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We met Jessie last year when she was a part of another sweet TLBS brides wedding (hey Ashley!!!) last fall, and she was just sweet as can be! So when she reached out to us after her fiancé popped the question we were just so excited!! We love it when we see familiar faces, and boy were there a ton! Much of Jessie's bridal party was the same as Ashley's, which was just awesome because these are a FUN group of spirited ladies! SO with the awesome Cotton Room as Jessie's beautiful wedding day, and the perfect ladies and gents to help them tie the knot, this wedding was pretty perfect! Plus the weather was incredible, so thats always a win in my book. We also got the chance to hang out with some way adorable toddlers, that played the parts of flower girl and ring bearer oh so cutely... even the crocodile tears were adorable!
Thank you Jessie and Michael for having us along! We adore you guys and it was so wonderful to be reunited with so many TLBS brides and grooms!
xo Nicole
how SWEET is this first look with her dad?!?


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Day 1: A moment that made you happy? — 10 Days of Lost Girl Season 5
March 29, 2016 by Drinks at The Dal
This episode is part of our 10 Days of Lost Girl Season 5 series in which we answer questions about Season 5. To see all of the questions we are answering as well as get links to the episodes in which we answer those questions, visit our 10 Days of Lost Girl Season 5 guide.
A scene/moment that made you happy?
- Annie: Doccubus sex FINALLY happening in "Here Comes the Night"!! Except it was waaaay too short. And too blue. Do you know how hard it was for all the fans to filter out all the blue to make sexy gifs?
- Kris: Bo kicking the asses of the dudes who were going to assault her in "Like Hell, Part 1" when she was retrieving the hel shoe.
- Stephanie: Lauren and Dyson being friends and offering each other support in their own ways in "Big in Japan"
Tell us a moment that made you happy in the comments below!
Send Us Your Feels
Send us your thoughts, feelings, and weeping about Lost Girl coming to an end for our final Season 5, which is coming soon. We want voice messages in particular, so please use the following methods to send us your thoughts.
- Call 1-972-514-7223
- Record a voice memo with your smartphone and email it to firstname.lastname@example.com
- Send a voice message through your computer, iPhone, or iPad
Category Podcast | Tags: Big in Japan, Bo, Dyson, Here Comes the Night, Lauren, Like Hell Part 1, Season 5
7 comments »
We welcome relevant and respectful comments. You can read our comment policy for more details.
Favourite Season 5 moment – Either Ksenia Solo's dance of the moth woman or Zoie Palmer as Stoner Lola (Episode 5.14)
Many moments came to mind, but the one that stands above all of them is, "Oh boy, yes."
Yes, I agree, the "Oh Boy, yes" moment, and Lauren say the vow to Bo.
Like Hell part 1 – 16:17 into the episode………Kenzi is back baby!!!!!! 🙂
1. That Lost Girl had returned.
2. That Tamsin was in every single episode. LOVED IT!
3. Michelle Nolden, Kate Corbett and Amanda Walsh were simply a joy to watch.
4. E5 "It's Your Lucky Fae." Out of all the episodes in S5 this one I rewatch the most. Riddled with consistency errors, but the smile never comes off my face.Loved it from beginning to end.
The Tamsin Birthday Lexus Bow moment – pissed that someone didn't sign their waiver form and SOMEONE needs to PAY the Electrician so we can SEE the final episodes!
4/12 A taunted Lauren slapping Evony. lol

subset: commoncrawl


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I have two options to fly non stop from NY JFK to Istanbul. There is not a big difference between the price or the times of the flights. Any suggestions on which has better customer service, better in-flight entertainment and food. We will be in coach. Also can you purchase the visa for Turkey prior to arrival?
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JFK to Istanbul Delta Airlines or Turkish Airlines
I have two options to fly non stop from NY JFK to Istanbul. There is not a big difference between the price or the times of the flights. Any suggestions on which has better customer service, better in-flight entertainment and food. We will be in coach. Also can you purchase the visa for Turkey prior to arrival?
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We were just commenting that the flight we are taking on Lot to Krakow on the Dreamliner this April will be exciting and we hope it will rival our flight on Turkish airlines from Istanbul to JFK in September of 2011. That flight was one of the best flights we have ever taken. This being based on a plane that was brand new. It had beautiful ambient lighting, a very pleasant crew, great iFE, good food and a lot of free wine. I can't comment on Delta.
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We prefer Turkish air to most others. We purchased the visas at the airport when we landed - easy and quick.
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We have our frequents with Delta but we flew Turkish Air and I would prefer them. My joke about Turkish Air is that they are twenty years behind the times, there is leg room, the meals are free, and they treat the passengers like humans.
We were in Turkey 2010 and needed exact cash for a visa.
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I haven't flown Delta for many years, but like the others, I was very favorably impressed with Turkish Air last year. More space than many flights, better food than most, plenty of wine and other beverages, attentive service.
Getting the visa was no problem. Just be sure to have the exact amount! (The line in front of the ATM was much longer and much slower than the lines for the visa itself. I was glad to be able to pass by them!)
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Turkish Air was great for us post volcano delays and cancelled flights. Many people were scrambling and T.Air replaced Air Canada in Frankfurt and stepped right up..Food, (2 menu choices) free wine, great crew, on time and I certainly would fly them again. visas at the airport and cash only. US is cheaper than Canada but what the heck..Delta leaves alot to be desired these days, Air Canada the sameso try the Turkish experience. BTW we were business to FRA and economy from FRA and still got royal treatment.
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Exact cash for your visa -- in your home currency. We have US passports but UK residency, as noted in our passports. Tried to pay for the visa in pounds and were denied. Just a thought!
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Thanks to all! Looks like Turkish Airlines is the winner hands down! I will make sure that I have $20 US per person for the Visa. Thanks for your input.
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We have been having nightmares trying to book flights from LAX to Istanbul on Turkish. A month ago we were booking online Economy Comfort. We got our price and as we tried to put in our credit card number the screen froze. Tried again and it timed out (very fast). So we called and an agent quoted the price and we held the booking but the confirmation was about $500 more for the two of us. I called and got Customer Relations who asked me to fill out an online form.
We keep calling because we have no communication from them and they have no answers. I have now submitted 7 online forms with screen shots and nothing from them. I just got off the phone (1am) and was told to call back in 4 hours and maybe there will be an answer. The threat of buying my tickets from another airline doesn't have meaning to them.
I am holding tickets SFO to Houston to Istanbul with United Mileage but they cannot offer Economy Comfort and we think for the long flight the extra leg room and service is worth it.
Can anyone speak to regular economy coach?
And has anyone found a way to go up the line at Turkish?
By the way, every time you get transferred a charming (for awhile) voice asks if we will take a survey to help them understand our experience. It is a single question with a "yes" or "no" answer. Duh.
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try 1-800-874-8875. I was having trouble as my domestic flight had been changed in Turkey and I could not get any answer from Toronto,Canada for TA. This number is toll free and put me through to Turkey. Keep in mind 10 hour time difference from west coast but cannot remeber when I called as a few months ago but prob mid morning our time. Good luck.
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I agree that Turkish Airlines has very nice service, better than usual Mediterranean meals, etc.
You can now purchase your visa online..this will save you a few minutes..sometimes up to
30 minutes depending on when you arrive.
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Real Estate in Antigo, Wisconsin
Real Estate - Firms
Absolute Realtors - S.U.R.E. Realty
816 Superior Street, Antigo, WI 54409
715-627-4885, This real estate company's listings include residential and commercial properties. more info map
Advantage Realty
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On the Corner of US Highway 45 and 8th Avenue
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Maplewoodreal Estate Motels & Rentals
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Northwoods Listing Service
1574 Neva Rd, Antigo, WI 54409
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United Country Maplewood Real Estate Agency
510 Ackley St, Antigo, WI 54409
715-627-2891, more info map
White Water North Realty Ltd
1574 Neva Rd, Antigo, WI 54409
715-623-7875, more info map
Wolf River Realty
2032 Neva Road, Antigo, WI 54409
715-627-4349, Wolf River Realty offers professional services to buyers and sellers in Langlade County and surrounding counties. more info map
Real Estate - Guides & Publications
Antigo Real Estate Search
Use Trulia to find real estate, homes for sale, recently sold properties, local school information and much more.
Home Builders & Contractors
Bolen Custom Home Builders, Inc.
701 South Superior Street, Antigo, WI 54409
715-623-3729, Bolen Realty, Inc. and Bolen Custom Home Builders, Inc.'s fully licensed and insured owner sells and builds real estate. more info map
|Print - Real Estate


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Be very clear about what the consumer problem is and then what your solution is. I would start there.feedback
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There are times where you want to be very measured and take your time.feedback
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Galentines for Valentines
Alright, ladies. Real talk. It's February—that time of year where we may be tempted to feel a little single lady self-pity. But let's channel our inner Leslie Knope and remember that there is so much to celebrate here. That's right, we're thinking Galentines. It's time to round up all your best lady friends (single or […]
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Hosting a party can be stressful when you're the sole person in charge of preparing the food and ensuring that everyone is having a good time.


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Listening to Megan Mayhew Bergman read from this story collection at North Carolina State prompted me to call my parents crying and tell them I'm going to write a novel. At that point in my writing life, I was manically writing in my journal (a la Sylvia), but I was in no shape to write a novel. Two sisters have been floating around my head from a swamp area in North Carolina where they have to wear rain slickers and don't often comb their hair. A lot of baby powder dusts the floor just below their vanity. They have yet to become a novel, or a short story, but they're there constantly.
My poetry professor in college loved the poet, Ruth Stone. They were friends outside of academia and she told us the story once of how Ruth Stone, as a young girl, in what I imagine is a cotton shift dress, paisley, would hear poems like tornados. She would be peeling the green ear of a corn, or popping grapes into her mouth, the blue drain of them coating her bare feet, and she would hear it, off in the distance like a swift train. From the field, she would have to run into the house, across floor boards, upstairs, to a page of white paper to get the poem before the storm ceased. If she was too late, the poem rested somewhere out of reach. Too early, and the poem jumbled. She had to find the perfect quotient of time in order to get the poem on paper.
Like relationships, I think writing has a timing. Sometimes when people ask me why I haven't written a book, I answer that I have been unable to read the amount of stories I must have in my metaphorical library to put on paper what I need to say. There is a story in me, it's just not ready to be shaken out.
This is probably just fear.
With writers like Megan Mayhew Bergman, who is from a relatively small town in my home state of North Carolina, I look to her for inspiration. I sit with my journal open as I read her story collections and write down all the quotes that either shift my soul to a new position, or make me want to write down an image, a smell, a moment on the page. I have highlighted and written in her books, analyzed how she works sentences, when she believes the image is pushed far enough, how she makes the small moments seem like hours, or ones life in a time capsule. Bergman is brilliant, and every time I read her stories, I'm inspired to finally write something down. I don't know if it's that I want to be her when I grow up (even though I'm pretty much here and grown) of if it's that she's been able to do something with a life that is so similar to mine (other than the adorable husband, and toddlers).
Her newest collection, Almost Famous Women, was the perfect book to study first in 2015. I feel that not reading this story collection would have neglected something from my life. Each woman has her own strength, even if it's built through various wounds, drugs, historical racism, shell-shock, or grandeur. I began reading this book eating alone in a Bob Evans. I ordered big because that's all one can do in a breakfast place. I instagrammed the moment (because I too can be a useless millennial at times) and talked about the power I feel sometimes from eating alone in a restaurant. This same power comes to me from reading a collection of stories about women who were on the cusp of greatness and maybe didn't reach it, but through books, letters and passed down myth have now reached new heights in Bergman's stories.
This is the kind of book that leads to research. It's filled with small details that prompt the google machine start up. The power of this story collection is in those details. The fact that Edna St. Vincent Millay is called Vincent in the story, and for a few pages, the reader assumes, because she's the only one who gets letters from publishers in her family, that she is the male heir. It's a great twist to the reader's psyche, even though the true heroine to that story is her sister Norma, who is my second favorite woman brought up and put out wet in this collection. My generation thinks of Millay as this feminist heroine who could give strength to flower petals, but it is her sister that stars in this story:
"Norma knows when they wake up they'll be alone in the dim kitchen, smearing day-old bread with measured dollops of blueberry jam, warmed on the stove. They'll do the washing until their fingers are numb with cold, sing songs their mother taught them, tell stories in bed about imaginary lovers–what does a lover do as much as kiss?–while the modest fire becomes nothing but smoldering coals. They're a houseful of skinny girls, dirt-poor ingenues singing arias from a cabin in the swampy part of town near the mill, a place the shipbuilders have fled. The young forest is beginning to grow again, but lately it's bare enough to see the lean deer moving through" (Norma Millay's Film Noir Period, Act 1, Bergman).
Most of the stories in this collection made tiny dents in my ideas about womanhood, femininity and the ideals that are both given to us, and we set upon ourselves. How do the women of war face post traumatic stress disorder in a time when not even men were allowed to feel that quake. In "The Siege at Whale Cay" M.B. "Joe" Carstairs rocks and sobs in the closed rectangle of a closet when she remembers her war experiences. In "Romaine Remains" a famous artist is used and discarded by her own unthinkable past. These women are shipwrecks, but still beautiful in the way that they were on the tip of having it all and either the world was too much, too swollen, or they made a choice to remain just girls in the throw of it.
My favorite story in the collection is "Expression Theory" about Lucia Joyce a dancer in Paris. She was a bit mad, but she was mad in the way that I believe all creative people must be. She was working over her craft, too busy for the normalcies of a world that just didn't get her and the writing in this story just particularly took hold of me. Possibly my favorite description in the collection is as follows:
"They give nighttime shows, the flicker of oil lamps on their damp skin. Her muscles were firmer then. She spoke three languages. She was on the verge of something. Her thoughts were the color of moss and her head was teeming with them. The ideas were crawling all over her body like the fat worms she used to feed the rouser after a rain, the lonely one who crowed in the city streets at dawn, the one who sought shelter behind a fetid wastebin" (Expression Theory, Bergman).
I think the most powerful, and the most hard to craft aspect of Bergman's writing is her small details. Reading her work, I know she's smart because her word choice is so perfect, and so delicate, it causes a reader to want to start at A and read the dictionary, learning the sounds of words as much as their meanings. Her details, her senses, her moments of just beautiful writing made me want to take up a flag to these stories.
I will always be a fan of Bergman and read anything that she feels comfortable paperbacking for the world, however, this story collection should be read by and for women everywhere. These are the things in which we live, these are the ways that we carry ourselves without ever recognizing the bundles on our backs. I carry a picnic knapsack of sadness on a burned stick that I can't let go of, and someone carries their father's old socks, and another girl must only carry the lipstick she stole from her mother's purse at age eleven just before she slipped into the night. These are our stories written down.


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Don Ash has designed a learning experience in CST for those serious dedicated students to co-treat Don's patient caseload with him at his office in Rochester, New Hampshire.
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Our favorite, dour, relentlessly sarcastic Witch of the Wilds is back as in Dragon Age: Inquisition.
"Whether the dark-haired sorceress seeks to influence the Imperial throne, or harbors more sinister motives, no-one knows for certain. This Witch of the Wilds arrived in Orlais rather suddenly three years ago as the newly-appointed "arcane advisor" to Empress Celene. In this role, Morrigan presents a source of information unfiltered by religious dogma, and satisfies Celene's life-long curiosity about magic. However, whispers carry concern of Morrigan having Celene wrapped around her finger, teaching the Empress forbidden, dark arts in secret."
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Bennett, circa 1964
Keith Bennett
Missing since June 1964 from Longsight, England, United Kingdom.
Classification: Non-Family Abduction
Vital Statistics
Circumstances of Disappearance
In 1964 the infamous Moors Murderers approached a young boy at a fair. His name was Keith Bennett. Myra Hindley dropped some boxes she was pretending were Christmas presents and asked Bennett to pick them up. Pretenending she needed help to unload them at her home, she asked Keith to go with her and Ian Brady. Thinking he was helping, Keith got in the car.
The car was driven to Saddleworth Moor. Hindley claimed she had lost a glove and asked Keith to help look for it. Brady then brought Keith with him to a remote area. Half an hour later Brady returned, alone. He had sexually assaulted Keith and strangled him with a piece of string before burying him.
When Hindley and Brady were arrested they denied murder. They went to prison. Years later they confessed and attempted to help locate the bodies. They found four of their five victims. Hindley is now deceased. Neither of them could remember where they buried Keith Bennett. All that is known is that his body is buried somewhere on Saddleworth Moor near a stream.
Hand drawn map by Myra Hindley
Greater Manchester Police
Return to the Unexplained Disappearances' Index
If you have any information concerning this case, please contact:
0161 793 3020/3021
Greater Manchester Police
Return to the Unexplained Disappearances' Index


text:
Gordon Brown hints at Afghan withdrawal
GORDON BROWN yesterday prepared the ground for a pre-election announcement of troop withdrawals from Afghanistan next year.
During a lightning visit to the front line in Helmand province, the prime minister announced plans to double a training programme for the Afghan army to reduce its reliance on British and American troops.
"Stepping that up means the Afghans themselves take responsibility for their own affairs," Brown said.
He also hinted that there could be a temporary increase in UK troops to support and mentor local forces, with government sources suggesting that Taliban fighters could even be granted an "amnesty" in the effort to bring the conflict to a close.
The announcement will be interpreted by opposition politicians as an attempt to lay the groundwork for a…


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This one is a Very Recent single from D'banj and it is titled "Knocking On My Door". This is the first single off his forthcoming "Visual EP" due to be released in august in celebration of his 10years anniversary, the visuals for this beautiful piece drops later today.
Listen up!


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- select colour
it's an internet thing!
it's an internet thing!
"Imagination is the voice of daring. If there is anything Godlike about God it is that. He dared to imagine everything."
"Imagination is more important than knowledge."Henry Miller on Albert Einstein
"I like nonsense, it wakes up the brain cells. Fantasy is a necessary ingredient in living, it's a way of looking at life through the wrong end of a telescope. Which is what I do, and that enables you to laugh at life's realities."Henry Miller on Dr. Seuss
"Imagination is everything. It is the preview of life's coming attractions."Henry Miller on Albert Einstein
"I cannot imagine a God who rewards and punishes the objects of his creation and is but a reflection of human frailty."Henry Miller on Albert Einstein
"Can you imagine what I would do if I could do all I can?"Henry Miller on Sun Tzu
"In this age, which believes that there is a short cut to everything, the greatest lesson to be learned is that the most difficult way is, in the long run, the easiest."
"An artist is always alone - if he is an artist. No, what the artist needs is loneliness."
"An artist is always alone - if he is an artist. No, what the artist needs is loneliness."
"The waking mind is the least serviceable in the arts."
"Art is only a means to life, to the life more abundant. It is not in itself the life more abundant. It merely points the way, something which is overlooked not only by the public, but very often by the artist himself. In becoming an end it defeats itself."


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Blog Stats
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Ray Sharp, The Bard of Liminga
Tag Cloud of Limingaars poetica Audio Poem autumn beauty bird birds Buddhism cat clouds cold crow crows death depression desire dogs dream dreams fall fire flash fiction grief haiku haikus heart home kiss life light loneliness lost love love love poem lovers lust moon morning naked nature night nude ocean poem poema poet poetry poets Post by Voice rain Ray Sharp river sadness sex short poem short story skin sky sleep snow song sonnet spring stars star tattoos summer sun sunset tanka tattoo tattoos of stars time trees water wind winter
Copyright Notice© Ray Sharp and Bard of Liminga, 2008 to Present. Unauthorized use and/or duplication of this material without written permission of the author and web site owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Ray Sharp, Bard of Liminga and raysharp.wordpress. com with appropriate and specific direction to the original content.
Tag Archives: book for sale
Book for Sale :)
I'm pleased to announce my new volume of poetry is for sale at Create Space for $9.95. The link (opens in new window): https://www.createspace.com/6848638 It will be available at Amazon in a few days, same price. I get a bit more … Continue reading
Posted in Uncategorized Tagged book for sale, poem, poetry 1 Comment
January 451 (Mid-Winter Thaw)
Wet pavement glistens an unnatural rainbow of indigo, ultramarine, emerald and gold, an oily borealis shimmering in dull light. Clouds hang low, a heavy poultice on a bruised world. Thin pink strata presage the night, flaring to orange like the … Continue reading
Posted in Uncategorized Tagged book for sale, bruises, death, kiss, pink, poem, poema, poeta, poetry, sex, sleep, winter Leave a comment


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Practicing in the Appellate Courts is for the purpose of reviewing trial court judgments to correct of errors committed by the trial court, development of the law, achieve a uniform approach across courts, and the pursuit of justice, more generally. Appellate courts are not a forum to make a new case, but instead they determine if the rulings and judgment of the court below were made correctly.
Guntown is a town in Lee County, Mississippi, United States. The population was 1,183 at the 2000 census.
Appellate Law Lawyers In Guntown Mississippi


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All Japanese language software makers claim that their products are the best. The truth is, though, that some products are great for certain types of learners and not so great for others. To ensure that you get the best Japanese language learning software for you personally, you need to ask yourself a few questions.
1. What type of learner are you? Do you learn best when material is presented visually? Are you a strong auditory learner? Or, perhaps you learn best while working with your hands.
2. Do you prefer step-by-step learning? Or, do you like to pick and choose lessons and subjects that can be learned independently of each other.
3. What are your learning goals? Are you moving to Japan? Just taking a vacation? Doing business with the Japanese? Whatever your circumstances are, they are very important to consider when choosing Japanese language learning software.
Photo Credit: http://www.tokyoportraits.com/
Let's take a look at 3 of the top Japanese language learning software programs on the market and analyze them in terms of your personal learning style, learning preferences, and learning goals.
The Rocket Japanese Language Learning Program
Rocket Japanese has soared to the top of the marketplace. It is considered to be the best Japanese language learning software on the market. Here are some quick highlights of the program.
- Highly Regarded, Fully Interactive Audio Dialogues
- Record Your Pronunciation, Compare it to a Japanese Speaker
- Culture Lessons Teach You Proper Situational Usage
- Video Course On How to Write Japanese Characters
- Software Games Make Learning Vocabulary Quick and Easy
- Knowledge Checks Keep You Aware of Your Learning Progress
- Live Support From a Native Japanese Teacher
- Very Fair Pricing–You Get a Lot For Your Money
If you are looking for a very consumer-friendly, easy to use Japanese language learning program, this may be a good product for you. Let's find out.
What's Your Learning Style?
The Rocket Japanese program has something for everyone. Auditory learners love the interactive dialogues. Visual learners love the learning games. Kinesthetic learners love the hands-on writing projects. Whatever your learning, style, you'll find activities in the program that you'll like, which is why, in my opinion, it is the top selling Japanese language learning software.
Do you prefer structured, step-by-step learning?
The Rocket Japanese course is very structured. Situational dialogues make up the core of each lesson. Other parts of the program, like vocabulary games, cultural lessons , and writing practice, are related to the dialogues, providing mostly supplementary support for your speaking practice.
What are your learning goals?
The Rocket Japanese language learning course is designed for beginners. If you are an intermediate or advanced Japanese speaker, this program is not for you. Also, this program is designed to teach Japanese language communication skills. It does provide grammar and sentence structure instruction, but not at deep levels. If you are attempting to become a scholar of the Japanese language, this program is not really what you're looking for. If, on the other hand, you are looking for the quickest, easiest, and most effective way to learn how to speak Japanese, you should give this program a try.
Read My Full Rocket Japanese Review
Visit the Rocket Japanese Home Page
Get a Free Rocket Japanese Free Trial
The Tell Me More Italian Language Learning Program
Another popular Japanese language learning program is called TELL ME MORE. Here are a few highlights of this program.
- Provides a Lot of Japanese Language Learning Material.
- Best Japanese Language Speech Recognition Technology
- Features Many Different Types of Learning Games and Activities
- Includes Good Assessment Options
- Has Great Role-Playing Activities
Is the TELL ME MORE Japanese program the best Japanese learning program for you? Let's find out.
If you are looking for a very in-depth Japanese language learning program, the Tell Me More program may be a good fit for you.
What's Your Learning Style?
The Tell Me More Japanese language learning program is quite different than the Rocket Japanese program. Everything in the Rocket Japanese course is centered around an interactive dialogue. It is an audio course that provides learning games and activities that help you learners master the dialogues. The Tell Me More course, on the other hand, focuses mostly on learning games. It can best be described as an activity-based course that also has an audio component. One chapter in the Tell Me More Japanese course, for example, will have 70 or 80 learning activities, activities such as crossword puzzles, sentence construction games, and fill-in-the blank exercises. If you love these kinds of learning games, you'll learn well well with this Japanese language learning program.
Do you prefer structured, step-by-step learning?
The Tell Me More Japanese language learning program is not quite as user-friendly as the Rocket Japanese program. It does offer a step-by-step learning sequence, but ,when you actually use the software, you quickly find that the lessons are too difficult to complete without jumping into other areas of the software to learn stuff that is assumed you already know. For example, it is common to be directed to sentence reconstruction activities, only to find that they are full of words that you have not yet learned. You can then head over to the glossary or use vocabulary pop-up windows to learn the necessary vocabulary. This can be frustrating at first, especially for beginners, but once you get used to it, you find that this immersion style of learning is quite effective.
What are your learning goals?
The Tell Me More Japanese language learning program is great for intermediate and advanced level learners. It is also great for those who are looking to gain a deep understanding of Japanese grammar and language structure. If you are looking for a very in-depth program that you can study for the next year or so, go with the Tell Me More V10 course. If you are looking, on the other hand, for the quickest and easiest way to communicate, go with Rocket Japanese or our final program, Pimsleur Japanese.
Visit the TELL ME MORE Home Page
Visit My TELL ME MORE Review Page
The Pimsleur Japanese Language Learning Program
The Pimsleur language program has been around for many years. It is the product of much research and is highly respected among linguists. Here are it's higlights.
- Program is 100% Audio-Based
- Highly Interactive Content Forces You to Learn
- The Most Structured of Any Learning Program
- Used and Trusted By High Profile Agencies in The US Government
- A Total Immersion Environment
Is the Pimsleur Japanese Language Learning Program for You? If you want a highly structured learning program that is 100% audio-based, you'll love this program.
What's Your Learning Style?
While both the Rocket Japanese and the Tell Me More Japanese programs offer something for most learning styles, the Pimsleur Japanese program offers only audio instruction. There are no learning games, no pretty pictures, and no reading or writing exercises. It is pure speaking and listening. If you are a good audio learner, this program will appeal to you. If you learn best with games and pictures and flash cards, go with one of the above-mentioned products.
Do you prefer step-by-step learning?
The Pimsleur Japanese language learning program is, without a doubt, the most structured learning program available. It's simple. You push play and do the 30-minute lesson. You do not stop the recording. You do not rewind the program. You do not do more or less that one lesson per day. That's it!
What are your learning goals?
This is pretty simple. If you want a comprehensive program that teaches you to read, write and speak Japanese, this program is definitely not for you. If you're not interested in reading or writing, and you want a a quick and efficient way to learn to speak Japanese, this is a program worth looking at.
Visit the The Pimsleur Japanese Home Page
My Recommendations
If you are new the Japanese language and want a very user-friendly Japanese language learning program, go with Rocket Chinese. It focuses on speaking Japanese, but it also offers instruction on basic Japanese grammar and sentence structure. It also includes a very good video series for writing Japanese characters.
If you are intermediate to advanced Japanese speaker and are looking for a very in-depth Japanese language learning program, then you should go with Tell Me More. It offers a ton of instruction and is very academic in nature.
If all you want to do is learn learn to speak Japanese, without learning any reading, writing or grammar, go with pimsleur Japanese. It is a simple, easy to use program that is very effective.
Visit the Rocket Japanese Home Page
Visit the TELL ME MORE Home Page
Visit the The Pimsleur Japanese Home Page
Have you used any of the products mentioned in this post? If so, give us your opinion in the comments section below.


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This class will teach basic use, policy, and safety for the core metal working tools at the Advanced Prototype Center (APC). To use these tools at the APC, you must complete the class, pass the written test, and be approved by the instructor. Tools covered will be the Horizontal Band Saw, Cold Saw, Drill Press, Vertical Band Saw, Drill Press, 6 different sanders and grinders, and Media Blast Cabinet (sandblaster).
Metal Shop Core Tools
We'd love to meet you! We offer a free info session and walking tour of the La Kretz Innovation Campus this and every Friday at noon. Sign up for a tour here.
- This event has passed.


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If you like sweet peppers but also enjoy the heat from jalapeno peppers then you will love our Sweet Pepper and Jalapeno Jam. The combination of sweet, with some heat, is what makes our jam such a hit. Personally, I like it because the heat from our jam is not too overpowering; I have tasted other brands and have found that the kick from the jalapenos, takes away from the flavor. When all you have is heat, you miss out on all of the other flavors in the jam.
Typically, people enjoy Sweet Pepper and Jalapeno Jam when it is served as an appetizer. They pour it over a block of cream cheese and serve it with soda crackers. It is an easy and tasty option when it is your turn to bring the appetizer to the party or special occasion.
On the otherhand, my family enjoys eating Sweet Pepper and Jalapeno Jam on hamburgers, hot dogs or sometimes on a turkey sandwich; my daughter's boyfriend even has it over his italian sausages! I guess that if you are someone that likes the taste of peppers, no matter whether they are sweet or hot, then you will really like the flavor of this jam.
Our Sweet Pepper and Jalapeno Jam is all-natural and is made with Sweet Bell Peppers (water and citric acid), sugar, Jalapenos and Citrus Pectin. It comes in 9 oz. glass jars; it contains NO preservatives. Refrigerate after opening.
Go to the Recipe Page for more delicious recipe ideas using our Sweet Pepper and Jalapeno Jam.
Revenues generated by your purchase helps with the cost of the upkeep of the rare farm animals living at Dalby Farm. These animals are considered to be 'Ambassadors' of their breeds and are a critical part of the educational programs offered at Dalby Farm. For more information visit www.dalbyfarm.com.


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Posts Tagged 'parenting'
Homeschooling Pitfalls to Avoid
As one who enjoys a road trip, I appreciate when I am warned of potential hazards or pitfalls along the way. I carry over that same appreciation when someone willingly offers a warning about something they've already experienced in life. A few years ago, I attended a writer's conference for a much-needed injection of inspiration.…Read More
8 Powerful Ways to Foster Gratitude in Kids
When did you last see genuine gratitude in kids? Was it Christmas or a birthday? For me, it was a few years ago beneath the scorching Caribbean sun when my family and I delivered gifts from an American church to a fledgling Haitian orphanage. Our ramshackle Land Rover traveled off the beaten path to deliver…Read More
Equipping Daughters For a Dark, Grey World
The blockbuster sequel, Fifty Shades Darker, which the marketing masterminds in the film industry release on pre-Valentines weekend, will once again deliver a colossal contradiction to our culture with such sublime subtlety that, if we are not vigilant, it will slither its way into our households, schools, churches, and places of employment, regardless of whether…Read More
Don't Cram Your Kid in a Curriculum Box
I adore giving gifts. Everything about the process excites me. To the gift giver, the presentation of the gift is as equally important as the actual gift. I recently bought a gift for a friend and tried to force the gift in what I thought was the perfect box. The contents simply wouldn't fit in…Read More


text: Situated on the bay, Hotel Achillion is a great choice for a stay in Pydna-Kolindros. For a bite to eat, guests can check out Achillion, which is open for breakfast, lunch, and dinner and offers ocean views. A bar/lounge and a terrace are other highlights, and rooms offer balconies and refrigerators.


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Fiorelli Rose Gold Coloured Bracelet Watch with Black Leather Links
Special Price £49.00 Regular Price £89.00
Product Code: FO011BRGM
A stylish polished rose gold coloured bracelet fashion watch with black leather wrapped centre links. It has a satin rose gold dial featuring labelled hour markers as well as Fiorelli logo at 12 o'clock.
More Details
Rose Gold Tone Metal Bracelet with Black Leather Inner Links Adjustable bracelet Jewellery Clasp Rose Gold Tone Metal Case Rose Gold Satin Dial Rose Gold Labelled Logo 3 Hands Quartz movement Case diameter 32mm 3ATM Water Resistant 2 Years Warranty
Dimensions: Case Diameter 32mm
Delivery & Returns
Standard delivery is FREE on all UK orders over £60, or £3.95 under £60
European delivery is £10 and takes between 3-7 working days
International worldwide delivery is £15 and takes between 4-7 working days
We aim to despatch all orders received before 3pm on the same day.
For full delivery details, terms and conditions please click here


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Qatar Foundation is dedicated to protecting Qatari heritage and enriching cultural life in the country.
Qatar National Library (QNL) and the Council on Library and Information Resources (CLIR) have signed a Memorandum of Understanding (MoU) that aims to develop, enhance, and make available digitized cultural heritage content through the Digital Library of the Middle East (DLME).
The annual and much anticipated Mathaf Student Art Competition and Exhibition (SAC&E) is celebrating the completion of its fourth season with a student art exhibition at Mathaf: Arab Museum of Modern Art.
The Qur'anic Botanic Garden (QBG) has launched the final rounds of AlUtrujah Holy Qur'an Contest which will continue from Sunday, Ramadan 2nd till Ramadan 10th at Education City Mosque.


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Beate from SCS shows how to do this in a very short video.
Watch the video on YouTube by clicking HERE.
A telescoping card looks like the following sample:
This is the card closed:
This is what it looks like open:
This beauty was created by Leonie Schroder,
and you can find her blog here.


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Words containing caisea
Found 1 words containing caisea. Browse our Scrabble Word Finder, Words With Friends cheat dictionary, and WordHub word solver to find words that contain caisea. Or use our Unscramble word solver to find your best possible play! Related: Words that start with caisea
- Scrabble
- Words With Friends
- WordHub
- Crossword


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What is a round samon coloured tablet with C on one side and V and an I divided by a line?
- Asked
- 11 May 2014 by ticketyboo
- Active
- 9 Jun 2015
- Topics
- linzess, tablet
Responses (1)
Further Information
- Linzess Information for Consumers
- Linzess Information for Healthcare Professionals (includes dosage details)
- Side Effects of Linzess (detailed)
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At 10 a.m. we offer Sunday school classes for both youth and adults. Currently, teens attend our adult class. Classes meet on the lower level of the church building. Our adult class will be studying our Biblical obligations to civil authorities.
At 11 a.m. & 6 p.m. we hold preaching services in the church sanctuary on the main level. In this week's morning service, Pastor Hammond will preach on the meaning and importance of the Lord's Supper. In the evening service, our message will focus on Psalm 36.
We believe in the value of families worshiping together. And we believe that young people can and should learn to attend the main preaching services. As such, our adults and youth attend the same services at both 11 AM & 6 PM.
We're located at 100 Middlebrooks Avenue in Trumbull. Send questions to email@example.com. Or call Pastor Hammond at 203-543-7456.


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dear you,
if you ever get to read this…. but i bet you won't.
yes. i didn't forget you. i didn't forget the things about you. i even remember how good you smell every time you enter the room. i remember your laugh. i remember your voice. i remember how you look. i remember how you smile.
i didn't forget the way you encourage me. i didn't forget that you manage to make me believe in myself. i didn't forget that you think i was smart, and that i can do everything you taught me in a single period of time.
i didn't forget the small details.
i even remember the way you greeted me, and said that the start of the day must be nice because you see me smiling while i greet you good morning.
i even remember when they tease you of trying to bully me, cause i was a bit of a pushover, and naive at that time. and you told them it's impossible. cause you think of us as a team.
i even remember when you told them that i can be the reason to make you stay.
yes, i remember all that.
but i bet you forget all that.
you may even forget how i look like. you may even forget my name. you never asked how i was and assumed that i left.
to you, i might be just someone you know in a place you had pass by. but to me, you were a part of my memories.
to you, it might be just for fun having said all that. but to me, i took it to heart and somehow made me feel happy.
..but i didn't have the courage to tell you all of these things.
and i won't have the courage to do so.
my last memory of you would be….
you didn't even dare to look me in the eye when you said goodbye.
i hope you're happy. and i hope i can finally move on from this misery.


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MoMA at El Museo: Latin American and Caribbean Art from the Collection of The Museum of Modern Art
March 4–
July 25, 2004
El Museo del Barrio
This collaborative exhibition, organized by a curatorial team from MoMA and El Museo del Barrio, provides an historical overview of MoMA's collection of Latin American art. The presentation at El Museo del Barrio comprises over 100 works in various media, including painting, sculpture, drawings, prints, and artists' books. The first section includes major paintings and drawings by Mexicans Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros, acquired by the Museum in the 1930s. The next section highlights works from throughout Latin America—by artists including Antonio Berni, Frida Kahlo, and Wifredo Lam—acquired after the creation of the Museum's Inter-American Fund in 1942. The third focuses on the 1960s, with particular emphasis on drawings and prints by such artists as León Ferrari, Gego, and Marisol. The exhibition culminates in a presentation of the Museum's most recent acquisitions, as it continues to collect contemporary works in various media by artists including Cildo Meireles, Vik Muniz, Gabriel Orozco, and Doris Salcedo. A fully illustrated catalogue featuring essays by the curators and a range of educational programs accompany the exhibition.
This exhibition is generously sponsored by Bloomberg.
Major support provided by: Jacques and Natasha Gelman Foundation; The International Council of The Museum of Modern Art; The Reed Foundation, Inc.; Joseph and Carmen Ana Unanue; Estrellita and Daniel Brodsky; Patricia Phelps de Cisneros; Agnes Gund and Daniel Shapiro; Nazca Saatchi & Saatchi. Additional funding provided by: Yolanda Santos Garza; GEICO; LEF Foundation; Power Corporation of Canada; Mex-Am Cultural Foundation, Inc.; Tony Bechara; Jean Hartley Boulton; The Board of Trustees and Advisory Board of El Museo del Barrio.
If you would like to reproduce an image of a work of art in MoMA's collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).
If you would like to license audio or video footage produced by MoMA, please contact Scala Archives (all geographic locations) at firstname.lastname@example.com.
If you would like to reproduce text from a MoMA publication or moma.org, please email email@example.com. If you would like to publish text from MoMA's archival materials, please fill out this permission form and send to firstname.lastname@example.com.


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Allyson Marie Brown and Jayson Aaron Gray were united in marriage during a 4:30 p.m. ceremony May 27 at The Toolshed at Breitenbach Winery in Dover.
She is the daughter of Barbara Brown and David Brown, of Alliance.
He is the son of Lisa and Jay Gray, of Tippecanoe.
The bride earned a doctorate degree in physical therapy from Ohio University in 2014. She is a physical therapist at Coshocton Regional Medical Center in Coshocton.
The groom earned a master's degree in civil engineering from Ohio University in 2014. He is a civil engineer at Diversified Engineering in New Philadelphia.
They reside in Gnadenhutten.


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|Publication number
|Publication type
|Application number
|Publication date
|Jun 15, 1982
|Filing date
|Mar 5, 1981
|Priority date
|Mar 5, 1981
|Fee status
|Also published as
|Publication number
|Robert S. Cutler, Michael T. Moore
|Original Assignee
|International Business Machines Corporation
|Export Citation
|BiBTeX, EndNote, RefMan
|Patent Citations (1), Non-Patent Citations (1), Referenced by (17), Classifications (5), Legal Events (6)
|External Links: USPTO, USPTO Assignment, Espacenet
1. Technical Field
The present invention relates to the field of liquid marking ink compositions for use in ink jet printing devices.
2. Related Application
Copending and commonly assigned U.S. Pat. application Ser. No. 170,343, filed July 21, 1980, and entitled "Ink Jet Ink Composition," is incorporated herein by reference.
The present invention comprises an improvement of the above-identified copending patent application.
Said copending application relates to a water based ink jet printing ink capable of producing high quality, high density images on a wide variety of substrates, while maintaining good archival properties.
Its formulation of water soluble dye, ammonia soluble acrylic binder, plasticizer, humectant, surfactant, biocide, chelating agent, and ammonium hydroxide produces an ink jet ink solution that is capable of being printed on a variety of substrates, both absorptive and nonabsorptive. This ink sets up in its own matrix, above the substrate, and is water-fast and wet smear resistant upon setting. At the same time, this ink produces high quality, high density images.
This copending application is based upon the discovery that acrylic binders that are soluble in a base, such as ammonium hydroxide, and insoluble in water, when formulated with compatible dyes and fugitive amines, yield waterfast images on a variety of nonabsorptive and absorptive substrates.
The invention requires a binder that is a copolymer of acrylic acid. The carboxylic acid group is an active group capable of being solubilized in the ink by a fugitive amine such as ammonia. The other binder constituent is a compound of a group such as styrene which helps insolubilize the copolymer of acrylic acid once the ink is printed and some of the amines are driven off. The resulting copolymer of styrene and acrylic acid is of a molecular weight about 10,000, and the styrene to acrylic acid proportion by weight is about 2 to 1. One such binder is Joncryl 67, a styrenated acrylic from S. C. Johnson Co. In general, the binder is used in amounts 3 to 15% by weight and preferably 8 to 11% by weight of the ink's composition.
A dye is used in that invention which is compatible with the binder. That is, the dye and binder, in certain ratios, are capable of forming waterfast, smear resistant images. Certain acid, basic, direct, solvent and polymer dyes are effective. The enhanced archival properties of the ink of that invention are thought to be a result of one or more of the following: entrapment of the dye in the insolubilized polymer film; dye-to-polymer noncomplexed form of attraction; and/or the dye is complexed to the polymer. Examples of compatible dyes are Direct Black 19 (examples III and IV), Acid Black 2, Solvent Red 124 (example I), Basic Red 12 (example II) and Acid Blue 90. The amount of colorant used is dependent on its purity and dye strength, and is limited by its solubility. In general, the dye or mixture of dyes is used in amounts 1/2 to 8% by weight.
In addition to dye and binder, the ink of that invention contains several selected materials necessary for a jet ink. The binder requires a plasticizer in order to obtain good print. Also, the ink must contain an anti-crusting agent so the ink will not have unreasonable start-up problems or stream misdirection. A polyethylene glycol such as Union Carbide Carbowax 200 brand serves both as a plasticizer and anti-crusting agent and can be used in the proportion 3 to 12% by weight, preferably 4 to 10% by weight. Carbowax is a water soluble lubricant, a known solvent for dyes, resins and proteins, and a known plasticizer for special printing inks.
As stated in that application, a surfactant can be used to adjust the surface tension so that smooth print is obtainable on a wide variety of substrates. The surface tension is adjusted to between about 30 to 40 dynes/cm. Triton GR5M, a water soluble surfactant from Rohm & Haas Co. which is dioctyl sodium sulfosuccinate, is one example of an acceptable surfactant.
Also, as stated therein, appropriate fungicide or anti-bacterial agent(s) may be used, and in general the type and amount will be dependent on the impurities in the ink and the dye solubility. Sodium omadine, a derivative of pyridinethione (sodium-2-pyridinethiol 1-oxide) having bactericide-fungicide properties is preferred, as is the organic chelating agent EDTA acid. NM2P (N-methyl-2-pyrrolidone) is used as a solubilizing agent.
The present invention comprises an improvement of the above-identified copending patent application. More specifically, the present invention provides a superior waterfast and lightfast blue ink jet ink, wherein the property of being both waterfast and lightfast is achieved by the synergistic effect provided by combining a first waterfast blue dye, which is binder compatible as defined by said copending application, with a second lightfast blue dye which is not binder compatible.
As used herein, the term lightfast is intended to mean that the printed ink loses no more than 20% of its reflectance density after 96 hours of exposure in a fadeometer. The term waterfast is intended to mean that the printed ink exhibits practically immeasurable bleed from a water spill test, with the test being conducted after the ink has dried, but less than one hour after printing.
We have found that it is particularly difficult to find a blue ink jet ink which exhibits both lightfastness and waterfastness. A blue ink jet ink formulated in accordance with said copending application does in fact exhibit superior waterfastness as one would expect from said related application. However, its lightfastness is not superior.
A liquid blue ink was made following the teaching of said copending application and of the following wt. % formulation:
______________________________________Alizarine Cyanine Blue 6B Dye(Acid Blue 83) 5.00%Joncryl 67 10.00%Carbowax 200 6.00%EDTA 4Na 0.20%Na Omadine 0.10%Conc. NH4 OH 2.50%Water 76.20%______________________________________
Alizarine Cyanine Blue 6B dye is a product of Keystone Aniline & Chemical Company.
This ink was used to produce ink jet printed characters which exhibited excellent waterfastness. Prints made by using this ink, however, lose 88% of their reflectance density when reflectance is measured after 96 hours of exposure in a fadeometer (1.5 watts/in2 irradiance at 50% relative humidity).
In an attempt to provide lightfastness, the following ink, expressed in wt. %, was formulated and characters were printed using ink jet techniques.
______________________________________Pyrazol Fast Turquoise FBL Dye(Direct Blue 86) 5.00%Joncryl 67 10.00%Carbowax 200 6.00NM2P 3.00%Na Omadine 0.10%Conc. NH4 OH 2.25%Water 73.65%______________________________________
Pyrazol Fast Turquoise FBL dye is a product of Sandoz, Inc., the Chemical & Colors Division.
These prints lost only 5% of their reflectance density in an identical fadeometer test. However, these prints exhibited poor waterfastness.
This comparative example tested comparable to comparative example II, i.e. it exhibited good fade resistance, but poor waterfastness.
______________________________________ Wt. %______________________________________Pyrazol Fast Turquoise FBL Dye 4.50%Orasol Red 2B Tinting Dye 0.50%Joncryl 67 10.00%Carbowax 200 6.00%NM2P 3.00%Na Omadine 0.10%Conc. NH4 OH 2.25%Water 73.65%______________________________________
Orasol Red 2B is the brand name of a dye which is furnished by Ciba-Geigy Company. The structure of this dye is proprietary.
We have surprisingly found that the addition of the waterfast dye of comparative example I to the lightfasst blue dye of comparative example II or III, which lightfast dye is not in itself compatible (i.e., not waterfast in the formulation of said copending application), for a reason not clear to us, provides a two-dye mixture which is compatible and the surprising result is a blue ink jet ink which is both waterfast and lightfast.
A first ink jet ink in accordance with the present invention was formulated as follows:
______________________________________ Wt. %______________________________________Alizarine Cyanine Blue 6B Dye 2.50%Pyrazol Fast Turquoise FBL Dye 2.25%Orasol Red 2B Dye 0.25%Joncryl 67 10.00%Carbowax 200 6.00%NM2P 3.00%Na Omadine 0.10%Conc. NH4 OH 2.25%Water 73.65%______________________________________
In this formulation, the tinting dye Orasol Red 2B is preferred, but not essential to achieving both lightfastness and waterfastness. When this ink is used to print by means of an ink jet device, the characters are of a high density blue, and surprisingly exhibit both acceptable lightfastness and acceptable waterfastness.
A second ink jet ink was then formulated in accordance with the present invention, using highly pure cyan presscake dye. The result is the preferred example of the present invention,
______________________________________ Wt. %______________________________________Alizarine Cyanine Blue 6B Dye 2.00%Pyrazol Fast Turquoise FBL Presscake 0.50%Orasol Red 2B Dye 0.25%Joncryl 67 10.00%Carbowax 200 6.00%NM2P 3.00%EDTA 4Na 0.20%Na Omadine 0.10%Conc. NH4 OH 2.25%Water 75.70%______________________________________
This ink was then used to print characters using ink jet techniques. The result was again a print which was both lightfast and waterfast.
Other formulations in accordance with examples IV and V were prepared, and characters were ink jet printed, in order to explore acceptable ranges of the dyes. As a result, Alizarine Cyanine Blue 6B was found to be useful in the wt. % range 1.75 to 2.5. From this, it is expected that other dyes which are structurally similar to Alizarine Cyanine Blue 6B, such as Alizarine Brilliant Cyanine Blue G (acid blue 90) would be acceptable.
The acceptable wt. % range for the dye Pyrazol Fast Turquoise FBL was found to be 2.25 to 3.0, whereas in presscake form it was found to be 0.5 to 1%. This dye in presscake form is more pure than the Pyrazol dye of example IV. Thus, the wt. % ranges are essentially equivalent. From this, it is expected that other lightfast, copper phthalocyanine water-soluble dyes would be acceptable alternatives.
The tinting dye Orasol Red 2B was used in the formulation of the present invention for the sole purpose of tinting the basically blue ink to a darker blue, and a wt. % of about 0.25 is suggested.
The method of making the above described inks can take a variety of forms known to those of skill in the art. Said copending application is an example. Specifically, the Joncryl 67 constituent was first dissolved in the ammonium hydroxide at room temperature, and the remaining constituents were then added to the solution. This solution was then stirred for a period of time, such as two hours, to dissolve all solids. The resulting ink was then filtered through a 0.2 micron filter.
All inks were then printed using ink jet techniques, on coated nonabsorbent and uncoated absorbent papers. The resulting print was then tested for waterfastness and lightfastness. The criterion used to determine acceptable waterfastness was that the print characters must exhibit no more than 0.05 absorbance units of bleed into a water spill one hour after printing. More specifically, absorbance units are measured by placing 10 milliliters of deionized water in contact with a solid-area-printed portion of a sheet. This amount of water is confined to the area of a one inch diameter cylinder. After 15 seconds, the water is withdrawn and the water's visible absorbance spectrum is measured by the use of a spectrophotometer. The above-mentioned units of absorbance are measured at the peak absorbance of the ink dye which was used to form the sheet's solid-area-printed portion. The criterion used to determine acceptable lightfastness was that the print characters must not lose more than 20% in reflectance density after 96 hours of exposure in a fadeometer when subjected to 1.5 watts per square inch irradiance at 50% relative humidity.
Using this criterion, comparative examples I-III, and examples IV and V of this invention, tested as follows:
______________________________________ Bleed Fade______________________________________I 0.01 88II 0.22 5III 0.18 5IV 0.03 17V 0.01 19______________________________________
While this invention has been described with reference to two preferred embodiments thereof, it will be understood by those skilled in the art that various changes in formulation may be made in the ink jet ink of this invention without departing from the spirit and scope of this invention.
|Cited Patent
|Filing date
|Publication date
|Feb 1, 1978
|Sep 4, 1979
|Dominion Colour Company Ltd.
|Pigment compositions and methods of preparation
|The Chemistry of Synthetic Dyes vol. V. by K. Venkataraman 1971, Hack's Chemical Dictionary 4th edition.
|Citing Patent
|Filing date
|Publication date
|Dec 23, 1988
|Apr 16, 1991
|Vasta Joseph A
|Hydrophobic polymer products
|Nov 6, 1991
|Sep 14, 1993
|Eastman Kodak Company
|Rub-resistant, water-fast ink for ink jet printers
|Aug 5, 1993
|May 16, 1995
|E. I. Du Pont De Nemours And Company
|Aqueous anionic dye based ink jet inks
|Dec 7, 1993
|Jul 16, 1996
|Sakura Color Products Corporation
|Water base dye ink composition
|Jun 7, 1995
|Apr 15, 1997
|Moore Business Forms, Inc.
|Printable release
|Oct 31, 1996
|Dec 15, 1998
|Canon Kabushiki Kaisha
|Ink, ink jet recording method using the same and recording equipment containing the ink
|Aug 13, 1997
|Mar 30, 1999
|Canon Kabushiki Kaisha
|Textile-printing method, printed textile obtained thereby, and ink
|Apr 5, 1996
|Sep 28, 1999
|Cabot Corporation
|Ink compositions and method for generating images produced therefrom
|Oct 20, 2000
|Jun 24, 2003
|Imperial Chemical Industries Plc
|Dispersion of pigments
|Dec 20, 2002
|Sep 21, 2004
|Benq Corporation
|Inkjet ink composition with high chroma
|Dec 17, 2002
|Nov 9, 2004
|Benq Corporation
|Multicolor dye set and inkjet ink composition with high chroma
|Aug 15, 2008
|Jun 29, 2010
|International Paper Company
|Waterfast dye fixative compositions for ink jet recording sheets
|Jun 29, 2010
|Jan 29, 2013
|International Paper Company
|Waterfast dye fixative compositions for ink jet recording sheets
|Dec 17, 2002
|Jul 10, 2003
|Beno Corporation
|Cyan dye set and ink-jet ink composition with high water-fastness
|Aug 15, 2008
|Feb 26, 2009
|Koenig Michael F
|Waterfast dye fixative compositions for ink jet recording sheets
|Jun 29, 2010
|Apr 28, 2011
|International Paper Company
|Waterfast dye fixative compositions for ink jet recording sheets
|Jan 12, 2001
|Jul 19, 2001
|Environmental Concrete Colorants, Llc
|Colored building materials
|U.S. Classification
|524/88, 8/558
|International Classification
|Cooperative Classification
|European Classification
|Mar 5, 1981
Owner name: INTERNATIONAL BUSINESS MACHINES CORPORATION, ARMON
Free format text: ASSIGNMENT OF ASSIGNORS INTEREST.;ASSIGNORS:CUTLER ROBERT S.;MOORE MICHAEL T.;REEL/FRAME:003871/0708
Effective date: 19810227
|Jul 3, 1985
|Fee payment
Year of fee payment: 4
|Jan 16, 1990
|Maintenance fee reminder mailed
|Jun 17, 1990
|Lapse for failure to pay maintenance fees
|Aug 28, 1990
|Expired due to failure to pay maintenance fee
Effective date: 19900617
|Mar 28, 1991
Owner name: IBM INFORMATION PRODUCTS CORPORATION, 55 RAILROAD
Free format text: ASSIGNMENT OF ASSIGNORS INTEREST.;ASSIGNOR:INTERNATIONAL BUSINESS MACHINES CORPORATION;REEL/FRAME:005678/0098
Effective date: 19910326
Owner name: MORGAN BANK
Free format text: SECURITY INTEREST;ASSIGNOR:IBM INFORMATION PRODUCTS CORPORATION;REEL/FRAME:005678/0062
Effective date: 19910327


text:
Click here to print the obituary below
Claude KIERNAN
KIERNAN, Claude Patrick
78 years young of Westerose, Alberta passed away peacefully in the early morning of Sunday, December 9, 2012.
Leaving behind Ilene, his loving wife of 56 years, their sons Dwayne (Leanne), Derek (Lori), David (Donna). Predeceased by his son Darryl, and brothers Bart and Brent. He will be sadly missed by grandchildren, great- grandchildren, brothers, sisters, nieces, nephews and all those who loved him. We will miss his smile, wit, and love of life.
Cremation has taken place and a celebration of his wonderful life will take place at a later date. Donations may be made to the Alzheimer's Society of Alberta.
Published in The Edmonton Journal on Dec. 12, 2012


text:
BL Egerton 650
From Project Wiki
22.214.171.124 (Talk)
(Long Description of British Library MS Egerton 650)
Next diff →
Revision as of 12:00, 5 April 2006
Investigative Apparatus
25-02-03 1. Production Practicalities: checked against microfilm
i. Pressmark / Name of Book: BL MS Egerton 650 ii. Matheson no. 29 iii. Date: C15 iv. Type of book: Brut Chronicle, fols. 2-111v (including London chronicle fols. 111-114v). v. Manuscript or print?: MS vi. Writing support: Paper or vellum?: vellum vii. Watermark?: viii. Collation: a. No of leaves: 114 b. Quires: c. Foliation: modern pencil, top right hand margin. d. Booklets?: e. Catchwords? yes (9v; 18v poss; 25v; 35v; 58v; 66v; 74v; 96v poss; 106v;). f. Quire signatures? No – if there were they have been removed by trimming. g. Damage?: Imperfect at beginning; margins trimmed.
ix. No of items: 2 x. Page layout: a. ruling: frames and lines ruled in ink b. columns: 1 c. lines: 32 – 34 per page xi. Ink: xii. Size, binding: Quarto xiii. Decoration?: xiv. Artist?: xv. No. of Scribes: 1 xvi. Hand date; style; version; holograph, autograph?: Scribe A: C15 secretary with some anglicana features (occasional use of anglicana 'd' in initial positions, even in same line as secretary initial 'd'); Scribe B: C15 secretary with some anglicana features (could in fact be, Scribe A trying some different 'y' and 'g' forms, with straighter, right –angled descenders, see the letter 'g' in the last line of fol. 83v, 'lyghtnyng', and last line of fol. 88r, but inconsistent: see also last line of fol. 93r, 'gret gyftes') xvii. Rubrication, sigla: caps and chapter headings in different ink (probably red) xviii. Contents: Brut chronicle, fols. 2-111r; London Chronicle, fols. 111v-114v.
2. Production Culture:
i. Compiler?: ii. Named scribes?: iii. Biobibliographical information: marginalia, glosses, signatures, compiler/ scribe / owner / authorial identification: the use of the plural 'we' in the scribal note on fol. 111 suggests that the production was collaborative. McLaren asserts that this indicates commercial production (McLaren,'The Textual Transmission of the London Chroni¬cles' 60, London Chronicles 123, and PB 101). a. Flyleaf : various notes of purchase e.g from Baynes auctioneer's 29th may 1836, entry from Baynes' catalogue 1836; various numberings; 'No. xci of Dr Adam Clarke's collection of mss'. b. Fol. 1r: 'The Chronicle of England: commencing with a part of the reign of Constantinus, son of Cador, Duke of Cornwal; when the teo sons of Mordred rebelled against him. One seizing on London the other on Winchester, when they were both defeated & slain by King Constantinus which happened about A.D. DXLIII. And ending with the IX year of Henry VI A.D. M.CCCC.XXXI. Nicholas Wotton being Lord Mayor of London. Written about A.D. M.CCC.L'. Ink, in modern hand. c. Fol. 1v : printed book plate (stamp?) with coat of arms (unidentified at present). d. Fol. 1a r (inserted fol./slip?): 'This chronicle is the same as that generally called the brute and with some alterations and additions was printed by Caxton in 1450. See my edition of Havelok. F.M. It ends with the siege of Rouen, temp. Hen. 5. The subsequent additions contain e…tr…oning matter' F. M' Modern hand in pencil. Probably F. Madden, see bibliography. e. Fol. 2r: possible signatures; needs to be checked against MS, very difficult to make out from film. 'MS_C' in modern hand. f. Fol. 10: pentrials; 'chaunget þat (þe?)' faint, possibly an attempted erasure? The catchword on the preceding fol. is 'chaunget so þat þe kyng'. g. Fol. 10v: too faint to read from film. h. Fol. 11v: scribal pentrials. i. Fol. 19r: 'William 1.' Modern hand provides the names of kings at the top of each recto until the end of the MS. j. Fol. 24v: two crosses in circles '(+)' top margin, of unknown significance. k. Fol. 26r: 'a…pin john? s? leh az? Jio h? …' etc looks like pentrials, C15 hand, ink. l. Fol. 28r: '…thysdssd' pentrial? faint, trimmed. C15, ink; scribal gloss at bottom of page. m. Fol. 33r: 'William lath(?inn)(imer?) de ?Perbalde [Parbold, Lancs.?] gyuyes a …' trimmed, ink. n. Fol. 36r: 'fontal' C15 ink; 'K(?)eniall' C15 ink. o. Fol. 41v: 'Gilbert thornton de white more'; '... rnton' same C16 hand. p. Fol. 42r: '…entrete me vnto' C15. Trimmed. q. Fol. 44v: 'nota' C15. r. Fol. 45r: 'Do ye shall vndirstonde þat my m…r? ?arre kyld' C15 ink. s. Fol. 53r: scribal gloss (?): 'shent þrogh þe false'. Looks like a catchword but isn't picked up as such on the next fol.; modern notes: '203'; '204' (these numberings appear frequently from now on); 'see my mss. A and B. ^'. t. Fol. 56r: truncated drawings, only 2 pairs of legs remain. u. Fol. 58v: '… to make sauf malapyrt … and meddsy(d?) of (w?)arde? C15, ink. v. Fol. 62r: 'William nellson'; 'William mas(?)n' both C15 w. Fol. 66r: 'In my meos(f?)(l?)' C15 x. Fol. 67v: 'fayls not by ?iix wyse, fflor(ed?) hyt …' trimmed C16. y. Fol. 68r: 'lend thy' C16 (same hand as previous fol.) z. Fol. 70r: '?per (v?)ied an(d?) vse e(i)se er(a?)wly ?sennede' C16? aa. Fol. 70r; 'in ?glory ….' C15? bb. Fol. 74v 'here MS A ends' modern pencil. cc. Fol. 76r: '(a?)lso to all mayrye sheryffes baylye constabylye and other (h? l?)aw … within ?lybirte a(e?)wont to …um thye present wryttyng shall …' C15. dd. Fol. 77r: 'fr..fty' C16. ee. Fol. 81r: Missing chapter heading (no. cxxxi) supplied by modern hand in space left by scribe: ' How king Edward held his parliament at Westminster, and of the eclipse & the drought that followed after, and of a rain like a sanguine colour'. ff. Fol. 83v: 'not ad(mi?)elain…' C15?. gg. Fol. 84v: 'Byme ?seth banna(s?)ter Byme (J?)ann(?) Clifton ?Seth' C16 ink. hh. Fol. 89v: pentrials, trimmed note at bottom. ii. Fol. 92r: 'þe s… of m… to…' C15 ink. Trimmed. jj. Fol. 93r: ' … my … defyryng to how…' C15 ink. kk. Fol. 94r: ' … mark what' ; 'Jn another (p?)ersson…' C15 ink. Trimmed. ll. Fol. 96v: 'the murder of Thomas á Woodstock by order of his nephew Richard 2nd king of England'. Modern ink. mm. Fol. 100v: '…and ?sayd hys ?messe ston… m…?' C15? Ink. Trimmed. nn. fol. 102r: 'demo… fr…'; 'quid nan… ynyd…g' (same hand as 70r). oo. fol. 105r: pentrials? Trimmed: 'nnnent … fenvertrh'. pp. Fol. 111r: 'Here is no more of the sege of Rone and þat is be cause we wanted þe trew copy. Þr of bot who so euer owys þis boke may wryte it oute in þe henderend of þis boke or in þe forþ end of it whene he gettis þe trew copy where it is written wryte in þeis iij voyde lyne where it may be foundyn'; 'see Hall's chronicle Fol. Lx, &c. edit. 1548' modern ink. qq. Fol 111v: see fabian's chronicle, Vol. II; fol. CXXXVI. Edit 1533. Page 402..….. 1559'. Modern ink. same as previous fol. rr. Fol. 114r: 'schereffy(s?)' C15; pentrials (or else v. heavily abbreviated text) C15. ss. Fol. 114v: 'M.CCC.XXXI.' modern hand (same as flyleaf). Book stamp same as flyleaf. Pentrials. iv. Hand, rubrication in other MSS?: v. Decoration: vi. Scribal and authorial identification: vii. Immediate Ownership(s) / Patronage: viii. Language(s); translation activities: ix. Dialect: x. LALME vol., page, LP, grid no.: xi. Affiliations: (geo-)political, institutional etc: xii. Locality: region; household (secular/religious) urban / rural:
3. Reception Cultures / communities:
i. Owner(s): poss Gilbert thornton de white more; poss William Nellson; poss William mason; poss (S?)eth Banna(s?)ter. a. Gender(s): all male b. Occupation(s): ii. Reading networks: iii. Affiliations: (geo-)political, institutional etc: iv. Locality: region; household (secular/religious): poss. Whitemoor, Cornwall; poss. Whitmore, Staffs; v. Language: English vi. Decoration: vii. Possible function(s) of book: chronicle collection viii. Reading contexts: gendered, institutional, political, secular / religious:
4. Intertextual relations:
i. Textual descent: Matheson 'Common Version', group CV-1419(men):A. See Matheson, PB, pp. 100-01. ii. Evidence of exemplar: scribal note on fol. 111r (see heading 2.3.pp) indicates that the exemplar was incomplete or at least corrupt. iii. Intra-textual relations to texts in same MS: Brut is accompanied by London Chronicle – poss. links to London coterie / production need to be investigated. iv. Extra-textual to other books, texts, traditions: PSL MS V-3A includes an adaptation of the London chronicle material (Matheson states that PS V-3A must have been copied from a MS 'closely related to Egerton 650' (PB, 104). Bodl. MS Rawl. B.173 also contains a London Chronicle. v. Decoration: vi. Translation, language:
5. Credits and acknowledgments:
The description of this MS is largely based on microfilm work by JO'R. Textual descent based on Matheson, PB.
6. Select Bibliography for this MS
Oxford Bodl. MS Rawlinson B.166 Bodl. MS Rawlinson B.173
University Park, Pennsylvania State University Library PSL MS V-3A PSL MS Vault-Merlin [quire p of PSL MS V-3A].
Secondary Texts:
Madden, Frederick, ed., introd., The Ancient English Romance of Havelock the Dane, Roxburghe Club 46 (London: Nichol; Shakespeare Press, for the Roxburghe Club, 1828).
McLaren, Mary-Rose, 'The Textual Transmission of the London Chroni¬cles', in English Manuscript Studies 1100-1700, ed. by Peter Beal and Jeremy Griffiths, Vol. III (London: The British Library; Toronto: Uni¬versity of Toronto Press, 1992), 38-72, pp. 60-61.
_____, The London Chronicles of the Fifteenth Century: a Revolution in English Writing (Cambridge: Brewer, 2002), 123.
PB, pp 100-101.


text: During a discussion I had about class issues once, someone else in the discussion said, "I don't think that people who aren't on financial aid should have campus jobs." I am not on financial but have a campus job. I felt really weird and guilty about it, and still kind of do.


text:
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Dismiss Notice
Can't make it to the GIE+EXPO 2017?
LawnSite brings the trade show floor to your fingertips with our new GIE+EXPO 2017 Sneak Peek video series debuting now in the Lawn Mowing forum.
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Discussion in 'Landscape Architecture and Design' started by surfsk869, May 16, 2007.


text:
Message Development: Vertical Messages
Companies must develop several messages to ensure the points that will interest and engage a prospect are included in their advertising and sales material. Vertical messages, often called niche or target messages, focus on one market only; they target a specific group of prospects. They position your company as the expert in that particular market. This lesson covers the various techniques in developing vertical messages:
- Identifying vertical markets
- Solution messages
- Niche market messages
- Customer messages
- Third party messages


text:
Sage Hospitality Resources Room Attendant in Denver, Colorado
Req #:
Why Us:
Located in the heart of the city in a new renovated lobby with enriched culture and a long standing housekeeping team, who wouldn't jump to this opportunity. A leading hotel as it relates to engagement with a cultivating culture that develops the next future Sage leaders in the industry. A very exciting opportunity to join us in the historical yet modern luxury environment.
Job Title:
Room Attendant
Location Name:
Courtyard Denver Downtown
EEO Statement:
We are proud to be an EEO/AA employer M/F/Disabled/Veterans. We maintain a drug-free workplace and perform pre-employment substance abuse testing.
Posting Overview:
Cleans and prepares guest rooms and public areas by meeting established standards of cleanliness and propriety to assure guest satisfaction and maximize revenues.
Dealing with Ambiguity
Can effectively cope with change; can shift gears comfortably; can decide and act without having the total picture; isn't upset when things are up in the air; doesn't have to finish things before moving on; can comfortably handle risk and uncertainty.
Genuinely cares about people; is concerned about their work and non-work problems; is available and ready to help; is sympathetic to the plight of others not as fortunate; demonstrates real empathy with the joys and pain of others.
Is cool under pressure; does not become defensive or irritated when times are tough; is considered mature; can be counted on to hold things together during tough times; can handle stress; is not knocked off balance by the unexpected; doesn't show frustration when resisted or blocked; is a settling influence in a crisis.
Interpersonal Savvy
Relates well to all kinds of people – up, down, and sideways, inside and outside the organization; builds appropriate rapport; builds constructive and effective relationships; uses diplomacy and tact; can defuse even high-tension situations comfortably.
Must have basic knowledge of general cleaning principles, use of cleaning products and operation of standard cleaning equipment. Must have vision ability to see minute debris and dirt in poorly lit areas, and to read written instructions and computer print-outs. Must be able to understand and follow verbal/written instructions and communicate both verbally and in writing.
Must have upper body strength to lift up to 50lbs. continually throughout a shift. Must have finger, hand and upper body dexterity to push, pull and move levers, equipment and furniture throughout a shift. Must be able to work with arms raised above head throughout a shift. Must be able to maneuver fully loaded maid cart, weighing up to 50lbs., through hallways and into/out of closets during entire work day.
Education/Formal Training
No formal education or training
Material/Equipment Used
Position Type:
Full Time - Regular


text:
The Vanguard FTSE Emerging Markets ETF (VWO) is the most popular emerging markets equity ETF by assets with an expense ratio of just 0.15 percent and more than 4,000 holdings. Investors should consider the ETF for low-cost exposure to mostly large-cap emerging market equities.

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The VanEck Vectors JP Morgan EM Local Currency Bond ETF (EMLC) provides investors with exposure to local currency with a 0.47 percent expense ratio and about 260 holdings. Investors looking to avoid currency hedges should consider the ETF for their portfolio.


text:
By Simon Ebegbulem
BENIN—FORMER Foreign Affairs Minister and chieftain of Action Congress (AC), Chief Tom Ikimi, yesterday, debunked reports that he was on his way back to the Peoples Democratic Party (PDP).
Chief Ikimi, who expressed surprise when Vanguard met him to clarify his stand on the report, acknowledged that he was a member of a group that had been meeting with the former Vice-President, Alhaji Atiku Abubakar, and others, to find a formidable opposition to the PDP, but that no agreement or decision had been reached on the issue.
It was reported last Wednesday that associates of the former vice-president, includeding Chief Ikimi, might return to their former party, the PDP, after they expressed frustrations in mobilizing a national opposition to the party.
But reacting, Ikimi asserted that "it is not such a simple matter for a person of my status to simply come one morning and say I am now going back to the PDP, after all, I was in the PDP before.
"Everyone remembers the effort I made to give the PDP credibility when I conducted the primaries that selected Obasanjo in 2003 for a second term. After that, the PDP took actions that we were not able to reconcile ourselves with. They de-registered all members who they felt did not fall in line with their plans and plots.
"Then, we discovered that the plans and plots, included giving Obasanjo a third term or life presidency we did not want and we fought it. Eventually, we had to file behind Atiku Abubakar when he was being hounded by the former president.
"These issues were so fundamental that they caused us to depart from the party and form another party. And I am not aware that the situation has changed in the PDP to such an extent that I will voluntarily go and join the PDP at this time."


text:
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8 September 2014
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McGhee the target after timid exit for Brighton
Brighton & Hove Albion 0 Sheffield Wednesday 2
BRIGHTON & Hove Albion sank meekly from the CocaCola Championship yesterday to leave a large section of their support hollering for Mark McGhee, the manager, to jump ship. Three seasons after being relegated from the second flight in a corresponding fixture, Sheffield Wednesday returned the favour with a scrappy victory that ensured their survival and, at the same time, also relegated Millwall and Crewe Alexandra.
Brighton's young team gave everything but despite a recent impressive rally, they were ultimately undone by six consecutive defeats in February and March. They joyfully escaped on the final day of last season, but yesterday they ended belligerently with Gary Hart lucky to stay on for a lunge and Dean Hammond dismissed in the second half for two rash tackles…