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Searching for Nyala in Ethiopia
I am not familiar with African lions. But, when a lion roars in the dead of night, just 15 feet away from me, there is no mistaking the sound. I sit bolt upright in my bed, eyes wide, heart pounding.
I am at the Bilen Lodge, an eco-lodge on the edge of the Rift Valley, in the Afar tribal area of eastern Ethiopia. I am sleeping in a flimsy thatched hut, with an even flimsier screen door, that I pray now I remembered to latch before I got into bed. There is a full moon, and as I rush to look out the screened window above my bed, I can just make out the tawny back of a lion sauntering away from me. It is my first night away from Addis Ababa, where I have been teaching a software class for three weeks, and my African travels have suddenly gotten a lot more interesting.
|The view from the porch of my hut at the Bilen Lodge onto the dry riverbed
below. The lion was standing about where this picture was taken when it
roared, just outside my hut window.
I had an inkling this might happen when I arrived at the converted hunting camp on the banks of a dry riverbed the day before. The Afar people are herders, and on the long, dusty drive to the lodge from the one paved road in this part of Ethiopia, I saw small herds of the skinniest cattle I have ever seen, ribs protruding. This land is in a chronic state of drought, and this year is especially bad. The cattle are driven by small boys with large sticks. Adults carry heavier weapons as I get closer to the lodge and the small Afar village just beyond. The "bellman", an Afar tribesman, who picks up my backpack with one hand and escorts me to my hut, carries an AK47 rifle by the barrel with the other, balanced on his shoulder.
|Afar cattle at the Bilen Hot Springs. This is a popular bathing and swimming
area when the cattle are driven out. The drought this year has been extremely
hard on the cattle.
At dawn, I awake wondering if I had suffered a bad dream. But, no. There are lion prints everywhere in the dusty ground surrounding the hut. I came here to see African birds, but there are other wildlife milling about. I see warthogs in the near distance, foraging, and last night delicate dik-diks, tiny deer with huge brown eyes right out of a Disney movie, were curious about my presence and walked to within a few yards of me.
|Typical housing in the Afar village, next to the Bilen Lodge. The Afar people are
herders of cattle and goats.
I reach for my binoculars to get a closer look at the warthogs. Suddenly, they look up, wary. I follow their gaze with my binoculars to find they are looking at a cheetah, moving slowly along the path young children were walking on yesterday as they came and went from the Afar village. My heart pounds again. Not from fear, but from excitement. I have now seen two of the three big cats living in Ethiopia within hours of each other. I've lived in Colorado most of my life, surrounded by mountain lions, and have never seen so much as a glimpse of them.
|Afar goats are herded into stick corrals to protect them from predators.
Unfortunately, there is no one at breakfast to hear my story. I have arrived at the lodge in the rainy season and I am the only guest. The manager listens to my excited yammering patiently, smiling politely, understanding every fifth word it appears. Finally, he admits, "Yes, there is a lion." We stand, smiling at each other, saying nothing more. This is going to be a good day.
|Afar girls care for their younger brothers and sisters.
Ethiopia is one of the driest, poorest, and safest countries in Africa. I walked freely on the streets of Addis Ababa and felt in no danger at any time, although I did not walk at night. The danger at night is from falling into gaping holes in the sidewalk to the sewer below. The holes are unmarked and hard to see on the almost always unlit city streets.
|Sidewalk holes are frequent in Addis Ababa, and makes it dangerous
to walk on the unlit streets at night. This hole is about six feet deep.
The city was interesting, but my travel interests lie mostly outside of cities and I was eager to get into the countryside in this ecologically diverse country. I arranged for a combination driver/naturalist with an eco-tourism company in Addis to take me to some of the prime birding areas along the Awash River, toward Harar, and along the Rift Valley lakes, south of Addis, where I expected to see many of the 800 species of birds found in Ethiopia.
|My favorite part of walking in Addis Ababa was running into
this shoeshine boy nearly every day. His big smile always
managed to coax a few birr and a big tip out of my pocket
to shine up my Gore-Tex hiking shoes.
My plan was to bird for four days, then have my driver drop me off in Dodola, near the Bale Mountains (pronounced Baa-Lee, with the accent on the first syllable), where I would hike for a week and find my own way back to Addis. The Germans have built a series of huts in the Bale Mountains, and mountain guides will take you around to them. There are no trails. Or, rather, there are hundreds of trails, all unmarked, which is why a guide is essential. I planned to spend the week living rough and looking for the critically endangered Ethiopian wolf and the endemic mountain nyala, an antelope species with two extraordinary spiral horns. Although I had a plan, I also subscribe to Lao Tzu's adage that a good traveler has no fixed plans, and is not intent on arriving. I believe in serendipity.
|The Bale Mountains in central Ethiopia were a contrast to the drought
stricken Afar region in eastern Ethiopia.
I arrived in Dodola unannounced because cell phone reception and Internet connections are intermittent, a common problem in Ethiopia. I assumed guides would be available in the rainy season when tourists are scarce. There was a guide, but they couldn't locate a horse. "But, I don't want a horse," I explained, "I want to walk." I gathered from the general hubbub and how often I had to repeat this statement, that I was the first American tourist to ever set foot on the ground in the Bale Mountains.
My guide for the trip was a young man named Ayuno. He had grown up in the area and knew the region intimately. Because he spoke English, he was often hired by scientists who came to the Bale Mountains to study forestry or wildlife ecology. We had numerous long conversations around a fire, waiting out a rain or hail storm, in which I learned about everything from forest ecology, to wildlife biology, to the customs and problems of rural Ethiopians. My time with Ayuno was some of the best I have ever spent in the mountains.
|My extremely knowledgeable guide in the mountains
was Ayuno Abraham.
One day we arrived at a German hut in late afternoon. Ayuno asked the hut caretaker, as usual, to bring us some fresh cow milk for our coffee and some delicious flat bread that is baked over an open fire. The caretaker was gone longer than normal, and there were a number of people milling around the caretaker's hut. I asked what was going on. They were preparing for a local religious celebration, Ayuno told me, which would be held that evening. People from all over the region were gathering.
Ethiopia has deep Christian roots, but in recent memory it was run by a communist government that had outlawed most religious activity. Now, many people in the country are practicing Muslims. The rural people in this region, Ayuno told me, borrowed spiritual practices from many religions, but tended to favor the old traditional African religions with animal deities and powers. He would see if he could get us invited to the celebration.
|This is one of the German huts we stayed in, after a hail storm had come
through. Later, fog confined us to this hut for another day, until it was safe
to travel again without becoming lost.
About an hour after dark, the drumming started. Soon after, Ayuno and I walked over to the caretaker's hut. The two rooms of the hut had been cleared and a small fire built on the dirt floor in the center of both rooms. Smoke escaped from the thatched roof in a convincing facsimile of a house aflame. Over one fire, the women were clustered, cooking food. Around the other, two men, one blind, were drumming. It was nearly impossible to get into the drumming room, as it was filled with people of all ages, from small children to old men, all dancing, singing, and clapping hands. All eyes were on me as I came into the room and took a place near the wall to observe.
The next hour was a combination of a New York City rave and a Southern Baptist revival meeting. The drumming was nearly constant. The singing, clapping, and stomping were palpable. Eyes closed, heads bobbing, sweat glistening in the smoke and flickering light, the dancers were enraptured by the rhythms, moved. Occasionally, the drumming would come to a climax and stop, and what sounded to me like a prayer was offered by various men in the room. The only word I understood was "ferenji", foreigner, white man. When it was spoken, people would turn shyly to look at me, but I took the words to be a blessing and replied with a smile. Ayuno, standing beside me, thought best not to translate, and held his silence, perhaps an outsider, too.
Eventually, I felt uncomfortable as an observer and decided to leave, shaking people's hands softly in the Ethiopian way as I quietly made my way out. The drumming and singing continued until dawn, and I have never had a more restful or pleasant sleep as I awoke periodically and listened to the sound wash over me.
|Mountain facilities are primitive, but include plenty of
fresh air. :-)
I never did see an Ethiopian wolf or a nyala on my travels, just signs of them. But, I will remember a lion roaring and the blessing of an Ethiopean prayer meeting in the Bale Mountains for the rest of my life.
|The nyala I was looking for on the left, and the nyala I ended up seeing on the right. But, I will
never forget my visit to Ethiopia, even though I didn't see the emblematic nyala with my
own eyes.
Last Updated 2 June 2013


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LOL! Blake Shelton's Funniest Tweets
Blake Shelton has more than 12 million followers on Twitter, and for good reason!
Blake Shelton has more than 12 million followers on Twitter, and for good reason!
Blake Shelton is showing his support for a very important cause — by wearing a red nose.
Blake Shelton says he wasn't too concerned about his fellow The Voice coach Adam Levine after the singer was sugar-bombed last week.
Blake Shelton's never been known for his restraint when it comes to social media posts, but he let loose in a more serious vein than usual with a series of tweets on Monday (May 11).
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The Top 8 as well as The Voice viewers got a treat this week when Coach Blake Shelton took the stage to perform his latest hit 'Sangria' and show the contestants how it's done!
I mean, you have to admit, he's got a killer quaff. His answer was a little...different than I've ever heard.
Some fans (okay, haters) on Twitter compared Blake Shelton to Kanye West after the country singer jumped on stage toward the end of Luke Bryan's ACM Entertainer of the Year acceptance speech on Sunday night (April 19).


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Original image:
I added 3 texture layers in Photoshop CS5 for the effect
Taken in Hobart Tasmania with a Pentax K20DPentax DAL 3.5-5.6 18-55mm.
boats water city australia tasmania photoshop steps photomanipulation docks hobart textures black and white
fabulous image wonderful art work
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Thanks Xadrik, appreciate your time and comment :-)
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Precious Life Animal Sanctuary is a 501(c)(3) non-profit organization. Your donations are tax-deductible.
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Precious Life Animal Sanctuary is a 501(c)(3) non-profit animal sanctuary located near Seattle, outside Sequim WA. We serve the greater Seattle area, as well as Sequim, the Olympic Peninsula, and Northwest Washington State.


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Emerging-Market Bonds Rebound
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Anti-Democracy Agenda Symposium 2011 - Online
Anti-Democracy Agenda Symposium 2011
Organized by: Sussex Centre for the Individual and Society (SCIS)
Mode: Online by Google+ video conference
Date: 15-16 November 2011
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a service provided by www.english.upenn.edu
Anti-Democracy Agenda Symposium 2011
Organized by: Sussex Centre for the Individual and Society (SCIS)
Mode: Online by Google+ video conference
Date: 15-16 November 2011
This panel attempts to bridge creative writing and literary translation as creative practices by examining the work of bilingual and exophonic writers (i.e. writers who write either in two languages or in their non-native language). What might these writers' works and their translation of their own works imply for practitioners of literary translation? What strategies do these writers choose in the absence of equivalence, where a creative decision must be made? Is their practice different from recommended practice? How does the translator of an exophonic writer recreate the unusual relationship between writer and hidden "source" language? Or should s/he?
This panel seeks 20-minute papers that examine representations of disability in Woolf's writings or use her work to think about the relationship between disability and literary modernism or literary studies more generally. It is a special panel for "Interdisciplinary/Multidisciplinary Woolf", the 22nd Annual Conference on Virginia Woolf to be held from 7-10 June 2012 at the University of Saskatchewan in Canada.
Deadline for Abstracts: September 15, 2011
Please send a 250-word abstract as a Word attachment.
Include with your abstract:
Name and Affiliation
Email address
Postal address
Telephone number
A/V requirements
For the October 21, 2011 Modern Horizons conference (at Queen's University, Kingston, Ontario) we invite abstracts for 20 minute presentations that explore the various philosophical, literary, artistic, and political expressions of place and particularity which have led to and are part of our time. We are pleased to announce that Ian Angus will present the Keynote Address entitled "Continuing Dispossession: Clearances as a Literary and Philosophical Theme."
For the November 2011 issue of Modern Horizons we invite essays that explore the concept of violence in its many forms and from a variety of ethical standpoints.
C19: The Society of Nineteenth-Century Americanists seeks paper and panel submissions to its second biennial conference, which will take place April 12-15, 2012 at the historic Berkeley City Club and at the beautiful University of California, Berkeley campus. We invite individual papers or panels on any aspect of U.S. literary culture—broadly conceived—during the long nineteenth century, including those that bring insights from visual, sound, or performance studies into conversation with literary/textual studies.
Extremism, Nationalism and Transgression (Gylphi) – call for chapters
Eds. Jason Lee and Andrew Wilson, University of Derby
We invite proposals for a collection of original interdisciplinary essays –
Extremism, Nationalism and Transgression to be published in Gylphi's Transgressive Culture series.
Orbit: Writing Around Pynchon, a new Open Access, peer-reviewed e-journal of scholarly work pertaining to the writings of Thomas Pynchon and adjacent fields, seeks articles, reviews and letters for publication.
Thomas Pynchon is an American writer of novels, short stories and occasional journalistic pieces whose influence upon the contemporary American writing scene is virtually unparalleled, leading Harold Bloom, in recent correspondence, to write: "certainly he is still the most important writer alive". Topics for consideration could include, but are by no means limited to:
Call for Papers:
"Visions of the Future: Global SF Cinema"
The University of Iowa, Iowa City, Iowa, April 12-14, 2012
Deadline: August 31, 2011
Keynote Speakers:
Professor N. Katherine Hayles (Literature Program, Duke University)
Professor Thomas LaMarre (East Asian Studies, Art History and Communications Studies, McGill University)
Featured Presenter:
Professor Sharalyn Orbaugh (Asian Studies; Women's and Gender Studies, University of British Columbia)
Submissions are pouring in! Please send us your Book Reviews, Essays, Artworks, Music, Fiction, and Poetry! Deadline November 1st for our Winter Solstice edition. Visit us at www.kudzureview.com


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Owen, a resonant Celtic name, jumped 400 places between 1993 and 2003 -- and has continued to soar since then, entering the Top 25 for the first time in 2016. Why do so many parents love Owen? It's a classic with a genuine history, yet it's right in step with the modern trend for two-syllable, n-ending boys' names. Owen-like choices with less tradition behind them include Logan, Bowen, and Rowan.
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Full disclosure: One of us has a son named Owen, who loves his name.
Lists containing Owen:
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Call 2007
Nick's practice is divided equally between court-based litigation and international arbitration. Alongside general commercial disputes and advisory work, he has particular experience of disputes concerning civil fraud, energy and banking & finance. Whilst Nick is frequently instructed with leading counsel, he appears as sole counsel in an increasing number of substantial matters.
Nick is recommended in the legal directories for Commercial Dispute Resolution (Chambers & Partners), International Arbitration (Chambers & Partners) and Energy (Legal 500).
In 2012, Nick was named by Legalweek as a 'Star of the Bar' (profiling highly rated barristers under ten years' call). He was described as having "a razor-sharp intellect and a staggering ability to remember key details in complex cases" as well as being "committed to the client's cause and a really nice man to work alongside."
Nick's most substantial recent matters include a SIAC arbitration (Singapore seat) (US$5.5 billion energy dispute under an SPA); Dar Al Arkan v Al Refai (Commercial Court dispute relating to Islamic bonds/banking practice, one of The Lawyer's Top 20 High Court trials of both 2015 and 2014); Abbott v RCI (Chancery Division, defending major class action in timeshare industry); an ICC arbitration (Geneva seat) (multibillion US$ gas supply dispute between national electricity/gas companies); Bilta v Deutsche Bank (Financial List, acting for Deutsche Bank in relation to alleged carbon trading fraud); Alliance Bank (Commercial Court, US$1 billion fraud claim) and acting as counsel to a corporate investigation at a FTSE 100 plc.
Directory comments, over the years, have included the following:
"He is excellent: he is very pragmatic, cuts through all the nonsense and reads and absorbs long documents very quickly." (Chambers & Partners 2017, International Arbitration)
"Super-charged energy combined with a first-class legal mind" (Legal 500 2016, Energy)
"A forceful and persuasive advocate, who outshines opponents who are far more senior" (Chambers & Partners 2016, Commercial Dispute Resolution)
"Clear, responsive, hands-on and a lateral thinker" (Chambers & Partners 2015, Commercial Dispute Resolution)
"Very personable, and a good person to put in front of the client directly. He's very engaging and extremely bright." (Chambers & Partners 2014, Commercial Dispute Resolution)
London One Essex Court
Temple London EC4Y 9AR United Kingdom
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email firstname.lastname@example.com
Singapore Maxwell Chambers
#02-15 32 Maxwell Road Singapore 069115
Tel +65 6634 1363
Fax +65 6634 1370
email email@example.com


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London Family (the eldest child is at school)
- Excellent villa, well appointed and thoughtfully stocked. Great for families.
Published on: 16 April 2017
British Travel Awards Vote now
Located in the Clube Atlantico development in Carvoeiro, this spacious, modern villa is tastefully furnished and decorated throughout. Within walking distance, the beautiful beach of Praia do Carvalho can be found along with the facilities that Clube Atlantico has to offer. The large kidney style pool is surrounded by a pretty sun terrace and a lovely manicured garden, creating the perfect place in which to relax and soak up the sun.The pool at Casa Shambala can be heated and is payable locally however to reach full temperature on your arrival this should be booked in advance.
Electrically heated pool, payable locally
This property comes with Free Wi-Fi, Free Air Conditioning, Free Cots and Free Highchairs
Your private pool, your space, your freedom, in your chosen destination - a Classic James Villa holiday.
Offering just what you need for a thoroughly relaxing stay, in a Classic villa you can fully experience everything there is to love about living the villa lifestyle.
Spend the long sun filled days around your own private pool. In our Classic villas the pool will be a minimum of 6x4m, so there is plenty of space for the whole family to go ahead and jump straight in!
The outside space is at the centre of your holiday universe, so fire up the barbecue and recline on your comfortable sun lounger.
Step inside, the modern amenities are all there - air conditioning, free Wi-Fi, and flat screen TV.
The fully equipped kitchen comes complete with microwave, dishwasher and washing machine.
Our Classic villas are great value, without compromising on comfort.
All of the key ingredients are taken care of, so you can focus on your big holiday.
So discover the beauty of the local area, visit the sights and laze the days away at the beach. The choice is yours!
This is what a James villa holiday is all about.
We have labelled this villa property as being "Car Essential"
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Villa was beautiful, one of the best we have stayed in.
Location was lovely, it was quiet which was what we were after but we could drive into the main town of Carveiro for a more lively place if we wanted it.
Been there 3 times, love it! Has everything we require.
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Management Arts & heritage jobs in Llangollen
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Head of Learning & Community
Pallant House Gallery is looking to recruit a bold, creative and inspiring individual to lead the pioneering Learning and Community Programme.
Sponsorship Sales Manager (Institutional Finance)
Our client is a rapidly growing international media group, headquartered in the UK. As part of its expansion plans it now wants to hire a...
Project Manager - Visitor Experience
If you want to work for an organisation with a fascinating past and an exciting future then the National Trust could be for you.
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Practicing in the Appellate Courts is for the purpose of reviewing trial court judgments to correct of errors committed by the trial court, development of the law, achieve a uniform approach across courts, and the pursuit of justice, more generally. Appellate courts are not a forum to make a new case, but instead they determine if the rulings and judgment of the court below were made correctly.
Beloit is a city in Rock County, Wisconsin, United States. As of the 2000 census, Beloit had a population of 35,775. Its 2007 estimated census was 37,710. The greater Beloit area is home to more than 91,000 residents. Beloit is the home of Beloit College. It is also home to a Hormel plant, a Frito Lay plant, the world's largest can of chili, and the Beloit Snappers baseball club of the Midwest League. Beloit lays claim to such inventions as the speedometer,Korn Kurls, and John Francis Appleby's twine binder. Korn Kurls, which resemble present day Cheetos, are credited for the founding of the snack food industry.
Appellate Law Lawyers In Beloit Wisconsin


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When I look at the sorts of advisory work we engage in, I am often struck by the fact that our client organizations are at very different start points on their business architecture journeys.
The start point is complicated by the team's perception of the stakeholders they serve (to whom they deliver value) and the ultimate objectives for their initiative. Not only are the start points and journeys themselves different, but the challenges met on the road also differ. So in a very real sense, working out which mountain you are scaling is just as important as the route to get there and the team required for success.
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tag:blogger.com,1999:blog-32111223525073929772017-09-08T18:52:31.039+02:00Curatorial Mutinyper huttnerhttp://firstname.lastname@example.com:blogger.com,1999:blog-3211122352507392977.post-71862825158937462402017-09-07T16:54:00.002+02:002017-09-08T18:52:31.050+02:00Nobel laureate Roald Hoffmann about art, science and spirituality

Nobel laureate Roald Hoffmann talks about art, science and spirituality at the Nobel Museum in Stockholm

– September 17, 6 -8pm.

We are proud to announce a unique opportunity to meet and listen to Roald Hoffmann chemist and artist. He writes poetry, plays and is currently working on an opera with a composer. In Hoffmann's richly illustrated lecture, Hoffmann will move from chemistry, as an essential tool for making art to the artistic elements in the molecular science. He will then take on a more difficult task of sketching the spiritual ground which art and a science – that has creation at its heart – share. He will even take a wild leap to modern times, by posing a question that at first sight seems absurd: Is there an analogue in science to abstract art? We'll see.

The event also hosts the first public presentation an artwork by Swedish artist, Per Hüttner that is devoted to Hoffmann's work. It focuses on the laureate's passion for the dialogue between science and art with aim of inspiring conversations on the topic. The artwork forms a part of a suite of pieces devoted to eight Nobel laureates that has been developed in dialogue with the museum.

Hoffmann received the Nobel Prize in Chemistry in 1981, which he shared with Kenichi Fukui "for their theories, developed independently, concerning the course of chemical reactions." Hoffmann is a theoretical chemist, which means that he does not really do experiments or have a laboratory. Instead he thinks and computes. He focuses on supporting the general public in understanding chemistry and inspiring fellow chemists to create and discover. His primary work tool is therefore writing, although he often underlines that drawing models of molecules or the locations of electrons in "orbitals" is a very important part of his practice.

Come join us for this inspiring event. The event is free of charge and the bar is open from 6pm. There is a limited number of seats, and booking is essential. So make sure you book your seat as soon as possible using this link.

The project is supported by Stockholm County Council and Stockholms Stad.
Vision Forumhttp://firstname.lastname@example.com:blogger.com,1999:blog-3211122352507392977.post-44064589772130252182017-07-01T08:54:00.000+02:002017-07-30T08:54:34.389+02:00Curatorial Mutiny at IRCAM in Paris

<time class="published" datetime="2017-07-06T14:34:04+00:00" title="Thursday, July 6th, 2017, 2:34 pm"></time>

Curatorial Mutiny is proud to announce that Stephen Whitmarsh will present the work that we carry out with EEGsynth at IRCAM in Paris at 12:00 noon on July 12. Below you find the abstract for the talk. You can also see the entire talk here.

The EEGsynth: an exploration of brain-controlled sound synthesis and performance

The idea of controlling and creating sounds by means of electroencephalography (EEG) is certainly not new. Contemporary attempts often seem humble compared to some of the visionary work imagined by early explorers such as Alvin Lucier and David Roosenboom back in the 70s. However, our understanding of neuroscience has increased much since then, and so has the availability of computational power and affordable EEG technology. In that sense, we are only just beginning to explore the full potential of brain-music-interfaces.

In fact, neuroscience analysis and sound synthesis share many deep and unexplored connections. On the one hand, neuroscience and sound synthesis rely on similar principles: in synthesis simpler waveforms are combined and transformed into complex dynamics, while in neuroscience complex signals are decomposed into fundamental dynamics (reflecting underlying brain mechanisms). Modular synthesis can also be seen to exemplify an important organizational principle of the brain, namely that it can be understood as a complex system emerging from the interaction between separate computational modules consisting of (groups of) neurons.
These and other observations started a long term collaboration with other neuroscientists, musicians and performance artists. This resulted in the EEGsynth: our open-source (Python) approach to translating brain, muscle and heart-measurements into real-time control signals such as CV/gate, MIDI, OSC and ArtNet-DMX. In my presentation I will explain the usability of the EEGsynth. I will do this through walking you through some of our performances, and the artistic and scientific themes that we encountered in our attempts to explore possible connections between neuroscience, sound, attention and self-awareness.
Vision Forumhttp://email@example.com:blogger.com,1999:blog-3211122352507392977.post-66710542514703108672017-06-07T08:52:00.000+02:002017-07-30T08:52:20.871+02:00The End of the Bean

Curatorial will join The End of the Bean in Southern France July 9-16. For the five day meeting 50 creators will create workshops, proposals and impromptu improvisations together. The work will lead to Modulation en Zone Pavillonnaire, a 24h radio broadcast at La ferme du Faï in the mountains.
 The End of the Bean is a co-production between Cycliq, Désert Numérique and La Marche du Crab.

Vision Forumhttp://firstname.lastname@example.com:blogger.com,1999:blog-3211122352507392977.post-42379718684412163312017-05-01T08:21:00.000+02:002017-07-30T08:58:46.757+02:001+1=3 Hypnotic Performance at Rönnells

- Jean-Louis Huhta (musician), Per Huttner (visual artist) and Hernan Anllo (neuroscientist and hypnotist)

Welcome May 12, entrance fee: 100kr

Klubb Mesmer and Curatorial Mutiny are proud to announce a 1+1=3 performance with a new hypnotic constellation. During the event Huhta will present a musical improvisation based on an EEG-recording of Huttner's brain activity during hypnosis. He will feed the pre-recorded signals into his modular synthesizer to shape the control signals into a dynamic soundscape, using software and hardware developed by the collective.

The event will begin with Huhta being hypnotised by Anllo. The suggestion will make Huhta believe that his modular synthesizer controls Huttner's brain cells and mental capacities. He will be asked to "give sense to Huttner's brain" and to "put it back together." At the same time the audience will be able to see images of the original hypnotic session mixed with real time videos from the event. Through this process the performers will reflect on artistic intention and the control mechanisms that are used in artistic performances.

The event will include a brief introduction about the technology that is used as well as the underlying artistic and philosophical ideas. The performers will also talk about how medical hypnosis changes attention allocation and modifies the regular functions of cognitive control. After the performance, the audience will have the opportunity to ask questions.

RÖNNELLS ANTIKVARIAT
Birger Jarlsgatan 32
SE-114 29 STOCKHOLM

Tel: 08-545 015 60
E-post: info[at]ronnells.se

About 1+1=3
1+1=3 is a collaborative, open-source, non-commercial project run by Jean-Louis Huhta, Per Huttner and Stephen Whitmarsh and forms part of Vision Forum. They organise artistic collaborations and partnerships with other artists and researchers. Their starting point can be found in the willingness to allow each other to appropriate the other's practice and knowledge-base, and to look at their own practice through the eyes of others. Together with Robert Oostenveld they have developed the EEGsynth, which is software and hardware to use naturally occurring bodily signals to control sound and light in performances and education.

1+1=3 is supported by Kulturbryggan and Stockholms läns landsting.

Vision Forumhttp://firstname.lastname@example.com:blogger.com,1999:blog-3211122352507392977.post-17515179800363003742017-04-13T08:20:00.000+02:002017-07-30T08:21:04.121+02:00

Start in the Middle (performance) by Per Hüttner (artist) and Carima Neusser (choreographer) with music by Siri Jennefelt.

 Thursday April 27, 2017

AlbumArte | Via Flaminia 122, Rome

 The performance, which closes Campo Grossi Maglioni exhibition, is open to the public by reservation only (time will be communicated to participants). In conjunction with the closing of of Campo Grossi Maglioni exhibition, a project designed on the occasion of Grossi Maglioni duo's ten years of activity. Start in the Middle is a participatory event that mixes the formats of lecture and meditation into a seamless whole. The performers use sounds, lights, images and contemplative exercises to invite the audience to participate in a collective journey. The participation allows them to engage in physical and imaginative activities that opens paths to engage with their personal wishes and desires.

 More info.
Vision Forumhttp://firstname.lastname@example.com:blogger.com,1999:blog-3211122352507392977.post-48701305511960567252017-03-16T16:55:00.001+01:002017-03-16T16:55:19.224+01:00Local Minima dates announced

- An interdisciplinary journey in and around Stockholm/Huddinge on May 20, 2017.

 This is a unique invitation to a magical and rare event. You are welcome to join an international group of artists and researchers as they explore the mathematical and psychological concept of Local Minima. The exploration takes the shape of a bus tour through off-sites of Flemingsberg and Huddinge, south of Stockholm. It is part research, part game, part performance that will take you to unfamiliar locations and to discover unknown places.

 Local Minima includes contributions by Predrag Petrovic, Alicja Rogalska, Fabien Guillermont, Per Huttner, Mounira al Solh and more to be announced. The participants will meet you when you arrive at the journey's destination and you will have the opportunity to discuss your experiences with them and your fellow travellers.

 When: 20 May; 13.00-18.00 (approximate times)
Where: Pick up and drop off in central Stockholm . The tour will go to Flemingsberg and to Fullersta Gård in central Huddinge (Fullersta Gårdsväg 18). Details TBA.
How: Everyone is invited to join and it is free of charge. Further details will be announced. You can book your seat on the bus or ask questions by contacting Susanne Ewerlöf at Fullersta Gård: susanne.ewerlof (at) gmail.com

 The project is a collaboration with Karolinska institutet, Fullersta Gård and supported by Kulturbryggan.
Vision Forumhttp://email@example.com:blogger.com,1999:blog-3211122352507392977.post-71157746291515997782017-02-16T16:53:00.000+01:002017-03-16T16:53:26.764+01:00RtDB at Stockoholms University

 Vision Forum is proud to announce Riding the Donkey Backward's participation in Global Media Café: A Second Home: Mediating Borders and Hospitality – A symposium bringing together academic and artistic perspectives on refugees, migration and citizenship' The event, which includes four sessions and round-table discussions, starts at 9:00 am and ends at 5:30 pm, followed by a mingle.

 The event is hosted by The Department of Media Studies, and funded by the Leading Research Environment: Global Media Studies and the Politics of Mediated Communication.
 PANELS, ROUNDTABLES, PRESENTATIONS include

Fataneh Farahadi, Jonathan Corpus Ong, Christian Christensen, Rebecca Bengtsson, Anna Roosvall, Tomáš Rafa, Florencia Enghel, Temi Odumosu, Erik Berggren, Kosta Ekonomou, Sebastian Dahlqvist and UNICORN, Abir Boukhari, Macarena Dusant, Jon Brunberg, Anusha Caroline Andersson Aca, Per Hüttner and Jasper de Rycker and other artists.
 The event is free of charge and open for students and the general public. More info here and here.

Vision Forumhttp://email@example.com:blogger.com,1999:blog-3211122352507392977.post-30341098427219595772017-01-12T16:47:00.000+01:002017-03-16T16:49:46.799+01:00EEGsynth and Brain Control Club at ICM in Paris

Stephen Whitmarsh will make a demonstration of the EEGsynth and present the work with the Brain Control Club for the National research and development group toward Brain–Computer Interfacing Kick-off meeting of the CORTICO association on Tuesday, january 24. The ICM Auditorium (ICM – Hôpital Pitié Salpêtrière; 47, bd de l'hôpital, 75013 PARIS – France). The presentation is open to the public and free of charge. There will be presentations on 17 other BCI (Brain computer interface) projects.

Vision Forumhttp://firstname.lastname@example.com:blogger.com,1999:blog-3211122352507392977.post-74035341542023186002016-11-07T13:47:00.000+01:002016-11-07T13:49:05.191+01:00New Collaborations in Paris

After the successful launch of the Brain Control Club in October, Curatorial Mutiny and its partners now develop a collaboration with École Normale Superieur in Paris. We have started recording Per Huttner's brainwaves under hypnosis together with hypnotist and neuroscientist Hernan Anllo. The signals will first be treated by his colleague Stephen Whitmarsh using the EEGsynth and they will be used as a starting point for a musical composition by Jean-Louis Huhta. This recording will be the A-side of a 7″ single that 1+1=3 will release in 2017. For the B-side, Huttner will listen to the recording, again under hypnosis, this second recording will be treated by Whitmarsh and they will be used for a second musical composition by Huhta.
Vision Forumhttp://email@example.com:blogger.com,1999:blog-3211122352507392977.post-19737964292104585712016-10-25T17:49:00.002+02:002016-11-07T13:51:25.621+01:00Riding the Donkey Backwards (RtDB) event at Fullersta Gård

Curatorial Mutiny is proud to announce a Riding the Donkey Backwards (RtDB) event at Fullersta Gård in Stockholm November 12 at 4pm. Free entrance.

 In a world where the difference between the rich and the poor, the beautiful and the ugly, the old and the young is getting increasingly bigger; some things remain constant. The ground beneath our feet, the sky above our heads, our mortality and our ability to laugh at it all.

 The members of Riding the Donkey Backwards know less about the sky and the ground and than your average weather man and your favourite pin-up geologist, still they share a passion for our collective ability to laugh at our own suffering and they work hard at getting an unofficial PhD in this oldest, most enjoyable and least academically appreciated science – that of laughing together.

 At Fullersta Gård the group will present some of the outcomes of the their laughable science. To prove their ignorance about the true nature of state of affairs, they will also offer a workshop for free that intelligent people pay good money to attend. Not only that, but these half-wits assure you that your needs will be met (whatever these might be?). So prove that there is a cheap-skate in your soul and come join us for some laughter that you will choke on.

 Come and meet the traumatized and potentially funny from Sweden, Egypt, Afghanistan, Syria who hold passports from such unlikely places as Belgium. Hear about some of the intelligent people that they have met along their travels. Experience how, in spite of these peoples' intellectual capabilities, our friends were still able to pass border after border.

 The presentations are held in broken English and pigeon English. (We can there not guarantee that language teachers' needs are met.)

 Participants: Morteza Azizi, Dee Doaa Helmi, Dolphins Inc. Fabien Guillermont and many more.

 The project is supported by the City of Stockholm.
Vision Forumhttp://firstname.lastname@example.com:blogger.com,1999:blog-3211122352507392977.post-62318370244860209562016-10-25T17:44:00.001+02:002016-11-07T13:52:36.736+01:00"What is Habit?" returns to Stockholm October 21-23

Most of us will agree that some habits are productive while others can be detrimental to our well-being in a longer perspective. So what are habits? Why do different disciplines have such different outlooks on what habits are? During the meeting, the group continues reflect on human habits and how they are seen in art, law and neuroscience.
- Are habits useful for artists? Or is it habit breaking that constitutes creativity?
- The law stipulates that we are equal in its eyes – but is it really true that a person's character, habits and social statue does not influence the outcome of a trial? Can we make a distinction between character and habits?
- Neuroscience means that the brain's established neural pathways create habit. At the same time psychology suggests that certain substances in the brain controls addiction and other negative behaviours. But in the end no one knows for certainty how our habits are created and maintained.

How can dialogues between neuroscience, psychiatry, art and law together create a better understanding of human habits? Vision Forum and Curatorial Mutiny bring together practitioners from Sweden, France and Poland together to discuss these issues in Stckholm October 21-23.

The goal of the meeting is to develop the work with publication and to develop a concept for a performative walk for Huddinge in spring 2017.

Participants: Mounira al Solh, Susanne Ewerlöf, Fabien Guillermont, Per Huttner, Predrag Petrovic, Alicja Rogolska and with advice from Johan Carlsson.

The project is created in dialogue with Fullersta Gård and supported by Kulturbryggan.

Vision Forumhttp://firstname.lastname@example.com:blogger.com,1999:blog-3211122352507392977.post-85030231637373682992016-09-26T12:00:00.001+02:002016-09-26T12:00:59.453+02:00The Sound of Brainwaves – A presentation of the EEGsynth

EMS, Stockholm, October 7 at 6pm

Over the last two years, Jean-Louis Huhta, Per Hüttner and Stephen Whitmarsh (collectively : 1+1=3) have been researching the parallels between brain analysis and sound synthesis, as well as the potential of brain-controlled synthesizers in music and artistic performance. They developed their own real-time brain-controlled synthesizer they call the EEGsynth. The project remains completely open-source, which means that anyone interested in exploring the relationship between the brain and sound performance can use it and contribute to its development.

The idea of controlling music or musical equipment using EEG is certainly not new and has been around since the 60s. However, science and technology have advanced greatly since then, allowing a much broader participation in experimentation with brain measurements and sound synthesis. What is possible now? What could the future offer in this exciting field?

At EMS you will find out more about ideas and technology in the field. You will hear about how 1+1=3, in their next project will draw inspiration from Iannis Xenakis, who radically challenged ideas about music by letting his compositions be controlled according to the rules of stochastics (degrees of randomness). With the emerging possibilities of neuroscience controlling sound and composition, Xenakis ideas will be rediscovered in a new and stimulating manner. With the EEGsynth project the developers invite you to explore these questions and also to connect, to experiment, to learn, and to collectively push the boundaries of what is possible.

On October 7, you are invited you to a unique opportunity to hear about how the EEGsynth has been developed, how it works, and how you can become part of its future development. Jean-Louis, Per and Stephen will present their experiences of working around the globe (Brazil, the US, France, Germany and Greece) and will give a live demonstration.
Let's explore the future of music together!
Welcome!

1+1=3 and the EEGsynth is supported by Innovativ kultur, Statens kulturråd, Konstnärsnämnden and Stockholm stad.
Vision Forumhttp://email@example.com:blogger.com,1999:blog-3211122352507392977.post-84439479684717547302016-08-24T16:08:00.002+02:002016-09-01T16:32:33.929+02:00Good News for Space Writing and OuUnPo

Curatorial Mutiny is proud to announce that Helge Ax:son Johnsons stiftelse supports our project Space Writing which is an exchange with artists and architects in Mexico City as well as the work with developing the OuUnPo publication!

Space Writing is a project reflects on the philosophical role that the map has played in the shaping of Western societies. Space writing opens dialogues between architecture, philosophy, design and contemporary art in order to stimulate conversations between professionals in Sweden and Mexico. The project will be active between autumn 2016 and summer 2018 and will lead to a series of public events in Mexico and Sweden.

Space Writing brings together the architectural platform LIGA in Mexico City with the Swedish research vehicle Curatorial Mutiny. The project takes its starting point in Geografia. Un'Introduzione ai Modelli del Mondo, 2003, ('Geography. An Introduction to the World's Models') by Italian geographer and philosopher of space Franco Farinelli, which tells the story of one of the most powerful and enduring forms of translation in history - that of the cartographic representation of the world.

OuUnPo is a network of (mostly) European artists, curators and researchers and the support will be used to bring us together to develop a publication on the project "Catastrophe and Heritage" that the group carried out in Sweden, Lebanon, Japan, Brazil and Italy.
Vision Forumhttp://email@example.com:blogger.com,1999:blog-3211122352507392977.post-67857475113796678052016-08-22T16:31:00.000+02:002016-08-24T16:33:38.285+02:00More Voices of Culture

Curatorial Mutiny are preparing to return to Brussels for the second meeting of Voices of Culture and the structured dialogue with the European Union. We have been invited to discuss how migrants can be included in culture and through that the general political dialogue in Europe about access to culture and other fields of knowledge. Participants from Riding the Donkey Backwards will participate in the meeting in September.
Vision Forumhttp://firstname.lastname@example.com:blogger.com,1999:blog-3211122352507392977.post-23491707200555007962016-05-17T11:49:00.003+02:002016-08-24T15:57:15.009+02:00"What is Habit?" in Stockholm May 27-29

Many neuroscientists, artists and lawyers will agree that there are good and bad habits. But why do the different disciplines have such different outlooks on habit?

- Are habits useful for artists? Or is habit breaking which constitutes creativity?
- The law stipulates that we are equal in its eyes – but is it really true that a person's character, habits and social statue does not influence the outcome of a trial? Can we make a distinction between character and habits?
- Neuroscience means that the brain's established neural pathways create habit. At the same time psychology suggests that certain substances in the brain controls addiction and other negative behaviours. But in the end no one knows for certainty how our habits are created and maintained.

How can dialogues between neuroscience, psychiatry, art and law together create a better understanding of human habits? Vision Forum and Curatorial Mutiny bring together practitioners from Sweden, France and Poland together to discuss these issues in Stckholm May 27-29. The goal of the meeting is to create a publication and develop a concept for a series of exhibitions in unexpected places.
The project is supported by Kulturbryggan.
Vision Forumhttp://firstname.lastname@example.com:blogger.com,1999:blog-3211122352507392977.post-31750006345615649802016-05-12T09:32:00.000+02:002016-05-12T09:32:17.978+02:001+1=3 in San Diego, Los Angeles and Tucson

 Curatorial Mutiny and Vision Forum are proud to announce the first public presentations of the EEGsynth, a tool that has been developed by musicians, artists and neuroscientists in Sweden, France and the Netherlands. The EEGsynth will be used in artistic performances and to create new research questions for neuroscience. The group that has developed the EEGsynth will do a residency at A Ship in the Woods to create performances taking their starting point in the work of Samuel Beckett. They will also present the work at Sanford Consortium in San Diego. The trio will travel to Los Angeles and make a performance at 5 Car Garage with artist and hypnotist Marco Lutyens. The tour will be rounded off with two performances at the The Science of Consciousness Conference in Tucson in Arizona. You will find documentation of the tour here.

 The project is supported by Innovativ kultur, The Swedish Arts Grants Committee and the Swedish Arts Council.

Vision Forumhttp://email@example.com:blogger.com,1999:blog-3211122352507392977.post-67084662314414405472016-04-07T13:20:00.002+02:002016-05-12T09:27:36.092+02:00CM invited by European Union

Curatorial Mutiny and Vision Forum are proud to announce that we have been invited by Voices of Culture to be a part of their structured dialogue with the European Union in Brussels. We have been invited to discuss how migrants can be included in culture and through that the general political dialogue in Europe about access to culture and other fields of knowledge. Participants in Riding the Donkey Backwards and Tomorrow's Art Audiences will participate in one meeting in June and another in September.

Vision Forumhttp://email@example.com:blogger.com,1999:blog-3211122352507392977.post-4154936118053273782016-03-17T10:11:00.000+01:002016-04-07T13:19:08.340+02:00Riding the Donkey Backwards in Antwerp

Riding the Donkey Backwards is organised by Curatorial Mutiny and Vision Forum and brings together a group of people with different backgrounds who wants to grow together with you. Together RtDB compile stories that are funny or sad; private or universal. The group's third meeting will be held in Antwerp on March 20, 2016.

To read others' stories or add your own, visit us RtDB on Facebook.
Vision Forumhttp://email@example.com:blogger.com,1999:blog-3211122352507392977.post-28032874853090226712016-02-24T00:31:00.000+01:002016-03-17T00:39:42.968+01:00EEG-Synth at BrainHack in Paris

Some of the neuroscientists and artists working with the EEG-Synth will be present their work at BrainHack in Paris February 24-26. The group will introduce work carried out with real-time EEG, music, dance and art over the last year and team up with other specialists in the field to develop the software. More info here.

Vision Forumhttp://email@example.com:blogger.com,1999:blog-3211122352507392977.post-24117662631686663772016-01-15T00:29:00.000+01:002016-03-17T00:29:21.737+01:00OuUnPo in Naples

Members of OuUnPo and the local art scene in Naples met January 20-24 to develop the work on a catalogue for Catastrophe and Heritage and to discuss plans for a potential session in the city. OuUnPonians Samon Takahashi and Claudia Squitieri also made a custom-built performance for Domenico Menillo's wunder_littertur_kammer at Museo Nitsch.

Vision Forumhttp://firstname.lastname@example.com:blogger.com,1999:blog-3211122352507392977.post-77780915826510213062015-11-10T17:06:00.002+01:002015-11-10T17:06:16.109+01:00More Good News

Curatorial Mutiny is pleased to announce that Kulturbryggan is supporting the project "What is Habit" that brings together artists, with neuroscientists and lawyers to develop a deeper understanding of what habit signifies in the three disciplines.

Many neuroscientists, artists and lawyers will agree that there are good and bad habit. But why do the different disciplines have such different outlooks on habit?

 - Are habits useful for artists? Or is habit breaking which constitutes creativity? What is the relation between creation and destruction?
 - The law stipulates that we are equal in its eyes – but is it really true that a person's character, habits and social statue does not influence the outcome of a trial? Can we make a distinction between character and habits?
- Neuroscience means that the brain's established neural pathways create habit. At the same time psychology suggests that certain substances in the brain controls addiction and other negative behaviours. But in the end no one knows for certainty how our habits are created and maintained.

 How can dialogues between neuroscience, psychiatry, art and law together create a better understanding of our habits?"

Vision Forumhttp://email@example.com:blogger.com,1999:blog-3211122352507392977.post-62297053993025955072015-10-19T21:28:00.001+02:002015-11-10T17:01:44.920+01:00Good News!!!

Curatorial Mutiny is pleased to announce that Stockholm kulturförvaltning is supporting the project Riding the Donkey backwards that we develop with partners in Belgium and France. The project aims to offer social support for migrants so that they can develop a more meaningful existence in their new country.

"The best comedians base their jokes on their own problems, weaknesses and traumatic experiences. But humor must touch something universal and fundamentally human to communicate with its audience. A comedian must go beyond simple self-expression. Artists know this process very well and can offer unique expertise how to turn individual experiences into something global. By bringing together migrants, performance artists and teachers who have extensive experience working with refugees, we create an exciting new dynamic."

More information here.

Vision Forumhttp://email@example.com:blogger.com,1999:blog-3211122352507392977.post-41625061001349953152015-10-01T23:36:00.000+02:002016-03-17T23:37:10.273+01:00Unfold

UNFOLDING MOVING THINKING – at the Stedelijk Museum Library

A Mind Gym Evening at the Stedelijk Museum Library

15 OCTOBER 2015, 6.30 pm

UNFOLDING MOVING THINKING is a cross-reading exercise hosted by Mariana Lanari and Sara Giannini aiming at the impossible meeting between the digital folder and the bookshelf.

The evening is the official launch of the online project Unfold and is the first of a series of events organized in the context of Moving Thinking, a 3 month performance by Mariana Lanari at the Stedelijk Museum Library. Both initiatives inhabit writing, reading and their deputy space, the library.
 Prepare to open books, wander through words, unpack texts, voice images, follow coincidences, and mirror games.
 Free entry!

Vision Forumhttp://firstname.lastname@example.com:blogger.com,1999:blog-3211122352507392977.post-53221107126633393092015-09-29T17:16:00.002+02:002015-10-19T21:23:26.079+02:00Stephen Whitmarsh at Royal Institute of Art Stockholm

In connection with the workshop with Antoine Catala, Stephen Whitmarsh from the Department of Clinical Neuroscience at Karolinska Institutet will give a talk Friday 25th of October, 16.00 in Muralen at the Royal Institute of Art. Stephen is one of the co-inventors of the BrainSynth and researched, among other topics the neuroscience of meditation and he works with artists on advanced brainwave interaction projects. He is also a member of OuUnPo. For more info contact Peter Geschwind at Professor of Fine Arts KKH.

Vision Forumhttp://email@example.com:blogger.com,1999:blog-3211122352507392977.post-85027065510592283942015-09-10T17:19:00.000+02:002016-03-17T23:33:24.089+01:00Lunchtime session at Hallwylska: Dream of the Palace – Ö – OuUnPo

Welcome to the Hallwyl Museum on September 15 for a satellite event of the XIV OuUnPo Session – a lunchtime session with a gesamtkunstwerk created by Henrik Sputnes and Vilma Luostarinen in collaboration with artists Felicia Atkinson and Rasmus Persson + release of the publication Ö.Named after a 13th century painting by Giotto, Dream of the Palace is an obscure place of lost memories, an environment which reflects the mental processes of remembrance and forgetting – a composition of light, sound, scent and objects. In the centre is the sound sculpture APOEMAS by French artist Felicia Atkinson, an abstract and ambient collage of sound fragments accompanied by a light installation by Rasmus Persson.

The experience will also include the launch of the publication "Ö – A Möbius Trip", the exploration of a mysterious island in the Stockholm archipelago by a group of international artists. The expedition leaders, Per Hüttner and Isabel Löfgren, will lead you into mazes where the mystery of islands and fantastical thinking allow you to encounter the unfamiliar in an alternative and expanded universe. Participating artists are: Cecilia Ahlqvist, Valerio del Baglivo, Andrea Hvistendahl, Marcia Moraes, Lillevan, Egill Saebjörnsson, Camila Sposati, Samon Takahashi, and special appearances by Atle Baekken, Mats Hjelm, Jean-Louis Huhta and Emilia Rota.

Dream of the Palace is a satellite of the previous session that OuUnPo held in last February in Stockholm. The theme revolved around the state of fugue; a dissociative amnesia in which the patient wanders into a temporary new identity.

OuUnPo is an international artist and research group and is supported by Curatorial Mutiny. More information about OuUnPo and the previous session can be found on ouunpo.com.

The event is organised by Naïvité, a curatorial duo and a platform for contemporary art and experiences. Their work is characterised by research, narratives and the creation of collaborative gesamtkunstwerk. Henrik Sputnes is a curator and project manager based in Gothenburg and Vilma Luostarinen is a London-based curator. In collaboration with Hallwylska museet and with support from Stockholms Stad. Special thanks to Lisa Sputnes Mouwitz, Ari Luostarinen and Carima Neusser. Photos by Ari Luostarinen
Vision Forumhttp://firstname.lastname@example.com


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Are you suffering from chronic pain? Do you have an injury from sports or work-related accident? Wondering where you can get the right treatment for these conditions? Well, wonder no more! For these types of ailments and similar conditions, you should go to a reliable sports injury clinic in Dubai.
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At a sports clinic, the focus in the rehabilitation of the patient and full recovery (if possible) through natural programs like exercises, therapy, and diet and proper nutrition. Most of the treatments being used in sports clinic are natural, holistic, and do not require costly surgeries of heavy prescription drugs. In this sense sports medicine is very different from other fields of medicine because it really specializes in the body's form and how different parts function in accordance to the rest of the parts of the body.
So when you really want to get to the bottom of your condition or physical problem, then you should definitely opt for a sports injury clinic in Dubai. Here are more details on what benefits you can get if you go directly to a sports clinic for your sports-related injuries:
- Experienced sports doctors – sports doctors have years of study just specializing on muscles, joints, cardiovascular specialization, and rehabilitation or physical therapy for patients. If you have suffered an accident and your body is not responding or reacting to things around you in the same way, then you might need to have a sports doctor diagnose your condition. Usually, people might already have a trauma or concussion that they are not aware of that is causing the pain they are feeling throughout their body. With the help of a sports doctor, you can determine the real injury and how it can be treated properly through natural methods.
- Improve your overall body strength – you don't have to have a physical injury in order to benefit from the services of a sports clinic. Most of the athletes that go to sports clinics are there because of the strength training they get from experienced and highly trained sports doctors in the clinic. In sports medicine, the types of exercises are also studied and their effects are also scrutinized in order to provide the most accurate information to sports doctors and from the sports doctors to their patients.
- Get proper Food Nutrition Programs – aside from the exercise programs you can get, going to a sports clinic will also give you access to a very scientific approach to eating. You can request your sports doctor or nutritionist to make a customize meal plan for you that will also complement whatever type of exercise program or therapy you are taking at their clinic. This is usually the procedure for most patients at sports clinics.


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36. Besides the corn collected from all parts of the surrounding country by plunder, and the provisions imported from Italy and Sicily, Cneius Octavius, propraetor, brought a vast quantity out of Sardinia from Tiberius Claudius the praetor, whose province Sardinia was; and not only were the granaries already built filled, but new ones were erected. [2] The army wanted clothing, and Octavius was instructed to consult with the praetor in order to ascertain if any could be procured and sent out of that province. This business was also diligently attended to. One thousand two hundred gowns and twelve thousand tunics were in a short time sent. [3] During the summer in which these operations were carried on in Africa, Publius Sempronius, the consul, who had the province of Bruttium, fought an irregular kind of battle with Hannibal in the Crotonian territory while actually on march; [4] they fought with their troops drawn more in order of march than of battle. The Romans were driven back, and as many as twelve hundred of the army of the consul were slain in this affair, which was more a tumult than a battle. [5] They returned in confusion to their camp. The enemy, however, dared not assault it. [6] But, during the silence of the following night, the consul marched away, and having sent a messenger before him to Publius Licinius, the proconsul, to bring up his legions, united his forces with his. Thus two generals and two armies returned to Hannibal. [7] Nor did either party delay to fight, as the forces of the consul were [p. 1280]doubled, and the Carthaginian was inspirited by recent victory. Sempronius led his legions into the front line; those of Licinius were placed in reserve. [8] The consul, in the beginning of the battle, vowed a temple to Fortuna Primigenia if he routed the enemy that day, and he obtained the object of that vow. The Carthaginians were routed and put to flight; above four thousand armed men were slain, a little under three hundred taken alive, with forty horses and eleven military standards. [9] Hannibal, dispirited by this adverse battle, led his troops away to Croton. At the same time, in another part of Italy, Etruria, almost the whole of which had espoused the interest of Mago, and had [10??] conceived hopes of effecting a revolution through his means, was kept in subjection by the consul Marcus Cornelius, not so much by the force of his arms as the terror of his judicial proceedings. [11] In the trials he had instituted there, in conformity with the decree of the senate, he had shown the utmost impartiality; and many of the Tuscan nobles, who had either themselves gone, or had sent others to Mago respecting the revolt of their states, at first standing their trials, were condemned; [12] but afterwards others, who, from a consciousness of guilt, had gone into voluntary exile, were condemned in their absence, and by thus withdrawing left their effects only, which were liable to confiscation, as a pledge for their punishment.
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By Christine H. O'Toole
Special to The Washington Post
Sunday, December 12, 2004
He's snaky and slight, twice as tall as his saxophone, but Darryl Turrell produces a sound that could raise the dead. After 10 minutes of jamming with his quartet, he sits on the edge of the bandstand and just blows: one soulful, sustained note of Grover Washington Jr. that soars above the dance floor, wafts out into the night and salutes the finger-popping ghosts of jazz swaying gently on the corner of 18th and Vine.
To paraphrase one of them, Billy Strayhorn, this Kansas City, Mo., neighborhood known as "the Vine" was once one of those very gay places where one relaxes on the axis of the wheel of life. Two hundred nightclubs packed these streets in the 1920s and '30s, with names like the Top Hat, the Reno Club and the Honolulu Moon. "Territory bands" from the prairies met up with minstrels and ragtimers to create a signature sound, while Big Joe Turner and Count Basie added their riffs. A vibrant black business district embraced the scene and a baseball team, cheering the town's beloved Monarchs.
The American Jazz Museum on 18th Street anchors the city's homage to that long-gone era, along with its hopes that a new tourist destination can spark urban redevelopment. Seven years past its opening, a handful of neon signs are finally sprouting up along the sidewalks. Young performers are taking their chance to reprise old standards. Eighteenth and Vine, once the syncopated heartbeat of American jazz, again has a pulse.
But the modest rebirth centered on the museum will probably never bring this district back to its glory days.
"We were the sons and daughters of free men and women . . . [but] we didn't live past 27th Street. We could not buy property," reminisces an octogenarian in the museum's fine film introduction to the neighborhood.
Nevertheless, the community of 30,000 drew the world to its doors; desegregation flung those doors outward. Locals moved on, to bigger homes and aspirations, and The Vine's glitter diminished. The world drifted away, but the melody lingered on.
The museum's main exhibit tracks the careers of four mid-century masters with simple mementos and dozens of choice audio clips. (The building also houses the Negro Leagues Baseball Museum.) The neighborhood's brilliant Charlie "Bird" Parker is remembered with the sax he played in his 1953 performance at Massey Hall. Louis Armstrong, Duke Ellington and Ella Fitzgerald are honored here, too. Ella's black sequined gown shimmers like her voice, echoing the late jazz pianist Jimmy Rowles's description alongside: "Music comes out of her. When she walks down the street, she leaves notes."
Contracts on display demonstrate the sad truth: Music is a tough way to make a buck. Parker's pay for his Massey Hall concert, one of the greatest performances in jazz history, was only $200. A bust of Parker, who died a heroin addict at age 34, broods over the museum's back lawn. The base is simply engraved "BIRD LIVES."
With enough nightclub mementos to furnish a club, the jazz museum has its own, the Blue Room. Its bar and performance space is a salute to The Vine's club history. Each glass-topped table is a shadowbox of matchbooks, programs and glamorous publicity shots, and the walls are a yearbook of popular acts, such as Oliver Todd and His Hottentots, the Five Red Hot Scamps and Julia Lee, Harry Truman's favorite singer. A rare film jukebox projects "soundies," restored three-minute recordings of live performances that were early precursors of MTV.
The Blue Room is modeled on a legendary lounge, the Street Hotel, which dominated the music scene before World War II. On an early Thursday night, however, it looks more like the band room of a suburban high school. Young jazz wannabes listen shyly to the Paul McKee Quartet. (The scene is more adult when I return on the weekend.)
When jazz neophytes grow up, they'd like to be Lisa Henry, whom I later meet at the nearby Peach Tree Restaurant. The 36-year-old vocalist, who calls her roots "a classic Baptist church story," has performed with Herbie Hancock and records on her own label.
As she sips sweet iced tea, Henry plays down her glitzy bio. Though she has toured as far away as South Africa, she happily returns home to perform on her own terms. "Some people romanticize this scene," she says. But Henry's a pragmatist. With a toddler son, she combines her career with tutoring athletes at local high schools.
Her husband baby-sits while she fits in night rehearsals across the street at the Gem Theater. The 1912 silent-movie house is a restored art nouveau performance venue; Hancock and Wynton Marsalis are among the big names who'll perform there this winter.
I chat with another jazz entrepreneur the following night. Sebrina McCrainey, 37, is tucking into a steak and a second career as owner of the Red Vine, cater-corner from the Gem.
McCrainey's vision for her upscale club was the Funky Buddha, her Chicago favorite. Eight months ago, the former telecommunications executive opened this club on The Vine with Creole recipes from her husband's family and lots of personality from hers.
The Red Vine is young and relaxed, like its owner, and the handsome crowd feels like family -- for a reason. On hand are McCrainey's husband, Emanuel; mom Louise Johnson; and sisters Sheila and Roxanne, each of whom gives me a hug and a suggestion on dessert. Between sets I meet Turrell, who circumnavigated the room during his Grover Washington tribute.
As he pauses by the bar, a grandmotherly fan pulls a five-dollar bill from a well-built purse. "You were real good," she says heartily.
In a black Kangol cap, gold tooth glittering, Turrell accepts the tip with nonchalance. Women like to tuck bills under his cap, he tells me; he made $100 that way the other night. But the gigs are paying pretty well, too. Like Henry and McCrainey, the 34-year-old is making a jazz living -- with tonight's band, Finesse, and another dubbed Jabon (shorthand for just a bunch of noise). And the Mutual Musicians Foundation wants him to host a Friday jam session.
With that invitation, Turrell will revisit history. The Foundation was immortalized in the "627 Stomp," Joe Turner's boogie-woogie salute to the black musicians' union local.
The 627, around the corner on Highland Avenue, was a combination rehearsal hall, booking office and training ground for jazz musicians. When canceled gigs stranded Count Basie in Kansas City, the union kept his band afloat. Eighty years after its founding, its late-night celebrations still attract a crowd.
Like all last sets, Turrell's midnight finale at the Red Vine is his mellowest and best. He effortlessly retraces three-quarters of a century in one smooth fusion number, using tools made on Vine: syncopated swing, boogie woogie and be-bop. As he arches back for one last note, the crowd reaches back with him, relaxing on the axis on the wheel of life.
Christine H. O'Toole is a freelance writer in Pittsburgh.
For tickets and a schedule of events at both venues, contact the museum.
For information on upcoming performances in The Vine, check out the


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DU Meter v.4.01 Build 3076
DU Meter 4.01 is a maintenance release. I does not introduce any major new features, however it provides compatibility updates for Windows XP SP3, Windows Vista SP1 and Windows Server 2008, as well as fixes for numerous issues discovered since the release of version 4.0. This update is free for all current DU Meter 4.0 users. Among many issues fixed in 4.01 release are: * Numerous issues in DU Meter service fixed, resulting in more robust startup and automatic restart of the service if needed. * Failure to start in DU Meter monitor has been resolved. * Several issues related to backup and restore functions are corrected. * Stopwatch overflow on large data transfers corrected. * Several instances of DU Meter on taskbar - fixed. * Export of reports was missing last day or hour in some cases - fixed. * Numerous speed optimizations for lower CPU consumption. * Interference with DU Meter startup options if running on Vista with DU Meter sidebar enabled is fixed. * Incorrect resizing of very small or very large DU Meter windows is fixed. * Modified service dependency for faster startup. * Dial-Up/VPN connection time on Vista was incorrect - fixed. * Compatibility updates for Windows Vista SP1 and Windows XP SP3. * Compatibility updates for Windows Server 2008.
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Playing video games offers a variety of advantages, from being a cost effective way to enjoy an evening to enhancing your brain's problem.
I Kept Playing - The Costs of my Gaming Addiction, This story isnt directly related to WoW or Runescape, but applies to any MMO. Its a fairly....
Kept playing costs gaming addiction - - tour easyYes or no, there is no half addict. And u know what else I have a beautiful wife and beautif ul daughter. I feel like if I dont sell my pc, it will be so tempting but i cant bring myself to do it and also i will get very deppressed? In some instances cherished and appreciated. My mom, brother, and sister to alcohol.
I had let her take the car to her party, but refused to go with. Video games are super fun and an awesome release. I just want to do it and it naturally flows from. I used to think that my poor results were because of my family issues, but now I admit that my addiction has brought me. And another thing: the whole tone in this argument is fairly hostile towards games, one of the things that worries me whenever I think about quitting. So basically I forced myself to quit. View Post What have you replaced it with? In my case, I continued to play video games a lot even when my environment improved.
Tri cheap: Kept playing costs gaming addiction
|Pages girls raha maine flert karna chood diya
|You have some good points. People in general seem selfish and insensitive to my kept playing costs gaming addiction even as I logically understand this to be a biased perception — and the real tragedy is that even people who are genuinely empathetic cannot deny their innately human subconscious impulses, which sometimes drive them to dangerous and immoral actions. It wasn't an instant cure for my addiction — as soon as I convinced them to let me order DSL I was back online again — but something had changed. It is a never ending wheel for. I sign, I write poems, I started going for crossfit and i also play games. All the help I can get would be gladly appreciated! Addictive personalities express themselves in many forms.
|Videos cheerful model nailed hard


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In Apolinaire bottles there are only fruits, berries and herbs that are chosen carefully, and pressed with love.
Apple Based Ecologic Drink
No Preservatives
No Added Sugar
7 Different Types
Good Taste, Nutrition and Vitamins
No1 Apple & Lemon
No1 goes well with: Roasted sourdough bread with avocado, olive oil and herring salt.
No2 Apple, Lemon & Rosemary
No 2 goes well with: Fish, grilled chicken and fried lamb with a fresh potato salad.
No3 Apple, Lemon & Ginger
No 3 goes well with: Sushi, hot seafood dishes and chicken with Thai flavors.
No4 Apple, Lingonberry & Lime
No 4 goes well with: Swedish classics such as; cod with grated horseradish or wallenbergare with peas and browned butter.
No5 Apple, Blueberry, Lime & Mint
No 5 goes well with: Texas chili, also with sauces and appetizers such as guacamole, sour onion, roasted corn, fluffy rice and crispy salad.
No6 Apple, Black Currant, Lime & Fennel
No 6 goes well with: Wild, creamy fish pots and roasted roots with feta cheese.
No7 Apple, Blueberries, Lemon & Tarragon
No7 goes well with:Grilled halloumi, potatoes and vegetables.


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I made the Carmelitas last evening, and of course they were fantastic. Barnaby had his with vanilla ice cream, but I just like mine plain. I think they are much better after cooling completely, but Barnaby liked it hot so his cold ice cream would melt and he'd get that hot & cold thing going.
I like the Grandma's Date Squares better, but these are definitely good, especially if you like carmel and chocolate together. And they're very quick to put together.
Barnaby made me a new blog button with the new pink background. Please grab a new one if you'd like. It's prettier than the ugly mustard yellow background before. (Right-hand sidebar under my profile)
I made more Thai Sesame Noodles earlier today. They should be ready for dinner tonight. I only got one serving of the last batch I made because Barnaby ate them all.
That's it. Nothing happening. No race today. I'm outta here.


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No dogs allowed: Caravan parks and static caravan sites in SleafordView results on a map
2 bookable sites with caravans for hire within 40 miles of Sleaford
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The Railway Hotel Caravan Site
Woodhall Spa, Lincolnshire, England Show on map (A)
|Willerby Rio 2 bedroom static caravan
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Hunstanton, Norfolk, England Show on map (B)
|#68 2 bedroom static caravan
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