text:
Manager: Aidan O'Brien v Louth: 10th March 2012 League: 2nd Division 3
2012 Championship: Beat Longford after a replay to reach Leinster semi-final, where Dublin eventually proved too strong. Lost to Tipperary in the Qualifiers.
Star Man: Redmond Barry Odds: 12/1
Verdict: Lost three from three in the O'Byrne Cup as Aidan O'Brien tried to run the rule over his new charges. Capable of mixing with the big guns on their day, but can be very inconsistent.


text:
Kenilworth Festival is all set for a makeover as organisers move events into the late summer and prepare to go all out and deliver the best programme yet.
The festival will now be held in September and include events such as music and arts days. Under the direction of a new committee chair, the new plans include chance for anyone to get involved and bring their ideas for the rebrand.
For more details or contact numbers visit www.kenilworthfestival.co.uk

subset: commoncrawl


text:
- Admissions
- Academics
- Research
- University Life
- Alumni
- About
Students are responsible for identifying implications for their progress and status at the university, including impact on financial aid, which results from any change in registration. Students are also responsible for verifying that all changes in registration are reflected in their degree audit report and other official student records.
Students may add or drop a course through the tenth business day of classes for the fall or spring, or the equivalent for a summer session or other non-standard session.
In addition to any course prerequisites and required authorizations, approvals are required for the following:
Students may withdraw from a course or from all courses up until the end of the tenth week of the semester or the equivalent for summer and other non-standard sessions unless they have been charged with a violation of the Academic Integrity Code. Some additional restrictions on course withdrawals may apply to particular academic programs, international students and athletes. Additional restrictions may also apply to courses used to satisfy the University Mathematics Requirement. When students withdraw before the tenth week of the semester or equivalent for other terms, a grade of "W" is entered for each course.
Students who want to drop or withdraw from all courses simultaneously must work with their academic advisor and file a Drop or Withdraw from All Classes Form. The date of the drop or withdrawal from all classes will be based on the last date of the attendance which must be provided by the instructors and included with the submission of the Drop or Withdraw from All Classes Form. If a student's last date of attendance is after the last day to drop a class and before the last day to withdraw from a class, the student will receive a "W" for each course. Such students may be eligible for a partial reimbursement. If a student leaves after the last day to withdraw from classes, the student will receive no reimbursement and should expect to receive failing grades for that semester. Discontinuation of attendance at a class or notification to the instructor is not sufficient to constitute an official drop or withdrawal from a course. Occupied university housing must be vacated promptly by students who drop or withdraw from all courses.
In the event a student encounters medical difficulties after the tenth week of the semester and wishes to withdraw from all courses or secure a reduced course load, the student must meet with the Office of the Dean Students to provide medical documentation. After meeting with the Dean of Students, the student must meet with the academic advisor to file a petition requesting withdrawal from all courses or reduction of course load and all affected instructors must be consulted during the routing of the petition. The Vice Provost for Undergraduate Studies or the Vice Provost of Graduate Studies makes the final decision for such withdrawals from all courses or reduced course loads. Students should provide medical documentation only to the Office of the Dean of Students. Students must petition the Office of the Dean of Students to take a medical temporary leave, to return from a Medical Temporary Leave or to return from a semester during which they withdrew from all courses or received a reduced load that was approved for medical reasons. The Office of the Dean of Students will provide verification to the academic unit when the student is ready to resume studies at the university.
Students may change grade type options (A-F or Pass/Fail) through the tenth week of classes for the fall or spring, or the equivalent for a summer session or other non-standard sessions.
Changing grade type is not permitted for courses that require a specific grade type, such as Pass/Fail only. Students are responsible for verifying that such changes are reflected in their official student record.
Please refer to the Academic Calendar for registration deadlines.


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Warren, P., Davies, J. and Simperl, E. (eds.) (2011) Context and Semantics in Knowledge Management, London, GB, Springer, 337pp.
Al-Mahrubi, Ali, Correndo, Gianluca, Glaser, Hugh, Grieze, Augustinas, Lynch, Stephen, Millard, Ian C., Munyadzwe, Emmanuel, Omitola, Tope, Popov, Igor, Richardson, Darren P., Salvadores, Manuel, Smith, Daniel Alexander, Van Kleek, Max, Yang, Yang, schraefel, m.c., Hall, Wendy, Berners-Lee, Tim and Shadbolt, Nigel (2011) http://dayta.me - A personal news + data recommender for your day At LISC 2011: 1st International Workshop on Linked Science 2011, Germany. 24 Oct 2011.
Alahmari, Saad, De Roure, David and Zaluska, Ed (2011) Metrics for Measuring Service Operations Granularity At The 5th Saudi International Conference - SIC 2011, United Kingdom. 23 - 26 Jun 2011.
Alahmari, Saad, Zaluska, Ed and De Roure, David (2011) A Metrics Framework for Evaluating SOA Service Granularity At The 8th IEEE 2011 International Conference on Services Computing (SCC 2011), United States. 04 - 09 Jul 2011.
Aljohani, Naif, Alahmari, Saad and Aseere, Ali (2011) An Organized Collaborative Work Using Twitter in Flood Disaster At ACM Web Science 2011, Germany. 14 - 17 Jun 2011.
Aljohani, Naif and Davis, Hugh (2011) Significance of Semantic Web in Facilitating HCI in Mobile and Ubiquitous Learning At The Fifth International Conference on Mobile Ubiquitous Computing, Systems, Services and Technologies-UBICOMM 2011, Portugal. 20 - 25 Nov 2011.
Aljohani, Naif, Davis, Hugh and Tiropanis, Thanassis (2011) Comparison Between Mobile and Ubiquitous Learning From The Prospective Of Human-Computer Interaction At 10th World Conference on Mobile and Contextual Learning- mLearn 2011, China. 18 - 21 Oct 2011.
Aljohani, Naif, Davis, Hugh and Tiropanis, Thanassis (2011) HCI as a Differentiator Between Mobile and Ubiquitous Learning At Fifth International Conference on Next Generation Mobile Applications, Services and Technologies (NGMAST), United Kingdom. 14 - 16 Sep 2011.
Almohimeed, Abdulaziz, Wald, M. and Damper, R.I. (2011) Arabic Text to Arabic Sign Language Translation System for the Deaf and Hearing-Impaired Community At EMNLP 2011: The Second Workshop on Speech and Language Processing for Assistive Technologies (SLPAT), United Kingdom. , pp. 101-109.
Alotaibi, Sara, Wald, Mike and Argles, David (2011) A New Model for Accessing Distributed Systems by Using Fingerprint as a Password At The 5th Saudi International Conference - SIC 2011, United Kingdom. 23 - 26 Jun 2011.
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Alotaibi, Sara Jeza, Wald, Dr. Mike and Argles, Dr. David (2011) Using Fingerprint Recognition in a New Security Model for Accessing Distributed Systems the International Journal of Intelligent Computing Research (IJICR), 2, (1), pp. 491-500.
Alotaibi, Sara Jeza, Wald, Dr. Mike and Argles, Dr.David (2011) From Access Management System (AMS) to a Ubiquitous Access Management System (UbAMS), over Federated Access Management System (FAMS) At MUE 2011 Workshop: The IEEE/FTRA International Workshop on Multimedia, Communication and Convergence technologies (MCC 2011), Greece. 28 - 30 Jun 2011.
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At JISC 2011.
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Chown, Tim, Mackay, Michael, Olifer, Victor and Edwards, Christopher (2011) QoS deployment and operation on Super-JANET In, Wang, Nang, Pavlou, George and Boucadair, Mohamed (eds.) Recent Advances in Providing QoS and Reliability in the Future Internet Backbone. Hauppauge, US, NOVA Publishers pp. 73-92.
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De Roure, David, Bechhofer, Sean, Goble, Carole and Newman, David (2011) Scientific Social Objects: The Social Objects and Multidimensional Network of the myExperiment Website At 1st International Workshop on Social Object Networks (SocialObjects 2011), United States.
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Duboc, Jean-Remy, Choi, Sunhea, Weal, Mark and Davis, Hugh (2011) Modelling Virtual Patients and Generating Feedback using Semantic Web Technologies At ASME Annual Scientific Meeting. 13 - 15 Jul 2011.
Duboc, Jean-Remy, Choi, Sunhea, Weal, Mark and Davis, Hugh (2011) Semantic virtual patients: using semantic web technology to improve virtual patients for medical education At 3rd international conference on web science, Germany. 14 - 17 Jun 2011.
Duboc, Jean-Remy, Weal, Mark, Davis, Hugh and Choi, Sunhea (2011) Automatic Feedback Generation in Virtual Patients Using Semantic Web Technologies At 2011 International Computer Assisted Assessment (CAA) Conference, United Kingdom. 05 - 06 Jul 2011.
Dupplaw, David, Croitoru, Madalina, Dasmahapatra, Srinandan, Gibb, Alex, Gonzalez-Velez, Horacio, Lurgi, Miguel, Hu, Bo, Lewis, Paul and Peet, Andrew (2011) A knowledge-rich distributed decision support framework: a case study for brain tumour diagnosis [in special issue: Computational Intelligence for Neuro-Oncological Diagnosis] The Knowledge Engineering Review, 26, (3), pp. 247-260. (doi:10.1017/S0269888911000105).
Earl, G, Basford, P. J., Bischoff, A.S., Bowman, A, Crowther, C, Hodgson, M, Martinez, K, Isaksen, L, Pagi, H, Piquette, K.E. and Kotoula, E (2011) Reflectance Transformation Imaging Systems for Ancient Documentary Artefacts At Electronic Visualisation and the Arts.
Ell, B., Vrandecic, D. and Simperl, E. (2011) Deriving human-readable labels from SPARQL queries At 7th International Conference on Semantic Systems (I-SEMANTICS2011), Austria. 07 - 09 Sep 2011. , pp. 126-133. (doi:10.1145/2063518.2063535).
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Elliott, Terry (2011) Cross-talk induces bifurcations in nonlinear models of synaptic plasticity Neural Computation, 24, (2), pp. 455-522. (doi:10.1162/NECO_a_00224).
Elliott, Terry (2011) The mean time to express synaptic plasticity in integrate-and-express, stochastic models of synaptic plasticity induction Neural Computation, 23, pp. 124-159.
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Fields, Benjamin, Page, Kevin, De Roure, David and Crawford, Tim (2011) The Segment Ontology: Bridging Music-generic and Domain-specific At 3rd International Workshop on Advances in Music Information Research (AdMIRe), IEEE International Conference on Multimedia and Expo (ICME), Spain.
Francalanza, Adrian, Rathke, Julian and Sassone, Vladimiro (2011) Permission-based separation logic for message-passing concurrency Logical Methods in Computer Science, 7, (3), pp. 1-47. (doi:10.2168/LMCS-7(3:7)2011).
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Glaser, Hugh (2011) An Introduction to the Potential of Linked Data - RKBExplorer, ResearchSpace and sameAs.org At Kultivate project - Linked Data workshop, United Kingdom.
Glaser, Hugh (2011) Museum data, where next – consuming linked data At Cultural Heritage and the Semantic Web.
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Hitchcock, Steve (2011) Sustainability of repositories - and EPrints At Kultivate Sustainability Workshop, United Kingdom.
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Horne, Ross J. (2011) Programming languages and principles for read–write linked data University of Southampton, School of Electronics and Computer Science, Doctoral Thesis , 214pp.
Houghton, John, Swan, Alma and Brown, Sheridan (2011) Access to research and technical information in Denmark s.n.
Hu, Bo, Croitoru, Madalina, Roset, Roman, Dupplaw, David, Lurgi, Miguel, Dasmahapatra, Srinandan, Lewis, Paul, Martinez-Miranda, Juan and Saez, Carlos (2011) The HealthAgents ontology: knowledge representation in a distributed decision support system for brain tumours The Knowledge Engineering Review, 26, (3), pp. 303-328. (doi:10.1017/S0269888911000130).
Isaksen, Leif (2011) Archaeology and the Semantic Web University of Southampton, School of Electronics and Computer Science, Doctoral Thesis , 259pp.
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Keller, Michael A, Persons, Jerry, Glaser, Hugh and Calter, Mimi (2011) Report of the Stanford Linked Data Workshop Council on Library and Information Resources Report
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Millard, David, Hargood, Charlie, Weal, Mark, Warren, Lorraine and Harris, Lisa (2011) Social Media and Emergent Organizational Narratives At Narrative and Hypertext Workshop at Hypertext 11.
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Newman, David R. (2011) The building and application of a semantic platform for an e-research society University of Southampton, Faculty of Physical and Applied Sciences, Doctoral Thesis , 303pp.
O'Hara, Kieron (2011) Conservatism, Reaktion Books
O'Hara, Kieron (2011) Conservatism The Montreal Review
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O'Hara, Kieron, Whitley, Edgar and Whittall, Philip (2011) Avoiding the Jigsaw Effect: Experiences With Ministry of Justice Reoffending Data s.n.
Omitola, Temitope, Zuo, Landong, Gutteridge, Christopher, Millard, Ian, Glaser, Hugh, Gibbins, Nicholas and Shadbolt, Nigel (2011) Tracing the Provenance of Linked Data using voiD At The International Conference on Web Intelligence, Mining and Semantics (WIMS'11), Norway. 25 - 27 May 2011.
Packer, Heather S., Gibbins, Nicholas and Jennings, Nicholas R. (2011) An on-line algorithm for semantic forgetting At IJCAI'11. Proceedings of the Twenty-Second International Joint Conference on Artificial Intelligence - Volume Three, Spain. 18 - 22 Jul 2011. , pp. 2704-2709. (doi:10.5591/978-1-57735-516-8/IJCAI11-450).
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Rebenich, Till, Gravell, Andrew and Tiropanis, Thanassis (2011) Evaluating a Web-Based Information System for Managing Master of Science Summer Projects At ITiCSE 2011, 16th Annual Conference on Innovation and Technology in Computer Science Education, Germany. 27 - 29 Jun 2011. , pp. 123-127.
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Salvadores, Manuel, Correndo, Gianluca, Harris, Steve, Gibbins, Nicholas and Shadbolt, Nigel (2011) The Design and Implementation of Minimal RDFS Backward Reasoning in 4store At Extended Semantic Web Conference (ESWC).
Saunders, Jack, Van Kleek, Max and schraefel, m.c. (2011) Drag it together with Groupie: making RDF data authoring easy and fun for anyone At 24th UIST (ACM Symposium on User Interface Software and Technology) 2011, United States. 16 - 19 Oct 2011. 11 pp.
Shadbolt, Nigel (2011) Open Government Data: Making it Real?? At Open Government Data Camp 2011, Poland.
Shadbolt, Nigel, O'Hara, Kieron, Salvadores, Manuel and Alani, Harith (2011) eGovernment In, John Domingue, Dieter Fensel & James Hendler (eds.), Handbook of Semantic Web Technologies. Springer-Verlag pp. 840-900.
Simperl, E., Norton, B. and Vrandecic, D. (2011) Crowdsourcing tasks within linked data management At Second International Workshop on Consuming Linked Data (COLD 2011), Germany. 23 Oct 2011.
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Smart, Paul R (2011) Understanding and Shared Understanding in Military Coalitions s.n.
Smart, Paul R, Braines, Dave, Preece, Alun, Kao, Anne, Poteet, Stephen and Xue, Ping (2011) Integrative Use of Information Extraction, Semantic Matchmaking and Adaptive Coupling Techniques in Support of Distributed Information Processing and Decision-Making At 5th Annual Conference of the International Technology Alliance (ACITA'11), United States. 26 - 28 Sep 2011.
Smart, Paul R, Sieck, Winston R and Shadbolt, Nigel (2011) Using Web-Based Knowledge Extraction Techniques to Support Cultural Modeling At International Conference on Social Computing, Behavioral-Cultural Modeling, and Prediction (SBP'11), United States. 29 - 31 Mar 2011.
Smith, Ashley, O'Hara, Kieron and Lewis, Paul (2011) Visualising the Past: Annotating a Life with Linked Open Data At Web Science Conference 2011, Germany. 14 - 17 Jun 2011.
Souza, Paulo, Faical, Bruno, Matos, Jonathan, Santana, Marcos, Santana, Regina and Zaluska, Ed (2011) Jerrymouse: a tool for a flexible and dynamic distribution of web service requests In 8th IEEE 2011 International Conference on Services Computing (SCC 2011). IEEE., pp. 520-527.
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Sunday, August 18, 2013
The Mariners' Kyle Seager follows through on a run-scoring double after battling back from an 0-2 count against Joe Nathan in the ninth inning. Seattle worked the count all game long, forcing starter Yu Darvish to throw 120 pitches.
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|Thu 16 Feb 2012, 9:00am
|Fri 17 Feb 2012, 8:00am
|Sat 18 Feb 2012, 8:30am
|Sun 19 Feb 2012, 8:30am
Every year, on the third weekend of February, the Art Deco Trust stages its "not-too-serious" celebration of all things Art Deco in a programme of planes, trains, vintage cars, fashion, stage and screen, wining, dining, music and dancing!
With well over 100 events, and over 30% of them free to view, you're sure to find something to tickle your fancy... So come and join the thousands who dress up in Art Deco style and enjoy the fun!
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Good evening to you! How are things in the Finntroll camp?
Well, we're really, really hectic at the moment. I am doing a shit-load of interviews almost every day and we're practicing the new songs like crazy. Actually at the moment we got to find the time to prepare for upcoming shows. There's still shit-loads to do, but it's better than sitting by yourself and watching tv all day.
With Blodsvept out, I imagine extensive touring is in order. Tell us about your upcoming plans and schedule.
At the moment we are actually going to do a special kind of mini-tour. It's only like 7-8 dates that are just going to be big capitals in Europe. Helsinki will be the first and from there we'll go to Berlin and Paris and some other big cities, after which we'll do an extra kind of big show thing. In the spring we've got all sorts of festivals coming and I've discovered that we're going to be away from the end of August until mid-December, so we're gonna be almost half a year away from home.
I've read that usually when you release an album, you tour extensively for about 2 years in its support and then you start the cycle all over. What keeps you going, what keeps you fresh, because there isn't a lot of free time left for you to enjoy?
We're lucky to have seven people in the band and there's six of us the most that go on tour together, so we have one guy at home who can think about (how to compose) new songs. We talk to him when we have some free time (on the tour) and that guy at home comes up with ideas. He does the thinking for most of the part. It's pretty cool like that. It's still hard, though, to get this kind of a system to work – lots of discussion, lots of ideas back and forth.
Who are the ideal bands you'd like to tour with, or who have been the best bands you've toured with in the past?
There have been quite a lot of bands that we've really liked. There was this one tour that was very cool that we did in the US with only Finnish bands. There were us, Swallow The Sun and Moonsorrow and that was a really cool tour. Probably one of my favorite tours ever. Those guys, they're friends from back home and to have friends on tour with you is really great.
If you were to go on tour now and got to choose your own company, who would you choose right now?
I'd probably choose that lineup again because that was a very cool package and we really enjoyed that tour. I liked the chemistry between the bands a lot and the shows were really cool, so if I could/would tour forever, I'd probably pick those two bands again. To have your friends on tour with you, it gives the whole experience a home away from home feel.
How is life on the road with Finntroll anyway? What do you like and dislike about it?
The traveling, that's the horrible part. The fucking amount of it – I don't dig it much. I like to visit new places and play shows there, though, because I really like to see the audience enjoying our shows. That's probably one of the most rewarding things (about being in a band): when you've put all that work into your album and you get to play it live and you see the audience and you see how they know and like your songs. But the traveling is horrible. I fly somewhere between 50 to 100 flights a year and it sometimes feels like you're spending your entire summer in an airport. That's the downside of touring.
No matter how fun it might be, at the end of the day touring is an exhausting activity. When you're not playing shows, what helps you take the edge off, both on tour and when you arrive back home?
On tour it's probably the beer (laughs). Back home I like to do as little as possible. I enjoy swimming, which I do a lot. Also, me and the keyboard player started playing golf a couple of years ago, so that's also something that takes my mind off touring/the band.
Something I've always been interested in is how do you guys act in real life compared to your presence in Finntroll. Your music, promo material, videos and live shows are all pretty crazy. Are you guys as antic in everyday life too or do you preserve that kind of energy for Finntroll?
I obviously don't live like that all the time (laughs). But hey, that's just me. We have these kind of characters, which is also why we have nicknames, because it's a role that you play when you put your stage clothes on. When you're getting ready for a show you kind of start getting into that character. That's why I have this Vreth character. He's a different guy. He can be on the stage, he can curse and throw things at people and spit in their faces, but I don't do that back home of course. Ok curse I do (laughs). He's the character who can do it all – Vreth's the rock star, I'm the one watching bad sci-fi at home, that's Mathias.
Finntroll mixes metal with folk instruments and ambience. What folk genres do you draw influences from and why (besides Humppa – the Finnish version of Polka)?
Naturally we don't limit ourselves to any kind of genre. In the new album for example we don't have that much classic folk at all. We have some Scandinavian folk in there but we also have music from all over the world, like Middle-East for example – we have some strong influences from there. We also have lots of Caribbean-style sounds on the new one so we don't limit ourselves to only Finnish or Scandinavian folk music. We have expanded more into an ethnic metal band in that sense.
Getting to the new album, what's different this time around? What makes Blodsvept stand out from your discography?
I think it's actually about the way we wrote the songs this time, because in the past we've been adding more and more and more and more elements all the time. Nifelvind was very full of details and there were like hundreds of tracks on top of eachother and it was a hysteric album in that regard. Now this time when we started the process, we were like "we can not go and add even more," because then everything would just collapse and they wouldn't be Finntroll songs anymore. We'd just progress in a weird way. When we started writing Blodsvept it actually sounded too much like Nifelvind, so we started thinking how the fuck should we keep it fresh without going really, really far over the top, so we actually stripped everything down this time and concentrated on the riffs, main melodies and small details. I think it's more of a straightforward, groovy album than the ones that came before it.
As I understand, the recording process was kind of a nightmare this time. Would you mind describing what exactly went down in the studio?
(Laughs) How much time do we have? It really was a nightmare. I have never before recorded an album that was this much trouble. Everything that could go wrong went wrong. We had problems with guitars as we lost like eight tracks of guitars. We had to record them again and when we had recorded them again we noticed that there was a problem with the tuning of the bass, for example, so we re-did the bass a shitload. We wanted to achieve a more rough sound this time so that the guitars, the drums and the bass were quite harsh, but then we started to record the keyboards and there were suddenly like two different worlds. We were mixing old Darkthrone with Nightwish or something like that. So we had to make all the instruments we had recorded before sound better and the keyboards sound worse. In the end we ended up mixing the album three times and we mixed (him and Trollhorn – keyboards, guitar) the final product in one day. It was a horrible! We had so little time because the studio was fully booked. It was horribly stressful as we were afraid of losing everything due to recording everything over again and again.
Did the problems in the studio affect the eventual quality of the album in your opinion? Did you guys manage to pull it off in style or is there something you're not 100% happy with?
Actually everything turned out well because we had spent so much time getting everything perfect. We spent around 14-15 hours every day in the studio looking over that everything would turn out great and in the end I was very pleased. There isn't a single song where I feel that it's missing something. I'm really happy with how Blodsvept turned out.
The theme of Blodsvept is actually quite serious (humans vs nature), yet the music is lively, joyous even. How do you explain the contrast between the lyrics and the music?
Yes, the lyrics are really harsh and they're sort of political also this time around. The lyrics on Blodsvept are more vigilant than any lyrics we've written before. If you'd understand Swedish, you'd know that they're written in a sarcastic manner and they actually go really well with our music because we're being kind of sarcastic with the music also. We can be as cheesy as we want to because we're Finntroll – we can do whatever we want! In the end everything just works together like that because we're cynical and sarcastic in a way.
Is that – the whole sarcasm and doing whatever you want aspect – also the reason why you started singing in Swedish from the beginning?
Yeah, of course. Also, Finntroll didn't select Swedish just because they could. It was Katla's (Jan Jämsen, Finntroll's previous vocalist) idea, as he wanted to have a band that was singing in Finland Swedish, especially since the Swedish that we're using (in Finland) is so different from what people speak in Sweden. It's got this weird Finnish twist to it that is only found here on the coastline of Finland. Katla is one of the Finno-Swedish people so it was important for him to get his language and everything out, in a sense.
What's your personal favorite song from the new album and why?
Well, let's see. I'd have to say "Blodsvept", the first song of the album, because that was one of my favorites from the beginning. When we made this song then all the other pieces started falling into place. This was the song that found the sound of the album for us; this was the one that set the tone for the rest of the songs, in a way. When we wrote Blodsvept then we were like "yes, this is the sound we want on this album, this is how the rest of the songs should sound as well, this is what we want to do," and then we went back and re-did the songs that sounded like they would have belonged to Nifelvind, for example. "Blodsvept" is a song that's really important to me in that sense.
Besides Finntroll, are there any other projects you're currently working on, both music and non-music related?
I have all these bands going all the time (laughs). Actually I just came out from the studio with another band that I produced an album for – sort of a punk/hardcore band called Bob Malström that also sings in Swedish. I produced their album and in two weeks I'll go on tour with them as well. Also, in a couple of weeks I'll start work on one of my bands from home called Magenta Harvest that is kind of a melodic death metal band that I've been working on for a couple of years now. These are the projects I'm currently working on, but I also have a black metal band called The Iniquity Descent that actually went to Estonia in December as we played in Tallinn.
How was it?
It was pretty cool! We were supporting a Russian band in club Tapper. It was really cool. It was probably the best audience we've ever had with this band.
What are you currently most looking forward to in general? Is it touring, rest, private time, or something else?
I'm really looking forward to going on tour actually. I haven't done that in a while and I kind of miss waking up every morning in a new city and in my small casket in the tour bus. So definitely the touring, I'm really, really eager to go out there. There are going to be some new countries on our tour that we've never been to before. So that's going to be really cool.
Thanks for your time and good touring to you. Any last words for the Sputnikmusic community?
Yeah, thank you, no problem. And thank you guys for coming to check us out the last few times we have been in Tallinn. I hope we have a chance to come back soon. Also, check out our new album, it's really cool. Bye!


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San Diego police were investigating Friday after hikers found a woman's body off a canyon trail in San Dieguito River Park.
The Medical Examiner's Office said the 65-year-old woman lived in La Jolla. Her name was not yet released. The office is determining cause of death.
Two women were hiking south on the Clevenger Trail about 8:30 a.m. when they found the body in brush off the trail, near the trailhead off San Pasqual Valley Road. The area is about five miles east of Safari Park.
Cal Fire crews responded and confirmed the death and notified sheriff's officials.
The trailhead lies within the city of San Diego, so the case was turned over to police, Officer Frank Cali said.
Homicide detectives were not sent to the scene, police said.


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In fashion, as in film, there is occasionally a disjunction between what the critics and the public like. Just as film critics tend to favour conceptual movies over those that are fun, so fashion critics sometimes get over-excited by something that looks, to a woman shopping for something to wear on a Friday night, unwearable. Occasionally, a Juno will come along - a movie that seems to placate both parties - but, in fashion, this kind of compromise is harder to find.
Few labels prove this better than Christian Dior, which had its show in Paris yesterday. This label has conjured up images of well-fed ladies walking their poodles down the Champs-Elysées ever since its inception early last century. But by the 90s its lustre had faded. And so Bernard Arnault, now the CEO of the LVMH luxury goods group, installed John Galliano as creative director to give it a fashion edge. Every collection seemed more over the top, and the critics loved it. But has anybody seen anyone walking down the Boulevard St Germain, let alone Wigan high street, in teetering clogs and giant kimono-style dresses? Probably not.
And so, about a year and a half ago, his technique altered. He was sending out matchy-matchy skirt suits, prim high heels and debutante dresses - the very clothes that the Dior customer does buy. Yesterday's show was more of the same, with models wearing coordinated outfits, from their pink fedora hats to their pink chunky heels. The cuts were exaggerated and beautiful, but in the main this was very much a collection for ladies who lunch. And if fashion houses want to be more than just purveyors of handbags, this is what they have to do because those lunching ladies are, more often than not, their paying customers.


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Ministar Pty Ltd- tile shop -Bankstown Sydney NSW,Australia. Ministar Pty Ltd aim to provide the
Same Tiles- tile shop -Queensland, Australia. This is a brand new service making buying floor
San Marco Ceramics- tile shop -Thomastown, Vic, Australia. San Marco Ceramics is an established family
Affordable Tiles – Tile shop- Welland, SA, Australia . Today companies need to provide a


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Google AdSense Tutorial
Google AdSense is the most popular online advertisement service. It is provided by Google, but it is not related to its search engine.
By using Google AdSense you can generate revenue from third-party ads on your website. There are many tricks and different approaches that will help you utilize the best revenue from Google AdSense. Here we will try to cover the basics in order to provide you with a successful start in Google AdSense.
In our Google AdSense Tutorial we will cover the following topics:
- Introduction to Google AdSense
What is Google AdSense and how to benefit from it.
- Google AdSense Integration
How to use and integrate the Google AdSense code in your web site?
- GoogleAdSense Tips and Tricks
- Google AdSense Alternatives
Direct advertising, Commission Junction, AdBrite and others.
Useful tips and tricks for getting the best results from Google Adsense.


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Kristy Puchko
Kristy Puchko is a film critic/movie blogger who has written for Cinema Blend, Next Movie, Jezebel, The Film Stage, and Critical Mob. You can read her movie reviews here, or follow her on Twitter @KristyPuchko
The stars burn brightest during Oscar season. But for some the spotlight is short-lived, even when they win.
As children we were all terrified by Disney's villains. Their evil cackles rattled our still-developing brains, and haunted our nightmares along with their songs, which gleefully reveled in their bad intentions and malevolent plots. Yet looking back, these vicious villains are a beloved part of our childhood, from their cruelly pointed toes to their audacious hairdos.
Through their long line of beloved animated adventures, Walt Disney Pictures has unveiled a sprawling and dazzling array of animal characters, from Baloo the Bear and Winnie the Pooh, to the Cheshire Cat and Sebastian the crab.
You know their voices. You know their songs by heart. Now get to know the folks behind these memorable characters that enchanted your childhood.
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From http://www.theepochtimes.com/n2/content/view/30016/
"CardioRetinometry can identify those who will reach 100 without ever taking vitamins and those needing vitamin C in amounts like Dr. Russell Jaffe discovered recently—up to 130 grams per day."
Do we now need to significantly up our daily dosage ?
"Do not trust vitamin C tablets. Pharma makes them! Some health food stores have pure vitamin C powder. But it is acid. Although weakly acidic, its acidity is between citric acid and acetic acid. It can damage teeth like fruit juices but cannot increase stomach acidity.
I advise sodium L-ascorbate powder, which now costs 20 times more than before the Olympics, when China closed two factories after gaining 98 percent of the world market."
So do we also need to stop our Ascorbic Acid intake and change to Sodium L-ascorbate


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David K. Britt
Tax reduction will apply to the first $20,000 value of a qualifying vehicle.
A qualifying vehicle is defined as any passenger car, pickup, panel truck, or motorcycle used for non-business purposes.
For qualifying vehicles, your personal property taxes will be affected as follows:
For tax year 1999 and beyond, owners of qualifying vehicles valued at $1000 or less will not make any tax payments on such vehicles.
County vehicle licenses must still be purchased each year.
Personal Property tax bills are due December 5th. Supplements billings are due within 30 days of the bill date. Personal Property Tax is delinquent the day after the due date. There is a penalty required by the Virginia State Code and Southampton County Code for late payment of taxes. The penalty is 10% or $10, whichever is greater, but not to exceed the amount of the tax. Penalties are calculated separately for each taxable item. The Treasurer's Office is also required by the Virginia State Code to collect interest at an annual rate of 10% until payment is received in full.
BB&T @ Work Program for Southampton Co. Employees[6/19/2014]
Land Use Information[6/19/2014]
Elderly & Handicapped Tax Relief Form[6/19/2014]Deadline is March 1 each year.


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They may be in a state of transition, while a World Cup medal this summer could be "a stretch", but England's midfield is one area that is looking decidedly world-class in the men's game.
So says national coach Bobby Crutchley, as England's year starts with a bang today in the World Hockey League Finals – a pool fixture against India and their fanatical locals in New Delhi.
Crutchley started his role last February and takes hold of a side desperate to finish 2014 with a medal, the Commonwealth Games looking the most likely bet. England are ranked world No.4 but Crutchley admits that they are currently playing "a bit below that" with squad changes and retirements after the Olympics.
One player who Crutchley wants to propel onto the world stage is Nick Catlin, the 24 year-old Reading midfielder, who has made seamless progress into the senior ranks alongside fellow midfielders Barry Middleton and Ashley Jackson, two of England's stars.
"What we need with Nick's ability is for him to become more recognised, to add to the two or three world-class players we already have," admitted Crutchley.
"He knows it as I have put that pressure on him. But if we could make the likes of Nick into a world-class player then it has a bearing on the fact we are making great strides.
"He's a highly intelligent bloke [a first in history and a four-year deferral until after Rio 2016 with a City law firm]. He's a lively character on the pitch and he plays with his heart on the sleeve. We want to maximise his performances and not let him get carried away with his emotions."
Crutchley's comments come on the back of Catlin's performances at the European Championships last summer, where he was the standout player for England.
"It was great to get recognition from Bob," said Catlin, who played a season in Belgium after the Olympics before returning to Reading, a club he first joined aged 14.
"I was happy with my performance at the Europeans, but I would have been happy if we had medalled."
Catlin has clearly adapted to life in the senior ranks and relishes the "challenging" high-standards of training at Bisham Abbey. Alongside another rising prospect in midfield, 21-year-old Harry Martin, Catlin also admits that playing consistently with Middleton and Jackson is a "highly-exciting prospect".
"It is a major shock to the system when you jump up from the under-21 side into the senior squad," he said. "I think I am feeling comfortable now and I am looking to be as influential as possible every time I play.
"I had one good tournament and positive words don't change me. I know that, on form, I can compete with the best players in the world. But there is no added pressure for me, having players like Ashley and Barry around you as role models is very useful."
England, also in a group alongside Olympic champions Germany and New Zealand, touched down in Delhi on Monday and Crutchley admits that the World League Finals are "a bit of an unknown."
"We have had a short amount of games together since the Olympics but our job now is to kick on and improve our ranking," he said.
"Most teams won't be looking to peak there, especially the Europeans who are involved in domestic competition. Australia always seem to put out a good performance and India will want to do well. The rest will be a bit undercooked.
"It is not the be all and end all ahead of the World Cup. In reality it might be a bit of a stretch to start thinking of competing for medals there. I certainly think that come the Commonwealth Games we should be very much amongst it."
Keep up to date on England Hockey's twitter feed. For Premier Division latest, follow #NOWhockey and #investechockey


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Twist Collective Blog
Christa Giles designs beautiful stuff. Functional, whimsical, detailed, interesting stuff. You can see a whole bunch of her work in Twist, including Boundless and Lara. Here she shares her inspiration, process and some helpful tips for the gorgeous Candlewick, from our newest issue. Keep up with Christa on her website!
My original design idea came from this question- if a Bond girl wore handknits, what would they look like? I think I had been watching Casino Royale while working on another project, and this idea began drifting around in my head. It would be black; it would be close fitting; it would have a high collar but a plunging neckline, and it would be sexy. I had also been noticing that the lace patterns that were sticking in my head were those with a fair amount of texture to them, those made by combining decreases, plain stitches, and yarn overs in ways that created changes in fabric depth, not just opacity.
My laptop had been suffering from a cracked case for several months, and just before it was time to start writing up the pattern, the screen decided to die, so my new glam writing space was a table in our living room, with a HUGE old monitor taking up most of the table while I used the laptop's keyboard to type. The pieces of graph paper you can see here are bits of chart that I printed and cut apart, so I could figure out the spacing for every size that would keep the main Honeybee motif in the right place while removing or filling in extra stitches for larger or smaller bodies. Sandi Rosner and the tech editing team at Twist Collective deserve special credit for this pattern, as it got a major rehashing of the charts that resulted in each size having its own page, instead of the knitter having to do all the cutting and pasting manually!
Candlewick is written to be worked in pieces, from the bottom up, and then the fronts are joined to the back with a saddle extension from the sleeves. Above is what the piece will look like when you get to the blocking stage.
To get the collar to stand up during blocking, I propped it around the lid from a small wicker basket that has been living in my collection of containers for years… see? There's a reason why I don't like to get rid of things, they might be useful someday!
Post-blocking, the sleeves are ready to be set in, then side seams worked from hem to armpit and cuff to armpit- I recommend these seam-paths so the most visible areas look smooth, and you can leave any fudging for the less-inspected armpit.
I love these buttons. I wanted something with a bit of subtle glam, but knew that cut glass would be too heavy for this airy sweater. These are made from mussel shells, and I found them at the glorious Button Button shop in the Gastown section of Vancouver. The yarn from Elann is wonderful too - I'm making a second version in my size, using the same Peruvian Baby Silk in the same colour.
Final photos here were taken on the shop mannequin at Three Bags Full (thanks Francesca and Zoe! [best bosses ever]) You can see that the stitches are expanded a fair bit, especially on the upper back.. the mannequin is a 36 bust, the sweater is a 34ish, and the model that Twist Collective used for Jane Heller's photos was probably a 32!
This is the joy of knitting for yourself, getting to choose the size you make based on the amount of ease you want (bloglady's note- for more on ease, see Sandi's article). The size I am making for myself is the 46″, with short rows in the front to give my 38Es a bit more space without adding extra width (I've made that mistake too many times before, and have the baggy-busted sweaters to prove it) so it will be fairly close-fitting at my bust, and hang from there. Photos can be found on my Ravelry project page whenever I finish it!
Are you thinking of making Candlewick? I'd love to see your projects! Please share your photos on Ravelry (I watch for user activity on my patterns pretty regularly so I will spot them when you post) or drop me a note in the comments if you are sharing your photos and project notes elsewhere!
Sandi Rosner is a familiar face at Twist Collective. Not only does she consistently contribute wonderful designs to our pages, she also does technical editing and amazing articles! You can find more about her, as well as this post, on her blog. This issue, check out her great piece on decreases (the companion to last issue's article on increases). In this post, she shares her experience creating Sanderling, the lacy tunic found in our newest issue. When yarn and pattern really connect- it's love.
I wanted this sweater to be comfortable and casual with a feminine touch. I love the look of all-over lace patterns, and this interlocking pendant lace is one of my favorites, but sometimes lace can seem a little much for everyday. How can you relax the mood a bit?
In the case of Sanderling, the answer was the yarn.
I've done quite a few designs with Kollage Yarns Riveting, and it has some special qualities I haven't found anywhere else. Riveting is made from recycled jeans. Specifically, it is 80% post-consumer recycled denim, with the remaining 20% made from mill scraps. Spun in Italy, Riveting is not dyed - the yarn gets its color from the source fabric. When working with Riveting, you'll occasionally come across a bit of orange from the stitching, or a fleck of metallic thread from embroidered jeans. I love these little surprises.
Riveting is soft, like your favorite old jeans. It has a slightly nubbly texture.
The real magic with Riveting comes when the knitting is done. Instead of the careful blocking I'd give a wool sweater, I throw my Riveting pieces in with a load of laundry. No kidding - it likes to be machine washed and dried. When you pull it out of the drier, it has been transformed. The fabric softens and pulls up, making your slightly stringy looking knitting into a cohesive fabric. It does shrink a bit in length - about 12% - but not in width. The patterns I've written for Riveting, including Sanderling, account for this anticipated shrinkage.
In Sanderling, the shrinkage changes up the lace pattern in an interesting way. The pattern still shows through, but the lace becomes less precious. The sweater is airy, but not transparent. I love it.
For me, this would be a weekend-at-the-cottage sweater (not that I have a cottage, but I do have a rich fantasy life). I imagine it tossed on over shorts or jeans for those times when you want to look sexy but not exposed. The silhouette is loose and simple, with minimal details. The lace forms a slight natural scallop at the hem and cuffs. The split neckline is edged with attached i-cord. I would probably never tie the cords at the neck because I think the look of an untied neckline is inherently alluring. The fabric feels great against the skin, and since it is easy care, you won't mind wearing it to take the dog to the beach or gather wild blackberries with the kids.
Take some time to check out the rest of the Spring issue. As always, Kate has done a brilliant job putting together a beautiful piece of eye candy. The photography is inspirational, and the collection of projects is among the best. Thanks also to Jane Heller, who took the photos seen here.
I'd be remiss not to mention the articles - I have one about decreases for the technique lovers out there, and Fiona Ellis' article about the ancient pattern we call paisley is a great history lesson. I am so fortunate to be a part of such a great publication.
Spring/Summer 2012 Edition is Live
We've picked a whole bouquet of gorgeous patterns for our Spring/Summer 2012 edition, wrapped them up with a few sprigs of stories, and how-tos and tied it all with a bow.
From shawls, to socks, to garments, we have plenty to pick from. See it all here.
Megan Goodacre is the designer who brought us Dylan- a classic trench inspired by rock'n'roll. This is her first contribution to Twist, and you can also find this entry on Megan's blog. Today she shares her inspiration and design process, as well as an extra embellishment you can add to your Dylan, if you so desire!
Designing knitting patterns for publication has a strange contradiction; on the one hand, knitting itself is a methodical, labour-intensive, and (if we're lucky) meditative act. Although we might visualize the finished item to keep ourselves motivated, we have to focus on the present in order to avoid mistakes. There's no Undo command in knitting, so we have to Knit in the Moment. On the other hand, knitting design has to follow the calendar of the publishing industry. Designers, advertisers, printers, writers are all thinking in the future tense, often a year in advance.
Which is all good, it keeps things moving, and really forces you to finish ideas, projects. But I find that I don't often have time to reflect on the process. I was flipping through a magazine just now, and didn't recognize one of my own designs for a second, because I've already moved on in my mind to new design ideas.
So I thought this might be a good excuse to reflect and share a little of my creative process for Dylan, which was in Twist Collective Fall 2011.
The Twist moodboard included a music concert theme, and my mind went to old black and white photos of music pioneers like Chrissie Hynde, Lou Reed, Patti Smith, Laurie Anderson, Bob Dylan. They know how to rock the most modest of clothes: scarves, trench coats, t-shirts, jeans, white shirts. And they know how to layer. I had a few sketches of jackets already, and being an 80s girl, I have a weakness for trenchcoats. So my own moodboard (you can see part of it, above) was made up of iconic photos of these artists. The top left (Bob Dylan of course, and that must be a Richard Avedon photo) and bottom right (an unusually colourful photo of Patti Smith) ended up driving the mood of the project.
I wanted a classic trench shape, with deep pockets, a double-breasted front, and wide cuffs. Here's the submitted sketch, on the left. Originally, I visualized a running stitch embellishment to simulate top-stitching. But although it was easy to work the stitching, it seemed unnecessary for the pattern, so I took it out. Here's what the jacket looked like with the stitching, on the right. It was very quick to do: just thread a contrast yarn on a tapestry needle, and run it in and out between two columns of stitches.
Mad about Madison
Hi. Kate here! A week ago, I was about to board a plane to Madison. Marnie was doing the same. We had been invited to be the keynote speakers at the Madison Knitters' Guild Knit-In. I had heard this was a great guild before going, but I couldn't believe how welcoming and lovely everyone was! What a super show. I just thought I'd pop onto the blog and show you a couple pictures we took.
I love how most of the audience was knitting. By the way, this is the end of the show, so all of the people fleeing the auditorium are rushing off to buy things at the market. They were not escaping our presentation in the middle!
People are always surprised to hear that Marnie and I have only met in person twice. Here's proof of the second time!
I wore Midtown to talk. I love this skirt. I really love this skirt. And every time I wear it, knitters and non-knitters alike go nuts for it.
I got to meat Jeanette and George of Sun Valley Fibers in person. Check out my Yarn Buddy! I also saw Chris of Briar Rose. Unfortunately, I didn't get a picture of her gorgeous booth, but I did get to pick yarn for the fall issue!
I picked up these cute little charms from Jennie the Potter. I also ate her baby for dessert because he was so darned sweet.
Marnie made friends with a cow. We were also lucky to hang out with Franklin. Unfortunately, I don't have any pictures of him with fiberglass animals.
Badgers are bigger than I expected.
A big thank you to everyone from Madison, especially Kate (not me) and Connie. It was awesome to see old friends and meet new ones!
More Articles...


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There are many things you should be asking a Franchisor about the franchise he sales. Here are the Top Five Things to Ask Every Franchisor
1. How long have you operated this exact business model you are franchising?
2. What is your five year plan?
3. What continuing assistance are you promising to give me while I operate this business?
4. If the business fails and I stop operating the franchise, what happens?
5. How am I protected from losing sales to other franchised and corporate businesses?


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<< Back - 2000 > Dodge > Neon > Engine Electrical > Ignition Coil > Prenco
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Ignition Coil Reviews - 2000 Dodge Neon
Standard Motor Products | UF-403
Product arrived within the time stated, although I had hopes it would have come earlier in the window of receipt. But overall, I'm very happing with the product, the cost and how it was packaged and sent to me. I received it without issue and installed it in no time - a direct fit as stated.
September 26th, 2013 | Posted by De


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Unfortunately, this job is expired as of 3/28/2015.
To continue in your search through the appropriate job categories, click either Administrative Staff, Higher Education Executives, Faculty, Post-Doc and Graduate Assistants, . You can also utilize "guess-free" keyword search tools with up to eight pre-defined criteria. Search for and Apply to academic postings directly from the site. Post your background either confidentially or overtly. Stand out and be discovered!
Job Description:
Under general supervision of the Director of Student Development, provides leadership in the development, delivery and assessment of programming to enhance the positive experience and academic success of student veterans, such as career or life planning programs or programs focusing on veterans' affairs services. Collaborates with faculty and staff as well as community agencies in connecting student veterans with resources and activities to address their needs and educational interests. Serves as the orientation leader and initial advisor for interested veteran students. Provides educational programming to campus personnel to enhance the overall educational success of veterans; Performs related work as directed.
Greenfield Community College is located in the beautiful and historic Pioneer Valley of western Massachusetts, between the foothills of the Berkshire Mountains and the fertile farmland of the Connecticut River watershed. GCC is a public community college of approximately 2,200 students. Known for the caring and supportive attitude of the faculty and staff, and for the broad support it enjoys from the surrounding community, the college is fully accredited by the New England Association of Schools and Colleges. In addition to a strong Liberal Arts focus, the College offers a wide variety of innovative and successful programs including Gender and Women's Studies, Fine Arts, Nursing, Renewable Energy, and Outdoor Leadership, as well as varied learning environments, from traditional classrooms, to distance learning, peer tutoring, one-on-one faculty-student advising, workforce development, and learning communities that cater to specific needs and interests. Close to fifty percent of Greenfield Community College students transfer to four-year colleges, and it is Smith College's largest source of community college transfer students. Much of the College has recently undergone a multi-million dollar renovation that sets the stage for future developments in learning. Greenfield Community College actively encourages and provides opportunities for leadership and professional development.
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text: Dr. Eric F. Wagner is a professor in the School of Social Work, the director of the FIU-Banyan Research Institute on Dissemination, Grants, & Evaluation (FIU-BRIDGE), and a clinical psychologist licensed to practice in Florida. He is an internationally-recognized expert on brief interventions for alcohol and drug users, with a particular emphasis on youth, minority, and immigrant populations. Dr. Wagner's community-based clinical research has been sponsored by NIAAA, NIDA, the Ware Foundation, and the Consejo Nacional de Ciencia y Tecnología. He has served as an expert for NIAAA, the United Nations, the United States Department of Education, the White House Office of National Drug Control Policy, and SAMHSA, regarding adolescent substance use problems.


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The 10 Rooms is one of those bars you fight to get into and then wonder why. Set in Soho on a backstreet behind Carnaby Street, from the outside it looks shabby and non-descript, enter and you have a long room which is very dark with a bar and some seating, there are also stairs to a basement bar which is the same size and can seat about 30 people. It is within 5 minutes walk of Oxford Street tube station and is also about 7 minutes from Piccadilly Tube Station, so the location is pretty good for those who live, work centrally.
The bar plays decent music, but apart from that I have to be honest and say I think this operation is a total indictment of style over content, the darkness when you enter the bar is off-putting, you can't buy pints of anything, bottled beers are tiny and cost over £3 each but because they're so small it feels like a rip-off. They do cocktails but slowly, very slowly, generally there is only one person working each bar so it can take an age to get served.
During the day they serve sandwiches but i've only been in the evening so have never tried these.
I have been early twice and didn't have to queue and after 10pm once when I had to queue and found the place just to be a total anti-climax once in. The place is amiable enough and has a basic Spanish theme but it just doesn't have the atmosphere or personality to back it up.
It is full of trendy media types who add to the myth that its a cool place to be but really I find it dank, overpriced, not as cool as it thinks simply because it plays that card too much and a bit uncomfortable. The idea it is cool is pushed by my friends so is not the fault of the bar, which for 10 minutes is fine, but then the drinks and place get really boring and it feels like being in a bar made up quickly for a festival or something.
I do think perhaps i'm too old for this bar being in my late 20's, but I prefer somewhere with a good selection of drinks, better service and better prices, that feels more comfortable to be in.
The 10 Room is one of those cool So-Ho bars that can be difficult to get into but when you are in you wonder why. It's lacking in atmosphere, overpriced, but pretty stylish. And it has some NICE lavatories. I went to 10 Room on a recent Friday night, after meeting some friends beforehand in the Warwick (on Warwick Street), which has become our regular meeting place on an evening due to it's central location, friendly staff, decent prices...but enough about that. A friend-of-a-friend (always useful people) had put 3 of us on the guest-list for 10-room. Now what is it about people in London who do the guest-lists, they just don't seem to be able to read. Bit of a problem there. After 5 minutes of scanning up and down the list, oh what a surprise, there we all are. We were there all along - she must have just 'missed' us. Easily done. And so the velvet rope is disdainfully lifted aside, and we're in! Hoo-bloody-ray! We walk up some stairs. It is dark and quiet. We walk up some more stairs. We see a set of foreboding closed doors, but still hear nothing. We carry on walking up, and don't you know, it's one of those bloody staircases that morphs into a roof. A staircase to nowhere. It's about this time that I begin to suspect that a trapdoor is going to open which we will all fall through into a slippery chute which deposits us outside into a gutter by the bouncers' feet, whilst inside the bar all the cool people watch this relayed to them on a giant video screen and piss themselves laughing at us plebs who actually thought we were going to get into 10 room. You know, like on James Bond when the guy goes in the lift and the floor opens and he is dropped into the sharks tank... never mind. Thankfully this doesn't happen, we totter back down the stairs to the foreboding closed doors, give them a gentle push, and.... That's more like it! 10 room is essentially a giant room, with a bar as yo
u walk in and a bar at the far end. In the centre there is a square composed of various sofas and tables which create cosy little corners. I was annoyed to see that all of these were reserved - it was only about 9.30pm. A sort of continous padded bench then runs all rthe way around the back of this inner square - this where we ended up uncomfortably perched - nowhere to put your glass, although at least you can rest an ashtray on them. There is also seating in the form of various seats and sofas around the outside of the room. 10 room is certainly very stylish. It's fairly low key, the lighting is low, the colours are muted dark reddish tints, I think, and it all looks expensive. The clientele are also very stylish, and there's alot of "dollar" floating around in there, as you'd expect. It was fairly cliquey, but the bar-staff were all really friendly - they'd have to be considering the price of the drinks. I hope you are all sitting down here..deep breaths.....1 vodka + lime, 1 vodka + lemonade and a strawberry daiquiri....£21. TWENTY ONE POUNDS!! Okay, you're getting the picture - this is not a girls night out bar - this is get in, buy one drink and make it last until you've seen all you want to see, and then split. They were doubles mind you, the drinks. So that's a tiny bit less painful. I would recommend this bar as a nice place to go on a date - if your partner is paying - it's intimate, low-key and the music is quiet. In fact I had to struggle to hear it at all. Eventually they turned it up - I can't remember what the music was but it was nothing to write home about. Call me a sucker, but the thing I liked best about this place was the bar staff. They were so attentive - there will be a handsome young chap with a cigarette lighter under your nose before you can say Malboro light. The ashtrays are emptied - unobtrusively mind you - after every 3 or 4 deposits of fag ash - and there is wa
iter service for the drinks too, again as you'd expect at those prices. And the loos have to be seen to be believed. I don't know what the 10 room is attached to but it's very surreal - when you walk out of the bar to go to the loos its like you've walked into a 10star hotel, and the loos are the same. Luxury cream carpets, gold embossed taps, full length mirrors and every kind of toiletry under the sun. Call me old-fashioned, but I do like to go to a toilet with a door that locks, a dry floor and, yes I may be being controversial here, but toilet roll does make the whole experience more pleasant too you know. Well, I'm struggling to think what to write about now, probably because we left after about 45 minutes - I'm sure it would have got busier and livelier later on, but I don't think the night would have been particularly spectacular. One for a quiet drink at the start or the end of the evening, but it didn't really float me boat. And, despite the fact that we are 3 well-presented, fashionable and attractive girls (sorry to be so shallow) I don't think the door staff would have been in a hurry to let us in had we not been in the guest list. I don't know what the policy is, but give it a go, you might just be what they are looking for. Lucky you.
You've made a good start if you can get past the folks on the door I've heard say, but I don't think their policy's that bad really, and anyway, once inside, 10 rooms ain't all that! It is quite good if you're one of those who enjoys celeb-spotting once in a while, but it has a bit of a posey crowd with everyone strutting their trendy butts. Music's quite groovy though, and so is the atmosphere - also a very good place as far as place to sit goes. Don't get me wrong, it's not terrible - it's a nice place actually, but can get boring quickly.


text: picked up a beauty of a model 29-2 with 6 inch barrel last year. it shoots great but always felt like the cylinder was binding slightly. well after shooting lead today, it really was binding. i could cock it and fire single action but not double. got it home and cleaned it real good. under the extractor star too. i noticed the cylinder gap showed almost no light. so i tried a feeler gauge and couldn't even get a .0025 in there. the cylinder spins fine with new primed brass in there. well i took some of my pool chalk and brushed a little on the face of the cylinder. that was enough to bind it up!! it shoots great and will work single action, and i'm not too worried about it to send it somewhere. but what can i do on my own?


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You now have several additional channels through which to promote your website. Choose from social media marketing, video marketing, press releases, email marketing and more.
Jamaica Web Design, Web Hosting, Social Media Management, Video Marketing and more
Yahjam Web Services is a digital agency located in Falmouth, Trelawny, Jamaica, specializing in Jamaica web design services.
We create custom websites that are built to be your number one marketing tool. Our websites are built with Google best practices in mind. All our websites are mobile responsive (adapt to the sizes of all devices) and delivered with on-page search engine optimization. This gives you a head-start for search engine ranking 'out-of-the-box.'
Your website is no good to you if it is not promoted, and Yahjam Web Services offers all the marketing tools you need to get your visitors to your website and convert them into buyers or leads.
We also offer social media services, including social media management, social media account creation and social media graphics creation.
Apart from Jamaica Web Design and social media management, other services that we provide include (but are not limited to) graphics design, search engine optimization, WordPress website management, Jamaica web hosting, domain name services, SSL certificate services and video marketing. Our video marketing service includes video creation and video ranking.
Welcome to Yahjam Web Services, Jamaica Web Design and Marketing services.
We're never satisfied unless you are.
Our Quality and Affordable Services
Web Design & Development
Responsive Mobile Web Design
Website Hosting
WordPress Website Management
Mobile App Developement
Domain Name Services
Advertising Campaigns
Online Marketing Campaigns
Graphic Design
Print Media Design
Social Media Graphics Design
Website Graphics Design
Logo Design
Video Creation
Video Marketing
Video Ranking
Social Media Management
Social Media Marketing
Social Media Account/Page Creation
Marketing & Promotion
Search Engine Optimization
Link Building
Search Engine Ranking
Other Marketing Services
From Yahjam Web Design and Marketing Blog
Ignore local SEO at your own risk!
Jamaican government determined to create a more business-friendly environmentKarl Samuda, the Minister of Industry, Commerce, Agriculture and Fisheries has announced that the government is determined to create a business Read more
Low SEO budget? Why you should select specific pages to optimize and promoteLet's face it. Search Engine Optimization (SEO) can be very expensive, depending of course on many factors. If you are on a low budget and Read more
Jamaica Web Design: Some Of Our Latest Creations
Big Deal Tours
Pepper's Jerk Center
Missions Jamaica
Yahjam Jamaica Web Design and Marketing Testimonial
Yahjam is the best website design/marketing company. Brian has a superb knowledge of what is involved in making a website successful and this is reflected in the customers expression of satisfaction and gratitude. Yahjam has been able to keep abreast of the latest internet trends and marketing concepts, that has put them way ahead of their competition. I know because I am one of the satisfied customers.
Carlton Samuels, CEO Missions Jamaica.