text:
In one possible timeline, the interstellar Skrull Empire remained a threat to universal peace far into the future. Around the year 2085AD, they invaded the planet Talbos, but the lupine inhabitants fought back ferociously; the Skrulls never claimed their world, and though the Talbosians became extinct, their restless spirits awaited an opportunity for vengeance. Sometime in the 22nd century, the Skrull Skyppi was born; deemed unsuitable for combat, he was assigned to menial maintenance work for the next 200 years, finally fleeing the Empire before he could be terminated for being too old to be useful.
By the mid-24th century, humanity had evolved into a telekinetic high-tech society living in gleaming cities; believing that the gods' time as shepherds of mankind was coming to an end, and mindful of the Fates' edict that only one Olympian, born both of god and mortal, would survive to be the patriarch of a new race, Zeus looked to his favorite son, Hercules. Realizing the headstrong demigod had not matured despite his many centuries of life and fearing he would therefore prove unworthy of the prophecy, Zeus banished Hercules from Olympus once more. Reasoning that on Earth Hercules was a god with no stimulus to learn humility, Zeus sent Hercules out into the stars where he would be a puny creature, giving him Apollo's golden chariot as transportation.
After a wearisome journey to the Andromeda Galaxy Hercules came upon the Colonizers of Rigel, and asked to rest aboard their vessel; impressed by his tale, the Colonizers requested he take the robotic Recorder #417 along to record his further adventures. Their next stop was Starharbor on the planet Petocco, where they checked into the Stargate Hotel on the Rigellian's bill. Intending to carouse, when Hercules was informed a fellow bar patron was a Pheragot, the galaxy's strongest race, he immediately picked a fight, only to be derided as a bully when it turned out the Pheragots were also the galaxy's most gentle race. Departing the bar in shame, Hercules publicly redeemed himself by rescuing the passengers of the crashed starliner Pedalo Crest and throwing the burning fuel cells into space before they exploded. Remembering his earlier mistake, Hercules later resisted giving "the gift of Combat" to an alien in the bar who accidentally spilled his drink.
Visiting Port Anteris on Wilamean, Hercules was duped into a fixed space race against fraudsters Clide and Alpo. Lacking funds to pay his gambling debt, Hercules handed over the golden chariot as collateral until he could pay; the crooked pair planned to sell the chariot, worth far more than the debt, but reckoned without Apollo's violent and carnivorous steeds, who hospitalized them. Spotting a reward poster for rescuing the kidnapped Layana Sweetwater from space pirates, Hercules and the Recorder penetrated the villains' lair, and while the former fought the entire pirate army as a diversion, the Recorder extracted Layana from her cell. Learning the police didn't actually have the reward money promised, Hercules held on to the enamored Layana, and they soon consummated their passion, unwittingly conceiving a child; trying to fulfill his observation mandate, the Recorder was arrested as a peeping tom. Desiring to stay with the relationship-shy demigod, Layana lied to him, claiming her fiancé Count Igwanus of the Gegku had bought her from her father, but after battling Igwanus and his minions, Hercules learned the truth. Igwanus gave Hercules the rescue money, which covered both the Recorder's bail and the gambling debt/hospital bill.
Passing through the restricted Omacron system on their way to the distillers' planet, Ciegrim-7, the travelers were fired upon by sentry ships; after commandeering one of the attacking vessels, Hercules flew it to its base Starstation Raga, where its commander, Malin, informed him that each year for the last five, one of the habitable planets in the system had simply vanished, and this was the next due date. Soon afterwards, a pair of Kawa ships materialized around Ciegrim-7 and engulfed it in a stasis beam. Though Raga's ships were swiftly shot down, Hercules' chariot successfully landed within one of the Kawa vessels; briefly captured, Hercules learned the Kawa Brotherhood were sacrificing the planets to appease their Vengeance God, so he could cleanse those worlds as he had once cleansed theirs. Breaking free with the Recorder's aid, Hercules destroyed the master towing device, and the pair narrowly evacuated before the Kawa destroyed themselves as failures. While Hercules though ashamedly of how the Olympians had once allowed themselves to be worshipped, the Kawa god, Galactus, headed for the Omacron system, angered that his yearly meal had not been provided. His herald, Nova, proceeded him; she and Hercules fought, but upon identifying Hercules, she ended their battle in order to romance him. Afterwards, while Nova rested, Hercules entered Galactus' worldship and confronted him, but was dismissively overpowered. Unable to win by force of arms, Hercules came up with a new plan; he invited Galactus to share a drink with him and, when the Recorder provided a momentary distraction, slipped Ciegrem's most potent beverage into the world devourer's cup, hoping to inebriate him. Unaffected but amused at the attempt, Galactus agreed to spare Ciegrim-7. Returning to the planet surface, the Recorder was reclaimed by the Rigellians until Hercules could pay off the charges he had run up on their account.
Eventually growing weary of the peaceful Distillers Planet, Hercules convinced the Rigellians to return the Recorder to him, and joined the Omacron Star-Cavalry, fighting alongside Commander Malin. Back on Wilameans, Layana gave birth to a son, Arimathes, whom she raised to hate his father, claiming Hercules had forced himself on her. Reaching adulthood possessing strength akin to his sire, Arimathes conquered the system on his mother's orders, proclaiming himself Emperor. Layana had Igwanus tortured and blinded, keeping him as a palace slave to tend the prisoners in the royal dungeons.
Decades later, in 2385, rebels seized control of the Lerarak-27 asteroid mining colony; though Hercules overcame them, capturing their leader Stard and uncovering him as a Skrull agent provocateur, Malin was fatally wounded in the battle. With his friend's demise, Hercules deemed it time to move on. He and the Recorder traveled to Deniciere in the Orion Galaxy, where Hercules became obsessed with a model, Sasha, only to discover "she" was the elderly Skrull Skyppi. Initially angered at being fooled, Hercules forgave Skyppi after he scared away a pursuing mob, and agreed he could accompany them on their travels as they fled the planet.
Investigating the ruins on Talbos, archaeologist Rojohn Smythe discovered the temple of the Red Wolf god and was possessed by the Talbosian spirits, becoming the god's avatar, charged with destroying the entire Skrull race. At first, Rojohn believed he had dreamed this encounter, but a few days after departing Talbos he passed a disguised Skrull on a refueling starstation, transformed into Red Wolf, and killed the shapeshifter. Fleeing to Starstation Philord, he joined the electronic maintenance crew, only to transform again when union presidential candidate Parnal Banak visited. He slew Banak, another Skrull, but was captured by security forces. Soon afterwards, Hercules joined him in his cell, having been arrested upon his arrival for his misdeeds on Deniciere.
Meanwhile, back on Mount Olympus, Zeus decided the gods' time had ended, and began slaughtering his fellow deities. Apollo fled, but Zeus withdrew the godly powers from all remaining Olympians throughout the cosmos. Apollo crash-landed on Titan, and was found by the Eternals there, while Hercules awoke to find his hair whitening as his immortality faded. When Skyppi came to release him, the Skrull triggered Rojohn's change; Hercules fought Red Wolf to protect his friend, eventually convincing the spirits that Skyppi was an exception to their genocidal cause. Hercules, Skyppi and the Recorder departed the station heading for Earth, to ascertain what was happening on Olympus. Summoned to Titan en route, Hercules learned of Zeus' madness from the dying Apollo; delaying only to defeat Dhielus Shreck, last disciple of Thanos, who had stolen Captain Mar-Vell's Nega-Bands, the trio resumed their mission. They found Zeus in Olympus' ruins; placing Hercules' immortality within a pearl atop a flaming brazier, Zeus challenged his son. Hercules refused to fight back until Zeus seemingly slew Skyppi (a ruse), then, despite being severely wounded, swiftly overpowered his father, but could not bring himself to kill Zeus. Revealing it had all been a final test, and that the gods had passed on to another reality, Zeus gave his son a choice before departing himself: join his brethren in another world, or stay and forge a new beginning. Picking the latter, Hercules and his friends departed for the stars again.
Points of InterestEdit
Argo-7, Bomb Crater Café, Ciegrem-7, Deniciere, Earth, Mr Olympus, Omacran System, Port Anteris, Petocco, Starharbor, Starstation Raga, Talbos, Titan, Wilamean
A'Lars (Mentor), Alpo, Apollo, Aram, Ares, Arimathes, Athena, Parnal Banak, Captain Bauer, B'Mak, Clide, Deen, Dionysus, Brother Doowish, Duluka, Eros (Starfox), Mallax Fortnite, Galactus, Golden One, Har, Hephaestus, Hercules, Hmorrie, Lt. Iberi, Count Igwanus, ISAAC, J'Webb, Mr Koppalo, Ltooks, Amayd Malin, Maxy, Lt Mojo, Mona, Myra, Newbeau, Nova (Frankie Raye), Pako, Piel, Pluto, Pogu, Tyne Pryntess, Recorder #417, Red Wolf (Rojohn Smythe), Rojohn, Sub-Commissioner Ronhon, Dhielus Shreck, Brother Skagg, Skyppi, Commander Stard, Layana Sweetwater, Lucynda Thrust, Sub-Commander Tsak, Utuk, Wipo, Zeus
- Characters from Earth-829
- Other things related to Earth-829
- Earth-829's Appearances
- Media Earth-829 was Mentioned in
- Images from Earth-829
- Reality Gallery: Earth-829


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12 Monkeys
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Agent Carter
Agents of SHIELD
Babylon 5
Battlestar Galactica
Dark Matter
Doctor Who
The Expanse
Fear the Walking Dead
The Flash
Game of Thrones
Legends of Tomorrow
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Jessica Jones
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GateWorld talks with Michael Adamthwaite
Michael Adamthwaite has become a black pearl to loyal watchers of
's recent shows, etching himself into television history as the right-hand man of the worst bad boy in the galaxy, Anubis' First Prime
Having recently finished filming
The Chronicles of Riddick
(arriving in U.S. theatres this summer), Michael took time out for a lengthy audio interview with GateWorld, chronicling his own history through the four episodes of
he has thus far filmed. He discusses his laugh-out-loud audition process, his quirky and obsessive tendencies, as well as his amphibious moments under the Jaffa armor. Yeah, that's what we thought.
Be forewarned:
This interview includes major spoilers for the climactic ending of
"Lost City!"
GateWorld's session with Michael is available in MP3 audio format for easy listening, as well as transcribed below! The audio version is about 25 minutes long. Be sure to check out Michael's
official Web site
, too!
This is David Read for GateWorld.net talking with Anubis' First Prime himself, Michael Adamthwaite. How you doing, Michael?
Michael Adamthwaite:
I'm doing wonderful.
Glad to have you with us.
Thank you for having me.
What was your experience with
before becoming Herak?
My experience with
before becoming Herak was limited. I will admit I had obviously watched the show. I had sort of been following as a -- I would call it more of a part-time fan basis. Because it was an interesting show, the concept was sound, and I had also obviously seen the movie with Kurt Russell and I knew it was a really, really solid sci-fi kind of derived show. And I really liked it. I didn't, however, know that most of it, if not all of it, was done here in Vancouver. And I'm like, "Wow."
It's right down the road!
"It's here! And I'm acting! My God! Maybe I should try and put that together some how. What do you say?" So it was kind of funny. I got the together with my agent when I moved here, and -- yeah, after a while I started getting auditions for things. And I got an audition for
and that went really, really well. But prior to actually working on the show, it was just sort of a part-time fan, almost wishful thinking basis of, "Man, if I could only get my foot in the door." But that changed for the better. Absolutely.
So after you went on-board did you kind of get more into it then?
Oh, well, you can't not get into it! You're wearing stuff that you can't even pronounce. You know, wardrobe and these weapons, and I mean, oh, the sets -- oh, David, they are incredible, incredible sets. They're obviously worth more than most people's education, but you know, they're significantly accurate. That's the thing I always find interesting, is that you can approach these walls, and they're textured and they're aged and they're old and they're researched with all the language, and all the art, and all the artifacts. It's so accurate, because they've chosen to keep the theme and the genre of the original film the same -- this whole Ancient Egypt style of foreign worlds. They've gotta be really accurate with all of that. But they go to such detail, it's a beautiful, beautiful environment to work in.
So you liked the production values put into it?
Oh, absolutely! The production value and the design of the whole show is, I mean -- you can't go wrong. You can't beat it. And all the special effects. It's great. All the sequences are just spot on. They're amazing. They really look wonderful.
What did they think about your style that won you this role?
Michael arrives on the sets as the mighty Herak in service to Khonsu of Amon-Shek.
What do I think about my style?
Like the casting directors.
Oh, what did they say? Well, it's actually a really interesting story. I had never seen Carol Kelsey for an audition before. So we have a prescreen, a step that we sort of need to go through. It's kind of like, "I don't know you and you don't know me, so let's not waste film! If you're bad, I don't need to tell you, I just don't call you ever again. And no one ever has to see a tape or no one gets embarrassed and they don't get on my butt for wasting money," you know.
So, it's a prescreen. There are no cameras. It's usually just you and the casting director. So I went to a prescreen with Carol Kelsey and (cough) -- excuse me if I cough, feeling a little under the weather. So I went to the prescreen and I did the reading, and she was like, "Yeah, yeah, great bud, thanks! Great read. Listen, are you available for an audition tomorrow?" And I said, "Absolutely. When and where?" And she said "Bridge Studios," and she gave me the address and information and everything.
So I went down there prepared. And it was actually kind of surreal at first. I was like, "OK, I'm walking into a room and this guy is a potentially recurring character. It's a guest star. And I walk in and I'm OK. I'm 20, sure -- or I'm 19, I don't remember how old I was at the time. And I walk in and there's these gigantic hulking men, these titans that look like they just woke up from some gigantic cement sleep, and I'm like, "My God, this man is six-foot-seven, he looks like an alien, he's going to get the part. Damn." I'm like, "Man! Where'd they get an eight foot orangutan? I don't know!" But it was just crazy. So I really kind of went in almost doubting at first. Then I'm like "No no no, you can't do that. You'll screw yourself over. You can't do that." So I'm like, "OK, just stick to the material. Stick to what you're doing."
And I went in, and I read the scene -- and Martin Wood, he was like, "OK, great, yeah, thanks! Excellent! Awesome!" Because I really focused on bringing a voice to it, you know, to bring some intensity through something. And I'm like, "Michael, just do nothing, do nothing, do nothing. Because if you start getting all complicated and weird and creepy like you do, then it's not going to work." So, I did the one scene and I walked out of the room and I'm like, "OK, I did what I did, and it sounded like they liked it, let's see what's what." So I kind of walked away and I was putting on a cowboy hat and a checkered shirt to go to my next audition, and -- yeah, it was great. Everybody loves blue plaid.
So I was leaving the audition room and all these guys were kind of standing in there, you know like, "Yeah, whatever, OK. Peach fuzz?" "Yeah, thanks. Great." So they were all kind of looking at me with total disregard and I'm walking out. Carol Kelsey comes bolting out of the audition room! "Michael, can you come back inside?" "Of course I can!" Take the hat off, rip off the checkered shirt, throw it in the chair. I walk back in, all these dudes give me a look like, "Oh, what did you do?" And I'm like, "Hey man, whatever, guys! See you there, buddy!" I just kind of walk in with that look. And it was great.
Martin Wood immediately asked me -- the door's not even closed -- he's like "Do you know the other scenes?" Obviously he was like, "If you don't, this is a waste of my time," pretty much. So I obviously said, "Yes, of course I do!" He goes, "Great! This is what I want to do!"
Herak stands proud with his men.
And he totally just instantly started giving me direction. And I was like, "This is no longer an audition, I am working with this director." And it was great because through the first read I had seen them all going from leaning back to practically elbows on the table. And Damian Kindler, the writer of the episode who obviously created my character -- he was so great because he went from leaning in to sort-of cowering in the back of the chair. And I was like, "Wow! I got a rise out of these people, and now they're really engaging with me."
So it was really nice. I felt like I was working with them right off the top. They were super, and I did two more scenes, and then I left the audition room. And I called my agent and I'm like, "Yeah. They're going to call. Real quick." So yeah, I think it was like 18 hours later, I got a phone call. So it was an amazing process and just the whole thing came together so easily. I mean, not without work and preparation, but it just kind of fell together, you know.
But you got in there!
Yeah, I was in. I was in for sure.
Herak is a fairly anonymous character -- shows up in "The Other Guys." And he showed nothing but utter devotion to the Goa'uld.
Absolutely. A hundred percent.
What appealed to you about him personally? What did you like about that?
Personally? He's a soldier. He's a warrior. He's an animal. He doesn't do things thinking of, "Oh, this'll get me this, this'll get me this, this'll get me this!" He realizes that that may or may not be a byproduct of his actions. He hopes that his actions take him to a positive end for his purposes, which are to follow the Goa'uld lords. I mean, I sort of looked at it and I'm like, "This guy is all or nothing," you know?
He isn't a guy that goes home, watches
I Love Lucy
and clips his toenails.
No no no no no (Laughter). He's probably standing, working out all the time, doing whatever it is he does, I mean whether it's like -- I would would doubt it's like martial arts, but you know what I'm saying? Like basically kicking ass all day, you know? "Send eight guys to my room, I'm going to beat the crap out of all of 'em!" Like, hey, it's like working at the gym.
Yeah, kind of like a Yoda concept behind his "Size does not matter, I'm going to kick your butt."
Oh, absolutely, absolutely. I mean, he really doesn't calculate error very well. And that really, really creates the beautiful chemistry between O'Neill and he, because he's like, "You keep screwing me over. I have these plans and you're always in the way." It's the most antagonizing thing. I remember when we were shooting "Full Circle," when I was walking down the stairs into the catacombs there, and "Surrender or die!" was the line. And during the rehearsal, Richard [Dean Anderson] sort-of peaks his head around the corner, and he goes "What?" He sort of yelled it, like "What?!" like across. And I stopped dead in my tracks, and I said it again. And Martin was like "Yeah, I love that. That works great."
O'Neill and Herak have a confrontation over the Eye of Ra in the catacombs of the Abydonian pyramid.
And it was really cool to work in that kind of environment where he did something just being himself. And it just works through the scene. And all this stuff came out and it really played well because the more he jokes with me the angrier -- well, Herak -- the angrier he will become. And it's just the chemistry back and forth, the "I want to kill you like no one before. You are the thorn in my side." And it's the worst possible situation because, yeah, every time I screw up, every time he screws up it gets closer and closer to being the end of me. So, yeah, it's a really interesting balance. And he is "No B.S." at all.
And Anubis orders that he can't kill him.
I know, and that was so difficult to read. I'm like, "What? What do you mean?!" It was really hard for me to have to deal with that. I was pacing. I was like "OK, that's all he wants!" And now he's ordered not to do it. There was actually that moment where it was really about just being in O'Neill's face, and Rick was really, really cool working that way. He was like, "Oh, yeah, I think absolutely." It was really all about -- it's this close to being the moment of absolute fatality. It got so close and he has to step away from it. It was a really great moment shooting and it was really cool to work with that. I really felt like my work had really come to a huge, huge new plateau.
It really shows up on screen, that whole chemistry.
I hope to see so! I have yet to actually peruse the tape, as I have not received it. But that's wonderful that you did that, thank you.
It's on it's way, not to worry. Yeah, he comes out there and it's like: "I assume you know about the part where you don't shoot us."
(Laughter) Yeah, I'm like, "Grumble-grumble-grumble, yeah, yeah, yeah, yeah. I remember that part, whatever."
Did you prefer scenes on the bridge or on away missions, where you were doing stuff out there.
Away missions tend to be more of the architectural sites like the catacombs and that sort of thing. But away missions, as far as shooting goes, obviously means there's like a great world -- you're sort of in this great set -- or you're outside, which is nice. Because that offers obviously new challenges to work with, you know.
It brings a new element of -- you don't have to necessarily rely on the set to sort of create your environment because you're surrounded in it. You're in your element, basically. So it's really nice to just kind of work with that without having to be like, "OK, I'm keeping the trees, I'm holding the dirt, OK, la la la la la," and all this silly actor mumbo jumbo which just doesn't make any sense. I'm like, "You're in the woods. Go." (Laughter)
But yeah, working outside is great because those suits can get a little warm in the studio. It's really, really hot inside that suit, so they've got fans all the time. So that's why we like outside ... unless it's summertime and hot. Then it's bad because they've got people with umbrellas trying to keep everyone from falling over.
Herak attempts to chase down a fleeing SG-1 in the wilderness of Khonsu's outpost.
Did you like wearing that costume, or was it like a pain in the butt?
Honestly, there were moments when I would -- it's kind of funny, because it's totally delusions of grandeur, I know. But, you know where it's like the most dramatic sit-down of ever-filmed history. You know. "I'm sitting down." The chin collar would always come right up to my chin, and I felt like a turtle. I had moments where I'm like, "Turtle! Turtle!" I felt really, really stupid. But then again, I'm also really glad that they got rid of the bald cap for Season Seven.
Let the hair shine.
You know, it was really kind of an interesting topic. I was like, "How are we explaining the new symbol?" And they're like, "Well, let me tell you the thing about a sarcophagus. You can throw anybody in there and do pretty much whatever you want because you need to reflect the hierarchy in which you work for. So you know, it's no problem changing a few things here and there. It's like a salon, really." I'm like, "OK, and people are going to buy that?" They're like "They'll buy it because we tell them to buy it." I'm like, "Hey, yeah, sure, change the symbol." But consequently, I actually ended up with my own Jaffa, because Khonsu's guards were renamed as "Herak's Jaffa," which I thought was ...
So Herak kind of took over Khonsu's symbol?
Absolutely, because he was a traitor and he deserved to die. Bottom line. Traitors die.
In all of
history Herak is probably the most loyal Jaffa to his master, in the entire series. Do you think there was any part of him that doubted Anubis to be an all-powerful being?
Any part of him that doubted ... Wow. I don't know. I think that he sort of -- Anubis as a character, his whole purpose is to exude complete omnipotence and complete, 100 percent power at all times. So he really takes control of those situations. When he can crush something, he crushes it. He will float above your planet and he will shoot you out of the sky. Anubis is the man. I think there is no doubt in his mind of his power, absolutely. Herak can't deny that, because he's seen his power. He's seen what he controls, the respect and the fear that he kind of manifests around everything in his path. It's kind of like the Dark Midas Touch, right? It's not gold, it's just black matter, and death. He's a horrible dude. So it's not the kind of thing I like to question him on, ever!
I think if anything, it does come down to more of -- there's something that sort of agitates his patience, almost, because as much as he is loyal there's always that teacher-student sort of like, "Yes, I'm following your orders." But at the same time, "Maybe it's time for a change with this one little thing. Maybe we can have another idea instead of just the killing all the time. I mean it's starting to lose meaning -- and I like the killing so I want to keep it important." You know, like, "Have a change of pace, boss."
But yeah, I think if anything, it would never come down to any kind of altercation because ... there's no chance. As powerful as the Jaffa are, especially First Primes who serve theirmasters, they're still not invulnerable. They can be taken down.
Teal'c said to Bra'tac, "If you know the truth about these creatures, then why do you still serve?" And Bra'tac says, "Because there is no choice but to."
Mm-hmm. Absolutely. Bra'tac is an amazing character for this whole purpose. Because he, along with Teal'c, really do represent almost the elder Jaffa First Primes who have really seen the whole change from the beginning of their lives. There's been a huge change in history because of all these mortals that are now being thrown into the mix. They know all the change that's happened, so when they talk about it they know what they're talking about, but obviously Herak hasn't reached that point because his service hasn't been compromised.
Kind of a different breed.
Herak answers to Khonsu, but secretly knows of his Tok'ra connections.
He is a different breed. I really think he is obviously beyond a drone. There's definitely intelligence there; there's creativity in his art. He takes pride in the art of killing, the art of war, the art of mastering your enemy. But there definitely isn't a sense of, "Well, I don't know, maybe we should take a break." I think the frustration that he finds from Anubis definitely comes from, "Well, I'd rather do it this way because it involves more killing." That's the only frustration, is that he has to bide his time or he's not allowed to kill.
So those were things that sort of came up as frustrating reactions, but obviously he would never let on visually, anyway. Because for all he knows, not only can he [Anubis] see it with his own eyes but he can read your mind, right? He doesn't necessarily know everything about the Goa'uld either. So it's an interesting character base to come from because it's so deep. You can take it as far as you want, as an actor. And that's a really rare thing to have that kind of freedom.
He must know that either he does his job well or he dies, because all the other Jaffa humans, or the Jaffa-Jaffa -- not the super-soldiers -- they're all gone, and here comes Herak!
I know! I don't really know what to expect, because obviously last I was seen in Season Seven there was a pretty big explosion. And, granted, they have survived before! The other day I was watching an episode on television of
and, "Wait a minute. Apophis survived. Man!" It was one of those things where, "Oh, crap. He survived again!" "Oh, yeah, he must've used those ring things." "Great deduction, doctor! Thanks!" So it was really one of those cool episode where I'm like, "Wow! There's the proof. People come back all the time."
So you never know. He may come back.
I actually ran into -- I can't for the life of me remember his name right now. The actor who played Apophis.
Peter Williams.
Peter! I ran into him last week. Crazy.
Do you wish they would've went in more directions with this character, or did he serve his purpose?
I think the character, at this point -- I mean, technically from a story standpoint, I think that it could, as an option, be finished. Because they've sort of tied up the ends that they laid out, which is the whole purpose of creating a storyline. You have to finish what you start, otherwise it kind of doesn't pay off, nothing works, and then all of a sudden you have this bad episode.
But I definitely think that there's room to grow, because the thing that I really would like to see -- not only as an actor but someone who follows the story, who follows these two characters -- I think O'Neill and Herak have issues to resolve. Far be it for me to tell anyone how to write an episode about anything, but I'm talking about -- I've had day-dreams about, "Man, wouldn't it be great to have a fight to the death?" You know? Really getting nitty-gritty. We're going to kill each other with our hands! "I hate you!" Like really, really in there.
But alas, I'm not a writer. I have no authority with anything like that. But anyone whose out there who would like to write a script and submit it in that would do well, I think!
Well, there was a lot of chemistry between you two.
Absolutely, a lot of conflict.
That definitely serve to be a very decent story if not an excellent one. And there is still Season Eight, like I've been saying. So you never know!
That is true. You never know.
Were you disappointed that he [Herak] became space debris?
Herak speaks his last words before becoming space dust.
Was I upset? At first I sort of -- well, to be honest, every time I got a script I went right to the end to see if I lived. Because I'm a working actor in Vancouver! I have bills just like everybody else! I'm like, "Am I dead? Am I dead?" I was always sort of playing the end in my mind, just for fun! But I obviously did read the whole script every time. I know, I know, I know. Toward the end I looked at the final script and I was reading through it and, sure enough, "Bo-boom! The explosion rocks the ship. Falls back and forth. Falls down. Cut to: Explosion." I'm like (gasp) -- they did not actually write "Herak dies!"
They never do.
I know they never do, and that's the whole beauty of it! So long as it never says the words in one sentence, "Herak dies. He's dead. Horrible death. Bye-bye buddy," then I don't ever believe that I'm not going to come back. But you know, I would really still, right now, hold that in very high regard because I really do love working on that show. It's a great character.
I really enjoy what I do when I come there because I get to apply all the things that I've amassed over the years of working and just living and having my own experiences. Like my drill sergeant voice! I get to use it! I get to speak from the diaphragm and really have that "omnipotent voice." It's kind of funny in a way, I know, but I think it really supports the character because he is solid, and the voice is solid. I think it works well, and I would love to come back and play, absolutely.
Has this role effected you in comparison to other things you've done, on a personal level?
Absolutely. Yeah, yeah, a hundred percent! I can't stress that enough. Not only has it really shown me the perfect working model of what film-making should be -- even though it's a television show. Don't let that fool you. It is the finest crew I have ever worked with. They are family. They are amazing people and they really do have creative vision, and they really try to go out every single day and make the best show they can. Money aside, egos aside, agendas aside, they go out there to really put a story together and to engage people who watch the show. And I can't say that I have found that level, that caliber of people in any other show I've worked on.
Don't get me wrong -- I've worked for some really nice people, and I've had some really great experiences, a lot of people have touched me in various creative ways that I have really taken as wonderful memories. But this show -- this show tops them all. Absolutely.
They're still on the air and they're still going.
Oh, yeah! And they're going strong! And they're stronger than ever. More people in the world want to know about
every day! Not that they're saturated by it, but people are catching on and they're talking to people, and they're like, "Man, do you have any idea of what's going on in this show?" "No." "Well you'd better get on board, Jack, because you are missing out, man! You are missing out, guy!" And that's the great part, is that you know what? The fans are die-hard. They are all-or-nothing. That's the kind of fans that make a show work.
That's right. That's what keeps GateWorld on the net, too!
Absolutely, absolutely.
Well Michael, thanks so much for taking the time to chat with us.
Oh, hey, no problem. It's my pleasure, David.
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The Italian phrase tirami su literally translates into "pick me up" which makes sense once you hear that this espresso laden treat was served to Venetian courtesans between romantic conquests to provide them with an energy boost! Ooh la la! (no that's French)
Actually, I haven't been able to find evidence to support this and it appears this dessert is of more recent times. Who cares! Is what I have to say! This dessert is too good to worry about who made it first and when…
Anyway, I have always loved this dessert and have a recipe for it that is quite easy to prepare and then enjoy!
My version has light sponge lady fingers around the edge with layers of the same cake soaked with espresso flavoured simple syrup. Then there is a filling made with mascarpone and cream with a few other ingredients thrown in for good measure. I'm salivating just thinking about it so I will get the recipe typed up as quickly as possible for you! PLEASE don't be deterred by how long this recipe looks… I have just spelled it all out step by step which makes it look a lot longer! It's absolutely worth the effort!
2 lb. 12 oz. Ladyfinger batter
9 fluid ounces Simple Syrup
2 fluid ounces Coffee or almond liqueur
1/2 fluid ounce Coffee extract
1/2 fluid ounce Vanilla extract
3 pounds Mascarpone Cream Mousse
Chocolate Ganache for decorating
Chocolate decorations, as needed
Ladyfingers are made from a spongecake batter that is piped into finger-length strips. After baking, these soft cakes may be eaten plain as a cookie or petit four. They are equally good when dried out in the oven, like biscotti. These versatile cakes are used to line the mold for a Bavarian dessert. For convenience, the batter may be piped close together to form a strip after baking and used to line a mold or torte ring.
3 ounces Cornstarch
4 ounces Bread flour
6 Egg yolks
6 ounces Granulated sugar
6 Egg whites
1/2 teaspoon Lemon juice
1. Sift the cornstarch and flour together.
2. Whip the egg yolks with 2 ounces (60 grams) of the sugar until thick and creamy.
3. Whip the egg whites until foamy. Gradually add 2 ounces (60 grams) of the sugar and the lemon juice. Continue whipping to soft peaks, then add the remaining sugar gradually and whip to stiff peaks.
4. Fold approximately one-quarter of the egg whites into the whipped yolks to lighten them, then gently fold in the remaining whites. Fold in the flour mixture.
5. Place the batter into a pastry bag fitted with a large plain tip. Pipe 4-inch- (10-centimeter) long cookies onto paper-lined sheet pans.
6. Bake immediately at 425°F (220°C) until lightly browned, approximately 8 minutes.
Ratio: 2:1
16 oz Sugar
8 oz Water
Place water and sugar into saucepan and bring to a boil. Remove from heat and allow to cool before adding flavourings.
Mascarpone Cream Filling
Yield: 3lbs
1 lb. 5 oz. Mascarpone , warmed to 105°F (40°C)
9 Egg yolks
8 ounces Granulated sugar
5 fluid ounces Water
1/2 ounce Sheet gelatin, softened
1 pint Heavy cream, whipped to soft peaks
1. Place the warmed mascarpone in a large bowl.
2. Make a bombe batter by whipping the egg yolks in the bowl of a mixer fitted with the whip. Cook the sugar and water in a saucepan until the syrup reaches the soft ball stage 240°F (115°C).
3. Pour the sugar syrup into the yolks, with the mixer running at high speed. Pour in a steady stream between the side of the bowl and the beater. Once all the sugar is incorporated, whip one more minute at high speed then reduce to medium speed and whip until the bombe mixture cools to approximately 110°F (49°C).
4. Add the softened sheet gelatin to the warm bombe batter. Stir until the gelatin dissolves completely.
5. Fold the bombe batter into the mascarpone cream.
Yield: 2lbs
1 pound Bittersweet chocolate
1 pint Heavy cream
1 fluid ounce Almond or coffee liqueur
1. Chop the chocolate into small pieces and place in a large metal bowl.
2. Bring the cream just to a boil, then immediately pour it over the chocolate, stirring with a rubber spatula to blend. Stir gently until all the chocolate has melted.
3. Stir in the liqueur.
4. Allow to cool, stirring frequently with a rubber spatula until the desired consistency is achieved.
1. Butter and flour two paper-lined full-size sheet pans. Using a plain medium tip, pipe half of the Ladyfinger batter into 4 disks measuring 7 inches (17.5 centimeters) in diameter.
2. To make the strips of ladyfingers to line the ring mold, pipe the remaining batter into ladyfingers 4 inches (10 centimeters) long placed close together so they join at the sides and form a strip the entire length of the sheet pan. Bake as directed.
3. Lightly oil and sugar 4, 7-inch (17.5 centimeter) torte rings. Place them on a paper-lined sheet pan.
4. Cut the strip of ladyfingers in half lengthwise. Trim the strips of ladyfingers on each long edge to fit evenly inside the ring molds.
5. Position the ladyfinger strips inside the rings, cut to size to make a tight fit. Place a ladyfinger disk on the bottom of each ring.
6. Combine the simple syrup, liqueur, coffee extract and vanilla extract. Moisten the cake with half of this syrup.
7. Divide half of the Mascarpone Cream Mousse between each mold.
8. Place the second ladyfinger disk in the rings and moisten with the remaining coffee syrup.
9. Fill with the remaining Mascarpone Cream, leveling it to the rim.
10. Refrigerate or freeze the tortes for 2 hours.
11. Remove from freezer and cover the top surface with a thin layer of chocolate ganache, or sprinkle lightly with cocoa powder to garnish. Remove the rings then decorate the tortes with chocolate decorations of your choice (I made roses from chocolate modeling fondant).
I made this fancy tear shaped cake by placing cardboard and heavy plastic strips in a large 14 inch round pan to achieve the shape I wanted. LOTS of tape and smaller plastic molds were used to get the shape right.
Original recipe source: OnBaking – Labensky 2005
My friend Curt turned the big 50 recently. His wife Kristi and family threw him a party in Omaha's Old Market area. I offered to make the cake and also wanted to surprise him by just showing up at the party.
I made him a four layer chocolate/yellow marble cake with a mild coffee flavoured ganache as filling. I also covered the cake in a ganache frosting and made chocolate tombstones as decoration. The board was also covered in a swirl of different coloured chocolate. My husband and I packed the cake in a heavy duty box surrounded by ice packs to make the long 500 mile journey from Oklahoma City to Omaha Nebraska and set off about 4:30am on the Saturday morning of the party.
The trip was going well until we were about 20 minutes south of Wichita Kansas. It had been raining heavily during the week and we totally disregarded the Turnpike truck with the big arrow on one of the side exit ramps. It wasn't flashing or out in the middle of the interstate so all must be ok. Not two minutes later the traffic came to a halt.
So we sat on Interstate 35 North for an hour before a nice police officer came to tell us that there was impassable water over the road just ahead of us and we could drive up the inside of the trucks and turn through the 4ft high median where there was a break. Long story short… We arrived in Omaha about two hours late but they all got to enjoy the cake and Curt was really surprised. The restaurant Chef said he and the staff thought it was one of the best cakes they had tasted in a long time! Yay! Happy Birthday Curt xx.


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DENVER – After going 2-0 this past weekend on the road, Dana Jones of the Grand Canyon women's basketball team has been named Western Athletic Conference Player of the Week. This is the third time a GCU player has received the weekly honor this year.. . . Read More
SEATTLE – For the first time this season, the Grand Canyon women's basketball team swept a road trip within the Western Athletic Conference. After Friday's win against CSU Bakersfield, GCU followed up with an impressive performance at the Connolly Center defeating Seattle 67-54. GCU improves to. . . Read More
BAKERSFIELD – The Grand Canyon women's basketball team began its Western Athletic Conference roadtrip in California to take on CSU Bakersfield. GCU held the Roadrunners 10 points below their season average and the Lopes got back to their winning ways with the 61-51 victory on the road. The win. . . Read More
PHOENIX, Ariz. - The GCU women's basketball team lost to the University of Missouri – Kansas City Kangaroos 63-57 on Sunday, Jan. 24 at GCU Arena. The Lopes fall to 10-11 on the season, and 2-3 in the Western Athletic Conference.. . . Read More
Phoenix, Ariz. – Grand Canyon defeated the Chicago State Cougars 74-36 on Thursday, Jan. 21 at GCU Arena. The Lopes improve to 10-10 on the season, and 2-2 in the Western Athletic Conference.. . . Read More
The Seawolves are back on top of the basketball world. The UAA women's basketball team, winners of eight straight games, vaulted to the No. 1 spot in the NCAA Division II national rankings Tuesday. The nation's No. 2 team in recent weeks, the Seawolves (20-1) grabbed the top spot when the previous. . . Read More
OREM, Utah – The Lopes used a nine-point edge in the final period to defeat the Wolverines in come-from-behind fashion at Utah Valley on Saturday night. The win marked the Lopes' first conference victory of the year as well as head coach Trent May's 300th career win.. . . Read More
Six undefeated teams remain atop the charts in DII Women's Basketball. Amongst them are the red hot American International Yellow Jackets. The Yellow Jackets entered the USA Today Coaches Poll last week at No. 21 at 13-0 for the first time this season. Two more wins this week sees them at No. 20 in. . . Read More
Women's Hoops Blog
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Central Coast Consulting
Paul Mitchell-Banks, principal with Central Coast Consulting, will provide an overview of LNG in British Columbia, which is moving forward but at a slower and less certain pace than in the past number of years. BC is unique among the Canadian jurisdictions with respect to largely unresolved land claims, and as such, it arguably the most complex area to conduct business with First Nations – most of whom are without treaty. Mitchell-Banks will discuss how trust, honour and respect is critical to successfully working with First Nations and Aboriginal communities and share with delegates his engagement and consultation experiences.


text:
Twitter Weighs In On Kendrick Lamar's good kid, m.A.A.d city Debut
Yesterday (October 22), marked a special day for Kendrick Lamar and fans worldwide as the TDE lyricist's major-label debut, good kid, m.A.A.d city hit stores. Receiving what looks to be universal acclaim, the album received quite the reaction from fans, tastemakers, rappers and industry vets who took to Twitter to weigh in thoughts on the 12-track offering. Take at the responses below, read the official Kendrick Lamar review and be sure to cop Kendrick's release here. —XXL


text: The following images are of Sam Verdreaux. Contents[show] Season 2Edit "Heads Will Roll"Edit Add a photo to this gallery"Infestation"Edit "Force Majeure"Edit Add a photo to this gallery"Revelation"Edit Add a photo to this gallery"Reconciliation"Edit Add a photo to this gallery"In the Dark"Edit Add a photo to this gallery"Going Home"Edit Add a photo to this gallery Retrieved from "http://underthedome.wikia.com/wiki/Sam_Verdreaux_Gallery?oldid=34255" Ad blocker interference detected! Wikia is a free-to-use site that makes money from advertising. We have a modified experience for viewers using ad blockers Wikia is not accessible if you've made further modifications. Remove the custom ad blocker rule(s) and the page will load as expected. Categories: Character Galleries Add category Cancel Save


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The Snooch Lite (Superhero Blue/Petrol Stripe)
The Snooch Lite by redurchin is the must-have unisex accessory who know their style. This gorgeously soft neck warmer adds an irresistible touch of reversible style to any outfit, perfect for scooting, skating, bike-riding or simply just hanging-out in.
This non-itchy scarf alternative is reversible for two looks in one with a cool superhero blue on one side and a petrol blue stripe on the other. Every snooch lite comes in a redurchin zip lock pouch for safe keeping.
Made from 100% supersoft organic, sustainably produced cotton in Europe by ethical manufactures. Measures 33 cm and recommended for kids with style aged 3 to 12 years.


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Big Case for Small-Time Attorney
Folsom, Representing Terror Suspect Zazi, by Accident Is at Center of a Legal Storm
DENVER -- It was quite by accident that the biggest terrorism case in recent years landed on the doorstep of small-time defense lawyer Art Folsom, who has made a living on drug-possession and drunk-driving cases, along with the odd divorce.
Mr. Folsom represents Najibullah Zazi, accused by the U.S. government of plotting to build and detonate a lethal explosive as part of an active al Qaeda cell. Mr. Folsom, 37 years old and a...


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Buy this bloody brilliant book.
Alliteration. I just used it to sell you this book. And it was this book that gave me the idea to do it.
Once you've got your head around that and find that you have indeed bought the book, you'll see that 'alliteration' is 'way' number 12. In this case, a 'way' is a technique, device, trick, concept etc. used in an advert. There are 100 of them here. It's a suspiciously round number, but let's look past that and see what this is all about.
What is it?
From the title you'd probably guess that this is another 'How-to' guide to creating adverts that will win you, wealth, fame, Cannes Lions and disdain at dinner parties. And you'd be right. Sort of.
Then, again, sort of not. A more accurate title for the book would be '100 Ways Great Ads Have Been Created' because although it has elements of a guide, it errs more on the side of reference.
Is that a bad thing? Not at all. I'll explain…
Did it teach me anything?
The genius of this book is in its strict adherence to one double page spread per 'way', with each 'way' as the title, written in fairly big type. This means that it can easily be used as a sort of checklist when concepting:
"Have I tried a mash-up(way no.2) ? Yep."
"Have I tried repetition(way no.26) ? Yep."
"Have I tried hyperbole(way no.28) ? Hmm. No, no I have not."
It is interesting, and helpful, to look through the various executions of each technique, but where the book really comes in handy is as a thought catalyst on those days when 'pun' seems the only answer to a brief.
Who would want to read it?
Do you make adverts? Are you studying to one day make adverts? If so, this book is for you.
If not, then you are probably half-mad from futilely swatting away marketing messages every waking moment of your life and therefore it's doubtful you will want to spend your time actively looking at more advertising. I may be wrong – there are some sick people out there.
Did it miss anything out?
'Endorsement' or even 'alliteration' aren't 'ways' which will suddenly revolutionise how you create ads, and the accompanying writing could expand a little more on the thinking behind each one. But, ultimately, that's not what the book is about.
Is it useful?
Yes. Of the many, many advertising books I've bought in the vain hope that they would turn me into Howard Gossage, this will be the only one I will actually keep on my desk.
In conclusion, you need this book you utter failure of a human being (way no.50 'Insults'). And you can buy it right here.


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Anup has been involved in building several market leading companies. He was the Group Chief Operating Officer at WNS, a leading global IT Enabled Services (ITES) company with revenues of $400 million, where he was responsible for global business comprising over 21,000 employees across 7 countries. In his 8 year tenure, Anup played a key role in transforming WNS from an early stage company into a top tier global business which witnessed rapid growth and listed on the NYSE.
Previously, Anup was a Principal with eVentures India, a pioneer in the venture capital sector in India. At eVentures, he focused on developing services and consumer start-ups many of which have become market leaders, such as CustomerAsset (acquired by Firstsource) and Makemytrip (sale to SAIF partners). Prior to eVentures, Anup was a Management Consultant at Booz & Company.
Anup graduated at the top of his class from both IIM Calcutta and IIT Kharagpur.
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Why should someone's television channel preference dictate what you should watch or even worse, the time
you should watch it? It is a fact that the choice of channels you can choose from are many, but the problem is
that they are quite limited as you can only catch them at a specified time; when they are being aired.
Wouldn't life be much easier if programs were listed like they are on YouTube? Then you wouldn't have to
worry about missing out in the case several of your favorite programs being aired simultaneously. Even
better, you could watch them whenever and wherever you choose to.
One of the guarantees of IPTV
(Internet Protocol Television) is the possibility of this happening. Using
Internet technology, it delivers television programs on your request. We shall look at how it operates, its
benefits and the challenges it brings to the telephone companies and broadcasters during its delivery process.
What defines and makes up IPTV? Instead of receiving TV programs via the satellite dish or antenna, they
are downloaded and played through your set-top box or computer device by means of internet connection. It
uses a bandwidth ten times higher than the standard which is about 10-10oMbps as opposed to 1-10 Mbps.
From a broadcaster's standpoint, an encryption of the video file is done and streamed across the internet
from hundreds to millions of people at a go. You can fix advertisements for companies at a cost, especially if
the program was given free of charge.
Types of IPTV Internet Protocol Television comes in three varying flavors, the first one being video on
demand (VOD). You are probably already familiar with this. When using Netflix for example, you select a
program/movie of your choice, pay for it and watch it there and then.
The second type of IPTV is, you watch a scheduled broadcast at the time of your choice. BBC recently
made its programs available online using a web-based video player which is called the BBC iPlayer. This type
of service is known as time-shifted IPTV.
The third type is known as IP simulcasting or live IPTV. It involves the live broadcasting of television
programs across the internet. You can watch your favorite shows, games or events as they take place.
For the best quality streaming of all three forms of IPTV, use a set-top box, your computer or an ordinary
digital TV. You can also watch using your smartphone device. All can be delivered through the use of a public
or private internet connection.
Personalized interactive TV Combining video and television pictures gives you the opportunity of an
interactive experience. Through live streaming, there will be an audience of thousands to millions of viewers.
The sending of instant feedback will be made possible. This is the future of television. In the case of a live
interactive show taking place, you will be able to send your opinions and receive feedback almost instantly
from the presenter!
You will be able to fast forward through your advertisements or select the ones you want to watch, as
opposed to the generic ads we see on television today.
How is IPTV different from traditional TV? Let us explain how the traditional TV works first. Programs are
turned into radio waves then transmitted through the antenna or satellite dish. The antenna or satellite dish
converts waves into electrical signals and your television decodes them to form sound and picture. IPTV is
different in the following ways.
1. Storing of programs To lessen net traffic, some VOD services regulate the count of programs they avail
to the viewers, limiting the general bandwidth of their service. This is with the exception of live broadcasts
which are streamed as they are presented.
2. Preparing programs Videos need to be compressed to prevent buffering and increase bandwidth. They
also need to be converted into digital format to give a higher quality in the case pictures are in standard or
analog form.
3. Streaming programs A type of downloading takes place, it is referred to as IP unicasting. The server
and the client (your computer) have a short intermittent conversation whereby the client requests all the files
that are needed to build the page you are looking at. Servers are mostly powerful and fast such that clients
can simultaneously download content with minimal or no delay.
4. IP multicasting When you stream your content, you cause potential buffering to the server so lP
multicasting is used. Each packet is sent simultaneously to several destinations. An example is a thousand
people watching the World Cup series at the same time. Receiving streamed video packets from a single
server, it would be sent at the same instant to a thousand clients by use of IP multicasting.
IPTV providers use synchronized networks on servers known as content delivery networks (CDNs) that allow
for reliable information streaming from any corner of the planet, no matter how remote.
5. IPTV protocols The internet links all computers of the world using technical procedures known as
protocols. Instead of using HTTP and FTP which are the standard television protocols for downloading,
streaming involves RTSP (Real-Time Streaming Protocol) and RTP (Real-Time Protocol), adapted for
simultaneous download and play. Multicast streaming uses IGMP (lP Group Membership Protocol) as it allows
one server to broadcast to groups of clients effectively.
6. Managed networks By controlling the entire network, IPTV can guarantee a high level of quality and
service. The national office of IPTV known as Super Head-End feeds into regional hubs known as Video Hub
Offices (VHOs) who in turn service local distribution offices. These offices are linked to set-top boxes that
are present in your home.
Viewing programs Every single individual who possesses a computer and a broadband connection can have
access to IPTV. Most of us, however, do not want to watch TV on a laptop screen. It is likely that most IPTV
viewers will purchase set-top boxes. They are computers programmed to decrypt packets of streamed video,
convert them to video files and display them as HD television pictures, quite similar to Apple TV.
You can also use a dongle, which resembles a USB flash memory stick. It allows you to access internet
programs. You plug the device into an HDMI socket on your computer or television and connect via Wi-Fi to
download music, videos, television programs and movies.
Could IPTV the future of broadcasting?
As much as no-one can indeed appreciate something which they
have not experienced for themselves, the popularity of emerging VOD websites such as personal video
recorders and BBC iPlayer strongly suggest that television will evolve to a pay-per-view programming.
It is likely that TV and telephone will join forces due to consumer demand in the near future, which will pave
way for the transition. The likelihood of them competing against each other is slim. But if it does happen, it
shall indeed be a hindrance.
Few households today have broadband connections that have the capacity to handle high-quality television
streaming. This means Upgrading standard broadband connections to fiber-optic broadband may take
considerable investment and a relatively lengthy period of time.
With luck, Internet Protocol Television may take off in a manner similar broadband Internet in the early
200os. The control, interactivity and convenience of IPTV far outweighs the standard television. The most
competent alternative usually takes the lead with time. For me, IPTV is without a doubt the future of


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Aquarius Facts 240x320 NonTouchFree
Aquarius (Jan 20- Feb 18) Characteristics Facts Element: Air, Quality: Fixed, Rulers: Saturn Uranus. Aquarians are the zodiac's most mysterious and unusual people. They are witty, clever, original, stubborn and unemotional... Aquarius has ideas to take humanity out of its restriction to the social order into a wider sense of community. Values freedom and equality, encouraging others to claim what it considers is their due. This app contains characteristic personality traits covering topics such as love, health, compatibility with other zodiac signs, work, finance.
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|Bach, J.S
|Jesu, Joy of Man's Desiring
|Bach, J.S
|Wachet Auf "Sleepers Awake"
|Byrd. W
|Pavane,I Have Longed for Thy Saving Health, O God
|Prelude to Te Deum
|Elgar, E.
|Pomp and Circumstance
|Handel, G.F.
|Aire from Water Muisc
|Handel, G.F
|Hornpipe from Water Music
|Handel, G.F.
|March from Judas Maccabeas
|Handel, G.F.
|La Rejouissance from The Royal Fireworks
|Mouret, J.
|Pachelbel, J.
|Kanon in D
|Satie, E.
|Schubert, F.
|Ave Maria
Browse String Music
- Full Orchestra
- String Orchestra
- String Quartet
- String Trio
- String Duo
- Strings and Trumpet
- Cello and Trumpet
Winds and Brass Music
- Concert Band
- Woodwind Quartet
- Woodwind Trio
- Brass Ensemble
- Brass and Organ
- Brass Quintet
- Brass Quartet
- Brass Trio
- Brass Duo
- Trumpet Ensembles
- Trumpet and Organ/piano
All of these works are sent via email as PDF files.
You can also preview each work as a PDF and in Sibelius Scorch.


text:
Top resources
In communityBaby and work
More Working
What are the best flexible work arrangements for moms?
How to be a successful work-at-home mom
How to breastfeed at the office
How to decide whether or not to return to work
How to be a great working parent
How to balance family and your work after mat leave
Your parental rights - after you have your baby
How do I leave work to get my child without causing resentment?
7 ways to successfully manage your maternity leave in Canada
I feel so guilty about being at work all day. What can I do?
Parents' tips: how to successfully manage work and family life
Parents' tips: great ways to steal back time
Can I have a successful career and be a hands-on mom?
Can I be fired during maternity leave?
Can I extend my maternity or parental leave?
How to get ready to return to work after your mat leave
6 tips for surviving your first few weeks after mat leave
How to negotiate a new work arrangement after maternity leave
5 easy ways to update your back-to-work style after mat leave


text:
All monthly payments are estimates. Actual payment will depend on vehicle year make, model, and are subject to bank approval. Plus tax, title and license. Based on Credit. Customers must qualify.
Clean CARFAX. 2012 Mazda Mazda3 2.0L 4-Cylinder SMPI DOHC i Grey Odometer is 15769 miles below market average! The Montrose 100+ Warranty protects your pre-owned vehicles purchase with unlimited miles coverage for an additional twelve months from the date of purchase. Powertrain Plus coverage.Awards: * 2012 KBB.com 10 Best Coolest Cars Under $18000 * 2012 KBB.com 10 Best Sedans Under $25000 Reviews: * Precise handling; high fuel economy with optional 2.0-liter engine; stylish well-equipped interior; impressive list of luxury options; extra utility of four-door hatchback. Source: EdmundsYou've got a friend at Montrose.
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*Sale price does not include tax, title, license, and documentary fees. With lenders approved credit. Please contact dealer to verify price, color, options, and other vehicle details.


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"Folly" by Joe ZanghiSubmitted by Joe Zanghi on Wed, 2017-03-29 04:38
So what was your biggest folly?
Mine? I'm too embarrassed to ever tell…
I just hope they don't show the video.
And by the way, was it a folly to come to Tokyo—so many years ago?
And if we hadn't, where would each of us be now?
We can wonder, but we'll never know…
Was it a folly to have let—
To have let—the one—the one that got away? To let them go?
I don't like to look back much—all it does is make me sigh.
All it does is make me cry.
When was your last sexual indiscretion?
It doesn't matter, just as long—just as long as you don't get caught.
And if you DO get caught, DENY, DENY, DENY!
(Even if you caught in bed… with a penguin underneath)
Keep insisting: "You know, in this world, everyone has a double.
So you see, it wasn't me."
Some secrets you just have live—and die—with.
Secrets hang out in the shadows
They hang out with you like troublesome friends, herpes or worse…
These secrets are contrary to Milarepa's words:
"My religion is to live and die without regrets."
Nice try, Milarepa, you ancient Tibetan mystic. (1052–1135 C.E.)
So what rash thing have you done recently?
Did you bet on the wrong horse?
Did you double your bet when you should have folded your cards?
Did you say something when you should have kept your mouth shut?
The question is: how long will you have to pay for your folly?
Will it be just 24 hours, and not costing you a dime?
Or will you have to pay for it… for a lifetime?
So you made a mistake—a blunder, a bungle, a flub, a goof, a howler
Caused by a lapse in judgment
Caused by the gray matter between the ears—a mind fart
They say: to err is to be human, okay, so now what?
Look at the big picture, just look around
Insanity abounds!
The lunacy the religion
The madness of war
The absurdity—the inanity—the senselessness of it all.
We are told to believe,
But most of it is just fake.
I suppose my point is (and back the Milarepa's words):
"My religion is to live and die without regrets."
Maybe Milarepa's religion ain't all crap:
Living life not having to ask yourself,
"What the fuck have I done now?"
And later, when it's time to look back,
Not having to ask yourself,
"Why the fuck did I ever do that?"
Indeed, it would be ideal
To live each day
and die….
"One day suddenly" - by Ivy C. MachidaSubmitted by Ivy C. Machida on Sun, 2017-01-22 09:29
One day when the sky was all ablaze
With the shimmering glow of the setting sun
A thundering jet screeched across the void -
Shattering the stillness
Tearing at my heartstrings
Thrusting asunder
The sacred bonds and ties
I've so painstakingly kept intact.
Like an unseen presence
From a distant past
A glimmer of the memory bag whisked by
Trailing the fast-fading roar
Across the far horizon
Shedding a flurry of dust
A million specks of flickering flakes
Filling all the air with a misty haze -
I lifted my arm
To unfurl the locked-in memories
Scattering them mid-air
Mingling with the flying wind -
I raised my eyes - and behold!
The wind was gone with the lingering strands -
The sinking sun lit up the barren skies
And swept into darkness what once had been.
When night is done and dawn's soft light
Begins to burst in strength and thrust in time -
Ferry me to your heights sublime
To harness the secrets of a new-born day.
StarsSubmitted by Adam Touhig on Sat, 2016-11-19 07:48
I wait until I break into one million pieces
Head to the sun
That perfect moment together alone
Beds are like glasses
I hate them half empty
That sadness in the cold marrow
You want the bomb
You know, the big one
So you can see god
I want to break into pieces
In a desert
Join the expanding starlight
We want it all now, trucks of it
Gold and silvery, shiny and bejewelled
Stick it all on a dildo, put it in our ass
I say "fuck you" I feel like the moon
Lonely with a dark side
Your voice is a glass bell of light
There is misery soup for sale
Piss in it, give it the poor
Spiral galaxies await us
Jesus comes back
Sees all the crosses on filthy necks
That'll cheer him up, haha!
The fashion bisexual
I know I'm Bi guy
I just don't like cock
The guns pile up up
While the hungry eat trash
And we smile and live
I want to explode with stars
I want my universal dust to mingle
With the histories we so easily ignore
In space
Out in space
The warmth of the cold on my dust
Bones gone
Bones all gone
Find me then
Find me there
Love in the stars
Another day
Yet another day.


text:
Bob Mackie's Long Sleeve Mock Neck Knit Top
In Stock
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We're sorry. This item is not available at this time.
Pre Order Possible .
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Try this knit Bob Mackie top when you want a chic but simple design to pair with necklaces, vests, or jeans and boots. From Bob Mackie.
- Fabrication: knit
- Features: pullover style, mock neck, long sleeves
- Fit: fitted; cut to follow the lines of the body
- Length: missy length 25" to 27-1/8"; plus length 27-1/2" to 29-1/4"
- Content: 55% cotton/40% modal/5% spandex
- Care: hand wash, hang dry
- Imported
To see the specific garment measurements for this item, click here.
Delivery Date Estimate
Reviews & Community QA
Bob Mackie's Long Sleeve Mock Neck Knit Top is rated out of 5 by 15.
Rated 5 out of 5 by murieldiaz from Love It! This item is so comfortable, true to size. I bought it in two different colors and plan to buy more.
Date published: 2017-06-21
Rated 5 out of 5 by Fluffy04 from Great Mock Neck Top Very nice fabric; great fit. Ordered black but am going back to order other colors
Date published: 2017-02-23
Rated 5 out of 5 by ELM from So Nice Made well, feels soft and fits well even on a petite.
Date published: 2017-01-05
Rated 5 out of 5 by djpless from more colors LOVE this mock tops washes good did not shrink very soft.....need more colors brown ..gray ...charcoal etc.... PLease
Date published: 2017-01-04
Rated 4 out of 5 by szhNdixie from Great mock turtleneck! Loved the look of this top under an Attitude vest seen with it. I love the feel of the material. That being said, I felt it was a little too short on length, I'm plus sized, & just prefer longer tops in general. However, since a long vest will be worn with it, I'm keeping it.
Date published: 2016-11-21
Rated 5 out of 5 by tickled from LOVE THIS TOP MATERIAL IS OUTSTANDING. FITS TRUE TO SIZE. ORDERED MY USUAL XL AND IT FITS GREAT.
Date published: 2016-11-20
Rated 3 out of 5 by moochied from Nice Material The material is very nice, just the right amount of stretch & not too thin. The mock neck is a bit higher, which I like, but it's not tight, plus it's easy to get on/off. I folded it down & it was like a mandarin collar which I also adore. I got the beautiful soft cream color & the "rust/brownish burgundy. I have autoimmune disease which causes swelling so I order 2X in tops. Plenty of stretch & recovery but this 2X runs a bit smaller in the body & it's longer than I like. Even with the swelling, shorter tops look better on my short torso. I think Mr. Mackie is a great designer.
Date published: 2016-11-18
Rated 5 out of 5 by Thebig I from It is exactly what I hoped it would be I guess I recall when these were popular back in the sixties, but they are always in style really. Fabric has a nice feel to it and the fit is relaxed. I will look for other colors now too. I dont like all the designs in this line but feel some of the basic staple pieces may be a good idea as I know MR Mackey is talented and knowledgeable about fit. If one thing could be done I would prefer a tagless version.
Date published: 2016-10-27


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Motivating to PracticeAs we move through December, I find myself feeling tired, stressed, and busy. I suppose it's the holiday shopping, plans and preparations, school programs, work and social events and parties, and the North Dakota sub-zero temperatures that all contribute to that.
When I feel this way, I tend to want to just sit down, relax, veg in front of the TV and turn off my brain for awhile. BUT, I know that by going to the dojo, putting on the hakama, and having a good focused practice works pretty well to get me out of my "holiday funk."
It can take a lot of effort to get myself there, but once I've finished a good practice, I feel so much better. All of my stress is gone, and the tiredness I feel is a physical one that follows from a good workout. So, if you find yourself feeling this "funk", get thee to the dojo! I promise you won't regret it.
Dojo MoveAs I've mentioned in previous newsletters, we're going to be moving out of Moorhead, MN into Fargo, ND. The temporary space we're in now has been a good setting, but we're moving into a newly refurbished building just over the river in Fargo. We'll still continue to share the facility with Kyoshi Mike Cline and the Hidden Teachings of RyuTe Karate school as we do now. Practice nights will still be Wednesday from 6:30 to 9:30 with the occasional Saturday morning.
I'm not sure when the new space will be finished, but I've heard that we'll be in early in the new year.
Of course, now we really can't call ourselves the "Moorhead Dojo" anymore, can we? Should we be the F/M dojo? Red River dojo? (Grins) MoFa dojo? After much thought, some discussion, and more thought, I've decided to rename our dojo to the, "Musoshindenryu Iaido - AGGASIZ dojo."
For people not from this area, that may raise a few eyebrows and the question of "Where the heck is Aggasiz?" Well, if you check Wikipedia, http://en.wikipedia.org/wiki/Lake_Agassiz you'll see that Lake Aggasiz was actually a glacial lake left from the last ice age that covered a huge area of Central North America. Its area was larger than all of the modern Great Lakes combined, and it held more water than contained by all lakes in the world today. (Really!)
Our Fargo-Moorhead region falls into the Southern tip of that glacial area, and so I thought it was a good name. I suppose in Japanese, we could call it Aggasiz-ko Dojo, though I doubt I'd be able to find a kanji that would be appropriate. Maybe there's a kanji that refers to glaciers? Hmmm….
Anyway, welcome to the first Aggasiz dojo newsletter!
Koryu is fun!On Saturday I had a chance to run through the Musoshindenryu Okuden suwari-waza down at the dojo.
It had been a while since I've performed those kata, and I really enjoyed going through the base set, and then the variations that I know as well.
I can't say that I have a favorite kata in the set, but tanashita is always popular when I do it at demos. The scenario is that you're under a bridge and there's a sentry near the opening that you have to dispatch. Another version I've heard of is sneaking under a house that's raised on stilts.
Being a bit taller, when I perform this kata, it doesn't have the same "cool" look as with a smaller statured person. When my sensei, Mr. Takeda performs it, it's really a fun kata to watch.
It wasn't until last October when I was exposed to the paired kumitachi kata of MSR/MJER called "Tachi uchi no kurai." During the Thunder Bay seminar, Kim Taylor sensei showed a couple of us the first ten of these kata, and we were able to practice the first two. What a lot of fun! Since then I've been reviewing some of the video and images I have of these kata, and hope to be able to work on them with my own students.
Paired kata like these not only teach "ma-ii" or distance between opponents, but also allow us to practice "seme," or (psychological) pressure as we move and push the other opponent backwards with our "ki" and presence. Plus, it's just a lot of fun to do kata where we can whack at each other with bokuto (in a safe and controlled manner of course)!
While I do enjoy seitei iai, and the opportunity it affords us to compete and test for rank, I really do enjoy the koryu aspect of my training more. It seems to be more cohesive as we move through the different kata, and they seem to complement each other more than the kata in seitei.
I found some information from Wayne Muramoto about the history and origin of the seitei kata we perform. Paraphrasing.
The first seven seitei kata, were derived from various koryu iai schools. The first two kata, Mae and Ushiro, came from the Omori-ryu. The third, Ukenagashi, was from kata found in the Omori-ryu and the Muso Jikiden Eishin-ryu. The fourth kata, Tsukaatte, was similar to tate hiza techniques of the Eishin-ryu. Then the next kata, Kesagiri, was derived from the Hoki-ryu. The Morotezuki kata was a thrusting technique found in many different iai schools.
As the teaching of the seitei iai was refined, it was decided to add three more kata to further round out a student's training. The eighth kata, Ganmenatte, was derived from the Muso Shinden-ryu oku iai methods. Soetezuki came from a famous Hoki-ryu technique, and the tenth kata, Shihogiri, was also from a Hoki-ryu kata. Two more were then added again later. Number eleven, Sougiri is from MJER/MSR Soumakuri, and number twelve, Nukiuchi is from a Mugai ryu waza called Gyokkou.
Maybe it's because of this variety of origins and styles for the twelve seitei kata, I feel the transitions between the MSR kata (when done in order) to be more natural.
I've read different places where people say that the paired kata should be taught to a much higher level of student - to one who has had experience learning the standard suwari-waza and tate-hiza kata. Based on my experience from kendo, I think I would have to disagree. We learned kendo kata from the beginning of our training, and it was in fact a requirement for rank testing. The two aspects I mentioned earlier about maii and seme are something that the iai practitioner is weak in, simply because there isn't an opponent there to practice against. The paired kata can lend this missing element to our training to complement and complete it.
Plus, it's a lot of fun whacking at each other with bokuto.
Fargo All Martial Arts SeminarMembers of the (then) Moorhead dojo participated in the Fargo All Martial Arts Seminar and Cancer Beneift in November. It was a very interesting seminar with lots of opportunities for participants and audience members to try some "hands-on" technique.
We demonstrated some Seitei and Musoshindenryu kata, and then invited members of the audience to come up and cut newspaper with bokuto. Everyone enjoyed that, and we had some pretty good cutters!
I attended the rest of Saturday's seminar and really enjoyed trying some of the self-defense techniques firsthand. We learned some very good, practical techniques to use against common "attacks" or situations that people might find themselves in.
Good job to Paul Dyer who organized this worthwhile event. It was interesting and fun to attend and be a part of.
Upcoming stuffNew Year's party. The details will be announced later, but we'll be having our dojo member's party in early-mid January. Likely it will be a potluck like last year, and we'll probably watch a sword/culture again. Last year we saw the most awesome, Highlander. "There can be only one!"
Maybe this year we'll go with 13 Assassins, or even Mr. Baseball, a very funny but Japanese culturally significant movie.
Rank Testing. This also will likely be in early-mid January during a regular class. I think that the majority of our members will be testing this round, so it will likely take all class. Tentatively I'm thinking
CoreCon in April - Moorhead/Fargo.
AUSKF Iaido Summer Camp 2012 - Tacoma Washington in Late June
Aggasiz Dojo Annual Seminar - Maybe July or August
That's about it for now. I want to wish everyone a very Merry Christmas and a Happy New Year!