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to a special online preview of the print edition of Walter Kaylin's He-Men, Bag Men & Nymphos, edited by Robert Deis of MensPulpMags.com and Wyatt Doyle of NewTexture.com. Publishing hundreds of savage, inventive short stories in men's adventure magazines from the 1950s though the 1970s, Walter Kaylin is one of the finest, most prolific writers of hard boiled fiction you've probably never heard of. This collection seeks to correct that oversight and return Kaylin in his well-deserved place in the pulp fiction pantheon. The samples that follow are excerpted from fulllength stories, interviews and essays included in the book.
Walter Kaylin, circa 1954 * More about Walter Kaylin and He-Men, Bag Men & Nymphos at WalterKaylin.com * More about the Weasels Ripped My Flesh! anthology featuring Kaylin and other men's adventure all-stars at WeaselsRipped.com * More men's adventure magazine history, lore and reprints can be found at MensPulpMags.com * Visit New Texture at NewTexture.com
Walter Kaylin
edited by Robert Deis and Wyatt Doyle
If you enjoy this book, tell someone about it.
A New Texture book Copyright © 2013 Subtropic Productions LLC All Rights Reserved. Book design and layout by Wyatt Doyle Editorial Consultant: Sandee Curry (SandeeCurry.com) www.MensPulpMags.com www.NewTexture.com Stories copyright © 1956, 1959, 1960, 1962, 1963, 1964, 1966, 1967, 1974, 1975, 2013 Walter Kaylin. All stories reprinted by arrangement with, and permission of, the Author. All rights reserved. Preface copyright © 2013 Jennifer Kaylin and Lucy Kaylin. Booksellers: Most New Texture books are available through Ingram Book Company ISBN 978-0-9884621-9-9 First New Texture Edition: October 2013 Printed in the United States of America 10 9 8 7 6 5 4 3 2 1
For Jen, Luc' and Peg
Robert Deis Introduction
Jennifer Kaylin and Lucy Kaylin "A Teacher, a Dreamer, a Charmer and a Schemer"
Bruce Jay Friedman "Seamless, Outrageous and Wonderful"
Walter Kaylin "The Typewriter Is as Far as I Went"
"Snow-Job From a Redhead" [Men, June 1956] 16 "The Cruel Gun Brothers" [True Action, July 1959] 28 "The Terrible Reward of 'Far East Harry' Wax" [Male, September 1959] 44 "Emperor Blaine of 'Sweet Woman' Reef " [Male, September 1959] 58 "The Helicopter Hero and the 100 Ladies of 'Undress' Atoll" [Men, September 1959] 78 "The Nymph Who Leads an African Death Army" [Men, October 1960] 92
"The Army's Terrifying Death Bugs and Loony Gas" [Men, November 1960]
"The Yank Who Survived the 300-Mile Death Trek From Stalingrad" [Male, April 1962]
"... 108-Hour Mid-Ocean Ordeal ... 500 Dead ... 300 Still Afloat ..." 142 [Stag, May 1963] "Meet Our Terms or We Destroy 500 Million People" [Men, October 1964] 158 "Detective William Clive: Is He the Real James Bond?" [Male, January 1966]
"The Black Lace Blonde, the Yank Jungle Fighter and the Chicom Plot to Grab the Mid-Pacific" 206 [Men, July 1966] "Surf Pack Assassins" [Male, August 1967] 224 "My Bloody Life as a Mafia Bag Man" [For Men Only, August 1974]
"They Call Him Father Italy" [For Men Only, March 1975]
introduction When Wyatt Doyle and I were putting together our first anthology of stories from vintage men's adventure magazines, Weasels Ripped My Flesh!, we discussed what we might publish as a follow-up. It didn't take long to decide. We both came to the same conclusion. We wanted to publish the first-ever anthology of stories by the man other, better-known writers who worked for men's adventure magazines in the 1950s and 1960s considered to be one of the best men's adventure writers of them all. The guy writers like Mario Puzo and Bruce Jay Friedman referred to as "the great Walter Kaylin." I originally tracked down and contacted Walter in 2010, to do an interview with him for my blog about men's adventure magazines, MensPulpMags.com. At the time, he was 89 years old and living with his beloved wife Peggy in Old Lyme, Connecticut. After several conversations, I made a deal with Walter to buy publication rights to a number of his classic men's adventure magazine stories, with an eye toward bringing them back into print. I didn't know exactly when or if that might actually happen, but I knew I wanted to do it. Since then, Peggy has passed away. And, as I write this, Walter is in a nursing home. Not long ago, Walter's daughters Jennifer and Lucy graciously arranged for me to talk with him there by phone, so I could tell him that Wyatt and I would soon be publishing the long-planned anthology of his stories. Walter was delighted to hear it.
Soon after that, he sent me a wonderful letter he typed with an old standard typewriter. For me, it will be a long-treasured piece of memorabilia. Walter once used such a manual typewriter to pound out stories for Male, Stag, Man's World, Men, True Action, For Men Only and other men's adventure magazines. In fact, from the '50s to the '70s, he wrote several hundred stories for those magazines. And he wrote almost every kind of story they featured, from Westerns, war stories and exotic adventure yarns to spy stories, crime thrillers and exposés. Most were published under his own name. More than a hundred were credited to his pseudonym Roland Empey. Some of the men's adventure stories Walter wrote were credited to a third pen name, David Mars. That one was typically used for his exposé-style stories. Walter was so prolific—and so good—that it was common for two of his stories to appear in the same issue of a men's adventure magazine, credited under two different names. That way the editors could make even more use of Walter's incredible output and fertile imagination, without the readers ever knowing their favorite writer Walter Kaylin was also their favorite writers Roland Empey and David Mars. It was also common for stories by Walter to appear in two different men's adventure magazines published in the same month. For example, this anthology includes Bruce Jay Friedman's favorite yarn by Walter, from the September 1959 Male ("Emperor Blaine of 'Sweet Woman' Reef "), another story from that same issue credited to Roland Empey ("The Terrible Reward of 'Far East Harry' Wax")—and a Kaylin story that appeared that same month, in the September 1959 issue of Male ("The Helicopter Hero and the 100 Ladies of 'Undress' Atoll"). All three of those stories, and others in this collection, show that Walter was a master at depicting intriguing and unusual characters, exotic locales, and gritty, often jaw-droppingly gruesome violence. Walter could also write gripping, fact-based stories about historical events, like "... 108-Hour Mid-Ocean Ordeal ... 500 Dead ... 300 Still Afloat ..." (which tells the tale of the USS Indianapolis, a true story that fans of the movie Jaws will recognize). He could even write humorous pieces, like "They Call Him Father Italy," and science fiction, like "Meet Our Terms or We Destroy 500 Million People"—two of the other classic Kaylin stories we selected for this volume.
Robert Deis
Once it's published, I hope to be able visit Walter in Connecticut. I would love to personally hand him a copy and say: "Thank you, Walter. Thank you for writing so many amazing stories. Thank you for allowing us to reprint some of them, so people today can discover why you have rightly been called "the great Walter Kaylin." In case I don't get the chance to say that to Walter in person, I'm saying it here. — Robert Deis Key West, September 2013
"A teacher, a dreamer, a charmer and a schemer" by Jennifer Kaylin and Lucy Kaylin We both remember the dark day we learned that Wilt Chamberlain was taller than our father. We weren't as young as you might think. To say that our father stands tall in our lives would be an understatement. A teacher, a dreamer, a charmer and a schemer, he is a larger-than-life character—one who, for us, brings new meaning to the expression "shock and awe." He is a history buff, a jazz lover (Charlie Parker, Louis Armstrong, Billie Holiday, Miles Davis, Coltrane), a lionizer of sports greats (Lou Gehrig, Babe Ruth, Kareem Abdul-Jabbar, Muhammad Ali). But most of all, he is passionate about good writing, as admiring of the wellcrafted story as others are of a mint Rolls. His favorite authors, Faulkner, Conrad, Hemingway, Bellow, Marquez and Simenon, led him to his chosen profession. Our father never wanted to be anything other than a writer. A Jewish guy from the Bronx, he was the second son of a schoolteacher and a homemaker whose signature dish was pineapple upside-down cake. After graduating from William and Mary College and serving as a member of the signal corps in World War II, he began his career as a conventional writer, producing ad copy for J. Walter Thompson and working briefly at Woman's Day. But his heart was always in fiction, the more muscular and hairy-chested the better. When he landed in the world of pulp magazines, he knew he'd found the fraternity of writers he wanted to join. As part of a stable that included Mario Puzo and Joseph Heller, presided over by Bruce Jay Friedman, he pumped out stories about the sexual conquests and derring-do of he-men with take-no-prisoners relish. To hear our father tell it, those years were as lean as they were fun: By day, he lived so close to the bone he would ritually pawn his typewriter for quick cash, then retrieve it just in time to save it from being sold. He was a
Jennifer Kaylin and Lucy Kaylin
regular blood donor—back in the day when you got paid for it. He and his buddies made a science of figuring out which midtown hotels were hosting events, the kind that had open bars and ample buffets. Eventually he married a lovely Vassar-educated shiksa, a social worker, and had two daughters (us). For an edgy striver who double-dated with the noir crime photographer Weegee, and belted back bourbon at Manhattan jazz clubs until the stools went up on the tables, family life was an adjustment. His third month as a father, in October of 1956, he and fellow scribe Alex Austin skipped out of work early so they could hunker down in a neighborhood bar to watch game 5 of the World Series. Don Larsen, a journeyman pitcher, was on the mound, but to everyone's amazement he kept throwing strikes or pitches that led to easy outs; no Dodgers got on base. The two AWOL wordsmiths agreed to go back to the office as soon as Larsen gave up a hit, but as we know from the history books, that never happened, and our father punted on work that day. Our mother, home with an infant, wondered about his whereabouts as well. A few years later, Dad was ready to leave New York and raise his kids somewhere small and safe. Hardly basketball-hoop-in-the-driveway people, our parents chose a cottage on a windswept stretch of beach in Old Lyme, Connecticut. Dad's office, on the first floor, just off the kitchen, is where most of the stories in this volume were written. The walls of the house were wafer-thin, which meant that most nights we fell asleep to the sound of him tapping on his Royal manual typewriter, the bell chiming soothingly as he reached the end of the carriage. As kids, when we asked him what his job was, he'd tell us he wrote "adventure stories," which we took to mean he wrote about safaris and ocean voyages. Many a night, after dinner, he'd head to his office and declare, "This one will write itself." We came to learn that meant he was in for a long night. But he had a ball writing those stories—reflexively blocking our view of the page with his left arm when we entered his office. (Similarly, when he took the latest issue of Male or For Men Only from the mailbox, he'd press it to his chest, lest we catch a glimpse of the buxom bikini-clad blonde holding a knife between her teeth on the cover.) Eventually, the pulps disappeared, replaced by Playboy, Hustler and the like. By the '70s, our dad was exclusively committed to trying to write that Great American Novel of his dreams. He published two novels, but the Big One never happened. Yet he still talks about story ideas he's working on, and hardly a day goes by that he doesn't pull up to his typewriter and try to tell a great story. Now in his nineties, he is fascinated by politics and world affairs, is an avid reader of The New York Times and is as vigorous a conversationalist as ever.
"Seamless, Outrageous and Wonderful" Bruce Jay Friedman Remembers Walter Kaylin Bruce Jay Friedman is known as a critically acclaimed novelist, playwright and screenwriter. He's the author of bestselling novels (Stern, A Mother's Kisses), popular plays (Scuba Duba, Steambath), and screenplays for hit movies (Splash, Stir Crazy). But prior to mainstream success, Friedman was a men's magazine editor for nearly a decade, from 1954 to 1965. Hired as an editor for the Magazine Management company by legendary publisher Martin Goodman (founder of Marvel Comics), Friedman took the reins on Mag Management's Playboy competitor, Swank, and served as editor of several of the company's flagship men's adventure magazines, including Men, Man's World, True Action and Male. He also had a knack for hiring writers who could churn out hard charging, frequently over-the-top stories—writers like Walter Kaylin and Mario Puzo, who went on to greater success as author of The Godfather. Both Friedman and Puzo singled out Walter Kaylin as one of the best men's adventure magazine writers of all. Friedman elaborated further on his admiration for Kaylin in this conversation with Robert Deis from April 2013. There were two people whose stories I really looked forward to. One was Mario Puzo, the other was Walter Kaylin. And there was a competition of a kind to win my favor. I think Mario wanted to be the favored son, and he always kept an eye on Walter. I may have even played the game a little, by sometimes telling him a bit too strenuously how much I enjoyed a Kaylin story. "You know, Walter didn't even look like us. I mean, he looked like a divinity student. He was always buttoned up. He didn't wear a jacket but he wore a crisp shirt and tie. The rest of us at Magazine Management were sort of a scruffy-looking lot. But not Walter. He looked like he could have been an official at some Baptist Church. He was a very attractive man, a handsome man.
"Seamless, Outrageous and Wonderful"
"Mario, Walter and I and other writers at Magazine Management, we all did our other work at night—our 'serious' work. Everyone was moonlighting. We did our magazine work very professionally, and then we went off and Mario wrote The Godfather and I wrote my books, and there was an assumption that Walter did the same. And we assumed that, if his work was this good in the adventure category, God knows how good it would be when he attended to his serious work. "I think part of what made his stories effective was that they were informed. They were the product of a guy who read quite a bit, not just the classics, but obscure books that none of us would ever read, often to do research for the stories he did, which were seamless and outrageous and wonderful. "There are a few pieces I still remember. One was about the guy who rode around on the island on the shoulders of his second-in-command ["Emperor Blaine of 'Sweet Woman' Reef "]. I think that idea may be in The Arabian Nights somewhere. I have a funny feeling it was an echo of an old Arabian Nights story. 1 "I remember another one, he had a guy fighting in the Far East, who led a bunch of warriors and in the course of the fighting his arm was injured. He showed it to the doctor, who told him what had to be done, and he said very impatiently, 'Well, just take it off as soon as possible. I want to get back. Just rip it off.' He wanted to get back to his men he was leading. That stuck with me. The casual way in which he gave up his arm." I usually talked with them one-on-one, focusing on what each writer's strength was. I knew what I wanted, somewhat based on past sales and somewhat based on my own head. I couldn't write those stories, but I could tell writers like Walter and Mario how I wanted them to be written. It was sort of fun. I did quite a bit of reading myself. And a lot of it was just me thinking this stuff up, variations on certain basic stories we did. I had different categories, and I would think up variations. Like "sin town" stories. You know: So-and-so is a sleepy little town with teenagers and their ice cream cones, but beneath the surface …. "The truth is, I was really the quarterback. Sometimes a story would come from something I'd seen in The New York Times and I would just sort of extrapolate from that. Sometimes Walter brought it to me, some version of it, and between the two of us we'd come up with the bare bones, and then I let him do whatever he wanted. Off Walter would go and a week later come back with this classic little work. He rarely —if ever—disappointed. "Walter was a very withdrawn, controlled guy, at least outwardly. You felt like you'd won an award when you got a smile out him. The biggest reaction I could get from him was when we'd have our little talk and I'd 1 According to legend, there was a class of warriors in Iran and Iraq in the 9th to 12th centuries, called the Ayyars, or Ayyarun, who rode into battle on the backs of human servants.
KAYLIN was great! He was outrageous, he
just carried it off. He'd have this one guy killing a thousand other guys. Then they beat him into the ground, you think he's dead, but he rises up again and kills another thousand guys." Mario Puzo in conversation with Josh Alan Friedman
"Mario Puzo" copyright 1984, 2013 Josh Alan Friedman, all rights reserved
"SNOW-JOB FROM A REDHEAD" Men, June 1956 cover artist: John
Illustration by Don Neiser
late in the afternoon when Simmons called. Long distance. He had just crossed over, dirtied up to look like a wetback. "Fred, he got away from me," he panted. "He was ready for it. Almost put my eye out with that big ring he wears. He'll be up there in about two hours." "That's great," I said. "That's just great. Does he still have the bull?" "He's got it wrapped up in a pile of clothes. Fred, you going to take him yourself ?" "Well, what else can I do since you loused it up? Sure, I'm going to take him. Didn't I work out the whole thing? Why should I have to keep splitting with Paulie and the Robot?" "All right, don't get sore, Fred. I'm just telling you to watch yourself. And, look, Fred. I'm sorry. I'm sorry as—" I hung up on him. What's an apology worth in cold cash? Not a damn thing. Two hours later I was parked across the street from Tessie Roman's rooming house. I didn't have long to wait. Carlos showed up in about ten minutes. He was wearing blue jeans, a work jacket, and carried the small bundle of clothes you'd expect a wetback to have. I gave him a couple of minutes to get in, saw the light go on in an upstairs room, then got out of the car and went across after him. Getting upstairs without being seen was easy enough. I just peeked into the sitting room, saw that Tessie was lying on the couch looking the other way, then walked past the door and upstairs. "Who is it?" Carlos asked quickly when I knocked. No trace of an accent, he'd spent most of his life in the States. "Who's there?" "It's Fred, Carlos. Open up." He opened the door and I slipped inside. He had taken off his jacket and undershirt. His face and chest were wet and the water was running in the basin. "What's the idea?" he asked. "I just got here. I didn't even call up yet." "Just nervous, I guess," I said. "How did it go?" "There was some trouble." He went back to the basin and splashed water on his face. There was a cracked mirror on the wall in front of him. He never stopped looking at me in it. "Someone tried something. He looked familiar. He looked a little like a guy you used to run with."
Walter Kaylin
"You're imagining things," I said. "Here, dry off." I tossed him a towel. He caught it, but looked uncertain about using it. Then suddenly he grinned and said, "Okay, so I'm suspicious," and lifted it to his face. It gave me the second I needed. I had the knife stuck into his side before he knew it, my free arm tightening around his throat to keep him from hollering out. He tried to pull free, but I rode his back to the bed and went down on top of him. Then I pulled the knife out and slid it in again. When I had done it twice more he stopped moving, and I got up off of him. He slid back a little till he was squatting on the floor, with his head turned against the side of the bed. I found the bundle of clothes in a bottom bureau drawer. I untied them, took the bull out, tied them up again and put them back. You'd have taken the thing for a book end. It was about eight inches long and five high; black all over except for the horns which were gleaming white. I put it under my coat, realizing the big bulge it made there, and left the room. I didn't like that part of it, carrying the thing around, but there was no choice. I closed the door and it locked automatically. That was that. I went downstairs. Tessie was still lying on the couch, but reading a magazine now. I could see the top of her red hair, then her bare feet at the farther end. I went past the door and outside, crossed the street and got into the car. Twenty minutes later, I was in the basement of my apartment house. The thing was a jumble of bikes, carriages, discarded furniture and trunks. One of the trunks was mine, a solid job with the name Homer R. Wilson stenciled on it. If there was any Homer R. Wilson, I never knew him. I unlocked it, put the bull inside, and locked it up again. Then I went upstairs. You think you're working things right, but you never know. There was blood on my trousers, blood on one hand. I'd been too excited to even realize it. I needed a drink, but there was too much work to be done first. I cut the buttons and zipper off the trousers, burned the material in the bathtub and flushed the scorched remnants down the toilet. I put the buttons and zipper into a paper bag, making a mental note to dispose of it some distance from the house, preferably in an ash can soon to be picked up. Then I scrubbed my hands clean. After that I had the drink. When it was gone, I phoned Paulie. "Any word?" I asked. "It's getting pretty late." "That's what I was thinking." "Maybe he's had some trouble. Maybe we'd better go check." "Pick me up. We'll get the Robot and go on over there." We rang the outside bell this time. Tessie opened it and let us in. She
"Snow-Job From a Redhead"
was a tall woman of about 30, good looking but with something in her face that told you to go slow, don't look for trouble. She looked as though she thought people wanted to take advantage of her, which obviously was the case. She had the sort of look to interest an ambitious man. It did the job on me, all right. "Your friend is upstairs," she said. "Left front room. What took you so long? He's been here over an hour." "He was supposed to call," Paulie said. "Maybe something's wrong. Let's go, Freddie." "You go ahead," I said. "I want to make some time with Tess. I don't get much of a chance." He went upstairs with the Robot and I followed her into the sitting room. We sat down on the couch and she turned around and settled into a corner of it to keep some distance between us. "Why don't you get rid of that monster?" she said. "He gives me the creeps." She was talking about the Robot, and the fact that he gave her the creeps just proved she was normal. He had the flat, dead face of an item turned out by machines. His eyes were cold as marbles pressed into dough. His insides went with the surface. He could beat a man insane or take it himself, and it didn't mean a thing to him. "He's useful," I said. "Some things he does just about perfectly." "Don't tell me about them," she said quickly. "Let me use my imagination. Incidentally, this is the fifth or sixth time this meeting has taken place. What's it all about?" "About the price of eggs in Mexico City," I said. "The guy upstairs is an authority. Look—how about if we drive out to Hollywood tomorrow night? We can do some dancing or listen to some jazz music or—" "Forget it," she said, getting up. "You're not my type, Freddie. I don't know what you do for a living, but I have a feeling the police wouldn't approve. A girl can get nervous—" Then Paulie and the Robot were back with us, Paulie all tensed up. They had been knocking on Carlos' door, but hadn't received any answer. Tessie got her passkey and we all went upstairs. "That's funny," she said. "I didn't hear him go out." She opened the door. We went in. He was sitting on the floor with his face against the bed. His side was a mess. No one had to take his pulse to know whether or not he was dead. "Oh, my God!" Tessie said. Her face was white as paste. "I'll have to call the police. My God, it's horrible!" "Yes, you'll have to call the police," Paulie said, but he held her by the
ALONG with death trek and survival stories,
yarns about tough cops who had embarked on county cleanups were surefire; also guaranteed to please were pieces that had anything to do with islands—storming them, hiding out on them, buying them at bargain rates, becoming GI king of them. (My favorite, written by the great Walter Kaylin, had to do with a seaman who took charge of one and went about ruling it while sitting on the shoulders of a weird little chum with whom he had washed ashore.)" Bruce Jay Friedman from "Even the Rhinos Were Nymphos"
"Even the Rhinos Were Nymphos" was first published in the Oct. 9, 1975 issue of Rolling Stone, later reprinted in the book of the same name published by the University of Chicago Press, 2001 and in Weasels Ripped My Flesh! published by New Texture, 2013
"Emperor Blaine of 'Sweet Woman' Reef" Male, September 1959 cover artist:
Mort Künstler
Illustrations by Al Rossi
warm August night, the British merchantman, Pharaoh Queen, was in southern waters carrying trade goods from Liverpool to Samoa. A slight breeze was blowing and a full moon floated at the stern like a child's white balloon. At a little after three in the morning, the Pharaoh Queen passed within five miles of the Island of Tuara and two naked men appeared silently at the rail on the port side. Working swiftly and with no words exchanged, they knotted two ropes to adjacent stanchions and lowered them into the water. Then, supporting a sea chest between them, they descended the ropes and entered the water without any splash to announce their departure. In anticipation of its trip, the chest had been corked on the inside and was literally unsinkable. The men clung to ropes that were passed about it and paddled for shore. An hour later they were on Tuara's beach.
They presented an interesting contrast, those two who were about to write one of the darkest chapters in the often-violent history of the South Seas. Gundar Jens was a blond, blue-eyed giant, muscled like a gladiator and with the gentle expression of a cow that has just calved. Albie Blaine was halfa-foot shorter, thin to the point of emaciation, snap-mouthed as a woman's purse and with an enormous, lidless eye circled by a mottled snake tattooed on his chest. When they had rested for a while, Blaine opened the sea chest and took from it a pair of rubber-soled shoes, a pair of khaki trousers and a black stovepipe hat. He put these on, first coiling a length of rope inside the hat, and addressed himself to the blond man still lying on his back with his hands beneath his head. "I can see from the look on your fat face you got wrong ideas about what we're going to do here," he said. "Well, this is a good time to get rid of them." He kicked his companion in the ribs, receiving a howl of rage and indignation in response. Jens sat up as though intending to regain his feet, but was promptly put flat on his back again by another kick, this one to the side of his head. He made several more attempts to rise, but each ended the same discouraging way. Blaine was moving about and landing as easily as a skilled boxer punishing the big bag.
Walter Kaylin
"A French hand off the old Palmer Town taught me this in '04," he said. "I wouldn't keep trying to get up if I was you, Jens. I could do this to Jim Jeffries himself without him being able to lay a hand on me. Just take it stoical like an Indian and maybe we won't have to go through it again." A few minutes more of futile resistance convinced Jens that Blaine's suggestion was sound and he stopped trying to get up, but instead curled himself into a ball and tried to cover up his more vulnerable parts. Blaine kicked him a few more times, got no response, either vocal or physical, and went to the sea chest again to return with a jar of foul-smelling salve and a bottle of whiskey. "Better for lumps and bruises than anything you'll ever buy in a drugstore," he said handing the salve to Jens and taking a drink of the whiskey. "Learned how to make it from a Kanaka snake charmer I met in Espiritu Santo when I was there with the John B. Rutledge in '01. Here, stop looking at me like a sick dog. You ain't going to get any of this whiskey, and you may as well know it right now. Just smear yourself with some of this salve and then put on your clothes and we'll be going." "I'm beginning to wish I'd stayed on the Queen," Jens said unhappily, as he began applying the salve. "They wouldn't have gave me more than three months for selling the mate's clothes. What did you mean about me having wrong ideas?" "You were counting on waltzing around with these girls here," Blaine said. "And don't tell me you weren't. I been watching you and writing down records. Singapore, Lui Choi, Antsien, Liverpool, Marseilles, Papeete, Pago Pago … you ran with the girls in all those places and some others, too. I got it all written down." "Well, what else am I supposed to do when I get off ship?" Jens asked in amazement. "Knit my old mother a shawl?" "Don't get smart with me," Blaine said, and kicked him so hard Jens had to struggle for breath and seemed about to be sick. "Some day I'll lay one of them in there where it will do some real damage and then you'll really have something to sweat about. Here, put your clothes on and let's go. The natives are waiting for us to come put a little healthy morality in their empty lives." While Jens began dressing, Blaine took two rifles and two cartridge belts out of the chest. He looped one of the belts over his shoulder, slipped a cartridge into the gun and jammed the end of it into Jens' ribs. The blond man gave him a look of sheer terror. "You big creeps sing big with the girls, but you ain't all that much anywhere else, are you?" Blaine said, sitting down on the chest and running a rag over the barrel of the gun. "Here, put on that belt and take that other
"Emperor Blaine of 'Sweet Woman' Reef"
gun, but don't put no bullets in it unless I tell you. Stupid as you are, you might get a funny idea." Jens did as he was told, and soon the two men were walking along the beach. Close by a dog barked, and across the water they could see the first blush of the rising sun. As they walked, Blaine told Jens about Peter Flint, the first white man to set foot on Tuara. One of Captain Cook's officers, Flint had been put ashore on Tuara with four men in 1778 to take it over for the Crown. But he had his difficulties right from the beginning. The natives were hostile and uncooperative. They could do very little against Flint's guns, but they tried, and it was necessary for him to treat them very harshly before they accepted his rule. His methods included cutting out a man's eye or tongue, and even minor infractions of his laws were handled that way. "But he made his mistake when he started sleeping with the women," Blaine said. "Study your history and you'll see it's the same thing wrecks it for a man every time: Women. Now, you see why I told you about keeping out of them brothels?" Evidently, the natives stood it for several months. Then one day, they seized Flint and his men, buried them in beach sand up to their necks and damaged their faces in the ways they had been taught. Totally mutilated and still imprisoned in the sand, the men were kept alive for hours until the high tide swept in and they were mercifully drowned. After that, it wasn't until 100 years later that white men came to Tuara again. Then Yankee traders found it, paid a few visits, and forgot about it. There was nothing to trade for on the island and no one wanted to buy anything. The natives were no longer wild, but incredibly lazy and strangely childlike. "Inbreeding was what done it," Blaine said. "That and the syphilis Flint gave their women and that they've been passing along ever since. Today, in 19-oh-eight, they're worse than ever before. Oh, I guess you'd say they look healthy enough, but except for the royal family you hardly ever see one that's lived past 30 or that has the intelligence of six years old." As he spoke, they had begun passing round, thatched huts out of which people came to run and dance about them. As Blaine had said, they looked healthy enough—the men bronzed and strongly built, the women slim-waisted, but sweetly formed at the breasts and with long, sturdy legs tapering down to slender ankles. Yet, Jens couldn't help noticing that their happy smiles were the smiles of children frolicking along about their teachers. Blaine spoke to two of the men, telling them to go back and get the sea chest. They trotted off as though delighted to have been selected. By the time they reached the main concentration of huts, they were accompanied by well over 100 natives and now dozens more came pouring
Walter Kaylin
out to see them. They exclaimed in wonder over Jens' blond hair and Blaine's stovepipe hat, but it was the great tattooed eye that most fascinated them. Each had to run and peer into it as though expecting it to blink, although, having no lids, it obviously couldn't. "Martin Flint, the current king," Blaine said suddenly, and nodded at a man who had just appeared in the doorway of the largest hut. As they approached, the king suddenly darted forward shouting "Off, off," and stamped his feet on the ground, at which the natives all fled, laughing merrily and resembling nothing so much as an enormous litter of playful puppies. As the two white men reached the king, they saw immediately how markedly he differed from his subjects. For one thing, he could have been as much as 40. And for another, there was a look of adult intelligence on his face, even shrewdness. He motioned them to enter his hut and a moment later they were seated. "My name is Blaine and this is my assistant, Mr. Jens," Blaine said without any preliminaries. He took a drink of whiskey and put the bottle on the floor where Jens looked at it wistfully. "We come here special to help you get this place into shape. That's nice seeing all them women running around without enough dress on them to cover their navel, ain't it?" "Where did you come from and who sent you?" Martin Flint asked uneasily. "What do you intend doing here? Certainly you realize my people are quite incapable of taking a place in a modern society. Years of brother mating with sister, plus the disease our common ancestor Peter Flint willed us have so weakened—" "The Prime Minister don't think that's the case," Blaine said, taking another drink and belching loudly. "That's right, the Prime Minister. That's who sent us. He wants us to crack down on some of this immorality around here and get the place into the twentieth century. We got a couple of blacksnake whips coming in our trunk and from now on they're going to be smacking it out day and night. Me and Mr. Jens is going to take care of that end of it personally, and you watch and see how quick some of these people start learning about what's right and what ain't. I got the schedule all down on a little list here. So many licks for sleeping with somebody more than once a month. So many licks for sleeping with somebody before you're 20. So many—say, this your daughter?" "Yes, this is Audrey," her father said as a young woman entered the hut. The king's face was troubled. He tried unsuccessfully to catch Jens' eye. "Perhaps some corrective measures are necessary, but I don't think your program is a sound one for my people. The only severe punishment should be reserved for anyone who despoils my daughter. If Princess Audrey has a child by one of these poor souls before I can make a suitable arrangement
"Emperor Blaine of 'Sweet Woman' Reef"
with someone from Samoa or one of the other islands—that is what we have done ever since the time of Peter Flint—it would be the end of the royal line." The young woman discussed differed from the average Tuaran girl in the same way that her father differed from the men. There was intelligence, even a hint of cunning, in a face of startling beauty. The eyes were black and enormous, the mouth soft-lipped and red as crushed roses. The hair tumbled in fragrant clouds about her face and shoulders. She was generously proportioned at the hips and breasts, but rounded and softly molded in both areas. "Come here with me a minute, I want to show you something," Blaine said to Jens. He took the bottle of whiskey with him and the two men went outside and around behind the hut. Some of the natives tried to go with them, but Blaine shooed them away. When 50 yards and a clump of trees separated them from the king's hut, Blaine said: "All right, get down on your hands and knees and we'll get it over in a hurry?" "What's that?" Jens said thinking he had heard incorrectly. "What—" "You heard me the first time," Blaine said, knocking his assistant down by kicking him in the groin. "I don't want to waste any more time on this than I have to." "But, Albie—" Jens gasped, and was discouraged from further protest by a kick that caught him full in the mouth. "Take it like an Indian," Blaine said. "Be stoical." Jens obediently curled up to make himself as small as possible and Blaine walked around him kicking at his exposed portions and explaining it was for his own good. Occasionally, he interrupted the explanation to take a drink. "Didn't I see the way you were looking at Princess Audrey?" he demanded. "You want to wind up like old Peter Flint with just your head sticking out of the sand and not much left of it to be sticking? That's what I'm putting down on the schedule for anybody that violates the Virgin Princess. All right, we'll go back now and don't let me see you making no more mistakes like that." He threw away the empty bottle and they returned to the hut to find their sea chest had been delivered in their absence. Blaine opened it and took out two blacksnake whips and another bottle of whiskey. "We'll set up a couple of posts right in front of your hut here and get to work," he said. "One is for the men and one for the women. We'll start off by giving them all a couple of wallops so they'll understand." "It won't accomplish anything," Martin Flint said. "At least 30 of our people have gone off into the jungle where they are living an even looser
Walter Kaylin
life than they do here. If we do as you suggest, it will only cause others to go off and join them." "Then the first thing we got to do is make them see there's no point in that," Blaine said. He opened the bottle, took a long pull and wiped his arm across his mouth. "You tell me where to find these people and me and my assistant here will go look into the matter." Martin Flint and his daughter exchanged a look, but neither said anything. Blaine took another drink, then leaned across the table and slapped the king's face. "You said you didn't know what would happen to these dummies if the royal line died out," he said. "Keep on not telling me where them others are and we'll find out right now. In case you don't know what this thing is, it's a gun and what it does is put holes in people, even kings and especially their daughters. Here, maybe you think I'm making that up." He poked the gun between the girl's breasts and held it there with one hand. He put the bottle to his mouth with the other and took it away with whiskey spilling down his chin. "Well, we're going to be setting up a hell of a draught through there, ain't we?" he shouted, bending over to sight along the rifle as though his target were half a mile away instead of across the table. "This thing will make a hole big enough to stick your head in." "Jesus, don't do nothing crazy, Albie," Jens muttered. "Here, you been wanting a drink, you fat-faced loon," Blaine said. He took a mouthful of whiskey and spat it into the blond man's face. "Now, don't say I never gave you nothing. All right, somebody say one, two, three, and when they get to three I'll put a tunnel in there big enough you could ride a horse through it. All right, I'm waiting. All right, I'll do my own counting. One, two—" "There's a clearing about a mile from here," Martin Flint said. "You have to go straight out from the back of the hut to get to it. The people who left us sometimes gather there." "I'm going to write up a good report on you for the Prime Minister," Blaine said. "He likes a man that cooperates. Here's that list on who gets what for doing what. Read it to the populace and when me and Jens get back we'll start handing out them licks. I didn't write it in yet but you can tell them that anyone violating the Virgin Princess gets the same thing Peter Flint got. All right, come on, Jens. We'll go learn these people about the error of their ways." They went out around the back of the hut. The foliage was very thick and the smell of the jungle growth so sweet and strong it was almost overpowering. Small animals darted through the underbrush and occasionally they saw brightly colored snakes slipping through the leaves on the trees.
"Emperor Blaine of 'Sweet Woman' Reef"
In about half an hour they heard voices, and a few minutes later climbed a clump of rock to look down at a semi-clearing, the grass knee-high. Here, mother-naked all, two dozen Tuarans frolicked in the innocent ways of the utterly primitive. Some ran about in childish games laughing in excitement and delight. Some bit into the luscious fruits that grew in profusion all about them. And others, unconcerned as healthy rabbits, were occupied in still other ways. Blaine lay down on top of the rock with just his head poked over the edge of it and motioned Jens to do the same. "All right, you start on the left there and I'll start on the right," he said, and took a series of gulps from the bottle he'd brought along. "Work fast; get as many as you can." "You mean shoot them?" Jens said, horrified. "Albie, I've never shot anybody in my life. Why them? What did they ever—?" "Don't argue with me, you fat-faced coot," Blaine said, jamming the end of his rifle against Jens' ear and sighting along it. "I can waste a few of these things on you and still have enough to take care of every dummy on this goddam island. Now, you just take care of that girl with the big rump over there or it's one, two, three and out for you, stupid. One, two—" Jens shot and the girl fell face down in the grass with a hole in the back of her head. A second later Blaine killed one at the other edge of the clearing. Then for the next five minutes the two men continued to fire at the people who ran back and forth before them, screaming in fear and confusion. So limited were they in intelligence or ability to reason, that few made any attempt to hide but simply raced about like panicky mice until they were shot down. When the men went down to the clearing they found several still alive, although wounded. These were quickly dispatched. They also found one man who hadn't been hurt at all. He was lying in the grass with his hands over his face and sobbing. Blaine pulled him to his feet and made him walk in front of them as they started back to the village. "Why did we do it, Albie?" Jens kept muttering. "All them poor people just tumbling around in the grass and having such a good time. Why did we have to do it?" "For the same reason you got to stop a baby from crawling around a roof by itself," Blaine said. "Didn't you hear what Flint said back there? These people have lost all track of themselves. They don't know who's who anymore." He drank again and threw the empty bottle back over his head. "No more of this walking for me, Jens," he announced. "Give me a boost up on your shoulders." "But, Albie—" Jens stood there helpless. "Do what I say," he screamed, and smashed out with his rifle to knock
Walter Kaylin
the other down, then leaped at him with a volley of kicks that left Jens bleeding at the face and almost senseless. "Ain't I the emperor?" he howled, dragging him to his knees, then lifting himself onto his shoulders. "Don't everybody have to do what I say? Then get up and walk, you filthy fool, or I'll take your heart out in my hand and make you watch while I eat it." The Tuaran had stopped his sobbing while this was going on to watch it with interest. But now he started it up again as they continued on toward the village. They arrived to find the king and Princess Audrey standing before their hut with hundreds of the Tuarans murmuring in bewilderment all about them. "Well, that takes care of that little problem," Blaine said when he had gotten down from Jens' shoulders. He staggered and almost fell, but righted himself and ran lopsidedly into the king's hut. "Where are the others?" Princess Audrey said, as she and her father went swiftly to Jens' side. "Is this man the only one you found?" "Dead," Jens whispered and tears filled his eyes and began to run down his cheeks. "He killed them all." "No," Martin Flint sighed and sank to his knees, his hand to his heart. "Not even such monster—" "He?" his daughter pointed at Jens. "He? He? He? What about you? What are you doing?" "He made me," Jens wept. "I was afraid he'd kill me if—" "All right, let's take care of this bird, now," Blaine roared, bursting out of the hut with another bottle of whiskey in his hand. "Here, we'll use this tree right here." He took the rope out of his hat, handed it to Jens and pointed at the Tuaran they had brought back. "One end over the bottom limb of that tree," he said, weaving about with his gun in one hand and the bottle lifted to his mouth with the other. "The other around his neck." "Lord, deliver us," Martin Flint said brokenly. "This creature will kill us all." "Albie, we done enough," Jens said backing away, his lips white and trembling with fear. "We done—" "Do I have to do everything myself ?" The cry was a soul-freezing mixture of rage and torment. "Ain't there no one to stop asking questions and just do my bidding? By God, I'll kill and kill and kill and kill and never stop killing if people don't do what I say. I'll beat you dummies till the blood runs out of your eyes. I'll tie every man on this godforsaken island to a tree and he'll bark like a dog for me to throw him a bone. And the women—the women! They'll lay on their bellies like snakes and crawl into holes when they see me coming. If one of them sticks its head up, I'll kick it till it splits
"My Bloody Life as a Mafia Bag Man" writing as
Roland Empey
For Men Only, August 1974
Illustration by Samson Pollen
Ben Draper was 17, a prostitute named Chickie Wells gave him fifty dollars to deliver her week's receipts to her Protector, a small-time pimp named Sonny Paris. When Paris learned a high school boy was going to be delivering his money, he arranged for a pair of knob-eared, brain-scrambled pugs to take it away from him. In that way he'd get the money Chickie Wells had sent him, then tell her it had never been delivered and force her to spit it up again. Draper left Chickie Wells' place on a bicycle. He wore a shabby leather jacket and had a few packages in a wire basket on the handlebars, the idea being to make himself look like a run-of-the-mill delivery boy. He had the money, four hundred dollars in tens and twenties, wadded up in a side pocket of his trousers with a rubber band around it. His course took him about four miles down New York's West Side from 77th Street to Greenwich Village. The attempt to take the money was made from a grey coupe some four or five blocks from Draper's destination. The hoods intended herding him up against the curb, bumping him off the bike onto the sidewalk there, and taking the money out of his pocket. But Draper had a rearview mirror mounted on his handlebars and saw them coming. He watched them nearing him for four or five blocks, but waited until they were just a few yards behind him before making his move. Then he slid off the bike, picked it up by the seat and handlebars and threw it at their windshield, smashing the glass in all over them. The car went out of control, lunging up on the sidewalk and crashing half its length through the window of a supermarket. Draper went the rest of the way to Sonny Paris' on foot, arriving just about the time he'd told Chickie Wells he'd get there. The incident tickled Sonny Paris. "Threw it right in their laps, did you?" He didn't even bother to deny it when Draper accused him of hiring the two hoods. Instead, he said, "You got the right attitude, kid. The mail must get through. I know all kinds of people that'll lay out big money for that kind of reliability. Let me go talk to some of them and see what we can line up for you. I got a feeling you just took your first step on the road to a great career." It probably strains things a little to think of a bag man as having a "great career." But there's no other underworld skill that's valued so highly
Walter Kaylin
or that makes such harsh demands on an individual's capacity to dish out violence and also take it. The bag man carries money. It's usually payoff money involving gambling, narcotics or prostitution. It's always cash and during the period of its transit, it's always "up for grabs." No one is recognized as having a legal claim to it. So anyone who can get his hands on it can call it his own. It's this aspect of the job that makes the bag man such a valued specialist. "The first thing about a bag man is that he shouldn't call attention to himself," Ben Draper says as he looks back on twenty-five years of carrying the mail. "If you can stick the money in your pocket and ride it down on the subway without anyone spotting you, that's fine, that's great, that's the best you could do it. But you're not going to get to do it that easy too often. "For one thing you're always going to be carrying too many bills to put in your pocket without looking like you got a brick there. Here, all you got to do is look at the arithmetic of it. A million dollars in thousands—that's a thousand thousands —that makes a stack seven inches high. All right, most times you're going to be carrying it in smaller bills, too, fifties and hundreds. So that means something to carry it in, a paper bag, a lunch box, a valise, an attaché case, one of those long boxes like for carrying flowers. It could be anything, but it's got to be something. So you can't sit there looking all that innocent. You got something in your hands and you got to be careful with it. "But even more important than that, there's this. Nine times out of ten the people that are looking to grab the money know it's you that's carrying it. I mean, you're all in the same line of work. People know that's what I do. I'm not going to put on a beard and glasses and go sneaking past anyone. No, what's going to get me past people is having a .38 on me and everyone knowing I'll use it quicker than I'd sneeze. No thinking. No making up your mind. Someone looks at you a little cockeyed? Plug him. It's an instinct. Put it this way. They want to try taking the mail away from me? All right, that's their choice, but they know they could get themselves killed doing it. They know it's happened to eighteen of them already." Although Draper puts it all in the present tense, his bag man days are probably behind him. He's currently in protective custody somewhere in Washington, D.C. and doing some "singing" for the Federal authorities. The situation came about because he was damaged in November of 1973 under conditions he considers highly suspicious. The gambler, Artie Atkins, gave him a satchel of money to take from New York to someone in Denver, Colorado. But when Draper opened the bag to make a routine check of its contents, something inside it blew up in his face. Although one eye was hanging out of his head and the flesh was coming off his face in shreds, he managed to get his .38 out and empty it
"My Bloody Life as a Mafia Bag Man"
into Atkins' head before the gambler could make it out the door. Then he left the building, stopped a cab by pointing his revolver at the driver, and had himself driven to a hospital. The police were just seconds behind him and asking him questions while he was on the operating table. They didn't have to press him hard. Draper had already decided to cooperate. It was clear enough that he'd been marked for killing. He'd been around too long. He knew too much. There would be no dealing with those who wanted him done away with, particularly now that their first attempt had failed. The police were the only ones who could offer him any protection—the Federal Government, actually, since he'd functioned in an interstate way in most instances. But their protection was contingent on his "singing" for them. So Draper made the deal. He'd "sing." They'd protect him. There's also another part to the deal, some "gravy." He wanted a tape recorder. He's got it in his mind to write a book. "Valachi did it. They wrote a book about Joe Gallo, didn't they? So why not me?" There didn't seem to be any reason not to let him have it. And that's the way it is with Ben Draper these days. He's in a small apartment somewhere in Washington and there are at least two armed guards with him every minute of the day. They check his food. They go with him when he has to use the toilet. He's constantly being interrogated about his deliveries. How much? From whom? What for? To whom? They take him back and forth from the days he carried a few hundred dollars here or there for bedraggled whores to his "days of glory" as a trusted courier for thousand-dollar-a-chip gamblers and drug dealers moving vast sums of money across national borders and over oceans. "I been to Europe eight, nine times. I been in Cuba and South America. I been to Japan." His interrogators know he's tricky, so they keep at him for long stretches of time, knowing they have an easier time with him when he's tired. It doesn't give him much time to himself, but when he has it he works on his book, hunching himself up to his mike and rasping into it—a chunky, balding man with a vacant eye socket and a face that looks as though someone ran over it with a well-sharpened lawn mower—"They took over two hundred fragments out of the goddamn thing." He doesn't lack a sense of humor ("The only reason I'm folding my cards is, where do you find a broad to sack up with when you've got a kisser like this?") but he's absolutely serious about his book. He thinks he's led a fascinating life and he wants to tell the whole world all about it. Some excerpts follow ....
Walter Kaylin
I never thought about getting killed. I never thought about getting shot up. But attempts have been made. On my way out of Cuba once with a bundle of Mafia cash to be delivered in Miami, one of Castro's guerrillas tried to plug me. They found out how much money I had somehow, and Castro must have wanted it to help him stage the Revolution. Yet those things never bothered me. I didn't worry about them. The only thing I worried about was not delivering the mail. I'd have nightmares about people coming up and grinning at me and taking the satchel or the valise or whatever out from under my arm and the arm was numb so I couldn't move it and I couldn't stop them from doing it. I'd wake up and I'd be wet from sweating and it was a thing that happened a lot of times, that kind of dream. Not delivering the mail. It could make me puke just thinking about it. Maybe that's why I was so good at it. There wasn't anything I wouldn't do to make sure I did it. Take that time in one of the big New York airports, with thousands of people around while it was going on. I'd been in London for a couple of days to pick up some money to bring to New York. Now, this was investment money. This was a stockbroker named Fitz-Roberts investing a million two-hundred thousand in the operations of one of the big East Side drug rings. There were some political guys involved. They were protecting the ring and it was their idea to let Fitz-Roberts in as a favor to him because he was doing some kind of favor to them over there. All right, Fitz-Roberts got the money and he asked me what did I want to carry it in. I said just some kind of regular bag that they'd let me put under the seat instead of having to check it through. He found me something you could use for an overnight and then the two of us packed the money in it.
Editors' Acknowledgments
Thank you Jennifer Kaylin, Lucy Kaylin, Josh Alan Friedman, Bruce Jay Friedman, John Bowers, Rich Oberg, Jim Fulton and the team at 48 Hr Books, Malcolm and Christine at Mystery and Imagination Bookshop, Tony Jacobs at Sideshow Books, Marc Campbell & Dangerous Minds, Richard Harland Smith, Dave Coleman, Andrew Biscontini, Mike Towry and Mark Stadler at San Diego Comic Fest, Iris Berry of Punk Hostage Press, Jason Cuadrado, Cormac Foster, Paul Silva, Scott Somerndike, Innes Weir, Thomas Converse Bright, Vic Nol, Duke Comby, Doyle family and all our friends in the Men's Adventure Magazine group on Facebook. With love and special thanks to Barbara Jo Butler Deis and Sandee Curry.
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1965. Flashpoint of the Civil Rights Movement. 1965. Flashpoint of the Civil Rights Movement. In every American city, interracial tensions In every to American threaten boil overcity, intointerracial violence. tensions threaten to boil over into violence. And in Glen Cove, Long Island, Josh Friedman And in Glen Cove, Friedman finds himself on theLong frontIsland, lines ofJosh the fight for finds himself on the front lines of the fight for racial equality. racial equality.
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Heavy Traffic. "You know Sonny Rollins?" "There's this one guy I knew, "Sure." he went to jail. And when "Youhis know about came him?" birthday up, "Not much." he too said, 'Hey, what are you "Well, all through themy '50s guys gonna do for he had a pretty successful birthday?' career going, "They said, but 'Eff something your inside was telling birfday, we in the him pen!'"he should give up all thosehe He cackled. "I guess good gigsthey andwas go play on lay his thought gonna own, out in public; that he out a spread or something! should go play he on got theout, bridge. "Eventually So that's what he did. He and guess what happened? went on girl Whileout he and was played away, his the bridge. He was on had took up with somethat other bridge threeout years! Then guy. Hefor found about it he returned to performing and went looking for her. He as a professional, andcoming you waited until she was know what his first record out of some place and Bam! was when he came back?" He shot her." "What?" "So he killed his girlfriend "The Bridge." and went right back in?"
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"He didn't kill her; he just from "Last of the Mohicans," shot her up." © 2010 Wyatt Doyle. "They'll still put you away for trying," I said. "Mm hm. Sent him off for life." "Well, I hope this time he remembered the party hats."
Stories from the buses, subways and streets. from "Birthday Boy," © 2010 Wyatt Doyle.
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One of my earliest memories of the pyramids is when I was five. I awoke in our hotel room, which looked out onto the pyramids, to find that my father was missing. I asked my mother where he was and she reported that he was climbing one of the pyramids. "Which one?" I asked. She pointed at the one that appeared the tallest and handed me a pair of binoculars. It had been one of my father's dreams as a child (certainly as a child, for as a grown man he possesses some acquaintance with contemporary archaeological norms and methods and veneration) to climb to the top of one of the pyramids. Why he felt compelled to realize this dream, I think says something of my father's dogged determination more than anything about his wish to absorb Egyptian culture through the monument. I remember feeling a deep separation with my father at that moment; we were going to stay in the hotel room until he came back. But what if he didn't? In my mother's handing me the binoculars, I believe I recognized the ludicrousness of my father's adventure ... and its majesty.
eric reymond Volumes OF WORLDS: ESSAYS ON BROOKYN, KANSAS AND BEYOND excerpt from "The Wonders," © 2013 Eric Reymond
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With much of his pulp fiction lost for over 50 years, WALTER KAYLIN is the author of some of the toughest, most outrageous hard boiled ficti...


text:
Foley (GNIS FID: 535020) is a populated place located within the Parish Governing Authority District 5, a minor civil division (MCD) of Allen Parish.
The elevation of Foley is 85 feet. Foley appears on the Guy U.S. Geological Survey Map. Allen Parish is in the Central Time Zone (UTC -6 hours).
Allen Parish: Subdivisions (MCDs) | Cities & Towns | ZIP Codes | Features (airports, churches, hospitals, etc.)
BIG Map |
Driving Directions |
Data Source - USGS GNIS FID: 535020
BOUNDARY MAPS: Parish Governing Authority District 5 | Allen Parish
Oberlin, LA
(3.1 miles SSW)
Oakdale, LA (11.8 miles NNE)
Elton, LA (12.7 miles SSE)
Kinder, LA
(13.8 miles SSW)
Elizabeth, LA (14.7 miles NNW)
Basile, LA (14.9 miles SE)
Canton, LA
(1.4 miles NNE)
Le Jeune, LA (4.5 miles SSW)
Bernard, LA (4.9 miles SSW)
Ward, LA
(6 miles NNE)
Soileau, LA (7.2 miles SE)
Elder, LA (7.2 miles SSW)

subset: commoncrawl


text:
We have just returned from a weeks holiday . This is our seventh time staying at the hotel . Roshan who is the customer services gentleman will attend to all your needs all you need to do is just ask .Our room was excellent front...More
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"The sea views are stunning so you should always book a sea view room. Southern end of the hotel has less..."


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4 Drawer Dresser in White
Product Info:
Category : Bedroom Furniture
4 Drawers with metal runners and safety stops. Patented T-lock assembly system. Additional storage behind louver detailed doors. Detailing includes solid wood knobs and turned feet. Made of engineered wood. Assembly required. 58 in. W x 18 in. D x 34 in. H. Optional mirror: 31 in. W x 3 in. D x 43 in. H.
Tags : Bedroom
Product Specs:
Brand : Sauder
Price : 315.92


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This school desk frame is made of cold rolled ellipsoid, 30x20mm tubes, with a desired plastic coating colour, 1.5mm wall thickness, and plastic bungs on the bottom part of the legs.
The desk top is made of 750x500mm, 18mm-thick particleboard with ABS band edging. There are also two wire plastic coated baskets fixed under the desk top.


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About Jersey Shore State Bank
Jersey Shore State Bank is a locally owned independent bank located in North Central Pennsylvania. Since its beginning on May 15, 1934 in Jersey Shore, Pennsylvania, the bank has enjoyed huge community support. The bank currently has branches in the Pennsylvania counties of Lycoming, Clinton Centre and Montour.
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With three daughters, ages 9 to 17, it's tough for Gaina Jamison to pay all of her bills each month. Still, she never thought she'd be in line for free food.
Jamison, who works as a counselor at a detox center, wasn't the only first-timer Friday morning at registration for holiday help from Sacred Heart Community Service. It took several hours of standing in line, but Jamison and more than 1,300 others will be able to provide their families with a Thanksgiving food box, a Christmas food box and Christmas toys.
"I never dreamed I'd need to be here," said Jamison, who lives in San Jose and counted Friday as an especially good day: She was guaranteed the food boxes and she paid $13 for a half a tank of gas.
So many families were worried about getting on the distribution list for holiday food and toys that they started lining up before 6 a.m. Registration opened at 10 a.m. and everyone in the line that had snaked around Sacred Heart Community Service on South First Street was assured they'd make the list. They just had to wait for processing. The agency helped make the wait more comfortable by offering sandwiches and coffee.
Bay Area food banks and charity groups are being overwhelmed by huge jumps in requests for help this year — at the same time that donations have dropped off dramatically, including a 50 percent drop in corporate donations to the Second Harvest Food Bank of Santa Clara and San Mateo Counties.
"That made up a quarter of our operating budget, so we're very worried about that," said Lynn Crocker, spokeswoman for the agency that helps 176,000 people a month in Santa Clara and San Mateo counties, a big slice of the fabled Silicon Valley best known for technology and quick wealth. "If things don't get better, we'll have to reduce the amount of food we give to clients, maybe a half dozen eggs instead of a dozen, a half gallon of milk instead of a gallon."
Other food banks have the same problems — and fears.
They're seeing more first-timers than ever before, getting larger requests for help from people they've assisted for years and fewer donors able or willing to help as much as they have in the past.
"We're serving 4,000 more families this year than last," said Christine Woodard, spokeswoman for Second Harvest Foodbank of Santa Cruz and San Benito Counties.
"While our community continues to give to Second Harvest, we're having to do more with less and our cupboards are bare more and more. We just got a big influx of food from one of the churches and that will go right out to people," she said.
Among the people asking for help for the first time are small-business owners who had to close their shops, people in the service industry who did house care, people's nails and yard work, Woodard said, adding: "When people cut back, those things are the first to go, and service workers are really hurting."
Brian Higgins, spokesman for the Alameda County Community Food Bank, said calls to the agency's emergency food line — "people calling in need of food now" — are up 39 percent over last year, 59 percent compared with two years ago. First-time callers to the help line are up 22 percent, he said, including 384 people in October alone.
"We really need for our holiday food drives to come through big time this year," Higgins said.
But charities aren't the only ones worried about having enough.
About half of the more than 1,300 families who will get holiday food baskets and toys from Sacred Heart Community Service registered on Nov. 1, and people started forming a line at 11 the night before, waiting in the cold and rain.
"We're concerned that we will not be receiving as many new toys to distribute to the 5,000 children registered for our Christmas toy program," said Kimberly Abate, development associate for the charity. "This is the largest number of people we have ever registered for this program."
Even for those who have a job, "you can barely pay the rent," said Jamison as she edged closer to the front of the line at Sacred Heart. "Your income is not increasing. You're just stuck."
For so many, "it's not just one thing, it's a bunch of things," said Angie Camacho, who waited in line to make sure her two boys, age 21 months and 7 years old, will have Thanksgiving and Christmas.
"This my third year coming here. I'm authorized to get food twice a month, but I only come when I really need it."
Contact Linda Goldston at firstname.lastname@example.com or (408) 920-5862.
If you"re interested
The food banks are set up to take donations online. For more information or to donate to Second Harvest Food Bank of Santa Clara and San Mateo Counties, go to www.2ndharvest.net. For Sacred Heart Community Service in San Jose, go to www.shcstheheart.org/flash.html. For Second Harvest of Santa Cruz and San Benito Counties, go to www.thefoodbank.org. For the Alameda County Community Food Bank, go to www.accfb.org. That site includes a virtual food drive that shows how far the food banks can stretch each dollar donated to them.


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