text:
The Vicar of Bullhampton
Carry Brattle: Henry Woods illustration from 1870 Bradbury and Evans edition
|Anthony Trollope
|Bradbury and Evans
Publication date
|Media type
|Print (serial, book)
|0-19-282163-6 (Oxford World's Classics paperback, 1988)
The Vicar of Bullhampton is an 1870 novel by Anthony Trollope. It is made up of three intertwining subplots: the courtship of a young woman by two suitors; a feud between the titular Broad church vicar and a Low church nobleman, abetted by a Methodist minister; and the vicar's attempt to rehabilitate a young woman who has gone astray.
Trollope expected his depiction of a fallen woman to be controversial, and unusually for him wrote a preface defending it. But the anticipated controversy never materialised, and contemporary reviewers tended to ignore that subplot, focussing instead on the courtship in the novel. Reviews were generally less than positive; many reviewers and readers who had acquired a taste for Trollope from the 1850s–60s Barchester novels were unhappy about the darker tone of later novels such as this one.
Trollope's fortunes suffered because of the mode of the novel's publication. Owing to mismanagement by the publishers, it was not serialised in a popular magazine, as originally intended. Instead, it was issued as monthly numbers, a form of serialisation that had become unpopular with the reading public, and Trollope lost readers as a result.
Plot summary[edit]
The Vicar of Bullhampton is set in a small town in Wiltshire. It develops three subplots, all connected with Frank Fenwick, the eponymous vicar.
Mary Lowther[edit]
The first subplot involves the courtship of Mary Lowther, a childhood friend of the vicar's wife. Harry Gilmore, a Bullhampton squire and a friend of the Fenwicks, falls deeply in love with her. Mary recognises that Gilmore is a good man, but she fears that she does not adore him as a woman should adore the man she marries. The Fenwicks and her guardian aunt all urge her to accept his proposal, telling her that the affection she does not now feel will come after marriage. In the face of this advice, she does not reject Gilmore outright, but asks for time to consider.
Mary finds the love she seeks in her second cousin, Captain Walter Marrable. He falls in love with her, and she joyously accepts his offer of marriage. However, misfortune strikes in the form of Colonel Marrable, the Captain's father, who swindles his son out of the fortune left him by his late mother. The impoverished Captain fears that he will have to return to India with his regiment; he and Mary, each unwilling to inflict poverty on the other, end their engagement by mutual consent and with mutual regret.
Mary, disspirited, yields to Gilmore's importunements, warning him that theirs must be a long engagement and that she will end it if Captain Marrable finds himself able to marry a woman without a fortune. This comes to pass: the death of the Captain's cousin, the heir to the family's baronetcy, makes him the likely eventual heir. The current Baronet accepts the Captain as his heir, buying out the Colonel's interest to prevent his squandering the family fortune. The two lovers are reunited, leaving Gilmore bitter and despondent.
Brattle family[edit]
The second subplot involves the family of Bullhampton's miller, Jacob Brattle. His youngest son, Sam, is a hard worker at the mill, but has fallen in with bad companions, and is often absent from home. Sam's sister Carry is worse off yet: having yielded to a seducer, she has been disowned by her father, and is living a life of sin in an unknown location.
When a Bullhampton farmer is murdered in the course of a burglary, suspicion falls on Sam Brattle and his associates. Fenwick believes in Sam's innocence, and acts as one of his bondsmen. Through Sam he discovers Carry's whereabouts, and resolves to rescue her if he can. He finds her a temporary home, but it becomes clear to him that the only permanent solution must involve bringing her back into the Brattle family, which means winning her father's forgiveness.
Carry leaves the home that Fenwick has found her and wanders distraught. Eventually, she returns to the mill, half resolved to see her old home and then drown herself in the millstream. There she is greeted lovingly by her mother and sister. Her father reluctantly allows her to remain in the family home; eventually he too forgives her, although he can never forget the shame she has brought on the family. Carry remains with her family for the rest of her life, but although she has returned to decency, her past ensures that she will never find an honest husband.
Sam is never charged with the murder, although one of his former associates is hanged for it. He continues to work at the mill, and eventually marries a Bullhampton girl.
Marquis and Methodist[edit]
A third subplot centres on the relationship between Fenwick, Mr. Puddleham, the village's Methodist minister, and the Marquis of Trowbridge, Bullhampton's principal landowner. The marquis believes that Sam Brattle is guilty of the murder, and is angered by Fenwick's support for him. He spreads rumours about Fenwick's relations with Carry Brattle, and grants Puddleham permission to build a chapel on a piece of land neighbouring Fenwick's residence, where he hopes that the sight of it and the sound of its bell will annoy the vicar. Fenwick tries to reconcile himself to the existence of the chapel, but it subsequently comes to light that the land does not belong to the marquis, and is instead part of the parish's glebe. The embarrassed marquis pays to move the chapel to a new location, and through the intervention of his son, a suave Member of Parliament, he and Fenwick are reconciled.
Major themes[edit]
Plight of the fallen woman[edit]
According to Trollope, the plight of Carry Brattle was at the center of the story. "The Vicar of Bullhampton was written chiefly with the object of exciting not only pity but sympathy for fallen woman, and of raising a feeling of forgiveness for such in the minds of other women."[1] In the Autobiography, he argued that the punishment for fornication is far heavier for women than for men, although in most cases the latter are more to blame than the former; and that women are given no opportunity of returning to decent lives, however repentant they might be.[1]
On 5 August 1869, shortly after The Vicar had begun to appear in the form of monthly numbers, Dion Boucicault's Formosa; or, The Railroad to Ruin opened at Drury Lane.[2] The title character of Boucicault's play was a harlot,[3] and her representation on stage provoked an exchange in the pages of The Times. Critics argued that the depiction of a prostitute in the theatre would tarnish the innocence of unmarried girls attending the performance. Supporters, including Boucicault himself, responded that worse women were regularly portrayed in Italian operas such as La traviata and Lucrezia Borgia, which were considered eminently suitable for young women, and in the police and court news of The Times itself.[4][5]
Trollope leapt into the fray somewhat belatedly, in the pages of Saint Paul's in October 1869, with an article on the Formosa controversy that can be read as a defence of and an advertisement for The Vicar.[6] He took exception to several of the arguments in The Times: young women of the 1860s, he wrote, were not unaware of the existence of prostitution; and attempting to keep them in ignorance would not conduce to virtue. Rather than promoting vice, an accurate depiction of the squalid and miserable life of a woman of the streets would arm young people to resist temptation.[4]
The harm done by Formosa lies in this,— that the character is utterly false, false to human nature and false to London life. She is a wretch, abominable almost beyond conception, so as to be odious, if known, to the most odious. She is sharper as well as prostitute,—and is false to all with whom she comes in contact, to those whom she is supposed to love and to those who love her. Her peculiar profession is represented as causing her no personal remorse. And yet she is exhibited to us as a fine creature, a noble woman, one whom a man might be honoured by loving;—and at last she ends with a success! ... That which is vile and dirty, squalid and miserable,—that, of which we may say that were its horrors known such knowledge would deter more thoroughly than any ignorance,—is exhibited as a bright existence, full of danger indeed, but still open to all that is noble, and capable of final success.[4]
When the book edition of The Vicar of Bullhampton appeared in April 1870, it bore a preface; Trollope, who ordinarily scorned prefaces and dedications, felt compelled to justify the presentation of a character like Carry Brattle.[7] He reiterated the points he had made regarding Formosa: that while depicting a fallen woman as glamourous or noble might lead impressionable readers to vice, a true depiction of such a woman's misery might deter readers from yielding to temptation; and might soften the hearts of parents whose daughters have fallen, and thus afford an opportunity of returning to decency.[8]
Love and courtship[edit]
A recurring theme in Trollope's work is the difficulty of choosing between two suitors. As Henry James expressed it,
Trollope has described again and again the ravages of love ... His story is always primarily a love-story, and a love-story constructed on an inveterate system. There is a young lady who has two lovers, or a young man who has two sweethearts; we are treated to the innumerable forms in which this predicament may present itself and the consequences, sometimes pathetic, sometimes grotesque, which spring from such false situations.[9]
To illustrate this point, James cited The Vicar, with Mary Lowther's vacillation between Gilmore and Col. Marrable.
Unlike the majority of Trollope's triangles, Mary is not called upon to judge between a good suitor and a bad one, but between two good men.[10] Gilmore is presented as a sympathetic and admirable character; the reader learns far less about Captain Marrable's character, and is given no reason why Mary should prefer him to his rival. To Trollope, a woman does not necessarily fall in love because of a man's merits; and it is very wrong for a woman to marry where she does not love, regardless of her suitor's worthy qualities.[11]
"The Girl of the Period"[edit]
In David Skilton's view, the Carry Brattle and Mary Lowther subplots together comprise a rejoinder to Eliza Lynn Linton's "The Girl of the Period".[12] In her 1868 essay, Linton accused contemporary English girls of imitating prostitutes in their dress, speech, and manner, and declared that "the Girl of the Period has done away with such moral muffishness as consideration for others, or regard for counsel and rebuke".[13] Trollope was well aware of Linton's views, and made two references to them in the novel.[14] According to Skilton,[12] the highly unromantic portrayal of Carry Brattle's condition was a denial of Linton's claim that demimondaines were "gorgeously attired and sumptuously appointed ... flattered, fêted, and courted";[13] and the trouble that Mary Lowther brought upon herself and others came about not because of her disregard for counsel and rebuke, but because she attempted to follow the advice of her friends and elders. Near the end of the novel, Trollope writes:
[The author] has endeavoured to describe a young woman, prompted in all her doings by a conscience wide awake, guided by principle, willing, if need be, to sacrifice herself, struggling always to keep herself from doing wrong, but yet causing infinite grief to others, and nearly bringing herself to utter shipwreck, because, for a while, she allowed herself to believe that it would be right for her to marry a man whom she did not love.[15]
In Skilton's opinion, since the stories of the two women are both essential to Trollope's refutation of Linton, neither can be given "titular pre-eminence"; thus the book had to take its name from the vicar.[12] (The title was changed at some point in the novel's development; in the early planning stages, it was tentatively named I Count Her Wrong.[16])
The Vicar of Bullhampton has been described as Trollope's most religious novel,[11] and Frank Fenwick as his "most explicitly religious character".[17] Although the author won renown for his depictions of the lives of the clergy in the Barsetshire novels,[18] he wrote of their social rather than their spiritual lives.[19] In The Vicar, however, Fenwick's object is "to apply Christian doctrine to life in the world."[11]
A variety of religious beliefs are represented among the novel's characters. Jacob Brattle is an unbeliever.[20] Puddleham is a Primitive Methodist.[21] The Stowte family, to which the marquis belongs, are Low Church Anglicans,[22] and Fenwick is High church and latitudinarian.[23] Their charity is tested by their response to Carry Brattle, and it is Fenwick who passes the test. As William Cadbury expresses it, Puddleham has been hardened by too much doctrine, Jacob Brattle by too little.[11]
Fenwick's beliefs are similar to Trollope's own. In his early life, the novelist was a supporter of the Tractarians. However, beginning in about the mid-1860s, his sympathies tended increasingly toward the Broad church. He defended Bishop Colenso, expressed doubt about the literal truth of the Old Testament, and questioned the doctrine of eternal punishment contained in the Athanasian Creed.[18]
Indeed, Fenwick resembled his creator in more than belief. To T. H. S. Escott, who was personally acquainted with Trollope, Fenwick—generous, outspoken, broad-minded, and a bit pugnacious—was very much like a portrait of the author in clerical dress. Puddleham's discomfiture "proves, to Trollope's naively undisguised satisfaction, that Providence is on the side of the State Church".[24]
Publication history[edit]
Once A Week[edit]
Early in 1868, Trollope was approached by E. S. Dallas, a fellow member of the Garrick Club. Dallas had just been appointed editor of Once A Week, a magazine published by the firm of Bradbury and Evans. Trollope agreed to provide a novel of the length of The Claverings, to be serialised beginning in May 1869, for a fee of £2800.[25] In the course of his correspondence with Dallas, Trollope wrote, "Of course it is understood that it is intended for your periodical, Once A Week."[26]
Trollope wrote The Vicar of Bullhampton between 15 June and 1 November 1868.[27] The novel was begun in Washington, D.C., where the author was on a mission to negotiate a postal treaty and international copyright arrangements with the United States.[28] It was concluded after his return to England, in the early stages of his unsuccessful campaign for a Parliamentary seat in the borough of Beverley.[29]
As the publication date neared, difficulties arose. In January 1869, Dallas asked Trollope for permission to defer serial publication by three months.[25] As Trollope had agreed not to allow another of his novels to run serially during the first six months of The Vicar's career, the editor's request would have diminished the author's income.[30] Trollope initially refused, but subsequently agreed to a delay of two months, with publication to begin in early July.[26]
Matters did not improve. In March 1869, Dallas made a new request of Trollope. Once A Week had bought the rights to Victor Hugo's forthcoming novel, L'homme qui rit, expecting to begin serialisation in January 1869. However, Hugo was behind schedule, and the novel would not be available until April. The magazine did not have enough space to run Hugo's and Trollope's novels side by side. Would Trollope, therefore, be willing to see The Vicar serialised in The Gentleman's Magazine instead?[30]
Trollope would not. The Gentleman's Magazine was, in Michael Sadleir's words, "a very inferior paper with a lower class of reader and a poor general reputation".[30] Moreover, personal feelings were involved: Trollope resented the fact that he, a punctual Englishman, was being asked to yield to a dilatory Frenchman.
My disgust at this proposition was, I think, chiefly due to Victor Hugo's latter novels, which I regard as pretentious and untrue to nature. To this perhaps was added some feeling of indignation that I should be asked to give way to a Frenchman. The Frenchman had broken his engagement. He had failed to have his work finished by the stipulated time. From week to week and from month to month he had put off the fulfilment of his duty. And because of these laches on his part,— on the part of this sententious French Radical,— I was to be thrown over![1]
Trollope refused. Hugo's novel was published in The Gentleman's Magazine, beginning in May 1869. However, by the end of June, the sale of Once A Week to a new publisher was in progress. Rather than serialising The Vicar in the magazine, Bradbury and Evans issued it in eleven monthly shilling numbers, running from July 1869 to May 1870. Trollope could not object to this mode of independent publication; but it was one that had fallen out of favour with the public, and Trollope suffered a loss of reputation and readership as a result. He also suffered a pecuniary loss of £300, agreeing for reasons unspecified to accept only £2500 for the novel.[25][27][30][31]
Other publication[edit]
The Vicar of Bullhampton was published serially in Lippincott's Monthly Magazine of Philadelphia in 1869–70. At the same time, an American book edition was issued by J. B. Lippincott & Co.[31]
Bradbury and Evans released the novel in book form in 1870, as a single volume with thirty illustrations by Henry Woods.[25] In the same year, English-language books were published by Harper in New York and by Tauchnitz in Leipzig; a Russian translation, Bullhamptonsky Vikaryi, was published in Moscow. In 1872, a Dutch translation, De Predikant van Bullhampton, was published by Roelants of Schiedam; in 1873, a Russian Bullhamptonsky Vikaryi was released in St. Petersburg.[32]
More recently, editions have been published by Dover Publications in 1979; by Alan Sutton in 1983;[31] by Oxford University Press in 1924, re-issued with an introduction by David Skilton in 1988; and by the Trollope Society, with an introduction by John Halperin, in 1998.[33]
Trollope's preface suggests that he anticipated controversy from the depiction of Carry Brattle in The Vicar of Bullhampton.[17] This did not happen. The Times declared it "a nice, easy, safe reading book for old ladies and young ladies ... welcome in all well-regulated families".[34] Contemporary reviewers tended to neglect the Carry Brattle subplot and focus on Mary Lowther, whose conduct was criticised by Blackwood's Magazine,[35] by The Times, and by Mrs. Oliphant.[17] The Saturday Review complained that "[a] sort of savageness pervades the book", and that "[n]obody is pleasant",[36] and described the novel as "third-rate" and as a "not very satisfactory book".[37] This was in keeping with the reaction of many readers and reviewers who had grown accustomed to the wholesome tone and genteel characters of the Barchester novels, and were not happy with the darker and more pessimistic tone of Trollope's later works.[38]
Later critics varied in their opinion of the novel. Henry James, who had loudly derided several of Trollope's novels of the mid-1860s,[39] described it in an 1883 article as a "slow but excellent story, which is a capital example of interest produced by the quietest conceivable means".[40] In 1927, Michael Sadleir wrote that it "has a sure title to enduring reputation"; of Mary Lowther, whom earlier critics had found irritating, he wrote, "to-day she seems sensible enough and, as a young woman, wholly natural.".[35] By 1971, however, James Pope-Hennessy labelled the novel "a lifeless, dull production".[41]
More recently still, Trollope scholars have looked upon it with increasing favour, describing it as a powerful work that has suffered undeserved neglect.[17] Present-day critics have focussed increasingly on the Carry Brattle subplot;[10][11][23] it has been suggested, supported in part by the similarity of passages from The Vicar, from the Autobiography, and from The Small House at Allington referring to Johnny Eames, that some aspects of her portrayal are based on the novelist's own early adulthood in London.[42]
- ^ a b c Trollope, Anthony. An Autobiography, chapter 18. Retrieved 4 August 2011.
- ^ Walsh, Townsend. The Career of Dion Boucicault. Dunlap Society, 1915. p. 116. Retrieved 9 August 2011.
- ^ "Formosa" in The Spectator; quoted in Littell's Living Age, volume 102 (July–August–September 1869), pp. 756–57. Retrieved 9 August 2011.
- ^ a b c Trollope, Anthony. "Formosa". Saint Paul's, October 1869, pp. 75–80. Retrieved 9 August 2011.
- ^ "Mr. Boucicault and Formosa" in The Times; quoted in Littell's Living Age, volume 102 (July–August–September 1869), pp. 819–20. Retrieved 9 August 2011.
- ^ Skilton, David. Introduction to Oxford World's Classics edition of The Vicar of Bullhampton, Oxford University Press, 1988. pp. vii–xviii.
- ^ Hall, N. John. Trollope: A Biography. Oxford University Press, 1991. pp. 357–59.
- ^ Trollope, Anthony. The Vicar of Bullhampton. Tauchnitz, 1870; available at Google Books. Preface; vol. 1, pp. v–viii. Retrieved 8 August 2011.
- ^ James, Henry. "Anthony Trollope" in Partial Portraits, p. 109. Article originally published in The Century, vol. 26, no. 3 (July 1883), pp. 384–95. Retrieved 8 August 2011.
- ^ a b Pollard, Arthur. Anthony Trollope. Routledge & Kegan Paul, 1978. pp. 131–34.
- ^ a b c d e Cadbury, William. "The Uses of the Village: Form and Theme in Trollope's The Vicar of Bullhampton". Nineteenth-Century Fiction, vol. 18, no. 2 (September 1963), pp. 151–63. Available via JSTOR. Retrieved 17 August 2011.
- ^ a b c Skilton, David. "Trollope's views on women". Trollopiana, issue 2 (1998); reproduced at Trollope Society website. Retrieved 8 August 2011.
- ^ a b Linton, E. Lynn. "The Girl of the Period" in The Girl of the Period; and Other Social Essays, pp. 1–9. Reproduction of 1883 edition by Richard Bentley & Son, at Google Books. Essay originally published in Saturday Review, 14 March 1868. Retrieved 8 August 2011.
- ^ Skilton, David. Notes in Anthony Trollope, The Vicar of Bullhampton, Oxford World's Classics paperback edition; chapter 37, p. 259 ("...Saturday Reviewers and others blame them for their lack of modesty...") and p. 262 ("[Mary Lowther], too, had heard of public censors, of the girl of the period, and of the forward indelicacy with which women of the age were charged.") In the 1870 two-volume Tauchnitz edition, these passages are on p. 360 and p. 363 of volume 1, in a chapter titled "Female Martyrdom". Retrieved 8 August 2011.
- ^ Trollope, Anthony. The Vicar of Bullhampton. Tauchnitz, 1870; available at Google Books. Vol. 2, p. 346; in chapter 34, "The End of Mary Lowther's Story". Retrieved 8 August 2011.
- ^ Super, R. H. The Chronicler of Barsetshire: A Life of Anthony Trollope. University of Michigan Press, 1988. pp. 261–63.
- ^ a b c d Kincaid, James R. "Vicar of Bullhampton, The" in Oxford Reader's Companion to Trollope, ed. by R. C. Terry, Oxford University Press, 1999; pp. 566–68.
- ^ a b Picton, Hervé. "Trollope, Liberalism and Scripture". Revue LISA/LISA e-journal, vol. 5, no. 4. 2007. Retrieved 21 August 2011.
- ^ See the valedictory paragraphs in chapter 84 of The Last Chronicle of Barset. Retrieved 22 August 2011.
- ^ Trollope, Anthony. The Vicar of Bullhampton. Tauchnitz, 1870; available at Google Books. Vol. 1, p. 56; in chapter 5, "The Miller". Retrieved 22 August 2011.
- ^ Trollope, Anthony. The Vicar of Bullhampton. Tauchnitz, 1870; available at Google Books. Vol. 2, p. 177; in chapter 18, "Glebe Land". Retrieved 22 August 2011.
- ^ Trollope, Anthony. The Vicar of Bullhampton. Tauchnitz, 1870; available at Google Books. Vol. 1, p. 164; in chapter 17, "The Marquis of Trowbridge". Retrieved 22 August 2011.
- ^ a b apRoberts, Ruth. The Moral Trollope. Ohio University Press, 1971. pp. 117–23.
- ^ Escott, Thomas Hay Sweet. Anthony Trollope. London: John Lane, 1913. pp. 239–42. Retrieved 22 August 2011.
- ^ a b c d Super, R. H. The Chronicler of Barsetshire: A Life of Anthony Trollope. University of Michigan Press, 1988. pp. 256–57.
- ^ a b Hall, N. John. Trollope: A Biography. Oxford University Press, 1991. pp. 347–48.
- ^ a b Moody, Ellen. "A Chronology of Anthony Trollope's Writing Life". Ellen Moody's Website: Mostly on English and Continental and Womens' Literature. Retrieved 4 August 2011.
- ^ Sadleir, Michael. Trollope: A Commentary. Farrar, Straus and Company, 1947. p. 410.
- ^ Hall, N. John. Trollope: A Biography. Oxford University Press, 1991. pp. 324–25.
- ^ a b c d Sadleir, Michael. Trollope: A Commentary. Farrar, Straus and Company, 1947. pp. 304–07.
- ^ a b c Tingay, Lance O (1985). The Trollope Collector. London: The Silverbridge Press. p. 31.
- ^ Tingay (1985). The Russian titles are not given in the Cyrillic alphabet, nor is it stated whether the two Russian editions used the same translation. The Russian-language LiveLib website gives the Cyrillic title as Булхэмптонский викарий.
- ^ Moody, Ellen. "Trollope's Singletons". Ellen Moody's Website: Mostly on English and Continental and Womens' Literature. Retrieved 6 August 2011.
- ^ The Times, 3 June 1870; quoted in N. John Hall, Trollope: A Biography, Oxford University Press, 1991, p. 359.
- ^ a b Sadleir, Michael. Trollope: A Commentary. Farrar, Straus and Company, 1947. pp. 397–98.
- ^ Saturday Review, vol. 39 (May 1870), pp. 645–47; quoted in William Cadbury, "The Uses of the Village: Form and Theme in Trollope's The Vicar of Bullhampton". Nineteenth-Century Fiction, vol. 18, no. 2 (September 1963), pp. 151–63. Available via JSTOR. Retrieved 17 August 2011.
- ^ Saturday Review, vol. 39 (May 1870), pp. 645–47; quoted in N. John Hall, Trollope: A Biography, Oxford University Press, 1991, pp. 357–59.
- ^ Ray, Gordon N. "Trollope at Full Length". Huntington Library Quarterly, vol. 31, no. 4 (August 1968), pp. 313–40. Available via JSTOR. Retrieved 14 April 2011.
- ^ Terry, R. C. "James, Henry" in Oxford Reader's Companion to Trollope, ed. by R. C. Terry, Oxford University Press, 1999; pp. 275–76.
- ^ James, Henry. "Anthony Trollope" in Partial Portraits, p. 107. Article originally published in The Century, vol. 26, no. 3 (July 1883), pp. 384–95. Retrieved 8 August 2011.
- ^ Pope-Hennessy, James. Anthony Trollope. Originally published 1971. Phoenix Press paperback edition, 2001; p. 290.
- ^ Carly-Miles, Claire Ilene. Secret Agonies, Hidden Wolves, Leper-Sins: The Personal Pains and Prostitutes of Dickens, Trollope, and Gaskell. PhD dissertation, Texas A&M University, May 2008. Retrieved 17 August 2011.
External links[edit]
- The Vicar of Bullhampton at Project Gutenberg
- The Vicar of Bullhampton, reproduction of 1870 Bradbury and Evans edition at archive.org
- The Vicar of Bullhampton, reproduction of 1870 Tauchnitz edition at Google Books
- The Vicar of Bullhampton public domain audiobook at LibriVox


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June 21, 2016
"We keep coming back for one reason..."- K & R Murphy
We just purchased out third Toyota from the Falmouth Toyota Dealership and couln;t be happier! The team at the dealership - from sales to front office to the service team - are the best with whom we have ever dealt. Ron Sjahfiedin treated us fairly and proved willing to work with us on all of our purchases. Our sales cycle was lengthy due to my schedule but Ron patiently hung in there with just the right amount of contact. We were looking for a Rav4 but Ron kept our options open and found us the 'perfect' car. I look forward to dealing with him again. There was great follow-up by Matt Murphy and Peter Cavicchi that told us we were in the right place.Read More
Other Employees Tagged: Ron Sjahfiedin, Matt Murphy
March 04, 2016
"Best dealership regardless of brand."- 2bikersandabordercollie
A while back I was introduced to Falmouth Toyota while having my wife's (before we were married) Camry serviced. I was very impressed with the attention to detail by the service department, and found everyone to be very helpful and friendly, everyone. Fast forward a few years and a marriage. I decided to by a new car (2013 Avalon Limited Hybrid) and the salesman I worked with was not only helpful and willing to go through the gyrations of my trying to decided between Prius, Camry, and Avalon, but was genuine and informative on both good and bad of the choices. In fact he though I should by the Camry hybrid, but I wanted a 'little' better for my wife's car, so I bought the Avalon. The service we received after the purchase was the best service experience I have ever had, and was simply a continuation of what I had already received with the earlier car. We went back and leased a 2015 Tacoma, which has been nearly the same experience as the Avalon. This is not your standard dealership, it is well run with a great staff on all sides of the coin. They have won me as a customer, and we will continue to look to Falmouth Toyota for future vehicles and service.Read More
Other Employees Tagged: Anthony Spagone, Craig Kinney, Ray Bourgeois, Taylor Voner, Bob Andrews, Tony Martino, Townsend Wells, Jesse Szumita, Jodi Bertrand
January 28, 2016
"Great place to buy and service your Toyota."- Dan&Chrissy
We just leased a 2015 Toyota 4 Runner from this Dealership. Steve has helped me in the past with a 2009 Camry I purchased there and was easy and knowledgeable to deal with. When my Wife and I decided to shop for an SUV Steve was very helpful and patient. After a few weeks and different Toyota model test drives we decided on a 4Runner lease. Steve helped us with our Toyota Sienna trade-in and finding the right Lease option with little back and forth and getting the sales manager involved that I have experienced in the past at other Dealerships. We service our vehicles ar Falmouth Toyota and always find the employees friendly and prices competitive with local repair shops. They don't steer customers into doing unnecessary repairs. Also the newly updated Dealership is spacious and comfortable to wait in while having service done to your vehicle.Read More
Other Employees Tagged: Jared Neves, Jesse Szumita, Steve Springer
January 13, 2016
"Finally, a great experience buying a new car!"- toyota highlanderguy1
I bought my new 2016 Toyota Highlander from Shallana Medina and she was more than I ever expected as a sales person. She took the time to listen to my needs and financing and helped me get this beautiful car. I am a Toyota owner for over 40 years and Falmouth Toyota stands clearly above the rest of the Toyota dealers. Thank you Shallana! D.White-WarehamRead More
Other Employees Tagged: Shallana Medina
January 13, 2016
"Bought a new RAV4"- Retha7335
Great dealer to do business with. This is our 6th Toyota that we have bought from Falmouth Toyota. Great service. If you have a problem just ask and they will work with you. Coby Signs is a great salesman.Read More
Other Employees Tagged: Taylor Voner, Jared Neves, Tony Martino, Amy Killoran, Coby Signs
December 02, 2015
"Great experience...very professional team."- JohnR
My wife and I are extremely pleased with our car buying experience at Falmouth Toyota. Steve our salesman took us for a test ride in a 4runner and after driving other manufacturer's cars my wife and I choose the 4runner. Although this dealership did not have the exact 4runner with the options we wanted Steve attempted to locate one for us. We discussed price and agreed on what we wanted and a final price. Due to the special options my wife wanted a 4runner was not available at this time. Steve suggested we order one and he was able to expedite the order working with other dealers. We took delivery of our new car Saturday and could not be happier. Thanks very much to the entire team at Falmouth Toyota for making this a very enjoyable experience.Read More
Other Employees Tagged: Amy Killoran, Steve Springer
November 08, 2015
"Long time experience produces satisfied repeat customere"- lucky
I have been going to Falmouth Toyota since 1990, mostly for service, and have always been dealt with fairly and competently. They are customer oriented and willing to listen and help solve problems, and try their best to make things right. They have not, at least in my case, suggested unnecessary service, which inspires confidence. The new service facility is excellently planned, The covered drive in drop off for service is wonderful. Only recommendation I can make for the future is to figure out a way to make the waiting area less noisy. Sounds are sharp and carry. Perhaps sound absorbing ceiling tiles and carpeting would make a world of difference.Read More
Other Employees Tagged: Tom Murphy, Shallana Medina
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A mainstay in Grand Rapids' locker room since the 1997-98 campaign, Brad Thompson begins his 16th season as the Griffins' equipment manager, having logged nearly 1,500 games with the organization. He spent four seasons as the team's equipment assistant before earning his promotion in 2001.
Thompson, who served as an equipment manager for the 2015 AHL All-Star Classic in Utica, is responsible for the purchasing and maintenance of all hockey equipment for the Griffins. A Grand Rapids native who can be found playing at rinks and softball diamonds throughout the area, he attended Wyoming Park High School and Grand Rapids Community College.
In recent years, Thompson has had the honor of equipping two championship teams, capped off by the Griffins' 2013 Calder Cup title. He also worked with the Detroit Red Wings' staff during that team's run to the 2008 Stanley Cup, and he assisted the Red Wings during their return to the finals in 2009 as well as their three subsequent playoff runs (2010-12).
Thompson, the Griffins' 2007 Employee of the Year, resides in Grand Rapids with his wife, Karrie.


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Is it good or bad when in a conversation the girl mentions she was thinking about the end of of our date a lot (we kisses, more than a peck for a few minutes) then says it was bad timing on her part with her leaving and everything. Then mentions how glad she was I brought it up again later on and how she definitely thought about it a lot and said how she liked my idea.. which was we had fun and we should keep doing so if she was interested when time allows.. no pressure.. just two of us having fun together. Sorry about the length just wanted to give some detail. I am trying to not look far into it, but I like her and was curious what an outsider thinks?
Is it good or bad when in a conversation the girl mentions she was thinking about the end of of our date a lot?
Have an opinion?
What Girls Said 1
i don't understand the question?00|00|0
haha.. sorry...persoanl I think I am just thinking way too much... does she seem interested still or trying to be nice about?
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we have know each other a while. meant and chatted her and there for a few years... but over the last month or little more we have been going back and fourth texting and a phone call here and there before our date. what should my next move be or what should I do? is a fun little care package ok? she likes laffy taffy jokes but hates laffy taffy. so I was going to get a container of laffy taffy and take all the taffy and send her the wrappers in the container. light hearted and gives her a smile
hopefully this is a little more clear... like I said I do not want to come off too strong or creepy. She is a great girl and I would hate to mess this up. any thoughts?
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Download AgroidPlus GPS Area Measure apk 2.4.0 free for Android smartphone
Posted by Gaia Consulting in Productivity | July 13, 2016 | 4 Comments
Apk file size: 4.9 MB
AgroidPlus can measure distances, perimeters and areas (metric and imperial units for length and area): it is useful for measuring land, fields or buildings (app designed for a high OUTDOOR visibility, suitable for agriculture).
Other unique usages:
- average altitude calculation (ellipsoid height)
- position error analysis (DRMS)
This edition (ad-supported) supports different coordinate systems (+).
Using special functions such as ACCURACY SETTING and MARKER FINE REPOSITIONING you can improve the accuracy.
Maps can be downloaded in advance in order to avoid any internet connection during a survey .
Using the tracking mode you can collect points and measure by just walking around.
After the completion of the land survey you can access to the map views for viewing/repositioning your markers and export your data using KML or TXT files
Exporting the KML file you can view/trim the data in your favorite program
Tablet ready app: it supports Landscape/Portrait mode and pages are automatically resized.
AgroidPlus has different operating modes:
- Survey mode (to measure without maps, GPS driven)
- Mixed mode (GPS & manual)
Coordinates can be retrieved from different sources:
- GPS (points collected according the specified accuracy)
- Tracking (GPS points collected according to specified rate/interval)
- Reference (manual input/edit)
Map providers:
- Google Maps (Satellite, Street, Hybrid, Terrain)
- Open Street Map (OSM)
Main geographical point functions:
- delete
- edit
- move
Main document functions:
- Maps
- Views
- Toolbar
- Zoom
- Select point
- File (New, Open, Save, Export, Delete)
- Share
Coordinates can be viewed or shared with different standards (WGS 1984):
- Global Positioning System coordinates (EPSG:4326)
+ Web mercator coordinates (EPSG:3857)
+ UTM coordinates
Many measurements units are available:
- Length units: meter, feet
- Surface units: sq m, ha, sq feet, acres
Follow the automatic hints in order to use the app properly.
Read the embedded User Guide: read carefully the accuracy chapter to achieve the best results!
For any info or troubleshooting you can contact us at [email protected]
Whats new
* Google security compliance
Gaia Consulting part of our Productivity and have average installs from 10000 to 50000. Last Update July 13, 2016. Google play rating is 78.2812. Current verison is 2.4.0. Actual size 4.9 MB.
Similar applications
4 Comments
Harmeet Singh
Love it Application helpto measure parameter, area , distance...very ysefull
Agro is excellent Its very useful to forest department for survey like area
reney alinduat
I gave u 5, its easy to used it. Can we have the agroid pro for free..??
ravi kumar
Very good effective application useful to all surveay


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- Z Moves now do 50% damage if the opponent uses Protect, but the attacks are fully blocked if you use Z-Protect or Barricade. Certain Z-Moves can break through protect though (like Aegislash' Z-Move)
- Ice Type resists Water
- Ice Types gain 50% Spc Def in Hail now
- Berserk now increases Spc Atk AND Atk at half health.
Pokemon can now learn...Edit
- Silvally can learn Earthquake now (FINALLY)
- Snorlax can learn Slack Off (#makesnorlaxgreatagain)
- Ferrothorn learns Spiky Shield (now stalling will be more hell)
- Infernape can now learn Drain Punch (FINALLY)
- Ambipom now learns Tail Slap
- Rapidash, Ninjask, Lycanroc, Zebstrika, Greninja, Crobat, Staraptor, the Eeveelutions, Talonflame, and Sceptile learn Extremespeed from the Move Tutor. (No salamence nor pinsir because they would be even more OP) BUT STARAPTOR WITH PRIORITY YEEE
- Bronzong can now learn Heal Bell (that buff :^))
- Togekiss can now learn Moonblast (why did they give it the fairy typing)
- Whirlipede learns Rapid Spin
- Hawlucha can now learn Body Slam and Submission (120 BP submission about to kick your a*s)
- Solrock and Lunatone learn Morning Sun and Moonlight leveling up
Move Buffs/NerfsEdit
- Submission now has 120 Base Power, the 25% damage taken is changed to 1/3 damage taken with recoil and has 100% accuracy. The move has been moved to be learned at higher levels for those who could learn it. It's basically a Fighting Type Flare Blitz/Wood Hammer
- Octazooka now has 80 base power and 100% accuracy, the 50% accuracy lower chance still remains.
- Iron Tail now has 80% accuracy
- Cross Chop now has 85% accuracy
- Knock Off now has 60 base power (scizor OP)
- Payback now has 60 Base Power
- Focus
Missnow has 80% accuracy, but the damage is now 110
- The Elemental Fangs now do 70 base damage, accuracy remains the same
- Multi-Attack now has 100 base power
- Earthquake now does 95 damage (WHAT! HOW COULD YOU DO THIS!)
- Dragon Rush now has 120 base damage, but the accuracy is now 70%. Flinch chance remains.
- FLAME CHARGE NOW HAS 90 BASE POWER, FINALLY A GOOD FIRE TYPE PHYSICAL MOVE MANY CAN LEARN. It has a 30% chance to increase speed and 10% chance to burn. Flame Charge now is learned at higher levels for anyone who can learn it.
Stat ChangesEdit
- Silvally now has 600 BST with 100/100/100/100/100/100 (BUFF MY N*GGA)
- Mega Garchomps stats have changed, the new stats are 108/160/115/110/105/102 (#makegarchompgreatagain)
- Mega Heracross stats have changed, the new stats are 80/180/115/40/105/80 (#makeheracrossbetter)
- Mega Banettes stats have changed, the new stats are 64/160/75/93/83/80 (#makebanettedosomethingnowthatgen7nerfedthemega)
- Mr Mime has +10 defense now
- Ledian has new stats, 55/90/50/45/80/90
- Magcargo gets +10 in Spc Def
- Smeargle gains +10 in Speed and +10 in Defense
- Scrafty gets +10 in attack
Ability ChangesEdit


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TomArmstrong14 and Startanica's from Hollyrock-a-Bye Baby. Note: This will use a TomArmstrong14 Crossover, This is a PAL film.
- Thomas the Tank Engine as Fred Flintstone
- Gordon and Mavis from Thomas and Friends as Mr. and Mrs. Flintstone
- Dale Brown as Barney Rubble
- Mr. and Mrs. Brown as Mr. and Mrs. Rubble
- Jordan Rooke from Thomas and Friends as Wilma Slaghoople
- Sir Tophat and Lady Hatt as Mr. and. Mrs. Slaghoople
- Emily Rooke from Thomas and Friends as Betty Jean
- Xiro and Kairel as Mr. and Mrs. Jean
- Bruma as Pebble Flintstone
- Tigger as Bam Bam Rubble
- Scuttlebutt as Rocky
- Fievel as Slick
- Mad Eye Moody as Mr. Big Rock
- Tiana and Daniel as Chip and Roxy Rubble
- Mr. Toad as the 2 Polices
- Mickey Mouse (The Prince and the Pauper, The Three Musketeers, Disney Cartoons and Mickey's Christmas Carol) as Mr. Slate


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20 01 2014
A core problem is largely being ignored—a "productivity paradox." If a company can produce a product or service at less cost, that company has improved its productivity and potentially its profits. But, when a company improves productivity by reducing the number of employees, jobs disappear. For most of modern history, new categories of quality jobs appeared quickly enough to replace the jobs lost. Today, productivity improvements driven by accelerating technology development are destroying jobs faster than good jobs are being created. This leads to an economic problem rather than the boost that productivity has historically given the economy.


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Hi All,
I'm hoping for a little direction.
I have looked through the API and forums and have found "some" info but really need some help on developing a plugin that will email the subject and description of an urgent ticket to a specified email address.
I have found: SPICEWORKS.app.helpdesk.newTicket.ready but not sure how to extract data from the new ticket such as priority and subject and I also have no idea how to email.
Any help would be greatly appreciated.
2 Replies
Apr 21, 2011 at 12:15 UTC
How will your tickets be denoted as urgent? Will this be a custom attribute, a certain subject or from a particular user account?
You might be able to use something like Ticket rules to accomplish what you need.
Apr 21, 2011 at 3:51 UTC
There is currently no API to send e-mail using the Spiceworks application.
That said, you can create a help desk user called email@example.com, and set up a ticket rule using custom attributes to assign (and subsequently e-mail) this user/address when a ticket comes in that is urgent.
This discussion has been inactive for over a year.
You may get a better answer to your question by starting a new discussion.


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Soft Piano - Tanha Dil (Shaan) MP3
Here's a classical piano rendition of Tanha Dil by Shaan.
Tanha Dil of Shaan on guitar MP3
Hi Everyone! This is Malini. I started learnign guitar recently and Tanha Dil is one of my fav songs...your feedback is very much appreciated :-)
Shaan || Sings 'Tanha Dil' || Superbia || Part 5 MP3
In a career spanning for over a decade, Shaan has given voice to some of the biggest superstars of our time. His rise to fame began with his entry into the ...
Tanha Dil - Shaan | Unplugged by Saneet MP3
Tanha Dil - Shaan | Unplugged by Saneet Download Mp3 Version - http://saneets.com/tanha-dil-shaan-lyrics-chords-mp3/ Follow me - Facebook ...
NSPA | Yash Barse - Tanha Dil - Shaan (Cover) MP3
Yash Barse covers the classic 90's song "Tanha Dil" by playback singer Shaan. We perform on the streets! Know more about us: www.nspa.in.
Tanha Dil - Shaan - Guitar Chords Lesson by Pawan MP3
Guitar Chords Lesson by Pawan for Tanha Dil.
Shaan || Performs 'Tanha Dil' || Sneak Peek MP3
In a career spanning for a decade, Shaan has given voice to some of the biggest superstars of our time. His rise to fame began with his entry into the Indipop ...
Dil Kya Kare - Dance Masti, Instant Karma | Shaan, Naveeda Mehdi MP3
The first track released by Instant Karma from the Dance Masti album had Shaan singing this updated beautiful love ballad originally from the film 'Julie'.
Tanha Dil by Shaan - Guitar cover MP3
Capo on 3rd fr. Chords are Am C G D and Em and combinations.
Tanha Dil, Tanha SafaR( BY SHAAN) MP3
learn TANHA DIL on guitar MP3
A famous song by SHAAN from the album BHOOL JA and very easy to learn . ... . enjoy!
Shaan - Shantanu Mukherjee - Tanha Dil(Amar Singh Jharia acoustic cover) MP3
Tanha Dil instrumental with brass sax MP3
tanhadilshaaninstrumentalkaraoke Aankhon mein sapne liye Ghar se hum chal to diye Jaane yeh raahein ab le jaayengi kahan Mitti ki khushboo aaye Palkon ...
Tanha Dil - Shaan MP3
Check this out..
Tum nahin door tak / Tanha dil MP3
Provided to YouTube by The Orchard Enterprises Tum nahin door tak / Tanha dil · Hindi Instrumental Group Favourite Selection of Shaan ℗ 2009 Vale ...
Tanha Dil Tanha Safar Karaoke Shaan MP3
Get All Old And New Karaoke In Mp3 Or Video Karaoke Format At www.karaokesansaar.com We Make Karaoke On Demand , We Take Order To Make Your ...
Gum sum ho kyon / Tanha dil MP3
Provided to YouTube by The Orchard Enterprises Gum sum ho kyon / Tanha dil · Hindi Instrumental Group Favourite Selection of Shaan ℗ 2009 Vale ...
Tanha Dil Karaoke Cover by Vaibhav Ghalme MP3
A soulful song which made Shaan a household name...Thanks to Javed Bhai for music and sound arrangments and Sunil Dhimate for inputs..:) Happy listening!
Shaan in Indian idol 5 - Woh Pehli Baar MP3
Shaan with idian idol contestant Rakesh. A trend-settler performance.
Gum Sum Ho Kyun [Tanha Dil] - Covered by Amit Sengar [Home Recording] MP3
Hello friends, I am Amit sengar welcomes you to my channel. Hope you will enjoy my Songs.. Amit Sengar Fan Page ...


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Web radio is an astounding and minimal effort approach to advertise your items and administrations. Your potential group of onlookers can incorporate the huge number of individuals who have web get to. Dissimilar to utilizing media, for example, earthbound Internet Radio, web radio is a low or no-cost approach to market to substantial quantities of potential customers. Start by doing a look for the demonstrates that are a solid match for your subject. You can discover them by doing a web look or via seeking prevalent web radio stages. Likewise, seek the different podcast syndication destinations to get a thought of what shows exist that concentrate on your objective market.
When you have distinguished the demonstrates that you are keen on, listen to individual scenes and get a thought of what the show configuration is. Who are the visitors? What are the subjects? Ensure the show is a fit for you and your business. For example, on my web radio show I talk with ladies business visionaries. A little while prior somebody sent me an inquiry with respect to a young fellow that she thought would be useful for my show. It was clear immediately that she didn't comprehend the configuration of the shows, and likely had never at any point listened to them. On the off chance that she had, she would have realized that however this entrepreneurial young fellow may have made an intriguing visitor, he was wrong for my show's arrangement.
When you have gotten your work done about the communicates that you are occupied with, send a question which ought to incorporate a brief bio, a connection to your site and any media notices you may have. Give enough data so that the show host can decide in advance in the event that you will be a decent visitor. On the off chance that you get a good reaction and you are requested that be a visitor, focus on the rules and speedily give back any asked for data. Normally all of you be requested a bio, a presentation (to be perused reporting in real time or posted on a site) and a photo of you or your item. On the off chance that you are routinely sending inquiries to the media, you ought to have those materials prepared to go.


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"Heart Stop Beating" is a fascinating look at the lives of Drs. Billy Cohn and Bud Frazier and their successful implantation of a continuous flow, beatless, mechanical heart.
In March of 2011, two visionary doctors at the Texas Heart Institute replaced the heart of gravely ill patient, Craig Lewis with two turbines that continuously pumped proving human physiology could be supported without a pulse or a heart beat. Directed by Jeremiah Zagar, the documentary filmmaker behind 2008's In a Dream, 'Heart Stop Beating' is his new short which screened at Sundance this week. Just over three minutes in length, the brief yet captivating story of Drs. Billy Cohn and Bud Frazier features glimpses of the operating room, candid interviews with both doctors, and insight into how the medical breakthrough was conceived. What we found most compelling is when Cohn said in regards to Lewis, "By all criteria that we conventionally use to analyze patients, [he's] dead." Defying traditional metrics, this idea was so far out of the box, yet it was actually achieved.
REMAINS is a film about a man's memories of his wife. We see snapshots of these memories; we are a fingertip running through hair, a foot plunging into the ocean, a swaying tree branch. The film is comprised of sound design, years of recorded voice messages, and macro photography. It explores memory by transcribing that which is tactile into that which is visual. The messages become fading imprints and remainders; the rust rather than the iron, the fossil rather than the bone. REMAINS asks the question, how does one remember touch and what is the emotional impact of those memories.
Director(s): Jeremiah Zagar, Nathan Caswell
Producer(s): Jeremy Yaches
Screenwriter(s): Matt Lombardi
Cinematographer: Erik Messerschmidt
Editor(s): Nathan Caswell, Jeremiah Zagar
Sound Designer: Eric Milano
Principal Cast: Noémie Videau, Shauna Pinkett, Ciaran Byrne, Valery Upson, Samia Rose Beeks-Stewart
Nathan and Jeremiah met as film students at Emerson College. Their first collaboration was The Unbelievable Truth which premiered at the 2003 Tribeca Film Festival. Nathan currently directs and edits commercials. Jeremiah's feature-length documentary In A Dream premiered at SXSW, was broadcast on HBO and garnered two Emmy nominations.
'In A Dream'
Over the past four decades, artist Isaiah Zagar has covered more than 50,000 square feet of Philadelphia with stunning mosaic murals. In A Dream chronicles his work and his tumultuous relationship with his wife, Julia. It follows the Zagars as their marriage implodes and a harrowing new chapter in their life unfolds.
In A Dream
a film by Jeremiah Zagar
produced by Herzliya Films in association with Red Light Films
9.11.06 - In A Dream was awarded a grant from the New York State Council on the Arts.
6.7.06 - Coney Island, 1945 will be screening at the World Wide Short Film Festival in Canada next week.
4.4.06 - Coney Island, 1945 will be screening at the Brooklyn Underground Film Festival, the Palm Beach Int'l Film Festival, the Indianapolis Int'l Film Festival and the Jacksonville Film Festival in the coming weeks.
2.16.06 - Coney Island, 1945 is scheduled to screen in March at the SXSW Film Festival.
Also, watch the trailer for The System is Broken, a feature-length documentary directed by Josh Banville.
1.23.06 - The teaser trailer for In A Dream is finished and available for viewing here. Let us know what you think.
9.27.05 - Coney Island, 1945 will screen at the The Hamptons Int'l Film Festival and the bfi London Film Festival.
2.14.05 - Herzliya Films produced music videos for:
"Don't Stop" by Brazilian Girls and
"My Eyes Burn" by Matchbook Romance.


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Free Stuff, Samples, Coupons, and Sweepstakes | Woman Freebies
September 15, 2015 | Videos
Shake Shack has the best burgers! People will wait in long lines just to get a a taste of their delicious food. In this video you'll learn how to make the original Shake Shack burger. No more waiting in lines!
You work too hard for your money to throw it all away on full price when you don't have to!
© adjump 2011 All Rights Reserved No part of this website or any of its contents may be reproduced, copied, modified or adapted without adjump's prior written consent.


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The idea of this wiki is to sell concept of the site. MMORPG will be created to link all the major Massive Multiplayer Online Role Playing Games, This consists of games like World of Warcraft, Runes of Magic, Guildwars, and Warhammer Online just to name a few.
The first draft introduces us to the layout which will be used, its a basic image made only with structure in mind. I have not worried about about ratios or how accurate the draft is, it is more about introducing an idea.


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Like clothes, it depends on several factors. A complete pair of glasses with lenses and frames can run you between $100 to $500. The factors that determine the price are the type of frame, frame brand, lens material, lens type and coatings. Coatings like no glare or Transitions which turn your glasses into sunglasses cost more. Also the lens type has a substantial impact on price. A singe vision perscription is much cheaper than bi-focals or progressives (no line)
I always thought it was cheaper to order online but it's actually not really. Warby Parker sells single vision glasses for $100 and progressive (no line bifocals) with lenses for $350. This is about what you would pay in a brick and mortar store. BUT it's worth having a physical place for break fix support.


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Family And Medical Leave Act
February 2, 2012 by staff
Family And Medical Leave Act, Since 1993, the federal Family and Medical Leave Act (FMLA) has allowed most employees to take unpaid leave to deal with certain medical or family emergencies without fear of losing their jobs or insurance benefits.
The law provides for up to 12 weeks off a year to care for a seriously ill child, deal with an aging parent or attend to any number of situations that might arise on the home front.
In 2008, President George W. Bush signed into law expanded provisions of the FMLA to help family members of those serving in the National Guard and reserves.
This week, Labor Secretary Hilda Solis announced plans to take the act a step further by extending the leave to cover families of those in the regular armed forces, as well as families of veterans for up to five years after leaving the military.
Under the proposed rules, which are open to public comment for the next 60 days, spouses, children or parents could take up to 12 weeks of unpaid leave from work to help a service member who is deployed on short notice and needs help with issues like child care or making financial or legal arrangements. In addition, family members would get up to 26 weeks of leave to care for recent veterans who were injured or became ill in the line of duty, including conditions that do not arise until after leaving the armed forces.
We think the proposal is one more way for government to express its appreciation to our service men and women, as well as to their family members. The conflicts of the past decade have required military families to face a wide array of unexpected circumstances. It is important that the government do whatever it can to ease their situations as much as possible
Please feel free to send if you have any questions regarding this post , you can contact on
Disclaimer: The views expressed on this site are that of the authors and not necessarily that of U.S.S.POST.


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Melissa Gail Simpson, as personal representative for the Estate of Charles Fancher (the "Estate") appeals from the Metcalfe Circuit Court's order of summary judgment dismissing the Estate's negligence claims against the above-captioned appellees. Finding no error, we affirm.
This matter was originally filed in Metcalfe Circuit Court on March 7, 2008, as a Kentucky negligence action.
Finally, after the circuit court dismissed the two consolidated actions through a single order of summary judgment, the appellants filed two notices of appeal (one for each of the consolidated actions). Each notice named as the sole appellant "Melissa Gail Simpson, as Personal Representative of the Estate of Charles David Fancher," and, as appellees, "Kevin Thompson, Rondal Shirley, Scott Gordon, Jimmy Shive, and Greg Wilson."
With that said, the parties agree that the Federal Court's order of summary judgment in Simpson, 2010 WL 4365573, accurately summarized the relevant facts of this case:
Id. at *1-2.
At both the federal and state level, the Estate argued that the manner in which Fancher was restrained was a substantial factor in causing Fancher's death. To that end, the Estate produced the opinion of Dr. Karl Williams, who believed that the method of Fancher's restraint, in conjunction with his intoxication, possible exhaustion from arrest, and what the medical examiner had discovered was Fancher's enlarged heart had resulted in Fancher's "accidental" death from "positional asphyxiation." The Estate also produced an opinion from a private investigator, Eddie Railey, stating Railey's belief that the method used to restrain Fancher was, under the circumstances, a breach of the applicable standard of care.
As noted previously, the Estate's suit began as a Kentucky negligence action, but evolved into a federal suit alleging both a Kentucky negligence claim and a 42 U.S.C. § 1983 based upon excessive force and deliberate indifference to medical needs. When the Federal Court dismissed the Estate's action, it dismissed the § 1983 claims with prejudice on the basis of sovereign immunity (to the extent they were asserted against Metcalfe County and its sheriff's office) and qualified immunity (to the extent they were asserted against Thompson, Shirley, Gordon, and Shive in their individual capacities).
When the Estate re-filed its Kentucky negligence action in Metcalfe Circuit Court, the appellees raised the same defenses of sovereign and qualified immunity, along with a defense of res judicata, and moved for summary judgment on those bases. Thereafter, the circuit court granted summary judgment in favor of the appellees, but its final order of summary judgment essentially stated nothing more than that (i.e., it specified no basis). This appeal followed.
Summary judgment serves to terminate litigation where "the pleadings, depositions, answers to interrogatories, stipulations, and admissions on file, together with the affidavits, if any, show that there is no genuine issue as to any material fact and that the moving party is entitled to a judgment as a matter of law." Kentucky Rule(s) of Civil Procedure (CR) 56.03. It is well established that a party responding to a properly supported summary judgment motion cannot merely rest on the allegations in his pleadings. Continental Casualty Co. v. Belknap Hardware & Manufacturing Co., 281 S.W.2d 914 (Ky. 1955). "[S]peculation and supposition are insufficient to justify a submission of a case to the jury, and . . . the question should be taken from the jury when the evidence is so unsatisfactory as to resort to surmise and speculation." O'Bryan v. Cave, 202 S.W.3d 585, 588 (Ky. 2006) (citing Chesapeake & Ohio Ry. Co. v. Yates, 239 S.W.2d 953, 955 (Ky. 1951)). "`Belief' is not evidence and does not create an issue of material fact." Humana of Kentucky, Inc. v. Seitz, 796 S.W.2d 1, 3 (Ky. 1990); see also Haugh v. City of Louisville, 242 S.W.3d 683, 686 (Ky. App. 2007) ("A party's subjective beliefs about the nature of the evidence is not the sort of affirmative proof required to avoid summary judgment.") Furthermore, the party opposing summary judgment "cannot rely on the hope that the trier of fact will disbelieve the movant's denial of a disputed fact, but must present affirmative evidence in order to defeat a properly supported motion for summary judgment." Steelvest, Inc. v. Scansteel Service Center, Inc., 807 S.W.2d 476, 481 (Ky. 1991) (internal citations and quotations omitted).
On appeal, we must consider the evidence of record in the light most favorable to the non-movant and must further consider whether the circuit court correctly determined that there were no genuine issues of material fact and that the moving party was entitled to judgment as a matter of law. Scifres v. Kraft, 916 S.W.2d 779 (Ky. App. 1996). "Because summary judgment involves only legal questions and the existence of any disputed material issues of fact, an appellate court need not defer to the trial court's decision and will review the issue de novo." Lewis v. B & R Corp., 56 S.W.3d 432, 436 (Ky. App. 2001) (footnote omitted).
The Estate's prehearing statement limits the "issues proposed to be raised on appeal, including jurisdictional challenges, and any question of first impression" to the following: "The Trial Court's wrongful grant of Summary Judgment on an unspecified basis." To this effect, the Estate asserts that it was reversible error for the circuit court to dismiss the balance of its claims through an order of summary judgment that included no factual findings or conclusions of law. However, the circuit court's order "was a summary judgment order, and pursuant to CR 52.01, specific findings and conclusions of law are not required with summary judgments." Blue Movies, Inc. v. Louisville/Jefferson County Metro Government, 317 S.W.3d 23, 39 (Ky. 2010) (citing Wilson v. Southward Inv. Co. No. 1, 675 S.W.2d 10 (Ky. App. 1984)). Thus, it would appear that the sole issue raised in the Estate's prehearing statement has no merit.
The Estate's appellate brief, on the other hand, notes that the appellees raised arguments of res judicata and immunity as defenses below; it reasons that the circuit court must have based its summary judgment upon one or both of those issues; and, the Estate's brief raises two additional arguments of error relating to those issues. CR 76.03(8) would ordinarily prohibit this Court from considering issues not raised in a prehearing statement or submitted upon timely motion. See, e.g., American General Home Equity, Inc. v. Kestel, 253 S.W.3d 543, 549 (Ky. 2008); see also Sallee v. Sallee, 142 S.W.3d 697, 698 (Ky. App. 2004) (refusing to reach appellant's argument to reverse trial court's judgment on ground not among issues raised in prehearing statement or by timely motion under CR 76.03(8)). Nevertheless, CR 76.03(8) poses no obstacle to our review of the Estate's arguments relating to res judicata and immunity because the appellees have also raised res judicata and immunity in their own prehearing statement, have extensively briefed those issues, and have thus negated any reason for the Estate to have filed a motion, per CR 76.03(8), to add these as issues on appeal.
That said, the Estate is correct that in the absence of any specificity we will presume that the circuit court's threadbare order incorporates and is based upon each of the grounds asserted by the motion for summary judgment submitted by the appellees in this matter (i.e., res judicata and immunity). See, e.g., Sword v. Scott, 293 Ky. 630, 169 S.W.2d 825, 827 (1943) ("In the absence of the court's specifying the ground or grounds for his dismissal of the petition, it will be assumed that it was upon any or all of the grounds which the proof sufficiently established.") And, because res judicata and immunity presented alternative grounds for dismissal, the Estate has the burden of demonstrating on appeal that both grounds are erroneous in order to justify reversing the circuit court's judgment. See Milby v. Mears, 580 S.W.2d 724, 727 (Ky. App. 1979) ("the trial court's determination of those issues not briefed upon appeal is ordinarily affirmed."); see also id. at 729 ("When a judgment is based upon alternative grounds, the judgment must be affirmed on appeal unless both grounds are erroneous.")
Therefore, we will begin with the Estate's argument relating to immunity. As noted previously, the defense of sovereign immunity was asserted by Metcalfe County, Shirley (in his official capacity as Metcalfe County Sheriff), Shive (in his official capacity as Metcalfe County Jailer), and Thompson and Gordon (in their official capacities as Deputy Sheriffs). In their individual capacities, Shirley, Shive, Thompson and Gordon each asserted defenses of qualified immunity.
The entirety of the Estate's argument is founded exclusively upon Kentucky Revised Statute(s) (KRS) 70.040:
It is true that KRS 70.040 represents a waiver of the official immunity enjoyed by the office of Metcalfe County Sheriff; thus, in the context of an "official capacity" suit, it would be relevant. But, the statute has no bearing upon the liability of the individual holding the office of Metcalfe County Sheriff, nor any defense of qualified immunity that could be asserted by such an individual or his deputies, and it is thus irrelevant in the context of a "personal capacity" suit.
473 U.S. at 165-66, 105 S.Ct. at 3105 (footnote omitted).
473 U.S. at 167-68, 105 S.Ct. at 3106.
Therefore, if the Estate has failed to join Shirley, Shive, Thompson, or Gordon (in their official capacities), or Metcalfe County or the office of Metcalfe County Sheriff in this appeal, the Estate has failed to join any governmental entity. And, if no governmental entity is present in this appeal, KRS 70.040 does not apply in any way to this matter.
Here, the Estate's complaint specifically named as defendants Shirley, Shive, Thompson, and Gordon (in their individual and official capacities), along with Metcalfe County. But, only those parties named in a notice of appeal are placed within our appellate jurisdiction. City of Devondale v. Stallings, 795 S.W.2d 954, 957 (Ky. 1990). And, a review of the two notices of appeal filed by the Estate in this matter discloses that the only parties the Estate named in this appeal, aside from itself, are "Kevin Thompson, Rondal Shirley, Scott Gordon, Jimmy Shive, and Greg Wilson." It excludes any mention of their official capacities and any mention of Metcalfe County or its sheriff's office. We do not presume that merely listing the name of a government official, in and of itself, implicates his official capacity. See, e.g., McCollum v. Garrett, 880 S.W.2d 530, 532-3 (Ky. 1994). Nor, for that matter, may we presume that the Estate's general designation of the appellees as "Kevin Thompson, et al." in the caption of its notices of appeal operated as a remedy: CR 73.03(1) expressly prohibits specifying the names of parties as "et al." in a notice of appeal; moreover, the use of "et al." in the caption of a notice of appeal does not make those parties to the action not specifically named in the caption parties to the appeal. Schulz v. Chadwell, 548 S.W.2d 181, 184 (Ky. App. 1977).
In short, any further discussion of KRS 70.040 within the context of this case is a moot point: the only function of that statute would have been to impute civil liability upon the Metcalfe County sheriff's office. We have no jurisdiction to reverse any part of the circuit court's order relating to the Metcalfe County sheriff's office because neither it, nor Metcalfe County, are parties to this appeal.
That is not to say that Metcalfe County and its sheriff's office were indispensable parties to this appeal, or that their absence mandates dismissal. Under our appellate rules, parties are only "indispensable" to an appeal if their "interest would be divested by an adverse judgment," or if their "absence prevents the Court from granting complete relief among those already parties." Watkins v. Fannin, 278 S.W.3d 637, 640 (Ky. App. 2009) (citations omitted). Having failed to appeal that part of the circuit court's order relating to its claims against Metcalfe County and its sheriff's office, the Estate has waived any review in that regard. And, in any event, neither entity would be prejudiced by a determination that Shirley, Shive, Thompson, and Gordon could be individually liable to the Estate. See Graham, 473 U.S. at 167-68, 105 S.Ct. at 3106 ("A victory in a personal-capacity action is a victory against the individual defendant, rather than against the entity that employs him.").
We are left, then, to address the claims of qualified official immunity asserted by Shirley, Shive, Thompson, and Gordon in their individual capacities. As a general matter, "qualified official immunity" immunizes public officers or employees from liability for negligence, provided that the negligence in question arises from "(1) discretionary acts or functions, i.e., those involving the exercise of discretion and judgment, or personal deliberation, decision, and judgment; (2) in good faith; and (3) within the scope of the employee's authority." James v. Wilson, 95 S.W.3d 875, 905 (Ky. App. 2002) (internal citations omitted). "Once the officer or employee has shown prima facie that the act was performed within the scope of his/her discretionary authority, the burden shifts to the plaintiff to establish by direct or circumstantial evidence that the discretionary act [was in bad faith]." Rowan County v. Sloas, 201 S.W.3d 469, 476 (Ky. 2006) (citing Yanero v. Davis, 65 S.W.3d 510, 523 (Ky. 2001)).
In the case at bar, it cannot be disputed that when the officers arrested and restrained Fancher, they were performing a discretionary act within the scope of their authority. As stated in Haugh v. City of Louisville, 242 S.W.3d 683, 686 (Ky. App. 2007),
Because the officers have demonstrated prima facie that their acts in question (the arrest and restraint of Fancher) were performed within the scope of their discretionary authority, the burden shifted to the Estate to establish by direct or circumstantial evidence that the officers performed their discretionary acts in bad faith. Haugh provides further guidance in this regard:
In the case at bar, the Estate generally alleges that the officers' treatment of Fancher was negligent, but it does not cite affirmative evidence of record or supporting case law demonstrating that the officers took any action against Fancher with any of the above-described intentions evincing bad faith. If a party does not cite authority for an argument, we are not required to address the argument; therefore, we would be justified in affirming the circuit court's summary dismissal of the Estate's claims against the individual officers on this basis alone. See CR 76.12(4)(c)(v); Cherry v. Augustus, 245 S.W.3d 766, 781 (Ky. App. 2006).
Nevertheless, we deem it more expeditious to adopt the well-reasoned opinion of the United States District Court as it applies to this issue.
Simpson, 2010 WL 4365573 at *5-6.
For the reasons stated above, the judgment of the Metcalfe Circuit Court is affirmed.
We find little if any prejudice to Maynard's heirs caused by the Commonwealth's error in naming the proper party to this matter. The attorney representing Appellee in this appeal is the same attorney that represented Maynard's estate at the forfeiture hearing attended by Maynard's heirs. Moreover, the heirs have all been appointed executors of Maynard's estate and thus, their interest in the real property has been actively and vigorously litigated at all stages of this litigation, including this appeal. Nevertheless, we are bound by prior Supreme Court case law, including case law set forth by prior panels of this Court in the absence of an en banc sitting.
Thus, to the extent that the Estate now seeks review of the circuit court's summary dismissal of its claims against Metcalfe County or the Metcalfe County Sheriff's Office in this appeal, we are precluded from granting it for the reasons stated above. See, e.g., Watkins v. Fannin, 278 S.W.3d 637, 643 (Ky. App. 2009) ("[W]e note as irrelevant the fact that the Cabinet, which defended this appeal, has not raised this issue; an appellate court may not acquire jurisdiction through waiver.") (citing Wilson v. Russell, 162 S.W.3d 911, 913 (Ky. 2005)).
However, because the Estate failed to cite any evidence of bad faith, the distinction is irrelevant in this case.


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Happy holidays to one and all! It's getting to be the most wonderful time of the year, and one of the most wonderful things about it is the bevy of movie options that typically grace us during the last couple months of the year.
We're not exactly facing an avalanche of awesome flicks (and lest we forget that we've got the final entry in the putrid "Twilight" saga to contend with), but between "Flight," "The Man with the Iron Fists," "Wreck-It Ralph," "Cloud Atlas" and "Lincoln," we could be doing a lot worse. And of course there's Ben Affleck's tremendously effective Iranian hostage crisis thriller "Argo," still playing wide and very much worth your time.
Things are going to slow down for the next couple weeks, with Ang Lee's "The Life of Pie" being only truly exciting wide release coming our way for a while. But then we get the one-two-three punch of "The Hobbit: An Unexpected Journey," "Django Unchained" and "Les Miserables" to give us a very merry Christmas indeed. Check back in the coming weeks for reviews. In the meantime we'll have a quick look at "Skyfall," the latest 007 adventure, and I also have a few belated thoughts on all this "Star Wars" business that has captured the hearts and minds of obsessive geeks everywhere.
One could argue that the James Bond franchise should have been put out to pasture long ago — decades, even. One of the most notoriously uneven movie series of all time, the 007 films have been floundering since the mid-'70s, when Roger Moore and company decided to move the series away from cheeky spy games and into the realm of unintentional self-parody. The seemingly invincible superspy never really recovered from this lapse in judgment, and with the exception of a couple solid entries over the years ("The Living Daylights," "GoldenEye"), for a long time Bond was more trouble than he was worth.
But then MGM decided to hop aboard the reboot train, and in 2006, with "Casino Royale," Bond (now played by Daniel Craig) was reborn as a thoroughly modern big-screen hero — rugged, troubled, conflicted, always ready to dispense a vicious beating, or take one — but still imbued with a sense of old-school swagger and charm. But could it last? After the follow-up, "Quantum of Solace" (under-rated, in my estimation), many claimed that this "rebirth" was a ruse, and "Casino Royale" a mere fluke.
But rest assured: Bond latest outing, "Skyfall," is indisputably a great Bond film, and the overwhelmingly positive response from critics and audiences alike will hopefully ensure that MGM sticks to this template from now on: rousing action, carefully parsed out to avoid overkill; subtle, gentle humor that pokes light fun at the series' past without ever becoming obnoxious or self-conscious; capable, award-winning actors who realize that, at this point in the series, effective characterizations are even more important than chases and fight scenes; and an actual filmmaker — not a random studio stooge — who knows how to drive a narrative and set up a great shot.
"Skyfall" was helmed by Oscar-winning filmmaker Sam Mendes ("American Beauty," "Jarhead" and the regrettable "Revolutionary Road"), and throughout the movie it is obvious that an actual film artist was in the director's chair. This is a gorgeous movie, one of the most visually striking I've seen all year, and even without all the espionage and action, I could have just sat back for two hours and appreciated the cinematography. As a bonus, though, the espionage and action are top-notch, and the film as a whole benefits from the considerable efforts of the star-studded cast. New players Naomie Harris, as Bond girl and co-operative Eve, and Ralph Fiennes, as a presumably insufferable M16 bureaucrat, are quite effective in their roles, which by the end turn out to be more relevant than you might assume.
But in the end the show belongs to Javier Bardem, whose delightfully over-the-top (but never quite scenery-chewing) Bond villain lends a great deal of creepy menace to the proceedings. He doesn't show up until past the film's halfway point, when he emerges as the central villain in an elaborate revenge plot to assassinate Bond's boss M (Judi Dench). But once he peeks his head out from the shadows, "Skyfall" kicks into high gear and culminates in perhaps the most satisfying climax I've ever seen in a 007 movie (think "Straw Dogs," only with automatic weapons). All in all, great fun.
I know I'm a bit late to the party on this one, but I would be remiss not to offer some comments on the big news regarding Disney's acquisition of the Lucasfilm empire — which, of course, includes all rights to the "Star Wars" universe. According to studio officials, they plan to make use of this purchase as quickly and as often as humanly possible, and we'll be seeing "Episode VII" in theaters within a few short years.
"Star Wars" fans, usually noted for their irritable nature, seem pleased with the idea of real sequels to their beloved original trilogy, especially after George Lucas himself lowered the bar about as far as it could go with his ill-conceived prequels. Adding fuel to the already raging geek fire is the possibility that the three primary cast members — Harrison Ford, Mark Hamill and Carrie Fisher — may return to reprise their roles. (Something tells me Billy Dee Williams isn't booked solid either, so I've got my fingers crossed.) I don't self-identify as a "Star Wars" nerd (more of an Indy guy myself), but I'd be lying if I didn't admit that this is something I've been dreaming about for more than 20 years.
So the big question is: With Lucas only on board as a creative consultant, who's the right pick to direct these bad boys? Names have been swirling around the rumor mill, most notably Matthew Vaughn (those rumors quickly dissipated), J. J. Abrams, Joss Whedon and Brad Bird. Since Abrams is a borderline-hack who already has control of the "Star Trek" franchise, and since Whedon is a far better writer than filmmaker, I'm placing my bets on Brad Bird. "The Iron Giant" and "The Incredibles" demonstrated his ability to tell a well-paced, character-driven story, and the recent success of "Mission: Impossible — Ghost Protocol" showed us that, even in the realm of live action, he operates like a seasoned pro. Bird would be a very rational, very safe choice to continue the series.
But he wouldn't be the best choice, and even if he does end up landing a trilogy, who says things have to stop there? Provided the movies are made by real, proven filmmakers with a clear, original vision, who says we couldn't have five more trilogies? Or even 10? "Star Wars" embodies an entire universe, and the possibilities for exploration are endless.
But, even if they're certified geniuses, some directors simply aren't suited to the material. (As much as I love Quentin Tarantino, P.T. Anderson and Lars von Trier, I have a hard time envisioning what their take on "Star Wars" would look like.) It's all about finding that perfect balance of storytelling ability and visual appeal, of action and pathos. With that in mind, here are my top 10 choices, in no particular order: David Fincher, Duncan Jones, Alfonso Cuaron, Ben Affleck, Zack Snyder, Christopher Nolan, Wong Kar-Wai, Darren Aronofsky, Nicolas Winding-Refn and Kathryn Bigelow. Make me proud one time, Hollywood. One time.
Jason Wallis is a News-Sentinel copy editor. He can be reached at firstname.lastname@example.com.


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Was just watching the weather channel and al roker had ian walsh on there as a special guest. The scroll at the bottom said that ian can surf waves from 2ft to 70ft with ease. 70 FEET!?!?!?! WITH EASE?????? im sorry but a. show me the 70 ft wave, and b. with ease?!
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|"Tsz Wo (Nicholas), SZE (Commented) (JIRA)" <j...@apache.org>
|[jira] [Commented] (HDFS-3004) Implement Recovery Mode
|Fri, 06 Apr 2012 01:30:24 GMT
[ https://issues.apache.org/jira/browse/HDFS-3004?page=com.atlassian.jira.plugin.system.issuetabpanels:comment-tabpanel&focusedCommentId=13247944#comment-13247944 ] Tsz Wo (Nicholas), SZE commented on HDFS-3004: ---------------------------------------------- > We don't prompt before wiping the entire fsimage when the user specifies -format. ... This is not true. {noformat} szetszwo b-1$./bin/hadoop namenode -format 12/04/05 18:27:47 INFO namenode.NameNode: STARTUP_MSG: /************************************************************ STARTUP_MSG: Starting NameNode STARTUP_MSG: host = Sunnyvale.local/10.10.10.60 STARTUP_MSG: args = [-format] STARTUP_MSG: version = 1.1.0-SNAPSHOT STARTUP_MSG: build = https://svn.apache.org/repos/asf/hadoop/common/branches/branch-1 -r 1309623; compiled by 'szetszwo' on Thu Apr 5 12:43:22 PDT 2012 ************************************************************/ Re-format filesystem in /tmp/hadoop-szetszwo/dfs/name ? (Y or N) {noformat} > Implement Recovery Mode > ----------------------- > > Key: HDFS-3004 > URL: https://issues.apache.org/jira/browse/HDFS-3004 > Project: Hadoop HDFS > Issue Type: New Feature > Components: tools > Reporter: Colin Patrick McCabe > Assignee: Colin Patrick McCabe > Attachments: HDFS-3004.010.patch, HDFS-3004.011.patch, HDFS-3004.012.patch, HDFS-3004.013.patch, HDFS-3004.015.patch, HDFS-3004.016.patch, HDFS-3004.017.patch, HDFS-3004.018.patch, HDFS-3004.019.patch, HDFS-3004.020.patch, HDFS-3004.022.patch, HDFS-3004.023.patch, HDFS-3004.024.patch, HDFS-3004.026.patch, HDFS-3004.027.patch, HDFS-3004.029.patch, HDFS-3004.030.patch, HDFS-3004.031.patch, HDFS-3004.032.patch, HDFS-3004.033.patch, HDFS-3004.034.patch, HDFS-3004.035.patch, HDFS-3004.036.patch, HDFS-3004.037.patch, HDFS-3004.038.patch, HDFS-3004.039.patch, HDFS-3004.040.patch, HDFS-3004__namenode_recovery_tool.txt > > > When the NameNode metadata is corrupt for some reason, we want to be able to fix it. Obviously, we would prefer never to get in this case. In a perfect world, we never would. However, bad data on disk can happen from time to time, because of hardware errors or misconfigurations. In the past we have had to correct it manually, which is time-consuming and which can result in downtime. > Recovery mode is initialized by the system administrator. When the NameNode starts up in Recovery Mode, it will try to load the FSImage file, apply all the edits from the edits log, and then write out a new image. Then it will shut down. > Unlike in the normal startup process, the recovery mode startup process will be interactive. When the NameNode finds something that is inconsistent, it will prompt the operator as to what it should do. The operator can also choose to take the first option for all prompts by starting up with the '-f' flag, or typing 'a' at one of the prompts. > I have reused as much code as possible from the NameNode in this tool. Hopefully, the effort that was spent developing this will also make the NameNode editLog and image processing even more robust than it already is. -- This message is automatically generated by JIRA. If you think it was sent incorrectly, please contact your JIRA administrators: https://issues.apache.org/jira/secure/ContactAdministrators!default.jspa For more information on JIRA, see: http://www.atlassian.com/software/jira
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The 2013 Mercedes-Benz C Class bridges a pretty wide gap between entry luxury and compact performance, and with the new C Class Coupe range that the automaker introduced last year, as well as updated versions of the C Class sedans, it's up to that task in appearance, inside and out.
Both models share a dramatic front end, combining sharp angles with graceful curves and high-tech elements like LED daytime running lights. Inside, purposeful ergonomics meld with modern Mercedes styling in varying degrees of sport and luxury, depending on the trim line and body style.
With last year's refresh, the C Class got a more prominent grille to match other new Mercedes models, but the overall design has been carried forward, with a smooth, gently arcing roofline paired with smooth side sheetmetal and crisp front and rear details. Sculpted strakes in the hood, and especially along the side, add expressiveness and more 'action' to the design.
The Coupe draws on its four-door sibling's cues to deliver a car that's unmistakably a Mercedes-Benz, but at the same time, it's a bit sportier and sexier than the sedan in its proportions.
There's more race-inspired detail in the Coupe, too. While sedans edge toward the luxurious end in most of their guises, Coupe's get revised trim and a different steering wheel, with refined materials and premium finishes at the forefront in either model--though buyers can configure a very sporty-looking sedan as well.
At the zenith of the C Class range, the C 63 AMG Coupe is much more aggressive and dramatic inside and out, with wider fender arches, AMG badges and unique interior elements. And if the raspy sounds of the 6.2-liter V-8 engine weren't enough, twin chrome tailpipes signal this model from the rear.


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BAXTER'S ATTIC Rolling Stones "19th Nervous Breakdown"
Happy Birthday, Sir Mick Jagger (69)
Every weekday morning we pull a song out of the "attic". If you are new, the attic is a mythical place we used to hang out and enjoy great music and other "stuff".
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Disfavour and cancellation[edit source | editbeta] In November 1963, the RAF still found the P.1154 to be a suitable platform, while the Royal Navy appeared to consider the McDonnell Douglas F-4 Phantom II a better fit for its needs. In response, Hawker Siddeley focused its efforts on the RAF version.[10] On 26 February 1964, it was announced in the House of Commons by the Conservative government that a development contract had been placed for the P.1154, equipped with the BS.100 engine, as an RAF strike aircraft. At the same time it was announced that the Naval requirement would be met by Spey-engined Phantoms. More positive news emerged in 1964; on 30 October the BS.100 engine ran for the first time and Hawker Siddeley received favourable reports that the P.1154 was competitive with the performance of other aircraft, including the F-4 Phantom II.[11] Starboard black-and-white view of jet aircraft in-flight. Following the P.1154 cancellation, the Royal Navy purchased the F-4 Phantom II. However, on 2 February 1965, the incoming Labour government, led by Harold Wilson, cancelled the P.1154 on the grounds of cost, along with several other aircraft such as the BAC TSR-2 strike aircraft and Hawker Siddeley HS.681 VSTOL transport. At the time of cancellation, at least three prototypes were under construction.[N 2] Following the cancellation, the RAF and Royal Navy adopted the F-4 Phantom II instead, but the government also gave a contract for continued work on the P.1127 (RAF), which led to the Harrier; this name had originally been reserved for the P.1154 should it enter service.[11] In retrospect, aviation author Tony Buttler considered the cancellation of the aircraft to be justified, noting the time consuming and expensive failures of attempts by other nations (such as Soviet/Russia's Yak-41 and West Germany's EWR VJ 101) at a supersonic VTOL aircraft. Specifications (P.1154 – RAF version)[edit source | editbeta] Planform silhouettes of the P.1154, with the single-seat RAF version on the left and tandem, two-seat Royal Navy Fleet Air Arm version on the right Data from The British Fighter since 1912[13] General characteristics Crew: 1 Length: 49 ft 5 in (15.07 m) Wingspan: 24 ft 0 in (7.32 m) Height: () Max. takeoff weight: 30,970 lb[14] (14,050 kg) Powerplant: 1 × Bristol Siddeley BS.100/9 vectored-thrust turbofan engine with PCB, 33,000 lbf (147 kN)(with afterburning)Performance Maximum speed: Mach 1.3 at sea level (Mach 2.0 at altitude) Service ceiling: 49,000 ft (15,000 m Armament 2 x 1000 lb bombs http://www.harrier.org.uk/history/history_p1154.htm
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During Arrow's most recent midseason finale, Oliver took on the League of Assassins, and yes, there was plenty of adrenaline-inducing sword fighting to be seen. But no matter how impressive the stunts and blade work, all swordfights can be improved by tossing in a few lightsabers. YouTuber Dave Jones has worked tirelessly to re-edit Arrow fights into awe-inspiring lightsaber duels, and you can watch the results after the break.
See Also: Stephen Amell Is The [Expletive] Arrow
Spoiler alert: Ok, the first video below contains footage from Arrow's midseason finale, The Climb. So, fair warning if you haven't watched it. There's also a comment from Stephen Amell himself…
If this doesn't get you fired up for Wednesday night, there's something wrong with you. #Arrow
— Stephen Amell (@amellywood) January 19, 2015
(via Io9)


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|Sinestral Manor
|Sinestral Manor
|Southern Arun
|Vale of the Fang
|Sinestral Manor
Sinestral Manor is a recommended 5-man dungeon that becomes available for entry to players at level 26.
Rebellious vampirs and the Scions of Lok are working together to produce dementaliths—stones capable of warping the minds of mortal creatures—and aggravating the vampirs' bloodthirst.[1]
Level RangeEdit
- Levels 26–32
Dungeon Denizens Edit
Bosses Edit
Write the first paragraph of your page here.
Duchess TiraniaEdit
(Vampir Royalist)
Located in the Vale of Fang's Sinestral Manor, she is one of the four bosses.
Level: 27
She takes on the appearance of the Blood Maids found in Vale of Fang.
- so yeah this boss looks like a bear i got cloth armour from him and want to know it stats thanks (Optional)
- Malgarios
Normal Mobs Edit
- Lokian Defender
- Lokian Darkweaver
- Zealous Disc Reaper
Small Mobs Edit
Miscellaneous MobsEdit
NPCs Edit
Related Quests Edit
- [Lvl27]A Manor Invasion
- Quest:Coughing up Blood
- Quest:Cultists in the Manor
- Quest:Ducal Soldiers
- [Lvl27]Lokians Lurking
- [Lvl27]New Converts
- [Lvl27]Treason's Reward
- Quest:Vampir Nobles
Gallery Edit


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Printing Chart
I`m having problems printing charts in CFX-Post 10.0. Two days bevor it wasn`t a problem but now i can watch the charts and there is nothing wrong with it, but after pressing the print button nothing is happening. I tried a session that i used to print charts. That is also not working. Only the chartlines are turned on and off according to the session file. But there is no picture-file. I`m not getting any errors either.
Did someone have similar problems? How Did you get rid of it?
Thanks, Aloise
Re: Printing Chart
I can export a csv-file. But no picture! The chart looks fine in cfx-post. Where is the button i need to press to get it working again?
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