text:
Le cartel Hypnoweb a besoin de toi !
Rejoins-nous sans attendre
Ce script VO a été migré dans le guide de l'épisode.
A street somewhere. A car, driving somewhat too fast, slams into the
rear of a car in front which has slowed down ready to park at the
kerb. The rear car's bonnet buckles and steam starts coming out.
Out of the rear car get three men who can best be described as
looking like thugs. Loud music is coming from the car. A young man
gets out of the front car.
THUG: What the hell were you doin'?!
YOUNG MAN (looking at the damage to his own car): I was trying to
THUG: Did you ever hear of signalling, pal?
YOUNG MAN: I *did* signal.
THUG: Listen, man, if you don't know how to drive, maybe you
try stayin' off the damn road!
YOUNG MAN: Well, maybe if you hadn't been tailgatin' me, this
wouldn'ta happened.
(The thug laughs indignantly, then grabs the young man by the jacket.)
THUG: Oh, no, you didn't just say that! (He slams him against
YOUNG MAN: Look, man, I don't want any trouble.
THUG (ominously): Too late. (He draws back his fist and goes to
punch the young man, but his hand is caught by someone. It's
wearing casual clothes and with no hat on so that his tattoo is
clearly visible.)
TEAL'C: This is unlawful behaviour.
THUG: Who the hell are you?
TEAL'C (still holding the thug's wrist): Collision procedure
that you exchange insurance information and if necessary notify the
(The thug looks round at one of his friends, who laughs
THUG (also laughing disbelievingly): What?!
TEAL'C (indicating the young man with his head): This gentleman
indeed signal (the man nods in agreement), which would indicate that
it was you who was at fault.
(The thug tries to tug Teal'c's hand free without success.)
THUG: Pal, you'd better learn to mind your own damned business.
(He goes to punch Teal'c with his free fist but Teal'c grabs
it with
his own free hand, then headbutts the thug who falls to the ground.
The second thug swings a punch at him but Teal'c ducks, then
him twice and he falls. The third thug swings a punch but Teal'c
lowers his head so that the punch goes straight into his tattoo. The
thug cries out in pain, then Teal'c punches him to the ground.
first thug gets up onto his hands and knees, then roars in rage as he
starts to throw himself at Teal'c, but Teal'c punches him
down again
before he can even get off his knees. Bystanders move slowly closer
as Teal'c stands in the middle of the three downed men. A young
skateboarding kid, Eric, looks on in awe.
ERIC: Woh!
TEAL'C (to the young man): I believe it will now be necessary to
notify the police.
YOUNG MAN (gazing at him respectfully and gratefully): Yeah. Thanks.
(In the background we can still hear the music coming from the
car – the lyrics go, "Who's the man?")
(Teal'c bows his head to the young man.)
SGC. JACK'S OFFICE. Walter, looking nervous, comes to the door
HARRIMAN: Sir, uh, Colonel Kendrick from the Office of Special
Investigations is here to see you.
O'NEILL (pointedly): Does he have an appointment?
HARRIMAN: No, sir ...
(Kendrick pushes Walter out of the way and barges in.)
KENDRICK: You wouldn't return my phone calls, sir.
O'NEILL: I was busy; didn't think it was important – take
your pick.
KENDRICK: You know as well as I do there's been another incident.
(Jack looks at Walter, who holds up his hand placatingly and backs
out of the office.) When you petitioned the OSI to allow Teal'c
live off-base, your request was approved under certain provisions.
These provisions have clearly been violated.
O'NEILL: Oh, come on, Colonel. If you had saved Earth from total
annihilation a couple of times and your government told you *you*
couldn't go out to play, wouldn't you consider it more a ...
guideline than a rule?
KENDRICK: We all appreciate what Teal'c has done for us, sir, on
numerous occasions – but that doesn't change the fact that
he's a
liability, and every day he's allowed to roam around in public
jeopardises national security.
O'NEILL: Oh, don't be so dramatic, Dick – it'll give
you gas.
KENDRICK: Either you take action to ensure these provisions are met
or the OSI will.
O'NEILL (interrupting): Hey. (He holds up a finger warningly.)
Watch it. I'll look into it.
KENDRICK: Yes, sir. (He turns and leaves. Behind Kendrick's
Jack continues to wave him away.)
TEAL'C'S APARTMENT BLOCK. Inside the building, someone
knocks `shave
and a haircut' on Teal'c's door. Teal'c opens the
DANIEL: Hey!
TEAL'C: Daniel Jackson.
DANIEL: Just wanted to come by and see how you're settling in.
TEAL'C: Please enter.
(Daniel comes in and looks around.)
DANIEL: Wow – I like what you're doin' with the place
– sort of, um,
Jaffa chic with, er, East African flair.
TEAL'C: I have discovered there are many programmes on television
which offer advice in the area of home design and decoration.
DANIEL: Yeah, I'm a little more into the History Channel myself.
TEAL'C: Can I offer you anything?
DANIEL: No, I'm fine. Um, how's the fern doin'?
(Teal'c blinks,
then gestures to Daniel's side. Daniel turns and walks over to a
very sad-looking fern in a pot. He lifts a few of the fronds, which
sound very dry.) Don't suppose you've tried talking to it.
TEAL'C: I have not. Perhaps you should tell me why you are here.
DANIEL: A guy just can't come by and visit his friend? (He sits
down. Teal'c looks at him. Daniel taps his hands on his knees
for a
moment, then stands up again.) Yep – I heard what happened the
day. Three KOs, first round.
TEAL'C: O'Neill sent you to speak with me.
DANIEL: No ... yeah.
TEAL'C: I broke no law. I intervened to prevent a criminal
and was forced to defend myself.
DANIEL: You see, that's kind of the point. Look, there's no
why you shouldn't be allowed to live off-base, I mean, especially
when you're not carrying a symbiont any more, but –
you're supposed
to be keeping a low profile.
TEAL'C: That is not always easy.
DANIEL: Yeah, I'm not just talking about the tattoo, although I
see how that could be a problem.
TEAL'C: I often cover it to avoid stares in public but I tell
who have seen it that it is a tribal mark from my home land.
DANIEL: Yes, this is less about appearance than it is about behaviour.
TEAL'C: Have I not conducted myself as a typical member of this
DANIEL (looking as if he's going to nod `yes'): No –
no, actually,
no, you haven't. Um, besides the other day, there was the
with the old man and the teenagers in the park; there was that thing
with the guy with the pit-bull ...
TEAL'C: In each case, I was only attempting to render assistance
where it was needed.
DANIEL: See, that's kind of the problem. Um, normally human
are a little more ... careful about getting involved in business that
isn't theirs. I know – that sounds bad but it's just the
way it is
and, um, you can't afford to be drawing attention to yourself.
TEAL'C: I understand. (Someone knocks at the door.) Excuse me.
goes and answers it. A young woman is standing there.)
KRISTA: Hi.
TEAL'C: Krista.
(Krista holds up a plastic bag.)
KRISTA: Made you cookies.
(Teal'c takes the bag and bows to her.)
TEAL'C: Please come in.
(Krista comes in and sees Daniel.)
KRISTA: I'm sorry – I didn't realise you had company.
TEAL'C: Krista James, this is Daniel Jackson.
DANIEL: Hi! (He and Krista shake hands.)
TEAL'C: Krista lives in the apartment next door.
KRISTA: Wait a minute – *Doctor* Jackson? You're the
who hired Teal'c to come over from Mozambique.
DANIEL (quickly covering his surprise): That's right!
KRISTA: Well, then I should thank you. It's been great having
here. It's nice to have a man around who cares about his
DANIEL: Actually, we were just talking about that.
KRISTA: In fact, that's why I'm here. (She turns to
Teal'c.) The
cookies were a bribe. My pipes are doing that thing again.
TEAL'C (uncomfortably): Normally I would be happy to provide
assistance. However ...
DANIEL (interrupting): Nonononono – no, don't-don't let
me interrupt –
I've gotta be going anyway, so, um ... (He heads for the door.)
It's very nice to meet you.
KRISTA: Nice to meet you.
DANIEL: Uh, Teal'c, that other thing we were talking about, um
every rule has its exceptions. (He waves to Teal'c and Krista,
PARK. Sam and Pete are buying hotdogs, then stroll towards some
picnic tables.
PETE: So – how are things in the galaxy?
CARTER: You know I can't talk about work.
PETE: Sorry – I'm still getting used to the fact that my
a super-hero.
CARTER (laughing): Bit of an exaggeration.
PETE: The super-hero part or the girlfriend part? (Sam grins at
him. They sit down at a table.) You travel to other planets to do
battle with alien creatures bent on galactic domination. Just
because you don't wear a tight spandex outfit doesn't mean
you're not ... although – it's an idea you might wanna
(Sam giggles.)
CARTER: Look, I know this is hard for you. I mean, any other guy
would have just freaked out and run away.
PETE: *You* didn't run away when I stalked you. Anyway, I just
you to appreciate the position I'm in here.
CARTER: I *do*, believe me. And I'm really glad you stuck around.
PETE: I'm glad to hear you say that, because I put in for a
to Colorado Springs PD.
(Sam smiles and kisses him.)
CARTER: Are you sure?
PETE: I've never been more sure of anything in my entire life.
That's why I got you this. (He reaches into his pocket and takes
a small box. He opens it – inside is a diamond engagement ring.)
CARTER (staring at it in amazement): Oh my God.
NEAR TEAL'C'S APARTMENT BLOCK. Teal'c and Krista are
walking along
the road with bags of shopping.
KRISTA: I'm sorry to keep asking you to help with my plumbing but
super's never around and my boyfriend's not very handy.
TEAL'C: There is no need to apologise.
(They walk past a woman getting out of her car and putting her
handbag on the roof.)
KRISTA: Anyhow, you'll forgive me once you've tasted my
TEAL'C: I am looking forward to it.
(Eric, the skateboard kid, comes over.)
ERIC: Yo, T!
TEAL'C: Greetings, Eric. (They do a street handshake.)
ERIC: I saw you take out those three gorillas the other day. Nice
TEAL'C: In retrospect it may have been unwise to intervene.
ERIC: Are you kidding? They deserved it.
(Behind Teal'c and Krista, the woman is putting some lipstick on.
teenage boy grabs her handbag off the roof of the car and starts
WOMAN: Hey! Hey, stop that guy, he's got my purse! Hey!
(The boy pushes past Krista, knocking her bag of groceries to the
ERIC (to Teal'c): Aren't you gonna do anything?
TEAL'C: I must not intervene.
ERIC: What?! You're just gonna let him get away?
(Teal'c looks at the boy as he runs down the street. Then he
down, picks up an avocado, tosses it in his hand and then hurls it
hard towards the fleeing boy. The avocado hits the boy hard on the
head and he falls to the ground.)
ERIC: Oh-ho-ho, *man*! What a shot!
KRISTA: How did you *do* that?
ERIC: You the man, T!
(The woman whose purse was stolen turns to him.)
WOMAN: Thank you! That was amazing.
(Teal'c bows to her.)
KRISTA: That *was* amazing!
ERIC: T-money, you are the *man*! Gotta give the man his cross. (He
shakes hands with Teal'c, who looks proud but also concerned at
having once again drawn attention to himself.)
(Nearby, we see that a surveillance camera is taking photographs of
TEAL'C'S APARTMENT. Night. Teal'c hears someone
pounding on
Krista's door.
DOUG (offscreen): Krista! Krista! C'mon, Krista! Listen,
just let me in.
(Teal'c opens his door and walks out into the hallway.)
KRISTA: Doug, I have to work tomorrow.
DOUG: So?
KRISTA: So, you're drunk. Just go home, please.
(Teal'c walks down the hallway to Krista's doorway. Doug is
against the doorjamb. Krista is standing in the doorway.)
DOUG: No, no, no, honey, I ain't goin' nowhere.
KRISTA: That's ...
TEAL'C: Is there a problem?
(Doug turns and looks him up and down.)
DOUG (slurred): Oh, this-this is a private conversation.
TEAL'C: If it were private you would not be conducting it in the
hallway, nor speaking so loudly.
(On the other side of the hallway, the door to another apartment
opens. An elderly lady holding a cat stands there.)
KRISTA: It's alright, Mrs Conners – just go back inside.
(Mrs Conners looks disapproving, but closes the door again.
turns back to Krista.)
TEAL'C: Do you require assistance?
KRISTA: No, I'm OK.
DOUG (stepping towards Teal'c): Who the hell is this guy?
KRISTA: His name is Teal'c – he's my neighbour.
DOUG: Teal'c. (He snorts derisively.) What kind of a crazy name
KRISTA: He just moved here from Mozambique.
DOUG: Oh. No doubt.
TEAL'C: Krista has requested that you leave. I suggest you
DOUG: You'd better check yourself before you get hurt.
TEAL'C: I *have* checked. I suggest you leave, before it is
that gets hurt.
KRISTA: Doug – go sober up.
DOUG: You know what? (He turns to her and takes her by the chin.)
I'm gonna call you tomorrow. (He turns and looks dismissively at
Teal'c, then walks away.)
KRISTA: I'm sorry about that. I hate when he gets that way.
TEAL'C: This is not the first time. (Krista shakes her head.)
you have stopped receiving him.
KRISTA: Not exactly. He's not always like that. Since he lost
job he's just been ... y'know.
TEAL'C: I do not.
KRISTA: It's been hard on him.
TEAL'C: And has it not been hard on you?
KRISTA (looking flattered at his interest): I'm fine.
(Teal'c nods and bows his head.)
SGC. DANIEL'S OFFICE. Sam, Daniel and Teal'c are talking.
TEAL'C: I do not understand Krista's behaviour.
DANIEL: Yeah – that's a common problem. Most cultures on
recognise it as a significant gap between the experiences of men and
women. Among the Masai of East Africa each newly-wed man is actually
required to wear his wife's clothing for a month as a way of
insight into her life.
CARTER (looking bothered by the conversation): If only it were that
(Daniel throws her a look, then continues.)
DANIEL: The point is, while rituals and customs may vary, almost all
cultures put significant pressure on single adults to form bonding
pairs. In ancient Persia, if a girl died a virgin they would go so
far as to marry her corpse off before burial.
CARTER: That's horrible!
DANIEL: The groom was usually quite well-paid.
CARTER: It's bad enough being on your own without every TV show
commercial and magazine ad trying to tell you how abnormal it is.
DANIEL: I think that's what I just said.
CARTER: I mean, they make you afraid of being alone but at the same
time tell you not to settle for anything less than the perfect
romantic ideal, like that actually exists *anywhere* in the real
world. I mean, either way you can't win. (She sighs irritably.
Daniel raises his eyebrows at Teal'c, then turns to Sam.)
DANIEL: How's things?
CARTER: Good. (She glances between Daniel and Teal'c.) We were
talking about Teal'c's friend, right?
DANIEL: I *thought* we were.
CARTER: Teal'c, how do Jaffa couples handle their problems?
TEAL'C: On Chulak, a dispute between a man and a woman that
cannot be
resolved necessitates a pledge break. It must be requested by one
and granted by the other.
DANIEL: And if that doesn't work?
TEAL'C: A weapon is required.
PARK NEAR TEAL'C'S APARTMENT BLOCK. Teal'c is working
out, doing tai-
chi-like moves. During one of the moves he turns around and finds
Krista standing nearby watching him.
KRISTA: Sorry – I don't wanna interrupt you. I just came out
for a
little air.
TEAL'C: Are you alright?
KRISTA (walking closer): I had another fight with Doug. I told him
it's over – that I don't wanna see him any more.
TEAL'C: Are you not happy with your decision?
KRISTA: I guess it was the right thing to do, but he's not a bad
person. He's just going through a tough time.
TEAL'C: You have no cause to feel guilty.
(Krista smiles.)
KRISTA: What *was* that you were just doing?
TEAL'C: It is called lok'nel – an ancient form of martial
KRISTA: You think you could teach me?
(Teal'c nods and gestures for her to stand at his side. He
doing moves and she copies him.)
(A montage of scenes follows as many days pass and Teal'c
to teach Krista his routines. As time passes she gets more
proficient. In the final scene, they are working out in
apartment. As they finish one move they turn to face each other, and
gaze long and deeply into each other's eyes.)
TEAL'C'S APARTMENT BLOCK. Teal'c comes out of his
apartment and
walks along the corridor to knock on Krista's door. She opens it.
KRISTA: Oh, hi.
TEAL'C (smiling): You are late for your next training session.
KRISTA: Yeah, I meant to tell you – I don't think I'm
gonna be able
to train with you any more.
TEAL'C: You have been making tremendous progress.
KRISTA: Well, I just don't have time, y'know?
TEAL'C: Has something transpired?
KRISTA: No, everything's fine. Look, I've gotta go.
(She puts her hand on the door to close it, but Teal'c slams his
hand onto the door to stop her when he sees that her wrist is badly
TEAL'C: You are injured.
KRISTA: It's nothing. Please.
DOUG'S VOICE (from inside the apartment): Krista, who is it?
KRISTA: It's just my neighbour.
DOUG (coming to the door): Oh yeah? Ah, the plumber, hmm. I'll
handle this.
KRISTA: Doug, it's noth...
DOUG: I *said*, I'll handle it.
(Behind Teal'c, Mrs Conners opens her door and peers out. Krista
reluctantly walks away into the apartment.)
DOUG (to Teal'c): Don't think I don't know what's
been going on
around here. She told me everything.
TEAL'C: Were you the one who injured her?
DOUG: What goes on between me and Krista ain't none of your
TEAL'C: If you *ever* injure her again, I will kill you where you
(Doug nods sarcastically. Teal'c walks away towards his own
apartment. Mrs Conners stands in her own doorway, having heard the
entire conversation.)
SGC. SAM'S LAB. Sam is sitting looking at her laptop. Jack
to the door.
O'NEILL: Carter.
CARTER: Sir.
O'NEILL: I never thought I'd hear myself utter these words: I
that report.
CARTER: Right! Um, I just need to, er, finish typing up my notes.
(She rummages through the paperwork on the desk.) Uh, yeah,
have it for you first thing tomorrow.
(Jack looks at his watch.)
O'NEILL: It *is* tomorrow.
CARTER (looking at her own watch): Oh.
O'NEILL: I'm joking! I don't need the report!
CARTER: Well, then, why ...?
O'NEILL (interrupting): Because something's going on with
you. You
haven't tried to confuse me with any scientific babble for the
couple of days and that's a red flag to me.
(Sam sighs, then picks up the box containing the engagement ring and
hands it to Jack.)
CARTER: Pete gave me this.
(Jack takes the box, opens it and looks at the ring, then looks at
O'NEILL: People normally wear these on their fingers.
CARTER: I haven't said yes.
O'NEILL: And yet – you haven't said no. (He snaps the
box shut.)
CARTER: I told him I needed to think about it.
O'NEILL: And? (He puts the box on the desk.)
CARTER: That was two weeks ago.
O'NEILL: Ah!
CARTER: Y'know, all these years I've been concentrating on
work – I
just assumed that one day I would ...
O'NEILL: Have a life?
CARTER: Yeah!
O'NEILL: Yeah.
CARTER: And now it comes down to it, I don't know. I mean, every
time we go through the Gate, we risk not coming back. Is it fair to
put somebody else through that?
O'NEILL: Pete *is* a cop – I think he could handle it.
CARTER: What about kids?
O'NEILL: What about `em?
CARTER: Do I take maternity leave and then come back? What, do I
drop the baby off at daycare on my way to some unexplored planet on
the edge of the Crab Nebula?
O'NEILL: Carter, there *are* people on this base who have
(Sam thinks for a moment, then looks into Jack's eyes.)
CARTER: What about you? If things had been different ... (she trails
(Jack looks at her for a moment.)
O'NEILL: I wouldn't be here.
TEAL'C'S APARTMENT BLOCK. Teal'c returns home to find
Krista sitting
on the floor by his apartment door.
TEAL'C: Krista! (He hurries towards her.)
KRISTA (wiping her eyes and standing up): Hey – I was waiting for
TEAL'C: Has something happened?
KRISTA: No, I'm fine. It's just ... it's over, with Doug
– for real
this time. I'm sorry about what happened before. (Teal'c
out and strokes her tear-stained face.) I need to get out of here.
I can't even think in this place. Will you come with me?
TEAL'C: Perhaps tomor...
KRISTA: No, now, tonight. We'll just get in the car and drive.
We'll take the whole weekend. It doesn't even matter where
we end
up, as long as it's away from here. Please.
SGC. DANIEL'S OFFICE. Daniel is working on his computer. Sam
in, looking worried.
DANIEL: Hey. What, uh, what's going on?
CARTER: General O'Neill just got off the phone with Colonel
Kendrick. Krista's boyfriend was found dead in her apartment.
DANIEL: What?! What happened?
CARTER: We don't have all the details yet but according to
preliminary evidence indicates that Teal'c may have been
DANIEL: That's impossible.
CARTER: That's what *I* said. Unfortunately we can't ask him
it because he's missing. So's Krista. As of right now,
Teal'c is
wanted for kidnapping and murder.
CITY. Night. Teal'c is driving Krista.
KRISTA: Thanks for getting me out of there. I just couldn't be
that place tonight.
TEAL'C: Where do you wish to go?
KRISTA: Just keep driving. (Teal'c checks his rear-view mirror
looks concerned.) What? What is it?
TEAL'C: I do not wish to alarm you but I believe that we are
(Krista looks over her shoulder at the car behind them.)
KRISTA: Who would be following us?
TEAL'C: Perhaps Doug.
KRISTA: No. (Teal'c looks at her.) He doesn't know I'm
gone yet.
TEAL'C: Then they are most likely following *me*.
KRISTA: You? Why would anyone be following you?
TEAL'C: It is difficult to explain.
(Krista looks over her shoulder again as Teal'c turns a corner.
car behind them follows.)
KRISTA: Can you lose them?
TEAL'C: I believe so. However, it will require me to violate
speed limits and several of the safe driving regulations.
KRISTA: I'm OK with that.
(Teal'c nods and smiles at her.)
TEAL'C: Hold on. (He floors the accelerator.)
MOTEL. Krista and Teal'c walk into a motel room. Krista checks
of the window and then draws the curtains.
KRISTA: Don't tell me you learned how to do that back in your
TEAL'C: There are aspects of my life which I am not at liberty to
KRISTA (teasing): What are you – a spy or something? (More
seriously) One thing's for sure – you're not really
Doctor Jackson's
research assistant. That much I figured after about thirty seconds.
TEAL'C: Krista, I ...
(Krista puts a finger over his mouth.)
KRISTA: It's OK. For now, I'm just glad you're here.
(They gaze at each other for a moment, then start to kiss.)
COLORADO SPRINGS. Morning. Outside the police station, Sam is
waiting in her car as Pete walks over and gets in.
PETE: Hey.
CARTER: Thanks for meeting me.
PETE: No problem. (He smiles at her expectantly. Sam looks serious
and shakes her head.)
CARTER: Pete, I'm sorry. (Pete's smile fades.) I need a
little more
time. Look, you know how I feel about you. It's just –
there's some
things I need to work out.
CARTER: Anyway, that's not what this is about.
PETE: It's not?
CARTER: No. I wouldn't ask if it wasn't so important.
PETE: What's going on?
CARTER: I need your help.
MOTEL. Teal'c wakes up and turns to the other side of the bed
Krista isn't there.
TEAL'C: Krista? (He gets up.) Krista! (He goes to the bathroom
switches on the light but she's not in there either. There's
a knock
on the door. He goes to the door and opens it, to find four SFs,
fully geared-up, pointing rifles at him.)
SF: Police! Turn around, lace your fingers behind your head.
(Teal'c complies.)
SGC. Jack and Kendrick are walking along the corridor towards
KENDRICK: Well where is he being held?
O'NEILL: He's in his old quarters.
KENDRICK: Is he at least under guard?
O'NEILL: He's not going anywhere.
(They reach Jack's office and go in.)
KENDRICK: He's a *murder* suspect.
O'NEILL: Y'know I talked to him. He said he didn't do it.
KENDRICK: That's good enough for you, is it?
O'NEILL: Pretty much. (He sits down at his desk.)
KENDRICK: Well unfortunately you're not in charge of this
O'NEILL: Yeah. He also said he felt like he was being followed
KENDRICK: The OSI did not have Teal'c under surveillance.
O'NEILL (not convinced): Yeah. How'd you find him?
KENDRICK: We received a tip.
O'NEILL: That didn't strike you as ... odd?
KENDRICK: I told you something like this might happen – you
ignored my warnings.
O'NEILL: Not so much ignored as ... completely disregarded.
KENDRICK: With all due respect, General, I'm gonna have to insist
that Teal'c be placed in confinement immediately or I *will*
recommend that he be held elsewhere.
SGC. DANIEL'S LAB. Daniel is going through paperwork and
coffee when suddenly Ancient symbols start popping up on his computer
DANIEL: What the hell?
(Another window pops up on the screen and the words "Look
appear. Then the phone rings.)
DANIEL (answering it): Daniel Jackson.
(The male voice that comes from the other end of the phone sounds
almost like a Goa'uld voice, but is probably someone using one of
those voice distortion devices.)
VOICE: Did you get my message?
DANIEL: Who is this?
VOICE: The symbols, Doctor Jackson, do you recognise them?
DANIEL: Uh, I don't know who you think this is ...
VOICE: We need them translated into Goa'uld.
DANIEL: I have no idea what you're talking about.
VOICE: We know it's the language of the Ancients but the dialect
obscure. You're the one man on Earth who can translate them.
friend Teal'c is in trouble.
DANIEL: How'd you know about that?
VOICE: We can help him. We've been watching him. In fact, we
the whole thing.
DANIEL: You witnessed the murder.
VOICE: We've got it all on tape – concrete evidence that
Teal'c's innocence, and it's yours in exchange for the
Of course, if you tell anyone, we'll know, and the deal's
off. (He
hangs up.)
TEAL'C'S APARTMENT BLOCK. Sam and Pete are in Krista's
White tape on the floor outlines where Doug's body was found at
foot of a wall. Pete is looking at a photograph of Doug's body
it was found.
PETE: The investigator who checked the position of the body concluded
that the victim was pinned and choked against this wall (he
demonstrates) and then fell to the floor.
CARTER: So ...?
PETE: So I'm not so sure. The proximity of the body to the wall
supports that but the position of the body suggests otherwise.
CARTER: What do you mean?
PETE: If he fell into a slump, his legs and arms would be bent. (He
points to the tape outline and the photograph.) His legs are
straight, and his arms are placed by his sides, suggesting that the
body was dragged here and placed in this position.
CARTER: Why move the body?
PETE: Well, dying against the wall suggests that the victim was
attacked by somebody bigger and stronger.
CARTER: Like Teal'c. So it was a set-up?
PETE: It's possible. Now, you said that Teal'c thought he
was being
CARTER: That's right.
PETE: The Air Force denies having him under surveillance?
CARTER: Yeah.
PETE: If *I* was staking out Teal'c's place (he walks to the
and opens the curtain), that's where I would be. (We see the
of an apartment opposite.)
THE OPPOSITE APARTMENT. Pete picks the lock and he and Sam walk in.
PETE: Hello?
(As they go further in, we see that the apartment is empty of
furniture. Pete and Sam walk to the window of the living room.)
PETE: From this vantage point you can easily see into both
apartments. (He looks down, then squats down and points at the
carpet.) Three indentations.
CARTER: A tripod.
PETE: Unfortunately I think they cleaned the place up pretty good. I
doubt we'll find anything.
CARTER: So it's a dead end.
PETE: Not necessarily. Is there a pizza place nearby?
CARTER: Why?
PETE: One thing about a stake-out – you never eat healthy.
PARK. Daniel is walking in a park, looking around nervously. A man
walks over holding a carton of coffee.
JENNINGS: Doctor Jackson. Keep walking. (He gestures the direction
to go. They walk towards a picnic table.) You came alone –
impressed. I like a man who can follow instructions.
DANIEL: You're the one who called me?
JENNINGS: It doesn't matter. Have you completed the translation?
DANIEL: Yeah, see, that's why I wanted to talk to you – I
need more
JENNINGS: You're playing with your friend's life here, Doctor.
DANIEL: I can't translate something unless I understand the
context –
where they were found, what they're for.
JENNINGS: You think I'm stupid.
DANIEL: I'm not lying.
JENNINGS: I can see we're going to have to do this the hard way.
DANIEL: What does *that* mean?
JENNINGS: Either you give us the translation now, or I'll be
to take this to the next level.
DANIEL: So, beyond kidnapping and murder.
JENNINGS: We didn't kill the boyfriend – but we'll kill
the girl if
we have to.
DANIEL: How do I know you even *have* her?
JENNINGS: Come with me and I'll show you.
DANIEL: Yeah – you know, I've got a thing, so ... (he turns
to go)
JENNINGS: I have three snipers targeting your position at this very
moment, Doctor.
(Daniel stops and turns back.)
DANIEL: You're bluffing.
(Jennings places his cup of coffee on the picnic table and steps
JENNINGS: Position one – go for the coffee cup.
(Nearby a silenced shot can be heard and a bullet pierces the coffee
DANIEL: So are we gonna take your car, or mine, or, uh, shall I just
follow you?
SGC. CONFINEMENT ROOM. Sam has come in to talk to Teal'c.
CARTER: We checked a couple of pizza joints and all-night delivery
places near your apartment to see if there'd been any sudden
TEAL'C: An interesting investigative method.
CARTER: Yeah – I thought it was a little crazy at first too, but
actually got a lead at one place. The owner reported a Caucasian
male who'd been in half a dozen times during the last two weeks.
TEAL'C: Is that unusual?
CARTER: Not necessarily but we thought it was worth checking out. We
got a licence plate from the security camera out front and we're
running it down.
(From outside, an airman swipes the door opens and Jack walks in.)
TEAL'C: O'Neill.
O'NEILL: Well, Kendrick is finally convinced something else is
on here.
CARTER: What changed his mind?
O'NEILL: Daniel's missing.
GREY VAN. Inside the van as it drives along, Daniel has his hands
handcuffed together. He sits between Jennings and another man.
DANIEL: So you guys are ex-NID. You call yourselves The Trust now,
JENNINGS: We want the same thing you want, Doctor Jackson –
trying to protect the planet.
DANIEL: That's why you were watching Teal'c – you thought
he was a
significant threat to planetary security.
JENNINGS: Stargate Command may think it's OK to let the alien
the streets unsupervised. We beg to differ.
DANIEL: And never mind the fact that he's helped save the Earth
times than I can count.
JENNINGS: He is an alien. Their motives can never be trusted.
Anyway, he *is* partly responsible for the boyfriend's death. If
hadn't shown the girl how to crush a man's windpipe, none of
would have happened.
DANIEL: So *she* killed him.
JENNINGS: It was self-defence, really. He was getting out of hand.
DANIEL: And that's when you guys moved in and planted evidence to
make it look like Teal'c did it.
JENNINGS: We saw an opportunity and we took it.
(The van arrives at a warehouse and drives in. Daniel is taken out
of the back of the van and marched towards several tables holding
different types of computers. As he's bundled down onto a chair,
of the other people in the warehouse grabs Jennings' arm.)
HOSKINS: What the hell's going on here?
JENNINGS: The situation is under control.
HOSKINS: You were supposed to get the information and leave.
JENNINGS: He wasn't going to co-operate.
HOSKINS: He's a member of SG-1. Do you have any idea what kind
resources they'll mobilise to get him back?
JENNINGS: Once we get the translation, it'll be too late. (He
to another man.) Bring the girl. (The man moves off.)
SGC. SAM'S LAB. The phone rings. Sam answers.
CARTER: Carter.
(Pete is leaving the police station.)
PETE: Sam, it's me. I traced the car from the pizza place.
It's a
rental. The name on the agreement's a fake I.D.
CARTER: That's our man.
PETE: Whoever set this up knew what they were doing. I've got a
account, social security number and credit cards, all from a guy who
died six months ago.
CARTER: OK, let's focus on the car. Find out if the rental
has satellite tracking.
PETE: I'm on it. I'll call you as soon as I have something.
WAREHOUSE. A woman is working on one of the computers. She reports
her progress to Hoskins.
BROOKS: Uplink is established. We're ready to transmit.
(Hoskins turns to face Daniel.)
HOSKINS: We need those symbols.
(Krista, also handcuffed, is brought in.)
KRISTA: Daniel! (She is dragged across the room and forced into the
chair next to Daniel.) What's happening? Who are these people?
DANIEL: It's gonna be OK.
(Hoskins holds out a clipboard with a sheet of paper on it towards
JENNINGS: The symbols, now – or we kill the girl.
DANIEL: She's got nothing to do with this.
HOSKINS (lowering the clipboard): Look, Doctor Jackson, if it *had*
been up to me, things never would have gone this far. (He throws a
black look at Jennings.) It was supposed to be a simple surveillance
operation, but then this little domestic dispute happened, Teal'c
involved, we knew you weren't going to help us voluntarily ...
DANIEL: So you decided to try a little blackmail instead.
HOSKINS: Let's just say one thing led to another. But in any
it's too late for all that now (he takes a pistol out of his
so either you give us what we want (he points the pistol at Krista)
or I will kill her.
(Daniel looks at Krista for a few moments, then looks at Hoskins and
holds up his handcuffed hands for the clipboard. Hoskins gives it to
him and Daniel starts writing.)
HOSKINS: Oh, and by the way, we'll know immediately if the
are incorrect.
(Daniel looks up at him for a moment, trying to gauge whether
telling the truth, then bends his head to the clipboard again and
continues writing.)
LATER. Daniel finishes writing. One of the men takes the clipboard
from him, takes it over to the tables and puts the sheet of paper
into a scanner. Brooks checks her screen as the scanned image comes
up on it.
BROOKS: Scanning. Translating symbols. (A message comes up on the
screen.) Translation confirmed.
HOSKINS: Good. (To Daniel and Krista) Get up.
(Outside the warehouse, a black van with fully geared-up SFs hanging
on the outside drives up. A second van follows. The troops jump off
and spread out, surrounding the perimeter.)
HOSKINS (gesturing with his pistol): Over there. Face the wall.
(Daniel and Krista look at each other, Krista obviously terrified.
Eventually two of The Trust seize them and bundle them over to the
DANIEL: I gave you what you want.
HOSKINS: *Move!*
(Krista stands half facing the wall but Daniel continues looking at
Hoskins. Hoskins raises his pistol.)
HOSKINS: I said face the wall.
(Reluctantly, Daniel and Krista turn and face the wall.)
DANIEL: Look, you don't have to do this.
(Over at the tables, Brooks and a man are removing disks from the
computers and burning the hard drives.)
(Outside, the troops, together with Sam and Pete, are getting into
final position.)
(Inside, Krista, terrified, turns her head to Daniel.)
KRISTA: Daniel?
DANIEL: It's gonna be OK.
(Behind them, Hoskins raises a zat gun and zats the pair of them once
each. They collapse to the ground. Hoskins goes over to the table
where Brooks is just finishing dusting off the computer drive as the
screens go to static. Hoskins, Brooks and the other three men stand
close together, as if waiting for a ring transporter. Hoskins
activates a small device, which starts beeping.)
(Outside, a sergeant reports.)
SERGEANT (into radio): Team two in position and ready.
(Inside, we see Daniel and Krista unconscious on the floor.
Offscreen, we see the edge of a large white flash and hear the sound
of a transporter, though it sounds more like an Asgard transporter
than a ring transporter.)
(Outside, Sam speaks into her radio.)
CARTER: Go!
(Explosives blow the doors open and the teams rush in. There's
sign of The Trust. Several people, including Sam and Pete, go over
to Daniel and Krista. The sergeant checks Daniel while Pete squats
down to check Krista.)
SERGEANT: He's unconscious. There's no-one here. We've
got all the
exits covered – there's no way they could have gotten out.
PETE (standing up): How is *that* possible?
(Sam looks around, unsure.)
LATER. The SFs are clearing up. Daniel and Krista are now conscious
and sitting in a couple of chairs. Someone hands Krista a cup of
water. She nods her thanks to him, then turns to Daniel.
KRISTA: Thank you.
(Nearby, Sam and Pete are standing near one of the black vans which
has now been driven into the warehouse.)
PETE: So, it's normal for the bad guys just to disappear into
air, right?
CARTER: Not really – although now I think about it it's not
the first
time it's happened.
PETE (laughing): Just another day at the office.
CARTER: Yes.
PETE: Well, I figure you should be used to it by now.
CARTER: No, I mean – yes.
PETE (staring): Yes, as in ...
CARTER: Yes.
(Pete pulls her behind the van so that nobody can see them and holds
her by the arms.)
PETE: Are you messin' with me?
CARTER: No.
PETE: Which means ...
CARTER: Yes.
PETE: You don't need more time?
CARTER: No.
PETE: Enough already?
CARTER: Yes.
(They hug, and then kiss.)
OUTSIDE TEAL'C'S APARTMENT BLOCK. Teal'c is packing all
his stuff
into his car. Eric rolls a box on top of his skateboard towards the
TEAL'C: Be careful with that package, Eric, its contents are ...
that moment Eric reaches the kerb and the skateboard and box bump
down off the edge of the kerb. There's a sound of breaking glass
from inside the box) ... fragile.
ERIC: Sorry.
TEAL'C: There is no need for an apology. (He bends down and
picks up
the box.) I am grateful for your assistance.
(He turns to put the box in the car but stops when he sees Krista
standing there.)
KRISTA: Hey. (Teal'c bows to her, then puts the box in the car.)
So – you're really leaving.
TEAL'C: Indeed I am.
KRISTA: Y'know, you don't have to do this. The whole thing
was my
TEAL'C: There is no need to blame yourself.
KRISTA: The men in the warehouse – I didn't know who they
were. No-
one told me anything, but I know they were using me to get to you.
TEAL'C: If it had not been you it would have been someone else.
would not hesitate to exploit any relationship to their advantage.
KRISTA: What did they want?
TEAL'C: That I cannot say.
KRISTA: Right. So – where you gonna go?
TEAL'C: Back to where I came from.
KRISTA: What does that mean?
TEAL'C: It means I must say goodbye.
(They gaze at each other for a moment, then Krista looks over his
shoulder. Teal'c turns and sees Eric, who has gone back and
collected the fern.)
ERIC: This is all that was left.
TEAL'C (taking the pot): Thank you.
(Eric bends down and picks up his skateboard to show Teal'c the
ERIC: Check it out.
(He has painted Teal'c's tattoo symbol on the end.
Teal'c smiles.)
TEAL'C: I am honoured.
ERIC: Later, T.
(Teal'c nods and puts the fern into the car, then closes the
He and Krista share another long look, then he turns, pats Eric on
the shoulder, and gets into his car. Krista and Eric stand side by
side and share a sad smile as Teal'c drives away.)


text:
Hi, I'm Mary a co-owner of Madison Hair Designers. I have been a hairstylist since 1989, and a business owner since 1999.
Building personal long term relationships with my clients and helping them look and feel better is why I love my career. I have attended many shows and hands-on workshops over the years. They have involved all aspects of hair and business. These events have helped me advance my technical skills for hair, better run my business, and motivate me.
I appreciate my current clients who have been so loyal over the past years. I also look forward to meeting new ones.

subset: commoncrawl


text: I couldn't help but notice that the signal strength of my new Captivate was kinda weak. Holding it side by side to my brother's iPhone 4 I had three bars (usually 2), while my brother has a full five bars. I know it can be any number of things, but I feel that it's probably something like the GPS, where it needs some sort of fix. I was just wondering if anyone had a similar problem, or have any ideas of how to fix it.


text:
Please join us for our next open morning, this Wednesday 25th January at 9.30am. The morning will start with a short address from headmistress, Sophie Green followed by guided tours from our year 6 pupils. If you would like to book your place please click here.
A leading preparatory school for boys and girls from 3-11 in Cookham Dean, Berkshire
Here at Herries we nurture and challenge our pupils, enabling them to develop confidence and high self esteem. Our broad and balanced curriculum is delivered by a team of highly professional and dedicated teachers, whose enthusiasm has inspired many young people to achieve excellence.
View Online
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Get in Contact
863 points
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text:
Maternity yoga class helps mothers-to-be develop strength, flexibility, and focus to prepare for birth. Through the practice of asana (poses) and breathing, we nurture the body's needs and attend to its changes throughout pregnancy. A yoga practice can increase awareness and create trust in the body's ancient wisdom to engage in the power of labor.
You may begin Maternity Yoga classes after the 14th week of your pregnancy, and may practice as long as you feel well. Some students come to class on their due date! No prior yoga experience necessary.
Frequently Asked Questions
What about morning sickness?
If morning sickness is a concern, wait until your condition is stabilized and you feel well enough to move. As long as your doctor says you are doing well, and you feel fine, you are welcome to come to class. The earlier you begin, the more yoga you can learn to prepare for your birth.
Until when can I continue in Prenatal Yoga classes?
You can continue in Prenatal Yoga classes up to and even after your due date, as long as you feel well enough to participate. Everything done in class is to prepare you physically and mentally for labor, so it can only benefit you and your baby to attend!
Can I eat before Prenatal Yoga classes?
Although we recommend students not eat before regular yoga classes, pregnant ladies usually need to eat smaller meals more often, so a light snack such as yogurt or fruit is fine, especially if you have low blood sugar, a big appetite, or low energy. Be sure to drink plenty of fluids before and after class, too.
Do I need to reserve?
Reservations are appreciated but not necessary in studio A. If you are taking your first class please arrive 10 min in advance to fill out a new student form and to speak with the class teacher.
I have no yoga experience, can I still join a maternity yoga class?
Our maternity yoga class is structured to enable anyone experienced or with no experience, to learn and enjoy yoga.


text:
How is Nevus) treated?
There is a treatment method which is based on transformation of radio waves which were created by radiocautery devices into heat energy over nevus. Heated cell liquids evaporated and nevus layer is removed, normal skin is reached.
Can All Nevus Be taken By Radio Cautery?
Radiocautery can be applied to all colorful, colorless, small, big nevus excluding the vessel nevus
Other Methods Which Are Used in (Nevus) Treatment
Treatment methods out of electrocautery method exist in nevus treatment: Those are;
- Removal of nevus with surgical operation
- Evaporating by Laser
- Evaporating with radiofrequency
- Rupturing with Cryotherapy (by freezing)
Treatment Process
Wound occurs in treated region after treatment, and its covered with scab and scab falls within 3-5 days depending on nevus size and slight redness remains in region. A slight trace or no trace remains in region after process depending on the size of nevus.
Number of Sessions and Duration
Generally treatment is completed in single session. Patient can be called for monthly controls for small retouches if necessary.
There is no active campaign for this service.
Similar Services
- Skin Treatments
Treatment of Underarm Sweating (miraDry)
- Skin Treatments
Laser Treatment Capillary Vein
- Skin Treatments
Medical Skincare
- Skin Treatments
Carbon Peels
- Skin Treatments
Enzyme Peels
- Skin Treatments
Chemical Peels
- Skin Treatments
Stem Cell Treatment (Dermatherapy)
- Skin Treatments
Fractional Laser Strech Marks Treatment
- Skin Treatments
Depigmentation Treatment
- Skin Treatments
Nevus Treatment
- Skin Treatments
Acne Scar Treatment
- Skin Treatments
Skin Analysis
- Skin Treatments
Permanent Makeup (Micropigment)
- Skin Treatments
Laser Tattoo Removal


text:
PneumoNP partners will attend ECCMID 2017 in Vienna, Austria, from 22-25th April 2017.
ECCMID is a major event for experts of infectious diseases and clinical microbiology. A wide range of these topics will be discussed during symposia and poster sessions.
Several PneumoNP partners attend ECCMID 2017. They will present and discuss the latest results of the PneumoNP projects.
PathoFinder will have a company booth. They will display next generation multiplex PCR diagnostics kits for infectious diseases. One is under development in the framework of the PneumoNP project.
On Sunday 23rd, Alessandro Pini, from the company SetLance, will give a presentation during the session: Host-pathogen interactions provide opportunities for novel therapy. The session takes place in hall H from 11:30 to 12:30. His presentation will covers "the peptide SET-M33 as novel agent to neutralize and remove LPS in patients with sepsis".
Meet us also during the session: New drugs against Gram-negatives. The session takes place in hall K on Monday 24th from 09:00 to 11:00. Chiara Falciani, from the company SetLance, will give a presentation entitled "An antimicrobial peptide to face multidrug-resistance emergency: synergies and mechanism of action underpinning efficacy".
Find all the necessary information related to the event on: www.eccmid.org. The full programme is available on the website ECCMIDLive.
Follow the PneumoNP team from event to event
Join the Molecular Imaging Workshop 2017
Read More
Meet us at the ETPN2017 event
Read More
Meet us at the FIGON Dutch Medicine Days
Read More


text:
GraphicRiver Knight with Banner 8531975
Stock Vector \ Characters \ People
Vector \ Illustration \ Banner \ Compositions \ Different \ Illustrator \ Editor
Stock Vector - Knight with Banner 8531975 by barbulat @ GraphicRiver
Stock Vector \ Characters \ People
Knight with a banner in his hand. The image is a vector illustration and can be used for different compositions. The image is an .eps file and you will need a vector editor to use this file, such as Adobe Illustrator.
Layered: No; Graphics Files Included: Vector EPS; Minimum Adobe CS Version: CS.
Keywords: ancient, antique, arheology, armour, art, banner, classic, comical, design, drawing, graphic, history, hold, illustration, isolated, knight, man, old, soldier, sword, tag, vector, vintage.


text:
Deadpool Pendent Necklace Alloy and Lucite 18 Inch Chain
$10.00Ask a question
Deadpool Necklace on 18 inch Necklace
Alloy silver with lucite
A great item to add to any Deadpool fans collection
New Brand
Material: Alloy + Lucite
Color: Silver (Show as picture)
Chain Length: About 18 Inches
Pendant Diameter: About I inch diameter
Shipping from United States
Processing time
3-5 business days
Estimated shipping times
- North America : 3 - 5 business days
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I'll do my best to meet these shipping estimates, but can't guarantee them. Actual delivery time will depend on the shipping method you choose.
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Buyers are responsible for any customs and import taxes that may apply. I'm not responsible for delays due to customs.
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Because of the nature of these items, unless they arrive damaged or defective, I can't accept returns for:
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Conditions of return
Buyers are responsible for return shipping costs. If the item is not returned in its original condition, the buyer is responsible for any loss in value.
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I will only use your shipping and billing address, and contact information
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- For legal reasons (like paying taxes)


text:
Kamal Haasan is presently starring in the film Vishwaroopam whose shooting is going on in the West Asian country of Jordan. The film, which is produced and directed by Kamal Haasan himself, happens to be the first-ever Indian film to be shot in the picturesque Jordan. U.S.-based Pooja Kumar, a former 'Miss India USA', is paired opposite Kamal Haasan in the film.
Vishwaroopam, however, won't be Pooja's debut film as she had already starred in a Tamil film titled Kaadhal Rojavae way back in the year 2000 and has also starred in some English and Hindi films. The multi-faceted Pooja has also produced short films and had been a successful model. She had also worked as veejay in Channel V, the music channel besides a brief stint as a newsreader in the television show Namaste America.
The film is being made simultaneously in Tamil and Hindi. For the first time in his career, Kamal Haasan would be playing a terrorist in this film. He has boldly taken on the role of a Mujahideen terrorist belonging to a group which thrives in Afghanistan. While Kamal's penchant for taking on roles which many of contemporaries might feel hesitant to look at is well-known, it remains to be seen what message does he intend to convey through his role.
Beautiful-looking Bollywood actress Isha Shervani, who is rumoured to be about to tie the nuptial knot with Indian fast bowler Zaheer Khan, would be playing a significant role in the film. Besides producing and directing the film, Kamal has also taken upon the additional responsibilities of penning the story, screenplay and dialogues of the film. The film has music by the famed trio of Shankar-Ehsaan-Loy.


text:
Added to Shopping Bag
Furla A Terrific Looking Shoulder Bag
Listed by Judith I.
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This is one you want to grab!!! Fantastic buy. It is in excellent, unused condition. BEAUTIFUL! A SPECIAL BAG. A fashion forward bag made by the renowned Italian design company, Furla. Purchased in Italy, this great Italian leather bag in a mushroom color and accented by a detachable silver colored chain of beads that flows from center zipped pocket to outside zipped pocket. Neutral and unique, the bag blends with most clothing colors. A blend of brown and green coloring is really interesting. This is a must for every wardrobe...classy, but edgy. Like new!!
Leather with beautiful textured appearance
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Our compact half-term school holidays always concentrate the minds of UK families, offering rich potential for bonanza box-office over a highly compressed time period. And so it has proved with the half-term just ended: from Friday 14 February to Sunday 23 February, The Lego Movie has taken an astonishing £19.72m in just 10 days of play, an average of nearly £2m per day. Add in the previews from the previous weekend, and the film's tally to date rises to a stonking £21.88m. That's more than the lifetime totals of the two lowest-grossing Pixar films – Cars and Cars 2 – and is also ahead of both Kung Fu Panda pictures from DreamWorks Animation. Next in its sights: Madagascar (£22.7m) and Wall-E (£22.9m).
Backers Warners will take particular comfort from the fact that box-office sales for Lego rose at the weekend from the previous frame by 1%. With an amazing £5.98m over the three days, The Lego Movie has achieved the highest second-weekend tally since Iron Man 3 last May. Among animations, Despicable Me 2 scored just under £4m in its second session, and Frozen managed £4.21m. Top second-weekend takings for an animated feature remains Toy Story 3, with £8.11m.
An apt comparison for The Lego Movie might be The Simpsons Movie, since they are both non-sequels featuring a highly familiar brand. The Simpsons stood at £24.19m after two weekends of play, on its way to a £38.7m total. Warners will be hoping that The Lego Movie will show stronger staying power, although the pace of takings will inevitably dip now that kids are back at school.Read More


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Sure, it's a bit sensational to show Jay Leno in the famed Hemi Under Glass wheelstander as it takes a tumble for Jay's show, but it's also a part of the car's history now, something to be noted whenever people discuss the car from here on out. Besides, nobody was hurt, and ... Read more
The 1967 Hemi Under Glass. Photo courtesy Mecum Auctions. From the mid-1960s until 1975, the Hemi Under Glass Plymouth Barracuda was one of the best known exhibition drag racers in the country. Piloted primarily by driver Bob Riggle, it thrilled fans by lofting its front wheels skyward as the thrus ... Read more


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This special song is written by Cherry Mash fan Jim Salestrom, an Emmy-award-winning singer/songwriter.
Jim has performed with legendary artists such as John Denver and Dolly Parton. He lives in Colorado and his CD, "Music from the Mountains," is a regional classic.
Click play below to listen to "HAVE A CHERRY MASH DAY"
Please visit Jim at www.jimsalestrom.com
Hungry yet? Order online now!


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» NFC Stock Watch: East | West | North | South » AFC: East | West | North | South
Posted by ESPN.com's Mike Sando
1. Anquan Boldin, Cardinals WR. The Pro Bowl wideout nearly overshadowed the Cardinals' victory Sunday by essentially calling out his head coach for not being "man enough" to tell him about his deactivation in person. On the field, Boldin is as manly as any wide receiver to play the game. In this instance, Boldin should have been man enough after the game to take his case directly to Ken Whisenhunt instead of reporters crowding around him in the locker room at Soldier Field. Don't get me wrong: I've got nothing against players popping off after games. It's good blog fodder. It's also bad form, particularly for a player with Boldin's credentials. The Cardinals had just improved to 4-0 on the road while taking a two-game lead in the NFC West. Their offense had just played its best game. That wasn't the time for an inactive player to hog the spotlight.
2. Alex Smith, 49ers QB. Let the record show that Smith played a good game against the Titans. That was the word from coach Mike Singletary, anyway. The bottom line, of course, is that the 49ers lost another game with Smith as their starter, and the other team caught three of Smith's passes. The 49ers have lost both of his starts this season and seven of his last nine. When they needed Smith to rally them in the fourth quarter Sunday, Smith locked onto receiver Josh Morgan without enough regard for safety Chris Hope, who picked off the pass. Smith needs a victory over the Bears on Thursday night for Singletary's words of support to resonate with fans.
3. Jim Mora, Seahawks coach. Seattle's performance in falling behind the Lions by 17 points at home suggested Mora's harsh words for the team failed to gain traction following a blowout defeat at Dallas a week earlier. That seems like a bad sign. Yes, Seattle is learning new systems on both sides of the ball. Yes, the team has dealt with significant injuries this season. That's life in the NFL. The Lions are also learning new systems. They are even breaking in a rookie quarterback (the Lions probably would have won that game if Daunte Culpepper had been the quarterback). The Seahawks were as healthy for this game as they've been all season. Falling behind 17-0 at home to the laughable Lions is simply inexcusable. Perhaps this is the week Seattle responds to Mora's challenges.
1. Kurt Warner, Cardinals QB. With five touchdown passes against the Bears, Warner passed Ken Stabler, Steve DeBerg, Joe Ferguson, Bobby Layne, Norm Snead and Ken Anderson on the all-time list. He needs two more to reach 200 touchdown passes for his NFL career. Warner's fifth and final scoring pass against the Bears killed any chances for a Chicago comeback. Whisenhunt had prematurely handed over the offense to Matt Leinart, whose interception helped fuel a Bears rally. The Cardinals were on their heels when Whisenhunt sent Warner back into the game. Warner immediately connected with Larry Fitzgerald for a 13-yard gain. A penalty for leg whipping against left tackle Mike Gandy negated the play, but Warner had nonetheless proved his head remained in the game.
2. David Hawthorne, Seahawks LB. Lofa Tatupu's legacy as a middle linebacker remains secure in Seattle. He was a three-time Pro Bowl choice and the key addition to a defense that helped the Seahawks reach Super Bowl XL following the 2005 season. Hawthorne has somehow outperformed Tatupu when given chances this season. That's a tremendous credit to Hawthorne. With Tatupu on injured reserve, Hawthorne picked off two passes against the Lions. He had two sacks against Dallas the previous week. He had a 16-tackle game against the Bears earlier in the season. The Seahawks will need to find a place for Hawthorne beyond this season if he builds on what is already an impressive start to his career.
3. Cardinals tight ends. You know the Cardinals' offense is functioning at a high level when tight ends Anthony Becht and Ben Patrick are catching touchdown passes in the same game. The Arizona passing game goes through Fitzgerald and the other wide receivers, but the tight ends could get more chances as the Cardinals embrace two-tight end personnel groups. The Cardinals averaged 6.3 yards per rushing attempt against the Bears when playing with one back and two tight ends. Similar groupings could become more common in the longer-term future if Boldin talks his way out of Arizona -- particularly if the tight ends show they can catch the ball.


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Affordable quality in compact size, designed for miking snares, toms and percussion.
The F10 is a dynamic instrument microphone designed for live sound and studio applications. Characterized with a tailored frequency response of 50 Hz - 12 kHz, the F10 is ideally suited for instruments requiring mid-bass and mid-high reproduction. A cardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound coming from the room or from other instruments on stage.
Compact and roadworthy, the F10 features a durable die cast zinc alloy body, steel mesh grill, and integrated mic clip.
Low impedance and balanced output allow interference-free performance even with long cable runs.
- Live stage, recording
- Snare
- Tom
- Bongos, Congas, Quinto
- High hat
- Shekere, timbales Guitar cabinets
SUPPLIED ACCESSORIES: Carrying pouch (P1)
OPTIONAL ACCESSORIES: TRIPOD - Tripod mic stand
DFLEX - All purpose percussion clamp
DVICE - Spring loaded rim mount clamp
DCLAMP - Tension rod mic clamp
CBL-20 - 20' XLR - XLR mic cable
CBL-DR25 - 25' right angle XLR - XLR mic cable
APPLICATIONS: Snare, Toms, High hat, Congas, Bongos, Quintos, Timbales, Shekere, Guitar Cabinets
ARCHITECTS AND ENGINEERS SPECIFICATIONS: The microphone shall be of the dynamic type available in a cardioid polar pattern. The nominal output impedance shall be equal to 250 ohms at 1 kHz. The microphone shall have a sensitivity of 1.9 mV / Pa at 1 kHz. The microphone shall have a maximum SPL level of ≥135 dB with THD of 0.5%. The microphone body shall be of die cast zinc alloy. The dimensions shall be 22 mm in diameter at the base, 40 mm in diameter at the widest point and 108 mm in length. The microphone shall be the Audix F10.
OPERATION: The F10 is a low impedance microphone and should be plugged into a "mic level" input on your console, mixer, or recording device. Please note that the F10 does not require phantom power and will not be effected in any way by phantom power should it be running simultaneously while the microphone is in operation. Avoid plugging or unplugging the microphone from the PA system unless the channel is muted or the volume of the system turned down. Failure to do so may result in a loud "popping" noise which could seriously damage the speakers in the PA system.
USER TIPS: The F10 has a tight (cardioid) pick-up pattern in order to help minimize the sound from other instruments on stage from "bleeding" into the microphone. For this reason, it the F10 is very effective for miking drums and percussion and in capturing the sound of each component of the kit. Drums, hand percussion: As a general rule, the bottom of the F10 should be 1-2 inches above the head of the drum and pointed towards the center. For more "ring" pull the mic back towards the rim; for less ring and more overtones, position the mic 1-2 inches inside the rim; for more attack, place the mic very close to the head; for more overtones and decay move the mic further away from the head.
Guitar cabinets: The F10 can be placed within 1-2 inches of the grill cover at a 90 degree angle pointing directly into the speaker. If the mic is placed closer to the edge of the speaker, you will minimize the higher frequencies and get a warmer, fatter tone. To capture more highs, move the mic closer towards the center of the speaker, but avoid the middle of the speaker. Horns: Place the mic within 1-2 inches of the bell, especially when on a stage with drums, bass, guitar, etc.


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---"The 'All Is Lost' moment. When a movie needs to convey a sense of 'total defeat' for its protagonist and to its audience, Snyder prescribes administering 'the whiff of death.' He writes, 'Stick in something, anything that involves a death . . . [because it] will resonate and make that 'All Is Lost' moment all the more poignant.'"
---Dronies and "The Rise of the Drone Master"
---VFX reels for Grand Budapest Hotel and Noah
---remembering Pablo Ferro and Women on the Verge of a Nervous Breakdown
---Dennis Hopper considers Nicholas Ray
---making Escape From Tomorrow
---"So to Hell with the outline. Just puke on the page, knowing that you can clean it up and make it structurally sound later. Your mind is a babbling lunatic. It's Dennis Hopper, jumping all over the place, free associating, digressing, doubling back, exploding in profanity and absurdity and nonsense. Stop ordering it to calm down and speak clearly. Listen closely and take dictation. Be a stenographer for your subconscious. Then rewrite and edit." --Matt Zoller Seitz
---trailers for Jellyfish Eyes, App, Boyhood, Guardians of the Galaxy, and Maps to the Stars
---Luc Besson discusses his philosophy of action
---"Safety Last!: High-flying Harold" by Ed Park
---"I'd say 80 percent of American films today are all offshoots of Star Wars." -William Friedkin
---"To be a film critic helped me a lot because it's not enough to be a cinephile and to watch a lot of movies. The necessity to write about films pushes you to get better, and forces you to make a mental gymnastic. It's when you have to sum up a screenplay in ten sentences that you realize its weaknesses or its strength." --Francois Truffaut
Explosions and other "Defining Features of the Summer Blockbuster"
---"He had done a few good sketches but so far we hadn't seen that special kind of face that I felt we would need for the lead drawing. It was a face I'd seen a thousand times at every Derby I'd ever been to. I saw it, in my head, as the mask of the whiskey gentry — a pretentious mix of booze, failed dreams and a terminal identity crisis; the inevitable result of too much inbreeding in a closed and ignorant culture. One of the key genetic rules in breeding dogs, horses or any other kind of thoroughbred is that close inbreeding tends to magnify the weak points in a bloodline as well as the strong points. In horse breeding, for instance, there is a definite risk in breeding two fast horses who are both a little crazy. The offspring will likely be very fast and also very crazy. So the trick in breeding thoroughbreds is to retain the good traits and filter out the bad. But the breeding of humans is not so wisely supervised, particularly in a narrow Southern society where the closest kind of inbreeding is not only stylish and acceptable, but far more convenient — to the parents — than setting their offspring free to find their own mates, for their own reasons and their own ways." --Hunter S. Thompson
ENG 281/282: Thinking About Films & Filmmaking - In a globalized world it is imperative that we begin to develop a broader awareness of the interconnected cultures and societies that influence and shap...
1 hour ago


text: I've tried searching, but the only thread I could find has been closed. I read through it and I understand why it was closed. However, I still have a question if I may. I was looking at a 6 month subscription and noticed that it is set up to auto-renew after it has expired. Is there a way to cancel the subscription before it auto-renews? I only wonder because I have no idea what the economy may bring me in the future and may not be able to afford the donation again six months from now. Thanks for your help. Kratos


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Online bingo is a game of chance and luck, with a fair dose of fun. But what not everyone knows is that the odds of getting to win in online bingo games can greatly increase if the player sets himself between a strong set of rules and codes of conduct, he can exponentially increase his chances.
Art of Withdrawing
Winning online bingo is not just a matter of luck, as many may think. There are secrets and strategies to tip the odds in the favor of the players. Many people wonder why in the game of bingo, a game of chance where there is a 50% chance of win-win, the casino usually wins. The main answer is quite simple: when a player is winning in online bingo, he gets excited and continues to play. The reason is that he wishes to continue the streak, earning more money, which does not happen very often. This creates a sense of frustration in the player, who in an attempt to cope with the lost money, he continues to play. The circle goes on and on until the player has no money left.
Therefore, one of the most important secrets when playing online bingo is to know when to say no. Finding the will to close is a common practice between online bingo masters. Players should learn from them, the casino wins in the long run and the player in the short run.
Selection and Game Model
The second most important principle when attempting to win online bingo comes with the selection of cartons. Whenever possible, the player should choose his own cartons, trying to keep uniform cartons that contain odd numbers.
Finally, there is the game model. A game model is a figure that the player has to complete to earn the same. Completing this figure will get the player to win automatically. The models each have a different difficulty, some being easier to complete than others. The simplest models are those made straight lines in one direction: horizontal, vertical or diagonal. The "coverall" is the most simple and traditional Bingo, where the player will have to cover the whole card to win.


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Route 66 – America's Highway
From Chicago to Los Angeles… Also known as "The Mother Road" and the "Will Rogers highway", Route 66 was a national roadway that extended from the eastern region of the United States to the west coast. Its purpose was to connect both rural and urban streets to a major roadway system. The idea for aContinue reading
Filed under: Remember When


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To experience what an actual corporation was like in the real world, as opposed to learning about it in my classes, was eye-opening for me. I expected to walk into an office filled with cubicles and a dull atmosphere; instead, I entered an open and friendly environment. It changed my perspective on the corporate world.Student, Waltham High School
I never expected Junior Achievement to be anything like it is. I thought it would be a classroom lecture. I never thought it would be so interactive, giving me the opportunity to experience what it's like to start a business. I hope to be a successful investor and businessman someday. Thank you, Junior Achievement, for giving me and my peers this great opportunity.Student, Boston Latin School
I was fortunate to be a partaker of yesterday's workshop at MIT, where I got the chance to hear from speakers with Junior Achievement. I heartily appreciate your presentation; it was really awesome, especially when you talked about 'positive attitude.' I was shocked when I heard that three out of four young employees are fired due to lack of 'positive attitude.' Thank you for enlightening me.Student at West Roxbury Academy, MIT Symposium
I appreciate you taking the time out of your day to teach us the valuable skills in the workplace. Thank you for giving us directions on what to do and what not to do at an interview. I was amused by your visual examples by acting it out in skits. I felt like I've learned so much, thank you.Student at West Roxbury Academy, MIT Symposium


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Rachel Allen's Basic Basil Recipes
In a wide-ranging culinary tour, Rachel Allen uses the floral flavour of basil, which is beloved of both Italian and south-east Asian cooks.
The sweet, floral notes of basil make it the most summery of herbs. I love to throw the bright-green leaves, whether whole or torn or chopped, into soups, salads and summer stews.
Basil's aniseed aromas and peppery taste make it the perfect herb companion for tomatoes. In fact, apart from perhaps lamb and rosemary, I know of no more suitable herb pairing. Basil's flavour just works so well with a tomato. The classic Caprese salad doesn't just use basil for its green colour, to echo the Italian flag - for a simple salad, no other herb works as well as basil with some fresh tomatoes.
Pesto is the boldest expression of basil. It's all about the basil and should never be too garlicky or too oily. All the other ingredients should only serve to enhance the flavour of the basil. A simple dish of pasta with pesto needn't be just a student stand-by. It can be an elegant and bold dish that is wonderfully aromatic.
I usually use a food processor to make pesto, as it is more convenient, but a pestle and mortar is the traditional method of making it. The stone pestle and mortar pounds and grinds the basil, releasing its aromas without heating it, which can diminish the flavour.
While basil is undeniably a fundamental to Italian food, it is just as important to the cooking of south-east Asia.
I always remember the wonderful basil-laden red curries I had in Thailand. There, people usually use Thai basil, whose leaves are straighter and the stems purple. The flavour has more pronounced aniseed and is less peppery than regular basil. Thai basil is available in Asian food shops and it is worth seeking out for Asian recipes - the flavour stands up better to heat than other varieties of basil. If you can find it, purple basil has a similar flavour and, of course, it has a magnificent and unusual colour.
Handmade Classic Pesto
Fills a 200ml (7 fl oz) jar.
1 clove of garlic, crushed
25g (1oz) pine nuts
50g (2oz) basil leaves, chopped
25g (1oz) freshly grated Parmesan cheese
100ml (3½fl oz) extra-virgin olive oil, plus extra for the top
If you are using a large pestle and mortar to make the pesto, first add the crushed garlic clove with a pinch of salt and pound until smooth. Next, add the pine nuts and pound until they are coarsely crushed. Then, add the chopped basil leaves and pound together with the pine nuts and garlic until you have a coarse paste, then lightly mix in the grated Parmesan cheese using the pestle, followed by all of the extra-virgin olive oil. Taste and add more salt if necessary.
If you're using a food processor to make the pesto, put the the crushed garlic, the pine nuts, the chopped basil leaves, and the freshly grated Parmesan cheese in the food processor and whizz everything until it is coarse. Add a good pinch of salt and the extra-virgin olive oil and taste, adding more salt if necessary.
Pour the pesto into a sterilised jar and cover with 1cm (½ in) of extra-virgin olive oil and store in the fridge, where it will keep for up to three months.
Thai noodle broth
Serves 3-4
75g (3oz) egg or rice noodles (optional)
1 tablespoon of sunflower oil
1 x 400ml (14fl oz) tin of coconut milk
450ml (16fl oz) chicken stock
250g (9oz) peeled, raw tiger prawns
For the paste, you will need:
1 bunch of coriander
1 lemongrass stalk (outer layer removed), roughly chopped
3 cloves of garlic, peeled
2 tablespoons light soy sauce
1 tablespoon fish sauce (nam pla)
2 tablespoons caster sugar
½ red chilli, de-seeded
2 tablespoons water
To serve, you will need:
½ red chilli, de-seeded and sliced
A good handful of basil leaves, see my Tip, above (Thai basil if possible)
Juice of 1 lime
A few splashes of fish sauce (nam pla)
Cook the egg or rice noodles, whichever you're using, if you're using them, following the instructions on the packet, then drain them and rinse through with cold water. Drain again.
To make the paste, whizz the bunch of coriander, the chopped lemongrass stalk, the peeled garlic, the light soy sauce, the fish sauce, the caster sugar and the de-seeded chilli together with the 2 tablespoons of water in a food processor. Whizz for 1-2 minutes, or until a smooth paste has formed.
Put a large saucepan on a medium heat and add the sunflower oil. When it is hot, add the paste and cook for 1 minute, then add the coconut milk and the chicken stock and gently warm through for 5 minutes. Add the peeled, raw tiger prawns and the cooked noodles, if you're using them, and cook for a further 2 minutes until the prawns are opaque and firm.
To serve, stir in the sliced chilli, the basil leaves, the lime juice and the fish sauce, and pour into warmed bowls.
Tomato, Basil and coconut soup
(Serves 8-10)
1kg (2 lbs) ripe cherry tomatoes
3 cloves of garlic, peeled
3 sprigs of basil
5 tablespoons olive oil
Salt and freshly ground black pepper
1 tablespoon of sugar
150g (5 oz) onion, chopped
425ml (¾pint) of chicken or vegetable stock
1 x 400g (14fl oz) tin of coconut milk
3 tablespoons chopped basil
Preheat the oven to 230°C (450°F) Gas 8.
Cut the ripe cherry tomatoes in half, removing the little core. Spread them out on a large roasting tray. Add the garlic cloves and the sprigs of basil, then drizzle over 3 tablespoons of the olive oil and season generously with some salt, freshly ground black pepper and the sugar. Place the tray in the hot oven and roast for 30-40 minutes, until the tomatoes are soft and a little browned.
As the tomatoes are roasting, put the remaining 2 tablespoons of olive oil in a large pan on a medium-low heat. Add the chopped onion and cook it for 8-10 minutes until soft.
When the onion is cooked, remove the tray from the oven and discard the basil sprigs. Add the tomatoes, the garlic and all the juices from the tray and the chicken or vegetable stock, whichever you are using, to the pan of cooked onions.
Increase the heat to medium-high, bring to the boil and simmer for 5 minutes. Tip in the coconut milk and stir to mix. Taste and add more salt, freshly ground black pepper or sugar if necessary. Liquidise the soup in a blender or food processor until it is completely smooth.
If you'd like a very smooth soup you can sieve the liquid at this point - it's not essential, but I usually do.
Put the soup back in the pan; you can add more stock at this point if you'd like a thinner soup.
Reheat the soup to serve, divide it between the bowls and sprinkle over the chopped basil to garnish.
Rachel recommends
A pestle and mortar is one of my essential kitchen tools. Unchanged for thousands of years, I adore the simple elegance of using a good stone pestle and mortar.
Pestle and mortars come in many shapes and sizes, but I always find myself using a medium-sized stone one. I like that it is quite heavy, so it doesn't require much work at all to grind up spices, nuts or herbs. It's a good all-rounder and I think a medium-sized stone pestle and mortar makes for a smart purchase if you're buying one for the first time.
If you like, though, you can also buy one made from wood or a ceramic version. I'm not so keen on the ceramic pestle and mortars as I think they can be too slippy, and are tricky for crushing spices because of this. The wooden versions are often used in Asian cooking. I don't use my wooden pestle and mortar as much as my stone version.
However, they will do a good job with a little effort and they're also useful as they're lighter and often more affordable than stone. Once you have your pestle and mortar, you'll find it indispensible for grinding spices, pounding small amounts of nuts, making spice pastes and even for hand-made pesto.
Rachel's tip
If you're cooking with basil, don't add all of it in during the cooking process, save the majority to finish the dish. A lot of the flavour is lost when you cook with basil, so just tear or chop the fresh basil to add to your dish at the last moment.
Sunday Indo Life Magazine


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Rooms, services Guests looking for accommodation in Chelsea are welcome to book a nicely furnished room at Baymont Inn & Suites Chelsea. An exact and detailed list of equipment in the rooms and of the services provided by Baymont Inn & Suites Chelsea you will find on the information sheet below, including any applicable additional fees.
Payment Credit card guarantee or advance bank card payment may be necessary for finalizing your reservation, depending on the exact room, date and price.
Arrival, opening hours The earliest time for arrival and check-in is 16:00, the latest time for departure and check-out is 11:00. English is spoken by the personnel.
Baymont Inn & Suites Chelsea rooms Rooms
- Please select a date to see the proper prices!
Accommodation services
- Pool (Outdoor - seasonally open)