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text: Last week, my tribute to Tuli Kupferberg of the Fugs included "Kill for Peace," one of their satirical anti-war songs. Part two of my remembrance of Tuli centers around his song "Morning, Morning" (1966), more haunting and poignant than the characteristically outrageous Fugs fare. Like his composition"Nothing, Nothing," this song, which was covered by Richie Havens, has its roots in Jewish melodies. The creator of the video, Japeter2000 on YouTube, movingly captures the ambiance of the 1960s counterculture on New York's Lower East Side with which The Fugs were associated. Watch:

subset: commoncrawl


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Brookfield Vacation Packages
Many of Chicago's key attractions are within easy driving distance of Brookfield, making it a great place to base yourself while you are in town. Brookfield Zoo and the Graue Mill and Museum are just two of the interesting place to visit here. Also, be sure to check out the Oak Brook Golf Course and Stevenson Park.
Spend some time in the center of Chicago. Enjoy Willis Tower and McCormick Place. And, before making your way back to Brookfield, you should also check out Millennium Park and Hancock Tower.
Brookfield offers some interesting museums and theaters nearby that allow visitors to really get a feel for the area. Find the treasures kept in some of the remarkable museums such as the Hawthorne Works Museum in Cicero and the Ernest Hemingway Museum and House in Oak Park. Book in for a live show at the Madison Street Theatre in Oak Park.
If the weather is good head outside and make the most of the nearby green spaces. To discover the native flora and fauna, set out to explore the York Woods County Forest Preserve in Oak Brook.
See what is in fashion locally and treat yourself to a new outfit in a few of the nearby shopping hotspots such as the Oakbrook Center Mall in Oak Brook.
When you're ready to rest your weary head after a day spent exploring the charming streets of Brookfield, check in to one of the area's range of accommodation options. The DoubleTree by Hilton Chicago - Oak Brook, the Best Western Chicagoland - Countryside and the Best Western Plus Chicago Hillside are among the best places to stay while you are enjoying this special area.


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Ray's and Stark Bar Send to Phone
OpenLunch Mon.-Tues., Thurs.-Fri.; Dinner Thurs.-Tues.; Brunch Sat.-Sun.
- Valet parking & parking lot (free after 5 p.m.)
- Dress code: Casual
- Full bar
- Outdoor dining
- Reservations suggested
* Click here for rating key
Text data on Ray's and Stark Bar to your phone, or a friend's cell phone.
Find out which restaurants and chefs top the list of GAYOT's 2016 Annual Restaurant Awards.


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New Delhi, Aug. 18: Commerce minister Arun Jaitley indicated today that India would be taking a tough stand on agricultural issues at the WTO negotiations in Cancun.
The minister said, Agricultural negotiations have serious economic, social and political ramifications which would weigh the most on our minds.
Around 650 million people in the country are dependent on agriculture for their livelihood and are adversely affected by the high level of subsidies in developed countries..... Therefore, there must be a gradual reduction and eventual elimination of such subsidies as our farmers cannot compete with the heavily subsidised products of the developed world, he said.
The minister said the reform of the European Union common agricultural policy was inadequate since it was constrained by the domestic politics of the constituent states.
Jaitley said it was easier for the developed nations to market reforms since they had enjoyed the fruits of development and underlined the urgent need for an objective public discourse on the implications of trade liberalisation and globalisation.
He also said agriculture negotiations in WTO were constrained by domestic politics in the US in presidential elections next year. Agriculture negotiations had serious political and social ramifications in India, Jaitley told a national symposium on Cancun agenda.


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University of Roehampton
Practical Theology
The DTh is a professional doctorate programme in practical, ministry-focused theology. This programme offers strategic leadership training to senior level ministry personnel, seeking to broaden their applied theology in pastoral and missiological areas. The programme focuses on using research to develop theological practice. This programme will help those already engaged in Christian Ministry to develop the advanced research, evaluative and reflective skills necessary to further your professional and career profile. Students will prepare themselves for more senior level, national or international roles, as leaders, advisors or consultants in ministry-related fields. As a practitioner of Practical Theology, this course will encourage you to reflect technically and theologically on your ministerial practice, and on the application of scholarship and research to a range of ministerial contexts. In order to develop your research skills, the programme will provide you will extensive knowledge and understanding of areas of Practical Theology and the critical methods practiced at the forefront of the discipline. Students will then be able to reflect on these research methods in looking at their own practice, and you will be capable of producing findings that satisfy peer scrutiny and are deemed to be of publishable quality, making an original contribution to knowledge. There is a wide range of areas in which students will develop their skills on this programme. You will enhance and apply your ability to handle written sources and empirical data, using appropriate advanced critical methods and controls. A further key skill is your ability to marshal coherent and effective arguments and communicate conclusions in oral and written form. The programme will moreover enable you to demonstrate a competent grasp of a range of technical skills arising within the discipline, including a range of approaches to textual historical, hermeneutical and cultural issues. You will also look at quantitative and qualitative approaches to the investigation of individual and social experience and behaviour, and be able to respond critically to their use by others.
Course modules
Assessment methods
|Study mode
|Start month
|Course duration
|September 2017
|5 years
Campus details
|Campus name
|Main campus
|Digby Stuart College
|South East
Key information
Postgraduate Admissions Office
Telephone number:


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China's most interesting Christian churches
Since first arriving in the Orient sometime in the 7th century along the passage of the old Silk Road, Christianity has risen to become one of the major faiths in China, now standing alongside Taoism, Buddhism and the ancient school of Confucianism, to name just a few.
Today, the Christian belief system also manifests in buildings right across the People's Republic, and the country now boasts some truly fascinating and breathtaking churches—check them out.
Sofia Orthodox Church, Heilongjiang Province
Sporting onion domes, gilded crosses and inlaid iconography like it's been plucked straight out of Russia or the Balkans, the Sofia Orthodox Church is unquestionably one of the most striking spots of Christian worship in the People's Republic.
Standing tall with its dual Germanic frontal towers, St. Michael's Catholic Church of Shandong is one of the largest examples of the European Romanesque in all of China
It's also the largest Russian Orthodox cathedral found in the entire Far East, and a protected historic site in the city of Harbin, where it's been standing watch over the streets of Daoli district since 1903. Interestingly, the church was closed during the years of Mao's Cultural Revolution, and converted into a storage depot for a nearby state-owned emporium.
St. Joseph Cathedral, Tianjin
The colossal frontispiece of the St. Joseph Cathedral has stood watch over the historic downtown districts of Tianjin city since first being raised on decree from the Holy See in the early 20th century. The bricks used in the construction were transported piece-by-piece across from France, which goes a long way to explaining why both the interior and exterior aspects of this one mimic the appearance of historic Roman cathedrals found right across Western Europe.
St. John's Cathedral, Hong Kong
A testimony to the indelible multiculturalism of Hong Kong, St. John's stands side-by-side with Eastern Orthodox and Roman Catholic churches on the streets of the city. The building was first constructed in the middle of the 19th century, and went on to weather the tumult of the Japanese occupation during the Second World War, when it was used as an officer's club for the invading army.
What's more, the architecture of the site does well to reflect the colonial roots of Canton itself, bearing inscriptions dedicated to Queen Victoria and Gothic adornments to boot.
St. Michael's Catholic Church, Shandong
Standing tall with its dual Germanic frontal towers, St. Michael's Catholic Church of Shandong is one of the largest examples of the European Romanesque in all of China. The building itself is a direct result of the large German missionary population of Qingdao during the 19th century, and was even constructed to mimic the look and feel of Christian buildings from post-Renaissance Europe. Under Chairman Mao, the crosses atop the towers were removed and the church was vandalised badly.
The Cizhong Church, Yunnan
Sitting dramatically between the verdant valley ways, rolling tea fields and rugged hills of China's Yunnan province, this startling church is a bastion of Christianity in the heartlands of the Republic's most piously Buddhist region. During the Cultural Revolution, most all of the interior decoration and religious iconography here was erased by the Red Guards.
Some of the striking secular adornments still persist—a twisting dragon on the frontal columns; a looming pagoda roof; the surrounding sea of vineyards.


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KTM has now revealed its all-new 2017 model year, 250 Duke naked motorcycle. This model will not be offered in India and not even in the European markets. 250 Duke by KTM has been exclusively developed for the South-East Asian markets.
In terms of design, KTM 250 Duke draws inspiration from the latest 2017 Duke range of motorcycles. The 250 Duke by KTM will be similar to the 125 Duke, 200 Duke, and 390 Duke. All four models will share a common chassis and body panels to keep cost in check.
Powering the 2017 KTM 250 Duke is a 248.8cc single-cylinder, liquid-cooled engine. This engine produces 29.5bhp, which 1.5bhp less than the previous model and is mated to a 6-speed gearbox. KTM has included a PASC antihopping clutch to enhance the riding experience.
Unfortunately, KTM has not included the touchscreen instrument console, along with LED headlight and taillamp. The 250 Duke misses out on these new features that are included on 2017 390 Duke. Surprisingly, 2017 KTM 250 Duke gets the updated exhaust system.


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How Much Is A Tree Worth?
"Using satellite imagery and aerial photography, [a]nonprofit organization [American Forests] documented the gradual decline of the region's urban canopy, an area covering 3.2 million acres, as a result of sprawl and development...While the study shows today's trees are providing financial and ecological benefits worth millions of dollars, millions more would have been saved and the environment would have remained cleaner if more trees had been retained and protected during the study period." [Link to 12-page report in PDF format (1.04MB - approx. 2.5 minutes at 56kbps). Report includes color maps.]
Thanks to Abhijeet Chavan


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Reviews written by registered user
|46 reviews in total
*** This review may contain spoilers ***
I watched this film at CPH: Dox, The Copenhagen Documentary Film
Festival. Here's an excerpt from the presentation in the programme:
"A restless trip amongst stoned and lost souls in a film which has exclusively been filmed at night chocking, touching and in your face. "Do not go gently into that good night", Dylan Thomas wrote, and the night birds we meet in this film took the welsh poet on his word. The 55-year-old former boxer Zdenek is the chain smoking epicentre in a carousel of turbulent human fates who flap around on the edges of Prague's nightlife. Junkies, drunks, aging prostitutes and a 19-year-old disco queen who dances with herself in the pulsating neon light. 'The great night' is a film in the dark romantic vein of restless dystopian tales".
So, I expected something like a documentary version of "24 hour party people" a cool, slick, inspirational, fast-paced joyride through clubs and nightlife. Instead I got 1 hour and 15 minutes of barely any content. It was a documentary about people who had nothing to do, nothing to show, and nothing to say. So, they just sat there and said nothing for a long while. Then they smoked a cigarette or took some drugs. And clubbing? Altogether 5 to 10 minutes of film, tops. I've never been to Eastern Europe, but my impression is that some of the cities are very beautiful, but that it's somewhat sad and depressing to live there. I'm from Denmark where people are somewhat introvert and life is somewhat depressing and boring (especially compared to e.g. Spain or Italy), but it's my impression that in general it's even more like this in Eastern Europe. This film only confirmed this view.
I'm sure some people would find this film a very real and candid look at the human conditions in Prague and find it a very touching film about these sad people, and how empty their lives are. I have no problem with that, and there have been many sad films that I have enjoyed. I just lacked excitement, a story line, proper dialogue and some content. It's not worth spending 1 hour and 15 times on just watching prostitutes on the street waiting for customers that never come, or people smoking cigarettes and asking their friends if they have a lighter. After half an hour I was waiting for it to end. This was slow, boring and depressing.
*** This review may contain spoilers ***
This is most likely a film that will split the audience down the
middle: One group will say: "Yes, this is really a problem". The other
will say "Prfff! What's the big deal? We're just surfing the web. So
what?". Although I surf the web a lot, I mostly belong to group one,
and this film is definitely propaganda about how much negative impact
the internet has had on the world today not only on entire countries
but also on individuals. In some ways it's a documentary version of
those disaster movies that show what will happen if all our electricity
was cut off, etc. except here the question is: "What would happen if
we suddenly didn't have access to the internet?". Many people would
simply have nothing to do, at least according to this film, as they are
online almost all of their waking hours. Read a book? No, I can read
maximum one line (so a website designer said in this film). Or maybe
they would finally find something to do if suddenly there was no
The film shows teenagers addicted to pornography, people being kicked out of Harvard for being lazy, people who committed suicide after being bullied online, people who have sex with strangers in order to get their phone back so they can go back online, and companies who do research into how they can make people spend more time on their websites. And, of course, most of these people think there's nothing wrong with what they're doing. For the viewers (or at least me) it was quite easy to spot their problem (for instance: "I play Xbox five hours a day. I was kicked out of Harvard for not handing in my assignments. I don't think those two things are related").
It's definitely not a positive film. Although I have seen the destructive effects the internet has had on my life (along with all its positive effects), this is a propagandistic film and as such not a great pleasure to watch no matter how much I might agree with the message. One major reason for this was simply that it was information overload. There were barely any part in the film where there was nobody talking. Fictional films of course have more scenes with action instead of talking than a documentary, but some air in the narrative here would have done some good. But nevertheless, this was a good, well-made and informative film (although I already knew most of the information they presented). The threat they present is definitely very real but not everybody will enjoy facing this threat or enjoy the way it's presented here.
By the way: If you have problems controlling your internet use, the program called iNet Protector is the solution. You can set how much online time you can have each day and when (for instance only 1 hour access between 5 to 7 pm Monday and Saturday), and it's of course protected by a password (which you should have someone else do, as it's otherwise pointless). It has improved my life. There's also another programme called PC Auto Shutdown that can switch off your computer automatically when you want it to.
*** This review may contain spoilers ***
The analogy presented several times in this film is that Proust wanted
to write a book about nothing. That is also what the director of this
film has done, and what the main character has done with his own life.
This is a film about nothing, but of course still about something the
main character Jep. The film is simply just about this character and
how he spends his time.
Jep has self-reflection, he's honest, doesn't take things so seriously, and he doesn't try to convince himself that he's something that he's not. Although one of his snobbish, bitter and self-righteous acquaintances annoys him, he doesn't let it bother him too much, and he doesn't say anything about it until she asks him to. He lives a happy, carefree life and is not consumed with worries. Unlike the most of us who "spends the summer making plans for September" as one of the characters say, Jep "looks for the great beauty" by living in the present an enjoying everything beautiful around him paintings, food, birds, churches, trees, the ocean, etc. He finds joy in this moment and not in the future. It is actually quite inspiring to watch. But there is nevertheless something missing. Life basically has two missions: Accomplish your dream (whether through work or through raising a family) and find companionship (whether with a partner or with friends), and while Jep has certainly enjoyed his time in Rome, he hasn't achieved any of those two goals. Sex with someone new is not something beautiful shared with another person for him, but simply an everyday thing that's part of his lifestyle. I found this to be one of the key themes in the film. Jep tries to find "the great beauty" in life but hasn't found the greatest one of them all: love. He has gone through life partying, shagging, smoking and enjoying, but has never found the woman he loves, nor had any children.
All of these characters are trying to find a place where they belong, but none of them are really successful. Most of them want to be accepted by the right crowd or the right woman, but fails in a hierarchy where you can never reach the top. As the movie progresses, more and more people leave Rome as they haven't found the great beauty of love either. One doesn't even want to bring his furniture but just leaves everything behind. Apparently, he hasn't accomplished or accumulated anything there that he would want to remember. So, it's also a critique of modern day Rome and all its citizens' love of being hip. It's elegantly done, and especially the dialogue is beautiful, poetic and well-written.
Another reference to literature I found was that the main character and some of the other characters remind me of the three main characters in Oscar Wilde's "The Picture of Dorian Gray" (the character in this film who wants to stage a play would be Basil Hallward).
The biggest drawback of this film is its length. A film about nothing that lasts almost two-and-a-half hours is simply too long. Had it been 30 or 45 minutes shorter it would have been a more pleasant view. The film starts out as a beautiful feel-good film, but ends up as a sad tragedy with some hope though. It's never too late to make a change.
*** This review may contain spoilers ***
Like most others, I like Clint Eastwood as both an actor and a director
(at least from around the year 2000 onwards). "Million dollar baby" and
"Changeling" were two quite lovely films to give just two examples of
him as a director. "Gran Torino" definitely had its strong points, and
I enjoyed the themes of misplaced racism, and how it sucks the joy out
of life, the unsolvable problem with gangs, and the need to get your
problems off your chest instead of keeping them inside. I also liked
the pale colours of this film (just like in Changeling), which was
perfect for this bleak environment. But the problem for me with this
film was simply that it wasn't very credible.
The main character Walt (Eastwood himself) used a lot of foul language, but as he did so in almost every sentence and so overtly, it simply ended up becoming a caricature. At one point his son and daughter in law came to Walt's birthday and suggested that he moved into a nursing home. The camera then filmed a close-up of Eastwood, whose mouth opened and turned downwards more and more in a fit of rage. It just seemed like something from a comic book. Eastwood is one of the archetypical tough guys, but here he simply seemed like a parody of himself. Later, Eastwood dropped a glass of alcohol as he was shocked. It just fell to the ground all too late for it to seem like a believable reaction and not one done by an actor in a poor film (it will make sense if you watch the scene). This is of course a minor detail, but it honestly seemed to suggest that there hadn't been paid enough attention to the editing and the artistic effects used in creating a story that would seem real rather than just a story. This surprised me a bit, as I didn't notice anything like this in the two other Eastwood film mentioned above.
One of the other actors, Bee Vang playing Thao, was even worse. He simply didn't give a very good performance. Especially when he was locked into the basement, his hammering on the door simply didn't seem real.
Lastly, I didn't find it believable that Walt warmed to the Hmong people because of the reasons shown in the film. It seemed credible that he would help the neighbouring girl when she was in trouble with a gang on the street, but he still a bit too easily went from banning all Hmong people from his property to accepting the neighbouring girl's dinner invitation with her entire family simply because they had beer and because the girl was "alright" as he said. Nevertheless, this was something that I could easily have overlooked if the rest of the film had been better they are after all trying to tell a story, and there has to be some progress.
With better dialogue, better acting and a slightly better script, this film could have made me feel something real rather than make me cringe which is what it too often did.
Judging from the average rating here on IMDb most people love this film, but I've also seen several people here on IMDb say exactly the same things as I have done in this review (acting, dialogue, etc.), so it seems to be a film that splits the viewers in two camps. I find that if I don't like an otherwise celebrated film it's simply because I didn't become engaged in the story or the characters. But usually I just find films like that mediocre and I can see why other people might like them, and usually I can see that they are well-made and well-acted. Two examples could be Crash or Magnolia. They simply didn't do anything for me. They were well-made, well-acted, and I understand why people like them. But calling them poor films or even poorly made? Certainly not! It's rare that I find an otherwise celebrated film poor, but Gran Torino seems to be a film that people either find excellent or poor. I'm standing on the edge of saying poor (which is 3/10 for me), but due to it's good points I will give it 4/10.
*** This review may contain spoilers ***
Although this review doesn't contain spoilers as such, it does outline
small parts of the overall plot as well as some of the character
As you might know, this show is about a conman who escapes from prison, is then caught by the FBI and has to help them solve crimes as part of his plea deal. The main reason to watch this show is the character of Neal Caffrey and Matt Bomer plays him to perfection. He's cool, handsome, charming, witty, clever, confident, ambitious, and well dressed. But he's still flawed 'cause he has problems settling down and finding real connections with people. Especially initially I enjoyed the mismatch between Neal Caffrey and FBI agent Peter Burke. Burke is goofy and pessimistic and says that so and so can't be done, and we just have to do things the hard way, whereas Caffrey shows us that these things are actually possible. Part of the charm of the Caffrey character is his abilities. It's fun to watch him forge signatures, pull a scam or do other tricks and then explain how. At times his tricks, and the episodes' plots, do become a little bit too silly and slapstick-like. Too many characters in these situations are too stupid, and it's a little bit too coincidental that everything works out exactly as planned. So, not everything is credible as the scripts are not always that well-written.
What I also like about this show is the theme of being torn between getting exactly what you want, albeit getting it illegally, and settling into a normal, legal, life. Neal Caffrey has always been a conman, and it is second nature to him to get what he wants by illegal means. When working for the FBI he has to fight this urge, but settling into a legal life also gives peace of mind. He doesn't have to lie and run. He's trying to tell himself that he just wants to escape the trappings of a normal dull life, but does he truly believe this? At least, experience seems to prove him wrong on many accounts.
Although I don't know exactly how TV production works in Hollywood, it is my impression that the network sees if a show is a success and then they grant another season. If that season is also a success, then another season, and so on. Starting out with a script for e.g. 12 episodes that finishes completely after the last episode seems rare. Needless to say (so I'll say it anyway), the latter is the type I generally like the best. So with this let's-see-if-this-season-is-a-success-method, TV shows with an ongoing plot line often turn into perpetual motion machines where they have to come up with more and more bizarre/silly plot twists to keep it going. "Alias" and "Prison Break" are perfect examples of this. "White Collar" is becoming the same. I've watched all four seasons, but the ongoing plot line (which was always the best part of the plot) has gradually become more silly and less important, and the show focuses more on separate cases that needed to be solved in each episode (and, of course, they solve the case every single time). Each season has ended with a big finale, but a few episodes into the next season everything has returned to normal. Then what's the point in continuing this show? It has become a bit like Prison Break season three: "We break out TONIGHT!", end of episode. Then next episode: "Nah, we have to wait until tomorrow". Then at the end of the episode: "We break out TONIGHT!", end of episode. And so on. If this show didn't have an ongoing plot line it would be much less frustrating. The problem is that it promises evolution throughout the series but rarely delivers (or at least does it too slowly). Often throughout all four seasons only a few minutes in the beginning and end of each episode dealt with the ongoing plot line, and it seemed that almost every time there was a big thrilling conflict in the plot or between the characters, this would be dealt with in a few minutes in the next episode, so the show could return to business as usual. Part of the suspense is of course only getting to know the details little by little, but there must be limits to how long you can keep people waiting before they lose interest. In the end, there wasn't much difference between watching an episode from season 1, 2, 3 or 4 of "White Collar".
And honestly, there's no need to watch this show to see the team solve cases. Certain other shows manage to do that with better scripts and more surprises. The criminals get caught a bit too easily in this show, and when they are taken into custody at the end of each episode I often sit there with the felling of "was that really it?". If the upcoming season five has not had some changes to the overall plot, and it's still just Caffrey and Burke solving cases, then this show has become redundant. I also noticed that the amount of viewers have dropped consistently with each new season, so I'm apparently not the only one who has been discouraged with how this show has developed.
Season four ended recently, and season five is scheduled for the autumn of 2013. Season four, of course, ended with a big finale. I will probably watch the first few episodes of season five to see what happens, but I already have my theories and I'm pretty sure that all the problems will have been solved within the first couple of episodes so everything can return to normal (as it did with the ending of season three/beginning of season four). I assume nothing dramatic will happen to the ongoing plot line until the show is cancelled and we can finally see an end to the story.
This review doesn't contain spoilers as such but it does outline the
basics of the show.
I'm a subtitler by profession and I have subtitled around 70 episodes of this show. They were all from season 11 onwards, so I can't say anything about the show's earlier episodes.
Special Victims Unit is another procedural crime show about the police solving cases. Here they focus on "special victims", which usually means victims of rape or cases involving children in one way or another. The show is not much different than the five million other shows like it, but it nevertheless does what it does well. If you like shows like this, then this is definitely for you. If not, then don't bother. If you like having details about the police officers' personal lives then this show might not have enough of that. Then the show called The Closer might be a bit better. Nevertheless, I feel there's enough details about the characters to get under their skin but not so much that it becomes tedious.
Unlike many other shows, Special Victims Unit delivers what it promises. It doesn't promise any ongoing plot line, so therefore there are no disappointments with regards to this. It only promises to be a show about solving cases. This is, however, also one of the bad things about the show. With no ongoing plot line it doesn't matter if you watch an episode from season 3, 7 or 13. If the show is not evolving why watch it? I suppose you could say the same about The Simpsons or South Park. There's not much to think about after an episode ends either. As the show is about crime it, of course, also conveys that the world is full of evil and that men are scumbags, which is not an admirable ideology (but to be fair, there have also been episodes about women who falsely accuse men of rape, and women who sexually abuse young boys). So, only watch Special Victims Unit for thrilling entertainment.
Sometimes you watch a TV show or a film with a very intricate plot, but in the end it becomes so complicated and silly that it loses credibility. Special Victims Unit still manages to be credible despite complicated plot lines, simply because it is so well scripted. I want to be a novelist, and I must say that I admire how well-scripted this show is. At times I have been thinking "how did they find that evidence?", or "why would this person admit this?", but overall there are very few plot holes, and my hat goes off to a team of writers that time after time can write something like this.
The show called Prime Suspect was very similar to Special Victims Unit but nevertheless inferior for two very simple reasons: Prime Suspect was too predictable and not very credible. Special Victims Unit is of course predictable too 'cause they always catch the criminals (in only around two or three episodes out of those 70 episodes I've subtitled has the criminal not been convicted), but Prime Suspect was simply too formulaic: Either the culprit was their first suspect, who after some investigation didn't look guilty but then was after all, or it was someone completely random that they found after investigating a lot of leads. The criminals always confess in that show, and not a single episode ended up in court. This of course also happens in Special Victims Unit but not at the same rate as in Prime Suspect where it was in every episode. In Special Victims Unit there are criminals who have been traumatised, criminals who are mentally ill, criminals who are psychos, criminals who are misogynists, people who made a mistake and then tried to cover it up, etc. There's actually also a surprisingly high amount of corrupt cops who commit crimes in this show. Sometimes the first suspect is the culprit. Other times it's their 14th suspect. Sometimes an episode starts with a minor crime and then leads to a whole network of other crimes far from where the episode started. Some episodes end with a confession in the police station, others end in the court room. Others again end with the criminal being caught in the act. Despite being a formulaic show, Special Victims Unit covers a surprisingly wide field. Prime Suspect was also not very credible because the culprits often confessed just because the cops pressured them a tiny bit probably because the writers couldn't come up with something. In Special Victims Unit there is at least a lot more persuasion being done before a confession is being made and usually it seems perfectly likely that the culprit would confess under those circumstances.
There have been episodes with sentimental endings where I, maybe because I'm European, have thought "Yaaaih, America", but these types of endings are fortunately not so common in this show. In for instance the Canadian "Flashpoint", every single episode ended with slow motion images, sentimental pop music and an all too clear message. Luckily, with Special Victims Unit I usually think "I'm glad they caught that scumbag", or "I'm glad this person was acquitted" at the end of each episode.
The last episode of season 13, "Rhodium Nights" leads into the first two episodes of season 14, "Lost reputation" and "Above suspicion". These three episodes are probably the best episodes I've seen of this show. My other favourite episodes: srs 14, ep. 10 (Ep. 282) "Spiraling down" (with Treat Williams as a guest star); srs 13, ep. 10 (ep. 283) "Theatre tricks"; srs 13, ep. 18 (ep. 290) "Valentine's day" (with Chloe Sevigny); srs 14, ep. 13 (ep. 308) "Monster's Legacy (with Mike Tyson)"; and srs 14, ep. 16 (ep. 311) "Funny Valentine".
*** This review may contain spoilers ***
In my job I have subtitled 24 episodes of this show, and I can say that
this series is really not much different than so many other shows: Cops
chase criminals. Cops catch criminals every time! Here it's a
S.W.A.T. team/S.R.U. team (it's Canadian), but they have just replaced
the usual detectives with a different division. The acting is decent,
and the scripts are decent, but that's really all it is. This is really
not much different than crime films/series from the last 80 years -
except that the pace is faster. It's all glorification of the police
and what they can do (and all their new high tech gadgets). Crime never
pays is still the lesson. While we are on the subject of lessons, the
show always want to draw out a lesson at the end. I'm perfectly fine
with that I mean, entertainment is nice, but what's the point in
watching something if it doesn't stir something in us and makes us
think about certain things? The way "Flashpoint" does it is simply too
cheesy. Right after the cops rush in and catch the criminal, save the
hostage or whatever (and they practically always talk the perpetrator
out of killing anybody), the images switch to slow-motion, and "Dawson
Creek" music comes in with acoustic guitars, piano, and very, very,
very meaningful lyrics. If I'm not mistaken, the segment with songs and
slow-motion pictures has featured in every single one of the 24
episodes I have subtitled (fans of the show even have a name for it,
"the montage"), so it's simply becoming cheesy and predictable. It's
almost like watching a soap opera. The main characters, of course, also
always learn something from their cases about their own lives. If you
want to watch predictable crime shows, there are many others much
better than this one (for instance "Law & Order: Special Victims Unit"
or "The closer").
This show uses that trick of showing scenes that occurs three quarters into the story as a teaser/prelude to catch the viewer's attention. Afterwards, they rewind to the beginning. Honestly, in some programmes/films this is done when there's no good beginning to the story. I believe this trick has been used in every single one of the 24 episodes of "Flashpoint" that I have subtitled, so it does seem like this show lacks good beginnings. The show lasts 42 minutes, and the opening credits and title section usually starts after 7 to 14 minutes. That's quite a lot of action they have to put in to make sure the viewer doesn't switch the channel. This is, of course, also a symptom of our day and age. When people have eight different Youtube tabs open in their internet browser at the same time, we lose interest so quickly, so we have to have something hyper stimulating constantly. This is what "Flashpoint" has to work with.
One thing to notice: Hugh Dillon who plays Ed Lane wants to be the new, even tougher, Bruce Willis (especially after Willis shaved his head). His stare (which he has 70 % of the time) is the same, but meaner, and his way of talking (meaning giving out orders, etc.) is the same but meaner. It became a bit comical in the end to see this 110 % tough guy.
My headline is a bit of an overstatement, as I don't watch much British
television, but through my work as a subtitler I've subtitled quite a
few British series. Usually, I find that British shows pale compared to
the best American series. When it does work, I simply find American pop
culture a lot more exciting. British shows most often seem a bit dull,
slow, old-fashioned and depressing compared to the American
equivalents. Therefore, it was a joy to find something like "Mad dogs".
I subtitled both seasons (each containing only four episodes each), and
I'm hoping I will get the next season too if there's a third season at
some point. The show is actually exciting, thrilling and well-made.
Only once or maybe twice did I find a few light plot holes or something
that didn't make so much sense. The acting is good, the characters
believable, and the script is great. Someone else here on IMDb said the
show was funny too. I might have laughed a few times, but then I also
laughed at one scene in "Schindler's list" (the scene where Schindler
hires secretaries) and I wouldn't say that's a funny film. "Mad Dogs"
achieves what it set out to do, which was to create a thrilling
character-based series about dilemmas that we all might face under the
right circumstances a little bit like a modern noir taking place in
glaring sunlight.
From here onwards, this is an update to my original review, which I wrote after having watched season 1 and 2. I then gave the show 8 out of 10. After having finished watching the entire show I was filled with a feeling of having watched one of the greatest TV shows ever! There has been some debate about how the show ended, however, but I will leave that up to the viewers and the users here on IMDb to delve into. I've grown accustomed to having to watch never-ending perpetual motion machines from Hollywood, where every episode is a single episode (usually about a police officer solving a case) with little connection to the ongoing plot line, which is dragged out forever and ever, until it's all either so watered down that you don't bother watching it anymore, or they cancel the show and you get no proper ending (or a very poor ending to a show that started out great). "Alias", "Prison Break" and "White Collar" are prime examples of this. You can't watch one single episode of "Mad Dogs" and get any meaning from it. There are no 'single episode' plot lines, only an ongoing plot line and all the seasons are different, as the story keeps unravelling. They had most likely written an entire season before starting filming it (or maybe the entire show from start to finish), which is what made it so great: A story, not a money-making machine. Thank you :-)
*** This review may contain spoilers ***
What a lame show!
My headline really sums it up. Granted, I really, really don't like reality show (who does?), but this is one of the worst ever.
Every single person is this show is despicable. It's all about flashing off and being seen "because I'm a princess" or "because I'm so buff" or whatever. Well, I suppose "The Grind" on MTV started that trend many years ago, but I had hoped that would have been put to rest. Here, they even made it into a reality show about the people running this party place. How much fun do you seriously think it would be to watch a reality show about bartenders with silicone boobs amidst buff tan guys who are just there to get drunk? This has, oddly, being going on for several seasons now. I only watched episode 15 (mid-season 2), but that was more than enough.
One character needs special attention: The girl Julia is looking at guys all the time, but admits she might be a little bit picky when it comes to finding someone. No, really? "I once dumped a guy, because I didn't like how his hair ended on his ankles. He had hairy legs, but not hairy feet, and then the hair just stopped instead of phasing out". Great gal! Then she continues later: "This guy bumped into me, and I was like totally smitten right away. He stole my heart". Then he asked for her telephone number. "No way. I'm a good girl. I don't just give out my number". Yaih! Good work, honey. If you never give anyone a chance maybe that's why you're 31, single, miserable and complaining about why you can never find a guy.
The episode I watched (I had to subtitle it at my job, so at least I was paid to watch it) featured some guy named Barry who was trying to recruit bartenders here for his own club. What an arrogant and rude bastard. I was actually happy when they kicked him out. The only times I felt entertained was when I was laughing at how despicable these people were. Seriously, though. This is really crap TV with no content at its worst. Maybe it's fun to watch for teenage guys who like to look at silicone inflated bimbos, but that's about it.
*** This review may contain spoilers ***
I'm a subtitler by profession, and I subtitled 12 episodes of this
show, so I spent quite a lot of time with each episode. This show has
what you would expect of a Hollywood show: Decent acting, good
production and okay scripts. The problem is that it's no different than
a million other crime shows: A murder has been committed. The cops come
in, investigate and find the killer.
Every episode has two options: Either the prime suspect, who they find quite quickly, did it, or he/she didn't do it, and then it was someone random who they find at the very end of the episode. Most other crime shows are like that too, but "Prime Suspect" is simply not very thrilling or very surprising. The criminals usually give up very quickly probably simply because the script writers couldn't come up with any convincing methods for making them confess. As is the norm nowadays, the show also features some details about the main character's personal life.
If you want to watch investigations of police cases, then "Law & Order: Special Victims Unit" is much better scripted and has more intricate plot turns. If you want to watch shows like that with details about the main characters' personal lives, then "The closer" is much better. Both are a lot more believable. Yes, they are just as predictable (they always catch the bad guys), but none of the criminals give up just because the cops say "we know you did it" or whatever. The scripts for those two shows are simply better and it's actually quite impressive that a show like "Special Victims Unit" still has good scripts, as it has been running for 13 years now.
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"The hero feature of the new Honor 6 Plus is its dual-camera setup, and as we found out, it's more than just hype"
The best camera is the one in your pocket. We can't help but think of this profound statement as we play around with the new Honor 6 Plus (first impressions) and ponder over how true this is. Camera capabilities have been a differentiating factor for phones since ages, but the focus has shifted from megapixel wars of yore to other features and capabilities that take smartphone photography to a whole new level. Despite that however, true innovation in this arena has been hard to come by. A fresh new wave of smartphones will attempt to change that, and the likes of the ASUS ZenFone Zoom (quick look) and the Lenovo Vibe Shot (first impressions) hold a lot of promise. The recently-launched vivo Xshot (first impressions | camera review) is also a very compelling shooter.
The latest to harp about innovation in the photography domain however, is the Honor 6 Plus, a smartphone that's the world's first to come with parallel dual cameras – so you get not one, but two lenses at the rear. Both of them use 8-megapixel sensors, and counting the 8MP shooter at the front, the Honor 6 Plus offers three cameras with the same resolution. The two 8MP snappers at the rear shoot simultaneously, and combine the results to generate a single 13-megapixel image. This uses a special 3IE algorithm that promises significantly better image quality and focussing speeds, with or without ample light. The HDR prowess of the camera also gets a boost, since unlike most other phones that shoot multiple images (usually three) to generate a single HDR image, the Honor 6 Plus can do it directly using shots from its two rear cameras that shoot together. Also on offer are some very neat tricks, including adjustable aperture that can vary between f/16 and f/0.95, enabling very cool wide aperture effects and bokeh. Notably, this can be used both while shooting as well as later, and the results can be astonishing.
Intrigued? So were we… and piggybacking on another saying – the proof of the pudding is in the eating – we took it for a spin to check out what exactly it can do.
The camera app sports a minimalistic interface, but looks can be deceptive, as it hides powerful features. Up front, you'll see three shooting options – photo, video and Wide Aperture, along with access to colour filters and the gallery. The various shooting modes, accessible by hitting the options button on top right, include the likes of beauty, panorama, HDR, watermark, best photo, audio note, and a Super night mode. The camera settings offer options like audio control, a smile shutter, object tracking, and control over parameters like ISO, white balance, saturation, contrast and brightness. Exposure can be controlled via a ring that pops up when you tap on the main viewfinder screen.
Moving to the Wide Aperture mode, it lets you adjust aperture by dragging on a slider that appears on screen. You can use this while shooting, and also later from an already captured image in the gallery. Since the two different camera sensors can perceive depth, you can choose to keep a specific part of the image in focus, and blur out the rest. The blur intensity can be adjusted too.
Let's get right to the image results now. Do note that unless otherwise specified, all these shots are captured in the default auto mode, and at the highest possible resolution, i.e., 13-megapixels.
Long shot
A quick look at this image sample from the Honor 6 Plus' main shooter is enough to prove how capable it is, especially in daylight. The colours pop out, and the image is evenly focussed, without any signs of pixelation even when zoomed in.
Close up
This close up, captures using the Honor 6 Plus, is yet another fine example of its shooting prowess. Bordering on oversaturation, it makes the image look very vibrant… and again, there's lots of detail and sharpness.
Close up (zoomed)
Zooming in on the same image makes the details even clearer, with hardly any blurring. Even the tiny fibres on the leaves are clearly visible now, and there's a nice depth-of-field effect too.
HDR off
Even without HDR, this is a perfectly fine shot, with nice colour details and even focus. Now let's see what switching on the HDR mode does to the same scene.
HDR on
First up, we can say that the HDR mode on the Honor 6 Plus is superfast… and it shoots in a jiffy without the risk of blur, thanks to the dual cameras shooting simultaneously. And as far as we can make out, the results are superb too. Notice how detailed the image now looks, with the foliage easily discernible and more depth visible. The colours also look better, while the areas in shadows are much better defined.
Front camera
The front camera shoots on a three-second timer, and also offers a separate, configurable beauty mode. This image has been shot in auto though, and we can say that the Honor 6 Plus should be able to churn out reasonably good selfies as long as there's enough ambient light.
Night shot
Night shots are the real test of any camera, and the Honor 6 Plus doesn't disappoint. It keeps noise to a minimum, and while the image is a tad softer compared to the daylight shots, it looks quite usable.
Low light
Moving the test indoors, this particular image has been shot in very low light, and now we can see more noise and softness in details. The smartphone detects that the lighting is low, and alerts you to hold the device steady. The colours look fine, but we won't say this image blows our socks off with its quality. That said, it's still better than most others smartphones can offer in similar lighting conditions.
Low light (with flash)
Turning on the dual-LED flash offers significantly better results… with an evenly lit subject that doesn't look burnt out or unnatural in any way.
Super night mode
Since the Honor 6 Plus has a special mode called 'Super night', we decided to give it a try. Turns out, it shoots the scene for 15 seconds, and combines the results into a single image. Needless to say, it would result into blurry shots if the phone isn't held steady. But no matter how hard we tried, we still ended up with blur. Then we threw a tripod into the equation, and the result is displayed above. Note that this is the same subject as our low light shot above, shot without flash and in very dim lighting. And the Super Night mode combined with a tripod has managed to throw up very impressive results. It's not as if you're going to have a tripod handy each time you want to shoot in low light, but this is a good showcase of its capabilities.
Wide aperture mode
Above are two results from the Honor 6 Plus' Wide Aperture mode, the first with the background in focus, and the second with the background blurred. The two images have been generated from the same image shot in Wide Aperture mode, and then adjusted post shooting. As you can see, this mode offers amazing results, and holds the potential to take creativity to the next level.
Overall, we're quite impressed with the shooters on the Honor 6 Plus and what they can do. The Wide Aperture mode is really the highlight, but even otherwise, the cameras are extremely capable, especially in good light. Our full review, coming up shortly, will have more on whether the Honor 6 Plus works well as a daily driver or not. And as a teaser, we can tell you that the wait should be worth it.


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order by popularity | order by alphabet
Norfolk CoastDon't Bring HarryHeaven Or HellManinwhiteBlue SisterTop SecretSpectre Of LoveTankLies & Deception96 TearsManna MachineStill LifeHallow To Our MenVladimir & The Beast Part IiiOld CodgerTomorrow Was... The HereafterDagenham DaveOutside TokyoAll Roads Lead To RomeWho Wants The WorldTonightNuclear DeviceMoneyIce QueenShips That Pass In The NightSpainNo ReasonBring On The NubilesIn The ShadowsGo Buddy GoSinisterWas It YouThreatened
Related Information for Stranglers The Stranglers are a rock music group, formed on September 11, 1974 in Guildford, Surrey, England, United Kingdom. They were originally called The Guildford Stranglers and operated from an off-licence in the town. They also based themselves in the nearby village of Chiddingfold for a while. Original personnel were singer/guitarist Hugh Cornwell (from Kentish Town, London), keyboardist/guitarist Hans Wärmling (from Sweden, replaced within two years by Brighton-born keyboardist Dave.. read more


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Community Health Systems
Bentonville, Arkansas
Full Time
AR, Springdale – Northwest Medical CenterService area over 500,000
H1B Visa Assistance
Neurosurgeon needed in Beautiful Northwest Arkansas to join an established practice.
Northwest Medical Center- Springdale is recruiting an additional Neurosurgeon to fill the void recently created by the retirement of a neurosurgeon and the absence of cranial providers. The practice requires BC/BE.
•Cranial and Spine preferred specialties
•Level III trauma center
•Open ICU
•40 Primary Care physicians serve as referral base
•Call is anticipated to be 10 days per month
Springdale, AR is part of the larger Northwest Arkansas area including Fayetteville, Springdale, Rogers with beautiful lakes, streams, walking trails and culture including Broadway plays, live concerts and multi-million dollar works of art at Crystal Bridges. The diverse friendly community offers excellent schools and a strong economy. It is the corporate home of Wal-Mart (along with 1400 supporting vendor companies), JB Hunt Trucking and Tyson Foods with easy access to a regional airport with 20 direct destinations including New York and Los Angeles.
Northwest Arkansas was just named #3 as best places to live by US News & World Report. This is one of the fastest growing regions in the country with a population of over 500,000 people and an average of 26-28 people per day moving into the area. The historic downtown and vibrant entertainment districts are recognized as top destinations for shopping, dining and the arts. Outdoor amenities abound with multiple state parks, 486 miles of Beaver Lake shoreline, an impressive regional trails system, a botanical garden, and hiking/biking/boating opportunities galore!
The hospital will be offering a competitive recruitment package which may include:
•Guarantee Salary for an initial period
•Production incentive
•Commencement Bonus
•Medical debt repayment assistance
•Possible Stipend for the remainder of training
•Relocation, Marketing, CME and more!
Visit Northwest Medical Center: http://www.northwesthealth.com/Northwest-Health-System/Home.aspx
Visit Springdale: http://www.springdaleark.org/
Sorry, this is NOT an opportunity for Search Firm recruiters. Thank you.


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Future Leaders Program - Vaccines Research & Development
Basic qualifications:
- Completion of MS, PhD degree in a scientific discipline (ie: biochemistry, biology, microbiology, immunology and pharmacology) by June 2017
- Possess no more than 2 years of professional experience in the related pharmaceutical/biotechnology industries
- Masters, PhD: maximum 2 years professional experience after your graduation
- Post-Doc fellows: maximum 2 years after completion of your PhD
- Must be eligible to work in the US at the time of, and for the duration of employment. Employees will be required to furnish evidence of US work authorization. Applicant must NOT require future sponsorship for an employment visa status.
- Willingness to work internationally is required. Ability to be mobile and spend up to 12 months abroad during the program is required.
- 3.0 GPA or above
Preferred qualifications:
- Candidate with a professional degree in Medicine (MD/PhD), Public Health or Business (MBA/PhD)
- Previous research experience in either the industry or university setting
- Previous work experience in related pharmaceutical/biotechnology industries, especially with Vaccine development
- Candidate with working knowledge of French
GlaxoSmithKline (GSK) is a world-leading pharmaceutical company with a mission to improve the quality of human life by enabling people to do more, feel better and live longer. We employ 100,000 people in over 115 countries, and our work covers three main areas: Pharmaceuticals, Vaccines and Consumer Healthcare.
Our scientists look for new ideas and solutions to develop vaccine candidates, improve vaccines that already exist and make them accessible to the people who need them most, regardless of where they live. Currently, GSK has over 30 licensed vaccines and about 15 vaccine candidates in development, including those targeting malaria, HIV and tuberculosis as well as the potential Ebola vaccine.
What will the program be like?
The Future Leaders Program suits graduates who want a career with real purpose. It's an accelerated development program that equips graduates with the knowledge, skills and attributes to move quickly into senior positions at GSK. Participants benefit from a rich variety of structured training, individual mentoring, and opportunities to experience different aspects of the business. From the start, our challenging rotations will help you deliver the standards of excellence that we'd expect from a future leader.
During the two-year Future Leaders Program you will gain a broad and insightful experience of GSK's vaccines R&D business and the groundbreaking science shaping the organization. The program involves four rotations within different R&D departments, including one abroad. Rotations are chosen to give you the skills, experience and perspective required to succeed in the target leadership position you will step into at the end of the program. Typically, the rotations include time in a hands-on project management role helping to direct the development of a new vaccine, and an external facing position where you will have direct customer contact with healthcare professionals and patients. You will also have the opportunity to see science in action in our labs and learn about the risk and compliance side of vaccine production.
The programme follows the 70:20:10 learning principle: 70% of your learning takes place on the job during your rotations, 20% is the support you'll receive from a senior leader who will be your mentor throughout the program, and the remaining 10% comprises formal leadership training sessions.
What do I need to succeed?
Our Future Leaders need ambition, commercial awareness and a self-motivated, proactive approach. We're looking for clear, effective communicators who can quickly build a rapport with a wide range of people. It's also important that you can adapt to change and keep focused when the pressure is on. While you have the drive and confidence to trust your own judgement, you're a real team player who actively collaborates with others. In addition, you'll need an analytical mind, a talent for multi-tasking and the ability to influence others.
We are looking for candidates who can make outstanding long-term contributions to our organization.
The ideal candidates are driven, curious and can easily build relationships with others; easily adapt to different situations and environments, learn fast, are proactive, result-oriented and driven by challenges and, most importantly, share GSK Values and Expectations.
The benefits of working at GSK Vaccines include innovative projects, passionate people and a truly global business atmosphere. At GSK we provide a supportive working environment, and a range of development challenges and opportunities. We also offer competitive benefits and compensation packages designed to attract and to retain the very best.
Contact information:
You may apply for this position online by selecting the Apply now button.
If you require an accommodation or other assistance to apply for a job at GSK, please contact the GSK HR Service Centre at 1-877-694-7547 (US Toll Free) or +1 801 567 5155 (outside US).GSK is an Equal Opportunity/Affirmative Action Employer. All qualified applicants will receive equal consideration for employment without regard to race, color, national origin, religion, sex, pregnancy, marital status, sexual orientation, gender identity/expression, age, disability, genetic information, military service, covered/protected veteran status or any other federal, state or local protected class.
Important notice to Employment businesses/ Agencies
GSK does not accept referrals from employment businesses and/or employment agencies in respect of the vacancies posted on this site. All employment businesses/agencies are required to contact GSK's commercial and general procurement/human resources department to obtain prior written authorization before referring any candidates to GSK. The obtaining of prior written authorization is a condition precedent to any agreement (verbal or written) between the employment business/ agency and GSK. In the absence of such written authorization being obtained any actions undertaken by the employment business/agency shall be deemed to have been performed without the consent or contractual agreement of GSK. GSK shall therefore not be liable for any fees arising from such actions or any fees arising from any referrals by employment businesses/agencies in respect of the vacancies posted on this site.
Please note that if you are a US Licensed Healthcare Professional or Healthcare Professional as defined by the laws of the state issuing your license, GSK may be required to capture and report expenses GSK incurs, on your behalf, in the event you are afforded an interview for employment. This capture of applicable transfers of value is necessary to ensure GSK's compliance to all federal and state US Transparency requirements. For more information, please visit GSK's Transparency Reporting For the Record site.
Meet Some of GlaxoSmithKline's Employees
Procurement Associate
Jasdeep finds diverse suppliers to build GSK's pipeline. He organizes joint ventures with companies and negotiates pricing rates and payments to build a seamless supply system for GSK's materials and products.
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When you hear it,
Call your name,
You feel compelled to answer back.
Although you fear it,
Just the same,
The words will go, you won't come back.
It's not your fault, For,
If you try,
You couldn't even move an inch.
You suddenly know,
How to go,
About this, THERE, you run.
But this particular one.
It happens to have a revolving gun.
A bang,
A drop,
This can't be real.
You shouldn't feel,
You wouldn't hear... The..
No, you did. The pain is flowing,
Always growing barely slowing.
And you feel the chase beginning,
This is sickening, the air is thickening,
The flow is quickening, And when your listening.
Rise. You float, and then you fall.
A whisper cries from through a hall.
A drop of water, no, it's blood.
A demon drops, and never cuts.
A moment starts, but then collapsed.
All of this within a flash,
Of light, So bright, and then a line.
Flowing straight, sowing kind,
Into the world. You start to laugh,
It feels so great it feels so gratifying.
You feel like flying, And then the line begins to fade.
You try to hold onto the shade. The single blue that brought the way,
of feeling like you never will, or ever have.
You start to slip, You fall.
You catch, what's this a branch? You say,
And latch, the root you hold begins to snap.
You scream you wake. You feel a snake.
No, say you, 'tis just a thought.
'Tis just a trick, a devilish wick,
upon the candle of my brain.
And then refrain, from thinking then,
About the night you never spent.
Awake, you say, Now I'm awake.
Nothing more than just a lake,
A pool,
A float,
Without a boat, a simple dream, 'twas nothing more,
'Twas just a boat without a shore. But at long last,
I woke and grabbed a dirty glass and filled the mug,
With dirty wine and drank away.
You awake.


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Sweet Shop NYC
Sweet Shop NYC has a premier collection of exclusive ladies. These hand selected companions are chosen for their beauty, elegance and intellect! Many of our companions are currently active in the fashion industry, performing arts, theater and fitness. All of our models have been chosen with our clients in mind and placed into exclusive categories. Our boutique agency was designed to serve our clients at the highest level. Our models are distinguished and exude nothing but class. Our primary goal is making each and every experience rejuvenating, long lasting and memorable.
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Kenneth Holland
Active member
I am very close to launching my XF-powered forum but I'd like to get some input on increasing page load speed.
The root of my site is Wordpress and uses W3 Total Cache and is pretty fast. The forum is in a subdirectory. I'd like to get some input from the community here and what I could implement to improve performance...ie page caching, etc...
Any help would be appreciated.


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Although Exchange Server is harden out of the box, however there're still a few things that you should consider doing to further limit the possibility of something like trying to attach a really large file, say perhaps someone trying to share a DVD home video .ISO with their friends and coworkers. It all begins with "reasonable" size limits. So the question everyone asks is "what is reasonable?" The answer is that your mileage will certainly vary with your hardware, drive space, number of users, availability requirements, etc. For Exchange 2007, the typical size limits we see are in the range of 10-30 MB. There are business cases where larger messages are required. However, not all hardware is equally equipped to handle it.
Full Article: Exchange Team blog


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Southern California High Tech Event Calendar
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|Business Presentations
|Date: February 12, 2004
|Location: Los Angeles
|"Entrepreneurship Series #8: Putting Your Best Foot Forward: Business Presentations" Larta. This workshop will help you effectively communicate your value proposition to the audience, understanding what various audiences respond the best to. See http://www.lartauniversity.org/Courses/CourseInfo.asp?CourseId=14
|More information: http://www.lartauniversity.org/Courses/CourseInfo.asp?CourseId=14
|Download to Calendar


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Category Archives: horror books
Women in Horror Month = free fiction!
Hello, horror buddies. Happy Women in Horror Month.
Being as I am a woman in horror, I'll be posting this month about some awesome females I know. But before we get to that, I want to make everyone aware of all the free fiction floating around this month. Yes, FREE. The magic word.
First and foremost, not because it is my book, but because the promotion ends soon… I want to spread the word that my novella, Ashes of Another Life, is currently FREE on Kindle until the end of the day on Feb 3rd. Please, go snag a copy if you're a Kindle reader! Search "Ashes of Another Life" on Amazon or click here: https://www.amazon.com/Ashes-Another-Life-Lindsey-Goddard-ebook/dp/B01KDD4ZCC/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=1486043611&sr=8-1
There are lots of book giveaways this month, as women of horror plug away trying to get their names out there. Dozens of free books just waiting to be downloaded by YOU. A good place to find them is here: http://angelinetrevena.co.uk/free-horror-books
And last but certainly not least, some scary ladies got together and wrote 100 word flash horror stories. You can find those linked below and also a video about the ladies involved.
100 word flash stories: https://kellyaevans.com/women-in-horror
Thanks for reading. In the famous words of Terminator: I'll be back.
You CAN judge a book by its cover – a look at the work of Brett Williams
Hiya, horror freaks! Today I'd like to discuss the horrifying works written by friend and colleague Brett Williams. This is an author who is not afraid to "go there". Though he writes in more than one genre, his horror books tend to gravitate toward the extreme and taboo, in the same vein as Edward Lee.
I have read three of Brett's books to date. The first one, From Murky Depths, was a light read with none of the depravity of the latter two, High Octane Damnation and Family Business. I, myself, don't read much extreme horror. Believe it or not, violence is not really my thing. Lol. Who woulda thought? But despite my sub-genre preferences, I DO recognize a well-written, solid piece of fiction when I see it, and Brett Williams always delivers.
What am I getting at with this preamble? Well, as you can imagine, writing extreme horror containing graphic and sexual content always brings in bad reviews, and I guess I'm tired of seeing it. I'm tired of reading reviews claiming a book is garbage just because the reader picked out the wrong type of book for him or herself. There should be no surprise that Brett's book Family Business contains rape. The cover image is a mostly naked woman behind bars! Did the reader think this sexualized woman behind bars was starring in a romance role? Doubtful. The truth is, the entire novel is oddly compelling from start to finish whether you want to keep reading or not, and the reader who posted the bad review that inspired this blog was probably just disappointed in himself for staying glued to the whole thing! What a sicko! Hahaha. I joke, I joke.
Anyway, I'm here to shout from a mountain top (or from my couch) that you absolutely CAN – in fact SHOULD – judge a book by its cover before you dig in. If there's a lot of sexuality and blood, or if it's named "Lucifer's Whore" for instance, and you still decide to open up those pages and start reading, you just forfeited your right to leave a terrible review based on graphic content, in this blogger's opinion.
So… there's my two cents. Seems obvious. I don't buy a thong swimsuit and complain it shows too much butt cheek. Use your brains, folks. Buy the books you're likely to enjoy. In fact, here are some covers for books written by Brett Williams. Please, JUDGE THEM accordingly and then decide… do you want to know what's inside? (I bet you do NOW. Lol.) 🙂
To find out more about this author, please visit: http://brettwilliamsfiction.com
"Damaged Goods" nominated for best horror short story in the P & E Polls
Hi, all. Can I ask a wee favor? My short story "Damaged Goods" (which appeared in Issue 1 of Girls Rock Horror Harder e-zine) has been nominated for "Best horror story published in 2015" over at the Preditors and Editors poll. If you have read the story, or if you are a fan of my writing, please stop by and cast a vote for me!
HERE'S THE LINK: http://critters.org/predpoll/shortstoryh.shtml
Girls Rock Horror Harder author Sheri Williams has also been nominated for her story "The Piano" which appeared in Issue 2! Seeing either of these stories make it into the Top 5 would be amazing.
Here's a little background on the e-zine. It features an all female line-up of kick ass horror writers, and it's available on Amazon, Barnes & Noble, and e-book retailers. I have appeared in 3 different issues, but the story nominated in the Preditors and Editors polls – Damaged Goods – appeared in Issue 1. (That's me on the cover right behind the word "girls".)
So, please, show your support by casting a vote. It would be much appreciated! http://critters.org/predpoll/shortstoryh.shtml
VOTE NOW at http://critters.org/predpoll/shortstoryh.shtml!!!!!!


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That rosy smell.... - Pedrokingdomhearts
Tale as New as 2007
When you get there, you will mind to go into the open door. Oooo! Rose! Damn! Hartiez! Fight em off! After that, Beast appears to help us. Hmm, the Beast seems different, does he not?
Well, by any matter, Go find Belle! Fighting the Hartiez and getting the treasures, Go to Belle's room (Right looking from the castle entrance up the stairs. After that, go to the door at the end of the hall.) to find... Belle! (Mig's laughing/crying in the corner)
Now go reascue the servants witch are locked somewhere in the West Wing (Left up the stairs, down the empty hall.)! And it has to be right where the lazy closet is! Press the Triangle Button repeatedly to move it, But stop when it's about to wake up and do it again when it returns to sleep. After that go through the door for... Uh, already?
After that pass through the EVIL DOOR... and find the prisioners. Well, dumb people who had no childhood (I'm looking at you, rest of school class! Mickey Mouse is not for little kids! The Disney studio put him on Disney Junior! Torture them and make them take him back! Ugly teens are not fun, although cute 3 year-olds are!) do not know them. Well, go back and climb piles of junk to go to another passage.
In this one, Cogs is gonna be hangin' for some time and you have to light four torches before that time ends. Ended that, go up to the Beast's room (Straight forward). ALWAYS GETTING TREASURES, make your way to yet ANOTHER boss.
OK, now that the Beast is cooled off, we go out to find Belle (In her room). As the evil closet says, she went after the EVIL CLOAKED MAN THAT CURSED THE BEAST. Go to the ballroom (Straight forward from the castle entrance), as Belle says in one of the cutscenes we have in the middle. Oh well, she's OK, but...HELL!!!
It's Evolving! It turned into...
Alright. That was fun... I didn't even notice the guy with the beard behind me.
This is Xaldin. Yes, part of the organization. But, appearently, the beard was just... a rip off cause... He runs away. :S
Alright, conversations, good-byes, CONTRACTS OF LETTING US KNOW ABOUT EVIL ENTITIES IF THEY APPEAR???!!! Well, I don't know if they have a radio station there, but hey, I didn't make the game...
And also, no Keyblade here. Sorry.


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After his success planting almonds 10 years ago, NSW farmer
Through its subsidiary Agri Australis, the Italian chocolatier is building Australia's hazelnut industry from the ground up, and is investing $70 million in a hazelnut production facility in the NSW Riverina.
"A lot of people are looking at it [hazelnuts] but we just don't know enough about it. Everyone is waiting to see someone else do it first," says Dinicola, a second-generation farmer growing rice and almonds in Griffith, a stone's throw from Ferrero's farm.
With all the hype around the global food boom and the Abbott government's pledge to make agriculture one of five key pillars in the national economy, Ferrero's bold plan to turn Australia – currently a hazelnut importer – into a regional supply hub will test the nation's ability to capitalise on its opportunities in agriculture.
Founded in 1946 by
In May, the company began planting one million trees across 2000 hectares near Narrandera in south-west NSW.
Agri Australis general manager
"Why Australia? [The country has] A very professional set of skills and agricultural know-how, and for our risk diversification strategy," Boccardo says. "We are setting up hazelnuts in different parts of the world and focusing on the southern hemisphere for diversification in terms of climatic conditions and counter-seasonality."
Australia could become a regional hub
Australia currently imports around 2000 tonnes of hazelnuts a year. The NSW Department of Industries anticipates hazelnuts could become a $200 million export industry for Australia.
"Our global aim is for Australia to become a hub for Asia Pacific in producing and exporting hazelnuts," Boccardo says. "There is already a trend of increasing consumption of nuts and hazelnuts in particular in Asia. It is growing at a very good pace and could drive the future for Australian farmers for the next 10 to 20 years."
Ferrero is the biggest user of hazelnuts in the world, consuming around 25 per cent of global supply. But it doesn't want to be a big landowner in Australia or to run its own farms.
The business plan is to set up a number of model farms and then supply local farmers with knowledge and cheap trees from Ferrero's nurseries.
Dinicola started growing almonds 10 years ago when his son wanted to come onto the farm and he was worried about getting water allocations for his rice.
"I was the first in the Griffith area to plant, I was the guinea pig. I've had two mates plant a couple of years after me and they are as happy as anything, it's the best thing they have done," he says.
"The Riverina is going to be the future nut growing area. Ten years ago, nuts were only just being talked about. There's a lot of water and I think a lot of growers will start looking at nut crops."
Growing global demand for almonds
Two facts underscore the point. This year, 380 people came to Australia's annual almond conference, up from around 120 two years ago. Two years ago, a bidder could have acquired Select Harvests for $60 million.
The group's market value is now $450 million. In recent years, global demand for almonds has been growing at around 8 per cent and supply has been growing at closer to 4 per cent.
An intensifying drought in California, which produces 80 per cent of the world's almonds, has bolstered prices.
Thompson says nuts are a real opportunity but there are challenges. "The short-term barrier is getting enough trees. Whatever nut it is, we need the nurseries to provide us with the trees. The second barrier is access to the right sort of capital. Then there's people. You need the right people in rural areas. We need to invest in people to make a career of it.".
Sourcing long-term equity has been a perennial problem for agriculture. Thompson says the industry needs patient capital like that provided by infrastructure investors.
We have fantastic yield
"Sometimes you aren't cash positive for five years and that's not attractive for an equity market and the short-term nature of reporting in Australian funds management," he says.
Investment banker David Williams says there is an opportunity to consolidate orchards to gain scale benefits. "If you look at most food industries, dairy and grain, they've been aggregated, the one area that hasn't been aggregated is horticulture and I put into that nuts and fruit and vegetables," he says,
"For me, that is where the money is going to be made in the next 12 months."
Williams says that Australia's success in almonds proves the country can succeed in horticulture.
"We are counter-cyclical with the US, the growing here is more efficient, we have damn good product and fantastic yield." .
According to the Almond Board of Australia, almonds are Australia's most valuable horticultural industry. In the past decade, annual almond export sales have soared from $82 million to $309 million.
"Demand is outstripping supply and it looks like that's going to hold. All the doctors are recommending them as a great health push," Dinicola says.
Ferrero's farm is expected to produce 5000 tonnes of hazelnuts a year once its fully established. Narrandera local David Farley, a former chief executive of listed beef producer Australian Agricultural Company, says the whole Riverina is going through massive change for the better.
"It was established to irrigate broad acre crops particularly rice and now we are seeing a big swing to higher value crops like almonds and walnuts and lots of hazelnuts going in with Ferrero."


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Mario Kart beat Prey to number 1 by 600 units, not bad.
Guess why it didn't get number one was cause of Bethesda review embargo and the lack of hype for the game.
UK Game Sales Chart
Anything and everything in the world of gaming, from PC and consoles to handhelds and mobile.
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Re: UK Game Sales Chart
My Youtube Account PlaytendoGuy
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Re: UK Game Sales Chart
Not bad for a game which is essentially an enhanced remake of a Wii U game.
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Re: UK Game Sales Chart
considering its not end of the month yet, theres loads of games out this week and next. be interesting to see the charts
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Re: UK Game Sales Chart
so mario kart deluxe holds 10 ten uk spot and streetfighter drops
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Vertic is excited to introduce a support strategy that plays to the strengths of the Salesforce platform. We prefer to not call this "support", but more appropriately label it the "customer journey", facilitating steady growth of your platform to ensure that the system continually grows and drives progressive business processes. While time is allocated to typical break/fix support, more time is allocated to system enhancements and change management (training, reporting, process improvement). This ensures that your business system strategy is optimised by providing value for money and a structure for perpetual enhancement. This approach provides immediate value to your organisation, enhancement requests don't sit idle in a queue and the versatile nature of the Salesforce platform means deployments are quick and easy.
The robust nature of modern IT platforms means that organisations no longer need to spend as much of their IT budget on break/fix type support strategies. This opens the door for progressive organisations to focus their support strategy on enhancing their systems to align more closely with business goals and better support business processes. As an organisation becomes more aware of the capabilities of their system, identifying ways to innovate becomes a key strategy in gaining a competitive advantage and achieving growth. The support strategy should facilitate this approach by being flexible and adapting to the needs of the organisation.
With any successful implementation it's inevitable that users will identify new areas and processes of the business that the system can support. The versatility of the Salesforce Platform empowers organisations to easily implement new functionality when these areas are discovered. More than ever, it's vital for successful organisations to manage an ongoing cyclical system process of Identify, Design, Develop, Test, Deploy, Review. The Salesforce platform is well structured to support this process and can provide rapid growth at cost-effective development costs.
It's extremely important to create a culture of strong communication and feedback, to continually analyse that the system is aligning with business goals and explore areas of the system that can better support the organisation. This is how modern day support should be delivered. It's crucial for organisations to seek a system partner who can provide excellent guidance in this area. Ultimately this approach will facilitate a happier and more productive user group, resulting in improved service delivery and greater personal growth for employees.
Welcome to the Vertic Customer Journey.


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11/08/2017 Ukupno Pregleda: 11776 Danas: 2
B Balconi Pescantina, Uz vrt, B&B Balconi is located in Pescantina, in the wine region of Valpolicella. The property offers free Wi-Fi, i Verona je 15 km. With a private bathroom, rooms have air conditioning. Oni su opremljeni s TV-om ravnog ekrana, a hairdryer and a wardrobe. Guests at Balconi B&B can enjoy a sweet breakfast buffet including coffee, čaj, jams and homemade cakes. The Pescantina centre, with several restaurants, is a 5-minute drive from the property. Lake Garda is a 20-minute drive away. (B&B Balconi Pescantina hotels booking).


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Packs and unpack SWF files
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text: German Wool Scarf March 17, 2012 By Outblush We have a major thing for scarves. They're comfy. They keep our neck warm. And they disguise the fact that we wear a plain black shirt 5 days a week. Wearing this adorable German Wool Scarf ($99) makes us feel less Gothic and more chipper. Seriously, who can resist the cheery polka dots and flirty fringe?


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As a companion to our #NowOnNetflix picks, we're going to bring you what's new on Netflix for June 2016. As you know, tons of titles shuffle back and forth on Netflix. That means figuring out what's available can be a pain in the a$$.
That's where we're coming in with a list of all the movies available starting June 1 as well as a list of those leaving us. Some of the immediate highlights in the list include the first three Jurassic Park films, season 4 of Orange is the New Black, Best Picture winner Spotlight, Rock The Kasbah and so much more.
Here's a day-by-day breakdown of everything new on Netflix for June 2016, and the movies that are leaving like Who Framed Roger Rabbit and Groundhog Day.
New on Netflix for June 2016
June 1:
7 Chinese Brothers
72 Cutest Animals: Season 1
72 Dangerous Places: Season 1
A Walk to Remember
Big Stone Gap
Bob Ross: Beauty Is Everywhere
Breaking the Magician's Code: Magic's Biggest Secrets Finally Revealed: Seasons 1–2
Cold in July
Conspiracy Theory: Did We Land on the Moon?
Cuba: The Forgotten Revolution
(Dis)Honesty: The Truth About Lies
El Libro de Piedra
Elizabeth: The Golden Age
Extraordinary Tales
The Fear of 13
Gabo: The Creation of Gabriel Garcia Marquez
Gentleman and Gangsters: Season 1
The Good Witch: Season 1
The Great Alone
Hadwin's Judgement
J. Edgar
Janis: Little Girl Blue
Jurassic Park
Jurassic Park III
Lion Heart
The Lost World: Jurassic Park
The Odd Couple II
Off Camera: Series 1
Pokémon the Movie: Hoopa and the Clash of Ages
Pokémon XY: Kalos Quest: Season 2
Portrait of a Serial Monogamist
The Resurrection of Jake the Snake
Rock the Kasbah
Sam Klemke's Time Machine
Second Coming
Tab Hunter Confidential
UFOs: The Best Evidence Ever (Caught on Tape)
What Our Fathers Did: A Nazi Legacy
June 2:
Beauty & the Beast: Season 3
Hibana: Spark — Netflix Original
Pretty Little Liars: Season 6
June 3:
Bo Burnham: Make Happy — Netflix Original
June 6:
June 7:
Every Thing Will Be Fine
Jarhead 3: The Seige
June 10:
LEGO Friends: The Power of Friendship: Season 2 — Netflix Original
Voltron: Legendary Defender: Season 1 — Netflix Original
June 11:
Me Him Her
Scandal: Season 5
June 12:
Already Tomorrow in Hong Kong
June 14:
The League: Season 7
June 15:
After The Spill
Boom Bust Boom
The Giver
In the Shadow of the Moon
Naz & Maalik
Night Owls
Poverty, Inc.
Top Spin
TransFatty Lives
June 16:
Being Mary Jane: Season 3
Marvel's Agents of S.H.I.E.L.D.: Season 3
The Unborn
June 17:
All Hail King Julien: Season 3 — Netflix Original
Orange is the New Black: Season 4 — Netflix Original
June 18:
Cedar Cove: Season 3
Grey's Anatomy: Season 12
June 19:
Bunk'd: Season 1
I Am Thor
June 20:
Life Story: Series 1
The Making of Life Story
June 21:
Best Friends Whenever: Season 1
June 22:
Sin City: A Dame to Kill For
June 24:
Dragons: Race to the Edge: Season 3 — Netflix Original
The Fundamentals of Caring — Netflix Original
Justin Time GO! — Netflix Original
June 27:
June 29:
June 30:
A Very Secret Service: Season 1 — Netflix Original
June 1:
A Wrinkle in Time
About a Boy
Bridget Jones's Diary
The Chronicles of Riddick: Dark Fury
Clear and Present Danger
Disney Animated Collection: Vol. 5: Wind in the Willows
Dude, Where's My Car?
Elias: Rescue Team Adventures: Season 1
The Faculty
Far from Home: The Adventures of Yellow Dog
Groundhog Day
In the Bedroom
Jersey Girl
Kinky Boots
Losing Isaiah
Madonna: Truth or Dare
Marvin's Room
Music of the Heart
My Boss's Daughter
Nine Months
The Others
Paris Is Burning
Private Parts
Schoolhouse Rock!: Earth
The Sisterhood of the Traveling Pants
The Station Agent
The Stepford Wives
Stir of Echoes
Stir of Echoes 2: The Homecoming
The Super Hero Squad Show: Seasons 1–2
Velvet Goldmine
View from the Top
Wayne's World
The Yards
June 2:
Eureka Seven: Seasons 1–2
June 14:
HawthoRNe: Seasons 1-3
June 15:
The Bank Job
June 18:
A Late Quartet
The Wubbulous World of Dr. Seuss: Season 1
June 21:
Mixology: Season 1
June 24:
Elaine Stritch: Shoot Me
The Hunchback of Notre Dame
The Hunchback of Notre Dame II
Marvel's Avengers Assemble: Season 1
Who Framed Roger Rabbit
June 30:
Sophie's Choice
Source CNET