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Did Hitler or His parents or Eva (wife/girlfriend) or his Blood relatives have Blond Hair and Blue eyes? Not asking about the German People.
Here's a pic of them sharing a blissful moment. Other pics of Eva show her hair a little lighter than this but not so light as to call her blonde.
As Rooster said, we just don't know enough about the family to answer your question.
Would their child have been blue-eyed with blonde hair? Possible, … Read more


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Maytag Front Load Washer MHWE450WW Reviews
- Other Washing Machines:
- Average: 3.9
- High: 5.0
- Type:
- Front Load Washers
- Brand:
- Maytag
- Model:
Read 9 Reviews
REVIEW SNAPSHOT®by PowerReviews
Best Uses
Reviewed by 9 customers
- Adjustable Settings
- Large Capacity
- Always smells like mold no matter how clean
- does not spin all the water out of small loads
- Mildew stains all over rubber door washer
Best Uses
- Everyday Clothes
Comments about Maytag Front Load Washer:
i hate this washer.... small loads are full of water after the spin cycle.... the inside smells like mildew because the rubber seals have mildew stains you can't remove.... the detergent compartment is always caked with mold and mildew.... just nasty!!!!
- Adjustable Settings
- Clean Clothes Well
- Large Capacity
- Spins Clothes Dry
- Breaks Down
- Leaky
- Noisy
- Shakes/Moves
Best Uses
- Everyday Clothes
Comments about Maytag Front Load Washer:
I have had my washer 6 years now. I do at least 2 loads of laundry a day, sometimes more. The loads are usually regular soil amount, but sometimes my children's clothes are splattered and pretty dirty. Overall, I would say this washer does an alright job. The clothes come out clean, but sometimes getting them clean is the biggest problem. Over 3 years my washer would trip a code almost every other wash. Sometimes it would take a day just to get one load successfully run. Come to find out the pump was bad. Now the pump is fixed and it still has problems from time to time. When the washer runs correctly, I am happy with it. For the amount of money paid, versus the other brands and models out there, this one works fine. I have decided if i have to put little money in to keep it going rather than buy a new one, I will do that. My washer is not on a pedestal, it is just on my laundry room floor and it is pretty loud. When it spin the really fast cycle it shakes my house and moves around the floor. After the cycle is done I usually have to move the washer back in place because it has moved so far. When the washer spins its really fast cycle, the clothes do come out damp and makes dry time extremely fast. I would probably buy a maytag washer again, but I think I would do a little more research on what one I buy. Turns out my model had a lot of electrical and pump issues. I would recommend maytag to others, I would just recommend that they too do their research. The washer itself if built well, has held up well but I guess you can't have something work perfect all the time.
Comments about Maytag Front Load Washer:
When used as directed, this washer is fast and does a great job.
Energy Efficiency
Washing time is minimal and fast when one is in need of clean clothes
I have purchased this front load washer found it to be very durable, washing in decent time with good power advantages. Good load capacity; but I'd like to share a major factor that I have found, all maytag washers are not capable of holding 4 times the normal load. I have watched many that buy a regular size capacity washers and load it three times the amount of clothes here. Leaving no space for clothes to wash; crowded clothes still end ip dirty. It should say "When this machine is overloaded it will not operate, Period."
- Affiliation:
- I received a sample
Comments about Maytag Front Load Washer:
This machine is outstanding. When we were in the market for a new washer/dryer we knew we wanted a Maytag front loader. As luck would have it, Home Depot was having a sale on that weekend so we were able to purchase both at an excellent price. Having already done the research, I knew this was the product for me and to have it on sale, was a double bonus. Now, 4 years later, it is still a great machine.
Energy Efficiency
It has many selections for the type of load of clothes you are going to do, therefore you can pick the proper setting for the wash. Usually a fast wash will take care of many of my loads and then the heavy duty one is great for my husband's clothes. It has such a large cleaning capacity that you can make your load as large as you want.
Cleaning Time
Cleaning time depends on your washing selection. It is remarkably fast for all loads, especially the delicate one.
It never skips a beat. You put in your soap and softener, set the settings, close the door and wait for the bell telling you it is done.
Ease of Use
As I said above, you put in your soap and softener, set the settings, close the door and wait for the bell telling you it is done.
I think it was designed perfectly. We bought the pedestal in silver and it looks so nice in the laundry room.
This unit is very durable. After 4 years there isn't a mark on it.
Comments about Maytag Front Load Washer:
Our machine is now 2 years old and it's been the best washing machine we have ever owned in 40 years.
Energy Efficiency
We have saved so much on our utility bills since we've owned this machine.
Cleaning Time
We have always added a little amount of vinegar to our laundry and have never had an issue with any odors, scum build up, etc. Every six months I clean out the filter / strainer on the water pump ( most owners forget to maintain their filter ) this helps the water circulation and avoids problems. My wife and I never use fabric softener products, my wife doesn't care for the over-whelming fake perfume smell that's supposed to make you think that your clothes are cleaner. I never cared for the thick ( usually blue ) gel-like residue left behind through-out your machine's plumbing that attracts water to sit and mold to grow. I have repaired my share of machines over the years, and believe me, any repairman can tell you if you use fabric softener or not.Try vinegar in your machine weekly. Vinegar works in dishwashers as well, instead of Jet Dry, etc.
Perfect, Never misses on performance!
Ease of Use
Very easy to use. Could not be better!
Beautiful Design
Maintenance is Key, Take care of it and it will take care of you.
Comments about Maytag Front Load Washer:
I really like my new Maytag front load washer! It gets the clothes clean, is easy to use and looks good too!
Energy Efficiency
We have noticed that our energy bill has decreased a bit with this new washer, and beings that is the only change our household has made we have to believe that the lower cost is due to the new washer.
Cleaning Time
The washing time seems to be about right, the only complaint that I have is that you can't set the load size with a push button control. I'm thinking though that it may be able to sense the size of the load and adjust accordingly. Shoot, it does everything else so why wouldn't it do that too?
I feel that the performance of this washer is awesome. It's for the most part quiet, and once the spin cycle gets up to full speed you really don't even notice what it's doing.
Ease of Use
The washer is very easy to use, if you can read you can use this machine! You can toss a load of wash in, fill the soap dispenser and select the proper settings in seconds. I love this machine!
The design is wonderful, very sleek, and the lines are smooth. I love the push button controls and the ease of use of the dial selector. No complaints on any part of the machines design.
So far, the machine seems to be extremely durable! It runs like a top.
Comments about Maytag Front Load Washer:
This washer saves water, and thereby saves money. However, it is a mold haven in the detergent resoirvoir area as well ad the door seal area. I have also found 3 socks trapped behind the seal area just inside the door. They had been there some time, because they were black and covered in mold! I will not purchase another front loader.
There needs to be a better way to eliminate the opportunity for mold to grow without having to keep the door and drawer open.
Comments about Maytag Front Load Washer:
This is a great front loading washing machine. Has multiple setting like quick wash for when you are in need of something being washed quickly in half the time of a normal load. Also has a bulky items button for those heavy work clothes that need rung out just a bit more to ge the excess moisture out. Its a great washer for an affordable price.
Comments about Maytag Front Load Washer:
Over the last 7 years, my family has grown steadily from 2 people to 5. 3 of those members are 6 and under, and for some reason, those three little people have exponentially increased my laundry work! For a while I made do with my small-capacity washer and dryer that I got on sale when I got married, but when I realized how much time, energy, and money I was pouring into laundry, I knew something had to change. I did a lot of research and looked at a lot of washers, and finally chose this one because of the wide range of features, the rebates attached, and the price. I have NOT been disappointed- in fact, it has made my life SO much easier! The first thing to note would be the quiet. Sometimes (well, quite often, in fact) I forget that I am doing laundry! On that note, another feature I love is the Refresh setting that continues to tumble and move your laundry around for up to 8 hours after a load is finished to keep them from getting that yucky smell. I love my Sanitize setting, which is a FANTASTIC one for moms, but I'd have to say that my absolute favorite thing about this washer is the Power Wash setting. That setting can eliminate almost ANY stain- clothes that I typically would have relegated to the "don't wear in public" pile come out completely spotless- we are talking chocolate, dirt, blood, and- the clincher for me- tomato sauce. It really gives me a sense of satisfaction to see those spotless clothes!

subset: commoncrawl


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ENFORCE Hunting Laws in Lebanon ...STOP the Massacre !!
The Indiscriminate Killing of any type of Migratory or Resident Birds,.at any time of the year (and surely increasing at
The Indiscriminate Killing of any type of Migratory or Resident Birds,.at any time of the year (and surely increasing at
Spread the word in support of the hero of empty stomachs Samer Issawi who has been on hunger strike for 190 days. Like
When the last piece of Clean Coast and Natural Heritage goes, what will you do ?Act now before it is too late...
Last fall, Jason and Jennifer Helvenston of College Park, Orlando, Florida were ordered by local officials to remove
Coca-Cola, in partnership with World Wildlife Fund (WWF) is launching Year Two of Arctic Home. This project is working
For more info about Kitchen Gardeners International, the petition sponsor, please see http://kgi.org/ or join our
London will soon host the 2012 Summer Olympic Games, which organizers are already touting as the "the most sustainable
Concussions are becoming alarmingly commonplace injuries among youth playing team sports like football, soccer,
Toyota and Audubon invite you to Exit the Highway this summer to discover nature and learn about conservation efforts in
Atrazine is one of the world's most common pesticides and tests show that it turns male frogs into females.


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Associated Press
After undergoing arthroscopic surgery on his shoulder five months ago, Michael Turner is eager to show that he's worth his $15 million guaranteed, six-year deal with the Falcons. Turner, who averaged 5.5 yards in 228 attempts as a backup running back in San Diego, is expected to be a starter with Atlanta.
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Biodiesel is the alternative fuel of choice in much of Europe, and its popularity is growing in Brazil, Canada, Argentina, Indonesia and the United States. Our biodiesel is produced through a patented process known as transesterification, in which vegetable oils are heated with alcohol in the presence of a catalyst to yield mono-alkyl esters (biodiesel) and glycerin.
ADM's biodiesel products include Connediesel®, Connester® and crude and refined glycerin. Our Connediesel brand is a high-quality biodiesel that complies with EU standards. Our canola methyl esters also are fully compliant with EU and North American standards.
View technical documentation about our varieties and request a sample.


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The Savages
dir. Tamara Jenkins
As Jon Savage in Tamara Jenkins's The Savages (her first film since Slums of Beverly Hills), Philip Seymour Hoffman is in his full-on frump mode. Every line of dialogue is accompanied by a wheeze, every shirt crumpled and rumpled and untucked. Jon lives in bleak Buffalo, where he claims to be finishing work on a long-gestating tome on Bertolt Brecht. But the book is little more than a front; his research is a shield from life's complications, and he's more than happy to disappear into a life of intellectual doddering. In contrast, Jon's sister, Wendy (Laura Linney), lives off chaos. A would-be playwright, she spends her days temping, her evenings stealing office supplies and hopelessly applying for grants. Perpetually single, Wendy gets what meager romance she needs from a married neighbor—though it's really the neighbor's dog that she's attached to.
What brings these two self-absorbed souls together—and what eventually forces them to get over themselves—is a dose of painful reality. Jon and Wendy's father, Lenny (Philip Bosco), who for years has been safely tucked away in Sun City, Arizona, is one morning found painting a bathroom with his own shit. Dementia is the diagnosis; monitored care—be it from an institution or one of Lenny's children—is the prescribed treatment.
Wading into the depressing muck of ailing parents is risky business; attempting to derive comedy from the situation borders on lunacy. The Savages stays afloat because Jenkins and her exceptional cast keep both crushing sentimentality and cheap ugliness at bay. Jon and Wendy may be self-absorbed, but they're not soulless, and after each character has been twisted and kinked, an undeniable humanity shines through. The humanity of the children is only amplified by Bosco's pitch-perfect turn as the Savage patriarch. By turns bewildered, exhausted, and furious, Bosco takes what could've been a simple awards grab and cooks up one of the best performances of the year. It's by no means a flashy role, but with the simplest of actions—such as secretly turning down his hearing aide during one of Jon and Wendy's many fights—he cracks your heart without warning.
While it's the performances that give The Savages its emotional heft, it's the absurd, slow-burning panic after Lenny's diagnosis that provides the comedy. Squabbling over who should bear the brunt of responsibility, shuffling to and from prospective homes, Jon and Wendy's walled-off lives gradually crumble, exposing them as the narcissistic twits they are. The film's trick, however, is that even as the two are being mocked, you're encouraged to feel sympathy for them at the same time. Whether dealing with a disruptive Lenny on a cross-country flight, or swallowing their embarrassment upon the very public discovery that their father's favorite movie is racist, Jon and Wendy are sent pinballing comically about their newly complicated lives. Jenkins has made a film that deftly walks a tightrope between comedy and mush, and even as the ending feels a little too pat and safe, it's not enough to undermine everything you've seen before it. Flipping parental roles is an ugly business. The Savages shows you the ugly and tells you to laugh. BRADLEY STEINBACHER
The Great Debaters
dir. Denzel Washington
The Great Debaters has the ingredients for a great motion picture: starched collars, a sweaty speakeasy, a teacher who will become a serious poet, rousing rhetoric, dog-eared Bibles, ferocious battles of wits. But there are two influences at work on this story, weighing it down like damp laundry on a line: its completely competent director, Denzel Washington, and its totally unimaginative screenwriter, Bob Eisele. Together, they take most of the bounce out of the story.
Melvin B. Tolson (Denzel Washington), the future poet, is a professor at a small black college in east Texas. He's smart, handsome, possibly communist (it's 1935, okay?), and he advises the debate team. After a harrowing audition, the team is assembled: the slouchy Henry Lowe (Nate Parker), who slinks off-campus to dance at a shack in the swamp whenever he gets the chance; the baby-cheeked James Farmer Jr. (Denzel Whitaker, no relation either way), who's the precocious offspring of another professor at the college; Hamilton Burgess (Jermaine Williams), who's plump and has glasses; and Samantha Booke (Jurnee Smollett), who's a fantastic dresser, even though there was no woman on the champion 1935 Wiley College debate team—and by the way, even if there were a woman on an earlier iteration of the team (there was, her name was Henrietta Bell), she didn't become a lawyer, like it says in the end crawl, she became a social worker. Pardon the digression. I don't have a problem with fictional movies messing with the facts, but The Great Debaters deliberately misleads its viewers using nonfiction conventions. What's wrong with becoming a social worker, anyway?
The debaters are pretty good, and then they're very good, and then they compete against Harvard (another pointless lie—it was USC). Along the way, they boldly wrestle with political intolerance, magically avoid ever having to defend a distasteful resolution, and witness a lynching. The rhythms of The Great Debaters are so smooth and the beats so momentous that the story never seems remotely real. Which is too bad, because Wiley College had some impressive debate teams. ANNIE WAGNER
The Water Horse: Legend of the Deep
dir. Jay Russell
The Water Horse is Free Willy, starring the Loch Ness Monster and the boy who loves him. It's cute (but not nauseatingly so) and pretty, set in rural Scotland with its big peaks, cobblestoned streets, and a costume closet from the golden age of natty togs. The Decemberists would kill for some of those wool caps, suit vests, and peasant dresses.
Come to think of it, the film's mood isn't far off from the Decemberists', either. Caught between the adult menace of WWII and the fantasy world of friendly sea monsters, it's a glamorous kind of arrested development. Growing up is a series of tragic demystifications, of learning how things (faucets, bodies, banking) work. The engine at the heart of The Water Horse reverses the process, and the fantasies of children overwhelm the skeptical adults.
Little Angus MacMorrow is a melancholy kid: His dad was killed in combat, his mom is tense and depressed, and his older sister is remote. He finds an oblong, weirdly light stone at the shore. When he takes it home, it hatches. The monster, a mythical beast called a sea horse, starts tiny but grows exponentially by the day. Angus tries to hide it in a dustbin full of water, then a bathtub, and then—in an obligatory destructive chase through the house in which many things are broken and a formal dinner is ruined—the monster makes for the fountain in the front lawn. So Angus and the new handyman haul the monster to Loch Ness in a pickup truck.
Meanwhile, a military battalion has shown up, demanding quarter at the family's mansion. They believe the Germans will try to invade Britain via Loch Ness, so they raise submarine nets and toss bombs into the water, which drives the monster nuts. A few of the soldiers hear rumors in the village about the monster and decide to hunt it in the middle of the night. It's dark, it's raining, boats are chasing the monster and each other, bombs are being lobbed, willy-nilly, into the Loch—and then, in a triumphant climax, the monster jumps over the submarine net, Angus and the handyman cheer, and the rest of the adults are stunned into childlike wonder. BRENDAN KILEY
dir. Jean-Jacques Beineix
Opening December 28 at SIFF Cinema.
I am told people retain nostalgic feelings for Diva, an insanely pretentious 1981 French film about smitten postmen, roller-skating shoplifters, freight elevators, spooky recording technology, and an electric blue everlasting wave machine. I hate to break it to you, but the only thing that's still awesome about this movie is a five-second cameo by a cat named Ayatollah. Ayatollah is très chouette.
Jules (Frédéric Andréi) is a postal worker in his early 20s—ah, the fresh-faced French working class—with a raging crush on the African-American opera singer Cynthia Hawkins (played by one Wilhelmenia Wiggins Fernandez—can I get a holy shit?). He bootlegs one of her concerts, chats her up backstage, and then, in a fit of straight-as-a-board covetousness, snatches her silken robes from a rack and hightails it home. Jules also meets a Vietnamese shoplifter who enjoys roller skating and posing naked for artsy photographs. And her boyfriend, who sits soulfully on the floor of his massive Paris loft and works jigsaw puzzles. But then sometimes the boyfriend gets up and lectures on how to butter a baguette.
Meanwhile, there's some other nonsense about a prostitution ring the chief of police is implicated in. And something about switching secret cassette tapes. None of this part of the plot makes any sense. All you have to know is the bad guys wear aviator sunglasses. Their favorite weapon is the awl. The awl.
Diva is, unfortunately, two hours long, so pretty soon the crushing weight of its ridiculousness begins to suffocate the modern viewer. Do we really have to listen to Wilhelmenia bleat about how anyone with the audacity to record her precious voice might as well go ahead and rape her? It's 1981, darling. This behavior has no place. The Vietnamese Frenchie is absolutely intolerable. And there are one too many shots of that goofy wave machine. But if you want to kneel at the altar of the coolest cat name ever recorded, Diva is your flick. C'mere, Ayatollah, you fuzzy thing. ANNIE WAGNER


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October 9-10, 2017
Conference Registration $695
For Mayo Clinic Employees $595
Saturday, October 7th 12:00 – 5:00 p.m. and Sunday, October 8th, 8:00 a.m. – 5:00 p.m.
Pharmacogenomics (PGx), the study of how one's genes may affect an individual's response to medication, has reached the translational stage for various specialties in medicine. This certificate program provides the background, resources and practical application examples to implement pharmacogenomics and make a difference in patient lives.
Mayo Clinic experts, with experience leading the implementation of pharmacogenomics, will provide practical guidance on a range of topics, background and research involving pharmacogenomics, when to order testing, drug/gene selection, informatics, and case study working sessions. Participants will be better equipped to implement pharmacogenomics in a variety of health care settings. They will understand how to use PGx guidelines to facilitate implementation of pharmacogenomics testing.
Target Audience:
Pharmacists, nurses, physicians, nurse practitioners, physician assistants, genetic counselors and any other members of the patient care team.
$295 per person if registered for the IM Conference and $345 if attending only the PGx Certificate Course
Sunday, October 8th, 2017 3:30 – 5:30 p.m.
Clinical genetic and genomic testing is becoming increasingly informative for determining the diagnosis, prognosis, disease risk, and optimal therapeutic strategies for patients.
The genetic and genomic testing repertoire is diverse, varying by the underlying testing methodology and the type of variants detected, the scale of the test (single gene/variant to genome-wide), as well as the intent of the test. The results of this testing are complex, often accompanied by uncertainty, and may impact patients throughout their lives. Thus, the appropriate interpretation, communication, and management of results is paramount to optimizing patient care. This session brings together experts in the fields of Clinical Genomics, Oncology, Pharmacogenomics, and Genetic Counseling to guide the audience through complexities of genetic and genomic testing.
$50 per person, pre-registration encouraged
Sunday, October 8th, 2017 3:30 – 5:30 p.m.
This session will highlight the use of specialized testing (including NGS) in the diagnosis and/or treatment of patients with brain tumors and hematologic malignancies. Case presentations will include discussion by both laboratory and clinical experts.
$No Cost to attend, pre-registration encouraged
Wednesday, October 11, 2017 8:00 a.m. – 12:30 p.m.
Attendees select one of the following:
$50 per session
Learn more about each session here
If you cancel your participation in this course, your registration fee, less a $75 administrative fee, will be refunded when written notification is received by the Mayo Clinic Center for Individualized Medicine (email@example.com), by September 1st, 2017. No refunds will be made on or after September 1st, 2017.
The Mayo Clinic Center for Individualized Medicine reserves the right to cancel or postpone any course due to unforeseen circumstances. In the unlikely event the Mayo Clinic Center for Individualized Medicine must cancel or postpone this course, the Mayo Clinic Center for Individualized Medicine will refund the registration fee, but is not responsible for any related costs, charges, or expenses to participants, including fees assessed by airline/travel/lodging agencies.
Contact For more information about Individualizing Medicine 2017:
Advancing Care Through Genomics, contact: Caer Rohrer Vitek - Phone: 507-284-1499 - Email: email@example.com
The Center for Individualized Medicine is a strategic priority for the Campaign for Mayo Clinic.


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Sport betting has been a pastime for few people whereas profession for others. Betting comes along with a lot of suspense and thrill and thus the sector has seen growth. With the birth of internet betting has become more popular and now most of the people love playing sport betting though online source.
Many people even today are afraid of trying online betting thinking that they are not safe. The two biggest benefits of these online betting sites are they are safe and easy to access. Most of the betting sites are run by well-known companies and have been offering these betting facilities to customers since long. The best way of avoiding dodgy sites is to read the rules and go for a trusted one under big companies.
There are many betting sites in the cyber-world which has led to a lot of competition among them. In order to bring in more customers they offer many bonuses. These bonuses and offers are in form of free bet, vouchers etc. These offers are also a reason why you try playing sport betting online games.
Most of the online sites cover majority of the popular sports and also offer a wide variety of wagers which makes winning easier. You can try live betting through these online sites. Live betting provides an advantage of watching the match and place bet depending on the progress. Players can lock their profit through online betting.
Every player in the betting field knows the importance of odds and thus they always look for places offering good odds. Online sport betting sites offer good odds when compared with the other options. Better odds means good money and to ensure this you can open account in different sites, compare the odds and then place bet on whichever you find is the best. Comparing and checking different sites may be a little time consuming but you will find it beneficial in the long run.


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Welcome to WebmasterWorld Guest from 184.108.40.206
Forum Moderators: martinibuster
1. Directories are important, and can get your site listed in all the major search engines.
Once you've got a couple of dozen, I personally doubt you'll benefit from any more.
But these should be quality directories - do not, ever, for example, submit your site to a directory that demands a reciprocal link. Don't even think about it.
Look at the directory carefully; is there evidence that it is edited, or is it just a load of rubbish? Webmasters are easily tempted by cra* directories, as they do not remove keyword packing and general hype - but think about it; how useful is a directory where the owners don't bother to edit out the excesses? Is that what your site deserves?
Most auto-submitters submit ro 100% useless directories, and most will be reciprocal linkers. plus you'll get spam email for eternity.
Either do it yourself (recommended) or choose a submission service that does manual submissions. Why? Because every quality directory is unique; they have their own style and protocols. a 'standard' submission is likely to fail.
2. Articles
I'm not at all sure what you mean by "a new Article that is targetted at a specific website". Personally, I'd publish YOUR articles on YOUR website, not give someone else the benefit. Article farms are like link exchanges; sad, little value, and often risky. Few - very few - will actually help you at all; so why help them?
also, using submission software ain't gonna cut it. you'll have to do like me and bite the bullet. Most of the best directories reject automated software or the software doesn't cover those directories cause they may simply not know about the particular directory.
it takes about 5 hrs the first time around to sign up, comfirm emails and submit to directories by hand (all 70 or so), so you may want to split it up into two days work. or if need be, i know of a site (of which i'm not affiliated with in any way, shape or form) that can hand submit for 1 dollar per directory. if you need all of that specific info, just pm me.


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Sturbridge, town (township), Worcester county, south-central Massachusetts, U.S. It lies along the Quinebaug River, 22 miles (35 km) southwest of Worcester city. The town includes the villages of Fiskdale and Sturbridge. Settled about 1729, it was incorporated in 1738 and named for Sturbridge, England. It developed as an agricultural centre, but the economy now depends on tourism, trade, and light manufacturing (scientific instruments, optical fibre, and cable). Old Sturbridge Village is a full-scale reconstruction of a 19th-century New England village with transplanted shops, mills, houses, and a meetinghouse. Inc. 1738. Area 39 square miles (101 square km). Pop. (2000) 7,837; (2010) 9,268.
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Season 9, Episode 904: Aired on Oct. 10, 2015
Create smooth curves and straight lines the easy way with time-tested tips. In Router Workshop, the editors of Woodsmith magazine discuss how to choose and get the most out of a hand-held router and a slot-cutting bit. And then the editors show a quick and easy way to change the look of ordinary hinges.
View more for this episode:
Downloadable Plans | Video Extras


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Wessex FM News
9 People Arrested In Dorset Over Money Laundering
5:04pm 6th February 2014
Nine people have been arrested in Dorset in a series of money laundering raids.
Warrants were served at premises in Swanage and Bournemouth yesterday morning.
There were also raids in Manchester and Barnstaple.
The operation involving Dorset Police was led by officers from the regional organised crime unit Zephyr.
A total of 11 people have been arrested, nine in Dorset and two in Manchester, on suspicion of money laundering and conspiracy to supply class B drug offences.
They are:
Three men aged 27, 33, and 35 from Swanage
Four women aged 31, 41, 43 and 55 from Swanage
A 57-year-old man from Wareham
Two men aged 41 and 67 and a 64-year-old woman from Manchester.
Officers seized a quantity of cash, a prohibited firearm and a quantity of class B drugs.
During the operation officers also uncovered a cannabis factory.
Officers are continuing their enquiries.
Purbeck Neighbourhood Inspector Fiona Gaffney said: "This was a well-planned and executed operation which has resulted in 11 arrests.
"Zephyr enquiries reveal this is believed to be linked to multiple drug seizures across the country over the last two years.
"This is Dorset Police's ongoing commitment to tackle alleged serious and organised crime in partnership with other agencies.
"We would like to reassure the public that we will listen to any information they give to us and take it seriously."
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Traveling Luck for Damvatnet, Troms, Norway
Where is Damvatnet?What's around Damvatnet?
Wikipedia near Damvatnet
Where to stay near Damvatnet
Also known as Damvatn
The timezone in Damvatnet is Europe/Oslo
Sunrise at 09:45 and Sunset at 13:07. It's Dark
Latitude. 69.8500°, Longitude. 19.1500°
Weather near Damvatnet; Report from Tromso / Langnes, 21.2km away
Weather :
Temperature: -3°C / 27°F
Wind: 3.5km/h East/Northeast
Cloud: Scattered at 6200ft
Weather :
Temperature: -3°C / 27°F
Wind: 3.5km/h East/Northeast
Cloud: Scattered at 6200ft
Satellite map around Damvatnet
Loading map of Damvatnet and it's surroudings
Geographic features & Photographs around Damvatnet, in Troms, Norway
- farm;
- a tract of land with associated buildings devoted to agriculture.
- Røssnesåsen (5.9km)
- Nordhella (6km)
- Dordejorda (6.6km)
- Solstad (6.6km)
- Myra (7km)
- Blombakk (7.2km)
- Gaddevik (7.3km)
- Rakknes (7.5km)
- Sjursnes (7.8km)
- Sørhellneset (7.8km)
- Olderen (7.9km)
- Hestvika (7.9km)
- Indre Bjørnskard (8.5km)
- Lauvli (8.6km)
- Rakkfjorden (8.8km)
- Nordslett (8.9km)
- Ytre Bjørnskard (9.2km)
- Vågnes (9.3km)
- point;
- a tapering piece of land projecting into a body of water, less prominent than a cape.
- Røssnes (6.6km)
- Klubba (8.1km)
- Sjursneset (8.2km)
- Glimma (8.3km)
- Store Stefanes (8.9km)
- Søndre Vågnes (9.3km)
- Røyrneset (9.4km)
- populated place;
- a city, town, village, or other agglomeration of buildings where people live and work.
- Simavik (6.2km)
- Røssneshamn (7.3km)
- Futrikelv (7.3km)
- Søreidet (7.8km)
- Skullgammen (7.9km)
- Indre Kårvik (8.8km)
- lake;
- a large inland body of standing water.
- Damvatnet (0km)
- Glimvatnet (3.8km)
- Nedre Langvatnet (4.4km)
- Røsnesvatn (5km)
- Øvre Langvatnet (5.5km)
- Ringvatnet (5.5km)
- rock;
- a conspicuous, isolated rocky mass.
- Ringvassholmen (7.3km)
- Raknesskolten (7.5km)
- Klubbholmen (8.3km)
- Håkjerringholmen (8.6km)
- Steinen (9.4km)
Accommodation around Damvatnet
- reef(s);
- a surface-navigation hazard composed of consolidated material.
- Butaren (6.5km)
- Brurskjertaren (7.3km)
- Sørhelltaren (7.8km)
- Lysgrunnen (8.2km)
- rocks;
- conspicuous, isolated rocky masses.
- Raknesskjeran (8.1km)
- Skoltan (8.6km)
- lakes;
- large inland bodies of standing water.
- Isvatnan (1.9km)
- Langvatnet (4.4km)
- hill;
- a rounded elevation of limited extent rising above the surrounding land with local relief of less than 300m.
- Lille Glimhaugen (8.1km)
- Store Glimhaugen (8.1km)
- shoal(s);
- a surface-navigation hazard composed of unconsolidated material.
- Store Glimtaren (8.8km)
- Bjørnskardtaren (9.2km)
- island;
- a tract of land, smaller than a continent, surrounded by water at high water.
- Ringvassøya (8.6km)
- farms;
- tracts of land with associated buildings devoted to agriculture.
- Oldra (7.6km)
- cove(s);
- a small coastal indentation, smaller than a bay.
- Vassbotn (7.7km)
- mountain;
- an elevation standing high above the surrounding area with small summit area, steep slopes and local relief of 300m or more.
- Snøfjellet (9.1km)
- marine channel;
- that part of a body of water deep enough for navigation through an area otherwise not suitable.
- Kvalsundet (6.2km)
- peak;
- a pointed elevation atop a mountain, ridge, or other hypsographic feature.
- Skullgamtind (2.3km)
- channel;
- the deepest part of a stream, bay, lagoon, or strait, through which the main current flows.
- Langsundkjeften (9.4km)
Wikipedia entries close to
- Ringvassøy isle isle
- Arctic-alpine botanic garden museum
- Tromsø Airport, Langnes airport airport
- Hansnes city city o
- Tromsøya isle isle
- Tromsø city city l
- Tromsdalen city city o
- Tromsø University Museum
- Tirpitz (Schlachtschiff) landmark military
- Ersfjordbotn city city o
- Karlsøy city city l
- Lyngen city city l
- Sandbakken city city o
- Lyngseidet city city o
- Sørkjosen Airport airport airport
- Furuflaten city city o
Airports close to Damvatnet
Tromso(TOS), Tromso, Norway (21.2km)
Sorkjosen(SOJ), Sorkjosen, Norway (71.8km)
Bardufoss(BDU), Bardufoss, Norway (94.2km)
Andoya(ANX), Andoya, Norway (136.1km)
Hasvik(HAA), Hasvik, Norway (136.9km)


text:
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Design plus words, letters, and/or numbers
Franchising, namely, offering business management assistance in the establishment and/or operation of restaurants, golf instruction, golf fitness
Business in Pocatello, ID


text: I've started getting messages like the following: [12332.047451] IN=ppp0 OUT=ppp0 SRC=220.127.116.11 DST=18.104.22.168 LEN=40 TOS=0x00 PREC=0x00 TTL=50 ID=46353 PROTO=TCP SPT=5228 DPT=44380 WINDOW=0 RES=0x00 RST URGP=0 [111179.489288] IN=ppp0 OUT=ppp0 SRC=220.127.116.11 DST=22.214.171.124 LEN=40 TOS=0x00 PREC=0x00 TTL=50 ID=25315 PROTO=TCP SPT=5228 DPT=43491 WINDOW=0 RES=0x00 RST URGP=0 Now these IP numbers are not on my LAN, which is masqueraded. They also bear no relationship to my external-world IP number. If it's about a packet being sent from 220.127.116.11 to either of the others, my ISP shouldn't even be sending it to me. Do I understand the message correctly? What's could be going on here? -- hendrik


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Born into an affluent milieu in Lisbon, Maria Helena Vieira da Silva was confronted by tragedy at a very early age with the death of her father, an event that instilled in her an acute awareness of the ephemeral nature of life. An only child who was educated by a private tutor, she escaped from reality through books and music, invented her own world of sensations and reveries, and recognised early on a desire to be a painter.
"Sometimes I was completely alone and sometimes I was sad, even very sad. I took refuge in the world of colours and the world of sounds…. I believe that, for me, all that got mixed up into a single thing".
"With what I knew of life and with what I knew from books, I still made things up. And I tried to draw them (…). Today in me there is this thing that continues to exist in me (…)".
Bored by traditional Portuguese art and driven by an insatiable curiosity, she decided to go to Paris, the capital of the cultural avant-garde, in 1928, a period during which she also travelled in Italy. She spent several years exploring artistically, frequenting different academies of sculpture and painting – where she met her future husband Árpád Szenes, from whom she would never part – but above all visiting galleries, museums and exhibitions. In these she became aware of the most important references for her future, starting with the fundamental example offered by Cézanne, who said: "Nature is on the inside". She was interested by the small squares on Bonnard's tablecloths and the ornamental tiling in the paintings of the Siennese Primitives, an echo perhaps of the azulejos of her childhood. The abstractionism of the Uruguayan Torres García (1874–1949), in which he painted grids of signs or objects taken from reality, led her to decide the direction she wished to take: "A tower – white, black, grey, cobalt blue, earth red, ladders, clocks, a severe and cheerful world, a world I came into in 1929 and where I still live", she would say in 1975.
After having been "excessively concerned by each muscle, each bone" with an eye to "show and say everything" during her period of apprenticeship in Lisbon, in an attempt to embrace multiple visions, Vieira da Silva embarked upon a long period of development in which real objects were progressively transformed into strictly pictorial plastic schemas, in which greater importance was given to the treatment of space, leading to all sorts of future discoveries.
"I like everything but I just love perspective. Not scientific perspective but the kind experienced, composed of rhythm and music…. The capacity to suggest an immense space in a tiny scrap of canvas!"
Taking her model as her starting point, Vieira da Silva succeeded in giving her work an architecture based primarily on Renaissance perspective, in which a vanishing point creates the illusion of depth, but this monocular vision did not content her and she quickly went further by superposing planes, creating additional vanishing points, or by the parallel return to the plane through the distortion of lines or dynamic use of colour.
This gives a spatial nature to the forms though without forsaking the two-dimensional nature of the support. Biomorphic silhouettes occasionally develop into what Diane Daval Béran calls spatial ribbing, whose interlacing herald the notion of the labyrinth that would become dear to Vieira da Silva, but new progress in her art was made with checked patterns, with the systematic use of small four-sided figures in her treatment of games of cards (was this a memory of the painting by Cézanne that had so influenced her?) and chess. The results were sometimes close to surrealism when the human figure seems to act on the movement of an abstract structure. Above all, the pictorial space, as defined by lines and the plane, becomes the true subject of the work, while use of colour introduces the notion of time and instability by creating undulating movements.
"The reason I used these small four-sided figures and precarious perspective (that is how I describe it) is because I could see no interest in following Mondrian or anyone else. I wanted something else. I didn't want people to be passive. I wanted them to come and enter into the game, I wanted them to wander there, climb and descend…".
The rise of Hitler and the accompanying danger induced Vieira da Silva to leave for Portugal but the occupation of France made her fear an alliance with Salazar. In June 1940 she left for Brazil with her husband, from where she was not to return until 1948. Suffering from the loss of her roots and disturbed by the horrors of the war, she tried to reassure herself by painting subjects taken from the real world around her, but from time to time she returned to the spatial research she had already undertaken, entering even further into the osmosis existing between the structural reality and fictional space of the composition, passing uninterruptedly from the plane to depth in a perfect visual continuity.
But the fears awoken in her by the war inspired her to paint a number of paintings of the universal theme of chaos and pointless violence, powerfully symbolized by the total harmony between her treatment of the figurative and the architecture of the composition. In these works she took figuration to the furthest point it could go and that she could subsequently only turn away from.
On her return to Paris, Vieira da Silva returned to her earlier research, and during the 1950s succeeded in finding a personal vocabulary that allowed her to achieve the high point of her art.
"It has been like that in me since I was twenty years old".
From this period until the end of her life she dedicated herself to her work like a nun in her cell, avoiding social life as much as possible and remaining apart from the topics and arguments that coursed through the art world of the post-war period.
Although she had found her own solution to the Figuration-Abstraction debate, following the tragedies of the years 1939–45 and the shaking of the foundations of civilization, her art embraced a new direction, as did that of other artists of very different practice. She no longer attempted to create a utopia through mental logic and thus achieve pure plasticism, as had occurred in the abstractionism of the 1920s, she instead tried to express a new way of being in the world in a permanent quest for self-knowledge, crystallized through the way she looked at the world founded on her experience and personal sensibility. During this same period, the philosopher Maurice Merleau-Ponty elucidated this proclivity in his theory of the phenomenology of perception: "Neither for the artist, nor the public, can the meaning of a work be formulated other than through the work itself", thus introducing a relationship of a completely new unity between the subject and the object. As had occurred in the sciences after their foundations were undermined by the theories of Albert Einstein, the artists of the 1950s were induced to reconsider totally the concepts of space, time, matter, life and chance.
In spite of her tendency not to speak out publicly, nor to give her opinions, in interviews published later Vieira da Silva explained how her works were intimately linked with her character.
"I create my universe spontaneously using spontaneous forms. The great theories of art are all very wonderful but…. I follow them, yes, but in the end I have no wish to put them into practice. What I want to put into practice is myself. Myself, through the self I experience in painting. Everything is open and yet each time it is different: that is my starting point. I say a thing. It could be something different. And that too could be something different."
"For me rigour is not enough. I have to be able to play truant".
"I studied the classics very seriously (…). I never had a goal (…) it wasn't that I should 'paint life' (…), rather what I see around me (…). In the end, when I paint, I think of nothing else but painting well. How can I explain it? What I paint is what is around me. (…) To many painters, the visual world counts for nothing. For me it is very important, it is my vocabulary".
Speaking of people walking in the street: "I think of invisible strings they are being pulled by. They are not allowed to stop. I don't see them, I try to see the gears that move them. I have the feeling that that is what I try to paint".
"My secret is watching nature. I spend my time and life looking".
"Ideas come completely naturally because I have looked. It's a chain".
In short, Vieira da Silva attempted to decant reality through the filter of her being fully independent of all surrounding influences. To her painting was the means to explore the world of her sensations in order to reveal them to herself, and to observe the visible world to understand its hidden mechanisms.
Her desire to understand universality, which prompted her to combine incongruous spatial constructions in a new manner, often induced her to use large formats and to abolish the use of a frame, creating "all over" paintings, like the American expressionists.
"I want to paint what is not there as though it really were there".
This was once again a reflection of her personality assailed by contradictions and uncertainty:
"Every day I become even more amazed at being, at rolling through space on a ball. We hear about reality. I am amazed by everything, I paint my astonishment, which is a combination of wonder, terror and laughter. I don't want anything to be excluded from my astonishment. I would like to make paintings with everything included, with all the contradictions. With the unexpected".
"A beautiful artwork allows us to understand or see that its creator knows all about sorrow, ugliness, the tragedy of life. We are made aware of their extent and presence but without emphasis being placed on these characteristics".
"I have very contradictory feelings. I enjoy everything to such an extent – sounds, colours, beauty – that I am really lucky. I don't deserve all that. I am cyclothymic…. However, another part of me suffers from the fact of being alive and is detached from life".
"I have accustomed myself to believing that there is nothing stable, that everything is in constant flux".
"I am uncertainty itself (…). To me everything is relative (…). The world changes, eyes change. People have eyes (…). Everything is so subtle! Anything that is real and stable is false".
"This uncertainty, this dreadful labyrinth, can be seen in my paintings. This labyrinth is my destiny, but perhaps in the middle of this labyrinth there is a little certainty to be found".
Indeed, labyrinth-like constructions of an interior began to appear in Vieira da Silva's work in 1947.
Vieira da Silva engaged with her canvases without using a single pre-established method: she refused to paint in a purely gestural manner though she was very close to this approach at the start of the 1960s, when she acknowledged that a painting was able to create itself independent of her thought. However, it was her custom to come back to her works after some weeks, months or even years.
"I never know what I want to do. It is the painting that tells me. Afterwards. Do you understand? Like St Thomas. (…) Perhaps that's why I don't believe in my painting until it is finished".
"Each day the way I work and the way I embark on my work is different (…). Paintings are utterly mysterious and the way in which they are executed".
"I believe that I have a sort of plastic intelligence that is perhaps more powerful than other of my characteristics".
"When an oil or gouache painting is begun, there are two paintings that are present together: the one on the easel and the one in the artist's head. Sometimes the one in my head never matched the other, but I liked this other one and allowed it to create itself as it appeared on the easel. But it also happened that I was not satisfied and would continue to chase after the one I had imagined".
"I think that by adding one small touch after another, working laboriously like a bee, a painting paints itself. A painting must have a heart, a nervous system, bones and blood. It resembles a person in its movements (…). Whoever is looking at it finds himself before a living being who will keep him company, tell him stories, give him certainties. Because a painting is not a form of escape, it is a friend who speaks to you, who discovers the hidden depths in you and around you".
Despite her "multiple and contradictory" directions and generators of tension, Vieira da Silva's painting was founded on a subtle, silent harmony whose ambiguity is filled with imagination and solemnity.
"My imagination is not wholly imagination. It's a construction, a way of constructing myself".
Although her mature work was painted over a long period, between the 1950s and 1992, it is not possible to classify periods for her works in terms of themes or styles as it is based on a new temporality anchored in fundamental indecision that blends memory and the present, returns to the past and new directions.
"The starting point of a new painting is often an old one I wanted to redo".
"I find that it is beneficial to impose things on myself but without expectation of an immediate result. Only to open a promising future".
Thus, for Vieira da Silva the post-war period was more a question of discovering her deep creative logic; painting in series gave way to creating variations on plastic elements, producing endless alternatives through continual metamorphosis.
A grid, for example, might lose its sense of solidity as a result of a lighting effect rendered by imperceptible changes in tone (rather than the use of pure colour during her period of development), or by being covered with very fine hatching using the technique called "traitillism" invented in the 1970s, which gives rise to form in a use of space in which the infinitely great is joined with the infinitely small (an echo of the idea put forward by Vieira da Silva's friend, the poet René Char). The result was the discovery of a new materiality that Diane Daval Béran has termed transparent density.
Generally, the notions of density and transparency are more appropriate to describe Vieira da Silva's painting, who often intimately associated lines and chromatism. The use of colour is a dominant and constant feature in her work and her post-war palette turned away from bright colours in favour of harmonies of blues and earth colours, or greys and ochres, which harmonized with the painter's character: the colours themselves were rarely united but she worked subtly on their values, which, by modelling the depth and movement of the light, became the major elements of the construction.
Whereas Vieira da Silva created many black paintings during the '50s, white and its derivatives won her affections in the '60s and again in the '80s, something that did not occur by chance.
Most of the titles she gave to her works were decided post hoc and often cited the city, its buildings or their architectural elements, revealing that Vieira da Silva did not want to break entirely with the visible world. This is what she had to say about it:
"In my most recent works (they were in fact among her first) forms can be seen that others consider similar to buildings but which for me are interiors with doors and windows. They are not exactly rooms but entrances. To my mind, a door is a very important feature. For a long time I have felt I have been confronted by a closed door, and important things that I can neither know nor see are taking place on the other side. It is death that will open the door for me. There are so many things about which we have no explanation! Now, I would very much like to know what those things are, not because I am scared or think it would bring me happiness, just to satisfy my curiosity. I would like to understand and I have the impression that the explanation will come with my death; it is that which holds the key. (…) Everything that scientists can explain does not explain 'that'.
"What I would like is to discover what happens on the other side through painting".
And her production is indeed haunted by open spaces in the middle of a labyrinth in which an opening extends towards infinity.
The frequency of her white paintings coincides with those moments when Vieira da Silva was confronted by death: that of her mother in 1964, and of Árpád in 1985 after a long illness, followed by her discovery of the cancer that would take her own life in 1992. Their titles – The Ways of Peace (1985), Silence (1984-1988), Destination (1986), Currents of Eternity (1990), Towards the Light (1991) – leave no doubt: they are the material form of the mystical, contemplative and always latent desire of Vieira da Silva the non-believer.
Árpád commented, "In her happiest moments, Vieira da Silva wonders what the most terrible thing that could happen might be: (…) But perhaps she needs this form of worry, of this means of experiencing remorse". Thus it seems that having worked on her painting all her life in order to "construct herself", Vieira da Silva finished her life by gaining serenity. In her white paintings during her last decade, in which all the plastic elements dissolve into light and are transformed into the opening that leads towards the mystery, her painting borders on the immaterial: anti-matter liberating primordial energy blended with love.
"I feel detached from my body (…). Perhaps there is something that the wise men have not yet discovered, which cannot decompose. What can we call this thing? Energy? (…) Even though we are disposed of after death, the waves continue to radiate (…)."
"The inordinate ambition to give to the world something that would be (excuse me) like a love philtre".
Read more:
Poliakoff's bstraction: A new art of the icon
The art of portraiture reinvented by Picasso
Selective bibliography
Vieira da Silva, catalogue de l'exposition de la Fondation Calouste Gulbenkian à Lisbonne et du Grand Palais à Paris, 1988
Hommage à Vieira da Silva, catalogue de l'exposition de la galerie Pauli de Lausanne, 1992
Vieira da Silva, Collections du Centre Georges Pompidou et du Fonds National d'Art Contemporain, catalogue de l'exposition du Musée des Beaux-Arts de Rouen, 1994
Guy Weelen et Jean-François Jaeger (avec la collaboration de Jean-Louis Daval et de Diane Daval Béran), Vieira da Silva, catalogue raisonné en 2 volumes (monographie et catalogue), 1994


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The Wings of the Kirin Trailer (2012)
28 January 2012 Drama, Crime, Mystery 129 mins
A man's body is found under the statue of a winged kirin in the Nihombashi area of Tokyo. A suspect named Yashima has a car accident and falls unconscious while he is attempting to run away. Yashima's lover Kaori comes from Fukushima and tells detectives that he is absolutely not a criminal. Meanwhile, Detective Kyoichiro Kaga's (Hiroshi Abe) investigates and uncovers a point of contact between the dead body and Yashima. A hidden fact of the victim is revealed which even his children did not know about...
Watch the official The Wings of the Kirin 2012 trailer in HD below or find more The Wings of the Kirin videos on Vidimovie.


text: Calling all eco-warriors! Tired of those pesky plastic produce bags? Make your own with this free pattern! If you know how to sew double fold bias tape, you are good to go...and if you don't, this might be a good project to test out your skills! You can used purchased bias tape or you can make your own. Please note: at my local grocery store (Wegmans..yeah..love Wegmans!), the cashier often removes the produce to weigh it. To avoid this, weigh it yourself and print the sticker (but then you have a sticker - not so eco-friendly!). Whatever floats your boat... Feel free to make these produce bags and sell the finished product. Just give me credit for the free pattern! BASIC SKILLS NECESSARY Sew Double Fold Binding Optional: Make Double Fold Binding SIZING / FINISHED MEASUREMENTS approx: 6" x 16"


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Sparkles is family fun for everyone! Roller skating, 2 story 3-D black light laser tag, indoor playground, cafe, full arcade, and the best birthday parties EVER! Love the staff, clean and fun place to be!
Kelly McGough
julie vazquez
I LOVE THIS PLACE IT IS SO AWESOME IT HAS THE GREATEST MUSIC,WOODEN FLOOR,FOOD(pizza,funnel cake popcorn soda pretzals and wings)A HUGE PLAY AREA,AND LAZER TAGG!!!!!!!!!!! WOO-HOO!!!!!! AS A MATTER OF A FACT IM GOING THERE TODAY IT OPENS 10:00am-11:00pm IM LEAVING AT 6:00pm TIL 10:00pm COME ON EVERYBODY COME ON TOOOOO SPARKLES woo-hooooooo
Lauren Turner
Love Sparkles!
A Google User
Horrible place. Tried to book a party online and they didn't call me back for 4 days. Then when they did they said I couldn't do it on the Saturday I wanted was 18 and older only. Then we went tonight and it was teen night and we were told we couldn't use coupons. It doesn't say this on the website. We were also forced to pay $5 for the adults for nothing! She said it was pizza buffet and drink night and everyone had to pay whether they ate or drank or not. So basically I spent $160.00 for a group of girls to go skate for 2 hours. If it hadn't been my daughters birthday I would have told them what they could do with it. No customer service, unfriendly rude people.
A Google User
Best time ever! Wood floor, great music
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text:
Creativity and Innovation: Joseph E. Nida
Premiere Date: 1/23/2006; 58 minutes
University of California Santa Barbara's Technology Management Program (TMP) was designed to meet the standards of today's business world. TMP is simultaneously redefining both business and engineering education with a comprehensive curriculum of preparation for the management and founders of tomorrow's technology venues. (#11060)
related programs


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Villa to refurbish in San Antonio
OPPORTUNITY!! This property has a fantastic location with breathtaking and guaranteed views over la Herradura and the sea.
The building itself is arranged on 2 levels. On the lower (main) level are: An entrance area, 2 rooms (formerly bedrooms), a kitchen, a bathroom, loung-dining area and a terrace. On the upper floor is a large room with a large terrace. This upper level also has fantastic views!
The house has to be completely refurbished, but has a solid structure without any water filtrations. It is detached and surrounded by a large overgrown garden.
There is also an enclosed garage on the street level.
It is an ideal property for someone looking for a project that will allow them to place their personal "stamp" on their "dream home" in Spain.
Key details
- Sea View
- Mountain View
- Private Parking
- Garage
- Garden
- Terrace


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text:
On 2004-01-18 18:53:41 +0000 Raul Miller <firstname.lastname@example.com> wrote:
Brushing your teeth prevents tooth decay. [...]
No it doesn't. It merely impedes it. I think this is the root (canal?) of your argument's problems.
And adding entries to /etc/apt/sources.list grants other people root access to your system. There's a trust issue here. Also, there's the namespace issue Ted T'so mentioned.
These problems already exist and need to be addressed, regardless of how this GR proceeds.
-- MJR/slef My Opinion Only and possibly not of any group I know. Please http://remember.to/edit_messages on lists to be sure I read http://mjr.towers.org.uk/ gopher://g.towers.org.uk/ firstname.lastname@example.com Creative copyleft computing services via http://www.ttllp.co.uk/


text:
FamilySearch International has released additional Freedmen's Bureau records in recognition of Juneteenth, a African-American holiday commemorating the abolishment of slavery in the United States, according to a news release.
On June 19, 1865, General Gordon Granger and 2,000 troops arrived in Galveston, Texas, to enforce the freeing of slaves. This sparked a celebration that has traditionally become known as Juneteenth or Emancipation Day.
In March of that same year, the federal government created the Bureau of Refugees, Freedmen and Abandoned Lands — the Freedmen Bureau. These records include a wealth of information, such as marriages, labor contracts, hospital logs, number of children and other useful data for family historians.Comment on this story
FamilySearch began publishing the Freedmens' Bank records in 2001. This latest installment of Freedmen's Bureau records contain historic collections from Arkansas, Delaware, the District of Columbia, Maryland, North Carolina, Texas and Virginia. These new additions are currently viewable as digital images of the original records. When indexed, the records will become searchable by name online.
"The Freedman Bureau records are crucial to tracing your African-American genealogy back past 1870," said Robin Foster, a national genealogy examiner and a member of the South Carolina Genealogical Society. "Until now, we had to travel to national, state, or local archives to have any hope of finding records. With FamilySearch, many of those records can be seen online on your home computer."
For more information visit FamilySearch.org.
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2010 Toyota Prius - Consumer Review
Build Quality
Reliability Value
Build Quality
Reliability Value
7 of 7 people found this review helpful
Is it a "big little car" or a "little big car?"
By priuspapa on
Vehicle2010 Toyota Prius II 4dr Hatchback (1.8L 4cyl gas/electric hybrid CVT)
ReviewI was "hooked" with my first test-drive.
I initially was looking at either the 2010 Sonata or Elantra but the Prius just blew me away with its sophistication and refined performance.
So smooooth, quiet, and well-mannered.
I've been a compact car man my whole life but have never owned a car as unique as this one.
I'm constantly stopped by passers-by who ask me how I like it.
My family, friends, and associates are all overly curious about "how it works" and the space-age digital graphic dashboard displays are amazing.
I've only had it for 2 months and about 3,000 miles so far but long enough to have opinions - mostly favorable.
Best FeaturesThe Prius is the most refined elegant small car I have ever owned and I've owned LOTS of them. It is so smooooth and QUIET with a comfortable interior, seats and appointments. The transition from electric motor to engine is almost imperceptible. It is one the most easy-to-drive cars: very light steering, light touch on the brakes, and the car just seems to pick up speed without any lurching, sort of like an old Buick Dynaflo automatic transmission. Roominess in the back seat is amazing and storage is ample. The gas mileage? I got 53.5 MPG on my latest tank. My monthly gas bills have been CUT IN HALF! When I want to get up and accelerate, it has plenty of smooth power to keep pace.
Worst FeaturesVery few but I'll mention these: 1) the back-up beeper when the Prius is in reverse should be on the OUTSIDE of the car because it is absolutely silent when backing up. 2) The fuel filler neck occasionally overflows without the filler nozzle auto-shutting off. 3) The view out the rear window is limited and the rear quarter panels block the adjacent lanes so changing lanes and maneuvering must be done with great care. I was aware of the rear visibility problems in advance of my purchase and have compensated for that. 4) Develop a way to clean the lower half of the rear window where most of the visibility is.
Recommend (7) (0)
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Tuesday, February 11, 2014
Little Ones Wiggle and Giggle with The GiggleBellies Ultimate Fan Pack #Review + Triple Pack #Giveaway
15 comments:
I bet my 3 year old would also enjoy that lovable stuffed elephant. Peanut is so bright and happy looking!ReplyDelete
The GiggleBellies DVD Sweet Songs & Lullabies would be great for my little one. firstname.lastname@example.com
I liked The Wheels on the Bus growing up. firstname.lastname@example.com
I'd love to get my daughter the LULLABY DVD.ReplyDelete
I love the Peanut plush elephantReplyDelete
Oh I would love the The GiggleBellies DVD Volume 1! Carter loves watching The Wheels ON The Bus on YouTube and would love to be able to watch it on TV too.ReplyDelete
I would definitely love the The GiggleBellies DVD Sweet Songs & Lullabies. My little guy LOVES music (its generally the only thing he will pay attention to on the TV).ReplyDelete
My favorite songs were those featured in Beauty & The Beast and The Little Mermaid!ReplyDelete
Oh I loved Twinkle Twinkle Little Star, Do Your Ears Hang Low?, and In A Cabin In A Wood!ReplyDelete
Oh I also really loved Head & Shoulders, Knees & Toes!ReplyDelete
- Katie SFebruary 21, 2014 at 5:23 PM
LO would love peanut and sweet songs!ReplyDelete
I would love the Sweet Songs & Lullabies!ReplyDelete
I liked Itsy Bitsy Spider growing up. Now I'm terrified of spiders though so who knows what happened!ReplyDelete
The wheels on the bus growing upReplyDelete
- Daniel MFebruary 24, 2014 at 10:39 PM
Sweet Songs & Lullabies dvd - regnod(at)yahoo(d0t)comReplyDelete
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RRP9 encodes a member of the WD-repeat protein family. Additionally we are shipping Ribosomal RNA Processing 9, Small Subunit (SSU) Processome Component, Homolog (Yeast) Proteins (4) and many more products for this protein.
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This gene encodes a member of the WD-repeat protein family. The encoded protein is a component of the nucleolar small nuclear ribonucleoprotein particle (snoRNP) and is essential for 18s rRNA processing during ribosome synthesis. It contains seven WD domains required for nucleolar localization and specific interaction with the U3 small nucleolar RNA (U3 snoRNA).
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By A. Sherrod Blakely
WALTHAM Since dropping Games 1 and 2 in Miami, the Boston Celtics have talked about a lack of effort in both games, and the team's sense of urgency not being where it should have been.
Neither should be an issue in Saturday's Game 3 matchup, a game the Celtics desperately need to win in order to get back into this series.
And while players have talked about having a sense of urgency before Games 1 and 2, they know that it's put-up or shut-up time now.
"This is it," said Boston's Kevin Garnett. "We've used all our life lines. This is it. I hate to say it like that, but it's true."
Coming back from a 2-0 deficit will be a daunting challenge, evident by only 14 teams in NBA history ever doing so.
A 3-0 hole has proven too steep a hole for any team to climb out of and claim success.
Even before they fell behind 2-0 to the Heat, the Celtics anticipated this series would be challenging.
"Winning championships is never a clear-cut formula how to do it," said Celtics guard Ray Allen. "We talk about having resolve all year. We've proven we have it. Now we're just in a playoff situation where we have to prove that we have it."
That won't be easy, not against a Heat team that's starting to live up to its lofty billing at the beginning of the season.
While the Celtics acknowledge they haven't played their best basketball of the season, that doesn't mean returning to Garden will in itself cure all that ails them.
"You can't just hope that because you haven't played well, now if you play well things will work out for you," said Celtics coach Doc Rivers. "You have to deal with them now. They have great confidence, and we gave that to them."
And dealings with the Heat will challenge the C's mental toughness which for years, has been one of the team's greatest strengths.
"I always think new situations brings on new reactions," Garnett said. "You can always learn something. In order to want to learn, you have to be open to it. You can always learn something about yourself."
While that may be true, it doesn't take away from the sting of being down 2-0.
"Losing hurts," Garnett said. "It's not like you can just turn around and play back-to-back, play (in) two days. You have to prepare, and that's what we've been doing. Now it's about taking what we've done in practice, and apply it to the game."
That's much easier said than done against a Heat that is feeling good about its chances of winning in Boston despite losing its last 10 on Celtic soil.
"We're taking their best shot," Garnett said. "I still think we haven't played our best basketball. We have to do that. We can't just come out here and be talking about it. We're not in the white sands of the beach no more, we're back in the jungle. Hopefully that'll be good for us. We'll figure it out.
Garnett added, "I told you man, we're all in. I've got two pocket kings and I'm all in. Let's do it."
A. Sherrod Blakely can be reached at email@example.com. Follow Sherrod on Twitter at http:twitter.comsherrodbcsn


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Listen to free music played by MandaJ
Blip.fm is internet radio made social. It's easy to search for, play, and discover free music recommended by real people. Join today to create your own free station and start listening to @MandaJ.
MandaJ Sadly, I have had to add this song to my Zune at the demand of my kid. Long car rides are so much fun with them now.
Oct 20, 2010 at 3:14 am via YouTube | AMAZON | ITUNES
Take Me On The Floor – The Veronicas| play
Oct 20, 2010 at 3:07 am via YouTube | AMAZON | ITUNES
MandaJ It's that time of year again. Can't believe my niece had never heard this song before.
Purple People Eater – Sheb Wooley| play
Oct 20, 2010 at 3:06 am via YouTube | AMAZON | ITUNES
MandaJ @calamari This is going to be my last one for a while. The kids are waking up. I had fun. Thanks for the 80s Friday!
Billy Joel – We Didn't Start The Fire| play
Eddie Money – Take Me Home Tonight| play
MandaJ I have no idea why I am blipping this song lol I have had it sung to me so many times I grew to dislike it very much!
MandaJ @vento i won't get a break from all this hard work for another 4 weeks. i can't wait for it to be over!
Culture Club – Karma Chameleon| play
Janet Jackson – Let's Wait Awhile| play


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Type: New Feature
Status: Open
Priority: Major
Resolution: Unresolved
Affects Version/s: 0.9.7
Fix Version/s: None
Component/s: Appender
SMTPAppender is implemented with the libsmtp library. This library supports only POSIX platforms.
SMTPAppender should compile with libsmtp on Windows/cygwin but not on Windows/Visual Studio 6 and 7.1
SMTPAppender could be have a specific implementation on Windows/Visual Studio by using the Microsoft CDO library.
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For a test I need a SMTPAppender which sends all messages written to a special logger as email. So I implemented the SendAllEvaluator (patch log4cxx-1.3.patch).
Enable with
in property file
Some months ago I've implemented SMTPAppender using CDO for a test. Now I updated the implementation to the current SVN Revision (680327). I submit a patch log4cxx-1.2.patch. Enable SMTPAppender using CDO with -Dwith-SMTP=CDO.
Tested with ant build, MSVC 8.0 on Windows XP.
Rev 603118 is an initial implementation of SMTPAppender based on libesmtp. Use of libesmtp must be enabled using:
./configure --with-SMTP=libesmtp
Supporting non US-ASCII characters would require integrating a MIME library (best candidate looks like libgmime-2 also LGPL'd), however it is likely better to accept loss of non US-ASCII characters for a hopefully simpler time getting SMTPAppender working on Windows.
SMTPAppender has been synchronized with log4j's and supports to, cc, bcc, smtpUsername and smtpPassword options.
Simple tests have been done posting both with and without password authentication.
enabling libesmtp in the Ant build will likely be done when attempting to build on Windows.
Rev 601193 eliminated the use of the Windows style _T and T2A macros and brought the appender in-line with big Unicode change from several years ago and now compiles (with manual hacks to the configuration to enable SMTP) but has linking issues that have not been addressed.
libsmtp appears to be dormant, is not available packaged (at least for Ubuntu) and has problems building with the latest gcc's. libesmtp appears to be functionally similar and is packaged for Ubuntu. Both are LGPL. My next effort will be to migrate from libsmtp to libesmtp.
CDO appears to be a seriously different beast and appears to be deprecated. I expect getting libesmtp working on Windows would be simpler than working with CDO.
Commons-NET was not feature complete enough to replace the use of the JavaMail API in log4j's implementation, so the idea of porting it to have a minimal cross-platform lib isn't viable.
The configure.in doesn't update the LOG4CXX_HAVE_SMTP which is hardcoded to 0 regardless of any --with-SMTP value. When this is all played out, some changes will need to be made there.
SMTPAppender appears to be non-functional and has not been updated for the unicode changes that occurred a couple of years ago.
My current thought would be to branch log4j's SMTPAppender to use Commons Net's SMTPClient (http://commons.apache.org/net/). Then port the branched appender and the necessary parts of SMTPClient implemented on top of APR plus the SMTP test cases.


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Cinderella Trailer (2000)
01 January 2000 90 mins
Cinderella (named Zezolla) and her family live mid 20th century, where fashion is practically everything. As her father is won over by a selfish woman named Claudette, Cinderella must keep her new step-mother from murdering the only family she has left. Add in an anti-social mermaid literally living in a cave, a bored prince with an ear for rock n' roll, and the glamour of the 1950's and one'll find that this story can't grow old
Watch the official Cinderella 2000 trailer in HD below or find more Cinderella videos on Vidimovie.


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Will Ferguson Quotes
Many Canadian nationalists harbour the bizarre fear that should we ever reject royalty, we would instantly mutate into Americans, as though the Canadian sense of self is so frail and delicate a bud, that the only thing stopping it from being swallowed whole by the US is an English lady in a funny hat.
Human nature, at its best, had always been based on a deep heroic restlessness, on wanting something-something else, something more, whether it be true love or a glimpse just beyond the horizon. It was the promise of happiness, not the attainment of it, that had driven the entire engine, the folly and glory of who we are.
I read and learned and fretted more about Canada after I left than I ever did while I was home. I absorbed anything I could on topics that ranged from Folklore to history to political mainifestos... I ranted and raved and seethed about things beyond my control. In short I acted like a Canadian.
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Will Ferguson
- Born: October 12, 1964
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