text:
|Publication number
|Publication type
|Application number
|Publication date
|Jul 7, 1987
|Filing date
|Mar 12, 1984
|Priority date
|Mar 12, 1984
|Fee status
|Also published as
|Publication number
|Michael A. Torrano, Jr., George E. Lyon, David H. Haddick
|Original Assignee
|Loge/Dunn Instruments, Inc.
|Export Citation
|BiBTeX, EndNote, RefMan
|Patent Citations (8), Referenced by (28), Classifications (17), Legal Events (8)
|External Links: USPTO, USPTO Assignment, Espacenet
This application relates to U.S. patent applications Ser. Nos. 275,257, filed June 19, 1981, now U.S. Pat. No. 4,433,345, and Ser. No. 444,546, filed Nov. 26, 1982, now U.S. Pat. No. 4,530,011, both of which are assigned to the assignee of this application.
This invention relates to the data recording art, and particularly to medical imaging, where it is common to electronically view and store pictorial and other data derived from radiographic, ultrasonic, nuclear magnetic resonance or other devices capable of non-destructively inspecting the interior of a living body.
The results of such an inspection are frequently displayed, in real time, on a device such as a cathode ray tube (CRT) for interpretation by the diagnostician. They may also be preserved for future reference by the use of a recording system wherein photographic film is sequentially exposed, on demand, to a series of desired video images derived from an independent high-resolution monitor CRT fed with video signals and connected in parallel with the viewing device.
Camera systems for making permanent copies of video monitor images are described in U.S. Pat. Nos. 4,027,315 and 4,240,729, both assigned to the assignee of this application. In such camera systems, a drift in CRT luminance output can result in a loss of image detail as a result of under or over exposure of the photographic film. In order to preserve the maximum resolution of the system, the absolute luminance output and luminance range of the CRT image require limitation and stabilization to prevent exposure errors on the film. Stabilizing the maximum image luminance output at a point just below the shoulder of the film density-versus-exposure characteristic avoids over exposing the film, with an attendant loss in image detail. A similar requirement exists for stabilizing the luminance output of image details to be recorded above the toe region of the film density-versus-exposure characteristic, in order to maximize the overall resolution of the recorded image.
The detail contained between the image luminance end points is of prime interest to the medical diagnostician. By maintaining the image end points at calibrated brightness levels, detail rendition is preserved. Any variation of the end points of the range of interest raises substantial questions as to whether a complete and accurate image is available upon which to provide a proper diagnosis. Image contrast in the area of diagnostic interest is extremely important, and its stabilization with respect to time enhances the confidence of the diagnostician in later-produced images.
The portion of the density-versus-exposure characteristic lying between the toe and shoulder regions of a given photographic material, known to those skilled in the art as the brightness acceptance range of the photographic emulsion, should therefore be matched to the absolute brightness and contrast range (i.e., luminance output range) of the CRT image, and be maintained in that matched state over at least the period of time during which photographs of the images are being made. Further, it is desirable to maintain this relationship for all of the photographic materials used in recording the video images, despite their differing density-versus-exposure characteristics, and regardless of image polarity. The aforesaid related patent applications describe, respectively, an automatic and a manual apparatus for maintaining the light output of a CRT of a monitor display within the prescribed brightness acceptance limits of a photographic film. Both types of apparatus have contrast and brightness controls which are set to produce a known exposure of a photographic film. First and second synthetic signals are generated which represent opposite ends of the video signal amplitude excursion. By referring to the Dunn Density Index™ for a given camera shutter speed and film type, the light output of the CRT for each of these synthetic signals which lies within the film light acceptance range may be predicted. The monitor brightness and contrast are adjusted to produce these known output light levels when excited with these synthetic signals. Once the contrast and brightness levels are appropriately set, the video signal will generate a CRT image within the brightness acceptance range of the selected film type. Photographs made of these images will contain a maximum of detail as a result of matching the CRT light output range to the photographic film acceptance range.
The apparatus described in these earlier patent applications, particularly that of Ser. No. 444,546, exhibits interaction between contrast and brightness adjustments which makes calibration tedious. Further, the brightness and contrast adjustment sequence is reversed when the image polarity is changed, which can confuse the camera operator when calibrating with an image of a changed polarity. The present invention is designed to overcome these difficulties.
The object of the present invention is to provide a video monitor producing high resolution images suitable for photographing. A more specific object of the invention is to provide a high resolution CRT monitor which generates images having a grey scale intensity, or luminance output, which remains constant and within the acceptance range of a photographic film.
It is an additional object of the invention to provide the user with a calibrated video monitor which permits rapid setting of brightness and contrast controls for producing images within the brightness acceptance range of a photographic film.
These and other objects are accomplished by a video monitor which provides brightness and contrast level controls which are non-interactive. A video signal for generating an image on a CRT is sampled at first and second levels representing first and second limits of the video signal amplitude excursion. The video signal subsequently displayed on the monitor is clamped so that the amplitude level which corresponds to one of the sampled levels is at a fixed, known DC level.
During calibration of the CRT monitor, the first and second sampled levels are applied to the monitor in sequence. The brightness level is established by adjusting the monitor brightness control to generate a desired low brightness light output from the CRT monitor when excited with the one sampled level. Next, the remaining sampled level is applied to the monitor and the contrast control is adjusted to generate a desired high brightness level. Subsequent video signals are clamped at the known DC voltage level and produce a light output on the CRT of the video monitor within the range defined by the high and low brightness levels.
In a preferred embodiment of the invention the sampled levels are time-multiplexed, along with the actual video signal, to provide calibration signals and the imagegenerating video signal to the monitor CRT. The multiplexed signals are applied to one input of a multiplier which receives, on a second input, a contrast control voltage. The resultant multiplied signal is applied to an amplifier having an output level clamped to a DC voltage level established during the video signal horizontal blanking period.
During calibration of the monitor, the luminance output of the CRT is set by applying the sampled signal, which produces the lowest illumination of the CRT. The grid bias on the CRT is adjusted until a desired light output is obtained from the CRT.
The contrast is set during calibration by applying a second sampled signal, between horizontal synchronization periods of the image generating video signal, to the multiplier. The luminance output of the CRT is thereafter adjusted to a known value by changing the contrast reference voltage.
Following the calibration procedure, the image-generating video signal is supplied to the multiplier by the multiplexer. During the blanking period which precedes each line of the video signal, the first sampled signal level is applied to the multiplier and the output amplifier clamps the video signal at a known DC level. Following the horizontal blanking period, the multiplexer supplies the video signal which is clamped at this level and produces an image having a luminance output within the required acceptance range.
FIG. 1 illustrates the optical density of a photographic film with respect to a log exposure.
FIG. 2A is an illustration of a typical video signal for generating an image on a CRT monitor.
FIG. 2B illustrates the effect of the circuit of a preferred embodiment for generating an image on a normal video signal from which the synchronizing information has been stripped.
FIG. 2C illustrates the effect of the circuit on an inverted video signal from which the synchronizing information has been stripped.
FIGS. 3A and 3B illustrate circuitry of a preferred embodiment for generating first and second synthetic calibration signals for calibrating the brightness range of the video monitor.
FIG. 4 illustrates the remaining circuitry for generating calibrating signals for the video monitor.
FIG. 5A illustrates the effect of circuitry of a preferred embodiment on a video signal of normal polarity, during white calibration by adjustment of the CRT brightness control.
FIG. 5B illustrates the effect of circuitry of a preferred embodiment on a video signal of normal polarity, during black calibration by adjustment of the CRT contrast control.
FIG. 5C illustrates the effect of circuitry of a preferred embodiment on a video signal of inverse polarity, during white calibration by adjustment of the CRT brightness control.
FIG. 5D illustrates the effect of circuitry of a preferred embodiment on a video signal of inverse polarity, during black calibration by adjustment of the CRT contrast control.
Referring now to FIG. 1, there is shown a plot of the optical density of a photographic film versus its exposure, the familiar log exposure curve, for three (3) types of film. The useful portion of the optical density lies between two points, shown as the shoulder and toe. Additional exposure above the shoulder provides a diminishing increase in optical density. At the other end of the curve, the toe region is shown, which defines the lower limit of the optical density versus log exposure curve, wherein a decreasing exposure produces a less than proportionate change in optical density.
When maximum recorded image detail is desired, the photographic films are exposed within the region defined by the shoulder and toe. Thus, by limiting the exposure of any of these films to the range between its shoulder and toe region, maximum detail is preserved and the resolution limiting portions of the log exposure curve, above the shoulder and below the toe region, are avoided.
Apparatus in accordance with the present invention is designed to maintain the brightness levels of a cathode ray tube (CRT) generated image within the brightness acceptance range of the log exposure curve.
Referring to FIG. 2A, there is shown one horizontal line period of a normal image bearing video signal, beginning with a first horizontal sync pulse and terminating with the next horizontal sync pulse. The amplitude excursion of the normal video signal shown begins from a black level, which is 71/2% above the back porch level, and increases to a maximum, producing a maximum luminance level. The normal video signal thereafter declines to the black level and the front porch blanking level of the next sync pulse.
Additionally shown in FIG. 2A is an inverted video signal which can be seen to be the mirror image of the normal video signal. The video signal amplitudes shown must produce an optical density between the shoulder and toe regions of the log exposure curve of FIG. 1 in order to preserve the maximum picture detail, and to avoid the very non-linear regions of the log exposure curve. This result is required when either inverted or normal video is being processed, such that the inverted video signal also produces an optical density within the required brightness acceptance range. The apparatus in accordance with the present invention will provide for such control and maintain the video signal amplitude within the brightness acceptance range, thus compensating for circuit non-linearities and anomalies which result over time.
By referring to FIG. 2B, it is possible to describe the effect of the invention on the video signal to be displayed on the monitor after processing by the preferred embodiment. As shown, the horizontal synchronization pulses and front and back porch levels have been removed or stripped from the signal prior to processing. The present embodiment processes the video signal in its stripped condition, providing separate synchronizing information direct to the deflection circuit. The circuitry for decoding the video timing is standard and will not be described. The present invention will strip and clamp the video signal, such that a minimum brightness level for the cathode ray tube display is held at the clamp level. This sets the minimum brightness, which will lie at approximately the toe of the log exposure curve. Next, a reference level is set to control the gain of the amplifier processing the video signals, such that a maximum amplitude excursion of the video signal shown in FIG. 2B is maintained at approximately the shoulder region of the log exposure curve. Thus, the brightness of the display, as well as the contrast, is set to maintain the generated CRT image within the brightness acceptance range of the optical density versus log exposure curve for the film being used.
The broken lines of FIG. 2A demonstrate first and second clamp levels of the video signal, representing signal levels near the limits of the video signal excursion. The present invention will establish a first DC clamp level for the video signal at image sample 1 such that, as shown in FIG. 2B, the video signal to be processed remains clamped to a known DC voltage input to the video monitor. During the blanking interval of the video signal to be displayed, the CRT drive video amplifier receives an input signal corresponding to image sample 1, in the case of a normal video signal, and generates a clamping voltage which will maintain the subsequent video signal DC clamped to the sample 1 level. In the case of an inverted signal, as shown in FIG. 2C, the clamping level will be established at the image sample 2 level. In both polarities, the video signal is clamped at the lower brightness level.
Conventional CRT display systems are often clamped at the back porch level of the video signal for both normal and inverted signal polarities. The video signal is thus clamped at one end or the other of the luminance range, depending upon the polarity of the displayed image. This requirement can generate confusion in the mind of the operator as a result of the transfer of control over the low luminance level of the image from the brightness adjustment to the contrast adjustment, accompanied by transfer of control over the high luminance level of the image from the contrast adjustment to the brightness adjustment. Alternative display systems have also been devised which employ dual sets of contrast and brightness controls, with selection between the pairs of controls being governed by switching which also determines the polarity of video fed to the CRT.
Referring now to FIGS. 3A and 3B, there is shown an electronic circuit for processing the video signal of FIG. 2A, such that its amplitude produces a cathode ray tube image lying within the brightness acceptance range of a photographic film. The apparatus of FIGS. 3A and 3B receives the signal of FIG. 2A, and DC restores said signal so that the back porch voltage equals ground potential, and provides an amplitude-controlled, DC voltage-clamped, video signal for driving the CRT cathode, thus producing the required image brightness.
The circuit of FIGS. 3A and 3B generates from the typical video signal of FIG. 2A first and second samples of the signal, one corresponding to a high brightness or HISS level and the other to a low brightness or LISS level. These samples are to be at approximately 121/2% of the total amplitude excursion and at 95% of the peak amplitude excursion. A peak detector 14 is shown which receives as its input the typical video signal. Amplifier 14a supplies peak detector 14b, and the resulting peak voltage value is stored on a capacitor 14c. Additionally, amplifier 14d provides isolation for the sample signal on capacitor 14c, and current to the voltage divider network 14e, 14f and 14g. The resistors 14e, 14f and 14g are selected to provide a HISS level of 95% of the voltage of capacitor 14c and a LISS level comprising 121/2% of the capacitor voltage. With the two sampled levels, it is possible to apply sequentially two video signal amplitudes to the monitor input for generating first and second illumination levels for the CRT, which can be used to set the brightness and contrast of the monitor.
The video signal and HISS and LISS levels of the peak detector circuit are applied to a signal switch 12, wherein any one of the applied signal may be selected. Switch 12B DC restores the input video to ground potential. In order to make the required brightness and contrast adjustments, these signals are applied in response to operator controls which permit a selection of either the normal video signal or the HISS or LISS level.
The outputs of the signal switch 12 are supplied to an input 15b of a multiplier circuit 15 where signal levels can be multiplied in accordance with a voltage applied to input 15c. Thus, by changing the polarity of the voltage on input 15c, the polarity of the video signal may be switched between a normal and inverted condition, as selected in accordance with an operator control. The output of the multiplier 15 is provided on terminal 15d.
It can therefore be seen that the multiplier 15 provides control over the polarity of the video signal to be applied to the cathode ray display, and is also used to control the gain imparted to the resultant signal. In this way, by controlling the gain of multiplier 15, the high luminance of the resulting image may be controlled.
In order to select which one of the inputs of signal switch 12 is to be applied to multiplier 15, a switching control circuit 13 is provided. The switching control circuit 13 provides an energization of signal switch portion 12c when the HISF level is high. This condition of HISF is provided when the AC1 and AC0 signals, as well as the POS signal received from the circuit of FIG. 4, are in accordance with a desired format. The POS level is applied by a switch which is operator-controlled to either invert or maintain the video signal in a normal video signal mode. The AC1 and AC0 signals are generated by logic to be described, depending upon whether or not a contrast or brightness adjustment is to be made, whereby the HISS or LISS level will be selected. NOR gates 13a, 13c are connected as shown to the BCD to decimal decoder 13b to provide the HISS, LISS and video selection signal as required.
The BCD/decimal decoder also receives a horizontal blanking signal. The purpose of this is to enable either switch 12c or switch 12d during the blanking interval of the video signal generating the CRT image. In the case of a normal video signal, as indicated by the POS=False signal, the LISS level is gated during horizontal blanking. The HISS level is gated during horizontal blanking when the POS=True signal is being processed. As will be explained in greater detail with respect to FIG. 3B, these gated levels are used to develop clamping levels for the video signal. The active video applied to switch 12a is gated between horizontal blanking periods by VIDF.
Referring specifically to FIG. 3B, there is seen a differential amplifier 17 which receives, on one input, the output from multiplier 15a of FIG. 3A. The differential amplifier 17 includes a current source 17a for driving the emitters of a pair of transistors 17b. A common base amplifier 17d receives the common mode output signal of transistor pair 17b, and drives a drive amplifier 19. Drive amplifier 19 is connected to the CRT cathode drive for controlling the electron gun current such as to regulate the intensity of the electron beam.
The remaining input of differential amplifier 17 is connected, via a feedback circuit which comprises DC clamp circuit 18, to the output of amplifier 19. The DC clamp circuit 18 operates during the DC restore pulse, defined as the time lapsing from the trailing edge of the horizontal sync pulse to the termination of the adjacent back porch level of a standard video signal, to apply a feedback signal to the remaining input of differential amplifier 17. During the DC restore time, the voltage Vref is compared in amplifier 18b which is connected as a comparator with the output video signal, and the output video signal level is driven by the closed feedback loop to provide a fixed output signal equal to Vref from amplifier 19. During the DC restore time, which occurs during the horizontal blanking period, the LISS level associated with the recording of a normal video signal (NEG film image) is gated through signal switch 12d of FIG. 3A. The LISS level is therefore normalized to Vref and, during a subsequent line of video signal information, capacitor 18f will maintain the DC voltage level provided by amplifier 19 clamped in such a way that the LISS level of the video signal is maintained at Vref. The clamping voltage of capacitor 18f is re-established during each DC restore period such that the video signal remains clamped at Vref.
The consequence of clamping the video signal from amplifier 19 is that the LISS level always equals the reference voltage Vref, and a standard luminance level is generated from the monitor CRT. During calibration, the LISS level is displayed during the visible portion of the video signal, and the first standard luminance level is set via the photometer 43 to provide an exposure of the photographic film which produces an optical density near the toe region of the film. This standard luminance output is thereafter maintained by continuously clamping the position of the video signal amplitude which corresponds to LISS (in the case of normal video) to Vref during each blanking period.
The remaining portion of FIG. 3B generates a contrast control voltage. A reference voltage is derived from zener diode 20a, and applied to a contrast adjust potentiometer 22. The controlled reference voltage is thereafter attenuated by potentiometer 22 to provide for accurate and stable control over the multiplier 15. To adjust contrast for a negative film image, the HISS level is displayed during the visible portion of the video signal and the second standard luminance level is set via meter 41.
During the INVERT mode of operation (recording a POS film image), the contrast voltage potential is inverted by the operation of gates 20c and 20d. Upon the closure of gate 20d, and opening of gate 20c in response to the INVERT condition selected by a manual operator control, the reference generator 20 will provide an inverted, stable reference voltage to contrast potentiometer 22.
Potentiometer 20f provides a balancing control to accurately set the inverted contrast voltage with respect to the normal contrast voltage. It is, of course, possible to provide an offset between the contrast of an inverted image with respect to a normal image, utilizing potentiometer 20f.
The circuit of FIGS. 3A and 3B is used to provide intensity control for the electron beam in the following manner. When the operator has selected the polarity of the image to be produced by the CRT, reference generator 20 (FIG. 3B) is set to provide the proper polarity of contrast reference voltage to multiplier 15a (FIG. 3A). Additionally, the operator will close the black/white (B/W) switch 39 (FIG. 4) to provide either the HISS level or LISS level to the monitor for display during calibration of the brightness and contrast controls. The selection of either HISS or LISS is a function of (1) the image polarity and (2) the setting of the B/W switch.
The generation of the selection signals for calibration of the monitor can be more clearly understood by referring to FIG. 4. In FIG. 4, there is shown the circuitry for controlling the video signal processing circuit of FIGS. 3A and 3B. FIG. 4 provides for a video switch 32 which can select inputs A, B, C or D in response to the setting of switch 30. Video select switch 30 is connected through a pair of NOR gates 31, as shown, to provide outputs VS0 and VS1, a two-digit binary number for selecting one of the four inputs A, B, C and D. The VS0 and VS1 binary signals are further decoded in decoder 34, and applied to video switch 32, connecting one of the selected signals to the input of video amplifier 35. The selected video signal, amplified by amplifier 35, corresponds to the video signal of FIG. 2A. The selected video signal is applied to the input of circuit 3A.
The image polarity switch 38 is shown in the POS position which is decoded by decoder 33, along with an input from the B/W switch 39. The following truth table indicates the logic levels of AC0 and AC1 under control of polarity switch 38 and B/W switch 39:
where 1=True, 0=False. Additionally, there are shown contrast indicator 25 and brightness indicator 26, in the form of LED indicators, which will inform the operator as to which control is to be adjusted during the calibration of the video monitor contrast and brightness controls 22, 29 (FIG. 3B).
the N.R. inhibit input to logic circuit 33 inhibits the selection of either the HISS or LISS levels when the camera is in a picture taking mode. Only during calibration is logic circuit 33 enabled to provide the required AC0 and AC1 signals.
Shown also in FIG. 4 is one shot pulse generator 37 which provides the DC restore pulse from the trailing edge of the horizontal sync pulse. The DC restore pulse lasts 1 microsecond.
The remaining circuitry of FIG. 4 includes a meter circuit 40 which is operatively connected to receive the output of photodetector amplifier circuit 42. Photodetector amplifier circuit 42 is connected to determine the light output from the video monitor during calibration, as sensed by photodetector 43. During the calibration sequence, wherein the video monitor brightness and contrast is adjusted, meter 41 will provide an indication of the relative light output from the video monitor under the first and second excitation conditions, whereby HISS and LISS signal levels are applied to the video monitor.
The calibration sequence for the video monitor can now be described with respect to FIGS. 5A-5D. The image polarity is selected by image polarity switch 38 which establishes a normal or inverting signal level of POS or NEG. The B/W switch 39 is then operated to provide either a LISS or HISS level in accordance with the logic state of AC1 or AC0, respectively.
As shown in FIG. 5A, if the image polarity is normal, i.e., a NEG film image, and the B/W switch is at W, the LISS level will be applied to the video monitor input by switch 12d of FIG. 3A. The LED indicator 26 will light and the brightness control 29 (FIG. 3B) will be adjusted until meter 41 indicates that the light level detected will produce the appropriate exposure of the film used to photograph the CRT generated image. The meter 41 is calibrated to read the Dunn Density Index™ for a particular film type and camera shutter speed. Reference may be had to U.S. patent application Ser. No. 444,546 now U.S. Pat. No. 4,530,011 for a table giving the Dunn Density Index™ for various films and shutter speeds.
After setting the brightness, the B/W switch is set to B, whereupon contrast indicating LED 25 will light. The AC0, AC1 signal levels will assume a state which applies the HISS level to the video monitor input as shown in FIG. 5B. The contrast control 22 will then be adjusted to obtain the proper light output as indicated on meter 41.
FIGS. 5C and 5D demonstrate the signal levels which are applied to the video monitor when the image polarity is inverted. The AC0, AC1 signal will assume a logic state which will apply a HISS level, corresponding to image sample 2 of FIG. 2C, to the video monitor input. The brightness level for the CRT under this sampled condition will be adjusted by brightness control 29 (FIG. 3B) until meter 41 indicates a light level which will produce the appropriate exposure of the film used to photograph the CRT generated image, the B/W switch having been in the W position.
After setting this brightness level, the B/W switch is set to B, which will apply the LISS level of FIG. 5D to the video monitor input. Under this excitation condition, contrast control 22 will be adjusted to provide an appropriate light output level.
Following the calibration sequence, the B/W switch is returned to its neutral position and the information-bearing video signal is applied to the monitor for generating an image to be photographed.
It is also possible to implement an automatic control system whereby the operator directly enters the Dunn Density Index™ values, and the control electronics then determine the image luminance by adjusting the brightness and/or contrast functions, as necessary.
Thus, there has been described an embodiment of a manually adjustable high resolution video monitor which will permit the accurate calibration of the light output, whereby subsequent hardcopy photographs of images will all be recorded within the brightness acceptance range of the photographic film.
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|U.S. Classification
|International Classification
|Cooperative Classification
|European Classification
|Mar 12, 1984
Owner name: LOGE/DUNN INSTRUMENTS, INC., 544 SECOND ST., SAN F
Free format text: ASSIGNMENT OF ASSIGNORS INTEREST.;ASSIGNORS:TORRANO, MICHAEL A. JR.;LYON, GEORGE E.;HADDICK, DAVID H.;REEL/FRAME:004240/0039
Effective date: 19840302
|Apr 29, 1991
|Surcharge for late payment
|Apr 29, 1991
|Fee payment
Year of fee payment: 4
|Mar 9, 1992
Owner name: MILES INC. A CORP. OF INDIANA
Free format text: MERGER;ASSIGNORS:AGFA CORPORATION A CORP. OF NEW YORK;BAYER USA INC. A CORP. OF DELAWARE;MOBAY CORPORATION A CORP. OF NEW JERSEY (MERGED INTO);REEL/FRAME:006036/0063
Effective date: 19911220
|Jun 6, 1994
Owner name: DBA SYSTEMS, INC., FLORIDA
Free format text: MERGER;ASSIGNORS:LOGE/INTERPRETATION SYSTEMS, INC.;LOGE/SPATIAL DATA SYSTEMS, INC.;LOGE/DUNN INSTRUMENTS, INC.;REEL/FRAME:007013/0047
Effective date: 19870122
Owner name: MATRIX INSTRUMENTS, INC., NEW JERSEY
Free format text: ASSIGNMENT OF ASSIGNORS INTEREST;ASSIGNOR:DBA SYSTEMS, INC.;REEL/FRAME:007013/0061
Effective date: 19880223
|Feb 14, 1995
|Maintenance fee reminder mailed
|Jul 9, 1995
|Lapse for failure to pay maintenance fees
|Sep 19, 1995
|Expired due to failure to pay maintenance fee
Effective date: 19950712


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The European Union Trademark for King's jeans KING'S ROAD - CORTINA (Figurative) was filed on 21.09.2000 for goods and services in class(es) 9, 18 and 25 at the European Union Intellectual Property Office (EUIPO). The current status of the trademark No. 001866979 King's jeans KING'S ROAD - CORTINA is 'registered'.

subset: commoncrawl


text:
It is difficult to obtain the friendship of a cat. It is a philosophical animal... one that does not place its affections thoughtlessly.
It is a difficult matter to gain the affection of a cat. He is a philosophical, methodical animal, tenacious of his own habits, fond of order and neatness, and disinclined to extravagant sentiment. He will be your friend, if he finds you worthy of friendship, but not your slave.
The cat makes himself the companion of your hours of solitude, melancholy and toil.
The most fitting occupation for a civilized man is to do nothing.
Modesty was made for the ugly.
Books follow morals, and not morals books.
Sometimes he sits at your feet looking into your face with an expression so gentle and caressing that the depth of his gaze startles you.
To love is to admire with the heart; to admire is to love with the mind.
The purity of a person's heart can be quickly measured by how they regard animals
I was born to travel and write verse.
Who can believe that there is no soul behind those luminous eyes!
Eyes so transparent that through them the soul is seen.
Once [a cat] has given its love, what absolute confidence, what fidelity of affection!
What I write is not for little girls.
Brevity never fatigues; therefore, brevity is always a welcome guest.
Yes I have loved, as no one on earth ever loved, with an insensate and furious love, so violent that I wonder it did not break my heart
No one is truly dead until they are no longer loved.
[Great artists] do not copy what they see, but what they desire.
If you are worthy of its affection, a cat will be your friend but never your slave.
I am a man for whom the outside world exists.
The cat is a dilettante in fur.
The arts teach and moralise by their beauty alone, not by translating a philosophical or social formula. For the truly artistic person, painting has itself as it's purpose, which is quite enough.
The years I have squandered in puerile excitement, in going hither and thither, in seeking to force nature and time, I ought to have spent in solitude and meditation, in endeavoring to make myself worthy of being loved.
Those horses must have been Spanish jennets, born of mares mated with a zephyr; for they went as swiftly as the wind, and the moon, which had risen at our departure to give us light, rolled through the sky like a wheel detached from its carriage.
To extract beauty from one's own milieu is one of the most difficult tasks of art.
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Thomas Bitting, RPA, FMA, SMA/SMT
Having held positions in the facilities, property and project management fields, Tom has
gathered a wide range of knowledge and experiences during his 19 years of real estate work. Tom is also a National Instructor for BOMI International, with nine years of teaching experience, who regularly teaches both RPA and FMA courses around the country. It is this combination of teaching and real estate experiences that allows Tom to deliver the course material with an emphasis on real world applications. Tom has an engaging teaching style which provides a high energy, interactive class environment.
Diana Hernadez, RPA
Property Manager, Nearon Enterprise
Diana Hernandez, Senior Real Estate Manager formerly with Shorenstein Realty Services at Oakland City Center, now oversees the project for CBRE.
Prior to joining Shorenstein and CBRE, Diana was a Senior Property Manager for Equity Office Properties, most recently in Foster City, CA. There Diana was responsible for managing Metro Center, a 875,000 sq. ft. Class A high rise and retail office park, and three commercial office buildings at San Mateo Bay Center totaling 300,000 sq ft.
Prior to her relocation to Northern California, Diana served as the Senior Property Manager for Equity Office at the Yahoo! Center in Santa Monica, CA, where she assisted with the due diligence and acquisition of this 1.1 million sq. ft. Class A office park. Other property assignments Diana held for Equity Office in southern California include five years at Santa Monica Business Park and Arboretum Courtyard properties, a 1.2 million sq. ft. portfolio of mixed use office and retail properties. Diana is an accredited Real Property Administrator (RPA), and is currently also pursuing her CPM designation.
Paul Richards, RPA, CPM
Director, Prperty Management, Wilson Meany
Paul Richards has more than 40 years of experience in commercial real estate, property management, development and leasing. At Wilson Meany, as Director of Property Management, Paul focuses on client services, agency leasing and new business development. Previously, as Senior Vice President of Property Management with Shorenstein Realty Services, he was responsible for a four million square foot, Class A office portfolio that included properties in San Francisco and Sacramento. Paul has also held executive and senior management positions with Rockefeller Center Development, Lincoln Property Company, Tishman West, Transwestern/Voit and CB Richard Ellis. He holds the Real Property Administrator professional designation from the Building Owners and Managers Institute (BOMI) and a Certified Property Manager professional designation from the Institute of Real Estate Management. A California-licensed real estate broker, Paul is a member, former director and past president of Building Owners and Managers Association (BOMA) of San Francisco and The San Francisco Institute of Real Estate Management. He in on the board of the Transportation Management Association of San Francisco and is an instructor for BOMI professional designation courses. Paul attended the College of San Mateo and Golden Gate University.
Tawni Sullivan, RPA
Senior Director, CBRE, Inc.
Tawni has twenty-four years of experience in commercial real estate. She started in the East Bay, moving to SF where she then tenured with CAC Real Estate Management Co., Inc for the last 19 years, before the most recent move to CBRE. She holds a Bachelor of Science degree in Business, with a concentration in Marketing. Her background in sales and customer service is combined with many years of experience in the real estate industry. Tawni's professional experience offers a diverse range of building sizes, project focus and responsibilities. Clients include large institutional owners to small investors, which enables Tawni to respond to a variety of Ownership goals. Her role within CAC provided an opportunity to continually collaborate between departments, finding efficiencies in the work being done. With her role as Senior Director with CBRE offers new challenges and opportunities. She is focused on finding new ways to operate as part of a large organization, but keep the feel collaborative feel of a smaller company. Tawni is a member of the Board of Directors of BOMA San Francisco, member of the Board of Directors BOMA SF Foundation, past Vice-Chair of BOMA's Building Code Task Force, Board Member of the Transportation Management Association, and holds a California Real Estate salesperson license. Tawni enjoys teaching RPA and BOMA classes. She holds the RPA designation and is currently a candidate of the FMA designation.


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FireFan App Download, Where Can I Download The Firefan App?
The FireFan App Download is available if you own a Smartphone and if you have an internet connection. The FireFan App Download is available to anyone interested in playing live interactive sports from the comfort of your chair or while sitting in a stadium of a live sporting event.
Where Can I Download The FireFan App?
It is best to have a friend send you a link as this will give you some free tokens for play. The FireFan App Download is free and you may have to purchase additional tokens if you want to play. There are plenty of options to get free token to play. By using This Link you will be able to get some free tokens to get started. Refer to the article on how to get free tokens, FireFan Sports App.
We hope you enjoy playing the game … and keep in mind once you get started you can refer others to get free play tokens.


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*Lemon Shortbread Anything Goes My DT proj Ends 17th of July
* Scrap N' Dipity: showcase My May project
* The Paper Shelter Diecuts & punches My DT proj Ends 18th of July
*Delicious Doodles Beside the sea My DT proj Ends 31st of July
tirsdag 10. august 2010
Papirkonk uke 31
Lagt inn av Bettina L. kl. 20:39
Etiketter: after eight eske, Papirkonk
2 kommentarer:
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Assistant Manager Designate
Posted 5 September by Signet
H.Samuel/Ernest Jones Stores - Assistant Manager Designate covering Inverness and surrounding area
Are you an exceptional career focused Retailer? Are you ambitious and determined to achieve great success?
If so, then you need to apply!
H Samuel & Ernest Jones are familiar sights on the UK high street and are part of Signet Jewellers, the organisation behind other popular brands such as Leslie Davis. Signet Jewellers is the world's largest speciality retail jeweller by sales, with stores in the US, UK, Republic of Ireland and Channel Islands.
If you're not familiar with the Designate role, this is our way of getting people like you, our future talent into the business. You'll undergo a 12 week training plan where you will visit a number of stores, learn our policies, procedures and products. At the end of this 12-week training programme, you'll be appointed as an Assistant Manager in a selected store in the advertised location. This will be your role to make your own, progress and develop from.
You don't need previous experience of selling jewellery or watches, as we have a fabulous induction programme that will teach you all you need to know about our products. What we need are passionate Managers looking to create amazing customer experiences and a healthy sales culture.
Are you the perfect gem?
What you need;
* An excellent track record in Retail as a Management, ideally with a premium brand.
* An awareness of the commercial performance of the store.
* An ability to lead, coach, train and develop your team to maximise potential and performance.
* A role model who consistently delivers an amazing customer experience.
* Passion for our product.
* A competitive spirit.
Your rewards:
In return for your dedication and experience, we offer a competitive salary, benefits and career progression opportunities that you would expect from a large retail company.
This includes great benefits, performance related bonuses, a chance to make commission, excellent staff discount from day one, superb learning and development and promotional opportunities that will help you maximise your potential and much more.
Does this sound like you?
Apply here if you think you have what it takes to become a successful Assistant Manager for the UK's number one speciality jeweller!
Reference: 32791174
Bank or payment details should not be provided when applying for a job. reed.co.uk is not responsible for any external website content. All applications should be made via the 'Apply now' button.Report this job


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About the author:
Ever since childhood, Elissa Daye has enjoyed reading stories as an escape from life. When she was a teenager she started to write her own stories that kept her entertained when she ran out of books to read. When she was accepted into Illinois Summer School for the Arts in her Junior year of High School, she knew she wanted to become a writer. Elissa graduated from Illinois State University in December 1999 with a Bachelor of Science in Elementary Education and began her teaching career, hoping to find moments to write in her free time.
After seven years of teaching, Elissa decided to focus on her writing and made the decision to put her teaching years behind her so that she could create the stories she had always dreamed of. She is now happily married and a stay at home mom, who writes in every spare moment she can find, doing
Press Legacy
Authored by Elissa Daye
Mending a broken heart is never easy. That was something Keira Johnson knew better than most people. After ending a long term relationship with a self-absorbed masochist, Keira throws herself into her work as full time editor for Legacy, a publishing company representing the paranormal world.
To top that off, it was time for the annual alumni mixer which Keira has made it a point to skip each year, but her boss, Paranormal Romance author, Claudia Woods decides she would like Keira to attend with a hearty donation on her behalf. While Keira has a good working relationship with her boss, denying her requests isn't something she is in the habit of doing.
So Keira travels to her alma mater, with the ghosts of her past to keep her company as she relives the life she thought she had left behind. Keira never imagined that Daniel might be there. The very sight of his face brings up memories that she had thought were long buried.
Would her school girl crush turn into more than a fantasy?
Publication Date:
1629892513 / 9781629892511
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Binding Type:
US Trade Paper
Trim Size:
6" x 9"
Black and White
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Fiction / Romance / Erotica
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I have two hoses connected for watering purposes, however, they leak, there is a washer there, but they still leak. Any suggestions, I want to leave the water turned on so I can use it easily and not have to travel half way around my house to turn it off and on.
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Sat, 06/26/2010 - 16:37(Reply to #1) #2
A. Spruce
Without seeing the connections, it's hard to say.
1 - Cheap hoses tend to leak around the connections, even with washers.
2 - Washer could be damaged or distorted - replace with new.
3 - Leak may not be coming from the hose at all, but the faucet itself, usually around the stem nut - tighten stem nut slightly until leak stops.
4 - Connection could be cross-threaded - remove and install properly
5 - Hoses are damaged - replace hoses.
Sun, 06/27/2010 - 11:32(Reply to #2) #3
I agree with both responses. Fix/replace the hose/faucet & take a walk.
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Last week`s doings were not the Grammys of the old days. No circus acts, no posturing androids, no temper tantrums. This Grammy event had class.
People actually dressed like the elegant artists they are, and except for Sam Kinison (who looked like an endomorphic pirate) and Dave Stewart of the Eurythmics (in purple crushed velvet with flapping shirt cuffs) everybody else was spiffy enough for Sunday school.


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An infection or irritation in the external ear and ear canal is usually called as Otitis Externa or Swimmer's ear. The reason for swimmer's ear is when a person comes in contact with water excessively. A situation when the ear is doused in water, moisture makes a way into the water-resistant layer and the skin grows to be squashy and crumpled, when they are in continuous contact with water for a longer period. Fungi and bacteria are capable to subsist on the face of the water to the outer skin with no harm. If any split takes place in the skin's usual obstruction, these bacteria from infected water in the ear may simply slither into the skin resulting in swimmer's ear.
Given below are the various signs of disorders that could result in the pain in the ear which is called the swimmer's ear -
1. Painful or itchy ear.
2. Sensitivity to ear movement.
3. Hearing power reduces.
4. Earwax appears to be soft and white.
5. Yellowish or milky discharge from the ear.
6. Immediate or spiky pain in the ear.
7. Noises that are heard seem like humming or buzzing sound.
8. Lymph nodes on the neck or bulging of ears.
9. Sensation of stuffy and heaviness in the ear.
10. Outer skin of the ear appears to be swollen and encrusted.
Natural Home Remedies for Swimmer's Ear
Following are the home remedies for swimmers ear, if followed should definitely prove to be helpful.
1. This can be treated by pouring a few drops of white vinegar in both the ears. Place a few drops of vinegar in one ear and leave it in the canal for about 300 seconds prior to placing the ear in its normal position in order to draw off the solution. It is recommended to replicate this for three days, two times daily. It is usually successful against any bacterial or fungal infection because the acetic acid restrains the development of bacteria.
2. When the water blocks up the ear, place three to four drops of apple cider vinegar, diluted in equivalent proportion with alcohol or water, after swimming or showering. This aids in preventing infections further.
3. Another useful home remedy for swimmer's ear is baby oil. Take some heated baby oil and pour it into the ear with a help of dropper. Set a cotton ball to evade drawing off the oil.
4. Use of hair dryer can vanish the water molecules in the ear. Let it get warm and sway it across the ear as it throws the air, which dries your ear. The warm air would evaporate the trapped water.
5. Mix equal amount of water, peroxide and white vinegar and pour a few drops of this solution in the ear with the help of a dropper. Let the solution remain in the ear for some time, say for a minute. Set a piece of cotton ball in the ear. It is recommended to do this before sleeping. It is a good home remedy for swimmer's ear.
6. Apply little oil before stepping forward to the pool. So that water which reaches the ear drains out.
7. Evade swimming or showering in dirty or infected water. Even if a person is doing it unintentionally, he must take precautions and use ear plugs at the time of swimming.
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Joshua Holland of , AlterNet recently posted an article addressing six narratives circulating within the mainstream media, which plays off the Gilded Age's Myth of Hard Work.
Most everyone will recognize the old German variant of this myth – "Hard Work will Set You Free." As Joshua Holland pointed out in his article – "class war": habitually vilifying the unfortunate; claiming that their plight is a manifestation of some personal flaw or cultural deficiency. Conservatives wage this form of class warfare virtually every day, consigning millions of people who are down on their luck to some subhuman underclass.
The belief that there exists a large pool of "undeserving poor" who suck the lifeblood out of the rest of society lies at the heart of the right's demonstrably false "culture of poverty" narrative. It's a narrative that runs through Ayn Rand's works. It comes to us in bizarre spin that holds up the rich as "wealth producers" and "job creators."
Joshua Holland's six narratives are as follows:
1.Registering the Poor to Vote Is "Un-American"
2.Unemployment Benefits Have Created a "Nation of Slackers"
3.You Can't Really Be Poor if You Have a Color TV!
4.Food-Stamps: "A Fossil That Repeats All the Errors of the War on Poverty"
5."The Main Causes of Child Poverty Are Low Levels of Parental Work and the Absence of Fathers"
6.Taxing Working People Less Than the Rich Is "Perverse"
Class War
All of these narratives are designed to protect a status quo that's serving the interests of a rarefied elite… All are intended to distract (concerned citizens) from the structural causes of poverty and inequality, or to ignore the fact that some people will always experience genuine misfortune — the myriad surprises in life that can happen to anyone — because they'd choose low taxes over caring for them.
Another myth is "the United States is meritocracy." Nevertheless, research consistently demonstrates people are not promoted based on merit. There are structural barriers that prevent people from getting ahead in this economy. Not everyone can sit at the top of the pyramid. The only solution is to flatten out the pyramid so everyone is able to live on more or less equal terms.


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|Come enjoy these astronomical wonders of the universe!
*https://en.wikipedia.org/wiki/ConstellationStart Now. Then please share this fun slideshow with your friends!
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The oceans of the world contain such a vast expanse of wonders! The sheer number of species of fish in the oceans is mind boggling, but we'd like to share just a few of the them in this virtual journe...View The Slideshow!
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Ajahn Vayama gives an uplifting talk about the benefits of developing the mind through generosity, virtue and meditation.
Tag Archives: transformation
Changing The World From Within | by Ayya Vayama
Responding to the charge that Buddhism is "passive", Ajahn Vayama contends that the practice is very active, and very active at the point where we are not used to thinking of being active: namely, the mind. Through actively developing the mind, our speech and actions begin to change in accordance with the changes occurring within.


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Taking children out of class for annual holidays is highly undesirable as evidence shows that taking a child out of school during term time can hinder progress.
Absences for non-essential reasons, e.g. holidays, shopping, parties, theatre visits, etc., will be counted as unauthorised absence.
Please note that it is proven that any absence from school over two weeks in any year will have an effect on overall standards achieved.
Please come into the office to pick up an absence request form and return this with a letter if it is necessary for your child to be absent from school.


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The International Monetary Fund said Thursday it had approved a new stand-by loan for Serbia worth around one billion euros ($1.25 billion) to help it achieve economic reforms.
"The government's economic programme will be supported by a 36-month precautionary stand-by arrangement. The overall size would be around one billion euros," Zuzana Murgasova, head of an IMF mission that visited the Balkan country for the past two weeks, told reporters.
However, the stand-by loan is yet to be approved by the IMF's executive board, she added.
"The economic programme would seek to lay a ground for macroeconomic stability, sustainable growth and job creation over the medium term," Murgasova said.
"In particular, the fiscal adjustment aims to halt the rise in public debt and put it on a downward trajectory by 2017.
It looks to contain spending by "scaling down the large public sector wage and pension bills, and reducing budget support to public enterprises," she added.Serbia, which began negotiations to join the European Union in January, is expected to report a record budget deficit of 8.0 percent of gross domestic product this year, while public debt is to rise to 68 percent of GDP by the end of the year, according to the IMF.
Serbia has agreed to carry out a comprehensive programme of economic recovery, composed of short-term fiscal consolidation measures and structural reforms, said Serbian Finance Minister Dusan Vujovic.
The aim of the programme is to reduce the budget deficit to 4.25 percent and save some 1.3 billion euros by 2016, Vujovic added without giving further details.
The deal is to take effect on January 1, he said.
- 'Lack of discipline' -
Prime Minister Aleksandar Vucic hailed the deal. He said that "following years of lack of discipline," an economy recovery plan has finally been reached that would be supported by international financial institutions.
"We want to become a competitive economy... and to ensure a good life for our citizens. It will take time to achieve that," he said, adding that he expected the economy to improve by 2016.The talks with the IMF came as the Serbian Central Bank (NBS) said on Wednesday that the country's economy would contract by 2.0 percent this year. Earlier the government had forecast a 1.0 percent negative growth.
The deal was reached after Serbia had taken various measures to reduce its high fiscal deficit, including a 10-percent cut of pensions and public sector monthly wages above 200 euros ($250).
The adopted measures also included the privatisation of some 500 loss-making state-owned companies by the end of 2015 that cost up to 600 million euros per year in subsidies.
In addition Serbia has also adopted a new labour law to cut some job protections and raise the retirement age for women to 65.
In a country of 7.2 million people, more than 700,000 are employed in the public sector while 1.7 million are pensioners.
The unemployment rate is around 17 percent and has been reduced by three percent in the last six months, Vujovic said. However, "it poses a major social concern," Murgasova said.
Most people with jobs struggle to live on an average monthly salary of 350 euros ($444).
The IMF had frozen a billion-euro loan ($1.3 billion) in 2012 due to the Serbian government's inability to meet its terms.
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GMT 03:20 2017 Thursday ,21 SeptemberVenezuela extends state of economic emergency


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VIDEO: Thousands Attend Memorial for Fallen Maryland Officer
Prince George's (MD) County Police Officer Jacai Colson was laid to rest Friday as thousands gathered to honor the officer killed in the line of duty.
Fellow law enforcement officers from around the region gathered Friday morning as Colson's casket arrived at the church where he was remembered.
Officer Colson's viewing and funeral took place at the First Baptist Church of Glenarden in Upper Marlboro.
Colson was reportedly killed in a "blue-on-blue" shooting during a gunfight with a man attacking his station. Colson, an undercover officer, was not in uniform during the attack and was apparently mistaken for one of the attackers in the battle. During the fight, he reportedly drew fire from the attacker to himself to protect fellow officers.
Both the viewing and funeral were originally not open to the public. Family and the police decided to open everything up to the public because of the amount of the support received from the community, WUSA TV reports.
kevCopAz @ 3/26/2016 5:11 PM
heart breaking. Other then killing an innocent child, this is a LEOs worst nightmare. I feel for this officers family, this officer and the officer(s) who fired the shots, Im sure their life will suffer from this incident as well.
Sheriffs Explorer Sgt. @ 3/27/2016 1:07 PM
I agree. Its too bad that another Officer fired that shot. I know it was an accident, but Officer Colson's co-worker who shot him is feeling really bad about about this. But you don't see that on the news. All they say is "Crazy cop with bad aim shoots his friend". I believe that Officer Colson would forgive him, and I think we all should. I for one am praying for that Officer. As a Explorer Sgt. in South Eastern Arizona and a future Deputy, I fully realize the possibility that something similar could happen to me or someone I know.


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Great place to visit on a rainy day, but make sure you take to time to open draws and read the... read more
Great place to visit on a rainy day, but make sure you take to time to open draws and read the... read more
Great little museum with lots to see and learn about. Sadly we could both remember lots of the... read more
About Ilfracombe Museum
1 - 10 of 367 reviews
Great place to visit on a rainy day, but make sure you take to time to open draws and read the books available.
Great little museum with lots to see and learn about. Sadly we could both remember lots of the exhibits Lovely pair of ladies with excellent knowledge of their subject. Very interesting learning about SOS and how the messages were actually sent. Some very clever people...More
My wife & I walked past this museum after noticing the Lord Mayor standing outside. There was bunting and a Town-Crier (?) plus local BBC TV inviting all for free. We were welcomed in by the grandson of the founder and after official ceremonies we...More
I am so glad you were part of our 85th Birthday celebrations and thank you for your very positive comments. regards Josie Jones
Based on other reviews I got the impression that you would spend at a minimum 2/3 hours here. We did it in 30 minutes. None of the rubbing templates were available for use and the only addition was a hunt the dinosaurs. So for 10...More
this is a quiant little museum to visit. it illustrates quite a lot of local history of the town over the years. there are a lot of little fascinating bits and pieces to discover as you go round especially when you come across the cabinets...More
Thank you for your kind comments regarding Ilfracombe Museum and we hope to see you again in the future. regards Josie Jones
There's wasn't a 'type of visit for educational' so I went with our age range- we visited with 12 sea cadets it was our last stop on our day out in Ilfracombe and they all throughly enjoyed themselves, the quizzes were excellent and kept them...More
Had been here as a child many times, so was great to introduce my young niece to the museum. Lots of interesting collections but great to see some old favourites, like the 2 headed kitten and the draw full of ancient wedding cake and the...More
Thank you very much for your kind comments and so glad you enjoyed yourself here. regards Josie
There were four of us - two teenagers and two over 50s, but it had a little to interest both age groups. The staff were really friendly and helpful. Not a massive museum, but believe they have plans to expand.
To see this interesting and small quirky collection will take you an hour or so. Two hours isn't realistic and it's far too long for what it is, unless it's raining, or you love museums that much, or you have children. Compared with Barnstaple and...More
We took the children here on a rainy day, they loved it, lots for them to see and the gentleman on duty was brilliant with them, showing them thing s that they may of missed if not opened a drawer or cupboard ! We thought,...More