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- Custom Designed Basement Remodeling in Englewood, CO
- Professional Basement Remodeling In Englewood, CO
- Free Quote on Basement Remodeling in Englewood, CO
Basement Remodeling in Englewood, CO
Basement remodeling in Englewood, CO is definitely a good thing to look into if your basement isn't the way you want it to be. If you have an old basement that you want to transform into a nice new place to relax with guests, you will definitely want to make a point of hiring professionals to do the necessary work. A good Englewood basement remodeling contractor will be able to put in new lighting, flooring, countertops, and anything else you may need to complete the project.
Avg Costs for Basement Remodeling
Min Cost
Max Cost
Avg Cost
$16,370.71 - $22,117.51
Find the Best Quality Basement Remodeling - Englewood, CO
Basement finishing in Englewood, CO can be of great help when you want a much better looking basement but don't want to do all of the work yourself. You will find that hiring Englewood basement finishing professionals will provide you with the basement you've always wanted so you can be proud of this area in your home. The professionals you hire will have the necessary tools, skills, and knowledge to completely transform your basement so that it looks a whole lot better and more modern. There are many different things that need to be done with this sort of project, so it definitely isn't something you will want to take on yourself if you can help it.
Basement Remodeling Companies
Hasbrouck Plumbing
8857 W Nichols Ave
Littleton, CO 80128
Campbell Systems
11858 W Progress Ave
Littleton, CO 80127
Ric Harshman
8369 Southpark Lane Suite A
Littleton, CO 80120
B & T Electric Inc
87 E Powers Ave
Littleton, CO 80121
Tfs Electric Llc
8080 Southpark Ln
Littleton, CO 80120
Wildcat Contracting Inc
5175 Heatherglen Dr
Highlands Ranch, CO 80163


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Demonstrators may be asked to leave St. Paul's in London
St. Paul's Cathedral raises doubts over protesters
Local churches in Joplin help to rebuild houses with "Extreme Makeover: Home Edition"
TV makeover show to build 7 homes in Joplin
Afghanistan lack in religious liberty
Watchdog group laments lack of religious liberty in Afghanistan
< Boeing Worker To Mentor Plane Thief
Mar 21, 2013 07:02
Category: General News
Category: General News
WA AG Tours Hanford
RICHLAND, Wash. (AP) — Washington's new attorney general Bob Ferguson toured the Hanford nuclear reservation yesterday for a first-hand look at clean-up operations. Ferguson told KNDO the federal government is obligated to clean up the site in a timely manner, despite budget pressures. He says he'll enforce the cleanup schedule in the Tri-Party Agreement between the state and federal agencies.

subset: commoncrawl


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Pirate Baby is in Your HouseOctober 2, 2009 # 12:47 am # Children Gadgets, Home Gadgets # 4 Comments
Does your baby hate to bathe? Running around the house try to escape from you? It is very difficult to take children, especially baby and toddler, to bath. They usually hate the cold water or getting wet. Maybe the bathroom performs such a monotonous situation. This condition normally happens to housewives. That is why we have to make a fun view to get our children entertained. You can buy some funny accessories or bath kits to make your children desire to take a bath.
The cute baby towel can be your choice. This cute baby towel is designed in pirate rob and hat. You can make a role play, like you and your children were pirates that sail from an ocean to the other. Your children will be very happy to play the role because they wear something cute in their little body that makes them looks like pirates. It is available in luxurious red. It has such a soft fabric. It is made from 100% cotton, very soft for your baby's gentle skin. It has 33 1/2 "length and 34 ½ "width.
The fabric and the size are quite ordinary. But, I think the form of the cute baby towel, unique baby hoodie towel is very hilarious and attractive. It will make the children interesting to take a bath. The cute baby towel costs 32.99$. It is quite worthy for this unique baby hoodie towel.
Buy it Here and in Search Box type "HOODED BABY PIRATE TOWEL"


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Have Cadbury's bosses gone Fruit and Nuts? Chocoholics blast recipe change after 90 YEARS
CADBURY'S is changing its iconic Fruit and Nut bar recipe for the first time in 90 YEARS to include sultanas - and chocolate lovers are not happy.
Cadbury's are changing their fruit and nut recipe
Lifelong fans have taken to Twitter to express their outrage as the crunchy but sweet bar, which first hit the shelves in 1926, will see the lighter coloured dried fruit added to its traditional raisin and almond assortment.
Cadbury's have defended the makeover saying chocoholics did not notice the difference when taste testing and the changes have been brought into the fold to add more "variation".
The new bars will be made in the company's factory in Bourneville, Birmingham and will hit shops next month.
But fans of the traditional bar took to Twitter to express their disgust.
Chocoholics who tasted the new bar are said to have not noticed the difference
WHAT Cadbury's are putting sultanas into their fruit and nut chocolate!! no one likes sultanas though
One wrote: "WHAT Cadbury's are putting sultanas into their fruit and nut chocolate!! no one likes sultanas though!"
And another posted: " OMG Cadbury's are changing the recipe in the fruit & nut bar. Well out of order Cadburys #donttouch"
One Twitter user added: "Day ruined - Cadbury's change Fruit and Nut bar recipe #IfItAintBroke #whyohwhy
In trials, 200 adults were unable to tell the difference between sultanas and raisins in the prototype chocolate bars.
A Cadbury's spokesperson said: "While raisins have actually traditionally been the 'fruit' of Cadbury Fruit and Nut, sultanas have been brought into the fold to add more variation.
"It's important we have a flexible supply of the dried fruit we use in our famous Fruit and Nut bars to both retain quality and ensure it's still an affordable treat.
"Many consumers noticed no change in taste when trying both bars, stating both sultanas and raisins were just as tasty as each other."
For anyone who wants to check if they are eating the original recipe or the new one added with sultanas they will have to check the ingredients because the packaging will not be changing.
The changes comes just months after Cadbury's changed the beloved Creme Egg recipe, which sparked a similar outcry.
Twitter users have slammed the recipe change


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The Silence Trailer (1998)
06 September 1998 Drama, Music, Foreign 76 mins
Khorshid lives with his mom in a house near a river somewhere in Tajikestan. Th landlord comes around every morning to ask for the rent. Khorshid has to provide the money or else they'll have to leave. His blindness has given him an amazing skill in tuning musical instruments which gets him a job at an instrument making workshop. But the problem is That Khorshid is mesmerized by sonorous music all the time; whenever he hears a great musician play, he loses track of time and place. For this, he always gets lost and gets to work late. How is he going to make a balance between his love of music and his task as a breadwinner?
Watch the official The Silence 1998 trailer in HD below or find more The Silence videos on Vidimovie.


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Purchasing for antivirus software program can be a exceptionally sophisticated job whenever you do not understand what youre searching for and additionally you do not understand what you will want. Through information and the guidance that AVG evaluation has, youll have an easier manner of setting in the best antivirus cheap video editing software on your Pc. Youll get from an evaluation if you are questioning what bits and pieces of advice,, heres a fast rundown. First, you will learn about the amount of security you receive from antivirus. Yes, not all methods that are antivirus offer probably the most complete security and youre likely to desire security in opposition to threats that arrive via hyperlinks in social networking sites when you like social networking in websites like Facebook. The numerous functions you get with AVG are listed by aVG assessment. Apart from social networking protection that's the latest in antivirus applications now, you will also obtain the most fundamental from viruses, Trojans, spyware and rootkits with security. Scope of protection from AVG won't useless if the system isnt powerful and the AVG review will supply you with a rating on just how successful the application is.
Replicate Picture Finder Windows
You might be searching for something which comes with a remarkable system and you are capable to find the finest one more effortlessly reading via critical reviews if AVG is not the 1. How will function as the installation procedure for antivirus? With AVG, youll get something thats fairly simple. A degree in computer programming isnt required. Only get the AVG antivirus and install. You do nt even need to reboot your Computer for the complete set up. The antivirus strategy you must purchase should be user-friendly.
Gemini Rue Windows
Even the best applications will not be effective if you cannot use it. Antivirus can function in the background to ensure your computers protection and AVG review attests that AVG can do scans as you are working on other things inside your pc. On the site of upgrades, AVG is characteristically an up-to -date sort of antivirus system. In the event you see from taking a look at the AVG assessment how antivirus software works, you will be saving your self a whole lot of difficulty and problem and you are able to get correct on to ensure your Computer is guarded.


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Search Tag: intensive care unit
Optimizing Sepsis Management in the Intensive Care Unit: An Interview With Jordi Trafi
2016 18 Oct
"Studies continue to show that guiding antibiotic therapy based on the dynamics of PCT levels in the blood will reduce not only the use of antibiotics but also the length of stay, hereby lowering hospital costs significantly" - an interview with Jordi Trafi. Sepsis can easily escalate to the life-threatening condition septic shock which has a mortality... Read more
HAMILTON-C1: Minimum Size for Maximum Performance
2016 11 Oct
Requiring only a minimum of space, the HAMILTON-C1 mechanical ventilator combines maximum mobility with invasive and noninvasive modes, as well as high flow oxygen therapy. The integrated high-performance turbine enables the HAMILTON-C1 to be completely independent of compressed air. This makes it an ideal companion for all patient groups in the intensive... Read more
Masimo Announces Full Market Release of Next Generation SpHb® Spot Check Pronto®
2016 08 Jun
Masimo (NASDAQ: MASI) has announced the full market release outside the U.S. of the Pronto® Pulse CO-Oximeter® with Next Generation SpHb® Spot Check technology. Next Generation Pronto features rainbow SET™ technology, for noninvasive spot checking of total hemoglobin (SpHb), oxygen saturation (SpO2), pulse rate (PR), and perfusion index (PI).In addition... Read more
27th SMART 2016
2016 30 Mar
Since 1990 this three-day meeting is held every year in May in Milan, Italy. Over the years, it has become established as one of the most important and renowned scientific events in the field of Anesthesia, Intensive Care and Emergency, now attracting more than 3500 participants.Internationally oriented since its first steps, the SMART meeting is valued... Read more
Is There a Simple Answer to All Challenges in the ICU?
2016 21 Mar
With an average 1.5 times higher staff-to-patient ratio than general wards, today's Intensive Care Units set enormous challenges to caregivers, requiring constant, close monitoring as well as quick diagnosis and responses to sudden changes of patients' conditions. How can we make things easier in the ICU? What support do caregivers actually need to... Read more
Restricting Chest X-rays in the ICU is Cost-Effective
2015 25 Oct
In the intensive care setting, a restrictive approach to ordering chest x-rays can provide positive outcomes, according to a study from Mount Sinai Beth Israel, in New York, NY. Results found that a restrictive approach led to large decreases in total chest x-rays (CXRs) ordered, correcting for both total number of patients and ventilator days.A restrictive... Read more
Study: ED-ICU Collaboration Reduced Sepsis Mortality, Costs
2015 23 Oct
Close collaboration between the emergency department (ED) and intensive care unit (ICU) and standardised ICU admission criteria for patients with sepsis can significantly reduce mortality rate and care costs, according to new research published in CHEST Journal. "Although ICU level of care is costly, earlier inclusion of borderline patients may improve... Read more
EHR and ICU Quality Improvement: Some Successes
2015 22 Oct
A new study from Mount Sinai School of Medicine shows that implementation of electronic health records (EHR) at a large tertiary hospital resulted in significant reductions in central line-associated bloodstream infections (CLABSI) and surgical intensive care unit (SICU) mortality rates. The findings are published in CHEST Journal. Health information... Read more
Acute Care Teleconferencing
2015 10 Sep
As time is critical in the treatment of stroke patients, Utah-based Intermountain Healthcare has adopted an innovative teleservices platform called Telestroke. The aim is to test patients for the cause of a stroke and diagnose them for a specific medication within 3.5 to 4.5 hours after a stroke occurs, according to an article in HJnews.com.Telestroke... Read more
Clothing in NICU may Spread Respiratory Infections
2015 28 Aug
New research shows that respiratory syncytial virus (RSV) can be detected from the clothes worn by caregivers/visitors who are visiting infants in the neonatal intensive care unit (NICU). The finding was presented at the International Conference on Emerging and Infectious Diseases in Atlanta, Georgia. RSV is the leading cause of childhood respiratory... Read more


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Zebra Printer Upgrade Kit P1063406-026 ZebraĀP1063406-026
Quantity in Cart:Click Add To Cart to Order
Shipping Weight:1.00 lbs.
Zebra Printer Upgrade Kit P1063406-026 Zebra P1063406-026 P1063406026
Zebra POS Printer Parts and Accessories
Condition: Brand new with original manufacturer warranty. Most items in stock.
When ordering this item, use this part number: P1063406-026


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California Auto Centers
ReScore Reviews™ (1)
98% Would Recommend
Latest Review about 4 hours ago
Review for California Auto Centers
Alejandro L. on 08/13/2015
Alejandro said he liked this business. They were nice, simple and got the job done.
Vehicle: Nissan Frontier
Category: Service
Service Date: 08/05/2015
Review Created: 08/13/2015
This review was collected via phone interview by Customer Research Inc.


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Boeing's got the aces in match with Machinists
This editorial will appear in tomorrow's print edition.
No union likes having its back against the wall, but that seems to be where the Machinists union stands right now on the question of keeping 787 Dreamliner production in Washington.
Boeing has been ostentatiously talking to South Carolina about building a second 787 factory line in Charleston – in a nonunion plant – instead of Everett, where the plane is now being assembled. South Carolina lawmakers are offering the aerospace company a sweet package of incentives. Boeing's Chicago-based corporate leaders are within days of deciding between Everett and Charleston.
Meanwhile, company and union leaders have been quietly discussing Boeing's central condition for sticking with Everett: a no-strike guarantee good for 10 years. The Seattle Times reported Tuesday that those talks aren't making much progress.
Boeing is reportedly pushing for what in most cases would seem a reasonable alternative: binding arbitration.
Like any union, though, the Machinists are loath to give up their nuclear weapon. They've reportedly also thrown another – far bigger – issue into the mix, pushing for a promise that the successors to the 737 and 777 will also be built in this state.
The union appears to be putting more chips on the table than its cards warrant. Keeping 787 production here seems a large enough goal without throwing the 737 and 777 replacements into the deal.
Read more »


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Sarah Palin Posts Facebook Response on 'Drill, Baby, Drill'/
GreenTracker| To her credit, Sarah Palin has posted a no-nonsense answer to people like AOC, who want to hear her position on 'Drill, Baby, Drill'.
Sarah Palin answered swiftly and without running from her long-established position. Her answer is unlike most that will come out of Washington, which will be to beat the crap out of BP, even though Congress has done nothing to advance America's energy dependency on oil.
We find the business/scientific/environmental situation much more complex than Sarah Palin suggests, but applaud her quick Facebook response.
If this incident doesn't sober up Americans on the need for alternative fuels, we don't know what more is required. America has wasted 40 years with mental masturbation that we're the chosen people, and God will help us live on oil because … well because we have a divine right to live on oil. God will provide.
With God on our side, intelligent thinking and strategic planning is not required for the United States of America.
What if God thinks we are behaving stupidly, wasting the divine intelligence that s(he) has given us? What if God believes we should think with brain cells, and not just assume that s(he) will wave a magic wand over our angelic heads, saving our divine American butts?
What if it's time for Ronald Regan to ride into the sunset along with John Wayne. Welcome to the 21st century, my dear Americans. Anne


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Have you ever purchased from PartSelect.com before?
Thank you for helping make our site better.
Part Number WP74004153 replaces: 74004153, 7407P077-60, 7407P101-60, 7407P136-60.
PartSelect Number PS11744053
Manufacturer Part Number WP74004153
Manufactured by Whirlpool
This part works with the following brands: Maytag, Jenn-Air, Whirlpool, Magic Chef, Amana, Kenmore, KitchenAid, Crosley, Admiral, Norge, Litton.
This part works with the following products: Range, Wall Oven, Cooktop, Microwave Oven Combo.
Part Number WP74004153 replaces: 74004153, 7407P077-60, 7407P101-60, 7407P136-60.
Light below the 2 heating elements switches stay on when switch is turned off.
Hi Samuel,
Thank you for your inquiry. I would say that you would have to replace your Indicator Light then. They are they own separate switch so if it is not working correctly, this part is the likely culprit. I hope this helps!
Checked power. Had power to the oven, but no response from the control panel (Clock). Noticed that lower oven light was intrmittent. Ordered parts.When parts arrived, removed power, Removed front panel (three screws). Replaced old control panel and lower oven indicator light, Replaced panel. Turned power back on, AND IT WORKS.
Help other customers find the most helpful instructions.
Were these instructions helpful?
Removered top back panel, cover plate and half of the back plate. Replaced the thermostat and light lens and light indicator. Replacement of ordered parts was fast and easy. Delivery was fast and easy. All factors rate a 10. Thanks for the speed in completing my order.
All brand logos are trademarks of their respective owners.
The PartSelect logo is a Registered Trademark of Atlantic Laundry Centres, Ltd.
Copyright © 1999-2017 , Eldis Group Partnership. All rights reserved.


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NANTWICH residents are invited to join Yorkshire Building Society's 150th anniversary celebrations by nominating small charities and good causes in their community to receive a share of £150,000.
Yorkshire Building Society Charitable Foundation has made the donation available as part of its annual Make a Difference campaign.
Colleagues at the Society's branch on High Street are calling on local residents and shoppers to call in to the branch and nominate a charity or good cause close to their heart between Monday 18 and Saturday 23 August. All nominated charities will be considered to receive a £100 share of the Charitable Foundation's anniversary donation.
Samantha Everett, manager of the branch, said: "The Make a Difference campaign is our opportunity to help some of the smaller causes that can often be overlooked for donations but to whom £100 could really have a positive effect.
"I hope people will take a minute to call into our branch and fill in a nomination form – we would love to be handing out money to our members' favourite charities and good causes in the next few weeks."


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In the year of the 25th anniversary of Piazzolla's death, Argentinean-born violinist Tomás Cotik and Chinese- American pianist Tao Lin follow their critically acclaimed Tango Nuevo with more of Piazzollas richest and most exciting compositions. These fresh adaptations for mostly two or three musicians preserve and celebrate the Nuevo tango masters legacy.
With steel guitar by country-rock vet Dan Dugmore, harp by Willie Nelson main man Mickey Raphael, muscular rock guitars and a handsome bourbon baritone, Indiana longhair Alex Williams casts himself squarely in the outlaw mode Chris Stapleton has rebooted with his debut LP. The 25-year-old rides hard for stoners: "More Than Survival" finds him justifying his Wednesday night buzz; "Little Too Stoned" declares solidarity with "a fucked up generation/Like our nation's never known" while Dugmore's steel blows smoke rings. But "Old Tattoo" is the standout, dialing back the bad ol' boy postures to address a dead grandfather, a deep meditation that shows a real storyteller getting his legs.


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First Tutors is the best place to discover through one search the most suitable Nefyn craft and design tutors for your needs, enabling you to find a home Nefyn craft and design tutor for any subject including GCSE English, A-Level Maths or even university Physics. We also help with language tuition, so if you want to learn Italian, take a Russian course or prepare yourself for Italian life, we can help - and all in Nefyn! Our search will order craft and design Nefyn tutors in your area according to their craft and design lesson costs and distance from you.
If you are a Nefyn craft and design teacher wanting to offer your home craft and design tuition services in Nefyn or anywhere else across the UK, please register with First Tutors or find out more about what we do here. Home craft and design tuition is a great way to re-affirm your craft and design knowledge while helping someone else, all in the Nefyn area!


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After losing a front wing in a first lap incident, rookie Robert Doornbos scored the second victory in his Champ Car World Series career with a tactical win on the streets of San Jose. Robert Doornbos celebrates. Photo by Tom ...
After losing a front wing in a first lap incident, rookie Robert Doornbos scored the second victory in his Champ Car World Series career with a tactical win on the streets of San Jose.
Rookie Neil Jani finished second and Oriol Servia came third for the final podium spot.
Champ Car used a standing-start format for today's race. At the start, Doornbos ran into the car of Jan Heylen at the first corner hairpin, losing his front wing, which actually became stuck on Heylen's car. Doornbos stalled, but Champ Car safety pulled him back towards the pits for repairs.
Prior to the full-course yellow flag that flew for Doornbos, Bourdais went wide at the hairpin and Wilson took the advantage and the lead.
As the cars lined up for the re-start, Clarke bumped into the rear end of Wilson's car. Clarke made it around to replace his wing, but Wilson suffered right rear suspension damage, returning to the event 21 laps down. It was extremely disappointing for Wilson, as arguably he had the best car in the field.
"When we were coming around for the restart, I hadn't even gotten to the exit of Turn 6 and I got rammed from behind", Wilson said of the incident. "I do not know what Dan (Clarke) was thinking, he must not have been paying attention and just came flying into the back of me. The #9 CDW crew did a really good job trying to change the drive shaft after it broke from the contact with Clarke. That is not something that is easy to change because they have to take every thing else off the rear corner to get to it. So, then I was just sitting there in disbelief and waiting until it was time to go again. After that, when I was able to get back out there, I was just trying to stay out of people's way and hoping that enough people would drop out of the race so that I could get as high of a finish that I could possibly salvage."
Just when it looked like things would settle down a bit, Legge brought out the second caution of the afternoon when se slid out in Turn Two and collected the wall. Her race was over after just thirteen laps.
With Wilson out, Servia took over the lead after starting fourth. 25 laps in, Servia led rookie Neel Jani (-0.967 sec.), Paul Tracy (-1.760 sec.), Graham Rahal (-2.390 sec.) and Alex Tagliani (-3.351 sec.). At this point, Bourdais had slipped down to seventh behind Will Power.
Tagliani made it around Rahal on Lap 30 as the leaders prepared for the first round of pit stops. Jani closed in on Servia, pushing the Spaniard harder and harder until finally taking the leader in Turn One.
Tracy watched from behind, two seconds or about half a block behind on the 7-turn 1.5-mile street course. Jani quickly pulled out 1.5 second lead. Tracy started the exodus to pit lane on Lap 38. Jani dove in two laps later with Servia in-tow.
Rahal stalled during his stop, loosing at least ten seconds in the process. Doornbos, who was out of sequence with the lead group came in for a splash of fuel, and found himself at the top of the field following the pit stop shuffle.
"It just basically didn't have enough RPM's", Rahal said. "I don't believe it was anything I did because it was the same routine as normal. From there on out it was pretty uneventful because I was just saving fuel but I also had to really pus hard to catch the guys in front of me."
Doornbos relinquished the lead to Jani and filtered down to third place after his stop. Servia and Jani swapped the lead a few time over the next several laps, one taking the other under braking at the hairpin.
Servia held a 1.6-second lead with his final stop coming up.
Tracy fell off the pace on Lap 75; the team had called for him to come in for fuel just before. As the Canadian stalled near the pit entrance, the starter waved for another full-course yellow. There would be no podium this race for the former series champion, the Canadian re-entering competition some two laps down.
The leaders hit the pits with thirty minutes left in the 1:45-minute timed event. Doornbos cycled back up to the front, and Jani got around Servia with a faster stop. Rookie Gommendy moved up to fourth, with Power, Bourdais, Rahal, Tagliani, Bruno Junqueira and Pagenaud making up the top-ten.
Jani moved past Doornbos on the re-start. Servia looked to do the same but settled in a half-second behind. Tagliani pulled into the pits with mechanical problems, letting Rahal move into sixth.
Alex Figge found the wall in Turn Three's exit which brought out the final caution of the race. Now would be the time for this proved to be a critical point for Doornbos' Minardi Team USA fuel strategy.
Gommendy missed his opportunity to pit after his radio went dead. He tried to make it around quickly, but ended up passing the pace car in the process. The penalty was a drive through the pits, but the real loss was dropping down to tenth.
"It was up and down, I really hoped to win", Jani said of the effort. On our last stint we were on softer "red" tires and the rest of the guys were on the harder "blacks". I think that's what did it for us."
Like a bullet, Doornbos set sail for the end, leaving the field more than five seconds back. Gommendy found some of the fight that was in him and worked past Heylen and Pagenaud into eighth.
Taking a well-deserved checkered flag, Doornbos won by a full six seconds over Jani, and Servia. Rounding out the top-ten included Will Power, Bourdais, Rahal, Junqueira, Gommendy, Pagenaud, Heylen and Tracy. Veteran Mario Dominguez, who ran a quiet race, finished three laps down in twelfth.
Bourdais' lead in the championship shrinks in half, as he now tops Doornbos 216-206 with nine of sixteen races completed. Power sits in third with 192 points. The series will make its next stop at Elkhart Lake on the very fast four-mile road circuit August 10-12.


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Speaking can be the most fun a coach can have, or it can be the most daunting prospect in the world. If you agree with the second option, you might like to consider learning to love it, or at least like it, because it can bring you more visibility, more credibility and more money. What […]Read more →
What is the first thing that comes when I say the word, 'completion?' My mind goes to, "it's over" or "it's done." Completion offers us the chance to acknowledge endings, opening the door to what's next. We may agree that everything ends, even as we argue for the durability of things. We agree that change […]Read more →
This is part of an ongoing series. Two artists and academics from London (DASHNDEM) were inspired to create their Reaching Re-Birth project for the fourth Athens Biennale (Now What?), examining how techniques of the 'self' – more specifically life coaching – can aid citizens of recession-hit Greece to overcome hardship. Eleven coaches, all ICF members, […]Read more →
Dear fellow members, It is a great honor to serve one more year as the ICF Chair of the board in 2014. In January, the ICF Global Board of Directors met for three days in Long Beach, CA. We discussed industry trends, major budget assumptions, and reviewed implementation plans regarding credential and accreditation programs. We […]Read more →
As a coach growing your business, you will spend a lot of time talking about your coaching services and doing a variety of marketing activities. To leverage your efforts, it is a must to have a proven process in place so that when you attract an interested prospect, it becomes a natural next step to […]Read more →
ICF is the largest worldwide resource for professional coaches, and the source for those who are seeking a coach. Formed in 1995, today ICF is the leading global organization, with over 20,000 members, dedicated to advancing the coaching profession by setting high professional standards, providing independent certification, and building a network of credentialed coaches.
Visit our website.


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Continue 35km's on the Ventersdorp freeway. Naleloudi Lodge. Traveling from Potchefstroom. Turn left at Naleloudi Lodge sign and continue 5km's on tar road up to T-conjunction. Turn left and continue 1.1 km's. Turn right at Naleloudi Lodge turn off.
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Continue 35km's on the Ventersdorp freeway
Naleloudi Lodge
Traveling from
Turn left at NaleloudiLodge signand continue 5km's on tar road up to T-conjunction
Turn left and continue 1.1 km's. Turn right at NaleloudiLodge turn off
Turn right and continue 12.1 km's on tar road. Turn right at Naleloudi lodge turn off
Naleloudi Lodge
Continue 5km's on the Potchefstroomon freeway
Contact : Leonie Scholtz 083 286 3831
E-Mail : [email protected]
Website address : www.naleloudilodge.co.za
GPS co ordinates:
S26° Grade 26 ¯59.2"
E26° Grade 52 '07.6"
Traveling from Ventersdorp


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Scott Miranda is a seasoned communications professional with more than 25 years' experience in the public relations and marketing fields. As a managing director at DKC, he has developed and implemented strategic communications campaigns addressing brand and corporate objectives for a wide range of clients including Facebook/Instagram, Citi, Delta Airlines, United States Tennis Association, USA Track & Field, New Balance Athletic Shoe, Esquire Network, Madison Square Garden, ESPN, NBC Sports Group, Fanatics.com, Sports Illustrated, McDonalds, Showtime, Russell Athletic, Nitro Circus and The Players' Tribune among others.
He has also developed award winning public affairs programs and handled crisis situations on behalf of high profile individuals, Fortune 500 companies and sports properties. Miranda was awarded the 2015 Cynopsis Sports Media PR Professional of the Year Award.
Prior to joining DKC, Miranda held a senior position at Millsport, a sports marketing company based in Stamford, Connecticut, where he managed national consumer marketing programs for companies including VISA, Pepsi, Gatorade and American Airlines.
Miranda graduated from the State University of New York at Buffalo in 1989, is an adjunct professor at Iona College and currently resides in Westchester, New York.


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|28 Sep 2012
BSOD trying to SLEEP, SHUTS DOWN instead
for the past few days when i click on Sleep the computer shuts down (not hibernating), so in the morning when i wake up i have to press the power button to reboot, it goes to black bios screen saying it shut down wrong, whether to start normally or safe mode, i choose normally, then when i get to the desktop a window comes up saying it shut down wrong...
i ran your diagnostic tool and have attached my zip file. please let me know how to fix this issue. thanks!
(Windows 7 Home Premium 64 bit) Sony Vaio laptop with about 34 GB free on HDD and 3GB RAM
|My System Specs
|28 Sep 2012
Welcome aboard, Nick.
A PC will not go to hibernate in some situations like ....
► If there is not enough Space in the C Drive.
Let us see....
Drive C: Description Local Fixed Disk Compressed No File System NTFS Size 465.66 GB (500,000,878,592 bytes) Free Space 34.18 GB (36,698,836,992 bytes)
Hard Disk Space - Free Up and Recover
► If the Hibernate is disabled. Then it is enable it. Follow the tutorial to enable it:
Hibernate - Enable or Disable
► If the hibernate file is damaged.
First disable hibernate. Then run Disk Check, and then enable it again.
Let us know the results.
|My System Specs
|07 Oct 2012
i ran a check disc and then enabled hibernate but it still shuts down instead of Sleeps... anything else i can try? thanks for response.
|My System Specs
|08 Oct 2012
Yes, there is one more thing to do .... ensure that there is enough free space in the HDD, the first point.
As my earlier post says (information obtained from the files you uploaded), the free space available is not enough for it. Try Hard Disk Space - Free Up and Recover. Code:
Size 465.66 GB (500,000,878,592 bytes) Free Space 34.18 GB (36,698,836,992 bytes)
|My System Specs
|08 Oct 2012
i can free up some more but it wont be too much. a few months ago i only had a few GB free and the Sleep function worked just fine then, why would it not work now that I have 34 GB free? I will free some up today so it'll be around 45-50GB free.
I attached my MSINFO32.zip
|My System Specs
|08 Oct 2012
Drive C: Description Local Fixed Disk Compressed No File System NTFS Size 465.66 GB (500,000,878,592 bytes) Free Space 34.16 GB (36,674,101,248 bytes) Volume Name Volume Serial Number 3AC0ED1C
|My System Specs
|08 Oct 2012
i have been storing important files on a 2 TB external HDD but I also keep a lot of it on my laptop as a backup if my external dies (which i've had many do). at what point should my computer go back to normal and actually sleep if i deleted files? how many GB need to be freed up? and if that does nothing to solve the issue then what?
|My System Specs
|08 Oct 2012
nuke126, try to free up as much as possible. Preferably, free up everything other than the OS , program files, user files etc essential things.
|My System Specs
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This variety store has the funniest cards I have read.There are cards for many different occasions.The merchandise is very unusual and I would recommend ...
All reviews seem positive
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Print Publication Year: 2012
Print ISBN: 9780521194679
Online Publication Date: October 2012
Online ISBN: 9780511978951
Book DOI: http://dx.doi.org/10.1017/CBO9780511978951
Examining the intersections between musical culture and a British project of reconstruction from the 1940s to the early 1960s, this study asks how gestures toward the past negotiated issues of recovery and renewal. In the wake of the Second World War, music became a privileged site for re-enchanting notions of history and community, but musical recourse to the past also raised issues of mourning and loss. How was sound figured as a historical object and as a locus of memory and magic? Wiebe addresses this question using a wide range of sources, from planning documents to journalism, public ceremonial and literature. Its central focus, however, is a set of works by Benjamin Britten that engaged both with the distant musical past and with key episodes of postwar reconstruction, including the Festival of Britain, the Coronation of Elizabeth II and the rebuilding of Coventry Cathedral.
Print Publication Year: 2016
Print ISBN: 9781107137899
Online Publication Date: November 2016
Online ISBN: 9781316481080
Book DOI: http://dx.doi.org/10.1017/CBO9781316481080
Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated as mere decoration. Dance and Drama in French Baroque Opera exposes the multiple and meaningful roles that dance has played, starting from Jean-Baptiste Lully's first opera in 1672. It counters prevailing notions in operatic historiography that dance was parenthetical and presents compelling evidence that the divertissement - present in every act of every opera - is essential to understanding the work. The book considers the operas of Lully - his lighter works as well as his tragedies - and the 46-year period between the death of Lully and the arrival of Rameau, when influences from the commedia dell'arte and other theatres began to inflect French operatic practices. It explores the intersections of musical, textual, choreographic and staging practices at a complex institution - the Académie Royale de Musique - which upheld as a fundamental aesthetic principle the integration of dance into opera.
Print Publication Year: 1982
Print ISBN: 9780521235266
Online Publication Date: December 2009
Online ISBN: 9780511552380
Book DOI: http://dx.doi.org/10.1017/CBO9780511552380
This new imprint is established to publish in paperback for an individual readership the Press's most outstanding original monographs. These are titles that would normally appear only in hardback editions for specialists, but whose quality and general academic importance justify their special promotion in this prestige imprint. The series will include both new and recent titles drawn from the whole range of the Press's very substantial publishing programs in the humanities and social sciences, and therefore represents some of the best current scholarship in the English language.
Print Publication Year: 2013
Print ISBN: 9781107021563
Online Publication Date: March 2013
Online ISBN: 9781139109406
Book DOI: http://dx.doi.org/10.1017/CBO9781139109406
Cynthia Verba's book explores the story of music's role in the French Enlightenment, focusing on dramatic expression in the musical tragedies of the composer-theorist Jean-Philippe Rameau. She reveals how his music achieves its highly moving effects through an interplay between rational design, especially tonal design, and the portrayal of feeling and how this results in a more nuanced portrayal of the heroine. Offering a new approach to understanding Rameau's role in the Enlightenment, Verba illuminates important aspects of the theory-practice relationship and shows how his music embraced Enlightenment values. At the heart of the study are three scene types that occur in all of Rameau's tragedies: confession of forbidden love, intense conflict and conflict resolution. In tracing changes in Rameau's treatment of these, Verba finds that while he maintained an allegiance to the traditional French operatic model, he constantly adapted it to accommodate his more enlightened views on musical expression.
Print Publication Year: 2012
Print ISBN: 9781107015142
Online Publication Date: August 2012
Online ISBN: 9781139057714
Book DOI: http://dx.doi.org/10.1017/CBO9781139057714
Haydn is enjoying renewed appreciation as one of the towering figures of Western music history. This lively collection builds upon this resurgence of interest, with chapters exploring the nature of Haydn's invention and the cultural forces that he both absorbed and helped to shape and express. The volume addresses Haydn's celebrated instrumental pieces, the epoch-making Creation and many lesser-known but superb vocal works including the Masses, the English canzonettas and Scottish songs and the operas L'isola disabitata and L'anima del filosofo. Topics range from Haydn's rondo forms to his violin fingerings, from his interpretation of the Credo to his reading of Ovid's Metamorphoses, from his involvement with national music to his influence on the emerging concept of the musical work. Haydn emerges as an engaged artist in every sense of the term, as remarkable for his critical response to the world around him as for his innovations in musical composition.
Print Publication Year: 2015
Print ISBN: 9781107022218
Online Publication Date: October 2015
Online ISBN: 9781139135511
Book DOI: http://dx.doi.org/10.1017/CBO9781139135511
In the early nineteenth century over forty operas by foreign composers, including Mozart, Rossini, Weber and Bellini, were adapted for London playhouses, often appearing in drastically altered form. Such changes have been denigrated as 'mutilations'. The operas were translated into English, fitted with spoken dialogue, divested of much of their music, augmented with interpolations and frequently set to altered libretti. By the end of the period, the radical changes of earlier adaptations gave way to more faithful versions. In the first comprehensive study of these adaptations, Christina Fuhrmann shows how integral they are to our understanding of early nineteenth-century opera and the transformation of London's theatrical and musical life. This book reveals how these operas accelerated repertoire shifts in the London theatrical world, fostered significant changes in musical taste, revealed the ambiguities and inadequacies of copyright law and sparked intense debate about fidelity to the original work.
Print Publication Year: 1992
Print ISBN: 9780521393010
Online Publication Date: June 2012
Online ISBN: 9781139166416
Book DOI: http://dx.doi.org/10.1017/CBO9781139166416
Bizet's Carmen is probably the best known opera of the standard repertoire, yet its very familiarity often prevents us from approaching it with the seriousness it deserves. This Handbook explores the opera in a number of contexts, bringing to the surface the controversies over gender, race, class and musical propriety. After a study of Mérimée's story Carmen by Peter Robinson, Susan McClary examines the social tensions in nineteenth-century France that inform both that story and the opera, and traces the opera through its genesis and reception. The Handbook concludes with discussions of four films based on the opera. The volume contains a bibliography, music examples, and a synopsis and will be of interest to students, scholars, and operagoers.
Print Publication Year: 1985
Print ISBN: 9780521228244
Online Publication Date: August 2010
Online ISBN: 9780511620041
Book DOI: http://dx.doi.org/10.1017/CBO9780511620041
This book is intended primarily as a guide for the opera goer. It includes a synopsis of the plot, with indications of the themes and motifs used in it, and discusses the style of the opera, Tosca being a typical example of Italian naturalism in operas, verismo. It compares Puccini's libretto with Sardou's play La Tosca, analyses the close-knit structure of the work and examines salient points in the music. It also describes the genesis of the work (quoting wherever appropriate, Puccini's own remarks about it), its first production and early reception. A subsidiary aim of the book is to present the opinions, positive and negative, that have been expressed by various critics about the opera since its first production in 1900. There are contributions from the celebrated singer and producer of Tosca Tito Gobbi, and two other musicologists, Roger Parker and William Ashbrook. Malcolm Walker has provided a discography.
Print Publication Year: 2015
Print ISBN: 9781107027084
Online Publication Date: May 2015
Online ISBN: 9781139225243
Book DOI: http://dx.doi.org/10.1017/CBO9781139225243
The relationship between Gustav Mahler's career as conductor and his symphonic writing has remained largely unexplored territory with respect to his provocative re-invention of the Austro-German symphony at the turn of the twentieth century. This study offers a new account of these works by allowing Mahler's decisive contribution to the genre to emerge in light of his sustained engagement with the musical, theatrical, and aesthetic traditions of the Austrian fin de siècle. Appealing to ideas of landscape, mobility, and theatricality, Thomas Peattie elaborates a richly interdisciplinary framework that draws attention to the composer's unique symphonic idiom in terms of its radical attitude toward the presentation and ordering of musical events. The identification of a fundamental tension between the music's episodic nature and its often-noted narrative impulse in turn suggests a highly original symphonic dramaturgy, one that is ultimately characterized by an abstract theatricality.
Print Publication Year: 2016
Print ISBN: 9780521818414
Online Publication Date: February 2016
Online ISBN: 9780511998454
Book DOI: http://dx.doi.org/10.1017/CBO9780511998454
Of all the great composers of the eighteenth century, Handel was the supreme cosmopolitan, an early and extraordinarily successful example of a freelance composer. For thirty years the opera-house was the principal focus of his creative work and he composed more than forty operas over this period. In this book, David Kimbell sets Handel's operas in their biographical and cultural contexts. He explores the circumstances in which they were composed and performed, the librettos that were prepared for Handel, and what they tell us about his and his audience's values and the music he composed for them. Remarkably no Handel operas were staged for a period of 170 years between 1754 and the 1920s. The final chapter in this book reveals the differences and similarities between how Handel's operas were performed in his time and ours.
Print Publication Year: 2012
Print ISBN: 9780521895347
Online Publication Date: November 2012
Online ISBN: 9781139021548
Book DOI: http://dx.doi.org/10.1017/CBO9781139021548
David Beard presents the first definitive survey of Harrison Birtwistle's music for the opera house and theatre, from his smaller-scale works, such as Down by the Greenwood Side and Bow Down, to the full-length operas, such as Punch and Judy, The Mask of Orpheus and Gawain. Blending source study with both music analysis and cultural criticism, the book focuses on the sometimes tense but always revealing relationship between abstract musical processes and the practical demands of narrative drama, while touching on theories of parody, narrative, pastoral, film, the body and community. Each stage work is considered in terms of its own specific musico-dramatic themes, revealing how compositional scheme and dramatic conception are intertwined from the earliest stages of a project's genesis. The study draws on a substantial body of previously undocumented primary sources and goes beyond previous studies of the composer's output to include works unveiled from 2000 onwards.
Print Publication Year: 2017
Print ISBN: 9781107116719
Online Publication Date: September 2017
Online ISBN: 9781316337752
Book DOI: http://dx.doi.org/10.1017/9781316337752
Mozart's greatest works were written in Vienna in the decade before his death (1781–1791). This biography focuses on Mozart's dual roles as a performer and composer and reveals how his compositional processes are affected by performance-related concerns. It traces consistencies and changes in Mozart's professional persona and his modus operandi and sheds light on other prominent musicians, audience expectations, publishing, and concert and dramatic practices and traditions. Giving particular prominence to primary sources, Simon P. Keefe offers new biographical and critical perspectives on the man and his music, highlighting his extraordinary ability to engage with the competing demands of singers and instrumentalists, publishing and public performance, and concerts and dramatic productions in the course of a hectic, diverse and financially uncertain freelance career. This comprehensive and accessible volume is essential for Mozart lovers and scholars alike, exploring his Viennese masterpieces and the people and environments that shaped them.
Print Publication Year: 2015
Print ISBN: 9781107044234
Online Publication Date: October 2015
Online ISBN: 9781107360051
Book DOI: http://dx.doi.org/10.1017/CBO9781107360051
Cultural, historical and reception-related contexts are central to understanding Mozart, one of the greatest and most famous musicians of all time. Widening and refining the lens through which the composer is viewed, the essays in Mozart Studies 2 focus on themes, issues, works and repertories perennially popular among Mozart scholars of all kinds, pointing to areas primed for future study and also suitable for investigation by musicians outside the scholarly community. Following on from the first Mozart Studies volume, internationally renowned contributors bring new perspectives to bear on many of Mozart's most popular works, as well as the composer's letters, biography, and reception. Chapters are grouped according to topics covered and collectively affirm the vitality of Mozart scholarship and the significant role it continues to play in defining and redefining musicological priorities in general.
Print Publication Year: 2013
Print ISBN: 9780521877596
Online Publication Date: July 2013
Online ISBN: 9781139034081
Book DOI: http://dx.doi.org/10.1017/CBO9781139034081
Music in Germany since 1968 modifies the dominant historiography of music in post-war Germany by shifting its axis from the years of reconstruction after 1945 to the era following the events of 1968. Arguing that the social transformations of 1968 led to a new phase of music in Germany, Alastair Williams examines the key topics, including responses to serialism, music and politics, and the re-evaluation of tradition. The book devotes central chapters to Helmut Lachenmann and Wolfgang Rihm, as focal points for areas such as postmodernism, musical semiotics and action-based gestures. Further chapters widen the scope by considering the precursors and contemporaries of Rihm and Lachenmann, especially in relation to the idea of historical inclusion. Williams's study also assesses the development of the Darmstadt summer courses, addresses the significance of German reunification, and considers the role of Germany in a new stage of musical modernism.
Cambridge Introductions to Music
Print Publication Year: 2012
Print ISBN: 9780521763028
Online Publication Date: June 2012
Online ISBN: 9780511980558
Book DOI: http://dx.doi.org/10.1017/CBO9780511980558
What is opera and how does it work? How has this dramatic form developed and what is its relevance in the modern world? Perfect for music students and opera-goers, this introductory guide addresses these questions and many more, exploring opera as a complete theatrical experience. Organised chronologically and avoiding technical musical terminology, the book clearly demonstrates how opera reflected and reacted to changes in the world around it. A special feature of the volume is the inclusion of illustrative tables throughout. These provide detailed, easy to follow analysis of arias, scenes and acts; visual guides to historical movements; and chronologies relating to genres and individual composers' works. Overall, the book fosters an understanding of opera as a living form as it encounters and uses material from an ever expanding repertoire in time, place and culture.
Print Publication Year: 2015
Print ISBN: 9781107004269
Online Publication Date: January 2015
Online ISBN: 9780511783661
Book DOI: http://dx.doi.org/10.1017/CBO9780511783661
Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Célestine Galli-Marié; Massenet's muse of the 1880s and '90s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally "vocal". Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.
Print Publication Year: 2001
Print ISBN: 9780521800129
Online Publication Date: September 2009
Online ISBN: 9780511481758
Book DOI: http://dx.doi.org/10.1017/CBO9780511481758
This book explores the cultural and commercial life of Italian opera in late eighteenth-century London. Through primary sources, many analyzed for the first time, Ian Woodfield examines such issues as finances, recruitment policy, handling of singers and composers, links with Paris and Italy, and the role of women in opera management. These key topics are also placed within the context of a dispute between two of the most important managers of the day, Frances Brooke and David Garrick, and the major venues of the time: the King's Theatre and its rivals Drury Lane and Covent Garden.
Print Publication Year: 2015
Print ISBN: 9781107051898
Online Publication Date: January 2015
Online ISBN: 9781107280274
Book DOI: http://dx.doi.org/10.1017/CBO9781107280274
At the turn of the twentieth century Italian opera participated to the making of a modern spectator. The Ricordi stage manuals testify to the need to harness the effects of operatic performance, activating opera's capacity to cultivate a public. This book considers how four operas and one film deal with their public: one that in Boito's Mefistofele is entertained by special effects, or that in Verdi's Simon Boccanegra is called upon as a political body to confront the specters of history. Also a public that in Verdi's Otello is subjected to the manipulation of contemporary acting, or one that in Puccini's Manon Lescaut is urged to question the mechanism of spectatorship. Lastly, the silent film Rapsodia satanica, thanks to the craft and prestige of Pietro Mascagni's score, attempts to transform the new industrial medium into art, addressing its public's search for a bourgeois pan-European cultural identity, right at the outset of WWI.
Print Publication Year: 2007
Print ISBN: 9780521856751
Online Publication Date: September 2009
Online ISBN: 9780511481734
Book DOI: http://dx.doi.org/10.1017/CBO9780511481734
This edited volume brings together academic specialists writing on the multi-media operatic form from a range of disciplines: comparative literature, history, sociology, and philosophy. The presence in the volume's title of Pierre Bourdieu, the leading cultural sociologist of the late twentieth century, signals the editors' intention to synthesise advances in social science with advances in musicological and other scholarship on opera. Through a focus on opera in Italy and France, the contributors to the volume draw on their respective disciplines both to expand our knowledge of opera's history and to demonstrate the kinds of contributions that stand to be made by different disciplines to the study of opera. The volume is divided into three sections, each of which is preceded by a concise and informative introduction explaining how the chapters in that section contribute to our understanding of opera.
Print Publication Year: 2012
Print ISBN: 9780521887601
Online Publication Date: November 2012
Online ISBN: 9781139034302
Book DOI: http://dx.doi.org/10.1017/CBO9781139034302
Historians of French politics, art, philosophy and literature have long known the tensions and fascinations of Louis XV's reign, the 1750s in particular. David Charlton's study comprehensively re-examines this period, from Rameau to Gluck and elucidates the long-term issues surrounding opera. Taking Rousseau's Le Devin du Village as one narrative centrepiece, Charlton investigates this opera's origins and influences in the 1740s and goes on to use past and present research to create a new structural model that explains the elements of reform in Gluck's tragédies for Paris. Charlton's book opens many new perspectives on the musical practices and politics of the period, including the Querelle des Bouffons. It gives the first detailed account of intermezzi and opere buffe performed by Eustachio Bambini's troupe at the Paris Opéra from August 1752 to February 1754 and discusses Rameau's comedies Platée and Les Paladins and their origins.
Print Publication Year: 2011
Print ISBN: 9780521118903
Online Publication Date: May 2011
Online ISBN: 9780511921216
Book DOI: http://dx.doi.org/10.1017/CBO9780511921216
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comédie humaine to Proust's À la recherche du temps perdu, by way of (among others) Dumas père's Le Comte de Monte-Cristo and Leroux's Le Fantôme de l'Opéra. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.
Print Publication Year: 2011
Print ISBN: 9781107014299
Online Publication Date: January 2012
Online ISBN: 9781139013697
Book DOI: http://dx.doi.org/10.1017/CBO9781139013697
The Italian opera company in Prague managed by Pasquale Bondini and Domenico Guardasoni played a central role in promoting Mozart's operas during the final years of his life. Using a wide range of primary sources which include the superb collections of eighteenth-century opera posters and concert programmes in Leipzig and the Indice de' teatrali spettacoli, an almanac of Italian singers and dancers, this study examines the annual schedules, recruitment networks, casting policies and repertoire selections of this important company. Woodfield shows how Italian-language performances of Figaro, Don Giovanni, Così fan tutte and La clemenza di Tito flourished along the well-known cultural axis linking Prague in Bohemia to Dresden and Leipzig in Saxony. The important part played by concert performances of operatic arias in the early reception of Mozart's works is also discussed and new information is presented about the reception of Josepha Duschek and Mozart in Leipzig.
Print Publication Year: 2010
Print ISBN: 9780521519960
Online Publication Date: May 2010
Online ISBN: 9780511676321
Book DOI: http://dx.doi.org/10.1017/CBO9780511676321
All modern artists have had to market themselves in some way. Richard Wagner may just have done it better than anyone else. In a self-promotional effort that began around 1840 in Paris, and lasted for the remainder of his career, Wagner claimed convincingly that he was the most German composer ever and the true successor of Beethoven. More significantly, he was an opera composer who declared that he was not composing operas. Instead, during the 1850s, he mapped out a new direction, conceiving of works that would break with tradition and be literally 'brand new'. This is the first study to examine the innovative ways in which Wagner made himself a celebrity, promoting himself using every means available: autobiography, journal articles, short stories, newspaper announcements, letters, even his operas themselves. Vazsonyi reveals how Wagner created a niche for his works in the crowded opera market that continues to be unique.
Print Publication Year: 2014
Print ISBN: 9780521456593
Online Publication Date: November 2014
Online ISBN: 9780511979699
Book DOI: http://dx.doi.org/10.1017/CBO9780511979699
Richard Strauss' fifteen operas, which span the years 1893 to 1941, make up the largest German operatic legacy since Wagner's operas of the nineteenth century. Many of Strauss's works were based on texts by Europe's finest writers: Oscar Wilde, Hugo von Hofmannsthal and Stefan Zweig, among others, and they also overlap some of the most important and tumultuous stretches of German history, such as the founding and demise of a German empire, the rise and fall of the Weimar Republic, the period of National Socialism, and the post-war years, which saw a divided East and West Germany. In the first book to discuss all Strauss's operas, Bryan Gilliam sets each work in its historical, aesthetic, philosophical, and literary context to reveal what made the composer's legacy unique. Addressing Wagner's cultural influence upon this legacy, Gilliam also offers new insights into the thematic and harmonic features that recur in Strauss's compositions.
Print Publication Year: 2013
Print ISBN: 9780521632140
Online Publication Date: November 2013
Online ISBN: 9780511980244
Book DOI: http://dx.doi.org/10.1017/CBO9780511980244
Sentimental Opera is a study of the relationship between opera and two major phenomena of eighteenth-century European culture - the cult of sensibility and the emergence of bourgeois drama. A thorough examination of social and cultural contexts helps to explain the success of operas such as Paisiello's Nina as well as the extreme emotional reactions of their audiences. Like their counterparts in drama, literature and painting, these works brought to the fore serious contemporary problems including the widespread execution of deserters, the treatment of the insane, and anxieties relative to social and familial roles. They also developed a specifically operatic version of the dominant language of sensibility. This wide-ranging study involves such major cultural figures as Goldoni, Diderot and Mozart, while refining our understanding of the theatrical genre system of their time.
Print Publication Year: 2010
Print ISBN: 9780521199896
Online Publication Date: August 2011
Online ISBN: 9780511667541
Book DOI: http://dx.doi.org/10.1017/CBO9780511667541
Setting opera within a variety of contexts – social, aesthetic, historical – Lindenberger illuminates a form that has persisted in recognizable shape for over four centuries. The study examines the social entanglements of opera, for example the relation of Mozart's Abduction from the Seraglio and Verdi's Il trovatore to its initial and later audiences. It shows how modernist opera rethought the nature of theatricality and often challenged its viewers by means of both musical and theatrical shock effects. Using recent experiments in neuroscience, the book demonstrates how different operatic forms developed at different periods to create new ways of exciting a public. Lindenberger considers selected moments of operatic history from Monteverdi's Orfeo to the present to study how the form has communicated with its diverse audiences. Of interest to scholars and operagoers alike, this book advocates and exemplifies opera studies as an active, emerging area of interdisciplinary study.
Print Publication Year: 1993
Print ISBN: 9780521404310
Online Publication Date: December 2009
Online ISBN: 9780511620065
Book DOI: http://dx.doi.org/10.1017/CBO9780511620065
Stravinsky's Oedipus Rex is widely acknowledged as one of the most original musical theater works of the twentieth century. This clear and concise guide, the first ever written on the work, describes the plot, the music and the staging in close detail and provides a fully documented discussion of the origins of Oedipus Rex in Stravinsky's own work and thinking. By placing the work in its social context, the author paints a vivid picture of Parisian artistic politics in the twenties, from which emerged one of the richest and most suggestive works of modern times. The full libretto is provided, with a parallel translation.
Print Publication Year: 2016
Print ISBN: 9780521198066
Online Publication Date: September 2016
Online ISBN: 9781139031240
Book DOI: http://dx.doi.org/10.1017/CBO9781139031240
In Technology and the Diva, Karen Henson brings together an interdisciplinary group of scholars to explore the neglected subject of opera and technology. Their essays focus on the operatic soprano and her relationships with technology from the heyday of Romanticism in the 1820s and 1830s to the twenty-first-century digital age. The authors pay particular attention to the soprano in her larger than life form, as the 'diva', and they consider how her voice and allure have been created by technologies and media including stagecraft and theatrical lighting, journalism, the telephone, sound recording, and visual media from the painted portrait to the high definition simulcast. In doing so, the authors experiment with new approaches to the female singer, to opera in the modern - and post-modern - eras, and to the often controversial subject of opera's involvement with technology and technological innovation.
Cambridge Introductions to Literature
Print Publication Year: 2009
Print ISBN: 9780521847650
Online Publication Date: February 2015
Online ISBN: 9780511816963
Book DOI: http://dx.doi.org/10.1017/CBO9780511816963
Scenography – the manipulation and orchestration of the performance environment – is an increasingly popular and key area in performance studies. This book introduces the reader to the purpose, identity and scope of scenography and its theories and concepts. Settings and structures, light, projected images, sound, costumes and props are considered in relation to performing bodies, text, space and the role of the audience. Concentrating on scenographic developments in the twentieth century, the Introduction examines how these continue to evolve in the twenty-first century. Scenographic principles are clearly explained through practical examples and their theoretical context. Although acknowledging the many different ways in which design shapes the creation of scenography, the book is not exclusively concerned with the role of the theatre designer. In order to map out the wider territory and potential of scenography, the theories of pioneering scenographers are discussed alongside the work of directors, writers and visual artists.
Cambridge Introductions to Literature
Print Publication Year: 2013
Print ISBN: 9780521844499
Online Publication Date: April 2013
Online ISBN: 9781139016391
Book DOI: http://dx.doi.org/10.1017/CBO9781139016391
This Introduction is an exciting journey through the different styles of theatre that twentieth-century and contemporary directors have created. It discusses artistic and political values, rehearsal methods and the diverging relationships with actors, designers, other collaborators and audiences, and treatment of dramatic material. Offering a compelling analysis of theatrical practice, Christopher Innes and Maria Shevtsova explore the different rehearsal and staging principles and methods of such earlier groundbreaking figures as Stanislavsky, Meyerhold and Brecht, revising standard perspectives on their work. The authors analyse, as well, a diverse range of innovative contemporary directors, including Ariane Mnouchkine, Elizabeth LeCompte, Peter Sellars, Robert Wilson, Thomas Ostermeier and Oskaras Koršunovas, among many others. While tracing the different roots of directorial practices across time and space, and discussing their artistic, cultural and political significance, the authors provide key examples of the major directorial approaches and reveal comprehensive patterns in the craft of directing and the influence and collaborative relationships of directors.
Print Publication Year: 2006
Print ISBN: 9780521856591
Online Publication Date: June 2012
Online ISBN: 9780511481383
Book DOI: http://dx.doi.org/10.1017/CBO9780511481383
Mozart's enduring popularity, among music lovers as a composer and among music historians as a subject for continued study, lies at the heart of The Cambridge Mozart Encyclopedia. This reference book functions both as a starting point for information on specific works, people, places and concepts as well as a summation of current thinking about Mozart. The extended articles on genres reflect the latest in scholarship and new ways of thinking about the works while the articles on people and places provide historical framework, as well as interpretation.
Print Publication Year: 2013
Print ISBN: 9780521768054
Online Publication Date: December 2013
Online ISBN: 9781139024068
Book DOI: http://dx.doi.org/10.1017/CBO9781139024068
Beethoven and Rossini have always been more than a pair of famous composers. Even during their lifetimes, they were well on the way to becoming 'Beethoven and Rossini' – a symbolic duo, who represented a contrast fundamental to Western music. This contrast was to shape the composition, performance, reception and historiography of music throughout the nineteenth and twentieth centuries. The Invention of Beethoven and Rossini puts leading scholars of opera and instrumental music into dialogue with each other, with the aim of unpicking the origins, consequences and fallacies of the opposition between the two composers and what they came to represent. In fifteen chapters, contributors explore topics ranging from the concert lives of early nineteenth-century capitals to the mythmaking of early cinema, and from the close analysis of individual works by Beethoven and Rossini to the cultural politics of nineteenth-century music histories.
Print Publication Year: 2015
Print ISBN: 9781107118126
Online Publication Date: November 2015
Online ISBN: 9781316339237
Book DOI: http://dx.doi.org/10.1017/CBO9781316339237
Maurice Ravel's operas L'Heure espagnole (1907/1911) and L'Enfant et les sortilèges (1919–25) are pivotal works in the composer's relatively small œuvre. Emerging from periods shaped by very distinct musical concerns and historical circumstances, these two vastly different works nevertheless share qualities that reveal the heart of Ravel's compositional aesthetic. In this comprehensive study, Emily Kilpatrick unites musical, literary, biographical and cultural perspectives to shed new light on Ravel's operas. In documenting the operas' history, setting them within the cultural canvas of their creation and pursuing diverse strands of analytical and thematic exploration, Kilpatrick reveals crucial aspects of the composer's working life: his approach to creative collaboration, his responsiveness to cultural, aesthetic and musical debate, and the centrality of language and literature in his compositional practice. The first study of its kind, this book is an invaluable resource for students, specialists, opera-goers and devotees of French music.
Print Publication Year: 2015
Print ISBN: 9780521896467
Online Publication Date: February 2015
Online ISBN: 9781139030090
Book DOI: http://dx.doi.org/10.1017/CBO9781139030090
Berlioz frequently explored other worlds in his writings, from the imagined exotic enchantments of New Zealand to the rings of Saturn where Beethoven's spirit was said to reside. The settings for his musical works are more conservative, and his adventurousness has instead been located in his mastery of the orchestra, as both orchestrator and conductor. Inge van Rij's book takes a new approach to Berlioz's treatment of the orchestra by exploring the relationship between these two forms of control – the orchestra as abstract sound, and the orchestra as collective labour and instrumental technology. Van Rij reveals that the negotiation between worlds characteristic of Berlioz's writings also plays out in his music: orchestral technology may be concealed or ostentatiously displayed; musical instruments might be industrialised or exoticised; and the orchestral musicians themselves move between being a society of distinctive individuals and being a machine played by Berlioz himself.
Print Publication Year: 2013
Print ISBN: 9781107009882
Online Publication Date: May 2013
Online ISBN: 9780511842559
Book DOI: http://dx.doi.org/10.1017/CBO9780511842559
The Politics of Opera in Handel's Britain examines the involvement of Italian opera in British partisan politics in the first half of the eighteenth century, which saw Sir Robert Walpole's rise to power and George Frideric Handel's greatest period of opera production. McGeary argues that the conventional way of applying Italian opera to contemporary political events and persons by means of allegory and allusion in individual operas is mistaken; nor did partisan politics intrude into the management of the Royal Academy of Music and the Opera of the Nobility. This book shows instead how Senesino, Faustina, Cuzzoni and events at the Haymarket Theatre were used in political allegories in satirical essays directed against the Walpole ministry. Since most operas were based on ancient historical events, the librettos – like traditional histories – could be sources of examples of vice, virtue, and political precepts and wisdom that could be applied to contemporary politics.
Print Publication Year: 2007
Print ISBN: 9780521856881
Online Publication Date: September 2009
Online ISBN: 9780511482045
Book DOI: http://dx.doi.org/10.1017/CBO9780511482045
A detailed investigation of the reception and cultural contexts of Puccini's music, this book offers a fresh view of this historically important but frequently overlooked composer. Wilson's study explores the ways in which Puccini's music and persona were held up as both the antidote to and the embodiment of the decadence widely felt to be afflicting late nineteenth- and early twentieth-century Italy, a nation which although politically unified remained culturally divided. The book focuses upon two central, related questions that were debated throughout Puccini's career: his status as a national or international composer, and his status as a traditionalist or modernist. In addition, Wilson examines how Puccini's operas became caught up in a wide range of extra-musical controversies concerning such issues as gender and class. This book makes a major contribution to our understanding of both the history of opera and of the wider artistic and intellectual life of turn-of-the-century Italy.
Print Publication Year: 2013
Print ISBN: 9781107033375
Online Publication Date: April 2013
Online ISBN: 9781139519663
Book DOI: http://dx.doi.org/10.1017/CBO9781139519663
The tale of the onstage fight between prima donnas Francesca Cuzzoni and Faustina Bordoni is notorious, appearing in music histories to this day, but it is a fiction. Starting from this misunderstanding, The Rival Sirens suggests that the rivalry fostered between the singers in 1720s London was in large part a social construction, one conditioned by local theatrical context and audience expectations, and heightened by manipulations of plot and music. This book offers readings of operas by Handel and Bononcini as performance events, inflected by the audience's perceptions of singer persona and contemporary theatrical and cultural contexts. Through examining the case of these two women, Suzanne Aspden demonstrates that the personae of star performers, as well as their voices, were of crucial importance in determining the shape of an opera during the early part of the eighteenth century.
Print Publication Year: 2017
Print ISBN: 9781107163195
Online Publication Date: May 2017
Online ISBN: 9781316678701
Book DOI: http://dx.doi.org/10.1017/9781316678701
In this book Steven Vande Moortele offers a comprehensive account of operatic and concert overtures in continental Europe between 1815 and 1850. Discussing a broad range of works by German, French, and Italian composers, it is at once an investigation of the Romantic overture within the context of mid-nineteenth century musical culture and an analytical study that focuses on aspects of large-scale formal organization in the overture genre. While the book draws extensively upon the recent achievements of the 'new Formenlehre', it does not use the overture merely as a vehicle for a theory of romantic form, but rather takes an analytical approach that engages with individual works in their generic context.
Print Publication Year: 2013
Print ISBN: 9781107009011
Online Publication Date: May 2013
Online ISBN: 9780511920615
Book DOI: http://dx.doi.org/10.1017/CBO9780511920615
How did Paris and its musical landscape influence Verdi's La traviata? In this book, Emilio Sala re-examines La traviata in the cultural context of the French capital in the mid-nineteenth century. Verdi arrived in Paris in 1847 and stayed for almost two years: there, he began his relationship with Giuseppina Strepponi and assiduously attended performances at the popular theatres, whose plays made frequent use of incidental music to intensify emotion and render certain dramatic moments memorable to the audience. It is in one of these popular theatres that Verdi witnessed one of the first performances of Dumas fils' La Dame aux camélias, which became hugely successful in 1852. Making use of primary source material, including unpublished musical works, journal articles and rare documents and images, Sala's close examination of the incidental music of La Dame aux camélias – and its musical context – offers an invaluable interpretation of La traviata's modernity.
Print Publication Year: 1980
Print ISBN: 9780521229111
Online Publication Date: June 2011
Online ISBN: 9780511586125
Book DOI: http://dx.doi.org/10.1017/CBO9780511586125
Abitare la battaglia, Gabriele Baldini's study of the operas of Verdi from Oberto to Un ballo in maschera, has, since its posthumous publication in 1970, received much critical acclaim both in Italy and elsewhere. Its lack of technical language makes it easily accessible to the general music lover, but its original and sometimes controversial ideas have stimulated a great deal of discussion among Verdi specialists. The book's central concern is to present an analysis of Verdi the musical dramatist, and its conclusions constitute a radical reassessment of the vexed relationship between opera and literary form, between words and music. As Julian Budden says in his foreword: 'It blows a breath of fresh air into the weary platitudes of traditional Verdian criticism.' This English translation, The Story of Giuseppe Verdi, includes some new editorial additions, bringing various factual matters into line with recent Verdi scholarship. But the book's discussion of the music is always left to speak for itself. While many of the comments may offend the purist, they are always based on a profound knowledge and love of Verdi's operatic masterpieces as seen on the stage. They rarely fail to stimulate the reader into thinking more deeply about this immensely rich repertoire.
Print Publication Year: 2005
Print ISBN: 9780521851459
Online Publication Date: October 2009
Online ISBN: 9780511482236
Book DOI: http://dx.doi.org/10.1017/CBO9780511482236
As we follow Achilles' metamorphosis from wild boy to demure girl to lover to hero, Statius brilliantly illustrates a series of contrasting codes of behavior: male and female, epic and elegiac. This first full-length study of the poem addresses not only the narrative itself, but also sets the myth of Achilles on Scyros within a broad interpretive framework. The exploration ranges from the reception of the Achilleid in Baroque opera to the anthropological parallels that have emerged to explain Achilles' transvestism.
Print Publication Year: 2004
Print ISBN: 9780521838818
Online Publication Date: September 2009
Online ISBN: 9780511481727
Book DOI: http://dx.doi.org/10.1017/CBO9780511481727
Cosi fan tutte is widely regarded as Mozart's most enigmatic opera with Lorenzo Da Ponte's most erudite text. Edmund Goehring presents a new perspective on the relationships between text and tone in the opera, the tension between comedy and philosophy as well as its representation in stage works, and the pastoral mode. Goehring's argument is sustained by the detailed analysis of primary sources (many of which are little known), and is richly illustrated with musical examples.
Print Publication Year: 2015
Print ISBN: 9781107098398
Online Publication Date: June 2015
Online ISBN: 9781316161678
Book DOI: http://dx.doi.org/10.1017/CBO9781316161678
The musical leitmotif, having reached a point of particular forcefulness in the music of Richard Wagner, has remained a popular compositional device up to the present day. In this book, Matthew Bribitzer-Stull explores the background and development of the leitmotif, from Wagner to the Hollywood adaptations of The Lord of The Rings and the Harry Potter series. Analyzing both concert music and film music, Bribitzer-Stull explains what the leitmotif is and establishes it as the union of two aspects: the thematic and the associative. He goes on to show that Wagner's Ring cycle provides a leitmotivic paradigm, a model from which we can learn to better understand the leitmotif across style periods. Arguing for a renewed interest in the artistic merit of the leitmotif, Bribitzer-Stull reveals how uniting meaning, memory, and emotion in music can lead to a richer listening experience and a better understanding of dramatic music's enduring appeal.
Print Publication Year: 2008
Print ISBN: 9780521878432
Online Publication Date: September 2009
Online ISBN: 9780511481390
Book DOI: http://dx.doi.org/10.1017/CBO9780511481390
Focusing on Verdi's French operas, Giger shows how the composer acquired an ever better understanding of the various approaches to French versification while gradually bringing his works in line with French melodic aesthetic. In his first French opera, Jérusalem, Verdi treated the text in an overly cautious manner, trying to avoid prosodic mistakes; in Les Vêpres siciliennes he began to apply more freedom, scanning the verses against some prosodic accents to convey the lightheartedness of a melody; and in Don Carlos he finally drew on the entire palette of prosodic interpretations. Most of Verdi's melodic accomplishments in the French operas carried over into the subsequent Italian ones, setting the stage for what later would be called operatic verismo. Drawing attention to the significance of the libretto for the development of nineteenth-century French and Italian opera, this text illustrates Verdi's gradual mastery of the challenges he faced, and their historical significance.
Print Publication Year: 2013
Print ISBN: 9781107043824
Online Publication Date: October 2013
Online ISBN: 9781107340640
Book DOI: http://dx.doi.org/10.1017/CBO9781107340640
Verdi's operas - composed between 1839 and 1893 - portray a striking diversity of female protagonists: warrior women and peacemakers, virgins and courtesans, princesses and slaves, witches and gypsies, mothers and daughters, erring and idealised wives, and, last of all, a feisty quartet of Tudor townswomen in Verdi's final opera, Falstaff. Yet what meanings did the impassioned crises and dilemmas of these characters hold for the nineteenth-century female spectator, especially during such a turbulent span in the history of the Italian peninsula? How was opera shaped by society - and was society similarly influenced by opera? Contextualising Verdi's female roles within aspects of women's social, cultural and political history, Susan Rutherford explores the interface between the reality of the spectators' lives and the imaginary of the fictional world before them on the operatic stage.
Print Publication Year: 1998
Print ISBN: 9780521480369
Online Publication Date: June 2012
Online ISBN: 9780511612145
Book DOI: http://dx.doi.org/10.1017/CBO9780511612145
Norma is by common consent the finest of the ten operas composed during Vincenzo Bellini's short career. Professor Kimbell provides the biographical and cultural context of the opera, examines its artistic qualities and suggests something of the impression Norma has made on our imaginations and sensibilities in the 165 years since it was first produced in Milan. He considers the great interpretations of the eponymous leading role, while also embracing Bellini's work more generally by presenting some of the critical reactions to his music.
Print Publication Year: 1993
Print ISBN: 9780521431446
Online Publication Date: June 2012
Online ISBN: 9780511620058
Book DOI: http://dx.doi.org/10.1017/CBO9780511620058
Idomeneo, by common consent Mozart's greatest opera seria, is a rich synthesis of the dramatic potentialities of Italian opera seria, French tragédie lyrique, and recent German opera. It was composed for the finest orchestra in Germany and some excellent singers. Mozart's relish of the challenge and his problems with some performers and the bureaucracy are uniquely documented in his letters home and these form the basis of a vivid account of the genesis of the opera. A detailed synopsis relates the musical and dramatic action of the opera. Further chapters trace the historical development of its subject matter 'from myth to libretto' and chart the opera's performance history, including a description of Richard Strauss's 1931 reworking. Later chapters consider the opera's general structure and the musical forms, and analyse passages of particular interest.
Print Publication Year: 1991
Print ISBN: 9780521342018
Online Publication Date: May 2010
Online ISBN: 9780511627262
Book DOI: http://dx.doi.org/10.1017/CBO9780511627262
This book analyzes the lifelong impact of Beethoven's music on Wagner and its importance for his conception of music drama. Kropfinger charts and scrutinizes Wagner's early responses to the composer and considers his experience as a conductor of Beethoven's music. A discussion of the Romantic "Beethoven image" leads to a careful study of Wagner's aesthetic writings, including his "programmatic explanations," the text "Concerning Franz Liszt's symphonic poems," and his Beethoven centenary essay. The penultimate chapter addresses Wagner's theory and practice of music drama, which he came to regard as the preordained successor to the Beethoven symphony. By analyzing special terms--such as "Leitmotiv"--Wagner's structural view of musical drama comes to the fore; it is a view that deepens not only our understanding of musical drama as a "hybrid" genre of art but also of purely musical structure and forms that Wagner sought to outdo.
Print Publication Year: 2004
Print ISBN: 9780521820080
Online Publication Date: September 2009
Online ISBN: 9780511481741
Book DOI: http://dx.doi.org/10.1017/CBO9780511481741
Few major artists have aroused the ire and adulation of successive generations as persistently as Richard Wagner. Simon Williams explores the reasons for this adulation and antipathy by analyzing heroism in Wagner's work. Beginning with a definition of the concept of the heroic, Williams then examines it as a function of Wagner's theater and music. He also analyzes all thirteen stage works by Wagner as well as his adaptation of the Romantic hero figure.
Print Publication Year: 2010
Print ISBN: 9780521517393
Online Publication Date: May 2010
Online ISBN: 9780511676284
Book DOI: http://dx.doi.org/10.1017/CBO9780511676284
Through his reading of primary and secondary classical sources, as well as his theoretical writings, Richard Wagner developed a Hegelian-inspired theory linking the evolution of classical Greek politics and poetry. This book demonstrates how, by turning theory into practice, Wagner used this evolutionary paradigm to shape the music and the libretto of the Ring cycle. Foster describes how each of the Ring's operas represents a particular phase of Greek poetic and political development: Das Rheingold and Die Walküre create epic national identity in its earlier and later stages respectively; Siegfried expresses lyric personal identity; and Götterdämmerung destructively culminates with a tragi-comedy about civic identity. This study sees the Greeks through the lens of those scholars whose work influenced Wagner most, focusing on epic, lyric, and comedy, as well as Greek tragedy. Most significantly, the book interrogates the ways in which Wagner uses Greek aesthetics to further his own ideological goals.