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ITAL UA 161/ITAL GA 2192.002 (SECTION 2) Dante's Divine Comedy: Inferno & Purgatorio
Casa Library, 2nd Floor, Room 203
Wednesdays, 3:30 - 6:10
The first of a sequence of two semesters, the course approaches The Divine Comedy both as a poetic masterpiece and as an encyclopedia of medieval culture. Through a close textual analysis of the Inferno, and the first half of Purgatorio, students learn how to approach Dante's poetry as a vehicle for thought, an instrument of self-discovery, and a way to understand and affect the historical reality Dante utilizes the scientific-philosophical encyclopaedia of his time, but relives it in light of the Christian message. A text of the Christian "paideia" par excellence, the Commedia, is also an extraordinary modern work. Organized on the patrimony of values formulated by classical- medieval culture, the Commedia is a journey towards awareness, in which knowledge implies the rediscovery of the self. These themes will be investigated in the course along with the central theme of the Commedia as a discourse about the "other world" which implies the unveiling of the meaning of "this world." The course will be conducted in English. Dante's Commedia will be read in light of Dante's "minor works." The objective of the course is to familiarize students with one of the most significant texts in Western Culture. Through Dante's text students will gain a perspective on the Biblical, Christian, and Classical traditions as well as on the historical, literary, philosophical context of medieval Europe.
Text: The Divine Comedy of Dante Alighieri, Inferno, Purgatorio, 2 vols. Translated by R. Hollander and J. Hollander, Notes by R. Hollander. New York: Doubleway, 2000-2007.
Additional reading: Jacoff, Rachel (ed.). The Cambridge Companion to Dante. Cambridge, New York: Cambridge, University Press, 2004.
***PLEASE NOTE: The course is strictly a graduate course, but is open to advanced undergraduates. Professor Consent for undergraduates is required. Please contact Professor Ardizzone at firstname.lastname@example.com, and CC email@example.com in order to obtain consent.
This course is taught in English, and also satisfies one of the advanced literature and/or culture & Society course for the Major or Minor in Italian Studies, Romance Languages and Italian & Linguistics.
ITAL UA 271 Boccaccio's Decameron
Mondays, 3:30 - 6:10 p.m.
Casa Library, 2nd Floor, Room 203
This course is devoted to the reading of Boccaccio's Decameron. Boccaccio (1313-1373) is the most important Italian prose writer, and the Decameron is his chef-d'oeuvre.
During the plague of 1348, seven young ladies and three young men decide to leave Florence and to go to live on the Fiesole's hills. In the splendid framework of the 14th century Tuscan landscape, the "brigata" enjoys a natural life and spends its time in conversations interspersed with dancing and chanting. Every day during the hours in which the weather is hottest, they meet in a small wood and tell each other ten stories. The book thus consists of one hundred stories, in which imagination and criticism of established values play a crucial role. These stories inaugurate a new way of considering human beings and their passions, goals, vices, and virtues. This course will focus on the classical medieval background of The Decameron and on the new elements of the culture of humanism which enter to interact and supersede the old models and ideas. This new sense of the past, a past revisited with a critical eye in order to build new ethical values for a new society, is one of the topics that will be introduced and discussed. The course will also provide students with an avenue for investigating the problems of historical knowledge and guide them in developing critical tools and research skills. To that effect, the class discussion will focus on how to move from narrative to problems and from problems to narrative.
This course is taught in English, and also satisfies one of the advanced literature and/or culture & Society course for the Major or Minor in Italian Studies, Romance Languages and Italian & Linguistics.
CORE UA 760 Fascism, Anti-Fascism & Modern Culture
Tuesdays & Thursdays
11 - 12:15 p.m.
CASA Auditorium
The terms "fascism" and "culture" frequently resonate as opposites. We think immediately of sterile, bunker-like architecture, book burnings, and reactionary archaisms. Much fascist culture certainly entailed these. Yet we ignore the centrality of advanced culture to fascist ideas – both in the early twentieth century and beyond – at our own peril. This course examines the nuances of that centrality, through particular instances in historical context: Mussolini's Italy (home of the first fascist revolution and regime), Nazi Germany, Popular Front and Vichy France, and international anti-fascist activity up through World War Two. In particular, we will look at Paris's 1937 Exposition Internationale as a site where these competing cultural ideologies first clashed on a world stage and in aesthetic form. The Exposition forms a kind of laboratory and concentration of these various political phenomena and their respective aesthetic arsenals.
Through the lens of particular cases we will tackle various questions: May we speak of a general fascist theory of culture and representation? How did fascist governments use aesthetics to respond to modernity, or to create a modernism of their own? Was the concept of an avant-garde alien to fascist culture, or useful to it? To what extent was there a movement of international anti-fascist resistance? How did it play out in art, architecture, or literature? May we even speak of a clean, absolute break between an aesthetics of fascism and that of anti-fascism? Did fascism die with World War Two? If not, how (and where) does it live on? What do we mean by the term "fascist" in contemporary culture and society?
We will begin by addressing the history and theory of fascism. We will then examine specific case studies: Italian Futurist art and literature and its relationship to the founding of Fascism; the 1932 Exhibition of the Fascist Revolution in Rome; National Socialist (Nazi) aesthetic policy, Nuremberg rallies, and Riefenstahl's Triumph of the Will (1935); John Heartfield's anti-fascist photomontages; Picasso's Guernica at the 1937 Exposition Internationale; the 1937 Degenerate 'Art' Exhibition in Germany; and revivals of anti-fascist rhetoric and protest in the events of 1968 in the US and abroad. In the context of neo-fascist resurgence, we will also consider more recent manifestations of fascism in cultural discourse, from Timus Vermes' compelling book Look Who's Back (2012), to the nationalist populism of Donald Trump's presidential campaign.
This course is taught in English, and also satisfies one of the advanced literature and/or culture & Society course for the Major or Minor in Italian Studies, Romance Languages and Italian & Linguistics.
ITAL UA 265 Violence and Memory in Contemporary Italy
Tuesdays & Thursdays, 2- 3:15 p.m.
Casa Library, 2nd Floor, Room 203
Acts of violence, against individuals or groups of people, have been recurrent in the history of modern Italy. They have also been open to conflicting interpretations. Was the crowd stamping on Mussolini's corpse in Milan in April 1945 expressing anti-fascist retribution or displacing their collective guilt over years of acquiescence to Fascism? Were the bullets and bombs of the "anni di piombo" from 1969 to 1980 or the mafia bombings of the early 1990s assaults on the fabric of a democratic nation or symptoms of a malfunctioning political system? Violence also has a complicated relationship with collective memory. Did commemorations of executed partisans obstruct the memory of violence against former Fascists? Why are some massacres of civilians well known and publicly commemorated and others largely removed from collective memory? This course looks at five cases where violence has given rise to intense controversy and debate over historical memory. Through close examination of materials in different media and class discussions students will learn to examine sources critically and gain an in-depth understanding of some fundamental themes and controversies in contemporary Italy.
This course is taught in English, and also satisfies one of the advanced literature and/or culture & Society course for the Major or Minor in Italian Studies, Romance Languages and Italian & Linguistics.
ITAL UA 862 The Sicilian Novel: From Garibaldi to The Godfather
Mondays & Wednesdays, 11 – 12:15 p.m.
Casa Library, 2nd Floor, Room 203
Modern Sicilian art and literature emerged in the wake of unification in the mid-19th century. How could an island that had been ruled over the centuries to the Greeks, the Arabs, the French, and the Spanish suddenly become Italian? And why did so many writers and artists abandon Sicily - only to return to it constantly in their work?
In attempting to answer these questions, we'll read short stories by Giovanni Verga and Luigi Pirandello and gialli and critical essays by Leonardo Sciascia, watch several films (Visconti's Gattopardo, The Godfather II, and Terraferma), and familiarize ourselves with extraordinary figures such as the artist Renato Guttoso and the activist Danilo Dolci. We'll also read some background material on Sicilian politics and history, including Peter Robb's dark appraisal of Sicilian politics, Midnight in Sicily, and Dacia Maraini's Bagheria.
Students will be required to do all primary reading in Italian, write weekly response papers, translate one of the short readings, and submit a final paper/project.
Discussions will be held in English and Italian.
This course also satisfies one of the advanced literature and/or culture & Society course for the Major or Minor in Italian Studies, Romance Languages and Italian & Linguistics.
ITAL UA 173 Murder & Modernity
Tuesdays & Thursdays, 12:30 – 1:45 p.m.
Casa Library, 2nd Floor, Room 203
A genre whose development is inextricable from urbanization, crime fiction—like so many other emblems of modernity—is often considered to have arrived belatedly in Italy. Despite this belatedness, Italy is the birthplace of a school of thought that is essential to crime fiction: modern positivist criminology. And in the postwar period a number of critically acclaimed writers refashioned crime fiction as a narrative space from which to launch a broader commentary on Italian culture. This course will investigate the ways in which Italian playwrights, novelists, filmmakers, and artists have made crime a point of departure for literary and artistic experimentation, philosophical reflection, and cultural critique.
This course is taught in English. This course also satisfies one of the advanced literature and/or culture & Society course for the Major or Minor in Italian Studies, Romance Languages and Italian & Linguistics.
ITAL UA 166 Contemporary Italy
Tuesdays & Thursdays, 2 – 3:15 p.m.
Casa Library, 2nd Floor, Room 203
Covers the political, cultural, economic, and social history of Italy since World War II. Starting with the transition from fascism to democracy, examines the Cold War, the growth of a mass consumer society, the social and political movements of the late 1960s and 1970s, the battle against the Mafia, postwar emigration, the rise and fall of postwar Christian Democracy and Italian communism, and the emergence of new parties in the 1990s such as Berlusconi's Forza Italia, Bossi's Northern League, and Fini's neofascist Alleanza Nazionale.
***THIS COURSE WILL BE TAUGHT IN ITALIAN***. This course also satisfies one of the advanced literature and/or culture & Society course for the Major or Minor in Italian Studies, Romance Languages and Italian & Linguistics.
ITAL UA 295 Crime and Punishment in Medieval and Early Modern Europe: A Digital Approach
Mondays & Wednesdays, 3 – 4:45 p.m.
Casa Auditorium
What can the court of the criminal trial tell us about the court of history?
Both operate via competing narratives about the truth. In each case, this storytelling is also intimately tied to evolving technologies for producing that truth. Historians must have their training, manuscripts, and computers; medieval lawyers their knowledge of procedure, admissible witnesses, and scribes.
How then can we best tell histories of crime and criminality? This course will explore (a) the history of crime, law enforcement, and punishment during the period of 1200-1600 and (b) the role that digital tools can play in constructing that history. Our central project will be to investigate the deep problems of writing history from a paucity of very biased sources: the criminal records of a world of the past. We will begin with the central historical questions: What counted as criminal when, who defined it and with what authority? What could count as proof of guilt? What constituted acceptable punishment (torture, imprisonment, spectacle executions, penance) and how did this change over time? From this nexus of problematics, we will then seek to create a digital world of criminality and criminalization through a number of online, collaborative media. These tools will permit us to enter the spatiality and narrative interactivity of the people and places we study. The final project will put our central issues of competing narratives and the production of truth front and center via the creation of a Law and Order type webisode about an historical trial.
No prior digital experience necessary—all skills will be taught in-course.
This course is taught in English. This course also satisfies one of the advanced literature and/or culture & Society course for the Major or Minor in Italian Studies, Romance Languages and Italian & Linguistics.
ITAL UA 311 Court Culture in Renaissance Italy
Mondays & Wednesdays, 2 – 3:15 p.m.
Casa Library, 2nd Floor, Room 203
This course offers the chance to study Italian Renaissance culture within its social and political contexts, focusing especially on the princely courts of northern/central Italy, which were among the most dynamic and innovative cultural centers in Europe in this period. A historical overview will be combined with a focus on particular texts and art-works, and on particular courtly contexts, including the Este and Gonzaga courts in Ferrara and Mantua and the Medici court in Florence. In addition to literature, painting, and sculpture, we will also be looking more generally at the material culture of the courts, at ritual, and at cultural-social practices such as dance, equitation, feasting, and dress.
This course is taught in English. This course also satisfies one of the advanced literature and/or culture & Society course for the Major or Minor in Italian Studies, Romance Languages and Italian & Linguistics.
ITAL UA 724 Italian American Literature
Tuesdays & Thursdays, 11 – 12:15 p.m.
Casa Italiana, 2nd Floor, Casa Library
A study of the fiction and poetry through which Italian American writers have expressed their heritage and their engagement in American life. From narratives of immigration to current work by "assimilated" writers, the course explores the depiction of Italian American identity. Challenging stereotypes, it explores changing family relationships, sexual mores, and political and social concerns.
This course is taught in English. This course also satisfies one of the advanced literature and/or culture & Society course for the Major or Minor in Italian Studies, Romance Languages and Italian & Linguistics.
ITAL UA 116 Readings in Modern Literature
Tuesdays & Thursdays, 9:30 – 10:45 a.m.
Casa Library, 2nd Floor, Room 203
Introductory-level literature course that, through a close reading of authors such as Alfieri, Foscolo, Leopardi, Manzoni, Verga, D'Annunzio, Moravia, and Calvino, focuses on how to understand a literary text in Italian. Covers Italian literature from the 18th century to the contemporary period.
This course is taught in Italian. This course satisfies the Literature Survey Course requirement for the Romance Languages Major & the Major in Italian Studies.
Visual Languages of the Renaissance:
Emblems, Dreams, Hieroglyphs.
MTWR 2:00 p.m.-5:00 p.m.
Nicola Cipani
Making knowledge visible was one of the great Renaissance endeavors. Some of the period's most characteristic products were born out of the conviction that concepts could be systematically turned into images - and that such images could be organized into a visual language, more profound and universal than discursive logic. Egyptian hieroglyphs and dream visions, in their mysterious graphic exuberance, were considered typical vehicles of this advanced mode of communication. The desire to emulate their symbolic density is reflected both in li literature and in art, often in ways that challenge common distinctions between visual and verbal communication. In this course you will be introduced to an assortment of works representative of such interplay between text and image: emblem books, dream books and dream-centered works, hieroglyphic inventions and studies, collections of proverbs, iconology manuals, etc. Among the books examined are some widely considered as the finest examples of design in the history of printing. Early modern and recent theory of emblems will also be discussed. As a present-day counterpart of Renaissance emblems, the course will conclude with a survey of corporate logos and Russian criminal tattoos.
(Please note that this course satisfies one of the elective requirements for the Italian Studies Major & Minor.)
Freshman Seminar: Cinema and War
Mondays/3:00 p.m.-6:00 p.m.
Ruth Ben-Ghiat
This course investigates the relationship of cinema and war around the world from the early 20th century to the present. From the Italo-Turkish War for control of Libya (1911-1912) onwards, film has been integral to shaping public consciousness of military events as they unfold and the public memory of wars after the guns have fallen silent. The course looks at both feature films and non-fiction: we will watch government propaganda, commercial entertainment films and independent documentaries. Topics to be addressed include representations of violence and the enemy; the aestheticization of violence and war as spectacle; how changes in military technology have generated new modes of witnessing; the war film as history film. Case studies include the two World Wars, civil wars, colonial conquest and anti-colonial struggle, Vietnam, the Arab Spring, and American involvement in Iraq and Afghanistan.
Freshman Seminar: Hoarding Before Hoarders
Wednesdays/12:30 p.m.-3:00 p.m.
Rebecca Falkoff
The early years of the twenty-first century have seen an overwhelming cultural interest in people who accumulate things. Hoarding is the subject of medical research, as well as documentary and narrative films, novels and memoirs, theater, painting, photography, and television episodes and series—including A&E's 'megahit,' Hoarders. This seminar is guided by the questions "Why hoarding?" and "Why now?" We will address these questions by studying the contemporary hoarder within a broader literary and cultural context that encompasses fetishists, collectors, misers, rag pickers, gleaners, and other figures defined (and pathologized) by their attachments to things.
Texts: Randy Frost and Gail Steketee, Stuff: Compulsive Hoarding and the Meaning of Things; Primo Levi, "Argon"; E. L. Doctorow, Homer and Langley; Barry Yourgrau, Mess. One Man's Struggle to Clean Up his House and his Act; W. D. King, Collections of Nothing; Scott Herring, The Hoarders; Gustave Flaubert, Three Tales; Nikolai Gogol, Dead Souls; Alexander Stille, The Force of Things; Italo Calvino, Invisible Cities
Seeing and Hearing Things: Mystical Experience Before the Enlightenment
Melissa Vise
Tuesday/2:00-4:30 p.m.
Required cohort meeting: Tuesday/11:00-12:15 p.m.
How should we tell the history of the divine entering into human events? This course will examine mystics and mysticism in medieval and early modern Italy, addressing central issues in the interpretation of these perplexing figures. Key topics to be addressed include: embodiment, identity, gender, medicine, authority, the political weight of mystical experience, ideas of the holy and canonization, the dolce stil novo, and speaking with the dead.
TEXTS & IDEAS: Mapping the Renaissance: Old Worlds and New
Tuesdays & Thursdays/9:30 a.m.-10:45 a.m.
Jane Tylus
Early modern men and women found themselves at the intersection of colliding ideas about the worlds they lived in. They both looked back to antiquity and the Bible, and ahead to new and unpredictable changes regarding religion, geography, and science. A Janus-faced moment, the Renaissance was rooted in the past and anticipatory in many ways of our own time. As we see from ancient texts, such anxiety about the unknown was not entirely new. As we move from the city of Ur (in modern-day Iraq) in 3000 b.c.e. to early modern Mexico in 1700, from a story about a powerful king facing his own mortality to poems by a mestiza nun, we read a variety of texts about borders, journeys, literal and figurative exile, and how one might best leave one's mark on the world. We also consider the relationship between the literature and art of the period, and one assignment will be based on a direct study of a sculpture or painting at the Metropolitan Museum in New York. Readings: selections from the Hebrew Bible and New Testament, Gilgamesh, Homer's Iliad, Vergil's Aeneid, Tornabuoni's Sacred Narratives, Columbus's Four Voyages, Leon-Portilla's Broken Spears, Tasso's Jerusalem Liberated, Shakespeare's Tempest, excerpts from Sappho, Petrarch, and Sor Juana Inés de la Cruz.
Advanced Honors Seminar
Literature and Machines
Tuesdays/12:30PM-3:15 p.m.
Nicola Cipani
Machine metaphors and narratives play an important role in modern literature. They convey beliefs, anxieties, shifts, and reflections on key topics such as the nature of consciousness, the creative process, the dynamics of desire and gratification, gender roles, the organization of society, the meaning of 'nature', etc. This course explores different manifestations of the machine theme in literature, broadly clustered around the following categories: imaginary machines constituting the centerpiece of narrative plots; machine aesthetic as modernist ideal (e.g. Marinetti's "identification of man with motor"); and mechanization of the inventive process (text-generating machines). You will have the opportunity to read and discuss a selection of works from different periods and cultural contexts (Victorian era, Belle Époque, Futurist period, Post-war experimental literature), representative of a wide spectrum of dispositions, ranging from the dreamy immersion in virtual realities to enlightened machine-assisted awakening, from the obsessive fear of mechanistic dehumanization to the desire of man-machine fusion.
Readings in Medieval and Renaissance Literature
Tuesdays & Thursdays/9:30 a.m. - 10:45 a.m.
Elena Ducci
Class taught in Italian
Introductory-level literature course that through a close reading of authors such as Dante, Boccaccio, Petrarch, Machiavelli, and Ariosto focuses on how to understand a literary text in Italian. Covers Italian literature from its origins through the 16th century. The readings will be chosen according to thematic threads: crisis, change, money and desire. The instructor will provide a selection of texts with helpful and accessible interpretive materials (translations, commentaries, secondary literature).
Dante's Lyric Poetry and the Medieval Tradition of Lyrical Poetry
Tuesdays/3:30 p.m. - 6:10 p.m.
Maria Luisa Ardizzone
The course rereads the lyric poetry of Dante as a sort of diary of the intellectual and creative history of the poet beginning from his early youth to his maturity. We will examine the texts by looking at the relationship and exchanges between Dante and the poets of his circle, together with the poetic, rhetorical, and philosophical problems that such poetry faced. We will read also texts of the Italian lyrical tradition from the poets of the Sicilian school to Petrarch and Boccaccio.
***The course will be given in English, is conceived as a seminar and is open to both graduate and undergraduate students.
Dante's Lyric Poetry. Editors K. Foster and P. Boyde. 2 vols. Oxford: Clarendon Press, 1967.
The Poetry of the Sicilian School. Translated by F. Jensen.New York:Garland,1986
The Poetry of Guido Guinizzelli.Translated by R.Edwards.New York: Garland,1987
The Poetry of Guido Cavalcanti.Translated by L.Nelson.New York:Garland,1986
Ardizzone, M.L. Guido Cavalcanti. The Other Middle Ages. London, Toronto: Toronto
University Press, 2002.
Topics in Renaissance Culture: Eros e magia nel Rinascimento
Mondays/11:00 a.m. - 1:45
Lina Bolzoni
Class taught in Italian
Il legame tra eros, poesia e magia è ben rappresentato nel mito di Orfeo, il poeta cantore che grazie al fascino dei suoi versi e della sua musica riesce a ammansire le belve, a spostare i monti, a penetrare nel mondo dei morti per recuperare l'amata Euridice. E' un mito molto presente nel Rinascimento: leggeremo l' Orfeo di Angelo Poliziano, la prima opera teatrale di argomento profano, rappresentata alla corte di Mantova e ne seguiremo la fortuna nella musica e nelle arti figurative.
Le maghe incarnano inoltre la forza pericolosa dell'eros: vedremo come, nei poemi cavallereschi, esse rappresentino il fascino dell'esotico, lo strapotere della passione che distoglie i cavalieri cristiani dal compimento della loro missione; nello stesso tempo la seduzione della maga è una tappa in qualche modo necessaria per la crescita dell'eroe, per la sua formazione. Esempi saranno tratti da Boiardo, Ariosto, Tasso.
Vedremo inoltre dei testi (di Gelli, di Giordano Bruno) in cui viene messa in questione la figura di Circe: è la maga crudele che trasforma in bestie gli amanti di cui si stanca, oppure è colei che toglie la maschera, che svela la vera natura che si nasconde nel cuore degli uomini?
TESTI: Angelo POLIZIANO, L'Orfeo del Poliziano; Matteo Maria BOIARDO, Orlando innamorato; Ludovico ARIOSTO, Orlando Furioso; Torquato TASSO, Gerusalemme liberata; Giovan Battista Gelli, La Circe; Giordano BRUNO, Il canto di Circe
TESTI CRITICI sulla magia
Anita SEPPILLI, Poesia e magia, Torino, Einaudi, 1962
Marc AUGE', Magia, voce in Enciclopedia Einaudi, Torino 1979, vol. VIII,pp.708-723
Eugenio GARIN, Magia ed astrologia nella cultura del Rinascimento e Considerazioni sulla magia, in medioevo e Rinascimento, Bari, Laterza, 1990
Visual Poetry
Thursdays/12:30 p.m. - 3:15 p.m.
Nicola Cipani
This course examines objects with a dual nature: literary artifacts that are also visual compositions — texts that function simultaneously as pictures. While a primary focus will be on Italian 20th century experimental literary forms (parole in libertà, poesia visiva, concrete poetry), students will also explore a wider historical range of such textual-visual hybrids, from the classical world through the Middle Ages, the Renaissance and the Baroque period. In order to trace the transnational circulation of visual models, comparative examples and references from English and other languages will be offered. Specific readings and discussions will address theoretical issues raised by iconic texts — how do we read visual poetry? What does it mean to be a reader and a viewer at the same time?
The course is in English. Materials will be presented in translation.
Italian Films Italian Histories 1
Tuesdays/12:30 p.m. - 1:45 p.m.
Thursdays/12:30 p.m. - 3:15 p.m.
Stefano Albertini
Studies representation of Italian history through the medium of film from ancient Rome through the Risorgimento. Issues to be covered throughout include the use of filmic history as a means of forging national identity.
From the Table to the Page
Tuesdays & Thursdays/11:00-12:15 p.m.
Rebecca Falkoff
"What is the glory of Dante compared to spaghetti?" Italian journalist Giuseppe Prezzolini famously asks in his 1954 history of pasta. While numerous cookbooks cite Prezzolini to evoke Italy's consummate culinary achievements, this course instead poses the question: "What is the glory of spaghetti compared to its representation in literature and film?" We will study novels, novelle, memoirs, cookbooks, and manifestos from the late nineteenth century to the present, reflecting on the narrative functions of elaborate descriptions of culinary triumphs. We will ask what ideological work is performed by such literary gastronomy, and how it contributes to the production of national, regional, and local identities, and socioeconomic differences.
Texts: Carlo Collodi, The Adventures of Pinocchio, Carlo Petrini, Slow Food: The Case for Taste, Giuseppe Tomasi di Lampedusa, The Leopard, Clara Sereni, Keeping House, Elio Vittorini, Conversations in Sicily, Giovanni Boccaccio, The Decameron, Pellegrino Artusi, Science in the Kitchen and the Art of Eating Well, John Dickie, Delizia! The Epic History of Italians and Their Food, Curzio Malaparte, The Skin
Italy out of Italy: A History of Italian Migrations
ITAL UA 861: Topics in Italian-American Culture
Tuesdays & Thursdays/3:30 - 4:45 p.m.
Matteo Pretelli
Italians have been familiar with mobility since antiquity.. Taking a long-term approach, this course aims to address one of the most remarkable historical phenomena of Italian history, namely the emigration abroad of millions of Italians from the 19th- to the 21st-century. Students will analyze in what ways Italy has been a crossroads of peoples and cultures and how, a few decades after the unification of 1861, migrations deeply impacted and affected the lives and identities of Italians. Finally, we will discuss how in recent decades Italy has shifted from being a nation of emigration to one of immigration in the enlarged political context of the European Union. Students will be exposed to interpretative concepts of migration studies, along with the main social, political and economic features of Italian migrations (including anti-Italian bias, or migrant communities' relations with Italy).
Senior Honors Seminar
Ara Merjian
Wednesdays/9:30-12:15 p.m.
This collective, interdepartmental course lends practical, methodological, and strategic support to the writing of the Senior Honors Thesis. We read theoretical works on the process of research and the craft of academic writing, as well as short scholarly texts, upon which we will exercise our own critical readings and analyses. Writing forms the primary thrust of the course: thinking about writing, strategizing about writing, talking about writing, writing in its own right. Most importantly, students engage in regular peer review and critique workshops, presenting and exchanging work with each other at various times throughout the semester. In coordination with your thesis adviser and Prof. Merjian, you will develop the theoretical and practical basis for your research project. By the course's end, you will have produced a significant, initial portion of your thesis, and have generated momentum for the spring term and thesis completion.


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text: US Supreme Court Sen. Whitehouse Questions Gorsuch On Dark Money By Ian Donnis • Mar 22, 2017 The White House U.S. Supreme Court nominee Neil Gorsuch faced questioning in the Senate Judiciary Committee this Tuesday about whether he supports political contributions by unidentified donors. Whitehouse Expresses Concern On U.S. Supreme Court Going On a Conservative "Bender" By Ian Donnis • Feb 6, 2017 Ian Donnis / RIPR U.S. Senator Sheldon Whitehouse said Monday that conservative Supreme Court nominees by President Donald Trump threaten to strengthen corporate interests while weakening the rights of minority groups and other Americans. The economic benefits to RI of DOMA repeal and same gender marriage By Scott MacKay • Jun 28, 2013 When Gov. Lincoln Chafee and gay marriage advocates two years ago touted its economic benefits for Rhode Island they were widely disparaged. RIPR political analyst Scott MacKay explains why Chafee and his allies may well be right.


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reclining sofa best quality nicholas kristof are you safe on that sofa
Decorate at least two walls in the room with art, preferably using the art you used to inspire the colors for your room. The Wide Arm frame is constructed with a durable laminated wood frame and has a steel spring suspension system adapted from the automotive industry, which provides maximum support and comfort while occupying minimal space. We will make an application on your behalf through one or more finance providers at the point of order. Hire reclining sofa best quality cheap event furniture plum sofa and loveseat and it will look cheap....or scratched.....or worn.....everything you won't want it to be. You will have some amount of storage in the cabinets in addition to an ample space to store your Murphy bed for when you it needs to be tucked away. Of course you can still adjust your reclining position using Southern Motion's sub 6-second power motor but an additional motor, completely independent, now drives the adjustable headrest.
Additional detail shines along the edges: silver nail head trim gives this affordable sectional a hint of the high-end.
The fabric is tight and the construction is very good.
I spent a good amount of money for all my furniture in 2014 and after few months I had a problem with sofas.
If the stain remains, repeat the process or try a different method for removing it.
Introduce a modern industrial look we todd did sofa king 810 to your living room with these metal, glass, and wood tables and entertainment pieces.
Hello Angie, the Kelvington 3 Piece Chair, Loveseat and Sofa Set in Chocolate requires assembly.
Braxton Culler reclining sofa best quality and Craftmaster Furniture are other North Carolina-based furniture manufacturers represented in the store.
A It's a beautiful baby quilt that will measure about 30x35 - perfect for a little one. Modeled with a contemporary design, the Baxton Leather sofa offers the look of elegance and modernism for your living room or seating area. When I made a purchase, I was told that if I opened up a Nebraska credit card that I would pay zero/no interest sectional sofa beds for cheap for 6 months. Solid blankets in vibrant tones are often popular choices, especially since large furniture items are frequently neutral in color. The Anna Two-Tone Sofa W/ 2 Recliners have an especially warm and toasty look and feel. A collection of fine contemporary designed adjustable sofa and chair, this sofa set features seating constructed with contoured square patterns in faux leather.
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You can watch Northern Ireland vs. When shopping for discount leather furniture online, we all want to save as much money as possible. I disputed this with my credit card company after I spoke to 3 representatives at Crate and Barrel, all of who had NO IDEA why I was re-charged the credit and said they had to research this and would call me back with an answer. Of course new gas pistons are safe, but once those gas pistons go the bed becomes dangerous to operate. In the groupings just shown, notice how the furniture is placed kind of close together and all the different sofas and chairs are facing each other, one way or another. Not having the back on the ottoman is a big plus, and it can go at either end of the L. The other two members who couldn't take time off of work are, guitarist Richard Gardner, a Welsh Billy Corgan flashback who has talent and experience under his belt, and Stephen Bennett, long-haired drummer and Cornishman of the band. While resilient enough to place in the sofa keyboard tray galaxy the patio, by the poolside or on the deck, this three-seater sofa is surprisingly lightweight and easy to move around. Detailed with channel stitched tufting and chrome legs, it has a split back which adjusts from sofa to lounger to sleeper. If your microfiber couch or sofa has a W, you can get away with a water-based cleaning solution. Also, I purchased the mattress upgrade but the sofa came with the original mattress installed and the upgrade separate. That is why you never see any proposals coming from the Japanese side concerning Revisions of SOFA are closing or reducing of U.S. Building a Ladder Easy instruction on how to build your own 12' wood ladder.
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Tile is toenail-proof, it makes a room look sleek and elegant, and it gives furry animals a cool place to nap during hot weather. When you purchased your furniture your retailer may have supplied you with leather care products which may be more appropriate for your furniture than the cleaning solutions suggested here. Various contentious areas of the FFRs that the Department had agreed to put right, e.g. More than a touch of classic Knoll about both designs, with the chair and sofa mixing retro looks with comfort, thanks to thick back cushions and a deep seat. In this instance, buying a mattress topper can help with the comfort without the hassle of replacing the entire mattress. We offer up to 24 months interest free credit so that getting couch cover for reclining sofa dream bespoke furniture is easier than ever.
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We also offer a 20-year frame guarantee, as well as a two year warranty on electrical components and recliner mechanisms. If you are passionate about designer italian sofas, you will find Primoliving, the ultimate destination, when it comes to the best quality, unique designing and durability. Even if it only lasts for a minute, put the cushions and throw pillows back onto your couch so it looks like it belongs in a showroom. Frank Guzzetta, president of Ralph Lauren Home, said the company is happy to be working with E.J. Whether you have a sofa that has seen better days or you simply want to protect the cheap sofas and loveseats pathe of your brand new loveseat, the products here Custom Slipcovers Now are custom-built to last for years to come. Sometimes a sofa that looks good may not offer the level of comfort required for chillaxing in on weekends. We undertake no obligation to update, amend or clarify information in the Service or on any related website, including without limitation, pricing information, except as required by law. With our most popular Wallhugger Futon Frames you can preserve your floor and home with solutions that never have to move from your wall when converting from sofa to a bed.
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Foam mattresses are more popular than ever and are used for both sofa beds and futons. The philosophy of the Arts and Crafts movement of hand-made products of integrity, utility, and simple style fits well with Amish values and makes mission-style furniture a natural choice for Amish sleeper sofa leather american made Overall delighted with this, the Feather and Black customer and the quality of the product. To create more seating space on a small two seat sofa you can remove one or both arms. A sofa that rests against the wall can be higher, since it won't block any views.
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We had an excellent experience finding the right custom made sofa for our small space home in Mar Vista. After an exhausting search of several near by furniture stores with shabby customer service, a few of them just plain rude, and hours upon hours of internet browsing for that perfect sofa bed, I had finally found what I was searching for on the Jennifer Convertibles website. Close to the sun is so simple, the window of lounge chairs, comfortable urban life leisurely start from here, Ekar furniture for your design. Youll be able to find the specific dimensions of each sofa on their individual product page. And no CC. Please note that the finished price of your sofa is dependent upon the grade of fabric used to upholster it. Place the blanket and tuck it and the top sheets tightly at the foot and then on both side of the bed. That sofa would make its way to a furniture store but I couldn't help but wonder if it should really be at a one-of-a-kind show. Brand new white Ektorp sofa from Ikea and portable apartment size washer and dryer for sale by senior who is moving. Here is another variation of the English roll arm sofa with chunkier legs and a pretty damask fabric, from One King's Lane. Firmly convinced of the fact that very few people are as appreciative as I am of a sofa that looks like it's missing one of its front teeth, I did a little brainstorming and created my own coordinating pillows to fill up the back of the sofa. We brought a cat into our home.....and it is her nails that have done the damage. A sofa plastic cover will keep dust, dirt and water off your sofa, so even if your well-meaning moving buddy brings his muddy dog to moving day, it rains or all those movers end up with dirty hands by the time it's time to move the sofa, you can rest easy that your sofa won't suffer any damage. For added functionality, the Idun comes with a storage underneath the sofa bed so you can easily store sleeping essentials like pillows and beddings when not in use. Once this glider age soy Sleeper furniture a visual statement consider the new neutral instead style to your wardrobe. After all, if we're not willing to use it in our own homes, we won't sell it. When I brought that up to sofa u love I was told to take a pin or a snag tool and simply push the snags back in to hide them - all this for a brand opiniones sofas piel confort 2700 couch.
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The second is that you'll need to give your dog an equally comfortable alternative place to rest and relax. When cargo or passengers not accorded the exemptions of this Agreement are carried on such vessels and aircraft, notification shall be given to the appropriate Japanese authorities, and their entry into and departure from Japan shall be according to the laws and regulations of Japan. The Natuzzi range includes several types of stylish sofa made in and imported from Italy. SOFA BED 214 SECOND BED WITH PULL-OUT PATENTED best indian sofa designs PLATFORM WITH WOODEN SLATS.


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Hey all, how are you? I have the Mpc fired up, about to make a beat for a new artist that I will feature here very soon. Hopefully he'll record at my studio so I can capture the footage.
I've had my Mpc for about 2 yrs now. I must confess I don't use it often enough. First it was the learning curve. Once I learned how to use it, I still thought I could use software more efficiently.
I sat down last week and made a beat on the Mpc2500 really quick. So I guess the final ice has been broken. 🙂
It is time for me to learn this piece of equipment like I know software. I am starting by changing the time signatures. I imagine this will help me get precise chops when recording in real time. Today I am fiddling around with an 8/4 time signature building the beat in 4 bar measures.
Q.First of all, what are time signatures? A.Time signatures are the amount of beats in a measure. Quite simple right? I know not so easy at first for me either lol…Well here is a video that explains time signatures clearly…
Before I begin my beat making, I need to know how to change the time signature. I couldn't find many videos on this for the Mpc2500. I did find one for the 4000.
Expert Village:How to Use the Akai MPC 4000 : Time Signature on the Akai MPC 4000
This is explained on the 4000, but I am pretty sure all mpcs have the same function.
"On the Mpc2500 scroll to the "Tsig 4/4" , highlight the "4/4″ part and select Window to open the editing screen…"
I'll let you know the how the 8/4 turns out. Mpc users what time signatures do you use? and what time signature settings do you think work best for hiphop? Hit me up with some comments below, I'd really like to get some feedback..
Happy Beat Making To All
Pz Til Later!~
Related Posts


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via All that is Solid for Glenn Rikowski
RUTH RIKOWKSI NEWS UPDATE 31 This is the latest of Ruth Rikowski's News Updates. These were previously on her now defunct AOL blog but have been continued and can now be found on a Blogspot blog: Ruth Rikowski News Updates Progression. Ruth Rikowski's latest News Update (no.31) can be found at: http://ruthrikowskiupdates.blogspot.com/ Glenn Rikowski … Read More
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COMMENT´´Words and Deeds´´, by Hendrik Hertzberg: The rhetoric surrounding Tucson.THE TALK OF THE TOWN´´Swarm´´, by Nick Paumgarten: A new instrument hits discordant notes. ´´Shower´´, by Ian Frazier: Waiting for meteors in Queens. ANNALS OF COMMUNICATION´´You´ve Got News´´, by Ken Auletta: AOL sees a future in journalism. THE POLITICAL SCENE´´Don´t Look Back´´, by Ryan Lizza: An odd past for a congressional crusader. ON TELEVISION´´Owning It´´, by Nancy Franklin: The Oprah Winfrey Network.THE CURRENT CINEMA´´Man Up´´, by David Denby: Reviews of The Green Hornet and The Dilemma. Language: English. Narrator: Dan Bernard, Christine Marshall. Audio sample: http://samples.audible.de/pe/nyer/110119de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.
In this issue: COMMENT ´´Paying for It´´, by Elizabeth Kolbert: Could a carbon tax help solve Washington´s revenue problems? ANNALS OF COMMUNICATION ´´The Heiress´´, by Ken Auletta: Elisabeth Murdoch´s careful rise. A REPORTER AT LARGE ´´Netherland´´, by Rachel Aviv: The world of New York´s homeless gay teens. THE CURRENT CINEMA ´´Moments in History´´, by David Denby: Reviews of Hyde Park on Hudson and The Central Park Five. Language: English. Narrator: Dan Bernard, Christine Marshall. Audio sample: http://samples.audible.de/pe/nyer/121205de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.
In this issue: COMMENT´´Buildings and Books´´, by Ian Frazier: What the New York Public Library is for. ANNALS OF COMMUNICATION´´The Hillary Show´´, by Ken Auletta: Can Hillary Clinton and the media learn to get along? PROFILES´´Inheritance´´, by Ian Parker: Edward St. Aubyn´s life of privilege and abuse.THE CURRENT CINEMA´´Disconnected Man´´, by David Denby: Reviews of Night Moves and The Double. Language: English. Narrator: Todd Mundt. Audio sample: http://samples.audible.de/pe/nyer/140528de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.
In this issue:COMMENT´´Days of Rage´´, by David Remnick: The Cairo crackdown.THE FINANCIAL PAGE´´Clawback´´, by James Surowiecki: Why is lobster suddenly so cheap?LETTER FROM JORDAN´´City of the Lost´´, by David Remnick: Refugees from the Syrian terror. THE POLITICAL SCENE´´After Bloomberg´´, by Ken Auletta: The Mayor discusses his tenure.THE CURRENT CINEMA´´Social History´´, by David Denby: Reviews of The Butler and Lovelace Language: English. Narrator: Todd Mundt. Audio sample: http://samples.audible.de/pe/nyer/130821de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.
In this issue:COMMENT´´Road Show´´, by Laura Secor: Ahmadinejad's last run at the U.N.THE FINANCIAL PAGE´´Corporate Welfare Queens´´, by James Surowiecki: Big help for big business.ANNALS OF COMMUNICATION´´Citizens Jain´´, by Ken Auletta: Where newspapers are thriving.A REPORTER AT LARGE´´The Sequel´´, by Connie Bruck: Ron Burkle's Hollywood dream.THE CURRENT CINEMA´´Mad Love´´, by David Denby: Reviews of Wuthering Heights, The Paperboy and Trouble with the Curve. Language: English. Narrator: Todd Mundt. Audio sample: http://samples.audible.de/pe/nyer/121003de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.
In this issue:COMMENT´´China's Crisis´´, by Evan Osnos: A family scandal exposes the system.ANNALS OF GASTRONOMY ´´Raw Deal´´, by Dana Goodyear: A major food fight in California. ANNALS OF HIGHER EDUCATION´´Get Rich U.´´, by Ken Auletta: Is Stanford too close to Silicon Valley? BOOKS´´Unreconciled´´, by Philip Gourevitch: A review of Patrick Flanery's novel, Absolution.THE CURRENT CINEMA´´Funny and Funnier´´, by David Denby: Reviews of Bernie, The Three Stooges, and Lockout. Language: English. Narrator: Dan Bernard, Christine Marshall. Audio sample: http://samples.audible.de/pe/nyer/120425de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.
In this issue:COMMENT ´´Safer Streets´´, by Amy Davidson: Why are the police treating so many people like criminals? THE TALK OF THE TOWN ´´Follow the Leader´´, by Michael Schulman: Russell Brand´s retelling of a German legend. ANNALS OF INNOVATION ´´Blood, Simpler´´, by Ken Auletta: One woman´s drive to upend medical testing. LETTER FROM CALIFORNIA ´´Hollywood and Vine´´, by Tad Friend: Are the videos on YouTube and Vine the future?A CRITIC AT LARGE ´´Let It Go´´, by Joan Acocella: A history of hoarding. ON TELEVISION ´´Small Differences´´, by Emily Nussbaum: A review of the Showtime series The Affair. THE CURRENT CINEMA ´´Swinging Seventies´´, by Anthony Lane: A review of Paul Thomas Anderson´s Inherent Vice. Language: English. Narrator: Todd Mundt. Audio sample: http://samples.audible.de/pe/nyer/141210de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.
In this issue:COMMENT´´Union Blues´´, by Hendrik Hertzberg: What´s going down in Wisconsin.THE TALK OF THE TOWN´´Sexy Books´´, by Dana Goodyear: The publisher Benedikt Taschen's fiftieth birthday party. ´´Pacing It´´, by Mark Singer: A day on Broadway with Tom Stoppard. THE FINANCIAL PAGE´´The Tyrant Tax´´, by James Surowiecki: How to fix the Middle East's economies.ANNALS OF COMMUNICATIONS´´The Dictator Index´´, by Ken Auletta: Mo Ibrahim's plan for Africa.OUR LOCAL CORRESPONDENTS´´Fish Tales´´, by Kelefa Sanneh: The making of a hot spot.THE CURRENT CINEMA´´Control Yourself´´, by David Denby: Reviews of The Adjustment Bureau and Unknown. Language: English. Narrator: Dan Bernard, Christine Marshall. Audio sample: http://samples.audible.de/pe/nyer/110302de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.
In this issue:COMMENT´´Enemy of the State´´, by Nicholas Lemann: Ron Paul's hostility to government.THE TALK OF THE TOWN´´Supercop", by Lauren Collins: Bill Bratton, David Cameron, and British Gangs.PROFILES´´All Due Respect", by Peter Hessler: An American reporter takes on the yakuza. ANNALS OF COMMUNICATIONS´´War of Choice´´, by Ken Auletta: Marco Rubio's battle with Univision.SHOUTS & MURMURS´´Center of the Universe´´, by Simon Rich: How the world was created.THE CURRENT CINEMA´´Tehran Tales´´, by Anthony Lane: Reviews of A Separation and The Hunter. Language: English. Narrator: Dan Bernard, Christine Marshall. Audio sample: http://samples.audible.de/pe/nyer/120104de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.
In this issue:COMMENT´´Game Change´´, by Amy Davidson: An epic postgame interview.THE TALK OF THE TOWN´´Names´´, by John Seabrook: Clive Davis, before the Grammys.´´All Grown Up´´, by Tad Friend: Jonah Hill is almost thirty.LETTER FROM CHENGDU´´Class Consciousness´´, by Ian Johnson: The rise of Waldorf schools in China.ANNALS OF COMMUNICATIONS´´Outside the Box´´, by Ken Auletta: Netflix and television's great disruption.BOOKS´´The Outlaw´´, by Peter Schjeldahl: New perspectives on William S. Burroughs.THE CURRENT CINEMA´´Ordinary People´´, by David Denby: Reviews of Generation War and Ride Along. Language: English. Narrator: Dan Bernard, Christine Marshall. Audio sample: http://samples.audible.de/pe/nyer/140129de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.


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At Dollar General, our customer is at the center of everything we do! We are a fast-moving Fortune 200 publicly-traded company with more than 14,000 stores and 14 distribution centers in 44 states, growing by hundreds of stores each year. We work in an energetic atmosphere that embraces innovation and teamwork. At Dollar General, you can see a clear and fast path to career growth and success. We are committed to attracting talented and motivated people who can advance our mission of "Serving Others." Let's Grow Together!
Job Title: Buyer
Department: Merchandising, Home Decor
Reports to: DMM
Supervises: NA
General Summary:
Serve the customer in all aspects of merchandise selection; analyze and maintain the value of all items sold in our stores. Assist in the flow process and presentation of merchandise to our customers. Facilitate the internal and external partnerships that allow Dollar General to serve others by being a customer driven distributor of consumable and non-consumable basics. More limited SKU, vendor, and supply chain breadth than Senior Buyer position.
Plan, evaluate and provide monthly projections for core items to maintain our95% in-stock goal.
Assist all teamshare partners in matters that are directly or indirectly involved
with merchandising, i.e. accounting, reorder, retail, distribution, import, logisticsand vendors.
Maintain accurate vendor and item information to best control procurement and
logistical flow of merchandise until it reaches our customer. Research and
negotiate vendor base to identify the best value for our customer. Penetrate
new market share while maximizing shareholders reward. Evaluate, select,
design, and develop merchandise for both core and non-core distributionand presentation in store.
Develop line review and generate plan-o-grams for department andcommunicate these for proper presentation to our customer.
Work Exerience and/or Education:
3 to 5 years of merchandising experience required, preferably as a Replenishment Buyer, Assistant Buyer, or Planning Manager. College degree strongly preferred.
Software Powered by iCIMS


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Serving ballpark a Muni problem
Published 4:00 am, Saturday, March 2, 1996
1996-03-02 04:00:00 PDT SAN FRANCISCONA: CHINA BASIN; MUNI -- Muni could charge extra to guarantee a seat on buses to ballgames or sell the name of a Metro station to pay for the increased cost of serving a China Basin ballpark, staffers say.
Muni's problem is that while more people would ride buses and Metro trains to a new Giants ballpark, cash fares wouldn't cover the cost. So the transit system is looking for innovative ways to keep the expense about the same as Muni now incurs by running buses to Candlestick Park.
Just 8 percent of the fans at Candlestick arrive via Muni. The rest drive.
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By contrast, the Giants expect 14 to 20 percent of fans attending games at China Basin the first year to arrive by transit and are aiming at 50 percent.
A recent San Francisco County Transit Authority study found that the burden of providing added service would fall heavily on Muni.
Muni runs 22 buses to Candlestick for day and night games and 27 on weekends. In 1993 - a good year for the Giants - Muni calculated that the service cost $593,000 and returned revenue of $243,000, spokeswoman Anne Milner said.
Muni's initial cost estimate for serving the China Basin ballpark at Second and King streets is about $1 million a season, and cash fare revenue won't cover the whole bill, General Manager Phil Adams said.
In a memo to Adams, the Muni planning staff outlined the following strategies for closing the gap:
*Premium fare bus service: This service would include guaranteed seats for service to the park from BART or downtown for fans willing to pay a little extra to avoid standing.
*Station naming rights: Muni could contract with a corporation to include its identity and logo in the formal name of the Second and King streets Metro station, as well as on maps, schedules and other public information.
*Ballgame pass: These passes would be marketed to corporate and other season and premium ticket purchasers - a convenience item without any significant discount.
*Ticket surcharge: A 30 cents per ticket charge added to Giants tickets would cover all Muni costs for ballpark service.
*Parking revenue: Muni could recoup costs for China Basin ballpark service if it were to receive a portion of parking revenue.
The Giants hope to open the privately funded stadium in the year 2000. San Francisco voters will decide March 26 whether to grant the Giants the zoning variances they need to begin the process of obtaining a building permit for the ballpark.<


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One of the most popular questions we hear in relation to letting wine breathe is why? So, why do we let wine breathe? It's a fair question to ask; after all you wouldn't let many other drinks sit for a reasonable time before drinking them, so why should you do this with wine?
Letting wine breathe – is this really necessary?
Let's get one thing straight to starte, if you want to uncork a fresh bottle, pour out a glass and drink it straightaway, you can do. There is nothing stopping you from doing this and the wine will certainly taste alright(ish) but not at its best.
Most experienced wine drinkers know that opening the bottle in advance and letting the wine sit and relax will make a difference to the taste- but do you really have eight hours or so to wait? Just think a moment on the size of the neck of the bottle how much air can really enter the wine below and how will it reach the bottom of the bottle? To set you mind at ease, we will discuss methods of letting wine breathe later in this article on Letting Wine Breathe.
Back, to our question, why bother letting wine breathe? Simple, we want to improve the taste and drinking experience. You will be surprised at how much difference and how much better it will taste when you let wine and air mix together. You will get a lot more appreciation from your wine whether it is red or white wines. For most non-professionals the change is most noticeable in red wines.
How do you get wine to breathe?
So, how do you go about letting wine breathe ? The least efficient way of letting wine breathe is the simply open the bottle and let it stand. For some wines the standing might be for eight hours or more so it isn't very practical for the modern day drinker of wine. So whilst the wine will be exposed to the air it is not very efficient and we live in the twenty first century so we love efficiency and effectiveness.
Another option for letting the wine breath is to use a glass decanter. Open the bottle of wine, pour the wine into the decanter, which starts the aeration process and then you can leave the decanter until you are ready to pour the wine into the glass and take your first sniff and sip. Decanters are invariably designed to increase the surface area of the wine in contact with the air to enhance the level of wine aeration.
The Downton Abbey method- works but…
A decanter option is typically viewed as a more traditional method. For wines which are famed for a heavy tannin content, like a Cabernet Sauvignon or Cabernet Franc, the wine is often the wine is decanted from the bottle to the decanter using a decanting funnel, such as a Black Velvet WineWeaver, to assist with the smooth transfer of wine from one vessel to the other and to add the benefit of more aeration in the process.
We mentioned 8 hours earlier in the article, that is because some heavy tannic wines could be left in the decanter for 8 or more hours before drinking. Yes, imagine the butler, Mr Carson in Downton Abbey pulling a bottle from the cellar immediately after breakfast and decanting it for the dinner at 8pm. No small wonder the cook had to decide what was being served for dinner early!
So what to do if you can't have a butler like Mr Carson in Downton Abbey or Jeeves of Jeeves and Wooster fame? We scratched our heads and had to come up with something which works immediately, minimises the washing up (I know, we don't have a scullery maid either) and yet gives us a fabulous, straight after work wine experience.
We designed a wine aerator which get straight to the point of letting wine breathe. Basically it is a very, very old tried and tested method with a modern look. The objective is to lets you pour the wine from the bottle directly into your wine glass (no decanter washing and drying issues) and whilst you pour the WineWeaver's perforated spout starts the aeration process which continues until the wine reaches the final part of the glass. It lets the wine aerate and thus immediately improves the flavour, releases the scents of the wine to enhance the drinking experience.
The 21st Century
The WineWeaver gives decanting a twenty-first century make-over and not before time either! If you want to know more about how the technology works check How WineWeaver aerates
All you have to do is choose your wine, choose your glass and adjust the spout. Open, pour and drink your enhanced wine. Could it be easier?
That covers most commercially sold wines, but remember, wine aerators aren't in the business of trying to work miracles, they are a tool to improving the drinking experience and in our next section we explain a little more about fine wines and wine aeration.
How long should you let wine breathe
There are no hard and fast rules for letting wine breathe, and much will depend upon the grape varietal and vintage, in particular the vast majority of red wines will invariably benefit from some level of aeration. Wines such as Cabernet Sauvignon are famous for the tannin in the wine. This isn't a bad thing, it is a natural product of the wine-making process. Remember, some wines and in particular old world wines, take years to make before they are released to the public and even then, the wine-maker might suggest the bottle are laid down (to wait) before drinking.
So your wine might have been sitting and waiting for years before you open it. So utilising a wine aerator like the WineWeaver can greatly speed up the time that is takes for a wine to breathe, allowing you to enjoy the benefits of aerated wine in a fraction of the time it would otherwise take. That is why, just opening the bottle and letting it sit isn't really very useful. The wine needs a little wake-up call after all that waiting around. A gentle wake-up call so don't try to shake the bottle!
Top Tips- letting your wine breathe
So, when letting your wine breathe you have to consider the tannic content of your wine. Our top tip is just ask your wine merchant when selecting the wine what the tannic content is like- light, medium or heavy. If it is light or medium, then just use the WineWeaver straight on the glass. If it is heavy you can use a WineWeaver with either a decanter or jug.
Professional Wine Taster and Master Sommelier, Christopher Delalonde often writes about the impact wine aeration has upon different wines in our Wine Lovers Blog, so why not take a look at Christopher's Posts and find out a little more about letting wine breathe.
In summary, preparation is everything so buy a wine aerator now and when you are ready choose your wine and the wine glass, open the bottle, pour and drink. You will be loved for the skill, visual delight and pure pleasure of drinking an aerated wine.
PS: Just in case you didn't already know Downton Abbey now have the Countess Grantham Collection of wine. As the UK is known for it's sparkling wine and the Countess is an American, it will be no surprise to you that it is a wine from California.


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- jvirginia
- 2 months ago
Hi everybody, first post here! I've been unofficially waiting with my lovely partner for months now, but we have a solidified date of around the holidays this year. She and I are very much in love and so ready for the next step. We are moving in together in a week, and made a timeline in February about how we'd like our relationship to progress. She is a graduate student in Forensic Science and I am finishing up my bachelor's in History. It is so exciting to be in the official process of waiting. We met by chance online on OkCupid, she sent me a message as I was about to delete my account. I am so lucky that I saw that message. Anyways- waiting bees, especially university ones- how do you balance waiting with your school? It's so hard for me NOT to daydream in class and spend all of my time on pinterest! Don't get me wrong, I'm a highly dedicated student: I'm in the process of writing an honor's thesis! But still, it's a bad habit The waiting feels like it's going to kill me sometimes, and I can't help but start acting like an inquisitor to my poor girlfriend. She's a good sport though!


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Featuring a minimalist-inspired design, this compact basin is perfect for bathrooms with limited space. Part of the Roca line of bathroom accessories, this basin encompasses sharp lines and modern curves. It has space for a side-mounted tap, and is customisable for right or left-handed installation. It includes the basin with fixing kit, allowing for a wall-mount that maximises smaller spaces. Dimensions of the basin are 550mm (width) x 320mm (depth). It does not include brassware, waste fittings, or a towel rail. There are many options to choose from, and buyers can select items to match their current bath hardware. Those who prefer a different mount may choose to add a semi-pedestal. This basin is high quality vitreous china, and has a glossy white finish that goes well in any bathroom.
Available Variations of this product include...
- 32724Z000 | Roca Meridian-N Compact 550mm Basin - Handing Left
- 32724Y000 | Roca Meridian-N Compact 550mm Basin - Handing Right
- 337242000 | Roca Meridian-N Compact 550mm Basin - Pedestal Semi Pedestal


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It might not occur to most people, but some of the best and most popular video games of all time are the simplest and least complicated. Do you think Tetris, as monumental as its success has been, was ever thought of as complicated. There are no fancy graphics, epic battles, or gorgeous videos to "enhance" the gameplay in Tetris. The gameplay is sound and classic enough that Tetris can just be Tetris and everyone loves it.
There have only been a handful of games like that in the history of gaming, games with such impressive and perfectly crafted gameplay that there's no reason to brighten them up or make something special. These are games that will be remade until the end of time in new and impressive packaging, but never changing the gameplay for new platforms. Tetris might be packed into a tiny little Nintendo DS cart and a bunch of Nintendo characters added to its repertoire, but it will never not be Tetris.
The same can be said for all of these classics of puzzling game simplicity, the best of the simplest games around, and titles that no generation will ever not be given the chance to play.
The original mass popular puzzle game, Tetris has seen more iterations on more consoles and platforms than any other game in history. If there's a new console, there will be a Tetris. If there's a cell phone, computer, iPod, or new gameboy, there will be a new Tetris. The simplicity of Alexey Pajitnov's masterpiece is what makes it so enduring.
The game found arcade release at first and later console, home release, but it was with the 1989 Gameboy release that Tetris found the massive foothold that it still holds today. Often named as one of the greatest games of all time, it's surely the most addictive.
Born as an arcade derivative of Bubble Bobble, an extremely popular NES game, Bust-A-Move took the characters from that popular series and turned them into bubble flinging puzzlers. SNK's coin op masterpiece has seen multiple releases over the years and with those releases, multiple upgrades, the newest versions of the game containing hundreds of levels and variations.
The root of the gameplay though, lies in shooting colored bubbles at other colored bubbles. Three or more stuck together makes them fall and the goal is to knock them all down. It sounds simple, but with time limits, growing numbers of color variations, and a ever more crowded screen, the game can get pretty hard pretty fast.
The newest game on the list is Q Entertainment's PSP puzzler, Lumines. Originally released as a launch title in 2005 for the PSP, Lumines was the best reviewed game at the time for the handheld and today still is. The game is a combination of block, Tetris style puzzling, and smooth rhythm game music. Blocks of four fall from to the bottom of the screen, each of the four blocks made up of one color. Your goal is to put the colored blocks together and form a square of all the same color. The more of these you get at the same time, the more points you get.
The pleasure of this game lies in that it is only as hard as you want it to be. It takes a while to get to the harder levels, and you are free to play the lower ones only if you want. The speed changes as it gets harder and you almost have to get multiple sets at once. Lumines is available for the PSP, as well as its sequel, Lumines II, and a superb port to cell phones was released just last year, along with a very recent port to the Playstation 2.
Dr. Mario
A game that has sadly been neglected for a few years too long, Dr. Mario was a classic game of lining up three of the same color, represented by one half of a pill, thrown onto the screen by Dr. Mario. A very similar color matching system to many puzzle games, Dr. Mario was great because of its quirky characters and catchy tunes. It's been a while since I've seen a version of Dr. Mario around, but I don't imagine Nintendo will let it sit for too long. If nothing else, a Virtual Console edition for the Wii will be released eventually.
Bejeweled is another relatively new game, originally released as a flash game in 2001. Since then it's gone on to garner ports to most cell phones, PDAs, different websites, and recently Xbox Live Arcade. The game is an immensely addictive variation of the color matching block game, but this time around you already have all of your blocks on the table.
The goal then is to line them up and make them disappear. The game has been retooled recently for multiplayer use and variations of it can even be found on video arcades and gambling machines at bars and bowling alleys. The "match three" concept has been copied repeatedly and Bejeweled has spawned a dozen or more copy cat style games.


text: They're having a MCU Marathon (on Star Movies) that will lead up to the premiere of CA Civil War Tonight. No Iron Man movies, which is fine -- he/RDJ is already overexposed as it is. I forgot how heartbreaking that scene where Thor tries to lift Mjolnir and discovers that he can't.


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Brand Label: Ps By Paul Smith
Available for Purchase Online at Farfetch US for $495.00Pin It
Blue leather and calf hair leopard print ankle boots from Ps By Paul Smith. Size: 40. Gender: Female. Material: Leather/Calf Hair.
Shop other brand label items from Ps By Paul Smith on FashionStylist.com.
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ADVERTISING; Scali, McCabe Post
By Geraldine Fabrikant
Published: September 14, 1987
Sam Scali, who is 53 years old and co-founder of Scali, McCabe, Sloves, has been named to the new post of president of worldwide operations. Mr. Scali has been with the agency for two decades, having met the agency's chairman, Marvin Sloves, three years earlier at the now-defunct Papert, Koenig, Lois. Along with his new job, he will continue as worldwide creative director responsible for overseeing all advertising developed in New York.


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2015 Toyota Vellfire 3.5 ZAG - FULL SPEC with MODELLISTA KIT
Seller Information
Key details
Car type Recon Car
Make Toyota
Model Vellfire
Variant ZA
Year 2015
Engine Capacity 3498 cc
Transmission Automatic
Seat Capacity 7
Mileage 10 - 15k
Colour White
Seller's comments
Say Carlist.my for the best deal
2015 Toyota Vellfire 3.5 ZAG - FULL SPEC WITH BODY KITS
3.5cc Engine V6 Engine
Original Year Made 2015
Imported from Japan Premium Dealer
FULLY LOADED with 4 Cam (Bird Eye View)
Contact me for more details on the specifications.
I will explain to you thoroughly on the specifications of Vellfire's in the market.
Kindly contact / Whatsapp me at Show Phone Number 018-363 5388
***Price is before GST***
Financial calculators
Car loan monthly installment* RM 4,381.93
* Please use this calculator as a guide only. All interest rates, amounts and terms are based on a personal simulation by you and your assumptions of same. The results in every case are approximate. Carlist.my does not guarantee its accuracy or applicability to your circumstances.
Specifications & Equipment
Engine Specifications
* Specifications and equipment have been sourced from RedBook and are based on manufacturer standard specifications. Actual specifications for this vehicle may differ, please confirm with the seller.


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Cognizant Snapshot Breakfast - True Customer Experience through Next Generation Shared Services
Cognizant's Snapshot Breakfast May 20, 2016: True Customer Experience through Next Generation Shared Services
– new tools, new possibilities
The discussion of how to manage and adapt for best-in-class digital experience continues in our third Snapshot Breakfast 2016.Visit previous breakfasts to find out more.
How far can we reach when it comes to efficient, smart and cost-effective solutions for service centers? How can we deliver the service, knowledge and linguistic ability, which fully meets the demanding customers expectations of service? And how can you at the same time achieve significant cost savings? What is the analysis behind the decisions, and how can a shared service center become a strategic approach for a more efficient digitalization process?
Meet up and be part of the conversation about what we mean by shared next generation service center – even better customer service, customer experience and real cost savings.


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Dispute looming. Client access to WP-ADMIN. Website is on my server
My question is:
Should a money dispute arise, like I suspect one will is the client able to access the database and everything so they can migrate it to their website? They don't have FTP access or access to the database. BUT they do have the controls available in wp-admin.
There is still about 20 hours of work to go but constant alarm bells have arisen which worry me.
So I want to be able to withhold the website if I can, but I think they already potentially can access all that is required via wordpress wp-admin if they are cunning enough.
If that's the case, I think I'll bring up my concerns to talk out before I continue…
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text: With new construction on a 13'x20'x9' dedicated ht, what have other members experienced in regards to acoustical treatments? Do I wait until I hear problems or plan and purchase now. Money is an object. What have people found is most important bass traps, FO reflections, etc? In the gallery it appears that most rooms don't have the amount of treatment (if any) manufacturers recommend. Are there things I should do now and wait for others? I worry about a "dry" space. Any opinions would be greatly appreciated.


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Campbell Scientific manufacturers a wide range of dataloggers that are versatile, powerful, reliable, low power consumption and rugged. Models like CR10X, CR1000, CR800 and CR200 have been widely used for data acquisition in the geotechnical and structural monitoring projects all over the world since 1990's. All Campbell Scientific dataloggers are programmable and are designed to meet various requirements on the type, number, precision, and speed of measurements.
As an authorized Value Added Reseller (VAR) of Campbell Scientific, Specto Technology has long and extensive experiences in designing and building data acquisition system based on the equipment from Campbell Scientific. We are specialized in providing custom solutions for infrastructure projects such as tunnels, bridges, dams, highways, subways and railways, environmental monitoring such as noise, vibration, dust, gas and weather, and interfacing with other systems such as SCADA and ARGUS.
To view more information on Campbell Scientific products Click Here


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Associate Professor Glenn Stone
Computer Science (School of Computing, Engineering and Mathematics)
Research Program: Human-Machine Interaction
Dr Glenn Stone is an Associate Professor in the School of Computing and Mathematics. He holds a BA in Mathematics (Oxford), an MSc in Computer Science (Manchester) and a PhD in Statistics (Bath).
After a period of teaching Statistics at the University of Bath, he moved to Australia and joined the CSIRO in 1993. There he worked on the development and application of statistical methods for a wide range of areas, including spatial smoothing, data mining, insurance risk and biostatistics.
From 1999 to 2003 he was a Principal Research Analyst at Insurance Australia Group, returning to CSIRO in 2003 to work in bioinformatics and biostatistics, and more recently remote sensing. He joined UWS in 2011.
Research Interests
Computationally intensive statistical methods with applications in:
- Flow Cytometry in Food Safety
- Remote Sensing
- Meta-/Ecogenomics
- Wavelet methods for non-Gaussian data
Qualifications and Honours
- PhD. in Statistics, "Bivariate Splines", University of Bath, UK. 1988
- M.Sc. Computer Science, "Implementing Inference Rule Systems: Some Experiments", University of Manchester, UK. 1985
- B.A.(Hons) Mathematics, (First class), University of Oxford, UK. 1984
Contact Glenn
|+61 2 9685 9253
|Western Sydney University Parramatta campus


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First Google warning about content curation
Matt Cutts, header of webspam team at Google, has launched the first warning against content curation. For the manager of Google, the Stitching Content generated by the combination of fragments of other websites effortlessly abstract or creative development, it is not a good solution. The web curation is a cheap marketing content that saturated the Google systems with repeated content.
Post in Spanish: Primera advertencia de Google sobre content curation


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Please join us this Sunday June 18th, 2017 as Pastor Mike shares on Honoring our Fathers.
Recent Messages
Mar 19, 2017
Divine Delays
Join us as Pastor Mike brings forth the message "Divine Delays" in which he shares that despite situations or circumstances God is always on time.
Duration:38 mins 50 secs


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Carolina Beach Office Cleaning Contractors
One of the best things about office cleaning Carolina Beach, NC services is that you won't have to do any of the work yourself. If you want your office to stay clean all the time but don't want to do the work, you will find that there are professionals you can hire who are fully equipped and detail-focused. These professionals will be able to perform a number of different cleaning tasks, including window washing, vacuuming, dusting, and much more. No matter what your specific cleaning requirements are, you will be able to count on one of these Carolina Beach office cleaning businesses to be of help.
Call us 24/7 (877) 761-1696
What zipcode
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A good Carolina Beach office cleaning businesses will be able to do wonders for you when it comes to freeing up your schedule so you have more time to do the things you want. It is certainly worth it to look into hiring these professionals, simply because of how much easier they can make your life. You will also be able to choose how many days a week you want your office cleaned by these professionals so you will get exactly what you need without any issues. These days a lot of business people hire professionals to clean their offices, so you will want to think about doing the same.
House Works Cleaning Service330 Kemper Rd Hampstead, NC 28443
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Alan Holden Vacations128 Ocean Blvd West Holden Beach, NC 28462
Arnold Custom HomesPo Box 936 Hampstead, NC 28443


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Facilitators Workshop
Students experience leading and facilitating in a group setting and to observe what roles they play in a group. They apply tools tools for observation and action to help them to be a more effective leaders and facilitators.
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Bullying Awareness Lessons, Activities and Resources
What are the different types of bullying? What are the impacts? What is the role of the bystander in bullying? What can be done to stop bullying? These questions are addressed by the activities included in a workshop designed for middle...
6th - 12th 21st Century Skills CCSS: Adaptable
Outdoor Action Leadership & Group Dynamics Workshop
Students practice tools of observation and action to become a more effective leaders and facilitators. They engage in group exercises, one-on-one, and journal writing. In addition, they create base groups that to experience group...
12th - Higher Ed 21st Century Skills
The History Blueprint: The Cold War (World)
How and why was the Cold War fought? A carefully crafted, inquiry-based unit covers seven major topics: the roots of the Cold war, decolonization and nationalism, the three-world order, American foreign policy, American domestic policy,...
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African Americans after the Civil War
Students explore the events of Reconstruction after the Civil War. In this US History lesson, students complete several activities and worksheets that reinforce challenges and social upheaval experienced in the South after the Civil War.
8th - 12th Social Studies & History
A Scene from a Middle School Classroom
Citizens in the modern world can't imagine making the same social choices made by many Germans in the 1920s and 1930s, but they don't realize that they actually do it every day by ostracizing others. A case study of middle schoolers...
9th - 12th Social Studies & History
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This INCO 2017 "International Networking Conference on Transportation in the South" is focussed on reconnecting and setting up concrete action plans by identifying joint research interests, joint project opportunities and identifying potential funding channels.
The 3-day event will kick-off with opening speeches and a poster session where all participants present a specific case, their field of research or work in general or specific challenges they face. This will allow the participants to get to know each other and to discover links and potential partners for projects. On the second and third day we will have interactive workshops to foster project development: a workshop on joint curriculum development and a workshop on proposal writing and funding channels. The workshops are alternated with focussed networking and brainstorm sessions between all participants, which will result in concrete action and plans to take cooperation forward after the networking conference.


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Laney College nutritional sciences
Think about what career is best suited for you, and where you want to study. Request more information now.
Think about what career is best suited for you, and where you want to study. Request more information now.
Think about what career is best suited for you, and where you want to study. Request more information now.
Learn about Laney College nutritional sciences, and registering for elective discussion sections and seminars. Which college degrees give you the best chances of finding employment after graduation? Seek out accredited nursing programs for the best training. Given a brief hospital internship or prior work experience, you can expect a great return on your medical education. Concentrating on Laney College nutritional sciences, for example, you may gain an advantage in job recruiting on-campus. Check with the nutrition department for course registration deadlines, and dieting program requirements. Please use the form above to request admissions info for Laney College.
The science of nutrition extends beyond a biochemical analysis of food, assimilation, and digestion within the body. Whole foods provide the energy and nutrients you need to maintain health. Required nutrients include proteins, carbohydrates, fats, vitamins, minerals, and water in abundance. Healthy eating isn't hard in fact, but it's a skill that must be learned. The key to nutritional science is to eat a variety of foods, including vegetables, fruits, and whole-grain products. Further, rehydrate with lots of alkaline, ionized mineral water, and limit your intake of salt, sugar, alcohol, saturated fat, and trans fat in your diet. The high water and fiber content in most fruits and vegetables makes them hard to overeat.
Start your morning by skipping high-sugar, processed cereals, and replace the eggs and some of the cheese in your omelet with vegetables. Swap out some of the meat and cheese in your sandwich with healthier veggie choices such as lettuce, tomatoes, sprouts, cucumbers, and avocado. Instead of a high-calorie snack, such as chips and dip, try baby carrots with hummus, or crunching on a fresh apple. Soft drinks including soda and energy drinks are a huge source of calories in many poor diets. One can of soda contains between 10-12 teaspoons of sugar and 150 calories, so a few soft drinks can quickly bloat your daily calorie intake. Switching to diet soda isn't the answer either. Instead, try switching to water with lemon, unsweetened iced tea, or carbonated water with a splash of juice. Beyond major requirements within the nutrition department, you may consider University of Alaska natural history as a complementary elective to your primary course of study.
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So this is what I had for dinner.
Garlic, sliced
Mexican Squash (or Zucchini or yellow squash)
Handful of spinach leaves
Green Onion Stalk
Green Bell Pepper, sliced
Olive Oil
Sea Salt
2 eggs
I sliced up some garlic, Mexican squash, green onion, bell pepper and added a handful of spinach to a frying pan. I topped it all with some olive oil and sea salt. I turned up the heat to medium and sauteed a little while I added 2 eggs on top. I stir everything up while it cooked. Then when it was done, I served it up all nice and pretty on a plate. I suppose you could add cheese or serve it with toast. But I ate it as is. Best of all it was ready in 10 minutes or less.
Friday, November 19, 2010
Eggs Florentine
Posted by sweetvictorya at 9:22 PM
1 comment:
- Donna said...
Hi Victoria, That sounds really yummy! Thanks so much for entering my contest. I was honored to find my blog on your sidebar. You really tickled me when you said you had been following awhile.
Thank you. That means so much to me. I hope I've been a blessing to you. :o)
Have a lovely day!
Donna @ Comin' Home
- January 31, 2011 at 11:19 PM
Subscribe to: Post Comments (Atom)


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The Candid Truth About Getting And Giving Massages Are you a person who loves a massage? While they are adored by las vegas massage many, the cost is often a turn off. The cost of a great massage can be high. Thankfully, you've read this article and know what to do to stay on budget. If recurring muscular pain is an issue, do some research about trigger points, or consult with a massage therapist. Trigger points, or tiny knots, often reside in tight muscles. It is these points that send pain signals through the whole body. Learn more about getting rid of these trigger points from a massage therapist, a class or a book. Massage tools are great for giving yourself or someone else a massage. When you receive and give massages, they will become more effective when using tools. These tools can easily be found online or in specialty stores. You should try a few different tools out to figure out what works best for you. A massage is a fantastic way to alleviate stress and pains. If your back hurts chronically, or other stress issues are bothering you, get regular massages. Find someone to give you a great massage or visit a professional masseuse. When you want to find a masseuse, remember to only used licensed personnel. A therapist who is licensed can understand better what exactly you need. Hiring someone who has attained a license can almost always guarantee a high level of professionalism that's been backed by the licensing industry. Don't fear questions when you have a massage done. It is ok to ask the pro a question! Your therapist won't see your questions as stupid and would probably love to answer them. The goal is for you to feel as comfortable as possible, so ask what you want to know and get the information you need. An arthritis sufferer knows the kinds of pain associated with it. Although medicine can somewhat help, they often do not treat the deep aching feelings of arthritis. If you need something more than medication, a massage might work. A good massage can help improve blood flow and enhance circulation, thus reducing overall pain and discomfort. Before picking a massage therapist you should first look at reviews. Read to find out how others rated the massage therapist. Make sure you read unbiased reviews that you know are trustworthy. If you want to be a good massage therapist, you need to understand it takes some time to really become good. To help you develop good massage techniques, practice on your friends or family members. Once you have a bit of experience, try giving your significant other a massage.
You must make sure you slowly get up after getting a massage. You have been prone and relaxed for an extended period during the massage. You may feel lightheaded when starting to rise, so take caution. It is so nice to get a massage, but you don't want to have to spend a fortune to do so. There are plenty of different ways you can receive a professional massage, but pay a realistic price. The money you are saving because you read this article instead of paying for something might be used on massaging someone.
Published on May 18, 2013
Are you a person who loves a massage? While they a...


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Words containing haloketon
Found 1 words containing haloketon. Browse our Scrabble Word Finder, Words With Friends cheat dictionary, and WordHub word solver to find words that contain haloketon. Or use our Unscramble word solver to find your best possible play! Related: Words that start with haloketon
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