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Reviews in this issue:
Jon Anderson - Change We Must
Djam Karet - Regenerator 3017
Fuchs - The Unity of Two
Salim Ghazi Saeedi - namoWoman
Iamthemorning - ~
Knifeworld - The Unravelling
Phlox - You Will Need this Soon
RogerRoger - Mirror Symphony
Tusmørke - Riset Bak Speilet
Umphrey's McGee - Similar Skin
Jon Anderson - Change We Must
Country of Origin:
Record Label:
Esoteric Recordings
Catalogue #:
Year of Release:
Jon Anderson
Jon Anderson
Track List:
State Of Independence (5:42), Shaker Loops (5:30), Hearts (5:04), Alive and Well (4:44), The Kiss (3:52), Chagalle Duet (3:31), Run On, Jon (2:46), Candle Song (3:34), A View from the Coppice (2:48), Hurry Home (6:51), Under the Sun (4:59), Change We Must (5:45), Interview with Jon Anderson (5:06), Change We Must (single version) (3:42)
Now is probably a very opportune time to reflect on Jon Anderson's huge canon of solo work after his announcement that he will be recording an album with violinist Jean-Luc Ponty, thus negating any rumours of a possible reunion with Yes.
Re-released at the end of last year, this reissue of
Change We Must
, his seventh solo album first out in 1994, has been re-mastered with bonus tracks, featuring an interview with the great man and the single version of the title track.
Coming in between the delightful
, recorded with South American musician friends, and
Angel's Embrace
, his love letter to his wife Jane,
Change We Must
was his first big adventure into orchestration and, in its own way, it is something of an experimental album, reworking some familiar songs and introducing a few new compositions.
For the most part, it all works beautifully but does cross the boundary into the realm of sugary sweetness in places, but more about that later.
The first and last tracks, however, are a perfect pair of bookends, lush strings bringing a whole new dimension to the classic
State of Independence
, a song which already works on so many levels but given new meaning and poignancy with the orchestral treatment and using children's voices in harmony with Jon's. It is a timeless, ageless song for all seasons (and my own personal mission statement).
The album finishes with the gorgeous
Change We Must
, again featuring heavenly choirs of children's voices. This song was inspired by a book of the same name by Hawaiian spiritual teacher, Nana Veary, who could hear music in nature and with whom Jon went on a retreat.
In between these two bookends can be heard the wonderful
Shaker Loops
written by American composer John Adams with its huge looping, slightly menacing violins over which Jon sings some spectacularly esoteric lyrics alluding to messages from on high which come to earth in the form of corn circles.
Other reworked songs here comprise
from 90125 which does not deviate too much from the original plus two from Jon's
In The City of Angels
album, the spiritual rallying cry
Hurry Home
, given a slightly more Celtic folky treatment, and the joyous
It's on Fire
, here rechristened
Under The Sun
which takes on a whole new lease of life with its wonderfully uplifting world music vibe and sun chant from Nadya.
All the new songs are skilfully scored starting with
Alive and Well
featuring American pianist Gwendolyn Mok and some lush strings.
Jon is at his most tender in
The Kiss
, which he wrote with Vangelis, and is joined in the
Chagall Duet
by French soprano Sandrine Piau, their voices intertwining before coming together. It is all rather lovely.
Run On, Jon
View from the Coppice
are two short instrumentals with Mok and strings and
Candle Song
is almost a lullaby in which he is joined on vocals by daughter Jade.
Christopher Warren-Green was responsible for directing the London Chamber Academy and in his interview at the end, Jon explains how the sounds on the album were shaped by his experiences with Nana Veary and his desire to expand his own musical palette by working with an orchestra.
It is an album which sounds as though it was made with a lot of love and tender care and Jon talks in his interview about how mankind has to change by living in a world of love and peace – something that could happen overnight. This message still has a powerful reverberation during these current troubled times.
Conclusion: 7.5 out of 10
Alison Henderson
Djam Karet - Regenerator 3017
Country of Origin:
Record Label:
Catalogue #:
Year of Release:
Djam Karet
Track List:
Prince of the Inland Empire (5:35), Living in the Future Past (4:50), Desert Varnish (7:19), Wind Pillow (4:39), Lost Dreams (3:51), Empty House (6:08), On the Edge of the Moon (8:36)
Djam Karet
, one of the USA's finest instrumental bands, return with their 17th album to celebrate their 30th anniversary with all original members still intact and in place! The musicians featured on this release are Gayle Ellett (guitar, Rhodes electric piano, Moog, Mellotron solina, Greet bouzouki, field recordings), Mike Henderson (guitar, percussion), Mike Murray (guitar), Henry Osborne (bass, piano, keyboards) and Chuck Owen Jr (drums, percussion, keyboards, effects). And as if three main guitarists wasn't enough, guest musician Mark Cook, from
Herd Of Instinct
, adds Warr guitar to one track. No less than Rolling Stone magazine described the band as "Inhabiting a unique sector where Pink Floydian dreamscapes intersect with the jagged complexity of King Crimson and the improv-guitar happenstance of the Grateful Dead." All pretty prominent comparisons but what does the new album by this bunch of Dead Crimson Floyds actually have in store?
Undoubtedly progressive, the album is actually pretty laid back and has a real groove to it. The guitars are crisp and clean, the bass is prominent without being intrusive and the mixture of keyboards and electric piano add masses of texture. The music of Djam Karet is, quintessentially unique, they genuinely don't sound like anyone else other than themselves. As Rolling Stone pointed out, there are reflections of other bands but no other band that I am aware of has ever produced music such as is offered up on this, and other, Karet albums. They are also impossible to date, this album could have been produced at any time in the past forty years and it wouldn't have sounded out of place. If they evoke the seventies it is because of the melody-infused richness of their playing and the clarity of the production, compression is a no-no. The band also eschew the modern habits of digital manipulation preferring to 'keep it real' and only using material that is played in real time.
This all adds up to some delightful sound textures. The performances are smooth, polished and assured, the confidence of 30 years of writing and playing together means nothing is out of bounds. Want to add some tinkly, jazz-inflected Rhodes? Sure! Some eighties style synths anyone? Go ahead! How about an extended melodic guitar solo a la Wishbone Ash? Be my guest! Okay, so they are not in the habit of rocking out and ferocious energy levels are not something one would find within these seven compositions. However, it is not needed when the music is as classy as on
Regenerator 3017
Conclusion: 8 out of 10
Mark Hughes
Fuchs - The Unity of Two
Country of Origin:
Record Label:
Tempus Fugit
Catalogue #:
Year of Release:
Fuchs on Reverb Nation
Fuchs on Reverb Nation
Track List:
Prologue Part 1 (2:40), Prologue Part 2 (10:18), Are You with Me? (5:26), Under Your Thumb (4:36), Just a Moment of a Perfect Summer (5:07), How Many Times? (6:17), Doubts (2:27), Your Best Maybe (2:23), Where Do I Go? (3:49), I'm on My Knees (6:35), Back to Where We Belonged (5:57), When You Close Your Eyes (8:13)
Not often does it happen that a new release has your mind balancing in memory between
Love Lifts up Where We Belong
Jennifer Warnes
Joe Cocker
on one hand and post
Selling England By The Pound
era Genesis. Yet the second release by Fuchs does manage to do so. Inspired by Hesse's
Narziss und Goldmund
, Fuchs here portray the development of the friendship between two men who choose different paths in life only to meet up again later on after several years. Aaron is the character we get to follow the closest in his path as a journeying man, a wandering, wondering soul who keeps on searching and can only commit himself to a place, a person for just so long. Every time he seems to be settling himself down, the urge to go on, grips him. He lives life to the fullest, one might add. Ray, the other character has a more structured life and becomes a scholar, or so it seems.
Hans-Jürgen Fuchs has put down a fine storyline. The main singers on this album, Baggi Buchmann as Aaron and Michael Wasilewski as Ray are both great singers, each of them having a warm timbre. Michael's voice might be a bit gruffier and Baggi's somewhat more smooth. Both fit the album very well as does Mirjam Michutta who provides the female backing vocals. Album opener
is made up of two parts. The first part sees both main characters as they discuss their take on life at the starting point of the story. Acoustic guitar accompanies the moment both friends set out to part their ways and as Ray's part ends, you could easily be forgiven for thinking you're listening to Genesis from way back when. Not an attempt at covering Genesis, mind you, yet the influence clearly is there, as we get
like keys and vocal harmonies.
The second part again features both male vocalists and the beautiful backing by Mirjam. A song that keeps on giving me shivers as Aaron tells about the way his life unfolded after leaving his friend Ray. The second part again is very reminiscent of Genesis around the time of Gabriel leaving, with Hackett-like chords, yet never did Genesis feature such an expressive and somewhat frenzied guitar solo in the opening of a song as Andy Bartzik gets to play here and to great effect! Mainman Hansi provides the perfect background with his keys and Florian Dittrich adds some terrific drumming. The singing in this second part can only be described as beautiful as Baggi, Michael and Mirjam all are featured in a great harmony piece. Great find!
It is clear that this album is certainly not about copying Genesis. The magic of this album is that Hans-Jürgen Fuchs has succeeded in taking the feel of 70's Genesis and put that to great use and effect in songs that can only be described very much as today's and modern. The break in the song and the build up afterwards to result in a reprise of the harmony part adds to the momentum. And yes, that is only the prologue, ladies and gents.
Are You With Me?
again has great vocals by Baggi as Aaron wonders if he will ever meet his friend again and Hans-Jürgen adds great keys to this song that features immense Mellotron(-like? Can't figure out whether the sound is an actual Mellotron or keys emulating the sound)textures and that could be a song (particularly in the uptempo part) that might be featured in Fish's catalogue.
Under Your Thumb
again knows to take the Genesis feel, yet still, it is very much a 2014 song. The way Baggi sings
Just A Moment Of A Perfect Summer
with the slow and emotional start, a song all about love and where it seems that Aaron might realize what love and what his life might be, just puts the shivers up and down my spine. Clearly not a bad thing and it gets augmented by Andy Bartzik's guitar soaring over the vocals and the keys and drums to accompany all that. Very nice touch to have the song end with the words "Innocent and pure intensity" for that is what it seems to be about. Not just the words, the feel of the song as well.
Could I go on and discuss all the songs on this album? Yes, of course I could. Yet, there is a story to be discovered and enjoyed here and there is the music that makes this album that should be discovered as well. I will try and summarize what the album evokes to these ears.
The Unity of Two
is a brave attempt by Hans-Jürgen Fuchs with the help of great singers and musicians to put to music a story in the vein of
Narziss und Goldmund
Whilst not hiding he was inspired by Genesis and, yes, Peter Gabriel as well (just listen to
, the instrumental on the album), Hans-Jürgen has succeed in writing songs that can very much hold their own and that are clearly modern day prog songs. And he has the musicians to his side that can truly deliver. There is plenty of room for the singers and musicians to shine and for the story to develop in this musical journey. Revisiting this album after a couple of weeks of not listening to it, felt like a sort of homecoming (U2 pun not intended). The way the whole album flows and with the compositions being much more than taking a song and flavouring it with some Genesis powder or some Gabriel spice, I feel this might just be one of the best 5 prog albums to come out this year.
Conclusion: 8 out of 10
Marcel Hartenberg
Salim Ghazi Saeedi - namoWoman
Country of Origin:
Record Label:
Catalogue #:
Year of Release:
Salim Ghazi Saeedi
Salim Ghazi Saeedi website
Track List:
namoW (4:09), nam (4:37), amo (4:47), moW (4:43), oWo (4:33), Wom (4:23), oma (4:17), man (4:15), Woman (4:07)
The country of Iran is a closed world to many over here in the West. All the things we get fed by the media are usually negative portrayals of a culture radically different to ours. 33 year old Salim Ghazi Saeedi is a self-taught guitarist and multi instrumentalist from Tehran, and is ploughing his own furrow in a limited musical scene over there.
, originally released in 2012, is Salims latest album, and follows his two previous instrumental releases 2010's
and 2011's
Human Encounter
With his exposure to Western influences being limited to bootleg tapes and CD's, Salim's style is influenced by his own culture, and elements of Western rock that snuck through the doors, as a result he is a unique performer, unfettered by Western rock traditions, and fluidly mixing his own cultural style in. Progressive fusion could be the best description for this album, or as Salim himself prefers "pictoral rock", as he likes to paint a picture with the aural soundscapes he creates. The dynamic tension across the album, which flows from track to track comes with his mix of Persian Microtonal Music and western jazz rock fusion, as he mixes in musical counterparts from his piano and then cuts across with a scything guitar. As a guitarist and writer he has been compared to Robert Fripp and Kavus Torabi, both intelligent musicians who forge their own musical paths, and I can see the similarities here.
, with its eye-catching cover and different moods, particularly on the sinister
, is one of those albums that makes you think somewhere a film is missing its soundtrack. Salim Ghazi Saeedi as a performer and composer is a multifaceted and deft instrumentalist, mixing in metallic riffs, with elements of surf rock, jazz fusion, Persian influences and dance beats with his rhythmic insistent percussion, whilst the string driven counterpoint to the guitar is amazing on
There is always so much going on in each song, that you need a few listens to pick everything up, and his is a mighty sound. Getting noticed over in the UK is hard work, trying to build a career in a non-existent music scene over in Tehran and then getting your music heard across the wider world must be even more a struggle, and yet, when the music is so absorbing, so intelligent, so alternative as this, then it makes it all worthwhile. If you like intelligent intense instrumental rock guitarists like Matt Stevens, or music that takes you where you weren't expecting to go like
King Crimson
, then get listening to this. Sometimes you find magic in the most unexpected places.
Conclusion: 8 out of 10
James R. Turner
Iamthemorning - ~
Country of Origin:
Record Label:
Catalogue #:
Year of Release:
Iamthemorning on Bandcamp
Track List:
~ (Intermission I) (2:50), Inside (4:16), Burn (4:39), Circles (3:16), ~ (Intermission II) (0:52), Weather Changing (3:03), ~ (Intermission III) (0:52), Scotland (3:55), Touching II (4:02), ~ (Intermission IV) (0:45), Monsters (4:02), Serenade (2:30), ~ (Intermission V) (1:00), Would This Be (4:17), ~ (Intermission VI) (1:49), I.B.Too (4:30), ~ (Intermission VII) (1:07), Afis (2:48)
Every once in a while I hear an album that is really something special. These albums change me in some way and touch me deeply to my very soul. It is because of albums such as this that I am such the big progressive rock fan that I am. This type of music speaks to me and even though I have to wade through many under-whelming albums, it makes it all worth it when I come across an album that excites me, causes me to think of life in a new way, and stirs up my emotions.
by Iamthemorning is one of these albums and joins an elite club of stellar music releases that are truly meaningful to me. This debut album by a Russian band is not just an album, but a work of art. I apologize if this comes across as overly gushing praise, but this is a really special release that I would recommend to all lovers of music.
Iamthemorning is really a duo of two phenomenal musicians, with the support of a host of talented backing musicians. The two members are really the two essential ingredients that make this music so special, the rest is the icing on the already tasty cake. First we have Marjana Semkina, who I must say is one of the most talented female vocalists I have ever heard. Her voice is magical and weaves a spell over the listener throughout the album. It is delicate when it needs to be, strong and passionate at other times, and overall full of beauty and power. The other member of the duo is Gleb Kolyadin, one of the most remarkable pianists of our day. He gives the album a classical side with his swirling piano that is a beautiful complement to Marjana's angelic vocals. He knows the art of playing in service of the music and not merely to show off. There is also a great line-up of additional musicians, including the basics of bass, guitar and drums, but also a variety of string instruments that really add to the majestic beauty as well as the classical feel that permeates the record.
These ingredients blend perfectly to create music that is stunningly beautiful. There is a definite classical influence, but also a folk and celtic side, with little neo-prog flourishes. The music isn't overly complicated or technical, but I consider this one of its greatest strengths. The compositional style allows the pure beauty to bleed through every note. The emotion and passion is complex enough to make up for any lack of complexity with the instrumentation. The melodies are hauntingly beautiful and the album makes excellent use of dynamics, mixing the soft, pretty moments with the hard-hitting passion where the addition of drums, bass and guitars gives the music added power. The album is structured like a storybook, or even a play, with the different tracks separated by various intermissions. There are no tracks over the 5 minute mark, so nothing overstays its welcome and the album moves along at a brisk and refreshing pace.
The album begins with the sounds of the sea, which evokes the beautiful album cover, before the beautiful vocal harmonies of Marjana swirl around the listener. Then, the beautiful piano comes in, played perfectly by Gleb. This is a perfect introduction to the album, showcasing the two star performers.
is the first proper song and is a great example of what is to come starting out softly with a haunting feeling before it suddenly increases in intensity about halfway through the song after some fantastic piano playing. This change in dynamics is typical throughout the album. One of my personal favorite tracks is
that ends up having a darker sound than a lot of the other tracks with an even distorted effect on Marjana's lead vocals.
Touching II
is simply beautiful with an opportunity for the string instruments to have a showcase. It is a heavenly pairing with Majana's angelic voice. The final three tracks are a magnificent closer, starting with the power of
, continuing with one of their beautiful instrumental intermissions with tinkling piano, and ending with the simple beauty of
where are two stars, Marjana and Gleb, play without the accompaniment of the other instruments and just emote delicate beauty.
This is a breathtaking album full of beautiful melodies, transcendent female vocals, virtuoso piano playing, and a multitude of emotion and passion. This is art at its highest form. An impressive mixture of modern rock and pop with a classical influence. It is a refreshing sound that I find highly original. I cannot think of any bands to compare Iamthemorning to. The album really sounds incredible, with all instruments clear and crisp in the mix. I am impressed and recommend this album highly to all. I am happy to add this album to my short list of life-altering albums. This is by far one of the most beautiful albums in my collection and I am so grateful to have had the great privilege to hear it.
Conclusion: 10 out of 10
Nathan Waitman
Knifeworld - The Unravelling
Country of Origin:
Record Label:
Inside Out
Catalogue #:
Year of Release:
Knifeworld on Soundcloud
Track List:
I Can Teach You how to Lose a Fight (5:14), The Orphanage (1:33), Send Him Seaworthy (6:36), Don't Land on Me (8:02), The Skulls We Buried Have Regrown Their Eyes (4:45), Destroy the World We Love (6:05), This Empty Room Was Once Alive (3:50), I'm Hiding behind My Eyes (9:15)
It's a broad church, this prog scene, innit? You get releases as diverse as Matt Stevens'
, Yes'
Heaven and Earth
, and Knifeworld -
The Unravelling
, and it all gets thrown together in one massive genre. Yet Knifeworld and Yes are about as far apart as you can probably get in terms of styles and performances.
Knifeworld are put in the prog genre, however listening to this album, which is a slow burner, a brilliantly intense and complicated record, that slowly reveals it's secrets to you, seductively and patiently.
Knifeworld are one of the most exciting live bands I have seen in many a year, and the full power from the mighty eight-piece line-up is unleashed here in some of the finest tracks I have heard so far this year. Yet at only 45 minutes long,
The Unravelling
never outstays its welcome, and on some of the shorter songs leaves you wishing they were slightly longer.
The opener
I Can Teach You how to Lose a Fight
bears the Knifeworld hallmarks, the vocal counterpart between Kavus Torabi, Melanie Woods, Chloe Herrington, Josh Perl and Nicki Maher, then the wind section of Herrington, Maher and Perl add their unique touch, whilst the accompaniment of Emmett Elvin, Charlie Cawood and Ben Woolacott (which combined are a musical tour de force) bring it together in an epic sound. Whilst the brief but exciting blast of
The Orphanage
leaves the listener wanting more.
Send him Seaworthy
is a musical smorgasboard, some great lyrics, and some fantastic musical performances, Elvin and Cawood shone here, whilst the wind section add so much to every track, whilst Kavus' unique guitar work, and his vocals are on fine form throughout this record.
That is part of the joy of a Knifeworld release, with so many talented musicians pulling together and creating an impressive sonic assault.
The music on this album is so intelligent, so well made. With such great songs like last years teaser single
Don't Land on Me
, with great vocal harmonies and soaring sonic soundscape, Knifeworld don't put a foot wrong musically and lyrically. This takes psychedelic and art rock prog to new areas and feels like Knifeworld are pushing the musical boundaries for no other reasons than because they can and because it's what the songs want. It's also what the listeners like as well, as musical imagination and intelligence like this, makes this album such a joy to listen to. You're never sure where each track is headed, and you get something new out of it every single time you play it. Like an elaborate musical pass the parcel every layer reveals something new.
My favourite track on the album however is the frankly sinister
The Skulls We Buried Have Regrown their Eyes
. With dark lyrics and stabs of brass running through the track, it's an aural equivalent of an old
Tales of the Unexpected
, and not to be listened to before bed. Don't have nightmares! Have Knifeworld invented the "uneasy listening" genre?
Destroy the World We Love
, with great guitar work, call and response vocals, and superb musicianship, showcases a band firing on all 8 cylinders.
Kavus is superb throughout, his guitar work is a joy to behold, his vocal interplay with the rest of the band is a treat. indeed the vocal harmonies throughout the album add to the mighty musical sound, and are part of the rich tapestry that make
The Unravelling
such an absorbing and exciting album.
The mood changes again for the atmospheric and almost wistful
This Empty Room Was Once Alive
, again with some sinister undertones to the music. This could have fallen from a late 60's
The closing 9 minutes plus of
I'm Hiding Behind My Eyes
wrap up a glorious album in fine style, with more of those wonderful harmonies and some enchanting musical interplay between the band.
I haven't heard an album like
The Unravelling
for a very long time, with inventive and intense musical style, interspersed with some beautiful harmonies and a sense of humour. This is a really special release, and will appeal to everyone out there who enjoys the darker side of prog that
Van Der Graaf Generator
specialised in, whilst the musicality is for those who like their tracks intricate and complex, like
King Crimson
The Fierce and the Dead
. With
The Unravelling
, Knifeworld are rising high on the foundations they have already built for themselves and have really set the musical bar high.
Album of the year? I reckon so.
Conclusion: 10 out of 10
James R. Turner
Phlox - You Will Need this Soon
Country of Origin:
Record Label:
Digital Master
Year of Release:
Facebook page
Bandcamp page
Track List:
Oscar November (2:54), Cover Me (4:15), Pale, Blue China (4:57), Rain and What Comes After (3:43), Fate (5:13), YWNTS (25:51), The Unknown (4:38)
Hailing from Kula Lumpur,
are a quartet comprising Hakim Tahar (vocals, keyboards, guitar), Hanafi Rahman (guitars), Syazwan Sazali (bass) and Ahmad Zulikhwan (drums and percussion).
You Will Need this Soon
, handily abbreviated to YWNTS, is the groups second album recorded between 2012 and 2013, although the majority of the songs were written between 2008 and 2010, the exception being the improvised title track which accounts for half the album's playing time.
Overall there is a general light psychedelic vibe to the first five tracks of the album and although the opening instrumental,
Oscar November
is rather a poor introduction,
Cover Me
with its melodic bass line underpinning the acoustic guitar is more interesting, sounding quite like
The House of Love
, a claim that could also be made of
Rain and What Comes After
Pale, Blue China
opens with the female vocals of Shehnaz Nazar in a section that is very poorly recorded, sounding like it is taken from a bootleg live tape. The second half is more sonically vibrant but, on the whole the song is rather poor, unless off key singing is your thing. The acoustic
The Unknown
makes a pleasing end to the album with the simplicity of the track being its main strength.
Main plaudits go to the title track which takes inspiration from the early sound of
Pink Floyd
, particularly in the organ department. It is a very engaging piece of music that defies the supposed improvised nature; the vocals fit in too well for it to be totally spontaneous. The group do range across different tempos and dynamics giving periods of light and shade, the heavier sections coming over particularly well. Some quite 'out there' sections sees the electric guitar soaring before returning to a rather nice melody line. A collection of nice ideas along a controlled path to chaos which is well accomplished even if the recording of the crash symbol tends to grate.
On the whole, a reasonable album particularly if you are looking for a continuation of Floyd's
A Saucerful of Secrets
and that seminal Farfisa organ sound.
Conclusion: 5 out of 10
Mark Hughes
RogerRoger - Mirror Symphony
Country of Origin:
Record Label:
Roger Roger Music
Catalogue #:
Year of Release:
RogerRoger on Bandcamp
RogerRoger on Soundcloud
Track List:
Mirror Symphony (4:10), Convertible Crush (4:10), Hold Up! (5:10)
The EP
Mirror Symphony
is the second recording of the 5-piece band from Lyon, France. The first one,
The Fall
, was published back in 2012.
is founded in 2011. Two Guitars, bass, drums and keys are the set up - each of the guys is providing vocals. This looks like real bandworking.
Their website www.roger-roger.com wasn't accessible and on their several social pages you'll find only little information in French.
RogerRoger is presenting us interesting 70s orientated rock music. Not hard rock, not heavy metal and I wouldn't say it is very progressive in the common sense either.
The three tracks on this EP are well played and hand made - and each one has it's inspiring example.
Mirror Symphony
reminds you at first listening of
Atomic Rooster
, specially
Tomorrow Night
. The track shows an mid-tempo rocker with fine rhythmics and heavy organ playing.
Convertible Crush
is a more popular rock song - and if you're not too young the "I feel Love" melody comes right in your head. But it rocks like an early
Ten Years After
The follow up
Hold Up!
is quite diversified and comes with a
feeling out of the speakers. The final starts right half way through after 3:02 with an extended coda which is slowing down 'til the end.
The songwriting follows classic patterns and shows up with some nice ideas here and there. The production is OK, the sound is suitable for the 70s music, I believe, that was exactly what they wanted to sound.
RogerRoger are definitely the right band for a summer open air. I am looking forward to the things to come.
Conclusion: 7 out of 10
Peter Funke
Tusmørke - Riset Bak Speilet
Country of Origin:
Record Label:
Svart Records
Catalogue #:
Year of Release:
Tusmorke on Soundcloud
Track List:
Offerpresten (8:04), Gamle Aker Kirke (8:03), Black Swift (8:40), All Is Lost (7:26), Riset Bak Speilet (14:12), bonus tracks: Mener VI Alvor Nå? (4:03), Kairo (9:40), En Verden Av I Går (10:47)
There is much to be appreciated in
's sophomore release
Riset Bak Speilet
. Tusmørke's compositions have many alluring qualities, which provide the listener with much to discover and enjoy. Although infused with Nordic folk influences and smatterings of Canterbury style keyboard meanderings, Tusmørke produce a unique and immediately identifiable sound in which all the players seamlessly and harmoniously complement each other. The band members have even been known to wear matching cloaks!
Riset Bak Speilet
is bursting with accessible melodies and riffs that are played with a great collective panache. In addition to the many complementary and pleasing keyboard parts contained within the compositions, the use of a Theremin provides atmospheric charm to the memorably enjoyable
Black Swan
. Most notably though, the release contains numerous mouthwatering moments of spiritedly ecstatic and intense flute rock. Amid the often animated but melodious fluted landscape, frequent layered and occasional chanted vocals create an effect that is enchantingly surreal.
The effect of these symbiotic elements is often hypnotic and never less than totally engaging.
Riset Bak Speilet
has significantly grown in my estimation as I have become more familiar with it's many facets. It is an excellent amalgam of prog rock and psychedelic folk. Afficinados of bands such as
Trillian Green
Aria Palea
would probably enjoy its mixture of bewitching pastoral and often fiery flute led melodies. Similarly, those who appreciate bands such as the
Incredible String Band
, and
might find aspects to enjoy within the vocal arrangements and in the vibrant mother earth ambience of the release as a whole.
I thoroughly enjoyed
Underjordisk Tusmorke
reviewed in DPRP volume 76 in 2013 but
Riset Bak Speilet
surpasses it in almost every respect. Compositionally,
Riset Bak Speilet
shows an increasing maturity which perfectly complements the impression of spontaneity that is a feature of much of their work. This is particularly apparent in
Black Swift
All Is Lost
. These tracks are built upon their rousing and repeated vocal parts which are ruminated and delivered in various recurring guises as the tunes develop. For example,
Black Swift
is on the face of it an unrefined tune with a wonderful hook. Some may find that the chorus and hook that appears with monotonous regularity to be somewhat over bearing. Closer examination however, reveals a multi faceted sonic experience in which the cyclical chorus is used as an anchor for some remarkably melodic and extensive exploration. Arguably, it is these aspects that makes
music superficially unremarkable, but ultimately so intriguing and rewarding. Similarly,
All Is Lost
features a truly magnificent recurring flute riff. Although often disguised by changes in texture, tempo and emphasis the recurring riff remains identifiably interconnected and woven around the vocal phrasing and frequent chorus of
All Is Lost
. The effect is beguiling and enthralling.
The album features both English and Norwegian vocals. The excellent accompanying CD booklet offers English translations of the Norwegian lyrics. As a result I am able to confidently declare that the album opener
The Sacrificial Priest
is an excellent piece that is resplendently adorned by its fine flute frills and expressive vocals. As the piece develops it takes on a jazz groove that is reminiscent of the English Jazz rock movement associated with bands such as
Ian Carr's Nucleus
The Keith Tippett Band
. In this respect guest musician
Johnny Olsen
on trumpet and sax does a fine job adding to the ensembles sound.
Gamle Aker Kirke
is a much more tranquil piece beautifully embellished by tasteful Mellotron. It has excellent harmonies and provides a medieval soundscape to savour. Suprisingly, it also features a tastefully executed spoken interlude that had me drawing comparisons to
Hole in my Shoe
. The title track
Riset Bak Speilet
is a fourteen minute aural experience which begins unsurprisingly, with a flute melody.This is augmented by excellent vocals and swathes of keyboards, underpinned by an excellent rhythmic bassline. The piece provides many unexpected moments as it travels towards a feverishly chaotic climax in which the raw flute work of Krizla excels.
Risek Bak Speilet
is reflectively trance like, yet is littered with many moments of foot pounding excitement. It is a true highlight of this very satisfying release.
To say I have been impressed and throughly entertained by Tusmørke's latest release is an understatement. It has been a constant companion in recent weeks. If you like atmospheric, folk tinged prog bustling with interesting melodies, I whole heartedly recommend that you should check it out.
If you are still not convinced, then perhaps the following random facts may well help. The CD version contains three excellent bonus tracks.
Mener VI Alvor Nå?
was recorded in a manure cellar. Electric guitar only features on two tracks. Bassist Benedicktator and flautist Krizla are identical twins. Apart from sharing a birthdate, Benedicktator and Krizla also share vocal duties. And last but not least, the deal clincher. Did I mention? Tusmørke have been known to wear matching cloaks!
Conclusion: 8 out of 10
Owen Davies
Umphrey's McGee - Similar Skin
Country of Origin:
Record Label:
Nothing Too Fancy
Catalogue #:
Year of Release:
Umphrey's McGee
Click Here
Track List:
The Linear (3:48), Cut the Cable (3:53), Hourglass (3:23), No Diablo (4:13), Similar Skin (6:05), Puppet String (6:29), Little Gift (3:14), Educated Guess (5:48), Loose Ends (5:01), Hindsight (3:24), Bridgeless (9:00)
Umphrey's McGee
, the sextet from Chicago, follow up their 2011
Death by Stereo
album with
Similar Skin
, the first release on their own Nothing Too Fancy label. Excellent exponents of the art of jamming the band routinely hit the highs in their live performances yet have also managed to come up with a consistently strong collection of studio releases of which this latest is the eleventh. The strength of the band is in no small measure due to the consistency of the line up which has remained unchanged for the past 11 years and features Brendan Bayliss (guitar and lead vocals), Joel Cummins (keyboards and vocals), Ryan Stasik (bass and vocals), Andy Farag (percussion), Jake Cinninger (guitar and vocals) and Kris Myers (drums and vocals). In addition, although the bulk of the material is written or co-written by the two guitarists, the fact that all six members have had a hand in the writing helps even out the keel and prevents any domineering influence. Of the eleven tracks on the standard edition of the album only five, two by Cinninger and three by Bayliss, are solo compositions.
The immediate impression one gets on initial plays of the album is that
Similar Skin
has a heavier edge than previous albums which, as keyboardist Cummins confirmed in a recent DPRP interview, was an intentional move in order to try and create a classic rock album. This heaviness can be heard from the opening bars of
The Linear
which despite maintaining an identifiable Umphrey's sound is reinforced with lots of crashing guitars.
Cut the Cable
is an instant favourite, the sedate opening soon being pushed aside by twin guitars blasting away and a killer vocal from Bayliss. There is an underlying joy and feel good attitude to this song, more potent a mood lifter than a truck load of prozac. The musical and vocal harmonies are a cut above, if you'll excuse the pun. There seems to be a lot greater use of backing vocals on this album and can be clearly heard on Hourglass which, as is the case throughout the album, compliments the heavier aspects with strong vocal melodies.
No Diablo
sports a slower tempo and is the first real chance to clearly hear Cummins' piano over the guitars. Again a strong vocal delivery impresses. The CD arrived wrapped in celophane and bearing a warning of "Caution Contents are Awesome!" After initially gagging on the awfully clichéd Americanism, by the time the title track fires up one is sorely tempted to actually reconsider one's vocabulary and state that by Jove, this album jolly well is quite awesome! Myers, as good a drummer as you'll find anywhere, drives
Similar Skin
(the song) along right from the start but it is the interplay between the two guitars at the 5-minute mark that is the real treat, with both guitars having a gloriously mellow tone.
Puppet String
gives bassist Stasik a chance to hit the spotlight with a repeating riff taking prominence at different points throughout the song. Proving once again that less can be more the inclusion of sections with minimal instrumentation and lots of space juxtaposes nicely with the more all out sections. Little gift is another "in your face" song which is not a millions miles away from the original solo Cinninger demo (which was made available for fans who had pre-ordered the album). Believe it or not, the chorus sounds, to me at least, a lot like
which brings forth uninvited images of Bayliss in full Starchild make-up and costume that is hard to get out of one's head! The rather abrupt ending to the song would imply that originally the song was longer but it is good to see that the group does not go in for the often aberrant belief that longer is better and are content to keep things concise when necessary. Educated Guess is the oddity of the album probably because it is the song that sounds most like it is derived from a jam session and is, accordingly, somewhat looser. It also sounds like there is a manic violin player dipping in and out throughout although as there is no violin player credited on the album, and I don't believe any of the band members are adept on that particular instrument, it is most likely a clever, and realistic, keyboard patch generating the effect. No doubt the song will come into its own on stage, particularly the powerful ending, but it lacks the compactness and cohesion of the other songs.
Things get back on track with
Loose Ends
which serves as a bit of breathing space with its moodier atmosphere and provides the perfect set up for the album's heaviest song,
. This number doesn't sound like McGee at all, being a sort of bastard cross between something from the British New Wave of Heavy Metal in the early 80s and Seattle grunge a decade later. Figure that one out if you can. Ending on a high, the nine-minute
brings it all together with some intricate playing and an ebb and flow between different sections of the song. It is also one of the oldest numbers having been around for the best part of a decade. There is quite a live feel to the song as if the group were playing around a number with a predefined structure but leaving space for any improvisation if the need should arise. However, unlike
Educated Guess
maintains the qualities of a composed song; I guess having played around with the number so much on stage the band knew precisely where they wanted to go and what they wanted to say with this piece.
As with the last couple of albums,
Similar Skin
was released in a variety of formats and people who signed up pre-release were offered access to a whole host of downloads including demos, live material and even instrumental versions of some tracks rendered as 8-bit Nintendo Entertainment System soundtracks (so-called McNES versions) that most younger people will have no idea just how authentic they are! Across the various releases are two other new songs, the vinyl only
Morning Song
which is more in keeping with the album material than the other new non-album track,
Room to Breathe
, which is a fine song but has a different style to other tracks on the
Similar Skin
Umphrey's have truly delivered with this album. Even if you find the idea of jam bands an anathema I would recommend you put aside all preconceptions and take a listen to this album, it's destined to become a future classic...
Conclusion: 9 out of 10
Mark Hughes
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Published Wednesday 10 September 2014
© 1995 - 2017 : Dutch Progressive Rock Page


text:
Oskar Schindler was a German businessman who made an impact on the lives of hundreds and thousands of Jews during World War II when he became an unlikely hero for saving 1,200 of them from being poisoned in the gas chambers. His story was not known to the world and to most of the Holocaust survivors, not until the '80s. Here are some facts about the life of the Oskar Schindler.
1. His Personal Life And Background.
He was born on April 28, 1908 in one of the German provinces, Austro-Hungarian Empire and which is now part of the Czech Republic. He worked in sales for his father in the 1920s and was married to a woman named Emilie. However, he left his father's company when they had a misunderstanding over his wife and he worked for an electric company. Before he became a hero, it was reported that he was a heavy drinker.
2. His Affiliations With The Jews.
Even if he was German, as a child, he had playmates who were sons of a rabbi. When he opened his own business in 1940, he employed a Jewish accountant named Itzhak Stern, who helped him communicate with the Jews at that time.
3. The Story About How He Saved The Jews.
At first, his intention was only to hire the Jews in exchange for cheap labor. During this time, the Nazis were already taking the Jews and deporting those who were not able to work. This was in the 1940s. What first started as a money-making business turned into a heroic act when he started saving the Jews from getting executed using his own money and bribing officials. It was said this was triggered when he witness the torturing and murdering of Jews at the concentration camp at Plaszow. He risked his life and spent millions of his own money until his bankruptcy in 1958.
4. The Schindler's List.
There is more to these two words than just being a movie title that have stirred the hearts of millions when it was shown. The title of the movie was really a list made by Oskar Schindler. It was the list of the Jews he would save from Holocaust. One was a little boy, Leon Leyson whom he included in his final list. They met again after 60 years. There were other stories on how he intervened for the Jews in camps like when he pretended to be angry at a boy whom the German soldier found sitting while at work. This saved the boy from being shot.
5. Poldek Pfefferberg and Oskar Schindler
Among the people who were saved from the Nazis were Poldek Pfefferberg and his wife. He was a physical education instructor before the war and worked for Schindler in buying products from the black market. When they met in Munich after Liberation, he made a vow that he will let the world know about Schindler. And he kept his promise.
Oskar Schindler passed away on October 9, 1974 in Frankfurt, Germany. From what he did for the Jews, he never got anything in return, except for a golden ring given to him by the Jewish workers he helped. The gold came from a dental bridge from one of the prisoners.

subset: commoncrawl


text:
"I try to eliminate sugar wherever I can; but I still have a sweet tooth and love the sweet vs peanut and hot elements in satay. News flash: if you have any of the pork and sauce left over, as we did tonight, it makes a killer salad - mix some of the peanut sauce with a basic vinaigrette and add to fresh greens, some scallions, and left over meat."
Lower Carb, Easy Pork Tenderloin or Chicken Satay
0 recipe photos
READY IN:35mins
Ingredients Nutrition
- 2 lbs pork tenderloin or 2 lbs boneless chicken breasts or 2 lbs boneless chicken thighs
- 1 -14 ounce canned unsweetened coconut milk
- 4 tablespoons fish sauce
- 4 tablespoons Splenda sugar substitute
- 2 tablespoons soy sauce
- 1⁄2 cup sugar-free peanut butter
- 1⁄2 teaspoon red pepper flakes
- 1⁄2-1 teaspoon curry paste
- 1 medium onion
- 2 garlic cloves
- 1 tablespoon minced fresh gingerroot
- 1 tablespoon peanut oil
- 2 tablespoons lemon juice or 2 tablespoons lime juice
- Cube the pork and marinate in a mixture of 1/2 can coconut milk, 2 T fish sauce, 2 T Splenda.
- Saute the onion and garlic, chopped ginger.
- When the onion's translucent, add the rest of the coconut milk, Splenda, and fish sauce.
- Add the soy sauce, peanut butter, lemon juice and seasonings and stir until blended over low heat. Set some of the marinade aside for basting.
- Grill the meat on wooden skewers which you've soaked in water and baste with some of the reserved peanut sauce as the meat cooks. Use the rest as a dipping sauce for the cooked meat.
- Feel free to adjust the sweetness and heat to your taste.
get the genius kitchen app.
Watch on your iPhone, iPad, Apple TV, Roku, or Fire TV.Learn More


text:
"I regret that the statement has been construed or some word that I have used have been construed as insensitive. That was never my intention," he said.
The minister was referring to his remarks made yesterday at the annual state tourism ministers' conference that "one small incident" of rape in Delhi advertised world over is enough to cost India millions of dollars in terms of global tourism.
Jaitley said he has always been outspoken on issues relating to crimes, particularly those against women.
"I am very sensitive to these issues myself and there is no question of trivialising any crime or any particular incident. I had not referred to any particular incident," he said.
The minister said he had spoken "in general" on how crime can hurt tourism and the image of crime against women itself dissuades tourists from coming to India.


text:
Rail systems solutions
Constellium's cost-effective and lightweight railcar solutions for combining and joining different types of material provide railcar manufacturers with significant competitive advantages. Based on the own Large Extrusion Technology, we have an impressive range of approximately 5,000 different structural extrusions and more than 45,000 vehicles built worldwide.
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Our self-supporting structure consists of a welded aluminium under-frame, sills, posts, carlines, and glassfiber reinforced polymer sidewall panels containing key interior components such as bonded windows and claddings. The structure's sandwich roof is equipped with handrails, lighting, ventilation and air ducts.
The structure offers a multitude of benefits, including:
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Constellium's hybrid vehicle solution was chosen by Bombardier Transportation to manufacture the Cobra Tramways for Zurich Transport Authority VBZ.


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text:
Go back to those days of 1926 when the Brown Derby appeared on the corner of Hollywood and Vine and a generation of Californians fell in love with owner Bob Cobb's Cobb salad.\r
All reviews seem positive
The SceneThe theme park's representation of various Hollywood landmarks extends to its kitchens, too. The mundane waiting area cries out for a bar, but the barrel-vaulted banquet hall...
From family friendly trips with kid friendly activities to local plumbers lawyers, spas, and contractors. Judy's Book has millions of listings and reviews for the best and not so great. Whether you're looking for a specific business or just trying to discover great places we make it easy. We're a family oriented site focusing on bringing trusted reviews and recommendations to moms and others. Green and Sustainable places are becoming more relevant to Judy's Book users, have a favorite place? Write a review and tell users why it's Green!


text:
Good idea btw.
You should definitely go for it! They need good instructors, mine wasn't all that great and if there is a good one out there word of mouth brings you business! Good marketing along with all of the people buying guns, your business should be booming! (No pun intended.)
I'm not NRA certified, but I am USMC certified. I have been thinking about getting the NRA certification.
I was certified but have not kept my certification up to date so I am not now a certified instructor.
Our course was at a Mississippi state park and was 3 days. We did a bit of shooting but it was mostly lectures by various instructors.
We did have to take and pass an exam at the end. It was not a difficult test, at least I didn't think so.
I am in Rifle. Took one full weekend. Not too difficult. I've shot competitively for > 12 years.
I've been a Training Counselor for almost 10 years.
I'm one. Drop me a private freepmail.
NRA Certified Training Counselors
train and certify NRA Certified Instructors.
Rifle, Shotgun and Range Safety here. Use mostly for Boy Scout training and recreational shooting. Certification course took a weekend apiece.


text:
- Card Size:
- 7¾" x 5¼"
- Paper Quality:
- Medium
- Printing Technique:
- Digital Lithography
- Manufacturing Time:
- 4 days + shipping
Additional InformationThe designer of this item selected:
- Ink Color:
- Digital Melon
Send sweet wishes for the New Year with our Vintage Wishes Holiday card design that features a brightly illustrated apple branch in full bloom along with an intricately styled butterfly. The effect is charming and your Rosh Hashanah greetings will be remembered and treasured for years to come.
Your order will come with white wallet flap envelopes.
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How it's Made
This design was specifically created to take full advantage of the benefits of digital printing which allows for a rich presentation of colors and a wide array of customization options. Perfect for multi-color designs as well as photographs, digital lithography offers a quick turnaround time and it is easy and affordable to order in small quantities. Our digital designs are always printed on our premium cover weight paper giving your invitations a deluxe feel.


text:
About Steve C. Feinstein
Steve C. Feinstein is a published author of children's books. A published credit of Steve C. Feinstein is China in Pictures (Visual Geography Series).To edit or update the above biography on Steve C. Feinstein, please Log In or Register.
Link to this page: https://www.jacketflap.com/steve-c-feinstein/146172
Published Works by Steve C. Feinstein
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text:
Contact Info / Websites
Recent Movie Reviews
50 Cent: ATII80D SE 1
Rated 0 / 5 stars
thats the worst movie i have seen on newgrounds!
everything was bad about it! i mean, its just a picture of that gay rapper 50cent and his friend with a scrolling background...
50 Cent: ATII80D 11
Rated 0 / 5 stars
that film was bad
extremely bad >:( i really didnt like it


text:
Experts Make Predictions For Southeast's Economy
Get your ticket ready to be punched for an unprecedented eighth year of riding the expansion.
But the Southeastern Express is no longer the nation's bullet train. And there are a few calamitous cows that could wander onto the tracks.
That's the consensus of nine economists recruited by The Wall Street Journal to look ahead at the Southeast's prospects for business growth. Keeping the economy on track: Well-fixed retirees from...


text:
jig.jp co.,ltd. (the "Company") herein establishes this Privacy Policy with respect to the treatment of the Personal Information obtained by the Company and promises to comply with this Privacy Policy, Act on the Protection of Personal Information of Japan and relevant laws and regulations and to treat the Personal Information in an appropriate manner.
jig.jp co.,ltd. President and Representative Director Taisuke Fukuno
The Company may obtain the Personal Information (defined in Article 2.1 of Act on the Protection of Personal Information of Japan) in the course of business activity.
The Company shall expressly show the purpose of utilization and shall not obtain the Personal Information by a deception or wrongful means.
The Company shall use the Personal Information within the scope necessary for the achievement of the purpose of utilization as follows;
The Company shall not provide the Personal Information to third parties without obtaining the prior consent of the principal (including the consent pursuant to a specific provision in terms and conditions of the Company's services) except in the following cases;
If you hope to disclose, correct, add or delete your Personal Information under the Act on the Protection of Personal Information of Japan or any other laws and regulations, please contact us.
The Company shall make endeavor to keep the Personal Information accurate and up to date, establish and maintain internal rules for security control of the Personal Information, exercise necessary and appropriate supervision over the employees and make endeavor to take reasonable and strict security control measures in terms of technical and organizational matters.
The Company shall determine the term of storage of the Personal Information within the scope necessary for the achievement of the purpose of utilization and delete the Personal Information after expiration of such term or completion of the purpose of utilization without delay; provided, however, that this shall not apply to any of the following cases;
If the leakage of the Personal Information occurs, the Company shall survey facts promptly and take appropriate measures such as notification to the principal.
The Company shall make endeavor to continuously improve the treatment of the Personal Information by internal audit or employee education.
The Company may amend the Privacy Policy without prior notice. In cases where this Privacy Policy has been amended, the Company shall publish such amendment on the website of the Company. Please check such amendment periodically.
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Supplementary Provisions:This Privacy Policy shall become in force and effect as of June 1, 2012.


text:
For Turkey day I made acorn squash soup. My immersion blender did a beautiful job pureeing it in the soup pot.
Fast forward to dessert. I bought whipping cream for the pumpkin pie. I put the whisk and bowl in the refrigerator, as you're supposed to do. I whipped and whipped and whipped and I got tired whipping. So I got the bright idea to use the (now clean) immersion blender to help me out. It didn't really do a good job and it started smoking. One of my guests said his immersion blender instructions say not to use it for longer than 2 minutes at a time.
What the what?!
Is my immersion blender weak? Or did I choose the wrong tool for the job? (I do not have a hand mixer or I would have used that.)


text:
Here's what use title pages for.
I put them at the front of pretty much every album, to introduce it, especially if it doesn't tell a single story (my rabbit's album opens with a page with just her name and a collage of pictures), but also at the beginning of travel albums - sometimes to summarize the trip (like the DC title page below), sometimes just to say hey, this is where we went and what the album's about, the storytelling starts on the next page (like the Hawaii title page below).
I also sort of do albums by year. Well, first I did one for 2007 to 2010, and each section for a new year had a title page summing up what happened that year, along with tickets or pictures from events either too small to scrap on their own or so big they had their own separate album elsewhere. Since I don't really do anything to celebrate New Year's, there was no specific delineation between sections without those pages. 2011 and 2012 have both had enough pages to need their own albums, but I title page those as well. 2011's title page, for example, has a big journaling area where I list major events of the year that weren't otherwise scrapbooked (death of a pet, our 30th birthdays, a hail storm and the resulting new roof work, along with my usual annual tally of pages scrapped), and also features a sample of the new shingling we had put on our house, a picture of the two of us from my mom's 70th birthday party, and the tickets from a movie we went to (along with the story behind why we went).
I like title pages because they let you know what you'll be looking at as soon as you open the album. Not all albums have covers that allow you to customize them heavily, and it pretty much never hurts to have the additional clarification, especially once you have a lot of albums.
In answer to whether you need one - of course you don't. There are no rules, you don't NEED to do anything. If you feel that you would like to, feel free to do so, but if you don't feel that your albums need title pages or if you don't feel that you want to do them, then don't.


text:
The cornerstone of the Providence Collection is quality, and this outdoor traditional pier mount adaptor is no exception. Combining a classic bronze finish and posh styling, you will find no better way to highlight the charm of your home. Durably crafted from cast aluminum.
- Easy installation instructions and template enclosed for convenient setup
- Includes installation hardware
- Adds traditional styling and visual interest to the outside of your home
- Please allow 5 days for shipping


text:
Since this will be my third complete blog within the last 24 hours I'll do my best to just stick to the book itself. That may be difficult to do, being me and all. :)
Mitch Albom gets a good deal of praise. He is a very well received Christian author, and I can rightfully say he should be. I've read some of his other works and they were great. What I really don't like, though, is his writing style. Especially this book. It drove me insane. Ugh. Jumping back and forth, tiny tidbits here and there, having to piece things together. Very annoying. One thing the book did really well was invite the reader to think about time. And not just about time in the sense that it's passing, but time in the meaning of how we use it. Are you asking for more time than you deserve? Are you fighting to run out on your life earlier than the higher beings have planned?
I won't really go into details about the book at all other than to say that the three main characters are interesting. Father time, an time hungry old man, and a broken teenage girl. All in all I think it probably took me about 2 hours of reading time with plenty of interruptions for play time and make-believe with my wonderful three year old boy. I get the feeling though that this is a book you should take the time to read. Maybe I missed something that would make it more special? It's an incredibly well received book. Then again, not everyone likes everything the same. And I didn't like this book. More than anything it's the writing style that killed it for me. Far too much jolting and jumping about. Like I mentioned in an earlier post, I have great affection for books that tend to be a little more long winded.
The characters really only inspired more dislike for me. An insipid girl who can't pull herself out of a funk created by a bully of a boy. Then again, what 17 year old girl really can? She's realistic-ish but annoying. Really don't get me started on the power hungry, money grubbing old man. Bleck. I understand the message, it's pretty obvious. Don't measure your life by the time that passes, measure it by the way you spend that time. I'm just very underwhelmed. I'll give it 2 out of 5 stars on my Goodreads. Here's to hoping my next random book choice is better! Happy Reading!


text:
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text:
- Please select a date to see the proper prices!
Description of the accommodation:
Rooms, services Guests looking for accommodation in Indianapolis are welcome to book 113 nicely furnished rooms at Staybridge Suites INDIANAPOLIS DOWNTOWN-CONV CTR Indianapolis. In case you ever feel like eating in, you may taste delicious local dishes in the restaurant of the hotel. Relaxing wellness services will be available to you at the hotel, an indoor pool will also be waiting for you. You can browse the Internet via wireless connection (WiFi) available at the hotel. To learn more about the exact range of services of Staybridge Suites INDIANAPOLIS DOWNTOWN-CONV CTR Indianapolis (including services for an extra fee) and the exact equipment of the rooms, please check the information sheet below.
Payment For the reservation you may need to provide advance payment by credit card or credit card guarantee, depending on the exact date, room and price.
Arrival, opening hours The earliest time to check in at the hotel is 15:00, the latest time to check out is 11:00. The personnel can speak English.
Staybridge Suites INDIANAPOLIS DOWNTOWN-CONV CTR Indianapolis rooms Rooms
- Please select a date to see the proper prices!
Accommodation services
Free WiFi in shared places
- Indoor pool
- Jacuzzi
Pet friendly
Own restaurant
Hairdryer, Fridge, Desk in the room, Microwave oven, Tea/coffee-maker


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text:
Policy paper
Post-legislative scrutiny of the Greater London Authority Act 2007 and the London Assembly
- From:
- Department for Communities and Local Government
- Part of:
- Local council transparency and accountability
- Published:
- 4 December 2013
- Applies to:
- England
This was published under the 2010 to 2015 Conservative and Liberal Democrat coalition government
Government response to the Communities and Local Government Select Committee report.
Government response to the Communities and Local Government Select Committee report: post-legislative scrutiny of the Greater London Authority Act 2007 and the London Assembly
Ref: ISBN 9780101876124, CM8761 PDF, 213KB, 8 pages
This file may not be suitable for users of assistive technology. Request an accessible format.
If you use assistive technology (such as a screen reader) and need a version of this document in a more accessible format, please email firstname.lastname@example.com. Please tell us what format you need. It will help us if you say what assistive technology you use.
Following the Greater London Authority Act 2007, the Communities and Local Government Select Committee conducted an investigation entitled 'Post-legislative scrutiny of the Greater London Authority Act 2007'. The report was published on 16 October 2013.
This document sets out the government response to the CLG Select Committee's recommendations. The recommendations aim to strengthen the powers of the Assembly and correct what the Select Committee see as inconsistencies in the Greater London Authority's function and ability to hold the Mayor of London to account.
Of the 7 recommendations made by the Select Committee, the government has rejected 4 on the basis that they increase the costs and bureaucracy of the current systems and dilute the powers of the Mayor.
The government would however consider the recommendations that would reform the London Fire and Emergency Planning Authority, remove Assembly member's rights to join the Mayor's cabinet and consider the role of the Assembly if further devolution of powers to the Mayor were reviewed.
Document information
Published: 4 December 2013


text:
"Well done, great service"
About: Telford referral and quality service (TRAQS) Telford referral and quality service (TRAQS) TF7 4BF
Posted by Green210 (as ),
The experience was excellent as it was for my son. TRAQS got in touch within a week of being referred from our doctors. Well done, great service. At the clinic we went in at our appointment time which makes a change.
Response from Helen Handy, TRAQS & CAB Co-Ordinator, Telford and Wrekin CCG 3 years ago
Dear Green210
Thank you for sharing your positive feedback with the TRAQS team.
I am pleased that the experience was excellent for both you and your son and that we contacted you promptly and were able to book a suitable appointment.
We appreciate all feedback but it is especially rewarding when we receive such excellent feedback.
Thank you again for taking the time to share your comments with the team.
- {{helpful}} {{helpful == 1 ? "person thinks" : "people think"}} this response is helpful
- Was this response helpful? Yes | No
Thank you for your feedback.
See more responses from Helen Handy


text:
Nature's Bounty, Ester-C, with Vitamin D3, Immune Support, 1000 mg, 60 Coated Tablets (Discontinued Item)
- You earn loyalty credit for every order you place at iHerb!
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Nature's Bounty, Ester-C, with Vitamin D3, Immune Support, 1000 mg, 60 Coated Tablets (Discontinued Item)
Shipping Weight:?0.41 lbsSwitch to Metric units
- Product Code: NRT-50525
- UPC Code: 025077505258
2.4 x 2.4 x 4.8 in, 0.35 lbsSwitch to Metric units
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Other Ingredients
Vegetable cellulose.
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No artificial color, flavor or sweetener, no preservatives, no sugar, no milk, no lactose, no soy, no gluten, no wheat, no yeast, no fish. Sodium free.
If you are pregnant, nursing, taking any medications or have any medical condition, consult your doctor before use. Discontinue use and consult your doctor if any adverse reactions occur. Keep out of reach of children. Store at room temperature. Do not use if seal under cap is broken or missing.
|Supplement Facts
|Serving Size: 1 Tablet
|Amount Per Serving
|%Daily Value
|Vitamin C (as Ester-C Calcium Ascorbate)
|1,000 mg (1 g)
|Calcium (as Ester-C Calcium Ascorbate)
|112 mg
|Vitamin D (as D3 Cholecalciferol)


text:
Updated with info from Pied Piper regarding Tesla. See below.
Today's auto market is a tough one for consumers. There are loads of great cars on the lots, and the differences between those from Toyota, Ford, Volkswagen, and most other mass-market automakers are disappearing.
ALSO SEE: Toyota RAV4 Vs. Ford Escape: Compare Cars
In that kind of environment, customer service is king. The way sales personnel treat shoppers can make or break a dealership. That's why studies like the Prospect Satisfaction Index (PSI) from research firm Pied Piper are so important -- and telling.
For the 2015 PSI, Pied Piper sent some 6,370 mystery shoppers to dealerships across the U.S. between July 2014 and June 2015. Those shoppers -- "prospects" in marketing lingo -- then rated the dealerships they visited on more than 50 criteria, including whether they offered customers a test drive, whether they asked how customers planned to use their vehicles, and whether they provided printed materials for shoppers to take home.
CHECK OUT: Want A Chevrolet Bolt? You May Be Able To Get One Sooner Than You Thought
When all the dust had settled and the scores were tabulated, the average score for all brands ticked up from 100 to 101 -- though as Pied Piper notes, even the top-scoring companies had individual dealerships that performed poorly, and low-scoring companies had dealerships that aced the test.
On the whole, though, Mercedes-Benz outpaced the competition, with a score of 112. Infiniti, Lexus, MINI, and Toyota rounded out the top five, boasting scores in the 105 to 110 range. With the exception of MINI, most of those -- along with BMW, Volkswagen, Honda, and Cadillac -- have scored above the industry average for the past five years.
And MINI could be en route to keeping its position at the top, since it posted one of the biggest year-over-year improvements, climbing six points from 2014. BMW, Lexus, Chrysler, Dodge, Lincoln, and Ram moved up, too, each edging up three or four points.
READ: 2015 Honda CR-V Touring: Quick Drive
At the other end of the scale, we find Tesla, with a very low score of 87. In its defense, however, Tesla is hamstrung by the many restrictions it faces on the sales front. Because of strict franchise laws, the automaker is still prohibited from actively selling cars in many of its showrooms; it can only share information and refer shoppers to the Tesla website for pricing and such. Until that changes -- and it is, slowly -- the cards will be stacked against Tesla in surveys like the PSI because it doesn't always operate full-service dealerships. (Important updates posted below.)
The other four brands in Pied Piper's bottom five, however, have no such excuses. Mitsubishi, Volvo, Land Rover, and Jeep all scored between 92 and 95 points on the PSI. Smart, Jaguar, and Cadillac could be joining them in the lower depths before long, since they posted the biggest year-over-year declines in their scores. Smart and Volvo tied for biggest missteps, both tumbling five points.
You can see how your favorite auto brand stacked up on the 2015 Prospect Satisfaction Index -- just have a look at Pied Piper's chart, embedded above.
Via Fran O'Hagan at Pied Piper, we received some very interesting information about the way that Tesla stores were included in the 2015 PSI. Rather than attempt to paraphrase him, we've quoted some of his email to us:
You make a good point re Tesla operating some unconventional locations where sales are prohibited. We did not mystery shop any of those Tesla locations. Instead, we mystery shopped every single one of the Tesla locations nationwide where their dealerships can accept customer money and deliver a vehicle at that location. [emphasis ours]


text:
Term paper 12 angry man
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Twin Saga
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TAHLEQUAH, Okla. - The international technology leader Google has added the Cherokee written language, called Cherokee Syllabary, to its repertoire of searchable languages. Just like the many other languages Google supports, now anyone who can read and write Cherokee can look up virtually anything, at least in the universe of the World Wide Web.
"I believe that efforts like those of Google are essential to keeping our language alive," said Cherokee Nation Principal Chief Chad Smith. "We have been working hard to get our young people interested in learning our Native tongue but we cannot be successful unless they can read and write in the medium of their era – all the digital devices that are currently so popular."
Cherokee Nation translators worked side by side with Google employees to work through all the challenges of adding a new, and very different, language to their services. The syllabary, created by Sequoyah in the early 1800s has characters, some of which resemble Latin and Greek letters. The 85 character syllabary quickly made the majority of Cherokees literate and was adapted into the first Native American newspaper, the Cherokee Phoenix which was written in Cherokee and English.
Over the past decade Cherokee Nation has been dedicated to keeping its language vital. It started with free language classes, a youth choir that sings in Cherokee, student language bowl competitions, a Cherokee degree program at Northeastern State University and a language immersion school that has grown every year, which is now up to fifth grade.
"Translators from Cherokee Nation were eager to volunteer to help make this project a reality, including Cherokee speaking staff, community members and youth," said Cherokee Nation Language Technologist Joseph Erb. "We now have the power and knowledge of the Internet accessible in our own language."
Google's corporate mission is to "organize the world's information and make it universally accessible and useful." Their work with the Cherokee Nation gives access to the most comprehensive search engine in our Native language. "With these tools we are building for Cherokee tomorrow," added Erb.
Click here for Google's blog post Google Supports Cherokee to see how to use the Google Cherokee search engine.
Google in Cherokee right now by clicking here.


text:
Results 1 to 6 of 6
January 23rd, 2002, 06:29 PM #1
Besides the fact that there was no CJ 1x1 tracking cookie code in their TY page ...

quote:
Dear Back-Order Domain Names Publisher,
You are receiving this message because Back-Order Domain Names has changed their cookie duration. This change will go into effect on 1/30/02.
The cookie duration is the length of time a cookie remains active in a browser. The cookie allows us to track publisher commissions. We allow our Advertisers to set their own cookie duration.
The former Cookie Duration was 45 days.
The new Cookie Duration will be 1 days.

Hey CJ ... how does it feel to launch a company and then have them leave after reaming affiliates and you? - You really should up the sign up fee!
Good Riddance Snap Names!
January 24th, 2002, 05:13 AM #2
Yup, their conversion rate has gone down the tubes recently.
I keep sending 'em traffic and no-one is biting. Shame, because the service actually does what it claims to.
January 24th, 2002, 01:30 PM #3
- Join Date
- January 18th, 2005
- Posts
- 268
i clicked your link yesterday with the intention of making a purchase but i couldnt find those lists, you know, there where two lists
also, previously, when i did a search for something it gave me loads and loads of results and yesterday it would only show the .com, .org and .net variations of the specific word
also, snapnames up'ed the price to nearly $70 and there is no way im paying that! $49 was reasonable but screw it! this program is screwed now
BTW: i did myself a favor by not buying a snapname, i ended up buying a beautiful domain name from ebay, it cost $1, no kidding
[ 01-24-2002: Message edited by: psychomantis ]
January 25th, 2002, 04:32 AM #4
The lists are probably down by now.. Snapnames is best when you want to recycle a domain..
..e.g. Poozleanimus is one I pikced up recently. I looks like it has about 300 links in and a Yahoo listing, not bad even for $69. I've had it active for less than a month though, so no Google rankings yet.
Basically, it's a useful tool to get the domain before someone else does. If you want to start from scratch it's a lot cheaper, but those inbound links are worth having [img]/infopop/emoticons/icon_smile.gif[/img]
January 25th, 2002, 04:19 PM #5
- Join Date
- January 18th, 2005
- Posts
- 268
there was a link to those lists here at abestweb but i cant find it
there doesnt seem to be any navigation to the lists at snapnames site
are you still going to promote them with the 1 day cookie?
BTW: i am very, very happy with my $1 domain, its a brilliant keyword, i just recieved the password to the account there are zero hosting fees and an abundance of features but i will have to pay $8 to re-register in a couple of months
December 4th, 2002, 06:16 AM #6
One very important variable I see over & over is people discussing cookie life duration as a key factor in determining whether they may/may not join a certain vendor. Our service has found that our overall viewer majority generally clear their cookie/temp files on a daily basis. This may be due to our viewer base audience being far more advanced than some services due to content and site focus. Our findings are: If they do not make the purchase immediately on a product that is cookie tracked for our commission profits, we are not going to receive approximately 95% of these "day later" sales generated. This is why our service is slowly converting to our own product line, and/or special build software programs with our embedded ID# in all areas of purchase or link to vendor home page we continue to promote. By electing to reformat our promotions as we have, our sales profits have increased by over 1700% in 2 months duration. Each month as we slowly convert all our products to this method, our sales increase overall in comparison to log figures versus traffic. Hope this helps some of you.
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Matt Van Hoven over at our sister blog AgencySpy brings us this ad touting newspapers. Where's it running? In newspapers. Preaching to the converted?
Newspaperproject.org explains who they are:
NewspaperProject.org was launched in 2009 by a small group of newspaper executives to support a constructive exchange of information and ideas about the future of newspapers. While we acknowledge the challenges facing the newspaper industry in today's rapidly changing media world, we reject the notion that newspapers-and the valuable content that newspaper journalists provide-have no future.
So the ad in print newspapers was directing people to a website about the future of newspapers? Hint: you link to the future on your Blogger right sidebar, guys!