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Description: Children will delight in this unabridged version of Rudyard Kipling's classics,Jungle Books OneandTwo! Not only does this attractive volume feature the beloved tales of Mowgli, the "man cub" raised by wolves, and Rikki Tikki Tavi, but also the lesser-known but wonderful stories of Toomai, the boy who gets to see elephants dance; Quiquern, who saves his Eskimo people from starvation; and Kotick, the white seal.
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All the information you need in one place! Each Study Brief is a summary of one specific subject; facts, figures, and explanations to help you learn faster.
List price: $14.95Copyright year: 2007Publisher: Sterling Publishing Co., Inc.Publication date: 11/1/2007Binding: HardcoverPages: 352Size: 6.50" wide x 8.25" long x 1.25" tall Weight: 1.540Language: English
Kipling, who as a novelist dramatized the ambivalence of the British colonial experience, was born of English parents in Bombay and as a child knew Hindustani better than English. He spent an unhappy period of exile from his parents (and the Indian heat) with a harsh aunt in England, followed by the public schooling that inspired his "Stalky" stories. He returned to India at 18 to work on the staff of the Lahore Civil and Military Gazette and rapidly became a prolific writer. His mildly satirical work won him a reputation in England, and he returned there in 1889. Shortly after, his first novel, The Light That Failed (1890) was published, but it was not altogether successful. In the early 1890s, Kipling met and married Caroline Balestier and moved with her to her family's estate in Brattleboro, Vermont. While there he wrote Many Inventions (1893), The Jungle Book (1894-95), and Captains Courageous (1897). He became dissatisfied with life in America, however, and moved back to England, returning to America only when his daughter died of pneumonia. Kipling never again returned to the United States, despite his great popularity there. Short stories form the greater portion of Kipling's work and are of several distinct types. Some of his best are stories of the supernatural, the eerie and unearthly, such as "The Phantom Rickshaw," "The Brushwood Boy," and "They." His tales of gruesome horror include "The Mark of the Beast" and "The Return of Imray." "William the Conqueror" and "The Head of the District" are among his political tales of English rule in India. The "Soldiers Three" group deals with Kipling's three musketeers: an Irishman, a Cockney, and a Yorkshireman. The Anglo-Indian Tales, of social life in Simla, make up the larger part of his first four books. Kipling wrote equally well for children and adults. His best-known children's books are Just So Stories (1902), The Jungle Books (1894-95), and Kim (1901). His short stories, although their understanding of the Indian is often moving, became minor hymns to the glory of Queen Victoria's empire and the civil servants and soldiers who staffed her outposts. Kim, an Irish boy in India who becomes the companion of a Tibetan lama, at length joins the British Secret Service, without, says Wilson, any sense of the betrayal of his friend this actually meant. Nevertheless, Kipling has left a vivid panorama of the India of his day. In 1907, Kipling became England's first Nobel Prize winner in literature and the only nineteenth-century English poet to win the Prize. He won not only on the basis of his short stories, which more closely mirror the ambiguities of the declining Edwardian world than has commonly been recognized, but also on the basis of his tremendous ability as a popular poet. His reputation was first made with Barrack Room Ballads (1892), and in "Recessional" he captured a side of Queen Victoria's final jubilee that no one else dared to address.
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Encore! at The J
Try a class free!Enrollment InfoClass Descriptions
2017-2018 Schedule
Classes begin August 21
Click on any class below for more information and to register online.
- 1:15-2 PreK Tumble (S2)
- 1:15-2 PreK Combo (S3)
- 2:15-3 PreK Tumble (S2)
- 3:15-4 Creative Tumble (S2)
- 4:15-5:15 Acro I (S2)
- 4:30-5:30 Lvl 2 Jazz/Hip Hop (S3)
- 5-6 Lyrical Lvl 2 (S3)
- 5:15-5:45 Tiny Tumblers (begins 10/16) (S2)
- 5:30-6:15 Lvl 2 Tap (S1)
- 6:15-7 Lvl 2 Ballet (S3)
- 6:15-7 Lvl 3 Tap (S1)
- 7-8 Lvl 3 Ballet (S3)
- 8-8:30 Lvl 3 PrePointe (S3)
- 1:15-2 Creative Movement (S1)
- 2:15-3 PreK Combo (S3)
- 2:15-3:15 Kinder Tap/Ballet/Jazz (S1)
- 3:25-4 Tiny Tots (begins 10/18) (S1)
- 4:15-5:15 Kinder Tap/Ballet/Jazz (S1)
- 4:30-5:30 Lvl 1 Jazz/Hip Hop (S3)
- 5:30-6:30 Lvl 1 Tap/Ballet (S1)
- 1-3 Disney Rehearsals (select dates)
- 3-8 Competition Solo/Duo/Team Rehearsals
By Appointment:
Private Instrument & Voice Lessons
About Encore!
Encore! School of the Arts: "Dance, Sing, Enjoy." Classes are available for preschool, beginners, intermediate and advanced students in a wide range of performing arts skills; Tiny Tots, Boys Only!, Creative Movement, Ballet/Tap Combo, Tumbling, Lyrical, Jazz/Hip Hop, plus Performance Team. Encore! offers something for everyone! Students must have appropriate shoes and wear dance attire. Hair must be pulled back. Tap, ballet and jazz shoes are available for order through Encore! Class calendar will be handed out the first day of class. We also have private music lessons available in voice, piano, guitar, harp and steel drum.
All classes are open to girls and boys unless otherwise noted. Students are welcome to do make-up classes throughout the week. Multi-class and sibling discounts available.
Contact Maggie with questions or to set up your monthly payment plan. Classes with 3 or fewer enrolled are subject to combining or cancellation. Make up classes available during the week. Calendars will be sent home the first week of classes. Optional Winter Showcase on December 8th, $20 t-shirt fee. Optional Annual Recital May 21st. Recital fee $60-$85, depending on class. Dance attire and dance shoes are available to order through Encore. Please see Encore Policies+Info for more details.
Encore! also offers private music + voice lessons! Learn more >
Summer PreComp and Comp Masters Classes
Comp & PreComp Masters include dancers from The Kansas City Ballet, The Dallas Cowboys Cheerleaders, K-State Klassy Kats, the national tour of Dirty Dancing & The Wiz! These are going to be full of great knowledge and exposure for our dancers! Drop in to them for $20 per class ($25 non-members) or $135 for all! We must have students a minimum of 3 students enrolled to run master classes.
Competition + Performance Team
Sunday, July 30th from 4-6 p.m.
Studio 3
Dancers: please wear jazz shoes, leotards and have hair pulled up.
This audition will help our students become comfortable with the audition process and will also be used to determine our competition groups for the fall.
*Students reaching the team requirements will be selected for the teams they are interested in. All students auditioning for Performance Team will be selected. However, the Competition Team will have different groups. Students are not guaranteed a spot in all the Competition group dances.
Performance Team Requirements: Entering grades 1st-8th. Enrolled in at least 1 other Encore dance class during the week. Students must show dedication to the team, have outstanding attendance, and understand that they are committed to a team. They will work hard & push themselves to become confident performers. These students are ambassadors for our program and leaders among the students.
Competition Team Requirements: Entering grades 3rd-8th. Enrolled in at least 2 other Encore dance class during the week, and have at least 1 year of Performance Team experience. Must be enrolled in the category they are competing in and available for additional group rehearsals during the week (Sept-May), Sundays, and 3-4 weekends in the Winter/Spring. Students must show dedication to the team, have outstanding attendance, and be willing to take critiques. They will work hard & push themselves to become better with each performance. These students are held to a high standard and are expected to be leaders in and out of the studio. Additional fees are incorporated with the competition team. Contact Maggie for the Competition Team packet if you would like more details.
Rising Stars Scholarship
Supported by a grant from the Reat Griffin Underwood Rising Stars Fund, the Rising Stars Scholarship was established to help young people pursue their passion for the performing arts. Reat loved singing, dancing, and performing and both the fund and scholarship honor his spirit and memory. Applicants are applying for assistance with dance, tumbling or private voice or piano lessons. To download the scholarship application, click here.


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Back by semi-popular demand...here is the "disenhanced" version of the second episode, or more properly, the second part of the pilot. (Actually, given what happened where we left things in the story last time, we have to acknowledge that, when the Monster got through with him, there were lots of parts of the pilot. But I digress.)
Without further ado, let's jump right into the action.
Act 1
[Shot of Kate, Charlie, Jack walking in woods. No rain or clouds. Jack is trying the transceiver.]
CHARLIE: Anything?
JACK: You keep asking if there's anything.
CAPTION: Jack is using the time-honored Rogerian technique of active listening. This is to make Charlie feel valued and listened to, which, of course, he is not. Charlie says "Anything?" Jack says "You keep asking if there's anything", which proves that Jack has heard what Charlie has said. What Jack is thinking during all of this, though, is how Kate's skin glistens and shimmers whenever she's sweaty from fleeing an attack by a non-corporeal entity.
CHARLIE: Pardon me for appearing desperate, but before the pilot was ripped from the cockpit, he did say that no-one's going to find us unless we … get that transceiver working. So … is there anything?
JACK: No.
CHARLIE: Okay.
CAPTION: In a deleted scene, Charlie keeps asking questions he's already asked over and over again, especially "Are we there yet?" Finally, Jack gets upset, stops the group in their tracks and shouts "Okay, that's it! If you say that one more time, I'm turning this search party around and we're all going right back home!"
KATE: [to Charlie] What were you doing? In the bathroom?
CHARLIE: I thought you could tell. I was getting sick. Puking. My one tangible contribution to the trek.
CAPTION: A little sympathy, please, people. Charlie is not only a heroin addict, but also a bulimic. He gets high, but then feels guilty about all the calories. It's sad, really.
KATE: No. I'm glad you came. Charlie.
CHARLIE: Every trek needs a coward.
CAPTION: Take Spock for example. Yeah, I know, he's the big impressive Science Officer. But deep down, you know he was just a scaredypants Vulcan weenie.
KATE: You're not a coward.
[Long shot of Charlie's reaction. We hear a tapping sound. FLASHBACK to Charlie on the airplane, tapping his ring against the seat's armrest, looking miserable.]
CINDY: You all right, sir?
CHARLIE: I'm good. Thanks.
CINDY: Can I get you a water, or…
CHARLIE: [irritated] Fine. Thank you? Please?
CINDY: [nodding, but looking unconvinced] All right.
CAPTION: Agreed, the likelihood that a rock star traveling on an airplane could ever be rude or annoying to a flight attendant is slim to none. Anyone would have a hard time believing such an implausible scenario.
[Shot of Charlie looking back down the aisle to see some Flight Attendants talking in the back of the plane. One Flight Attendant starts walking toward Charlie who bolts (this is where he bumps into Jack).]
CHARLIE: Excuse me.
ROSE: Guess he really had to go.
CAPTION: It's hard to blame Charlie. A friend told him something about the Mile High Club, and he wanted to try it.
CINDY: Sir, excuse me! [getting angry] Sir, excuse me!
[Charlie's trying to get into a bathroom, but they are locked. He bolts again away from the flight attendants that are following him. He's goes through the row where Shannon and Boone are.]
SHANNON: [annoyed] Excuse me?
CAPTION: This from the girl who's constantly "huffing" on her asthma inhaler.
[The turbulence starts. Cindy reaches for an intercom panel.]
CINDY: Ladies and gentlemen, the Captain has turned on the "fasten seatbelt" sign. Please return to your seats and fasten your seatbelts.
[Charlie gets into a bathroom and locks the door. He takes off his shoe to reveal a baggy of heroin.]
CAPTION: To protect your stash, try Ziploc's new drug bags...they just zip closed, to lock in the street value.
JD: [through the bathroom door] Sir, are you all right?
CHARLIE: Just a minute. [Charlie takes some of the drugs. We hear knocking.] Just a minute.
JD: I'm gonna have to ask that you open the door, please.
CAPTION: Isn't it great that Zach Braff took time off from his role on Scrubs to be on the show? Let's have a big hand for him, folks.
[Charlie looking into the mirror with a drugged out/relieved look on his face. We hear more knocking.]
JD: Open the door now, sir. Sir!
[Charlie drops the drugs into the sink, then goes to open the cabinet beneath (presumably to make the drugs fall down there?) Suddenly there's a big bump of turbulence, and Charlie goes flying into the ceiling. He opens the door and falls down with a food cart rolling toward him. He rolls out of the way just in time, crawls to a seat and puts the seatbelt and oxygen mask on.]
Act 2
[Shot of Shannon sunbathing. Boone enters.]
BOONE: Hey. We're going through some clothes. Sorting them. I see you found your bag. Come on, you want to give us a hand?
SHANNON: Not really. You're wasting your time. They're coming.
[Boone walks away.]
CAPTION: What is Boone thinking here? Rooting through the suitcases of dead airline passengers for clothes? That's like buying off of the rack...
CLAIRE: [sitting next to Shannon] Is that your boyfriend?
SHANNON: My brother. Boone. God's friggin' gift to humanity.
CAPTION: As it turns out, both Claire and Shannon are right. (Okay, maybe not about the "gift to humanity" thing.)
CLAIRE: I used to have a stomach.
CAPTION: Is she kidding? She has a stomach that could be marked "Continued on next stomach."
SHANNON: You know what it is?
CLAIRE: Not yet. I haven't felt the baby move since yesterday.
CAPTION: A wise move on the baby's part. When Aaron is born, he will be abandoned by so many of his guardians that it will make his little head spin. Playing it cool and keeping a low profile might be the way to go, fetus boy.
[Shot of tide pool. Jin getting an urchin. Sun looking on. Michael enters.]
MICHAEL: Uh, excuse me. Hey, uh … have you, uh … have you seen my boy?
CAPTION: "You had better leave, or my jealous husband will flay you to within an inch of your life, cute though you may be."
CAPTION: "Um, Sun? Hell-O? I can understand you. I speak Korean."
[Jin motions for Sun to button her top button; Sun obeys.]
CAPTION: Sun is thinking "Oh, crap, now Michael is going to think I'm not loose. I'd better let him know I speak English at some point so he'll know he totally has a shot with me."
MICHAEL: I'm sorry. [Walks off camera] Walt! Walt?
CAPTION: No, no, Michael. It's more like "Walt?! WALT!!"
[Shot of Walt carrying a leash.]
WALT: Vincent! Vincent! Come here, boy!
[Walt finds handcuffs lying on the ground.]
CAPTION: The presence of these handcuffs is an indication that two other survivors of the crash, whose names are Nikki and Paulo, spent the night here last night.
MICHAEL: [running up] Hey! What did I tell you? After everything that's happened!
WALT: I thought that maybe Vincent would be around!
CAPTION: No. Vincent is not here. He has work to do.
MICHAEL: I told you to stay on the beach!
WALT: This is so close to the beach, I thought this would be okay…
MICHAEL: Don't do that. You listen to me. I mean what I say. You understand?
[Walt gives him a dirty look. Michael looks down to see the handcuffs in Walt's hands.]
CAPTION: First, they're looking up at you from their cribs, clutching their teddy bears tightly for security. Then later, they're wandering off into the jungle to play with law enforcement restraining devices. They grow up so fast, don't they?
MICHAEL: What is this?
WALT: I just found it.
CAPTION: "Honest, Dad...I was just holding it for a friend."
[Michael looks around, worried.]
MICHAEL: [putting a protective arm around Walt] Come here.
CAPTION: Later on, Sayid gets out some torture devices, as part of Michael's "tough love" approach to childrearing.
Act 3
[We see a fight between Sawyer and Sayid on the beach. People standing around watching.]
MICHAEL: Hey guys. Come on, man. Hey.
JACK: Hey. Break it up. Break it up! Come on!
MICHAEL: That's it! It's over!
JACK: That's it!
SAWYER: Son of a bitch!
SAYID: I'm sick of this redneck!
CAPTION: Ironically, Jeff Foxworthy was a finalist for the role of Sawyer. Two things ended up sealing the deal for Josh Holloway instead. First, women think Jeff Foxworthy is about as attractive as a root canal. Second, Damon Lindelof was not pleased with Foxworthy's intended rewrite of the dialogue in Exodus, Part One to include a routine going by the name "You Might Just Be An Other".
SAWYER: You want some more of me, boy?
SAYID: Tell everyone what you told me! Tell them that I crashed the plane! Go on! Tell them I made the plane crash!
SAWYER: The shoe fits, buddy!
JACK: What is going on?
SAYID: Ibn Al-Kalb!
CAPTION: This is Arabic for "son of Marvin Kalb, former chief diplomatic correspondent for NBC News." In the Arabic-speaking world, this is considered a supreme insult, far worse even than "pus seeping from the insoles of the shoes of Britney Spears."
JACK: What's going on?
MICHAEL: [handing the handcuffs to Jack] Look, my kid found these in the jungle.
SAWYER: And this guy was sitting in the back row of business class, the whole flight, never got up. Hands folded underneath the blanket.
CAPTION: The less said about that the better.
SAYID: Oh.
SAWYER: And for some reason - just pointin' this out - the guy sittin' next to him didn't make it.
SAYID: Thank you so much for observing my behavior.
SAWYER: You don't think I saw them pull you out of line before we boarded?
CAPTION: If anyone knows "out of line", it's Sawyer.
[Sayid tries to get to Sawyer again to hit him.]
SAWYER: Come on, bring it!
KATE: [loud] Stop!
[Sayid backs off.]
CAPTION: The spectre of five-foot-whatever Kate going medieval on these burly guys is too frightening to contemplate, isn't it?
KATE: We found the transceiver, but it's not working. Can anybody help?
SAYID: Yes. I might be able to.
SAWYER: Oh great. Perfect! Let's trust this guy!
CAPTION: In truth, the worst case scenario is that Sayid, due to the superiority of his training in communications technology during his years in the Republican Guard, actually gets the transceiver working well enough to tune in a radio station playing 24 hours of "You All Everybody", the mega-platinum hit by Charlie's band Drive Shaft. If Sayid's sympathies truly lay with the Axis of Evil, that's what he'd do, right?
HURLEY: Hey! We're all this together, man. Let's treat each other with a little respect.
SAWYER: Shut up, Lardo.
CAPTION: In the future, Sawyer's put-down nicknames, for Hurley and for the other denizens of the island, will become so complex as to be things of beauty to behold. So it's interesting that the first nickname he gives anyone on the show is as unremarkable and mundane as "Lardo", isn't it? Talk about lame. It's like he's not even trying. Maybe this was before they started paying Josh Holloway by the insult.
JACK: Hey! Give it a break.
SAWYER: Whatever you say, doc. You're the hero.
CAPTION: That's Jack, all right. He's the hero of the show. He never does anything unheroic. Never.
BOONE: You guys found the cockpit? [Jack nods] Any survivors?
JACK: No.
CAPTION: I'll say.
SAYID: [looking at the transceiver] It's dual band, military spec. Chances are, the battery is good, but - the radio is dead.
KATE: Can you fix it?
SAYID: I need some time.
ROSE: [approaching] Doctor, the … man with the shrapnel, I … I think you should take a look at him.
CAPTION: Hey, we almost forgot about him, didn't we? You know, that's kind of interesting that a "hero" like Jack had time to leave his patient gurgling in the seepage from his wounds while he went off gallivanting through the jungle with Kate.
[Shot of Sayid sitting on the beach, opening the transceiver. Hurley enters.]
HURLEY: Tsss. Chain-smoking jackass…
SAYID: Some people have problems.
HURLEY: Tsss. Some people have problems? Us. Him. You're okay. I like you.
SAYID: You're okay, too.
HURLEY: [laughs] Hurley. [He reaches out to shake Sayid's hand, then sees he's busy with the transceiver and puts it down] Uh, just…
SAYID: [reaching to shake hands] Sayid.
HURLEY: How do you know to do all that?
SAYID: I was a military communications officer.
HURLEY: Oh yeah? You ever see battle?
SAYID: I fought in the Gulf War.
HURLEY: No way! I got a buddy who fought over there. He was in the 104th airborne. What were you - Air Force … Army?
SAYID: The Republican Guard.
CAPTION: Oh my. This is a social faux pas. How would Miss Manners handle this one? "I was at a dinner party, and I was speaking to this gentleman who was in the armed forces in the Middle East and may have shot at one of my friends. Should I politely indicate to my host that I will be leaving, or should I excuse myself, go to the bathroom, and make a discreet cell phone call to Homeland Security?"
[Shot of the ocean. Kate is bathing.]
CAPTION: "Get out of here with your perfect body. I'll be eating diet kimchi for a week now because of you."
[Sun points to indicate that Kate is wanted somewhere]
[We see Kate walking to Sayid on the beach, drying her hair.]
KATE: Is it working?
CAPTION: It's tingling. That's how you know it's working. Oh, she meant the transceiver.
SAYID: Seems to be. Except we're not picking up a signal.
KATE: Why do we need to pick up a signal? Aren't we trying to send one?
SAYID: Yes, but what you want to see here is little bars. The bars would show the radio is getting reception.
CAPTION: The transceiver is apparently AT&T. Other transceiver companies wouldn't be getting bars on an isolated island, but with AT&T you get more bars, more places...
KATE: We need the bars.
SAYID: We could broadcast blind … Hope that someone—maybe a ship somewhere—picks up our distress call. But that could be a waste of the battery, which might not last that long. There is one thing we could try…
KATE: What?
SAYID: Seeing if we can get a signal from high ground.
KATE: How high?
[Sayid looks up. Camera pans high up the mountain.]
CAPTION: Rocky mountain high. Hey, wouldn't it be cool if the Monster was really John Denver? (Perhaps that would make the Monster seem just a little bit too evil, though.)
[Shot of Marshal Mars with shrapnel, Jack is working on him. Suddenly Kate is there, and Jack seems surprised.]
KATE: How is he? Can you do anything?
JACK: Pull out the shrapnel.
KATE: But you said yesterday that if you took it out…
JACK: I know. But that was yesterday. I was hoping he'd be at a hospital by now. If I leave him like this, he'll be dead within a day. If I open him up … if I can control the bleeding and if he doesn't go into sepsis and if I can find some antibiotics … he might be all right.
KATE: I'm going on a hike.
CAPTION: How odd. Kate wants to go on a hike instead of staying around to help the Marshal. Oh, and incidentally, this means Kate is volunteering to go on another mission with someone. THREE. We'll keep counting as the show goes on.
JACK: Sorry?
KATE: Sayid fixed the transceiver, but we can't use it. Not from here.
JACK: Kate, wait a minute.
KATE: You're the one who said that we had to send out a signal.
CAPTION: He's also the one that said leave the shrapnel in. Face it, Jack just changes his mind a lot. Mr. Indecisive.
JACK: Look, you saw what that thing did to the pilot.
KATE: Yeah, I did. What makes you think we're any safer here than we are in the jungle?
JACK: Wait for me. I don't know how long this will be … [he look at Marshal Mars.]
KATE: Sayid said the batteries won't last.
JACK: All right. If you see, or hear, anything … Anything. Run.
CAPTION: "Especially if it's Charlie's band."
Act 4
[We see Sun and Jin at the beach. Jin is cutting up the urchin. Sun reaches for a piece and he slaps her hand. He takes off with a tray of it. She looks disgusted and undoes her top button.]
[Shot of Jin offering urchin to Hurley.]
HURLEY: What's that? What, that? Eat that? [laughs] Dude. Dude. I'm … starving … But, I'm nowhere near that hungry. [laughs] No. No. No, thank you! No way, no. [laughs]
CAPTION: Now, if it were from "Mr. Cluck's Urchin Shack", breaded with herbs and spices and a side of cole slaw, Hurley might be interested.
[Shot of comic book with polar bear. Comic book is in Spanish.]
MICHAEL: The comic's in Spanish. You … read Spanish?
WALT: No. I found it.
CAPTION: First the handcuffs, now it turns out Walt is into "Latino bears".
MICHAEL: Tell you what: We get home … I get you another dog.
CAPTION: That's right, Michael. Denial is the first stage.
[Walt walks away. Shot of Charlie getting his drugs out. Then we see Hurley on the beach, Jack comes up.]
JACK: Hey! I need your help.
HURLEY: Okay.
JACK: I need you to help me go through the luggage. I need any kind of prescription medications you can find. Especially drugs that end in -mycin and -cillin. Those are antibiotics.
CAPTION: "Or, if you find any that say Vicodin, I need those, too."
HURLEY: What's this for?
CAPTION: "Well, Hurley, after my self-indulgent romp through the jungle with Kate, I thought I might play at being a doctor for a while."
[Shot of Charlie doing drugs. Then of Shannon almost crying. Boone comes up.]
BOONE: What are you doing?
SHANNON: I think I was mean to him.
CAPTION: This just in to the news desk - Shannon was mean to someone.
BOONE: What?
SHANNON: Isn't that the guy from the gate? He wouldn't let us have our seats in first class. He saved our lives.
BOONE: Come on, Shannon, we're trying to clear some of the wreckage. You should help out. You're just being worthless over here.
CAPTION: "Instead, come over and be worthless while helping us."
SHANNON: I'm being what?
BOONE: What do you want me to say? You're sitting on your ass staring at bodies.
SHANNON: I've just been through a trauma here, okay?
BOONE: We've all been through a trauma. The only difference is, since the crash, you've actually given yourself a pedicure.
CAPTION: This is totally unfair to Shannon. It is really quite difficult to find just the right shade of nail polish to match the fiery charred remains of an airplane's fuselage. She had to mix cherry red with a really dark shade of brown to get the tones just right. It took hours. Boone is so insensitive.
SHANNON: You know what? It is so easy to make fun of me, and you're good at it. I get it.
BOONE: I wish I didn't have to waste my time making fun of you. I wish I didn't have a reason. Yeah, it is easy, Shannon.
SHANNON: Screw you, you do not have the slightest idea what I am thinking.
BOONE: I have a much better idea than you think I do.
SHANNON: No, you don't!
BOONE: Okay, Shannon. Then what are you thinking?
CAPTION: Interior shot of Shannon's brain - we pan in on a hamster running on a squeaky wheel.
[Shannon sees Kate and Sayid preparing to leave.]
SHANNON: I'm going with them. On the hike.
BOONE: Yeah?
SHANNON: Yup. I'm going.
BOONE: No, you're not, Shannon. Shannon!
CAPTION: They do have minds of their own, don't they? This is why sisters make the worst girlfriends.
SHANNON: [approaching Kate and Sayid] I'd like to come with you.
BOONE: She's not going. She doesn't want to go.
SHANNON: The hell I'm not.
BOONE: It's what she does. She postures.
CAPTION: Many men are quite complimentary about her posture, in fact.
SHANNON: You don't know what the hell I do!
BOONE: Makes really bad decisions to upset her family, which, at the moment, is me.
SHANNON: Shut up, and stop trying to be charming.
CAPTION: Oh, there's advice that needed to be given.
SHANNON: [to Kate and Sayid] I'm coming with you.
KATE: I don't … know if that's such a good idea.
SHANNON: What are you? Two years older than me? Please. [to Charlie who has entered] You're going, aren't you?
CHARLIE: Yeah, are you?
SHANNON: Yup.
CHARLIE: Yeah, I'm definitely going.
CAPTION: So here's the mental evaluation Charlie is making: "Monster. Hot girl in miniskirt. Monster. Hot girl in miniskirt."
KATE: Look, everybody can come. But we're leaving now.
CAPTION: It's about time - if anyone else volunteered, I would expect it would be Mickey Rooney, and it wouldn't be long before someone said "Hey, kids, let's put on a show!"
CHARLIE: [to Shannon] You couldn't tell from that, but she's actually really nice.
CAPTION: "For now, I'm interested in this bird, but best not to burn my bridges with the other one."
[Shot of Sawyer smoking, reading his letter. He sees the others walking off.]
[We see the "hikers" in the jungle and Sawyer is closing up to them.]
KATE: You decided to join us.
SAWYER: I'm a complex guy, sweetheart.
CAPTION: Sawyer's real name is James Ford. He assumed this name after a con man was responsible for the death of his parents. The name is, in fact, the name of that con man. So yeah, you could say he's a guy and he has some complexes. He's a complex guy.
[Shot of them making their way up a steep mountain.]
[Shot of Michael on the beach where Walt left him. Jack comes into the frame and opens a make-up type bag, looking for something.]
MICHAEL: What you're looking for?
JACK: Some sort of blade. How's your son?
CAPTION: Some sort of a blade, and how's your son? Everything else on this show causes Michael potential or real paternal Angst, but he lets this comment fly by?
MICHAEL: Walt? Yeah, I think he'll be all right.
JACK: How old is he?
MICHAEL: Nine … Ten—Ten. Walt's more worried about his dog than anything. The dog was on the plane, so … Kids, you know.
JACK: Is it a Lab?
MICHAEL: Yeah.
CAPTION: "He's 50% pointer. He's 50% setter. But mostly he's all Labrador Retriever. Oh, and he also sees dead people."
JACK: Yeah? I saw him yesterday, in the jungle.
MICHAEL: What? Where?
JACK: Over there. Couple hundred yards in or so. He looked good.
[Jack finds a straight-edge razor. Shot of Locke with the Backgammon pieces. Walt approaches, curious.]
WALT: What is it, like checkers?
CAPTION: "Like checkers for nerds, yes."
LOCKE: Not really, it's a better game than … checkers. You play checkers with your Pop?
WALT: No. I live in Australia with my mom.
LOCKE: You have no accent.
WALT: Yeah, I know. We move a lot. She got sick. She died a couple of weeks ago.
LOCKE: You're having a bad month.
WALT: I guess.
CAPTION: "What are you talking about? I got to crash on an island and play board games with a freaky bald-headed guy with an orange smile? This month totally rocks!"
LOCKE: Backgammon is the oldest game in the world. Archeologists found sets when they excavated the ruins of ancient Mesopotamia. Five thousand years old. That's older than Jesus Christ.
CAPTION: Proof that nerds predate the Messiah.
WALT: Did they have dice and stuff?
LOCKE: [nods] Mhhm. But theirs weren't made of plastic. Their dice were made of bones
WALT: Cool.
LOCKE: Two players. Two sides. One is light … one is dark—Walt. Do you want to know a secret?
CAPTION: One white and one black stone. How very interesting. And unique. I bet we never see anything like that on the show again.
[Shot of Claire writing in her diary. Jin approaches and offers her some urchin. She shakes her head, but then gives in and takes some.]
CLAIRE: No. Tha- thank you. No, it's okay. [Jin keeps insisting] Not really. Okay. Thanks.
[She eats some and then feels her baby move. She jumps up and makes Jin touch her belly.]
CAPTION: The baby is going "Holy crap, did I just eat urchin?!?!"
CLAIRE: Oh, gosh. I just felt it. I ju … Come here, feel this. Please. [Jin resists, but Claire keeps insisting]. Please. Please. Do you feel that? There! Right there, that's a kick! There! There, right there's a foot! Oh no, he's, wait, he's moving around. "He". "He". I guess I think you're a "he".
CAPTION: Actually, Aaron is a girl. It's not well-known that some species of urchin cause secondary sex characteristics to emerge in fetuses. This is a big reveal planned for Season Six.
[Shot of group in jungle.]
SAWYER: Okay! Wide open space! You should check the radio, see if we're good.
SAYID: We're not going to have any reception here.
SAWYER: Just try it.
SAYID: I don't want to waste the batteries.
SAWYER: I'm not asking you to keep it on all day.
SAYID: We're still blocked by the mountain.
SAWYER: Just check the damn radio!
CAPTION: Sawyer gets a little on edge whenever he misses Howard Stern.
SAYID: If I just check … we might not have any juice left when we get to…
[They all turn toward a sound they hear. Sounds of growling, movement.]
SHANNON: My god.
BOONE: What the hell's that?
KATE: Something's coming.
CHARLIE: It's coming towards us, I think.
KATE: Come on, let's move.
[They all start running off.]
SHANNON: I shouldn't have come. Aah!
CAPTION: "I should have left the rest of you to be eaten by that thing. Especially Boone."
SAYID: Go! Go!
[Shot of them running, but Sawyer stands and faces the bear.]
KATE: [turning to go back] Sawyer!
SAYID: [grabbing Kate] Let him go!
[Sawyer pulls out a gun and shoots. The bear drops just as it almost gets to Sawyer.]
SHANNON: That's … that's a big bear.
BOONE: You think that's what killed the pilot?
CAPTION: Either that, or too many strange plot devices.
[Kate looks at Charlie.]
CHARLIE: No. No, that's a tiny, teeny version compared to that.
KATE: Guys, this isn't just a … bear. That's a polar bear.
CAPTION: Okay, here's what happened. Someone bit into the center of a York Peppermint Patty and it gave them the feeling of being in the middle of an icy Arctic tundra...
Act 5
[Shot of Jack and Hurley with Marshal Mars getting ready to take out the shrapnel.]
HURLEY: You sure he's out?
JACK: He's out.
HURLEY: How do you know he won't wake up when you yank that thing out?
JACK: I don't.
HURLEY: Hey, guy, are you awake? Yo, there's a rescue plane! We're saved! Yaaay! [Marshal Mars doesn't react at all.] Yeah, he's out. So—what do you want me…
JACK: Look, it's unlikely that he'll regain consciousness. But the pain might bring him around. And if it does, I need you to hold him down.
HURLEY: Uh … I'm not so good around blood, man.
JACK: Then don't look.
HURLEY: Yeah. But … I'm not so good around blood.
JACK: Just do the best you can. Okay? Don't look.
HURLEY: Okay [looks like he's praying or something, mumbling something to himself].
[Jack pulls the shrapnel out.]
HURLEY: Dude.
JACK: Hand me those strips.
HURLEY: Dude.
JACK: Just hand me the strips, I need to get this bleeding stopped.
HURLEY: I don't think I can.
JACK: Oh.
CAPTION: An island with Sexy Blue Striped Shirt Girl on it, and Jack picks Hurley to be his nurse? What's up with that?
HURLEY: "Oh" what? What, what's going on, something in there? [Hurley looks down]
JACK: The strips. Just hand me the strips. Give it to me. [Hurley looks sick.] Don't even think about it, Hurley. Don't even think a … Hurley! Hey! [Hurley passes out on the Marshal] Damn it!
CAPTION: If the angle had been different, Hurley falling on the Marshal might have been the most humane form of euthanasia available.
[Shot of the group in the jungle.]
BOONE: That can't be a polar bear.
SAYID and KATE: [at the same time] It's a polar bear.
SHANNON: Yeah, but … Polar bears don't usually live in the jungle.
CHARLIE: Spot on.
SAYID: No, polar bears don't live near this far south.
BOONE: This one does.
SAWYER: Did. It did.
KATE: [to Sawyer] Where did that come from?
SAWYER: Probably Bear Village. How the hell do I know?
CAPTION: In truth, the bear came from Scranton-Wilkes Bearey. If they searched further, they would have found his Pennsylvania driver's license and an insurance card with directions on how to contact his HMO.
KATE: Not the bear. The gun.
SAWYER: I got if off one of the bodies.
SAYID: One of the bodies.
SAWYER: Yeah, one of the bodies.
SHANNON: People don't carry guns on planes.
SAWYER: They do if they're a US Marshal, sweet cheeks. There was one on the plane.
KATE: How do you know that?
SAWYER: I saw a guy lying there with an ankle holster, so I took the gun. I thought it might come in handy. Guess what? I just shot a bear.
KATE: So why do you think he's a Marshal?
SAWYER: Because he had a clip-on badge. [Sawyer holds up a badge] I took that too. Thought it was cool.
SAYID: I know who you are. You're the prisoner.
SAWYER: I'm the what?
SAYID: You found a gun on a US Marshal. Yes, I believe you did. You knew where it was, because you were the one he was bringing back to the States. Those handcuffs were on you. That's how you knew there was a gun.
CAPTION: Let's take a moment, while this dialogue is going on, to note the nearby stream with lots of herring fish in it. Those herrings all have a distinctive hue, wouldn't you say? A particular shade of red. Yes, due to the proximity of this stream, this show has many, many red herrings. That's very interesting. Okay, enough with that, let's get back to the dialogue.
SAWYER: Piss off.
SAYID: That's who you are, you son of a bitch.
SAWYER: Be as suspicious of me as I am of you.
SAYID: But you are the prisoner.
SAWYER: Fine! I'm the criminal. You're the terrorist. We can all play a part. [to Shannon] Who do you want to be?
CAPTION: Shannon should be the movie star, Boone could be the professor and Kate is a shoo-in for Mary Anne.
[As Sawyer turns, Kate grabs the gun and points it at him.]
KATE: Does anybody know how to use a gun?
CAPTION: I couldn't help but notice again that the herrings are plentiful in that stream. Look, there's another red herring jumping out at us! It did that just as Kate enquired whether anyone knew how to use a gun, because obviously she does not know how to use a gun. Okay, again, sorry to interrupt. Back to the story.
CHARLIE: I think you just pull the trigger.
SAYID: Don't use the gun.
KATE: I want to take it apart.
CHARLIE: Oh.
SAYID: There's a button on the grip. Push that, it will eject the magazine. [Kate follows Sayid's instructions.] There's still a round in the chamber. Hold the grip, pull the top part of the gun.
[Kate follows Sayid's instructions and gives the magazine to Sayid and the gun to Sawyer.]
SAWYER: [grabbing Kate's arm] I know your type.
KATE: I'm not so sure.
SAWYER: Yeah. I've been with girls like you.
CAPTION: Sawyer hates it when a girl won't let his gun go off.
KATE: No girl's exactly like me.
[Kate walks off a ways and then we get a FLASHBACK].
[Shot of Kate on the plane.]
MICHELLE: Can I get you a refill?
KATE: No, I'm … I'm fine with this, thank you.
MICHELLE: You, sir? Can I get you anything? Cocktail? Soda?
CAPTION: "A cake with a file in it?"
MARSHAL: Just coffee, sweetheart. Black.
MICHELLE: [looking disgusted] Coffee. Sure.
CAPTION: It's understandable the flight attendant would be disgusted. Have you ever had airline coffee?
MARSHAL: You look worried. I'd be worried too, I was you. But you've got to stay positive, kiddo. You know, there's always that off chance that they'll believe your story. I know I sure do.
CAPTION: We'll find out later that this story actually involves a one-armed man. You all remember how many people believed Richard Kimball when he told his one-armed man story.
KATE: I don't care what you believe.
MARSHAL: Oh, I know. That's true. That has always been true. You sure you don't want some more juice?
KATE: Yeah, I'm sure.
[Shot of Kate with hands cuffed. Then the turbulence starts to happen.]
CINDY: [on the intercom] Ladies and gentlemen, the Captain has switched on the "fasten seatbelt" sign. Please return to your seats and fasten your seatbelts.
KATE: I have one favor to ask.
MARSHAL: Really? This ought to be good.
CAPTION: Kate's favor was "Could you not order the beans?" Later, she'll change her story to some crazy nonsense about a guy named Ray Mullen, though.
MARSHAL: What…
[The turbulence causes the big drop with a woman hitting the ceiling. A big black/silver case hits the Marshal on the head. He passes out. The masks come down and Kate can't reach because of the handcuffs. She gets the key from the Marshal's pocket and unlocks the handcuffs. She puts her mask on and then puts a mask on the Marshal. The back of the plane rips off. Cut back to the group standing on the hill.]
SAYID: We should keep moving.
[Shot of Jack with the Marshal. The Marshal wakes up and grabs Jack's shirt.]
JACK: No. No.
MARSHAL: Where is she?
JACK: Who?
CAPTION: Disturbingly, this is the third person thus far who has been revived from near death without coughing up water or blood. This could set a dangerous precedent.
[Shot of Kate walking with the group. Sayid getting the transceiver out.]
SAWYER: Oh! Now's a good time to check the radio! Not before.. but now!
SAYID: We're up higher.
SAWYER: Yes, we are!
SAYID: Bar. Hey! We've got a bar! Mayday! Mayday! [we hear feedback]
KATE: What is that?
SAYID: Feedback.
KATE: Feedback from what? What would do that?
SAYID: I don't know.
SAWYER: I'll tell you what would do that. This guy not fixing the radio. This thing doesn't even work.
CAPTION: But wait...if Sayid isn't fixing the radio, then that's...oh, that's what he means. Sorry. Do go on.
SAYID: No. No, no, no, no, it's not broken. We can't transmit because something else is already transmitting.
CHARLIE: Transmitting from where?
CAPTION: WPBS in New York City. South Pacific translator station. It's an episode of The French Chef with Julia Child. Yes, the show isn't actually on any more, but they air a lot of weird stuff during Pledge Week.
SHANNON: What?
SAYID: Somewhere close. The signal's strong.
CHARLIE: Somewhere close? You mean on the island? That's great!
BOONE: Maybe it's other survivors.
SHANNON: From our plane? How would they even—
SAWYER: What kind of transmission is it?
SAYID: Could be a sat phone, maybe a radio signal…
CAPTION: It could be a phone volunteer explaining to you how supporting public television makes you a valued part of your community, and plus, you get a free tote bag.
KATE: Can we listen to it?
SAYID: Let me get the frequency first. Hold on.
SAWYER: There's no transmission.
KATE: Shut up.
CHARLIE: The rescue party. It has to be. [They hear the transmission]. It's French! The French are coming! I've never been so happy to hear the French!
CAPTION: Charlie is apparently unaware that, after 9-11, we now call them the Cheese Eating Surrender Monkeys.
KATE: I never took French. What does she say?
SAYID: D-Does anybody speak French?
BOONE: She does.
SHANNON: No, I don't. What?
BOONE: What the hell are you talking about? You spent a year in Paris!
SHANNON: Drinking, not studying!
CAPTION: Drinking, and, as we'll find out later, also taking care of young children. If you're looking for a caretaker for your precious children, you couldn't do much better than a college student on the sauce, could you?
[We hear a male voice from the radio.]
RADIO: Iteration 7294531.
CHARLIE: Okay. What's that?
SAYID: Oh, no, no, no, no, no, no, no, no, no, no.
KATE: "No, no, no" what?
SHANNON: What "no"?
SAYID: The-the batteries are dying!
KATE: How much time do we have?
SAYID: Not much.
BOONE: I've heard you speak French! Just listen to this! Listen to it!
SHANNON: I can't!
SAWYER: You speak French or not? Because that would be nice.
RADIO: Iteration 17294532.
CHARLIE: That voice is weird. What is that?
BOONE: Come on. Come on, Shannon!
KATE: Come on!
SAYID: [moving his lips silently] Come on!
[We can hear some of the transmission: Il est dehors.]
SHANNON: It's … it's repeating.
SAYID: She's right.
BOONE: What?
SAYID: It's a loop. "Iteration"—it's repeating the same message. It's a counter. The next number will end … "533".
RADIO: Iteration 17294533.
CAPTION: How did he DO that?!?!
SAWYER: Does anyone know what the hell he's talking about?
SAYID: It's a running count of the number of times the message has repeated. It's roughly thirty seconds long, so … how long … [we see him trying to figure it out in his head].
SAWYER: Don't forget to carry the one, chief.
RADIO: Iteration 17294534.
SHANNON: She's saying … "Please". She's saying, "Please help me. Please, come get me."
SAWYER: Or she's not! You don't even speak French!
CAPTION: It was either "please help me" or "the cauliflower is in my left sock molding". One of those.
KATE: Let her listen!
BOONE: Shut up, man!
CHARLIE: Guys, the battery. The battery.
RADIO: Iteration 17294535.
SHANNON: [translating] I'm alone now. Uhm … On the island alone. Please, someone come. The others, they're … they're dead. I-it killed them. I-it killed them all.
CAPTION: "Or it could be 'I'm a walnut. In a rectangular orb. Smile or I'll bring back the eels. The spaghetti is quintessentially frugal. Colorless green ideas sleep furiously.'"
BOONE: That was good.
SAYID: Sixteen years.
CAPTION: And whaddaya get?
SAWYER: What?
SAYID: Sixteen years. And five months. That's the count.
CAPTION: Sayid's brain was made by Hewlett-Packard. He still has the warranty papers. Honestly, he did that math in his head? Was he ever on That's Incredible when he was a kid?
BOONE: What the hell are you talking about?
SAYID: The iterations. It's a distress call. A plea for help. A mayday. If the count is right … It's been playing over … and over … for sixteen years.
BOONE: Someone else? Was stranded here?
KATE: Maybe they came for them.
CAPTION: The person who made that recording is a Frenchwoman named Danielle Rousseau, and frankly, some people should come for her. Ideally, they should be wearing white coats.
SAWYER: If someone came, why is it still playing?
CHARLIE: Guys. Where are we?
CAPTION: As Charlie ends yet another episode with an annoying question, we bid, you, the audience, a fond adieu until next episode. By the way, on that episode, Shannon will translate adieu as "rabbit intestines".


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Home > Product Categories > Pro-AV & Presentation > AV Presentation > Video Scalers > GEF-HDVI-2-3GSDIS
Item #: GEF-HDVI-23GSDIS MFG #: GEF-HDVI-2-3GSDIS
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Population means how many people or animals or objects are in the place they are at a small group. A population is a summation of all the organisms of the same group or species, which live in a particular geographical area, and have the capability of interbreeding. In ecology, the population of a certain species in a certain area is estimated using the Lincoln Index.
Community means a smaller group of people with different categories. A group of people living in the same place or having a particular characteristic in common.
A large community of plants and animals that occupies a distinct region. Terrestrial biomes, typically defined by their climate and dominant vegetation, include grassland, tundra, desert, tropical rainforest, and deciduous and coniferous forests.
If a animal lived on the jungle it will probably die because it doesn't have a lot of trees that they can have shade and probably there food comes from the trees. They will have typo have a different habitat and have to change there habits and it will probably be hard to find food.


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Wikipedia:Wikipedia Signpost/2012-11-05/Op-ed
2012 WikiCup comes to an end
- J Milburn is a British editor who has been on the site since 2006. He is one of two judges of the WikiCup.
- The views expressed in this op-ed are those of the author only; responses and critical commentary are invited in the comments section. The Signpost welcomes proposals for op-eds at our opinion desk.
On 31 October, the 2012 WikiCup drew to a close, leaving Cwmhiraeth (talk · contribs), flying the Welsh flag, the final champion. In second place was Sasata (talk · contribs), representing Canada, and in third Grapple X (talk · contribs), of the Gaelic League. The competition has been ongoing for 10 months, with over 100 participants. In that time, competitors (with fewer every round, as lower scorers were eliminated) have been responsible for dozens of featured articles and lists, hundreds of good articles and good article reviews and over 1000 did you knows.
So, what is the WikiCup?
2007 Austria • Dreamafter
2010 Colorado • Sturmvogel_66
2011 Zanzibar • Hurricanehink
2012 Wales • Cwmhiraeth
The WikiCup is an annual competition run on the English Wikipedia which is now in its sixth year. Every year, participants compete for a number of rounds in order to be crowned WikiCup champion. Points are gained based on contributions; for instance, a did you know credit will grant a user 10 points, while a featured article credit will give them 100 points. Featured pictures, portals, topics and lists are also eligible for points, as are in the news articles, good articles, good topics and good article reviews. Finally, bonus points are awarded for high importance articles, judged (primarily) on the basis of the number of interwiki links an article possessed at the beginning of the year. For instance, twice as many points would be awarded for any work on the article brown trout than they would be for Snake River fine-spotted cutthroat trout; a highly significant topic like fish would be awarded more still. Each participant flies a flag of a country, state, or something akin, be they their own, a location they feel close to or just one with a flag they like.
The WikiCup has progressed from its humble beginnings in 2007. For the first two years, it was run as a knock-out competition in the userspace, primarily focused upon scoring high edit-counts. In 2009, Foxj (talk · contribs) and the now-retired iMatthew (talk · contribs) took over "judging" the competition. Though the title "judge" is used, the users who run the competition do little actual judging, and act more as administrators, occasionally providing a neutral and somewhat authoritative voice in disputes, and keeping an eye on submissions to ensure the spirit of the rules is being respected. 2009's competition still saw points for non-automated mainspace edits, but the focus was shifted to audited content, where it has remained since. J Milburn (talk · contribs) joined the judging team half-way through the competition, and has remained involved since. The competition's final winner was Durova (talk · contribs), who flew the Mexican flag. Durova won primarily due to the large number of historic pictures she restored and sent through featured picture candidates.
Edit counts were excluded in the 2010 competition, and The ed17 (talk · contribs) became a judge. That year saw 150 participants, dwarfing the 60 of 2009. It also saw the highest ever scores, after a highly competitive final round. Sturmvogel 66 (talk · contribs) was the eventual champion, who won based on a large number of articles about warships, an area in which a lot of WikiCup participants have been active.
The 2011 competition opened with the current judging team, J Milburn and The ed17. Also involved in the administration of the competition was Jarry1250 (talk · contribs), who runs the WikiCup bot (for calculating scores and updating the leaderboard). 2011 introduced bonus points for high-importance articles. Though there were slightly lower participation than in 2010, the numbers still dwarfed the 2008 and earlier competitions. Hurricanehink (talk · contribs) was the eventual winner, focusing, as his name suggests, on meteorology, another area popular among WikiCup participants.
What happened this year?
This year, the rules were adjusted to make bonus points more attractive to participants, and encourage the improvement of high-importance articles. Cwmhiraeth, the competition's winner, scored massive numbers of points for her work on high-importance articles, including, but not limited to, the featured articles frog and common toad, and the good articles sugar, amphibian, and starfish. This is despite not realising that the good article and featured article processes existed when she joined the competition at the beginning of the year. In her own words, she "benefited much during the year from others involved in the Cup", collaborating with fourth-place Casliber and receiving guidance and reviews from second-place Sasata, both WikiCup veterans, and biology editors with long lists of featured article credits.
The final 8 were as follows:
- Cwmhiraeth (talk · contribs), who wrote primarily on biology, especially marine biology.
- Sasata (talk · contribs), who wrote primarily on biology, especially mycology.
- Grapple X (talk · contribs), who wrote articles about television, especially The X-Files and Millennium
- Casliber (talk · contribs), who wrote on natural sciences, including botany and astronomy.
- Muboshgu (talk · contribs), who wrote primarily on baseball.
- Miyagawa (talk · contribs), who wrote on a variety of topics.
- Ruby2010 (talk · contribs), who wrote primarily on television and film.
- Dana boomer (talk · contribs), who wrote on a variety of topics, including horses.
The final 8 included a mix of WikiCup veterans (such as Sasata and Casliber) and people new to the competition (such as Cwmhiraeth and Dana Boomer). No Wikipedian specialising in meteorology or military history made the final this year, despite previous strong showings, though this year saw our first biology writer in first place. Television and sport are two subject areas which often have high scorers, but neither has yet seen a victory. Grapple X came first most rounds this year, but was beaten out in the highly competitive final. He did, however, receive two other awards:
- Grapple X (talk · contribs) received prizes for his high contribution of featured articles, good articles and topics.
- Cwmhiraeth (talk · contribs) received prizes for her high contribution of did you knows and high-importance articles.
- Grandiose (talk · contribs) received prizes for his high contribution of featured pictures and good article reviews.
- Muboshgu (talk · contribs) received a prize for his high contribution of featured lists.
- ThaddeusB (talk · contribs) received a prize for his high contribution of in the news articles.
- Ruby2010 (talk · contribs) received a prize for her high contribution of good article reviews.
Based on stats from Jarry1250's bot, we can see that participants this year (not counting contributions from participants after their elimination) produced somewhere in the region of:
- 42 featured articles, including several on highly important subjects such as frog (Cwmhiraeth), William the Conqueror (Ealdgyth), and Betelgeuse (Casliber).
- 433 good articles, including articles on the Middle Ages (Ealdgyth), pelicans (Casliber), and Otis Redding (GreatOrangePumpkin, now Tomcat7).
- 40 featured lists, on film, music, sport and other topics.
- 3 featured pictures, all by Grandiose.
- Multiple featured topics and good topics, including Mythology of The X-Files, Volume 2 and Millennium (season 1), both by Grapple X.
- Over 1300 did you knows.
- 28 items appearing on the "in the news" column on the main page.
In addition, WikiCup participants completed over 400 good article reviews. Some smaller processes received little attention: no featured topics or portals were completed by participants this year, for example. Featured sounds and valued pictures were not a part of this year's competition, unlike past years: the former is inactive, and the latter was closed some time ago.
Where now?
The 2013 WikiCup will begin in January, probably with a single large pool of which the top 64 will progress to the second round. Wikipedians of all levels of experience and with interests in a great number of different aspects of Wikipedia participate. Signups are open for next year, and those interested in following the WikiCup are welcome to signup for the WikiCup newsletter, which is typically sent out monthly during the competition.
One of the most interesting aspects of the WikiCup is seeing how it changes year-on year. Typically, the points awarded for each item will be adjusted slightly, and features will be added and removed from the competition. Since 2009, barring the removal of edit counting and the addition of bonus points, the competition has remained fairly constant. Right now, discussions and polls are open concerning how next year's competition should be run, and contributions are more than welcome.
The WikiCup has spun off into a variety of directions, both onto other projects (both the German and Simple English Wikipedias have had WikiCup competitions) and within this project (for instance, the Bacon WikiCup, a competition aimed at improving our coverage of, well, bacon). The WikiCup is not the only competition on Wikipedia; The Core Contest focuses entirely upon the improvement of high-importance content, without reference to good/featured processes, and improvement drives (for instance, the recent June-July GAN backlog elimination drive) are frequent. As a general competition, though, the WikiCup remains by far the most successful, and will hopefully continue to be so for many years to come.
July 22.


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Much of the increase in the Aussie dollar is due to the anticipation of an interest rate rise at the next Reserve Bank of Australia board meeting in May. The only thing that seems likely to push the dollar back down is if the market suddenly considers that the RBA will not increase rates in the next few months. At the moment that seems unlikely.
In fact, with the way that the economy is performing and the increasingly heavy pressure put on inflation, more than one rate rise can be expected this year. If that happens and given the supposedly tight labour market, we could also see the potential for a wages breakout as well.
The decreased power of trade unions and their collective bargaining activity means that the potential for pay increases at levels significantly above the inflation rate are kept to a minimum. However, if the labour market is as illiquid as has been claimed then the pressure on employers to offer higher wages to retain staff, and higher wages to entice staff could have an equal impact on the economy.
We won't say that we have reached "crisis" proportions yet – there seem to be enough crises doing the rounds, eg. "Ice" crisis, health crisis, etc, without our adding to mix. Even though most of what the media calls a crisis is far from it.
All we will say is that the commodity boom can only help the economy so far. Paul Keating made his famous "Banana Republic" statement twenty years ago, but it wasn't in relation to commodities. There is nothing to say that the commodity boom cannot continue while the Australian consumer and borrower become seriously disadvantaged by spiralling inflation and interest rates. You only have to look at many of the resource rich African economies that are basket cases despite having billions of dollars worth of raw minerals.
Now THAT is what we call a POTENTIAL crisis.
Kris Sayce
Markets and Money


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Prayer, the act of communicating with God, is a shared component of religions around the world. Prayer is one of the five pillars of the Muslim faith. Devout Muslims pray five times a day. In this video from Religion & Ethics Newsweekly, meet Shaker Elsayed, a Muslim living in Alexandria, Virginia, as he talks about his daily prayer rituals and what those practices mean to him.
Learn more about the Religion & Ethics segment "Belief & Practice: Muslim Prayer."
© 2017 PBS & WGBH Educational Foundation. All rights reserved.
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Max Mara has stars in its eyes at MFW
Max Mara was the star of Milan Fashion Week with its fun prints today (24Sep15).
The brand kicked off another set of catwalks with a mostly monochrome Spring/Summer 16 collection.
Star prints appeared on several of the designs from creative director Ian Griffiths, with one model sporting the print on a black-and-white jumpsuit. She carried a large white beach bag with a bird print and finished the look off with chunky trainers.
A star pattern also adorned smart white high-waisted trousers, with a matching cape jacket and a simple black top making for a chic feel.
Designer Ian also played with the sizes of the star print, dressing one model in a white jumper with huge black stars, then replicating the print in a much smaller version on her flared trousers. A stripy long coat was layered over the top, creating a print clash that worked thanks to the continuation of the monochrome theme.
But stars weren't the only order of the day: one model shunned the pattern for a white T-shirt with a lighthouse print and a stripy gold-and-white midi skirt.
Another brought a splash of colour with a red-and-white striped maxi dress with long sleeves.
Overall the vibe was beachy, something that could well be seen on next year's (16) Cannes revellers during their days off.
"MaxMara is having a sea myth moment: Muses include Sinbad, Bluebeard. Jonah...#MFW," New York Times fashion critic Vanessa Friedman commented on Twitter.
Make-up was also fun, with models given coloured eyebrows but otherwise rocking a natural look. Hair was largely slicked back in a quiff, with the rest down and straight.
Others to show at Milan Fashion Week today (24Sep15) include Fendi, Emilio Pucci and Moschino. Tomorrow (25Sep15), it's the turn of Blumarine and Versace, among others.
Cover Media


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US explorer Hess Corporation is keeping its options open on how to develop its clutch of natural gas discoveries off Western Australia, leaving
Chief executive John Hess told investors in the United States that talks were continuing with three potential partners to commercialise the company's gas resources in the Carnarvon Basin: Chevron, Woodside and the North West Shelf venture.
Details on the development path would be revealed once appraisal drilling at Hess's discoveries was complete, Mr Hess said.
The US company, which does not want to build its own LNG plant in WA, originally pencilled in a decision by mid-2011 on where to process gas from its 13 discoveries in its wholly owned WA-390-P permit.
But tropical cyclones and other factors have slowed appraisal drilling at the finds and the work is now only due for completion by mid-2012.
Chevron is talking to the New York-based company about processing the gas in its Wheatstone LNG project, to be built at Ashburton North, near Onslow. Discussions with Woodside are focused on using the gas for an expansion of the Pluto LNG venture.
The North West Shelf venture, operated by Woodside, could use the Hess gas to supplement supplies once flows from its own fields start to wind down.
Woodside has been in talks for years with other gas resource owners in the Carnarvon Basin about a potential gas supply deal to underpin the expansion of Pluto but has yet to reach any accords. It is understood also to be negotiating with ExxonMobil and BHP Billiton, which could supply gas from their large Scarborough deposit further off the WA coast.
Former Woodside chief executive Don Voelte originally wanted to seal a deal with a third-party gas supplier by the end of 2010.
Chevron has meanwhile forged agreements for gas supply for Wheatstone with a venture between Apache and Kuwait's Kufpec and with Royal Dutch Shell.
Mr Hess told analysts on Hess's second-quarter earnings conference call that flow tests had been carried out at four of the WA discoveries so far, "with results coming in as expected".
He said the company "did get hurt a little bit" by several tropical cyclones that delayed the appraisal drilling program.
The Australian Financial Review


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PD recommends Cheap Games here: https://www.g2a.com/r/paradisedecay Many Thanks to the Developers for the Steam Review Copy! I take a quick look ...
Don't Panic (Lunar Circus) MP3
Australian band Lunar Circus. Singer-songwriter Howard Jackson was never short of lyrics. Scott Philips drums and vox, Wendy Moles keyboard and vox, Tim ...
I was just flipped off by a silver haired old lady. MP3
With a honk if you love jesus sticker on the bumper of her car.


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- Author: Dean <dean at thestuff dot net>
- Download: SawTech-Aqua.tar.gz
Description Edit
This is a version for Sawmill of the Enlightenment theme "E-Tech-Hydro" originally made by Cytrix <ejvend at uswest dot net>. Hacked for Sawmill by Deuteros <etienne at linuxbe dot org>. Hacked again into SawTech-Aqua by Dean <dean at thestuff dot net> Comments and suggestions are welcome.
Screenshots Edit


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|Feedback submitted by Paul Church
I'd like to thank you for another positive camp experience for Carson. He attended your Marshfield camp last week and had a blast and had some great workouts. He's a year older and looks to have gained some maturity in the last year and I think got much more from this year's camp. Your staff was excellent again as was the coordination and overall camp experience at the Holiday Inn. Hats off to Jesse Thielke as he did a wonderful job and looks to have what it takes to both teach and keep the kids attention and maintain positive attitudes all while being an excellent role model for these young boys to look up to and follow throughout his career. - Paul Church


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Last update:
- blouse
- blue shirt
- turquoise
- flowy blouse
edit tags
cancelTag what you see on the picture : clothes, celebrities, bloggers, series, movies and brands.
Originally posted 31 months ago byisfarrell9613
Where to get this blouse?
0 tip - post a tip - comment
Be the first to post a tip. You will help 4 persons.Do you have fashionista friends? Ask them if they know where to get this blouse!
$ £ €


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Houdini Lives!, will cease to exist after June 30 when Apple turns off their MobileMe hosting service.
I considered moving the site to a paid server, but I decided I don't need the hassle and expense of serving a site that I no longer update. Over the past few years I've moved and archived the important news stories here on WILD ABOUT HARRY, and part of the reason I created this blog was because I saw support waning for iWeb/MobileMe and feared it was a matter of time before Apple abandoned the software and service. That day has come.
What spooks me is I still see a fair amount of traffic travel from the old site to here. This is probably because I have a WILD ABOUT HARRY news feed at Houdini Lives. But after Saturday, that feed will no longer be available.
So if you are connecting to this blog via any URL that says houdini-lives.com, change those bookmarks to wildabouthoudini.com (I also might look into an automatic redirect of the old URL).
Thanks. I apologize for any inconvenience.
UPDATE: The site is now offline, but the old Houdini-Lives.com URL should be forwarding to this blog now.
- Home
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- Official Houdini Seance, Fort Worth (2012)
- Magic Collectors Weekend, Chicago (2011)
- Houdini Art and Magic exhibition (2010-2012)
- Tony Curtis at The Magic Castle (2009)
- Website
- Contact
Monday, June 25, 2012
Houdini Lives will die on June 30
Written by John Cox at 7:16 AM
Tags: Websites, Wild About Harry
3 comments:
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We have picked some great accessories to help make your outfit complete...
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Includes dress, armband and belt.


text:
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Chocolate Cake Failure
Decorating By PollyH7 Updated 11 Mar 2014 , 2:33am by Sassyzan
AI've been using this chocolate recipe before with excellent results. However this is my third attempt with d same recipe this week but all 3 came out with a rubberry texture with tunnels in it. See pic attached. The recipe is oil base and uses hot coffee in the end. I even bought new baking powder and soda for d last attempt. Help anyone? [IMG]http://cakecentral.com/content/type/61/id/3201538/width/200/height/400[/IMG]
Aanybody? Help? I'm really out of clues as to why this is happening. I'm using a 9" square pan, preheated my oven to the correct temp...will appreciate any advice out there. Thanks
ATunnels can mean the dry ingredients weren't thoroughly mixed. Not sure about the gummy texture though.
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