeks' or days' time, you will need this booklist and these carefullyfiled notes, containing your ideas about literary texts. Believe me.
<span Arial Unicode MS",«sans-serif»;mso-bidi-font-family:«Times New Roman»; mso-ansi-language:EN-US">5. Planning and structuring
<span Times New Roman",«serif»; mso-ansi-language:EN-US"> So: you'vegathered the material, read it, made notes, had ideas, written them down on separateslips, headed and filed them. How do you write the essay?
Like this. You gather together all ofthe slips you have on the topic of the essay. You read through, writing newones and rewriting old ones if more or different ideas come to you, and makingsure each of them is headed. You put the headings together in a logical order(headings, sub-headings, sub-sub-headings) on a sheet of paper in the form ofan outline of the essay. You arrange the slips in order of the outline. Youassemble the pile of slips, the outline, and blank paper (or a blankword-processor screen) in front of you. You write the essay, going from headingto heading and slip to slip. The essay writes itself, painlessly, becauseyou've done most of the thinking already. On the way, you observe the followingrules and wise bits of advice.
<span Times New Roman",«serif»; mso-ansi-language:EN-US"> The plan youconstruct should be in the form of an indented outline. This is a series ofheadings and subheadings, indented, like this:
<span Times New Roman",«serif»;mso-ansi-language:EN-US">Main heading
<span Times New Roman",«serif»;mso-ansi-language:EN-US">subheading 1
<span Times New Roman",«serif»;mso-ansi-language:EN-US">notes on subheading 1
<span Times New Roman",«serif»;mso-ansi-language:EN-US">subheading 2
<span Times New Roman",«serif»;mso-ansi-language:EN-US">notes on subheading 2
<span Times New Roman",«serif»;mso-ansi-language:EN-US">
and so on...
<span Times New Roman",«serif»; mso-ansi-language:EN-US"> Behind everyessay there must be a plan of that sort. This essay on essays is built fromsuch a plan, as you can see. If you remember any lectures that use outlines,you will (I hope) remember how useful it was to have that written out in frontof you so that you knew where you were in it. Now think of an examiner, havingto read up to a hundred student essays. A decent level of concentration is hardto maintain. They get lost, and lose the thread, just as you do in lectures. Itis essential therefore that an outline like that must be obvious to him or her,clearly perceptible in the way the essay is written. In order to achieve thiseffect the easiest way is to have one, written out for your own benefitbeforehand.<span Times New Roman",«serif»;mso-ansi-language: EN-US">5.2<span Times New Roman",«serif»; mso-ansi-language:EN-US;font-weight:normal"> The paragraph
<span Times New Roman",«serif»; mso-ansi-language:EN-US"> The secondthing, in order to maintain and make obvious a clear structure, is to be awareof the nature of the paragraph as the basic structuring unit in the essay.Basically, every paragraph should represent and flesh out a heading orsub-heading in the outline. The paragraph is the building block of the essay.Therefore:It should be at least a third to half a page in length, but not too long or the reader will get lost. No one-sentence paragraphs! They give the impression that you read the Sun a lot. It's not good to give that impression. It should have what's known as a topic sentence, near the beginning, that announces the theme of the paragraph. The paragraph should not deviate from this theme or introduce any new themes. The first sentence should somehow be linked to, or contrast with, the last sentence of the previous paragraph. The first paragraph should announce clearly the theme of the essay. I prefer first paragraphs that quite baldly say «I am going to do this and that in this essay». (Some don't, however). In the first paragraph also you should define your version of the title and make it clear. If the marker knows from the beginning what you are going to do, s/he can bear it in mind and be aware that you are sticking to the point and developing it, because s/he will know what the point is. The last paragraph is not so important. You can proudly announce that you have fulfilled the aims of the first paragraph, if you like, or you can just end: it's up to you.
<span Times New Roman",«serif»; mso-ansi-language:EN-US"> But the mainthing is to make each paragraph a solid unit that develops a clearly announcedsub-theme of the essay. This way the indented outline that's behind it will beobvious (not too obvious: don't write subheadings before every paragraph) andthe marker will not have that terrible lost feeling that immediately precedesgiving the essay a low mark in disgust.<span Arial Unicode MS",«sans-serif»; mso-bidi-font-family:«Times New Roman»;mso-ansi-language:EN-US">6. Presentation
<span Times New Roman",«serif»; mso-ansi-language:EN-US"> Behindeverything I've said so far there are two themes. One, just to repeat it yetone more time, in case you might have formed the idea that I don't think it'simportant, is: your ideas about literary texts are what matters. The other isthis:<span Times New Roman",«serif»; mso-ansi-language:EN-US">(iv) Always put the reader first.
<span Times New Roman",«serif»; mso-ansi-language:EN-US">
Up to now, most of the writing you'vedone has been for people who are paid to read what you've written. They have nochoice: they have to do it. After you leave here, most of the writing you willdo (in the course of your working lives) will be writing you are paid to do forother people. They won't, on the whole, have to read it: if they don't followit or feel offended by its scruffy presentation or even are having an off-dayand are not instantly seduced by its beauty and clarity, they will just throwit away and do something else instead.
University teachers are somewhat inbetween these two classes. On the one hand, they are in fact paid to read youressays. On the other, if you can imagine the sheer labor of having to read alarge number of long assessed essays on the same topic, you can imagine thatno-one really likes doing it. It's extremely hard work, and they would normallyrather be doing something else. Therefore, if they're not immediately seducedby the clarity and beauty of the thing they're reading, they may get irritated.If this happens they won't be able to throw it away and do something else, sothey will get even more irritated. The end product of this will be: a lousymark. Or at least, a worse mark than you would otherwise get, even if the ideasare good. This is a good thing, in fact, because you can use it to train you to
<span Times New Roman",«serif»; mso-ansi-language:EN-US">ALWAYS PUT THE READER FIRST.<span Times New Roman",«serif»; mso-ansi-language:EN-US;font-weight:normal">
<span Times New Roman",«serif»; mso-ansi-language:EN-US">
Therefore, make your essay asbeautiful, compelling, and as professionally presented as possible, is myadvice. Here are some guidelines.
<span Times New Roman",«serif»; mso-ansi-language:EN-US"> Every essaywithout exception should end with a list of books and articles used. Often amarker will look at this first, to see what kind of work you've done: where, asit were, you're coming from. On the whole and within reason, the longer thisis, the better. As long, that is, as you can reasonably show that you haveindeed used the works on the list.<span Times New Roman",«serif»;mso-ansi-language: EN-US">6.2.<span Times New Roman",«serif»; mso-ansi-language:EN-US;font-weight:normal"> Styling references
<span Times New Roman",«serif»; mso-ansi-language:EN-US"> This listshould be set out in a particular and consistent way. The way I use is likethis:
<span Times New Roman",«serif»; mso-ansi-language:EN-US">Horace Hart, Hart's Rules for Compositors and Readersat the University Press, Oxford, (Oxford: Oxford University Press, 1983) MainLibrary General Reference 1 Z 253
A.S. Maney and R.L. Smallwood, MHRAStyle Book, Notes for Authors, Editors and Writers of Dissertations, (London:Modern Humanities Research Association, 1981) Main Library General Reference 1Z 253 Main Library Lang. & Lit. Ref. 1 Z 253
MLA Handbook for writers of research papers, theses, and dissertations, (NewYork: MLA, 1977) Gen. Ref. Z 253
<span Times New Roman",«serif»; mso-ansi-language:EN-US"> There arevarious ways of styling (as printers call it) references (ie book and articletitles) and it doesn't matter which you adopt, but you should learn one andadopt it. Hart's Rules is a beautiful little book, the printer's bibleand ultimate authority, and it's very nice to own a copy; the MLA f16 Handbookis more use for students (it has a chapter on how to do indented outlines, forinstance--see section 8 for more on this.) I have both, right by my desk, allthe time. These books will tell you how to style your references and how alsoto lay out quotations in an essay, how to refer to a book or an article in thebody of an essay, how to punctuate, and so on. I would buy one of them, if Iwere you, and use it. I very rarely look at mine now: I more or less know whatthey say. So should you: it's the essence of professionalism in writing.
Note(1997). The English Department has now published its own ideas about how todo styling. There are here. Myadvice is, start using this document NOW!
Checkalso the method for arranging references in the text. They should be indentedon each side and separated from the rest of the text with a white line aboveand below, if they are longer than a line or so. And they should have areference: author, title, and page number.<span Times New Roman",«serif»;mso-ansi-language: EN-US">6.3.<span Times New Roman",«serif»; mso-ansi-language:EN-US;font-weight:normal"> Type it if at all possible
<span Times New Roman",«serif»; mso-ansi-language:EN-US"> No, youdon't have to type it. But if you do then it will be far easier for the reader.And rule (iv) is? Right: put the reader first. In any case, studies have shownthat particular kinds of handwriting influence (without their knowing it)readers of literary essays such that they get lower marks. I would guess thattyped essays tend to get higher marks, but this is just a guess. But it is myhonest and truthful opinion that if you hand in an assessed essay (that is, anessay written for marks that will count towards your final degree) and it's nottyped, you would be making a foolish mistake.
<span Times New Roman",«serif»; mso-ansi-language:EN-US"> If you areusing a word processor, take some time to get the layout right. Double space,with an extra space between paragraphs. The first line of a paragraph should beindented. Number the pages, and put in a header with the short title of theessay and your name in it. A4 paper. If you want to beautify it withillustrations, drop capitals, a beautiful title page, hand illuminated or goldleaf embellishments, that's fine, though it's not expected. (I should perhapsstress that the gold leaf is a joke.) And:make sure you use the spelling checker, before you print it.
<span Times New Roman",«serif»; mso-ansi-language:EN-US"> A note onsafe computing. While you are actually working on a document, it is held inRAM. All that you need to know about this is that RAM is volatile. This meansthat if a passing friend trips over the power cable, pulling it out of thewall, the computer will go down, and everything in RAM will vanish utterly forever. What you will lose is everything you created since you last saved todisk. Moral: save to disk frequently. At least every ten minutes. Secondly, youshould develop the feeling that whenever you switch the computer off, you aredoing a dangerous thing. Dangerous to your data, that is. When you switch it onagain, there is no guarantee whatsoever that it will come up and present youwith your work. It might crash. It probably won't, it's quite unlikely thatanything bad will happen, but nonetheless this is the time of maximum dangerfor your essay. I have been working with computers equipped with hard disks since1987, and in that time so far I have had three hard disk crashes. Wipeout.Obliteration. Everything gone for ever. I have also had computers stolen twice,from burglary: end result: once more, all the data on the hard disk gone forever.
<span Times New Roman",«serif»; mso-ansi-language:EN-US"> As a result,I never switch off the computer without making sure that all the data on itthat I don't mind losing is backed up. Never. Ever. This means that whateverI've worked on since the last time I switched the machine off gets copied on tofloppy disks or zip disks. If it's creative writing, like your essay, I usuallymake two or even three copies. If I feel really nervous about losing it, Iprint the file out on to paper, as a final security. I really advise you to dothe same.
<span Times New Roman",«serif»; mso-ansi-language:EN-US"> One finalpoint: the last time I had a computer burgled, I was immaculately backed up,and I still lost some data. Why? I left one of the backup disks inside themachine…<span Times New Roman",«serif»;mso-ansi-language: EN-US">6.4.<span Times New Roman",«serif»; mso-ansi-language:EN-US;font-weight:normal"> One side of the paper only
<span Times New Roman",«serif»; mso-ansi-language:EN-US"> When I tellstudents to write on one side of the paper only, they give me the same lookthat I frequently get from my cat: «Is this man totally out of hismind?» it says. Look: it makes it easier for the reader. A lot easier.Rule (iv) is? If that doesn't convince you, try sending any piece of writingwhatsoever to any form of publication whatsoever, written on both sides of thepaper, and see how long it takes for them to send it back. Unread. (They'llalso send it back unread if you don't type it, incidentally.)<span Times New Roman",«serif»;mso-ansi-language: EN-US">6.5.<span Times New Roman",«serif»; mso-ansi-language:EN-US;font-weight:normal"> Spelling and punctuation
<span Times New Roman",«serif»; mso-ansi-language:EN-US"> There is asimple but unpleasant rule about this.
<span Times New Roman",«serif»; mso-ansi-language:EN-US">(v) If you produce work that is mis-spelt and/or badlypunctuated and/or ungrammatical, however good the ideas are, people will tendto think that you are stupid.
Theywill be wrong; it will just mean that you can't spell, or can't punctuate, ordon't know some of the grammar rules. Nonetheless, that's what they will think.Since it will almost always be in your best interests to show that you areintelligent, rather than stupid, if you have a problem in any of these areasyou should do something about it. If you have a word processor, get a spellingchecker. Persuade someone you know who can spell, punctuate, etc. to read overyour work first and check it: learn the sort of mistakes you make, and don'tmake them again.
There are very good suggestions on how tomanage punctuation in the Oxford Guide to Writing. If you have a problem with punctuation, I strongly suggest you gethold of this book.
Another much cheaper and also excellent book isPlain English, by Diané Collinson et al. (<a href=«www.bookpages.com/Twist/twist.plx?form=BookpagesScriptsBookDetails.htx&UID=939401!PPP=20!CID=1!CSL=P!CXR=1!CS=%20&ISBN=»0335156754">book details and current price) (<a href=«library.bham.ac.uk/www-bin/www_talis32?nextpage=www_frame_start&nohit=location-nohits&many=location-many&exact=location-exact&error=location-error&execute=location-list&work_id=625833&browse=0&collection=1&search_type=8&refs_pos=»0&AUTHOR%20">Library reference).
<span Times New Roman",«serif»; mso-ansi-language:EN-US"> There is oneparticular error that is very common, students quite often are in the habit ofrunning two or more sentences together and joining them with commas, it isreally a very bad idea to do this, a marker when he or she sees it will becomevery irritated, I hope you are by now with the strange breathless quality ofthis sentence. Don't do it. A sentence is a sentence. It should end in a fullstop. Putting two sentences together with commas between them is becomingacceptable in creative writing, but it's still a bad idea to do it in an essay.<span Times New Roman",«serif»;mso-ansi-language:EN-US">6.6<span Times New Roman",«serif»; mso-ansi-language:EN-US;font-weight:normal"> Handing it in.
Controversy rages over the best way to bindthe thing. My own view is this. It should be simple, cheap, and easy for theexaminer. The pages should not be stapled, clipped, or in any way fastenedtogether. They should not be bound! Some people like to bind them in apresentation folder, often designed by the same person who invented the rattrap, featuring spiked and sharpened strips of brass. Sometimes the essays comeback with the examiner's blood on them. This doesn't necessarily guarantee alower mark, but there's always that possibility. I accept that the motivationbehind this kind of presentation is good, and appreciate it as such, but it'sreally not a good idea. Go for loose sheets, each page numbered, your name atthe top of each page, of course written on one side only, and held together ina simple plastic sleeve: the kind with punched holes down one side and anopening in the top only. This keeps the essay clean and coherent, is unlikelyto lacerate the examiner, and takes up no extra room, so the essays can bestacked without them falling all over the place.7. How to write<span Times New Roman",«serif»; mso-ansi-language:EN-US">
<span Times New Roman",«serif»; mso-ansi-language:EN-US"> Style is notsomething I can prescribe in a set of notes like this. Write well: if you haveany problems in this direction, it is for your tutor to tell you about them.But here are a few random points instead.<span Times New Roman",«serif»;mso-ansi-language:EN-US; font-weight:normal">Register
<span Times New Roman",«serif»;mso-ansi-language:EN-US">This iswhat linguists call a style appropriate to the occasion. Be aware: a certainscholarly gravity is called for. Not too heavy so that it's uninteresting. Butavoid colloquial abbreviations: should not, not shouldn't. Jokes are hazardous:if they don't [do not follow my practice as regards don't] work, they can costyou a lot. Avoid them, on the whole: or at least don't be jokey. Don't forgoodness sake imitate the way I'm writing here, either the rather flippantcolloquial style or the somewhat overbearing tone, or the numbered subheadings.This is an essay on how to write a literary essay, not a literary essay.
<span Times New Roman",«serif»;mso-ansi-language:EN-US"><span Times New Roman",«serif»;mso-ansi-language:EN-US; font-weight:normal">Quotations
<span Times New Roman",«serif»;mso-ansi-language:EN-US">Firstly,quote sufficiently but not too copiously. Not more than a third of a(handwritten) page at the very outside, and usually just a few lines at a time.It's your thought, not the quotation, that is the point. On the other hand,never forget that your ideas should be tied firmly into the text, and that youshould demonstrate this by quotation. Secondly, always give page numbers foryour quotations: you will need to know where to find them again.
<span Times New Roman",«serif»;mso-ansi-language:EN-US"><span Times New Roman",«serif»;mso-ansi-language:EN-US; font-weight:normal">Short paragraphs
<span Times New Roman",«serif»;mso-ansi-language:EN-US">No shortparagraphs.
<span Times New Roman",«serif»;mso-ansi-language:EN-US"><span Times New Roman",«serif»;mso-ansi-language:EN-US; font-weight:normal">Length
<span Times New Roman",«serif»;mso-ansi-language:EN-US">Anon-assessed essay should be about six sides of handwritten or four sides oftyped A4 at least.
<span Times New Roman",«serif»;mso-ansi-language:EN-US"><span Times New Roman",«serif»;mso-ansi-language:EN-US; font-weight:normal">Copy it
<span Times New Roman",«serif»; mso-ansi-language:EN-US">Always<span Times New Roman",«serif»;mso-ansi-language:EN-US">make aphotocopy of any essay you do before you hand it in. Academics are veryunreliable, and not uncommonly lose essays.
<span Times New Roman",«serif»;mso-ansi-language:EN-US">
8. Getting it back
<span Times New Roman",«serif»; mso-ansi-language:EN-US">
<span Times New Roman",«serif»;mso-ansi-language:EN-US">Here is asummary of things to keep in your mind about writing an essay. When I mark anessay, they are the things that I particularly look out for:
<span Times New Roman",«serif»;mso-ansi-language:EN-US">Use of critics (ie don't slavishly agree with them) Range of reference to literary texts, including obscure ones Clear and perceptible structure Interesting ideas tied in to quotations The paragraph:
2. Topic sentence
3. First sentence, last sentence
4. First paragraph (sets out themes)
9. Two how-to-do-it books
<a href=«library.bham.ac.uk/www-bin/www_talis/default?execute=title-search&input=MLA+Handbook+for+writers+of+research+papers&TITLE_PROMPT_NAME=input&coll_name=»Main+Catalogue">MLA Handbook forwriters of research papers, theses, and dissertations, (New York: MLA, 1977) Gen.Ref. Z 253.
Thisis the most useful text to buy. It has notes on everything you need, includinghow to do indented outlines. It's not as full or as easy to understand as thenext title below, but it's all there.
Update (<st1:date Year=«1999» Day=«27» Month=«3» w:st=«on»>27/3/99</st1:date>): you don't have to buy it any more. It's here, in a really helpful frame format. This is wonderful. All studentsshould use this site all the time.
Kane, Thomas S, <a href=«library.bham.ac.uk/www-bin/www_talis/default?execute=title-search&input=The+Oxford+Guide+to+Writing&TITLE_PROMPT_NAME=input&coll_name=»Main+Catalogue">The Oxford Guide to Writing, (Oxford: Oxford University Press, 1983).
Thisbook has it all: how to make an indented outline, how to spell, how topunctuate, how to write a paragraph, how to take notes, how to sharpen yourpencil--everything. The bad news is that (a) it's rather American, and (b) it'sout of print. Go and look at the short loan copy and photocopy anything youfind useful. It's of particular use if you have any punctuation problems.
10. Read a different poem every day.
Finally. One of the key attributes of success in an English course isknowledge of a wide variety of styles, periods, and topics in EnglishLiterature. Hereis a painless way oflearning this. Subscribe to this site and they will email you a different poemevery day. Take time every day to read the poem, think about it, and post ashort comment on their bulletin board. The site is frustrating and oftenbizarre, but the exercise is the most useful single thing I can think of at themoment for an English student to do.


text:
Re: [jslint] unexpected 'escape' is undefined
Expand Messages
- --- In firstname.lastname@example.com, Douglas Crockford <douglas@...> wrote:
>absolutely - that was my solution too ;-) I just thought every browser
> crlender wrote:
> > --- In email@example.com, Douglas Crockford <douglas@> wrote:
> >> Don't use escape. Use encodeURI or encodeURIComponent instead.
> >
> > But what if the server can't handle UTF-8 encoded characters? Many
> > legacy applications are stuck with escape/unescape.
> /*global escape */
implements that extension to the ECMA Script and thus expected it to
disappear with checking the "assume a browser" option. But I was
probably wrong.
Your message has been successfully submitted and would be delivered to recipients shortly.


text: Can someone help me interpret these VCDS group 13 &23 numbers for my bad miss problem on 06 PD engine. group 13 2.99 mg/str 2.99mg/str -301mg/str =301mg/str group 23 -128.0 -64.0 -61.0 -54.0 I recently bought 06 Jetta 5 speed with a distinct 3 cylinder idle, above 2500 rpm it pulls like my old tuned ALH, check'd engine cam today and I see no issue, not sharp on edges lobes look good unless I missed something. Cold compression test revealed cyl #1 -300 cyl#2-300 cyl #3-290 cyl #4-300. #1 #2 injectors show evidence of Plier marks on the I assume solenoid, large nut shaped part on front of it. Unplugged #1 then #2 expecting to determine the missing Cyl like an old Gas engine but both affected it ??? I didn't try 3 &4 assuming the Cyl#1 misfire code indicated the problem cyl. new to the PD thing, three ALH cars in the past 10 years. Any help appreciated.


text:
eBay's BodyShop
And, as you reminisce about the good old times, you cannot help but go back to the politics of old… In a get-together with friends and friends of friends, we had fun reminiscing about the past. We seem to all have gone in three phases.
In a first phase, back in more innocent times, we had easily banded together against the odd playground bully, permanently inducting a few apprenti dictator into the Vienna Boys' Choir…
But as we grew up, we entered a second phase and started thinking about more "important" issues. It is then that our good judgment started slipping away, and rather then dispatching them to their maker, we started flocking around any bully who was smart enough to wave a flag. The mistakes took their toll on the group, and we only learned our lesson by attrition, as most "grew up" and moved on, while others did not survive.
We're still working on it.
Rather than moving on to Phase 3, maybe we're set for a repeat of Phase 2... While most of us grew up and moved on, but quite a few "irredentists" remain, still faithful to the same vacuous slogans and empty promises. I find it striking that, whenever their faith meets facts, they simply ignore them, or expend considerable mental capacity in side-stepping reality. Maybe they have too much mental capital invested in this impasse to turn around and move away from the precipice. Or maybe they have a different outlook on life…
But I am quite sure they are wrong.
However, as the country gears up for another round, I am sure many stand ready to herd the next generation of fodder towards the gathering cannons. And while each still thinks their "side" can win, I am convinced that all will loose. Then again, all have already lost; in their fight for control of the country, they may have destroyed it, with nary a single shot fired… Were it not the own-goal aspects, Sun-Tzu would have been impressed.
Maybe they will recoup their losses by trading body parts on e-Bay.
… The thing is, aside the obvious potential repercussions, with the supply of imports running out, suppliers will soon have to find domestic sources.
So, to paraphrase Fubar…
And if so… Need Ammo?
… More on that later


text:
Back to Journals » International Journal of Chronic Obstructive Pulmonary Disease » Volume 7
Geroprotectors as a novel therapeutic strategy for COPD, an accelerating aging disease
Authors Ito K, Colley T, Mercado N
Received 16 April 2012
Accepted for publication 19 June 2012
Published 21 September 2012 Volume 2012:7 Pages 641—652
DOI https://doi.org/10.2147/COPD.S28250
Review by Single-blind
Peer reviewer comments 4
Kazuhiro Ito, Thomas Colley, Nicolas Mercado
Airways Disease Section, National Heart and Lung Institute, Imperial College London, London, United Kingdom
Abstract: Chronic obstructive pulmonary disease (COPD) progresses very slowly and the majority of patients are therefore elderly. COPD is characterized by an abnormal persistent inflammatory response to noxious environmental stimuli and there are increasing evidences for a close relationship between premature aging and chronic inflammatory diseases. Thus, COPD is considered to be a disease of an accelerating aging. In this review, we collected the evidence for roles of aging on pathogenesis of COPD and considered future therapeutic strategy for COPD based on this senescence hypothesis. Since calorie restriction has been proved to extend lifespan, many efforts were made to clarify the molecular mechanism of aging. Aging is defined as the progressive decline of homeostasis that occurs after the reproductive phase of life is complete, leading to an increasing risk of disease or death due to impaired DNA repair after damage by oxidative stress or telomere shortening as a result of repeated cell division. During aging, pulmonary function progressively deteriorates; innate immunity is impaired and pulmonary inflammation increases, accompanied by structural changes, such as an enlargement of airspaces. Noxious environmental gases, such as cigarette smoke, may worsen these aging-related events in the lung or accelerate aging of the lung due to reduction in anti-aging molecules and/or stimulation of aging molecules. Aging signaling are complex but conserved in divert species, such as worm, fruit fry, rodent and humans. Especially the insulin like growth factor (IGF-1) signaling was well documented. Geroprotectors are therapeutics that affect the root cause of aging and age-related diseases, and thus prolong the life-span of animals. Most of geroprotectors such as melatonin, metformin, rapamycin and resveratrol are anti-oxidant or anti-aging molecule regulators. Therefore, geroprotection for the lung might be an attractive approach for the treatment of COPD by preventing premature aging of lung.
Keywords: premature aging, COPD, lung function, oxidative stress, sirtuin, geroprotector
This work is published and licensed by Dove Medical Press Limited. The full terms of this license are available at https://www.dovepress.com/terms.php and incorporate the Creative Commons Attribution - Non Commercial (unported, v3.0) License. By accessing the work you hereby accept the Terms. Non-commercial uses of the work are permitted without any further permission from Dove Medical Press Limited, provided the work is properly attributed. For permission for commercial use of this work, please see paragraphs 4.2 and 5 of our Terms.Download Article [PDF] View Full Text [HTML][Machine readable]
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text:
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Megeve, All Season Alpine Pleasure
On the short drive from Geneva airport to the Alpine village of Megève, I couldn't help but wonder how this quaint farming community could possibly be … [Read more...]


text:
Posted in Press Releases on 09 July 2013
Having just returned from an incredible weekend at Glastonbury which saw her perform to packed out crowds on both the Pyramid and Park stages, Laura Mvula announces the release of new single 'She', out 18th August through RCA Victor (Sony).
Taken from Laura's debut album, 'Sing to the Moon' which debuted in the top 10 official UK album chart when released in March, 'She' is the track that started it all. So lyrically poetic and stirring that it simply speaks for itself. The Sunday Times Culture said, "Laura Mvula is so far ahead of any other most-likely-to British Newcomer for 2013, it's scary. Listening to songs such as She is like an awakening".
The single will be released as a remix bundle and contains remixes of 'She' by MJ Cole, Jakwob, Linslee, Eagle For Hands and Robin Hannibal.
Laura has had an incredible year - selling out her own regional tour and touring with Jessie Ware and Paloma Faith, Laura has been wowing crowds around the world. As well as playing the main stage at The Isle of Wight Festival and most recently, the Pyramid stage at Glastonbury, she's also performing at T in the Park, Latitude, The Urban Proms and numerous festivals across Europe this summer.
Since announcing the release of her debut EP back in November 2012, Laura has been picking up critical acclaim and support from some of the biggest tastemakers out there. Laura's unique sound has entranced critics, helping to make her one of the names on everyone's lips in 2013 and has led to her being described as "The voice of 2013" by The Evening Standard and her album hailed as "One of the most striking and original debuts from any British artist in many a year." by the Telegraph.
Her voice, layered and sensuous, is a one-woman symphony, it's easy to see why she is being hailed as the face to watch. A graduate from the Birmingham Conservatoire with a degree in composition, the 27-year-old was nominated for the 2013 BRITs Critics' Choice Award and ranked highly in the BBC Sound of 2013.
As one of the most exciting new musical talents to come out of the UK, this young lady deserves every bit of attention that she gets.
'She' tracklisting - remix bundle:
1. She (2013 edit)
2. She (MJ Cole Remix)
3. She (Eagle For Hands Remix)
4. She (Jakwob Remix)
5. She (Robin Hannibal Rework)
6. She (Linslee Remix)
Live dates:
Laura Mvula - UK and Ireland Tour:
Monday 30th September - Edinburgh, Queens Hall
Tuesday 1st October - Newcastle, Tyne Theatre
Friday 4th October - London, O2 Shepherd's Bush Empire
Monday 7th October - Bristol, O2 Academy
Tuesday 8th October - Birmingham, The Institute
Wednesday 9th October - Manchester, The Ritz
Saturday 12th October - Dublin, Olympia
Sunday 13th October - Belfast, Waterfront
Listen To 'She' Here:


text:
Apartment reviews
75 reviews to take away any doubts. Thanks to all our customers for their ratings and reviews. We hope their comments, compliments, and occasional complaints, help you choose your ideal stay.
uncensored reviews
Total score
Sort by:
"We vonden het appartement geweldig: alles aanwezig in het huisje, kleine buurtwinkel tegenover, bakker om de hoek. Prettige ontvangst door Claire. Rustige buurt, goed geslapen. En moins de rien in het centrum van Parijs. We waren door omstandigheden met een kind in een rolstoel, maar Claire wist daar wel raad mee. Vervolgens hebben we met kind in rolstoel in de Montmartrobus en de gewone bus Parijs verkend, hetgeen uitstekend te doen was! Niets, het was klein, maar prima in orde."
"Nice location, quiet and picturesque. The apartment was tiny, but tastefully furnished and fully equiped. We highly appreciated that the apartment was very clean. The manager, Claire, was an adorable person, who was very helpful and made us feel so welcome. The entrance (staircase) of the building looked rather shabby, we thougth we were in the wrong building at first..."
"Just a oarsome apartment and city - would recommend to eveyone"
"cleaning, tourist tips, quality bedding, kitchen utensils to small shower cabin possibility to pay with credit card there appeared not to have been (though on the site)"
"schoonmaak, toeristische tips, kwaliteit bedden, keukengerei te kleine douchecabine mogelijkheid om met creditkaart te betalen bleek er niet te zijn( stond wel op de site)"
"the location of the apartment, we had everything needed to stay in the apartment, and the sofa bed was very comfortable."
"la situacion del apartamento, teniamos todo lo necesario para la estancia en el apartamento, y el sofa cama era muy comodo."
"Great place in a nice neighborhood! A must!"
"Prima plek in een mooie buurt! Een aanrader!"
"The modern furniture and good working equipment + great location + open space in front of the app. (tree)."
"Character apartment in superb location - right next to the Montmartre sites, but quiet. Both bed and sofa bed are comfortable enough. Simple and clean. Good to have proper dining table and chairs. Building is old, so the odd damp patch is to be expected. Heating soon warmed the place up."
"The apartment is nearly optimal is conveniently located in an unassuming back and is appropriate, sometimes affectionately, furnished. For parents with two children the space required for a week was sufficient entirely. Particularly noteworthy is the pleasant, friendly and always helpful kind of Claire, which was accessible at any time for us. We felt very much at home. The somewhat tight shower is probably accept it given the generally tight living conditions in Paris."
"Das Apartment befindet sich in nahezu optimaler verkehrsgünstiger Lage in einem unscheinbaren Hinterhaus und ist angemessen, teilweise liebevoll, eingerichtet. Für Eltern mit zwei Kindern reichte der Platzbedarf für eine Woche vollkommen aus. Besonders hervorzuheben ist die angenehme, sympathische und stets hilfsbereite Art von Claire, die jederzeit für uns ansprechbar war. Wir haben uns sehr wohl gefühlt. Die etwas beengte Duschkabine ist wohl angesichts der allgemein engen Wohnverhältnisse in Paris hinzunehmen."
"the lady, who takes care of the apartment is very nice and communicative."
"Claire the caretaker was excellent, nicest person we met during our short stay. Close to the metro, easy access to the centre of Paris"
"A wonderfully comfortable apartment in the best part of Montmartre. Right next to the artisan area, Sacre Coeur and Dali museum but on a quiet street. We thoroughly enjoyed our 5 night stay and wish it had been longer. Thanks very much to the very friendly and helpful apartment manager. Unfortunately we had trouble having a hot shower as the water boiler was malfunctioning and there were no plumbers available. However, I'm sure this issue will be fixed before the next guest arrives."
+1 646 810 8678
Call us for a quickanswer to all your questions
- Customer service before, during and after your stay
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- Real-time booking with automatic email confirmation


text:
Picasso puts the people in people-mover
Taranaki Daily News
Of all the various types of motor vehicles sold these days, perhaps the type with the most unfair reputation is the people mover. It's because the most cynical amongst us – including some of our motoring journalists – have declared them to be dead- boring.
From: Picasso puts the people in people-mover – Taranaki Daily News


text:
The Burlingame Enterprise, Thursday, Nov.
26, 1908, Pg 1
Vol. XIV, No. 6
C. Scott.
H. C. Scott,
who for almost two decades has been a citizen of Burlingame and a prominent
factor in the later history of the town, died at his home a mile north of town
on Wednesday, November 18. Mr. Scott has been in failing health for the
past two years, but was able to be about until very recently and withal his
demise occurred almost without warning.
Henry Clay Scott was born April
17, 1831, in East Smithfield, Pennsylvania, aged at his death 77 years, 7 months
and 1 day. He was married in Smithfield, November 11, 1863, to Olive A.
Niles. Mr. Scott served for two years in the Union army in Co. A, of the
Twenty-third New York Volunteer Infantry. In his early life he learned the
carpenter's trade. At the close of the war he and his family moved from
Pennsylvania to Turner Junction, Ill. Here he engaged in farming till
1870, when they moved to Burlingame, Kansas. Three children were born to
them, Clinton Sherman, Ernest Farwell and Willard Wood. Only a few month
after coming to Burlingame and on July 28, 1870, Mrs. Scott died, and in July
1871 the son, Willard, passed away.
On September 11, 1882, Mr. Scott
was united in marriage to Nellie S. Russell, in Ontario, New York, who had
formerly been engaged in teaching school in Burlingame. Mrs. Scott and the
two sons, Clinton, of Phoenix, Arizona, and Ernest of Burlingame, remain to the
immediate family to mourn the loss of the husband and father.
Mr. Scott was a man whom it was
good to know. His general bearing was that of kindly interest in the
affairs of others, of good will for all, of activity, enterprise and unbounded
faith in the interests of his own home and business. His was not a nature
for moroseness, nor did adversity or trouble affect his genial character.
He was an Odd Fellow of more than thirty years standing and to him fraternity
meant much. The lodge of I. O. O. F., No. 14, together with E. P. Sheldon
Post No. 35, G. A. R. attended the funeral which was held at the farm home,
Friday afternoon at 2 o'clock, Rev. C. E. Flanagin, officiating.


text:
Prices, promotions, styles, and availability may vary. Our local stores do not honor online pricing. Prices and availability of products and services are subject to change without notice. Errors will be corrected where discovered, and Lowe's reserves the right to revoke any stated offer and to correct any errors, inaccuracies or omissions including after an order has been submitted.
Getting your lawn ready for winter is essential to protecting its year-round health. Neglecting this crucial work will cost you in the spring, when minor trouble spots may develop into major problems.
Mulching will help you prepare your yard for winter by guarding plants against colder temperatures and harsher weather. Spread it around the base of trees and shrubs in your yard. To prevent stems and bark from rotting, pull mulch away from woody stems and tree trunks one to two inches.
Wait until the first hard freeze, and apply the mulch two to four inches deep around your plants. Cover the soil evenly and completely, but do not pack it down.
The fall is an excellent time to start your own compost pile. It will give you a way to put your yard waste to good use as a superb soil supplement.
Your garden needs seasonal refreshing just like any other area of your home. Follow these easy steps to give your garden a boost:


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3/148 Beenleigh Road Sunnybank 4109 QLD
Fully Airconditioned - Architecturally Designed!
This architecturally designed spacious 3 bedroom villa oozes style. Located is the Sunnybank Seven complex you are sure to be impressed by this property!
- 3 spacious bedrooms all with built ins (main has ensuite)
- air conditioned throughout
- stylish kitchen with stone bench tops and stainless steel appliances
- magnificent high ceilings in lounge area to accentuate the open plan living
- courtyard for entertaining over looking nature reserve
- security screens
- 2 car spaces
This property must be seen to be appreciated.
** Please be sure to register for all open inspection times that are schedule to avoid disappointment on missing out should there be any changes to the times and dates advertised. If no appointments are registered the scheduled open for inspections may not proceed.**
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text:
COLD MOON Trailer (2008)
07 October 2008 Thriller, Crime 70 mins
Yoko is an undercover agent who's mission is to infiltrate the underground crime world led by Misaki. In her lonely mission, Yoko eventually comes face to face with the feared criminal monster Shinjo.
Watch the official COLD MOON 2008 trailer in HD below or find more COLD MOON videos on Vidimovie.


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Please always refresh this page before you start. This way it can be guaranteed that you will access the latest prices.
Please use our wetransfer-upload to send the audio and design data ("upload" button top right corner).
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text:
Like many others, Stanley Graham moved to the suburbs to raise his family because he thought it would be safer than the streets of Chicago`s West Side. Aurora, he thought, would be a nicer place for his wife and young daughters to live.
But a brief return to the West Side ended in death for Graham early Sunday when he was shot several times by a man who tried to rob him at a 24-hour gas station, police said.


text: Okay, wondering which one to request. First priority is no housekeeping issues like some of the posts on here have warned about! I've been looking at the Poly map, and I'd like something close to GCH (rather than TTC), that is not too far from pools but is somewhat private. Does anyone know if Samoa is too loud? I'm not sure a pool view would be that relaxing...but seeing the beach would be lovely (except I'm looking for a price in the garden view category). Someone recommended Fiji....does anyone have any other favorite they'd nominate? I looked at where Fiji was but I'm wondering if the Marina view is going to be as pretty as the gardens. I'd probably like a pretty beach or garden view over a pool view, unless someone suggests that a pool or marina view is really the best at Poly. Any info would be helpful!


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Film watched: Boggy Creek 2: The Legend ContinuesPrologue
- The Cub Scouts of the SOL are showing off their arts and crafts, while Servo arrives as a Brownie Scout.
- Servo returns as a Flemish glass blower, to Crow and Mike's confusion. Pearl enacts her world domination plan through blackouts and potato batteries. She soon backtracks after Bobo forgets the potato part of the plan.
- Mike breaks a fight between Crow and Servo, resulting in his memory loss. They flashback to that moment, with Crow being straight forward, Servo aping Greek mythology and Mike realizing he forgot his contacts.
- Pearl introduces the SOL to "Bobo the Swamp Creature", a legend of folklore and soon to be tourist revenue vacuum.
- Servo opens up a whittling factory on the bridge, resulting in environmental destruction and a workers' revolt.
- Crow lights a fire on the bridge, but gets bored after Mike questions him. The gift shop of the Legendary Swamp Creature has its first customer, who soon leaves at the sight of Bobo.
The Mystery Science Theater 3000 episode contains examples of:
- Brain Bleach: Mike and the 'bots aren't amused by the poo story. Servo spends a good amount of time panting in disgust after the story.Servo: Feces! Hah!
Crow: Mike, is this The Miller's Tale?
I'm talking sound effects, grunting, and everything; the first time we saw it we had to race each other out of the room to vomit.
- According to Bill Corbett's account, they had to cut out a great deal of the outhouse scene because of how gross it was.
- They also don't react well when Doc announces to Tim, Leslie and Tanya that he saw Crenshaw's "little creature".
- Buxom Is Better: Parodied by Crow on describing Crenshaw's "marvelous breasts."Crow: (as Crenshaw) Oh dear, I'm immodest. Tee hee.
- Call-Back: One of the riffs had Servo shouting "Jeeeeeeedddddd!", a Running Gag in ''The Leech Woman''.
- Catch-Phrase: When Tim says "No way" to Crenshaw, Servo sarcastically remarks that's Tim's "instant catchphrase".
- Fetish Fuel / Male Gaze: Servo's obsession with the two female leads mud-wrestling. However, when they actually do end up in the mud, Servo sheepishly admits that now that they're actually there, he feels guilty about it.
- Forced Meme: Pearl tries to very quickly create a legend of a strange, furry creature ("Bobo") lurking around the swamps near Castle Forrester ("Bobo." "Shut up!") so she can exploit tourists with cheap merchandise.
- Unusually Uninteresting Sight: "It's just a talking gorilla! There's nothing interesting about a talking gorilla! You're a stupid legend!"
- Flashback Effects: Parodied. Mike comes up to the bridge but forgets what his errand was. He and the bots delve into blurry flashbacks (similar to the film's) to try to piece it together, with Mike's being blurriest. Turns out he was looking for his contact lenses.
- Hidden Depths: Brain Guy sings the song of the Swamp Creature on guitar.
- Invisibility Cloak: "There's a red scarf floating in the air! Oh-oh no it's just her, she's wearing camouflage."
- Mondegreen: Invoked for comedy's sake — right after the "poop scene", Deputy Lockhart starts off his tale with "I went to the shed...", which sounds a lot like "shit" when filtered through his strong Texarkana accent. Mike is appropriately horrified at the prospect of another Toilet Humor story.
- Oh, Crap!: When Mike sees the husband running to the outhouse with the Sears-Roebuck catalog (which is to be used as toilet paper):Mike: Oh, no! The South is going to do it again!
- Running Gag
- Shirtless Scene: At one point, Crow demands everyone with a shirt (Tanya, Leslie) to take them off, and everyone without a shirt (Tim) to put one on.Servo: Yuk, do a pushup, kid!
- Take That!: When Crenshaw is first introduced:"Kent Hrbek, three months after retirement."
- What Could Have Been...: In-Universe: Tanya and Leslie mudwrestling, according to Servo.
- "Where Are They Now?" Epilogue: "Well, the Boggy Creek studies department eventually went under. Tanya and Leslie brought me up on charges, of course. Tim just wandered off and we ain't seen him in years."
Dr. Lockhart: I saw the little creature.
Leslie: No, no!
Dr. Lockhart: (Grabbing her) Wait a minute!


text:
You probably don't use it and you might have uninstalled from your phone already (Root master race) , but Google says that their Voice Search is much more efficient , accurate and even faster!
To acheive this feat , Google now uses a more effective neural network acoustic models through the use of " Connectionist Temporal Classification" or CTC, and sequence discriminative training techniques.
Resuming , Google Voice Search is better , if you don't use it or simply don't want to look like an idiot while walking down the street and telling your phone to search for those freaky stuff that you usually watch at home alone…. You should at least give it a try , it's a very good piece of software that will make your life even easier.
This is the future people , embrace it.
If you don't know how to use or what to say to your phone , here is some of the actions you can do with your Android phone.


text:
Materials Data on GaAgSe2 (SG:122) by Materials Project
Computed materials data using density functional theory calculations. These calculations determine the electronic structure of bulk materials by solving approximations to the Schrodinger equation. For more information, see https://materialsproject.org/docs/calculations
- Publication Date:
- OSTI Identifier:
- 1267510
- Report Number(s):
- mp-5518
- DOE Contract Number:
- Resource Type:
- Dataset
- Data Type:
- Specialized Mix
- Resource Relation:
- Related Information: https://materialsproject.org/citing
- Research Org:
- LBNL Materials Project; Lawrence Berkeley National Lab. (LBNL), Berkeley, CA (United States)
- Sponsoring Org:
- USDOE Office of Science (SC), Basic Energy Sciences (BES) (SC-22)
- Contributing Orgs:
- MIT; UC Berkeley; Duke; U Louvain
- Country of Publication:
- United States
- Language:
- English
- Subject:
- 36 MATERIALS SCIENCE; crystal structure; Ag1 Ga1 Se2; Ag-Ga-Se; ICSD-605217; ICSD-657565; ICSD-28748; ICSD-605199; ICSD-603824; ICSD-605202; ICSD-167827; ICSD-605204; ICSD-605206; ICSD-605208; ICSD-52570; ICSD-605211; ICSD-605213; ICSD-156127; electronic bandstructure


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(12-04-2012, 09:18 PM)Ugly Wrote: As an aside to that - there is often the recommendation to only use distilled water. Believe it.
Long before I had a CPAP I had a humidifier that pumped "steam" into the air. Okay it's not really steam since the water wasn't hot, but let's not be technical for just a moment. Distilled water worked great.
But when I ran out of the stuff I tried using tap water - and around here we have what they call "hard" water. When I woke up in the morning there was a white film over almost everything in the room. That tap water really made a mess of things! Imagine what it can do for your lungs if you breathe it in through a CPAP. Take my word, only use distilled water. Been there, done that. As for adding anything to the water - I wouldn't but the others on here may have more insight. But I thought I should offer up a past experience.
The white film was from something else, not the water from the humidifier.
Distilled water is from water that is turned to steam which is trapped and allowed to re-condense. Minerals cannot travel in the steam which is why distilled water is recommended for CPAP machines.
So the steam from your humidifier was, essentially, letting distilled water into the air. Which is why the white film was from something else.
Apnea Board Moderator
Breathe deeply and count to zen.


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Official dietary guidelines generally recommend that everyone should get between 10-20% of their daily energy from protein, and some health authorities even argue that high protein diets (>20%) have adverse effects on health. Even though people who are very physically active have higher protein needs, the recommendations still apply as these individuals usually consume more total calories. However, if we look at the human dietary patterns throughout our evolutionary history, it's clear that the average protein intake in most countries today is on the low side. While this doesn't mean that high protein diets are necessary optimal, the mismatch between the typical protein intake in the western diet and the average protein intake in ancestral diets, in combination with the scientific evidence showing the benefits of "high" protein diets for weight loss, muscle growth, and prevention of several types of chronic diseases, suggests that the official recommendations are lower than optimal for many people. This is especially true for strength trainees and other physically active people who want to maximize protein synthesis and gain muscle and strength.
How Much Protein Do You Really Need?
June 11, 2014 by


text:
LSU DB Jalen Mills arrested, allegedly punched woman in mouth
LSU starting safety Jalen Mills has been indefinitely suspended from the football team by coach Les Miles after the junior's arrest on a battery charge early Wednesday morning.
Mills was booked at East Baton Rouge Parish Prison on a second-degree charge for allegedly punching a woman in the mouth.
According to the probable cause report, Mills allegedly hit the woman at an apartment complex on May 4, and the report says the woman "fell to the pavement and was briefly unconscious."
Mills was contacted by police on May 29 and he told them he was in Houston and would return to Baton Rouge on June 9, the first day of summer school and football workouts. A June 10 appointment was set for Mills to meet with the police, but he did not make the meeting.
After police were unsuccessful in contacting Mills by telephone, a warrant for his arrest was issued.
The Associated Press contributed to this report.


text: Provider Chart Audits and Outreach to Parents: Impact in Improving Childhood Immunization Coverage and Immunization Information System CompletenessKolasa, Maureen S. BSN, MPH; Lutz, James P. MPA; Cofsky, Abbey MPH; Jones, TanyaJournal of Public Health Management & Practice: November/December 2009 - Volume 15 - Issue 6 - p 459–463 doi: 10.1097/PHH.0b013e3181abbee6 Article Abstract In Brief Author Information Objective: Examine impact of provider chart audits and parental outreach in improving immunization coverage among children not up-to-date (NUTD) for immunizations in Philadelphia's immunization information system (IIS). Methods: We identified 10-month-old children NUTD for age-appropriate immunizations using Philadelphia's IIS. Immunization rates at 10, 13, and 19 months were compared before and after contact with providers and parents. Results: Of 5 610 children NUTD in the IIS at 10 months and living in areas with populations at risk for underimmunization, provider chart audits indicated that 3 612 (64%) were actually up-to-date (UTD); the majority of these (2 203) received additional age-appropriate immunizations and were also UTD at 19 months. Of 1 998 children truly NUTD at 10 months, half received overdue immunizations by 13 months following contact with parents via telephone, postcards, and home visits, but only 23 percent were UTD for age-appropriate vaccines at 19 months. Conclusions: Provider chart audits improved IIS data completeness, indicating that providers need to submit more complete and timely data to the IIS. Outreach to parents likely contributed to half of the children NUTD at 10 months receiving overdue immunizations by 13 months. However, most were again NUTD at 19 months, indicating that outreach efforts should be continued through 19 months or until children are brought UTD. Furthermore, in spite of outreach, about half of the NUTD children were not brought UTD by 13 or 19 months. New strategies should be developed to ensure that these children receive recommended vaccinations. This study evaluates the extent to which Philadelphia's IIS accurately identified 10-month-old children who had not received all age-appropriate immunizations through comparing data in the IIS to provider charts. Maureen S. Kolasa, BSN, MPH, is Child Team Lead, Health Services Research and Evaluation Branch, National Center for Immunization and Respiratory Disease, Centers for Disease Control and Prevention, Atlanta, Georgia. James P. Lutz, MPA, is Public Health Advisor, Program Operations Branch, National Center for Immunization and Respiratory Disease, Centers for Disease Control and Prevention, Philadelphia, Pennsylvania. Abbey Cofsky, MPH, is Program Associate, Robert Wood Johnson Foundation, Princeton, New Jersey. Tanya Jones is Outreach Coordinator, Division of Disease Control, Philadelphia Department of Public Health, Pennsylvania. Corresponding Author: Maureen S. Kolasa, BSN, MPH, Health Services Research and Evaluation Branch, National Center for Immunization and Respiratory Disease, Centers for Disease Control and Prevention, 1600 Clifton Rd NE, Mail Stop E-52, Atlanta, GA 30333 (firstname.lastname@example.com). Disclaimer: The findings and conclusions in this report are those of the authors and do not necessarily represent the views of the Centers for Disease Control and Prevention, US Department of Health and Human Services. The authors thank Yuan Kong and Fan Zhang for their work in conducting data analysis. The authors also thank Alexandra E. Ossa, MPH, for her review of this work. © 2009 Lippincott Williams & Wilkins, Inc.


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Toronto Blue Jays vs. Los Angeles Dodgers - 5/6/16 MLB Pick, Odds, and Prediction
Los Angeles Dodgers (14-14) at Toronto Blue Jays (14-15)
MLB Baseball: Friday, May 6, 2016 at 7:07 pm (Rogers Centre)
Kenta Maeda (3-1) (1.41) vs. M Stroman (4-0) (3.77)
The Line: Toronto Blue Jays -140 / Los Angeles Dodgers +130 --- Over/Under: 8.5 See the Latest Odds
The Toronto Blue Jays look to keep rolling after putting on a clinic against the Rangers as they welcome the Los Angeles Dodgers to the Rogers Centre starting on Friday night.
The Dodgers head north into Toronto looking to silence the Blue Jays' red hot bats and they have the remedy as Kenta Maeda will get the nod as he looks to continue his excellent start as he will face off against Toronto's ace, Marcus Stroman. The Dodgers head into this one with a modest 14-14 record but are 3-1 in Maeda's starts and the rookie sensation has a sparling 1.41 ERA but will face his stiffest test of the season as the Blue Jays have the league's best lineup and after a sluggish start for them they look as though they are starting to piece things together in this home stand.
USA TODAY Sports
The Blue Jays are still a game under the .500 mark but thanks to an underwhelming start from the rest of the division they are still very much in the mix in the early stages of the season and are starting to look like the team that took the league by storm last season. Toronto will send Stroman to the mound who is 4-0 to start the year and always seem to play well when feeding off of the energy at the Rogers Centre and while Maeda has looked very good so far you have to think the edge on the mound lies with the Blue Jays.
The Dodgers are 5-2 in their last seven road games, 1-5 in their last six following a loss, and 0-4 in their last four games against a righty, while the Blue Jays are 5-1 in their last six interleague games against a right handed pitcher, 1-6 in their last seven games on a Friday, and 7-1 in Stroman's last eight starts on four days rest. The Jays are red hot and put up 15 hits against the Rangers yesterday and while they will likely fall short of that number on Friday I do think they get to Maeda and notch Stroman's fifth win of the year.


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A plan has been made.
Friday, January 24, 2014
So I spent most of the day yesterday working on my plan for the next 7 and a half months. It's a big plan. I will be training for the biggest longest race to date. I will be doing a Half Iron Man!
In the middle of August.
I'm excited and scared at the same time. I know I can do it, I will have to train for it but I know I can. I have done all of the parts and peaces of it in the past. Just not all at the same time. I also what much skinnier than too.
With implementing this plan I should be able to loose the weight by the time the race happens. It's enough time to get me down to 150 before the big race day.
The plan is to loose about 2 lbs a week. That should get me to 'race weight' (not my ultimate goal weight) a month before the race.
So far this week I'm off to a great start. Right now we are watching what we eat (for real again) and have drastically cut back on the liquid calories. I know it's mostly water weight right now but it's coming of rather quickly. Which is very encouraging and motivating. It's the first time in months that the scale has moved the right way for more than one day.
I weigh in daily, but only track weekly. I'm not sure what my 'tracking date' will be yet. I started this on a Tuesday I think.. I'm use to Monday weigh in so we shall see.
This next week is all about starting the routine I've put in place. The first full week of February I will start the full on training.
Last night was run night, and I did make it out with my group. I was very firm on what I was going to do and not do with them. There was three that ran at my pace. I pushed them they pushed me. Oh and the WIND! We have a major wind storm out here. 30 mph sustained with gust any where from 50-100mph. There is no rain or moisture. It is cold though 41 the wind chill put it at 30 degree. But a 3 mile run we got in!
So there you have the start of the plan. I will be blogging my way through this to help keep me accountable. Feel free to follow along.
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Good for you for coming up with a plan and starting right!
1399 days ago
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good for you on digging in and working out under what I would call - yucky circumstances. I bet you burned extra calories fighting the wind!
1399 days ago
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Awesome job on the run in the cold and wind!
Good luck with your plan. I have no doubts about you reaching your goals!
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mechanical engineers in Solon, OH
Patriot Engineering Co16937 Munn Rd, Chagrin Falls, OH map
Stork Herron Testing Labs5405 E Schaaf Rd, Cleveland, OH map
M P Technologies Inc8000 Snowville Rd, Brecksville, OH map
Tech On Call1300 E 9th St, Cleveland, OH map
Stanley Air Tools5335 Avion Park Dr, Cleveland, OH map
Davis Industries Inc17305 Miles Ave, Cleveland, OH map
Hull & Assocs Inc6161 Cochran Rd, Solon, OH map
Tatman Associates Inc29015 Solon Rd, Solon, OH map
Interdesign30725 Solon Industrial Pkwy, Solon, OH map
Bedford Associates5040 Richmond Rd, Bedford, OH map
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text: Seymarti V was the fifth planet of the Seymarti system.[2] This article is a stub about a planet. You can help Wookieepedia by expanding it. AppearancesEdit Honor Among Thieves (First appearance) Notes and referencesEdit ↑ 1.0 1.1 1.2 Star Wars: The Essential Atlas Online Companion on StarWars.com (article) (backup link) ↑ Honor Among Thieves Retrieved from "http://starwars.wikia.com/wiki/Seymarti_V?oldid=7249248" Ad blocker interference detected! Wikia is a free-to-use site that makes money from advertising. We have a modified experience for viewers using ad blockers Wikia is not accessible if you've made further modifications. Remove the custom ad blocker rule(s) and the page will load as expected. Categories: Legends articlesPlanet stubsColonies planets


text:
what about these conjoined twins?
and once again a visit to the landing strip leads me to the little man in the boat...
This thread hurts my feelings.
Plus, if you do a good job, and she does climax, then even if you are not at your best she still has nothing to complain about.
That, and you are far more likely to get some return oral action if you take care of her first.
Maybe I've been lucky, but all the women I've ever been with believed in personal hygiene. (I never once experienced a "tuna boat" moment with any of my partners.) Personally, as long as she's clean and healthy, I love a woman's natural scent and taste.


text:
Two men were wounded late Monday in Southcrest in what police said was a gang-related shooting.
The victims, ages 25 and 37, were sitting on a porch on Boston Avenue near South 40th Street about 11:45 p.m. when an unknown number of people approached them and opened fire, San Diego police said.
One of the men was hit in the back, arm and calf and the other was struck in the ankle, police said.
Gang detectives are investigating. No description of the attackers was given.


text:
Starting May 1, we will be offering businesses the opportunity to get their brands in front of at least 5,000 other business for as low as $25 a month for a 125 x125 ad. You can submit your ready to post ad or request our design services. Ads will run from the first of the month to the end of the month. Check out our rates below. Contact The Write Design Company at (877) 570-5228 or firstname.lastname@example.com for more information.
|Ad Sizes and Options
|125 x 125 ad
|$25 per month
|The ad will be displayed on blog for one month
|125 x 125 ad and blog article
|The is a one-time article that will be posted on the blog
|Home page
|$75 per month
|This ad will rotate on the home page
|Home page ad and blog article
|The is a one-time article that will be posted on the blog
|Ad Design Rates
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|Starts at $100 per month
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text:
Tropical Bamboo
If an image is available for a paticular
species, the plants name in the left collum will be clickable.
As images become available they will be added in each of the
6 galleries.
scale 1 - 5 = full sun
Genus of tropical and subtropical clumping bamboos,
usually giant, with numerous branches at a node, one or two
much larger than the rest. New shoots appear in late summer
or fall in their native areas.
Tall, shrubby or climbing bamboos with
generally slender, stiff and thin-walled culms. From India;
China; Madagascar; Malasia & Indonesia.
Giant tropical clumping bamboos similar
to Bambusa
Giant, tropical, clumping bamboos similar
to Bambusa. G. atroviolacea; G. atter; G. robusta; and G. pseudoarundinacea
were formerly all considered to be forms of G. verticillata.
Rarely flower or come true from seed; may be "natural hybrids."
A genus of moderate size, tropical clumping
bamboos with rather small leaves and persistent culm sheaths.
ABS SoCal ::
Contact the Webmaster: Roy Wiersma Ph.D.


text:
Mine Engineer
Research mines to discover minerals and the best ways to get them out.
Designs and drafts plans and estimates costs for installation of fire protection systems for facilities and structures, applying knowledge of drafting, physical science, engineering principles, and fire protection codes: Analyzes blueprints and specifications prepared by ARCHITECT 001.061-010 to determine dimensions of system to meet fire protection codes. Determines design and size of system components, using calculator or computer. Drafts detailed drawing of system to ensure conformance to specifications and applicable codes. May negotiate relocation of system components with SUPERINTENDENT, CONSTRUCTION 182.167-026 to resolve conflicts of co-location with other systems. May inspect fire-damaged structures to detect malfunctions. May specialize in one type of fire protection system, such as foam, water, dry chemical, or vaporous gas or specialize in one type of establishment, such as construction, insurance, or government.


text:
Syn Value: Greens Carmelle Creme Caramel
Discussion in 'Weight Watchers - Weight Loss Diaries' started by Dobsie, 2 June 2010 Social URL.
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MiniMins.com is a weight loss support community helping each other on their weight loss journey. We have a multitude of forums, from Slimming World and Exante, to Success Stories. Click the logo at the top right to return to the forum home page at any time.
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text:
- Joel Giddens,
- W. E. Adams and
- R. N. Dawson2
Tall fescuegrass (Festuca arundinacea) was seeded in Cecil sandy loam for 5 years in separate plots. Established fescuegrass plots were plowed and planted to corn during the same period. In 1968 both areas were plowed and planted uniformly to corn (Zea mays). Total N, carbon, organic residues, bulk density, and aggregation were determined on the soils of both areas. Soils from both areas were planted to sudax in the greenhouse.
Yields increased from 2,728 kg/ha for continuous corn to 5,940 kg/ha for corn following 5 years of fescuegrass. After destruction of sod, corn yield decreased in 5 years from 5,018 kg/ha to 3,205 kg/ha. Sudax yields showed similar trends. Topsoil N .increased from .047% to .088% as result of grass, and decreased from .078% to .054% as result of turning the grass. Soil carbon showed similar relationships. Soil bulk density and aggregation were not significantly affected by treatments. It was concluded that nonsymbiotic N fixation accounted for part of the nitrogen increase in fescuegrass sod and nitrogen conservation the remainder.Please view the pdf by using the Full Text (PDF) link under 'View' to the left.
Copyright © . .


text:
Game Credits
|Darksiders II: Deathinitive Edition (2015)
|(Additional Art and Animation)
|The Walking Dead: Survival Instinct (2013)
|(Environment Artists)
|Darksiders II (2012)
|(Additional Art)
|Darksiders II: Deathinitive Edition (2015)
|(Gunfire Games LLC)
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text: Sorting type: Most visited Most visited Alphabetical | A listing of all the Code Geass OVA with articles on them in the Code Geass Wiki. Pages in category "OVA" Code Geass: Akito the Exiled Code Geass: Oz the Reflection Code Geass: Nunnally in Wonderland Subcategories Code Geass: Akito the Exiled Retrieved from "http://codegeass.wikia.com/wiki/Category:OVA?oldid=36199" Ad blocker interference detected! Wikia is a free-to-use site that makes money from advertising. We have a modified experience for viewers using ad blockers Wikia is not accessible if you've made further modifications. Remove the custom ad blocker rule(s) and the page will load as expected. Categories: Media Add category Cancel Save


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Earth and Planetary Sciences
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Article Selection: Earth Sciences in China - Celebrating high impact content from China
Earthquake prediction & mitigation collection - answering the big questions
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Anthropocene Editors' Choice – view a selection of hand-picked authors' research and scientific articles
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Uncertainty and Sensitivity in Surface Dynamics Modeling
Sun, 1 May 2016 00:00 GMT
Computers & Geosciences, Volume 90, Part B, pages 1-172 (Publication: May 2016)
Edited by James Syvitski, Albert J. Kettner
Geospatial Sciences - Acquisition and Processing for 21st Century Geomorphological Challenges
Sun, 1 May 2016 00:00 GMT
Geomorphology, Volume 260, pages 1-98 (Publication: May 2016)
Edited by C. Gomez, T. Oguchi, I.S. Evans
Cascading Dense water Flow and its Impact on the Sea Floor in the Adriatic and Aegean Sea, Eastern Mediterranean
Sun, 1 May 2016 00:00 GMT
Marine Geology, Volume 375, pages 1-160 (Publication: May 2016)
Edited by Jacopo Chiggiato, Katrin Schroeder, Fabio Trincardi


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A Marikina teacher has gone missing after he made ominous posts announcing his own death.
Paul Anthony Miranda Esguerra, seemed to be quite fixated with death in a series of posts he made in the evening of February 5. He has since disappeared and family and friends have already reported him as a missing person.
Esguerra, 26, graduated from University of the Philippines with a bachelor's degree in History and is currently teaching in APEC Schools Marikina.
From his Facebook feed, Esguerra did not look like a person with deep emotional troubles. His pictures depicted him as someone with a lot things to keep him busy with. He even participated in the recent rally protesting the burial of Marcos in the Libingan ng mga Bayani.
Yet that night, the seemingly lively online facade turned grim when he started posting messages about his death. One of his posts said, "Dead is the new sexy."
Another one is seen saying, "Goodluck finding my corpse."
According to the Facebook status, the location from which he made these announcements were from Nangka, Quezon City.
Michelle Marie Mendoza, Esguerra's partner said, "He told me that he will be going to a birthday party and have appointments with different persons/friends. He went home first in his family residence in Project 4, Quezon City. By 5 p.m., he left wearing checkered polo, maong pants and black leather shoes."
His cousin, Gary Joran Mayoralgo, also sought the help of netizens through a Facebook post dated February 7:
My cousin Paul Anthony Miranda Esguerra (height 5'4", age 26) has been missing since Sunday and
none of his family and friends have been able to contact him. According to his family, he was set to go to one of his friends' party but has not gone home since then. His last known whereabouts based on his latest recent Facebook posts are either Manila Bay, Nangka Marikina or Cubao."
According to Mayoralgo, those who have seen or have any leads regarding Esguerra's whereabouts may contact him or Esguerra's sisters at 09288514531, 0920 484 2005, or 0916 418 1615.
Mayoralgo pleaded with his cousin at the end of his post in case he was reading, "Paul, please come back. We're all really worried."
The post has since been shared over 8,000 times.
So what can you say about this one? Let us know your thoughts in the comment section below, and don't forget to share this blog post to your family and friends online. And also, visit our website more often for more updates.