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Our Medical Cylinder Fill Racks offer the best in safety and features.
The only modular, self-contained, turn-key fill rack of it's kind. By incorporating safety features and ergonomic design into a space efficient, expandable system, Weldcoa's rack system will grow with your expanding business.
Much of the strength of Weldcoa's fill rack lies in it's ability to adapt to suit the needs of the end-user. Weldcoa's system allows for a variety of configurations so you can assemble a unit that meets your specific needs.
Features & Benefits
- Two level fill system
- Wholly contained turn-key system
- Interpiped and interconnected
- Standardization and uniformity
- Quick and easy connections
- Durable construction
- Oxygen cleaned
Modular Medical Fill Racks
- Module footprint 76"x24"
- 24 cylinder capacity (on 6" centers)
- 3500PSI rated
- All piping brass or Monel 400 header
Quick Connect
Weldcoa is a master distributor of FasTest® VeriQuik connect ends for O2 medical cylinder gas filling.
Medimate CGA 870
Actuator lever locks valve into place.
No twist, no turn, yoke style connector, 3600 PSI.
WEH Medical CGA 540
Designed for inverted rack-filling applications. No twist, no turn connector, 3600 PSI.
Modular Conventional Fill Manifold System
The ModCon Fill System provides a flexible seemingly endless combination of fill manifold configurations that can expand and change with your business requirements.
The ModCon Fill System will maximize cylinder through put while laying the groundwork for future growth. It is delivered assembled and ready to go. Simply uncrate the unit, position it in place, anchor it to the floor and connected it to the existing plumbing.
Control Panel Options
- Single Gas Single Control Panel (2 Manifolds)
- Single Gas Double Control Panel
- Mix Gas Single Control Panel (2 Manifolds)
- Mix Gas Double Control Panel
- Cylinder Prep Panel (Vent, Vac)
Modular Fill Rack Options
- 20 Cylinder Station Manifold & Frame
- 3500 PSI Header
- Individual Isolation Valves
- Specify CGA Connection & Lead Length
- Vacuum Pump & Interconnected Piping
- Fold Down Shelf Units For Small Cylinders
Inverted D&E Medical Racks
- D&E Inverted Rack For Single Gas Panel Frame
- D&E Inverted Rack For Double Gas Panel Frame


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- repugnant white nationalist, white supremacist bereft impanel cosmopolitan
Law Dictionary
suspect class
Legal Definition of suspect class
: a class of individuals marked by immutable characteristics (as of race or national origin) and entitled to equal protection of the law by means of judicial scrutiny of a classification that discriminates against or otherwise burdens or affects them a classification that does not impact a suspect class or impinge upon a fundamental constitutional right will be upheld if it is rationally related to a legitimate government interest — Doe v. Poritz, 622 A.2d 367 (1995) —called also protected class — see also suspect classification
Additional Notes on suspect class
Suspect class and suspect classification are often used synonymously in regard to a group of persons, but suspect class does not refer to the process of classifying itself.
Seen and Heard
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- Nathan Sorenson, Philippe Pasquier, Steve DiPaola
- IEEE Transactions on Computational Intelligence…
- 2011
This paper presents an approach to automatic video game level design consisting of a computational model of player enjoyment and a generative system based on evolutionary computing. The model estimates the entertainment value of game levels according to the presence of "rhythm groups," which are defined as alternating periods of high and low… (More)
- Steve DiPaola
- 2002
We will describe a visual development system for exploring face space, both in terms of facial types and animated expressions. Imagine an n-dimensional space describing every humanoid face, where each dimension represents a different facial characteristic. Within this continuous space, it would be possible to traverse a path from any face to any other face,… (More)
This paper describes the conceptual and implementation shift from a creative research-based evolutionary system to a real-world evolutionary system for professional designers. The initial system, DarwinsGaze, is a Creative Genetic Programing system based on creative cognition theories. It generated artwork that 10,000's of viewers perceived as human-created… (More)
- Steve DiPaola, Ali Arya
- 2004
– This paper addresses the issue of affective communication remapping, i.e. translation of affective content from one communication form to another. We propose a method to extract the affective data from a piece of music and then use that to animate a face. The method is based on studies of emotional aspect of music and our behavioural head model for face… (More)
- Steve DiPaola, Ali Arya
- 2004
This paper proposes the Face Multimedia Object (FMO), and iFACE as a framework for implementing the face object within multimedia systems. FMO encapsulates all the functionality and data required for face animation. iFACE implements FMO and provides necessary interfaces for a variety of applications in order to access FMO services.
- Steve DiPaola
- Journal of Visualization and Computer Animation
- 1991
We describe, in case study form, techniques to extend the range of facial types and movement using a parametric facial animation system originally developed to model and control synthetic 3D faces limited to a normal range of human shape and motion. These techniques have allowed us to create a single authoring system that can create and animate a wide range… (More)
- Ali Arya, Lisa N. Jefferies, James T. Enns, Steve DiPaola
- Journal of Visualization and Computer Animation
- 2006
What visual cues do human viewers use to assign personality characteristics to animated characters? While most facial animation systems associate facial actions to limited emotional states or speech content, the present paper explores the above question by relating the perception of personality to a wide variety of facial actions (e.g., head… (More)
- Steve DiPaola
- 2009
We overview our interdisciplinary work building parameterized knowledge domains and their authoring tools that allow for expression systems which move through a space of painterly portraiture. With new computational systems it is possible to conceptually dance, compose and paint in higher level conceptual spaces. We are interested in building art systems… (More)
- Steve DiPaola, Ali Arya
- Sandbox@SIGGRAPH
- 2006
We propose a method to extract the emotional data from a piece of music and then use that data via a remapping algorithm to automatically animate an emotional 3D face sequence. The method is based on studies of the emotional aspect of music and our parametric-based behavioral head model for face animation. We address the issue of affective communication… (More)
- Steve DiPaola, Caitlin Akai
- SIGGRAPH Educators Program
- 2006
With the aid of new technologies, integrated design approaches are becoming increasingly incorporated into exhibit design in museums, aquaria and science centres. These settings share many similar design constraints that need to be addressed when designing multimedia interactives as exhibits. The use of adaptive systems and techniques can overcome many of… (More)


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Jessica Dill
- 74-year-old man killed in Cleveland was father of 10FOX 8 News Cleveland
- Girlfriend who was with driver killed after police chase explains chain of eventsFOX 8 News ClevelandStrongsville , Medina , Ohio
- Happy Birthday, Jessica Dill!FOX 8 News Cleveland
- Festive fun: FOX 8's annual ugly Christmas sweater newscastFOX 8 News Cleveland
- Anchors play life-size Hungry Hungry HipposFOX 8 News Cleveland
- Hundreds do the time warp at Cleveland Heights theater for 'Rocky Horror Picture Show'FOX 8 News Cleveland
- Here's how you can Time Warp along live to Fox's remake of The Rocky Horror Picture ShowFOX 8 News Cleveland
- Almost game time! Everything you need to know about Indians ALDS Game 1 tonightFOX 8 News ClevelandTower City , Fourth St. , Bolivar , Huron , Ontario
- Love 'over-the-knee boots' — but not sure how to wear them? Here's some ideasFOX 8 News Cleveland
- Saturday scores: Updated high school football scores for Week 3FOX 8 News Cleveland
- FNTD Week #3 Guest Host: Jessica Dill visits the DemonsFOX 8 News Cleveland
- Action-packed night ahead for week 3 of Friday Night TouchdownFOX 8 News Cleveland
- Hilarious: What does a cicada sound like? Just ask Fox 8's 'Jessicada' Dill!FOX 8 News Cleveland
- Opening Day take 2: Indians set to play ball this afternoonFOX 8 News Cleveland
- FOX 8 News in the Morning goes on Easter Egg huntFOX 8 News Cleveland
- Live blog: Heavy snow on east side causing messy commuteFOX 8 News Cleveland
- Internet hilariously imagines what #BillyManziel would look likeWHIO
- Cleveland Browns players react to Pettine, Farmer firingsFOX 8 News Cleveland
- Find your oven mitts! Fox 8's own share their favorite holiday treat recipesFOX 8 News Cleveland
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Camera + Gear Rental
Click on the in-studio or off-site packages for more details and availability. Scroll down to see additional gear.
We want to make everything easier… even bookings! Sign up for a MEmbership to book studio, workstation and equipment rentals. It's free to sign up, as in $0.00/month – seriously. Once you are a member, just pay as you go depending on the needs of your project.
Interested in renting an item not listed? Try www.pittsburghlenses.com
Canon EOS 5D IVSee Description
The EOS 5D Mark IV camera builds on the powerful legacy of the 5D series, offering amazing refinements in image quality, performance and versatility. Canon's commitment to imaging excellence is the soul of the EOS 5D Mark IV. Wedding and portrait photographers, nature and landscape shooters, as well as creative videographers will appreciate the brilliance and power that the EOS 5D Mark IV delivers. Superb image quality is achieved with Canon's all-new 30.4 Megapixel full-frame sensor, and highly-detailed 4K video is captured with ease. Focus accuracy has been improved with a refined 61-point AF system and Canon's revolutionary Dual Pixel CMOS AF for quick, smooth AF for both video and Live View shooting. Fast operation is enhanced with Canon's DIGIC 6+ Image Processor, which provides continuous shooting at up to 7.0 fps*. Built-in Wi-Fi®**, GPS*** and an easy-to-navigate touch-panel LCD allow the camera to become an extension of you. When quality matters, the EOS 5D Mark IV helps deliver results to inspire even the most discerning imagemaker.
Canon EOS 5D IIISee Description
With supercharged EOS performance and stunning full frame, high-resolution image capture, the EOS 5D Mark III is designed to perform. Special optical technologies like the 61-Point High Density Reticular AF and an extended ISO range of 100–25600 expandable to 50 (L), 51200 (H1) and 102400 (H2) make the EOS 5D Mark III ideal for shooting weddings in the studio or out in the field, and great for still photography. Advanced professional-level high definition video capabilities (that includes a host of industry-standard recording protocols and enhanced performance) make it possible to capture beautiful cinematic movies in EOS HD quality. A newly designed 22.3 Megapixel full-frame Canon CMOS sensor, Canon DIGIC 5+ Image Processor, and shooting performance up to 6.0 fps provide exceptional clarity and sharpness, even when capturing rapidly-unfolding scenes. Additional technological advancements include an Intelligent Viewfinder, Canon's advanced iFCL metering system, High Dynamic Range (HDR), and Multiple Exposure mode-all of which help make the EOS 5D Mark III the perfect multimedia tool.
Canon EOS 80DSee Description
Whether raising your game to SLR level photography or having fun with a feature-rich, versatile SLR you can use pretty much anywhere, the EOS 80D camera is your answer. It features an impressive 45-point all cross-type AF system* that provides high-speed, highly precise AF in virtually any kind of light. To help ensure photographers don't miss their shot, an Intelligent Viewfinder with approximately 100% coverage provides a clear view and comprehensive image data. Improvements like a powerful 24.2 Megapixel (APS-C) CMOS sensor and Dual Pixel CMOS AF for Live View shooting enhance the EOS 80D's performance across the board. Complementing the EOS 80D's advanced operation are built-in wireless connectivity and Full HD 60p movies that can be saved as MP4s for easy sharing. Merging power, precision and operability, the EOS 80D is a dynamic SLR camera for anyone ready to realize their creative vision.
Canon EOS C100 Mark IISee Description
The Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF is Canon's updated version of the C100 designed for event videographers, documentarians, and independent filmmakers. It incorporates the continuous autofocus function compatible with all Canon autofocus lenses, using Dual Pixel CMOS AF technology. This new feature provides faster and more accurate autofocusing to assist users when operating with small crews.
The Mark II also adds a variety of upgraded features including face detection AF, MP4 recording, additional frame rates when recording in AVCHD and slow & fast motion options when recording in MP4. The Mark II also has an additional microphone on the camera body for recording sound when the top handle is removed. It incorporates a 3.5" OLED display with increased resolution, and the EVF is now almost twice as large as on the original C100 and tilts as well. The Mark II supports GPS, and features built-in wireless functionality. The HDMI output supports timecode, as does the original C100, but it also supports Canon Log LUT.
Canon EOS C300See Description
Bringing Canon's expertise and decades of experience designing sensors, lenses, image processing and design to the world of motion picture capture, the EOS C300 camera has been designed to meet the demanding needs of cinema industry professionals, providing a modular, portable and eminently adaptable system of cameras, lenses and accessories built for moviemaking in the 21st century.
Featuring a unique Super 35mm Canon CMOS sensor, revolutionary Canon DIGIC DV III Image Processor and 50 Mbps 4:2:2 codec, the EOS C300 provides outstanding cinema quality movie capture. Compact, modular and compatible with Canon's existing line-up of EF and new EF Cinema lenses as well as accessories from third parties, the stunningly simple to operate EOS C300 is designed to please cinematographers for any production large and small, on location or in the studio, from shoestring to Hollywood budgets.
The EOS C300 has a Canon EF lens mount and is compatible with all of Canon's new EF Cinema lenses and current EF lenses, including compact primes, super telephotos, specialty tilt-shift, macro and fisheye - over 60 in all. Designed with SMPTE HD production standards, its MPEG-2 codec is an internationally recognized standard compatible with major NLE applications while additional features such as Canon Log ensure seamless integration with existing production workflows, making post-production easy. And with an entire support infrastructure designed to help you get the most from your equipment before, during and after production, the EOS C300 is ready to go to work.
Canon EOS C500See Description
The Cinema EOS C500 4K Digital Cinema Camera capitalizes on the groundbreaking ergonomic design of the EOS C300 camera, and offers a Super 35mm, 8.85-megapixel CMOS image sensor, DIGIC DV III Image Processor and an expansive range of recording and output options specifically for 4K and 2K image acquisition. Addressing the discrete needs of cinema and TV, the EOS C500 offers two forms of 4K origination - productions can dynamically select DCI (SMPTE 2048-1:2011 standard) or the alternative television-centric Quad-HD (SMPTE 2036-1:2009 and ITU-R BT.1769 standards) source image formats.
The EOS C500 features uncompressed Canon RAW output for both 4K and 2K recording. The Canon RAW output is delivered to external recording systems via built-in dual 3G-SDI ports. Dual uncompressed HD-SDI out ports supports external live monitoring. HD content can be written to dual onboard CF cards simultaneously to provide proxy video for offline NLE systems.
Sony PXW-FS7 (EF Mount)See Description
Designed as a camera that is at home on productions as diverse as "Cinéma Vérité"-style documentaries, reality TV, commercial and corporate applications Sony's PXW-FS7 XDCAM Super 35 Camera System is a flexible 4K camera system. It features a Super 35mm size sensor that allows you to capture images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses or with the use of optional adapters to accept most 35mm lenses including PL, EF, Leica, and Nikon. The camera can capture footage to optional on-board XQD media cards in either DCI (4096 x 2160), UHD (3840 x 2160) at up to 60 FPS or HD at up to 180 FPS.
The camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera is capable of generating when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera's functions and features an adjustable length support arm.
Sony Alpha a7S Mark I Mirrorless Digital CameraSee Description
The Sony Alpha a7S Mirrorless Digital Camera features a full-frame 12.2MP Exmor CMOS sensor and BIONZ X image processor to enable notable video and still image quality with an expansive dynamic range, low noise, and extended sensitivity to ISO 409600. At the sensor level, this full-frame sensor features a unique on-chip gapless lens design, which incorporates small lenses between neighboring pixels in order to increase light-gathering efficiency and promote greater image quality across the entirety of the sensor plane. The sensor and processor combination also avails a wealth of speed throughout the camera system, including a top continuous shooting rate of 5 fps, support for 4K video recording, and a fast 25-point contrast-detection AF system with sensitivity to -4 EV.
Beyond its still image performance, the a7S is also quite adept in regard to recording video. It is able to output uncompressed 4:2:2 UHD 4K video to an optional external recorder over HDMI, as well as record full HD 1080p video in the high-quality XAVC S format at 50 Mbps in multiple frame rates. Extending the video recording capabilities is support for S-Log2 gamma, which helps to expand the effective dynamic range during recording, as well as picture profile options, time code, and zebra marker display aids. Sound can be recorded in the AAC/Linear PCM format via the internal stereo microphone, with a built-in headphone jack for on-board monitoring, or via an external microphone.
Rounding out the a7S's imaging capabilities, both a 3.0" 921.6k-dot tilting LCD monitor and 2.36 million-dot OLED electronic viewfinder are available for image monitoring and review. Built-in Wi-Fi connectivity, with support for NFC, is available, too, for instant sharing of imagery from the camera as well as remote camera control from a linked mobile device.
Canon EF 24-70 f/2.8L USM II ASee Description
This redesigned EF 24-70mm f/2.8L II USM Lens from Canon ups the ante for optical performance for a professional standard zoom lens. It has one Super UD lens element and two UD lens elements that minimize chromatic aberrations in the periphery at wide-angle, as well as reducing color blurring around the edges of the subject. In addition, two types of aspherical lenses are combined to help reduce spherical aberration over the entire image area, as well as through the full zoom range. Optimized lens coatings help ensure exceptional color balance while minimizing ghosting.
Canon EF 24-70 f/2.8L USM II BSee Description
This redesigned EF 24-70mm f/2.8L II USM Lens from Canon ups the ante for optical performance for a professional standard zoom lens. It has one Super UD lens element and two UD lens elements that minimize chromatic aberrations in the periphery at wide-angle, as well as reducing color blurring around the edges of the subject. In addition, two types of aspherical lenses are combined to help reduce spherical aberration over the entire image area, as well as through the full zoom range. Optimized lens coatings help ensure exceptional color balance while minimizing ghosting.
Canon EF 70-200mm f/2.8 IS USM IISee Description
This lens construction consists of one fluorite and five ultra-low dispersion optical elements which help deliver the sharpness and reduced aberrations. The IS II Optical Image Stabilizer provides up to 4 stops of correction at all focal lengths and features two modes for stabilization of still objects and while panning to follow moving subjects. An ultrasonic focusing motor provides fast, smooth and silent autofocus action.
This lens has a minimum focusing distance of 3.9' (1.2m) at all zoom settings so you can shoot close to your subject even in smaller spaces. Like all Canon L-series lenses, this telephoto zoom is dust and moisture resistant and designed to keep on going even in the most challenging of environments.
Rokinon Cine T3.1 14mmSee Description
The Canon EF mount Rokinon 14mm T3.1 Cine ED AS IF UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 14mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls. The aperture and focus scales have also been relocated to the side of the lens, where it is easier for focus pullers to read them.
Samyang T1.5 50mmSee Description
The 50mm T1.5 VDSLR AS UMC Lens for Canon EF Mount from Samyang is a fast, manual focus, prime lens. It provides a maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. Optimized for cinema and video applications, the focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been de-clicked, which enables smooth iris pulls. In addition, bright aperture and distance markings are printed on the lens barrel facing laterally to facilitate easier control by a focus puller.
Quantaray 1:6.3 400mm Lens (Nikon F Mount)See Description
This 400mm lens is a great tool to have out in the field. It has a manual aperture, a smooth focus ring, and a Nikon F Mount. The Quantaray 400mm is lightweight and easy to use-- making it the perfect lens for any photographer.
Nikon 28mm 1 : 2.8 Series E LensSee Description
Nikon 28mm lens 1 : 2.8 Series E Lens
Nikon 50mm 1 : 1.4 NIKKOR LensSee Description
Nikon 50mm Lens
Nikon 55mm 1 : 3.5 NIKKOR LensSee Description
Nikon 55mm 1:3.5 NIKKOR Lens. Manual focus and aperture ring.
Manfrotto 526/545BK Tripod KitSee Description
The Manfrotto 516,545BK is a professional video tripod kit for camcorders up to 35 lbs. This kit features the heavy duty 526 Pro head and the 545B two stage tripod.
The tripod offers great torsion rigidity for better stability and a mid-level spreader for a variety of applications.
526 Head
The Bogen/Manfrotto 526 fluid video head is targeted toward the heavy-duty ENG and EFP video market with the ability to support top loads of 35 lb (16 kg), a replaceable pan arm rosette, and large rubber padded pan, tilt, and drag knobs. The precise fluid drag system has low, medium and high settings, plus zero drag for snap-pans and tilts.
545B Tripod
The 545B is the two-stage, twin leg, lightweight aluminum video tripod with excellent torsion rigidity and payload(55 lbs. /25kg). This model comes with a mid-level spreader
The system comes with a soft case for excellent transportation capabilities
Manfrotto 504HD/546BK Tripod KitSee Description
The Manfrotto 504HD Head w/546B 2-Stage Aluminum Tripod System combines the innovative and stylish 504HD Fluid Video Head with the 2-stage aluminum 546B Pro Video Tripod--creating an ideal combo of affordability, stability, and smooth, precise control. This compact, versatile system was designed with independent video and DSLR shooters in mind, and provides the level of ergonomics and support required by today's small crews and one-man bands.
504HD Fluid Video Head
The 504HD's patented Bridging Technology allows for a wider top plate and longer sliding plate that add stability and balance to a set of state-of-the-art professional features. A newly designed counterbalance system includes four presets--from 0 to 16.5 lbs--enabling proper balance for camera loads up to 19.8 lbs, while 3/8" threads in the top plate allow attachment of monitors, arms, and other accessories directly to the head.
546B Tripod
This aluminum two-stage tripod combines stability and strength with affordability. Reaching a maximum height of 60.6" (154cm), the 546B is capable of supporting up to 44 lbs (20kg). Its spiked feet come with rubber overshoes, allowing setups on both smooth floors and uneven surfaces, while a newly designed mid-level telescopic spreader keeps the legs exactly where you need them.
Rhino Slider V1 PRO PackageSee Description
This package includes one 24″ stainless steel Rhino Slider V1 PRO, one 48″ stainless steel Rhino Slider V1 PRO, one Manfrotto 502 fluid tripod head, and two Manfrotto 501 Tripods.
DJI Ronin M KitSee Description
The Ronin-M 3-Axis Gimbal Kit with Focus Wireless Follow Focus from DJI combines a powerful camera stabilization system with the ability for a second operator to control focus manually. The Ronon-M is designed to give the operator close to the freedom of unencumbered handheld shooting but without the hand shake. Suitable for most camera types and configurations up to 8 pounds, the Ronin-M uses brushless motors that work on three axes: one for side-to-side "roll" - keeping the horizon level - one for tilt, and one for pan. While it can be used solo, it benefits from a second operator who can control camera movement and focus while letting the gimbal operator concentrate on keeping the Ronin-M aimed in the right general direction while not tripping over obstacles.The included DJI Focus is a wireless follow focus system that integrates natively with the Ronin-M as well as other DJI Zenmuse series gimbals. The Focus features a handheld remote controller (transmitter) with a focus knob to give to the feel of a traditional mechanical follow focus. The wireless system sports a range of up to 330' line-of-sight with a delay of only 14ms.
Odyssey 7Q+See Description
Convergent Design's Odyssey7Q+ is a monitor/recorder that provides all of the features and functionality of the Odyssey7Q but adds support for 4K recording over HDMI. It features a 7.7", 1280 x 800, OLED, touchscreen display with a 3400:1 contrast ratio, true blacks, and professional monitoring features such as waveform, histogram, vectorscope, anamorphic de-squeeze, and 3D LUT support. Out-of-the-box, the Odyssey7Q+ can record up to DCI 4K (4096 x 2160) and Ultra HD (3840 x 2160) in the compressed Apple ProRes 422 HQ format or up to 2K/1080p using the uncompressed DPX file format. Additionally, it supports several RAW recording options for ARRI, Canon, Sony, and POV cameras, which are available for purchase or rental from Convergent Design's website.
The Odyssey7Q+ has two 3G-SDI inputs (6G-SDI compatibility requires firmware v2016.01), two 3G-SDI outputs, and two bi-directional 3G-SDI connectors which can be assigned as either inputs or outputs via menu selection. It also has a 4K-capable HDMI input and an HDMI output that supports up to 1080p30 4:2:2. Most of the inputs/outputs are on the bottom of the monitor, with 1/4"-20 mounting threads on the sides. Dual SSD slots are provided for recording video to Convergent Design Premium 2.5" SSDs, which offer high speeds, reliability, and power-loss protection. Select Samsung SSDs are also supported for more cost-effective recording media. An AC adapter is included for powering the device, with optional battery plates available. Also included is a 36" Micro HDMI to HDMI cable and a HDMI to Mini HDMI adapter, useful for using the Odyssey7Q+ with DSLRs and mirrorless cameras with Micro HDMI outputs.
Atomos Shogun Inferno 7"See Description
The Atomos Shogun Inferno is a 7", 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160) at 60 fps, recording it to 2.5" SSDs using 10-bit, 4:2:2 Apple ProRes and Avid DNxHR codecs. The Inferno, unlike the similar Shogun Flame, supports Quad 3G-SDI input. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files.
The monitor features 10-bit FRC processing and AtomHDR display technology support a 10-stop brightness range, allowing you to more accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor offers built-in pre-sets to accurately translate popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remained unaltered.
In addition to HDR monitoring, the monitor also offers a High Bright mode for traditional Rec. 709 monitoring. This mode takes advantage of the full 1500 cd/m² brightness to allow for more confident monitoring in bright outdoor environments, even without a sun hood. In HDR mode, use of an included snap-on sun hood is required, as displaying a wider brightness range reduces the overall brightness of the monitor.
Built to withstand the rigors of production, the Shogun Inferno features built-in protective armor that features silicone-covered corners and chamfered edges. Compared to the original Shogun, the Inferno now features dual Sony L-Series battery plates that support battery hot-swapping, enabling longer run times. For audio recording, the monitor supports balanced XLR inputs with +48V phantom power via an included audio breakout cable. Additional features included genlock/LTC input, SDI/HDMI cross-conversion, and a variety of onscreen exposure analysis, framing, and focus assist tools. Two NP-F750 batteries are included, along with a fast charger, D-tap power cable, AC power adapter, control cable, USB 3.0 docking station, and five Master Caddy SSD/HDD cases. All items come packaged in a custom HPRC hard case.
LILLIPUT 663/S2 7" LCD On-Camera 3G-SDI / HDMI MonitorSee Description
The Lilliput 663/S2 is a 7 inch 16:9 metal framed LED field monitor with 3G-SDI, HDMI, YPbPr (via BNC), Composite video and collapsible sun hood.
Lilliput 663/o/p/s2 is the upgraded version of Lilliput 663/o/p/s, which has wonderful performance. It takes great benefits from the 663/o/p/s, and it has also been upgraded with new functions. That is Lilliput creatively integrated waveform, vector scope & video analyzer into on-camera monitor, which provides luminance/color/RGB histograms, Y /Luminance, Cb, Cr, R, G&B waveforms, Vector scope and other waveform modes. And measurement modes such as peaking, exposure & Audio level meter. These assist users monitor more accurately when shooting. And also makes this monitor perform better than other products. It is compatible with most of the cameras and camcorders.
LILLIPUT 663/o/p2 7″ Peaking Focus LCD HDMI MonitorSee Description
Lilliput's 663/O/P2 7″ LCD On-Camera HDMI Monitor is an on-camera monitor offering 1280 x 800 resolution with 400 nit brightness and an 800:1 contrast ratio. The monitor allows you to analyze focus, exposure, and other characteristics with False Color, Pixel-to-Pixel, and Histogram. It supports both NTSC and PAL compatible signals with HDMI, Component, and Composite inputs. This monitor also features an HDMI output, allowing you to feed the monitor and send the video signal along an HDMI infrastructure. It also features both a built-in speaker and headphone jack.
PDMOVIE REMOTE AIR PD1-HT Follow FocusSee Description
This high-torque wireless follow focus system allows you to pull focus from up to 300 feet away. It automatically calibrates to a any type of lens and the high torque version is perfect for cine style primes and heavy zooms. The focus controller runs off of an internal battery that will last for 18 hours of shooting, while the focus unit itself can be powered from any DTAP power source.
IDX System Technology CW-3 3G-SDI Wireless Video Transmission SystemSee Description
The CW-3 3G-SDI Wireless Video Transmission System from IDX is able to transmit Full HD 1080p video at up to 164' line-of-sight with no quality loss and less than 1 ms latency. It can transmit even further; up to 380' line-of-sight (depending on conditions), but at this extended range some loss in quality may be experienced. It supports 3G- and HD-SDI video signals at up to 1080p60 with 4:2:2, 10-bit color. AC adapters are induced for the transmitter (Tx) and receiver (Rx), or they can be powered from a 7 to 17VDC external source, such as a video battery system with PowerTap. A 1/4"-20 adapter is included for mounting the transmitter on a camera.


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|The Ice Moose
|Season 2, Episode 18
|Air date
|December 6, 1999
|Written by
|Eric Weiner
|Directed by
|Jeff Buckland
|Episode Guide
| previous
Follow Your Nose
| next
Baby Butter's Bankie
The Ice Moose is a Christmas double-length story from the second season and the 60th story overall of PB&J Otter. In this story, PB&J and their friends and family celebrate Hoohaw Hoo, the Lake Hoohaw equivalent of Christmas. To celebrate the holiday, they have a pageant. Aunt Nanner is slated to play Old Tim, the Ice Moose, but comes down with a bad case of otter flu not long before the pageant. The kids to enlist Flick as a replacement, but Flick is down on the holiday, having only received a pair of underwear for Hoohaw Hoo and not the fancy presents that he wished for. He doesn't believe in Old Tim and only briefly agrees to play the role before stalking off in distaste. Along the way, he meets Simon Fieldmouse, a small, poor mouse who wishes that he could fly. Hearing Simon's wish, Flick's annoyance with the holiday begins to melt, but he has to learn to fly himself before he can help Simon.
Written by Eric Weiner with Harry Belafonte as the guest voice of the Ice Moose, Old Tim.
- Hoohaw Hoo (and reprises)
- Practice Makes Perfect
- There wasn't a fade when Jelly said, "Maybe we'll think of somehing once we get going.
- The only fade was when Flick waves bye to Simon and walks away.
- This was the only double length episode that centered around Flick.


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Traditional summer items have been posting good sales returns for supermarkets around the country with the help of favorable weather, special promotions and an improving economy in some regions.
In an SN survey, many retailers reported an increase in sales this summer over the comparable period last year.
Items like cold sodas, barbecue meats, ice cream, hot deli entrees and outdoor accessories were big sellers. While some retailers cut back on promotions, others turned more a


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Believe in Music
What's New
Music Industry Scholarship Available for Your Student Employees
Posted on August 15, 2017
Do you have student employees? Encourage those pursuing a career in the music, sound and event technology industry to apply for the William R. Gard Scholarship.
Music Industry Scholarship Available for Your Student Employees
Posted on August 15, 2017
Attend The 2018 NAMM Show
Posted on August 4, 2017
Get Ready to Register and Book Your Hotel for The 2018 NAMM Show
Posted on July 15, 2017
The NAMM Foundation Announces $675,000 in Grants to Music Education Programs Worldwide
Posted on July 15, 2017
John Stadius to Receive Audio Innovator Honor at Parnelli Awards
Posted on July 15, 2017
DJ Imperial JayCee
If you do not have Flash installed/enabled in your Internet browser, you may experience problems viewing videos on namm.org. You can download Flash from Adobe's web site or use an HTML5 compatible browser (Safari, Chrome, IE9+).
DJ Imperial JayCee first played records in the parks back in 1974. The world of Disco had created a career for DJ Kool Herc, a hero in JayCee's Bronx neighborhood, which inspired him to take out records in the local park to entertain people. In 1977, he officially joined Herc's crew of DJs just as the world of Hip Hop was being formed. JayCee focused on making music to move people, to inspire dancing and to rock a party! During those early days, he latched onto a song that has forever been tied to his musical performances, "Good Times!"


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What is EFT or Tapping?
EFT stands for Emotional Freedom Technique. EFT, often called Tapping, is a stress reducing technique that combines ancient Chinese acupressure and modern psychology with incredible results. The way it works is you tap on the Chinese meridian points or acupuncture points to clear energy blocks. Instead of using needles on these acupuncture points you tap gently on a few points (see diagram) while focusing on some energetic block that might be in your way. EFT disconnects you from the emotional entanglement you have because of a story you are telling yourself and puts you in a position that lets you tell a new story as you move forward. Click on this Video with Nick & Jessica Ortner to find out more.


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compsci background, software engineer by profession, fintech fanatic, entrepreneurial, traveler, NBA fan, avid learner. I trade stocks/options/ETF long/short. My Ideas are not recommendation to buy/sell. I blog @ http://blog.buysellshortcover.com
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Statistics for occurrence #1 of "Mr. Saulsbury" in chapter 1 of Rebellion Record: a Diary of American Events: Documents and Narratives, Volume 10.:
...reed to. Mr. Powell, of Kentucky, moved to strike out the provision giving the franking privilege, and insert an amendment abolishing the franking privilege altogether; but the motion was lost. Mr. Saulsbury , of Delaware, moved to strike out of the first section five hundred thousand men, and insert two hundred thousand men. He was, he declared, fearful the Union would not be preserved by the mode c...
|Max. Freq.
|Min. Freq.
† This entity has been selected by the automated classifier as the most likely match in this context. It may or may not be the correct match.


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Betfair are offering new customers an ENHANCED 7/1 (from 5/6) on Manchester United beating West Ham as they meet on Super Sunday.
Man Utd have won 4 of the last 5 meetings between the sides with Rooney, Di Maria and Falcao all set to start against The Hammers.
Click HERE to claim this offer!


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Blizzard has been selling Authenticator keys for a while now. Each key cost about $6.50. What this is meant to do is to add another level of security to the persons account. They are actually called tokens insecurity. The reason for this is that the 10 digit number add to your account is used to figure out the number the key will give you, after 30 seconds the number changes. So that's ...[Read More]
Curse has just came out of beta with their Curse client. This means everyone who were beta testers have their accounts now set to standard. What the Curse client allows you to do is without going to the website and downloading all the addon's and mods. You can just open up the Curse client and check what you want. But now since the beta is over now you have to pay for the premium edition...[Read More]
Hello once again this is Kane. Well Nvidia has put out a few months ago a product that allows a person to see in 3D from the computer monitors. What you would have to have is a monitor with a refresh rate of 120 Hhz. Since the glasses does 60 Hhz per eye. So this enhances the image and makes it pop out from the screen like true 3D. So far they have two things going on a standard kit which com...[Read More]
Hey guys it is Kane. Sorry that I have not posted in a while. This post is about Cavalry CAXA 1TB hard drive. On Newegg the hard drive has a rating of 4 out of 5. I have been using the external hard drive for about three weeks now. It has been holding up well all this time. I was able to transfer 75 gigabytes of information to the external hard drive in 45 minutes. The transfer rate it 25 Mbps. I ...[Read More]


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We had a really great night last night, every Jam had really high calibre musicians who were burning through the tunes !
For more info on next weeks event check out our Facebook page: https://www.facebook.com/events/1716339545254339/
We had a really great night last night, every Jam had really high calibre musicians who were burning through the tunes !
For more info on next weeks event check out our Facebook page: https://www.facebook.com/events/1716339545254339/
Last Wednesday was a great start to 2016, it was fab having keys in the house band too, Nick Gilmore was on top form !
also we found some sweet videos from last night too on youtube:
we are back next Wednesday, pop down and say hi !https://www.facebook.com/events/1652579701659068/
Next Weeks event is up:
Last Wednesday was really busy and we had some killer players and a few great singers too ! Check out the video below of Matteo soloing on bass !
Really happy to have Alessio back on drums for another week!
Check out some footage below!
C ya on Wednesday
This Wednesdays Jam: https://www.facebook.com/events/725517600910742/
Alessio Barelli…Alessio Barelli on drums…. Next week's event here https://www.facebook.com/events/725517600910742/ come and join us for some more jazz funk madness next Wednesday form 20.00 …
Posted by Hoxton Jam on Sunday, 23 August 2015
drums ( Alessio Barelli )
Posted by Hoxton Jam on Thursday, 6 August 2015
Check out our Facebook page fore more videos
we are back, Jamming hard this Wednesday, pop down with ur instruments
Massive thanks to Luigi for stepping in to play bass last minuet as Samer couldn't make it.
It was another busy night with great session musicians coming by for the jam, people like Loucas Hajiantoni and Huw Foster.
Jazzy Ron also filmed some footage of last night, see below
As usual were be back next Wednesday, pop down and check it out !
It was great having Samer back on bass last Wednesday along with Alexis, Oli and Andy Wilder. We also were very happy to have Ian Da Preda play with the house band on Vibraphone !
In other news we had a great video done of the Hoxton Jam by Tatiana Telle:
Be sure to comer along next week ! as its probably the last jam before XMASS !!!
Apologies for not posting anything last week, we were all a bit snowed under with work. but i can say last weeks jam was really great. Check out the video below for a sneak peak of what happened
Next Wednesday we have Nick Linnik on guitar as Alexis is away in Greece.. should be a fun house band set before the jam ! so dont miss out !
Thanks to all of you who came down last week it was buzzing !
Next week we have Gabriel Piers-Mantell on keys, so things will be on fire next week!
Thanks to Ron for some footage of the jam after the house band set.. enjoy !
Next weeks FB event is here: https://www.facebook.com/events/1592109197676656/


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Dear Valued Customer,
Thanks for your purchase!
Please note that we are a small family business and make all of our products by hand and according to your specifications, which means that it will take us a few days to make your item before we ship it. An email will be sent to you when we have completed your order. We ship UPS ground, which normally takes 1-5 days.
Thanks for your understanding,
The Leelanau Trading Co.
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- By Guest Contributors
By Michelle Base-Bursey, Product and Partner Marketing Manager at Wandera The vast majority of people in the tech industry today have come to know andRead More
Be the first to hear the mobile news. Enter your email to join.
By Michelle Base-Bursey, Product and Partner Marketing Manager at Wandera The vast majority of people in the tech industry today have come to know andRead More
We first wrote about derived credentials in December ("Derived Credentials: What You Need to Know"), including background on National Institute of Standards and Technology (NIST)Read More
By Brian Duckering, Marketing and Strategy Executive, Skycure For years now, your IT and security admins debated proper methods, tools and policies to mobilize yourRead More
Windows 10 smartwatches come to the enterprise. It's 1.54 inches, runs Universal Windows Applications, secure and built to "survive a hard day at work," said Microsoft.Read More
The latest cybersecurity threat to you and your users may just lie on the very browser you are using to read this article. A newRead More
Google plans to ramp up Android security in 2017. Google shared in a security year in review post this week that, "About half of devicesRead More
As we move more of our work and personal lives digital and carry all of it in our pockets, securing our smartphones often feels dauntingRead More
I remember the first time my personal data was hacked. Back in 2006, I received a startling letter saying my bank info may have beenRead More
In my recent blog post, I touched upon the common, or single, experience strategy and how identity is the new perimeter for that strategy inRead More
The market has voted. Over the past year, per IDC, VMware AirWatch experienced year-over-year growth in excess of 80%. Much of this growth came becauseRead More


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hello there , this is to easy for me , i have adwords account on yahoo and google to increase your traffic on your Blogger site , and to make your Blogger is a easy task for me please pm me !! (easy fast and secure)


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The Return Of Vinyl
The next time you want to come up with examples of dead media that kids today have never seen, skip talking about records. Projected to sell over 3.6 million units this year, don't expect vinyl to join the ranks of the cassette tape any time soon.
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Just to let you all know I am very new here. I have never wrote something like a fan fictionwork or any other creative work to begin with. But I do know one thing for sure. I LOVE JUNJOU ROMANTICA! IT'S LIKE THE BEST THING THAT I EVER READ IN MY LIFE! LOVE ALL THE COUPLES!THEY'RE ALL AWESOME!
Because of my love for the anime and manga and everything having to do with the anime I decided to try for the sake of its sexiness:)
So here it is my first fan fictionthat I have EVER wrote. EVER. Just a little kinky story that I thought up out of the blue .I am eager to have all of you guys comment on it and write reviews for it, but ya know I'm kinda sensitive so be gentle ok?:)
**ps(to self and pretty much all):I am actually hoping that the story will be somewhat long but I am not a formal or constructed writing when it comes to creative writing. I am just going with the flow and writing as I go. (letting my fantasies and creativity shine through.) OH GOD THIS IS SO EXCITING!*_*
****DISCLAIMER:I DO NOT OWN JUNJOU ROMANTICA. ALL CREDIT GOES TO RightStufInc.&Nozomi Entertainment Industry AND THE AUTHOR SHINJUKU NAKAMURA****
Night Passion
Slowly opening his eyes from a peaceful sleep, Usagi feels something soft and thin linked in his arm as he slowly gets up from sleeping on his back. Finally sitting up fully on his king size bed, he pulls down the covers to see that Misaki is sleeping peacefully while hugging Usagi's arm in his sleep.
"Hmph" Usagi says to himself. "My Misaki is so cute when he is sleeping"
Usagi used his hands to gently caress Misaki's soft, velvet like cheek
"mmmmm" ,groaned Misaki in his sleep and at the same times moving a little in his sleep as well, from the mere touch of Usagi's fingers on his skin.
"Haha", Laughed Usagi to himself as he stared more intently at the sleeping Misaki. "You really are adorable, you know. I'm glad to have you all to myself like this", Usagi said as he gently brushed Misaki's lips with his fingers.
"nnnnnn", Misaki groaned as he moved in bed once again. As he did this, the sheets moved down to his lower torso and bent knees sticking out of the sheet. Usagi saw that Misaki was wearing his oversized shirt with nothing else, except his snow white underwear. The shirt was unbuttoned downs to Misaki's chest, allowing Usagi to see his soft, white skin underneath it.
"Not good",Usagi said to himself. I think that I need to fill up on some Misaki" As he said this he gently pulled the sheets lower, so that he could get a full view of his beloved Misaki while his was in deep sleep. Now looking Usami was able to see Misaki's full figure in the faint moonlight shining from the window as he slept. Misaki slept on peacefully but moved once again in his sleep. As he moved, Misaki's thin and lithe legs shifted ever so slightly, drawing Usagi's attention to Misaki's inner white thighs as he did so.
"Misaki" Usagi said out loud. "You really need to stop unintentionally turning me on" He laughed to himself, thinking how ridiculous it was that this kid had him wrapped around his finger even when he was sleeping.
Usagi leaned down over Misaki and kissed him on this lips. The kiss was gentle and full of love. He pulled away and saw that Misaki was still peacefully asleep, though he did notice that Misaki was blushing slightly. Usagi kissed Misaki a second time. He felt passion and need hungering inside him as he kissed the sleeping Misaki. The kiss was long and full of hot passion. Usagi pulled away once again and saw that deepening red that was coming across Misaki's face while he was sleeping.
Usagi slowing reached over Misaki and carefully began to undue the buttons of Usagi's shirt that he was wearing. Usagi looked at the sleeping Misaki who was now on his back laying on his bed with his chest and stomach exposed in the moonlight. Usagi saw that Misaki's cheeks were still pink from the kiss that he had given him earlier.
Usagi put his hands on Misaki's small and soft chest and began to gently rub his thumbs over Misaki's exposed nipples. Usagi immediately felt them go hard underneath his touch.
"Lets have some fun shall we?" Usagi said as he leaned over Misaki and slid his wet and warm tongue over his younger lover's already hard nipples.
At this Usagi notices Misaki's breathing quickened into huffs and saw that his cheeks and chest became flushed. At the touch of Usagi's mouth on his sensitive body, Misaki gently grabbed onto the sheets in his sleep, he breathing quickening with each stroke of Usagi's tongue.
"Hmmm. What this?" ,Usagi said. "Looks like my Misaki is turned on even though he is sleeping"
At the thought of this Usagi felt an intense urge to see more of this sweltering inside of him, Gently pinching both of Misaki's nipples with both pairs of index and thumb fingers, he leaned over and kissed Misaki. He let his tongue searcher the insides of Misaki mouth, allowing his tongue to dance with Misaki's. Usagi pulled away and saw that even though he was sleeping, Misaki's face was completely flushed pink, which he automatically knew was from ecstasy. Usagi leaned back down and began to gently nibble on Misaki's nipples.
"A. Ah!", Misaki said in his sleep.
Misaki's body was beginning to react towards Usagi's touch with both passion and ferociousness. At Usagi's touch, he began twisting in his sleep and quivering underneath Usagi's body.
Looking down Usagi saw the way in which Misaki was reacting to his kisses and caresses. Examining the sleeping boy that lay before him, he took everything about him into account. From the way that Misaki's eyes were furrowed, looking confused in his sleep to his small soft body with wile skin that was flushed pink from pleasure. Looking lower, at his exposed white underwear Usagi saw that Misaki had gotten hard.
"You really are an adorable kid", Usagi said out loud and then gently pulled Misaki's underwear past his legs and placed it on the floor.
Positioning himself lower, Usagi took Misaki's heat into his mouth. As he did this he felt Misaki's small body shudder at the touch of his tongue. At this Misaki only continued to squirm more in the bed.
Misaki once again started to moan in his sleep. "Hyaa...Uhhhh..Uhh...Ahh."
Hearing the sounds of pleasure that were escaping from the lips of Misaki only made Usami feel that much more aroused, increasing his eagerness to continue. With this thought, he took all of the sleeping Misaki into his mouth and continued on slowly and carefully.
More sounds escaped Misaki's lips as Usagi gave pleasure to him in his deep sleep. "Uhh That...No...Ahhh"
At the sound of his intense moans, Usagi began to move his mouth faster over Misaki's heat. Even if Misaki was deep in slumber, it gave him ecstasy to embrace the one he loved, giving him pleasure.
The moans coming from Misaki grew faster and more intense with each movement of Usagi's mouth. At this point in time Misaki was flushed a deepish pink color all over his body and slightly shaking uncontrollably.
More moans escaped from Misaki as Usagi continued. "Ah!...Ah!...No!
Usagi could taste the sweetness of Misaki's juices in his mouth and savored it. Misaki's body was now limp and flushed to the max, with only soft moans escaping from his lips.
Usagi gazed lovingly at his beloved Misaki as he was sleeping, but still feeling the pleasure that his touch had given him. Still looking, Usagi notices that Misaki was slowly beginning to open his eyes and he was finally waking from his sleep.
"nnnnn", Misaki mumbled coming to. "Usagi-san? What's the matter? Why are you on top of me looking like that? Ah!", Misaki suddenly exclaimed.
Looking around, he saw that his clothes were off and he was sweating
Usagi smiled his smug and seductive smile at him and said nothing. "Do you feel OK?", "Usagi asked Misaki. How is your body feeling?"
Misaki had seemed to have caught onto the situational very quickly. He could feel emotions of annoyance and embarrassment burning in him.
"What the hell do you think you're doing you perverted old man? Have you the slightest amount of human decency and common sense in you?"
"You looked uncomfortable while you were sleeping, so I just wanted to make you relax", Usagi said with a smile still on his face.
"You damn liar!", Yelled Misaki
"So how does your body feel Misaki"?, Usagi inquired once again
"What? Don't change the subject! You were doing things to me in my sleep weren't you?"
"Misaki...your body. How does it feel now?"
"Huh?", said Misaki. "You're acting really strange and freaky!"
Usagi continued to stare at him though and said "If you don't tell me I'll keep doing what I was dong to you while you were sleeping", he said with a smug smile.
Misaki blushed for a minute but decided to just tell Usagi so that they could just go back to sleep.
"We-well...ummmm... to me honest my body feels hot, very hot and my heart is beating fast. And...uhhh..my body feels tingly all over, as if I'm excited about something and for some reason I can't get myself to calm down. I just feel strange and also happy..."
At this Usagi's gentle lavender eyes opened wide. He then leaned over Misaki again and kissed him with a deep passion that neither one of them felt was there.
"U-Usagi San?. What are you doing? Ah? You said that you would stop what you were doing when I was sleeping!
Hearing this Usagi smiled, his eyes filled with both love and mischievousness.
"You're right. I did say that. And I will", Usagi said as he taking off his sleeping shirt and sliding it over his shoulders.
"Wh-what?", stammered Misaki
"So lets do something else now", Usagi said as he slid off his boxers and positioned himself on Misaki in a laying down position, over him
"Hah"?, said Misaki, who was starting to get nervous
"Wa-wait!, stammered Misaki. Why the hell are you so damn happy? I haven't said anything! You stupid old man!
"How can I not be happy?", said Usagi. "See?", said Usagi as he placed two of his fingers inside of Misaki. Misaki gave a violent flinch "When I move just one finger you promptly react to me. Both your heart and your body. It makes me happy", Usagi said as he smiled and looked lovingly into Misaki's eyes with his passionate lavender ones.
"You-you jerk", stammered Misaki, embarrassed. But he could already feel his body losing power against the touching, longing to be one with Usagi's. As Usagi slipped his mouth over his, he could feel all his energy and resistance drain out of him, replaced by a yearning to be be together with Usagi. Misaki was past the point of no return and he knew that he had given in, just as he always had. Misaki let himself be taken away by Usagi's touch and th feel of his skin and lost himself in the very presence of Usagi.
"Misaki"...Usagi, said in a loving voice.
"Y-Yes?", Asked Misaki
"I love you..."
At that moment for some reason Misaki felt his eyes fill with tears, which them started running down the side of his ears. Misaki then wrapped his arms around Usagi's back.
"Um...Usagi-san?", said Misaki
"Hmmm?", answered Usagi
"I-I love you too...", Misaki said blushing deeply
Still on top of Misaki, Usagi slid the sheets back over both of them and made sweet passionate love to him until the bright moonlight in the night sky had been replaced by the soft rays of the sun creeping over the clouds, a gentle breeze flowing in the air. They were locked in an embrace until they woke up the next morning.
So what do you guys think of my first ever written Fan fiction? I am glad that my first time doing it was with Junjou Romantic. I hope its not to dirty and perverted LOL
I will try to write more because I practically live for both the anime and manga! its practically my life lol. Please review and comment on my first ever fan fictionwork! I would be honored if you were to do so.
:) :) :)
****special thanks to GrayGlassTrick, CheyanneChika, RingingSilence, xSonya, ShoujoKuroNeko, Glitterbaby214, Lov3Less, Roxis-kun, InvisiblePuppeteer, .Insane, and Golden Tinted Haze. After reading their works, it made me feel like I wanted to write too. I love all their stories and I hope they continue with their works. I just really felt like giving them all credit **** ^_^


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found a new home!
Plenty of my friends are looking
for one too. Find a pet to adopt.
I am already spayed, up to date with shots, good with dogs, and good with cats.
Baby, a St Helena Norwegian Forest Cat cat was adopted! Here's how you can benefit by looking at adoption as an option to buying a Norwegian Forest Cat for sale in St Helena, or seeking a Norwegian Forest Cat cat from a breeder in St Helena.


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|Publication number
|Publication type
|Application number
|Publication date
|Nov 11, 1980
|Filing date
|Oct 2, 1978
|Priority date
|Oct 2, 1978
|Publication number
|Hong S. Lim, Howard H. Rogers, Scott A. Verzwyvelt
|Original Assignee
|Hughes Aircraft Company
|Export Citation
|BiBTeX, EndNote, RefMan
|Patent Citations (7), Referenced by (6), Classifications (13)
|External Links: USPTO, USPTO Assignment, Espacenet
The Government has rights in this invention pursuant to Contract No. F33615-75-C-2049 awarded by the United States Air Force.
U.S. Application Ser. No. 914,461, filed June 12, 1978, by Applicant Howard H. Rogers discloses a blotting and drying technique for the preparation of a polymer reinforced Zircar cloth battery separator. As will be seen below, the process of the present application is capable of producing separators which are, in some respects, superior to the separators of Ser. No. 914,461.
This invention relates generally to methods for reinforcing inorganic fabrics and more particularly to a method for reinforcing zirconium oxide cloth for use as a separator in an alkaline storage battery.
An alkaline storage battery, such as a nickel-cadmium or a nickel-hydrogen battery, requires a separator having good chemical stability against the electrolyte, good mechanical strength, good wettability in the electrolyte, good electrolyte retention, good gas permeability through the separator, good electrolyte reservoir capability, and a high melting point. A separator having all of the desired properties was presently not available prior to Ser. No. 914,461.
A woven Zircar mixed oxide cloth (zirconium oxide-yttrium oxide mixture) produced by Zircar Products Inc. of Fla., New York showed promise as a candidate material for use as battery separators. However, the cloth is extremely fragile and exhibits very poor mechanical strength. Other inorganic cloths exhibit similar advantages and disadvantages.
The closest known prior art relating to attempts to improve the structural properties of an inorganic fabric by reinforcing it with an organic polymer is contained in U.S. Application Ser. No. 914,461, filed June 12, 1978 by Applicant Rogers herein, where polysulfone and other polymers are disclosed as effective reinforcing agents for a woven zirconium oxide-yttrium oxide cloth.
U.S. Application Ser. No. 914,461 teaches the application of the reinforcing polymer to a porous inorganic fabric via soaking the fabric in a polymer-solvent solution and subsequently removing the solvent by blotting and solvent evaporation.
While the prior art method of U.S. Application Ser. No. 914,461 yields a vastly improved separator material, the product has the disadvantage of reducing the wettability characteristics of the untreated fabric. The process employed was incapable of precluding excess polymer accumulation at the surface of the fabric.
Other prior art methods of applying reinforcing polymers to various structural materials and/or substrates such as spraying, painting, dip coating, molding and/or compressing proved to be ineffective in increasing the structural characteristics of porous inorganic cloths without decreasing the wettability of said materials.
Applicants know of no prior art process for reinforcing the structural strength of inorganic fabrics which does not result in a decrease in the wettability of the fabric.
Accordingly, it is therefore an objective of the invention disclosed below to provide a new and improved method for reinforcing the mechanical strength of inorganic fabrics and/or cloths in general and in particular to provide a new and improved method of reinforcing the mechanical strength of Zircar cloths.
A further objective of the invention is to provide a method of reinforcing the mechanical strength of inorganic fabrics without decreasing the wettability and electrolyte retention of said fabrics.
A still further objective of the invention is to provide a method for fabricating a gas permeable, alkali resistant, and thermally stable cloth suitable for use as an alkaline storage battery separator.
Additionally it is an objective of the invention to provide a process for fabricating an improved inorganic-organic material for use as a separator in alkaline storage batteries which exhibits all of the advantages of prior art materials while avoiding the disadvantages of prior art materials.
It has been discovered that polymers such as polysulfone and polybenzimidazole can be applied to a porous inorganic cloth by dispersing a solution of the polymer within the pores of the cloth and subsequently causing the polymers to precipitate out of the solution inside of the pores of the cloth followed by the removal of the solvent from said cloth by extraction.
When applied in the above-stated manner, the polymers reinforce the mechanical strength of the cloth or fabric without decreasing the wettability of the cloth or fabric.
Polymer reinforced Zircar cloths have shown promise as being best suited for use in the fabrication of separators for alkaline storage batteries. As discussed in the previous section of this application, said cloths have been reinforced with polysulfone (PS) and other polymers by an immersion, blotting and solvent evaporation method with a measure of success. However, this prior art technique yielded reinforced Zircar cloths exhibiting polymer rich surfaces that tended to reduce the wettability of the Zircar cloth.
In seeking to overcome the above-stated disadvantage of prior art processes for reinforcing Zircar and other fragile inorganic cloths, we have discovered that a precipitation process is very effective for reinforcing inorganic cloths without decreasing the wettability of the cloth.
The immersion of cloths, saturated with the polymer impregnation solution, in a solvent extractant such as hot water or alcohol causes polymer particles to be precipitated from the solution. The impregnation solvent is extracted by the water or alcohol which we refer to as the extractant or precipitant. Polymer particles so formed are thoroughly dispersed throughout the intersticies of the cloth and adhere to the surface of the fibers forming the cloth.
The process begins with the preparation of a polymer-solvent impregnation solution for use as a porous cloth impregnant. Polymers such as polysulfone (PS), and polybenzimidazole (PBI) were dissolved in solvents such as dimethylformamide (DMF), dichloroethane (DCE), dimethylacetamide (DMA), dimethyl-sulfoxide (DMSO), chlorobenzene (CB), and tetrahydrofuran (THF) to form solutions having polymer-solvent concentrations ranging from as low as 2% weight/volume to as high as 12% weight/volume. Other polymers such as polybenzoxazole (PBO), polyether sulfone (PES), and polybenzothiazole (PBT) may be used by judiciously selecting the proper solvent.
A porous inorganic cloth, such as the woven fabric of zirconium oxide and yttrium oxide known as Zircar, is immersed in the polymer-impregnation solution and allowed to soak for approximately 15 minutes.
Ultrasonic vibration may be applied during the soaking period to rid the pores of the cloth of any air bubbles and thereby ensure complete saturation of the cloth with the polymer-impregnating solution.
After complete saturation has been achieved, the cloth is removed from the solution, and the excess solution is removed by allowing the cloth to drain, placing the saturated cloth on an absorbent pad and blotting under controlled compression for a specified time period. Physical parameters such as blotting time, temperature and compression are monitored and controlled to ensure reproducible results.
After removing the excess impregnant solution from the porous cloths, the impregnated cloth is quickly immersed in a solvent extractant or precipitant by holding the cloth by one edge such that the plane of the impregnated cloth makes about a 90� angle with the surface of the extractant or precipitant as it is immersed. This step causes polymer particles to be formed from the solution which adhere to and are uniformly dispersed throughout the inorganic cloth. The impregnated cloth should not be allowed to float in the extractant.
After allowing the cloth to vertically soak in the extractant or precipitant for approximately 15 minutes, the cloth is removed, allowed to drain and dried at temperatures not exceeding 100� C.
In the case of polymer-impregnation solutions comprising DMF, DMA, DCE, CB, DMSO or THF, the solvent extractant or polymer precipitant may be either water (H2 O) or methanol (MeOH). Other solvents such as acetone, low carbon chain alcohols and/or solvent mixtures H2 O may be used as liquid extractants to extract the impregnation polymer solvent.
Woven Zircar cloths reinforced with polymers precipitated from impregnation solutions onto the surface and throughout the intersticies of the cloth as described above exhibit exceptional properties when compared to polymer reinforced Zircar cloths prepared by a solvent evaporation technique. For example: in addition to showing marked increases in the mechanical strength of the cloth there is a marked increase in the wettability of cloths prepared by the solvent precipitation method; the solvent precipitation method yields reinforced cloths which exhibit increased electrolyte retention; the cloths are as chemically resistant to KOH as untreated Zircar; and the polymer reinforced cloths are as gas permeable as untreated Zircar.
These characteristics are attributed to the formation of polymer particles which reinforce the inorganic fibers of the cloth rather than the formation of polymer films which completely coat the inorganic fibers of the cloth.
Slightly better electrolyte retention was observed in PS reinforced Zircar samples prepared by immersing the impregnated cloth in hot MeOH as compared to H2 O immersion. However, these samples exhibited mechanical strengths slightly lower than samples prepared by hot H2 O immersions. Therefore, when one considers the difference in the cost of the two materials, the preferred precipitant is H2 O.
The best results are obtained, insofar as providing a material suitable for use as a battery seperator is concerned, when Zircar is reinforced with an impregnating solution comprised of PBI dissolved in dimethylacetamide (DMA) and H2 O is used as the extractant.
Specific examples of the technique found to be so effective for reinforcing porous inorganic cloths are shown below.
(1) Prepare 7% polysulfone (PS) solution in dimethylformamide (DMF) by dissolving 7 grams of PS in 100 ml of DMF. Note: Handle DMF solutions in a well-ventilated hood and with protective gloves to avoid direct contact with your skin.
(2) Immerse the Zircar cloth into the PS solution in a proper size crystallizing dish or beaker. (There should be enough solution to cover the whole cloth). Cover the dish with parafilm or aluminum foil to minimize the evaporation of the solution.
(3) Place the dish with Zircar in an ultrasonic cleaner for 15 seconds to get rid of any air bubbles at the surface of the Zircar. (Note: This step may not be required.)
(4) Allow at least 15 minutes for the Zircar to be soaked.
(5) Take the Zircar out of solution using a pair of tweezers and drain the solution at the edge of the dish for a few seconds.
(6) Place the Zircar over a four-ply layer of Kimwipes for 5 seconds; then flip the Zircar over and wait another 5 seconds.
(7) Place the Zircar between two layers of Whatman No. 1 filter paper in a blotting box similar to that shown in FIG. 1 of U.S. Application Ser. No. 914,461. Blot the solution out of the Zircar by closing the box for 30 seconds.
(8) Take out the Zircar and immerse it quickly into hot (near 100� C.) water. Immerse it by holding one edge of the separator such that the plane of the separator makes about a 90� angle from the water surface. Quick immersion in this way is important because, if the separator floats over the water even for a short time, it results in nonuniform PS distribution through the thickness of the Zircar.
(9) After leaving the Zircar in the water for about 15 minutes, remove from the water and dry in an oven at about 90� C. for an hour. Do not let the temperature go about 100� C.
(1) Prepare a 9% weight/volume solution of polybenzimidazole (PBI) in dimethylacetamide (DMA) by dissolving 9 grams of PBI in 100 ml of DMA. Reflux for 48 hours and filter to remove undissolved particles of PBI.
(2) Immerse the Zircar cloth into the PBI solution in a proper size crystallizing dish or beaker. (There should be enough solution to cover the whole cloth). Cover the dish with parafilm or aluminum foil to minimize the evaporation of the solution.
(3) Place the dish with Zircar in an ultrasonic cleaner for 15 seconds to get rid of any air bubbles at the surface of the Zircar. (Note: This step may not be required.)
(4) Allow at least 15 minutes for the Zircar to be soaked.
(5) Take the Zircar out of solution using a pair of tweezers and drain the solution at the edge of the dish for a few seconds.
(6) Place the Zircar over a four-ply layer of Kimwipes for 5 seconds; then flip the Zircar over and wait another 5 seconds.
(7) Place the Zircar between two layers of Whatman No. 1 filter paper in a blotting box. Blot the solution out of the Zircar by closing the box for 30 seconds.
(8) Take out the Zircar and immerse it quickly into hot water (100�). Immerse it by holding one edge of the separator such that the plane of the separator makes about a 90� angle from the surface of the water. Quick immersion in this way is important because, if the separator floats over the water for a short time, it results in nonuniform PBI distribution through the thickness of the Zircar.
(9) After leaving the Zircar in the water for about 15 minutes, remove from the water and dry in an oven at about 90� C. for an hour.
Prepare a 7% PS solution as shown in Step 1 of Example I. Follow steps 2 through 7 of Example I. After removing the excess impregnation solution from the Zircar cloth, immerse the cloth in methanol in the manner taught by step no. 8 of Example I.
Remove the cloth from the methanol and dry as taught in step 9 of Example I.
While the examples teach the reinforcement of Zircar cloth with PS and PBI, the process is applicable to the reinforcement of other porous inorganic cloths with polymers and resins. It is particularly suitable for use in reinforcing brittle inorganic cloths because little or no stress is applied to the cloth during the impregnation process.
Having completely disclosed our invention, and provided teachings to enable others to utilize it, the scope of our claims may now be understood as follows:
|Cited Patent
|Filing date
|Publication date
|Feb 21, 1961
|Aug 13, 1963
|Du Pont
|Process for producing microporous films and coatings
|Oct 31, 1961
|Jun 22, 1965
|Du Pont
|Method of making vapor permeable sheet materials
|Dec 22, 1965
|Feb 25, 1969
|Du Pont
|Process for making synthetic suede sheet material
|Apr 17, 1969
|Mar 7, 1972
|Mc Donnell Douglas Corp
|Battery separator and method of producing same
|Mar 12, 1970
|Jul 31, 1973
|Westinghouse Electric Corp
|Heat resistant substrates and battery separators made therefrom
|Jun 17, 1971
|Jan 21, 1975
|Mc Donnell Douglas Corp
|Battery separator construction
|Nov 22, 1976
|Jul 4, 1978
|The Fujikawa Cable Works, Ltd.
|Method for producing microporous separator for electrochemical cell
|Citing Patent
|Filing date
|Publication date
|Sep 9, 1980
|Jan 4, 1983
|Siemens Aktiengesellschaft
|Asbestos diaphragms for electrochemical cells and the manufacture thereof
|Oct 13, 1993
|Sep 6, 1994
|The United States Of America As Represented By The Secretary Of The Air Force
|Ordered polymer/sol-gel microcomposite laminates with peek resin adhesive
|Mar 21, 1994
|Nov 29, 1994
|Hughes Aircraft Company
|Preparation of polymer-impregnated battery separator material and cell made therewith
|Oct 8, 1993
|Jul 18, 1995
|Hughes Aircraft Company
|Electrodes and electrochemical storage cells utilizing tin-modified active materials
|Oct 8, 1993
|Feb 20, 1996
|Hughes Aircraft Company
|Preparation of electrodes and Ni/MHx electrochemical storage cell
|Apr 26, 2011
|Jan 29, 2013
|Honda Motor Co., Ltd.
|Allergen reduction-processing agent for fibrous product
|U.S. Classification
|427/352, 429/251, 427/430.1, 427/354, 427/385.5, 427/353
|International Classification
|Cooperative Classification
|European Classification


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- Charilaos Akasiadis, Georgios Chalkiadakis
- 2013
In this paper, we present a directly applicable scheme for electricity consumption shifting and effective demand curve flattening. The scheme can employ the services of either individual or cooperating consumer agents alike. Agents participating in the scheme, however , are motivated to form cooperatives, in order to reduce their electricity bills via lower… (More)
- Charilaos Akasiadis, Georgios Chalkiadakis
- 2016
- Charilaos Akasiadis, Evaggelos Spyrou, +5 authors Theodoros Giannakopoulos
- 2015
In this paper we present SYNAISTHISI, i.e., a cloud-based platform, that provides the necessary infrastructure in order to interconnect heterogeneous devices and services over heterogeneous networks. SYNAISTHISI facilitates the orchestration of a collective functionality allowing several services to be managed through agents that dynamically allocate the… (More)
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Managing energy consumption and production is a challenging problem and proactive balancing between the amount of electricity produced and consumed is needed. In this work, we examine mechanisms that give incentives to consumers to efficiently reschedule their demand, thus balancing the overall energy production and consumption. Viewing the smart grid as a… (More)
- Charilaos Akasiadis, Georgios Chalkiadakis
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As the penetration of renewables into the grid increases, so do the uncertainty and constraints that need to be taken into account during demand-side management (DSM). Mechanism design (MD) provides effective DSM solutions that incorporate end-user preferences and uncertain capabilities, without jeopardizing comfort. The authors discuss the state of the art… (More)
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text:
Hotels in Stintino
Holiday properties are mostly concentrated in Alghero and Stintino, with a wide range of prices, sizes and facilities. Platamona, Sorso, Badesi and Castelsardo are also well known locations with still a good number of properties to choose from. Most of them are near or within walking distance from white sandy beaches. If you are looking for a relaxing summer holiday by the sea, these locations are perfect. Holiday apartments and camping are equally available.
Club Hotel Ancora
from 122€ to 234€
Lottizzazione Ancora, 07040 Stintino
Club Hotel Ancora is an elegant and comfortable 3-stars hotel, with 55 rooms divided into four 2-storey buildings in typical local style, within a wonderful park by the sea. It offers a familiar atmosphere, which makes the hotel the perfect location for families, couples or whoever is looking for a...
Park Hotel Asinara
from 93€ to 375€
Località Cala Lupo, 07040 Stintino
Surrounded by small gardens, Park Hotel Asinara is a 10-minute walk from Stintino town centre. It features air-conditioned accommodation and a free shuttle to La Pelosa beach. With free Wi-Fi, Sardinian-style rooms at the Asinara have a satellite flat-screen TV, a minibar and tiled floors. The private...
Hotel Silvestrino
from 90€ to 160€
Via Sassari 14, 07040 Stintino
Hotel Silvestrino is located in Stintino, just 100 metres from the coast and 5 minutes' drive from La Pelosa Beach. It offers free Wi-Fi, a gourmet restaurant, and air-conditioned rooms. The hotel has been completely renovated but still preserves its original style. All rooms are bright and simply decorated....
Hotel Cala Reale
from 78€ to 369€
Località Ovile del Mercante, 07040 Stintino
Featuring a garden with outdoor pool and sun terrace, Hotel Cala Reale is placed in Asinara Bay, near the characteristic pier of Stintino. There are also tennis courts and a children's playground on site. The complex is composed of various buildings, set 1 km from sea. The famous La Pelosa beach is...
Geranio Rosso Hotel & Restaurant
from 50€ to 140€
Via XXI Aprile 8, 07040 Stintino
Geranio Rosso is located in the historic centre of Stintino, between 2 harbours and close to many Sardinian restaurants and bars. All rooms offer air conditioning. Rooms here include a flat-screen TV and a desk. The private bathroom has free toiletries and a hairdryer. A sweet Italian-style breakfast...
Club Esse Sporting
from 200€
Loc. Capo Falcone, 07021 Stintino
Offering a free shuttle bus to its private beach in Capo Falcone, Club Esse Sporting offers an outdoor pool, a range of sports facilities and a restaurant. All functional rooms face the large garden and WiFi is free in the public areas. You can start your day with a sweet and savoury breakfast. Fish...
Cala Rosa Club Hotel
from 64€ to 295€
Via dei Ginepri 25, 07040 Stintino
Cala Rosa Club Hotel provides elegant accommodation situated among green gardens, overlooking the Mediterranean Sea. It offers a free shuttle to a private beach and to Pelosa Beach, one of Sardinia's most celebrated. Rooms are fitted with modern furnishings and decorated with local floor tiles. Each...
Club Esse Roccaruja
from 180€ to 210€
Località Capo Falcone, 07040 Stintino
Club Esse Roccaruja welcomes you to one of the most famous spots of Sardinia, just 4 km from the village of Stintino, right by the famous, sandy beach of La Pelosa. Enjoy beautiful views of the Asinara Island and the crystal-clear waters of the Mediterranean sea, from the balcony of your spacious room. Relax...
Buddi Hotel
from 80€ to 130€
Via degli Oleandri, Località Platamona, 07037 Sorso
The Buddi Hotel is located in northern Sardinia, on the coastal strip of the Gulf of Asinara, between the seashore of Sorso and the Tower of Abbacurrente of Porto Torres. The area is characterized by a beach of white sand and shells, surrounded by some luxuriant pine woods. The hotel is located a few...
Hotel Elisa
from 78€ to 90€
Via Mare 6, 07046 Porto Torres
Set opposite the promenade in Porto Torres, Hotel Elisa offers a restaurant and classic-style accommodation with air conditioning. Free Wi-Fi is available throughout. Rooms at the Elisa Hotel all come with a satellite TV, parquet floors and a desk. The private bathroom includes a hairdryer and free...


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