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Yes, I got the "Tropical Tour (s)" 68-69 and a bonus in 71-72.
My first was in the delta, Can Tho, second was Chu Lai then Pleiku.
I noticed your user name. Are you a Nam vet?
I was Army, did the all expense paid trip to Nam in 69-70.


text: I purchased an evo off ebay, it was rooted, and i didnt know what the meaned, so i got the phone, and went into settings and was gonna wipe all the guys stuff off the phone. and then i wiped everything by holding down the volume key while turning on, well i erased EVERYTHING. now when i turn it on its stuck in a bootloop and keeps saying "fresh." im pretty good with stuff like this, but as ive just converted from the "iphone side" to the Android side, i need some help getting it back to working order, what all do i need to do thx.

subset: commoncrawl


text: An ethnobotanical study of medicinal plants in Wayu Tuka District, East Welega Zone of Oromia Regional State, West EthiopiaMoa Megersa, Zemede Asfaw, Ensermu Kelbessa, Abebe Beyene, Bizuneh WoldeabJournal of ethnobiology and ethnomedicine2013BACKGROUND This paper reports an ethnobotanical study that focused on the traditional medicinal plants used by local communities to treat human and livestock ailments. A cross-sectional study was undertaken from September 2009 to June 2010 in Wayu Tuka District of Oromia Region, Ethiopia. The aim of the study is to document medicinal plants used by local… (More)


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Guest Blog Post on 3dPrintingIndustry.com
I was asked to write a guest blog post about my experience in 3d Printing. Here's a part of my article and a link to the full post on 3dPrintingIndustry.com:
For the past 11 years, I have been freelancing and consulting on various projects ranging from web design to graphics and even some 3D printing and now that I'm finished with school, I would like to be a 3D modeler for animated feature films, make toys and eventually teach 3D.
You only live once right?
I have watched the industry for almost a decade and kept up with the latest pro-consumer 3D printers emerging during recent years, but it wasn't until the last six months that I really made up my mind to purchase a 3D printer myself, which was made easier by crowd funding websites such as Kickstarter and Indiegogo. Indeed, these sites allow many people, from so many different disciplines to bring their ideas to life, including artists — I have watched quite a few artists bring their toys to life with the help of those crowd-funding platforms. So the idea of bringing some of my ideas into the world utilising 3D printing was the obvious — albeit scary and exciting — next step for me to pursue! I just knew that I would feel terrible if I didn't at least try.
Shortly after attending Siggraph again this past summer, as luck would have it, 3D Systems hosted a contest called the Cubify Challenge to win one of their new Cube 3D Printers. I really wanted my own 3D printer and this seemed like a great opportunity, so I submitted a range of designs to the contest and my bracelet design was selected as a top 5 finalist!
I didn't win — I think it was a blessing in disguise though. It turns out, the cost of printing models on a Cube is quite high. I also looked at Solidoodle 2 and the Makerbot Replicator 2 but then I found Afinia — or, rather they found me — on Twitter! The printer looked familiar, as it should, it is a re-branded UP! 3D printer that Afinia has made FCC compliant with some other enhancements/adjustments and it comes with US telephone support.
Read the rest of the Blog Post Here


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Penola War MemorialPrint Page
A monument commemorates those who have served in the various conflicts in which Australia has been involved. The memorial was originally unveiled to commemorate the fallen of World War One. The memorial was relocated to its present position circa 1934.
Monument characteristics :
Polished grey granite column
The Soldiers' Memorial, which has been erected on the corner of the roads leading to Mount Gambier and Casterton, was unveiled on Sunday afternoon, February 27, in the presence of a very large gathering. Mr. L. R DeGaris, J.P., the President of the Penola Branch of the R.S.A, presided.
Kiplings "Recessional" having been sung the Chairman briefly related the history of the movement to erect a memorial. The delay was not occasioned by the fallen having been forgotten, for they were constantly in their minds. There had been a difficulty in deciding what the memorial should consist of. Eventually a monument had been decided on, and the people of the district had readily responded. The work had been carried out by Messrs. W. H. Martin, Ltd., and was before them in the shape of a beautiful grey granite monument, of which they could all feel proud.
The Narracoorte Herald (SA), 4 March 1927.
|Church Street , Penola, 5277
|GPS Coordinates:
|Lat: -37.377453
Long: 140.837061
Note: GPS Coordinates are approximate.
|Monument Type:
|Monument Theme:
|Monument Manufacturer:
|Messrs W.H. Martin Ltd
|Actual Monument Dedication Date:
|Sunday 27th February, 1927
The Great War
1914 - 1919
Hallowed to the memory of
[ Names ]
1939 - 1945
[ Names ]
1965 - 1972
[ Name ]


text: If I am using a 40 pound propane tank, when using the Feldon calculator do I use the box marked "cylinder type cooking chamber" or "tank Cooking chamber" this may sound dumb but a tank can be round or oblong. not sure what they call a "tank". I do realize propane comes in a "tank", and many are used for smoking so I would assume that is what that are calling a tank. Right?


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2.5" Circle High-Gloss, 850 Labels. For use with Primera LX500 & LX400.
White TuffCoat compatible High-Gloss label stock. 2.5" circle. Non-perforated. 850 labels per roll. For LX500, LX400
(picture on left not necessarily identical to product) Read more
Copyright © 2001-2017 Summation Technology. All Rights Reserved. All brand or product names contained are trademarks or registered trademarks of their respective owners.


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Zest Tomato Basil & Oregano Pasta Sauce - 340g
Zest »Product code: 333624
5.0 / 5 stars based on 2 ratings
Our price£2.15
Case Price£12.26 £2.04 per jar, you save 5%
Purchase Options
Earn 11 reward points on this item and 62 when buying a case In Stock : Available for despatch next working dayGift wrap available
Product Description
A full flavoured pasta sauce that is suitable for vegans, made with fresh garlic and herbs and free from any artificial ingredients. Great on pasta, as a pizza topping or as a marinade.
Tomatoes (56%), onion, mushrooms (7%), tomato paste (7%), green pepper (4%), vegetable oil, extra virgin olive oil, water, basil, parsley, apple juice concentrate, garlic purée, sea salt, oregano, toasted sesame oil, white wine vinegar, black pepper.
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Very tasty.
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This is a really handy cupboard standby for days when I don't have time to cook.
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The Nationals have promoted right-handed slugger Tyler Moore from Class AAA and will place veteran bench player Mark DeRosa on the disabled list. Moore, 25, began playing left field recently but has played only first base throughout his career. Most importantly, he could provide a power threat off the bench.
Moore has consistently become one of the Nationals best slugging prospects since they drafted him in the 16th round in 2008 out of Mississippi. He has hit 69 home runs since the start of 2010, including seven this year, the most in the entire organization. In 22 games at Syracuse, Moore slugged .597.
Moore's ascent began in the middle of 2010, when he was hitting .195 for Class A Potomac. He met with hitting coach Matt Nokes, who told him to stop thinking so much at the plate, to relax and swing with aggression. The meeting touched off an incredible six-week stretch in which Moore won the Carolina League player of the week award four times and punched up 1.406 OPS.
Moore continued hitting at Class AA Harrisburg last season, drilling 31 homers for the second straight season and 35 doubles. The Nationals added Moore to their 40-man roster this winter, and he spent the first portion of spring in major league camp.
It is not clear at this point what DeRosa's injury is.


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1 Bridle Path,Bayville NJ, 08721
4 beds , 2 Full/1 Half baths
2,117 sq. ft
Status: Active
Berkshire Hathaway HomeServices Zack Shore, REALTORS
(609) 597-6464
Last Updated: 11/24/2017 10:25 AM
Description for 1 Bridle Path Bayville, NJ 08721
Some words will not translate correctly. By using this feature, you accept this risk and agree to release Berkshire Hathaway HomeServices and its franchisees from any claims or damages resulting from incorrect translation.
Some words will not translate correctly. By using this feature, you accept this risk and agree to release Berkshire Hathaway HomeServices and its franchisees from any claims or damages resulting from incorrect translation.
Listing Information
Hickory Farms
Gas Water Heater, Public Water Service
Public Sewer
School Information
Room Information
Family Room, Kitchen, Laundry Room, Mud Room, Breakfast Room, Living/Dining Combo
Floor - W/W Carpet
Breakfast Nook, Dinette
Island, Eat-In Kitchen
Tub Only, Full Bath
Interior Features
Dishwasher, Gas Range/Cooktop, Microwave, Self-Cleaning Oven, Stove
Tile, Carpet Wall to Wall, Ceramic Tile, Laminate, Ceramic, Wood
Central Air
Gas Heat, Forced Air
Basement, Full
Thermal Window
Furnished, Attic Storage, Stone Counter Top, Walk-in Closets
Exterior / Lot Features
2 Garage Spaces, Attached Garage, Asphalt, Driveway, Off Street, On Street
Residential,Single Family
Sliding Glass Door
Financial Considerations
Inside AccessTM
Current market conditions for 1 Bridle Path
Active Market Trends
Source:MLS DATA
Median list price$321,950
Days on market125
Properties for sale132
Sold Market Trends
Source:MLS DATA
Median sold price$245,400
Sales to list price9,705.0%
Properties sold74
Median sq ft price$142
Arrows indicate 90 day trend
Listing Price History for 1 Bridle Path
Bayville Real Estate
Bayville is located in New Jersey. Bayville, New Jersey 08721 has population of20,802.
The median household income in Bayville, New Jersey 08721 is $77,282. The median household income for the surrounding county is $61,839 compared to the national median of $53,482. The median age of people living in Bayville 08721 is 41.1 years.
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…Event ends 3/24 GO Take a chance. This designer embraces unique pieces with edgy embellishments and flair. O'Neill Shoes up to 50% off | Event ends 3/24 GO Making strides. Chic sandals, flip-flops and…
Talkwalker Alert: 50 results for [designer shoes]
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Life in Squares Blu-ray
Starring James Norton, Lydia Leonard, Phoebe Fox, Sam Hoare, Ed Birch, Edmund Kingsley, Al Weaver
Directed by Simon Kaijser
Three-part BBC miniseries focusing on the influential Bloomsbury Group.
The dramatisation follows the lives and complex relationships of the like-minded English intellectuals in the famous artistic circle including painter Duncan Grant (James Norton), author Virginia Woolf (Lydia Leonard), her sister Vanessa Bell (Phoebe Fox), writer Lytton Strachey (Ed Birch) and economist John Maynard Keynes (Edmund Kingsley).
- Format: Blu-ray
- Region: B
- Certification: (15)
- Catalogue number: DAZB0182
- Studio: Dazzler
- Release date: 17/08/2015
- Genre: Drama
- Colour: Colour
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TORONTO (Reuters) - The Transportation Safety Board of Canada said on Monday it was investigating the death of a railway employee at the Ogden Park railyard in Calgary, Alberta.
The board had no details on when or how the fatality occurred.
(The stpry corrects first paragraph to make clear that Transportation Safety Board of Canada did not mention Canadian Pacific Railway in its statement. References to Canadian Pacific have been removed from this story.)
Reporting by Solarina Ho and Susan Taylor; Editing by Jeffrey Hodgson


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Bathing suit season is rapidly approaching and it's time to put down the choripan and start taking action.
My worst eating habit- not knowing when to stop. Or maybe knowing, but not caring is more accurate.
After I stuff my face I immediately feel lethargic with a brick in my stomach and the desire to lay down and watch a movie aka take a 3 hour nap.
This is happening way too often, and it's time to make a change. S
o I decided to ditch the nasty symptoms and eating habits for more energy, an active metabolism, and a flatter stomach- something I like to call balance.
So, how do we achieve balance?
Cut back on the meat and dairy and consume more vegetables & grains, foods that are easy to digest.
I mean if all the energy we're getting from the food is going into breaking it down, it's a bit of a waste, right?
But the U.S.A. has ignorantly expressed for decades that a big chunk of meat and a glass of milk (whole or not, whatever it's the SAME!) is the proper way to eat so many of us find ourselves stumped when it comes to planning meals where carcass isn't the star of the show.
Of course the U.S.A. isn't going to speak out about plants containing more than enough daily protein, after all that would decrease sales in the meat industry, a nightmare of a place they've had their greasy hands in since the beginning.
Let's stop supporting their greedy behavior and focus on doing what's best for ourselves, the environment, and our pocketbook!
Todays post features two salad recipes. I have a lot of luck that fancy lettuce is MEGA cheap here in Buenos Aires. If these greens are out of your price range, substitute them with others that aren't so economically harmful.
Endive Salad ::
- endive/ endivias
- 2-4 radishes/ rabanitos
- curly endive aka frisee/ escarola
- toasted sunflower seeds/ semillas de girasol tostadas
- lemon/ limón
- honey/ miel
- olive oil/ aceite de oliva
- dijon mustard/ mostaza dijon
- salt & pepper/ sal y pimienta
In a small bowl mix a spoonful of honey , mustard, a big squeeze of lemon juice, salt and pepper. Lightly drizzle in olive oil and mix with fork til emulsified, adjust seasoning, and set aside.
Cut the bottom piece of the endive and remove leaves individually. Place in cool water and gently clean.
Cut frisee into bite size pieces and submerge in cold water to remove any and all dirt.
Rinse well and place in salad spinner OR my old ghetto version- a colander with plate on top and shake vigorously.
It really is ideal to dry your leaves as much as possible otherwise the dressing wont stick. Water and oil don't mix, lettuce isn't going to change that.
Place the lettuce in a big bowl and thinly slice the radishes using a mandoline directly over the lettuce.
Add a handful of toasted sunflower seeds, a dash of salt and pepper, and pour your dressing along the border of the bowl (in one big circle) to allow the dressing to coat the inside of the bowl.
Gently toss the ingredients, taste, and serve.
Ginger Citrus Salad ::
- frisse/ escarola
- avocado/ palta
- yellow pepper/ morron amarillo
- roma tomato/ tomate perita
- orange/ naranja
- fresh ginger/ jengibre fresco
- honey/ miel (optional)
- balsamic vinegar/ aceto balsamico
- peanuts/ mani
- salt & pepper/ sal y pimienta
Peel the ginger using a small spoon and finely grate it over a small bowl using a microplane.
Juice the orange and combine with the ginger along with a splash of balsamic, honey, salt and pepper.
Taste, adjust flavors, and set aside.
Cut, wash, and dry the frisse.
Julienne the yellow pepper, cut the tomato & avocado into big dice and coarsely chop the peanuts.
Combine ingredients in a big bowl with fresh cracked pepper and a dash of salt.
Pour the dressing along the inside of the bowl, toss, adjust seasoning, and serve.


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Picture: Drake - iHeartRadio Music Festival - Las Vegas, NV, United States - Saturday 21st September 2013
Canadian rapper Drake has landed a new job as the global ambassador for his hometown basketball team, the Toronto Raptors.
The announcement on Monday (30Sep13) coincided with the news Toronto city officials will host the 2016 Nba all-star game and festivities at Air Canada Centre.
The Started from the Bottom hitmaker will serve as a consultant for the sports team and he is eager to help the Raptors win an Nba title.
He says, "My goal is to do anything I'm asked to do to bring a championship to Toronto."
Back in 2009, before he signed to Lil' Wayne's Young Money label through Cash Money/Universal,...
Sid, Manny and Diego are doing a good job so far of surviving the Ice...


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Welcome to SPN
Register and Join the most happening forum of Sikh community & intellectuals from around the world.Sign Up Now!
Sikh News Punjab Cricket Association Website Hacked? (Press Trust Of India)
Discussion in 'Breaking News' started by Sikh News Reporter, Oct 24, 2007.
XenPorta 2 PRO © Jason Axelrod from 8WAYRUN.COM


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October 26, 2010 by USA Post
Wthr, Police investigating two robberies within hours of each other this morning on the city Northeastside.
The first occurred when a masked gunman wearing all black clothing entered the Days Inn and Suites in block 8200 of Craig Street and demanded money from the receptionist. After obtaining an undisclosed amount of money, the gunman fled.
Later, investigators from the Department Indianapolis Metropolitan Police say a man fired a handgun at a clerk inside the pantry village 9550 Hague Road, corner of 96th Street and Hague road, according to the partners of the Star's newsgathering, WTHR (Channel 13).
Both places are flying about two miles from each other.
The gunman fled the store about 6 hours and fired several shots at a witness who was in pursuit, striking the passenger side of the collection of the witness. The witness gave up the pursuit at that time, reports WTHR.
No injuries were immediately reported. Police are trying to determine whether the two incidents are linked.
Please feel free to send if you have any questions regarding this post , you can contact on
Disclaimer: The views expressed on this site are that of the authors and not necessarily that of U.S.S.POST.


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"Beauty can be consoling, disturbing, sacred, profane," writes Roger Scruton. "It can be exhilarating, appealing, inspiring, chilling. It is never viewed with indifference: beauty demands to be noticed; it speaks to us directly like the voice of an intimate friend."
In a book that is itself beautifully written, renowned philosopher Roger Scruton explores this timeless concept, asking what makes an objecteither in art, in nature, or the human formbeautiful. This compact volume is filled with insight and Scruton has something interesting and original to say on almost every page. Can there be dangerous beauties, corrupting beauties, and immoral beauties? Perhaps so. The prose of Flaubert, the imagery of Baudelaire, the harmonies of Wagner, Scruton points out, have all been accused of immorality, by those who believe that they paint wickedness in alluring colors. Is it right to say there is more beauty in a classical temple than a concrete office block, more beauty in a Rembrandt than in an Andy Warhol Campbell Soup Can? Can we even say, of certain works of art, that they are too beautiful: that they ravish when they should disturb. But while we may argue about what is or is not beautiful, Scruton insists that beauty is a real and universal value, one anchored in our rational nature, and that the sense of beauty has an indispensable part to play in shaping the human world.
Forthright and thought-provoking, and as accessible as it is stimulating, this fascinating meditation on beauty draws conclusions that some may find controversial, but, as Scruton shows, help us to find greater meaning in the beautiful objects that fill our lives.
Aesthetics as an independent academic discipline may have faded with the 19th century, but in Roger Scruton's vigorous, decidedly unfashionable little book, Beauty, it's as timeless as ever. An investigation into the nature of the ineffable -- how, and what, shapes our experience of beauty -- his treatise is more an inquiry than an answer. Scruton is, by training and by temperament, a philosopher, and he approaches his analysis with a logician's steady reason. Beginning with a series of platitudes -- "Beauty pleases us," "Beauty is always a reason for attending to the thing that possesses it," and so forth -- and continuing through its pages, he tries to distill what exactly is meant by this vexing term. Beauty is, for Scruton, a rational but almost spiritual process of encounter between beholder and beheld -- be it a landscape, a painting, a simply arranged table. "When looking on the world disinterestedly," he writes, "I don't just open myself to its presented aspect; I bring myself into relation with it, experiment with concepts, categories and ideas that are shaped by my self-conscious nature." But it's easier to say what Scruton thinks beauty isn't. He's at his most passionate (and least cogent) when on the attack, lashing out at contemporary art and postmodern desecration. Scruton can come across as curmudgeonly and prudish (a British academic could not sound more uncomfortable talking about "the 'convict' style of black American 'gangstas' "), and, despite all his logical contortions, a bit imprecise. But then, it's only because he has picked, pointedly, the one subject that defies rational explanation. --Amelia Atlas


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Add your Comment
YouTube link
Dailymotion link
This video lecture from Introduction (F.Sc. first year Biology) covers different methods of disease control in living organisms including preventive measures, vaccination/ immunization and drug treatment/ Gene Therapy. It also Includes a brief study of protection and conservation of environment using Bioremediation. Find more e-learning material and educational video lectures in Urdu at maktab.pk. These videos are free to use for promotional and commercial purpose by keeping the credits to Maktab.


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My Nonprofit Reviews
Happy Adopter
Review for Animal Defense League, San Antonio, TX, USA
I volunteer at the Animal Defense League as often as I can, as ADL really makes a difference in our community by being one of the only alternatives for neglected, abandoned or injured cats and dogs. The hospital and their staff are amazing and truly show these animals kindness and love, besides all of the necessary medical treatment, shelter and food. ADL has very creative volunteer opportunities so there is always something new and different to do, no matter your age or experience. Their programs are always focused on making things better for the animals, so you always feel that you really made a difference during the time that you volunteer.
Review for Animal Defense League, San Antonio, TX, USA
We adopted our dog from ADL as a Christmas present for our daughter. When she got him, she said that it is the best present that she ever received - and he still is! Adopt from the ADL!!
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Give it more exposure


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Students organize independently to publicize KONY 2012 campaign
By Nick Neely, News Reporter
First-year Darien Upshaw organized a Kony 2012 event on his own. The event, Cover the Night, took place at sunset on Red Square April 20 at 7:30 p.m.
"I felt like this needed to happen," Upshaw said.
April 20 was the date of Cover the Night, according to the Invisible Children website. The Cover the Night event was dedicated to raising awareness about radical Ugandan warlord Joseph Kony and his enslaved child soldiers.
Kony kidnaps these children and forces them to kill one another and their families. Kony has roughly 300-400 of these children, Upshaw said.
Students congregated at Red Square and discussed the events taking place in Uganda as well as put up posters about Kony around campus.
"The reason we want such a big group there is because we want to talk about what's going on," Upshaw said before the event.
Different organizations have suggested solutions to this problem. According to its video, the Invisible Children organization has sent representatives to discuss a peaceful resolution with Kony. The United Nations has also tried to intervene. However, Kony continues to wage war with his captured children.
"A lot of people are discussing a military intervention, a lot of people are talking about funding," Upshaw said.
Invisible Children is an organization created to rescue and rehabilitate Kony's child soldiers by spreading awareness and gathering funds for the aid of these children. The movement started in 2002 and has recently resurged in popularity, Upshaw said.
This resurgence is due to a viral video created by Invisible Children's co-founder, Jason Russell.
"They're [the videos are] a powerful thing, and they're the way to go if you want any kind of social movement to happen," Upshaw said.
This new video started the Kony 2012 part of the Invisible Children movement, which seeks to raise awareness and action regarding Kony.
The most powerful things about viral videos is that they are less time consuming to watch, making them more popular with younger people, Upshaw said.
"It makes it simpler, it makes it faster," Upshaw said.
Upshaw said the negativity following the initial Kony 2012 video was to be expected and even though there is controversy surrounding Russell, his video still did good for child soldiers in Uganda.
While the Invisible Children organization does visit schools to give presentations, they will not be attending the event at Red Square. Invisible Children visited PLU once before, Upshaw said.
Upshaw is not part of the on-campus Invisible Children club.
Senior Frank Roberts said he disagrees with the methods the Invisible Children organization's methods.
"Overall, I think it's [the KONY 2012 campaign] got very good intentions and it comes from a really good place. I just think it oversimplifies it."
News Editor Amelia Heath contributed to this article.


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I've got a Calphalon santoku. Calphalon here in Toronto runs knife skill classes and I fell in love with the ergonomics of the knife. Here's a link to the model: http://tinyurl.com/hod8l
My problem: I can't use a normal honing steel, because the steel of the knife is too hard. No problem I thought, I get myself the recommended diamond honing steel, specially manufactured for the knife.
The question I've got: The diamond steel seems to be incredibly harsh. I've used it as I would have used a normal honing steel and while it does get the knife sharp, I am worried that it is creating a micro serration. There are certainly scratches on the blade now and that's not a good thing, right? My other main knife is a Wusthof and when freshly honed it will glide through a piece of kitchen paper held between two hands. The Calphalon will....stick, as if the blade had nicks in it. It's hard to explain without feeling the difference.
So, does anybody know how to properly use a diamond steel? Is is a sharpening steel, meaning I should pull the knife away from the edge, like I would when using a stone? Or is it a honing steel and should I push towards the blade? Did I fall for a clever marketing trick and should I just return the damn thing?
I'm confused.


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Live Commentary
FULL-TIME - A draw was probably a fair result in the end as both teams enjoyed spells of concerted pressure. Both goals were scored by Stoke players (best to keep that quiet around Peter Crouch though) with Jerome's solo equalizer a joy to watch.
90' + 5'Yellow Card Steven Pienaar
90' + 5'Wow! And the last kick of the game almost sees Stoke score the winner! The ball is laid off by Etherington from the free-kick and Huth drives in a rasping shot. It is deflected off of the wall and is awkwardly caught by Begovic
90' + 4'You'd think this would be a last chance for Stoke who win a free kick about 30-yards outside the area. Dangerous position.
90' + 3'And Jones fires over the bar! That was a nervous few moments for Everton. First the ball finds its way to Huth outside the six-yard box but he volleys the ball into a defender.On the end of a wicked deflection is Kenwyne Jones who, under a lot of pressure, fires wildly over the bar.
90' + 2'Stoke aren't done yet though and win a corner in the dying stages.
90'Everton still doing the majority of the pressing, most of the wide play coming from either Pienaar, and more surprisingly, Fellaini. The Belgian is popping up in all of the Toffees' attacks in this last period of the game.
89'SubstitutionLeon Osman James McFadden
87'A half-chance for Ricardo Fuller as a ball is played through to him. It looked easy for Jagielka to deal with the ball but he miscues his clearance and it runs through to the striker who, off balance, skews the ball wildly over the bar.
84'Everton are now the ones pushing harder for a winner as gold bodies stream forward. Stoke however are defending valiantly and manage to get away with a scramble in their own box which is eventually dealt with by Fuller.
81'Osman again finds space in a dangerous central position just outside the area, but his effort is tamely hit into the arms of Begovic.
79'SubstitutionMagaye Gueye Denis Stracqualursi
79'Everton are just having to defend now as the home-side continue to crank up the pressure. Moyes' men manage to get a rare glimpse forward, but Stoke have bodies back and are able to clean up and mount another foray into the opposition half.
76'And the pace of the other Stoke substitute, Ricardo Fuller, almost pays dividends. The Jamaican picks up the ball on the left and proceeds on a determined run, managing to cut between two Everton defenders, get to the byline and force a corner. Who said Stoke were just a long-ball team?
74'Everton try to respond from a corner on the left, but the header by Cahill floats untroubled over the bar.
71'That was a great solo goal from Jerome, and a great piece of tactical play from Pulis. He knew Crouch's aerial presence wasn't going to trouble Everton and so mixed it up with a bit of pace. The away side were still in battering ram mode and couldn't adjust quickly enough.
69'Assist Matthew Upson
69'Goal Cameron Jerome
GOALLLLL! Tony Pulis resorts to plan B by bringing on Cameron Jerome, and it works wonders! His injection of pace sees the Everton defence scrambling as he burst through the middle. And despite being outnumbered, the striker pulls the trigger from just outside the area and manages to knock the ball over a diving Begovic. 1-1
67'SubstitutionRory Delap Glenn Whelan
67'SubstitutionPeter Crouch Cameron Jerome
67'SubstitutionJonathan Walters Ricardo Fuller
65'The Distin and Jagielka are doing brilliantly to nullify Stoke's aerial threat. As a result, despite the home side having been on the front foot for a while now, they have not been able to find an opening. Everton are just looking for the perfect chance to break.
62'Yellow Card Ryan Shawcross
62'Stoke are beginning to pile on a bit of pressure, but Everton are dealing with it well thus far. They win a free kick just inside the Stoke half.
59'Another penalty shout as Jones is pulled down in the area, but once again the referee is having none of it.
56'Osman is Everton's dangerman. The away side once again find themselves on the break with Pienaar on the right. He brings the ball deep into the opposition half with the Stoke defenders desperately chasing back, and pulls the ball back into the path of Osman who has taken up a superb central position in the box. However he scoops his shot high, wide and not very pretty.
54'Yellow Card Marc Wilson
53'A handball shout for Everton as Osman hits the ball against the chest of Wilson. The winger had embarked on a mazy run into the area, beating 3 Stoke defenders before his curled shot is blocked.. Everton are adamant it was a handball, but the referee got it right.
52'Stoke ARE managing to get the ball to the heads of Crouch and Jones but the strikers are being wasteful with their flick-ons. They are giving the ball back to the opposition who then have tonnes of space to work with on the counter.
49'Everton seem to have the wind in their sails after scoring that goal late in the first-half, and are teasing the Stoke midfield with a string of fluid passing passages in the middle. Not going very far with it so far though.
46'And Everton get us back underway here.
Everton won't be bothered though. As things stand, they are set to go 5 points clear of Liverpool in the Premier League standings. Seems as if the country's Blues are overpowering their red counterparts of late.
Stoke were by no means second best in the game, and will be disappointed to go into the break a goal down. there's no doubt Tony Pulis will be more annoyed about the avoidable manner in which the goal was conceded.
Half-time! Everton lead 1-0, but to be honest either team could have found the opener. It was fitting then for the first goal to come in such a scrappy manner.
45'Own Goal Peter Crouch
AND IT'S A GOAL FOR EVERTON! Crouch's goalscoring heroics continue, only this time at the wrong end of the pitch. An Everton free-kick just inside the opposition half is whipped into the Stoke area and is woefully defended. Begovic temporarily saves, but the ball manages to deflect back off of Crouch.
41'Ahhh and Pienaar goes agonisingly close. He leaves his marker for dead on the left, cuts inside and bursts into the area before unleashing a vicious shot which Begovic does well to get a hand to.
38'This match is the footballing equivalent of a Grandfather clock as the momentum swings back in Everton's favour.. It's a very open game and it would take a brave man to bet on who scores the opener
35'And it's the hot-shot Croatian, Jelavic, who is the next to come close. Whether or not he knew anything about it though is another story. A brilliant piece of wing-play from Gueye sees him get to the by-line and pull the ball back into the opposition area. It skids past a number of bodies, including Stoke's defenders, and is majestically shinned just over the bar by Jelavic. If he scored that, he would have claimed he meant it. He didn't.
34'Reasonably end to end here, with both teams having had moments to strike.
31'OHHH! And Stoke come close again, and surprise, surprise, it's from a Delap throw. He rifles in an angled ball towards Crouch who meets the ball with his head 6 yards out. Yet Howard is equal to it and, falling backwards, pulls off a magnificent save to tip the ball over the bar. Close
29'Osman is Everton's main point of attack so far, and it is he who finds a pocket of space in a central position just outside the area. However is driven shot is once again directed straight into the arms of a grateful Begovic.
27'Stoke get lucky with some sloppy defensive work. First Fellaini finds heaps of space in the penalty area but strikes his shot against Shawcross. Yet the ball pings out to Osman in a similarly dangerous position in the box, but he fires an effort straight into Begovic's arms. that could have been worse for the home side.
24'This is the most I've seen a team struggle from Delap's throw-ins this season. The visitors are left to struggle with two such throws in quick succession, the first leaves Howard flapping and the second is almost bundled in by the Everton defenders who eventually boot the ball out of danger.
22'SubstitutionVictor Anichebe Magaye Gueye
21'The majority of play has undoubtedly swung back in Stoke's favour, as they continue to barrage Everton's back four. Meanwhile, Anichebe is struggling here and will be subbed for Gueye. The Nigerian has spent more time on the floor than on his feet this half.
18'Ahhh, and it's the artillery's chief commander who almost creates the opener for the home side. Rory Delap cranks up his cannon of a throw and launches the ball to the head of Huth who sees his looped header nestle on the top of the net.
17'As is the cliche, Stoke are resorting to long balls into Everton's half, particularly with the monstrously huge pairing of Kenwyne Jones and Peter Crouch up top. However the Toffees are dealing well with the artillery.
14'And it's Etherington who attempts an audacious chip-cum-volley from just outside the area, after spotting Howard slightly off his line. However his effort sails harmlessly over the bar.
12'Stoke are however looking dangerous on the break in wide positions , particularly in the guise of Etherington. He whips in another ball into the opposition box, but Walters cannot leap high enough to get a head to it. If that landed to Crouch, it may have been a different story
10'Despite Stoke having the best chance, it is all Everton now. The Potters' defenders can't seem to clear beyond the opposition's midfield and it gives them the chance to build. One such move sees Jelavic charge down the keeper who dangerously kicks the ball against him .
8'Considering the size of Anichebe, he went down very easily. Crumpled under his own weight perhaps?
7'Everton putting pressure on the Stoke back-line now. First they win a corner, and then Anichebe holds the ball up in the area and feels he deserves a penalty after Shawcross pulls him to the ground. Nothing given
4'WOW! That could and maybe should have been the opener for Stoke. Delap winds up one of his huge throws on the rifght and rockets the ball into the area. It lands to Huth with his back turned, who subsequently performs a ballet routine and arabesques the ball into Howards hands..
2'Everton (playing in their rather dashing gold away kit) think they win a free-kick on the right apex of the area, but the referee deems it obstruction by Anichebe on the floor.
1'And the red and white striped Stoke get us underway here!
As always, the atmosphere at the Britannia is bouncing. The Potters fans really know how to whip up a football frenzy. They have every right to be confident as they are unbeaten in their last six games against Merseyside opposition.
Everton will be hoping to consolidate their place above their Merseyside rivals with a win here tonight. If they manage to hold on for the rest of the season, it will be the first time since 2004 that the Blues have come out on top against the Reds.
A nice little stat; if Nikita Jelavic scores two or more goals vs. Stoke, he will be the first player in Premier League history to score this amount in four consecutive games. He's certainly been an inspired signing by David Moyes.
Everton: Howard, Hibbert, Heitinga, Jagielka, Distin, Cahill, Osman, Pienaar, Fellaini, Jelavic, Anichebe Subs: Mucha, Coleman, Duffy, Barkley, Stracqualursi, McFadden, Gueye
And because I'm nice, I'll start you all off with the team news: Stoke: Begovic, Huth, Shawcross, Upson, Wilson, Whitehead, Delap, Etherington, Jones, Walters, Crouch Subs: Sorenson, Shotton, Woodgate, Whelan, Palacios, Fuller, Jerome
Hi everyone and welcome to this evening's match-up between Stoke City and Everton at the Britannia Stadium. Tell me your thoughts @CWinterford or via our official Twitter page @GoalUK


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THE SHAPE OF THINGS TO COME (REISSUES AND ANTHOLOGIES) By Michael McDowell
YOUNG WINGS CAN FLY: In one of the most ambitious reissue projects seen in some time, the enigmatic WJBK label has released the first eight installments of what promises to be an ongoing CD series, WJBK Hits, chronicling the most rare and overlooked singles from the weekly surveys of the legendary suburban Detroit radio station's prime run between 1956 and 1964. Editor/Publisher Michael McDowell has the story below (Click on above image to enlarge).
The Majic Ship
(Gear Fab)
Upon emerging from a brief sabbatical slightly more than twenty years ago, Roger Maglio's Littleton, Colorado-based Gear Fab label literally hit the ground running. Since that time, it has more than sustained its momentum as one of the premier reissue labels in all of music.
Appropriately and somewhat inevitably, Gear Fab has come full circle with this expanded edition of one of its earliest and most acclaimed collections. First issued in late 1997, The Complete Authorized Recordings brought together for the first time the richly diverse works of this ambitious Long Island quintet. The original project was presented in a manner not unlike Tommy Roe's late 1969 Twelve In A Roe anthology album for ABC Paramount, in which excerpts from interviews with Roe introduce each track in the album itself. Maglio followed suit with this Majic Ship project, providing valuable first hand observations into the legacy of this somewhat enigmatic band.
For the twentieth anniversary reissue, Gear Fab dropped the jewel case format used for the 1997 edition and added a bonus track, an expanded essay and newly discovered band photos. But as before, the music nonetheless takes center stage here. Featured of course is their 1969 signature cover of Sam and Dave's You Got Me Hummin' (originally issued as a single on the Crazy Horse label), as well as their entire 1970 album for Bel-Ami Records and their unique takes on Sir Mack Rice's Mustang Sally, the Tokens' Green Plant, Buffalo Springfield's For What It's Worth and Bert Sommer's And When It's Over.
With another installment in their ongoing Psychedelic States series (with the next one spotlighting West Virginia) and a CD reissue of the hopelessly rare 1971 album by the Pearl River, New York-based quintet Daybreak scheduled for July 2017 release, Gear Fab's momentum is happily continuing unabated. In the meantime, this upgraded Majic Ship collection is, in the words of one of the band's signature tracks, an On The Edge essential.
Roy Orbison
(Legacy Recordings)
Upon rare occasion, an artist comes along who is so prolific over an extended period of time, that their work actually sounds like the creation of several different artists, due to inevitable changes in vision and mission statement.
One such performer is the late jazz trumpeter, Miles Davis. By the time his career came to an end with his passing in September 1991, the focus of his current releases was far removed from his acclaimed earlier efforts for Prestige and Columbia.
The same could be said of beloved composer and vocalist David Bowie. When he passed away in January 2016, he left behind more than a half century's worth of work that found him reinventing himself on a regular basis.
The same could be said of beloved composer and vocalist David Bowie. When he passed away in January 2016, he left behind more than a half century's worth of work that found him reinventing himself on a regular basis.
To be certain, the best way to appreciate such an artist is to treat each phase of their work as being by an entirely different performer. Indeed, such an approach would also be fortuitous when taking into consideration the more than three decades' worth of material produced by the subject at hand: vocalist, composer and Vernon, Texas native Roy Kelton Orbison.
Upon launching his career in the early 1950s as a member of the Wink Westerners, Orbison went on to record a number of groundbreaking tracks for such labels as Je-Wel, Sun, RCA Victor, Monument, MGM, Asylum and Virgin. In the process, he amassed a wealth of original material that is regarded in the highest esteem by many.
All of which could well serve to make the project at hand an exercise in futility.
Indeed, to attempt to compress such a vast legacy into a single twenty-six track CD is bound to generate howls of indignation from both the faithful and the casual devotee. Many would contend that his work for Monument Records alone would fill a two-CD Best Of package to capacity. And in light of the recent release of a box set that comprehensively chronicled his tenure with MGM, there has been renewed interest in that phase of his work.
Some may also cite his stature as one of the premier artists of the legendary Memphis-based Sun label and direct their attention to that relatively smaller yet no less impacting chapter of his career. Still others would hail his 1988 comeback single, You Got It and his concurrent work as a member of the Traveling Wilburys, immediately prior to his tragic and unexpected passing at age fifty-two in December of that year.
Some may also cite his stature as one of the premier artists of the legendary Memphis-based Sun label and direct their attention to that relatively smaller yet no less impacting chapter of his career. Still others would hail his 1988 comeback single, You Got It and his concurrent work as a member of the Traveling Wilburys, immediately prior to his tragic and unexpected passing at age fifty-two in December of that year.
Indeed, one could also rightly contend that a collection of career defining tracks which omits his larger than life mid-1965 farewell single for Monument, (Say) You're My Girl has no right to be referred to as a "Best Of" collection. The exclusion of such similarly essential fare as Goodnight, Working For The Man, Uptown and Breaking Up Is Breaking My Heart only serves to underscore the point, as does the fact that several far more comprehensive (and no less essential) multi-disc CD sets containing most of those key tracks have all surfaced within the past decade.
So what does a single disc billed as The Ultimate Collection include that would be worthy of such a distinction? There are of course the obvious Monument-era tracks such as Oh Pretty Woman, Crying, Only The Lonely, Dream Baby and Running Scared. His MGM work is represented by Crawling Back, Too Soon To Know and the wonderful Ride Away. And while the earlier Sun era material relies on the obvious and often covered Ooby Dooby to represent it, the inclusion of You Got It and two Traveling Wilburys tracks will likely serve to sustain the interest of those who discovered his art in the home stretch.
Assembled by Orbison's son, Alex Orbison, The Ultimate Collection is certain to be a point of contention by title alone with the purists, who have their own individual perspectives on the issue of "ultimate". That said, with its emphasis more on Orbison's rocking material and a reasonable cross section of his discography, this latest addition into the fold will certainly (to invoke the title of one of his classic singles for Sun) add admirably to what is already a very full Rockhouse.
Dee Dee Sharp (ABKCO)
Dee Dee Sharp (ABKCO)
One of the great injustices in rock and roll history was the decades long unavailability of the majority of the catalog of the Philadelphia, Pennsylvania-based Cameo/Parkway family of labels.
From late 1956 until its untimely demise in early 1968, Cameo, Parkway and its family of affiliate labels (including Wyncote, Winchester, Sentar, Vando, Fairmount, Lucky Eleven, Showplace, Windy C and others) set the bar high with a richly diverse and world class artist roster. Just a random sampling of the artists whose work graced those labels more than underscores the point, including Charlie Gracie, the Storey Sisters, Bobby Rydell, the Mike Pedicin Quintet, the Applejacks, Chubby Checker, Ray Vernon, John Zacherle, the Rays, the Dovells, the Turbans, the Orlons, the Tymes, the Kinks, Sounds Orchestral, the Rag Dolls, the Three And A Half, the New Colony Six, Evie Sands, Bob Seger and the Last Heard, the Olympics, the Rationals, Bunny Sigler, Terry Knight and the Pack, Frankie Beverly, the Ohio Express, Eddie Holman, the Yellow Payges, the Five Stairsteps, Chris Bartley, the Bossmen, Candy and the Kisses, Question Mark and the Mysterians, Lonnie Youngblood and Clint Eastwood.
Soon after Cameo/Parkway's demise, its catalog's continued availability fell under the jurisdiction of the ABKCO label. For several years, ABKCO kept select highlights of the label's archives in print on vinyl, including a handful of Various Artists album collections and in demand singles, including Chubby Checker's cover of Hank Ballard and the Midnighters' The Twist, the Tymes' So Much In Love and Bob Seger and the Last Heard's East Side Story and Heavy Music.
However, other than occasional appearances on Various Artists CD compilations of questionable origin in the late 1990s, much of the Cameo/Parkway archives lay dormant until the first decade of the twenty-first century. At that time, ABKCO tested the waters with a highly acclaimed CD box set that showcased a diverse overview of the label's legacy.
Soon after, an agreement was reached with the Collectors Choice label in the United States and Ace/Big Beat in the U.K. to once again make available some of the highlights of Cameo/Parkway's album legacy in the CD configuration. Impeccably produced and highly acclaimed collections featuring the works of Bobby Rydell, the Rationals, Clint Eastwood, Chubby Checker, the Orlons and Terry Knight and the Pack followed suit. However, not long after their release, the Collectors Choice label ceased operations, once again derailing the overall mission statement's momentum for a season.
Happily, ABKCO itself is now attempting to pick up some of the slack. To its considerable credit, it has opted to go the ambitious route with this latest reissue.
One of Cameo's most beloved and impacting solo artists was the Philadelphia born vocalist and pianist, Dione "Dee Dee Sharp" LaRue. Not long after signing with Cameo, Sharp earned widespread critical acclaim for her duet single with Chubby Checker, Slow Twistin'. A series of engaging solo singles for Cameo followed, including Ride!, Gravy, Wild, Do The Bird, Deep Dark Secret, Where Did I Go Wrong, Let's Twine and the utterly stupendous late 1965 monster classic, I Really Love You. Sharp also worked alongside label mate Bobby Rydell on Cameo's influential You Be A Disc Jockey instructional album.
From the onset, Sharp's considerable vocal prowess made a considerable impression on label heads Kalman "Kal Mann" Cohen and Bernard "Bernie Lowe" Lowenthal, as well as Cameo's resident musical director, Dave Appell. Although Mann, Lowe and Appell usually combined their formidable technical acumen to create highly refined and personalized material and arrangements tailored to each individual artist, they upon occasion would incorporate the creative vision of each artist into the project(s) at hand (most notably with Charlie Gracie, who was and is a virtuoso guitarist). In Sharp's case, so impressed were Mann, Lowe and Appell with the results of her 1962 debut LP, It's Mashed Potato Time, that in mid-August of that year, she was sent to New York City (in tandem with the aptly named vocal trio, the Cameos) to bring to fruition her personal musical vision by recording this extraordinary and ground breaking second album.
To be certain, Sharp was no stranger to Gospel music. The granddaughter of a Baptist minister, Sharp had frequently led worship services at her grandfather's church. For a season, she also worked alongside the late Thomasina Winifred "Tammi Terrell" Montgomery in the All-City Philadelphia Choir. And while the resultant Songs Of Faith was a considerable departure from that which had defined her work to date, the project proceeded with the label's blessings.
To that effect, Songs Of Faith drew from a wellspring of some of the best known Gospel standards of the day. They include Thomas A. Dorsey's Peace In The Valley, Al Hibbler's He, Frankie Laine's I Believe, Les Paul and Mary Ford's Vaya Con Dios, Stuart Hamblen's It Is No Secret (What God Can Do) and the Mahalia Jackson/Laurie London staple, He's Got The Whole World In His Hands.
Happily, the mission statement did not lose its primary focus through the inclusion of such peripherally Gospel favorites as Edna McGriff's Heavenly Father and Richard Rodgers and Oscar Hammerstein's Climb Ev'ry Mountain (from the soundtrack of The Sound Of Music). The Cameo leadership team even contributed commendably and credibly to the proceedings with We'll Walk Together (co-authored by Kal Mann and pianist Jack Pleis, who turned in one of Cameo's best instrumental releases later that year with his All The Hits Of 1962 album) and Mann and Lowe's celebratory I'll Make You Mine.
Apparently aware of the timelessness and crucial impact of the Gospel message, Cameo astutely afforded Songs Of Faith the full benefit of its recent studio technical upgrades. Much has been written elsewhere (including Blitz Magazine's landmark 2016 interview with Bobby Rydell) about how Cameo overcame early technological challenges and created some of the most lavishly arranged and impeccably produced releases of all time under the most challenging of conditions. But by 1962, the label had invested heavily in technical upgrades, recording its best material (including this album) on four track, thirty-five millimeter stereo film, rather than conventional recording tape. The story of those developments was chronicled in detail on the back cover of the original album release and is included in this collection, along with the original sleeve notes by J.P. Byrne (who also did the honors for the aforementioned Jack Pleis album) and an all new essay by Gayle Wald.
Meanwhile, Sharp continued to record for Cameo throughout 1966. After the label's demise, she sustained her momentum into the 1970s with releases for Atco, Gamble and Philadelphia International. And while to date she has not returned to Gospel music in the studio on such a grand level, Songs Of Faith nonetheless continues to serve as a fitting testimony to both her divinely inspired gifts and as tangible evidence of Stuart Hamblen's maxim that It Is No Secret (What God Can Do).
Various Artists (Teensville)
Over the past decade, Ash Wells' Sydney, New South Wales-based Teensville and Rare Rockin' Records family of labels has firmly established itself as one of the premiere outlets that specializes in the reissue and/or continued availability of some of the rarest and essential material in all of music.
In recent years, Wells' extraordinary collections have taken one of two routes. The first features well compiled and lavishly annotated anthologies by individual artists (including Brian Hyland (an overview of his essential work for Philips and Dot), the Cascades, Steve Lawrence (the aptly titled Walking Proud collection), Lesley Gore (Mercury-era rarities), the Castells, Paul Petersen and Danny Williams, as well as a Songwriter Master Series that showcases the compositions of David Gates, Roger Atkins, Ellie Greenwich, Ritchie Adams, Joe South and others). The second is comprised of a wealth of Various Artists compilations that truly rank among the best such collections anywhere, with each following a common thread.
In that latter category, many of the individual collections are particularly noteworthy for including one or two absolute top drawer tracks among roughly thirty or so other first rate rarities. To wit, Teensville's recent Mind Excursion compilation spotlights the Montanas' MAM label-era Suzanne single amidst stellar cuts by the Californians, the Proctor Amusement Company and Something Young. Likewise, the label's Guys Go Pop 1965 package includes the Duprees' 1965 essential high drama Around The Corner single for Columbia and Vic Dana's rocking Blue Ribbons (For Her Curls) B-side alongside world class releases by Jimmy Boyd, Kenny Rankin, Jimmy Griffin and Bobby Hart.
In turn, Teensville's ambitious Guys On 45 release sports Robert Knight's early Dot label gem, Dance Only With Me alongside equally compelling fare by Dean Barlow, Kenny Gamble and Billy Ford. Volume Four of their acclaimed Girls On 45 series follows suit with the great Lynne Randell's Ciao Baby, Diane Renay's Billy Blue Eyes and both sides of Carole Bayer-Sager and Sherry Harway's 1965 MGM single (as Carol and Sherry), Join The World Outside / Watch From The Corner, augmented with magnificent sides by Christine Quaite, Dee Dee Ford, Jean DuShon, Dodie Stevens and Felice Taylor.
All well and good, and all essential. But with this latest collection, the Rare Rockin' Records/Teensville family of labels appears to have outdone itself.
Left In The Can is a modest description of what in reality is an astounding collection that includes thirty less than obvious tracks recorded by the absolute cream of the musical crop between 1960 and 1969. Yet despite the common assumption that some of these artists' vast archives of unreleased material was believed to have been exhausted, this remarkable anthology suggests that such is not the case. And given the level of talent involved, Left In The Can is indeed a most inspiring revelation.
Actually, many of the tracks included here have seen release previously, either through low fidelity online clips or in various CD and/or vinyl reissues (with some being of dubious origin). One such example is the Beach Boys' 1963 uptempo Brian Wilson composition, I Do, as well as Rick Nelson's 1966 country rock era lament, Peddler Man. But this is arguably the most pristine presentation of the overwhelming majority of the selections therein, taken primarily from stereo master tapes.
Irrespective of previous showcases, Left In The Can certainly underscores the notion that the leftovers by artists of this caliber are often on par with their more familiar work. To wit, the late Robert Thomas "Bobby Vee" Velline's magnificent 1963 Three On A Date is arguably one of the most astute commentaries on the multi-faceted negative ramifications of the proverbial love triangle. The Pennsylvania-based vocal virtuoso group known as the Skyliners follow suit with their passionate rocker, Footsteps (intended for release on Calico in 1960). The late, great Charles "Del Shannon" Westover brings the point full circle with his trademark assertiveness and multi-octave vocal range in the Keep Searchin'-inspired Stand Up, a self-penned Liberty label outtake from 1966.
Conversely, the venerable Crests stayed true to the template that worked well for them with Step By Step in their 1960 Coed Records cut, Learning 'Bout Love (with the stereo mix highlighting magnificently their sublime trademark vocal blend). The Ronettes took that idealism to the extreme with the mid-tempo, echo laden, high drama Paradise, which was co-authored by the legendary Harry Nilsson and became a part of their Phillies label repertoire in 1965. And with their career masterpiece, Around The Corner in place that same year, the Duprees made a solid case for Columbia being a more sympathetic outlet for them than Coed had been with the Jackie DeShannon-penned Children And Flowers, proving their competence at the lighter side of first generation garage rock, and inspiring a cover by the Critters in the process.
Left In The Can also showcases several artists seemingly more in their element than their most familiar work would suggest. To wit, much could be said about the late Mary Wells' finest moment being the attitude-heavy Drop In The Bucket, which was recorded in the early 1960s, but not released until it surfaced on a Various Artists compilation in the 1980s. The utterly stupendous Forgive And Forget follows suit here, a Ron White (of the Miracles) composition that brings the high drama of her self-penned Bye Bye Baby full circle. Conversely, Wells' one time Tamla/Motown label mate Marv Johnson herein succeeds admirably with the opposite approach; forsaking his usual upbeat delivery for the introspective and prototypical Northern Soul gem, That's All I Want.
Likewise, the late composer, vocalist and Kansas City native, Eugene Booker "Gene" McDaniels was blessed with an extraordinarily commanding and wide vocal range, not unlike the legendary Roy Hamilton. But while Hamilton consistently soared without peer in a variety of genres, McDaniels for a season focused his commanding vocal delivery on such lyrically vivid material as Tower Of Strength and the utterly stupendous He's Got My Sympathy. 1963's Strange Neighborhood (featured here) suggests a latent desire to think outside of the box; utilizing as it does a metaphorical approach that worked well at the time for Dionne Warwick in Don't Make Me Over and the Impressions in It's All Right, and ultimately expressed with relative candor later that year by Clyde McPhatter in Deep In The Heart Of Harlem.
And while the beloved vocal virtuoso Lesley Sue "Lesley Gore" Goldstein was not exactly out of her element with the earliest phase of her extraordinary body of work for Mercury, the 1965 Van McCoy-penned Happiness Is Just Around The Corner suggests the increasing presence of the high drama approach that was to be found in her subsequent releases, such as My Town, My Guy And Me, I Won't Love You Anymore (Sorry) and California Nights. The same can be said for one time Lesley Gore collaborator Lou Christie's magnificent Jack Nitzsche-produced Watch Your Heart After Dark, the perfect transition track between Crying In The Streets and Wild Life's Season from that crucial MGM phase into the sublimely dramatic Columbia-era Gina and Escape.
In turn, the beloved and prolific vocalist and composer Neil Sedaka was demonstrating an increased propensity for the dramatic in his single releases from late 1962 throughout the remainder of the decade. To wit, his true to form Let's Go Steady Again gave way to such relatively contemplative fare as Bad Girl, The Dreamer, The World Through A Tear and I Hope He Breaks Your Heart. A completely different track from the aforementioned 1963 Bad Girl single, 1962's Bad, Bad Girl (a structural prototype of Let's Go Steady Again) finds Sedaka and long time collaborator Howard Greenfield setting the template for the lyrical reproof and correction to come.
Also prolific in the studio at the time were Sedaka's one time collaborators and RCA Victor label mates, the Tokens. Supremely gifted as vocalists, composers, instrumentalists, arrangers and producers, the Tokens (brothers Phil and Mitch Margo, joined by Jay Siegel, the late Hank Medress and for a season the enigmatic Stephen "Brute Force" Friedland) rose from the ashes of Darrell and the Oxfords (whose singles for Roulette featured Siegel and Medress) and went on to work with such fellow greats as the Chiffons, whose 1967 post-Tokens, Gerry Goffin and Carole King-penned He's A Bad One is featured in this collection. Meanwhile, Sedaka and Greenfield continued their affiliation with the Tokens here via their 1963 ballad, Somewhere There's A Girl, which showcases the Tokens' magnificent vocal acumen quite well.
In 1964, the Tokens endeavored to keep the momentum going for fellow vocal virtuosos, Randy and the Rainbows. The group continued to record for Laurie's affiliate Rust label, as the Tokens brought the Neal Levenson-penned, Don't Worry (I'm Gonna Make It) to their attention.
"From what I remember, we had some extra time while we were in the studio", Randy and the Rainbows co-founder and lead vocalist Dominick "Randy" Safuto recently told Blitz Magazine.
"The Tokens had said they had this song they liked, and said they wanted us to do it. We heard it, liked it and put it together that night, and never heard it until now!
"I think they were going to put another group name on it. But that never came about".
While that ambitious Randy and the Rainbows track was certainly reflective of the overall atmosphere of optimism and unparalleled creativity in the world of music in 1964, the year itself was not without tragedy. Among the influential legends that were lost that year were the beloved R&B visionary Sam Cooke, jazz giants Eric Dolphy and Jack Teegarden, songwriter extraordinaire Cole Porter, country music visionary Jim Reeves, pioneering blues great Cyril Davies, veteran rocker and one time Crickets lead vocalist David Box and the multi-talented vocalist, composer, humorist and actor, Edward Israel "Eddie Cantor" Itzkowitz.
Sadly, Left In The Can also features one of the final sessions by pioneering rocker John Joseph "Johnny" Burnette. Co-founder of the immensely influential Johnny Burnette Trio and co-author (with brother Dorsey) of Rick Nelson's 1958 signature single, Believe What You Say, Johnny Burnette had already established an impressive track record as a solo artist with Liberty when he entered the studio in March 1964 with composer and producer David Gates to cut the lavishly orchestrated and superbly executed I Think She Knows, included here. Tragically, the song never saw release in Burnette's lifetime, as he perished in a Clear Lake, California boating accident on 14 August 1964.
Meanwhile at Liberty, the aforementioned Bobby Vee continued to record nearly twice as much material as actually saw release at the time. By 1966, he had embraced first generation garage rock, resulting in his career-defining interpretation of the Playboys Of Edinburg's sublime Look At Me Girl that year. Around that time, he cut the ambitious He Did A Lot, which ends this collection and would certainly have been an ideal fit for such like minded bands as the Distant Cousins, the Count Five or Terry Knight and the Pack.
Left In The Can also spotlights world class offerings by Ral Donner, the Miracles, the Shirelles, Jay and the Americans' Jay Black, the Drifters, Bobby Rydell, Adam Faith, the Everly Brothers, Roy Orbison (the Gene Pitney-penned Darkness), Connie Francis (Old Records, an early profession of the renewed solidarity between rock and roll and country) and Dion DiMucci, making this collection easily on par with Teensville's penultimate collection, Teenage Memories, Volume One. Or as Dion DiMucci somewhat prophetically observed here, as close to a walk down Swingin' Street as can be expected.
Various Artists (WJBK)
Various Artists (WJBK)
"Lack of critical thinking is hurting my brain".
So said one highly respected entertainment industry veteran recently in a spirited social media discussion about the current socio-political climate. Indeed, while invective has become increasingly commonplace in such settings, it can also be inferred that a seeming lack of critical discernment has likewise clouded the vision of many within the musicologist and record collector demographic.
So said one highly respected entertainment industry veteran recently in a spirited social media discussion about the current socio-political climate. Indeed, while invective has become increasingly commonplace in such settings, it can also be inferred that a seeming lack of critical discernment has likewise clouded the vision of many within the musicologist and record collector demographic.
To wit, there remain many who were instrumental in the critical backlash against the protracted aesthetic slump in which mainstream music at large found itself in the late 1960s and early 1970s. To their considerable credit, the faithful stood their ground and took above and beyond the call of duty action by either forming bands (resulting in the so-called punk/new wave revolution of the mid to late 1970s) or by becoming journalists, who picked up the slack in the mainstream and once again made certain that credit was given where credit was due. Indeed, Blitz Magazine was a part of that movement, and remains the lone still active survivor within the genre.
Most curiously, many of those same individuals who took such a groundbreaking stance more than four decades ago are now a regular presence in the aforementioned social media circles. Yet they now espouse a much more conciliatory and much less imaginative perspective on the very subject which had previously so moved them. For example, many within their ranks will post online various musical selections which are to their liking. Often these are tracks that are celebrated and well respected within their circles, and the artists behind them are routinely afforded the admiration, respect and attention that their work deserves.
But instead of singing the praises of that particular piece's merits, the posting is often accompanied by complaints from the one who posted it along the lines of, "I can't believe this never went any higher than number 92 on the national charts", "Why isn't this artist in the Hall?", or "I'm amazed. I didn't think this record would be any good. It was never a hit".
And therein lies the paradox. If the aesthetic merit of a given musical work is subject to its performance on a so called national chart, or whether or not some hall with no public mandate and no more authority to act in that respect aside from that which they have bestowed upon themselves has deemed them worthy of an autographed picture on their wall, then those making such observations have contradicted themselves. For it is often those same individuals who will champion the works of such beloved musical visionaries as the Pretty Things, Ronnie Self, the Chocolate Watchband, Charlie Feathers, the International Submarine Band and Johnny Powers, each of whom enjoyed only modest (at best) mainstream success.
So does the lack of commercial acclaim for those artists infer that the quality of their work is substandard? If that were the case, the ongoing demand that has kept their catalogs in print for more than a half century would not exist. But what is most disconcerting is that those who should know better remain so jaded by their early indoctrination into a system that drilled into them a "charts and radio" method of shaping their musical perspective (and again, this is supposedly a more discerning audience, not the rank and file peripheral "fan" for whom music was little more than background fodder for their personal revisionist history) continue to make such laments, as if they need the permission of the mainstream to proceed with their opinion of a given artist or recording. In other words, an inability to think for themselves. Or, as the astute entertainment industry veteran noted above, "a lack of critical thinking".
All of which makes the project at hand as much of a seeming incongruity as the limited perspective of those who once espoused the height of critical discernment.
From the onset, Blitz Magazine has acknowledged the impact of the legendary Dearborn, Michigan radio station, WKNR Keener 13 and its vaunted air staff (known as the Keener Key Men Of Music) as the single most impacting and enduring influence on our own work. Our ongoing series of salutes to the station's vaunted alumni (which to date has included lengthy dialogues with Jim Sanders and Frank "Swingin' " Sweeney) will resume soon, featuring long time station mastermind and resident visionary, Bob Green.
So, as a radio station with a 32 singles and four album weekly playlist, how could the likes of WKNR be cited as a catalyst for critical thinking? For the simple reason that each member of its air staff brought to the broadcast booth a thinking outside the box mission statement that Green subsequently (and somewhat infamously) referred to as "intelligent flexibility".
In other words, while a weekly WKNR Music Guide provided a template, it soon after their late October 1963 inception became a template without walls. On the spot creativity could prompt everything from the airing of such off the charts moments as Kenny Young and the English Muffins' Mrs. Green and Norma Tracey's The Skateboard Song to customized renditions of crucial classics (with Edwin Starr re-cutting his landmark 1966 Ric-Tic label Stop Her On Sight single as Scott's On Swingers, as well as first generation garage rock greats the Shy Guys reinventing their signature Palmer/Panik label single, We Gotta Go as The Burger Song as tributes to Keener Key Man Scott Regen, not to mention Keener's J. Michael Wilson himself overdubbing the New Vaudeville Band/Dana Rollin smash, Winchester Cathedral and the Underdogs' Love's Gone Bad with unique vocals by his on air "assistant", Rodney the Wonder Rodent).
Or as Sweeney and Green have both noted, the WKNR experience was a consummate one, not merely filler in between records. That is, the news segments (from their award-winning Contact News team), commercials and inventive (and often adlibbed) banter of the Keener Key Men Of Music was as much a part of the entertainment as the music itself. And instead of the time, temp and call letters soundbite common to much of their counterparts elsewhere (exacerbated exponentially by the rise of the Drake Format prior to decade's end), the Keener Key Men Of Music by example (if not design) articulated their case sublimely, leaving the listener to form their own perspective and draw their own conclusions.
WKNR did this so well, that theirs was the fastest ascent to the top spot in their respective market (Windsor/Detroit) in the history of the medium. By early 1964 (a mere three months after their change of call letters from WKMH, and in the wake of such potentially momentum derailing events as the tragic assassination of President John F. Kennedy and the on air meltdown of morning drive Keener Key Man Mort Crowley as a commentary of sorts against perceived injustices against the station by a local utility company), WKNR was a solid number one, both in its own market and within the industry at large. Throughout those most crucial years in the development of rock and roll (1964-1968), WKNR was one of two stations that routinely broke records nationally, with the rest of the nation's broadcasters following suit weeks (or in some cases, months) later.
While such developments bode well for the WKNR mission statement, it nonetheless came at the expense of others who were long established in the market. Among them was the suburban Southfield-based WXYZ 1270 AM, which at its pinnacle employed such giants of the industry as Dave Prince, Joey Reynolds, Joel Sebastian and Lee Alan (who went on to author an acclaimed book on the subject, Turn Your Radio On). WXYZ soldiered on bravely throughout 1966, finally switching formats to Easy Listening in January 1967.
In turn, the success of WKNR meant the imminent demise of the station that for all practical purposes was its forerunner in terms of that so-called "intelligent flexibility". That station, WJBK made its debut on 07 October 1925 on 1290 AM in nearby Ypsilanti, Michigan. WJBK relocated to Detroit in 1940, at which time it switched its broadcast frequency to 1490.
The station once again took a slight move to the right on the AM dial in 1954, when it ended up at 1500 AM. Two years later, WJBK increased its power to 50,000 watts and concurrently embraced a wide variety of music, with rock and roll in the forefront.
With such formidable and relatively free thinking on air talent as Kemal Amin "Casey" Kasem, Marc Avery, Clark Reid, Robert E. Lee, Bob Edgington and future first generation garage rock giant Richard Terrance "Terry Knight" Knapp (as Jack The Bellboy), WJBK espoused its own version of consummate entertainment, only to be inevitably overshadowed by WKNR's undeniable mastery of the concept. WJBK conceded the race in 1964, persevering throughout the 1960s with a series of variations on the Easy Listening format before changing call letters to WDEE on 26 December 1969 and quickly taking over the reins of the country music demographic from the Royal Oak-based WEXL 1340 AM. Now known as WLQV, 1500 AM features a Christian talk format that includes regular broadcasts by such beloved and influential evangelists as John MacArthur and the late Adrian Rogers, as well as the magnificent John Vernon McGee's renowned five-year Thru The Bible series.
During its formidable run, WJBK also published a weekly Radio 15 Record Review survey, which embraced a much larger and diverse template of seventy-five singles. It is from those most ambitious weekly chronicles that the magnificent CD reissue series at hand takes its cue.
Compiled by sympathetic industry veterans with considerable research and painstaking attention to detail in terms of sonic and visual quality, the WJBK Hits series offers an average of twenty-nine to thirty-two tracks per disc, each taken from the weekly Radio 15 Record Review charts between 1956 and 1964. Every volume features a reproduction of a classic WJBK survey on the front cover, while the back cover chronicles title and artist, year of release, peak chart position on WJBK and whether each track is presented in stereo or monaural (with a most welcome generous helping of stereo whenever possible).
And therein is the key to the thinking outside the box mission statement championed by WJBK, WXYZ and WKNR, and reinforced with this remarkable reissue series. For example, consider the year 1963. While current revisionist history within sympathetic circles continues to summarize the year through a handful of familiar singles (including among others the Kingsmen's Louie, Louie, Steve Lawrence's Go Away Little Girl, Jan and Dean's Surf City, Lesley Gore's It's My Party, the Trashmen's Surfin' Bird, Marvin Gaye's Can I Get A Witness and Dion DiMucci's Donna, The Prima Donna), WJBK (and before year's end, WKNR) took a much broader perspective on the musical landscape, both then and as commemorated within this CD series.
For while those aforementioned singles were a key part of the WJBK canon, so were a wealth of releases that were as integral to their focus, yet which remain largely overlooked by the supposedly sympathetic demographic that curiously continues to defer to mainstream outlets to dictate their taste for them. WJBK Hits sets the record straight accordingly, including among the eight volumes such landmark 1963 releases as the late, great James Louis "Jimmy Soul" McCleese's tongue in cheek romp, Go 'Way Christina, the Temptations' pre-David Ruffin Farewell My Love, the Chordettes' vocal harmony rich True Love Goes On And On, Nina Simone's extraordinarily thinking outside of the box live rendition of Little Liza Jane (which was inspired in part by composer Stephen Foster's 1850 standard, Camptown Races and which was honed to perfection via its impassioned live duet performances by banjo virtuosos Louis "Grandpa" Jones and David "Stringbean" Akeman), Nancy Sinatra's commendable take on Peter, Paul And Mary's The Cruel War, beloved country rock pioneer Big Al Downing's Mister Hurt Walked In, veteran rocker Jimmy Clanton's ambitious Red Don't Go With Blue, Baby Jane and the Rockabyes' Bert Berns-produced exercise in vocal euphoria Hickory Dickory Dock, Preston Carnes' high drama ballad Someone, Herb Alpert's masterful vocal ballad (as Dore Alpert) Dina, the Pennsylvania-based Classmen's Limelight label upbeat rendition of Bobby Helms' My Special Angel, actress and vocalist Noreen Corcoran's essential Vee Jay label Love Kitten single, the great Vic Dana's unique take on Vernon Dalhart's The Prisoner's Song, visionary blues rocker T-Bone Walker's Cold, Cold Feeling, the Darlings' Mercury label mid-tempo tale of woe Two Time Loser, the Jaynettes' magnificent Keep An Eye On Her, the legendary Waylon Jennings' utterly stupendous A&M label ballad Love Denied, Boot Hog Pefferly's cover of Clyde McPhatter's I'm Not Going To Work Today, Danny Wayne's stupendously hard rocking Card label single You're Wrong, the O'Jays' magnificent Stand Tall, the Appalachians' variations on a theme by the Coasters (Over Yonder), and the late, great vocal virtuoso Dean Martin's sublime take on the Ray Peterson interpretation of Corrina, Corrina.
As if that poignant cross section of groundbreaking music from 1963 alone was not enough, WJBK Hits at large combs the station's playlists in depth to emphasize just how richly diverse was the musical landscape throughout their run at the top throughout the late 1950s and early 1960s. Among the many, many highlights are Ruth Brown's repertoire-expanding What Happened To You, the Four Aces' inventive rearrangement of Ace Brigode's 1925 standard Yes Sir That's My Baby, James Hugh "Sonny James" Loden's engaging cover of Hank Williams' Lovesick Blues, Rusty Draper's arguably definitive rendition of the Hollywood Flames' larger than life rocker Buzz Buzz Buzz, the Rev-Lons' wonderfully screwy After Last Night, the Tarriers' Kingston Trio-inspiring Pretty Boy, Hank Snow's uncharacteristic My Arms Are A House, the Delroys' brilliant Bermuda Shorts, the Adorables' euphoric Deep Freeze, Boyd Bennett's risk taking cover of Dickey Doo And The Don'ts' Swan label monster classic Click Clack (risk taking in that covering such a landmark record basically amounts to tackling absolute, utter perfection, which Bennett nonetheless did most admirably here), the Four Tunes' somewhat bizarre take on the Sons Of The Pioneers' Cool Water, the late vocal powerhouse David Whitfield's majestic rendition of I'll Find You from the motion picture Sea Wife (which the legendary Ron Goodwin also recorded as an instrumental for Capitol), the Rockaways' Red Bird label prototypical garage rock and surf rock hybrid Top Down Time, the Couplings' Josie label rendition of the rocking Young Doves Calling (which shared the spotlight with a determined take by the Mudlarks),the late Debbie Reynolds' dramatic I Saw A Country Boy, and the Surfaris' straight ahead hot rod rocker, Boss Barracuda. Others among the too numerous to mention essentials include worthwhile and less than obvious contributions by the Clovers, Del Vikings, Miles Stone, the Secrets, Hank Ballard and the Midnighters, Tony Williams, Bill Haley and the Comets, the Tymes, Bill Doggett, the Fiestas, JoAnn Campbell, Barbara and Brenda, the Dave Clark Five, the Darnells, Jackie DeShannon, Clairette Clementino, Diane Ray, the Cascades, Otis Williams and the Charms, Dee Edwards, Johnny Faire, the Society Girls, Billy Eckstine, Dotty and Kathy, Steve Lawrence, the Percells, La Brenda Ben, the Victorians, Count Basie with Joe Williams, O.C. and the Holidays, the Playmates, Henrietta, Jerri Adams, Kay Starr, the Darnells and the Prodigals.
"Some of the best music ever made", said CKLW veteran and renowned musicologist and music historian, Ric Allen. Allen was not a contributor to the WJBK Hits series, but nonetheless regularly chronicles the subject masterfully via such online sites as Michigan Music, as well as his own Facebook page.
"And some of the rarest, rather than the same 600 to 800 songs we currently get crammed down our throats".
While by its very nature the series is both a very limited pressing and available only in select outlets, WJBK Hits is nonetheless an inspiring and essential enough project to hopefully prompt some of the faithful to reassess their own self-imposed limitations and engage in a bit of that critical thinking necessary to both procure it and raise their own bar back to the high standards they have long professed to champion. Or, in the words of one of this series' most endearing tracks by first generation garage rockers, the Mojos, Everything's Alright.


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|12 Nov 2013
window 7 ultimate 32bit
BSOD coming every time
Hey guys please help me , i m getting BSOD ever time & its have been 1 month to got this problem on my pc.I cleaned every thing on my pc but it doesn't work .I got a "ntoskrnl.exe" problem from my pc & i uploaded some file soo please help me !
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|12 Nov 2013
Windows 10
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Swiss parliament backs US-UBS tax deal
Swiss tax authorities will hand over the details of the accounts of 4,450 UBS clients to the US. These clients are accused of stashing their money in secret Swiss bank accounts to avoid paying taxes. Parliament had to give the deal its approval, as a legal loophole had prevented the data being handed over before now. If the parliament had taken much longer to pass the deal, this would've broken the terms of the US-Swiss tax treaty, and could've sparked a diplomatic incident. Read more: Reuters
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Saturday, March 10, 2012
2012 Reserve Championship - Round 3
4 comments:
What was your thinking behind 4... Nf6? 5. Nxf6 leaves eeky doubled f-pawns.ReplyDelete
@James I intended for him to take, which would bring us into the "Bronstein-Larsen" variation of the Caro-Kann (This was going to be my first time trying it, and I had booked up on it before this game!). The idea is to open up the g-file for my rook for a kingside attack, and I'd castle queenside. The fact that he didn't take it threw me off pretty far. :)ReplyDeleteReplies
Ah! Thanks! (Clicking through some games, it looks interesting! On black, I've loved the Caro-Kann for its stale dependability-- and Bronstein-Larsen seems much too adventurous for my tastes. Still, it's tempting to learn for the its fun/variety.)Delete
In case you were wondering, I've bookmarked your site during my googling for chess in the SD area (possibly move down from L.A. in a few months). Like you, I'm a 1600ish adult latecomer to chess-- so I've felt some kinship following your chess adventures.
How do you feel about studying openings? I've always felt there is more value to investing study-time to tactics & middle-game/endgame theory. And yeah-- it's always annoying when opponent deviate from carefully prepped book variations. -_-


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I just got a call from the U of M. They are more guarded this morning. They still speak in terms of "in a couple of days" what we might be looking at for treatment or "in a couple of days" what we might expect in terms of signs of improvement, but I'm not sure Angeline has a couple of days. Her protein level has decreased slightly and they think she seems a little listless. They are adding something called Hetastarch to her IV and switching some of her medications around to see if they can make a difference. They are also consulting a nutritionist about giving her something called TPN which goes in IV and provides some nutritional support. It won't help her gain any weight but may be able to keep her stable while they work on settling down her guts and getting them able to absorb nutrients again. She will continue to get Clinicare nutrition through her feeding tube. They said her "little gut cells" need to be coated in nutrition to heal themselves. No results from the tests yet, they expect one back this morning to tell us if she is losing protein in her urine (very bad), one this afternoon hopefully to tell us if she has Addison's (normally treatable I guess but not likely in her case), and are starting another one to culture for a few other gastrointestinal things like camplobachter or salmonella. That test takes "a few days".
So I'm not sure where this leaves things except that it leaves me feeling a sense of helplessness, desperation and rage. It is not right that she should fight so hard all on her own and not make it when she is finally someplace she can get help. I try to remember Minnie, she was so thin and weak she could not stand or even sit. It was a few days in the ICU before she took her first three stumbling steps. But Minnie made it and she is healthy, happy and here. I am hoping Angeline can follow in her predecessor's footsteps.
I'll be visiting Angeline this evening and will update afterwards…sooner if I get any other news.
Thanks for reading, thanks for caring about Angeline and please keep her in your prayers.


text: On Wed, 27 Oct 2004 11:00:52 +0200, Martin Dickopp wrote: >> Anybody know what kind of jpeg pictures are playable in normal dvd player? >> >> I burned some, but it seems that DVD players are very picky about the >> pictures they can show. >> >> My DVD player manual can't help me with this. I've looked everywhere, but >> didn't find any relevant information. > > Convert your JPEG pictures to MPEG format and make an ordinary Video DVD > out of these. Any player should be able to play this. > > The mjpegtools can do the conversion. Search the documentation for "MPEG > stills". An MPEG still is essentailly an MPEG video with a single frame, > and can also contain audio which is played while the picture is shown. Thanks, Martin. You are talking about converting jpeg into mpeg movies, but I was talking about viewing jpeg pictures directly by DVD player. Many DVD players claim that they can do it, e.g.: http://www.dtskaraoke.com/auakdvcddvvc.html DVD/CDG/DVD-R/DVCD/DVD-RW/JPEG/VCD/MP3/SVCD/CD-R/CD-RW/CD/Karaoke CD http://www.toshiba.ca/web/product.grp?lg=en§ion=2&group=4&product=2894 DVD * Picture Zoom * JPEG Picture Viewer And mine support mp3 discs and jpeg picture discs... Thanks tong


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Cairo Gossip Login Area
Sun Mar 26 09:00 pm to Mon Mar 27 03:00 am - Ahlein, JW Marriott Cairo Hotel, Ring Road, Mirage City, Heliopolis, Cairo
JW Marriot Cairo Hotel's Ahlein hosts a night of classic Oriental entertainment. For reservations, call 02-24115588.
Sorry, Heidi, Mark and Lara - your names are decaying Egypt's identity....
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Some of the biggest names in local food and drink come together for a huge event at Zamalek's Aquarium Grotto Garden for a day of food, entertainment and more.
Mediterranean jazz is on the menu the menu this Saturday at Cairo Jazz Club, as the enduring bar ends the weekend with local band, El Dor El Awal.
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Wellington, Nov 21: The formation of China-New Zealand comprehensive strategic partnership has "ushered our two countries into a new cooperative era", said Chinese President Xi Jinping in Auckland Friday.
Xi, who is on a state visit to the island country, and New Zealand Prime Minister John Key attended the launch ceremony of China-New Zealand Mayor Forum, Xinhua reported.
Xi told mayors from the two countries that the Chinese and New Zealand economies are "highly complementary" and people from both countries "bear friendly affections toward each other".
He compared the China-New Zealand relationship to an oil painting. "How spectacular such an oil painting can be depends not only on the overall structure but also on its detailed elements."
China has been making efforts to speed up industrialization, informationization, urbanization and agricultural modernization. "Such endeavors provide more opportunities for New Zealand and greater space for bilateral cooperation," he said.
The president urged people of the two countries to seize the opportunities and enhance cooperation in an effort to "paint a new picture of China-New Zealand friendship".
Xi is on a three-day state visit to New Zealand, the first by a Chinese president in 11 years. He is scheduled to fly to Fiji later Friday to continue his South Pacific trip, which has already taken him to Australia.


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A desert critter saved leader Bubba Watson at least a stroke Saturday in the Phoenix Open. Some pigskin play cost Phil Mickelson to the chagrin of the rowdiest fans in the largest crowd in golf history.
The estimated 189,722 in attendance had a lot to see on a sunny, cool day at TPC Scottsdale.
Watson's drive on the par-5 13th went into a desert bush and settled next to a burrowing animal hole that would have interfered with his swing, giving him a free drop.
"Right next to my ball was a burrowing animal hole and my club was going to hit it at impact," Watson said. "So, I got a free drop and could easily wedge it out."
He hit a 150-yard shot to the fairway, followed with a wedge to the fringe and two-putted for par on the way to a 3-under 68 and a two-shot lead.
Without the free drop, he thought he could have played a shorter shot.
"I was looking at a 20- or 30-yard shot," he said.
Watson, winless since the 2012 Masters, was at 15-under 198.
Mickelson made a double bogey on the par-3 No. 16, the 20,000-seat stadium hole where he "lost focus" thinking about throwing footballs into the crowd. The defending champion half-shanked his tee shot left on the 128-yard hole. He followed with a weak flop shot into the bunker, blasted to 8 feet and two-putted.
"It was a gap wedge. It was pathetic," said Mickelson, who finished with a 72 to drop to 3 under.
The tournament set an attendance record for the fourth straight day. Since Monday, an estimated 502,776 people have attended the event. The record of 538,356 was set in 2008.
"It was packed out there," said Kevin Stadler, second after a 67. "It's something you only experience once a year."
European Tour: Defending champion Stephen Gallacher had seven birdies and an eagle on the back nine to surge past Rory McIlroy and take a two-shot lead at the Dubai Desert Classic.
Gallacher tied the tour record for the lowest nine-hole score with an inward 28 for a 9-under 63.
That gave him a 16-under total of 200, with McIlroy in second after 69. Tiger Woods was 11 shots back after a 70.
"This is the best back nine I've had in my career by far," said Gallacher, who began the day four shots behind McIlroy. "So to get myself back into contention when I needed to, and given the stature of this tournament, it feels good."
Woods, who won here in 2006 and 2008, had a disappointing day on the Emirates Golf Club greens. Woods had two bogeys and four birdies but missed a number of opportunities to pull closer.
"I only hit a couple of bad shots, (but) missed a ton of putts," said Woods, who was in a tie for 37th. "Really hit it good but just threw away a lot of shots."


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