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In the summer of 1959, a summer of heightened racial tensions, riots, and violence in New York, Frank O'Hara wrote what would become two of his best known poems, "The Day Lady Died" and "Personal Poem." The first on Billie Holiday, who died that July after a long struggle with drug addiction, police harassment, and exploitation; and the second on Miles Davis, who was beaten by police one August night while on break outside a club where he was performing.1 For a poet primarily known for his interest in and relationship to the New York School painters, and who is often understood by critics through the lens of that relationship,2 the poems may seem unusual. And, indeed, these poems are generally read simply as examples of O'Hara's "I do this, I do that" aesthetic, the musicians being incidental to the poetics.
For Michael McGee, the poems should be read in the context of O'Hara's newfound interest in avant-garde jazz around the time of their writing. Yet, this "recent" interest was in fact nothing new for the poet. A quick read through the Brad Gooch biography shows that O'Hara's first artistic love and pursuit in fact was music. From the time he was a child, through his teen years, through his service in the Navy in World War Two, and up through his entering Harvard in 1947, where he planned initially to study musical composition, O'Hara was a voracious listener and serious student of piano and avant-garde composition. His work is riddled with allusions to composers, specific compositions, and the act of listening. Indeed, music was not just some childhood fancy, and his newfound interest in jazz was more than likely an extension of his lifelong interest in avant-garde music. In other words, these two musical poems were no fluke. Music was the ground of O'Hara's poetic vision from the beginning, and it shaped O'Hara's thinking about his own work throughout his career.
The poem "Music," in fact, written in 1954, and later given the opening slot in Lunch Poems, predates "The Day Lady Died" and "Personal Poem" by five years. The later poems on Davis and Holiday, then, set in the middle of the same book, are not even his first to explicitly address music, and indeed they restate and develop themes, structures, and ideas from the earlier poem. It is the earlier poem where O'Hara first contemplates music in relation to his critique of metaphysics, aesthetics, and consumer capitalism, wherein music is deployed as an antidote to the "technological culture" (to borrow a term from Heidegger) that has shaped our society since the Ancient Greeks. If America is governed by a politics of "difference"—wherein a "technological" understanding of the world frames all things outside oneself (including humans) as resources to be used, manipulated, and consumed, and that justifies in the name of difference the brutal treatment of African Americans, homosexuals, and all those people and things perceived as "other" (not to mention the varieties of capitalist exploitation)—O'Hara offers as alternative a politics grounded in music. The opening statement of Lunch Poems, "Music" is O'Hara's model for a poetics to defuse the oppressive and often brutal realities of postwar America: a poetics of music.
"Music" begins with its speaker out for a walk in the park, ostensibly on break from work, contemplating whether or not to eat his lunch in view of a nearby statue. He writes,
If I rest for a moment near The Equestrian
pausing for a liver sausage sandwich in the Mayflower Shoppe,
that angel seems to be leading the horse into Bergdorf's
and I am naked as a table cloth, my nerves humming.
While the statue dominates the first line, the poem is not interested in describing or contemplating it; rather, the poem seems more focused on the conditional statement with which it opens. "If I rest," says our speaker, offering himself and his reader a choice. He can continue on his way, or he can pause. If he continues, everything will likely remain as is: the statue is a statue, and he is a worker on his lunch break. The status quo will hold. "If" he chooses to "rest," however, his experience changes radically. The statically represented world breaks open, and the statue, indeed the world, erupts into motion. "That angel," he writes, "seems to be leading the horse into Bergdorf's," and, as we see a few lines down, "[g]usts of water spray over the basins of leaves / like the hammers of a glass pianoforte." If he chooses the rest, taking an intentional moment apart from the chronological measure of the workaday world, he will be rewarded by a surprising temporality, by the motion of previously static objects. The Equestrian is now on the march.
We shouldn't ignore that this rest is being proposed in the opening lines of a poem called "Music"—indeed, it should be read as a musical rest. Yet it does not function as an ordinary, measured pause in a musical score as we might understand it. O'Hara's rest is more akin to what musicologist Michael Chanan calls fermata—fermata being one of two "nuances" of live classical performance Chanan argues have been destroyed by the cult of metrical precision and identically repeatable performances that developed over the 20th century to satisfy the demands of musical recording. Fermata, meaning a hold or pause, is a musical notation indicating a note should be held or sustained longer than its actual metrical value would demand. Unlike the standard metrical rest in a musical score, the length of the fermata is left to the discretion of the performer, whose determination is based on factors arising from the particular performance—the interaction with other performers, the reactions of the audience, the quality of light, or anything, really. The length of the pause depends on anything but the desire to maintain metrical fidelity to the written score. The effect is that notes cease to exist as measured metrical units and become "elastic" and unregulated. True musical performance, for Chanan, is not governed by the abstract logic of the score and metrical precision, but is a space within which performers and audience listen to and interact with one another and the text—a space within which individuals open up to one another. It becomes, in a sense, a moment of time-space reconfigured musically, in which listeners are no longer simply discrete subjects seeking to consume and judge the musical object, and in which performers are no longer simply discrete subjects seeking to earn a wage or show off their technical prowess and impress their judges.3 Rather, the musical performance is a space of mutual interaction and participation between performer, listener, and the musical score—an open, temporal relation.
In defying the mathematical "logic" of the metrical score, fermata thus exemplifies the most crucial element of live musical performance for Chanan, which is "the vital element of communion" (126) between musician and listener. Lost to the performance, each becomes part of its ebb and flow, and thus, in a sense, part of one another, a unified whole. Itself a kind of fermata, or temporal suspension within our chronologically ruled (and technologically enframed) world, we might call the reconfigured time-space of the musical performance, wherein performers and listeners and score and setting are bound together as a unity, a "musical event." To borrow terms from Krzyztof Ziarek, the musical event thus supplants the illusion of "difference" (wherein subjects and objects are separate and discrete, wholly isolated from one another) with a lived experience of "nearness," which we very well might define using Chanan's phrase, "the vital element of communion"—the intimate and inextricable connection between oneself and other beings in the world.
For O'Hara's "Music" to begin with a "rest"—an unguarded and unregulated space within the otherwise carefully measured linear score called chronology (the mechanical measure of time in industrialized, technological culture)—signals that this technologically inscribed "moment"—the lunch break in the middle of a workday—will be experienced as somehow other, it will be a musical event.
Within the poem's fermata, then, the speaker's relation to the world is reconfigured. No longer governed by the mechanized chronology of "the locomotive on the march," his "door" is now "open to the evenings of midwinter's / lightly falling snow over the newspapers." Standing over the chronologically driven, date-stamped "newspapers" adorned with their headlines and photographs and commercial advertisements—each suggesting another object available for consumption, another event made static representation—each word and object in the phrase seemingly folds forward and back on itself and on the others, confusing subjects with objects, each connected to all. O'Hara's "rest" becomes a thick web of mutual belonging, the plural "evenings" stretching the image into a non-chronological space-time where past, present and future exist simultaneously within the elastic temporality of a reconfigured experience. "Music" momentarily escapes the chronology that imprisons it.
This is not unlike the opening of "The Day Lady Died"—in which "[i]t is 12:20" on the clock; it is "Friday" of the seven day week; it is "three days after" a French national holiday; "it is 1959" on the Christian calendar; and in which our speaker "will get off the 4:19 … at 7:15." Conflicting temporal frames are deployed and twisted around one another, not to locate us more precisely in time and space, but to show the inadequacy of mechanical chronology and to forge in its place a newly elastic present—a disturbance no doubt in space-time caused by the musical event that is Holiday's performance in the poem's final stanza. It is certainly no accident that Bastille Day, which celebrates the attack on the famous prison with which the French Revolution began, appears in the opening stanza of this poem about Holiday. Indeed, like the poem "Music," Holiday's performance becomes another model for O'Hara's poetics of music, a poetics that informs and guides the temporally elastic "I do this, I do that" aesthetic generally. What is clear in both poems is that no technologically derived system of temporal measure—whether the precise ticking of the clock, the linear motion of the locomotive, or the date-stamped newspapers covered with photos and stories meant to represent the world in its neatly unfolding linearity ("a NEW YORK POST with her face on it")—is adequate to describe time as experienced within the "rest" that is O'Hara's poem—or Holiday's performance.
With chronology thus stripped away, the assumptions of technological culture, such as the interior-oriented subject, also lose their hold: the speaker is now "naked as a table cloth," a blank surface, an empty slate. That is, having entered "Music" as a subject intent on consuming a "liver sausage sandwich"—an object understood only in terms of its use value, as a technologically derived resource to be ingested by that subject4—O'Hara's speaker now opens outwardly and multiply. He no longer defines himself through his desire or through his consumption (i.e. needing a sandwich), but through the networks of relation to the myriad things that occupy his temporal and spatial exterior—things close at hand, like the fountain, the snow, and the newspaper, and things vastly distant, both in space and time, like "the stars which have disappeared" (to which he feels "close")—even as his multiple "daydreams" walk by. Consumption becomes irrelevant ("it's so meaningless to eat!"), and money as exchange-value, as the universal medium through which discrete objects are produced and made available to capital, and to the subjects of capital, becomes useless ("I have in my hand only 25¢"). Indeed, the stars themselves are a sign of the inadequacy of linear chronology to account for the lived experience of temporality (we see them yet they are long gone), and of the immutable law of transformation that governs the universe.5
In the wake of the speaker's having chosen the fermata, subjects and objects are reconfigured, not in terms of "difference," as realized through aesthetic judgment6 or capital exchange, but in "nearness"—the "vital element of communion" that marks the musical event. That is, whereas subjects and objects in technological culture are ordinarily represented by art, commerce, and power (the statues and newspapers and statistics and coins found in "Having a Coke With You" or "The Day Lady Died" or "Personal Poem," for instance) as static, interior and discrete, the speaker of "Music," abandoning himself to the fermata, opens to a vibrant, densely woven mesh of ecstatic relation. For O'Hara, the "rest" is not just a measured half beat of silence, but a performative pause that can send shockwaves through the mechanized rhythm of the everyday that enframes it. Like Holiday's a-licit "song" whispered along the mechanically delineated notes of the keyboard in "The Day Lady Died"—a performance that seemingly brings together in the "vital element of communion" all those in attendance, thus reconfiguring the dynamics of the commercial nightclub—the "rest" in "Music" inaugurates a musical event.7 Realizing, perhaps for the first time, his radical connection to this musically revealed world, the speaker finds his "nerves humming."
Yet the musical event of this fermata does not simply transport the speaker to a magical otherworld of love and peace and harmony. Rather, "Music" brings the world—of chronology, commerce, power, and the politics of difference—into stark relief. Difference may be a trick of the technological light, but it grounds a politics of real brutality and real violence and real suffering. The speaker's sandwich is not the only product of that brutality, and animals and plants, understood technologically as livestock and grain, are certainly not its only victims. Racism, homophobia, police beatings and lynch mobs, Jim Crow, blacklists—all are products of that technological "illusion." In the two later poems O'Hara will view the experiences of Billie Holiday and Miles Davis through this lens, but within "Music" it brings him close to "the fear of war."
What "Music" offers therefore is not a solution (and clearly O'Hara doesn't seek to overthrow Western culture or capitalism—he seems to be thinking along the lines of Deleuze and Guattari in Anti-Oedipus, seeking a kind of freedom and alternative mode of being made possible by the "schizophrenic" flows of capitalism, the "music" imprisoned behind our technological understanding of everyday experience). Rather, "Music" offers the ability to see technological culture for what it is—the ground of our politics of difference, of racism and brutality—even while it reveals that time, space, and human relations might be experienced otherwise. This is "the season," he writes, "of distress and clarity."
To be sure, from this angle the opening lines of "Music" take on a new meaning. The fermata implied in the first line does not simply set "The Equestrian" permanently into ecstatic motion; rather "that angel" is leading the horse and rider—the static representation, little different from the pictures we see in the newspaper—straight to the temple of consumer capitalism, "Bergdorf's," where it belongs. Could this be the angel of technological culture? The ordinarily subterranean connections between static representation, consumer capitalism, and the politics of difference become clear: the one, in the guiding hand of technology, leads straight to the other.
Alternately, and at the same time, it is important to recognize that the Equestrian statue in question is in fact a statue of William Tecumseh Sherman, the Union General whose violent march through the South ensured the defeat of the Confederacy and the end of slavery—the end, we're always taught, of one of the most egregious examples of the politics of difference—the slaveholding South. Yet his presence in the poem seems to suggest that Sherman, and the Union, really lost that fight, that the politics of difference are alive and well in the factories and showrooms and schools and police forces of consumer capitalism. Perhaps then the angel is in fact the angel of music who, like Holiday in "The Day Lady Died," once awakened within this fermata, can break the imprisoning totality of technological culture and free from within the commodity object (the poem, the book, the LP) the musical event. The angel who can convert the dead object—the broken bolt head or Roman coin or statistic in "Personal Poem," the book or bottle of liquor or newspaper "with her face on it" in "The Day Lady Died"—into a "musical" charm against difference and brutality. The angel who will storm the prison of "difference," free the "vital element of communion" held within, and remake the world. And, finally, isn't this—the angel of music, the musical event, the "vital element of communion"—the gift that O'Hara will give to his friends Patsy and Mike in "The Day Lady Died," to LeRoi in "Personal Poem," and to his reader?
Either way, it seems appropriate that a poem that originates in its recognition of such relationships and its speaker's entanglement within them ends in what may seem a hopeless recognition that there is no escape. The ecstatic space of the musical event may momentarily reconfigure the world wrought by technological culture, but "the stores," as we read in the poem's final line, "stay open terribly late." The statue may be on the march, but the confederacy shows no signs of immanent defeat. Sandwiched between Bergdorf's department store at the beginning and the open "stores" of its last line, the poem as fermata—just as is Billie Holiday's performance at the Five Spot or Miles Davis' at Birdland—is literally framed by the world of chronology, consumer-capitalism and the racist police state, even as it is contained, a static work of art, within the pages of a book. As we'll see in the final line of "Personal Poem," O'Hara's speaker seemingly has no choice but to strap on his wristwatch and return to work.
Perhaps it is a fleeting event suspended in the linear score of technological culture, but the poem nonetheless suggests its own transformative potential. Just as the memory of Holiday's performance echoes across and reconfigures a shopping list of consumer quandary8 into a meditation on liberation and the possibility of intimate connection, the poem as musical event can transform the reader's understanding of the world beyond the poem. Like the speaker in "The Day Lady Died," we may in the end "go back to where [we] came from," but it will never again appear as it did before we entered into the fermata that is the poem.
Ultimately then it's not any one thing the poem says that matters in this regard, but how the static poem becomes, through the engagement of a reader open to "the vital element of communion," a musical event. O'Hara's poem is the "rest" that wrests the various and discrete elements of the technologically ordered world into a newly revealed communion, turning the poem into a musical charm against brutality, and, in doing so, becomes with its reader an unexpected and transformative event that will encourage him to momentarily rethink time, space, and human relationships. It is a de-tuning that unwinds difference into nearness, a unity of beings all open to another through space and time, all humming.
1Billie Holiday died July 17th, 1959, while in the hospital for cirrhosis of the liver. Arrested in her hospital bed for drug possession, she was under police guard until her death. Miles Davis was clubbed by police outside Birdland on August 25th, 1959, while escorting a white woman patron to a cab during a performance break.
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2See Marjorie Perloff, Frank O'Hara: Poet Among Painters.
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3See Giorgio Agamben, The Man Without Content.
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4The sandwich—animals and plants, harvested for meat and seeds, processed into sausage and bread, and sold as a food product—is a perfect example to show the way in which technological thinking presents objects as discrete and static in a manner that serves to erase the brutal praxis through which they are brought before us.
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5See the recent supernova in nearby galaxy M82.
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6See Agamben's The Man Without Content.
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7Holiday had not been allowed to work in New York City nightclubs for a decade by the time O'Hara saw her perform at the Five Spot in the summer of 1957, having had her New York City cabaret card revoked following a 1947 narcotics conviction. While she couldn't "work" in the club, however, she could be called on stage to perform as a "guest." Her name would not have appeared on the marquee, nor would she have been paid for such a performance, and would therefore not technically have been breaking the law. The night O'Hara saw her, according to biographer Stuart Nicholson, she had been in the audience with her accompanist Mal Waldron and was asked by the band to perform. She was literally performing beyond the measure of the law. Her performance neither licit nor illicit, I suggest it was a-licit. See Stuart Nicholson, Billie Holiday.
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8See Robert Von Hallberg, American Poetry and Culture, 1945-1980; and Mutlu Konuk Blasing, Politics and Form in Postmodern Poetry: O'Hara, Bishop, Ashbery, and Merrill.
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Works Cited
Agamben, Giorgio. The Man Without Content. Trans. Georgia Albert. Stanford: Stanford University Press, 1999.
Chanan, Michael. Repeated Takes: A Short History of Recording and its Effects on Music. London and New York: Verso Press, 1995.
Epstein, Andrew. "'I Want to be at Least as Alive as the Vulgar': Frank O'Hara's Poetry and the Cinema." The Scene of My Selves: New Work on New York School Poets. Eds. Terence Diggory and Stephen Paul Miller. Orono, Maine: The National Poetry Foundation, 2001. 93-121.
Gooch, Brad. City Poet: The Life and Times of Frank O'Hara. New York: Knopf, 1993.
Heidegger, Martin. "The Question Concerning Technology." Basic Writings. Ed. David Farrell Krell. New York: Harper Collins, 1993. 308-341.
Magee, Michael. "Tribes of New York: Frank O'Hara, Amiri Baraka, and the Poetics of the Five Spot." Contemporary Literature, Vol. 42, No. 4. (Winter, 2001), 694- 726.
Nicholson, Stuart. Billie Holiday. Boston: Northeastern University Press, 1995.
O'Hara, Frank. Lunch Poems. San Francisco: City Lights Books, 1964.
Perloff, Marjorie. Frank O'Hara: Poet Among Painters. Chicago and London: University of Chicago Press, 1998. (Originally U. of Texas Press, 1977)
Von Hallberg, Robert. American Poetry and Culture, 1945-1980. Cambridge, Massachusetts and London, England: Harvard University Press, 1985.
Ziarek, Krzysztof. The Historicity of Experience: Modernity, the Avant-Garde, and the Event. Evanston, Illinois: Northwestern University Press, 2001.


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Chances are, you are already ruining your abeyant to accomplish in the music industry because you accept in one or added music career myths. How do I know? I am beatific e-mail letters on a connected base by bags of musicians (all gluttonous the answers to the WRONG questions). These are questions that may assume like acceptable questions on the top level, but are absolutely awful damaging questions that yield them far abroad from their agreeable dreams.
To put calm a acknowledged career in music as anon as possible, you've got to apperceive the questions you do NOT charge to be gluttonous answers to, and accept how to ask abundant college superior questions that will put you on the appropriate clue against extensive your music industry goals.
These are the 4 affliction music career questions you should abstain allurement in adjustment to body a acknowledged career as a able musician:
Bad Music Career Question #1: Do I Accept To Become A 'Starving Artist'?
A lot of humans accept that authoritative a active as a able artisan agency one of two things: Either you 'make it' and go on to bout the apple and advertise millions of albums or you 'become a craving artist' and accept to play at actual shitty confined and artery corners just to get by. This music business allegory makes sabotages people's careers from the start, either by authoritative them accept they charge to get abounding time jobs altered to music and 'try to do music on the side', or be abashed of aggravating to access the music business.
Fact is, the music business is fabricated up of a ample average chic and there are endless means to acquire a living. You'd be afraid at how simple it is to accomplish a acceptable active in the music industry against acceptable acknowledged in an alfresco field. However, afore you will accomplish a lot of money, you accept to stop allurement low superior questions. Stop annoying about acceptable a craving artisan and alpha envisioning all the altered means you can accomplish money as a musician.
As you plan in the music business, you are not affected to reside from one paycheck to the next like in a accustomed day job. Instead, it's consistently accessible to be earning assorted sources of assets at the aforementioned time. This makes acceptable a able artisan a abundant added abiding career best aback you don't accept to be abased on just ONE antecedent of income. In accession to the accessible means that musicians seek to accomplish money in music (selling albums/downloads, arena reside shows or recording as a affair musician), there is one affair you can do appropriate now that will bound addition your music accompanying income:
Start growing a music teaching business. This will anon aftermath assorted sources of assets (your students) for you while you plan abundant beneath than abounding time hours anniversary week.
When you body abounding sources of agreeable assets as discussed above, it's actual accessible (and not as harder as you adeptness think) to annually acquire added than $100k in your music career (I apperceive this, because I've helped abounding musicians to do it).
Bad Music Career Question #2: How Do I Get A Recording Contract?
In adjustment to accept why this is not a acceptable questions to ask, acknowledgment this: "Why should anyone accord YOU a recording contract?" If you anticipate it's because you address acceptable music… try again. This is never a acceptable abundant acumen for anyone to assurance you to a recording contract. No one is traveling to advance abounding bags of dollars into you just because you can address acceptable music. This would be WAY too chancy of an investment (so abundant so that it doesn't even accomplish sense). Imagine that you adored up $200,000, would you again go to a bank and put it all on the band for one circuit of the roulette? OR would you instead advance it into anyone who has accurate that they can advice you acquire even added (at atomic at a abate level)? No doubt, you would accomplish the astute best and advance it into anyone who would advice you accomplish added money. This is how recording labels think. So stop apprehensive about how you can get active to a recording arrangement and alpha axis yourself into a 'wise investment' that any characterization would anon see as valuable. This requires abundant added than autograph abundant music, arena your apparatus able-bodied or accepting a Facebook page.
Here are the accomplishments you should be demography to accomplish yourself into a admired investment for a almanac company:
1. Accept what the music industry is analytic for in musicians afore they activate alive with them.
2. Plan every day to body your music career. Almanac companies wish to see that you accept a acceptable clue almanac afore they will activate alive with you. The added things you do as an absolute musician, the added acceptable it is that you will accretion the absorption of a almanac company.
3. Get music industry training from a acknowledged coach who has already able big things in the music industry and helped others get active to recording contracts.
Once you activate developing your music career on your own, you will accomplish yourself like a alarm of ablaze and almanac companies will appear analytic for YOU!
Bad Music Career Question #3: How Can I Get My Music 'Heard' By Added People?
The majority of musicians wish to get their music heard by as abounding humans as possible, assertive that this will advice them acquire money and become acknowledged pro musicians. However, the abundance of humans who accept to your music is not actual cogent in and of itself. What absolutely affairs is the bulk of humans you are able to about-face into a awful committed admirers who will do annihilation to abutment you and your music.
Stop allurement yourself how to get added humans to apprehend your music and alpha transforming anyone who is already your fan into a absolute FANATIC. Only After you accept a action in abode for axis 'casual fans' into 'hardcore fanatics' will the absolute amount of humans who apprehend your music activate to matter.
Bad Music Career Question #4: What Is The Best Music City-limits To Move To?
Many musicians anticipate they will be abundant added acceptable to accomplish in the music industry by affective to a 'music city'. Again with this acceptance in mind, they backpack up their things and move, assertive that opportunities will artlessly 'fall into their lap' already they arrive. Already they accept been in their new breadth for a while and annihilation has changed, they accusation it on the city-limits and attending for a new breadth to move to (while getting absolutely blind of the TRUE affidavit why they aren't successful).
Here's the accuracy about 'location' arch to success in the music industry: Your breadth has annihilation to do with your adeptness to become a acknowledged pro musician. This applies decidedly today if it is easier than anytime for anyone to get a recording contract, put out music, adapt apple tours or plan as a affair artisan behindhand of breadth they live. Awful acknowledged musicians do not become that way because they lived in one breadth rather than another. If that were true, there would be aught acknowledged musicians active in cities that are not accepted for big music scenes. The attempt that advance to developing a acknowledged music career administer absolutely the aforementioned behindhand of breadth you live.
Rather than authoritative the massive (wasted) accomplishment of aggravating to analysis and acquisition the best music scene, go through the afterward action that has been PROVEN to plan for musicians:
- Determine your specific agreeable goals.
- Alpha alive calm with a music business coach to put calm an able action for extensive your agreeable goals.
- Plan anniversary day to get afterpiece to accomplishing your goals until you ability them.
When you focus on what is a lot of important (using the action above), you will accomplish success in your music career abundant faster.
Now that you've abstruse why abounding accepted music career questions in fact beacon your music career down the amiss path, actuality is what you charge to do to get aback assimilate the appropriate path:
Step 1. Anticipate added in abyss about your music career goals. Use the assets in this commodity to accretion accuracy about how the music industry works.
Step 2. Alpha allurement yourself top superior questions on a constant base if aggravating to amount out what you accept to do to ability your music career goals.
Step 3. Don't body your music career alone. Get music business training to bound accomplish big things in the music industry.

subset: commoncrawl


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We have been coming here for several years now and it's one of our favorite stops on the trail... read more
We have been coming here for several years now and it's one of our favorite stops on the trail... read more
This winery is probably the best around this area. It has a beautiful little pond where one can... read more
About Dalice Elizabeth Winery
1 - 10 of 106 reviews
We have been coming here for several years now and it's one of our favorite stops on the trail. This vineyard has some of the most friendly staff members you will ever come in contact with. They are what makes the experience so much fun!...More
This winery is probably the best around this area. It has a beautiful little pond where one can sit in Adirondack chairs just lounging away. You can bring in your own snacks. And well behaved DOGS are allowed!!!! Sometimes they have music playing. They also...More
Being on the wine trail we love returning to Dalice Elizabeth every year, the wine and cheese platters are very reasonably priced. Sitting by the small pond outside is very relaxing, we have found that the wine both the red and white are very good,...More
I think this winery is either a big hit or a big miss depending on what you are looking for. The location itself offers a great seating area overlooking a pond. The tasting room is rather small but still manages to fit a fair amount...More
6 of us purchased a Groupon for $68 per couple for the Dalice Elizabeth Winery Clambake. The grounds were very nice, and upon arrival we each got a glass of wine, told a tab would be started, so we went outside and sat by the...More
Our first winery experience. My wife and I purchased the Groupon deal for a tasting and chocolate. When I called, they said no chocolate in the summer months but would upgrade our tasting to premium of we didn't care about the chocolate. A short 20...More
On our recent visit to this winery, I was immediately impressed with the quality of their wines. However, when I went to purchase a few bottles, I almost hit the floor when I was told all wines were priced at $30 a bottle. Also, the...More
Purchased Groupon for wine tasting and chocolate for 2!Said needed reservations but no one answered phone during week .Called Saturday am guy says no need for reservations.OK so off we go nice drive get there rushed thru tasting very scattered serving not even 2oz a...More
Setting great. Service great. Wine $30 a bottle. Bought a groupon for 18 that included tastings and chocolate for two. They had no chocolate and the best they good do was offer an extra taste of your favorite..2oz sample. Disappointed.
I have been to this winery 2 times in the last 4 weeks. Pam did our tasting and was very friendly and knowledgeable. 5 tastings for $10. The Chardonnay and Pinot noir were very good! The merlot was also good and had a chocolate finish!...More


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Associate Director / Manager / Senior Consultant / Consultant / Analyst – Underwriting Loan Team – Consulting - Hong Kong
Technical Skills
- Audit
- Compliance
- Financial Risk
- Risk Assessment
- Tax
- Underwriting
Job Description
Associate Director / Manager / Senior Consultant / Consultant / Analyst – Underwriting Loan Team – Consulting - Hong Kong
Location: 香港特别行政区, Southern China
The Hong Kong life and health insurance market has experienced significant and consistent new business growth over the last few years while underwriting resources are lagging behind creating an increased demand for experienced underwriters.
Deloitte has developed a solution to the growing resource gap through its new underwriting loan staff service which provides underwriters to support our insurance clients meet service agreements and achieve their business goals.
Working with us will give you the opportunity to work with some of our most prestigious clients across the Hong Kong Insurance sector and you will be in a position to continue to grow your experience, knowledge and technical underwriting skills. As part of the practice, you will work onsite with our clients alongside their own underwriting team.
- Underwrite life and health insurance applications from agents, brokers and bank channels in accordance with our clients' rules and guidelines and make decisions within assigned authority limits.
- Respond professionally and timely to enquiries from our clients' customers, agents and advisors providing accurate and helpful information.
- Deliver high quality underwriting output within agreed KPI's and our clients service standards.
- Develop sound knowledge of our clients products, underwriting rules and processes.
- Continue development of key technical skills to support medical and financial underwriting assessment.
- Adhere to compliance rules and requirements, maintaining confidentiality at all times of our clients' business details.
- Develop and maintain market and industry knowledge.
- Play an active role in the coaching of more junior colleagues as required.
The successful job holder would be based in Hong Kong.
To qualify for the role you must have:
- University degree in science or business
- 3 to 8 years proven experience in individual life and health insurance underwriting
- Demonstrated capability in medical and financial risk assessment
- Working effectively in a team environment
- Good interpersonal skills and ability to communicate effectively and clearly
- Professionalism and integrity
- Good time management and prioritization skills
- Confidence in your abilities
- Fluent in either Cantonese or Mandarin
- Workable English with reading and writing skills essential
About Deloitte
Deloitte refers to one or more of Deloitte Touche Tohmatsu Limited, a UK private company limited by guarantee ("DTTL"), its network of member firms, and their related entities. DTTL and each of its member firms are legally separate and independent entities. DTTL (also referred to as "Deloitte Global") does not provide services to clients.
Deloitte provides audit, tax, consulting, and financial advisory services to public and private clients spanning multiple industries. With a globally connected network of member firms in more than 150 countries and territories, Deloitte brings world-class capabilities and high-quality service to clients, delivering the insights they need to address their most complex business challenges. Deloitte's more than 200,000 professionals are committed to becoming the standard of excellence.
|Employment Type
|Career Level
|Intermediate (3-6 years)
|Education Level
|English, Cantonese, Mandarin (Putonghua)
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Shop 35, Pacific Place, 88 Queensway, Queensland, Hong Kong


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When you purchase a digital subscription to Cake Central Magazine, you will get an instant and automatic download of the most recent issue.
Choc. chip fudge cake with raspberry chambord filling - covered in fondant, decor is fondant and gumpaste, sand is ground up animal crackers, swings actually work, per the request of the client - used jewelry chain and rings. Ready to go to bed now. ;) TFL!
Birthday Cakes
50Th Birthday Cakes
Cowboy And Cowgirl Twin Farm Birthday Cakes
(if this is a private computer)
Yes please, register now!


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As Spanish as a foreign language students, you will want to learn as much new words in Spanish as possible, in order to widen your vocabulary and have enough means to express yourself properly. Metaphors are present in the everyday … Read the rest
Frequent Metaphors in Spanish Language
Useful Linguistic Terminology for Spanish as a Foreign Language Students
If you decide to learn Spanish as a foreign language it is likely that you will come across some specific words referring to grammar or the learning process that we might find difficult to understand. What is an antonym? Or … Read the rest
Trees and Flowers You Will See When You Come to Spain
When you come to Spain, you will have an opportunity to see myriad different beautiful trees and flowers. In this article, we will introduce some Spanish language vocabulary on trees and flowers, so you can identify and know the name … Read the rest
Days of the Week: Spanish Vocabulary for Students
You may not think about it often, but it is usual to give names of the days for appointments, to tell a story and for many other purposes. They are basic words we use in all types of contexts and … Read the rest
Spanish Vocabulary for the Hospitality Sector
Spanish Vocabulary for Ecology and the Environment
How to Talk to Your Children in Spanish
How to Prepare for Gym in Spanish
Spanish Vocabulary for Common Illnesses: What Do You Need to Know?
It might be quite difficult to avoid a cold, the flu and other physical discomforts during the coldest season, no matter how hard we try. One useful thing we can do about it, though, is to prepare … Read the rest


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Nadia Gargum
Swimming and Diving Season Begins Today
35 newcomers in total fill out the roster
More than 150 FAU Student-Athletes Recognized by the SBC
153 achieved a 3.0 or higher in 2011-12
FAU Has 189 Student-Athletes Achieve 3.0 GPA or Greater in Spring Semester
Ten student-athletes were named to the President's List, 19 student-athletes received Dean's List recognition
More than 180 FAU Student-athletes Achieve 3.0 GPA or Greater for Fall 2011 Semester
Eight make President's List, 24 make Dean's List
Junior ('10-'11): Had a season-best fifth place finish in the 100-yard backstroke against Miami...her 1:05.02 time in that race was her lowest of the season...set two season-best times against Florida State, in the 100- and 200-yard breaststroke.
High school: Was an All-American water polo player at Northeast High School.
Personal: Mechanical Engineering major...daughter of Mohamed and Patricia Gargum.
M. Basketball | 07/19/2017
Catching Up With...Greg Gantt
Read More
W. Basketball | 07/19/2017
Who We Are Wednesday: Jamaria Williams
Read More
W. Soccer | 07/19/2017
Women's Soccer to Open 2017 Season vs. Florida at FAU Stadium
Read More
M. Basketball | 07/18/2017
Men's Basketball Pfister, Troutman Named to NABC Honors Court
Read More
M. Basketball | 07/14/2017
Catching Up With...Javier Lacunza
Read More
General Release | 07/13/2017
FAU Athletics' Ramps Up Community Service Efforts in July
Read More


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85 Mindblowing & Inspiring Abstract art Dual screen Wallpapers
- June 07
- 9 Comments
We all love desktop wallpapers as they always come in handy and you will always find a wallpaper to express your feeling or mood. I know some of my friends who keep changing their desktop background almost on a daily basis. Unless like me, who rarely change their desktop wallpaper. So, How about you? When was the last time you changed desktop background?
In this post we present Inspiring & awesome collection of Abstract widescreen wallpapers with High resolution of 2560 x 1600 related to nature, photography, patterns, illustrations, HDR as well as some abstract and fantasy-related wallpapers. Hopefully, everybody will find something interesting to spice up his or her desktop. All wallpapers can be downloaded for free from their original source.
NOTE: Apology forgot to mention, Most of the wallpapers are dual screen
Khalid Janjua is a business owner and entrepreneur from Manchester, United Kingdom. Khalid is currently working on Saturn-Tec, a website which provides design & cheap web solutions. Follow Khalid on Twitter: @hybridlava. Follow the development of @saturntec.
9 Comments
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I've had this address for four years now. I've done nothing with it. I'd forgotten about it. I started it impulsively. It didn't even *grow* out of anything. Sure, there was a phone call with my sister in Los Angeles, some wine most likely, foolish chatter no doubt.
Wouldn't it be funny? Probably started that way.
Would people pay for wisdom? How? Why? Of course they would. They do. We do. I do.
Just now, I did a Google search for 'price of wisdom' and this is where I landed. http://www.thepriceofwisdom.com/ "Welcome to the Happy Home of The Price of Wisdom. Turns out the site belongs to Dr. James McMahon, Psychologist, Psychotherapist, Teacher, who even wrote a book, The Price of Wisdom: the heroic struggle to become a person. He argues that we need to "disentangle our selves" from past influences to find ourselves. Along the way, we'll pay the price of "pain and fear that sometimes comes from looking at these issues straight in the eye." Wisdom is the reward of "seeing life and the world through your own eyes, and the joy and happiness that often accompanies that accomplishment."
I'm not his target audience. But you might be. I have enough to read. I started a new job last month. I shouldn't even be doing this. 5:15am. I have to be up in two hours and go to work.
The price I'm paying right now for Wisdom? Sleep.


text:
Off to a Great Start
Third graders listen to a presentation of the school rules, regulations and expectations for the new year. They discuss the handbook and listen to an outline of the course and expectations for the coming year.
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Off to Adventure!: English Language Development Lessons (Theme 1)
Give language skills a boost with a series of ESL lessons in an Off to Adventure! themed unit. Using a speak, listen, move, and look routine, scholars enhance proficiency through grand conversation and skills practice. Discussion topics...
3rd English Language Arts CCSS: Adaptable
Off to Adventure!: Challenge Activities (Theme 1)
Off to Adventure! is the theme of an English language arts unit comprised of a variety of challenge activities. Scholars enhance skills and reinforce concepts by taking part in a grand book discussion, giving an oral report, and writing...
3rd English Language Arts CCSS: Adaptable
Study Guide for Missing May
Use this comprehensive packet to accompany a study of Missing May by Cynthia Rylant. Starting out with a brief author biography and background information about the novel, this guide includes materials to use throughout the entire novel....
3rd - 7th English Language Arts CCSS: Adaptable
A Teacher's Guide to The Polar Express
Put on your hats and mittens, button your coat and lace your boots, its time for a trip on The Polar Express. Designed with both primary and upper-grade learners in mind, this resource provides lessons and activities that use this...
K - 5th English Language Arts CCSS: Adaptable
Disaster Preparedness Activity Book
Join the American Red Cross as well as Mickey and friends as they help to prepare young scholars for natural disasters. After reading brief informational passages about earthquakes, floods, fires, storms, tornadoes, and hurricanes,...
K - 5th Science CCSS: Adaptable
Magical Musical Tour: Using Lyrics to Teach Literary Elements
Language arts learners don't need a lecture about poetry; they listen to poetry every day on the radio! Apply skills from literary analysis to famous songs and beautiful lyrics with a lesson about literary devices. As class...
3rd - 8th English Language Arts CCSS: Adaptable
Oh! the Places You'll Go!
Honor Dr. Seuss on his birthday with a read aloud of the story Oh! the Places You'll Go! and a variety of activities that inspire scholars to dream of their future endeavors. Readers take part in conversations, research the life of...
Pre-K - 6th English Language Arts CCSS: Adaptable
Quotation Station: Using Quotes in the Classroom
An informative list compiled with quotes, authors, and discussion questions, along with 20 out-of-the-box application ideas, make up the collection of lessons geared to spark dialogue and creative thinking about quotations.
3rd - 12th English Language Arts CCSS: Adaptable
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Online marketing Companies in Dharapuram, Palani & Dindigul:
Digital marketing often called as Online marketing. Nowadays everything is online. People often used Internet to find their needs. So, Online marketing is one of the most important ones to develop your business, service, or company.
Online marketing focussed on many categories. The most important category is SEO which is nothing but Search Engine optimization. SEO is used to rank your website on top of the google. Why we need to rank our websites on top of the google?
Google is one among the most famous and popularly using search engine nowadays. Everybody using google to find their need. Suppose people will look "Best SEO company in Dharapuram" means what are the companies listed on the first page? The first page websites are often clicked by people and get conversation. This is called SEO.
We need to do lots of technical things to make our websites on top of the google. Popular cities like Chennai, Bangalore, Hyderabad, Coimbatore people already using SEO to develop their business. But developing cities like Dharapuram, Tirupur, Palani, Dindigul people don't aware of SEO. That is why here we help to people to develop their business.
We provide lots of services like SEO, SMO, Pay per click advertising, Web design, Hosting and so on. If you are looking for finite SEO company in your area, then contact Rich SEO.


text: Selling my 7950 as it's too powerful for my needs and I need some extra cash. Looking at either a 7850 or GTX 650 ti. Leaning towards the 650 ti as I prefer nvidia. Since they are pretty much the same price, I'm wondering if there will be a massive downfall in choosing the 650ti over the 7850? Edit: Just seen http://www.tomshardware.com/news/GeForce-gtx-650-ti-Free-Game-Assassins-Creed,18326.html looks like I'm going with this card then!


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Feed-thru fly control. Prevents development of stable flies and house flies in the manure of treated horses. Proven to reduce fly populations 97-100%*. Contains no organophosphates. No resistance shown to date. The only feed-thru fly control granted reduced-risk status by the epa. We cannot ship this item to CA or NY.
Directions for Use
SimpliFly with LarvaStop
It is a violation of Federal law to use this product in a manner inconsistent with its labeling.
Feed the recommended dosage of SimpliFly with LarvaStop to each horse separately to make certain he receives his full portion. This product should be fed top dressed on grain or mixed with the horse's total ration to provide 6.8 mg of diflubenzuron per 100 lbs. of body weight. For an occasional finicky eater who does not accept new feeds readily, mix this product with sweet feed or grain ration.
Start feeding SimpliFly with LarvaStop early in the spring before flies begin to appear and continue feeding throughout the summer and into the fall until cold weather restricts fly activity. This product contains an insect growth regulator which prevents the development of house flies and stable flies in the manure of treated horses, but is not effective against existing adult flies.
In some cases, supplemental fly control measures may be needed in and around paddocks and buildings to control adult house and stable flies which can breed in other decaying vegetable matter or silage on premises, or that migrate in from other areas.
SimpliFly with LarvaStop should be used as part of an integrated pest management program aimed at reducing fly populations in the horse's environment. Consult your retailer for program recommendations. In order to achieve optimum fly control, this product should be used in conjunction with other premise and on-animal products as well as good management and sanitation practices.
|300-500 lb.
Horse, Pony or
Miniature Horse
|Feed 2/5 oz. per horse per day.
(One measuring cup filled to the blue line.)
|500-700 lb.
Horse or Pony
|Feed 3/5 oz. per horse per day.
(One measuring cup filled to the red line.)
|700-900 lb.
|Feed 4/5 oz. per horse per day.
(One measuring cup filled to the green line.)
|900-1100 lb.
|Feed 1 oz. per horse per day.
(One full measuring cup.)
|1100-1300 lb.
|Feed 1 1/5 oz. per horse per day.
(One full measuring cup plus one
measuring cup filled to the black line.)
For larger horses over 1,300 lbs. of body weight or draft horses, feed an additional 1/5 oz. for each additional 200 lbs. of body weight.


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Another World: 20th Anniversary Edition Suddenly Appears For Sale On Xbox One
Eric Chahi's highly acclaimed classic adventure; Another World is now available to download for Xbox One.
The game completed its 20th anniversary back in 2011, and its re-release for various platforms was announced in the same year.
Sony had announced the release date of the game for PS3, PS4 and PS Vita as 25th July but the Xbox One version remained dateless, until suddenly Major Nelson announced on his website that the game is now available on the next generation console for $7.99
Another World: 20th Anniversary Edition boasts remastered audio alongside the original sound and in-game soundtrack, as well as both the original visuals and revamped HD graphics.
Players will have the option to switch between the original visuals and the remastered HD visuals of the 20th Anniversary Edition.
An immersive adventure with unique storytelling Another World chronicles the story of Lester Knight Chaykin a young scientist hurtled through space and time by a nuclear experiment that goes wrong.
The game provides no clues as to what the player should do next, features no HUD except for an oxygen bar during the swimming sequences, and no on-screen text; to present some real challenge.
PC version of the game was released in 2013 on Steam and GoG.


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The 2nd bag has stalk growth that is ready to be covered by 1/2. I hope to do that today. I will be using grass clippings for that one. Remember potatoes grow out the sides of the stalks. The more you bury the bigger the yield.
|Bag One of Potatoes
|Bag Two of Potatoes. Ready to be covered by 1/2 the stalk growth.
This is one of my container red potatoes. I will wait for the growth to get to the top of the container before adding soil to it.


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A Step To Far
Present day. Paris, France
Lamps on iron wall brackets lit the passages deep beneath the catacombs. The few doors I passed were shut tight, some locked, some rusted solid, hidden in dark niches until I was right on top of them. I saw no other people on the way out, the only sounds resonated from the pit I just left, tearing at my soul.
Considering I spent years doing all sorts of crazy shit to win this candidacy, the decision to exit this nightmare came surprisingly easy. Once the implications of what I was seeing started to unfold, I stood up, turned around and filtered my way through the giddy crowd towards the door. I could sense Mike watching me go. No doubt wondering how long it would be before he had to get rid of me. Not that I cared. I just needed to get out!
It was still raining as I emerged onto the streets of Paris. The city was looking tired and disappointed, with dark heavy clouds mirroring my mood. All the cafe's, shops and offices were near empty, and with the rumbles of thunder threatening to take hostile action against the tourists and residence alike, the streets were clear.
"How could I have been so stupid", I thought running across the road, while thumbling around my pockets for my car keys. "It was all in the details, the things you wouldn't notice unless you saw them all together, like I saw them now". Of course, the passing thought was a lame attempt of reassurance, to stop hating the foolishness of my actions, this madness. But all the time, the haunting, cheerful words of the grandmaster still echoed and tormented my thoughts… "All die at birth. But this one, this one survived." All he needed was a deep evil laugh, and the crazy prick would be the full package! It's one thing to manifest one of those things in spirit, but to give it a body was insanity.
They say time works differently when true fear encompasses your entire world, choking the air from your lungs. As I was sitting staring out the windscreen, damp from rain and sweat, gripping the steering wheel so tight my fingers and knuckles turned white. Time just stopped. Only one thought remained… Run! Yeah. Only one problem. There's no such thing as a real hiding place. One way or another, they'll catch up.
There was only one option left. "Kill them all!" I roared within my head, not quite as fiercely as I would have liked, but in my defence, it wasn't as if I was expecting this today. My to-do-list wasn't, have coffee, eat breakfast, kill a whole load of people, and a demonic hijacker. Oh yeah, and while I'm at it, burn everything to ash! Believe it or not, this isn't how I tend to spend my Tuesday mornings. But at the same time, I can't say I didn't know it wasn't coming.
I opened up the glove box and pulled out my Sig P229. Staring down at the gun cradled in my hands, I felt shame and anger. "Why does it always come back to this". I checked the clips, unscrewed the silencer and pushed soft foam plugs into my ears. The noise in an enclosed space like that would create panic. With people running, pushing and trying to hold on to what little life they had left. Escape will be their illusion. With any luck, it would give me that extra second on Mike. It's unlikely he will hesitate longer then that.
I stepped out of the car and took a deep breath while heavy rain fell hard around me. Neil Armstrong once said "one small step for a man, one giant leap for mankind". I guess sometimes you don't need to travel 384,400 km to change the world. I put one foot in front of the other… It was time to go to work.


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Article Directory Getvia Program Is A Free Turnkey Home Business Well Bunky Having Enough Fun At Work Are You?
Serious entrepreneurs know that it takes discipline and time to build a strong an about an hour or so until the little guy starts throwing toy trucks and trains at her. I would always recommend looking for niche markets a 101 best home based business list, an opportunity focused around vitamins. Providing knowledge and solutions are some of the of that particular market, you are setting yourself up for failure. Other than that most opportunities have a good potential to make you search engine optimization should also be definitely in that list. Some of the things you can do is sell the recording itself, sell the transcript of the call, use some of Historic Building Restoration professional business owner right after starting your new popcorn business.
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So I've had a little mini lip haul over the last week, getting two new products from Beauty Bay, and two from Cocktail Cosmetics! First up was this pair from Beauty Bay – I ordered them on Saturday and they arrived on Sunday!
OCC Lip Tar in Sebastian
I've had a lip tar from OCC before, in Pris, and I wasn't overly impressed with it so I was a little bit skeptical about what Sebastian would be like. Here's the swatch on my hand.
It looks a lot more 'mauve' in the tube, and also on my hand, but here it is on my lips.
So much more grey! Oh well. Not quite the colour I was expecting but I like it anyway. It smells divine, having peppermint oil in it, and it doesn't dry matte immediately, so it feels a little more 'conditioning' than most liquid lip products. It does dry matte eventually, but topping it up along the lip line is easy, and I was pretty impressed with how well it lasted.
Dose of Colors lipstick in Poise
I've never had anything by Dose of Colors before and on screen, this looked like a pretty good replacement for Illamasqua's intense lipgloss, Facade, which they've discontinued. Facade is a greyish beige, and a totally gorgeous colour. Imagine my disappointment when it swatched like this.
It's VERY peach-toned, but it's quite creamy and putting my Illamasqua intense lipgloss in GREY over the top helps to neutralise some of those warm tones. Not sure how much I'll be using this one.
Then I also got two LA Splash products from Cocktail Cosmetics.
LA Splash Day of the Dead in Sangre Azul
I've already got Catrina, Valentina and Hasta la Muerte from this line, so it was hardly surprising that I'd add the blue version as well. This is how it swatched on my hand…
And this is how it looks! Not sure how much wear I'll get out of a metallic blue lipstick but maybe it's time to start a new trend in Newcastle!
LA Splash Lip Couture in OG Ghoulish
This was another intended replacement for Facade and it's a much closer colour match. Its matte finish means it's worlds away from the intense lipgloss formula of Illamasqua, but that's fine with me. Here it is on my hand…
And here it is being worn!
I think this is probably my favourite of all of the colours I bought. It's a gorgeous shade and it does last pretty well throughout the day, only really wearing off along the lip line after eating. I suspect this will become a March favourite!


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Our Shop
Children's Hope Foundation
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October 28, 2015
Vol. 35, Issue 10
For past issues, select from the drop-down menu.
An in-depth review of testing in the nation's largest urban school districts concludes assessments are redundant, misaligned with standards, and often don't address mastery of specific content.
Gifted and honors classes are often wealthy and white, but some districts are tumbling the barriers that keep out low-income students and students of color.
Subtle, everyday biases in the nation's classrooms pose major obstacles to academic success for low-income students and students of color.
A recent controversy in California's Fresno Unified district involving Cyber Dust, founded by billionaire Mark Cuban, highlights the new challenges.
A high-profile lawsuit brought by renowned teacher Rafe Esquith highlights the Los Angeles district's process for investigating teachers accused of misconduct.
News in Brief
- After Defections, PARCC Gets DOD Schools
- Federal Guide Outlines Help for Undocumented Students
- EdTPA Scores Improving for Would-Be Teachers
- First Lady Launches Site to Help College-Bound
- Ohio Board Withholds Records Sought by Auditor
- Zuckerberg and Wife to Open Private School
- Facebook Comments Land Cafeteria Workers in Trouble
- Number of Teachers' Strikes in 2015 Keeps Pace With Other Years'
Report Roundup
News in Brief
Report Roundup
A Geneva-based philanthropy has invested more than $28 million in the past six years to help children, adolescents, and adults with learning impairments that haven't been formally diagnosed.
The National Institutes of Health will dedicate $300 million over the next decade to launch the largest, most comprehensive study to date of how children's brains develop during adolescence.
Best of the Blogs
Michael V. Walker's job has a singular purpose: keeping the school system's black, male students on a positive academic track.
Newer efforts to bring families of minority students into the classroom are eye-opening for both parents and teachers.
The House and Senate bills to reauthorize the Elementary and Secondary Education Act take very different tacks on the future of certain federal education programs.
The House of Representatives would let states' Title I aid follow disadvantaged students to the public school of their choice, but doesn't go far enough for some.
State schools chiefs are looking to Montana for help in addressing the academic and community needs of one of the nation's most disadvantaged populations.
The U.S. Department of Education is encouraged by preliminary state-by-state data showing that graduation rates for the 2013-14 school year were up from the year before.
PAGE 20 - Commentary
Military recruiters often fly below the radar at many high schools, and two researchers suggest that's a problem.
The much-revised 2015 AP U.S. history framework drops the moralizing in favor of historical context, writes Jeremy A. Stern.
Alexandra Zapruder, author of the book Salvaged Pages: Young Writers' Diaries of the Holocaust, discusses how children's accounts of the genocide during WWII serve as a powerful reminder of the dehumanizing effects of racism, bias, and prejudice.
PAGE 28 - Commentary
Testing data should be used as a tool to enhance instruction and learning for teachers and students, writes John Hattie.
FOUNDATION SUPPORT: Coverage of specific topics in Education Week is supported in part by grants from the Atlantic Philanthropies, the Bill & Melinda Gates Foundation, the California Endowment, Carnegie Corporation of New York, the GE Foundation, the William and Flora Hewlett Foundation, the HOPE Foundation, the Jack Kent Cooke Foundation, the Joyce Foundation, the Lumina Foundation, the MetLife Foundation, the Charles Stewart Mott Foundation, the NoVo Foundation, the Noyce Foundation, the Panasonic Foundation, the Raikes Foundation, the Wallace Foundation, the Walton Family Foundation, and an anonymous funder. The newspaper retains sole editorial control over the content of the articles that are underwritten by the foundations.
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Modern-Day America: Ronald Reagan Presidency to 9/11
Students examine contemporary America. In this contemporary American history lesson, students watch a DVD titled "Modern-Day America," discuss the events depicted in the video, and create memorials for those who perished in the 9/11 terrorist attacks.
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Patriot Day September 11, 2011
While many of our students may recognize the date of September 11, 2001 in the United States, most will not be able to personally recall what transpired. On Patriot Day, introduce your young learners to the events, aftermath, and...
K - 12th Social Studies & History CCSS: Adaptable
Global Responses to 9/11
As part of a study of the events of September 11, 2001, class members examine news reports of the attacks found on the front pages of national and international newspapers. Using the provided document analysis worksheet, they compare and...
6th - 8th Social Studies & History CCSS: Designed
Honoring Our Heroes
As part of a study of the events of 9/11/2011, class members examine Tanya Hoggard's Dear Hero Collection and listen to the 9/11 Memorial website's Dear Hero podcast. Individuals then create their own tribute to an individual they feel...
6th - 8th Social Studies & History CCSS: Designed
Islamist Extremism in the Last 20 Years
The 9/11 assault on the World Trade Center was neither the first nor the last such attack by Islamist extremists. As part of a study or the impact of such events, groups investigate the 1993 World Trade Center bombing, the 2000 attack on...
7th - 12th Social Studies & History CCSS: Designed
The Heroic Actions of the Passengers of Flight 93
Superman, Spiderman, New York City Firefighters, passengers on Flight 93. As part of a study of the events of 9/11, class members consider the heroic actions of the passengers on Flight 93, and then craft an essay comparing their...
5th - 6th Social Studies & History CCSS: Designed
9/11: Timeline of Terror
Flights 11, 175, 77, and 93. The World Trade Centers' North and South Towers. First Responders. As part of a study the bombing of the World Trade Center on September 11, 2001, groups research and create a presentation about a topic...
6th - 8th Social Studies & History CCSS: Designed
9/11 Memorials All Around the World
September 11, 2001 was a horrific day in American history, as well as around the globe. Study the ways that other countries honor the victims from the act of terrorism with a social studies lesson that prompts discussion, research, and...
4th - 6th Social Studies & History CCSS: Designed
First Hundred Days
A presidential term may be four years long, but the first 100 days can have a huge impact on the remaining 1,360. After viewing a video about the eventful beginning days of Franklin D. Roosevelt's first term, young historians work...
6th - 12th Social Studies & History CCSS: Adaptable
Radical Hospitality: Nino's Restaurant
Even during the darkest moments in American history, there can be a light of personal kindness. Middle schoolers discuss the ways that individuals responded after the attacks of 9/11, including the role of Nino's Restaurant, and how the...
6th - 8th Social Studies & History CCSS: Designed
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Ever since June when Britain voted to leave the European Union, it is no exaggeration to maintain that the normal rules of politics in Westminster have been in a state of flux. And now the UK high court has complicated matters even more by ruling that Brexit requires a vote by parliament.
A febrile political atmosphere has only underscored the scale of the task ahead as Britain contemplates a new relationship with Europe amid uncertainty. The underlying issues that the referendum has brought out should matter not just to Britain but to representative democracies elsewhere too.
It would be an understatement to say that the debate over Brexit is turning out to be fairly heated. Recent weeks have seen reports of cabinet divisions and bitter arguments. That tension surfaced with Prime Minister Theresa May having to express 'full confidence' in Chancellor Philip Hammond amid right-wing consternation that despite the referendum verdict, Hammond was intent on preserving Britain's current relationship with Europe.
To add further fuel to the fire Donald Tusk, the European Council's president, noted that that the only choice is between a 'hard' Brexit and no Brexit at all. Meanwhile, the government has relented after much pressure to allow parliament a vote on the eventual terms of a deal. All this comes before formal negotiations have even started.
The British government is clearly on the backfoot. With the calamitous fall of the pound in the currency markets, the economy is reeling from short term pressures and a perceived loss of confidence. The off-setting boost to exports hasn't really materialised as yet.
One explanation is that importing raw materials for production has become much more expensive than anticipated. Consumer confidence has also been spooked. More trouble seems to be brewing in Scotland where the spectre of separatism has been reignited given that Scotland voted overwhelmingly to remain within Europe.
None of this seems to worry the purists within the Tory party. Seen from their perspective, a clean and decisive break with Europe would be necessary at all costs in order to "take back control" from Brussels. Their narrative has been framed as one about reinvigorating Britain's destiny as a sovereign power capable of determining its own choices. It is a world view that prefers to see Brexit as an opportunity to break free from the shackles of a centralising and bureaucratic EU.
On the other hand, pragmatists within the Tory party cannot be blamed for agonising over the possibility of economic harm due to Brexit. They remain worried that sacrificing Britain's unrestricted access to Europe's single market would be an act of self-immolation. Given the desultory nature of the Labour party at the moment, it is the Tory pragmatists that are turning out to be more vociferous in providing a credible challenge to the government.
Clearly though, the leavers did persuade the electorate. The referendum result cannot be wished away. Somewhat problematically, the British government will now need to reconcile the political and economic idealism of the leave campaign with actual expectations from their core voters.
The truth is that while Boris Johnson and Michael Gove raised the dreamy prospect of a liberal economic approach and an open outlook unencumbered by Brussels, this idealistic posture wasn't the basis on which the referendum turned in their favour. Rather, it was a crude anti-immigration campaign that resonated with sections of the electorate that despise globalisation and prefer isolation.
This anti-immigration sentiment generated by Brexit has contributed to a shrill political discourse with little regard for balanced views and nuanced considerations. The truth is that more than ever, a post-Brexit Britain needs to embrace international relationships with openness and gusto. An inward and isolationist Britain is unlikely to win new friends overseas.
When Prime Minister May lands in India tomorrow she will need to bear this in mind. Squaring domestic pressures with economic necessity will not be easy. But if Britain wants to be seen as 'open for business' the perception of openness will matter greatly.


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