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text:
|Publication number
|Publication type
|Application number
|Publication date
|Jul 30, 1985
|Filing date
|Aug 15, 1983
|Priority date
|Aug 15, 1983
|Fee status
|Publication number
|Thomas D. Gueldenzopf
|Original Assignee
|S. C. Johnson & Son, Inc.
|Export Citation
|BiBTeX, EndNote, RefMan
|Patent Citations (6), Non-Patent Citations (2), Referenced by (64), Classifications (26), Legal Events (4)
|External Links: USPTO, USPTO Assignment, Espacenet
This invention relates to a laundry care product. More particularly, this invention relates to a laundry care bleach available in dry, pre-measured form.
It has long been considered desirable to add a bleaching agent to the wash water in a home or commercial laundry. By including a bleaching agent, stubborn or difficult stains can be removed from the clothes by the bleaching action of a bleaching agent.
At the present time, bleaches fall into two categories: liquid chlorine bleaches, which are aqueous solutions of sodium hypochlorite, and dry, oxygen bleaches based on various per-type compounds, such as peroxides, perborates, etc. Chlorine bleaches have the advantages of cost, they are relatively inexpensive, and have a high degree of bleaching activity. However, this latter advantage also is a disadvantage as a very active bleaching agent can damage some colors and fabrics and the bleach must be added to the wash water as a dilute solution.
In addition to the above two bleaching agents, there are a number of solid chlorine-type bleaching compositions available. These compositions dissolve in water to form an active bleaching species such as sodium hypochlorite which then functions as the bleach. These compositions have not been usable in a home laundry environment since concentrated areas of bleach may come in contact with garments to create pin hole bleaching, i.e., light over-bleached spots on the garment.
There have been attempts to utilize these dry chlorine bleaches in a home laundry environment by combining the same in dissolvable packets and the like. However, these packets have not been successful because the packets, while water soluble under most conditions, may became water-insoluble after prolonged contact with an oxidizing agent such as a dry bleach, and localize the bleach until the packet is dissolved.
It has now been surprisingly found that a storage stable, dry bleaching composition can be prepared in sheet form. These bleach sheet compositions include a dry particulate bleaching compound; a bleach stable film-forming polymer which is soluble in water, a solubilizer and a bleach stable surfactant.
It is the primary object of the present invention to provide a storage-stable bleach sheet.
It is a further object of the present invention to provide a bleach sheet suitable for use in laundry containing a premeasured amount of a particulate bleaching agent.
It is a still further object of the present invention to provide a bleach sheet which will substantially dissolve during a wash cycle and rinse.
It is a still further object of the present invention to provide a means for delivering particulate bleaching compounds to the wash medium without damaging fabrics.
it is a still further object of the present invention to provide a bleach sheet product containing a particulate bleach.
Still further objects and advantages of the composition of the present invention will become more apparent from the following more detailed description thereof.
The bleach sheets of the present invention comprise a dry particulate bleaching composition; a bleach stable, film-forming, water-soluble polymer, a solubilizer and a bleach stable surfactant wherein the weight ratio of bleaching compound to polymer is within the range of from 10:1 to 1:2, the weight ratio of solubilizer to polymer is within the range from 3:1 to 1:20 and the weight ratio of surfactant to polymer is from 1:1 to 1:20 and wherein content of the bleaching compound in the sheet is from 2 to 20 grams.
The active component in the compositions of the present invention include a dry particulate bleaching composition. The actual percentage of bleach in the sheet is not critical. It is important that sufficient bleach be available so that an effective level of bleaching species is released in the wash liquor. It has been found that it is necessary to deliver from about 2 to 20 grams of bleaching compound to a typical wash liquor depending on the amount of available bleaching species in the bleaching composition. The actual percentage of bleach in the final sheet will depend on a number of factors including the size of the sheet, the thickness of the sheet, and other additives. For this reason, it is convenient to discuss the amount of bleach in terms of a weight ratio of bleach to substrate-forming polymer. For typical sheets, the ratio of bleach to polymer should be from 10:1 to 1:2. At 10:1, the sheet is beginning to lose its integrity as a sheet and at 1:2 the sheet has to be so large that it is no longer economical to manufacture and is too large and bulky to use conveniently. It is preferred that the weight ratio be from about 5:1 to 1:1 and the optimum ratio is 3:1 to 2:1.
As noted above, the bleach sheets of the present invention must be capable of delivering from 2 to 20 grams and preferably 5 to 20 grams of active bleaching agent to the wash liquor.
Suitable chlorine-type bleaching agents include alkali metal and alkaline earth metal hypochlorites, hypochlorite addition products, chloramines, chlorimines, chloramides, and chlorimides. Specific examples of compounds of this type include potassium hypochlorite, lithium hypochlorite, calcium hypochlorite, calcium hypochlorite dihydrate, monobasic calcium hypochlorite, dibasic magnesium hypochlorite, chlorinated trisodium phosphate dodecahydrate, potassium dichloroisocyanurate, sodium dichloroisocyanurate, sodium dichloroisocyanurate dihydrate, 1,3-dichloro-5,5-dimethylhydantoin, N-chlorosulfamide, Chloramine T, Dichloramine T, Chloramine B, Dichloramine B, and Di-Halo (bromochlorodimethyl hydantoin), N-chlorosuccinimide, N-chloromalonimide, N-chlorophthalimide, and [mono-(trichloro)-tetra-(mono-potassium dichloro)]pentaisocyanurate. Other imides which are useful are hydantoins such as 1,3-dichloro-5,5-dimethylhydantoin, N-monochloro-5,5-dimethylhydantoin, methylene-bis(N-chloro-5,5-dimethylhydantoin), 1,3-dichloro-5-methyl-5-isobutylhydantoin, 1,3-dichloro-5-methyl 5-ethylhydantoin. 1,3-dichloro-5,5-diisobutylhydantoin, and 1,3-dichloro-5-methyl-5-n-amylhydantoin.
Additional useful organic compounds are trichloromelamine, N-chloromelamine, monochloramine, dichloramine, paratoluene sulfondichloroamide, N,N-dichloroazodicarbonamide, N-chloroacetyl urea, N,N-dichlorobiuret, chlorinated dicyandiamide, dichloroglycoluril, N,N-dichlorobenzoylene urea, and N,N-dichloro-p-toluenesulfonamide and mixtures, etc.
The preferred particulate bleaches are the chlorine donor bleaching compositions and particularly the chlorinated isocyanurates such as sodium dichloroisocyanurate, sodium dichloroisocyanurate dihydrate, potassium dichloroisocyanurate, potassium dichloroisocyanurate dihydrate and the like.
Suitable per-type bleaches include inorganic peroxy bleaches and organic peroxy bleaches.
By inorganic peroxy bleaches are meant inoraganic peroxyhydrates; examples are alkali metal salts of perborates, percarbonates, persulfates, persilicates, perphosphates, and perpolyphosphates.
By organic peroxy bleach is meant urea peroxide CO(NH2)2 H2 O2 or an organic peroxy acid or anhydride or salt thereof which has the general formula ##STR1## wherein R is an alkylene group containing from 1 to about 20 carbon atoms, preferably 7 to 16 carbon atoms, or a phenylene group and Y is hydrogen, halogen, alkyl, aryl or any group which provides an anionic moiety in aqueous solution. Such Y groups can include, for example, ##STR2## wherein M is H or a water-soluble, salt-forming cation.
The organic peroxyacids and salts thereof operable in the instant invention can contain either one or two peroxy groups and can be either aliphatic or aromatic. When the organic peroxyacid is aliphatic, the unsubstituted acid has the general formula ##STR3## where Y, for example, can be CH3, CH2 Cl, ##STR4## and n can be an integer from 1 to 20. Diperazelaic acid (n=7) and diperdodecanedioic acid (n=10) are the preferred compounds of this type. The alkylene linkage and/or Y (if alkyl) can contain halogen or other noninterfering substituents.
When the organic peroxyacid is aromatic, the unsubstituted acid has the general formula ##STR5## wherein Y is hydrogen, halogen, alkyl, ##STR6## for example. The percarboxy and Y groupings can be in any relative position around the aromatic ring. The ring and/or Y group (if alkyl) can contain any noninterfering substituents such as halogen groups. Examples of suitable aromatic peroxyacids and salts thereof include monoperoxyphthalic acid, diperoxyterephthalic acid, 4-chlorodiperoxyphthalic acid, the monosodium salt of diperoxyterephthalic acid, the monomagnesium salt of monoperoxyphthalic acid, m-chloroperoxybenzoic acid, p-nitroperoxybenzoic acid, and diperoxyisophthalic acid.
These bleaching agents should be in dry form in the composition of the present invention. However, they should be readily dissolvable in warm, hot or cold water to effectively provide bleaching action in the wash liquor. The preferred dry bleaching compositions are sodium dichloroisocyanurate dihydrate, sodium dichloroisocyanurate, potassium dichloroisocyanurate dihydrate, potassium dichloroisocyanurate, sodium perborate monohydrate, sodium perborate tetrahydrate, sodium percarbonate and mixtures thereof.
The second component of the present invention provides a film or medium which contains the bleaching component. These materials must be bleach stable, film-forming, water-soluble polymers. By the term "bleach stable" is meant that these materials must be sufficiently stable in the presence of chlorine and oxygen bleaches so that they retain their water solubility. Many water soluble sheet forming materials are not suitable for use in the present invention since it is known that these materials upon storage will cross-link in the presence of an oxidizing agent such as chlorine bleach to form a water insoluble film or sheet. Furthermore, since the particulate bleaching materials must be maintained in a substantially dry state, the film-forming materials must be capable of forming a film either from a non-aqueous solvent or be sufficiently thermoplastic so that they can be extruded.
A suitable bleach stable water-soluble film-forming polymer is hydroxypropyl cellulose. The preferred hydroxypropyl celluloses are those sold under the tradename Klucel from Hercules, Inc., Wilmington, Del. Preferably, the hydroxypropyl cellulose should have at least 2.5 moles of propylene oxide per anhydroglucose unit and should have a molecular weight of less than 1,000,000.
As noted above, the film-forming materials should be sufficiently soluble in a non-aqueous solvent so that they can be cast from this solvent medium or should be sufficiently thermoplastic so that they can be formed into sheet form using known sheet forming methods such as extrusion. The compositions of the present invention can be formed by dissolving the chlorine stable film-forming material in a suitable solvent such as methylene chloride, along with the bleaching agent. The bleaching agent need not be soluble in solvent but should be capable of being suspended along with the polymer. The other materials, such as alkalinity agents and surfactants, are also added at this time. The film is then cast into sheet form and later cut up into the desired shape and size.
If extrusion is to be utilized, it may not be possible to combine all the components of the present invention together at that time. In this method, the film-forming material may be extruded and the particulate bleaching composition, as well as other dry components may be dusted onto the hot surface of the film and adhere thereto. Alternatively, the above process can be utilized and active bleaching agents can be covered with a second sheet of the same film-forming, water-soluble polymer. The amount of water-soluble, film-forming polymer is not critical per se, but sufficient film former should be used to conveniently deliver the required amount of bleach to the wash liquor. As discussed above, the ratio of bleach to sheet should be within the range of 10:1 to 1:2. It is preferred that a ratio of 5:1 to 1:1 be used and optimally a ratio of 3:1 to 2:1 should be used.
It has also been found that the inclusion of a small amount of a solubilizer is very helpful in aiding dissolution of the sheet in the wash liquor. Suitable solubilizers include compounds such as sodium carbonate, sodium phosphate, sodium bicarbonate, sodium pyrophosphate, sodium tripolyphosphate, sodium borate, sodium citrate, sodium silicate, sodium hydroxide, sodium sulfate, the zeolites, etc. Mixtures of these materials can be used. Furthermore, these materials often are present in laundry care products as builders and also increase the detergency of the overall system. The preferred solubilizers are sodium carbonate, zeolites and mixtures. The ratio of solubilizer to polymer should be within the range of 1:20 to 3:1 and preferably within the range of 1:10 to 1:2 and optimally within the range of 1:4 to 1:2.
The compositions also may include a small amount of surfactant. It has been found that the inclusion of a small amount of surfactant into the composition aids in the dissolution of the sheet during the wash cycle. Suitable surfactants should be compatible with the other components of the composition of the present invention and should be stable in the presence of bleaching agents, especially chlorine bleaches. Suitable surfactants include anionic surfactants such as sodium lauryl sulfate, sodium dioctyl sulfosuccinate, linear alkyl benzene sulfonate, alpha-olefin sulfonate, xylene sulfonate, etc. Other anionic surfactants do not provide complete dissolution of the sheet but allow the bleach to be properly released. Most nonionic surfactants provide proper bleach release but do not impart proper dissolution characteristics to the sheet. It has been found that a ratio of surfactant to polymer of from 1:20 to 1:1 should be utilized. It is preferred that from 1:10 to 1:2 be utilized and optimally a ratio of 1:6 to 1:2 should be utilized.
The compositions of the present invention also may include small amounts of materials such as plasticizers, chlorine stable perfumes and the like. These materials can be present in the compositions of the present invention in an amount not exceeding 5% by weight of each additive.
As noted above, the bleach sheet compositions of the present invention can be prepared by a number of conventional sheet-forming methods. One method comprises dissolving the film-forming polymer in a non-aqueous solvent such as methylene chloride. To this film-forming liquid is added the dry particulate bleaching agent, alkaline material and detergent. This is then cast into a film by placing the composition in a pan and allowing the solvent to evaporate.
An alternative method for preparing the sheets of the present invention comprises extruding the film-forming composition into a sheet. This extruded sheet can be the film-forming polymer itself or it could be the film-forming polymer mixed with a small percentage of the alkaline materials, surfactant or plasticizer, if necessary. This extruded film is then contacted with the dry bleaching agent. Although it is not necessary, it may be considered desirable to place a second sheet of film-forming material on top of the dry bleaching agent to firmly lock the same in place between two sheets of thermoplastic film-forming material.
The compositions of the present invention will now be illustrated by way of the following examples which are for the purposes of illustration only and are in no way to be considered as limiting. In the following examples, all parts and percentages are by weight and all temperatures are in degrees Fahrenheit.
A substantially water soluble bleach sheet is prepared having the following formulation:
______________________________________Hydroxypropylcellulose (Klucel E- 4.00 gramsHercules Chemical Co.)Dimethylpolysiloxane, 100 cstks 0.40 grams(DC-200 Dow Corning)Sodium linear alkylbenzene sulfonate 1.08 grams(Sulframin 90 Witco Chemical)Type 4A Zeolite (ZB-100 Union Carbide) 1.23 gramsSodium dichloroisocyanurate dihydrate 10.00 grams(ACL 56 Monsanto)______________________________________
The bleach sheet is prepared by dissolving the Klucel E, DC-200 and Sulframin 90 in 150 ml of methylene chloride. The zeolite is then dispersed in the above solution and one half of the zeolite containing dispersion is poured into a 6"�8" baking dish having a silicone-based, non-stick coating. The dispersion is allowed to air dry until the methylene chloride has evaporated. The ACL 56 is then uniformly sprinkled over the dried film and then sprayed with a small amount of methylene chloride to soften the film and temporarily bind the ACL 56 particles. The film is allowed to air dry. The remaining zeolite containing dispersion is then poured over the ACL 56 containing film and is air dried thoroughly to remove the solvent.
The above sheets are placed in a standard top loading automatic washing machine using 110� F. water along with one cup of detergent (Tide detergent, Procter and Gamble) and used to launder four stain swatches containing tea, cherry, grass and grape stains plus six towels for ballast and agitated for ten minutes. After the wash cycle is completed, the stain swatches are removed and observed for Klucel particles, substantially none were found and those observed were very small. The towels were removed and shook over a dark surface to see if there were any Klucel particles. Again, there were only very few small particles observed.
The stain swatches were evaluated and about 90% of the stains were removed based on color difference readings.
Using the same procedure as Example 1, except that a 10"�15" pan was used, and that sodium carbonate is used in place of zeolite, bleach sheets having the formulations as shown in Table 1 were found. Sheets are cut to size such that each contains 10.0 g ACL 56.
TABLE 1______________________________________ Run A1 B1 C2 D3 E4______________________________________Klucel E 3.25 g 6.50 g 32.50 g 65.00 g 32.50 gDC-200 0.32 g 0.65 g 3.25 g 6.50 g 3.25 gSoda Ash 0.65 g 1.30 g 6.50 g 13.00 g 6.50 gSulframin 90 0.40 g 0.80 g 4.00 g 8.00 g 4.00 gACL 56 32.50 g 32.50 g 32.50 g 32.50 g 16.25 gRatio of ACL: 10:1 5:1 1:1 1:2 1:2KlucelSolubility good good moderate moderate moderateBleaching good good good good good______________________________________ 1 Runs A-B used about 225 ml of methylene chloride. 2 Run C used about 525 ml of methylene chloride. 3 Run D used about 525 ml of methylene chloride, poured as 8 layers. 4 Run E used about 525 ml of methylene chloride, poured as 4 layers.
The bleaching and solubility tests were run as in Example 1 and the results are shown in Table 1 above.
The procedure of Example 1 was repeated, except that 225 ml of methylene chloride was used and the zeolite was replaced with the sodium carbonate, to make the formulations as shown in Table 2. The resulting sheets were cut such that each sheet contains 10.0 g ACL 56 and evaluated for solubility and bleaching as in Example 1.
TABLE 2__________________________________________________________________________ Run A B C D E F G H I J K L__________________________________________________________________________ComponentsKlucel E 13.0 13.0 13.0 13.0 13.0 13.0 13.0 13.0 13.0 13.0 13.0 13.0DC-200 1.3 1.3 1.3 1.3 1.3 1.3 1.3 1.3 1.3 1.3 1.3 1.3Na2 CO3 2.6 2.6 1.3 1.3 6.5 0.65 6.5 0.65 0.65 6.5 6.5 0.65Sulfra- 6.5 0.65 6.5 0.65 2.6 2.6 1.3 1.3 6.5 6.5 0.65 0.65min 90ACL 56 32.5 32.5 32.5 32.5 32.5 32.5 32.5 32.5 32.5 32.5 32.5 32.5RatiosKlucel: 5:1 5:1 10:1 10:1 2:1 20:1 2:1 20:1 20:1 2:1 2:1 20:1Na2 CO3Klucel: 2:1 20.1 2:1 20:1 5:1 5:1 10.1 10:1 2:1 2:1 20:1 20:1Sulfra-minPerformanceBleaching good good good good good good good good good good good goodSolubil- good mod- mod- poor mod- mod- good mod- poor very very veryity erate erate erate erate erate good good poor__________________________________________________________________________
Using the procedure of Example 3, these bleach containing sheets were prepared having the formulation as set forth in Table 3. These sheets were tested using the procedure of Example 1. Each of these runs shows the importance of having both a solubilizer (Na2 CO3) and surfactant present in order to obtain proper sheet solubility and/or dispersibility.
TABLE 3______________________________________ A B C______________________________________Klucel E 13.0 g 13.0 g 13.0 gDC-200 1.3 1.3 1.3Na2 CO3 -- 2.6 --Sulframin 90 2.6 -- --ACL 56 32.5 32.5 32.5Solubility Moderate Very Poor Very PoorBleaching Good Good Good______________________________________
The procedure of Example 2 is repeated except that the sodium carbonate is replaced with the materials as shown in Table 4. The bleaching and solubility performance were tested as in Example 1.
______________________________________Klucel E 13.0 g.DC-200 1.3Solubilizer See Table 4 6.5Sulphramin 90 2.6ACL 56 32.5______________________________________
TABLE 4______________________________________Run Solubilizer Solubility Bleaching______________________________________A Sodium tripolyphosphate Moderate GoodB Sodium Citrate Poor GoodC Borax (5 mole hydrate) Poor GoodD Sodium metasilicate Moderate GoodE Sodium sulfate Poor GoodF Sodium phosphate (tribasic) Good GoodG Sodium Bicarbonate Poor GoodH Sodium hydroxide Poor GoodI Sodium sesquicarbonate Good Good______________________________________
Using the procedure of Example 1, the following formulation was prepared:
______________________________________Klucel E 13.0 g.DC-200 1.3ZB-100 4.0Surfactant (See Table 5) 3.5ACL 56 32.5______________________________________
The formulas were tested for solubility by placing a 0.26 g. sample of the sheet into a beaker of tap water having the temperature indicated. The time to disolution of the sheet was noted.
TABLE 5______________________________________ 110� F. 60� F. 130� F.Run Surfactant Min. Min. Min.______________________________________A Sulframin 90 3'59" 9'46" 3'17"B Stepanol ME 1 10'42" >30' 30'C Aerosol OT-1002 8'56" 20' >30'D Siponate 301-10F.sup. 3 7'30" >30' >30'E Hostapur SAS-934 3'53" 13'28" >30'The above sheets all released bleach properly.______________________________________ 1 Sodium Lauryl Sulfate 2 Sodium dioctyl sulfosuccinate 3 Sodium alpha olefin sulfonate 4 Sodium secondary alkane sulfonate
Example 5 was repeated except that the surfactants used are those as shown in Table 6.
______________________________________Run Surfactant 60� F. 110� F. 140� F.______________________________________A Plurafac A391 Sol2 Sol Not sol3B Witconate SXS4 Sol Sol Not solC Neodol 25-12.sup. 5 -- Not Sol --D Tergitol 15-S-156 -- Not Sol --E Pluronic F-38.sup. 7 -- Not Sol --F Pluronic L-35.sup. 7 -- Not Sol --G Pluronic 10R58 -- Not Sol --______________________________________ 1 Ethoxylated/propoxylated fatty alcohol 2 Completely soluble 3 Not completely soluble 4 Sodium xylene sulfonate 5 C12-15 fatty alcohol ethoxylate with 12 moles ethylene oxide 6 Ethoxylated secondary alcohol 7 Ethoxylate/propoxylate block copolymer propylene oxide backbone 8 Ethoxylate/propoxylate block copolymer ethylene oxide backbone
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|May 11, 2006
|Nov 16, 2006
|Vincenzo Catalfamo
|Bleaching product
|Jun 23, 2006
|Dec 7, 2006
|Schneider Advanced Technologies, Inc.
|Process for stain removal
|Sep 11, 2006
|Oct 2, 2008
|Samuel Icht
|Detergent Printed Film
|Jun 30, 2000
|Feb 8, 2011
|The Procter & Gamble Company
|Delivery system for oral care compositions comprising organosiloxane resins using a removable backing strip
|May 10, 2006
|Aug 8, 2012
|Functionalized films
|Mar 2, 1987
|Sep 16, 1987
|Henkel Kommanditgesellschaft auf Aktien
|Powdery chlorine-active mechanical applicable dishcleaning agent
|Aug 14, 1989
|Mar 8, 1990
|Fibre Treatments (Holdings) Limited
|A disinfecting or bleaching tissue
|Mar 30, 1990
|Oct 18, 1990
|Creative Products Resource Associates, Ltd.
|Stearate-based dryer-added fabric softener sheet
|Dec 11, 1997
|Jun 18, 1998
|Lonza Inc.
|Cleaning compositions containing a halogen bleaching agent and a sulfosuccinate salt
|Dec 11, 1997
|Jul 30, 1998
|Lonza Ag
|Cleaning compositions containing a halogen bleaching agent and a sulfosuccinate salt
|Aug 4, 2000
|Mar 8, 2001
|Unilever Plc
|Method of bleaching stained fabrics
|Apr 2, 2004
|Oct 14, 2004
|Reg Macquarrie
|Film-form compositions for delivery of soaps and detergents
|May 10, 2006
|Nov 23, 2006
|The Procter & Gamble Company
|Bleaching product
|Sep 11, 2006
|May 31, 2007
|Samuel Icht
|Detergent printed film
|Feb 21, 2013
|Mar 27, 2014
|Ronco Danilo
|Cellulose-based paper containing cleansing agents capable of disaggregating in aqueous liquids and of being wound into continuous rolls.
|U.S. Classification
|252/186.35, 252/186.36, 252/186.34, 510/513, 510/296, 252/186.37, 510/302, 252/186.2, 252/186.25, 252/186.27
|International Classification
|Cooperative Classification
|European Classification
|Oct 3, 1983
Owner name: S.C. JOHNSON & SON
Free format text: ASSIGNMENT OF ASSIGNORS INTEREST.;ASSIGNOR:GUELDENZOPF, THOMAS D.;REEL/FRAME:004175/0740
Effective date: 19830811
Owner name: S.C. JOHNSON & SON, STATELESS
Free format text: ASSIGNMENT OF ASSIGNORS INTEREST;ASSIGNOR:GUELDENZOPF, THOMAS D.;REEL/FRAME:004175/0740
Effective date: 19830811
|Dec 14, 1988
|Fee payment
Year of fee payment: 4
|Aug 1, 1993
|Lapse for failure to pay maintenance fees
|Oct 19, 1993
|Expired due to failure to pay maintenance fee
Effective date: 19930801

subset: commoncrawl


text:
- Details
DetailsFeatures: Weight Capacity: 250 Includes (8) Plastic Storage Tubs (12" x 14" x 4" high) and adjustable laminate shelves. MIX & MATCH Modular System. Order 1, 2, 3, 4 or more cabinets to fill any wall space. Each oak laminate cabinet module is 32" wide x 19 1/2" deep x 78" high and is equipped with (2) Oak laminate hinged locking doors. Modular cabinets must be secured to the wall and can an be detached and moved if necessary. Wall fasteners not included. 8251
- Specifications
Additional Information
Old Manufacturer Part Number (MPN) 4002-027 (FOLK GRAY&NORD BLU) Manufacturer Hausmann Unit of Measure (UOM) Each Shipping Method Tailgate Delivery Model 4002 Country of Origin United States Of America
- Reviews
- Logistics
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Help! Baker Bailed Need Advice! Long Sorry
Decorating By huntforjulia Updated 14 May 2009 , 1:38pm by tiggy2
My daughter is getting married June 6 2009. Now it looks like I will have to make the cake. June 6th seems to be a popular date in this area, walmart supercenter bakery is available but is a 45minute drive. I Have some experience, took the wilton class, made cakes for the catering company I used to work for, done some wedding cakes for family/friends, never a stacked cake. My daughters cake is supposed to be a 4 tier topsy turvy cake. I am worried about the whole thing falling over. I have searched all over and found to tilt the cake use, frosting styrofoam and the directions on here. to save time I thought about buying the cakes at walmart already covered and then just stacking and decorating myself. Would this work? Another complication is I would also have to pick them up thursday before the saturday wedding. Would an sps system help? My daughter is looking for other cakes but had set her heart on this is and is frustated so not really into looking for another cake. the wedding is nice and normal the reception is mardi gras theme. I will take ANY and ALL ideas.
If you've never done a topsy turvy I'd do a practice one now. There are tutorials if you do a web search. tonedna on this site has made some beautiful ones and is always willing to answer questions. She may have a tutorial on youtube. Send her a pm via this site. Go to member list at the top of this page then search for tonedna. Once you find her you'll have the option of sneding her a private message. Hope that helps.
If you have to make the cakes and don't want to stack, I recommend that you buy three beautiful cake plates of varying heights, maybe all the same color, and make and decorate three large cakes. Then set them up in a row on the cake table. If you add some flowers or other decorations on the tables at the bases, it can look gorgeous.
I saw this look in a bride's magazine and it was stunning. It'd solve your worries about stacking, it'd be easier to transport, and it'd be very chic.
I'll go in search of that picture and post it if I can find it. Good luck!
What part of Arkansas??
Go to the article section, there is a Whimsical Tilted Cake tutorial.
Here's a tutorial that may help you http://www.youtube.com/watch?v=xHY_F53ClJ8&eurl=http%3A%2F%2Fjanellscakes.blogspot.com%2F&feature=player_embedded
tiggy2 Thanks so much for posting the youtube!! It really helped explain the process. Awhile ago I read the tutorial we have on this site but the visual really helped. I can't wait to try one now. Thanks again. Can I leave work to go make a topsy turvy cake??? Please. lol.
Unless you have time to do a practice TT cake & are comfortable with it when you do it, I would tell her she needs to fall in love with a different design lol. The idea about the wal-mart cakes - you can't take already decorated cakes & turn them into a TT. Plus they will taste awful! (Just cause they all do at Walmart lol.) And - though I'm not 100% on this, so somebody please correct me if I'm wrong - because of the way you have to cut/stack a TT cake, you can't use SPS.
Actually, you can use the sps on the topsy turvy cake. its a visual illusion, the bottom tier is still straight on a level board so the topsy turvy thing works with it. Good Luck!
You can deffinately use the sps on a TT cake.


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30 Clove Garlic Soup
This sweet and velvety favorite is more than a satisfying dinner -- it's a winter elixir.
- Servings: 4
Photography: Johnny Miller
Source: Whole Living, December 2011
- 2 heads garlic, halved crosswise
- 1 tablespoon extra-virgin olive oil
- 4 cups low-sodium chicken stock
- 8 ounces Yukon Gold potatoes, peeled and chopped
- 1/4 cup freshly grated Parmesan, plus more for serving
- Coarse salt and freshly ground pepper
Heat oven to 375 degrees. Drizzle garlic heads with oil. Wrap tightly in foil and roast until tender, about 40 minutes. Let cool, then squeeze garlic from papery skin and set aside.
Bring stock, potatoes, and roasted garlic to a boil; reduce heat and simmer until potatoes are tender, about 12 minutes. Remove from heat and stir in Parmesan.
Let cool slightly, then puree in a blender until smooth. Season with salt and pepper. Sprinkle with Parmesan and serve with rustic bread.
Reviews Add a comment
immahdorable16 MAR, 2017Very good recipe! Super tasty and satisfying!Reply


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Cabaret (2016) Hindi Movie starring Richa Chadda and Gulshan Devaiah in lead roles, is a Indian romantic dance film directed by Kaustav Narayan Niyogi and produced by Pooja Bhatt and Bhushan Kumar.
Sunidhi Chauhan, Sonu Kakkar, Roopkumar Rathod, Bhoomi Trivedi, Usha Uthup, Neeti Mohan have lend their voices to the songs while the music director of this movie is Badshah, Tony Kakkar, Kaustav Narayan Niyogi, Munish Makhija and the Lyrics are penned by Honey Saini, Tony Kakkar, Kaustav Narayan Niyogi, Qateel Shifai.
Here is the list of all songs, click your favorite one to view its Lyrics.
- Paani Paani - Sunidhi Chauhan
- Phir Teri Bahon Mein - Sonu Kakkar
- Do Anjaane - Roop Kumar Rathod
- Mohe Aaye Na Jag Se Laaj - Neeti Mohan
- Aakhri Shaam - Bhoomi Trivedi
- Bibi Sanam - Usha Uthup


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Gallery > World > North America > Mexico > Baja California > Members
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female - 01/031 PhotosDurango, Baja California, Mexico
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Creating Dance Through Structured Improvisation
I am thrilled to, once again, teach the Creating Dance Through Structured Improvisation course for the UW-Madison Division of Continuing Studies.
This 12-week course familiarizes students with various approaches for developing creative movement in the moment. This is not a space for creating or following choreography, but rather a creative environment and community, within which we experience the joy of your own authentic dance movements. Students become more comfortable with initiating, sharing, following, joining, leaving and, more generally, they gain confidence in their own creative expression. The course utilizes the knowledge from the practices of Body-Mind Centering, Authentic Movement and other somatic praxis within a Modern Dance context.
Read more about a partial history of the course in ELLEN MOORE AND THE GROUND OF BEING, an essay by Miriam Hall for the Wisconsin Academy of Arts & Sciences.


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I was wondering why the picture was removed? It isn't a photoshopped picture of an Axolotl to look like a Mudkip. There actually are Axolotl that look like the one in the picture. Unfortunately, people think it's photoshopped since the thought of the 'real' Mudkip spread like a wildfire. --RadicalEdward2 01:42, December 3, 2010 (UTC)
- the picture was removed probably because it wasn't an official picture of mudkip. Slay Talk "Shadows wonder why we scream."14:48,3/9/2012 4,527


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The Oxford Handbook of Music Psychology, by Hallam, Susan; Cross, Ian; Thaut, Michael
Note: Supplemental materials are not guaranteed with Rental or Used book purchases.
- Cover: Hardcover
- Copyright: 3/7/2016
Susan Hallam, Professor, University College London, UCL Institute of Education, Department of Lifelong and Comparative Education, London, UK,Ian Cross, Professor, Centre for Music & Science Faculty of Music University of Cambridge,Michael Thaut, Professor, Center for Biomedical Research in Music, Colorado State University, Fort Collins, CO, USA
Susan Hallam is Professor of Education at the Institute of Education, University of London and currently Dean of the Faculty of Policy and Society. She pursued careers as both a professional musician and a music educator before completing her psychology studies and becoming an academic in 1991 in the department of Educational Psychology at the Institute. Her research interests include disaffection from school, ability grouping and homework and issues relating to learning in music, practising, performing, musical ability, musical understanding and the effects of music on behaviour and studying. She is past editor of Psychology of Music, Psychology of Education Review and Learning Matters. She has twice been Chair of the Education Section of the British Psychological Society, and is currently treasurer of the British Educational Research Association, an auditor for the Quality Assurance Agency and an Academician of the Learned Societies for the Social Sciences
Ian Cross teaches at the University of Cambridge where he is Reader in Music & Science, Director of the Centre for Music & Science and a Fellow of Wolfson College. He has published widely in the field of music cognition. His principal research focus at present is on music as a biocultural phenomenon, involving collaboration with psychologists, anthropologists, archaeologists and computational neuroscientists. His research explores the biological and cultural bases for human musicality, in particular, the mechanisms underlying the capacity for achievement and maintenance of inter-individual synchrony of behaviour, those underlying the experience of meaning in engagement with music, and those involved in the cognition and perception of multi-levelled structure in both music and language.
Michael H Thaut received his masters and PhD in music from Michigan State University. He is also a graduate of the Mozarteum Music Conservatory in Salzburg/Austria. At Colorado State University he is a Professor of Music and a Professor of Neuroscience and serves as Executive Director of the School of the Arts and Chairman of the Dept of Music, Theater, and Dance. He has also directed the Center for Biomedical Research in Music for 12 years. Dr Thaut's internationally recognized research focuses on brain function in music, especially time information processing in the brain related to rhythmicity and biomedical applications of music to neurologic rehabilitation of cognitive and motor function. He has received both the National Research Award and the National Service Award from the American Music Therapy Association. He is an elected member of the World Academy of Multidisciplinary Neurotraumatology and in 2007 he was elected President of the International Society for Clinical Neuromusicology.
Part 1: The origins and functions of music
1. The nature of music and its evolution, Ian Cross
2. Universals in music processing: Entrainment, acquiring expectations and learning, Catherine J. Stevens and Tim Bryon
3. Music and meaning, Ian Cross and Elizabeth Tolbert
4. The social and personal functions of music in cross-cultural perspective, Martin Clayton
Part 2: Music perception
5. The perception of pitch, Thomas Stainsby & Ian Cross
6. Absolute pitch, Psyche Loui
7. Tonal cognition, Emmanuel Bigand and Benedicte Poulin-Charronnat
8. The perception of musical timbre, Stephen McAdams and Bruno L. Giordano
9. Musical time, Mari Riess Jones
10. Tonality and contour in melodic processing, Mark A. Schmuckler
11. Memory for music, Bob Snyder
Part 3: Responses to music
12. Bodily Responses to Music, Donald A. Hodges
13. Emotional reactions to music, Patrik N. Juslin
14. The relationship between musical structure and perceived expression, Alf Gabrielsson
15. Aesthetics, David Huron
16. The neuroaesthetics of music, Donald A. Hodges
17. Musical preferences, Alika Greasley and Alexandra Lamont
Part 4: Music and the Brain
18. The neurobiology of musical expectations from perception to emotion, Laurel J. Trainor and Robert J. Zatorre
19. Disorders of music cognition, Psyche Loui
20. Music and brain plasticity, Simone Dalla Bella
21. The relationship between music and language, Sebastian Jentschke
22. The neuroscience of rhythm, Daniel J. Cameron and Jessica A. Grahn
Part 5: Musical development
23. Prenatal development and the phylogeny and ontogeny of musical behaviour, Richard Parncutt
24. Infant musicality, Sandra E. Trehub
25. Music development from the early years onwards, Alexandra Lamont
26. Music training and nonmusical abilities, E. Glenn Schellenberg
Part 6: Learning musical skills
27. Musical potential, Gary McPherson and Susan Hallam
28. Practicing, Harald Jorgensen and Susan Hallam
29. Individuality in the learning of musical skills, Helena Gaunt and Susan Hallam
30. Motivation to learn, Susan Hallam
31. The role of the family in supporting learning, Andrea Creech
32. The role of the institution and teachers in supporting learning, Graham Welch and Adam Ockelford
Part 7: Musical performance
33. Planning and performance, Eckart Altenmuller & Shinichi Furuya
34. Sight reading, Andreas Lehmann and Reinhardt Kopiez
35. Performing from memory, Roger Chaffin, Alexander P. Demos and Topher Logan
36. Bodily Mediated Coordination, Collaboration, and Communication in Music Performance, Jane W. Davidson and Mary C. Broughton
37. Emotion in music performance, Patrik N. Juslin and Erik Lindstrom
38. Expression and communication of structure in music performance: measurements and models, Erica Bisesi and W. Luke Windsor
39. Optimizing physical and psychological health in performing musicians, Dianna Theadora Kenny and Bronwen J. Ackermann
Part 8: Composition and improvisation
40. Making a mark: The psychology of composition, Jonathan Impett
41. Musical Improvisation, Richard Ashley
42. Pathways to the Study of Music Composition by Preschool to Precollege Students, Peter R. Webster
Part 9: The role of music in our everyday lives
43. Choosing to hear music: motivation, process, and effect, Alexandra Lamont, Alika Greasley and John Sloboda
44. Music in performance arts: Film, theatre and dance, Annabel J. Cohen
45. Peak experiences with music, Alf Gabrielsson, John Whaley and John Sloboda
46. Musical identities, David J. Hargreaves, Raymond MacDonald and Dorothy Miell
47. The effects of music in community and education settings, Susan Hallam and Raymond MacDonald
48. Music and consumer behavior, Adrian C. North, David J. Hargreaves and Amanda E. Krause
Part 10: Music Therapy
49. Processes of music therapy: Clinical and Scientific Rationales and Models, Shannon De l'Etoile
50. Clinical Practice in music therapy, Corene Hurt-Thaut
51. Research in music therapy, Barabara L. Wheeler
52. Music Therapy in Medical and Neurological Rehabilitation Settings, Stefan Mainka, Ralph K. W. Spintge and Michael Thaut
Part 11: Conceptual frameworks, research methods and future directions
53. Beyond Music Psychology, Adam Ockelford
54. History and research, Michael Thaut
55. Where now?, Susan Hallam, Ian Cross and Michael Thaut


text:
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WALKING FOR GAS, transportation, landscape
painting by artist Bruce Docker
5 in X 7 in (12.7 cm X 17.8 cm)
Acrylic on Wood Panel
This painting is already sold. However, I may have other paintings available.
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Images may not be reproduced without the permission of the artist.


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- on draft
- phrasal
ready to be drawn from a receptacle <beer on draft>
New Collegiate Dictionary. 2001.
New Collegiate Dictionary. 2001.
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on draft — idi vin available to be drawn from a cask: beer on draft[/ex] … From formal English to slang
Draft evasion — is a term that refers to an intentional failure to comply with the military conscription policies of the nation to which he or she is subject. Such practices that do not involve law breaking or which are based on conscientious objection are… … Wikipedia
draft — [draft, dräft] n. [ME draught, a drawing, pulling, stroke < base of OE dragan, DRAW] 1. a) a drawing or pulling, as of a vehicle or load b) the thing, quantity, or load pulled 2. a) a drawing in of a fish net … English World dictionary
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Veronica Osorio (Hail Caesar!) and newcomer Lateefah Holder are set as arrangement regulars inverse Judy Greer in Fox's untitled Laura Steinel drama pilot (otherwise known as HR). The venture, from twentieth Century Fox TV, bases on Jane (Greer), the over-utilized and overlooked head of H.R. for a plastic embellishment plant, who is gotten between attempting to deal with her charmingly awkward HR division and another unusual CEO who longs for bringing the New Jersey plastics plant into what's to come. Osorio will play Tanya, a genuine Jersey young lady. She began as Jane's (Greer) right hand however worked her way up to finance and severances.


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Required Reading
- Robert E. Lee: Worst American of All Time
- Trump: the Good, the Bad, and the Ugly (Part 3)
- Trump: the Good, the Bad, and the Ugly (Part 2)
- Trump: the Good, the Bad, and the Ugly (Part 1)
- Compromised: Is Jared Kushner Taking Orders from Vladimir Putin?
- Trump and Trade
- Russian Vote Hacking? Check. Collusion? Check. Quid Pro Quo? "I Love It."
- Worst Americans: Scott Pruitt
- Worst Americans: Dan Scavino, Jr.
- Worst Americans: Mitch McConnell
- Worst Americans: Melania Trump
- Worst Americans: Paul Ryan is a Pre-existing Condition
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Tag Archives: Li Zhensheng
The Speed of Light – Everything Was Moving: Photography from the 60s and 70s
In shocking and powerful images from the 60s and 70s, Zakia Uddin looks at photography which tell the history of photography but also the history of change. Continue reading


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Subhalaxmi Guest House
Call us 1800-300-2400-1 (Toll Free) and Get additional Discount upto 50% for this Hotel.
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- About Hotel
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About Subhalaxmi Guest House
Featuring a restaurant, Subhalaxmi Guest House is located 0.5 km away from KIIT Square Bus Stop and 2 km from Maa Sikhar Chandi Temple. This 2-storey accommodation in Bhubaneswar houses 8 (AC/Non AC) rooms. Basic amenities such as wake-up calls, television, wardrobe and attached bathroom with hot and cold water supply are offered within these rooms.
No of floors: 2 | No of rooms: 8
Checkin Time: 1200 pm
Checkout Time: 1200 pm
Hotel Information and Amenities
Read More....
Hotel Amenities
- Restaurant
- 24-Hour Front Desk
- Medical Services
- Room Service
- Parking
- Laundry Facilities
- "Bottle Opener
- H/C Running Water
Hotel Location


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Scroll Down the Page For Demo Links
This music is ideal for movies, commercials, documentaries, or any video production that needs a full orchestra sound.
|The Demos below are a lower quality than what is on the DVD
|Demo Each Track
|Track Description
|Track 1 - Creeper
|Suspense, with nice drum build up.
|Track 2 - Crusade
|This piece to a full orchestra, great for battle scene.
|Track 3 - Deep Breaths
|Dark, suspenseful, mystery, a tension building orchestra piece.
|Track 4 - Fallen
|Dread and Anticipation
|Track 5 - Formations
|Anticipation that builds to an Action piece with a Crescendo ending.
|Track 6 - Goodnight
|Light piano piece. Slow, Relaxing, Revealing.
|Track 7 - Grand National A
|Quick pace, chase, sneaking, escape.
|Track 8 - Grand National B
|Quick pace, chase, sneaking, escape. A variation of Track 7
|Track 9 - HAARP Satellite
|Dark, Suspense, Mystery.
|Track 10 - High Adventure A
|Good Action / Adventure piece. Quick Pace
|Track 11 - High Adventure B
|Good Action / Adventure piece. Quick Pace. Variation of Track 10
|Track 12 - Out of Ashes
|Reflection, Thought evoking.
|Track 13 - Shimmers
|Dramatic, Bold, with a Powerful Feel
|Track 14 - Sonic Boom
|Action, Chase, with powerful bold ending.
|Track 15 - Spiderz A
|Action, quick pace through out. Full Orchestra.
|Track 16 - Spiderz B
|Variation of Spiderz B, Great Action Piece.
|Track 17 - Spiderz C
|Variation of Spiderz C.
|Track 18 - Suspension A
|Suspense, Adventure, Dramatic Feel
|Track 19 - Suspension B
|Darker than Suspension A. More Dramatic.
|Track 20 - Suspension C
|Deep Moody Sounding, Very Dramatic, with a nice build up.
|Track 21 - Taiko Bash 1
|Accent on the Drums, Chase or Action Piece.
|Track 22 - Taiko Bash 2
|Fast Drum Piece, Chase or Action
|Track 23 - Warsaw Satellite
|Light, Mystical, Relaxing.
|Track 24 - Windpeggio
|Light, Mood setting, Dream like. Piano comes in about half way.
|Track 25 - X-Factor
|Adventure for the Unknown.
Royalty Free Music License
Royalty free music is used by film, video and multimedia producers worldwide. These producers rely on royalty free music to provide them with high quality music at a low affordable price. This helps by keeping production costs down, while still maintaining high production values.
Royalty free music is also being used in a wide variety of films -- both major film productions and independent film productions. Even television networks are using royalty free music in all types of productions, including sports, dramas, news type shows and comedies.
Buyout Music - Royalty Free Production Music - Podsafe Music
What Is Your Refund Policy On Music?
We have provided online demos for each music volume. There are NO refunds on music (or stock footage, software and animations) since they can be copied to a hard drive and still used in a production after the masters have been returned. This is why we provide online demos. Defective items will items will be exchanged for the EXACT same item. There are NO exceptions to this policy.


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Im so carious now that i think back to those days. I always looked at him as a friend so i never thought he'd like me. 4 years since highschool now. I've been told multiple times during highschool that he likes me.
Is it weird to ask a highschool friend if he used to like me?
What Guys Said 0
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What Girls Said 1
Why do you care?00|00|0
Cause I'm really curious. I've never dated in highschool. So it'll be interesting to know that some actually had a crush on me back then. You know? Confidence boost 😆
- Show AllShow Less
Just go talk to him like a friend.
By the way he blocked me. Lol
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64 W. Franklin St. Hagerstown MD 21740 Tel:1-888-748-2300 Int'l:1-240-683-0000
Click the button below to add the New Genuine Lenovo Thinkpad T430U Palmrest 04Y1250 4Y1250 to your wish list.
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£210,000 Offers over
In superb condition, this stylish, dual-aspect, and spacious three-bedroom, fourth-floor flat is set within a modern and quiet development in Slateford, located south-west of Edinburgh city centre. The tastefully-decorated accommodation comprises a spacious entrance hallway, bright living room with balcony, contemporary breakfasting kitchen, two double bedrooms (one with en-suite), a single bedroom, and bathroom. In move-in condition, the generously-proportioned flat features gas central heating, uPVC double glazing, and a secure entry system. Factored and lift-served, the development also offers resident parking in the underground car park and also at ground level, well-maintained and landscaped communal grounds, an on-site fitness suite, and concierge service. Conveniently-located, Slateford is a short commuting distance from the shopping and business areas of Edinburgh's city centre, and is a short journey from other shopping parks such as The Gyle and Hermiston Gait. There are plenty of local amenities, including a Tesco in Colinton and 24hr Asda supermarket in Chesser, with The Corn Exchange, one of Edinburgh's cultural venues, also located nearby. Further leisure facilities can be found at Pure Gym, Craiglockhart Sports Centre, and the Fountain Park Entertainment Centre. Schooling can be found close by, ranging from nursery to senior level, and excellent public transport is available on Slateford Road. The city bypass is easily accessed for the surrounding areas, Edinburgh Airport, Forth Bridges and the main motorway network.
Entrance Hallway - 20' 10'' x 6' 6'' (6.35m x 1.97m)
This welcoming, airy, and exceptionally-spacious entrance hallway gives access to the living room, all three bedrooms, and the bathroom. Features include a particularly-deep, built-in storage cupboard with shelving and light, entryphone handset, smoke alarm, radiator, two pendant light fittings, and wood-effect laminate flooring.
Living Room - 14' 2'' x 11' 7'' (4.31m x 3.53m)
This stylish, bright, and good-sized living room has an east-facing window with a vertical blind, along with a patio door to the balcony, overlooking the communal grounds to the rear. Features include satellite TV and telephone points, wall-mounted TV-bracket, radiator, pendant light fitting, and wood-effect laminate flooring. Also gives access to the kitchen.
Kitchen - 9' 8'' x 8' 7'' (2.94m x 2.61m)
The bright and contemporary kitchen has a window to the rear with a vertical blind, and is fitted with high-gloss wall and base units with stone-effect laminate worktops, an electric oven, gas hob, extractor canopy, washing machine, stainless-steel splashback, and a stainless-steel sink. The kitchen is floored with high-gloss tiles, and there is also a cupboard housing the boiler, a radiator, a central light fitting, and space for a breakfast table and chairs. The new fridge/freezer is available by separate negotiation.
Master Bedroom - 14' 1'' x 12' 8'' (4.29m x 3.87m)
This carpeted and spacious double bedroom has a west-facing window with a vertical blind, overlooking the quiet courtyard to the front of the building. Features include a TV point, radiator, pendant light fitting, and ample space for freestanding bedroom furniture. Also gives access to the private en-suite shower room.
En-Suite - 8' 10'' x 4' 6'' (2.69m x 1.38m)
This good-sized en-suite shower room features a two-piece suite, a shower enclosure with electric shower, wall-fitted mirrored cabinet, shaver point, tiled splashbacks, radiator, and a central light fitting.
Bedroom Two - 10' 4'' x 8' 10'' (3.14m x 2.69m)
This second, bright, and carpeted double bedroom also has a window to the front with a vertical blind, and features a radiator, a pendant light fitting, and space for freestanding bedroom furniture.
Bedroom Three - 10' 4'' x 6' 4'' (3.14m x 1.92m)
This carpeted single bedroom is currently used as a dressing room, and has a window to the front with a vertical blind. Features include fitted wardrobes along both sides of the room, a radiator, and a pendant light fitting.
Bathroom - 8' 11'' x 5' 2'' (2.72m x 1.57m)
This bright, airy, and spacious bathroom has a window to the rear, and features a three-piece suite, extractor fan, tiled splashbacks, radiator, central light fitting, and high-gloss floor tiles.
This house description is based upon information supplied by the owner, or on behalf of the owner. These property particulars are produced in good faith and do not constitute or form part of any contract. s1homes do not take any responsibility for the accuracy of the information contained in this document.
If a property value displays '0', don't worry it just means no properties have been sold in that area during that time.
Sold house price data is supplied to us by the Registers of Scotland, a government department responsible for compiling and maintaining property registers, every month. There can be a delay of up to 3 months from when a property is sold to being recorded with Registers of Scotland. We provide house price data for your information only, we do not accept any liability for any errors. If you have noticed any incorrect information, please contact Registers of Scotland.


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7 comments found.
Nice, good luck with sales. But I'm missing vertical tabs …
Thank you very much. The vertical tabs are not added till now, due to the design complexity. We will surely add then in future.
Great work!
Thank you very much!
fantastic work, wish you big sales
Thank you very much!
responsive design? Tabs to become accordion?
Unfortunately, this feature isn't available yet. We have plans for responsive design in future.
Good news: this plugin is a great idea.
Bad news: it doesn't seem to work
I can't get background colors to save when I customize any of the presets.See this page: https://lefthookdigital.com/elegant-tabs-test-page/
I don't want a blue background on my active tab. I assigned it green in the settings:http://screencast.com/t/iuP2g9GZCPht
But the inherent blue that came with the preset isn't relenting.
And yes- I did save my Tabs as a Global Row and re-apply to this page. The background color was borked on the original application as well.
I've purged cache too.
Sorry to hear that. There might be something wrong. Would you mind sending us your WP and FTP login details via contact form on our profile page, so that we can take a look and fix the issue as soon as possible.
Its working fine at our end, so we just need to debug the settings, so please provide the required details.
Email with superadmin credentials submitted via your contact form. Thanks!
Thanks for the info. We will take a look and will get back to your mail.
Any thoughts?
Sorry for late reply. Due to some personal reasons, I was not able to revert you.
I'm checking the issue now, and will fix it asap.
Your issue has been fixed. I have uploaded the latest version on your site with the fixes. Also, sending the plugin update to envato.
Please check your site and let us know if you need any help.http://bit.ly/2fGKY2B
Thanks guys!
Another feature suggestion: the default font size inside the Tab Content is 1.25em. We've figured out how to custom style this using a CSS selector, but I might recommend that you change this to match the site's font size, and then let people customize the size from there… rather than arbitrarily increase by 25%.
Thanks for your suggestion. We already have this on our list.
Will the update push through the plugin updater, or through download/upload only?
Currently, the update works with download / upload only.
Regards,/> InfiWebs


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To those of you new to photography, your digital camera is bound to seem complicated. There are so many controls and buttons. How do you know which ones to use? The truth is that you don't have to know what every single function on your camera does in order to take great photos. You just need an understanding of the fundamentals, and an eye for a good photo. To help you learn I wrote Mastering Photography – the simple guide you've been looking for that teaches you how to use your digital camera.
Mastering Photography is written for you:
Buy the Mastering Photography Bundle for just $80. Click here to see the bundle (shown below) – a saving of $49 on the individual prices.
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Title: Mastering Photography: A Beginner's Guide to Using Digital Cameras
Length: 100 double page spreads
Words: approx 28,000
Format: PDF. You can view Mastering Photography using free Adobe reader software on any PC or tablet. You can also read Mastering Photography on the iPad using iBooks – the eBook has been optimised for iPad viewing.
The Creative Triangle
Behind The Photo
Steel Wool Spinning Explained
A Stylish Portrait
A Peaceful Landscape
Find Your Way Around the Mode Dial
Finding the Mode Dial
Automatic Exposure Modes
Taking Control
Camera settings
What Aperture Does
Measuring Aperture
Shutter Speed
What Shutter Speed Does
What ISO Does
The Exposure Triangle
Exposure In Action
Using Programmed Auto (P)
Using Aperture Priority (A)
Using Shutter Priority (S)
Preventing Camera Shake
More About the Mode Dial
Recap (The Mode Dial)
Picture Style
Keeping Picture Styles Simple
The Picture Style settings
The Monochrome Picture Style
Picture Style Tips
White Balance
White Balance In-Camera
Keeping White Balance Simple
Color Management And Calibrating Your Monitor
Understanding The Histogram
The Highlight Alert
Exposure compensation
Photo settings
Have you ever wondered why your digital camera has so many exposure modes, and what...
Mastering Composition is for photographers who want to learn to see and create better composed...
Mastering Lenses: A Photographer's Guide to Creating Beautiful Photos With Any Lens is written for...


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Mar 31, 2011
Remote Controlled Fan Regulator EEE Project Report
This is a good Electrical & Electronics mini project report on "Remote Controlled Fan Regulator" and submitted in accordance with the curriculum requirements for sixth semester of the degree course in Bachelor of Technology in the branch of Electrical and Electronics Engineering. This final year EEE report is divided into 15 chapters. By doing this project we can regulate the speed of the fan by using a remote. Here the variation in the firing angle of Triac is used for regulating the speed. You can also Subscribe to FINAL YEAR PROJECT'S by Email for more such Projects and Seminar.
The above image shows the block diagram of remote controlled fan regulator which is divided into different section. This report also contains the circuit diagram, Working principle, Component list of remote controlled fan regulator. Use this project report for your study and reference work.
Author:-Alvasim P. A., Anumol R., Geo Joy, Nimmy Yesudas, Pradeep K. Vijayan
About : Final-yearproject.com
Final-yearproject.com is one stop for all your project needs. You can find projects and seminars related to Electronics, Electrical, Civil, Mechanical, MBA, Pharmacy, Computer Science, IT, Bio-Tech, Robotics, Telecom, Wireless, Automation, BCA, MATLAB etc. You can Like us at Facebook and follow us on Twitter and Google+.


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The Committee meets semi-annually. At each meeting a number of papers are prepared by Committee members on a variety of macroeconomic and public policy topics. Based on these papers and the Committee's deliberations, a Policy Statement is prepared that summarizes the most important policy recommendations of the Committee. These papers are organized by year and downloadable.
Archives - Position Papers
May 5, 2017 – New York, NY
Keynote Address
Preparing for the Next Storm: Reassessing Frameworks & Strategies in a Low R-Star World
by John Williams, President, Federal Reserve Bank of San Francisco
Position Papers
The Fed Needs a Credible Commitment to Price Stability
by Marvin Goodfriend, Carnegie Mellon University
The Case Against the Case Against Monetary Rules
by Athanasios Orphanides, Massachusetts Institute of Technology
A Strategy for Normalizing Monetary Policy
by Peter Ireland, Boston College & Mickey Levy, Berenberg Capital Markets
Are We Asking the Right Questions?
by Gregory Hess, Wabash College
Reforming the Rules that Govern the Fed
by Charles Calomiris, Columbia University
Valuing the GSEs' Government Support
by Deborah Lucas, Massachusetts Institute of Technology


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Former University of Oregon athletic director Pat Kilkenny has financial interest in Courtside, Skybox apartments
In July 2009, a distraught Steve Romania realized his student housing project was dead in the water. The long-time Eugene auto dealer was days away from breaking ground on the project, located just east of the University campus. But his bank got cold feet, and his project became one of many real estate deals stalled by the recession.
Funding for graduate education slashed in new debt deal
Federally subsidized loans for graduate and professional students will be eliminated next year, as specified in the recently passed Budget Control Act.
University growth causes tension in surrounding neighborhoods
As enrollment grows and the University continues to expand, students seeking to live close to campus pack more densely into the surrounding neighborhoods — with far-reaching impacts.
Former University of Oregon law student killed in Norway tragedy
Kjersti Berg Sand is confirmed as one of the 76 people killed in the July 22 attacks in Norway.
Leaders debate an end to college loan subsidies
A proposal to cut federally subsidized loans to college students is considered as an option to cut the national deficit.
New alcohol education program may avert binge drinking abuse
Administrators intend to implement a new online course to educate students on the dangers of drinking.
Oregon lawmakers slash higher education funding
Oregon's legislature passes a higher education budget that cuts spending by 17 percent.
State board tightens reins on University president
Lariviere's contract will be renewed next year — with major conditions altered.
University of Oregon to export environmentalism expertise abroad
A new research partnership is being established between University of Oregon and the West African country of Gabon to create a more sustainable economy for the oil-rich nation.
Female graduates face pay discrimination
Women graduating college are offered starting salaries that are, on average, 17 percent less than their male counterparts, a survey reports.
University of Oregon faces overcrowding in introductory classes
Classroom headcounts are rapidly growing, and the number of new faculty has failed to keep up with a burgeoning student body. As such, introductory-level classes have now grown to teach more than 500 students at once, causing teachers to instruct in environments that some say are disarrayed and chaotic.
Job market optimistic for graduating seniors
Job prospects are improving for college graduates, experts say, as graduating seniors launch into the most promising employment market since the 2008 financial crisis.
Surviving, moving on from date rape easier said than done
With nine reported sex offenses in 2009, the University is no stranger to sexual violence. Yet, figures do little to expose the true magnitude of acquaintance rape on college campuses, as it is one of the most underreported types of sexual assault.


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Kele Le Roc - My Love (10° Below Vocal Mix) MP3
Keep up to date with UU Music... Subscribe: http://uumc.co.uk/ZWQo82 Facebook: http://uumc.co.uk/WqV6gX Twitter: http://uumc.co.uk/XOqAM4 ------ Track ...
"My Love" - Kele Le Roc MP3
Kele Le Roc Live on Stage at Private Birthday Party (25th August 2013) MP3
Lars' 40th Birthday with Kele Le Roc live on stage in his front room. An amazing night. Thanks and Credits go to... Staring LARS JANSSEN KELE LE ROC Editor ...
uk garage classic - kele le roc - my love ( 10 below remix ) MP3
probably the greatest uk garage tune ever plz subscribe.
Gorgon City Feat. Maverick Sabre & Kele Le Roc - Gabriel / My Love / Renegade Snares (Cover) MP3
Gabriel / My Love / Renegade Snares performed as part of a Zane Lowe Radio 1 Session Our debut album 'Sirens' is out now: Standard – http://po.st/SirensStd ...
Kele Le Roc - My Love (UK Garage) Subscribe my channel! MP3
More UK Garage music? Please visit my channel: https://www.youtube.com/channel/UC1nw3XQlquDSV4v-yL_Kuvw/videos.
Kele Le Roc - You Did It Good [1999] MP3
Kele Le Roc - You Did It Good [1999] Album "Everybody's Somebody" Wildcard Records A Tribute to Kele Le Roc born this day 5th Oct 1977 & celebrates ...
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Kele Le Roc joins us for Part III of our MC Kie Presents series, with two very special live performances. ▭▭▭▭▭▭▭▭▭▭▭▭▭▭▭▭▭▭▭▭ Follow Kele ...
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1998 Polydor Ltd (UK) All rights owned by Polydor None of the content owned by me! ---- DISCLAIMER! ---- Copyright Disclaimer Under Section 107 of the ...
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Shower You With Kisses my love.
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Ministry of sound - Garage Classics.
LUKE LARRELL & MAJESTY FT. KELE LE ROC - THEY WANT YOU [OFFICIAL VIDEO] DIRECTED AND EDITED BY DMAN AND CAPES http://www.
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Kele Le Roc is back with a banger set to be a big Anthem for the summer SYD is a musical infusion of dubstep,funky and bassline. Produced by boy wonder ...
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KELE LE ROC -Naked MP3
2007, migies edition.
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From Top Of The Pops in 1999, Kele's My Love went to Number 8 selling 250,00 in it's first week of release.
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Sticky feat Kele Le Roc - Things We Do (UK Garage)
10 Below & Kele Le Roc My Love MP3
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WATCH IN 720P HD Music video by Kele Le Roc performing One Man. © 2012 AfterHours Records. (Prod. By DeeJay Fingers) Purchase Here: ...
Kele Le Roc - My Love (Paul Masterson Club Mix) MP3
Kele Le Roc - My Love (Paul Masterson Club Mix)
Shola Ama Imagine ft. Chanelle and Kele Le Roc - Imagine (Official Music Video) MP3
Check out the Official Music Video for Imagine Shola Ama, Kele Le Roc & Chanelle Banging TUNE !!!!!!!!!!! I Do Not Own the Copyright To This Clip BRAPPAGE !


text: With UConn and Notre Dame both boasting perfect records heading into the NCAA tournament, 2014 goes down in history as just the second time two schools enter the women's tournament unbeaten. In 1998, Tennessee (33-0) and Liberty (28-0) put their unblemished records on the line in the tournament but met in the first round. Tennessee dominated No. 16 Liberty with a 102-58 rout to advance and went on to complete its perfect season with a sixth national championship. UConn (34-0) and Notre Dame (32-0), on the other hand, can't meet until the April 8 final in Nashville. UConn is looking for its fifth undefeated season (1995, 2002, 2009 and 2010) and ninth NCAA title while Notre Dame seeks its first perfect season and second title (2001).


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Well, it's a start. I'll add others as and when I hear about them. Check back from time to time and please send me the names of any literary/poetry magazines and journals that accept email submissions that you know about.
Many magazines still prefer postal submissions and will get pretty pissed off if you email them so check before.
Some magazines on the list that accept email contributions also operate submission windows.
New Walk Magazine
New Welsh Review
Other Poetry
The Wolf
Agenda (trial period)
The Cadaverine (under 30)
If you're submitting to U.S. journals, Blogalicious has an extensive list that accepts online submissions.


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Capgemini is organizing Walk-in Drive for BSc/BCA candidates graduated in 2015/2016 at Capgemini Bangalore
- July 30, 2016
- Bangalore
- Capgemini 158-162 (P) & 165 – 170(P), EPIP Phase II, Whitefield, Bangalore 560 066, INDIA | Contact Person - Ramya Narayana
Detailed Description:
Job Location: Bangalore
Time: 9.00 AM to 11:00 AM
Documents Required:
- One (1) updated copy of your resume
- Mark sheets of 10th, 12th and under graduation course up to 6th semester (Photocopy).
- Two (2) passport size photographs
- Original and a photocopy of any of the following Photo Identification: College ID card / Driving License / Passport / Voter's ID Card/Aadhaar Card
Detailed Job Description:
Qualification & Criteria
- Candidates must be graduating in 2016.
- 10th and 12th – 55% & Above
- Graduation – 50% and above
- Should have no gaps in education
- Candidates must be open to relocate to any location and work in night shifts
- Candidates must be available to join immediately
- Candidate must have good English written / verbal communication skills. Coupled with good English language comprehension
Desired Skills:
- Should have excellent communication and English speaking skills
- Should have good interpersonal skills and ability to perform under pressure
- Basic computing skills
- Willing to work in a 24/7 environment
Job Description:
- Provide best-in-class customer service, problem resolution and technical troubleshooting to customer queries over the voice based phone service
- Support customers across Telecommunication, Financial Services, Healthcare and Technology vertical
- Troubleshoot customer issues related to internet broadband, cable, DTH, modem, router, mobile handset etc.
- Meet customer requirements through first contact resolution
- Clarify customer requirements
- probe for and confirm understanding of requirements or problem
- Greet customers in a courteous, friendly, and professional manner using agreed upon procedures
- Listen attentively to customer needs and concerns; demonstrate empathy


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Stephen J.LurieMD, PhD, Senior Editor
Not Available
To the Editor: Dr Guinn and colleagues1 found that multiple courses of antenatal corticosteroids did not produce significant change in the rate of respiratory distress syndrome (RDS) Hyaline membranes in the lungs of premature infants consist primarily of fibrin. During embryonic development there is minimal plasminogen produced except in the last weeks of pregnancy, and normal adult levels are reached only 7 months postpartum. Thus in premature infants the fibrinolysin system is inadequate to dissolve hyaline membranes.2 For this reason we have treated a series of 500 premature infants with plasminogen or placebo postpartum, and demonstrated significant prevention of RDS.3 Those still developing RDS were given intravenous and aerosolized plasmin, resulting in significant reduction of mortality, without significant side effects. Four-year followup4 did not find important long range effects in contrast to the findings of Guinn et al. It appears that plasminogen (fibrinolytic), surfactant, and single-course corticosteroid therapy should be explored alone and in combination.
Ambrus JL, Ambrus CM. Are Weekly Courses of Antenatal Steroids Beneficial or Dangerous?. JAMA. 2002;287(2):188–189. doi:10.1001/jama.287.2.188-JLT0109-2-3
© 2017


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Here is a selction of videos that will help you to understand what we do and how we resource the world
From the production plant to consumers taps, drinking-water distribution explained
Take a "world tour" of the 11 geographic areas in which Veolia operates and see how we helped "Resource the world" in 2016
Here is how Veolia helps the Food and Beverage industry to improve resource usage
Discover the amazing feats that the Veolia achieves every day for our clients
Energy efficient buildings help people to work and live in comfort. We optimise building performance.
As Ireland's resource management leader we have produced a new film to showcase our integrated services and our commitment to resourcing the world.
Watch the Veolia Group TV advert created to coincide with COP 21 conference in Paris
Learn more about Veolia's position on climate change and we must work together
Watch our animation on the importance of resourcing the world and the circular economy
How and why at a glance. This video explains in simple terms the process behind biomass cogeneration
How and why at a glance. This video explains in the process behind wastewater collection and treatment.
How and why at a glance. This video explains the process behind drinking water production
How and why, at a glance. This video explains in simple terms what district heating is
Learn about how Veolia in Ireland supports its employees in giving back to local communities
Veolia is committed to the concept of the circular economy and making better use of our resources
Learn how we in Veolia work hard each and every day to Resource the World


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