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(2008) Sarkar Raj Reviews
Bollywood Hungama Review
Sequels are dicey business. No matter how much you improvise on your new script, you cannot escape comparisons. And when you attempt a sequel of a critically acclaimed film that's a huge box-office grosser as well, it's akin to walking on a tight rope.
Most importantly, post RAMGOPAL VARMA KI AAG, Ramgopal Varma was everyone's favorite punching bag [till TASHAN dethroned RGV KI AAG]. "Finished", "spent force", "has-been", "Pack up" were commonly used terms for RGV.
Now here's great news! SARKAR RAJ supersedes the prequel and most importantly, RGV bounces back like never before. If you felt SHIVA and later SATYA were his finest efforts, you've got to watch SARKAR RAJ. An outstanding film in all respects, this film has all it takes to emerge a major success story at the box-office… and a landmark film in everyone's careers.
Write your own movie review of Sarkar Raj
When Anita [Aishwarya Rai Bachchan], CEO of Sheppard Power Plant, an international company, brings a power plant proposal to set up in rural Maharashtra before the Nagres, insightful Shankar [Abhishek Bachchan] is quick to realize the benefits the power plant can bring to the people.
After convincing Sarkar [Amitabh Bachchan], who is against it for various reasons, Shankar undertakes a journey along with Anita to the villages of Maharashtra to mobilize support from the masses.
However, things are not what they seem to be and Shankar's dream project gradually becomes a political minefield. The evil forces, mightier than ever, mushroom and gang up to bring down the regime of Sarkar and obliterate Shankar's name from the political horizon.
SARKAR RAJ exudes a lot of power from the word 'Go'. But let's not categorize SARKAR RAJ as yet another "political film". Emotions and relationships run concurrently in those 2+ hours. What works in favor of SARKAR RAJ is its tight writing. It's not difficult to decipher the power play, but more importantly, there's meat in the script. It leaves you awe-struck as the plot thickens. The film throws a number of surprises, but the best is reserved for the penultimate 20/25 minutes. The culmination to the story is simply fantastic!
RGV shines like never before. He takes to SARKAR RAJ with a vengeance. He has to prove that the sequel is better, he has to prove the detractors wrong too. While RGV has handled the subject with great expertise, you cannot ignore a few scenes that leave a lasting impact…
* Ash's first meeting with the Bachchans to explain the power project;
* Govind Namdev trying to bribe Abhishek;
* The Bachchans' visit to Dilip Prabhawalkar's residence;
* The Bachchans' discussion over Kay Kay [who was shot dead by Abhishek in the prequel];
* The turning point in the film [not to be disclosed];
* The penultimate reels when the real culprit stands exposed. It hits you like a ton of bricks.
Besides its strong content, SARKAR RAJ has been filmed exceptionally well too. In fact, SARKAR RAJ has the trademark RGV stamp in every sequence. The review would be incomplete without giving the due credit to writer Prashant Pandey's incredible and almost flawless script. Amar Mohile's background score is topnotch. The by-now-famous 'Govinda' chant in the background only enhances the impact. Amit Roy's cinematography is exceptional. The DoP succeeds in giving the film the raw-n-rustic look, which works very well. Action [Allan Amin], in minimal doses, is perfect.
SARKAR RAJ is embellished with superb performances! Amitabh Bachchan, expectedly, comes up with a terrific performance. He's as ferocious as a wounded tiger in the finale and takes the film to great heights.
First YUVA, then GURU, now SARKAR RAJ. Abhishek Bachchan is cast opposite the finest actor of this country, yet he sparkles in every sequence. This time, the father and son go neck to neck as far as acting honors go. Aishwarya Rai Bachchan is fabulous and delivers her career-best performance in SARKAR RAJ. Enough has been written about her looks, but not much space has been devoted to her performances. HUM DIL DE CHUKE SANAM, DEVDAS, PROVOKED, GURU, JODHAA AKBAR and now SARKAR RAJ – she's only got better with every film.
Every supporting actor in SARKAR RAJ stands out – Dilip Prabhawalkar [superb], Govind Namdev [first-rate], Sayaji Shinde [perfect], Ravi Kale [terrific] and Supriya Pathak [good]. Tanisha is alright. The actor enacting the role of Dilip Prabhawalkar's grandson makes a strong impact.
On the whole, SARKAR RAJ is an exceptional film in all respects. At the box-office, it has all it takes to set new records in days to come!
Buzz 18 Review
There is a tendency in most of us to throw brickbats at people when they are down and out. And the ones at the receiving end are often unlucky enough to be in showbiz. In 2007 Ram Gopal Varma received more flak than what most people receive in a lifetime. RGV Ki Aag, Go, Nishabd, it seems the man could do nothing right. And industry insiders and critics were busy writing him off as a has-been. But RGV in the tradition of a true survivor has returned to prove his worth. Sarkar Raj may not set the box-office on fire but RGV is back in the running for now.
This genre of films about the underworld seems to be Ram Gopal Varma's forte. And Varma effectively demonstrates that he can effectively recreate a world, which the common man is quite cut off from. The director himself claims Sarkar Raj is not a sequel to Sarkar. For those who missed out on Sarkar the film is about the Nagre family, the patriarch Subash Nagre (Amitabh Bachchan) only referred to as Sarkar, his son Shankar Nagre, who to all extents and purposes has taken over the business/ political/ mafia empire from his father Shankar nagre.
In this scenario enters Anita Rajan (Aishwarya Rai Bachchan) who is the daughter of a hotshot business tycoon. Her father Rajan (Victor Banerjee) wishes to put up a power plant in Maharashtra. Initially Sarkar is opposed to the project. But somehow Shankar manages to convince him that this project will change the lives of the people of Maharshtra.
Shankar now throws himself wholeheartedly into campaigning for this project. But nothing is what it appears to be. Just about everybody from the shady businessman Vohra to Subash's right hand man Chandar have their own stake in this scenario. A bloody battle ensues where human life has no value and the stakes get higher at each level. Sarkar does establish his supremacy eventually but pays the price for it…
For decades Amitabh could pull in the audience just on the basis of his name alone. But in recent times he has had his fair share of debacles. RGV Ki Aag, Bhoothnath gave his critics a field day. But in Sarkar Raj, Bachchan has come up with a performance befitting his status. He's older, calmer than what he was in the film Sarkar. But that's a physical change only. His mind is still as agile as ever. And he expresses a whole gamut of emotions sorrow, pain, anger revenge with a twitch of his muscles, a grimace a frown. Subtle yet powerful and compelling! It is difficult to think of any other actor in Bollywood who could have done the role of Sarkar. He is one of the few actors in Bollywood who understands the power of a close-up.
Abhishek Bacchan is probably best suited to these kind of roles. He was loved in Dhoom as the quick-to-get angry cop who does not tolerate fools gladly. And here also as Shankar Nagre a person who fights for the cause he believes in he's totally convincing. And he's had the courage to keep his makeup minimal. There are some close-ups where you can see the pores on his skin. It takes courage in yourself and immense faith in your director to deliver this kind of a performance.
Aishwarya Rai Bachchan could have deglamourised herself a bit more but that would be nitpicking. She looks the role and thankfully she's modulated her voice well. And she conveys pain effectively without digressing into melodrama. Almost every character has been well fleshed out and the actor has done justice to it. The aging politician Nana, Somji his grandson, the trusted right hand man Chander, the businessman Vohra are all examples of brilliant casting. And it goes a long way in keeping the viewer enthralled.
The look and feel of the film, which includes the lighting, the props, the locations have been carefully planned and are consistent throughout the film. And a pat on the back to the dialogue writer! The dialogues especially in the first half pack quite a punch. Overall the film makes a considerable impact.
Verdict: A must-see for all Bachchan fans, the trio has delivered riveting performances
India Glitz Review
After a disastrous 'Ramgopal Varma Ki Aag', many producers, directors and movie buffs have actually ruled out RamgopaL Varma; the man behind hits like 'Shiva', 'Company', 'Bhoot' and much more. 'Sarkar' being one of his finest piece comes across with its sequel this weekend-'Sarkar Raj'.
Lots of pressure seems to be riding on Ramu this week as a lot lies with the success of this film.
When Anita [Aishwarya Rai Bachchan], CEO of Sheppard Power Plant, an international company, brings a power plant proposal to set up in rural Maharashtra before the Nagres, insightful Shankar [Abhishek Bachchan] is quick to realize the benefits the power plant can bring to the people.
After convincing Sarkar [Amitabh Bachchan], who is against it for various reasons, Shankar undertakes a journey along with Anita to the villages of Maharashtra to mobilize support from the masses.
However, things are not what they seem to be and Shankar's dream project gradually becomes a political minefield. The evil forces, mightier than ever, mushroom and gang up to bring down the regime of Sarkar and obliterate Shankar's name from the political horizon.
To begin, Ramgopal Varma makes it very clear with the sequel that film making runs right through his veins and a series of flops can't stop his creative fluids. The style Ramu maintains is topnotch and you are drawn are into the film with the camera movements and gripping background score.
The drawback in the film comes across post interval as the writing by Prashant Pandey falls short. Post interval the movie becomes more of a series of dialogues with not much movement in the flow of events. No doubt Prashant Pandey excels at writing a plot that indeed has a very much localized maharashtrian feel covering the political scenario but somewhere falls short.
On the acting front, Amitabh Bachchan is no doubt the finest amongst all characters in the film. Amitabh carries the charisma and he personifies the word 'power'.
Abhishek Bachchan too excels with his character and seems to be highly inspired by Al Pacino's character of Michael Corleone from 'The Godfather'.
Aishwariya Rai Bachchan has been offered a very meaty and chunky role and is often seen with Abhishek in this sequel unlike Katrina in 'Sarkar'. She does impress with her dialogues and body language.
What impresses even more is the set of character artists who are terrific and just apt be it- Ravi Kale, Dilip Prabhawalkar, Sayaji Shinde and Supriya Pathak. Tanisha is ok.
The cinematography by Amit Roy is splendid. The film relies heavily on one point lighting and it's the cinematography that makes the characters look larger than life and gives them their desired power.
The music by Bappi-Tutul is worthy of mention. The brothers have worked really hard in creating the 'Govinda Govinda' chant which has become synonymous with the 'Sarkar' series. This time around, the chant comes across with a difference but retains its authenticity.
Background score by Amar Mohile is very good and acts as a key in enhancing the dark feel of the film.
On the whole, 'Sarkar Raj 'may not be as impressive as 'Sarkar' primary due to a dip post interval ,but it is sure set to get Ramgopal Varma a lot of accolades from the very people who ruled him out. At the box- office, success awaits the producers.
NDTV Review
At one point in Sarkar Raj, the villains are planning their next move. One of them shouts: Zabardast idea.
The other asks kya and he replies: abhi puri tarah se aaya nahi hai. That's exactly what I felt about the movie.
It is a good idea that doesn't quite coalesce into a whole. Despite wonderful performances and nicely done dramatic moments, Sarkar Raj doesn't pack the visceral punch of Sarkar.
The sequel takes us back to the Nagre's Thackeray-esque dynasty of self-styled political leaders.
One character describes Nagre senior as Neta ke libas mein ek goonda.
Subhash Nagre, played by Amitabh Bachchan, is still enthroned but it is his son Shankar, played by Abhishek, who is the new Machiavelli, plotting moves and ordering hits.
An international company wants to set up a power plant in Maharashtra.
The plant will displace 40,000 people. Shankar believes that the plant will empower the state and backs the plans. He becomes embroiled in a vast and lethal conspiracy, which almost destroys the Nagre family.
What works here are the performances. The Bachchans-all three of them are in fine form.
Aishwarya displays a rarely seen steel as the head of the corporation. Mr B creates a carefully controlled menace – you know this smiling grandfather could kill without blinking. And Abhishek surpasses them both with a brooding intensity that echoes, in the best way, his father's angry young man days.
The supporting cast is also impressive-Ravi Kale as the right hand man who proves fallible is especially good. What doesn't work as well is the screenplay.
Ram Gopal Varma shoots-in tight close-ups and notches up the background score to create a sense of drama but the film remains flaccid.
There is so much plot that at the end, Mr B expounds at length about who did what to whom and why and yet there is very little tension. Beyond a point, all the subterfuge and counter-subterfuge becomes tedious.
The film's politics also remain specious – Nagre senior expounds on gandi rajniti and then coolly has his enemies murdered.
Despite these sizeable bumps, I recommend that you see Sarkar Raj. Its performances are a proof that Ram Gopal Varma, who last gave us the mind-numbing Aag, is on way to getting his groove back.
DNA India Review
With Sarkar Raj, Ram Gopal Varma is back and how! As compared to its prequel, Sarkar, this one's more layered, more dramatic and a lot more intense. The first installment, a clear adaptation of The Godfather, stood out for Varma's unique handling of a story told before. This one needs to be applauded for the sheer complexities of the drama and its original approach.
The narrative hooks you from the word go. As the lights dim, you are immediately transformed to the world of Subhash Nagre (Amitabh Bachchan) and his family. The setting is grim. Nagre has turned 60, now leading a life of retirement. He's still the messiah of the common man in Maharashtra. Taking over the business is son Shankar (Abhishek), who with his sharp acumen, understanding of the masses and perseverance in his goals has done more work for the aam janata than Sarkar himself. Together, the duo is unstoppable.
Enter Anita Rajan (Aishwarya) and her proposal for a power plant project that would solve all energy problems in Maharashtra. Shankar sees this as an opportunity to uplift the masses. But there are forces at play that are trying to sabotage the project for ulterior motives. It's all about power, it's about politics and it's dirty.
In many ways, Sarkar Raj is similar to the first part in terms of a story pattern. Once again, there is an evil force working overtime to bring down the Nagre family, the real mastermind is someone else, they are all gunned down eventually and revenge forms the core towards the end. This one, too, ends on a sequelic note. Having said that, Sarkar Raj goes one up on Sarkar when it comes to pure entertainment.
In Sarkar Raj, there is something happening all the time – you are always hooked. However, Varma has his hold over the multiple tracks and does well to gel all the links together – Shankar's rise, the politics related to the power plant, the relationship between Shankar and Anita, death in the family, the Nagres mourning the loss of their son Vishnu (played by Kay Kay in the first part) – all of them are woven together in a screenplay which is riveting, to say the least
But what does it for the film is the last 20 minutes. A scene in the last half an hour of the film – it could be termed as a turning point – throws everything out of gear. What follows is absolutely mind-numbing and hair-raising and Varma deserves full marks for culminating the film with a bang.
The performances have to be seen to be believed. Abhishek Bachchan, take a bow. The guy is simply awesome. Junior Bachchan, it has been seen, needs strong roles and an intelligent director to extract the best out of him. Mani Ratnam did that in Yuva and Guru and Varma did it in Sarkar. Here, he delivers the best performance of his career. Aishwarya does well in a role that is well-written and gives her ample scope to perform.
Amitabh Bachchan needs no critic to be declared the best there is. But a mention has to be made of the way Varma has handled the legend. After facing rebuke for casting him in Nishabd and Ram Gopal Varma Ki Aag, Varma proves why the senior Bachchan has implicit faith in the maker. The film belongs to him in the last few reels and his transformation from a happily retired 'don' to a man possessed with revenge chills your spine.
Govind Namdev and Upendra Limaye have been cast in roles tailor-made for them, though Sayaji Shinde hams like there is no tomorrow. However, the best casting of the film is undoubtedly Dilip Prabhawalkar, who audiences remember as Gandhi in Lage Raho Munnabhai.
The film is brilliant in all technical aspects. Amar Mohile shows what a good background score can do to a movie and Amit Roy's cinematography gives the film just the right mood. The dialogues, jointly written by Prashant Pandey and Varma, though lengthy at places, fit into the entire scheme of things perfectly. But in the end, it's a Ram Gopal Varma film. The director proves that a few bad films in no way diminish the magic of a maker who has given Indian cinema films like Shiva and Satya. With Sarkar Raj, the man is back in form. Welcome back, Mr Varma.
Indian Express Review
Ram Gopal Varma's right. All his films- at least the good ones– have a bit of `Godfather' in them. So does `Sarkar Raaj'. It also has Bollywood's First Family in full array, accomplishing several things at one go: giving Pa Bachchan a role he fills with conviction, getting Beta B back on screen after a long gap, and re-confirming our deep- rooted suspicion that there's an actress in Bahu B.
The sequel to `Sarkar' takes the story of Subhash Nagre ( Amitabh) forward, with son Shankar ( Abhishek) having been anointed his successor. It wastes no time in any re-caps : just one brief scene flashes back to the previous film, where the dead elder son ( Kay Kay) is shown. That one laid the ground for why there is an extra-constitutional authority in Mumbai ; here Nagre, who is the thinly-disguised alter-ego of the real-life Thackeray, `gives permission' to an NRI billionaire ( Victor) to set up a power plant in rural Maharashtra. Echoes of Enron are completely intended.
The billionaire's daughter Anita Rajan ( Aishwarya) is the pointsperson on the project, and through her hazel eyes we see the `raaj' of Sarkar : the absolute power he wields over politicians and police and goons, and how his son sets his sights on bigger things. Some of the proceedings are very RGV—the ultra-tight close-ups gobbling up the whole frame, the swelling background score ( not as overwhelming as it usually can get in his films, thanks be), the faces of the bad guys all look very familiar.
But the film does deliver some surprises, and that's why it's much better, and tauter, than the first. The intrigue is sharper. So is the acting . Amitabh, dressed in black kurta-lungi and double rudraksha, is played to his strengths, as is Abhishek, who doesn't have Kay Kay this time around to overshadow him. Best of all, RGV keeps Aishwarya in check, in chic power-suits and chignons, giving her lines which belong to a character, not a star.
`Sarkar Raj' resurrects the reputation of RGV, in tatters after the monstrously bad `Aag'. And it does a strident Jai Maharashtra number on Bachchan Sr's nay-sayers. Both Amitabh , in his Thackeray avatar ( delicious irony, that) and Abhishek are handed out numerous opportunities to talk about `vikas' and `badlaav' and the state. `UP mein jurm kam hai' is old. The new mantra, loud and clear, is —`Maharashtra mein dum hai'. Take that, Raj.
Rangan's Review
JUNE 8, 2008 – AT ONE LEVEL, RAM GOPAL VARMA'S SEQUEL to his Sarkar is merely a gimmicky whodunit – a super-stylised, mob-world murder mystery that requires the film to stop dead in its tracks, towards the end, in order to accommodate a Poirot-ish summation about exactly happened and why. Just who could have carried out that shocking execution, which, in its ruthless contempt for audience identification for and empathy with a character, appears to echo Psycho? Yes, we know who actually carried out the killing. It's the assassin built up as a man of mystery, whose face is never shown – and who's later dismissed simply as "woh khooni," that killer. (Trust Varma to make us anticipate a dramatic reveal about the identity of this murderer and sneakily strand us without the rug under our feet.)
But whose hands were those that were pulling this assassin's strings? Could the puppeteer be Hassan Qazi (Govind Namdev, in a pencil moustache that instantly telegraphs his disreputability), the smarmy deal-fixer who (correctly) labels Sarkar (Amitabh Bachchan) as "neta ki libaas mein ek gunda," a mobster posing as a messiah? Or perhaps it's Kantilal Vohra (Upendra Limaye), the businessman who fulfills the dual function of (a) throwing a well-aimed spanner in the direction of Shankar (Abhishek Bachchan), the Sarkar scion, who's working towards consolidating and expanding his father's empire, and (cool.gif continuing the tradition of annoying supporting characters from the earlier film (here, Vohra is prone to impromptu bursts of Hindi film songs).
But even as Sarkar Raj goads you along these directions, leaving you to untangle its murder-mystery knots, you realise that – at another level – it's a sly, out-of-the-movie critique that, in his lifetime, Bachchan Jr. can never break out of his father's shadow. Forget the explicit development in the film that points to this, which you've got to see to believe – even the way Shankar is introduced to us is from the shadows; he emerges noiselessly, like a ghost. Just as Sarkar riffed on The Godfather – something that Varma acknowledged on screen, that he was paying tribute to the gangster classic – Sarkar Raj works variations around The Godfather: Part II. Here too, early on, Shankar/Michael escapes an attempt on his life, and we're aware of this because the family's trusted lieutenant Chandar (the excellent Ravi Kale) is interrogating the suspect.
It plays like a two-person scene – a showy two-person scene, shot in Varma's instantly identifiable style, contrasting light and darkness – until a disembodied hand reaches out from what appears to be nowhere, and switches off a recording that incriminates this suspect. The hand belongs to Shankar, of course – and he's literally inhabiting the shadows that his father lurked in earlier. (Sarkar, meanwhile, is outside, in the brightest of sunlight, waving to the crowds gathered below to celebrate his sixtieth birthday. If you sense a grandfatherly benevolence behind his smile, it's possibly due to the relief that he's no longer shouldering the weight of his raj, which has now shifted to his sullen son. Uneasy lies the head, etcetera.)
Varma keeps Shankar in the dark in more ways than this one, in the sense that it's impossible to fully read this character. (And as a result, what Abhishek Bachchan is asked to do – and does very well – isn't to deliver a performance so much as embody a presence; in contrast, his father walks away with all the plum drama.) There's a lovely, little moment in the household when Sarkar discovers that Avanti (Tanisha, playing Shankar's wife) is pregnant. He wants to give his blessing, and he has no money on him, so he asks Chandar to loan him Rs. 101. It's a light scene, played for laughs, until a (somewhat awkward) segue brings about memories of Vishnu, the family's elder son who was killed in the earlier film.
The mood changes in an instant, and Shankar tells his father that he doesn't regret murdering his brother, that they should all forget about it and move on. What's strange, though, is that a few scenes earlier, he's confessed something quite different to Anita (Aishwarya Rai Bachchan), an NRI industrialist who's trying to set up a power plant in Maharashtra. (In a film that's about doing whatever it takes to be on top, how fascinating that even the plant has to do with power.) She seeks him out for help – because entire villages have to be cleared to make way for her dream project – and for some inexplicable reason, they begin to bond, and he shares with her his angst over the murder of his brother.
And you wonder, why is he able to relate to her in ways that he cannot with his own father, or even his wife? Why does he let her get away with referring to him as "tum" and not "aap," as you'd expect from a relationship that revolves primarily around the workplace? Could it be because, unlike Avanti or his mother – wearing silks and worrying about the consistency of sheera – Anita, with her pantsuits and her professional accomplishments, is, finally, a woman who's his equal? (Aishwarya Rai Bachchan is perfectly cast as this flinty overachiever. With another actress, we may have complained that this role is underwritten, because we'd be looking for reasons that made Anita tick, but Aishwarya exudes such power and confidence that these considerations become redundant.)
And besides, what is Shankar's investment in this power project? "Baap bete ko samaj seva ka bada shauq hai," sneers Qazi, at one point, and even if you accept this at face value – that the Sarkar family is into social service – it's not clear why Shankar is suddenly concerned about the whole of Maharashtra. (He feels the power plant will result in much good for his home state.) Even Anita is allowed a sliver of motivation in the form of unresolved daddy issues, when she confesses to Shankar that this may be her one chance to show her always-a-boss-never-a-father what she's capable of. She even snags a wee bit of a character arc, as she navigates a Swades-like trajectory from lugging around bottles of mineral water to drinking directly from a hand pump in a village.
But Shankar, he's stuck resolutely in those shadows – and that's when something clicked and I fully understood why Varma's remake of Sholay didn't work. Over the years – and possibly from Naach onwards – this most idiosyncratic of directors has developed a style where narrative coherence is of the least importance. He's less interested in beginnings and middles and ends, in mapping out rounded narratives with rounded characters, than in presenting only those aspects of the story that catch his oddball fancy – and if that means showing us what someone is thinking, by means of an endless close-up, even if we're not sure what's going on in that person's head, then so be it. (And the reason Aag failed so miserably is that a perfectly constructed narrative like Sholay is rendered unrecognisable when presented to us in this best-of format. It's as ridiculous as Mel Brooks' Highlights from Hamlet in To Be or Not To Be.)
But when the subject matter proves malleable to this style, this vision – as is the case here – it doesn't become a particular problem that, for instance, Shankar remains a shadowy cipher. (For that matter, Varma never thought it important in Sarkar either, to detail Shankar's transformation from law-abiding NRI to flag-bearer of his father's criminal empire.) This is a very strange type of filmmaking (at least in an Indian mainstream context), in which we're being asked to respond not to our understanding of a character but the filmmaker's perception of him (or her) – because we get only selective snapshots of Shankar, selected by the director – and if it works in Sarkar Raj, it's because this is such a mythic story, whose beginnings and middles and ends are fairly imprinted in our minds from earlier myths, like The Godfather: Part II.
At its broadest, Sarkar Raj is simply Highlights from The Godfather: Parts I and II, but distorted through Varma's engaging, what-if fantasies. If it was interesting to see, in Sarkar, how the director conflated the characters of the elder son of the Sarkar household (Vishnu) and the middle son of the Corleone family (the weak, volatile, traitorous Fredo), it's fascinating, here, to see how Shankar – seemingly the embodiment of all things Michael, that other dweller in the dark – takes on aspects of the rash, hotheaded Sonny when he single-handedly sets out to rescue the victim of a kidnapping. Even in its byzantine interplay of business and politics, Sarkar Raj follows the template of the Godfather sequel, which abandoned the simpler dramatic effects of its predecessor and opted for an ambitious overview of the perils of power.
Varma, at one point, presents us with an under-view of this power – when he (very literally) shoots a key player from under a swing in a manner that reveals simply a dangling leg, which even Sarkar supplicates before. That one shot tells us all there is to be told about Rao saab (Dilip Prabhawalkar), about the power he wields, just as his grandson (a very impressive Rajesh Shringarpure) is instantly slotted as a commie-style rabble-rouser when he barges into a closed-door meeting Rao saab is having with Sarkar. I guess this approach works here because Varma is working with types more than characters (and the reason it failed in Aag was because Sholay was made memorable by characters and not types). It's not for everyone, this style of filmmaking – and it does have its drawbacks, in that it leaves you admiring the films from a respectful distance rather than wholeheartedly falling in love with them – but it is good to see Varma back in form, and back to doing what he does best.


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New Jersey February 20, 1776 £3 John Hart PMG Choice Extremely Fine 45....Click the image to load the highest resolution version.
DescriptionNew Jersey February 20, 1776 £3 John Hart PMG Choice Extremely Fine 45. A much scarcer issue, particularly with the signature of John Hart, one of the signers of the Declaration of Independence. A solid XF, without a hint of a problem.
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David Nguyen
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After Emma O'Connor breaks her centuries-long curse of fated love with her soul mate Brendan, she thinks a blissful, happy ending is sure to come. But you know the saying: all good things must come to an end.
The sequel to Spellbound by Cara Lynn Schultz, Spellcaster picks up the story of Emma and Connor with a quick and witty start. I love the humor in the story; it's full of exactly the sorts of jokes my friends and I tell. Initially, things seem happy and too good to be true—but Schultz is just luring you into a false sense of security before everything is ripped out from under Emma and Brendan.
Emma's best friend (and born witch) Angelique helps Emma practice her spells every day after school. But one day, as they're practicing their divination, all of Emma's salt turns black. This bad omen appears with a speck of red . . . which symbolizes the love she has for Brendan. This is the start of trouble for Emma and Brendan.
Emma and Brendan must battle a whirlwind of obstacles to protect their love.Their peers at Vince Academy are still reeling from the drama of Anthony, their crazy classmate, trying to kill Emma just a month ago. But there have been more attacks in recent months, and Emma and Brendan are beginning think that students from Vince Academy are behind these as well.
The story starts out a little gushy, with lots of romance between Emma and Brendan, which I expected. I enjoyed the plot, but after such a riveting and scary story in Spellbound it was a little hard to match the suspense. Schultz does a great job of making relatable, funny characters while incorporating extreme traits like Brendan's super-hotness and Emma and Angelique's magic. I recommend this series for female lovers of magic and cute boys, with a little mystery on the side.
Maggie Martin is a teen fiction writer who lives in Iowa. Music inspires pretty much every aspect of her life, so naturally she's a band geek that lives and breathes music. Seriously.


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Pinnacle Haven 3 bedroom cottage
House, Halls Gap
Rated 4.5 out of 5 stars 10 reviews
Confirmation within 24hr
From $143 per night {{quote.pricing.message}} Total {{quote.pricing.price | format:'currency':'short'}} for
Min 2 - 4 nights stay
Situated in Halls Gap directly below the Pinnacle 44 Royston Rd, Halls Gap and set in bush surrounds you will find Pinnacle Haven Cottage. This well designed 3 bedroom holiday cottage provides views of the Wonderland Range directly from your lounge room. Your accommodation is set back into the bush in tranquil surroundings. From your veranda you can relax amongst nature and enjoy views of the surrounding mountain ranges. You will find two outdoor firepits one in the front yard and one in the back yard.
We pride ourselves on offering our guests all that they need in a self-contained holiday cottage. The appliances and furniture are quality items and everything is well maintained and clean. The accommodation sleeps up to 6 people and is perfect for family holidays, couples or individuals. There are 2 queen beds and 1 double bed with all linen supplied.
There is a gas heater as well as a split system air conditioner for extra heating in winter or cooling in summer.
If you're looking for a comfortable, relaxing and beautiful place to stay that is in Halls Gap, the heart of the Grampians, then Pinnacle Haven is your number one choice.
There is a 6 km bike track which goes from Lake Bellfield to the Halls Gap Hotel and it can be used to walk or ride into the village to access restaurants and tourist attractions. There are several bush walks close to your accommodation which offer spectacular mountain views and an abundance of wildlife including mobs of kangaroos, emus and native birdlife.
The Grampians offers a multitude of outdoor activities including bush walking and scenic drives. There are many other quality attractions which make Halls Gap one of Australia's most loved holiday destinations
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He said the BJP's allegations in this regard were only an attempt "to see a ghost where none exists".
"The FM and I are separated by 10 years in age. He is elder, wiser and more senior. He chairs a number of GoMs and I am a member of practically everyone of them."
"We speak to each other everyday and we consult each other on a continuous basis. It is only a feverish and hyper active imagination that can look for ghosts where none exists," he told NDTV.
He was replying to BJP's charge that there was a civil war between Finance Minister and Home Minister.
Referring to the BJP's criticism, Chidambaram said "I think they are hyper-active minds and hyper-active imagintaion. I think they live under the shadow of daily war between two leaders of opposition in their own party and, therefore, they look for ghosts where none exist."
About the reported bugging incident in the offices of Finance Minister and his aides in the North Block, he said he did not know about it until he saw it in newspapers.
He said apparently last September or October, the Intelligence Bureau was asked to look into this complaint or suspcion that the Finance Minister's office had been "bugged".
"They went into it. There was a complete investigation. They sent the substrance to forensic lab. They got a report that it was an adhesive kind of substance. There was no evidence of any bug being planted anywhere."


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NY, NJ, CT govs make Sandy aid pitch in op-ed
The governors of New York, New Jersey and Connecticut penned an op-ed column for The Washington Post urging Congress not to adjourn for the year before approving a disaster-aid package for the states hit by superstorm Sandy.
New York Gov. Andrew M. Cuomo, a Democrat, Connecticut Gov. Daniel Malloy, a Democrat, and New Jersey Gov. Chris Christie, a Republican, made a bipartisan pitch to speed up aid, noting that the first round of aid for communities hit by Hurricane Katrina came just two weeks after that storm battered the Gulf Coast.
"This marks the seventh week since Sandy made landfall. And Congress has yet to act," the governors wrote.
The three governors asked for a combined $82 billion in funds. President Barack Obama reduced that to $60.4 billion; now he must negotiate with a Republican-led House and Democrat-led Senate.
Here's the governors' column:
We need Congress's help on Sandy relief
By Andrew Cuomo, Chris Christie and Dannel P. Malloy, Thursday, December 13, 7:08 AM
Andrew Cuomo, a Democrat, is governor of New York. Chris Christie, a Republican, is governor of New Jersey. Dannel P. Malloy, a Democrat, is governor of Connecticut.
As Congress works to put our nation's fiscal house in order, its leaders and members should not leave Washington until they have fulfilled another of their critical obligations: to provide aid to the Northeast, a region facing unprecedented damage and devastation.
Time and again, members of our states' congressional delegations have joined with our neighbors to send hundreds of billions of dollars in aid to battered regions across our great nation. They did so in the spirit of compassion, recognizing that in times of crisis no region, state or single American should have to stand alone or be left to fend for themselves.
Hurricane Sandy dealt our region a once-unthinkable blow. The numbers are painful: hundreds of thousands of homes and businesses damaged or destroyed, thousands still left homeless or displaced, tens of billions of dollars in economic loss, the nation's largest transit system crippled, and hundreds of miles of coastline ravaged.
Sandy blew through our nation's most densely populated region: The affected states are home to more than 50 million people, or one out of every six Americans. More than 17.5 million Americans were directly affected by the storm.
While Sandy's power and destruction were an unprecedented event for our region, natural disasters have brought tragedy to every corner of our nation at some point. Mother Nature's wrath has affected millions of American families and businesses.
Storms and disasters lay waste to communities and deliver damage far beyond the resources and capacity of any single state to recover on its own. This is why Congress has always come to the assistance of Americans facing a recovery effort of this scale.
Two weeks after Hurricane Katrina blew through the Gulf Coast in 2005, Congress approved more than $62 billion in federal aid. One month after Hurricanes Ike and Gustav in 2008, Congress approved more than $20 billion in aid for storms that wrought $35 billion in damage. This marks the seventh week since Sandy made landfall. And Congress has yet to act.
We realize that our nation faces significant fiscal challenges, and we respect congressional leaders' efforts to work with President Obama to achieve a resolution. As governors, we have had to make hard budget choices in the wake of the economic crisis and recession.
Yet our needs are real and immediate, and Congress must act — as it has so many times before — to assist our recovery and help us build back better and stronger than ever.
The request for $60 billion was diligently assembled based on conservative estimates of our states' needs and is in line with supplemental appropriations approved after previous disasters for other areas.
This is not the time for partisanship or regional isolationism. The three of us have reached across the aisle and across our borders to work together during this crisis. Congress must do the same and not allow this much-needed aid to fall in to the ideological divide.
We are actively engaged with the White House and Congress and stand ready to do whatever it takes for the full aid request to pass by year's end. Our congressional delegations have worked tirelessly to demonstrate the region's destruction and needs to their fellow members, and we appreciate for their efforts.
Americans come together in times of crisis. Our states have stood with your communities when they suffered and faced devastation. It's time for Congress to stand with us.


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DETROIT, May 24 (Reuters) - The head of the United Auto Workers union said on Tuesday that the union's leadership supported a restructuring plan that auto parts supplier Visteon Corp. recently worked out with its former parent Ford Motor Co. . Industry sources have said the plan includes a deal that would allow Visteon to shutter up to 15 of its U.S. plants, spinning most of them off into a holding company controlled by Ford. "It's a good agreement," UAW President Ron Gettelfinger told ...
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We recommend using the latest version of IE11, Edge, Chrome, Firefox or Safari.
Find additional journals in print and electronic format by entering an "Advanced Search" in the library catalog (sport? OR kinesiology OR exercise), limit format to Journals/Magazines.
Use these databases to locate research articles on your athlete's injury and challenges during recovery.
Try the following searches initially:
(athlet* psychology recovery)
(athlet* psychology injury)
Then add in your sport/activity, or replace athlet* with your sport, to see if there's a more specific study on your population:
(athlet* psychology injury soccer) or (soccer psychology injury) or (soccer psychology recovery)
If this doesn't give you results, you may have to eliminate one term:
(psychology injury soccer) or (psychology soccer) or (injury soccer)
If you get too specific (too many search terms), "zoom out". If you get too many results with a few terms, add in another or use limits (age limits- article types- etc.)
How do I know if my article comes from a peer-reviewed journal?
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I was so struck by something I read in God's Word that I thought it worth sharing. It has to do with idolatry and its folly. If ever there was an example of utter foolishness or folly, it is found in the actions and words of the enemies of Israel, who, after capturing the ark of God from Israel, were struck with a plague by God as punishment. Their reaction? "When the people realized what was happening, they exclaimed, 'We can't keep the ark of the God of Israel here any longer. We will all perish, along with our god Dagon'" (1 Sam. 5:7 TLB).
Is there a more astounding case of utter folly than this? They were fully aware that God was the cause of their affliction and that they were in serious danger of being annihilated. So did they then repent of their idolatry and worship of a false god and accept the true God and thus save themselves from destruction? No. Instead of getting rid of their sin and folly, they sought to get rid of God! Incredible!
But this is no more incredible than people even today clinging tenaciously to their sin and defiance of God even to the point of being destroyed by that very refusal to repent. Like those people of old, they are so imprisoned and blinded by their attitude that they do not even sense the utter folly of trying to live apart from God, clinging to the modern-day idols of this world.
But lest you think that such folly is restricted only to pagans and unbelievers, consider the folly of Israel itself after its great exodus from slavery in Egypt. There, in the wilderness, Moses left them briefly to meet with God on the mountain. Because the people could then no longer see Moses, who was representative of God's presence among them–because they could no longer see God's presence, they created something they could see: an idol of a golden calf or ox.
"They preferred a statue of an ox that eats grass, to the glorious presence of God himself" (Ps. 106:19,20 TLB).
Why choose an ox for their idol? God produced man out of the earth and gave him life. An ox, by its strength, could similarly provide for them from the earth what was needed for life: the ability to plow the ground for planting of seed to produce food for life. Thus the idol is appropriate–as an idol. But it is still an idol, not the real thing. In fact it is twice removed from the real God: The life the ox produces still requires God to furnish rain and growth of the seed, its life, and it also needs man to tend the soil once planted. Thus man and his efforts are the focus, not God. It is an idol.
But of course, this is what man desires in an idol: something he can see and something he can control. These idol makers did not have vision to see beyond the natural to the supernatural, nor faith to believe in this supernatural way. They were totally bound up or enslaved to this world and its ways. Even after being set free from bondage in Egypt, they were still slaves to the ways of that world and lifestyle.
Notice also that they made their idol out of gold, a sign that they recognized that whatever God existed must be precious and valuable. It would be folly to create a false god who was so repugnant to people that no one would bow down to it. No, those who indulge in presenting the false as true know that there must be some semblance to the glory of God in order for a false god to be acceptable to people. At the same time, however, it was still just a piece of inert matter, a dumb idol. What a contradiction! What folly! What irrationality!
"He cut down cedars, or perhaps took a cypress or oak. He let it grow among the trees of the forest, or planted a pine, and the rain made it grow. It is man's fuel for burning; some of it he takes and warms himself, he kindles a fire and bakes bread. But he also fashions a god and worships it; he makes an idol and bows down to it. Half of the wood he burns in the fire; over it he prepares his meal, he roasts his meat and eats his fill. He also warms himself and says, 'Ah! I am warm; I see the fire.' From the rest he makes a god, his idol; he bows down to it and worships. He prays to it and says, 'Save me; you are my god.'"
"They know nothing, they understand nothing; their eyes are plastered over so they cannot see, and their minds closed so they cannot understand. No one stops to think, no one has the knowledge or understanding to say, 'Half of it I used for fuel; I even baked bread over its coals, I roasted meat and I ate. Shall I make a detestable thing from what is left? Shall I bow down to a block of wood?' He feeds on ashes, a deluded heart misleads him; he cannot save himself, or say, 'Is not this thing in my right hand a lie?'" (Is, 44:14-20 NIV).
One dictionary defines folly as: "Foolish or senseless behavior; a stupid mistake; the trait of acting stupidly or rashly;" and idolatry as "the worship of images that are not God." Thus the two, folly and idolatry, go together, for to worship that which is not God is foolish or senseless behavior and to act stupidly or rashly. Nevertheless, that is what idolators do, even those who pride themselves, such as modern man, on their intelligence and rationality. All that is different from them and the idolators of old described above is the idols they worship. The idols of old have been replaced with steel skyscrapers built by proud man and by military might, by education, belief in evolution, and a host of other idols, including trusting in man's ability to think and reason. This too is folly.
"He who trusts in his own mind is a fool; but he who walks in wisdom will be delivered" (Prov. 28:26 RSV).
Why does man do this? Why is he so determined to embrace foolishness and folly, even to his own hurt, rather than to accept the truth? Because admitting the truth would require him to admit things about himself that he does not want to admit, such as the truth that he is a sinner in need of a savior. It would also require him to submit to Jesus as that Savior and God, and this is distasteful to him. He will not submit to anyone else. He wants to be in control. Even the apparent submission to an idol is not really submission. For he created it himself and man also can easily fool himself into thinking that by setting up all kinds of severe requirements for worship of this idol that he is not worshipping himself but the idol.
"Such regulations indeed have an appearance of wisdom, with their self-imposed worship, their false humility and their harsh treatment of the body, but they lack any value in restraining sensual indulgence" (Col. 2:23 NIV).
Created gods are under the control of their creators. The creator is higher than the creation. It is all a game and a show.
But all games must come to an end. In this world, there are multitudes of religious games people play to avoid facing the truth. They are all idols. And God has warned that there will be a day when all idols will fall down to the truth, who is Jesus, just as the pagan idol Dagon fell down before the ark of God.
"For all the gods of the nations are idols, but the Lord made the heavens"(Ps. 96:5 NIV).
"Thus shall you say to them: 'The gods who did not make the heavens and the earth shall perish from the earth and from under the heavens'" (Jer. 10:11 ESV).
That day is fast approaching. Now is the time to be sure that no idols are in one's life and that only the truth who is Jesus rules over one's heart.


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This standard replacement blade has a cutting length of 0.4 mm and fits on both the Wahl Bella and Wahl Super trimmers.
Part number: KM1590-7000
Adjustable trimmer comb designed to fit the Wahl Bella and Wahl Super Trimmer.
Cutting length adjusts to 6 different settings between 3 mm and 6 mm.
Replacement casing for the Wahl Bella Trimmer.
Product code: WM1590-7391
Handy brush for keeping the blades and combs of your hair clippers or trimmer free from hair and skin debris.
Supplied with small bottle of oil.
Specially formulated for Wahl clippers and trimmers. Regular use will prolong the life of your blades.
113 ml bottle
Revitalise your tools with our professional services
Copyright © 2005-2017 CoolBlades.


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The Battle for Warsaw DVD
Documentary about the Warsaw Uprising which took place in 1944 during the Second World War.
In an attempt to free their capital from the Nazis, the Polish rebelled against German forces, managing to hold out for 63 days.
Despite being only ten miles away, Stalin's Red Army delayed their approach, failing to aid the Polish.
Over the years the citizens of Warsaw have rebuilt their city to its former state.
- Format: DVD
- Region: 0
- Certification: (Ex)
- Catalogue number: WNRD2552
- Studio: Wienerworld
- Release date: 30/01/2012
- Genre: Documentaries & Biographies
- Colour: Colour
Free Home Delivery
on all orders
Pick up orders
from local bookshops


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22 weeks and cramping
I just hit 22 weeks Sunday, I started cramping yesterday morning and it hasnt let up much. Has anyone else experienced this? Is it something that is normal? I not bleeding or anything so I haven't called the doctor.
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Could be round ligament pain. It is in the same area as cramps but is caused by your stomach stretching and insides making room for baby
Posted via mobile.cafemom.com
That's what round ligament pain feels like....
Quoting MaKaylasmom29:
it fees like menstrual cramps
I'm 24 weeks since last Friday and sometimes I get cramp like feelings too. I wouldn't worry unless you start bleeding. If you want to be completely safe though, it wouldnt hurt to just call your doctor. :)
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text:
A Review Of The Carbon Express Axon Crossbow
Though it lacks the same legacy as other crossbow manufacturers who produce their crossbows in the United States, Carbon Express has made a name for itself in medium and high-end crossbows. Building up a steady following through superior design, excellent customer service, and attention to detail, this release of the Carbon Express Axon Crossbow brought about a new age in terms of quality for Carbon Express.
Along with the Carbon Express Axon Crossbow, they released the Interceptor Supercoil, Covert CX-3 SL, Covert CX-3, and X-Force 350.
Sharing a similar design, let's take a moment to review the highest rated in the series, the Carbon Express Axon Crossbow.
Along with comparing it to other models in the line, we will see how it compares to similarly priced crossbows by other manufacturers.
Carbon Express Axon Crossbow review
Priced at around $850, the Carbon Express Axon Crossbow is not for the faint of heart. Rather, it is designed for those experienced at crossbow hunting that are looking for a reliable and dependable crossbow.
With a striking design, the Carbon Express Axon Crossbow is considered a customizable crossbow which comes with a range of accessories marketed towards hunting.
This includes a patent-pending picatinny design platform that improves accuracy beyond the majority of other crossbows on the market.
There is also the compact design that makes it perfect for tight spots without reducing its overall accuracy or usability.
Finally, precision engineering allows for a non-creep trigger that is easy to use and release when the time comes to take the shot.
Check price and availability here!
Coming with a 5-year limited warranty for construction, discover what a number of hunters are settling on for their primary hunting crossbow.
Specifications of the Carbon Express Axon Crossbow
The Carbon Express Axon Crossbow comes with a solid 360 FPS, 122 foot-pounds, and 175 pound draw weight. This far surpasses other models by Carbon Express.
In addition to having a 13.5-inch power stroke, the 8.3-pound crossbow measures 30.25 inches long by 17 inches wide.
Compact and to the point, the Axon Crossbow is highly versatile.
What do I think of the Carbon Express Axon Crossbow?
The Carbon Express Axon Crossbow received one of the best ratings a crossbow can receive. Simply put, it is incredibly fun to use.
With a minimal amount of headaches, the Carbon Express Axon Crossbow provides fantastic accuracy that is really hard to beat with a crossbow.
Very comfortable to fire, it is obvious the time and attention Carbon Express put into this crossbow.
Buyers report having a great crossbow that held up against the elements, providing a great performance shot after shot.
Click here to read customer reviews on Amazon
The only complaints to exist regarding the Axon Crossbow involve either shipping or factory defects.
Handled immediately by the company, loose handles, the wrong number of bolts being included, and imperfections in the bar represent just a few of the things that had to be mended.
Guru's verdict
Barring a problem right out the box, you are bound to find your Carbon Express Axon Crossbow fully worth the $850 price tag.
With an accuracy that is simply phenomenal, the Carbon Express Axon Crossbow should be your top choice if you want to take your hunting experience to a new level.


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*May be requested for the floor
Please note that this unit does NOT have a stove/oven. It does have a hot plate and full sized toaster oven (big enough for a large pizza.)
Kitchen wares always include basic dishes and eating utensils.
Kitchen wares always include basic dishes and eating utensils, mixing bowls, cookie sheets, cutting boards and knives, pots/pans and cooking utensils. Kitchen table: (not present)
Other items that may be present are woks, grills, specialty utensils and specialty appliances, but these items are not guaranteed.
Stair count - 1 entry stair to suite. This is a first floor unit.
• 10 ft ceilings and lighted cove give this suite a beautiful light
• This is a studio suite with a 3/4 bathroom and a beautiful, deep, romantic tub against a natural stone wall. A tankless water heater provides endless hot water for the huge tub.
• Heat and AC is self contained within this suite
This suite was inspired by the beautiful mountains and skies of Utah valley. While all our suites have been used for getaways, this is our only dedicated "anniversary" suite.
Kids will be comfortable in this suite and LOVE the huge tub. Sleeping options for kids include the queen sleeper sofa or an optional twin mattress for the floor.
Flat screen HDTV with basic cable TV*, Blu-ray or DVD player, and free Netflix
Free wireless and wired high speed internet
Solid surface floors that are easy to clean
Hairdryer, Iron/full sized ironing board
Weekly linen service and available additional housekeeping
Off-street parking (1 car)
Coin operated laundry in building
Please note that we do not have an elevator.
*Cable is local stations only
Aspenwood suites do NOT include:
-coffee filters and other disposables (paper plates, cups, paper towels)
-detergents for washer/dryer and dishwasher
Additional guests may be accommodated in any suite for an additional $8/night.
A one time set-up/cleaning fee of $50 is charged no matter the length of stay.
Stays of 7+ nights = Weekly Rate: 25% off base rate
Stays of 30+ nights = Monthly Rate: 37% off base rate- credit card payment
Stays of 30+ nights = Monthly Rate: 40% off base rate- e-check payment
More rate info: click HERE
Additional discounts may apply depending on availability. If your ideal suite size is not available, please call. For example, if the only suite left is a 3 bedroom, but you only need a 1 bedroom suite, we can discount that suite for you!
*Please note that rates will fluctuate depending on time of year. Click Book Online to see the actual rates.
Use this form to get in contact with us! We return messages as quickly as possible. To guarantee your dates, please click here: to complete your booking.


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Member Directory
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Sister Unions
RMALA General Membership Meeting
Tuesday, August 29, 2017 at 7:30 p.m. at a private home.
If you would like to appear before the Board, please call 323-462-4762.
In an effort to improve the transparency and responsiveness of RMALA, we have instituted two new policies for Board meetings. First, our meetings will be held at regular times each month. Secondly. any member is invited to speak on any issue during Member Comments at the beginning of the meeting. The goal is to meet on the 2nd Monday or Tuesday of the month, depending on work schedules. You will not need an invitation - you need only show up. We look forward to hearing from you.
Please note that Member Comments is the first item on the agenda - please arrive before the downbeat to be included on the speaker list
for questions.


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Get ready for a stellar show. The much-anticipated Comet ISON is now visible to the naked eye according to reports from many observers.
Comet ISON -- the potential "comet of the century" -- has suddenly brightened in an outburst of activity with just two weeks to go before it literally grazes the surface of the sun.
In recent months, Comet ISON has repeatedly befuddled forecasters trying to anticipate just how bright it will ultimately become. But earlier this week, the comet's brightening trend again seemed to sputtering and stalling, but more recent observations suggest a sudden and radical upsurge in brightness. [Photos of Comet ISON: A Potentially Great Comet]
Comet ISON: 5 Things You Should Know
Comet ISON Lightens Up, Literally Comet ISON is now in full outburst mode, becoming many times brighter over just the past few days. Astronomers measure the brightness of objects in the night sky as magnitude, in which the brighter an object is, the lower its magnitude number. The human eye can perceive objects as faint as magnitude +6.5.
According to veteran comet observer, John Bortle, Comet ISON was shining only at magnitude +8.5 on Monday (Nov. 11) morning -- more than six times too dim to be visible to the unaided eye. But by Wednesday morning, the comet's brightness had increased three-fold brightening to +7.3. [8 Essential Facts About Comet ISON]
If that was a surprise, an even bigger one was waiting for Bortle on Thursday morning (Nov. 14).
"Ready to go at 4:45 a.m. but I couldn't figure out what the funny-looking, blotted, star that came into view was," Bortle said. "(Was my) seeing that bad? But, no, the 'blotted star' was, in fact, at the comet's position! Getting to the point, the little but intensely condensed, globular cluster-looking comet was a whopping magnitude 5.4 -- two full magnitudes brighter than just 24 hours ago! This makes for a three magnitude total rise since my observation on Monday."
In just 72 hours, Comet ISON increased nearly 16 times in brightness.
NEWS: Comet ISON Likely to Survive Solar Plunge
Carl Hergenrother, acting co-coordinator of the comet section of the Association of Lunar and Planetary Observers, has confirmed Bortle's observations.
"ISON has dramatically brightened over the past few days," Hergenrother told SPACE.com via email. "The latest observations put the comet around magnitude 5.7 to 6.1 which is a 2+ magnitude increase from this weekend. My own observations from this morning in 10x50 and 30x125 binoculars show a nice 'lollipop' comet with a very condensed blue-green head and a long narrow tail. The tail was over 1 degree in length even in the 10x50s. The comet may continue to brighten as the outburst is still in its early stages."
Unmistakable Comet Outburst Long Island amateur Dennis Wilde was also impressed by ISON's appearance in the predawn sky Thursday morning.
"ISON, while not as large as the full moon, was an impressive sight in the eyepiece," Wilde said. "The coma was compact with a very bright apparent nucleus, very bright green in color. The tail was very thin and bright near the coma and widened slightly as it extended out to almost 3.5 degrees as seen in the 15". It wasn't huge or extraordinarily bright but it was a great view nonetheless. I viewed the coma at up to 490x and it was uniformly dense and bright. There was no indication of the start of any breakup. After finding it with the telescope it was quite easy to pick out the coma with the ."
This outburst is not completely unusual since ISON has demonstrated short "spurts" of brightening over the past few weeks, but they were quickly followed by abrupt slow-down in its brightening trend.
So will the current outburst persist until the comet arrives at the sun on Thanksgiving Day (Nov. 28)?
"Whether by chance we have caught the comet at the peak of the outburst is certainly debatable (to me rather improbable) and it may well still brighten further," Bortle said.
"The comet may continue to brighten as the outburst is still in its early stages," Hergenrother said. "Whether this outburst will be a short-lived event or the beginning of a more active phase is still to be seen."
NEWS: Mars Orbiter Spies Lackluster Comet ISON
This sudden upsurge in brightness is certainly very good for a comet that until now seemed to be running well behind in brightness predictions. It seems now that we can feel a little more optimistic about this enigmatic object putting on show for us later this month on into early December.
Comet ISON was first discovered by Russian amateur astronomers Vitali Nevski and Artyom Novichonok in September 2012. The comet is officially designated C/2012 S1 (ISON), with ISON standing for International Scientific Optical Network.
NEWS: Newly Found Comet Could Outshine the Moon
The comet is rapidly approaching its Nov. 28 perihelion and as a result it is becoming more and more difficult to observe low near the east-southeast horizon in the dawn sky. Still, observers with access to a clear horizon may be able to follow ISON for about another week.
Next Monday morning (Nov. 18), ISON will be passing close to the bright 1st magnitude star Spica in Virgo. Using the handle of the Big Dipper, sweep an arc to the brilliant orange star Arcturus. Then continue that arc on to Spica. Using binoculars, ISON should still be readily be visible as a fuzzy star with a short tail.
Will it still be visible to the unaided eye? Check it out for yourself!
More from SPACE.com:
How To See Comet ISON In November 2013 | Video Comet Quiz: Test Your Cosmic Knowledge Best Telescopes for Beginners Copyright 2013 SPACE.com, a TechMediaNetwork company. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
Amateur astronomer Bruce Gary captured this view of the brightening Comet ISON on Nov. 14, 2013, from Hereford, Ariz.
6 Intimate Comet Encounters
Feb. 14, 2011 will go down in history as the Valentine's Day when a comet was visited a second time. Comet Tempel 1 has now played host to two different NASA spacecraft; Deep Impact in 2005 and Stardust-NExT in 2011. This amazing scientific feat comes hot on the heels of another cometary encounter only a few months ago. The NASA mission called EPOXI flew past comet Hartley 2 on Nov. 4, 2010 coming within 700 kilometers (435 miles) of the icy body. Both Stardust-NExT and EPOXI (formerly known as Deep Impact) are recycled comet missions and both have seen Tempel 1 up-close. EPOXI and Stardust-NExT may be the first two missions to be recycled for two comet flybys, but they certainly are not the first mission to rendezvous with these mysterious "dirty snowballs." So far, with the help of our robotic space explorers, humanity has had a close-up look at six cometary nuclei in the aim of unraveling their secrets. Let's take a look at each encounter with imagery from other space probes.
1P/Halley (1986)
Unquestionably the most famous comet in history, Halley's Comet was a prime target for space agencies in 1986 during its 75- to 76-year orbit through the inner solar system. Comet science is still a developing field, but in 1986, very little was known about the composition of these interplanetary vagabonds. In October of that year, the 15-kilometer-long Halley's Comet was visited by the European Space Agency's Giotto mission. The half-ton probe came within 600 kilometers (373 miles) of the comet's nucleus, taking the first photographs of the outgassing vapor from discrete areas of the surface producing its tail and coma (the gas surrounding the nucleus). It was this mission that confirmed the "dirty snowball" theory of cometary composition: a mix of volatile ices and dust. However, Giotto was only able to get so close to the famous comet with the help of the "Halley Armada," a number of international spacecraft all tasked with observing this rare event. Giotto captured the closest imagery, but two Russia/France probes (Vega 1 and 2) and two Japanese craft (Suisei and Sakigake) observed from afar.
19P/Borrelly (2001)
At roughly half the size of Halley's comet, Comet Borrelly was found to have similar attributes to its famous cousin. The nucleus was also potato-shaped and blackened. Outgassing vapor was also observed coming from cracks in the nucleus crust where volatiles were exposed to sunlight, sublimating ices into space. NASA's Deep Space 1 probe flew past the comet with a close approach of 3,417 kilometers on Sept. 22, 2001.
81P/Wild (2004)
Comet Wild 2 -- pronounced "Vilt" after its Swiss discoverer Paul Wild who spotted it in 1978 -- underwent a dramatic alteration in 1974. It is calculated that due to a close pass of Jupiter in 1974, the 5 kilometer-wide comet now orbits the sun every 6 years as opposed to its leisurely 43 years before the gas giant bullied it. The orbital modification meant that Wild 2 was an ideal target for NASA's Stardust mission to lock onto. On Jan. 4, 2004, the Stardust probe gave chase, getting so close to the comet that it was able to collect particles from Wild 2's coma. This image was taken at a distance of less than 240 kilometers (149 miles). The Stardust sample return canister came back to Earth safely, landing in Utah on Jan. 15, 2006. The microscopic particles captured from the comet continue to provide a valuable insight into the organic compounds comets contain. Interestingly, the Stardust spacecraft has been granted a mission extension (dubbed New Exploration of Tempel 1 -- NExT). In 2011 it will rendezvous with comet Tempel 1 -- the scene of NASA's 2005 Deep Impact mission -- to analyze the crater that Deep Impact's impactor left behind on the cometary surface.
9P/Tempel (2005)
NASA's Deep Impact mission reached the eight-kilometer-wide (five-mile-wide) comet Tempel 1 in 2005. On July 4, the probe deliberately smashed its impactor into the comet's nucleus, producing a cloud of fine material. A crater -- 100 meters wide (328 feet) by 30 meters (98 feet) deep -- was left behind. A treasure trove of compounds were spotted by the Deep Impact spacecraft and the explosion could be observed from Earth. In 2011, the recycled Stardust-NExT mission visited comet Tempel 1 for the second time.
103P/Hartley (2010)
The fifth space probe encounter with a comet happened on Nov. 4, 2010. NASA's recycled Deep Impact probe -- now the EPOXI mission -- visited comet Hartley 2, examining its strange-shaped nucleus. Described as a "peanut" or "chicken drumstick," this comet is an oddity. During its close approach of under 700 kilometers (435 miles), EPOXI photographed the comet's irregular topography: two rough lobes connected by a smooth center. Jets of gas could be seen being ejected from discrete locations. During the Hartley 2 flyby press conference at NASA's Jet Propulsion Laboratory (JPL), mission scientists expressed their surprise that these jets of vapor are being emitted from sun-facing
shaded regions on the comet surface. Needless to say, analysis of the Hartley 2 flyby data will keep scientists busy for some time to come. "This is an exploration moment," remarked Ed Weiler, NASA's Associate Administrator for the Science Mission Directorate, during the conference.
9P/Tempel (2011)
Most recently, on Feb. 14, 2011, the veteran Stardust-NExT (New Exploration of Tempel) mission made history by visiting a comet for the second time. Comet Tempel 1 was first encountered by NASA's Deep Impact mission in 2005 after smashing the cometary nucleus with an impactor. This second encounter provides scientists with an unprecedented opportunity to study the same comet after six years of orbiting the sun. Preliminary findings suggest Tempel 1 has undergone some erosion during those six years in deep space. Also, the impact crater left behind by Deep Impact was imaged during the Stardust-NExT flyby and it appears to match the size and shape predicted after the 2005 impact. However, the crater appears to be smoother than expected, so further work will need to be done to analyze the 72 photographs taken by this most recent flyby to understand the processes shaping the comet's nucleus.


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Aeronaut at METS 2011
Aeronaut are again exhibiting at METS 2011. Stand no: 725 in Hall 11 in the Back pain below the lower back brand new Australian area. Near the super yacht pavilion.
|Opening hours METS 2011
|Tuesday, November 15th
|10.00 - 18.00 hours
|Wednesday, November 16th
|10.00 - 18.00 hours
|Thursday, November 17th
|10.00 - 17.00 hours
Admission is free for those who pre-register at: www.metstrade.com and follow the links.
Warning: If you do not pre-register it may cost you €100 per person.
Amsterdam RAI Convention Centre
Halls 1-11 with Elicium as core
Europaplein 8
1078 GZ Amsterdam
The Netherlands
Once again we are heading to Amsterdam and METS in mid November. No matter what the global economic situation, we expect METS 2011 to be the busiest marine trade show in the world. So far there are 1,320 Exhibitors.
The big news is our new MIKRON automated cutter that will meet the most modest of budgets. Starting at just 15.000, it has the power, accuracy and features that will blow the emmawatson-fans other low cost cutters out of the water!
As well we will have a working Elektron Quattro cutter on show, and our range of sail design CAD and marine related software including our flattening tool for the Prodim Proliner 3D measuring machines. This machine will be fitted with our new fabric puller system which allows hands off feeding of fabric from the roll and onto the cutting table.
We'll also have a Hypergrinder on show. This new attachment to Elektron cutters is designed to remove the coating from Hypalon fabric, reduce labour costs and pedobearpics.com speed the manufacture of inflatable boats.
We'll have a Proliner as well. This is the fastest and most economical way to measure anything from boat covers to pool liners and produce accurate ready to cut patterns.
We will have Jose Jimenez of Randix, our Southern European distributor on the stand.
Our association wtih BSG-SailPack continues with the French contingent on Stand 04.515 a little further away from the crepes stand than last year. The B, the S and the G of BSG, Antoine Bonnaveau, Jean-Pierre Sauvage and Laurent Guillaume will all be present for the three days.
If you are coming from the warm south, make sure you bring a woolie! We look forward to seeing old and new friends and customers there.
Follow this link to www.metstrade.com to find out more about the show itself.


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text: If I had learned how to type in the first place that would be good. I have found out that I can eat better with my flipper out than in. It is very uncomfortable to wear. I'm going to the denturist in two weeks. I have a very hard time getting it out. If I don't get it in right it hurts my mouth something feirce. But I was able to eat sliced cucumbers today. So I'm progressing. I do take it out when I get home only my son has to see me then. I think because it's something foreign in my mouth I'm not going to be use to it. Thanks


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Super Informative Phenibut Experience Reports from 3 Users
Phenibut is a pretty interesting drug. It was developed as an analogue of GABA that could cross the blood brain barrier.
Structurally, Phenibut is very similar to Baclofen. The only difference between the two molecules is that Baclofen has a chlorine atom in the para position on the benzene ring. Phenibut lacks this chlorine atom.
Phenibut is used both recreationally and as a nootropic. Since phenibut is a central nervous system depressant, it tends to promote a sense of relaxation and decrease anxiety. Some nootropics users also use it as a sleep aid. There's some tentative evidence that Phenibut increases slow wave sleep. Slow wave sleep is the most restorative component of sleep.
Phenibut Experience Reports
These Phenibut experience reports are an interesting read.
Phenibut is sublime, I like it
Synthetic GABA I think is what phenibut is. That's at least what I tell my friends when they ask what the new cap that I'm taking is and phenibut sounds like a goofy joke. I've been taking phenibut for about a month off and now on, mostly because I enjoy seeing how they impact my consciousness and trying new substances.
I ingested two grams this morning. I try to limit my phenibut intake. I woke up in a resort — I've been traveling for work and invited my girlfriend to stay for a week with me, so every night we've been staying up and playing. Dragging myself out of bed is tough, late nights along with substance use (non-phenibut) always makes 6:45am suck hard. This has changed since beginning the phenibut.
It doesn't totally adulterate me, but only like, 'this is definitely going to be a good day, I feel good and that I am going to be able to function smoothly now.' This is my current state. I sat on the corner of the bed for a minute holding my head and trying to talk myself into being prepared for my day and got out of bed. Then I got up and took the phenibut and got dressed and drove to work. I'm beginning to notice the phenibut as others arrive and I ask them how they're doing and detect that I really care…. generally without slumber I sorta hide away and do not participate folks because I just feel all around icky.
I'd say it is sublime. I like it.
Despite his inability to speak normally, my friend promised me that he was having the time of his life
After a lot of research I made the decision to purchase 100g of the aforementioned substance.
As I do with most substances I've purchased, I had my friends help me test the effects of phenibut.
Sadly the dose curve varied strongly between individuals. Some folks reacted to a just 200mg (placebo?) While others required at least a gram to meet with a threshold. I decided from volunteers that phenibut really demonstrated the effects mentioned before, after a week of testing and doses reaching a maximum of 15 grams. Most individuals compared it to Valium, what they believed heroin would be like, or booze.
It should also be taken into account that we determined than an insufflated dose of no more than 50mg is about equal to 2 grams. This implies some breakdown in the gut or intestines.
The following records my knowledge of phenibut.
1 hour after I could begin to feel a strong sedative effect come over me. Every muscle in my body began to feel relaxed and I started to feel somewhat drowsy. A couple of minutes later I began to lose my sense of balance and motor function. My friend was having trouble standing up and talking in complete sentences. Despite his inability to speak normally, my friend promised me that he was having the time of his life.
Continue my independent studies on it and I shall continue to purchase phenibut.
It can make me a blathering fool by lowering inhibition
My new drug is a comparatively unheard of nutritional supplement called phenibut. I'd not always call it a drug but more of a neurotransmitter with effects that are similar to GABA. GABA is the principal inhibitory neurotransmitter in the brain. Inhibitory does not mean that it doesn't do anything, far from it, phenibut is a VERY strong substance. When I was researching nutritional supplements to help relieve my mental anguish I first read about phenibut online. You see I was once addicted to various drugs including the devil crack cocaine and Oxy. Crack was another story, although I was able to stop Oxycontin, albeit suffering acute withdrawal symptoms several times. As many people know cocaine becomes a mental habit that is a lot more difficult to quit than opiates, in my opinion. The ritual of cooking my own personal crack up was almost as entertaining as smoking that first rock. I was just able to stop using pawned my items, lost my job, spent all my money, when got a DUI and stole from my family. I used to get terrible paranoia, lock myself in my room after smoking and this didn't go away after I stopped. I had nightmares about folks crawling through my window, entirely irrational, and dreams about smoking crack and awakening to find I was covered in sweat on the floor of my room. Needless to say I was a mess.
After trying various herbal nutritional supplements including, Rhodeola roesea, St. John's Wort and other moderately effective and overpriced vitamins and herbs I seen phenibut. This sounded like good items. I located a vendor online who sold phenibut as a powder in volume. 30g was purchased by me and waited for UPS to deliver my product. When it eventually arrived I was so overcome with longing and anticipation I chugged it down and immediately mixed up a heaping spoonful in some Gatorade. YUCK! This stuff is total, it tasted sweet yet bitter and somewhat salty. I'd describe it as similar to booze or Valium. Being an enthusiast by nature I always need more so I drank another bitter orange flavored phenibut concoction. I got drowsy and went to bed expecting to wake refreshed. No such luck, I woke up and was even more fucked up than when I went to sleep. Plus my throat was so dry that my uvula had swollen up and was like a big balloon in the back of my throat. I drank copious amounts of water as well as the effects waned during the day. As the acute feeling decreased I found that I loved the milder effects much more in relation to the intense. This was not bad, I'd discovered a pleasurable material which was by its very nature self limiting.
While experimenting with various dosages over the period of a week I read as much as I could about phenibut and analogous substances. I thought about this and I recognized that I 'd not thought about cocaine once the whole week, and after I ran out of my supply of phenibut the fortuitous benefit stayed with me. I actually don't understand why this worked but I believe phenibut down modulated the overactive area of my brain that craved cocaine.
Phenibut has benefits and drawbacks. It can make me a blathering fool by lowering inhibition. This is often a great thing if you're bashful, but could additionally make an outgoing man over exuberant. The effects are additive as booze works on similar neurotransmitters namely GABA if I combine alcohol and phenibut. I took methadone and drank with phenibut at the same time and was completely gone. Now phenibut is taken by me only when I wish to be social and go out with friends. Some came back for more and others stayed away, it just depends upon personal taste.
All in all phenibut is a different drug with possible addiction cessation properties and unusual effects. Use with caution and knowledge of the benefits and negative effects.
These records my experience on phenibut.
At about 10pm I ingested approximately 5 grams of phenibut on an empty stomach with a buddy of mine whom ingested about 12 grams of phenibut.
1 hour afterwards I could begin to feel a strong sedative effect come over me. Every muscle in my body started to feel relaxed and I began to feel somewhat drowsy. A couple of minutes after I started to lose motor function and my sense of balance. My friend was having trouble standing up and speaking in complete sentences.
I'll continue to buy phenibut and continue my independent studies on it.


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GraphicRiver Animation of Zombie with Explosion of Head 7272117
Stock Vector \ Characters
Resolution \ Isolated \ Frames \ Cartoon \ Vector \ Background \ Explosion
Stock Vector - Animation of Zombie with Explosion of Head 7272117 by ddraw @ GraphicRiver
Stock Vector \ Characters
Animation of Zombie with explosion of head. Six frames and 1 static pose. Vector cartoon isolated frames.
Folder contains.
EPS file;
High Resolution JPG file;
High Resolution PSD file, transparent background;
High Resolution PNG files, transparent background.
Layered: Yes; Graphics Files Included: Photoshop PSD, Transparent PNG, JPG Image, Vector EPS; Minimum Adobe CS Version: CS.
Natural Landscape in the Wood; Funny Animals in the Wood; Funny Animals of the Wood; Funny Australian Animals.; Farm Animals; Funny Marsupials, Koala and Kangaroo; Spot the Differences.
Keywords: animation, boy, cartoon, comic, dead, death, explosion, expression, funny, game over, gloom, guy, halloween, head, horror, illustration, isolated, mist, monster, scar, scary, smoke, soot, student, teen, vector, young, zombie.