text:
This circuit uses the ACS711 and can be used to measure currents ranging from -25A to 25A. The current you are measuring is routed into the pad labelled IP+ and back out of IP-. The board contains a range of hole sizes allowing for different gauge wires to be connected to the board. The IC then outputs the reading as an analogue signal between 0.3V and Vcc-0.3V to the OUT pin. When no current is drawn the output is at half the supply voltage, as the current draw increases the output moves further away from the centre point. If the device is operated from a 5V supply and is connected directly to a microcontroller analogue input (with a 10 bit resolution) then the resolution of the current reading will be 55mA.
The sensor works by utilising the Hall Effect so it must be kept away from strong magnets if it is to function correctly.
The board can easily be connected to a microcontroller and will operate at 3V or 5V.
- Measures up to 25A current (in either direction).
- Can be used with a microcontroller or an analogue circuit.
- 1 x Current Sensor Breakout Board.
Possible applications include:
- Digital current meter.
- Motor stall detection.
- Over load protection.
- Length: 38mm.
- Width: 28mm.
- Height: 3mm.
- Vcc: Supply Voltage (3 to7V)
- OUT: Analogue Out (0.3V to Vcc-0.3V)
- GND: Ground (0V)
- FLT: Fault Pin
- IP+: Current sensing pins + (-25 to 25A)
- IP-: Current sensing pins - (-25 to 25A)
- The maximum working voltage is 100V VAC peak or VDC.
This product is supplied in a bag.
Write Your Own Review
0voteA: Hi, the current needs to pass through the IC so cut and one end soldered to "IP +" and one to "IP -". Thanks for the feedback on the pad sizes. I can see how with certain sizes of wire they might be tricky. The solder mask can be scratched off to reveal more copper to "enlarge" the pad if you're having difficulty. Please note that the maximum voltage you can run through the IC is 100V DC or 100V Peak ACPosted byon Wednesday, 15 October 2014
Physical characteristics:
- Length: 38mm.
- Width: 28mm.
- Height: 3mm.
Electrical characteristics:
- Min supply voltage: 3.0V
- Typical supply voltage: 3.3V
- Max supply voltage: 7.0V
- Typical current consumption: 4mA
- Current measurement range: -25A to 25A
- Typical sensitivity (over full scale): 55 mV/A
- Max over current transient tolerance: 100A (single pulse for up to 100ms)
- Normal Operating Ambient Temperature: -40C to 125C
- Max Total Error: 4%
Excl. VAT: £7.95 Incl. VAT: £9.54
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EGADS! How can I choose! Well, let us start with, only two entries? Lazy, lazy, lazy! lol
I'm kidding, in all seriousness Honestly I was so tied down by family stuff, not even Joel, the Great and Powerful, had time for an entry.
We had two entries one by mabogunje.deviantart.com/art/A… and lonetaku.deviantart.com/art/As…
SO, they're so, so, so, sooooo close. There is only one thing that changes them, and unfortunately it makes me a huge jerk.
Mabogunje has failed to meet the rhyming requirement, and therefore LoneTaku is the winner.
I will be posting a feature as soon as I can get back to the internet D:

subset: commoncrawl


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Hotly tipped singer/songwriter Sam Gray joins pop giant Peter Andre at Blackpool Opera House tomorrow.
With over 30 dates nationwide and special guest billing, Sam is set to take the country by storm with his skilfully written, energetic and infectious pop music.
Born and raised in Hull, Sam grew up playing in bands on Humberside before slowly gravitating across the M62 to Manchester, which remains his base to this day.
Whilst in Manchester he was discovered by drummer Steve White (from Paul Weller's band) who became his manager, producer and general overseer. White, along with his partner Sally Lindsay oversaw Sam's early demos until they secured him a publishing deal with Notting Hill Music and a recording contract with the Transmission Recordings label.
His most recent single This Girl scored over a quarter of a million Youtube views.


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"Shit-kicking honky-tonk… Leaving, TX bristles with raw emotional energy." – Raleigh Independent
"Compared favorably to Drive By Truckers, Reckless Kelly, and Steve Earle… And not without good cause." – Maverick Magazine
One of the strongest contenders to emerge on the alt.country scene in years" – Ontap Magazine
Gripping vocals, intelligent lyrics, and songs filled with memorable hooks are what you will find with the LEAVING, TX. This original alt.country outfit delivers a clever blend of cutting edge "twang-rock" mixed with a healthy dose of raw, whiskey-soaked country. The band is driven by songwriter Chris Patterson's rugged, in your face vocal style, ripping telecasters and sweet pedal steel… All anchored by a tight, driving rhythm section. This powerful group of musicians allow Patterson's songs to really shine.


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Bill Murray, actor/Greatest Human Alive, is at the center at a new art show taking place in San Francisco for one night only, August 8.
The show, which will be held at Public Works in San Francisco, is also calling for artists to send in their tributary pieces. So basically, if you believe you can capture Murray's distinct je ne sais quoi with a bit of clay, some watercolors, or hell, even a block of ice and a chisel—this is your time to shine.
If you'd rather just pay homage to Murray's visage, you can buy tickets to the event, The Murray Affair, for $12. It will run from 8:30pm to 2:30 am.


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U.S. Marshals and the Mountain State Fugitive Task Force arrested a man wanted in Louisiana over the weekend.
31-year-old Nigel Covington was wanted for sexual battery of a mentally challenged 9-year-old girl. Authorities found Covington Saturday night at Cheddars in Wheeling.
Covington is in the Northern Regional Jail and was arraigned in front of Magistrate Harry Radcliffe Sunday morning.
No bail was set.
96 16th Street
Wheeling, WV 26003
Main (304) 232-7777
Fax (304) 233-5822


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PROVO — The rap sequel to "Amazing" has already been written by his older brother; now it's up to BYU preseason All-America Jimmer Fredette to live up to the hype.
"We just touched the surface
of the purpose
we've been working for"
If those words don't say enough, TJ Fredette explains in plain English why the star guard for the 23rd-ranked Cougars pulled his name out of the NBA draft to return to Provo.
"More than anything, he felt like there was unfinished business at BYU," said the oldest Fredette brother, who is climbing his own ladder as a rap artist after his song "Amazing" gained attention during the NCAA tournament last season.
That means winning a Mountain West Conference championship, something BYU failed to do last year, and advancing at least to the third round of the NCAAs.
BYU made it to the second round last season, thanks in part to Jimmer Fredette's leadership and ability to create shots, including 37 points in the Cougars' double-overtime victory over Florida.
If the effort thrust the 21-year-old into the national spotlight, TJ Fredette already knew his kid brother was headed there.
Just go back a dozen years when TJ had Jimmer dribbling in the dark, or with a work glove on his hand, or through a darkened gauntlet in the church hallway filled with friends popping out of doorways to test Jimmer's concentration.
It makes those keys Earl Woods jingled while Tiger putted seem tame.
Granted, Jimmer Fredette wasn't hitting 3s for a national TV audience before he hit kindergarten. But mental and physical toughness were built into the Glens Falls, N.Y., native from an early age.
His uncle, Lee Taft, aka The Speed Guy, is a renowned fitness expert who teaches classes and conducts seminars on agility training. Taft had the Fredette boys go through some of the same workouts by the time they hit middle school.
And when a neighbor's uncle suggested the boys, once they were 18, take their game to the prisons, where the uncle ran various recreational programs for inmates on good behavior, they jumped at the chance.
"They see you walk in, 'Oh, little white boy over here tryin' to play against us,' " Jimmer Fredette recalled of that first trip to Mount McGregor, a medium-security facility in upstate New York where riding the prison bus up the hill and hearing metal doors slam shut was part of the experience.
Jimmer Fredette, with 40 points in his first game against the inmates, immediately earned the respect of the inmates on the court and in the stands.
"It only took one of those crossover moves for them to really like him," TJ Fredette said.
Now, in his final season at BYU, Jimmer Fredette is ready to step up his game again.
"He's a pretty special player when he gets going," BYU coach Dave Rose said. "He's such a confident offensive player. Then there's a variety of ways he can score. He can go to his left, score going to his right, (drive to) the basket, (shoot) from 10 feet, or (hit) 3-pointers and he's a great free-throw shooter. I don't think there's a situation one-on-one where he can't handle himself and get a pretty good look at the basket."
In the season-opener against Fresno State on Friday, he did just that, leading all scorers with 24 points. He ignited a BYU run midway through the first half with a spin move that saw him make the shot and draw a foul even as he was falling down. He'd get another shot up and over Fresno State's 6-10 center for two more.
It helped that he spent the summer mixing it up in Las Vegas with some of the NBA's best as part of a select team composed of 20 top college players.
Denver Nuggets guard Chauncey Billups said he was curious to see how Fredette could handle pressure but came away impressed after seeing him keep up a good pace.
"Everybody knows he can score," Billups said. "I think he's got to prove to everybody that he can run the show and affect the game without scoring. As a point guard, if you can affect the game without scoring, then you really improve your odds of success."
BYU teammate Noah Hartsock said Fredette not only helped himself but brought that experience back to Provo to improve the team.
"It gave me confidence that I can play at that level," Jimmer Fredette said of his time with Team USA.
Just not this season.
Now it's about keeping pace with No. 25 San Diego State, which is favored to win the Mountain West because it returns five starters (compared to three for BYU).
"Jimmer doesn't look like he's going to be a 30-point or 40-point scorer," backcourt teammate Jackson Emery said. "You look at him and say, 'Maybe if I leave him open, he's going to get his points.' Jimmer just creates ways he can score. I think a lot of people underestimate him. Last year he proved he can do a lot of things. I think he'll do the same this year."6 comments on this story
Far from arrogant, Jimmer Fredette is more shy and quiet than anything.
When he isn't working out, he can be found at the dollar theater or watching a movie at his apartment.
"Shawshank Redemption" is his favorite, but not because of his prison hoops experience. He likes movies that make people think, with well-written plots and stories with good endings.
He's hopeful his own will end in the frenzy that is March Madness.
He just needs to follow his brother's lyrics.
"It's history in the making, no mistaking
...it's the grand finale
Oh yes, it's Amazing."


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Google ruling in Louis Vuitton case favours web freedom
In a case brought against Google by a number of claimants, including Louis Vuitton, an important advisory Opinion was handed down
This Article Covers
Legislation & regulation
In a case brought against Google by a number of claimants, including Louis Vuitton, an important advisory Opinion was handed down at the European Court of Justice yesterday, 22 September 2009, in relation to the sale by Google of keywords containing trade marks, write Mark Owen and Shireen Peermohamed from law firm Harbottle & Lewis
Infographic: Future-proofing UK technology
The current potential of the UK technology industry is restricted by the lack of tech and digital talent available. Read through this challenge for the future of UK business and our economy.
By submitting your personal information, you agree that TechTarget and its partners may contact you regarding relevant content, products and special offers.
You also agree that your personal information may be transferred and processed in the United States, and that you have read and agree to the Terms of Use and the Privacy Policy.
The crux of the case involves Google selling Adwords to advertisers. Those Adwords sometimes correspond to or contain trade marks owned by other parties. By selling and then permitting the use of those Adwords for sponsored listings on the Google search engine, is Google itself liable for infringement of those trade marks?
The key findings were:
§ In offering Adwords to advertisers, Google was not using a sign identical or similar to the trade mark registrations. Accordingly, there was no trade mark infringement.
§ Displaying adverts for goods and services covered by the trade mark registrations in response to keyword trade marks did not amount to infringement by Google either, though it may do by the advertisers.
The Opinion provides an interesting new spin on the debate over liability for online services, which is that service providers who seek to benefit from a liability exemption should remain neutral with regard to the information they carry or host. This is in keeping with the idea that there should be net neutrality, currently a hot political potato.
If the Advocate General's Opinion is adopted in full by the ECJ, this will be an extremely important case not only concerning the liability for the use of trade marks on the Internet, but also in respect of liability of service providers generally.
The Opinion is very much in favour of a "free" web environment, where freedom of commerce and expression are important and are to be balanced with intellectual property rights. It would seem that if service providers can say that they are acting entirely neutrally then they stand a much better chance of escaping liability for what their service is used for.
The reasoning of the Advocate General is in many places difficult to follow. In addition, many will consider his Opinion is too much in favour of "freedom" on the web and the primacy of technology. However, by his having looked so exhaustively at the issues, the ECJ will have no excuse for now not bringing some long overdue clarity to this important area.
Mark Owen and Shireen Peermohamed are Partners, Intellectual Property, at Harbottle & Lewis.
Enjoy the benefits of CW+ membership, learn more and join.


text:
Because we take around 24,000 breaths in a day, even small changes in respiratory efficiency will have cumulative and far-reaching body-mind effects. Fortunately, this multiplying effect works both ways: not only can breath restrictions make us feel bad, but even small, incremental improvements in rib freedom can improve well-being on many levels.
Restricted rib motion arise from the usual things that cause us to lose mobility: stress, postural and habitual stance, inactivity, disease, pain, or injury. No matter what the cause, skilled hands-on work is an effective way to help reestablish lost motion. In this webinar, Til Luchau discusses hands-on techniques for restoring rib cage mobility, taken from Advanced-Trainings.com's Advanced Myofascial Techniques series.
Certificate/CE credit: Watch the included 1-hr recorded webinar presentation, then complete a brief online quiz and documentation within 180 days of purchase to receive a Certificate of Achievement. Approved for 1 CE credit by the NCBTMB, AMTA, ABMP, and many state boards. Also earns 1 CAMT elective CE towards Certification in Advanced Myofascial Techniques (CAMT).
You may also order a Certificate for this course here after accessing the materials elsewhere.
Webinar originally hosted by the AMBP in Dec 2011.
Rib image © Primal Pictures, used by permission.


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BOONEVILLE, Miss. (WCBI/Northeast CC) – High-level talent continues to flow onto the campus of Northeast Mississippi Community College and the accolades continue to accumulate as well.
After sending the nation's top junior college defensive tackle to the Southeastern Conference (SEC) last year in Lavon Hooks (University of Mississippi), another Northeast gridiron star received individual attention as the 2013 campaign gets started.
The National Junior College Athletic Association (NJCAA) announced Friday, August 23 in its annual Football Media Guide that Tiger defensive lineman Jeremy Liggins was named a Top 25 national prospect for the upcoming season.
The list was compiled by JCFootball.com and J.C. Grid-Wire, a division of the Scout.com recruiting rankings service.
"That shows me that somebody up the chains knows just a little bit about football because Jeremy is just a tremendous athlete," said Northeast head football coach Ricky Smither. "He's well deserving of the recognition that they're giving him."
A transfer from Louisiana State University, Liggins is no stranger to success on the field. He led Lafayette County High School to back-to-back Mississippi High School Activities Association (MHSAA) Class 4A state championships in 2010-11 as their quarterback.
The Ole Miss commitment now looks to start the first game of his career on the defensive side of the ball on Thursday at Copiah-Lincoln Community College.
"It feels good to be a Top 25 prospect pick in the country," Liggins said. "I work everyday, get my team involved and just get after it."
The NJCAA also announced in its Football Media Guide that sophomore Daniel Ross was selected as a top returning defensive lineman in the Mississippi Association of Community and Junior Colleges (MACJC) North Division.
"He had a very good spring and is a very active guy," Smither said of Ross, a Louisville, Ky., native. "He could play all across the front. He's a big kid that can run and make things happen."
Ross had 25 tackles and 1.5 sacks as a freshman last season.


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The year 2010 seems like a pivotal year for The Pitchfork Music Festival. A bid, perhaps, to grab a greater piece of the festival market. By all accounts, it's working. Tickets sold out in record time, even for Friday, which had traditionally been the most sparsely attended day of the fest. Aside from chartering some heavy-hitting acts, including European anti-diva (whatever that means) Robyn, indies-gone-major Modest Mouse, and former Outkast emcee Big Boi, it also expanded its Friday line-up to almost a full day and added a comedy stage for good measure. Although there was a distinct lack of older talent this year (no bands that were active in the '80s), this year's line-up was as eclectic and rewarding as ever. But before I get into all that a few non-music related highlights:
- In order to counter the brutal heat-wave that moved through Chicago over the weekend, Pitchfork made the decision to slash water prices in half on Friday—from two dollars down to one. Not only that, but security personnel handed out free water bottles for people gathered around the stage to drink from, pass around, and splatter on those gathered around. Major respect guys. Way to step up.
- I totally saw Mia Park and Ratso from Chica-go-go getting their picture taken at the Hooked Productions booth. I really wanted to go up and shake hands with Ratso, but I chickened out at the last minute.
- The Cajun Brat from the Wishbone stand was one of the best things I've ever put in my mouth. I don't know what a roulade sauce is, but I seriously want to put it on everything that I eat from now on.
- Pitchfork still hates ice cream. Vegan ice cream? Really guys? Go milk a cow, you dirty hippies. I guess that wasn't really a highlight, though, so maybe that doesn't belong here.
- But as long as I'm bitching: Thanks, whoever put the schedule together this year, for presenting me with the Sophia's choice of deciding whether to see Big Boi or Sleigh Bells. Because it's not like the audience for those two artists would overlap at all …
So, without further ado, here's the Cliff's Notes version of P4k 2010. Chances are, any one of these fine artists might be rolling through your town before the summer draws to a close, so use this as a guide to which acts not to miss, which ones not to waste your time on, and which ones you need to just make your own damn mind up about.
Friday offered a little something for everyone, like The Tallest Man on Earth, for those of you who like standing in 95 degree heat to watch some guy pluck a few notes out of a guitar (I don't), or Swedish pop sensation Robyn, for those of you who can't afford to see Lady Gaga at Lollapalooza this year. ZING (Note: I myself cannot afford to see Lady Gaga at Lollapalooza this year)! For me, though, the band to see on Friday was Liars. Singer Angus Andrew was decked out in his Sunday best — a sleeveless Men at Work T-shirt and work-out shorts. He stalked around the stage like a Birthday Party-era Nick Cave and submitted his yips and howls to vocal modulation. When the mic wasn't stuffed in his mouth he was waving it around like a lightsaber. They spent their 45-minute set drifting from ethereal atmospherics into murky post-punk gloom, and found a little space to sneak in an echo-saturated cover of Bauhaus's "In the Flat Field."
Titus Andronicus
"They're the only band here that are actually trying to be rock stars," my friend Sean told me as we dragged our quivering, sweat-soaked bodies into the shade after a flawless performance from New Jersey Civil War buffs Titus Andronicus. And he's right; while most of the acts crowding the P4k stages bent over backward to give off indie-cool vibes, T.A. throw themselves passionately and unironically into the very serious business of rocking the fuck out. It doesn't hurt that nearly every track off The Monitor (an album that I've only grown to love more since I reviewed it 3 months ago) is made to be played live. They were joined onstage by members of Hallelujah The Hills, who helped fill out The Monitor's instrumental pallet with horn, cello, and keyboard. Frontman Patrick Stickles was magnetic as ever, leaping into the crowd during the band's signature song and leading the audience in sing-alongs to "No Future Part III" and "Four Score and Seven." I can't remember the last time I had so much fun at a show. Oh, wait, yes I can. It was the last Titus Andronicus concert I went to.
• A More Perfect Union
• No Future part III
• Titus Andronicus
• Fear and Loathing in Mahwah, NJ
• The Battle of Hampton Roads
• Titus Andronicus Forever…And Ever
• Four Score and Seven
Wolf Parade
They're not very chatty, those boys from Montreal: "We haven't got much to say, so we're going to just try to play as many songs as we can," said co-front man Spencer Krug shortly after Wolf Parade took the stage. They had an album's worth of new material to break in, and they leaned on that for the bulk of their set. It worked. Krug provided high-energy peaks with "Cloud Shadow on the Mountain" and "What Did My Lover Say?" and was balanced by the stirringly melodramatic valleys of "Ghost Pressure" and "Palm Road," courtesy of Dan Boeckner. Even the much-maligned "Cave-O-Sapien," which I found kind of annoying on the album, came off really well in a live setting. The biggest reactions, though, came from their Apologies to Queen Mary stuff (a young lady dancing in front of me actually turned around and gave me a high-five during "I'll Believe in Anything"). For me, the biggest thrill was their closing number, "Kissing the Beehive." The looming, portentous slow-burner redefines the word "epic," and there's no better way to experience it than to hear it crashing around you amid a crowd of thousands. Screaming along with Krug while he proclaimed "Fire in hole" was a personal festival highlight.
• Cloud Shadow on the Mountain
• Soldier's Grin
• Sons and Daughters of Hungry Ghosts
• Palm Road
• What Did My Lover Say? (It Always Had to Go This Way)
• Ghost Pressure
• This Heart's on Fire
• I'll Believe in Anything
• Little Golden Age
• Cave-O-Sapien
• Kissing the Beehive
LCD Soundsystem
Much has been made of James Murphy the producer, James Murphy the party-maker, and James Murphy the ex generation ironist, but no one ever told me a thing about James Murphy the frontman. He was a veritable force of nature up there, banging on his drum kit, leaning up against the mic stand and barking Wilde-ian one-liners while pounding synth rolled out from behind him like a day-glo tsunami. LCD Soundsystem were unequivocally the best of the main-stage headliners this year, and the kicker is I didn't even really like them going into the show. Everything about this performance was as focused and precise as the laser light refracting off the twirling disco ball they dangled from the stage rafters. Murphy slipped effortlessly from sing-talking on "Pow Pow" to a lounge-singer croon on "All My Friends" to raw-boned shrieks on "Us v Them," keeping the audience eating out the palm of his hand the whole time. Despite turning out one of the highest profile releases of 2010, Murphy only drew three songs off This Is Happening, leaning instead on tried-and-true favorites from The Sound of Silver and the band's eponymous debut. The care that went into the song selection impressed me deeply, and comparatively mellow tracks like "Someone Great" served as much-needed respites that preserved the set's momentum. As Murphy lit into "New York, I Love You, But You're Bringing Me Down" at the end of the night, the house lights came up, revealing an enormous red curtain that had been there the whole time. The overall effect was like sitting in a bar at 4 a.m., when the first rays of light make their way through the smoke-encrusted windows, an exhausted house band torturing the last few notes out of their instruments. Closing time, folks. Time to go home.
• Us v Them
• Drunk Girls
• Pow Pow
• Daft Punk Is Playing at My House
• All My Friends
• I Can Change
• Tribulations
• Movement
• Yeah
• Someone Great
• Losing My Edge
• New York, I Love You, But You're Bringing Me Down
Washed Out
The Balance Stage on Sunday played host to some fine performances from Cave and Best Coast, but things really got going for me with Georgia one-man band Washed Out. I'm not generally a fan of chillwave (or whatever it is you kids are listening to these days), but something about Earnest Greene's dreamy-dancey haze-pop really sucks me in. His set started off a little wobbly; the more ethereal atmospheric portions of his early songs were having trouble competing with the noise drifting over from the main stage acts. The bleed, however, ceased to be a problem as he dove into increasingly layered synth collages. I probably would have had an entirely different perspective if I'd had to watch him work his digital magic in the blistering heat of the Aluminum or Connector stages, but Greene was perfect for the shady, intimate cove on the other side of the park.
Lightning Bolt
So I totally considered just typing "HOLYSHITHOLYSHITHOLYSHITHOLYSHIT" over and over again until I'd created a paragraph-sized block of text and letting that stand as my Lightning Bolt review. This was my first time seeing the Rhode Island noise duo in concert, but I can guarantee it will not be the last. Lots of anticipation waiting for these guys; their set-up was unlike anything I'd ever seen. You had Brian Chippendale's drum kit, and behind it a pile of amps—one painted neon pink and yellow, another blazoned with cartoon eyeballs, and still more spangled with a few lonely stuffed animals, like they'd been decorated by a demented 8-year-old. As Chippendale slid in behind the kit, he slipped on a tattered, homemade mask, equipped with a telephone receiver that fed into the speaker system. Chippendale's drum kit was mic'd six ways to Sunday into the set of amps behind him, which were, in turn, mic'd again. These guys were LOUD, maybe the loudest thing at the festival.
When they started playing, Chippendale turned into a cyclone of limbs, pounding out nimble, lead-heavy rhythms that changed direction with hairpin accuracy. His compatriot, bass player Brian Gibson, was a model of Zen serenity by contrast, patiently teasing out recursive melodies to serve as a binding agent for the song, or shrieks of guitar noise to break them apart. I got swept up in the initial push toward the stage and found myself cackling like a madman as I was buffeted from side-to-side amid several-hundred sweating bodies. The experience reminded me of being a teenager at my first Ozzfest. In fact, I was shocked by how many young faces I saw in the heart of the pit —14-, 15-, and 16-year-olds, and not all of them dudes, either. My enthusiasm was dampened slightly when, relaxing under a tree afterward, I heard a group of douchebags bragging to one another about how many women they'd groped while they were in the pit ("I only had one in front of me," one fine, upstanding young man mourned, "And they weren't all that big."). Wow. Keep it classy, Chicago.
Big Boi
Big Boi is the only hip-hop artist I know of to acknowledge the strangeness of his presence at Pitchfork. When his co-emcee called him out for promising that, if they played the festival, some women would take off their shirts, Sir Lucious replied, "Well, I was watching some old Woodstock footage, and there was a lot of titties there." If the Atlanta rapper felt out of place at all, it didn't show. He drew us in with a medley of Outkast favorites, roping classic crowd pleasers like "So Fresh, So Clean," "Rosa Parks," and "B.O.B" into a careening party mash-up. But when he asked the audience, "Can I play some of my new shit?" no one put up any fight at all. Even though the album has been out for less than a month, a sizeable portion of the concertgoers already knew the words enough to sing along. Big Boi's performance underscored his versatility as a rapper, and his flow never missed a beat through all the shifting patterns and rhythms. He was joined onstage, for a brief time, by Chi-Town's Finest Breakers, a young sibling quartet who can dance like nobody's business. When busting a move, these little scamps were adorable, but became decidedly less-so when pimping their Facebook page or exhorting the ladies in the audience to take their tops off.
Michael Showalter
This being the inaugural year for Pitchfork's comedy stage, I figured it would behoove me to at least catch one comedian's set. Wow … I have never in my life seen a performer crash and burn so completely as former The State and Michael and Michael Have Issues star Michael Showalter did Friday night. He got off to a rough start, complaining about the noise bleed from the main stages, and when he tried to launch into his bit, he couldn't get anything off the ground. An anecdote that flatlined here, a belabored penis joke there, and suddenly he was throwing in the towel. "You guys want me to be good so badly," he said. And it was true. The few-hundred or so dedicated fans that waited by the Balance stage were all rooting for him to get his shit together, but every time he seemed to be gaining momentum, he just gave up. His set lasted a little more than 20 minutes, and, unfortunately for Showalter, yielded one of the most unforgettable, yet forgettable, moments at this year's festival.
Real Estate
Standing out in the beating sun and 95-degree heat gives you a whole new barometer for judging how worthwhile a performance is. I find Real Estate's laid-back summer pop to be painfully dull on record, and watching them while standing in a healthy double-serving of balls-soup did nothing to increase my appreciation. Their performance lacked both energy and charisma, both of which are necessary to pull in an audience when you're playing an opening slot at an all-day festival.
Beach House
Baltimore three-piece Beach House brought their dark, blurry brand of shadowy dream-pop to Pitchfork's Connector—oh, for God's sake WHY DO PEOPLE LIKE THIS? WHAT COULD YOU POSSIBLY ENJOY ABOUT THIS BAND? Everything about their Phil Collins, Lite-FM brand of wimp-rock is just flat boring. Guitarist Alex Scally played half the set sitting down. Oh, hey, sorry, Alex. Are we wearing you out here? Your dogs barking? Buddy, if you want to entertain me from a sitting position, you'd better be playing acoustic folk at an open-mic night or have at least one broken leg.
Major Lazer
I was initially delighted by the spectacle of Major Lazer's stage show. Diplo seems to have the Midas touch when it comes to producing innovative beats for equally innovative artists, and when he and Master of Ceremonies/Court Jester Skerrit Bwoy exploded onto the stage flanked by two Chinese dragons and a pair of dancing girls, it was hard not to get sucked into the carnival atmosphere. Diplo kicked out the jams, spinning ML tracks like "Keep It Goin' Louder," improvised techno beats, and mash-ups of diverse artists like Sleigh Bells and Ace of Base. The longer it went on though, the more I started to feel like there was an unsettling racial dynamic to the whole thing, like I was witnessing a raunchy 18th century "Marvels of the Indies" show, with African-American and Asian performers held up as curiosities by a white man, for a predominantly white audience. Then they broke out the ladder. Skerrit Bwoy climbed to the top with his pants around his ankles while one of the dancers lay spread eagle on the ground. "Is this what you want, Chicago?" he screamed, waiting for the crowd to howl its assent before he took a flying leap off the ladder and onto the dancer to engage in simulated sex acts. It was around that time when I thought to myself, "No. No, it definitely is not." Call me a stick in the mud, but it feels wrong that the first black women to darken a P4k stage this year were only there to dance around in hot pants and dry hump members of the audience.
Modest Mouse
Modest Mouse is responsible for some of the music that's nearest and dearest to my heart, so I came to this show Friday night really hoping the best from their set. And to be honest, I wasn't exactly let down. Not everyone will admit it, but the band turned out some of their most vital work over the past 10 years; just look at the reaction that nouveau classics "Parting of the Sensory" and "The View" got out of the audience. They work spectacularly in a live setting. And when the band dug into their back catalogue for gems like "Tiny Cities Made of Ashes" and "Dramamine," they did some incredibly cool things with them, blending them with choice lines from other classics like The Moon and Antarctica's "Life Like Weeds." But except for "The Whale Song," the material they pulled from No One's First and You're Next didn't go over well; in fact, "Autumn Beds" just about stopped the crowd dead. Also, major anti-kudos for being the only main-stage headliner to go off 20 minutes early so they could come back out for their "encore." Look, Chicago has a noise ordinance that states outdoor shows have to wrap up by 10 p.m.; Modest Mouse were scheduled to play for an hour-and-a-half, so they basically took a 10-minute break on our time and acted like we should be grateful they came back. I know it's an old industry trick, but it's still lame.
• Tiny Cities Made of Ashes/???
• Here it Comes
• The Devil's Workday
• Education
• Satellite Skin
• Autumn Beds
• Dashboard
• Satin in a Coffin
• Dramamine/Life Like Weeds/???
• Parting of the Sensory
• The View
• The Whale Song
• Gravity Rides Everything (encore)
• Black Cadillacs (encore)
Like all suburban-born white kids, I can't get enough of the Wu-Tang, and the Chef most definitely cooked up some tasty morsels for his audience, but he kept fans waiting for a full 20 minutes before taking the stage. What's more, his 30-minute set drew an inordinate amount of material off 36 Chambers, odd considering Cuban Linx is basically a sacred text among the hip-hop community, and its sequel was one of the most critically acclaimed albums of last year. It makes me wonder, did he just assume that Enter the Wu-Tang was as far as any of us had dug?
Panda Bear
Animal Collective is band I feel no small degree of ambivalence toward. On the one hand, I recognize they were the epicenter of a major shift in indie-rock in the mid-aughts and that they continue to exercise their influence over countless bands today. On the other hand, I find their music to be frequently grating and just kind of dull. Panda Bear's solo outing Person Pitch was just more of the same for me. It's a really interesting record that I will never, ever have a desire to listen to again. So maybe I'm the wrong guy to assess how Noah Lennox performed Saturday night, but I wasn't moved. He gradually nursed melodies to life out of electronic droning and rumbling bass, punctuating the soundscapes with atonal yips and occasionally harmonization. As a visual accompaniment, he broadcasted a montage of abstract color patterns that gave way to old stock footage of cheering audiences, bizarre looped segments of blood running down a pregnant woman's belly, and images of nude women exploding into a shower of sparks like malfunctioning femmebots. The outdoor setting probably wasn't ideal for Lennox, as it takes a pair of headphones (or at least an enclosed room) to really bottle all the intricacies he's working into his compositions. On the plus side, though, he somehow managed make an audience of thousands sit still for 60 minutes of mostly abstract noise. So I guess that's pretty cool.
More than one writer has commented on the generally lackluster quality of the Pavement reunion shows, but I tried to come to this with a fresh set of eyes. Ultimately, I feel the same way I did after seeing The Pixies at Lollapalooza 5 years ago. They played great songs and played them well, but there's an intangible sense of disengagement there. It's not even that the band aren't having a good time or giving it their all; it's just that they're playing a lot of songs that don't necessarily have a lot of relevance to where they're at right now. The wild diversity between the band's more chaotic material and their poppier tunes also contributed to a somewhat uneven set, frequent pauses in between songs preventing them from getting any real momentum going. It wasn't until they were almost done that I felt they really hit their stride, launching from "Gold Soundz" directly into the scream-along "Conduit for Sale!" then stomping the brakes for "Stop Breathin'." That latter was a taste of perfection, the guitar slinking back and forth over Mark Ibold's steady bassline like empty curtain rings on a shower rod. I'm not going to say don't buy tickets if they come through your town, just don't expect them to change your life all over again.
So that's the festival in a nutshell. Thumbs up to Pitchfork for assembling such a stellar lineup, and to all you artists who made my "Don't Miss" list, I'll look forward to seeing you all next year when you play Lollapalooza.
[Photos: Daniel Boczarski]


text: This is a pattern from the 30's that showed each block with sashing. I eliminated the sashing to bring out the best of this block as it becomes more graphic when the blocks are joined. My only goal was to use a different stripe in each block so 30 stripes were used. The blocks fall into place naturally so it was easy to piece. Borders had to be fed in so I have some nips and tucks to redo, but overall I love the effect. I found more ISpy so I had to include it as my love for it grows in each quilt I do. The giraffe and panda are irresistible. There's a monkey. There's an Indian on horseback and even a block of chickens mixed with paw prints! It makes the quilt more interesting! Hope you enjoy it like I do! Last week's quilt was Double Irish Chain and this week's is Double Spools so I'm on a 'doubles' kick! Don't know what next week's quilt will be! Here are some close ups too.


text:
Change a cat's life today
Become a Cats Protection Sponsor
Use our 'Find an Opportunity' system to look for volunteering roles near you.
Employer Supported Volunteering (ESV) is the encouragement and facilitation of volunteering in the community through the organisation by which an individual is employed.
Are you studying to become a vet or vet nurse? If so, complete your pre-clinical Extra Mural Studies (EMS) placements with Cats Protection, the UK's leading feline welfare charity.


text:
"Léonie Adams was born in Brooklyn in 1899 and graduated from Barnard College in 1922. Her first published poem appeared in a periodical in 1921, and in 1922 she became one of the editors of the poetry magazine The Measure. In 1928 Miss Adams was awarded a Guggenheim Fellowship for creative writing abroad which was renewed in 1929. Her first book of verse, Those Not Elect, was published in 1925, and her second, High Falcon, appeared in 1929. Miss Adams held the annual appointment as Consultant in Poetry at the Library of Congress in 1948-49. She has taught at New York University, Bennington College, and the New Jersey College for Women, from which in 1950 she received an honorary degree of Doctor of Letters. She is now teaching in the School of Professional Writing at Columbia University."
"More than anyone else today she continues at the highest level the great lyrical tradition of the English Romantics, with whom in their own time she would have held her own." -- Allen Tate
-- Jacket copy from Poems: A Selection (New York: Funk & Wagnalls, 1954)
Hush, lullay.
Your treasures all
Encrust with rust,
Your trinket pleasures fall
To dust.
Beneath the sapphire arch,
Upon the grassy floor,
Is nothing more
To hold,
And play is over-old.
Your eyes
In sleepy fever gleam,
Their lids droop
To their dream.
You wander late alone,
The flesh frets on the bone,
Your love fails in your breast,
Here is the pillow.
Kennst du das Land
No, I have borne in mind this hill,
For once before I came its way
In hours when summer held her breath
Above her innocents at play;
Knew the leaves deepening the green ground
With their green shadows, there as still
And perfect as leaves stand in air;
The bird who takes delight in sound
Giving his young and watery call,
That is each time as if a fall
Flashed silver and were no more there.
And knew at last, when day was through,
That sky in which the boughs were dipped
More thick with stars than fields with dew;
And in December brought to mind
The laughing child to whom they gave
Among these slopes, upon this grass,
The summer-hearted name of love.
Still can you follow with your eyes,
Where on the green and gilded ground
The dancers will not break the round,
The beechtrunks carved of moonlight rise;
Still at their roots the violets burn
Lamps whose flame is soft as breath.
But turn not so, again, again,
They clap me in their wintry chain;
I know the land whereto you turn,
And know it for a land of death.
Note: The title is from Goethe's "Kennst du das Land, wo die Zitronen blühn?" (Know you the land where the lemon-trees bloom?").
Many Mansions
The last majority attained,
And shut from its small house of dust,
Into the heritage of air
The spirit goes because it must:
And halts before the multiple plane
To look more ways than left and right,
And weeping walks its father's house
Like something homeless in the night:
For now less largely let abroad,
Though but the world they say is mine,
I shiver as I take the road.
Thought's End
I'd watched the hills drink the last colour of light,
All shapes grow bright and wane on the pale air,
Till down the traitorous east there came the night
And swept the circle of my seeing bare;
Its intimate beauty like a wanton's veil
Tore from the void as from an empty face.
I felt at being's rim all being fail,
And my one body pitted against space.
O heart more frightened than a wild bird's wings
Beating at green, now is no fiery mark
Left on the quiet nothingness of things.
Be self no more against the flooding dark;
There thousandwise, sown in that cloudy blot,
Stars that are worlds look out and see you not.
Page posted by Seamus
January 9, 1997


text:
Rated 5 out of 5 by APH03 from Good Excellent shoes my boy is very happy l will buy them again in another color
Date published: 2017-11-05
Rated 5 out of 5 by Socal girl from Back to school Goos for kids. My son likes them they are cheap as well
Date published: 2017-09-05
Rated 5 out of 5 by LizzieBfromCT from Great as always! The grey color is very nice and matches much of my sons clothing. I hope they never change them!!
Date published: 2017-08-08
Rated 5 out of 5 by jrobinson from Excellent Deal! These were a great deal and look great! Son loves them.
Date published: 2017-04-14
Rated 4 out of 5 by rubi6 from Classic = Perfect Converse are my go to shoes, their a great classic look and are comfy.
Date published: 2017-03-28
Rated 5 out of 5 by jennifer9979 from Converse! We have bought every pair of our converse from Famous Footwear. This is the 5th pair purchased for our house. We love them!!! Great shoes.
Date published: 2017-03-10
Rated 5 out of 5 by Matkins105 from Great shoes Got these shoes for my daughter. They run big but they're great shoes! Well made and hold up well. My daughter loves converse!
Date published: 2017-03-08
Rated 4 out of 5 by Louise1213 from Nice shoes but didn't fit The Sneakers were nice but they didn't fit my daughter
Date published: 2017-03-08


text:
Thank You San Diego Road Trip Cathletes and our sponsor, Eggland's Best, for making the San Diego Road Trip a weekend to remember!
Here it is, one day past the San Diego Road Trip, with a red eye flight behind me, a nap and family reunion under my belt, and I still can't stop thinking about all the fun we had. I bet the Loews Coronado never had so many energetic fit women, and even a few awesomely tough men, "invade" their hotel with such vigor and enthusiasm. There wasn't a hotel employee that that didn't peek in our classes to see what all the Cathlete commotion and calorie burn was about. I know quite a few even stopped me to say they wished they had the energy to do that too.
Yes, we rocked the Coronado Resort and I can't thank you enough for sharing this excitement with me. From our kick off step workout, to our closing Boot Camp Beach workout, we never left any muscle un-touched, story un-told, smile un-detected, picture un-taken, meal un-devoured, question un-answered, and tear un-shed. I loved meeting each and every one of you and will forever keep the special stories you shared with me close to my heart. I cherish knowing that I have been a special part of your family for years, and that for many of you I have helped you though a very difficult time in your life. You have no idea how much it means to me to meet you in person and hear your heart felt stories and share your emotional tears. Road trips are finally MY chance to meet YOU and say thank you in person for allowing me to be such an important part of you healthy lifestyle. These trips are a dream come true for me and I feel so honored to know that you have taken such valuable time from you busy lives and in many cases even traveled far distances to come spend a weekend with me and fellow Cathletes to bond and share a memorable and inspiring weekend of fun, sweat and tears together. Thank You….. Thank You….. Thank You!!!!!
I'd also like extend my deepest appreciation and thanks to our sponsor Eggland's Best. Without their support, the Cathe Destination Road Trips wouldn't be possible. I am very proud to team up with Eggland's Best to help spread the word across America that their high quality eggs and my high quality workouts are leading Americans down the right path to better fitness, better nutrition, and better lifestyles.
Thank You too, to Altus, for providing a truckload of Fitness By Cathe steps and continuing to be the equipment sponsor for our Cathe Road trip events.
Another special shout out to all of the Cathe Dot Com staff for their endless hours in preparing for these events, as well as Cyndi Smith, our tireless Cathe community photographer, and Lorrayne Schaeffer (who some of you may know from our Glassboro Road Trips) for lending us a huge helping hand where ever and whenever needed on site. We can't thank you all enough for your time.
I adored reading the cards you gave me at the Saturday night dinner party and have put them in a special place with all of my keepsakes. One final thank you before I sign off for the night and a big group hug to go with it (((((((((GROUP HUG)))))))))


text:
MOTOR Magazine is a monthly trade publication that provides clear, specific, objective information to help service outlets efficiently complete motor vehicle repairs, while simultaneously operating successful businesses.
MOTOR was founded by William Randolph Hearst in 1903, the same year the automotive industry truly began. After nearly a century of growth, today's MOTOR Information Systems is the most complete source of service and repair information for the automotive aftermarket.
MOTOR The name technicians and shop owners know and trust.
MOTOR Magazine's Editorial Staff
Copyright ©1995-2011 iATN. All rights reserved. Terms of Use | Privacy Policy


text:
You have to love Maradona. He is living life like he played football. Recently, Gary Lineker caught up with Maradona and spent a fascinating 5 days with the legend. Maradona is the anchor of his own show, La Noche del 10, which has become the most watched show on Argentinian TV, with interviews of Pele, Fidel Castro, Robbie Williams, and many other personalities.
An excerpt
Gary goes to the Argentina changing room before the game to meet Maradona. It will be the first time they have come face-to-face since a Centenary game at Wembley in 1987 and, unsurprisingly, Gary is apprehensive.
But there is no awkwardness at all – they hug straight away and Maradona says, "Nice to meet you old friend."
When they shake hands, Gary jokes, "was that the hand?" referring to Maradona's infamous "hand of God" goal in the 1986 World Cup quarter-final between England and Argentina.
Maradona immediately replies, "no – it was the left".
The five days with the Beeb


text:
An Aspen Ideas Festival panel discussion about The Franklin Project, which advocates for making a year of military or civilian national service an expectation, a civic rite of passage, and a badge of honor. It's spearheaded by the Aspen Institute and Retired General Stanley McChrystal.
Aspen Ideas Festival: Making national service a rite of passage
Education ST. PAUL, Minn. ·


text:
|Megan Geuss / Ars Technica:
|Kara Swisher / AllThingsD:
|Joseph Volpe / Engadget:
|Dan Seifert / The Verge:
|Brian X. Chen / NYT Bits:
|Chris Stokel-Walker / BuzzFeed:
|Ryan Holiday / Betabeat:
|Jeremiah Rice / Android Police:
|Donna Tam / CNET:
|Jodi Kantor / New York Times:
|Kevin Roose / New York Magazine:
|Carl Franzen / The Verge:
|Zain Shauk / Houston Chronicle:
|John Ribeiro / Computerworld:
|Matthew Panzarino / The Next Web:
|Matt Thomlinson / Microsoft Security Response Center:
This is a Techmeme archive page. It shows how the site appeared at 6:00 AM ET, February 24, 2013.
The most current version of the site as always is available at our home page. To view an earlier snapshot click here and then modify the date indicated.
|Leena Rao / TechCrunch:
|Eric Slivka / MacRumors:
|Cotton Delo / AdAge:
|Emily Price / Mashable!:
|Sean Hollister / The Verge:
|Arik Hesseldahl / AllThingsD:


text:
:011::011: Thanks so much m8!!! - did what you said and it worked a treat 1st time! well pleased!!!! :011::011::011:
Printable View
thanks...finally got it to work!!!:)
After successfully watching the wii motion plus movie, go back into USB Loader Gx, settings and set dol back to default and 002 fix kept at anti. Load the game and black screen appears and wii remote shuts off. Any suggestions?
i use us loader gx and cfg usb loader, no matter chose wii sport or wii sport rersort, it reboot to system menu, any idea?:dft006:
Is it normal for the wii motion video to play a screeching loud distorted audio midway thru? This seems to happen when using the alt dol and the games seems to be working after watching the video... I am just wondering if this is a warning sign that all is not ok with the wii. ??? I am using configurable USB Loader v58 I think.
Thanks! This is very helpful. Have a good holiday :)
I haven't hardly posted hear before, just used it as a resource, but I wanted to share a tip. I followed the guide with a PAL version of the game (I'm in the States), and I couldn't get it to work. As a last ditch effort, I used an NTSC version, and it worked with no issues.
It didn't matter if I force the video, patched it, auto'd it. But the NTSC cured the problem. So, everyone out there, try an NTSC version if all else fails.
Used this guide to mod
Only change I made was upgrade the usb loaded to newest version.
Do I need to follow the guide from page 1, even though I am using USB drive for game storage? Or What do I need to do? I watched the video, but can not seem to get the game to work.
Thanks for any help
Shark Bait


text:
ClickMSG is one product that every Facebook advertiser is going to need, because there's no other simple way to run Messenger ads. Everyone who wants to advertise on Facebook using Messenger ads (and that means EVERYONE) will want this.
What we've got here is a winner, and it's got the perfect selling argument. It's the painkiller, that's absolutely vital if you want to run those ads.
So how would you like to be its owner?
Yes, we've never done that before and we will probably never do it again, but this time we decided to push the envelope a little and do something radical.
We've never given away source code for one of our software before, and this is the only time we think we will do this.
So here's your chance to become the owner of the ClickMSG app with absolutely no restrictions. Use it, modify it, sell it, do whatever you want, and keep all the cash!
ClickMSG is a SAAS and buyers are used to paying a monthly fee for SAAS. You can easily set it up on a server, set up a quick sales page and create a monthly recurring income for yourself with a very powerful and compelling product.
Heck! You can even launch it on platforms like JVZoo, W+ or Clickbank.
Yep, just drive some traffic, or promote to your list, or recruit affiliates. The earning opportunities are practically endless.
A. C#, ASP.Net MVC With MySQL database.
A. Any site like Freelancer, Upwork, Jobrack etc. This is a very common skill.
A. A windows VPS space. It starts at $7 a month with winvps.
A. Yes. Modify it any way you want. Enhance it. You have no restrictions. You cannot claim however, that your product is based on, or is a version of ClickMSG. Keep your branding separate from us.
A. Yes, if you buy the launch rights then you can.
A. For a fee we can consider doing this, but only if time is available, so don't take it as a given. You can hire someone from the freelancer sites to do this pretty easily.
A. We are giving you the same code which will be online on ClickMSG.Net at the time of the launch. While we are expert programmers with years of experience, we do not make any warranties. You get the code on an as-is basis.


text:
Help, I'm new and far from a PC whizz - Since downloading free zone alarm, struggling to type due to this pop up constantly all over my screen. Think I allowed access to something I shouldn't have, is there anyway I can undo that? Or any other ideas?
Operating System:Windows XP Pro
Software Version:
Product Name:ZoneAlarm (Free)


text:
Lewis County Fair Features Madd Hoss Jackson Saturday Night!
One of the most popular bands in the region, Madd Hoss Jackson will perform this Saturday night at the Lewis County Agricultural Fair just east of Lewistown, Missouri.
The fair runs July 10 through 14, 1 mile east of Lewistown on Highway 16. Madd Hoss Jackson will play from 9pm to 1am Saturday night in the beer garden. Haywire is the band that will play there Friday night at the same time. The beer garden is open nightly during the fair starting at 6pm and will open on Saturday at 12:30pm.
On Wednesday night, Ford Night at the Fair features 'Charissa Mrowka and Country Cross' performing in the main arena at 7:30pm. See a video from Charissa below. Thursday night is the Midwest Cowboys Rodeo at 7:30 and Friday night don't miss the demolition derby.
All seating in the grandstand is free throughout the fair, as well as free parking on the fairgrounds.
The carnival runs daily from 6pm to 10pm and on Saturday from 1pm to 5pm. Armbands are $20. Further pricing information and a full schedule of events is on-line.
Here's one of Madd Hoss Jackson's new songs from their upcoming album…
Subscribe to Y101, Today's Best Music on
Watch Madd Hoss Jackson's Andy Ham play with Charlie Daniels…
Subscribe to Y101, Today's Best Music on
Charissa Mrowka performs Wednesday night…
Subscribe to Y101, Today's Best Music on


text:
metal roof installation
Roof Coatings – What's Crucial?
Owners and amenities administrators of industrial fort collins roof repair or business premises have, for several many years, made use of roof coatings on broken or leaking roofs to be a cost-effective choice to lengthen the roof lifetime. It avoids the large capital outlay of a wholly new roof and it has the additional bonus, within our far more environmentally informed society, that roof coatings might also incorporate an insulating layer towards the roof and so enhance the energy-efficiency in the creating. This can likely lessen the heating and/or air-conditioning expenditures involved with operating the developing.
Industrial roof coatings are utilized for a range of explanations additionally to extending the life of your roof. The best kind of roof coating can not only repair service cracks and leaks from the roof but may lessen the quantity of contraction and enlargement because of temperature variations in the future. This may minimise the chance of long run leaks along with other damage. Within the scenario of business metallic roofing a coating may halt any corrosion or prevent it from taking place in the first place.
Just like all roofs extraordinary temperature situations and variations above a protracted time period of your time will reduce the success on the waterproofing plus the insulation. The twin vagaries of our climate suggest roofs are subjected to as well a lot daylight (which will cause cracks to look) and, conversely, way too a lot rain (that can seep into the cracks and bring about leaking). Hence the weather conditions will sooner or later take its toll on just about every roof and the performance and defense that the roof presents.
In the circumstance of asbestos roofs you can find really serious issues of safety and problems that ought to be resolved. You will discover questions of safety each for that roofing contractors in addition to the employees performing while in the industrial premises. Any roof coating applied on an asbestos roof need to have the ability to bond any portion from the asbestos roof which has grow to be harmed and broken down into unfastened asbestos fibres and encapsulate people fibres to avoid them leaking in the bordering environment.
Extending the lifestyle of an industrial asbestos roof with all the utilization of a expert coating which include Fibroseal is each a cost-effective and environmentally seem tactic since it gets rid of the need to get rid of the roof and transportation it to an proper waste web site and also gets rid of the necessity to generate a completely new, substitute roof with many of the power and transportation expenses associated with carrying out so.
From the much more practical point of watch, roof coatings also mean the premises would not have being closed down, which happens to be normally needed for any roof elimination and entire substitute so this may have some supplemental charge gain for the business.
So coating ruined or leaking industrial roofing (or even coating it as part with the typical maintenance) of any variety, including asbestos roofs, is actually a safe and sound, cost-effective and environmentally seem way to extend the existence of your respective roof when completed by an expert roofing contractor making use of expert roof coatings.


text:
3 Kidnappers Arrested In Makurdi Benue, Nigerian Army Corporal Declared Wanted For Kidnapping
June 23, 2015 – 3 Kidnappers Arrested In Makurdi Benue State, Nigerian Army Corporal Declared Wanted For Kidnapping
3 kidnappers have been arrested in Makurdi by the Officials of Benue state Police command.
The suspects were arrested while attempting to kidnap one Susan Audu who lived beside Modern Market in Makurdi. The victim was coming out of her mansion in her Toyota Sienna bus when the gang of 5 dispossessed her of the vehicle, bundled her into the back.
Luck ran out of them when motorcyclists who heard the loud scream of the victim from the fleeing vehicle along Gboko road mobilised to pursue it. They caught up with the kidnappers at a military checkpoint on the outskirts of Makurdi yesterday.
One army corporal and another suspect managed to escape while 3 others were arrested.
Benue Police spokesman Austin Ezeani said the 3 arrested suspects had been detained.
Ezeani said the army suspect, was a lance corporal with the Nigerian Army, adding that the police had contacted the Army to ensure his arrest.


text:
Answer by Daren Johnson · Feb 06, 2015 at 11:26 PM
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text: I went to the Disney Store in Taunton today, and everything is at least 25% off. I also used my disney visa, and i think I ended up with 30% off my total. They have a lot of stuff as far as kids clothes and t-shirts for the whole family, and a ton of stuffed animals. They are still saying 4/24 is their closing date, and they are also giving out 15% off coupons to use online or in Attleboro.


text:
About Gilt
Gilt Groupe is a shopping website based in the United states, offering its members merchandise, clothing, home decor, delicatessen food, travel and activities.
Fashmark is an innovative fashion website script developed by NCrypted for buying and selling of the products like shades, premium denim, watch, accessories, etc. This script lets your create a huge online marketplace of your business that provide unique experience of shopping while connecting people with their closets along with creating communities.


text:
|WA Seasonal Rainfall Outlook: probabilities for July to September 2006, issued 27th June 2006
Risk of further below average rainfall in southwest WA
There is a moderate shift in the odds towards below average September quarter (July-September) rainfall across a significant part of southwest Western Australia, the Bureau of Meteorology announced today. The autumn-early winter rainy season has been very dry in southwest WA, so a persistence of below average falls would have serious consequences.
The pattern of seasonal rainfall odds across Australia is largely a result of above average temperatures in the Pacific Ocean. Conditions in the Indian Ocean are near normal and have had little influence on this outlook.
For the July to September period, the chances of above median rainfall are between 35 and 40% over parts of southwest WA (see map). This means that below average falls have a 60 to 65% chance of occurring in these regions. So in years with ocean patterns like the current, about six September quarters out of 10 are expected to be drier than average in these areas of southwest WA, with about four out of ten being wetter.
In contrast, a small part of the Gascoyne in WA has an increased risk of above average seasonal falls. The chance that the seasonal total will exceed the median in this area is 60 to 65%. For much of WA though, the chances are close to 50% for accumulating at least the long-term median rain during the coming three months.
However, it should be noted that July to September is the heart of the dry season across northern Australia and heavy rain is uncommon during this period.
Outlook confidence is related to how consistently the Pacific and Indian Oceans affect Australian rainfall. During July to September, history shows this effect to be moderately consistent in parts of central and eastern WA, but only weakly consistent across most of the State, including the southwest (see background information).
After moderately positive values of +14 and +15 in March and April respectively, the Southern Oscillation Index (SOI) dropped substantially in May to a value of −10. The approximate SOI for the 30 days ending 24th June is −9.
It is likely that neutral ENSO conditions will remain in place for the remainder of 2006. For routine updates and comprehensive discussion on the latest data relating to ENSO, together with details on what the phenomenon is and how it has affected Australia in the past, please see the ENSO Wrap-Up.
Click on the map above for a larger version of the map. Use the reload/refresh button to ensure the latest forecast map is displayed.
|More information on this outlook is available from 9.00am to 5.00pm (WST) Monday to Friday by contacting the Climate and Consultancy section in the Bureau's Perth Office: (08) 9263 2222.
THE NEXT ISSUE OF THE SEASONAL OUTLOOK IS EXPECTED BY 25th JULY 2006
Corresponding temperature outlook
May 2006 rainfall in historical perspective
Background Information


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Feather & Nest
Feather & Nest is Kristen Meckem and Jamie Parker. We're here to help you infuse your own personal style into all aspects of your life.
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Little Talks with Hemingway
Of Monsters and Men-Little Talks *Thank you, Kasey Buick for introducing us to them ❤ "There is nothing noble in being superior to your fellow man; true nobility is being superior to your former self." ~ Ernest Hemingway There is … Continue reading
You're beautiful.
Have we told you how grateful we are for you? We are…so very grateful for you. During the summer months we have decided to deliver posts on Tuesdays and Thursdays. We hope you will turn to us in your busyness … Continue reading
Posted in Uncategorized Tagged beautiful, blue cups, Brookish, Confetti Garden, eclectic, etsy, grey dress, inspiration, interior decor, interior design, interior design blog, Jane Frosh, Leanne Shapton, lifestyle and design blog, Lonny magazine, midcentury modern, nicole Hill, Pinecone Camp, pinterest, quotes, Rowan DeVoe, rustic, rv, shereen de rousseau, teardrop trailer, vintage french, vintage tables 10 Comments
Pink Lemonade
A little music while you browse… Take a drink. I believe that if life gives you lemons, you should make lemonade… And try to find somebody whose life has given them vodka, and have a party. -Ron White
Posted in Uncategorized Tagged design, design blog, eclectic, etsy, French design, inspiration, interior decor, interior design, interior design blog, interiors, lifestyle blog, midcentury modern, modern chairs, Nashelle, pink and yellow design, pink and yellow interiors, pinterest, quotes, shereen de rousseau, twinkle lights, vintage jewelry, vintage photos, vintage typewriter, youtube 17 Comments
Time Stands Still
It is all very beautiful and magical here – a quality which cannot be described. You have to live it and breathe it, let the sun bake into you. The skies and the lands are so enormous, and the detail … Continue reading
Warm as Yellow…Bright as Yellow
Hello, our warm-hearted friends… This isn't a post about the color yellow, however it's about the things that make us feel warm (as yellow)…and bright (as yellow). It's about having a warm heart….a heart that's….bright as yellow. Listen while you … Continue reading
Posted in Uncategorized Tagged alexander Mcqueen, blog, bright as yellow, bungalow, c.s. lewis, cake decor, cottage, eclectic, etsy, innocence mission, leopard, mason jars, Michael Graydon, porch, ryan gosling, ryan gosling hey girl, shereen de rousseau, terrarium, Vincent Van Gough quote, vintage volkswagon, warm heart 5 Comments


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WILLITTS San Rafael Calif CAMEO HEART MUSIC BOX - label
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Willitts Exclusive Imports Cameo heart music box, San Rafael, Calif. Made in Japan. Original foil seal still on bottom of music box (See Photos). 3 ¾" across heart X 2" in height. Music box plays but not sure what the song is. Sounds like Somew my love. Some of gold is slightly worn off w the box opens and on legs but doesn't take away from the beauty of the music box.
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ORLANDO, Fla. - A boy born Thursday at Winnie Palmer Hospital for Women & Babies marked the 100,000 birth at the Orlando facility.
Parents Harish Raj Kumar and Denika Raj welcomed Hridaya into their family just before 2 p.m. Hridaya weighed 7 pounds 6 ounces and is resting comfortably with his mother at the hospital.
Hridaya means "heart" in Sanskrit, and he is the first boy on either side of the family, according to the hospital.
Winnie Palmer Hospital opened in May 2006 and annually ranks as one of the busiest labor and delivery hospitals in the country. More than 13,000 babies are expected to be born there every year.
Copyright 2013 by ClickOrlando.com. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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I can make vegetarian cornbread stuffing anytime, but somehow, making it for a food holiday inspires me. Family and friends remember the dish from previous holidays. Plus, my family and guests expect the stuffing to be as good as they have always known it to be. I enjoy the compliments, of course. And, every home cook relishes a little silence during meals, because it means that everyone is enjoying the food. My fellow #SundaySupper bloggers will receive many compliments today. These talented bloggers have prepared a rich and appetizing array of dishes for an Easter or Passover Feast.
Healthier Vegetarian Cornbread Stuffing
If you enjoy the taste of stuffing but would like to avoid the extra fat and cholesterol that are sometimes hidden in traditional stuffing recipes, try my vegetarian cornbread stuffing. Following the recipe, you'll find a hyperlinked list of sweet and savory breakfast treats, appetizers, sweet and savory breads, sides, main dishes, and the most fabulous desserts recipes for Easter and Passover. Take a look at the recipes and photos of the #SundaySupper cooks and bloggers. Leave a comment about your favorite Easter or Passover recipe, and join us later on Twitter to talk about your Easter/Passover Feast (details below).
- Whole-Grain Instant Cornbread Mix
- 1 large organic bell pepper, finely chopped
- 2 stalks organic celery, finely chopped
- 4 stalks green onion, finely chopped
- 3 tablespoons grilled chicken seasoning
- 3 fresh sage leaves, chopped
- 1½ 32-ounce package vegetable broth
- Prepare cornbread first according to package directions.
- Pre-heat oven to 400 degrees. With a fork, break cornbread into small chunks or for a finer texture, cut cornbread into squares and place each square in food processor.
- Add broth to smashed cornbread. Add vegetables and seasonings and mix thoroughly. Spray a clean baking dish with non-stick vegetable spray and pour in stuffing ingredients.
- Bake for one hour; remove Vegetarian Cornbread Stuffing from oven and allow dish to sit for 10 minutes before serving (stuffing will settle during this time).
[embedit snippet="Sunday Supper Logo"]
- Colomba Muffins from Manu's Menu
- Strawberry Amaretto Coffee Cake from Savvy Eats
- Strawberry Lemon and Ginger Scones from The Wimpy Vegetarian
- Spinach Bacon Breakfast Cups from Runner's Tales
- Smoked Salmon Dip with Greek Yogurt and Capers from Shockingly Delicious
- Colorful Delicious Deviled Easter Eggs from Hot Momma's Kitchen Chaos
- Butter-Braised Easter Egg Radishes from Culinary Adventures with Camilla
- Egg Salad Deviled Eggs from Noshing With The Nolands
Savory and Sweet Breads:
- Healthier Hot Cross Buns from A Kitchen Hoor's Adventures
- Whole Wheat Croissants from What Smells so Good?
- Hot Cross Pretzels from Jane's Adventures in Dinner
- Italian Easter Bread from Curious Cuisiniere
- Greek Easter Bread from Hip Foodie Mom
- Garlic and Cheddar Swirled Brioche Rolls from Neighborfood
- Paska Bread from Seduction in the Kitchen
Sides and Salads:
- Aunt Ruthie Mashed Potatoes from Melanie Makes
- Vegetarian Cornbread Stuffing from Pescetarian Journal
- Mixed Greens with Hot Bacon Dressing from Cindy's Recipes and Writings
- Passover Kugel: Veggie-Style from Take A Bite Out of Boca
- Syrnyk–Ukranian Sweet Easter Cheese from Cupcakes & Kale Chips
Main Dishes:
- Pan Seared Lamb Chops from The Foodie Army Wife
- Roast Leg of Lamb with Parsley Walnut Pesto from The Texan New Yorker
- Italian Easter Torta from La Bella Vita Cucina
- Passover Vegan Lemon Cheesecake from Killer Bunnies, Inc.
- Easter Basket Cupcakes from MealDiva
- Strawberry Crostata with Sweet Almond Glaze from Kudos Kitchen by Renee
- Layered Chocolate Mousse Cake from That Skinny Chick Can Bake
- Chocolate Hazelnut Macarons from The Girl In The Little Red Kitchen
- Rhubarb Meringue Cake {Rhabarberkuchen} from The Not So Cheesy Kitchen
- Lemon Blueberry Basil Cupcakes from Brunch with Joy
- Banana Carrot Cake Bread from Peanut Butter and Peppers
- Individual Cakes with Peanut Butter Whipped Frosting from Momma's Meals
- Gluten Free Easter Cupcakes from Gluten Free Crumbley
- Lemon Coconut Bars from Magnolia Days
- Lemon Icebox "Pie" from girlichef
- Easter Basket Cupcakes from The Ninja Baker
- Carrot Cake Sandwich Cookies from Pies and Plots
- Carrot Bundt Cake with Cream Cheese Swirl from Alida's Kitchen
- Passover Chocolate Chip Cookie Bars from Food Lust People Love
- Strawberry Filled Crepes from Try Anything Once Culinary
- Rhubarb Almond Streusel Muffins from Confessions of A Culinary Diva
- Best Wines for Easter/Passover Feast from ENOFYLZ Wine Blog
Join the #SundaySupper conversation on twitter on Sunday! We tweet throughout the day and share recipes from all over the world. Our weekly chat starts at 7:00 pm ET. Follow the #SundaySupper hashtag and remember to include it in your tweets to join in the chat. Check out our #SundaySupper Pinterest board for more fabulous recipes and food photos.
Would you like to join the Sunday Supper Movement? It's easy. You can sign up by clicking here: Sunday Supper Movement.
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- Easy Minestrone Soup #BrownBag - August 18, 2014
- Six Seafood Soups and Stews - August 15, 2014
- Health Benefits of Salmon - August 12, 2014


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A mixed box of delights: The Phaidon Archive of Graphic Design
Phaidon's Archive of Graphic Design offers an exhaustive survey of the medium, but is not without its problems
The grandly titled Phaidon Archive of Graphic Design comes in a huge box that looks like a piece of military equipment – with hinged lid, camouflage finish, a nest of webbing wrapped around it, and carry handles. If you ever need to check out great moments in graphic design history while taking heavy fire in a battle zone, this is definitely the set to have with you along with your kevlar vest and field radio. Pretty weird, but then what would one use to lug around 500 separate sheets of thick paper and a bunch of divider pages?
The book – we'll stick with that description because this is, in essence, a 1,000-page picture book – has been years in the making. When the sealed box arrived, I wondered where it would be best to start, though as things turned out, I first saw the archive displayed on the walls at designjunction during the London Design Festival, where it looked exciting but random. Once unpacked, the pages turned out to be in chronological order, so I took that as my cue, starting at the beginning with a collection of Zen Buddhist texts from Korea, printed in 1377, and working through to Leftloft's 100 Notes – 100 Thoughts project for this year's Documenta exhibition in Kassel. This is the best way to get a feel for how the book handles each decade. After that, the archive's open structure encourages you to organise it in any way you like. The reversible dividers, should you decide to use them, are titled to allow classification by category or time period. Phaidon plans to publish more pages later and there's room for them in the box.
Before saying anything else, it would be churlish not to acknowledge that this extravagant hamper is stuffed with a banquet of the most refined graphic pleasures. I was reminded many times of how I came to admire graphic design in the first place and why its history gripped my attention.
If readers who knew little about the subject were to spend time with the book, they would emerge from this induction course with a profound sense of the field's significance and penetration into every area of civilised, organised modern life. The archive has museum-worthy masterpieces by innovators such as Rodchenko and Lissitzky, Tschichold and Sutnar, Rand and Bass, but it also has less obvious though ubiquitous graphic inventions that have transformed everyday reality: the printer's fist, maritime flags, the copyright symbol, the radiation warning sign, the zebra crossing, the recycling symbol.
The chronology throws up some wonderful juxtapositions. Reading about the 1930s, I turned from USSR in Construction magazine, which used avant-garde design in the service of the Russian revolution, to Fortune, the powerhouse publication of American capitalism. It would be hard to state the geopolitical clash of ideologies in that era in more electrifying graphic terms.
There were many points, though, where I wondered how the decisions about what to include or leave out came to be made. The book has no named, over-arching editor and is presented as the conception of Phaidon and its editors. The project began with the efforts of design writer and Phaidon author Kerry William Purcell, who compiled a database, made an early selection of works and commissioned many of the large team of writers who provided texts of around 350 words for each piece. Purcell receives vague thanks "for his help" but no precise credit and someone else is credited as commissioning editor, along with three project editors. A number of consultants apparently offered "guidance", including Steven Heller, Emily King and Teal Triggs – again no details.
The brief foreword mentions the reviewing of thousands of examples, but there is no way of telling who had the final say about anything; nor does the foreword offer any coherent rationales for selection. There are no initials at the end of the texts so you can easily discover the author and no information about contributors; the writers' names are listed in a separate booklet. A highly resourced publication that presents itself as a major statement about a field needs to do better than this. Or should we view the book, despite its monumental scale and the involvement of academics, as simply an expensive form of entertainment?
Many of the selections – the Stenberg brothers' film posters, the Michelin Man, Futura, Olivetti's typewriter ads, the CBS eye – are inarguable because they are part of graphic design's acknowledged canon. This means they have often featured in exhibitions and earlier books. The archive's compilers and writers are dependent on this path-finding research (where else has the information come from?) but the book has no bibliography or suggestions for more detailed reading. Some designers are favoured with multiple examples: Rand has eight, Rodchenko seven, Otl Aicher five; Gerard Unger has three typefaces. Meanwhile, significant figures such as Henryk Tomaszewski (posters), Reid Miles (record covers), Pierre Faucheux (books) and Roy Kuhlman (book covers) don't rate a single piece. Roman Cieslewicz gets in for a magazine but not for any of the extraordinary posters on which his reputation rests. Is Irma Boom's design for Hella Jongerius: Misfit – published by Phaidon, which awards itself five inclusions – really more significant than Herbert Bayer's 1953 World Geographic Atlas, one of the colossal masterworks of graphic design history? (They do show other Bayers.)
Moving closer to the present, the book finds no pressing reason to include Jan van Toorn, April Greiman, Studio Dumbar, or Cornel Windlin. The blind spots or biases extend to whole sectors. Music graphics rates only a handful of examples (while at least 24 design magazines make the cut). Postmodern graphic design is very poorly handled. Czech posters of the 1960s remain a terra incognita. It might be argued that plenty of things will always be left out of any survey. But these are major oversights and imbalances that have somehow made it through the editorial processor. Viewing chronologically, it was alarming to see how graphic design appears to fall off in invention and impact after the 1960s. I don't believe it does in reality; it's the book's quality control, or perhaps its grasp of the contemporary era, that's less certain. You can see why the editors might include Shepard Fairey's Obama poster (remarkable for impact rather than design) but his body of work has many better posters. From Nova magazine in the 1960s to i-D in the 1980s, the examples selected are not always the finest or most telling.
Phaidon publishes very few graphic design monographs compared to its commitment to art and photography books. Six standard-sized Phaidon blockbusters would be roughly equal in weight to the archive. What graphic design needs is more meticulous studies like the publisher's books about Rand, Massin, Müller-Brockmann and Max Huber.
There is no obvious call for this box-monster and I found it unwieldy and awkward to consult. I wish Phaidon had devoted its resources to giving us a brace of groundbreaking monographs instead.
The Phaidon Archive of Graphic Design is published by Phaidon; £140. It includes 500 individual cards featuring 3,000 colour illustrations in total. See phaidon.com for more details.


text: Hi guys, Please help asap .... i am working on a project that needs saving to my usb stick. I have a spare 29mb on it but when i try and save to it my g4 is telling me that there is no space? I think it might have a trash folder hidden somewhere on the stick as i've encountered this before on a PC, but i dont know what or how to solve the prob on my mac... any help would be great thanks


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It is with broken hearts and oceans of tears that the family and friends of Matthew Kutsche, 24 years old, send him into the hands of our Lord. Matt was so excited to be part of a medical mission team to Haiti when he was involved in a tragic accident along with three others from the Holy Spirit/Haiti Needs You team. Matt is survived by his financee, Carly Andrews, who he loved so dearly and was so looking forward to their lives together. Also his parents, Dr. David and Mary Kutsche; his brother and sister-in-law, Kyle and Melissa; and sister, Sarah. He will be missed by his grandparents, Stuart and Ruth Kutsche, and Daniel Hess; along with many loving aunts, uncles, cousins, and friends. Matt made friends so easily and did so much to help others helping rebuild from a hurricane in Pt. Charlotte, FL with his Park Church Youth group, to being a Big Brother, coaching Special Olympics basketball, and a team from Palmer Elementary School, and working with Project Barc through the Kent County Juvenile system. He also organized teams through work for charity runs. Matt graduated from East Grand Rapids High School and Grand Valley State University. He was working at Staffing, Inc. where they were very supportive of his trip to Haiti as well as his plans to serve his country in the National Guard. We hope and pray that memories of Matthew's life will give inspiration to others to continue his work of serving others. A funeral service will be held Monday 2:00 pm at 1st (Park) Congregational Church, 10 East Park Place N.E., with Rev. Todd Petty officiating. The family will greet relatives and friends at the Zaagman Memorial Chapel, 2800 Burton St. SE, on Sunday from 2 to 4 and 7 to 9 pm. Interment Woodlawn Cemetery. Contributions in Matt's memory may be made to the Kent Co. Humane Society or U.S.O.
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This is fantastic. If there were no such thing as the stop sign, and it needed to be invented, and someone decided to hire a marketing/advertising agency to get the job done.
If we had to invent the stop sign….
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