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GOOD WILL HUNTING. Matt Damon & Ben Affleck
- Marilynn Hodges
- 2 years ago
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1 GOOD HUNTING by Matt Damon & Ben Affleck
2 FADE IN: EXT. SOUTH BOSTON ST. PATRICK'S DAY PARADE -- DAY INT. L STREET BAR & GRILLE, SOUTH BOSTON -- EVENING The bar is dirty, more than a little run down. If there is ever a cook on duty, he's not here now. As we pan across several empty tables, we can almost smell the odor of last nights beer and crushed pretzels on the floor. Oh my God, I got the most fucked up thing I been meanin' to tell you. As the camera rises, we find FOUR YOUNG MEN seated around a table near the back of the bar. ALL Oh Jesus. Here we go. The guy holding court is SULLIVAN, 20, and the largest of the bunch. He is loud, boisterous, a born entertainer. Next to him is HUNTING, 20, handsome and confident, a softspoken leader. On Will's right sits BILLY MCBRIDE, 22, heavy, quiet, someone you definitely wouldn't want to tangle with. Finally there is MORGAN O'MALLY, 19, smaller than the other guys. Wiry and anxious, Morgan listens to Chuckie's horror stories with eager disgust. All four boys speak with thick Boston accents. This is a rough, working class Irish neighborhood and these boys are its product. You guys know my cousin Mikey Sullivan? Yeah. ALL Well you know how he loves animals right? Anyway, last week he's drivin' home... (laughs) What? Come on! ALL (trying not to laugh) I'm sorry, 'cause you know Mikey, the fuckin guy loves animals, and this is the last person you'd want this to happen to.
3 Chuckie, what the fuck happened? Okay. He's driving along and this fuckin' cat jumps in front of his car, and so he hits this cat-- Chuckie is really laughing now. MORGAN --That isn't funny-- --and he's like "shit! Motherfucker!" And he looks in his rearview and sees this cat-- I'm sorry-- Fuckin' Chuckie! BILLY So he sees this cat tryin to make it across the street and it's not lookin' so good. It's walkin' pretty slow at this point. MORGAN You guys are fuckin' sick. So Mikey's like "Fuck, I gotta put this thing out of its misery"--so he gets a hammer-- OH! /MORGAN/BILLY --out of his tool box, and starts chasin' the cat and starts whackin' it with the hammer. You know, tryin' to put the thing out of its misery. Jesus. MORGAN And all the time he's apologizin' to the cat, goin' "I'm sorry." BANG, "I'm sorry." BANG! BILLY Like it can understand.
4 And this Samoan guy comes runnin' out of his house and he's like "What the fuck are you doing to my cat?!" Mikey's like "I'm sorry"--bang--" I hit your cat with my truck, and I'm just trying to put it out of it's misery"-- BANG! And the cat dies. So Mikey's like "Why don't you come look at the front of the truck." 'Cause the other guy's all fuckin flipped out about-- Watching his cat get brained. Morgan gives Will a look, but Will only smiles. Yeah, so he's like "Check the front of my truck, I can prove I hit it 'cause there's probably some blood or something"-- --or a tail--! MORGAN And so they go around to the front of his truck...and there's another cat on the grille. No! Ugh! /MORGAN/BILLY Is that unbelievable? He brained an innocent cat! BLACKOUT: The opening credits roll over a series of shots of the city and the real people who live and work there, going about their daily lives. We see a panoramic view of South Boston. Will sits in his apartment, walls completely bare. A bed, a small night table and an empty basket adorn the room. A stack of twenty or so LIBRARY BOOKS sit by his bed. He is flipping through a book at about a page a second. Chuckie stands on the porch to Will's house. His Caddilac idles by the curb. Will comes out and they get in the car.
5 We travel across crowded public housing and onto downtown. Finally, we gaze across the river and onto the great cementdomed buildings that make up the M.I.T. campus. INT. M.I.T. CLASSROOM -- DAY The classroom is packed with graduate students and TOM. PROFESSOR (52) is at the lectern. The chalkboard behind him is covered with theorems. Everyone groans. Please finish McKinley by next month. Many of you probably had this as undergraduates in real analysis. It won't hurt to brush up. I am also putting an advanced fourier system on the main hallway chalkboard-- (cont'd) I'm hoping that one of you might prove it by the end of the semester. The first person to do so will not only be in my good graces, but go on to fame and fortune by having their accomplishment recorded and their name printed in the auspicious "M.I.T. Tech." Prof. Lambeau holds up a thin publication entitled "M.I.T. Tech." Everyone laughs. More laughs. (cont'd) Former winners include Nobel Laureates, world renowned astro-physicists, Field's Medal winners and lowly M.I.T. professors. (cont'd) Okay. That is all. A smattering of applause. Students pack their bags. INT. FUNLAND LATER The place is a monster indoor funpark. Will, Chuckie, Morgan, and Billy are in adjoining batting cages. Will has disabled the pitching machine in his and pitches to Chuckie. The boys have been drinking. Will throws one to Chuckie, high and tight. Several empty beer cans sit by the cage.
6 Will! Another pitch, inside. (cont'd) You're gonna get charged! You think I'm afraid of you, you big fuck? You're crowdin' the plate. Will guns another one, way inside. Stop brushin' me back! Stop crowdin the plate! Chuckie laughs and steps back. Casey's bouncin' at a bar up Harvard. We should go there sometime. What are we gonna do up there? I don't know, we'll fuck up some smart kids. (stepping back in) You'd prob'ly fit right in. Fuck you. Will fires a pitch at Chuckie's head. Chuckie dives to avoid being hit. He gets up and whips his batting helmet at Will. EXT. SOUTH BOSTON ROOFTOP -- EARLY AFTERNOON McGUIRE (52) sits, FORMALLY DRESSED, on the roof of his apartment building in a beat-up lawn chair. Well-built and fairly muscular, he stares blankly out over the city. On his lap rests an open invitation that reads "M.I.T. CLASS OF '67 REUNION." While the morning is quiet and Sean sits serenely, there is a look about his that tells us he has faced hard times. This is a man who fought his way through life. On his lonely stare we:
7 EXT. M.I.T. CAMPUS LAWN -- DAY A thirty year REUNION PARTY has taken over the lawn. A well dressed throng mill about underneath a large banner that reads "WELCOME BACK CLASS OF '72." We find Professor Lambeau standing with a drink in his hand, surveying the crowd. He is interrupted by an approaching STUDENT. STUDENT Excuse me, Professor Lambeau? Yes. STUDENT I'm in your applied theories class. We're all down at the Math and Science building. It's Saturday. STUDENT I know. We just couldn't wait 'till Monday to find out. Find out what? STUDENT Who proved the theorem. EXT. TOM FOLEY PARK, S. BOSTON -- AFTERNOON In the bleachers of the visiting section we find our boys, drinking and smoking cigarettes. Will pops open a beer. The boys have been here a while and it shows. Billy sees something that catches his interest. BILLY Who's that? She's got a nice ass. Their P.O.V. reveals a girl in stretch pants talking to a beefy looking ITALIAN GUY (BOBBY CHAMPA) MORGAN Yah, that is a nice ass. You could put a pool in that backyard. BILLY Who's she talking to? MORGAN That fuckin' guinea, Will knows him.
8 Yah, Bobby Champa. He used to beat the shit outta' me in Kindergarten. BILLY He's a pretty big kid. Yah, he's the same size now as he was in Kindergarten. MORGAN Fuck this, let's get something to eat... What Morgan, you're not gonna go talk to her? Fuck her. MORGAN The boys get up and walk down the bleachers. I could go for a Whopper. MORGAN (nonchalant) Let's hit "Kelly's." Morgan, I'm not goin' to "Kelly's Roast Beef" just cause you like the take-out girl. It's fifteen minutes out of our way. MORGAN What else we gonna do we can't spare fifteen minutes? All right Morgan, fine. I'll tell you why we're not going to "Kelly's." It's because the take-out bitch is a fuckin' idiot. I'm sorry you like her but she's dumb as a post and she has never got our order right, never once. She's not stupid. MORGAN She's sharp as a marble. We're not goin'. (beat) I don't even like "Kelly's."
9 INT. M.I.T. HALLWAY -- LATER Lambeau, still in his reunion formal-wear, strides down the hallway, carrying some papers. A group of students have gathered by the chalkboard. They part like the red sea as he approaches the board. Using the papers in hand, he checks the proof. Satisfied, he turns to the class. This is correct? Who did this? Dead silence. Lambeau turns to an INDIAN STUDENT. Nemesh? (cont'd) Nemesh shakes his head in awe. No way. NEMESH Lambeau erases the proof and starts putting up a new one. Well, whoever You are, I'm sure you'll find this one challenging enough to merit coming forward with your identity. That is, if you can do it. INT. 'S CAR, DRIVING IN SOUTH BOSTON -- CONTINUOUS The street is crowded as our boys drive down Broadway. They move slowly through heavy traffic, windows down. Chuckie sorts through a large "KELLY'S ROAST BEEF" BAG as he drives. Double Burger. MORGAN Will holds the wheel for Chuckie as he looks through the bag. Double Burger. MORGAN (cont'd) (same tone) Chuckie gets out fries for himself, hands Will his fries. MORGAN (cont'd) I, I had a Kelly's Double Burger. Would you shut the fuck up! I know what you ordered, I was there!
10 MORGAN So why don't you give me my sandwhich? What do you mean "your sandwhich?" I bought it. MORGAN (sarcastic) Yah, all right... How much money you got? MORGAN I told you, I just got change. Well give me your fuckin' change and we'll put your fuckin' sandwhich on layaway. MORGAN Why you gotta be an asshole Chuckie? I think you should establish a good line of credit. Laughter, Chuckie goes back searching through the bag. (cont'd) Oh motherfucker... She didn't do it again did she? Jesus Christ. Not even close. MORGAN Did she get my Double Burger? NO SHE DIDN'T GET YOUR DOUBLE BURGER!! IT'S ALL FUCKIN' FLYIN' FISH FILET!! Chuckie whips a FISH SANDWHICH back to Morgan, then to Billy. Jesus, that's really bad, did anyone even order a Flyin' Fish? No, and we got four of 'em.
11 BILLY You gotta' be kiddin' me. Why do we even go to her? Cause fuckin' Morgan's got a crush on her, we always go there and when we get to the window he never says a fuckin' word to her, he never even gets out of the car, and she never gets our order right cause she's the goddamn MISSING LINK! Well, she out did herself today... MORGAN I don't got a crush on her. Push in on Will who sees something O.S. Will's P.O.V. reveals BOBBY CHAMPA and his friends walking down the street. One of them casually lobs a bottle into a wire garbage can. It SHATTERS and some of the glass hits a FEMALE PASSERBY who, although unhurt, is upset. What do we got? I don't know yet. Will's P.O.V.: The woman says something to Bobby. He says something back. By the look on her face, it was something unpleasant. Come on, Will... Shut up. MORGAN MORGAN No, why didn't you fight him at the park if you wanted to? I'm not goin' now, I'm eatin' my snack. So don't go. (smiles) Will is out of the door, jogging toward Bobby Champa. Billy gets out, following Will with a look of casual indifference. Morgan, Let's go.
12 MORGAN I'm serious Chuckie, I ain't goin'. Leaving the car, Chuckie opens his door to follow. (spins in his seat) You're goin'. And if you're not out there in two fuckin' seconds, when I'm done with them you're next! And with that, Chuckie is out the door. EXT. SIDEWALK --CONTINUOUS Will comes jogging up towards BOBBY CHAMPA, calling out from across the street, (smiling, good naturedly) Hey, Bobby Champa! I went to Kindergarten with you right? Sister Margaret's class... Bobby is bewildered by this strange interruption and unsure of Will's intentions. Just when it looks as though Bobby might remember him, Will DRILLS HIM with a sucker-punch which begins the FIGHT SEQUENCE: 40 FRAMES OVER M. GAYE'S "LET'S GET IT ON." Will's momentum and respectable strength serve to knock the hapless Champa out cold. As soon as Will hits Bobby, his friends CONVERGE ON. Billy JUMPS IN and wrestles one guy to the ground. The two exchange messy punches on the sidewalk. Will is in trouble, back pedaling, dodging punches, trying to avoid being overrun. When Will goes for one guy, another has an open shot and he HAMMERS with a right hand to the head. Will is staggered and bleary, as a second guy winds up for a shot he is BLIND SIDED by Chuckie who hits the kid like he was a tackling sled, lifting him off the ground. Chuckie turns to see Will still outnumbered. It's all Will can do to stay standing as Morgan DROP KICKS one of Champa's boys from the hood of a car. Contrary to what we might think, Morgan is actually quite a fighter. He peppers the kid with a flurry of blows.
13 The fight is messy, ugly and chaotic. Most punches are thrown wildly and miss, heads are banged against concrete, someone throws a bottle. In the end, it's our guys who are left standing, while Bobby's friends stagger off. Chuckie and Morgan turn to see Will, standing over the unconscious Bobby Champa, still POUNDING him. ANGLE ON : SAVAGE, UGLY, VICIOUS, AND VIOLENT Whatever demons must be raging inside Will, he is taking them out on Bobby Champa. He pummels the helpless, unconscious Champa, fury in his eyes. Chuckie and Billy pull Will away. The POLICE finally arrive on the scene and having only witnessed Will's vicious attack on Champa, they grab him. EXT. SIDEWALK (FULL SPEED) -- CONTINUOUS A crowd of onlookers have gathered. Chuckie addresses them. Hey, thanks for comin' out. Yeah, you're all invited over to Morgan's house for a complementary fish sandwhich. The Police slam Will into the hood of a car. (cont'd) (to Police) Hey, I know it's not a French cruller, but it's free. The cop holding Will SLAMS his [Will's] face into the hood, another cop uses a baton to press Will's face into the car. The look of rage returns to Will's eye. (cont'd) Get the fuck off me! Will resists. Another cop comes over. Will KICKS HIM IN THE KNEE, dropping the cop. Momentarily freed, Will engages in a fracas with three cops. More converge on Will, who -- though he struggles -- takes a beating. EXT. 'S ROOF -- NIGHT Sean sits, exactly as we first saw him, except his tie is now loose and an empty bottle of BUSHMILLS is at his side. He stares out over the City. A MATRONLY LANDLADY comes out of a doorway on the roof.
14 Sean? LANDLADY Sean doesn't answer. LANDLADY (cont'd) Sean? You okay? Yeah. A beat. LANDLADY It's getting cold. After a moment, she retreats back down the stairs. Sean doesn't move. DISSOLVE: EXT. CHARLES RIVER, ESTABLISHING SHOT -- MORNING The morning sun reflects brilliantly off the river. EXT. COURTHOUSE -- NEXT MORNING Will emerges from the courthouse. Chuckie is waiting for him in the Cadillac with two cups of DUNKIN' DOUGHNUTS coffee. He hands one of them to Will. This feels routine. When's the arraignment? Next week. Chuckie pulls away. EXT. M.I.T. CAMPUS, ESTABLISHING SHOT -- MORNING Students walk to class, carrying bags. More than any other, students seem to be heading into one PARTICULAR CLASSROOM. INT. M.I.T. CLASSROOM -- MORNING The classroom is even more crowded than last we saw it. Tom takes notes as Lambeau plays along with the excited environment with mock pomposity and good humor.
15 Is it my imagination, or has my class grown considerably? Laughter. More laughter. (cont'd) I look around and see young people who are my students, young people who are not my students as well as some of my colleagues. And by no stretch of my imagination do I think you've all come to hear me lecture. (cont'd) But rather to ascertain the identity of who our esteemed "The Tech" has come to call "The Mystery Math Magician." He holds up the M.I.T. Tech featuring a silhouetted figure, emblazoned with a large, white question mark. The headline reads "Mystery Math Magician strikes again." (cont'd) Whoever you are, you've solved four of the most difficult theorems I've ever given a class. So without further ado, come forward silent rogue, and receive thy prize. The class waits in breathless anticipation. A STUDENT shifts his weight in his chair, making a noise. (cont'd) Well, I'm sorry to disappoint my spectators, but it appears there will be no unmasking here today. I'm going to have to ask those of you not enrolled in the class to make your escape now or, for the next three hours be subjected to the mundities of eigenvectors. People start to gather their things and go. Lambeau picks up a piece of chalk and starts writing on the board. (cont'd) However, my colleagues and I have conferred. There is a problem on the board, right now, that took us two years to prove. So let this be said; the gauntlet has been thrown down. But the faculty have answered the challenge and answered with vigor.
16 19 OMITTED INT. M.I.T. HALLWAY -- NIGHT Lambeau comes out of his office with Tom and locks the door. As he turns to walk down the hallway, he stops. A faint TICKING SOUND can be heard. He turns and walks down the hall. Lambeau and Tom come around a corner. His P.O.V. reveals a figure in silhouette blazing through the proof on the chalkboard. There is a mop and a bucket beside him. As Lambeau draws closer, reveal that the figure is Will, in his janitor's uniform. There is a look of intense concentration in his eyes. Excuse me! Will looks up, immediately starts to shuffle off. Oh, I'm sorry. What're you doing? I'm sorry. (walking away) Lambeau follows Will down the hall. What's your name? (beat) Don't you walk away from me. This is people's work, you can't graffiti here. Hey fuck you. (flustered) Well... I'll be speaking to your supervisor. Will walks out. Lambeau goes to "fix" the proof, scanning the blackboard for whatever damage Will caused. He stops, scans the board again. Amazement registers on his face. My God. (cont'd) Down the hall, we hear the DOOR CLOSE. He turns to look for Will, who is gone.
17 EXT. BOW AND ARROW PUB, CAMBRIDGE -- THAT NIGHT A crowded Harvard Bar. Will and our gang walk by a line of several Harvard students, waiting to be carded. Laughter. MORGAN What happened? (beat) You got fired, huh? Yeah, Morgan. I got fired. MORGAN (starts laughing) How fuckin' retarded do you have to be to get shit-canned from that job? How hard is it to push a fuckin' broom? You got fired from pushing a broom, you little bitch. MORGAN Yah, that was different. Management was restructurin'-- BILLY --Yah, restructurin' the amount of retards they had workin' for them. MORGAN Fuck you, you fat fuck. BILLY Least I work for a livin'. (to Will) Why'd you get fired? Management was restructurin'. My uncle can probably get you on my demo team. MORGAN What the fuck? I just asked you for a job yesterday! I told you "no" yesterday! After two students flash their ID's to the doorman (CASEY) our boys file past him.
18 ALL (one after another) What's up Case. With an imperceptible nod, Casey waves our boys through. A fifth kid, a HARVARD STUDENT, tries to follow. He is stopped by Casey's massive, outstretched arm: ID? CASEY INT. BOW AND ARROW -- CONTINUOUS Chuckie is collecting money from the guys to buy a pitcher, all but Morgan cough up some crumpled dollars. So, this is a Harvard bar, huh? I thought there'd be equations and shit on the wall. INT. BACK SECTION, BOW AND ARROW -- MOMENTS LATER Chuckie returns to a table where Will, Morgan and Billy have made themselves comfortable. He [Chuckie] spots two ATTRACTIVE YOUNG HARVARD WOMEN sitting together at the end of the bar. Chuckie struts his way toward the women and pulls up a chair. He flashes a smile and tries to submerge his thick Boston accent. Hey, how's it goin'? Fine. Okay. LYDIA So, you ladies ah, go to school here? Yes. LYDIA Yeah, cause I think I had a class with you. At this point, several interested parties materialize. Morgan Billy and Will try, as inconspicuously as possible, to situate themselves within listening distance. A rather large student in a HARVARD LACROSSE sweatshirt, CLARK (22) notices Chuckie. He [Clark] walks over to Skylar and Lydia, nobly hovering over them as protector. This gets Will, Morgan, and Billy's attention.
19 What class? Ah, history I think. Oh... Yah, it's not a bad school... At this point, Clark can't resist and steps in. CLARK What class did you say that was? History. CLARK How'd you like that course? Good, it was all right. CLARK History? Just "history?" It must have been a survey course then. Chuckie nods. Clark notices Chuckie's clothes. Will and Billy exchange a look and move subtly closer. CLARK (cont'd) Pretty broad. "History of the World?" Hey, come on pal we're in classes all day. That's one thing about Harvard never seizes to amaze me, everybody's talkin' about school all the time. CLARK Hey, I'm the last guy to want to talk about school at the bar. But as long as you're here I want to "seize" the opportunity to ask you a question. Billy shifts his beer into his left hand. Will and Morgan see this. Morgan rolls his eyes as if to say "not again..." CLARK (cont'd) Oh, I'm sure you covered it in your history class. Clark looks to see if the girls are impressed. They are not. When Clark looks back to Chuckie, Skylar turns to Lydia and rolls her [own] eyes. They laugh. Will sees this and smiles.
20 To tell you the truth, I wasn't there much. The class was rather elementary. CLARK Elementary? Oh, I don't doubt that it was. I remember the class, it was just between recess and lunch. Will and Billy come forward, stand behind Chuckie. All right, are we gonna have a problem? CLARK There's no problem. I was just hoping you could give me some insight into the evolution of the market economy in the early colonies. My contention is that prior to the Revolutionary War the economic modalities especially of the southern colonies could most aptly be characterized as agrarian precapitalist and... Will, who at this point has migrated to Chuckie's side and is completely fed-up, includes himself in the conversation. Of course that's your contention. You're a first year grad student. You just finished some Marxian historian, Pete Garrison prob'ly, and so naturally that's what you believe until next month when you get to James Lemon and get convinced that Virginia and Pennsylvania were strongly entrepreneurial and capitalist back in That'll last until sometime in your second year, then you'll be in here regurgitating Gordon Wood about the Pre-revolutionary utopia and the capital-forming effects of military mobilization. CLARK (taken aback) Well, as a matter of fact, I won't, because Wood drastically underestimates the impact of--
21 Clark is stunned. --"Wood drastically underestimates the impact of social distinctions predicated upon wealth, especially inheriated wealth..." You got that from "Work in Essex County," Page 421, right? Do you have any thoughts of your own on the subject or were you just gonna plagerize the whole book for me? (cont'd) Look, don't try to pass yourself off as some kind of an intellect at the expense of my friend just to impress these girls. Clark is lost now, searching for a graceful exit, any exit. (cont'd) The sad thing is, in about 50 years you might start doin' some thinkin' on your own and by then you'll realize there are only two certainties in life. CLARK Yeah? What're those? One, don't do that. Two-- you dropped a hundred and fifty grand on an education you coulda' picked up for a dollar fifty in late charges at the Public Library. Will catches Skylar's eye. CLARK But I will have a degree, and you'll be serving my kids fries at a drive through on our way to a skiing trip. (smiles) Maybe. But at least I won't be a prick. (beat) And if you got a problem with that, I guess we can step outside and deal with it that way. While Will is substantially smaller than Clark, he [Clark] decides not to take Will up on his [Will's] offer. (cont'd) If you change your mind, I'll be over by the bar. He turns and walks away. Chuckie follows, throwing Clark a look. Morgan turns to a nearby girl.
22 MORGAN My boy's wicked smart. INT. BOW AND ARROW, AT THE BAR --LATER Will sits with Morgan at the bar watching with some amusement as Chuckie and Billy play bar basketball game where the players shoot miniature balls at a small basket. In the B.G. Occasionally we hear Chuckie shouting "Larry!" When he scores. Skylar emerges from the crowd and approaches Will. You suck. What? I've been sitting over there for fortyfive minutes waiting for you to come talk to me. But I'm just tired now and I have to go home and I wasn't going to keep sitting there waiting for you. I'm Will. Skylar. And by the way. That guy over there is a real dick and I just wanted you to know he didn't come with us. I kind of got that impression. Well, look, I have to go. Gotta' get up early and waste some more money on my overpriced education. I didn't mean you. Listen, maybe... Here's my number. Skylar produces a folded piece of paper and offers it to Will. (cont'd) Maybe we could go out for coffee sometime? Great, or maybe we could go somewhere and just eat a bunch of caramels.
23 What? When you think about it, it's just as arbitrary as drinking coffee. (laughs) Okay, sounds good. She turns. Five minutes. What? I was trying to be smooth. (indicates clock) But at twelve-fifteen I was gonna come over there and talk to you. See, it's my life story. Five more minutes and I would have got to hear your best pick-up line. The caramel thing is my pick-up line. A beat. Glad I came over. EXT. BOW AND ARROW -- LATER Our boys are walking out of the bar teasing one another about their bar-ball exploits. Across the street is another bar with a glass front. Morgan spots Clark sitting by the window with some friends. MORGAN There goes that fuckin' Barney right now, with his fuckin' "skiin' trip." We should'a kicked that dude's ass. Hold up.
24 Will crosses the street and approaches the plate glass window and stands across from Clark, separated only by the glass. He POUNDS THE GLASS to get Clark's attention. Hey! (cont'd) Clark turns toward Will. Clark doesn't get it. (cont'd) DO YOU LIKE APPLES? (cont'd) DO YOU LIKE APPLES?! Yeah? CLARK Will SLAMS 'S PHONE NUMBER against the glass. WELL I GOT HER NUMBER! HOW DO YA LIKE THEM APPLES?!! Will's boys erupt into laughter. Angle on Clark, deflated. EXT. STREET -- NIGHT The boys make their way home, piled into Chuckie's car, laughing together. EXT. CHARLES STREET BRIDGE -- DAWN Shot of car crossing over the Charles St. Bridge, overtaking a red-line train. EXT. CHARLESTON BACKROAD -- DAWN Travelling through narrow back roads in Charlestown, passing the Bunker Hill monument. EXT. 'S APARTMENT -- DAY Arriving at Will's house and dropping him off. DISSOLVE TO: INT. M.I.T. BUILDING AND GROUNDS GARAGE -- DAY Lambeau walks into a small garage facility. The area stores lawn machinery and various tools. An older man, TERRY (58) sits
25 behind the desk reading the BOSTON HERALD sports page. Lambeau has obviously never been here before. He takes in the surroundings, somewhat uncomfortable. Gets dirty. Excuse me. Is this the buildings and grounds office? TERRY Yeah, can I help you? I'm trying to find the name of a student who works here. TERRY No students work for me. Could you just check, because the young man who works in my building-- TERRY Which one's your building? Building two. Terry checks a list behind his [own] desk. Looks up. TERRY Well, if something was stolen, I should know about it. No, no. Nothing like that. I just need his name. TERRY I can't give you his name unless you have a complaint. Please, I'm a professor here and it's very important. TERRY Well, he didn't show up for work today... Terry takes a beat. Holding all the cards. TERRY (cont'd) Look, he got his job through his P.O. so you can call him. Terry goes through a stack of paper on his desk. Takes out a card and hands it to Lambeau. Lambeau looks blankly at the card which reads: "PAROLE EMPLOYMENT PROGRAM."
26 INT. COURTROOM -- DAY Will stands before JUDGE MALONE (40) being arraigned. It is fairly unceremoniuous, the coutroom nearly empty, save Will and the PROSECUTOR. Lambeau walks in from the back. There is a lengthy legal precedent, Your Honor, going back to 1789, whereby a defendent may claim self-defense against an agent of the government where the act is shown to be a defense against tyranny, a defense of liberty-- The Judge interrupts to address the prosecutor. JUDGE MALONE Mr. Simmons, Officer McNeely who signed the complaint isn't in my courtroom. Why is that? PROSECUTOR He's in the hospital with a broken knee, Your Honor. But I have depositions from the other officers. Henry Ward Beecher proclaimed, in his Proverbs From Plymouth Pulpit back in 1887, that "Every American citizen is by birth, a sworn officer of the state. Every man is a policeman." As for the other officers, even William Congrave said; "he that first cries out 'stop thief' is 'oft he that has stolen the treasure." Your Honor-- PROSECUTOR Will cranks it up. (to Prosecutor) I am afforded the right to speak in my own defense by our constitution, Sir. The same document which guarantees my right to liberty. "Liberty," in case you've forgotten, is "the soul's right to breathe, and when it cannot take a long breath laws are girded too tight. Without liberty, man is a syncope." (beat, to Judge) Ibid. Your Honor. Man is a what? PROSECUTOR
27 The Judge interrupts. Julius Caesar proclaimed-- Though he be wounded--"magna..." Son, My turn. JUDGE MALONE (a beat) The Judge opens Will's CASE HISTORY. JUDGE MALONE (cont'd) (reading) June, '93, assault, Sept. '93 assault...grand theft auto February '94. A beat, the Judge takes particular notice. JUDGE MALONE (cont'd) Where, appearantly, you defended yourself and had the case thrown out by citing "free property rights of horse and carriage" from Lambeau has to smile, impressed. The Judge shakes his head. JUDGE MALONE (cont'd) March, '94 public drunkenness, public nudity, assault. 10/94 mayhem. November '94, assault. Jan. '95 impersonating a police officer, mayhem, theft, resisting-- overturned-- The Judge takes a beat. Gives Will a look. JUDGE MALONE (cont'd) You're in my courtroom, now and I am aware of your priors. (beat) I'm also aware that you're an orphan. You've been through several foster homes. The state removed you from three because of serious physical abuse. The Judge holds a look to Will, who looks down. JUDGE MALONE (cont'd) Another Judge might care. You hit a cop, you go in. (beat) Motion to dismiss denied. The Bailiff goes to remove Will from the courtroom. JUDGE MALONE (cont'd) Keep workin' on your arguments, son. A word of advice for trial; speak English.
p T h e L a s t L e a f IN A SMALL PART OF THE CITY WEST OF Washington Square, the streets have gone wild. They turn in different directions. They are broken into small pieces called places. One streetMore information
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text:
What is your username?
Please link to the wiki here:
How many edits have you made on that wiki?
231 (now 254 as of July 12)
How many days/months have you been editing there?
17 days (now 22 as of July 12)
On the Special Pages → Special:ListAdmins when was the last time an admin edited, and who was it?
Pinkachu 13:40, April 22, 2015, creator of the wiki and its only admin.
Any other information:
I initially found this wiki with 6 pages and began filling it with content. I then contacted Pinkachu 3 times hoping I could get admin status, or at least get her to update the Navigation Bar. The front page even says that the wiki is looking for admins.
Sadly, there has been no response :( I really like the theme that she initially set up, but it seems she is now too busy or has lost interest in this wiki seeded the wiki as a part of Wikia community development.
Currently, information about this game is scattered around the internet. My goal is to establish this wiki as a community and help centralize all information related to this game here, so that new players might find what they need. At the moment, I am the only one with sustained edits, but my hope is that I can attract more fans of the game. I did have one other user edit a page on June 27, and I thanked him for his help .
Edit: I just now got a note back from Pikanchu ! ^^ She has told me that she seeded the wiki and that I can apply for adoption.
- "Applying for Adoption is pretty simple tho and I certainly encourage you to do so."
KosnIre (talk) 17:31, July 7, 2015 (UTC)
Blog Post
I have had a couple users stop by since posting this Adoption Request, so for good measure, I made a blog post to describe my intentions.

subset: commoncrawl


text:
Wolf Creek Rod Works
The Four Corners region of South West Colorado is home to some of the most beautiful scenery and some of the most comfortable weather in our country. Slowly becoming the retirement mecca in the Southwest, the Four Corners region is also home to a very active street rodding community. All of those that grew up in the hot rod era of the 50's and 60's are now relocating to towns like Cortez, Durango and Pagosa Springs, in Colorado and Farmington and Chama in northern New Mexico. It's also a mecca for local Toyota Vintage Land Cruisers
Wolf Creek Rod Works, located in Pagosa Springs, CO, now brings to the area a street rod and cruiser shop that is designed to meet the needs of local rodders and cruiser owners. Whether it's the building of a "turn key" rod or cruiser to your specifications, adding to or upgrading your rod or cruiser or just helping local rodders and cruiser owners with some sound construction advice based on years of experience, Wolf Creek Rod Works is now here in the Four Corners region. Call or email us and tell us about your project.
We are always here to help with your rodding or cruiser project, but we also love to talk Streetrods and Land Cruisers.


text:
Holiday Accommodation with sailing nearby in The Highlands
We have found 46 properties to book, based on your search for Holiday Accommodation with sailing nearby in The Highlands, Scotland.
The Logs Large Highland Self Catering for 10
Holiday Cottage in Fort William, The Highlands, Scotland
The Logs, is a detached Norwegian log house offering self-catering accommodation. It is situated 3 miles North of Fort William and is ideal for discovering the Highlands of Scotlan...
£ 790.00 - £ 1,350.00 per week
Sleeps: 10Pet & Dog Friendly Pets Welcome
Online Payment Accepted Book & Pay Online
Ben Wyvis Holiday Lodges in the Scottish Highlands
Holiday Cottage in Strathpeffer, The Highlands, Scotland
A pet and family friendly retreat in the beautiful Scottish Highlands. Our chalets nestle in woodlands within easy reach of the bustling city of Inverness. Cycling, golf, water spo...
£ 350.00 - £ 500.00 per week
Sleeps: 4Pet & Dog Friendly Pets Welcome
Wheelchair Friendly Accessible
Online Payment Accepted Book & Pay Online
Online Booking Discount
Croft Holidays Holiday Cottages Highlands Scotland
Holiday Cottage in Newtonmore, The Highlands, Scotland
Croft Holiday cottages offers three, well equipped, warm, self catering cottages, each sleeping 1-4. Quiet location with views above the Highland village of Newtonmore in the Cairn...
£ 270.00 - £ 460.00 per week
Sleeps: 4Pet & Dog Friendly Pets Welcome
Wheelchair Friendly Accessible
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Carrachan Cottage Self Catering Accommodation Scottish Highlands
Holiday Cottage in Lochcarron, The Highlands, Scotland
Carrachan Holiday Cottage's location combines the best of both worlds with its peaceful loch-front situation, whilst being a short distance from the centre of the village. Sleeps u...
£ 325.00 - £ 595.00 per week
Sleeps: 6Pet & Dog Friendly Pets Welcome
Online Payment Accepted Book & Pay Online
Brora Seaside Cottage Self Catering Accommodation in Sutherland Highlands
Holiday Cottage in Brora, The Highlands, Scotland
Charming 3 bedroom holiday cottage in a stunning situation- sleeps up to 7 persons. Sea views and natural fireplace. Large kitchen with breakfast table, separate dining room. Situ...
£ 400.00 - £ 600.00 per week
Sleeps: 7Pet & Dog Friendly Pets Welcome
Online Payment Accepted Book & Pay Online
Taighali Apartment Self Catering Wester Ross Scottish Highlands
Holiday Apartment in Aultbea, The Highlands, Scotland
It is a one bedroom first floor apartment suitable for a couple, with views across Loch Ewe and the Torridon mountains. Situated about 200 yards from a sandy beach so come and see ...
£ 245.00 - £ 340.00 per week
Sleeps: 2Pet & Dog Friendly Pets Welcome
Online Payment Accepted Book & Pay Online
Bay View Portmahomack Self Catering Cottage by the Sea
Holiday Cottage in Portmahomack, The Highlands, Scotland
Lovely comfortable cottage with wonderful views in picturesque Portmahomack in the Highlands. 3 bedrooms. Panoramic sea views from living room and balcony. Sandy beach, golf, wal...
£ 350.00 - £ 850.00 per week
Sleeps: 6Pet & Dog Friendly Pets Welcome
Online Payment Accepted Book & Pay Online
Polin Beach House Seaview Self Catering Cottage Lairg
Holiday Cottage in Lairg, The Highlands, Scotland
Very comfortable modern well equipped seaview cottage. Overlooking spectacular Polin Bay. Double Bedroom with seaview.Twin Bedroom with seaview.Comfortable cosy sittingroom with el...
£ 420.00 - £ 560.00 per week
Sleeps: 4Online Payment Accepted Book & Pay Online
The Mill Glenlivet Self Catering Scottish Highlands
Holiday Cottage in Ballindalloch, The Highlands, Scotland
An idyllic tranquil mountain retreat with panoramic views in the Cairngorms. Relax and escape the world in this lovingly converted mill. Open log fire, cosy mezzanine library, ope...
£ 495.00 - £ 750.00 per week
Sleeps: 6Online Payment Accepted Book & Pay Online
Fearnmore Church Applecross Romantic Highlands Self Catering
Holiday Cottage in Applecross, The Highlands, Scotland
Romantic hideaway, unique cottage on Applecross Peninsula, set in 21 acres, with expansive views to the sea and Torridon Mountains. Exceptional accommodation in a landscape of unsp...
£ 575.00 - £ 820.00 per week
Sleeps: 2Online Payment Accepted Book & Pay Online
Seilebost 4 Star B&B near Inverness Scottish Highlands
B&B in Drumnadrochit Inverness, The Highlands, Scotland
Highland B&B accommodation.1 double with ensuite and 1 twin room with private facilities. Both offer tea & coffee making facilities, television, dvd, hairdryer, electric shaver poi...
£ 32.00 - £ 50.00 pppn
Sleeps: 4Online Booking AcceptedBook Online
Dalendrien Self Catering Cottage Scottish Highlands
Holiday Cottage in Fort William, The Highlands, Scotland
Dalendrien is a deceptively spacious single storey house in three acres of loch side grounds with private shoreline and slipway.Situated just off the scenic road which runs from Fo...
£ 650.00 - £ 1,100.00 per week
Sleeps: 6Online Booking AcceptedBook Online
Bairlinnean and Cladach Holiday Cottages in Thurso
Holiday Cottage in Thurso, The Highlands, Scotland
Bairlinnean & Cladach are two adjacent self catering fishermen's cottages located in Thurso, the most northerly town in the North of Scotland. Both cottages have enclosed gardens t...
£ 50.00 - £ 80.00 per night
Sleeps: 4Pet & Dog Friendly Pets Welcome
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Allt Dearg Stunning Highland Self Catering Cottage Skye
Holiday Cottage in Sligachan Isle of Skye, The Highlands, Scotland
Allt Dearg, self catering holiday cottage at Sligachan, on the Isle of Skye in the Highlands of Scotland. This skye Cottage is in a stunning and spectacular isolated position close...
£ 120.00 - £ 420.00 per week
Sleeps: 8Pet & Dog Friendly Pets Welcome
Linga Self Catering Cottage Lochinver Scottish Highlands
Holiday Cottage in Lochinver, The Highlands, Scotland
Self catering holiday chalet in Inverkirkaig near Lochinver, North West Highlands. Sleeps 4. Ideal for families and outdoor adventure holidays. Convenient touring base for explorin...
£ 370.00 - £ 545.00 per week
Sleeps: 4
Aonach Mor Luxury Apartments Highland Club Loch Ness
Holiday Cottage in Fort Augustus Loch Ness, The Highlands, Scotland
On the shore of Stunning Loch Ness these apartments and cottages are in a beautifully converted Abbey. Sleeping from 1 - 8, with many facilities to enjoy and only a 2 minute walk t...
£ 500.00 - £ 1,400.00 per weekPet & Dog Friendly Pets Welcome
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Total Warrior is back in Scotland for their Third year and back in Edinburgh. We're taking you a short hop, skip and a jump (or 30mins by train if you prefer to save your energy – you'll need it!) from the city centre to the picturesque seaside harbour town of North Berwick. North Berwick boasts an explosive past and our course provides a reminder of that, set in the shadow of a great lump of volcanic rock called North Berwick Law.
Check out previous race video by clicking here
Balgone Estate
North Berwick East LothianEH39 5NY
Total Warrior Edinburgh
Sunday, 17 September 2017


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Cinco de Mayo Whites Case
Your Cinco de Mayo Whites Case contains two bottles each of
Cannery Row Cellars Chardonnay
Cannery Row is a stylish, classic California Chardonnay. It offers fresh fruit aromas that lead to flavors of apple, nectarine, and ripe juicy melon. Oak aging adds hints of toasty oak and vanilla, giving the wine depth and complexity, while a balanced acidity keeps it refreshing.
Award Winner: 91-point Gold Medal, Critics Challenge International Wine Competition 2016
Abbazia Cuvee Prestige
Prosecco fans, take note. Our Cuvèe Prestige bottling from Abbazia is produced in the charmat method, ensuring a refreshing sparkling wine with a complex palate of flavors and tiny, concentrated bubbles. It is fruity and pleasant, with a balance of golden apple and spring flower flavors on top of a dry finish. We can think of no better way to celebrate than with this sparkling wine made from Glera, the famous Italian prosecco grapes from Lombardy's Collio vineyards.
Multiple Award Winner: 90-point Gold Medal, Monterey Wine Competition 2016; 89-point Silver Medal, Critics Challenge Wine Competition 2016; Silver Medal, International Eastern Wine Competition 2016
Villa Amoroso Toscana Bianco
There is something inherently special and charismatic about Tuscan wine. Some say this is instilled by the vine, while others are charmed by the balance and full-flavor. What wins us over is the wine's proven food-friendliness. The contrast of tart cherry, plum, and strawberry flavors fuse with earthy notes of oregano, smoke, and tobacco, making it a wonderful dinner companion. Villa Amoroso Toscana Rosso hits every flavor note we expect, leaving us to want nothing else, except for maybe a few more bottles.
Multiple Award Winner: 90-point Gold Medal, Critics Challenge International Wine Competition 2016; 87-point Silver Medal, Winemaker Challenge International Wine Competition 2016
Kepe Blanco
Think of this ripe, Spanish-style red as the guest who takes the festivities to the next level. Raspberry, strawberry, plum, and black currant flavors start in the aroma and get everyone dancing through to the party's satisfying finish. Open Kepe Tempranillo anytime and invite it by to enjoy your favorite foods like pizza, pasta, and grilled meats.
Multiple Award Winner: 88-point Silver Medal, Critics Challenge International Wine Competition 2016; Bronze Medal, Berlin Wine Competition 2016
Blume Sauvignon Blanc
From the plains of the Iberian Peninsula comes Blume Sauvignon Blanc, a fresh Spanish white with juicy peaches, mangoes, herbs, and hay on the bouquet. The lively fruit flavor and crisp finish make it the perfect companion for goat cheese, grilled veggies, or anything from the ocean.
Ngumu Chenin Blanc
Nurtured by the plentiful sunshine and dry heat of South Africa's Western Cape, Ngumu Chenin Blanc erupts with flavors of apple, pear, pineapple and tropical fruit. This nuanced white has a lively acidity, and pairs perfectly with grilled fish and papaya salad.


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Report Profile
Nathan Walter Vanderveen (born March 24, 1991) is an American musician, producer, and actor. He is best known for his work with Paradox and The Vandertones.
From 2002 to 2012, Nate has recorded 12 albums, over 50 singles, and 6 live performances.
Copyright © 2017 WikiWorldBook. Development & Design.


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Rox acquire Guthrie in trade with Orioles
Rox acquire Guthrie in trade with Orioles
"The right kind of guy," Rockies GM Dan O'Dowd said. "The list was pretty small."
One of those few names was Jeremy Guthrie, whom the Rockies acquired from the Orioles on Monday in exchange for right-handers Jason Hammel and Matt Lindstrom.
"We had interest in Jeremy for a while," O'Dowd said.
The 32-year-old right-hander, who went 9-17 with a 4.33 ERA in 32 starts for the Orioles last year, was eligible for salary arbitration this year.
Guthrie's hearing was scheduled for Monday, but he agreed to a one-year deal with the Rockies worth $8.2 million. He can become a free agent following the 2012 season.
"The Rockies have been one of those teams that has consistently had interest, and I guess that's the silver lining in the big change," Guthrie said. "I get a chance to go to a city and play for a team that's ready to win now and ready to go after it and doing everything in their power to do that. I'm excited to pitch meaningful games all season, right from the start."
Though trade rumors had swirled around Guthrie last summer, he was caught off guard Monday.
"The trade was very surprising," he said. "Especially the timing of it."
Guthrie was seeking $10.25 million in arbitration, with Baltimore submitting a $7.25 million figure when the numbers were turned in last month.
"I told [my agent] whatever, let's just work out a deal, let's get it done," Guthrie said of settling so quickly with the Rockies. "I don't think anybody at that point was prepared to get a hearing. We can move forward now without any distractions."
Guthrie led the American League in losses last year while pitching for the last-place Orioles, but there's a big difference between pitching in the AL East against teams like the Yankees and Red Sox and pitching in the National League West in pitcher-friendly ballparks in San Diego, San Francisco and Los Angeles.
"We know he's an outstanding competitor, as well as a great athlete," O'Dowd said. "We think the change of leagues will help him."
While Guthrie is not intimidated by pitching at Coors Field, he's never done so in his career. He spoke with former Rockies right-hander Kevin Millwood after the trade, saying Millwood told him that other than the ball carrying a little more, it was not that big of a deal.
Guthrie also jokingly pointed out that he has experience pitching in the high altitude.
"I pitched at BYU and I played in Colorado Springs against Air Force," Guthrie said in reference to a six-inning stint in which he allowed just one run. "You know my career ERA in Colorado is one-and-a-half, so we've got a great track record coming in."
Guthrie is a workhorse, having averaged 202 innings pitched over the last four seasons. That is important for a Rockies rotation that figures to consist mainly of younger pitchers who will need to have their innings monitored.
The Rockies will try to sort out the rest of the rotation this spring from a group that consists of Jhoulys Chacin, Guillermo Moscoso, Josh Outman, Drew Pomeranz, Juan Nicasio, Alex White, Esmil Rogers, Jamie Moyer and Tyler Chatwood.
"We've got a lot of candidates, I know that," O'Dowd said. "I think the hardest part of our spring quite honestly is sorting through all of them and making good baseball decisions. Some of those guys could end up in our rotation, some could end up in the bullpen and some could end up in Triple-A."
Parting with Hammel and Lindstrom was not an easy decision for the Rockies. Both players will not be eligible for free agency until following the 2013 season.
Hammel was 7-13 with a 4.76 ERA in 27 starts for Colorado last year, while Lindstrom was 2-2 with a 3.00 ERA and a pair of saves in 63 relief appearances in 2011.
"We gave up two players that were part of this season and moving forward for us," O'Dowd said. "But you have to trade something to get something."
Steve Gilbert is a reporter for MLB.com. Read his blog, Inside the D-backs, and follow him on Twitter @SteveGilbertMLB. This story was not subject to the approval of Major League Baseball or its clubs.


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After his stunning Daytona 500 victory, Trevor Bayne has expanded his Sprint Cup schedule and will race in the Samsung Mobile 500 at Texas Motor Speedway on April 9.
The Wood Brothers, owners of the No. 21 car that Bayne drove to his historic victory Sunday, opted to expand the rookie's partial Cup schedule to the first seven races of the season, with the the TMS stop being the last of that plan.
Bayne, who turned 20 on Saturday, will do double duty in Fort Worth, also competing April 8 in the Nationwide Series O'Reilly Auto Parts 300.
Bayne is running a full-time Nationwide schedule for Roush-Fenway Racing. He can only compete for the championship in one of the series because of NASCAR rules and probably won't change his plan to go for the Nationwide title.
The Daytona 500 was Bayne's second Sprint Cup start. His debut came Nov. 7 in the AAA Texas 500 at Texas Motor Speedway, where he started 28th and finished 17th.


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Audrey Bradlaugh was a Manticoran citizen and an officer candidate of the Royal Manticoran Navy.
In 1878 PD, she served her Midshipman cruise aboard the heavy cruiser HMS War Maiden. After the ship's victory over PSN Annika, an endorsement was put in her service record indicating early successful completion of her cruise.[1] (HHA3.1: MMH)
References Edit
- ↑ Meaning she was likely promoted to Ensign.


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I really meant to get this post out a few days ago, but, well, that didn't happen! I'm in a frantic state of mind the last few weeks. There are TONS of projects that we have started and not finished, and even more projects that I am dying to start. So, I'm trying to catch up with myself. The holiday season is not a good time to do these things, remind me that next time, okay?
Here is my list of November Goals:
- Continue to throw money at the truck. I'm so excited about this, we paid an extra $450 for November! Since gas prices are down, I saved all of our extra from that, DH's overtime, our snowball, and anything else I could find and mailed it all in. What a great feeling!
- Continue the grocery budget at $300. Did so, and actually for the month of November, even with added Thanksgiving costs, I came in under budget at $280! Oh yeah! Maybe the $250 isn't as far off as I thought.
- Ahem…try ebay. Well, I made a step in the right direction…I got a flat rate box. That's progress, right?! Haha.
- Get meaner/tighter on the envelope system. This one actually made me laugh when I came to it. My husband was probably wishing I wasn't so "freakish" about our budget this month! I did become more strict on the budget. DH ALWAYS runs out his "blow" money before it is time to replenish it. I've always kept a little bit back so I can just give him more, or I have given him the rest of mine. We both get the same amount, but he almost always ended up with the majority of mine….not this go around! He really started watching where his money was going when he knew he couldn't have more…he learned it the hard way first, though. He was dry and still had another week to go, and I made sure that all the other resources were hidden. I felt mean, but he survived, and so did I….barely! I think he realizes that I mean business!
Here is December:
- Of course continue to pay off the truck.
- Replenish the EF. This one gets me. I had JUST mailed the last extra payment (which was $300)to the truck, and the stupid wheel bearing decided to go out!!!!! Agh. $250 later it is fixed. See my frustration……
Really, that is all for this month. With Christmas break and all I don't think that it would be logical for me to slash the budget this month. I just don't think it is possible with the big kids being home for 2 weeks, we'll see though.
November proved to be a GREAT month for us. I'm pretty much done Christmas shopping, my personal propery/real estate taxes are out of the way, and I paid extra on the truck. My taxes have never been paid before Christmas, and my shopping has generally been finished the week of Christmas (with added debt!).
So, here's to a great December.


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Leonard Blumenthal
Leonard Mascot Blumenthal (February 27, 1901 – August 1984) was an American mathematician.
He received his Ph.D. in 1927 from Johns Hopkins University, under the supervision of Frank Morley; his dissertation was titled Lagrange Resolvents in Euclidean Geometry.[1] He taught for the majority of his professional career at the University of Missouri and was the author of A Modern View of Geometry.[2]
He was a visiting scholar at the Institute for Advanced Study from 1933 to 1936.[3] According to the Mathematics Genealogy Project, he had 18 Ph.D. students at Missouri, among them Leroy Milton Kelly and William Arthur Kirk; he is the academic ancestor of over 80 mathematicians.[1]
The Leonard M. Blumenthal Distinguished Professorship in Mathematics at the University of Missouri was established in 1992 in honor of Blumenthal. This endowed chair is given on a five-year rotating basis to Missouri mathematics professors; the Blumenthal Professors at Missouri have included John Beem, Mark Ashbaugh, Alex Koldobsky, and Zhenbo Qin.[4]
- ^ a b Leonard Mascot Blumenthal at the Mathematics Genealogy Project.
- ^ W. H. Freeman, 1961, and Dover Publications, 1980, ISBN 978-0-486-63962-8.
- ^ Institute for Advanced Study: A Community of Scholars
- ^ Leonard M. Blumenthal Distinguished Professorship in Mathematics, University of Missouri Department of Mathematics.
- Blumenthal L.M. Theory and applications of distance geometry (1953), Oxford: At the Clarendon Press (Geoffrey Cumberlege), XI, 347 p.
- Blumenthal L.M. Theory and applications of distance geometry, (2nd edition, 1970), Bronx, New York: Chelsea Publishing Company. XI, 347 p., ISBN 0-8284-0242-6
External links[edit]
|This article about an American mathematician is a stub. You can help Wikipedia by expanding it.


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Let us know when your receive great advice so we can thank our lawyers and point others with similar questions in the right direction.Got it!
A friend of mine is involved in a case where her lawyer already told her the judge would rule against her motion and let the court of appeal decide because the state spent to much on case and can't kill the case in motions
Judges are impartial arbiters - unless you can prove with sufficient and convincing evidence they have been bribed or are otherwise unable to impartially and dispassionately consider the pending case. It takes a lot of evidence to prove something like that.
Besides that, the defense attorney needs to argue facts and law and win. Just like in any other case. Motion practice can be done very well and very averagely depending not only on the attorney's experience and attention to detail but also on what the facts and law are. Having a motion denied is very commonplace for any attorney that has ever done any litigation - it is not the end of the day, all that matters is the ethos of "Win, baby, win" when you get a not guilty verdict or even a mistrial in certain circumstances.
Best of luck
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Category: Stock Footage
VideoHive Study 4370545
Stock Footage \ Education
Taking \ WritingStudy \ Education \ Reading \ Fingers
Stock Footage - Study 4370545 by korkut82 @ VideoHive
Stock Footage \ Education
Study is a close up video.A lady taking a notes with pen.
Alpha Channel: No; Looped Video: No; Frame Rate: 29.97; Resolution: 1920x1080; Video Encoding: H.264; File Size: 358mb; Total Clip(s) Length: 0:44.
Lying On The Beach; Dog Playing With Water; Wedding Tables; Pool Water; Tulips; Maiden Tower; Cutting A Nail.
Keywords: book, close, education, fingers, note, notes, page, pages, read, reading, study, up, woman, write, writing.


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Next AdventureTBCMay 1st, 2017Go Time
- RT @ChristinaHIMac: @macmillancancer @MacmillanScot @AilsaMacTayside @IslaMacNScot @NicMacAbdn twitter.com/ChristinaHIMac… 4 hours ago
- @ChristinaHIMac awesome, so you're doing Devils staircase 😈 3 days ago
- Well done @ChristinaHIMac where abouts are you guys now? 4 days ago
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After being away for a long weekend I was curious to see what the "Photo Friday Challenge" had in store for me and with a title of "Little Things" my thoughts quickly fell on an Expedition Photography Workshop I attended … Continue reading
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Posted in Photography, Travel Tagged Alps, Berghaus, blisters, boots, Mountain, Photography, South Tirol, travel 12 Comments


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The content on this page is provided by a Time Out partner.
Proudly proclaiming themselves to be one of the first Palestinian restaurants in the UK, Maramia Café brings fresh, healthy, flavourful Middle Eastern cuisine to west London. With its warm welcome, efficient service and simply delicious food, it's not difficult to see why Maramia Café is a favourite not just with your average Notting Hill-ite, but also with the likes of television newsreader Jon Snow and none other than David Cameron and wife Samantha who have been spotted relaxing over Sunday brunch here. The Maramia menu includes an appealing selection of hot and cold mezze – all freshly prepared and carefully seasoned, Palestinian 'sandwiches' served in Arabic flatbreads and mouth-watering grilled meat and fish mains, cooked to family recipes. For dessert, sample a range of traditional Palestinian cakes and pastries and to drink, you can either indulge in fresh mint tea or try some wine, specially imported from Bethlehem.
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Try the chicken moussaka. It's divine!


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Archeologist of the known
El Sadek states: ´The complex make up of Egyptian society, religious / historical / political, has created boundaries for artistic expression and criticism for the contemporary artist. For a female artist those limitations are more acute within the traditional, conservative expectations of the womans role. I have occupied myself for a few years with the question of investing cultures and why people are indifferent to their own history and seek to belong to other cultures.´
In 1998 Rehab El Sadek was awarded a UNESCO-Sarvath El Hassan Bursary for Culture and Art three-month residency at Gasworks Studios in London. The first place she wanted to visit was the British Museum, drawn by the museums reputation for housing some of the most important works of art from ancient Egypt. The reality shattered her expectations. ´At first I couldnt believe it. I felt angry and sad. The artefacts had no spirit.´ Her response to a display which she felt robbed the sacred objects of their meaning was to create an installation Empty Shapes. The narrative was based on the ancient myth of Osiris where the murdered kings body is dismembered and scattered across the land to prevent his wife from retrieving his body and salvaging his spirit. The installation attempted to reverse power relations by questioning the viewers assumptions about displays of artefacts acquired through colonial conquest. A haphazard scattering of house-like structures made of thin sticks bound with worn cloth and inscribed with Arabic characters convey a fragile world, material culture without spirit.
On her return to Egypt, the exhibition created an intense debate among the art community over the use of installation as a valid medium and the right of the artist to confront traditionally accepted norms in a conservative environment. The fragile houses with overt references to the position of women and their historical status were acclaimed by several marginalised groups in Egyptian society. Exhibiting at the 10th Salon of Youth in Cairo, El Sadek was given an entire room for her delicate constructions, described by reviewer Nigel Ryan in Al-Ahram Weekly as ´a fantastical village´ and ´one of the most convincing installations in the show´.
Another work made around this time Art Books, originally shown in Cairo in 1998, treated cultural history as stagnant and unreadable, with pages glued together and in some cases bound into volumes with wire twisted into tight knots. Reviewer Nigel Ryan described her process. ´she archaeologises the known, while at the same time delineating the tentative nature of the boundaries of what can be known.´
In 1999 she showed at the Biennale dei Giovani Artisti in Rome and won 2nd prize for her installation at the Sharjah Biennial in the United Arab Emirates. She was selected for the Kuona Trust 3rd international artists residency in 2000 in Nairobi, Kenya where she worked on a public project with young girls from underprivileged backgrounds. Seventy-five dolls were made with seventy-five children from different locations in Kenya. The work Dolls was installed in a glass case in the Museum Art Studio with the childrens biographies.
At the Al Nitaq Festival in Cairo in 2001, Rehab El Sadek made a video installation, Boy and Toy. El Sadek built a toy pyramid of 500 transparent cubes, wooden dowels and cloth. Beyond the pyramid the slow motion video depicted a young boy lethargically chewing a massive wad of gum, reflecting the carefree / careless approach to life. Sacred and social Egyptian texts were used in the toy pyramid, sometimes readable but cut, mixed and disturbed.
Rehab El Sadek was shortlisted for the Visiting Arts/Delfina Annual Fellowship in 2001 on the nomination of William Wells, Director of the Townhouse Gallery in Cairo.
Gender issues have come to the forefront of El Sadeks work in recent years. Couple, a two channel video created at a workshop in Karachi, contrasts the hesitation of subjugated women bent at the waist, unable to stand upright with the fast-paced movement of a man slashing the air with a machete. Her work shows in 2003 in the Netherlands in a group exhibition Cairo Modern Art selected by the Townhouse Gallery for Contemporary Art in Cairo at Fortis CircusTheater gallery in Scheveningen. In 2003 she also participates in the Les Ve Rencontres de la Photographie Africaine in Bamako and the Havana Biennale in Cuba.
SOURCES: reviews by Alessio Antoniolli (NKA Journal of Contemporary African Art), Nigel Ryan (Al-Ahram Weekly)
Solo Exhibitions
Group Exhibitions
Sugar Sculptures
Boy and Toy
A Day of a Housewife
Trees series
Dolls (public project)
Empty Shapes 2
Empty Shapes
Art Books
School Benches
1999 2nd Prize, Installation, Sharjah Biennale, Emirates
1998 Bursary supported by UNESCO-Sarvath el Hassan Bursaries for Culture and Art, Gasworks Artists Studios, London
1999, 98 & 97 Egyptian Government awards for freelance artists
1997 Installation Prize, Salon of Young Artists, Cairo, Egypt
1996 & 95 Committee Prize, Salon of Young Artists, Cairo, Egypt
1994 Alexandria Atelier Honors Grant, Alexandria, Egypt


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