text:
Vocabulary Building: Words with "OR"
In this spelling words with the "or" pattern instructional activity, learners write words using definition clues, unscramble letters, and write sentences using the words or, for, more, before, and color. Students write fifteen short answers.
3 Views 20 Downloads
Resource Details
Compound Word Trivia
Engage young learners in expanding their vocabulary with these fun games and activities. Children learn how compound words, root words, and affixes provide clues about the meaning of unfamiliar vocabulary. These six activities get...
1st - 4th English Language Arts CCSS: Adaptable
Building Vocabulary: Prefixes, Roots, and Suffixes
Word roots, prefixes, and suffixes can hold the key to determining the meaning of a host of different words. Included here are five pages of prefixes, roots, and suffixes paired with their meanings and example words.
3rd - 10th English Language Arts
Vocabulary Morphemic Elements: Make It Meaningful
Young scholars learn to find meaning in words using affixes with a language arts activity. Working in pairs, children sort cards with sentences printed on them that include words with the prefixes mis- and pre- and the...
2nd - 5th English Language Arts CCSS: Designed
Essential Reading Strategies for the Struggling Reader
Beneficial for beginning readers, struggling readers, and those in need of review, a set of language arts activities is a great addition to any foundational reading unit. Focusing on phonological awareness, fluency, instructional...
K - 5th English Language Arts CCSS: Adaptable
Vocabulary Games for Middle School
Spice up your vocabulary instruction with some games! Here is a collection of various game descriptions, organized into three different groups. You will definitely be able to find a game or two to assist your pupils with that tricky task...
3rd - 9th English Language Arts CCSS: Adaptable
Start Your Free Trial
Save time and discover engaging curriculum for your classroom. Reviewed and rated by trusted, credentialed teachers.Try It Free


text:
Welcome to Me (2015)
Download Welcome to Me movies now
- Director: Shira Piven
- Writers: Eliot Laurence
- Stars: Kristen Wiig, Wes Bentley, Linda Cardellini, Joan Cusack, Loretta Devine, Jennifer Jason Leigh, Thomas Mann, James Marsden, Tim Robbins, Alan Tudyk, Kulap Vilaysack, Mitch Silpa, Anelia Dyoulgerova, Joe Roland, Joyce Hiller Piven
- Release Date: May 01, 2015
- Genre: Comedy, Drama
- Run Time: 105 min
Welcome to Me is an American comedy movie released on May 1, 2015. The movie was directed by Shira Piven. What happens when an adolescent woman (Kristen Wiig) with mentally unbalanced disruption wins the lottery? Alice Klieg is suffering from dissociative disorder. Alice Klieg is a single lady living on benefits due to her personality disorder. She spends his money on buying lottery tickets and watching television. She wins the prize of 86 million dollars. When she appears on the news channel as a lottery winner, she becomes angry when her speech suddenly cuts off. Alice Klieg often, takes her way into a casino hotel. Alice Klieg buys her own talk show and drops her psychiatric MEDS. Inspired by the enduring Oprah, she publicizes her dirty laundry in the form of exhibitionism and she shares her particular and strange views on everything from nutriment to neutering pets on her talk show. "Welcome to Me" a TV show offers a platform to Alice Klieg to explore his emotional traumas.

subset: commoncrawl


text:
The Music of Chance (1993)
The Music of Chance (1993)
The Music of Chance Photos
Movie Info
as Jack Pozzi
as James Nashe
as Bill Flower
as Willy Stone
as Calvin
as Tiffany
as Floyd
as Louise
as Floyd Jr.
as Driver
Critic Reviews for The Music of Chance
All Critics (12) | Top Critics (2) | Fresh (12) | Rotten (0)
The oddball tale is so well-acted that it seems like a neglected minor gem.
Haas' literal-minded adaptation, something he also did effectively with the more visually opulent Angels and Insects, is helpful in directly laying out our own moral debate, where our sense of social obligation bumps up against our moralistic outrage.
A true original. Fascinatingly off-beat. One of the most underrated, overlooked films of the 1990s.
Spellbing film about the capriciousnes of human nature and the soullessness of lives enslaved to wealt
Audience Reviews for The Music of Chance
There are no featured audience reviews yet. Click the link below to see what others say about The Music of Chance!
The Music of Chance Quotes
Discussion Forum
Discuss The Music of Chance on our Movie forum!


text:
Gabourey Sidibe been busy losing weight and on the set of T.V. Show, Empire! According to Too Fab, Sidibe talks for the first time about her secret weight loss. In May 2016, she had a laproscopic bariatric surgery after her numerous attempts to lose weight through diet and exercise. She decided to have surgery after be diagnosed with Type 2 diabetes.
"I truly didn't want to worry about all the effects that go along with diabetes. I genuinely [would] worry all the time about losing my toes."
"My surgeon said they'd cut my stomach in half. This would limit my hunger and capacity to eat. My brain chemistry would change and I'd want to eat healthier. I'll take it," she continued. "The surgery wasn't the easy way out. I wasn't cheating by getting it done. I wouldn't have been able to lose as much as I've lost without it."
Sidibe loves her body now!
I love African Print as if it were a part of my family and really…it kind of is. Thank you to @themarcyminute for finding me the dress of my dreams !!! Thank you @ofuure for rushing this beautiful outfit to us! Thank you to my T&T Beauty Factory, @tobyfleischman and @misscopeland310 !! Lastly, thank you @naacpimageawards for having me again. 💜✊🏿🌈


text:
I WILL – two words that are very hard to say. Because when you say them, it means there's no retreating, no second guessing, no going back.
It means that no matter how tough it may get, how painful, how seemingly impossible, you will be there. Still standing. Still holding the rope.
Because once you say I WILL, you're accountable to the team of UA athletes on the bench, the field, the mat, around the world that believe the same thing.
/ Associate Design Director
Corporate Identity. Package revamp. "Good Taste" Propaganda posters.
/ Design Director
Development of 2012 Best Buy Holiday Visual System.
/ Design Director
To those who follow the most popular sport in the world, The Beautiful Game is the one name everyone understands. Building upon this globally understood phrase that sums up the best of the sport, The Beautiful Game global brand was created to unify players and spectators around the world - around the very best that the game of Soccer offers.
Once The Beautiful Game global brand is launched, people around the world will understand the global good created by those who participate in it - at every level.


text:
Volunteer Open Day
Volunteers are the backbone of the Mid Hants Railway, without them there would be no trains running, no coaches to sit in, no stations to wait at and no track to run on. With the exception of 50 paid staff, the railways 450 volunteers do everything from driving the trains to maintaining the station gardens. From a day per month, to days in a week, hundreds of loyal volunteers take it upon themselves to travel up to 100 miles to help out in one way or another. Theres a surprising variety of volunteer roles, its not all just engineering and locomotives. Whether you have existing skills or you would like to do something totally different, we also have requirements in education, catering, retail, building, carpentry, customer services and even horticulture!
Come to a Volunteers Welcome Day in the Goods Shed (Alresford station):
Sunday 15th October 2017, 10am


text:
That woman is dumber than a box of rocks. She's got no talent and I don't know why anyone is remotely interested in anything she says or does.
Britney is how old and she's already had plastic surgery. Ridiculous.
Response to Here's What Everyone Wore To The 2017 Met Gala:
Those are some of the most ridiculous articles of clothing I've ever seen in my life. I think my eyes are bleeding and I will probably have nightmares tonight. Good grief.
The Rocky Ford Meloneers in Rocky Ford, Colorado. The farming community on the eastern plains is "known" for their cantaloupes, hence Meloneers.
Brianna, it's "whose" not "who's on dress number one, which is stunning and sobering and incredibly meaningful and creative.
That dress is kinda stupid. I mean, it just is. The whole concept is awkward. Plus, what exactly is her talent besides looking pretty and landing B movie roles? The Met Gala? More like the Meh Gala.
Response to Literally Just 28 Celebrities Eating Ice Cream:
Cher can barely open that plastic surgery mouth.
Response to These Pictures Of Jennifer Aniston Leaving The Oscars Make Me Like Her 7,837 Times More:
She's had plastic surgery and/or botox and could barely move her mouth.
A) he's gotten pudgy and 2) pale as winter snow ?
What about Jon Hamm & Jennifer whats-her-name? Jon, I'm still available and now that you are too…just saying…
I'm not a Christian but the rest of my family is. I'm an atheist. I work on Christmas & Christmas Eve so my coworkers with children and grand children can be at home with them. Bonus: I avoid my family's dysfunction.
What bullshit.
The primo fetuses ep. "These are primo fetuses, you're breakin my balls.
Any episode that references specific places in Colorado, like Casa Bonita or Fort Collins or Bailey or Conifer or Pueblo or Alamosa. And what's with Scott Tennerman's pubes? It wasn't THAT funny.
The Tourrette's episode ("PISS OUT MY AAAASSSS!; "CRAP-FILLED VAGINA!") and Washington Redskins episode ("Thank you for calling the Washington Redskins, go fuck yourself").
Spent $33.
I enjoyed a healthy and adventurous sex life when younger. As I got older relationships just became too much of a hassle, and now I enjoy all the solitude I can get. I still have a libido but just "take care of it" myself and don't have to contend with all the challenges of being in a relationship.
The trunk of a '68 Ford Galaxy. At a drive in movie.
Canned tomatoes and with either saltine crackers or Fritos. Like soup—only with canned tomatoes.
I disagree. The 2005 adaptation was artfully done, the costumes and set design were much more authentic, and Macfayden's Darcy was to die for. I adore Colin Firth, but Macfadyen's Darcy wins with me.
Thin =/= healthy and fat =/= unhealthy. What bullshit our culture perpetuates against women.
The little fucker. If he was a black kid he'd get a life sentence.
Jesus Gabriellef5 or whatever, nothing like a little spam to go with that spittle building up at the corner of your mouth. I'm a plus sized woman not offended by these. That thing about wrinkles? Add varicose veins to that list. Have you ever seen stone fertility symbols front civilizations past? Hefty ladies, treasured for their fullness. We fat chicks don't give a fuck what anyone has to say about us. We eat well, are active, healthy, stylish, confident. And probably wont get osteoporosis when we're old.
New Years Evers 1967 is the finale, so they are now in 1968. 1968 is a pretty heavy year, so it will be interesting to see how they work that year's events into the series. I am sooooooo disappointed Don is screwing around on Megan.
Somebody should exercise their 2nd Amendment rights by putting this asshole out of our misery. What a loser.
Response to 28 Parents Who Are Trolls At Heart:
This is the alltime best Buzzfeed post ever.
Response to Steve Carell Has Turned Into A Silver Fox:
Steve has always been and will forever be one of the most talented men ever.
Response to Michelle Obama Got Bangs:
@BANG I don't know what wemon are, so can't say whether or not they have real hair. All WOMEN have real hair, black, white, etc. Stop being an ignoramus.
Response to The 69 Most Hammable Moments Of 2012:
The man is incomparable. Gorgeous, sexy, funny…to die for.
Jon Hamm.
Response to Male Model Launches New Website With Naked Pics:
Don't get me wrong—I'm a fan of penises in general. It's just that those two penises are pretty average.
Response to Male Model Launches New Website With Naked Pics:
I am unimpressed by their penises.
Response to 10 Mind-Blowingly Disturbing And Ridiculous Conspiracy Theories Surrounding The Sandy Hook Shooting:
Occam's razor. We have to come up with a universally-understood descriptor or law to quickly identify people who see conspiracy in events that over which they personally obsess. Conspiracy theorists: most of you are paranoid and mentally ill. Please get help.
Response to 35 Times The Westboro Baptist Church Lost Badly:
These assholes need to be shut down.
Response to 10 Hilarious James Bond "Skyfall" Photoshops:
Early morning lol. Favorite is with Irish dancers.
SHARE THIS PAGE View Viral Dashboard ›


text:
Garden waste collection
The annual charge (3 April 2017 to 31 March 2018) for the service is £50 per bin (or for the two reusable sacks). If you receive Council Tax Reduction, you qualify for a 50% reduction.
Sign up for 2017-18 subscription
Following subscription you must wait 10 working days, and then put out your garden waste on the next scheduled collection date following that.
Look up your garden waste collection day - for subscribers to the service only.
See the garden waste collection calendar - for subscribers to the service only
Last year, more than 16,000 Hounslow households signed up to garden waste collections.
We've listened to your feedback on last year's service and made improvements for this year. The garden waste collection service will now be run by Recycle 360, the company wholly owned by Hounslow Council.
What you can put in your bin
- Grass cuttings
- Leaves
- Hedge clippings
- Flowers and weeds
- Twigs and small branches
- Fallen fruit (from your garden only)
What we do not recycle
- Soil
- Compost
- Sand
- Rubble
- Plant pots
- Garden tools
- Animal bedding
Alternative services
You can take your recycling and household / garden waste free of charge to Space Waye Reuse and Recycling Centre. If Space Waye is closed, there are alternative re-use and recycling sites available in West London.


text: I began to knead his hands over her ass through a thin dress, she put one hand on my pants and started to stroke my friend insisted. We slowly swayed to the beat of music pours out, I'm not cautious. I lifted her dress above the waist, securing the fabric on her waist, she was now completely naked and open for viewing from the waist down. Live porn chat room.


text:
Recent weeks have seen the rhetoric from both sides of the Greek tragedy ramped up with naysayers claiming the days of the Hellenic Republic's membership of the euro zone are numbered, and others insisting the bloc will stay intact come what may.
The head of the European Central Bank and other euro zone leaders worked on Saturday on a grand vision for the euro zone meant to reassure investors and allies that flaws in the currency union will be addressed quickly.
The estimated 1.4 billion euros ($1.8 billion) spent on bribes by Greeks last year wouldn't pay off its bailout debts, but it might give its people more spare cash to deal with belt-tightening elsewhere.
As Greeks prepare to go to the polls on Sunday June 17, the fate of the euro and the recovery of the global economy could rest in their hands. But the biggest pain could be felt closer home as the country suffers through a fifth year of recession.
In a Europe where the outcome of most elections is predicted weeks before votes are cast, the triumph of left-wing Syriza in May's Greek elections was one of the few shocks of recent years.
CNBC's Steve Liesman has the latest details on a report that says European Central Bank president Mario Draghi stands ready to support the euro zone's banking system.
The supply of healthcare and medicines in Greece is already increasingly difficult – and if the country left the euro, the situation would get even worse, Greek healthcare officials have warned CNBC.
"We are moving from being a Western country to a poor country," George Protopapas, national director of international charity SOS Children's Villages, told CNBC.
Europe's currency union may be inching ever closer to the brink of collapse, but Chancellor Angela Merkel has a message for those pressing her to ride to the rescue: Germany is not as strong as it looks, and certainly not strong enough to prop up the rest of Europe, the New York Times report.
The markets jump on reports central banks are putting plans in place to prepare for the Greek elections; UK bankers say they will take whatever steps necessary to protect their currency; the video game industry continues its free fall; Allen Stanford is sentenced to 110 years in jail.
Speculation that major central banks are planning coordinated action heightened on Friday on a media report that Group of 20 nations are preparing to provide liquidity to financial markets.
If Angela Merkel had been president of the U.S. in 2008 and 2009, the Federal government would not have invested $700 billion to bail out the financial and automobile industries.
With the great economic turmoils Greece faces, more and more citizens are questioning whether their country will emerge from the recession with a secure future.
The sand in the hourglass for Europe to solve its debt crisis is running quickly and the chances of a successful resolution grow slimmer by the day, David Rosenberg, chief economist at Gluskin Sheff and Associates told CNBC's "Worldwide Exchange".
As more and more Greek nationals turn to the promised land of Australia to escape unemployment and austerity, visa procedures may not make it as simple.
The stereotype of the lazy Greek worker, putting in long hours but not producing much, and not declaring everything to the taxman, has dogged the country's efforts to get international sympathy.
Sam Chandan, President & Chief Economist, Chandan Economics says that a 'blunt ' instrument like the Volcker rule will not be broad enough to contain any unexpected shocks in the U.S. banking system.
Emotional sell-offs related to the fears of any country's exit or other euro zone related issues are tremendous buying opportunities for high quality multinational U.S. stocks — they are extremely cheap, their businesses are growing and the entirety of the euro zone, generally speaking, makes up less than 20 percent of U.S. exports.
Antoine Drean, Triago, says the worst is still to come for Europe's economy, adding that Hollande could be dangerous for Europe and printing money may be the only solution.
CNBC's Andrew Ross Sorkin offers highlights from Jamie Dimon's testimony on Capitol Hill, including comments that TARP was "forced upon" the bank.


text:
|This article contains information about Ace Attorney media that has been released only in Japan.
If you have personal experience with the item of media in question, you can help the Ace Attorney Wiki by improving on this article. Please heed the manual of style when adding information.
|Drama CD: Gyakuten Kenji 2: ~Turnabout from Space!?~
|February 28, 2011 (Japan)
|Tablier Communications Corporation
|Number of tracks
|5 (+ 1 bonus track)
|53:00 (not including bonus track)
Drama CD: Gyakuten Kenji 2: ~Turnabout from Space!?~ (ドラマCD: 逆転検事2: ~宇宙からの逆転!?~) is an audio drama based around characters from the Ace Attorney series; Gyakuten Kenji 2 in particular. It consists of five episodes and a bonus track on a total of two discs.
External linksEdit
|Pleeeeeeeease expand meeeeeeee!
|This article is a stub or is otherwise incomplete. You can help the Ace Attorney Wiki by expanding it.


text:
Many a hunter or ATV enthusiast has been caught without a tire repair kit along. Do not become an statistic; be sure you carry SOMETHING along on your ride to repair your own flat tire.
Many times when we venture afield, it is easy to forget just how vulnerable we can be. I can relate to this from personal experience.
A number of years ago I was ATVing along a mountain ridge when I noticed that my bike was feeling a little lumpy while riding. I dismounted and investigated... only to find my rear tire flat.
I hadn't the foresight to carry a tire repair kit in those days... what for, it won't happen to me!
Let me tell you that I had lots of time to think about my lack of a tire repair kit while I walked the several miles back to camp to get help.
Needless to say I carry one now... and the one I carry and recommend is Liquid Slime.
The Slime tire repair is a product that can save the day. The following video from forhuntersbyhunters.com demonstrates exactly how to use the product and how well it works. The author shows an ATV tire with a large cut that needs repairing.
The tire has soapy water applied to identify the leak. The ATV is first elevated (on blocks or with a jack) so the weight is removed from the tire. The air is drained and after an easy calculation to determine how much Slime tire repair is needed, the tire is then filled with the required amount.
After injecting the tire with Slime, the tire is re-inflated to the correct tire pressure, a short ride to make sure the inside of the tire is coated and voila... the ATV tire has been repaired.
Now that you have watched the tire repair video you understand how well the product works. Can you imagine being out 10, 20 maybe 30 miles and getting a flat? Then what?
It is up to you to be prepared when you venture out into the wilderness. This ATV tire repair kit is another one of those must haves to be added to your moose hunting supplies.
Click here to buy the Liquid Slime Sealant
Liquid Slime tire sealant, seals punctures up to 1/4 inch. The same product as in the video.
Buy the Repair Kit
Buy the Repair Kitand don't be caught without it.
How about a complete repair kit for tubeless ATV tires, car or even your lawn mower. Another handy item to bring along on a hunting trip and add to your hunting supply list.
Click here to purchase the pump now. You have to be able to put air your tires to maintain pressure.
This is a handy little pump that you can carry with you on your ATV. It plugs into any 12 volt power point and will pump up your tire quickly.
Want to learn how to hunt moose? Or are you wanting to increase your moose hunting skills?
Look no further!
Our moose hunting tips book is written with not just the novice in mind, there are tips in the book that even the most seasoned moose hunter will find of value.
The book includes 57 chapters, with more than 150 pages of information, jam packed with tips, techniques and discussions - The Ultimate Guide to Moose Hunting!
Return to the Moose Hunting Supplies Page
Return to All About Moose Home Page
Like this page?


text:
All animals displayed a silent fondness for her, and she would hide scraps of bread from her breakfast to feed to the birds. One particularly beautiful bird showed her great affection and eventually everywhere she went the bird would follow. People began to call her Lady Bird in mockery but she wasn't at all displeased by the name.
Materials: Corel Painter


text:
Samuel Beckett's 100th birthday
It was Samuel Beckett's 100th birthday on the 13th of April last year; or it would have been if he were still alive. Around the world centenary celebrations of this extraordinary writer were held. So today's program is a tribute to the man and to his most famous play, Waiting for Godot.
Lyn Gallacher speaks with Jonathan Croall, the author of a new book called The coming of Godot a short history of a masterpiece. The book is a sort of extended rehearsal diary of Peter Hall's most recent production of Godot, which took place last year in Bath.
PLEASE NOTE: This interview was first broadcast on The Book Show on April 6, 2006.
Ramona Koval: Next week is Samuel Beckett's 100th birthday-or it would have been if he were still alive. Around the world celebrations of this extraordinary writer are already well underway, so here on The Book Show we're going to join the throng by presenting two Samuel Beckett specials-one today and one next week on his actual birthday.
Today's program is about the play that made him a household name, Waiting for Godot. And we're going to discuss this play by speaking with Jonathan Croall, the author of a new book called The Coming of Godot a Short History of a Masterpiece. The book is a sort of extended rehearsal diary of Peter Hall's most recent production of Godot, which took place last year in Bath. Lyn Gallacher is speaking with Jonathan from our ABC London studios, but before we hear her conversation, here's the Gate Theatre's introduction to Beckett, which is taken from the Putting Beckett on Film Project, a unique endeavour which used world-class film directors and actors to put every Beckett play on film, and the excerpts you'll hear from Waiting for Godot are from this film project. And I think we saw them on SBS Television some years ago. They were absolutely fantastic. Anyway, all of this is our way of saying, happy birthday, Mr Beckett.
Samuel Barclay Beckett was born in Dublin on Good Friday, the 13th April, 1906. After studying French and Italian in Trinity College, Beckett was taken by a wanderlust and he travelled Europe extensively, living almost as a tramp. He moved to Paris in 1928, where he met James Joyce and went on to become his secretary, transcribing several sections of Finnigan's Wake. When Paris was invaded in 1941, Beckett joined the Resistance. But his cell was exposed and he spent most of the war in hiding. Although he had been writing actively since 1930, it was not until 1952 that his reputation was made. In January of that year, Waiting for Godot was first produced.
No one single fact about the phenomenal impact of the production, by this as then unknown author, can convey to a modern audience how significant this play was to post-war Paris. Except perhaps this; the first run of the play was extended to over 300 performances.
In 1969, Beckett was awarded the Nobel Prize for literature. He died on the 22nd December, 1989, having gifted the world an extraordinary canon of 19 plays, six novels, various poems, short prose pieces, and critical works. Beckett's wishes for his funeral were that there be no religious service and no speeches.
Lyn Gallacher: Jonathan Croall, thank you very much for speaking to us on The Book Show today.
Jonathan Croall: It's a pleasure
Lyn Gallacher: And you've just published this book, The Coming of Godot. Can you tell us a little bit about what it is-because it's an unusual book, it's a book about a rehearsal process, really.
Jonathan Croall: That's right. It came about because Peter Hall wanted to have the record of this particular production; the reason being that he did the first production in England 50 years ago. Obviously he's much older now, he's 75, and he was coming back to it for the fourth time, and very much wanted to have a record. Now I'd worked with him on a previous production at the National Theatre of Euripides the Bachae, and we'd made a book out of that, and that seemed to work well, so he asked me if I'd like to do this one. And after I'd agreed, there was a suggestion that perhaps I could put in a little bit of the background to the play, as it had become a classic of world theatre, since. And I was happy to do that. But the more I looked into it, the more I realised that the history of the play was absolutely astonishing. And there was all kinds of fascinating material to be dug up and written about.
So in the end the book consists of two parts, which are interwoven with each other. On the one hand there's the rehearsal diary, where I sat in with Peter and his cast for the five or six weeks of rehearsal, writing up what I saw every day-or writing it up in the evening-and then interweaving that with all the things I found out about the history of the play, and looking at some of the areas where it had linked up with politics; looking at its history in Ireland, where of course Beckett was born; looking at its English history; a little bit about Australia, as well. Quite a lot about America, because it went down in all sorts of interesting places there. So essentially the book, The Coming of Godot, I subtitled it A Short History of a Masterpiece. It is quite a short book, but I think everybody-or most people-by the end of the 50 years history had agreed that it was a masterpiece in one way or another. And I've to reflect that in how I've explored the different productions that have gone on throughout the world over those 50 years.
Lyn Gallacher: You've even got that on the cover of the book, and it features in the book itself, the lines from the critics in 1955: 'A remarkable piece of twaddle', and then by 2005 it's a classic. So it is an amazing journey.
Jonathan Croall: Yes. It was first produced in Paris in 1953 and caused a lot of bafflement and very critical reviews. But when it came to when Peter Hall directed it in England in 1955, he did it at a very small theatre called the Arts, just off Tottenham Court Road. And he really didn't know what the play was about himself, and nor did the actors. They just felt that it was something rather special and they would do it, and see what happened. And in fact most of the critics did feel that either it wasn't theatre or it was a load of twaddle, as Bernard Levin said, or poppycock, as another critic put it. And yet over the years it's gradually, as different productions have happened, it's gradually been seen to be what I think it is, personally and an awful lot of people think it is-as Michael Coveny said in The Observer of Peter's production last year, 'It's a masterpiece of world theatre and there is nothing more to be done.' And another critic said, 'This is a masterly production of a masterpiece capturing all of Beckett's poetry and pity.'
Well I think if the critics of 1955 had known that that would be the kind of thing that was being written about the play, they would have been astonished. What actually saved the play and got it on its feet were two notices by Kenneth Tynan and Harold Hobson, in the Observer and Sunday Times, which pointed out the radical nature of the play and the astonishing innovation that it made, the changes that it made in the way that you approached a play. And this made it immediately a hit, and it transferred to the West End and ran there for six months and the rest is history.
Lyn Gallacher: Even though you say it's a masterpiece and obviously have great respect for the play, what was it like sitting through that many rehearsals? As we all know, nothing happens twice. It must have been fairly boring at times to sit through that many versions of the play. Did you ever want to walk out?
Jonathan Croall: Not at all. Quite the opposite. I always find the rehearsal process absolutely fascinating. It's the fourth book I've done of that kind now, and I've done it for Hamlet at the National. And I was riveted every minute, because what happens in rehearsal is extraordinary in the way that the director brings forward the actors' performances, and they bring forward their own performances with each other. And Waiting for Godot, as a lot of your listeners probably know, just has four characters in it, and we were rehearsing in a basement in a community centre in Clapham, and so the development of the relationship between the two main characters and their relationship with the other two has to develop in very small, intimate ways. A lot of it to do with timing, to do with the rhythm of the lines, the intonation, the sound, the music of them, if you like. And Beckett was very keen that all of that should be adhered to very strictly. And Peter Hall did absolutely that, because he respects the text. He's a great admirer of Beckett, as you might guess.
And so it was fascinating to see how the actors' performances gradually developed. Obviously there were times when they were finding it very difficult, because as you know there's a lot of repetition in the play. Any given actor has to say one particular thought in different ways at different times, so just getting the text correct, in itself is very difficult. But the characters are so interesting and they change during rehearsal. I found that Peter was bringing the four actors out in different ways from when they started, and that in itself was a fascinating process. And then gradually, as one or two people came in to watch, they got a sense of an audience, so there was always something new every day, and I was never bored for one moment, and I was totally thrilled. I was, of course, sitting in the corner writing notes, rather discretely as far as I could, I didn't want to let the actors see. They knew what I was doing but I didn't want to get in the way, as it were. So I was quietly there in the corner. But I was riveted.
[extract from Waiting for Godot...]
Lyn Gallacher: Now one of the unexpected things that happened in the midst of the rehearsal period was the London bombing, and I was kind of astonished about that, that the actors didn't react to that more.
Jonathan Croall: Well I think in a way what I put in the book is not misleading, but I didn't want to dwell on the bombs too much because, after all, that's not what the book was about. And in fact it was a very anxious morning, where the whole phone network was cut off and we were sitting in front of the television trying to gather what was happening, and we didn't at first know that it was a bomb, even. And so it was a very worrying time. But people weren't rushing around panicking. They were just very anxious and they were trying to get through to their families and partners and so on. But as I say in the book, the actors on Godot decided to go ahead. I suppose partly because the transport network was so broken down that in some ways it was just best to just carry on with the work, and go home at the end of the day. And that's what they did. I think there was also a certain sense, which was obvious in the days that followed, of living through the Blitz, kind of thing, and British stoicism and all that came out. And I suppose that was reflected in the actors' work. But it was, although obviously it was extremely traumatic for everybody in London in different ways, somehow it seemed right to soldier on.
Lyn Gallacher: And I was wondering-because this is obviously a play that was, like most of Beckett's work, written clearly in the wake of World War II, and we know his wife was part of the French Resistance and that he had a huge role in living through one war, and here's another one on your doorstep and can you not help but make the connection, in terms of the work?
Jonathan Croall: We didn't, actually. Oddly enough. Maybe the actors did in their own minds, but it certainly wasn't expressed. The rehearsal that afternoon was exactly like the one the day before and the one afterwards. So in that sense there wasn't any connection made. But you're right, it could have been made, because of the time in which Beckett wrote it, the fact that it was post-war devastation, and then even during the war, as you say, he and his wife were involved with the Resistance. And after the war he also helped the Red Cross in Northern France where there was a lot of bomb damaged landscape. So I think that had an effect on the play and how he wrote it, and the kind of interior landscape that he had. But when it came to that particular day, I don't think there was an overt connection made.
Lyn Gallacher: And I'm wondering if that is because Beckett is so strict in his stage instructions. He doesn't actually encourage that kind of reinterpretation.
Jonathan Croall: You're absolutely right. His stage directions are extremely precise. Peter Hall had at his desk the Beckett Notebooks, which is known as The Bible. And what it does there, is Beckett laid down a production that he himself later did at the Schiller Theatre in Berlin in 1975. That he considered his definitive text, because as the play settled in to the repertoire in different countries, he made lots and lots of very small cuts and changes and a few additions, as well, and people were beginning to get a bit confused. So when he did his Schiller production, he said 'This is the final text.' And this was how he would like people to do it from there on, which is broadly speaking what they've done. But the Notebooks gave guidance, if Peter Hall needed it, which he sometimes did, as to the right textual reference. And it also gave the alternatives that had been used in earlier versions, and what some people had made of the meaning. So there was a lot of sort of textual backup there. But Peter's a very experienced director, and particularly with that play, and it was there as a backstop, really, and was useful at times.
Lyn Gallacher: But not at others-because I'm going to go and quote you a page of your book here. There's a part where you've written that Peter goes into the Beckett Notebook and Beckett says there's just a lot of academic theories. And then they're talking about how many leaves should be on the tree.
Jonathan Croall: Oh, yes.
Lyn Gallacher: They're just there to show the passing of the time. There's not necessarily three leaves or five leaves for any particular reason. There could be seven leaves. Don't read into any particular meaning about the number of leaves on the tree.
Jonathan Croall: Yes, indeed, I've gone into that a little bit. I think the richness of it is to do with the fact that it is in a way a metaphorical play, so that people-where there are these two men standing by the side of a road and talking, making, jokes, playing tricks, doing musical routines and despairing about their lives and waiting for this man, Mr Godot, to arrive and he never does-and all kinds of interpretations can be put on what it means. And in different countries at different times over the last 50 years, it has been staged and interpreted in a huge number of different ways, and I think that is to do with its basic simplicity, its humour, but its metaphorical nature as well.
Lyn Gallacher: I just want to play devil's advocate a bit and push you a little bit harder on this interpretation question, because I was fascinated by that account of the word 'Godot' being a play on the antiquated, really, French word for military boot. How do you pronounce that?
Jonathan Croall: Godillot.
Lyn Gallacher: And Beckett saying, well, I wrote the play in French, if I had meant it to have anything to do with the word 'God' I would have used the word Dieu. Now I don't quite accept that, because (just to argue with Beckett through you) it seems to me that Beckett was aware that he was making a pun on the word 'God', because he didn't use a definite article. He didn't say 'the' boot. And he had already played with the word boot to make it mean something that didn't mean boot even in French.
Jonathan Croall: Yes....finally nobody quite knows why he used the word Godot, and he certainly wasn't telling. He did at one point suggest that it was to do with the big boot, as you say, godillot. At other times he would not deny other interpretations. There was one-the famous one-where it was said that he...a group of people had been watching the Tour de France and somebody came up to them and said, 'What are you doing?' And they said, 'We're waiting for Godot,' who was a famous, not very good, French cyclist, and was going to be the last, and they were just hanging on to see him pass. And he wouldn't deny that, and whenever people asked, when he came over to see Peter Hall's original production, one or two of the actors talked to him and Timothy Bateson who was playing Lucky gave him a long spiel about what he thought the play was about. And Beckett listened politely and then at the end he said, 'Well if that's what you think the play is about, Timothy, then I'm sure that's what it's about.'
He was serious about not wanting to give his own thoughts about the play, because he wanted people to have their own, but I think he enjoyed the confusion that was something caused by what the origin of the word was, what the play meant, what each of the characters meant, and so on. He was humorous man, the play's full of humour, and I think that was part of it.
Lyn Gallacher: I just have to say, one of the reasons I'm arguing this is because three years ago in Australia we had a production-a big Beckett celebration-and Neil Armfield put on a production of Waiting for Godot in Sydney, which really upset Beckett's nephew, Edward Beckett. In fact he wrote to the paper complaining about the music that was used, and the director, Neil Armfield, came out and said he was very angry that there was a dead controlling hand of the Beckett estate on his production, and that was kind of the enemy of art. And so people came out on both sides of the argument about whether or not people should be true to the author's vision, or be able to reinterpret. And Neil was very faithful, really, and I thought the music actually worked quite well.
Jonathan Croall: Yes, the Beckett estate has-I mean they've followed Beckett in being very tight and restrictive on the kind of productions that they want to be done. But fortunately, I think, they've not always been successful. I don't think in the end it's quite so important that a writer's absolute, precise instruction should be obeyed. A lot of directors find that working with Beckett's text pays off, and that if you stick to what he says, there are still all kinds of things you can do. But on the other hand I think it's great that there have been other kinds of productions. I talked to an Irish director who got into trouble with the Beckett estate because they got permission to do Godot-they didn't, I think, originally make it clear that it was an all-female company. And Beckett didn't like that at all. He said-because one of the characters had a bladder problem, and he said women don't have prostates. But they went ahead anyway...
Lyn Gallacher: But if I'd wanted a woman in it I'd have written a woman...
Jonathan Croall: But you can see his point of view, I think.
Lyn Gallacher: I find it a fascinating argument.
Jonathan Croall: But there are other areas where different things were done with the text and he wasn't entirely happy. But he wasn't always consistent, either, and I think towards the end of his life he became more relaxed. Ironically, I think, perhaps the Beckett estate, after his death, has become tighter again and more controlling. A bit like the Brecht estate, the same thing happens there if you want to do Mother Courage, you have to really abide by certain ground rules. And I think that's a shame, really.
Lyn Gallacher: One of the questions that I wanted to ask you, Jonathan, was about Lucky's speech.
Jonathan Croall: Yes. Just to explain to people who haven't seen it, the main two characters are Vladimir and Estragon, and they're the two-they've become tramps in most modern productions now-waiting by the side of the road. And in each of the two acts, two other characters come in, called Pozzo and Lucky, and they are a master and slave. Pozzo is an Irish landowner and Lucky is his slave. And it's not entirely clear what their previous relationship has been, but Lucky is on the end of a rope, and Pozzo pulls him this way and that when they come in or go out, or pulls him into some position that he wants him to be in. And Lucky only has one speech, but it's I think three pages long, and takes seven or eight minutes. And I do have-in the book, I should explain that I was talking to the actors as the production progressed, to see how they were feeling about the development of their character and the production generally, so that was very useful, to get their continuing thoughts. And at one point Richard Dormer, who played Lucky, gave me an explanation of why he thought the speech was developing. Now I don't know if you'd like me to read that...
Lyn Gallacher: Yes, I'd love you to just give us that, it's very revealing.
Jonathan Croall: We chatted over lunch and Richard said to me, 'I think the speech is developing well. The more I look at it, the more I realise what's in there. The through line is becoming much clearer to me. Basically I think it's this-that given that man perceives there is a God, given that we are capable of immense things and great thoughts and incredible works of art and literature, ultimately we waste everything that we have, and we pine the loss of everything that we gain. So it all boils down to the fact that no matter how much we strive, it's all in vain. That's incredibly bleak. The references to tennis and hockey and football, these civilised things that are a very brittle veneer over humanity, they're just frills. Ultimately, underneath everything, there is nothing. That's what Vladimir is analysing the whole time. He's saying, "There must be something; but ultimately there isn't. You just get was you see. Man is not this incredible spiritual being. There is no God, ultimately, and if there is, we will never understand him. It all comes down to the fact that we eat and drink and piss and shit, and we look at the sky and try to see things that probably aren't there.'
I thought that was a very good analysis of the speech, which gets faster and faster and faster. The character becomes out of control and eventually collapses, but during it, he weaves in all kinds of thoughts about God and the meaning of life and so on, in a way that is on one level incoherent and very difficult to understand, and at another kind of makes sense almost immediately, if it's done well, as Richard did do it. And it's an astonishing tour de force. It often gets a round of applause at the end, which I think is a great shame, because it breaks the spirit of the play. But it's a wonderful speech. A mixture of the metaphysical and the pragmatic. It's great stuff, I think.
[Excerpt from Waiting for Godot...]
Lyn Gallacher: It was astonishing to me that you were saying how Richard had to actually train himself, physically, in order to do this. For someone who has only got one speech in a whole, hugely long play, you'd think that would actually be a pushover. But it was a very difficult part to play.
Jonathan Croall: No, one of the other actors I talked to who'd played it said it was the only part where he'd had to go to the gym in order to stand still. And Richard did train beforehand, an awful lot, and I could see why he was doing it, because even in rehearsal he was trying to get-you know, in rehearsal you can sort of relax while other people are on stage, but in the wings, even, he was stooping in the way that he was going to stoop on stage; or he was adopting a position where his neck was very stiff. And all of this was terribly unnatural and he really was a wreck by the end of each day of rehearsal. So it was necessary that he kept very fit and trained beforehand.
[Excerpt from Waiting for Godot...
Lyn Gallacher: Now is that difficult to watch? Sometimes when I'm watching people in an awkward position I kind of mirror it.
Jonathan Croall: Yes, it was painful to watch, actually, it's true. On the one hand it was very impressive, but also you were sort of feeling for him. He managed somehow to have white saliva foaming at the mouth. I'm not quite sure what he put in there, but it was very realistic and he had horrendous makeup and a long, grey wig, and it really was very disturbing in a sort of enjoyable way. And he did it wonderfully.
At the end he collapses, and I remember the first time I saw him do it, my mouth falling open, and looking around I could see everybody else's mouths falling open. It was so astonishing.
Lyn Gallacher: It does seem to be also not just the crux of the play, but a central part of Beckett's work as a whole, that speech, the ideas captured in it are almost the distilled essence of his life's work. Perhaps not quite as nihilistically expressed as some people would say, but that idea of everything being of equal irrelevance, and us just having to keep talking, talking, talking, talking-almost to keep ourselves company, or from going mad. Then when we stop we die. And that's what we're doing now, in a funny kind of a way.
Jonathan Croall: Yes, and it's interesting that that particular relationship between Pozzo and Lucky-there was a production done in Israel where the relationship was between an Israeli master, Pozzo, and a Palestinian slave. That was a very controversial production. But you could see how it would resonate, and master-slave relationship put into that context. And similar experiments were done with other countries. But that was so disturbing to certain people in Israel that questions were asked in Parliament about whether it should be allowed to go forward, and some people had said it was a cover for the Palestine Liberation Front. The play stirred up political feeling wherever it went. It was often banned. In places like Spain and Yugoslavia it was banned for being too subversive at first. In Sarajevo, during the siege of Sarajevo, Susan Sontag put on a production which, you know, conditions were amazing, and somehow it managed to raise the morale of people, the fact that they could still produce something that was about the human spirit, even in such awful conditions. And in China they weren't even allowed to publish it, at first, it was considered so subversive. But by 2000 the Gate Theatre in Dublin were touring it to Beijing, so times have changed.
Lyn Gallacher: Yes, there's such honesty in that despair, isn't there, you don't have to pretend to be happy, and the despair is also humorous and humane... That's why I refuse to think of it as nihilistic.
Jonathan Croall: No, I agree. I think it's a very...I don't know if positive is the right word, but you come out feeling good. I mean, I did, and a lot of people say this, that somehow the fact that they can carry on in the conditions that are so bleak and where their expectations are never fulfilled because Godot never arrives. Somehow that comes over as a very positive statement, a positive idea of how people can survive, even in terrible conditions. And of course the other element is the humour, because it's a terribly humorous play. I remember when I first read it just before rehearsals again, I was laughing out loud. It's really funny just to read, and when you see it and if the actors can get the humour, as these four did, very well-it's very funny. When it was performed in Bath, this quite staid middle-class audience who 50 years ago probably would have walked out, were sitting there not only enjoying it, but laughing an awful lot at the jokes, the musical routines and so on. So it's a terribly rich play.
Lyn Gallacher: One of the people who understood it before he even saw it was Harold Pinter, and I found that quite interesting in your book, that Pinter had heard an account of the play being performed-by someone who didn't like it-and was able to immediately say why this was a masterpiece, without having a first-hand experience.
Jonathan Croall: Yes, that was astonishing. I quote the letter in full in the Appendix, and it is very interesting to read, just because of Pinter in a way. But one of the things he said was that, in answer to his friend's comments, 'Why should Beckett have to answer the questions that the play raises?' And you can see now that was the kind of thing that Pinter himself got into, because he obviously was heavily influenced by Beckett, not just-well, stylistically and technically as much as anything else, I think. The famous Pinter pause comes out of the Beckett pause. There's a very direct line there, and Pinter admits the influence. But also the refusal to explain what his plays are about, the refusal to talk about the characters in any depth, even in rehearsal when an actor says, 'What does this mean, Harold?' He won't reply. And that's very Beckettian, I think. It's interesting to see how Beckett's influence has spread, not just to Pinter but to people like Tom Stoppard...
Lyn Gallacher: Almost too much, in a way. I wonder, like as you were saying, Tom Stoppard and Edward Albee and David Mamet, and here in Australia we've got a playwright, Jack Hibbert, who we're going to be talking about on the show next week. You wonder with some of these writers if the influence isn't almost smothering.
Jonathan Croall: Well I think in both those two cases I've mentioned, and in the American playwrights as well, it's something that they took on board initially and then they moved out and developed their own style and did different kinds of plays. A Pinter play isn't a Beckett play and nor is a Stoppard play a Beckett play. And similarly the American writers, I think Edward Albee, The Zoo Story, which is about two men sitting on a park bench, you immediately get the sort of echo. But Who's Afraid of Virginia Woolf is nothing like Waiting for Godot or any other Beckett play. They each moved out into their own area and their own content. So I think it's been a positive influence, on the whole. I don't think there's anyone who has got stuck in a Beckett mould and is unable to escape.
Lyn Gallacher: Okay, and how have you been, living with Godot for so long?
Jonathan Croall: Well, I find these experiences of being inside a play for a limited amount of time absolutely fascinating, because it's very deep. But it's like the actors, it comes to an end eventually and you move on to something else. So writing the book was good, because it meant that I wasn't-when the final performance had taken place, I was still half-way through the book and working through it and I could live with it for longer and reflect on it a bit, and the previous books I've done they've had to be produced in time for the first night, and so they've been a bit of a rush at the end, but this one I had time to reflect and weave the stories together properly. And try and make it a book that would last and that people would use for years to come, both to look at what a 2005 production was like, but also to get 50 pages on the history of Godot.
Lyn Gallacher: Well you've done that, and it is a lovely account of a theatre production. And even though I didn't see the performance, having read it I was doing double-takes every time I passed a tramp in the street-just out of the corner of my eye noticed whether it was Vladimir or Estragon.
Jonathan Croall: Yes, it's very easy to do that, and anyone in a bowler hat you suddenly look at twice, I think, after you've seen the show.
Lyn Gallacher: And I overhear scripts in the tram that Beckett could have written.
Jonathan Croall: Yes...it's like Pinter, as well, they both have...I mean Beckett used phrases from his everyday life, from things he heard in the street and elsewhere in Ireland. He put them into the play. So that's why it's not always easy to know what they mean, because he would spice up with little phrases from his youth or from his memories of Trinity College in Dublin. So it's a real mixed bag, and a very rich one. And it was a sheer delight to both observe-I felt very privileged-and then to be able to write a book about it.
Lyn Gallacher: Well thank you very much for joining us today, Jonathan.
Jonathan Croall: Thank you. I've enjoyed it.
- Title
- The Coming of Godot - a short history of a masterpiece
- Author
- Jonathan Croall
- Publisher
- Oberon Books
- Presenter
- Ramona Koval
- Producer
- Lyn Gallacher


text:
it's easy Hailey J.
Gay Cartoon Sites
It's take up to you. And using Wikipedia as an invitation.
think that sucking bimbo wants swallow Cowa to and off
His break-time, when the smiling infant Destroys the flower dies, the pod breaks open and transparent top gets naked Related videos: blonde barbie, girl with pretty and appealing every day.
pour Kinkiest ass fucking Stiletto Heel Anal Play on Cam can say that after
Give a Blow Job Claudia MarieBlow Job Cum Shot Emo Chick Gives A Blowjob Porn Videos, Watch Shy GFsDownload ThisAn orgy with sexy ink on her birthday. When he does it feel like you're giving a mind blowing Blowjob Red Divine.
We are looking for more information: luke.


text:
I loved reading Liberation and can't wait to read more of your latest story.
Wow. Intense.
I'm very interested in this story, I hope you continue it.
Interesting. You have raised my curiosity and I want to know more.
INUYASHA © Rumiko Takahashi/Shogakukan • Yomiuri TV • Sunrise 2000No money is being made from the creation or viewing of content on this site, which is strictly for personal, non-commercial use, in accordance with the copyright.


text:
Free Shipping $150+
Salvatore Ferragamo's dedication to timeless style lends this durable lug sole boots a classic cold weather style. Fits true to size, order your normal size Almond toe, lace up closure Textured leather upper, synthetic textile lining Rubber sole Suede detail at tongue Contrast panel details at ankle Gunmetal-tone hardware Leather-lined padding at ankle and tongue Leather/suede/synthetic textile/rubber Made in Italy
A rugged style from Salvatore Ferragamo, the mixed media Forest hiker is finished with a classic lug sole, a round toe, and lace-up front with silvertone eyelets. Rubber and suede upper Tonal stitching Round toe Padded collar Back pull tab Lace-up Silvertone eyelets Leather lining Rubber lug sole Made in Italy


text:
Australian business fails Y2K issues
According to executives of the Federal Government's year2k Industry Program, industry still remains under-prepared to cope with any unexpected surprises on January 1, 2000
The latest business news, reviews, features and whitepapers
Visit our shop for the best deals on hot products
Watch our video news and reviews from around the world
Comprehensive buying guides, features, and step-by-step articles
Brother QL-820NWB Professional Label Printer
The print quality also does not disappoint, it's clear, bold, doesn't smudge and the text is perfectly sized.
Sharp PN-40TC1 Huddle Board
The Huddle Board's built in program; Sharp Touch Viewing software allows us to easily manipulate and edit our documents (jpegs and PDFs) all at the same time on the dashboard.
Sharp PN-40TC1 Huddle Board
The biggest perks for me would be that it comes with easy to use and comprehensive programs that make the collaboration process a whole lot more intuitive and organic
Brother PocketJet PJ-773 A4 Portable Thermal Printer
I rate the printer as a 5 out of 5 stars as it has been able to fit seamlessly into my busy and mobile lifestyle.
Brother PocketJet PJ-773 A4 Portable Thermal Printer
It's perfect for mobile workers. Just take it out — it's small enough to sit anywhere — turn it on, load a sheet of paper, and start printing.
HP OfficeJet 250 Mobile Printer
The HP OfficeJet 250 Mobile Printer is a great device that fits perfectly into my fast paced and mobile lifestyle. My first impression of the printer itself was how incredibly compact and sleek the device was.


text:
Mere Angne Mein 6th November 2015 Written Update, Mere Angne Mein 6 Nov 2015 Telly Update, Written Episode 6th November 2015, Mere Angne Mein 6th November 2015 Written Update Review, Mere Angne Mein 6 November 2015 Written Story.
Mere Angne Mein 6th November 2015 Written Update
Raghav saying I promised you to take you Shimla on 25th anniversary. Kaushalya says its fine, we will go later. He says you have to be here to manage Shanti and Sarla. She says she will make his bag ready, they will go next time. Raghav says I love this quality of you, you are my strength, else I would have fell weak. She says she will pack his bags. Pari gets up at night, while everyone is sleeping. She packs her bag. Sarla comes to see her and Pari acts like sleeping. Sarla says I have beaten you, sorry, I m hurt too after hurting you. Sarla cries.
Sarla's phone falls and she bends to pick it. Pari gets tensed as she has hidden her bag under the bed. Sarla picks her phone and leaves. Nimmi. Preeti and Shivam think who will convince Shanti. Shivam and Nimmi smile and look at Preeti. Preeti refuses and gets tensed. Nimmi says I will go to Shanti, and say mummy's Mami has died. Shivam says no, Shanti loves that Mami. Anyone else, we will lie that Mausa ji died. Nimmi says but Mausa ji will die in Jhansi, how to send parents to Shimla. Shivam says we will lie that Mausa ji went to Shimla and died there. Riya hears them and asks what are they talking. Shivam says nothing, we are just talking old things casually.
Riya says I understood you all are hiding something, but I m also part of family. Shivam says we have to tell her. He tells their plan. Riya likes it. Nimmi says we should have secrets, its not necessary that you should know. Riya says sorry. Shivam says sometimes we have to involve Riya in all matters. Nimmi argues and says surprise cancel, we won't talk. Shivam asks Preeti to see Nimmi. Riya asks what did I say, why does Nimmi overreact always. He says nothing, we will go to room and talk.
Pari sees Rani awake and shuts the door. Rani sees Amit sleeping and cries sitting by his side. Pari waits to run. Sujeev thinks what to do now. Pari hides from Rani, and goes to take bridal dress from Rani's trunk. She sees Sarla and says I loves you mummy…. Ashok comes home drunk and she gets tensed seeing him. Pari runs from there and Ashok does not see her. Pari hears Prabha and her husband coming. She hides from them, while Prabha doubts. Pari runs from there.
Sujeev is worried and thinks about Pari's words. Mama comes to drop Pari to their home, and other rickshaw men argue with her. Pari sits in Mama's rickshaw. Sujeev calls Pari. She acts to cry and says she wants to die now. She ends call and he worries. Mama asks Pari where is she going at night. Pari scolds him and asks him to just drive. Shanti dreams that Sarla and her family are selling bangles and begging, having tough time. She thinks she won't let this happen and calls Sarla.
Shanti says she is worried for Sarla and asks shall I come there. Sarla says I will be fine, if you are so worried, name Shanti Sadan on me. Shanti gets shocked. Sarla says you can just worry, not take my problem, you sleep, I will see what I can do.
Sarla gets up and says you can't name the house on my name, till Raghav and Kaushalya are there. Shanti says you don't know Raghav's love for me, he will do this work for my sake. Sarla says no, he can't do, I was joking to make you smile, you sleep now. Shanta ends call. Sarla says Shanti just does drama. Amit says you both do drama, keep phone on silent and sleep. Pari asks Sujeev not to call him, she is going to die. He says no, this is not solution, think about your parents, there will be some way, we will talk. She ends call. Mama ji hears her lying. Sujeev says he has to leave now. Sharmili and Vyom hide seeing Sujeev leaving.
Sarla claims Shanti spoiled her snooze and goes to drink water. She sees Pari's place. Pari goes to temple and starts acting to dedicate suidice. She waits for Sujeev. Mama ji phone calls Sharmili and claims he dropped Pari. Sharmili states we are achieving there, did you prepare pandit for marriage. Mama suggests I didn't get any pandit. She scolds him. He states don't get offended, I'll do something.
Sarla goes to Pari and apologizes once more. She thinks Pari is sleeping, she'll apply oil to her hair tomorrow. Sujeev rushes to Pari and stops her from committing suicide. She states she got impure, no-one will marry her now right after Sujeev made her impure. She asks him will he marry her? Vyom will get angry and states I just wish to slap her. Sharmili says you will be indicating as though she broke your coronary heart. He states no, Pari did this drama with me also. Mama brings the pandit there. Pari claims I'll commit suicide. Sujeev suggests I will marry you Pari. She will get happy and hugs him.
She says he is her Lord now and retains his legs. He suggests probably this is right conclusion of my life, We are going to marry tomorrow. She asks why tomorrow, I would like you to marry me now. He agrees. Sharmili suggests we should have some evidence then we will likely have some take advantage of this relationship. Vyom calls Mama. Mama falls down the cycle and says he is getting pandit. Vyom says Sujeev still left from here. Mama says I m achieving. Pari and Sujeev come to the temple. Mama ji drops pandit there. Pari tells pandit that they want to marry. Sharmili, Vyom and Mama look on. Sharmili asks did he put cameras effectively. Pandit asks Pari did her parents give authorization. Pari states no, We have now operate absent to marry. Pandit claims I can't get you equally married in this manner.
Rani shows everyone that Pari has run away. Sarla worries.
Written Update By Amena


text:
This elegant villa is a state-of the-art-design, ideal for people with a fine taste for life.
It consists of 2 bedrooms in the upper floor with en-suite bathrooms and separate toilets.Τhese bedrooms have access to a large veranda with a spectacular sea view. A third bedroom with en-suite bathroom is located on the ground floor which is actually a large studio connected with the main house but also with its own entrance for extra privacy.
A very large living room is also located on the ground floor with an extra sitting area which can be separated by a sliding door. In this extra sitting area there are two built-in couches which can also be used as sleeping space for two extra guests. Direct access is available to the pool from the living room.
Another independent studio is located near the pool with a double bed, en-suite bathroom and small kitchenette, ideal for a couple.
A fully equipped large kitchen leads through a small hallway to the dining room which is a part of the living room. The villa is fully air-conditioned and all rooms have a TV. The living room has a 42" wide-screen TV and a hi-fi system with Bose speakers where you can enjoy moments of relaxation.
The private swimming pool with the outdoor furniture is ideal when you wish to stay at home. There is an outside dining area under a shaded pergola with a large table where you can have breakfast, lunch or romantic dinner. The white colored walls and furniture in the interior create a sophisticated atmosphere.
One of the main characteristics of this villa is that all bedrooms have en-suite shower rooms with separate toilets which gives an extra privacy.The villa was designed by a famous Greek architect who combined the local Cycladic architecture with the modern design. The villa can accommodate 8 people max 10. There is a parking space for 3 cars.
Included in the price:
Meet and greet service,Assistance with the check in / check out process, Concierge services, Cleaning and housekeeping twice per week, Change of linen/towels twice per week, Property, garden and pool maintenance


text:
Tony Ritschard
- Premier Agent
- Agent with First Weber, Inc. A Berkshire Hathaway Affiliate
Specialties: Photographer, Buyer's Agent, Listing Agent...
License Number(s): #51680-94
- Share Profile
About Tony Ritschard
Tony Ritschard's Clients
- 35% Buyers
- 65% Sellers
Client type distribution
Tony Ritschard's Sale Prices
Tony Ritschard has not added any past sales
Tony Ritschard's Properties
- 53% Single-Family Homes
- 47% Apartments/
Condos/ Townhomes
Property type distribution
Tony Ritschard's Experience & Skills
- Photographer,
- Buyer's Agent,
- Listing Agent,
- Relocation
Tony Ritschard has not added experience and skills yet.
Tony Ritschard's Work Experience
Tony Ritschard has not added any work experience yet.
- 0%
sres: Seniors Real Estate Specialist
The SRES® Designation program educates REALTORS® on how to profitably and ethically serve the real estate needs of the fastest growing market in real estate, clients age 50+. By earning the SRES® designation, you gain access to valuable member benefits, useful resources, and networking opportunities across the U.S. and Canada to help you in your business.
gri: Graduate, REALTOR® Institute
REALTORS® with the GRI designation have in-depth training in legal and regulatory issues, technology, professional standards, and the sales process. Earning the designation is a way to stand out to prospective buyers and sellers as a professional with expertise in these areas.
abr: Accredited Buyer's Representative
The Accredited Buyer's Representative (ABR®) designation is designed for real estate buyer agents who focus on working directly with buyer-clients at every stage of the home-buying process.
sfr: Short Sales and Foreclosure Resource
The SFR® certification teaches real estate professionals to work with distressed sellers and the finance, tax, and legal professionals who can help them, qualify sellers for short sales, develop a short sale package, negotiate with lenders, safeguard your commission, limit risk, and protect buyers.
green: Green
Through NAR's Green Designation, the Green Resource Council provides ongoing education, resources and tools so that real estate practitioners can successfully seek out, understand, and market properties with green features.
crb: Certified Real Estate Brokerage Manager
The Certified Real Estate Brokerage Manager (CRB) is one of the most respected and relevant designations offered in real estate business management and is awarded to REALTORS® who have completed advanced educational and professional requirements. CRB Designees are better positioned to streamline operations, integrate new technology and apply new trends and business strategies. Join today and discover a new approach to enhancing knowledge and leveraging opportunity.
cpm: Certified Property Manager
CPM designees are recognized as experts in real estate management. Holding this designation demonstrates expertise and integrity to employers, owners, and investors.
crs: Certified Residential Specialist
The CRS designation is the highest credential awarded to residential sales agents, managers, and brokers. On average, CRS designees earn nearly three times more in income, transactions, and gross sales than non-designee REALTORS®.
alc: Accredited Land Consultants
The esteemed Accredited Land Consultants (ALCs) are the most trusted, knowledgeable, experienced, and highest-producing experts in all segments of land. Conferred by the REALTORS® Land Institute, the designation requires successful completion of a rigorous LANDU education program, a specific, high-volume and experience level, and adherence to an honorable Code of Conduct.
cips: Certified International Property Specialist
Instantly align yourself with the best in international real estate by earning the CIPS designation. The program includes five full days of study focusing on the critical aspects of international real estate transactions, and an influential network of 2,000 professionals who turn to each other first when looking for referral partners.
epro: Certified Internet Professional
NAR's e-PRO® certification teaches you to use cutting-edge technologies and digital initiatives to link up with today's savvy real estate consumer.
bpor: Brokers Price Opinion
The BPOR certification provides REALTORS® with knowledge and skills to perform accurate and professional broker price opinions (BPOs) and comparative market analyses (CMAs), while reducing risk and increasing opportunities.
pmn: Performance Management Network
This designation is unique to the REALTOR® family designations, emphasizing that in order to enhance your business, you must enhance yourself. It focuses on negotiating strategies and tactics, networking and referrals, business planning and systems, personal performance management and leadership development.
ccim: Certified Commercial Investment Member
The Certified Commercial Investment Member (CCIM) designation is commercial real estate's global standard for professional achievement, earned through an extensive curriculum of 200 classroom hours and professional experiential requirements. CCIMs are active in 1,000 U.S. markets and 31 other countries and comprise a 13,000-member network that includes brokers, leasing professionals, asset managers, appraisers, corporate real estate executives, investors, lenders, and other allied professionals.
cre: Counselors of Real Estate
The Counselors of Real Estate® is an international group of recognized professionals who provide seasoned, expert, objective advice on real property and land-related matters. Only 1,100 practitioners throughout the world carry the CRE® designation. Membership is by invitation only.
gaa: General Accredited Appraiser
For general appraisers, this designation is awarded to those whose education and experience exceed state appraisal certification requirements and is supported by the National Association of REALTORS®.
mrp: Military Relocation Professional
NAR's Military Relocation Professional certification focuses on educating real estate professionals about working with current and former military service members to find housing solutions that best suit their needs and take full advantage of military benefits and support.
raa: Residential Accredited Appraiser
For residential appraisers, this designation is awarded to those whose education and experience exceed state appraisal certification requirements and is supported by the National Association of REALTORS®.
rce: REALTOR® Association Certified Executive
RCE is the only professional designation designed specifically for REALTOR® association executives. RCE designees exemplify goal-oriented AEs with drive, experience and commitment to professional growth.
rsps: Resort and Second-Home Specialist
This certification is designed for REALTORS® who facilitate the buying, selling, or management of properties for investment, development, retirement, or second homes in a resort, recreational and/or vacation destination are involved in this market niche.
sior: Society of Industrial and Office REALTORS®
The SIOR designation is held by only the most knowledgeable, experienced, and successful commercial real estate brokerage specialists. To earn it, designees must meet standards of experience, production, education, ethics, and provide recommendations.
srs: Seller Representative Specialist
The Seller Representative Specialist (SRS) designation is the premier credential in seller representation. It is designed to elevate professional standards and enhance personal performance. The designation is awarded to real estate practitioners by the Council of Real Estate Brokerage Managers (CRB) who meet specific educational and practical experience criteria.
awhd: At Home With Diversity
Learn to work effectively with – and within – today's diverse real estate market. The At Home With Diversity certification teaches you how to conduct your business with sensitivity to all client profiles and build a business plan to successfully serve them.
- present
Tony Ritschard has not written a bio yet.
Reviews Summary
- Overall on Trulia
- (6)
- No Ratings Yet
Review Distribution100% Positive Reviews0% Neutral Reviews0% Critical Reviews
Skill Ratings
Overall Rating
Local knowledge
Process expertise
Negotiation skills
Honesty & Integrity
Local Knowledge
Process Expertise
Most Recent Review
- mkchristianson reviewed Tony Ritschard
- 05/17/2017
- Helped me buy a home
Flag Review
My husband, Zack, and I were first time home buyers about two years ago. Tony was beyond helpful, well knowledged and versed, in all aspects of our home buying process. He was patient, kind, and thoughtful in helping us choose a property that would increase and appreciate over time. Tony was sure to inform us of any other offers, time constraints, etc. while we looked at multiple houses in one weekend, and was patient with us as we discussed the pros and cons of each home we walked through. Tony has a great personality, and very easy to get along with- making our first time home buying experience one for the books! It was so pleasant! We would recommend Tony to any and all of our friends and family. We will definitely be utilizing Tony for any future real estate choices, no hesitation!
Remove Review
Do you know Tony Ritschard?
Share your experience by writing a review. You'll help others in their search to find the perfect agent!Write a Review Now
Load More Reviews
- replied to this review
Flag Response
Tony Ritschard's Properties (17)
- Tony Ritschard has not posted any listings yet.
117 W Prospect St , Stoughton WI3bd, 1.5 baSold Sold: 01/05/2014 Represented: Seller$182,500
5470 Caddis Bnd Apt 204, Fitchburg WI2bd, 2 baSold Sold: 01/05/2014 Represented: Seller$164,900
3010 Triverton Pike Dr Apt 203, Fitchburg WISold Sold: 05/20/2010 Represented: Seller$183,500
3010 Triverton Pike Dr Apt 201, Fitchburg WI2bd, 2 baSold Sold: 09/20/2011 Represented: Seller$157,000
402 Matterhorn Dr , Verona WI3bd, 3 baSold Sold: 07/16/2012 Represented: Seller$225,000
5303 Brody Dr Unit 201, Madison WI2bd, 1 baSold Sold: 06/16/2014 Represented: Seller$129,000
3848 Maple Grove Dr Apt 109, Madison WI2bd, 2 baSold Sold: 10/13/2014 Represented: Seller$131,000
5001 Tonyawatha Trl , Monona WI4bd, 3.5 baSold Sold: 04/23/2015 Represented: Buyer$1,269,000
305 S Owen Dr , Madison WI3bd, 2 baSold Sold: 08/19/2013 Represented: Seller$284,000
310 N Pinckney St , Madison WI4bd, 3 baSold Sold: 04/03/2016 Represented: Seller$435,000
Load More Listings
test Sold: 12/31/1969 Represented: Buyer and Seller$0
Community Activity
Check out all of Tony Ritschard's activity on the Trulia community, Trulia Voices. If you have a real estate question, get answers from professionals by posting there.
Load More
Load More
Tony Ritschard does not have any activity on the Trulia community, Trulia Voices, yet.
Here's some recent Q&A activity:
- Asked by Babrown918
- Schools
- 09/19/2017
- 0 Answers
- Asked by
- Answers


text:
Rayna Jhaveri spent a week in a temporary city in the middle of a harsh desert as a "burner", a participant in the annual Burning Man event. In the rugged mountains of Nevada, it's a place with no baths, no buildings, no cellphones—just an expansive, isolated, dusty landscape. It's a radical free expression of art, and of the minds of the 40,000 people who come to celebrate unbounded creativity.
The peculiar alkaline smell of the desert dust entered my nostrils long before we reached Black Rock City. With it came a rush of memories of my trip there two years ago. Once again, there I was, about to join 40,000 people from all over the world for a week-long artistic festival called Burning Man.
It took a lot of preparation. My friend from San Francisco and I packed a car full of things we thought we'd need, including water, food, tents and anything else that's essential for living in the desert; I checked it all against a survival guide and, if anything was missing, well, we'd just have to live without it.
Black Rock Desert is literally in the middle of nowhere. An inhospitable, flat stretch of land atop a mountain, in the middle of an extremely harsh desert, two hours from Reno, Nevada. Each year, for Burning Man, a city is created, and seven days later dismantled; and the people leave, without a trace.
The whole week, I live in a money-less city where everything is gifted. There's nothing to buy, except coffee and ice. There is no set demand from me or anyone else as we spend a week here. We're here for an extraordinary experience, a celebration, to live cash-free in a participatory community; it's not just a party. It's an expression of art, of performance, a counterculture of "radical self-reliance". Time has little meaning. The idea of value, too, is turned on its head. An expensive watch, for instance, has no value, but a smile or a handshake, or the foot massages I gift, have great value.
The first time I came here in 2004, I joined a group of 60 people who shared resources and logistics and set up a dance club. This time, it's the two of us and we've brought some canned foods, plenty of water, gifts and not much else. For seven days, I roam through the city on my bicycle. It's massive, it's overwhelming and I can't help feeling awestruck at everything happening, and at the location. We're on a 4,000ft-high mountain, a playa, surrounded by mountain walls on either side.
One moment I could be wearing a blue wig, another, I could be jumping on a trampoline, or biking through the city, stopping for music, striking conversations with people in vivid costumes considered bizarre elsewhere, or closely examining some hyper-realistic art installation. The Belgian contingent has built a huge dance club, Uchronia, a 15-storey high cavern that's one of the biggest draws each night.
Everyone spends a week without a bath, there's simply no water to waste. Once a day, a truck goes around the tentopolis we've created, spraying water on to keep the sand from flying too much. I run behind it, to get a quick wash on the go. Eco-friendly here means you don't pollute the sand with the water you brush your teeth with. You use a container to empty your mouth's contents and turn it into an evaporation box. Loos here are portable units, for many a long walk from the tents. Burning Man is a "no trace left behind" event.
The weather here is unimaginably harsh, a blistering 40°C in the day, freezing at night. Wherever I drift, I must remember to carry my dust mask and sunglasses, because a dust storm can come up at any moment. And when it does, it will be a sudden white-out; I will not be able to see my hand in front of my face. A really bad storm that lasts two hours hits us one day. Unfazed, I sit it out in my tent, which leans over from the pressure of the wind. At some point during my first Burning Man experience, I had made friends with this talcum powder-like dust. The same dust I first smell miles outside Black Rock.
Burning Man defies precise description. It is what you make of it. For me, it's an extremely intense experience. It's made me think about the life choices I make; whether I'm willing to forego some career, money, fame, to live a life that's more connected with people, with ecology, with nature.
And, of course, there's the 40ft Burning Man effigy that is set ablaze in a huge bonfire at the end of the week. Symbolizing renewal, the emerging of new worlds, a rebirth, a new journey.
As told to Niloufer Venkatraman. Email your feedback to email@example.com


text:
Australia -- A1 Team France continued to dominate the action at Sydney's Eastern Creek Raceway, setting the pace in the third and final practice session this morning in overcast and humid weather conditions, ahead of qualifying for the A1GP...
Australia -- A1 Team France continued to dominate the action at Sydney's Eastern Creek Raceway, setting the pace in the third and final practice session this morning in overcast and humid weather conditions, ahead of qualifying for the A1GP Sydney, Australia this afternoon.
Loic Duval, who topped the time sheets during Friday practice having only arrived at the circuit one hour before the session began, clocked the fastest lap at the start of the hour long session this morning and France remained the team to beat. Duval was closely followed by Great Britain's Robbie Kerr in second, who is back at the sharp end of the time sheets after a difficult weekend in Taupo, and India's Narain Karthikeyan in third, who put in a late charge on fresh tyres.
Current championship leader New Zealand's Jonny Reid set the fourth quickest time of the session, just ahead of Germany's Michael Ammermuller in fifth. China's Congfu Cheng was on strong form this morning, ending the session in sixth position.
Italy's Edoardo Piscopo finished the session seventh ahead of home nation Australia's John Martin, who was the fastest man around the Eastern Creek circuit during yesterday's rookie session. Brazil's Sergio Jimenez ended the morning ninth fastest followed by Pakistan's Adam Khan in tenth.
Several teams struggled to find grip around the 'slippery' 3.93 km circuit which is particularly hard on tyres, the Czech Republic, Netherlands and Portugal all spinning off during the session.
All 22 nations competing in the World Cup of Motorsport now have to decide on their set ups before qualifying for the Sprint and Feature races begins at 14.15 this afternoon. Qualifying consists of four 15 minute sessions with a five minute break between each one. The fastest lap time set by each team's nominated driver in the first two qualifying segments will determine the grid for the rolling start Sprint race, while the fastest times set in the final two segments will determine how the 22 cars will line up on the grid for the standing start Feature race. Each driver is limited to one 'flying lap' per 15 minute session.
-credit: a1gp.com


text:
+604 Dexterity
+656 Dexterity
+91 Dexterity
+455 Dexterity
+374 Dexterity
+249 Dexterity
+86 Dexterity
+597 Dexterity
+408 Dexterity
+400 Dexterity
+391 Dexterity
+371 Dexterity
This feature lists your most prevalent gear bonuses. You may select a bonus to see which items provide that bonus.
Strength: 77
Primary attribute for Barbarians and Crusaders.
Increases all damage for Barbarians and Crusaders by 77.00%.
Increases Armor by 77.
Dexterity: 4916
Primary attribute for Demon Hunters and Monks.
Increases all damage for Demon Hunters and Monks by 4916.00%.
Increases Armor by 69.16%.
Intelligence: 163
Primary attribute for Witch Doctors, Wizards and Necromancers.
Increases all damage for Witch Doctors, Wizards and Necromancers by 163.00%.
Increases resistances by 16.3.
Vitality: 2920
Increases Life, allowing more damage to be taken before dying.
Each point of Vitality increases Life by 100.
Armor: 9734
Reduces all damage from enemies of the same level as you by 0.00%.
Damage: 162670.00
The amount of damage per second you can deal.
Damage is based on your weapons, attributes, attack speed, Critical Hit Chance,
Critical Hit Damage, passive skills, and dual-wielding attack speed increase.
Toughness: 3350980
The total amount of raw damage you can take.
Toughness is based on your maximum Life, armor, dodge chance,
average resistances, and missile, melee, and elite damage reduction.
Recovery: 77968
The amount of Toughness you can recover every second in combat.
Recovery is based on your Toughness, Life per Hit, Life per Second, Life per Kill,
Life per Fury/Spirit/Wrath Spent, Life Steal, and Health Globe Healing Bonus.
Maximum Life: 364987
If you lose all your Life, you die.
Life can be increased by skills, items, and Vitality.
Hatred 125/125
A fast-regenerating resource
used to fuel the Demon Hunter's
offensive abilities.
Discipline 50/50
A resource that regenerates slowly
over time and is used for the Demon
Hunter's tactical abilities.
|Forceful Push
|Missile Ward
|Focused Mind
|Poison Bolts
|Dirty Fighting
Last updated on Sep 4, 2015 10:55 AM PDT


text:
Assessment Tools for Recreational Therapy and Related Fields
- Edition: 4th
- Format: Hardcover
- Copyright: 12/01/2009
- Publisher: IDYLL ARBOR, INC
Note: Not guaranteed to come with supplemental materials (access cards, study guides, lab manuals, CDs, etc.)
Extend Your Rental at Any Time
Need to keep your rental past your due date? At any time before your due date you can extend or purchase your rental through your account.
Sorry, this item is currently unavailable.
Since its first edition in 1990, this has become the standard reference book on assessment in Recreational Therapy. As with the earlier editions, the purpose of this book is to provide both the therapist and the student with specific, critical information about the assessment process, specific tools, and specific standards related to assessment. The information on national assessments, such as the RAI/MDS for long-term care, is especially important to therapists. The fourth edition has 726 pages with five new assessments and updated information on all national and international standards. This book is used in over fifty colleges and nine different countries.


text:
All Ministries
Sign In
Our Daily Homily - January 18
And God opened her eyes, and she saw -
Genesis 21:19
Poor Hagar! There was no help for it; and she, who a little before had thought she was giving Abraham his heir, found herself and her boy homeless wayfarers on the desert sands. Their one need was water; they little deemed it was so near. No need to create a new fountain, but to open their eyes. We need the opened eye to see:- The finished work of Christ - The work of propitiation for sin is complete. We are not required to add to it one tear, or prayer, or vow. "It is finished." To go to heaven to bring Christ down, or to the deep to bring Him up, is alike superfluous. All we need is the opened eye to see what Jesus has done, and recognize that it is all that was demanded to meet the claims of God's holy law.The things freely given to us of God. - God hath given us in Jesus all things that pertain to life and godliness.
There is no possible gift or grace, in which we are deficient, that is not stored in Him, in whom the fullness of God abides. But we are blind; the eyes of our heart have not been opened to see the hope of our calling, the riches of our inheritance, the greatness of God's power. Did we know these things, surely not a moment would elapse without our availing ourselves of God's rich provision. The alleviations which God provides against excessive sorrow. - Hagar's anguish, as Mary's at the sepulchre in after years, blinded her to available comfort. So grief puts a bandage over our eyes. Life is sad, and lonely, and dark, but God is near; and if you ask, He will show springs of consolation, of which you may drink. There is no desert without its springs; no dying child without the angel of the Lord.
Browse All Ministries
Thru the Bible
The Alternative
Turning Point
Adventures in Odyssey
Love Worth Finding
Understanding the Times
Grace to You
Daily Hope
Destined for Victory
Insight for Living
In Touch Ministries
Walk in the Word
Focus on the Family
FamilyLife Today®
Family Talk
Let My People Think
Pathway to Victory
Truth For Life
Living on the Edge
Running To Win
All Ministries
Sign in


text:
ac installation uae
AC Installation
Air Conditioning Installation – the Conspiracy
The Advantages of AC Installation
Normal system maintenance is the best method to steer clear of a costly AC restoration. To start with, you must figure out what kind of installation you have to get done. Just be sure that you stick to the helpful strategies for AC installation that have your newly purchased unit. AC installation is a significant matter in regards to the comfort of the residence. It's important to understand that AC installation isn't a job for a weekend handyman. It isn't required to order AC installation for your whole residence or business.
Folks usually believe that the air conditioner installation desires some excellent expertise, but the truth is it is much simple, more so in the instance of sliding ACs. You only need to think about the perfect air conditioner installation in your local area. After comparing between a packaged and a split ac system, you must call the skilled installers out there in your locality.
In case you are purchasing or are thinking about buying a new hot air furnace or central air-conditioning system in the close future you are going to want to have a significant look at purchasing a system the uses an ECM motor to move the air. The installation price is much less because it's not labor intensive. You can even cut back on AC repair costs by limiting the usage of your unit.
Unfortunately, several things can fail with a cooling or heating installation, and that's why the business's emergency services and availability is crucial to discuss beforehand. In regards to heating and air-conditioning systems, somewhat routine maintenance can go a long way. If you see water, you need to get in touch with an HVAC repair person when possible. Eliminate any furniture or obstacles close to the window that could impede air flow.
Choosing AC Installation Is Simple
Customer service is the largest factor in picking out an HVAC contractor. Most people today elect for professional ac services when they want to put in a new AC in their houses or offices. If you do not have accessibility to the internet or the business in question doesn't have a web site, call the business and enquire regarding their employees or visit acservicedubai.com. Before you find yourself needing AC repair services it is reasonable to elect for getting a yearly maintenance done. If you need assistance determining the particular requirements for your house, you must get in touch with a heating and cooling company. Another advantage of choosing a professional in regards to AC repair is that of the expertise they provide.
What You Need to Know About AC Installation in Dubai
An HVAC technician can give an in depth plan for commercial ac ductwork design and a range on various air-conditioning systems out there for installation. A bad HVAC technician can wind up costing you a lot of money in replacements and repairs. Thus, make sure that you select a reliable HVAC contractor to emerge and measure your structure along with be a careful study of your cooling requirements.
Our Recommended Air Conditioning Brand is O General Air Conditioners U.A.E
o general split ac 2 ton
o general split ac catalogue
o general split ac 2.5 ton price in uae
o general split ac 2 ton price in dubai
o general split ac 1.5 ton price in dubai
o general dealers in uae
o general ac uae
o general ac dealers in sharjah
o general ac abu dhabi
o general ducted split catalogue


text:
Spring to Winter Skincare Products
High Street Skincare
Products To Take You Through To Spring
2014 may have kick started the beginning of a new diet and the desire for a better lifestyle, but there is more to think about than food when making the ultimate change for a healthier you.
Your skin plays a vital role in your overall health, and should be looked after more than ever when having to endure the cold temperatures of winter. For many people, a typical winter's day can cause many a problem for the skin, such as uncomfortable dryness and a general tightening of the face, hands and feet. Warming the skin seems like the most logic idea, however this can make symptoms worse and sometimes lead to inflamed eczema.
Enhancing your skin care regime, taking a little time to concentrate on regaining the skins natural moisture and enriching the skin with added vitamins can be an easier process than you may think. Here we have comprised a few products we here at Everything Cosmetic believe can really undo the effects of a harsh winter and bring back the natural glow to your skin.
E45 Emollient Bath Oil
A warm bath on a cold evening can be anyone's weakness. Although the hot temperatures can dry out the skin, there are certain products that are clinically proven to soothe and moisturise. E45 does exactly this. A few drops into your warm bath water can not only lock in moisture, but prevent skin from drying out the next day. Unlike many other perfumed oils, E45 soothes and instantly softens sensitive skin without causing irritation.
No7 Beautiful Skin Hydration Mask for dry skin
Another great product for irritated skin is No7 Skin Hydration Mask, developed especially for dry skin which needs a hydrating boost. The texture is creamy when applied yet dries quickly as the moisture is absorbed into the skin. Once left for the desired time and removed with tepid water, results are instantaneous. The mask completely revitalises your skin, leaving it incredibly soft and glowing. Perfect for young as well as mature skin, this is the ideal product to make you feel and look completely revitalized.
Olay Complete Care Everyday Sunshine Moisturiser
Olay is another well-known brand to treat sensitive skin, giving you the deepest penetration of moisture without being too oily. A great moisturiser may be your number one priority in winter, to treat dry skin and leave your face feeling fresh and looking younger. Not only does this product enrich your skin with vitamin E and protect your skin with SPF15, it also gives your skin a beautiful sun kissed complexion with a touch of 'everyday sunshine'. Applying this light textured moisturiser everyday builds up a natural looking golden glow whilst the nourishing moisturiser's constantly hydrate the skin to stop any streaking. The complete care product is absorbed really quickly into the skin and also smells great unlike most self-tanners.
Your lips are usually the most prone to drying out as the wetness of skin when combined with wind and cold temperatures is a lethal combination. Applying even just a small amount of Avene cold lip cream, especially designed to inject moisture back into the driest of skin can work miracles. The emollient lip care provides immediate relief and protects against chapped lips throughout winter.
Simple Spotless Skin Face Scrub
Dry skin is dead skin, and therefore needs to be removed in order to regain that fresh faced look. Harsh scrubs can make symptoms worse however and you must be careful not to continuously rub dry areas. Simple is well known for its gentle properties and their spotless face scrub combines the perfect amount of abrasion to remove just the top layer of dry skin without damaging sensitive areas. Made with only the purest ingredients you can be sure of great results without irritation and left with the perfect base to apply your make-up.
Whether you make only one change to your daily skin care regime this winter, we believe that any of these products above will help you bring positively healthy results in 2014.
Happy Pampering!
Article written by Alexandra Jackson – Health & Beauty Blogger for The EC Team. You can follow Alexandra on Twitter @ally91xo
Never Miss A Post - Enter Your Email Address To Subscribe:
Your Email Address Will Not Be Shared & We Don't Spam
© Everything Cosmetic. Unauthorized use and/or duplication of this material without express and written permission from the website author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Everything Cosmetic otherwise known as www.everythingcosmetic.co.uk with appropriate and specific direction to the original content.This information is not intended to provide medical or dermatology advice and is solely for informational purposes. Neither the Author, Publisher or Editor of Everything Cosmetic takes responsibility for any possible consequences from any treatment, procedure, exercise or dietary modification which results from reading or following the information contained in this website. This information does not replace the advice of your physician, dermatologist or health care provider. Always seek professional and medical advice before undertaking any course of treatment.


text:
Royal Look Velvet Maroon Indo Western
Item code : IN363
Groom designer indo western sherwani made in maroon color uncrushable velvet fabric. Hand embroidered as shown. It has bottom as breeches style pyjama made from dupion silk fabric in golden color. If you want to order it as custom made select custom made from size box and then we will send you an measurement form through which you will provide us your all measurements.