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TheatreWorks S I L I C O N
2009/10 Season Annual Report
FROM THE BOARD CHAIR Dear TheatreWorks Friends,
As we entered last year, the entire Valley was still reeling from the effects of the economic downturn, and TheatreWorks was no exception. Despite this, we planned an ambitious season onstage, and we launched major initiatives to support our art.
Photo Terry Gannon
It is a pleasure to report to you on our 40th anniversary year. We couldn't have asked for a better year to celebrate this important milestone, and the success of the season is a good sign that we will be sharing great art with Silicon Valley audiences for at least 40 more years.
The season started with the newly expanded New Works Festival—a truly spectacular event, featuring two full weeks of reading and special events. This Festival was made possible through our partnership with Microsoft, as well as funds raised as part of the Campaign for Art & Innovation. In addition to the Festival, we presented 8 mainstage plays, 4 of which were in the top ten grossing plays in TheatreWorks' history. We are especially proud that in a challenging economic climate, TheatreWorks was able to put great art onstage, and that our audiences responded accordingly. Meanwhile, behind the scenes, TheatreWorks revamped its ticketing system and its website, which enabled us to provide much better online information to our audience members. Our online ticket sales increased more than 100%, and we were able to reach potential audience members through more detailed information on the website. We look forward to continuing to use technology to bring TheatreWorks to a broader audience. We also had a great year for our New Works and Education programs. The Education program reached children of all ages, from preschool campers to high school playwrights. Over 14,500 students enjoyed TheatreWorks' programs through TheatreWorks for Schools. Our New Works programs started with the Festival, but they did not end there. We held a Writers Retreat in the winter, and were able to support several playwrights and composers throughout the year. Through the New Works and Education programs, TheatreWorks nurtured the next great artists and art appreciators. As we approached the end of last year, we celebrated our 40th anniversary with an amazing party. Leading lights of American theatre came out to honor Robert Kelley as the artistic honoree, including David Henry Hwang, Jeanine Tesori, Paul Gordon, Vienna Teng, and Valerie Vigoda and Brendan Milburn of GrooveLily. Technology leaders came out in large numbers to honor Frank Quattrone, our innovation honoree. With over 600 attendees, Gala 40 was the perfect bookend to cap the year. We hope you enjoyed this past year at the theatre as much as we enjoyed sharing it with you. I'm looking forward to seeing you at the theatre for another great year next season. All the best,
Carey Pickus Chair, Board of Trustees
Front cover: Robert Adelman Hancock & Megan McGinnis in Daddy Long Legs
Photo Mark Kitaoka
MISSION TheatreWorks is one of America's outstanding professional theatres. Our work celebrates the human spirit through innovative productions, new works, and education programs inspired by and engaging our diverse Silicon Valley community.
VISION TheatreWorks is an artistic community of excellence and integrity, committed to dramatic and musical theatre of outstanding professional quality. Embracing the creation of new works, the reinvigoration of the classics, and the arts education of new generations, our work exemplifies our region's values of inclusion and innovation while providing a sense of place and community. The San Francisco Bay Area is the prototype of an evolving America of ever-increasing diversity. As we explore this changing world, our art must enhance the American theatre with new vision, revealing both who we are and what we might become.
Artistic Excellence: Create theatre art of the highest quality and integrity.
Diversity: Reflect the diversity of our community in both our process and our art.
Innovation: Explore what is new to create exceptional art.
Involvement: Engage ourselves and our community in our art.
Collaboration: Combine the individual energy of many to achieve the collective art of all.
Celebrate the Human Spirit: Explore the truth of who we are and the potential of what we might become.
Jonathan Bock & Rolf Saxon in The Chosen
Photo Mark Kitaoka
Photo Terry Gannon
FROM THE ARTISTIC DIRECTOR What a glorious year for the art of TheatreWorks! Launched with the debut of our greatly-expanded New Works Festival, our 2009/10 season was outstanding in every way, and four of our eight mainstage shows joined the company's list of top ten best sellers. We celebrated our 40th birthday with two world premieres, won seven awards for excellence from the Bay Area Theatre Critics Circle (including Best Musical), and reveled in the runaway success of our anniversary tribute, Gala 40. Finally, in an astounding year-end finale, the TheatreWorks-premiered musical Memphis won four Tony Awards® in New York, including Best Musical of the Year. And what wonderful shows we shared! Set in a backwoods smithy, the world premiere musical Tinyard Hill launched the season with what The Daily News called a "triumph for TheatreWorks…a tale full of charm, warmth, humor, and social importance." On its heels, the regional premiere of David Henry Hwang's Yellow Face featured the brilliant Francis Jue in a hilarious but poignant "must-see show, rare in its honesty." (Palo Alto Weekly) "The Chosen packs a hefty punch," raved the San Francisco Chronicle about our powerful October drama, and equal success greeted our unique holiday premiere A Civil War Christmas; it was hailed by The Mercury News as "A richly detailed musical tapestry…a timeless message of shared humanity." January brought the season's biggest hit, the delightful world premiere of Paul Gordon and John Caird's romance Daddy Long Legs. Metro Silicon Valley called it "a musical that redefines musicals…a revolutionary piece of theatre," and it has since toured throughout the country. "A family comedy with truly delightful results" (Palo Alto Weekly), the wacky Sunsets and Margaritas offered a mid-winter tribute to our Latino community, soon followed by Harper Lee's moving To Kill a Mockingbird, which the San Francisco Bay Times described as "100% superb!" When the string quartet of Opus wowed the Bay Area in June, online arts review Stark Silver Creek concluded, "Opus is a truly wonderful capstone to TheatreWorks' 40th season, which has been, by all definitions, a smashing success." In a year that doubled attendance at our New Works Festival, offered two world premieres, featured at one point, five different TheatreWorks-developed shows performing around the country, and concluded with a Tony Award®, it's fair to say that new works have become the highlight of TheatreWorks' art. We are proud to reflect the spirit of innovation that defines our Silicon Valley, proud of the 80 new plays and musicals we have helped develop since launching our New Works Initiative a decade ago. With solid support from The National Endowment for the Arts, the Irvine, Hewlett, and Packard Foundations, innovative corporations such as Microsoft, and the dedicated donors of The Inner Circle, New Works Director Meredith McDonough has brought exciting new authors and composers to the company and national attention to our work. Most importantly, the wealth of exciting works in development allowed us to select an unprecedented three world premieres for the 2010/11 season. Our 40th year. It is hard to imagine a more inspiring, memorable, and rewarding season. As TheatreWorks begins its fifth decade, we have seen our reputation for artistic excellence and theatrical innovation soar to new heights throughout the Bay Area and across the nation. It has been a thrill and an honor sharing this anniversary year with all of you. Warmly yours,
Robert Kelley Founder and Artistic Director
The cast of A Civil War Christmas
Photo Tracy Martin
The season opened with the world premiere musical Tinyard Hill, which won Bay Area Theatre Critics Circle Awards for Best Male Supporting Performance (James Moye) and Best Female Supporting Performance (Allison Briner).
Daddy Long Legs, The Chosen, A Civil War Christmas, and To Kill a Mockingbird became four of the top ten highest grossing shows in TheatreWorks history.
The Broadway production of Memphis (a New Works Initiative graduate) won four Tony Awards® including Best Musical! TheatreWorks received an on-air salute during the broadcast from producer Randy Adams. The win cemented TheatreWorks reputation both locally and nationally as a home for innovation and collaboration, as a breeding ground for new and established writing talent, and as an incubator of critically acclaimed new musicals and plays.
In honor of our 40th Anniversary Season, the Palo Alto City Council issued a proclamation recognizing Artistic Director Robert Kelley as a cultural icon, and TheatreWorks as a treasure of Palo Alto.
Over 600 guest artists and loyal patrons came together for Gala 40 on May 8th, 2010 to commemorate our 40th anniversary season and honor Founder and Artistic Director Robert Kelley and Frank Quattrone. The dinner, live auction, and concert raised over $500,000.
TheatreWorks for Schools successfully piloted the TELL Project (Theatre for English Language Learners) at five area schools, reaching over 360 students.
324 volunteers contributed over 6,608 hours, with savings to TheatreWorks of $154,110.
2009/10 SEASON TINYARD HILL July 18–August 16, 2009 by Stephen Schwartz and Mark Allen World Premiere Musical Directed by Robert Kelley Music Direction by William Liberatore • Scenic Design by Tom Langguth • Costume Design by Cathleen Edwards • Lighting Design by Pamila Gray • Sound Design by Cliff Caruthers • Casting by Leslie Martinson and Adam Filderman • Dramaturgy by Vickie Rozell
YELLOW FACE August 26–September 20, 2009 by David Henry Hwang Regional Premiere Directed by Robert Kelley Scenic Design by J.B. Wilson • Costume Design by Fumiko Bielefeldt • Lighting Design by Steven B. Mannshardt • Sound Design by Cliff Caruthers • Movement Consulting by Francis Jue • Associate Direction and Dramaturgy by Vickie Rozell • Casting by Leslie Martinson
THE CHOSEN October 7–November 8, 2009 By Aaron Posner and Chaim Potok From the novel by Chaim Potok Directed by Aaron Davidman Scenic Design by Giulio Casare Perrone • Costume Design by B. Modern • Lighting Design by Steven B. Mannshardt • Sound Design by Cliff Caruthers • Projection Design by Chad Bonaker • Casting by Leslie Martinson
A CIVIL WAR CHRISTMAS December 2–December 27, 2009 By Paula Vogel West Coast Premiere Directed by Robert Kelley Music Arranged and Orchestrated by Daryl Waters • Musical Direction by William Liberatore • Scenic Design by Joe Ragey • Costume Design by Fumiko Bielefeldt • Lighting Design by Pamila Gray • Sound Design by Cliff Caruthers • Associate Direction and Casting by Leslie Martinson • Dramaturgy by Vickie Rozell
From top: Chris Critelli in Tinyard Hill; Thomas Azar and Pun Bandhu in Yellowface; Corey Fischer & Thomas Gorrebeeck in The Chosen; Tracy Camp & Tiana Travis in A Civil War Christmas All photos by Mark Kitaoka and Tracy Martin
2009/10 SEASON DADDY LONG LEGS January 20–February 21, 2010 Music and Lyrics by Paul Gordon Book by John Caird From the novel by Jean Webster Co-World Premiere with The Rubicon Theatre Company and Cincinnati Playhouse in the Park Directed by John Caird Associate Direction by Nell Balaban • Musical Direction by Laura Bergquist • Scenic and Costume Design by David Farley • Lighting Design by Paul Toben • Sound Design by Cliff Caruthers • Casting by Leslie Martinson and Tara Rubin Casting • Dramaturgy by Vickie Rozell
SUNSETS AND MARGARITAS March 10–April 4, 2010 by José Cruz González West Coast Premiere Directed by Amy Gonzalez Scenic Design by Frank Sarmiento • Costume Design by Sara Ryung Clement • Lighting Design by Steven B. Mannshardt • Sound Design by Cliff Caruthers • Casting by Leslie Martinson • Dramaturgy by Vickie Rozell
TO KILL A MOCKINGBIRD April 10–May 9, 2010 Dramatized by Christopher Sergel Based on the novel by Harper Lee Directed by Robert Kelley Scenic Design by Andrea Bechert • Costume Design by Allison Connor • Lighting Design by Steven B. Mannshardt • Sound Design by Cliff Caruthers • Fight Direction by Richard Lane • Associate Direction and Dramaturgy by Vickie Rozell • Casting by Leslie Martinson
OPUS June 2–June 27, 2010 by Michael Hollinger Regional Premiere Directed by Meredith McDonough Scenic Design by Erik Flatmo • Costume Design by Jill Bowers • Lighting Design by Chris Studley • Sound Design by Cliff Caruthers • Quartet Advising by Kris Yenney • Casting by Leslie Martinson • Dramaturgy by Vickie Rozell
From top: Robert Adelman Hancock & Megan McGinnis in Daddy Long Legs; Lucinda Serrano in Sunsets and Margaritas; Sierra Stephens & Anthony Newfield in To Kill A Mockingbird; Richard Frederick & Mark Anderson Philips in Opus All photos by Mark Kitaoka and Tracy Martin
Cast performing a reading of Tales from the Bad Years
Photo by Mark Kitaoka
T H E N E W W O R K S I N I T I AT I V E Under the leadership of Director of New Works, Meredith McDonough, and in line with our strategic plan, we expanded our New Works Festival in the summer of 2009. First, we made the decision to open every season with a World Premiere production as the centerpiece of New Works Festival, publicly celebrating our commitment to new work. Second, we moved the Festival from the Second Stage Theatre at the MVCPA to the larger Lucie Stern Theatre, expanded the number of pieces from four to six, and expanded programming from two weeks to five. The 2009 Festival featured six staged readings of new musicals and plays including: •
Ernest Shackleton Loves Me by Joe DiPietro, Valerie Vigoda, and Brendan Milburn
Makeover by Darrah Cloud and Kim D. Sherman
Tales from the Bad Years by Kait Kerrigan and Brian Lowdermilk
Auctioning the Ainsleys by Laura Schellhardt
The North Pool by Rajiv Joseph
The Sparrow and the Birdman by Raquel Bitton and Chris Smith.
In April 2010, five different shows originally workshopped or world premiered at TheatreWorks were running simultaneously at theatres nationwide including: Memphis at The Shubert Theatre on Broadway, Daddy Long Legs at Cincinnati Playhouse in the Park, Tinyard Hill at Cumberland County Playhouse in Tennessee, Girlfriend at Berkeley Repertory Theatre, and Equivocation at Marin Theatre Company.
THEATREWORKS EDUCATION IN THE COMMUNITY TheatreWorks for Schools and The Drama School In 2009/10, TheatreWorks served 14,540 students and 641 teachers at 88 schools in seven counties. We provided 81,825 educational contacts—reaching many students multiple times. In addition, audience enrichment and community programs reached 1,465 adult learners. •
We expanded the curriculum of the Concepts at Play program to include Playing with Science in addition to Playing with Poetry. These two week residency programs reached 2,695 students in 112 classes at 24 schools throughout the year.
The TELL Project (Theatre for English Language Learners) debuted at five schools (including three Title I schools,) addressing the needs of 362 culturally and linguistically diverse students.
The touring production of Oskar and the Big Bully Battle visited 23 Bay Area Schools in the spring of 2010. Over 7,500 students laughed along with Oskar as they learned valuable lessons about identifying and preventing bullying behaviors.
High schools students from Hillsdale High School, Palo Alto High School, and Saratoga High School participated in the Young Playwright's Project and had the chance to learn the art of crafting plays from accomplished, professional playwrights. Over 750 students have participated since the program's inception 12 years ago.
TheatreWorks mainstage productions of Yellow Face, The Chosen, A Civil War Christmas, and To Kill a Mockingbird each had dedicated Student Matinees. A total of 3,978 students from 49 schools attend these performances.
Now in its seventh year, The Children's Healing Project continued to bring joy and theatrical therapeutic relief to critically ill patients at the Lucile Packard Children's Hospital. The program made 759 contacts with patients, parents, and siblings through 90 group workshops and 257 beside visits.
May 8, 2010
To commemorate our 40th anniversary season, the company hosted a celebratory Gala event, including a formal dinner at the Microsoft campus, a live auction, and a spectacular star studded concert. In all ways, Gala 40 was a triumph. Over the course of the evening, the crowd celebrated the accomplishments of two Silicon Valley pioneers who nurtured great talent and changed the face of our community: TheatreWorks Founder and Artistic Director Robert Kelley for Innovation in the Arts and Silicon Valley leader Frank Quattrone for Innovation in Technology. At the dinner, the contributions of Frank Quattrone were highlighted, noting that he has advised technology companies on more than 400 mergers and acquisitions. In a uniquely TheatreWorks manner, he was celebrated with a customized song performed by Riette Burdick and joined by many friends and business associates who gathered at Microsoft to celebrate him. The event not only commemorated our 40th anniversary and honored Artistic Director Robert Kelley's on-going dedication to the company he founded, it also acknowledged TheatreWorks' contribution to the theatre arts field as an artistic home for playwrights and composers from across the country. Celebrated guests included the renowned playwright David Henry Hwang who emceed the event, musicians Brendan Milburn, Valerie Vigoda, and Vienna Teng who composed and sang "The House that Kelley Built" as a valentine to Robert Kelley. Tony Award®-winning composer Jeanine Tesori and composer Paul Gordon also poignantly attested first-hand and sometimes in song how TheatreWorks and Kelley have instrumentally influenced their work. The concert also included video-greetings from various illustrious lyricists and composers including Andrew Lippa, Stephen Schwartz, David Bryan, Joe DiPietro, and Broadway/film actor Zeljko Ivanek who said "I still measure every new works experience against the time I spent at TheatreWorks." Gala 40 successfully championed the TheatreWorks story. Our forty-year commitment to our core values of artistic excellence, diversity, innovation, collaboration, and celebration of the human spirit, was repeatedly heralded and congratulated with every performance and speech. To top it all off, Gala 40 raised over $500,000!
Distracted scenic design by Melpomene Katakalos Projections by Jason Thompson
Photo by Mark Kitaoka
CAMPAIGN FOR ART & INNOVATION The Campaign reaches its halfway mark! Since 1970, TheatreWorks has grown from a grassroots arts organization into a major cultural institution. As we celebrated our 40th year, the company embarked on a $3.3 million capital campaign to enhance our reputation for artistic innovation, expand our identity as a model for the development of new works, and strengthen our business structure to ensure a long-term future. The campaign will provide funding in three areas: THE ART OF INNOVATION New work has always been the heartbeat of TheatreWorks. Our New Works Initiative is a truly unique program providing artists with the opportunity to collaborate and develop their pieces during every stage of the creative process; from an idea to a full-scale production. The New Works Festival and premiere productions are integral to its success. PUTTING THEATREWORKS ON THE MAP TheatreWorks has often been called the "Best Kept Secret.�A dedicated visibility campaign will engage a broader audience in our meaningful work. By effectively communicating what we do with more people in our local communities and in the national theatre arena, our family will extend from coast to coast. ENGAGING AUDIENCES THROUGH ADVANCED TECHNOLOGY TheatreWorks has a long history of investing in great art. Now we will be able to match our antiquated technology with our high production values. By infusing our systems with state-of-the-art resources, we will empower our mainstage work, provide an exceptional patron experience, and become the virtual artistic home of Silicon Valley. With $1.3 million contributed as of June 30, 2010, we have already deepened our commitment to new work by successfully expanding our New Works Festival and producing six world premieres since 2009. We have also implemented a robust database that combines donation and ticket information. In addition, we have fully redesigned our website to making it more interactive and to giving improved access to online ticket purchases and exchanges. Contributions to the Campaign for Art & Innovation will ensure the vitality and sustainability of TheatreWorks onstage and off, both here in the Bay Area and across the country.
The fact that TheatreWorks was able to generate a surplus, exceed many of its income goals, and maintain a strong hold on expenses was the result of careful oversight and creative new approaches to revenue generation.
Photo Terry Gannon
In TheatreWorks' 40th year of operations, we generated an operational surplus of $349,937. Coming off of a 39th season which had seen an operating loss during the worst of the economic downturn, TheatreWorks responded by re-organizing the company for 2009/1010: scaling back with an eye toward a shrinking economy and needing to mitigate the impact of the 2008/09 shortfall.
First, single ticket sales dramatically exceeded goal, with 7 of the 8 productions meeting or exceeding income projections and 4 of the 8 productions landing in TheatreWorks top 10 highest grossing shows. Second, individual giving, which had seen a slowdown in the first part of calendar year 2009, rebounded quickly, especially in the upper level categories for individual donors. Indeed, the number of households giving $10,000 or more reached an all-time high. Finally, Gala 40 exceeded all expectations, both in attendance, sales, and auction revenue. The highest grossing fundraising event in TheatreWorks history, Gala 40 not only generated record income, it made a significant statement to Silicon Valley about the role of TheatreWorks as a developer of new work. As an incubator for the creation of new plays and musicals, TheatreWorks shares core values with the tech field in Silicon Valley. The success of the "messaging" at this high profile event should have a positive impact on TheatreWorks' community position and revenues for years to come. An important decision made during 2009/10 was to launch a Campaign for Art & Innovation—a $3.3 million campaign to invest in key areas that could lead to long-term growth. Drawn from TheatreWorks' current strategic plan, the campaign funds technology to bolster ticket sales, invests in new works development and efforts to build TheatreWorks' visibility and brand. The campaign initiatives have borne early and impressive results. From the 2008/09 season to the 2009/10 season, online single ticket sales roughly doubled as a percentage of total single ticket sales. Attendance at the New Works Festival—an annual activity that is a core to our artistic mission and to our community and national visibility—tripled over the same period. Despite the economic downturn, Board, staff and Campaign donors all agreed that this investment in long-term financial health and stability was a priority for 2009/10, and will continue through the 2010/11 season. Thank you to all who made our 40th anniversary season an unforgettable success, and to all the individuals, foundations, and companies who have supported TheatreWorks over the years. Together, we can continue to grow and explore the future of TheatreWorks on the stage, in the schools, and throughout our community.
Phil Santora Managing Director
FINANCIALS THEATREWORKS 2009/10 INCOME $7,729,552 Special Events 6%
Education 3%
Ticket Sales 39%
Contributed 46%
Other Income 1%
In-kind Donations 5%
Fundraising 10%
Marketing & Promotion 23%
General & Administration 8%
Program Production 59%
THEATREWORKS STATEMENT OF FINANCIAL POSITION June 30, 2010 ASSETS CURRENT ASSETS Cash & Cash Equivalents Contributions & Misc. Receivables Prepaid Expenses Deposits & Other Current Assets TOTAL CURRENT ASSETS
$638,629 $816,294 $270,247 $0 $1,725,170
NON-CURRENT ASSETS Deposits Pledges Receivable, LT Investments Fixed Assets (Net of Depreciation) TOTAL NON-CURRENT ASSETS
$50,787 $226,023 $652 $931,444 $1,208,906
LIABILITIES AND NET ASSETS LIABILITIES Accts Payable Accrued Liabilities Deferred Ticket Revenue TOTAL LIABILITIES
$240,741 $193,302 $1,983,174 $2,417,217
NET ASSETS & YTD NET INCOME Unrestricted Temporarily Restricted Permanently Restricted TOTAL NET ASSETS & NET INCOME
$(1,140,055) $580,666 $3,265,801 $2,706,412
THEATREWORKS STATEMENT OF ACTIVITIES Year ended June 30, 2010 Unrestricted Operating Activities
Investing Activities
Temporarily Restricted
Permanently Restricted
REVENUE Program Revenue
Grants and Contributions
Other Income
General and Administrative
Marketing and Promotion
Net Realized & Unrealized Gains (Losses) on Investments Interest and Dividends Net Assets Released from Restriction TOTAL REVENUE EXPENSES Program Production Expense
Michael & Michelle Kwatinetz, Co-Chairs
TheatreWorks Producers make a gift of $10,000 or more annually, and are invited to exclusive Producer events with visiting artists. As a Producer, you select a production to follow from "page to the stage" by attending the design presentation, rehearsals, and opening night. Producers also receive all Inner Circle benefits.
Visionary Producers
Executive Producers
($50,000 and above) Ann S. Bowers Bredt Family Fund at Truckee Tahoe Community Foundation The Craft Malcolm Family Yogen & Peggy Dalal Anne & Larry Hambly Carey & Josh Pickus Ray & Meredith Rothrock Mark Stevens & Mary Murphy TheatreWorks Board Emeritus
($25,000 to $49,999) Marsha & Bill Adler Bruce Cozadd & Sharon Hoffman Marcia & John Goldman Derry & Charlene Kabcenell Michelle & Michael Kwatinetz Suzanne Martin & John Doyle Morgan Family Foundation Catherine & Jeff Thermond The Tiphane Foundation Watkins Family Charitable Fund Producers ($10,000 to $24,999) Katharine & George Alexander Paul Asente & Ron Jenks Elaine Baskin & Ken Krechmer Jayne Booker
Jody Buckley & Mark Horowitz Steven & Karin Chase Dr. & Mrs. W. M. Coughran, Jr. John & Susan Diekman Susan Fairbrook Dan & Catharine Garber Sylvia & Ron Gerst Kathryn Green Claiborne S. Jones Craig & Gina Jorasch Family Fund Mike & Martha Kahn Julie Kaufman & Walter Niemasik, Jr. Robin & Don Kennedy Phil Kurjan & Noel Butler Dorothy Lazier The Marmor Foundation/ Drs. Michael & Jane Marmor Leslie & Douglas Murphy-Chutorian Eileen Nelson & Hugh Franks
Karen & Christopher Payne Family Foundation Mark & Martha Ross Adam Samuels & Frank Reyes Martha Seaver & Scott Walecka Sheri Sobrato The Strauss Hawkins Fund Lynn Szekely-Goode & Dr. Richard Goode Brent & Michèle Townshend Mark & Teri Vershel Ronni & Iain Watson Carol Watts in memory of Vern Lisa Webster Renee & Herman Winick Janne & Bill Wissel Walt Wood & Gayla Lorthridge
THE INNER CIRCLE Jayne Booker, Chair Members of The Inner Circle contribute a minimum of $1,000 each season and enjoy a variety of benefits including priority subscription seating, VIP ticket purchases and exchanges, access to house seats on Broadway and invitations to Meet-the-Artists events.
Associate Producers
($5,000 to $9,999) Anonymous Eddie & Lois Anderson John & Ann Doerr Bill & M.J. Elmore Terry & Carolyn Gannon in honor of Robert Kelley, Anne Holmes, & the whole TheatreWorks Family Hawes Family Fund Tom & Dana Hayse William J. Higgs Linda M. Hinton & Vince Foecke Mark and Debra Leslie Richard & Charlene Maltzman in memory of Carol Adler Rob & Ann Marangell Myrna & Hy Mitchner, PhD Gib & Susan Myers Joe, Nancy, Sam & Sara Ragey Dorothy & George Saxe Philanthropic Fund Loren & Shelley Saxe Ron & Lila Schmidt Carolyn Schutz Edward & Jane Seaman Leonard Shustek & Donna Dubinsky Janet Brownstone & Andy Verhalen
($2,500 to $4,999) Anonymous (4) Ray & Carol Bacchetti Lisa Backus & Anthony Montefusco Katherine Bazak & John W. Dohner John S. Beasley, III Lucy Berlin & Glenn Trewitt Michael & Leslie Braun Marah & Gene Brehaut Chet & Marcie Brown Art & Carol Courville George & Susan Crow Randy Curry & Kay Simon Pamela Dougherty Ronald & Pamela Fortune Peter & Rose Friedland Markus Fromherz & Heike Schmitz Valerie Gardner & Jonathan Tiemann David E. Gold & Irene Blumenkranz Renee & Mark Greenstein Carol Gunby & Debbie Mancuso Emeri & Brad Handler Hitz Foundation Maureen Hoberg D & J Hodgson Family Foundation Edward Hunter Karen & Art Ingram* Tom & Sharon Kelley Bob & Edie Kirkwood Kranz & Associates Sue & Jerry Krumbein
Ken & Clare Livak Michael & Carole Marks Ash McNeely & Elisa Odabashian Andrew & Judith Mendelsohn The Merrimac Fund Buff & Cindy Miller Lynn & Susan Orr Chris & Donna Paisley David Pasta in memory of Gloria J.A. Guth The Frank & Denise Quattrone Foundation Michael & Paula Rantz Eddie Reynolds & Ed Jones Scott & Helen Rodde Tom Rindfleisch & Carli Scott Marge & Jim Shively Charlie & Julie Simmons Joyce Reynolds Sinclair & Dr. Gerald M. Sinclair Susanne Stevens & Monte Mansir Anthony & Rosina Lo Sun Craig & Susie Thom Ted & Betty Ullman Mimi & Jim Van Horne
Players ($1,000 to $2,499) Anonymous (9) Mark & Stephanie Agnew Mary Ann Anthony & Ken Fowkes Mary Helen Armstrong
Jean Ann Augsburger Shirley Bailey Paul & Debbie Baker Doug & Marie Barry Hank & Anne Barry Paul & Beth Bartlett Joel & Wendy Bartlett Jim Bassett & Lily Hurlimann Paula Benedict Don & Deborah Bennett Paul & Millie Berg Dr. Barbara L. Bessey & Dr. Kevin J. Gilmartin Helen & Stuart Bessler Daniel Beswick Charlotte & David Biegelsen Wendell & Celeste Birkhofer Bob & Martha Bowden Gordon & Sharon Bower Steve & Gayle Brugler Marda Buchholz Stephen & Maureen Buchner Christine B. Butcher+ Eric Butler MD & Suzanne Rocca-Butler Jim Byrnes Jeff & Deborah Byron Malkah & Don Carothers Carolle Carter & Jess Kitchens Ron & Sally Carter George & Michelle Caughey Jane Chai Ellen & Tony Chan
Richard & Joyce Chiarenza Bruce & Gail Chizen Dean & Wilma Chu Debbie & George Chunn Fran Codispoti & Ken Schroeder Nancy & Bill Cohen Claudia & Bill Coleman Larry & Sara Condit Clyde & Ann Coombs Tim & Margaret Cote George & Carol Craford Diane & Howard Crittenden David & Ann Crockett Peter & Melanie Cross Jeff & Amy Crowe Gordon & Carolyn Davidson Richard & Alicia Dayton Jennifer DeGolia Douglas Dexter Gaurav & Tara Dhillon John & Wynne Dobyns Karen & David Dolkas Jack & Marcia Edelstein Brad & Pam Ehikian Tom & Ellen Ehrlich James J. Elacqua Don & Judy Engel Michael & Elizabeth Engle Frances Escherich Gwendolyn & Frederick W. Farley, Sr. Margaret Ann & Don Fidler Sheldon Finkelstein & Beatriz V. Infante Carey FitzGerald & Helen Robison Michael & Annette Flicker Peggy Woodford Forbes & Harry Bremond Lynda & Steve Fox Diane & Bob Frankle Deborah Freehling, MD Jay & Joyce Friedrichs Blanche Frolichman Doug & Lois Garland Ed Glazier Marilyn & Eli Goldfarb Burton & Maud Goldfield Neal & Linda Goldstein Sue & Bill Gould John & Mary Ann Grilli Nancy & Bill Grove Barbara Gunther Peter & Laura Haas
Elaine & Eric Hahn Russell & Debbie Hall Jane Hamlin & Steven Schow Nancy Handel Susan & Don Hanson James Heeger & Daryl Messinger Hamilton & Lalia Helmer Martha & Bob Helseth Helen Helson Maren Hitz Yue-shun E. Ho David Hornik & Pamela Miller-Hornik Susan M. Huch Rob Hulteng Michael J. Hunt & Joanie Banks-Hunt Henry Ilg & Shirley Kendall Perry A. Irvine & Linda Romley-Irvine Sudhanshu & Lori Jain Nancy L. Jalonen Dean & Patricia Johnson Roy & Leigh Johnson Barbara Jones Hilary Jones * Jack Jorgenson Howard & Carol Jory Frances Jourdan Mr. & Mrs. Abdo Kadifa Thomas & Sarah Kailath Charles & Roberta Katz Family Foundation Cynthia & Bert Keely Arthur Keller Robert Kelley & Ev Shiro Roberta & Bob Kelsch Wayne T. Kennedy & Lorelei F. Rockwell Chris Kenrick Larry & Patti Kenyon James Kern & Monica Donovan Lisa & Darren Kerr Lindsay & Todd Kimmel Julie & Glen Kohl in memory of Jennifer Ayres Hal & Iris Korol Michael & Ina Korek Woof Kurtzman & Liz Hertz Dick & Cathy Lampman Robert H. Lee Nancy Lem Arlene Leslie Jan Thomson & Roy Levin Donald & Rachel Levy
Sue & Dick Levy Dan'l & Susan Lewin Robert J. Lipshutz & Nancy Wong, MD Janet Littlefield & William Coggshall Lori & Randy Livingston Drs. John & Penny Loeb Teresa Loftus in honor of Suzanne Martin Tom & Sally Logothetti Alexander & Anne Long Carol & Mac MacCorkle Joe Margevicius D. Markovich & R. Haak Larry & Gladys Marks Daniel Mart+ Karen & Mike Matthys Katherine & Robert Maxfield Nicole M. McClain Patricia McClung & Allen Morgan Mary & Don McDougall Gerald & Betty McIntyre Mary Pat & Bob McLean Dave & Carolyn McLoughlin Tom McQuinn & Kelly Green Menlo Web Design Debby Meredith & Curtis Cole Nancy & Christopher Meyer Dr. & Mrs. Brad Naylor Shirley & David Negrin Bill & Janet Nicholls Margo & Roy Ogus O'Hanlan-Walker Family Fund in honor of Jayne Booker Janine Paver & Eric Brown Amy Peabody & Brent Ingram+ Beth & Charlie Perrell Carrie Perzow & Von Leirer John & Valerie Poggi Dave & Alison Polkinhornes Paula & Bill Powar Mark & Margot Rawlins In memory of Pearl Reimer Karen & John Reis Remington Family Trust Edward & Verne Rice Orli & Zah Rinat Paul & Sheri Robbins Dick & Susan Robbins Bill Roberts Bob Rodert & Bev Kiltz Paul Romeo & Lynne Starke
Libby Roth & Ron Katz Rita & Robert Rove Robert & Suzanne Rubenstein Joseph & Sandy Santandrea Richard Santi & Maureen Minhoto-Santi Philip Santora & Cristian Asher Elizabeth & Mark Schar Lisa & Steven Schatz Philanthropic Fund Lee & Kim Scheuer Steven & Rita Schlosser Tom & Hilary Schroeder Charles G. Schulz & Claire E. Taylor David Schwartz & Toni Wisman Vera C. Scott Bart Sears Nancy & Greg Serrurier in honor of Jeff Crowe Pamela & Rick Shames Joanne Sheehy Sarah Shema & Neyssa Marina Cynthia & Jeffrey Shore Ron & Ellen Shulman Jason & Ursula Shultz Carolyn & Rick Silberman Abraham & Marian Sofaer Denise & Jim Stanford Rick Stern & Nancy Ginsburg Stern Laura Strand Debra Szecsei Richard & Jeanne Cuffey Tatum Libby & Barry Taylor Ted & Polly Taylor Helaina Titus Dean Ujihara Robert J. Van der Leest, MD Darlene Vian & Brian McCune Michael & Chris Wagner William & Bethel Watt Lynne & Griffith Weber Dr. Edward Weiss & Sydney Marsden Elissa Wellikson & Tim Shroyer Nancy & Bart Westcott Ron Weston & Margie Singleton Karen White Pat Wiesler Ken & Ruth Wilcox Bruce & Elinor Wilner Mrs. John A. Wilson Lynn Wilson & Howard Roberts Neil & Ann Wolff Mark & Sheila Wolfson Bill & Sue Worthington
Sustainers ($500 to $999) Anonymous (5) • Don & Dory Albert • Robert Archibald • Durward & Caroline Ayre • Edward & Constance Barthold • Al & Liz Bernal • Laurie Bonilla & Ed Perry • Linda & David Bostwick • Sharon & John Brauman • Joan Brennan • Lorraine & Joel Brown • Joanne Bruggemann • Sandy Cademartori • Ken & Caretha Coleman • Robert A. Cook • Jack & Gloria Corey • David L. Cottle • Richard & Anita Davis • Mr. & Mrs. Peter J. Dehlinger • Corinne & Joe Dox • Wendy Dransfield & Bob Bridger • Robert Dutton • Russell Evarts • Betsy & Tom Furst • Jewelle & James Lowell Gibbs, Jr. • Jack & Joan Gorham • Diane Greene & Mendel Rosenbloom • Jim & Linda Hagan • Kovin Hagan • Barry Hayes • Sheryl Heckmann & Monty Kersten • John & Andrea Hennessy • Linda & Robert Holub • Zeljko Ivanek in memory of Bridget Ross • Rex & Dede Jamison • Carl Jukkola & Desmond Lee • Meg Keehan & Kelly Williams • Francis & Margaret Keeler • Michael & Frannie Kieschnick • Suzanne & Jay Killea • Allan & Linda Kramer • Paul A. & Jackie L. Kuckein • Mike & Bonnie Laster • John & Cathi Lerch • Len & Mary Jo Levy • George & Ann Limbach • Virginia & Jim Lyons • Derek & Mary Theresa MacDavid • Anne Mack • Kent Mather • The Meier-Phelps Family • Steven & Linda Monosson • Heidi Munzinger & John Shott • Glenda & Thomas Murray • Lalla Neblett • Michael & Karen Nierenberg in honor of TW Staff • Joyce Pharriss & John Pendleton • James & Alma Phillips • Linda & Eric Provita • Kathy & Gary Reback • Peter & Starla Robinson • Jim & Pam Robson • Nancy S. Rogers • Fabio & Catherine Rosati • Deborah S. Rose, MD • Sherri Rose • Joyce Rosenstiel • Mr. & Mrs. Joel Rossen • Sherrean & Bill Rundberg • Alan Russell • David & Jerilyn Schricker • Judy & Denis Severson • Jack & Dorothy Shannahan • Jeff & Lisa Smith • Louise Spangler • James W. & Nina L. Steiner • The Sher-Right Fund • Lalita Tademy & Barry L. Williams • Jean B. Taylor • James & Emily Thurber • David Vroom • Dr. & Mrs. Howard Wechsler • Susan B. Weiner • Elizabeth B. Wolf • Patricia Workman • Howard Zeprun & Jane Chueh • Selma Zinker in memory of Norman Zinker Contributions listed were received between 06/01/09 and 06/23/10. Program deadlines and space limitations prevent us from listing all of our greatly appreciated patrons. * Indicates donors whose gifts include in-kind goods or services. + Indicates members of the Encore Club, who make ongoing monthly or quarterly gifts.
CORPORATE CIRCLE, FOUNDATION, AND GOVERNMENT GIFTS Foundations and Corporate Circle members sponsor productions, support new works, and fund education programs for K-12 students. Sponsors may host events at the theatre, receive heightened community visibility, and other hospitality benefits.
Visionary Sponsors
Visionary Sponsors
($50,000 and above)
($5,000 to $9,999)
($1,000 to $2,499)
The David & Lucile Packard Foundation The James Irvine Foundation National Endowment for the Arts The Shubert Foundation William & Flora Hewlett Foundation
Classic Party Rentals* Clay Foundation - West Fleishhacker Foundation The Kanbar Charitable Trust Kinnovations The Leonard C. & Mildred F. Ferguson Foundation Morrison & Foerster LLP Orrick, Herrington & Sutcliffe LLP Pillsbury Winthrop Shaw Pittman, LLP SanDisk Corporation
Anonymous A-1 Party Rentals* Chef Charlie Ayers * Chase VP C.M. Capital Foundation The Dramatists Guild Fund Four Seasons Hotel Silicon Valley Goodwin Procter LLP* Lavanda Restaurant & Wine Bar Luminous Capital Mid-Peninsula Newcomers Club The Morrison & Foerster Foundation OCLC Online Computer Library Center, Inc. Orchard Supply Hardware* Panache Catering PIP Printing of Palo Alto Robert Half International, Inc. Silicon Valley Community Foundation Target VIP Tours of New York
Presenting Sponsors ($25,000 to $49,999) Hurlbut-Johnson Charitable Trusts
Supporting Sponsors ($15,000 to $24,999) The Harold & Mimi Steinberg Charitable Trust The Michelson Foundation The Sand Hill Foundation
Sponsors ($10,000 to $14,999)
Presenting Sponsors
American Century Companies Foundation Edgerton Foundation George H. Sandy Foundation Perkins Coie LLP The San Francisco Foundation
Supporters ($2,500 to $4,999) Adaptec Air Systems Foundation, Inc. Auto Vino* Azure Capital Partners Bloomingdale's Cooley Godward Kronish LLP Dodge & Cox Investment Managers Future Lighting* Greenberg Traurig LLP J. The Jewish News Weekly of Northern California Lockheed Martin Space Systems Luther Burbank Savings Paul, Hastings, Janofsky & Walker LLP The Private Bank of the Peninsula TriNet Wells Fargo Foundation
* Indicates donors whose gifts include in-kind goods or services.
Matching Gifts The following companies have matched employee contributions to TheatreWorks, multiplying their impact. Adaptec • Adobe Systems, Incorporated • AMD • AON • Argonaut Group, Inc. • AT&T • Bank of America • The Becton Dickinson Foundation • The Carnegie Foundation for the Advancement of Teaching • Centigram Communications Corporation • Cisco Systems Foundation • Dell Inc. • eBay • Electronic Arts • Gap Inc. • GlaxoSmithKline Foundation • Google Inc. • Hewlett-Packard Company • IBM Corporation • International Data Group • Intuit Inc. • Johnson & Johnson Family of Companies • Juniper Networks • Mayfield Fund • Microsoft Corporation • OCLC Online Computer Library Center, Inc. • Oracle • Pew Charitable Trusts • Rockwell Collins • S.H. Cowell Foundation • Silicon Valley Community Foundation • Sun Microsystems • Tyco
Supporting Sponsors
ENDOWMENT FUND TheatreWorks thanks the following lead donors for their extraordinarily generous Endowment gifts. Marsha & Bill Adler William C. Anderson Ann S. Bowers Polly & Tom Bredt Bruce Cozadd & Sharon Hoffman Peter & Melanie Cross Yogen & Peggy Dalal
Carl H. Feldman The John & Marcia Goldman Foundation Emeri & Brad Handler Hurlbut-Johnson Charitable Trusts Charles & Roberta Katz Family Foundation Patricia McClung & Allen Morgan
The Rathmann Family Foundation Eddie Reynolds John & Diane Savage Joyce Reynolds Sinclair Lynn Szekely-Goode & Dr. Richard Goode
FUTUREWORKS FutureWorks members have made an estate gift from a will or living trust, a beneficiary designation in an IRA, a gift of life insurance, a gift that returns lifetime income, or another planned gift. Anonymous (6) The Estate of William C. Anderson Ray & Carol Bacchetti Steve & Gayle Brugler Jodi Corwin Bruce Cozadd & Sharon Hoffman George & Susan Crow John & Linda Elman Frances Escherich Harriet Ferziger Gayle Flanagan Carole & David Florian Peter & Rose Friedland
Terry & Carolyn Gannon Marcia & John Goldman Kathryn Green Lorie Griswold Anne & Emma Grace Holmes Kenny Hom Susan M. Huch Edward Hunter & Michelle Garcia John W. and Nancy Lee Jalonen Robert Kelley & Ev Shiro Bill & Terry Krivan Woof Kurtzman Mr. & Mrs. Robert Mangelsdorf
Steve Mannshardt Suzanne Martin & John Doyle Leigh Metzler & Jim McVey Cynthia S. Miller Tami & Craney Ogata Eddie Reynolds Betsy Boardman Ross Edward & Jane Seaman Joyce Reynolds Sinclair Carol Snell & Mindy Rauch Esther Sobel Susanne Stevens Renee & Herman Winick
BOARD OF TRUSTEES Carey Pickus, Chair Thomas J. Adams III William F. Adler Jayne Booker Susan Fairbrook Ron Fortune Dan Garber Aaron Gershenberg Anne Hambly
Judy Heyboer Gina Klein Jorasch Julie Kaufman Robert Kelley Robin Kennedy Mike Kwatinetz Gayla Lorthridge Dick Maltzman
Suzanne Martin Eileen Nelson Ray A. Rothrock Phil Santora Mark Stevens Cathie Thermond Mark Vershel Ronette T. Watson
BOARD EMERITUS Nancy Meyer, Founder Edward T. Anderson, MD Keith Archuleta Doug Barry Sharon Anthony Bower Mike Braun Polly W. Bredt Bruce C. Cozadd Joy Craft Jeff Crowe Peggy Dalal Yogen Dalal Jennifer DeGolia Michael R. Flicker Peggy Woodford Forbes Doug Garland
Jewelle Taylor Gibbs Marcia Goldman Emeri Handler Dee Harris Susan M. Huch Perry A. Irvine Nancy L. Jalonen Derry Kabcenell Michael Kahn Roberta R. Katz Patricia McClung Cynthia S. Miller Kathy Kennedy Miller Leslie Murphy-Chutorian Karen Nierenberg
Carrie Perzow Margot Mailliard Rawlins John Reis Lynn Wilson Roberts Sherri Rose Loren Saxe Denise Stanford James Sweeney Rosina Lo Sun Lynn Szekely-Goode Jeanne Cuffey Tatum Helaina Titus Robert J. Van der Leest, MD Elissa Wellikson
Artistic Director Robert Kelley
Managing Director Phil Santora
Casting Director & Associate Artist Leslie Martinson
Technical Director Frank Sarmiento
Director of Development Anne M. Holmes
Director of Marketing and Sales Sean Kelly
Director of New Works Meredith McDonough
Assistant Technical Director Jim O'Sullivan
Campaign Director Amy M. Peabody
Public Relations Carla Befera & Co.
Company Manager Jessica Coker
Lead Scenic Artist / Craftsman Tom Langguth
Art Director Ev Shiro
Resident Dramaturg & Artistic Assistant Vickie Rozell
Properties Master Sarah Lowe
Associate Director of Development, Individual Giving Janine Paver
Resident Musical Director William Liberatore Resident Fight Director Richard Lane Artistic Staff Assistant Tom Bruett New Works Intern Keely Flanagan Dramaturgy Interns Sarah Birdsall, Aislinn Frantz
Props Artisan Lisa Bledsoe Carpenters Rodrigo Frausto, Steven Harris, Matt Johns, Patrick McKenna, Bill Roberts, Josh Rose, Pierce Sirocco Scenery Intern Nathaniel Rothrock Props Intern Sydney Schatz
Individual Giving Manager Sabrina Sutton Institutional Grants Manager Kimberly Maas Events Manager/ Volunteer Coordinator Mariel Cano Donor Stewardship Coordinator H. Hans Cárdenas Development Intern Carrie Zhang
EDUCATION PRODUCTION, LIGHTING, & SOUND Production Manager David A. Milligan Assistant Production Manager Jim Gross Resident Lighting Designer Steven B. Mannshardt Resident Sound Designer Cliff Caruthers Master Electrician Corinne O'Sullivan Production Coordinator Karen Szpaller Electricians / Sound Technicians Blair Baker, Bradford Chapin, Brendan Coté, Janny Coté, Kenny Coté, Andrew Custer, Emma Davis, Andrew Duncan, Sophia Fong, Carolyn Foot, Zahra Garrett, Ryan Gill, Chris Graham, Chris Griffin, Ben Jaffe, Matt Johns, Dan Kaminski, Mandana Khoshnevisan, Neil Masters-Gutierrez, David J. McCollum, Erin Milligan, Gary Nelson, Michael Palumbo, Dan Potter, Daniel Rahamim, Jen Rotter, Martin Ruhlig, Alena Samoray, Jennifer Smith, Jeff Spackman, Jacqueline Steager, Seamus Strahan-Mauk, Jocelyn Squires, Shiboune Thill, Chris Tucker, Tirzah Tyler, Audrey Wright, Selina Young Load-in / Strike Volunteers Rick Amerson, Deborah Bennett, David Conrod, Rick Fleischman, Barry Hayes, Ed Hunter, Mike Kutner, Noah Price, Bart Sears, John Wilkes
COSTUMES Costume Director Jill Bowers Assistant Costumer Nina Harris Lead Cutter/Draper Yen La Wong Wardrobe Manager Tanya Finkelstein Costume Rentals Manager Mary Carr Draper Marina Agabekov First Hand/Stitcher Anna Boyarshinova Stitcher Nhan Luu Crafts Farrah Southam Hair Stylist Jeanne Naritomi
Education Director Mary Sutton Education Programs Manager Ashleigh Hill Drama School Director Adam Minton Summer Intern Coordinator Sally Carter
Associate Director of Sales Lorraine VanDeGraaf Rodriguez Ticket Services Manager Margaret Purdy Sales Managers Elisa Valentine, Rachel Wilde Assistant Ticket Services Manager Kristine Graham Ticket Services Representatives Sarah Parker, David Tousley Graphics Assistant Katie Dai Inside Sales Representative Anne Buelteman Marketing Intern Nicole Rodrigues
ADMINISTRATIVE Database Administrator Kirk Mortensen Database Assistant Lizzie O'Hara
Teaching Artists Jerry Falek, Noelle Goodman-Morris, Ashleigh Hill, Emily Jordan, Danelle Lencioni, Adam Minton, Kyle Payne,Vera Sloan, Jennifer Wilkinson
Financial Accountant Wendy Gajewski
Playwrights-in-Residence Dan Moyer
Staff Accountant Barbara Sloss
Education Intern Sara Goldrath
Arts Administration Intern Sarah Kane
Management Assistant/ Board Liaison H. Hans Cárdenas
Summer Camp Interns Sarah Alcabes, Penny Burgess, Patrick Daly, Aislinn Frantz, Sarah Powell
Wigs & Makeup Assistant Jessica McGinty Costumes Rental Intern Allison Mortimer
And our fabulous TheatreWorkers... A group of dedicated volunteers that supports all aspects of TheatreWorks operations
STAGE MANAGEMENT Resident Stage Manager Rebecca Muench Resident Stage Manager Jaimie L. Johnson Resident Stage Manager Joshua M. Rose Stage Management Interns Ryan Guerra, Heather Kenyon
Published on Feb 3, 2011
Report of programs and activities for the 2009/10 Fiscal Year.


text:
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- SATO logos are registered trademarks of SATO. All others trademarks and copyrights mentioned herein are the property of their respective owners.

subset: commoncrawl


text:
Losing interest in the game... 04/15/2008
This woman is driving me nuts. It took months before Midnight told me her real name is Norma Fields, but she won't give me any more details. I've told her practically everything there is to know about me, including the fact I can't walk.


text:
SAN ANTONIO, Jan. 27 /PRNewswire/ -- Cullen/Frost Bankers, Inc. (NASDAQ-NMS: CFBI) announced today that The Frost National Bank of San Antonio, its wholly-owned subsidiary, has agreed to purchase New First City, Texas-San Antonio and New First City, Texas-Austin, two of the bridge banks established by the FDIC following the closing of banks owned by First City Bankcorporation of Texas, Inc., in separate purchase and assumption transactions. The announcement was made by T.C. Frost, chairman of the board. Upon consummation of the acquisitions, all New First City an Antonio and Austin branches will come under Frost National Bank ownership, increasing the total number of Frost Bank branches from 16 to 23 in the San Antonio and Austin markets. There will be no interruption in regular customer service. Customers should continue to use New First City's current Austin and San Antonio locations. Customers may continue to use their existing checks, deposit slips, ATM cards, loan payment coupons and other related material. Customers will be advised of a transition period which will be necessary before New First City customers may use Frost Bank facilities. Frost National Bank will assume all New First City Texas-San Antonio and Austin deposits, which will be transferred intact and secure. All Frost National Bank deposits are insured by the FDIC to the maximum limits allowed by law. For inquiries on existing accounts, customers should contact current New First City customer service numbers at 210-525-3460 in San Antonio or 512-473-4500 in Austin. Effective immediately, New First City customers can call 210-220-4000 in San Antonio, 512-339-3386 in Austin or 800-562-6732 toll free from anywhere in Texas should they have questions about this transition. The acquisitions will solidify Cullen/Frost's position as the leading independent banking organization in Texas. The assumption of the approximately $214 million of New First City, Texas-San Antonio deposits, will enhance Frost Bank's position in San Antonio and enable it to compete more effectively in the market. The Austin acquisition enables Frost Bank to establish itself in one of the most attractive markets in Texas, with three branches and the sixth largest share of deposits, $277 million. This strategy will enhance Cullen/Frost's growth potential and the overall attractiveness of its franchise. Cullen/Frost will also acquire New First City's established Austin-based trust business, with annual revenues of $3 million. "The acquisition of the New First City Austin and San Antonio banks by Cullen/Frost will provide substantial benefits to both Cullen/Frost and the Texas communities we serve," Frost stated. "The acquisition provides us with an additional stable depositor and customer base and will positively impact our long-term profitability. The San Antonio and Austin markets are growing banking markets and markets which we know well. We are extremely enthusiastic about these acquisitions and about the new customers who will join the Cullen/Frost family." Cullen/Frost intends to finance the acquisition from internal capital resources. Completion of the transaction is expected in February of 1993. Cullen/Frost expects that the acquisition will add to earnings in 1994. Frost National Bank also will acquire all of the loans presently held by the San Antonio and Austin bridge banks, having a combined book value, as reported by the FDIC, of approximately $169 million. These loans include approximately $16 million in consumer loans, $52 million in residential mortgages, and $101 million in commercial and other loans. Frost National Bank also will acquire approximately $262 million in investments and other securities and will receive an option to purchase or lease owned or leased bank premises, respectively. The combined purchase price of the Austin and San Antonio banks is $38 million, with loss-sharing protection to be provided by the FDIC with respect to certain categories of assets of the Austin bank. Cullen/Frost Bankers, Inc. reported net income of $8 million, or $.82 per common share, for the fourth quarter or 1992 and year-end earnings of $24.1 million, or $2.48 per common share, at Dec. 31, 1992. Profits for the fourth quarter reflect the highest quarterly earnings ever reported for the corporation. Cullen/Frost Bankers Inc. is a multibank holding company with assets of $3.2 billion at Dec. 31, 1993. The corporation has four member banks with a total of 23 offices in five major Texas banking markets San Antonio, Austin, Corpus Christi, Houston/Galveston and Dallas. Cullen/Frost Bankers' stock is traded in the over-the-counter (OTC) market under the NASDAQ symbol CFBI. -0- 01/27/93 /CONTACT: Kelley L. Frey, 210-220-5512, or John Gellhausen, 210-220-4878, both of Cullen/Frost Bankers/ (CFBI)
CO: Cullen/Frost Bankers, Inc.; First City Bancorporation of Texas ST: Texas IN: FIN SU: TNM
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|Jan 27, 1993
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Pulsar PH9073 Gent's Quartz Silver Dial Brown Strap Date Watch
Home > Men's Watches > Pulsar
|Pulsar PH9073 Traditional men's watch features a 41mm wide and 10mm thick solid stainless steel case with a fixed bezel and a textured push-pull gold tone crown. Pulsar PH9073 is powered by an accurate Japanese PC32 quartz movement. This stylish watch also features a sharp looking silver tone dial with gold tone luminous hands and hour markers along with the date display function, scratch resistant mineral crystal and water resistant to 30 meters. Pulsar PH9073 is equipped with a 22mm wide brown leather strap with a buckle clasp. Pulsar PH9073 men's Traditional silver dial brown leather strap date watch is brand new and comes in an original Pulsar gift box and is backed by a 3 years limited warranty. PH9073 37738145949
On Sale


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The procedure for construction involves different levels of working. There are various layers of tasks and their profile differs from one another. The different levels involve these functions:
1. The architect
2. The job manager
3. The contractor
4. The foreman
5. The superintendent
6. The construction supervisor and
7. The laborers
There could be more added to those and every profile has its own set of duties. If a construction manager ends up functioning as a job, this is unfair for him not since the job isn't fit for him but since he had been picked to get another set of duties. What's the usage of deciding on employment if he/she is not able to do exactly what he/she was hired for?
Decide on what you need to your staff and the way the worker can increase the performance of exactly the same. When you're confident that you will need someone for a particular function then go and employ. Ensure to employ the right individual who will take out the duty well. Construction Jobs descriptions are significant since the gap between the courses or employees are extremely narrow. It has to be accurately delineated to prevent any misunderstanding. For instance the job manager has another set of duties and can't be combined with this of the construction supervisor. Yes, the two are handling but distinct levels of work.
The Actual Scope of this Job
Working in a construction site is merely a simple option but not a simple job. For those people who don't struggle with their teachers or people that are lacking the understanding that they need something for a hotel in the near future, to choose this decision is merely enough. This usually means that many employees are the college dropouts. However, in contrast to the misconception that it's quite straightforward to manage the tasks in the construction site, the workers additionally have nearly everything to whine about.
They need to work using their bare hands, they need to carry heavy loads, plus they need to get along with those of their higher ranking officials. They are similarly governed with a set of regulations.


text:
SOME DISCUSSION GROUP HISTORY: (Revised on 2/18/14)
Naples MacFriends User Group (NMUG and Naples MUG) created the NMUG Discussion Group on Yahoo early in 2003 to provide a facility for NMUG members to share their computer knowledge and to aid members in solving computer problems. The Discussion Group has been and continues to be a valuable asset for NMUG members.
Two important decisions were made about the structure:
1. The Discussion Group would be a closed group, limited to NMUG members. This has precluded "spammers" and others from latching onto our e-mail addresses and flooding our inboxes with "junk". It also means that comments, questions and answers are attributable to a specific NMUG member.
2. The group was NOT set up with an active "Moderator". A moderator reviews each message for appropriateness and permits it to be posted or passes the message back to the originator for correction. The club depends upon the good sense and responsibility of each member.
Examine Discussion Group Messages
NMUG's Yahoo Discussion Group retains an on-line Archive of past messages sent and received by NMUG members. The current archive contains almost 7000 messages.
An extensive description of the methods available (to NMUG members) to examine these messages is provided at a linked site. Click here for the details.
Manage delivery of Discussion Group Messages
When you have a Yahoo ID you have the ability to manage how NMUG's Discussion Group Messages are sent to you. This will be covered in more detail but there are 4 options that you can set. Click here for the details.
Too Many messages? Get in control of them
The Discussion Group is very active. This means that there are many messages sent out by Yahoo each day. They don't have to fill your Inbox. Instead the use of a dedicated mailbox for NMUG messages and Mail Rules can bring order from chaos.
Click HERE to link to a descriptive article on how to set create the mailbox and the Rules.
When Responding to Discussion Group Messages
The Rules and Special mailbox tips covered in the above section properly gives guidance on the incoming, received email messages. BUT the problem of Too Many Messages often arises from bad habits on the part of our members
Don't SPAM the group with unnecessary messages. Click HERE for guidance on good practices to follow.
New NMUG Members
New members receive an "Invitation" to join the Discussion Group via an e-mail message from the moderator of the group. A full description of the invitation process is at this link. Click here for a step-by-step illustration of the enrollment process.
If you are a new member, the NMUG welcomes you and encourages you to complete the Discussion Group enrollment process.
It is preferred that members use the e-mail address recorded in the Club's database for their Discussion Group messages. This is to help assure that only NMUG members are participating.
Upgrade to Full Capability
Some NMUG members have a limited function "membership" in the Discussion Group that restricts them to only submitting and receiving messages. They do not have the benefit of Examining Messages detailed above. Neither do they have the capability to Manage the Delivery of Messages detailed above.
Two procedures to Upgrade their membership to full capability are detailed in the following link. Click here for more information.


text:
"There is a video on Youtube named Mereana Mordegard Glesgorv. If you search this, you will find nothing. The few times you find something, all you will see is a 20 second video of a man staring intently at you, expressionless, then grinning for the last 2 seconds. The background is undefined. This is only part of the actual video. "The full video lasts 2 minutes, and was removed by Youtube after 153 people who viewed the video gouged out their eyes and mailed them to Youtube's main office in San Bruno. Said people had also committed suicide in various ways. It is not yet known how they managed to mail their eyes after gouging them out. And the cryptic inscription they carve on their forearms has not yet been deciphered. Youtube will periodically put up the first 20 seconds of the video to quell suspicions, so that people will not go look for the real thing and upload it. The video itself was only viewed by one Youtube staff member, who started screaming after 45 seconds. This man is under constant sedatives and is apparently unable to recall what he saw. The other people who were in the same room as him while he viewed it and turned off the video for him say that all they could hear was a high pitched drilling sound. None of them dared look at the screen. The person who uploaded the video was never found, the IP address being non-existant. And the man on the video has never been identified.
"Isn't the Mereana Mordegard Glesgorv video not the creepiest thing ever"
by Strategos Dimentio August 03, 2008
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text:
Once your cancellation request has been accepted, we will refund the order amount via the same medium you transacted with us (i.e. Credit/Debit Card, Net Banking, PayPal, etc) or issue a store credit to your LABEL SHABEL account equivalent to the amount of your purchase.
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text:
Arsenal Accessories Set
You Save $8.00
(No reviews)
Wear your Arsenal red with pride! This accessories set includes a captain's band, two wrist sweatbands with Arsenal's team crest and shinguard stays. Officially licensed merchandise.
- Take the pitch like the Gunners!
- Country and League:
- English Premier League
|This is an official Hy-Pro Intl Ltd product.


text:
Comment on At the Water's Edge – Chapter Three by Beth Treaster.
Loving your story! Can't wait for the next installment.
Recent Comments by Beth Treaster
Private: Chapter Eight – At the Water's Edge {a modern romance}
I am loving your story. Wish I could be there with Kate! What fun! The photograph are lovely.
How to Make a Birds Nest
Your bird nest is so-o-o sweet! I also love bird nest and have them scattered all over the house. I enjoy your ideas.
Private: Chapter Six – At the River's Edge (a romance story}
Somewhat confused!!! In chapter 5 the lord of Rosethorn was Lord Lockwood and in chapter 6 it is Lord Weston. Are they one and the same? Continuing to enjoy the story.
Private: Chapter Five – At the Water's Edge
I am loving your book…always enjoy books set in England, and this one makes me feel like I'm there. I'm guessing Kate and Lord Lockwood will become close friends, maybe even fall in love. The pictures of the cottage are adorable. I want to live there! Keep up the good work!
Private: Chapter Four – At the Water's Edge
I am loving your book. I have always loved all things English, and The Rose and Crown sounds lovely. I want to stay there! Can't wait for the next installment.


text:
Unilife Appoints Rosemary Crane and Duane DeSisto to its Board of Directors; Unilife Announces Date of 2016 Annual Meeting
Oct 31, 2016, 08:30 ET
YORK, Pa., Oct. 31, 2016 /PRNewswire/ -- Unilife Corporation ("Unilife" or the "Company") (NASDAQ: UNIS; ASX: UNS) announced that Rosemary A. Crane and Duane M. DeSisto have joined the Company's Board of Directors. The Company also announced that its annual meeting of stockholders will be held on Thursday, December 15, 2016 at 4:00 p.m. U.S. ET.
"Rose and Duane are outstanding additions to our Board," commented Mary Kate Wold, Unilife's Board Chair. "Rose and Duane each has a proven track record of leading successful life sciences organizations. In particular, Rose brings a wealth of leadership, sales, and marketing expertise and insights; and Duane has led the successful development of drug delivery systems. Rose's and Duane's impressive accomplishments and experience will make them vital contributors in guiding our growth strategy."
Ms. Crane has previously served as President and Chief Executive Officer of Epocrates, Inc., and prior to leading Epocrates, she held senior executive positions at Johnson & Johnson, including Group Chairman, OTC & Nutritional Group, Group Chairman, Consumer, Specialty Pharmaceuticals and Nutritionals, and Executive Vice President of Global Marketing for the Pharmaceutical Group. Ms. Crane has also served in executive roles at Bristol-Myers Squibb, including President of U.S. Primary Care and President of Global Marketing and Consumer Products. She presently serves as a Director of Teva Pharmaceuticals and as Vice Chairman of the Board of Zealand Pharma A/S. Ms. Crane received her MBA from Kent State University and her BA in Communications and English from the State University of New York.
Ms. Crane commented, "Serving on the Unilife Board is a great opportunity for me to share my experience in the life science industry with Unilife, and I look forward to working with Unilife's Board and management team to move the Company ahead."
Mr. DeSisto served as the President and Chief Executive Officer of Insulet Corporation from 2003 to 2014, after serving as Insulet's Acting Chief Executive Officer and Chief Financial Officer and Treasurer. Prior to his executive roles at Insulet, Mr. DeSisto was President, Chief Executive Officer and Chief Financial Officer of PaperExchange.com, Inc., Chief Financial Officer of FGX International Holdings Limited (formerly AAI-Foster Grant, Inc.), and Chief Financial Officer of ZOLL Medical Corporation. Mr. DeSisto received his MBA from Bryant College and his BS from Providence College.
"I am enthusiastic about joining Unilife at this important inflection point for the Company. I look forward to bringing my experience in growing a successful drug delivery device organization to the Unilife team," commented Mr. DeSisto. "I am also looking forward to working with Unilife's strong Board and talented management team as they execute on their significant market opportunity."
"Our executive team is delighted by the additions of Rose and Duane to the Unilife Board of Directors," commented John Ryan, Unilife's President and Chief Executive Officer. "Rose and Duane each bring deep industry knowledge and insights and executive leadership experience to Unilife, and I know they will be valuable assets in enhancing our leadership position in the wearable injector market."
The Company's Board of Directors was assisted by John Mitchell, Global Practice Managing Partner of Heidrick & Struggles' Healthcare and Life Sciences Practice, in conducting the search for these new Directors.
Annual Meeting of Stockholders
Unilife's annual meeting of stockholders will be held on Thursday, December 15, 2016, at 4:00 p.m., U.S. ET (8:00 a.m. AEDT on Friday, December 16, 2016), at One Liberty Place, 1650 Market Street, Suite 2800, Philadelphia, PA 19103. The meeting will be broadcast via the Investor Relations section of our website www.unilife.com as a "live" listen only webcast.
About Unilife Corporation
Unilife Corporation (NASDAQ: UNIS / ASX: UNS) is a U.S. based developer and commercial supplier of injectable drug delivery systems. Unilife has a portfolio of innovative, differentiated products with a primary focus on wearable injectors. Products within each platform are customizable to address specific customer, drug and patient requirements. Unilife's global headquarters and manufacturing facilities are located in York, PA. For more information, visit www.unilife.com.
Forward-Looking Statements
This press release contains forward-looking statements. All statements that address operating performance, events or developments that we expect or anticipate will occur in the future are forward-looking statements. These forward-looking statements are based on management's beliefs and assumptions and on information currently available to our management. Our management believes that these forward-looking statements are reasonable as and when made. However, you should not place undue reliance on any such forward-looking statements because such statements speak only as of the date when made. We do not undertake any obligation to publicly update or revise any forward-looking statements, whether as a result of new information, future events or otherwise, except as required by law. In addition, forward-looking statements are subject to certain risks and uncertainties that could cause actual results, events and developments to differ materially from our historical experience and our present expectations or projections. These risks and uncertainties include, but are not limited to, those described in "Item 1A. Risk Factors" and elsewhere in our Annual Report on Form 10-K, those described in the "Risk Factors" set forth in Unilife's prospectus supplement, dated as of and filed with the U.S. Securities and Exchange Commission on February 22, 2016, and those described from time to time in other reports which we file with the U.S. Securities and Exchange Commission.
General: UNIS-G
Investor Contact (US):
Jeremy Feffer
Unilife Corporation
Investor Contact (Australia):
Jeff Carter
Unilife Corporation
+61 2 8346 6500
To view the original version on PR Newswire, visit:http://www.prnewswire.com/news-releases/unilife-appoints-rosemary-crane-and-duane-desisto-to-its-board-of-directors-unilife-announces-date-of-2016-annual-meeting-300353804.html
SOURCE Unilife Corporation


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Participant Information
Welcome to Ames, Iowa and the Iowa State University campus!
Maps & Directions
Map and Directions to Ames, Iowa
Map and Directions to the Seed Science Center,
Iowa State University Campus
Hotel Accommodations
There are many hotels to choose from in Ames, Iowa. However, for your convenience we have a limited number of rooms reserved for the November Short Course and February Short Course participants. Please contact the Best Western Plus or the Quality Inn to make your reservation ahead of time and ask for the appropriate Short Course block to receive the discounted room rate. This discounted rate is offered for up to 30-days before each short course and has a limited number of rooms available. Check-in is at 3:00 p.m. and check-out is at 12:00 p.m. Complimentary breakfast is provided at each location.
Best Western Plus
2500 University Boulevard
Ames, IA 50010
Phone: (515) 296-2500
Driving Directions: Exit 111B off of I-35 to head westbound on Hwy 30, travel west to Exit 146 and head south on University Boulevard. The Best Western Plus is on the East side of the road.
Quality Inn
2601 East 13th Street
Ames, IA, 50010, US
Phone: (515) 232-9260
Driving Directions: Exit 113 off of I-35, travel two blocks West. The Quality Inn is on the north side of the road.
Hotel Shuttle
Transportation will be provided by the STB Short Course staff from the Quality Inn and the Best Western Plus hotels to the ISU Seed Science Center before class each day and a return trip to the Quality Inn and the Best Western Plus hotels at the end of class each day. If you require additional transportation please check with your hotel front desk for availability or refer to the CyRide or Cyclone Cab information below.
Local and Campus Bus Transportation – CyRide
The city of Ames and the ISU campus have a comprehensive bus service available for a nominal fee. You can check out the CyRide schedule and service times on their website.
Taxi Service – Cyclone Cab
Ames taxi service, Cyclone Cab
Airport Shuttles
Executive Express and Limousines/Ride Share offers individual and shared ride airport shuttle services.
Arriving by Air
Des Moines International Airport
5800 Fleur Drive
Des Moines, Iowa 50321
The Des Moines International Airport serves as the gateway to Central Iowa.
The following airlines serve the Des Moines International Airport and provide direct connections to cities throughout the United States.
Car Rentals available at the Des Moines International Airport
All car rental agencies are inside the terminal in the baggage claim area.
Registration is Open!
Short Course Dates
November 06 – 10, 2017 – Part I
February 05 – 09, 2018 – Part II
Registration Fee
$3,850/person – both Part I & Part II
$2,850/person – either Part I or Part II
Cancellation & Minimum Attendance Policy
Seed Science Center
Iowa State University
2115 Osborn Drive
Ames, Iowa 50011
Please contact:
Cindy Robertson
STB Short Course Coordinator
Educational Credit
You can earn CEU and CCA credit at this program.


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Back to School Card: Beady Pencil
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Designing your own cards is easy when you have fun stickers and die cuts like these back-to-school designs. We simply embellished the images with double-sided Treasure Tape, colorful Kreinik metallic threads, and clear Diamond Beadlets for that extra sparkle. These make great gifts for a teacher, or as invitations for a back-to-school party.
Designed by Dena Lenham for Kreinik
- Blank white cards and envelopes
- Back-to-school themed stickers or die cuts
- 4" x 6" Treasure Tape sheets
- 1/4" Treasure Tape Roll
- Diamond Beadlets
- Kreinik #12 Braid in colors to match your designs (we used 003 Red, 005 Black, 025 Gray, 002 Gold)
- Shallow pan or tray
- Using the Treasure Tape sheets, remove the white backer and lay the Treasure Tape on top of your die cut or sticker. Cut out your die cut or sticker.
- Remove the red liner to expose the top sticky area.
- Begin decorating with threads, following the lines on your image and "coloring" various areas as desired.
- When thread decorating is complete, lay your design in the shallow pan or tray and cover remaining sticky areas with Diamond Beadlets.
- Using Treasure Tape 1/4" tape or tape scraps, attach your decorated design to the front of your white card.
Kreinik threads available through needlework stores or www.kreinik.com.
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Looking For Cheap Flights To Tijuana
Cheap Flights to Tijuana
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La Paz
by C-Monster
The Beauty of the Border City of Tijuana
The border city of Tijuana is easily reachable via the San Diego trolley that goes right up to the Mexican border. Despite its close proximity to the US, Mexico vacations in sunny Tijuana allows you to shop at the legendary Avenida Revolucion where you will find the amazing bargains of beautiful Mexican handicrafts, leather goods, cigars, silver, beadwork, jewelry together with imported goods at bargain prices. You can soak in some cultural experience at the Tijuana Cultural Center or at the Municipal Institute of Arts and Culture. Try out something new by watching a Jai Alai game at the Jai Alai Fronton Palace, place a bet at the Greyhound race at Hipodromo Caliente or sit on the edge of your seat with the exciting though bloody bullfight at El Toreo de Tijuana and the Plaza Munumental Playas de Tijuana. Tijuana showcases vibrant Mexican culture and is a place that is truly worth visiting.
Swimming with the Dolphins in Mexico
One of the most amazing experiences you can ever have during your Mexico vacations is swimming with the dolphins. You get the chance to cavort with these friendly and gentle sea creatures in an environment that is safe and secure for both visitors and dolphins alike. There are several dolphin centers or dolphinariums throughout Mexico. Cancun, Isla Mujeres, Cabo San Lucas and the Riviera Maya region are popular tourist destinations not only for their incredible waters but also for the swimming with the dolphins facilities. One of the most special dolphin centers in the world is the Cabo Dolphin Center that is housed in the Cabo San Lucas Marina. The Wet n Wild Aquatic Park has Altantida where the dolphins stay in an enclosed beach. The biggest dolphinarium chain in the Mexican Caribbean is the Delphinus with centers at Xcaret, Xel-Ha and the Riviera Maya near Playa del Carmen. You can play, swim and interact with the dolphins right In the waters at these dolphinarums. Go for this dream come true experience and include this in your itinerary.
Wonder at the Whales of Mexico
The sight of whales frolic playing or cavorting or even just plainly swimming in the waters never fails to evoke a sense of admiration and marvel. The gray whales leave the winter waters of Northern Bering and go to the Sea of Cortez every year during fall to give birth and feast on the bountiful food in the tropical waters of the Pacific. Magdalena Bay just a little off the coast of Los Cabos is the best place to go whale watching for the mothers and their young. San Ignacio is equally as famous for whale watching but there is a higher possibility of seeing the whales in Los Cabos than any other location in Baja especially during the peak season from the end of December to the end of March. Strict guidelines are followed during whale watching tours so that the whales are protected. When planning your Mexico vacation, dont fail to include whale watching in your itinerary.
Exciting Place to see in Veracruz
The history and culture of Mexico is most vividly displayed in the city of Veracruz but it still is slowly metamorphosing into becoming a sought after tourist destination. Ideal for day or night strolling is the main plaza called the Plaza de las Armas. There is alot of old architecture in Veracruz such as the baroque architecture Municipal Palace and the neo-classic Virgin de la Asuncion cathedral that were both built in the 17th century. Very close to the port area is the former lighthouse Pemex Tower, the Crafts Market, the Old Customs Building, the Postal and Telegraph Building, the Civil Registry Building and the Juarez Hemicycle Monument. Worth visiting too is the Fort San Juan de Ulua that is located in island but is now conveniently connected to land. The malecon or the boardwalk has pathways and trails for daytime or nighttime strolling and exercise. The Veracruz Aquarium is the largest aquarium in Latin America and is one of the latest developments of Veracruz. Not too far away is the day when Veracruz will be a primary destination in your Mexico vacation itinerary.
Find the best sites and attractions when you go on your Mexico Vacations. Plan early and make your very cheap flights one that is worth remembering.
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By Doug Ohlemeier for The Packer
Growers in the world's largest grapefruit growing region heard how they can try to recapture lost markets and help supply shortages caused by the California freeze.
Participants at the yearly Indian River Citrus Seminar on Jan. 24-25 heard about the viability of Florida's fresh citrus industry, research into citrus canker disease-resistant varieties and weather trends that call for an active 2007 hurricane season.
Bob Norberg, director of economic and market research for the Florida Department of Citrus, Lakeland, said December through June is the prime marketing window for U.S. orange sales.
"If we're going to capitalize on what happened with California, we need to do it now," he said. "We have this window from now to June to really push Florida oranges. This is where we can really improve."
Norberg said navel imports from South Africa and Australia July through September should arrive at lower prices during Florida?s May-through-September off-season, a factor Florida?s shippers will have to deal with to expand their presence in the marketplace.
W. Cody Estes Sr., president of Vero Beach-based Quality Fruit Packers of Indian River Inc. and grower Estes Citrus Inc., said he doesn't think Florida has seen the full affect of California's losses yet.
"There is certainly some optimism in the industry that we will get some shelf space back," he said. "We have been out of the market for the last two years. We were out of sight and out of mind. I'm optimistic we can get some shelf space back. And that's what we need."
Doug Bournique, executive vice president of the Indian River Citrus League, Vero Beach, a conference co-sponsor, said the industry has already seen an increase in sales. This year's higher quality grapefruit have also helped, he said.
"We are experiencing a rebound high-quality crop," he said. "It eats like candy. It really does. It's delicious."
If recent cool and dry weather in the Indian River East Coast growing region holds, that lack of temperature volatility could extend the season for citrus growers and help them fill increased demand.
"It's nice to have an economy (here) again," Bournique said. "We were bageled, or zeroed, in production for two years in a row. It's nice to have the packinghouses running again, the sales agencies selling and the trucks running down the highways."
In a presentation on canker-resistant varieties, Greg McCollum, a plant physiologist with the U.S. Department of Agriculture's horticultural research center in Fort Pierce, said canker resistance screening for resistant varieties has been limited because of a state law that formerly required destruction of canker-infested trees.
"Now that we're not eradicating, it should provide us information on field susceptibility of canker," he said. "In this post-eradication era, we will be given the opportunity to start a more aggressive research program on canker resistance."


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You'll be amazed at Kelsey Hoops' Hula Hoop Glow Show. All materials are provided. A signed release form is required. Space is limited to the first 75 participants and registration is required.
Join us for Fitness Fridays, every Friday in July, for grades 3rd-5th. Learn hoop skills and new tricks in this interactive workshop.
This project is funded through the Oklahoma Department of Libraries with funds from Library Services and Technology (LSTA), a Federal source of library funding provided by the Institute of Museum and Library Services.
|Mon, Sep 18
|9:00AM to 9:00PM
|Tue, Sep 19
|9:00AM to 9:00PM
|Wed, Sep 20
|9:00AM to 9:00PM
|Thu, Sep 21
|9:00AM to 9:00PM
|Fri, Sep 22
|9:00AM to 8:00PM
|Sat, Sep 23
|9:00AM to 5:00PM
|Sun, Sep 24
|1:00PM to 6:00PM


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Took a trip out on my own on a beautiful Sunday afternoon. Stopped by Hermit Woods section of New Hampton and took a great shot of the reflections on the Hermit Lake. Another gentleman was down there along the edge of the water, taking photographs of this scene with his cell phone camera. He asked me if I had a Canon or a Nikkon camera. I told him I shot with a Canon and he laughed in rejection, as he knew that Nikkon was much more functional than a Canon, or at least that's what his photography teacher told him.
Uh huh. Then he went on to tell me that NIkkon people have Android phones. I said I was quite happy with my iPhone, and he again laughed in rejection. Then he explained to me that similar people to Nikkon owners use Android because they want configurations you just can't get on an iPhone or Canon.
Didn't get this on your Android bud. I was happy to swoop in and get the shot you wanted, even with my cheeky Canon.
Hopped back in the car and headed towards Franklin and Bristol, as the colors are stronger the further north I went. Lots still to go with the foliage, so if you're reading this and pondering a trip north, early this coming week will be ripe for great foliage and fewer tourists.
I stopped by Profile Falls in Bristol, a horsetail shaped and extremely powerful waterfall exists here and I've yet to get a shot of it that I found decent. Seeing as the sky was becoming more clouded, I thought that perhaps today was my opportunity to get a decent shot of both the leaves AND the falls, something I've attempted for three years but never came away with to my satisfaction.
Profile Falls was loaded with cars, and before heading to the falls itself, I wanted to check out a side trail that I'd seen before in winter and never explored. It led to a small cellar hole beside what looks to have been either a branch from the river that is typically dry or a branch that has been rerouted to preserve the cellar hole sitting beside it. Either way, it was a dead end. Before I could attempt any great shots, I found myself being followed by three other photographers who spied me heading down an unmarked path. As I retreated, I found that these people were foreign to our area by the way they reply to me offering them salutations as typical New HampSHA people do. A nervous "good afternoon" peeps out of their masshole mouths. Seeing their license plates later was another clue that I was not dealing with New Hampshirefolk.
My first shot of the falls has the color and beautiful streams of the river flowing in a lapse as I intended, though I was remiss in bringing my tripod with me as I should whenever I'm photographing moving rivers. As you can see the trees and rocks are much more blurred and out of focus. Regardless of this, I learned a new setting and succeeded in getting the flowing water as I wanted. I was happy to see a much better composed photo below that is more of my favorite.
A small cove filled with pine needles, leaves, and foam. I saw this as a foreground point of interest to work in harmony with a flash flowing river and the foliage above it. I was happy to see the sky not washed out in all of this photo to look at. Lots to take in, I was satisfied with this shot and knew not many that looked like it in all my research into photos of the falls.
Which is your favorite? Let me know in the comments!
This photograph is available for prints, framed artwork and various other media. Prints start at $9.99 for 5″x7″
contact me at firstname.lastname@example.com for purchasing options, questions about the shoot, compliments or insults. I'll take whatever you've got to give me.


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What makes a project Sunview Project? The Sunview difference is our meticulous care in each and every project we undertake. With Sunview windows, there`s no such thing as a mass produced window manufacturing. Every single window we sell is customized to fit the specific needs of the buyer, down to the finest detail. From a range of inte read more...
The company was very helpful. The installers were vey clean. I request extra trim and the company provided an extra piece at no cost.
Sunview Windows & Doors installed new doors (a main door and storm door) at the side entrance to our house. Initially, a mistake was made and a storm door different than what we ordered was installed. All throughout the process Sunview kept in touch with us to give us updates and replaced the storm door in a reasonable amount of time. You can tell how a company values good customer service when problems arise, not when things are going smoothly. This is the company you want to work with, folks!
I recently changed several windows in my home and was fully satisfied end-to-end customer service provided by Sunview, Edmonton. I have plans to replace my remaining windows to similar energy efficient windows with this company. It started with estimation visit from Andrew my fifth company to seek estimates. Andrew was not pushy offering competitive price and customized options. Zak, Joe and Ali installed windows while ensuring minute details are taken care to ensure quality and customer satisfaction are met. Great communication, clarity on installation dates as I was waiting for my windows to be custom manufactured, Andrew was easy to reach over phone, and willingness to go over and beyond during installation to meet my expectations are few reasons which attributed towards my great customer experience. I have already recommended Sunview, Edmonton to my friends and neighbours. Andrew is also is in parallel working to avail the energy Alberta rebates that I am eligible for. Extremely professional service while ensuring there is personal touch. I am looking forward to continue experiencing this great service through the next phases.
I was very happy with the company, they did a great job and clean up afterward. The product was high efficient look good and reduce the outside noise. The workers was very professional. You can visit Sunview website and view photos of windows installed.
Thanks so much for this review Dennis. We look forward to our next job with you!
Sunview Windows & Doors has a TrustScore™ of 4.9. The average TrustScore™ for other businesses providing similar services in Edmonton and the surrounding areas is 3.2. For detailed information on how TrustScore is calculated, click here.
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TrustedPros does not validate certain information provided by contractors and vendors in conjunction with the creation or maintenance of their profile. TrustScores are provided for informational purposes only. We urge you to use the TrustScore™ in conjunction with the tips provided in our Hiring Guide to maximize the probability of hiring the best professional for you project.
We offer both European and North American style windows, manufactured to the highest level of quality and installed by a team of dedicated trained professionals.
What makes a project Sunview Project?
The Sunview difference is our meticulous care in each and every project we undertake.
With Sunview windows, there`s no such thing as a mass produced window manufacturing. Every single window we sell is customized to fit the specific needs of the buyer, down to the finest detail.
From a range of interior and exterior options, brick molding, grills, colors and design schemes we aim to create the vision of the buyer`s windows exactly as they envision it. We will create a custom order for any glass a customer needs, and fit it into the windows. And it doesn`t stop at aesthetics, comfort is just as important. That`s why the windows we sell offer the highest energy efficiency, insulation and maximum thermal protection to provide a complete, satisfying experience. All of Sunview`s products not only meet, but exceed Energy Star compliance for energy efficient products.
We use 100% UPVC vinyl on all of our windows. So, we can create our beautiful work without leaving an impression on the beauty of nature. We provide a full, industry-leading warranty on every single one of our products. Our windows will not leave the factory until we are 100% satisfied with them. That is our promise, and that is what makes Sunview windows different.
Not only do we service Edmonton and the surrounding area, but we often undertake projects as far north as Fort Mcmurray and as far south as Okotoks! Windows, doors, bay and bow windows, french and front doors no matter how big your project is, Sunview Windows and Doors can handle it flawlessly. Manufacturing, sales and installation are our areas of expertise! We pride ourselves on keeping the lines of communication open with our customers and ensuring they are nothing but 100% satisfied and in love with the new additions to their homes!
All you need is a single professional company to deal with, Trust the professionals with years of Experience !!! Simply call our head office at 780-431-1888 and book your free estimate ! We look forward to hearing from you, and helping to make your visions a reality.
Sunview Windows & Doors was awarded Best of TrustedPros in 2016 for Windows and Doors in Edmonton.
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WP TV brings you closer to the industry's most influential
leaders and thinkers. Click on the videos below to watch the interviews:
The FSC's proposed churning policy has ignited a furore among financial planners who say it unfairly targets honest advisers. We speak to NSW AFA Director Marc Bineham and Sulieman Ravell of Funds Focus for their thoughts on the controversial proposal.
Video transcript below:
Donna Sawyer, Wealth Professional
Donna Sawyer: The Financial Services Council's proposed churning policy unfairly targets all financial advisors instead of the few offenders. That's the view of Marc Bineham, a financial planner in New South Wales, Director of the Association of Financial Advisors, who says even though the FSC has apologised for its initial approach, the policy will hurt honest advisors.
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Rustic Weddings on a farm with horses, yes, sure I can do that!
Its become very apparent that my love of horses and living on a farm that's a little bit rustic is popular to the couples I chat with. Rustic is gorgeous, it works and looks amazing in photos.
Take a look at my ten tips for a Rustic Ceremony:
BOOTS – Yes go with the boots ladies and of course you guys will look amazing too. Ask your guests to wear boots.
HATS – Akubra style, wow what a look for the guys
LACE – Ladies, get your lace on. You will look stunningly beautiful
DECORATE – Use burlap, lots of lace, chalkboards and mason jars wrapped in twine
HAY BALES – Go for the square bales, they'll make the perfect seats for your guests
HORSES -Y, capture beautiful photos with horses.
WHEELBARROWS – Lots of fun can be had with wheelbarrows, they're great photo moments.
WAGONS – Decorate an old wagon with flower pots, vines, ribbons, and lace. They make gorgeous photo props
LOG SLICES – Get some wood and chop slices out, use these to make signs or use stumps for candles.
CANS or TINS – Use cans and tins for flowers, line a path with them they'll look great.
WHITE CURTAINS – Hang these from verandah posts & tree branches. They look amazing in photos.