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"To Light A Candle" ran almost 300,000 words in its first draft, and unfortunately, that was a bit too long to see publication, so it needed to be cut and tightened. Most of what was removed from the final draft was a matter of a line here and a paragraph there, but in one case, an entire scene it the cutting-room floor, if you will permit the metaphor.
You may recall that just before Sandalon leaves with the Elven caravan for the Fortress of the Crowned Horns, he, Vestakia, and Shalkan go on a picnic.
"Ah, here at last," Idalia said, greeting him. "There's cheese and cold pie and apples if you're hungry, but don't expect to get your hands on any of this before tomorrow - it's for the picnic."
"Picnic?" Kellen asked, baffled. Was there something he'd been supposed to do with Idalia that he'd forgotten?
"Vestakia's already been here. You chose a good day. There's supposed to be a break in the weather tomorrow. Finally. Jermayan has said that Vestakia can borrow Lily, and I suppose you will take Deyishene, so the four of you will be able to go quite a way. Shalkan will know the prettiest places for this time of year. Oh, don't stare at me like that - did you think I was going to let you starve? Or were you planning to gather mushrooms and berries? It's quite the wrong time of year for it, as you should know, brother mine."
"But . . . you already know?" Kellen stammered.
"Kellen," Idalia said, laughing, "will you never understand how fast gossip runs in Sentarshadeen? Sandalon will have told someone about his plans for tomorrow on his way home, and they will have told someone, who will have mentioned it - just by the way! - to Vestakia, who came to me to see what she should prepare for the day, since everyone in Sentarshadeen also knows that you can't cook!" She shook her head, still laughing, and returned to stirring the batter.
"I guess then . . . it's all right?" Kellen asked hopefully, coming closer to the table to see if there was anything worth stealing.
"Sandalon will adore it. And with Vestakia with you, there's no possibility of trouble. And as for you getting into trouble, you'll have Shalkan. So have fun. But just out of curiosity, what were you planning to eat?"
"Well, I sort of thought . . . if there wasn't anything in the cupboard . . . I'd go down to the market in the morning and . . . buy something?" Kellen said meekly.
Idalia just shook her head. "Go wash up and eat. And then you can chop the fruit for the spice-cake. And make sure more goes into the cake than into you!"
Later Kellen would look back at this as the last truly serene day he was to spend for a very long time, but at the time he only thought of it as his farewell to Sandalon, and a way of making the child's last day and departure less painful. He'd grown very fond of the young Elven prince over the past sennights, and knew that Sandalon would miss his home and his familiar surroundings very much. Lairamo would be going with him to the Crowned Horns, of course, and a number of other adults from Sentarshadeen, since no one expected the children to fend for themselves in an isolated mountain fortress, but his parents wouldn't be there, and neither would many of the adults that Sandalon considered to be his friends.
That morning Kellen arose at his usual time - it was a habit by now - and walked down to the stables to saddle Deyishene, carrying a large basket of baked treats and a glazed spice-cake with him. Idalia said that Vestakia would meet him with Lily at the Unicorn Spring, and they could go on from there to collect Sandalon; a message had come from Lady Ashaniel giving her gracious permission for the plan, and thanking Kellen for coming up with the idea to distract her son from the preparations for the little convoy's departure. Most of the senior Knights who still spent their days at the House of Sword and Shield would be riding with the party; the House would seem empty until they returned.
Of course, those twenty Knights were only a fraction of the numbers Sentarshadeen alone could put into the field, but the rest were out patrolling the Borderlands, searching not only for signs of the Enemy, but for trouble brought on by the prolonged and heavy rains. An extensive mudslide could be as devastating as any action of the Enemy.
When Kellen reached the stables, he was not surprised to find Shalkan waiting for him.
"Cake," the unicorn observed, stretching out his neck toward the basket and sniffing greedily. "I smell cake!"
"That's for later," Kellen told him firmly. "Behave yourself."
Shalkan did his best to look affronted, but couldn't quite manage it. "Do you wish you were going with them?" he asked instead.
"Well, I've never seen an Elven fortress," Kellen said, trying to conceal his reluctance - because he did want to go with them. "But, like I told Sandalon, I've still got a lot to learn here." He managed not to sigh. Just the trip out and back would be fascinating, and he wouldn't at all have minded being one of those chosen to remain to guard the children.
He took a quick look inside the stable, setting the basket down. Deyishene wasn't in her stall, but that wasn't unusual at this time of day. He knew she'd be close by, though.
The more Kellen learned about Elven-bred horses - or at least, Elven-bred destriers - the less they seemed like regular horses. Deyishene, for example, seemed to understand an awful lot of what he said to her - simple commands, anyway - and had picked up his routine awfully fast. She knew that he worked with her in the afternoon, so after the first few days, when he came down, he'd find her waiting for him in her stall. And now that she had a regular rider, she hung around close to the buildings all the time. The other horses scattered all over the valley; Jermayan said they only came in when the weather got really bad or the grass failed.
He walked out of the stable and whistled. "Deyishene! Hey! Dey!"
A familiar russet shape lifted its head from the grass, swiveling its head toward him. Kellen waved, and the mare trotted over.
She nuzzled him enthusiastically, obviously pleased to see Kellen at this unusual time of day.
"Hey, girl, want to go for a ride?" Kellen said, leading her inside.
Rubbing the mare dry and saddling her was almost second-nature by now, and shortly Kellen was on his way, the basket securely strapped to his saddle.
As he reached the House of Sword and Shield he hesitated, arguing with himself. But only for a moment. Prudence won, and he went inside.
The younger students were already hard at their work under Master Belesharon's watchful eye.
"Ah, young Kellen. You appear before us upon your day of leisure, one sees," Belesharon said.
"I'm on my way, Master," Kellen said. "But I . . . almost forgot something."
He hurried through the workroom into the armory, and opened the drawer where his armor was kept. Slowly he withdrew his sword in its scabbard, and carefully belted it around himself.
There. That felt better.
He walked out back through the workroom. Master Belesharon caught his eye and smiled.
"One sees you are a Knight, young Kellen," the swordmaster said enigmatically, and turned back to his students.
The rain had stopped by the time Kellen and Shalkan reached Songmairie, and there was actually a break in the clouds for the first time since Kellen had returned to the city.
Vestakia was already waiting for him, standing beside Lily at the spring. She was well bundled up against the morning chill, and Kellen was amused to see that Tengitir was apparently determined to keep her in reds and golds. Her winter cloak was a deep red, with a wide band of embroidery in dull gold and violet along the hem and hood, and her wide trousers were a deep shade of russet, a few shades darker than Deyishene's coat. They were tucked into low sturdy boots, suitable for walking or riding, of an even darker shade of red, that matched her gauntlets exactly.
"Kellen!" she exclaimed. "You look wonderful! Is this Deyishene? From all Sandalon told me about her, I thought she'd be much larger . . . and possibly glow in the dark."
"I don't think she can," Kellen said, swinging down out of the saddle. "But I wouldn't put it past her. And how are you? You look . . . happy."
"I am," Vestakia said simply. "If you've been worrying about me, don't. This is the best place I've ever been, and I'm happier here than I've been since . . . well, since Mama died. But come on. We don't want to keep Sandalon waiting. And you can tell me what it's like to train as an Elven Knight."
Vestakia was easy to talk to, and Kellen found himself explaining to her how he spent his days as they led Deyishene and Lily up to the House of Leaf and Star.
Lairamo and Sandalon were waiting in the portico. If Sandalon had not had very good manners indeed, the boy would have been jumping up and down with impatience.
Lairamo was holding a large hamper, and there were additional bundles at her feet.
"Supplies for the outing," she explained gently. "And an extra ground-cloth and a change of clothes for Sandalon as well, should they be necessary."
"I shall see to it that the young Prince comes to no harm," Shalkan said firmly. Lairamo's worried expression eased a little.
With the ease of long practice, Kellen stowed Lairamo's baskets and bundles in Lily's panniers, and added his own basket, since he would be taking Sandalon up with him. Between what he'd brought, what Vestakia had brought, and what Lairamo had sent, it looked as if they'd have enough food for a week, at least.
When everything was in place, he set Sandalon in place on Deyishene's back and swung up behind him.
"Lead the way!" he called to Shalkan.
The unicorn reared - showing off for Sandalon - and trotted off across the meadow.
"First," Shalkan announced over his shoulder, "I think we should have breakfast." His nostrils twitched, and Kellen had the feeling that there was probably more cake in the new hampers they'd gotten from Sandalon's nurse.
"Have you had breakfast yet, Sandalon?" Vestakia asked the boy. He shook his head.
"Well, Lairamo wanted me to eat, but I wasn't really hungry," he amended. "I didn't want to miss you."
"So are you hungry now?" Kellen asked teasingly.
"Oh yes!" he exclaimed, "Lairamo said there were sausage rolls!"
"Throne Hill, then," said Shalkan cheerfully. "Then Unicorn Meadow."
Throne Hill turned out to be a very accurate description; a high hill with a strange construction atop it. It could have been a pavilion set in near the crown, except it was carved all of stone, stone made to look like fabric draperies pulled back against support posts and tied there - three of the sides were open, the third set into the hill, and a stone stair led up the hill to the flat top. And on the top was a throne, also carved of stone, but it was a throne apparently made for a giant to sit in, because all three of them would have fitted into the seat very comfortably.
Inside the pavilion was a stone table and benches, and at the back set into the hillside, was a hearth and chimney. "The chimney is built into the back of the throne," said Shalkan, "Which is the whole point of having the throne, apparently, to disguise the chimney. Elves! I don't know, sometimes."
"I think we'll come back here for dinner," Kellen said, surveying the place. "A fire would be nice, then, but for breakfast, I think we ought to eat up on the throne, don't you?"
"Oh yes!" Sandalon enthused. "You can see all of Sentarshadeen from there, I bet!"
So they did, climbing up into the seat with the help of steps carved there, Sandalon between Kellen and Vestakia, the three of them sharing the packet of sausage-rolls while Shalkan got his cake after all. Lily and Deyishene seemed contented enough with the grasses and sweet herbs that grew up there, and the view was excellent. Not spectacular; it was too pastoral for that, with the city of Sentarshadeen far in the misty distance. But it was a grand view, and twice during their breakfast, they got some rare views of wildlife that delighted Sandalon. Once, a herd of deer with half-grown fawns at their mothers' sides passed across the meadow below them, and a bit later a bear with two playful cubs tumbling and chasing each other came from the opposite direction. Kellen made use of a little Wild Magic at the sight of the bear, for in spite of Sandalon's excitement at seeing them, he knew that bears, especially those with cubs, could be dangerous indeed. He simply sent the she-bear a little nudge to send her on her way, a sense, not that there was anything dangerous about, but that there was absolutely nothing worth investigating in or around the hill.
With breakfast over, they tidied up, scattered the remains for birds and other wildlife, and collected Lily and Deyishene again. Once again, Shalkan led the way, this time to a place he called Unicorn Meadow.
This was not the meadow in which Kellen had first seen the Unicorn herd when he'd come to Sentarshadeen. The way to this place led through a birch-forest, the white trunks rising on all sides like the ghosts of trees, with mist threading through their upper branches, and moss thickly carpeting the path underfoot. "I think it's going to rain soon," Shalkan said over his shoulder. "But there's shelter at the Meadow. It's where the foals are born."
Sure enough, just as the first signs of drizzle began, the birch-forest abruptly opened up into a meadow that was overshadowed by one of the cliff walls that framed the whole of Sentarshadeen Valley. And the moment they came into the open, Vestakia gasped.
Not just because of the herd of Unicorns either, though that was a breathtaking sight. But flowing down the rock wall of the cliff on the far side of the meadow like a skein of finest white silk was a waterfall that was easily ten or twelve stories tall. It cascaded into a pool at its base, that in turn fed a stream cutting through the meadow and out into the forest.
"Pelashia's Veil," said Shalkan proudly. "It is said to be the most perfect waterfall of its kind. If it were warmer, Sandalon could swim in the pool."
But already a half a dozen Unicorn foals had gamboled up to them and were nosing Sandalon curiously. "Shalkan! I think they want to play with me!" Sandalon said with delight.
One of them snorted. "'Course, silly!" it said in a high, childish voice. "Come down and play! Mama says you can!"
"It's going to rain - " Kellen said warningly.
But it was Vestakia who laughed. "Which is why we have a change of clothing for him with us! Kellen, he won't melt! Let him play!"
Sandalon didn't even wait for permission; he slipped off the destrier's back and ran off with the foals bounding and prancing all around him, while Shalkan shook his head and chuckled.
"Come on, I'll take you to the shelter," he said. "Nothing's going to hurt him with the foals, and if he runs himself into exhaustion today, he'll be able to get a good night's sleep before the journey tomorrow."
Shalkan led them towards the cliff-face, and along the rim of the pool, and there, out of reach of the spray from the waterfall, but perfectly positioned for a fine view, was a moss- and fern-covered overhang with more than enough room inside it for their ground-cloth. While Kellen kept an eye on Sandalon, Vestakia spread out the picnic gear. There was also a dry pile of firewood there, and a place where someone had made a crude hearth where the smoke would presumably be carried up the cliff, so once everything was in readiness, Kellen laid and lit a fire. But it wasn't until the rain was coming down in sheets and Sandalon was thoroughly soaked that he could be persuaded to come in.
Shalkan was only too pleased to join the party again, especially as there was cake involved. Sandalon squirmed out of his wet clothing and into the dry set from the pack; Vestakia hung the wet clothing near the fire to dry, and the four of them set about doing justice to Idalia's cooking. Shalkan got most of the cake after all; Sandalon kept slipping pieces to him whenever the Unicorn made big, mournful eyes at the boy. While they ate, they watched the unicorn foals romping, and the young males practicing the same kinds of combat-movements that Shalkan had used in the past, while the older males and females watched, and presumably critiqued. Kellen was reminded irresistibly of his own lessons - except that the poor young males here each had at least one Master to please, if not more than one.
"What are they doing?" Sandalon asked, after a while.
"Practicing," said Shalkan. "Some of them will be going along tomorrow."
"Oh." Sandalon's face fell a little at this reminder of what was to come.
"But they'll be staying with you," Vestakia added, brightly, "Some of them, anyway."
"Say! Why don't you go find out which ones?" Kellen suggested.
"That is an excellent idea. And find out if one of them will help you learn to ride," said Shalkan. "You could start learning today, in fact. It would be much better if you could ride a Unicorn properly from the beginning, instead of like a sack of grain," he added, with a withering glance at Kellen.
Kellen flushed, Sandalon giggled, and jumped up to join the young males and their teachers. The others couldn't hear what was said from the shelter of the overhang, as most sound was overlaid with the noise of the waterfall, but it was clear immediately that both Kellen and Shalkan had made excellent suggestions. One of the oldest males, tall and strong, with a horn that rivaled Shalkan's, took the boy to several of the young stallions in turn. Before long, Sandalon was perched on the bare back of one of them, being walked carefully around the meadow while the old stallion walked beside them.
"Is the old stallion coaching them?" Vestakia asked in fascination.
"Probably," Shalkan replied, edging a little nearer to the fire and folding his legs under himself as he laid down next to it.
"I could have done with some of that coaching myself," Kellen said, feeling just a bit put out.
"You could," said Shalkan, "but would you have listened? And anyway, you managed. You're getting the kind of riding lessons now that will do you - and me - the most good, anyway. You couldn't help it if you were clumsy," Shalkan added sweetly. "You'd never been taught to ride properly. The boy will do fine from the start, since he hasn't any bad habits to unlearn."
"And anyway, at that age, children are very flexible," Vestakia pointed out, as Kellen bristled. "Their balance is better, and it's just easier for them to learn physical things. It's much, much harder for an adult to learn things like riding and tumbling and that sort of thing."
"And they're fearless," Shalkan added fondly, watching as the unicorn stallions began to move into a trot, Sandalon holding onto the mane of his mount with both hands and shouting with pleasure. "It never occurs to them that they might get hurt, so they don't stiffen up and make things harder."
Kellen half rose with alarm. "He isn't going to fall off, is he?" he exclaimed, picturing himself trying to explain to Ashaniel how Sandalon got a broken leg - or a broken neck.
"Oh, please," Shalkan replied scornfully. "Whatever makes you think we would allow that?"
Kellen relaxed again. And it was true enough that he himself had never actually fallen off Shalkan's back. He'd been knocked off, but never fallen off.
Finally even Sandalon tired of riding - though it was more accurate to say that he just ran out of energy. The unicorn he was on knelt down so that he could slide off, and the two stallions went back to the sparring practice.
The young Elven princeling made his way back to his two guardians, looking only a little stiff and sore. "It occurred to me," Shalkan said as he arrived, "That your lady-mother would appreciate a lovely bunch of flowers."
Kellen was about to protest that surely the Elven gardens were full of flowers, but Vestakia clapped her hands with glee and even Sandalon looked eager, so once again they packed everything up, and while Kellen made sure that the fire was out and Sandalon's other set of clothing was dry, Shalkan rounded up Lily and the destrier.
This time he took them around to the other side of the waterfall and up a path that zigzagged up the side of the cliff. From time to time there was a break in the trees that somehow managed to cling to the cliffside and even thrive there, and the view down into the valley was nothing short of spectacular.
Finally they emerged onto another flat meadow, though in the distance behind the trees that ringed it, the cliff sloped further upwards. There were signs that there had been a fire here recently; the black, burned stumps of trees protruded up from lush grasses - but that was not what caught the eye.
The meadow was full of flowers.
Great, blazing blossoms in every shade of red, orange, and yellow covered the meadow. Vestakia gasped, and Sandalon whooped. "Fireflower," said Shalkan with satisfaction. "They only bloom in a place where fire has cleared the ground, and only after a good soaking rain. I thought they might be ready."
Sandalon was practically bouncing, wanting to get down, so Kellen obliged him and he ran off into the meadow, looking for the best blooms for his mother.
"Won't they wilt before we get them back?" Vestakia asked worriedly.
Shalkan and Kellen both shook their heads, and this time Kellen answered first. "They'll last most of a day without being in water. Idalia just taught me about them. Not only are they handsome, but someone in the household will probably take them and dry them after Sandalon leaves. They're good for a lot of things."
"In that case, we had better pick some and take them back to Idalia as well," Vestakia said, with matter-of-fact practicality.
So they did, filling the hamper that they had emptied with the flower-heads alone, rather than picking blossom, stem, and all for a bouquet, as Sandalon was doing.
With care that seemed instinctive to Elves, Sandalon was choosing his flowers, blossom by blossom, rather than grabbing handfuls as a human child would, so it took him some time to gather his bouquet.
By the time he had a bouquet about as big as he could manage, Shalkan called out to him. "Time to get back to Throne Hill! It will be raining again soon. If we leave now, we can have a fire going and toast things for our dinner over it."
With the prospect of sticking food into a fire in front of him, Sandalon reacted as any young child would; he immediately ran back. Kellen secured the bouquet to the outside of the blossom-filled pannier where it would be safe and uncrushed, and the three of them began their journey back down the side of the cliff. Sandalon waved at the unicorn herd, several of whom reared and pawed the air for him, but did not ask to stop. Kellen suspected that he was already getting hungry.
And just as they reached Throne Hill and the stone pavilion, the pleasant mizzle began to strengthen. They all crowded into the shelter and Kellen once again put his fire-making skills to good use.
Sandalon was given a sharpened stick with a sausage on it to toast, but the real meal was the roast chicken still in the other hamper. Kellen propped it over the fire just long enough to heat through and fill the air with a glorious aroma, and when Sandalon's sausage proved to be half char and half raw, he was happy enough to inhale his share of the fowl. Vestakia showed him how to wrap dough around a buttered stick to bake, then fill with honey and eat as soon as it was golden brown, so he got his need to "cook over a fire" fulfilled. And Shalkan was perfectly pleased to eat as many of the improvised pastries as Sandalon could make, so everyone was happy. The rain drumming down on the hillside and cascading off the stone roof made it seem as if they were inside a waterfall, and the fire kept everything cozy. And somewhat to Kellen's surprise, there was not a crumb of cake or a scrap of chicken left when they were done. He wouldn't have believed they could have eaten all of that!
But that left the last pannier empty, so Sandalon's precious bouquet went into it for safe-keeping. And as the rain slackened off again, Shalkan raised his head. "Dark soon," he said. "Time to go home."
"Oh no, can't we just stay out a little longer?" Sandalon begged, proving that small Elven boys were not so different from small human boys.
"Well, I wouldn't mind, and Kellen wouldn't mind, but poor Lily and Deyishene would be very uncomfortable," Shalkan said, shaking his head soberly. "They don't see as well in the dark as unicorns do, and they might fall and hurt themselves."
Sandalon sighed. "Well," he said reluctantly, "I suppose we had better go back, then."
They arrived at the House of Leaf and Star just as dusk thickened, and Lairamo's anxious face brightened as soon as she saw her charge. Kellen delivered the boy and his bouquet into the capable hands of his nurse.
"Thank you, Kellen, Vestakia, Shalkan," Sandalon said, and added a polite bow after a sharp glance from Lairamo. "I had such a good time!"
"And so did we," Kellen assured him, and Sandalon left, chattering at high speed as Lairamo led him away.
"And I must make my farewells here as well," Vestakia said firmly. "I must return Lily to the stable, and get the baskets back to Idalia. Thank you Kellen! It was a glorious day, and I cannot think when I have ever had more fun in my life!" She rode off, leaving Kellen unsettled.
Partly, to be honest, it was from those thoughts forbidden by his geas. But mostly it was because of something else, something for which he didn't quite have words. As he took Deyishene back to the stables, he found himself wondering if - and hoping he was going to have - a future that included Vestakia. He found himself simply wanting her company, quite apart from anything else. She was simply the best companion he had ever had: she was clever, she was kind, she knew how to have fun, and how to make it too. Any girl from the City, faced with the prospect of a rainy-day picnic, would have wept and moaned about ruining her clothing or getting cold and wet. Vestakia had taken the situation and not only made the best of it, but made it seem better than a sunny-day picnic would have been. And he wanted to spend more time in her company.
But with the storm-clouds of Shadow Mountain gathering on the horizon, he couldn't quite make himself believe that any kind of future, much less a peaceful one with Vestakia in it, was ever going to exist. He wasn't used to thinking that far ahead and he wasn't used to feeling that - grim - about things. Idalia was the dour introspective one and all his attempts to try and get a grip on the situation only left him feeling troubled for no reason that he could put his finger on.
Fortunately Shalkan interrupted his thoughts before he sank too deeply into depression.
"They'll be leaving from here tomorrow before dawn. You'll want to be here," Shalkan said, breaking into his thoughts.
"I don't know," Kellen said, surprised at the suggestion. "Elves aren't much on big going-away ceremonies, I thought."
"No," Shalkan agreed. "But you'll want to see it, just the same. Don't worry. I'll make sure you're here in plenty of time."


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4.34 acres in Hillsborough County, Florida
LIVE FOR FREE! Building at other end of property rents for $2000 a month! 4+Acres Fenced! 2 buildings, a 4/3/2 CB private home, and a 3000 sq ft rented metal building. Beautiful, Fenced, Private, Ranch pool home, with land and INCOME! Property has a well, and private back yard with 12x24 storage shed with water, and power. Bring all toys, trailers, RV's, boats, Semi trucks, Equipment, property is fenced, private, and no restrictions! RV / Camper station with water & power hookup. Interior of home has been refurbished. Baths totally redone, windows replaced with energy efficient windows. New Porcelain floor tiles throughout, and high end laminate in 3 of the bedrooms. Home has 4 bedrooms, 3 full baths, with 2 master bedrooms, each with its own private bath. Granite counters and wood cabinets throughout. Double walk in shower & double sinks in 1st master bath and in guest bath. New window treatments, new paint, new 6" base boards, New A/C system with heat pump. New gate openers, pool resurfaced, new pool pump, new screen enclosure, and new fencing. New well plumbing installed with multiple outlets, and cut off valves to eliminate county water. New electric and plumbing fixtures. Work started in '15 and finished Jan '16. Home could be self sufficient by adding a generator. Yard has Beautiful mature oak trees accented with tropical palms. Back of property could be turned into outdoor storage for even more additional income. Close enough to everything, far enough from everything.
On I-75 take exit 250 (Gibsonton Dr.) West to New East lake Rd. (Walmart)Turn left 1 mile to 1st traffic light, Symmes Rd. then turn right go 8/10 mile, Home will be on right at corner of Ekker Rd. Access to property from Ekker Rd.
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NOTE: The information contained herein is provided as general information only and has been obtained from sources deemed reliable. It is provided without any guaranty, warranty or representation, expressed or implied, made by Lands of America, or any related entity, as to the accuracy or completeness of the information. The information is presented subject to errors, omissions, change of price or conditions, prior sale or withdrawal without notice. Prospective purchasers should make their own investigations, projections and conclusions concerning the information.


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One of the best indoor practice facilities to practice every aspect of your golf game in the Greater Toronto Area.
A sweet 9 Hole Golf Course just East of the Don Valley Parkway and south of Eglinton at 155 St. Dennis Drive in Toronto. Perfect for The Learning Yard Golf Centre's Playing Lessons. For all the information about Playing Lessons click here.
One of the best year-round practice facilities located in the North/West part of the Greater Toronto Area.
What can I say, one of southern Ontario's best Golf Courses at a great price. Many thanks to Scott Paterson and everyone at Royal Ashburn Golf Club for a great day, THANK YOU!
A great cameramen and photographer in the Greater Toronto Area. Thanks for all your help and time Michel, many thanks.
The best Rain Forest Seed Company around, great product, even better advise and customer service, contact Peter, you'll be glad you did.
An easier way to find Natural, Earth Friendly Products and Services helping to bring a greener consciousness to Torontonians.
Contact Kiwibird Communications for some great web design, content management and technical writing for whatever you're doing on or off the web.


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Selfmed Medical Scheme Booklets & Forms
Each year I've been tasked to update their scheme brochures and any material that needs updating. I've worked on wide range of project for Selfmed including newsletters, forms, pamphlets, booklets, social media posts and infographics. These were a few of the designs done for 2016


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The Zawinul Legacy Band: Keeping the Music Alive
Created to honor Joe Zawinul's groundbreaking work as a composer and performer, the Zawinul Legacy Band reignites the music of Weather Report and Joe Zawinul's group the Zawinul Syndicate in electrifying performances around the globe.
Going beyond a 'tribute' band, the incredible musicians who form the core of the group have first-hand experience performing and recording with Joe Zawinul and Weather Report, giving them invaluable insight into the creativity and energy infused in performances of Joe's music.
Created by Joe's son, Tony Zawinul, as the official ensemble for Joe's legacy, the Zawinul Legacy Band has welcomed new players who embody the spirit of Joe's music. The group's virtuosic performances evoke and honor Joe and the original Weather Report and Syndicate shows. The Zawinul Legacy Band remains the only authorized ensemble to recreate this magic while evolving with their updated sound, catching the attention of audiences everywhere.
The Zawinul Legacy Band is supported in social media by over 220,000 Facebook fans across the Joe Zawinul, Weather Report and Legacy Band pages.
The current line-up consists of:
Percussionist Robert (Bobby) Thomas Jr: Bobby was a member of Weather Report and The Zawinul Syndicate. After his time playing with Joe Zawinul, Bobby continued to play with other great musicians like Stan Getz, David Sanborn, Carlos Santana, Monty Alexander, and Ahmad Jamal.
Keyboardist Scott Kinsey: Scott has been one of Joe's most successful students from the "Zawinul school of keyboards†and collaborated with the Zawinul Syndicate on several projects as keyboard programmer. Scott went on to play with Jazz Fusion band Tribal Tech, and contributed to motion picture soundtracks, most notably Ocean's Eleven and Ocean's Twelve.
Saxophonist and Flute player Katisse Buckingham: Having performed and/or recorded with Yellowjackets, Prince , Dr. Dre, Airto & Flora Purim, Billy Childs, Vanessa Paradis, Herbie Hancock, Poncho Sanchez, Dave Douglas, Andy Summers, Pete Yorn, Colin Hay (Men at Work), Lionel Richie, Amos Lee, Brian Auger, Lennie White, Roy Ayres, Simon Phillips, Ricky Lawson, and other notable musicians. He has also played on numerous films (including the "jazz flute†scene in the Will Ferrell film, Anchorman).
Bassist Hadrien Feraud: Being the youngest member of the Group doesn't stop Hadrien Feraud from being widely known as a talented bass player throughout the world. At 29 years old Hadrien has already played with many renowned musicians like Chick Corea, John McLaughlin, Jada Pinkett Smith, Matthew Garrison and Scott Kinsey.
Drummer Gergo Borlai:Â Gergo has performed with Gary Willis, Scott Kinsey, Scott Henderson, Matthew Garrison, Steve Tavaglione, Bob Mintzer, Hadrien Feraud, and Tim Lefebvre.
Gergo had several recent performances at drum festivals across the globe like: Montreal Drum Fest, DrumChannel, Dresden Drum Fest, Gergo has also became a clinician man all over Europe, Asia and the U.S at the Musician Institute in Hollywood.


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At Aylesford School – Sports College, we all have the responsibility for promoting the welfare and protection of children.
Safeguarding our students is fundamental to everything that we do at Aylesford School - Sports College and we take our duties in this matter seriously. We have a responsibility to identify any student who may be in need of extra help or who is suffering, or likely to suffer, significant harm. We all have a responsibility to report any concerns we may have.
If you see anything whilst at school that gives you cause for concern or if you have any questions regarding the welfare of any student, you must speak to a member of the school's safeguarding team. You must not undertake your own investigation.
If you have doubts about a student's welfare, please speak to a member of the safeguarding team as they are specially trained to deal with these concerns.


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August 2017
- 2017 IPPY National Results
- 2017 IPPY Regional & Ebook Results
- 2017 IPPY Outstanding Results
- Inside a Publishing House
- My Independent Labor of Love
- 1, 2, 3: How to Reach Your Writing Goals
- Independent Book Reviewers
- The Most Iconic Books Set in 150 Countries
- Indie Books to Help You Navigate the News
- Indie Groundbreaking Book: Fifty Cents and a Box Top
- Indie Groundbreaking Publisher: Arbutus Press
- Coming This Month: Notable August Releases
- From the Tech Desk
Announcing the 2017 First Novel Prize Long List
Center for Fiction
The long list for the 2017 Center for Fiction First Novel Prize has been announced, chosen by a panel of five distinguished writers: Sonya Chung, Anne Landsman, Fiona Maazel, Rick Moody, and Kia Corthron, who won the 2016 Prize for her debut novel The Castle Cross the Magnet Carter. Over 140 debut novels were submitted by publishers this year. The panel will also select the short list and winner of the award. CLICK HERE TO VIEW THE FINALISTS
This annual award was created in 2006 to honor the best first novel of the year. Debut novels published between January 1 and December 31, 2017 were eligible for this year's prize. The winner receives a $10,000 prize with each shortlisted author receiving $1,000. The short list for the award will be announced in September 2017 and the prize will be given at The Center for Fiction's Annual Benefit and Awards Dinner held on December 5, 2017.
Previous winners include Viet Thanh Nguyen (The Sympathizer), Ben Fountain (Billy Lynn's Long Halftime Walk), Hannah Tinti (The Good Thief) and Junot Díaz (The Brief Wondrous Life of Oscar Wao). CLICK HERE FOR THE FULL LIST OF RECIPIENTS.
About Kia Corthron and The Castle Cross the Magnet Carter
Kia Corthron was awarded the Center for Fiction's 2016 First Novel Prize for her debut novel, The Castle Cross the Magnet Carter (Seven Stories Press). Judges for the 2016 First Novel Prize were Chris Abani; Kate Christensen; Rivka Galchen; Kate Walbert; and Viet Thanh Nguyen, winner of the 2015 First Novel Prize from the Center for Fiction and the Pulitzer Prize.
Castle Cross was a New York Times Book Review Editors' Choice; reviewer Leonard Fitts, Jr. said, "[it] succeeds admirably in a novel's first and most difficult task: It makes you give a damn. It also does well by a novel's second task: It sends you away pondering what it has to say." Famed political activist and scholar Angela Y. Davis called it "a stunning achievement by any measure… The untidiness of history is conveyed through experiences, dreams, and inevitable eruptions of violence, yet also unexpected patterns of escape and possible orbits of justice."
The author of more than fifteen plays produced nationally and internationally, Kia Corthron came to national attention in the early nineties with her play Come Down Burning. Portraying characters who live in extreme poverty or crisis and whose lives are otherwise invisible, her plays paint a disturbing picture of American history and its repercussions on our most intimate relationships. She has also written for television, receiving a Writers Guild Outstanding Drama Series Award and an Edgar Award for The Wire. She grew up in Cumberland, Maryland, and now lives in Harlem, New York City.


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Mental health servicesin Australia
In 2005, Health Ministers endorsed the National safety priorities in mental health: a national plan for reducing harm, Australia's first national statement about safety improvement in mental health. This plan identified four priority areas for national action including 'reducing use of, and where possible eliminating, restraint and seclusion'. The plan recognised that seclusion and restraint are a serious infringement of an individual's rights, and can cause psychological trauma and physical injury to consumers and to health-care staff.
In response, there have been a number of initiatives aimed at reducing seclusion and restraint in public mental health facilities. The Australian Health Ministers Advisory Council's (AHMAC) Safety and Quality Partnership Standing Committee (SQPSC) and Mental Health Information Strategy Standing Committee (MHISSC), in partnership with state and territory authorities, developed a national seclusion data collection and reporting framework and implemented a Mental Health Seclusion and Restraint National Best Endeavours Dataset Specification from the 2015–16 collection period. Most seclusion and restraint occurs in acute specialised mental health hospital service setting, therefore quality improvement initiatives and data collection and reporting have focused on that setting.
Seclusion is defined as the confinement of a patient at any time of the day or night alone in a room or area from which free exit is prevented. The purpose, duration, structure of the area and awareness of the patient are not relevant in determining what is or is not seclusion.
Seclusion also applies if the patient agrees to or requests confinement and cannot leave of their own accord. However, if voluntary isolation or 'quiet time' alone is requested and the patient is free to leave at any time then this social isolation or 'time out' is not considered seclusion.
While seclusion can be used to provide safety and containment at a time when this is considered necessary to protect patients, staff and others, it can also be a source of distress not only for the patient but for support persons, representatives, other patients, staff and visitors. Wherever possible, alternative, less restrictive ways of managing a patient's behaviour should be used, and the use of seclusion minimised.
Seclusion and restraint may be used across the range of mental health services; however, the focus of the data collections has been limited to the acute specialised mental health hospital service setting, since this service setting has been the focus of many of the quality improvement initiatives.
Nationally, there were 8.1 seclusion events per 1,000 bed days in 2015–16; a decrease from 10.6 in 2011–12 (Figure AD.8). This represents an average annual reduction of 6.7% over the 5–year period. (Table AD.18).
Source: State and territory governments, unpublished.Source data: Admitted patient mental health-related care Table AD.18 (1.20MB XLS).
In 2015–16, the Northern Territory had the highest rate of seclusion with 23.9 seclusion events per 1,000 bed days and the Australian Capital Territory had the lowest (1.6). Seclusion rates have fallen for 5 of the 8 states and territories between 2011–12 and 2015–16 (Figure AD.9). (Table AD.18).
Data for smaller jurisdictions should be interpreted with caution as small changes in the number of seclusion events can have a marked impact on the overall seclusion rate.
Note: The increase in the state-wide Tasmanian seclusion rate for 2012–13 and 2013–14 data is due to a small number of clients having an above average number of seclusion events. Due to increased use of community-based treatment, Victoria has fewer beds per capita than other jurisdictions resulting in higher acuity thresholds for admissions. As such, it may be useful to view the rate of seclusion events in a broader population context (rates per capita). Similarly due to the low ratio of beds per person in the NT compared with other jurisdictions, the apparent rate of seclusion is inflated when reporting seclusion per bed day compared with reporting on a population basis. Also, high rates of seclusion for a few individuals have a disproportional effect on the rate of seclusion reported.
Frequency and duration of seclusion events were collected for the first time in 2013–14.
One in 20 (5.0%) episodes of care provided by Australian public sector specialised acute hospital services involved a seclusion event in 2015–16, a slight decrease from 2013–14 (5.4%). The Northern Territory had the highest proportion of episodes with a seclusion event (10.8%), while South Australia had the lowest (2.7%). The average number of seclusion events for patients who were secluded was 2.0 events per admitted care episode in 2015–16 which remains unchanged compared to 2013–14 (2.0). The Australian Capital Territory was unable to provide the number of admitted patient care episodes and as such is excluded from the national proportion of seclusion events per episode. (Table AD.18).
The average duration of a seclusion event excluding Forensic services was 5.3 hours in 2015–16, down from 6.0 hours in 2013–14. Forensic services provide services primarily for people whose health condition has led them to commit, or be suspected of, a criminal offence or make it likely that they will reoffend without adequate treatment or containment. Forensic service data has been excluded as forensic seclusion events are typically of longer duration, and substantially skew the overall duration average. Data for South Australia is also excluded from the national average duration due to its use of a 4 hour block recording methodology.
Victoria reported the longest average seclusion duration with an average of 8.3 hours per seclusion event. The Australian Capital Territory had the shortest, of 1.9 hours (Figure AD.10). (Table AD.18).
Note: Due to longer duration times in Forensic settings, these events have been excluded from this analysis. South Australia report seclusion duration in 4 hour blocks which precludes average seclusion duration calculations. Queensland and the Northern Territory do not report any acute Forensic services, however forensic patients can and do access acute care through General units. Due to increased use of community-based treatment, Victoria has fewer beds per capita than other jurisdictions resulting in higher acuity thresholds for admissions. Higher acuity on admission may be reflected in an inflated average duration for seclusion events compared to other jurisdictions.
Seclusion data can also be presented by the target population of the acute specialised mental health hospital service where the seclusion event occurred. Around three quarters (78.7%) of in-scope care (total number of bed days) was provided in General services. Older person services accounted for 13.5% followed by Forensic (4.2%) and Child and adolescent (3.6%) services (Table AD.19).
However, data should be interpreted with caution as this methodology uses the target population of the service unit, that is, the age group that the service is intended to serve, not the age of each individual patient. Also, in 2013–14, improvements were made to the reporting of target population categories. The mixed category was removed as an option for reporting. Data for the Mixed category was most commonly a mix of General, Child and adolescent and/or Older person services. Time series data by target population should therefore be approached with caution.
The highest rate of seclusion was for Child and adolescent services with 10.3 seclusion events per 1,000 bed days, followed by General services (9.2), Forensic services (9.2) and Older person services (0.5). Although a reduction in seclusion rates for the 5 years to 2015–16 was observed for all target population categories, some variability is apparent from year to year (Figure AD.11). (Table AD.19).
Note: Queensland and the Northern Territory do not report any acute Forensic services, however forensic patients can and do access acute care through General units.
Source: State and territory governments, unpublished.Source data Admitted patient mental health-related care Table AD.19 (1.20MB XLS).
Forensic services reported the highest proportion of episodes of care involving seclusion events, with 22.2% of all mental health-related episodes involving seclusion. This was followed by General (5.1%), Child and adolescent (3.9%), and Older person (0.8%) services, with all rates relatively stable when compared with 2013–14. (Table AD.19).
Forensic services had the highest frequency of seclusion, with 3.0 seclusion events per episode when seclusion was used at least once during an episode of care. Seclusion events that occurred in Forensic services also had the longest average duration; 87.9 hours per seclusion event, which is much greater than all other target population categories (1.9 to 5.5 hours). This may also be partly due to the way seclusion is recorded in Forensic services. General services reported an average time of 5.5 hours per seclusion event, followed by Older person (2.9 hours) and Child and adolescent (1.9 hours) services. The average time of the seclusion event decreased for General services and Older person services, and increased for Child and adolescent services and Forensic services between 2013–14 and 2015–16 (Figure AD.12). (Table AD.19).
Note: Data for South Australia is excluded from the national average duration due to its use of a 4 hour block recording methodology. Queensland and the Northern Territory do not report any acute Forensic services, however forensic patients can and do access acute care through General units.
Source: State and territory governments, unpublished.Source data: Admitted patient mental health-related care Table AD.19 (1.20MB XLS)
Due to the small number of hospitals located in Outer Regional and Remote areas, for the purpose of remoteness analysis these categories have been combined. There were no hospitals in the seclusion dataset located in Very Remote areas.
In 2015–16, hospitals located in Major Cities had a seclusion rate of 7.9 events per 1,000 bed days. This rate was higher than that for Inner Regional facilities (7.7), and lower than that for Outer Regional and Remote area facilities combined (11.2). The proportion of mental health-related admitted care episodes with a seclusion event was similar across facilities in all areas (around 5%).
On average, seclusion events in facilities in Inner Regional areas were longer in duration (6.4 hours) than those in Major Cities (5.1) and Outer Regional and Remote areas (4.9). (Table AD.20).
Restraint is defined as the restriction of an individual's freedom of movement by physical or mechanical means.
Data on restraint is being presented for the first time in 2017. Caution is needed in interpreting this data and comparing results; see the data source section for further information. States and territories have different policy and legislative requirements regarding restraint and have therefore had different processes and systems for collecting data, different definitions of restraint and differences in the types of restraint which are reported. States and territories have worked together to begin to align their collections through the development of a national data collection, the Mental Health Seclusion and Restraint National Best Endeavours Data Set (SECREST NBEDS).
Data for two forms of restraint are specified by the SECREST NBEDS: mechanical restraint (for example, using devices such as belts, or straps); and, physical restraint (for example, the application by health care staff of hands-on immobilisation techniques). Unspecified restraint, that is, the type of restraint is unknown, was a very small component in 2015–16. Data improvement initiatives are expected to remove the need for an unspecified restraint category from 2016–17 onwards.
Nationally, there were 9.2 physical restraint events per 1,000 beds days; mechanical restraint was less common (1.7 events per 1,000 bed days) (Figure AD.13). Data on mechanical restraint was not reported by NT, and data on physical events restraint was not reported by Queensland. Of states with data, Victoria had the highest rate of mechanical and physical restraint events (5.8 and 23.2 events per 1,000 bed days, respectively). This is likely to be the result of higher acuity admission thresholds due to lower per capita bed numbers inflating the results on a per bed day basis.
Source: State and territory governments, unpublished.
Note: Victoria has fewer beds per capita than other jurisdictions resulting in higher acuity thresholds for admissions. Higher acuity on admission is likely to be reflected in an apparent higher rate of restraint per bed day compared with reporting on a population basis.
Source data: Admitted patient mental health-related care Table AD. 21 (1.20MB XLS)
Restraint data can also be presented by the target population of the acute specialised mental health hospital service where the restraint event occurred. In 2015–16, the use of restraint (both physical and mechanical) was more common in Forensic services than other service types (Figure AD.14). The physical restraint rate for Forensic services (110.2 events per 1,000 beds days) was over 10 times the rate for Child and adolescent services (10.9) and 20 times the rate for General services (5.0). The rate of mechanical restraint was also highest in Forensic services.
Source data: Admitted patient mental health-related care Table AD.22 (1.20MB XLS)
< Non-specialised care characteristics | Data source >


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The older I get the more I realize
the importance of getting things done
before your mother announces another
assignment to roust me from my hammock.
As you know I've never been much
around the house, my skills limited to
raking leaves and shoveling snow,
menial tasks I haven't missed in years.
Probably not since you lived here.
Your mother, of course, grew up on a farm
and has always liked getting things done.
But she's getting older too. In fact,
she recently had a big operation
and I've pitched in beyond my skill set
despite new stents and a pacemaker.
But even though we just put away
the walker, cane and wheelchair,
all three are on alert so I believe
it's best to let you know that
one of these days the one who's left
will ring you up and let you know.
Visit Donal at http://booksonblog12.blogspot.com/.
Poems and Poetry is completely reader supported, please help me keep it going.
Have you read Guy Farmer's social justice poetry book now available on Amazon?
Read poems by Guy Farmer on this site.


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Time is flying by and we can't believe the Fourth is just a few days away. We've been ready for this long weekend and can't wait to enjoy the summer days outside the office. How will we be spending our time? Basking in the sun with friends wearing nothing but our swimsuits, of course! So break out the red, white and blue because we've got everything you need to prepare for the best weekend of the summer.
First, a good fit. Instagram is flooded with red, white and blue outfits. Keep it casual with basic neutrals, or take this holiday to the next level by embracing the stars and stripes. Want to make a statement? Support our troops by going the camo route like Sincerely, Jules did. You can see all of our favorite looks here:
Gal Meets Glam; Fab Fit Fun Mom; Sincerely, Jules; Love, Olia; Livvy Land
Next, and most importantly, hair. If you're like us, you'll be in and out of the water all day. No free spirit has time to worry about her hair when she's jumping off the boat one minute and sipping sangria the next. What's a girl to do? Braids. Luckily Nine Zero One Salon out of West Hollywood keeps our hair up and out of our faces with this "Around the World" halo braid.
For our short-haired ladies try this braided style:
Want to impress all of your friends and be the weekend Grill Goddess? Veggies, meat and more – throw it all on! Well we cheated a bit and used Real Simple's 15 Fourth of July Recipes for the Grill, but shhh! It can be our little secret.
Lastly, you've got to stay hydrated, right? We've got just the drink for you. Sangria is synonymous with summer, and this recipe is fruity and festive. Just make sure to prepare it ahead of time – the longer it sits, the better it will taste. Here's what you'll need:
Rosé Sangria
- 4 bottles of Rosé wine
- 1 bottle of sparkling white wine
- 3 cups of Raspberries, quartered strawberries, diced peaches
Pour the rosé and fruit into a large pitcher or dispenser. Place in the fridge for several hours to let the flavors of the fruit and wine mix into a sweet summery blend. When you're ready to serve, add the sparkling white wine for a little pop! Optional, freeze blood orange ice cubes ahead of time. Then instead of regular ice cubes that will water down the drinks, the juice will blend in and add a little extra flavor. Enjoy!
Now go out and have the best Fourth possible – Don't forget the sunscreen!


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Police condemn 'cowardly' kebab shop attack
Police in Perth have described as cowardly an attack that has left two men aged in their 40s in hospital, one of them fighting for his life.
Police say the men, aged 44 and 49, were outside a kebab shop in the suburb of Mandurah in the early hours of this morning when an altercation happened with two other men.
The 44-year-old man was knocked to the ground, hitting his head on the pavement and fracturing his skull.
He is in hospital with life-threatening injuries.
The 49-year-old man has broken ribs, a broken jaw and facial bruising.
Detective Brendan O'Keefe says police are looking for the two attackers.
"The attack that they performed, being that it was unprovoked and with no motive, was simply cowardly, possibly opportunistic and obviously very sad for the family members," he said.
"These two people were simply out having a good time, both are in their 40s, both weren't out looking for a fight and then they were attacked for no real reason."
Topics: assault, law-crime-and-justice, crime, mandurah-6210


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Food & Drinks
Maastricht is perfect for cooking enthusiasts, foodies, and everyone who is into enjoying a good meal and a good drink. Bon appétit!
The city has plenty to interest you in terms of food & drinks, because nearly every cuisine has at least one restaurant here. From Mediterranean and Asian specialities to local delights and from Michelin-starred restaurants to traditional Maastricht working-class pubs, the countless restaurants offer hospitality and quality for every budget.
And don't forget the budding coffee culture here: there are numerous cool places where you can get any variety of coffee you want! Check out the world famous Dominicanen Bookshop with a Coffeelovers that makes a mean espresso. Food & drinks are to be found in Maastricht to your heart's content and for any budget.
Need any tips? Brandweerkantine is great place in a converted firehouse, Tapijn is great for food & drinks in an old soldier's barracks. The Jeker Quarter has a couple of places you have to visit: Café Sjiek is known all over the world and a popular location for the locals, Café Lure has a great terrace and some great food at student prices. Cafe Forum is an all round great place with live Jazz on Mondays and when at Café Tribunal try 'Trudies teleur' (dish of the day)!
The Vrijthof is lined with pubs and so is the Onze Lieve Vrouweplein (OLV) and the Market Square. Try a "pèlske" on one of the terraces and feel the difference in atmosphere!
Travel across the Sint Servaas bridge and in Wyck you find Harry's, Bouchon d'en Face for a more upscale experience, Wycker Cabinet, Irish Pub and the Poshoorn with different atmospheres and Burgerlijk for great burgers!
But our secret tip? Just go out and explore the city! And when you find that hidden gem that no one knows? Keep it to yourself or let us know and let others share too!


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Fried Shrimp Meat with Bitter Gourd
Bitter gourd, quite like jackfruit, makes some people scramble for it but others avert. However, as a kind of vegetable with high nutrition value, it is rich in abundant protein, cellulose, vitamin C and B, linoleic acid, etc. Among all these, the amount of vitamin C is the highest among all melon vegetables. Also, it boasts of multiple effects of losing weight, reducing blood fat, fighting against cancer, beautifying oneself, eliminating toxin and etc. Therefore, it has been increasingly emphasized by people. In summer, people get inflamed easily, so it's better to eat some bitter gourd.
Bitter gourd has always been called "the gentleman vegetable", because it is bitter itself, but its bitterness can not be penetrated into other food ingredients. If you make fish, meat or fried shrimp meat with it, it will not be tainted by other flavor.
Difficulty: cutting (elementary)
Cooking time: about 10 minutes
Ingredients: fresh shrimp; bitter gourd
Seasonings: ginger slice; cooking wine; starch; oil and salt
1. Prepare the raw materials. Remove the head and shell of the fresh shrimp, and then pick out the shrimp thread in the second and the third section with toothpick.
2. Mix the cleaned shrimp meat evenly with salt, ginger slice, cooking wine and starch. Boil the water in a frying pan, add 1 tbsp of salt and several drops of oil, blanch the bitter gourd.
3. Heat the oil in the frying pan and add the preserved shrimp meat, stir fry. When the shrimp meat turns red, add the blanched bitter gourd.
4. Stir fry for a while, add seasonings such as salt. Finally thicken the mixture with cornstarch and water.
Cooking Tips
Remove the head and the shell of the fresh shrimp, and then pick out the shrimp thread in the second and the third section with toothpick. Preserve the cleaned shrimp meat with salt and ginger slices. Blanching bitter gourd can not only preheat it, shorten the frying time, but also decrease some bitterness. First quickly fry the fried shrimp meat. When the shrimp meat changes color, blanch the bitter gourd. Stir fry it and then add salt. Finally thicken the mixture with cornstarch and water.


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The Baby Reviews
August 8, 2005
Read More | Original Score: 2/5
March 16, 2003
| Original Score: 4/5
January 1, 2000
You may find yourself giggling with disbelief or maybe just embarrassment
Full Review
July 22, 2011
Exploitation films don't come much stranger than 1973's The Baby.
Full Review | Original Score: 76/100
January 28, 2014
Sadistic horror pic that has achieved classic cult status for being so irreverently camp.
Full Review | Original Score: B
November 17, 2011
'The Baby' is absolutely gaga. Or should that be goo-goo-gaga? It's a multiple-personality disorder of a film that vacillates among the extremes of weirdo exploitation, psychological horror and social-reform drama.
Full Review | Original Score: 3.5/4
September 6, 2008
... the film has the look and feel of a TV cop drama, and a politically incorrect, outlandish storyline that couldn't be filmed today.
Full Review | Original Score: 3/4
November 12, 2013
There's a master's thesis on The Baby waiting to be written and I'll be first in line to read it, but not because I expect to find the film's provocations tamed or its utter bizarreness gently folded into the seething swamp of things that make us go hmm.
July 14, 2014
The film [is] a warped mirror on American family life, depicting parenting as an act of grotesque selfishness.
Full Review | Original Score: 3.5/5


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Welcome to my blog, where you can follow my adventures in journalism. I'm a writer, editor, and former newspaper designer in Richmond, Virginia.
I'm a freelance writer for a variety of lifestyle publications. Currently I'm the DC/MD/VA correspondent for The Knot and copy editor for The Scout Guide's 60-some city publications. I spend my days freelancing for a host of regional and national publications.
I have written about my travels for Southern Living and Forbes Travel Guide, the state of the organic industry for Delicious Living, leading restaurant professionals for Plate Magazine, and my extroversion and inner cat lady for Hello Giggles. I also have kvetched about my struggles as a young female journalist for Cosmopolitan, and done a handful of gear reviews for Ski magazine. For a year and a half, I wrote a weekly restaurant review column for the Richmond Times-Dispatch. You can view my portfolio here.
I started dabbling in content writing, creating stories for Zillow's Porchlight blog, Wells Fargo's Why I Work site, Swedish Match's Umgås Magazine, Shutterfly's Wedding Paper Divas, along with wine tourism websites Napa Valley, Sonoma, and Wine Country.
Along with a background in writing, I also have experience in marketing and communications, working with nonprofit organizations (Visual Arts Center of Richmond), art galleries (Reynolds Gallery), contemporary art shows (CURRENT Art Fair and Craft + Design Show), high-end art auctions (Collectors' Night), and higher eduction institutions (University of Richmond's Modlin Center for the Arts). I believe that the arts are vital to our community, which is why I also commit a portion of my time to Richmond's vibrant arts scene.
In my spare time I serve as the marketing chair on the junior board at The Faison Center, a nonprofit organization dedicated to supporting and providing resources for people of all ages who have autism. I also serve on the Visual Art Center of Richmond's Craft + Design Show committee.
I have a passion for travel and culture. I love experiencing new people and places. My travels have taken me across Scandinavia to Estonia and Russia; down the Danube River from Nuremberg to Budapest; and on winding roads through Ireland, Scotland and England. I created my travel blog, RVAnewbie, to share my adventures in my new home of Richmond, and to satiate my wanderlust on a hyper-local level.
I love reading and writing, cooking and eating, camping, hiking, skiing, traveling, and all things Scandinavian.
Gulfshore Life + Gulfshore Business magazines intern — Naples, Fla.
Boston University journalism student — Boston, Mass.
University of Colorado at Boulder journalism + Nordic studies student — Boulder, Colo.
Colorado Homes & Lifestyles intern — Denver, Colo.
Ski magazine intern — Boulder, Colo.
5280 magazine intern — Denver, Colo.
Boulder Weekly special editions editor — Boulder, Colo.
Media General copy editor + page designer — Lynchburg, Va.
Breathe Magazine editor — Charlottesville, Va.
Richmond magazine associate editor + R•Home managing editor — Richmond, Va.
Freelance writer — Richmond, Va.
Previous freelance work published in Apartment Therapy, Houzz, Zillow, The Knot, Cosmopolitan, Delicious Living, Forbes Travel Guide, Southern Living, Plate Magazine, Paste Magazine, Hello Giggles, Denver Post, Colorado Homes & Lifestyles, Modern In Denver, Breckenridge Magazine, Blue Ridge Outdoors, Richmond Times-Dispatch, Richmond magazine, R•Home magazine, Richmond Bride, Style Weekly, Breathe Magazine, Edible Blue Ridge, Central Virginia Home, Roanoke Valley Home, Gulfshore Life and Gulfshore Business magazines, as well as the Naples Daily News and Daily Free Press


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I'm about to say something that may shock you. Are you ready?
Video games are loaded with lessons for entrepreneurs, you just need to know where to look and how you want to play the game.
Take a look around the business owner communities you're on. How often do members talk about the non-healthy leisure activities they participate in when they're not growing their business?
Not often.
Well, here's that post.
Video Game Lessons for Entrepreneurs
I'm a business owner who focuses on helping my clients be more visible in their business as well as automated so they can do more of what they love to do. And what's one of the activities I love to do? I love to play games with my family. Yes, I love board games, but more specifically I'm talking about video games.
Dave was SHOCKED when he discovered I played World of Warcraft when we started dating. He had never dated a gamer in the past, and his exes actually discouraged his gaming. Not only did I support his gaming, I also supported his dream to become a video game developer/designer, and it's this encouragement which lead to our businesses being started. That's a post for another day, so let me get to the point here.
Several months ago my ten year old introduced me to Slither.io. I had seen him playing this free, online game for some time, but in effort to connect further with him I decided to play with him to see what it was all about. If you haven't played it, I need to warn you: It's HIGHLY addictive. And if you're looking for a game you can "win", this is not the game for you.
In Slither.io, you are simply a snake, slithering around an area trying to avoid running into other snakes. When snakes run into you they break into lots of balls (I'm sure there has to be a better word for this) which you can "eat" to make yourself bigger. Likewise, when you run head-on into other snakes you also break into pieces. Game over.
What's the point of the game? To get to the top of the top of the leaderboard. There is no winning. You can play forever as long as you don't run into another snake. And that's it. Watch where you're going. Slither.io in a nutshell.
So what are the lessons to be learned from this video game?
I've come up with several lessons from Slither.io:
1. Don't get greedy. There's more than enough space for every player to slither around, grow larger and make their mark. When we crowd around everyone else and try to go in for the kill we risk being choked off by other snakes and dying. Give yourself some space – for creativity and growth – and you will thrive. When you insist on being where everyone else is you risk dying prematurely.
LESSON: There's more than enough work to go around. You don't need to swoop in on other people's territory in order to make your mark. Instead, make your mark by being you, and finding a strategy and unique selling proposition you truly believe in.
2. Patience is key. I prefer to wander around and stay on the outskirts until my snake is big enough to be (almost) indestructible. I don't mind spending 5-10 minutes (a seemingly long time in this game) wandering around aimlessly while I build myself up and get my bearings on where all the big snakes are and how they play the game. Using this tactic I consistently find myself on the Top 10 Leaderboard. My husband, however, prefers to dash right in to the center of action and get in people's way. Sometimes is works for him, however more often than not he dies while trying to move too fast.
LESSON: Success doesn't come overnight for most people. Learn to be patient, and when the time is right you can dive in for the indestructible big kill.
3. Set limits. It's easy to get sucked in to Slither.io. I've personally found myself repeating "Just one more try" dozens of times until a higher power steps in and forces me to stop. You need to tell yourself how long you are going to play the game for before calling it quits.
LESSON: When our business isn't doing as well as we would hope it's easy to keep pouring money in thinking that "just another hundred dollars" will be what it needs. Before you know it, all those hundreds of dollars have added up to tens of thousands of dollars and your business still hasn't succeeded. I've been there. Admittedly, I ran up tens of thousands of dollars in credit card debt trying to make an online retail store I had in the mid-2000's succeed. Well, it didn't, and I'm still trying to recover from the massive debt I accumulated.
Draw the line. Tell yourself when it will be quitting time, and hold true to your promises to you.
4. Not everybody is competition. Honestly, I don't believe in competition. We're all just out there trying to do our best and get to the top of the leaderboard. But even in the midst of all the other snakes you will find other players who aren't out to get you. Even without in-game chat you'll be able to work together to take out the obnoxious players and make yourself grow. Find these players and thrive.
LESSON: I'm in well over 100 Facebook groups and encounter numerous people on a daily basis who do the same things as I do. Whether they are digital marketers, Infusionsoft consultants or launch strategists, I never consider them to be competition. In fact, I make ever effort to get to know these people and see how we can work together to help our businesses succeed.
Just last week I interviewed a woman for my podcast who is a marketing strategist for coaches. She is the probably the first person I have met who does practically the same thing for the same market as me, and yes, I had her as a guest on my podcast. I could have gotten scared when I saw her website and profile, however I didn't. In the end it worked out. While she LOVES to work with "Woo woo" coaches, these are a little too far out there for my Christian beliefs. And she doesn't tend to work with Executive coaches because they walk a little too straight for her. I love this. Moving forward we will be referring these clients to each other – both to benefit the clients AND ourselves.
Lessons from Other MMOs
If you're not familiar with what a MMO is, it stands for a Massive Multiplayer Online game. World of Warcraft, Rift, Slither, Minecraft, Guild Wars and Wildstar are all examples of MMOs.
With the exception of Slither, all the other games mentioned rely heavily on communication to achieve great success. Players in World of Warcraft, Rift and Wildstar especially will work together to defeat bosses and achieve great rewards. As players progress they learn to understand and predict the needs of their tribe/guild mates so they can better perform their specific tasks.
Essentially, a well constructed and cohesive tribe and work together like clockwork to provide what other team mates need before they even need them.
Are you and your team this well constructed and cohesive? Or are you constantly waiting on each other to develop and deliver?
Unlike these games, you will not die if you need to wait on others. May you suffer? Yes. Waiting on others to pay their invoices can result in major set backs. Waiting for your virtual assistant to respond to an email may cause delays on other fronts. But if you cover your bases on the front end to prevent these situations from happening on the back end, this should never be an issue.
In closing, I'm not going to tell you not to play games. Play them and be inspired. See how you can take the lessons you've learned and work them into your business. And heck, for all you know, you may find people in these games who wind up being major contributors in your next big project.
And speaking of projects….
If designing video games is your dream, don't hold back. Go for it. Dave didn't think it was possible to be a game developer due to finances. After losing another job I told him, "Baby, I think God is telling you it's time." So we struggled. He enrolled in a four year program, but due to the limitations of his GI Bill he had to get it done in three. But we made it happen. And due to the extra financial burden of him being without a job, our businesses were founded.
Game developers had dreams, and we as any type of small business owner need to have dreams too. Let these figures be the inspiration you need to push forward in pursuing your dreams…
- In 2010, Edmund McMillen released Super Meat Boy which sold over 2 million copies for $15 each. (Source)
- According to this Wall Street Journal article, Slither.io was developed by developed by Steven Howse who just three months prior to the game release was struggling to pay his rent. As of the writing of the article, the game was bringing in over $100,000 daily in revenue.
- Flappy BIrd was created by developer Dong Nguyen who actually removed the game from the app stores because the tremendous profits had killed his simple life. According to this article by The New Yorker, the game was making Nguyen over $50,000 a day at the time.
- Rocket League was designed by an independent video game developer and as of the writing of this article had made over $50 million.
Do you think any of these developers realistically imagined these types of earnings? I hardly believe so. But I know they had dreams or these games would never have been developed.
Go forth and dream. Dream big and make all your little projects soar larger than you ever imagined.
Follow Kim on Social Media: Facebook • Twitter • Google+ • Pinterest • LinkedIn
Kim Sutton is the Managing Partner and Chief Everything Officer of The Sutton Companies, including Sutton Strategic Solutions and Sutton Creative Studios. She is a graduate of The School of the Art Institute of Chicago where she earned her Bachelor's Degree in Interior Architecture.
An avid reader and passionate learner, Kim is constantly researching, studying and developing business improvement strategies. When it comes to client work, Kim especially enjoys helping her clients develop innovative marketing strategies and sales funnels, particularly when they are using Infusionsoft to automate all the heavy lifting. To find out how you can further develop your company's marketing and automation strategies schedule a 1-hour Business Boost Strategy Session by clicking here.
In her free-time, Kim cherishes the time she gets to spend with her husband, Dave (her business partner), and five children. She also enjoys reading, knitting, writing and playing video games.


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By Helen Kilpatrick
In Miyazawa Kenji and His Illustrators , Helen Kilpatrick examines re-visionings of the literature of 1 of Japans so much celebrated authors, Miyazawa Kenji (1896-1933). The deeply Buddhist Kenji's inventive dwa (childrens stories) are one of the most often illustrated in Japan at the present time. quite a few across the world well known artists equivalent to Munakata Shik, Kim Tschang-Yeul and Lee Ufan have represented his tales in an array of interesting visible types, reinvigorating them as photo books for contemporary audiences.
Read Online or Download Miyazawa Kenji and His Illustrators: Images of Nature and Buddhism in Japanese Children's Literature (Japanese Visual Culture) PDF
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Extra info for Miyazawa Kenji and His Illustrators: Images of Nature and Buddhism in Japanese Children's Literature (Japanese Visual Culture)
Eventually, whereas Kobayashi's filmic monitoring at the beginning creates a distanced standpoint of the crabs as 'other', after relocating to a much wider viewpoint in one hundred forty five miyazawa kenji and his illustrators 86 Kobayashi Toshiya (1947–); pp. 10–11, Yamanashi; Paroru-sha, 1985. 87 Kobayashi Toshiya (1947–); pp. 12–13, Yamanashi; Paroru-sha, 1985. 146 beyond the world of asura in 'the dual stars' 88 Kobayashi Toshiya (1947–); pp. 16–17, Yamanashi; Paroru-sha, 1985. 89 Kobayashi Toshiya (1947–); pp. 18–19, Yamanashi; Paroru-sha, 1985. 147 miyazawa kenji and his illustrators which the crabs are the themes of the audience' gaze (when they're incorporated within the pictures), he then aligns the viewer with their viewpoint (when they're absent) to work out what they see. This heightens the experience of anxiety and foreboding and gives a extra direct event in their worry of loss of life on the kingfisher assault (and after it). The viewer is hence doubly subjected to the tale's ideology of intake by way of being aligned with the naïve crabs, but additionally by means of being situated as a extra far away, figuring out observer who witnesses the development of occasions from afar. Kobyashi's shrewdpermanent keep watch over and calculated shifts in standpoint not just increase rigidity, but in addition accentuate the poignancy of and worry concerning the interdependence and transience of all lifestyles. The viewer is slowly and consciously dropped at an attractiveness of this extra shadowy part of lifestyles as a part of the full strategy of intake, an acknowledgement of dying as a part of the traditional development of existence, good ahead of the crabs' insertion into the chain of lifestyles as fellow shoppers partly 2, whilst the pear drops into the move, able to be wolfed via the crabs. and varieties of paper; for instance, on newspapers daubed with paint, maps of Europe, and leaves. Such inventive expression calls for resourceful leaps to attract hyperlinks with the tale and increases the difficulty of uncertainty by means of positioning the reader as an aim inquisitor. The viewer could query, for instance: even if the drops are painted or photographed? What the various papers symbolize? How the images relate to the tale? instead of offering any transparent solutions, Kim constructs a much less fixed spatiality from which to discover the story, foregrounding the idea of ambiguity that provides upward push to the obscure questions of 'being' resembling these surrounding the enigma of Clambon. even though a few attainable solutions and connections should be explored lower than, this type of subjectivity fosters an emotional event of otherness and strangeness just like that raised within the story and aligns with the naïve subjectivity of the crabs as they discover their very own ontological questions. a bit of satirically, Kim's hyperrealistic photos elevate expertise of the artifice eager about tale telling (and artwork making). the full layout of the first photo, for instance, indicates an interaction among fact and delusion, and/or tradition and nature, the cast 'reality' of an previous, yellowing overseas (French) newspaper contrasting with the sharply defined, trompe-l'oeil water droplets (fig.


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Rules and Responsibilities of Mentee
1. Be punctual and well prepared for meetings with your Mentor.
2. Actively participate in mentoring activities and maintain a professional relationship with Mentor.
3. Identify clear goals for both the Mentoring relationship and "Life Goals".
4. Engage the Mentor as advisor, resource person, source of support and encouragement, champion/advocate, sounding board.
5. Remain open to feedback from Mentor while informing her of your need to express the suitability of advice, prior to acting on it.
6. Carry out tasks and learning activities agreed upon with the Mentor. Follow up/through when advice is given. Provide feedback to Mentor, be honest, yet tactful.
7. Take initiative to drive the relationship, be responsible for thoroughness.
8. Respect that the Mentor should not be expected to find Mentee a job, offer/friendship or continue relationship beyond the terms set out in the Partnership Agreement.
9. Accept responsibility for all personal and business decisions, not holding the Mentor responsible for any outcome resulting from advice and/or assistance provided.
10. Keep any disclosure confidential unless the Mentor grants permission otherwise.