text:
td {
border-bottom: none
Thank you for allowing us to provide our Southport neighborhood with excellent dental care for over 35 years!
Friendly Staff. Beautiful Smiles. Comfortable Environment.
Welcome to Big City Dental
Chicago's premier dental provider!
Chicago is a big city with lots of smiles. Make sure your smile stands out in a crowd with dental care from Big City Dental! We can meet your needs whether your in need of preventative maintenance or a complete smile makeover.
Big City Dental is not your typical dental office. With 35 years of experience we provide proven, state-of-the-art dental technology in a relaxed, comfortable and stylish environment to ensure that our family of patients receives the most comprehensive options for maintaining their dental health. Our care for our patients is based on their desires and needs and our doctors are not constrained or obligated to provide treatment based on insurance policy restrictions or third party interference.
Drs. Steven Kalensky, Michele Knabe, and Joseph Gluck offer general dental care, cosmetic dentistry and specialized periodontal dentistry including tooth-colored fillings, veneers, bonding, bridges, dentures, implants, periodontics, Invisalign® invisible braces and Boost in-office teeth whitening systems. Our doctors make special efforts to always involve and educate our patients so they are able to make the best treatment and dental health choices for their needs. Our use of the latest technology and products make dentistry a truly comfortable and painless experience.
In just one visit we know you'll understand why Big City Dental is Chicago's trusted dental care provider. If you're looking for a dentist in North Side Chicago please email or call our Chicago dental office at 773-281-8989 to schedule an appointment.
|Our Philosophy
Our practice believes in a philosophy that there is an important correlation of dental health and whole body health. The overall wellness of our patients is a reflection of our emphasis on the prevention rather than the treatment of dental problems. Our patients' health is dictated by the freedom to choose the necessary and desired dental care that is determined by a personalized approach between the doctor and patient.
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We are currently accepting new patients. Email us today to schedule your appointment!


text:
Is this your business? Claim it today and take control of your Business Credit Rating.
|Company Number
|Phone Number
|01962 864343
Winchester Local Cars was formed on the 6th December 2012 , and are based in Winchester, Unit 20. They are currently rated C and are considered to represent an unknown risk score. This information was last updated on the 5th November 2013.
No director or shareholder information was found for this business.

subset: commoncrawl


text: fuckin kid Adjust content blocking trooled next random Comment Top NextComment bit long but please read *****! next what happens when you die, Daddy?" no one really knows what happens after you die. Most religions have some form of heaven." Where you' ll get to be with everyone you love who has died before you." The baby squirrel we hit that one time another aaye you' ll be reborn over and over until you get It right. Maybe even as an animal . " "1 don' t wanna be a squirrel." And some think it' e just like being asleep. There' s nothing after this, live as much as you oan while you oan." In the end, no one knows. But T do know you are loved new and always. You are my heartbeat." Does that he any?" "But I really asked, 'What happens when you die? You.' Mommy will marry someone else?" Kinda." Probabl y . " tokay. I hope that doesn' t happen. I want a gogurt. can I get a gogurt?" ... +1988 Views: 42852 Submitted: 12/01/2011 Facebook Twitter Google+ Tumblr Pinterest


text:
Krystal Luxury Villa. Stunning Sea, Mountain Views. Private Pool.
Beach villa with 5 bedrooms, 3 bathrooms and swimming pool in Calis Beach, Turkey
Booking cost: £0.00
Pay onlybooking deposit
From £1,040 per week
Villa to rent in Calis Beach, Turkey
Villa overview - owner's description
A large 2000 sq meter villa with 5/6 bedrooms and sleeping 12/13 people. Superb position close to beach,bars, restaurants and Tesco (Kipa) supermarket, but not in amongst the noise. FULL Gov. license
Luxury Villa Calis Beach
This large modern VILLA of appx 200 square meters ( 1900 sq feet) is ideally situated between Calis Beach and Fethiye town. It is situated close to the sea with views across the bay to Fethiye town. There are also panoramic mountain views which being so high in early season are snow covered. A pleasant walk to the beach alongside a nature sanctuary is around 7 or 8 minutes. Close to the property are several bar restaurants and a medium size supermarket within 200 metres. Large Tesco (Kipa) 10/12 mins walk. Wheelie bags supplied
A car is not essential as the local bus and Dolmus (mini buses) pass the door every 10 mins or so.
You can also take the water taxi into Fethiye town.
Outside the villa is a public service announcement tanoy which is used if for instance the Hospital needs blood urgently.
Totally relax on your sunbeds around the pool or roof terraces. Maybe a barbecue during the spectacular sunsets viewed from an elevated position.
The position is perfect, near to but not right on the main road. Close to night life and the bustling town but far enough away not to disturb you. Its our dream Villa. Make it yours for your holiday and just to say try out of season here its wonderful with warm weather most of the year
Walled Garden
The garden is fully walled and trellis fenced around for security and privacy. Bouganvilea, Banana , Mandarin trees,Melissa (which has a beautiful scent at night), Roses and other plants adorn the garden
All bedrooms have a balcony and the top floor has a large terrace back and front.
The new private pool is 7 metres x 4 metres and is cleaned regularly.
The lounge and inside dining area is very large some 500sq feet. A large fully equipped kitchen. A space to park your car. Road outside is paved. There is a large shaded outside terrace and poolside dining area. You will find Calis Beach living is outside living AL Fresco.
Bedrooms Top floor 1 Large Bedroom with Divider to make 2 rooms 1 King size Double plus 2 Singles. Door to balcony Air Conditoned. 1 very small Double bed room with fan cooling. Door to Roof Balcony
Middle floor 1 Three Bed Room. 1 single, 1 double. Air Conditioned. 1 Double bed room Air conditioned with balcony. 1 bed room with 2 singles. Air Conditioned Balcony.
Total Sleep 13 possible 14 with sofa bed.
** We offer a Private Air Condtioned Bus Transfer to and from Dalaman Airport up to 14 people Return*
This villa does not have any reviews but the owner has 10 reviews for their other properties.
This villa is:
Local activities
Sights and attractions
Show more Show less
Outside this villa in Calis Beach, TurkeyThis villa is near the beach. It has a pool, a balcony, a barbecue, outside lighting and a garden. Car hire is not necessary as the villa is less than a 15 minute walk to a large selection of shops, bars, restaurants; however parking is available if required.
Prices and availability
Updated 7 July 2017
Select your travel dates on the calendar
Changeover days and minimum stays
- 4 July - 4 September 2017: the minimum stay is 7 nights.
Electricity up to £60 Maximum
£60.00 per booking, paid locally
Private Air Condtioned Bus Transfer to and from Dalaman Airport up to 14 people Return
£159.00 per booking, paid locally
5 bedrooms, Sleeps 13:
- 1 double bed, 1 single bed
- 1 single bed
- 1 single bed
- 2 double beds, 2 single beds
- 1 double bed, 1 single bed
There is also 2 cots
3 bathrooms, 3 Separate WC's
Swimming pool
Private pool, Size 7m x 3.8m, Depth 1.4m to 1.6m
CD player, DVD/Blu-ray player, Internet / WiFi, TV Languages in English, Russian, Local, Satellite / cable
Living area seats 10, Dining area seats 12, Air conditioning, Clothes drier, Hair dryer, Iron / board, Towels / linen, Washing machine, Car hire optional
Cooker, Crockery, Cutlery, Dishwasher, Fridge, Freezer, Glassware, Kettle, Microwave, Oven, Pots / pans, Toaster
Balcony or terrace, Barbecue, Outside lighting, Parking, Private garden, Sea view
Suitable for
Children, Infants, Smoking
Extra information
Magnificent views of Mountains surrounding Fethiye and Calis Bay. Views accross the bay to Fethiye Old and New Town Adjoining Villa can also be rented and linked
Private Owner From Fethiye, Turkey Member since Mar 2005
Past bookings: 24 bookings
Response rate: 100%
Response time: within 5 hours
Last logged in: 8 days ago
Number of properties: 2


text:
FW: Subject: Shin Dialogue - Suffering, Awakening, Evil, etc.
Expand Messages
- A piece of an ongoing dharma discussion with one of my closest friends...
It's meaning is sharpened because I just got word a moment ago that my
mother passed away after 10 days in hospice, after having stroked out.
After the stroke, she had one final window of pure lucidity - when I got to
share the dharma (teaching) of Shin Buddhism with her. With no background,
she heard again the story of Jessie's death, and transformation into
Buddhahood because of Amida's Vow - and she too took refuge - one
thought-moment of deep hearing (MONPO) leading her to true entrusting
(SHINJIN) in the Primal Vow of Amida Buddha.
So she's let go of the old jalopy of a body she had - and is even now
awakening in the Pure Land of Amida - a Buddha at last after endless
lifetimes of ignorance and suffering, just like us all.
With great gratitude - and great expectation of seeing her, and Jessie, at
the end of this life - I too take refuge in Amida Buddha and his Primal
Happy New Year, my friend.
Friend: Interesting questions this fellow asks. Voicing some of my own
(which is probably why you sent it to me in the first place.) I too recoil
a bit at a host of new "magical" characters, exotic words and vows; it makes
it difficult to understand, to make your own, to "Grok".
It is difficult - very difficult - to understand the CONTENT of any teacher
or teaching when we don't understand the CONTEXT.
Unfortunately, that job too often gets relegated to the scholars - or
perhaps I should say the scholastics - who all too often regard both content
and context very dispassionately through the cool lens of post-modern
To really have a discussion about Buddha and his teaching, it really helps
to begin with a leisurely stroll through Auschwitz, or a replaying of the
Twin Towers burning and people jumping off the top of the buildings, or an
experience over a week or so of watching CNN as the greatest natural
disaster in history unfolds before our eyes - and the bodies pile up and
begin to stink - hearing a woman tell the world about her terrible "Sophie's
Choice" experience of having to choose which of her two children to
surrender to the waves so that she and the other might live.
I remember distinctly an article in the NY Times after 9/11. It was about a
shift in consciousness in the New York art community. These people are some
of the coolest and most sophisticated on the planet - very much the kind of
post-modernist deconstructionists who dominate large chunks of academia.
So the content of the article was this: they've always despised the
"illustrator" Norman Rockwell - considering his flawlessly executed body of
work just sappy commercialism. But in the aftermath of 9/11, when these
very sophisticated people were breathing the dust of human remains, and
concrete, and asbestos all rolled into sickly miasma - when they had been
stunned and overwhelmed by the outworking of religious fanaticism - Osama
Bin Laden's most excellently executed plan of destruction that brought to
life the archetypal picture of the burning towers you can see on any Tarot
Card deck - all the sophisticated veneer simply crumbled.
They trembled in their beds, just like everyone else. In particular, the
article reported, they trembled as they tucked their precious children in to
sleep - children who were also breathing the dust of suffering, of hatred,
of despair - whether they were old enough to know it - or not.
And so, the article went on to say - these folks were re-evaluating Norman
Rockwell - looking with deep yearning at his work - which depicted such
subjects as the desire for simple peace - for the basic freedoms we have
known - for the connectedness of a shared Thanksgiving.
They decided he was an artist, after all.
It is the overwhelming experience of suffering, Tom, which provides the
negative epiphany necessary to begin to approach the mindset of the Buddha,
across space and time. Of course, we all know ABOUT suffering - but such
knowing is not enough to fuel us to the place where we begin to truly
grapple with all this as Buddha did.
And because we are a western people, it does take a good deal of grappling
to get over the hump of a different time and place, a different mindset and
culture, and begin to hear the teaching of Buddha on his terms, and not
ours. Even after we have consciously committed ourself to such a course, it
is still difficult to make sense of concepts that have very hardened
meanings in our own western minds.
Take, for example, a fundamental idea that comes up once we encounter
suffering deeply - an idea that deeply informs the teaching of both the
Buddha, and of Shinran - the idea of EVIL.
In the west, our understanding of EVIL proceeds out of our Judeo-Christian
heritage, our moral/legal codes from the Greeks and Romans, etc. We all
more or less get it.
But for the fully awakened being we call the Buddha, moral evil is something
that is derivative rather than primary. The very heart of evil is
ONTOLOGICAL rather than MORAL. It is the evil of our fundamental state of
being - of being endarkened rather than enlightened.
This is not a model of original sin, such as the early Christian teachers,
led by the Apostle Paul, proposed. it is not a model based on disobedience
of the primal command of a God figure - which banishes the primal parents
and all their progeny from a garden of union with their creator God.
No - Buddha never created nor described the "backstory" of our EVIL in those
terms - but simply said that we were endarkened rather than enlightened -
and our endarkenment expressed inself in persistent EGOTISM - the EGOTISM of
endless attachment - of endless CRAVING for this - and endless AVERSION for
Our egotism - our cravings and averssions - are not moral evil in
themselves. But they leave us utterly exposed, and entirely vulnerable, to
terrible suffering over and over again. This suffering arises when life
doesn't align with our endless CRAVINGS and AVERSIONS. It is when we don't
get what we crave - or when we get what we are averse to - that our
ontological endarkenment becomes terrible suffering - whether inflicted upon
ourselves - or others.
After seven years of the most intense pursuit, this the Buddha connected the
dots between our suffering - and the ontological evil that is our common lot
as non-buddhas - or non-enlightened beings.
And he spoke as someone who had completed his endless journey and left his
cravings and aversions behind entirely. He still has a self-structure, or
an ego in modern psychological parlance. He knew who he was, and who his
family was. But he no longer had any egotism. His suffering had vanished,
he could see clearly at last - he was living in a state of compassion and
wisdom - a gentle and serene coolness that is called nirvana (nibbana in
Pali) - which simple means "cessation".
Suffering, for this being, had ceased entirely. He had come to the end of
his endless search - and was no longer entrapped in the matrix of egotism
that we are all still entangled in.
And not only was his suffering done - but his ignorance as well.
One of the defining features of endarkenment is that we are entangled in a
MATRIX of perceptions - just like the movie of the same name - a MATRIX of
delusions and obscurations. We don't even know what we don't even know. It
is difficult to have even one moment of pristine clarity - of spacious
Even those people, Buddhist or otherwise, who cultivate such spacious
awareness, using various mind traning techniques of one sort or another, do
not have the ability to maintain this outside of the matrix "view".
Egotism for them is no more destroyed than it is for any of us "average"
There is an unending, and very tragic, parade of stories, from within
Buddhism and without, of gurus and teachers who are revered as more or less
awakened beings, and yet succumb to the same mundane egotism that plagues us
all - often causing a psychic tsunami for their spiritual community.
Indeed, their plight is often WORSE than ours, because their whole life
depends on perpetuating the lie that somehow they have conquered our common
egotism - when in fact they have not - and they CANNOT - no matter how many
days, weeks, months and years they spend in meditation, chanting , or
various other practices.
And that is not to say that all teachers and gurus are morally corrupt or
compromised. But whether they are MORALLY compromised, they are, each and
every one, ONTOLOGICALLY compromised - strapped, just as we all are, to the
wheel of endless rebirths, and unable, by their own efforts, to bootstrap
themselves into buddhahood - enlightenment - the extinguishing of egotism -
cessation of suffering.
This, my friend, is our common problem...our ontological EVIL. This is the
CONTEXT of Buddha's understanding which creates the CONTENT that got
revealed in Buddha's final teaching - a teaching for us who live in an age
where bootstrapping ourselves into Buddhahood is simply not possible - even
though it was possible when he walked the earth.
FRIEND: Yet there seems to be some essential truth here, some explanation
for the random suffering. The mechanisms of birth/death cycles, the
assurance that Buddhahood awaits; why?
There IS assurance that Buddhahood awaits.
As to the big WHY question, I can't answer it adequately. Buddha DID answer
it, but even as he did, he warned that as non-Buddhas we simply weren't
going to be able to grasp the answers he gave.
WHY did my own beloved Jessie suffer so terribly, and die so horribly?
Why the holocaust? Why the Towers? Why the tsunami?
After the Buddha had pierced the veil of endarkenment, and woken up
entirely, he reported that he was able to see into his past lives - in the
same kind of linear way that you could look at an old home movie. He saw
his progress, and his regress. He saw himself in a life in which he had
murdered someone. He was able to see the rise and fall of his own karmic
"bank account" - the acquisition of merit, and the dissolution of merit.
And he saw himself strapped to the terrible wheel of endless rebirths in
ignorance that continued up until this last life, when he left endarkenment
behind once and for all - and embarked upon the life of full
self-actualization, full buddhahood - that was waiting as potential always.
Even as he explained the dharma of karma and rebirth, he warned people that
it was impossible for a non-buddha to look at someone's suffering and come
to any firm understanding of WHY such a life narrative was so unfolding. He
warned that the attempt, by a non-buddha, to figure such things out, would
lead to madness.
I found his warning very useful in the time of my own deep grief. It would
have been impossible for me to parse the WHY question adequately, when
considering why Jessie had suffered so - and why I was suffering so - and
her sister was suffering so - after her death.
Like a person flung out to sea in the tsunami, clinging to a piece of wood
in the water, I clung, during that terrible time, to the assurance that
Buddhahood awaits.
And more specifically, that for me, as a person of true entrusting - of
SHINJIN - that Buddhahood would await at the end of THIS life - my LAST life
as a non-Buddha.
Friend: Do squirrels experience this as well? Dolphins? As populations
increase, is there a "soul factory" somewhere, manufacturing these durable
spiritual identities that forget their fleshy memories, yet store the
progression (or regression) in some cosmic account? What happens when
populations decline? Do the souls awaiting the next life go into a Buddhic
In the Larger Pure Land Sutra - also known as the Larger Sutra of Amida
Buddha (because there is a second, smaller Sutra of Amida and the Pure Land
as well) - Buddha explains to many of his disciples something of the
vastness of the cosmos that we simply cannot see, even with our Hubble
There are, according to the Buddha, literally BILLIONS of worlds with
sentient life of some sort or another - each overseen by their own Buddha
figure. In other teachings, Buddha described the sentient universe in terms
of "Six Realms" in which beings took endless rebirths - three more
favorable, and three less so. In other teaching, Buddha talked about how we
continually cycle through endless rebirths into consciousness realms of
"form", "no-form", and "formlessness".
I can guess what all this means, and of course there has been endless
commentary by scholastics through the years. But the bottom line is that
the subject, once again, is too vast for a non-buddha to comprehend fully.
Only true buddhic vision is capable of piercing the veil of unknowing that
your questions point to Tom.
But there are enough clues in Buddha's teaching for me to have at least a
tentative answer to the questions you ask about squirrels and dolphins - and
also about some of the great gurus and teachers who have some kind of grasp
in the realm of being able to slip easily enough from the realm of form to
the realms of formlessness or no-form, more or less at will.
But even with that - my own personal experience of moments of consciousness
shifting - or adepthood - and my reading about REAL adepts - The best I can
do, ultimately, in all of this, is to embrace Socrates' essential position
when he said, with both boldness and great humility, "I know that I don't
At the same time, when we begin to grapple with the enormity of these
question, it stirs up in us the sleeping desire that stirred in Prince
Gotama as well: to end our lifetimes of ignorance and endarkenment once and
for all.
But many of us simply give up - once confronted with the enormity of that
task - and our lack of capacity to truly be such heroic piercers of the
We are - my good friend - only ordinary human beings after all.
Friend: And always the question: Why?
Yes. I'm reminded of the WHY? question, as phrased by the British poet W.H.
Auden, in "Law Like Love":
Law, say the gardeners, is the sun,
Law is the one
All gardeners obey
To-morrow, yesterday, to-day.
Law is the wisdom of the old,
The impotent grandfathers feebly scold;
The grandchildren put out a trebly tongue,
Law is the senses of the young.
Law, says the priest with a priestly look,
Expounding to an unpriestly people,
Law is the words in my priestly book,
Law is my pulpit and my steeple.
Law, says the judge as he looks down his nose,
Speaking clearly and most severely,
Law is as Ive told you before,
Law is as you know I suppose,
Law is but let me explain it once more,
Law is The Law.
Yet law-abiding scholars write:
Law is neither wrong nor right,
Law is only crimes
Punished by places and by times,
Law is Good morning and Good night.
Others say, Law is our Fate;
Others say, Law is our State;
Others say, others say
Law is no more,
Law has gone away.
And always the laud and angry crowd,
Very angry and very loud,
Law is We,
And always the soft idiot softly Me.
If we, dear, know we know no more
Than they about the Law,
Of I no more than you
Know what we should and should not do
Except that all agree
Gladly or miserable
That the Law is
And that all know this,
If therefore thinking it absurd
To identify Law with some other word,
Unlike so many men
I cannot say Law is again,
No more than they can we suppress
The universal wish to guess
Or slip out of our own position
Into an unconcerned condition
Although I can at least confine
Your vanity and mine
To starting timidly
A timid similarity,
We shall boast anyway:
Like love I say.
Like love we dont know where or why,
Like love we cant compel or fly,
Like love we often weep,
Like love we seldom keep.
Like law...like love...like suffering, my friend.
In our common endarkenment, we simply don't know where...or why.
Such contemplation as we are doing here together is a beginning...a good
It opens a difficult door - a door most of us would simply rather shut.
And yet it opens - and will not stay shut no matter how we try...even as it
would not stay shut for that young prince 2500 years ago, living in his own
version of a gilded cage - like the movie character Truman in the Truman
My own belief is this: at some point, in some lifetime, each being begins
to yearn - sometimes in a very inchoate, inarticulate way. At the point of
yearning, the being becomes interested in a life stance of H.O.W. - honesty,
openness, willingness.
It's time to drop the personas, drop the bullshit, drop the attachment to
who we are, what we've done, what we know, how far we've come along on
whatever path we've taken. It's time to simply stand there, with open mind,
open heart, and open hands - willing, and even eager, to listen with all our
Archimedes said: give me a leverage point, and I can move the world.
This existential stance of H.O.W. is such a leverage point: it opens the
mind and the heart to listen deeply, with the depth of one's entire being,
to both the diagnosis of our essential problem, and the opportunity to solve
it once and for all.
That was the Buddha's singular purpose in setting out on his own journey in
his last life - to find out, once and for all, what we needed to know about
SUFFERING, and the END of suffering at last.
That existential stance of H.O.W. is what prepares us for what Shinran
called MONPO - deep hearing of the dharma. Not the kind of study done by
the scholastic - but the hearing of one who is being awakened by
heartbreak - the heartbreak which is our common lot in this particular world
we have been born into.
That's where the "grokking" starts, to borrow Heinlein's term from "Stranger
in a Strange Land".
And yes (grin) you are showing your age when you borrow it.
My best to you, and thanks for being my friend for all these years...
Your message has been successfully submitted and would be delivered to recipients shortly.


text:
Samsung UN65KS8500 Curved 65-Inch Smart 4K SUHD HDR 1000 LED TV
Location: Ottawa - 10010
Date posted 02 Jan 2017
Price: $ 469
Ad ID: 101032
Views: 271
This product is Cheapest price,available for sale from China without tax go through During 2017's NEW YEAR FESTIVAL, Purchase from China Electronics wholesaler: www.fondsale.com
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Ultra Black enhances contrast and preserves deep blacks and color richness in brighter room light settings.
Visit our Blog : http://www.wholesalesamsunggalaxynote7.com


text:
Passionate Crotons
painting by artist Carol Keene
6 in X 6 in (15.2 cm X 15.2 cm)
Acrylic on canvas panel
$100 USD plus $15 USD s/h in the U.S.
(for international shipping, please contact me)
This painting is available directly from the artist.
More Paintings by Carol Keene
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Images may not be reproduced without the permission of the artist.


text:
Academic Results
Students are subject to the same examination schemes as any child in Britain, allowing us to clearly benchmark our school against other children there and among other independent and international schools.
Since our inception students at all of our schools have performed extremely well, with the vast majority of pupils outperforming the expected requirements of the English National Curriculum.
SATS (Standardised Assessment Tests) tests are given at the end of the academic year to all students starting from Year 2. They are used to show children's progress compared with other children in the same age range. These standardised tests aim to measure the performance of all pupils following the English National Curriculum and show the level of attainment in reading, writing and mathematics.
In Secondary School, pupils work towards the IGCSE's and A Level examinations. Students in Years 10 and 11 take IGCSEs, a two-year programme that is academically rigorous and recognised to be amongst the best in the world for this age group. Many of the subjects have specific international elements and content, developed by specialists to make the subject matter relevant to students worldwide.
In Sixth Form, students work towards obtaining AS and A Level qualifications. A Level is one of the world's most widespread and highly regarded university entrance qualifications. It is recognised by universities around the world including all universities in the UK and USA.


text:
Pictures provided by: Neon, coopey
Also known as:
◊ 2008-04-17 06:47
|In what year is set this movie? please
◊ 2008-04-17 11:55
◊ 2008-08-24 01:45
|I'm going to see this movie today, it looks very good.
◊ 2009-07-15 21:42
|En france ce film s'apelle Braquage à l'Anglaise
◊ 2009-07-15 21:45
|That's an allusion to "Braquage à l'italienne", the French name for the Italian Job remake.
◊ 2009-10-20 14:10
|Filmed in the UK and Australia.
◊ 2009-11-16 11:10
|The bank and the shops next to it were a backlot set built at Pinewood Studios. The upper floors were added with digital matte paintings, and some of the cars are computer graphics too.
Link to "www.pinewoodgroup.com"
The set has now been rebuilt as a New York street and used for several other productions:
Link to "www.pinewoodgroup.com"
◊ 2010-05-31 01:35
I have moved some cars to the comments because are too fuzzy and blurred:
1957 Morris Minor 1000 Traveller; MG B GT; 1966 Aston Martin DB6; 1965 Triumph TR4A; 1959 Daimler SP 250; 1957 Jaguar XK 150 Drophead Coupé
◊ 2012-12-09 21:19
|I've seen a comment on a forum elsewhere, about a Mk.2 Atkinson seen during the last 10 minute sfor the film. I wonder if anyone has any shots of it, please?
◊ 2014-01-22 19:16
|I spent 14 hours on the set of this film at Pinewood with my gold mk2 jaguar, you can just make it out as a reflection in the cafe window about .5 seconds long.--- Gutted!!! but it was an interesting day.
◊ 2015-11-25 12:42
The film is about the Baker Street Bank Robbery that occurred at the Lloyds Bank on the intersection of Baker Street and Marylebone Road in the West End of London on the night of the 11th September 1971.
In the robbery, over 260 safety deposit boxes were plundered netting over £3 million (£33.1 million in today's value).
Also at the scene of the robbery was a cheeky message written by one of the robbers on a wall of the vault, it read; "Let's see how Sherlock Holmes solves this one".
Some of the characters in the film were based on real figures who were well known in London Underworld throughout the 1960s and the 1970s.
These were:
Terry Leather (portrayed by Jason Statham)- Based on Thomas Stephens, second hand car dealer from Islington, convicted and sentenced to 12 years imprisonment, released after 8 years.
Kevin Swann (portrayed by Stephen Campbell Moore)- Based on Anthony Gavin, photographer from Dalston, sentenced to 12 years, released after 8.
Guy Singer (portrayed by James Faulkner)- Based on Desmond Rolf, known as Benjamin Rolf, leather goods dealer from East Dulwich and the one who leased the Le Sac store where the entry of the tunnel to the bank vault was built, sentenced to 8 years imprisonment.
Lew Vogel (as a pornographer, portrayed by David Suchet)- Based on James Humphries, pornographer from Soho, had ties to various police detectives, later sentenced to 8 years imprisonment for wounding his wife's lover, later received a royal pardon after giving evidence against Scotland Yard's senior officers at two corruption trials in 1976 and 1977, later sentenced to 12 months imprisonment for living off the earning of prostitutes in 1994.
Lew Vogel (as a strip club owner)- Based on Bernie Silver, pornographer, pimp and associate of Humphries, was the
-- Last edit: 2016-12-10 12:47:41
◊ 2015-11-25 14:17
|Well, at least there is almost nothing anachronistic, car-wise, in this movie, it seems.


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Diffused Downstem
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Efficiency and endurance are two things potential clients look at in a company, show them you have both with these lightweight but heavy duty and long lasting messenger bags. The adjustable shoulder strap creates a comfortable feel for any sized customer of any sized company.
- Made of 420D dobby and 420D honeycomb material
- Separate laptop (up to 17") compartment
- Rear multifunction organizer and expandable mesh pockets


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About the Book
essays and illustrations on life, love, liberty and the dogged pursuit of happiness...something for everyone...from the eclectic to the erudite...from the hopeless romantic to the cool eyed cynic...food for thought served up in a colorful buffet of insight and images....bon appetit', dear readers...
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Redmond, Washington (PressExposure) April 24, 2009 -- Lingobit Technologies today announces LabelMee Rebrander, a powerful tool to streamline software rebranding. The program is designed to facilitate development of affiliated products, saving time and effort.
Rebranding is the process by which a product or service developed with one brand or product line affiliation is marketed or distributed with a different identity. This may involve radical changes to the brand's logo, brand name, website, filename extension. If radical changes to a product are taking place, a user interface has to be modified significantly as well. Today, rebranding has become a common practice and the essential tool for business; but the process can be really time-consuming and expensive. There is an increasing demand for a software solution to facilitate rebranding; and to meet this demand, Lingobit Technologies has developed LabelMee Rebrander.
How does LabelMee work?
LabelMee Rebrander extracts resources from the application to be rebranded and presents them in a form that enables a person to quickly and easily make changes to these resources. If a developer needs to change dialog or form, the program provides him with visual editing tools. The software enables a person to specify terminology for each brand in order to change terms automatically. After all the changes have been performed, Rebrander creates files ready for distribution. What is more, LabelMee streamlines updates to the software: when a new product version is released, Rebrander checks resource changes and automatically transfers the changes from the previous version, therefore only new and changed content will have to be translated. In the most cases the terminology specified for the product allows translating the new elements automatically. All the Rebrander's advanced capabilities are aimed to allow maintaining several brands at the same time at a minimum cost.
A perfect tool for comprehensive rebranding, LabelMee Rebrander provides support for help files, websites, databases and various development platforms. The software does truly amazing job, taking care of all the aspects and details, from the application itself to the website.


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Talina was a minor villain in Duke Nukem: Glorious Bastard.
Talina was a Vrilerinnen and one of Maria's top subordinates. She was considered the most sensible. Duke Nukem thought her "spicy." She was the one who suggested that they escape during the attack against the Nazi base when Duke Nukem and his allies Elise Plewmann, Major-General Conner Sean and Corporal Flip Henry attacked. Although Maria remained to confront Nukem alone, Talina joined Daniel, Val and Ana in leaving aboard their spaceship. However, the ship - and the four Vrilerinnen - were destroyed in a suicide attack by Sean.


text: Uncategorized Published on May 2nd, 2016 | by Audra Dick 0 FSC's First Annual Yard Sale Students began setting up for the yard sale at 9 a.m. An array of items were brought to the sale. "So you know this will be here next year and the year after that. It'll just be something that you expect, that at the end of the semester we have a giant yard sale." Marisa Halper "We wanted to start doing things that are going to be a tradition here at FSC." Marisa Halper "The philanthropic part of it is donating to Peace River and donating to Goodwill." Marisa Halper Students weren't the only ones to show up to the event! "Something as simple as a yard sale can really help bring the community to campus." Laura Rose "Opening this up for the community was an awesome idea. I'm enjoying my time here and finding some great things!" Laura Rose "I look forward to seeing next years yard sale, I hope it's even bigger!" Laura Rose After a long morning, students started packing up. Any items that the students didn't or didn't sell afterwards were donated to Goodwill. by: Audra Dick on May 2, 2016. Tags: annual, lkld, yardsale About the Author Audra Dick Related Posts 1-800-Flapjack Fling → FSC Says Fairwell → Comments are closed.


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Florida Panhandle
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Set in Gulf Breeze, Florida, this modern hotel is just moments away from the beach, art galleries, golf courses and more.
Pensacola experiences weather patterns typical of northern Florida, with cool winter months and hot, sticky summer days. It has an average annual temperature of 68˚F and gets 343 days of sunshine a year. Afternoon rain falls the heaviest between June and September, though most months average over 4in.
Downtown Pensacola, from the historic districts to the waterfront, is walkable. But it is difficult to get around outside of downtown without a car.
Escambia County Transit has a limited bus service around Pensacola; the company's free trolley connects downtown Pensacola and the beach between Memorial Day weekend and the end of September. The I-10 is the major east-west thoroughfare to catch the bus from; a number of buses pass down Palafox St. Several taxi services work the city. Bike hire is another option.
Along with a plethora of highways connecting major regional destinations, Pensacola is well served by major airlines, bus companies and Amtrack.
Pensacola Regional Airport is served by many major airlines; it's 4 miles northeast of downtown off 9th Ave on Airport Blvd. A taxi costs about $15 to downtown and $28 to the beach. Try Yellow Cab.
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Practical information to assist you before and during your trip.
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The question isn't reserved just for a paraphrase of the classic Clash song anymore. It's earmarked for one Atlanta Falcons tight end Tony Gonzalez.
Gonzalez's 16-year career is one of, if not the, most heralded in the NFL. The records speak for themselves. If he were to actually retire now, he'd be going out at the top of his game–no easy task for any NFL player, certainly.
There is, however, one thing missing from the top of that heap. One thing that's been at the back of his mind for the duration of that sixteen-year career. The elusive factor that would bring all the numbers together with its own validation.
The Super Bowl win.
The championship.
The ring.
Stepping away now means he will never get it. Regardless of how he plans to spend his time away from football, the 'what-if' would reverberate as the never-silenced question. Whether merely asking himself on the inside or hearing the inquiry from even the casual fans he'll encounter, that 'what-if' won't go away. Why come within reaching distance of the summit of the highest mountain only to turn around and walk away? All the blood, sweat, tears, effort–and then to say "No, thanks, I think I'll just stop here. After all, I can see it from here"?
Absolutely not. Merely seeing what might have been can't be a satisfying end. Gonzalez has not played his final game.
His own expectation that he'll retire will soon go from 95 percent to 97 percent to zero percent. Expect his fans to 100 percent agree.


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Industry News
News By Place
Industry News
Off Duty Police Officers in Los Angeles LAPD and Sheriffs
ABA Protection takes pride in the level of services we provide to our clients, while keeping our primary emphasis on security, professionalism, and integrity.
ABA Protection understands the importance of safety and security in your facility to protect your profits, lower your liabilities, and maintain productivity. ABA officers have extensive experience in this area. We will provide a FREE consultation of your security needs, followed by a detailed list of special requirements, then upon acceptance of our contract, we will compose a " Post specific orders"
Due to the high-risk nature of some security operations, the services of an Off Duty Police Officer (ODPO) may be required. This type of service can be better performed by highly skilled and trained law enforcement personnell. http://www.abaprotection.com/
We can schedule off duty police officers 24/7 for short and long-term assignments tailored to your needs. We coordinate with law enforcement officers from local municipalities that include the Los Angeles Police Department (LAPD), and the Los Angeles County Sheriff's Department (LASD). These officers exhibit a high degree of individual integrity, dependability and professionalism. Their agency's supervisors often recommend many of the officers we work with.
What distinguishes ABA Protection from typical security providers is in the amount of training and experience that our ODPO's possess.The vast majority of our officers have at least five years of certified police experience. Some have high command-level police training with the ability to oversee even the most sophisticated security operations. Others have specialized expertise in a variety of law enforcement and/or military tactics or techniques.http://www.abaprotection.com/
Oftentimes, companies choose to hire ODPO's for their private needs but do not want the hassle of hiring, scheduling, ensuring proper insurance and certifications, and payment. ABA eliminates the burden from our clients by taking care of all of the paperwork so that the client is able to continue running their business.
ABA Protection strives to meet or exceed our client's specific requirements by providing the highest quality of security services.
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Yes, i believe so.
So as you all know you are able to share games to other accounts on steam right? If I make a troll steam account and share black ops 3 to that account and install hacks to it, and if I get banned on that will I get banned on my main account to then?
Last edited by akim14; 11-23-2015 at 10:06 AM.
Yes, VAC will ban your original account
MPGH Member since 21/10/2009
CoD section Minion since 1/22/2015
GTA section Minion since 7/15/2015
Minion+ since 1/27/2016
Skype Impersonator: mpgh.akim14. (always use skype buton on my profile and contact me here)


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Author | exchange4media Mumbai Bureau | Saturday, May 21,2005 8:11 AM
MAUJ, one of India's leading wireless solutions providers, has announced the launch of FunStation, which is MTNL's exclusive GPRS portal.
FunStation will allow Dolphin users to download the latest wallpapers, polyphonic ring tones, themes, games, videos, news, information on fengshui, numerology and various other value-added services. The entire portal has been designed, powered and will be managed by MAUJ.
Commenting on the launch of FunStation and the tie-up with MAUJ, Shri Goyal, Executive Director, MTNL, said, "Value-added services such as Rich Media content in the telecom space is the consumer's demand today and we have realised that if we are to maintain the growth, we will have to cater to this growing demand. FunStation is one such initiative from MTNL in association with MAUJ, which is a market leader in its space. We are confident that MAUJ's rich experience in providing wireless solutions will provide us with a definitive edge in catering to the consumers increasing demand for quality entertainment on their mobile handsets."
Meanwhile, Dippak Khurana, Regional Head - India & Far East, MAUJ, said, "We are extremely happy and excited with the launch of FunStation. MAUJ has been successfully running GPRS businesses for other leading mobile companies like Idea Cellular & BSNL across the country but the challenge here was to create something different. Keeping this in mind and the local flavour and essence of Mumbai, we designed MTNL's FunStation which is innovative yet simple, but highly rich in content. We are confident that MTNL Dolphin subscribers will enjoy their halt at FunStation as much as we did in creating the same."
MAUJ has also tied up with UTV to make wireless content from the upcoming Ram Gopal Varma's movie 'D', available to Dolphin subscribers on FunStation. 'Dolphin' subscribers will be the first ones to have access to wall papers, ring tones, movie clips, songs, themes, etc., from the movie through FunStation and by SMSing 'D' to 7007.
The service was unveiled by Kuldeep Goyal, Executive Director - MTNL, and Rajpal Yadav and Rukhsar, actors from the movie 'D', along with, Anupam Mittal - Chairman & CEO - People Interactive (the company that owns MAUJ), Aditya Shastri, COO - UTV, and Dippak Khurana.
Programming HeadRadio Mango


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Digital Project Manager - Contract -Start ASAP
- Recruiter
- Sphere Digital Recruitment
- Location
- London, England
- Salary
- £200
- Posted
- 20 Apr 2017
- Closes
- 23 Apr 2017
- Sector
- Engineering
Digital Project Manager - Contract -Start ASAP (within 2 weeks) £200 per day THE COMPANY A small-mid sized marketing agency in South West London are looking for a Contract Digital Project Manager. This business is incredibly popular wit out candidates, and a great portfolio of long standing clients. They have a collaborative, fun, had working environment, that makes working there a really pleasurable experience. THE JOB You must be a talented Digital Project Manager with excellent campaign experience. You must have experience overseeing all elements of digital campaigns - from Websites, Mobile Apps, touchscreens, email campaigns etc. You must have a proven track record delivering these types of projects. THE ROLE The campaign Digital Project Manager must have the following experience: Managing an end to end across mobile, websites etc from a delivery perspective. This is the core of the role.Overseeing the client handling- this is a client facing roleOverseeing email marketing advertising campaigns- this is a much smaller part of the role, but important none the lessYou must have digital and media experience In order to be successful the Contract Digital Project Manager will be able to provide tangible examples of delivery with the 4 main components listed above. As a desired, but not essential skill, the Digital Project Manager will have experience in multi format marketing and cross platform promotion. YOU You must be driven, a great communicator and have the ability to work to tight deadlines. The ability to handle relationships with care is hugely important. My clients team are very collaborative, so you will working in tandem with other teams and provide each other with support. APPLY: If you are interested in applying and hearing more about this role please contact me on: Rebecca (Bex) Hudson We recruit for a variety of opportunities in Digital so feel free to get in touch with us to find out how we can help you. You can learn more about me by looking me up on LinkedIn. Search for Rebecca Hudson.


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Hazelnut Coffee Sparkler
Recipe by SoupCookie
A coffee that tickles your tastebuds! (cook time=chill time)
Top Review by NorthwestGal
This was quite refreshing. Next time, I will keep the brown sugar at the 2 Tbsp, but I will omit the soda water (because I think the ice cubes were enough for consistency and the soda seemed to water it all down a little too much). And I will double the amount of Frangelica, only because I think it really made this refreshing iced coffee drink so flavorful. Thank you for sharing your recipe, SoupCookie.
See Discussion:1 Review
Ingredients Nutrition
- 1 cup coffee, room temp
- 1⁄2 cup soda water, low sodium
- 1 tablespoon Frangelico
- 2 tablespoons brown sugar
- 6 ice cubes, crushed
Directions See How It's Made
- Chill coffee in fridge for approximately 45 min's.
- In a blender pour chilled coffee, soda water, Frangelico, and brown sugar. Whirl until mixed.
- Add ice cubes and blend till smooth.
- *Note #1: for a non-alcoholic drink use hazelnut syrup.
- *Note #2: for a grown up soda float, add a little scoop of ice cream!


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Swinging by to share a new challenge with you for
The challenge this week is to use "Warm Colors/Hues" on your creations
Spring is a great time to think about warm colors for sure!
Here's the card that I made for this challenge:
Bugaboo Stamps this week and this is what I have used on my card today! I saw that adorable Freebie image called "Spring Boot" and grabbed it before it was gone! LOL!
I have printed it out and colored it in with my Copics. I used a stitched rectangle die to cut it out. I tried as much as possible to stick to the red, orange and yellow hues for my design. I was happy to have found some older papers in my stash to pull them out and use for my card too. I have taken the sketch from a challenge (see below) and just popped in the yellow and reds to go with my image. I used some kraft card stock for layers, punched out some photo corners in red card stock and die cut a stitched oval in red card stock for the layer under the image. Lastly, I've added some matching yellow ribbon for an accent around the card front. I've attached all of these layers onto a white top folding A2 sized card base.
Here's a closer look at the details:
I took some Wink of Stella clear glitter pen and covered the orange dragonfly and flowers. I've also used some glossy accents over the heart on the boot and the lady bug body. I've also taken some clear glitter Stickles for the center of each flower and then I used the liquid pearls to add a few dimensional accent dots on the image.
Please stop on over to the challenge blog to see the rest of the inspiration from the design team and hope you can join us this week!
Thanks so much for stopping by!
1. Sketch Saturday
2. Sweet Stampers - Easter or Spring
3. Come & Get It - Springtime
4. Crafty Cardmakers - Spring into Spring
5. Use Yours Stuff - Spring is in the Air
6. Simon Says Stamp Wednesday - Anything Goes


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My teammates flung open the locker room door and marched heartily toward the ice. Music blasted from the rafters. Roommates, parents, roommates' parents, and drunken fraternity guys cheered from all 360 degrees. The coach gave each player a hearty pat on her shoulder pads as she leapt on to the ice, clacking her stick and making wild circles around the rink. I deliberately stepped, more than leapt, on to the rink and then did my best to avoid stopping to the left, which I had never quite gotten the hang of. When the warm-up ended, we skated into the center for the National Anthem with me silently praying, God, if you can do anything for me today, just please, please do not let me fall down during the National Anthem. Please? And with that, I grabbed the rink wall for support, pushed off, and stretched forward like a wobbly deer.
I was a skidding, sliding, semi-skating bag of bones in a kelly-green uniform, and I was playing varsity hockey for the Bowdoin Polar Bears.
Previously, the only hockey I had played was with my father on the old reservoir. I had been more engaged in watching our dog skid around the ice than shooting the puck. And yet, earlier that year, when my dorm mates left to try out for the hockey team, I tagged along in a newly made vow to be spontaneous. I was going to do the opposite of what I was comfortable doing, which was to stay in my room writing letters to my friends back home. I thought I would be happy with myself for trying. But then, somehow (perhaps my coach's soft spot for underdogs), I made the team, which meant that I was not happy with myself for trying. I was freakin' panicked.
I was officially on the team, which meant I had problems, starting with getting dressed. How could I ask my teammates how to put on my equipment? Nobody wants a teammate who doesn't know how to put on a uniform. It doesn't instill confidence. I was an imposter with big skates to fill, starting in the locker room. Hmmmm, I noted. The piece of plastic goes over my pelvis. It doesn't look like something I should leave out. And the wooly things? Looks like I put them on my legs before the skates.
The ice glistened with a watery sheen when the Zamboni pulled away, signaling the start of practice. This meant there were no piles of slush with which I could slow myself down. I always loved a slushy rink; I felt much safer. While I recovered from getting dressed, I already had to figure out what was happening in the rink. What was I doing? What did the coach mean by, "It's all in the wrist?" And why could I only stop when I skated to the right?
Every day, I trudged through the snow to the rink and fumbled my way through getting dressed. Every day, I listened to my coach speak the language of hockey, as if I were a foreign exchange student dropped into an advanced English class. Vamonos? Donde esta? Merci? I had no idea. I used every ounce of brainpower to figure out what I was doing and every ounce of physical ability to stay upright. Throughout it all, I revered my teammates who skated circles around the rink, smiling beneath their helmets. And they could stop. In either direction.
This scenario continued for five months. The season ended in March, and I practically melted with relief. I was no longer committed to those hours of uncertainty on the ice each day. Eventually, spring came to Bowdoin, and I was happy to spend my spare time lying on the quad, rather than scrambling around the rink.
The more time I spent away from the rink, the more the idea of going back scared me. I forgot that there had been moments when I had felt improvement and those when I had relaxed enough to enjoy the camaraderie. I convinced myself it would be better to call it quits. When the next tryouts came, I panicked and hid until they were over. I remembered the months of fear, and I didn't have the energy to sustain a smile for that long again. I told my teammates I had too much going on to play, but I didn't have too much going on to play.
I had been part of something intense and riveting, and now I had opted to stay in the bleachers. I watched my former teammates swirl around the ice, and I missed hockey the way one misses an ex-boyfriend, with an unexpected twinge or sudden tightness in the chest. How could I miss something that caused me such torment? Just like one does with an ex-, I listed all the things I didn't like about hockey and all the reasons why I left. But, even with my list of the fear of the National Anthem and the Zambonied ice, and the frat guys watching, I still got that ache.
Because I knew.
I knew if I had stuck with it, the deer legs would have been a little less wobbly, I would have figured out what was "in the wrist," and I would have learned at long last to stop in any direction.


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Funniest - 6 October
You are a thief and you are being punished for your crime. The people of village have tied you head down on a tree with a rope that has been anchored in the ground. A candle is burning below the rope which is slowly burning it away. Just below your head, a Lion has been left loose who is waiting for you to drop down on the ground so he can have you as his lunch.
You have to survive the scenario. How will you do it?
For Solution : Click Here


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We help you locate a Aberdovey music theory tutor. Music Theory lessons are the perfect way to start an entertaining new hobby, acquire a new skill and gain confidence with music theory. Use our service to search for Aberdovey music theory teachers and choose which matches your needs so you can start your music theory lessons in Aberdovey straight away!
First Tutors: Music is the only place to locate Aberdovey music theory teachers in the UK, helping you discover Aberdovey music theory tuition close to home and Aberdovey teachers to help with any instrument, for example, piano, violin or guitar. We can help you find Aberdovey music theory lessons or a one-to-one Aberdovey music theory tutor to prepare for music theory grades and develop your music theory skills! We order Aberdovey music theory tutors local to you by their tuition charges and proximity to you.
If you are a music theory tutor and would like to offer your music theory tuition services in Aberdovey or throughout the UK, please register with First Tutors: Music or find out more about us here. Becoming a Aberdovey music theory teacher is a brilliant way to re-affirm your own skills through giving music theory tuition while helping others, all in your local Aberdovey area!


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KNOT Offshore PartnersOwners of KNOT Offshore Partners (NYSE: KNOP) shares as of market close today will be eligible for a dividend of 44 cents per share. At a price of $26.45 as of 9:29 a.m. ET, the dividend yield is 6.7%. The average volume for KNOT Offshore Partners has been 20,600 shares per day over the past 30 days. KNOT Offshore Partners has a market cap of $222.9 million and is part of the transportation industry. Shares are down 7.4% year-to-date as of the close of trading on Wednesday. STOCKS TO BUY: TheStreet Quant Ratings has identified a handful of stocks that can potentially TRIPLE in the next 12 months. Learn more.
- See our top-yielding stocks list.


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begin with (someone or something)(redirected from begin with me)
begin with (someone or something)
To start with someone or something; to have someone or something be the first in a series. Let's begin with stretching and then we'll move on to cardio. You'll all have time to share about your summer vacations, but Caroline, we'll begin with you.
See also: begin


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Library Open Repository
Items where Author is "Anderson, L"
|Up a level
|Up a level
Lyver, POB and Davis, Joe and Ngamane, L and Anderson, L and Clarkin, P (2008) Hauraki Maori Matauranga for the conservation and harvest ofTiti, Pterodroma macroptera gouldi. Papers and Proceedings of the Royal Society of Tasmania, 142 (1). pp. 149-159. ISSN 0080-4703
Anderson, L and Alexandrovics, J and Rankine, P (1984) Power : Three Women Painters. [Show/Exhibition]
Anderson, L and Cleavin, B and Gaha, A and Gower, E and Johnstone, R and Keeling, D (1988) Contemporary works from the University collection. [Show/Exhibition]


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Panasonic have recently added a couple more digital cameras to their line up (or more specifically the FS series) — the DMC-FS7 and the DMC-FS15 — both of which look like they will continue the Lumix brand well with nice looks and functionality for taking a great digital photo.
Since they began in Osaka 1918 Panasonic has always been a very popular manufacturer of consumer electronics producing a whole range of things from microwaves to toothbrushes and doing (most) of them very well. However one thing that they have always excelled in is photography, and their Lumix range has been the pinnacle of their still camera achievements. Now they are continuing to move forward with that heritage with technological updates, much like Polaroid have with their Polaroid PoGo camera.
Let's first look at the DMC-FS7, and the first thing that will strike you is the bright colour scheme which will give you the choice between green, black, blue and pink all of which manage to make a statement with their lively design without being overtly garish. The second thing you will notice is the very spacious 2.7 inch screen whose 230,000 dot resolution makes it very easy to view your shots before and after they are taken.
The screen also has a couple of clever little features namely the 'intelligent LCD function' which adjusts the amount of backlighting depending on how bright it is, and also a 'high angle mode' which means you can actually see what you are taking a photo of when you hold your camera up (e.g. over crowds).
Moving onto more photographic specifications it has a perfectly adequate 10.1 magapixel F2.8 Leica DC VARIO-ELMARIT lens which will be more than good enough for all but the expert photographer and when coupled with a 4x optical zoom it will cover everything that you would want to do with a camera.
One of the more interesting features is the 'Intelligent Auto Mode' which promises to allow even the novice photographer to produce good quality shots. This is done through a combination of technologies all working in tandem to create the best result – MEGA O.I.S, Intelligent ISO Control, Face Detection and Intelligent Scene Selector.
Mega O.I.S. is an image stabiliser (Optical Image Stabiliser) which will compensate for the hand shaking on these Panasonic digital cameras when taking photos meaning you won't get the blur that some photos inevitably have. This works with the ISO control, which detects and suppresses any blur resulting from movement of the camera, meaning that photos when moving (such as in a car) are do-able without any lack of quality.
Moving onto the DMC-FS15 we see that this is a more sophisticated camera with its' sleek grey, black or blue design, but also that it is aimed at the more ambitious photographer with a higher 12.1 megapixels and a marginally better Leica DC VARIO-ELMAR lens. Actually many of the features that the FS7 has are present on the FS15, but there are a few extra things to justify the higher price.
The most notable of these is the addition of AF tracking function to the Intelligent Auto Mode, which allows you to lock the focus onto a moving object or person, done by holding the shutter half way down. This makes taking moving shots even easier and will be great for sports or any other 'spur of the moment action'.
All in all these are two great Panasonic digital cameras and with a price of £110 and £136 respectively they are affordable to even the tightest of photographers. With the FS7 offering slightly cheaper fun and the FS15 adding a little extra for the more adventurous this really does add to the range and offers itself as a serious candidate for the best sub £150 digital camera. With such a wide range of features these are well thought out and executed, and I haven't even told you about its quick shooting mode…
Source – Panasonic


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The page is designed to help you get the most from your luxury yacht charter in Athens detailing travel information, key facts and attractions in the area. There is also boating news and links to similar or related destinations.
Explore Location Guides for great destinations near Athens .
Explore Luxury Motor Yachts available for charter in Athens, including MONACO, Motor boat OBSESSION and JASMIN. MONACO is a 39.00m (127' 11") well proportioned yacht launched in 1976. Motor yacht MONACO, produced by Crn Ancona, sleeps ten guests in five cabins. Launched more recently than MONACO, Motor boat OBSESSION is a 30.70m (100' 8") well proportioned yacht launched in 2001. Motor boat OBSESSION, produced by Falcon Yachts and Falcon, sleeps ten charter passengers in five cabins. At 36.84m (120' 10"), JASMIN is larger than Motor boat OBSESSION and was launched in 2003. Explorer Motor yacht JASMIN, crafted by Vripack Yachting International and Vripack and RMK Marine Shipyard and Ac.t Studio & Birgul Vargi, sleeps ten passengers in five cabins. This is simply a selection of luxury motor yachts available for charter in Athens. Please see this link for more:
Luxury Sailing Yachts available in Athens include PANORAMA II, GETAWAY and Caldera. PANORAMA II is a 50.00m (164' ) important luxury yacht launched in 2004. Sailing yacht PANORAMA II, created by Elthom, Perama Greece, accommodates 49 guests in 25 cabins. Launched more recently than PANORAMA II, GETAWAY is a 31.6m / 103ft well sized luxury yacht launched in 2009. Sailing yacht GETAWAY, created by Serenity, sleeps eight guests in four cabins. Caldera is a 30.00m (98' 5") well sized yacht launched in 1989. Sailing yacht Caldera, by Rob Ladd and Ankon Marine, accommodates eight charter passengers in four cabins. To see other luxury sailing yachts that are now available for yacht charter in Athens use the following link.
Yachts available for charter in Athens include CARMEN SERENA, ESPRESSO and ARMENI. CARMEN SERENA is a 40m / 131,2 ft generous yacht launched in 1993. Motor yacht CARMEN SERENA accommodates ten charter guests in five cabins. Launched more recently than CARMEN SERENA, ESPRESSO is a 37m (122' 0") well proportioned luxury yacht launched in 2009. Motor yacht ESPRESSO, developed by Horizont Yachts Co.ltd and Horizon Yachts and Horizon, accommodates ten charter guests in five cabins. ARMENI is a 35.05m (114' 11") good sized yacht launched in 2007. Charter Yacht ARMENI, crafted by Falcon, sleeps twelve charter passengers in five cabins. Athens is a magnificent cruising ground for other yachts. Please click on this link to see all yachts available for charter in Athens.
Interested in news about Athens? Follow the links below for Luxury Yacht Charter and Superyacht News related to Athens and other locations.
This document is not contractual. The yacht charters and their particulars displayed in the results above are displayed in good faith and whilst believed to be correct are not guaranteed. CharterWorld Limited does not warrant or assume any legal liability or responsibility for the accuracy, completeness, or usefulness of any information and/or images displayed. All information is subject to change without notice and is without warrantee. A professional CharterWorld yacht charter consultant will discuss each charter during your charter selection process. Starting prices are shown in a range of currencies for a one-week charter, unless otherwise marked. Exact pricing and other details will be confirmed on the particular charter contract. Just follow the "reserve this yacht charter" link for your chosen yacht charter or contact us and someone from the CharterWorld team will be in touch shortly.


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The Embassy Suites Austin-Arboretum is a Tourist hotel. Located in Austin area. Shopping is accessible by bus/taxi and the nightlife/restaurants are easily accessible by taxi or bus from the hotel.
Save time and money by booking one of our Austin Travel Package Deals online now. Our all-Suite hotel includes full cooked-to-order breakfast, evening reception with complimentary cocktails and local area transportation in 3 mile radius.


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Make magical music with your little monkeys at Monkey Music. From rock 'n' roll to the wheels on the bus, there's something for everyone. Come & join the fun! There are different time slots for different age groups at 9.40am, 10.20am & 11.00am.
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|Not in FusionFall Retro.
| The following article is about something that appeared after the Birthday Bash update in FusionFall, and so will not appear in FusionFall Retro.
As such, it solely exists for archiving part of the original game.
|Gunter, do you even love me?
–Ice King
Gunter (or Gunther) is the name Ice King gives to whatever penguin servant he is around. As the Ice King has a large number of male and female penguins, the Ice King does not address Gunter as specifically male or female, but changes depending on the penguin. Gunter has been confirmed to be a variety of penguins by Natasha Allegric and Andy Ristaino.
In FusionFall, despite their friendship, the Ice King and Gunter have been having a few BFF issues in the new mission, "Penguin Plans," part of the "FusionFall Adventure: Ice King Invasion." Ice King accuses Gunter of stealing princesses and Gunter denies it, starting a dispute between the two. After not being able to get through to Gunter, Ice King sends the hero to locate his missing penguin servants. There the hero discovers that that Fusion Gunter is behind the whole thing, kidnapping the penguins and impersonating Gunter to trick Ice King. The hero defeats Fusion Gunter, making an Ice King Nano and clearing Gunter's name, ending the "FusionFall Adventure: Ice King Invasion."
Fusionfall Heroes
In Fusionfall Heroes, Gunter is an ally that can be summoned by Frosting Fionna. He attacks by throwing glass bottles at monsters, and can multiply himself to a maximum of five Gunters.
- One Gunter likes to break bottles.
- Although his (or her) name is spelled "Gunter" it's has sometime been pronounced "Gunther," and "Goon-ter."
- It's possible that Gunter's name, like that of Billy's sword, "Nothung," was cribbed from Richard Wagner's Der Ring des Nibelungen, in which Gunther (mod. German "Günter") is a minor character.
- Before his NPC was released, he had a Tee shirt that you could get from Stanley the watermelon.
- In the lair of his Fusion, there are multiple captured penguins, but two that shouldn't have escaped can be seen outside their holding cell.


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7903Re: Pre-EU Shopping Spree
Expand Messages
- May 2, 2004At 10:20 AM 5/1/2004 -0400, you wrote:
>A Cato speaker argued strongly that accepting the eruo soon would bebad for the new members, since they would give up a means to manage
their economies, whose needs are substantially different from the
rich members under whose control the euro is.<
>An interesting moment was when a Cato speaker harped a bit on Paristhat instead of trying to dominate Europe, it should try to show
genuine leadership. And one of the European participants responded
that he felt no particular need for anyone's "leadership."<
Thanks Martin. Twenty five nations with a population of 455 million
is impressive. I'm going to have to get a better understanding of
the structure and operation of the EU. If, as was mentioned, Russia
and perhaps Ukraine were to become members that would put the
population near one billion and greatly increase the natural
resources available to the Union. I have no idea if the addition of
those two nations is feasible.
From the Washington post:
"The population of the EU will increase by 20 percent to 455 million
inhabitants and the group will add nine new official languages. The
new members also add $548 billion to the EU's collective GDP bringing
it to $11,891 billion. The increase in population will make the EU
the largest trading block in the world in terms of population but it
will remain second to the United States -- which has a GDP of $13,712
billion --as an international economic force."
I can understand why some in this country are a bit concerned about
the EU.
>What's never discussed, though, are any potential pressures on thenew members' labor markets from other new members. The Czech R. and
Slovakia have kept their labor market mutually open since their
split, but the others haven't.<
I was thinking of that. In particular, competition from Polish
workers might be a problem. The East Germans, who have yet to catch
up with their western countrymen, seem to fear the influx of Polish
workers and the Poles worry the Germans will buy back all the land
ceded to them after the war.
Also from the Washington Post, "But across Western Europe, millions
of people would rather not shoulder the cost, both in taxes to
underwrite the modernization of newcomer nations and in the potential
jobs lost. "
Wars, globalization, etc., brings to mind the Chinese curse, "May you
live in interesting times."
- << Previous post in topic


text:
Below you will find some sample
clips from four of the films on this CD.
Below you will find a description
of each film on this CD
Panorama from the tower of Brooklyn Bridge
CREATED/PUBLISHED United States : American Mutoscope
and Biograph Company 1903.
SUMMARY The view was taken from the tower on the Brooklyn
side of the bridge. As the film begins, the camera is
looking southwest, towards the southern tip of Manhattan
(the Battery). The camera pans very rapidly north following
Manhattan's East River shoreline, across the bridge
span itself and the bridge's New York side tower, following
the shoreline further north towards Corlear's Hook,
where the film ends. Some visible landmarks include
the Fulton Fish Market buildings at Fulton and South
Streets [Frame: 0420] (currently the site of the South
Street Seaport Museum); north of the bridge tower is
the Catherine Slip, where a Catherine Street Ferry is
docked [0568].
Panorama from Times Building, New York
CREATED/PUBLISHED United States : American Mutoscope
and Biograph Company, 1905.
SUMMARY The view is from the top of the then newly-erected
Times Building, at a height of approximately twenty stories.
The film opens with a vertical pan, going from the street
below up to the sky. The photographer then makes a pan
to the north over the tops of the buildings from Bryant
Park, south of 42nd Street (behind the New York Public
Library) [Frame: 1078] up 6th Avenue to the Hippodrome
Theatre at 43rd Street [1866]. A marquee on the theater
reads "A Yankee Circus On Mars." The camera continues
to rotate toward 44th and 45th Streets between 6th and
7th Avenues, until coming to rest looking directly north
up Times Square to 46th Street, where Broadway (left)
and 7th Avenue (right) diverge again [3676].
Panorama of Blackwell's Island, N.Y.
CREATED/PUBLISHED United States : Thomas A. Edison, Inc.,
SUMMARY This film was photographed from a boat heading
south along the eastern shore of Blackwell's Island (known
today as Roosevelt Island). The island lies in the East
River, between Manhattan (which can be seen in the background)
and Long Island City, Queens. It is approximately one
and three-quarters of a mile long, extending from 51st
Street to 88th, and at the time of the filming was the
location for a number of New York City's charitable and
penal institutions. The film opens showing the lighthouse
at the north end of the island (Hallet's Cove) [Frame:
0186]. As the boat enters the east channel of the river,
the stacks of a large brewery on Manhattan are visible
in the distance [0542]. The camera pans along the island's
granite seawall (built by inmates of the Penitentiary
and Workhouse) and the following buildings, in order of
appearance, are shown: the New York City Lunatic Asylum
[0956]; the Workhouse [1274]; the Almshouse [1524]; piers
for the Queensborough (or 59th Street) Bridge, which upon
completion in 1908 will span 135 feet above the island
[2388]; the Almshouse Keeper's House (originally the home
of the Blackwell family, who had once owned the island)
[2730]; the Penitentiary [3646]; Charity Hospital [4140].
The film ends before reaching the southern tip of the
Panorama of Flatiron Building
CREATED/PUBLISHED United States : American Mutoscope
and Biograph Company, 1903.
SUMMARY This shows a view looking south from Madison
Square, across the intersection of Broadway, Fifth Avenue,
and Twenty-third Street, to the famous Fuller (or "Flatiron")
Building. The cameraman elevates his camera, going from
street level to the roof. Designed by D.H. Burnham and
Company, the Fuller Building is an important early skyscraper
and a New York City landmark. Known as the first great
steel-framed building, the exterior of the lower three
stories is stone, with the remainder clad in terra cotta.
Twenty-one stories high, it is considered the first tall
building erected north of city hall. Its completion in
1902 marked the beginning of New York City's first skyscraper
Panorama of Riker's Island, N.Y.
CREATED/PUBLISHED United States : Thomas A. Edison, Inc.,
SUMMARY The film was photographed from a boat going around
Riker's Island. Located on the East River north of Hell
Gate between the Bronx and Queens, Riker's Island was
the site of a massive New York City landfill operation
at the time of the filming (originally eighty-seven acres,
by 1939 the size of the island had increased to four hundred
acres). The film includes scenes of heavy equipment at
work, including pile drivers constructing the seawall
and steam shovels unloading rubbish from barges. On one
of the steam shovels, a sign reading "Water Front Improvement
Co., 220 Broadway, New York" can be distinguished [Frame:
3502]. Near the end of the film, a narrow-gauge steam
engine with five open cars loaded with landfill, comes
into view [3826]. The island is currently the site of
a New York City penitentiary.
Panorama water front and Brooklyn Bridge from East
SUMMARY This film depicts the East River shoreline and
the piers of lower Manhattan starting at about Pier 5
(the New York Central Pier) opposite Broad Street, and
extending to the Mallory Line steamship piers just south
of Fulton Street and the Brooklyn Bridge. The film begins
with shots of canal boats or barges (from the Erie Canal
via the Hudson River) docked at and around Coenties Slip
[Frame: 0106]. As the film progresses, the New York Produce
Exchange located at Bowling Green, Manhattan, with its
distinct tower, comes into view in the background [0346].
Between here and the Wall Street ferry, there follows
in order of appearance: steam tugs [0308 and 0422], a
wooden hull barkentine [1032] with box barges alongside,
a docked iron hull sailing ship, probably British [1448],
an ocean steamer with yards on the foremast [1748], a
derrick lighter laden with barrels docked at the end of
a pier [2134], and a fruit steamer [2612]. In the Wall
Street Ferry slip (between Piers 15 and 16) there is a
Wall St., Manhattan-to-Montague St., Brooklyn, double-ended
steam commuter boat [2896]. The ferry is visible immediately
before a shot of the large advertising billboards on Pier
16. The film next shows the Ward Line piers (J.E. Ward
& Co., New York and Cuba Steamship Co.) [3040], a Pennsylvania
Railroad tug [3190], a derrick lighter [3320], and the
Mallory Line piers [3692]. A Mallory Line steamer can
be seen on the south side of one of the Mallory Piers
[3736]. The camera begins panning out into the East River
after passing pier 20, catching the fog bell at the end
of pier 21 [3922]. A car float is visible passing under
the Brooklyn Bridge [4202]. The pan follows the line of
the Brooklyn Bridge eastward to Brooklyn Heights, where
the Hotel Margaret (tall building in background) is visible
just before the end of the film [4464]. This film continues
the view begun in the film Sky Scrapers of New York City
From the North River. Together they comprise a sweep around
the southern tip of Manhattan, from Fulton Street on the
Hudson to the Brooklyn Bridge.
Parade of "exempt" firemen
CREATED/PUBLISHED United States : American Mutoscope
and Biograph Company, 1903.
SUMMARY The film shows a large group of people watching
the approach of a color guard followed by a number of
elderly marching firemen [Frame: 1734] pulling antique
fire equipment [2486]. In the background is the white
marble Washington Arch [0116], designed by Stanford White
and completed in 1895 to commemorate the first inauguration
of George Washington.
Parade of horses on Speedway
SUMMARY The film is of a parade of fine horses and fashionable
carriages taken along what is now the Harlem River Drive,
in the Highbridge section of northern Manhattan. The view
is from the Manhattan side of the river looking north.
On the right is the Harlem River and on the opposite bank,
the Bronx. Prominent in the background is the High Bridge
at 175th Street, an important landmark completed in 1842
as part of the Croton aqueduct system. Beyond the High
Bridge is the Washington Bridge at 181st Street. The "Speedway"
was built in 1900 at a cost of over three million dollars.
Pennsylvania Tunnel excavation
SUMMARY This film employs a 180-degree pan shot of the
excavation site of New York's Pennsylvania Station, and
includes shots of the narrow-gauge train used to haul
debris from the tunnels under construction. Work began
in 1904, and when completed in September of 1910 the station
would span from 31st to 33rd Streets, and from 7th to
8th Avenue, an area of approximately 300,000 square feet.
It would connect a massive rail tunnel system, bringing
the Pennsylvania and Lehigh Railroads under the Hudson
River and the Long Island Railroad under the East River
to a terminal in the center of Manhattan, accommodating
a network of twenty-seven tracks.
A perilous proceeding
CREATED/PUBLISHED United States : American Mutoscope
and Biograph Company, 1902.
SUMMARY The film follows a group of approximately ten
men who are suspended on the cable of a large crane atop
a building under construction. As the men are lifted over
the site and gradually lowered, they wave to the camera.
Pilot boats in New York harbor
CREATED/PUBLISHED United States : Thomas A. Edison, Inc.,
SUMMARY A New York harbor pilot boat passes close enough
for four members of the crew to be seen [Frame: 0471].
Following the sailing vessel is a steamship [0780].
Skating on lake, Central Park
SUMMARY The view is of a frozen lake in Central Park
crowded with ice skaters.
The skyscrapers of New York (in three parts)
CREATED/PUBLISHED United States : American Mutoscope
and Biograph Company, 1906.
SUMMARY This melodrama was filmed during the actual construction
of a skyscraper in New York City, and includes several
scenes of real work crews: a line of bricklayers [Frame:
1773 (part 1)], a man heating rivets in a forge [2459
(part 1)], riveters assembling steel girders [2859 (part
1)], men astride the steel framework maneuvering and setting
a girder in place [3930 (part 1)], and a group of men
descending on a crane line [5912 (part 1)]. The story
involves a construction foreman who fires one of his crew
for fighting, which leads the disgruntled employee to
steal. He causes the blame to be put on the foreman, who
is finally exonerated when the thief is exposed. All of
this conflict is woven in and around the actual construction
of the building as the work is in progress. There is even
one scene of a hand-to-hand fight between the foreman
and the villain that takes place on the unprotected ledge
of the steel framework of the building. Some New York
City landmarks seen in the film include Union Square (between
Broadway and 4th Avenue, 14th-17th Street), and the Everett
House, opposite the northeast corner of the square at
17th St. and 4th Avenue [1056 (part 1)]. The film includes
the original AM&B title frames at head of film [0105-0272].
Skyscrapers of New York City, from the North River
SUMMARY Filmed from a moving boat, the film depicts the
Hudson River (i.e., North River) shoreline and the piers
of lower Manhattan beginning around Fulton Street and
extending to Castle Garden and Battery Park. It begins
at one of the American Line piers (Pier 14 or 15, opposite
Fulton Street) where an American Line steamer, either
the "New York" or "Paris," is seen docked [Frame: 0120].
The camera passes one of the Manhattan-to-New Jersey commuter
ferries to Jersey City or Communipaw [0860]. Proceeding
south, the distinct double towers of the Park Row, or
Syndicate Building, erected in 1897-98, can be seen in
the background [0866]. A coastal freighter is next [1560],
then Trinity Church appears, to the left of which can
be seen the Surety Building, as a tug with a "C" on the
stack passes in foreground [2032]. Several small steamboats
come into view [2136], and the B.T. Babbitt Soap factory
at Pier 6 is seen [2300], followed by the Pennsylvania
Railroad piers (#5 & #4), with a group of docked railroad
car floats [2556], and the Lehigh Valley Railroad piers
(#3 & #2), also with car floats [3030]. Next are the Bowling
Green Building (rectangular, with facade to camera) [3208],
the Whitehall Building (vertical, thin side to camera)
[3388], followed by Pennsylvania Railroad Pier #1 [3630].
Pier A (with a clock tower) is seen with the New York
Harbor Police steam boat "Patrol" at its end [4654]. The
Bowling Green Offices and the Produce Exchange at Bowling
Green are visible in the background. The breakwater (sheltered
landing) and the New York City Fireboat House appears
[5270] and the distinctive round structure, Castle Garden,
once a fort and immigrant station, but at the time of
filming the City Aquarium, comes into view [5438]. The
camera then pans east along the Battery Park promenade:
the Barge Office (with tower) is visible in the distance
[5804], and further out the Brooklyn shoreline with the
grain elevators at Atlantic Avenue can be seen [6088].
This view is continued, with only a minor break in continuity,
in the film Panorama of Sky Scrapers and Brooklyn Bridge
From the East River. Together they comprise a sweep around
the southern tip of Manhattan, from Fulton Street on the
Hudson to the Brooklyn Bridge.
Sleighing scene
CREATED/PUBLISHED United States : Thomas A. Edison, Inc.,
SUMMARY A view of a snow-covered road in Central Park.
A variety of horse-drawn sleighs ride by the camera from
both directions. Only two pedestrians appear.
Sorting refuse at incinerating plant, New York City
SUMMARY The subject is a group of about thirty men and
boys who are sorting combustible refuse, mostly paper,
and stuffing it into large sacks. In the background a
man in a hat with an emblem on it can be seen unloading
trash from a large wagon. Location may be the New York
City Sanitation Department's East 17th Street facility,
or possibly the incinerator at West 47th Street on the
Hudson River.
Star Theatre
SUMMARY Using time-lapse photography, the film shows
the demolition of the famous Star Theatre. Judging from
the various exposures, the work must have gone on for
a period of approximately thirty days. The theater opened
in 1861 as "Wallack's Theatre," and was re-christened
the "Star" in 1883. It was well known for it's excellent
productions, and a number of celebrated actors and actresses
worked there, among them Ellen Terry. The celebrated English
actor Henry Irving made his first stage appearance in
America at the Star.
Statue of Liberty
SUMMARY A three-quarter front view of the Statue of Liberty.
The statue was erected twelve years earlier, in 1886.
A street Arab
SUMMARY A preadolescent boy, dressed like a street urchin,
performs acrobatic stunts for the camera.
What happened on Twenty-third Street, New York City
CREATED/PUBLISHED United States : Thomas A. Edison, Inc.,
SUMMARY A street level view from the sidewalk, looking
along the length of 23rd Street. Following actuality footage
of pedestrians and street traffic, the actors, a man in
summer attire and a woman in an ankle-length dress, walk
toward the camera. As they cross a grate on the sidewalk
they pause, and the escaping air blows the woman's dress
to her knees.
White Wings on review
SUMMARY Filmed on an unidentified street in New York
City, probably Fifth Avenue. Rows of men wearing the white
uniforms of New York City street sweepers (known as White
Wings) march by the camera. Each row has a police escort.
The parade of uniformed men continues until several hundred
pass. Immediately following the marching men come approximately
a hundred horse-drawn two-wheel carts of the kind used
for hauling garbage [Frame: 3394]. One four wheeled cart
is seen near the end of the film. In 1895, under the reform
administration of Mayor William L. Strong, New York City's
Department of Street Cleaning was headed by Colonel George
Waring. It was he who garbed his workers in the white
duck suits (earning them the name "White Wings") seen
in the film. He is also recognized as a brilliant sanitary
engineer who marshalled the two thousand man force to
clean four hundred and fifty miles of streets each day.
According to Jacob Riis, "his broom saved more lives in
the crowded tenements than a squad of doctors." By 1903,
the date of the filming, a new city administration was
in power and Waring had been replaced.
are the computer requirements to run and operate this CD. You
must have a PC running Windows or a Macintosh running OS X or
higher software and a web browser.


text:
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