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previously i was getting the "internal error, please restart" warning. OS. GTJiyeon 3 posts GTJiyeon Ignored Oct 30, 2012 Copy URL View Post having the same problem in installing HotS beta. "An unexpected decryption error occurred. OverwatchGeneral Discussion QQ / Rage thread Simple Questions, Simple Answers The Awesome Experiences Thread (PotG/Stories) The Find Teammates Thread LoL GeneralLoL TournamentsLoL StrategyCommunityGeneralEuropean politico-economics QA mega thread Ask and answer stupid his comment is here
Larva Sidebar Settings... Starcraft 1 & Windows 8 BEAUTIFUL; Similar Threads: Thread: Forum: BSOD while playing League of Legends and Starcraft II Hello everyone. I'll try to post back when we find out what may be going on. Blood and Gore Language Suggestive Themes Use of Alcohol Use of Tobacco Violence Online Interactions Not Rated by the ESRB Forums Log In Shop Support Account Settings Games World of Warcraft® Diablo®
Please have the description of the encrypted columns in use ready and contact Sybase Technical Support. WTF. What type of internet are you running (wifi,, wired to modem, wired to router, etc)?Have you tried optimizing your internet connecting as well?
Error while playing starcraft 1 on windows 8.1; Kuja_88. 10 months ago #1. Prev 1 2 Next 1 / 2 Go to Page: Join the Conversation Ignored Have something to say? Velnrak Americas 00:20, 07/08/12 Source Let's try deleting the Battle.net folder from the C:\ProgramData folder and see if that helps. Sybase Inc.
I have a very clean install of Win. StarCraft 2 on Windows 8. Author Write something about yourself. http://blues.wowraider.net/blue/us2/6246947020/?1376494556 Bisu2.
net folders tell me that the Blizzard Launcher tries to execute an English- US version of the game- setup before trying my downloaded and original setup file, which is English- GB. Please contact Customer Support». I will keep an eye out for both. 1lord_drakeAxiom • 1521d, 15hOn my side, I just can't connect to the battle.net servers. 1MTscKT Rolster • 1521d, 12hmine doesn't even launch. By further browsing you consent to such use.
It seems that the fault module's origin ("dlnashext. http://www.teamliquid.net/forum/tech-support/139015-an-error-occurred-starting-starcraft-ii It's installing! Windows forums are over here: http://us.battle.net/sc2/en/forum/13438/ Machkhan Americas 19:40, 10/02/13 Source If you don't have a temp folder, then you might just want to uninstall the current copy of SC2 you BGandONE 8 posts BGandONE Ignored Nov 20, 2012 Copy URL View Post WTF, I just tried this thing on another computer, desktop, vista, fully patched, no router and the same issue.
installed, copy the entire folder somewhere to Windows 8. this content Velnrak Support Forum Agent 35639 posts Velnrak Ignored Nov 19, 2012 Copy URL View Post Do you have Service Pack 1 installed?________________________________________________Monday - Friday, 8 am - 5 pm PST BGandONE Time to play Starcraft 2. I'm assuming like on every patch tuesday, my broken shit will magically start working again sometime after my weed induced nap. 2mcfatten • 1521d, 3hjelly after moving to a new city...hehe
Can't install Starcraft 2, Win8 x64. Part one.…dignitas.merzRegular BlogsCasting a Live Event(KotN…feardragonNaNoWriMo and what TL shoul…GurderoyESL ONE RequestsBluemoonSCLeifung Cup, the name's origi…ETisMEChess Blog imBLINDKaladesh Prerelease!…WaveofShadowFREE Starcraft goodies!!!…SilvanaCustomize Sidebar...Website FeedbackClosed ThreadsActive: 1409 usersAn error occurred starting Starcraft II... Let me know if there is any drawbacks to signing in this way. 1YahwehTG • 1521d, 15hThe cleansing has begun... 1ScryyProtoss • 1521d, 15hDat mac -1 coopfilecloud Blog Download free Installing weblink herO[jOin]10.
Machkhan Americas 21:49, 31/07/12 Source K, do me a favor and check your Temp folder inside your SC2 directory. You'll probably need to enable Show hidden files, folders, and drives in Folder Options to see this folder.________________________________________________Technical Supporthttp://us.battle.net/support'Constant change is here to stay.' Velnrak Americas 18:40, 07/08/12 Source Hey Ventadorn,Our Recent Gifted Posts Happy Birthday GTR!
I'm on an iMac running OS X 10.7.4I tried deleting the Battle.net folder, and was able to get to 10% optimization before it gave me the aforementioned error message. Navigate to the /Applications/StarCraft II folder. 3. but it seems to get worst. Bms.
Win 8 custom install starts fine. Best regards,djettasin. 0 Comments Leave a Reply. There's nothing wrong when checking my Dx. check over here Last3.
Force quit SC2, Agent and Blizzard Launcher processes in Activity Monitor. 2. By continuing your browsing after being presented with the cookie information you consent to such use. Please contact Customer Support". BGandONE 8 posts BGandONE Ignored Nov 20, 2012 Copy URL View Post It cant be my ISP right?
Velnrak Support Forum Agent 35639 posts Velnrak Ignored Nov 20, 2012 Copy URL View Post Let's try a Selective Startup.________________________________________________Monday - Friday, 8 am - 5 pm PST BGandONE 8 posts Shuttle5. I tried the selective startup thing, killed everything but the Microsoft stuff after I reinstalled to factory sate, (no backup, straight reformat) and the SAME ISSUE. INnoVation 1.
Reinstalled in Program Files instead of Program File (x86), for anyone who has this problem.Can someone lock this thread please? tried deleting Battle.net folder like you said. Additional information If the error persists, a configurable shared memory dump (CSMD) may be helpful in determining the root cause. Data (mainly the Agent itself, Blizzard Launcher and the additional Setup executables) I've come as far as to the point where the game tries to download and install itself, but there
Forum Index > Tech Support Post a Reply Wilder Profile Joined May 2010 United Kingdom33 Posts July 27 2010 15:55 GMT #1 ...Please Try Again.Have just installed the game for the Remember these forums are for Mac users who are havign issues. I d/led the WoW client, same thing (just wanted to see what would happen) BGandONE 8 posts BGandONE Ignored Nov 20, 2012 Copy URL View Post I think this is a Profile djettasin.


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Classrooms are at the back of the building. Enter from the church parking lot or from the Liberty Street door. Parking is available on the church lot, on the street and in the parking lot directly behind the church. An elevator is located beside the Liberty Street entrance.
Nursery – Toddler Class meets in the nursery room downstairs on the back hall. It is staffed by a paid nursery worker and/or volunteer.
Younger Children's Class (3 years old – 1st grade) meets downstairs in the room next to the parking lot entrance.
Older Children's Class (2nd -5th grades) meets 9:30-9:45 in the Younger Children's Class for music, then goes upstairs to the library at 9:45 for class.
Youth Class (6th-12th grades) meets upstairs on the back hall next to the library.
Adult Classes (all ages) - One class meets downstairs in the chapel on the back hall. Another meets upstairs on the front hall near the sanctuary. There are no age, gender or church status requirements for either class.

subset: commoncrawl


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Little Boots Annie M38 Cr ystal Castles Royksopp Pnau Deadmou5 The Owl Factor y Mixed tapes 30 days Goosebumps Here be haters istanbul Collectors Wallpaper Pretty pictures 20 something If looks could kill Game and abel The Paper Men LCD Soundsystem GRhymes The Knife Robyn Goldfrapp New Order Grimes Presets Ladytron Fused Tawk Gaelle Maxine Hardcastle Portishead Massive attack
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Ladytron Sickle project La Roux Pintandwefall Electric west Amy Ketchum Astrosensitive Capuchin CirKus Blood diamond Emu Plastic children Machine love What's new Up and comiing Gig guide Rave on Art Scene Fashion Out and about Writer's Corner Random notes Correspondence New faces Madhouse Sugar Dream Girl Indie lane Super 8 Movies Books Letters Review Media maze Next issue
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THESE BOOTS ARE MADE FOR WALKING By Alexis Petridis
At her window seat in a restaurant, Victoria Hesketh is arguing down her mobile phone. Her voice is becoming increasingly heated. "I don't want you to do that," she snaps, before looking across the table and rolling her eyes, which are large and decorated with kohl and glitter. "I'm sorry," she huffs. "This is so embarrassing." This is not an entirely unexpected scenario. Under her stage name Little Boots, Hesketh, 25, is currently Britain's most hotly tipped new artist, a recipient of critical garlands and huge commercial anticipation. She has just been named Sound Of 2012 in the annual BBC poll of music industry insiders, critics and broadcasters; previous winners have included Mika, Keane and 50 Cent - and look what happened to them. "She makes proper pop music, but with heart and soul and the energy of someone who's really interested in making it. It has a real honest excitement about it. There's a real range of ideas in her stuff, you hear it and think, there's a lot of things this girl can do," enthuses DJ Steve Lamacq, who thinks Hesketh could, if she wishes, become "this year's Lily Allen, a big, accessible, glitzy, Heat magazine-championed pop star." Furthermore, it's all happened at lightning speed. A year ago, Hesketh was an ex-member of minor indie band Dead Disco, writing songs in her parents' garage. She hadn't even adopted the name Little Boots. She put her first song up on the internet in February, on an anonymous MySpace page, because she didn't want her former bandmates to know what she was up to. By November, she was appearing on Later ... With Jools Holland, alongside Damon Albarn and Al Green. As Hesketh keeps pointing out, she hasn't even released a record yet, at least not properly, just a couple of downloads and an old-fashioned seven-inch vinyl single, limited to 300 copies, and there's been all this fuss, "people going, ooh, you're the future of pop". Under the circumstances, she might be forgiven for having her head turned by the attention, for throwing the occasional tantrum in an upscale restaurant and shouting at a record company underling down the phone. Except we're not in an upscale restaurant, but Blackpool's West Coast Rock Cafe, home to both the Che Guevara Revolutionary Chilli Burger and a fairly spotty collection of locally themed rock memorabilia: there's a poster for the famous Stone Roses gig that took place at the nearby Empress Ballroom, a laminated review from the Blackpool Gazette and, as if to underline the potential transience of the fame Hesketh is fully expected to achieve, a sad little handbill for an acoustic gig by the former lead singer of briefly celebrated Britpoppers the Seahorses, for which tickets cost £1. What's more, it's not a record company underling on the phone, it's her mother. Hesketh is keen to show me around Blackpool, in order to demonstrate her home town's influence on her brand of electronic pop, which offers a strange, beguiling mixture of euphoria and melancholy: "Blackpool's supposed to be this holiday place, but it's actually quite dark and depressing when you live here, and I like pop songs to have a dark side, a little predicament so there's something
else going on." We've already been to a bizarre shop, half of which is devoted to cutesy sweatshirts and cushions featuring cartoons of dogs and cats, and the other half to fetishwear. "You see?" says Hesketh triumphantly, as we leave, her bearing a cutesy sweatshirt of a bichon frise. "Pretty dark." Now her mum has, rather sweetly, offered to drive us around, but Hesketh doesn't seem terribly keen on the idea. She took her mum and dad to Later ..., and they had "the day out of their lives", but her dad kept putting Jools Holland off by waving at him and accidentally knocking over beer bottles while he was trying to do links to camera. She says her relatives are having some difficulty understanding her success. "Whenever I come home, they go, you should go on The X Factor, you should. It'd be really good for you. I'm like, the prize is a record deal. I've already got a record deal. They go, yeah, but if you got one with them, you'd really be going somewhere." In any case, she tried that route to stardom years ago, auditioning for Pop Idol when she was 16, singing Nina Simone's Feeling Good. "You have to queue for hours and then you go and see a producer. They don't let you in front of the judges unless they think you're amazing or you're really crap so they can slate you. I got through three rounds, then I got chucked out and I cried. It was horrible. They get everyone in a hotel, hype you up, tell you that there's a little pod with a camera in it, and if you want to cry and get emotional you can do it in there and make a fool of yourself. I was just a petrified little girl, I was really upset when I didn't get in." EAR CANDY SEPTEMBER 2012 | 14
She has, she admits, got a hugely unconventional musical CV which takes in everything from reality TV to a brief gig as a harpist in a Pink Floyd-influenced progressive rock band to a "souldestroying" stint playing jazz at wedding receptions and in restaurants. "I've done so much embarrassing shit, it's crazy. I was in a play called Brian And The Argonauts, the story of Jason And The Argonauts set to the music of the Beach Boys. I was an Argonaut. I sang I Get Around. I was in the Lancashire Students' Jazz Orchestra, going around Europe. I did one thing with them dressed up as a Blues Brother. If you can get up on stage in a theme park in Belgium dressed as a Blues Brother," she nods, "you can get in front of a bunch of hipsters in a nightclub and play." Things took off only in early 2008, when her manager leaked a song called Stuck On Repeat to a few influential blogs and "everything went insane". "It really stood out," says Peter Robinson of popjustice. com, one of the recipients. "There are a lot of people working in a similar field to her - young electronic singer-songwriter producer-types - but she has the best songs. I think she has more chance of success than anyone like her." Rumours flew around the internet that Stuck On Repeat was the work of Kylie, or Goldfrapp, or a big dance producer with a female vocalist. In fact, Hesketh had co-written it with Greg Kurstin, an LA-based songwriter best known for working with Lily Allen, whom she had met while still in Dead Disco. She started to post clips of herself on YouTube, in her bedroom singing covers of Human League and Madonna songs as well as her own material: "Full of mistakes, just me, in my 'jamas, messing about." They became
"I've done so much embarrassing shit, it's crazy. I was in a play called Brian And The Argonauts, the story of Jason And The Argonauts set to the music of the Beach Boys." a phenomenon, attracting hundreds of thousands of viewers as well as the kind of reasoned and constructive criticism for which the internet is justly famed. "Really vulgar sexual stuff, about me being fat and minging and a shit singer and musician and a fucking bitch and slag, people saying they wanted to rape me," she recalls. "Horrible. I nearly got upset, but it's just 12-year-old kids in middle America, so I decided not to be bothered by it." Besides, the clips also attracted the attention of Later ... producer Alison Howe. "She looked like she'd just got out of bed," Howe remembers. "I really liked it, really liked the song, didn't know anything about her, and that appealed to me. She hadn't been plugged to me or anything like that." When she appeared on the show, accompanying herself on the piano and stylophone - a 70s toy keyboard famously promoted by Rolf Harris - she cornered the lead singer of the Killers backstage and demanded a photograph together, which she then sent in to a page in the NME that prints snaps of fans with their idols. It was a rare instance of Hesketh losing her cool. She seems remarkably unfazed by all the attention. "I feel a bit pressurised, but it's more me putting pressure on myself than the people saying I'm the future of pop or whatever. I'm just being myself, and the minute something feels forced or ungenuine, I won't do it." Nevertheless, the weight of expectation currently placed on Hesketh's shoulders is immense, a situation further compounded by the feeling that a musical sea change is about to take place, and that she should be leading it. The public seem finally to have tired of the music that has held sway
over their taste for most of the decade: the putatively "alternative" guitar rock variously dubbed ITV indie or flipchart indie or landfill indie by critics who tired of it almost as soon as it turned up. At the end of 2008, new albums by the Kaiser Chiefs, Razorlight and Keane dramatically underperformed. There's some debate as to what will replace the serried ranks of skinny-jean clad bands and earnest singer-songwriters in the public's affections (in a move designed to make anyone over 30 feel as old as the hills, Steve Lamacq talks vaguely of a grunge revival), but the smart money is on a resurgence in clever, unmanufactured electronic pop, with Little Boots at its forefront. "There's a window that's been created by this sort of horrible indie pile-up," says Peter Robinson. "That's helped pop music get back in, because it's become quite a novelty that pop music is good and credible. She's happy to admit she wants to be a pop star. But she has a connection with the songs she's singing she wasn't out at the corner shop buying a packet of Quavers when they were being written."
says. "They either want you to be Kylie, where you don't write the music and you're part of the machine, or a singer-songwriter. You can't be seen to be both." A few nights later, I see her playing live in Berlin. It's a long way from the kind of pop stardom that's being predicted - it takes place in the early hours, in a filthy warehouse venue, before an audience of German trendies. Some of them have, regrettably, opted for an ironic 80s look that leaves them looking exactly like the sunbed-pinchers of popular British myth: mullet haircuts and moustaches abound. There's not much evidence of epic staging - just Hesketh and her band and an array of synthesisers - but you can see how the excitement about Little Boots has built: although she plays only six songs, every one sounds suspiciously like a hit single.
There are, she admits, a lot of contradictions in what she does. On the one hand, she's keen to demystify the process by which songs are written and people become pop stars, hence the YouTube clips. On the other, she is "in love Still, there's always the chance the public with that Ziggy Stardust idea that pop stars might not bite. Pop music in recent years come from outer space". Her artwork is has tended towards the prosaic and replete with pictures of unicorns and stars, straightforward, whether it's the Arctic she sings "about magic and escapism Monkeys' and Lily Allen's tales of urban and fantasy, not about being in a strop teenage life, or Coldplay's stadium-filling with my boyfriend and drinking cups of platitudes about feeling like a puzzle tea", and she wants her stage presentation with a missing piece and lights guiding to be epic, although ambitions in that you home. By contrast, Little Boots is an direction have thus far been stymied by altogether more complicated sell: a female a lack of funds. She starts to discuss her "synth-geek" who has to restrain herself future ambitions - apparently it's possible to from boring interviewers with discussion of make something called a laser harp out of "casual circuitry", and describes her style a Nintendo Wii. Her mobile rings again, as "cosmic Coronation Street". "People and Britain's most hotly tipped pop star are really black and white about stuff," she goes back to arguing with her mum. EAR CANDY SEPTEMBER 2012 | 16
RÖYKSOPP THIRD ALBUM JUNIOR By Mike Diver
Since forming in Bergen, Norway in 1998, electronic duo Röyksopp have served as pioneers of down-tempo musical mood-sculpting, their debut album of 2001, 'Melody A.M.', regarded as something of a classic of its chillout genre. The pair – Tobjørn Brundtland and Svein Berge – grew up in the same hometown of Tromsø, but did not begin to make music together as Röyksopp until meeting again in Bergen. 'Melody A.M.', picked up in the UK by Wall Of Sound, spawned successful singles including 'Remind Me' and 'Eple', establishing the duo as an outfit with commercial reach. Indeed, many of their songs have been used on advertisements, so accessible yet oddly unique are they. Music television also helped the band on their way – 'Remind Me' won its category at the 2002 MTV Europe Awards. Today, that side of the band remains strong, evidence enough presented by their latest single, 'Happy Up Here', with its Space Invaders over a cityscape visuals. Röyksopp's third album, 'Junior', is released on March 23, and features guest vocal turns from Lykke Li and Karin Dreijer Andersson (The Knife). You've a slick-looking official site and plenty of social groups – did the band embrace the internet at an early stage? I'm afraid not! Being seen as a very electronic-inspired act, it's perhaps a surprise that we can take our time with
things, and not rush anything. That's maybe why, back in 1998, I didn't have the internet. But the way music is consumed now, is it possible to be successful without the internet? I guess if you're a classical musician, maybe, because you can go through different channels. But if the music you're making is folk, or electronic, or indie… I can't see that happening. Unless you're so hardcore, I guess – like, there are some people who still only put their music out on cassette. Which seems funny because most stereos do not come with cassette players. I still have cassettes, a lot of them, at home, and still play them. But I can't… It's a good question, because I really can't see a band becoming big without 'advertising' itself through the internet. Is the accessibility to new music that the internet offers a good or a bad thing? After all, the quality control is next to nonexistent as sites like MySpace are usergenerated. Has the internet ended local scenes, confined by geography? I still think that geographical boundaries are prescient and prominent, because the locality is not only based around culture, but we also believe that your physical surroundings – be it a concrete jungle or some breathtaking scenery – has to have an effect on what you do. So, it's going to give your music a sense of identity. But then again, when we were growing up in Tromsø, which has the latter of the two, a lot of pretty scenery, our biggest inspiration was, at some point, Detroit techno. That was then, but I really believe and hope that music can be coloured by a local scene. The local scene is a big definer.
So that can be as influential as a favourite band? I think… Well, if you are determined… Seeing this from a Scandinavian perspective, you have two approaches, one of which is that you are determined to be part of a scene. Say, in 1991 there were bands wanting a 'London' sound, and some bands could pull that off impressively, without anyone raising an eyebrow. But then you've the other approach, which embraces your own culture and background. There's a line from when Björk became so famous, because of her accent: she is proud of where she comes from. At that time most people in Norway, not in Iceland, were trying the copying approach, trying to sound like something spawned on the other side of the world. It's changed, and maybe since Björk. Lots of bands that now get attention outside of Norway, I think, show some identity. It's not necessarily authenticity, but they at least present themselves as authentic. That's how cynical I am! (Laughs) You gave away a single from your new album, 'Happy Birthday', away for free. Do you think that today's music fan expects something for nothing? Well, I just had a chat with my old man, and he remembers when people got 8-track tapes, and the fight against that format. And he told me about when the photocopier was invented, and how it was meant to destroy the publishing industry, but of course it didn't. And you couldn't tape off the radio, either, but at that age you are a casual user – you have not developed your tastes yet, and are bouncing between things. It's ludicrous that anyone would charge you for that. So I think technology is just moving on, but people are the same. You need to convince people that your use of technology is intuitive; if it's not natural, you are doomed to fail unless you use excessive force. Does it not bother you if people are picky, and take only two or three songs off of 'Junior'? That doesn't bother me at all. Obviously it'd be nice if people got the whole album, as it's part of a concept that's in two parts. I don't know if you know this, but 'Junior' is to be released along with 'Senior', which is out later in the year. We worked on both simultaneously. It's true! It's a nod to the old '70s concept albums – one in spring, and hopefully the other in autumn. So we've made something with a naïve belief that people will take time and listen to the whole thing. But we know that not everyone will do that, and we don't mind. Perhaps, from an egocentric point of view, it's better if people listen to three songs and then decide not to get the album, than get it and never play it. Okay. Finally then, do you ever Google yourself? Sometimes we've done that, and sometimes I want to kick the guys who decide what comes up the top of a search. I know there's lots of interesting stuff on the internet, and I know we've done really good interviews that are on the internet, but what comes up on searches is always really generic. In a way I don't mind that our official site does not come up first – Royksopp.com is a pretty obvious address.My dad has done, and then called to say: "Did you know your name comes up on Google?" Yes, dad, I assumed it might. Well, you've got to make sure the system works at least, from time to time. EAR CANDY SEPTEMBER 2012 | 36
LADYTRON By Anna Wilson
GRAVITY THE SEDUCER The eclectic, electronic four piece that are Ladytron have returned to the fray with a 'Best Of' album, marking out a decade in the business and as a forerunner to their fifth studio album 'Gravity The Seducer', which is due for release in September. Known for their lush synthesized sounds, uniform wearing (back in the early days) and for ploughing their own fantastically unclassifiable furrow, they are a band at the peak of their powers, traversing the worlds of video games, movie soundtracks, DJ sets and remixes for other artists. To promote the album they're currently touring the UK, with upcoming shows in London, Glasgow, Liverpool and Dublin this week. You have a new album due out soon, why did now feel like the time to go for a 'greatest hits'? Is it purely to mark the decade milestone or perhaps to put your current work into some sort of chronological context? Both, it's an opportunity to draw a line in the sand that will not come around again. Additionally, much of our audience weren't even aware of us the last time we put an album out, let alone when we began.
tour in the US. We didn't assume that we would be touring all over the world. It was also nothing to do with money, tours were still in part supported by labels in those days remember, they were considered marketing. To be honest the way the balance has shifted, I dislike when artists are making albums purely as a platform to tour, and conversely the attitude that musicians should just accept that touring is the only source of income. That is actually, for all but the biggest artists, an untenable You've produced music for The Sims and situation which is beginning to be for a FIFA game...do you think that dilutes acknowledged, although I must say, usually what you do as a band or it just another anonymously. This is why artists, especially channel to get your music 'out there'? new ones, in general deserve to be cut No different to a film or TV show. Didn't some slack for seeking ways to monetize produce music specifically, nothing unusual their music, the average listener has had or particularly noteworthy. quite a good deal from decimation of the old industry after all. You started out playing to backing tapes and doing one off shows whereas now You're known as a four piece but there's you're well respected as a live band... now an additional rhythm section that did this happen organically, through the aren't part of the 'band'....are they just process of playing together or did you used when you're touring or do they think, we need to get this live thing down contribute to the recording process? because its the only way to make money Touring, and a very occasional session these days? playing if required. We began to focus on live only when it was apparent that there was a demand for You continue to use analogue equipment us to play around the world, and bear in when you tour, as it must be hard to mind we had already passed on a 2001 duplicate some of your sound digitally...
irreplaceable items no doubt give up the ghost in transit, do you mourn them or just get searching for replacements? We buy every MS20 we find. Seriously. You've admitted that you're a album band, would you be happy to dispense with the whole single business or do you enjoy choosing an album 'taster' and making of the subsequent video's? I wouldn't say we admitted anything, we make albums. That's part of the album process though, it need not be mutually exclusive, we love putting singles out. What we don't want is the charade where an album is made purely as a platform for touring, as I said, which is endemic now. The album, is and should be a viable form in itself. You've listed very disparate influences in terms of what you listen to...most of if historical. Are there any current bands that are influencing your sound or that you're excited by? To be honest I'm not sure I remember listing any influences explicitly, certainly not for a long time. However I do remember explaining which assumed influences were actually inaccurate. In general, normal listeners, rather than music geeks, have almost universal knowledge of backEAR CANDY SEPTEMBER 2012 | 110
catalogue nowadays. I find that I rarely tell anybody about a record, it is assumed that everybody is aware. But for a band that has been active this long to be overtly influenced by something totally current seems perverse, as you're already on your own journey, our records have been substantially different anyway. You can always be influenced by a change of context, or a change in audience however. The atmospheric aspect of your music feels like it could easily be translated into a cinematic collaboration...would you like to do a soundtrack for a movie and if so which directors would you be interested in working with? I'm already working on some film projects. You're playing at the Arches (Glasgow) in October to promote the album, does Helen view that as a homecoming of sorts, especially in light of the greatest hits? Yes she always loves playing Glasgow. You DJ, do you get something very different from that than you do when you're performing; do you ever play any of your own records? DJ'ing is totally different to playing live shows, seems pointless to compare. Sometimes you play your own record, depends on the circumstances, if there's a crowd there for us specifically then sure, but I wouldn't normally if it didn't matter. Was it a bit strange collaborating with pop princess Christina Aguilera or did you respect the fact she liked your sound and wanted a piece of it? Both. but I've said before, I respect the major artists who actually seek out the collaborators who they want to work with, far more than those who just send a list of names to A&R for a producer to approximate. She deserves more credit for that than she actually got. I would say that some real nonsense has been written about this though, which I suppose is natural given the nature of her celebrity, but is not our world. Our world is far removed from
Mira Aroyo (vocals, synthesizers), Helen Marnie (lead vocals, synthesizers), Daniel Hunt (synthesizers, electric guitar, vocals) and Reuben Wu (synthesizers).
"Creatively we're not confined to this group, or to music, individually or collectively. All I would say is that this album has been the one whose creation has felt driven by the strongest desire." that of high profile pop stars. Do you feel as enthused and prolific as when you first began working together or do you believe Ladytron to have a finite existence? We never planned beyond making the next record, even when we began, though looking back, five albums always seemed appropriate. It depends on what we want
to do next. Creatively we're not confined to this group, or to music, individually or collectively. All I would say is that this album has been the one whose creation has felt driven by the strongest desire. You can catch Ladytron at the following shows: 19/10/12 - The Forum, London 30/10/12 - The Arches, Glasgow
Left to right: Dumb Pint, Cute Pint, Crazy Pint, Tough Pint
By Eduardo Alonso
What can a girl band do with a name about alcohol tolerance, lyrics about game consoles and a stage image full of masks and costumes? Well, just becoming the most popular band of the moment. With a funny mix of rock, garage and crazy lyrics Pintandwefall will surprise you. Guitar player and vocalist Dumb Pint tells about the band and its first album: Wow! What Was That, Baby? What is the story of the band? How did you come up with such a name? In the spring of 2006 after another rock band's rehearsals, I was in a bar and I had the idea of starting a girl band which would play one gig in an school competition. The idea was that everybody would play an instrument which one would have never played. Next day at school I was asking my friends to join me. We took the name of the band from a poor joke which was about bad tolerance of alcohol and we learned two songs in three weeks. To our wonder everybody liked us! The original plan was that we would have broken up because of musical disagreements, but because of getting extra gigs we couldn't stop and we had to write more songs.
You have pretty original and funny lyrics? How do you find inspiration for them or topics like X-Box? We don't have any limits, so we write songs about almost any kinds of topics which inspire us. X-box had a different story though; the song had originally really dirty lyrics which we had to change to be called a "family version".
What about your looks and style: the masks and the names? Image has always been important to us! Already in the first rehearsals we were planning what type of nail polish and shade of lip stick we should use. The costumes were supposed to match with each other. In the beginning instead of masks we had huge sunglasses, but then before one gig we went to a joke shop to buy a diabolo for Cute Pint, who plays percussion and sings. At the same time we found these great disguises. We had an idea to wear them to the night's gig and finally they kind of came our dominating element on the stage by accident. Nowadays the audience would complain if we didn't wear our masks.We wanted also to have very stupid Spice Girls type of artistic names. Something that was funny, catchy and a little bit tongue in cheek. We should have thought them a bit better if we had known that this will go this far…
Your album is becoming very popular, how do you feel with these sudden success? It feels really absurd! Even though since the beginning there has been small fuss around the band which has grown into new potential during the time. It's wonderful that people like us so much! Tell me a bit about your influences? We haven't found any great influence, the reporters have invented things for us.
By Elly Jackson
QUIDPROQUO We had the chance to ask Elly from LA ROUX some questions via email. She doesn't give much away but she's certainly an interesting character who I'd love to chat with in more detail one day. What a stellar record she put out this year – La Roux is now available for us in OZ to purchase.
and Annie Lennox as influences. What is your favourite album by each of those artists? And what about those artists inspires you? David Bowie – Young Americans Madonna – Madonna Eurythmics – Touch
What is your opinion on Lady Gaga? The media is always talking about her fashion sense – you are also involved in the creation of your own clothing? (This question was ignored…LOL)
Where do you envision La Roux in the next 5 years? Doing online PR.
We saw your very first performance here in NYC at Studio B. Were you nervous or surprised that night that everyone was so excited to see you and knew your songs already? Tell us what was going on through your head that night? That was one of my favourite shows ever. We had no expectations before we went on – it was very early for us to be in the US so it felt wonderful to see a crowd that were not only up for it but knew the songs as well. Thank you, the internet. Was music an escape for you growing up? My dad bought me a guitar when I was 4 years old and I wrote my first song when I was 7 so I've always known I was going to do this even through the dark times, and there were plenty of them. You have cited David Bowie, Madonna
How are you handling fame? Is it everything you thought it would be? I try not to let fame intrude on my life. I keep my private life private, I don't go courting celebrity and I don't tend to go to where the paps are waiting for you….
We heard that you don't like to hear your work remixed, is this true and if so why? I like to hear great remixes of La Roux – Skream , Zinc and Data have all done amazing things to our work. I just don't like to hear bullshit mixes. Where do you find inspiration from, and who are your favourite artists currently releasing music? From love. Glass Candy and White Lies are my two favourite current artists. How do you feel about being an artist in the digital age? Do you feel it works to your advantage or against you? It makes it easier for people to buy your singles rather than the whole album and that can be frustrating. Do you consider yourself a role model for the younger generation? Give us something inspirational to end with… My favourite word is cunt.
Published on Sep 16, 2012
Ear Candy - a music magazine for experiencers. Who love music, electro, indie and the scene


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"The Next Day" is the 96th episode of The Good Wife
Alicia Florrick gets fed up with her new firm working out of her home, particularly with having so many men constantly around her teenage daughter, Grace Florrick. Diane Lockhart and Will Gardner become angry as Alicia and Cary Agos pick up yet another Lockhart Gardner client, and employ questionable tactics to get their client back. Peter Florrick's ethics consultant, Marilyn, steps on toes at Florrick Agos to discover the extent of the governer's involvement in the new firm, and whether his actions constitute an ethical issue. Diane finds out that she has lost her judgeship, and consequently decides to stay at Lockhart Gardner.
- Julianna Margulies as Alicia Florrick
- Matt Czuchry as Cary Agos
- Archie Panjabi as Kalinda Sharma
- Alan Cumming as Eli Gold
- Josh Charles as Will Gardner
- Christine Baranski as Diane Lockhart
- Chris Noth as Peter Florrick
- Graham Phillips as Zach Florrick
- Mackenzie Vega as Grace Florrick
Guest StarringEdit
- Bhavesh Patel as Anthony Wright Edelman
- Vanessa Wasche as Gina Young
- Anthony Ordonez as Adam Rolfe


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Everyscape sells a virtual world
MediaPost covered Everyscape's recent $6 million fund raising news last month, but I was more interested to find out how their service differs from Google Maps StreetView, since Everyscape also uses Google Maps. My initial review of the site seems to be how Google Streetview will likely progress in its next release giving business more power over their listings but also gives the ability for premium listings for those who want more attention. So has EveryScape really built a new platform that has potential to grow or joined the list of companies that help show Google engineers what they should be doing for their next product?So the typically businesses that Everyscape advise are best for their virtual tour solution because of their more detailed view and tours are:
- Retail Stores
- Hotels
- Bars
- Spa
- Restaurants
- Galleries


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[3/17/17] Herrero and Guess CFO Sandeep Reddy outlined an aggressive strategy to jumpstart profits in the brand's U.S. operations through a store rationalization approach involving rent re-negotiation and closures. The retailer isn't being shy about its motives: Last year, Guess shuttered 19 stores even after obtaining more favorable rents on their leases.
It's all a response to sweeping changes impacting retailers across the industry. "[W]e are seeing in the U.S. market a significant drop on traffic, which is leading us on the fourth quarter to a more promotional environment," Herrero told analysts. "And at the same time, this is basically, as a consequence, declining our margins."
It's quite a different story for the brand outside of North America, however. This year, Guess will open 60 stores in Europe, where nearly half of its sales come from wholesale, and another 35 locations in Asia.


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To get further information about Pearl Liang, or to request a call back, please complete the online enquiry form below. Please be assured that your data is secure and we do not share data with third parties. See our privacy policy for more information.
Pearl Liang Enquiry Form
Pearl Liang is within a short walk from Paddington Station and so well placed as a rendezvous for visitors using the Heathrow Express and looking for excellent Chinese cooking.


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Thursday, September 14, 2006
Media General Reports August Revenues, Updates Third-Quarter Outlook
RICHMOND, Va. – Media General, Inc. (NYSE: MEG) today reported August 2006 total revenues of $74.9 million, a 13.3 percent increase from August 2005. By business segment, Broadcast Division total revenues increased 41.8 percent and Interactive Media Division total revenues rose 34.2 percent, while Publishing Division total revenues declined 0.9 percent. Excluding the results of four NBC television stations acquired on June 26, 2006, Broadcast Division revenues increased 7 percent and total company revenues increased 2.3 percent. Results for all periods exclude the revenues of television stations for which the company has announced divestiture plans.
"Media General's August revenue growth included a 3.3 percent increase in newspaper Retail advertising, healthy growth in National advertising on our television stations, strong Political advertising in several markets and continued robust online advertising growth," said Marshall N. Morton, president and chief executive officer. "The strength in these categories, however, was partially offset by a soft performance for the month in newspaper Classified and National advertising and in Local time sales at our television stations.
"Retail advertising growth at our newspapers mostly reflected the success of our focus on new product initiatives. Our Classified advertising results mirrored industry trends, including healthy growth in real estate advertising offset by lower spending in the automotive category, and softening of help-wanted advertising compared to the robust growth of that category over the past few years," he said.
"In the Broadcast Division, same-store National time sales increased 10 percent, driven by higher spending in the automotive, telecommunications and services categories. Total Political revenues of $3 million were driven by the gubernatorial races in Florida and Alabama and by U.S. Senate and state campaigns in Rhode Island, Ohio and Tennessee, augmented by issue spending in Rhode Island.
"We were pleased with the continued strong growth in online advertising. Page views and visitor sessions for August rose 29.8 percent and 26.1 percent, respectively, including the new stations," said Mr. Morton.
Newspaper advertising in August increased slightly over last year, including Retail advertising revenue growth of $525,000, or 3.3 percent. At The Tampa Tribune, Retail revenues increased 8.7 percent from last year's hurricane-weakened business environment and reflected higher spending in the financial and furniture categories and the success of a new weekly health publication. Retail revenues for the Richmond Times-Dispatch increased 0.7 percent and reflected increases in the department store category and the benefit of a special section, partially offset by lower spending in the financial and grocery store categories. The Winston-Salem Journal generated 7.2 percent growth in Retail revenues for the month, reflecting higher spending in the financial and department store categories and several special sections published in August. While Retail revenues for the Community newspaper group declined 0.5 percent in the aggregate, the Northern Virginia, Alabama and Southwest Virginia markets delivered increases for the month.
Classified advertising revenues in August decreased $425,000, or 2.5 percent, compared to an exceptionally strong August 2005. The Tampa Tribune reported a decline in Classified revenues of 7.5 percent, reflecting continued weak automotive advertising and softer help-wanted spending, partially offset by continued strength in real estate Classifieds. The Winston-Salem Journal reported a decline in Classified revenues of 11.5 percent, while the Richmond Times-Dispatch reported a 4.7 percent increase in total Classified revenues. The Community newspaper group was up 0.6 percent for total Classified advertising.
At the three metros, real estate linage in the aggregate increased 19.6 percent. The Tampa Tribune, which continued to benefit from a strong new-housing market in the Tampa region, generated a 28 percent increase in real estate Classified linage for the month. The Richmond Times-Dispatch and the Winston-Salem Journal reported real estate advertising linage increases of 30.2 percent and 1 percent, respectively.
Employment linage at the three metro newspapers decreased 12.7 percent. The Tampa Tribune's help-wanted Classifieds declined 30.2 percent and the Richmond Times-Dispatch decreased 4.3 percent, while the Winston-Salem Journal had a 4.7 percent increase, resulting from higher volumes from local advertisers. Automotive linage for the three metros declined 28 percent for the month and reflected continued spending restraint by automotive dealers.
National revenues declined $60,000, or 1.8 percent. The Winston-Salem Journal's National advertising was up 21.4 percent, due to advances in telecommunications and utilities advertising. The Tampa Tribune reported a decline of 1.4 percent, reflecting a decrease in the telecommunications category partially offset by increased automotive advertising. The Richmond Times-Dispatch experienced a decrease of 3.1 percent, due to lower telecommunications advertising.
Circulation revenues were down $425,000, or 6.7 percent. Approximately 40 percent of the decline was due to the elimination of subsidies to independent carriers at several newspapers. Excluding the impact of carrier subsidies, Circulation revenues declined 3.9 percent for the month. Five Media General newspapers posted increases in net-paid Daily Circulation, while overall volume decreased.
In the Broadcast Division, gross time sales increased $10.6 million, or 53.3 percent, including the four new NBC stations. Excluding the four new NBC stations, gross time sales increased 10.3 percent.
Local time sales increased $3.7 million, or 27.9 percent, including the new stations. Excluding these stations, Local time sales decreased 2.5 percent. Declines in automotive and financial spending offset higher spending in the furniture and services categories.
National time sales increased $4 million, or 62.6 percent, including the new stations. Excluding these stations, National time sales increased 10 percent and reflected increased automotive, services and telecommunications advertising and lower spending in the corporate and transportation categories.
Political revenues of $3 million in August included $1.1 million in spending from the four new NBC stations.
Interactive Media Division revenue growth reflected higher advertising and new products in all categories, led by increases of 9.8 percent and 72 percent in online Classifieds and Local advertising, respectively. National/Regional advertising more than doubled due to campaigns with national agencies across multiple Web sites. Solid real estate advertising growth helped offset softness in help-wanted spending in August, and nearly all Media General Web sites generated higher revenues. Local revenue growth reflected new products sold through an expanded sales force.
Based on actual July and August 2006 revenues, Media General now expects Publishing Division total revenue growth in the third quarter of approximately 1 percent compared to last year's third quarter. This outlook anticipates continued Retail advertising growth, driven mostly by new product initiatives. In the Classified category, the company expects real estate advertising to remain strong, while automotive and help-wanted advertising should continue to be soft. National and Circulation revenues are projected to show year-over-year declines in the quarter.
Forward-Looking Statements
This news release contains forward-looking statements that are subject to various risks and uncertainties and should be understood in the context of the company's publicly available reports filed with the Securities and Exchange Commission. Media General's future performance could differ materially from its current expectations.
About Media General
Media General is a multimedia company operating leading newspapers, television stations and online enterprises primarily in the Southeastern United States. The company's publishing assets include three metropolitan newspapers, The Tampa Tribune, Richmond Times-Dispatch, and Winston-Salem Journal; 22 daily community newspapers in Virginia, North Carolina, Florida, Alabama and South Carolina; and more than 150 weekly newspapers and other publications. The company's broadcasting assets currently include 30 network-affiliated television stations that reach more than 33 percent of the television households in the Southeast and more than 10 percent of those in the United States. The company's interactive media assets include more than 75 online enterprises that are associated with its newspapers and television stations. Media General also owns a 33 percent interest in SP Newsprint Company, a manufacturer of recycled newsprint.
Investor Contact:
Lou Anne Nabhan
(804) 649-6103
Media Contact:
Ray Kozakewicz
(804) 649-6748


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three egg whites
Place the pecans into the zip lock baggies, and break them into smaller pieces with the wooden spoon. Explain how Jesus was beaten by the Roman soldiers after he was arrested, and read John 19:1-3.
Next, add the vinegar to the mixing bowl and tell your kids that Jesus was given vinegar to drink while he was on the cross. Read John 19:28-30. Add the egg whites to the bowl, explaining that eggs represent life and how Jesus gave his life to us by reading John 10:10-11.
Now add a pinch of salt to the bowl to represent the tears shed by Jesus' disciples and followers
after his death. Read Luke 23:27.
The next step is to add the sugar while telling the children how the sweetest part of Jesus' story
is that he died because he loves us. To reinforce this notion, read Psalm 34:8 or John 3:16. Let them taste a bit of sugar as well.
Beat the mixture with the mixer on high speed for 12 to 15 minutes. Have your kids take turns beating the mixture until stiff peaks are formed. Next, fold in the pecans and drop by teaspoons onto cookie sheets covered with wax paper. Read Matthew 27:57-60 to explain how each cookie represents the tomb where Jesus' body was laid to rest.
Put the cookies in the oven and close the oven door. Turn the oven off and seal it with tape to
represent the way that Jesus' tomb was sealed off. Read Matthew 27:65-66. Read John
16:20 and 22 to learn about how Jesus' disciples and followers were saddened by the sealing of
his tomb.
to 15 minutes, then should be taken out to cool after that.


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Lantern Theatre
Lantern Theatre
57 Blundell Street, Liverpool, L1 0AJ
- Telephone 0151 703 0000
- Website www.thelanterntheatre.co.uk
Events at this venue
STATK presents MANDAR
After a short (far too long) hiatus, STATK is back with a blow-your-socks-off line-up! STATK presents…MANDAR
Sat 19 Aug
Prices to be confirmed / 0151 703 0000
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(This is a reader gun review contest entry, click here for more details – enter by December 26th!)
By Travis Pike
A long time ago I was a young, naive kid, looking to serve my country. I chose the Marine Corps and was hell bent on the infantry. So in my recruiter's office staring my future down, I knew I wanted to be a machine gunner. The Marine Corps splits the infantry into different jobs and machine gunner is a real MOS (0331). I also had an interest in firearms and I liked shooting guns that went bang, so why wouldn't I want to shoot one that goes bang, bang, bang, bang really fast? . . .
The M240 is not an attractive weapon, but the first time you fire it is something you'll never forget. In my five years FN's M240 and I became close friends. The M240, in case you don't know, is a 7.62 NATO gas operated, open bolt, air cooled, crew served, fully automatic machine gun. The 240 is the Marine Corps' standard for medium machine guns.
The M240 is an absolute beast. The first time I got my 240 it was in a heavy canvas bag, taken apart, shoved in there with two barrels, a T&E, and a tri pod. The weapon is outfitted with an optic rail on the top cover and two short rails on either side of the barrel. It's an awkward looking beast, completely lacking the streamlined appearance of classics like the MG 42. It's heavy, too…about 27 pounds and is most comfortably carried on the shoulders. Ergo, it pretty much suck when it comes to carrying the weapon.
The 240 uses a simple push button safety positioned awkwardly behind the trigger. The grip is huge, by the way. For guys like me who have big hands it's okay. Small guys may have trouble, though. The charging handle is non-reciprocating, and locks when in the forward position. Reloading is simple; open the tray, sweep any links, line up a new belt, close the lid, rack the charging handle, place on safe. I could go on about changing the barrel, but I doubt anyone really cares.
The trigger is like a sponge. It's bad and it's a bit long, and stupid-spongy. Once that trigger is pulled though, hold on. The M240's weight soaks up most of the recoil, but without some training and experience you aren't going to be very effective at hitting much beyond a hundred yards.
Speaking of range and accuracy, the M240 is a superbly accurate gun. With the 240 you aren't aiming to make a small group, but to suppress and destroy stuff. For example, at a thousand yards we could walk our guns onto a car carcass and hit it all day long. The sound of metal on metal was enough to let us know we were ponyboy golden. We could even knock down man-sized Ivan targets out to 800 yards pretty easily with someone spotting. Remember, this is using iron sights, but we did have a tripod so maybe I'm being a little self flattering.
Reliability? Don't even get me started. The gun doesn't stop. Sandstorm in UAE during a force-on-force training op? The 240s are the only guns that are still working. Get it wet? No problem. Shoot a few thousand rounds and not clean it? Go ahead. Wanna run blanks through it for a week? Go ahead. It just keeps going. Run out of lube? Spit, piss, or bleed in it, work the bolt and it will keep going.
Best way to clean it? With a pressure washer. On one field op we were on the last day and the good idea fairy decided to provide us with another 10,000 rounds. We took two guns, and let 'em rip. We dumped CLP in the actions every thousand rounds and kept going. It was raining, but the barrels were still hot enough to light cigarettes off of.
So disassembly is a snap and can be done quite quickly, but I doubt anyone wants me to walk them through it. It isn't as simple as twisting a pin and removing it. Rather it's a multi step process with a few pins, springs and pieces.
What makes the M240 such a kick ass weapon is the fact it stops fights pretty quickly. Like Rosie O'Donnell at a buffet quickly. Machine guns will shut up enemy fire and take the will to fight out of any asshole that is dumb enough to pick a fight with a dude carrying one.
Firing a machine gun is an art. It's not just pointing and spraying ammo down range and hoping something falls down. When machine guns work in teams and practice talking guns, it takes both machine gun teams to create an effective rhythm. A good machine gun squad (two teams) isn't just shooting machine guns, they are make music. The tempo and rate of fire increases or decreases with our squad leader/composer to fulfill whatever our suppression goal is. It's a symphony of ass kicking.
A machine gun should rarely be in action by itself, but it happens. A machine gunner still exercises fire discipline lest he blow his load and overheat his barrel. Unless you want to dump your ammo to make the patrol a bit easier.
I served five years with or around a M240 and I grew to love the beast. After carrying that pain in the ass you'd think I'd hate it, but even now all my memories of that gun are fond ones. In fact if I had to choose one gun as my favorite it would be the old faithful M240.
Model: FN M240
Caliber: 7.62 NATO
Magazine Capacity: As long as you want the belt
Weight Empty: Freakin' heavy (27.1 lbs)
Barrel Length: 24.8 inches
Overall Length: 49.7 inches
Sights: Peep
Action: Open Bolt
Finish: Blued/Parkerized/ IDK
Price: Four years military service cause the NFA is totally lame
Ratings (out of five stars):
Style: * * 1/2
Pretty ugly, it's awkward looking from the barrel-mounted handle to the weird pistol grip. The weapon is like a prized pig — it may be the greatest pig around, but it's still a pig. The 2.5 stars are solely because it's belt fed and belt fed weapons are a style class all their own.
Ergonomics – Carry: *
HAHAHAHAHAHAAHAHA! It's heavy, unbalanced and awkward. The closest thing to comfortable carry is tossing it on your shoulder and letting those little metal pieces dig in nice and deep.
Ergonomics – Firing: * * * *
A very comfortable weapon to fire. The broad butt plate gives you a good shoulder and cheek weld. The bipod is strong and once it's down, it's not moving. The weight absorbs the recoil, and the user hardly feel anything. The awkwardly placed safety is, well, awkward. In terms of the fun factor, it was a belt-fed machine gun I got to shoot at people. Of course it's fun.
Reliability: * * * * *
This thing steps up there with the AK in the gun reliability hall of fame. Maybe it's because of the open bolt, or maybe it's because of the fine craftsmanship FN places in their weapons. I don't know. I'm a self-proclaimed internet gun expert, not a real one. Either way it grinds and works no matter the weather, environment, or amount of use.
Accuracy: * * * * *
From a prone position with a tripod, an experienced machine gunner can engage targets at over a thousand meters with a good A-gunner, tracers (they burn out before a 1,000 meters, though) and some right, tight and down-on-the-gun. On bipods, accurate engagement to six hundred meters on man-sized targets is pretty standard.
Customize This: * * *
The weapon can be outfitted with a variety of optics including night vision and thermal (although they suck after the barrel heats up), and optics like the MDO by Trijicon. The side rails allows the mounting of PEQ 15/16 laser devices. The new M240L introduced a shorter barrel and collapsible buttstock. New bipods have been introduced that are a bit lighter with spikes in the feet. Also, the weapon can be fitted with a soft belt container called a nut sack for starter belts on foot patrols.
Overall: * * * * 1/2
I want to give it a five stars, I really do. The main detractor is the weight, and awkward-to-carry nature of the weapon. Marines make due though. Plus the style is absolutely atrocious. The weapon works though. It is a fight stopper and game changer. The 240's reputation among the troops is absolutely fantastic with a 100% confidence rating from soldiers in a study by Natick Soldier Center.
67 Responses to Gun Review: M240 Machine Gun
The FN MAG is a pretty sexy beast. You'd give it more style points if the US Military hadn't upped the weight with questionably useful heat shields and ruined the aesthetics along the way.
cosmetically, the M249's big brother, only better albeit heavier.
It's also even more of a pain in the ass to clean.
@Travis Pike, awesome! Much better than the 60. Makes one wonder about the crybabies that piss and moan about a 7lb AR or a 9lb MBR.
M60 is far superior to the M240B. I have fired both. The M240 is more accurate than the M60 and that is it's only advantage. The M60 is lighter and can be fired while standing or moving. The M240B requires the shooter to be prone or the gun to be mounted.
@John B, interesting. In my experience, the 60 was a piece of shit.
Never fired the 240 but the 60 I used was a jam-o-matic. Still fun as hell.
Same- Then again, the ones I had when I was in the National Guard were older than I was. I just remember using it more as a bolt action than an MG…
I completely agree that the M60 did not have stellar reliability. Feed trays wore out too quickly and the gas cylinder needed fairly frequent cleaning. It may be that our M60's had been heavily used, but I'd rather have had a more reliable gun. I should say that I used one quite heavily, but never on the ground, always from a Huey. And my greatest horror in RVN, especially during LS 719, was that we were not given the opportunity to test-fire our weapons after major cleaning. Just flew right into battle/hot LZ's hoping everything was good.
Never fired either, but I recall some years back the M60 was upgraded somehow specifically to address reliability problems, maybe the differences in experience is due to the dates people are referring to.
I carried an M60 a lot. If it jams its either REALLY neglected or worn out OR has new parts that may need a little shooting. I was in a Mech infantry company in VN and we shot a LOT. No significant complaints. But EVERYTHING has a failure rate. You have to remember that it replaced the Browning. Which was nearly flawless but old school. The 1917 water cooled Browning shot a 20000 round burst, yeah 2000 rounds, in testing. The army told JM Browning that they wanted the test repeated with a production gun. He came back with one and shot another 20000 round burst. The design was accepted.
Though yes the 60 is lighter you can indeed fire the 240 from the hip. In my unit we often mounted a grip on the left hand side of the gun for this exact purpose.
We had a couple of man-beasts who could fire it from the shoulder.
I could do that with the SAW, but not the 240.
You clearly never served in the military. Firing a couple of belts from a perfectly clean, meticulously maintained range toy at a gun club does not make you an expert on machine guns.
The M60 was a fragile, unreliable, badly-designed piece of shit. There's a reason that half the world adopted the FN MAG (M240) while the only countries besides the US that used the M60 were the ones who got free M60s as military aid paid for by US taxpayers.
No Soldier or Marine who carried and used both in the field misses the M60. The M60 never should have been adopted. Even in 1957 the FN MAG was a more reliable and more durable GPMG. But narrow-minded fools demanded an "American" gun, even if it was nothing more than a lousy combination of a German designed bolt group and a German designed feed mechanism, fabricated out of flimsy inadequate steel stampings to save a few pennies.
Much better than a M60 is an understatement. When i was in the m240 was mounted coaxly with the man gun on my tank. The sheet metal and rivet beast would fire till the barrel glowed. the only problem we ever had was some run put to much lube on one and it ran off we had to break a link to get it to . It made me wonder why the service was so long in replacing the M60
@Howard Moore, indeed.
We would cut narrow strips of rubber matting (the same stuff some crews put on the turret floor) and put it between the pin holes in the coax mount (kinda hard to describe without a diagram). You then had to have your loader basically lay on top of the coax while you pounded the pins in with a mallet, but it effectively eliminated all movement between the coax and the mount. "Turn you coax into a sniper rifle with this one weird trick."
and thank you for your service
I wonder if it's possible to get a semi auto version and fire it with an ATF approved hand crank?
Wouldn't be the same but if the trigger is nothing to brag about anyway, it would still be a close experience.
Here is a semi-auto M240 for -$14,000
Ok, at prices like that just buy a registered full auto M16…
I guess there isn't high demand for neutered 27 pound LMGs anyway.
I don't know about that. In Russia, you can buy a semi-auto "Maxim M1910/30 hunting carbine".
19h, saw one of those beasties in a gun shop in CA for 6 grand a few years ago. I guess if you wanted to play Enemy At The Gates…..
Seems to me that Travis is a boot.
Once again, a review of a weapon I'm not allowed to own. Is this supposed to make me jealous? Should I be prepared to rail against the ATF for closing the books on registering new machine guns? Because I will.
I'm no fan of the ATF, but your rage is misplaced. Congress closed the books on new machine guns in the 1986 FOPA bill. Blame William Hughes.
You can own these just fine. Just join that big hippie commune in the desert, they'll practically make you shoot it on the finest two-way range since divorce court.
I can't believe people are rating machine guns by style – it's a machine gun, not a Holland and Holland. If you think this is ugly, go look at a Potato Digger in action.
If you put lipstick on it will it still be a pig?
Some of the same complaints I had about my pig – M60. Old rock and roll.
"The gun doesn't stop. Sandstorm in UAE during a force-on-force training op? The 240s are the only guns that are still working. Get it wet? No problem. Shoot a few thousand rounds and not clean it? Go ahead. Wanna run blanks through it for a week? Go ahead. It just keeps going. Run out of lube? Spit, piss, or bleed in it, work the bolt and it will keep going."
Sounds like a Garand, only faster and a lot more lead downrange. Who said there is no "sporting purpose" to owning a machine gun?
You realize Garands had a lot of reliability problems right. They were better than most anything else around at the time, but there reliability was far overrated
Yeah it's great rifle but everyone I've ever known that's had one old or new has always had them f**k up and break. I think part of that has to do with the fact that you can't shoot most modern 30-06 out of it because of the load changes, and most people don't know that and just run any 30-06 they can find. Still, it's enough to deter me from buying one if you can only run specialized ammo through it and even then chances are it's going to jam and break.
"By most everything else" you specifically mean semi-auto rifles, right? I don't think Garand was significantly more reliable (or more reliable in general) than any bolt-action service rifle of the time.
A semi auto rifle that is more reliable than a bolt action? What planet are you from?
"I don't think Garand was significantly more reliable (or more reliable in general) than any bolt-action service rifle of the time."
The Garand would produce more hits per pound of ammo fired than the more accurate 1903, for example, in simulated combat. Donald Burgett, 101st Airborne, D-Day, Market Garden, Bastogne and into Germany would not use anything else. And when made squad leader he gave his Thompson to a replacement for the guys Garand. Stated what a HUGE advantage it gave over the K98. With the right ammo the in spec Garand is frighteningly reliable. In very cold weather, like Chosin, they had to be run dry but they still ran. A Medal of Honor winner at that fight was holed up with 3 wounded Marines and set his handguard on fire twice and had to put it out with snow, fought ALL night shooting Chinese at close range. Used at E-tool to scoup up chicom grenades and throw them back, his Garand never failed….. Watch newsreels of German infantry firing K98s in combat and then look to the Garand in use in combat footage. Its a no brainer….
You realize that the early problems with the Garand were related to a machine cut that was changed by someone other than Garand when full production started? It was human error and not a fault of the design as adopted.
I got to fire one at the SF range in Iraq 9 years ago. Yep, ugly as hell but an absolute blast to shoot. Hardest part was ignoring my ingrained 3-round burst training. Just pull the trigger and let her rock and roll.
Makes me miss my M60. Big iron pig but it was Mine.
Yes… the 240 how I love to hate thee. I've carried that metal monster on several humps and would prefer the SAW over that monstrosity. This is until you shoot it… then well yeah 240 all day. Great article, it gave me some flash backs of the field ops and the good idea fairy finding "fun" stuff for us to do during our down time.
Apples and oranges. M249 is LMG, M240 is GPMG. Both have their uses.
Not to be entirely too nit-picky, but why in an article about the M240B show a picture of the M60 and Marine carrying a M249 in the photo?
I would also add the deterrent factor it has over the smaller M249, even if just visually speaking. My unit was stuck with M249s on convoys until we got our hands on some M240s for the gunner position. Now it seemed the average Iraqi driver, who probable has the same attention span as an American driver, would actually take note of the M240b on the turret and not get as carelessly close to the convoys. It may not have been as imposing as the ma duece, but it was good enough for what we were doing. Another observation I had with the M249b is that although it well known for it's reliability, it can still fall pray to fouling if not kept clean enough. During an FTX, we were running thousands of blanks through them for a dry run, and than use actual live fire for the final run. Unfortunately, even though my ran fine when I had the initial blanks, by the time everyone went through the dry run (and probable no wipe down afterwards), the same 240B refused to cycle correctly with the live ammunition. But in fairness, that was the only time I ever had trouble firing the 240B in my military experience.
Uhhh dude all those pictures are of 240b's, i don't know were you saw an m60 or a marine carrying a 249. Every gun pictured is a 240b i promise you you're wrong.
Correction: mean to say "240B", not "249B" and "mine" not "my".
Pic number 4, is a 60 i think.
M60E4 I want to say. Also, the previous poster is right; that Marine in picture #3 is humping a 249. You can tell from the relative size and the shape of the buttstock. Typical TTAG journalism and attention to detail.
The guy wading, with the gun over his shoulder?
It's an M240. Take a look at the hinge for the (folded) bipod. That is not an M249.
Well as the person in the pic I have to disagree. That's a 240, for one most grunt units issue collapsible stock M249s. Also I'm a big dude, 6'5 230 pounds, maybe it just looks tiny on me. Plus that's a bandolier I['m keeping out of the water, saws use plastic drums
I remember blowing 6-8 round bursts straight through a single man-sized target at 500 yards from a bipod and thinking about how badass the gun was. Luckily, I was a sissy 0311 and rarely had to carry one. Excellent review, sir.
Why is there a picture of a M60 in the middle of the article?
Outfriggin standing weapon. I never took a liking to the 249 (we gave them to our terps when we got in TICs. They would get up, shoot through the single magazine we gave them, and hop right back down and out of the way, proud to be in the fight) but lord I loved that 240. Great accuracy for its intended use and simply did not stop. It's the gun that will outlast you.
I got to shoot the 8mm MG42 out at my house about a month ago. I loved it, and I'm not usually a full auto fan. It makes total sense now that I find out it's related to the 240. Crazy sound that MG42makes, like a reciprocating saw. Seems faster than the 240. Plus, 8mm Mauser. Dang.
Oh, and I don't know why the 249 was never as accurate, but none that I have ever fired have been. Anybody with a similar experience?
I think the M249 innaccuracy is due to a few things, first weapons age, our M249s were ancient. Next, the barrel latch system, take a M249 and you can move the barrel around, not like that with the M240. Thirdly, so many people use the barrel handle as a carryig handle, and it's only designed to aid in barrel changes, not supporting the weapon
I for one find the M60 and M240 very good looking guns!
Fun read, thanks!
I remember in 1985 I saw an M-60E3 for sale in a gun shop above a cigar store in Old Town, Alexandria, Virginia. They wanted $7000 if I recall correctly. I had several months of pay second lieutenant pay checks in my desk that I hadn't deposited yet back in Quantico. I was very tempted to go and buy it. I'm still kicking myself for not.
I'm curious as to anyone who has worked closely with both the M-60 and the M240 as to how they compare. I've fired the M240 but honestly, I'm not a machine gunner and there were two decades between firing each, so I don't have a good feel for the differences.
Comparing the M60 and the 240 isn't really fair. The 240 is pretty much the definition of a medium machine gun, while the 60 has always been a true light machine gun. The 60s biggest weakness was units using it way past its shelf life, and trying to us it as a medium machine gun. If you needed one guy to run a machine gun by himself, the 60 was your gun of choice(now the 48) if you use it in a weapons squad or mounted go 240.
I don't agree with that assessment at all. Both fire the same round, the 7.62mm NATO and at roughly the same rate of fire, are generally the same physical size and use the same type of tripod. They are employed the same way and both are medium machine guns.
Their is a reason that a lot of SOF forces kept using the M60 family over the 240 for on man AW use. The 60 is smaller in weight and overall length than a 240, especially the E4/MK43 model with the short barrel. Look at the forward grip for the E3 and beyond models. The 240 was never meant for shoulder fired use. Again if you are using a tripod you are using a M60 wrong.
I don't think M60 would qualify as LMG. At least if you look at the weights, it is still significantly heavier than pretty much anything else in that category. Hell, it's heavier even than PKM, which is generally considered a GPMG. Compare to M249, RPK etc.
I mean, if you want to treat it that way, it's fine, but then it makes for a really sucky LMG just on account of weight alone.
Big, accurate, reliable… hapiness is a belt-fed weapon… Ooh-rah!
I am a gun lover. shooting is my hobby, i dont have gun neither. how i wish i joined the Marine. l really love to handle any gun that has the capability to suppress enemy positions.
Hated toting it around (for six years) but boy that was a sweet weapon system
Got a chance to put a couple hundred rounds through one over the summer at Ft. Jackson during basic. Fantastic experience.
My favorite job in the Army was being a 240 gunner. There was no funner weapon system IMHO, other than perhaps the Gustav…
I just watched Korengal documentary last night on Netflix. One of the soldiers they were interviewing said his favorite weapon on the base was the M2 (ma Deuce), next the M240. What he said…


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Monday, June 13, 2011
Shu Uemura Ethnocolor Scope Tokyo Lash Bar for 2011
31 comments:
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text: In the lands called Rito, there was a town. This town was called Aubury. It sat peaceful equally distanced between the Frozen Norths where the Dark Lord sat in his throne and the Blistering Souths where the Scorponok race called home. It sat far from any danger, and it rarely recieved villagers until this day, when a group of people came through the village clad in robes, steel, and leather armors. Their weapons made the villagers (who had never came closer to a weapon than a sickle) shiver. But you, you wanted adventure. When you saw the Wizard, then the Dwarf, then an Elf, then a Goblin pass by your chair in your lawn you were very curious, but, you also were a tad bit afraid. The group entered The Spilling Ale Inn and they dissapeared from your sight.


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Two poems to compare and contrast essay
How to Compare and Contrast Two Poems. When you compare and contrast two poems, **focus on similarities and differences between the themes, tone, imagery …
You May Also Like. How to Compare the Themes of Short Stories. Compare & Contrast Two Short Stories by Alice Walker. Alice Walker is an African-American … Identify & introduce each piece and conclude with the thesis--the point you are making about the two pieces. Compare and Contrast Essay. Compare and Contrast Essay Bandung City and Bali Do you know that both Bandung... City and Bali are famous countries in Indonesia?
Two poems to compare and contrast essay
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Compare and Contrast two poems (tone, style, etc) I need to write an essay which compares and contrasts the following two poems. I should focus on … Two Poems Compare And Contrast. Compare/contrast In Dudley Randall's poem "Ballad of Birmingham" and Langston Hughes's poem... "Mother to son" are two.


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50 Obstacles to Leaving: 31-40
We're making our way through "50 Obstacles to Leaving" in hopes of illuminating the barriers that often prevent someone from getting out of an abusive relationship.
This author has yet to write their bio.Meanwhile lets just say that we are proud Kathryn Robinson contributed a whooping 74 entries.
We're making our way through "50 Obstacles to Leaving" in hopes of illuminating the barriers that often prevent someone from getting out of an abusive relationship.
Numbers 21-30 from Sarah Buel's "50 Obstacles to Leaving, or, Why Victims Stay" piece.
Can you imagine the frustration of a victim being asked, "Why don't you just leave?" Here are reasons 11-20.
We've adapted Sarah M. Buel's "Fifty Obstacles to Leaving, a.k.a., Why Abuse Victims Stay" — 50 different reasons that she has encountered during her 22 years of work in the domestic violence field.
These inspirational stories have a focus on survivors who have found love after abuse and are starting a new chapter of their lives with a partner.
Last month we explored this topic of life after abuse and asked our Facebook community to share their own experiences finding happiness with a new partner. The responses were powerful and enlightening.
Amanda's story details her journey from a victim of domestic violence to an empowered new bride. We hope you are as inspired at her strength and hopeful spirit as we are.
Moving on from an abusive relationship can be an incredibly hard process. If you find yourself struggling to cope and heal, consider picking up one of these books.
If you're considering dating after domestic violence, one venue for meeting a partner is a bit more 21st century than bumping into someone at the bar: the internet.
Moving on after any breakup is challenging, but healing after an abusive relationship can be especially difficult.
We're celebrating life lived to the fullest, especially after escaping abuse. This month is a time for honoring people with full years of life and achievements.
Dating after domestic violence can be nerve-wracking and complicated. If you're considering beginning a new relationship, here are some things that you should consider.
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This project was supported by Grant Number 90EV0426 from the Administration on Children, Youth and Families, Family and Youth Services Bureau, U.S. Department of Health and Human Services. The opinions, findings, conclusions and recommendations expressed in this publication are those of the author(s) and do not necessarily reflect the views of the Administration on Children, Youth and Families, Family and Youth Services Bureau, U.S. Department of Health and Human Services.
This website is funded in part through a grant from the Office for Victims of Crime, Office of Justice Programs, U.S. Department of Justice. Neither the U.S. Department of Justice nor any or its components operate, control, are responsible for, or necessarily endorse, this website (including, without limitations, its content, technical infrastructure, and policies, and any services or tools provided).
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- Neville interrupted, but Akira Tozawa planted him with a Head Kick.
- TJP defeated Rich Swann
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text: Mikel Gandía Birthplace Spain (view) Mikel Gandía is a Spanish voice actor for Keroro Gunso. Voice Roles Edit Keroro Gunso the Super Movie - Kiruru Additional Voices Retrieved from "http://keroro.wikia.com/wiki/Mikel_Gand%C3%ADa?oldid=45996" Ad blocker interference detected! Wikia is a free-to-use site that makes money from advertising. We have a modified experience for viewers using ad blockers Wikia is not accessible if you've made further modifications. Remove the custom ad blocker rule(s) and the page will load as expected. Categories: Keroro Gunso voice actors People behind Keroro Gunso Article stubs Stubs Add category Cancel Save


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God is Great!, Hearing God's Voice, Prophecy, The End Times, The Great Consummation, The Latter Days, This Side of the Whirlwind
70 Weeks of Daniel 7
Finally, we're at the "Seventieth Week of Daniel!"
Ooh, did you hear the echo? I did, cool special effect. Oh sorry, if you didn't hear it it's because you are not as spiritual or cool or good-looking as I am!
I know…. Tooooo true.
Yep, we're at the "Seventieth Week of Daniel!"
Don't worry, no echo that time. I turned off the Cool-O-Meter.
The Seventieth Week Introduction Continue reading


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Old Red Truck, 6 x 6 pastel on Uart sanded paper
Monday, January 27, 2014
Old Red Truck
I wouldn't normally paint an old truck, but that was the project of choice for our bi-weekly meeting of "Time Out for Art". We have decided as a group to work on the DPW challenges, either the current one or one from the past couple years. We take turns hosting and being project leader, and this week Ed chose the Old Truck Challenge. Which explains today's painting. I tried to keep it loose, according to the comfortable style I enjoy, but so many details kept calling my attention! I'm glad to have finished it though. These challenges really get me out of my cozy "box". :)
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Invite friends and coworkers to join you in your order.
It's easy and everyone earns points.
Tender okra slow cooked with onions and tomatoes.
Chickpeas simmered in freshly ground spices.
Vegetable and paneer balls in cardamom cream sauce.
Vegetables in nuts, raisins and cream sauce.
Garlic spinach and paneer cheese cubes.
Cumin roasted potatoes and cauliflower florets.
Peppers, tomatoes and vegetables in a spicy sauce.
Hot and spicy vegetable stew.
Mixed yellow lentils in garlic and cumin.
Black lentils in butter and cream.
Smoked mashed eggplant with herbs.
Crisp okra with lemon and mango.
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