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Episode 3: PS Cottier
Posted on September 24, 2016 by Verity La in Verity La Poetry Podcast
Alice and Michele get straight into it with Canberra-based poet PS Cottier. Does entering and judging literary competitions put you on a special level of Dante's Inferno? Is there a hierarchy of poets and poetry? And why do so many poets succumb to writing 'misty cow poetry'?
Penelope reads her poem from Plumwood Mountain, Reading the Frog Economy, along with Denise Levertov's To Live in the Mercy of God, and her own poem published on Verity La, All the blond Jesuses. We end with a recommendation for Samuel Wagan-Watson's Smoke Encrypted Whispers, and grapple with a definition of speculative poetry (and whether snobbery exists around it).
And if that ain't enough, you can go here to enjoy more of the poems and reviews Penelope has published on Verity La, plus, read a rather intriguing interview…
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Missed our earlier episodes? Listen here!
P.S. Cottier is a poet, anthologist and writer who lives in Canberra. She wrote a PhD at ANU on animal imagery in the works of Charles Dickens, and co-edited The Stars Like Sand: Australian Speculative Poetry. Her latest publication is a chapbook called Quick Bright Things: Poems of Fantasy and Myth. Her blog as pscottier.com is updated with a new poem nearly every Tuesday, and she even reads poems in public.
Alice Allan's poetry has been published in previous issues of Verity La as well as in Cordite, Rabbit and Australian Book Review. She is the creator and convenor of the Verity La Poetry Podcast, as well as producing her own weekly podcast, Poetry Says.
Thy poetry and thy pathos—
all so strange! (PS Cottier)
Posted on August 29, 2014 by Verity La in Heightened Talk
The found poem hates the way
the egregious disruptions of fashion
have shaped his hideous form;
a misshapen picaresque, he lurches.
He is angry as blackbirds in a pie
croaking of their wonderful fortune
to be mere ingredients, gimmicks,
encased in another's recipe.
Found poem finds himself quite
unsatisfactory. Gone all lovely
fantasies, the shimmy of catwalk.
They brushed aside the dreamer
in his dreams, and left him lumpy,
daggy, and bereft. He would soar
O singing heart turn hawk.
None of that here, no, just
remnants; bits of discard —
here an ear and there an ape.
The Baskerville-shaped shadows cross the floor.
Poem scratches someone else's metaphors
that pull his skin right out of shape.
All thumbs he tries to text himself
a message, but random eyes can't focus.
"If I cannot inspire love, I will cause fear."
- Thy poetry and thy pathos—all so strange!— from Ada Cambridge 'A Dream of Venice'
- egregious disruptions of fashion from Peter Porter 'St Cecilia's day 1710'
- a misshapen picaresque from John Kinsella 'hydrography'
- They brushed aside the dreamer in his dreams from George Essex Evans 'The Master'
- O singing heart turn hawk from Douglas Stewart 'Turn Eagle, Lark'
- The Baskerville-shaped shadows cross the floor from Peter Porter 'The Puppy of Heaven'
- "If I cannot inspire love, I will cause fear." Mary Shelley Frankenstein
Note 1: the poet has sometimes changed punctuation and line breaks, and almost always meanings
Note 2: the creation of this monster was inspired by a discussion at Under the counter or a flutter in the dovecot
100 holes in my bucket (PS Cottier)
Posted on May 3, 2014 by Verity La in Heightened Talk
1. Bungee, shouting yolo
2. Use the acronym yolo, except in this poem
3. Scuba at sea (it feels like choking even in the swimming pool)
4. Have a dress made in Paris
5. Be thin enough to have a dress made in Paris
6. Be rich enough to have…well you know by now
7. Crunch ortolan with teeth of prey
8. Tango in Buenos Aeries wearing orange tango shoes
9. Tango
10. Waltz like that sweeping scene in War and Peace that prefigured the last glorious flyover (in the film)
11. Forget that I visited Tolstoy's estate and donned slippers fluffy as guinea pigs to shine the wooden floors
12. Waltz like Cinderella dropping a shoe like a solitary glassy dandruff
13. Open for Australia in cricket
14. Play for Australia in any sport whatsoever (though croquet is not yet kicked into touch)
15. (Censored)
16. Fly in a fighter plane
17. Set foot on the moon
18. Set anything on Mars
19. Escape the surly bonds of earth, or the merry ones, for that matter
10. Skydive screaming yolo (see bungee above)
11. Appear on the cover of any magazine, with the possible exception of Poets 'R Us
12. Have another child
13. Be a defender put on Buddy Franklin
14. Be an attacker trying to evade Cyril Rioli
15. Play AFL at all
16. (Censored)
17. Climb a mountain higher than Mount Kosciusko (Mount in Australia means hill elsewhere)
18. Own a gun
19. Shoot a gun
20. Hold a gun
21. Wear sunglasses like Tom Cruise in Top Gun
22. Jump (I can't let both feet leave the ground at once which arguably ties in with my inability to mark Buddy Franklin)
23. Start a blog comment or a post with 'Speaking as a Mum'
24. Play a musical instrument competently
25. Enjoy a ten-volume fantasy series
26. Write a ten-volume fantasy series
27. Reread À la recherche du temps perdus (I perdued enough temps doing it once)
28. Mistake Jonathon Franzen for Tolstoy
29. Mistake Richard Dawkins for Reason
30. Confuse faith with certainty
31. Eat dog
32. Eat cat
33. Eat durian (brain set in Anglo too early)
34. Forget what it is to be depressed
35. Suicide (that is a prayer)
36. Give up alcohol
37. Understand fatalism like a Russian
38. Write a poem about feelings which includes the word 'weep'
39. Attach a sticker to my car that says 'I grew here. You flew here'
40. Whinge about school fees (although you should see the last bill)
41. Forget what it is to miscarry.
42. Forget what it is not to miscarry.
43. Write a book called Carrie (I think it's been done)
44. Judge a book by its genre
45. Sell the film-rights to anything I write
46. (Censored)
47. Forget how luck has lifted me like a player to a mark (compare and contrast with 22)
48. Remember my anniversary easily
49. Regret the final time I menstruate
50. Forgive those who (censored)
51. Write a really long poem (longer than this one)
52. Lift as much as the young men in the gym, even those with execrable form
53. Become obese again (also a prayer)
54. Drive a fast lap at Mount Panorama in Holden or Ford (or even Peugeot)
55. Think that owning a European car is a sign of sophistication
56. Give up wanting a Citroën DS
57. Engage in lively debate about computer software
58. Lose my interest in sex
59. (Censored) (Sorry that was predictable as the shearing of narrative sheep)
60. Vote National
61. Start a sentence with 'I'm not a racist, but…'
62. Ignore cruelty
63. Be brave
64. See a cockatoo without smiling like a crest
65. Surf
66. Learn to listen without nodding or frowning or making little noises (I can be annoying)
67. Remember names
68. Speak fluent French
69. Read À la Recherche du temps perdus in French (It keeps rearing up though and recapturing me)
70. Read Tolstoy in Russian
71. Forget the liberation of escaping school and starting university
72. Use the word 'undergraduate' as an insult
73. Listen to music as avidly as when I huddled under my blankets with a transistor
74. Tell young people that they don't know how lucky they are
75. Direct a film
76. Star in a film
77. Watch an entire Academy Awards ceremony
78. Try cocaine
79. Recite Monty Python at parties
80. Memorise all the characters in Game of Thrones (for they have names)
81. Throw myself into any social situation without a little bit of me sitting on my shoulder, half parrot and half albatross, warning and criticising
82. Write a perfect sonnet (limerick is quite likely)
83. Become a mindless gatekeeper at the Estate of Poesie (aka Downtown Abbey)
84. Write a poem without a single hint of pun
85. Cook a really good meal
86. Sell as many copies of a book as the worst-selling cookbook in the land, the land being Kyrgyzstan
87. Visit Kyrgyzstan, though I have been to Uzbekistan (boasty boasty cheese on toasty)
88. Eat bacon
88. Have maple syrup on that bacon
89. Write a cookbook called Pigging Out or Snout and Proud
90. Become a knitter
91. Wear a homemade beanie on the front of my bacon cookbook
92. Forget the taste of sausages unpolluted by tofu
93. Finish this poem before lunch
94. Include the word 'weep' in this poem
95. Include a recipe in this poem, except in as much as it is a recipe
96. Pass this recipe on as an heirloom
97. Worry too much about my appropriateness or market or sales
98. Lose my love of words (another prayer)
99. (Censored)
100. End this poem with a wise saw or a blunt one
So, to sum up:
Yolo. Yolo. Yolo.
My Stalker (PS Cottier)
Posted on March 1, 2014 by Verity La in Heightened Talk
See her reflected in those shop windows?
Mumbling grey granny, disrespected elder,
spectacled and zimmered, inching so fast,
faster than she should. Faster than breath.
Ninja quiet now, with crochet belt,
and a handbag roomy as a coffin
(her teeth, broken gravestones,
long since fell into gape of mouth).
She follows me to the gym.
Hear her now, on the cross-trainer,
knee knuckles clapping like castanets?
One Direction strains, but professional youth
can't muffle that sharp clack of bony dice.
She comes into the toilet, into the cubicle,
with her array of specialised tools
rummaged from that hideous bag.
Thursday, she iced a single curly hair:
decorated me like Miss Havisham's cake.
I groaned at that visitation from the crone,
the witch whose white is no good at all.
Biddy, fussbudget, battle-axe,
beldam sans merci, stop this stalking!
Quit knitting me into that pattern
of shapeless grey cardigan, weaving me
into you on that inevitable frame.
Fearsome old woman, begone!
All the blond Jesuses (intriguing new poetry from the extra-clever and wonderfully unique
PS Cottier)
Posted on November 6, 2012 by Verity La in Heightened Talk
You see them wriggle free of windows,
lithe as silver fish, but golden-haired.
These Jesuses, blond sons of blond Marys,
head out the door to play cricket,
with leather and willow in sudden whites.
St Dorothy joins in, and its all fruit
and flowers and UK May, as Jesuses
bloom like jonquils on the soft field.
Sometimes a Jesus will stop for a while,
and an almost-frown appear. He recalls
another day, when he was darker skinned,
darker haired, and his reaching hands
caught iron, not the ball flicked to slip
like an idea. Oranges smile like cut suns.
The stumped Jesus reconciles himself
to this easier gig, amongst teammates
all as blond and as quick as wit itself.
He scampers between wickets, wood kinder
than when he cried, and slumped and died,
before the dark cave, and its inconstant rock.
Australia's Conflict of Values over Live Exports: Backlash by Bidda Jones and Julian Davies
Posted on August 12, 2016 by Verity La in Verity La Reviews
Review by P.S. Cottier
As I was reading Backlash, the NSW State Liberal Government and the ACT Labor (with a dash of Green) Government announced that they would both abolish greyhound racing in their respective jurisdictions. When this happens, in mid 2017, I believe it may be the first time in Australia that a whole industry will close based on animal welfare concerns.*
The campaign against the live export industry is different, in that it is not calling for an end to beef cattle and sheep being raised in Australia; it is not a demand for an end to farming. About three million animals are sent overseas per year to meet their fate. While this export represents the 'largest planned mass transport of animals in human history' (Backlash, p189), it actually involves only a small proportion of the number of animals raised in Australia. Most are killed at home for our own people, and for export as meat.
Backlash is a fascinating book in that it deals with the ethical and political background to live export, while having an actual narrative shaping the discussion of these issues. The narrative pivots around the 2011 program 'A Bloody Business', with the lead-up to that Four Corners exposé of slaughter of cattle in Indonesia, and the follow-up, forming the arc of the story. There is a colourful cast of characters in the book, ranging from Barnaby Joyce to Lyn White of Animals Australia, through to one of the authors, Bidda Jones, who 'leads the science and policy team' at the RSPCA.
In 2011, after the program was broadcast, live export was briefly banned under the Gillard Government. The 'backlash' of the title refers to the reaction of subsequent governments and the industry to that decision, and the way that criticisms of live export have been managed and distorted.
The detail in the book will fascinate those who would like an insight into how our political system works. The committees, the enquiries, the lobbyists, the spin merchants and the media all take their places on the pages. Canberra residents and fly-ins will recognise some of the places in which discussions, both official and non-official, took place.
I can remember the rallies that occurred after the broadcast of the program, and attended the Canberra one, where the author (Jones) apparently spoke, although I can't remember that. (I was too busy patting dogs.) For me, and for many other people, the revelations of the Four Corners program demanded a response. Indeed, the public response was unprecedented. Over 100,000 letters to the PM were generated within a few weeks through the Ban Live Exports site, for example (p102).
However, the Abbott Government has since closed down animal welfare committees and abolished parts of the relevant department that concerned itself with animal welfare. These moves are detailed in Backlash. Malcolm Turnbull has not changed this, although the Productivity Commission has recently said that an independent national animal welfare body should be established.
There is an obvious impossibility in enforcing Australian standards of slaughter once the cattle leave our shores, and the book investigates the minimal standards that do exist, and the ways that these minimal standards are now only subject to self-regulation in practice. Having all animals slaughtered in Australia would obviously create more jobs here, and avoid the industry's exposure to rabid fluctuations in the market, which are an inevitable part of this trade. It would mean that the way animals are killed can be monitored and legally enforced.
I find it fascinating that one of the tactics used by the animal welfare groups in publicity material was to name the animals portrayed in the footage of violent slaughter. If not humanising them, this elevates them closer to the status of a pet; that privileged caste of animal that crosses into the household. This is, I believe, why greyhound racing may actually be on the way out (despite NSW Labor's shameful support of the industry); people see dogs as a special category. Cattle (the word derives from the same old French one that gives us 'chattel') or livestock are not often given this status. Malcolm Turnbull's website contains a sub-blog apparently written by a cute pet dog called JoJo (now egregiously out of date); this type of anthropomorphism is a staple of the web, but is not so often extended to other animals, particularly the ones that most of us eat.
Some of the responses to calls for animal welfare are quite hilarious, implying that 'city-slickers' have no right to comment on how animals (except, one assumes, the JoJos of suburbia) are treated. This is in stark contrast to the supermarket chains, which are responding to pressure by consumers and animal welfare groups and sourcing more ethically produced meat and eggs. The urban and the rural are inextricably linked, and all Australians have a right to comment on what our governments allow, whether it affects animals, people, or both. The moves towards a cessation of 'mulesing' (stripping away a sheep's skin to avoid fly-strike in the Australian wool industry) show how those with little direct experience of raising animals can bring about positive changes in an industry, and Backlash touches on this.
In amongst the fog of ugly manoeuvring that Backlash navigates, a few things shine brightly, primarily the gut-wrenching commitment to hard work by the various animal welfare professionals. People like Bidda Jones and Lyn White. Occasionally even a politician emerges over the ramparts of murk; Andrew Wilkie has been a consistent spokesperson for animal welfare, for example.
Backlash also describes how farmers have been recast as the victims of the temporary stay on exports. This is despite the fact that most farmers are not engaged in live export, and many argue that its existence distorts the industry and holds Australia back from gaining a reputation for ethically produced meat. New Zealand, for example, has concentrated on exporting meat based on such a reputation, and does not export live animals for slaughter elsewhere.
After the outrage at the Four Corners program, and the temporary suspension of exports, there has been the development of a system designed to track each head of cattle from Australia to slaughter. (Sheep are not individually tracked.) Backlash examines how this system seems to have inadequate safeguards, and the government seems content, if not delighted, to stand back from any real role in regulation, thus avoiding responsibility. Attempts to introduce 'ag-gag' legislation, whereby anyone filming inside private facilities is necessarily committing an offence, walk hand-in-hand with such policies. (The attempt to legislate was by a private member's bill.) Without such film, it is impossible for anyone outside the industry to know what is happening. Such people are to be commended, not treated as criminals.
The arguments that Australia can improve animal welfare outcomes by exporting animals to countries with dubious welfare practices is dissected by this book. A special sort of slaughter box we exported, for example, has been shown to contribute to animals' suffering, and the whole idea that we can enforce our own expectations in another country is highly problematic. The oft-repeated argument that we have a responsibility to export meat is, of course, not an argument for live export, and is also subject to scrutiny in Backlash.
The actual journey of animals for weeks in inadequate conditions is as important as the way they are killed, and the book thoroughly details this aspect of the industry, which is less dramatic than the slaughter, but arguably, at least as cruel.
Indeed, the thoroughness of Backlash is admirable, and my only criticisms are minor. Firstly, I did not like the fact that so many people featured in the book as involved in the campaign against live export also provided blurbs for the back. No-one believes that blurbs are neutral missives fallen from the sky, but many of these seem a little too embedded. Secondly, the cover's bleakness, while in some ways appropriate to the content, showing an extreme close up of an animal's body against a black background, is rather off-putting, and may discourage a casual reader. Both of these criticisms are of presentation, rather than of the content, which is invaluable.
I hope to live to see the end of live exports, as it is a stupid and brutal industry, providing only insecure employment to people and certain pain to animals. The vested interests supporting the industry have a great influence on the Government though, far more than is the case in the greyhound industry (putting aside the gambling lobby, of course). Barnaby Joyce is quoted in the book from a press release: 'If it's protein and walks on four legs or hops on two and is bigger than a guinea pig than we are going to try and find a market for it'.
Animal welfare is back on the back-burner, it might seem, at least as far as live export is concerned. But the numbers of responses generated by the Four Corners program show that the ground is shifting. Backlash is an important book, detailing one incident in the long process of sentience being accorded respect. Cattle are not dogs, but gradually they are being seen as so much more than four-legged commodities.
* True, there was once a bounty on koalas, that may have resulted in as many as eight million being slaughtered for fur. Whether the cessation of that trade was based purely on animal welfare concerns is another issue.
Backlash: Australia's Conflict of Values over Live Exports
Bidda Jones and Julian Davies
Finlay Lloyd, 2016
208 pages, RRP $22
P.S. Cottier is a poet, anthologist and writer who lives in Canberra. She wrote a PhD at ANU on animal imagery in the works of Charles Dickens. Her latest book is a pamphlet called Paths Into Inner Canberra, which describes a bike ride and the animals that live near, if not in, Parliament House. This work was described as 'engaging' in The Canberra Times. Her blog as pscottier.com is updated with a new poem nearly every Tuesday, and she even reads poems in public.
Carrying an injury
(P.S. Cottier)
Posted on June 6, 2015 by Verity La in Heightened Talk
He cradles it, tender as any Mary
ever caught in stained-glass web.
Injury does not scream, but purrs,
a kitten formed from bandages,
rocked in the player's embrace.
Tender as ligaments,
the royal, swaddled bruise
sucks in attention like a tick.
It is familiar with media scrums
crooning their avid concern,
and its lullaby is a million tweets.
Injury never dies, and never grows.
In a week or a month or a year,
it may begin to fade, to dissolve.
Anxious, the player passes it on,
even from one code to another —
summer whites to winter motley.
Injury finds a new nest of arms.
The sweet little oval, clutched
light as promise and firm as hope.
P.S. Cottier is a poet who lives in Canberra, with a particular attraction to speculative poetry and sport. She was recently appointed President of the Intergalactic Cricket Council, and Secretary of the Vogon Poetry Union, in recognition of these interests. She is currently developing a lunar sport and verse festival, to be known as Park Side of the Moon. P.S. Cottier blogs incessantly and publishes cessantly. Confirm the former by visiting pscottier.com, or the latter by buying Paths Into Inner Canberra from Ginninderra Press. It's an essay with poems, flashes of Lycra (shiver), and cockatoos. Also bikes.
LOOKING UP ELEPHANTS' TESTICLES: an interview with
P.S. Cottier
Posted on October 2, 2012 by Verity La in Lighthouse Yarns
P.S. Cottier, also known as PS Cottier, also known as Penelope Cottier, is a poet and short story writer who lives in Canberra, the national capital of Australia. Her book of short stories A Quiet Day and her two poetry collections The Glass Violin and The Cancellation of Clouds have been published by Ginninderra Press. Her poems have found homes in myriad places, both Australian and international, from The Canberra Times to extempore to Gloom Cupboard and beyond. She endeavours to publish a poem a week on her blog, pscottier.com. Thanks to Blemish Books, her poems are sharing the pages of Triptych Poets 3 with those of JC Inman and Joan Kerr. Thanks to Verity La, you get a glimpse at the person behind the poetry, plus a pun or two. Play is serious business, you see. Alliteration and rhyme too.
Interviewer: Duncan Felton
Penelope, your collection Selection Criteria For Death is upcoming in Triptych Poets 3. With a respectable handful of other books published, along with poems in journals, e-zines and on your blog, what does being published in print mean to you? Does the whole submission/acceptance/launch/review process still give just as much of a buzz? And to what extent is this kind of acceptance a motivator, rather than the pure joy/hard slog of the solo creative process?
I think I'm of a generation — or the generations — for whom a book in print is still unquestionably the most important object when we are talking of literature. Now, to contradict myself and question that emphatic statement a little, I also love seeing my work in e-zines and even on my own blog. And Triptych Poets 3 will be an ebook as well. But the sensuality of a book, its ability to stroke the reader as she reads, to have a presence in a room when we leave it… The trees still make a noise, even when wedged between covers.
This book is a little different, as I am being published with people whose work I have not read, something that has only happened to me before in anthologies. So there will be a real sense of discovery reading the other 66%, after, of course, having a good long gloat over my 33%.
I worked on poetry for ages before sending off any for possible publication, and when writing itself is going well, that is still the best thing. However, when people say yes, produce a book, and feed me cheese at launches, that is indeed nice.
Sending off my work is the least best part of the process, particularly if it's to the type of journal that sits on decisions for twenty years. I'm over sending to certain journals because of that. Those extra slow ones, and the ones that publish two poems by women every third issue and call it a 'Special Women's Edition', are another of my least favourite entities. I'd rather occupy the intertubes (spellcheck made that interludes, which was almost appropriate) and publish on my blog instead. I truly hate the fact that there is a hierarchy of publication in poetry, which would seem to defeat the purpose of using words to show the world in a slightly different light. But I always was an incorrigible idealist.
In Selection Criteria for Death many of your poems feature animals as subject, as metaphor and otherwise. I noticed: cockatoo, crow, crabs, elephant, swan, gecko, guinea pig, wolf, and the list goes on. And your PhD thesis was on animals in the works of Charles Dickens. What is it that keeps you returning to animals in your writing?
That is truly a challenging question, Duncan. About halfway through writing my thesis (which quickly developed the pet name 'Dogs in Dickens', despite there being a whole lotta diverse animal in there) I had a vivid memory of borrowing a book from the mobile library near my parents' house as a young child. It was called The Encyclopedia of Dogs or All About Dogs or some such, and I remembered seeing a rather disturbing illustration in black and white of a man with a dog in it, which fascinated me. About twenty-five years later, I realised that the man was Bill Sikes from Oliver Twist, and the dog was Bullseye. So perhaps all my life I'd been waiting to rediscover that particular dog? Which kind of throws a tack amongst pedestrian ideas of linear progress, doesn't it?
As long as I can remember I have found it hard to draw the divisions between animals and people that others find easy. I first became vegetarian at eleven, for example, simply because of a sudden realisation of the cruelty involved in any slaughter. (It's been on and off since then. Oysters are usually my downfall.) Yet other people who are kind think nothing of chomping down on dead things, which I find mystifying. I suppose they just dwell on the deliciousness more than the morality.
The energy and diversity of animals make some of my poems motor along, to use inappropriate Top Gear terminology. 'The elephant quits the room' in the new suite, for example, is about an escape of animals used as metaphor from the stale menagerie of cliché. You will note that it contains the phrase 'coconut-sized cliché' which originally started as a reference to elephants' testicles. I awoke one night from uneasy dreams into the shadow of the knowledge, probably gleaned from David Attenborough, that elephants' testicles are internal and therefore can not be seen, as can coconuts. Scurrying to Google, I confirmed that this was right. I decided to leave the image, as I liked it anyway. But it occurred to me that this is perhaps the modern definition of a poet: the person looking up elephants' testicles at 2 a.m., for purely literary purposes.
Another element that stood out to me in your poetry was a sense of play: wordplay, humour, puns and such. Is this an essential element for you when writing? And where should poetry and comedy meet?
Comedy is propping himself up at the bar. In saunters Poetry. 'Hey love, why the feminine ending?' Boom boom and apologies.
When I look back — and I'll soon be getting to the age where I'll be expected to bore the shit out of 'the young uns' with that sort of phrase — I can remember no happier moment than playing in the sandpit of the neighbouring boy, with his cars. He wanted a proper game of broom broom here come the cops, whereas I wanted to bury the cars and pretend they were treasure. I have been beholden to play and pun ever since. (See?) Perhaps I believe there is an ideal joke somewhere, an ideal play of words, which will transport me into God's sandpit, and all the special buried vehicles will be revealed. (Perhaps I don't.)
But I find the prevalence of a certain type of poetry rather offputting. The smooth move from landscape to internal musing. The notion of the self as a strangely unsocial being (although I am an intensely private person myself). The overuse of words such inchoate and luminescence. It really is all bad, IMHO. I don't want any of that in my own work; I want energy, frequent tickling and an occasional pinch. The natural world is there, but not, I hope, contemplation of it at leisure.
I have always preferred Shakespeare's comedies, to his tragedies, with all the fervency that only a sometimes depressed person can generate. The notion that bleak and sad is more true than quirky or comic is rather adolescent, and often produces poetry that is only a hop skip and limp from 'no-one loves me and the weather is crap'. No names will be mentioned.
Of all the literary competitions in Australia, the one I would most like to win is the Cricket Poetry Prize, which probably says a lot about my sometimes hidden love of sport, alongside less structured play. My poem 'All the blond Jesuses', from the new collection, began from noticing that Jesus is often depicted as a David Gower doppelgänger in stained glass windows, and then imagining him (Jesus, that is) or multiple hims, playing in a match. I hope this poem shows how play can also be serious.
Some great poetry can be produced within traditional forms, even today. But for me, play tends to lead me to free verse and tributes to forms such as the advertisement and the blog. I'm just so incredibly playful… It's a duty. I'm like a Staffie after a stick, I sometimes think, totally oblivious to possible splinters. However, if play does ever become a tired trick, as one sees with superannuated comedians prostituting themselves for laughs, it'll truly be time to put myself down.
I feel like Canberra is another essential element, a character or a backdrop in a good portion your work. What's it like being a poet in The Nation's Capital?
When I first arrived in Canberra from Melbourne, about twenty years ago, I thought it was Mongolia without the comfort of yurts. I had not trained myself in the methods by which to recognise its worth. I literally didn't see the beauty. Now I wonder round and gaze at the cockatoos and wattle and think original things like 'this is pretty' and 'those hills are a fine sight'.
I am far more engaged in the world of poetry than I used to be, so perhaps the recognition of natural beauty is linked to my ability to write. (Careful, Penelope, you'll be using the word 'luminescence' next…)
There is a slight divide between the worlds of poets who write primarily for the page, and those who write for performance in Canberra, and I am glad to see some movement between these worlds. One of the things that made me submit to Blemish Books, was frankly, the fact that it is run by people who have contacts with both these two worlds.
Looking away from Canberra, I am delighted that I am now part of the Tuesday Poem blog group, and have a poem published in New Zealand once a week. Most of my science fiction poetry is published in the United States, too.
Everyone asks 'what's next?' for their last question, but not me, not this time. Let's go back to the beginning. How did you become a poet?
I was never destined to be an accountant, although I did try to be a lawyer for a little while, and that almost killed me. I have always written, but after having a baby and writing the PhD, I decided to try for more publication.
I became a poet, to answer the question a different way, because I am infested by words. I look at the world and can't help but think of weird ways of describing it. I think I am slightly blessed with synaesthesia. Smelling a flower can transport me to where I last smelt that type of flower, and I can feel the dress I was wearing back then, or taste what I had been eating, and that sudden memory, while not necessarily forming the subject matter, energises the next poem.
So it's a bit like Proust, but shorter. And with a lot more puns.
Interviews with JC Inman and Joan Kerr, the other two poets in Triptych Poets 3 (click on the link to purchase the book), have their homes at Scissors Paper Pen and on Virgule the blog of Voiceworks Magazine, respectively.
Posted on June 2, 2017 by Alice Allan in
- Jane Abbott LITTLE ROOM FOR SENTIMENT OR REMORSE
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(by – or facilitated by – Alec Patric)
- Ivy Alvarez Negotiating death
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- Kuzhali Manickavel Disturbing things
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- Lily Mae Martin Drawing breath
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HEIGHTENED TALK – Poetry
Posted on June 2, 2017 by Alice Allan in
- David Adès Bit By Bloody Bit
- David Adès The Burden of Wings
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- David Adès Cheep Cheep
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- Louis Armand Tom's Lagoon
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- Magdalena Ball Echo Chamber
- Jeremy Balius Gather, darkness
- Blood Oath Magdalena Ball and Rob Walker
- Stuart Barnes Poems From Glasshouses
- Stuart Barnes Elementals
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- Stuart Barnes Lipograms: five nursery rhymes reworked
- Stuart Barnes Mykonos
- Stuart Barnes Olive
- Richard Bell Gravely critique
- S. Van Berkel The cold drip of dawn
- Annie Blake O ANIMUS
- Kevin Brophy Flicker
- Lachlan Brown servant elitism2
- Emily Brugman Elevation (Ode to Frisco)
- Gabrielle Bryden What will it take?
- Susie Campbell Hours & days
- Ashley Capes Stamped flat stamped
- Ashley Capes two horse race
- Gayelene Carbis Why Be Happy When You Could Be Normal
- Anne M Carson Riding back in the dusk
- Yuan Changming On the Freeway
- Judith Crispin The Lumen Seed
- Emily Crocker water weight
- Joe Dolce Burroughs Does Oz
- Dave Drayton fingers play the role of feet
- Dave Drayton family portrait
- Saddiq Dzukogi Come inside
- Shane Jesse Christmass A hundred set apart in a herd
- Shane Jesse Christmass Shank's mare
- Shane Jesse Christmass Politics of meat
- Maxine Beneba Clarke Subtext
- Robbie Coburn An impulse/action
- PS Cottier 100 holes in my bucket
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- PS Cottier Thy poetry and thy pathos – all so strange!
- Rico Craig Monsoonal light of our childhood
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- Toby Davidson The Professor and The Unnamed Stalk the Post-Apocalyptic Wilderness
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text: I was insisting on staying at the CBR because of the size of the rooms. I didn't want to feel claustrophobic. But now that i'm reading some of these positive comments about Pop century, does anyone know if the room size is that big of a difference? of if it is worth the 50.00 extra dollars per night to stay at the CBR

subset: commoncrawl


text:
Igniyte has been working closely with Claims Advisory Group since early 2012 to help enhance their online reputation and develop their social media strategy.
Leeds (PRWEB UK) 17 August 2012
Online reputation management agency Igniyte Limited is working with the Claims Advisory Group on all aspects of their digital marketing strategy, assisting the company to improve their online presence, develop their social media strategy, and boost their rankings in Google and across other major search engines.
The Claims Advisory Group, whose head offices are located in Manchester, is one of the largest PPI reclaim companies in the UK. The company has several digital assets including websites, online blogs and social media channels.
Simon Wadsworth, Managing Director of Igniyte, explains:
"We've been working closely with Claims Advisory Group since early 2012 to help them to enhance their online reputation and develop their social media strategy. During this time we've seen an up to 30% increase in 'click-throughs' to their website, which has resulted in increased revenue and profits for the company.
"Statistically, 63% of people find websites via a search engine, and the majority of these people make a decision about a company based on what is revealed in the searches. Our aim is to ensure online positivity for our customers, and provide credibility where it's due."
The purpose of online brand reputation management is to elevate a company's positive news and stories in the search engines; while counteracting any negative online comments or listings, which have the potential to damage a brand.
As part of their remit, Igniyte was commissioned to create a series of associated websites, which were designed to help Claims Advisory Group with their recruitment drive and to provide a wide range of customer-focused advice. These sites have had the added benefit of boosting traffic to the main website, which has helped to enrich the company's online presence further.
Based in Leeds, West Yorkshire, Igniyte was established in 2009 to provide digital marketing services to customers worldwide. The team is currently working with a number of major UK brands, providing expert advice and management on all matters relating to online reputation management, SEO, digital marketing, lead generation and e-commerce.
For further information about Igniyte and the range of digital marketing services available please email simon(at)igniyte.co(dot)uk or visit http://www.igniyte.co.uk


text:
Re: Jonathan Soden
In reply to:
Re: Jonathan Soden
Glenn Soden 2/20/12
Thank you Glenn. Here are what notes I have from his grandson, John Turner written in 1897. "My grandfather Soden was a native of New Jersey. He ran away and enlisted in the Continental Army when a boy and was in from first to last. Was under Arnold at Saratoga and was a guard at the hanging of Major Andre. He was one winter quartered at Providence, RI where he married. Was discharged at Cold Springs on the Hudson, begged his way back to his wife at Providence, tho' he had his pocket full of Continental money.
I have some of it now and the same old pocket book. His wife's name was Lydia Williams. I believe of the Roger Williams race, of her first man -Gorman- I know but little. He left a son who was no credit to "King of Country".
These Continental bills wre never worth anything, the government never redeemed them, one of these bills I have, it is $30.00 and the other is 50 cents.
I don't know whose son he talking about-Gorman or Soden. I believe Gorman.
My notes from family don't mention a son but---girls, Lydia and Lizzie. Lizzie isn't mentioned again
I can't find Lydia Williams connect to Roger Williams.


text:
Discussion in 'Introduce Yourself Here' started by blackforme, Apr 4, 2013.
bigger is always better
i agree lol
Wonderful white body!! My 8+" long, thick, clean uncut BBC knows how to please you!! Big sexy titties for my hot mouth nad hungry tongue!! I'd love to suck on your pussy clitoris!!
Bigger, thicker,filling all of your sexy holes, totally! i won't forget to lick, eat, suck on your pussy, after I've tied you to the bed posys, making you sexually helpless!!
how about this bb if u like just hit me roneythomas93 at yahoo dot com
bigger Is better,mail me for more photos
Bigger isn't better, its ADICTING. Or I guess I should say its ADICKING. My first monster touched places inside me that still have my nipples hard days later.
Separate names with a comma.


text:
A Dynamic Model of Search and Intermediation
This paper develops a dynamic model of an economy with search frictions in which homogeneous agents choose between specializing as producers or as merchants, and can change occupation at any time. Merchants operate alongside a decentralized search market and provide immediacy in trade in return for a price. Agents who know the location of a merchant have the option of paying the merchant's price and avoiding search. We characterize equilibria in symmetric Markov strategies, and derive conditions under which merchants and their clients form a repeated relationship. We analyze welfare and explore conditions for the endogenous rise of an institution of intermediation.
If you experience problems downloading a file, check if you have the proper application to view it first. In case of further problems read the IDEAS help page. Note that these files are not on the IDEAS site. Please be patient as the files may be large.
|35 pages
|Date of creation:
|Feb 2010
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| Postal: Australian School of Business Building, Sydney 2052
Phone: (+61)-2-9385-3380
Fax: +61)-2- 9313- 6337
Web page: http://www.economics.unsw.edu.au/
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text:
I've been blogging in this space consistently for almost seven months now (archives go back farther because I brought over my Minimalist Knitter blog archives), and there's this amazing community that's grown around what I'm doing - making 10,000 hats for 10,000 people. I wanted to take some time out over the next week to connect with you all in a fun way ... a Q & A post!
Here's how it works - simply ask my anything in the comments! Next week I'll share all the questions, and my answers to each, in a separate post! I'll answer questions about anything - my knitting, my goals (both with crafting and outside of crafting), our fertility journey, pregnancy, c-sections, life in Omaha ... you name it! I can't wait to see what you're all curious about ... ask away!
Jul 19, 2012
ask me anything!
Subscribe to: Post Comments (Atom)


text:
A military judge in Maryland is poised to rule on whether some of the 22 charges against a soldier accused of giving government secrets to WikiLeaks should be dismissed.
Army Col. Denise Lind said she would rule Thursday on a defense motion to dismiss the most serious charge of aiding the enemy. That charge carries a maximum penalty of life imprisonment.
Advertisement - story continues below
The defense argued Wednesday that Pfc. Bradley Manning did not have the "evil intent" necessary to prove he helped al-Qaida by causing classified information to be published on the anti-secrecy website.
Read More at OfficialWire. By David Dishneau.
TRENDING: Kiss Rocker Gene Simmons Releases Statement Responding to Lifetime Fox Ban


text:
[Plugin: Simple Google Sitemap XML] Plugin Activating Cron?
The plugin is working great, and I want to thank you for it. However, I do notice that entering the domain name into a web browser brings me to my site, but many times the plugin runs cron in the URL which the search engines are picking up and indexing causing duplicate content.
Is there a way in the new version to DISABLE automatic sitemap creation and add a manual build in settings?
- The topic '[Plugin: Simple Google Sitemap XML] Plugin Activating Cron?' is closed to new replies.


text: Transcript and analysis of Obama's farewell address Politics Jan 10, 2017 The NPR Politics team and reporters across the newsroom annotated President Barack Obama's farewell address in Chicago on Tuesday night. The team also added fact-checks and background to Obama's comments as he gave them: Loading... Stay Informed Subscribe to our politics newsletter. Email Address Zip Code See our Privacy Policy. Must be age 13.


text: Three weeks today we will be setting of for a three week holiday, chunnel is booked, all we need to decide now is which direction to head in, at the moment its either: Annecy & the Italian lakes, the Perpignan area or, around Arcachon. We would like to stay on a nice site with access to restaurants etc for probably 5/7 nights, the rest of the time we would use a combination of sites, aires and France Passion. We travel with two small dogs so would like to avoid extreme heat, would also prefer to be near dog friendly beaches if possible. We would welcome all recommendations. Thanks Bob & Lesley


text:
DRESSING FOR GOLD: The Hits And Misses Of Last Night's Emmy Fashion
Well, we're very uncomfortably calling it right now.
The what-were-they-thinking Emmys fashion misstep award will go to whoever dressed 13-year-old "Modern Family" star Ariel Winter in a gown that delivered a double dose of cleavage.
But in interest of not contributing to a teen girl's Internet-fueled crying jag, we're going to do our best to leave that incident alone -- and to show Winter she's in good company when it comes to bad fashion.
Click here to see the best and worst of the red carpet >> »
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text:
OBELISCOLYCHNY —an appellation that intoxicates the viewer with the potentials of unknown narratives, filled with mysterious possibilities leading to…what exactly? Obelisk-shaped lighthouses? Spit-lanterns wearing high-crown'd hats? A windmill inhabited by a cuckoo clock? Imagine these things and more, with the publication of the artist's book, Obeliscolychny, featuring two etchings by David Avery and excerpts from Rabelais and Jarry connected with the abovementioned term.
By David Avery, Panmuphle Press, San Francisco CA, 2013. Edition of 20.
8.5" x 6.5"; 10 unnumbered pages on left side, single page folded vertically on right side. Gray fabric covered board with small etching trimmed and mounted on the front cover. Interior fabric covered flaps with black foil embossed text open out to expose hand sewn pages of letterpress text on the left side, while a single page 27.75" x 5" etching unfolds vertically on the right side, page size 29.75" x 6". The cover etching was printed on Van Gelder Simili Japon paper. The folded etching was printed on Magnini Revere Silk Ivory paper. The letterpress text using Scripps Oldstyle font was printed on Van Gelder Simili Japon paper.
Obeliscolychny is presented as both an editioned print and as an artist's book. The book is bound in an edition of 20. The price is $1500.00.
The etching is printed in an edition of 21.The price is $1000.00 framed, $800.00 unframed.


text:
Wer war/ist Jinks, Cody ? - CDs, Vinyl LPs, DVD und mehr
Weitere Informationen zu Jinks, Cody auf de.Wikipedia.org
Filtern nach:
Sofort versandfertig
(2016/Cody Jinks) 12 tracks. 2016 release from the country rock-roots singer-songwriter. Cody Jinks' credible grit and meaningful tattoos are no fad. They define exactly who he really is: someone who was raised on the sounds of country music and metal. Ultimately,...
15,95 € *


text:
Digard delight with move
Didier Digard is delighted with how he has settled into life at Middlesbrough.
Last Updated: 19/09/08 3:11pm
Didier Digard is delighted with how he has settled into life at Middlesbrough.
The summer signing from Paris Saint Germain has showed up well in the handful of games he has featured in so far.
The 22-year-old France Under 21 international admits things are going very well for him.
"Everything's great, I'm discovering another culture, another approach of football that suits me pretty well," Digard told football365.fr.
"Without underestimating the French league, that's a different world, but not anybody would like it.
"I'm going to keep on working in order to impose myself in this team.
"This summer I had other offers and I needed to leave PSG. It's not about competition.
"I just needed to move to England for many reasons and it suits me better.
"Tactically, the Premier League is not as clean as the French one but it's much more intense because you never have a moment to rest. That's the high level.
"I'm settling into the squad pretty well, it's a solid and homogeneous group with many different nationalities but there're no clans, as everybody is part of the same plan."
The tough-tacking midfielder is also impressed with his new team-mates.
"We're not the most media exposed team but there are very good players anyway, such as Brazilian striker Afonso Alves, who is very consistent and comfortable in front of the goal," he continued.
"There is also the Turkish Tuncay Sanli, who is technically remarkable. Besides, his defensive work is tremendous.
"Frenchman Jeremie Aliadiere brings his quickness behind the attack.
"There's an England international, Stewart Downing, who is quick with exceptional shooting abilities, and there are also plenty of other good players."
Digard thinks Boro are capable of pushing for a top-eight finish.
"We can achieve some interesting results, finishing between the fifth and the eighth spot would be very good and we are going to fight with Portsmouth, Aston Villa, Everton, Tottenham and Manchester City," he said.
"I'm delighted to be part of this squad, but we know who we are and can't rival Manchester United, Chelsea, Liverpool and Arsenal.
"Anything can happen during a game, but during a season it's harder. This season we were one-goal ahead of Liverpool with ten minutes to go but finally lost 2-1. Why? It's simple, they are monsters."


text:
Btcandfinance.com was registered on eNom on 02 October 2015. The site is almost absent on social networks. It has
The site receives 2,130 visitors every month, which put its worth at around $ approximately. The website has a good alexa rank of 1,769,561.
The site is hosted in Canada by OVH Hosting, Inc.. The webmasters of the website can be contacted at . The domain for the website was purchased through eNom on 02 October 2015 (2 years ago) and will expire in 1 year 1 month.
Whois Server Version 2.0 Domain Name: BTCANDFINANCE.COM Registrar: ENOM, INC. Sponsoring Registrar IANA ID: 48 Whois Server: whois.enom.com Referral URL: Name Server: NS5.NETHOSTINGSAC.COM Name Server: NS6.NETHOSTINGSAC.COM Status: clientTransferProhibited Updated Date: 02-oct-2015 Creation Date: 02-oct-2015 Expiration Date: 02-oct-2016 For more information on Whois status codes, please visit The Registry database contains ONLY .COM, .NET, .EDU domains and Registrars. Domain Name: BTCANDFINANCE.COM Registry Domain ID: 1965431580_DOMAIN_COM-VRSN Registrar WHOIS Server: whois.enom.com Registrar URL: www.enom.com Updated Date: 2015-10-01T20:49:35.00Z Creation Date: 2015-10-02T03:49:00.00Z Registrar Registration Expiration Date: 2016-10-02T03:49:00.00Z Registrar: ENOM, INC. Registrar IANA ID: 48 Reseller: NAMECHEAP.COM Domain Status: clientTransferProhibited Registrant ID: Registrant Name: Registrant Organization: WHOISGUARD, INC. Registrant Street: P.O. BOX 0823-03411 Registrant City: PANAMA Registrant State/Province: PANAMA Registrant Postal Code: 00000 Registrant Country: PA Registrant Phone: +507.8365503 Registrant Phone Ext: Registrant Fax: +51.17057182 Registrant Fax Ext: Registrant Email: Registry Admin ID: Admin Name: Admin Organization: WHOISGUARD, INC. Admin Street: P.O. BOX 0823-03411 Admin City: PANAMA Admin State/Province: PANAMA Admin Postal Code: 00000 Admin Country: PA Admin Phone: +507.8365503 Admin Phone Ext: Admin Fax: +51.17057182 Admin Fax Ext: Admin Email: Registry Tech ID: Tech Name: Tech Organization: WHOISGUARD, INC. Tech Street: P.O. BOX 0823-03411 Tech City: PANAMA Tech State/Province: PANAMA Tech Postal Code: 00000 Tech Country: PA Tech Phone: +507.8365503 Tech Phone Ext: Tech Fax: +51.17057182 Tech Fax Ext: Tech Email: Name Server: NS5.NETHOSTINGSAC.COM Name Server: NS6.NETHOSTINGSAC.COM DNSSEC: unSigned Registrar Abuse Contact Email: Registrar Abuse Contact Phone: +1.4252982646 URL of the ICANN WHOIS Data Problem Reporting System: Last update of WHOIS database: 2015-10-01T20:49:35.00Z We reserve the right to modify these terms at any time. By submitting this query, you agree to abide by these terms. Version 6.3 4/3/2002
|Sat, 16 Jul 2016 06:51:22 GMT


text:
Green Green Episode 3 English Subbed
You are watching Green Green Episode 3 English Subbed from the Green Green Anime Show. Watch or Download Green Green Episode 3 MP4 English Sub and other episodes of Green Green Streamed for Free.
"Lost in the Forest"
Stream Green Green Episode 3
Episode Summary: Outraged over a prank pulled on her by the Baka Trio, Futaba decides to leave Kanenone for home. In her search for a short cut to the bus stop, she gets lost in the surrounding forest and injures her ankle. Yuusuke, Midori, and the Baka Trio attempt to find and bring her back to Kanenone.


text:
Disclaimer: I don't own DBZ.
Author's Note: Many thanks to Lady Thundera for her tips about writing G/CC fics. Without them, I might have chickened out of writing this. Read her fics, if you haven't already, they're excellent! I really hope this isn't too fluffy or OC. Everyone who doesn't think Chi-Chi a bitch knows that she really does care about her family --- especially Goku --- she just worries a lot. Think about it: would you let your four/five year-old son risk his life to safe the world? Would you be frustrated if your husband wasn't around much, even if he was saving the world? And while we all know that while Goku is a sweet guy, he isn't the sharpest tool in the shed. Everybody has lost patience with him a lot in the show. All right, on with the story.
So Much to Tell You
"You are not going to die," Chi-Chi said firmly, wiping Goku's forehead with a wet cloth.
Those words had become her mantra ever since Yamcha had brought him back home, unconscious, from the battle with the Androids. Even when he had told her about Trunks's warning about the future, she still kept saying it. She had to; it was her only reassurance that she wasn't going to lose him again.
And he was getting better; she could feel it. His fever was breaking and he hadn't had a single seizure since earlier that morning. Still, he wasn't out of the woods yet. She'd breathe freely when Goku was awake.
It was now late at night. Goku's friends had moved him to Master Roshi's house so that he'd be safe from the Androids. She was staying awake to make sure Goku was sleeping all right; Gohan had wanted to stay up too, but she had sent him to bed. If he didn't get enough sleep, his studies would take a definite downturn…
And everyone needed him to help fight (although she hated to admit it), with the Androids and this new monster at loose.
"You won't die," she said firmly. "Not like this. I don't understand how you could in Trunks's time…"
It didn't make any sense. Her husband was the strongest man in the universe; he had defeated many enemies, escaped an exploding planet, and even returned from the dead. How could a heart virus be the thing to end it all?
It isn't going to happen, she thought. My Goku's tougher than some stupid virus. He's getting better; he's going to make it.
"I met Trunks today," she said to him, as though they were having an everyday conversation. "He seems like a nice boy. It's hard to believe that he's Bulma and Vegeta's son. "I mean, they're last two people I'd expect to have a son together." She smiled, imagining what Goku's reaction must have been when he found out three years earlier…
"Anyway, he told me a little bit about the future --- his future," she corrected herself. "He told me some things that I --- the future me, actually --- told him."
Chi-Chi hesitated. "Well, he said I had a lot of regrets. One of them was that I had lot of things that I didn't get the chance to tell you."
She hesitated, listening to the sound of the waves outside. The wind breathed slightly through the open window. Had she not been so concerned about Goku at the moment, she would have noticed that it was a beautiful night.
She took a deep breath. "And I think I should tell you those things before anyone else happens…
"First of all, I know I haven't I haven't been pleasant to be around lately. And I wasn't supportive of you and Gohan fighting either… but that's because I --- I'm scared," she summarized lamely. "Scared of losing you and Gohan. Do you think I don't worry every time the two of you go off to fight? You got yourself killed once, and Piccolo kidnapped Gohan to train him…"
She trailed off, remembering that difficult year. Not a moment had passed without her wondering if she'd ever see her family again. The house had been depressingly quiet without the boys to liven things up. She would given anything to hear Gohan ask if he could take a break from studying, or Goku ask for something to eat…
"Then you came back. I know I was angry with you for letting Gohan fight, but the truth was that I was so happy to have you two back that I wasn't about to let either of you out of my sight again."
She sighed, frowning. "And what happened after that? You left again, to go to Namek. It was almost like that year the two of you were gone had never ended. I was pretty fed up at this point. I know you went there to help Gohan and bring back the others. But I started to wonder if you even cared how lonely I was without you…
"That's why I was about ready to take go to Namek to bring you guys back home. I just couldn't stand being alone anymore. Only Gohan returned before I could go, and I was glad, although you didn't come back for another two years.
"When you finally came back, there was another fight at hand. You went off to train more, taking Gohan with you. You were hardly around the house; that's the reason why I was so frustrated with you all of the time…" her voice broke, affected by her own words.
"Why do you always have to leave?" she asked sadly, even though she knew he couldn't respond. "Couldn't you just stay home like you used to? Because every time you leave, it makes me so…" She struggled to find the right words to explain.
"It's like you take a piece of me with you. There's a hole inside of me, and it stays there until I see you again. I know the world needs you… but I need you too." She took his hand and held it. "I don't know what I'd do without you…"
And it was true. Despite how much he drove her crazy by asking her for food, whisking Gohan away to train, she couldn't imagine her life without him. There was no one as sweet and gentle as Goku. No matter how many times he left to fight, there was no one else in this world for her, and there never would be.
She knew that Goku didn't mean to hurt her by leaving; he was too naïve to fully understand it. But every time it happened, she still worried. She still felt angry. And she still felt that hole inside of her.
Yet he always came back, and that knowledge kept her going.
"It's almost the same thing when Gohan leaves. He's my little boy; I just want what's best for him. I want him to be safe, so that I don't have to worry about him as much as I worry about you. I know that he's strong --- both of you are. But I still worry. I always will… because I love you so much. And I miss you…"
Chi-Chi paused to wipe her streaming eyes. She didn't expect so much to come pouring out. Until now, she had been keeping these thoughts bottled up for a very long time. Bits and pieces of it had sometimes been let when she was angry with Goku, but she had never explained her entire feelings.
"This is so much easier to say when you're unconscious," she muttered, managing a small, nervous laugh. She stroked his spiky black hair with her free hand.
"Everyone misses you," she went on. "And that's why you aren't going to die --- not now...."
For a while, she sat there, staring at his sleeping form. I wonder if he could hear anything that I said, she wondered. Well, in any case, I'm glad I told him.
Suddenly, she felt a slight pressure on her hand. She looked down to see Goku's hand gently squeezing her own. Her eyes widened in surprise.
"Goku?" she whispered hoarsely. "Is --- Is that you? Can you hear me?"
There was no response, he continued to sleep. But it was clear that although he couldn't speak, he had heard her, and he had understood.
Smiling, she bent down and kissed his forehead tenderly. Everything is going to be all right, she thought in relief. He isn't going to die.
"Get well soon, Goku," she said softly. "I have so much to tell you… and I'd like to say it when you're awake…"
The End.


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- Limited run with no repeats once sold out
- Model is 6'2" (188cm) and wears size large
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CAE announces a series of contracts for commercial airline training solutions valued at more than C$90 million
CAE (NYSE:CAE)(TSX:CAE) today announced at 51st International Paris Air Show a series of contracts with more than 30 airlines globally for commercial training solutions including:
- Cadet training programs with easyJet, Air China and EVA Air for the supply of 120 cadets
- Pilot type-rating training solutions for airlines including West Atlantic, AeroContractors of Nigeria, Hong-Kong Airlines and Braathens Regional Airlines
- Crew resourcing service agreements
- Three B737 full-flight simulators (FFS) for Hainan Airlines
- One A350 XWB FFS to an undisclosed airline, CAE's ninth A350 XWB FFS sale
"CAE is pleased to be able to serve the global airline pilot training market with the broadest range of commercial aviation cadet to captain training solutions on the largest variety of aircraft platforms," said Nick Leontidis, CAE's Group President, Civil Aviation Training Solutions.
Augmented Reality Software Market - Global Forecast to 2022
The contracts have an estimated value of more than C$90 million. The full-flight simulators are at list prices, which include the value of OEM aircraft-specific data, parts and equipment (DP&E), normally procured by CAE in the manufacture of its simulators. In the case of these contracts, which are CAE's first four FFS sales for fiscal 2016, some customers are providing part of the OEM content.
easyJet: Multi-crew Pilot License (MPL) First Officer training
easyJet has renewed its competency-based Multi-crew Pilot License (MPL) First Officer program with CAE. The airline will select and train 30 more cadets this year at CAE Oxford Aviation Academy in Oxford, UK. CAE has been providing its pilot training solutions to easyJet since 2011 including MPL, Type Rating & Recurrent training as well as crew resourcing services. To date, CAE has selected, assessed and formed over 100 cadets through the easyJet MPL program where aspiring pilots are trained under the mentorship of easyJet to develop as first officers.
EVA Air: Multi-crew Pilot License (MPL) First Officer training
CAE and EVA Air have signed a new contract for a Multi-crew Pilot License (MPL) First Officer program. Under the agreement, CAE will select, assess and train 60 cadets over the next 12 months. The aspiring pilots will start their training at CAE Oxford Aviation Academy in Phoenix, USA and training is scheduled to begin this month. Taiwan-based EVA Air has been a CAE customer since 2002, originally purchasing simulation equipment and now entrusting CAE in forming its future first-officers. EVA Air, a Star Alliance member, was formed in 1989 as Taiwan's first privately owned international airline. It is part of the respected Evergreen Group and a sister company to global container-shipping leader Evergreen Line. It flies to more than 60 international destinations throughout Asia, Oceania, Europe and North America with a fleet of close to 70 Boeing and Airbus aircraft. With just one easy stop in Taipei, travelers can connect onward to most major cities throughout Asia, including more than 30 destinations in China.
Air China: Commercial Pilot License (CPL) training
CAE and Air China, China's exclusive national flag carrier, have signed a new contract for Commercial Pilot License (CPL) training. Under the agreement, CAE will select, assess and train 30 cadets over the next 12 months. The cadets will begin training at CAE Oxford Aviation Academy in Phoenix, USA, in October. Air China, a long-time CAE customer, operates a fleet of 19 CAE built full-flight simulators.
Hong Kong Airline: A320/A330 type-rating training
Hong Kong Airline (HKA) has selected CAE for the provision of Airbus A320 and A330 training. Pilots from HKA will be training at CAE's Hong Kong training centre. HKA has been a long-time customer of CAE for more than 5 years.
AeroContractors: Dash 8-300/400 and B737-400/500 type-rating training
AeroContractors of Nigeria has selected CAE to renew its contract for the training of Dash8-300/400 and B737-400/500 pilots. Pilots from AeroContractors will be training at CAE's Stockholm and Madrid training centres. AeroContractors' instructors will be using CAE simulators to provide recurrent training to its crews as well CAE instructors to provide type training for new Q400 pilots.
West Atlantic: type-rating training
West Atlantic has selected CAE to renew a two-year contract for the training of ATP, CRJ200 B737 and B767 pilots. The airline will be training at CAE's Copenhagen and London Gatwick training centres.
Braathens Regional Airlines: type-rating training
Braathens Regional Airlines has selected CAE to provide training services for its ATR, Avro, SAAB 340, S2000, A320 and Fokker F50 pilots. The training will be conducted at CAE training centres in Stockholm, Amsterdam and Brussels.
Hainan Airlines: 3 full-flight simulator sales
Hainan Airlines has ordered three B737NG full-flight simulators (FFS) which will be installed at the airline's training centre in Sanya, China in the last quarter of 2015 and in April 2016. The CAE 7000XR FFSs will be equipped with the latest CAE Tropos-6000XR visual system. Hainan Airlines has been a customer of CAE since 2007.
A350 XWB full-flight simulator sale
CAE continues to lead with its 9th A350 XWB full-flight simulator sale and is the world's only provider of qualified A350 XWB training suite. This latest FFS will be a CAE 7000XR Series simulator and it will be qualified to the highest-fidelity certification (Level D). This new order is an addition to previously announced A350 XWB FFS orders from customers that include Airbus, China Airlines, and Etihad.
CAE announced the qualification of the world's first A350 XWB suite of training equipment in September 2014 and is currently the only provider of qualified A350 XWB training products by FAA and EASA. The CAE-built A350 XWB full-flight simulator, a FAA Level 6 and EASA level 2 Flight Training Device (FTD) and an Integrated Procedures Training (IPT) were qualified ahead of the A350 XWB's entry into service which took place in January 2015.
Source : CAE - view original press release
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1926-1927 Season - The Regina League had three Regina teams; Pats, Falcons and Argos, the Indian Head Bengals were also part of the League. The teams played a home-and-home League schedule. In the first meeting between the Regina Pats and Falcons, nearly 3,000 fans turned out.
On Sunday, December 19th, Falcons beat the Indian Head Bengals 3-2 in overtime. John Litzener scored at the nine minute mark of the second straight overtime period.
1926-1927 – Regina Pats Roster – Goalie: Jimmy Langford Defense: Harvey Dodge, Jack Cranstoun Centre: Fred Metcalfe Right Wing: Ed Malone, Ab Holt Left Wing: Harold "Hop" Shaw, Kenneth "Swede" Williamson Subs: Pascoe, Schwindt Coach-Manager: Al Ritchie Trainer: Bob Bentley
Regina Pats finished first with 6 wins, 0 losses, 25 goals for, 9 against, for 12 points; Falcons were second with 4 wins, 2 losses, 19 goals for, 11 against, for 8 points; Indian Head finished third with 1 win, 5 losses, 13 goals for, 22 goals against, for 2 points; followed by the Regina Argos with 1 win, 5 losses, 8 goals for, 23 against, for 2 points.
In the South Saskatchewan finals, the Webb Junior did not take part in the play-offs, defaulting to the Regina Pats.
Regina Pats had a "bye" into the Provincial against the Saskatoon Wesleys. In the north, Saskatoon Wesleys downed Yorkton juniors 5-2 at Yorkton and 8-5 at Saskatoon, taking the round 13-7. In a sudden death game at Asquith, the Wesley won 3-2 in two periods of overtime on Monday.
Provincial Finals - On Wednesday, March 4, the Saskatoon Wesleys led 4-0 by the ten minute mark of the opening period, then went onto a 6-2 victory over Al Ritchie's Pats. The locals caught the visitors off guard by sinking the first two goals with scarcely more than three minutes played in the first period.
The Wesley scored three more goals by the end of the second period. The fans watched Saskatoon grab a lead at the expense of the highly touted Regina team. Pats made their best showing in the third period when centre Fred Metcalf scored two goals in the span of minutes at the start of the period.
On Friday, Regina Pats, with a 6-2 count against them, stepped out and tied the series with 30 seconds to go in regulation time. it was three of the most thrilling and exciting periods witnessed in Regina in many years. The teams had to go two extra overtime periods before the Pats managed to score. That gave them a 6-1 victory and an 8-7 total on the round.
Blairmore Tuxis Juniors won the "B" Class Alberta Junior Championship and challenged the Calgary Canadians "A" Champions. They won the first game 3-1 and lost the second 1-0, only to take the series 3-2 and advance to the Western Quarter Finals against the Regina Pats.
Western Quarter Final - Monday, March 7, the Regina Pats crashed through a somewhat weak Blairmore defense at will as they piled up an 8-3 victory over the Alberta champions. The southwestern Alberta team had problems against the tough blue line brigade of Regina Jack Cranstoun and Harvey Dodge.
Most of Blairmore's shots were from a long way out. If it hadn't been for their goaltender Kemp, the score could have been much higher. Pats had leads of 4-0 and 7-2 after the second period. The top scorers were Ed Malone and Fred Metcalfe with two goals each.
Wednesday, the local Al Ritchie boys stepped out and piled up a 6-2 score and a 14-5 count on the round. Regina Pats had a five goal lead before Blaimore finally scored their first goals near the end of the second period. Regina's Jack Cranstoun, Harvey Dodge and Fred Metcalfe all had two goals each in the game. Only a handfull of fans turned out to the game at the Stadium.
Western Semi-Final - Monday, March 14, Regina Pats Fred Metcalfe's two quick goals in the dying minutes of the game helped to defeat Elmwood Millionaires 3-2 at the Winnipeg Shea Amphitheatre. Regina Pats' Harvey Dodge scored the only goal in the opening period with only two minutes remaining.
The second period had Elmwood's Gus fake a shot and pass to his brother Romeo, who then scored at the 17:20 mark. One minute and twenty seconds later, Regina Pats' Fred Metcalf scored two goals 45 seconds apart in what turned out to be a real wild finish.
There was no more scoring until the third period. Right from the starting face-off the Millionaires' Rivers brothers worked together. Gus sent a long shot that beat Regina Pats' Jimmy Langford 10 seconds into the period.
Wednesday, Regina Pats downed Elmwood Millionaires 3-2 in a brilliant match and took the round 6-4. The series was one of the most thrilling that Winnipeg had seen that season. Elmwood's Romeo Rivers opened the scoring at the 14:50 mark in the first period. Pats tied the game in the second period at 13:50 when Cranstoun scored.
In the third period, Pats' Harvey Dodge skated the length of the ice and passed to Harold Shaw to give Regina the lead at 5:55. Then 19 seconds later Elmwood scored as Sutherland rushed down the boards, falling when checked, but he kept control of the puck. He was able to control himself and scored on a hard shot. One minute and a half later, Regina's Fred Metcalf scored the winning goal as he skated from centre ice down the boards. He tore up the ice, shifted over just at the right time and shot for the corner of the net, injuring himself as he crashed into the goal post.
Western Final - Abbott Cup - Friday, March 18, at the Winnipeg Shea Amphitheatre Rink, Regina Pats downed Port Arthur Ends 2-1 (a team from Thunder Bay on the west shore of Lake Superior). It was a fierce battle between the two speedy teams. Pats made up for the Port Arthur's advantage in weight by means of their courage and determination.
Early in the second period both clubs were battling a scoreless tie when Pats' Harold Metcalfe missed a golden opportunity to score. It wasn't until Jack Cranstoun scored, shorthanded on a fluke shot. He grabbed a loose puck at centre ice and lifted a high shot from the blue line. The shot was more than a foot above the net. Goaltender Spooner went after the puck, it hit his shoulder and dropped into the net. Port Arthur tied the game three minutes later on a loose puck in front of the net.
In the third period, Regina's Fred Metcalfe rushed from centre ice and scored on a hard drive at the 15 minute mark for the winning goal.


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I believe you when you say that you've lost all faith/but you must believe in Something.
In a matter of hours Advent will come to an end and Christmastide will begin. Advent is supposed to be a season of waiting , anticipation and hope. At this point in time , I'm lacking in all three areas; after a year like 2014 I feel as though there is little to hope for and nothing good to anticipate. Continue reading


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Deo Gratias is Latin for "Thanks be to God." Remembering to give thanks for all of our blessings, big and small, helps us to find God in our everyday moments and gives us an attitude of gratitude! I invite you to share your blessings here on Wednesdays. Be sure to sign into Mr. Linky below and grab the button to put on your blog.
1. For my new podcast site ... Deo gratias!
2. For our slowly approaching moving day, ... Deo gratias!
3. For my husband, who has been working so hard to get ready for moving day, ... Deo gratias!
4. For long weekends, like we just had. I needed that! ... Deo gratias!
5. For phone cameras so I can easily share this picture of some of our full boxes so far (and where did the wall go?!) ... Deo gratias!


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Director Kathir of 'Idhayam', Kadhal Desam and Kadhalar Dhinam fame, is directing a movie titled 'Kodai Vidumurai' after a long gap of 7 years. The launch event of the movie was graced by directors Cheran, Aamir, Mysskin, Vetri Maaran, Sasi, S.P Jananathan, C Ranganathan, Vikraman, Balasekaran, Mano Bala, Sathya jyothi Thiyagarajan, R.B Choudary, R.K Selvamani, Shanmuga Sundaram, 'Mugavari' fame Dhurai, Chinni jayanth, SS Stanely, Vivek, R V Udhaya Kumar, actors Vijayakumar, Manjula and others.
[nggallery id=1020]


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Improve Asian girl rights.
We want change; there are too many violations of Asian girl rights.
We want change; there are too many violations of Asian girl rights.
Please give your Full Support to Save The Girl Child
Save a Girl, Save a Community is a project whose main objective is to enhance academic performance, encourage and
To all my friends out there ; Spare a minute and sign up the petition . Say no to VAT on Sanitary Towels.....Together
Help us raise $1000 by December 31 so Emma can continue her high school education
We need to raise funds for a campaign to organize programs that empower young people & women of mostly African descent.
This Initiative is #SaveTheGirlChild (https://twitter.com/search?q=%23SaveTheGirlChild) from various Daily problems like
To improve the lives of girls and young women in the greater Atlanta area by highlighting, educating, and promoting the


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IDBI off Campus Drive 2016
IDBI federal life insurance has been advertised recruitment notification 2016. The field of work is bank/insurance and others. The candidates who have eligibility and interest can apply for this IDBI bank recruitment. Aspirants have to refer the official website www.idbifederal.com for more information regarding this IDBI bank vacancy. This IDBI off Campus Drive 2016 is to select the candidates for the positions of Agency leader. So, the Aspirants are advised to apply for this Recruitment in IDBI bank. Career in IDBI bank will be good to start one's career.
IDBI bank recruitment
The candidates should posses any degree to apply for this IDBI bank openings. Aspirants should know how to apply for career in IDBI bank. The selection process of the candidates will be based on Written test( Aptitude and basic English),Group discussion and HR interview in this recruitment in IDBI bank. Here we are providing some important links regarding IDBI jobs.
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Agency Leader
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The selection process of the candidates will be based on following rounds:
Written test( Aptitude and basic English)
Group discussion
HR interview
Salary offered
18,000 during training period (45 days)
25,000 after training (3rd month)
How to Apply:
Aspirants must have to refer official webpage.
Important Links:


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It is getting close to decision time for Ohio defensive back Kurt Coleman. Rated by Rivals.com as the 9th best player in the state of Ohio, Coleman has narrowed his college choice down to Big Ten r...
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WILMINGTON, Del. (AP) - State police say a Townsend man was killed in a two-vehicle crash on Interstate 495 in Wilmington.
Police say the 54-year-old man was driving in the southbound lanes when another car flipped over the guardrail and landed on the roof of his vehicle. The man died at the scene. His name has not been released.
Police say the driver of the other car was trying to change lanes when he saw another car going into the same lane. He swerved and lost control, driving into the median before hitting the guardrail and flying into the southbound lanes.
The 18-year-old driver of that car and a passenger were treated for minor injuries.
No charges have been filed, and the crash remains under investigation.
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HERE'S your chance to get behind a giant slingshot and fire those Angry Birds for real.
A theme park in China has created an unofficial spin-off to the popular app, allowing visitors to pop pigs on a large scale.
Displayed at the Window of the World theme park in Changsha, China, players can shoot Angry Birds toys at green piggy balloons placed around a toy brick fortress.
The Window of the World is Changsha's major recreational attraction and features replicas of famous landmarks.
The Angry Birds playground is located within the park's American Zone, next to a scaled-down replica of Mount Rushmore.
The park will feature Angry Birds until the end of September, marketing manager Ye Xiumei told CNNGO.
However, the attraction is believed to have been built without game creator Rovio's approval. So don't be surprised if the theme park creation disappears quicker than an angry bird flung from a slingshot.
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Originally published as Take a shot at Angry Birds, for real


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Discussion in 'General Discussion' started by abood, Dec 18, 2012.
how do you see my wife ? is she nice to fuck ? comment on her photo
All white wives should be getting bbc, having said that your wife looks hot from what i can tell. I would def fuck all of her holes.
Your wife is not on a black cock...why?
she sure is fuckable. needs a big blk cock in her pounding her hard
abood, looks nice from what we can see, but it owuld be nice if you could provide us a few pics of her that were'n't taken in the light, possibly a couple in a swimsuit or shorts&halter?
Has she ever indicated any interest in other men OR black men specifically? A little history would be appreciated.
First off, how sure are we that your wife really NEEDS this? A lot of hubbies in here talk about wanting their wives to have black cock, yet I've spoken with a few and found out their wives know nothing about their desire. Hard to trust any guy online who talks about wanting a black cock for the wife these days.
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Judge issues arrest warrants for two women who failed to appear in court on charges related to massive garda operation
A JUDGE has issued arrest warrants for two women who failed to appear in court today on charges related to a massive garda operation earlier this week.
Ann Marie O'Donoghue, (46), from Brownswood, Enniscorthy, Co Wexford and Nora O'Reilly, (44), The Cresent, Beaumont Heights, Ferrybank, Waterford, were due to appear at Glenties District Court today.
Gda Dylan Conroy told Judge Paul Kelly that the women were detained at their homes on Tuesday.
"It was part of a major operation involving 80 gardai targeting crime," said Gda Conroy.
The garda said both women were arrested and were released on €200 garda bail.
He said he was on the garda operaton and both women had been charged with thefts at two shops in Ardara, Co Donegal, on September 12 last year.
The witness said the women had remained silent when the charges were put to them.
However he told the judge that neither of the two accused had appeared in court today.
Judge Kelly issued warrants for their arrest.
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