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Kaua`i Hula Classes
Pua Kaholokula
Puamohala Kaholokula offers classes in Hula Kahiko and Hula Auwana at her home in Kapa'a on Monday and Wednesday.
Sally Jo Keahi Manea
Sally Jo, widely known to Ka 'Imi members as Keahi, started her hula study during the summer at age 8 by taking hula classes from a Navy wife at the Naval Air Station in Jacksonville, Florida. When she was 13, her father was transferred to Pearl Harbor and the family moved to Hawai`i, where he later retired; Keahi has lived in the islands ever since. She continued hula in her early teens, and again when attending University of Hawai`i.
In 1978, after moving to Kaua`i, Keahi began hula classes in Kaumakani with Roselle Keli`ihonipua Bailey and was invited to join the performing team the next year. Under her direction, she was privileged to perform at Merrie Monarch three times during those years, as well as the 150th anniversary of the founding of Lahainaluna School, and many other venues. After taking a decade-long break, Keahi returned to hula with Roselle, and began teaching hula classes at Kapa`a, Kaua`I, in 1996, continuing until retirement in 2011.
Kealamailapakalana (Joanne) Parangao started her hula studies with Roselle Bailey when she was attending Waimea High School. For the past several years she has been teaching Hula at that same High School. She leads hula classes in the Band Room after school hours for interested youth and adults in the community
Tuesdays at Waimea High School band room
4:30 to 5:00 beginners
5:00 to 6:30 teens and adults
Contact: jparongao
808 651-5032


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Patrik Schumacher in conversation with Loreto Flores
Published in: revista de arquitectura, numero 23, Arquitectura escrita – Written architecture
Facultad de arquitectura y urbanismo de la Universidad de Chile, primer semester 2011
Patrik Schumacher is partner at Zaha Hadid Architects, director of the Design Research Lab (DRL) at the Architectural Association School of Architecture in London and professor in several European universities. During almost 15 years he has developed these activities in parallel, which has enabled him to think experiment and practice architecture on the avant-garde side. This experience encouraged him to write "The Autopoiesis of Architecture". This is a comprehensive treatise –he stated – whose main purpose is to attempt a complete discourse analysis of architecture. His stimulus was an amalgam of writings and face to face conversations with students, professors, colleagues, and partner Zaha Hadid. However the crucial inspiration came from outside architecture, from the work of sociologist Niklas Luhmann and the Chilean biologists Humberto Maturana y Francisco Varela. He stated: "The book, although of true significance to architects, might also be able to resonate within different disciplines interested in architecture and design as expressions of contemporary culture".
P. Sch.: Before answering your interesting and insightful questions I would like to express my admiration of the work of Maturana and Varela. The concept of autopoiesis and Maturana's expansion of the concept of cognition has been extraordinarily productive. The same goes for Varela's concept of the embodied mind.
1) LF: You have stated that the spirit and mission of "The Autopoiesis of Architecture" is to produce an impact in the architectural arena by the presentation of a comprehensive theoretical system. Why is important to create this systematization and which are the implications in today's international architectural scene?
P. Sch.: The urgent need for a new great systematization of the discipline's intellectual resources is related to the ambition to push the current convergence in architecture's avant-garde – Parametricism – into the mainstream. Going mainstream implies taking full responsibility for the further development of the built environment. This requires a comprehensive reflection and reassurance of architecture's fundamental values, methods and repertoires, on the basis of an understanding of architecture's societal function. This also requires us to theorize how this general function poses concrete tasks in the current historical context: Post-fordist network society.
The fact is that the autopoiesis of architecture - architecture as discourse, academic discipline and profession - has not stamped its imprint on the global built environment since the demise of Modernism. Thirty years of experimentation in the avant-garde segment of architecture have yet to produce results that decisively impact world civilization.
My systematic and comprehensive treatise is supposed to embolden and guide the current avant-garde in making a bid for mainstream hegemony.
2) LF: If architecture is constituted by its own autonomous discourse, Why the decision of using terms from other disciplines? Which is the advantage of understanding architecture as an autopoietic system?
P. Sch.: Architecture's autonomy implies architecture's discursive self-determination. Neither philosophers, scientists, politicians, nor clients, can command architecture. The discipline is autonomous in its effort to keep itself relevant and productive. However, in order to survive the discipline indeed has to stay relevant and productive for society. This is what Luhmann terms "openness through closure". The discipline has to observe and interpret its societal environment, in order to respond pertinently, on its own terms. Autopoiesis, self-referential closure, is a precondition for more sophisticated, productive responses to the challenges of society. A similar relationship of observation and interpretation holds also between architecture and philosophy, as well as between architecture and science. Architecture observes these disciplines with a view towards finding inspiration and guidance for upgrading its own intellectual capacities. Especially philosophy is a great resource. In fact, philosophy acts as an intellectual exchange hub for intellectual resources, for conceptual schemata, methodological principles etc. Philosophers abstract and generalize the most advanced schemata and tropes from the various individual disciplines. Architecture cannot insulate and exclude itself from the general intellectual development. However, when it adopts concepts and forms of argumentation it does so on the basis of its own needs, interests and criteria of relevance. Adoption is here always interpretation and adaptation. What counts is that the imported concepts make sense within the field. This is judged internally, within the autopoietic discourse of the discipline, without appeal to outside authority. The same applies to the specific adoption of the concept of autopoiesis in my discourse. The responses within architecture matter now, not the authority of experts on auotopiesis theorist outside of architecture. This stance and insight is the very insight/stance Luhmann formulated via his appropriation of the autopoiesis concept into sociology. What the advantages are of using the concept as basic concept within an architectural self-description cannot be summed up in a few words. Certainly, architectural self description on the basis of communication theory benefits from the theoretical power of Luhmann's theory of society.
Ultimately the achievement/success of the book as a whole must tell us.
3) LF: You mentioned that "the attempt to construct a unified theory across a field of special theories is testing the field for consistency" What is your first conclusion about this after you have finished the first volume of the book?
P. Sch.: No, a unified theory is not testing the whole field for consistency; it can only test the author's views and ideas or perhaps a certain movement's ideas. Although architecture is a single system of communications it is full of conflicting opinions and theories. A system of communications exists as long as all these conflicting communications and contradictory theories reference each other and debate with each other. A unified theoretical system is another matter. It is a matter of selecting a coherent subset from the totality of circulating theories. This subset should be comprehensive in the sense of covering all aspects, questions and tasks of the discipline. I believe, until challenged and proven wrong, that I have succeeded in constructing a unified theory in this sense. The lynchpin of the system is the explication of architecture's societal function.
4) LF:"A comprehensive and coherent perspective is what is required to offer effective leadership to a large firm working innovatively across the full spectrum of programmatic tasks" Is this lack of coherence what has reduced the importance of architects in contemporary urban process? How do you conceive our role as professionals nowadays?
P. Sch.: Yes, this is my assessment. Architecture lacks impact and importance because our avant-garde is not yet fully geared up to make its mark globally. A confident, comprehensive and coherent perspective is what is required to regain impact and importance. Within Zaha Hadid Architects we have achieved a coherent agenda of innovation across programmes and scales. But a single firm, or a small group of firms, cannot shift the physiognomy of the global built environment. We need the discipline as a whole - or at least significant segments of it - to progress in the direction mapped out by us and others working within the new paradigm of Parametricism.
5) LF: "Architecture as a system of communications is neither a mere collection of artifacts, nor a mere form of knowledge, nor merely a particular professional practice. Rather it encompasses all three categories: artifacts, knowledge and practices – all understood as communications that connect to each other in an ongoing recursive network." However our way to communicate with society and as you also said our way to serve society is trough buildings. How can we also give importance to our theoretical discourse?
P. Sch.: Architectural theory is only for architects, it is a part of architecture's internal discourse. I do not expect that a broader audience takes much interest in architectural theory. Architectural theory is an expert discourse. I wrote my book for architects and architectural theorists only (as well as for all designers). There is no need for the general public to understand architectural theory. Architects communicate to wider audiences via buildings and designed spaces. Buildings and spaces constitute a very specific type of communication: they are ordering and framing communications that act as framing premises and priming invitations for (face to face) communicative interaction between people co-present in space.
The societal function of urban and architectural design is the innovative ordering and framing of social communication.
6) LF: According to the theory of architectural autopoiesis –classical antiquity marks the first emergence of architecture but the Italian Renaissance is the historical moment that marks the true onset of the autopoiesis of Architecture. Following this, Do you consider vernacular constructions as part of the autopoietic system of architecture
P. Sch.: No, vernacular constructions do not belong to architecture. I strictly distinguish between tradition bound building and architecture as an innovative, theory-led discipline based on the separation of design and construction. This separation happened with the Italian Renaissance. Only then did architectural design emerge together with drawing, theory and named architect authors. This was the big bang of architecture's arrival delivering an enormous acceleration of the evolution of the built environment in line with the rapid development of society. Never before were buildings fully designed and discussed on paper. The move into the medium of paper and the utilization of perspective allowed for the emergence of a critical, speculative design discourse. Buildings are architectural communications only insofar as they are embedded in and respond to the discipline's discourse.
A vernacular structure or system of construction - although per se not architecture - can be brought into the discourse if an architect or architectural theorist references such structures within his/her discourse. This happened for instance when Bernard Rudofsky published his book "Architecture without Architects". It takes an architect or architectural theorist to bring vernacular buildings into the domain of architecture. There can be no architecture without architect/author as its point of reference.
7) LF: Why should Architecture Schools become experimental laboratories? What is their role within the autopoiesis of architecture?
P. Sch.: The role of some (but not all) architecture schools is to conduct architectural design research and so to contribute to architecture's avant-garde segment. (Those schools that are merely providing training without innovative contribution belong to the education system rather than to architecture.) Since there are no dedicated research institutes within architecture it is the schools as well as avant-garde firms that have to take on the task of research and experimentation. Only via the differentiation into avant-garde and mainstream can architecture cope with the accelerating demand/pressure for future adaptive innovations while delivering established state of the art practice with respect to all immediate tasks.
8) LF: "The limits of our design language are the limits of our design thinking. How we represented architecture determines how we anticipate (design) architecture." Is Parametricism the latest extension of our limits of architectural thinking and also designing?
P. Sch.: No, Parametricism is a style rather than a design medium. It is the design medium that defines the limits of our design thinking. However, Parametricism depends on the new design media and it is (therefore) the style that makes the most of the expanded universe of possibilities afforded by the new media. The new computational design media have indeed shifted and expanded the limits of our design thinking. I am talking about subdiv and nurb modeling, about dynamical (quasi-physical) systems like fluids, hair dynamics or cloth. More importantly, I am talking about the whole world of associative modeling. The idea and possibility of scripting associations (dependencies) between the variables of a parametric model opens up a whole new universe of design thinking – the thinking in terms of variations and correlations, as well as in terms of geno-types that contain the virtuality of an infinite variety of pheno-types. The very status and meaning of a design representation or model changes: it is just a fleeting moment or point in a co-present continuum of possibilities, a pheno-type of an underlying geno-type that is the topological and logical structure of the model.
9) LF: If Parametricism produces an open and more flexible design process; Can it be recognized as a more democratic way to design? Which are the differences with Modernism?
P. Sch.: I would not say that Parametricism is a more democratic way of design. I'd rather say it is a more versatile and adaptive way of design. It can (but must not) work via bottom up, emergent processes, e.g. when using generative scripts or agent based systems. Modernism is always a deliberate top down process, whether it is moving via aggregation from the inside out or via substraction and division from the outside in.
Modernism's compositional primitives are the same as those of classical architecture: rigid geometric figures like cubes, cylinders, hemi-spheres and pyramids. Modern compositions are always restricted to a handful of these figures.
In Parametricism all elements of architecture become parametrically malleable. This allows them to be adaptive to each other as well as adaptive to contextual conditions. Instead of repetition Parametricism promotes iteration and differentiation. Instead of mere juxtaposition Parametricism promotes correlation. Every action calls forth a reaction. In this way deformation encodes information. All this has contributed to Parametricism's great achievement: the intensification of relations both within the building and between the building and its context. This intensification of relations is architecture's answer to society's increased complexity and increased demand for communication.
Post-fordist network society is characterized by an increased diversity and complexity of communication scenarios. It is the latest/current stage of modern, functionally differentiated society. To remain productive within this society requires a new level communicative intensity from every individual. Everybody's path must be continuously coordinated and updated within a complex network. The pertinent architectural expression of this is the field of simultaneity, i.e. urban spaces where a rich variety of communicative offerings are simultaneously presented. The visual field is layered in all directions, in front, above, below. This rich manifold is ordered according to gradients and laws of correlation so that hidden layers can be inferred from visible layers. Navigation and orientation are key, as well as the atmospheric priming of social interaction. This poses three key aspects of architecture's task, the aspects of organization, articulation and signification, together constituting architecture's core competency. This leads us from modern space to parametric fields.
10) LF: Considering today's global agenda, How does Parametricism address sustainability issues?
P. Sch.: The ecological challenge referred to above is among the defining moments of our epoch. Its impact on contemporary architecture and urbanism is second only to the challenge posed by the dynamic and complexity of Postfordist Network Society. Indeed, the general paradigm of "eco-systems" applies to both, and is embraced as founding paradigm of Parametricism. The same design concepts, techniques and tools of Parametricism that allow contemporary architects to ramp up the communicative complexity of the built environment are also congenial to the agenda of optimizing architectural forms with respect to ecological performance criteria. Morphological output variables can be programmed to respond to environmental input parameters. For instance, a data-set like a sun exposure map that maps the radiation-intensities a facade is exposed to during a given time period can become the data-input for the adaptive modulation of a sun-shading system. As the system of shading elements wraps around the façade the spacing, shape and orientation of the individual elements gradually transform and adapt to the specific exposure conditions of their respective location on the façade. The result is a gradient, continuously changing façade pattern that optimizes sun-protection relative to light intake for each point on the façade. At the same time, this adaptive modulation gives the building an organic aesthetic that also makes the orientation of the building in the environment legible and thus facilitates the comprehension and navigation of the urban environment. The differentiated articulation of the façade contains and transmits information about its position rather than remaining indifferent and blind. The same principle of conspicuous, adaptive variation and correlation is being applied to the activity and event parameters of the urban life process. The disorientating, generic neutrality and monotony of Modernism gives way to the ecologically adaptive eloquence of Parametricism.
11) LF: How Architecture can be an autonomous system and at the same time socially innovative?
P. Sch.: Only as autopoietic system can architecture be innovative. That's a fact of history. Before the emancipation of architecture the built environment was reproduced in the uncritical form of tradition bound building. It was suffused in the general reproduction of society and its institutions. At that stage of history - in the era of feudalism - political power, legal power, economic power, ideological power as well as control over the built environment were all together concentrated at the top of a stratified order. The emancipation of architecture emerged together with the emancipation of the other domains that now structure functionally differentiated society, i.e. together with the emancipation of the legal system, the economic market system, as well as science. All these systems are autopoietic systems. Since their emancipation (differentiation) the innovative development of society accelerated. Each system can develop its own dynamic without being held back by the other systems but with the obligation to adapt to each other, each on its own terms, and each finally judged (accepted or rejected) by the others.
12) LF: Before the launch of Volume I, you conducted a series of lectures for students. Which were the objectives and conclusions of those encounters? Do you aim for the book to be also material of discussion in architectural schools?
P. Sch.: Certainly, the book will be most relevant for those schools of architecture that see themselves as active, creative participants in architecture's progress rather than mere training institutions. The book addresses itself to architecture's avant-garde. This includes the most ambitious students.
The lectures were in fact seminars that allowed for a lot of feedback and questions. I think they were a learning experience for all those who participated, including for me. Volume I was finished but the discussions had a certain impact on Volume II which is now also finished.
13) LF: As the main thesis of the books states, architecture is a closed system that communicates with other subsystems, Do you think that this book will enable our discipline to be understood by others more clearly? Have you received any feedback related to this?
P. Sch.: I think the internal discourse within architecture is most important. However, it would be beneficial if our closest collaborators - the engineering disciplines that contribute within our design teams - would get a better sense of architecture's specific raison d'etre and societal function in distinction to their own role and concerns. Further one might hope that some interest develops in the broad field of cultural studies and cultural history. For me personally recognition within sociology would give me a lot of satisfaction. After all, the book contains a kind of sociologically informed discourse analysis of the discipline as societal function system. Sociologists could very well be interested. In fact, shortly after the publication of Volume I, I have been engaged in a long e-mail correspondence with the German sociologist Dirk Baecker. Baecker is sympathetic and spent time to read and discuss my ideas. After hard arguments, it seems, I could convince him of the general thrust of my account of architecture. His judgment is especially interesting as he was one of Luhmann's closest disciples and remains one of his most potent and original followers.
14) LF: "The Autopoiesis of Architecture", Volume II will be available this autumn. Can you give us an advance outline of the main issues that will be addressed in this second part? Did you make any change or include new topics after the feedback from Volume I?
P. Sch.: Volume I - subtitle: A New Framework for Architecture - introduces a new theoretical framework within which architecture may analyze and confront itself in terms of its most fundamental concepts, methods and values. Volume II - subtitle: A New Agenda for Architecture - continues to analyze architecture's discourse and proposes a new agenda for contemporary architecture in response to the challenges and opportunities posed by current societal and technological developments. The Volume ends with a manifesto for the new style of Parametricism, promoted as candidate to become the unified, epochal style for the 21st century.
The theory of architectural autopoiesis is a reflection-theory or self-description of architecture formulated from within architecture. As such its purpose is to contribute to the necessary self-steering of the autopoiesis of architecture. Like all reflection theories - e.g. economic theories, jurisprudence, the epistemologies formulated within science, political theories etc. - the theory of architectural autopoiesis oscillates between descriptive and normative modes of theorizing. By necessity, as committed inside communication, it is simultaneously a descriptive and a normative theory. By describing, conceptually systematizing, and reconstructing the rationality of architecture's history and current state, the theory gathers the necessary internal connectivity to make normative claims and projections plausible. The tension between descriptive and normative moments permeates the totality of "The Autopoiesis of Architecture". However, the balance between the two moments is struck differently in the two Volumes. From Volume I to Volume II, as we move from framework to agenda, the balance shifts towards the normative pole, and indeed includes more projective, speculative moments.
The manuscript of Volume II was closed early this year. Therefore there was not much time to react to criticisms. However, some of the feedback I got in response to Volume I allowed me to clarify and reinforce some points. But no fundamental challenge emerged that made me change my position. Critique mostly focused on Parametricism. Some critics regretted that I did push Parametricism within my general theoretical treatise. It is true that, as a general theory of architecture, the theory of architectural autopoiesis could be separated from Parametricism and indeed has value independent from any commitment to Parametricism. However, for me, the references to Parametricism afford an important (contingent but compelling) concretization. Theories need to be fertile, they must be probed and driven to make a difference for design practice, i.e. they have to intervene in the debate about the future direction of architecture. In Volume II the commitment to Parametricism becomes even more prominent and explicit, also offering specific guidance for the further innovative development of Parametricism. But, once again, most of the insights and arguments unfolded in Volume II can be appreciated and upheld without buying into my commitment to Parametricism.
Patrik Schumacher, "The Autopoiesis of Architecture, Volume I – A New Framework for Architecture", John Wiley & Sons, London 2011
(1)Patrik Schumacher studied philosophy and architecture in Bonn, London and Stuttgart, where he received his Diploma in architecture in 1990. In 1999 he completed his PHD at the Institute for Cultural Science, Klagenfurt University. He joined Zaha Hadid Architects in 1988 and is currently a partner.
In 1996 he founded the "Design Research Laboratory" with Brett Steele, at the Architectural Association School of Architecture in London, and continues to serve as one of its co-directors. Since 2004 Patrik Schumacher is also tenured Professor at the Institute for Experimental Architecture, Innsbruck University. Currently he is a guest professor at the University of Applied Arts in Vienna. His extensive theoretical writings are available on www.patrikschumacher.com
(2) Loreto Flores, Architect University of Chile and MArch Design Research Lab, Architectural Association School of Architecture (AA). Her work has been exhibited at the Beijing International Biennale, AA Projects Review and AA Open Jury exhibition in London and it has been also published in AD Magazine, "Collective Intelligence in Design" (2006) and "Architextiles (2006). "Netlab", her March thesis was awarded with the FEIDAD Design Merit Award 2006. She joined Zaha Hadid Architects in 2006 and since then she has been involved in several projects and competitions in France, Spain, China, Singapore and Egypt.
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2007 Dodge Charger - Consumer Review
Build Quality
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MOVIE SYNOPSIS [ General Audiences ] Being a creation directed by Igor Tesic, this movie in English (subtitles) was presented in 2014. This film written by Mihajlo Orlovic, Milan Gajic and Mario Culum was developed in Bosnia and Herzegovina. You can watch Uzdah na krovu online on TV cable or theaters with original audio in English at different dates. This film premiered in theaters in 2014.
Rating: 5 by 10 users./
Runtime: 55 minutes
Velimir Blanic, Zeljko Erkic, Natasa Ivancevic, Branko Jankovic, Dragoslav Medojevic, Renata Sarac, Radenka Seva, Zlatan Vidovic and Djurdja Vukasinovic.
55-minute film (full movie) directed by Igor Tesic.
The original audio of Uzdah na krovu has dialogues in Dolby Digital, it was produced in Bosnia and Herzegovina.
It premiered in cinemas or television in 2014.
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I would like to ask what should my client do with this file mentioned in the title, because he has a problem with insufficient disk space on drive D. This file's volume on disk is 72,2GB. Is this file some important file and is there some way how to decrease the volume of size on drive D? There is nothing else on it than some office files that cosumes just few GB.
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|30 Dec 2013
Microsoft Windows 7 Home Premium 64-bits 7601 Multiprocessor Free Service Pack 1
I would like to ask what should my client do with this file mentioned in the title, because he has a problem with insufficient disk space on drive D. This file's volume on disk is 72,2GB. Is this file some important file and is there some way how to decrease the volume of size on drive D? There is nothing else on it than some office files that cosumes just few GB.
You want to decrease size of D??? I think you want to increase instead(?)
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Seven Guidelines To help ease All of your Zosuquidar Difficulties
These early transition metal complexes have somewhat prolonged lived excited state singlets when compared to other transition metal complexes. In addition they normally display unusual dual emission further information (fluorescence and phosphorescence), with singlet (S-1) lifetimes that vary from 1 to 20 ps, and triplet (T-1) lifetimes from three ns to 200 mu s. The fluorescent S-1 states are usually (MLCT)-M-1 for the two M = Mo and W. These extended singlet lifetimes are uncommon for mononuclear transition metal complexes, which commonly have extremely quick lived (MLCT)-M-1 states as a consequence of quick femto-second intersystem crossing rates. Having said that, the T-1 states differ. This phosphorescence is MLCT in nature when M = W, though this emission comes from the delta delta* state for M=Mo.
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Available Digital-Editions of High Country News
Displaying 1-7
November 13, 2017
In a break from covering the news, our annual Books & Authors special issue offers perspective by taking a look at the complicated West through a different lens: literature. Essays, excerpts, author profiles, Q&As and book reviews tackle grief, oddities and hard questions.
October 30, 2017
In this issue of High Country News, long-time contributor Hal Herring explains how immigration policy and a push for cheap labor have changed the economics of forest management. Film critic Jason Asenap examines the history of non-Native directors relying on overused stereotypes of Indigenous people. In a place as complicated as the West, our understanding of what shapes it is ever-evolving.
October 2, 2017
This issue looks at human migrations, both modern and ancient. The feature examines the science of human migrations, with both Pueblo people in the Southwest and archeologists working together at Mesa Verde. An Alaskan Tlingit author writes about her own migration away from her homeland, and back again. And, a hunter on public lands follows the migration of deer to find food for her family for the winter. Movement is fundamental to humans, and just one way that we're still connected to the natural world.
No Hoax
In this issue, we confront the realities of climate change as its impacts on the West begin to unfold. We explore the longer growing seasons in Alaska, the fragility of shellfish in an increasingly acidified ocean and the impact of extreme weather events on indigenous people, and what they're doing about it. With an administration at odds with recognizing climate change, it's even more important to see what efforts are being made at the grass roots level.
The Elwha, Unleashed
In this issue, we look past the contentious symbolism of dams and see what we can learn from them. We examine the lessons learned on Washington's Elwha River, whose dams came down six years ago, and Utah's Bear River, where a diversion is still being planned. And we look at the surprisingly scant science behind calls to take down Glen Canyon Dam, which would be a major win for preservationists but a potential disaster for many Westerners.
Rooftop Revolution
This issue delves into the forces that shape our energy system – from corporate profit motives, to the individuals with solar panels on their roofs. These decisions affect our ability to mitigate climate change, which is also touched on in this issue from the Southwest's songbirds struggling with increased heatwaves, to volunteer firefighters battling more wildfires.
Los Promotores
This issue makes visible the communities who often go unseen and unheard. The feature looks at local activists in California who, without assistance from the government, have been doggedly trying to heal their communities from toxic dumps through education and community service. The issue also covers a new species facing extinction, dams in the West and enlivened efforts to drill near national monuments.


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Inspired at a young age by Colin Fletcher's 1967 book 'The man who walked through time', Will Bryan found a passion for adventure. Today Will often films documentaries of his own challenges and adventures, with the hope of inspiring others to adopt his 'no excuses' approach to making things happen.
2016 saw him take time away to focus on writing his first book, 'Cycle of Life – A Journey Against The Odds'. The book is set in two halves, the first detailing an open and frank account of being at the lowest point of his life as he battled with inner demons. The second half will take you on a pilgrimage of self discovery as he cycles over 2,000 miles from Scotland to Spain, fully self supported. The Scotland to Spain cycle ride will take place mid 2017, with daily updates on social media.
Also a public speaker, Will regularly contributes to his local community by giving talks and presentations. A firm believer in the benefits of skills coaching and the importance of maintaining focus, he has spoken in venues from churches and community centres, to schools and radio stations.
You can keep up to date with Will's challenges & adventures on Twitter and Instagram.


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4065 Smith Road, Onekama MI, 49675
Sold Price:
3 beds , 2 Full/1 Half baths
3,150 sqft
Status: Closed
Last Updated: 11/23/2017 9:29 PM
Description for 4065 Smith Road Onekama, MI 49675
Designed by highly regarded Northern Michigan architect, Caleb Luibrand, this 3150 square foot contemporary ranch home is a tour force of the perfect floor plan that addresses every convenience for comfortable family living, presented in an architectural style of varied roof lines perfectly combined with custom window designs. Artfully positioned within the contours of its 2.14-acre site approached by curving circular drive through park-like grounds, this residence exudes a welcoming aspect. From the charming covered porch entry one enters a 9 x 11 foyer that opens to the 34 x 32 Great Room space. To the right of this area is a wing devoted to den/library and master suite. To the east of the Great Room is a wonderful sunroom and access to wide deck overlooking perennial gardens. North wing
Sold Price:
Sold Date:12/04/2015
Onekama Twp
2 Full/1 Half
3,150 (approx)
Listing Information
Onekama Twp
Crawl Space
Softener Own
Generator, Electric, Natural Gas, Telephone
School Information
Room Information
Living Room
Island, Butler Pantry
Interior Features
Oven Built-in, Dishwasher, Dryer, Garbage Disposal, Microwave, Range, Refrigerator, Washer
Central Air, Ceiling Fan(s)
Gas Heat, Hot Water, Baseboard
Basement, Full
Insulated, Screened, Skylights
1, Gas logs
Security System
Exterior / Lot Features
Attached Garage, 3 Car Garage
Deck, Patio
In Ground Sprinklers
Garden, Corner, Paved Road, Public Roads, Wooded, Acreage
Driving Directions
North from Village of Onekama on M-22 to Smith Road. Home is hidden from view on south side of Smith Road just after you turn off M-22...no Realtor sign.
Financial Considerations
Listing Price History
Onekama Real Estate
Onekama is located in Michigan. Onekama, Michigan 49675 has a population of 406.
The median household income in Onekama, Michigan 49675 is $32,188. The median household income for the surrounding county is $40,408 compared to the national median of $53,482. The median age of people living in Onekama 49675 is 50.1 years.
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Jariah Bagley
|Let the memory of Jariah be with us forever
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The Red colour family contains 1 shade (Luocolor 4.65) designed to enhance the natural reflects of the hair. Because it's translucent, Luocolor is ideal for clients who are new to permanent hair colour and are perhaps nervous about trying it.
Luocolor features Nutrishine technology to keep hair nourished and protected and grape seed oil for radiance. Photo-reflective colour molecules give Luocolor its distinctive fresh colour and shine.
It's able to lighten up to 2½–3 levels and develops in just 20 minutes without heat and should be mixed in a 1:1.5 ratio with Luocolor Releaser for best results.
Comes in a 50-ml tube.
7.5% (25 vol) cream peroxide that's specially formulated to get the best results from L'Oréal Professionnel Luocolor.
Comes in a 1-litre bottle.
Whether you go for classic Black or gorgeous Purple this tint bowl has a non-slip base and a secure rubber grip.
Graduated up to 360 ml (12 fl oz).
Fun and functional tint bowls with a non-slip rubber base.
Available in black or red.
Our standard tint bowl has a vertical handle for secure grip and is graduated on the inside up to 250 ml (6 fl oz) to make it easy to mix the right quantities of tint and developer.
Available in black or pink.
Sibel's tube squeezer makes it easy to measure out the right amount of tint and ensures that you get every last bit out of each tube.
Choose from the great-value, blue plastic version or the more robust metal one.
Revitalise your tools with our professional services
Copyright © 2005-2017 CoolBlades.


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Well, it was fun while it lasted. Chrysler has pulled the plug on its Viper GTS-R racing program. The final outing for the two-car Viper GTLM team in the United SportsCar Championship was last weekend's Petit Le Mans at Road Atlanta.
United Sportscar Racing
Fox Sports, United SportsCar Championship announce 2014 TV schedule
Back in August, it was announced that Fox Sports would be picking up the entirety of the United SportsCar Racing Series as part of a five-year deal. This made us very happy, not only because the combination of the American Le Mans Series and Grand-Am Series promised some great racing, but because with the closure of Speed TV, there was genuine concern that we'd lose a big source of televised racing that didn't involve oval tracks.
Daytona decision reversed, Level 5 Motorsports reinstated as class winners [w/video]
After its first ever race at the Rolex 24 at Daytona, we can already tell that there should be plenty of excitement in the newly formed United SportsCar Racing series. Of the four competing classes, three of the winners came down to close last-lap performances, but perhaps none were as close – or controversial – as the GT Daytona (GTD) winner. Spoiler alert.
Ford EcoBoost V6 hits the dyno before hitting the track
Ford Racing just unveiled the Riley Daytona Prototype that will make its racing in the United SportsCar Racing Championship Rolex 24 at Daytona in January, and now it has released a video showing development of twin-turbo 3.5-liter EcoBoost V6 that powers the car. Using the same block and heads that can be found on a production Ford Taurus SHO, this new racecar benefits from the collaboration between Ford Racing and Ford powertrain engineers.
You can now buy your very own DeltaWing
DeltaWing Racing Cars has announced that three DeltaWing coupes are for sale to customers who intend to compete in the 2014 United SportsCar Racing series, a new US-based racing series that combines the American Le Mans Series and Rolex Sports Car Series. Élan Motorsports Technologies will build the pointy racing coupes, which will debut on September 19 at the Circuit of the Americas in Austin, Texas, for an ALMS race.
Combined ALMS/Grand-Am series books TV deal to air entire season on Fox Sports
With Speed TV switching over to Fox Sports 1, there's been a fear among auto enthusiasts that we would be losing out on an easily accessible source for motorsports. A freshly inked agreement between IMSA and Fox, though, should put minds at ease. The deal, which was announced today will see the new United SportsCar Racing come to the new channel. United SportsCar Racing is the entity that emerged from the merger of the Grand-Am Series and American Le Mans Series.
GRAND-AM, IMSA announce deal to bring DTM racing to US
It won't be until 2015 at the earliest, but the International Motor Sports Association (IMSA), Grand-Am and the Internationale Tourenwagen-Rennen have agreed to a licensing and cooperation deal that could bring a version of Germany's DTM series to the US.
Lamborghini Super Trofeo one-make racing series coming to America
Starting in June, racing fans in North America will have another way to get their fix. Lamborghini is bringing its Super Trofeo series to the US and Canada in a "long-term" deal that kicks off in a six-race season this year and should bring some extra excitement to the newly formed United SportCar Racing series in coming years.


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Call Celeste Taylor at (800) 437-6178
Say that you are are calling about a company posting on MobileHomeParkStore.com.
Cirus Development
Cirus Development
Mobile Home Park Construction
Cirus Development
Mobile Home Park Construction
17300 Red Hill Avenue, Suite 280
Irvine, CA 92614
|(949) 852-5582
|Web Site:
Whether it is the build-out of a tenant suite or the development of a 300-site manufactured home park, Cirus Development provides all essential development services from groundbreaking to final occupancy.
Formed in 1986 to handle the needs of Newport Pacific Capital and Modular Lifestyles, Inc., Cirus Development has branched out to include consulting work, home setting and installation, new construction of park facilities (clubhouses, recreational buildings, etc.), custom-built garages and manufactured home park subdivision development. Energetic administration of service, construction and purchasing agreements is an essential component of successful development operations. Our goal is to ensure that you receive quality workmanship, reduced liability and cost-effective services. Let Cirus Development help you unlock the hidden value in your property!


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At the times, when we feel that Bollywood is severely bound to prototyped style of presenting rich-colorful movies sans substance, it surprises as vividly. A couple of weeks, we had the arrival of Race-2 that was laced with a brilliant writing and stylish picturing. Now it's a high time for Akki fans as the actor comes around a different role from his previous movies. He might have been an Action King, but this time draws us into the film being brainy rather than getting brawny.
The story is based on the real life incident that happened in March 1987, where a bunch of crooks posing as CBI officers carried on with their heists.
This real life incident fictionalized revolves around Ajay (Akshay Kumar), a sharp minded personality hatching stunning plans with his team of Sharmaji (Anupam Kher), Iqbal (Kishore Kadam) and Joginder (Rajesh Sharma) loots the money from politicians and big shots in the business. Things get pulled tight, when a CBI inspector Wasim (Manoj Bajpayee) along with a sub-inspector (Jimmy Sheirgill) begins their hunt on these common.
But again, it becomes a puzzling moment for everyone watching the film who's the real goodie and baddie.
If you're one among us, just go watch the film for its thrill moments.
When someone comes up with a story beyond radical norms, it heavily banks on the writing. Of course, Neeraj Pandey had already proved his adeptness in debut film 'A Wednesday', a film with two old versatile actors, yet captivated the attention of universal audiences. We wouldn't say 'Special 26' is an 'A Wednesday' for the latter one is a masterpiece and this one turns to be a commercial entertainer albeit its inspiration from real incidents. The screenplay becomes the greatest asset here as we are kept intact from beginning till end. Anupam Kher as usual walks away with praises adding more to the humor element in the master plans of Akshay. Manoj Bajpayee looks serious adapting to the situation and Jimmy Sheirgill is stunning and decorous in his performance. Kajal Agarwal gets a meaty role when compared to South movies. In fact, the south filmmakers should learn to portray her beautifully rather than asking her to pose in skimpy costumes.
On the technical front, we must appreciate cinematographer Bobby Singh for a fantastic job of canning Delhi and Kolkatta in late 80s' ambience. The tone and setting of film indeed take us back to that era.
Neeraj seems to have intentionally added up few songs to refresh the audiences from serious chases and thrill moments, but it could have been avoided.
Overall, Special Chabbis doesn't carry out something serious to think as we walk out of theatres, but take the delightful moment of watching a taut thriller laced with engrossing moments.
Verdict: Come and get involved in this heist
Review by Richard Mahesh
Actor Prashanth has been deliberating looking up for a better hit that would mark his comeback in...
There has been a lot of speculation happening around Vikram's next after his magnum opus 'Ai'. While...
Wow! such kind of movies is something rare in the south region and now it's time to enjoy the...


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Standing at the door
Standing at the door, Christopher waited for Em to get ready. Lulu, Nikki and Frida were making a big deal out of nothing as usual because Em looked amazing no matter what she was wearing. The door opened and Frida let me in.
"Finally, how come you girls take ages to get ready?" he asked as he stepped through the door.
"Shut up," she said, pushing me gently and walking down the hall. "Em! He's here!" she yelled and walked into the bathroom, closing the door after her.
Christopher stood in the lounge waiting for Em. When he had thought he had lost her, it had been really hard on him. He had loved her most of his life but had never had the courage to tell her. And knowing that he could have before she had died –well when he thought she had died- he felt like he had been stupid and should have just told her. But then he figured out that she was actually alive and well, well it was the best feeling.
The bedroom door opened and Em walked out, looking amazing in a knee length white dress and a pair of white dolly shoes. She smiled when she saw him, looking casual yet hot in a shirt, dinner jacket and tidy trousers.
"You look great Em," he smiled at her. She blushed a little but smiled back.
"You look good too," she said and he grinned. Em walked towards Christopher and as he leaned down, she leaned up and they kissed each other.


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At the dawn of human civilization, a blind prophet foretold the coming of one who would transform American literature forever, thrilling millions with his prose and debauching thousands with the meltingly seductive rhythm of his poetry. Now he has arrived. His name is Neal Pollack, the author of The Neal Pollack Anthology of American Literature, and he walks among us. This historic audio event includes rare recordings, captured by Alan Lomax in 1936, of Pollack's collaboration with the hillbilly guitarist doc Thompson, who he subsequently murdered. Also included within are Pollack's complete basement poetry sessions from the dawn of the Beat Era, an exclusive interview with Pollack conducted by a bitter sycophant, and a bunch of filler that we slapped together with little care. Nothing like this extraordinary collection exists. Neal Pollack has been the Greatest Living American Writer across six decades, seven continents, and 10 wives. He has won the Pulitzer Prize, the Booker Prize, the PEN/Faulkner Award (twice), and the Premio Simon Bolivar for contributions to the people's struggle in Latin America. In 1985, Pollack's writing was declared "beyond our meager standards" by the Swedish Academy.More
"Perhaps the greatest 'appearing act' since David Copperfield brought the Statue of Liberty back from the void." (AudioFile)
"One of the greatest satires of authorial vanity to come along since the actual career of Norman Mailer." (Rolling Stone)
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Discussion in 'Android Devices' started by curlymanoliver, Jun 13, 2010.
as the title says... anyone else experiencing this? what can i do to cure it?
yh mine wasnt yesterday it was just saying starting download and i think that was cuz there was only 3mb free memory left
see, i did think this, and i tried deleting apps. but its still not working, i think it might be to do with me changing my googlemail account to Gmail, so am changing it back to see what happens, if it doesent work then i dunno, will post results when i can. also if tmob dont roll out 2.1 soon im sooo gonna root.
ok, yes, it has worked now thankfully. =D but still might root.


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Maintenance and Emergency Information
Our property managers are happy to help tenants with maintenance problems and queries. We can tell you how to sort out a minor problem or arrange for other contractors to carry out repairs.
In many cases, however, you may not need our help at all: see Guidance for practical solutions to common maintenance issues experienced by tenants.
At the other end of the scale, we have a 24 hour emergency helpline number for all our managed properties in either Edinburgh, Glasgow and the Countryside. We do ask tenants to show some common sense about this – not using it, for example, for problems that could easily wait until the next working day.
If you have any questions, or would like to find out more about renting a property through Rettie & Co, please get in touch with our team.
In an emergency
Rettie & Co operate a 24 hour out-of-hours service for EMERGENCIES only that cannot wait until the next working day.
Please call Edinburgh 0131 622 4160 and follow the instructions.
Please call Glasgow 0141 248 4160 and follow the instructions.
Please note: If an emergency contractor attends unnecessarily you may be held liable for the costs involved.
IF YOU SMELL GAS – Switch off gas mains supply, open the windows, call the National Grid (previously called Transco) 24 hour emergency number on 0800 111 999. After carrying out these steps, inform Rettie & Co immediately.
WATER LEAK – Turn off water mains. Switch off electrics if the water leak is near lights or power outlets. If water is coming from an upstairs property, alert the occupants above immediately and ask them to shut off the source of the leak. If they are not in, leave them a note to contact you or Rettie & Co, and call your local Environmental Health Department (numbers below) and ask for the water ingress team. If you are on the top floor, contact Rettie & Co immediately.
Edinburgh Environmental Health: 0131 529 3030, or 0131 200 2000
Glasgow Environmental Health: 0845 270 1558
Borders Environmental Health: 0300 100 1800 (customer services)
Perth and Kinross Environmental Health: 01738 475000
ELECTRICAL FAULT – Check fuses have not blown, circuit breakers are in the 'ON' position and that there hasn't been a general power cut in the area. Replace bulbs if necessary. If you still do not have electricity contact Rettie & Co.
BOILER FAULT – If you think your boiler isn't working properly, first check to see if the pilot light is on and, if you have a combi boiler, check that the pressure is between 1 and 2. The instruction manual will tell you how to re-light the pilot and re-set the pressure if you suspect this is the problem. If you require further assistance please contact Rettie & Co. on the next working day. If there is a gas or water leak from the boiler, refer to the guidance above and call Rettie & Co. immediately.
ACCESS TO YOUR PROPERTY – Due to the nature of their work, tradesmen are not always able to guarantee appointment times, therefore it would be more efficient to give them keys to your property to attend at their earliest convenience. However, if you wish to be present while the work is being carried out, this can sometimes be arranged.
If you lock yourself out of your property during office hours, Rettie & Co. will be happy to help if we hold spare keys, however if this is outwith office hours, you may be asked to find alternative accommodation arrangements until the next working day. If there is a fault with the lock we will arrange for an emergency contractor to attend.
Please note that these are some of the things which tenants are expected to do themselves:
- Test the smoke alarms and carbon monoxide detector and replace the battery if necessary
- Bleed the radiators
- Unblock plugholes with suitable detergent
- Replace light bulbs
- Replace vacuum cleaner bags
- Clean out blocked vacuum cleaners
- Tighten loose handles, toilet seats, etc., if only a screwdriver is required
For all other emergencies not listed, please use common sense before calling, we will only respond to real emergencies that cannot wait until the next working day.
If you have any questions, or would like to find out more about renting a property through Rettie & Co., please get in touch with our team.


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Three days + 16 illustrators = 3,750 drawings
The Church of London took a hands-on approach to creating 2,500 bespoke covers for the latest issue of Google's Think Quarterly: each one is a different section of a huge floor drawing made by 16 illustrators over the course of three days
Detail of the poster insert included with the new issue of Think Quarterly: the grid references reveal the drawings used on each of the 2,500 covers
The Church of London took a hands-on approach to creating 2,500 bespoke covers for the latest issue of Google's Think Quarterly: each one is a different section of a huge floor drawing made by 16 illustrators over the course of three days…
Each cover of TQ comes from a different part of the original drawing
The new issue of the Google TQ publication has "people" as its theme and from the outset, says Church of London publisher/MD Danny Miller, the designers discussed how to bring a sense of community to the project. "We decided to create a huge image that would work across as many as 2,500 different books and see if we could chop it down into individual covers, so that no two people received the same piece of cover art," Miller explains.
TCoL worked with YCN to assemble a team of illustration talent for the project. They then met up at a warehouse in Haggerston, East London to be briefed by consulting designer, Jeremy Leslie, on the theme of "technology bringing people together".
Close-up of the grid
"We mapped out the overall canvas on the floor of the warehouse, but didn't show any of the illustrators the actual borders of each cover," says Miller. "We just tried to maintain even coverage overall, safe in the knowledge that the covers would kind of choose themselves, rather than us choosing them."
This one minute 'making of' film shows the size of the canvas:
The full poster insert showing thumbnails of 2,500 individual cover sections
Leslie admits that the project became far larger than the team had initially anticipated. "Two and half thousand individual pieces that also hold together as one complete piece is such an abstract idea," he says.
"Even when you break that down as a grid of 50 x 50 covers it doesn't seem 'so' tricky. But extrapolate that in real size and you get an artwork something like 12 x 8 metres. We spent some time on the mathematical possibilities: we reduced the size of everything to about 45% real size, so it was more manageable.
Poster insert and inside front of the new issue, showing the scale of the original floor drawing (see illustrator with pen, bottom left)
"We worked out we needed a minimum of 1.5 drawn characters for each cover, which meant getting artists who could create approximately 3,750 individual characters. By that stage you've left the art room and moved back to maths class: ten artists x 3,750 characters = 375 each. How long would that take? If they each drew one every five minutes that would take about 30 hours each. It got complicated!"
Instead of marking out a tight grid of the individual covers, it was agreed that a set character size would be used throughout. "We didn't want the group to mimic being one artist," says Leslie, "but to bring their own characterisations to the piece, and we set parameters so their individual contributions worked together. We provided an endless supply of black Sharpie pens so everyone had the same line style, and asked them to move about the space so that all their contributions were mingled rather than each individual having their 'own' corner."
Leslie says that by way of a direct brief, he "wanted characters doing daily activities. They could be realistic, fantastic or humorous, but needed to be light rather than heavy. There were a few pretty obvious no-nos: no nudity, sex, violence. We were working just after the riots so that was off-bounds, too."
The outlines of three characters appear on one of the opening spreads; they can be pushed out so they stand on the page
The key issues, he says, were to maintain scale and good positioning, filling each cover neatly without leaving some with apparently random lines. "We wanted each one to carry a face or character somewhere without being neatly 'contained' on the cover – we wanted the lines to cross from one to another.
"To add a tech element, he explains, visual references to Google and their products were also included. The theme of how their technology can help 'bring people together' was loosely interpreted: "there are eighties brick phones as well as modern phones and tablets, along with playful visual linking between the devices," he says.
After three days of drawing the canvas was photographed in 100 sections and pieced back together in Photoshop, with minor retouches and tidying up – a process that took two weeks in itself. TCoL then worked closely with the printers to ensure that recipients would be able to find their individual cover on the larger drawing, included as a poster insert, via a set of grid references. The reference is included on the back of each issue.
"The complications were in the planning and the finishing," adds Leslie. "The actual execution was pretty painless other than some sore wrists. For all the maths involved in working out what was needed and the technology required to digitalise the artwork, it is a pure piece of raw creative work. Sixteen people doodling with felt tips."
The illustrators who worked on the project were Ryan Chapman, Jasper Dunk, Dale Edwin Murray, Daniel Frost, Matthew Hams, Yasmeen Ismail, Jean Jullien, Chetan Kumar, Paul Layzell, Maggie Li, Dominic Owen, Hattie Stewart, Toby Triumph, Robbie Wilkinson, Paul Willoughby, and Dan Woodger.
Here are some of the inside pages from the issue, also finely illustrated throughout. More on the People issue of Think Quarterly at thinkwithgoogle.co.uk.


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Receipt and Acceptance of Partial Delivery of Goods
The Forms Professionals Trust! ™
The Uniform Commercial Code (UCC) has been adopted in whole or in part by the legislatures of all 50 states. Under the UCC, contracts for the sale of goods where the price equals $500.00 or more (with some exceptions) fall under the statute of frauds of Article 2, Section 201 of the UCC. In this form, the buyer acknowledges that the part being received is merely an installment of a larger specified quantity. The reference to the larger specified quantity makes the receipt signed by the buyer sufficient as a memorandum under the statute of frauds of the UCC without regard to the fact of delivery and acceptance of the part. It is, therefore, to the advantage of the seller to obtain the execution of such a receipt for the goods whenever possible.
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Nah… we're not talking about this ad, silly.
After her 2005 Spring Versace ad (wow, that's a LONG time ago), Madonna is heard to have shot a new high-fashion ad for Louis Vuitton. Yes, we heard she kicked Eva Herzigova to the curb, and won the title of the newest LV face for the spring campaign. The Spring Louis Vuitton ad is rumored to have already been shot by photographers Mert Alas and Marcus Piggott.
Anybody knows whether this rumor is true?


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|Home > Jorden
♂ Jorden
What does Jorden mean?
Jorden as a boys' name (also used less widely as girls' name Jorden) is a Hebrew name, and Jorden means "down-flowing". Jorden is an alternate spelling of Jordan (Hebrew).
RELATED FORMS VIA JORDAN Jared▼, Jarred▼, Jerred, Jordaan, Jordain, Jordao, Jordell, Jordi, Jordy▲, Jordyn, Jori, Jory, JourdainCREATIVE FORMS
Jorden Gian (J.G.), ..
How popular is Jorden?
Jorden is an uncommon first name for males but a very popular last name for both adults and children (#15024 out of 150436, Top 10%). (2000 U.S. CENSUS)
Jorden entered the list in 1980-1989 and reached its highest rank of #679 in the U.S. in the year 2011, and is at #1191 currently. (TOP 2000 NAMES, 2015)
Which version is better?
Popular alternative forms of Jorden (#1191 FROM RECENT DATA) are Jordan (#60), Jared (#340), Jordy (#874), Jordyn (#966), Jordi (#1175), Jordon (#1624), Jourdan, Jory, Jerred and Jarred. Other forms, like Jordaan, are uncommon. These forms of Jorden were favored as baby names in the year 1998 (MEDIAN #903) and are now much less popular (#1293, DOWN 66%), with forms like Jared becoming somewhat outmoded. Jordy is the most trendy boy name in this list.
Similar Names
Jorden is pronounced similarly to Jardine. Other recommended sound-alike names are Arden, Arrden, Barden, Boden▲, Borden, Bordin, Bordon, Bowden, Carden, Cobden, Colden, Corben, Coren, Coryden, Dorien, Dorren, Forde, Forden, Fordon, Godden, Golden▼, Gordan, Gorden, Gordon▼, Goren, Gorren, Gorten, Harden, Holden▲, Horten, Jaden, Jaeden▼, Jaiden, Jaren▼, Jarren, Jayden▲, Jeren, Jeroen, Jerren, Joben, Jodey, Joran, Jorel, Joren, Jorey, Jorgan, Jorge, Jorgen, Jorian, Jorie, Jorje, Jorn, Joron, Jorrel, Jurgen, Kordel, Koren, Loren▼, Lorren, Marden, Morgen, Morten, Morven, Normen, Royden, Soren▲, Toren, Varden, Warden and Worden. These names tend to be more frequently used than Jorden.See names in meaning and etymology.


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Smart Alek Trailer (1993)
01 January 1993 19 mins
In 1972 a family are on their way for a holiday in Essex. The parents argue and the son swears, making obscene gestures. So the father throws him out, drives on and crashes the car. The grandmother flags down a car with three men in it. Too late she recognises one as the man who shot a neighbour...
Watch the official Smart Alek 1993 trailer in HD below or find more Smart Alek videos on Vidimovie.


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Our full-service hotel is conveniently located in the heart of Green Bay's west side business, shopping, and entertainment district. The Ramada Plaza Green Bay has eight conference rooms totaling 6,000 square feet of banquet space. From larger meetings to small intimate gatherings, our experienced staff is dedicated to providing a high standard of service and a personal touch to your meeting needs.
Ramada Plaza Hotel is a versatile space for weddings, conventions and other events. The room is equipped with airwalls to separate into three smaller rooms (Joliet, Marquette, and Beaumont) to accommodate a variety of setups for the number of guests and type of seating required. The hall features a permanent dance floor, built-in bar, sound system, and equipment to provide for your groups' specific needs. A beautiful pre-function space adjacent to the Grand Ballroom, it's ideal for registration or pre-meeting festivities. A coatroom is located off the pre-function area.
Can be divided into Ellington I & II. Perfect for a variety of functions, with exterior windows, offering natural lighting, and French doors.
Can be divided into Gershwin I or II and is located near Big D's Bar & Grill, the hotel's full-service restaurant – perfect for meal functions or breakouts.
Seats up to 12 people conference style, and is perfect for small board meetings and brainstorming sessions.


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Music genres
Trance (3530 )
Phalanx are an American trance and electronic music band that was founded in 1995 by guitarist James "Blood" Ulmer, drummer Rashied Ali, tenor saxophonist George Adams, and bassist Sirone. In the beginning, they performed at local clubs in their hometown. Later, they caught the attention of a manager from a record company, who helped the band to emerge on the American trance music scene. In early 2000, they signed a contract with Capitol Records and started recording their self-titled debut album, Phalanx, which was released in 2003. This album received very good reviews from critics and reached Top 50 in the US. Several years late, they released their most successful album, Symphony in Gminor CDM, which produced the hit singles such as "Symphony in Gminor" (Club Mix), "Symphony in Gminor" (Sol 7 Mix) and "Symphony in Gminor (Deja Vu Re...)". Now, you may download this album by Phalanx in mp3 from our site.


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Manage Reservations
Need to make changes to your reservation? You've come to the right place!
Already an IHG® Rewards Club Member? Sign in to view reservations.
Complimentary Fitness Center
The Holiday Inn of Hopkinsville is proud to offer a newly renovated fitness facility which offers a STAIRMASTER, BICYCLE, TREADMILL, BENCH with FREE WEIGHTS, and TV. Access to the facility is limited to hotel guests only.
Hours of Operation: 12:01 AM to 11:59 PM
Fitness Center Equipment:Treadmill, Elliptical Machines, Free Weights, Stationary Bicycle
Fitness Center Type:LIMITED


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Note: The above schedule is from the official Philippine International Hot Air BalloonAssociation. Clark Subic Marketing makes no claims or guarantees as to its accuracy. This schedule is subject to change without notice.
Frequently Answered Questions
Q. Where is the exact event site?
A. Air Force City, Clark Freeport, Angeles City in Pampanga.
Q. How much is the entrance fee?
A. PhP150 per person. These tickets are available at the gate.
Q. Can I ride the balloons?
A. Yes, we charge a minimum fee of US$150 per person to ride the balloon. This is on a first-come-first-served basis. Go directly to the Information Booth upon arrival to book yourself a ride.
Q. What hotels are near the venue?
A. The event site is fairly near all the hotels in and around Clark. Please visit our ClarkHotels Web Page for a hotel booking. Book now so you don't miss-out. There are limited rooms available for this event.
Q. Are we sure to see the balloons everyday?
A. Balloon inflation is very much dependent on wind conditions. Calm winds guarantee great flights. The organizers reserve the right to cancel any activity due to bad wind conditions. For safety reasons, balloonists generally prefer for the the winds to be less than 10 mph and the clouds to be at least 2,000 feet above the ground.
Q. Are refreshments available on the grounds?
A. Yes. Food booths are present near the show line, on the southeast side of theballoon fiesta site. A bazaar is also set up near the entrance gate, and also on the northwest part of the grounds, near the aircraft ramp
Q. Where can I park?
A. Ample parking is available near the entrance gate. Road signs will direct you to the parking lots, where marshals will guide you to a suitable space. A parking fee is charged.
Q. What is a ramp tour?
A. The balloon fiesta offers a ramp tour that allows you to walk around the active flight line and interact with aircraft pilots and ground crew.


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Milky Way Jewelry ( Gets.cn ) was established in 2000, a professional manufacturer which is especially producing various kinds of Beads, Rhinestone Jewelry , glass beads ,lampwork beads, pearl, gemstone, European jewelry, Jewelry Findings etc., and dealing in full set of finished jewelry product (Necklace, Earrings, Pendant, Bracelet etc) export business.
Thousands of our products are widely distributed to more than 60 countries and areas all over the world. You can visit our website to get more updated information or contact us directly; we feel for sure that you will find one or more items that attract you! We look forward to cooperating with you and seeking a joint development, your relative enquiry will get a prompt response from us.
Program benefits:
- 5% commission on all sales
- 60 day cookie duration
Click here to start promoting.


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On Wednesday 11 May 2016 we celebrated the 1st Anniversary of the Martin Centre. The first call to our centre established on Monday 11 May 2015 presented into the system at 11.43am.
The Martin Centre was named in honour of retired Chairman of Directors Mr Kenneth Allan Martin.
In the first 12 months, over 53,000 telephone calls were answered with an average wait time of 17 seconds and an average call lasting 5min 05seconds. We understand the wait time is an average and some of our callers waited for longer periods of time. Thank you for your patience.
Remember it is a free call to contact us - so you can hang up if on hold and call back later for free - or by listening to our on hold messages you will be reminded about being able to report through our website or download our mobile app.
During the first 12 months 2,416 offenders were arrested and 6,683 charges preferred against those offenders. Drug crimes topped the list with 51.7% of the contacts related to drugs followed by 12.9% of reports about Personal Safety Crimes. The top ten suburbs list naturally shows Brisbane which is the default suburb for when no suburb is known for a report, closely followed by several Gold Coast suburbs and several regional towns or cities.
Importantly - the final count of information relates to contacts we were unable to take information for - but rather referred the caller to another agency. Over 17,664 telephone calls were answered which required referral to another agency in our first 12 months. Check out our website for more information about what sort of contacts we cannot assist with CLICK HERE
Having noted the last information - we do wish to point out that we are here to help 24 hours per day and will guide you down the right reporting path and then maybe next time you will have a better idea about what to contact Crime Stoppers for.
Thanks for your support of Crime Stoppers in Queensland!
On Monday 15 February 2016, Crime Stoppers Queensland released its contact statistics from the 2015 calendar year as part of its Annual Results Celebration Day.
This day provided Crime Stoppers Queensland Limited, a registered charity and community volunteer organisation with a chance to release statistical results or highlight the achievements of our community program in the previous calendar year.
In 2015, Crime Stoppers Queensland again achieved a record breaking year of results with more than 53,100 telephone calls and 10,800 online reports were received through our Crime Stoppers Queensland community program.
2,622 offenders were arrested on 7,115 charges as a result of this information entrusted with our community volunteer organisation – a 7.5% rise in arrest results against 2014 and a total 17.5% rise in the last two years.
Intelligence reports received by Crime Stoppers and passed to the Queensland Police Service, totalled 24,907.
As noted over 10,800 reports were received online through our website or our mobile app. Digital engagement with the community has resulted in a 32% growth in electronic reporting from 2014 to 2015, with a total growth of 77% in the last two years.
For comparison, the total arrest results for all of Australia in 2015 was 6,997 (2014 6,285). Queensland achieved 37% of the national arrest results in the year.
The closest other State or Territory behind Queensland was NSW with 1,459 – approximately half the success rate of our Queensland program.
Unfortunately, in 2015 the community witnessed some serious crimes including a shooting incident at a fast food restaurant and multiple murders. On November 5, 2015 the body of school girl Tiahleigh Palmer was located on the banks of the Pimpama River. The investigation into the death of Tiahleigh continues. Crime Stoppers Queensland has received over 300 information reports from the community however we are still missing that vital piece of the puzzle that can help investigators solve this crime. It is for exactly this type of crime that our community program exists with the public encouraged to contact Crime Stoppers anonymously and share with us information that may help to solve this matter.
In the last calendar year, Crime Stoppers Queensland was acknowledged internationally with five awards with the most important award being for greatest increase in arrests for communities over 3 million in population worldwide
Queensland has a lot to be proud of and that includes its own community Crime Stoppers program. In 2015 we:
- celebrated 25 years of service to the Queensland community culminating with our Silver Anniversary Dinner at Brisbane City Hall in September;
- reached the milestone of 30,000 offenders arrested since our program began in 1989;
- recorded a 100% growth in volunteer numbers (2010-2015);
- THE BIGGEST CHANGE IN OUR HISTORY... our community organisation launched this, our own self-managed contact centre, building stronger levels of independence for our community organisation.
The key feature of the Crime Stoppers program is anonymity and this instils trust in the community to contact Crime Stoppers.
In addition, today we seek media assistance to help clarify our role for the public.
In 2015, Crime Stoppers Queensland referred over 14,900 callers to other services for example:
- Over 1,200 warm transferred to Triple Zero for crimes in progress
- Over 4,400 referred to Policelink as the caller was a victim of crime
- Over 6,000 referred to Policelink as the caller was complaining about matters that required non-urgent police to attend their residence or workplace
- Over 2,500 referred to Scamwatch as the caller was a victim of or had been contacted by scammers.
Some Triple Zero samples where callers should not have contacted Crime Stoppers:
- Suspected armed person in park – watching now.
- Suspicious packages in CBD/bus stop.
- Missing Person in sight.
- Suicidal concerns for family/friend.
- Suspected armed men in a shopping centre – watching now.
- House currently being broken into.
- Traffic related mattes currently in progress.
Crime Stoppers is an intelligence gathering service for information about crimes or for witnesses. Making contact with Crime Stoppers will not result in immediate police action – it will result in an investigation which may take time.


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Re: Samuella or Zacharia Peay
In reply to:
Samuella or Zacharia Peay
Zachariah (he spelled it Zackariah) Peay was my great-grandfather.Samuella was his younger sister.Both were children of Colonel Samuel and Eliza Jordan Peay.Zack was born in 1847 and joined the 1st East Tennessee Volunteer Cavalry (Union) in May 1863.He was in action from then until just after the Battle of Nashville, where he was stationed once his colonel's father became governor.
Zack married Ellen Holloway in about 1868 and fathered seven children, four of whom survived to adulthood.Samuel, the oldest, worked on the Kansas & Texas Railroad.Hugh worked in the Nashville Stockyards.Blanche married J. Fulton Lillie and after some years divorced him and became a nurse.There were two children of that marriage.Joseph Baugh, my grandfather, married Jeffie Blanche Greene and had one son who survived to adulthood.
Samuella married a Henry Jones and had a number of children,including one named Minous (honest!).Her grandson is Retired Admiral Carlton Benton Jones, currently living in Denver.


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Planning a party in Edmonton and need a DJ? Searching for the perfect party Disc Jockey in Edmonton, KY?
No companies found!
You may try searching other nearby Edmonton cities & counties.
You may try performing a new search and selecting an alternate area.
If you are a DJ that serves this area, please add your listing.
Advertise Here
Find the perfect Edmonton DJ or Disc Jockey! Party Blast lists professional DJs and Disc Jockeys for parties in Edmonton, KY.
Other Areas Near Edmonton to Find Party DJs:
Metcalfe County,
Knob Lick,
Sulphur Well,
Summer Shade


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Original paper
Rapid range extension of the Ponto-Caspian amphipod Dikerogammarus villosus in France: potential consequences
Bollache, L. Devin
Archiv für Hydrobiologie Volume 160 Number 1 (2004), p. 57 - 66
published: Apr 23, 2004
ArtNo. ESP141016071004, Price: 29.00 €
Non-indigenous species are increasingly recognized as altering local communities in newly colonized areas. In some north European freshwater systems, the Ponto-Caspian invasive crustacean Dikerogammarus villosus (Amphipoda) is implicated to have such an effect, with general monitoring of its progress and general impact required. The present study contributes to this monitoring. D. villosus was observed in 2003 in all the major French rivers prospected (i.e. Rhine, Meuse, Moselle, Saône, Rhône, Seine, and Loire), a European region previously overlooked for its colonization. This species was also detected in some tributaries of the rivers Saône and Seine, and in Geneva Lake. The dynamics of this colonisation, inferred from samples made at different dates, show a rapid expansion westward, from its first appearance in the Saône in 1997. The colonised rivers are connected with the more important French harbours, which may facilitate future invasion of new countries. In two sites, D. villosus rapidly became the dominant crustacean species after its appearance. A comparison of the amphipod fauna between 2003 and ancient surveys also shows that some native species tend to disappear in the East of France. These data suggest an ongoing homogenisation process of amphipod assemblages.
invasions • dikerogammarus villosus • gammarids • french hydrosystem.


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Party Supplies
Beautiful Personalized Party Decorations
This is a sponsored post with Personal Creations, however all opinions and ideas are my own.
One of my favorite things about planning a party is adding unique and unexpected touches. I'm not a cookie cutter mold kind of girl — I like to add one of a kind special details. That's one of the reasons why I'm loving Personal Creations. They offer great products that I need for both home and entertaining, along with the personal touch of customization.
For over ten years, Personal Creations has been creating one a kind items. They take a personalized item beyond just names and initials — you can select colors and patterns on products, as well as adding words.They offer incredible ideas for gift giving, as well as entertaining. I appreciate that they stand behind all their products with a 100% guarantee on their quality and craftsmanship. They also offer quick shipping {including rush delivery for last minute gifts} and gift packaging.
While planning a bee themed boy baby shower, I decided it was the perfect opportunity to incorporate the letter "B" into our decorations. I'm excited that not only do they fit perfectly with this theme, I'll be able to use the items over and over in our home. Here are some of my favorite ways to incorporate a personal touch:
Personal Creations offers darling printed items like these trays and ice holder. I love adding a phrase instead of a name!
I love these customized hand towels. I think the matching silver basket looks stunning.
These etched glass coasters, mugs and pitcher are amazing. Not only is the quality incredible, I love playing up the "bee" theme. I chose phrases like B Awesome, B Honest, B Kind. Such fabulous reminders for daily use as well. Customizing items.
Creating personalized home essentials and party decorations are an amazing way to add a special touch. Right now you can also save 20% off your entire purchase at Personal Creations by using the coupon code PCSM20. {No minimum purchase is required.} It's the perfect chance to start personalizing your own items!
Be sure to visit them via social media as well on Facebook and Pinterest.
This is a sponsored post written by me on behalf of Personal Creations.


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Bisoprolol or Flecainide?
I was dignosed as having AF back in January, and prescribed Bosoprolol, which seemed to work, with only a few AF episodes occurring, which weren't disabling in nature at all. I was given the all clear after more tests and being AF free for a good while, and told I could stop taking it, but after only 12 days felt slight chest discomfort, low energy levels and further AFs. This persisted all through May, I thought it was just a virus infection, but after seeing the doctor in despair, was told to restart it, and after a 2 to 3 weeks felt well again.
My concern is I really feel the cold, as the Bisoprolol slows the heart and thus the circulation and the Cardiologist has suggested Flecainide as an alternative.
Who out there has had knowledge and experience of taking Flecainide and how was it for you. I feel really well at the moment, but know as soon as the cold weather comes I'll be freezing, ...Thanks, Bill


text: Please remember Rule #1: Remember OPSEC and COMPUSEC. Please don't post anything of a classified nature. If you're in doubt, don't post it. The life, career, and safety of real people are more important than making an e-point here. A couple of threads have been edited for content (and in one case deleted) recently for containing detailed information about deployment, including travel dates, locations, names, etc. Please be careful. Real people who wish real harm on our fellow members of the military are not stupid. Google works just as well for Ali Insurgent as it does for us. If you notice a thread that needs editing or deleting, please PM either C5LOAD or myself. We try to review all threads as often as possible, but a PM will always get our attention. This thread is open for discussion.


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Friday, April 7, 2017
Satan's Hometown in the Hands of Amazon Studios.
Satan's Hometown been sent to Amazon Studios,they have had it since Dec 7th 2016.Keep your fingers crossed for me.Dead Search,and the Binglings are also being sent.The price of Satan's Hometown will increase 10.99.Also Short Stories by Joshua Daniels to 3.99,people have told me the price was so cheap most people would assume it was not that good,sorry guys.I am starting on the second part of the book,It should be finished in about 2 months after being started,have not decided on title yet.I apologize for not keeping this site current,i am not to good at this part of it.I will do better from now on,I am learning.Get them while there still cheap.Thanks for being patient.I do not have many followers,but if I have just 1,i will keep writing,and trying later guys. Joshua Daniels
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Owned since new?
Owned for how long?
1 year(s)
Buy this make again?
Price and equipment4.0/10
A bit disapointed that after 4 months of owning the car they brought out a new model and ours has lost lots of value
How it drives8.0/10
Really nice and comforatble, except the standard tyres they put on it on purchase are quite noisy
Servicing and running costs6.0/10
Could get a bit better fuel ecomony.
Overall verdict6.0/10
Really enjoy it, very nice to drive, and comfortable. I like the sporty look of the limited edition VRX comapred to the other pajeros, thats one one of the reasons we chose the VRX. I feel it is a very safe car, in being so we have brought this car to start our family. WE have also taken it 4wd up the beach and it handles very well especially in the dry dry sand.