text:
26 Oct
(Originally published in Audio Media Magazine USA)
In this volume: Cooper CS-208 & CS-106; Sonosax SX-8; Zaxcom Cameo; Audio Developments AD-146, AD-147, & AD-149; PSC M8.
For Film and Television production, these portable mixing consoles (or for our European colleagues, desks) pick up where even the best ENG (electronic news gathering) mixers leave off. Compact size is still important, but the assumption is made that these mixers will be operated from the flat surface of a cart or table instead of from a pouch hanging from the shoulder, so the strap is replaced with a handle. The basic criterion remains the same as their ENG little brothers, i.e. battery powered, compact, and quiet high gain mic preamps, but a greater importance is given to features which allow more control, inputs, outputs, monitoring options, and versatile signal routing. And, as always with location sound equipment, these mixers will often be exposed to the elements and constant relocation, so ruggedness is a big plus.
Location sound recordists are at an advantage today because there are a number of high quality portable consoles designed specifically for their profession, in a wide range of prices and capabilities. Several of the new choices in portable mixing consoles are evidence of the fading reliance on just 2 tracks and the growing trend in 4 track recording by offering 4 or more output busses.
While some are slightly better than others (+/- a couple of dB), all of these mixers have high quality specs in terms of signal-to-noise, distortion, and frequency response, which is not uncommon today with analog circuitry. The differences that remain result from the competition to create the best balance of size, reliability, desirable features, and cost. The prices in this class range from $4300 to $14,500+. So there's a choice: You can buy a mixer and a car, or just a mixer.
Cooper CS-208 & CS-106+1 (www.coopersound.com)
Cooper Sound Systems' slogan, "Sonus Clarus" could just as accurately be "No Nonsense". Everything about the Cooper mixers has a purpose, and all of the functions of these mixers work together for a single purpose that can be boiled down to a single word: Professional. These mixers are designed and over built to stand the rigors of location production for people who rely on them to make their living as location sound engineers. I can attest to their success with this goal because I have used a CS-106 for the last 8 years on all types of location production, and the sizable investment has proven profitable. Cooper edifies the "form follows function" engineering creed. A novice who might gaze for hours in wonderment at a Mackie mixer would likely walk right past a Cooper, unimpressed. Audio quality, logical layout, simplicity, and specific function have always been the hallmarks of the Cooper mixers, which is very impressive to the professional.
Still available is the mixer that made the Cooper company famous: The CS106+1 ($11,600), which was also once available in an otherwise identical 8-frame version called the CS108+1. The CS106+1 has 6 mic/line inputs while the CS108+1 had 8. The "+1" is for a blank module that can be left blank or fitted with either a 7th (or 9th) input module, a stereo mic/line input module, or an AUX module. While the CS-106 and CS-108 are basically 2 channel consoles, the AUX module provides two additional mix busses, effectively converting these consoles into 4 output mixers capable of tracking to the Nagra D or Deva 4 track recorders. Cooper uses a sturdy gauge anodized aluminum chassis and ultra precise fitting modular top panels to allow easy removal for servicing, reconfiguring, etc.
From the back of CS-106+1's input module working forward, there are XLR inputs, balanced and isolated with Jensen transformers. These inputs can be anywhere from mic to +4 line level, and mic powering options are available for 12V & 48V phantom, as well as T power (also known as A/B, and Tonader). Each input module has its own unbalanced, post fader, -10dB, direct output, and each input also has a pre-fader unbalanced insert jack. It is recommended that the input portion of the insert jack be used for line level inputs (by passing the mic pre) to achieve best signal-to-noise, though I've always found the XLRs satisfactory.
Features on each input module include pre/post AUX send, PFL, peak limiter, overload LED, 3 band EQ with sweepable midrange, T and phantom mic power, 83mm Penny & Giles faders. Output and monitor features include balanced L/R outputs, unbalanced outputs on RCAs, balanced AUX out, and three separate monitor outputs.
While Cooper mixers have also won a deserved place with location music recordists, the original primary intent still remains: location recording for film and television production, as the following list of specific features suggests:
- Standard PPM meters with markings and ballistics similar to the Nagra modulometer (-8dB = 0VU) (but VU meters are available at special request.)
- Huge amounts of available microphone gain (85dB) with very low noise. (CS-106: -128dB; CS-208: 129.5dB)
- Nagra standard Tuchel connectors for direct interface with mono and stereo Nagra recorders, complete with remote roll and automatic end-tones.
- Integrated talkback communications module for off-line, private, two-way communication between the Mixing Engineer and the assistant (typically the boom operator).
- 3 separate monitor outputs (typically used for Mixer, Boom Operator, and Director)
- DC power input (12 – 24 VDC) on a standard 4 pin XLR, and internal battery compartment that holds 12 D cells to power the mixer for, at minimum, a full production day.
Occasional complaints heard about the Cooper CS-106 include input overload sensitivity, noticeable action of the input peak limiters, and the row of connectors on its right side. The first of these, input overload, is explained by operators trying to hard keep the mic pres completely noise free, where the tendency is to not use the 20dB pad for condenser mics in order to keep the input trim (gain) pot as low as possible. The result is ultra quiet tracks, but when the unexpected shouts come from actors, the inputs will sometimes clip. The remedy is to normally use the 20dB pad and increase the gain as needed. Regarding the peak limiters, the thing to keep in mind is that these limiters are intended to control surprise peaks only, and not to be relied on for use a compressor. The connectors on the side? Well, they've got to go somewhere. However, the raised meter panel on the CS-208 added sufficient back panel area to allow Cooper to finally locate all connectors where they belong: on the back.
The CS-106 & CS-108 were quite sufficient when they were introduced in 1985, and remain a mainstay of serious professionals today. But film production is becoming more complex, and often requires 4-track recording and a host of AUX sends and monitor mixes. The most limiting features of the 106/108 mixers is a single AUX send, and only 2 main output channels. Though the optional AUX module squeezes this mixer into the 4-output channel category, it is a bit cumbersome to use. So, Andrew Cooper went back to work.
Cooper's brand new flagship, the CS-208 ($14,000), has a definite family resemblance to its older brothers. So much so that it includes every feature of the CS-106, but brings it up to date to meet the increasing demands of modern film production with increased outputs, more monitor options, and improved noise specs (-129.5dB), achieved while still using input transformers. After all of this, the CS-208 somehow still managed to reduce battery consumption. With the same unbeatable, rugged, precision, construction as the CS-106, the CS-208 has 4 main output busses, 4 meters, and 2 AUX sends, making it a top choice for the Nagra D and Deva digital recorders.
After all is said and heard, even as other manufactures are offering close competition, the Cooper mixers are always included when comparisons are made.
SonoSax SX-S (www.sonosax.com)
When the Sonosax SX-S series mixers were introduced in 1983 they instantly became recognized as "THE" mixer to have for film production. With a modular configuration, these mixers from Switzerland are rugged, compact, are very quiet (-129.2dB), all of which is reflected in its price tag. Even when introduce nearly 20 years ago, the price was an amazing $9,000. Today's price for the basic configuration is $11,600, and with a full compliment of options, the price can easily exceed $15,000 for an 8 input mixer.
The "SX-S" is always followed by a number representing the number of input channels, i.e. SX-S8, SX-S10, etc. Starting at the top of the input modules, it is first noticed that there are no pads on the new versions. Using transformerless balanced inputs, the SX-S mixers control the input range simply by changing the amount of amplifier gain, which is done with 3 range selections plus a variable gain trim pot. The range selections are HI for line level signals, LO for mic level, and CAL (gain by-pass) for unity gain when the faders are set to 0dB. The HI and LO ranges give the gain trim knob a total range of 70dB. With the P&G faders at the full up position, there is a total possible input gain of 85dB.
Next on the input module is a compact 3-band EQ section with a sweepable midrange from 200Hz to 8kHz. Instead of low cut switches, the Sonosax uses a sweeping low cut pot, cutting 12dB/oct from 20Hz to 500Hz.
Discussions amongst those who are familiar with the Sonosax always include approval of the limiters, which are on each input. In fact, they sound so good that Sonosax decided to make them impossible to turn off, giving each module an additional 6dB of overload protection when the alternative would be clipping. For more active limiting, a threshold control knob increases the sensitivity.
Sonosax's original space saving design placed the PAN, AUX, and Limiter Threshold knobs just to the left of each fader. This was always a peeve of mine because my fingers usually managed snag them when changing faders, and they made one-handed gain riding on more than one fader at a time seriously difficult. To Sonosax's credit, they have now recessed these knobs, so I guess I now have nothing to poke at.
Except: Compactness is a mixed blessing, and to help the SX-S be the smallest in its class, Sonosax opted for numerous "TT" tip-ring-sleeve jacks on the rear panel for utility in/outs. These connections include a prefader insert and unbalanced direct outs for each input. The direct outs can be either pre or post fader, determined by using the tip or the ring of the jack. While these jacks are certainly a common standard in patch bays, they require a bag full of adapter cables to connect other equipment in the field.
The two-channel master output module is simple with only basic stereo/mono monitoring ability, AUX master level, and a level control for an unbalanced stereo TAPE insert. Alone, the master module is no doubt too simple for most film production today, so Sonosax came through again with the "Extension Module", often referred to as the "Film Module. This optional module is very comprehensive and adds a multitude of features including off-line communication, tape return monitoring, separate output for video assist, MS decoding, remote roll, Mid/Side monitor decoding, and to supplement the standard LED bar meters: very nice analog meters that are switchable Peak or VU. When the meters are switched to mono mode, the left meter indicates phase correlation while the right meter displays the greater of the two channels. A very nice touch of class.
The SX-S mixers are adaptable to 4 track recording by adding the optional matrix module, which assigns up to 10 inputs to any combination of 4 additional outputs while retaining the master module's 2 track mix outputs. This is ideal for film production when recording to both a 4 track main recorder and a 2 track backup recorder.
It's no wonder that Sonosax SX-S mixers are adored by their professional owners and, if they are willing to add the optional modules and boxes, these mixers are quite capable of continuing to serve their owners into the coming age of more complex requirements and 4 track recorders.
Audio Developments AD-146, AD-147, & AD-149 (www.audio.co.uk)
I first became aware of the Audio Developments mixers in 1984, soon after the AD-062 and AD-145 were introduced. Internally battery powered with conventional layout and communications modules, they were well suited for location film production. I opted for the more compact AD-145, which became my primary mixer for the next several years. Using modular input assembly then and now, Audio Developments' more recent versions include up to date refinements in construction, layout, features, and audio quality, and are showing up more often on some very notable productions. Available in four models that are well suited for film production, they are priced a little bit easier than the Cooper and Sonosax brands.
The Audio Developments line starts with the AD-245, a great little mixer priced at $4300 for the 6 input version, and $5155 for the 8 input version. Largely a refinement of my old AD-145, it is a fairly simple stereo board with no AUX sends. The things it does have, though, are very nice: Transformer balance inputs and L-R-SUM outputs, 80dB gain mic pres with noise specs of -126dB, long throw (100mm) Penny & Giles faders, 3 band EQ, 48Vph and T power, PFL, off-line boom operator communication, analog meters, and something every mixer should have: stereo linking output limiters. If I were starting out on a budget but refused to go the Mackie route, or needed a back up to a more capable mixer, I wouldn't hesitate to go for the AD-245.
The AD-146 ($8300) was one of the first location mixers suitable for 4-track location film production. It's similarities to the AD-245 are undeniable, but the AD146 is more mixer than that would suggest.
There are separate XLR connections for Line and Mic on the inputs, selectable from the module's top panel. Each input has 4 output assign buttons (A, B, C, & D) and a pan pot that affects channels A & B only. There are no AUX sends, but when 4 tracks are not needed, the remaining channels would function very well for utility. It has the standard PFL button, but also a button labeled "MON" (for monitor), that follows the Pan Pot (post fader). A very nice feature that is ahead of its class is the ability to decode MS stereo at the outputs (or convert stereo to MS). Stereo, whether its M/S or L/R, is becoming more and more requested in film production, and having an on-board decoder is a real plus. The 4 main outputs are transformer balanced.
Other features include 4 channel return monitoring, off-line communication, several days of power from 10 internal "C" cells, and standard 4 pin external power input. The console has only 2 analog meters, an obvious limitation for a 4-output console, but they are managed well by the different metering combinations available through the meter switches. There is a rear mounted, buffered, accessory output connector that can feed the 4 separate outputs to an external meter bridge.
Again, the AD-146 is an excellent way to stretch a dollar and have a very nice, high quality, very portable mixer for 4 track recording, or for 2 track recording when additional utility outputs are needed.
The AD-147 ($6785, 6 inputs; $8239, 8 inputs) is a stereo mixer that picks up where the AD-245 left off. Ergonomic styling has improved with a reverse printed Lexan overlay, which incorporates pastel blue shading to visually separate control functions and signal flow, as well as guarantee the immortality of the labeling. The addition of 2 AUX sends that appear on balanced outputs make it reasonable to stretch this mixer into use for 4-track recording.
Other additions to the input modules are: 2 AUX sends (pre or post fader), post-fader stereo soloing (labeled MON) Pan Pot and Assign switches. The master module followed the lead of the 4 output AD-146 by adding an M/S decoder matrix, which is also found on the monitor module. A remote roll switch controls a Nagra IV-S through a standard rear mounted 7-pin Tuchel connector. To help control weight and cost, Audio Developments opted for electronically balanced inputs and outputs and abandoned their transformers, the loss of which will normally go unnoticed. Like the other AD-x mixers, 10 internal "C" cells power this mixer for at least a couple of days. Rounding out the "location specific" features is a 6-pin boom cable connection for 2-way private communication.
The AD-149 ($10,165, 6 inputs; $12,212, 8 inputs) is the flagship in the Audio Developments line ($10,169, 6 inputs; $12,212, 8 inputs). It is largely an AD-147 on steroids, as feature of the AD-147 is included on the AD-149. It is a 2 channel stereo mixer with 2 AUX sends, and the top panel looks nearly identical to the AD-147 except for the pastel red tinted Lexan overlay.
However, there are some important additions that explain the higher model number and the higher price: The AD-149 adds direct outputs and insert jacks to each input, and a more agile EQ section with peak/shelf choices and mid range sweep. A 10-pin multi-connector allows quick hook up of the main outputs and returns, and a 6-pin multi-connector with buffered unbalanced outputs and returns for use with, for instance, a backup DAT recorder.
Finally, there is a 15-pin "D" connector for monitoring all outputs with an external meter bridge.
Audio Developments is the only manufacture in this list that offers a range of professional portable consoles that span from entry level to advanced master level. There is something to be said for continuity and brand loyalty and it makes sense that some will see value in staying with a familiar company as they advance in their careers. Audio Developments is well suited to this set of values, and for decades they've been making fine audio equipment for location sound.
PSC M-8 (professionalsound.com)
The PSC M-8 ($10,250) is Professional Sound Corporation's (PSC) current entry into the portable console category. Introduced in 1992, PSC's goals were to offer a high quality, self contained, portable mixing console for 4 track recording with all of the features desired by location film sound recordists at a price lower than the Cooper and Sonosax mixers. They obviously did a lot of homework by asking professionals what they would want in a mixer, and their goals were largely achieved.
An 8 input 4 output mixer whose introduction was well timed a couple of years after the 4 track Nagra D, the M8 is designed specifically for location film production. It meets the requirements of internal battery power with ten "D" cells that power this mixer for at least a full production day, and can take external power on a standard 4 pin XLR. The physical profile is kept very low by extending the front surface beyond the bottom of the 83mm P&G fader travel, which also gives a nice place to rest your wrists while mixing. This "wrist rest" is a windfall of its economical non-modular top panel, which is well protected with a reverse printed Lexan overlay.
Starting at the back panel input section, there are the expected XLR inputs, plus direct outs and insert jacks on 1/4″ tip-rig-sleeve connectors. Other features include 3 band EQ with sweeping mid range, 2 AUX sends (pre or post), T or 48Vph power, input limiters with controls for ratio, threshold, and bypass, remote roll switch.
Two additional features which are a combination unique in portable mixers and very much appreciated by the location professional, are: 4 separate monitor mixes labeled Mixer, Boom 1, Boom 2, and Director, and stereo cue speakers flush mounted right on the chassis. Each monitor mix bus has independent assign switches to dictate what does and does not go to the intended listener. The only mixer in this list with integral cue speakers, they are a major convenience for recordists who, when cabled away from the film set, allow them to stay in touch without wearing their headphones.
2-way off-line communication with the boom operator is well thought out and easy to use. Each boom operator has their own talkback input on the console, which has preamp for mic level signals. The recordist selects either or both boom operators to listen to and has separate level controls for talkback signal.
The all-important tape return monitoring is accomplished via 4 simple push buttons for tracks 1, 2, 3 & 4. Even when recording only 2 tracks, a 2 track backup recorder is often used, and this system allows confidence monitoring and playback of the back up machine as well.
The most comprehensive metering of any of the mixers on this list, the M8 has three stereo LCD bar meters, allowing six busses to be monitored at once.
With clean, logical, layout, 4 track recorder-ready, noise specs of -128.5dBu, the most self contained utility features of any other analog mixer in this list, and a very competitive price, the PSC M8 is definitely one to consider.
Cameo, by Zaxcom (www.zaxcom.com)
And now, for something completely different. The Cameo ($11,400) by Zaxcom, the same company that blazed the portable hard disk trail to the film production world with their Deva recorder, is the first portable 24 bit digital mixer built for location film sound production. At first glance, it resembles the other mixers in its class: Input trim and gain switches, Penny & Giles vertical faders… But a closer look will tell you it's very different. For instance, there are no master faders. There are no EQ knobs on the inputs. And, what the hey… Yipes! There's a mouse! But possibly the most distinctive part of this mixer is the glowing display that is, among 30 other things, a peak meter for all 8 inputs and their limiters, all 6 mix busses, and both AUX busses. Construction is economically simple but adequate, with a non-modular top panel with reverse-print Lexan overlay labeling that will last forever.
Briefly, the Cameo has 8 mic/line inputs with T and 48ph mic power, 6 main outputs, 2 AUX outputs, and 2 "COM" outputs for Boom, Director, or whoever. The inputs can be a combination of analog or digital signals, and all 6 mix buss outputs plus the 2 AUX outputs are available in digital and analog at the same time. There are no master faders because, well, who needs them? Sure there is the odd occasion, but during a film production the masters always remain wide open anyway, so: no masters. There are a total of 3 EQ knobs for all 8 inputs because, being a digital mixer, knobs can control the EQ of whichever inputs the microprocessor tells them to. The mouse is there for the same reason it's found with nearly every computer used today: It saves time and effort.
Starting at the top of the input module, the user selects digital or analog input, then a toggle switch selects the input level which is fine tuned with the input gain trim knob. Next, there is a bank of switches to assign the input to any combination of the 6 main outputs. These switches have a center position that routes the input signal to a knob just below the switches labeled "Variable", for sending different levels to the mix busses chosen. The "Variable" knob can also be selected to function as a PAN pot. Below this knob is a group of switches for phase, EQ on/off, compressor limiter on/off, 2 notch filters, low cut, and PFL. At the bottom is the P&G fader.
The display has eight screens to choose from. The main screen (home) is mostly used for level indicators displayed as high-resolution vertical meter bars. On the top of the screen are meters for the 8 inputs, which is very useful in taking the guesswork out of optimizing the input trim. If the phase reverse switch is selected, an obvious "X" appears on meter for that input (very cool). Next to each input meter is a shorter meter that shows compressor/limiter gain reduction. Below the input meters are larger meters for the 6 main mix busses and 2 AUX busses.
As mentioned earlier, there are only 3 EQ knobs (High, Mid, and Low) on the entire board. Here's how they operate: Pressing the EQ button on the input needing adjustment causes the EQ knobs to affect that input. Press the EQ button again, and the screen changes to a spectrum analyzer which displays the EQ curve. In this display (here's where the mouse starts to come in handy) the frequency, width, and type of EQ (shelf/peak) can be selected and manipulated, as well as the parameters of the low cut and notch filters. As if that's not enough, 5 presets can be stored for each input. Hit the EQ button again to return to the HOME screen.
Pressing the AUX button on any input changes the screen to a matrix that displays all of the signal routing which shows, at a glance, exactly which input is assigned to which output. Supplementing the "hard" input assignment switches on the top panel, additional routing is done through this screen by clicking on the matrix display with the mouse. With the click of the mouse, the inputs, Tone, Slate, AUX IN, and Talkback are assigned are assigned to (or removed from) all 6 main outputs, as well as to the Boom, Com, AUX 1 and AUX 2 outputs. For once it is easy to take the tone away from anyone (everyone) who doesn't want to here it.
To list all of the Cameo's signal routing and processing possibilities would take up too much space here, but suffice it to say that it is extremely versatile and the display allows it to be easily managed.
A unique feature of the Cameo that could exist only on a digital console is its Delay feature, which gives the user the ability to delay any input in increments of meters, feet, or samples. I have only used this mixer on two different productions, but, to my surprise, I have found an interesting and very useful way to use the delay on both of them. Often, because of either a wide shot, lighting, or high ambience, it is impossible to use the preferred boom mic, so a lavaliere must be used. The problem is the lav's close sounding perspective may not jive with the camera's picture. The remedy often used is to mix in a distant boom mic to add ambience or "fill", but the problem with that is the difference in microphone distances causes slap-back or irritating phase cancellation. Using the Cameo, I found that I could delay the close lavaliere by the difference in distance between the ambient boom mic and the lavaliere, time-aligning the two signals well enough to mix them together without the phasing problems. I was able to very closely approximate the sound of a single boom mic being used.
There are plenty of situations involving multiple mics and multiple actors that the delay tool would not be helpful, but so far, I'm two for two on productions when it was very beneficial. In my opinion, the delay feature is a revolutionary tool for location mixers that will really catch on as more Cameos are used.
The Cameo works very well with digital as well as analog location recorders, but it was certainly designed with Zaxcom's Deva recorder in mind. There is a port dedicated for direct interface with the Deva's 422 port for remote roll functions, metering, and return monitoring. The Cameo even has a text entry screen that allows scene, take, and title information to be recorded along with the Deva's program material.
Other features of the Cameo: Fully variable compressor limiters for each input, with five storable presets. Direct digital outs for feeding, for instance, a DA-98. Off line communication to Boom operator and two others. Tape return connections for digital and analog recorders, switching from one to the other.
Because it is a digital mixer, it can always be considered a work in progress, and improvements can be made, functions can be tweaked, and features can be added without changing any of the hardware. Zaxcom has already made some adjustments and added some features suggested by Cameo users. Just pop in a new EPROM, and viola – your mixer has new abilities.
So, the Cameo is very different, just like our standard technology once was. Since more than adequate audio quality has been achieved by every mixer in this list (all within a couple of dB), the race now is for features and signal routing, and microprocessor driven digital mixers do not have the limitation of analog mixers. Assuming that reliability is adequate, sooner or later Cameo's digital format is what we can expect the future to be in mixers to come.
When I was a kid I would tell people, "When I grow up I want to own a Nagra recorder and be a Location Sound Mixer, if my grades are good enough".
Back then you could use any recorder you wanted, as long as it was a Nagra III — there was only one choice. But that's no longer the case with location mixing consoles today. As indicated in this list, there are a number of very good ones to choose from, and all are valid as professional tools. Budget, technical requirements, portability, etc, can be figured in to the decision making process. Fortunately, we have the option of choosing one that fits us just right.
— Glen Trew
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Yesterday (26th February) was the centenary of the what is reckoned to be the first ever commercial jazz recording: Livery Stable Blues by the Original Dixieland Jass Band (they had to change 'Jass' to 'Jazz' because naughty children kept scratching the 'J' out on their posters!). Continue reading "Salonika … and all that jazz!"
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How the troops entertained themselves in Macedonia, 1917-1918.
The Sound of Christmas, 1916
A traditional Greek tune used in 'Aladdin in Macedonia', first performed in 1916 by 85th Field Ambulance at the Kopriva Palace Theatre in the Struma Valley. Continue reading "The Sound of Christmas, 1916"
Christmas 1916 : Aladdin in Macedonia
A pantomime in two acts, given by members of the 85th Field Ambulance to the 28th Division, Christmas 1916 in the Struma Valley. Continue reading "Christmas 1916 : Aladdin in Macedonia"

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wikiHow to Prepare for a Shooting Event
Two Methods:PublicHomeCommunity Q&A
A shooting can happen anywhere, a mall, down the street. Or even more scaring, in your own home.
1Wear a long sleeved jacket and some sweat pants.
2If you hear a gunshot, quickly make an escape route or just fall flat.
3Shut up, if you be quiet you are less likely to be heard by the shooter.
4Close your eyes and try to hold your breath, this will make it seem as if you're dead (note: do this if you are flat on the ground)
5If you decide to escape, take a safe route. Try to be as quiet as you can and walk behind heavy items, If no heavy items are in sight, just try to get away from the shooter.
6If you have a cellphone, Be ready to call 9-1-1.
7The police should come and take care of everything, tell them all you know about the shooting. DO NOT say that you are not the Shooter because it will seem suspicious.
1Have some kind of security system, and a plan to escape if a robber, or a shooter enters your home.
2Don't hesitate to call 9-1-1, just remember that some robbers or shooters can buy a phone jam for under 100$.
3If you get caught by the shooter, Shut up and let him cuff you. While hes not looking you can pick the lock to the cuffs,
4If he has a knife, Grab his knife and throw it. Then tackle him down and press on his throat.
5This scenario can be frightening, but remember what to do and keep calm.
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What if the shooter is after you?wikiHow ContributorCover your head, run for cover, and try to shake them off.
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- If you know the shooter, you can try to talk him out of it. But remember, He has a gun (or other weapon).
- If you are trapped on a higher level of your building and unable to get out of the room, create a distraction then as quick as you can, Then duck and roll carefully out a window.
- This is not likely to happen.
- Don't try to get personal belongings, your life matters more.
- If someone is hurt by a bullet or a knife, etc. Don't help them. Your life is more important, This does not go for children, infants, babies, or toddlers. But if you think you have time and if they are important, try to help them as best as you can and maybe even bring them along.
- If the shooter kills someone, accept it. No one can live forever,
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Bucks' Bogut to miss at least eight weeks
Now, it�s Andrew Bogut.
The Milwaukee Bucks were battered with another wave of devastating news Wednesday when they learned that Bogut would be lost for a minimum of eight weeks with an incomplete stress fracture in his lower back.
Bogut�s injury is not being termed season-ending, but that possibility exists. He is scheduled to be re-evaluated at the end of March, when the Bucks will have seven games left in the season.
�I�m sick for Andrew,� Bucks coach Scott Skiles said Wednesday. �He�s put a lot of effort, focus and concentration into this season and is becoming a heck of a young center.�
Within a span of less than two weeks, the Bucks have lost two-fifths of their starting lineup and two marquee players. Redd suffered torn ligaments in his left knee on Jan. 24 against Sacramento, ending his season and leaving the Bucks without their leading scorer.
Bogut has struggled with back pain for more than a month and twice has tried to return to the lineup. He missed four games in early January before returning for three games, but the pain persisted and he sat out eight consecutive games before returning on Friday at Toronto.
He was limited to 16 minutes against the Raptors and again played 16 minutes on Saturday against Atlanta, and he contributed nicely as the Bucks won both games. But he could not shake the pain and did not make the trip to New Jersey earlier this week as the Bucks lost to the Nets, 99-85.
�We have nothing but the utmost respect for him,� Bucks general manager John Hammond said, �for his willingness to come out and play and fight through the pain.
�You knew just because it was Andrew, you knew there had to be something there. Where there�s smoke, there�s fire. And are Wednesday clinging to the eighth and final Eastern Conference playoff position by percentage points over New Jersey and by one game over the New York Knicks. But not too many experts will give them a chance to reach the post-season with both Redd and Bogut out of the lineup.
�The guys have worked incredibly hard and been competitive every night,� Skiles said. �We�re still in a position to do something.
�I�ll continue to do what I�ve done, go out and try to win games. You learn by winning.�
Bogut underwent a number of exams on Tuesday, including a bone scan. He will not have to undergo surgery but will rest and rehabilitate the injury over the eight-week period.
A stress fracture is described as a small sliver or crack in the bone caused by repeated traumas, and complete rest is normally prescribed to heal such an injury. The pounding and bumping that the 7-foot, 260-pound Bogut goes through on game nights are not conducive to recovery.
�We�ll see what happens in eight weeks and go from there,� Skiles said. �We don�t know what position we�ll be in at that point.
�We�re not going to do anything foolish at that point. There�s nobody anywhere saying anything about rushing him back.�
The Bucks are looking at both the short term and the long term as they continue through this season, and they certainly have Bogut�s present health and future career in mind.
Last summer, the 24-year-old Australian agreed to a five-year, $60 million contract extension that will begin with the 2009-�10 season.
�If we were going to err on any side with a player like Andrew, I think anyone would say, �Err on the side of caution,� � Hammond said of the No. 1 overall pick in the 2005 National Basketball Association draft.
But the general manager said the Bucks can�t engage in any �pity party� with Redd and Bogut out of the lineup. Charlie Villanueva and Ramon Sessions have stepped into the starting lineup and made huge contributions, and veteran forward Richard Jefferson gives the team a viable scoring option in Redd�s absence.
�It�s our responsibility to deal with it,� Hammond said. �No one is going to feel sorry for us. We don�t want to give ourselves any excuses, either.
�We don�t have any option but to continue to work and compete, from myself and our coaching staff to our players.�
Skiles said he didn�t anticipate making any dramatic lineup changes in the three remaining games before the league all-star break in mid-February. The Bucks will host Detroit on Saturday and Houston and Indiana next week before the break.
Veteran Francisco Elson has started the past three games at center, with Dan Gadzuric in reserve. Skiles also has made use of a small lineup featuring Villanueva at the center spot.
�We need a little bit more from everybody,� Skiles said. �That�s what you�ve got to do when key players go down. Each player needs to get one more rebound a game, one more assist.�
Bogut was averaging 11.7 points and 10.3 rebounds in 36 games, including 33 starts, and was playing 31.2 minutes per game. He ranked 11th in the league in rebounding and was one of 11 players to average double figures in both points and rebounds.
Hammond said his approach would be the same as it was when the Bucks lost Redd.
�It�s not like we have the ability to go out and acquire a 20-point scorer to replace Michael Redd,� Hammond said.
�And it�s not like we can go out and find a starting center to replace Andrew Bogut. That�s not realistic thinking. This doesn�t change our short-term or long-term thinking.�
Last updated: 9:43 am Thursday, December 13, 2012


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The Rangers farm system ranked as the best in game entering 2009, and it began bearing fruit immediately.
The major league team's young core returned it to contention sooner than expected. Texas was just two games out of the wild card and 4 1/2 back in the American League West as late as Sept. 9 before fading down the stretch, but that couldn't obscure a season of positive stories on the major and minor league diamonds.
Elvis Andrus stepped into the everyday shortstop job as a 20-year-old, delivering often spectacular defense and finishing second in American League rookie of the year voting. Julio Borbon added some speed on the bases and in the outfield when he became a regular over the final seven weeks of the season, while Neftali Feliz provided a spark out of the bullpen. Derek Holland and Tommy Hunter each settled into roles in the rotation.
The Rangers also got breakout seasons from young veterans Scott Feldman, who won a franchise-record 12 games on the road and 17 overall, and Nelson Cruz, who based a team-high 33 homers and made his first all-star team.
With improved pitching and defense, Texas ranked fourth in the AL in runs allowed, its best finish since 1983. That probably would have been good enough to make the playoffs had the offense been its usually productive itself. But after leading the league in scoring a year earlier, then getting productive seasons from infield mainstays Ian Kinsler and Michael Young, the Rangers placed seventh in the league in scoring, their worst finish in nine years.
The picture off the field wasn't as sunny, however, as owner Tom Hicks' financial problems essentially ceded fiscal control of the team to Major League Baseball. MLB extended a $15 million line of credit to the Rangers in the middle of the season, and the commissioner's office limited how high the club could go in its efforts to sign first-round pick Matt Purke. The team reportedly offered $4 million, which the righthander turned down to attend Texas Christian.
Three groups pursued efforts to buy the team in the offseason, and the Rangers selected a group led by Pennsylvania lawyer Chuck Greenberg to negotiate with exclusively. If that deal goes through, team president Nolan Ryan would remain in his role and would be a minority owner in the team, as would Hicks.
The new ownership will take over an organization loaded with young talent. Even after graduating Andrus, Borbon, Holland, Hunter and Taylor Teagarden to the majors last season, Texas still has one of the deepest systems in baseball.
No team has a more talented trio of prospects than the Rangers have in Feliz, who hasn't exhausted his rookie/prospect eligibility; first baseman Justin Smoak, who tore up Double-A in his first full season; and 18-year-old lefthander Martin Perez, who established himself as one of the top pitching prospects in the minors. Texas is flush with power arms throughout the system, though it's thinner in position players.
Texas tried to make up for losing Purke by adding righthander Tanner Scheppers in the supplemental first round of the draft. The Rangers also continued to spend money in Latin America, doling out seven-figure bonuses to switch-hitting shortstops Jurickson Profar and Luis Sardinas.
A.J. Preller, who had managed the productive international scouting department, was promoted in the fall to lead all of the club's scouting efforts. Kip Fagg, Josh Boyd and Mike Daly were promoted to direct the amateur, pro and international scouting departments, respectively. Former scouting director Ron Hopkins became a special assistant to the GM.
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Smart Meetings magazine, a meeting and conference magazine published for corporate and association meeting and business professionals, has awarded Kiawah Island Golf Resort their 2014 Smart Stars Award for best coastal hotel.
Smart Meeting's Smart Stars awards celebrate the best premier meetings hotels, resorts, cruise lines, event venues and convention and conference centers in North America. Gold-, silver-and bronze-medal winners are awarded in 25 categories that showcase how each property excels by featuring their many stand-out attributes.
Hopefully, Kiawah Island Golf Resort will be featured in their fall television special "Smart Destinations: the Best of 2014."
Best Coastal Hotel
Gold – Kiawah Island Golf Resort
Silver – The Ritz-Carlton, Half Moon Bay
Bronze – Resort at Pelican Hill


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RELATIVES of a Hampshire sailor missing at sea have been told that the search is being boosted by extra air support.
James Male's father and sister were back at the Foreign Office this afternoon to hear the lateast on the search efforts.
They were told that rescue crews desperately hunting for the 23-year-old from Romsey and his three crew mates in the Atlantic have yet to spot signs of their life raft - three days after resuming their search.
But relatives of the Cheeki Rafiki crew were told this afternoon that the operation - which has so far scoured 12,000 square miles of ocean - is being boosted by additional air support and seven aircraft.
And now relatives of the men said the operation was being boosted by additional air support and seven aircraft.
This includes three US military aircraft will join the search, alongside two Canadian planes, one from Britain and one from the US Coast Guard.
After today's meeting James' father Graham said: "It was a very constructive meeting, it really filled the families in with the detail.
''What we can say is the UK Government and the US Coast Guard are right behind us, which we're so grateful for.
"We know there's going to be some resources going out there. Of course it's a large area to cover. They are going to continue their support.''
Cressida Goslin, wife of Paul, added: ''We're very pleased, it's wonderful news. I don't think anybody could be doing anything more than they are.''
Hugh Robertson, minister for North America, said: ''The UK Government remains in constant contact with our US colleagues and I was able to update them on the continuing search.
''I'd like to thank the US Coastguard for their significant efforts thus far, and to assure everybody that the UK Government will continue to do everything possible to try and locate these missing yachtsmen.''
The sailors' families are also discussions with a crowd-sourcing initiative set up by a satellite company.
Tomnod, run by DigitalGlobe, allows people to view satellite photos online and tag objects of interest.
It was previously used following Typhoon Haiyan and the disappearance of Malaysian Airlines flight MH370.
Mr Warren's daughter, Laura Carpenter, said: ''It's a free website so you just sign up and then you can search images and you can tag if you see anything, then they send the co-ordinates to the coastguard or the yachts that are out there.''
The 40-ft vessel ran into difficulties when ot started taking on water 620 miles east of Cape Cod, Massachusetts, last Thursday.
While sailing back to Britain from an Antigua regatta.
The four men on board - experienced captain Andrew Bridge, 22, from Farnham in Surrey, and crew members James Male, Steve Warren, 52, from Bridgwater, Somerset, and Paul Goslin, 56, from West Camel, Somerset - have not been seen or heard from since the early hours of Friday morning.
The US Coastguard initially called off the search for the missing men on Sunday after spending two days hunting.
But they recommenced their efforts after pressure from the UK Government, families and an online petition which reached 233,142 signatures yesterday.


text: Aloha from Hawaii! I was diagnosed with Crohn's 6 years ago. I'm very active, and I have run two fundraiser races for CCFA. I'm studying nutrition in grad school, and I hope to one day help others with IBD as a Registered Dietitian. IBD is not quite as prevalent among Hawaiians as it is in other states. But there are still many students who suffer with Crohn's or Colitis here, and it would be great to raise the public awareness of IBD on the islands! I hope you will email me if you need a supportive fellow Crohnee. :)


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"To me, he was waiting for permission, ... It was okay. To see him not with the tubes and wires all over him. Just to know he's not suffering."
Related quotes
"Wise are they who have learned these truths: Trouble is temporary. Time is tonic. Tribulation is a test tube."
"UNIVAC: a device, which contained 20,000 vacuum tubes, occupied 1,500 square feet and weighed 40 tons; there was also a laptop version weighing 27 tons."
"Climbing K2 or floating the Grand Canyon in an inner tube. There are some things one would rather have done than do."


text: Mission-driven Innovation Upon seeing a photo of Micro Instrumentation and Telemetry Systems' (MITS) Altair 8800 in a 1975 issue of Popular Mechanics magazine, two young coders named Paul Allen and Bill Gates offered to write software for the machine. The program became Altair-Basic and, as a result, Microsoft was born. Quick refresher: Altair-Basic was the… Read more »


text: reassign 527058 xserver-xorg-core 2:1.4.2-10.lenny1 tag 527058 lenny help kthxbye On Tue, May 5, 2009 at 13:12:45 +0200, Martin Lemmen wrote: > X does not start, upon trying it states: > " Fatal server error: > Cannot run in framebuffer mode. Please specify BusIDs for all ramebuffer devices" > > see also this thread on debian-sparc mailing list, seems to describe a related problem: > http://lists.debian.org/debian-sparc/2009/04/msg00018.html > > In my case the box in question is a Sparc with it's native grafics card, in the case mentioned above the grafics card is a Creator 3D, making this a > not hardware specific problem. > This was introduced by the patch trying to unbreak PCI sparc stuff in lenny r1, and apparently broke fb based configurations. yay. Cheers, Julien


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Us Coptic Christians worried about Egyptian riots
Coptic Christians in US alarmed at deadly riots in Egypt
Islamic authorities provide counseling to Muslims after attending Methodist Church dinner
Malaysia Muslims get counseling after church meet
Christian movie "Courageous" in top 10 at box office
Christian police drama in top 10 for second weekend
Pope urges southern Italian residents to care for eachother
Pope denounces "inhuman" mafia in southern Italy
< Colorado Sheriffs Fight Gun Magazine Limit In Court
Jul 10, 2013 06:23
Category: General News
Category: General News
Boston Bombing Suspect In Court Today
BOSTON (AP) — The surviving suspect in the Boston Marathon bombing will be arraigned in federal court in Boston today. Dzokhar Tsarnaev (joh-HAHR' tsahr-NEYE'-ehv) is charged with using a weapon of mass destruction in the blast that killed three people and wounded more than 260. Victims' families can view the proceedings in the main courtroom. The hearing is to be broadcast in an overflow courtroom for reporters.


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Won't Back Down means well, but is too preachy and simplistic to inspire any change. Maggie Gyllenhaal plays a young mother frustrated by her daughter's underperforming inner-city school. The teachers are lazy and principal unresponsive, and Gyllenhaal's character partners with Viola Davis' burned-out educator to rally the community behind their plan to revitalize the elementary school. Won't Back Down tackles issues better and more subtly explained by recent documentary Waiting for Superman, and is too content with its feel-good moralizing to give the other side a chance to respond. Gyllenhaal and Davis are too good for this Hallmark-light material, and Won't Back Down is a frustrating mishmash of ideas that manages only to further confuse the issues at hand.
Young mother Jamie Fitzpatrick (Gyllenhaal) works two jobs to support her daughter Malia (Emily Alyn Lind), who struggles with dyslexia and attends a crumbling elementary school in downtown Pittsburgh, where she is given little remedial assistance. Malia's teacher is awful - texting while the kids come to blows in the classroom - but is the highest paid due to seniority and tenure. Nona Alberts (Davis) is almost as bad. After years at the school, she is content to sit like a zombie as her class fails to grasp basic concepts. Jamie enters Malia into a lottery to win a spot at a charter school, which she doesn't receive, and notices Nona is also there for her son. Jamie eventually wears down the already weary Nona, and the pair contacts the local board of education about fixing the school. This requires creating a complex instructional plan and getting support from parents and teachers, most of whom are afraid to sign on and lose their union-protected jobs.
As Waiting for Superman showed, there are some real problems with the country's poorest public schools. Lousy teachers, crumbling buildings, unmotivated kids and unending bureaucracy all contribute to the cause. Won't Back Down's fatal mistake is taking an overly simplistic view that nearly everything and everyone involved with these schools is evil. The film's primary target? Teachers' unions. We don't really have these in the South, but I suspect that union leaders don't meet in Dr. Evil-esque conspiratory meetings to make the lives of parents and teachers as miserable as possible. Won't Back Down actually makes union heads, including Holly Hunter's is-she-or-isn't-she-a-bitch Evelyn Riske, into smirking villains. Sure, crappy teachers with tenure sometimes keep their jobs, but Won't Back Down makes it seem like every. single. union. teacher. is incompetent.
I'm both an advocate and a product of public schools, but Won't Back Down's criticisms are too blunt to make a proper analysis worthwhile. Why does Jamie not contact the board with her concerns before going rogue? And why does she not insist Malia receive an Individualized Education Plan noting her disability so Malia can receive benefits and proper instruction? Supporting characters are cardboard at best, including music teacher Michael Perry (Oscar Isaac), who dates Jamie and gets upset over her constant union bashing. Rosie Perez plays another, semi-decent teacher at the school who is upset when Nona doesn't tell her about the plan.
Won't Back Down is the second movie I've watched this week that made me want to throw things at the screen (The first is Compliance). Won't Back Down is completely unhinged from reality. People simply don't behave in the way this smug little movie thinks they do. The threat of losing a job is a big motivator for lazy public servants, but the men and women who oppose Jamie are downright nasty. How is it that six out of seven members of the board of education act like petulant children? And I half expected Malia's teacher to haul off and punch Jamie, since her behavior is only one step below that level of crazy. Perhaps I'm being too harsh here, but just because a movie means well doesn't excuse it from being called on its bullshit.
The 2.35:1/1080p/AVC-encoded image is solid, with sparkling colors and good detail. Sharpness and clarity are good, and skin tones are natural. There's a bit of black crush in early scenes, but things improve as the film moves forward. The image retains some light, film-like grain, and I noticed no edge enhancement.
The 5.1 DTS-HD Master Audio soundtrack is largely front-loaded, but appropriate for this dialogue-driven film. Some ambient effects, like crowd noise, drift into the surround speakers, but the rears and subwoofer are rarely called upon for combat duty. A Descriptive English 5.1 Dolby Digital track and Spanish and French 5.1 Dolby Digital tracks are also available, as are English SDH and Spanish subtitles.
This single-disc release comes in a Blu-ray eco-case. An insert with a code to redeem an UltraViolet digital copy is provided. The Audio Commentary by Director Daniel Barnz includes a lot of back patting for the cast and crew. Barnz does, however, seem very sincere in his remarks about the film's themes, and one wishes this sincerity would have better translated to the screen. The Deleted Scenes with Optional Director Commentary (8:42/HD) are largely superfluous, as are two fluffy featurettes, A Tribute to Teachers (3:47/HD) and The Importance of Education (5:14/HD). The disc also includes the film's theatrical trailer (2:26/HD).
Won't Back Down really struck a nerve with me, and not in a good way. Well meaning but shortsighted, the film tackles the failings of our nation's public education system. Maggie Gyllenhaal and Viola Davis team up to revitalize a crappy inner-city school, and Won't Back Down gets in cheap shots at everything from teachers' unions to core curriculum. The film makes every opposing character and organization nefarious, and these players act with such malice and stupidity that the film borders on parody. Skip It.
William lives in Burlington, North Carolina, and looks forward to a Friday-afternoon matinee.


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When my husband and I started dating, he had no idea that I had credit card debt. He, fortunately, did not have any debt. In fairness to myself, I was working hard to pay off that debt. But as the years passed (six to be exact) and we neared our wedding day, I somehow still had credit card debt! He still did not. I believe I had at least a few thousand dollars on the cards at the time of our wedding. I was lucky in that my new husband wasn't deterred by my spending problem. Although I know he wasn't thrilled with it either. I say that I'm lucky because money problems are one of the biggest relationship crushers out there but we muddled through to that golden moment of debt-freeness. Couples and credit cards can mix as long as both parties are willing to communicate. So before you get too involved or if you are already with your partner for the long haul, you should really ask yourself and your loved one these basic but somehow much overlooked questions about their credit card habits. Continue reading
Author: TESOL Lifestyle
Mini-Retirement Know-How For ESL Teachers
Mini-retirements are all the rage within certain circles. After reading quite a few posts on this topic, my husband and I decided to pursue this seemingly untouchable dream. During that time we discovered just how enjoyable not going to work is, but before we left we had to plan like crazy. We want to share with you some mini-retirement know-how for ESL teachers before you take that first step on the plane to your desired destination. Continue reading
10 Things That Slow Down Your Progress To Financial Independence
Thinking about and putting into action ways to pay off debt, save money, and invest come naturally to those who are bent on bettering their financial situation. We tend to think if I do such and such then I will accelerate my savings by this or that amount. Perhaps by looking at what holds us back from accomplishing our financial goals, we can start to recognize what our weaknesses are and work on strengthening those weaknesses. Let's look at 10 things that slow down your progress to financial independence. Continue reading
Best Times To Teach ESL Abroad
After a friend of mine mentioned that she is considering making a move abroad to teach ESL, I immediately wanted to hear all about her plans. I have a tendency to live vicariously through others in this aspect even though I trot the globe enough myself. But what came up in our conversation piqued my curiosity. Over the years I have had to ask the same question time and time again. What are the best times during the year to start teaching ESL abroad in any given country? So I figured what better way to do this than Continue reading
How 2 ESL Teachers Made $1000 Using Airbnb
Having strangers sleep in your bed is a good way to make some extra money. Of course, you don't actually have to be in bed when they are sleeping there. In fact, you really shouldn't be in your bed at all when they are there. Let me explain. When you sign up as an Airbnb host, you are allowing guests to stay in your place for a fee. My husband and I decided to give it a try at our last apartment and our hosting experience turned out surprisingly well. I can't wait to tell you how 2 ESL teachers made $1000 using Airbnb with the hopes that you, too, can do the same. Continue reading


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Here is a picture of a quilt, I got from my long arm machine quilting lady friend. I'm not sure if I have posted this quilt top or not. I've posted pictures, but kind of loose track sometimes..Heres another little comment. I asked my lady friend what she would charge me to do 4 of those BQ2 quilts. She told me to make her 30 quilt blocks, and she would do them for FREE.. I'm for that, but I mentioned to her do 3, and let me pay for 1 of them. Anyhow, she'll think about that, and did mention, (if she does) it would only cost me $25.00, for the 1, and 3 for free..Ive got a quilt top, done, except for 6 more blocks, and she said she'll takeit for the 30 blocks exchange.. Pattern is called "Winchester Cathedral", from a book by, Judy Martins-Ultimate Book of Quilt Block Patterns. Every take care, and happy quilting. Don-isewman
A close up view of 1 block..
A full view of the quilt/borders
A view of 4 blocks together


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Wilhelm Ferdinand von Stülpnagel
(10.07.1781 - 29.12.1839)
place of birth: Prenzlau
Preußen: General-Lieutenant
Ferdinand von Stülpnagel was a Prussian general officer and
Director of the General War Department in the Prussian War Ministry.
His son Wolf Louis Ferdinand von Stülpnagel commanded XIII. Army Corps
during the Franco-Prussian War of 1870-71, while
his grandson Ferdinand Wolf Konstantin von Stülpnagelwas commander of
V. Army Corps at the turn of the century.


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Published on October 13th, 2012 | by admin
Insider: DayMen's Ty Wivell on Costa Rica & Mexico Travel
As the national sales manager for DayMen's brands Lowepro, JOBY and Acme Made, Ty Wivell has plenty of experience working in the outdoor, travel and adventure industries. He has been working in the outdoor industry for nearly two decades, and has written numerous articles about his travels and two guidebooks, Discover Maine – A Guide to Hiking, Biking, and Paddling the Pine Tree State, and Passport to AMC's High Huts in the White Mountains of New Hampshire. In this exclusive interview, Wivell shares his expertise in Costa Rica and Mexico travel, and his plans for an upcoming trip to Ecuador.
What's one of your favorite experiences that you've had in Mexico? Do you have a favorite place to visit?
My favorite experience in Mexico was experiencing and photographing the Guelaguetza Festival in Oaxaca. The Oaxaca region is well-known for its vast, beautiful and diverse topography. My travels there included exploring the lush, white sand beaches of Huatulco National Park, the extraordinary ruins at Monte Alban (a World Heritage Site) and the fascinating petrified waterfalls at Hierve el Agua. But Oaxaca is equally regarded for its indigenous peoples and cultural diversity. Guelaguetza is an eighty year old festival, held on successive Mondays in July that draws communities from throughout the state to celebrate their respective cultural traditions through music, costume, food, song and dance. It is an incredibly colorful event, and irresistible for a photographer.
You've also visited Costa Rica; what do you like best about that destination, and what are some of your favorite experiences/places in Costa Rica?
Costa Rica is justly famous for its breathtaking landscape and diverse ecology. Virtually every modern traveler goes there to experience its extraordinary biodiversity.
Interestingly, my last trip there was spur of the moment. I found an incredible last-minute deal and made the decision to go the day before the flight! Fortunately, I had long since mapped out many places I dreamed of visiting in Costa Rica, as well as the flora and fauna I hoped to see.
My journey encompassed much of the country's Western region, including visits to the Monteverde Cloud Forest Reserve and Manuel Antonio National Park. The cloud forest was particularly fascinating. We were lucky enough to see an amazing array of plants and animals including beautiful orchids, three-toed sloths, capuchin monkeys and the elusive Resplendant Quetzal.
The most interesting experience was a night tour of the cloud forest canopy, when many of Monteverde's animals are most active. There's nothing quite like being in a remote, wild region after dark with nothing but a flashlight in hand pointed skyward and a pair of large, unknown eyes staring back at you!
For outdoor enthusiasts, how do you compare Mexico to Costa Rica? Are there certain types of travelers that you think each place is most ideal for?
Both countries are ideal for outdoor adventure travelers. Mexico's incredibly diverse topography draws everyone from kite boarders in Baja to mountaineers scaling its 3,000M and 4,000M volcanic peaks. And, while Costa Rica is essentially known for ecological exploration, it also draws surfers from around the world to both of its beautiful coasts.
Personally, I found Mexico to be more culturally authentic, which is ironic given its proximity to the U.S. In terms of Costa Rica's outdoor exploration and adventure, there are endless possibilities. I'm particularly interested in returning to Costa Rica to explore the more remote regions of Guanacaste. And I've always wanted to explore the remote biosphere reserves in Mexico, especially Calakmul in the Yucatan Peninsula and the Monarch Butterfly Biosphere Reserve in Central Mexico. The latter is home to nearly one billion butterflies (as many as sixty million per hectare!), including the wintering Monarchs who inhabit the area between October and March.
While it's relatively easy to prepare a trip to each country within the confines of a programmed tourist outfit, my preferred means of travel is more independent and spontaneous. If it's "off the map," my sense of adventure kicks in which can be exciting but not always safe. Ironically of the two countries, my closest call to danger was an attempted robbery outside of San Jose in broad daylight. ¡Pura Vida!
I understand you're planning a trip to Ecuador. Where will you be headed and what made you decide on Ecuador?
Yes, I am planning to travel to Ecuador in early 2013. It is my first visit, and the result of an invitation by well-traveled relatives who work in the diplomatic community and will be based in Quito for the next year.
Of course I jumped at the opportunity to visit and explore Ecuador. It is a fascinating country and a gateway to incredible places for the adventurer and explorer. Naturally, the Galapagos Islands are high on the list, but Ecuador has mountains, cloud forests and an attractive coastline too. I'm also interested in exploring San Francisco de Quito, which — at 9,350 feet — is the highest capital in the world, and a UNESCO World Cultural Heritage Site.
You work for a company that specializes in gear made for travelers, photographers and adventurers. Since you obviously have an "insider's" perspective on gear, how does your work affect the way you pack?
My travels frequently involve packing a lot of specialized gear and equipment, whether I'm photographing, climbing, exploring or traveling for work. Efficient organization and the flexibility to reduce to essentials is an absolute necessity. As a result, I rely on technical, lightweight, multipurpose gear whenever I can.
The core of my luggage is always a backpack; a reliable, quality mid-size backpack (30L to 50L) provides me with the best means of modifying my load for various adventures. And it allows me to carry and access my most valued possessions as securely as possible. I also usually carry a 'pack within a pack' so I can lighten the load when necessary, or quickly reorganize to adapt to changing circumstances. At Lowepro we just released the new Rover Pro AW series, which are among the most technical backpacks we've ever made and perfectly aligned with my preferred means of travel. The Rover Pro 35AW and Rover Pro 45AW are innovative, modular backpacks designed to carry a professional DSLR plus lenses, camera accessories, hydration reservoir and camping supplies – a perfect fit to protect my gear in the backcountry.
Which of your company's products do you personally always make sure to pack?
I've been using Lowepro products for nearly 20 years. When I joined the company in 2011, I counted seven packs and bags among the Lowepro gear I already owned. Everything from my Lowepro Top Loader Pro 70AW to carry on my chest during ski, alpine and mountaineering excursions to my DryZone 200AW which is essential to protecting my camera gear in waterborne canoe and kayak excursions.
I often carry the Lowepro Photo Sport 200 AW – it's a versatile ultra-lightweight pack designed for an outdoor/adventure photographer's core camera kit (DSLR, 3 lenses + accessories), plus plenty of extra room for personal items. I also never travel without my JOBY Focus Tripod with Ballhead. It's an extremely adaptable and lightweight camera tripod that allows me to take a professional-level tripod into environments where a full-size tripod would be cumbersome or impossible to carry.
To protect my laptop on the go, I use the attractive Acme Made Skinny Sleeve which is both protective and flexible – exactly the qualities I look for to support my adventure travels.
• Join the fun. Become a fan of LatinFlyer & Mundera Media!


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Body Contour- Jan Martini Event
LightRx ·
Grab some friends and join us for an Open House Event featuring Jan Marini Skin Research, a recognized leader in skin care September 20-22nd. Start loving your skin today!
Plus, TREAT2COMPLETE: total body transformation -without surgery! We will customize a treatment plan just for you that combines 2 or more services for Lipo results without surgery. What's not to love?! Check LightRx.com for date and location in your area.


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This product is no longer available.
You can try these similar gifts instead.
Roxy Kids Keep Close Satchel Handbag
This handbag screams style and sophistication. Perfect for the chic gal in your life, the satchel handbag is constructed of faux leather and features a roomy main compartment with zip closure.


text: Photos by the author. We've said it before and we'll say it again: You never know just what you'll find at Import Carlisle. This popular annual event in central Pennsylvania attracts a surprising number of Swedish cars and their enthusiast owners, and some Volvo drivers are not af ... Read more


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I knew as soon as I released the previous version of the Editable Invoice that using some JavaScript to spiff it up would be a good idea. I was thinking of doing a screencast on it perhaps, but then multiple people stepped up and starting doing it themselves! Everyone did a great job, but ultimately the version I'm releasing as version 2 is by Vinh Pham.
New features:
- Inserts todays date automatically
- Few extra things are editable, like "invoice" title and "terms"
- Does the math automatically when you change quantities and amounts
- Add and remove rows of items
- Edit the logo by providing a URL path to a new logo
- Rollover colors for the textareas to indicate editability
- Print stylesheet to eliminate extra functionality bits from printing
Big thanks to Vinh, who says:
If interested, you can learn more about: online invoices and bookkeeping.


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Most of us are having a misconception that ISC syllabus is less competitive than any other board syllabus. Also ICSE students find it difficult to crack competitive exams such as IIT-JEE, AIIMS, CPMT and others. But chief executive officer and secretary of the CISCE (Council of the Indian School Certificate Examination) clarified these misbelieves of students at the 25th Regional Conference of Association of Schools for the Indian School Certificate (ASISC).
He clarified that the Indian School Certificate (ISC) syllabus is at par with the other boards and a common curriculum has been designed for the entire country. Now the Class XII syllabus for all boards is same. The Council is also all set to introduce a new system where online affiliation could be granted to the schools. Also the examination fee would be decreased by over 50% from 2013.
Many have questioned about the belief why CBSE schools are more popular than ICSE schools. To this a school principal said that it is the mindset of people that the CBSE syllabus is easier than ICSE but now all boards have the same syllabus and the difficulty level is also the same. Another principal informed that this is not true and in fact students from ICSE schools have extremely good English.
It is our common belief that CBSE syllabus is competition based and its comprehensive evaluation system encourages more students to opt for CBSE schools. But the fact is till Class X the evaluation system remains same for all boards.
Source: Times of India
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text:
Benchmark shares indices ended marginally lower on Monday erasing the day's gains after global rating agency Standard & Poor's today said India may become the first BRIC country to lose the investment grade rating.
Further, the weakening rupee also weighed on investor sentiment.
(Updated at 14:14 hrs)
Markets have come off the intra-day high levels in the late noon deals on the back of some amount of selling pressure visible in the pharma and heavyweight stocks such as ONGC, Wipro and Jindal Steel. The Sensex is up 75 points at 16,793 and the 50-share Nifty is up 17 points at 5,085 levels. Earlier in the day, the Sensex touched the high of 16,893
The European markets are trading on a strong note after the Eurozone finance ministers decided to grant a 100 billion euro bailout to struggling Spanish banks. Following this development, Spain's IBEX index surged 3.6% to 6,785 levels. CAC40 index, DAX and FTSE 100 were also trading higher by 1.4-2% each.
The Asian markets also ended higher in trades today, the Hang Seng advanced 2.4% or 451 points at 18,954, Nikkei advanced 165 points to 8,624 and the Kospi ended higher by 31 points at 1,867 levels.
Back home, Tata Power is the top gainer among the Sensex stocks. The stock has advanced 4% to Rs 98 on report that the government will allow to raise tariffs by up to Re 1 per unit for power projects using imported coal to offset the effect of increase in fuel price due to additional taxes or changes in law by the governments of source countries. Shares of other power generation companies were also trading higher by 4% each.
Sterlite Industries also jumped 3.5% to Rs 104, extending its Friday's 3.5% gain on reports that a unit of the company has entered into a tripartite agreement with Larsen & Toubro and its partner Dubai Aluminium Company (Dubal) to buy them out from their aluminium venture in Odisha, called Raykal Aluminium.
Bajaj Auto, Gail (India), Coal India, HUL, HDFC Bank, ICICI Bank, Hindalco and NTPC are also among the gainers.
On the other hand, Cipla, ONGC, Dr Reddy's Lab, Sun Pharma, Hero MotoCorp, Wipro, Jindal Steel and L&T are among the notable laggards.
On the sectoral front, Consumer durable index is the top gainer, up 1.7% to 6,135 levels. Power, metal, realty, bankex and PSU indices are also up 0.8-1.7% each. At the same time, healthcare indiex is the only loser down 0.9% at 6,575.
The broader markets are outperforming the benchmark indices. The BSE mid-cap small-cap indices are up 0.8 and 1% each respectively.
The overall breadth is positive as 1,653 stocks are advancing while 976 are declining.


text:
For today's Viral Video of the Day, we're going to look at a few videos making the rounds from the television landscape.
First, we'll check out some outtakes with Jimmy Kimmel and Channing Tatum from their hit song, "(I Wanna) Channing All Over Your Tatum."
Second, we'll let comedian Bill Burr breakdown the whole Paula Deen situation.
Third, we'll cruise over to the Late Show with David Letterman and check out the Backstreet Boys delivering the Top 10 list.
And finally, we'll end with America's Got Talent and a sweet, innocent six-year-old singing an original song with her older brother backing her up on the drums.
Time for a viral video binge session! Catch up with some of Surfer Stephen's previous picks below:


text:
Wednesday, Sept. 1
Garrison Keillor's "A Prairie Home Companion" Summer Love Tour: 7:30 p.m., Trollwood Arts' Imagine Amphitheater, Moorhead. Doors open at 6:30 p.m. Tickets available at Tickets 300 and Atomic Coffee locations in Fargo-Moorhead; online at www.tickets300.com; or charge by phone at 701-205-3182.
Thursday, Sept. 2
Artist Reception: 4 to 6 p.m., Roland Dille Center for the Arts, Minnesota State University, Moorhead. Reception for the "Abstraction 100" exhibit on display now through Sept. 22. Info: 218-477-2126.
Artist Reception: 4 to 6 p.m., Memorial Union Gallery, North Dakota State University, Fargo. Reception for Eric A. Johnson's printmaking exhibit on display now through Oct. 2. Info: 701-231-8239.
Barbara Ehrenreich: 7 p.m., Festival Concert Hall, North Dakota State University. Journalist, historian, social critic and author discusses "Women, Economics and Poverty: On (not) Getting By in America." Free admission.
National Muffler's Cruisin' Broadway: 5 to 9 p.m., downtown Fargo. First 40 registered cruisers receive a commemorative dash plaque; parking starts after 4:30 p.m. T-shirts, cruiser registration and information at U.S. Bank Plaza. Info: 701-364-9867.
On Stage Alaska: 6:30 p.m., Ramada Plaza & Suites, 1635 42nd St. S., Fargo. A multi-media production showing the hospitality, history, scenic grandeur and wildlife of Alaska for anyone planning a vacation there. Free admission; registration required. Sponsored by Holland America Cruise Line and AAA Travel. Info: 701-282-6222.
Friday, Sept. 3
Western Minnesota Steam Threshers Reunion: 6 a.m. to 11 p.m., Rollag. Gates open daily at 6 a.m.; ladies' activities begin at 9 a.m. on Main Street. Parades at 10 a.m. and 2 p.m.; steam hammer demonstrations at 11 a.m., 1 p.m. and 5:30 p.m.; style show at 3 p.m. A day pass to the show grounds is $12; a season pass (all four days) is $20; and a camping season pass (the campgrounds open Thursday) is $35. Children age 12 and under are admitted free of charge. Full schedule available at www.rollag.com.
MercyMe: 7 p.m., First Assembly of God Church, 3401 25th St. S., Fargo. A concert to raise awareness of the homeless and hungry. Tickets are $20-$100. Info: 800-745-3000.
Saturday, Sept. 4
Western Minnesota Steam Threshers Reunion: 6 a.m. to 11 p.m., Rollag. See Friday's listing for details.
Ogema Days: 8 a.m. to 1 a.m. (Sunday), Ogema. A community rummage sale will kick off the celebration from 8 a.m. to 1 p.m., while the 5K Rod Run is slated to begin at 9 a.m. A parade down Main Street will start at 1 p.m. Kids games will take place at the park with a bean bag tournament at 4 p.m. The street dance runs from 9 p.m. to 1 a.m.
Snellman Days: 8:30 a.m. to 6 p.m., Snellman. Breakfast, flea market, classic car show, games, bingo, hand-weaving demonstrations and farmers market. Mayor drawing is at noon; karaoke is from 4 to 6 p.m.
Haining Family: 7 p.m., Northwoods Harvest Barn Cowboy Church, east of Detroit Lakes on Highway 34. The Haining Family showcases their unique blend of gospel, bluegrass, fiddle tunes, yodeling, instrumentals and three and four part vocal harmonies. Free-will offering.
Lakeside Quilt Show: 2 to 5 p.m., 30582 Baypoint Beach Road, Spirit Lake, Vergas (four miles west of Vergas on County Road 4). In case of bad weather, the show will be Sept. 5.
Sunday, Sept. 5
Western Minnesota Steam Threshers Reunion: 6 a.m. to 11 p.m., Rollag. See Friday's listing for details.
Ogema Days: A scavenger hunt and potluck dinner will start at 11 a.m.
Gaslight Anthem: 6:30 p.m., The Venue at the Hub, 2525 9th Ave. S., Fargo. All ages concert; admission $18 in advance, $20 day of show. Info: 701-232-6767.
Civilian Conservation Corps movie: 2 p.m., Tamarac National Wildlife Refuge, rural Detroit Lakes. Roosevelt's civilian conservation corps put more than three million young men in the nation's parks, forests, and farms. This film interweaves rich archival imagery with the personal accounts of CCC veterans to tell the story of the boldest New Deal experiments.
Monday, Sept. 6
Western Minnesota Steam Threshers Reunion: 6 a.m. to 6 p.m., Rollag. See Friday's listing for details.
The Entertainment Calendar appears weekly in both the Detroit Lakes Tribune and Becker County Record. Submissions, questions and corrections (labeled "Entertainment Calendar") may be sent by fax, 218-847-9409, by mail to Detroit Lakes Newspapers, 511 Washington Ave., P.O. Box 826, Detroit Lakes, MN 56502, or by e-mail to Vicki Gerdes at firstname.lastname@example.com.


text:
121213 Boys and Girls Club Holding Inaugural Craft Fair
- Published in Community Announcements
LACONIA — The Boys & Girls Club of the Lakes Region's First Annual Holiday Craft Fair and Bake Sale will be held at the Saint Andre Bessette Parish Hall on Gilford Avenue this Saturday from 9 a.m. to 2 p.m.
The event is made possible by the generous donation of the use of the facility by St. Andre Bessette Parish following the recent vandalism which damaged the Boys & Girls Club facility.
''Our club has received an outpouring of support from our community and New Hampshire artisans. We are thrilled to have such a diverse group of crafters to share their handcrafted items and homemade confections. There is something for everyone and a dose of good cheer with holiday music by Lakes Region musician, Bill Parker. We hope you will join us and shop local this year,'' says Dana L. Meade, Director of Arts & Media for the Boys & Girls Club of the Lakes Region.
All proceeds will be donated to the Capital Campaign at www.lakeskids.org for the benefit of the children of the Lakes Region.


text: Hey guys, well after searching for a split exhaust manifold for my 38 Pontiac without any joy as they are as rare as rocking horse shit, i decided to have a go at making my own. Now bear in mind, ive never tried this before and i have no special tooling, apart from the laser cut flanges this was all done using steam tubing and bends, hole saws, drill press, mig welder, 4" angle grinder, spirit level and some eye-chrometering to get it looking sweet. After making the exhaust manifold, i realised that the original intake would not fit, so a new intake was made also. Turned out pretty sweet for an ammatures first attempt, hope you enjoy the pics This is the original setup on the car at the moment. I borrowed a block and manifolds from an old digger who has a fully restored 38 and previously owned mine. I made cardboard templates for the flanges to be cut out of 10mm mild steel plate The assembly begins After the 1st half i got carried away and completed the whole manifold except the outlet flange and forgot to take progress pics I then started the intake........ ....and went with tripples!!!


text:
|Wed 8 Jun 2011, 2:00pm–4:00pm
|Thu 9 Jun 2011, 2:00pm–4:00pm
Additional fees may apply
German director Philip Gröning lived for six months with the Carthusian monks of the Grand Charteuse, a 17th century monastery in the picturesque French Alps. With no crew, and shooting only in natural light, he followed the renunciates on their daily rounds, capturing the languid flow of days filled with prayer, study and labour. There is no narration, no score, and except for the sounds of the passing days and seasons.
Also showing is "Prayer Silence Labour" a photographic exhibition, by Andrzej Nowakowski and others, showing daily life in the Polish hermitage and will transfer the viewer to the specific world of values and rules of the Camaldolese spiritual life.
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text:
31 december 2015
New Year's Eve
'Oliebollen' are a variety of dumpling made by using an ice-scooper or 2 spoons to scoop a certain amount of dough and dropping the dough into a deep fryer filled with hot oil. In this way a sphere-shaped oliebol emerges. They are traditionally eaten on New Year's Eve and at funfairs. In wintertime, they are also sold in the streets at mobile stalls. Oliebollen are usually served with powdered sugar. (from Wikipedia)
I wish you all a wonderful New Year's Eve!
Geplaatst door Marleen op 16:52 11 opmerkingen:
Labels: food and drink, home, tradition, winter
30 december 2015
Kiss and Ride
take and bring
A sign at the entrance of a primary school in Coevorden.
Linking to signs, signs.
Geplaatst door Marleen op 18:12 16 opmerkingen:
Labels: Coevorden, parking space, school, signs, transport
29 december 2015
The start of multitasking?
Geplaatst door Marleen op 18:34 4 opmerkingen:
28 december 2015
Knitted art
Doesn't this make you smile? :)
Geplaatst door Marleen op 15:52 10 opmerkingen:
27 december 2015
Geplaatst door Marleen op 13:44 8 opmerkingen:
26 december 2015
Ice carvings
Geplaatst door Marleen op 10:25 9 opmerkingen:
Labels: art, ice sculpture, sculpture, Zwolle
25 december 2015
It's Christmas!
Let's take a step back from our busy lives today and enjoy time with our loved ones. Best wishes to you!
Photo taken at the Saint & Angels Christmas Fair in Meeden.
Geplaatst door Marleen op 10:24 10 opmerkingen:
24 december 2015
Fijne Kerstdagen!
Merry Christmas!
Imagine there's no countries,
It isn't hard to do
Nothing to kill or die for
And no religion too
Imagine all the people
Living life in peace
You may say I'm a dreamer
But I'm not the only one
I hope some day you'll join us
And the world will be as one
It isn't hard to do
Nothing to kill or die for
And no religion too
Imagine all the people
Living life in peace
You may say I'm a dreamer
But I'm not the only one
I hope some day you'll join us
And the world will be as one
(From: 'Imagine' - John Lennon)
Geplaatst door Marleen op 10:24 10 opmerkingen:
Labels: Christmas, Christmas Fair, lights, Meeden, reflection
23 december 2015
Christmas #12 - window shopping
22 december 2015
Christmas #11 - beards!
Geplaatst door Marleen op 17:53 10 opmerkingen:
21 december 2015
Christmas #10 - the dinner table
Geplaatst door Marleen op 18:48 10 opmerkingen:
20 december 2015
Ice sculpture
Geplaatst door Marleen op 15:29 10 opmerkingen:
Labels: art, ice sculpture, sculpture, Zwolle
19 december 2015
Christmas #9 - red and white
Enjoy your weekend!
Geplaatst door Marleen op 09:56 10 opmerkingen:
18 december 2015
Christmas #8 - Groningen Christmas tree
The Grote Markt is the central square in the city of Groningen, with the Martinitoren or St Martin's Tower on the right. Note that 10,000 lights shine in this year's Christmas tree!
Shopping for Christmas in the Herestraat, earlier today.
Geplaatst door Marleen op 18:19 2 opmerkingen:
Labels: Christmas, Groningen, Martinitoren, plants and trees
17 december 2015
Christmas #7 - Bourtange shop
16 december 2015
Christmas #6 - Bourtange Christmas fair
Geplaatst door Marleen op 19:40 3 opmerkingen:
15 december 2015
"DAVID BOWIE is" in Groningen!
After London, Toronto, São Paulo, Berlin, Chicago, Paris and Melbourne, the next city is Groningen! Since last weekend the Groninger Museum hosts the famous exhibition "David Bowie is"! According to the museum's website (HERE) it is a stimulating multimedia experience that includes more than 300 objects from his personal archives. Bowie kept handwritten lyrics, original costumes, photographs, album (cover) designs and other rare material from the past 50 years.
Geplaatst door Marleen op 20:50 6 opmerkingen:
Labels: Groninger Museum, museum, music
14 december 2015
Christmas #5 - reindeer and santas
Photo taken yesterday at the Christmas Fair in Bourtange.
Geplaatst door Marleen op 18:31 12 opmerkingen:
13 december 2015
Christmas #4 - Christmas tree sale
In the background is the Mercuriusfontein (Mercury Fountain), dating from 1923 and created by the German sculpturor Gustav Adolf Bredow. The fountain symbols the prosperity of Leeuwarden and surroundings.
Geplaatst door Marleen op 14:01 6 opmerkingen:
Labels: Christmas, fountain, Leeuwarden, plants and trees, sculpture
12 december 2015
Christmas #3
Are you getting in a festive mood already? :)
I am linking to Weekend Reflections.
Geplaatst door Marleen op 17:00 9 opmerkingen:
Labels: Christmas, Christmas Fair, Meeden, reflection
11 december 2015
10 december 2015
Christmas #2 - Saints and Angels Christmas Fair
Geplaatst door Marleen op 19:56 10 opmerkingen:
9 december 2015
Charlotte van Pallandt (1898-1997). It is located on a beautiful (a bit hidden, surrounded by trees on 3 sides) location in the garden of Museum de Buitenplaats in Eelde. During my visit the sculpture was caught by the sun and I liked the Autumn-coloured background.
Another piece exactly like this can be found in front of Palace Noordeinde in The Hague, where I photographed and posted it on this blog in December 2012, please click HERE to see it.
Another piece exactly like this can be found in front of Palace Noordeinde in The Hague, where I photographed and posted it on this blog in December 2012, please click HERE to see it.
Geplaatst door Marleen op 18:31 9 opmerkingen:
Labels: Eelde, The Royal Family
8 december 2015
Christmas #1 - Saints and Angels Christmas Fair
Geplaatst door Marleen op 18:40 9 opmerkingen:
7 december 2015
Stained-glass windows
6 december 2015
'The Glasgow Boys' in the Drents Museum
Old Willie - The Village Worthy (1886)
Oil on canvas by James Guthrie
"For years Guthrie endeavoured to show rural life in large paintings depicting several figures. When this failed, he limited himself to a single figure in a landscape. In this work he went one step further, painting a local personality without any surroundings or props. The flat, white background focuses the viewer's attention on the weather-beaten face and direct gaze of the man posing for this portrait.
This painting is Guthrie's last naturalistic work and perhaps his best."
Geplaatst door Marleen op 10:13 10 opmerkingen:
Labels: art, Assen, Drents Museum, museum
5 december 2015
Ground squirrel
I'm linking to Saturday's Critters.
Geplaatst door Marleen op 10:30 24 opmerkingen:
4 december 2015
'Corporeal' in the Drents Museum
The heads on these photos are made of wood. I was impressed!
Geplaatst door Marleen op 19:17 7 opmerkingen:
Labels: art, Assen, Drents Museum, museum
2 december 2015
Mass path
During the Midwinter horn walk of last Sunday we passed the Ten Arloër kerkepad (Ten Arloër mass path), a very old pedestrian track leading from the hamlet Ten Arlo to the church and cemetery of Zuidwolde. Farmers were not allowed to herd their cattle along this mass path as it had to be accessible at all time for 'four men carrying a fifth'...
Geplaatst door Marleen op 21:35 8 opmerkingen:
1 december 2015
On the road
During our stay in Yellowstone Park a few months ago, we were very surprised to see a couple of motorbikes with Dutch license plates. They were far away from home!
All their destinations and mileages were written on one of the cases. Isn't that impressive! Unfortunately we did not meet the owners, it would have been nice to hear where they were going from there..
Geplaatst door Marleen op 20:44 9 opmerkingen:
Labels: USA, Yellowstone National Park
Abonneren op: Berichten (Atom)


text:
Optional decompositions under constraints
Motivated by a hedging problem in mathematical finance, El Karoui and Quenez [7] and Kramkov [14] have developed optional versions of the Doob-Meyer decomposition which hold simultaneously for all equivalent martingale measures. We investigate the general structure of such optional decompositions, both in additive and in multiplicative form, and under constraints corresponding to di_erent classes of equivalent measures. As an application, we extend results of Karatzas and Cvitanic [3] on hedging problems with constrained portfolios.
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Phone: +49-30-2093-5708
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Web page: http://www.wiwi.hu-berlin.de/
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References listed on IDEAS
Please report citation or reference errors to , or , if you are the registered author of the cited work, log in to your RePEc Author Service profile, click on "citations" and make appropriate adjustments.:
- H. Föllmer & Y.M. Kabanov, 1997.
"Optional decomposition and Lagrange multipliers,"
Finance and Stochastics,
Springer, vol. 2(1), pages 69-81.
- Föllmer, Hans & Kabanov, Jurij M., 1997. "Optional decomposition and lagrange multipliers," SFB 373 Discussion Papers 1997,54, Humboldt University of Berlin, Interdisciplinary Research Project 373: Quantification and Simulation of Economic Processes.
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text:
Phoenix Health Club launch with turnstiles from Centaman
A Centurion tripod turnstile and SwingGate from Centaman Entrance Control has recently been installed Phoenix Health Club in Sydney as part of their membership access control system.
Phoenix Health Club is a 600 sqm gym and part of the requirement was for the turnstiles to integrate with their Clubware membership system to provide automatic access control so only valid members gain access. A bar code reader was built in to the turnstile alongside a custom interface to sit between the turnstile and Clubware membership system. When a member scans their card at the turnstile it's checked in the Clubware database to see if it's a valid member and the right time. If so the Centurion Tripod turnstile lets in one person. A second lane made up of a swing gate is used for wide lane access to comply with the Disabilities Discrimination Act.
"Centaman Entrance Control's ability to provide as turnstile that could seamlessly link to our Clubware membership database was key to our decision making process of which turnstile supplier to use. Additionally they could get the turnstile here in half their normal lead time so it could be installed and up and running in time for our grand opening. Centaman Entrance Control where quick to understand our requirements and design us a solution that meet both our operational needs and budget" said David Ridden, one of the owners of Phoenix Health Club.
With more than 15 years of experience, Centaman Entrance Control is the industry expert in supplying, installing and maintaining entrance control solutions for the corporate, government, leisure, attractions, stadium, and retail industries.Learn more
Head Office
Centaman Entrance Control
7 Eden Park Drive
Macquarie Park, NSW, 2113
Phone: 02 9906 7...