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Princess Esperanza or "Espie" is the daughter of King Alonzo and Queen Manuella and princess of the Kingdom de las Valiente. She is also Prince Salvador's girlfriend/wife. She is an OC by Detective88. Her first appearence is in "MCF: My Big Fat Mystery Wedding". She a 19 year old girl with light tan skin, short/long raven hair, green eyes, and wears a dress with a yellow top, green shoulder straps and skirt. She is voiced by Hyden Walch.
BioEditPrincess Esperanza was born to King Alonzo and Queen Manuella. When she was yong, she was betrothed to Prince Salvador de las Tortes, but she didn't realize it and they were best friends. When she was 8 she saved Buzzy the Crow's life from a cat and nursed his wing back to health until Alonzo told her she has to let him go. It's not that he didn't like Buzzy, it's just that it was the time Esperanza had to practice her magic because a dangerous threat will be in the kingdom soon. Esperanza tearfully said goodbye and Buzzy told no matter what that he'll always be her BBFF(Best Bird Friend Forever). 9 years later, Salvador proposes to her and she accepts. While she goes to tell her parents, she didn't realize that her fiancee has been knocked out by a villain and sent to the dungeon by Orochimaru, who disguised himself as Salvador to marry the bride and take over the kingdom. In the mist, she reunites with Buzzy and becomes immediate best friends with his new friend the MCF. However the girls and Buzzy noticed that 'Salvador' wasn't the guy that Esperanza fell in love with over the years, the guy that Daisy knew since childhood and the guy Buzzy knew during his flight south there. They told Esperanza this and she was concerned, though her parents said that he is nervous and was having marriage fright like she is. Esperanza was really unaware that Orochimaru was sucking most of her magic out of her unoticed with his snakes and jitsu. That night, Tracy and Buzzy heard her and Orochimaru talk until Orochimaru hypnotizes her, leaving him enough time to lock Buzzy and the MCF away in the dungeon so they won't get further suspicions. Just before Esperanza could marry the fake Salvador, the real Salvador, the MCF and Buzzy had escaped the dungeon and revealed Orochimaru's true intentions, making the latter reveal himself to everyone in the congregation. While Buzzy and thee MCF got rid of most of the snakes and saved her father and mother whom Orochimaru had trapped, Salvador went to his bride and kissed her removing her from the spell. Seeing what Orochimaru was doing, Esperanza was about to stop Orochimaru as revenge for forcing her to marry him and hurting her friends and parents, but realized too quick that Orochimaru has taken her magic away. Salvador took Esperanza's hand and used his magic to put into her to make her strong. Together, they used a magic spell to blast Orochimaru to death and kill most of the snakes. Later on, the two lovers were married with her friend Buzzy as the ring bearer and the MCF as her bridemaids. When Esperanza and Salvador went to the carriage for their honeymoon, she thanked the MCF for making her wedding possible and told Buzzy that he'll always be her BBFF. After she got into the carriage, she tosses the bouquet which is caught by Rigby.
She returns in "The Crystal Empire" where she appears and fights off the Cy-Bugs to the Crystal Empire's tyrant, who is later revealed to be The Horned King. For the remainer of the story, she wore magic proof cuffs and she had to take care of her husband who is ill for he was using his magic to protect the empire until their friends found the Crystal Heart and brought it to the people defeating the Horned King. As she and Salvador took the girls, their boyfriends, KT, the RMCF and Buzzy to the train, she jokes around saying that they got to stop saving her butt often.
She returns in several MCF stories, but most notably in MCF: A Cinderella Story wehre she is Daisy's "fairy godsister" and helps her prepare for the Ball.
- MCF: My Big Fat Mystery Wedding(debut)
- MCF: The Crystal Empire
- MCF: A Cinderella Story
Trivia Edit
- Like Salvador, she has a sweet tooth as Starz mentioned that she loves red velvet cake.
- Espie is 'voiced' by Hyden Walch who also voices Starfire from "Teen Titans" and Princess Bubblegum from "Adventure Time"
- Her relationship with Salvador is simular to Cadence and Shining Armor of MLP, except she takes on Shining Armor's role while he takes Cadence's role.


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Size: 20"x20" each. Comes in a set of 4
100% cotton flour sack; made in America all natural, unbleached.
Pattern: Grid
Please allow for slight variations in size and ink color due to the hand printing process
All of our products are original designs of Kathryn Wieldraayer and block printed by hand in our Chattanooga, TN studio.
Care Instructions:-wash on cold- tumble dry on low heat

subset: commoncrawl


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And, of course, the fine print:
Get free shipping on your next order when you spend over $100. The discount will be automatically applied to your purchase; no promo code required. The subtotal of your purchase must be $100.01 or greater after any promotional discounts have been applied. Additional fees such as tax or shipping and handling do not apply toward your minimum subtotal requirement of $100.01. Offer applies to standard shipping only. Certain items that require additional shipping and handling are excluded from this promotion and do not apply towards your $100.01 subtotal minimum. Offer subject to change.
This throw pillow makes a visual pun with two sparring partners in the middle of a match. Each old timey fencer illustration is screenprinted by hand onto linen and backed with a coordinating fabric, with super soft faux down filling in between. Add to the bed or sofa, and be well-prepared for your next pillow fight.
- Natural linen fabric pillow front
- Brown backing
- Faux down fill
- Pillows measure 16" x 16
This product ships from the maker within 7 days, via USPS
If you're not happy with this item for any reason, you may return it for a full refund within 14 days.


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5 American Brands That Are Crazy Popular in East Asia
American products don't always have to be limited to being popular in America. Asia, for example, has adopted some of American brands such as Kraft Cheese, KFC, Coca-Cola, Snickers, and plenty more. So here are 5 American Brands That Are Crazy Popular in East Asia.
Kit-Kats did not originate from America (originated in the UK), but one of the two owners of this brand, The Hershey Company, is located in Pennsylvania, which has to count for something right? The Hershey company distributes this chocolate all over the U.S. and we've only been accustomed the big, bigger, and even bigger size of the chocolate, but Japan has taken it to a whole different level. They have over 80 flavors. These flavors range from strawberry cheesecake to "Intense Roast Soy Bean".
Back in early 2014, Starbucks announced to open an additional 750 Starbucks location by the end of 2014 and 1,500 by 2015. On an attempt to make the most out of this rapid growth, Starbucks also announced plans to open 100 new stores each in Malaysia and the Philippines over the next four years, as well as additional locations in Thailand. At some point in 2015, China is expected to replace Canada as the second largest Starbucks market by store count.
The 7-Eleven craze is getting out of hand in Japan. Japan has more 7-Eleven stores than any other country with 17,009 stores all over the country and 2,246 stores in Tokyo alone! This isn't just in Japan, however, as many Asian countries adopted this American convenience store.
With the Chinese basketball sensation Yao Ming entering the NBA back in 2002, the league's popularity grew big in China. After his NBA arrival, the league began offering All-Star ballots in English, Spanish, and Chinese. In Yao Ming's rookie season, he became a starter for the 2003 NBA All-Star game, surpassing Shaquille O'Neal, who was coming off three consecutive NBA Finals MVP awards, in votes by nearly a quarter million votes, with a mass majority of those votes coming from China. Since then, most of China has been a pretty big NBA fan.
Apple was a big success in China as the demand for its latest iPhone propelled to a 70 percent on-year rise in revenue. Apple generated $16.1 billion in revenue from Greater China, which includes China, Hong Kong, and Taiwan in the three months to December 2014 alone! The region accounted for 22% of Apple's overall revenues. Apple will continue to generate a big revenue from the China area for years to come.


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Cycling along the boardwalk that runs behind the sands of Mission Beach and Pacific Beach, it's easy to poke fun at the homes with cheesy signs by their front doors: "Don't be crabby – you're in a lovely place"; "Another day in paradise".
But if I were fortunate enough to live in San Diego, I could well imagine gushing about my city. Not only does it have an impressive bayside setting and a sunny climate, but it is also made up of a set of appealing and distinctive neighbourhoods.
There's the youthful and surf-loving Mission Beach and Pacific Beach. Just up the coast lies upmarket La Jolla, where every other shop is a gallery and even the rubbish bins are artfully decorated. To the south lies anti-establishment Ocean Beach, where at the South Beach Bar and Grille you can buy a delicious fried fish taco – a local speciality – for just $3 (£1.86).
Farther south, a swooping two-mile bridge over San Diego Bay takes you to clean-cut, ultraconservative Coronado on the bulbous head of a peninsula, where the US navy has a strong presence, and you can see San Diegans in their hordes dressed up to the nines on Sunday morning for brunch at the venerable Hotel del Coronado.
Next Wednesday, after an eight-year gap, British Airways is due to restart non-stop flights to San Diego from Heathrow – at present, there are no direct services from Britain. No longer will British visitors need to make a dreary three-hour drive down the traffic-clogged freeway from Los Angeles International Airport.
With top-notch wildlife parks and wonderful beaches, California's second-largest city has much to offer families – and particularly so during the summer. In July and August, the weather in San Diego is likely to be a lot more pleasant than in the sappingly hot Florida, the more common choice for British families at that time.
San Diego also is great for an adults-only break. Thanks to the proximity of the Mexican border, there's a rich Hispanic heritage, particularly in the Old Town. Buzzing nightlife and trendy hotels set the tone in the Gaslamp Quarter, where the streets are lined with electric versions of Victorian lamps. In the beach communities, there's an infectious, laid-back Surfin' USA lifestyle. Sophisticated restaurants championing seafood and Californian produce are commonplace. In short, San Diego is much more likeable and manageable than that other big southern Californian metropolis, LA.
Below, I suggest how to get the most out of the city, whether you are going there for a grown-up break or taking children. According to the tourist board, it's where "happy happens" – a slogan, I suspect, that is too cheesy even for the most admiring of residents.
San Diego travel advice
When to go
Though Some Like It Hot was filmed at the Hotel del Coronado, San Diego has a mild climate all year around. Daytime temperatures are usually in the 60s from November to May, and in the 70s from June to October. It rarely rains. Inland it is typically several degrees warmer than on the coast. To make the most of nightlife in the Gaslamp Quarter, make sure your stay includes Thursday, Friday and Saturday.
Getting there
Flights from Heathrow to San Diego with British Airways (0844 493 0787; www.ba.com) cost from £585 return. BA also offers packages with car hire and accommodation (including a couple of the hotels recommended here). It's easy to combine a visit to San Diego with elsewhere in California: "open-jaw" tickets to, say, San Diego then back from Los Angeles or San Francisco, cost no more than "normal" returns, and most car rental companies offer free one-way drop-offs within the state.
Getting around
San Diego is spread out, and having a car is pretty essential. A week's rental of an economy-size vehicle from San Diego airport with Holiday Autos (0871 472 5229; www.holidayautos.co.uk) costs £144, including total damage excess waiver.
Try Old Town Trolley Tours (001 619 298 8687; www.trolleytours.com), a hop-on, hop-off open-sided bus service linking tourist areas, with insightful commentary: day tickets $34 (£21), half-price for children aged between four and 12.
San Diego for grown-ups
Where to stay
Of the many trendy hotels to have opened in the Gaslamp Quarter in the past decade, this is one of the more civilised and better-value. Selling points include a rooftop bar with pool, good Californian cuisine in the restaurant, free wine from 5pm to 6pm, and spacious, quirky bedrooms, with polka dot curtains, a rococo mirror and leopard-skin-patterned dressing gowns.
- 001 619 819 9500; www.hotelsolamar.com. Prices from about $225 (£140), room only
Tower 23
By the boardwalk in Pacific Beach, this glass-sided building is San Diego's only properly hip beach hotel. Bedrooms are stark white, minimalist affairs, suites have big whirlpool baths that fill from a tap in the ceiling and all resident guests have access to a sea-facing roof lounge. Downstairs, a colour-changing wave wall provides the backdrop for the buzzing bar lounge and first-rate JRDN restaurant, which specialises in seafood and mouthwatering steaks.
- 858 270 2323; www.t23hotel.com. Prices from around $253 (£157), room only
Things to do and see
Most trips take place between late December and early April, coinciding with the migration of grey whales along the coast. However, Adventure RIB Rides offers trips year round in search of various species. You travel on six-seater, rigid inflatable boats that thwack across the sea at up to 50mph – and whizz between promising sighting areas. On the trip I took, we went 12 miles out, into Mexican waters, and saw humpback and blue whales incredibly close up – an amazing, and intense, experience.
- 619 808 2822; www.adventureribrides.com. Three-hour trips $92.50 (£58)
Hotel del Coronado
I think there are better, and better-value, places to stay in San Diego than "The Del", but a visit to this landmark – a turreted, maroon and white wooden complex that opened in 1888 – is a must. Go for a meal (how about the gargantuan Sunday brunch in the Crown Room ballroom? A mere $83/£52 a head), a history tour (reservations needed – see www.coronadohistory.org), or just a wander around.
- 619 435 6611; www.hoteldel.com
Mission Beach and Pacific Beach
A great surfing beach, backed by a boardwalk (actually concrete) that's busy with cyclists, rollerbladers and joggers, runs the length of these adjacent communities. Rent a bike from Bicycle Discovery (www.bicycle-discovery.com) in Pacific Beach, and do a circuit down the boardwalk and back up the quieter path alongside Mission Bay, counting the homes with surfboards on their patios and pelican weather vanes.
Balboa Park
If nothing else, you should stroll along the park's main avenue to see the glorious ensemble of pink Spanish Renaissance-style buildings. Many are museums: you can buy various passes covering the attractions. Alternatively, just pop in, for free, to the fine but small-scale Timken Museum of Art and the handsome Botanical Building, a giant wooden structure built in 1915.
- 619 239 0512; www.balboapark.org
Old Town State Historic Park
The wooden and adobe buildings recreate the original San Diego settlement as it was in the mid-1800s. They house Mexican restaurants, shops and free-entry museums. It's a bit of a tourist scrum, especially at weekends, but a pleasant one.
- Contact 619 220 5422; www.parks.ca.gov
Where to eat
One of the "in" places to eat in the Gaslamp Quarter, this warehouse-style space is a restaurant and lounge bar. You can dine at proper tables or perch at high tables or the bar and snack or have a full meal. I can recommend the octopus and cress salad, and juicy scallops on a johnnycake (a cornmeal pancake). Drinks include locally brewed beers.
- 611 5th Avenue; 619 233 7327; www.searsucker.com. From about $48 (£30) for three courses
Lively bistro in La Jolla serving creative Californian fare. I really enjoyed my salad with baked goat's cheese and pork belly, pork sausage made on the premises and knockout "house-churned" ice cream of malted milk with crunchy balls of Valrhona chocolate. Good wine list.
- 1044 Wall Street, La Jolla Contact 858 551 7575; www.whisknladle.com. From $40 (£25) for three courses
Where to drink
The Gaslamp Quarter, 16 blocks of late-Victorian buildings in downtown San Diego, have been revivified into a night-time playground.
The liveliest places to drink are the rooftop bars, which typically come with DJs, "fire pits", beautiful people and views. FLOAT, at the Hard Rock Hotel (207 5th Avenue; www.207sd.com), and others, charge $20 (£12.50) to get in.
One free-entry roof bar is Altitude Sky Lounge (660 K Street; www.altitudeskylounge.com), on the 22nd floor of the Marriott San Diego Gaslamp Quarter; it has an amazing view over PETCO Park stadium.
San Diego for families
Where to stay
Catamaran Resort Hotel
The location of this South Seas-themed hotel is excellent: on the scenic, man-made Mission Bay by a good sandy beach (swimming, however, is not recommended), it is a short walk from the bars and restaurants of Pacific Beach. With a watersports centre, free trips around the bay on a Victorian-style stern-wheeler (paddle steamer) and bikes for hire, facilities are excellent, and the pool and jungly grounds are very pleasant. Bedrooms are fine if nothing special.
- 877 646 3726; www.catamaranresort.com. Studio rooms, good for family of four, from about $225 (£140) room only
Homewood Suites by Hilton San Diego Airport – Liberty Station
This chain hotel is one of the best, affordable options for families. All rooms can sleep four as they have a sofa bed in the living area; each also has a full kitchen. An extensive buffet breakfast is included in the rates and, from Monday to Thursday, set dinners. The location, just back from San Diego Bay, is salubrious and convenient – SeaWorld and San Diego's beaches are a short drive away – but unexciting. The airport is about a mile and a half away.
- 619 222 0500; www.homewoodsuites.com. From about $180 (£113)
There's a lot to be said for renting a private apartment or home. See what's available on www.sdvr.com and www.holiday-rentals.co.uk.
Things to do
San Diego Zoo
Set in beautiful wooded grounds in Balboa Park, with hardly a cage in sight, fantastic viewing arrangements, and aerial walkways, this is the best zoo I have visited. Highlights include pandas, polar bears and the Monkey Trail, where you can commune with gorillas inches away, on the other side of a glass panel. The bus tour (included in admission) is worth doing. San Diego Zoo Safari Park (www.sdzsafaripark.org), 30 miles north, is equally good.
- 619 234 3153; www.sandiegozoo.org. Admission $40 (£25), children three to11 $30 (£19)
SeaWorld San Diego
The closest San Diego gets to a theme park, SeaWorld is a winning combination of spectacular killer whale and dolphin shows, big thrill rides, and animal viewing in elaborately recreated habitats – Turtle Reef opens in June. Expensive, but very good entertainment.
- 619 226 3901; www.seaworldsandiego.com. Admission $70 (£44), children three to nine $62 (£39).
USS Midway
The aircraft carrier was the world's largest ship when launched in 1945. Decommissioned in 1992, it is now a museum. You can roam all over: the flight deck, inside fighter jets, the engine room, cramped sleeping quarters, mess rooms and the "pilot ready" final-briefing rooms. Former servicemen give talks on the perils of landing planes on 30ft-high seas.
- 619 544 9600; www.midway.org. Admission $18 (£11); children six to17 $10 (£6).
Harbour tour
There's a lot to see in San Diego's massive harbour: in the southern part, the US naval base, and in the northern section, hundreds of sea lions basking on platforms, and submarines in San Diego's Naval Submarine Base. Flagship Cruises (619 234 4111; www.flagshipsd.com) offers one-hour northern/southern tours for $20 (£12.50), or two-hour tours of the whole harbour for $25 (£16); half price for children of between four and 12. The live commentaries are excellent.
Coronado beach
The wide, blond sands, relatively gentle waves, and wholesome atmosphere make the beach behind the Hotel del Coronado arguably the best in the area for children.
Where to eat
The Fish Market
This informal, good-value waterfront dining spot, close to the USS Midway, is a good option for lunch. It serves excellent oysters and sushi, and simpler child-friendly dishes, including chowder, and the freshest of fish cooked any way
you wish.
- 619 232 3474; www.thefishmarket.com. Prices Three courses from about $32 (£20); meals for children under 10, $7.50 (£5)
Children and nostalgic parents love this reproduction Fifties diner in the Liberty Station district. Expect a DJ, singing waitresses, Elvis films, lots of neon, burgers and shakes.
- 619 542 1476; www.cohnrestaurants.com. Prices Burgers from $10 (£6); meals for children under 11, $7.50 (£5)
Top Telegraph tips
- In San Diego, taxes of 10.5 to 12.5 per cent are added to hotel, and 8.75 per cent to restaurant bills. Guideline prices in this article include these. A tip of about 15 per cent is expected in restaurants.
- Mornings on the coast are often hazy, so it can be better to head to the beach in the afternoon.
- The San Diego 3-for-1 Pass offers unlimited visits to SeaWorld, the zoo and the safari park over five days for $129 (£81), or for $99 (£62) for children between three and nine – a saving of about £13 over individual tickets. The pass is available from the attractions.
- San Diegans eat early: reservations for dinner at 6.30pm are quite normal.


text: Regular Bosses Big Bob-OmbWhomp KingGoombossKing BooBowserBowser Jr.Petey PiranhaGooper BlooperKamekDino PiranhaBouldergeistGiga LakituMajor BurrowsBoom BoomPom PomDry BowserAdd a photo to this galleryDuo Bosses Shadow MarioShadow QueenMetal MarioPink Gold PeachAdd a photo to this gallery Retrieved from "http://fantendo.wikia.com/wiki/Mushroom_Kingdom_Warriors/Bosses?oldid=1371800" Ad blocker interference detected! Wikia is a free-to-use site that makes money from advertising. We have a modified experience for viewers using ad blockers Wikia is not accessible if you've made further modifications. Remove the custom ad blocker rule(s) and the page will load as expected. Categories: Bosses Mario Bosses Super Mario Bosses


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Digital-Tutors - Getting Started with Digital Painting in Photoshop CS5
Duration: 2h 37m | Video: VP6 (.flv) 1280x720 15fps 500Kbps | Audio: MP3 44.1KHz 96Kbps | 1.01 GB
Language: English | Level: Beginner
Genre: eLearning
In this collection of lessons we will learn how an artist can get started painting digitally inside of Photoshop.
We will begin by taking a quick tour around the user interface learning the location of important tools and panels. Next, we will learn how we can create and manage layers in Photoshop. From here we will dive into some of the most commonly used tools for digital painting, learning where they are and how they work. After spending some time learning how to select and store colors, we will jump right into setting up a composition with a sketch where we will discover the difference between resizing and resampling our artwork. Next we will take a glimpse into the painting process by first blocking in some color and then blending it together. Along the way, we will learn how to create custom brushes and patterns as well as how we can utilize these to paint textures. We will wrap things up by learning about layer masks and what we can be on the look out for to make our textures more believable.
Download From Filesonic
Download From Wupload
All Links Are Interchangeable.Thank you for attention!


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So I was super excited to go on a date with this girl who I met at a store. We talked for about 2 hours and she seemed genuinly interested (even caught her putting on lipstick and trying to hide it when she heard me coming). I asked her out before I left and without hesitation she agreed with a giant smile on her face. She even forgot to take out those anti theft plastic things because she was so distracted with what just happened. Right after I left I texted her saying it was great meeting you and I'm excited for Sunday. She replied back right away with happy faces and saying ahe was happy and excited as well. I texted her today (2 days later) and I have yet to get a response :(. Wth, girls why do you do this?
Most Helpful Guy
maybe she is busy?00|00|0
I highly doubt it, I made sure I knew what she would be doing today (the day I planned on setting up all the details) before I asked her out (basically planned everything out in my head like I'll text her this day for all the details etc..). She only had something until the afternoon, don't think she had more stuff later on. I really liked this girl too, felt like we really clicked.
- Show AllShow Less
i understand, but just because thats how you work doesn't mean its the same for everyone else. just be patient :)
It's almost bed time here meaning that she's most likely not going to reply since she had all of the afternoon and evening to do so.


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- Room size (sqm): 24
- Number of bedrooms: 1
- Bathroom
- Wi-fi (fees may apply), 5.0 EUR
- Internet access (fees may apply), 5.0 EUR
- Direct dial telephone
- Centrally regulated air conditioning
- Central heating
- Safe
- Balcony
- Cot on demand (fees may apply), 5.0 EUR
Med Playa Bali
- Distance to center 0.2Km
- Distance to airport 12.0Km
- Distance to beach 0.25Km
- Outdoor Pool
- Sun terrace
- Free WiFi in public areas
- Low Deposit Options Available
- Interest FREE Payment Plans
The Med Playa Bali hotel offers pleasant three-star accommodation on a picturesque hillside with dazzling views of Benalmádena. Situated close to the popular Costa del Sol and only ... Continue reading
The Med Playa Bali hotel offers pleasant three-star accommodation on a picturesque hillside with dazzling views of Benalmádena. Situated close to the popular Costa del Sol and only 250m from the award-winning beach, the Med Playa Bali is ideal for families, groups or couples looking for reasonably priced accommodation in this stunning area.
There are plenty of relaxing activities to enjoy at the Med Playa Bali, including sunbathing on the terrace and taking a dip in the year-round outdoor pool. Play a low-key game of billiards, get back to nature with a heart-pumping hike or enjoy a leisurely round at the nearby golf course (within 3km).
There are live entertainment staff on hand at the Med Playa Bali, to get you in the party mood and keep the children entertained when you need a break. Kids can also while away hours in their own separate playground, meet new friends and run riot while you soak up the sun. Unwind - you're on vacation- as the Med Playa Bali's all-inclusive service means breakfast, lunch and dinner are taken care of. There's also a buffet available with yummy fresh fruit and homemade desserts daily, afternoon tea, a bar and a delicious range of ice cream flavours to cool you down after a day's adventure.
The hotel's prime location makes it a great starting point from which to explore the local area. Day trips to Gibraltar and shopping excursions are not to be missed.
The Med Playa Bali's well-decorated and air conditioned guest rooms each have a satellite TV, safe deposit box to keep your valuables secure, full bathroom and hairdryer. The hotel has 376 rooms, 52 studios, 6 apartments and 2 studio apartments, offering something for everyone. All accommodation is outward-facing with balconies, great for sitting in the sun while you read or take in the gorgeous views. Extra bedding, linen, towels, infant cots and ironing facilities are also available on request. It should be noted that holidaymakers who rely on a wheelchair for mobility may experience difficulty in getting around this hotel due to its hillside position.
- Billiards Children's playground Entertainment staff Golf course (within 3 km) Hiking
Other facilities
- Outdoor pool (all year) Sun terrace Terrace
- Air conditioning Car hire Family rooms Free WiFi in public areas Heating Lift Packed lunches Paid WiFi Room service Safety deposit box Vending machine (drinks) Vending machine (snacks) WiFi in the hotel rooms at a cost of €5 per 24 hours
All Inclusive
- Breakfast, Buffet; English, Restaurant ( buffet with coffee, branded fruit juice, variety of fresh bread and cakes, cereals, fresh fruit and a selection of cold meats. English breakfast with eggs, bacon, sausages.
- ), Daily: 08:00 - 10:30.
- Lunch, Buffet, Restaurant (. Lunch buffet with selection of salads, meat, fish, rice, pasta, French fries, steamed/boiled vegetables, fresh fruit and homemade desserts), Daily.
- Dinner, Buffet, Restaurant (Dinner buffet with selection of salads, soups, meat, fish, pasta, fresh fruit and homemade desserts. Drinks as lunch. Vegetarian Meals, and Specials: Tex-mex, Indian, Chinese.
- ), Daily.
- Breakfast, Buffet; English, Restaurant ( buffet with coffee, branded fruit juice, variety of fresh bread and cakes, cereals, fresh fruit and a selection of cold meats. English breakfast with eggs, bacon, sausages.
- ); Snack Bar (include sandwiches, crisps, nuts and dried fruits.
- ), Daily: 10:30 - 12:30, 15:30 - 18:30, 21:30 - 23:00.
- Afternoon Tea; Ice Cream, Bar ("Afternoon Tea" includes tea, coffee, cakes/biscuits. Ice cream (minimum 3 flavours). ), Daily.
- Entertainment; Live entertainment; Various Sports Activities; Organised activities and entertainment, Daily.
Room facilities
The Med Playa Bali Hotel is made up of three attached buildings that form a modern and welcoming complex ideal for families and young people. It features well appointed spacious well decorated guest rooms fully equipped with air conditioning/climate control, satellite tv, in room safe (local charges), telephone, full bathroom, hairdryer. The hotel has 376 rooms, 52 studios, 6 apartments and 2 studio-apartments. The accommodations are all outward-facing with balconies. Extra bedding, linen, towels, infant cots and ironing facilities are available on request. All guest rooms enjoy a furnished terrace/balcony offering great views.
Studios are cleaned twice a week.
Other Information
For a day out with a difference try a day trip down to Gibraltar, steeped in history and amazing views, great shopping- famous for glassware – ask at the tour desk/reception for further information.
It must be noted that those holidaymakers who rely on a wheelchair for mobility or thise who experience difficulty with walking may not find this hotel suitable due to its hillside location.
24 hour reception, safety deposit box (reception), car parking, laundry facilities, housekeeping, currency exchange, multi lingual staff, tour desk.
To make booking a holiday at Med Playa Bali in Benalmadena easier for you, we provide a range of different payment options. To find out if you can book Med Playa Bali with a low deposit holiday option, please click the "Price and Availability" button above.
Essential Information
Time Zone
Plug TypeVoltage 220V 50Hz
€1 = £0.92
This week's weather forecast
Hotel address : Avenida Telefonica 7, Benalmadena, Costa del Sol, Spain, 29630
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Questions and Answers about Med Playa Bali
If you can't find what you're looking for or if you have a question about this specific hotel, please get in touch via the Add a Question button below. Our knowledgeable team will aim to respond to your question within 72 hours. In the meantime, previously asked questions can be found below and answers to some of the most commonly asked questions can be found on our FAQs page.
has twin/double room have tea and coffee facilities 1 Answer
Hi Norm,
Unfortunately not. You can hire kettle upon arrival and bring your own.
Added 5 months, 3 weeks ago.
By Socialteam, loveholidays.com team member
how far is this hotel from the airport in time and distance please 1 Answer
Hi Tracy, The airport is approximately 30 minutes away /25kms. Regards
Added 2 years ago.
By Leanne, loveholidays.com team member
what is included in the "All inclusive" price? 1 Answer
Hello, All Inclusive includes, flights and accommodation including drinks, snacks and meals during serving times at the hotel. Regards
Added 2 years, 2 months ago.
By Leanne, loveholidays.com team member
Do you get alciholic drinks included with all inclusive throughout the day 1 Answer
Hi Angie, Alcoholic drinks are available during the day on all inclusive. Regards
Added 2 years, 4 months ago.
By Leanne, loveholidays.com team member


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As we've seen on numerous occasions, the Nokia Lumia 800 has proven itself to be one tough and well-constructed smartphone that can live through most of the normal wear and tear we normally put our phones through.
We've heard about it surviving through a two story plunge and looking pretty after a knife was used against its display, but this time around, impromptu tests were performed with the camera on hand to document the entire thing. Showing off the sturdy nature of its Gorilla Glass, Joanne-Marie from SingTel (a mobile operator in Singapore) did her best to do as much damage to the handset by scratching its display using a key. Moreover, she did the unthinkable by sliding the handset's façade against the rough surface of a wall.
Is it cringe worthy? Of course, especially when we know that's a brand spanking new phone, but it's able to show very little damage – though, it's really hard to say considering we don't see any close ups. Finally, she asked a few different people to drop the handset on purpose, and with that, they happily obliged. With a thud after each fall, the handset is picked up, and of course, it's still working to the surprise of many people.
Naturally, it's be hard for the normal Joe to put their handset on the line to try out these torture tests, but hey, it goes to show the kind of solid construction that the Nokia Lumia 800 boasts.
via The Nokia Blog
Another video shows the Nokia Lumia 800 surviving through some impromptu torture tests
6 Comments
posted on 19 Dec 2011, 14:33 1
1. rendHELL (Posts: 304; Member since: 09 Nov 2011)
INSANE!!!!! Now all it needs is a interchangable TITANIUM CASE!!!
posted on 19 Dec 2011, 14:56 0
2. vvelez5 (Posts: 623; Member since: 29 Jan 2011)
1:35 a metallic magenta Nokia Lumia. Nice
posted on 19 Dec 2011, 15:03 4
3. kg4icg (Posts: 77; Member since: 18 May 2008)
Now don't try this at home especially with your iPhone 4S.
posted on 19 Dec 2011, 18:32 0
4. tmcr7 (Posts: 180; Member since: 02 Nov 2011)
I can't concentrate on the phone because of the beautiful lady.
posted on 20 Dec 2011, 01:47 0
5. Bluesky02 (Posts: 1439; Member since: 05 Dec 2011)
Well that's Nokia
posted on 20 Dec 2011, 07:53 0
6. louay_joumaa (Posts: 18; Member since: 09 Dec 2011)
that's nokia like always ;)
Another video shows the Nokia Lumia 800 surviving through some impromptu torture tests


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Hey there, time traveller!
This article was published 7/5/2013 (1566 days ago), so information in it may no longer be current.
Don't try to pigeonhole Canadian soprano Suzie LeBlanc. Most of us know her as the singer with the voice as clear as crystal; an expert in the interpretation of early music.
But there's much more to this singer from the Maritimes. There is an entrepreneurship quality to her career, with a creative aspect, the 51-year-old says in a telephone interview from her home in Fox Point, Nova Scotia, 40 minutes from Halifax.
LeBlanc and renowned Canadian countertenor Daniel Taylor will be performing with the Manitoba Chamber Orchestra under the direction of Anne Manson at 7:30 p.m. May 14 at Westminster United Church. They last sang here together in 2004 and the memory of that concert still lingers with many who witnessed it.
It's a match made in heaven for listeners and for the singers, who have collaborated onstage and in the recording studio on many occasions. They first sang together in the Messiah in Christ Church Cathedral in Montreal, says LeBlanc, a McGill University alumnus. The group, Les Idées Heureuses had asked them to do a recital together.
"We had an affinity in so many ways -- a blend," she says. "Now we don't see each other often so it's really fun when we can get together."
The repertoire for the evening is full of audience pleasers, with a good mix of baroque -- plenty of Handel, some Vivaldi, Gluck, Pergolesi, Hasse and a Mozart aria from Die Zauberflote.
LeBlanc caught the music bug quickly. She was a harpsichord major at McGill, studying with John Grew. "I already was in love with the music of the 16th and 17th centuries through my harpsichord study," she said. "I felt I understood it, its architecture and how it worked. I knew the language. At McGill I accompanied a lot and when I accompanied singers I was fascinated that there was a text and by the process of shaping the music to fit with the text."
LeBlanc had sung in choirs as a child growing up in Edmunston, New Brunswick, and her mother was a singer. "I had started voice -- a lesson here or there with singers around town and my mother gave me tips at home. I was a good sight reader so I was often called upon to replace singers. I jumped at the opportunity and ended up singing 50 per cent of the concerts."
Her big break came in 1987, when she was asked to fill in for famed British soprano Emma Kirkby for eight months during Kirkby's pregnancy. "No one knew me -- it was a foot through the door. I had to do a special concert in Tel Aviv, a big, big solo that Emma would have done." She recalls plaudits from her performance at the prestigious Wigmore Hall in London. "The critics loved me. It gave me a lot of courage."
Before this phenomenal opportunity came along, LeBlanc had been thinking of going to study in London. "This was my ticket," she says. She landed up studying with Kirkby's former teacher, Jessica Cash.
There's been no looking back since. LeBlanc's career has taken her to opera stages and festivals around the world; she is featured on over 50 recordings, and she starred in the film Last Song, directed by Rodrigue Jean. "I played a singer who interrupted her career for motherhood. It was an amazing experience, but I'm not looking for more movie contracts," she laughed.
She enjoys walking in nature. "That's when I can clarify my thoughts about what to do next -- to feel what's really calling me."
LeBlanc is currently working on a venture that is close to her heart, the Elizabeth Bishop Legacy Project, recording songs commissioned for the Elizabeth Bishop Centenary (EB100) in Nova Scotia (2011) with the Blue Engine String Quartet. The original music, written by Canadian composers Christos Hatzis, Alasdair MacLean, John Plant and Emily Doolittle is set to Bishop's poems.
Bishop spent part of her childhood in Nova Scotia before moving to the U.S. where she was Poet Laureate in 1949-1950 and a Pulitzer Prize winner in 1956. But her formative years in Canada were of great inspiration to her and this project aims to reclaim Bishop as a Canadian poet.
LeBlanc and all involved have committed a great deal of time and energy to this project and are still raising funds to complete it. The CD is due for release this fall and the debut concert will be in Winnipeg with the MCO next February.
Finding time to practise has been a bit tricky lately, LeBlanc admits. "There is so much administration with the EB100 Project. I carve time out of necessity. The best is first thing in the morning. My happiest time is when I am singing."
Tickets are $26.50 / adults, $24.50 / seniors and $7.50 / students at McNally Robinson Booksellers, the West End Cultural Centre, Organic Planet, at www.themco.ca or by calling 204-783-7377.


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John Resig has a solid vision for the future of jQuery technology and the community it serves.
Denver, CO (PRWEB) December 2, 2009
appendTo, LLC, the jQuery company for IT experts and business professionals, today announced the appointment of John Resig to the company's Board of Advisors. As the creator and lead developer of the Write Less, Do More jQuery JavaScript Library, Resig will bring a wealth of open source knowledge and experience to the appendTo team.
appendTo delivers jQuery services to thought leaders worldwide who adapt the latest JavaScript technologies to stay connected to customers and maintain an online competitive advantage. Based on fundamental methodologies developed by the jQuery Core Team, appendTo specializes in supporting members of the web development community who adopt the fast and concise jQuery JavaScript Library, which simplifies HTML document traversing, event handling, animating and facilitates Ajax interactions for rapid, efficient, best of breed web development.
"I'm very excited to see continued growth in the jQuery community," said Resig. "The creation of appendTo as the first company dedicated to providing commercial jQuery support and training has been quite exciting. As a board member, I hope to be able to provide advice and drive appendTo in a direction that works to benefit the jQuery community at large."
Resig is well known in the web development community as an author, JavaScript guru and creator of jQuery. With almost a decade of experience in developing web applications, Resig changed the way that developers wrote JavaScript when he created jQuery's sustainable, open source JavaScript library for rapid, lightweight web development. Currently, Resig is a lead developer on the jQuery Core Team, which maintains the core aspects of jQuery (the core library, test suite, documentation and bug tracking) and manages the direction of the jQuery library. He is also a JavaScript developer for the Mozilla Corporation and the author of the book Pro JavaScript Techniques.
"John Resig has a solid vision for the future of jQuery technology and the community it serves," said Mike Hostetler, founder and CEO of appendTo, LLC. "His wealth of knowledge and experience in web development and jQuery will enable appendTo to expand its leadership role in providing industry-leading jQuery training and support services that the web development community and corporations worldwide need."
About the Company
Founded by jQuery Team Members, appendTo, LLC (http://www.appendto.com) provides companies worldwide with the industry knowledge needed to make front-end web development projects a success. Through comprehensive training, guidance and support, appendTo's team of industry-leading professionals leads corporate IT teams and web development professionals throughout the development lifecycle.
For more information, contact:
appendTo, LLC


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Summary Edit
Cleaned up version of file:7 logo idea 1.png
Licensing Edit
This image is used at tardis.wikia.com as a temporary logo for the site. It probably does not contain copyrighted images. At least the majority of its image is user-created. It is licensed CC-BY-SA-NC-ND 3.0. That means you may redistribute it downstream, but you must give appropriate credit, but you cannot in any way use it to suggest that this wiki in any way endorses your product, service, or enterprise, whether profit-making or not. You may not use this image for commercial purposes.
In general, most images of the TARDIS that are seen here are derived from still photographs which were not owned by the British Broadcasting Corporation, but released as public domain images or under a CC-BY license.
One image that does appear on some older logos is the so-called "TARDIS device", a stylised image of the TARDIS that incorporates this letters D and W into a graphical representation of the TARDIS. This image is wholly owned by the BBC, and we have been trying to phase it out of our logos for this reason. Downstream users are hereby warned that there is likely no fair use rationale for our logos that incorporate this device, and they should not use them.
If you feel that we have inappropriately incorporated your copyrighted image, please leave a message for one of our administrators or contact Wikia, Inc.
Appears on these pages
Celebrating the 50th: Wordmark project
Ha, I didn't see this before...:)
Celebrating the 50th: Wordmark project
Good idea. Here's a cleaned up version (yes, it is quite "raggedy"):
File history
Click on a date/time to view the file as it appeared at that time.
|23:04, March 15, 2013
|SOTO (Talk | contribs)
|Category:SmallerOnTheOutside Cleaned up version of file:7 logo idea 1.png


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Now that the 2014 NFL Draft has completely sunk in, the doubt starts to creep in. The Chicago Bears are a team that is not in the rebuilding stage and may have had too many holes to compete for a championship. So what should the draft strategy for a team like that be? For me I would think I need as many impact guys as possible that can step in sooner rather than later. The defense was one of the worst defenses in history, while the offense was close to the top of the league. The Bears had huge holes at S, LB, and DT coming into the draft. They left the draft needing a S, a DT, and 2 LBs. So did the Bears get better? After digesting it all I cannot say I am too excited about the draft as I was when it happened. If we did not get Will Sutton in the 3rd round it is arguable that we came away with only 1 starter out of 8 picks. Here is my take on the draft:
#1) Kyle Fuller CB- Yes a lot of people wanted a S here. I really like this pick and can't fault the Bears for making the move. Fuller is an impact player day 1 and will carry the team once Tillman's contract is up after this year. People say we still didn't NEED a corner here. Why not? If Tillman goes down, which is very likely, who do we have to step in? Nobody. After Tillman is done who do we have to step in? Nobody. Fuller can step in right away and for a lot less pay than a FA CB. Did you see the money spent on CB's this year? The top guys were borderline cap busters. So the need for a CB was a little more desperate than people think.
#2) Ego Ferguson DT- I'm sorry who? I was completely confused when the pick was made. After looking at the trade and looking back at tape.....Im still completely confused. I'm hearing they wanted a run stuffer in the middle and Ego fit the bill. Are run stuffers that valuable? After watching the Bears give up ridiculous amounts of yards to RBs last year the knee jerk reaction would be YES!!! But looking at the Ego pick it was just the wrong time and wrong player. From watching Ego's play he doesn't seem special and could have been had later on in draft. I'm not claiming to be the best evaluator of talent but I can't see the talent in Ego. Now if Emery can squeeze oil out of a rock then more power to him.
#3) Will Sutton DT- I am a Sutton fan and I love the pick. I would not have been upset even if they took him in 2nd round. A back to back DT pick makes me uneasy though. As bad as the OL was the prior year the Bears waited 3 picks before they took another guy for the OL. Makes me wonder if there was some kind of worry by the front office that the Ego pick was risky and needed to be insured. Now this is purely speculation but it was a thought I had. Sutton is a great value here but still comes with some risk. Sutton had a down year and all hopes are based how dominant his 2012 tape was and praying he retains that form.
#4) Ka'Deem Carey RB- Good pick but how does this help the Bears win now? I know Forte is a FA after next year and you have to think ahead. However, in two years will the championship window be closed by then? The way the Bears are structured, it may very well be. If that's the case then why use a pick that has some value on a back up RB? Why not get a player that will contribute in more ways than 8-12 touches per game? You can also argue that we have no answer if Forte gets hurt. While this is true you cannot draft based on the what ifs. Once you start doing that you will have great depth in certain areas with gaping holes in others. Like the player hate the timing.
#4). Brock Vereen S- The tape that was available on Vereen showed a player that is dependable but not a difference maker. Not only is he an average player at best, the Bears had to trade up to get him. The only people that get traded up for are players that are 1st round talent and are slipping or difference makers that may just be out of your reach. I know drafting a S fills a need in theory but will Vereen even beat out Mindy or Jennings? I really can't say one way or another but I'm leaning toward him not replacing either.
#6) David Fales QB- This is another pick that falls into the Ka'Deem Carey category. Jay Cutler's contract is only guaranteed for three years and they will be looking for a replacement. My issue is why are you looking for a replacement when you should be looking for immediate help? Again I know its the 6th round but if you look hard enough you can find somebody you like. Same as Carey, I like value but hate the timing.
#6) Pat O'Donnell P- After the bitter taste wore off that my favorite team just drafted a punter I looked at it objectively. I can see this pick be done because O'Donnell will more than likely start day 1, while other players available would probably not start. The immediate impact wins out and you draft the punter.
#7) Charles Leno OG- I don't know much about him but I understand the pick. The Bears still have two weak links on the offensive line at LG and OC. If they can groom this guy to take over for one its a success. Seems to me that OL that get picked late have a better chance of finding a way to get onto a team and have success.
Impact: C- (Contingent on Sutton becoming a day 1 starter. If not grade will slip to D or worse.)
Value: B (Bears did a good job of getting solid players at a value throughout the draft.)
Rd. 1 (14): Kyle Fuller CB: I would not have changed this pick. I think it was needed and the player is an impact player.
Rd. 2 (51): Will Sutton CB: Have I mentioned that I love Will Sutton? I would have had no issue with the Bears taking Sutton here. You can call it a reach but you have to get the 2nd best rushing DT in the draft before anyone else does.
Rd. 3(82): Keith McGill CB: With the top safeties gone early the Bears turn to McGill. McGill is no stranger to FS so why not convert a CB that has technical flaws into the 2nd best cover S in the draft? In contrast to Vereen, McGill would almost be a must to start over the current safeties for the Bears.
Rd. 4(117): Telvin Smith LB: Smith has some character and size questions for sure. Despite the questions, by drafting Smith you get a guy that can play 2 LB positions. Smith is a tackling machine and we all know the Bears NEED someone to tackle once in a while. I think the Bears are still trying to tackle McCoy and Brown right now.
Rd. 5(156): Jordan Tripp LB: Again the Bears have to go after a guy who is all motor and tackling. Tripp made a statement at the Senior Bowl showing he belongs and can compete on a higher level. I love Tripp's tenacity and the ground he covers. He is a real sideline to sideline type player.
Rd. 6(183) Daniel McCullers DT: Did someone say the Bears need a plugger in the middle? Well here is 6'7" 350lbs worth of middle plugging and it didn't cost a 2nd rd pick. In essence he is a bigger Ego Ferguson but I would rather get it at the 6th rd rather than 2nd.
Rd. 6(191) Michael Campanaro WR: Campanaro is a tough and sure handed slot WR with good speed. Without Earl Bennett the Bears are inexperienced at the slot position. Campanaro can challenge Wilson day 1 for that job.
Draft Grade:
Impact: A (Almost everyone drafted here can step in Day 1 and contribute.)
Value: C- (To get the guys that fit a need and make an impact the Bears had to reach a few times.)


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Do girls ever get annoyed if you text them "Hi" or anything like that everyday or every second day?
P.S What does it mean if you usually text a girl Hello but she never does
Do girls get annoyed when you text them?
Do girls ever get annoyed if you text them "Hi" or anything like that everyday or every second day?
Have an opinion?
What Girls Said 2
Lol, I use to have a guy call me every 5 minutes then text me every 5 secounds, yes it got annoying
but if the girl likes you she might not care some think its cute , some think its insanity? It just depends on the status your at with the girl.. good luck Oh and if she never texts back, its cause she's probably not interested or her phone is off..00|00|0
Thanks for the help!
It depends on a million things. It may be annoying, it might not, she may not be interested, she may just be shy... what's your situation?00|00|0
Well.There's this girl I like. Weve hung out a few times, and were pretty good friends, and I text her every day or every second day. She's only texted me first a few times. Once or twice when we were in the middle of a conversation and she didn't text back. So I started to think if she was getting annoyed
She might be annoyed, but you might just be reading too much into it. There are still lots of possibilities. Best thing to do is to communicate face to face and figure out if she actually likes you.
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Kinley's Restaurant & Bar Send to Phone
OpenLunch Tues.-Fri., Dinner Mon.-Sat.
- Parking lot
- Dress code: Casual
- Private room(s)
- Reservations suggested
- Romantic setting
* Click here for rating key
Text data on Kinley's Restaurant & Bar to your phone, or a friend's cell phone.
Find out which restaurants and chefs top the list of GAYOT's 2016 Annual Restaurant Awards.


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Mr. Scott Otto - Dean of Students
Mr. Scott Otto joined the HUHS team in 2014 as the Dean of Students where he works with students and teachers with behavioral and academic concerns to help increase student success.
Mr. Otto earned his BS in Physical Education, Adapted Physical Education, Coaching Education and Health Education from UW-Whitewater and his MS in Educational Administration from Concordia University-Wisconsin.
Mr. Otto has been in education for 19 years. He was an Assistant Principal, Athletic/Activities Director, and Head Football Coach in the School District of Greenfield prior to coming to HUHS. Mr. Otto has also taught in the Hamilton-Sussex and West Allis-West Milwaukee School Districts.
You can contact Mr. Otto by email at email@example.com
Student Handbook
Menu of Interventions


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Thanks for the add from Kennewick wa. I have several treager cookers and now in the process of building my first bbq trailer.
post #1 of 3
1/15/16 at 7:33pm
Thread Starter
Welcome to SMF
Glad to have you on board!
You came to the right place, plenty of builders on here!


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For Email Marketing you can trust
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Montana Fishing Access Sites
Here are the locations of 327 Montana Fishing Access Sites. Public access to rivers and streams is one of the crown jewels of the Montana experience and sadly, one of the most threatened by deep pockets who want to change our laws and lock us out.
Drill down for more detail. The hybrid mode provides the most detail at high resolution.


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Car Photography
Tim shoots some of the worlds most iconic car brands through his commercial work such as that of Lamborghini, Aston Martin and Ferrari in Europe, the US and the Middle East, operating globally with his clients and agency teams.
He is well known within the industry and has built a solid reputation over the years to deliver a project both on time and on budget effectively. A renowned creative with an eye for detail and a passion to create new dynamic client work.
Tim is very well known within the automotive car industry for his open approach and he is regarded by many as one of today's leading commercial automotive car photographers with a unique strong style of work and creative approach that inspires not only his clients but also their customers, something that was reflected recently when he was awarded, 'British Commercial Advertising Photographer of the Year' and 'Car Photographer of the Year' at the Industry Awards.
Shooting campaigns for such car manufacturers at Peugeot with their recent 'Fractal' concept car for its campaign and launch at the Frankfurt Motor Show Tim's work is well respected for its originality and quality.
This page is dedicated to the work and creative vision that Tim brings within the field of automotive car photography, looking at our work, our successes, and our history within this industry. Tim explains a little more about his approach towards car photography, his creative thinking path and gives a brief insight into what he offers our clients both within the UK and Internationally through his work. Car photography is in its nature is a very involved medium of work that brings together many elements to create a final piece of commercial work, from finding the right location to bringing together the lighting and equipment logistics, and not least managing the actual product, the car itself.
Tim's is well respected within the industry and his work is often featured for its quality and creativity across both client sites and also leading manufacturers within the commercial and photographic industries such as Hasselblad, Profoto, Nikon and Elinchrom, all of which have presented the work that Tim shoots as a positive inspiration to others.
Tim is probably most renowned and best known his commercial car and automotive photography, this is his specialist area within the industry. Cars exist all around us in the modern world and they represent a major part of our lives, the cars that Tim shoots commercially are more often than not are at the higher end of that spectrum based within the modern sports or prestige classic ranges. It is our goal not just to show you what a car looks like but to inspire the viewer to see beyond that and get a real sense of how a car makes you feel, to be quite literally inspired so that drives forward your desire to be within that scene yourself. This is something that photographer Tim Wallace is very passionate about and often his work is shot out on location rather than in a studio, giving you a real sense of not only the car as a personality but also the possibilities of what that car can create emotionally and as a personality in its own right. Each car and each range are different and in creating these images Tim approaches his shoots very much in the same way a photographer would approach a portrait, trying to capture the essence of what is being shot. This section therefore looks at some examples of this approach, looks a little at the behind the scenes thoughts of Tim and his work as well as offering links to some of the many interviews that Tim has given over the past few years for different magazines and publications around the world. We hope you enjoy looking through what we do and we hope that you yourself feel inspired by what you see.
"...there are always two people in every photograph, the photographer and the viewer, everything else is irrelevant"
Recent Interview Extract With Tim Wallace
It's 1739Kg of aluminium and carbon fibre: 565bhp, 0-62mph in 4.1 seconds, and it'sTim Wallace's job to take the shots that capture that energy, and make the car an object of universal lust. Today he's shooting it at 2mph.
He's asking the car to glide, and transmit no camera shake to the Nikon D3 that hangs off it at the end of a carbon fibre rig. The speed and vibrancy is achieved with slow shutter speeds, with care, by repeatedly adjusting rig fixing points, but tomorrow's shoot will be quite different. Tomorrow Tim will hang out of the back of a Range Rover on a harness at 110mph. A steel plate will protect his knuckles from the Tarmac, which rushes a few inches below his camera. Car-to-car work. It's fast, it's immediate, it's deadly.
As a commercial photographer working with luxury cars, Tim might spend one day photographing Jaguar engine parts and the next shooting a classic Shelby as it cuts through the Swiss Alps. He might be shooting the bonnet of a Ferrari, or a newly-restored Bond car, an Aston Martin DB5. He has driven more than 260 Aston Martins for photo shoots, yet six years ago this way of life was barely an idea. Tim was at home, facing redundancy, and looking at what to do next.
A former Fleet Street snapper, Daily Mail photo lab manager, and Royal Marine (it's complicated!), Tim found himself in management at Virgin, in charge of a department that was being disbanded. There was a 90-day consultation period and at the end of it: "We shut the door and turned the lights off and I realized that, of 110 people, every single one had a job to go to apart from me. So I sat down at home and had a good think. It took three days." Tim wanted to go back to photography, and he was attracted to commercial work. Then came his first break: "People ask me, 'how the hell did you manage to get Aston Martin as a first client?'"
"It's not just a case of how I want to shoot cars, I've got to think about what will make people want to buy this particular car. What will make the hairs on the back of their neck stand up?"
This part was quite clever. Tim went to see Aston Martin, and rather than show them loads of pictures, he tried to learn about their problems. It turned out that a big part of their income comes from restoring vintage cars, for clients overseas.
"Take the DB5 – there are so few left in the world that if you find one that's rusted to hell, with chickens living in it, it's still going to cost you about £100,000 to buy and cost £400,000 to restore." There were two problems – finding cars to restore, and keeping wealthy customers interested in the restoration work. Aston Martin were using ancient brochure shots for publicity so Tim suggested shooting some really good restored cars as if they were brand new. He also started creating a photographic record of each car restoration so that customers could follow it online. Aston Martin's cash flow on the projects improved dramatically. Now, Tim works with other top marques, has his own desk at Aston Martin and was awarded Motor Industry Photographer of the Year recently.
Of course, you can't just go to a premium car brand, get a shoot and immediately start taking a beautiful photographs in your own style. Tim's style is grounded in years as a photographic printer. At age seven he would sit on a stool in a shed in Yorkshire, printing black & white images taken by his Brigadier grandfather, and at age 18 he was at the Daily Mail, head of a lab on Fleet Street. Photography began as a means to create images he could print. Tim left photography for a while, during an economic downturn in the early 1990s, and followed his father into the Royal Marines. But that early career as a black & white printer is truly valuable when he shoots cars today.
"It's all about tone, texture, contrast, and things like that – if you've been a printer that's what you're into so it's in your head when you shoot."
Shooting at test circuits in the company of secret prototypes, and plenty of inherent danger, demands another set of skills. Tim's seen how this can go badly wrong. During a photography workshop, he met some young photographers keen to have a go at shooting for car magazines. "One of them went out and shot from the back of something like a Nova, on a country lane, with a friend holding the back of his jeans. He fell out, and he's in a wheelchair for the rest of his life. You can't be on a public road; it's not done...."
Tim always anchors himself to three points in the car, he works with pro drivers and uses the strongest possible kit. But he's just as happy shooting the static stuff: shots that demand an understanding of how to bring out a car's qualities.
"If I were to shoot an Aston Martin DBS, I'd be thinking, what is a DBS? It's an aggressive car. It's like sex, drugs, and rock 'n' roll. It needs to be shot thrashing its way out of the Alps like it's coming out of hell. But an Aston Martin DB4 is a pretty car. A DB4 is about going through Milan and through the mountains with your wife who's wearing a headscarf, and playing Matt Monro.
"To to me these cars are personalities. So it's not just a case of how I want to shoot cars; I've got to think about what will make people want to buy this particular car? What will make the hairs on the back of their neck stand up?"
"Shooting premium cars – yeah, it's nice," he says. "I basically shoot cars you don't need and probably can't afford but you really want them. It's my job to create an image that gives you the strong feeling that you want to be part of that life."
Aston Martin 100 years of Power Beauty and Soul
Aston Martin has been building cars the most beautiful and desirable cars in the world for over 100 years and when a few years ago they reached their centenary it was a time that demanded something special. There mission at that point was to produce the very best that they could, the car to lead them into their second 100 years, a car with power and beauty, a new flagship model for Aston Martin into the future. With the most advanced engineering, the most beautiful design and the finest materials, they created a new carbon fibre 'Vanquish'. Car photographer Tim Wallace was tasked with the project of shooting this car for our UK client Aston to capture that beauty, the power and to visually afford it the grace of its design and the craftsmanship that has been poured into this new exciting model as Aston Martin enters another 100 years.
Over the years Tim has photographed just about every model Aston have ever built, from the very early Bamford Martin car through to the modern day One77, Vanquish and DBS. In 2013 Tim embarked on a quite litterally massive project for our UK client Aston to shoot, and capture all the significant models from the very first one ever built through to the very latest for a Aston Martin book. A book that would flow pictorially through a century of design, beauty and cutting edge technology and engineering.
This was a massive project and the work undertaken by Tim for this would take over 18 months to complete and featured not only all the models over the years but also some very important cars that have their place in Aston Martin's history such as the famous Zagato's VEV1 and VEV2, the infamous DBR2 that took first place winning Le Mans as well as many others.
Tim - "This project was first spoke of very early in 2012 and its one of those projects that you know will be very important. As Aston Martin celebrated their 100th centenary year there is a real feeling of drive and passion in the air not only to push forward the business but also to really pull all the stops out and create something really quite magical that will grab the Worlds audience by the scruff of the neck, shake it and say 'hey look at what we just did...' The Worlds best Aston Martin is a phrase I have heard a lot over the last few months but in truth its correct in the case of the new Vanquish, the car is quite honestly amazing both to look at and to drive and as a photographer its my role to try the very best I can to impart the feelings and emotions that I personally feel when I look at or indeed drive this car so that Aston's clients and customers can review the imagery and hopefully get a real sense of what this model has to offer and all the emotions that come through owning such a beautiful car."
Tim is the humble recipient of many awards including International Commercial Advertising Photographer of the Year, UK Motor Industry Photographer of the Year for his work with Aston Martin, Hasselblad Photographer of the month, Professional Photographer of the Year as well as a respected giving professional seminars on the skill of lighting, photography and effective business practice both on stage and to a live audience for organisations such as Nikon and in recorded video format for such people as Profoto and KelbyOne in the US where he has built up a catalogue of training videos available that are available Worldwide. He is well respected both within the UK and internationally for both his approach to his work, his creativity, and his very down to earth approach to his clients.
Tim is often invited to talk about his work in the field of automotive car photography and we've included some links to some of the recent Pro features and interviews that Tim has given that may offer some interesting additional reading for those interested in this area of photography as well as Tim's approach to such topics as lighting, logistics, creating that all important atmosphere for the right shot.
Chicago Video Interview with Tim Wallace
Hungry Eye Magazine Hasselblad Anniversary Feature with Comment
Advanced Photographer Magazine Interview Tim Wallace
Scott Kelby US Interview Feature with Tim Wallace
MAN LONDON Magazine Interview with Tim Wallace
Professional Photo Magazine Feature and Interview with Tim Wallace
Hasselblad 'Our World' Interview Interview with Tim Wallace
Photofocus USA Robert Vanelli Interview Podcast interview with Tim Wallace
APA - Automotive Photographers Association - Worldwide Interview with Tim Wallace
f11 - Photography Magazine - Worldwide 50 page Feature Interview with Tim Wallace
Shutterbug - Photography Magazine - US Pro Interview with Tim Wallace
F2 - Freelance Photographer Magazine - UK Print Interview with Tim Wallace
PhotoFocus Interview with Robert Vanelli Pro Interview with Tim Wallace in Las Vegas
Professional Photographer Magazine - UK 'Living the Dream' - Pro Interview with Tim Wallace
F2 - Freelance Photographer Magazine - UK Personal work in US Interview
Digital Photo Pro Magazine - US Pro Interview with Tim Wallace
The Review Magazine - London Interview with Commercial Photographer Tim Wallace
A lifetime behind the lens A personal view on film and camera's from Tim Wallace
Camerapixo (Europe) Special 'Tim Wallace Interview' Magazine Edition- 48 Page Interview and Feature
BBC TV Interview with Gerallt Jones of BBC Wales (UK) - TV Interview following Tim's Charity Seminar Event in Wales for Disadvantaged Children
Fuji Interview (UK) - Personal Work and using the XPro1 - Interview
3LT (UK) - Pro Feature Interview
Photographer Monthly Magazine (UK) - A Century of Car Advertising - Interview
Interview FOTOGRAFIE (Germany) - Pro Feature Interview
Digital SLR Magazine (Europe) - Darwin Project Interview
.Get Inspired Magazine (iPad) - Darwin Project Feature
The Coolector (Europe) - Personal Work Feature
Topaz USA - Pro Insight Interview
Professional Photographer Magazine (UK) - The 'BIG' Interview
PHUCK Magazine (South Africa) - Pro Spotlight Feature
Light It Magazine - Interview - iPad
Pro Interview (Europe) Digital Photo - Pro Magazine Interview
Seamless (Europe) - Photographer Spotlight
Profoto Sweden - Pro Photographer Interview and Videos
Professional Photographer of the Year Awards 2013 - 'AmbientLife Tim Wallace Wins 2 Awards
Personal Interview (US) - 'The Inspiration' with Larry Becker
US Interview - 'Business Interview with TV Host Mia McCormick
500px - 'Photographer Spotlight Feature'
Profoto Sweden - 'Pro Interview'
Pro Interview - US - 'Personal Interview'
Photography - Scott Kelby- 'BTS of Kelby Classes'
Leading Pro's at Work - DSLR Europe- 'Pro Interview'
Profoto Magazine Germany - Pro Photographer Interview
Le Grand Pro Feature - Pro Photographer Interview
Nikon Pro Book - Pro Feature
Professional Photographer of the Year Awards 2011 - Tim wins Advertising Photographer of the Year
Photography Week 'Pro Interview'
Royal Photographic Society UK - Pro Interview Article
Car Industry Awards 2011 London - Tim wins Car Photographer of the Year 2011
US Photographer Interview - Borrowlenses- 'Interview'
DSLR PRO Malaysia- 'Pro Interview'
Kelby TV USA - Pro Photographer Interview
DSLR Cutting Edge PRO - 'Photographer Feature'
Hasselblad Victor Magazine - 'Pro Photographer Feature'
PhotoPro Magazine - 'Lighting Feature'
Calumet - 'Photographer Spotlight' Interview
Digital SLR Photography - 'Photographer Interview' UK Magazine
Scott Kelby - 'Guest Interview' US Feature
Elinchrom Switzerland - 'The Making of Tim Wallace' Feature
What Digital Camera - 'Creative Drive' Photographer Interview
BBC Interview - Awards Interview with Tim Wallace
Focus Magazine - 'Photographer Tim Wallace' Feature Interview
Hasselblad Award - International Photographer of the Month
UK Business Awards 2011 - AmbientLife Win Best New Business Awards
Digital Camera - 'Out There' Magazine Interview
Nikon Europe - Pro Talk at NEC UK for Focus Event
Pro Insight - 'Capturing Cars' Feature
Tim – "Car and indeed any professional automotive vehicle car photography can be quite difficult, for me its all about shooting the image to fit the client, that maybe a shot that is powerful and aggressive or indeed one that gives a air of grace and beauty about the car, truck, or any vehicle type. In some ways I view each car as a person that has a personality, and the starting point is to understand what the design and overall purpose of the car is trying to put across, the job in hand then is too work out how best to get this message across. Aston Martin is a very good example of this, the modern Vanquish and DB9 are very sculptured and aggressive in their look compared to say the earlier DB5 and 6 therefore the shoot takes on a whole different feeling and the stage for this type of work maybe very different to that used on a more graceful classic style of car."
In the US Scott Kelby described Tim recently as one of the most influential photographers in the World today in car photography and Tim was invited back to KelbyOne and worked with their filming and production crews to create several hour long video tutorials that covered the lighting of cars, the approach and took an indepth look at how Tim approaches his work. These proved to be a huge success both in the US and Europe and as such Tim returns to KelbyOne in the US on a yearly basis now to add further training course videos to his catalogue area on KelbyOne as one of their featured official training instructors in the World along side other well respected names in the industry such as Joe McNally. There are lots of video classes to choose from and browse and all of them are very in-depth and allow you to sit back while Tim walks you through the whole process on each shoot from the very start on location to the final post edit photoshop work. There are also some interviews live at KelbyOne in the US available on video to watch where Tim talks through his approach to business and also a separate interview where Tim talks through what inspires him personally and how his life has affected him and led him the point where he is today.
These are available to view at KelbyOne Training online
Tim also works closely with his car industry clients such as Aston, Land Rover, Jaguar and most recently Morgan. Morgan approached Tim in early Spring with a desire to utilise Tim's unique shooting style to help them make the transition from the more standardised car photography through to a body of work with more passion and feeling to suit their changing demographic of customer and fully show the passion of their own new designs with such models as the Aero 8. Some of Tim's initial work was used for the Geneva Motor Show to great reviews and some really positive feedback not only from customers of Morgan but from their manufacturing staff themselves, a real indicator of the passion involved in such projects from both sides of the table. Since Tim's involvement with Morgan the company has made some design and photographic changes to their website presence as well as launching new brochures, marketing and advertising campaigns and using Tim's photography at major events such as a recent design event in Milan where a 40ft print was used to set off their stand and bring some real drama to the location and event.
Tim was involved in the launch of the new concept from Morgan, the Eva GT, the car was shot by Tim following its launch in the US to provide marketing and brochure material as the company promote the car globally prior to the start of production.
The majority of the work was shot on location at the Morgan main factory in the UK and Tim worked closely with their designers and marketing division to ensure that during the two day shoot a large amount of diverse and powerful imagery was created. The car has attracted a huge amount of interest globally and Morgan have already taken thousands of calls with deposits already being paid by some with delivery being anticipated for those first purchasers. It was crucial to shoot a wide spectrum of work not only close and high quality detail but also 'lifestyle' type work that Tim has become famous for with his dramatic use of the world around him that not only shows the car being shot but more importantly attempts to bring the viewer into the photography to understand how the car makes you feel, creating a desire and a passion within the customer equalled only by that of Morgan for what is to be a very significant car for the UK manufacturer over the next few years.
Tim - "The scene in which the car is positioned and photographed is very important, for example on a recent commission I photographed the new Ford GT, the model reborn of the classic GT40. This car could be shot in a studio as we indeed did on one of the days however the main commercial shots that were done were all taken in a run down industrial estate near to the clients location. We did get some strange looks bringing such a beautiful car into such an urban and rough location, however that was in some respects the whole point as the car was very much in the tradition of the GT40 which was in its time a legend and built very much as a 'blue collar' working class hero so the industrial scene suited it well and brought some passion into the work, set the mood if you like. Once the 'environment based shots were complete we shot a selection of action based work. This work is normally completed using car rigs and shooting from chase cars, however once again its not simply a case of getting a sharp image of the car moving, its important to keep the creative element alive and allowing some distance to the subject with careful exposure and framing can be just as powerful as coming in very close to the car at speed. On the completion of the days shooting our client was extremely happy with the results, and even went on to take print orders from their own customers outside the intended usage in marketing and brochure publications, this is something that we see a lot of with clients and indeed its a great yard stick to say that people feel inspired by what in effect is simply a advertisement image.
Lighting, the key in some cases to creating a great image. Most of the lighting that we use is field portable such as Elinchrom and ProFoto, this is essential to our work as heavy and unreliable generators add expense and time to a shoot often. In a studio situation on a large scale shoot the lighting choice switches to Arri continuous lighting both for control and quality working and shooting within a typical infinity cove setting.
Tim - "Lighting is a very personal thing and in truth its simply not possible to copy a lighting set up and get the same result. The way that I approach lighting is very simple, in cases where you will have multiple lights in play it's important to 'light up' to the subject slowly, what I mean is do not over light the car, throwing huge belts of light at it from different directions, a lot of my work I like to look as if its not been lit at all, subtle so to speak. The best way to do this is to set up each light one at a time, do a test shot and when your happy with the result move onto the next and so on, also consider however that where lights contaminate into each others area's that meter readings may need to be re-evaluated as light intensity increases in these area's as you would expect. Also people in my view make little use of the best light source that they have, the sun!, it's very underrated and if you look back at the time of the great masters you'll note that many used to employ a lighting technique that meant lighting in the same direction as the sun instead of against it as many seem to now. The important thing is not to bury your head in 'how to' books on lighting but simply to get out there and shoot different things and try new setups yourself, this way you will build up what I call a lighting 'Rolodex' in your mind of what works and what doesn't in different situations.
There is no easy answer to lighting, it's simply a piece of the puzzle or indeed a piece of the photographers tool kit that makes his work look different to the next guy, a style, a mood, his technique, it's personal and it's what each photographer must develop for themselves to achieve development as a photographer"
"Being out there shooting is where things happen..."
We work very closely with our clients to ensure that we offer the best possible photographic output for their needs with virtually all of our work coming from recommendations from existing clients and through agencies that have worked with us on commissions.
The production of professional material for the workplace or showroom is another aspect of our work that features innovative design and visual impact, a recent example of this is a set of 8 12ft high banners to be used in a clients showroom promoting their modern approach to the product but also the heritage of the brand.
Tim- "It's a little too easy to create an 'acceptable' image for quick gratification where a little thought and passion can easily make use of the digital medium to create a truly inspirational piece of work through careful thought, exposure, and lighting. A camera does not create a great photograph, the photographer does, 90% of the achievement lays in your imagination of what you want to create.
I shoot many on Professional Hassleblad Medium Format Platforms and also Pro DSLR's which I find are great for my type of work. I also use portable pro studio lights, the kit is very robust and offers me powerful yet consistently correct studio quality light in quite literally any environment which is very important when you've got a deadline to meet. I tie this equipment together using radio trigger systems as its gives me total flexibility and again is consistent and reliable under bad conditions, but I can't stress enough that each situation in car photography is different and its not the equipment that makes the image, it's the passion and imagination that is invested into it."
"Often with professional automotive car work it will involve some more 'action' based shots which I achieve using a professional car rig that can be easily deployed for use on most vehicles, this allows us to get some really dramatic photography that sits well for use in magazines, brochures and other area's of client output. The rig can be used in a very versatile ways to capture elements of the car in motion as well as afford me the ability to be very fluid with my shots and open up possibilities for very unusual and eye catching photography that holds the viewers attention, a real must for many of my clients who believe in the power of strong imagery. For more overall car action work we often use chase cars to shoot from, and this is easily set up providing of course safety measures are in place and road access is available."
The future?
Tim - "Our clients are building steadily each year and today we are very fortunate that they include some major corporate companies both in the UK, Europe and US. Like most business's I'm always looking to tomorrow and the future, new opportunities and potential new clients that we can work with to help carry their branding message forward in a positive with creative photography. Recently we have seen a marked interest in non-automotive clients approaching us to shoot commercial for them, these have included luxury yachts and even airlines with the common driving factor being that they have been attracted by the style of our car photography and the drama that it often portrays and are seeking the same within their industry area's, this is a great challenge for us and I feel very proud that we have such a strong style and feel to our work that these sorts of approaches are made, for me style and indeed our own 'branding' through our photography is the key to successful growth longterm with the field of commercial photography."
"Be passionate about your product, be inspired by your customers"
© Copyright Declaration
All images shown on this site are protected by International Copyright Law
and by the Copyright, Designs & Patents Act 1988.
All images, text and ideas are the 'intellectual property' of Tim Wallace™


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Pizza Meatloaf
READY IN: 1hr 20mins
Recipe by MizzNezz
Even the kids will love this one!
Top Review by Sunflower
I wanted something different than our usual meatloaf. This was perfect. Very easy to make. Great seasonings. My family and even the kids loved this and gave it 5-stars. The pizza sauce gives it a nice little zip. Thanks Inez, love your recipes.
See Discussion:19 Reviews 1 Tweak
Ingredients Nutrition
- 2 eggs, lightly beaten
- 8 ounces pizza sauce, divided
- 1 cup cracker crumb
- 1⁄2 cup grated parmesan cheese
- 1⁄2 cup shredded mozzarella cheese, divided
- 1⁄2 cup chopped onion
- 1⁄4 cup chopped green pepper
- 1 teaspoon seasoning salt
- 1 teaspoon oregano
- 1⁄4 teaspoon pepper
- 2 lbs ground beef
Directions See How It's Made
- Mix eggs, 3/4 cup pizza sauce, crumbs, parmesan, half the mozzarella, onion, green pepper, salt, oregano, and pepper.
- Add beef; mix well.
- Pat into a greased 8x8 baking pan.
- Bake at 350* for 50 minutes.
- Drain.
- Spread remaining pizza sauce on top, bake another 10 minutes.
- Sprinkle with remaining mozzarella, bake until bubbly.


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Rabbit Lamp
Sold Out
Add a fairytale touch to the child's space with this lovely rabbit lamp. The rabbit lamp looks great in any nursery & kids' room decor. The white rabbit light's soft tone adapts to any environment: retro or design. The rabbit lamp casts a wonderful warm light and look as pretty switched on as switched off. Adopt now this timeless design !


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"Taylors struggles throughout the 2016 season are well documented. He failed to show much, if any, progression as a passer in his second year as Buffalos starting quarterback. The Bills passing offense was 30th in the NFL, averaging less than 200 yards-per-game through the air and Taylor threw for just 3,023 passing yards, 17 touchdowns and six interceptions"
Everything the cot ignores in one paragraph! All in for Mitch !
Edited by Ryan L Billz, 09 January 2017 - 11:19 AM.


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Lani's Spicy Chicken
Recipe by Lani D
Depite being vegetarian now, I used to have chicken (obviously) this was one of my throw together meals using my favourite flavours.
Top Review by GaylaJ
Simple, quick, and tasty! I doubled the recipe, used extra Tabasco, and tossed in some kosher salt. Since there isn't an amount specified for the lime juice, I added just enough to make a very thick sauce. I let the chicken marinate for a few minutes before proceeding. We enjoyed it over jasmine rice. Thanks for sharing the recipe!
See Discussion:1 Review
Ingredients Nutrition
- 1 chicken breast
- 1⁄2 teaspoon dry crushed red pepper
- 1⁄2 teaspoon ginger
- 1⁄4-1⁄2 fluid ounce Tabasco sauce (2 splashes)
- 1 teaspoon cornflour
- lime juice
Directions See How It's Made
- Mix all the spices, flour and juice.
- Cut the chicken breast into strips and coat them in the mix.
- Heat some olive oil in a non stick pan and quick cook the chicken.
- Serve with a green salad.


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The game's plot looks into the distant future, when the natural resources on our planet almost run out for the remains of a terrible war will begin, and most people will tend to move away in space, especially when you consider that most chat planet will become uninhabitable. And you will find yourself on a large spaceship that went into space in search of a distant planet that can be your home, furthermore, after many years of wandering this planet found! This is precisely the moment when there is a chance to start from scratch and build a great empire that will exist by your rules and laws.
But the real empire is a complex mechanism which is formed from a number of factors, including large amounts of minerals required for the construction and production, the development of different technologies that can send you even further into the future, by itself is a huge fleet that is ready to not only protect you, but and can enslave other lands. But do not forget about alliances with other players, together you will only get stronger and be able to show the entire cosmos his strength and power.
As it has become fashionable, you can choose several ways of development or peace diplomacy and trade or zahvatcheskuyu activities and open aggression which will be feared and respected.
Galaxy Empire Features: Evolution:
What's new:
1. Universe Contest optimized!
2. Minor bug fixes
|date of download
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| Other languages
Afrikaans, Amharic, Arab, Azerbaijani, Belorussian, Bulgarian, Bengal, Catalan, Czech, Danish, German, Greek, English, Spanish, Estonian, Basque, Persian, Finnish, French, Galician, Gujarati, Hebrew, Hindi, Croatian, Hungarian, Armenian, Icelandic, Italian, Japanese, Georgian, Kazakh, Khmer, Kannada, Korean, Kyrgyz, Laotian, Lithuanian, Latvian, Macedonian, Malayalam, Mongolian, Marathi, Malay, Burmese, Norwegian, Nepali, Dutch, Punjabi, Polish, Portuguese, Romanian, Russian, Sinhalese, Slovak, Slovenian, Albanian, Serbian, Swedish, Swahili, Tamil, Telugu, Thai, Tagalog, Turkish, Ukrainian, Urdu, Uzbek, Vietnamese, Chinese, Zulu
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Rating:(144) 3.6★ 71.95%
Rate the game:Plot


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Product code: 25029
Despatched in 3-5 days.
Evening Primrose Age Revitalising Hand Cream 50mlMade with precious shea butter, it intensively regenerates hands prone to dryness and increases the strength and resilience of the skin.The formula, with centella asiatica extract smoothes and gives a more even appearance to the skin, a velvety soft feeling, whilst being easily absorbed.Especially created for women aged 56 and over, Weleda's Evening Primrose range is not anti-ageing, but instead enables mature skin to look its best; healthy, fresh and "alive". Embrace Evening Primrose's natural firming and moisturising properties, and ability to stimulate the metabolism and enhance skin's radiance.Intensively regenerates hands prone to dryness.Suitable for vegans
INCI): Water (Aqua), Sesamum Indicum (Sesame) Seed Oil, Glycerin, Alcohol, Glyceryl Stearate SE, Butyrospermum Parkii (Shea) Butter, Helianthus Annuus (Sunflower) Seed Oil, Olea Europaea (Olive) Oil Unsaponifiables, Oenothera Biennis (Evening Primrose)Oil, Panicum Miliaceum (Millet) Seed Extract, Centella Asiatica Flower/Leaf/Stem Extract, Xanthan Gum, Lactic Acid, Fragrance (Parfum)*, Limonene*, Linalool*, Benzyl Benzoate*, Benzyl Salicylate*, Geraniol*, Citral*, Farnesol*. *from natural essential oils
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eChemist.co.uk © 2017. All rights reserved.


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At Least Two Seats Away (previously Final Breath) is a small pre-band group located in Washington State, U.S.A.
The People
Member List
- John "Sunny" Cook
- William Cook
- Ahsha "RoboTeddy" Luce
- More to come.
Real Name: John Cook - Bio
Position: Songwriter
Real Name: William Cook - Bio
Position: Soon to be kicked out...?
Robotic Teddybear (RoboTeddy)
Real Name: Ahsha Luce - Bio
Position: Songwriter
Songs: (Love Comes From) The Heart Not The Pants
The Music
Song List
- (Love Comes From) The Heart Not The Pants
- More to come
Band Message Board
Please only put stuff on this one if it's for everyone. Smaller stuff goes on the bio pages to save room.
- For Everyone, From RoboTeddy, 4/6/07.
Hey guys! Welcome to At Least Two Seats Away's new home! I hope it all works out. I bet we could make this really cool. And yes, I did invent my own message system. It's a tiny bit complicated, but I think it's cool. ^_^
You are in complete control of the workings of your bio pages. (You can click your names on the front page to see and edit them.) You can also edit the front page all you want, but don't do anything stupid, please. If you need help, ask me, or go to the tutorial. (There's a link on the bottom of the edit pages.)
One more thing: If you don't get how I did the message format, just look at the edit page and/or go to the tutorial. I'm a perfectionist, humor me. @_@


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This committee addresses municipal concerns relating to transportation and highway safety, as well as aviation, affordable housing (and homelessness), billboards, building codes, charter schools, rights-of-way and veterans affairs.
New zoning requirements for "airport hazard areas" take effect on July 1. An "airport hazard area" can be located within any city or county, and is not contingent on an airport being located within your jurisdiction. This critically important webinar with the Florida Department of Transportation will provide information about the changes that need to be made to your city's existing regulations and processes. We will cover everything you need to know in order to be in compliance with this law including a review of the new criteria for FDOT evaluation of permit applications, new criteria and processes for political subdivision's airport zoning regulations, and modifications to land use compatibility regulations.
Access supplemental materials: http://bit.ly/2riGZPX
The Florida League of Cities is the united voice for Florida's municipal governments. Its goals are to serve the needs of Florida's cities and promote local self-government.
The League was founded on the belief that local self-government is the keystone of American democracy.
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Attract, impress and welcome! There is no need to change the expression of the building and architecture. Follow the same theme as the shopping centre. If the light clashes with the architecture it can seem distorting.
Make sure that the entrance is clearly marked. This could be done with light as an effect, for example with a luminous surface luminaire. It can also just be enhanced with light, like a well-illuminated sign or coloured light.
Directly aimed light has a dramatic characteristic and will create an impression of contrast. Soft light from big surfaces creates a smooth illumination with gradient shadows.
Freedom is an innovative LED luminaire that makes it possible to create free forms suspended in the air, on the ceiling and on the wall.
Zone Evo II G2
Zone Evo has a clean conical design and an efficient segmented reflector ensuring excellent visual performance.
Tibi Pendant
Tibi, a spectacular bubble of light for general lighting in every room of the project. Can be used successfully in entrances and stairwells. Tibi Pendant can be equipped with Tunable White for controlling the intensity and colour temperatures between 2700 K and 6500 K.