text:
Script for Seek-Locate-Destroy by Terry Nation
(c) 1977 by the British Broadcasting Corporation. Series created by Terry Nation. This is a partial dialogue transcript for research purposes and is not for sale under any circumstances. Format (c) 1992 by Tommy Persson, Susan Beth Schnitger, Didi Johnson, and Micky DuPree.
Dramatis Personae
Roj Blake Jenna Stannis Kerr Avon Vila Restal Servalan Cally Travis Olag Gan Zen Prell Bercol Rontane Rai Escon Eldon
Uncredited: Male voice (Public Address) Second male voice
[Planet Centero. Outside what looks like a manufacturing plant.] P.A.: Attention, please. This is planet Centero communications base control. Routine robot surveillance is now in operation. [A mobile robot rolls by, swivels its head, then moves on. Blake materializes, looks about then runs to take cover. He moves deeper into the building as he hears the robot approaching, brushing by a hanging cable as he goes. The robot shoots a stream of flames onto the still swinging cable just seconds later.]
BLAKE [into bracelet] I'm down and safe. I'm somewhere inside the main complex. Is Vila ready?
[Liberator teleport room. Jenna is at the controls, Vila is standing near her with his open box of tools. Gan and Cally are nearby.]
JENNA [into comm] Hold on, just checking. [to Vila] Are you ready?
VILA Tell him I've just worked out a completely new strategy. It's called running away.
JENNA He's ready.
BLAKE [v.o.] Put him down.
JENNA [into comm] Standby. [Vila is putting some tools back inside his box and fumbling with the lid.]
GAN Come on, Vila! [Vila gets the box closed and moves into the teleport bay.]
JENNA Ready? [Vila nods resignedly.] I'm putting him down -- now. [Vila dematerializes.]
[Centero. Vila materializes in the same place as Blake had earlier. He looks about, then starts running in the exact opposite of the direction Blake took.]
BLAKE [beckoning] Vila, over here. [Vila runs to join him.]
VILA Where are we?
BLAKE Shhh, no noise. There's a security robot patrolling the area. As far as I can tell we're in the outer compound. Top security section should be back that way. Now, stay close to me and keep your head down.
VILA [hopefully] Why don't I stay here and keep watch?
BLAKE Come on. [They run, pass alongside a wall and come to a gate in a chain-link fence. A sign on the gate reads "TOP SECURITY."]
BLAKE There it is. That must be the way in. Can you open those gates or are we going to have to climb them?
VILA You won't get over it. That'll have every detector device you can imagine, and a few more besides. I'll have to get a closer look at the locking system.
BLAKE All right, I'll keep watch. [Vila moves over to the gate, pausing first to try a set of locked doors nearby. He shrugs at Blake who motions him on to the gate. Vila eyes the gate, opens his box and applies a tool to the inside of a panel he opens. There is a large electric spark and the end bit of his tool is burnt off. Vila looks at it in disgust and replaces it in his box. Blake hears the robot approaching and flattens to the ground.]
BLAKE [calling softly] Vila, take cover. [Vila keeps working on the panel.]
BLAKE Vila! [Vila reaches into his box. The robot passes by. Blake looks over at the gate -- no Vila in sight. Blake runs over to the gate and looks around.]
BLAKE Vila? [Vila sticks his head out of the doors he'd checked earlier.]
VILA Has it gone?
BLAKE How did you get in there?
VILA There isn't a lock I can't open -- if I'm scared enough.
BLAKE Are you scared enough for that one?
VILA What do you think? [Both move over to the gate and look at it. Vila sets back to work with a couple of tools.]
BLAKE How does it work?
VILA Anybody authorized to go through the gate has a physio-psycho pattern registered in the central computer. [Hands one of the tools to Blake.] Hold this. When he wants to go through, this scans him and feeds the reading back to the computer. All you've got to do is intercept the feedback from the computer. [Vila holds one finger on a component inside the panel.] Now, you stand in front and I'll press the scan button. [Vila presses a red button with his other hand. Blake's face is illuminated by a red light.] Retrieval system, no record, refusal signal, now. [Vila pulls his hand away from the panel. The light on Blake's face changes to green, there's a buzz, and the gate swings open.]
BLAKE Nice going.
VILA Any very talented person could have done it.
BLAKE Come on. [Blake enters. Vila starts to follow with his tool box but hears a beeping from the gate controls so pauses to close the panel he'd opened. They run inside, slipping safely behind a patrol group. They see two guards at a door. Blake whispers to Vila who nods, then approaches the guards.]
VILA Hello there. How are you? Excuse me wandering about your premises but I wonder if you can help me. I'm an escaped prisoner. I was a thief but recently I've become interested in sabotage, in a small way you understand, nothing too ambitious, I hate vulgarity, don't you? Anyway, I've come to blow something up. What do you think will be most suitable? [Throughout this babbling the guards have been looking back and forth at him and each other in disbelief. Blake slips up behind them from the other side and takes out one of the guards. Vila bashes the other with his tool box.]
GUARDS Agh! [Blake runs inside. Vila starts to follow then stays with the guards.]
VILA Blake, don't leave me. [Blake moves down corridors, draws his weapon and looks around. Back at the door, Vila arranges the two unconscious guards into a seated position leaning against each other, then enters the building. He looks around in a corridor.]
BLAKE [calls softly] Oy. [Vila jumps as Blake comes up behind him.]
VILA Oh, you gave me such a shock, you did....
[Teleport room. Avon and Cally are holding mines which Gan packs into a carry bag, Jenna is at the controls.]
AVON All you've got to do with these is find a metal surface and they'll stick fast.
GAN Right.
CALLY They're taking too long.
AVON That's the trouble with heroics. They seldom run to schedule.
JENNA They'll find it. There's not going to be a sign up there saying "This way to the cipher room."
GAN They may need help.
CALLY I think so, too.
AVON They would have called in.
JENNA Avon's right.
AVON [looks over at Jenna] I usually am.
JENNA Blake says wait so we wait.
[Corridor outside Cipher Room. Blake and Vila move cautiously down the corridor then duck into cover as Prell wheels a dolly out of the room. He leaves it in the corridor and returns inside. Blake mouths something to Vila then bursts into the room and points his weapon at the technicians and guard inside.]
BLAKE Stand still! Vila, get his gun. [Vila takes the gun from the guard and herds the others with it.]
VILA All right, all of you, over there, against the wall, quickly.
BLAKE [into bracelet] Jenna, we found it. Standby. [Teleport room]
BLAKE [v.o.] Phase one is now complete. Get an absolute locator fix on my signal. As soon as you are set, put them down. [Gan, Cally and Avon move over to the teleport controls.]
JENNA Right.
AVON It had better be right. A fraction out and you could put us down in the middle of the security barracks.
JENNA Don't tempt me. [Jenna is using a panel with an indicator light.]
JENNA Blake, can you give me a voice check?
BLAKE [v.o.] Reading out. [The light moves as he speaks, then comes to a stop.] One, two, three, four. One, two--
JENNA Right, that's it, got it. Locked on. [to others] Ready? [Avon, Cally and Gan enter the teleport bay.] Good luck. I'm putting them down -- now.
[Cipher room. Avon, Cally and Gan materialize.]
BLAKE [to Avon] Now do you know what you're looking for?
AVON [shortly] Yes. [Moves off towards the equipment.]
BLAKE [to Gan] All the equipment here?
GAN All here.
BLAKE [into bracelet] Down and safe. Well done, Jenna.
[Teleport room. Jenna smiles and sits back, making notes on a pad.]
[Cipher room]
BLAKE Vila, back down to the entrance: keep the door covered. Cally, Gan, get the prisoners out of here, find somewhere to hold them. Cally, you stay with them. Gan, when you've started setting charges come back in here.
GAN Right. [Gan and Cally leave, herding the techs and guard before them.]
AVON Blake! [Blake joins Avon, and looks inside an opened panel.] This is it.
BLAKE You're sure?
AVON It's been updated since the last one I saw, but it's still the same basic instrument.
BLAKE You're absolutely positive?
AVON Yes.
BLAKE Good, disconnect it. [Avon starts to work.]
[Storage room with shelves of bins, etc. Cally and Gan herd their prisoners inside.]
CALLY Move on, move on, stand facing those racks. [Gan pushes the men up against the rack, pats their arms into position.] And keep your hands up.
GAN Can you handle it, Cally? [Cally nods, Gan leaves the room.]
CALLY Now then. Don't move.
[Corridor. Gan sticks two mines to walls and activates them.]
[Cipher room. Avon is working, Gan comes in quickly startling Blake who aims his weapon at him before recognizing Gan.]
GAN I've set the charges down the corridor.
BLAKE All right, set a couple in here.
GAN Two? One would be sufficient.
BLAKE I want total destruction so nothing can be recognized. If they sort through the debris and find the cipher machine is missing all they'll do is change their code and we'll have wasted our time.
[Storage room. Cally moves over to the door and peers out. Prell reaches one hand slowly towards a canister on the shelf before him but puts it back up empty when Cally moves towards the prisoners again.]
[Cipher room. Gan is starting to attach a mine to a wall.]
BLAKE Way over there. [Indicates the other side of the room and Gan sets the mine.]
AVON Gan. [Gan moves over to help Avon who hands him a tool.]
[Outside the door. One of the guards has come to. Vila sees the robot approaching and takes cover. The guard runs to trigger a switch. Vila chases him and knocks him out, but too late to keep the alarm from going off.]
[Cipher room. Blake is standing at the open door. The alarm can be heard.]
BLAKE That's done it. Gan, watch the door. [Blake shuts the door, Gan moves over to it as Blake crosses to Avon.]
BLAKE [to Avon] How are you doing?
AVON [grunts] Well, the main holders are released but I still can't get it free.
BLAKE Here. [He tries in vain to pull the cipher gizmo free.]
AVON It's secured by something that I can't quite fathom. Gan! [Gan joins them]
GAN You better stand back. [He reaches into the panel and grapples with the device, grimacing with strain.]
BLAKE Avon, keep an eye on the door. [Avon moves over to the door.]
BLAKE [Checks his timer] Come on, Gan, hurry it up, hurry up.
[Storage room. Vila pops in.]
VILA Cally.
CALLY What?
VILA I've just been spotted. The alarms are ringing. I thought you ought to know. [exits] [Cally sees Prell reaching toward the shelf, and moves toward him. He withdraws his hand.]
CALLY I thought I told you not to move.
[Cipher room. Vila bursts in, Avon aims his weapon at him.]
AVON What are you doing here?
VILA What do you think?
BLAKE Lock the door! [Vila slides a bolt just as a guard reaches the door.]
BLAKE Get down, both of you. [Blake blasts the guard through the door. Blake, Vila and Avon push a cabinet in front of the doorway to block it.]
BLAKE [to Gan] How are you doing?
GAN I've broken two connections, just two to go.
BLAKE You've got one minute left. [into bracelet] Stand by, Jenna, we may have to get out of here very fast.
[Storage room. Cally moves in front of a set of shelves. She looks over at the door when she hears some guards running past, and Prell grabs the canister and throws it at her, knocking her back.
PRELL [to other prisoners] Come on, get her! [They rush her, and Prell grapples with her, holding her until the guard knocks her out.]
PRELL [to guard] Right, you watch her. [to other techs] You three come with me. [They exit. The guard removes Cally's gun.] P.A.: Attention, please. This is base control, red alert! All security personnel to report to number one command post immediately.
[Outside building. A squad of guards jog by.]
[Storage room. Cally attacks the guard. They fight, she wins and knocks him out. She realizes her bracelet has come off and starts searching for it, around and behind the racks.]
[Cipher room. Gan bends back a sheet of metal and pulls the cipher device free.]
GAN Got it!
BLAKE Right, everything into the bags. [into bracelet] Jenna, stand by to bring us up in, about, twenty seconds. [Shots of Cally still searching, overlaid by the timer on a mine ticking down.] Now! [Blake, Avon, Vila and Gan dematerialize.]
[Shots of Cally still searching, the timer reaching zero, explosions, fire, Cally's body lying behind the fallen rack, her bracelet lying beside her.]
[Teleport room]
JENNA [lays device on control panel] So you got it.
BLAKE It was close though.
AVON Too close. Another few seconds we'd have all been blown up.
VILA Well, it wasn't my fault.
AVON Well, whose fault was it? I thought you were supposed to guard the corridor.
VILA You were supposed to disconnect that thing, not rely on Gan tear to it loose with his teeth.
JENNA All right, all right, now calm down. Are you sure this is it? [picks up the device] It doesn't look like much.
[Flight deck, empty except for Blake.]
BLAKE Zen, retaliation status report.
ZEN Detectors confirm massive launch of long range interceptor rockets. They have locked on to Liberator's course and are in pursuit.
BLAKE How long before we outrun them?
ZEN Battle computers estimate seven hours to outrange interceptor tracking systems.
BLAKE Maintain optimum evasive strategy. [He exits the flight deck, the next line coming as he walks away down the corridor.]
ZEN Battle computers confirm, optimum evasion strategy committed.
[Teleport room]
AVON So that all communication between Federation units is sent by hyperspace sub-beam, that originates here and here. [indicates areas on device] All messages are converted into zeta three particles and then scrambled. [Blake enters in background.] They in their turn become an unbreakable code.
BLAKE Unbreakable unless you have one of those.
AVON As soon as I get this linked into our communications setup, we should be able to read every message that the Federation puts out.
JENNA Any sign of the interceptors?
BLAKE We picked up a whole flock of 'em. But we should outrun them in seven hours.
JENNA It's almost too easy, isn't it?
BLAKE A lot can happen in seven hours so I suggest we get back to business. Avon, I want you to make a start with that. Cally can help you. Where is Cally? [Everyone looks about.] Anybody see where she went? [Pause, no one speaks.] Has anybody seen her since she came back on board?
GAN I haven't seen her.
VILA Neither have I.
BLAKE Then she's still down there. We've got to get back.
JENNA We can't. The interceptors.
BLAKE We can't just leave her there!
AVON Blake, listen. If she didn't come back up, then she must have been in the building when the charges blew. She's dead.
VILA And anyway, the place will be crawling with security forces by now. They'll be on full alert.
AVON We'd never even get through their interceptors. [Grabs Blake's arm.] Listen! [Blake yanks free.] If you turn this ship round, you will kill all of us.
[Federation Space Headquarters. Servalan's office.]
RONTANE Which is why the President has asked me to come here personally; to express his own very grave concern over this matter. The destruction of the communications center has far-reaching political consequences. Controllers from some of the Outer Planets, whose loyalty to the Federation is, uh, delicately balanced, have been openly critical of the Administration's defense system. There are even one or two radical voices that speak of withdrawal from the Federation.
BERCOL My department has done all in its power to suppress information about Blake and his actions -- there is a total blackout on all reports concerning him -- but still the stories get out. They spread by word of mouth, by whispers, by rumour; each time the story is told it is elaborated upon. Any damage to the Federation is attributed to Blake. The smallest incident is exaggerated out of all proportion until it becomes a major event. Blake is becoming a legend. His name is a rallying call for malcontents of all persuasions. He must be stopped.
SERVALAN Gentlemen: I share the President's grave concern. And I am aware of the danger should Blake become a legend. But let us keep this matter in its correct perspective. It is true that Blake has command of a superb space vehicle, but he is just a man, backed by a handful of criminals, and that is all. He is not invulnerable, nor is he superhuman. He is just a man, who has been extremely lucky to evade capture --- so far.
RONTANE With respect, Supreme Commander, we are aware of the facts. They are simply that with all the resources that the Federation can call upon, this one vulnerable, lucky man is still free to cause havoc.
SERVALAN You have some criticism of my handling of this matter, Secretary Rontane?
RONTANE Not at all, I hoped merely to convey the concern shown by the President when he briefed me for this visit.
BERCOL It would be very helpful to all of us if we knew --- if you could indicate what action you will NOW be taking against Blake.
SERVALAN Very well, Councillor Bercol. You may tell the President that I am appointing a Space Commander to take absolute control of this matter. He will be exclusively concerned to seek, locate, and destroy Blake.
BERCOL Oh, excellent, excellent.
RONTANE May we know the officer's name?
SERVALAN Yes, you may. Space Commander Travis.
RONTANE I understood that Travis had been suspended from duty pending an inquiry into the massacre of the civilians on the planet Auros.
SERVALAN And I have satisfied myself that Travis acted correctly in this matter. The civilian deaths on Auros were unavoidable.
BERCOL Uh, there are other incidents on his record, um, unfortunate incidents.
RONTANE He has caused the Administration some political embarrassment in the past. In dealing with even minor insurrections, he has been, ah ... overzealous?
SERVALAN Oh, don't be afraid of the word, Secretary. Ruthless. Committed. He does his duty as he sees it, and he sees it clearly. He has no time for the dirty gray areas of your politics.
RONTANE [chuckle] I'm sure you're right, and of course the appointment is made on your judgement and your responsibility.
SERVALAN Responsibility is something I have never evaded, Secretary.
RONTANE Ah. May I then tell the President that you are confident that the Blake problem will be solved, soon?
SERVALAN You may tell him to prepare a statement announcing that Blake has been eliminated.
BERCOL Thank you for your reassurances, Supreme Commander.
RONTANE Goodbye.
SERVALAN A safe journey back to Earth. [The two men exit.]
SERVALAN [into comm] Where is space commander Travis? He was due here one hour ago.
VOICE [v.o.] His ship is locked into the station's flight grid. He will dock at precisely eighteen-twenty-three.
SERVALAN Good. [She opens a window and looks out at space. View shifts to the Liberator in space as her voice speaks] Your time is running out, Blake. Your time and your luck.
[Flight deck. Jenna, Avon and Gan are working to install the cipher device. Blake is moving about restlessly, Jenna goes over to him.]
JENNA [rests hand on his shoulder] There's nothing you could have done. It wasn't your fault.
BLAKE And whose fault was it? I should have checked.
JENNA Cally wasn't a child.
BLAKE Wasn't she?
JENNA She knew the risks. She accepted them. She even welcomed them.
BLAKE She was ashamed to go back to her own people because she had survived when the rest of the freedom fighters were massacred.
JENNA Well, that wasn't her fault.
BLAKE Shame like hers is an emotion, Jenna. It isn't rational.
JENNA Exactly, and so is guilt like yours. That's not rational, either.
BLAKE It's ironic, isn't it? She was the only one of us who wasn't a convicted criminal.
JENNA She convicted herself. You can't live like that. You've got to make peace with yourself, Blake, if you want to survive. [Blake moves over to Avon.}
BLAKE How are you coming with that?
AVON The primaries are hooked into the main instrumentation, I just have to link up to a read-out.
ZEN Attention. Liberator is now out of range of the interceptor's scanning systems. Detectors indicate the rockets have begun to self destruct.
BLAKE Have the navigation computers put in a course for the planet listing K-Fourteen.
ZEN Course laid in.
JENNA That's a Federation repair and supply base, isn't it?
AVON Yes, for their deep space cruisers.
JENNA Are we going to attack it?
BLAKE One for Cally. [pause] Because I want to survive.
[Servalan's office.]
SERVALAN [into comm] Yes?
VOICE Space commander Travis's ship has just docked.
SERVALAN Have him report to me immediately. [pause] No, have him wait outside until I send for him.
SERVALAN [Knock on door] Come in.
RAI Central Intelligence transmitted the records you asked for, ma'am. I have the microtapes.
SERVALAN Thank you, Rai. Leave them there.
RAI I am told that Travis is docked.
SERVALAN So I understand.
RAI [takes formal stance] May I speak, Supreme Commander?
SERVALAN Yes, of course. But why so formal, Rai? What can be so important that we can't discuss it in a more relaxed way? Oh, Rai, come here. [She beckons him to join her on a couch.]
SERVALAN [stroking his shoulder] Rai, I thought we were old friends.
RAI I value our friendship a great deal.
SERVALAN [smiles] Yes. Well?
RAI Senior echelon officers all know that Travis is coming.
SERVALAN But I've made no secret of it.
RAI Is it wise? They know that he has been stripped of his rank and authority. That he has no status now and that he stands a good chance of being dismissed the service.
SERVALAN Rai, [touches his hair] Space Commander Travis is the subject of a military inquiry. He was ordered to suppress an attack on Auros.
RAI The man is a butcher. He continued with his attack after the total surrender. The death toll was horrifying.
SERVALAN [stands up and returns to stand behind her desk, Rai follows her and stands in front of it] Travis is an advocate of total war. He carries out his orders with meticulous thoroughness. An enemy does not cease to be an enemy simply because it has surrendered.
RAI That's the philosophy of an assassin, not a Federation officer. [pause] I must tell you that there are those among your officers who will not serve with Travis or take orders from him.
SERVALAN And you may tell them --- whoever they are --- that Space Commander Travis's rank and authority have been fully restored by my order. I have also appointed him Senior Executive Officer of this station. Is that clear?
RAI Yes, Supreme Commander.
SERVALAN Let them know, too, that any lack of cooperation, any hesitation in responding to an order, will be treated as mutiny. Let them know I have said this. Dismissed. [Rai clicks his heels and exits. There is a bleep from the comm. Servalan ignores it, looking pensive. The comm bleeps again and Servalan reacts this time.]
SERVALAN Yes?
VOICE It's Commander Travis. I told him he was to wait but he just pushed past me. He's on his way up. I tried to stop him--
SERVALAN Very well. [Door opens and Travis enters. He moves to just in front of her desk and stands with his hands on his hips.] Space Commander, it is good to see you.
TRAVIS Your aide said I was to wait. He was obviously mistaken. He doesn't realize the urgency of the matter. [Servalan lays a folded sheet of paper on the desk before him. Travis picks it up and reads it.] These are your orders?
SERVALAN Destroy Blake.
TRAVIS Depend on it.
[Flight deck]
AVON It's working.
JENNA Well done.
AVON Now let's see how well. Jenna, see if you can isolate the Federation's signal beam.
JENNA [Jenna uses a tool on the device as the pitch of the signal shifts.] That's it.
AVON Now, feed that into the cipher control . . . and there it is. [Zen's display screen shows shifted lines of cryptic characters.]
BLAKE Well done, Avon.
AVON Under the circumstances, it would have been a great pity if it hadn't worked. Gan, basic unscrambler? [Gan hands him a set of headphones. Avon and Jenna listen to the earpieces.]
BLAKE What are you getting?
AVON Just routine movement orders, statistical information. I'll rig a selective data link into their battle computers, it'll be useful background information.
JENNA We should monitor what we're getting, we'll need a rota of some sort.
BLAKE Yeah, good idea. [laughs] We should know more about the Federation than the president. [Jenna laughs.]
BLAKE I presume there's a recall record?
AVON It's all going on to microtape.
BLAKE You've done a good job, Avon. Thank you.
AVON At least I'll know what the _Federation_ is planning. [Gan grins] Just a minute.
BLAKE Something?
AVON A message beamed into Centero.
JENNA But we've just destroyed their communications base.
AVON They're using emergency frequencies.
BLAKE What's the message?
AVON Some flight clearance. Priority spaceway for a ship going in from Space Headquarters. The Supreme Commander requests that all personnel give maximum cooperation to the incoming officer.
JENNA Does it give his name?
AVON Space Commander Travis.
BLAKE Travis!
JENNA Do you know him?
BLAKE I thought he was dead. I was sure I'd killed him.
[Cipher room. A group of technicians are rifling through the debris when Travis enters.]
TRAVIS Stop! [to Prell] What are these men doing here?
PRELL Well, I didn't think it would matter if we made a start on clearing up the worst of the damage.
TRAVIS My orders were that nothing was to be touched in this room, nothing. [to the technicians] Get out! [Most start to leave, one is slower about it. Travis grabs him by the arm and shoves him towards the door.] Out! [to Prell] Go through the sequence of events.
PRELL From the beginning, sir?
TRAVIS Well, naturally.
PRELL Well, two armed men came through the door. From the description you've given me, one of them was certainly Blake.
TRAVIS Go on.
PRELL Well, we were made to stand against the wall. Then a minute later, three more of them just appeared.
TRAVIS Appeared?
PRELL Well, materialized, sir. My men and I were taken out by a man and a girl. It was the girl who kept us prisoner in the equipment store. We overpowered her, the demolition harges went off, sir. Well, we were lucky to get out alive.
TRAVIS How long were Blake and his men in here?
PRELL Five, ten minutes, not more.
TRAVIS Five or ten minutes? They could have set demolition charges in thirty seconds. What were they doing in that extra time?
PRELL Perhaps they had trouble getting them to work, sir.
TRAVIS And why did they take you and your men out of here?
PRELL I suppose they thought it was safer with us out of the way.
TRAVIS No. No. There's something missing. I'm missing something. [pause] Do you still have the original construction plans for this room?
PRELL They'll be on record, sir.
TRAVIS And detailed diagrams of all the circuits?
PRELL Yes.
TRAVIS Good. I'm sending in a forensic team. I want a full catalog of every item in this room.
PRELL But, sir--
TRAVIS Everything must be accounted for.
PRELL But, sir-- [breaks off as Travis turns to stare at him coldly.] Well, that could take months, sir, if it's possible at all.
TRAVIS Prell, if I were you I'd make it possible. I want that catalog in twenty hours.
PRELL Sir. [There is a ringing. Prell uses a handheld communicator, holding it alternately to his ear and throat] Yes? Right!
TRAVIS What is it?
PRELL They found something, under the rubble. I think you'd better come along.
[Storage room. Eldon is examining the body of the dead guard.]
PRELL Where is it?
ELDON It's over there, sir. [Prell goes behind the fallen rack and touches Cally.]
PRELL It's the girl who was holding us prisoner, sir.
TRAVIS Is she dead?
PRELL I'll check, sir.
ELDON [Hands Cally's gun to Travis] We found this, sir.
TRAVIS Hmm?
PRELL Sir.
TRAVIS Hmm.
PRELL She's alive.
TRAVIS You, get a medical squad. Move!
ELDON Yes, sir. [exits]
PRELL She'll pull through all right, sir, she's lucky.
TRAVIS No, we are. Her luck ran out when she didn't die. The medics are to give her emergency treatment and put her into a life support capsule. I take off for the space station in one hour.
PRELL Right, sir. [exits]
[Servalan's office. Travis is scanning through pictures of Blake on a wall screen.]
SERVALAN Shouldn't you rest now?
TRAVIS Is this all the information we have on Blake?
SERVALAN I checked with Intelligence personally. It's all there.
TRAVIS Have you approved my requisitions for personnel and equipment?
SERVALAN The ships you want, the Starburst class, I'm not sure I can get them.
TRAVIS What?!
SERVALAN There've only been three of them built so far, and they've already been assigned to the Galactic Eighth Fleet.
TRAVIS Well, get them reassigned to you. Look, from what we already know about Blake's ship, it's vastly superior to anything we've got. If I'm to stand even a reasonable chance of taking him, I need those three high-range pursuit ships.
SERVALAN You'll have them.
TRAVIS What about my crew?
SERVALAN Already assigned. Why mutoids particularly?
TRAVIS Why mutoids? I've always thought that individuals with a high bionic rebuild were more reliable, less likely to let emotion interfere with judgement or duty. I give a mutoid priority over a man every time. [Points to his left hand] Or perhaps it's this that gives me a fellow feeling.
SERVALAN Does it still trouble you?
TRAVIS Well, not in the way you mean. The surgical mechanics did a perfect refit. I had the Weaponry Division make a few ... adaptations. They built in a laseron destroyer, more powerful than any sidearm. No, the hand is fine, better than the original. It only troubles me because it's a constant reminder that the man who caused it, is still alive.
SERVALAN Blake. That's why I choose you.
TRAVIS Oh?
SERVALAN I've read all the reports, of course. But none of them said what happened. None of them explained about your face.
TRAVIS What about my face?
SERVALAN It was patched up by a field medic.
TRAVIS Man saved my life.
SERVALAN But why did you never let the surgeons finish the job?
TRAVIS [Chuckles] What are you suggesting, cosmetic surgery? I'm a field officer, not one of your decorative staff men.
SERVALAN You're certainly not decorative.
TRAVIS You find it repulsive?
SERVALAN I find it ... unpleasing.
TRAVIS But memorable. You wouldn't mistake me for anyone else.
SERVALAN Hardly.
TRAVIS Mm. Neither will Blake. Even after all this time, he'll know me, and remember what happened at our first meeting.
SERVALAN Tell me.
TRAVIS It was quite early on. Blake had only been involved with the dissidents for a short while, but he already had a following. He organized some attacks against some of our political rehabilitation centers. Released some of the prisoners who were having indoctrination treatment. I was assigned to deal with the matter. We got information that Blake was planning another raid. We knew the location of the meeting point. I made my plans well in advance.
[Flight deck. The crew are all sitting on couches in the pit. Vila and Jenna are holding cups, more are on the table. Jenna sips from her cup at one point during Blake's story.]
BLAKE The group had arranged to meet in a sub-basement. There were about thirty of us. I was very particular about security. I had our people watch the entrances and exits for a full twenty-four hours before we were supposed to meet. No Federation forces came anywhere near the place. I was absolutely sure that we were safe. That night we were assembled and about to begin, and Travis and his men suddenly appeared from nowhere.
AVON Didn't you post any guards?
BLAKE Of course I did. Travis was already there. He'd been hiding in that basement for more than two days. We made no attempt to resist arrest. There was no point, we had no chance. I said to Travis, "We will offer no resistance." And he just stared at me. And then he ordered his men to open fire. Everybody was diving for cover that wasn't there. I, I ran, I found myself grappling with a guard, and I managed to get his gun away from him, and then I was hit in the leg. But as I went down, I saw Travis. And I fired. I saw him fall. I was sure I'd killed him.
JENNA What happened then?
BLAKE Oh, they did a memory erase on me, set up a show trial, had me confess, made me explain that I had been misled, that my political ideas were mistaken. Enough people believed me. The whole resistance movement collapsed. After that the Federation kept me around as a, a reformed character, a sort of ideal model citizen exhibit. Of course, I didn't know that at the time. No, it's only since almost exactly the same thing has happened again that the memory erase has begun to fade and I can remember.
AVON Do you remember enough to recognize Travis again?
BLAKE The man who killed twenty of my friends? Oh, yes. I'll recognize him.
[Note from transcriber: the person I have labeled "DOCTOR" in the following scene is not listed in the credits and only his hand and part of his leg is ever seen.]
[Medical lab. Cally is lying on a bed/medical capsule, with a mask over her eyes, attended by a doctor. Travis's image is displayed on a wall screen.]
TRAVIS What is her condition?
DOCTOR [removes her mask] There's some superficial bruising, a slight respiratory problem, other than that she's virtually unharmed. There's really no need for her to remain in the life support capsule.
TRAVIS No, she'll stay where she is for the moment. It'll make her more responsive to interrogation later.
DOCTOR She's not yet well enough to submit to intensive questioning. She must have rest--
TRAVIS Yes, thank you very much indeed, Doctor, you are relieved of your responsibility for the prisoner. She is now the property ... the concern of the interrogation division. [The doctor exits. To Cally] We'll want to know about Blake, the ship, his crew, his plans.
CALLY Your words are meaningless to me. Who is Blake?
TRAVIS I think you'll remember, quite soon. Oh, there may be a little pain, a little discomfort, but you will remember.
CALLY I will tell you nothing.
TRAVIS I'll come back later. By that time you may have answered my questions. [to someone offscreen] You may begin. [Scenes of a liquid being poured, Cally grimacing in pain, flashing lights.]
[Cipher room]
ELDON [shows piece of debris to Prell] What do you make of this, sir?
PRELL Where did you find it?
ELDON It was embedded in the wall.
PRELL [takes it and looks it over] Strange, it looks like part of the inner workings and yet the surface scoring would suggest that it was exposed at the time of the explosion.
ELDON Hmm.
PRELL Check its code number.
ELDON [puts on a visor with an attached single lens] Fourteen twenty- nine.
PRELL [checks against paper listing] Fourteen twenty-nine, relay boost, prime link is to component fourteen thirty. What have we salvaged for that classification?
ELDON [goes to check against something] Nothing.
PRELL Nothing?
ELDON Not a fragment.
PRELL Of course, it's obvious, obvious. [gestures for comm]
ELDON [Passes him the handheld communicator] What is it?
PRELL [Into communicator] Priority message to Space Commander Travis. Delivery by Category One courier. Message begins ...
[Servalan's office. She and Travis are listening to a recording of Prell's voice.]
PRELL [recording] ... thorough check of salvaged material reveals no trace of parts used in manufacture of component fourteen thirty. It is virtually certain therefore that the instrument was removed before the explosion. Component-- [Travis turns the recording off]
TRAVIS Blake got the cipher machine.
SERVALAN He's able to read everything we transmit. Forward planning movements, security, everything.
TRAVIS That's right.
SERVALAN I must advise Central Security. [Crosses to comm] We have to introduce a new code system immediately.
TRAVIS No, no. If the code system is changed Blake will know we are on to him.
SERVALAN That's not important. What matters is that our security is wide open. [Reaches to comm but Travis blocks her hand.]
TRAVIS Listen to me. We know that Blake is reading us. If we transmit a message in the normal routine way he'll intercept it, hm? Now what if that message was something he wanted to hear? Something that we know would bring him to a particular place.
SERVALAN A place where we would be waiting for him.
TRAVIS Exactly.
[Flight deck. Jenna is alone, monitoring the Federation transmission with the headphones when something makes her react.]
JENNA [into comm] Blake, can you get down here fast? [starts making notes on a pad] [Blake hurries in, followed by Avon and Vila.]
BLAKE What is it?
JENNA This just came through on the cipher.
BLAKE Read it.
JENNA Space headquarters priority. Injured female prisoner taken after attack on communications base planet Centero to be held for treatment and interrogation.
BLAKE She's alive.
VILA I knew she wasn't dead.
AVON No, you didn't.
VILA No, I didn't. I'm going to tell Gan. [exits]
AVON Treatment and interrogation, that doesn't sound too promising.
BLAKE She's alive. That's all that matters. Zen, immediate course change. Direct route to Centero speed standard by six.
ZEN Confirmed.
BLAKE I want a repeat readout of everything in the databanks concerning Centero. The whole lot again.
ZEN Confirmed.
BLAKE I want it now.
AVON Blake, what are you planning? What exactly have you got in mind?
BLAKE I'm not sure yet.
JENNA We could make a really fast strike. They wouldn't be expecting anything.
AVON Oh, I admire your confidence.
JENNA Well, surprise is the only thing we've got on our side.
BLAKE Yes, well, however we do it, one way or another we are gonna to get Cally out of there. [exits]
[View of Liberator in space, turning.]
ZEN [v.o.] The banks have collated the required information. Liberator is turning onto new course heading, now.
[Multiple scenes of guards taking up stations around Centero base. Shot of Cally's unconscious body being dragged along the floor by her feet.]
[Room at Centero base. Travis is sitting at a table.]
ESCON Base Commander Escon reporting, sir.
TRAVIS Yes, Base Commander?
ESCON I've escorted the prisoner to the interrogation room and my men have been briefed to keep out of sight until you give the signal.
TRAVIS Good. Blake is to get right inside the building before anybody makes a move.
ESCON Understood, sir.
TRAVIS Sit down, Base Commander.
ESCON Thank you, sir. [sits]
TRAVIS How are your units deployed?
ESCON We have the whole area circled. Squads on every roof, destructors with wide firing spread around every wall. Once they're inside there's no way they're going to get out again.
TRAVIS Good. Space watch reports?
ESCON An unidentified ship entered our upper atmosphere about an hour before you arrived.
TRAVIS Blake's?
ESCON We assume so.
TRAVIS Why?
ESCON Because it came in close and then raced back out again. Our guess is that it was doing a fast ground survey.
TRAVIS Seems reasonable. Where is it now?
ESCON In fixed orbit, about a quarter of a million out.
TRAVIS Quarter of a million? They won't be able to use their teleport at that range. They'll have to come in closer. And they can't do that without our knowing it. Which leaves just one chance factor: exactly where they'll teleport down. The odds are against them being able to zero in on the interrogation room.
ESCON I think we have that beaten, too, sir. [Next couple of lines are delivered v.o. over shots of technicians monitoring some screens in another location.]
TRAVIS Oh?
ESCON My research people have rigged up the entire complex with an MSD.
TRAVIS What?
ESCON A molecular shift detector, sir. Apparently there's an enormous kinetic potential set up by teleport communications. A rough analogy would be the, the static buildup during an electrical storm.
TRAVIS Yes, well, I'm always grateful for a rough analogy. What does it do?
ESCON It tells us exactly where and when they land.
TRAVIS It's perfect.
ESCON He still may not come.
TRAVIS Oh, he'll come. He wouldn't abandon the girl. Not Blake. Right, it starts now. Get under cover.
ESCON Sir.
TRAVIS Oh, and Base Commander, remember: Blake is to get right inside the building. Let him find me and the girl before anybody makes a move. Is that clearly understood?
ESCON Understood, sir. [exits] [Travis leaves through a door in a different direction.]
[Interrogation room. Cally is held in a chair by metal bands over her forearms. Travis enters.]
TRAVIS I hope you're not too uncomfortable. It won't be long now.
CALLY You're wasting your time. Blake will not risk his ship and his crew just for me.
TRAVIS I've studied that man till I know him better than I know myself. He has one reliable flaw: loyalty. He'll come for you. I'll stake my life on it. [Beep. Into comm] Yes?
VOICE No movement yet from Blake's ship. Still holding fixed orbit.
TRAVIS Let me know the minute it starts in.
VOICE Yes, sir.
TRAVIS I'm sorry about this, but I don't want you doing anything foolish like shouting out for help. Now this won't hurt. [Travis throws a switch on the wall and Cally stiffens with a little moan.]
[Scenes of Travis walking down a corridor, looking over guards outside, shots of apparently deserted exterior of base, Travis walking back down the corridor.]
[Interrogation room. Travis enters, goes over to the chair which has its back to the door and swings it around to reveal it is empty. Blake grabs him from behind, holding an arm about Travis' neck in a choke hold while holding his gun to his head.]
BLAKE A trick I learned from you, Travis. I got here first. Take his gun, Cally. [Cally takes a small gun from Travis and points it at him.]
CALLY Know this, your interrogators caused me much suffering. I should like a reason to kill you, one small movement will be enough.
BLAKE [into bracelet] I got her, Jenna. Bring the ship to teleport range.
JENNA [v.o.] On our way.
CALLY Now, Travis, your turn. [gestures] You get in the chair. [Travis sits down, carefully resting his real hand on the artificial one.]
BLAKE Don't feel too badly, Travis. After all, it was an ambush technique you devised.
TRAVIS You're not out of this yet. [Cally closes the restraint bands over Travis' arms.]
VOICE [v.o.] Blake's ship is moving, coming in very fast.
BLAKE We'll be leaving you in about three minutes. I should use the time to think of an excuse for your failure.
TRAVIS You'd better kill me, Blake. Until one of us is dead, there'll never be a time when I won't be right behind you.
BLAKE If not you then somebody else. Killing you'll change nothing. You don't matter enough to kill, Travis. [Blake turns away to look out the door. Travis uses his thumb to twiddle with the ring on his artificial hand. Cally notices this and where his hand is pointed.]
CALLY Blake, get down! [Blake ducks, Travis fires, missing Blake, Cally swings his chair around, Blake smashes Travis' hand, sparks fly from the hand and Travis cries out.]
BLAKE The door, Cally! They'll be coming. [into bracelet] How long, Jenna?
JENNA [v.o.] Ninety seconds.
BLAKE [into bracelet] Make it faster.
CALLY Coming.
BLAKE Get down. [The guards fire, blasting down the door.]
TRAVIS [to guards] Take them.
JENNA [v.o.] In teleport range now.
TRAVIS [to guards] It doesn't matter about me.
JENNA We're bringing you up.
TRAVIS [to guards] I order you to take them! [Cally and Blake dematerialize. Some guards enter] Don't stand there, you idiots! Launch the interceptors.
[Teleport room. Blake and Cally materialize.]
VILA Welcome back. We thought you'd decided to stay.
BLAKE Bit close that time, Jenna.
VILA Anyway, we're glad you are safe, aren't we? [Looks over at Avon who is standing silently.] Aren't we?
AVON Yes, I'm glad you're all right.
BLAKE Those interceptors will be lifting off any minute now. Let's get on with it. [into comm] Gan, get the ship moving. Full interceptor evasion.
[Flight deck. Gan is at the controls.]
GAN Check. Zen, battle computers to interceptor evasion. [Vila, Avon, and Jenna enter and move to their stations.] Then take us out. Speed standard by six.
ZEN Your instructions are confirmed. Speed is now standard by six.
[Teleport room. Blake takes off his gun, lays it on the control panel and has started to leave when Cally's voice stops him.]
CALLY Blake, thank you.
BLAKE Too many of my friends are already dead, Cally. I can't afford to lose another one. [He looks down at her hands, which are cradling Travis's gun.] Travis's gun. I'll take that. [Both exit.]
[Interrogation room. A technician is fiddling with Travis's mechanical hand. Travis grimaces and strikes him away.]
TRAVIS [soliloquy] Run, Blake. [shot of the Liberator is show over the next two lines.]Run. As far and as fast as you like. I'll find you. You can't hide from me. I am your death, Blake. [smiles]
Script Index
Back to B7 Top


text:
Cinnamon Hot Chocolate
Be the first to review
READY IN: 40mins
Recipe by ratherbeswimmin
In 'Williams-Sonoma: Picnics and Tailgates'
See Discussion:
Ingredients Nutrition
- 8 cups milk
- 1⁄2 lb semisweet chocolate or 1⁄2 lb milk chocolate, broken into pieces
- 8 cinnamon sticks
Directions See How It's Made
- Put the milk, chocolate, and cinnamon sticks in a saucepan.
- Warm over med-low heat, stirring frequently, until the milk is hot and the chocolate has melted completely.
- Transfer to a preheated large thermos.
- Include the cinnamon sticks for a more pronounced cinnamon flavor, or rinse off and dry the sticks and pack separately.
- To serve, pour the hot chocolate into mugs, placing a cinnamon stick in each mug.

subset: commoncrawl


text:
Time Courses
- K. Moran
- 101 Barker
- 4 Units
- Class Number: 12390
This course will examine American consumer society from the end of WWII to the early 1970's, including the growth of advertising, car culture, television, the suburbs and youth culture.
- TTh 12:30-2
- S. Saul
- 371 Bancroft Library
- 3 Units
- Class Number: 31951
NOTE: Honors seminar. Requires consent of instructor and/or approval of faculty advisor to enroll.
This project-based course is three courses rolled into one. First, it delves into the history of the 1970s Bay Area, which was an unusually fertile cultural seedbed: so many features of contemporary life, from the cappuccinos we drink to the laptop computers we use to write and think, were incubated in it. The region was ground-zero for the technological utopianism represented by the Whole Earth Catalog and the computer clubs that produced the first desktop computer; ground-zero for the revolution in cooking known as "California cuisine"; ground-zero for new forms of spiritual practice and religious organization; ground-zero for the spread of women's liberation, black liberation and gay liberation, and for the evolution of "movement cultures" that stood behind such new cultural forms as disco, punk, and 'alternative comix'; and much more.
Second, the course offers students an introduction to the practice of archival research. The course will be meeting at the Bancroft Library, and students will work in collaboration with one another to explore specific archives at the Bancroft, such as the Chez Panisse Collection and the Disability Rights and Defense Fund Collection. Students will approach these collections with the open eyes of historians looking at fresh documents, and with the goal of plumbing these documents for the insights and stories that they yield.
Third, the course will give students the experience of creating a digital history project of their own. Students will work towards creating both a digital exhibition and a multi-media essay that springs out of the primary research they do. As a point of reference, students might look at Prof. Saul's "Richard Pryor's Peoria" at http://www.becomingrichardpryor.com or the Seattle Civil Rights and Labor History Project at http://depts.washington.edu/civilr/.
No experience with digital humanities is required for this course, but students should be ready to engage with a course that is more collaborative and project-oriented than is customary in humanities seminars.
- TTh 11-12:30
- M. Peterson
- 121 Haas Pavilion
- 4 Units
- Class Number: 32106
Section 102 – T 5-6, 130 Dwinelle
This course will explore the history of eastern North America and the West Indies in the second half of the 18th century, in order to determine what was "revolutionary" about this history, as well as what was not. We will, of course, examine the causes and consequences of the rebellion staged by thirteen of Britain's American colonies in the 1770s, including the makeshift construction of the United States, but we will also investigate the broader Atlantic context in which these events occurred, and consider their reverberations for places and peoples that did not voluntarily join the new United States.
- TTh 3:30-5
- D. Henkin
- 390 Hearst Mining
- 4 Units
- Class Number: 32107
The Civil War is commonly regarded as the second American Revolution, the grand rupture after which a new modern nation came into being. But many of the institutions, ideologies, and practices that make up modern society and culture in the United States emerged more gradually during the half-century that preceded the War. To understand the origins of such contemporary phenomena as the mass media, corporate capitalism, wage labor, the two-party system, family values, and racism, we need to trace their evolution in the nineteenth century. This course examines a little over half a century of life in the United States (roughly from 1800 until the secession of the South), focusing on everyday life, popular culture, race relations, westward expansion, urbanization, class formation, religious experience, gender roles, sexuality, print communication, and competing claims to wealth, power, and the good life. Assigned readings will consist largely of first-person narratives in which women and men of varied ethnic backgrounds and cultural identities try to make sense of their own experiences against the backdrop of major social change.
- P. Glazer
- 170 Zellerbach
- 4 Units
- Class Number: 23811
This class will stage a selection of significant writings of the 1960s in the US, to better grasp that profound and influential decade. The class is based on the assumption that there are few better ways to understand a piece of writing than to embody it. We will read and perform every week – developing monologues, small scenes, and ensemble pieces from the literature – working up to a final presentation we will curate from the semester's explorations. So many of the progressive social movements of the present moment - such as Black Lives Matter, Occupy, and LGBTQ rights, to name a few - have roots in the movement culture of the 60s. We will engage with notable fiction, non-fiction and poetry from the decade. Authors will include, among others: Maya Angelou, James Baldwin, Truman Capote, Cesar Chavez, Joan Didion, Betty Friedan, Allen Ginsberg, Rodolfo Gonzales, Abbie Hoffman, Ken Kesey, Norman Mailer, Sylvia Plath, Luis Valdez, Kurt Vonnegut, Malcolm X. There is no audition required, and prior performance experience is not necessary.


text:
The 2017-2018 Strathmore Season is now on sale. Keep checking back, as we announce throughout the year. Want to get in on the ground floor? Join the Strathmore Stars to get early notification, presale access, and a 10% discount, every time we announce a new performance, all year!
2017-2018 In the Music Center
Sat, September 16Buy Tickets Fri, September 22Buy Tickets Thu, October 19Buy Tickets Fri, October 20Buy Tickets Sat, October 28Buy Tickets Tue, November 7Buy Tickets Fri, November 10Buy Tickets Sun, November 12Buy Tickets Fri, November 17Buy Tickets Sun, November 19Buy Tickets Fri, December 8Buy Tickets Sun, December 10Buy Tickets Tue, December 12Buy Tickets Wed, December 13Buy Tickets Sun, January 21Buy Tickets Fri, February 2Buy Tickets Sat, February 3Buy Tickets Thu, February 22Buy Tickets Sun, March 4Buy Tickets Wed, March 7Buy Tickets Fri, March 16Buy Tickets Thu, March 29Buy Tickets Sat, March 31Buy Tickets Sun, April 8Buy Tickets Sun, April 8Buy Tickets Fri, April 20Buy Tickets Sat, April 21Buy Tickets Sun, April 22Buy Tickets Thu, April 26Buy Tickets
2017-2018 In the Mansion
Thu, October 12Buy Tickets Thu, October 26Buy Tickets Thu, November 2Buy Tickets Thu, November 16Buy Tickets Sun, December 10Buy Tickets Sun, December 10Buy Tickets Wed, December 13Buy Tickets Thu, December 14Learn More Thu, December 14Buy Tickets Wed, December 20Buy Tickets Thu, December 21Buy Tickets Thu, January 25Buy Tickets Thu, February 1Buy Tickets Thu, February 8Buy Tickets Thu, February 22Buy Tickets Thu, March 1Buy Tickets Thu, March 15Buy Tickets Fri, April 6Buy Tickets Thu, April 12Buy Tickets
Support Strathmore
We rely on charitable gifts from individuals to sustain and expand our visual and performing arts experiences and arts education programs. Your gift will foster incredible social impact by allowing Strathmore to remain a strong and vibrant resource in your community.


text:
Consumer Protection Law
Consumer Protection Law Questions? Ask a Lawyer Now.
Please bear with me while I verify somethings for you.
Kind regards,
Thank you for your patience and thank you for using Just Answer. I want to provide you the best service I can. Please feel free to ask any follow up questions you have.
I am an attorney with 30 years of experience; I hope to provide you information that will help you in resolving your question.
When the bank fails to rectify a fraud situation your best bet is to file a complaint with the Office of the Comptroller. The OCC has regulatory authrity over how the bank handles thse situations.
You can file a complaint with the OCC through the following link:
You can also bring a private action against the bank, but unless the check was for a substantial amount the time and money invested in the action would not warrant it.
I want you to be comfortable and satisfied with my attempt to assist you. Please, if you have ANY follow up questions, feel free to ask. Please note that I am generally unavailable Friday evening through Sunday.
I hope the information I have provided is useful to you and that I have earned a positive rating from you. It costs you nothing extra, and is the only way I get credit for my attempt to assist you.
If you are dissatisfied with my response PLEASE let me know before giving me a negative review so that I may try to be of better assistance. Or if you prefer, let me know and I can "Opt Out" and your question can be re-posted without additional cost to you. I will be fair to you and only ask the same from you.
Good luck,
Please note: Information given is not legal advice. Only your local attorney can give legal advice. I can't establish or accept an attorney-client relationship with you. All posts are available for public viewing.
Thank you for the additional information.
$2,700.00 is a significant amount of money, but not enough to involve an attorney. You can sue the bank yourself in Small Claims Court. You can also file the complaint. You can do both.
Under the UCC Sections 3-403(a) and 4-401(a), a bank can charge items against a customer's account only if they are "properly payable" and the check is signed by an authorized individual. So this is what you will raise.
The clerk of the court should have the forms that you need.
See this article:
I hope this additional information is helpful to you.
(Please do not forget to rate me – click the five stars. It adds nothing additional to your costs, but it helps me greatly. Plus it is good Karma for you. Thank you.)


text:
Who says you can't go to both Penn and culinary school? These freshmen found you can have your cake and eat it, too.
Rachel Prokupek (C '20)
Rachel's resume boasts two Michelin stars and a degree from culinary school, but her foodie journey hasn't been a cakewalk.
She's been passionate about food since she was young. It was a common interest between her and her father. He "was in the restaurant industry, and during family dinners [we] would sit at the table and talk about the industry," says Rachel. A family friend taught Rachel about cooking and introduced her to the Food Network. From there, the obsession took hold.


text:
London Meatmap: 4-6 November 2016
Pinpointing this weekend's best street food and pop-ups
1. Mr Hyde Exclusive: Honest Burgers' Roast
Various sites, Sunday Come on, you. Let's go for a roast. But not just any old roast! This is the massive, earth-shaking reincarnation of the beaut Honest Burgers served at Mr Hyde National Burger Day 2016. A beef and bone marrow patty with smoked bacon, cheesy leeks, horseradish cream, rosemary roasties, savoy cabbage and bacon gravy. Download a voucher here so you can experience it.
2. Blues Kitchen
Various sites #Topical new burger special from Blues Kitchen: the Trump Tower, with a triple-stack – triple! – of beef patties and American orange cheese.
3. The Newman Arms
23 Rathbone Street, W1 A steak and wine pop-up with beef sourced by the mega-meticulous Cornwall Project and booze by someone with a reassuringly exotic name.
4. Boundary
2-4 Boundary St, E2 This didn't quite make our winter rooftop round-up, so let's leave its heated terrace here as a sexy bonus entry.
5. Donostia Social Club
100 Clapham Park Road, SW4 The barons of Basque tapas are taking over the kitchen at The King & Co pub until the end of the year
Subscribe to the Mr Hyde daily email for free here
BBQ Thursdays at Brixton Beach - Whitey's Jerk BBQ
Free Bacardi Mojito and discounted tickets
Free Bacardi Mojito and discounted tickets
BBQ Thursdays at Brixton Beach - Surf N' Turf Beach Festival
BBQ Thursdays at Brixton Beach - Bokit'La Pre-Carnival Takeover
Free Bacardi Mojito and discounted tickets
Win a year's worth of burritos
Plus, all entrants will score a free side of tortilla chips and guacamole


text:
Inspired by the ubiquitous 'Good Morning' towels found in almost every Chinese household or business in the 1970s, the print can still be found in shops today. This double-sided towel has 'Good Morning' on one side and 'Good Night' on the other with the text in both Chinese and English. These multi-functional towels were so sturdy, they seemed to last forever.
Dimensions: 36 cm x 68 cm
Colour: White with blue trim and red lettering
Material: Cotton


text:
Part of AAUW's mission is "lifelong learning" and AAUW Westchester has many fun and exciting groups where members can fulfill this part of our mission.
If you don't see a group that interests you, you are welcome to start a new group. Contact us to find out how to join an existing group or start a new one.
Bridge Groups – meet three times every week. You may choose to join the Monday, Thursday or Friday group. All groups meet during the day.
Gourmet Dinners – gather at a member's home to cook and share fine meals.
Ladies Who Dine – Lunch in the Winter and Dinner otherwise on the third Tuesday each month.
Ladies Who Lunch – enjoy good company and good conversation over a relaxed meal on Fridays.
Now and Then Lunch Group – get together for lunch now and then.
Mah Jongg Group – play this ancient Chinese game regularly on Tuesdays.
Current Events
Current Issues – meet to discuss hot topics in the news, both domestic and international.
Educational Issues – Our goal is to become knowledgeable about major changes in education.
Art, Culture and Literature
Art Interest – we share a love of art and organize trips to art museums.
Chasing Culture – we visit unique, interesting and stimulating sites around the Tri-State area including, but not limited to, museums and art galleries.
Literature – discuss books covering a wide array of subjects and authors. There are three book groups. Click below to see what they are reading.
Book Schedule for Thursday Morning Literary Group 2017-2018
Book Schedule for Evening Book Group 2016-2017
Book Schedule Tuesday Morning Book Club 2016-2017
Poetry – we share and discuss classic and contemporary poetry,
optional source: NORTON ANTHOLOGY OF MODERN AND
CONTEMPORARY POETRY 3rd edition Volumes I and II
Financial Group – we meet monthly to discuss financial issues specific to women.
Financial Interest Group Schedule
STEM Interest Group – we meet once a month and try to learn more about Science, Technology, Engineering and Math.
STEM Programs 2014 – the present


text:
I stayed here one night found it very good, clean plenty space I have many friends who stay here and I recommend it, many of my friends and collegues come here and stay as they are coming here to dive they always are happy enough location for the middleof town is good as taxis are expensive here. Very near the ferry
- Official Description (provided by the hotel):
- Hostelito is located in downtown Cozumel, only two blocks away from the ocean and the main entrance to the Island, the local pier. From our affordable and clean hostel, it's only a short walk to San Miguel Historical Church and the Main Plaza where most of the restaurants, bars, banks, dive shops, and all kind of services are located.Información GeneralOur hostel is ideal for the budget conscious traveler, who is looking for comfortable, clean, spacious, and well located accommodations. Hostelito has 26 beds in a dorm, with separate showers and hot water all day. Each bed has its own extra big locker with its own padlock, in the dorm which is an open space area with plenty of ventilation.We provide 24 hours front desk service, and luggage storage room. All of our new orthopedic beds come with clean linens, sheets, and pillows. In our lobby you will find books for reading, wireless internet, cable TV. We have common kitchen totally full equipped, sundeck roof, hammocks where you can relaxing and chill out. For our guests looking for privacy, we offer a group room, for groups from 4 to 9 people, with their own locker, private bathroom, fridge and A/C. We also offer private single or double rooms with two beds, closet, private bathroom, fridge, A/C and cable TV. Jr.suite room with 1 double bed, interior kitchen, cable TV, A/C and private shower. Suite whit a bedroom, private shower, living room, interior kitchen, A/C and private balcony. . Safety box service at reception.Cozumel heaven on earth gives you a warm welcome! ... more less
- Reservation Options:
- TripAdvisor is proud to partner with Expedia, Hotels.com, HostelWorld and Evoline ltd so you can book your Hostelito Cozumel reservations with confidence. We help millions of travellers each month to find the perfect hotel for both holiday and business trips, always with the best discounts and special offers.


text:
Place Your Order. Fill out and submit a short order form. The Liberalism/Conservatism Of Edmund Burke and F. A. Hayek: A Critical Comparison Linda C. Raeder * [From HUMANITAS, Volume X, No. 1, 1997. © National Humanities. The Social Responsibility of Business is to Increase its Profits by Milton Friedman. The New York Times Magazine, September 13, 1970. Copyright @ 1970 by The New York.
Discover Great Essay Examples. Let StudyMode help you uncover new ideas with free essay previews and research papers. Another general feature of moral conflicts is the hostility characteristic of the relationship and the communication between the parties. While sophisticated rhetoric. Value definition, relative worth, merit, or importance: the value of a college education; the value of a queen in chess. See more. Http://beta-newsroom.lds.org/article/elder-oaks-religious-freedom-Chapman-University. Apostle Emphasizes the Importance of Religious Freedom to Society. Ethics. The field of ethics (or moral philosophy) involves systematizing, defending, and recommending concepts of right and wrong behavior. Philosophers today usually.
Introduction Though perhaps best known throughout the world for his science fiction, Isaac Asimov was also regarded as one of the great explainers of science. Students' Broken Moral Compasses. The pressures of national academic standards have pushed character education out of the classroom. The Importance of Being Earnest by Oscar Wilde. Searchable etext. Discuss with other readers. This I Believe is an international organization engaging people in writing and sharing essays describing the core values that guide their daily lives. Essay On Importance Of Education In Hindi. The Importance of Education Kandace L. Cottrell Eng 102 11-16-2010 Normand Hays The Importance of.
© 2016 Williams & Williams Marketing Services, Inc. All rights reserved. Williams & Williams®, the stylized Williams & Williams logo, and other trademarks appearing. The week before the 2016 presidential election, Francis Wilkinson wrote a piece for Bloomberg View headlined " The Moral Foundations of Trumpism.. WEEKLY ESSAY CHALLENGE – 2013 (The following post was created when Essay Challenge was first started) In the newly introduced pattern for the UPSC Civil. Against Empathy from Boston Review. Photograph: Samantha Stock When asked what I am working on, I often say I am writing a book about empathy.
Film Year Rating Comments Gross (Domestic) The 11th Hour: 2007 PG Environmental schlockumentary produced and narrated by actor Leonardo DiCaprio.
Read informative essays & articles on many topics relating to sexual violence, most authored by Pandy's members. Essay writing can be a piece of cake. Hard to believe? Then try our essay writing service and see yourself. Samedayessay.org writers can master any assignment in any. Free Oscar Wilde Importance of Being Earnest papers, essays, and research papers. Ethics or moral philosophy is a branch of philosophy that involves systematizing, defending, and recommending concepts of right and wrong conduct. The term ethics.


text:
Skip to comments.US Navy hopes to increase AIM-9X range by 60%
Posted on 07/19/2013 2:21:26 AM PDT by sukhoi-30mki
US Navy hopes to increase AIM-9X range by 60%
The US Navy is hoping to increase the range of the new Raytheon AIM-9X Block III by some 60% over current Sidewinder variants due to the unique needs of the Lockheed Martin F-35 Joint Strike Fighter, the Naval Air Systems Command (NAVAIR) says. The new weapon is scheduled to become operational in 2022.
"The Block III range requirement was in response to Joint Strike Fighter requirements in the 2020+ timeframe," NAVAIR says. "The design is anticipated to increase AIM-9X employment ranges by 60%."
NAVAIR says the current Block II AIM-9X already overlaps some of the range capability of the more powerful Raytheon AIM-120D AMRAAM, however the new Block III variant will increase that overlap. The AIM-9X Block III's increased range will "provide fighter aircraft with increased capacity of BVR [beyond visual range] weapons for tactical flexibility," NAVAIR says.
Lockheed Martin
The need for that added flexibility arises from the proliferation of advanced digital radio frequency memory (DRFM) jammers that many potential adversaries are adding to their fighter fleets. DRFM jammers have the potential to blind the AMRAAM's onboard radar, which makes the AIM-9X's passive imaging infra-red guidance system a useful alternative means to defeat those threats. While a completely new missile would have been ideal, the Pentagon is faced with era of declining budgets and has to take into account the price tag of any new weapon.
"Programme affordability was a primary concern for new missile development," NAVAIR says. "Modifying the existing AIM-9X for increased range provides a highly affordable solution for meeting the performance requirement."
To create the new AIM-9X Block III, the NAVAIR will primarily focus on the missile's rocket motor. "Increased range will be achieved through a combination of increased rocket motor performance and missile power management," NAVAIR says.
In addition to an improved, more energetic, rocket motor, the enhanced weapon will also have a new insensitive munitions warhead, which will be safer to use onboard an aircraft carrier. However, the Block III will "leverage" the current Block II's guidance unit and electronics-including the missile's AMRAAM-derived datalink.
While the Pentagon needs the new Sidewinder to be a supplemental BVR weapon for situations where friendly fighters are faced with electronic attacks that degrade with radar-guided weapons, it will not compromise on the AIM-9X's close in performance. "The requirement and design call for the same WVR [within visual range]/HOBS [high off-boresight] capabilities as those found in the AIM-9X Block II," NAVAIR says.
The Block III is currently scheduled to enter into its engineering and manufacturing development phase in 2016, NAVAIR says. Subsequently, it will go into developmental testing in 2018 with operational tests starting in 2020. If all goes well, an initial operational capability date is expected in 2022. "The Block III development schedule follows the increased number of Joint Strike Fighter aircraft entering service," NAVAIR says.
Why? The Navy and USAF very rarely use BVR missiles because of the stupid ROEs they have to operate under. Seems to me that this is more pre-Vietnam War type thinking in which missiles were supposed to be the be-all/end-all for aerial combat.
Block III extended range is for use/deterrence in general war, which we'd better always be prepared for, even if smaller dustups are constrained to VID ROEs.
Sidewinder missile rocket motors are small. A new propellant - and are throttleable or rocket nozzle control? Or an improvement on the thermal battery that the old AIM-9s used to increase life span?
The visual ROEs will go away in future scenarios where we're heavily outnumbered, which is what this missile is being purchased for.
BVR never made sense when 99% of the aircraft in the air at any given time were American, like Vietnam, the Gulf War, etc.
Do you think the US would build (modify) something like the proposal for the B-1R "missile truck"?
Apparently would only work with F22s right now
From what I've read, every major upgrade to the Sidewinder has come in ahead of schedule and under projected budget, without compromising effectiveness. Really a pretty neat example of "Getting It Right."
If this missile works as advertised the enemies fighters will be destroyed before the pilot knows what hit him.
The military is very skittish with beyond visual range missile attacks since the USS Vincense shot down an Iranian airliner many years ago.
I'm certain that is still in back of their minds.
There, sitting on two pipe stands, was a missile. There was a "goldfish bowl" lens at the front. My dad told me to go stand at the rear and watch the fins while he went to the front and waved his cigarette around about 5 feet in front of the lens. I watched in amazement as the fins moved following his cigarette and he explained to me what was happening.
It looked like this photo, on the same type of stands (w/round pipe), except the fuselage was the same diameter for the full length and the lens was the diameter of the fuselage.
This was in about 1953 or maybe 1954.
Several European Air Forces switched to IRIS-T.
This missile offers something quite useful for F-35: "it can also engage targets behind the launching aircraft".
Someone once said way back that I was full of crap saying that future development of DRFM jammers, and general ECM development, would make certain types of BVR shots ineffective. This was a couple years back when the USAF faced off against the Indian airforce, and while the big story was the performance of the SU-30 the real story should have been the performance of the Indian MiG-21s coupled with Israeli jammers. Those modernized Fishbeds were said to be difficult to 'kill' before they got to WVR range, and at/near the merge even an obsolete plane with a good WVR IIR missile can kill the most advanced plane. Yet I was allegedly full of crap.
Well, it seems it wasn't that crappy after all.
Reach out and touch someone. You need to be able to shoot as far as your search radar can see. Time spent getting in range is time spent being predictable.
A 60% increase in range would raise it to about 35 miles.
It seems to me that at 188 pounds, a drone launched from a ship could carry several.
Interesting how the F-22 hangs tough on external goodies so as to remain stealthy but the F-35 has more afterthought and unstealthy crap hanging off it than a deer's tick infested head.
So much for a do-all 4/5th generation fighter.
That weight figure (for a baseline Sidewinder) is bound to go up with the planned enhancements-new motor, warhead etc.
Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by copyright law and the exemption for fair use of copyrighted works.


text:
Bridal Impressive Embroidered Dresses
Innovative Embroidered Bridal Wedding Dress Collection
Manifesting Of Embroidered Wedding Dresses For Bridals
Bridal are really alluring Part of any Wedding and Here We will discussed about their dressing on wedding. This Collection is consist of Fancy embroidered Wedding Dresses. Embroidered dresses are adorned with the very heavy material which is attached with dresses by use of needles. Useful and effective embroidered on Bridal wedding dresses gives decent look to the Bridal.This Collection Is Recently Released by the decent designers, photo shooters and Bridal couture weeks. We collect all dresses of Embroidery from all around of us.
Royal Styles Of Embroidered Dresses
Every dress Is brand new and just Now trendy wedding events dresses. These all dresses are adorned with the very heavy embroidery , gotta, kondan and mukesh work. These bridal Embroidery Dresses are includes Lehangas, Frocks, Bridal embroidery Gowns and Embroidered Shalwar Kameez. Let's visit here and watch every Bridal Wedding Embroidered Dresses Just for the beautiful Newly Bridals.


text:
Community Listing > USA > VA > Midlothian Area
Searches Related to
Community Listings listings in 23113Community Listings on Oodle Midlothian Announcements Midlothian Groups Midlothian Art & Music News Midlothian Political News & Opinions Midlothian Rants Midlothian Rideshares
Community Listings listing in 23113(1 - 2 of 2)
Wanted: In need of a carSpotsylvania, VAIm looking for a cheap and reliable car that would be no more than $1500. It must be automatic transmission. Id prefer a Dodge Neon, but ...Over 4 weeks ago on SuperAdsTools
- XTools
- In need of a car
- Respond
- Stop Fraud
- Report
- Learn More
Make a Real Income At HomeAylett, VAWork from home from anywhere in the world. Unlimited jobs, unlimited income, instant payments, guaranteed earnings If you need to start m...Over 4 weeks ago on CarolinaBargainTrader.NetTools
- XTools
- Make a Real Income At ...
- Respond
- Stop Fraud
- Report
- Learn More
- 1 …of 1 page
Listings on Oodle Classifieds Ann Arbor Community Listings | Boston Community Listings | Charleston Community Listings | Charlotte Community Listings | Chicago Community Listings | Cleveland Community Listings | Knoxville Community Listings | Lancaster Community Listings | Louisville Community Listings | Miami Community Listings | Nashville Community Listings | Newark Community Listings | Pittsburgh Community Listings | Portland Community Listings | Springfield Community Listings. Find used cars, used motorcycles, used RVs, used boats, apartments for rent, homes for sale, job listings, and local businesses on Oodle Classifieds.
Important Safety Tips
Read our tips on shopping safely and avoiding fraud.
To learn more, visit the Safety Center. Report suspicious listings by clicking on .


text:
The Northwest Film Center's 37th annual showcase of new world cinema is back in action after weather delayed parts of the opening weekend. The Portland International Film Festival explores not only the art of film but also the world around us. The cultural diversity, the extraordinary range of subjects, genres, and experiences explored—for all ages and from matinee to midnight—invite exploration and discovery, movie-lover or not. We welcome you to join in this shared cinematic and community experience.
To learn more, view schedules and films and purchase tickets please visit http://festivals.nwfilm.org/piff37/


text:
While we all know that the nature of light and dust being what they are, this display isn't practical, the arrangement is still breathtaking to behold.
I arise in the morning torn between a desire to improve (or save) the world and a desire to enjoy (or savor) the world. This makes it hard to plan the day.― E.B. White
I hate to say it, but my cats would knock that over in about 15 seconds! This guy needs a steady cam. Unless he's trying to make the perfume look like it's in an action film! Pretty good, though. HeHe! Wacky shelf.
See my blog; http://www.basenotes.net/blogs/2645-kumquat


text:
Wednesday, June 17, 2009
Until I became a Hooters Girl, I had never noticed how many types of BUTTS there are. I just assumed you had one or you didn't. But thanks to those fabulously famous orange shorts, my opinion of the matter has changed entirely. And I'm kinda starting to like mine :o)
No comments:
Subscribe to: Post Comments (Atom)


text:
Blue Squadron was a starfighter squadron that served as part of the Rebel Alliance's starfighter corps during the Galactic Civil War. The squadron was one of three present at the planet Vrogas Vas when Sith Lord Darth Vader arrived there, and the squadron was entirely wiped out in the resultant battle.[1]
- Vader Down, Part I (First appearance)
Notes and referencesEdit
In other languages


text:
By Andrew Motion
Illustrated. 276 pages. Alfred A. Knopf. $26.
Thomas Griffiths Wainewright was a minor English painter of the first half of the 19th century who was convicted of forgery and transported to Australia, where he did hard labor for seven years. He was an unusual criminal in that he knew people like Samuel Taylor Coleridge, William Blake and Lord Byron, and when his term of hard labor was finished, he gained recognition in Tasmania as a portrait painter. He was called ''an insufferable fop'' by one person who knew him, ''a daring and impudent braggart'' by another.
Most important as background to Andrew Motion's unusual biography of Wainewright, he probably murdered his uncle, his mother-in-law and his sister-in-law, though he was never convicted of those crimes.
Mr. Motion's ''Wainewright the Poisoner'' is an ambitious and unusual undertaking, a scrupulously factual fiction that puts Waine wright's story into an imagined confession. It is in this sense an imagined biography that aims, by having Wainewright speak for himself, at bringing us closer to the man than standard biography would allow.
Mr. Motion buttresses his approach with many pages of explanatory notes providing the historical basis for every one of his imaginative gestures. Helped along in this way by Mr. Motion, a literary biographer who was named poet laureate of Britain in 1999, Wainewright tell the ''truth'' of his life and his crimes even as we understand that crucial elements in that ''truth'' are self-serving falsehoods, or at least convenient omissions aimed at restoring a tattered reputation.
This is certainly an intriguing exercise, and it does succeed in bringing the reader into the troubled mind of a figure who would otherwise be known only through a few fragmentary historical leftovers. We get a kind of insider's look into early-19th-century dandyism, art criticism and Wordsworthian nature worship. Still, one reads this book wondering why it isn't more gripping, more narratively powerful, more redolent of the spice of human iniquity or at least enlivened by more mordant wit. The explanation would seem to be ''Wainewright's'' very stylistic and historical plausibility and the scholarly care that Mr. Motion has taken undermine the literary and psychodramatic potential of his story.Continue reading the main story
The early chapters, in which Wainewright introduces us to his tragedy and describes the world of writers and artists he inhabited in the London of the first third of the century, have a kind of pre-Victorian vaporousness that makes them slow going. (''But while we are passing from moment to moment, we are tossed in the torrent of a thousand accidents and chances.'') When he gets to the heart of the story -- the strange deaths of his intimate relations -- Wainewright accounts for himself the way he might have had he really written this probably dishonest confession.
But if Wainewright was guilty of those poisonings, he isn't going to let us into his malevolent heart; and if he isn't guilty, his ''confession'' is false and not wittily false enough to give it much more than an antiquarian interest.
The critical episode in Waine wright's story has to do with the death of Helen, the younger sister of his wife, Eliza. Eliza herself -- first Wainewright's nurse, then his wife -- never comes across in this confession as anything other than a stock character described with an earnest sort of 19th-century boilerplate. (''The nurse who had lifted me from the black waters of my unhappiness with so sore a struggle had become the whole object of my wish to please.'') Helen has even less of a profile here, and while this is historically necessary, given the absence of information about her very colorlessness, it undermines Mr. Motion's purpose in inventing Wainewright's confession in the first place.
Helen bought several life insurance policies, making Eliza and Wainewright (or Wainewright's creditors) her beneficiaries. The idea, Wainewright says, was this: ''While Helen was still in health, it had been my proposal that she, and I, and all of us, would escape to the Continent, where eventually we would rescue our fortunes by redeeming our policies.'' Helen's death would be faked, and the insurance money collected. But Helen dies a slow and painful death soon after the policies are bought, a death medically similar to those of Wainewright's uncle and mother-in-law not long before.
In other words, Helen, having witnessed these earlier deaths, nonetheless agreed to give Wainewright a large financial stake in her demise. But Mr. Motion's historical excavation prevents us from delving speculatively into the relationship of Wainewright, Eliza and Helen, even though that would seem to be at the savory crux of the story.
Instead, Wainewright moons with romantic-era heartfulness over her death. (''Our one reality was the fair head of Helen upon the pillow, her skin blanched to a deadly pallor, and her forehead sprinkled with the beads of her distress.'') We are left to ponder whether this mooning is fake or sincere. That is an interesting question, but Mr. Motion's choice of approaches to Wainewright's life doesn't shed much light on it.
Much of the second half of Waine wright's narrative recounts his escape to France, his return to England, his trial for fraud (the murder charges could not be proved) and his dispatch to Australia. Again Mr. Motion provides an entirely plausible account, bolstered with footnotes, and it becomes strangely more absorbing than the earlier episodes. One senses that the Wainewright of these later pages, having less to hide, becomes more open and straightforward. He tells a story, about the killing of an albatross on board the ship that took him to Australia, that strips away his usual veneer of calculation and springs him into genuine passion, real feeling.
Mr. Motion's notes on later opinions of Wainewright from the likes of Edward Bulwer Lytton, an all but forgotten writer, and Oscar Wilde, provide an absorbing epilogue. We never know for sure whether Wainewright was a poisoner, though the circumstantial evidence strongly indicates he was. Certainly he was a colorfully dubious figure, and we learn a great deal about him and his times from this book, which reveals Wainewright and at the same time coats him with a layer of prose thick enough to test the reader's patience.Continue reading the main story


text:
Cranberry-Walnut Cornbread
READY IN: 1hr 10mins
Recipe by ratherbeswimmin
Beth Hensperger
Top Review by pepjam1_12596340
I had to substitute raw sugar for brown sugar. The taste was very good and texture was moist and somewhat course just the way I like it. The next time I make it I will put in more cranberries. Ive been making a recipe similar to this but it was thick and harder to make and took longer to bake. This one is so fast and easy I can make it more often .
Ingredients Nutrition
- 1 cup fine-grind yellow cornmeal, preferably stone ground
- 1 cup unbleached all-purpose flour
- 3⁄4 cup packed light brown sugar (or granulated maple sugar)
- 1⁄2 teaspoon salt
- 1⁄2 teaspoon baking soda
- 1 orange, zest of
- 1 cup fresh cranberries, coarsely chopped
- 1 cup walnuts, chopped
- 2 large eggs
- 1 cup buttermilk
- 6 tablespoons unsalted butter, melted
Directions See How It's Made
- Preheat oven to 425°; grease a 9 x 5 inch loaf pan or spray it with cooking spray.
- Combine cornmeal, flour, brown sugar, salt, baking soda, and orange zest in a bowl.
- Add in the cranberries and walnuts; stir to combine.
- In a small bowl, mix the eggs and buttermilk with a whisk; add to the dry ingredients and pour the melted butter on top.
- Stir just until all ingredients are moistened and thoroughly blended; don't overmix.
- Pour batter into prepared pan; bake in the center of the oven for 35-40 minutes, until cornbread is golden around the edges and a cake tester inserted into the center comes out clean; let stand for 15 minutes before cutting into thick slices to serve.


text: Journalist is the topic of this category. Ira Flatow Pages in category "Journalist" This category contains only the following page. I Ira Flatow Retrieved from "http://bigbangtheory.wikia.com/wiki/Category:Journalist?oldid=140794" Ad blocker interference detected! Wikia is a free-to-use site that makes money from advertising. We have a modified experience for viewers using ad blockers Wikia is not accessible if you've made further modifications. Remove the custom ad blocker rule(s) and the page will load as expected. Categories: The Big Bang Theory


text:
Hilton Head SC Roof Repair Company
Hilton Head SC Roof Repair Company is here to help!
Is your roof leaking? You'll need help from a top Hilton Head SC Roof Repair Company like Tech Roof Pros! We provide a full range of roofing services to residential and commercial clients.
Identifying a roof leak before it causes major water damage is key. This is where regular inspections can come in handy. It's wise to inspect your roof at least once per season and also following major wild weather events too.
You can inspect your roof by climbing on top of your home with a ladder or from the safety of the ground, using a pair of binoculars to get an up-close look. Make note of any missing or damaged roofing materials.
Careful up there! Call us a Hilton Head SC Roof Repair Company to help make it easier.
During or immediately after a significant rain storm, make your way to the attic and look for dampness and moisture on the underside of the roof. Also look for a musty odor, wet insulation, water damage on walls, plaster and beyond.
If your roof is leaking, you need help from a leading Hilton Head, SC roof repair company.
Tech Roof Pros is fully licensed and insured. We also hold a GAF certification, which is held by less than 3% of all roofing repair companies nationwide.
Let's do this! A Hilton Head SC Roof Repair Company that wants to earn your business.
It's time to get your roof into tip top shape! Trust the local roofing company that stands behind each and every project with confidence, providing a guarantee on all of our workmanship. There's a reason why Tech Roof Pros is regarded as the best Hilton Head, SC roof repair company!
To schedule a free inspection, call
or find us online at https://Techroofpros.com We are one of the best Hilton Head SC Roof Repair Company choices you can make!


text:
- http://d2ob0iztsaxy5v.cloudfront.net/product/196727/1967273250_zm.jpg
big brands, small sizes
Check, Reserve or Buy store stock
- UPPER: Suede
- LINING: Man-made
- OUTSOLE: Rubber
- Get it Free & Fast
- UK Standard Delivery
Delivery between:
Tue 22 Aug - Wed 23 Aug FREE!
- schuh Click & Collect
Collect from as little as 1 hourCheck stock in your local store above FREE!
- UK Standard Delivery
- Get it Faster
- UK Next Day Delivery
Delivery on: Mon 21 Aug £4.99
Get your shoes the next working day!
- Choose your day delivery
Choose your day - Incl. Weekends
* choose a day to suit you - 7 days a weekfrom £4.99
- UK Sunday Delivery
Delivered on: Sun 27 Aug*
* if ordered before Saturday 9pm £4.99
- Shutl (from 90 minutes)
Delivery within minutes or choose a time that suitsVaries
- UK Next Day Delivery
- Local Convenient Pickup
- Collect+
Delivery between: Tue 22 Aug - Wed 23 Aug
Collect your order from a convenience store local to youFREE!
- UPS Access Point
Delivery between: Tue 22 Aug - Wed 23 Aug
Collect your order from a variety of convenient local shops and locations FREE!
- Collect+
- International
- International
Delivered by: Tue 29 AugVaries
- International
- anonymous15/08/2017
Nice shoe Nice color. Sole is a bit thick tho.
- Dr fraser Macmillan23/07/2017
2nd pair of these - first pair lasted for years - a modern classicSize Rated As:
- anonymous04/05/2017
Nice comfortable shoesSize Rated As:
- Ellen Sweeney03/05/2017
Lovely tidy shoes only downfall is they're a bit too hard around the heelsSize Rated As:
- Lorraine Robertson11/01/2017
Very comfortable and stylish. Already have them other colours.Size Rated As:


text:
Nefarious00 Model
Brian McMurtryPhotographer Male Tulsa, Oklahoma, US
My Website: Focus B StudioMy MM URL: http://www.modelmayhem.com/BMACPhotography
Mayhem # 1431211
About MeI am a Photographer in the Tulsa area. My business focuses on commercial photography. This includes working with models. Whether I am helping you build/update a portfolio, or recruiting you for a marketing shoot for a 3rd party, I am always on the look out for solid talent to work with! I look to my friends list first for casting calls. Friend me today so we can start networking!
Don't settle for selfies, fuzzy shots of you in an unkempt room, or a party pic from last years Halloween party to add volume to your portfolio. Look professional! Have great head shots! Show your versatility! Market yourself to win that next casting call! I offer very affordable rates to help you with your book! What ever your niche! Lets get you in the studio! My rates are very affordable depending on your needs and budget! I also offer awesome discounts for referrals! Make Up Artists and Stylists can be added to the shoot to help you look like a rock star! Contact me for scheduling!
Have you worked with Brian McMurtry? Add Credits for Brian McMurtry! >>
Credit Notes#2993665
Nefarious00 Model
HoneyBadge... Model
Jamiemiche... Model
Goddess_Ja... Model
Bianca Caito Model
ShelbyLike... Model
Loading Content


text:
Chi Rho Reflection for the Week of March 14, 2010
Expand Messages
- Chi Rho Reflection for the Week of March 14, 2010
As one of the on-going ministries of Chi Rho Press,
here is a selection from our book of daily devotions,
"Living as the Beloved: One Day at a Time," by the
Rev. Dr. Sandra Bochonok.
Please read the Scripture passage and Dr. Bochonok's
meditation. We hope you will be blessed.
Thank you for forwarding this to your friends.
How to bless
"Then Jesus led them out as far as Bethany, and,
lifting up his hands, he blessed them."
Luke 24:50
Blessing is a widespread Biblical practice not
limited to the Old Testament. Jesus fully
understood the power of blessing and in this
passage blesses his people as he leaves them.
He equips them with divine power and confidence
for a great life work through his blessing.
The simplest formula for performing a blessing
is "blessed are you!" It often comes with simple
actions with symbolic significance. The one
blessing raises the right hand (Genesis 48:13ff),
or raises both arms and hands (Exodus 17:11).
People kiss or embrace as a blessing without
embarrassment (Genesis 48:10) or sexual intent
or seduction. Often the one who is to give the
blessing eats a special meal before bestowing
it (Genesis 27:4). The patriarchs in Genesis
chapters 12 through 36 demonstrate performing
blessings in a variety of ways.
For Christians, often blessing is spoken with
the right hand raised, making the sign of the
cross. It is the pronouncement of God's gracious
favor and given on the authority of scripture to
faithful believers. Christians are assured of
God's grace, love, and spirit in us.
We do not have to be Jesus to bless people we
love. We can bless with simple, symbolic body
movements such as raising our arms and careful
touch. Meaningful touch can be healing when
done well. Be careful with this however! In
today's world, many have been assaulted or
sexually molested. While touch was essential
in Old Testament blessing, use caution and
discretion in our twenty-first century world.
When touch is acceptable and appropriate, it
can convey warmth, personal acceptance, and
even physical health. In the Bible, people
kissed and hugged gently, and lovingly laid
on hands while performing a blessing.
God, give me a blessing today and help me pass
the blessing on to others.
Grace and peace,
Chi Rho Press
Please visit the Chi Rho Press Web site. You can
order using our convenient secure shopping cart and
pay on line using your credit card! http://www.ChiRhoPress.com
"Living as the Beloved" is available for $20.95 each,
plus shipping and handling. Six or more copies are
$15.75 each, plus shipping and handling. You can find
this book on our Web site at
To unsubscribe, mailto:firstname.lastname@example.com
Your message has been successfully submitted and would be delivered to recipients shortly.


text:
Economy / Economics / Growth
Is devastating growth baked in to the global economy?
Skip to content
Monthly Archives:
August 2011
First Federal Reserve Audit Reveals Trillions in Secret Bailouts
NYT: Does America Need Manufacturing?
Robust Profits Face Hurdles – The Wall Street Journal.
NYTimes: Does America Need Manufacturing?
NYTimes: The Rescue That Missed Main Street
As Administration Scrambles to Help Homeowners, Billions Left Unspent
Enviro and Conservative Anti-Climate Groups Team up on Plan to Cut Subsidies to Reduce Budget
Post navigation
Older posts
Economy / Economics / Growth
Create a free website or blog at WordPress.com.
Post to


text:
My dolling hair lasted me through plenty of vacations and still looked banging! My mothers dolling wig is still in great shape after 2 years! Bottom line is the hair just doesn't look good it's extraordinary quality!
All Categories
Natural Wave
Deep Wave
Kinky Curly
U-Part Unit
Clip-Ins- 6 Piece Set- All Textures
Lace Closure
Search in subcategories
Sign Up For Weekly Tips!
Email Address*


text:
There are total 15 letters in Radioprotective, Starting with R and ending with E.
Total 1443 words created by multiple letters combination of Radioprotective in English Dictionary.
Radioprotective is a scrabble word? Yes (23 Points)
Radioprotective has worth 23 Scrabble points. Each letter point as below.
Words that starting with Radioprotective
Words that containing Radioprotective
Words that ending with Radioprotective