text:
I wont play a game where micro-transactions are required for playing the content. I can however live with micro-transaction for extra nonessential stuff, like a pet or some useless furniture for your Mog house or the like.
The DDO game is sort of unusual micro-transactions. The 100% free account gives you basic access to the game, most of the classes & races but you don't have access to some quest chains. But if you go with the regular $14.99/month account, you have access to everything. There is a third option in between the two which I don't understand why anyone would take.
One of the unusual elements I found was that people can purchases player passes. If you have someone on your team that has a free account, you can get them into a premium content dungeons.
Not a great fan of the above design, but it doesn't seem as evil as other micro-transaction games that I witnesses. At least I don't see "gold seller" spam in the chat channels or email.
I hope the brain-trust behind FFXIV will keep far away from micro-transactions & find a way to stop botting and gil sellers.


text:
The Compostela Beach Club II Apartments offers a good range of facilities in a peaceful and friendly environment. Many apartments command stunning views over the golf course. It is a short walk to the beach where there is a variety of water sports available, and the lively resort centre is only half a mile away.
Distance from Airport:
13 miles
1 bedroom apartments will have up to 2 beds (3rd & 4th beds are sofa beds)
All have * balcony/terrace * bathroom * WC * TV * kitchen * fridge/freezer * kettle * toaster * (certain amenities may be payable locally)
Transfer time:
20 minutes
Location and Resort:
The Compostela Beach Club II Apartments overlook a golf course, and the resort centre is about ? a mile away, where you will find a large selection of shops, bars, restaurants and lively nightlife.
Eating and Drinking:
There is a restaurant , a poolside snack bar, and a lounge bar.
Swimming pools:
The property has a swimming pool with a children`s section.
Right choice:
These apartments will appeal to families and couples looking for a relaxing holiday in Tenerife, and are a perfect for keen golfers.
Suitable for:
Couples. Families and Golfers

subset: commoncrawl


text:
Many pregnant women change their minds about having an abortion. But somehow their stories are ignored
Inquiry finds that doctors who conscientiously object to abortion are denied career choices
A former Planned Parenthood employee has written a devastating account of her time working for the abortion provider
The number of repeat abortions in England and Wales in 2015 went up to 70,294 in total
The RCM's new policy on abortion was formally announced in a statement published last week
The 1980 law was insanely cruel. Now it turns out to have been unnecessary
The 'We Trust Women' campaign was launched yesterday
A pilot-scheme due to be launched in schools in south London has been criticised by the British Pregnancy Advisory Service
The Trades Union Congress sent an email to MPs to ask them to oppose an amendment to the Serious Crime Bill today


text:
It was a beautiful day over Gensokyo. In the distance, the Boundary reflected sunlight in a rainbow light show. Trees rocked back and forth in the breeze. Birds were circling above the lake, skimming the water to catch their lunch. I watched them, just having just finished lunch myself. I sat in one of the Scarlet Mansion's guest bedrooms, looking out the bay window. Clutching a pillow to my chest. Wondering if this was the last time I would admire the country I loved.
The crisis wasn't over. It was further from over than when I started this stupid quest. And this time, the problem didn't have a solution. No act of bravery, no overcoming of personal weakness, no sacrifice could save the day. Gensokyo was doomed. There was nothing anyone could do about it.
I squeezed my eyes shut, beat my fist once on the bedpost. It hurt my hand, but it felt good in other ways. I needed to make my frustration known. I punched the post again. And again.
"Say something," I said. "There's no reason to stand there, staring at me."
Remilia stood in the doorway, had for a while.
"You never turned around," she said. "How did you know I was here?"
"Saw your reflection in the window." I looked back at her. "Another thing the stories got wrong, huh?"
"Apparently so." She stepped into the room, closed the door behind her.
"Why are you here?" I said. "We're done talking. You told me everything I needed to know."
"I told you everything I wanted my servants to hear," she said. "But there's more I need to tell you, and only you. And I have a question."
I looked back out the window. I didn't want to talk anymore. None of it mattered. We were all going to die, or be left in a life that wasn't worth living. But Remilia was the mistress of the house, and used to getting her way. If she wanted to speak with me, I couldn't get away from it. Only endure it.
"Ask," I said.
"Patchouli once described to me what a miko is," she said. "She tells me that you act as spiritual guides and counselors. Is that true?"
"More or less."
Remilia crossed the room and climbed up onto the bed with me. She sat across from me, her legs folded under her. This girl couldn't be five centuries old, even with the bat wings and red eyes. She didn't look a day over eleven.
"Then I ask for your counsel," she said. "What should I do?"
"I thought Patchouli was your advisor."
"For intellectual problems. Not moral ones."
"Vampires need moral advice?"
She shook her head at me. "Let's not start that conversation again. It didn't end well last time."
"You brought it up," I said. "Besides. I don't see how this is a moral problem. More like a kiss your butt goodbye because there's nothing we can do kind of problem."
"Is that how I came across? No. There is something we can do. I just don't want to do it. I hate even considering it."
Remilia pulled her blouse partway off her shoulder, showing me the skin over her heart. There was a small patch paler than the flesh surrounding it.
"Why are you showing me that?" I said.
"Because you can't give me advice if you hate me." She pulled her shirt back up, covering herself. "Nor can I take advice if I hate you. I forgive you, Reimu. Will you forgive me? For tricking you. For feeding on you."
I looked out the window. "I have no reason to."
"Yes you do. Not because I deserve to be forgiven. Not because I can excuse giving into my vampire's lust. But because, if you don't, it'll kill you from the inside out. A miko should know that."
"I do." I closed my eyes. "Tell me what you have in mind to stop Flandre."
"Very well," she said. "Patchouli left out a bit of the research she's done. The reason why the vampire stories say you can only kill a vampire with a stake through the heart. A vampire's heart is the organ that digests the blood sucked from humans. Destroy that, the vampire can't eat, and it dies."
"That can't be the whole story," I said. "Those tales said the vampire died instantly, not slowly of malnutrition."
"You're right," she said. "But fiction has a way of making symbolism into literal fact. For instance, the death of a vampire. What happens when a vampire dies?"
She sat there, looking at me as if waiting for me to say something.
"Well?" she said. "What happens?"
"You're asking me?" I said.
"Of course. You're the one who witnessed it."
I shook my head. "But you're not dead. I don't know what you're saying."
"Then maybe this will explain."
Remilia moved. With that unreal vampire speed, she knocked me back on the bed and was on top of me. Holding down my arms. Sitting on my chest. Just like last night. I panicked. My voice caught in my throat.
"Relax," she said. "This won't hurt."
She went for my neck, the same spot where she'd bit me last night. But she didn't bite. She nuzzled her nose gently against my neck, inhaled deep.
"I can smell it," she whispered. "The bandage is changed, the skin washed. But it's still here. Your blood—" Then she gagged hard, her mouth opening as if she were going to puke. Nothing came out. She backed off me with one hand over her mouth, coughing and hacking. I climbed off the bed, putting some space between us.
"What are you doing?" I said. "Ask permission before you sniff my neck!"
Her coughing fit died down, but she still struggled to catch her breath. She had one hand on her belly and her face was paper white, like she'd gotten food poisoning and was trying not to chuck her last meal all over the bed.
"If I had asked permission," she said between breaths, "would you have let me?"
"No." I said. "Are you okay?"
She swallowed, her eyes moist. "I don't know. The smell of blood nauseates me. It's like I went from craving it to being allergic."
"Maybe you're just allergic to me."
"No." She wiped her eyes dry. "I have no memory after you stabbed me. One second you're on top of me. The next I'm lying in my own bed, and Sakuya's sitting there, crying her eyes out. She begged me to take some of her blood, so I could draw strength and recover. I tried, but I couldn't keep it down."
"You haven't been feeding off Sakuya all this time?" I said. "I thought that's why humans lived with vampires."
"I promised not to feed off her when we first met. She wouldn't be any good as my maid if she suffered from chronic anemia. But don't you see? I can't drink blood anymore. That means I'm not a vampire. I'm not really youkai, and I'm definitely not human. I don't…." She looked away. "I don't know what I am."
"The death of a vampire," I said.
"Yes." Remilia stood up on the bed, putting herself on eye level with me. "This is my only hope for rescuing all involved, including Flandre. It's painful irony. To save my sister, I must kill my sister."
"But you're not sure if it'll work," I said.
"No, I'm not. Destroy her heart, and it might regenerate into an ordinary blood-pump like mine did. Some of her vampire traits might go away. Or they might not. She might die. She might even trigger the mini-Armageddon we're trying to avoid. That's why I'm here, Reimu Hakurei. I need you to tell me if I should take the risk of murdering my sister."
"You want me to make that decision?" I said. "What makes you think I have that kind of moral ground?"
"Because," she said. "Last night, you killed a part of me. But you did it with no anger. No malice. You were trying only to protect yourself, not to hurt another. That's why I hesitated when feeding. The emotions that make blood taste good simply weren't in you."
"No," I said. "It's too big. I can't—"
"It gets better." She hopped off the bed, sounding a light thud when her feet hit the floor. "I also have to ask the help of two human women who I have a very tenuous truce with. I could say, I know we were mortal enemies yesterday, but do you mind helping me solve a family dispute that's threatening to destroy the whole country? I can't imagine that going over very well. Can you?"
"No," I said. "Not at all."
"That's why I need the advice," she walked past me, heading for the door. "If you need time to think it over, that's fine. Come see me you're ready. I'll give you as long as you need. But Flandre won't."
She left the room. I waited until her footsteps were out of hearing.
"You can come out now, Marisa," I said.
The yellow-haired girl poked her head out from under the bed, a curtain of blankets hanging around her neck.
"She knew I was heres?" she said.
"If she did, she didn't let on," I said, sitting on the bed. "What are you doing down there, anyway?"
"Looking for stuffs to steals," she said. "Finding nothings, thoughs. Sakuya keeps the places sparkly spotless."
"I'm sure her small army of fairy maids has something to do with it." I patted the blankets beside me. "Come up here."
She climbed out from under the bed. She was still wearing the jacket and slacks. It was awful and hilarious to be rummaging under furniture while wearing something so expensive. She sat on the bed's edge next to me. Our feet didn't reach the floor, and our legs kicked free.
"Wells," she said. "What happens nows?"
"I don't know," I said. "But it's the same thing, isn't it? The same dilemma that sent us out here."
"Yeps. Do somethings with a good chance of dyings, or do nothings and die for sures. So we gonna helps Remi or whats?"
"We should. But I don't want to."
"Why nots? Better not because she bit yous and can't get over its."
"It's hard. What she did hurt me. Not just physically." I lay back on the bed, looking up at the ceiling. "I know there are bad people in the world. I know there're people who lie and kill and rape and cheat. But that doesn't make it sting any less when it happens to me. And I don't want to help a person like that just for the asking."
Marisa nodded, making a thoughtful hmmm sound. She took hold of my arm and slid the sleeve up, showing my skin.
"What are you—OW!"
She brought my forearm to her mouth, bit down on it hard. Her jaw muscles clenched. I yanked my arm away from her, used the other to knock her off the bed. She tumbled to the floor. I sat up and retreated to the other side of the bed, out of chomping distance.
"What was that!" I yelled at her. I looked down at my arm. She hadn't broken the skin, but her teeth marks were in deep. "Why does everyone bite me? Do I taste good?"
"Theres!" said Marisa, standing and pointing a finger at me. "Just like Remi nows! So you hate me toos?"
"I said it wasn't the physical that bothered me!" I said. "Remilia bit me because she wanted bad emotions to feed on. You bit me just because you're an idiot."
Marisa tapped her chest. "Bad feelings here toos! So angry at yous! Let Gensokyo dies instead of forgiving someones."
"You can't talk," I said. "It didn't happen to you."
"Doesn't matters! Both Remi and mees bit you nows, and for bad reasons. So hate us boths, or forgive us boths."
"That's not fair," I said. "My relationship with you is diff—"
"Blah blah blahs!" she yelled over me. "Forgive mees only 'cause we know each others so longs? Don't want it like thats! Do it right or not at alls!"
I wanted to keep arguing, but we both quieted when we heard a pounding coming down the hall. Stomp stomp stomp!
"Reimu Hakurei!"
Hong Meiling burst into the room, slamming the door open. Unlike me, a stab wound in the leg wasn't slowing her down at all. She wasn't wearing her beret, making her look ready for a fight. I had forgotten how imposing she was. Not just her good looks, but her height and muscle. She could break me with her bare hands, and she seemed to be here to do just that.
"You!" She jabbed a finger at me. "I have a score to settle with you!"
"No you don't," I said. I got off the bed and stood by Marisa.
"Under Remi's protection nows," she said. "Can't hurt her, China-girls."
"Don't call me that!" said Meiling, holding up both fists. "And don't think me that much of a fool! I know I can't attack you directly as long as you're the mistress's guest. But if my honor has been infringed, I can challenge you to a duel."
"A duel?" I said. "What if I decline?"
Meiling laughed, one hand over her mouth like a blushing maiden. "That's the beauty of it! Refuse me the satisfaction of a noble confrontation, and your honor is forfeit. You're no longer worthy of the mistress's esteem, and therefore open game. Either way, you're mine!"
Ah. A loophole in youkai politics. No doubt Patchouli had fed this idea to Meiling, including some of those words, like infringed. China-girl couldn't have come up with it herself, and the mansion's librarian still had some ill feelings for me.
I wouldn't humor either of them. I could simply say nothing, neither refuse nor accept the challenge, and lock Meiling to indecision. I could run to Remilia for help. But I was sick of playing youkai power games. I looked Meiling dead in the eye.
"I will not fight you," I said.
She laughed again, this time in triumph. She moved forward, grabbed me by the shoulders and lifted me off the floor. Her grip squeezed my arms and shoulders together, compressing me in uncomfortable ways. Marisa grabbed her by the arm, trying to pull her off me.
"Noes!" she yelled. "Didn't refuses! That's not what she—"
Meiling made a quick kick and knocked Marisa's ankles out from under her. Marisa toppled to the floor in a pile of blonde hair and expensive men's clothing. Meiling still had me in her lift hold. She swung me around and threw me out the bedroom door. I sailed through it and slammed into the hallway wall. White lights exploded in my eyes. Most the air in my chest came out me in a cungh noise. I collapsed to the floor, limp.
Meiling came stomping out of the bedroom. She wrapped one iron hand around my neck, pinning me to the wall. She was going to lift me up and break my neck. Or shake me around until all my bones snapped. Or reach down and pull my intestines out through my navel. Whatever gruesome way she chose, I was going to die in the next few seconds.
Her grip was tightening, cutting off my air.
"This is what you get!" Meiling yelled into my face.
Yes, this is what I got. This was my punishment for not forgiving.
It wasn't fair! It just wasn't fair!
Why should I have to forgive somebody for wronging me? They hurt me! I had the right to be angry! I could hold a grudge forever if I wanted!
These were the complaints my heart was screaming into my head. My childish, little girl's heart. The heart that thought the world owed me everything and I owed it nothing. My head usually took these demands in stride, giving my heart what it wanted. But this time my heart had to back down.
It had to let go. It had to give up its fear, anger and pride.
Had to.
Meiling still had one hand around my neck, was pulling back the other to punch through my skull. But she stopped. She noticed the tears coming from my eyes, running down my cheeks and over her hand.
"What?" she said. "Why're you crying?"
I brought my hand up and put it on hers. I didn't try to pry her off me, but touched her as I would if comforting a friend.
"I didn't refuse you," I said, my voice thin. "Just said I wouldn't fight you. Just stating a fact."
"What's the difference?"
I looked up at her, blinking the tears out of my eyes. "Remilia asked for my aid in rescuing Flandre. I've agreed to help her."
Meiling's face changed, as if she'd been slapped. Her grip on my neck loosened, and she let me go. I sat back against the wall, catching my breath.
"A request for help from the mistress overrides a challenge from her servant," said Meiling, standing up straight. "Very clever. But don't think you're safe. I'll find a way."
And to emphasize that point, she punched the wall right above my head. I felt the vibration go down my back. The plaster cracked and crumbled under her fist, salting bits of it into my hair. She pulled her hand back and shook it out. She turned and walked off. I watched her go, saw her disappear around the corner.
As soon as she was gone, Marisa bolted out of the bedroom. She peeled me off the wall and hugged me tight.
"So sorry, Reimus!" she said. "Biting and yelling at yous, really mean just nows."
"It's okay," I said, hugging her back. "I forgive you. So long as you forgive me, for being such a thick-headed, stiff-necked, hard-hearted—"
Marisa laughed. "Every times, Reimus. Every times."
It wasn't hard to find Remilia. Even halfway across the mansion, we heard when she started playing the pipe organ.
On the ground floor was a big theater room. Rows of seats spread out in a semi circle before a raised stage. On the stage was a biggest musical instrument I had ever seen. Dozens of brassy pipes of various length and size lined the back wall, stacked and beveled. Below them was a huge console of knobs, pedals and boards of piano keys.
Remilia sat at the organ, her back turned to us. She played a song melancholy one moment, manic the next. Her hands danced over the keys, reaching high above her head to strike keys on the top board. Her feet stomped the pedals below, giving changes to pitch and tune.
Marisa and I came into the room. We walked past the rows of chairs, stopped at the base of the stage. Stood and listened to her play. She didn't notice us or ignored us, kept running the organ like a master performer.
Her song could have gone on, but she let the notes fade away. She pulled her hands from the keys, lifted her feet from the pedals. She spun around on her seat, turning to face us.
"Hello," she said.
"Wows," said Marisa. "Remi's got lots of talents."
"No," said Remilia. "That was procedure, not talent. You can become good at anything if you have centuries to practice." She looked back, up at the organ. "That song was Septette for the Dead Princess. The composer's name escapes me. My rendition of it is weak, since I'm missing six performers." She looked back at me. "Have you prepared your advice for me, Reimu? Or have you decided withhold it?"
"I'd better not," I said. "Giving you advice will keep Patchouli from using that China-girl to kill me."
Remilia tilted her head at me.
"My advice is this," I said. "That the most powerful beings in the mansion head down to the vault immediately and stop Flandre, or die in the attempt."
She smiled. "That's fine advice. I thank you for your counsel, Reimu Hakurei."
"You're welcome, Remilia Scarlet." I nodded to her. "In return, I ask a favor. I don't know what help I can be, but let me go down with you."
"You'll be nothing but baggage," said Sakuya, standing in the isle behind us. "But you still might be useful as a meat shield. Every last-ditch effort needs an expendable member or two."
Marisa yelped, but Sakuya's appearance didn't surprise me. I was getting used to it. I turned to her.
"I have to die sometime," I said. "May as well save Gensokyo when I do."
Sakuya smiled, bowed to me.
"Let's go now," said Remilia, hopping off her seat. "We've wasted enough time. Reimu, Marisa. You two come with me. Sakuya, get Patchouli and Meiling and meet us at the vault. Tell them it's time to save my sister's life."
It's strange. Accompanying a group of people all strong enough to kill me, and some who had reason to, to an unknown danger that I probably wouldn't survive. Yet I felt no fear. I felt no regrets over my life's mistakes. I felt no loss over the coming years I'd never get to live. I was doing the right thing for the right reason. I could stand tall, look my fate in the eyes and do what needed to be done.
I felt good. Better, maybe, than I had ever felt.
Remilia led Marisa and me to the stairwell. Sakuya met us on there, along with Meiling and Patchouli. Again, I expected a sneer or angry comment from them. But neither glanced at me or said anything. They looked how I felt. Happy to be doing what should have been done long ago.
Remilia and her servants moved slower than they could have, letting me keep up with Marisa helping me limp along. The six of us went below the ground level and into the dungeon, passing the cell Marisa and I were kept in last night. At the end of the dungeon was a staircase that spiraled down deep into the earth.
"There's no light from here on down," said Remilia. "Mages, light your torches."
She held out her hand. Just above her palm formed a small but bright flame, blue at its base and red at the tip. Patchouli held out her hand palm down. An ingot of crystalline ice hung from her fingertips by barely visible threads, glowing fractal blue light from its heart. Marisa set up her trademark hatlight. She had no hat, but kept the little white ball lit above the crown of her head.
With half of us carrying light sources, we went into the depths.
Down the stairs, descending around and around. The air was cool and damp. I didn't know how deep underground we were, but we couldn't go much farther. Soon we'd hit the lake's water table.
"This is simpler than I thought," I said, dropping down one stair at a time. "I expected more security. You guys told me about a vault door, but I didn't think we'd just walk down to it. Shouldn't there be more locked doors? Magic traps? Maybe big, muscled fairy guards or something?"
"Of course not," said Remilia. "If Flandre wanted to escape, none of that could stop her. The vault door is only meant to keep people out."
That didn't make much sense to me, but I kept quiet about it. If someone had locked me in a hole in the ground, I'd do everything in my strength to break free. Then again, I hadn't been living there for four hundred and ninety-whatever years. Maybe a prisoner would think of her prison as home after so long.
The stairway finally ended in a long, rectangular room. Dark shapes and their shadows flickered and jumped under our magical lights. My eyes took a minute to know what they were seeing. But I understood the smell immediately. I put a hand over my mouth, hoping I wouldn't throw up my lunch.
There were thick, heavy wooden tables caked over with dried blood. Dark spatters were all over the floors and walls. Meat hooks hung from the ceiling, but nothing hung off them. More hooks were on the walls, most holding butcher and carving knives and other cutlery. There were two wood stoves at the room's center, both with smoke pipes leading into the ceiling. They were covered with empty pots and pans, but neither was lit.
"It's like a slaughter house," I whispered in awe.
"It is," said Sakuya. "This is where I prepare Flandre's food."
Oh no. Oh please no.
I couldn't handle that. Not now. Not ever. I had to pretend it was cow's blood on the table, maybe pig's blood on the floor. She had cooked only beef and pork and poultry on the wood stoves. Because the idea of Sakuya bringing her murder victims down here and....
I gagged, choked down my bile.
I couldn't take it. I was going to break down. I was going collapse to my knees and start crying and blubbering. They'd have to carry me out of here, because I wouldn't have the wits to do it myself.
Something squeezed my arm.
"Reimus," Marisa whispered. "Stay with mees."
I inhaled sharply, and the world came back into focus. The scene was disgusting, but not enough to shut me down. I could have fainting spells all I wanted later. But for now, I had a job to do.
"I'm fine," I said, squeezing her back. It felt good having her here. She was warm, assuring.
On the far wall was the vault door, locked like it was guarding a bank's gold or a government's international secrets. A huge handled wheel stuck out of the door's center. On the wheel's hub was a big knob covered in numbers and tick marks. A combination dial. On the knob was a regular-sized keyhole.
"Stay back for now," said Remilia. "Sakuya, come forward if I wave for you. Patchouli and Meiling, be ready."
The five of us were silent. Remilia walked up to the door, past the tables and woodstoves. The magic flame in her hand cast flickering orange over the vault door, making it seem like a living thing, shifting and shaping in her presence.
"Flandre!" she yelled at the door. "Come to the door, Flandre! I need to talk with you."
No voice came from the other side. No sound at all.
"I know you can hear me, Flandre," said Remilia. "If you don't answer, I'll have to come in there. I'm here with Sakuya, Meiling and Patchouli. The four of us can open the door, no matter how hard you try to keep us out."
I wasn't sure that was true, based off what Remilia and her servants had told me. She was using psychological tricks on a child. Declaring her dominance, demanding obedience. I didn't like to think Flandre was that kind of personality, such power backed by a childish mind.
"Last chance!" said Remilia. "Answer me now! I won't ask again."
The response came in a whispered word.
Both Marisa and I stopped breathing. The voice behind that why was so sad and weak. Like a sick little girl on her deathbed, asking her parents why she had to suffer. Why she was cursed to such a short, painful life. They didn't love her enough to save her from hurt. God hated her so much that He damned her to this living hell.
Sakuya was suddenly shivering, her arms wrapped around herself. Patchouli and Meiling were stone still, pained looks on their faces. Out of us all, only Remilia was unfazed.
"Why what, Flandre?" she said.
"Why did you bring strangers here?" said the voice. "Those two. The witch and the priestess."
Flandre could see us? How did she know what we were? We weren't dressed like ourselves.
"They're my friends," said Remilia. "I want them to be your friends, too. They're here to help me, and help you."
"Why are they holding each other?"
Remilia looked back at Marisa and me, uncertain.
"The priestess hurt her leg, so the witch is helping her stand."
"No," said Flandre. "Priestess burns witch. Witch curses priestess. They're supposed to hate each other."
"These two don't," said Remilia. "Listen, Flandre. We're going to help you undo the spell, so that it doesn't hurt you. We're coming in. Stand away from the door."
"No!" Flandre moaned. "Don't come in. I'm not done yet."
Remilia took out a key from somewhere in her dress. She pushed it into the keyhole on the combination knob, turned it once and left it there.
"Don't come in!" said Flandre, her voice rising from a whisper to a yell. "I said DON'T COME IN!"
Remilia ignored her. She turned the combination knob right, left, right again. She took hold of the handled wheel and started spinning it to the left.
"NO! NO! NO!" screamed Flandre. The door shuddered under heavy blows, as if a giant were beating on it with both fists. Remilia kept turning the wheel, even though it was jerking her arms back and forth. One final turn, and the wheel spun free.
"Sakuya! Meiling! Patchouli!" she yelled over the noise. "Help me push!"
The three servants all ran to Remilia. Sakuya and Meiling stood on either side of her, throwing their weight into the door. Patchouli stood a few feet back, getting ready to cast some spell. Even with Flandre resisting from the other side, the four of them would force the door open.
Flandre must have felt herself loosing ground, and she stopped pushing back. The door swung inwards. Sakuya and Meiling all fell forward into the blackness of the vault. Remilia was buried under her two servants, collapsed on top of each other. Patchouli stood still, one hand up to the ceiling. She was ready to cast, but wasn't sure if she should.
"You will all STAY OUT!" Flandre screamed.
The air rippled for one second, and exploded. A massive blast of energy burst from the vault, throwing everything around like a tornado. Even at the other side of the room, Marisa and I were both dropped to our backsides. The butcher's tables toppled. The knives on the wall hooks flew free, raining spinning blades around us. One caught me in the shin, but only by the blunt edge.
Remilia and her servants were knocked back under the magical gale. Patchouli fell flat on her back and tumbled towards the stairwell. Meiling sailed into the smoke pipes of the wind stoves, breaking them both in a loud crash of sheet metal. Sakuya twisted away from the vault door, limbs flailing. Her head hit one of the overturned tables. Two throwing knives came out of a holder from under her skirt, more bladed projectiles coming back at Marisa and me. One of them clattered on the stone floor. The other caught Marisa in the arm.
Remilia got the least of the blast. She was covered by Sakuya and Meiling until just before the spell let up. She slid back on the stone floor a ways, riding up her dress. Her left wing caught on a meat hook that had fallen from the ceiling.
The spell ended. The room was in scattered ruins. Remilia at her servants were all down. Flandre had beaten them in a single shot.
"And YOU TWO!" she yelled. "GET IN HERE!"
Marisa and I were both pulled forward, as if the spell were running in reverse, and only for us. We lifted up off the floor and tumbled though the air, towards the vault. One of the meat hooks on the ceiling nearly stabbed through my head, but it only raked over my scalp and took some of my hair with it.
We both flew into the vault and dropped to the floor. Marisa cried out in pain, probably landing on her wounded arm. No sound came from me, except desperate wheezing as I tried to catch my breath. My head burned where the hook had scraped me. Already I could feel blood welling in my hair.
"Now," said Flandre, her voice close. "We need some privacy."
I looked back at the vault door. I had to get up. Had to get out. I saw Remilia standing, running for the door, even with a huge metal hook impaled through her wing.
Then the door slammed shut, and all was black. Remilia pounded and shouted from the other side. But she was too far away to help. We were in Flandre's world now.
"There we go," she said. Smug, satisfied. "I've always wanted to try fresh human."
Forward to Chapter Eleven
Back to Chapter Nine
Return to Chapter Index


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How long after liposuction do you need before getting a lympathic drainage massage? (Photos)
Doctor Answers 2
Liposuction/ Liposculpture/ Fat Transfer/ Vaser/ Hi Definition Procedures/Liposuction Revision/Tummy Tuck/Body Contouring
I appreciate your question.
I would recommend that you discuss this question with your surgeon as every surgeon has their own respective post op protocol for his/her patients. Your surgeon is your best resource as he/she is most familiar with your medical history and how you are healing at this time.
The best way to assess and give true advice would be an in-person exam.
Please see a board-certified plastic surgeon that specializes in aesthetic and restorative plastic surgery.
Best of luck!
Dr. Schwartz
Board Certified Plastic Surgeon
Learn more: http://beverlyhillsbreastandbodyinstitute.com
Massage after liposuction
Thank you for asking about your liposuction and BBL.
- There is no evidence that lymphatic massage will affect your result.
- It doesn't mean it can't help - but certainly it makes no difference for most people.
- Your skin is hard because of swelling and will soften as swelling goes down.
- I always wonder if instructions to get massage right away - when you may not be able to do so - is a way of setting the stage for blaming you for a disappointing result.
- If you cannot find someone to do your massage right away see if you feel you need or want one at the eight week mark.
- Or buy on-line an inexpensive, hand held massage machine and use it on yourself.
Always see a Board Certified Plastic Surgeon. Best wishes - Elizabeth Morgan MD PHD FACS
These answers are for educational purposes and should not be relied upon as a substitute for medical advice you may receive from your physician. If you have a medical emergency, please call 911. These answers do not constitute or initiate a patient/doctor relationship.


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A master's degree is a postgraduate academic degree. One must already have an undergraduate degree to apply for a master's program. Most master's degree program would require students to complete a master's thesis or research paper.
Film is subject to academic study in a variety of different areas, including film history, criticism, and production. Students often analyze the social, political, aesthetic, and narrative features of a particular work, as well as the general theories that underlie filmmaking as a whole.
Education in the United Kingdom is a devolved matter with each of the countries of the United Kingdom having separate systems under different governments: the UK Government is responsible for England, and the Scottish Government, the Welsh Government and the Northern Ireland Executive are responsible for Scotland, Wales and Northern Ireland, respectively.
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The MPhil/PhD in Film and Media Studies is for media graduates who are looking to develop their knowledge of a specific area of film and media studies to a high level of academic achievement. Study at MPhil/PhD level is open to honours graduates as well as those already having a postgraduate degree. The MPhil/PhD is largely non-taught and your main submission will be a thesis written under the supervision of a member of staff (the... [+]


text: Home Gallery Print (Slideshow) USA Network Mr. Robot-Themed Store USA Network 'Disrupts' Retail With 'Mr. Robot'-Themed Store Media Company Partners With Concept-Shop Story to Promote Show's Second Season By Adrianne Pasquarelli. Published on Jun 06, 2016 Editor's Pick "Mr. Robot" is coming to a store near you. Beginning today, the popular TV show, which airs on USA Network, will sponsor a "disrupt"-themed installation at Story, the five-year-old concept shop based in Manhattan that earns the bulk of its revenue from sponsorships. Complete with a socially-powered vending machine and a hackable ATM doling out $50 to skilled techies, the themed shop will run from June 6 to July 24, in time for the cyber-crime thriller's second season premiere on July 13. The store will feature curated merchandise from startup brands like menswear company JackThreads and outerwear seller the Arrivals, in addition to product picks from editors at Circuit Breaker, a new blog from the Verge. "It's the first time we've taken an entertainment property, a show and brought it to life in a physical format," said Rachel Shechtman, the founder of Story. "We're creating a living conversation around disruption with 'Mr. Robot' and USA at the center of it." Carly Chaikin, the actress who plays Darlene on the show, will attend a press event on Monday. Ms. Chaikin created limited-edition artwork for purchase at the store. The partnership is meant to build buzz around "Mr. Robot"'s premiere and attract new fans to the series, which stars Christian Slater as an anarchist hacker. "Mr. Robot" won a Golden Globe in January for Best TV Drama; Mr. Slater won the award for Best Actor in a Supporting Role. This is the first time USA has done a partnership of this nature, according to a network spokeswoman. "As marketers, we are always looking for strategic partnerships that demand attention both for their conceit and flawless execution. Story is all this and more," said Alexandra Shapiro, exec VP-marketing, entertainment networks at NBCUniversal. "Disrupt Story offers us an incredible new storytelling medium -- an experiential retail canvas -- through which we can bring the themes and iconography of our award-winning series 'Mr. Robot' to life." Read the full story on the "Mr. Robot" shop on Adage.com. Rate this Ad You must be registered to rate the ad. Please Login or Register Now About CreditsDateJun 06, 2016Agency:Story Client:USA Network CategoryOOHRetail Latest Creativity News on Ad Age Agency Brief: Where Is Everybody? Gallegos United Has a New CCO, Arnold Hires Alfson, Low Joins Ogilvy Beijing 'I Have a Huge Idea:' Wyclef Jean Wants to Work With Brands Related work USA Network: Alone Together USA Network: White Collar iPad Banner Ad Glow Interactive USA Network: The Starter Wife Freedom + Partners


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With an amazing visiting day for parents behind us this morning we woke up and got back to the basics of summer camp. Our counselors went to bed at the same time as our campers so everyone woke up this morning happy and rested, and thrilled to be here for 3 more incredible weeks.
Almost every age group was in camp today, which meant that this was a day of our campers playing sports, making beautiful creations in arts, and having tons of fun at the waterfront and on the ropes course.


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Paul Harvey
Going to Macon, Georgia soon for the Lamar Lectures at Mercer University, and corresponding with my esteemed colleague in southern history at Macon State, Andrew Manis, has reminded me to put up a post about Manis's fine work, which has not received the full attention that it deserves, IMHO. So here's a little primer for you on the work of Andrew Manis, essential for anyone interested in race/religion/civil rights history.
Several years ago, Manis's A Fire You Can't Put Out: the Civil Rights Life of Birmingham's Reverend Fred Shuttlesworth gave us a compelling study of this remarkable man. The link takes you to one review of the work, from the Journal of Southern Religion. Another review states,
Shuttlesworth, by contrast [with King], had all the bridging qualities of a sharp stick. He won a reputation in the movement for absolute fearlessness, for reckless and unattractive egotism, for dictatorial leadership. He and Bull Connor seemed made for each other. Yet Shuttlesworth, in his own way, was indispensable to the movement. Without his working-class following, and without Shuttlesworth's insistence on confrontation, the SCLC and King would never have tackled Birmingham.
Shuttlesworth remains a fascinating figure of the movement, and Manis's biography does him justice without engaging in hagiography, always a tenuous balance.
More recently Andy has published Macon Black And White. This was a commissioned book, and the focus on one city could have made this a less compelling work. Instead, the focus drives the work and shows how the general narrative of southern history can look when based on a local history. This is, really, a moral history of a southern city. Below is my review of the work from the Journal of Southern History. Manis's works should be on anybody's reading list for race/civil rights/religion. I look forward to further reflections on Macon after I return!
Macon Black And White: An Unutterable Separation in the American Century. By Andrew M. Manis. (Macon, Ga.: Mercer University and the Tubman African American Museum, 2004. Pp. xvi, 432. Paper, $20.00, ISBN 0-86554-958-3; cloth, $45.00, ISBN 0-86554-761-0.)
Surprisingly enough, few volumes in southern history follow the course of black and white life, separations, and interactions in a single community over an extended period of time; Manis's work will serve as a template for those that may follow. Home at various times to the black Reconstruction legislator and AME bishop Henry McNeal Turner, a dazzling array of black musical talent, Elijah Poole (the future Elijah Muhammad, Malcolm X's mentor), and to a variety of white leaders ranging from the most reactionary to the most progressive, Macon turns out to be nearly an archetypical southern city in terms of the complexity of race, violence, economics, and political power. Manis moves his story beyond prototype by following the flesh-and-blood stories of myriad figures from Macon's past, ranging from local Klansmen in the 1920s, to pastors of local churches, to Sam Oni (an African student who desegregated Mercer University in the 1960s), to the recent and controversial black mayor C. Jack Ellis.
From the standpoint of white Maconians for much of the twentieth century, white supremacy was "unutterable," in the sense of "unuttered because of its taken-for-granted status and its sacred inviolability" (7). . . In more recent years, segregation is an unutterable part of a shameful past, but the existence and reality of "white privilege" remains the unacknowledged reality indelibly shaping the exercise of economic and political power. Finally, "unutterable" refers to "unspeakably evil or tragic" (8). In all these ways, An Unutterable Separation is both a social and a moral history.
Most of the major themes in southern historiography appear here, from progressivism "for whites only," to the rise and fall and reappearance of the Klan, to the frustrations of black accommodationists, to tentative efforts at interracial cooperation, to the "days of hope" during the New Deal and civil rights awakening during the World War Two era, to civil rights struggles from desegregation to black power, and finally to continued separations and inequalities down to the present day. The patterns of southern racism painfully evident at all points in Macon's history were moderated and "leavened" at points by the impressive activism of the local NAACP branch, by the presence of a relatively moderate local newspaper (the Telegraph), by the presence of local interracial efforts, and by the influence exercised by white moderates at local educational institutions such as Mercer.
The interest here is not in any new schema of southern history being offered, but rather in the sheer human interest and drama in watching how diverse struggling individuals lived out these themes in politics, culture, economics, and social life over the course of a century. Manis's work reminds us that even if people do not make history just as they please, they nevertheless make history. And, in a deliberately sermonic epilogue directed particularly at local readers, Manis reminds us that people can still remake history, in this case simply by remembering that "efforts towards reconciliation must go beyond dialogue between individuals to address unequal power relationships" (352). His outstanding work ultimately serves both as a compelling social history as well as an inquiry into the "moral demands of justice" (362).
Fires That Would Not Go Out, and Unutterable Separations
Categories: african american religion, religion and civic life, religion and civil rights, religion and scholarship, southern religion
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2017 AmCham-DHL Express Success and Innovation Awards
The American Chamber of Commerce is delighted to announce the launch of the 2017 AmCham – DHL Express Success & Innovation Awards, held in conjunction with United Airlines. The Awards celebrate business achievement between New Zealand and the United States.
The annual Success & Innovation Awards provide an opportunity to showcase those companies that have demonstrated imagination, innovation and entrepreneurship, as well as honour and celebrate their achievements.
This year we have introduced a Contribution to Tourism Award and a Bilateral Services Award
The Award categories are: CLICK ON CATEGORY BELOW TO DOWNLOAD AWARDS APPLICATION FORM
- Importer of the Year from the USA- Exporter of the Year to the USA – under NZ$1m- Exporter of the Year to the USA – NZ$1m to NZ$10m- Exporter of the Year to the USA – over NZ$10m- Investor of the Year to or from the USA- Contribution to Tourism- Bilateral Services Award with the USA
A Supreme Award winner is selected from winners of each of these Awards. AmCham also makes an award to the Member/Supporter of the Year.
The winners of the importer, exporter and bilateral services awards receive a return Economy Plus airfare to anywhere in the USA from United Airlines.
Previous winners of the Supreme Award have included ZESPRI International, Peace Software, Airways Corporation, HumanWare, Tenon, Zeacom, Specialist Marine Interiors, Fonterra and Christchurch Engine Centre, Buckley Systems, Vista Entertainment, Greenshell New Zealand, Orion Systems International, Fisher & Paykel Healthcare and Douglas Pharmaceuticals
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2012 © American Chamber of Commerce in New Zealand Inc • Site by highlandcreative.com.au


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Null and Alternative Hypotheses: How Decisions Are Made
If John Smith is charged with a crime under the U.S. legal system and is brought to trial, what are the null and alternative hypotheses that the judge, the jury, and the prosecution must work under? If the jury decides in favor of John Smith does this mean that he has been proven innocent? What about if the jury finds against hi


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Stir-Fry Sauce
Recipe by KelseyE
This sauce was adapted from a Mollie Katzen "Moosewood Cookbook" recipe. Add to stir-fried vegetables - plus chicken, if you are not a vegetarian. If you are a garlic lover, add more - it is really strong since the sauce is barely cooked.
Top Review by Manda
OMG!!! This sauce is absolutely WONDERFUL!! I used this for a chicken/veggie stir-fry. Only thing I changed was that I used 5 cloves of garlic (can't help it, I LOVE the stuff!), went light on the ginger, used regular vinegar instead of cider (personal preference),and added some ground black pepper. Since I had to stir-fry my chicken in oil, I used the sesame oil to cook my chicken while I was parboiling frozen stir-fry veggies. Threw them in with the chicken, added the sauce (minus the sesame oil), and it was soooooo yummy!!! This is definitely a must-try!!! I took the left-overs for lunch today, and it was even better because the sauce was nice and thick. Oh, I think I might have to make it again tomorrow! Healthy, simple, and a wonderful blend of flavors. I served over steamed rice. Thank you so, so, so much for this recipe!!! ~Manda
See Discussion:22 Reviews 3 Tweaks
Ingredients Nutrition
- 1⁄4 cup soy sauce
- 1 cup water (or more)
- 1 -3 teaspoon grated ginger
- 2 garlic cloves
- 1 teaspoon sesame oil
- 1 tablespoon honey
- 1 1⁄2 tablespoons cider vinegar
- 2 tablespoons sherry wine
- 3 tablespoons cornstarch
Directions See How It's Made
- Combine all ingredients except cornstarch.
- Place cornstarch in a separate bowl and slowly whisk in everything else until desired consistency.
- When your stir-fried vegetables are done, pour the sauce in and stir from the bottom, keeping the wok or pan at a higher heat.
- In a few minutes the sauce will thicken.


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Fiora has long and rather messy silver (with a green tint) hair in the style of a bob cut, and dark violet red eyes. She has an ample bust and a curvaceous figure, but is young woman of below average height. Usually wears elegant dresses when on missions. Her (presumed) measurements are: bust, 91 cm; waist, 59 cm; and hip, 88 cm (36 in, 24 in, 35 in). She also sports pointy ears like other elves. These measurements were later revealed to be slightly different by her, with the breasts being two centimeters less, and the others one less.
When on missions Fiora wear a quite revealing outfit, that consists of a purple top that is opened wide to reveal her cleavage that is slightly covered by her black and white bra. She wears a pair of tight, violet, shorts that, because of their minuscule length, resemble underwear. The shorts have belt loops and in the loops is a black belt with a white buckle. She wears a pair of black leggings that cut off right above her inner thigh and a pair of white boots with sky blue slits on the foot of them. She also wears a pair of white gloves and two metallic bracelet type accessories on both of her upper arms.
Fiora is a very shy and polite girl. She is very eager to try and make friends. Fiora also cares greatly for her team members. She can be insecure at times, doubting of both her ability to help her allies and appearance (eg, the sizes of her breasts), however Fiora is more confident and brave than you'd think, and she always tries to be of help wherever she can. She is intelligent and has a very honest personality, is "direct and open with her emotions", and is easily swayed by the people around her. However, this also causes her to be "very romantic". She can be spontaneous and "very ditzy".
On the other hand, Fiora highly respects her opponents, and acknowledges the extent of their powers. She is also very polite to others, referring to her teammates and complete strangers with the suffix "-sama" despite having just met them.
- Supernatural Condition (Enhanced Level)-
- Enhanced Beauty-
- Limited Healing Magic-
- Contaminant Immunity-
- Illusion Awareness-
- Cleanliness Inducement-
- Atmospheric Adaptation-
- Restricted Nature Manipulation-
- Decelerated Aging-
- Indomitable Will-
- Petrification Cancellation-
- Elemental Magic-
- Magically Enhanced Physiology-
- Enhancement Calling-
- Status Lock-
- Safety Field Projection-
- Immunity Bypassing-
- Effect Stacking-
- Anti-Support Magic-
- Guardianship-
She knows Mary and Ryuuhou Mikazuchi personally


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I enjoy taking a look at things like this as well, so here my 'list' of the biggest Iowa Hawkeye sports stories/happenings from the 2007 calendar year. The first grouping will not be ranked with regards to 'importance' or 'significance', but I felt all deserved mention.
Mark Perry Wins the National Title at 165 pounds: Perry became Iowa's first national champion since Cliff Moore in 2004, and he also beat Oklahoma State's Johnny Hendricks in the final seconds to capture the crown. It was a dramatic match (Perry trailed 2-0 late until he scored a reversal and two nearfall points), Perry's emotion and trip into the stands to hug his family and friends was memorable, as was Hendricks congratulations. Hendricks had beaten Perry in their six previous matches, and Perry grew up in the Oklahoma State wrestling family.
It was also a big step for Iowa Wrestling, which finished a disappointing eighth at nations. "This is big for the program," said Iowa Head Coach Tom Brands. "It's very important; it's a big step for the program. When you're building and rebuilding, it's a huge step in the right direction."
Adam Haluska Leads the Big Ten in Scoring: It had been 10 years since an Iowa player had led the Big Ten in scoring (Andre Woolridge,1997) and Haluska averaged 21.3 points per game in Iowa's 16 Big Ten contests to capture the crown. Iowa went 9-7 in Big Ten games and tied for fourth place, several positions higher than the 'experts' had predicted them to finish. Much of that was in due to Haluska's ability to carry the team on his back. He scored over 1,500 points in just three years in an Iowa uniform and he is one of the top scoring native Iowans to ever play for the Hawkeyes. Halusaka was taken in the second round of June's NBA draft by the New Orleans Hornets, and he made the team.
Iowa Wrestlers Back Where They Belong; at #1: I think most Iowa fans were surprised to learn that Iowa had not held the #1 team ranking since the 2000 season. I know I was shocked to learn that last week, but we all found out about that because Iowa regained the #1 ranking after a 20-13 win against then #1 Iowa State in Ames on December 9th. The Hawkeyes won 6 of the 10 matches, and earned bonus points in two of those wins. They also won the dual without the services of Mark Perry, who was suspended for the meet. Coach Tom Brands has the Hawkeyes back on top of the polls in less than two years on the job, but he would be the first to tell you that December rankings mean nothing; it's all about the nationals in March. This year, they will be held in St. Louis. Start making plans to get down there and scalp tickets, if you don't already have them.
Former Hawks Flying High in the NFL: Dallas Clark and Bob Sanders played huge roles in helping the Indianapolis Colts to their first ever NFL championship. Either player could have been named Indy's playoff MVP with the performances they turned in during the months of January and February. Clark created several mismatches with his speed and agility, while Sanders transformed a weak run defense in the final weeks of the regular season, when he was out with injury, into a fearsome front in his return. Aaron Kampman recorded 15.5 sacks last year, and he punched his ticket to his first Pro Bowl. All three of those players have had excellent seasons in 2007, with Sanders and Kampman earning trips back to the Pro Bowl this year, both of them as starters. Kampman has a streak of 72 consecutive starts for Green Bay.
Disappointment on the Gridiron: I picked Iowa to finish 9-3 this season, so their 6-6 record was well below that mark. Perhaps I was too optimistic, but I don't know that many folks saw 6-6 coming. Of course, we didn't see the attrition in the playmaker department coming, either. Losing Dominique Douglas before the season began was a bad beginning, and then losing Andy Brodell and Tony Moeaki in game four were huge blows. There were times this year where Iowa had just three healthy scholarship receivers, and all of those players were redshirt freshmen. When they had four healthy receivers, there were times when that extra player was a true freshmen.
Off the Field Incidents: Going back to April there were far too many run ins with the authorities in 2007 when it came to members of the Iowa football team. DUI's, theft charges, assault charges, public intox, driving infractions and others were on the docket this year, and not the kind of docket you want to see from your football program. I know that Coach Kirk Ferentz was just as bothered by these situations. There is the pending sexual assault investigation that did not cite players by name, but said that three Iowa football players were being questioned in relation to a sexual assault on Iowa's campus in October. Thus, there is a chance that this category could spill over into 2008.
Baseball Back to the Big Ten Tournament: Jack Dahm's Iowa Hawkeyes qualified for the Big Ten tournament for just the third time in the last 16 years. It was the second appearance for Iowa during the three year Dahm-era. Iowa finished with a record of 31-23, its best record in 14 years. Iowa also finished fourth in the Big Ten standings. Iowa also strung together 12 straight wins, the second longest streak in school history. That included 10 straight wins against Big Ten opponents, something the school had never done in its history.
Now we get to the two biggest stories related to Iowa athletics, in my opinion, for the 2007 calendar year.
Iowa Hires National Coach of the Year: Todd Lickliter earned that honor, awarded to him by a vote of his peers, after leading Butler to a Sweet 16 appearance in last year's NCAA tournament. His Bulldog club gave eventual champion Florida its best game of the tournament. Lickliter's arrival at Iowa ushered in a new era of Iowa basketball, and though this year will provide several ups and downs, perhaps more downs when it comes to the win column, Lickliter's demeanor and personality are a perfect fit for the state of Iowa and its fans.
Alford Resigns: The Steve Alford era, one that began with fanfare and proclamations by the former Athletic Director, Coach Alford and Internet publishers alike, ended with a crashing thud. Iowa set Carver Hawkeye Arena attendance lows over the finals four years of the Alford era, player defections were almost more the norm than the exception and Alford rubbed too many people the wrong way during his eight seasons at Iowa. The most significant statistic of the Alford era, in my opinion, was that his teams earned just three trips to the NCAA tournament in those eight years. In the 21 years prior to Alford's arrival, Iowa had been invited to 16 NCAA tournaments. Tom Davis went to 9 in his 13 years and he never lost a first round game. Alford's teams went 1-3 in NCAA tournament action, making it out of the first round just once.


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Hidden Figures 2016 English DVDScr 800MB
IMDB Ratings: 7.9/10
Genres: Drama
Language: English
Quality: DVDScr
Size: 802mb
Director: Theodore Melfi
Writers: Allison Schroeder, Theodore Melfi
Stars: Taraji P. Henson, Octavia Spencer, Janelle Monáe
Movie Plot: Based on a true story. A team of African-American women provide NASA with important mathematical data needed to launch the program's first successful space missions.
As the United States raced against Russia to put a man in space, NASA found untapped talent in a group of African-American female mathematicians that served as the brains behind one of the greatest operations in U.S. history. Based on the unbelievably true life stories of three of these women, known as "human computers", we follow these women as they quickly rose the ranks of NASA alongside many of history's greatest minds specifically tasked with calculating the momentous launch of astronaut John Glenn into orbit, and guaranteeing his safe return. Dorothy Vaughn, Mary Jackson, and Katherine Johnson crossed all gender, race, and professional lines while their brilliance and desire to dream big, beyond anything ever accomplished before by the human race, firmly cemented them in U.S. history as true American heroes.
Hidden Figures 2016 English DVDScr 800MB
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Please confirm that you want to add How to Copy the Best Traders on Etoro to your Wishlist.
Etoro is the largest online forex broker in the world, as they currently have over 1.8 million clients spread throughout hundreds of different countries.
If you are looking to open up your first online forex account, I would definitely suggest taking a look at Etoro. Etoro gives you the opportunity to trade with a free account so that you can give their software a good test before deciding to trade with real money.
You will learn to invest in people, not in currencies.
You don´t need to learn all the charts and technics about forex
You will receive a list with the best traders on etoro to copy.
You will learn to build your "company" as a CEO.
Short course and to the point!
To start copy trading all you need to do is open an account at www.SimplyForex.com (my etoro ref.)
Then use the investment network to search out the top financial traders.
When you've spotted a trader you'd like to copy, simply choose a portion of your funds to invest and get started.
BUT the problem is there are so many and their success doesn't only depend on their graphic performance on Etoro.
·There are many other factors which influence a good trader
·Deposit $ 200 (minimum) or more!
·Open an account
For NEWS and UPDATES please check the Lesson Nr. 9 !!
For NEWS and UPDATES please check the Lesson Nr. 9 !!
How do you go about selecting the traders to follow?
1.Good money management (uses no more then 50% equity)
2. A maximum of10 open trades
3. Look for traders with a proven track record (ideally at least 12 months)
4.No 100% loss in the past 100 trades (I accept losses - that's normal - but 100% is a bad sign for a trader).
5.No copytraders – just trades by himself
6.Activity: at least 10 trades per week
7.The smoother the chart graphic is, the better the trader
8.In my list I look for traders with as many different currency pairs as possible (diversification)
9. Look for one good commodity trader
10. Look to diversify geographically: search for 2 traders per continent so you can trade around the clock.
11. Follow short term eToro traders (i.e. traders who don't leave positions open for weeks or months)
12. Follow traders who demonstrate a professional money management strategy - i.e. traders who risk a small percentage of their balance per trade and not traders who "bet" 10% or more on a single trade
13. Avoid traders with 100% (or > 90%) winning ratio, this only means they leave every position open until it becomes profitable, eventually locking up and losing all your capital as they widen their stop levels
14. Try to follow and copy traders who watch the market and use clearly defined stop levels above or below certain trend lines, instead of arbitrary stops of 100 or 500 pips away
15. Search for traders who know when to cut their losses and understand that not every trade must be a win.
You need to copy them and then go on vacation. Don´t do anything, just wait and see …!
Copy only, if they are in red or they have not open trades!
I recommend you start with the green list.When you have more money you can start to invest in them all one by one!
All of these traders have been tested by me with a real account.
Some traders are risky, but they make more money.
Don´t play around and exchange the traders often.
Be patient with them at least 4 months in order for the traders to be effective!!
Caution:It is very important to understand that almost all forms and types of investments have inherent risks involved. Many everyday activities such as driving a car is also risky owing to thousands of deaths each year attributed to driving. However, forex trading can be regarded as being as dangerous as any other activity and so it really depends on how good of a trader you are. The more time and effort you put into learning the ins and outs of forex trading and using the right strategies the lower will be the risk that you take.
UPDATES!! March 2016
Check this New video:
Please read!!
A better, more stable system The CopyTrader 2.0 has passed our beta-testing stage and is now in full swing, with more stable results across all points.
We have fixed most of the known bugs, and thanks to the new Copy Stop Loss and Pause/Resume features we have managed to achieve optimal synchronicity between copied investor – copier accounts, to preserve more accurate trade proportions.
We are certain that the CopyTrader 2.0 will make your Copy Trading experience smoother and more rewarding. Promoting responsible trading We, as a company, are committed to encouraging our traders to invest responsibly in order to promote portfolios that are stable and profitable in the long term.
Trading responsibly is all about minimizing risk, and minimizing risk is all about protecting your investments, which is why, we are about to implement a new default Copy Stop Loss setting and equity allocation limits.
As of November 2nd, whenever you open a new copy relationship, the CSL will automatically be set at 40%, so that 60% of your investment will be protected by default.
By putting in place a default CSL setting, we are making sure that you are less exposed to risk and that you can invest safely, knowing that a good portion of your investment is guaranteed to come back. Of course, this is just a precaution and you can always change the CSL from the default setting to your preferred amount.
In addition, as of November 19th the minimum copy amount will change from $50 to $100. It will mean that you will be much less likely to miss any of the trades your copied investor makes (due to the minimum trade amount of $1 and the proportion between their equity and your allocated copy amount), and will therefore have better synchronization between the two accounts.
More flexible allocation You ask, we deliver. As a result of your valuable feedback, on November 2nd we will be changing our 20% allocation limit to 40%. This means that you will now be able to copy any one investor with as much as 40% of your equity. So if, for example, you have $1200 in your account, you will now be able to copy 3 traders with $400 allocated to each.
The 20% rule was initially put in place to protect your investment portfolio by making sure that it was diversified, however now that you have the Copy Stop Loss to protect your investment, we are sure that you will enjoy the added allocation flexibility.
Can all these changes affect your open copy positions? Well, yes and no. While you will definitely feel that the experience has became much smoother, you will not be required to add money to your existing copy relationships (unless you want to add money to them, in which case you will have to bring the copy amount up to at least $100), and the CSL for your currently open Copied Traders will not be affected. However, from Nov. 2nd and onward, every time you copy a trader, your copy relationship will be subjected to the changes listed above.
The internet has been a great leveler and no more so than in the realm of finance. Many people fail to realize just how much the financial markets have been transformed in the last few years – both with the move to fully electronic trading as well as the internet opening up access to the wider public.
Etoro Passive FX Strategy
What if you were a company president?You have a specific budget and you can employ up to 10 employees.What will you do? Naturally, you will search for the best people as a good investment for this money.Imagine that these 10 employees work around the clock and bring profit for you.Now, what would it be like if these 10 employees each had 10 workers who help them?Would you just take advantage of the work of your 10 employees or would you use the advantage of having the benefits of 100 workers, though you have only invested in 10? Now you can further imagine if each of the 10 employee's helpers also each had 10 workers (10x10x10 =1000) for the same amount of investment. Would you stick with your 10 or would you take advantage of the 1000 people? Now, I hope you understand what it has to do with FX trading.As a etoro "company boss" you have the possibility to either choose 10 people to copy or you can choose 10 people to copy who each is also copying 10 good traders. This is the multiplication concept.I was astonished to see how many trades I made in a day when I started this. I got rid of the single traders (someone who trades for himself without copying) even at a loss, but within a few hours I won back what I had lost. I want you to be successful too and together we can develop a strategy from which we all can profit.Do you want to join me in this process?
Please check the latest updates! Lesson no. 9
Please check the latest updates! Lesson no. 9
Please check the latest updates! Lesson no. 9
According to my experience this is a list of the TOP Traders to copy
Check MARCH 15. 2017 .pdf
Here the newest copy trader alert January 2017
The first thing to look for is what we are all interested in: profits! Has the trader been consistently profitable over a reasonable period of time?
Of course, it is perfectly possible that someone could have seen huge profits over a short period of time but unfortunately, this does not necessarily mean that they will be able to continue to be profitable in the medium to long term.
Although a trader may be fully convinced that they have a great system, it could just be that they have been quite lucky and caught a nice trend in a particular market. So a few good months does not necessarily mean that a trader has a good system. Will their system still be able make money once the current trend has stalled or reversed and higher volatility has come back in to the market?
I have seen many people diving in to copy traders with some big short-term gains only to find they have copied at exactly the wrong time. It is advisable to only consider those traders with enough history to demonstrate consistent profitability over a reasonable period of time, and preferably in a range of markets.
Controlling loses, or drawdowns, is one of the most important factors in becoming successful in the long term. It may be possible to make 20% or more in a month through high-risk trading but when those risks do not pay off, you may well find yourself with a 50% loss or more the following month. In the medium to long term, you will usually find that high-risk traders have gone backwards. So maintaining low drawdowns through a sensible money management strategy is perhaps one of the most important criteria to long-term success in trading, and by default, copying.
What many people don't consider is that say you incur a 5% drawdown, you then need to gain 5.26% to get back to break-even. However, lose 50% and you now need a whopping 100% gain just to get back to break-even, and with higher drawdowns, the gains needed start to grow exponentially.
I see some traders ask copiers to set the copy stop-loss (CSL) at the maximum level of 95%. Of course, nobody ever expects that they will ever lose that much but it does happen. By incurring a 95% drawdown, you will need an unlikely 1900% gain just to get back to break-even before you can even start making any money.
High percentage gains can be a useful indication of high-risk trading since the only way to make excessively large gains is to trade with higher leverage and/or big stakes. This is fine when it goes the right way, but nobody can ever win 100% and just one bad trade can easily bust a high-risk strategy.
The eToro risk score is not perfect but it is a useful metric as part of your research into gauging how risky copying a particular trader might be. Large swings in equity, trading with high leverage and large stakes are all important factors which are taken into consideration within the Risk Score calculation.
eToro trader risk levels are the following:
Variations of the fundamentally flawed Martingale betting system have become very popular among inexperienced traders. This is where traders simply keep averaging down as the market goes against them. Perhaps, only entering trades with as little as 1-2% of equity per trade, but it is not uncommon to see 20-30 losing trades or more running at any one time. This type of high-stakes trading can, of course, can lead to huge swings in equity.
It has become so popular amongst beginners because at first, the system can often appear to have an amazing success rate with historical stats showing 100% winning banked trades. However, take a look at the portfolio of open trades and you may find many losing open trades.
Martingale traders will run these trades for many months or even years, continuously extending stop-losses in the hope that the trades may eventually be closed even a few pips in profit. The 100% success rate only comes to an end when the trader runs out of funds available to extend stop-losses and loses 100% of equity.
We all want to see big profits as soon as we enter a trade, or in this case, a copy. Nobody wants to have to wait. This same issue applies double to copiers who may be new to the whole thing and are excited about the opportunity to make money.
However, constant screen watching should be avoided. It will drive you crazy as short-term market valuations fluctuate. Sometimes, markets are extremely volatile and sometimes, they can be flat for weeks, perhaps stuck in a range where it is very difficult to find a decent trade. So if you are constantly watching your screens to see how much profits are rolling in from your copy, it can be extremely frustrating when you do not to see much movement, or worse, prices may be going against you, causing a bit of drawdown.
After spending a lot of time searching, studying stats, and perhaps copying traders in demo for a period of time, your portfolio should be monitored, but there is no need to obsess over every short-term move and get spooked into jumping from copying one trader to another and then another just because someone recently had a big win. The big win may never be repeated and it could be that you stopped copying the other traders just as the market takes off in their predicted direction. Worst case scenario is that you can jump from loss to loss and more losses.
When a trader takes a trade, it is far more advisable to decide in advance how much you are willing to invest, place your copy stop-loss and then be patient as you monitor the situation. Whatever happens with any individual trade, if you have done your research and chosen your trader wisely, you should see what we all want to see: solid consistent gains giving long-term success.
Excellent! Source with Permission: http://forexillustrated.com/how-to-find-the-best-traders-to-copy-7-tips-from-an-elite-investor/
Here the New Trader Alert! October 2016
Updates for Juni 2016
NEW!! Deposit $ 200 (minimum is $ 200) or more!
Chek the resources for .pdf Alert!
You can download the .pdf for newest updates!
I have over 18 years of forex experience. I have studied the charts, made trades according to the news, technical analysis, fibonacci, candlestick charts, fx indicators, robot traders. I focused on different currency pairs, gold, silver, index and so on, but I realised in my career that there is a better way to trade: Your brain is the best instrument to use.
Why shouldn't I invest more in knowing traders and their behavior than in studying currencies?
There are already platforms where you can copy traders, which I thought was a brilliant idea.
After months of research and copying hundreds of traders, I have now found a good mixture of successful traders, who are helping my account grow continously.
Now I work like a manager, looking for the best employees on Etoro and hire them for my "Simply Forex Company".


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Vampire: The Masquerade – Cam/Anarch
Starting in June 2013, the Mind's Eye Society will begin an ambitious five year chronicle. Our first foray into the setting of the 20th anniversary edition of Vampire: the Masquerade, we will expand on 20 years of history to make a chronicle that is wholly our own. These documents provide the initial expectations and settings that allow players and local storytellers to begin putting together their personal and local histories for the The Camarilla venue.
Guides posted here are intended to provide insight into the MES Cam/Anarch Chronicle.
Please note that at times the information posted here will involve alterations from the events as presented within the core material. Any such changes were done with the intent to enable our game to mesh and to avoid a simple "repeat story."
Welcome to the Final Nights.
Rules Guides
For current Addenda, please visit the Addenda page.
Cam/Anarch Character Creation Document
Lore Chart (2015-03-24: Document revision coming soon)
Settings Guides
Settings Guide
Prominent Conclaves in History
Cam/Anarch Timeline
US NPCs of Note
Clan Head Guide
Clan/Bloodlines Guides
Brujah Clan Guide
Gangrel Clan Guide
Giovanni Clan Guide
Malkavian Clan Guide
Nosferatu Clan Guide
Toreador Clan Guide
Tremere Clan Guide
Ventrue Clan Guide
Mailing Lists
Mailing Lists
List Premises


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Designer Dog Collar Range "Country Walks"
"Country Walks" Is one of our Luxury Ranges. The fabric is so soft and amazing to the touch, it really does create the most amazing range. With its rich purple and black and white tartan detail it just made us think of walking in the "lakes" as that is where we love to walk our wire fox terriers!
This range was made for and featured in "K9" Magazine in a celebrity photo shoot with Carley Stenson and her 2 cockerpoos.


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Developed jointly at Pioneer's Paris and Tokyo centres, the Pioneer S-71B speakers offer an awful lot of technology for the money.
At the heart of these Pioneer bookshelf speakers are some of the most advanced drive units available. The concentric drivers place the treble unit right in the centre of the woofer. This provides exceptional clarity and coherence as all the sound comes from a single point source. The titanium tweeters offer exceptional clarity and reveal the most subtle of high frequency detail. This transparent treble is matched by the Aramid woofer cone. The Aramid material is light and rigid which makes the woofer cone fast to react. What this means in terms of sound quality is a fast, punchy bass, powerful dynamics and subtle detail in the mid-range.
Standing just 300mm high, these compact speakers are ideal for smaller rooms or for use as multi-channel speakers within a home cinema setup. The rounded cabinets not only improve the sound staging but also provide an appealing aesthetic.
If you're after a high quality book shelf speaker with visual appeal, the Pioneer S-71B is well worth closer investigation.
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