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The best of Second Life clothing, hair, skins, accessories, and more
Ambyance2 Anubis & Lost Thereian
Rock & Roll Fashion Fresh Face
SilentSparrow Punk Accessories Plus: - Designer's Tips - Content Confessional - Male Call
Issue #4
The best of Second Life clothing, hair, skins, accessories, and more
Denim Casuals Men's Corner
Interview with Blaze Columbia Stomper
Boots Style Guy:
Athel Richlieu Inventory Raid
Canimal Zephyr
"Relay For Life" Styles
The best of Second Life clothing, hair, skins, accessories, and more
|| From the Editor Stop Thief!
Issue #4 Founder & Design Director Josie Hamilton Managing Editor Celebrity Trollop Director of Operations & Advertising Senior Designer HeatherDawn Cohen Associate Editor Director of Promotions Choice Sliter Associate Editor Stylist Roslin Petion Senior Staff Writers Ilianexsi Sojourner Zealot Benmurgui Contributors Barnesworth Anubis Starley Thereian On the Cover Model: Canimal Zephyr Photographer: Launa Fauna Pur Hair by kin keiko Innocence - Carnival skin by canimal Asian body grafitti tattos by canimal mesh top by canimal rock Tee by artilleri Wrist Watch by asrtilleri Bangles by Cotton Perse Tartan Tartan Red Skirt by Barerose Nose Chain by Amy Stirling OI! Beckenbauer Boots Guitar by Francis Chung
This summer has seen a lot of great fashions—new designers, new lines, new garments—come into the world, but it seems to also attracted a new and unrelenting criminal element—texture theives who pirate the work of well known content creators and resell it as if it were their own. I think the first high profile incident I'm aware of was the theft of several Panache hair textures, as documented by Sabrina Doolittle on her Linden Lifestyles blog. Since that time, many more well known designers have had textures, garments, even prim work stolen, ripped or copied illegitimately. Disturbing as it seems, I'm not entirely certain there's a good technological solution for texture theft, but there are things that we can do as customers of content developers who deserve our whole hearted support. Here at Second Style, we strongly oppose texture theft and support efforts to end it, socially in world and technologically to the extent possible. We ask that our readers lend their support by not buying stolen textured items either from yard sales, from scam artists who claim to have "discounted" original items, or from unscrupulous store owners who try to pass off the work of others as their own. In the end, texture theft robs not just the talented designer that created the original item, but all of us by sending a strong signal to content creators that we don't value their creations economically or morally. Celebrity Trolop CONTACT US: http://www.secondstyle.com (PDF version) Story ideas: firstname.lastname@example.com Comments: email@example.com Ad Sales: email@example.com
|| Scope Cleaver: Designer and Architect By: Barnesworth Anubis Despite being relatively new to the building scene, Scope Cleaver has already made a name for himself in the world of custom architecture. He was recently featured by Chip Poutine on Virtual Suburbia ( http://virtualsuburbia. blogspot.com) focusing on his first large project for the Canadian phone company Telus. Scope offers custom building, texturing, furnishing, consulting and project management for SecondLife, interested parties can contact him in world (Scope Cleaver) or e-mail ( scope. firstname.lastname@example.com).
So what is so good about this guy? Ingrid Ingersoll sent me some pictures of his store and prefab that gauged my interest to take a closer look. His builds are very futuristic with a retromodern undertone that is always a sure fire way to win me over. Built in hardware light-
ing is used to compliment the Okim House, his first and only prefab (so far). It is a one room minimalist dwelling that manages to be cozy despite its stark nature. Scope has an excellent understanding of how to create spaces without actually creating traditional rooms. The Okim house features a cozy rounded nook with a vaulted ceiling that creates a surprisingly intimate area for a bedroom. The house contains many horizontal and vertical lines that draw the eye across the bed chamber to the extremely open room made of windows which is the main area of the house. The roof extends out around the house creating another area, this one outdoor. Although too stark for my personal taste, it is an excellently designed home and not bad on price or prims. The Okim house and his other builds have a great balance of prim and texture work. The textures are more complimentary to the prim work and simple in nature, but really give it a refined, elegant, and finished look. Often 'blank' or simply textured builds look unfinished, but this is not the case with Scope's work.
What I love about new players is they always offer fresh approaches to building in SecondLife. I know I don't speak for just myself when I say I am very rooted in my ways. One of my favorite things I saw of his was his cut torus spiral stairs. They are functional and beautiful, at first I mistook them as purely decorative until I realized their purpose. Also he seems obsessed with using the inside cut edge of prims, again giving his builds great lines and a sense of movement that ties them together.
Scope also has a few pieces of furniture in his store, and upon meeting him I was shown much more in his personal residence. Again he uses clean lines, simple shapes, and careful texturing to create sleek stylish furniture that has a lot of personality unlike anything I have ever seen in SecondLife. I particularly love the soft blue couch showcased in his Okim home. The again, like the steps it also looks sculptural but also has a very practical function. It is a very fun spin on a traditional couch and far from boring. You can find Scope's Okim House creations at his store at 'Scope Cleaver Designer and Architect,' Wetheral (71, 191, 24) Barnesworth Anubis is a creator and designer. He also write the Content Confessional blog. http://www.contentconfessional.com
|| Photoshop Tip:
Creating Fabric Folds & Wrinkles in Photoshop By Starley Therian
As a Second Life designer, I get asked a lot of questions by up-and-coming creators. One of the most common questions I hear is "how do you make fabric wrinkles?". Adding this kind of detail your creation really does give it that little bit of extra something to make it look that much more finished. There are many different methods for creating this effect, but I'm going to go through the one that I use the most often. This method will allow you to add hand drawn shading as well as folds and wrinkles on top of your garment in Photoshop. Painting these details on top of your other layers allows much more room for mistakes and doesn't really require any preternatural talent to achieve a nice effect. This technique can also be duplicated in GIMP, and though I have no firsthand experience in Paint Shop Pro, I am sure it can be done in that program as well.
Begin by opening your clothing template. For this example, I will be using Chip Midnight's upper body template which is much easier and nicer to work with than the standard templates. You can download them from the design forums if you do not have them already. I have resized mine to 512x512 and discarded a few layers that I won't be needing. The first layer I've created will be the bottom layer of my garment and I'm going to fill it with a solid color. I've chosen a medium blue shade, but you can use almost any color you want. WARNING: this technique will not work on pure white, black, RGB red, blue or yellow. If you want to make a black or white garment, choose a close shade of gray. Next, create a new layer above your color layer. Fill it with 50% gray and set the blending mode to "Overlay". This will give the gray layer a nearly transparent appearance. It will affect the color of your bottom layer slightly, so you may want to adjust that layer a bit if this bothers you. We will be doing our shading and wrinkles on this gray layer. I like to turn on the "Edge Matching Guide" from Chip's template at this point so I can see the edges of the template, and know where to paint. > Continued on page 12
|| Photoshop Tip > Continued from page 10
Now I will return to my gray layer and begin to create wrinkles. I'll be using the dodge and burn tools to create highlights and shadows. It sometimes helps to look at a photograph of clothing similar to the fabric effect you are trying to create for your garment. I'll just be winging it
for this tutorial.I like to use burn with range set to midtones and 100% strength and a fairly small brush size, which you can alter if you paint on a 1024px canvas or prefer larger folds. It's okay to make this very dark, as the opacity of the layer can be adjusted when you're finished. If you are scared to try and hand paint anything, Photoshop has some handy tricks to help you along. We'll begin by using the Burn tool
to create some horizontal lines across the abdomen of our top. Holding down the shift key while you paint your strokes will give you a perfectly straight line (which is just fine for this technique).
We'll follow up by adding some highlights with the Dodge tool next to our shadows. As you can see, this still looks like some pretty harsh and messy lines on your top. There are
several ways to soften them. I like to use the smudge tool (with strength around 30% and the brush size set a bit larger than the one you used to create your shadows and highlights) and just sweep it across my wrinkles. Depending on how you sweep the smudge tool, you can also alter the direction of your wrinkles.
In this case, I pulled the edges outwards and upwards toward the seams of the front of the garment.
Now it's looking like fabric folds! It takes a little practice with the tools to get comfortable using them, but as you can see, it is actually very easy to do! The best thing about this method is that in the end you will have a finished layer that you can incorporate into any new garments you are creating! You can finish out any additional shading, add any textures or embellishments and a custom alpha channel. And Voila! You're ready to upload a nice wrinkled shirt. Who needs an iron anyway? Starley Therian is the owner and designer for Celestial Studios
The Barca series. Inspired by Ludwig Mies van der Rohe Barcelona series, ca. 1929. Chair, ottoman, daybed and table.
MAXIMUM MINIMUM - Modern classics High quality designer furniture for the ultimate in virtual lifestyle. Location: Nauru 200, 130.
Unleash your inner wild child with all of these primal rock styles. Bold, brash and oh so assertive you will be the rock star standout in any crowd with these great looks. By Celebrity Trollop Photography by Lana Miranda Location: Midnight City 112, 239, 28 Model: Pushbutton Skolnick Skin: Elizabeth in tan by Antonia Marat, /artilleri/ Hair: Fancy Feast Black Frost by Sian Chaika, Playful Kitten Glasses: Retro by Antonia Marat, /artilleri/ Shirt: Devil Doll by Black Jezebel, Needful Things (Zephyr Heights Greco Road Flea Market) Skirt: Plaid Punk by Aeribella Aubret, Red Ruin Street Wear Stockings: Black and white stripes by Kaysha Sion, WRONG Left Cuffs: Treadz Watch Cuff by Zabitan Assia, FORM Right Cuffs: PVC Bracer by Ameshin Yossari, Curious Kitties Leg Tatoo: Man's Ruin by Canimal Zephyr, Canimal Top Tatoo: Poison by Canimal Zephyr, Canimal Boots: Flower biker boots by Fallingwater Cellardoor, Shiny Things
|| Rock 'n' Roll 14
|| Rock 'n' Roll Location: Imogen 140, 42, 25 Model: Pushbutton Skolnick Hair: Playful Kitten, Cataclysmic Kitten, Blue burnt Pants: Belted Patched Faded Black Denim Capris by Little Rebel, Jonquille Noir Leg Tatoo: Man's Ruin by Canimal Zephyr, Canimal Top Tatoo: Poison by Canimal Zephyr, Canimal Shoes: Allsta! by Pique Flan, 2g
|| Rock 'n' Roll Location: Imogen 140, 42, 25 Model: Pushbutton Skolnick Hair: Playful Kitten, Cataclysmic Kitten, Blue burnt Shirt: Yahoo! by Zabitan Assia, FORM Skirt: White belted mini by Kaysha Sion, WRONG Stockings: Ripped fishnets, freebie Top Tattoo: Stars by Tuli Asturias, Lollypop Bottom Tattoo: Henna by Tuli Asturias, Lollypop Boots: Enigma by Fatal Raine, Legend 18
|| Rock 'n' Roll Location: Imogen 140, 42, 25 Model: Pushbutton Skolnick Hair: Bonita in black-green by Elikapeka Tiramisu, ETD Jacket: Canimal Aviator by Canimal Zephyr, Canimal Shirt: Mesh by Kaysha Sion, WRONG Pants: Alligator Leather by caLLie cLine, FUNK Boots: Oi! 16-eye white laces by Feri Beckenbauer, BECKENBAUER PRODUCTIONS
|| Rock 'n' Roll Model: Pushbutton Skolnick Shirt: Knotted Halter Shirt by Scarlett Butler, Laundry Pants: Omen in blue by Ameshin Yossari, Curious Kitties Shoes: Maximos 300L Kangaroos Tattoos: Asian Theme by Canimal Zephyr, Canimal
|| Rock 'n' Roll Model: Ty Ni Hair: Eli in black pink by Helyanwe Vindaloo, Curious Kitties Shirt: Panda Death Tee by Novi Gadsby, Novix Pants: Omen in pink by Ameshin Yossari, Curious Kitties Piercings by Deekay Xavier, DEEKS in Unlimited Choker by Cailyn Miller, Cailyn's Sandals: Xiang Sandals in pink by Ingrid Ingersoll, Tableau 25
Needless to say, if I told a woman "So if you really want to, you can buy men's clothing." as a reason why I won't serve their needs, I would be burned in effigy faster then you can say "Ann Coulter to speak at Berkeley". Clearly we masculine types are not communicating our needs and desires concisely.
By Zealot Benmergui Welcome to the second installment of MaleCall!, my monthly column here in SecondStyle in which I discuss the power and the glory of manly SL Men at the height of their manliness. Last month I talked a bit about the ingrained discrimination that the style conscious male avatar faces in Second Life and promised you all tips on how to battle this awful sexist plague. As promised, here are three home-truths, wrapped around simple ways that men can take control of their own sartorial destiny...at least to the point that our voices get heard. The main difference between male and female avatars, physical size and proportion, can play merry hell with designers. Male avatars are simply hard to design for, especially for new designers...and let's face it; due to the high turnover rate the vast majority of designers at any one time are "new". Add to this the fact that the clothing mesh template is best for female clothing as it is almost impossible to make clothing that isn't skin tight. While this spandexeffect looks great on female avatars, it makes male avatars look like Siegfried and Roy on a bad body-hair day. A designer can only compensate for this mesh discrimination by using excellent texturing and shadowing technique. Frankly, there simply aren't that many designers with the skills to make top quality men's wear. Many designers see no reason to even make the attempt anymore. Antonia Marat of Artilleri told me the following: "The great thing about SL is that one size fits all! ;D So if you really want to, you can buy dresses. I wont stop ya. I might even come look. ;P" 26
NOTE: A month or so after making these comments, Ms. Marat released a truly funfilled series of tee shirts for men. WAY TO GO, SISTAH! What we can do about it: Be helpful. Give feedback, make suggestions. Almost all designers appreciate getting comments from their customers, as long as said comment doesn't begin with "U sUck!!" or "a/s/l?" As long as you can be polite don't be afraid to IM a designer to encourage them or to ask them to make more menswear. It is easier to make something when you know you have a market for it. 2) Women are from Venus, Men are from an empty coffee can, wired for cable and buried under a chicken coop. Sadly, the old saw that men would wear a single outfit at all times if their women would let them get away with it is true it seems. Most women in SL will change their outfit (sometimes including their skin and shape) several times a day depending on what they are doing and who they are with. Many male avatars will simply choose a t-shirt and pair of jeans they like and stick with them. Similarly, more men tend to wear AVs which don't require clothing, such as werewolves and popsicles and dinosaurs and walking phalli and what have you. On the topic of men's shopping habits, Antonia Marat had this to say, "I've tried making more guy stuff lately, pressured by some of my male friends. But they always end up wearing the same outfit anyway, so why do I bother?" Hard to argue with that logic. If we accept the Linden Labs tagline of "Your World, Your Imagination", then it seems that in their imaginary worlds men don't do much beyond ogle virtual women, gamble at poor excuses for fixed slot machines and wear the same clothing day in and day out…when they aren't in a dragon suit or pretending to be a vampire or a medieval slave master with an improbably sized penis.
Women, on the other hand, seem more likely to use their imagination to run virtual business' or design clothing and objects…which relates back to the way the different genders view Second Life. Men are here to screw around, so a t-shirt and jeans will do fine. Women are here to gain ground, and so dress for success. Therefore, there is a vibrant market for women's wear of all sorts...and for knock off rock tour tshirts for the guys.
up. Why? No one seems willing to tell them.
Many designers simply have no motivation to make menswear as they don't think there is a desire for it, but some menswear is being created due to a sort of momentum. In talking about her recent Z Boots for men, Faillingwater Cellardoor of Shiny Things said "I don't know or particularly care about men's clothes. I'd just made biker boots for women though and it was obvious to me and others that they'd be a good thing to convert for men. It's turned out to be a surprisingly fun and novel project."
Somewhere along the line there has been a disconnect between the design community and the male market…and that is a big part of what is limiting the amount of menswear that is reaching the market.
There is hope if we can proselytize to designers about the challenges and satisfaction that can be found in taking the road less traveled. We need to encourage them with our own enthusiasm. What we can do about it: Be more adventurous. Spend a few Linden and try new looks. Show there is a profit to be made, however slim, from offering men more choices and variety. We have to make clear that if they build it, we WILL wear it. Men need to accept the culture and style of the Metasociety the way we would that of a new town or a new company. We need to embrace what is and make clear there is something to be gained by including us. In short…WE MUST SHOP! 3) My wife/girlfriend/lover/mistress/one-night stand/escort/prostitute doesn't understand me. Time and again, I am told by otherwise experienced, massively talented designers that they just don't UNDERSTAND the men's market. They don't know what men want to wear, what men are willing to buy. Women's wear seems so much saner and reasonable to them. They put massive amounts of time and effort into a male outfit or two and men keep ignoring them and dressing out of their freebie box…so they give
Designers don't make any bones about their confusion. For example, Antonia Marat told me "What do I know about what guys wanna wear? ;P I'm clueless." I asked Fallingwater Cellardoor directly what the hardest thing about menswear was for her. Without hesitation she answered "Understanding what appeals to men."
What we can do about it: Again, we need to be vocal. TELL designers what you want to buy. If your girlfriend loves a designer who only makes clothes for women, IM them, tell them your GF is a big fan and can they PLEASE make menswear. Be specific. Tell them you would love to see plaid suits, or jodhpurs, or a male version of one of their designs…whatever, just so long as it gives them some guidance. If designers don't understand what men want… then we have to tell them. We WILL find a way to end this gender discrimination…but we all must work together to find a better path forward. That's all for this time around, my friends. I will see you again next issue with a new installment of MaleCall! Until then, I am Zealot Benmergui, your man with a megaphone, making the Metaverse safe for malekind, one outfit at a time. This months MaleCall! was made possible by the color black, Gene Simmons of KISS, Within Temptation, grilled sea bass with garlic and eggplant and The Batman, TAS.
Zealot Benmurgui writes Male Call for Second Style and Pixel Pinup Online.
The Second Style Interview 30
|| Ambyance2 Anubis & Lost Thereian
By Celebrity Trollop Celebrity Trollop: The ads for Naughty products are quite amazing. Very real world, if you know what I mean: not cartoony. Ambyance2 Anubis: Well, Lost and I are really into the "real" thing. Kind of odd, I suppose. It's just really a challenge to see if you can make things look real here. We know that for many [residents]the appeal is straight up fantasy. It's nice that you can have the best of both worlds here, or try. CT: How did Naughty Designs start? AA: Well I started Naughty when I first came to SL. It started out as Naughty Jazzze. Wuvme Karuna actually suggested the name. There were three of us for a time: myself and Zaige Lumiere first, then Lost. Zaige kinda broke away. Then it was Lost and I and has been for the last year and half. I decided "jazze" didn't fit so we changed it to Naughty Designs. CT: When you first came to SL, did you start working on a skin right away? Was that before people commonly wore photorealistic skins? AA: I worked on a skin the first day I was here—it really was awful. There is a model on 3dsk named monica, I mapped her hair and everything. She [the skin] was so very orange! I wish I still had it—it truly was awful. CT: Hehe. AA: Then I decided painted skins mixed with photoreal was the best for SL. So I made a male skin for sale. Then I did the Jazze line for females, which was very painty with real accents. CT: Do you still have that one? :D AA: Yes, unfortunately, I do! :) I was very proud of her at the time. Lost would say, "Amby your Photograph by Nicholas Shaftoe
eyes are soooooooo big!" I refused to believe him for the longest time. Thank god for Lost! I'd still look like an anime alien if it weren't for him. Anyway, that was the first female skin [that I made] October, 18 2004. CT: Tell me more about how you go about making your skins. How long does it take? How long did you work on Haley? AA: It's such a long process to start one from scratch—Haley was probably 45 days—which is much faster than the ones previous to her. CT: Wow. Any idea how many hours that represented? AA: I have this mentality: don't stop until you're finished. I know it was a good 12 hours a day, 7 days a week. CT: That's a LOT of hours! AA: It's really ridiculous to work that way, but she [Haley] evolved constantly. CT: What's the process like? Is Haley a fusion of hand-drawn and photosourced features? AA: Haley is mostly photo-based, but the shading for the muscle tone was painted in. I do use a fill paint for the base but I cover it with photos. I think finding the right images is the hardest part. I buy tons of nude photos. The tiring part is searching through them. CT: Hehe. There are some men who'd kill for that job. What was the spark for Haley? AA: Well I've always created skins for SL, and even prior to SL I did a few skins for my Poser renders. I really enjoy creating new skins from the ground up. Unfortunately, now it's almost not worth it, given that it's so easy for people Continued on page 32 >
|| Ambyance2 & Lost > Continued from page 31
to take your work here. But, if you sell on Renderosity [an online art community], it's the same thing and probably easier for people to steal the textures that artists make for Poser characters. CT: Have you continued to work in the Poser art community? Are you designing for SL full time? AA: Sadly, I haven't done a Poser render since the first week I began SL. So it's been about 2 years. CT: Wow! Do you just enjoy SL more or did you lose interest? AA: Poser was a major passion for me for a long time. But the thing is, Poser is just Poserrendered images. When you finish, you only really have a picture. In SL, you can interact with your creations and I find that much more rewarding, even though we don't have alot of the rendering benefits Poser has here. Poser
lighting can really bring a texture to life. That's why the characters look so great in the images. In SL, it's a little harder to get the same effect out of the tools. Photoshop, if used correctly, can mimic many Poser effects, so that's a major plus. CT: How did you end up meeting Lost? AA: I met him through Zaige. They were friends. I'll be forever thankful to Zaige for that. I doubt I'd still be in SL if it wasn't for Lost. He is such an inspiration—the most creative person I've ever met in my life. CT: What was his main interest when he joined Naughty? I mean—was it skins, clothes, hair? AA: Lost was the hair king. He made a few clothes here and there, but hair was his thing. He made the best hair in SL then. Whatever Lost does, he is good at. It's really wonderful that he has broadened his creative interests. He is amazing—he can look at somthing and make it one, two, three. He is a wonderful artist in real life, too—and also plays the piano! I should shut up now so he doesn't kill me. [ed. Lost Thereian joined us part way through Amby's last statement.] CT: So Lost, Amby says you play piano! Just a hobby or something you pursue pretty seriously? Lost Therian: Haha. Yes. [It's] just a hobby. CT: I saw the grand piano in the lobby of the new build [ed. On Naughty Island—an amazing new sim that Lost and Amby have been building.] It piqued my curiousity. LT: Yes, that's my RL piano. I took photographs [of it] and mapped them onto textures. It just needs sounds, now! CT: Amazing. When did you decide to make a line of shapes? [ed. The shapes are not yet for sale, because Amby and Lost are on the new sim.] AA: When people drove us insane for ours. Of course the shapes we made are nothing like ours. I dunno. It's weird [that] people want your shape—it's like selling your soul. I mean our
shapes are our identity. But I can understand they want to look just like what they see in ads, and shapes do play a giant part in how a skin will look on you. CT: Interesting. Most people spend a lot of time on their shape…especially since it's one of the few things that you get "out of the box" free that actually has a huge impact on how your avatar looks. AA: Well, it's hard at first, though.
CT: I dunno. I'm sort of ashamed of those pics from the first month when I had ridiculously large boobs and a horrible facial composition. AA: Well, I was an alien, so don't feel bad—my eyes covered half my face. LT: I was full goth! You were still so cute, though. AA: Shush, I've always been cuter than you, gothie boy!
AA: Lost and I have changed so much through the years.
CT: Last time we talked, you told me about how you and Lost strive for realism in your designs. Do you take your inspiration from real world trends, or does it come from other sources?
CT: Yeah. My shapes evolved a lot, too. :D
AA: I think real world trends play a major part.
AA: People just dont understand it takes time. Actually, it's part of the fun looking back on how you have changed.
LT: Well, that's my [RL] guitar and CD player [sitting inside the coffee shop on the new sim].
CT: True.
LT: Yes. AA: We look at old pics all of the time and laugh at ourselves.
AA: We do scan a lot of our own things—or take pictures of our own RL stuff and use them here. Continued on page 68 >
Le Petit Confort series. Inspired by Charles-Edouard Jeanneret (better known as Le Corbusier) LC2 chair, LC2 Love Seat, LC2 Sofa and LC10 table.
MAXIMUM MINIMUM - Modern classics. High quality designer furniture for the ultimate in virtual lifestyle. Location: Nauru 200, 130.
|| Zealot's Men's Corner Blaze Columbia Interview By Zealot Benmergui
One of the most identifiable brands in all of Second Life Menswear—indeed, all of SL fashion—is Blaze. The man behind that familiar, red flame is none other than the multi-talented Blaze Columbia. Recently, SecondStyle convinced the forever on-the-go Mr. Columbia to settle down long enough to answer a few questions for our Menswear Editor, Zealot Benmergui. Zealot Benmergui: Blaze, what first brought you to SL? Blaze Columbia: I saw a feature on Apple's web site about Second Life and about how people like Helmit Quirk, founder of Tringo, were earning an income from it. I've always loved computer games, so the thought of earning even a small bit from my `addiction' certainly intrigued me. Of course, when I first came to SL, I was a bit overwhelmed with that prospect; but, in essence, running a [business] in SL has a lot of the same principles as running a [business] in real life. Marketing and promotion is just as important as a quality product. ZB: What led you to choose clothing design? BC: I originally wanted to script, but I have very little programming knowledge. Clothing was second nature to me because I've had years of Photoshop experience and exposure to fashion. My real life vocation involves making people look good, so clothing design was simply a translation of that to Second Life.
ZB: What was your first design for men? BC: I think we all start with something we wish we had in Second Life. Mine's a pair of basic, black, leather pants—and it's still on sale in my main store! You just can't go wrong with a nice pair of black leathers. ZB: What artistic techniques or tools do you use? BC: I've been using Photoshop for about ten years now in a professional setting, so it's my main tool. I first learned much of my drawing and computer skills back when the mouse was really my only option. Since then, I've owned several of the graphics tablets, but I've never gotten used to them. Some people say using a mouse is like drawing with a potato. Well, I LIKE my potato! But I don't draw everything. About half of my designs are a hybrid mix of hand-drawn basics with photo-sourced details blended in. I like to incorporate photo bits from fashions I've shot because they add very real, believable, and unique features. Getting photo details blended in correctly takes a lot of time and retouching in order for it to look like its part of the clothing, and not just a photo. ZB: Where do you find inspiration for your designs? BC: Most of my formal and semi-formal lines are based on fashions I've actually photographed in real life. It's funny, though…now that I'm designing in Second Life, I pay a lot more attention Continued on page 38 >
> Continued from page 35
to what other people in real life are wearing everyday. If something catches my eye, I consider porting it to SL. I've always wanted to stop cool-clothed people in the grocery store and ask them to stand in an `appearance mode' stance so I can take a picture!! (But I never have.) Plus, a lot of my designs are, simply, totally dreamed up. There are a lot of things we can't do with the SL clothing mesh, but there are a lot of things we CAN do that you can't do in the real world. So I'm always tossing around ideas of how to make different things work and wondering what they'd look like. ZB: What other designers, both RL or SL, have had the greatest influence on you? BC: I'm really not a fashion guru, as many would expect, Icouldn't name more than a half dozen real life designers to save my life. I simply design things that I like. I've always had a good eye for graphics, which I know really helps when I put things together. In SL, I'm influenced mostly by the designers who do quality work. I make an effort to notice, view and experience the quality works of others—whether it be a wellmade outfit, stunning build, or incredible script work. When I see people in SL pushing the line in quality, it keeps me striving to do better with my own items. You can never stop improving. ZB: What is your favorite thing you have created in SL? BC: Probably my favorite thing that I've created is my store with reflecting pool. The reflection trick of using a complete second build upside down is just fun and something you don't see every day in SL. It's funny how many IM's I get 38
asking for a copy of the `reflective texture.' I have to sadly explain that the reflection is an illusion, not a texture. It's double prims, but well worth it, in my opinion. ZB: What is your favorite thing someone else has created in SL? BC: I have to say I really loved the Starax Wand and was very sad to hear that Starax is gone. He has an amazing talent. SL will miss him sorely. ZB: What are your plans for your menswear line in the future? BC: Right now, I'm planning on broadening my everyday menswear line. I want the average SL man to be able to walk in my store and find a few quality basics that they'd feel good about wearing. So, I'll be adding more casual (but classy) slacks, shirts and other stuff for men, as well as women. ZB: What do you dream of designing someday? BC: Oh boy, I have so many ideas from clothing to sim builds or more in my head. One of them caters to my fascination with Mount Everest. There's NO way I'd ever even think of trying to climb any of the high altitude mountains in RL. But, wouldn't it be great to be able to somewhat simulate the experience in SL? I think it would be fun and rewarding to design some type of simulation of that sort, but I'm sure that would take a team effort. ZB: What is your greatest memory of SL thus far? BC: Oh…that is a toughie. My greatest memories are those times spent with friends. BC: Green. It's a down to earth color. Is there anything better than the new greens of spring?!
This amazing gown the only one in all of Second Life, was created by Ginny Talamasca of Dazzle Haute Couture. This gown is definitely haute couture in every sense—one of kind, custom fitted. At the Relay for Life auction earlier in the summer, this gown was sold for L$100,100, raising over US$300 for the American Cancer Society.
|| RFL Styles
Model: Willow Zander Location: White Star in Chartreuse Hair: Grand ETD Skin: Tone 20 Twinkle Makeup by Celestial Studio
|| Stomper Boots A Second Style Mini-Guide
By Ilianexsi Sojourner Massive Robot Anime Girl Boots, L$260. Are they boots or armor? Definitely not for the faint of heart, but a must for the serious anime fan! - Curious Kitties, Curious Kitties 194,107,23
Women's Oi! 6 eye Doc Boots, Black Laces, L$175. Simple and versatile; these should be a staple in any punk wardrobe. Wear them with anything! - Beckenbauer Productions, Isle of Bliss 109,140,23 and other locations
Men's Revolver Darklord Boots, L$250. These sleek, futuristic boots will definitely get you noticed; perfect for the man with an inner Darth Vader. - Beckenbauer Productions, Isle of Bliss 109,140,23 and other locations
Buckle Boots, L$199. A perfect halfway point between massive stomping boots and cutting-edge fashion. If you just want a subtle touch of punk, these are for you. - Wrong, Sanddalgi 159,70,301
Stompers for Him, L$215. Like Docs taken over the edge with buckles and spiked studs. Kickass yet fashion conscious. Parallax View, Versu Richelieu 247,105,24
Argent Boots, L$320. So much detail, and a one-of-a-kind style! Punk meets science fiction; how can you resist these? - Phobos Design, Chaos 25,169,43
|| Fresh Faces
silentsparrow from hyasynth Tiramisu Written, modeled, and photographed by Ginny Talamasca
Prefer something a bit on the darker side? Mix one part fantasy, one part elegant gothika, and one part fashion history: and you get hyasynth Tiramisu's wonderful line silentsparrow.
Delphinium (mint): I want to yell "Come on Dover!" in this dress! It's a divine homage to the gorgeous bustled styles so popular in the mid to late 1800's in both the UK and the US. Flexi-prim goodness abounds with more of hyasynth's magical hand-drawn textures. Buttons, ruffles, clasps, and even prim cuffs adorn this whimsical dress.
Mercurious (sage): Delicate handpainted folds wrap the bust in this luxe dress. The dress is accented with corset lacing and a skirt with a subtle, but beautifully-textured print. A satin band sits above the attach points for the 3piece AO-proof prim skirt. Slightly sheer, the "Mercurious" in my favorite tone, 'sage,' brings to mind our favorite fairytale princesses.
Fresh Faces is a monthly spotlight on newer designers within Second Life. We are pleased to select hyasynth Tiramisu of silentsparrow as this month's Fresh Faces featured designer. We asked Ginny Talamasca of Dazzle to choose some outfits from silentsparrow and offer her thoughts and comments about each outfit. —Celebrity
Nymphet (sugary) – Long: This versatile set merges rock candy sweet texture work with a little Miss Kitty. Bows, gloves, and even a carpetbagger brocade accent all versions of this sinfully sweet concoction.
Nymphet (sugary) – Short: I've shown the Nymphet set, here with the optional corset top and shorter skirt. It's unique and adorable. The bows are so cheeky and the shimmer and shine of the fabric just overthe-top.
| | Inventory Raid: Canimal Zephyr By Roslin Petion
Canimal Zephyr's creations are a lot like the woman herself-a fun pastiche of sweet, sexy, and edgey. My interview with her in her funky fresh home proved to be as exciting as her work. Because she lives nine hours ahead of me, it took us awhile to get it together but it was more than worth the wait. Canimal Zephyr: Hi. Roslin Petion: I'm so glad we finally met up. CZ: Me too. RP: I seriously love your outfit, it's exactly the thing that I like to see for an inventory raid. So many different elements to it. Tell me a bit about what kind of mood are you in when you wear this? CZ: Well, I like to have very different looks all the time. I won't wear casual for too long before having to change to something dramatic and the other way around. One of my favorite styles in SL is the drawn sort of Nylon/Toast/ Indie sort of cartoon-cute-as-hell style. There's something a lot more casual about their stuff. RP: Shoes are by elka Lehane, right? CZ: Yep, I adore elka and I adore these shoes. I almost never wear heels. I adore boots, high boots. Stomper boots boots are my favorite shoes. People wear high heels with everything, I wear 44
boots with everything. Oi! is my favorite. If I had to have one pair of shoes to commit to forever, those would be them. RP: Yes….they are amazing. Probably one of my all time favorites. CZ: Yep and also the unusual boots like elka's and Luly's. RP: I can't wait to see what Luly does as time goes by, she and Kin Keiko have shown so much promise. I wish those two created more. CZ: Yeah, but I think it's harder to be original all the time because you just get jaded. RP: Well, I think you lose perspective a lot as a content creator. We have a hard time judging your work from a neutral stand point, some people can be too hard on themselves. We literally look at things so much that you don't see them anymore CZ: YES! Oh man that's so true. I agree with that 100%. I have my crew of friends that I need to ask before I can decide if I want to release some stuff (like) Willow and Starley RP: I read your blog sometimes and based on that and the quality of your work, I can tell you are a perfectionist.
CZ: Yeah, I don't ever think about it that way but I never allow myself to release something before it's been done and redone and I'm happy with it. And I won't be happy with it until it's a certain level. I think i've grown creatively and skill-wise. I can make things now I couldn't make before and I see things from a different perspective, as I'm sure we all do with time. So now I can look at something and say I like it, I'm very proud of that. RP: We should be and I think it's more than just getting better technically, I think you find your voice over time. OK, may I see your next outfit? CZ: Sure, this is more extreme. We're only gonna see my skins though because I can rarely wear other people's love a ton of skin artist out there & before I made my own skins I'd wear a lot of skins. When I made my own it was just more me then anything else out there and now I can't wear anyone else's skin.
more a smart look for sure. CZ: Yeah I think it's not something you expect from me. RP: It still manages to have an edge to it. CZ: I love accessories. I'm often too lazy to add them but I think when you do, they realy pull looks together. I don't plan my outfit carefully every day. I have friends who do & always look amazing. I guess I express myself enough in my products. RP: Do you have outfit folders?
RP: If you had to give this look a name, what would you call it?
CZ: First of all, my inventory is very, very, very organized. I will delete stuiff I don't like and it pains me to keep things I don't use. My clothes folder is by theme. So like there's casual, skanky, asian, dark/gothic, vintage/retro.
CZ: I'd call it flying a plane in a comic book.
RP: Next outfit please
RP: It has a teeny bit of a tank girl feel to it.
CZ: Here, this is casual and casual.
CZ: I agree and thank you, I love that style. In real life too I'd never just wear black,I need colors. RP: I can tell from your work and what I love is that you know what to do with colors too. We use such a harmonious palettte. CZ: Thank you! RP: So…ready for the next outfit CZ: ta da!
RP: Yay! Oi boots! CZ: Yay! RP: I'm loving it. Even though each of your looks are very different, you seem to have a real consistent look. We mix punk/edgey with sweet and sexy. CZ: Thank you. I like that description. I wouldn't be able to define it because it's just what I like, you know? Granted, it takes some planing and changing. It took me some time to come into my own sort of me- style. I think it evolved & took a lot from miscelaneous places. RP: Nobody truly sees themselves as others do. And for someone like me who is a total stranger to you, it's even easier to sort of size you up. CZ: Yup, always easier to judge the less you know a person, LOL, not in a bad way.
RP: Now this is much Continued on page 47 >
RP: I do love it when people mix it up and you do it so well. CZ: Me too i love it when people put their own character into thing and thank you very much. To see someone's personality shine through-that's awesome! It's never about just making everyone look the same, it's about self expression. RP: Thanks so much for your time Canimal. Do you have any parting words? CZ: There are far too many amazing content creators that I wish I could have mentioned but I guess that's what all these magazines are for-to give credit. Outfit Notes: Fly a Plane in a Comic Book Hat – MaHoRoBa (*luly*panda*hat gear) Hair – ETD (willis) Necklace – Fashionably Dead (Spring Pendant) Cat – Curious Kitties Jacket (cool rider), shirt (mesh top), pants (beauty school dropout), arm warmers,skin (innocence-devilish) – Canimal Belt – Kyran Nyak Shoes (jellu beans) – Heart Wishbringer Leggings – Elephant Outfitters Casual Hair (Seduction) – Imani Moseley Bag (moogle) – Kin keiko Belt (BlackChain) – Elephant Outfitters Shirt (barefoot club) – Nylon Pinkey jacket (Hummingbird) – Fashionably Dead Pants (short cargos) – Indie Rainbow Shoes (Flic-Flac) – Boing! Fromage Bangles (Summer Loving) – Cotton Perse Skin (Innocence) – Canimal Office Party White shirt (Marked) – Luxe Dress (Felon) – Celetsial Studios Hair (Grand) – ETD Skin (Innocence – devilish) – Canimal Shoes (laceup boots) – Shiney Things Necklace (Wooden Peacock) – Kitty's Rampage Eye Lashes (Thick & Long W/Short Bottom) – Lynnix Muse Hair (drew) – Panache Shirt (Long Cami w/ Stripy Undershirt) – Zahara Hansen Skirt (Itsy bitsy black dress), Skin (fetish – carnival) – Canimal Boots (OI!) – Beckenbauer Necklace (heart pendant) – Karsten Rutledge SS
|| Style Guy: Athel Richelieu Each month Second Style will feature a resident that has a unique style all their own. Interview By Roslin Petion This month I'm pleased to make Second Style history by interviewing our very first Style Guy, Athel Richelieu. I first encountered him at the Second Style release party which was held at Richelieu's swank venue, Athel's Jazz Club. It was only fitting that this elegant setting also served as the setting for his interview. Roslin Petion: First of all, I'd like to thank you for meeting up with me. Athel Richelieu: It is no problem, I can always take time out for fashion. RP: Congratulations on being Second Style's first Style Guy. As a male, you have style challenges that females don' t have to deal with. Most men agree that it is difficult to find good fashion in sl but it has been getting better lately. How were your early days for you? AR : Well, I started SL in 2004 and at that time there was even less clothing for men. One could say maybe only a dozen designers for men or less. I first of course found T-shirts for sale, but settled on a suit that was the uniform of a casino but looked very good for the time. RP: Do you remember where you got your first suit from? AR : I did not know it was the uniform of a casino until someone told me, it was a high quality suit. RP: When did you notice clothing getting better? AR : I some time around the middle of 2005, several designers started making men's clothing. I also saw one or two malls catering to men. RP: What was the first designer that you felt really excited about? 48
AR : I would have to say Nephilaine Protagonist. She is a style icon and one of SL's most popular designers and I personally appreciated her work. I remember she had one of the best men's lines at the time, PixelChap. It was 1920s style suits. I purchased several outfits from her two months into SL. It was actually the first, or one of the first men's lines she created. RP: How do you feel men's clothing has changed since the early days? Besides there being more out there of course. AR : Surprisingly, it seems 1920s styles have influenced many men's styles as well as women in SL. There are still suits being made with that inspiration. I feel like there is a lot more out there for every kind of man. RP: What do wish there was more of? AR : I wish there was more men's clothing in general, especially accessories. Women still have so much more to choose from, while men's clothing seems still to be only 20% or less of the SL fashion industry. I would like to see more styles of casual yet sophisticated clothing for men, such as Express for Men which I wear in my First Life. RP: What are some of your favorite newer designers? AR : Blaze Columbia continues to make great suits, and refine them. I also would have to mention Rockwell Maltz, of Made Men, as he has made several great mafia styled suits for men with really cool accessories. RP: In addition to Express, are there any real life designers, or style icons that have influenced your Second Life look? AR : I'd have to say I really like Giorgio Armani. His creations are classic and sophisticated and they manage to be stunning in a subtle way. When going out in my First Life though, I tend to wear Express, Ben Sherman, and 7 Diamonds. I wear Express daily. I rarely dress up in my First Life as much as I do in my Second Life. Dress up in an dressy, suit and tie way that is. Oh, I also love Guess by Marciano, and have several outfits from there. Continued on page 51 >
|| Style Guy: Athel Richelieu
RP: Final question before I go…imagine you have a friend you are introducing to SL…how do you break him into the fashion scene? AR : It would really depend on their preferences, but I'd probably take them to some of the major designers I like. Nephilaine Protagonist, Barnesworth Anubis, Vindi Vindaloo, and Simone. There are others, too many to remember. All those designers offer a wide variety of style. If my friend's style is Gothic, definitely BareRose by June Dion. BareRos offers many low price, yet great quality outfits for men. RP: Thanks so much for your time. I've enjoyed this so much. AR : Alright, no problem, thanks.
Outfit Credits Skin on All: Second Skin Business: Shirt: PixelDon Tie Shirt Wine by Nephilaine Protagonist, Pixel Dolls Pants:Pixelchap Mr. Big Pants byNephilaine Protagonist, Pixel Dolls Glasses: Bilgrim Glasses by Damanios Thetan, Collection Damani Ring: Black platinum ring by RICX Shoes: Black shoes by Aestival Cohen, Aetherstyle Cigar: LupineFox Paz, Tete a Tete Formal: Fur Jacket: by Vindi Vindaloo, LUXURY Shirt: Black Tuxedo by Leyla Firefly, Gecko Continued on page 52 >
|| Style Guy: Athel Richelieu Pants: Black Tuxedo Pants by Leyla Firefly, Gecko Shoes: Black shoes by Aestival Cohen, Aetherstyle Cigarette holder: by Gwyneth Llewelyn Club: Shirt: Pinstripe Chic by House of Shaea Pants: Pinstripe Chic by House of Shaea Boots: Zboots by Fallingwater Cellardoor, Shiny Things Eternal Night: Outfit: Rogue in Red by Simone Stern, SIMONE Shirt: Rogue Shirt by Simone Stern Jacket: Rogue Jacket by Simone Stern Pants: Rogue Pants by Simone Stern Lace: By Simone Stern Ring: Magis Skull Ring by Hunter Stern, Garhunt Productions
Spiritual Simplicity: Shirt: Karachi Arun by Eva Virgo, House of Shaea Karachi Arun: Jacket by Eva Virgo, House of Shaea Pants: Light Chinos by Barnesworth Anubis Sandals by Lucius Templar for House of Shaea Bead Necklace by Lucius Templar for House of Shaea Handheld Prayer Wheel by Sue Stonebender and Baron Grayson **Do you know someone who exhibits an uncommon passion for fashion? Or do you yourself take pride in your unique sense of style? Second Style wants Second Life residents to suggest possible Style Girls/ Guys. Drop off a notecard with two to four pictures of your style nominee in Roslin Petion's inventory.
Second Style Magazine would like to acknowledge the generousity of D'nel DaSilva who pledged the winning bid to appear as a model in Second Style at the American Cancer Society's Second Life Relay For Life event.
Hair: Bedded Attitude in copper by Elikapeka Tiramisu, ETD Top: Predator by Trinitee Trilam, roxee Jeans: Cropped jeans in black applique by Ginny Talamasca, Dazzle Haute Couture Choker: Gothic Silver by Kitkat Mclean, KittyStyle of Epimethius Belt: Checkered by Fatal Raine, Legend Shoes: Konverz by Arycon Fasching, KK Outfitters
|| Denim Casuals By: Celebrity Trollop Photography By: Celebrity Trollop Model: D'nel DaSilva Location: Grignano 79, 229 54
Skin: Custom by Namsor Daguerre, Second Skin Labs
|| Fabulous Flex Be summer sassy in this periwinkle flexiprim mini by Simone Stern. Decorated with an abundance of soft floral color, watch the pleats sway in the summer's warm breeze. Daisy by Simone Hair: Esperanza by Zyrra Falcone, Panache Skin: Charmed, Tone 20, Blue Sky by Starley Thereian, Celestial Studios Shoes: Uptowns by Kimberly Casanova
|| Casual Denim Hair: Candie Vonta, red dark by Zyrra Falcone, Panache Outfit: Revolution Hope by Nephilaine Protagonist, The New Zero Shoes: Buckled Ankle Boots in black by Fallingwater Cellardoor, Shiny Things 57
|| Casual Denim Hair: Multilayer Mix, by Lost Thereian Top: Sleeveless wonders by Indie Rainbow, indie.studio Pants: elka 3/4s in blue by Tuli Asturias, Lollypop Necklace: Empress in red by Adriana Christensen, Sunshine Designs Bracelet: The Xaria Collection in Red/ Ruby by D'nel DaSilva, Xessories Shoes: Urban Bohemian Ankle Wrap Flats in red by elka Lehane, Boing Fromage
|| Casual Denim Location: Sistiana Hair: Faith MidNyte in red dark by Zyrra Falcone, Panache Outfit: Slash by Tray Calamari, Rummage Jewelry: The Diana Collection by D'nel DaSilva, Xessories Shoes: Low-heel sandals by Jackal Ennui, Lassitude and Ennui
|| Casual Denim Location: Barcola 223, 26 Hair: Harmony by Ariel Black, Wig Out Top: Polka Dot Crop Set by Nicole David, Elephant Outfitters Skirt: Country Island Jean Prim Skirt by Nicole David, Elephant Outfitters Bangle bracelet: Brittany Collection in platinum/diamond by D'nel DaSilva, Xessories Earrings and necklace: Solitare collection by D'nel DaSilva, Xessories Shoes: Apeture Flats by Kitty Minogue, Kitty's Rampage
|| Punk Style
A Second Style Mini-Guide By Ilianexsi Sojourner Ear Plugs, L$80. So simple, yet so dramatic. Perfect with a short haircut, these mini horn earrings will really set you apart from the crowd. - Curious Kitties, Curious Kitties 116,124,23.
Silver Chain Belt, L$40. With a skeletal hand clasp and a host of other details, this belt is just pure style; your black wardrobe pieces need this item! - Beckenbauer Productions, Isle of Bliss 109,140,23 and other locations
Female Spine Blades, L$150. Deadly yet elegant, these gleaming spines aren't for everyone – but if you have the confidence, they'll command attention. - !!!Metal Fetish, Webworm 236,118,79.
Nail Me Hair, L$50. Whether you love it for the humor or for the shock value, you've gotta love this item! A whole new twist on the mohawk. - Curious Kitties, Curious Kitties 116,124,23.
Female Double Belt Set, L$200. Whether you wear this set with jeans or fishnets, it'll always be the right choice. Perfect for that tough-yet-stylish accent. - Dead PunK Accessories, Plush Iota 27,103,22.
Bondage Studded Gauntlets, L$200. A new take on the familiar leather gauntlet, this time with a symmetrical pattern of rings and studs. Somewhere between punk and medieval. Dead PunK Accessories, Plush Iota 27,103,22.
Love Photography? Second Style Magazine seeks an experienced photography editor to direct, recruit and select photographers, models and images for publication in the magazine. The right candidate will be: Experienced with photography in Second Life Detail oriented Able to set and meet deadlines Able to manage multiple projects and project participants Interested in the fashion world of Second Life Submit your portofolio and a statement of interest detailing any relevant experience in real or second life to Managing Editor Celebrity Trollop (a notecard or an email preferred) to apply. Only short listed candidates will be contacted for an interview and further information.
|| Ambyance2 & Lost
LT: Yeah. :)
> Continued from page 33
LT: Well, initially we have an idea and it just takes resources—Photoshop, painting, or whatever—to achieve that goal. So, a lot of times, we just use RL things. CT: Do you split the work up? Like, does Amby do most of the Photoshop work, and Lost does most of the prim work, etc.? AA: Nah—Lost does everything! LT: Yes, we do. lol
LT: They'll be available once the island is open. CT: Well, get this place open then!! Lost, how did you end up in Second Life? I got to ask Amby, but I am so curious. LT: I've been to so many online games before SL. I found SL in a computer magazine, but never had the right specs to actually get it to work. AA: I didn't know that!
LT: Well, we both do the texture work. I mainly do a lot of the building.
LT: So, I just messed around in other online communities 'til I found SL and that was the end of that. I didn't know anything about building and all of that, so [I] had to kinda start from scratch. Though, I always had my RL art [that] I had been into long before SL.
AA: I really hate to build.
CT: Digital work? Or?
LT: Yes, but you should anyway!
LT: Nah, painting, sketching all [of] that. Nothing really computer-oriented. I didn't know anything about Photoshop before I came here, or Poser!
AA: And I run my mouth a lot. ;) CT: Baking, prims, and Photoshop. Dreamy.
AA: But, grrrr. Lost makes me try sometimes. CT: Yeah, I try, too. Sometimes. I do make a mean cylinder… LT: lol AA: lol CT: Is Lost more of a perfectionist, Amby? AA: You aren't kidding. He is a complete perfectionist, which I <3 but… LT: lol—sorryyyyy AA: It makes me cry! lol! One thing we don't do is script; but Lost is pretty good at moving animations and I'm decent at stills. I get frustrated with movements. CT: Why's that? AA: Well, the timing of the motion; and it's time consuming to create. It's probably weird to a lot of people that we would come here and do things that we see in the real world everyday and not do more fantasy things. CT: Well, it's your sim—you get to fulfill your aesthetic vision, so..? Lost, when are you going to make new makeups for your female skins? AA: He did. 68
CT: What about now? Do you make digital art in RL now that you have come to SL? LT: I've tried painting in Photoshop a few times; but I'm more interested in RL meduims and canvas. CT: [There is] something really visceral about canvas and the smell of paint. LT: Well, just the way you work is totally different; but SL opened me [up] to a whole other side of my artistic abilities—I like to do it all [now], if possible. CT: Tell me a little about your "low prim" hair. How did that come about? LT: Those textures are from RL photography. Then put onto a seamless texture in Photoshop. I believe— my photographs—but I was just experimenting with prim work, trying to get as little flicker as possible. So, it just kinda came out as a pretty, low prim hair :) CT: Who's idea was it to do the reflective floors in your current store? LT: I forget who brought that up, really; but I had doubts about it, because [I thought] it might be too many prims. But Amby made sure it stayed. It's a
nice touch, for sure. CT: It's one of the most amazing things I've seen in SL LT: We've learned so much [about] building since we got the island. CT: Do you two Skype with each other? AA: No. CT: Wow. Really, no?? AA: No, I've never actually spoken in real life to Lost. LT: I've done that with people in the past, not Amby. I could probably explain things better to her though. CT: Lost, I wonder if you have anything you'd like to say about the whole IP theft/texture ripping issue. Clearly, you have been targetted by texture theives more than some. LT: Yeah, Amby and I have several times now—it definitely sucks. It's a horrible feeling when you've been working on something for weeks or more and to see [someone] just steal it and sell it to make their own profit… AA: Now the big threat I feel are the nekkie clubs where people can go in and pull 20 different skin textures at a time from all [different] designers. Of course, most people that would want to run around naked wear skins from the more well known skin designers. LT: We've experienced it all. Pretty much all recently. It's really stressful. AA: It kinda wrecks the whole SL experience.There were like 2 weeks where I think we didn't have time to create anything or work on the island—every day was spent dealing with new thieves. Like every time we logged in—it was so disheartening. LT: Yeah people will go in our shop, and others as well, but they well have a tag over their head "Naughty Management" and scam customers with fake skins…. or sometimes actual skins they stole from us.
LT: How ridiculous. Hopefully, when we open the island, we will have a better eye on things. AA: We changed the shop to verified accounts only [for a while], but people got really upset so we had to change it back. The thing with here is we will be around. LT: Yep. CT: I asked before, but I think you got knocked off, Amby. Do you have a target date to open the sim? AA: Oh hmm—hopefully in the next week [ed. end of August 2006]. We have had like 20 target dates in the past year and a half. LT: We keep putting it off… Well, we didn't want to think about opening for a long time, though. AA: Right. Maybe that's why it took so long. Well, it's kinda sad to open. So we have to buy another sim! LT: But we're pretty confident now that it will be really soon, so we will have to buy another sim. It would probably be like Zazi again—just go to our 'lil island over there. AA: Awww Zazi was sweet—it was really perfect— we could cam the shop and not be there. For a long time we were faceless avs to people. They saw the ads. They knew the names. But no one ever saw us—hermits. I think just being around will [change things]. LT: The island is a nice escape! AA: Yes, which we are going to lose. LT: Yeah :\ AA: I'm having a hard time with that part—I mean I think it will be nice to see people here, but it's like… well, alot of memories here. It's just been Lost and I here for almost 2 years. That makes it hard. That's why we have to have a new project. [It's] probably completely insane…but having our own space is what keeps me sane.
AA: So they basically sell our stolen skins from our own shop—like using our merchandise wasn't bad enough. They have to use our land now, too? 69


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subset: commoncrawl


text:
A BSF constable, identified as Nitin Subhash, died on Saturday after he was injured while retaliating to Pakistan's ceasefire violation in the Macchil sector of Kupwara district in Jammu and Kashmir. Speaking to news agency ANI, BSF IG, Vikas Chandra said, "Nitin Subhash was firing a long range weapon. Unfortunately, the round blasted in the chamber itself giving a recoil." Chandra said that the recoil hit Subhash on the shoulder. "He was given treatment but he complained of breathlessness and succumbed to injuries," Chandra said.
Since the surgical strikes, five Indians, including four security personnel, have been killed and 34 injured in ceasefire violations by Pakistan. Saturday's incident comes after terrorists mutilated an army jawan after crossing the Line of Control. The Indian Army said that the incident would be "responded to appropriately."
"In a despicable act, the terrorists mutilated the body of the Indian Army soldier before fleeing into Pakistan-occupied Kashmir (PoK), supported by covering fire from Pakistan Army posts," said a statement released by the Army's Northern Command, headquartered in Udhampur.
Military conflict has heightened after terrorists attacked the Uri camp in Jammu and Kashmir following which India conducted the surgical strikes operation on September 29 destroying terror launchpads along the LoC. On Friday the BSF said it killed 15 Pakistani soldiers over the last one week foiling two infiltration bids in Samba district. However, the Pakistan army denied the claims saying none of its soldiers had died at the border.
For all the latest India News, download Indian Express App
- Oct 29, 2016 at 2:18 pm"Nitin Subhash was firing a long range weapon, unfortunately the round blasted in the chamber itself giving a recoil" So he committed suicide.Reply
- Oct 30, 2016 at 4:05 amRIP.lt;br/gt;PM celebrating Diwali with jawans but unfortunately the ry of this month has not been credited in their account then how their families will celebrate?Reply
- Oct 29, 2016 at 7:08 amFor those who run the governments, it is fun. For soldiers on both the sides and for the general public dwelling near the border areas, it is nightmare, every second, every breath they take in. Those who are powerful enjoy 'Mini Diwali' and Diwali etc. and engage in conspiracies targeting on only one thing, the votes while people who stay far away from borders cheer the leaders on every death.Reply
- Oct 29, 2016 at 6:26 amPak media is reporting India did the ceasefire violation and killed three civilians including a 7 year old so who is right? Lets have UNMOGIP monitor the border for ceasefire violations. Why is India always opposed to any monitoring of the border by UN? What are you hiding that you dont want the world to see?Reply
- Oct 29, 2016 at 9:24 amCow slaughter ban by hindoos is the cause of 1947 Parion.lt;br/gt;Cease the ban on cow slaughter, or go to War.lt;br/gt;Binary Choice.lt;br/gt;No other option.lt;br/gt;Deadlock has been reached/Reply
- Oct 29, 2016 at 10:36 amBeeheading first originated in Hindoo culture in the Mahabarata and Gita Upanishads in year 5000 BC, and was taught to other cultures later.Reply
- Oct 29, 2016 at 10:36 amBeeheading first originated in Hindoo culture in the Mahabarata and Gita Upanishads in year 5000 BC, and was taught to other cultures later.Reply
- Oct 29, 2016 at 10:39 amHindoos lost muscle power after they stopped eating meat due to food shortage, so they stopped the practice of beheading because they could not overpower the victim. Then other cultures that ate cow meat picked up the practice of beheading humans.Reply
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text:
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text:
Panties are objects that often seen i n the 2 anime series Colorful and Heaven's Lost Proerty.
Panties are often seen in covering wemon's butts and priviates. Men oogles into perverted looks and try to glimps in into there skirts or pants.
Heaven's Lost PropertyEdit
They appeared as the infamous Flying Panties (which was also featured in a FUNimation Show segment).
Other AppearancesEdit
- Abanobashi Shopping Arcade-In the episode Hook Up! Abanobashi Great Milky Way Shopping Arcade,
- Gargantia on The Verdurous Planet-Amy gets a panty shot in the opening.


text:
BuTrans patches are transdermal, self-adhesive patches licensed for the treatment of constant, moderate, non-malignant pain when an opioid is necessary for obtaining adequate analgesia.
BuTrans patches contain buprenorphine and are available in 4 patch strengths: 5 μg/h, 10 μg/h, 15 μg/h and 20 μg/h. Either one or two patches of any strength may be applied simultaneously, for a total of eight dosage options up to a maximum of 40 µg/h.
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- Evans HC, Easthope SE. Transdermal buprenorphine. Drugs 2003; 63: 1999-2010.


text:
Welcome to costa rica! this land is renowned for its rich diversity of insects and animals, and you are part of several teams that will explore and record the wildlife on this Rainforest paradise. Each turn, you and your fellow explorers will reveal what is hiding. Will you take your data back, or keep pushing on, even though another explorer might take credit for your hard work? the game is a tense race to catalog as many of the Rainforest animals as they can while also trying to view each of the animals being researched. Avoid mosquitos, discover animals and prove that you are the best explorer in costa rica! contains: 72 Rainforest tiles, 30 explorer markers (in five colors), 1 expedition marker, and rule book.
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text:
Cambodia has a metallic blue bee the size of a golf ball that looks like a Gundam Fighter.
Phnom Penh could really use a Cupcake Station. So could East Lansing, for that matter.
Would it be disrespectful if I bought myself a monk bag and umbrella?
Evidently Sambo the elephant was being abused! I can't believe such a high-profile figure suffered such abuse…Or can I? Sambo has been retired and is now receiving appropriate medical treatment. Yay!
Potential opportunity to revisit Bayon and Taproum Temples with Eileen when her mom visits. Total awesomeness because Eileen's camera is aces.
Lots of trees are blooming right now. The perfume of Phnom Penh.
Reading a book Eileen lent to me on reproductive rights and "the future of the world". Sounds heavy. Perhaps it would be more accurate to say "the future of the world as we know it".
I read almost the entire TIME magazine last night that Ma sent me. That might be the first time that's ever happened. Usually I don't have the attention span to read all those tiny boxes of text located randomly throughout a page covered in neatly-photoshopped pix.
*Le sigh.* I guess I better do some laundry. After being sick for several days, I now have several loads of wash to do. I did find a pretty awesome new laundry soap, though– my clothes smell like frangipani now! 😀


text:
Georgia Employer CERTIFIED NURSE AIDE (CNA) in Toccoa, Georgia
We are currently hiring CNA's and will train experienced caregivers to work as a Personal Care Assistant (PCA). Our ideal candidates are compassionate, dedicated and reliable individuals with a desire to enhance the lives of our senior adult and disabled clients. Sanzie Healthcare Services, Inc is committed to providing all of our team members with continued training, competitive pay, and reward and recognition programs. Sanzie Healthcare Services, Inc. Home Care goals are mainly to provide quality Skilled nursing, Personal support and Developmental disabilities services to our clients. These services will be provided by licensed Professional Nurses, trained/qualified Personal care Aides/Certified Nursing Assistants and Companion/Sitters. All services and nursing care are monitored and supervised by Registered NursesIn this role you will: Provide wellness and hygiene assistance: bathing, grooming and other personal care services Provide transportation to various activities from doctor's visits to grocery shopping Provide non-medical assistance and medication support: medication reminders and meal planning Provide respite and peace of mind for family members Provide companionship and homemaking support: safety supervision and light housekeeping Dressing residents in appropriate clothing, undress, and bathe residents Passing meal trays and nourishments, and feeding or assisting to feed residents Positioning residents for comfort and to prevent skin pressure problems Taking and recording vital signs as requested Perform ALL duties outlined in the client's care plan/service agreement Demonstrate competency in meal preparation and clean-up, homemaking and * laundry, Mobility and walking assistance Kitchen and bathroom maintenance Toileting and personal hygiene assistance Medication reminders Routine transfer assistance Bathing and showering assistance Assisting residents to achieve pre-assigned programming goals and to increase their independence Participating in the maintenance of safe conditions within the facility and other related areas at all times Documenting all appropriate resident records before leaving shift daily Assisting residents to attend activities within the home and out of the facility Attending staff meetings and required in-service training programs Obtaining continuing education units (CEUs) for renewal of CNA certificate, renewing certificate in a timely fashion, and furnishing operation with a current CNA certificate Providing effective and routine oral hygiene Observing residents and report all changes in condition immediately to Nurse Supervisor Documenting changes of condition on the back of the daily flow sheets Learning training and behavior goals and objectives for the residents you are assigned Following all operation and Sanzie Healthcare Services policies including but not limited to: dress code, attendance, safety, and reporting procedures Participating in any and all tasks as directed by your supervisorA qualified candidate for the position should: Demonstrate ability to read, write, and understand English Demonstrate knowledge of procedures and techniques in providing routine bedside care for residents Demonstrate physical strength and endurance to accomplish job duties, especially transferring of residents Demonstrate ability to establish effective relationship with clients, families, and team members Possess a current certificate verifying completion of a state approved program must be willing to take a background check and TB screeningThe following criteria is required for all applicants: Current Georgia CNA Certification (CNA applicants only) Current TB Test Chest X-ray (If you test positive for TB) Current CPR /First Aid Current Driver's License Reliable Car/Car Insurance and Clean Driving History Must pass Criminal/Drug Test Valid Social Security Card If you are not a US Citizen, a valid Residency/Work Authorization card 3 Verifiable Professiona


text:
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text:
Marshall County, Mississippi is recognized as the home of the Hill Country blues, and the home of its two greatest exponents, Junior Kimbrough and R. L. Burnside. So it was entirely fitting that this year, one of Junior's sons, Robert Kimbrough, put together an event to celebrate the life and legacy of his father, the Kimbrough Cotton Patch Blues Festival. Over several days, the event featured an exhibition of photographs at Rust College in Holly Springs, a guitar workshop, a jam session and a Sunday afternoon concert on an outdoor stage adjacent to the old VFW Hut on West Valley Avenue. On Mother's Day afternoon, with impeccable weather, a crowd gathered to enjoy authentic Hill Country blues from Robert Kimbrough Sr. and the Blues Connection, Little Joe Ayers (who had played with Junior), Dan Russell, Memphis Gold, Cameron Kimbrough, Leo Bud Welch, R. L. Boyce with Carlos Elliot Jr and Lightnin Malcolm, and the Kimbrough Brothers, featuring Robert, Kinney and David Kimbrough. Young drummer and guitarist Cameron Kimbrough is a grandson of Junior and son of drummer Kinney Kimbrough, and was especially impressive on drums with Memphis Gold and Leo Bud Welch. Altogether, it was an amazing day of some of the best blues Mississippi has to offer.
A Hill Country Blues Yard Party In Como
Como, Mississippi bluesman R. L. Boyce used to be famous for his yard parties, but in recent years he had stopped doing them after some health issues. So when his daughter Sherena informed me that he was having a yard party with live musicians on a Wednesday evening, I made arrangements to get off early from work and head to Como.
The weather was sunny when I arrived at R. L.'s house just across the railroad tracks from Como's restored downtown area. A cool breeze was blowing, and only a few people had gathered, although the event was supposed to begin at 4 PM. Boyce, Colombian bluesman Carlos Elliot Jr, and Lightnin Malcolm were on the front porch setting up their equipment, and the drummer Steve Toney was setting up his drums in the yard because there was no room for them on the porch.
When the music got under way, the atmosphere became magical, with Malcolm, Carlos and R.L. playing Hill Country blues in the kind of setting it was intended for, an outdoor house party. One of the out-of-town guests sent someone to purchase hotdogs and charcoal, and fired up Boyce's grill, cooking hotdogs for the guests and musicians, some of whom were in Mississippi for the Kimbrough Cotton Patch Blues Festival, which was to be held on the weekend. Soon the crowd in R.L.'s front yard grew larger, with young and old, local and out-of-town folks. A few kids were playing under the trees. As the evening continued, some folks began to dance, and cars slowed down as they drove past the house, trying to see what was going on. After a number of songs from R. L. Boyce and Lightnin Malcolm, there was a guest appearance from the hot new female blues singer Joyce "She-Wolf" Jones from Potts Camp, and she performed a couple of her original songs with the band. Eventually, around 8 PM, the sun went down, and with no real lighting in R.L.'s yard, things had to come to a halt. Only a handful of people remained at that point, and Sherena Boyce and I decided to head uptown to Windy City Grill for a late dinner, but we could hear R.L. still playing guitar as he sat on his porch in the dark. It was truly a once-in-a-lifetime kind of night.
Rain Couldn't Dampen The Enthusiasm At Juke Joint Festival
Each year, Clarksdale becomes the center of attention in the blues world, as fans come from all over the world for the Juke Joint Festival. Although the official festival is only one day, events surrounding it now stretch over four days, and hotels are sold out for more than 75 miles in any direction. Unfortunately, this year, for the first time in memory, the festival was adversely affected by wet weather, showers that continued for much of the morning and early afternoon. Nevertheless, there were still significant crowds at many of the stages, and by the afternoon, the showers had begun to exit the area. In addition to the vendors of artwork, cigar-box guitars, books and more, attendees enjoyed performances by Lightnin Malcolm, the Cedric Burnside Project, Carlos Elliot, the Andre Otha Evans Fife and Drum Band, Garry Burnside, Duwayne Burnside, R. L. Boyce and many other performers from the Hill Country, the Delta, South America, Europe and other parts of the United States. This year also saw a larger number of stages and participating venues. One unfortunate trend this year however was the tendency of local restaurants to offer special, highly-limited menus for guests because of the Juke Joint Festival. We found that as a result, we often could not order what we wanted, and had to settle for things like burgers. I suppose the goal was to make things easier on the kitchen staff, but it ended up making things harder or at least less pleasant for the attendees. Still, it was a day of good music and good fun.
Across the Arkansas Delta
Although the Mississippi Delta is better known, there is also an Arkansas Delta, wide and wild and if anything, more mysterious than the other. More remote and with fewer large towns, the Arkansas Delta is less visited and less familiar to tourists than its Mississippi sibling, but is certainly worth a visit for anyone interested in the blues and its history. Towns here, like those in the Mississippi Delta, have clearly seen better days. Buildings on the main streets are often abandoned, and many are dilapidated. Whites and Blacks alike have fled these Delta communities for better opportunities in America's big cities, and the situation in some of these towns is desperate indeed. Almost no business was left functioning on Marvell's wide Main Street on the Friday afternoon I visited. At least one of the storefronts had collapsed altogether, a prominent "Keep Out" sign warning people not to venture into the ruins. Dewitt, a county seat town with a courthouse looked somewhat better, but nearby Gillett seemed almost as abandoned as Marvell. But the most interesting discovery was in McGehee, a town whose downtown still looked rather decent by Delta standards. South of the downtown were the abandoned remains of several night clubs and juke joints, discoveries which suggested that McGehee had once been an entertainment destination for Black residents of the southern Arkansas Delta. The sign in front of the former Town & Country Restaurant proclaimed "Disco Nights, Thursday, Friday", and the building was truly gigantic. One can only imagine what a night was like in there in the late 1970's which was likely its heyday. Did bluesmen hold forth at Mary's Colonial Club? One wonders. Saddened by the extent of abandonment and loss, I drove off toward Monroe in the darkness.
A Night of Hill Country Blues at LR's White Water Tavern
Although Arkansas has a delta region as well, and although the state has produced lots of great blues and jazz musicians, Arkansas has few blues clubs. Little Rock's venerable White Water Tavern is one of the few places in the state to consistently book great blues, as well as many other forms of roots music. I first became acquainted with the place in 2015 when the young retro-soul star Leon Bridges performed there, and I soon became aware that the Tavern has played host to such blues figures as Patrick Sweany, Cedell Davis and Lucious Spiller. So this dive bar was a perfect site for Lightnin Malcolm's traveling caravan of Hill Country blues musicians, including R. L. Boyce, Leo "Bud" Welch and Robert "Bilbo" Walker. Every event I have ever attended at the White Water Tavern has been standing-room-only, and this one was no exception. There is a back patio, but because the weather was so cold and wet, nobody was going out there, and the room was very crowded indeed. But the crowd was treated to some of the very best in Hill Country music, starting with Leo Welch backed by Lightnin Malcolm on drums, and then Lightnin's own solo set with guitar and drums as a one-man band, and R. L.'s daughter Sherena Boyce on tambourine and juke joint dancing. R. L. Boyce followed, doing a number of his traditional tunes, and then Robert "Bilbo" Walker followed, in a style that showed considerable Louisiana influence. Altogether, it was an amazing show in an amazing place.
Celebrating The Legacy of Como, Mississippi
Como, Mississippi is an historic town in far north Panola County, Mississippi on the edge of the Hill Country. Because it sits near the border between the Delta and the hills, Como has some of the ambiance of both regions, and has long been a center of blues and Black fife-and-drum music. Legendary bluesman R. L. Boyce calls it home, and his mentor, Mississippi Fred McDowell chose it after he moved to Mississippi from West Tennessee. What was once a faded, dying town when I first saw it as a boy has had some renewal since the opening of Como Steak House some years ago, and now each year, the history and traditions of this unique Mississippi town are celebrated in October at an event called Como Day. This year's event featured plenty of good food and vendors, classic cars and motorcycles, and several different genres of music, including performances by the Southern Soul Band, Sharde Thomas and the Rising Star Fife and Drum Band and southern soul artist J-Wonn. Perhaps the highlight of the evening was the screening of Shake "Em On Down, a documentary about Mississippi Fred McDowell, arguably Como's most famous resident. Through music clips and interviews, the story of this most important Mississippi bluesman was vividly and skillfully portrayed. Altogether, hundreds of people enjoyed a full day of fun in Como.
Cedric Burnside Live at Proud Larry's On Oxford's Biggest Day
Oxford was absolute pandemonium. The Crimson Tide of Alabama had come to town to play Ole Miss, and the result was the largest football crowd ever recorded in the history of Oxford as a town. Streets were gridlocked, and in the area around the courthouse square, streets were closed altogether. Parking was practically non-existent. So when my girlfriend said she wanted to go hear Cedric Burnside at Proud Larry's, I envisioned a nightmare of no parking, and drunken, rowdy crowds that wouldn't let us anywhere near the stage. Fortunately, I was wrong on both counts. We managed to find a parking place up on the hill by the Parks and Recreation office, and while Proud Larry's was indeed crowded, it was not outrageously so, and many of those there were friends and relatives of Cedric Burnside. As for Cedric and his sidekick Trenton Ayers, they seemed to feed off the crowd's energy, performing two rousing sets of Hill Country standards and originals before the closing hour of 12:30 AM. It was well worth the effort.
Day 2 of the R. L. Burnside Memorial Jam
My girlfriend and I had planned on going to see Cameron Kimbrough, who we thought was playing in Helena, Arkansas, but it ultimately turned out that he was playing in Warren, Arkansas instead, which is a three-hour drive. There was no chance of making it there before he went on stage, so we had dinner at the Holiday Lodge on Sardis Lake at Harmontown and then headed to the Blues Shack for the second day of the R. L. Burnside Memorial Jam. Holly Springs bluesman Little Joe Ayers was on stage when we arrived, playing to a crowd that was somewhat larger than the one on Friday night. After Joe performed, then Duwayne Burnside and Kenny Brown got on stage and performed such Hill Country classics as "All Night Long" and "Meet Me in the City." Although we were having a great time there, we ultimately cut it short because my girlfriend wanted to catch Cedric Burnside, who was playing at Proud Larry's in Oxford, so we left out and headed down that way.
An Endangered Memphis Black Drumming Tradition Featured at MMHF 2016
Drums have played an important role in all Black musical cultures, and Memphis is no exception. Although Blacks were forbidden to have drums prior to the Civil War in almost all Southern states other than Louisiana, they quickly became an important part of Black musical life during Reconstruction, being used in the brass bands and fife-and-drum bands that accompanied fraternal organization parades or picnics, political rallies and funerals. Many of these organizations had been founded by Black troops that had fought in the Civil War on the side of the Union after the Emancipation Proclamation, and undoubtedly some of these men had been drummers. The all-Black colleges and schools that began to form during and after Reconstruction also had marching bands with percussion sections as well, and this tradition had an influence on Black communities in the South. By the waning years of the Civil Rights Movement, a new interest in Black culture and its African roots may have led to the formation of the majorette and drummer phenomenon in Memphis which emerged around 1969 or so. Although Black high schools and colleges had always had majorettes and drummers as part of their bands, the phenomenon where majorettes performed competitive routines accompanied only by the drummers was new, and perhaps unique to Memphis. As the years progressed, the drummers added some innovations, like the use of marching toms and eventually roto-toms, to add different layers of pitch to the percussive musical landscape, and the addition of hi-hat cymbals, so as to approximate the sound of a drum set. The accompaniments were often influenced by funk or Latin music, but aside from occasional melodies played on the glockenspiel, the musical backing for these routines was strictly drums, and the drummers were judged as well as the majorettes. This musical and cultural phenomenon was so much a part of my teenage years in the 1980's that it was unthinkable that it could ever disappear, and yet nowadays the majorette jamboree as it existed then is largely a thing of the past, the drummers having been replaced by recorded CD's of popular songs played by a DJ. There are lots of theories as to why the majorette drumming phenomenon has died in Memphis, but some of them point out the lack of instruments and high expense of drums, the discouraging of the tradition by school principals and band directors, the lack of available drum instructors, the banning of majorettes and drummers from local community centers (apparently due to the noise involved with their practices), and the negative influence of the streets and gang activity causing lack of interest on the part of young men. For whatever reason, the Black drumming tradition in Memphis is certainly endangered, but at least one organization, the Baby Blues Drumline, has worked over the last few years to try to preserve this culture. Often appearing at the Juke Joint Fest in Clarksdale, Africa in April on Beale Street or the Memphis Music and Heritage Festival, they frequently draw a crowd of onlookers. At this year's Memphis Music and Heritage Festival, they were a featured act, appearing briefly at the Gayoso Street Stage on Sunday afternoon before a small but appreciative crowd.
Cameron Kimbrough and R. L. Boyce Bringing The Hill Country to the Memphis Music & Heritage Festival
The annual Memphis Music and Heritage Festival, held each Labor Day weekend along Main Street in downtown Memphis, is the city's premiere music festival featuring the styles of music indigenous to Memphis and its surrounding region. The totally-free festival features multiple stages across two days, filled with gospel, blues, soul, rock, bluegrass and country, as well as local drill teams, majorettes and drumlines, cooking demonstrations and visual art. One of the highlights of this year's festival was the Sunday afternoon meeting of Hill Country blues veteran R. L. Boyce with Hill Country youngblood Cameron Kimbrough, grandson of the legendary Junior Kimbrough. The early tunes featured R. L. Boyce on guitar and Cameron Kimbrough on the drums, and then, about halfway through the performance, they switched, with Boyce setting up a fife-and-drum-inspired groove on the drum set, and Cameron playing his original blues tunes on the guitar. It was a truly magic collaboration from the start, and one that I hope finds further opportunity in the future.