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The Subject in the Structure: Issues of Procedure in Contemporary American Poetry
Hélène Aji
One may argue that it all started with Gertrude Stein and her focus on the constraints imposed by language on perception and the subsequent grammar of infinite repetitivity and minute variation that informs her poetic texts. This notion of a subject permanently and irredeemably caught in the very "structure" of his expressive modes opens up a multiplicity of debates centred around the attempts at assessing and gaining control over these restrictions. One of them lies in the impulse to free poetry from the fetters of meter and rhyme, thus blatantly asserting an assumed independence of the poetic subject from the pre-established demands of his medium. It is however interesting to notice how, with poets such as Ezra Pound or William Carlos Williams, this effort culminates in the claim for impersonality and an erasure of the subject—at least from the text of the poem. Pound's choice of didacticism over aestheticism and Williams's work toward a new metrics could then be seen as perverse returns of the subject through structure: they send poetics back to its original dilemma of inscribing the subject in the poem in a manner distinct from sentimental projection as well as from arbitrary metrical constraints. Whatever failures Pound and Williams's poems might embody in terms of impersonality, they albeit sometimes unwillingly outline the possibilities for new inscriptions of the subject in the poem in terms of organised production and controlled, streamlined genesis. Both the compositional method of the Cantos and of Williams's Paterson can be understood as striving toward the adoption of rationalised procedures in the production of the poem. The conflation of Stein's writing with these attempts has engendered an awareness that the inscription of the subject in the poem is indeed an inescapable fact but that this fact is structural, and does not coincide with issues of self-expressivity . Consequently the last part of this paper will focus on the modes some contemporary poets have been adopting to move away from the assimilation of subject to self. The subject is other than a self: in the procedural poetry of Jackson Mac Low the subject becomes generic, de-personalised so as to embody a conceptualised individual in a world or context conceived of as structure or architecture. Procedural poetries have often been considered with condescension for various reasons, which all have to do with poetics and the poetic agenda of those who look at them. At worst, they are dismissed as obscure, pointlessly complex modes of composition which produce even more obscure and hermetic texts, failing to trigger off the reader's empathetic projection and vicarious expression of self. At best, they are deemed interesting in the philosophical approach of authority which they imply and more often than not thematize in the hypotactic discourse they unfold. More disturbing perhaps than these contradictory appraisals is the fact that procedure as a text-generating method is almost unavoidably reduced to "play," as in Marjorie Perloff's formulation of the modernist shift "from free verse to procedural play."1 Such an expression, even as it justifiably chronicles and emphasizes a key moment in the evolution of poetic praxis and theory, also unwittingly downgrades the very texts it aims to describe as serious and valuable. And indeed, because procedural poetry is often based on game-related methods (manipulating cards, dice, etc.) and because it imposes compositional constraints that jeopardize meaningfulness, one is tempted to dismiss it as purely experimental and in no way a viable option for poetry. Moreover one is also tempted to constrast it with free verse, forgetting that there might never have been such a thing as "free verse." Indeed, one would rather talk of changes in the nature of compositional constraints and their problematic role in the definition of authorship, of the field of poetry, and ultimately of the conception of voice or rhythm as selfrelated—or not. These questions can be raised in front of many a poetic text and what follows does in no way argue that they cristallized for the first time with the advent of high modernism: Whitman's bombastic rambling verse and Dickinson's often playful conciseness could be as worthy fields of investigation. Nevertheless, what differentiates Eliot, Pound or Williams from earlier poets is perhaps
Cf. "The Return of the (Numerical) Repressed: From Free Verse to Procedural Play" (Radical Artifice 134-70). 66
Aji, Hélène. "The Subject in the Structure: Issues of Procedure in Contemporary American Poetry". EREA 2.2 (automne 2004): 66-71.<www.e-rea.org>
their famous claim for impersonality, universality, objectivity—and their radically personal, particular, and subjective subsequent poetics. I - Poundian Impersonality as Decoy Thus, it is interesting to notice how Ezra Pound's imagism gives way, almost instantaneously, to vorticism. The very poem he presents as the quintessential example of his imagist theory, "In a Station of the Metro" (Collected Shorter Poems 109), does not foot the bill of his theoretical dicta: in a highly metaphorical way ("petals on a wet black bough"), the poem conveys an emotion, which is very remote from the demands of a "direct treatment of the 'thing'" proclaimed in Make It New ("A Stray Document" 335). Rather, this poem paves the way for the vorticist theory of concentrated but also distorting fluxes of energy. Pound's imagist poem par excellence evidences the type of transmutation performed by the vortograph, which so fascinated him: the lenses of the photographic camera are made to interact in such a way that the resulting picture is not only blurred but allows for the multiplication of interpretations, in other words, for an endless game of projections. At the same time though, by playing with the camera—and the notion of play is tantamount here—the artist establishes procedures by which he is going to convey a mode of being in the world, or rather to the world. In Pound's view, similar methods were to be developed by the vorticists in painting (decomposition into planes as seen in Wyndham Lewis's Timon illustrations) and in literature (by himself). However, one can wonder whether this mechanization of artistic production goes beyond wishful thinking and a fairly erratic pseudo-scientific reaction to the assumed emotionality of romanticism. If one is to believe Pound's argument, poetry before him, apart from a few select exceptions, had reached an absurd point of sentimental self-centredness, encased in the statutory form of the iambic pentameter. But if one is to abandon fixed forms, what else is The Cantos doing than convey the emotional as well as intellectual tribulations of a modern version of the romantic genius? The practice of selection, juxtaposition and repetition obeys an overall vision which functions as the poem's hypotext and which stabilizes its methods while eluding rationalization and systematization: the original motif of the fugue, alluded to by Yeats in A Vision, does not hold, nor does the poem fully "cohere" on a referential level, to take up a Poundian phrase. But this cannot be easily dismissed as a failure, at least not according to Pound's conception of literature and of the poet's mission, both from a historical and from a linguistic point of view. Thus one reads, in ABC of Reading, that "Great Literature is simply language charged with meaning to the utmost degree" and that "the good writer chooses his words for their 'meaning,' but that meaning is not a set, cut-off thing like the move of knight or pawn on a chessboard" ("Compass, Sextant, or Landmarks" 36). Although vorticism, after imagism, tries to standardize the procedures of writing, the result, for Pound, is not to be assessed in terms of dynamics but in terms of accumulation and stasis—something paradoxically apparent in the poem he wrote as an example of vorticist literature and which reinvests the metaphor of the chess game. Here, mobility is turned into motionlessness through the use of gerunds and nouns, and adjectivation charges the words with meaning, subliminally conveying the agenda of the poetic self: Red knights, brown bishops, bright queens Striking the board, falling in strong 'L's' of colour, Reaching and striking in angles, Holding lines of one colour: This board is alive with light These pieces are living in form, Their moves break and reform the pattern (From "Dogmatic Statement on the Game and Play of Chess–Theme for a Series of Pictures") The willful suppression of the subject (the grammatical 'I') does not equate a suppression of the subjective, but allows for a return of the self in disguise, unfamiliar maybe, but in no case impersonal. The semantic field of violence betrays the intention until it is voiced explicitly: to "break and reform the pattern"—where reforming, in other words recovering a fixity, is at least as important as breaking. At the centre, "L" is the letter that comes to embody—in a symbolical way—the intrinsic link the poet makes between "light," "life," and "line," thus assimilating his poem to a vehicle for his enlightened vision of self in world, and definitely asserting form as the locus of meaningful, personal revelation. Pound's cuts in Eliot's manuscript of The Waste Land could be read in the same way, as
Aji, Hélène. "The Subject in the Structure: Issues of Procedure in Contemporary American Poetry". EREA 2.2 (automne 2004): 66-71.<www.e-rea.org> 67
the syntactic erasure of self—another decoy to draw our attention away from person, a step further than the recourse to persona, but without any essential differences. II - Williams/Stein: the poem as configuration Similar attempts, with different modalities, could be outlined to amplify this point, and exhibit the ambiguities that inform procedural composition: William Carlos Williams's interest in photography and the work of Alfred Stieglitz on urban views, as well as his attraction to the empty industrial landscapes of Charles Sheeler, convey an aspiration to a form of expression deprived of perspective: in Stieglitz's pictures, all planes are in focus; in Sheeler's landscapes, minute detailing defies the capabilities of sight; in both cases, the human figure disappears from the landscape and point of view loses determination in an attempt to prevent projection and induce estrangement. The world or context emerges as a shell, a structure or an architecture, which are only optionally inhabited. In those works, the removal of the human in representation does not involve its negation but rather its generalization. This is part of Williams's poetic project, and to a certain extent, of Gertrude Stein's: in Williams's words about Stein, "it is simply the skeleton, the 'formal' parts of writing, those that make form, that she has to do with" ("The Work of Gertrude Stein" Selected Essays 115), and, one might add, that Williams wants to have to do with. Yet this is not what happens in his famous "Red Wheelbarrow" poem: so much depends upon a red wheel barrow glazed with rain water beside the white chicken ("Spring and All, XXII" Collected Poems I 224) Nor is it what happens in Gertrude Stein's "A Red Hat," in spite of all the critical rhetorics aiming at defining it, along with the other poems of Tender Buttons, as a Cubist poem, which would offer the whole range of points of view to the extreme of losing sight of the object: A RED HAT A dark grey, a very dark grey, a quite dark grey is monstrous ordinarily, it is so monstrous because there is no red in it. If red is in everything it is not necessary. Is that not an argument for any use of it and even so is there any place that is better, is there any place that has so much stretched out. (Selected Writings 467) In both poems, despite their formal differences and despite the absence, again, of an "I" to denote the presence of someone behind the text, one can find orientation which determines the range of interpretation in ways more constraining than could be believed at first reading: to give but two examples, Williams's "so much depends" and Stein's final question without a question mark are ways of circumscribing the poem and reminding the reader of the presence of an agent, who defines himor herself through the poem. For Williams, a whole organizational system is hinged on the "red wheelbarrow," whereas for Stein the dialectics of desire inform the relation to the outer, simultaneously stressing the power of the absent and the illusory nature of fulfillment. Red versus white or red versus grey, in both cases, the poem is generated through a method of contrasting and out of the potentialities these distinctions generate for metaphysical meditation. What makes these two poems more stimulating perhaps than Pound's "In a Station of the Metro" or than his "Dogmatic Statement on the Game and Play of Chess" is the fact that both are non-metaphorical and nonsymbolical: the figure at the centre of the poem (more strikingly perhaps in Stein) is no more than a passage-way to theoretical thinking. However, it has been acknowledged that in both cases the theories were eminently specific, personal to the point of idiosyncrasy. In Williams, this appears in his development of the notion of measure; in Stein, in her use of repetition as a mode of "explanation"
Aji, Hélène. "The Subject in the Structure: Issues of Procedure in Contemporary American Poetry". EREA 2.2 (automne 2004): 66-71.<www.e-rea.org> 68
and "composition." However a shift occurs from the "meaning" of the poem as input of the poet to the idea that what "makes a difference," is arrangement and the dialectics between specificity and genericity which inform it. Thus Williams: To make a poem, fulfilling the requirements of the art, and yet new, in the sense that in the very lay of the syllables Paterson as Paterson would be discovered […] — it would be as itself, locally, and so like every other place in the world. […] It is up to us, in the new dialect, to continue [Whitman's theme] by a new construction upon the syllables. ("Author's Note" Paterson iv) And Stein: […] anybody knows it that composition is the difference which makes each and all of them then different from other generations and this is what makes everything different otherwise they are all alike and everybody knows it because everybody says it. […] The only thing that is different from one time to another is what is seen and what is seen depends upon how everybody is doing everything. […] Nothing changes from generation to generation except the thing seen and that makes a composition. ("Composition as Explanation" Selected Writings 513) With the notions of construction and composition, Williams and Stein initiate a line of reflection on the poem as a grammatical place, where the various configurations that can be achieved in language are played and displayed. In this perspective, the self is no longer artificially assaulted through its eviction from the poetic text, but becomes the instable locus of an interplay between the "I" as affect and the "I" as subject, dramatizing the limitations brought upon creation by ego and the extension of boundaries achieved by its momentary silencing in the formalization of the writing process. III - Procedure: an avatar of ectoskeletal forms Thus, this move from self to subject, in what Michael Davidson calls the "crisis of expressivity," finds one response in the emphasis laid on the "productive nature of language in forming the subject" and in the development of a "process- or action-oriented aesthetics" ("Approaching the Fin de Siècle" The San Francisco Renaissance 205). The focus moves away from the poem as monolithic product to the modes of its production, and the streamlining of these modes according to procedures or rules turn the poem into what John Ashbery calls "an all-purpose model" ("The Impossible" 251). This is far-removed from the "graph of consciousness," which Perloff used to define the form of Pound's Cantos, and indeed this type of formalism has elicited a great variety of comments, both from critics and from poets, that revolve around the issues of projection both in the context of a poetics and of a theory of reading. The exemplum of the radical rejection of projection would be the chance-generated text that Jackson Mac Low, sometimes in collaboration with John Cage, has been producing. The approach to such texts has too often been narrowly ectoskeletal, and exclusively descriptive of the procedure involved—a consequence of the impossibility to narrativize a meaning for the poem. This type of reading can reach a high degree of sophistication and propose the ideal of an "anti-content," "nonreferential"2 text, solely preoccupied with showing the range of syntactic and/or semantic possibilities. In this respect, one can read the following by Charles Bernstein on Mac Low: The Mac Lowian systematic poem refuses the normal process of identification of a 'self' (voice, persona, sensibility) in the text as expressed or revealed—of writing as confessional or personally expressive. Faced with the Mac Lowian structurally generated poem, one is hard put to 'read into' it to recognize the mapping of the author's consciousness or a narrative or pictorial image. ("Jackson at Home" Content's Dream 252-3)
Cf. Davidson, "Approaching the Fin de Siècle" The San Francisco Renaissance (214). 69
Aji, Hélène. "The Subject in the Structure: Issues of Procedure in Contemporary American Poetry". EREA 2.2 (automne 2004): 66-71.<www.e-rea.org>
Mac Low […] has generally been more interested in his written texts in building structures than in inhabiting them […]. His work is a great testament to the possibility for structures in and of themsleves, and for the sufficiency of possibility. That it is architectures that shape the world, but we who must fill them up. ("Jackson at Home" Content's Dream 257) But such a reading also has to come to terms with the persistence of authorship even when meaning has become problematic: as Bernstein suggests but does not account for, "the circuit of intentionality is not so easily broken. Words get in the way" ("Jackson at Home" Content's Dream 253). Not only that, but in fact the very exhibition of procedure gets in the way, as it allows for commentary and provokes a reading into the procedure for meanings that the poem seems to preclude. Asserting, as Bernstein has done, that in procedural texts "language speaks for itself" ("Jackson at Home" Content's Dream 253) is preposterous as it presupposes a radical dissolution of agency, perhaps confusing the existence of an author with the exercise of authority over the poetic text, the construction of a subject with the expression of a self. What procedure is trying to do is at least partially relinquish the arbitrariness of psychological decision and selection, as well as the fixity of "inherited form" to establish a "programmatic"3 formalism in which, to take up Lyn Hejinian's parallel with Adamic scenarios, "what naming provides is structure, not individual words" ("The Rejection of Closure" The Language of Inquiry 53). What the procedural poem is supposed to do is work out the consequences of such a structure-oriented poetics: the authoritarian posture of one magisterial self telling another is ideally to be replaced by the distribution of the subject-function to all the individuals involved with the poem. But, of course, this never happens: as Mac Low evokes the writing of Barnesbook: Four Poems Derived from Sentences by Djuna Barnes , he underlines the distinction between the "nonintentionality" that procedure allows for and an absence of determinism. The use of his computer program DIASTEXT—"an automation of the 'diastic reading-through text-selection methods' that [he] first developed in January 1963" ("Afterword" Barnesbook 47)—makes him unable to "predict what will be drawn from a source text," but it does not suppress the fact that he has chosen the seed word and the source text—the seed being "used to select words (or other linguistic units) that spell it through repeatedly throughout a poem" (48) in a manner akin to the acrostic. Nor does it suppress the fact that he maintains the possibility of editing the resulting text. As a consequence, Mac Low's procedural poems are not, as is too easily formulated, chance-generated, but, as he puts it, devised according to compositional methods that include "rule-guided interaction with nonintentionallygenerated materials"(51). In a final twist, one is made to realize the possibility of formalizing the generative activity of self in language, to the extent of replacing it with a subject producing and inhabiting structures that others can in turn inhabit. The poetic text becomes indeed an architecture and DIASTEXT-based composition is one possible architectural organization: Such the is in them. "Then the ones, Robin their extremity of extremity— with years, ledge?" Extremity, extremity, extremity, extremity were responsible for other and painful ran building, apart. ("Barnes 2" Barnesbook 19) However, since the poems of the Barnesbook , Mac Low eventually acknowledges, are also "acts of homage," this product of his procedure becomes a form of elegy. Procedural poetry, thus, does not preclude the persistence of expressive intention, but because it asserts the status of ectoskeletal form
Cf. Perelman The Marginalization of Poetry 167 n.1. 70
Aji, Hélène. "The Subject in the Structure: Issues of Procedure in Contemporary American Poetry". EREA 2.2 (automne 2004): 66-71.<www.e-rea.org>
not as "a fixture but an activity" (Hejinian "The Rejection of Closure" The Language of Inquiry 275), it displaces the locus of meaning from content and context to form and text. Simultaneously and paradoxically, it opens the text to the proliferation of compositions and readings, and reduces the range of activity of the self to his position in text, which is why it can indeed be deemed a poetics of the subject. Works Cited Ashbery, John. "The Impossible." Poetry 90 (July 1957). Bernstein, Charles. Content's Dream. Los Angeles: Sun & Moon Press, 1986. Davidson, Michael. The San Francisco Renaissance: Poetics and Community at Mid-Century. Cambridge: Cambridge University Press, 1989. Hejinian, Lyn. The Language of Inquiry. Berkeley: University of California Press, 2000. Mac Low, Jackson. Barnesbook: Four Poems Derived from Sentences by Djuna Barnes. Los Angeles: Sun & Moon Press, 1996. Perelman, Bob. The Marginalization of Poetry. Princeton: Princeton University Press, 1996. Perloff, Marjorie. Radical Artifice: Writing Poetry in the Age of Media. Chicago: The University of Chicago Press, 1991. Pound, Ezra. "Dogmatic Statement on the Game and Play of Chess-Theme for a Series of Pictures." Blast 2 (July 1915) 19. –. ABC of Reading. London: Faber, 1961. ––. Collected Shorter Poems. London: Faber, 1984. ––. Make It New. London: Faber, 1934. Stein, Gertrude. Selected Writings. New York: Vintage, 1962. Williams, William Carlos. Collected Poems. 2 vols. London: Carcanet, 1987. ––. Paterson. New York: New Directions, 1963. ––. Selected Essays. New York: New Directions, 1969. Yeats, W.B. A Vision. London: Macmillan, 1962.
Aji, Hélène. "The Subject in the Structure: Issues of Procedure in Contemporary American Poetry". EREA 2.2 (automne 2004): 66-71.<www.e-rea.org>


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High school loner David Foxworth's best friend is killed by a local mob boss, and the police won't do anything about it. With nothing but his allowance and an overdeveloped sense of right and wrong, David gathers a group of fellow outsiders and misfits and decides to take matters into his own hands. By night they sneak out to disrupt the mob's business and by day they maintain their perfect GPAs. They are The Night Owl Society. But, one of them is hiding a secret that could destroy the team. Will they survive without getting killed or grounded?
ComicList was founded Jan. 12, 1995 with the mission of empowering comic book consumers by providing accurate and timely information. By delivering the weekly list of new releases, along with news concerning current and future products available in local and online comic book shops, we enable consumers to meet their goals more effectively.
The new releases list, which details the comic books, graphic novels, trade paperbacks, and other products you will find in your local and online comic book shops, is posted weekly every Monday night. Our site also offers the latest news, previews, and reviews, updated every day.
Receive ComicList updates via email or RSS feeds, and follow us on Twitter and Facebook. You can also find us as Agent ComicList in Avengers Alliance and Squire Valiant Snail in Super Hero Squad Online.
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text: McFury 144 Report post Posted May 14, 2008 Hi, I have a problem, i have set up a table in a LUA script that has a function stored in it: State_Guard = {} State_Guard["Execute"] = function(unit) print("Inside executing...") end I try to access it the following way from the Cpp (where m_CurrentState is a luabind::object) //This is in the init code to set a starting state m_CurrentState = luabind::get_globals(m_LuaState)["State_Guard"]; .... //This is called every cycle m_CurrentState.at("Execute")(m_Owner); It gets through the first cycle fine, and displays the print out in the script file, before this point 'm_CurrentState' had a type of 5 (which is the luabind enum for a table, which is correct). But after the .at() function has been called 'm_CurrentState' now has a type of 3 (which is the luabind enum for a number). So the next time it comes back around to call this .at() statement 'm_CurrentState' is a number, not a table!, and it crashes when trying to access it as a table. To me this makes no sense because i dont know how it can be cast into a number from a table just by calling the .at function(). Ive been trying to solve it for ages, I would be very thankful for any help, I really need to solve this :( ps. I know im using an older version of lua/luabind, but i dont really have the time to switch at this present moment. 0 Share this post Link to post Share on other sites


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Discover past IGersBirmingham instameets here.
Perhaps you will be inspired to visit these locations for yourself or attend a future event?
Join us for a fantastically fishy instameet at the National Sea Life Centre in Brindleyplace on the 7th of August at 6.30 pm! This event will give 40 lucky Instagramers the chance to explore the Sea Life Centre after it closes to the public! The attendees will get the whole place to themselves including the Baby Penguin enclosure and the 360 degree underwater tunnel! The event is limited to only 40 places so make sure you sign up fast to get a place!
The Grade II listed Aston Fire Station is one of 15 fire stations within Birmingham and one of 38 across the West Midlands Fire Service. It currently has 1 fire engine and 1 brigade response vehicle (BRV). Aston has 40 full time Fire personnel that work on 4 watches (red, blue, green and white). As an inner city fire station within Birmingham Aston covers a wide and diverse area including industrial, commercial and residential properties. Aston is due for a rebuild within the next 18 months and this is a unique opportunity to visit one of the oldest working fire stations within the Birmingham area to see and photograph the work and activity that goes on daily.
At this instameet we'll see the fantastic details that are in this wonderful old building. We'll see behind the scenes at the station: the engine bay, kit rooms, a ladder drill, a wrecked car demo, and of course firefighters.
As part of the booking form, we require your address. This is a condition of booking set by WMFS. Attendees also agree to follow all information that will be provided in the safety briefing at the start of the meet. You'll need to ensure that you wear sensible shoes.
PLEASE only book a place if you are free and intend to come as numbers are extremely limited! Tickets are non-transferable and do let us know if you can no longer attend as we always have waiting lists.
We'd like to thank the West Midlands Fire Service for making this happen. We're honoured to be working with such a great organisation that do so much for the community.
Join IGersBirmingham (Instagramers of Birmingham) in the Edwardian Tearooms at Birmingham Museum & Art Gallery on the evening of Saturday 24th June for their summer social.
It's a great opportunity for all members of the community to get together – whether you are a regular poster, have attended instameets or are simply a fan of the account and would like to know more. The bar will be open, and you'll even have rare access to the Round Room and Industrial Gallery after hours!
The event starts at 6:30pm, with a very exciting announcement at 7:30 – see you there!
It wouldn't be June without Birmingham's Hidden Spaces! Thanks to a collaboration with West Midlands Police, @hiddenbrum gave 40 lucky photographers the chance to explore the Steelhouse Lane Lock Up as part of a special instameet! This grade-II listed former Victorian cell house is infamous in Birmingham's Heritage and was still in use until recent years.
The event will took place on Sunday the 4th of June (this Sunday!) with two slots available! The time of each slot is 1-2pm and 3-4pm with only 20 spaces on each slot!
We'd like to thank the West Midlands Police for making this happen!
#igersbirmingham #hiddenspaces #birmingham #igb_meet_lockup #hiddenbrum
Birmingham Botanical Gardens is a 15 acre botanical gardens and educational charity situated in the heart of Edgbaston, Birmingham and we gave a limited number of IGers out-of-hours access. The venue had plenty to photograph: four glasshouses, aviaries, wildlife trails, a children's play area and a seasonal butterfly house, as well as hosting family-friendly, music and fundraising events, As a special treat, the first outdoor dinosaur festival of its kind in the UK, Jurassic Kingdom, was also at the Gardens, giving IGers the opportunity to photograph giant animatronic dinosaurs before the event opened to the public.
This event involved the IGers community venturing out of Birmingham to invade Warwick Castle! As we're sure you can imagine, there was plenty to photograph: inside and outside the castle, 64 acres of grounds, birds of prey and peacocks, and much more.
IGers Birmingham and Visit Birmingham joined forces with the Birmingham Hippodrome for the theatre's FIRST ever Instameet!
This event was the first time that an Instameet had backstage access to this historic building, giving attendees the chance to explore behind the scenes in the UK's busiest theatre! The Instameet took place on the 1st of April with 2 sessions at 9am and 10:30am.
#igb_meet_hippodrome #brumhippodrome #igersbirmingham #visitbirmingham
Having kindly sponsored our exhibition in December, we were pleased to be teaming up with @JQ_BID again for an instameet on Saturday 25th March. This meet took in some of the architectural gems of this historic area as well as a visiting some of the award-winning local businesses that make this area unique, so there was plenty to see for new and veteran IGers.
This instameet is also part of World Wide Instameet Day: this time their theme is "kindness" so this is a perfect excuse to show how much we love the JQ!
Start time: 10:30am
Start point: St Paul's Church, St Paul's Square, Jewellery Quarter, Birmingham
Are you interested in street photography? Do you like capturing those fleeting moments in peoples lives that often go by unnoticed? Are you unafraid of photographing the general public? If so, this workshop is for you!
IGers Birmingham teamed up with well known local street photographer Kris Askey to put on two workshops on his area of photographic expertise! Kris gave a 30 minute talk on his life as a Freelance Photographer, how he gets the shots we all know and love, and the challenges that he faces, followed by a 10 minute question and answer session. The attendees were then sent out on their own for 60 minutes to go and shoot some street photography before being brought back to discuss their experience and show off their 3 favourite unedited shots from the event.
This event was limited to only 40 spaces and sold out in 18 minutes when it was first advertised!
The first IGersBirmingham instameet of 2017 took place on Saturday 14th January! This instameet was ran in conjunction with Reclaim Photography Festival and was on the theme of cultural landscapes. The event took attendees around the Deritend area of the city, ending up around the Bullring. This area had not been touched by our previous instameets but its wealth of new developments and derelict structures, set against a backdrop of the city skyline, made for some excellent images!
You can find out more about Reclaim Photography Festival here! reclaimphotographyfestival.org/current-festival


text: Howdy geeks! As it stands, I am planning on using the CoDLUG event on October 21st to host an Ubuntu Gutsy Release Party as well as the typical Install Fest. I just put in an order for 100 flyers for this event as well as 100 "Powered by" stickers from System76.com for this event. The current details for this event are as follows: Date: October 21, 2007 Time: 10:00 A.M. until 4:00 P.M. Location: College of DuPage 425 Fawell Blvd. Glen Ellyn, IL 60137 Student Resource Center Room 1544 (SRC 1544) Map: http://www.cod.edu/Visitors/ge_camp.htm SRC Building, First Floor -> http://www.cod.edu/Maps/SRC_12.gif Directions: http://www.cod.edu/Maps/Maps_Reg.htm Some ideas would be to have a couple of computers up and running demoing Ubuntu giving people something to look at. Once I get these flyers, I will get them posted on campus as well as in some local shops (maybe) to draw in a crowd. Anyone else have some ideas? I want it to be busy, but not to the point where people blow up. This can be used to not only draw in Ubuntu fans, but hopefully some new faces to the LUG. How about a few talks that day? As for food, right now it is up in the air. We could possibly get some pizzas delivered. -- Richard A. Johnson nixternal at ubuntu.com GPG Key: 0x2E2C0124 -------------- next part -------------- A non-text attachment was scrubbed... Name: not available Type: application/pgp-signature Size: 189 bytes Desc: This is a digitally signed message part. Url : https://lists.ubuntu.com/archives/ubuntu-us-chicago/attachments/20071001/345408f1/attachment.pgp


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Bright green fragrance in this long lasting bar. Bamboo is blended with cedar citrus and a hint of ginger. This soap formula has Shea Butter and no palm oil.
A very nice unisex soap for the whole family.
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text: This is a functional 3 drawer 2 door hutch with glass doors ( included just not pictured ). This was purchased as a project piece and does have some blemishes. My loss your gain, I am asking $50 obo. I have other pieces for sale and will make package deals. 64"H x 47.5"W x 17"D. Must pick up in Gardner. Cross posted


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Leica v Zeiss Contax
Started Dec 18, 2011 | Discussions thread
JamieTux • Veteran Member • Posts: 3,904
Re: Leica v Zeiss Contax
In reply to sillette • Dec 18, 2011
I used to own the contax g2 the lenses were superb, af adds convenience, no way to mg except by measuring it and setting the distance made it unuseable to me!
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The Hoover Dam by Jeffrey Zuehlke
10 year old's rating: Good. How do dams make you able to turn on the light? I could read all the words! Good pictures.
10 year old's rating: Good. How do dams make you able to turn on the light? I could read all the words! Good pictures.
The Brooklyn Bridge: The Story of the World's Most Famous Bridge and the Remarkable Family That Built It by Elizabeth Mann 10 year old's review: Buy, don't borrow, this book. Some of the words were hard. The pictures were great. The river froze and the ferries crashed, hahaha! The big boss was so busy thinking … More The Brooklyn Bridge by Elizabeth Mann
Mom's been gone forever, Grandma just had a stroke, and Daddy is a scientist at an army base so super-secret that the place has no name. Modern? No. The year is 1945, and the USA is at war with the Germany. And Japan. Daddy is working on the super-secret "gadget". I, an adult, figured out … More The Green Glass Sea by Ellen Klages
Egyptian Mummy teams up with Roman Vampire to fight crime. In modern-day Miami. Pardon me while I croggle. OK, I'm back! Nonspoilery tidbits: The worldbuilding in this book is wonderful, a rare treat from a debut novel. Kudos. There's a good starting scene where Alex (Alejandro) doesn't tell his back-up that he isn't afraid of … More Graveyard Shift by Michael F. Haspil
It's not so obvious in each individual book, but at some point I realize that hey, the last batch of books I read were as white as white can be. Hey, all you SFF and Mystery and Historical and YA writers: Where are all the people I see in my neighborhood? The Johnson Test After … More White as Snow For Miles Around
Started out with a good fight scene, where Rinnie disobeys orders and almost wins. Love it! Then is Superman/Clark Kent the scene were Rinnie is a big nerd in school. Obligatory pretty bully scene. Next comes a training scene, and I'm losing interest. The high school kids are manufacturing a perfectly safe drug. The Big … More Psi Another Day by D.R. Rosensteel
Need another book? Here's a really long list of good stuff! http://awards.dragoncon.org/2017-ballot/ Want to vote? http://application.dragoncon.org/dc_fan_awards_signup.php There is no qualification for voting – no convention fees or other memberships are needed. The only requirement is that you register, confirm your email address for voting purposes, and agree to the rules. Spread the word…


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The Rodan + Fields Five Cities Tour is coming to Keller, TX! Come and meet five women who have transformed their lives and changed their famillies' financial trajectory by partnering with the doctors who shook up the skincare and marketing platform!
Appetizers will be a plenty, laughs and stories galore! Vino and juice or whatever you fancy- this is a great opportunity to learn more about the products and the business that are changing EVERYTHING!


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Like an iceberg, beauty mostly resides below the surface, but only its visible portion can gain the attention of an ocean liner. Look shipshape with this Groupon.
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New Customers Save $20 off $100+* with code AUGUSTNEW
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Porcupine Ridge Syrah 2004
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Marc Kent is the winemaker for the Boekenhoutskloof wines as well as the range of wines called Porcupine Ridge. There are approximately 20 hectares of vines at Boekenhoutskloof - 25% of which are planted to white varieties: Sauvignon Blanc, Semillon, Viognier; and 75% of which consist of reds: Syrah, Cabernet Sauvignon, Cabernet Franc and Merlot.
Porcupine Ridge is a handcrafted range of wines, celebrated for its uncompromising commitment to quality. The wines carry a distinctive label featuring an original pen and ink of the crested porcupine drawn by leading South Africa wildlife artist, Zakkie Eloff. These crested porcupines inhabit the vineyards of the Boekenhoutskloof homestead.
Known for bold reds, crisp whites, and distinctive sparkling and fortified wines...
Known for bold reds, crisp whites, and distinctive sparkling and fortified wines, Spain has embraced international varieties and wine styles while continuing to place the primary emphasis upon its own native grapes. Though the country's climate is diverse, it is generally warm to hot. In the center of the country lies a vast, dry plateau known as the Meseta Central, characterized by extremely hot summers and frequent drought. Because of its location on the Iberian Peninsula, many of Spain's wine regions are located on or near the milder coast, either of the Bay of Biscay to the north, the Atlantic Ocean to the northwest, or the Mediterranean sea to the south and east. Each of these regions has its own unique soil, climate, and topography, as well as principal grape varieties.
In the cool, damp northwest region of Galicia, refreshing white Albariño and Verdejo dominate, though elsewhere the most popular wines are generally red. Rioja is Spain's best-known region, where earthy, age-worthy reds are made from Tempranillo and Garnacha (Grenache), as well as rich, nutty whites from Viura. Ribera del Duero produces opulent, fruity, top-quality wines from almost exclusively Tempranillo. Priorat, a sub-region of Catalonia, blends Garnacha with Cariñena (Carignan) to make bold, full-bodied wines with a hint of earthiness. Catalonia is also home to Cava, a sparkling wine made in the traditional method but from indigenous varieties. Sherry, Spain's famous fortified wine, is produced in a wide range of styles from dry to lusciously sweet at the country's southern tip in Jerez. Since the 1990s, international varieties like Cabernet Sauvignon, Merlot, and Sauvignon Blanc have been steadily increasing in importance in several regions.


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On a recent short trip to Savannah, my friends and I bought the full day trolley ticket, plus the Ghosts and Graveyards trolley tour (which was nearly same price for an hour as the full day trolley tour - I think $27?). The Ghost and Graveyard tour advertises that it takes you to three locations: Graveyard, a house where triple murder took place, and a Chandlery(sp?) (in pirate times I guess it was sort of a five and dime mini mart supply store kind of thing).
Definitely not worth the money:
**Graveyard visit was basically driving past it on way to first stop, with information from day tour repeated about the graveyard (not much).
**House where triple murder occurred - guess what? NOT A HOUSE, rather a warehouse owned by the Trolley Company that happens to stand on the same block where a house used to be where a triple murder occurred 80 years ago. The warehouse is completely dark and empty except one corner where dim spotlights light up foam board posters showing the newspaper headlines from when the murder occurred. A brief recounting of the story, and a guarantee that the trolley company has documented NUMEROUS supernatural occurrences in the warehouse, is followed by trolley guests being invited to wander around the warehouse and take pictures (to pick up spirit activity) and use EMF meters supplied by trolley company).
**Finally the chandlery - a building which trolley company appears to also own, filled with lots of stuff to make it look like a thrift/supply sort of store, escorted into a room where you sit down and spend most of the tour time in the dark with an old scrappy pirate looking guy telling stories (about what I'm not certain as I couldn't understand most of what he said).
On the bright side:
**It was nice seeing Savannah in the dark (houses and buildings lit up)
**The narrator/guide was totally hilarious and an awesome story teller - she did narrate the whole drive and told various Savannah ghost stories along the way
**We heard a few different things about city/places we passed on the drive that we had not heard during day trolley tour
On the down side:
**It was basically same price as full day trolley (and ghost tour round trip lasted about one hour and 10 minutes).
**Even though I didn't expect a full on paranormal experience, I did expect more than a trip to Old Trown Trolley's warehouse for the price.
I definitely wish I had spent my money on something else! Day trolley was great though (that's in another review!)
Own or manage this property? Claim your listing for free to respond to reviews, update your profile and much more.


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Question about Whirlpool ED5FHAXV (253 cu ft) Side by Side Refrigerator
Posted by nail65 on
SOURCE: I have freestanding Series 8 dishwasher. Lately during the filling cycle water hammer is occurring. How can this be resolved
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Posted on Jan 02, 2017
SOURCE: Front of in door Icemaker door spring fell out!
Any chance of some photoes may be able to figure out if have some pics.
Posted on Oct 08, 2008
SOURCE: Flapper in Ice Chute broke the mount it adheres to on the door.
You can replace the broken parts.Diagram 4 shows your parts. http://www.appliancepartspros.com/partsearch/model.aspx?model_id=5134017
Posted on Jul 01, 2009
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Air Force News : May 12th 2011
3 May 12, 2011 RCE AIR FF Properties Loans Tax Super & Shares Defence Entitlements Call 1300 784 246 or visit www.spect.com.au Why choose Spectrum as your personal nancial coach? Specialist in providing nancial guidance and direction to Defence Force Personnel. Longevity with 28 years experience. Holistic advice covering Defence entitlements, all asset classes, tax considerations, cash ow and loan structures. Advice and strategies developed by Chartered Accountants, NOT sales people. Service driven not product driven. Ongoing service and advice from your own personal nancial coach. Spectrum is a Licensed Real Estate Agent, Registered Tax Agent & Accredited Mortgage Consultant. Build Wealth Save Tax Partner with an Expert For a FREE nancia tness assessmental t. perations Andrew Hetherington PERSONNEL from the Heron Re- motely Piloted Aircraft (RPA) Rota- tion 4 (Roto 4) deployed to Kandahar Airfield in Afghanistan broke three re- cords during March. The tri-service detachment flew a total of 475 hours, surpassing previ- ous rotations' monthly flying hours record by 82 hours. Heron Roto 4 CO WGCDR Greg Wells said the two other records were achieved by an individual within the unit and by a team effort. "One of our payload operators, FSGT Sean McClure, surpassed the RECORD-breaker FSGT Sean Mc- Clure is serving on back-to-back Heron deployments. "I started working on Heron Roto 3 and stayed on as one of the members who was due to come with Roto 4 couldn't deploy," FSGT McClure said. "Usually a rotation lasts between four to five months, but I'll be here for nearly eight." As a payload operator, he con- trols Heron's sensors. "I use the Heron's cameras, working with the imagery analysts to find things of interest on the ground. "Supporting the guys on the ground would have to be the best part of the job and it can lead to saving lives. We've seen people planting IEDs in the ground, have seen spot- ters at future target sites and were able to warn our soldiers on the ground that they were there." Even though he's spent almost a year in Afghanistan he has enjoyed the unique experience. "I'd do it all again if I had the opportunity," he said."This rotation has a great bunch of people and they took me in as a part of their family." 500 hours (and counting) of saving lives record of 500 flight hours and we flew a total of 22 hours for one mission -- three more hours than our previous record," WGCDR Wells said. "In the 22-hour mission we were supporting Australian troops on the ground and were asked to extend our flight time to continue providing assistance to them. "This [monthly milestone] exceeds the efforts of previous Heron rota- tions and means we have reached a point where we are able to achieve a significant amount of time on station providing an all-important 'eye in the sky' for our troops." WGCDR Wells said the success of TEAM EFFORT: Left, SQNLDR Michael Nygh conducts a mission from his desk in the Heron Intelligence Coordination Centre in Kandahar; above, WOFF Trevor Dix pushes an RPA back into a hangar after completing a mission; above right, Heron Roto 4 CO WGCDR Greg Wells. Photos: SGT William Guthrie Heron records tumble the Heron was a combination of both smart technology and people. "A typical Heron mission involves a lot of work from a very small team of specialists, ranging from engineers to intelligence officers, imagery ana- lysts and pilots," he said. "One of the big advantages of Heron is that it can stay airborne for a very long time. We deliver enhanced situational awareness to our soldiers, which is vital in helping them achieve their mission on the ground." The Heron team comprises 28 Australian and New Zealand Defence Force personnel and operates three RPAs. Dubbed 'Bluey' by the Australians, the Heron can fly for up to 24 hours and is a key asset in the conduct of intelligence, surveillance and reconnaissance missions in the Afghanistan theatre of operations. It helps to protect Australian and coalition forces, as well as Afghan civilians, from insurgent activity, including the laying of improvised explosive devices. Information collected by the Heron is analysed and processed in real time. This means the commander has the benefit of having eyes on a tar- get to build a more accurate picture of the battlespace. RPAs are operated from a ground base by trained pilots and can with- stand a range of weather conditions. See Page 22 for more on the Heron. BACK-TO-BACK DEPLOYMENT: FSGT Sean McClure who broke the record for the number of flight hours. Photo: SGT Andrew Hetherington
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Try making this simple chicken parmesan by Nancy Fuller, as seen on "Farmhouse Rules".
Farmhouse Rules
Nancy Fuller
Gingerbread Cake | Farmhouse Rules
Smores Cookies | Farmhouse Rules
Spring Greens Salad | Farmhouse Rules
Savory Shepherd's Pie | Farmhouse Rules
Chicken Parmesan | Farmhouse Rules
Shepherd's Pie | Patricia Heaton Parties
Popovers with Roast Beef and Horseradish |…
Comfort Nation with Lazarus Lynch - Miss Lily's
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Roast Chicken with Green Herb Stuffing
Peppery Parmesan Orzo
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In the case of investor Peter Deutsch, Fidelity doesn't have to pay any compensation, but regulator said firm put its interests ahead of his.
Plaintiffs win in Tibble vs. Edison 401(k) fee case
After a decade of activity around the lawsuit, including a hearing before the U.S. Supreme Court, judge rules a prudent fiduciary would have invested in institutional shares.
Advisers get more breathing room to make Form ADV changes
RIAs can enter '0' in some new parts of the document before their annual filing next year.
Since banking scandal, Wells Fargo advisers with more than $19.2 billion leave firm
Despite a trying year, the firm has said it will sweeten signing bonuses for veteran advisers.


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We at the Shawna Brooks home team wanted to thank you for working with us and wish you a merry Christmas.
Selling your home? Get a free home valuation.Buying a home? Search the complete MLS.
With the holidays fast approaching, we wanted to take a second to say thank you to all of you who have worked with us in the past.
We look forward to working with you, your family, and your friends in the near future.
Merry Christmas and happy Holidays everyone!


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PQE 6 - 10 years Private Practice Lawyers / Solicitors jobs in Gloucestershire
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- Private Practice Lawyers / Solicitors, PQE 6 - 10 years, South West England 53
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Head of Family
Head of Family, Gloucestershire - A reputable regional practice is keen to recruit an experienced Family Lawyer to head up the busy team and deal w...
Head of Residential Conveyancing
Head of Residential Property, Gloucestershire - Are you looking for additional responsibilities within your career as a Senior Residential Property...
Private Client Solicitor
Private Client Solicitor - Gloucestershire - 8PQE+, Award Winning Cotswold Firm, Attractive Package
Criminal Solicitor
Criminal Solicitor - Gloucestershire - Looking to join a leading criminal firm. Our client is looking to recruit asap into a number of their offic...
Charities Lawyer
Charities Lawyer, Gloucestershire - Do you have specialist experience within charities law? The highly regarded charities team of this established ...
Commercial Property Solicitor
Commercial Property Solicitor, Cheltenham - A genuinely exciting and rare opportunity to join a leading firm and team who handles the full range o...
IP Litigation Solicitor
IP Litigation Solicitor, South West - Leading regional law firm in the South West is keen to appoint an IP Litigation Solicitor to develop the in...


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Property: Astra SuitesAddress: PO Box 45, Imerovigli 847 00, Greece
Phone Number:
Region: Greece > South Aegean > Cyclades > Santorini > Imerovigli
Bar / Lounge Free Breakfast Free High Speed Internet ( WiFi ) Kitchenette Pets Allowed ( Dog / Pet Friendly ) Restaurant Room Service Shuttle Bus service Suites Swimming Pool
#1 Family Hotel in Imerovigli
#2 Romantic Hotel in Imerovigli
#5 Luxury Hotel in Imerovigli
Price Range (Based on Average Rates): £££
Hotel Class:4 star — Astra Suites 4*
Number of rooms: 27
- Official Description (provided by the hotel):
- Built at the highest point of Santorini's steep cliffs at the legendary caldera, the Astra Suites complex enjoys the privilege of a magical panoramic view to the caldera and the immense Aegean Sea. It is the place where everything and everybody "conspire" to make you feel a VIP during your vacations. Twenty seven sumptuous Suites decorated in Cycladic style and 8 tempting suites with jacuzzi and private swimming pool welcome you to a hospitable environment where the discreet service of each individual guest is the complex's basic instinct, and the protection of his private moments constitutes the staff's basic priority. ... more less
- Reservation Options:
- TripAdvisor is proud to partner with Booking.com, Expedia, Hotels.com, Bookgreece.com, TripOnline SA, Evoline ltd, HotelQuickly, Ebookers and getaroom.com so you can book your Astra Suites reservations with confidence. We help millions of travellers each month to find the perfect hotel for both holiday and business trips, always with the best discounts and special offers.
- Also Known As:
- Astra Hotel Imerovigli
- Astra Apartments Hotel
- Astra Apartments Imerovigli
- Astra Apartments Santorini
- Astra Suites Santorini/Imerovigli


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May 17, 2013 By Mike W
TT & all you club gurus, I am very curious to know if the 910d3 is as draw biased as the 913d2, both clubs having the exact same weight shaft , flex, loft, ect. Thanks in advance for your input.
May 20, 2013 at 1:08pm
The 910 D3 and the 913 D3 are not draw biased. The 910 D2 is more draw biased than the 913 D2. Please note, when we say "draw biased", we are not talking about face angle or heel weighting. The face angle of all four drivers is .5 open. We are talking about the internal CG being placed a little further back in the head, which adds to the stability and forgiveness and also makes the head easier to turn over right to left (if you are RH). That is what we are calling "draw biased".
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Reviews - Poplar Farm Bed and Breakfast4
Poplar Farm, West Stoughton Wedmore, Cheddar, BS28 4PP
Customer Reviews
Our reviews are from genuine LateRooms.com customers. We verify that the customer has stayed before leaving a review.
100% would recommend it to a friend
Customer service
Food quality
Room quality
late stay
Sufficent for our needs.
We booked late, and this was great. Nice spa bath and good breakfast. Owner was very helpful. Tea and cake was provided when we arrived.
Read More Less
We were both very satisfied with accommodation and breakfast
overnight stay at poplar farm
Arrived late but found friendly owner waiting who shew us straight to our family room.
Spacious room with double, single and large sofa bed, nicely furnished and plenty of space for a family. Room had tea coffee and biscuits, a plenty of leaflets and information for the area. Didn't have a bath but had a large walk in powerful shower with shower gel provided should you need it. Had excellent nights sleep followed by a fantastic breakfast. Would definitely stay again and would have loved to stay longer. Highly recommended.
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Below are some links to sites that I visit frequently. Mostly, the sites are about recipes, crafts, and other fun stuff. Many of the sites have really great freebies that you can download )like fonts, digital scrapbook packages, etc.) and all of them have an interesting and useful post from time to time. Since I love, love, love these sites and frequently tell people about them (or download freebies from them)I've posted them here. Thanks to all the owners of these fantastic sites for the freebies, recipes, project ideas, entertainment, or whatever.
I'm in love!!! Healthy desserts. Finally, I can satisfy a sweet tooth craving even while on my diet.
For Everything You're Into, including the cutest fonts around. Did I mention the fonts are FREE!!!
The best recipe blog I've found thus far. I am a very picky eater, so this is definately the site for me. I love the small twists on everyday foods.
For Digital Scrapbooking, Crafts, and Recipes (free digi-scrap packs here!!!)


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For Lease | Medical/Consulting rooms, Office only, Office/Showroom | 1 Suite 5/5 Rodway Arcade, Nowra NSW 2541 | $6,000 per annum plus GST
First floor 26 sqm office space in well-known Nowra CBD building.
Suitable for a sole practitioner or counselling service.
Shared toilet facilities.
Parking available in adjacent Stuart Place carpark.
Plenty of foot-traffic from Rodway Arcade & Stuart Place bus terminal.
$500 pcm + GST - lease term optional, available now!
Call Lauren Bullock to arrange your inspection on 02 4423 5555.
This property is proudly listed by:
First National Real Estate Nowra
68 North Street
Nowra NSW 2541
Agent Details
Lauren Bullock
Email Agent
Open for InspectionBy Appointment
Additional information
Property Type Medical/Consulting rooms, Office only, Office/Showroom
Property ID 41452110104
Street Address 1 Suite 5/5 Rodway Arcade
Suburb Nowra
Postcode 2541
Price $6,000 per annum plus GST
Building Area 26 sqm (approx)
Date Available Now
© Copyright of First National Real Estate
Site Map Privacy Policy Disclaimer Contact us Home
Real Estate News
First National Media
Partner with First National


text:
Automobile Monterey Expo offers something for every car aficionado
Seaside >> From vintage auto posters to rare headlights and one-of-a-kind miniature car models, if it's related to motor vehicle history it was likely to be found amongst the more than 40 vendors Tuesday at the 15h Annual Automobilia Mont...
Prancing Ponies Car Show makes a colorful splash in Carmel
Carmel >> There was a lot of color coordination going on in Carmel Wednesday between the multi-colored cars lined up on Dolores Street and their female owners decked out in matching duds. Known as the Prancing Ponies Car Show, it was the d...
Video shows car's 7-story fall from Texas parking garage
AUSTIN, Texas (AP) � Police in Austin have released surveillance video showing a car plunging seven stories from a downtown parking garage and striking another vehicle as it lands in an alley.The video released Thursday shows the car landing atop...
Texas officer thrown into roadway after he's struck by car
FORT WORTH, Texas (AP) � A Texas police officer is recovering from a fracture and other injuries after he was struck by a suspected drunken driver while standing alongside a car during a traffic stop. Dashcam video from Fort Worth...
Car sales seen lower in July; US automakers post sharp drops
DETROIT (AP) � U.S. sales of new cars and trucks were expected to show a decline in July as consumers pulled back on purchases and waited for Labor Day deals.July likely marked the seventh straight month of declines in a peaking market. After an...
The Latest: Van strikes diners on LA sidewalk, 8 injured
LOS ANGELES (AP) � The Latest on a van striking a group of people on a Los Angeles sidewalk. (all times local):5:40 p.m.A van plowed into a group of people dining on a Los Angeles sidewalk, striking and injuring at least eight people.A witness to...
Accidents and disasters
The Latest: Van strikes diners on LA sidewalk, 8 injured
LOS ANGELES (AP) � The Latest on a van striking a group of people on a Los Angeles sidewalk. (all times local):5:40 p.m.A van plowed into a group of people dining on a Los Angeles sidewalk, striking and injuring at least eight people.A witness to...
The Latest: Sheriff says woman stole car with autistic teen
PARAMOUNT, Calif. (AP) � The Latest on an Amber Alert issued for a Los Angeles County teen (all times local):10:30 a.m.Los Angeles sheriff's officials are looking for a woman who they say stole a car from a fast-food restaurant with an autistic...
Driver who hit cyclist on video says he's not a 'bad man'
NASHVILLE, Tenn. (AP) � An SUV driver accused of hitting a cyclist on a Tennessee road in a collision captured on video says he's "not a bad man."The video has been viewed more than 2 million times after Greg Goodman posted it to Facebook on...
8-year contract to keep auto show at Detroit's Cobo Center
DETROIT (AP) � Officials say an eight-year contract will keep the North American International Auto Show at downtown Detroit's Cobo Center through 2025.The agreement to keep the annual event at its current location was announced Tuesday by...
Sinkhole swallows up car in downtown St. Louis; no injuries
ST. LOUIS (AP) � A sinkhole has opened up and swallowed a car in downtown St. Louis.There have been no injuries reported resulting from the sinkhole that appeared shortly before 7 a.m. Thursday.Aerial TV footage shows the white car on its side in...
Video shows woman clinging to car on California freeway
SANTA ANA, Calif. (AP) � A motorist shot video of a woman clinging to the outside of a car as it traveled on a California freeway in a suspected road rage incident. KABC-TV aired the footage Thursday showing the woman hanging onto...


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I called Patel Brothers in Jackson Heights this morning and the outlook is grim. No exports of Indian mangoes are coming through. At best, the man I spoke to thought perhaps he might get one shipment, maybe two.
Blame unseasonal rains and a too-cold winter. Yields are way down and prices are very high.
"Dr Vivek Bhide, who exports the Alphonso to the US and Singapore, said that there had been only 10% of the normal yield."
Patel Brothers
37-27 74th St, Queens, NY 11372


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Search 321,000 hotels worldwide.
Get the price guarantee available for your trip.
No Expedia cancellation fee to change or cancel almost any hotel reservation.
We celebrated our 20th wedding anniversary and everything was great, our room was unbelievable and very clean with turndown service every night. Restaurants were great and 24 hr room service was quick. Easy to get drinks at bars and they always had waiters walking the beach and poolside. Will definitely ...
Everyone who works at the hotel/resort is friendly, helpful and very pleasant. The service and food and their deserts are great too. My family and I including some friends definitely will go back and have fun at this place, without a doubt.
Amazing property, would go back in a heart beat, service was second to none!!
BEAUTIFUL place lots of pools it has 3 lobbies....so much to see and do... you wont regret going.....staff are super friendly
We were greeted with the best customer service and it was nothing short of superb throughout our entire stay!!! The wait staff, bartenders, and bell boys were all fantastic. Everyone was so kind and accommodating. Each of the restaurants were fantastic!! Our favorites were Mole (the authentic Mexican) ...
My family had a great time at this resort. Check in was quick and easy. We had an ocean front room which had a great view of the pools and ocean. Food was great, especially the fish tacos by the pool. There were many options to choose from. Our favorite restaurant was the Mexican Restaurant. Drinks ...
Nice and very clean property, great staff and service, gorges beach and spectacular sunsets... most visited by couples, quite at night.
The employees at the restaurants. Jesus at Nebbiolo, Adrian at bluewater grill,Fausto and Lino,Alberto at Market Cafe. They were friendly and went out of there Way to make our stay pleasure. The restaurant were Better than we had in an all inclusive. We didn't like The Dragons Asian, even the server ...
Beautiful spa themed resort on the beach in Cancun. The sand was pure white and water clean. Aromatherapy throughout the hotel made you feel completely relaxed. Entire area was clean and cabanas were comfortable. Service was on point except for the spa, and the food was exceptional. great drinks ...
Overall experience was great. Hotel needs upgrades, but the service and cleanliness were on point! Good food and entertainment. I would definitely stay there again.
Search for hotels in Cancun on Expedia. You can easily find your hotels in Cancun using one of the methods below:


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Best Chartered Accountants for your GST Filing in Sector 21A, Faridabad
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- /Faridabad
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What to expect from a CA for Income Tax Filing
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90 Tax Filing Agents near Sector 21A
You will receive free quotes from experienced, background-checked professionals
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- New on UrbanClapBlock A 14, Kalkaji New Delhi, Delhi 110019, IndiaRs. 500 Onwards
aboutProfessional Experience: 16 Years COP Membership Number Verified... read more
- New on UrbanClapRPS Colony, Madangir New Delhi, Delhi 110062, IndiaRs. 500 Onwards
aboutProfessional Experience: 3 years Registration Number verified b... read more
- Sainik Farms Colony, New Delhi, Delhi, IndiaRs. 500 Onwards
- 4.52 reviewsRs. 500 Onwards
- 4.915 reviewsMadangir, New Delhi, Delhi, IndiaRs. 500 Onwards
- Rs. 1,000 Onwards
- New on UrbanClapRs. 750 Onwards
aboutIntroduction: Professional Experience: 7 Years COP Membership N... read more
- Rs. 1,500 Onwards
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- 4.73 reviewsKalkaji, New Delhi, Delhi, IndiaRs. 1,500 Onwards
- Kalkaji, New Delhi, Delhi, IndiaRs. 500 Onwards
- New on UrbanClapKalkaji, New Delhi, Delhi, IndiaRs. 1,000 Onwards
aboutIntroduction: We are a 30 years old CA firm in the heart of Sout... read more
- Rs. 1,500 Onwards
Recent bookings of Tax Filing Agents in Sector 21A
Shrawani TrivediLajpat Nagar, New Delhi, Delhi, India5.0
Hired by
Rs. 800
Services taken
>10 Lacs, Salary, No, I did not change my job
Excellent and professional services rendered.reviewed on June 29, 2017
Ayushi GuptaInder Puri New Delhi3.0
Hired by
Rohit Nischal
Rs. 700
Services taken
>10 Lacs, Salary, No, I did not change my job
Just that she needs to have a better cellphone which can transmit...read morereviewed on June 26, 2017
Shrawani TrivediNeeti Bagh, August Kranti Marg, New Delhi, Delhi, India5.0
Hired by
Rs. 1500
Services taken
5 Lacs - 10 Lacs, Business or Self Employment, Within a Week
Excellent services and very helpful and understanding :)reviewed on June 26, 2017
M.M.R. & Co.Lajpat Nagar 4 New Delhi5.0
Hired by
Partho Hazarika
Rs. 500
Services taken
5 Lacs - 10 Lacs, Salary, Yes, I changed my job in FY 2015-16
very efficient team and less hassle.reviewed on June 25, 2017
customer testimonials
anjali sharmaused Tax filingRATED:5.0
Spring river capital is serving me and my business since 3 years from Incorporating a company to handling all my back office work it has ease doing busine...read more
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Hired Spring River Capital for managing my accounts and taxation services. They provided excellent service to us. Now we do only business and they handle a...read more
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My requirements were understood appropriately!! He is very confident about his profession. His charges are reasonable. Overall it was a pleasant experience...read more
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Thanks Akash to register my company without any hassle. I really like your work and would recommend to all looking to start thier business. All the bes...read more
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Great professional service! Very helpful cooperative and attentive. A good listener. I want to compliment for excellent service and appreciate the work.
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text:
Lenovo RocStar (A319) smartphone was launched in October 2014. The phone comes with a 4.00-inch touchscreen display with a resolution of 480 pixels by 800 pixels. Lenovo RocStar (A319) price in India starts from Rs. 3,499.
The Lenovo RocStar (A319) is powered by 1.3GHz dual-core MediaTek MT6572 processor and it comes with 512MB of RAM. The phone packs 4GB of internal storage that can be expanded up to 32GB via a microSD card. As far as the cameras are concerned, the Lenovo RocStar (A319) packs a 5-megapixel primary camera on the rear and a 2-megapixel front shooter for selfies.
The Lenovo RocStar (A319) runs Android 4.4 and is powered by a 1500mAh non removable battery. It measures 123.50 x 63.80 x 10.20 (height x width x thickness) and weigh 130.00 grams.
The Lenovo RocStar (A319) is a dual SIM (GSM and GSM) smartphone that accepts Regular and Regular. Connectivity options include Wi-Fi, GPS, Bluetooth, FM and 3G. Sensors on the phone include Proximity sensor, Accelerometer and Ambient light sensor.
How to download PEN.UP - Share your drawings form Lenovo RocStar (A319)?
- Check the Android version to verify compatibility of PEN.UP - Share your drawings with Lenovo RocStar (A319).
Find Android version: go to "Settings" - "About the phone" - "Android version". Make sure PEN.UP - Share your drawings is compatible with Lenovo RocStar (A319).
- Click the download button to download PEN.UP - Share your drawings in Lenovo RocStar (A319).
- Once the download and installation are complete, find PEN.UP - Share your drawings in your home screen and tap the icon to open it.
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App Reviews for Lenovo RocStar (A319)
Tyler AustenIssues when followingSays unable to complete action when I try to follow people back.
Barbara MccormickPEN.UPI love this App.
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bace bookPEN.UP-Share your drawings
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Mohd TahirDrawingBest drawing app


text:
Waterproof Happy Halloween Pumpkin Witch Room Wall Sticker
Unfortunately this product is out of stock!
We recommend the following items:
1, Can be removed
2, Waterproof
3, Double visual design
4, Green wall stickers
5, Giving a transfer film
Note:You can play an unlimited creativity, free combination arrangement of shape and position.
Can use scissors to cut the pattern, respectively, be careful not to damage the design.
Functions: Decorative Wall Stickers
Theme: Holiday
Material: PVC
Feature: Removable,Washable
Size(L*W)(CM): 58*54.5
Weight: 0.396kg
Package Contents: 1 x Wall Sticker 1 x Transfer Film
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