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The Man Who Would Be Jack
Vanity Fair - Published April 2008 - 4/1/2008
Though possessed of youthful exuberance and a winning idealism, Worthington was, for the most part, reticent, even somber. He had a wary, loner's air, focused yet mercurial, mysterious yet vulnerable. His smiles were clipped, his manner halting.
Ever the deal-maker, the investment banker insisted on several ground rules. He asked for leads to a P.R. firm to assist him if and when the story appeared. Concerned with his family's safety, he sought advice on security issues. And he thought it best, for the time being, to leave Sharon Bush—the ex-wife of a president's son—out of the equation. I could only speculate about this last caveat, given the shadowy off-ramps onto which this story was winding.
Worthington, in a subsequent conversation, would make a point of calling Sharon his "very good friend," acknowledging that they had sometimes attended services together at Lakewood Church, the popular mega-ministry run by Pastor Joel Osteen and his wife, Victoria, in the Houston Rockets' old arena. Christianity, Jack added, played a part in his search for his real father. "My faith gives me comfort, I suppose, that I can cope with whatever the result may be, or whatever the fallout is. Faith provides strength in times of adversity. In the turbulent seas, you've got a rock to hold on to."
Jack Worthington, having finally agreed to a date for his DNA test, was soon on a plane bound for New York City.
We left the office just before noon on a muggy Friday in July. Vanity Fair's legal-affairs editor, Robert Walsh, and public-relations executive director, Beth Kseniak, accompanied me on foot. Graydon Carter arrived by car. We rendezvoused at the entrance to the Millennium Broadway Hotel. Jack Worthington was ensconced in a suite upstairs.
Carter gave a "Here goes" nod, and I opened the hotel's front door. At that instant, a man in a Spider-Man outfit, complete with leotards and mask, exited the building, dragging a wheel-away suitcase behind him. Fazed only for a moment, we headed for the elevators.
Worthington greeted us in the cramped outer room of his suite. We sat down, and Carter sized him up. "Well, you certainly have the whole jawbone thing going," he said, breaking the ice.
For an hour, we gauged Worthington's bearing and trepidations, as he gauged ours. Walsh spoke about safeguards we would put in place to maintain confidentiality. Then Kseniak got to the crux of it. "We need your mother," she said. "She knows what happened. Is she going to be O.K. with this? Her story's maybe more important than yours. That's what people are going to want to hear."
By the end of the session Worthington seemed willing to try to enlist his mother's cooperation. But he would have to approach her gingerly. She was unaware, he said, that he had begun talking to outsiders.
The meeting soon broke up and then a contact of mine, a forensic specialist, arrived. He took out a kit, put on latex gloves, and handed Jack a sterile swab, the size of a long Q-tip. The man selected for the job was Shiya Ribowsky, offering his services at no fee. In his role with the New York City medical examiner's office, Ribowsky had been director of World Trade Center identification operations following the September 11 attacks. Along with his colleagues, he had helped coordinate the forensic work required to put names to the remains of many of the 2,749 victims. (Fifty-eight percent of the deceased would eventually be identified, the vast majority through DNA evidence.)
Ribowsky, in turn, had enlisted the research department at Virginia-based Bode Technology Group, the company which did many of the 9/11-related genetic tests, to conduct "blind" comparisons. So as not to bias the results, Ribowsky acted as an intermediary to ensure that the lab did not know that Worthington, Kennedy, or Vanity Fair were in any way involved.
Jack complied, scraping the inside of his cheek with two swabs, which Ribowsky placed in small manila packets before sealing them shut with special tape, sending them promptly to the Virginia lab.
The most direct route to prove his parentage would be to obtain DNA from the couple that raised him, ideally from both his mother and his father, to compile a full genetic picture. (DNA from his sister Nancy alone would not provide sufficient information.) If he were able to get a sample from Jack senior, and that sample matched Jack II's, the case would be closed. If father and son were a mismatch, it would at least show that Jack's father was someone else. Should Jack, on the other hand, be unable to get access to Jack senior's DNA, a sample from Evelyn would still be important to fill in all the genetic puzzle pieces by taking her data in combination with J.F.K.'s or with samples from J.F.K.'s relatives. Evelyn's DNA would also be essential in addressing another possibility, however improbable—that Jack was related to neither of his legal parents and had simply been raised by them.
Next, Ribowsky asked Jack if he'd saved any of his mom's letters. If so, her DNA could be gleaned from the saliva on the stamp or envelope. "We communicate by e-mail," Worthington said. Ribowsky persisted: had his mother ever sent a birthday card to the grandchildren? Worthington agreed to hunt for one. A week later, when he came up empty, he explained that he kept items in storage facilities in Texas and Virginia, having spent so many years abroad. He began looking into the cost of having boxes shipped to him, in hopes that he might have retained a boyhood letter.
Following Ribowsky's advice, Worthington contacted Houston Northwest Medical Center, where Jack senior had been a patient, only to discover that no autopsy had been performed and that the hospital had kept neither blood nor tissue samples. Until Worthington could visit his mother in Texas, explain the situation, and come away with DNA traces, he was in the dark.
Meanwhile, I was descending into the trading pits of the online free market, where every wayward chromosome has its price. As luck would have it, eBay was offering up two strands of J.F.K.'s hair, supposedly shorn in July 1963 at the Santa Monica home of the president's brother-in-law the actor Peter Lawford. Harry Gelbart, a Beverly Hills coiffeur who worked out of Rothschild's haberdashery, had been known as "the Barber to the Stars." Gelbart contended he had saved some of Kennedy's hair that day.
I placed an offer for the strands and, two dozen bids later, won the auction—for $620. When two snippets arrived two weeks later, however, they were barely visible to the naked eye. Set in an elaborate frame containing a plaque and a J.F.K. photo, and shipped with documents supporting the hair's provenance, the sample, alas, was too minuscule to test.
Other paths unavoidably came to mind, though they gave us misgivings. Bobby Hargis, 76, an ex-cop, had been in the fateful Dallas motorcade and had been splattered with blood. When I tracked him down, by phone, at his home in Cleburne, Texas, Hargis admitted that even though he'd continued to wear the same clothes for a time, as something of a badge of remembrance and honor, "I had a really bad accident in '65 and that uniform was cut off of me [by paramedics. There's] no DNA left from my helmet or motorcycle [either]."
It seemed pointless, without approval from the Kennedy family, to approach the Kennedy Library, in Boston, which has J.F.K.'s inauguration gloves, or the Henry Ford Museum, which displays the motorcade limousine, now completely refurbished. As for specimens from the 1963 autopsy, according to a study done in the 1970s by the House Select Committee on Assassinations, Senator Robert Kennedy took possession of the remains in 1965 and in all likelihood "either destroyed these materials or otherwise rendered them inaccessible," possibly out of concern, as a representative of the Kennedy estate told the committee, that the "materials would be placed on public display in future years." A direct appeal for relevant DNA data, made to the National Archives, was turned down, and we had serious second thoughts, anyway, about attempting to solicit such data for a purpose like this.
But there was another option. Ribowsky and I drove up to Westport, Connecticut, to a warren of offices run under the auspices of University Archives. There, in a filing room replete with a huge bank safe, collector John Reznikoff presides over what Guinness World Records contends is the planet's "largest collection of hair from historical figures." Reznikoff, in the mid-1990s, began procuring prized locks from subjects such as Napoleon, Charles I, Geronimo—even a sample taken from Wellington's horse—well before DNA matching became commonplace.
He is, without question, a visionary. "I have a unique, non-duplicable card catalogue of the DNA of these great personages," Reznikoff told me. "There's this possibility, not in my lifetime, that someday there might be a dinner party with [the clones of] Einstein and Lincoln."
Sidling over to a nondescript cabinet, near shelves storing Hemingway's typewriter and Meyer Lansky's betting slips, Reznikoff opened a folder marked "John F. Kennedy." There, in a clear plastic snap-top holder, the size of a cigarette case, was a palm-size ball of light brown hair: the original, pristine haircut sample from J.F.K. that barber Harry Gelbart supposedly collected at the Lawford home in 1963. Mixed in with the swirls and clumps were bits of what looked like vegetation—dried leaves, perhaps, or fragments of cigar that may have been swept up when the barber collected the original sample.
For science's sake, Reznikoff agreed to provide a lock—"this represents thousands of dollars' worth of hair"—at no charge. (We told him nothing about the Worthington scenario, honoring our confidentiality agreement.) Reznikoff even produced a notarized affidavit, signed by Gelbart, in which he swore "that the hair I have sent you indeed once belonged to the 35th President of the United States." Though Lawford's fourth wife, Patricia Lawford-Stewart, reportedly cast doubt in 1999 on the authenticity of the Gelbart cuttings, saying Kennedy was not even in town in July 1963, the barber's son, comedy writer Larry Gelbart—one of Sid Caesar's original team and executive producer of the TV hit M*A*S*H—vouched for the hair, insisting he had even helped his father write the affidavit. What's more, Kennedy did visit California that June.)
Using a magnifying device and wearing forensic gloves, Ribowsky gently maneuvered his tweezers into the dead center of the sample so as to extract a tight batch of about 100 previously undisturbed hairs. He examined the lock and placed it in a small envelope, which he sealed. Though unable to find any intact root bulbs—usually a prerequisite for DNA results—he expressed confidence that if any lab could obtain a profile from such a sample it was Bode, using state-of-the-art procedures.
Off went the lock to the lab in Virginia. Once there, the hairs would be cleansed three times in an enzymatic detergent bath to ensure that the tuft had not been contaminated by the barber, by any handlers over the years, or even by Ribowsky himself. The results would be determined in a few weeks.
Worthington's story would be much more compelling, he admitted, if he could get his mother to open up: How had she met J.F.K.? Had she saved any gifts or photos? Had she ever shared her secret with others? And why had she remained silent down through the decades?
Jack decided to place a phone call to his mother in Texas. Her response, he says, was swift and irrevocable: she felt outraged and betrayed, according to her son, immediately cutting off all communication with him.
"My relationship with my mother," he confided, refusing to elaborate, was "always rocky anyway Unfortunately, [that] relationship is now probably permanently shot, however, I already made the decision to sacrifice [it] for the benefit of bringing the knowledge of my existence to light." In the process, however, he'd lost any access he might have had to household items bearing genetic samples from his legal parents.
But there were deeper reasons, he asserted, for his mother's resistance. She was keenly aware, he said, that tragedy had befallen several Kennedy offspring. More importantly, he surmised, she might also be harboring a fear of retribution from the Johnson circle, which casts a long shadow in Texas. "You could understand anyone's hesitancy in getting involved in something like this," he noted, "because harm has come to people in the past. It's in documented facts Johnson has apparently done things in the past." Trying to clarify Worthington's reluctance, Caddy added, "He's very conflicted. He believes his part of the family—the Johnson part of the family—[may have been] somehow involved in the killing of his father. That was the impression I received from Jack."
I continued to worry through the options. Was this all a hoax, an inventive attempt to secure, say, a book contract or to launch a new career? Could Worthington, for whatever reason—kicks, delusion, money troubles, issues with his mother—have simply made it all up, without Evelyn Worthington's knowledge? Was he misreading something she had said or exaggerated?
The more I spoke with Worthington, though, the more sympathetic he seemed: a man adrift, in search of his identity. During one morning of intense questioning, he came across as neither a con artist nor a fantasist but as a son who had taken his mother at her word in a way that had profoundly shifted something inside him.
At one point, when I pressed him to articulate what he would do if he were certified a Kennedy, his answer, a web of homilies, contained the seeds of homespun authenticity. He would set up a foundation, he said, based on "three circles of personal influence: activities that strengthen families, communities, and the country that create [a national example of a] beacon on the hill that can convert enemies into friends." Weeks later he e-mailed me that he was heading overseas: "I've been very busy with my foundation work, which I'm expanding. I'm in London next week supporting [Sharon's daughter] Lauren Bush in her Feed Bag launch at Harrods—a really great, worthwhile project in coordination with the U.N. World Food Programme."
At yet another stage, he made a point of defending his decision to go public. He might have kept mum, he admitted, and taken his secret to the grave. Instead, he had summoned the courage to put himself on the line. "I feel like I'm climbing a ladder of a very high diving board, nearing the point of no return," he confessed. "Unlike a normal celebrity, I'm about to lose … to be quite honest, an idyllic, selfish existence without a care in the world, financial or otherwise. Most people would say, 'I've got it all—hit the jackpot of life.' Giving this up is the payment required for the potential opportunity to change the world for the better."
Then the DNA results came in.
Though the hair was almost 50 years old, making it difficult to isolate nucleic genetic material, the lab was able to extract a partial profile. The data revealed eight loci—sections of genetic code—three of which suggested exclusion. "It doesn't look like the [donor of the] hair could be the father of [the person who gave the sample on] the swab," insisted Dr. Robert Bever, of Bode labs, who oversaw the tests. One of Bever's top colleagues agreed. Were he forced to describe the results in an official capacity, he said, he would argue that "this data is supporting non-paternity." But this was not an official casework comparison, Bever pointed out, insisting that "no definitive conclusion can be stated regarding the genetic relationship between the two donors."
Ribowsky, however, explained how definitive the findings were, given the situation's constraints; by his reading, the hair could not have sired the swab. "They got an eight-loci hit. You could put someone on death row with that." Then again, the hair might have merely been tufts from some Santa Monica beach bum, shoved into a Baggie, on a lark, in 1963.
Ribowsky and I broke the news to Worthington, who took it all in stride. But he continued to say he had no items from Jack senior, and now contended he probably hadn't saved any letters from his mother in any of his old storage boxes. Plus, she was a proper southern "gentlewoman," as he put it, who never licked stamps or envelopes: she would moisten them with a small desk sponge.
At the same time, he tabled all talk about contacting her further, repeating vague fears of retribution—a prospect he would have considered thoroughly, one might have thought, when he'd decided to go public in the first place. Worthington also deflected the idea of talking to his sister, saying he found it hard to confide in her since he'd "lived overseas for years."
Ribowsky, a forensic investigator at heart, aired the obvious suspicions. "It smells wrong to me that he's not moving heaven and earth to get his father's DNA. Obstacles like this with no logical explanation, or with convoluted reasons not to move forward, always are suspect."
Then yearbook photos of Jack senior emerged from a library in Texas. Jack II bore an uncanny resemblance to the man in the basketball uniform and in a college-yearbook headshot from 1960—the student named Jack Worthington. Both father and son had similar jaws, noses, eyes. Both had receding hairlines. Both were awash in freckles. Something seemed undeniably amiss.
I arranged to visit Worthington in British Columbia, where he now resided. Sitting on a park bench in Victoria, I showed him the yearbook shot of Jack senior and confronted him with the physical similarities between him and his father. He didn't dispute them. His dad's skin, he acknowledged, was a "little bit darker, but he had freckles." He went on to discuss their differences too.
Even though the story was at an impasse, Worthington agreed to cooperate for a picture session. Photographer Harry Benson flew to Canada for the shoot. He had taken portraits of every president since Eisenhower and had even been the photographer Jackie Onassis handpicked to shoot her daughter Caroline's wedding, in Hyannis, in 1986. Benson found Worthington eager to pose on a polo pony in what appeared to be spanking-new riding boots. And after a long day's shoot, Benson urged him to contact his mother, on the magazine's behalf—and for his own peace of mind. "I will," Jack agreed, if reluctantly.
The next week, while visiting family in Seattle, I made a side trip to Canada, and followed up with Jack over dinner. "These are old discussions," he said, bristling when I brought up the idea of having him try to contact his mother again. "I thought that was finished. You want me to reconcile with my mom. Someday, I will. You want her and my dad's DNA. I told you: I feel I've done what I can."
"What if I were to go and see her?," I offered.
"You can't understand why she wouldn't want to talk to you? And be exposed and bring this kind of attention on her family? The Bibb family? They're so proud." He looked anguished. "How much pain do you want to inflict on this lady?" The question came as a surprise; he'd been the one trying to bring the subject into public view.
Without DNA from Worthington's parents, however, and without a reconciliation between mother and son, all Jack II's tale amounted to, really, was one man's cold call to a magazine. I approached a representative of Senator Edward Kennedy's, with Jack's permission, about the specifics of Worthington's situation. "We get this all the time," said the insider. "Someone stops you on the street and says, 'I'm J.F.K.'s illegitimate son.' Don't you read The National Enquirer?" A lawyer for the family was similarly dismissive and chose not to dignify the overture with a response. Nor would he reveal if any Worthingtons had ever approached the Kennedys in the past with any claims, possibly seeking financial gain.
With Jack less responsive and other avenues blocked, Benson and I decided to go to the source. We flew to Texas. And bright and early on the morning before Halloween 2007, we drove to the home of Evelyn Worthington.
On a quiet, leafy street in a well-to-do Houston suburb, we pulled up to her stately, two-story house with dark-brown trim, the one she had shared with her husband until his death, five months before. We sat in the car a moment. Would she be resistant, as Jack had warned? Invite us in and corroborate everything? Dismiss the entire tale out of hand, confiding that her son had had a history of, well, embellishing? Offer some alternative explanation—adoption, maybe?
Though the day was sunny and mild, the curtains were drawn on every downstairs window, as if the residents had gone on vacation. I walked up and rang the front bell; no answer. Not a rustle came from inside.
I peered through a pane of rippled glass alongside the front door. The house was still. I rang once, twice more. Not a sound.
"There's a light on upstairs," Benson announced. I knocked loudly. In 10 seconds, an elderly brunette in a dress or nightgown of midnight blue slowly cracked the front door the slimmest slit—three inches at most. She peered out, her eyes level with the door chain, which she kept latched. She stared out over the gold chain.
"Who are you?" she asked, accusingly.
"Yes." She seemed almost terrified. "Who are you?"
"We're from Vanity Fair," I said, holding up that month's issue, which had none other than John F. Kennedy on the cover. "We're not here selling it, I mean. We're doing a story—we'd like to give you the courtesy of telling you … "
Her eyes flashed like glints of ice. She slammed the door and left us standing there.
We headed for the car, and Benson saw her peering from a second-story window. To collect our thoughts, we drove to a side street and parked. It almost seemed as if she'd been hunkered down, simmering, waiting for just such a visit. I dialed her number from my cell phone. We had come this far. Perhaps she'd have a change of heart if I made a more persuasive, impassioned pitch.
"Hello?" she answered, her voice lower, steadier.
I started to introduce myself. "If you come here again," she said, "I'm going to charge you with harassment. I'm going to call security right now.
"Do not call here or come by here again." The line went dead.
With that emphatic slam of the door, the story seemed to have ended as it may have begun: as an enigmatic exchange in a quiet Houston home. There was no clear way to move forward, or to establish anything like the truth. To upend the life of this woman on the basis of nothing more than an unprovable tale related by her son was beyond contemplating. Jack Worthington was told that he was free to take his story elsewhere.
And so he did, calling news outlets and breaking the story he wanted to tell into the open, with accounts that did not always jibe with one another. And, once his last name became public knowledge, it effectively "outed" his mother, assuring that reporters and video vans would eventually wend their way to her Texas doorstep. A simple Google trawl for "Jack Worthington JFK" the week Jack started talking to the press generated more than 30,000 entries. In the breakneck 24/7 news cycle, news organizations often feel comfortable repeating an unsubstantiated item if it is attributed to a fellow news organization.
Somewhere at the heart of this story, however, is an unsolved mystery. "The truth is rarely pure and never simple," Oscar Wilde wrote in the play that gave us Jack Worthing. Perhaps one day part of the mystery will be cleared up. Maybe there will be a DNA match at some point. Maybe an old Texas friend will come forward with a tattered snapshot, a letter, some old blue dress tugged from an attic. Maybe others will reveal that they have heard Jack's J.F.K. stories for years. Maybe Jack's sister will emerge and talk—or his mother will come down from her window.
For now, though, we are left to wonder: who is the man behind these conflicting assertions and motives and press appearances? And whoever he is, what is it that he wants? At several stages he had talked about starting a foundation, changing the world. Later, when he began making calls, he told the Toronto Globe and Mail that he hoped the possible Kennedy connection would change his quiet life "as little as possible." And he went on: "I'm really enjoying my life as it is here in B.C."
After 23 unanswered calls placed by Vanity Fair to members of the immediate Worthington family, in Houston, a family spokesperson phoned back and explained the Worthingtons' shock and puzzlement about recent news reports in which Jack II claimed he may be J.F.K.'s son. Then, on February 29, we received this:
"This statement is being provided by the immediate family of Jack R. Worthington, Jr. It is our understanding that Jack R. Worthington, Jr. has made the statement that he is the son of John F. Kennedy and that his mother, Mary Evelyn Worthington, was introduced to President Kennedy by Lyndon B. Johnson.
"It is the position of the family that the above statements are unequivocally false and have been fabricated by Jack R. Worthington, Jr. for reasons unknown to his family.
"Mary Evelyn Worthington has never met John F. Kennedy nor any other member of the Kennedy family. Further, Mary Evelyn Worthington has never met Lyndon B. Johnson. Jack R. Worthington, Jr. is the natural born son of Jack R. Worthington, Sr. and Mary Evelyn Worthington. Mary Evelyn Worthington has never had any conversation with Jack R. Worthington, Jr. concerning this subject."
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text:
Tagged: Blog, content, full width, pages, posts, propulsion
Sorry, I've looked through tons of threads searching for the answer to this – I can't seem to get my blog posts to go full width. Slideshow images show up as full width when included, but the content is displayed in a column down the center of the page on both the Blog page and the post page. It makes no difference if I set the Theme settings to default for left column or right column (no option for full width here) and I have the Blog Template set for full width. Here's the links: http://innovativebiomedical.com/blog/blog/ and http://innovativebiomedical.com/blog/handheld-x-ray-machines/ Thanks!
The topic 'Blog content centered, not full width' is closed to new replies.

subset: commoncrawl


text:
Seven Individuals Charged with FCPA Criminal Violations
This Week in FCPA-Episode 77, the Home for the Holidays Edition
Day 13 of One Month to 360 Degrees of Communication in Compliance- Asking Questions to Boost Your Compliance Program
Day 12 of One Month to 360 Degrees of Communication in Compliance- Communicating Across Cultural Boundaries
Day 11 of One Month to 360 Degrees of Communication in Compliance- Multiplying the Influence of Compliance
Compliance Report-International Edition, Compliance Man Goes Global, Episode 5
Day 10 of One Month to 360 Degrees of Communication in Compliance- Limit Your Self-Reliance, Learn to Ask for Help
Compliance into the Weeds-Episode 60, Cardinal Health and Joint GC-CCO Role
Saudi Arabian Corruption Crackdown-What does it mean for Compliance?
Day 9 of One Month to 360 Degrees of Communication in Compliance- 360 Degrees of Persuasion
FCPA Compliance Report-Episode 357, Paradise Papers and Saudi Arabia Corruption Crackdown
The Impact of the Paradise Papers on Compliance
12 O'Clock High-Episode 65, The First 100 Days as a New CCO
Day 6 of One Month to 360 Degrees of Communication in Compliance -Compliance and the Clash of Cultures
Compliance Report-International Edition: Adam Davidson
Day 5 of One Month to 360 Degrees of Communication in Compliance- Sharing to 360 Degrees of Communication
FCPA Compliance Report-Episode 356-Executives at Risk with Lauren Briggerman and Dawn Murphy Johnson
Day 4 of One Month to 360 Degrees of Communication in Compliance- Using Social Media to Innovate in Compliance
Compliance into the Weeds-Episode 59, the Fate of the Evaluation
Episode 9 -- The Need for a Robust Criminal Antitrust Compliance Program
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style #AGG99689Add to Crushes
Disco Inferno Metallic Heel
Color: silver
US Size: 10
It's a shine of the time. This platform heel features a high stiletto heel, peep toe, and ankle buckle closure to the side.
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this week's dance flash.
"San Francisco's arts scene is thriving in venues both large and small. Case in point: Mama Calizo's Voice Factory, a petite space located smack-dab between SOMA and the Mission, will present Jesse Hewit's "Total Facts Known" over the next two weekends. MCVF seeks to nurture the development of queer performers, educators, and activists by providing them with artist in-residence programs and arts programming.
Over the past few years, Hewit has presented work across the city including CounterPULSE, The Garage, and The LAB. Don't expect post-modern dance or perfectly pointed toes and big leaps; Hewit isn't here to make pretty pictures. Instead, he takes bold visuals, everyday gestures, and life-inspired theater, and molds them into a contemporary tale inspired by Anne Carson's "Autobiography in Red." Carson's story, described by "The New York Times" as a "hybrid work of poetry and prose," retells the Greek myth of Geryon, a winged red monster killed by Hercules. Hewit breathes flesh and blood into Carson's story while investigating the connections between knowledge and ability..."
Wednesday, September 09, 2009
dance flash @ the appeal: jesse hewit
Posted by Becca at 3:42 PM
Labels: Dance, Modern, preview, San Francisco
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Marketing Your Home
Your home is immediately listed on the Multiple Listing Service which updates a daily catalog of homes for sale through its member brokers and an on-line computer network, available to its members, with photos and descriptions of all listed properties. We personally submit a photo and the descriptive elements of your home to ensure that you have the best possible representation on the MLS.
All of our property listings are online under Featured Listings on our website as well as on all local websites that subscribe to the Multiple Listing Service. Current research from the National Association of Realtors indicates that more than 80% of home buyers now begin the buying process online. Our website includes the most advanced tools available, including Active Maps and automatic email notifications, to give buyers the most reason to keep coming back.
Immediately our distinctive'For Sale' sign is placed on your property along with a brochure box containing photo/property information flyers.
As quickly as possible after receiving your signed listing contract, we prepare and print a professional color flyer. We make a point of having flyers for all of our listings available at each of our open houses.
quick over-the-net pricing tool
Would you like to know your home's estimated Price Range? The below tool will allow you to enter your home's address and it will create an online price range estimate immediately. Of course, online pricing tools like this and Zillow's "Zestimates" are simply an esimate based on public tax records and NOT on the actual sales data that REALTORS© use to create a Maximum Price Opinion ("MPO"), Comparative Market Analysis ("CMA") or what Appraisers use to create certified appraisals.
My Suggestion: Try the Price Your Right Tool below and then scroll down to complete my form so I can really refine the pricing strategy based on your actual home, condition, location, upgrades and other things that the internet cannot see.
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Find complex locations, living spaces, and room count. Features the number of units per complex. Find seaside and inland condominiums. Seaside complexes offer ocean, marina or city views. There are high, mid and low-rise condominiums.You may prefer townhouses and lofts. Marina Del Rey is condominium dense. A wide variety of condominiums, townhouses and loft homes. West L.A. man-made marina.Oceanside community. Adjacent to Playa Vista and Venice Beach. Near LAX, restaurants, upscale shopping, parks and beaches.Marina Del Rey Condominium Guide Search.
Marina Del Rey Condominium Guide Search
|Azzurra Condominiums
High rise seaside full-service condominiums
|Regatta Seaside Residences Condominiums
High rise seaside full-service condominiums,
|Marina Peninsula Seaside Condos,
|Beach Collection at Latitude 33,
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High rise seaside full-service condominiums
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1st high-rise seaside full-service condominiums
built in Marina Del Rey. Land-lease
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Marina Del Rey Townhouses with pool,
private patios and garages
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Condominiums and patio homes.
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Condominiums 24-hour guard security, pool,
spa and tennis courts.
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Marina Del Rey Condominium Guide. The Marina City Club first high-rise full service. Luxury condominiums in Marina Del Rey. Land formerly owned by Howard Hughes. Built in late 1960's and early 1970's. Followed by the construction of Villa Marina Townhouses. Home-like townhouses offering private patios and attached garages. Decades later the Cove, Regatta Seaside Residence, and Azzurra were built. These full-service seaside high-rise complexes. Marina City Club, Regatta Seaside, Cove, and Azzurra adjacent the man-made marina. Full-service complexes offering ocean, marina and city views. Examples of low-rise condominiums are Villa Marina IV and Villa Marina East. These resort-type condominiums can offer 24 hour guarded entries, swimming pools, tennis, spacious units on park-like grounds. East of Lincoln spacious townhouses with private garages, pools, and patios. Marina del Rey Art District offers newer constructed condominiums, townhouses, and lofts. Silver Strand is west of Lincoln Blvd. Residences love the ability to walk anywhere in the Marina. Casually walk beaches, parks, and canals. There are upscale shopping centers, world-class restaurants, movies, coffee bistros. Marina Del Rey Silicon Beach partner. Adjacent to Playa Vista and Venice CA. Near Santa Monica, Loyola University, LAX, and freeway. Marina Del Rey condominiums offer the luxury lifestyle for everyone. Looking for homes in Marina Del Rey CA? Call Gail Mercedes Cole (310) 853-9933
Marina Del Rey Condominium Guide Search
Search Condominiums, Townhouses, and Lofts Marina Del Rey
©2017 CRMLS. All rights reserved. Some listings on this website are from CRMLS as of November 23, 2017 7:31 PM PT The information being provided is for consumers personal, non-commercial use and may not be used for any purpose other than to identify prospective properties consumers may be interested in purchasing.


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Is Banksy BACK? Mysterious 'Balloon Girl' artwork appears at iconic Brit monument
A BANKSY-style sculpture has been discovered in Scotland – sparking speculation the elusive graffiti artist has returned.
Mystery surrounds the appearance of the artwork at the Scott Monument in Edinburgh on Valentine's Day.
The striking artwork features a concrete young girl letting go of a mine-shaped balloon fixed to a grey stand.
It appears to be in homage to the infamous "Balloon Girl" mural painted by Banksy in 2002.
"Staff at the Scott Monument were surprised to see the mysterious sculpture appear overnight."Edinburgh City Council
Staff at the monument found the curious creation in front of the statue of Scottish author Sir Walter Scott on Tuesday.
The artwork, titled Mine Girl, was signed off by an anonymous artists called Grantsy.
Edinburgh City Council said the artwork will be removed unless the artist claims it.
A spokeswoman said: "Staff at the Scott Monument were surprised to see the mysterious sculpture appear overnight.
"It seems to be a love note of sorts and certainly makes a statement.
"We were content to leave it on site for Valentine's Day in the hope that the artist comes back to retrieve it afterwards. If not, it will have to be removed."
Strange conspiracy theory packages dumped around Wales also sparked rumours Banksy had struck again.


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Singapore Stopover Ebook
Butterflies, Birds & Exotic Plants
by by Donna Racheal
Other versions of this book
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About the Ebook
A photographic essay in 2 parts - one exploring the nature trial at Changi Airport, the other exploring Jurong Bird Park
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About the Creator
Donna Racheal
Melbourne, Victoria, Australia
New Zealand born, I have always held a passion for animals from an early age. After moving to Melbourne in the late '80's, I began to pursue my photographic career. To date I have self-published a series of books on Australian Wildlife, as well as children's stories. I currently run my own business, producing natural health care products for pets. I am fortunate to have set up permanent home in Victoria amongst the breath-taking beauty that is the Yarra Valley with my beloved animals.
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beaty arabian huge ass thong Bikini 2014 funny at the beach
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Do you go to a NESCAC school? Do you like skiing? Do you like edits?
If you answered yes to the above questions, then you're exactly who your fellow shredders at Colby Freeride are looking for. We're bouncing around the idea of doing some sort of NESCAC edit contest this season, we just need skiers from some other schools. Shoot me a PM and we can figure out if there are enough interested people to make this work.


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Bombardier brings forward planned job losses by a year
Almost 100 extra jobs are to be lost this year after Bombardier Aerospace brought forward its redundancies programme in Northern Ireland.
A total of 95 posts are likely to be affected as part of a global restructuring programme to shed more than 1,000 roles over two years, about a fifth of its local workforce.
The Canada-based multinational has been under financial pressure and invested large sums in its new C Series jet which is crucial to many jobs in Belfast.
A spokeswoman said: "We have advised our employees that, having reviewed our requirements, unfortunately we need to pull forward to this year more of the workforce reductions that were expected to take place during 2017.
"The overall figure of 1,080 over 2016 and 2017 that we announced in February as part of Bombardier's global restructuring has not changed.
"However, we now expect up to another 95 employees will leave the company this year instead of next, in addition to the ongoing reduction of contractors and agency workers."
She said the firm was doing what it could to reduce the number of compulsory redundancies.
"However, we must continue to evaluate every opportunity to significantly reduce our costs and improve our competitiveness, in order to help secure our long-term future."
Davy Thompson, regional coordinating officer for union Unite, called for a government manufacturing strategy.
"The heavy manufacturing sector has been decimated by three major closures in the Belfast and Ballymena areas and we have witnessed a drip feed of redundancies in Bombardier (Shorts), Caterpillar (FG Wilson) and most recently at DuPont site in the North West.
"These losses now amount to thousands of direct and indirect job losses.
"We have heard all the nice words from Stormont and can expect more of the same again today but we continue to wait for them to announce what plans they have to support this vital sector."
Andy Allen, Ulster Unionist assembly member for East Belfast where Bombardier has its Northern Ireland headquarters, said the firm played a vital role in sustaining the local economy.
"Just over six weeks ago we were welcoming confirmation of an Air Canada order to purchase 45 C Series 300 airplanes from Bombardier with an option for an additional 30 and the timely boost that this was giving to our manufacturing sector.
"Today we have learned that 95 job losses, part of the overall redundancies previously announced, are being brought forward, despite the company producing a positive interpretation of its financial results for the second quarter of 2016 only last week.
"The Executive, and in particular the Department for the Economy and Invest NI need to take ownership of the situation as it affects Northern Ireland, do all in their power to help minimise the impact of this announcement and show it understands the need to have a long term plan for the economy, particularly manufacturing."


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|Breakfast Sex
February 7, 2013 | Cast: Ashton Webber, Shane Frost |
Late Sunday morning, Shane ambles to the kitchen. Ashton has made them both coffee and he's standing at the counter reading. Even though they fucked last night Ashton would rather skip breakfast and try to swallow Shane's cock again. Both of these guys are huge fans of huge cock along with having pretty big cocks themselves, and they weren't shy about it. Shane eats Ashton's ass and fucks him all over the counter, with both of them cumming all over Ashton's abs.
Ben fucks Tate
March 6, 2013 | Cast: Ben Driver, Tate Ryder |
With Tate's obsession with big, uncut dicks, and Ben's love of using his big, uncut dick, this scene was nothing but natural. We started out with a little chat session where we found out about Tate's obsession and talked to Ben about what he wanted to do to Tate. They wasted little time once they were in front of each other and hardly spoke two words before just going at it, which is exactly how we like it. We'd say Tate and Ben's dick got along quite nicely.
Chad and Bryan
February 7, 2013 | Cast: Bryan Cole, Chad Hunter |
Chad and Bryan are the two best men to shoot a scene together. They're both naturally hairy, muscular, and perfectly shaped—their asses, I mean. They were attracted to each other from the time they met, so we knew this would be a great scene—good sex is always good. We filmed them working out together (we're pretty sure it was just a reason to start touching each other), stretching, getting ready for their time to fuck, and then let them free to do whatever they wanted to the other. And what we got was a hook-up rather than just porn.
|2016-06-07 02:41:17
|1.14 GB (1,221,687,190 bytes)
|Num files
|3 files


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Cricket Netting
CJ Sports have established themselves as a leading UK supplier of cricket nets and replacement cricket netting. We have been supplying schools, clubs and individuals with quality cricket netting for over 10 years. We can either supply the nets only or offer a full installation service.
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Words containing haiwa
Found 1 words containing haiwa. Browse our Scrabble Word Finder, Words With Friends cheat dictionary, and WordHub word solver to find words that contain haiwa. Or use our Unscramble word solver to find your best possible play!
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With $613 Million at Stake, an Albany Rivalry Is Said to Escalate – Cuomo and Schneiderman Prepare to Fight Over JPMorgan SettlementGov. Andrew M. Cuomo has asked people if they think Eric T. Schneiderman, the attorney general of New York State, wears eyeliner.Mr. Schneiderman has told people that he believes Mr. Cuomo's administration is Machiavellian and is out to undermine him.


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Designers on Design: David Bromstad
It's no surprise that David Bromstad's show on HGTV is called Color Splash. The lanky designer has a frank, engaging manner that outshone even the bright yellow accents in the lobby of the corporate apartment building that is serving as his temporary home while the show is filming.
Where do you look for inspiration?
I love looking at hotels. Although I do home design, commercial design is my passion. You can do so much more dramatic things with commercial design. But I also love to draw inspiration from restaurants and bars. People are so inspired by being out in public spaces all the time. That's what the premise of Color Splash in Miami is: taking inspiration from all of those fabulous hotels, restaurants, bars, and whatever is out there and bringing it into your home. So I'd say that hotels are probably my number one inspiration, but I literally look at everything. I can find something that I like in every space even if it's not all that great. Then nature is huge and fashion is major. I also look at what other designers are doing. I look at the European magazines, I look at the Australian magazines, the French and the Italian. I love them because they have a different perspective. The Europeans have a very minimal way of living because everything, at least in the cities, is just so much smaller. Americans are all about double refrigerators and houses with sprawling spaces and big beds! To find a queen-sized bed over there is impossible. Everyone sleeps on twin-sized beds. It's insane.
When you walk into a room, what's the first thing you look for?
I have two very different ways of looking. When I walk into a space that I know I'm designing, I've got my design eye going — what's going on here, what's wrong — and I try to figure out what's happening. But, if I'm walking into a friend's house or I'm going to a casual party, I try to turn it off. But I would say the first thing I do is look at the layout and the first thing I do to design a room is to bring in architecture. I take everything out and then I look at a floor plan and I space plan. I look at the pictures and I think, How can we bring some really unique architecture in here?, whether that's crown molding or something on the ceiling or columns. Something to bring a sense of self to the space. So that's probably the first thing I look at in the home: the architecture. I think: What kind of architecture could we put in that would really enhance the space and make it more fabulous and more expensive looking?
What element do you think every room should have?
I think every room needs a piece of art. I think it gives it a personality. i think it tells a lot about the homeowner. It tells a lot about who you are and what you want to feel for the room. You could have a very traditional space but then a very modern piece of art that reveals a whole layer of who you are. I like that. Art tells a story.
What's your design pet peeve?
Rugs that are too small. That drives me insane. And the front of the couch should go on the rug. I like a rug that's touching things and i love a rug that even goes beyond the furniture. It just brings a sense of comfort. I don't get why people are afraid of really big rugs; it saves your floors if you have really beautiful floors and it brings in texture. I know wood floors are coveted and they're great but they're a pain to keep clean. I have black floors and I will never have black floors again. I had white floors in my old house and they were a breeze to keep clean. Black floors show every piece of dust, every dog hair. Another one of my pet peeves is matching furniture pieces: when people buy the matching set. The matching couch with the matching loveseat with the matching chair with the ottoman.
But you'd be okay with two chairs that match?
I love two chairs that match and I don't mind furniture sets as long as you don't buy the set. Buy the couch and then buy chairs from a different set. And not all leather, not all cloth. Have variety. That's what makes a room look more expensive even though it won't cost you any more. I think that's a fault of furniture stores. I get why they do it, to make it easier for people, but why not set up a room that's eclectic? Because that's the style right now. Everyone likes eclectic. Everyone likes collected looks.
What design element are you most guilty of falling back on?
I have two. One is putting an animal head in a room, like faux taxidermy. It brings a sense of whimsy and something unexpected. The other thing I always fall back on: if i'm having a hard time finding the perfect rug, I go to a grey or cream shag, like those from West Elm. Nubby. Textural. That's probably my guilty pleasure. But they always work. They bring in a lot of comfort to the space.
What's your go to color?
Grey. It's a beautiful color, it's simple. It's clean. It goes with everything, there's not one color that doesn't go with it. Neutrals go with it. Bright color. Bold color. Soft color goes with grey. Different shades of grey. So grey is my go-to color.
What's playing in your house right now?
There are two different aspects of music playing in my house. Either it's house music, when I want to be motivated and creative, or, if I want to chill out my attitude a little bit, I put on Adele, 21, and work it out. I love her music. Her voice is inspirational.
Who's your favorite designer? Clothing or home?
My favorite clothing designer is Dolce and Gabbana. D&G. My favorite interior designer is Phillippe Stark. He's probably passe right now, but I still love his work. He has inspired my whole entire house. He's very elegant but there's always a sense of humor, and one thing I love to bring into a room is a sense of humor and whimsy. I was trying to convince my partner, so I took Jeff to the Icon in Miami which he had done. I wanted to bring him there and turn him on to this style that I wanted to bring in because he was saying No no no no no. All he wanted was contemporary: big and black and chunky and grey and that's it. I'm frustrated. I was at a point where I was learning design and honing my skills and I want to bring that sense of flavor into the space because I want to have it photographed. He's arguing: No, not a chance. So I brought him into the Icon public areas and he's saying This is so cool and right there I had him. So Phillipe Stark helped me design my house — literally — and convinced my boyfriend to let me do what I want.
How would you describe the brand?
Make it fierce or don't bother at all! Go big, go bold! Make it fun, make it exciting, make it visually stimulating and just have a blast doing it. It's got to be exciting for everybody!
What piece of art would you most like to own in the world?
I was struggling with this question because, as an artist, I can recreate almost anything, from Renoir to Degas to Picasso. I've got some skills! I went to art school. You know this is my thing so for me to to live with a piece of art, it's going to have to be something special. So, It's not a painting for sure, so I went to my next go-to favorite thing and that's glass, so Chihuly. He got me turned on to glass and again, just like Phillippe Stark, probably passe, but always still relevant. And that's the thing. Those two designers, Stark and Chihuly, are the two designers that brought in the power of excitement that I never had before in that medium or in that style, and it brought in a real sense of self for me and I found out who I was as a designer by learning from them and being inspired by them. If I had to narrow it down to Chihuly's one piece it's his Bridge of Glass. It's amazing. it's just so much color and I like it that it's art but it's on the ceiling. It's unconventional. I think unconventional art to me is the most fun. And the ceiling to me is one of those walls that you have to address. I mean if you have taller than an 8 foot ceiling, paint it! Paint it fun, paint it a great color. Like one of my favorite episodes [of Color Splash] was two episodes ago. It was inspired by the parking garage in Miami Beach and it had vaulted ceilings 10 to 14 feet high and I painted the ceiling black. I just love it. It makes it feel cozy and warm and it's fabulous. I mean I have been begging my boyfriend to paint the ceiling in our guest room pink. because it would just glow. I love pink. it's probably one of my favorite colors and it's just under utilized in my house. I'm like bring on the pink!
Finding the right pink is hard! Either they go Pepto Bismol or they're child-like or they're kind of weird and vaguely pornographic.
There are a few shades of pink that are really great but it's got to be perfect and it's got to be combined with some fairly neutral pieces like white and black and grey just to tone the excitement of the pink down. It's definitely a difficult color. (Full disclosure: David is working with Sherwin-Williams. For pinks in their line, he suggests Light-hearted pink; Exuberant Pink is a good accent pink). Yellow is another one of those difficult colors. I'd never paint a room yellow just because it's just such a crazy color, but it's one of my favorite colors. In accents, I think it's great. I love the vivid colors. but I love the calm ones too. I'm a color fanatic. There's not one color that I don't love. Most people are completely afraid of color. I think that's why people like my show, because I'm showing them how to use really bold colors, when the homeowners allow me to, and have it still be family friendly and usable on a daily basis. That to me is so much fun. When you start painting walls lime green and fushia, people are horrified, What the hell are you doing? and I say, Just watch! I think a lot of people — and I've been guilty of it myself — paint a room a color and they immediately regret it, This is completely wrong!. But you have to wait. You have to layer your room. You have to put the art up and you have to put the mirrors up, the couches in, you have to put the lighting in or whatever other kind of structures you have going in and then all of sudden the color becomes a backdrop. You don't even notice it so much anymore because it's not the focal point.
What's the biggest lesson you've learned from when you started to now?
Just go with your first instincts. Always. Never second guess it. I learned that through Design Star. Because there I didn't have time to second guess myself. I brought that over to Color Splash. We don't have time for second guesses! If we actually do order things, we have to go with our first instinct and work it out. So just be true to yourself because once you start second guessing yourself, then you start third guessing and fourth guessing. It's like life!
If you couldn't be an interior designer, what would you be?
I would be an artist. I would go back to what I was before I became an interior designer. I love painting. I love doing installations. I love building. Or I'd do something in fitness. I always enjoy fitness and training and stuff like that. But being creative, especially on the scale I'm doing it now: I'm doing art, I'm doing design, I'm doing product development. It's so fun to encompass every single aspect to a room, custom designing furniture, all of it. That to me is like drugs. Being creative is fun. I love it. Love it!
For more on David, click here.
Catch David's latest show, White Room Challenge, premiering tomorrow at 9 pm on HGTV. Inspired by everyone's favorite episode of Design Star, four up-and-coming designers compete to create the most original room using a variety of challenging materials. HGTV's Jamie Durie heads the judging panel.
• Jeff Andrews
(Image: Vikram Pathak)


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VideoHive Flat Logo Responsive Design Corporate App 7043820
After Effects Project \ Logo Stings \ Corporate
Responsive \ Simple \ Minimal \ Included \ Becoming \ Design \ Corporate \ Effects
After Effects Project - Flat Logo Responsive Design Corporate App 7043820 by cyzer @ VideoHive
After Effects Project \ Logo Stings \ Corporate
User Interface becoming more flat and simple in whole media and is demanded to be responsive. This is becoming trend and is very effective also eye appealing. Commonly known as minimalism, or minimal design. Show this minimal responsive app logotype intro on Computer(mac/pc), Notebook(laptop), iTab or iPhone as opener for your service!
Present your companies new app, explain and promote details about it!
Flat Logo – Responsive Design Corporate App Main Features
- Fast Color Controls Ready
- Two AE projects included (Presentation + Logo)
- 100% After Effects
- Full HD
- After Effects CS4 or higher
- 4 Audio files included (FX and Music)
- Simple and easy to use
- No Plugins required
- Helpful PDF file included
After Effects Version: CS4, CS5, CS5.5, CS6, CC; Length: 0:15; Resolution: 1920x1080; File Size: 8.15mb.
Drum Concept - Artistic Festival Event Opener; Touch Logo Pack - Flat Interactive Media Reveals; Forms - Leaks Overlay Grand Collection (82-pack); Architect Blueprint Opener - 3D Corporate Titles; War Logo Opener - Realistic Military Intro; Random - VJ Visualization for Dance Club Event; Epic Storm Logo.
Keywords: app, brand sting, business, clean, corporate, flat, logo, minimal, mobile, quick, responsive, reveal, short, simple, website.


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Monday, March 2, 2015
Week 7 Prompt
6 comments:
I too learned a lot from this prompt and audio recording. Wikipedia I have known for years as a resource by typing in a word I was using as a topic. What I did not know is that Wiki are used for collaborative learning in the classroom. According to the readings, Wiki's has its strengths and weakness, but the research indicates that when Wiki's are created by the students that they can increase their learning engagement.ReplyDelete
I agree with you Blair, I think the most positive thing about Wiki is using it as a Web-based collaboration social academic platform.. Wiki has gradually reshaped people's understanding and exploitation of the Web. I am looking forward for this new experience to many of us.ReplyDelete
After reading the Fu et al reading, I have a better understanding of wikis being a useful tool for information sharing and knowledge construction. This is how I view Wikipedia as a resource for my students. I believe it is useful for knowledge construction and as I mentioned in my post, its the great beginning of content organizing and gathering. I like that you included references with more information about Wikipedia. Since the start of our Wiki project and learning more about Wiki's use in education, is this something you see yourself implementing in your class?ReplyDelete
Yes indeed Kiylise, I feel optimistic toward our wiki project. I am looking forward to implementing this in my classroom. I believe that this Wiki program is very beneficial to our students, regardless of what they are saying about the accuracy of the content, because everything we read or hear about deserve citation.ReplyDelete
The primary concern about what tool to use is your intent. If it's collaboration, Google Docs works. If it's for media integration and public sharing, then wikis are potentially a better route to go. Remember, too, that Google Sites could function as a wiki for small collaborative groups. Finally, as I've said, if you're focusing on collaboration, you should be able to assess it, and all of the above have the capability to provide information to the teacher about collaboration.ReplyDelete
Very good observation. Thank you Dr. Jason.ReplyDelete


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Richard Harland's childhood was spent in various parts of England. At the completion of his schooling he studied at Cambridge University before moving to Australia in 1970 to undertake a Master of Arts degree at Newcastle University. He continued his studies at Sydney University, commencing a PhD on the theory of narrative before moving to the University of New South Wales where he completed a PhD on the development of Structuralism, Semiotics and Poststructuralism. Harland, who became an Australian citizen in 1990, lectured in the English Department of the University of Wollongong and published several books on literary theory before turning to full time creative writing in 1997.
Among Harland's achievements as a speculative fiction author are several prestigious literary awards. In 2004 he was the recipient of three Aurealis Awards - Best Horror Novel and Golden Aurealis Award for Best Novel (for The Black Crusade), and joint winner of the Award for Best Fantasy Short Story ("Catabolic Magic"). In addition to The Black Crusade, which is a prequel to his first published novel The Vicar of Morbing Vyle, Harland's other major works included the trilogies Eddon and Vail (1997-1999) and Heaven and Earth (2000-2003).


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Ecc 3:1 To every thing there is a season, and a time to every purpose under the heaven:
Ecc 3:3 A time to kill, and a time to heal; a time to break down, and a time to build up;
Ecc 3:7 A time to rend, and a time to sew; a time to keep silence, and a time to speak;
It's been seven months since my last written entry, and it has been a time of casting away things which were interrupting, or I should say, interfering with my seeking and communing with the Lord. I felt I needed to have a closer walk with Him so I started to withdraw myself from those "little interferences" and 'Face Book' was one of them. Having a 'high strung' nature I found FB was becoming an addiction, I couldn't go a day without checking up on who wrote what, where they were at, who liked something I wrote, what new picture was posted, and who commented on a Christian teaching posted on a few of my "friends" pages….it was relentless, and it was causing me some emotional hyperactivity!
I stopped seeing and communicating with certain people with whom I felt I needed to step back from and take a closer look 'why' I was desiring to socialize with them. It was a total scrutinizing of the motives. As I took the necessary steps to 'withdraw' I cried out to the Lord to bring me closer to Him, and to reveal those things which hindered a closer walk with Him. We really do need to cause ourselves to seek the Lord, so if we ask, He shall do it, and did he do it!
1Ch_16:10 Glory ye in his holy name: let the heart of them rejoice that seek the LORD.
1Ch_16:11 Seek the LORD and his strength, seek his face continually.
Psa_9:10 And they that know thy name will put their trust in thee: for thou, LORD, hast not forsaken them that seek thee.
Psa_22:26 The meek shall eat and be satisfied: they shall praise the LORD that seek him: your heart shall live for ever.
Psa_27:8 When thou saidst, Seek ye my face; my heart said unto thee, Thy face, LORD, will I seek.
Psa_63:1 A Psalm of David, when he was in the wilderness of Judah. O God, thou art my God; early will I seek thee: my soul thirsteth for thee, my flesh longeth for thee in a dry and thirsty land, where no water is;
Mat_6:33 But seek ye first the kingdom of God, and his righteousness; and all these things shall be added unto you.
Mat_7:7 Ask, and it shall be given you; seek, and ye shall find; knock, and it shall be opened unto you:
These are but a few, but I do think it gets my point across. And when we set out to seek the Lord for answers, as I did, I just asked Him to reveal those things which were so deep that needed healing or deliverance to be able to repent from , "please shine your Holy Spirit within me and let me see those sins, and bondage's which needed to be dealt with"….and you know what? He did, step by step and bit by bit it was accomplished. I had some real trials and emotional issues, and some terrible besetting sins, and I knew it was affecting my close walk with Him. I was also fed up with my position in a private home as a attendant, felt lonely, no real social life, everything was just dead and the person I worked for was becoming unbearable for me. I was not in a peaceful and calm place, I was suffering from many bouts of depression, emotional mode swings, impatience with everything and all most everybody.
When I had reached a plateau of "having enough" I wanted to run; I was on the re-occurring, self-sabotaging road again! Something I did from the age of 4, anything too uncomfortable after a while, I would seek out a change. I cried out to my Heavenly Father and asked for help, "show me what to do…….Please?" When He saw I was being sincere and truly desiring, these simple words came to my mind…."it's not yet the time" (to run) and……"Humble yourself". I knew immediately what He was desiring me to do, that I should humble myself before the gentleman with whom I attend too, and discuss with him my concerns and frustrations, also along with some apologizing which was forthcoming due to my "attitude" towards him.
Now as I mentioned this scripture came to mind, which I read from a devotional reading this morning, it's from Exodus 14:13 ….."Stand still and see the salvation of the Lord"…. When we at times come to a place that is difficult….you know between a "rock and a hard place" we need to just "be still….stand still……wait patiently….and listen". There is a disciplinary phrase that is utilized now days by parents towards children when they are out of control, "Time Out" and that I find is befitting to what I'm trying to convey. And trust me this took many years for me to come to understand this, because I did at one time view "chastisements" as a rejection, I know differently now, and the Lord got me there step by step.
I read from Joel 2:11 "His Camp is very great", and in this chapter the Lord speaks of His Great mercy and kindness, and how He uses ALL things great and small to bring His people to repentance. He uses all creation for His use, for judgement and correction. In verse 25, the Lord states "And I will restore to you the years the locust hath eaten, the canker worm, and the caterpillar, and the palmer worm, my great army which I sent among you". In other words, He pulls down and with the same hand builds up. All for our good. It is the Lord that brings these things upon us to "Chastise" us, to correct us and to deliver us from our fleshly ways. It all works to bring about the Peaceable fruit of Righteousness.
As it states in the next verse 26; "And ye shall eat in plenty (Spiritual Food) and be satisfied, and Praise the name of the Lord your God, that hath dealt wonderously with you: and my people shall never be ashamed". I understand this… that when we come to judgement now concerning sinful ways and attitudes and come to repentance, we won't be ashamed when we stand at the judgement seat of Christ on the last day.
So as we allow the Lord to chastise us, there is a promise which follows, as read in verse 32, of Joel 2; "And it shall come to pass, that whosoever shall call upon the name of the Lord shall be delivered; for in Mount Zion and in Jerusalem shall be deliverance, as the LORD hath said, and in the remnant whom the LORD shall call."
I will give a resounding AMEN to that!
So dear brethren be blessed, and despise NOT the chastisements of our dear LORD, for it truly is for our own good. And for some of us, it can take awhile to truly understand and believe this. But HE shall get us there! So give thanks to our most wonderful creator and maker of our souls! For the Love of God shall in no wise cast us out and nothing can separate us from HIS Merciful Love and Care!


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St. Armands Circle residents asked the Sarasota City Commission to consider extending a ban on special events on the Circle at a meeting Monday, but the city attorney cautioned commissioners about the legality of — and the motive behind — lengthening that moratorium.
Mayor Shannon Snyder said he wanted to consider extending a moratorium on events at St. Armands Circle Park through the end of the month after speaking with people on the Circle. Snyder said the extra traffic created by special events was a public safety concern. He questioned whether the benefits of an event in a busy area — specifically, the St. Armands Fine Art Festival, scheduled for April 26 and 27 — outweighed the negatives.
"If there's a fire out there, an ambulance needs to get out to Longboat Key. There could be a problem," Snyder said.
The moratorium was originally approved for Feb. 1 through April 20 of this year. The City Commission passed it after landowners, merchants and residents expressed concerns regarding nearby special events. Circle stakeholders said that the events cause added traffic congestion and compete with local businesses during the busiest part of the year.
A group of St. Armands residents attended Monday's commission meeting, with St. Armands Residents Association Vice President Ed Rosenblum speaking in favor of the moratorium on their behalf.
Rosenblum said the city, in approving the original events ban, incorrectly identified the peak tourist season; the Florida Department of Transportation lists April 28 as the end of the peak traffic season.
Rosenblum agreed with Snyder regarding the potential safety issues.
"Your primary duty as a governing body is the public health, safety, welfare and morals, not commercial interests," Rosenblum said. "On any scale where you place commercial interests against that primary duty, there's no contest."
Rosenblum pointed to a recent parking study conducted on St. Armands Circle during a similar art festival in November, during which 100% of the Circle's parking spaces were occupied.
City Attorney Robert Fournier strongly opposed the idea of extending the moratorium this year. He said he believed people on the Circle were specifically targeting next month's art festival because they asked the city to deny the permit for the event last summer. When the festival was ultimately approved, members of the St. Armands Landowners, Merchants and Residents group complained the city was forcing an unwanted event on them.
In the past, Rosenblum said the Landowners, Merchants and Residents group was allowed to approve or deny events held at St. Armands Circle Park. Fournier said permit applications were sent to the LMR for feedback, but nothing in the city's code grants any power to the LMR — and doing so would potentially be an illegal delegation of governmental power to a private entity.
Fournier said he recommended the event be allowed because at least two similar art festivals have been held each of the past three years at the park, and traffic congestion is not listed as a reason to deny a special-events permit. He told commissioners there was reason to believe this request was specifically designed to prevent the St. Armands Fine Art Festival from taking place.
"I just think it's a very bad idea, from a legal standpoint, for you to entertain extending this moratorium period where this one event is the specific target," Fournier said.
Although multiple commissioners expressed some interest in extending the moratorium, the commission took no action at Monday's meeting. Snyder maintained his position that an emergency near St. Armands Circle would cause problems for the city.
"I wasn't targeting one person," Snyder said. "I'm worried about whether someone out there having a serious accident — which we know for a fact occurs — and how much personal liability are we going to take for that one?"
Fournier said the city would not have any liability in the situation Snyder described. For next year, the city's special-events ordinance could be revised to add new restrictions. Fournier acknowledged that the residents had valid concerns, but it was too late to do anything this year.
"We've all been out there during peak tourist season," Fournier said. "The wishes of the LMR were very much taken into account when the moratorium was done."
The attorney's office is currently rewriting the city's ordinance regarding special events. Fournier said he hoped to have something to the commission by May.
Rosenblum said he was disappointed in the city attorney's comments and said the residents were not specifically targeting any one event.
"The issue tonight is not about our special-events privileges," Rosenblum said. "The issue tonight has to do with public health, safety and welfare."
Contact David Conway at [email protected]


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- I think everyone has a right to like and dislike characters, as a writer I sympathize with like everyone so it's hard for me to dislike a character so passionately.
- I've just seen so much Scalia/Malia hate, more Malia hate than anything, and I'm trying to figure out why that is.
- When Malia was introduced I was impartial, when Stalia happened I was like hell no, and I didn't like Malia for the simple fact that she was barely given screen time before heading into a romance with a main character in the most delusional/unhealthy (from a writer's standpoint aka mine). I saw the #AntiMalia posts and all I could think was I don't like her but that's way too far. They really don't have anything better to do with their time?
- When season 5 came along and Malia actually got real serious development instead of being a comic relief I took notice. I appreciated what she was going through, I connected with her character. After her Tracey and Theo car ride moment I knew that I really liked this character and that there was no reason to hold the writer's piss poor job of her entry and relationship with Stiles against her.
- I may be one of the only people on this world that didn't ship Scallison and Scira. Scallison was wayyyyyy too rushed. The first episode? Come on dude. I didn't get a choice if I wanted to see those two together the show said these two are going to be together, here you go, figure it out along the way. Scira was better for me because they had time to develop a friendship before but I have so many issues with Scira.
- So I've never really successfully shipped anyone with Scott, which made me kinda sad over the seasons, it was always Stiles I was shipping people with. I DO NOT SHIP MALEO.
- Once I realized how much I loved Scott and Malia as characters on their own without being romantically linked to anybody else I was more okay with the idea of them getting together. At first, like a lot of people I was weirded out because of Stiles BUT STILES DID THE SAME THING WITH LYDIA SO THERE SHOULDN'T BE A DOUBLE STANDARD.
- By the rules of the show, which I don't recommend going off of lol, Scott and Malia can totally get together because we've seen it happen without any drama with Stydia. HONESTLY WHY PEOPLE ARE SHOCKED BY THIS IS A MYSTERY TO ME LIKE HAVE YOU NOT SEEN A SINGLE EPISODE OF ANY TEEN DRAMA WHERE THEY ALL DATE EACH OTHER MULTIPLE TIMES?!
- I digress, my point is that most you only hate the idea of Scalia because of three reasons. You hate Malia for reasons people don't like to share. Saying you hate because there's something about her is a BULLSHIT argument. If you can't give episodes or specific details why look at yourself and ask why are you being malicious. Or you ship Scira. I get it. I would be salty too. BUT WE ALL KNOW KIRA ISN'T COMING BACK. STOP USING KIRA AS AN EXCUSE FOR YOUR HATE FOR THE SHIP. ARDEN MADE THE GOODBYE VIDEO LAST SEASON, LAST YEAR, YOU HAVE NO REASON TO BELIEVE SCIRA WILL BE TOGETHER OR GET MORE SCREEN TIME. IF THEY DIDN'T BREAK UP ON AIR HOPEFULLY THE WRITERS WILL EXPLAIN IT. KIRA WILL BE GONE FOR WHO KNOWS HOW LONG YOU CAN'T EXPECT SCOTT TO WAIT FOR SOMEONE THAT MAY NEVER COME HOME IN HIS LIFETIME. Or you have the mindset that Scott and Malia are the only two left single so they shouldn't be together just because that/boys and girls can be friends and nothing more.
- GET THE FUCK OUT OF HERE WITH THAT. If you think Scalia is happening soley because there the only ones left you haven't been paying attention or reading context clues. Posey and Shelley are really great friends which is why Scalia works and has a standing ground. Scalia is developed in much the same way. They have a BASIS OF FRIENDSHIP FIRST. They're both loyal to each other, protect each other, and kick ass together. They're iconic. And I still don't understand why people hate the friends into something more trope. That's a great trope. Just falling into a romance without being friends with a person is the trope I hate. BUILD THAT FRIENDSHIP YALL! MAJOR KEY ALERT.
- https: //www.youtube.com/watch?v=M5dcfVp5UBU&list=PLBtjQJj3LJqtVgDDembnysfOs1GCEQQKs
- I MEAN, LIKE YOU CAN SEE THAT THEY'VE HAD THAT TUNNEL SCENE AND THE ONE IN DEATON'S OFFICE, AND THE PORCH SCENE, AND ALL OF 6A!!! I suggest watching the Pennig vids first(Home, Soldier, and the This or That vids and the cutest upbeat scalia vid is And Your Smile Shining Bright)
- PLEASE JUST GIVE THE VIDEOS A CHANCE, GIVE THE IDEA OF THEM BEING HAPPY A CHANCE BEFORE YOU WRITE THEM OFF. This vids at the beginning are a little AUey and are more manipued that the older ones because I made the playlist and they came out before 6a was released, the further you go down the list the more actual scalia scenes are used. I doubt any of us would be happy that Scott got a random new love interest for the last ten episodes that we know nothing about or care about and that wouldn't be in all ten episodes.
- And lastly, Scott turned Malia human again. We all know that. If there hadn't been Scira or residual Scallison do you think you would've shipped Scalia then? I was blind to it until after 5b. He changed her back, she protected him from the Berserkers, from Enis at the hospital, he took care of her when she was drunk, helped with the Desert Wolf/Belasko talons, he told her he was still there for her after the Stalia breakup, if Peter hadn't bitten Scott none of this would've happened and obviously Peter's her dad. Like can yall see the lines here? And all this doesn't mean they have to be together, but if you really look at them and watch Shelley and Tyler together and Scott and Malia then hopefully you'll see what the rest of us see. Two amazing people that have come so far that care for each other they just so happen to figure out how much at the same time. : D
- I LIED. LASTLY, PENNIG BITCHES!!!!! OHHH MY GOOOOOOD! THEY ARE LIKE LITERALLY SO IN LOVE WITH EACH OTHER, TYLER MORE SO PROBABLY BUT IT'S SO OBVIOUS. THEY'RE SOCIAL MEDIA GIVES ME HEART PALPITATIONS. SHELLEY IS SO BEAUTIFUL AND SO FUNNY! LIKE PENNIG HAS PHOTOSETS OF THEM POOPING, EATING PIZZA, AND JUST BEING WEIRD AF. "I could eat you" Come on, if Shelley didn't have a boyfriend I think Posey would be on that like white on rice. To be fair, I think he already is kinda. It's so obvious he's head over heels for Shelley.
- BITCH I LIED AGAIN. Lastly, at the very least, the idea of them is adorable. Take out Stiles for a second. If it was just Scott had turned her back and she eventually found her way to the pack but Scira still happened and ended, the idea of them wouldn't be so yuck to some of yall I would think. He's good to her. She needs that after her first relationship that wasn't great in my opinion, but also wasn't as bad as some stydias like to say. I say stalia is all wrong from a writing standpoint not a shipping standpoint. He "tames" her in some ways when she was still learning and she could bring out a wilder side in him. Hu Anita's King and Lionheart Scalia vid on that playlist showcased them perfectly. Like Scott's the King and Malia is his Lionheart. Iconic Duo.


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An Atlanta Police officer and two prisoners were trapped in their cruiser after a crash Friday morning. The crash happened on Marietta Street, near Broad Street NW.
Kim Jones, APD public information officer, said it is not clear if there were injuries. Everyone was transported to Grady Hospital alert, conscious and breathing.
Police said the cruiser collided with a taxi after the taxi made a left turn.
Photos | Atlanta police officer-involved crash
Photos | Atlanta police officer-involved crash
"The officer and the prisoners were trapped in the patrol car for a brief moment due to the way the vehicle was struck. They were freed by the Jaws of Life with AFR (Atlanta Fire and Rescue)," Jones said in a release.
The cab driver was cited for failure to yield.