text:
Chris Harris: Underrated and Elite
Sometimes you just aren't going to get your due. The NFL often operates around a year behind the times in terms of recognizing a player's real performance level, but in the case of Denver cornerback Chris Harris Jr., even that train has been delayed.
Despite getting a new contract from the Broncos, Harris remains arguably the league's most underrated and underappreciated player. He remains underpaid. He didn't even feature on the NFL's Top 100 list of players as voted for by his peers.
Chris Harris was No. 4 on the PFF Top 101. The list went JJ Watt (enough said?), Aaron Rodgers (the league's best quarterback), Justin Houston (sacked the QB 23 times), Chris Harris.
That's the kind of performance Harris put in during the 2014 season, but when you try and compare him to the likes of Richard Sherman, Darrelle Revis and the other perceived best corners in football you're met with significant resistance. You'll even find people telling you Harris isn't even the top corner on his own team, that Aqib Talib takes that role. Here's where we run into a problem that needs to be looked at.
The Role Debate
The concept of No. 1, No. 2, etc. is largely outdated in today's NFL. Calvin Johnson may be a clear No. 1 in Detroit, but who is the Patriots' No. 1 receiver? Or the Seahawks'? Those two teams contested the Super Bowl. Today's NFL is about matchups, and often times your 'best' player at receiver or corner isn't the guy you want lining up against the corresponding 'best' player.
When the Jets had Revis and Cromartie the first time around, Cromartie would regularly cover the 'No. 1' receiver while Revis tracked another all across the field. The Jets didn't do this because they thought Cromartie was better than Revis, they did it because the No. 1 receiver was typically the vertical threat (where Cromartie is best) while another receiver was more dangerous underneath and isolated in space – where Revis could best neutralize him.
The Broncos take this attitude with Harris and Talib. They don't just put their best cover guy on the 'best' receiver they face, they look to see what their best matchup is.
The idea that Aqib Talib draws the harder assignments for the Broncos is one I'm not buying. If you look through Denver's season you'll find Harris covering T.Y. Hilton, Keenan Allen, Jarvis Landry, all arguably the best receiver on their teams.
The Broncos did use Talib to track A.J. Green, but I'm not sold on that being a case of Denver believing Talib is better than Harris, more that they just liked his length better to matchup to that of Green.
What is worth noting though when looking through Harris' season is the relative dearth of really elite quarterbacks and receivers on his schedule. He certainly faced a few top-level passers and receivers, but not many. That's hardly surprising coming from a division where you're facing Oakland and Kansas City four times over the season, but it's worth putting out there as a minor note on his incredible season.
In the pantheon of top corners across the NFL most of the top guys do something above and beyond the regular cookie cutter role of starting corner. Richard Sherman doesn't track receivers often, but he is left completely on an island regularly as the Seahawks lean coverage away from him. Something like this:
Patrick Peterson, Joe Haden and Darrelle Revis regularly track or have tracked top receivers all across the field.
Vontae Davis is the interesting exception among top corners because he does neither, and in fact he usually just plays right cornerback, the 'easier' side because it is the side traditionally targeted less often by right handed quarterbacks.
Harris may not track the top receiver all the time and he doesn't get left on the kind of island that Sherman does within the defensive scheme, but what Harris brings to the table is versatility and consistency.
Across the Board
He can play left corner, right corner, slot corner, in man coverage, zone coverage, or against the run, and do it all to an extremely high level, consistently, without giving anything big away. That's an easy thing to overlook when we get caught up in who you're covering and how tough your scheme is to play in. Those things are important, but they're like the frosting on top of a cake – definitely worth considering, but without the cake itself, you've just got a bowl of goop.
Harris does the basics of cornerback play as well as anybody in football, and that's far more important than who he is doing it against. If you find somebody playing at the same high level but doing it against tougher opposition or with a far tougher role in the defensive scheme, than I think you can make the argument that he wins the tie breaker between the two, but the role isn't enough to overcome the gulf in play between Harris and some of the other perceived top corners.
Harris has given up three touchdowns in three years, none in 2014. Joe Haden has surrendered 16 touchdowns over that same span. Patrick Peterson 21. Both players have arguably a tougher role, but it doesn't explain those numbers. Yes, Peterson has been battling injuries and illness, but even healthy he has never put together the kind of season Harris just has.
Let's just scan the numbers:
• Allowed 51.7% completion percentage from his 89 targets
• Was beaten for just 7.7 yards per reception (best mark in NFL)
• Allowed 0 touchdowns all year.
• The longest reception he gave up all year was 22 yards.
• Allowed a passer rating into his coverage of just 47.8
• Posted a PFF coverage grade of +27.2, best mark we have seen outside of Revis in 2009.
The Matter of Size
Part of the reason I think some are reluctant to pass Harris as a 'No. 1' corner is because of his size. If Sherman is the new poster-boy for big, long cornerbacks, Harris looks like a small slot corner by comparison. The NFL is back looking for corners that are over six foot tall to combat these huge wide outs that have come along down the years. Harris is just 5-foot-10 and 190 pounds. Of course, Revis is only 5-foot-11 and 198, so I'm going to say that the difference in an inch in height and eight pounds in weight isn't the difference between shutdown and non-viable on the outside.
In fact, when you watch the tape, Harris isn't struggling for his size, and often wins out against far bigger receivers because he's in great position and playing with great technique.
Take a look at this play against the Cardinals and Michael Floyd. On this play Harris is going up against a 6-foot-3, 225-pound receiver, giving away 35 pounds in weight and a whole lot of length, but it doesn't matter because he never loses prime position on the pass and is there to swat it away comfortably.
That's not an isolated, rare play. Harris had 10 passes defensed this year along with his three interceptions. Given he was only targeted 89 times that's almost 15% of the balls sent his way getting batted away or picked off.
What I particularly love seeing are corners make plays against bubble screens. All too often people think about coverage in terms of down the field or in the intermediate level of the defense, but games can be won and lost a few yards from the line of scrimmage. Think of the Patriots systematically killing the Seahawks with a thousand papercuts in the Super Bowl, picking up short gain after short gain with their quick, small receivers too much for Seattle's corners to handle.
This is coverage too, though all too often people aren't interested in including it.
Here Harris quickly reads a wide receiver screen to Anquan Boldin and beats the block of Vernon Davis to marmalize Bolden as soon as he has caught the ball for a loss on the play. It's a nice play, and all too often that corner is content with just setting the edge and being a non-factor on the play while getting blocked. Harris makes an impact on these plays more than many corners, and it's just another facet of his game that he excels in.
So what is the bottom line in all of this?
If you looked at cornerback play in the abstract, Chris Harris is playing the best of anybody in the NFL right now. He was the league's best cover guy in 2014, and did it coming off an ACL injury suffered in the playoffs the year before. That's staggering. He's among the league's more versatile corners, and has no real holes in his game.
The only slight you can throw his way is that there are corners in the league with tougher assignments than he typically gets. Other corners are left on more of an island as the coverage is rolled away from them, other corners are used to track the best opposing receiver with more regularity, and other corners faced a tougher slate of passing combinations than Harris did in 2014.
None of those are Harris's fault however, and the bottom line is you can only cover what lines up in front of you. Down to down he did that better than anybody. As for how much value the rest of those factors have for cornerbacks – that is the great intangible and unanswered question. Maybe they are enough for me to rank Sherman alongside Harris or even in front of him, but probably not anybody else. Acknowledge those big-picture factors all you want, but don't use them to dismiss the elite play we've seen from Harris, because they just don't have the juice to get that done.
We are looking at one of the league's best cornerbacks – get used to it.
Follow Sam on Twitter: @PFF_Sam


text:
- Location:
- Taiwan
- Price:
- Manufacturer:
- Vector generator sets
- Model:
- Condition:
- used
- Status:
- Discontinued
- Division:
- Test and Measurement
- Modulation:
- AM, FM, Pulse, Phase, FSK, Vector, Wideband AM, I/Q, Analog, Digital, ASK, MSK, PSK, QAM
- Launch date:
- Jul-2002
- Freq. resolution:
- 100.0 mHz
- R&s smiq06b opts:
- w/opt.B1.B11.B20.B21.B50.B60.K19
- Frequency range max:
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- Frequency range min:
- 300.0 kHz
- Category:
- Generator Sets in Taiwan
- Subcategory:
- Signal
- Subcategory 2:
- Generators
R&S SMIQ06B Opts: w/opt.B1.B11.B20.B21.B50.B60.K19
Signal Generator 300kHZ-6.4GHz w/opt.B1.B11.B20.B21.B50.B60.K19
The B series of Signal Generator Family R&S
for analog and digital modulation from Rohde & Schwarz offers solutions for today and tomorrow. In particular, this series takes into account future developments in the field of 3rd-generation digital mobile radio.
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subset: commoncrawl


text: Simplicity 5126; ca. 1963; Misses' and Women's Suit, Scarf and Blouse in Half-Sizes: Blouse with high round neckline, short set-in sleeves, has center back button closing, is dart fitted. Slim skirt dart fitted at waistline has left side zipper closing and pleat at bottom of center back seam. Collarless jacket has rounded neckline and lower edges, set-in below elbow length sleeves, shoulder darts, patch pockets. V. 1 has contrasting braid trim. V. 2 has self fabric scarf, top-stitching trim. Jacket is lined.


text:
What's with all the anonymous questions and answers. What's everyone got to HIDE ? Hmmm ?
I've met a lot of really nice people on here.
I was just curious.
Most Helpful Girl
It is a bit silly seeing as we're all more or less anonymous to start with, but sometimes people just don't want certain things associated with them, I guess. Sometimes answering or asking as anonymous allows you to feel like you can speak a little more freely.11|00|0
(LOL) That's kind of a hangup, isn't it ? What ever happened to just being straight forward. ?
Hey man, I don't know. We're not all that strong/confident.
Well, YOU are. I appreciate that.


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CHARLOTTESVILLE, Va. (AP) -- Joe Harris had plenty of company in his misery after a brutal offensive performance for Virginia.
Averaging 12 1-2 points per game as the Cavaliers' scoring leader, he managed just two in a 48-38 loss to No. 8 Wisconsin on Wednesday night.
Harris missed nine of 10 shots. The rest of the starting five? They missed 15 of 21.
''We obviously had a horrendous offensive night.'' Harris said.
The Cavaliers' 23.4 percent (11 of 47) shooting percentage was the fourth-lowest in school history, and the 38 points was the second-fewest for a Virginia team in the shot clock era, since 1986.
Wisconsin limited Virginia to its lowest point total since a 77-36 loss to Connecticut on Nov. 29, 1993.
It figured to make Thursday's film session eye-opening.
''We're going to learn how poorly we played offensively and how out of sync and out of character we got,'' Harris said. ''We're all going to be shocked.''
The Cavaliers (7-2) had won six in a row, helped by unselfish play and ball movement that led to good shots.
''I don't know what the heck was going on tonight. The mindset wasn't there,'' Harris said.
The Badgers, led by Josh Gasser's 11 points, won despite shooting just 29 percent, making 15 of 52 shots, and gave coach Bo Ryan his 300th victory with the Badgers.
The Badgers (9-0) extended their best start since opening 11-0 in 1993-94. They limited Virginia to just three baskets in a stretch of nearly 22 minutes spanning the halves.
Wisconsin avenged a 60-54 loss to the Cavaliers in Madison, Wis., in last year's ACC/Big Ten Challenge. Harris scored 22 points in that win.
''I think Wisconsin did to us, in a way, what we did to them last year,'' Virginia coach Tony Bennett said. ''Last year we outlasted them a little bit. When it mattered, they were sounder, more poised and made plays.''
London Perrantes led Virginia with eight points. The Cavaliers tried to make a run by speeding up the slow pace midway through the second half, but came up well short.
Malcolm Brogdon was 1 for 7 and Anthony Gill went 1 for 3.
Harris was called for a charge after a steal with Virginia trailing 43-36, and after Gasser made a free throw for Wisconsin, the Cavaliers missed three shots from within 3 feet on their next trip.
Wisconsin used a 10-5 run over the last 7 minutes of the first half to lead 25-20 at the break.
The Badgers also scored the first five points of the second half as Virginia's string of missed shots stretched to 13. After Dario Atkins hit a free throw for the Cavaliers 4:23 into the second half, a putback by Frank Kaminsky and a drive by Traevon Jackson pushed Wisconsin's lead to 34-21, and Virginia took a timeout.
The Cavaliers scored seven straight points, energizing the crowd as they closed to 37-30 on Akil Mitchell's free throw with 8:08 to play, but Ben Brust scored on a drive and Gasser's 3-pointer made it 42-30.
The Cavaliers got to 44-38 with 1:40 left, but never scored again.
Follow Hank on twitter at: https://twitter.com/hankkurzjr


text: The 15 Worst Comics of the Decade, Part 2 by Laura Hudson December 18, 2009 Prev ComicsAlliance's 15 Worst Comics of the Decade continues! Spider-Man: Sins Past (2004-2005) What did Spider-Man fans ever do to J. Michael Stracynski, Mike Deodato Jr... Read More Filed Under: image united, ImageUnited, mark trail, MarkTrail, one more day, OneMoreDay, sins past, SinsPast, ultimates 3, Ultimates3, ultimatum, worst comics of the decade, WorstComicsOfTheDecade Category: News EMAIL SHARE TWEET Pin it! REDDIT Share on Tumblr!


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Merge 2 forms into oneAsked by paulb808 on January 18, 2013 at 03:22 PM
I would like to combine two dfferent forms so that is one form so all the date is stored as one form. Is there a way without recreating fiels of secon form on the first form.
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Product Details
|Outer material
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|Knit jumpers
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|Product code
- Boat neck
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- Pre-distressed
- Long cut
- Loosely knitted sleeves
The Heartless ´Tokyo Top´ Knit Sweater has a really striking pre-distressed look. It has various different pre-distressed designs, which cleverly make the design look casual. The fashionable striped design adds to this casual look. The sweater has open shoulders and a boat neckline. Thanks to its long shape, the sweater can even be worn as a dress.
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Written on:
This is an amazing jumper/dress hybrid!
It's really eye-catching and looks stunning on! It looks equally good as a jumper over jeans or leggings, or as a form fitting dress. The bare shoulders are very sexy and I love the thumb holes at the bottom of the sleeves - very cosy!
I also have this same top in red and black and on that occasion I bought a size down from my usual size which turned out to an absolute perfect fit. I bought this one in my usual size - it's slightly large (but not excessively so). I'd definitely recommend ordering the size down though if you prefer your dresses/jumper more fitted/clingy.
This is one of my favourite items of clothing!!
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Sizing and quality good
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Really like this jumper dress, good fit and the love the teal colour of the stripes.
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Payment field not calculating the total withour enabling special pricing.Asked by ekephart on July 08, 2016 at 10:48 AM
One of the problems I'm having with making the quantity a new option is that it's not calculating the total without me enabling the special pricing. Our customers can purchase anywhere from 10 to 100+ magazines. I certainly list out all the possible options and the prices, but if we make a slight change to our pricing in a month, it's going to be a pain to redo all the pricing by hand.
Any suggestions?
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Thanks for your help! I hope I can explain this clearly!
We have several magazines that customers can choose from and they can purchase as many copies of those as they'd like, but they must order a minimum of 10 copies. (for their classroom & students).
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text: Events Barack Obama runs for the office of President of the United States against Maine senator James Edward Stevenson and wins. Retrieved from "http://scratchpad.wikia.com/wiki/2012_(Frontier)?oldid=392454" Ad blocker interference detected! Wikia is a free-to-use site that makes money from advertising. We have a modified experience for viewers using ad blockers Wikia is not accessible if you've made further modifications. Remove the custom ad blocker rule(s) and the page will load as expected.


text:
Marathon Boat Yard is your full service Marine Center
Your boat will stay clean and safe in our paved and lighted yard with full perimeter fencing and electronic gates. Our brand new concrete west dock offers the very best quality fendering systems, fresh water and 50 or 30 amp electric service. Electric service can also be provided while your boat is out of the water being serviced to keep freezers, refrigerators and battery chargers running.
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Established 1978


text:
Do you stict to sad music pieces most of the time? Do you seek sadness in music? I like feeling sad listening to sad music pieces. This is what I seek in music most of the time. Sadness.
Most Helpful Girl
U hav depression dude... Even if da music is dubstep crazy BEAT DROPON like a baws?00|00|0
Listen to this
Ew Jesus no, just be positive sir 😊
Most Helpful Guy
My temperament is melancholic-choleric, but I wouldn't consider myself to be "melancholy", as in always listening to sad music and stuff.00|00|0
Sad music makes me wanna drink alcohol but I stop myself from drinking. I try to enjoy melancholy without drinking.


text:
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(vi) share them, in particular with his friends via social networks such as Facebook or with external experts and professionals, etc.;
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It is the User's responsibility to take the necessary measures to back up his Contents and Elements when this possibility is offered to him. If the User does not back up the aforementioned Contents and Elements, they will automatically be deleted in the event of the dissolution of these General Conditions or the closing of the User's account.
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(ii) all Users and Internet users visiting the Website and/or accessing the Service a free, non-exclusive and personal, non-transferable, non-sublicensable, and worldwide license for the duration of the intellectual property rights, to use, reproduce, and represent, and display the Content on the Website, on all other media and via all networks, by all presently known and unknown means, in every format, within the framework of a strictly personal and noncommercial usage.
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Hence the User is and remains solely responsible for the Content published or circulated via the Service, and for its compliance with the applicable laws and regulations, with 3DVIA being in no way responsible for these Contents. In this respect, the User is informed that his Content is not verified or controlled prior to being put online by 3DVIA, whose intervention is limited to hosting this Content via the Service.
Consequently, 3DVIA does not guarantee the Content and is in no way responsible for it, subject to legal provisions which as host of the Contents apply to the company directly. 3DVIA thus reserves the right to delete any manifestly unlawful Content published via the Service upon written notification by a third party and requisition or decree by administrative or legal authorities, or in the framework of any of its legal obligations, without notice.
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(f) accessing, using, or trying to use the account, username and/or password or another User, or passing for another User in any way whatsoever;
(g) usurping the identity of another person, User, or employee or representative of 3DVIA, insinuating that his declarations and comments are supported or approved by 3DVIA, and/or using the Service to send or transmit any Content which may cause damage to or denigrate 3DVIA in any way whatsoever;
(h) performing the following operations while accessing and using the Service: requesting, or in any way attempting to collect, obtain, or store personal information, passwords, account information, or any other type of information relating to other Users;
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(q) using all or part of the Elements the User is entitled to use in accordance with these General Conditions in an illegal manner, as stipulated by article 7 herein.
The Service (in which the Software is included), Website, and each of the Elements it consists of are the sole property of 3DVIA or its licensors. In particular, the Service (in which the Software is included), Website, and each of the Elements are protected by French and International legislation relating to intellectual property rights (in particular, copyright and trademark rights).
Subject to compliance with the stipulations of these General Conditions, in particular the limitations provided by article 8 herein, the User is only authorized to access and use the Service for personal and noncommercial purposes and his own needs (unless otherwise stipulated by the Special Conditions). The right of access and use thus granted is limited, non-exclusive, non-transferable, and non-sublicensable, and only allows the User to display all or part of the Elements and/or Service in the framework of this access and use, for the entire duration of the use of or subscription to the Service.
As an exception to the aforementioned, the User is authorized to visualize the Elements and, if need be, download, reproduce, and represent all or part of certain Elements made specifically by 3DVIA for the User (in particular static Elements), for strictly private and noncommercial purposes.
Consequently, 3DVIA grants the User a free, non-exclusive, non-assignable, non-transferable, non-sublicensable, worldwide Elements license in order to represent and display (and reproduce, where necessary) the Elements for personal and noncommercial purposes and for his own needs (unless otherwise stipulated by the Special Conditions):
(i) via the Service and for the entire duration of the subscription to the Service, when the Elements are not able to be backed up on an external device by the User;
(ii) on all media and/or via all networks and for the entire duration of the intellectual property rights, when the Elements are not able to be backed up on an external device by the User.
All other usage is consequently explicitly reserved. In particular, the User is forbidden, except within the limits authorized by applicable law, to:
(a) access and/or reproduce and/or represent and/or use all or part of any of the Elements and/or Service in any other way and/or for any other purpose than those explicitly provided by these General Conditions;
(b) to disassemble, decompile, perform reverse engineering on all or part of any of the Elements and/or Service incorporating software or attempt to discover in any manner its source code. The Service may not be used with other software or another application, and 3DVIA will not provide the User with the information required to operate the software application accessible via the Service with other, independently-created software;
(c) adapt, translate, modify, or create products or works derived from all or part of any of the Elements and/or Service;
(d) circulate and/or represent and/or publish all or part of any of the Elements and/or Service;
(e) rent, sell, lease, sublicense, commercialize, grant, or transfer all or any of his rights relating to all or part of any of the Elements and/or Service, or allow all or part of any of the Elements and/or Service to be copied;
(f) perform an act prohibited by article 7 of these General Conditions;
(g) and more generally, to perform any act or behavior not explicitly permitted in the framework of these General Conditions or susceptible to violate the intellectual property rights of 3DVIA;
The User is thus informed that the right of use of the Service is only granted to enable his use during the entire duration of the use of and/or subscription to the Service and in a way that is in strict compliance with the General Conditions, and that consequently both will automatically cease with the dissolution of the General Conditions and/or closing of the User's account. The right of use of the Service and these General Conditions does not confer to the User any proprietary right on all or part of any of the Elements and/or Service. All rights not explicitly granted by these Conditions are explicitly reserved by 3DVIA or third parties.
Each of the Elements and/or Service and any authorized copy of any of the Elements made by the User are and remain the exclusive intellectual property of 3DVIA and its licensors and suppliers.
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The User agrees under these Conditions not to remove and/or delete the references relating to copyright and to any other proprietary right appearing on the Service, Software, Website, and/or Elements.
Unless otherwise stipulated by the Special Conditions, 3DVIA is not responsible for providing technical assistance, maintenance, or any other help in the use of the Service.
In any event, 3DVIA explicitly reserves the right to fix any error which might affect the Service or Software.
The 3DVIA brands, Dassault Systems, and its partners, as well as the logos affixed to the Service and/or the Website, are registered trademarks. These General Conditions do not grant the User any trademark rights, of which 3DVIA and its partners are the owners.
The User may send any suggestion or comment concerning the Service to 3DVIA by writing an e-mail to 3DVIA at firstname.lastname@example.com, or by publishing a comment via the Service.
The User explicitly recognizes that none of the communications or publications made in this context are covered by any obligation of confidentiality, and consequently authorizes 3DVIA to reuse suggestions and comments he may convey to 3DVIA without 3DVIA being in any way obligated to provide compensation.
In any event, 3DVIA reserves the right to use User comments or suggestions or not.
Unless otherwise stipulated by the Special Conditions, the Service (including related information) is provided "as is," and "as available."
In particular, 3DVIA, its licensors, and its suppliers do not and cannot guarantee the Service will function at all times, reliably, or exhaustively, or that it will be free from errors. Furthermore, the Service has not been tested in all of the situations in which it is susceptible to be used.
The User consequently recognizes that although the Service is designed to help the User with the conception and rearranging of interior and exterior spaces, it is not a substitute for the designs, analyses, estimations, or tests carried out by specialized experts. The User is responsible for determining how best to use the Service to obtain the desired results. 3DVIA, its licensors, and its suppliers can in no way guarantee the performance or results obtained by using the Service.
Subject to guarantees which cannot be excluded or limited by applicable law, 3DVIA, its licensors, and its suppliers do not grant any kind of warranty whatsoever.
The User declares he has a good understanding of the Internet and accepts its characteristics and limitations, in particular its technical performance and response time when consulting, requesting, transferring, or downloading information, and recognizes it is his responsibility to take every necessary measure in order to protect his own data and/or software from contamination by possible viruses circulating within exchanged data.
The User is responsible for Contents published via the Service and for damages 3DVIA or third parties may suffer as a result of his Contents or abusive use of the Service. In the event of a third-party claim against 3DVIA, the User agrees to defend the said claim at his own cost, to release 3DVIA of all liability, and to reimburse 3DVIA any sums 3DVIA is required to pay as part of the said claim (including lawyers' fees and expenses). 3DVIA will inform the User in the event of any such claims.
Subject to applicable mandatory legal provisions, and unless otherwise stipulated by the Special Conditions, in no way will 3DVIA, its licensors, or its suppliers be held responsible for direct or indirect damages the User may suffer as a result of the use or non-use of the Service, nor for any lost data, lost revenue, lost profits, lost anticipated savings, lost clientele, harm to his image or reputation, financial loss, or any consequential or immaterial damages.
3DVIA cannot be held liable in the event where the non-execution of its obligations is attributable to unforeseeable circumstances or force majeure such as defined by the Civil Code and specified by jurisprudence.
Similarly, 3DVIA cannot be held responsible for any drawbacks, obstacles, or damages inherent to the use of an Internet network, in particular service interruptions, external intrusions, or the presence of computer viruses, situations which are regarded as force majeure.
Unless otherwise stipulated by the Special Conditions, these General Conditions are applicable for an indefinite period.
Unless otherwise stipulated by the Special Conditions, the User may cancel these General Conditions at any time and without notice via the Service by closing his account. The User is informed that by canceling these General Conditions and closing his account, he risks losing completely and definitively the Contents and Elements stored and/or published via the Service, as well as the data entered in his User account via the Service, which he will not be able to recover, this feature not being available. It is thus the User's responsibility to take the necessary measures to back up his Contents and Elements locally before publication, when this option is available.
If the User closes his User account, he may subscribe to and use the Service again, but the User may not recover the Contents, Elements, and other data previously loaded and generated via the Service.
In the event of negligence by the User regarding any of his obligations as defined by these General Conditions, 3DVIA will send the User a notification by e-mail summoning him to resolve this negligence. If no action is taken within eight (8) business days of the notification, or if the User commits the negligence again during this time, 3DVIA reserves the right to immediately and legitimately cancel these General Conditions by way of an e-mail notification to the User, without prejudice to any other rights or recourse. The User is informed that in the event of dissolution of these General Conditions by 3DVIA, his account will be closed and he risks losing completely and definitively the Contents and Elements stored and/or published via the Service and the data entered in his User account via the Service, which he may not recover, this function not being available. It is thus the User's responsibility to take the necessary measures to back up his Contents and Elements locally before publication, when this option is available.
In accordance with article 14 herein, the User will no longer be able to access the Service in the event of cancellation by the User or by 3DVIA.
All assignments of rights to 3DVIA, warranty limitations, and liability limitations provided by these General Conditions will remain in effect after the cancellation of these General Conditions.
The stipulations set out in article 14 are subject to any stipulations to the contrary in the Special Conditions.
Computerized records and digital files, conserved in reasonably secure and reliable conditions in 3DVIA's computer systems, are considered evidence of the relationship and communication arising between 3DVIA and the User in the context of the use of the Service.
It is consequently agreed that 3DVIA may claim, in particular for the purposes of proving any act, fact, or omission, any element that is digital or computerized in nature, or established, received, or directly or indirectly conserved by 3DVIA, in particular in its computer systems.
These elements thus constitute evidence and, if they are produced as means of evidence by 3DVIA in any proceedings, will be admissible, valid, and opposable between the parties in the same way, in the same conditions, and with the same probative force as any document which may be established, received, or conserved in writing.
3DVIA may modify these General Conditions at any time. These modifications will be visible immediately as part of the Service, in particular on the Website by way of information on the Website's homepage or upon connecting to the Service.
If he is registered, the User will also be asked to accept the modified General Conditions again. If the User does not accept the changes made to these General Conditions, he may cancel these General Conditions under the conditions provided by article 14.
Subject to the stipulations outlined by the Special Conditions, these General Conditions constitute the totality of the agreement between 3DVIA and the User, in view of its purpose. They cancel and replace all previously-occurring agreements, communication, propositions, and declarations between 3DVIA and the User. They prevail over all contradictory or additional stipulations appearing on any estimate, order, acknowledgment of receipt, or subsequent communication.
If a stipulation of these General Conditions should be considered invalid or declared as such under an applicable law or regulation or following a definitive ruling by a competent jurisdiction, the other stipulations will retain their full force and effect.
None of the parties may grant, transfer, or cede in any other way all or part of these General Conditions, whether for reward or free of charge, without prior written permission from the other party. As an exception to the aforementioned, 3DVIA may freely grant, transfer, or cede in any other way all or part of these General Conditions within the framework of a reorganization (this includes any merger, takeover, universal transmission of common property, sale, transfer or partial or total transfer of assets, and change in direct or indirect control).
The User agrees to not directly or indirectly export or re-export, or provide any natural or legal person all or part of the Service, including the Software and/or technical data pertaining to it, for exportation or re-exportation purposes, without first complying with the regulations relating to the control of applicable exportations inside the territory to which the User or Service (including the Software) is subjected, including, in particular, the obtainment of any exportation permissions from the United States Department of Commerce, the Canadian Export Control – Foreign Affairs and International Commerce Division, or any other competent governmental authority.
These General Conditions are governed by French law, excluding its conflict of law rules.
As an exception to the aforementioned, all litigation relating to the validity, interpretation, execution, or dissolution of these General Conditions between 3DVIA and a consumer User falls under the jurisdiction of competent tribunals in accordance with the applicable law.


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Mooer Ultra Drive mkII Distortion$ 72.00 $ 90.00
Ludlow Guitars is discontinuing carrying this select brand. And will no longer be Authorized Dealers of these companies. Some of the pedals have been demoed and may show signs of wear. However, all pedals are still under manufactures warranty and are technically brand new with reduced prices. If you want to know the exact condition on a specific pedal, please contact us. Once we sell out of stock that's it, there will be no more. So act now before it's too late.
All Sales are FinalThe Mooer Ultra Drive MKII Micro Distortion is an advanced distortion in an extremely pedal board-friendly design. It has three modes: Original, Extra and Ultra. Original Mode provides a strong hard-edged distortion with a low noise level. Extra Mode gives you a high gain sound that aligns more with a tube-like distortion. Ultra Mode delivers fatter overdrive tone with a wider distortion range. It's full metal casing makes it durable and road ready and like most great effects pedals it has true bypass.


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Christmas Rum Pie
Be the first to review
READY IN: 30mins
Recipe by kwlabear
This is my absolute favorite christmas dessert! It's sort of like an eggnog pie. My mom makes it every year. I've adjusted the instructions to make it easier.
See Discussion:
Ingredients Nutrition
- 1 tablespoon unflavored gelatin
- 1⁄4 cup cold water
- 1⁄2 cup sugar
- 1⁄2 teaspoon salt
- 1 1⁄4 cups milk
- 3 egg yolks
- 2 teaspoons rum extract
- 1 cup cream, whipped or 1 cup Cool Whip
- 3 egg whites
- 1⁄2 cup sugar
- 1⁄4 teaspoon cream of tartar
- 2 pre baked pie crusts
Directions See How It's Made
- Dissolve gelatin in cold water.
- Cook Sugar, salt and milk over low heat just until it coats a spoon. Mixture will be thin.
- Pour over slightly beaten egg yolk, add gelatin, mix well and cool by placing in cold water bath.
- While the mixture is cooling, beat egg whites with sugar and cream of tartar until stiff.
- After mixture has cooled, add rum extract, cool whip and beaten egg whites, stirring thoroughly. Pour into prebaked pie shells.
- Sprinkle with nutmeg and refrigerate.


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This is the Cyprus that the local people know and love – small, family-run hotels with home-cooked food, forest trails, empty beaches, spectacular sunsets, and cool, quiet nights with pitch-black skies.
From Larnaca airport, we whizzed westwards on a dual carriageway, past the sprawling resort of Lemesos, to the quiet village of Lysos, on the edge of the Pafos forest.
Andreas Demetriou discovered Lysos and its surrounding hills half a century ago when he married a girl from the village, and for years he dreamt of building a hotel here. While he waited for planning permission, he often slept under an ancient oak.
Alas, days before the licence was granted, Andreas died. His seven surviving children pledged to fulfil his dream and, three years ago, the Paradisos Hills Hotel opened, built in traditional stone, according to Andreas's wishes, beside his favourite oak tree. Two of his daughters, Niki and Sulla, run the hotel, but on Sundays, when Cypriots come from far and wide to enjoy their famous 30-course lunch, Andreas's other children, grandchildren and great-grandchildren lend a hand.
We were welcomed as if we were part of the family. Niki produced wonderful Levantine meals – Cyprus plates of haloumi cheese, dolmades, lountza smoked ham, and skordalia potato. Next came souflakia, kleftiko or syngrida, and then kataifi and other syrup-covered pastries.
On our first day, we drove through the ancient town of Polis to the wilderness of the Akamas peninsula – the unspoilt western tip of Cyprus. From the car park, we followed a coachload of visitors to the Baths of Aphrodite, where Cyprus's most famous goddess met her lover, Adonis. The grotto is pretty, with a waterfall and an ancient fig tree.
Named after Akamantas, an Athenian warrior who came here after the Trojan War, the peninsula is breathtaking, with its cliffs, gorges, woods, maquis scrub, shingle coves and tiny islands. We followed the three-hour Aphrodite nature trail – a sandy track with dazzling views through clumps of juniper and wild olive to the blue-green sea far below. Large agamid lizards cocked their heads as they strutted by. Long, blackened pods dangled from carob trees. We tried chewing them for their chocolatey taste.
This dramatic peninsula is soon to be designated a national park, with, I hope, a ban on 4x4s and motorbikes – the only blot on an otherwise idyllic landscape.
Five minutes' drive brought us to the shady taverna on Aphrodite beach, and here we lunched on kalamari, whitebait, crabs, hummus and wild olives, as the sea lapped at our feet. On quiet beaches such as this one, away from the neon lights of resorts, green and loggerhead turtles live and lay their eggs.
The next day, we drove inland. The Pafos forest contains some of the most spectacular scenery in Cyprus. We looked for wild mouflons – elusive, curly-horned mountain sheep endemic to Cyprus – but spotted them only in in a wooded enclosure in captivity.
E4, the long-distance European footpath, winds through Cyprus, starting with the Akamas peninsula, and we joined it again in Cedar Valley, a lush area with the island's own species of cedar. We were greeted by a family having a picnic under the trees – six children, three black-clad women, four mustachioed men, and a chain-smoking priest. Leaving them to their tomatoes, haloumi and bread, we followed a stony trail uphill for about an hour. The path was carpeted with russet pine needles and dotted with clumps of wild cyclamen. At the top of Tripylos mountain, we were rewarded with awe-inspiring views.
Driving on, we entered a stark landscape of grey-green and auburn, with pale pines on bone-dry hillsides of red earth. We reached Pomos at lunchtime, and, settling at a breezy table at the Kannalli restaurant, we tucked into its famous fish mezedes – a daunting menu of mussels, octopus, cuttlefish, giant shrimps, squid, crabs, picarel and sea bream.
After three days, we moved on to Kakopetria, in the Troodos mountains. The Linos Inn consists of imaginatively restored medieval houses, some with four-poster beds or log fires. Our room resembled a cave, with thick walls of dark stone, mud and straw and one tiny window – authentically medieval apart from the bathroom, air-conditioning, lights, TV, radio and kettle.
This is a region renowned for its almonds, quinces, walnuts, hazelnuts and cherries. The Troodos mountain range is also famous for its churches – tiny Orthodox chapels built between the 11th and 16th centuries, decorated with Byzantine frescoes. Ten churches are UNESCO World Heritage Sites, and we visited several, phoning caretakers to unlock doors and shine their torches at the crumbling but still vibrant
A week of walking, eating, drinking and gazing at unspoilt landscapes had worked its magic. We had bathed on beaches where turtles lay and hatch their eggs. We had walked through hills where mouflons live, undisturbed. We hardly noticed the acres of concrete as we drove back to the airport.
Getting there
Sunvil Holidays (020 8758 4758 www.sunvil.co.uk) offers tailor-made holidays to Cyprus. Prices vary with the season: a week in May next year starts at £768 per person, based on two sharing, including flights with Cyprus Airways, car hire, four nights at Paradisos Hills Hotel and three nights at Linos Inn.


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I personally don't care what people think of me. Like i said to my classmates i would hit a woman if she tried to hurt me and they all went mad. Like what is the point? i try to be as nice as i can to people, but when i don't like something about someone i say it to them. How do you deal with a person like me?
Most Helpful Guy
a good way to go. people nowdays are pussies and can't deal with other opinions. this is their problem, not yours. if woman attacks me I will defend myself no question.00|00|0
How do you respond to white knights and radical feminists who will try to put all the blame on you tough?
I will be most likely to don't give a fuck.


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As part of our group projects on Natural Disasters, each group is working on a social target. We decide our social target at the start of each topic session. Some of the targets include positivity, better listening, better time management, staying focussed, tidy up on time, everyone knowing what to do and getting everything done. At the end of each session we evaluate how well we got on with our social target.
By the ICT Club


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Caracole Upholstery Where's Ken Accent Chair
$ 739.00
Every room needs at least one artful piece that will invoke emotion and create conversation. This small scale chair epitomizes the essence of our Caracole upholstery philosophy. It's quirky and fun yet offers a nod to design from another era. It's an essential piece to mix with antiques or add charm to a contemporary home. Finished with a flirty mix of materials, it artfully combines an Acrylic back, Nickel metal accents and upholstery in a menswear, chevron texture with a hint of shimmer. The recessed wood base comes in a handsome Burnt Umber finish.
- Caracole Upholstery collection
- Burnt Umber finish
- Birch
- Acrylic Back Panel
- Recessed Wood Base
- Overall: 18.5" w x 19.75" d x 27.5" h
- Seat Dimensions: 18.5" w x 18.5" d x 19.5" h
- Carton Dimensions: 22.5" w x 22.75" d x 30.5" h
- Weight: 57 pounds
- Package Volume: 9.02 Cu.ft


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Share your stories... How long did it take for you and your person to go from hanging out to in a relationship? And how did it happen? I need insight!
Most Helpful Girl
I met him in about July and started hanging out because he was going out with a friend. then they finished and we started hanging out and then in September the same year we started going out. it all started by being married on Facebook and then we'd kiss each other good by pretending to be husband and wife. then we went camping one day and he asked me out...
Yeah, we only lasted 2 weeks haha00|00|0


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I have been talking to my gym crush and we were at the gym and I could see him from across the room. Well another guy came and talked to me and I saw my crush leave the area.. he disappeared for about 15 minutes. Did he get jealous or why did he just vanish?
Most Helpful Guy
Hint: when a guy likes you, he doesn't want other guys hitting on you. That simple. Doesn't matter that you aren't exclusive, *feelings don't work that way*. They don't exist when you're in a relationship and not exist when you aren't. If a guy would have those feelings in the beginning of a relationship he will have them in a crush too.00|00|0


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Definitions Edit
General Edit
Corrective maintenance is
|[m]aintenance carried out after fault recognition and intended to restore equipment to a state in which it can perform a required function.[1]
|[a]ll actions performed as a result of a failure to restore an item to a specified condition. Corrective maintenance can include any or all of the following steps: localization, isolation, disassembly, interchange, reassembly, alignment, and checkout.[2]
Software Edit
Corrective maintenance is done to "fix" the software (i.e., remove errors or "bugs") so it will perform as originally intended, and not to modify the software to provide new functionality.
References Edit
- ↑ NATO Standardization Agency, NATO Glossary of Terms and Definitions 2-C-17 (2008) (full-text).
- ↑ Defense Acquisition University, Glossary, at B-39 (13th ed. Nov. 2009) (full-text).


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Traditional Scottish Dance Music, for Clarinet, 40 Jigs, Strathspeys and more...
Traditional Scottish Dance Music is a new edition, arranged and edited for Clarinet by Dave McKeown The book contains a selection of 40 jigs,strathspeys, reels, hornpipes, marches and polkas that are regularly played in sessions and in concert by Scottish musicians. This collection provides a fresh and diverse introduction to the Highland, Borders and Shetland traditions. Chord symbols are added throughout for accompaniment and are in concert pitch so as to fit with the Bb Clarinet. The sample recording is of two of these tunes played on Flute and Clarinet.
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WANTED: Team Captains and Donations for NAMI Walks
September 12, 2016
Acknowledging the Importance of Minority Mental Health Month
July 28, 2016
Mental Health Care for Veterans
June 1, 2016
Directing Change
September 29, 2015


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Many people today think that classical music today is freely available for everyone to enjoy and to share, but this is far from being the case. The classical music available on the internet is heavily copyrighted, and most of the time uploaded illegally by good intentioned people who are passionate about classical music. There are four main kinds of copyright affecting classical music:
- Copyright rights of the composer
- Copyright rights of the person who makes an arrangement for a specific instrument
- Copyright rights of the performer(s)
- Copyright rights of the publishers
To further complicate the problem, copyright law is antiquated and on a per country basis. In order to judge the copyright of a work, one needs to always take into consideration the country the work was created in and the country the work will be shown in. This leads to the absurd situation in which if somebody wants to distribute a work on the internet, he will have two take into account up to 40000 different copyright legistlation combinations. This is why services like Spotify and Pandora are limited to a select number of countries, and why services like Youtube constantly have problems showing videos in all countries. And these are limits that not even the most powerful corporations can go past today – the common man is of course even more hopeless when faced with these limitations. Video services like Youtube are able to distribute and show music to most countries of the world only by using a legal improvisation to go around international copyright limitations. Youtube for example says that if you go to its website, then you are legally in the jurisdiction of California (or some EU country or Russia). This saves Youtube the trouble of worrying about the copyright laws any other country that might be problematic.
The antiquated copyright laws create a huge barrier towards sharing copyrighted works on the internet, and will prevent services like Spotify from becoming globally available for a long time. People intuitively feel that classical music should be available for everybody to listen to, which is why there will always be people uploading copyrighted works on Youtube and the internet, sharing them over torrents, etc. This stems from a right attitude and conviction, but unfortunately it is illegal, and corporations will make sure that the punishment will become ever harsher for people who share copyrighted works
At HDCLASSICALMUSIC.COM, we have worked hard to devise a solution that will enable people from all around the world to listen and make use of classical music, legally and for free. We only use compositions that are now in the public domain (caused by the composer being dead for 70-100 years, depending on his country of origin), or for which permission has been obtained from the proper rights holders. Then we make sure to choose recordings for which the arranger, performer and publisher have agreed to release under a public domain, creative commons or another open copyright license. The beauty of these licenses is that they are designed for the modern age, and thus allow for sharing and use in all the countries of the world.
If you are interested in using our classical music for your projects, we recommend that you read our articles regarding royalty free classical music, and the creative commons and public domain licenses.


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How soon after miscarriage can you get pregnant
Usually your doctor will recommend waiting at least three months after a miscarriage to get pregnant again. Sometimes they will recommend longer depending on your situation. Typically we waited the three months, though we were not using any birth control. There was only once where we got pregnant within a couple of months after a loss and we lost that baby too.
Moms Expertise05/01/14
i have gotten pregnant right away after my first 2 miscarriages and this time i miscarried in jan, had af in feb and just found out im pregnant saturday!!
I think it depends on your body too. Sometimes your body will take awhile when it is recovering.
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About Theresa Gould
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Birth: August 10
On Moms.com since: Aug 5, 2013
***Baby Team Leader Moms.com*** I have been married for over 20 years. My husband and I have eight children ages 18 down to 4 years old. We use to live in Chicago but now live in Canada. I own www.FaithandFamilyReviews.com.


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The question is self explanatory...what's the reason behind your answer?
- FaceVote A
- BodyVote B
Most Helpful Guy
I would say "face" since that is what you 'present' to the world each day and see in your mirror. When I am 'out' in public on in my office...women look at my face first...(I think) I say that because they don't comment on my physique before saying "I love your eyes", so they have obviously noticed that feature, or at least commented on it, before saying anything else.
When I am out ...I don't know what women first look at...but I do see their 'eye' contact...and they aren't scanning me up and down...they are looking at my face, but if I am wearing something that is 'tight' from the Gym...They do tend to quickly look "South"
I want to be liked for my facial features, first.
Bruce Alan


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… Is there such a thing as a perfect tweet? I like to think so. Certainly, there are good tweets and there are bad tweets, and to really do well on Twitter you'll want to be writing a lot more of the former than the latter. (more…) New Career Opportunities Daily: The best jobs in media. …


text: Seller: hiyaawl (996) 100%, Location: Shoreham-by-Sea, Ships to: GB, Item: 171684652335 Circular Gong for English or German Mantel Clock.This type of gong was used in mantel clocks from the late Victorian period onwards. I have over 100 gongs for disposal. For all types of striking and chiming clocks. English, French,German,American. There are some to fit grandfather clocks, mantel clocks, grandmother with eight vertical rods as well as ting tang and even some multiple circular gongs. Please ask for any specific requirements and an offer for all to a trade buyer will be welcomed. Age: Antique, Post-1900, Type: Clock Parts, Sub-Type: Chimes, Gongs


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Minecraft iDonPower Big Hotel MP3
Minecraft iDonPower Big Hotel, With to many rooms fully decorated. Link for idonpower texture pack-2 is below,Please check the description in the video.
Big Pig - "Big Hotel" 1988 MP3
Big Pig (Sherine) - BIG HOTEL #40 Aug 31, 1988. Album - BONK (1988).
The Big Lebowski - Hotel California - The Gipsy Kings. MP3
I don´t own any rights on this song. That creep can roll.
Joe Ely - Standing at the Big Hotel (Live on ACL 1980) MP3
http://www.ely.com/ , Lloyd Maines - Steel, Jesse Taylor - Guitar, Ponty Bone - Accordian, ? - Bass,
Standin' At The Big Hotel - Jerry Jeff Walker MP3
Standin' At The Big Hotel Jerry Jeff Walker It's a Good Night For Singin' 1976 MCA Records.
[Trailer] 吉祥酒店 BIG FORTUNE HOTEL MP3
[Trailer] 吉祥酒店BIG FORTUNE HOTEL Director: 葉天行Stephan Yip Tin Hang Cast: 周柏豪Pakho Chau / 連詩雅Shiga Lin / 羅蘭Helena Low / 盧海鵬Lo Hoi ...
BIG Hotel - Singapore MP3
Info & Booking! : http://www.hotelz.tv/info/singapore/singapore/sPteFfIkLCb/big-hotel.html Big Hotel is a trendy boutique hotel on Middle Road just a 5-minute ...
Joe Ely - Standin' At A Big Hotel MP3
The Big Lebowski - JESUS - Hotel California - 1080p MP3
BIG Hotel Singapore Luxury Hotel , Singapore Hotel top place to stay in Singapore MP3
BIG Hotel Singapore Luxury Hotel , Singapore Hotel top place to stay in Singapore.
Alberto Del Rio knocks out big Big Show at his hotel: Raw, Feb. 4, 2013 MP3
After Big Show does not show up at the arena, World Champion Alberto Del Rio comes to the former champion's hotel room and a brawl ensues.
Dalas Hotel, Room 1408 [Community Levels] Little BIG Planet 3 (PS4 Father & Son Gameplay) MP3
The Asian Guy Gamer and The Asian Kid Gamer are playing community levels in Little BIG Planet 3. The Asian Guy Gamer and The Asian Kid Gamer are ...
Hotel California-Big Lebowski Version MP3
Big Lebowski Soundtrack,gipsy kings hotel california.
MFS - Big Up (Pilfinger/Glamour Hotel Remix) MP3
OFFICIEL MUSIKVIDEO* KØB ALBUM HER: http://www.mfs-gear.com/shop/mfs-music-7c1.html BLIV FAN PÅ FACEBOOK: A'typisk: ...
BIG Hotel Singapore TVC #1 - TVC by Asiatravel.com MP3
Asiatravel.com offers over 500000 Hotels, Flights, Travel Packages, Tours & Attractions up to 75% discount. All with last minute availability & instant confirmation ...
Standin' at the Big Hotel - Jerry Jeff Walker MP3
I do NOT own the rights to this song. From the Jerry Jeff Walker album: It's a Good night for Singin'
T-Rex Runs Into Big T At Hotel MP3
T-Rex pays a visit to Big T's hotel to address him about battle rap. @ihatetrex @brothachris.
Notorious B.I.G-Gets Kicked Out of a Hotel MP3
I miss you and I love you.
Big Daddy - Hotel California MP3
The Eagles song.
I believe positive change is possible, starting at home, in the neighborhood, the small town... where even the most seemingly meaningless struggles reflect and ...
Big Fortune Hotel (吉祥酒店) 2015 Film Trailer MP3
The story began with a music writer, Meng, because of his over focusing on his music, he has let his girlfriend died in an accident! Meng is so sad, so he decided ...
Big Blue Hotel Room Tour MP3
Big Blue Hotel Blackpool - Room Tour of a Deluxe Double.
BIG Hotel Singapore TVC #2 - TVC by Asiatravel.com MP3
Asiatravel.com offers over 500000 Hotels, Flights, Travel Packages, Tours & Attractions up to 75% discount. All with last minute availability & instant confirmation ...
GGN Snoop & Big Sean talk about Hotel Smoking etiquette, the D & true players MP3
Big Sean drops by to talk about his career, upcoming projects and how to smoke out a hotel room like a professional. Oh... and Stormy Fronts randomly explodes ...
Welcome to my life - CGI Multicrossover (The big four, Frozen, Big Hero, Hotel Transylvania) MP3
Characters: Merida, Rapunzel, Jack Frost, Elsa, Hiro, Anna, Mavis, Hiccup. - Movies: Brave, Tangled, Rise of the guardians, Frozen, Big Hero 6, Hotel ...
Big Hotel Holiday Banquets MP3
Hotel catering takes on a huge challenge during the holidays.. And just New years day brunch takes up to 4 days to plan at the Shaw conference centre.
(EXCLUSIVE) Big Bang leaving there hotel in New York City (11-08-12) MP3
The Korean Super Group Big Bang leaving there Hotel in NYC , they smiled at my cameras and gave me piece signs and waived at me ..... #BigBang.
Hotel California - Gipsy Kings (BSO The Big Lebowsky) MP3
Canción de la escena donde sale por primera vez en la película El Gran Lebowsky el gran Jesus Quintana...xD.
NEW 2015 - 2Pac - "Hotel California" Feat. Notorious B.I.G. & Eazy-E *HOT* MP3
Donate to me for making new remixes possible: http://goo.gl/XyfOo Like me on facebook: http://www.facebook.com/OfficialDJAudacity Follow me on twitter: ...
Ghost Hunt Inside Creepy Big Hotel SEASON 1 EPISODE 6 MP3
Ghost Hunt Inside Creepy Big Hotel. After being haunted inside my own home a view times, I wanted to learn more about Ghost Hunting, so I recently visited an ...


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Safe Nest Funding Partners
Safe Nest thanks and appreciates all of our funding partners. It is only with the grants and community support that we are able to provide the comprehensive services needed in Southern Nevada.
Governmental Grants and Contracts
Private Foundations and Corporations
This listing represents Corporate and Foundation giving over $1,000 in Fiscal Year 2014, not including in-kind contributions. Safe Nest thanks the thousands of individual donors, faith communities, community groups and businesses not listed. Although too numerous to mention, your support is vital to Safe Nest in carrying out its mission.


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I've been using the original was recipe but since changing ovens I've decided to experiment with the wasc recipe that calls for oil. My only hesitation is the egg whites. I like to use all the egg. Can I just use 8 eggs instead of 8 egg whites or will that change the texture too much? Also, I use Duncan Hines and have heard adding a pudding mix adds moistness. Does this change the wasc recipe any to add a pudding? Any pros or cons to adding pudding or just a waste of money? Thanks for any help.
I use this WASC with oil recipe: http://www.cakecentral.com/recipe/54740/white-almond-sour-cream-cake-wasc
My alterations are: 6 whole eggs for anything other than a white cake, which gets 8 egg whites
If I use Duncan Hines, I add 2 packages of dry instant pudding mix. If using Betty Crocker, no pudding mix because it's already in the cake mix.
Since some mixes went from 18.25 oz., I now add 6 oz. of dry mix from a 3rd box
Everyone loves the cake and I get consistently good results making the recipe this way.


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The northeast town of Portland, Maine, is literally located on the water's edge; consequently, this city features a number of waterfront restaurants with spectacular views. Fresh seafood, including sweet Maine lobster, is the city's most popular cuisine and can be sampled at many of Portland's waterfront restaurants.
DiMillo's Floating Restaurant
DiMillo's Floating Restaurant isn't just on the waterfront, it's literally in the water. Housed in a converted car ferry that rises and falls with the tide, this famous restaurant on Portland's Long Wharf features outside decks with views of Portland harbor. Owned by local restaurateur Tony DiMillo, who got his start in the business in 1954, DiMillo's is the only floating restaurant on the upper East Coast. Like most waterfront restaurants in Portland, seafood is the star of the show, and the menu features such items as lobster in and out of the shell, clams, scallops, and crab. Steaks, pork chops, chicken and even a few Italian specialties are also served. A separate kids menu is also available.
DiMillo's Floating Restaurant
25 Long Wharf
Portland, ME 04101
Saltwater Grille
Saltwater Grille features a large outdoor deck with views of the ocean and passing yachts. Even when the weather is cold, diners can see the water from the windows as they warm themselves in front of the restaurant's fireplace. Guests who come by boat can dock at the restaurant; diners may also travel by water taxi from the city of Portland. The Maine Sunday Telegram described this restaurant's setting as "picturesque" with "a spectacular sunset view of Portland harbor and the skyline." Fresh seafood, steaks and chicken are the specialties here, and the menu includes Maine lobster, clams and fresh Maine haddock. Other menu items include scallops carbonara, maple-cured pork loin and fillet mignon. Lunch items include burgers, paninis and wraps. A large selection of wine is available, as well as bottled and draft beer.
Saltwater Grille
231 Front Street
South Portland, ME 04106
Portland Lobster Company
Portland Lobster Company is located in the Old Port area and features a large outdoor dining dock that overlooks Portland Harbor. This restaurant also features live music every evening, as well as all day on Saturday and Sunday, as of 2010. Market price lobsters are delivered fresh twice a day. Portland Lobster Company is also known for it's lobster roll sandwich. Other menu items include shrimp, clams, haddock and a daily grilled catch of the day. Daily specials also vary, and beer and wine are served.
Portland Lobster Company
180 Commercial Street
Portland, ME 04101
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- Photo Credit lobster image by jedphoto from Fotolia.com


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It's that time of the year when you want to sit at home and chill to beat the summer heat, watching movies all day long and turn into a couch potato.
To enjoy your beer and tub full of popcorn, you need to watch some of the best movies of 2015 which will release at this time of the year.
Some of the production houses have decided to make your summer 2015 a entertaining season by releasing some of the much awaited Hollywood movies of the year. From The Avengers: Age of Ultron to Insidious: Chapter 3, we have some of the best movies to watch this summer season.
If you have been missing some of the sequels, then it is time to book your dates as hit movie sequels of Avengers, Jurassic Park, Pitch Perfect, Ted and many more are also releasing from May to June in 2015.
Take a look at the 2015 Hollywood movies you can watch this summer.
May 1: The Avengers: Age of Ultron
Robert Downey Jr., Chris Evans, Scarlett Johansson, Chris Hemsworth, Jeremy Renner and Mark Ruffalo are coming back on the big screen and guess what, Iron Man is the head of the pack this time!
May 8: Hot Pursuit
From the director of The Proposal comes a funny chick flick starring Reese Witherspoon and Sofia Vergara to make you laugh this summer with their crazy chase against gunmen.
May 15: Mad Max: Fury Road
The post-apocalyptic action film starring Tom Hardy, Charlize Theron and Nicholas Hault is another awaited film of 2015.
May 15: Pitch Perfect 2
The pitch is back and see Anna Kendrick, Rebel Wilson, Brittany Snow and Elizabeth Banks through their senior year at Barden University.
May 22: Tomorrowland
Missing George Clooney or a sci-fi film? Tomorrowland is about the future where Clooney, a scientist saves the future along with Britt Robertson.
May 22: Spy
This comedy spy film will make you laugh as Melissa McCarthy turns an undercover after another agent, Jude Law, goes missing. It stars Melissa McCarthy, Jude Law, Jason Statham and Rose Byrne.
May 29: San Andreas 3D
Dwayne Johnson plays a rescue helicopter pilot who is searching for his missing daughter after a massive earthquake hits California.
May 29: Aloha
After playing a sniper, Bradley Cooper plays a military contractor who rekindles an old romance with an Air Force watchdog. Starring Emma Stone, Rachel McAdams, Jay Baruchel, Alec Baldwin and Danny McBride, the movie is on our watch list already.
June 5: Insidious: Chapter 3
Love horror films? Then third installment of the Insidious series is coming this summer.
June 12: Jurassic World
All the Jurassic Park series fans can go back to their childhood days as the franchise comes back to life after 22 years! Starring Chris Pratt, Bryce Dallas Howard, Irrfan Khan and Jake Johnson, Jurassic World is the most awaited Hollywood releases of 2015.
June 19: The Transporter Legacy
Ed Skrein is back to action in this reboot of the story of transporter Frank Martin.
June 19: Inside Out
This funny Disney film shows how 5 emotions, Joy, Anger, Digust, Fear and Sadness play with a young girl and her parents. It stars Amy Poehler, Bill Hader, Mindy Kaling, Phyllis Smith and Lewis Black as the 5 emotions.
June 26: Ted 2
Seth MacFarlane, Mark Wahlberg, Amanda Seyfried, Morgan Freeman and Liam Neeson are set to entertain us in the sequel of the hit Ted. In the sequel, Ted gets married and wants to have a child, but he has to prove himself in law as a human first.
July 1: Terminator: Genisys
Arnold Schwarzenegger, Emilia Clarke and Jason Clarke are all coming together in the 4th installment of the Terminator franchise.
July 1: Magic Mike XXL
You can also add some hotness to your summer by watching stripper Channing Tatum showing his dancing skills and charm the ladies in the sequel of Magic Mike.
July 10: Minions
Summer vacations can't get better for kids as they can enjoy the prequel of Despicable Me with Sandra Bullock and Jon Hamm providing voices.
July 17: Ant-Man
The film stars Paul Rudd as master thief Scott Lang, who must embrace his inner-hero and help his mentor, Dr. Hank Pym (Michael Douglas), in protecting the secret behind his spectacular Ant-Man suit from a new generation of towering threats.
July 24: Poltergeist
The all new take on the classic horror film shows Bowen family's suburban home is invaded by angry spirits who take their daughter under their control.
July 24: Pan
The remake of the classic film follows an orphan who travels to Neverland, where he ultimately becomes Peter Pan. Pan stars Hugh Jackman, Rooney Mara, Amanda Seyfried and Cara Delevingne.
July 31: Mission: Impossible V
Tom Cruise is back with the 5th installment of the franchise doing crazy stunts.
August 7: Fantastic Four
Four scientists Miles Teller, Kate Mara, Jamie Bell and Michael B. Jordan, try everything using their superhuman abilities to save the world.