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Most of the top prospects from around the country are not nearly as busy as Waynesboro (Miss.)- Wayne County linebacker/safety Steve Gandy is this summer.
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A world premiere
October 19 – November 12, 2017 | CALENDAR
Grace Gamm Theater, Dairy Arts Center
You know what they say, birds of a feather…oh, shut up.
While birding in their backyard over the course of a decade, a father and daughter struggle to understand the parts of one another that defy understanding. Their politics and personal views couldn't be more different, but family bonds compel their annual migration. This gorgeously written family drama, full of humor and insight, explores how we connect with the people we just can't fly away from. Winner of the 2016 BETC Generations new play competition!
Please note: Birds of North America contains mild adult language and content, so may not be suitable for patrons under 13 years old. Parental discretion advised. Children under six years old and babes-in-arms are not permitted.
Season 12 Co-Benefactor: Terry & Noel Hefty of Peak Asset Management
Season 12 Co-Benefactor: Karolynn Lestrud
Season 12 Partner: Paul Repetto & Janet Pyle
Production Team
Director: Stephen Weitz
Stage Manager: Jordon Brockman
Set Designer: Tina Anderson
Costume Designer: Katie Horney
Lighting Designer: Katie Gruenhagen
Sound Designer: Jason Ducat
Dramaturg: Heather Beasley
John: Chris Kendall
Caitlyn: Lindsey Pierce


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first birthday cake smash ~ 1 year old baby girl {charlotte child photographer}
I just posted this adorable 1 year old baby girl's family photos and now I'm so excited to share her first birthday cake smash! We set up inside my studio and baby N's mama brought the cutest pair of bloomers for the shoot…love them!
Capturing a 1 year old take that first bite of cake is the BEST. She was totally unsure about the icing for about 2 seconds and then it was game ON. Ohmigoodness..I love this series of photos, which was promptly followed by a warm bath 🙂 Here are favorites from her first birthday cake smash, enjoy!!
Follow me at
instagram: bethwadephotography
Beth Wade is a Charlotte, NC photographer specializing in modern family, baby and newborn photography. Serving North & South Carolina, Lake Wylie, Lake Norman, Huntersville, Cornelius, Davidson, Matthews, Gaston, York County and communities of Southpark, Ballantyne, Montibello, Myers Park, Dilworth, Quail Hollow, Baxter Village and the Palisades.
One thought on "first birthday cake smash ~ 1 year old baby girl {charlotte child photographer}"
Pingback: happy 2 year little lady ~ family of 3 {charlotte baby photographer} | Charlotte Newborn-Baby-Maternity Photographer-Artistic Photography


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Heimlich is a supprting character in the 1998 Disney/Pixar movie, A Bug's Life. He is a green caterpillar with a German accent, who originally worked as a clown for P.T. Flea's circus, along with Slim and Francis, until he, and the rest of the circus bugs are fired by P.T., when they accidentally burn him. He is then recruted by Flik along with the other circus bugs, when he mistakes them as warrior bugs who can help his colony fight off Hopper and the grasshoppers. Heimlich is very gluttonous and always seems to be eating. Even during a performance, he offered to help finish one of the audience's candy corn. The fly refused, but then it turned out that he got the candy corn anyway. Heimlich dreams that one day he can become a beautiful butterfly. At the end of the film, he sprouts a pair of tiny wings, which he can't even fly with, but this is enough for him to be happy that he is now a butterfly.
Heimlichh is voiced by the late Joe Ranft.


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Estimados Bastardos Magníficas
It's true.
Shots of bourbon in our coffee lead to reverence for you in the voice of Neruda.
Where to begin? Does anyone who asks that question not know where to begin?
We'll start.
Swift but graceful changes here at Prose. Our coder, while also knee-deep in slaying dragons and winning digital hills on rendered battlefields, is working on new features as this is being typed. Keep your eyes peeled. In another change, call it a red sun rising, we're taking the app to 18 and over after the next update. Any young guns existing won't need to worry, and should anyone under 18 sneak past the doorman and smooth-talk the bartender into a drink with no ID then you probably belong here, anyway.
Many more things to appear on the horizon.
Stay tuned. Stay hungry.


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In The Primitive, the Aesthetic, and the Savage: An Enlightenment Problematic (Minnesota, 2012), Tony Brown contends that postcolonial and historicist scholarship fails to consider how figures of alterity condition Enlightenment thinking. By analyzing how exotic, savage figures constitute and disrupt European aesthetic theories, Brown argues that these figures of the other cannot anchor dyadic models of identity construction. The orient disorients. Likewise, a historicism that limits interpretative possibilities to historical context not only blinds itself to how figures structure historical thinking but also overlooks their disruptive force. The books argument is chiastically structured: the figure of the exotic other enables Europeans to apprehend an indeterminate aesthetic faculty, and this aesthetic faculty can enable a flexible, open apprehension of exotic others.
Browns book belongs to the global eighteenth century, but instead of focusing on Europes violent colonial expansion, it analyzes how the New World unsettles European self-understanding, creating a breach in anthropological security (219). This crisis appears most clearly, according to Brown, in the figure of the primitive, particularly when Enlightenment thinkers attempt to join the primitive with the worldly or temporal existence that it inaugurates yet with which it remains incompatible (43). His main example of this problem is Jean-Jacques Rousseaus attempt to understand primitive man, who is inaccessible to civilized humans because our modes of understandingjudgment and reflectionare not shared by the primitive (43). Rousseaus struggle to comprehend the primitive, Brown claims, characterizes an Enlightenment problematic that also structures eighteenth-century aesthetic discourse. Both turn on the problem of thinking the atemporal and temporal together (12). For aesthetics, there is a tension between universal judgments (atemporal) and subjective pleasure (temporal), from primitive faculty to derived experience (12). To overcome this difficulty, aesthetic theorists often posit some je ne sais quoi faculty. Brown argues that European aesthetics tries to delimit this indeterminate faculty by appealing to exotic savage figures. Enlightenment aesthetics is thus a problem of the primitive addressed through figures of the exotic savage.
Referencing Michel de Montaignes famous privative definition of the Brazilian Tupi, Brown emphasizes that the savagehere delimited to European representations of Amerindiansis marked, liked the aesthetic, through the absence of determinable qualities (64). Because of this absence, the savage does not form a solidly positioned difference but rather a differing figure of uncertain position within a system of positioning (71). The indeterminate figure of the savage, therefore, can provide only an indeterminate identity that (contra Edward Said) cannot function in a dyadic model of self-recognition (71). Exotic figures, therefore, both make it possible to think the aesthetic and structure an incomplete self open to the other (20).
Brown begins his analysis of aesthetic theory with Joseph Addisons emphasis on immediacy and variety. Because the immediacy of aesthetic experience bypasses cognition, and since the variety of objects that will give aesthetic pleasure cannot be determined in advance by the understanding, Addisons aesthetics has an unconditioned, noncognitive component (88). The efficient cause of aesthetic pleasure is therefore obscure, and Addisons appeal to a faculty of the imagination offers little illumination. This primitive faculty itself needs to be explained, and Brown argues that Addison turns to the exotic figure of the Chinese garden in order to present to cognition what cannot directly be cognized and thus open[s] up a space for thinking the aesthetic itself (82, 98). While it delimits the aesthetic faculty, this exotic figure nonetheless remains figurative. As a result, the aesthetic subject cannot define itself in opposition to a determinate, exotic other. Enlightenment aesthetics instead discloses a certain problematic that places the European self in a globalizing perspective that simultaneously reveals the selfs incompletion, promises it completion, and denies it any sense of self-equivalence (103). Because Addisons aesthetic subject depends on an exotic figure to think itself and so can never be integral, his aesthetic theory is not pure ideology but instead enables us to think beyond and displace Europe-as-sovereign subject from within European aesthetics (225). Browns analysis could be strengthened by considering how pleasure compensates for the subjects sense of incompleteness in aesthetic experience. His account also loses sight of the role promised the savage in his argument, since Addison does not describe the Chinese as savages. Nonetheless, Browns turn to exotic figures to understand the formation of Enlightenment aesthetic theory opens up postcolonial lines of inquiry that should spur more analysis.
Browns other example of how European aesthetic theory relies on exotic figures is Immanuel Kants interest in Maori facial tattooing. Again, the task is to understand how this figure enables thinking about the unconditioned element of aesthetic experience (i.e., the openness of reflective judgment and its freedom from the determinative concepts of the understanding). Focusing on Kants efforts in The Critique of Judgment (1790) to distinguish between free and adherent beauty, Brown argues that Kant deploys the exotic figure of the tattooed Maori New Zealander to exceed and remark a boundary between aesthetic and determinate judgment (124). Maori tattoos are examples of ornamental, adherent beauty that are almost free beauty. As Kant writes, a figure could be beautified with all sorts of curlicues and light but regular lines, as the New Zealanders do with their tattooing, if only it were not a human being (quoted in Brown, 107). The philosophers focus on Maori tattoos can partly be explained, Brown suggests, by the popularity of their images among Europeans, who considered them the most beautiful form of Pacific tattooing. Moreover, Kant relies on a certain ethnological understanding to place their practices on the cusp of the wild and social (117, 118). Marking the uppermost limit of savage ornamentation, Maori tattoos border on civilized beauty. Yet because they are attached to a human face, they cannot be beautiful. Unlike our aesthetic apprehension of a tulip, we cannot perceive a human face as a pure intuition without the perception of an end. It would be impossible to detach from a concept of an end something that carries a necessary relation to the human because Kant views the human being as the ultimate end of nature (138). We cannot bracket a determinate judgment, therefore, from an encounter with a human face. In the face of the tattooed Maori, Kant finds a figure that marks the limit of aesthetic judgment.
This boundary figure, however, also carries a disruptive force: the tattooed New Zealanders form an ungoverned repetition in Kants text, defacing the third Critique by re-writing (in) it (138). Although they possess a certain textual form (i.e., tattoos), Kants Maori do not have writing and cannot represent themselves. Unmoored from a referent, repeatable, the figure of the savage possesses a license leaving it difficult to govern (140). In addition, because tattoos belong to an entirely incompatible representative order, Kants reference to the Maori is allegorical, marked by a temporal and spatial disarticulation of its putative object (14142). Kants aesthetic subject cannot define itself in opposition to such an unruly exotic figure. Instead, the savage figure enables an aesthetic thinking in Kant that cannot properly be called European. Moreover, as allegorical figures, the Maori mark not only a limit to aesthetic judgment but also a shift in Kants writing from transcendental deduction to induction by example [and] from serious philosophical language to figural language (143). The allegorical savage figure, therefore, is also disruptively ironic: figurative language should not usurp philosophical discourse, and yet Kants philosophy of aesthetics relies on a trope. Brown thus argues that Kant articulates the conditions of possibility for a pure aesthetic judgment through the savage who, silent and occluded, nonetheless addresses us directly, within writing, to give rise to a certain utterance, though only on the basis (or parabasis) of dislocating the authority of the philosophers voice (144).
But just how directly does this silent and occluded savage address us within writing? After all, one might hesitate to call a figures ironic allegorical representation a direct form of address. And who or what is doing the addressing? Browns discussion of the Maori ends with It writes (144). Does It writes mean the colonial subject writes? Brown objects to current practices of postcolonial literary criticism because they restrict the significance of exotic figures to their representation in European discourses: One may well be attentive to mentions of Hottentots in eighteenth-century novels, yet as long as one remains concerned exclusively with the representations of Hottentots, one limits ones perspective to that western peninsula of the Asian continent we call Europe (xivxv). To give the Hottentots a disruptive agency, to treat them as something more than necessarily only (European) representation, Brown invokes representation as an allegory of inscription (xvi). This alterity of inscription, however, still belongs to representation, not to Hottentots.
Brown acknowledges that the alterity he deploys is not that of the New World other but of the nonphenomenological force of language: the thought in question [is] properly neither European nor the product of a sovereign consciousness, individual or collective (219). Indeed, exotic figures are figures of thinking without a subject (224). So much for the Hottentots. Yet Brown seems to overstate such claims by underplaying the significance of his own critical practice. Although figurative force belongs to all figures, he chooses to restrict his analysis to exotic figures because of their historical and political relevance. Appropriating the force of exotic figures to revise how they structure an imperial European self-understanding, his approach echoes Srinivas Aravamudans Tropicopolitans: Colonialism and Agency, 16881804. Cited but not discussed, Tropicopolitans treats the colonized subject as both fictive construct of colonial tropology and actual resident of tropical space, object of representation and agent of resistance.1For Aravamudan, the potentially disruptive force of figures can be reappropriated by resistant positions and redeployed by the agency that comes from those positions.2 Significantly, this agency seized by the tropological revision of discourses of colonial domination can be accomplished immediately by a resident of tropical space and retroactively by postcolonial agents, including twenty-first century literary critics. 3Browns choice of exotic figures and his retroactive revision of them seems best understood along these lines.
The books second half considers how the language and logic of aesthetics is used to theorize certain temporal processes (147). Browns analysis here is less convincing than his readings of Addison and Kant. His first example of coming to terms with what escapes our historical terms is Daniel Defoes Robinson Crusoe (1719). He describes Crusoes response to a large footprint on the beach as an encounter with an uncaused primitive thing located outside history that appears to push beyond time (153, 147, 152). As Crusoe stood like one Thunder-struck, or as if [he] had seen an apparition, he becomes terrifyd to the last degree and is like a Man perfectly confused and out of myself (Defoe, quoted in Brown, 150, 151). Brown reads Crusoes overwhelmed state in terms of an especially complex logic of the sublime that combines Longinus and (proleptically) Edmund Burke in a distended sublime (149, 150). This bigger sublime makes it possible to include Crusoes discovery of the cannibals campfire, when he regains his firm footing, as a recuperative moment in the logic of the sublime (149). Crusoe thus mistakes the campfires relationship to the footprint as empirically determined (i.e., the footprint was caused by a cannibal) when that relationship is actually aesthetically structured by the sublime. Crusoes ability to link the primitive print with the local savages is thus best explained not in terms of a historical cause and effect relationship but as the effect of an aesthetic figure. Crusoes self-understanding is therefore ideological. Mistaking an aesthetic relation for causality, he tries to establish a determinate structure following upon an indeterminate judgment (179). In other words, he understands his relief upon seeing the cannibals campfire not as a recuperative moment of sublime experience but as the result of having established his identity in opposition to the cannibals: the remains of the cannibal feast show him what he is not: a savage in the state of nature where people eat one another (178). Yet Crusoes apparent need to supplement this determination with the abstraction of natural law and the dictates of providence reveals its insufficiency: his firm identity established by negation is unstable. In short, Crusoes historicist self-understanding is blind to the constitutive and disruptive force of the sublime.
I was exceedingly surprised by this argument. Although bewildered and alarmed, Crusoe does not seem to perceive the footprint as a barely perceptible radical alterity hovering on the edge of nothingness, barely anything, almost nothing (176). Instead, he understands that it is a footprint, searches for more, listens, and looks around, fearful that some Man or Men had been on shore there (170). Casting the footprint as primitive allows Brown to bring the sublime to bear on Crusoes experience, but this is to focus on the wrong figures. Neither the sublime nor Crusoe appears to be especially relevant to Browns important questions. The distention of the sublime to encompass Crusoes experience from footprint to campfire seems less a revelation of figurative force than the uncomfortable forcing of a figure. Nor is Crusoe widely recognized as an icon of historicist hermeneutics.
A more promising historicist target appears in the final chapter, which examines how colonial Europeans attempted to make sense of North American Indian mounds. To understand this process, Brown turns to an eighteenth-century term of aesthetic provenance, Horace Walpoles concept of serendipity (188). For Walpole, this term means something more than a lucky insight: it is accidental sagacity tethered to a prior ignorance of knowing to look for what one has discovered (188). A surprising recognition of what lies outside our usual categories of perception, serendipity explains how a certain deviation in terrain become[s] recognizable as a mound (187). Yet the term also captures a certain instability in this flash of insight (195). Because the newly legible mound both stands outside verification (i.e., the imagination has to be called into supply what direct observation cannot) and has become different from its familiar form without the familiar form itself being transformed, serendipitous mound knowledge is always unstable and obscure (193, 207, 195). Tracing a history of biblical, nationalist, and historicist frames for interpreting the mounds, Brown criticizes historicism for failing to see that when it tries to contextualize cultural artifacts in relation to a mounds layers of strata, the representative objects, indexed stratigraphically, begin to facilitate a certain telling (212). The mode of this telling is allegorical, since the mound is recast as an object that tells of what it is not (214). In fact, both historicism and serendipity are forms of allegory, since both involve a temporal disjunction between perception and interpretation that prevents cognitive closure (214). Thus the mounds remain for nineteenth-century European observers things that force thought into a certain open-ended allegorical operation (215). It is within this operation, Brown suggests, that the voice of the Native American might be heard in a silence that forcefully interrupts the discourse of Europeans (215).
If Crusoe was the historicist victim of the work of a sublime figure that linked the primitive footprint to the savage campfire, nineteenth-century archaeologists think through an unlucky figure of serendipityone whose logic of insight and blindness, Brown suggests, is perverted by the desire to annihilate Native Americans. False claims that Indians lack the culture to produce mounds are reinforced by this perverted serendipity: the separating out of mound builders and Indians helps secure ones existing knowledge on one level (of Indians), even as ones knowledge is called into question on another level (of mound builders) (216). This negation of the Native American, however, is also a recuperation: The primitive race [of mound builders] begins as the savages [Native American Indians] negation. The savage stands beside history, inaugurating it yet not being a part of it (216). Accordingly, historicists cannot think the primitive without the (absent) savage against which they desire to define themselves. These arguments once again, however, seem to force the figure. First, Brown attributes the denigration of Native Americans not to the force of the figure of serendipity but to the colonial desire to dominate and exploit: the colonial motivation is external to the structure of serendipity. Second, just as Crusoe is not known as a historicist, serendipity is not widely known as an aesthetic category. The books singular use of these terms risks limiting the force of its arguments.
And yet this study raises important questions about the relationship between exotic figures and aesthetics, formalist and historicist methodologies, and our understanding of orientalism in eighteenth-century texts. If the examples in the books second half are not always persuasive, Browns analysis of the role played by savage figures in Enlightenment aesthetics should stimulate more work on their function in these and other texts. The books contents are not simple, and this review cannot do justice to a certain stylistic complexity in Browns sentences. But his insistence on the open form of aesthetic thinking reminds us of its value for mediating alterity and its potential for resisting domination.
1. Srinivas Aravamudan, Tropicopolitans: Colonialism and Agency, 16881804 (Durham and London, 1999), 4.
2. Aravamudan, 6.
3. Aravamudan, 6, 15.


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Blog Entry# 2029555
Posted: Oct 19 2016 (21:11)
No Responses Yet
Journey: Mon Jan 16, 2017 @ 12:5322642/Shalimar - Thiruvananthapuram Central SF Express (PT)
Class: Sleeper - SL | Tot Seats: Avbl 42
Travel: VZM/Vizianagaram Junction to MAS/Chennai Central | 842 km / 2566 km
Entry# 2029555
Posted by: apkaramesh 38 blog posts 9 correct pred (75% accurate)
PNR: 625-xxxxxxx | Similar PNRs
Posted Status as of: Oct 19 2016 (21:11)Passenger 1: Waitlist# 10 (Booking Status: W/L 10,RLGN)
Passenger 2: Waitlist# 11 (Booking Status: W/L 11,RLGN)
Total Fare: 890
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Latest Status as of: Jan 16 2017 (08:27)Passenger 1: Waitlist# 2 (Booking Status: W/L 10,RLGN)
Passenger 2: Waitlist# 3 (Booking Status: W/L 11,RLGN)
Total Fare: 890
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Italian Sausage Spaghetti Sauce
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READY IN: 1hr 45mins
Recipe by gailanng
Recipe by Rita Futral, as reported by Helen Dollaghan in the Oct. 27, 1985, edition of The Denver Post. The recipe comes from the first place winner in the Hunt-Wesson national spaghetti contest. Note: The recipe is posted as the original, but I have no experience adding the cheese with such a long cooking time. I'd add it towards the end fearing it would settle and possible stick or, worse, burn.
See Discussion:
Ingredients Nutrition
- 1 tablespoon olive oil
- 2 lbs Italian sausage (if not using bulk, remove casing)
- 1 medium garlic clove, pressed (the more the better)
- 1 (6 ounce) can tomato paste
- 1 (28 ounce) can whole tomatoes (pureed in blender or food processor)
- 1 (8 ounce) can tomato sauce
- 1 whole onion
- 1⁄2 green bell pepper, seeded but not chopped
- 1 cup grated parmesan cheese or 1 cup shredded cheddar cheese
- 1 teaspoon sugar
- 1⁄2 teaspoon dried oregano
- 1⁄2 teaspoon dried basil
- 1⁄4 teaspoon fennel seed
- 1⁄2 cup chopped fresh parsley
- 4 ounces fresh mushrooms, sliced
- salt
- pepper
- cooked spaghetti
- additional grated parmesan cheese (to garnish)
Directions See How It's Made
- Heat oil in Dutch oven over moderate heat. Crumble in Italian sausage, add garlic and cook until meat loses red color. Remove meat from pan and drain off all but about 1 tablespoon of grease.
- Whisk in tomato paste and cook over moderate heat about five minutes, stirring frequently (tomatoes burn quickly). Whisk in pureed tomatoes and tomato sauce, then add whole onion, green pepper, cheese (a little at a time to avoid clumping), sugar, oregano, basil and fennel seed. Add sausage. Bring just to boil, reduce heat and simmer, covered, about 1 1/2 hours. (Sauce will splatter if heat is too high.).
- Add parsley and mushrooms during last 5 minutes of cooking time. Remove onion and green pepper. Add salt and pepper. Serve over spaghetti, garnished with additional Parmesan cheese.


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The kids were feeling better (so we thought) so we went shopping on Saturday. We got some money back from taxes so we divided it up using an envelope system. We put some of it toward our emergency fund. We have been needing several things so we divided the rest up to cover those expenses. Our categories are towels, pots & pans, clothing, deck swing, tree removal, and Jim & Bridgett spending $$. We spent 4 hours shopping and it seemed like we didn't get much accomplished between bathroom breaks for all 3 kids. Anyway, we did end up getting some new clothes for the kids and some new towels. On Sunday I threw some of the new towels and clothes into the wash. What I didn't know was that James had a black crayon in his jeans pocket. Yikes was I upset when I saw all the new stuff covered with black spots! Last night I washed half the load in hot water, detergent, and goo gone. Today I washed them 3 more times and it seems like the spots are gone. Now I just have to do the other load 5 times. If anyone has a better suggestion, please let me know. If that was a test from God on patience, then I failed miserably. My brother reminded me that even Paul struggled with doing the right thing. We don't have to be discouraged when we do the wrong thing, just try harder the next time. Romans 7:18-19 For I know that in me (that is, in my flesh) dwelleth no good thing; for to will is present with me; but how to perform that which is good, I find not. For the good that I would do, I do not; but the evil which I would not do, that I do.
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Environment Minister Nick Smith said yesterday release of the Resource Management Act national monitoring system data highlighted the need for reform of the act. The image above is a slice of the monitoring report infographic.
"This monitoring report highlights how slow our planning system is, with the average time for a council plan taking more than 8 years and for a council plan change 4 years. This cumbersome process means councils cannot respond to changing society needs such as the sharp shift in housing demand from the lull of 2010 to the boom of 2015.
"It is crucial to resolving issues like housing that we have a far more responsive planning system. The Government's second phase of Resource Management Act reform, currently before Parliament, provides the option for councils to adopt a streamlined planning process which will enable councils to achieve plan changes in 6 months."
Dr Smith said the 2015 national monitoring system data & a new online tool opened up access to Resource Management Act statistics for the first time: "The data will help the Ministry for the Environment see which parts of the act processes are causing delays, where inconsistency in council practices is a problem, and identify best practice. For the first time, the ministry has detailed information on more than 42,000 resource consent applications & 359 plan-making processes.
"This new, open reporting on the Resource Management Act, alongside the Government's legislative reforms, also helps improve performance. Councils & communities need to compare their performance around environmental compliance & costs of processing this for plans & consents and help drive better practice."
Dr Smith said changes in the Government's first phase of Resource Management Act reforms had improved processing: "We've seen the number of late consents drop from 16,017 in 2007-08 to 1260 in 2014-15. We still have some issues with the efficiency of consent processing, with 19% requiring time extensions and 32% further information requests. More than 360 consents received a discount on their consent costs of [a total] $457,321 where councils did not meet statutory timeframes for processing.
"I am also encouraged by the increased levels of compliance with resource consent conditions, with 88% of those monitored being compliant. We still have more work to do in ensuring the act delivers good outcomes for the environment while minimising the restrictions & costs on businesses & homeowners.
"There is also work to do to reduce processing costs of $76 million for the 40,000-plus annual resource consents. There are significant savings to be made from reducing the number of notified consents, which cost 5 times those of non-notified. Even the average $1929 bill for a non-notified consent can be excessive when it involves a minor change in boundary or height rules. The proposal to enable councils to waive the requirement for some consents over many minor issues would be a relief to homeowners, where the consent cost can exceed the building cost. There are also significant benefits for the environment and costs of the Resource Management Act with greater use of national standards."
NMS Infographic.pdf (pdf 198.29 KB)
Environment Ministry, RMA reporting
Attribution: Ministerial release.


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Looks like Monterey Condo's At Lake Seminole is no longer available on Rent.com which means this information is likely out of date.
New, 2000 Square Foot, freshly painted Condo
New on Lake Seminole, Gated community with pool and workout facilities. Private, third floor condo. Inside hall ways safe, secure . Freshly painted.
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Engineering Entrance Examination in the Year
Engineering Entrance Examination in the Year 2009
Name of some Engineering Entrance Examination in 2009 are such as:
All India Engineering Entrance Examination (AIEEE)
All India Competitive Examination (AICE) for Admissions to Master's Degree Programs
Avinashilingam University for Women Entrance Exam
Indian Institute of Maritime Studies (IIMS) Entrance Exam
Marine Engineering & Research Institute (MERI) Entrance Exam
NERIST Entrance Examination (NEE)
Karunya University Entrance Exam [BTech, BE]
Kalinga Institute of Industrial Technology Entrance Exam (KIITEE) [BTech, MTech
SRM Engineering Entrance Exam (SRMEEE) [BTech, MTech]
All India Common Entrance Test (AICET)
IIT Joint Entrance Examination (IIT JEE)
Birla Institute of Technology and Science Examination (BITSAT)
Delhi Combined Entrance Examination CEE
Netaji Subhas Institute of Technology (NSIT)
National Institute of Technology (NIT)
Bharath University Engineering Entrance Exam (BIHER)
Bharati Vidyapeeth Engineering Entrance Exam
Bureau of Energy Efficiency (BEE)
Admission Test for Icfai Tech
Amrita Schools of Engineering BTech Entrance Exam
Annamalai University Engineering Entrance Exam
Associate Membership of Institute of Electronics and Telecommunication Engineers (AMIETE)
National Aptitude Test in Architecture (NATA)
Madhya Pradesh Pre Engineering Test (MP PET)
Vellore Institute of Technology Engineering Entrance Exam (VITEEE)
Vinayaka Missions University Engineering Entrance Exam
Tolani Maritime Institute – Birla Institute of Technology and Science
School of Planning and Architecture
Rajasthan Pre Engineering Test
Jawaharlal Nehru University Engineering Entrance Exam (JNU EEE)
JNTU Planning and Architecture Common Entrance Test (PACET)
Jamia Milia Islamia (JMI) Entrance Exam
International Institute of Information Technology -Post Graduate Entrance Exam (IIIT PGEE)
Graduate Aptitude Test in Engineering (GATE)
Engineering Common Entrance Test for Diploma Holders (ECET-FDH)
Dr.D.Y.Patil Institute All India Entrance Test
Dhirubhai Ambani Institute of Information and Communication Technology
Central Institute of Plastic Engineering & Technology Entrance Exam (CIPET)
Associate Membership of Institution of Engineers (AMIE)
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text:
Apartment Features
- Air Conditioning
- Balcony
- Cable Ready
- Dishwasher
- Elevator
- Gas Range
- Hardwood Flooring
- Microwave
- New/Renovated Interior
- Oversized Closets
- Some Paid Utilities
- Refrigerator
Special Features
- Disability Access
- Pets
Community Features
- Covered Parking
- Emergency Maintenance
- Extra Storage
- Garage
- High Speed Internet Access
- Laundry Facility
- Public Transportation
- Wireless Internet Access
- Controlled Access
- Pet Friendly
Additional Features
- 1 BR, 2 BR & 3 BR apartments
- Contemporary kitchens and baths
- Heat, hot water and cooking gas included
- Patio/balcony in select apartment homes
- Walk-in closet with organizer shelves
- High speed internet available
- 24 hours emergency maintenance
- Controlled access entry
- Easy commuter access to major highways
- Close to public transportation
- Laundry facilities onsite
- Pet friendly (some restrictions apply)
- Garage parking available
- Onsite friendly and professional management
- Two pet maximum. $250 fee, $10 monthly for cats. Small Dogs conditionally accepted: 25 lbs or less. Must be 1 yr. or older. $250 non-refundable pet fee, and $20 additional per month pet rent for dog. Breed Restriction
- Cats Allowed
- Dogs Allowed
Floor Plans & Pricing
Prices and availability subject to change without notice.
Property Details
Hampshire House
Offering extra-large, luxury apartments in the heart of the Lehigh Valley, Hampshire House makes living easy, convenient and worry-free. Our immaculate and beautiful, mid-rise elevator building features 1, 2, and 3 bedroom apartment homes with all the amenities you've come to expect such as free indoor parking, on-site laundry facilities, controlled access entry system, cameras and the hands-on friendly service of a full-time on-site maintenance staff. Situated on professionally landscaped grounds, Hampshire House enjoys curbside bus service and is an easy drive to all major highways. Enjoy exceptional living at a great price at Hampshire House! Call or stop by today!
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4 Reviews for Hampshire House
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I gave the Hampshire house this rating because this is a great place to live. The amenities are great as well as the residents and staff.
Solid construction from the 60's; safe, secure entry building; garage; 24 hour laundry on-site; huge rooms with plenty of closets; clean and well-maintained interior; terrific location; accommodating maintenance personnel and management.
Any time there is a problem it is taken care of right away
Facilities are clean, maintenance requests have been cared for on the same day, most residents are friendly and covered parking is the biggest bonus.
What is a Certified Resident?
A resident who lives at the property and has completed a resident satisfaction survey.
Advertising properties provide a list of email addresses of its residents to Kingsley Associates, a third party market research firm, who then sends out the satisfaction survey to the residents. Properties may also conduct satisfaction surveys of its residents through other third party market research firms. In those cases, we will publish those survey responses as long as the questions conform to our standard survey format.
Because reviews are from Certified Residents, and are managed by a third party, you can feel confident that the feedback provided is accurate and trustworthy.
General Directions
From Route 22: Take 15th Street exit and turn left. Drive straight to 15th and Hamilton Streets. Building is straight ahead on the right.
Helpful Information
Visit the property's management website
Professionally managed by Kriegman & Smith.


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Keith Woodford: Dutch dairying efficiency below sea level
Impressive science and technology combined with high environmental standards ensure efficient Dutch dairy farming, Keith Woodford writes.
ANALYSIS: In late May, I was in Holland with colleagues from Calder Stewart as part of a self-education project on hybrid dairy systems. These systems involve 12-month production of milk from the combination of grazing and off-paddock systems.
One of the first lessons we learned is that many Dutch cows graze below sea level. The north-western half of Holland is almost totally below sea level apart from artificial man-made structures called polders. In these regions, the pastures lie three to five metres below sea level. There is an English saying that God made Earth, but the Dutch made Holland.
The Dutch started building dikes some 700 years ago and they have never stopped. During that time, the sea level has been steadily rising at about three millimetres each year as Earth has continued its long-term emergence from the Ice Age.
Dutch dairy markets are about 35 per cent internal and 65 per cent exports. There are no price supports. However, Dutch dairy farmers do receive European Union grants of about 400 euros (NZ$630) per hectare for environmental management. Hence, there are lots of trees, the paddocks are small, and the rules around effluent are very strict.
Keith Woodford: Learning from Tillamook dairy
Keith Woodford: No easy alternatives to dairy
Fifty years of Canterbury farming revolution
Keith Woodford: Synlait poised for big infant formula move
There are many effluent management actions that New Zealand farmers can do that Dutch farmers cannot do. Accordingly, Dutch dairy farms need lots of effluent storage – for up to eight months. Most of this is held beneath their dairy barns in huge tanks. The barns are airy and there is little smell.
Livestock numbers (adjusted for breed liveweight) are increasingly regulated based on assessed phosphate loadings. These phosphate allowances can be bought and sold – they become a licence to farm. Just as in New Zealand in relation to new nutrient limits, there is lots of controversy.
One of the farmers we visited, who began a development programme before the new regulations, has successfully sued the Dutch government for an increased phosphate allowance. This has sent shockwaves through the system, and the government will undoubtedly mount an appeal in higher courts.
Per hectare production is high from a combination of feed grown on-farm plus bought-in supplements. A typical farm would run two large holsteins (the bigger cousins of friesians) plus young stock per hectare, and produce about 18,000 litres of milk (1350kg fat plus protein) per hectare.
The industry structure has similarities to New Zealand. FrieslandCampina is the dominant co-operative with a 65 per cent market share. CRV (which operates in New Zealand as CRV Ambreed) is the dominant farmer-owned herd improvement co-operative, similar to New Zealand's LIC (Livestock Improvement Corporation), and is one of the "big three" global suppliers of dairy semen.
Like New Zealand, the Dutch industry has had an increasing focus on China, but with infant formula as the key value-add product. They are happy to leave the commodities to New Zealand.
On our trip, we received great support from the CRV team who took us to a range of farmers who were pushing the envelope in various directions. These included high-production farms with cows averaging over 850kg milksolids (fat plus protein) per 305-day lactation, organic farms with somewhat lower production and higher costs, and hybrid farms with various levels of grazing.
Farmers who have their cows outside for at least six hours per day for at least 120 days of the year receive a price premium of 1.5 euros (NZ$2.35) per litre paid by their processor, which is about 5 per cent above the standard price. However, this "grass-fed" milk is not kept separate from other milk. Rather, it provides a market story that Dutch cows lead a happy outside-life together with nice pictures for dairy-product labelling.
Unlike New Zealand, the urban community seems generally supportive of dairy industry practices. There is a sub-group of "urbanista bovinophobes" who believe no animals should be farmed, but farmers and farming are generally held in high regard. This favourable situation has not been achieved by chance. Animal welfare standards and environmental management standards are both very high. The farms are exceptionally tidy.
There are a few Dutch farmers using similar grazing systems to New Zealand, and we found ourselves talking about grazing mass, the three-leaf stage and residuals, just as in New Zealand. However, there is much less synchrony over there between pasture supply and cow feed demand. The Dutch pastures lie dormant for up four months or more, and then bolt away in spring. When we were there in late May, grass production was about 140kg dry mater per hectare per day – enough to feed about seven cows each day at that time of year for each hectare.
Robot milking is very common. On one farm with two herds side by side, the robotically milked cows produce about 7 per cent more than the human-milked cows. This is largely as a result of additional milkings which the robotically-milked cows choose of their own accord.
A key reason for robotic milking is labour reduction and lifestyle. Unlike in America, dairy farm labour is very expensive. Most farmers rely on family labour.
The farms we visited were typically of about 100 cows, but across all of Holland the average farm is somewhat smaller than this. These are big cows - typically 650 to 700kg, and sometimes more. And they produce a lot of milk.
Land is expensive – it can be anywhere from 45,000 euros per hectare to over 80,000 euros per hectare (NZ$70,600 to over NZ$125,600). So, it is not surprising that the Dutch have spread out across the dairy world in search of new opportunities. It seems that the Dutch and dairying go together.
The level of science and technology application was very impressive on the farms we saw. The farm families are making a success of their lives. One farmer told us that he needed a price of about 32 euro cents per kg of milk (about $NZ6.50 per kg milksolids) to be profitable. He said his bought-in feed cost him 9 euro cents per litre of milk produced, his other costs including his own salary came to 14 euro cents, and interest plus debt reduction was another 9 euro cents. Right now, he is getting 36 euro cents. However, a year ago he was only getting 25 euro cents and life was tough.
Genomic selection of bulls based on DNA testing is increasingly favoured, and works sufficiently well such that progeny testing of bulls is now minimal. Farmers can choose their own selection criteria, with good feet and good udder conformation being highly favoured. The selection system works because the Dutch, working with other European countries, now know which genes affect these specific characteristics. (In New Zealand, the equivalent information for our cows in our environment is currently less reliable.)
Famers also select strongly for bulls that will produce cows of high longevity so as to reduce the number of replacement stock that need to be raised. They are already achieving cow longevity similar to New Zealand when measured in years, but with almost double the lifetime milk production given the high annual lactation yields.
My overall impression of Dutch dairy farming is strongly positive. They have got their act together, with a focus on lots of science, well-educated farmers, and an understanding that they have to do things right if they are to retain a social licence from the rest of the community.
If there is an Achilles heel to Dutch dairying, it is the small size of the farms, and the long cold winters. These farms lie at a northern hemisphere latitude equivalent to 650km south of Invercargill.
In New Zealand, the counter claim to Dutch efficiency would be that the Dutch get big subsidies. But by my calculations, these grants comprise less than 7 per cent of income on highly productive farms, and they do come with obligations. I think we have lots to learn.
Keith Woodford is an independent consultant who holds honorary positions as Professor of Agri-Food Systems at Lincoln University and Senior Research Fellow at the Contemporary China Research Centre at Victoria University. His articles are archived at https://keithwoodford.wordpress.com His email is email@example.com)
- Stuff


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October 27, 2013
Here Kitty, kitty
A dear friend of mine is not feeling well so it's on the way to her in the form of a card.. Hope it makes her feel better.
16 comments:
I´m sure your friend will be happy for this pretty little kitten, and when you are happy it´s easier to get well Wishing you a great week!ReplyDelete
Hi Barbra Joan! This is a beautiful gift! I'm sure she will feel better looking at those big blue eyes. Wishing her a quick recover, hugs from AnamariaReplyDelete
Those eyes are so luminous! Well done!ReplyDelete
What a great pair of eyes! I'm sure your friend will be very happy with this painting!ReplyDelete
How beautiful! I love the two colors in the iris! I am sure your friend will be over the moon that you were thinking of her, BJ. You are an awesome friend!ReplyDelete
This is a very nice gift. Am sure your friend will be happy with it.ReplyDelete
Gorgeous! Such an adorable face :0)ReplyDelete
BJ - I am certain this beautiful kitty face will make your friend well. The eyes are so stunning. Hope you are having a lovely day friend. HugsReplyDelete
So beautiful. Do you ever do commission work? I was thinking about Andee.ReplyDelete
Well thank you for asking, but no not any more..ReplyDelete
Is Andy the tabby?
Your friend will find this little gem a real treat. Congratulations on your recent awards. I,love your pencil work!ReplyDelete
BJ, this painting will surely brighten you friends day. Well done.ReplyDelete
BJ this is so adorable. I love it. So sweet. She will love it. love to you DianaReplyDelete
HI BJ. My 2nd attempt at sending this. Just wanted you to know I'ts adorable. So sweet. I know your friend will cherish it. love to you,DianaReplyDelete
Hello Barbra Joan:) More close-up is not possible, I think. What a wonderful kitty and the eyes are stunning! I really love this one:)ReplyDelete
Only just seen this one from Gary's photo. This little kitten was such a cutie - he was from a litter that were in the villa next to us when we were in Greece to climb Mount Olympus - I sometimes wonder what became of him. I painted him too on a small piece of watercolour paper and he was sold to raise money for the Running with Brushes charity so I don't know where it is now. Lovely to think of yours going to a friend in need, I bet she loves it! Thank you also for crediting Gary as not everybody does and he really appreciates it xReplyDelete


text: Emmanuelle Chriqui Photos Jun 5, 2015 @ 9:58 Source PREVIOUS NEXT Facebook Google+ Pinterest StumbleUpon What did you think of the image? Cancel reply More funny pictures from this site:Ellen DeGeneres' Backyard.Get over it..Motherhood. Yay. ➨ funny tumblrThe last photo I took in 2015.This Is A LieBad DaysWhat The Hell Am I Looking AtF**k off Beverly, I'm too busy worrying about world stuff.Kids In 2017Best I Can Do Is 2


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site to site with asa5520 to ISA establishes but doesnt stay active
I have a tunnel established site to site and the only way we can get it to negotiate is for the ISA site to ping the ASA site. At that point Im able to ping his internal and vice versa but after a few minutes of no activity the connection drops and he has to ping me again. Im not familiar with ISA but he says there is no keep alive setting like with Cisco. Any ideas on how to make the tunnel stay active? thanks in advance


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Sealed Air CLEANER CREW RESTRM FLOOR (100875413)Item#: 40544892 | Model#: 100875413
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Vintage 1800s Hawaiian Butterfly Fish Illustration Large Square Tile
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Size: Large (6" x 6")
Display your favourite photos, images and quotes on this vibrant ceramic tile. Use as a trivet or to decorate your home. Great for holiday, wedding, and office gifts.
Diameter: 15.2 cm
Depth: 5 mm
Weight: 241 g
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Designer Tip: To ensure the highest quality print, please note that this product's customisable design area measures 15.2 cm x 15.2 cm. For best results please add 3 mm bleed.
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About This Design
Vintage 1800s Hawaiian Butterfly Fish Illustration Large Square Tile
Large Ceramic Tiles - Customised Tile Template Blank DIY Personalise with your own name, pattern, design, quote, monogram, photograph. Use our cool templates, artwork, photos, graphics, and illustrations, then add names, text, quotes, and monograms to create your own ceramic tile. Click the "Customise it!" button to make it personalised or monogrammed. These tiles are great gifts for men, women, and kids (and you, too, of course!). Put your photo here!
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After the assassination of Dr. George Tiller in Kansas in 2009, there are a limited number of doctors left in the country who provide third-trimester abortions for women. After Tiller moves between the rapidly unfolding stories of these doctors, all of whom were close colleagues of Dr. Tiller, and are fighting to keep this service available in the wake of his death. These four people have become the new number-one targets of the pro-life movement, yet continue to risk their lives every day to do work that many believe is murder, but which they believe is profoundly important for their patients' lives. After Tiller shows them confronting harassment from protesters, challenges in their personal lives, and a series of tough ethical decisions.


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Travel and Places May 26th, 2010 | 2 Comments »
I like the night scene…nice photograph!
clean and nice place! Mariposa's WW!
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Enterprise Rent-A-Car failed reader Jimmy in every possible way, which is quite the accomplishment since he only wanted a full size car to drive around his visiting friends. GEICO, Jimmy's insurance company, set him up with Enterprise after he lost a head-on collision with a deer. Enterprise managed to muck up nearly every step of the rental process, promising to deliver cars they didn't have, delivering the wrong class of car, and upselling unnecessary insurance that they wrongly said GEICO would cover. Jimmy's never going to use Enterprise again, and inside, you'll see why…
customer service
Enterprise Rent-A-Car Is Unsurprisingly Useless And Full Of Lies
By April 11, 2009


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Archinect - News 2017-08-22T01:47:30-04:00 https://archinect.com/news/article/150020708/fire-safety-reform-australian-state-government-to-audit-replace-and-ban-flammable-cladding Fire safety reform: Australian state government to audit, replace and ban flammable cladding Alexander Walter 2017-08-02T13:46:00-04:00 >2017-08-02T13:47:09-04:00
The state government will audit the use and ban the supply of the potentially flammable building cladding that led to London's deadly Grenfell Tower inferno, in what it styles as Australia's toughest fire safety reforms. [...] Better Regulation Minister Matt Kean said the government had undertaken an audit sample of about 180,000 residential and commercial towers constructed in NSW since the 1980s. About 1000 of those buildings "may have [unsafe] cladding", the Minister said.

"The [New South Wales] state government said it would introduce reform that would identify buildings encased in unsafe cladding," the Sydney Morning Herald reports, "require them to be inspected and force building owners to foot the bill for replacements and ban the sale and supply of unsafe material."
 https://archinect.com/news/article/150020348/82-buildings-fail-fire-safety-test-in-the-wake-of-grenfell-tower-tragedy 82 buildings fail fire safety test in the wake of Grenfell Tower tragedy Alexander Walter 2017-08-01T04:00:00-04:00 >2017-07-31T17:34:17-04:00
Eighty-two buildings have failed a new fire safety test set up in the wake of the Grenfell Tower fire, ministers say. The test examines the safety of building cladding and insulation in combination. It comes as an independent review of building regulations and fire safety has also been announced by the government. It will look at current building regulations and fire safety, focusing on high-rise residential buildings.

"The new fire safety test is the first of a wave of more comprehensive assessments, which come after previous tests were carried out on hundreds of cladding samples in recent months - many of these failed standards for flammability," the BBC reports and outlines key examination goals of the upcoming independent review.

At least 80 people lost their lives and over 70 were injured in a tragic fire on June 14 that rapidly spread through the building and engulfed the majority of the 24-story Grenfell Tower block of public housing flats in West London.
 https://archinect.com/news/article/150014594/34-buildings-in-london-evacuated-after-failing-fire-tests-in-light-of-grenfell-tower-tragedy 34 buildings in London evacuated after failing fire tests in light of Grenfell Tower tragedy Mackenzie Goldberg 2017-06-26T13:29:00-04:00 >2017-06-26T13:29:23-04:00
Britain said 34 high-rise apartment blocks had failed fire safety checks carried out after the deadly Grenfell Tower blaze, including several in north London where residents were forced to evacuate amid chaotic scenes.

Two weeks ago, a low-income residential tower in London tragically caught fire resulting in the death of at least 79 occupants. The incident has sparked a national (and even international) conversation about the safety standards set by London officials for low-income residents as it has been discovered that certain precautions like sprinkler systems were deemed unnecessary in the interest of cutting costs. In addition, a cladding on the exterior of the building has been largely determined as the reason the fire lead to such deadly results. The same material is said to clad tens of thousands of buildings in more than 87 tower blocks across the United Kingdom.

In an attempt to avoid similar failures in the future, British officials have inspected over 600 high-rise buildings across England. From this, the Department for Communities has concluded that 34 apartment blocks across the country fail to meet safety standards. The aluminum cladding that covered Grenfell has begun to be remove...
 https://archinect.com/news/article/150013308/grenfell-tower-fire-up-to-30k-other-buildings-clad-in-the-same-material-likely-responsible-for-the-fire Grenfell Tower Fire: Up to 30K Other Buildings Clad in the Same Material Likely Responsible for the Fire Nicholas Korody 2017-06-19T12:23:00-04:00 >2017-06-20T10:13:42-04:00
There are tens of thousands of buildings in more than 87 tower blocks across the United Kingdom clad in the same aluminum composite that experts claim was largely responsible for the severity of the blaze that erupted on Grenfell Tower in Kensington and claimed at least 79 lives. The material, which is banned in the United States and elsewhere, is intended to improve the aesthetics of the towers, in part to raise nearby property values.

In the case of Grenfell Tower, by just spending £5,000 more on the £8.6 million refurbishment, a fire resistant cladding could have been used and saved these lives. This is not new information. Back in 2000, an inquiry said all cladding systems should use non-combustible materials, following a blaze in Scotland responsible for the death of an elderly man. In addition to the cladding, a lack a sprinkler systems has been blamed for the fire. Just one of eight councils has said it put sprinklers into their flats—18 out of 2,925.

Experts, such as archit...
 https://archinect.com/news/article/150013048/grenfell-tower-fire-corbyn-calls-for-empty-flats-in-the-adjacent-area-to-be-requisitioned-as-evidence-grows-that-negligence-responsible-for-the-blaze Grenfell Tower Fire: Corbyn calls for empty flats in the adjacent area to be requisitioned as evidence grows that negligence responsible for the blaze Nicholas Korody 2017-06-16T13:47:00-04:00 >2017-06-16T13:47:18-04:00
Reports indicate that a cladding, banned in the United States, added to the Grenfell Tower was largely responsible for the intensity of the fire that claimed at least 30 lives earlier this week in North Kensington. It was just £2 cheaper per square meter than an alternative, fire resistant version. Disturbingly, the cladding was added to appease wealthy residents nearby, states Emma Dent Coad, the Kensington MP, and to 'regenerate' the area through development.

Anger has risen as the fire increasingly looks less like a tragic accident and more and more like the result of outdated regulations and funding cuts. For example, sprinkler systems are not mandatory in public housing blocks—raising fears that some 4,000 similar blocks are at risk of similar tragedies. It is important to note that black and minority ethnic people are disproportionately housed in such flats.

When a fire erupted in 2009 in another tower block, analysis made clear inadequate measures were being taken to address fi...
 https://archinect.com/news/article/149971973/golden-gate-bridge-needs-additional-124m-to-build-suicide-barrier Golden Gate Bridge needs additional $124M to build suicide barrier Julia Ingalls 2016-10-04T14:09:00-04:00 >2016-11-03T22:14:40-04:00
Roughly 25 people each year jump to their deaths from San Francisco's Golden Gate Bridge, which prompted city leaders to authorize a plan to erect a kind of suicide-prevention stainless steel cable netting twenty feet below the bridge's deck. The netting, which is painted gray to blend in with the water below, has worked wonders on other suicide-prone perches, including the Prince Edward Viaduct. As Global Construction Review reports, the problem for the Golden Gate is that the bids for the construction have come in about $100 million more than the city anticipated (plus a +/- $20 million contingency fund). The project is on hold until January 9th to allow the city to hustle up the additional funding.

Other notable San Francisco design news:

Luxury condos sink in San Francisco's Millennium Tower

San Francisco to mandate solar panels for new constructions

Man living in plywood "pod" in SF apartment told to knock it off by housing inspector

 https://archinect.com/news/article/149956324/architects-constitute-the-fifth-most-likely-profession-to-commit-suicide Architects constitute the fifth most likely profession to commit suicide Julia Ingalls 2016-07-06T21:06:00-04:00 >2016-07-08T22:03:43-04:00
Less depressing than construction, not nearly as happy-making as arts, design, entertainment, sports and media: according to the CDC, architects are the fifth most likely to commit suicide in comparison with members of other professions, especially if you're a male architect (data for female architects was unavailable).

The study chose to focus on 12,312 suicides that took place in 17 U.S. states in 2012. According to the CDC report, "Occupational groups were stratified by sex, and rates of suicide were calculated for each group using denominators derived from the U.S. Census Bureau's Current Population Survey March Supplement (5), which includes a question about the person's primary occupation during the previous calendar year."

For more on mental health in architecture:

Mental Health Survey at University of Toronto's Faculty of Architecture Reveals Worrisome Results

Screen/Print #36: Harvard Design Magazine's "Well, Well, Well"

An environmental psychologist on why boring design is bad...

 https://archinect.com/news/article/149945014/uk-school-buildings-are-damaging-pupils-health-and-performance UK school buildings are damaging pupils' health and performance Ellen Hancock 2016-05-13T10:03:00-04:00 >2016-05-20T00:50:12-04:00
School buildings in the UK are of such poor quality that children are underperforming and teachers are quitting the classroom, experts have warned. A new study by the Royal Institute of British Architects (RIBA) found that one in five teachers have considered leaving their school as a result of stressful, overcrowded working environments caused by the poorly designed buildings they have to teach in.

Relating UK articles here:

Crossrail unveils images of new Elizabeth line stations

Latest University of Westminster Burning Man studio project needs a Kickstart

This week's picks for London architecture and design events

 https://archinect.com/news/article/149941759/building-upgrades-proposed-for-roche-dinkeloo-s-ford-foundation-building Building upgrades proposed for Roche + Dinkeloo's Ford Foundation Building Justine Testado 2016-04-21T14:10:00-04:00 >2016-05-04T23:41:35-04:00
The Landmarks Preservation Commission is set to consider a proposed $190 million renovation to the Ford Foundation...Although many aspects of the building have long been outdated...it is health and safety, not aesthetics or technology, that initially drove the foundation's plans. The city has given Ford until 2019 to bring the building up to code for fire safety and handicapped accessibility...

"...But since they had to scratch the building's surfaces, Ford Foundation president Darren Walker and his staff decided to go further, upgrading not just by adding sprinklers to the ceilings and greater access to the atrium, but new security, new lighting and mechanicals, and a new spatial organization."

More on Archinect:

"Stop the unpermitted demolition": Roche Dinkeloo's shiny UN Plaza Hotel lobby might be remodeled
 https://archinect.com/news/article/149941413/washington-university-in-st-louis-to-phase-out-styrene-next-fall-students-express-mixed-reactions Washington University in St. Louis to phase out styrene next fall, students express mixed reactions Justine Testado 2016-04-19T13:10:00-04:00 >2016-04-19T15:26:17-04:00
Many current architecture students are excited about the removal of styrene mainly because of the various health hazards...[However,] others are worried that it will negatively impact their work and productivity. Sophomore Sam Landay explained that it's not uncommon for architecture students to put their projects before their health. Even outspoken opponents of styrene admit the necessity of utilizing the material.

More on Archinect:

When the pressure is on, dedicated architecture students show how to power nap like a pro

One night's bad sleep equivalent to six months on a high-fat diet, new study finds

Another study warns that 3D-printers pose potential health risks for users
 https://archinect.com/news/article/149936224/how-one-architect-is-working-to-fix-mexico-city-s-faulty-water-supply-infrastructure How one architect is working to fix Mexico City's faulty water supply infrastructure Justine Testado 2016-03-23T18:42:00-04:00 >2016-04-08T00:42:15-04:00
'Mexico City's water system goes against its own functional essence. The city is dehydrating itself. We're mixing our water with poisonous waste and then pumping it out through a complex network of pipes. Just like what happens when a human is dehydrated, Mexico City has diarrhea.' — Elias Cattan

"In a mega-metropolis with a deep history of corrupt leaders and state-sanctioned misinformation, [architect Elias Cattan of Taller 13] believes awareness is the first step. That's why he's part of a growing movement of environmental scientists, activists, designers and engineers determined to redesign Mexico City's water supply management while educating its 9 million residents in the process."

More related to public health issues on Archinect:

EPA study finds no evidence that fracking has lead to polluted drinking water

Should the children of Flint be resettled?

Dispatch from Flint: How architects can help, on Archinect Sessions #54

One CEO's plan to supply water to drought-stricken CA cities, and obviously profit from it
 https://archinect.com/news/article/149814167/how-to-design-that-elusive-perfect-town How to design that elusive "Perfect Town" Alexander Walter 2016-03-07T13:49:00-05:00 >2016-03-17T22:04:51-04:00
This got us thinking about what it takes to build an ideal town: should pubs be on every residential corner or on the high street? How many trendy coffee shops are too many? Are libraries still a thing? We didn't have the answers to any of those questions, so we spoke to Matt Richards – a planner at property consultancy Bidwells – to find out what makes the perfect town.

Related stories in the Archinect news:

Turning the "ugliest building in Liverpool" into an exemplar of public health

Urbanism as a public health issue: Oklahoma City's battle with obesity

Jan Gehl's perspective on making "a good urban habitat for homo sapiens"

How urban designers can better address mental health in their work, according to a new think tank

 https://archinect.com/news/article/123661102/supercomputing-project-simulates-architecture-s-influence-on-urban-microclimates Supercomputing project simulates architecture's influence on urban microclimates Alexander Walter 2015-03-24T13:24:00-04:00 >2015-04-04T22:35:05-04:00
A research team from the Mechanical Engineering department at University of Utah is using high-performance computing resources from XSEDE to instantaneously and accurately simulate how infrastructure elements, such as parks, buildings, and parking lots, as well as their specifications and variations, affect air characteristics and quality in urban settings.

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd"> <meta> https://archinect.com/news/article/97566131/moved-to-care-competition-winners-highlight-the-importance-of-safe-healthcare-for-all Moved to Care competition winners highlight the importance of safe healthcare for all Justine Testado 2014-04-08T13:56:00-04:00 >2014-04-14T19:14:21-04:00
No matter what country you live in, everyone deserves access to safe and secure healthcare. Re-emphasizing this global issue is Building Trust International's Moved to Care competition, which sought feasible design solutions for a portable healthcare facility for high-demand regions in Southeast Asia.

Out of over 200 registered entrants, a U.S. multidisciplinary team consisting of Patrick Morgan, Jhanéa Williams, and Simon Morgan won the Professional category. The jury also selected nine honorable mentions from around the world.

For the Student category, 'REFLEX' by Christopher Knitt (University of Wisconsin, Milwaukee, USA) was named the winner along with four honorable mentions.

Check out the winning entries below.

Professional category winner:  Patrick Morgan M-Arch, Simon Morgan MPH and Jhanéa Williams M-Arch (USA)

Student category winner: "REFLEX" by Christopher Knitt (University of Wisconsin, Milwaukee, USA)

Learn more about the projects on Bustler.
 https://archinect.com/news/article/34830662/radioactive-fukushima-concrete-found-in-new-japanese-building Radioactive Fukushima Concrete Found In New Japanese Building MikeChino 2012-01-17T12:47:00-05:00 >2012-01-17T13:43:37-05:00
Following last year's nuclear disaster in Fukushima, there has been a great deal of public concern over the contamination of local food sources and water and now, newly constructed buildings can be added to the list of radiation fears in Japan. A three-month long survey of students in Nihonmatsu City turned city officials onto the presence of high levels of radiation in one recently built three-story apartment complex.

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