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HideRichard Aedy: Hello. Welcome to the Media Report on RN. I'm Richard Aedy. And today is all about our summer game and my childhood obsession, cricket.
Cricket commentary montage: It's gone again. Another big hit, straight down the ground, bang! … A short ball, Bradman moves back and pulls fiercely past square leg. … I'm sure he'd love a hat trick. Will this be it? … I think it was a disgraceful performance for a captain who got his sums wrong today. And I think it should never be permitted to happen again. … As the shot is made, the effects man who has in front of him a copy of the cable message, drops the needle on an effects record and listeners hear the applause of the crowd as the shot reaches the boundary. … And a run out…oh dear, oh dear! It'll be Watson. It will be Watson I feel. Unbelievable scenes here at the MCG. … How hard is it going to be to take those wickets—especially when you've got two blokes…all their heart is set on is not getting out. … How's the body feeling mate? ... You're in a remarkably dominant position to be against the number one team in the world. What do you put that domination down to?
Richard Aedy: Yes. The theme made famous by Channel Nine which goes back to World Series Cricket in the late '70s. Nine has been the home of the game since that time so there are generations of fans and players who can't remember it being anywhere else. But it might not stay there. The deal the network has with Cricket Australia finishes at the end of the summer. Nine, along with Foxtel has until December the 31st to reach a new agreement. But it's been reported that Cricket's keen to have as wide a field of bidders as possible, which means it won't be sorted out before the New Year.
Both Seven and, more explicitly, Ten, have expressed an interest in broadcasting the sport. It remains to be seen whether Ten in particular has the money. It's expected the next five-year deal will be worth more than $700 million. We'll keep you posted.
One man who's particularly interested in all of this is Brad McNamara. He's Nine's executive producer of cricket. And as he explains it's a big production.
Brad McNamara: Well personnel-wise there's a hundred and thirty people working on the cricket on any given day. Everyone's got a different role to play. There's probably around 50 cameras. Some of those are tracking cameras but basically everyone's got their role to play, whether it be in vision or audio or, you know, the technology departments—these little…basic little offshoots of…whether Hawk-Eye guys or the Eagle Eye guys and the Hot Spot guys have got their own little department. So, it's a massive broadcast. It'd be kilometres of cables being run. Every camera has to have a cable run to it and back to it into the truck, which then feeds into a tape machine which is manned by, you know…every camera has a tape operator man to it, which then gets fed through into a big screen in the truck to the director. So, it's an enormously complicated setup.
Richard Aedy: How long does it take to actually do it? I can't imagine you can roll up at six o'clock in the morning and unpack all this.
Brad McNamara: No, you can't. We normally, for a test match—or most of our broadcasts are fairly similar size now—you'd be getting there two days before the match actually starts. And, you know, a lot of the time is taken up running the cables to the cameras and back to the truck. And, you know, some big stadiums, places like the MCG, some quite long cable runs there, so it's quite a labour-intensive setup.
Richard Aedy: How many of these setups do you need? I mean, you were saying 50-odd cameras. Some of the tests and certainly the one-days, there's not a lot of time in between. We're a big country.
Brad McNamara: We're a very big country and we quite often are faced with a situation where we need to be in Perth one day and then two days later be back in Sydney, so…virtually impossible to have one setup that would cover all that. So, we've always got two on the road basically. So, whilst we're setting one up—for instance, this week we've…the guys will be setting up in Hobart and then the next truck'd be moving on to Melbourne for the Boxing Day test and getting ready for the setup down there. So, you need two of these massive things on the road at any given time to cover the length and breadth of the country.
Richard Aedy: How many options does the director have in terms of what they show us on the screen?
Brad McNamara: Well, he's got an enormous amount of options. Basically he gets an output of every camera. So he'll see what's being shot on that camera at any time. He, as I said, every camera has a tape machine that it's linked to. So he'll get an output of all the tape machines. So the live shot of the camera, the replay version of the camera. Then he's got all the graphics to contend with as well. So he's got to make sure that, you know, the right graphics go on at the right times. There's all the outputs of the various technologies—Snicko, Hot Spot all that sort of stuff. And then, of course, he's got to contend with the talent and the commentators and actually make sure that what he's putting to air is, you know, in the right sequence which is a highly skilled job.
My mind still boggles when I go in to that truck and see that wall of monitors, literally hundreds of monitors in front of him. Out of all those he's stitching it together on the run. And you just see it on your box at home and there's one picture. It's amazingly skilled art. And the guy we have doing that for us, a fellow called Rob Sheerlock who's widely acknowledged as the best sports director in the world, he's very good.
Richard Aedy: Wow. It does sound specialised, but I'm wondering how specialised pretty much all of your people are because it's a TV enterprise almost like no other.
Brad McNamara: Yes, you're right. I mean, you could quite easily argue that maybe a game like rugby league, for example, you could probably take that to various places and networks and you could probably find seven or eight cameramen and crew that'd put the rugby league coverage together fairly well regardless of where they're from. But cricket's such a specialised area; you've got cameramen that specialise in following certain shots of certain balls and you've got your tape operators who know what, you know, certain things to look for. You know, for example, you know, when a ball gets hit in the air on our coverage, we'll have seven cameras shooting it. Whereas on other coverages you might be lucky to get one, you know, to get that…and it's a highly specialised job and, you know, there's a lot of talk of the cricket rights being up and taking them to other networks and that. It'd be a very difficult thing to do with the cricket. I'm not saying that no one else could do it. But it'd be a very difficult thing to find that expertise that does go into putting a cricket broadcast together and transplanting it elsewhere.
Richard Aedy: Now there are some new toys this season, which I've noticed as a viewer: Spidercam. How does that work?
Brad McNamara: Mate, I'm not sure. It's…no, it's the most amazing piece of engineering. It works on a pulley and weight system. So the camera sits in-between four Kevlar wires that are strung off the light towers in the grounds and the engineering is such that there's only about five kilograms of weight on each of the places where it's hooked on. And that's just an amazing bit of technology. It's a big winch that winds it up and back and it's GPS-driven as well so it can't hit the ground or it can't hit people or light towers or stumps or all that sort of thing. And they've got their own little spot up near the commentary box where they sit and operate it. And it's just amazing. I think it's the best sports camera in the world and it's taking people to places, especially in test cricket, where they've never been—probably is the biggest game-changer in cricket coverage I've seen.
Richard Aedy: Is that it then, or have you got any other toys that you're going to get out this summer?
Brad McNamara: No, look we're always looking to push the envelope and look at new technology and different ways of engaging the viewer. We are looking at helmet cameras. I'm not sure if that's going to be for us yet. I'm not sure the picture quality's quite what we want there. But the thing we're most excited about and we're bringing in on Boxing Day, is three-dimensional replays. So, everything we've done in previous years has been in two dimensions. This technology has the ability to stitch all our camera angles together and fly you in between them, almost like an Avatar type situation. So you won't need a 3D TV. This'll, sort of, do it for you. So, I think this is one of the great innovative tools that I've seen in broadcasting for quite some time. And hopefully we get it working well for Boxing Day and people will be able to make up their minds for themselves.
Richard Aedy: Brad McNamara. He mentioned the rights. And the rights are where things get complicated. Three years ago, the Senate held an inquiry into the ambiguities of sport reporting and rights, though little came out of it. And, for an example of how messy it gets, you need only look to India which is playing England at the moment. Sky has the British broadcast rights but that hasn't stopped it falling out with Indian cricket's Board of Control. David Rowe from the University of Western Sydney is co-author of Sport Beyond Television.
David Rowe: Well I mean, it is essentially the usual disputation over control of images, or audiovisual in the case of Sky, and still in the case of the press agencies. With digitisation a lot more material can be broadcast and communicated rapidly. And, of course, there's money to be made out of that. The sports organisations such as the BCCI, that runs cricket in India, wants a slice of the action and couldn't come to terms with broadcasters and the press agencies. And so, for example, if you go to the BBC now as I was this morning, and you look at the latest reports on the test between India and England, you have archive images only, no current images.
Richard Aedy: But the BBC is paid-up as I understand it. And certainly they've paid up to be in the commentary box for their radio coverage. Whereas Sky is sort of saying, look, we've already paid as far as we're concerned and now you're asking us to pay more.
David Rowe: Yes. They've been across the road as I understand, taking the…
Richard Aedy: Well, Mike Atherton, the former England captain who's part of their team has been reporting from the car park.
David Rowe: Yes, yes. I mean essentially there were demands made, I think, at the last moment in both cases and there's been resistance.
Richard Aedy: What is at stake here David?
David Rowe: Key thing I suppose is, what we would regard as the right of the public to receive sports news provided for them by media—traditional media organisations. It really gets down to that. I mean, in Australia, not very long ago, the Senate Standing Committee had an inquiry into sports news and the emergence of digital media because of this very issue. There've been…these disputes have happened in Australia as well; they've happened with the AFL, they've happened with Cricket Australia and so on. It's by no means confined to one or two places in the world. These are breaking out all over the place. And it's essentially, I suppose, getting down to who controls the mediation of sport. Who controls sports news? How much can be shown? How much can be communicated and by what means?
Richard Aedy: Well let's talk about what happened a few years ago, and it all came to a head, I think, at the first test of the summer in Brisbane. Just remind us of what happened.
David Rowe: Yes, it was…essentially it was Brisbane, 2007, and your usual clutch of sports journalists turn up to cover the event, to get into the Gabba and essentially there're prevented from going in there—actually excluded from the ground because there has not been an agreement over, you know, those issues concerning what will be circulated in terms of news. What, indeed, constitutes news? How much can be released and in what form? And so essentially, we talked about the car park scenario in India at the moment with Fox and Cricket and something very similar happened there.
Richard Aedy: This, as I recall, concerned stills photography and it also directly affected the wire agencies. So things like AAP, and AFP were, kind of, locked out? In fact I think there was a photo of journalists on one side of the fence and James Sutherland who's head of Cricket Australia, kind of, looking at one another.
David Rowe: I mean, a complete public relations disaster, and I've interviewed some of the journalists that were involved in that unhappy moment, and the embarrassment of actually appearing in the newspaper outside the ground looking bemused. One of them I interviewed said, look, we're foot soldiers here, we're caught up in something really big; we just want to report the cricket, but, you know, we're expected essentially, to have degrees in intellectual property rights. I mean, that's a really difficult issue for sports journalists because they want to be able to practise sports journalism and they want to be able to use whatever technologies are at hand. But, of course, there are big, big disputes going on above their heads.
Richard Aedy: This hinges ultimately on audiovisual content. That is the key as far as the rights holder—in this case Cricket Australia and the Indian Cricket Board with their dispute—are concerned. And it is because we are no longer reliant on the TVs, network or concern that has paid the big wodge of cash to have the rights. They're not the only people who can show us moving images of cricket anymore. That's the issue isn't it?
David Rowe: That's the biggest issue. It's not the only issue. So, I mean, the whole question of still press photography is still a big issue. And…because digitisation enables you to put out so much stuff so quickly. And, of course, it can be sold and resold, and that…this is the objection of the likes of Cricket Australia—they want a slice of that action. But the big one, the overwhelming issue, is audiovisual content, obviously with a capacity for live streaming and that sort of thing. The major economic driver, the underpinning of contemporary professional sport is broadcast rights or media rights more extensively. The most valuable part of media rights is live action, that's the bit that degrades very quickly—that's what people want to see and they want to see it now. And of course people who are paying billions of dollars in broadcast rights or selling those rights are obviously very concerned about that.
Richard Aedy: Has this issue been completely resolved? Because my understanding is, despite the kind of moment of crisis a few years ago at the Gabba in Brisbane, it's never been completely sorted out.
David Rowe: No, it hasn't. I mean, if you take the senate inquiry I was talking about, it came down with a, you know, pretty weak kind of resolution if you can call it that.
Richard Aedy: Nothing binding.
David Rowe: Nothing binding, a mediation…code of practice and a mediation possibility but also ultimately resort to the courts and so, nothing changed there. And one thing it definitely kept out of was audiovisual. So the code of practice that was developed applied only to still images—did not apply to audiovisual. So it has not been resolved and it's very difficult to resolve. And, I mean, one of the key issues is that—and this came out in the senate inquiry—mutual accusations of media organisations, aimed towards sports organisations that sports organisations want to become media organisations.
Richard Aedy: David Rowe; you'll hear more from him later.
This is the Media Report on RN. I'm Richard Aedy.
So what's it like to be a reporter who covers cricket? Chloe Saltau is the chief cricket writer for The Age.
Chloe Saltau: Certainly on the first day of the test, you're getting there in time for the toss and to, sort of, catch up on whether there are any team changes or anything like that. Everyone's tweeting about, you know, who's batting first and who's in the team.
The first session you can usually watch pretty intently because there aren't too many other demands on your time. After lunch you start to think about what the coverage is going to look like and you've normally, certainly at a home test, got a couple of colleagues with you, so you can, sort of, start to plan out, you know, who's going to be covering what. You know, who's going to be writing about Michael Clarke's century, who's going to be writing about the touring team, who's going to be, sort of, writing the opinion piece about who should get sacked—that sort of thing. And, you know, on a quiet day you might have to hit the phones and try to, sort of, drum up something related to, but perhaps not specifically related to, what's unfolding on the field.
From teatime onwards you've got your head down, writing basically. Because deadlines—newspaper deadlines—have, sort of, come forward to the point where, you know, you don't have the luxury of sitting there for a couple of hours after stumps, getting everything right. You have to, pretty much, get it ready to go, get down to the press conferences, file any breaking news from there, touch everything up and then go again the next day.
Richard Aedy: When did you start covering cricket, and what did it involve when you did?
Chloe Saltau: My first tour in the cricket writer's job was the 2003 World Cup. At the time it was very much just all about the newspaper and everything that we wrote in the paper, obviously, went on the web. But we really only filed for newspaper deadlines. So that particular first tournament was in South Africa which had its own challenges because of the time difference, but really you were filing for one deadline—or perhaps two deadlines a day to get match results and news in the papers. So, it was pretty straightforward at that point.
Richard Aedy: And how is it different now?
Chloe Saltau: It's changed dramatically; probably most of the changes have really happened in the past three or four years. The difference between covering the 2005 Ashes in England and the 2009 tour to England was dramatic in the sense that, in '05, although it was a really newsy tour, the only specific web stuff that we did was match reports on stumps basically in England for the web. So that when people came in and checked the web in the morning, they had a wrap of the day's play.
But by 2009 we, sort of, realised that nothing really holds. News doesn't really hold for very long. So you were filing, not only, just a stumps match report, but, you know, news out of the game; pretty much anything that was of interest had to be written straight away, by about seven in the morning Australian time. So, that meant that then, you got back to your hotel room and started to think about what you were going to write in the paper the next day. So that's when it becomes really gruelling, I suppose. And really challenging to, sort of, conceive ideas and stories that are going to be fresh for the paper.
Richard Aedy: What about things like live blogging? Do you have to do that?
Chloe Saltau: We certainly do it and, for instance, from the test in Hobart today, we've got a live blog happening and we have a live blog for all test matches. I don't usually do them, because I'm usually at the game and it's usually done by someone back in the office watching it on TV. Because they, I suppose, don't have the pressures of covering the match. So, yes, it's something that we all need to be able to do. But it's usually done outside the core cricket coverage.
Richard Aedy: So you mentioned that 2009 was a lot more onerous and, of course, you've got 2013 next year, if you're going on that one, it'll be more onerous still. How is it more onerous?
Chloe Saltau: It's more onerous because the deadlines are constant, I suppose. And, yes, I expect that the 2013 Ashes will be more demanding again in terms of the amount of material that will be required by the web. At the same time, I think we're perhaps getting a little bit smarter about how we do things. And I think our coverage of the London Olympics this year was a good example of that, in the sense that it was an acknowledgement in some ways, that that was very much an online tour because of the time differences. It meant that a lot of your best stuff was appearing on the web—and it might be republished in the paper but resources were really invested in the website. But we need to not forget that there's still a really voracious readership for the newspaper and the expectations of that are, that, you know, they'll want something really substantial and just a really nice read to get stuck into the next day as well. So we can't neglect that.
Richard Aedy: Chloe Saltau. As you heard her first tour was in 2005. Mike Coward's was in 1972 when he covered the Ashes in England for AAP. These days, though he's too modest to say so, he's as much an historian as a writer. His 40-year perspective is that the game affects the media and the media affects the game.
Mike Coward: Primarily through television, not so much through radio—radio broadcasting we had in 1927, of course. But even that has changed, in a way. You know, the days of the Arlotts and the Johnstons and the McGilvrays—it's very different now. Television is where the impact has been.
Also with the newspapers and newspaper writing; one of the consequences is, there's very little reflective writing anymore and, I think, very little reflective commentary and considered commentary on the game. I think it's because it's a reflection of the way the game is being played now. You know, it's frenetic. There's three forms of the game and I sense that the, sort of, frenetic aspects of the shorter forms of the game—T20 and the 50-over game—are infiltrating the coverage of the traditional game. I think it's just a very frenetic world.
Richard Aedy: What about the idea now, that's been kicking around for a few years, and I think must come from television—day-night tests? Because that will change the game quite profoundly if it happens.
Mike Coward: Yes it will, if it happens. Of course they've got the challenges of coming up with the appropriate ball to play at night, and of course you've got the dew on the ground. We've seen, over the years…in fact the World Cup final of 1996 in the one-day form with Australia in Lahore when they lost to Sri Lanka, the dew on the ground played an enormous role in that game. And that will be another issue if test cricket is played at night. It's a very complex area, but yes, you're right.
I mean, test cricket is prosperous in Australia and in England but nowhere else. You'll have periods in India and you'll have periods in South Africa where the crowds will attend. But basically they've been seduced by the limited-over game—particularly in India. And India, of course, is the compelling modern force of the game.
Yes, there is a strong lobby, particularly in Australia—some interest in England as well. And it's…that's interesting because these are the two countries where test match cricket is strongest but they are showing particular interest in playing test cricket at night. James Sutherland the chief executive of Cricket Australia has been very conspicuous.
Richard Aedy: I'm wondering if TV's desire to have this product that goes into prime time, might end up being, of all things, the salvation of test cricket?
Mike Coward: Yes, it's an argument I suppose. I mean, the traditionalists are very uncomfortable with it. To be fair, over the years the players themselves—and many of the administrators—particularly the players have…the players have a great affection for test match cricket. You know, even the younger ones coming through understand what it represents. There's a reluctance of the players to play test match cricket under light. They've…over the years they've said, okay, if you want to fiddle around, do it with the limited-over forms of the game—with the shorter forms; it's an entertainment. And we're seeing now, very much with the whole marketing of the T20 game, very similar trends to what we saw back in the '70s with the development of the limited-over international. You know, jingles on television, things that will appeal to children particularly, adolescents particularly—the short attention span. And perhaps the attention span is getting shorter from the '70s and now into the start of the 21st century.
It really was started…Martin Crowe you'll remember, of course, a great player, but he talked about cricket max and he introduced that to television in New Zealand, well, 10-15 years ago. And that involved four stumps; that involved shots to the boundaries for 8, over the boundary for 12, and things like that. He was thinking laterally and, of course, he's an executive with Sky Television in New Zealand. So he could see it both as a cricket person, as wonderful a traditional cricketer that he was, but as a cricket person, and as a television executive he could see the values. And it's been packaged up in different forms for 10, 15, 20 years.
Richard Aedy: Mike Coward. So far we've really been talking about the mainstream media but we can't finish without acknowledging that there is a lively digital sector that focuses on cricket. David Rowe from the University of Western Sydney doesn't believe it really threatens the traditional outlets.
David Rowe: I mean, they're important. A lot of people will use what they have to offer all the time, kind of prefer it, because of its flexibility, its fairly rich data source et cetera. What I think though is happening is the purely digital realms, and such that it is, is really melding in to the traditional legacy media. So, they often have, you know, arrangements and so on, or the legacy media are moving themselves into there. I mean, where is there anywhere in the world now, you know, a major media organisation that has not heavily invested in digital. And it can be involved itself or it can make arrangements with existing digital enterprises.
So there is a decided shift towards the digital. But large media brands are not going to go down without a fight. There's a lot, I think, of nonsense spoken about the end of television and we've just written a book with a slightly ironic title of Sport Beyond Television. And what we're essentially arguing is that, television is changing, like all other technologies have changed in the media over centuries, but if you understand your media history you also know that these technologies become blended with new technologies and large media organisations with very deep pockets are very adept at moving in to this new territory and coopting it.
Richard Aedy: What about the fan David? Because it's done in pursuit of audiences and obviously revenue. But are we—I'm a cricket fan, I have been all my life—do you think that people like me are better served now than we were, say, when—I can still remember, you know, cycling off to the petrol station to get the poster of the '75, '76 touring West Indian side—when all you had was television and radio and reports in the paper?
David Rowe: Well, you're a fan and you're also an eyeball to be monetised. And, I mean, that is, I guess one of the big questions here. Sports fans produce the value in media sport. So, we talk about fishing for eyeballs; you know, trying to track you down wherever you are. Trying to find new services that you are prepared to engage with, sometimes pay for. So, probably, as a fan, you are better catered for, or catered to, than you've ever been before, if you want to be. But, of course, you're being bombarded all the time with offers. I mean, I don't know what kind of cricket fan you are. Are you a betting cricket fan?
Richard Aedy: I'm not.
David Rowe: No. I'm not either. How do you feel about being constantly petitioned to bet?
Richard Aedy: I think it's a pain in the arse actually. But…it's not something I welcome.
David Rowe: But, you see, someone will offer the justification: you may not bet, but you will justify it from the additional funds that have been brought into the game by those who do.
Richard Aedy: Well, I hope we both get to enjoy the summer. Thank you for joining me today.
David Rowe: A great pleasure. Thank you Richard.
Richard Aedy: David Rowe. And you can find details of David's book—he's a co-author of it actually. It's called Sport Beyond Television: The Internet Digital Media and the Rise of Networked Media Sport—on the website. That's the place to go also for more information about everything and a chance to listen again or download the show—abc.net.au/radionational.
I'd like to thank David, Mike, Chloe and Brad—all of whom were generous with their time this week in the lead up to a test match no less. It's much appreciated.
Just time to let you know about next week's show which is about a future of the medium that you're listening to now, the future of radio. It's not something that we think about. We've done a bit of thinking. Next week's show is the result.
Thanks to producer Kyla Slaven and sound engineer Menny Wasserstrom. I'm Richard Aedy.
Brad McNamara
Executive Producer
Nine Network
Chloe Saltau
Chief cricket writer
The Age newspaper
(Twitter: @chloejane32)
David Rowe
Professor of Cultural Research
Institute for Culture and Society
University of Western Sydney
(Twitter: rowe_david)
Mike Coward
Cricket journalist, commentator and author
TitleSport Beyond Television: The Internet, Digital Media and the Rise of Networked Media SportAuthorHutchins, B. and Rowe, DPublisherRoutledge
Presenter Richard Aedy Producer Kyla Slaven Comments (0)


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The 3-year-old Philippine eagle was found dead in a supposedly protected area, 1 kilometer from Sitio Tomalite, Barangay La Union, San Isidro, Davao Oriental. Dennis Salvador of the Philippine Eagle Foundation (PEF) said that the eagle had a gunshot wound on her right breast.
The incident is a direct violation of the Wildlife Act of 2002, the suspects have not been apprehended yet. Pamana means "heritage", "inheritance" or "legacy" in the Filipino language. Her remains were brought to the Philippine Eagle Center in Malagos, Davao. She is just one of the the last 400 Philippine eagles fighting for survival.
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Discussion in 'Android Themes' started by jason-567, Jun 15, 2010.
how do i create barcodes so that when people scan it it goes to a certain link
I use a QR-Code Tag extension for Chrome.
Other browsers probably have a similar feature available.
Then save the QR-Code as a jpg and attach it to the post or you can usually link to it (a link to it will be provided by the company who writes the browser extension).
I just do a search on Google for QR code generator. There are a ton of free ones.
When I get home i will link to the freeware software on my pc, pretty full feature program or being free. You can make a contact code that allows automatic saves to contact info for friends or customers, maps with directions, text links to webpages, pretty cool. There are also tons of. free online ones too.
bytescout barcode generator, creates all kinds of barcodes, not just qr codes, and free....:click here cool:
I use this site to create qr codes. It's not just for Nokia phones.
i also have similar problems, our company purchased a android barcode license. but i do not know how to encode contact data into qr code for other android/iphone barcode scanner apps to read?


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It took me a year to find a horse I could feel safe riding.This is the horse I found! I call him "Doc". He has helped me with my confidence so now I have…SOLD
Bristow is an amazing gelding! If you want a horse that you can let anyone ride this is him. If you can swing your leg over him you can ride him. There…SOLD
He rides with or with out a bit, saddle or bareback, very easy catch, loads easy, you can walk under and crawl through his front or back legs he also bows…SOLD
Dusty is a 7 yr old dark chestnut gelding. At 16 hands, he has a very commanding presence and attracts attention everywhere he goes. He has a really laid…SOLD
This is tango. She has been western ridden on trails and up and down highways. She was imprinted as a foal and loves to be around people. She is not herd…SOLD


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Meet the Monsters!
Gave my monsters a face and had the little man color them. They are not as scary with a face. In this page, you will find all the monsters that I have been dealing with and their faces. I randomly just draw a picture and my Little Man colors them for me. He doesn't like scary ones, so I try my best to make them as "friendly" looking as possible lol
If you've been following my blog for a while, then you would know that on the first of each month, I update my readers on my progress with beating my debt monster. If you are new or would like to catch up on my progress, check out my Monster Chronicles page to view all the previous posts. So far it has not been an easy journey, but I'm confident that soon, very soon, I will be free of this monster! Tips and tricks on how to beat this monster are welcomed and greatly appreciated.
Be sure to subscribe to my blog so that you can see how I'm doing! Thank you, everyone, for following me on my journey!
- The Monster on the Wall
- Debt Monster: Facing It!
- Confession of a window shopper: I'm not alone!
- The Sloth Monster
- Getting too comfortable?
- The Too Busy Monster
- Monster And The Cute Pirate
- The One Who Got Away: June's monster.
- The Summer of Monster
- Slug Monster
- Once Upon a September; Monster With Wings.
- Monster With The Horns


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<< Back - 2006 > Hummer > H3 > Body Mechanical & Trim > Tire Pressure Monitoring Sensor > Standard Motor Products
2006 Hummer H3 Tire Pressure Monitoring SensorReview Fitment Notes to Ensure Proper Fit
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Standard Motor Products TPMS Sensor
Click to Enlarge (Read reviews)
Part Number: 18605-05252514
Notes: Tire Pressure Monitoring System Sensor -- OE Style/ID Clone-able; No programming required. Install Sensor and follow the OEM factory relearn procedure.
Condition: New
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Tire Pressure Monitoring Sensor Reviews - 2006 Hummer H3
Dorman | 974-008
The TPS product somewhat satisfied they were delivered to a wrong address
June 24th, 2014 | Posted by Nglsimpleart


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Spill Control Companies (Health and Safety) for the Chemical & Pharmaceuticals industry in Sweden
Need help finding the right suppliers? Try XPRT Sourcing. Let the XPRTs do the work for you
Geotech is a global leader in the design and manufacture of gas analysis technology. A QED environmental company and part of the US public company Graco Inc with a turnover exceeding $1.2BN and 3600 employees worldwide. Geotech's unrivalled investment in R&D, matched by our unswerving commitment to customer service and support ensures we are the supplier of choice for our ...
Distributor in SÄVEDALEN, SWEDEN.
The absorbents are produced by an unique process and raw materials developed by Sanol AB, giving a hardened bio-foam which is biologically degradable. Our products are environmentally friendly and through quality tests demonstrated a superior high and rapid absorption. Demand to replace polypropylene based absorbents has only increased. Our own manufactured product has a ...
based in Partille, SWEDEN.
Protea is a UK-based instrument manufacture and systems builder specialising in spectroscopic gas analysis, using FTIR, TDLAS and QMS technologies amongst others. Our customer-focused analysis systems for process, emission and environmental monitoring can provide a solution for direct installation into a plant (such as CEM systems) or we can provide the analytical ...
Distributor in Arlöv, SWEDEN.
Real Tech Inc. is an award winning company specializing in the design and manufacture of innovative portable and online instrumentation for municipal and industrial water quality testing. Our instruments monitor common parameters such as UV254 (SAC), UVT%, spectral absorbance TOC, COD, BOD, NO3, and NO2 equivalent values, and spectral/contaminant alarm. Designed with ...
Distributor in SWEDEN.
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Health care workers rallied at an Augusta nursing home Tuesday to call on Congress to pass an extension of increased Medicaid funding, which many nursing home patients rely on.
Georgia already had counted on $375 million of that extra Medicaid funding in its budget for this fiscal year, so state agencies such as the Medical College of Georgia are facing a 4 percent withholding of funds and being asked to make contingency plans for cuts twice that big.
A spokesman for Gov. Sonny Perdue said that prospects appear uncertain for the Medicaid extension to pass and that he is trying not to stick the next governor with an unwelcome present come January.
Workers at UniHealth Post-acute Care of Augusta Hills braved the heat in the parking lot to rally for a six-month extension of the Federal Medical Assistance Percentage increased funding for Medicaid, which is set to expire in December, halfway through most states' fiscal years.
"Threats to the Medicaid program don't affect us; they affect the folks inside of our buildings," said Neil Pruitt, the chairman and CEO of UHS-Pruitt Corp., which owns the Augusta facility and 42 others in Georgia. That could have a big impact on people in an industry that is one of the few in the country producing new jobs, he said.
"We created over 50,000 new jobs in America last year. And we improved quality at the same time," Pruitt said. "So if we take away those jobs, unfortunately quality care is going to suffer."
It could have a direct impact on people such as Zenobia Andrews, a nurse at UniHealth Post Acute-care-Old Capitol in Louisville, Ga.
"When funding cuts take place, staff is usually the first to feel the impact and our jobs become more and more difficult to do on a daily basis," she said.
It is a concern for Tanja Battle, whose mother has been in Augusta Hills since February 2007.
"It could have an impact because we do receive those funds," she said. "Quite frankly, I don't know what we would do had we not had them this whole time."
About 30 states had counted on the extension when it appeared likely to pass, which doesn't seem to be the case now, said Perdue spokesman Bert Brantley.
"There's a lot of talk about deficits and spending, and there just really doesn't appear like there is going to be a lot of support for an additional stimulus," he said. "And maybe there will be, we just couldn't continue to count on it."
In addition to the 4 percent cut, potentially about $5.8 million, MCG officials are working on contingency plans for cuts of as much as 8 percent that are due to the University System of Georgia on Monday, said William R. Bowes, the senior vice president for finance and administration. What that would mean in terms of what is actually cut is unclear, he said.
"There are a lot of open questions right now with regard to whether there will be some systemwide initiatives that will assist institutions or questions about furloughs, whether that is on the table again or not," Bowes said. "We just don't know yet."
The point is to take action now so that the next governor isn't faced with having to cut that $375 million, Brantley said.
"(Perdue) frankly just doesn't feel like it is right to do that to the next governor," he said.


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More than 30 years on
The date, 12 August, has been set for Rob Hamill's appearance as a civil party in the trial of Comrade Duch at the ECCC. New Zealander Hamill (pictured) is better known as an Olympic and Trans-Atlantic champion rower, but he's also the brother of Kerry Hamill, captured, tortured and murdered under Duch's supervision of S-21 in 1978. Nearly 31 years to the day of his brother's capture off the coast of Cambodia, Rob Hamill says of his opportunity to face Duch in court; "I expect to experience the widest possible range of emotions when I see Duch, a lot of nervous energy will be expended. Duch says he is sorry and wants forgiveness, but I want to find out whether he truly understands the impact of what he did and the damage he caused. I'm not sure that he does comprehend what he and the Khmer Rouge did to the people of Cambodia, let alone to the families of Kerry, John and Stuart." His brother Kerry Hamill and Briton John Dewhirst were snatched from their storm-blown yacht, and fellow sailor Canadian Stuart Glass was killed, on 13 August 1978. Kerry and John were tortured for two months at S-21 and forced to falsely confess they were CIA spies, before they were killed and their bodies most likely burnt and buried at Tuol Sleng. A film, Brother Number One, is being made that follows Rob's journey to Cambodia to find out the truth of what happened to his elder brother. Read more here.
Labels: Brother Number One, Duch, John Dewhirst, Kerry Hamill, Rob Hamill, S-21


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Smith, Prunty named conference recruiters of the year
The state of Ohio can claim two of the top recruiters in the country for 2014.
Ohio State wide receivers coach Zach Smith took home Scout.com's Big Ten Recruiter of the Year while Cincinnati associate head coach/defensive ends coach Robert Prunty was named American Athletic Conference Recruiter of the Year.
Smith was credited with helping Ohio State land four-star wide receivers Johnnie Dixon, Noah Brown and Terry McLaurin along with defensive end Jalyn Holmes.
Prunty, a two-time Big 12 Recruiter of the Year at Texas Tech, was credited with playing a significant role in getting commitments from half of the 24-man class, including Norcross, Ga., linebacker Kevin Mouhon.
Ohio State's class ranked No. 5 in the country and No. 1 in the Big Ten while the Bearcats' haul was 60th nationally and No. 2 in the AAC behind South Florida.
FOX Sports Go


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I'm sure we will be looking at something close to GHC 1 million, Fed Pappoe on Great Olympics' return to the Ghana Premier League.
The Accra-based side in the 2014/15 Premier League failed to maintain their Premiership status as they got relegated.
The two time Ghanaian champions maintained their superiority over the other clubs in Zone 3, as they sealed their return into the Ghana Premier League after just a season in Division One following their 2-1 win at Mighty Jet last Sunday with one game to spare.
"Off the top of my head plus winning bonuses and the rest averagely we spent about GHC 7,000 to GHC 8,000 per match that already gives you GHC 240, 000," Pappoe said on Happy FM.
"Adding salaries and other things I'm sure we will be looking at something close to GHC 1 million. For Division One there is nothing like gate fees or sponsorship so that money came from the club's Directors," he added.
The "Dade Boys" currently are top of Zone 3 with 63 points, four points better than second placed team Hearts of Lions.


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i wonder what it weighs?
cool lookin school! Is that redwood on the side of it?
Pic of bent flag pole taken this morning at a school outside Boulder that I've done various remodel jobs for over the years. This ain't no cheesy pole either, 2 1/2 in heavy gauge pipe that has withstood many windstorms till last night.
Recyclable Material Merchant Wholesaler
Certified Zip-Tie Mechanic
"Give them enough so they can do something with it, but not too much that they won't do nothing."
i wonder what it weighs?
cool lookin school! Is that redwood on the side of it?
Last edited by Bear; 02-23-2012 at 04:19 PM.
lol my neigher next to me on corner lost 3 panels of fencing in that wind last night. Need to barrow my sawzall to cut that pole down?
Thanks tho, but I got one. Still solid and not going to fall so they want to leave it up for a bit to see if a parent will pony up to get a new one. Need to make sure I'm there that day so I can dispose of properly. ;]
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Showing 1 to 3 of 3
Price on request Country / Sporting Estate
Andalucía, Sevilla
Exceptional country estate for sale in Sevilla, with guest apartments, staff cottages and excellent farming facilities, set in 1,000 hectares of land
Beautiful 1,000 hectare country estate with an Andalusian villa, guest and staff accommodation, 2 swimming pools, its own water supply, cattle breeding and farming facilities. Situated just 45 minutes from Sevilla airport
- Bedrooms 12
- Bathrooms 10
- Built size 4,139m²
- Plot size 1,000ha
Price on request Country / Sporting Estate
Andalucía, Sevilla
Beautifully maintained historical equestrian estate for sale, near Seville. Set in 156 hectares of cultivated land, original oil press, stables, paddocks and barns. Lovely interior patios, gardens and two pools
This magnificent Country Estate has been beautifully restored & consists of a main house, chapel, staff cottages, 2 pools, paddocks, water wells and Orange,Almond & Olive groves
- Bedrooms 9
- Bathrooms 5
- Built size 3,000m²
- Plot size 156ha
€8,000,000 Country / Sporting Estate
Andalucía, Sevilla
Wonderful 700 hectare shooting & equestrian property in Andalucia | Large 500m2 cortijo, gardens, terraces, pool and 3 staff cottages
This beautiful estate is in excellent condition and includes 6 stables, a 500m2 barn, a tack room, a feeding room and a bullring
- Bedrooms 13
- Bathrooms 7
- Built size 500m²
- Plot size 700ha
Showing 1 to 3 of 3


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Devin Adams Busts A Nut
Category: Amateur, Jocks and Frat Guys
Pornstars: Devin Adams
Devin Adams is a tall, athletic senior from the mid-atlantic coast. He has a fantastic smile, lean body, hott bubble butt, and rock hard dick! After telling us a little about himself and his sexual escapades and curiousities, Devin whips off his clothes and immediately works up a nice boner. Reclining back into the couch, Devin clearly enjoys his moment in the spotlight, and the way he works his dick is sexy. Devin seems to have all the right moves. When Devin hops up onto his knees to give us a taste of his hole, we get to see his nice butt with a light covering of hair, a little whiter than the rest of his body - must be from all of the time at the beach. When he spreads his ass and rubs his finger against his hole he gets even more into it! Devin busts a perfect hot creamy load and then takes a deep sigh of relief. We love a dude who can enjoy himself!Read more »
View other College Dudes videos


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This is perhaps the longest into a new year I've waited to post my tv list. The problem was, is, whatever, that I'm not excited about it. Which is more about the tv shows than about the list itself (we all know I think lists are fun).
I sorted through my hulu favorites, as I . . . → more


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Agera Evening Peptide Complex 1 oz
Product DescriptionAgera Evening Peptide Complex provides retinol benefits to aging/environmentally damaged skin Key ingredients of Prolifersyn to aids in collagen/elastin production fibroblast/epidermal stimulation. Agera Evening Peptide Complex assists in rejuvenation and exfoliation to reveal younger,smoother skin. Additional ingredients of antioxidants vitamins A and C help to fight free radicals. 1 oz
Active Ingredients: MagC (Magnesium Ascorbyl Phosphate), Retinol/Rerinyl Palmitate (Vitamin A), Prolifersyn (Myristoyl Hexapeptide-4)
Directions: Apply to clean skin once daily in the evening. Follow with moisturizer.


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2010–present (iOS 4-6)
2010–2013 (iOS 4-5)
In WWDC 2010, Apple renamed iPhone OS to iOS and released iOS 4. This logo was used from iOS 4 to iOS 5. The iPhone OS name, however, still remains use in the "OS Version" section of crash reports, which can be accessed by going to Settings > Privacy > Diagnostics & Usage > Diagnostics & Usage Data > internal name of app-Date (yyyy-mm-dd)-ID[1].
2012–2015 (iOS 6)
The letters became more separate from each other, and the shadowing and lighting was updated on the logo, and the logo became black. This was used in iOS 6, the last version to use Steve Jobs' design.
2013–present (iOS 7-10)
2013–present (iOS 7-10)
In WWDC 2013, Apple released iOS 7 with a new look and feel, and a thinner font. This logo is still used in iOS 10 for some parts.
2016–present (iOS 10)
In WWDC 2016, Apple released iOS 10 with new features like the improved Messages App, the improved lock screen, the redesigned Apple Music App, the redesigned Maps app, rich notifications, and multiple screens in the control center. The slogan of iOS 10 is "Big. Bold. Beautiful" as shown on the Apple website. It has the bold letters from iOS 4-6 with the iOS 7-10 design and interface. During beta versions, the logo was very similar to the iOS 4-6 logo but it is flat. After the release of iOS 10, the font was changed from Myriad to San Francisco, having been first used in the Apple Watch and Apple Music logos and also used in the iPhone 7 logo. The new font is expected to roll out on the website by late 2017.
See also
- For other related logos and images see: IOS/Other
| Operating systems
Stores & Services


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Domaine de Fontenille
Provence, France
Hungry for a gourmet break? From fine-dining country-house hotels and restaurants with rooms to Michelin-star-spangled kitchens at the culinary cutting edge, we've truffle-hunted hotels and foraged the world to cherry-pick those Smith stays that go above and beyond when it comes to cuisine. Whether you want a gastronomic experience par excellence or delectable farm-to-table fare, our gourmet breaks collection has a hotel to suit your foodie taste. Bon appetit!
See our boutique hotel deals
Provence, France
One more night offer - Wine tasting, daily breakfast and more
Provence, France
Smith Exclusive: Stay four nights for the price of three, with a 30-minute wine tasting
Provence, France
Week Offer
Found your stay cheaper elsewhere? We'll match the price and give you a $75 voucher.
Enjoy extras such as a picnic lunch, champagne or spa treatments, on the house
Here for you 24/7 1 800 464 2040
This very French – et très charmant – country hotel just outside Avignon has all the vineyard views and wine-and-cheese tastings you'd expect from a Provençal stay. In Room 4, a Deluxe, the traditionally understated decor makes for a serene spot that's ideal for breakfast in bed. The air of relaxation and tranquility extends to the inviting outdoor pool on the hotel's terrace.


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Flat condyloma
flat condyloma n.
A secondary syphilitic eruption of flat-topped papules, usually found wherever contiguous folds of skin produce heat and moisture and especially about the anus and genitals. Also called condyloma latum.
Tagged: f
Read Also:
- Flat dog
noun 1. (Austral) another name for crocodile
- Flat-earther
[flat-ur-ther] /ˈflætˈɜr θər/ noun 1. a person who adheres to the idea that the earth is flat. 2. a person who clings to an idea or theory that has long been proved wrong. noun 1. (informal) a person who does not accept or is out of touch with the realities of modern life
- Flat electroencephalogram
flat electroencephalogram n. An electroencephalogram indicating the absence of electric potentials of cerebral origin, indicative under certain specified conditions of cerebral death. Also called isoelectric electroencephalogram.
- Flatette
/ˌflætˈɛt/ noun 1. (Austral) a very small flat


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This new Heineken print ad campaign could cause some controversy with its depiction of a corkscrew in the place of what looks like the Christ the Redeemer statue high on top of Corcovado Mountain, Rio de Janeiro. In addition, the campaign's tagline is "For a Fresher Worldâ€.
Less controversial are the images of the city of Paris and the Eiffel Tower made from Heineken bottles and a new skyline for the city of New York and a corkscrew Statue of Liberty created with the familiar green beverage bottles. Controversy or not, the images are creative and stunning.
The campaign was developed for Heineken by Publicis Conseil of Paris. The creative director was Olivier Altmann.
If you really want to see some ads that push boundaries, check these out:
Corkscrews Instead of Crosses?
More Stats +/-
Empowering Mastectomy Bras
Mythical Vodka Spirits
Bootleg Band Tees
Smartphone-Activated Debit Cards
Veggie-Rich Kids Meals
Heineken's Controvercial 'Fresher World' Campaign
- By: Elsa BlaineJul 20, 2008
References: advertolog
References: advertolog


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Apparantly I'm having a baby shower! Educate me please..
View Single Post
April 17th, 2013, 01:08 PM
1 Busy Momma
Join Date: Sep 2012
Posts: 1,003
My word of advise is when you are opening gifts, (hopefully someone will be helping you) write down what people got you and their names. This way when you write your "Thank You's" after the fact, you can personalize it with mentioning what that someone got you. Also, what the other ladies said, but Im sure we dont need to tell you...just say Thank You...Alot and let the girls who threw you a shower know you appreciate them.OH YEAH...one more thing, have your husband on call and ready to come by and help load up the car. Maybe offer to stay after and help the ladies clean up (depending where it is).
Most importantly...HAVE FUN and ENJOY!!!! Everything else will come naturally. : )
Mommy to Lorenzo, Marino and Remy
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Created for globetrotters who travel with their bicycles on planes, trains or buses.
Travelling with a bicycle has never been this simple. The Helium is light, easy to carry and its revolutionary inflatable padding offers unrivalled protection. Thanks to its minimal dimensions, it fits easily in the boot of even the smallest cars.
No detail has been missed. The Helium bike case has special compartments for an extra wheelset and also for stowing your helmet, shoes and other essentials. Developed with the input of pro cyclists, whose lives involve frequent air travel with bikes, The Helium is simply the best bike case on the market today. The Helium case is light, offers unsurpassed protections against impacts and allows you to pack your bike with only minor disassembly and without changing the adjustment of its components.
Once you've packed your bike and accessories, you simply fill the case's innovative inflatable protection partitions. It's as easy a pumping up a tyre. A conveniently located opening on the side of the case allows easy access to the inflation valve. When you are done and ready to go, simply return the pump into the storage compartment, and hit the road.
The Helium can carry a road bike as large as a 64cm or a full-suspension freeride mountain bike. Lightweight, flexible, robust, easy to carry and handle, this case has all the qualities a traveller could wish for. Furthermore, packing a bike in an Helium case is quick and easy
There are currently no questions and answers for this product.
There are currently no reviews for this product.
1. Can you fit 15mm and 20mm front axles to the fork mount? Also 142, 150, 160mm rear axles?
Yes you can but you need to purchase an adapter. Thule and Yakima do them. For the rear you can just slide out the QR and replace with thru axle.
2. How do MTBs fit in the bag, DH bikes for example?
Depending upon the size of the bike you may have to decompress and reverse the fork. The case isn't ideal to fit a DH bike, however a trick is to swap the fork for an old road fork where you lay the suspension on the base of the case.
3. The area around rear mech hanger looks a little vulnerable? The area where seatpost is looks vulnerable.
Once the case is closed this area is protected by the air bag. This is the same for the top tube. The air bags are higher than the top of the bike, the straps on the outside are used to close the airbags around the frame. Its look vulnerable however never has a bike damaged during transport.


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By uploading or posting any Content to the Site, you warrant that:
· You have the rightful power and authority to provide that Content in the form and manner and name in which it is submitted;
· You own the Content and have the right to assign copyright ownership and other intellectual property rights in that Content to MBRIT;
· The Content does not violate any privacy rights, copyright, contractual rights or other rights (including but not limited to intellectual property rights) of any person, company or entity;
· The Content does not contain material that is illegal, contrary to any laws, indecent, obscene, threatening, discriminatory, harassing or in breach of any confidence and is not defamatory, libellous, offensive or objectionable;
· If the Content in any way includes third parties or the property of third parties, that you have obtained the required consents and releases from those parties (or their parents or legal guardians, as applicable) to include them in your Content;
· Your Content does not contain any representations or material which you know or suspect (ought reasonably to have known or suspected) to be false, misleading or deceptive;
· Your Content does not contain material that has been previously broadcast, streamed, published or televised in any way (unless that previously broadcast, streamed, published or televised Content has first been approved in writing by MBRIT);
· You will not post Content or use the Site for the purpose of advertising, promoting or soliciting any goods or services or otherwise engage in trade or commerce;
· During the course of creating your Content, your conduct was not illegal, contrary to any law, indecent, obscene, discriminatory or harassing to any person; and
· You agree to your Content being available on the Site for public viewing and comment and that your Content may be used by MBRIT in any media for an unlimited period of time without remuneration or compensation for any purpose in MBRIT's sole discretion.
For any Content that you submit, you agree not to upload, post, or make available any Content that is objectionable, including but not limited to:
· Content that promotes information that is false or misleading
· Content that promotes, depicts or alludes to offensive or illegal activities or conduct that is abusive, threatening, obscene, defamatory or libellous
· Content that exploits people in a sexual or violent manner
· Content that harasses or advocates harassment of others
· Content that promotes or incites racism, bigotry, hatred or physical harm of any kind against any group or individual
· Content that contains nudity, violence, or contains a link to an adult website
· Content that furthers or promotes any criminal activity or enterprise or provides instructional information about illegal activities
· Upload, post, transmit or otherwise make available any Content that infringes any patent, trade mark, confidential information, copyright or other proprietary rights of any party
· Upload, post, transmit or otherwise make available any unsolicited or unauthorised advertising and promotional materials
· Upload, post, transmit or otherwise make available any material that contains software viruses or any malicious code
All Content submitted to the Site must be first approved in writing by MBRIT. Irrespective of whether or not the Content has been approved by MBRIT, there is no obligation on MBRIT to monitor the Content and MBRIT has the right, but not the obligation, in its sole discretion to refuse or remove any Content submitted.
MBRIT displays User Generated Content (UGC) from social media platforms including; Facebook, Instagram, Twitter, Google+ and YouTube on the Visit Moreton Bay Region website and other digital platforms. MBRIT does not claim to have ownership to any of the images, videos or Content posted through these channels.
However, by posting to the Visit Moreton Bay Region official channels or tagging @visitmoretonbayregion or #visitmoretonbayregion you hereby grant
MBRIT a non-exclusive, royalty free, worldwide, revocable, non-transferable , perpetual licence to use, modify, delete from, add to, publicly
display and/ or reproduce your Content without limitation in any online media formats and through any social media channels, pages or accounts.
On the Visit Moreton Bay Region social media channels we will credit your name and / or business name but due to technical reasons, some of the UGC shared on the website may not be credited. You can revoke this licence at any time by contacting us via email at email@example.com
Furthermore, due to technical reasons, some of the UGC shared on the website is not always reviewed by MBRIT before displaying on the site and does not necessarily reflect the views of MBRIT. If you find the Content to be inappropriate or discriminatory, please contact us at firstname.lastname@example.com to report the issue.
MBRIT may from time to time run competitions or other promotions on this Site including hot offers and deals from third-parties. These will be subject to additional terms and conditions that will be made known to you at the relevant time.
In order for an individual or a business to submit Content, pursuant to these Terms of Use, you must become a registered user or MBRIT Member. The level of access and facilities to submit Content varies depends on the level of user.
To become a registered user, you must complete your registration details in the manner described on the website. Registration is free but non-transferable.
To become an MBRIT Member, you must complete your registration details in the manner described on the website. Membership of $396 including GST for an annual membership and is subject to change without notice at MBRIT's sole discretion.
By becoming a registered user or MBRIT Member, you agree to provide true, accurate and complete information about yourself or business, as prompted by the registration forms. You must log into your user account in the manner required each time you wish to contribute to the site. It is your responsibility to keep this registration information up to date.
MBRIT reserves the right to refuse requests or terminate your registration at any time at our sole discretion. We will not accept any request to register a user account that we suspect is being made by or on behalf of a user who has been suspended from the Site for breach of these Terms of Use.
As a registered user or MBRIT Member, you are responsible for maintaining the strict confidentiality of your account login name and password and are responsible for any activity under your account and password. It is your responsibility to notify us immediately of any unauthorised use of your account or breach of security and to ensure you exit from your account at the end of each session. MBRIT will not be responsible or liable in any way whatsoever for any loss or damage arising from your failure to comply. MBRIT reserves the right to immediately terminate your access to the Site in its sole discretion and without prior notice to you irrespective of whether there is a reason or not.
When paying for annual membership, you are must make payment by credit card only..
When making payment by credit card, you will be required to make an online payment for your annual membership fee.
A current and valid credit card is required to complete payment.
The annual membership fee payable by you is inclusive of all taxes, levies and all duties.
If your credit card does not have sufficient funds available or if your credit card fails, your online booking will not be completed. MBRIT is in no way responsible or liable for your credit card not being processed or accepted.
Given that MBRIT may use a third party provider in respect of the processing of payments made on the Site, some functionality in respect to online payments may incur or attract separate charges which are non-refundable and are made in line with that third party providers own terms and conditions.
MBRIT or its third party payment provider may, in their sole discretion, vary the credit cards accepted through the online payment service.
When making a payment, your payment will not be deemed to have been made until:
· All of the details required in order to make the payment have been entered by you completely and correctly and the details of a current and valid credit card (of a type which is accepted) are provided;
· If making a payment by direct debit, cleared funds have been received by MBRIT from you;
· If paying by cheque, payment is received by MBRIT from you in cleared funds;
· MBRIT receives all the registration details from you in order to complete registration; and
· MBRIT has successively made a charge against your nominated credit card and has received full payment for the applicable amount due.
If MBRIT receives payment from your credit card issuer that payment is subsequently reversed or dishonoured for any reason whatsoever then the payment will be deemed not have been made.
To the extent permitted by law, any amount payable by you to MBRIT is non-refundable unless stated otherwise in these Terms of Use. MBRIT may or may not, in its sole and absolute discretion issue a confirmation to you about your payment. Whether a valid payment is made does not depend on MBRIT issuing or generating to you (or you receiving) a confirmation of the transaction.
The Site is not intended for access by children, so if you are under 18 years of age, you need to obtain a parent / guardian's consent prior to using the Site. MBRIT understands the importance of protecting children's privacy, particularly in an online environment. However, the primary responsibility rests on the parent/guardian to supervise their children's use of this Site. For more information about Privacy, please review MBRIT's Privacy Policy (LINK).
You are responsible for keeping the computer or device on which you are accessing the Site fee from any and all viruses and malicious programs and maintaining all appropriate security measures.
You acknowledge that your failure to do so may lead to, amongst other things, the interception of data by unauthorised parties.
MBRIT will have no liability to you whatsoever if you suffer any loss that is caused wholly or in part by your failure to keep the computer or device from which you are accessing the Site safe and secure.
MBRIT does not in any way warrant that the functions contained in MBRIT websites will be uninterrupted or without error. MBRIT will in no way be liable (in negligence or howsoever) for the propagation of computer worms, computer viruses or any other harmful components transmitted from MBRIT websites or from other third party websites.
All of the information provided on MBRIT websites is given or made on an "all due care taken, but no liability" basis.
This Site may contain links to third party websites. Those websites are not under the control of MBRIT and MBRIT is in no way responsible for the Content of the links contained in those websites or any webcasting or other transmission received from any such website.
Neither MBRIT or any of its officers, directors, employees, agents or related bodies corporate recommend or endorse the Content of any third party websites which may be linked to or from the Site, or any products or any services of any third party organisations mentioned or described on this Site or linked to or from the Site. You acknowledge that you entire any third party website at your own risk.
This Site may contain advertisements for third party goods and/or services. The third party advertisers are responsible for the accuracy of all representations they make in those advertisements. Neither MBRIT or its officers, directors, employees, agents or related bodies corporate recommend or endorse the goods or services that may be advertised on the Site nor does MBRIT offer the goods or services for sale or make any other representation whatsoever about them. If you wish to purchase any product or service advertised by a third party on the Site, you do so at your own risk.
The information in this Site is provided as a guide only and may have been provided to MBRIT by third parties. Irrespective of any measures taken by MBRIT to check that the information is accurate or complete, in no event will MBRIT be liable to any person in contract, tort (including, but without limitation, negligence) or otherwise if any information on this site is incomplete or inaccurate.
The internet exists across open public networks that are neither secure nor private and accordingly you acknowledge and accept the risk that any communication to or from the Site may be intercepted, used or modified by third parties. You also acknowledge that your access to and use of the Site, including the software operating in connection with the Site, may be interfered with by numerous factors outside of MBRIT's control.
Neither MBRIT nor any of its officers, employees, agents or related bodies shall be liable to you or to anyone else for:
· Any delays, inaccuracies, failures, errors, omissions, interruptions, deletions, defects, viruses, communication line failures or for the destruction of, or damage or unauthorised access to, your computer system or network
· Any defamatory, infringing, offensive or illegal conduct or material found in connection with the Site including such conduct or material transmitted by any means by any other person
· Any loss, damage or cost, including, without limitation, any direct, indirect, special, purely economic, consequential or punitive damages, or any legal costs, arising out of, or in connection with the use of the Site or information provided by you through the Site
· Any loss of revenue, loss of income, loss of profits (or any anticipated savings), business losses, loss of contracts, loss of business relationship, loss of reputation or goodwill or any loss or corruption of any information or data
· Loss of profit, goodwill, use, data or other intangible losses (even if MBRIT has been advised of the possibility of such damage) resulting from:
o the use or the inability to use the Site;
o the cost of procurement of any substitute service resulting from any information obtained through the Site;
o unauthorised access or alteration of your transmissions or data;
o statements or conduct of any third party on the Site; or
o any other matter relating to the Site itself.
Failure of MBRIT to exercise or enforce any rights or provisions of these Terms of Use shall not constitute a waiver of any such right or provision.
These Terms of Use constitute the entire agreement between you and MBRIT and govern your use of the Site and supersede any prior agreements between yourself and MBRIT (including but not limited to any prior versions of these Terms of Use).
If MBRIT is found to be liable to you for any damage, loss, cost or expense arising out of or in connection with your use of the Site then you agree and acknowledge that the liability of MBRIT in total aggregate shall not exceed the dollar amount of the payment made by you (or $500, whichever is the lesser).
You agree that you will not bring any claim personally against any of the officers or employees of MBRIT in respect to any losses you may suffer in connection with the Site.
The information provided on the MBRIT websites is general information and is not intended to be relied upon. You should make your own enquiries and seek independent alternative advice prior to making any decisions based on information contained in the MBRIT websites.
The material on the MBRIT websites has been obtained from sources believed to be current and accurate when published and is provided by MBRIT in good faith.
MBRIT makes no representations or warranties whatsoever that any of the material on the MBRIT websites will be relevant, accurate, reliable or complete and MBRIT does not in any way accept any responsibilities that may rise in relation to any errors or omissions contained in or derived from the material on the MBRIT websites even if those errors or omissions occur as a result of MBRIT's negligence. Furthermore, MBRIT makes no representations whatsoever that your access of the MBRIT websites will be secure, timely or uninterrupted.
Any reliance or use of any of the material on the MBRIT websites is entirely at your own risk.
MBRIT makes no representations whatsoever as to the relevance, accuracy or currency in relation to any details placed on the MBRIT websites in relation to any businesses or service providers and makes no representations whatsoever to the safety, quality or suitability of any of the goods or services provided by those businesses or service providers.
MBRIT does not in any way endorse or recommend any product, personal service depicted on the MBRIT websites. Any product, person or service depicted on the MBRIT websites is for information purposes only. MBRIT will in no way be liable for any loss, damage, liability or inconvenience suffered by you or any other person resulting from their use or reliance upon contact details contained in the MBRIT websites. If you intend to rely on the contract details contained in the MBRIT websites, you must first satisfy yourself as to the relevance and accuracy of those contact details.
MBRIT will in no way be liable for any loss, damage, liability or inconvenience suffered by you or by any other person as a result of any internet access difficulties, malfunction of any software or equipment or in relation to any interruption, communications failure or delay in operations or communications.
Any hypertext links to any external websites, mobile applications or digital media outside of the MBRIT websites are provided by MBRIT in good faith and for your convenience only. The said external information is outside of MBRIT's control and it is your sole responsibility to make your own decisions about the correctness, accuracy, relevance and reliability of any material found on any external website, mobile application or other digital media.
MBRIT takes no responsibility for the content of the external websites, mobile applications or digital media and makes no warranty, representations, undertakings or legal responsibility for the accuracy, usefulness, completeness or relevance of any material located via the hyperlinks or references to external websites, mobile applications or other digital media. MBRIT does not in any way endorse any content whatsoever in any external website, mobile application or digital media whatsoever.
MBRIT in no way whatsoever accepts any liability for any loss or damage suffered by you or any other person either directly or indirectly for using or relying on any material located by hypertext links or referred to in external websites, mobile applications or digital media.
Aboriginal and Torres Strait Islander users of the MBRIT websites may contain images of people who have passed away and MBRIT accepts no liability, loss or damage suffered by any person either directly or indirectly as a result of those images.
You release and indemnify, and keep MBRIT released and indemnified, against all Claims, and all costs arising from claims, brought by you or by any third parties arising from:
· The publication of Content on the Site
· Clicking on links to third party websites
· Use and reliance on information displayed on the Site
· Booking of products or services promoted by third parties on the Site
· Entering competitions or redeeming hot offers and deals provided by third parties on this Site
· Display of information about third party products and services on the Site
· Intellectual property subsisting in Content displayed on the Site
"Claims" include any and all claims for any losses or damages, including incidental or consequential damages.
You are permitted to edit, modify or update your pre-approved details or Content, provided that the edit, modification or update has been first approved in writing by MBRIT.
You must not in any way modify, adapt or hack the Site or modify any other website owned or controlled by MBRIT or any other website whatsoever so as to falsely imply that it is associated with the Site.
You agree not to reproduce, duplicate, copy, sell, resell or exploit any portion or part of the Site without the express prior written permission of MBRIT.
MBRIT may remove any Content from the Site which MBRIT believes, in its sole discretion, to be unlawful, offensive, threatening, libellous, defamatory, obscene or objectionable but has no obligation to do so.
Any verbal, physical, written or other threat or abuse of any customer, client, consultant, partner, employee, member or officer of MBRIT will result in the immediate termination of your access to the Site.
You understand and acknowledge that the processing of any information you provide on the Site, including your Content, may be transferred unencrypted and involve the following:
· The transmission of your said information over various networks; and
· Changes to conform or adapt your information to the technical requirements of other networks or devices.
You must in any way or by any means upload, post, host or transmit any unsolicited emails, SMS or "spam" messages.
You must not transmit any worms or viruses or any code of a destructive nature.
MBRIT reserves the right to place or remove your name, business logo or anything else that you may upload or include on the Site.
MBRIT does not in any way warrant that:
· The Site will meet your specific requirements;
· The Site will be uninterrupted, timely, secure or error free;
· The Site will be accurate or reliable;
· The quality of the Site will meet your expectations; and
· Any errors in the information provided on the Site will be correct or corrected.
You acknowledge that where MBRIT uses any third party for any functionality within the Site, the above points will apply.
All prices are quoted in Australian dollars and include a 10% Goods and Services Tax.
© Copyright Moreton Bay Region Industry and Tourism 2015. All rights reserved.
MBRIT encourages the promotion of Moreton Bay Region destination information. We do, however, monitor use of the Content contained on visitmoretonbayregion.com.au and request all copyright enquiries be sent to info @ visitmoretonbayregion.com.au.
All implied terms, conditions and warranties regarding the functionality and security of the Site are excluded to the fullest extent possible, except for those that cannot be lawfully excluded.
You acknowledge and agree that internet transmissions and never completely or entirely secure or private and that information whatsoever sent by you may be read or intercepted by others.
You acknowledge that MBRIT has no liability to you arising out of or in connection with the interception of any data by unauthorised parties or for any events beyond MBRIT's control.
Nothing on the Site is meant to or will constitute advice of any kind whatsoever. You acknowledge that if you require any legal or other advice that you should consult the appropriate practitioner or professional.
You acknowledge that if any provision contained in these Terms of Use is or is found to be unenforceable under any applicable law, it will not affect the enforceability of the other provisions of these Terms of Use.
To the extent permitted by law, you agree to release and hold harmless MBRIT and its current and former officers, employees and agents against and from all expenses, costs, liability, claims, actions, proceedings, damages, judgements and losses of any kind whatsoever (including consequential and economic loss), property loss/damages and damage for injury (including personal injury and death) arising out of, caused by, attributable to or resulting from your use of the Site for any reason whatsoever.
You agree to indemnify MBRIT and its current and former officers, employees and agents for all expenses, costs, liabilities, claims, actions, proceedings, damages, judgements and losses of any kind whatsoever (including consequential and economic loss), property loss/damage and damage for injury (including personal injury and death) incurred or suffered by MBRIT or its current or former officers, employees or agents arising out of, caused by, attributable to or resulting from your use of the Site except in respect to any such loss or damage caused or contributed to by the direct negligence caused by the current or former officers, employees or agents of MBRIT.
You agree that MBRIT may use your email address to send you information.
You agree that your use of this Site is governed by the laws in force in the State of Queensland and you agree to submit to the non-exclusive jurisdiction of the courts of Queensland, Australia and any other courts which may hear appeals from those courts in respect of any proceedings in connection with these Terms of Use or the Site.
Nothing in these Terms of Use affects any rights you may have and which by law cannot be excluded, including under the Competition and Consumer Act 2010 (Cth) and under State and Territory consumer protection legislation in Australia.
MBRIT is bound by the Privacy Act 1998 (Cth) ("Privacy Act") and the Australian Privacy Principles ("APP") set out within the Privacy Act which regulate the way in which personal information is handled.
You acknowledge that by using the Site and providing your personal information to MBRIT, you consent to MBRIT handling your personal information in accordance with the Privacy Act. For complete details in this regard, please visit our Privacy Policy http://www.visitmoretonbayregion.com.au/privay-policy/.
You acknowledge and agree that MBRIT cannot be in any way held responsible to you as a result of force majeure.
Cases of force majeure (or acts of God) are those events usually recognised as such by the juris prudence of the courts of Queensland, Australia.
In the event of a dispute relating to these Terms of Use, MBRIT advises you that there may be a possibility of recourse to a conventional mediation procedure or to any other alternative method of dispute resolution.
These Terms of Use express your obligations and the obligations of MBRIT in their entirety.
No general or specific condition communicated by you can be incorporated into these Terms of Use.
If you no longer wish to receive any e-newsletters or other promotional material which MBRIT may send to you, you must advise MBRIT that you wish to opt out of receiving any further e-newsletters or other promotional material.
You acknowledge that from time to time it may be necessary for MBRIT to review and revise the Privacy Policy http://www.visitmoretonbayregion.com.au/privacy-policy/. MBRIT reserves the right to change the Privacy Policy at any time and for any reason. If MBRIT makes a change to the Privacy Policy, the revised version will be posted on the Site.


text:
Episode Summary
This week on The Grid, Scott welcomes photographer Serge Ramelli on to the show. Together they talk about how to present your images for social media.
This Week's Sponsors:
Wacom | mpix | B&H Photo | KelbyOne | Peachpit | Squarespace | Expo Imaging | Intel | Athentech


text:
Nationwide, United Kingdom, GBP 560 per week, Employed (PAYE)
We have an exciting live in care role position with one of our very special clients in a gorgeous village situated in Thirsk North Yorkshire. The delightful Lady is 89 Years old and lives in a four bedroom country home. She is educated, intelligent and loves reading. She is also interested in gardening. The carer will have her own en-suite bathroom plus bedroom.
Our client has recently been diagnosed with leukaemia. She is mobile and independent but can become very tired, and requires help with meals and household tasks. Ideally you will need to be a driver for shopping and companionship trips in the local area.
For this role a Female Carer is needed with fluent conversational English. Experience of palliative care would be an advantage.
The package offers £560 a week depending on experience. You will need to have a portable DBS (CRB)
Flexible working arrangement.
For more information please email us at email@example.com or call us on 01845440271
Job Details
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