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What is JotForm?
JotForm is a free online form builder which helps you create online forms without writing a single line of code. No sign-up required.
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How do I use allow client to pay on line.Asked by sheryl on March 06, 2014 at 06:23 PM
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Lynchburg, Virginia
Located in the foothills of the Blue Ridge Mountains along the banks of the James River, Lynchburg is an independent city in the Commonwealth of Virginia and has a population of approximately 75,000. Lynchburg was first settled in 1757 and was named for its founder, John Lynch, who established a ferry service along the James River at the age of 17. The population grew and in 1786, Lynchburg was officially established by charter.
By the 1850s, Lynchburg was one of the richest towns per capita in the United States, with chief industries such as tobacco, iron, and steel. Local economy began to evolve into a manufacturing-based environment at the turn of the 20th century, and companies such as Glamorgan Pipe & Foundry Company and Lynchburg Cotton Mill Company opened their doors. During World War I, the Red Cross operated a canteen-serving train at the Southern Railroad Station in Lynchburg, giving the city the nickname, "Lunchburg". World War II had Lynchburg's factories running around the clock, and business thrived. Since the 1950s Lynchburg's economy has diversified with modern companies opening plants in the city, including Babcock and Wilcox, a nuclear technology company, and General Electric. Major employers currently located in Lynchburg are Griffin Pipe Products Company, Aerofin Corporation, and Teva Pharmaceuticals.
Lynchburg's longstanding manufacturing history places the city in a high risk category for asbestos exposure. Those who worked with and/or around asbestos containing products may be at risk to develop mesothelioma, an asbestos-related cancer. We provide information on mesothelioma treatment options near Lynchburg at the bottom of this page. If you were diagnosed with mesothelioma in Lynchburg, you may also benefit from seeking the advice of a mesothelioma lawyer.
Asbestos Exposure at Jobsites in Lynchburg
The Mesothelioma Cancer Alliance has compiled information obtained from a number of sources to identify the following jobsites in Lynchburg where asbestos exposure was known to have occurred. These sites are listed below.
- Associated Terminal
- Atomic Energy Div
- Babcock and Wilcox
- B-W Atomic Energy Plant
- Chas V Buqq
- Consolidated Textile Corps
- E. J. Laveno
- Glamorgan Pipe & Foundry Company
- Graves Mill Rd.
- John H. Heald Company
- Lynchburg and Rivermount St. Railway
- Lynchburg College
- Lynchburg Cotton Mill Company
- Lynchburg Foundry Company
- Lynchburg Gas Company
- Lynchburg Railway and Lighting Company
- Lynchburg Traction and Light Company
- Mead Corporation
- Meredith/Burda Inc
- Millstead Boiler & Eng Company
- Monroe Construction
- Naval Nuclear Fuel Division
- Oriskany Ore and Iron Corp
- Paul E. Styles Plastering Company
- Railroad Donnelley
- Randolph Macon Womans College
- State Hospital
Mesothelioma Cancer Centers near Lynchburg, Virginia
For your convenience, we have compiled a list of mesothelioma cancer centers that are located within a 100 mile radius of Lynchburg, Virginia. Please click on a cancer center link to obtain more information about the clinical programs offered, professional designations, areas of expertise and how to contact the center.
University of Virginia Cancer Center
1300 Jefferson Park Avenue
Charlottesville, VA 22908
Distance: 57.6 miles
Massey Cancer Center
401 College Street
Richmond, VA 23298
Distance: 95.7 miles
UNC Lineberger Comprehensive Cancer Center
101 Manning Drive
Chapel Hill, NC 27514
Distance: 99.2 miles
Duke Cancer Institute
2424 Erwin Road
Durham, NC 27710
Distance: 98.2 miles
Mesothelioma Doctors near Lynchburg, Virginia
For your convenience, we have compiled a list of mesothelioma doctors that are located within a 100 mile radius of Lynchburg, Virginia. Please click on a doctor link to obtain more information about his/her background, areas of expertise, professional affiliations, and office locations.
Dr. James M. Isbell
University of Virginia Cancer Center
University of Virginia Cancer Center
Cardiac Surgery Clinic
University Hospital, 2nd floor
1215 Lee Street
Charlottesville, VA 22908
Distance: 57.6 miles
Dr. David H. Harpole, Jr.
Duke Cancer Institute
2424 Erwin Road, Suite 403
Durham, NC 27705
Distance: 94.9 miles
Filing an Asbestos Lawsuit in Lynchburg, Virginia
Don't lose your rights! If you or a loved one has been diagnosed with mesothelioma and were exposed to asbestos in Virginia, you may be entitled to compensation. You may have limited time to file a claim. If you have been diagnosed with mesothelioma and have a pathology report in hand to support that diagnosis, you are eligible for financial assistance.
Asbestos Related News in Virginia
West Virginia University Receiving $730,000 for Cancer Moonshot Program
West Virginia University will receive $730,000 as part of Joe Biden's Cancer Moonshot Initiative. Learn more at the Mesothelioma Cancer Alliance.
Staunton Courthouse Reopens Post Asbestos Removal
The Staunton Courthouse has reopened, but asbestos abatement on the third floor still needs to be completed.

subset: commoncrawl


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Aereo suspends service after Supreme Court ruling
Online-streaming service Aereo Inc. is temporarily closing down its operation, three days after it was dealt an unfavorable ruling by the U.S. Supreme Court.
"We have decided to pause our operations temporarily as we consult with the court and map out our next steps," Aereo said in a letter to customers posted on its website Saturday.
The Supreme Court dealt Aereo, backed by Barry Diller, a major setback on Wednesday in ruling that the television-over-the-Internet service operates much like a cable TV company. As a result, the service violates copyright law unless Aereo pays broadcasters licensing fees for offering TV stations to customers' tablets, phones and other gadgets.
Copyright 2014 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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Þrúðr (Old Norse: "strength"[1]), sometimes anglicized as Thrúd or Thrud, is a daughter of the major god Thor in Norse mythology. Þrúðr is also the name of one of the valkyries who serve ale to the einherjar in Valhalla (Grímnismál, stanza 36). The two may or may not be the same figure.[2]
Þrúðr is attested in the following sources:
Poetic Edda
The Poetic Edda poem Alvíssmá, in which a dwarf, Alvíss, claims to be engaged to Thor's daughter, may be about Þrúðr, but the daughter is not named.
Prose Edda
The Prose Edda book Skáldskaparmál (4) tells that Thor can be referred to by the kenning "father of Þrúðr" (faðir Þrúðar). Eysteinn Valdason uses it in his poem about Thor (2). The Skáldskaparmál (21) adds that her mother is Sif.
In Bragi Boddason's Ragnarsdrápa, the jötunn Hrungnir is called "thief of Þrúðr" (Þrúðar þjófr). But there is no direct reference to this myth in any other source. Skáldskaparmál (17), in which Snorri relates the fight between Thor and Hrungnir, mentions a very different cause, and Þjóðólfr of Hvinir's Haustlöng only describes the fight without giving the reason for it. This poem depicts two mythological scenes painted on a shield, the first being Iðunn's abduction by the giant Þjazi. Margaret Clunies Ross suggested that the two episodes might be complementary, both dealing with the abduction of a goddess by a giant, its failure and the death of the abductor.[3] Another kenning may allude to this myth: in Eilífr Goðrúnarson's Þórsdrápa (18), Thor is called "he who longs fiercely for Þrúðr" (þrámóðnir Þrúðar).[3]
Karlevi Runestone
Þrúðr is mentioned on the 10th-century Karlevi runestone on the island of Öland, Sweden, where a chieftain is referred to as the "tree of Þrúðr".[4]
The name Þrúðr could be used in kennings for chieftains, as exemplified on the Karlevi Runestone. The name is also used in kennings for women. For instance, Ormr Steinþórsson in his poem about a woman (4) uses the kenning hrosta lúðrs gæi-Þrúðr, which, according to Anthony Faulkes, can be rendered "keeper of the malt-box (mash-tub) or ale-vessel".[5]
- Clunies Ross, Margaret (1994). Prolonged Echoes. Old Norse Myths in medieval Northern Society. Vol. 1: The myths. Odense: Odense University Press. The Viking Collection; vol. 7. ISBN 87-7838-008-1.
- Faulkes, Anthony (1998), edition of: Snorri Sturluson. Edda. Skáldskaparmál. 2. Glossary and Index of Names. London: Viking Society for Northern Research. ISBN 0-903521-38-5.
- Lindow, John (2001). Norse Mythology: A Guide to the Gods, Heroes, Rituals, and Beliefs. Oxford University Press. ISBN 0-19-515382-0.
- Rundata 2.0 for Windows.
- Simek, Rudolf (1987). Dictionary of Northern Mythology. Translated by Angela Hall. Cambridge: D. S. Brewer, 1996. ISBN 0-85991-513-1.
External links
- Media related to Þrúðr at Wikimedia Commons
|This page uses content from the English Wikipedia. The original article was at Þrúðr. The list of authors can be seen in the page history.


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So I need some cute nicknames. he's tall, cute, insanely intelligent and clever. he's pretty geeky, and by that I mean he knows everything there is to know about computers, loves video games, and plays dungeons and dragons and all that. he's a true gentleman, we both love astronomy and science, something nerdy and computer related might be cute. Also, he's sixteen.
Most Helpful Guy
Dr. Who - -20|20|0
Actually if you don't mind, it's just the Doctor.


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A special collab between Howl & Hide and James Dant brings us this beautiful beautiful blood red oil slicked leather. The pullup is absolutely incredible. A deep brown on top shows peaks and bursts of red as the leather bends. The break-in on this wallet will be unlike anything you've ever seen.
Commissioned and hand stitched in Indiana.
Due to the hand-stitched, one-off nature of these items, we do not accept returns on this bag. We will accomodate exchanges for other products in the line where possible.
- Gallery


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Design Manifestos: James Leng of Michael Maltzan Architecture
Since joining Michael Maltzan Architecture (MMA) in 2012, James Leng has worked on projects including expansive office campuses and large multi-unit residential developments. His projects include The Brickyard Playa Vista Offices and Crest Apartments that are both currently under construction. James received a Bachelor of Arts in Architecture from the University of California at Berkeley and a Master in Architecture degree from the Graduate School of Design at Harvard University. He is the recipient of the 2013 SOM Prize and Travel Fellowship Award in Architecture, Design & Urban Design and the 2013 James Templeton Kelley Prize Awarded by the Boston Society of Architects. Recently, Modelo had the opportunity to learn more about James's unique approach and design philosophy.
On becoming an architect
Sometimes I wish my architectural origin story had more of a sense of destiny to it, but the truth is that I more or less chanced upon the field. But I should give credit to a series of events led me to architecture, however subconsciously. I've dabbled in the visual arts since a young age, and in high school I took a series of summer courses in darkroom photography and digital image making at the Academy of Art in SF, and in my senior year I took a summer architectural design studio at Berkeley's ATDP program.
I never thought necessarily that these things would cement in a particular career path, but in hindsight, so much of architectural education focused on a visual system of representation and communication, it's no surprise that I was drawn into the rabbit hole of architecture.
However, what interests me more is not how or why one becomes interested in architecture initially, but rather what motivates one to continue pursuing this path once they've realized the — often not so rosy — realities of the discipline and profession. In my long architectural education I've had the chance to meet and become friends with so many incredibly talented creatives, yet over years I've seen more and more of them peel away in pursuit of other creative fields — graphic design, data vis, fashion, real estate, to name a few — often with great success. I half-jokingly tell classmates that the best of us are smart enough to get out of architecture.
To explain why I'm still (for the moment) motivated to continue practicing architecture, I want to reference a favorite phrase of mine from Todd Williams and Billie Tsien's studio philosophy — they describe architecture as an act of profound optimism, and that has always really resonated with me. That, against all odds and obstacles, we try to create a space or a place that is extraordinary in some way, that leaves a positive imprint on an individual life or the larger community. That, for me seems like a worthwhile pursuit.
On discovering his voice as a designer
It feels like it's been a long time since my beginning days of architecture — when I discovered Renzo Piano with his Tjibaou Cultural Center, or when Foreign Office's Yokohama Port Terminal was all the rage in school.
I would say that finding my own voice as a designer is still very much an ongoing process. I've spent a great deal of time trying to "sample" all the different approaches to design — and each place I've worked at has left its imprint on how I approach a design problem, even though none of those places have necessarily defined a specific style that I adhere to. Ironically I actually think it's the projects of all of the offices that I've not worked at that still inspire me — not knowing the design process leaves an air of magical mystery to the work, which is alluring.
My long term interest in photography has always affected my way of seeing architecture. I find myself often designing spaces through an abstract camera lens, evaluating space, light, depth, proportions. This photographic sensibility hopefully adds a layer of nuance to my design process as I negotiate the exchange between orthographic drawings and three dimensional space.
One of the things that has been really refreshing working with Michael in the office is that he would often draw inspiration from a different generation of architects than I normally would look to. We would often chat broadly about the work of Le Corbusier and Aalto, or sometimes even touch upon the specific sensibilities of Roche & Dinkeloo or Hilberseimer. This affords me the chance to develop a deeper appreciation for some of the important figures of Modernism, especially in the context of a contemporary practice.
On the evolution of his role at MMA
There are two things I discovered about myself since I started working for Michael — and that may very well be Michael's voice influencing my own — the first is that I care about a building's place in the city. How does it contribute to or change a neighborhood? Does its form and scale insinuate a certain future for the city? Not all architects think about this, but because this is something we speculate on in our work in the office, it lends a certain projective value to architecture beyond the building itself.
The second is how one can design something that has a sense of restraint, yet retains a strong spirit. It is frustrating to see, on one end of the spectrum, overly exuberant designs just because technology allows us to do so, and on the other hand to see architecture capitulate to the conventionalities of market forces and typical construction systems. This is something we struggle against in the office on a daily basis, and sometimes you just have to ask why something needs to be the way it is over and over again. As soon as you can move even a bit beyond the notion of "how things should be done", you may have something interesting.
On his role at MMA
As a designer at MMA, my primary domain of communication is with Michael Maltzan. I meet with Michael on a regular basis in the form of informal design critiques or conversations, to develop the design of a project. Other members of a project team might be responsible for external coordination with consultants and the client or development of technical details, but my primary responsibility is to insure the integrity of the design concept and the overarching aesthetics. That means working with (and sometimes even arguing against) the rest of the team to keep important design elements from being altered.
The role is a bit unique, in that the core design values of a project is something I develop and safeguard from the inception of a project all the way until its construction completion. How does the face brick meet the window jamb to suggest its thinness? Does an accent color cover or stop at a plaster joint? There is no detail too minor for me to review if it has an impact on the visual reading of a project. The role is a bit of a double edged sword — over time it's becoming harder to get obsessively engaged in specific tasks like drawing a detail or building a model, but on the other hand, being forced to keep a constant overview of the project affords me a certain luxury to maintain an idealistic attitude towards architecture, despite the realities in the act of building.
Michael looks for another voice in the designer as a sounding board for his own ideas, as well as that second voice to bring different perspective to the design. In this sense, it feels like at times Michael is a mentor, and other times a collaborator. I imagine this could be what an apprenticeship might be like in the contemporary sense. The truth is that my conversations with Michael have allowed me to not only develop my own voice, but to also understand through his experience what's really at stake when you try to bring a building into the world.
On projects that represent MMA's unique approach
The physical model is at the heart of the design process at MMA. We invest a lot of time and manpower to produce these physical artifacts, because we carry a conviction that the model is the most accurate representation of a design. I think in a time where people are increasingly comfortable in digitally representing architecture — the culture of making models by hand is becoming more rare. In every step of the design process, we use physical models to verify specific aspects of the design — a 1/32" model helps us nail down the big massing moves, whereas a 1/8" model allows us to begin exploring materiality, and a 1/2" model interior spaces, etc.
The way we interact with the models is also very playful. We build working models rather than presentation models. At every design session, we need to have scrap sheets of bristol, scotch tape, scissors, and a hot glue gun at the ready. Michael will often start ripping parts off of models, and cutting, taping, gluing new parts on in strange and haphazard ways, it really is the most fluid way to experiment with ideas in real time
On his design toolkit
In the office we use all the standard softwares, but it feels like the longer I practice architecture, the less interested I am in software. I think it has to do with a realization that design happens on a very basic and intuitive level, and currently the way we create forms digitally is simply not as fluid as manipulating shapes and objects with our hands — it's a real challenge to be solved. My education was highly digital, but these days I actually prefer to just sketch on trace paper.
On the future of architecture in the next 5–10 years
I would like to believe that digital design tools will eventually pass a threshold and become a facsimile to the physical handling of objects. I suspect this will require several technologies to merge together, including VR / AR, tactile feedback, and 3D gesture interfaces. When these technologies mature, and by that I mean when a 5 year old can figure it out and start making intentional shapes with these technologies, then we'll truly have an intuitive way to design in the digital realm that is on-par with the analog. That's when there will be a real paradigm shift in the way we design.
On advice he would give his younger self
Not that my younger self would ever listen, but I would say try to be less enamored with technology for technology's sake — it's great to be fluent in the latest software or fabrication technique, but that fascination and the resulting production can often be a type of embellishment that distracts from the quality of the idea itself. I had to learn this the hard way. I would also tell my younger self to read more — more broadly and more frequently, you can discover so many connections through reading. And to be less cautious as a designer, the anxiety of needing to make sure everything looks good is actually a huge handicap, instead one should experiment more wildly and feel comfortable with making some ugly stuff.
This post was previously published on blog.modelo.io on 3/24/16.


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In the comments section of my previous post on this topic, Theinterventionistparadox asks if the competitive market process won't create at least a tendency for workers getting paid their MVP to be true. Well, understood in one way, it clearly will. But let us take a look at the sense in which that proposition is true.
In our locale, gravity creates a tendency for anything with mass to move towards the center of the earth. But other factors create other tendencies. Consider a balloon which we slowly fill with helium. At first, if the balloon is, say, sitting on a table, it will remain there. But gradually it will begin to levitate. Finally, it will float upwards until it reaches the ceiling. And if we take it outside, it will float away. The tendency for a gas lighter than the atmospheric average to rise will have overwhelmed the tendency of massive objects to fall towards the center of the earth.
And so it is with the tendency of the market process to drive wages towards the worker's MVP: other factors are at play. In particular, all the data upon which the firm's initial wage offer was based are continually changing. The demand for its products is shifting, its competitors plans have changed, the cost of other inputs has altered, and the worker himself is a different man today that he was yesterday.
So if the question is, "Will we see a tendency towards wages approaching the workers' MVPs?" then the answer has to be, "Is the market process pulling wages towards the 'ground' of equilibrium faster than changes in these other factors are tending to make them drift off into the clouds?"
I see no reason to suspect that the answer is generally "yes."
Do workers get paid (something near) their marginal value product?
1 comment:
Gotcha, this is a good point. Even according to a purely Austrian (Misesian) analysis, it seems, we would not be able to make the claim that we will see a tendency of wages toward MVPs, without further reasoning as to why one effect outweighed the other. To your knowledge, do any Austrians provide such reasoning? It seems somewhat implied by their work, especially with the emphasis they have on the efficiency of free markets.ReplyDelete
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Dear Mrs/ Ms Dewsbury,
I am the Abnormal Loads Officer(ALO) for Norfolk Constabulary and have been asked to contact you regarding an incident in Barnham Broom on 26th June 2014, involving a large goods vehicle and a car which was causing an obstruction on the Highway.
I was made aware of this problem the following day and spoke to the haulier concerned to get an all round view of the situation, and it appears the problem arose due to the very poor choice of parking by the car driver. All avenues were exhausted on the day and the driver could not be found, the lorry could not turn around so the officer on scene took the necessary action to remove the obstruction so the lorry could continue its journey.
My role as ALO involves reviewing all abnormal loads which intend to travel on the roads in Norfolk and Suffolk Constabulary, which amount to in excess of 30,000 in the last three months, and my primary concern is the safety of other road users, and the people who are in both Counties.
The haulier in question, Richard Long of Wicklewood, notifies many moves to this office each month and many other loads which are not notifiable to the Constabulary.
I have been in post for the last seven years and have always had a good rapport with Mr Long and his office staff who notify me of the movements, and we have an agreement where there are three designated routes to and from his depot which were drawn up after consultation with Roads Policing and local Safe Neighbourhood Team (SNT) officers , and an understanding that he does not move through Barnham Broom during school start and finish times.
The two routes for any loads over 44,000kgs are as follows to be split evenly between the two:
Route 1: B1135 from depot – B1108 – A47 and onwards
Route 2: B1135 from depot – B1108 – Dark Lane – Bell Road – Mill Road – Honingham Road – Barnham Broom Road – Mattishall Road – A47 and onwards
Any load under 40,000kgs(either Route 1 or 2 or 3) :
Route 3: B1135 from depot – Tuttles Lane– A11 and onwards.
Part of my role as ALO is liaison with the hauliers to use the safest route to and from their depots and to ensure that all moves are notified to this office with at least 48hours notice.
The Construction and Use Regs. 1986 and the Special Types General Order 2003 govern the movement of such Abnormal Loads on the road in respect of lighting, notifications, speed limits etc. but gives me no authority to stop any vehicle from using a particular road, and as long as the relevant notification has been lodged with me, and the haulier abides by the laws laid down by the legislation and any other legislation such as weight limits, then he can use any road. I am not aware of any weight restriction in that area.
There are guidelines in place from ACPO (Association of Chief Police Officers)which affects abnormal loads and the use of Private escort vehicles, Police Escorts which are paid for by the haulier, and in Norfolk we do not allow any movements at night (as defined by "lighting up times"). To that end each of the abnormal loads over 3.5m wide moved by Richard Long are required to have a private escort till they reach the A47, as it did on the day in question.
However, Richard Long Transport have abided by the agreement reached with me and for the last seven years since being in my post I have had no complaints from residents or other road users regarding these large loads .In fact, for the last four years PCSO Marie Albinagorta who works in this area, has stated that no one has told her of any problem.
As far as signage forewarning of a wide load, I feel this is not manageable and an escort vehicle with amber flashing lights does the job albeit only an immediate warning.
If weight restrictions were imposed then obviously the loads would be routed on the B1108 to the A47, but this would also affect any agricultural vehicles in this area which also have to access the village.
If Mr Long agreed to stop moving through Barnham Broom then his only route in and out of Crownthorpe would be along the B1108 to the A47 and the pressure on other villages like Barford and the road system would be doubled.
Should you wish to discuss further or visit at Norfolk Police Headquarters, Wymondham, I will be happy to assist,
Kind regards
Graham Knight
Abnormal Loads and Voice Recording Administrator
Norfolk Constabulary,
Jubilee House, Falconers Chase,
Tel. 01953 424672
Fax.01953 424656


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Ramada Hotel & Conference Center Munich Messe is modern and decorated hotel offering amazing rooms to their guest which meet their needs, all these rooms are well equipped with modern equipments for added comfort and convenience. The hotel offers amazing facilities, amenities and services which make the customers enjoy their time during the visit such as .Guests are offered a wide range of exemplary facilities at this wonderful hotel.
Munich city center is located 10 mins from the hotel. Messestadt West Underground Train Station is located 450 meters from the hotel.
Cancellation policies can vary seasonally or depending on the hotel or room type. You can review the specific policy for the hotel you selected during the reservation process.
All children are welcome. all children under 4 years stay free of charge when using existing beds. all children under 2 years stay free of charge for children's cots/cribs. There is no capacity for extra beds in the room. The maximum number of children's cots/cribs in a room is 1. Any type of extra bed or child's cot/crib is upon request and needs to be confirmed by management.
Pets are allowed


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I've tried everything. Physical pain, mental torture, everything. And yet I find myself unable to cry. I've lost my girlfriend to suicide, my dog, and my best friend, and still I can't cry. This can't be normal. I need the emotional release, but it just doesn't trigger me, like I'm hollow inside. Please help me, I need this.
Most Helpful Girl
I know you mentioned close people and pets have died... but did you or have you ever felt real true love? Perhaps one first needs to love first to be able to be saddened to the point of breaking down?
Of course I could be completely wrong for many reasons... one being I haven't ever actually looked into this or situations such as yours... it's just simply a quick assumption... and also, I do remember learning that crying is something one learns to do to show that we are sad without words... but it is not necessarily necessary.. meaning that simply because there are no tears does t imply there isn't pain or sorrow present... often people make the mistake and assume that simply because someone doesn't cry with tears implies that the hit didn't hurt, or the situation didn't upset them as much etc etc.. but it's just not true..
That aside, my grandma is still alive and my dad and all his siblings always say they've never seen her cry at all... not even at her mothers funeral or my grandfathers funeral or her sons funeral... but I have seen her express herself in sad ways... yet no tears ever.. it's odd..00|00|0
I know love when I feel it, like with Jay. Also, I need the emotional release.
Most Helpful Guy
I cry often. It's really weird. I start talking about how much I love my dog, I get tears in my eyes... I've always been that way. I think about my grandma i get tears in my eyes... I'm emotional and shit.00|00|0


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Style: 20543765 Color Code:
Soft cotton dress with semi-sheer elasticized ribbed top. Cinched bust with drawstring for bow. Adjustable knotted spaghetti straps. Layered cotton and gauze skirt with eyelets.
Measurements for Size Small: Length: 31? Bust: 40? at full stretch
Please Note: The lining of the midnight version of this dress differs in appearance from what is pictured in the catalog. Please refer to our model shots for the actual color.


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When you didn't take enough fiber-rich food like vegetables and fruits, drink adequate water, or exercise on a regular basis, you're likely to suffer from constipation.
That's not all. Taking certain drugs, under stressful situations, experiencing changes in your lifestyle or routine, ignoring the urge to move your bowels, abusing laxatives, having irritable bowel syndrome, traveling or hormonal changes can also cause constipation.
So, what can you do to treat constipation?
Needless to say, all you have to do is take more fiber-rich food, drink more water and exercise regularly, right?
Well, not exactly. These good eating habits and lifestyle may work for most people. But some people just couldn't move bowels smoothly or fail to pass stool at all for days even with more intake of water and fiber.
When that occurs, you need something really powerful to override whatever that stops you from loosening bowels. And that would be coconut oil.
More often than not, you suffer from constipation because your stool is hard. And forcing it out may cause rectal bleeding. Softening your stool with coconut oil can greatly reduce the friction between your stool and rectum, resulting in smooth bowel movements.
Some people mistakenly thought that coconut oil causes constipation. It actually ...read more


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Decent sized virginia creeper
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Decent sized virginia creeper
I collected this a while back. It's basically a big cutting, but considering their ability to root, I'm confident it will do well. There's nothing in the way of branches, but it does have a nice trunk, with some movement and a cool looking wound.
I think it will turn into something interesting.
I think it will turn into something interesting.
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From a media release:
PUBLIC RECORDINGS presents
Part of the
Brian Webb Dance Company 2010 / 11 Season
Relay, a collaborative choreographic experiment for eight performers and two musicians by Public Recordings will be presented on January 21 & 22 at the Timms Centre for the Arts (87th Ave. & 112th St).
Relay investigates the role of the dancer as an authority of the emerging dance archive by dragging the memories of their past performance experiences back to the future. This unearthing is done with care and awareness, privileging both the dancer's autonomy of experience and the original artworks evoked to examine and reframe the function of memory and imagination in the persona of the performer performing. Relay also re-imagines unison as a mode of being together, asking if it is both possible and interesting to move together without abandoning individuality. A formal element in dance for as long as people have been dancing, Artistic Director Ame Henderson wants to confront the taboo and pleasure of both watching and making movement in unison, activating unison as an extreme gesture of togetherness to allow for the emergence of sensational difference, connection and participation.
Established in 2003, Public Recordings supports and promotes the works of Ame Henderson and her collaborators. The company has a distinctive style that incorporates ideas and aesthetics from other disciplines and questions recognized performance models. Henderson's work challenges all of our preconceptions and takes us to new territory, to new theatre and most certainly to new dance. Deeply committed to collaborative working structures as both an aesthetic interest and a political responsibility, the company continues to research and promote reciprocal engagement. Public Recordings is recognized as one of Canada's leading avant garde dance companies.
• $30 ($20 Students/Seniors)
• Available at TIX on the Square: 780.420.1757 or
• Online at www.tixonthesquare.ca or
• At Brian Webb Dance online
• Note: all performances begin at 8pm.
PS - after the show in Edmonton, they'll be performing at Vancouver's The Cultch from January 25 - 29.
My blog talks about global culture, arts
and travel - and the ways
they intersect
You can also read my pieces at:
• The Huffington Post
• Okayafrica.com &
• Myentertainmentworld.ca
Tuesday, January 4, 2011
Public Recordings brings Relay to Brian Webb Dance Season
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I've hooked up a serial Elo touchscreen to my PC, and after some fiddling got X to notice it. However, as soon as the screen is touched, X crashes out.
This bug was found in xserver-xorg-input-elographics/1:1.3.0-1 and fixed in xserver-xorg-input-elographics/1:1.4.1-1 (Debian bug report here). However, the version in the Ubuntu repositories is still 1:1.3.0-1build2 and still contains the crash.
When will the fixed version be added to the repositories?
EDIT: Ignore the "Ubuntu 10.04 Lucid Lynx" in the user info to the left, I'm using 12.04. But I can't change it because I'm not a regular here.


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Panasonic's Replacement Filter Unit is a replacement cartridge for the PT-VW330 projector.


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GabPhoto Photographer
Jen ElliottMakeup Artist Female Vancouver, British Columbia, Canada
My MM URL: http://www.modelmayhem.com/jenlelliott
Mayhem # 574581
About Me
I've been a Make-up Artist for over 5 years now. I graduated from John Cassablancas Make-up Artistry program with experience in all areas of Make-up Artistry (beauty-special effects).
I'm interested in doing make-up for:
- Photography (fashion editorial/Gothic/Punk/general)
- Special events (weddings, grads, air brush)
- Fashion shows
- Standard beauty make-up etc.
- Theater
Whatever is thrown my way, I like a challenge.
I do Charge full price which is reasonable plus images for portfolio (nonnegotiable). Contact me for more info.
I'll travel just about anywhere to do my job.
If you have any further questions feel free to contact me. I look forward to hearing from you.
I am taking clients again. I do work F/T in an office so I'm only available in the evenings and weekends.
Have you worked with Jen Elliott? Add Credits for Jen Elliott! >>
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#658215 IanM
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#610392 GabPhoto
#480250 Chris Urban
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#339161 Maggie
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#464254 Jen Schek
Forget Me Knots (band)
Music Video(s):
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How I became a Killer Clown (@Spectral Theater)
Pyewaket (@ Spectral Theater)
GabPhoto Photographer
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Jen Scheck Model
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Chris Chong Photographer
Kuna Photography Group Photographer
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Duck & Decanter Camelback in Central Phoenix: Happy Hour Report Card
Duck and Decanter for happy hour? Wine not?
Melissa Campana
Each week we venture to a new restaurant to check out what the spot has to offer during our favorite time of day — happy hour. Whether it's affordable appetizers, delicious drinks, jaw-dropping deals, or none of the above, we'll check out the situation and report back.
The Spot: Duck & Decanter Camelback
1651 East Camelback Road, Phoenix
The Hours: Happy hour is Monday through Friday from 3 to 7 p.m.
Perfect For: When you want to "turn up," but you want that to mean wine and cheese in a pleasant atmosphere.
The wine cellar at Duck and Decanter Camelback. It's like the library from Beauty and the Beast, only with wine instead of books.
Melissa Campana
The Interior: Housed in an A-frame and shaded all around by eucalyptus trees, Duck and Decanter Camelback has a "cabin-in-the-woods" feel to it. Various members of the Duck and Decanter family hustle about behind the long deli counter, making sandwiches and calling out orders. Grab a table outside if the weather is nice, or head upstairs to check out local artwork while you eat. There is also a small room in the back for more private conversations, or a wine bar where you can people-watch from behind a stained glass window.
Old school charcuterie: brie and gouda on a bed of lettuce, with olives, grapes, apples, baguette and crackers. We opted to add pate and salami, just for fun.
Melissa Campana
The Food: Happy hour at the Duck means an $8 cheese plate, $10 if you add meat. You get to choose two of each, or you can let your server choose for you. (Spoiler alert: whatever they pick will be amazing.) This is not today's trendy charcuterie platter, which generally comes with a slice of manchego, two olives and a speck of salami. (Get it?) This is everything you want a platter to be: generous hunks of cheese, apple slices, grapes, olives, sliced baguette, and crackers. Even without the meat, it's enough to feed two hungry, classy people. But if you add meat – and you should – you will also get your money's worth of high quality prosciutto, pate, or countless other options. The cheese board normally starts at $14, so if you have champagne dreams and beer bottle pockets, this happy hour is for you.
Rest assured: Duck and Decanter takes the latter part of its name seriously.
Melissa Campana
The Drinks: Duck (sorry) into the aforementioned wine cellar to pick your poison. Duck and Decanter takes a down-to-earth approach to wine and beer; while they have a fine selection of both, this is the place to say, "I don't know anything about wine but I know what I like." The barkeep will help you out, and while he's up for a chat if you are, he's happy to leave you alone, too. House wines and draft beers are $3 on happy hour, and sometimes (or at least, during our last visit) there is a classically trained violinist just, you know, practicing in there between sips of wine.
Conclusion: Newcomers to Phoenix could be here for years before finding out about Duck and Decanter, and that's too long to eat second-rate sandwiches. When you do make the hidden gem a part of your routine, discovering its happy hour is like dressing on the Reuben. The crowd is mixed; you're as likely to run into a co-worker as you are your 4th grade teacher and her mahjong crew. Mostly though, it's just a lot of locals looking for quality food and wine in a place where they can connect with their fellow Phoenicians.
Don't Miss: The unique shopping opportunity: Jars of tea leaves are stacked next to funky kitchen gadgets, cactus jellies, and satchels of stroopwafels. It's a great place for stocking stuffers or housewarming gifts.
Skip This: Sitting in the way back, west corner of the restaurant, unless you're there to break up with someone. Any other spot means friendly faces all around, and half the fun at the Duck is mixing it up with other patrons.
Grade: A
Related Location
1651 E. Camelback Rd.
Phoenix, AZ 85016
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text: I hope you've been saving your pocket change in anticipation of some cool Android sales, because today is the day. Although, I'm not sure what you're going to do with the change. There's not a coin slot on your phone, so hopefully you have access to reliable banking. At any rate, your electronic money can be spent on the following things, which are cheaper than usual.Read More


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Neyda Martinez, the Bronx Leadership Academy guidance counselor who encouraged hundreds of at-risk students to attend college and who was named teacher of the year by a citywide nonprofit in November, died from cancer on Thursday, January 26, at Calvary Hospital. She was 54.
Martinez, praised by students and peers alike for her boundless energy and motherly nature, had been struggling with breast cancer for three years, and, despite her wishes, finally took leave from her work in October.
Two months later, Junior Achievement of New York (JANY), a leadership organization that introduces students at inner-city high schools to mentors and potential careers in the business world, awarded Martinez, its representative at the Bronx Leadership Academy, its annual teacher of the year award.
Asked in early December how she earned students
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Home / baby, kids & toys / baby essentials / baby toiletries / baby shampoo & body wash /
Baby Shampoo & Body Wash
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We love babies. And we understand babies' delicate eyes need special care. That's why JOHNSON'S Baby Shampoo with calming lavender is as gentle to the eyes as pure water. Our NO MORE TEARS formula contains natural lavender and chamomile, ingredients known to soothe and relax. Clinically proven mild, it cleanses gently and rinses easily, leaving hair beautifully soft and shiny.
Moms Trust JOHNSON'S Baby Always Mild & Gentle.
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Full Release
A complete, searchable database of Skylanders characters, with all sorts of stats, pics and info, you say? Best feast your eyes on this, then...
Looking for games for your children? Why not give our Game Finder a try, and find the best games for their age group.
The little guys return in a 3DS adventure that's unlike any Pikmin game you've ever playedGenre(s): Platform (2D)
Quick-fire fun with Kirby's latest little downloadable titleGenre(s): Action (3D)
Build your own bustling desert town in this adorable action adventureGenre(s): Role Playing Game (Real Time Battles), World Building
Long-running farming-come-life-sim Harvest Moon returns to the 3DS - but is it any good?Genre(s): Life Simulation
Everyone's favourite culinary mini-game whiz is back - and this time she's baking up a stormGenre(s): Mini-game
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|By MandalorianFettBoba
|More from MandalorianFettBoba
|No update page
|Chapter information
|Written by
|Release date
December 13, 2015
|Last chapter
Months passed in Ba Sing Se, Andrew lie dormant, slowly adjusting to the New World around him. His power armor had run out of Fusion Cores promptly rendering it useless. As such he found an alternative usage of his time. Traveling South, to the Earth Kingdom port city of Mushao, he became an apprentice under the tutelage of Yen Diao, the foremost Smith and Swordsman on the entire Earth Kingdom continent. After three brutal hard weeks near nonstop and continuous training, he finally mastered the sword. As such, he smithed his own blade. Using the materials from the Northern Spirit Pole which Yen had salvaged in a bygone era, he fashioned a black shadowy blade, the sharpest in all the lands.
However, word spread south quickly. Ba Sing Se had fallen, and as such the Earth Kingdom had effectively fallen as well. The week after, a royal Fire Nation caravan entered town, escorted by a contingent of Royal Guards. He assessed the situation, and instantly knew the consequences of their arrival. As such, he quickly intercepted the Convoy, halting their advance. "May I ask who wishes to parlay with the inhabitants of this town?" Andrew said confronting the Fire Nation convoy, clad in his armor, gripping his Dai-Katana with both his hands.
"Her Royal Majesty Princess Azula's caravan is here to collect anything of monetary value from this locale. Stand Down immediately or be eliminated!" A Fire Nation Army Commander shouted a decree. Ten Fire Nation Soldiers dismounted their cavalry and surrounded Andrew. "Last chance moron, step out of the way or die." The Royal Guard Lieutenant threatened Westfield who held his Katana in a ready stance. "I don't think so." Andrew muttered as he threw a smoke bomb to the ground. The Fire Nation soldier's vision was obscured as the blindly pummeled the location with a torrent of flame.
Westfield came up behind the first soldier and thrusted his Katana, the Blade piercing the Guardsman's back. He quickly turned left and with precision cut two Soldier's abdomens open in one fell swoop, spilling guts across the dirt. Westfield pivoted slightly rightward and delivered a critical blow to the back of the next of a guard before decapitating the other two beside him with a one swing. He took out four throwing knifes as the smoke cleared and tossed them at the remaining two Fire Nation soldiers. The first knife pierced the man's visor entering his brain. The second projectile slammed into the poor sod's neck causing him to bleed out. The remaining two both hit their targets in the center mass, one impacting the heart, the other piercing the lungs.
As the smoke died down a scene of primal carnage surrounded the masked man. "Any further questions?" Andrew tauntingly asked just as a bolt of lighting hit the ground next to him. Three teenage girls hopped off their lizard mounts an charged Westfield. He swung at the one with the braid first, who knocked the blade out of his hands with a kick leaving him defenseless. Prior to the freak accident, Andrew had studied for years learning Bo-jitsu, Kung-Fu, and Ju-Jitsu as a hobby, now it had come in handy. She went in for a roundhouse as Westfield grabbed her leg in midair and tossed her into a market stand; collapsing it onto her.
The second female warrior launched a barrage of Kunais at him, he quickly slid to the left, narrowly dodging the barrage. She threw another fusilade, this time Westfield managed to catch two of the flying Kunais and he tossed them back at her. Both Kunais hit her robes, pinning her to the wall of a nearby house. The Last member of the trio shot more lighting towards him which he narrowly avoided with a barrel roll forward in which he grabbed his sword. He charged forward dashing left and right to avoid her electric strikes. He leaped into the air and hit the Lighting Warrior with a bicycle kick to the face, knocking her out cold. He sheathed his sword as he said to the remaining Fire Nation contingent "Collect your damn wounded and don't come back!". They promptly obeyed and collected the female trio and loaded them onto the back of their mounts and sped off.
"Nice performance, we could use someone like you on our team." A voice congratulated from behind Westfield's back...
See more
For the collective works of the author, go here.


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Phoenix Comicon 2017 Memberships Now On Sale!
Get your passes now to attend Phoenix Comicon, May 25-28, 2017 at the Phoenix Convention Center.
All badges get you in and out access to the Exhibitor Hall, Programming Events at the Phoenix Convention Center and Hyatt Regency, and access to autographs with guests. Please note - some programming events may require an additional ticket or fee, but these will be clearly marked. Certain guests and most actors may charge an autograph fee.
FAST PASSGood for all 4 days
- Proceeds from the first 100 Fast Passes sold go 100% to Kids Need to Read. Full Event badge to Phoenix Comicon, good for all four days of event May 25-28, 2017.
- Fast Pass holders will receive Dedicated line access to actor autograph and photo op lines. A special lanyard, Tote bag, and Collectible item. Quantities are limited.
- Price good until May 28th.
SATURDAYGood for sATURDAY only
- A Saturday Badge to Phoenix Comicon will get you into the event on Saturday, May 27, 2017 ONLY.
Full EventGood for all 4 days
- A Full Event badge is good for all four days of the event, May 25-28, 2017 and includes a collectible lanyard.
- Pricing for the Full Event badge goes up the closer we get to the event.
- Quantities of Full Event badges and Lanyards are limited.
sundayGood for all Sunday ONLY
- A Sunday Badge to Phoenix Comicon will get you into the event on Sunday, May 28, 2017 ONLY.
THURSDAYGood for THURSDAY ONLY
- A Thursday Badge to Phoenix Comicon will get you into the event on Thursday, May 25th, 2017 ONLY.
SidekickGood for a 4 days
- A Sidekick Badge is for kids age 3-12. Sidekick Badges are good for all four days of the event, May 25-28, 2017
- Price good until May 28th.
fridayGood for friday ONLY
- A Friday Badge to Phoenix Comicon will get you into the event on Friday, May 26, 2017 ONLY.
- Price good until May 24th.
childGood for all 4 days
- A Child Badge is for kids age 2 years old and younger. Child Badges are good for all four days of the event, May 25-28, 2017.
- Price good until May 28th.
Badge Details / Information
- This badge cannot be replaced if stolen, lost, or destroyed and is valid only for the event/day for which it is issued.
- This badge is not transferable or redeemable for cash.
- Reproduction of this badge is not permitted.
- Unauthorized or unlawful resale or attempted resale is prohibited by law and ground for seizure without compensation.
- Management reserves the right without refund to revoke/refuse admission or to eject any person who fails to comply with the rules of the show/venue and all applicable laws.
- NO refunds/exchanges.
- Badge holder assumes all risk and danger of personal injury, damage to property, including death, and all other hazards arising from, or related in any way to, the event for which the badge is issued, caused by negligence, gross negligence, or otherwise, and the holder releases Phoenix Comicon, the Phoenix Convention Center, Hyatt Regency, Sheraton, Renaissance and its employees, crew, and its agents from any and all liabilities/claims resulting from such risk, danger, damage, injury or death.
- Badge holder consents to use of his/her image or likeness by media now known or hereafter devised for advertising and/or promotional purposes.
- Badge holder agrees to not take pictures or video where posted as prohibited.
- It is the policy of Phoenix Comicon, when deemed necessary, for authorized persons to search and inspect attendee's bags.


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Looks like Country Club Estates is no longer available on Rent.com which means this information is likely out of date.
This property is an income restricted property. A maximum income limitation may apply. Not all renters will qualify and other restrictions may apply. Please contact the property for details.
A country setting within the city limits at the end of a dead end road. Two three story buildings, 24 units each. Large parking lots on both sides of the buildings. Laundry on all floors. Twelve garages available. Pop machine, 20oz. bottle for $1.00.
Lease Terms: 12 months. Security Deposit: $250.
No Pets
48 units
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A small cube truck stopped outside my flat earlier today and I saw that some folks were moving in to a flat across the road from mine. The driver of the truck was one of the handsomest studs that I had seen in a long time. I decided that then and there I was going to stand behind the curtain and jerk off while I watched him. He opened the driver's door and climbed out. He was around 35, fair skinned, and dirty blonde hair. He had green shorts on and an open vest, from which I could see nice firm pecks and a nice pair of man tits with nice nipples. I had the window open and I could hear him speaking to the other folk. They were speaking about the cost of the move and settled on a fee. He was handed a cheque and I heard the people say they would be gone for about 5 or 6 hours running errands. When he was done just lock the door behind him. They shook hands and the owners left. He stood there a moment rubbing is hard six Pac torso god I found him hot and I imagined him in a uniform making me suck his cock and then fucking my ass good and hard. I bet he was hung like a horse.
It was hot today and he was drinking a lot of water from a bottle he had in his hand. I was standing behind the blinds looking at him - hoping he didn't see me. He went to the truck and opened the back doors of it. It looked like it would take him an hour or so to empty it. I thought to my self, damn there is time for me to go to the washroom and douche and then get my dildo out of my room and then watch him through the curtains while I pushed it up my ass. I practically ran to the washroom grabbed my enema bag and filled it with warm water and then douched. It only took 5 minutes. Then I darted to my bedroom and got my dildo and poppers out of my dresser drawer and rushed back to the living room window. Good, he had hardly started to unload the truck. He looked so hot. As I watched him I took a few deep sniffs of poppers and then placed the head of the lubed dildo against my puckering hole. Slowly I inserted it while I stared intently at the stud across the street from me. It took him about an hour to unload the truck and I had a good fuck session while I watched and fantasized about him. But I didn't cum, I wanted to play with my various dildos after he left and pretend that he was working my body over. When the truck was empty I saw him put his arms in the air and stretch. His chest bulged out and his crotch tightened. Damn he must be hung. He closed the rear doors of the truck. I watched him take his vest off and wipe his face with it. I could see his sweaty body from all the going back and forth. Then he sauntered over to the driver's door to get in. I thought that was the end of me watching him - He sat in the truck gunned the motor, but instead of driving off he came out and went to the other side of the truck. Right in front of my front window. He opened the passenger door, as if to hide himself looked around to see if anyone was watching and then he pulled out a rather large dick from his shorts and started to piss - right in front of my eyes. He had a large uncut dick at least 5 inches soft. I could see it very clearly. He was standing there pissing pulling the foreskin up and down as the yellow nectar was gushing out - he had drunk a lot of water during work. I must have moved out from behind the curtain for a second because suddenly he looked up and our eyes locked. I was in shock and moved out of sight afraid he saw me...but I couldn't stay long without seeing what was going on. I peeped again and he was still there, looking at me, his dick still out but not pissing anymore. I looked at his dick and wasn't sure if it really looked a little larger and harder then before or it was just my active imagination. Finally he put himself back in his shorts, and went back to the driver's seat but he didn't drive away. He backed the truck up and then turned into my driveway and just sat there for a few minutes. He turned the engine off and locked the truck and walked across my driveway in the direction of my front door.
Before I knew it there was a light knock on my door. I pulled myself together and grabbed my shorts and put them on and then opened the door. There he stood. No shirt, sweaty, and a slight tent in his green shorts. In his sexy deep masculine accent he asked me if perhaps I could let him have a shower. He was going to have one over at the place he moved stuff into but had locked the door before he could do so. Well I couldn't refuse a stud like this and maybe just maybe he would let me service him. I let him in and closed the door behind him. I told him that I was Lucas. And he told me he was Nebraska. I showed him the way to the bathroom and got him a fresh towel. I asked him if he would like a drink, he mumbled sure. I also thought fast and said I don't think you want to get back into these dirty clothes when you are clean, how about I through them into the washer and dryer and you can wear my robe till they are done. He said sure and then entered the bathroom. He then took off his clothes and standing full nude in front of me, handed me his stuff. God he was magnificent. I took his clothes and quickly turned away and went to the laundry room. I heard him turn on the shower and I let out a sigh. Oh God please please please let this turn into a fantasy. I went to the living room and opened the bar and poured him a scotch and soda. Then I poured myself a triple Vodka Stinger and downed it in one gulp. I poured myself one more drink but just a regular this time. I heard Nebraska call me from the washroom. I went into the bathroom with our drinks and could see him soaping himself up through the shower curtain. I asked what it was he wanted. He said would you mind scrubbing my back, I can't get one spot. Then he said maybe you should take off your clothes so they don't get wet. I was felt woozy I was going to be in the nude with this hot stud. I handed him his drink. He nodded to me clinked the edge of my glass and said salute. Then in one gulp he downed it. I followed suit. I quickly stripped and stepped into the shower with him. He turned around presenting his back to me and I grabbed a wash cloth and started to clean his back. Oh God, he was a hunk, he was firm everywhere. After a couple of minutes, he turned around. He had a warm smile on his face and then said ah, that feels so much better. Thank you for your hospitality my friend. He stood there for a moment looking me in the eyes with his deep blue ones. Then with his arms spread widely he wrapped them around me, leaning into me and looked deep into my eyes and put his lips to mine and kissed me with all he had, rubbing our bodies together. I could smell him, fresh, clean and manly. And horny. I could feel his hardening cock against my own. His cock was hard I saw how huge he really was. His masterpiece was at full mast. He was a good 10 inches long and thick too. It reminded me of Jeff Strykers Cock. Then he reached for the shampoo and put some in his hand. He rubbed them together to make lather and then he began to soap up my body, rubbing his strong manly hands all over me. He worked his hands up and down, first rubbing my tits and then down my chest to my hard cock and then put his arms around me and pulled me into him. He planted his mouth on mine and french kissed me passionately. Then his soapy hands moved down my back massaging it and over my butt cheeks and then they spread them apart and he touched my hole with one of his fingers. I trembled. Since my hole was loosened up from the dildo that I had used, his finger slid in without using any pressure at all. We both gasped at the same time. Me from pure pleasure and him from the amazement of such easy access. He pulled his head back from mine and looked me in the eyes and smiled and then said, you like, Ya. I nodded and replied, oh Ya, I like. He laughed and then hugged me tighter and slipped his finger into my ass as far as it would go. I moaned a sigh of pleasure. And he said OH YA, good Ya good. I reached around to his hand and pulled his finger out. He had a surprised look on his face. I guided his hands in circular motion over my ass cheeks. And then I looked at him deep in the eyes and then reached through the shower curtains for my poppers that were on the shelf beside the shower. I held them up and showed him. Then I uncorked it and took a couple of deep sniffs. He watched me intently. I don't think he knew what I was doing. I recapped the bottle and put it on the shelf and then reached behind me took one of his hands and squeezed his four fingers together and then placed them against my eager hole. Then I did what I do best. I pushed out my inner hole and made the opening vibrate and pulsate, then urged him to start pushing them in. He smiled deeply and obliged me. His manly fingers entered my hole. It opened up wide to accept this stud. I was moaning in ecstasy and he was making little cluck cluck noises as he penetrated me further and further. He massaged the inside of my hole and kept saying over and over again. Oh Ya, Oh Ya. Gooood He played with my ass for a good 10 minutes. Then I took his fingers out of my ass and turned the water off. We dried each other and went to the bedroom - both of us understood what we both wanted.
He laid on his back on my bed and I was on top of him, kissing and licking, I went down to his nipples and started licking and sucking them and he was moaning - he was a huge man and I would have never guessed he was into guys, and that really turned me on to see him enjoy what I was doing to
him. After being done with his nipples, I went
down to his reddish pubes and then to that hard dick. It was like a
feast for me - I went up and down, pulling on his foreskin, licking his balls which were hairy and hanging nicely.
As I looked up while sucking I saw him pulling on both his nipples - damn that made me even harder. Then he reached down and took my head off of his pulsating cock and gently rolled over on top of me. He then kissed me deeply and then licked me down my neck to my nipples that he gently chewed and sucked on. Then he worked his was down to my crotch and sucked me. He lift my legs up to get a better reach of my asshole - He took his mouth off my cock and started eating my eager pulsating hole and I was moaning loud now - real loud. He pulled me up to him till our lips met again with my legs still up and now his dick was rubbing against my dick and balls. I wiggled my ass and looked at him as if saying - FUCK ME.
I was lubed from him eating me and there was a condom on the desk beside my bed, so he put a rubber on then handed my bottle of poppers and I took a few deep long sniffs as he just
rubbed his dick against my rear hole. I recapped the bottle and then he looked into my eyes. He knew it was time and started pushing in – Entering my hot hole with his 10 thick inches. Slowly going further and further in deeper and deeper until his balls slapped against my cheeks. I moaned deeply with pleasure and he smiled and pursed his lips and let out a gasp. And shook his head. Oh Ya Good Good. Then we were kissing and I could feel him move his cock around inside of me while I lay under him like a submissive bottom. I rested both legs on his shoulders
and he was going in and out of my sweet tight ass. He was moaning and still kissing me, and was fucking me and rubbing my man tits and hard nipples. I knew that it would end too fast if he continued in this position I love best, so I urgered him to pull out and then flipped over on all 4's and let him take me doggie style. He pushed my head into the mattress
and had total control over me. I was in heaven. He was piston fucking me hard and deep, and licking my back But his moans were the best part - I love to hear a man enjoying what he's doing to me.
He flipped me on my back again and started fucking again knowing that it will end soon.
He started to pick up a pace and soon enough I felt his rock hard rod Cumming – filling my hot hole. He glued his lips to mine and as he French kissed me he poured his love into me. He hugged me in a big bear hug and he was shooting and shooting and shooting – then I started to cum too, without even touching my cock. Then I knew it was good because I had never cum that way before, it had been a long time since I had such a strong orgasm. He fell on top of me and we lay there for a few moments.
After a couple of minutes, he just got up, got dressed and
said only - Back to work. Before he left he kissed me deeply and then he slipped me his card with his phone number. No doubt I'll call him soon for another fucking session like the one he had.


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A hot summer day is not the time you want to feel warm air coming out of your air conditioning ducts. The temperature is rising, both inside and out, and the do-it-yourselfer in you wants to troubleshoot before calling in an expert. An air conditioning system is complex, but there are checks and balances you can perform to avoid the dreaded warm air blowing on a hot day syndrome.
How an Air Conditioner Works
The unit sitting outside your house, the compressor, pulls in the warm air and then goes to work. Through mechanical magic, it changes that warm air into cool air and sends it into your home. The interior unit houses the fan, and it blows the cool air through your complex ducting system. The thermostat directs the temperature and the filters make sure only clean air is run over the interior coils.
Step 1
Check the thermostat. You don't want a "duh" moment when you discover that the cool switch has slid over to heat or fresh air mode. Be sure the temperature set to produce cold air; then knock it down about five degrees more to see if you can get cold air coming out. Verify that the auto switch is activated. You don't want the fan on at this point. If this step doesn't produce cool air, move on.
Step 2
Pull out the air conditioner's filter. It should be clean, devoid of pet hair, and allow air to move easily through it to the unit. If not, change it and wipe down the intake vents so only clean air passes through.
Step 3
Check your electrical panel to see if there is electricity going to the unit. Go outside to the unit and make sure it's plugged in and running, and that the fan is turning.
Step 4
Clear any debris from around the unit to avoid blockage of the vents. Check for puddles around the base of the unit that may indicate a leak.
Step 5
Check all the duct work in your house. None should be closed as that causes the air to divert itself and may cause the coils to freeze.
Step 6
Once the above steps have been taken and you've remedied any of the problems you've discovered, but the unit still isn't working properly, it's time to dive deeper into the mystery of the disappearing cold air.
Coil Problems
Your coils may have frozen. Symptoms of frozen coils are:
- Buildup of ice on the interior of the inside unit.
- The sound of constant drainage from the inside unit.
This can be caused by one of several scenarios:
- Air flow has been obstructed. A dirty filter, blocked condenser, or a damaged blower motor are frequent culprits. A clean filter can prevent a frozen coil but won't remedy one.
- Blocked air ducts.
- Closed vents.
- A fan that isn't working.
Do not attempt to clean the coils yourself. You may cause more damage, which can be expensive to repair. Instead, turn the thermostat to fan and call an air conditioner professional. The fan will melt the ice if you do have frozen coils, making the repair quicker and easier.
Refrigerant is low
Also known by its old name, freon, the refrigerant chemical is the facilitator that turns the warm air into cool air. Just as in your car, the refrigerant can run low through use or a leak. The types of refrigerant used in air conditioners is in transition, with older units using R-22. Known as an ozone depleting chemical because of its chlorine content, R-22 is being replaced with R-401a. Considered ozone friendly, R-401a contains no chlorine.
Your thermostat needs replacing
- Turn off the power to the air conditioning system.
- Open the thermostat cover and find the yellow (y) and red (r) wires. Disconnect them and twist them together.
- Turn the power back on. If the blower starts up, your thermostat is faulty. If it doesn't, then the problem is not the thermostat.
Unless you are well-versed in electrical and wiring matters, replacing the thermostat should be handled professionally.
Faulty Duct Work
The return duct is the spot where air is sucked in within the house and passed over the coils, cooled and then sent out through the vents. If it's pulling in un-cooled air from the attic, the unit must work harder to cool this unprocessed air.
Climb into the attic and check the duct work for your system. Look for any collapsed section that may block airflow, holes or leaks and repair them as necessary. Do not clean the duct work yourself, especially if you live in Florida, and if the ducts are fiberglass. The process may stir up and loosen the fiberglass, a suspected carcinogen or cancer-causing agent.
You can prevent warm air from showing up when cool air is preferred by having a maintenance contract with an air conditioning specialist. These professionals perform yearly maintenance and checks of your system. If you do have a problem, your air conditioning person will most likely show up at your house before calling on someone who doesn't have a service contract. In the long run, it's less expensive than repairing a major problem. Change your filters yourself monthly and wipe the intake slats clear of dust and debris.


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So I wonder what the youngest people would date, so just mention your age and the age you'd date.
Most Helpful Guy
I'm 34 and the youngest I'd date is 18. That's not to say I am actively searching for 18 year olds.00|00|0
You picked me for BA over 38 people? Thanks! :)


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Performance History
The Center Dance Company, founded in 1984 by Kenneth and Kathy Fredgren, became BalletNova in 2009. Started as an outlet for local professional dancers to perform and choreographers to set new pieces, the Company now produces excellent community performances featuring some of the most advanced and promising students from the school as well. Local professional choreographers are highlighted each year.
BalletNova produces three theatrical performances each year, in addition to many community performances and events throughout the region, and in BalletNova's studio performance space.
La Bayadere, Act III, Kingdom of the Shades and Other Works
May 20-22, 2016
The Nutcracker
December 3-6, 2015
Fairfax Dance Coalition
October 3, 2015
The Firebird and Other Works
May 1-3, 2015
The Nutcracker
December 4-7, 2014
Fairfax Dance Coalition
October 11, 2014
Paquita and Other Works
May 2-4, 2014
The Nutcracker
December 5-7, 2013
Fairfax Dance Coalition
October 12, 2013
Swan Lake Act II and Other Works
May 3-5, 2013
The Nutcracker
November 29-December 2, 2012
Fairfax Dance Coalition
October 7, 2012
Classical to Contemporary
May 4-6, 2012
The Nutcracker
December 2-5, 2011
A Celebration of Dance - Fairfax County Dance Coalition
October 1-2, 2011
Dance Dreams in Black and White
April 29-May 1, 2011
A Celebration of Dance - Fairfax County Dance Coalition
January 29-30, 2011
The Nutcracker
December 2-5, 2010
Peter and the Wolf and Other Works
April 30-May 1, 2010
The Nutcracker
December 3-6, 2009
The Firebird and Other Works
May 22-24, 2009
The Nutcracker
December 5-7, 2008
Spring Forward Collection
May 16-18, 2008
The Nutcracker
November 30-December 2, 2007
Swing into Spring
May 111-13, 2007
The Nutcracker
December 1-3, 2006
A Choreographic Collage
May 12-14, 2006
The Nutcracker
December 2005
The Firebird Triple Bill
April 1-3, 2005
The Nutcracker
December 3-5, 2004
Swing on the Side
April 2-4, 2004
The Nutcracker
BalletNova has been performing in the area since 1981. Due to the change in location and ownership we continue to track down our performance history to update this page. Thank you for the continued support!


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"Game changer" is a term you hear often when people talk about how technology has changed their industry.
Clicking on an online display ad isn't the only way of responding to it, emphasizes a new iProspect report on a survey of Internet users.

 While 31 percent of respondents to the survey (conducted online in January by Forrester Consulting) said they'd responded to such ads in the past six months by clicking on them, nearly as many—27 percent—said their initial response was to do a search for the product, brand or company. (iProspect is itself in the search-engine-marketing business.)

 Another 21 percent of respondents said they "typed the company Web address into browser and navigated to site." Nine percent reported that they "investigated the product, brand or company through social media or message boards." Thirty-seven percent said they hadn't responded to such ads in the past six months.

 As you'd expect, people were more likely to buy a product if they were familiar with the company and its wares before seeing a particular online display ad. Among those who said they'd responded to such an ad, 33 percent of those who were already familiar with the company or offering said they ended up buying the product, vs. 14 percent of those who were learning of the company or offering for the first time.

 Another question in the survey asked respondents to describe any searches (using a search engine) "you may have eventually performed as a result of the ads you saw." A plurality, 38 percent, said they "performed related search and visited site from search results." Another 11 percent conducted a search "but did not click on any results."

 Gladdening the hearts of the advertisers, 14 percent "performed related search, visited site, and purchased product."

 Source: Adweek


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£60.00 £48.00Made with a soft organic cotton and polyester fleece that has a touch of elastane for movement and recovery. Fair Trade Certified™ sewing.
£80.00 £72.00Built from lightweight organic cotton with just enough stretch, our casual yet dialed Venga Rock Pants live and breathe rock climbing.
£75.00 £60.00This classic straight-leg jean is made of a comfortable, moisture-wicking organic cotton/polyester COOLMAX® fabric with mechanical stretch dyed using an innovative process to minimize energy and water use, and carbon dioxide emissions compared to conventional denim dyeing processes. Fair Trade Certified™ sewing.
£75.00 £60.00These classic cords with a modern, skinny silhouette are made of organic cotton with a bit of stretch.
£55.00 £44.00Perfect from street to trail, these technical pants feature a wide-knit waistband paired with a light, 4-way stretch woven with 50+ UPF sun protection.
£90.00 £72.00Made of a durable, stretch-woven 88% nylon/12% spandex fabric with a DWR (durable water repellent) finish and 50+ UPF sun protection.
£70.00 £56.00These classic 5-pocket cords are made of 98% organic cotton corduroy and 2% spandex for stretch, comfort and mobility. Fair Trade Certified™ sewing.
£65.00 £52.00Made with a lightweight blend of polyester/spandex that provides 50+ UPF sun protection, these versatile hiking pants feature 4-way stretch, a fast dry time and a hidden drawstring at the waist. Fabric is bluesign™ approved.
£60.00 £48.00Lightweight 98% organic cotton canvas/2% spandex capris with a regular fit, stretch and classic chino styling; inseam (size 8) is 27".
Refine Your Results By:


text:
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Beautifully appointed executive home awaits. Gleaming hardwood floors, gourmet kitchen, stainless steel appliances, separate dining room, formal living room, separate guest room with full bathroom, crown molding,Jack and Jill bedroom with full bath. Master suite has picturesque views of the backyard, large master bath with sunken tub with jets and large walk in closet. Garage has built in cabinets, and separate shop area. Private backyard with extensive flat work, beautifully landscaped, perfect for large gatherings or outdoor entertaining. Exterior of home has been recently painted. Meticulously maintained. Why buy new when everything is done. Move in ready.
Listing courtesy of Jacqueline B McAbee, Nino Real Estate


text:
- Authors:
- Abstract:
- The electric utility industries in most African countries are confronted by the twin-problem of deficient capacity and lack of adequate financial resources to undertake capacity expansion of their respective systems. The critical aspects of power sectorreform taking place in many countries are the shift away from state-owned monopoly model towards private sector participation and some competition in the industry. Hydropower plants dominate power systems in most countries in the region. Ghana, which isthe focus of this study, has such characteristics. The hydrology of the river on which the two dams (Akosombo and Kpong hydropower plants) are built is increasingly becoming uncertain, and besides, the power output from the two plants is insufficient tomeet the increasing electricity demand of the country. The alternative is to build thermal power plants to complement the two hydropower plants. The purposes of the study are: (i) to assess the environmental (more specifically air pollution) implicationsof changing fuel mix in power generation in Ghana within the context of the ongoing reform of the power sector and (ii) to assess the capacity of the environment protection agencies to regulate, monitor and enforce regulations in the emerging electricityindustry. The study uses a spreadsheet-based simulation model to determine the potential levels of certain air pollutants – CO_2, SO_2 and NO_X – that would result from changes in fuel mix for electricity generation. Using different capacity expansionoptions proposed for the Volta River Authority (VRA) between 1997-2013, the levels of these air pollutants are estimated. The study further describes other potential environmental impacts of changes in fuel mix in power generation.
- 8755026060
- Type:
- Report
- Language:
- English
- Keywords:
- Systemanalyse; Risø-R-1138; Risø-R-1138(EN)
- Main Research Area:
- Science/technology
- Publication Status:
- Published
- Series:
- Denmark. Forskningscenter Risoe. Risoe-r, Unep Collaborating Centre on Energy and Environment. Working Paper
- Review type:
- Peer Review
- Submission year:
- 1999
- Publication year:
- 1999
- Scientific Level:
- Scientific
- 2185760299


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This gentle wash cleanses with botanical surfactants and safely nourishes with Vitamin E and Pro-Vitamin B5. Our blend of soothing Aloe Vera and Sunflower Seed Oil provides lipid relief to smooth and hydrate your skin.
Suggested Use
Apply to damp skin in the bath or shower. Gently massage into lather and rinse clean with warm water.
Aqua (Water), Cocamidopropyl Betaine, Sodium Lauryl Sulfoacetate, Aloe Barbadensis Leaf Juice (1), Calendula Officinalis Flower Extract (1), Chamomilla Recutita (Matricaria) Flower Extract (1), Spirulina Maxima Extract, Helianthus Annuus (Sunflower) Seed Oil (1), Prunus Armeniaca (Apricot) Kernel Oil, Allantoin, Citric Acid, Glycerin, Lauryl Glucoside, Panthenol, Sodium Chloride, Sodium PCA, Sodium Sulfate, Stearyl Citrate, Tocopheryl Acetate, Alcohol (1), Benzyl Alcohol, Potassium Sorbate, Sodium Benzoate, Fragrance (Parfum) (1) Certified Organic Ingredient
Warnings: For external use only. Keep out of reach of children. Avoid direct contact with eyes. If rash or irritation occurs, stop use and consult physician.
View All Jason Natural ProductsView All Beauty & Personal Care > Bath & Body > Body Wash


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Quick Links to Best Prices
Best Price
1 Item
Valeo Bar Pad
Bar Pad
The Valeo Bar Pad fits both Olympic and standard size bars. Made with a sturdy foam core and velcro closure for easy fastening. The Valeo Bar Pad is completely washable. Save your back on those heavy squats by using this bar pad!
Valeo Bar Pad Features:
- Fits both Olympic and standard size bars
- Sturdy foam core
- Easy fastening
- Washable


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Because we, at FreebieMoneyPrinter.com produce the highest results, BigKabang.com pays us more than any other Affiliates associated anywhere else online. Highest Commissions, Bonuses, and Cash Give-aways that makes our work fun and very profitable!...and paid on your demand.
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2017 Provincial Conference & Celebration
Thursday, September 28, 2017 @ 8:00am - 10:00pm
Courtyard by Marriott, Downtown Toronto
Join us for a full day of co-operative learning, connecting, networking and celebrating!
This year's event will include a very special dinner banquet and Spirit Award ceremony in celebration of Canada's 150 anniversary.
Stay tuned for more details, but in the meantime, learn more here!


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Hohe Salve rankings
Difficulty ranking world: 1793 (all)
Ranking Austria: 104 (all)
Ranking Alps : 668(all)
Difficulty score: 95.6 what?
Hohe Salve ratings
(rate it)
The Hohe Salve is situated in Tyrol. This climb belongs to the Alps .
Starting from Hopfgarten,
the Hohe Salve ascent is 6.6 km long. Over this distance, you climb 660 heightmeters.
The average percentage thus is 10 %.
Look for other sides to climb the Hohe Salve.
Find climbs close to the Hohe Salve: within 10 km - within 20 km - within 50 km
Find all climbs and cols in Tyrol on a map.
Find all climbs in the Alps in Austria on a map.
No stories submitted yet. Did you climb this mountain?
Did you climb the Hohe Salve? Please send your cycling story, description or comments. You can also send us video's or send us pictures on the Hohe Salve.
© climbbybike™ All rights reserved 2005 -


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Artistic Team
Elizabeth Boylan, CEO / Chief Creative Officer
Elizabeth began programming apps and games with the advent of mobile smartphone devices. After 5 years of developing and releasing a series of apps, she founded Big Top Ballet Inc. in 2013. As an artist with programming knowledge she ventures into C#, Unity game development.
Raised in culture rich Montreal, Quebec, she always loved drawing and the classical arts. Yet, before settling on a career in art, Elizabeth pursued a Bachelor of Science in Chemistry with with electives in computer programming from St. Francis Xavier University and business studies at Lille's IESEG in France. Surrounded by beautiful french architecture, she could barely resist cutting out of class to draw in her sketch book. It was that year living and traveling in Europe that ignited her conviction to pursue a career in the arts.
With her snowboard and suitcase in hand, she ventured from her roots in Montreal to the Canadian west coast to further her fine art studies at the acclaimed Emily Carr University of Art and Design. It was in Vancouver, where she also met her husband, John Borchert. A chance encounter with a programmer who now operates as Big Top Ballet's Chief Technology Officer and Lead Developer.
To connect, email: elizabeth {at} bigtopballet {dot} com or follow her portfolio on Behance or Instagram.
John Borchert, Chief Technology Officer
John Borchert is Chief Technology Officer at Big Top Ballet Inc. Programming since he was 19, John created his first 'Space Invader' video game for fun. A deep thinker, often absorbed in research and experimentation, he guides Big Top Ballet's game engine wizardry and mechanics as well independent games the duo have released under different titles.
Born and raised in Vancouver spending many of his days playing competitive tennis, he makes his home in Whistler, B.C. with his wife, Elizabeth. Where he is engineer, she is game architect. Together they work on the inner-dimensions of Big Top Ballet's virtual game rooms and holographic spaces while raising their 10 year old daughter.
To connect, email: john at bigtopballet dot com.
Both founders consult in illustration/ design at ElizabethBoylan.com and mobile development at JohnBorchert.com.