text:
"Updated with a slight of new information and to correct an out of date fan character code"
This is now completed (5-7-14) So, read on and edit as you will. ~ Snowsfall|Lyrical
Hello, it's been a few weeks...I've had no laptop. Though, with an absence, I've had an idea. Seeing that some or most are placing pages with their original characters (OC's) I thought it to be at least of some courtesy to leave a blog about it. Yet, the character I chose is part of my own on-going fiction and if any information about her is too much for you, then do not read her Info Box or locate another source to learn this.
As some of you know, (if you've read the rules of fanon), you can place a page pertaining to a character or group. That said, opposed to having it look the same as all others, there are some ways to diversify your character so that it stands out.
As always, remember that this template:
(Snowsfall is only an example and where Snowsfall is placed is to be your wiki name) as a placement which symbolizes that you are the author whom had written the page. Along with that, please remember to include the this to show that it is a created character and not one of the main characters of the Series and to follow guidelines.
With and end result, as you can see here:
It looks very simple, yes, but with one slip in coding, your Info Box can be left in ruins.
However, we will start with the first things I do:
If you will, please open three tabs. One will be of this, the other, a page of your original character or one of your original characters, the final one will be of this page here, yet, it will be in source mode. To get to source mode, click Edit Page at the top in order to view it with all its numbers and symbols.
In total, you should have four tabs: the one you are reading now, the community link, the page of your own character, and lastly, the the source version of this page.
With that done, let's get started:
Beginning with the Source Mode Page, select the code you see. This is typically beginning with "{|" and ending with "|}". That means everything in between "With an end result..." to "It looks simple..." With it highlighted, right-click (or press CTRL and C simultaneously) and Copy it.
Head over to the page with your character and open the Source Mode on that page. Press the Enter key at the top...four times. Be sure that you DO NOT save/Publish as you are testing things out. Unless you know what you are doing, don't Save/Publish ahead of time. For now, use Preview to check on what you changed.
Now with the text/code you've copied, Paste it to the page of your Original Character. Again, this should be in Source Mode, if not, your code will be partly spread out.
As it's copied, you'll see all the numbers and symbols which are probably the same as reading a foreign language. Yet for starters, look at the third line of code. It should begin with Border. Within the first line of that, locate text-align left and change it to Center. This can be done by erasing (backspace) left and typing center.
Click preview.
See how it changed the position of the text compared to that of the Blog Page?
Colors are used to...well, add color. The link which provides colors and the like should be open in a tab.
Switch to that tab.
Now, with the HTML Color Names (section), look at Red. The code is #FF0000. Highlight and copy it. Now on your character page, locate any of the numerous (either by skimming and looking or by pressing CTRL and F simultaneously) #000000 (Black).
Highlight it and Paste over it.
Now Preview.
Now whichever code for Black (#000000) you have changed, should be Red (#FF0000).
Now select a color of your choice, with the exception of Black and White (#FFF). Also, remember, you need to have the # in front of the number you choose.
Locate the color code #FFF and replace that the color you've chosen.
Preview. See the difference?
Colors can be changed by inserting a different number and anytime. You can also change a single word into a plethora of rainbow-esque colors.
Info Box Title
Now looking at the Blog Post, you can see the name "Guilt". Switch back to your character's page and locate the first appearance of her name. It should be after the "|" and appear as "| Guilt". Change Guilt to your character's name.
if is part of the code--obviously--however, it is a vital part of your code. With a mistype, your code will break. Rather, it will be messed up, but fixable.
By looking at the code, you will see "if" followed by a file name. This file is named (in bold): File:Guilt_-Cover-.png|center. Locate your character picture and copy the file name and paste it here. Yet, you will need to add two brackets ((these --> [[ <-- these) before the file name and these ( --> ]] <-- ) after it.After means after png, jpeg, gif, tiff, jpg, (etc.) Also, be sure to add "File:" after the first set of brackets ( [[ ). Now with them joined, you should get this:
The underscores ( _ ) are only spaces which are translated to appear as such with file names and even some urls. The dashes ( - ) are only from me naming my file. So don't worry about that.
If this method fails, then simply click on where Guilt's image code was and then move your mouse over to the right and click Photo to search for your own picture or a picture you want to use.
Source Mode wise, on your character's tab, you'll see the Line Break code "
". This is used on the Main Characters in the Series in their Info Boxes. If I recall right, I checked the source mode of Siegfried. Particularly when it explains his relatives, and series appearances.
The quotation, however, is completely optional and I added it simply because I wanted to. But know this, the quotation is repeated. Altering the second (the repetition) of the quote will be what is shown. This is similar to character references. Such as a blue link bearing another character's name. Or rather:
Aneko if this is done differently it will say Isai. Whether you use your mouse to hover over the name listed or you use source mode to view the difference, it is easy to see.
Yet to explain it a bit further, within the repetition of Guilt's quote, highlight the repeating quote (the second one minus the quotation marks) and place "whatever you want". By that, I mean those three words.
After Previewing it, you can see that the second line (or name) is what will be shown, just the same as with Aneko and Isai. In this case, by name, Aneko|Aneko and Aneko|Isai are the differences in the created character's page links.
It is also tethered by an IF function. That function needs to be present for any of it to come together.
Opening and Closing Code
No doubt you've seen this:
| in addition to |- along with }} and {{| and |}} and lastly |.
These are opening and closing marks for parts of this code.
The "subst" is code for altering a pre-existing Info Box. I listened to the web-cast ( it might be called something else ) as wiki members explained how to do this and that. I believe they still do this on Fridays, but I'm not entirely sure as I've not listened in over six months.
Anyway, let the "subst" (substitute) remain as it's needed.
In your character's source mode, ( or if you want to open another tab--which may be easier ) fill in information pertaining to your character.
You'll see Maria after "subst". Remember that the second is always what will be seen, yes that applies here as well. I point this out because further down you may see "subust" a few more times, over Hair Color, for example. Again, the second is the visual but still, change both to the desired character's name.
If you want to add anything extra, per say "Aliases". you will need to insert
on the next line. For example:
| style="background-color: #000080; color:#FFF;" |Aliases
| Wōdāo
Shéng Biāo
Lady Sapphire |-
Copy and past that into the appropriate area and the color should change to a deep blue, the name will say Raisa (Russian influenced) and Real Name will say Aliases.
To point this out, "Real Name" or anything which appears in the same fashion in this area can be changed to whatever you want it to say. As this was meant for this wiki (and it can be used on others as well) The Dragon's Dogma (currently obsessed with at the moment) wiki for instance accepts this format as I'm sure others do, but I've kept it relatively simple so that I can navigate my pages with ease. Such ease that I can copy a portion of the code and simply fill in from there a new character if I truly want to.
Now, with this area, most of the code is self explanatory. You've your Color Code, which you can simply change with ease, but remember to keep the # in front of the number. Background would be the black (#000000) which you see. The #FFF (white) is just after it. Simple changes by now I think.
The opening | needs to stay where it is. Unless you are experimenting and trying something else out, leave it be. An opening is needed for the second listing of the character's name and AFTER the characters name is |-. You need to have a closing symbol else your code will be a nightmare. I say that from experience...and hours of wondering "why the f*** are you f******" you get the point.
The symbols are needed as well and mark the beginning and ending of a portion of the code here. They are a must and the correct number of symbols of this kind you see are all you'll need. Too many will show up in the Visual of your Info Box. Arrai is an example of this.
Family & Others
Remember the quotation and the repetition? This is the same thing here. The Break Code
is also used here and in a bit more abundance. Now, as you can see in the text which is of Guilt's family:
Her adoptive mother was killed after weeks of being sexually abused.
Her father was killed at sea, never to bear sight to his child.
Her biological mother died after giving birth to her. | | style="background-color: #000000; color:#FFF;" |Family |Her adoptive mother was killed after weeks of being sexually abused.
Her father was killed at sea, never to bear sight to his child.
Her biological mother died after giving birth to her.
Using Breaks here, will make this appear nice and neat. A list at that.
Ky and Raisa are good examples of how Family and Relatives appear. However, with these two specifically, I simply pressed Enter in both parts opposed to using Breaks. but this is due to any explanation of them being short.
Notice, Guilt's is much longer and Breaks were needed.
{{#if:Aunt: Abigale Younger Cousin: Grayson| | style="background-color: #000080; color:#000;" |Living Relatives |Aunt: Abigale Younger Cousin: Grayson
The code above is how Raisa's appears in source form. Ky's is in a similar fashion.
Naomi can use the method (Breaks) as you see with Maria's (Guilt's) family and relatives. "I am not trying to be an ass...I'm only pointing this out, especially since I've done the same years ago."
Again, the second or repeating text in this area are what will be visible.
After that, is where she Resides. Which is similar to what you've already seen. The ending symbols of code should be left alone. These are the true ending of the entire code and need to remain untouched.
I'm not the best teacher, but I did try. If you've any questions, concerns, or comments, you can leave them below or message me here. I may not get to them right away but I'll try.
Additionally, listen to that track while reading her Biography and see if it fits.
In closing, if I missed something, let me know, and best of luck with your editing and characters. I would say "yay SC:LS" but I'm not a fan of it whatsoever..... Lastly, always guard your work, make duplicates, keep backups.
You never know when you may lose your work or if someone gets into your account and alters it. Personally, I lock every page I've made/I make due to my original wiki account being ass-jacked and even with my current account, some still try to edit this or that. So make sure you save our work and keep back ups.
Much like some of the main characters of the series have, multiple pictures/pictures throughout the years or from game to game -if you will-, they use the Tabber code. If you check back with what was posted above about Guilt/Maria, or view your own character(s), you may see how the character has a single picture.
To reflect the change and to effectively (or rather possibly) shorten the work you might have to add for a character or just for the sole purpose of ease of access:
- "We are all at some point nervous of what may come but to allow it to feed off you would simply be giving yourself to your growing fear. Much be the same for one who drinks too deep on rage to allow it to be false courage; it only breeds recklessness through foolishness."
- — Annebella Williams


text:
Newest Scam to Increase Statin Cholesterol-lowering Drugs If You're Older than 50
Read on and make yourself aware
As per this i should autmatically be on STATINS now.
However, STATINS have proved to be useless as a primary prevention against CVD
It's all about GREED of PHARMA Lords. Someone wanted STATINS to be introduced in drinking water supplied to households also ....
Change diet and take control of both cholesterol and sugar. Stop making your body a PILL Dumping Ground. There will be no end to it.
Checkout more on corruption:
Doctors get big kickbacks and nice paid summer vacations for prescribing STATINS recklessly where it is shown that it is a useless drug as a primary prevention against CVD.
Read and research before taking any PILL. I refused Omnacortil 40mg though doctor was eager to push it dwn my throat along with aciloc to reduce chances of ulcers due to bleeding in stomach because of Omnacortil steroid that he prescribed. What Bull CRAP!
I am fine even without Omnacortil ...
STATINS i would never ever TAKE. The cost of treating side effects of STATINS are far more than cost of STATIN itself.
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subset: commoncrawl


text:
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text:
Server + API
In this scenario we will build a Timesheet API for a fictitious company named ABC Inc. The API will allow to add timesheet entries for an employee or a contractor.
We will also be building a cron job which will process timesheet entries from an external system to the centralized timesheet database using the API.
The Premise
ABC Inc. is a consulting startup company. Currently they have approximately 100 employees and they also outsource several activities to external contractors. All employees and external contractors are required to fill in their timesheets every week. For this purpose, they built a timesheets application, a scenario we covered in Single Sign-On for Regular Web Apps. The internal employees use this web app to fill in their timesheets but some of the external contractors already use another tool to track their timesheets. Hence a solution to avoid the double work is required. It was decided to build a cron job which will read the timesheet entries from this external system, and automatically upload those to ABC's backend using an API.
Goals & Requirements
ABC wants to build a flexible solution. At the moment only an automated process needs to push timesheet entries but in the future the company plans on launching more clients, like a mobile app to accommodate their sales teams. Hence the company has decided to develop a single Timesheets API which will be used to log time not only by this server process, but by all future clients as well. They want to put in place a security architecture that is flexible enough to accommodate this. ABC Inc. wants to ensure that a large part of the code and business logic for the application can be shared across the different client applications.
It is required that only authorized users and applications are allowed access to the Timesheets API.
Overview of the Solution
In order to ensure that only authorized users and applications are allowed access to the Timesheets API, ABC Inc. has decided to make use of the OAuth 2.0 authorization framework. The framework provides the flexibility the company wants since the different grants can allow them to easily authorize the various types of application which need to communicate with the Timesheets API.
API Authentication and Authorization
An API is a way to expose functionality of your application to other applications. An application can make a request by sending a message to an endpoint on an API and receive information as a response.
An API endpoint can be secured or not. In our case, since the timesheets are sensitive information that affect reviews and payments, it is important to ensure that only authorized users and applications can call the endpoints on our API. When a client application wants to access protected endpoints on an API it needs to present an access token as proof that it has the required permissions for make the call to the endpoint.
An access token is obtained by authenticating the user with an Authorization Server and the user can then in turn authorize the application to access the API on their behalf.
An API can enforce fine grained control over who can access the various endpoints exposed by the API. These permissions are expressed as scopes.
When a user authorizes a client application, the application can also indicate which permissions it requires. The user is then allowed to review and grant these permissions. These permissions are then included in the access token as part of the
scope claim.
Subsequently when the client passes along the access token when making requests to the API, the API can query the
scope claim to ensure that the required permissions were granted in order to call the particular API endpoint.
What is an Access Token?
An access token (also referred to as
access_token) is an opaque string representing an authorization issued to the client. It may denote an identifier used to retrieve the authorization information or may self-contain the authorization information (e.g. the user's identity, permissions, etc.) in a verifiable manner.
It is quite common for access tokens to be implemented as JSON Web Tokens.
What are Scopes?
Each access token may include a list of the permissions that have been granted to the client. When a client authenticates with Auth0, it will specify the list of scopes (or permissions) it is requesting. If those scopes are authorized, then the access token will contain a list of authorized scopes.
For example, the timesheet API may accept different levels of authorization: reading timesheets (scope
read:timesheets), creating timesheets (scope
create:timesheets), deleting timesheets (scope
delete:timesheets) and approving timesheets (scope
approve:timesheets). You can also create a scope for batch processes such as the timesheet uploading client, e.g.
When a client asks the API to create a new timesheet entry, then the access token should contain the
create:timesheets scope. In a similar fashion, in order to delete existing timesheets, the access token should contain the
delete:timesheets scope.
By using the OAuth 2.0 authorization framework, you can give your own applications or third-party applications limited access to your APIs on behalf of the application itself. Using Auth0, you can easily support different flows in your own APIs without worrying about the OAuth 2.0/OpenID Connect specification, or the many other technical aspects of API authorization.
Several participants in the OAuth 2.0 specification can be identified:
- Authorization Server: The server issuing access tokens to the client after successfully authenticating the resource owner and obtaining authorization. In this case the authorization server is Auth0.
- Resource Servers: The server hosting the protected resources, capable of accepting and responding to protected resource requests using access tokens. In this case the resource server is the Timesheet API.
- Clients: An application making protected resource requests on behalf of the resource owner and with its authorization.
- Resource Owner: An entity capable of granting access to a protected resource when the resource owner is a person, it is referred to as an end-user.
Using different grants types (or flows), these participants will interact to grant Clients limited access to the Resource Servers you are building. As a result, the Client will obtain an
access_token that can be used to call the Resource Server on behalf of the user or of the Client itself.
Client Credentials Grant
OAuth 2 provides several grant types for different use cases. In this particular use case where a cron job will be uploading timesheets via an API, there is no interactive user (or resource owner) who grants permission to the cron job to access the API.
The cron job is also not making the API calls on behalf of any user. Instead there is a machine-to-machine authorization and the client (i.e. the cron job) makes calls to the Resource Server (i.e. the API) on its own behalf.
For situations like this where there is no user interaction involved, the Client Credentials Grant is ideal. With Client Credentials Grant (defined in RFC 6749, section 4.4) a Client can directly request an
access_token from the Authorization Server by using its Client Credentials (a Client Id and a Client Secret). Instead of identifying a Resource Owner, this token will represent the Client itself.
- The Client authenticates with the Authorization Server using its Client Id and Client Secret.
- The Authorization Server validates this information and returns an
- The Client can use the
access_tokento call the Resource Server on behalf of itself.
Auth0 Configuration
In this section we will review all the configurations we need to apply using the Auth0 Dashboard.
Configure the API
Click on the APIs menu option on the left, and click the Create API button.
You will be required to supply the following details for your API:
- Name: a friendly name for the API. Does not affect any functionality.
- Identifier: a unique identifier for the API. We recommend using a URL but note that this doesn't have to be a publicly available URL, Auth0 will not call your API at all. This value cannot be modified afterwards.
- Signing Algorithm: the algorithm to sign the tokens with. The available values are
RS256. When selecting RS256 the token will be signed with the tenant's private key. For more details on the signing algorithms see the Signing Algorithms paragraph below.
Fill in the required information and click the Create button.
Signing Algorithms
When you create an API you have to select the algorithm your tokens will be signed with. The signature is used to verify that the sender of the JWT is who it says it is and to ensure that the message wasn't changed along the way.
To create the signature part you have to take the encoded header, the encoded payload, a secret, the algorithm specified in the header, and sign that. That algorithm, which is part of the JWT header, is the one you select for your API:
HS256 or
RS256 is an asymmetric algorithm which means that there are two keys: one public and one private (secret). Auth0 has the secret key, which is used to generate the signature, and the consumer of the JWT has the public key, which is used to validate the signature.
HS256 is a symmetric algorithm which means that there is only one secret key, shared between the two parties. The same key is used both to generate the signature and to validate it. Special care should be taken in order for the key to remain confidential.
The most secure practice, and our recommendation, is to use RS256. Some of the reasons are:
- With RS256 you are sure that only the holder of the private key (Auth0) can sign tokens, while anyone can check if the token is valid using the public key.
- Under HS256, If the private key is compromised you would have to re-deploy the API with the new secret. With RS256 you can request a token that is valid for multiple audiences.
- With RS256 you can implement key rotation without having to re-deploy the API with the new secret.
For a more detailed overview of the JWT signing algorithms refer to: JSON Web Token (JWT) Signing Algorithms Overview.
Configure the Scopes
Once the client has been created you will need to configure the Scopes which clients can request during authorization.
In the settings for your API, go to the Scopes tab. In this section you can add all four of the scopes which was discussed before, namely
Create the Client
When creating an API in the Auth0 Dashboard, a test client for the API will automatically be generated. In the Auth0 Dashboard, navigate to the Client Section and you will see the test client for the Timesheets API.
Go to the settings for the client by clicking on the gear icon, and rename the client to
Timesheets import Job.
For the cron job you will need a Non-Interactive client. This test client which was generated when the API was created was automatically configured as a Non-Interactive client as can be seen in the screenshot below.
Configure Client's access to the API
The final part of the Auth0 configuration is to allow the client access to the Timesheets API. Go back to the configuration of the API, and select the Non-interactive Clients tab.
You will see the Timesheets Import Job client listed, and it should have access to API as can be seen from the switch to the right of the client name which indicates a value of
Authorized. If it does not indicate that the client is authorized, simply toggle the value of the switch from
Unauthorized to
You will also need to specify which scopes will be included in access tokens which are issued to the client when the client authorizes with Auth0.
Expand the settings for the client by clicking on the down arrow to the far right, and you will see the list of available scopes. The cron job will only require the
batch:upload scope as it will simply create new timesheets based on the timesheet entries in the external system.
Once you have selected the
batch:upload scope you can save the settings by clicking the Update button.
Now that we have designed our solution and discussed the configurations needed on Auth0 side, we can proceed with the implementation part. That's what the next paragraph is all about, so keep reading!
Inside the Implementation
Implement the API
In this section we will see how we can implement an API for our scenario.
Define the API endpoints
First we need to define the endpoints of our API.
What is an API endpoint?
An API endpoint is a unique URL that represents an object. In order to interact with this object you need to point your client towards that URL. For example, if you had an API that could return either order or customers, you might configure two endpoints:
/orders and
/customers. Your client would interact with these endpoints using different HTTP methods, for example
POST /orders to create a new order, or
GET /orders to retrieve the dataset of one or more orders.
We will configure one single endpoint that will be used for creating timesheet entries. The endpoint will be
/timesheets/upload and the HTTP method
The API will expect a JSON object as input, containing the timesheet information. We will use the following JSON:
'user_id': '007',
'date': '2017-05-10T17:40:20.095Z',
'project': 'StoreZero',
'hours': 5
The API will print the JSON, so we can verify the contents and echo back a message like the following:
Created timesheet 14 for employee 007.
Secure the API endpoints
Configure the API
In order to secure your endpoints you need to have your API configured in the Auth0 Dashboard. For information on how to do that refer to the Configure the API paragraph of this document.
The first step towards securing our API endpoint is to get an access token as part of the Header and validate it. If it's not valid then we should return an HTTP Status 401 (Unauthorized) to the calling process.
Get an Access Token
To get an access token without using our Client sample implementation, perform a
POST operation to the
https://YOUR_AUTH0_DOMAIN/oauth/token endpoint with a payload in the following format:
audience: "YOUR_API_IDENTIFIER",
grant_type: "client_credentials",
client_id: "",
client_secret: ""
Check the Client permissions
Now we have secured our API's endpoint with an access token but we still haven't ensured that the process calling the API has indeed the rights to post a new timesheet entry.
As discussed earlier in this doc, each access token may include a list of the permissions that have been granted to the client. These permissions are defined using the scope request parameter. For more information on how to configure this refer to the Configure the Scopes paragraph.
For our endpoint we will require the scope
Implement the Non Interactive Client
In this section we will see how we can implement a Non Interactive Client for our scenario.
Get an Access Token
We will start by invoking the Auth0
/oauth/token API endpoint in order to get an access token.
In order to do so we will need the following configuration values:
Domain: The value of your Auth0 Domain. You can retrieve it from the Settings of your Client at the Auth0 Dashboard. This value will be a part of the API URL:
Audience: The value of your API Identifier. You can retrieve it from the Settings of your API at the Auth0 Dashboard.
Client Id: The value of your Auth0 Client's Id. You can retrieve it from the Settings of your Client at the Auth0 Dashboard.
Client Secret: The value of your Auth0 Client's Secret. You can retrieve it from the Settings of your Client at the Auth0 Dashboard.
Our implementation should perform a
POST operation to the
https://YOUR_AUTH0_DOMAIN/oauth/token endpoint with a payload in the following format:
audience: "YOUR_API_IDENTIFIER",
grant_type: "client_credentials",
client_id: "",
client_secret: ""
For more information on this refer to: API Authorization: Asking for Access Tokens for a Client Credentials Grant.
Invoke the API
Now that we have an access token, which includes the valid scopes, we can invoke our API.
In order to do so we will:
- Build a hard-coded timesheet entry in JSON format.
- Add the access token as an
Authorizationheader to our request.
- Make the HTTP POST request.
- Parse the response and print it in the terminal (optional).
In this document we covered a simple scenario: an API, used to import timesheet entries in ABC's systems, and a cron job, used by external contractors to send in their timesheets using this API.
We learned about the Client Credentials Grant, what an access token is, how to configure an API in Auth0, how to configure a non interactive client to communicate securely with this API, how to define and secure our API endpoints, how to use the provided libraries to validate the access token and how to retrieve a new one from Auth0.
We started by describing the business case and the requirements and went on explaining how each requirement can be met and the thought process behind each choice that was made.
We used Node.js for the API implementation and Python for the non interactive server process, hopefully though after going through this document you are able to build this using the technologies you prefer.
Don't forget to check back for new business cases and more complex architecture scenarios!


text:
Morgan Stanley Dean Witter & Company reported a 43 percent decline in third-quarter earnings yesterday as a prolonged stock slump cut trading commissions and investment banking fees, and extended the Wall Street firm's slide to four consecutive quarters.
The firm, which was the largest single tenant in the World Trade Center, said its short-term business outlook turned ''decisively negative'' after the terror attacks last week.
While nearly all of the firm's 3,700 employees at the twin towers escaped without harm, revenue from trading and investment banking activity are likely to slow further, the chief financial officer, Stephen Crawford, said in a conference call.
''It's been an enormous emotional crunch at a difficult time,'' Mr. Crawford said. Investors have taken a wait-and-see attitude with their portfolios, but ''it's unlikely that they will pick up until there's more clarity on the economic front.''
For the quarter ended Aug. 31, Morgan Stanley earned $705 million, or 62 cents a share, down from $1.25 billion, or $1.09 a share, a year earlier.Continue reading the main story
Excluding a charge of $30 million for paying down debt, earnings were $735 million, or 65 cents a share, in the latest quarter.
Analysts surveyed by Thomson Financial/First Call had forecast earnings of 64 cents a share. Morgan Stanley's stock rose $2.46, to $40.08 a share, on the New York Stock Exchange.
Revenue fell 16 percent, to $5.27 billion from $6.31 billion.
The firm expects the trade tower disaster to cost in the range of $150 million, much of which will be covered by insurance, Mr. Crawford said. Many of the affected employees have been relocated, but sales to individual investors have already fallen 20 percent since the attacks.
Even before the attacks, major Wall Street firms were in a profit slide because of an extended slump in trading activity and in mergers and acquisitions.
Revenue in Morgan Stanley's individual investor division slid 20 percent, to $1.1 billion, as trading activity by individuals remained ''sharply below last year's levels,'' the firm said.
Advisory fees from investment banking slipped 30 percent because of a ''sharp decrease'' in global merger activity that began last year, and underwriting revenue fell 34 percent as issues of new stock tumbled.Continue reading the main story


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We apologize, but this event has been canceled for 2017.
Kidology is pleased to announce the arrival of our own UNconference for women in ministry. It's much like the Yosemite Summit UNconference for men, but designed and hosted by women in ministry.
No Workshops - Just Worship
No Resources - Just Relationships
No Networking - Just God Working
Kidology has teamed up with Be Still, Be Free to offer a very unique and special event with the needs of women in mind.
Come enjoy an extended weekend away from work and even the family you love to enjoy some much needed time to relax, reflect, renew and refresh.
COST: $495 - Most meals are covered, but you'll want some spending money for meals on the day out and other optional opportunities that will be offered, such as time at the spa in Highlands.
LOCATION: The Inn of Last Resort at The Christian Training Center International
TRANSPORTATION: Fly into Asheville. Transportation to the retreat center is provided.
Breathe will be unlike any other conference you have attended. It is designed to refresh and recharge women who are normally busy with family and ministry and everything else that demands their attention.
It is a time to unplug and just "be" while enjoying some fellowship with other women who share your life journey. It's a safe place to share life struggles, pray together, laugh together, and hit "pause" on normal every day life.
Meet Your Hosts:
Learn more about these ladies and their heart for ministry.
We have room for only about 20 attendees for this event. We expect this event to fill up quickly, so sign up soon!
Whether you are a woman in full-time, part-time, or volunteer ministry, this is your opportunity to leave work behind and come enjoy some fellowship with others who can relate to your life and the constant demands upon it.
Breath will give you just that - a chance to stop and breathe.
Know a woman who needs this? Help spread the word: Kidology.org/breathe
Still have questions? Visit our FAQ Page.
Check out Bible Basics
Kidology's 3-Year Curriculum
Kids Church Lessons
written by the Kidologist!


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What is JotForm?
JotForm is a free online form builder which helps you create online forms without writing a single line of code. No sign-up required.
At JotForm, we want to make sure that you're getting the online form builder help that you need. Our friendly customer support team is available 24/7.
We believe that if one user has a question, there could be more users who may have the same question. This is why many of our support forum threads are public and available to be searched and viewed. If you'd like help immediately, feel free to search for a similar question, or submit your question or concern.
Power tools menu have been replacedAsked by corpiq on December 03, 2013 at 10:17 AM
The powertools dont appear in the menu, and I wish to add hidden fields. I am having so many issues this is not very usable for me a this point.
I am also not able to see Power Tools.
JotForm Support Manager
Excepting by the following controls
Captcha: Moved to Quick Tools
Image : Moved to Form Tools
Free Text (HTML) : Renamed to Text and moved to Form Tools
The rest of tools under Power tools have been moved to Widgets, so you must search for the one you wish to use
For example E-signature, just type the name or part of it and you'll show it
Sorry for the confusion. I hope this helps you to grasp how the new layout is configured
Thank you!
Melissa Renner
Training Specialist
Allen County Public Library
900 Library Plaza
P.O. Box 2270
Fort Wayne, IN 46801-2270
260-421-1298 office
260-421-1386 fax
I spent 20 minutes figuring out where that darned thing vanished :( You could leave some small message about this. We are old old users, with a low learning curve :)
JotForm Support
We apologize! You can check for updates to our blog page: http://www.jotform.com/blog/. Our weekly updates can also be found here: http://www.jotform.com/answers/search.php?byDate=yes&like_question=Updates&if_login=jeanettebmz.


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Cold Somen Noodle Vegetable Salad
Be the first to review
READY IN: 35mins
Recipe by saltandpepper
A simple, quick, and very healthy salad to make for a light dinner. From a Hakubaku Somen noodle package. I use a mandolin to cut the vegetables. The salad is better if it can sit for about 10 minutes before eating. You could also blanch the carrots for them to be softer in the salad.
See Discussion:
Ingredients Nutrition
- 60 ml fresh lime juice
- 1 tablespoon brown sugar
- 2 tablespoons fish sauce
- 2 tablespoons olive oil
- 9 ounces somen noodles
- 1 carrot, peeled and finely shredded
- 1 small red capsicum, finely shredded (or use 2 cucumbers)
- 100 g snow peas, finely shredded (or use frozen peas instead)
- 1⁄2 bunch chives, minced
- 1⁄2 cup coriander leaves or 1⁄2 cup cilantro leaf
Directions See How It's Made
- In a large bowl whisk lime juice, brown sugar, fish sauce and olive oil together.
- Cook Somen noodles as per packet instructions. Drain and rinse with cold water.
- Mix dressing with noodles, carrot, capsicum, snow peas and chives, tossing to coat well. Divide salad between plates. Scatter coriander leaves on top and serve.


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Monday, August 09, 2010
Where There Be Dragons
Elissa just pointed me to this interview with Children's Book Shop owner Terri Schmitz. Opinionated, indeed--when I was recently in there buying some birthday presents, Terri heaped scorn upon a book that had been highly recommended in the most recent Horn Book. Stop by, and maybe she will tell you what it was.
Posted by Roger Sutton at 4:39 PM
Labels: bookselling, Great Ladies
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Gilligan's Island (1965-1966)
One of pop culture's most often asked (and fascinating) queries is, "Who would you rather get tropical with? Ginger or Mary Ann?" to which any red-blooded male would naturally respond: "Both!" Although Gilligan's Island is best remembered for being one of television's most supremely silly sitcoms, in actuality the series acted as an introduction to the female form for an entire generation of aspiring skinophiles. Put aside the cute-but-aged Mrs. Howell, and the remaining pair of desert-island...Join Mr. Skin for the full review >>


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When I was in high school, all my friends had obsessions. Nikki was obsessed with Marilyn Manson and wore scary, Goth make-up. Melissa was obsessed with the Beatles and was "Lucy64" in online Beatles chatrooms. Degra was obsessed with Nirvana and made us celebrate the anniversary of Kurt's death with a cake. Their obsessions defined them.
I decided I needed to solidify my personality and make a definitive statement about who I was. I decided to become obsessed with Beck.
I already liked Beck's music, and he was the skinny, shaggy-haired, baby-faced kind of adorable that was just my type. I went about becoming obsessed with him in a very methodical way. I read about him. I cut out pictures of him from magazines and taped them to my wall. I made his face my computer screen saver and declared that I was going to marry Beck one day.
I already owned his recent popular album, Odelay (1996), so I obtained Mellow Gold (with the hit single from 1994, "Loser"), as well as his lesser-known albums at the time: Stereopathetic Soulmanure and One Foot in the Grave.
Stereopathetic Soulmanure is, I have to admit, pretty weird. Some of the songs are more noise than melody (like the aptly-named first track, "Pink Noise"), and there are creepy clips of distorted voices saying things like "the taco trucks were crashed and there was sausage all over and Sasquatch was eating a burrito." In different circumstances I might have discounted the album, but since I had decided to be obsessed with Beck, I gave it another few listens and began to appreciate it. There's the weirdly beautiful "Crystal Clear (Beer)" (opening line: "plastic donut, can of Spam, there's no kindness in this land"), and the hilariously awesome narrative ballad, "Satan Gave Me a Taco." In recent years, I've begun to think of Stereopathetic Soulmanure as a sort of musical collage with random clips of songs and recordings and electronic noise, artfully arranged by Beck.
One Foot in the Grave is a little easier on the ears, but, at fifteen, it wasn't the sort of thing I normally listened to. It's a slow, folksy, man-and-his guitar album (eccentric man-and his guitar album), with some songs (such as "He's a Mighty Good Leader" and "I've Seen the Land Beyond") sounding more like old-timey country than modern rock. But, again, I was now officially obsessed with Beck, so I kept listening, and I grew to love One Foot in the Grave in quite a profound way.
I listened to Beck's 1998 hodge-podge album, Mutations, on repeat while I made my Science Fair poster Junior year. Then I couldn't get enough of the dancy, sexy Midnight Vultures album, which came out just as I was entering college in 1999. And, for the past fifteen years, I have continued to follow Beck's career and buy every single one of his albums. I don't know if I would say I'm obsessed with Beck these days, but I am definitely a life-long fan.
So what is it I like so much about Beck Hansen? As a writer, I love the way he plays with words. His lyrics can sometimes seem random, but his combinations of images and ideas are often poetic, clever, surprising, and even moving. And I love his eccentricities. He released his last album (Song Reader, 2012) as nothing but sheet music and asked people to record their own versions. (What a weirdo!) He's also an adorable dancer (see the "New Pollution" video) and a great performer (see how he performed David Bowie's "Sound and Vision" on a circular stage with a 170-piece orchestra.)
But what I admire most about Beck is his ability to combine styles, and his courage to do different things instead of sticking with the same-old same-old. Beck has dabbled in just about every musical genre you can imagine: folk, blues, rock, country, hip-hop, R&B and electronica, often combining multiple genres into one song. He can release a slow, serious, melancholic album like Sea Change (2002) and then follow it up with a playful, upbeat, pop-rock album like Guero (2005). He can write complex songs with bizarre, ironic lyrics, and simple songs filled with raw, plaintive emotion. In a way, Beck's discography is a musical collage in itself.
* * *
I've always been a collage maker and a collage fan. In high school I made mix tapes (packed with Beck songs), and created collages for the covers. I like putting things together that might not normally belong.
In my writing, too, I like to dabble with different genres and styles. And I hope that as my writing career continues, I can be eclectic, like Beck. I want to write somber and soulful literary fiction, followed by fun and frisky YA, followed by weirdly dark fantasy. I don't want to get stuck doing the same thing time after time. Like Beck, I want to be constantly evolving.
Beck's latest evolution is his 2014 album, Morning Phase, which some critics are already calling Beck's best work in years. I downloaded it at midnight on February 25th – the day it was released.
Morning Phase is a beautiful album. Some music writers are comparing it to Sea Change, and I agree, but the difference to me is that Morning Phase is more hopeful. Whereas Sea Change is about bittersweet endings ("Lost Cause," "Lonesome Tears," "Already Dead"), Morning Phase is more of an ethereal awakening ("Morning," "Cycle," "Waking Light"). It's a sunrise as opposed to a sunset. The songs are soft and slow and, although sometimes bittersweet, there's a sense of optimism in the bright chords.
Although Beck changes his style from album to album, there are themes that reoccur, and this is especially noticeable between Sea Change and Morning Phase. He sings of loss, loneliness, broken spirits, broken hearts, (broken drums). He sings of wanderings both physical and emotional. (Gypsies and vagabonds are common mentions in his lyrics.) He also sings of rebirth. In Morning Phase's "Heart is a Drum" and "Say Goodbye" there is the sense that things are ending, but instead of lingering in sadness like he did with Sea Change, Beck seems accepting this time. Change is a part of life, and a new day will dawn.
I wouldn't say I'm love with Morning Phase. It's a little too 1960's mellow folk-rock for my tastes. I tend to be partial to Beck's more upbeat, playful rock albums: Midnight Vultures, Odelay, Guero, and Modern Guilt. But, who knows, I might give the album a few more listens and find it becomes one of my favorites.
If Stereopathetic Soulmanue is a mixed media collage, and One Foot in the Grave is a simple pencil sketch, and Midnight Vultures is splashy, neon pop-art, and Odelay is ironic hipster art, then perhaps Morning Phase is a beautiful landscape painting. Something quietly lovely that you experience more with your heart than with your mind.
I no longer need to be obsessed with something in order to define who I am. But perhaps I was drawn to Beck to begin with because, despite the fact that he tries different styles on for size, he has always had a very clear sense of who he is, and he's not afraid to show it. This comes through loud and clear in every single one of his albums.


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Dog Walkers in Rock Valley, IA
Book a dog walker to give your dog a 30-minute walk around your neighborhood.
Experience exceptional service and a personalized match
From start to finish, we'll handle all the details for you.Learn About Premier
Rover also offers dog walking in:
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We know you can't always be there, and it's our goal is to connect you with sitters in your neighborhood who can help take care of your pet. With Rover, it's easy to find and book Rock Valley dog walkers who will give your dog the exercise they need. Book a 30-minute walk one day, once a week, or even every day. That way, you can take care of what you need to do and know your dog is getting the love they deserve. No matter how often you need a sitter or dog walker, we're here for you. We're proud to offer complimentary premium insurance with dog walking services booked through Rover. The next time you're looking for a dog walker in Rock Valley, IA, visit Rover to search for the perfect dog walker, set up a Meet & Greet, and book a walk anytime you need it. All you have to do after that is sit back and relax: your dog's in good hands.
Wondering what you should be paying for a walk? Check out our standard dog walking rates for a comparison.


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Get Access
Beyond the scope of server acquisition and management, virtual infrastructure will have an impact on network management, security management, storage management, and business continuity/disaster recovery management. Application owners also need to understand how their applications will function in a virtual environment and executive sponsorship is a key success factor for virtualization initiatives.
This downloadable worksheet will help in the identification of the following:
- Reach and impact of virtualization.
- Effected standards and procedures.
- Cost savings opportunities.
- Planning constraints and mitigation steps.
- Key stakeholders.
- High-level goals.
The most often cited challenges to virtualization are related to people and processes, not technology. Take some time to think about all the people and processes that would be impacted by virtualization. This exercise will help mitigate costly pitfalls in longer term virtualization efforts.
This downloadable tool is associated with the research note, "Virtual Servers Planning Goals: Take a Baby Bear Approach."


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Taylor voices contract concerns
Birmingham City goalkeeper Maik Taylor admits he is concerned about his contract situation.
By James Dall
Last Updated: 14/02/08 12:54pm
Birmingham City goalkeeper Maik Taylor admits he is concerned about his contract situation.
The 36-year-old's current deal is set to expire at the end of the season and, as of yet, no official talks have been held with manager Alex McLeish.
Taylor is sure he has the quality and fitness to play for 'a few more years' but is growing anxious over the wait surrounding his Blues future.
"There is no option at all on my contract, so it's due up in the summer," he told the Birmingham Mail.
"And, contrary to reports, there has not been any negotiation about a new one, either.
"My agent had a five-minute meeting with the manager and all that was said was we would leave it and talk at the end of the season.
"It didn't get any further really, that was it.
No indication
"There was no indication of which way the manager and the club would go. Is that concerning? It is a little bit; I would rather know one way or the other.
"But that's where we are, and as far as I'm concerned I'm here at least to the end of the season and I will be trying to do my very best until then.
"I feel as fit as I have been. I feel I am playing well.
"I believe I can continue playing and give good service for a few more years yet.
"The family are settled and irrespective of where we are - what division - it would be great to sort something out.
"I fully understand what's been said, that we will leave it to the end of the season and see where we are."


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DETOURS has been offering professional, guided tours of the American West since 2001. Started by a team of guides who have been touring since the 1980's, DETOURS wanted to create a truly memorable experience for each guest with our custom vehicles, expert guides and flexibility. From the Scottsdale/Phoenix area, our small-group day trips showcase the best that Arizona has to offer with tours to Grand Canyon, Sedona, Verde Canyon Railroad, the Apache Trail, Tombstone, and Phoenix/Scottsdale City Highlights. If a single day is not enough time to enjoy the amazing views and rich cultural history of Arizona, we offer overnight touring options available in Sedona and the Grand Canyon. Our custom vehicles seat between 10-13 passengers, each enjoying their own reclining leather captain's chair. Providing smaller group tours allows our tour guides to become familiar with each guest and ensure that they are getting a first class touring experience. Read our reviews on TripAdvisor to see why we are the best in the business! Let DETOURS create amazing memories for you by showing you the stunning landscapes of the Southwest.
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Popular Now
Popular Now
Popular Now
Popular Now
01803 865913
+44 1803 865913
By: Kaj Granlund(Author)
227 pages, 144 colour photos, illustrations, and maps
Also available in German
Language: Swedish
This book is a competent but also critical view about the return of the wolf to Central Europe and contributes to an objective discussion on the progressive return of the wolf in its natural habitat. For 2000 years man defended himself and his cattle against wolves. The unequal struggle continued for centuries until man invented strychnine and firearms. In the second half of the 19th century people decimated wolf populations, so that attacks on people and livestock became rare. The current predator policy, controlled from cities, is based on superstitions and fantasies. This work provides sound facts about the return of the wolf in our landscape.
Also available in German
There are currently no reviews for this product. Be the first to review this product!
Your orders support book donation projects
They [the books] arrived in wonderful condition and it was a joy to see how well they were protected.
Search and browse over 110,000 wildlife and science products
Multi-currency. Secure worldwide shipping
Wildlife, science and conservation since 1985


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From Our Editors
Touting four eateries including a brand-new Denton location—the Cedar Springs location crowned as one of Dallas's best pizza spots by CitySearch Voters in 2010—Zini's Pizzeria entrances taste buds with colossal specialty pies and pastas doused with house-made sauces. More than 100 coins of pepperoni and a pound of mozzarella embellish the popular 100 Pounder pizza, a pie used to motivate T-rexes to increase their highest bench-pressing weight. A garden's worth of fresh spinach, tomatoes, artichoke hearts, and roasted corn set down roots in the Farmers Market pie. A recipe kept close to the vest or encrypted on wooden spoons guides chefs as they concoct a secret sauce destined for the crispy crust of their famous Garlic Cheezi Bread.


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CIUTI Forum
CIUTI FORUM, as the name implies, is an open discussion platform for all parties involved in translation and interpreting. Within the setting of an annual conference, usually in Geneva, stakeholders in T&I training, research, and practice are invited to discuss T&I-related problems and solutions, current trends, and anticipated developments. Recent topics were the role of languages in a changing global market, market-oriented T&I training, and translation-quality issues.


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Survey Builder
Linear Survey Editor
Add questions, answer options, page breaks and modify your questionnaire using a traditional linear (top down) survey format. Inside you can choose from 15 different pre-built question types or customise your own that you can save for later use. The WYSIWYG editor (What You See is What You Get), lets you quickly build new questions and lets you configure those questions and answer options down to the finest detail ensuring your survey looks and operates as you intend it to.


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Daniel Dostie Photographer
Robert SykesModel Male Ottawa, Ontario, Canada
My MM URL: http://www.modelmayhem.com/robroysykes
Mayhem # 1608135
About MeI love being in front of the camera and on the runway, cliche perhaps, but true. I have always been interested in fashion and visual art, particularly as an expressive media. I have experience in studio photography, and on the runway, as well acting on stage and in film. I am now looking to increase my experience and to one day make a viable living with acting and modelling. Networking being the necessity it is, you can not beat electronic community for getting exposure and for being easily seen.
Have you worked with Robert Sykes? Add Credits for Robert Sykes! >>
Daniel Dostie Photographer
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Vincenzo Defina Model
Monica Elle Rose Makeup Artist
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Green Thumb
Winner of two National Science Fairs for his work on plant life, thirteen-year-old Grady Jacobs isn't exactly Mr. Popularity. But he doesn't care. He's spending the summer with the famous botanist Dr. Phillip Carter in the Amazon jungle trying to save the rain forest with a new species of super trees. Although his duties are mostly relegated to kitchen patrol, Grady stumbles on a startling discovery: a binary system of sounds that enables him to control the movement of trees.
Even as Grady discovers the tree language, he realizes that Carter's super trees aren't replenishing the Amazon's ecosystem -- they're killing it. When his unauthorized experiments are discovered, Grady flees from Carter's camp and finds refuge with the Urah-wau Indian tribe. but even with the tribe's help and the secret tree language, can Grady stop Carter's super trees?
With his keen eye for popular culture now trained on the environment, award-winning author Rob Thomas tells a coming-of-age story bursting with action and adventure. Hanh on to that vine: It's going to be a wild ride.
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How Do I Know How Many Cups Of Batter 1 Recipe Will Yeild
Decorating By jenn31061 Updated 20 May 2010 , 2:12am by leily
how much batter will 1 recipe make - for box mixes and homemade poundcake recipes? Thanks I am realy struggling with larger cakes I have found some sites that tell me that the pans need 4 cups 8 cups.......well I do not know how many recipes I need to get that many cups..>>HELP
1 white duncan hines cake mix makes 5 cups. approx.
i get approx. 4 cups per chocolate cake box mix.
stawberry approx 4 1/2 cups.
Those are just my numbers, there are extenders for the recipes and I do not know how many cups per box they provide. sorry.
Hi, just noticed you were a very new "newbie" welcome to CC. you will love it here. and make sure you pay attention to the warning label about this website being addictive. !!
Welcome to CC! You are gonna love it here
Everytime I make a new cake recipe (I bake from scratch - my personal preference) I measure all the batter before I put it in my pans to bake. I write it on the bottom of the recipe, and any other notes I might have about the recipe. I also add that info to my spreadsheets that I use to price my cakes.
Hope that helps!
how much a homemade recipe makes all depends on the recipe. Will probably have to make it once, measure how much is there and make a note of it.
As for box mixes.... Brand to brand will make different amounts of batter. and if you add stuff to it, it changes it also. And even different flavors within the same brand yield different amounts.
PB and BC seem to avg out to 4 cups
DH seems to avg out to 5 cups
These are from my personal experience. I use Chocolate, White, and yellow - And I know that the Cherry Chip from BC only makes 4-1/2 cups. with pudding and an extra egg added to it.


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I need help in making a Ben 10 cake this coming weekend. It has to have a book incoporated in the design.
I can't find the relevance in of a book in a Ben10 design, but the client is always right hey. I always have the request of the watch is a must. I've done a 2 tier ben 10 last week, will post a picture later. It had Ben 10 on the top with stars and some balls on sticks and on the edge of the bottom tier were 2 aliens sitting. I've found quite a few ideas on Google for Ben 10 cakes and never done the same cake twice. You can always make the cake a Ben10 story book, with some modelled caracters sitting on top of the book.


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Looks like Hue - WA is no longer available on Rent.com which means this information is likely out of date.
Downtown Seattle ApartmentsGood things come in small buildings.Living modern in the city.Interiors inspired by the clean, modern designs of European flats. Everything you need-- and nothing you don't.Tricked out gaming den. Party-ready community loft.Trade in staid for shared amenities you'll actually use, like The Den--a fully loaded gaming room--and a seriously great, great room for all of your gatherings.Get to know the many hues of Lake Union.From the first pink rays in the morning to the golden glow of sundown, watch the changing colors of Lake Union and downtown from your perch at Hue. Choose between a studio, one or two bedroom apartment or one of Hue's lofts and townhomes.High-Speed Amenities.Premier high-speed internet service - CondoInternet.net is now available at Hue
Lease terms are variable. Please inquire with property staff.
Dogs Allowed. Cats Allowed. Pets Accepted. Call for service animal policy.
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|3 reviews in total
Delvecchio was a good, solid show with a fine cast. It was on the very edge of being renewed for a second year, and one wonders what Judd Hirsch's career would have been like if his first hit had been a drama rather than a sitcom. Delvecchio was created by Steven Bochco several years before Hill Street Blues. Although it lacked the stylistic innovation of the later show, Delvecchio had equally interesting characters - and some of the actors moved from the one show to the other, most importantly Charles Haid and Michael Conrad. There were even more connections. As 1976 was pre-VCR for me, I made an audio tape of several episodes. Imagine my surprise when I saw a Hill Street episode some years later and found the exact same, line to line, dialogue in one of their plot arcs as in the Delvecchio episode "Bad Shoot." Apparently it was so good it had to be used again!
The short-lived series "Delvecchio" was a very good cop show,with a
solid cast and fine performances to boot and it was right up there with
some of the great cop and private eye shows that emerge from the
mid-1970's. "Delvecchio" was so brilliant in every detail that it was
on the edge of being renewed for its second season,and one wonders what
would had happened if Judd Hirsch's career would have been like if this
show haven't come along. Who would have known if his first big hit had
been a drama rather than a sitcom. Who knows what would had happened if
this show made Judd Hirsch a huge star. The series "Delvecchio"
premiered in the fall of 1976,two years before the show that made Judd
Hirsch a bonafide star in one of the biggest comedy sitcoms ever to
grace the late 1970's-"Taxi".
Getting back to "Delvecchio" however,the series only produced 20 episodes and it ran on CBS-TV from September 9,1976 until the final episode of the series on July 17,1977. The series was created and produced by the great Steven Bochco,several years before "Hill Street Blues" and several years before "NYPD Blue". Also on board was the creative team of Joesph Polizzi and Sam Rolfe,who served as executive producer for this short-lived detective cop series. Rolfe,however along with Polizzi were the masterminds of one of the great espionage shows of the 1960's "The Man From UNCLE" in which Sam Rolfe was one of the architects for that series. Rolfe was also the creator of the classic 1950's psychological western drama "Have Gun,Will Travel".
About the show,"Delvecchio" was the story of a tough,independent big city police detective fighting crime in the mean streets of Los Angeles,California. Sgt.Dominick Delvecchio(Judd Hirsch),and his partner Sgt. Paul Shonski(Charles Haid)were assigned cases ranging from narcotics investigations to murders and auto thefts not to mention corruption within the department they worked for. His boss,and the man who assigns most of the cases they worked on,was Lt. Macavan(Michael Conrad). Also seen in some of the episodes was Delvecchio's father Tomaso(Mario Gallo),and Old World type from Italy(Delvecchio was Italian),who ran a small barbershop and was constantly perplexed about why his stubborn,determined son wanted to become a cop. Instead,Delvecchio was studying to be a lawyer anyway,but still had the instincts of a cop.
It was still a good cop show,but it lacked the stylistic innovation of the later show since Delvecchio had interesting characters-and some of the actors that were on this show moved from one show to the next,most importantly Charles Haid and Michael Conrad did as they went to star in one of the most intelligent and controversial cop shows of the 1980's- "Hill Street Blues". However,Delvecchio was the precursor to Hill Street Blues and other cop shows to follow that same format. Most importantly,the theme score from Billy Goldenberg was one of the best musical compositions ever to grace the awe of 1970's TV.
Thirty-nine year old Judd Hirsch was a total unknown (except for stage
work) before he starred in the fine TV movie "The Law" (1974). Hirsch
sent in a commercial he had done as an audition tape for "The Law" so
NBC executives could see what he looked like. The network would have
preferred George Segal for the apparently Jewish hero, but producer
William Sackheim held out for Hirsch. It must have been a hard sell.
When have you ever seen an unknown star in a TV movie, before or since?
The entire cast of "The Law" were unknowns at the time, including Gary
Busey, Bonnie Franklin, and John Hillerman.
"The Law" was an incredible break for Judd Hirsch, but he was still a little irritated that John Beck received more money for playing a prosecutor.
"The Law" was a major critical success. Director Johm Badham and writer Joel Oliansky received Emmy nominations. The two and a half hour movie won the Emmy as outstanding special of the year. John Badham, Joel Oliansky, and William Sackheim had previously worked together on "The Senator" (1970) with Hal Holbrook, which was also remarkable.
Hirsch played public defender Murray Stone in "The Law". The movie was a Fredrick Wiseman like view of the legal system. A three episode trial run series followed the movie. Murray Stone now worked for a fancy law firm. The hour long series didn't catch on. Hirsch said that if Murray had remained a public defender representing life's losers the show would have run forever.
"Delvecchio" (1976) was an attempt by producer Sackheim to redo "The Law" but to have a hit. Dominick Delvecchio was a young detective sergeant who had gone to law school at night. But he has flunked the bar exam - several times. But he keeps taking the exam. Maybe "Delvecchio" would have eventually become a lawyer show.
Back in 1954 Sackheim had written and produced a movie called "The Human Jungle". Gary Merrill was excellent as a police captain who has passed the bar exam and plans to quit the force and start a law practice. But his boss talks him into to taking command of a brutally lawless precinct instead. Sackheim had also written a "Playhouse 90" called "Before I Die" where the hero's name was Dr. Del Vecchio. These previous projects might have provided a little of the inspiration for "Delvecchio" (and perhaps also for "Hill Street Blues").
Fifty-six year old Sackheim was the executive producer of "Delvecchio" and thirty-two year old Steven Bochco was one of the producers. Bochco was a contract writer at Universal. It's hard to see any trace of greatness in Bochco's work before "Delvecchio". In Bochco's own opinion, he was a studio hack doing whatever he was asked to do. When Bochco saw the early scripts coming in for "Delvecchio", he thought they were pretty good. Sackheim said they were junk and had to be rewritten. Bochco says his year on "Delvecchio" was key in his writing life. Bochco's work after "Delvecchio" is of a different order.
Michael Kozoll was story editor of "Delvecchio" and wrote six episodes. Kozoll was later executive producer of "Hill Street Blues" along with Bochco. Kozoll wrote an episode of "Kojak" the next season where Kojak is offered a high paying job as chief investigator for a big law firm by managing partner Charles Aidman. Aidman turns out to be dirty and is trying to compromise Kojak. I always thought this was a planned second season episode of "Delvecchio" that was recycled when "Delvecchio" didn't come back.
William Sackheim was a tough curmudgeon who seemed to get the best out of talented young writers. David Chase ("The Sopranos") did a series early in his career with Sackheim called "Almost Grown" with Tim Daly.
The most charismatic performance in "Delvecchio" was given by Michael Conrad as Lieutenant Macavan, the boss of the precinct squad room. Charles Haid played detective sergeant Shonski, Delvecchio's overweight but tough partner. Shonski was one of the few TV cops to wear glasses. Sackheim wasn't interested in pretty boy cops.
"Delvecchio" wasn't as stylishly filmed as "The Senator", "The Law", or "Hill Street Blues". The writing also wasn't as breath taking. Judd Hirsh was later a little dismissive of "Delvecchio". He thought the only distinctive part of the show were the character interactions in the squad room.
But "Delvecchio" was a fine, very entertaining effort. It was one of the few cop shows I have ever watched regularly. I loved the opening credits with Billy Goldenberg's theme music. I wish "Delvecchio" had lasted longer than one season.
It would have been cool if Steven Bochco had brought back Dominick Delvecchio as an attorney on "L.A. Law" (1986). Delvecchio definitely would have been a loose cannon at Mackenzie, Brackman.
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The police states that no suspects have been identified in relation to the shooting that occurred in Moragahahena - Millewa - Polhena region of a family of 3 who were travelling on a motorcycle.
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The police stated that the father and daughter died as a result of the shooting and that the wife who was injured and admitted to the Horana Base Hospital had received treatment and was subsequently discharged today.
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Oaklawn has record day
Oaklawn Park threw a party in honor of Smarty Jones on Kentucky Derby Day, and the track handled $1.8 million on incoming simulcasts, a record for off-season betting at the Hot Springs track. Attendance for the track's "Smarty Party" on Saturday was 7,500.
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Dr. Nestor Esnaola MD Patient Reviews
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Theres been bloodletting in the US at Sage Group as the firm parts company with its CEO and finance director. Stuart Lauchlan reports
Ron Verni, the chief executive of Sage's American business, and Jim Eckstaedt, the chief financial officer, have left the firm. A company statement confirmed: Following a review of its North American business, the board has concluded that a change in leadership is required to realise the full potential of this business.
Its the lastest turbulent upheaval for the firm, coming only months after the surprise departure of Andrew Corbin, its head of healthcare software, who followed soon after Sir Julian Horn-Smith, the chairman, left over what the company called "differences in culture and style".
Senior management in North America will report directly to...
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|"Carsten Ziegeler" <cziege...@s-und-n.de>
|RE: Release early? (was: Roadmap Executive Plan)
|Tue, 12 Mar 2002 11:47:56 GMT
> Sylvain Wallez wrote: > <snip> > > > >>A question about sunRise : is it possible to use standard HTTP > >>authentication and authorization ? AFAICS, it seems to be very tied to > >>form-based and application-managed authentication. > >> > > > >You can use any information you can reach from within the Java code. > >I'm not sure if there is a change to get the HTTP authentication infos. > >If yes, you can use sunRise. > > > The problem comes from the login page. With HTTP authentication, you > don't have a dedicated login page, and thus cannot use this one to > handle authentication. Or did I miss something ? > Hm, correct me if I'm wrong as we never used HTTP authentication with sunRise. If a user requests a URI from the web server which is protected, the web server (or the browser) prompts for the authentication information. Only if the user is authenticated this request is forwarded to the servlet engine. Is this correct? If this is so, the servlet engine can - without using a form - use the sunRise-login action, get the information from the web server (if possible) and log the user into sunRise. Does this make sense? Carsten --------------------------------------------------------------------- To unsubscribe, e-mail: firstname.lastname@example.com For additional commands, email: email@example.com
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I am making many gumpaste four leaf clovers for a wedding cake next next. I want the green of the clovers to vary which is not a problem but they are coming out a little dull. I am dusting them and painting on the details but how can I make the overall color "pop"? Thanks for any help and suggestions!
Steam them. It seals them and gives a slight sheen. They will be tacky fir a bit, but they dry nice and smooth. Might be hard to do though if they are small and un-wired. You can also paint them with an edible lacquer.
I'll try the steam method...Thanks so much!
you can also use luster dust, and it will give them a shinny appearance, you can also try rubbing your fondant with shortening (which will make you fondant more shinny), you can also spray it with pam (it will make it shinny)
if you would like them really really shinny then you make a high gloss glaze
4 tsp vodka
1 tsp gelatin
when you use it dob it on with a small brush (the gelatin will set quickly and will go gooey if you brush it) you can store it in the fridge and just microwave to melt to use it later
or you could make an edible varnish (make 1/8 cup)
1 tsp gelatin
3sp water
1 tap liquid glucose of white corn syrup
put gelatin into the water let stand until it becomes spongy, zap in microwave until gelatin dissolves, add glucose or corn syrup combine well (you need to paint the varnish on while it is hot) it reheat after it has been in the fridge place in a bowl of hot water (not boiling) keep in a airtight container in the the fridge. all the item to dry completely before recoating
i hope this helps