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She told me to fuck off.. She upset. I wasn't dating her.. She block me on Facebook
Most Helpful Girl
If you told a girl that you like hr and her best friend... yup. That sounds like a very "jerk" thing to say. You probably hurt her feelings if she likes you cause now she doesn't feel special anymore.00|00|0
We weren't dating. Will she calm down and get over it. Her best friend told me to fuck off aswell. I judge who her friend was dating. So the girl that likes me called me a kid. I just didn't think and said I like your friend aswell
The damage is done. You made her feel as if she's second best to her friend and that you don't like just her. She won't calm down or change till you tell her you weren't telling the truth.


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J.D., University of Virginia School of Law, 2007
Order of the Coif
Raven Society
Articles Editor, Virginia Law Review
Winner, William Minor Lile Moot Court Competition
B.A., University of Virginia, 2001
Contact:Tel: 202.775.4529
Fax: 202.775.4510
Bar Associations
District of Columbia
Matthew M. Madden, Partner
Oral Arguments
Appellate Briefs
Trial Memoranda
Matt Madden's appellate and trial litigation practice focuses on sophisticated securities, commercial, and bankruptcy disputes. Matt argued and won a significant Supreme Court bankruptcy case in 2015, and has briefed numerous other cases there at the petition or merits stages. Matt has also argued before the U.S. Court of Appeals for the Eleventh Circuit, and briefed other high-stakes appeals in Second, Third, Fifth, Ninth, and D.C. Circuits. Matt's trial practice covers a variety of areas, including securities class action defense, complex commercial and financial disputes, and government enforcement proceedings. Matt also advises major investment funds and other clients on pending or potential litigation and other strategic opportunities.
After law school, Matt served as a law clerk to the Honorable Stephen F. Williams on the United States Court of Appeals for the D.C. Circuit.
Representative matters include:
Presenting oral argument in the U.S. Supreme Court in Harris v. Viegelahn, 135 S. Ct. 1829 (2015), in which the Court unanimously adopted our client's interpretation of the Bankruptcy Code on an issue that, according to the court of appeals, had "divided courts for thirty years."
Defending a Fortune 500 company against a $900 million securities class action, including presenting argument on discovery motions, defending key depositions, and briefing a successful motion to dismiss the action in its entirety and with prejudice.
Representing an international accountancy network in successfully securing the Southern District of New York's dismissal with prejudice of a federal securities-fraud class action.
Defending a prominent investment fund against a breach-of-contract lawsuit over a $195 million claim against the estate of Bernard L. Madoff Investment Securities LLC, including presenting argument to the court, taking and defending depositions, and coordinating the work of expert witnesses.
Representing a major accounting firm and a number of its current and former employees in a Securities and Exchange Commission investigation involving the firm's audits of a public company, including representing numerous witnesses in testimony before the SEC's enforcement division.
Representing bondholders and shareholders in appeals from the bankruptcy reorganizations of a major silicone manufacturer, a national media conglomerate, a large telecommunications company, and a significant lumber conglomerate.
Arguing and briefing a winning appeal in the United States Court of Appeals for the Eleventh Circuit that reversed a denial of post-conviction sentencing relief, and then successfully opposing the government's re-sentencing recommendation before the district court.
Representing a major national bank in federal litigation alleging fraud, breach of contract, and breach of fiduciary duty arising out of a $4 billion securitization transaction, including taking and defending depositions and supervising the work of a key expert witness.
Representing a government contractor against false-claims allegations relating to its management of a high-profile government facility, including preparing a presentation to the government that led to a favorable, non-public settlement of all claims.
Professional Activities, Publications and Honors:
Moot Court Panelist, Georgetown Supreme Court Institute
Note, Anticipated Judicial Vacancies and the Power to Nominate, 93 Va. L. Rev. 1135 (2007)
Named a "Rising Star" in the 2015 Washington D.C. edition of Super Lawyers, a Thompson Reuters publication recognizing outstanding lawyers


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We dated for a month, we were pretty intimate, kissing, touching , i thought things went well, she went on a holiday and things changed after that. she hardly speaks to me, sometimes completely acts like i dont even exist and sometimes she gives me a look. She doesn't ignore me, she writes back when i write her something but we end up having short conversations, i know she has time to write to others, ( we do have a small communication problem since she hardly speaks any other language then polish, bit of german ) . I do think she was seeing someone before we spended time with each other, and i suspect she is seeing this kid/ guy again. He is 6 years younger, he barely turned 18 . she has a kid , she is 24 wtf could she possible want from a person like that. It upsets me that she doesn't want to be honest with me. I told her we need to talk, and she does show up but no results. i really love her, what can i do. should i get angry to her, knowing she is used to jerks. maybe she will think different of me then. I can't figure out why she stopped initiating conversations with me, why doesn't want to see me anymore, its all out of the blue. she gave me various reasons that we can't be together, she acted like she wanted to have sex, and she did come a few time, but we didn't have any actual sex. she did shave herself between her legs, . i find this all very strange, maybe personal hygiene but why act like you want to have sex but refuse to have sex. what do you think, should i show her in a respectable way that i won't tolerate these stupid mind games, it really angers me, she doesn't open up. and whats up with this 18 year old kid, im 26, i have a nice job, treated her well, maybe thats the mistake i made. i should have been a jerk to her, would it make a difference if i show your once and for good that im sick and tired of these stupid mind games, and that she needs to grow up. what can i do, my parents think she maybe has sex for money. i really find this far fedged
Most Helpful Girl
You have answered many of your Own questions, ReneDS, and being she is just '18,' you're much older, more Mature with a lot to offer Some girl out there, unfortunately I don't believe it will be This little rose spud.
She is probably back with the boy from her past, isn't 'Woman enough' to man up to You that she Is, and is now putting you on her 'Slightly some' pay no list as a helpful hint to lay off, giving you lame excuses, forget her and don't bother with her again.
I see all the signs that her Red flag is raising here, and as much as it hurts, is infuriating of not Only 'stupid mind games,' but playing 'Head games' with you to boot, she obviously doesn't want to 'Play' anymore. She is what I call a cock teaser, and most likely Liked you enough at the time to get heated with you, but better thought to leave well enough alone by Not going all the way...
Move on, sweetie. She needs to 'Grow up,' you're right about that. You deserve better, have so much to give someone who can appreciate What you have to Give and someone like yourself as well. Don't waste your time and efforts on a wet nose who you will probably never figure out, although to be quite honest----I believe you have and just don't know it.
Good luck. xx10|10|0
She isn't 18, she is 24. I think she is hanging around with an 18 yo. what could a 24 yo single mother possibly want from a 18 yo kid who doesn't even have a job.
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She doesn't behave like someone who couldnt care less about me, she could block me, she could return the stuff i gave her, that makes her remember me. She seems thankful when i give her a friendly guesture, i just can't figure out why she acts like i dont exist to her. I dont feel good with how the things are going right now, what would you do in my Situation, i dont want to throw away my chances but i dont want to lay low
You again have answered your own question... She is keeping you around perhaps to lean on you for like a security blanket in case something falls through with this guy she is seemingly with now... No, no tblocking you means wants you around, any friendly chats still she is still wanting to keep you in th ebackground. This is most likely why she is stilll keeping you in th epicture... But it's notgoin ganywhere if she is Not into More with you, so all you can do is either wait for her to come maybe running back or move on to someone who really deserves you... I probably would have just stayed at least friends, if anything, although I know it's hard to do it... But it's something for now until you accept that she is either not coming back or if she does, can you ever trust her again that she won't Do this again?


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GERMANY: Valencia confirmed as second Fiesta source
Ford is to build its next generation Fiesta at its Almussafes plant in Valencia, Spain. The plant will be the second production source for the new vehicle together with Cologne in Germany. Almussafes will also continue to produce the current Focus and Ka.
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Metropolitan Cutlery Co Perfect Pinker Vintage Pinking Shears Crane Brand
- Sold for: Start Free Trial or Sign In to see what it's worth.
- Item Category: Tools
- Source: eBay
- Sold Date: Jun 19, 2016
- Channel: Auction House
Metropolitan Cutlery Co Perfect Pinker Vintage Pinking Shears Crane Brand
6 1/4" long works great
original box and paperwork
I ship my items like I would want to receive them, w/ lots of bubble wrap and newspaper in a good sturdy, box. I will combine shipping on multiple auction wins. I do not combine shipping on items that are fragile with items that are heavy.I am not an expert on the things I sell, I buy things that catch my eye at estate sales, auctions, antique malls and garage sales and resell them on ebay. I am learning as I go, and am having a great time. If you see something wrong with a title or description on my auction site, I'd love to hear from you so that I can correct it. I spend long hours devoted to my auctions, so please be gentle with me, I'm old and tired. lol Please pay as fast as you can(within 7 days), I need the money to go buy more goodies. International Buyers Please Note: · Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyer's responsibility. · Please check with your country's customs office to determine what these additional costs will be prior to bidding/buying. · These charges are normally collected by the delivering freight (shipping) company ... read more


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My birthday oddly fell on the day of our company Christmas party. Three angels and a choir of friends sang "Happy Birthday" to me. I wished for World Domination as I blew out my candle.
Sammy Davis Jr's twin brother was our DJ, and he pumped the jams. We danced like Meraki was watching...
The party was at the Half Moon Bay Ritz. Holy smokes Batman...what a place!
Dave said my turndown service was non-standard. He only has 2 data points (his & mine)…do you think he could be wrong? See for yourself…
Thanks Shihlin/Mona! Hugs to you both.
Funniest quote:
Amish (while throwing down between 2 beautiful women on the dance floor) -- "It's just water. I'll remember all of this tomorrow."
Three cool new people that I got to know through real conversation: I love making new friends.
* Fiona (George's wife)
* Kelley (Adam's wife)
* Philip (Linda's husband)
We ate, we gambled (I didn't because I don't know how, but lots of people did), and we danced (including me!), and we generally had a blast.
Everyone in the company knows that I'm a field guy. I spend 90% of my time with my brothers and sisters in the field doing field-related things.
One of the biggest drawbacks of being in the field is the disconnection between the field teams and HQ (and of course with other field teams). I think my biggest Christmas wish is that all company employees get to spend more time together as friends…as family. The Christmas party was a great experience (the first one I've attended since working at Aerohive for almost 2.5 years). I can't remember just how many times I thought to myself, " I wish _____ and ____ and ____ were here" – filling in the blanks with the teams across the globe.
After the party, we all went out to the back of the resort, gathered around the fire, threw back a dozen bottles of red, and talked it up – yacking on and on about everything under the...um...half moon - until 2am.
The SKO is coming up shortly. I hope the field teams and the UK HQ team are ready for group hugs. There will be a Texas-sized truck-load of them.
My wife, Mr. T …umm, I mean... DeAnne... flew out to HQ with me, risking life-and-limb by getting on and airplane. It was AWESOME having her with me, sharing in this experience.
Now she too is officially part of the hive. She was given the warmest of welcomes by everyone at HiveHQ, and even as I write this, she's still talking about how wonderful everyone was and trying to specifically remember each person she met and where they fit into the hive.
Bee Are Family.
Read More
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You may get a better answer to your question by starting a new discussion.


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Free Stuff, Samples, Coupons, and Sweepstakes | Woman Freebies
April 10, 2015 | Videos
Watch this baby's priceless reaction when her mom starts singing, "My Heart Can't Tell You No" by Rod Stewart.
You work too hard for your money to throw it all away on full price when you don't have to!
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It's No Contest in Havana
Friday, February 27, 2004
Nobody puts Baby in a corner. And nobody does justice to "Dirty Dancing," the 1987 dance musical/coming-of-age drama that became one of the most beloved and iconic movies of the 1980s.
It's a tribute to the originality of "Dirty Dancing," and to the screen magic of its stars, Jennifer Grey and Patrick Swayze as "Baby" Houseman and Johnny Castle, that it's taken Hollywood the better part of 20 years to come up with a sequel. "Dirty Dancing: Havana Nights" doesn't begin to live up to the giddy energy, romance and terrific dancing of its progenitor. Indeed, the best thing about it is an incandescent but all-too-brief appearance by Swayze himself.
Still Jack LaLanne trim, with his signature ramrod-straight torso and poetic hips, Swayze is the brightest light in an otherwise forgettable if unobjectionable movie. He plays the dance instructor in a tony Havana hotel, where he coaches one of its guests, the teenage Katey Miller (Romola Garai), for a dance contest. After twirling her around the floor in a twisty, exhilarating series of turns, the Swayze character dashes out of the room, leaving viewers longing for Katey to yell, "Hey, what's your name?" and for him to turn and say, "Johnny Castle, ma'am."
Alas, it's not to be. And Swayze is reduced to a cameo player in a film meant to highlight the lovely Garai, last seen (or, perhaps more accurately, not seen) in last year's "I Capture the Castle," and Diego Luna, best known to American audiences for his appearance in "Y Tu Mama Tambien." They are both attractive, eminently likable young performers, even if they don't light up the screen the way Grey and Swayze did back in the day. More to the point, neither is a trained dancer.
Still, "Dirty Dancing: Havana Nights" has its modest charms. Filmed in Puerto Rico, the movie captures the bold, decadent, retro flair of Batista-era Cuba, with its big-finned cars, wasp-waisted skirts and unapologetic American capitalists.
Katey's father has just arrived in Havana to be an executive with the Ford Motor Co.; it's November 1958, on the eve of the communist revolution, and throughout "Dirty Dancing: Havana Nights" the class unrest roiling the streets outside the Millers' hotel is echoed in Katey's own father's uneasy relations with his boss.
The analogy is strained, but at least Garai and Luna make it possible, if not easy, to believe that the upper-class Katey would befriend a poor busboy (Luna). This hard-working young man, whose name is Xavier, takes Katey out of her cosseted, white-bread world into the sweating, hip-popping, undulating demimonde of Havana's nightclubs. There, she learns the sinuous, sensual moves that are worlds apart from the country club foxtrot she's perfected with her peers.
Katey, whose own parents were ballroom champs, subscribes to the Fred-and-Ginger school, whereas Xavier's moves veer more toward the Justin-and-Janet side of things. That anachronistic reference isn't out of place in a movie full of contemporary flourishes, especially in the music. Somehow it's hard to believe singers were crying, "Represent, represent!" in 1958.
While pursuing a tentative romance, Katey and Xavier enter a few dance contests, scandalizing her parents and the callous expatriate sophisticates who drape themselves around the hotel pool. Guy Ferland, who directed "Dirty Dancing: Havana Nights," does a pretty good job of evoking 1950s Cuba, at least for the teenagers who will be most drawn to the film. With its heady mix of revolutionary politics and sexual awakening, it might be described as "The Dreamers" on training wheels.
Things finally come to a head on New Year's Eve, when Katey and Xavier compete for the biggest prize of all -- a ticket to America -- in a swank dinner-jacket-and-pearls nightclub. ("Godfather Part II" fans could make a parlor game of looking for Michael and Fredo Corleone in the background.) The dancing is good, the romance is doomed, the streets are on fire, and somewhere out there, Swayze is waiting to have the time of his life. We're waiting, too.


text: Susan Kotake, MD Make an Appointment Ask a Question Refer Patient Assistant Professor Department of Medicine Division of Pulmonary, Critical Care & Sleep Medicine 5280 Top Doctors 2017 Previously a 5280 Top Doctor America's Top Doctors 2015 — Castle Connolly, Medical, Ltd. Recognized in America's Top Doctors — Castle Connolly, Inc. Best Doctors in America® 2015-2016 — Best Doctors, Inc. Recognized in Best Doctors in America® — Best Doctors, Inc. America's Top Doctors 2016 — Castle Connolly Medical, Ltd. Susan Kotake, MD, is a pulmonologist at National Jewish Health. Dr. Kotake is in the Division of Pulmonary, Critical Care and Sleep Medicine. Email Profile Print Profile Patient Rating 4.8 out of 5 stars 115 Patient Ratings 14 Patient Comments × No Rating Available In order to provide the most accurate and useful information on our providers, we only post satisfaction data when a provider has received a minimum of 30 survey responses. We have not yet received the minimum number of surveys for this provider, or this provider is a researcher who only sees a limited number of patients in clinic. To learn more about this survey, visit our about the Press Ganey Survey page. Close Overview Contact Info & Locations Patient Ratings & Comments Programs & Services Department of Medicine Division of Pulmonary, Critical Care and Sleep Medicine (Adult) Specialties & Conditions Asthma Chronic Obstructive Pulmonary Disease (COPD) Education Education 1995 University of Pennsylvania, MD Residency 1998 University Hospitals of Cleveland, Fellowship 2001 University Hospitals of Cleveland, Board Certification Internal Medicine Pulmonary Critical Care Medicine Hospital Affiliations Rose Medical CenterRose Surgical Center Ask a Question through Patient Portal Sign in to your My National Jewish Health patient portal account to communicate with your care team, manage appointments, and more. Create an Account Contact Information Office: 877.225.5654Fax: 303.320.0627 Locations National Jewish Health Main Campus 1400 Jackson St. Denver, CO 80206 Patient Ratings The Patient Rating score is an average of all responses to care provider related questions on our independent rating system, the Press Ganey Patient Satisfaction Survey. Responses are measured on a scale of 1 to 5, with 5 being the best score. Learn more about our patient satisfaction survey. Confidence in your doctor 4.8 Amount of time spent with you 4.8 Spoke using clear language 4.8 Includes you in decisions 4.7 Shows concerns for your questions 4.7 Explanation of problem/condition 4.8 Recommended to others 4.8 Friendliness 4.8 Comments Comments are collected in our Press Ganey Patient Satisfaction Surveys. Patients are de-identified to protect confidentiality and patient privacy. Learn more about our patient satisfaction survey. National Jewish Health Patient– December, 2016 Dr. Kitake always listens and is very helpful very knowledgeable , especially on different prescription drugs. I have complete faith in Dr. Kitake and very grateful that she is my physician. National Jewish Health Patient– December, 2016 Dr Kotake is very good, and I enjoy her company. National Jewish Health Patient– December, 2016 Phone calls should be returned more promptly. National Jewish Health Patient– September, 2016 My dr. is awesome. National Jewish Health Patient– August, 2016 Very thorough. National Jewish Health Patient– August, 2016 Dr Kotake takes time to be sure I understand my condition and medications. National Jewish Health Patient– August, 2016 Dr. Kotake is always respectful and seems to care about me on an individual level. National Jewish Health Patient– August, 2016 Dr. Katoke has been most helpful in helping me with mu breathing issues. She has explored possible solutions and continues to monitor me closely. Felt very reassured after my appointment. National Jewish Health Patient– May, 2016 I found Dr. Kotake to be very friendly, concerned and professional. She put me at ease immediately. National Jewish Health Patient– May, 2016 My particular heath problems have been steadily ameliorated over time. National Jewish Health Patient– May, 2016 She was extremely efficient, thorough and knowledgeable. It often seems as though doctors are not able to diagnose problems or recommend solutions. That wasn't the case here. I felt as though all available options were being offered to me. The provider listened closely to my concerns and was able to tease out information that it didn't occur to me to offer. show more National Jewish Health Patient– May, 2016 I would send anyone with breathing or asthma, allergies to the clinic for help National Jewish Health Patient– May, 2016 All Good National Jewish Health Patient– February, 2016 *Dr. Kotake is a wonderful, thorough highly competent, educated professional.


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Comments from HowardBHaas
Showing 2,201 - 2,225 of 2,537 comments
I meant the 2nd sentence to read "Any redevelopment as a library etc has nothing to do with cinematreasures!"
How much gloating about the destruction of a true treasure can you do??
Why are you polluting this website with this anti-theater nonsense? The theatre was lost. Any redevelopment as a library etc to do with cinematreasures! You people won your fight, destroyed a marvelous movie palace. GO AWAY.
Why are you polluting this website with this anti-theater nonsense? The theatre was lost. Any redevelopment has nothing as a library etc to do with cinematreasures! You people won your fight, destroyed a marvelous movie palace. GO AWAY.
Dave-Bronx, you are a disguntled former employee, perhaps?
I found the C.O. theaters to be much better than the other chains. The Chelsea is currently ranked very good by New Yorker magazine. C.O. made an effort to have much bigger screens and plush interiors long before other chains did.
The Walter Reade organization sold their theaters to Cineplex Odeon, correct? If that is the case, then at the time of the sale, the Reades could've then arranged (with the consent of the new owners) to hold back the painting & retrieved it from the theater if they had wanted to do so.
Although you seem to like to bash the Cineplex Odeon founder, that company built better multiplexes in NYC (Chelsea, Worldwide Plaza) and DC (Wisconsin Avenue) then any other national company was then building on the East Coast.
I can't take on this task, but do wish to advise you that flickr (www.flickr.com)offers free photo gallery hosting. You download your theater photos to it once signing up for your free account. You then label your theater photos, at least with name of city and theater. There are people reading cinematreasures.org who often review those photos and link them to this site to the appropriate theater page. I know you'd like more help than that, but I thought you, and others reading this, might appreciate this advice. There are other photo hosting cites like photobucket frequently linked to, but I myself use flickr.
Free flickr photo gallery limits how many photos you can download per month. One way to get around that is by shrinking each photo's memory. I use Irfanview to do that, another site that can be freely downloaded and used. However, you don't have to shrink the photos, especially if there aren't that many to post.
This was one of my favorite cinemas. I first knew it as the KB Cinema. After the KB chain closed, Cineplex Odeon reopened it and placed their tree-looking sconces on the side walls of the auditoriums. Eventually, C.O. also installed new luxury chairs. In the mid to late 1980's, it played mainstream blockbusters. After the early 1990's, it hosted some mainstream films in the summer, but mostly played arthouse films
It had 826 seats. The screen was 40 feet wide and looked even bigger. The screen was perfectly set, for wonderful sightlines! Before it closed, it advertised as having the second largest movie screen in Washington, D.C.
The ability to showcase mainstream blockbusters diminished when Cineplex Odeon opened the Wisconsin Avenue Cinemas, since most blockbusters played there or the Uptown. Later, the Mazza Gallerie opened, so most mainstream films played Uptown, Wisconsin, or Mazza for Northwest Washington and mostly arthouse films were shown at the Cinema. Before the Mazza Gallerie opened nearby, the projectionist told me he didn't understand why the Cinema would close because it was doing a million dollars business a year. He wasn't looking forward to Loews taking over, as he thought the Cineplex Odeon concessions including candy had better selections.
The moviehouse's problem with getting enough people to see arthouse films probably resulted from the openings of the suburban and downtown Landmark multiplexes.
Until it closed, samples of food, gum, etc. were often given out to departing movie patrons.
I saw many movies to sold out crowds in this once very popular moviehouse.
In December, 2006, I visited it in its current form as a furniture store. Staff told me trucks had used much concrete to level the auditorium. They said the store opened in May, 2006. The decorative metalwork and stairs leading downstairs to the former auditorium, now a furniture showroom, survived. Before going downstairs to the main floor is the former projection booth, now a gallery for dining and kitchen furniture.
The 70 mm projectors were retrieved by the Loews Jersey volunteers.
Here's a photo I took in 2004 when still a cinema:
View link
"A Very Long Engagement" indeed! That was the last film.
This website isn't about parades or flowers!! It is for people who cherish historic theaters. I didn't get to the Tivoli when it was open, when I visited Chicago, but it was on my list, and if had been restored, nothing would've stopped me from visiting your town. And, many other people reading this website would've have visited, paid to see a show, had a meal nearby, etc. Now, I won't ever visit your town, and my guess is that when most of the other readers of this site visit Chicago and the region, visiting Lombard won't be on their list either!
your signature of FIENDS tells us all we need to know. Perhaps this weekend you will see the new movie about zombies, 28 Weeks Later, and root for the flesh eating zombies.
Throughtout the nation, many movie palaces that hit their highlight in the 1950's or 1960's have been saved, restored, and reopened, as community treasures. This site is for those who respect that history. You are presumably pro-development, presumably seeking something newer, instead- fine. But, there's no need to gloat on this website over the destruction of a historic building. Surely you must have a community blog where you can do that.
It is truly a sorry day in America when people (3 above) are gloating over the destruction of a once beautiful movie palace, one that meant a great deal to many people in the community.
I am going to guess that Mann is NOT, repeat NOT, reopening the theater. If it is going to reopen soon under a different operator, the newspaper ad is probably simply wrong. Often, the studios that place the ads mistakenly use the former name until they realize otherwise.
Recent exterior photos by Rob Bender of exterior and balcony:
Like the Ziegfeld, the Chelsea West is closed until Spiderman 3 opens.
Other people may wish to advise what eating or drinking establishments are nearby, but I am happy to advise you that there is a full bar in the Tower Theatre open for shows. As to food, when shows are presented, there is pizza, hot dogs, pretzels, candy and cookies.
This week, for a few more days, the Senator is featuring the restored 1964 epic "Becket"
I'd love to see more classic films shown at this classic, and class act Art Deco gem!
My exterior photo taken this month:
View link
Visiting London, last Friday eve, I enjoyed "Lives with Others" with live Q & A with the German director. The sold out audience was thrilled with his interesting, entertaining answers.
Here's a photo I took of the beautiful auditorium:
View link
My exterior photo taken this month when I visited this Art Deco gem:
View link
View link
my April 2007 photo of the ceiling dome.
my photo of the Wurlitzer organ is blurry, but I was told it is now played Thursdays about lunchtime.
On way to visit Horniman Museum, I spotted this ex-cinema and was astonished to see so many original decor features survive though used as a pub. Couldn't tell if balcony (circle) is used, but could see it from main floor.
View of exterior, taken April 2007:
View link
View of Proscenium Arch of Auditorium, taken April 2007:
View link
The Paris is giving out a leaflet describing the current feature, The Namesake (a very good film which was well attended), and specifying Coming Soon: Paris, Je T'aime and La Vie En Rose.
Leaflet also states "Opened in 1948, the Paris Theatre is the longest continuously operating art cinema in the United States. We are proud of the Paris which has premiered many of the best American independent and international films throughout its history. The Paris Theatre is a landmark in the heart of New York City and in the hearts of discerning New York filmgoers"
Friends of the Boyd www.FriendsOfTheBoyd.org appreciate the mention on this website, and your ongoing support. Philadelphia must not lose its last surviving premiere motion picture palace.
for photos of this theater.
Today's Philadelphia Daily News reports Dan Gross | LiveNation dumping Sameric?LIVENATION has "launched a process to divest" the majority of its North American theatrical assets, the company announced in the fourth-quarter financial report released on Thursday.
The report includes a Philadelphia theater among those to be sold. That would be the Sameric at 19th and Chestnut streets.
The theater, built as the Boyd in 1928, is Center City's last great movie palace and was closed in May 2002. Clear Channel, of which LiveNation is a subsidiary, bought the theater in January 2005 from the Goldenberg Group, and said it would turn the Sameric into a multi-use entertainment house. We reported in September that LiveNation had ceased construction and renovations on the Art Deco theater, and said its sale was "possible."
Howard B. Haas, chairman of Friends of the Boyd, a nonprofit group working to preserve the theater, is upset that the theater could again face demolition if sold to an owner who is not interested in operating it as a live venue.
Haas said his group will do whatever it can to ensure that the theater is not demolished.
"We are looking at all options for the property and a sale is one possibility," LiveNation spokesman John Vlautintold us in an e-mail. "But nothing definitive has been decided at this point about the Boyd," he wrote.
LiveNation is also selling its Broadway Across America business, which programs touring theater shows. Industry speculation is that LiveNation is looking to sell the venues as a package.
"We cannot predict when, or if, any transaction will occur with respect to these properties," the company's economic report said.
Last year the Pearl Group bought three small auditoriums attached to the Boyd from the Goldenberg Group and is seeking retail or restaurant tenants.
It would be unacceptable for the Senator to close! It is an Art Deco gem, and one of the best remaining historic moviehouses in the nation. It is a great theater and a huge asset to the Baltimore-Washington DC region. Something should be worked out to avert the immediate crisis. Afterwards, donations, grants, etc. should be obtained to ensure continued operation and community enjoyment of the Senator.


text:
An early spring audio adventure
Last Week I had been watching a Marantz Model 16 Amplifier on eBay. This particular Model 16 was being auctioned by a local seller, so there would be no shipping costs and no chance for any shipping damage. I watched right up to the end of the auction and I had my maximum price set in my mind. In the last few seconds everyone went crazy and the price almost doubled and the 16 sold for nearly $400.00, bummer.
The following morning I emailed the seller and to let him know that if the winner flaked out on the deal, he could contact me and maybe we could work something out. He thanked me and I pretty much forgot about the 16.
Monday morning the seller emailed me and said that he had a couple of other items he wanted to sell and he wanted to know if I was interested before he put them up for auction on eBay. He forwarded a picture of a Model 7T Pre Amplifier that he found on line and said his looked just like it only his had a wood case. Cool.
He shot me a price which was fair, but at the top of what a 7T would sell for and I really didn't want it that badly. I sent back a more realistic price and he agreed, wow. I made arrangements to pick it up that night in San Francisco.
While I watched the clock all day in the shop it occurrence to me, what if he actually had a Model 7 Tube Pre Amplifier? A novice could easily mistake the two models at just a glance. If it were a model 7, its value would far exceed our negotiated price and I would be obligated to let him know what he had, good Karma, you know.
We stopped off for dinner at the Hick'ry Pit in Walnut Creek on the way so we would have a better chance of missing any bridge traffic into the city. There was a Giants pre season game that night at 7:30 and traffic can get real bad on the Bay Bridge on game nights. I counted the minuets until the waitress brought the check and we hit the road. There wasn't any traffic so we made record time into San Francisco.
The seller lives in a nicely restored 1940's row house in the Excelsior District that was filled with mid-century modern and Danish furnishings. We actually got a parking space right in front of his house, no small feet in the city.
It turned out that all of the equipment he was selling belonged to his father, who had worked for Superscope in Chatsworth for years. His father recently relocated back to the Bay Area and everything in the Los Angeles home is being sold.
His father bought all of the Marantz equipment, which included the Model 16 Amplifier, 7T Pre Amplifier, and a pair of Imperial 5 Cabinet speakers with the optional wood grills back in the late 1960's. There was also a 5120 cassette player that he added in the mid 1970's. All of these items were bought using his employee discount, so I guess he couldn't resist getting the best they had to offer.
After chatting with the seller and a brief powering up of the items, we loaded everything up including the 5120 and we headed towards home.
The 7T is a near perfect as I have ever seen. Based on the amount of dust inside the wood case, this pair has been together since the beginning.
When I removed the cover there was that unmistakable smell of vintage electrons, sweet. I doubt that the cover has ever been removed since it was sealed up at the Woodside, New York factory.
I wasn't sure if the wood case was a genuine Marantz case because it's made of Walnut veneered plywood, not particle board like later cases. After doing some research and inquiring on AudioKarma it seems that early factory case were made from plywood.
The 7T sounds fantastic, not a single dirty control or switch I the entire unit. It's just sweet sounding and maybe how all of this worked out means it was meant to be paired with one of my 16's.


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Candy Kendall (Character)
from The Cider House Rules (1999)
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- The Cider House Rules (1999) Played by Charlize Theron
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[Candy is sitting on a dock: inconsolable after receiving the news about Wally]
Homer: Just tell me. I'll do whatever you wanna do.
Candy Kendall: Nothing.
Homer: Isn't that like waiting and seeing?
Candy Kendall: No. Nothing's nothing. I want Wally to come home. I'm afraid to see him too.
Homer: I know.
[Homer starts to put him arm around her and pull her close]
Candy Kendall: Oh, don't do that, Homer.
[Dejected, he puts both hands in his own lap]
Candy Kendall: I just want to sit here and do nothing.
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On the existence of an increasing symmetric equilibrium in (k + 1)-st price common value auctions
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Volume (Year): 10 (2006)
Issue (Month): 1 (April)
Pages: 63-71
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References listed on IDEAS
Please report citation or reference errors to , or , if you are the registered author of the cited work, log in to your RePEc Author Service profile, click on "citations" and make appropriate adjustments.:
- Eric Maskin & John Riley, 2000. "Equilibrium in Sealed High Bid Auctions," Review of Economic Studies, Oxford University Press, vol. 67(3), pages 439-454.
- Klemperer, Paul, 1999.
" Auction Theory: A Guide to the Literature,"
Journal of Economic Surveys,
Wiley Blackwell, vol. 13(3), pages 227-286, July.
- Klemperer, Paul, 1999. "Auction Theory: a Guide to the Literature," CEPR Discussion Papers 2163, C.E.P.R. Discussion Papers.
- Klemperer, P., 1999. "Auction Theory: a Guide to the Literature," Economics Papers 1999-w12, Economics Group, Nuffield College, University of Oxford.
- Paul Klemperer, 1999. "Auction Theory: A Guide to the Literature," Microeconomics 9903002, EconWPA.
- Wolfgang Pesendorfer & Jeroen M. Swinkels, 1997. "The Loser's Curse and Information Aggregation in Common Value Auctions," Econometrica, Econometric Society, vol. 65(6), pages 1247-1282, November.
- Wolfgang Pesendorfer & Jeroen M. Swinkels, 1995. "The Loser's Curse and Information Aggregation in Common Value Auctions," Discussion Papers 1147, Northwestern University, Center for Mathematical Studies in Economics and Management Science.
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New Delhi, Oct. 31: Buoyed by good half-yearly results from state-run banks, the finance ministry has cleared maiden stock flotations by Bank of Maharashtra and Punjab and Sind Bank.
Banking secretary . S. Sisodia said, These two banks propose to come out with initial public offerings (IPOs) in the current financial year. Punjab and Sind Bank officials said the banks IPO was likely to hit the market by December. It would be for a total value of Rs 100 crore to shore up the banks capital base to meet capital adequacy ratio, they added.
The bank is still saddled with a high net non-performing asset (NPA) level of over 10 per cent. However, as most of the bad loans have been made to small manufacturers and exporters in northern India, bank officials are confident that they will be able to recover large sums as manufacturing in the north is once again picking up.
Sisodia claimed that net NPAs of all public sector banks fell and Oriental Bank of Commerce had attained a zero NPA level.
Till now, Uco Bank, Vijaya Bank and Indian Overseas Bank (IOB) have tapped the market. While Uco mopped up Rs 240 crore charging a premium of Rs 2, which was oversubscribed 19 times, Vijaya and IOB charged a premia of Rs 14 a share.
Sisodia said the banking sector's advances were also growing. Besides growth in retail sector lending, banks and financial institutions had increased exposure to cement, steel, textiles and chemical firms, which were currently in focus with better results.
He said financial institutions like Industrial Development Bank of India (IDBI) would be restructured this fiscal in a manner which will place minimal financial implications, if any, on the government. This is possible because financial institutions were performing better due to an overall improvement in the economy, he added. Sanctions by IDBI had shot up 205 per cent to Rs 2,567 crore in the first half of 2003-04 compared with the year-ago period. All financial institutions together reported an increase of 137 per cent in sanctions to Rs 12,277 crore.
An IDBI study of 600 firms to which it had given loans showed that interest expense as a percentage of net sales declined 14.8 per cent and net profit increased 222 per cent to Rs 2,096 crore.
Meanwhile, a Crisil study released today also predicted a rise in gross domestic product growth by 7.1 per cent, but warned that the fiscal deficit might shoot above pre-planned limits to 5.8 per cent.
Fiscal deficit rose 40 per cent in the first six months of the current fiscal to touch Rs 81,014 crore compared with Rs 57,746 crore in the corresponding period last year.


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text: Anything pointed normally refers to male sexuality and has this symbolism in both men's and women's dreams. Point A point is the beginning of all things, the soul or completion, the place from which everything else emanated.Point Psychologically and intellectually, to have integrated ourselves means that we have reached our own centre.This is often symbolized in dreams by a point or dot.Point To be aware of the point of decision is to come to a resolve that something has to be done. We must bring about change in one way or another and at that particular 'point' there is nothing else to…The Broken Point of a Sword A person's mother, paternal grandmother, maternal aunt or some lady equal in status to any of these will die.


text:
The parkour-meets-time-traveling adventure is the first of a series of films from the Ubisoft Motion Pictures studio
The parkour-meets-time-traveling adventure is the first of a series of films from the Ubisoft Motion Pictures studio
Yves Guillemot is nervous. We're sitting in a conference room in a Hilton towering above a Madam Tussauds and a McDonald's on a dreary day in Times Square, about a week away from the theatrical release of Assassin's Creed. Billboards and taxi ads for the film are starting to pop up around the city, and stars like Michael Fassbender and Marion Cotillard are gearing up for the red carpet later tonight. As Ubisoft's CEO, Guillemot has nurtured Assassin's Creed from an unproven intellectual property to one of the most dependable yearly franchises on the planet. No matter what happens next week, it's probably safe to say that the series will continue on, but this is still a pretty ballsy moment for one of the biggest companies in gaming.
The good news is that the Assassin's Creed movie doesn't suck. There's a long tradition of terrible video game film adaptations, from the stodgy, incomprehensible Final Fantasy feature animations, to 10-years-in-the-making failures like Warcraft, to the throwaway, sub-10 percent Rotten Tomatoes league of Dungeon Siege, Far Cry, House of the Dead, and anything else Uwe Boll has ever put his hands on. From the way Ubisoft has gone about its business – hiring names like Fassbender and Cotillard, trusting a proven director like Justin Kurzel whose previous project was a very faithful version of Macbeth – it seems clear that the goal was to create a film that could be taken seriously. I'm not sure if it will succeed with film critics, but after watching Dave Foley make endless poop jokes in Postal and Zachary Quinto sleepwalk through the utterly tedious Hitman: Agent 47, Assassin's Creed is, at the very least, not embarrassing.
Michael Fassbender plays Callum Lynch, a criminal fugitive on death row haunted by the murder of his mother. On the day of his apparent execution, he's transported to the complex of a shadowy multinational organization called Abstergo Industries. It's there he meets Sophia Rikkin (Marion Cotillard) who has the unenviable task of explaining all the core tenets of the Assassin's Creed franchise. There's an endless war between the Templars and the Assassins over a collection of biblical artifacts that hold the secret to the nature of good, evil, and humanity. Abstergo wants to find The Apple of Eden, a golden orb that contains the genetic code of free will. Lynch is a descendent of Aguilar de Nehra, an assassin during the height of the Spanish Inquisition who is believed to be the last person who knew the location of the Apple. By plugging into a futuristic machine called the Animus, Lynch can relive the bygone memories of Aguilar, and hopefully uncover some of the buried secrets of the past.
If the Assassin's Creed film was going to work, the high-concept framework of the series would need to be translated as lucidly as possible. To the credit of director Justin Kurzel, it gets pretty close. The Animus is reimagined as a fully immersive holodeck (instead of the coma-inducing MRI machine from the games.) When Lynch is plugged in, he falls into a trance and seamlessly mirrors Aguilar's actions as he relives him. It's a simple, tasteful way to translate the franchise's core conceit to a general audience. One of the themes of the Assassin's Creed series is the marriage between the modern lineage of Assassins and their forebearers, which is a lot easier to understand when we're watching Aguilar physically teach Lynch 500 years later.
Cotillard's talents are reduced to a morally-troubled, exposition-spouting scientist, and Jeremy Irons cashes the easiest check of his life as corporate profligate Alan Rikkin, a role that appears to have taken about an afternoon and a half to film. But Fassbender seems fully committed to the project. In a group interview before the red carpet, he spoke effusively about the bizarre plausibility of genetic memory, and the big (if slightly reductive) questions the series asks about human nature. In the film, he makes Callum Lynch likable, curious, and sympathetic – pretty much the exact opposite of Desmond Miles, who's still probably one of the blandest central characters to ever get a starring role in a video game franchise. When the film gets wordy, and the blurred allegiances and ideologies of the Templars and Assassins threaten to swallow any semblance of clarity, we fall back on Fassbender's reliable geniality.
This, of course, is all coming from someone with a cursory understanding of the Assassin's Creed fiction. The payoffs are predictable to anyone who's spent time with the first few games of the series, and I'm sure that knowledge allowed me to give some of the film's introductory world-building the benefit of the doubt. There's a decent chance that the audience going in without context will be immediately turned off by the grave, self-serious tone, especially when it only adds up to cheap rewards. "We must chase down the Apple of Eden and provoke heady conversations about the nature of free will, but we can only do so through lengthy medieval action sequences." You had to include the "game" part of the game somewhere, and it remains to be seen how well that will sit for audiences skeptical of the honesty of Xbox storytelling.
It's hard to know exactly what Ubisoft expects out of Assassin's Creed. This isn't quite The First Great Video Game Film, and I'm not sure if the series has rabid enough fan base to push it over the top. But no matter what happens, they've at least created something that can be critiqued like an actual movie. You will not leave Assassin's Creed wondering if game adaptations are impossible. This has real ideas, authentic characters, a sense of style, and a decent hook. It will succeed or fail in the way that all movies succeed or fail. Given the film's pedigree, that's a pretty big step forward.
"I'm anxious, but at the same time I'm very proud with the result. I'm... waiting," Guillemot says with a heavy sigh. "Tonight will be very important for me to get some more feedback from people. What they like, what they don't like, what we can improve. All those elements will be important for me."
In 2011, Ubisoft broke ground on Ubisoft Motion Pictures, a business division held under their overarching corporate brand. In the five years since, they've announced a ton of ambitious projects and high-profile partnerships. Tom Hardy is attached to a feature-length Splinter Cell film, Jessica Chastain and Jake Gyllenhaal are producing (and starring in) an adaptation of The Division, there's a Netflix Watch_Dogs series in the works, as well as a Warner Bros. backed Ghost Recon movie under the peerless auteurship of Michael Bay. Ubisoft has talked a big game, and it's clear they dream of morphing into a multimedia, investor-friendly titan like Sony. With a $200 million budget, Assassin's Creed is their first major test. You can understand why Guillemot is holding his breath.
"The most important is that gamers like it, because we're gamers first. After that, if we can show and explain the universe to more people, the more the better," says Guillemot. "Ubisoft Motion Pictures is working on so many things. The goal is to not to stop here."


text:
Chashme Buddoor
Year: 1981
Director: Sai Paranjpye
Producer: Gul Anand, Jayshree Anand-Makhija
Cast: Farooque Shaikh, Deepti Naval, Saeed Jaffrey, Rakesh Bedi, Ravi Baswani
Music: Raj Kamal
Thirty two years later, David Dhawan attempts remaking a small film that managed a big impact at the box office. Going by its original cast, Farooque Shaikh, Deepti Naval, Ravi Baswani and Rakesh Bedi, you could have labelled Chashme Buddoor an art-house film. But it was the opposite. It was a funny and quirky take of young romance. This charming little film by Sai Paranjpye was the real surprise package back in 1981. Not just because it was funny and equally insightful about young men at the time. But it was a truly innovative film. Scenes where Ravi Baswani and Rakesh Bedi take turns in explaining their fake romantic overtures with Deepti Naval are classic examples of parody. And that's a genre of filmmaking that has only recently found full steam.
Sai Paranjpye played a cameo, appearing as a client to Saeed Jaffrey's boisterous paanwala.
100 Filmfare Days: Day 54- Chashme Buddoor
by Filmfare | Tue, Jun 17, 2014
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text:
Dragon's Lair
Replay Scene
Replay scene: Pause, Pause.
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text: I was gone on vacation over new years and had no internet access. I am willing to pay 2K for a hat, or possibly up to 3K. I am looking for one to start but may want a second one for a friend. I can also trade items out over the last 6 months including pins, furniture, and costumes. Happy New Year


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I am donating a cake to our local child abuse center. I am going to put an edible image on with their logo. What kind of border do you use or do you just put it on with no border?
You can use any kind of border - piped buttercream shells or dots, or a ribbon. Anything you like
Thanks, I never did one before and I want this to be awesome. It's such a good organization.
Wow KHalstead, those are some pretty cakes! How did you get that feathered disappearing effect in the last 2 pics?
Also, what kind of airbrushing machine do you use? I am looking for something not too expensive.


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Compared to the rest of the Metro Detroit market, the Taylor submarket has lower rates, so you should have no trouble finding a great deal in this discounted region.
In the last 90 days, 12 listings have been listed, which means new availabilities might be going fast. You'll want to be prepared to tour spaces as quick as possible. About 8% of the available space in the Taylor are subleases, so you will probably have to focus your search on direct office leases. There aren't many listings below 2,000 square feet posted, so finding a space for a small business might be tough.
Even though the median size is 4,000 sqft, there are still 0 leases below 2,000 sqft. Most properties in this area are close to 1 stories. Most buildings in this market were built in 1970 and are Class C.
Not much of the real estate is used for commercial space, so it might be hard to find office space. Professional services is the dominant industry in this region. Most of the folk of Taylor work from home. Commuting between 30 and 45 minutes a day is the norm for those who opt to reside in this part of town.
Trends and status of the commercial real estate market in Taylor.
Market Report
Real time and historical data on commercial real estate listings in Taylor.


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20 Fake Images About Which Internet Has Been Making You Fool!
May 16, 2016
How incredible it is to see unusual happenings around the world while sitting in the comfort of your home. Yes, that is internet which is allowing us to see such amazing things. But do you know how much of it is real and fake? Here are 20 viral pictures which are fake, but only few people know about it.
1. It was said that this picture comes from Hurricane Sandy, but actually it has come from The Day After Tomorrow!
Source: snopes.com
2. A tourist guy Photoshopped his picture!
Source: en.wikipedia.org
3. Scotland's Fairy Pools!
Source: escapenormal.com
4. Someone Photoshopped the melon and named it Japanese Moonmelon!
Source: hoaxes.org
5. The Tree of Life which is actually situated in the Disney World Animal Kingdom, was thought by people that this mystical tree is in Asia.
Source: disneyworld.disney.go.com


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Entry requirements
A 2.1 honours degree or its equivalent in English or in a closely related subject.
Months of entry
Course content
The Victorian pathway of the MA in English Literature will:
- develop and extend students' understanding of the Victorian period through the combination of taught elements and independent study in an environment rich in Victorian resources;
- provide opportunities for students to deepen and broaden their undergraduate studies in the nineteenth century as a foundation for proceeding to a doctoral degree;
- develop students' interpretative and analytical abilities through the reading of Victorian texts;
- provide a stimulating context for study: an appropriate level of academic rigour, assessment, supervision, and feedback;
- provide an environment to encourage the exchange of ideas and the development of oral skills which will serve students in contexts beyond the university;
- support students' independent research.
Information for international students
The University of Leeds welcomes international students. English language is required (eg. IELTS). Accommodation is guaranteed for all new international students paying fees at non-EU rate.
Fees and funding
There are a number of scholarships available to both UK/EU and international students. Further information.
Qualification and course duration
Course contact details
- Name
- Postgraduate Administrator
- firstname.lastname@example.com
- Phone
- +44 (0)113 343 4738


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New capabilities granted to Efic, Australia's export finance agency, will make it easier for small- and medium-sized Australian businesses with export operations to access much needed finance.
It will be no surprise to many small business owners that access to finance to operate, to grow, or to expand is an enduring challenge.
We know from our research with small businesses across the country that many struggle to obtain finance from commercial institutions. They end up leaning on friends or family or incur substantial debts on credit cards to grow their business. In our research conducted with more than 2,000 small- to medium-sized businesses we found a third rely on family and close friends for debt finance.
Not only is this a risky way to fund a business, it also limits the growth of many otherwise highly productive businesses that have the potential to contribute significant value and jobs to the economy.
There are a number of reasons for this situation. One reason is that the funding requirements of small businesses often do not fit into the standard criteria for commercial lending, given the small amounts involved in transactions and the lack of security offered. Another issue is regulation in Australia tends to make it more attractive for banks to provide home loans over small business lending.
This results in a fundamental gap in the Australian market, where small businesses are not getting the finance they need to grow to their potential.
With new changes to Efic's lending ability announced this week by the federal government, this situation will be eased for small businesses involved in exporting or those in an export-related supply chain.
Efic will gain new flexibility to lend directly to small businesses in need of finance to fund their export operations. In particular, the changes mean we will be able to lend to small businesses for the export of all goods, not just capital goods, which will expand the pool of smaller exporters that are eligible for financial support.
Importantly, this will help reduce the substantial administrative burden and financial costs SMEs face when accessing export finance. Rather than having to deal with both a bank and Efic, which currently provides financial guarantees to banks to enable them to lend to small businesses, these enterprises will be able to deal directly with Efic, reducing the investment of time and money in the process.
These changes strengthen the work Efic has already done this year to make it easier for Australian exporters to conduct business.
We know small exporters have a need for a flexible and efficient lending process, so we have been working on reducing turnaround times on transactions through a new accelerated execution process. Last year the average turnaround time for a transaction was 180 days; we have already got this down to 105 days and are looking at reducing this further.
We have also introduced standard form documentation so applications for finance can be approved more readily, as we know smaller businesses often have an onerous administration burden and don't have the time to read and understand complicated documents.
In an effort to provide support to more small businesses, we have also reduced minimum support thresholds from $500,000 to $200,000, and will contemplate smaller transactions on a case-by-case basis.
Fundamentally, we want to make it easier for more small businesses to enter and succeed in international markets. SMEs are one of the biggest employers in the country, a valuable source of innovation and a key driver of increasing productivity, yet accessing finance can often be a big stumbling block when it comes to growing overseas.
These changes will go a significant way to help achieve this, by simplifying and streamlining the process of accessing finance that most exporters need to go through at some point of their journey.
Ultimately, providing a wider range of services to Australian small and medium exporters will enable them to pursue trade and investment opportunities in the global market place, contributing to valuable growth and job creation.
Andrew Hunter is Efic's managing director.


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Canopy Management | Ed Hellman | Texas Cooperative Extension
The grapevine canopy refers to the collective arrangement of the vine's shoots, leaves and fruit. Ideally, the canopy is characterized by medium diameter shoots with moderate-length internodes and few lateral shoots. Shoots should be spaced about 3 inches apart and have about 15 normal-size leaves. Desirable shoot length is usually considered to be about 3 to 4 feet long. When trained to an appropriate system, such a canopy will have most of its leaves well exposed to sunlight and air circulation will be good. A well-exposed canopy with adequate leaf area promotes high fruitfulness and good fruit ripening. Air circulation promotes rapid drying after rain or dew and lower humidity, which provides a less favorable environmental for fungal disease development.Vine Balance. A grapevine canopy is described as being "balanced" (or "in-balance") when it has a canopy of adequate, but not excessive, leaf area to support the intended crop load to the desired fruit ripeness. Acheiving vine balance begins with good vineyard design – appropriate vine and row spacing, and an appropriate training and trellis system. In a balanced vineyard, each vine has enough room to express its capacity for growth and fruit production. Vines can be out of balance in either direction – overly vigorous with a dense, shaded canopy, or excessively weak with inadequate, although well-exposed, leaf area.
Several methods have been developed for assessing grapevine canopies and vine balance, including pruning weights, yield/pruning weight ratio, and point-quadrant analysis. The reader is referred to the book "Sunlight into Wine" by Richard Smart and Mike Robinson for an in-depth discussion of canopy assessment and canopy management methods.
Balanced grapevines do not require much in the way of canopy management. Typically, all that is needed to maintain the desired canopy characteristics is standard pruning, perhaps some shoot thinning, and shoot positioning for some training systems. Vines that are under-vigorous should be examined for the cause of their low vigor. Possible factors are: excessive competition for water from weeds or a cover crop, inadequate irrigation (amount or timing), overcropping, or damage to the root system or trunk from disease (root rot, crown gall, Eutypa), insects (phylloxera), nematodes, or poor soil conditions (shallow soil, poor drainage). Correction of the problems, if possible, should enable vine vigor to be increased to a more desirable level. Crop levels should be kept relatively low during the vigor recovery period.
Excessively vigorous vines can be caused by over-irrigation or abundant rainfall, especially on fertile soils or in combination with high nitrogen fertilizer applications. Vine spacing that is inappropriately close will also create a vine too vigorous for its alloted space on the trellis. Improved irrigation management may improve vine balance in lower rainfall regions. Competitive cover crops in vineyard alleys can be used in higher rainfall areas to reduce soil water availability, but caution is advised to avoid excessive competition with grapevines.
Shoot positioning is a standard practice, associated with some training systems, that arranges the shoots in a manner that displays most of the leaves to sunlight. So, it is not considered a corrective action as are the canopy management practices described below. Overly vigorous vines may require such canopy management practices to create a favorable microclimate in the canopy. Common practices employed to reduce canopy crowding and shading include shoot thinning, hedging (topping), leaf removal, and the use of vigor-diversion canes.
Shoot Thinning and Suckering. Most vines will have shoot growth from buds other than those left intentionally at dormant pruning. These "non-count" buds are at the very base of spurs or canes and the shoots they produce are typically nonfruitful. Sometimes secondary shoots, in addition to the primary shoot, will grow from a "count" bud. Regardless of the source, extraneous shoots should be removed early in the season while they can be easily broken off. In some cases, thinning of weaker primary shoots should be done to help balance the canopy and improve fruit quality. Keep in mind a target spacing of about 3 inches between shoots. Avoid excessive shoot thinning, particularly in highly vigorous vineyards. Removing too many shoots under such circumstances stimulates rapid growth of the remaining shoots during the flowering period, which can reduce fruit set. Suckers arising from the base of the trunk are also removed during thinning because, if retained, they will grow up into the canopy, contributing to crowding.
Some vineyards, in areas that are at risk for hail storms, purposely retain excess buds and shoot growth as a form of "insurance" or protection from hail damage. It is believed that the higher shoot number and cluster count may increase the odds that more fruit will survive a hail storm undamaged. It is also thought that a more dense canopy provides fruit clusters with better protection from hail. This strategy, however, has the negative consequences of disrupting vine balance and increasing canopy and cluster shading.
Hedging. Hedging (topping or summer pruning) may be necessary on non-shoot-positioned training systems (i.e., high cordon) to shorten long shoots or laterals. Excessive shoot growth contributes to canopy shading and shoots that extend into the alleyways make equipment passage difficult. Hedging is also commonly practiced on vertically shoot positioned (VSP) vines when shoot growth becomes too long to be supported by the trellis wires. Hedging VSP-trained vines is usually done when the shoots have grown well beyond the top wire and are just beginning to lean over. Shoots are commonly trimmed back to about 6 to 8 inches above the top wire. Hedging can be done either with a tractor-mounted machine or manually with long knives. Be aware that vines respond to hedging; removing the shoot tip stimulates growth of lateral shoots from the nodes immediately below the cut position. This is particularly true for vigorous shoots and the regrowth of laterals may require repeated hedging.
Leaf Removal. The pulling of leaves in the fruit zone of VSP-trained vines can be done to increase fruit exposure to sunlight and improve air circulation around the clusters. It also facilitates good spray coverage on the fruit for disease control. Leaf pulling is usually done shortly after fruit-set because it is important for fruit to be exposed to sunlight early in their development so they can acclimate to high sunlight conditions. Late leaf pulling can lead to sunburning of fruit which can negatively affect fruit quality. Leaf-pulling is often done only on the east or north side (depending on row orientation) of vines to avoid direct sunlight exposure (west or south) of the fruit during the hottest part of the day.
Vigor Diversion. Another method to reduce canopy density and shading on overly vigorous vines is the use of vigor diversion canes. The practice involves retaining one or more extra or "disposable" canes at pruning time, which greatly increases the total number of buds retained per vine. These extra canes are sometimes called 'kicker' canes. The kicker canes are allowed to grow until about mid-season, by which time the extra shoot growth has had an overall vigor reduction effect on canopy shoot growth. At this time, kicker canes are cut off at their base and removed from the vineyard. The most difficult aspect of implementing vigor diversion is to find a way to hold the kicker canes away from the fruiting canopy so they don't interfere with spray penetration or shade the canopy.
Change Training System. In chronic over-vigor situations that require considerable annual effort to maintain a good canopy microclimate, often the best solution is to convert to a divided canopy training system. Canopies can be divided horizontally, as in the Geneva Double Curtain (GDC) and Lyre systems. Horizontally divided canopies require wide row spacing. Narrower row spacings are better suited for vertically divided canopy systems such as the Scott Henry System and the related Smart-Dyson Ballerina system.
The purpose of all divided canopy systems is to efficiently display a large canopy to sunlight, thus they can enable greater fruit production while still maintaining good fruit quality. Previously "over-vigorous" vines can be brought into balance by retaining more buds at pruning and displaying the additional shoot growth on a more extensive trellis system. Growers should be aware that larger canopies have greater water requirements, so plans must be made to increase irrigation rates.
Smart, R.E. and M. Robinson 1991. Sunlight into wine. Winetitles, Adelaide.
Additional Resources
Trellis Selection and Canopy Management
Wine Grape Varieties in California. University of California Agricultural and Natural Resources Publication 3419.
Wine Grape Trellis and Training Systems for the San Joaquin Valley
University of California Cooperative Extension, Tulare County


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If you have any comments, or would like your fave hymns added, feel free to contact me! Enjoy!
""What shall we say the kingdom of God is like, or what parable shall we use to describe it? It is like a mustard seed, which is the smallest seed you plant in the ground. Yet when planted, it grows and becomes the largest of all garden plants, with such big branches that the birds of the air can perch in its shade". Mark 4:30-32
If you have any comments, or would like your fave hymns added, feel free to contact me! Enjoy!
If you need some Christian dance music
to listen to, check out my Angel Elect Soundcloud page!!
Click here to buy my songs on iTunes and I have a new classical music is out now! Listen to it on Bandcamp - The Lord Our Righteousness by Angel Elect
This website was created almost 7 years ago for people who can't get to church to be able to sing hymns without having to wade through loads of Youtube videos. This site can also be used for finding the right hymns for your religious occasions; weddings, baptisms, funerals etc. Thanks to everyone that has supported the site over the years! Enjoy!


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TORONTO (AP) — James Harden had his 10th triple-double of the season to help the Houston Rockets extend their winning streak to eight games. He still sees a lot of room for improvement.
"One hundred percent," Harden said after finishing with 40 points, 11 assists and 10 rebounds in the Rockets' 129-122 victory over the Toronto Raptors on Sunday night.
"We're almost halfway through the season and we're a fairly new team still and I'll get better and my turnovers will start dropping just when I get familiar with what different defenses are doing but until then, we're rolling, guys are happy and we're making shots."
Harden also had 10 of Houston's 15 turnovers.
"I've got the ball in my hands 90 per cent of the time so it's going to happen," he said, adding that as long as the team stays under coach Mike D'Antoni's limit of 15 turnovers it will be OK.
According to Elias Sports Bureau, Harden is the first player with a 40-point triple-double and 10 or more turnovers since turnovers became official in the 1977-78 season.
Harden shot 13 of 26 from the field, finishing with 30-plus points and 10-plus assists for a league-leading 13th time this season. Montrezl Harrell had 28 points in 26 minutes off the bench on 12-of-13 shooting, with Eric Gordon adding 19 more as Houston won consecutive games in Toronto for the first time in franchise history.
Down 99-95 entering the fourth quarter, the Rockets went on a 15-0 run to take an 11-point lead. DeRozan's run of 12 consecutive points for the Raptors cut into that advantage, but Toronto could get no closer than five points.
Going on that kind of run is nothing new for the Rockets, who feed off each other, according to Trevor Ariza, who had 17 points.
"Once one shot goes in for someone, another one goes in, it brings up the team's morale and everybody's getting open looks, everybody's knocking down shots, it's fun to play that way," he said.
After compiling a 19-0 record when taking a lead into the fourth quarter this season, the Raptors have lost two straight in the last 12 minutes. They ultimately lost in overtime in Chicago on Saturday night, and followed that up with Sunday's loss, a game where they had a 13-point lead at one stage.
"It just sucks in the moment, especially two night sin a row," DeMar DeRozan said. "It happened and you just have to lock in."
DeRozan had 36 points for the Raptors, setting a career high with his 18th 30-plus-point game of the season. DeMarre Carroll tied a career high with 26 points and set a career high with six 3-pointers on 10 attempts.
The late run by Houston to take the game away from Toronto was particularly galling for coach Dwane Casey, who constantly stresses the importance of a consistent approach to defense throughout the entire game.
"They put their heads down, attacked our feet," he said. "There was a stretch where we played good basketball for 39 minutes but it is a 48-minute game and we have to extend that."


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Home > News > Stopping the nanomachine
July 31st, 2004
A nanoscale motor that runs continuously while provided with fuel, but which can be switched on and off by a molecular 'brake', has been reported by researchers at Purdue University in Indiana. Chengde Mao and co-workers have built on previous work on DNA-based molecular motors by constructing a device that operates using a similar mechanism to biological motor proteins.
* Nature
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Scientists come up with light-driven motors to power nanorobots of the future: Researchers from Russia and Ukraine propose a nanosized motor controlled by a laser with potential applications across the natural sciences and medicine November 11th, 2016
HKU chemists develop world's first light-seeking synthetic Nanorobot November 9th, 2016
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