text:
iron and ores in pakistan
iron and ores in pakistan
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text:
Karlotta lets your heart beat faster. Princess seams result in a nice fit and flare silhouette and let you feel like a princess or queen. Nonetheless, you can still put your belongings in the side-seam pockets without carrying a big purse around. The Karlotta pdf pattern includes three sleeve variations: tight long or short, or short kimono-style (slightly flare), making it suitable for year round use.
This pattern was originally published in german by So patterns and is here sold in its english translation.
Sizes included are XS-3XL. See pictures for size chart.
Fabric recommendation
Light-weight to heavy-weight woven fabric: cotton, wool, viscose, silk, blends
The pattern is available in pdf format. You need Adobe Reader to open it. This program can be downloaded here.
The pattern includes instructions, recommendations on fabric and notions, fabric requirements, a size chart, sewing tips, instructions on printing and of course the pattern itself. The pdf includes 43 pages (7 pages manual, 36 pages pattern sheet).
Please note that this purchase is for a pdf home sewing pattern of the "Karlotta" (not the actual garment). Upon purchase you will receive an email to download the pattern. Please get in contact with me, if the email doesn't reach you. Check your spam folder first.
This pattern may not be reproduced, copied, shared or distributed in any way. This digital pattern is for private use only. It is not permitted to use this digital pattern for the production of articles for sale. No liability is assumed for any error in the instructions.

subset: commoncrawl


text:
Join Divine Bitches! Download full-length 1h 10min 26sec movie now!
This pathetic loser is going to get dressed up like a little loser by Madeline. She sits him down and makes him look like a woman. He has to look at his wussy face in the mirror. He's wearing lipstick and she puts blush on him as well. She's probably going to make him go out and suck cock to earn his keep as a slave.
- amadeus
- : 3min 55sec
- : 9 Apr 2014
- Exclusive video


text:
I like my scripts to be readable and terse. They're scripts after all and I want to get the most done with the least amount of code. There's a lot to be said for having a readable script but I only value that when I intend to keep the script around for awhile.
PowerShell does not have a ternary operator and that often frustrates me as I end up writing lots of verbose code.
Once again, fix it by introducing a small function into my profile. Not quite a true ternary operator because it evaluates both of the result arguments. But it does the trick for most situations.
function Get-Ternary()
param ( [bool]$condition = $(throw "Need a conditional"),
$valueTrue = $(throw "Need a value for the true condition"),
$valueFalse = $(throw "Need a value for the false condition") )
if ( $condition )
return $valueTrue
return $valueFalse
Now I can type
PS> Get-Ternary $cond 1 42


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Written on: 24/03/2006 by insomniacshopper (2 reviews written)
Good Points
Good battery
Can use Nokia Charger
Bad Points
Not a Lot
General Comments
The Plantronics M2500 is a good bluetooth headset especially as it is a good priced one as well. Controls as said before are a little small but are easy to use. I have had no problem pairing it up to at least 4 phones of different makes so far.
As rated by our community of reviewers
" Stylish & excellent value for money " Read More
Written by Abigailbrahem
" Excellent always works like a treat " Read More
" Works Very Well! " Read More
Written by TanyaK
" Hands Free Bluetoth " Read More
" Does what it says on the box " Read More
Written by Bof49


text:
Below you will find a number of useful resources that are accessible via the Internet or by phone. If you are a victim of crime or trauma and are in need of assistance please contact us at Delta Police Victim Services, 604.940.5019. We would be happy to provide support, information and referral.
|Domestic Violence Helpline, VictimLINK BC. Free, confidential, 24 hours/7 days, multiple languages
|Online Resource for Victims and Witnesses in BC
|Criminal Justice Information and Support
|Community, social, government services – free, confidential, multilingual, professional staff 24/7
|Call 211
|Victim services in BC
|Ministry of Public Safety & Solicitor General
|Applications for financial reimbursement as a result of crime-related losses
|Crime Victim Assistance Program
|To arrange to be notified of an offender's release from provincial custody
|Victim Safety Unit
|Victim of Crime Act
|Legislation & Policy for Victims of Crime
|Search court information
|Court Services
|Information on being a witness in criminal court
|Court preparation
|Testifying in court – choices for youth
|Court Choices
|Preparing a child for court
|Cory's Court House
|Information on all court orders containing protective conditions from BC Courts
|Protection Order Registry
|Lawyer referral, Punjabi and Chinese information
|Legal aid
|Legal Services Society
|Alcohol and drug information and referral
|Dan's Legacy (Addiction/Counseling services)
|Dan's Legacy


text:
The Colby Tribune, Thursday, May 14,
1908, Pg. 8:
Vol. XX1, No. 6
Luther Lacey.
Martin Luther Lacey was born in
Laceyville, Wyoming county, Pennsylvania, April 25, 1832, died May 7, 1908,
Colby, Kansas. At the age of 29 years he enlisted in Kalamazoo, Michigan,
in the Third Regiment Michigan Cavalry, as corporal for three years. He
became Sargeant Major July 8, 1862, was promoted to Second Lieutenant of Company
E, November 1, 1862, was promoted to First Lieutenant of Company H, October 1,
1863, and was promoted to Captain, November 10, 1864. He resigned and was
honorably discharged January 23, 1865. In 1885 he came with his family to
Kansas, moving onto the homestead which he had previously located and which is
still known as the Lacey farm, northwest of Colby. He was twice married.
By the first marriage he had three children, a son in Denver, a daughter in
Topeka, and a daughter in Wisconsin. Three children were born to the
second marriage, one daughter who died in youth, and two sons who are at home.
He leaves a widow, and these children besides relatives and friends. He
was the first Probate Judge of Thomas county, holding office two terms. He
was an honored member of the Masonic Fraternity and G. A. R., both of which
united in conducting the funeral.
"Judge" Lacey, as he was
familiarly known, was one of the men prominent in the history of this county.
He had the honor of marrying the first couple joined after the organization of
Thomas county. He held various offices of trust, always with honor, and to
the very last week of his life never failed to have an active interest in all
matters pertaining to the welfare of the county and her citizens. He was
one of the best posted men in the county and always held an opinion on every
question. He was generous and big hearted, and his services were never
sought in times of need without cheerful response.
The last illness of Judge Lacey
was of about ten day's duration. He slept peacefully away at 3
o'clock Thursday morning at his home in this city.
Funeral services were conducted
from the M. E. church by Rev. Heitmeyer Friday afternoon. The Masonic
fraternity and Grand Army members participated. Interment was made in
Beulah cemetery.
The bereaved wife and children
have the deep sympathy of many friends in this sad hour.


text:
Twenty years ago the Shinnston Alumni Band made a reappearance at the Little League Baseball Field and performed a concert by the old concession stand. And now here we are 20 years later, bigger and better than ever, and in a new performance shell in the Shinnston City Park. My, how times have changed. Thanks to the city, county and state, as well as numerous organizations and private donations that have allowed SCB to grow into the organization it is today. We can only look forward to the next 20 years! THANK YOU!
We are currently rehearsing for the summer concerts. The first one will be held July 1 at the Shinnston City Park. Two days later on July 3 we will be at Palatine Park in Fairmont. Finally we will once again be an "alumni" band when we perform at the Shinnston Fire Department for the Shinnston High Alumni weekend on July 16.
We are always looking for new members so come on out and join us for lots of music and fun! We're on Facebook and you can follow us on Twitter @ShinnstonBand.
Contact Us to become a member of SCB! Rehearsals are held at Lincoln High School on Tuesdays during our Summer and Winter Sessions. Send us an email at firstname.lastname@example.com and we'll get you up to date with info for our next rehearsal.


text:
Status: Closed
Know more about this business than we do? Cool! Please submit any corrections or missing details you may have.Help us make it right
College Tire & Supply is located at the address 483 Georges Rd in North Brunswick, New Jersey 08902. They can be contacted via phone at (732) 545-7887 for pricing, hours and directions. College Tire & Supply specializes in Insurance Claims, Motorhomes & RV's, British.
College Tire & Supply has an annual sales volume of 1M – 1,999,999. .For more information contact Grace Connor, Owner
Be the first NJ.com user to add photos or videos of College Tire & Supply
5 star
College Tire is honest, does good work and reasonably priced. They don't try to sell unnecessary services that chains often do, like fuel system cleaning.
College Tire & Supply Co is located at 483 Georges Rd in North Brunswick and has been in the business of Gasoline Service Stations since 1965.
College Tire & Supply can be found at Georges Rd 483. The following is offered: Tires. The entry is present with us since Sep 9, 2010 and was last updated on Nov 14, 2013. In North Brunswick there are 2 other Tires. An overview can be found here.


text:
Calling all Awesome agents!
With the new BONUS Box of Awesome#5 making it's way to homes around the country, you probably thought life was exciting enough, right? WRONG! Following the huge success of his last addition in the Box of Awesome, we are super-excited to announce the return of the #TotallyAwesome Anthony Horowitz - this time he's dropping some EXCLUSIVE to BOA samplers of his new book, Russian Roulette, into some lucky boxes!
So, we know it's gonna be epic, but what is it all about? you ask. Well, it's the book you've all been waiting for, that's what! Russian Roulette is the thrilling prequel to the Alex Rider series… An international contract killer has been given his orders. His next target is a fourteenyear-old spy … Alex Rider. The man's name is Yassen Gregorovich. He knows Alex well. The two of them share a secret from the past. As he considers his next mission, Yassen remembers the forces that turned him from an ordinary schoolboy into a hired assassin. What is it that makes someone choose to do evil?
We can't wait to get our hands on this book, and we're sure you can't either! So, for a chance to win a SIGNED COPY of Russian Roulette, as well as a bundle of other Alex Rider merchandise, just answer the question that follows this AWESOME trailer!
We hope you watched carefully, agents! To win these amazing prizes, you'll need to tell us:
How much money does the mystery bidder type in for the Gold Coin?
Once you know the answer, just post it in the comments section below (which we will keep top secret) and we'll pick FIVE winners to receive this exclusive prize! The deadline for this competition is the 28th October, so the mission is urgent!
Good luck, and stay Awesome!
Over and out!
Team BOA


text:
Warriors of the Rainbow: Seediq Bale | 2012
Jump to
ARS Film Production
Central Motion Pictures Corporation
Between 1895 and 1945, the island of Taiwan was a Japanese colony inhabited not only by the majority (Han Chinese immigrants) but also by the remnants of the aboriginal tribes who first settled in the mountainous land. In 1930, Mouna Rudo, the leader of one of the Seediq tribes settled on and around Mount Chilai, forged a coalition with other Seediq tribal leaders and plotted a rebellion against their Japanese colonial masters. It was to launch at a sports day meeting where the assembled tribesmen were to attack and kill the Japanese officials. The initial uprising took the Japanese by surprise and was almost entirely successful. But the Japanese soon sent in their army to crush the rebellion. Mouna Rudo knew from the start that the relatively small force of Seediq tribesmen stood no chance of defeating Japan. But he and his allies were sustained by the beliefs and myths which had nourished their tribes. Young males in the tribes had to undergo a rite of passage to become adult men, marked by their facial tattoos. In tribal language, they became Saideke Balai: heroes of the tribe.


text:
- Home
- Download
- Documentation
- Upcoming development plans
- Installation
- Running from source
- GUI Operation
- Command Line Operation
- XBRL Database
- Background
- Architecture, Overview
- Architecture, Model
- Architecture, View
- Architecture, Controller
- API, Python
- API, Web Services
- Plug-in manager
- Package Manager
- Edgar Renderer Installation
- Participate
- Blog
The intent of the model is to provide independence of the eventual serialization of XBRL, which for now is XML. The XSB Strategic Initiatives project has a task to develop an SQL model, which may for a basis for an alternate serialization to be consumed by Arelle.
From the top down, there is the necessity to process multiple instances (DTSes) of XBRL concurrently. A ModelManager coordinates them for the Controller, and is the interface to utility functions (such as the Python web cache), and application specific formalisms (such as the SEC restrictions on referencable base taxonomies).
Each loaded instance, DTS, testcase, testsuite, or versioning report is represented by an instance of a ModelXbrl object. The ModelXbrl object has a collection of ModelDocument objects, each representing an XML document (for now, alternate serialization whenever that time comes). One of the modelDocuments of the ModelXbrl is the entry point (of discovery or of the test suite).
Each modelDocument represents a set of modelObjects, which are specialized as follows according to the type of document. There is also one specialization of modelDocument, which is a modelVersReport, as the versioning report has different objects and methods than from any other XBRL modelDocument.
There is also an inherently different model, modelRelationshipSet, which represents an individual base or dimensional-relationship set, or a collection of them (such as labels independent of extended link role).
The model objects are, from general to more specific:
- ModelObject. Represents any of the modelObjects of a modelDocument, which in XML serialization have an associated element, possible id, and various common fields and features.
- ModelRoleType. Represents a roleType or arcroleType.
- ModelSchemaObject. Common ancestor for modelConcept and modelType.
- ModelConcept. Represents concepts (and any other schema element definitions).
- ModelAttribute. Represents schema attribute definitions.
- ModelType. Represents simple and complex types.
- ModelLink. Represents an XLink link, such as extended links in linkbases and links of footnotes in instance documents.
- ModelResource. Represents XLink resources, such as labels, references, footnotes, and generic resources.
- ModelLocator. A specialized ModelResource having an href which can be dereferenced to obtain the modelObject it represents.
- ModelFormulaResources (listed separately below)…
- ModelRelationship. Represents an XLink arc, regardless of its effectivity in a relationship set. Includes operations determining equivalence, priorityOver, and identicality with an arc represented by another modelRelationship.
- ModelFact. Represents an XBRL instance fact.
- ModelInlineFact. Different accessors than superclass modelFact for fields that have different serialization in inline, than in an instance.
- ModelContext. Represents an XBRL instance context.
- ModelDimensionValue. Represents an explicit or typed dimension value
- ModelUnit. Represents an XBRL instance unit.
- ModelTestcaseVariation. Represents a variation within a testcase. (A testcase itself, and test suite, are each a modelDocument.) Testcase variations are implemented for base spec, dimensions, formula, function registry, and versioning conformance suites.
- ModelRelationshipSet. Represents a single base set, a collection of base sets (such as ignoring link roles on labels if requested), a dimensional relationship set (spanning target roles and relationship types from primary items), and ineffective relationship sets (required for some validation operations).
The formula model objects extend the above:
- ModelProgram (extends above ModelObject). Represents a collection of compiled XPath 2 expressions of formula programs or function registry testcase variation calls and tests.
- ModelFormulaResource (extends above ModelResource). Base type for formula resources. Aware that resources may contain expressions that need compiling, have ordered dependencies, and have specified relationships.
- ModelAssertionSet. Represents assertions related to a single assertion set.
- ModelVariableSet.
- ModelFormula.
- ModelVariableSetAssertion. Has a test expression.
- ModelExistenceAssertion.
- ModelValueAssertion.
- ModelConsistencyAssertion. Has related ModelFormula objects.
- ModelParameter. Represents a parameter with optional select expression. Considered a global variable but may have named relationships to variable sets.
- ModelVariable.
- ModelFactVariable. Includes fallbackValue expression.
- ModelGeneralVariable. Has select expression.
- ModelPrecondition.
- ModelFilter. Base type for filters.
- ModelTestFilter. Base type for filters with test expressions.
- ModelEntityIdentifier.
- ModelGeneral.
- ModelPeriod.
- ModelSegmentFilter.
- ModelScenarioFilter.
- ModelGeneralMeasures.
- ModelPatternFilter. Base type for filters with pattern expressions.
- ModelEntityRegexpIdentifier.
- ModelEntityRegexpScheme.
- ModelAspectCover. Represents aspect cover filter.
- ModelBooleanFilter. Represents boolean filters.
- ModelAndFilter.
- ModelOrFilter.
- ModelConceptName. May have multiple QName and QNameExpressions (or alternatives for filtering).
- ModelConceptPeriodType.
- ModelConceptBalance.
- ModelConceptFilterWithQnameExpression. Represents concept filters with single qname expression options (not concept name filter, which has multiple qname expression options, above).
- ModelConceptCustomAttribute.
- ModelConceptDataType.
- ModelConceptSubstitutionGroup.
- ModelConceptRelation.
- ModelEntitySpecificIdentifier. Has scheme and value specifications.
- ModelEntityScheme.
- ModelMatchFilter.
- ModelDateTimeFilter.
- ModelPeriodStart.
- ModelPeriodEnd.
- ModelPeriodInstant.
- ModelForever.
- ModelInstantDuration.
- ModelCustomFunctionImplementation.
- ModelExplicitDimension.
- ModelTypedDimension.
- ModelRelativeFilter.
- ModelAncestorFilter.
- ModelParentFilter.
- ModelLocationFilter.
- ModelSiblingFilter.
- ModelSingleMeasure.
- ModelNilFilter.
- ModelPrecisionFilter.
- ModelTestFilter. Base type for filters with test expressions.
Validation operations are separated from the objects that are validated, because the operations are complex, interwoven, and factored quite differently than the objects being validated. There are these validation modules at present:
- Validate. If validating a test suite, it sequences all test cases in the suite. If (and in recursion) validating a test case, it sequences all variations in the test case. If (and in recursion) validating an XBRL versioning report, it loads the specified fromDTS, toDTS, versioning report, and validates the versioning report. If (and in recursion) validating an XBRL instance or DTS, it validates XBRL validations, calculation validation if selected, and SEC validation if selected.
- ValidateVersReport.py. Validates the versioning base, concept basic, and concept extended tests defined in module specs. (Relationship sets and instance aspects in development.)
- ValidateXbrl.py. Validates instance, schema, and linkbase documents. There are some SEC tests in this module where they depended on the infrastructure of XBRL validation.
- ValidateXbrlCalcs.py. Validates summation-item, essence-alias, and requires-element checks.
- ValidateXbrlDimensions.py. Validates dimensions linkbase and instance checks, factored to a separate module from the main XBRL validation checks.
- ValidateXbrlDTS.py. Performs DTS document checks that relate to serialized XML constructs behind the XML. Includes document and element based checks.
- ValidateFiling.py. Validates instance, schema, and linkbase documents for Edgar/Global Filer Manual tests that are covered by the disclosure system test suite. The tests are factored to minimize duplicative passes through the data, not according to the rule set or test suite organization. The easiest way to find test coding is to search on the rule set identifier.
- ValidateFilingDimensions.py. Validates disclosure system rules that deal with complex dimensions issues and are factored to be independent of the non-dimensional tests.
- ValidateFilingDTS.py. Performs DTS document disclosure system rule checks.
- ValidateFilingText.py. Validates disclosure system rules that deal with the text structure of submission files, text block concepts, and footnote contents.
- ValidateFormula.py. Validates formula linkbase static checks, compiles XPath expressions, determines interdependencies, and performs formula and assertion set checks (implementation in progress).
- ValidateUtr.py. Validates fact items usage of units according to the unit type registry.
- XPathParser.py. Represents the XPath 2 grammar, parses and compiles expression stacks that can be executed. Grammar parser implemented with PyParsing. ( " )
- XPathContext.py. Represents the XPath execution context, including formula, assertion set, and function registry tests. ( " )
2 Responses to Architecture, Model
Paddy Corley says:
I wish to convert XBRL taxonomies for all available taxonomies to Excel for incorporation to aa SQL-Server database.I have located a company that can do this. However I need to get entry points for the taxonomies. Can you tell me where I might get these, please?
admin says:
This is a pretty broad and open question, and probably should be addressed to the yahoo group, xbrl-dev, instead of a tool-specific forum. Available taxonomies from most authorities, such as IFRS, HMRC, EDInet, SEC, are available on the xbrl.org website, including identification of entry points.
Filings which have extension taxonomies will have to be obtained from the jurisdiction in which they are filed. In some cases they may be public. For example SEC has an RSS feed of such information on their website, and the RSS content includes the entry points of each filing.
Also the conferences have had papers analyzing the differences between how filings used common taxonomies, such as presented this year at University of Kansas in March. Debraceny, et al, go into depth on the inconsistent of use of standard concepts and custom extension concepts, for the same business facts. From their findings you probably will want to use parent-child-grandchild relationships of the presentation and calculation linkbases to get a better degree of confidence on how a business fact was mapped in a filing. Concept name, by itself, according to published findings, is not sufficient to populate an SQL-Server database, as you suggest. Arelle's API could be used to help implement such an evaluation process.
Good luck!
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text:
For those that are reading this post, I first want to thank you for taking the time to visit our first community focused on porn and sex addiction. Whether you struggle in this area or know someone that does, my hope is that you'll find support, encouragement, and accountability through Hope for One's services.
The full story behind Hope for One is a long one, but at its core is a passion I've had throughout my life for people who are struggling with deeply personal issues. Whether their issues were due to poor decisions or just the situations they found themselves in, I believe that everyone deserves an opportunity for recovery and restoration.
I'm particularly troubled by how effectively these issues can isolate someone. Often it is due to shame because what they are struggling with is not acceptable in society. Or in some cases it may be that seeking help could threaten some aspect of their relationship with family and friends. And in many cases, they may also have difficulty finding or affording the resources to help them with their struggle. In fact, whether you look at issues such as alcoholism, drug addiction, eating disorder, sex addiction, etc., you'll consistently find that at least 80-90% of people struggling with these issues in the US do not receive any form of help at all. For those that do receive help, the majority just receive some type of medication to help them deal with their pain. Very few actually seek out formal support such as counseling or support groups that will help them address the underlying behaviors that are causing the issue.
I created Hope for One because I strongly believe that there needs to be a safe, confidential, and anonymous resource that struggling individuals can use as a first step towards recovery and restoration. The Internet and mobile phones offer so many opportunities for people to secretly enable their issues, and I believe these technologies can be used just as effectively to address them. Our online communities offer individuals a safe place to share their experiences anonymously, as well as learn from and be encouraged by others in similar situations. We also want our communities to serve as a robust library of resources, and want to provide as much news, videos, and podcasts as possible to help support our members. The iPhone and Android mobile apps are an extension of the online community, and provide users with access to much of the same content they can find on the website. We hope that the mobile apps will serve as a great way for struggling individuals to have immediate access to encouraging and accountable content whenever and wherever they need it.
We have barely begun this journey, but I am already so excited at what the future holds for the members of Hope for One. We will be adding a significant amount of additional videos and podcasts to the community soon, and are always looking for your feedback. Feel free to reach out to us any time through our Contact Us page at http://www.hopeforone.com/psa/index.php/contact-us/.
Thank you for joining on this journey of bringing hope to a broken world!


text:
Sorry, we do not have enough data to show an influence graph for this author.
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- S. Manogaran, Nagarajan Sulochana
- Ancient science of life
- 2004
Cassia auriculata is widely distributed even in poor soil in Sri Lanka, India, Burma and cultivated in tropics. Based on Physical and Chemical methods, the flower of C. auriculata was found to contain a flavonol glycoside 5-O-methylquercetin 7-O-glucoside. The 50% acetone extract of the flower of C. auriculata showed marked anti-inflammatory activity (56%)… (More)
- S. Manogaran, Nagarajan Sulochana, Subramanian Kavimani
- Ancient science of life
- 1998
Azadirachta indica is a plant of varied uses in Ayurveda since ancient times and is highly extolled by expert physicians and as well as practitioners of folk medicines. Almost every part of the tree has long been used in folklore and traditional systems of medicine for the treatment of a variety of human ailments. The 50% acetone extract of the root, bark… (More)
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text:
Daniel Eugene Price
- 48 years old
- Date of birth: Apr 15, 1965
- Date of passing: Dec 27, 2013
|Let the memory of Daniel be with us forever
This memorial website was created in memory of our loved one, Daniel Price, 48, born on April 15, 1965 and passed away on December 27, 2013. We will remember him forever.
Memorial Tributes
"Happy Birthday, Uncle Danny. May you have an amazing birthday with all our loved ones living in heaven with you. I love you."
"Happy Heavenly Birthday to a great man, friend, and my brother. May the heavens be celebrating you today as I celebrate you here in my heart and soul. Forever loved and in my heart. I miss you Danny."
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text: [[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/2139_front.jpg]]->''"[[GottaCatchEmAll Collecting symbols]]... well, why not? After all, they laughed at the man when he discovered the penicillin."''-->--'''Bugs Bunny ruminating on his Collect-a-thon objective.'''''Bugs Bunny: Lost in Time'' is a ''WesternAnimation/LooneyTunes'' video game for PC and UsefulNotes/PlayStation.WesternAnimation/BugsBunny, once again [[WrongTurnAtAlbuquerque taking a wrong turn at Albuquerque]], stumbles into a warehouse where he mistakes a TimeMachine for a carrot juice dispenser. He accidentally activates it, putting him in a time era known as Nowhere. There, he meets a [[MrExposition sorcerer named Merlin]] where he is guided to collect clock symbols and golden carrots to go back to the present.It received a 2000 follow-up in the form of ''VideoGame/BugsBunnyAndTazTimeBusters''.----!!This video game provides examples of:* HundredPercentCompletion: [[spoiler:If you beat the game leaving behind any clocks or golden carrots, you get a credits scene that depicts Nowhere. If you do collect all of them, though, the credits scene shows Pismo Beach.]]* ACMEProducts: [[TropeNamer The actual ACME products]] appear, as expected on a Looney Tunes-based game. The main example are the ACME Boxes (destroy all of them within a level and you are rewarded with a clock symbol). Other products make appearances too, such as safes, a vacuum, electric gates, and carrot juice.* AlmostLethalWeapons: Mugsy is immune to Rocky's bullets.* AnvilOnHead: Another unsurprising trope for a Looney Tunes game. Anvils' shadows appear occasionally, and stepping on them obviously prompts them to fall. Also happens with safes, carrot juice cans or anchors, depending on the level you're in. Although technically obstacles, they can be used to reach high objects or to defeat some enemies.* ArbitraryMaximumRange: Happens to Rocky's bullets, although it doesn't affect you at all because they're far away from the rooftop when they reach their limit.* AscendedExtra: Merlin Munroe was just a OneShotCharacter that appeared in the [[WesternAnimation/LooneyTunes Merrie Melodies]] short ''Knight-mare Hare'', but he becomes a major NPC in this game.* {{Backtracking}}: You often have to replay levels to get all of the items.* BalefulPolymorph: Merlin briefly turns Bugs into a pig to prove he's a sorcerer.* BatmanCanBreatheInSpace: Bugs doesn't have any trouble breathing in Dimension X.* BigBad: 5 in each era:** The Stone Age: Elmer Fudd** The Pirate Years: Yosemite Sam** The 1930s: Rocky and Mugsy** The Medieval Period: Witch Hazel** Dimension X: Marvin the Martian* BlatantItemPlacement:** Carrots are everywhere, either planted (even inside buldings or in space!) or just casually floating around.** While not as ubiquitous, golden carrots can also be found floating in places for no apparent reason. ** {{Downplayed}} with clocks and ACME boxes because they're usually well hidden, but some can still be found in pretty convenient locations (even in the Stone Age era despite them technically being man-made)** You can find time bombs sitting around in the middle of a bank.** Explosive barrels are conveniently placed close to a torch, and to whatever enemy/treasure chest/rock you have to explode to proceed.* BlockPuzzle: There are several puzzles through the game that involve pushing blocks around and/or stacking them on top of each other. They might take some time to complete because Bugs gets significantly slowed down when he's pushing or carrying heavy items. These puzzles usually involve crates, stones or safes, depending on the era you're in.* BonusLevel: There's a total of three ("Wabbit or Duck Season?", "La Corrida", and "Downhill Duck"). Each is inspired by a ''Looney Tunes'' short seperate from the time travel theme, they contain one clock each, and they're unlocked with golden carrots. Unlike other levels, they have to be opened up manually by walking up to them with enough golden carrots.* BossOnlyLevel: There are a few. Usually there's only one clock in them.* BreakingTheFourthWall: Elmer Fudd's famous catchphrase from the Looney Tunes appears in this game.--> '''Elmer Fudd''': Shhh. Be vewy, vewy quiet. I'm hunting wabbits! Hahahahahaha!* BloodlessCarnage: Characters get shot, smashed by anvils and sliced, but the injuries are minimal or none, Looney Tunes style.* BrokenBridge:** There are several areas in the levels that can only be accessed when Bugs learns some magical spells (activated by saying the magic words on specific tiles, or by playing music), usually because they're too high, or because there's something blocking the way. Since those spells are taught by Merlin in the many levels of the Medieval Period, and each level requires a certain amount of clocks to be unlocked, you will often have to replay a level to either complete or even access another one.** There is a level in the Pirate Years that is technically unlocked early in the game with only 11 clocks, but it's still inaccessible because of the skull and crossbones blocking the way. [[spoiler:To access it, you have to obtain the super jump spell first in order to reach wheel that lowers the skull and crossbones' mouth, allowing you to enter it. That spell is learned first level in the Medieval Period, which is only accessible after 30 clocks]].* BullfightBoss: You get to fight an actual bull in "La Corrida" in the 1930s, and it takes damage when is smashes into barricades around the arena.* CallBack: ''Many'' references to the classic Looney Tunes shorts.** The Stone Age era is a reference to 1958's ''Pre-Hysterical Hare'' which featured a Caveman Elmer Fudd.** The Pirate Years is a call back to Yosemite Sam's roles as a pirate in shorts like ''Buccaneer Bunny'' and ''Captain Hareblower''.** The Medieval Age features call backs to ''WesternAnimation/RabbitHood'', ''Knighty Knight Bugs'', and ''Knight-mare Hare'', as well as Bugs' shorts involving Witch Hazel, like ''Broomstick Bunny'' and ''A Witch's Tangled Hare''. Robin Duck also appears, from ''WesternAnimation/RobinHoodDaffy''.** The 1930s features call back to shorts like ''Bugs N Thugs'', ''Bugsy And Mugsy'', and ''The Unmentionables''.** The level "La Corrida" is a level obviously based on ''WesternAnimation/BullyForBugs''.** The Dimension X levels are a call back to some Bugs/Marvin shorts like ''Hare Way To The Stars''. One of the levels features Planet X from ''WesternAnimation/DuckDodgersInTheTwentyFourthAndAHalfCentury''.** The aforementioned ''Knight-mare Hare'' gets referenced several times, since it's the cartoon that Merlin originated from. Merlin turning Bugs into a pig, Bugs's "discovered the penicillin" line, and the game's ending are all taken from the short. Its title card is also used for the level "The Carrot-Henge Mystery".* CameraScrew: Good luck dealing with the camera in this game.* CaptainObvious: In the level selecting area of the Pirate Years, there is a sign that states you are zero kilometers away from "here".* CartoonBomb: Rocky, Mugsy and the pirates love using those.* CheckPoint: They have the shape of Merlin's hat. You can use them to call Merlin to [[SavePoint save the game]].* ColourCodedForYourConvenience: Done with chest in the Pirate Years. Usually, orange chests have regular carrots, gray and yellow chests have golden carrots, and blue chests have clocks. Averted for pirates, wheels and torches, which can be in any chest.* ConvectionSchmonvection: If Bugs falls into lava, he will only lose two of his six hit points, while performing a huge leap in the process. [[LavaSurfing Sometimes, this can even be used as a shortcut to obtain items without having to go through moving platforms.]] Falling into water is an instant death, though.* CoolGate: The rabbit holes you use to either enter or exit levels, which have swirling spiral clouds coming out of them. Sometimes the hole is replaced by a trash can, a sewer entrance, a teleporting machine, a spacecraft, or a door.* ACrackInTheIce: In [[SlippySlideyIceWorld "The Carrot-Henge Mystery"]], there are icy platforms in the water that already have cracks, so you have to use the "ears action" to land on them softly, otherwise you fall in the water and die. There are also a few ice bridges.* CreditsGag: "No special thanks to: the chicken place up the street for not delivering free of charge."* {{Cutscene}}: How every level begins, though there are some in the levels as well. They often give away how you should beat enemies or solve puzzles.* DarkIsNotEvil: Merlin might be a creepy and evil-looking sorcerer, but he willingly helps Bugs to return to Present time, teaching him some magical tricks in the way.* DeathIsASlapOnTheWrist: There is no life counter. Dying is only annoying because it takes you back to the last CheckPoint, although there are a few cases where you might use that in your favor if you need to return to a place that happens to have a checkpoint.* DieChairDie: [[CrateExpectations Crates]] tend to hide many items, and so do other objects. Special mention to the ACME boxes, which only exist to be destroyed by you.* DualBoss:** Mugsy and Rocky are fought together twice. In "The Big Bank Withdrawal", you have to knock out Mugsy to distract Rocky so you can hit him; in "The Carrot Factory", you alternate between dropping weights on Rocky and smacking Mugsy with a hammer.** "What's Cookin', Doc?" ends with a boss fight against two hammer-wielding guards, which are boss versions of a recurring enemy from that level.* EternalEngine: "The Carrot Factory" in the 1930s, and probably the most difficult level in the entire game.* EvilLaugh: All of the era bosses except for Rocky.* ExplodingBarrels: There are many barrels in the game that you have to explode using torches (so they act like a time bomb), and the enemies like to throw these at you as well (in that case they instantly explode). There are also a few "TNT boxes" through the game.* FacelessGoons: The small knights that appear in the Medieval Period.* FingerSnapLighter: Bugs does this trick in front of Merlin, who unsuccessfully tries to copy it. (A ShoutOut to the short "Knight-mare Hare".)* ForcedTutorial: Nowhere, the first Era in the game (and the only one with no levels). It's [[JustifiedTutorial justified]], though, since Nowhere is integrated as part of the plot. It's where Bugs meets Merlin, where the first clock symbol is obtained, and where the {{exposition}} takes place.* GottaCatchThemAll: The Alarm Clock symbols and Golden Carrots.* GreatEscape: Implied. There's a level called "The Greatest Escape" in the 1930s. Even though there are criminals (Rocky and Mugsy) involved, the level takes place in the hotel they are hiding in instead of a prison.* HardLevelsEasyBosses: The levels might be a bit hard, especially if you're striving for a HundredPercentCompletion, but most of the bosses are easy to beat, especially when the cutscenes show you how to beat them.* HarmlessFreezing: There are Robots in Dimension X that shoot freezing beams at you. If you get hit, you slowly lose energy while you're frozen. [[SmashingSurvival Just keep pressing the "kick" button and you'll thaw out.]] You might also end up being caught by the robot, which will dump you in the trash (harmlessly bringing you back to the beginning of the level). The only way you can die by freezing is if you don't thaw yourself out AND the robot doesn't pick you up before you lose all your HP.* HeartContainer: The carrots, which you can find almost everywhere.* HellHotel: "The Greatest Escape" involves Bugs following Rocky and Mugsy into an old, condemned hotel.* HeliCritter: The "Ear-copter move". You can make Bugs' ears [[EverythingIsBetterWithSpinning spin really fast]], so you can land softly on something fragile or explosive without getting hurt. [[{{DownplayedTrope}} But you can't fly.]]* HelpfulMook:-->'''Merlin:''' "Bounce on some enemies to reach inaccessible objects or ground!".** There are also parts in Dimension X where the way is blocked by bird-like aliens, and you have to dodge the robots' freezing shots, so that they hit the aliens instead, allowing you to shatter them afterwards.* IdleAnimation: Standing still prompts Bugs to scratch his head, eat an unlimited amount of carrots, and go into what appears to be a "thinking position". If he's holding a lightweight item, like a pearl or an apple, he will play with while stepping his left foot. Averted for when he's climbing a pole/chain.* ImpossibleItemDrop:** Almost all mooks drop carrots when you beat them: cavemen, knights, crabs, and spiders. Even bosses like Sam and Rocky may drop carrots even if you just hurt them.** Destroy a snowman, and you might get carrots, golden carrots, and/or Daffy Duck.** Pirates will often drop very large ship's wheels after they are knocked out (there is a cutscene that shows a pirate picking one up, and it literally disappears in his hand).* IncrediblyObviousBomb: It's not like Rocky, Mugsy or any of the pirates want to waste their precious time disguising any explosives. The same aplies to the time bombs in "The Big Bank Withdrawal".* InexplicableTreasureChests: Very common in the Pirate Years and the Medieval Period.* InSeriesNickname: Bugs only refers to Merlin as "Moyle". In return, he refers to Bugs as "travel hare", "time traveler", or, just like almost every other talking NPC, "rabbit". * InvincibleMinorMinion: Many. The brooms in the Medieval Period, some of the crabs in the Pirate Years, most enemies you have to beat by letting them chase you until they get tired, etc.* InvisibleWall: Don't even think of jumping inside Merlin's counter in his castles. Although he ''is'' a sorcerer.* LifeMeter: Bugs' life bar consists of three carrots. Most of the enemies/obstacles take away half of a carrot, but some take a full one. [[HeartContainer Eating regular carrots restore your energy]].* LiterallyShatteredLives: How you get rid of the bird-like aliens in Dimension X that are blocking your way.* LoadingScreen: There's one for each era and level, serving as their title cards.* MechaMooks: The robots in Dimension X (at one point, however, you can actually control one of those robots yourself and play it through an isolated area in the level against other robots and mechanical devices).* MinecartMadness: "Mine or Mine?" turns into this after Bugs enters the mine itself. Bugs can duck, jump, and tilt the cart to collect items and avoid obstacles.* MrExposition: Merlin explains everything about both the plot and the gameplay in Nowhere.* NamedAfterSomebodyFamous: Merlin Munroe is named after Creator/MarilynMonroe.* NoOneCouldSurviveThat: Obvious lethal damage will result in only half or very rarely a full "carrot" being deducted from your life bar. Consequently, touching a cactus, being hit by a snowball or being snapped by a crab does just as much damage as getting shot by a bullet or being smashed by a falling anvil, a huge boulder, or a wrecking ball. Doing those things twice equals falling into a lava pit or receiving a 30,000 volt discharge.* NoticeThis:** Question/exclamation marks appear when the game want you to notice something. Pressing the "action" button will either display a message, make you interact with a character, or activate a device.** When you hit a switch, spin a ship's wheel or press a button, a brief cutscene will show you where the effects of the action occurred.** When an item (such as key, a golden carrot or a clock) is floating so high that you can't see it, a small shadow will appear on the ground. Also done to falling anvils and their variants.* OffscreenTeleportation: Bugs does this in a cutscene where Witch Hazel (thinks she) catches him in a bowl. Many objects do this too if you dispose them to avoid the game from becoming {{Unwinnable}}, but in some cases [[{{AvertedTrope}} you can actually see them falling from the ground or reappearing in a cloud of smoke]].* PortalNetwork: This is how levels in Dimension X work. To some extent, the entire game can be seen as this.* PointOfNoReturn: {{Downplayed}}.** Once you complete Nowhere, you can't return to it anymore, but it doesn't really matter because it's just a tutorial.** In some levels, after you go through a door or jump in a rabbit hole, you enter a new zone and you can't come back, so if you left any clocks or golden carrots behind, you will have to finish the level without them. However, you can simply play the level again.* PunBasedTitle: Several levels:** "Hey... What's Up, Dock?"** "Mine or Mine?"** "Guess Who Needs a Kick Start"** "Witch" Way to Albuquerque?"** "Magic Hare Blower"* QuestioningTitle: This is how many levels are named.** "Wabbit or Duck Season?"** "Hey... What's Up, Dock?"** "What's Cookin', Doc?"** ''"Witch" Way to Albuquerque?"** "Mine or Mine?"* RemixedLevel: In the Stone Age era, "Magic Hare Blower" is a remake of "Wabbit on the Run", with a few different items, enemies, and some previously unreachable areas becoming accessible, as well as occurring at nighttime instead of daytime.* RespawningEnemies: ** Whenever you replay a level, all enemies return. If the enemy drops regular carrots, they will everytime you defeat them because carrots also respawn, but don't expect any more golden carrots or clocks.** Some of the crabs in "Follow the Red Pirate Road".* RollingAttack: Rolling is one of your basic functions. Generally it does the same thing as kicking, but it's also necessary for going through low areas if a rabbit hole isn't available.* RopeBridge: While there are no bridges literally made of ropes, many of them require you to tiptoe for you to cross them. They might made of planks, unstable rocks, or [[ACrackInTheIce ice]].* SimonSaysMiniGame: There are a few across the game. One of them requires you to watch the cutscene intro in which Yosemite Sam performs the combination first.* SlippySlideyIceWorld: "The Carrot-Henge Mystery'' and "Downhill Duck", both from the Medieval Period. * SmashingSurvival: If you get frozen by a robot, all you have to do is mash the kick button to thaw out.* SmokeOut:** Merlin is an avid user of this technique, as are the "apprentices" in Nowhere.** Some items can do this too.*** In some parts, you can use a bone to distract a dog or a shark from attacking you. If the bone stays too much time on the ground, it disappears back into its original container.*** Pearls always return back into their clams after you throw them, and you can see the smoke while it disappears if they don't land on water or on a target.*** Time-based objects like torches and mallets do this in your hand when the time is up (or if you just drop them).*** Bullets also disappear in a cloud of smoke whenever they hit something or [[ArbitraryMaximumRange after a certain distance]].* SnowballFight: You engage in one with Daffy Duck.* SpaceIsAir: Dimension X works the same way as any other Earth-based level. You can even use your [[HeliCritter helicopter ears]].* SpaceIsNoisy: Sounds work regularly in Dimension X. Robots, rockets and electrical devices all emit noises. Bugs, Merlin and Marvin have no problem speaking in space.* SpaceZone: Dimension X.* StockDinosaurs: Used as living platforms in the Stone Age Era.* SwirlyEnergyThingy: Almost all of the levels have these coming out of their entrances and exits. Used to differ {{Cool Gate}}s from other rabbit holes.* TimeBomb: There are literal time bombs in "The Big Bank Withdrawal", but it's pretty easy to get away from them in time.* TimedMission: In ""Witch" Way to Albuquerque?", "Downhill Duck" and "The Conquest of Planet X", you have to finish the level or a segment of it within a certain time limit, otherwise you have to start over, which isn't a big deal in a game with unlimited lives.* TimeMaster: Merlin is capable of freely traveling through time. He appears every time you save the game or exit a level (unless you're playing it again after collecting all of its clocks and golden carrots), regardless of where (and when) you are. He even mentions time traveling as one of his favorite hobbies.* TimedPowerup: You can only use torches or mallets for a limited amount of time.* TimeTravel: As expected from the title, Bugs travels through Nowhere, the Stone Age, the Pirate Years, the 1930s, the Medieval Period and Dimension X (presumably the Future), collecting clock symbols to return to the Present.* TitleDrop:-->'''Merlin:''' It seems that you are lost in time my dear! Here, it's Nowhere!* TooDumbToLive: How you beat most of the bosses, especially the ones who throw bombs (they seem to be unaware that you can just throw them back).* TrademarkFavoriteFood: Bugs' carrots appear in this game as {{Heart Container}}s.* UnEvilLaugh:** Mugsy whenever he succeeds in hitting you.** The guard mooks in the Medieval Period whenever they smash you with their mallets.* TheUnfought: {{Downplayed}} with Witch Hazel. She seems to be the BigBad of the Medieval Period, but she is never fought as an actual boss. You simply deal with her by dropping a bridge on her or tricking her into letting an anvil fall on her. Instead, you get to fight two guards as bosses, even though they are just a PaletteSwap of the other guards that appear as mooks.* WarpWhistle: There is one for the eras, accessible through the time machine, and another one for each era, where you can enter levels via rabbit holes. This allows you to freely navigate through any level of any time period, as long as you have unlocked them by collecting enough clocks (or golden carrots for bonus levels). This is necessary because several levels have to be played more than once for you to complete the game.* XMakesAnythingCool: Dimension X and almost all of its levels: "The Planet X File!", "Vort "X" Room", and "The Conquest of Planet X!". Only averted for "[[OddNameOut Train Your Brain!]]".* YouAllLookFamiliar: Most of the mooks. Applies to pirates, knights, cavemen, security guards, and the bird-like aliens (Instant Martians).----


text:
A morally-corrupt, entitled trio break into the home of an elderly man to take everything he has for themselves — more than just a flash-forward to Trump's every-dog-for-himself America, this is the deceptively simple premise of Don't Breath, the home invasion horror which tore up the box office this summer and received raves for its fresh take on a very worn genre.
Don't Breathe was the rare film that's so good, you kind of don't want a sequel, a perfect 90 minutes of smart scares — but, of course, this is Hollywood, and sequels are the ultimate currency, so it shouldn't be a surprise that #DontBreathe2 is happening.
What would be a surprise if it the sequel could recapture or even eclipse the kind of nail-biting tension that made the first movie such a winner, but director Fede Álvarez reckons that the sequel in his head something special. Here's what he had to say when speaking to CinemaBlend:
"Right now, yeah, Don't Breathe 2 is something we definitely want to do. The challenge is obvious — we just don't want to do the same movie again, slap a "2" on it. We'll feel so embarrassed if we do that. Our first reaction when they told us, 'Do you want to do it?' was like, 'No, no, no, no, no, no, no, no. That's Hollywood! That's the devil! We don't want to make a sequel just because we can. But then we got an idea that we're really excited about, and I won't tell you what it is because it will spoil the whole thing."
See Also
- Is Smart Survival Thriller 'Don't Breathe' The Scariest Horror Movie Of 2016?
- 5 Reasons To See 'Don't Breathe'
- Fede Alvarez Talks 'Don't Breathe,' 'Evil Dead' And James Wan
If you're still a little skeptical, horror legend Sam Raimi, a master at dragging us to hell and back, is hyping #DontBreathe 2 in a big way:
"It's only the greatest idea for a sequel that I've ever heard! I'm not kidding! [The studio] aren't going to like it at all! They're going to freak out when they find out [what we're] thinking."
Bold words, but frankly I'm sold already. Álvarez, who is also in talks to direct Sony's Dragon Tattoo sequel The Girl In The Spider's Web, will return to direct Don't Breathe 2. You haven't seen the last of Stephen Lang's blind badass, either.
Could Don't Breathe 2 be the rare horror sequel to top a brilliant original?
(Source: CinemaBlend)


text: Lemony Snicket's A Series of Unfortunate Events Two Disc Special Collector's Edition Studio: Paramount Year: 2004 Rated: PG Length: 107 Minutes Aspect Ratio: 1.85:1, Anamorphically enhanced Audio: Dolby Digital 5.1: English, French, Spanish English Subtitles Closed Captioned Special Features: Two Commentaries, 11 deleted scenes, outtakes, many featurettes, demos, galleries, etc S.R.P..: $30, USD Release Date: April 26, 2005 I've never read a Lemony Snicket book, so I wasn't sure what to expect when I began viewing Lemony Snicket's - A Series of Unfortunate Events. I had heard it described as a dark comedy... but that's all I had to go on. Reading the dust jacket didn't help, either: Dear Viewer, If you enjoy movies filled with singing rabbits, exploding spaceships, or cheerleaders, you are holding the wrong DVD entirely. This movie is extremely alarming, an expression which here means "a thrilling misadventure involving three ingenious orphans and a villainous actor named Count Olaf (Carrey) who wants their enormous fortune." It includes a suspicious fire, delicious pasta, Jim Carrey, poorly behaved leeches, an incredibly deadly viper, Meryl Streep, and the voice of an impostor named Jude Law... Having heard only that this was a dark comedy, and having read the dust jacket, I settled into my recliner, remote in hand, and fired up the ol' DVD player. So, essentially, we start off watching as the Baudelaire children learn of the death of their parents in a house fire. While they certainly seem saddened by the news, they don't react as I would imagine them to, having just been told they are orphans. But, I suppose, a flood of tears as part of a realistic reaction would put a damper on the comedy. The Baudelaire's banker, Mr. Poe (Timothy Spall) is tasked with delivering the children - inventor Violet (an adorable Emily Browning), bookworm Klaus (Liam Aiken) and the infant, toothy Sunny (Kara and Shelby Hoffman) to their closest living relative - their fourth cousin three times removed (or perhaps it is third cousin four times removed). This distant cousin is Count Olaf (Jim Carrey). I should take a moment and note that I'm not a big fan of Jim Carrey. His characterization as Count Olaf here is over the top... but I guess that comes as no surprise. "Over-the-top" is a registered trademark of the irascible characterizations of Mr. Carrey. For all I know, his characterization may be 100% accurately ripped from the pages of the books. Olaf, of course, wants nothing more than to kill the children and take their fortune, which was left to them by their parents. Olaf is the impetus of all of the unfortunate events which will befall the Baudelaires. After it becomes apparent what Olaf's intentions are, the unfortunate children are placed in the care of a succession of eccentric distant relatives, including herpetologist Uncle Monty - the owner of the aforementioned "incredibly deadly viper," which, it turns out, is a rather playful beast. Monty is delightfully portrayed by Billy Connolly. Another relative we meet is Aunt Josephine (Meryl Streep) who is pantophobic, and lives in a house which is precariously balanced upon stilts, poised to drop over a cliff and into the ocean at any moment. Now, why would a pantophobe live there? For that matter, why would anyone? Bad things happen to good people in this film, however - and the children must move on to one relative after another. All the while, Olaf is in pursuit. Lather. Rinse. Repeat. For a comedy (even a dark comedy), this film has a high body count. The children, who seem to have lived a rather sheltered life up 'til now, seem to take all this death and mayhem in stride. A dark comedy is an oxymoronic affair. Too dark, and the comedy falls flat. To funny, and you just aren't afraid of the bad guy. This is the one problem with A Series of Unfortunate Events. It's got a few chuckles, but no guffaws. The bad guy certainly is evil, but he instills no fear. I found the film to be an odd curiosity of the dark fantasy realm. I was entranced by the wonderfully eccentric production design, and most of the characters were wonderfully rendered. These were the saving graces. The story, however, was only galloping on three hooves. Lux and Decibels The film is presented in its original aspect ratio of 1.85:1, and it is anamorphically enhanced. The picture is gorgeous. It features excellent detail with no obvious ringing. Contrast is outstanding, with excellent black levels and strong, restrained whites. Detail is preserved in both shadow and highlight. Colors and textures are beautifully rendered, showing off the lavish production design. The transfer really lets the sets and lighting design shine. The audio is presented with options for three different languages in Dolby Digital 5.1 - English, French and Spanish. There are also two English commentary tracks. The English 5.1 track sounds quite nice. The sound design of this film is almost as lavish as the visual design. Wonderful ambient sounds actively emanate from proper locations around the soundfield, while the fitting but eccentric score is well rendered throughout. Frequency response is very good, with solid bass and good low frequency effects, when called for - though I'd have liked a touch more punch in the LFE in a couple of key scenes. Both video and audio are very well presented. The Main Menu, Disc One Special Features A general note on the featurettes... These featurettes are put together differently from most I've seen. There is a lot of raw behind-the-scenes footage, some set to music, some with text commentary, and all interspersed with occasional on-set or produced interviews with various crewmembers, including director Brad Silberling. I very much like the "you-are-there" feel to these featurettes. Some of them, however, could use some judicious trimming. The featurettes are anamorphically enhanced. Disc One Bad Beginnings Building a Bad Actor (12:46) We watch Jim Carrey practicing his characterizations while sitting in the makeup chair. Brad Silberling talks about doing the screen tests with Carrey, and we see clips from the tests. There was lots of improvisation that helped to build the character. Making the Baudelaire Children Miserable (3:05) Silberling talks about casting the children who are the anchors of the film, and we see some screen tests as well. Interactive Olaf (9:18) A four-way split screen presents four different screen tests of four different Jim Carrey characterizations. You can switch audio tracks on the fly by selecting a quadrant. While it's an interesting presentation with some good improvisation by Carrey, I wonder why they don't offer these segments in a traditional, screen-filled format. Alarming Audio Commentaries Two commentaries are available - one with Brad Silberling, and one with Silberling and The Real Lemony Snicket. Brad Silberling: Mr. Silberling talks about his unfamiliarity with the Lemony Snicket stories when he got the call to direct the film. He read the first three books and wanted to do all he could to create the world on film. He talks at length about "world building." The entire film, interiors and exteriors, was shot on soundstages for over a year, monopolizing the Paramount lot. He talks about improvisation and collaboration. I didn't have the time to listen to the entire commentary, but there wasn't even the slightest pause in the 20 minutes that I listened to. Silberling goes a little too fast, changes topics frequently, and only occasionally talks about what is on the screen. There's a lot of information here, but you'll have to work to keep up. Brad Silberling and The Real Lemony Snicket This is very much a tongue in cheek commentary, with Silberling and Snicket trading comments on the books versus the film. While not much detailed information is presented, it is an interesting commentary for the comedy value - for awhile. Orphaned Scenes Dismal Deletions (14:21) 11 deleted scenes with a "play all" feature. There is no commentary available, which would help to place these scenes in context. Violet's Rock Retriever The Count Kills Shakespeare Alone in the World Casting the Marvelous Carriage (extended) Extended Puttanesca Monty's Montage Sham Goes A-Courtin' Aunt Jo's Demise Life in the Theater The Marvelous Marriage Olaf's Escape Obnoxious Outtakes (14:35) An odd collection of outtakes with a "play all" feature... no commentary available. Most aren't especially funny. Working with Sunny Olaf's Workshop Odious Count Olaf Moments in the Marvelous Marriage The Critic and the Cop Previews Madagascar The Spongebob Squarepants Movie Disc Two A Terrible Tragedy: Alarming Evidence From The Making Of The Film A Woeful World (54:30) This piece explores the production and art design, as well as prop building, for the film. We get to see how extensive the work was to achieve the look of the film - there isn't a stock object in sight. All the furniture, vehicles and props were either designed from scratch, or were completely remodeled for the film. We also see practical effects, behind the scenes, as the scenes are being shot. Director Silberling, at times, presents us with some original visions for the film, which had to be altered due to the difficulty of producing the practical effects on the set. There's some funny stuff with Billy Connolly and the snakes, and some footage of young Liam Aiken working with the snakes as well. While there is much of interest here, and it is interesting to see the exploration and problem solving processes on the set, this segment could have easily been trimmed in half and still have gotten its message across. Costumes And Other Suspicious Disguises (16:42) Costume designers and actors discuss the process of creating costumes and disguises for the film. Included is test footage of costumes, clips from the film and bits of raw set footage. Violet's Functional Designs (10:40) This featurette covers many of Violet's inventions, from the perspective of the people trying to get these practical effects caught on film. We even see a couple of things that didn't make the final cut. CAUTION! Incredibly Deadly Vipers (8:48) This is a closeup look at the snakes, lizards, tortoises and other reptiles seen in the film. We see the precautions taken with the venomous animals, and with the children and other people on the set. The Sad Score (13:35) Composer Thomas Newman and director Brad Silberling talk about the music for the film. Volume. Frequency. Decibels. The Unsound Sound Designer (30:01) How better to create the sounds of destruction than to put a whole bunch of microphones inside a house and demolish it? For nearly half of this featurette, we watch as the sound designers record their deeds of destruction. Other topics include animal sounds (snakes, leeches), etc. We also sit in on a mixing session. Interesting stuff... but, again, twenty minutes would have sufficed. You Probably Shouldn't Listen To These Those interested in sound design will find these demonstrations of interest. Tree, Meet House Here, you have the ability to listen to the tree crashing sound effect from seven different microphone placements, as well as the final mix. The Terrible Train Here, you can select to hear eight different layers of sound effects of the train scene, independently - as well as the final mix. Sinister Special Effects An Alarming Conspiracy Involving Sunny (6:20) How do you build a robot baby? Interesting stuff about creating the animatronic character. An Even More Alarming Conspiracy Involving Sunny (20:20) How do you build a digital baby? More interesting stuff. This featurette hits many of the finer artistic points in recreating a human figure in 3D - and making it real. The Terrible Fire (5:51) This short piece shows the creation of a complicated composite shot - before and after the fire. Trains, Leeches & Hurricanes (9:20) This piece wraps up the series of featurettes on visual effects by discussing... trains, leeches and hurricanes... all 100% CGI. Gruesome Galleries Three page-through galleries containing sketches, model shots, production shots, etc., appear in these categories: Shadowy Stills A Woeful World Costumes and Other Suspicious Disguises Final Thoughts I have mixed feelings about the film. It wasn't what I expected, and the screenplay was a bit weak. However, the eccentric characterizations and the wonderful production design had me riveted. Nearly 4 hours of bonus features, plus commentaries add to the value of this two disc set. I like the style of these featurettes - they deliver truly interesting content. Though, many could have been trimmed without losing any impact. Right off the bat, my enthusiasm was dampened by a forced anti-piracy trailer. Do they really think this trailer will make those who make illegal copies feel guilty? Realistically, all it does it tick off the honest Joe. The forced anti-piracy trailer is followed by two forced theatrical previews and ads for movie soundtracks. Once again, Paramount has seen fit to include forced previews for other films, yet the trailer for this film is nowhere to be found. To sum up... an interesting, if imperfect film with a very good transfer and a good set of extras makes this release a valuable asset to the DVD collections of fans of the film. Recommended.


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The UCIL Previous Papers PDF of Helper C, Operational Trainee Fitter Exams are available here. The Uranium Corporation of India Limited is going to conduct the Written test for the applied jobs on tentative dates.
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CounterSpin – Unnatural Selection: It's only news when we say it is.
CounterSpin, Politics - Posted on Thursday, September 23, 2010 11:15 - 3 Comments
By Musab Younis
In an interview with the New York Times this week, Woody Allen mused on the mass of inaccurate media coverage that followed his casting of Carla Bruni-Sarkozy in his next film. "This is a trivial matter," he said. "But the fabrications were so wild and so completely fake, and I wondered to myself, is this what happens with Afghanistan and the economy and matters of real significance?"
The Guardian's Charlie Brooker, in his column last week, had happened to describe a similar story. He'd read an article which expressed shock at the "ultimate … faux pas" made by a female celebrity who had worn the same dress two days running – except, it turned out, both pictures that the publication used to prove this point had actually been taken on the same day.
"No matter how small and insignificant the made-up story ultimately is," wrote Brooker, "it shatters your faith in the media: faith you didn't even realise you had."
Allen and Brooker have extensive experience of the press, and would hardly be considered naive. Yet neither could fail to be surprised by these incidents. The point – as Brooker pointed out – was that, no matter how hardened a cynic you might consider yourself to be, faith in the press is rather difficult to lose completely.
Correcting for a particular bias in one report, or an omission in another, is one thing. But forming a perspective on the world that is entirely free from the influence of professional journalism is a different matter altogether. Selection and framing, for example – which stories get written, how they are presented – can be so subtle as to be virtually imperceptible.
Take the first process: selection. Why is one story considered important, and another ignored completely? In many cases, it might be because the first is inherently of more interest according to a range of criteria: it concerns more people, has a bigger impact on the world, would be considered more interesting. It makes sense, after all – the bigger the story, the more people know about it.
So it's interesting – and even faith-testing, in the Allen-Brooker sense – when a cursory examination finds that this often just isn't the case. You probably know that a woman threw a cat in a bin in Coventry this month. You probably don't know that 75 people have been killed in Pakistan by US drones this month. This isn't anything to do with you or your interest in current affairs. It's just that the first story was a 'big' one – covered across the British media – while the second simply wasn't.
The drone issue is an interesting one. A typical report from the BBC this week, for example, mentions that "twelve people were killed" in a drone strike, probably "militants", in what is "the 12th drone strike this month in the region", before adding: "The American military does not routinely confirm drone operations."
The report is striking by virtue of omission. Nothing is mentioned of the civilian casualties of drone strikes – which were reported by Pakistani authorities to have reached 700 in January of this year (the figure now is surely higher), since the drone war began. Nothing is mentioned of the Gallup poll conducted for Al Jazeera which suggests that less than one in ten Pakistanis support the drone strikes. The same poll asked Pakistanis who they considered to be the greatest threat to their country – the Taliban, India, or the US. A majority of 59 percent said the US. 11 percent said the Taliban.
None of this is mentioned by the BBC. Why should we care what Pakistanis think about the military attacks taking place in their country? And the suggestion that most of them consider the US a greater threat than the Taliban is a difficult one, because it would undercut the central narrative of the news coverage of drone strikes: that though they at times entail unfortunate consequences, they are conducted for the security of the West and Pakistan. The idea that the US could be making the region less secure is, in this context, inconceivable.
Statistics have also vanished: such as the fact that this year, the US has allocated fifteen times more money to Predator drones than to the Pakistan floods relief effort ($2.2bn versus $150m). And there is no question of the reader being subjected to any uncomfortable suggestions, such as that made by the New Yorker last year that assassination, euphemistically termed "targeted killing", is now "official US policy", despite the violation of international law, and even the US constitution, that it entails (see this letter from the ACLU for more details).
The omissions are crucial to the framing, here as elsewhere. The news monitoring organisation Medialens, for example, last week wrote about the lack of reporting on another issue: Fallujah.
An article by Patrick Cockburn in the Independent two months ago had described how "Dramatic increases in infant mortality, cancer and leukaemia in the Iraqi city of Fallujah, which was bombarded by US Marines in 2004, exceed those reported by survivors of the atomic bombs that were dropped on Hiroshima and Nagasaki in 1945, according to a new study." Infant mortality was found to be 80 per 1,000 births compared to 19 in Egypt, 17 in Jordan and 9.7 in Kuwait.
How many other newspapers in the US and UK picked up the story? Precisely zero. That the US attack (with British participation) on Fallujah continues to kill Iraqis at a greater rate than the aftermath of the Hiroshima atomic bomb is, we can safely assume, not a big story.
In other (unreported) news …
The Green Party of England and Wales overwhelmingly agreed a resolution this week calling on the French Government to repay the reparations demanded from the Haitian people after its independence, and agreed to campaign on this issue. The Green Party's demands match an open letter recently sent to President Sarkozy, signed by prominent writers and activists. The demand for repayment of the historical debt was first made under former Haitian President Jean-Bertrand Aristide, who asked France to repay Haiti exactly $21,685,135,571.48, not counting interest, penalties or consideration of the suffering and indignity inflicted by slavery and colonization.
Musab Younis is Ceasefire's Deputy Editor and an MPhil candidate in International Relations at the University of Oxford. His column on the media, CounterSpin, appears every other Sunday.
3 Comments
This is a fantastic article Musab, thank you for the detailed analysis. The stark example of U.S. aid to Pakistan is just one of so many contradictions. Challenging the media institution is almost overwhelming, it's amazing(ly scary) how many people well and truly believe everything they see/read/consume.
Great article Musab.
Really good piece. The ongoing coverup in the Western press about the use of depleted uranium munitions in Iraq and elsewhere is a disgrace. The effects are felt for at least decades afterwards, like you said in Fallujah there are several generations that will be born deformed and disabled as a result, along with troops who served in areas where DU was used coming home with life destroying conditions.
Anyone who is interested in depleted uranium should check out some of the talks and interviews with Dr. Doug Rokke, who was employed by the U.S. military to monitor and control the effects of its use and now raises awareness on the issue.
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Mehr von Strasheim, Julia; Bogati, Subindra
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Nepal's quest for federalism: a driver of new violence
Die Föderalismusdebatte in Nepal: Anlass für neue Gewalt[Arbeitspapier]
Strasheim, Julia; Bogati, Subindra
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|GIGA German Institute of Global and Area Studies - Leibniz-Institut für Globale und Regionale Studien
|EU and German policymakers often promote federalism as a means to strengthen peace in societies emerging from civil war. In Nepal, however, the 2015 constitution which restructured the country to make it a federal republic has become a driver of new violence. This contribution argues that it is not only the substance of the federalist law that has inspired unrest, but also the manner in which it was introduced. Constitutional provisions stipulating geography-based federalism in Nepal sparked protests among Madhesis and Tharus that killed 57 people and stalled imports of petroleum and earthquake relief material from India from September 2015 to February 2016. The Madhesis and Tharus feel that the federalist law further discriminates against them and are demanding the delineation of federal units according to identity. While the constitution was initially perceived as a major breakthrough in the frequently stalled peace process with former Maoist rebels, the Madhesi and Tharu protests represent a new escalation in a long-polarised debate. Three factors have contributed to the violent escalation of the protests: (1) the dominance in the public debate of hill-upper-caste groups at the expense of marginalised groups; (2) the concurrence of the federalist reform with other institutional reforms that, as a whole, have sparked fears of discrimination among Madhesis and Tharus; and (3) increasing involvement on the part of China and India, which is further polarising the government and the marginalised groups. The example of Nepal reflects and accentuates the recent debate on post-war institutional reform – that is, that reforms have joint effects on peace rather than working in isolation. Policy Implications Policymakers must ensure that a future solution to minority demands in Nepal is identified based on dialogue that includes minorities to a larger extent; any elite proposition could lead to new unrest. Nepal also demonstrates that subnational and national institutional reforms as a whole can ease or exacerbate minority fears. Donors should pay attention to such interaction rather than limiting projects to one policy field.
|Nepal; political development; constitutional amendment; federalism; political reform; peace process; political lawsuit; conflict potential; violence; ethnic group; ethnic conflict; caste; identity; minority; marginality; discrimination
|Staat, staatliche Organisationsformen; politische Willensbildung, politische Soziologie, politische Kultur; Friedens- und Konfliktforschung, Sicherheitspolitik
|Freie Schlagwörter
|post-conflict phase; intercommunal conflicts; Madhesi; Tharu
|Sprache Dokument
|GIGA Focus Asien, 1


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The other night, I had to snap this pic cause it is so funny. It is just pork bullion. It is tasty. My newest secret ingredient for my oldest, sorry recipe, oven potatoes(Joe will sarcastically say, "Oh good. Oven potatoes. We have not had those before"). Anyhow, Paul asked me what it was, and in explaining it, I realized it sounded very neat. Like the freeze-dried-condensed space food you learn about in school. "Paul, they take a big pig, and shrink all of its juicy piggy flavor into a powder, and put it in this little pouch." Okay, if you are vegetarian, you are probably vomiting right about now. Anyhow, I don't know if it has msg or not, I choose to be purposefully ignorant on that. I saw it at the store and tried it. I love it. And thought it was funny(and yummy) enough to snap.
So, it is becoming obvious that I am not a small town girl. And, I am okay with that. This is not to say that I have anything against small towns or small town folk. I thought I was small town, and I desperately want to be a small town folk. I love so many things about small towns!!! But. I am not. I am who I am. So, I have to stop pretending and admit that I am a suburbanite, deep down. A suburbanite without a suburb lol. Why? Well, in my head, I have come up with a list of sorts...things that happen that reaffirm this new discovery...
1. I expect my grocery store to carry stalks of lemon grass, leeks, ham in a pouch, fish sauce, and more than 2 varieties of hot peppers.
2. I want to shop at walmart because I *want to* not because I *have to.*
3. I miss starbucks like it was a close personal friend.
4. I expect to be able to go out in public with no make-up and jeans I have been wearing for 3 days without running into 10 people I know. I should know better by now, but I do not.
5. When I drive an hour to the nearest bigger town for lemon grass, leeks, and starbucks, I feel at home, and I don't live there! lol
Anyhow, as I come across more of these epiphanies, I'll let ya know. ;) Now, what can I do? For starters, I need to stop expecting a suburban lifestyle in a small town. lol I am sure everyone is tired of me complaining about walmart.
Jude is so close to walking Jude IS walking! I started this post with a pic of a budding walker. But, in the time between started the post and finishing it, Jude started walking. My baby is...walking. Joe asked me if I was writing it down in his baby book. I don't have a baby book for him! I feel kinda bad about it, but I had to be honest with myself. I have baby books for Joey, Paul, and Pete. Only Joey's is filled out. I would put them away and only bring them out while the kids were not around so they would not ruin them. Well, kids are always around, and when I did break them out, I was always searching for this or that paper with important info doodled on it, or the photo corners, or realize I did not have the
prints I needed...things just got too hectic. I am hoping that blogging will help chronicle our family history. Yes, it is not as individualized, but it is easier to blog(probably cause I can nurse a baby and type at the same time!) than record items in a baby book. So, here is Jude, just few days ago, thinking about walking over to the computer or magazine. Ah yes, both are so tempting. My sweet baby
about to walk walking.
Oh, and a few things! Remember that silly camera pic I took, of stuff in my pantry, for clickinmoms pantry challenge? I got a starbucks card for it(I will drive an hour to the neighboring town for starbucks, yak know, lol). :) Score!
And, every monday, clickinmoms blog has a macrolicious monday pic, and my pics have been on there 2x now. see? and see?
Yay! I love macro. It is like therapy. Like crazy yoga breathing. Seriously, it makes me so crazy happy, I am sure that is abnormal.
Yay! I love macro. It is like therapy. Like crazy yoga breathing. Seriously, it makes me so crazy happy, I am sure that is abnormal.
Oh, and I am fickle. Last post, no round corners. Was going to ditch 'em, but I changed my mind. And, since writing this post, I changed my mind...again.