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The function is to function, as one…
Peek inside the world of Brooklyn label Doom Dab. Just two years since its founding, the high-and-low-brow label has released a series of progressive projects that push R&B, rap and electronic in new directions while playing—just barely—within the confines of popular music.
Every night, in every city, a group of like-minded talents are gathering in a communal space, congregating, collaborating, exchanging energies in hopes of building stronger bonds, both personal and creative…
And so, in the early hours of a frigid January evening, a diverse group of members and affiliates of new-wave New York label Doom Dab are gathered in a dimly lit apartment in Bushwick, creating and talking shit in equal measure.
Gathered for a photo shoot for a single cover and party flyer—both of which are set to be released the following day—the group in attendance consists of contributors to said artwork and friends who happen to all fall under the Doom Dab umbrella.
Those not being photographed gather in the kitchen, politely divvying up a single 6-pack of Pacificos and talking loudly about Britney Spears's pop music overlording of the 90s. At one point, rising New York culture icon Juliana Huxtable casually stops by.
Meanwhile, in the living room, Doom Dab founders Alberto Arensberg and Billy Scher—both clad in grey kimonos—try their best to look serious in a seated pose as Doom Dab artist K Rizz stands over them in a strappy leather getup that's part dominatrix and part clubkid formalwear.
Doom Dab, now in its third year, is the brainchild of an unlikely trio that embodies the energy and adventurism that New York (even in its current bloated form) has always been known to foster.
Outcasts with enough flair that you'd easily identify them as the cool kids in any social setting, Hannah Daly and Alberto—friends and co-conspirators pre-Doom Dab—are the college grads who likely showed up to class in last night's clothes, still reeking of the effortless cool their peers were actively paying a hundred grand to try and learn.
In its original iteration, Doom Dab, which launched in 2013, existed as Good Kids Collective, a loose party-planning committee headed up by Alberto that hosted parties throughout downtown Manhattan and Brooklyn. Eventually, Hannah entered the Good Kids mix as a booker and promoter.
Through that project, Hannah and Alberto—a pair of charming multi-hyphenate creatives—made a name for themselves as curators of youth culture, imbibing the city's sometimes-sanitized culture and offering it outward into a world that still longs for glimpses of New York cool.
Eventually, Good Kids faded, and in its wake Alberto and Hannah decided to channel their undeniable taste to create and curate music of their own while maintaining roots in nightlife (through Doom Dab, they still regularly throw parties at the Standard Hotels in New York and LA).
"I think definitely based on our tastes, we know it's going to be different," Alberto says of the pair's mentality in the early stages of Doom Dab, which he defines as a creative hub for him and his comrades. "we're taste-makers, that's one of our main functions."
The operation's third leg, Billy—a childhood friend of Alberto's and former member of psych-pop band American Royalty—embodies less of the tastemaker mentality and in conversation embraces his role as observer more than center of attention, counteracting the earnestness of his counterparts by offering ideas as a new but conscientious contributor.
Beside Billy's home studio setup—where the label records a bulk of its material, and gathers hours before the photo shoot—he keeps a book titled "Finding Flow," a psychological guide that examines the effects our personal histories and choices have on our day-to-day interactions.
"We had to do it," Billy says of joining with Doom Dab's founders to launch the label. "Everyone was making really good music but no one was working together. So it was like, that's sick, that's amazing, everyone was making stuff, so we tried to have some sort of foundation that it could all be family. And we're all working together anyway."
Three years into its existence, Doom Dab has released a string of EPs and singles from its growing roster of talent, and the collaborative aspect between founders and artists remains in full force.
The single cover art being shot on the fly is for a single by Billy and Alberto's group AHBS, "Spill," which features K Rizz, and when its artwork is complete, everyone now casually kicking it in the living room will either head to LA for a release party or post the flyer to social media. Everything is conceptualized, created and promoted in-house, and the founders intend it to stay that way.
"I'm really interested in creative economies and how we can build one together," says Hannah. "Realizing we have everything we need, we just have to apply it and learn through just doing it."
How do you value one another as founders who each have a unique skill set?
Alberto: [Running this label] is a coveted position from all our perspectives. We couldn't gain more from each other than we do.
Hannah: We're all very good at different things that all fit together.
Alberto: It feels like a supergroup. These are two of the most talented, inspiring, motivating, far-out people I've met in my life. They're my family.
Hannah: I agree.
Billy: Yeah, oh yeah…
Alberto: It's strange to depend on other people, but that's what we're learning. We're a tripod now, you know? So, it takes patience, but it stems only from love and respect.
Hannah: Between us, we can do anything. We can figure out how to do anything. We can do that over and over and over.
Beyond Doom Dab's immediate founding unit lies another triplet of creative forces sustaining entirely on their own axes, exploring sounds and looks traditionally reserved for the fringes, while harboring the sort of mainstream attention Doom Dab sees as one of its founding principals.
"We came at this with a pop mentality," says Alberto, "We're trying to make music that people can live with, like for long periods of time."
Jay Boogie
Doom Dab's artist who currently seems most poised for a mainstream breakout is Jay Boogie, a saucy Brooklyn rapper whose older brother was a globe-traveling MC who gave up on his dream only to pass off his passions (and recording equipment) to his inspired little sibling.
Following in the footsteps of breakout in-your-face New York rappers, Boogie exists in a world where sexuality is a game to be played, where rules bend and expectations break. Perhaps the most technically proficient musician of the Doom Dab bunch, Boogie is also an agile rapper who mixes aggressiveness with humor for a mixture that's part-party-pop, part-power-hop.
In December, Boogie unveiled his debut album "Allure," on which he spits over a bevy of varied instrumentals and flows effortlessly with a self-assuredness usually reserved for experimental veterans.
On "Not The One (Never Been The One)," a trippy electro-funk banger with machine-gun drums, Boogie rattles off a hook you'd kill to hear on a late weekend night, just before unleashing an undeniable verse:
I never been trendy,
I been rockin' Fendi,
I been had the Benjis to cop me the Fendi
I don't think you're ready, ready for this jelly
If you think you're ready, come into my 'telly
Knock on my door, let me show you how I use these paws
On top of most n—gas, there's no need to pause
I don't even pause when it comes to the Lord.
Simply put, it usually takes time to get this good…
K Rizz
K Rizz, who sometimes calls herself SlayRizz, is the closest thing to Jay Boogie's counterpart, but she might better be defined as a Fifth Element-esque dystopian pop queen that's too weird to believe.
To call the 5-foot-tall K "larger than life" is to sell the cliché short, and despite being a walking caricature of living superstardom into existence, Rizz's ridiculousness is so disarming it's impossible not to watch her every action with a charmed grin.
Her music is also fantastic. As Doom Dab's diva-in-residence, her voice aspires to be as big as Aguilera's and her songwriting as radio-friendly as Ariana's (she's not far off in either regard).
Still, much like rapper RiFF RaFF, whose persona is so outlandish his authenticity was constantly called into question early in his career, K Rizz seems almost impossible to buy into, but she remains so committed to being so entirely herself that you have no choice but to fall in love with her effusive eccentricity.
Like many out-of-this-world characters, K has found success outside of music as well, serving as something of a fashion muse in recent months, seen modeling Fool's Gold attire and in a recap of New York Fashion Week.
In between photographs for the AHBS single cover, K shows off an Instagram video she took before coming over and asks the rest of the party what time she should post it—early on so that her followers can get inspiration for how they'll dress that evening, or later, so that they can peep it as they're already in the midst of their own night out. There's some back and forth, and she decides to post it immediately, with no filter.
Thurmon Green
Rounding out the trio of Doom Dab artists is Thurmon Green, a silk-voiced crooner who's a dead ringer of Makonnen in the right light. Precocious and polite, he doesn't embody the out-of-this-world ferocity of K or Jay or the offbeat coolness of Hannah and Alberto, but what he lacks in quirkiness he makes up for in raw imagination.
Another multi-hyphenate who studied film in school before realizing he had a beautiful singing tone, Thurmon found success on his own via a string of traditional R&B singles before joining the fold at Doom Dab and releasing his Adolphus EP in late 2014, garnering acclaim from the likes of FADER, Dummy and Noisey.
Sipping slowly on a beer while the Ahbs shoot wraps up, Thurmon gleefully picks out old-school jams to play for his friends, who sing along to every word.
Even if it isn't his turn in the spotlight at the moment, he seems genuinely happy to have found a group of peers who appreciate his song selection and offer him a welcoming place to hang on a Saturday night.
How careful are you that every artist or song you release through Doom Dab has to be great?
Hannah: I think we're working with a sound that is very distinct and stands between the genres that we're into.
Alberto: We only put out three things last year… That could even be seen as a lot. But we're very, extremely selective.
Billy: It's also the combination of, if we're supporting the artist and they're working with us, we'll try and figure something out. But we haven't had to cross that bridge where our friend is not making the tightest music.
As the night carries on, conversations turn to where the night will take the group, a conversation you might imagine them having on any random night they happen to end up together in a Brooklyn apartment.
Eventually, Hannah mentions a "function"—the group's word for a party, or dinner, or get-together, or any social situation—where she'll be DJing for a friend's birthday party.
Quickly, everyone starts to ponder outfits, Hannah discusses the songs she'll play, and the group suddenly looks more like a collection of in-sync friends than a record label with bosses and signees. Still, once they all ride out together, Thurmon gets a chance to hop on the mic and perform guest vocals while Hannah spins—the perk of fostering a hub like Doom Dab's.
It's in this part-friendly, part-professional, mutually-beneficial dynamic where Doom Dab has found its fun as well as its success—these are people who would be drinking beers and hanging out in a room singing along to old-school radio hits even if they didn't rely on one another financially and professionally.
In the east-side heart of a New York City metropolis that's been declared artistically doomed, this is where real art, real friendship and real creativity is happening—where like-minded friends are finding sustainability within one another without pretense.
Even if Doom Dab's founders and members foster mainstream pop dreams, their approach subverts the traditional pop system in the best ways;their outfits are outrageous, their aggressive expression has no regard for a regular label rollout and their DIY capabilities have allowed them to go from wanting to start a label to actually starting one and suddenly finding themselves running one.
As Doom Dab grows, its founders wonder what sort of semblance of a "plan" they'll be able to enact and abide by. In addition to a growing roster, all founders are performers/DJs/producers in their own right who at some point want their turn at the table.
"We want to all move forward," Billy assures me, but beyond individual aspirations, "it's about the fam right now."
For now, Billy, Alberto and Hannah are investing everything they earn through Doom Dab back into the label, which they plan to make a financially viable business in the near future.
Cool kids turned entrepreneurial adults, this is the creative class… Young people who want to control their own lives and livelihoods, and doing something about it, together.
Boulevards: Funk is the Feeling


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99 Problems, Ebola Ain't One
This past Sunday, October 19th, Nipashe reported on a possible Ebola case in Mwanza's Sengerema district. The patient, Salome...
Tanzania is at the dawn of a cultural awakening: An important and unique cultural heritage rescued
I see Tanzanian art beginning to gain recognition as our society starts to appreciate art more and more these...
Five questions with Dunda's Zaka
"I think when people get to the basics of issues without camouflage, they become efficient."
Peace Commits Suicide
A lady named Peace allegedly committed suicide today, hanging herself on the ceiling of her house.
Be Silent. Not.
If people are not empowered to express their thoughts, aren't they mere parrots, narrating someone else's thoughts, talking but...
Home Stretch with The Reds And Blues
Chelsea bag another FA Cup trophy while Liverpool are stuck with flaunting the Carling Cup as the season winds...
Nasaha za Hayati Salim Ali Kibao juu ya Kiswahili
Hayati Salim Ali Kibao akielezea matumizi ya maneno ya lugha ya Kiswahili mwaka 1995.

subset: commoncrawl


text:
Let us know when your receive great advice so we can thank our lawyers and point others with similar questions in the right direction.Got it!
My sister , who is a U.S citizen, applied for me last year May 09. I am presently in touch with immigration to change from J1 to f1. I however am interested in knowing if my sister can file an affidavit of support for me so that I do not have to leave the states until I am able to get my green card?
Unfortunately your sister's petition does not confer immediate benefits. That means you will have to wait for a long time before the greencard number becomes available to you. Then you have the issue of shifting from J1 to F1 (need to check if you need a waiver). Also because your sister filed a petition for you, the F1 might be denied because of the immigrant intent. I will highly recommend that you speak to a good immigration lawyer before you do anything.
Good Luck
Shah Peerally
Founder and Managing Attorney of Shah Peerally Law Group PC
The Law Firm Deals in Immigration law & Debt Relief
Note: The above answer is provided for informational use only. One should not act or refrain to act solely based on the information provided. No attorney client relationship is created unless a retainer or a fee agreement is signed by the attorney and the client.
4th Preference Visa Has Long Wait: Your sister sponsored you as a fourth preference Family-Based immigrant visa. This category currently has about a 10-Year wait before you will be eligible to receive a green card based on her petition. (The Dept. of State lists the waiting period for each category of visa in the Visa Bulletin each month at http://travel.state.gov/visa/bulletin/bulletin_1360.html .)
Non-Immigrant Visas and Immigrant Visas Don't Mix (most of the time): Most non-immigrant visas, including J, F, B, and others, require "non-immigrant intent," a showing that your visit to the US is temporary and you have the intent to return to an un-relinquished home outside the US. On the other hand, immigrant visas (green card visas) require "Immigrant Intent," a showing that you intend to come and stay in the US on a permanent basis. There are a few non-immigrant visas that permit dual intent – they permit such as H and L visas. Generally, the US Government does not look favorably on cases where applicants indicate both immigrant and non-immigrant intent (ignoring the practical reality and legally correct position that one could come for a temporary purpose and be open staying permanently if they can legally do so). For this reason, caution and thoughtful strategy must be used when considering non-immigrant applications, extensions or changes of status and the filing of immigrant visas petitions. You must also avoid any implication of misrepresenting the facts of your case and may have to disclose the fact that your sister has already sponsored you for a greencard.
Change of Non-Immigrant (F) Status: Among other requirements, requesting a change of non-immigrant status requires the following:
• Compliance with your prior nonimmigrant visa
• No unauthorized employment
• Apply for the extension prior to expiration of your prior visa period
• Proof of eligibility for the new visa (F student must show acceptance into the school and an I-20)
• Proof of on-going non-immigrant intent
• Proof of ability to support yourself and pay the costs of the intended activities without a violation of status (F students must show they can pay for housing, food, living expenses and tuition without working without authorization). Your US Citizen sister and her husband may be able to provide an affidavit of support and proof of assets and income for this purpose.
Some other important issues to consider in your case include:
• Is your J visa subject to a 2 year foreign residency requirement
• Is there any chance the USCIS could find misrepresentation in your prior applications or entries into the US (J visa application)?
• Did you comply with your J visa?
For the above reasons, I recommend that you consult with an experienced immigration attorney.
Matthew R. Glinsmann
12 Russell Avenue │ Gaithersburg, Maryland 20877
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Luc Morlet's winemaking roots stretch back five generations to Avenay-Val-d'Or, in the Champagne region of France, where his grandfather founded a small winery. As a boy, he worked in the vineyard alongside his father, learning first-hand what it meant to be a viticulteur. Today, Luc is one of a handful of French-born winemakers who have found their niches in the sunny climes of California. To describe him as passionate feels almost cliche — what with the word's overuse these days — but, in Luc's case, it's the only choice; and despite relocating across the Atlantic, dedication to family remains paramount in his work. It shows in the small, but precocious domaine he and his wife, Jodie, are building in Napa Valley.
Luc's formal wine education began at École Viticole de Champagne. After earning a viticultural degree there, he continued to Reims University where he received a master's in enology, and then to Dijon Business School for an M.B.A. His first full-time gig was as assistant winemaker at Val d'Or Champagne Cellars. In 1993, he took his first trip across the pond, replacing the winemaker at a French subsidiary in St. Helena. While there, he also got the chance to work and learn under John Kongsgaard at Newton Vineyard. In 1996, after briefly moving back to France to work in Bordeaux, Luc returned to the U.S. and settled permanently. He took over for Kongsgaard as director of viticulture and enology at Newton, and from there his career soared. He teamed up with Michel Rolland to create the first Bordeaux blend at Newton, worked as head winemaker at Peter Michael and then at Staglin, and also did work consulting for top Napa properties, including Vineyard 7 & 8 and Carte Blanche.
In 2006, Luc and Jodie — she was the real reason he moved back to the U.S. — started producing wines under their own label, Morlet Family Vineyards. They began by sourcing grapes from a number of top quality vineyards, but estate bottlings were soon to follow. The first vineyard they purchased was a parcel in Knights Valley, followed by a fantastic property just north of St. Helena, which has since become home base. Jodie and Luc recently restored the beautiful stone winery there, which was originally built in 1853. There are reportedly caves running back into the hillside behind the winery that Luc plans to develop and restore, if possible. For now, though, the focus is on winemaking and acquiring more vineyards.
Most recently, Luc and Jodie purchased a 24-acre parcel in Oakville (20 acres plantable), located just across the highway from the famed To Kalon Vineyard. While the St. Helena and Knights Valley holdings are superb, Luc loves Oakville, calling it "the heart of the valley." Acquiring the property was a dream come true for him, which took many years of patient searching. Given the soil properties of the neighboring vineyards, Luc and Jodie expected to find typical Bale series 103 (pure loamy topsoil on loamy subsoil) and 104 (loamy topsoil on clay and loam subsoil) upon inspection. But when they ripped the ground with a deep plow (4 feet down to expose and remove any old roots), they were amazed to find soils comprised of 40-60% alluvial gravels. It will be interesting to see how this unique vineyard develops, though it will be years before it reaches its true potential.
When asked about the wide range of wines he produces at the relatively small winery, Luc described himself as having a split-wine-personality. "My head is in the Mediterranean, my feet are in Champagne, and my heart is divided between Burgundy, Bordeaux, and California," he said. At Morlet, he ambitiously produces Bordeaux-styled whites and reds from estate-grown and purchased fruit (from Napa and Knights Valley), plus Pinot Noir and Chardonnay brought down from the cooler climes of Sonoma — quite an array for a winery of this size.
Luc's winemaking style is modern but balanced, with a huge emphasis on the vineyard. His influences are Old World, but he readily accepts Napa's natural tendency towards rich, ripe, layered wines, making a point to retain balance, freshness, and capture the wines' terroir. "As much as I hate unripe fruit, I hate overripe fruit even more," said Luc.
In the vineyards and at harvest, things are done as gently as possible, with very little intervention. He forbids herbicides, and uses pest control only as a last resort. Luc and his team do all farming of proprietary vineyards themselves. They use spades to shovel and turn the soil gently, cultivating as much as possible by hand to avoid compaction of the soil. Luc even maintains final say over farming practices for contract vineyards.
Over the years, Luc has moved harvest dates earlier in search of more balance and freshness. All harvesting is done by hand, at night when it's cool. The grapes go into small, 30-pound cream-colored lugs (they reflect heat and are cooler than dark colors), which are carefully stacked on pallets, to be wrapped and delivered to the winery in temperature controlled trucks. "I am looking for harmony, equilibrium, and complete, seamless tannins," Luc told me. Picking is extremely important, and it is a significant part of his style. Twenty years ago, he was one of the winemakers that would pick last, a trend he thinks got out of hand in the search for ultimate ripeness. Today he finds himself in the middle of the pack as far as picking dates. He relies on cues provided by taste, tannins, color, and the nature of the foliage to tell him when to pick. It's not just physiological ripeness he's searching for, but optimal development of flavors and acids as well.
The resulting wines are stunning and polished, combining seamless elegance with richly layered character. They have power and depth, but also balance. They are by no means over the top. By all measures, Morlet is a superb, small domain, crafting beautiful, classy wines under the guidance of one of the valley's best. But as good as they are now — and they are very, very good — you get the sense that this is only the first act, that this is a winery on the move. As the new estate holdings come into production it will be exciting to watch where things go. And you can bet that Luc Morlet is aiming for the top.
Napa Valley is the most famous wine-growing area in the U.S. It begins at the base of Mount St. Helena in the north and tapers off some 30 miles to the south into the floodplain where the Napa River enters San Francisco Bay. From Mount St. Helena to the city of Napa, the valley is defined by two north-south ridgelines of the Coast Range Mountains.
The bulk of grape growing for Napa wines takes place on the valley floor and on the gentle slopes adjoining the floor, the best-known example probably being the Oakville Grade. The floor ranges from less than a mile in width in the north to about 3 to 4 miles across in the south. The hills to the west of the valley floor are part of the Mayacamas Range; they contain key appellations such as Mount Veeder, Spring Mountain, and Diamond Mountain District. With the exception of Howell Mountain, the hills on the eastern side of the valley are not nearly as important or as well known.
From its earliest days, Napa Valley has been the home of some of California's most famous wine estates. Today, the valley boasts upward of 36,000 acres planted to Napa wine grapes and some 250 wineries, most of which offer high-caliber, often expensive Napa Valley wines. With some notable exceptions, the best California Chardonnays, Cabernets, and Merlots come from Napa; these varieties make up two-thirds of the vines in the region.
Because of its huge size, Napa Valley is home to varied microclimates that support many different kinds of wine grapes. For example, the cool Carneros region by San Francisco Bay yields good Chardonnay and Pinot Noir; and at the other end of the valley, the warmer Calistoga area can produce perfectly ripe Zinfandel, Petite Sirah, and monster Cabernets, but it usually overcooks Pinot Noir and other heat-sensitive varieties. On wine labels, the term ""Napa Valley"" has included all but the most outlying and inhospitable lands of Napa County.
It is remarkable that an industry essentially less than a half-century old could capture the attention of the American wine-buying public to the degree that California has. Powerful consumer interest in California wine is driven by two major factors. The more obvious reason is that California's best wines, which come from grapes grown in a benign climate featuring endless sunshine, very warm summer days, and generally dry harvests, and wonderfully fruity, full, and satisfying, and rarely too austere or tannic to be enjoyed from day one.
California is blessed with an extraordinary range of soils and microclimates, allowing for the successful cultivation of many varieties. In at least three out of four years, the best sites produce healthy, ripe fruits that are the envy of European producers in more marginal climates. The other reason Americans buy so much California wine is that California is the home team. Clearly, a high percentage of domestic wine drinkers are more comfortable buying American wines (and not just wines of California) than imports. Then, too, foreign bottles are generally identified by place name, rather than by the more familiar varieties that American wine drinkers have come to know and enjoy.
Moreover, in much of North America, outside the top 15 or 20 largest metropolitan markets, consumers have limited access to imported wines even if they wanted to buy them.
For many, Napa Valley is California wine, and Cabernet is king in Napa Valley. Meanwhile, the Burgundy varieties Chardonnay and Pinot Noir have gravitated to cooler areas, generally closer to the Pacific, such as the western stretches of Sonoma County, the Anderson Valley in Mendocino County, and the Santa Maria and Santa Ynez valleys within Santa Barbara County. Syrah vines have yielded interesting wines in a range of styles all over the state, in regions as disparate as Mendocino County, the Sonoma coast, Carneros, Paso Robles, and Santa Maria Valley. Very good Zinfandel similarly comes from multiple growing areas, although to date the age-of-vines variable has been almost as important as geography. Zinfandel, though its roots are in Europe, is a true California original and the only California wine imitated abroad. It's also a variety of which there are still significant plantings of very old vines, in some cases dating back to the end of the 19th century.
2007 had 26 regions scored 95 or above. Chateauneuf de Pape (Southern Rhône) got the highest score, with a 98.
Other regions that scored 95 points or higher were Brunello di Montalcino (Tuscany), Napa, Western Australia, Carneros, Franken (Germany), Graves (Bordeaux), Mosel-Saar-Ruwer (Germany), Paso Robles, Port, Russian River Valley, Sonoma, Washington, Alsace, Anderson Valley (California), Barbaresco (Piedmont), Barolo (Piedmont), Bolgheri (Tuscany), Burgenland (Austria), Columbia Valley, Loire, Maipo (Chile), Piedmont, Santa Barbara, Sauternes, and Sonoma Coast.
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INATIN stands for Indonesian Tin Exchange which agreed to settle with the coordination of the Indonesia Commodity Derivative Exchange (ICDX) and PT Banda Graha Reksa. It was formally launched on February 1, 2012.[1]
- Physical show, not futures
- At least 99.86 percent purity and has a brand
- Sellers and Buyers should be members of ICDX and pay the membership fee
- Each lot consists of 5 metric tons of tin Free On Board priced in US dollars with minimum decrease/increase price $5 per lot
- Transaction fee 0.06 percent
- Payment/settlement is T+2, or 2 days after transaction; the tin sales are to be delivered through Mentok port and Pangkalan Balam port in Bangka Island
Before the trading session begins, Tin Commission will decide the minimum or suggested opening bid price. The session is only 15 minutes, from 2.30 to 2.45 p.m. West Indonesian Time (7.30 to 7.45 a.m. UTC time).[2] One minute after closing, the closing price will be announced.
LME, KLTM and INATIN[edit]
London Metal Exchange (LME) and Kuala Lumpur Tin Market (KLTM) are tin contract markets (not physical), while INATIN is a physical exchange.
Whoever fulfills the requirements:[1]
- PT Timah (Persero) Tbk (IDX: TINS)
- PT Tambang Timah
- PT Timah Industri
- PT Kobatin
- PT Mitra Stannia Prima
- 3H Co. Ltd.(Korea)
- Gold Matrix Resources Pte Ltd
- Purple Products Pvt Ltd
- PT Comexindo International
- PT Refined Banka Tin
- Toyota, Mitsubishi and Hanwa still in the process as buyers
The custodian is PT Banda Graha Reksa, a state-owned company.[2]
Price maker[edit]
At the first trade on February 1, 2012 there were 9 members; they opened for an equivalent of a metric ton at $24,640, closing at $24,500. LME closed at $20,290. The transactions were still very low with only 2 lot (10 metric tons) transactions, but INATIN hopes it will change the price taker position to be a price maker.[1]
About 90 percent of Indonesian Tin Association's (ITA) 28 members denounce INATIN: "We won't sell tin to that market."[3] But the initial producer members above are the biggest tin producers with production at more than 50 percent. ITA plans to launch Babel Tin Market (Babel is acronym of Bangka and Belitung Island).
Peraturan Menteri Perdagangan R.I. Nomor 32/M-DAG/PER/6/2013 stated that tin block and other types of tin should be traded first at bourse before the tin can be exported, for tin block initial August 30, 2013, while other types of tin initial Januari 1, 2015.[4]
- ^ a b c "February 2, 2012 -".
- ^ a b "December 15, 2011 - 12 January Pemasaran Perdana INATIN".
- ^ "New tin market at stake amid internal conflict". December 22, 2011.
- ^ "Peraturan Menteri Perdagangan R.I. Nomor 32/M-DAG/PER/6/2013" (PDF). Retrieved March 19, 2015.


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Author | Noor Fathima Warsia | Friday, Feb 10,2006 8:16 AM
Endemol India has completed over a month of operations and action is already unfolding from the content creation and production house. Rajesh Kamat, MD, Endemol India, informed that not only was the team shaping up well, but new tasks had also found their way to the company.
Kamat said, "The pace of work has been good so far and I'm very thrilled with the various projects we are already talking to broadcasters about. Not much can be said right now on those, but I am happy to inform that we would be producing the second season of Laughter Challenge for STAR India."
'The Great Indian Laughter Challenge' (TGILC), a homegrown show from the STAR stable, which gave STAR One numbers that other mass channels would have been envious of, was produced in-house in the first year. However, in the second year, STAR has decided to assign the task to Endemol India.
Helping Kamat in Endemol's way forward is Deepak Dhar, who has been appointed as Creative Director. Prior to this, Dhar was with the content team of STAR India.
Speaking on the appointment, Kamat said, "Deepak has worked across formats in STAR and has played a key role in some of the leading shows on STAR. He is a valuable addition to the team."
Endemol India would be involved in content creation and production and that is the kind of people that would be added to the team. However, one thing that Kamat is clear about is that much of the task force would be added on a project basis. He said, "At the time of production, we would be associated with specific assignments only. Hence, it makes sense to have the right people for the right project at that time."
Kamat is satisfied with the way things have turned out for Endemol in India so far. Even though he is still in the process of finalising office space and continues to make his moves from the Taj Land's End Hotel in Mumbai, he is confident that the way forward for Endemol India will be full of energy and announcements.


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Lacrosse news straight to your inbox.
Monday April 14th, 2014 4:58pm
Coach Bill Belichick said it best at the end of Hopkins' 11-6 win over Maryland at soldout Homewood Field on JHU's Homecoming: "It's a great day for Hopkins Lacrosse."
That it was, with 9,553 fans in attendance to watch the Jays pull out a dominating win over their arch-rivals (and future Big Ten opponents) from down 95 in College Park. Belichick was in attendance once again for this mammoth rivalry, and so were a host of JHU alums. One dad with his son called their $25 tickets "the best deal in sports", and another group of alums was reminiscing about when they used to pack 15,000 fans into Homewood when they had bleachers on all sides.
Gorgeous 70-degree day in Baltimore, and it was great to see the fans come out to watch lacrosse. Here are some sights and sounds (click through the photos above) from around the stadium courtesy of myself and Zach Babo. And check out action photos and Casey Vock's analysis over on InsideLacrosse.com.


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Sorry, readers that I haven't updated. I got sidetracked. I've been working writing an original story/novel and it's literally consuming me. It's what I think about, dream about, study about, and well, write about essentially. 'Heavy in Your Arms' has taken a backseat I'm afraid. I hope I pick it back up soon. Don't want to leave you hanging. 8/2/12


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CHARLOTTE, N.C. -- This is a Super Bowl team?
The big-talking, hard-knocking New York Jets staged a back-to-reality show Saturday night with a feeble offensive performance that conjured up images of Brooks Bollinger-to-Doug Jolley. They beat the Carolina Panthers 9-3 in a preseason game at Bank of America Stadium, but the story was the no-show by Mark Sanchez & Co.
The Sanchez-led offense took a major step backward, producing only 33 total yards in four series (and 20 came on a run by LaDainian Tomlinson). The first unit managed a couple of field goals, but those were gifts by the turnover-plagued Panthers. The Jets were so out of sync that they turned screen passes into high-risk adventures, providing plenty of fodder for those who believe they're not worthy of so much preseason hype.
So were they humbled by their sloppy performance? The Jets? Are you kidding? Not a chance.
"No excuses -- we didn't play well -- but I wouldn't take anything from this game," wide receiver Braylon Edwards said. "Put your judgment on next week. Watch that game. Don't take anything out of this game."
Right tackle Damien Woody smiled when a reporter approached. He anticipated the question.
"Ugly? Yeah, that's an understatement," he said, still grinning. "Luckily, these games don't count. We'll come out next week and make a statement in the right direction."
Said Sanchez: "It wasn't our best night. Nothing alarming."
It was a five-and-dime offense, as Sanchez completed only five of 10 attempts for 12 yards. The good news: He didn't throw any interceptions, although he came close to another first-possession pick. Cornerback Chris Gamble jumped an in-route to Edwards, who saved a turnover by grabbing Gamble's hand as he tried to secure the errant throw.
The pass protection was shoddy, as left tackle D'Brickashaw Ferguson and tight end Ben Hartsock surrendered a pair of sacks to defensive end Everette Brown. Sanchez's screen passes were undermined by poor throws, faulty protection and lousy timing. He completed only one of three screens for minus-1 yards -- and they're supposed to be the easy throws.
The Jets squandered dream field position. They started drives on the Carolina 35 and 12 but self-destructed and managed only field goals by Nick Folk.
Jets coach Rex Ryan didn't seem too concerned by the offense, which also struggled under Mark Brunell, Kellen Clemens and Kevin O'Connell, who were a combined 7-for-16 for 34 yards. Ryan said he told Panthers coach John Fox that it "looked like a pillow fight out there," two feeble offenses flailing away at each other.
"Obviously, our offense got it handed to them by a pretty good defense," Ryan said. "We're better than that. You're not going to win many games playing like this, but we won tonight."
So should there be concern? No, not yet. Most of the football nation outside New York probably wants to dump on the Jets because of their bravado, but take a step back and examine the circumstances:
The Jets were coming off a short week, practiced only two days and did no game-planning for the Panthers. (And, yes, it showed.) What's more, their first unit played only one quarter, whereas the Panthers' starters played the entire first half.
Basically, the Jets treated this like a throwaway game -- and they'll want to throw away the tape after reviewing it. But now it's time to get down to business.
Back in the comforts of their training facility in Florham Park, N.J. -- adios, Cortland, N.Y. -- they will have six days to prepare for the Washington Redskins. It's their third preseason game, their most important game because the starters will play three quarters. If they stink again, it'll be time to get panicky.
"We need to focus on next week," Sanchez said, "and take it seriously."
Rich Cimini covers the Jets for ESPNNewYork.com. Follow him on Twitter.


text:
Alan Griffiths went to university at the end of the 1960s. He worked hard, played hard and is now a town planner for a city council. For him, university wasn't just about academia. It was about branching out in the world. "I would always say, move away for university; you learn so much," he says.
When his son Christopher, now 23, came to leave school, he didn't have the same options. Severely learning disabled after being starved of oxygen at birth, he didn't get GCSEs, A-levels or a place on a degree course. He can write his name, but he can't read. He can remember a route into a computer game, but he doesn't understand that his three days a week at college are soon to be cut to one.
For the past three years, his local college, St Helens in Merseyside, has been a lifeline for Christopher. "It's the stimulation he gets from his peer group, learning things, new experiences, broadening horizons," says Griffiths. "He will never learn to read or write - we're not pretending he will - but he's just passed an exam in Makaton [a sign language for learning disabled people]."
So when the college informed the family that, from September, Christopher's hours would be cut, they were devastated. When they were told why, they were plain angry. Because he hadn't reached the pre-entry level (the very basic level for students starting in adult education), and the likelihood was he never would, he could no longer enjoy the full range of courses.
"Until the 1970s, when there was a change in the law, they were called ineducable," says his dad. "This is like going all the way back to then. The further education world is declaring my son ineducable."
In the past year, cuts to courses for people with learning disabilities have been documented in Cornwall, Newcastle, Salisbury and Bristol. Last summer, the Learning and Skills Council (LSC), which organises further education, conducted a survey of all colleges, under instructions from ministers, to find out what was being provided, to how many students, and what had changed. The results, seen exclusively by Education Guardian, confirm there have been cuts. Nearly 3,000 of the 20,000 students with learning disabilities have lost their places, with cuts in every region apart from the south-east and London. It concludes that there is no widespread crisis, and that the majority of students have access to other programmes, while the cuts were to courses that have no progression routes.
The government is unapologetic. Bill Rammell, minister for lifelong learning, says: "I am heartened by the results, because it confirms there was no central government drive to cut provision for these students. The survey confirms that the changes were targeted at inadequate and poorly performing courses. Where courses were closed, the majority of students have been offered better alternatives. We expect every institution to maintain the same proportion of students with learning difficulties and disabilities."
Policy shift
David Congdon, head of campaigns and policy at the learning disability charity Mencap, says he has received a steady stream of emails from parents and students worried about the cuts. "There are courses they [local LSCs] have never particularly liked because they don't lead to qualifications ... They are using this process to get rid of them. Some of those courses may not be good, but others are. There are funding pressures and issues of quality. That's not an excuse to cut provision, but rather to improve it." He blames the cuts on a policy shift. "The reason is the decision to focus resources on 14- to 19-year-olds. Adult education is being hit. There's been a lot of denial that there is a problem; the picture the government portrays is very rosy. On the ground, it's not so good."
Quality of provision is widely documented as poor. At the end of last month, Ofsted published a survey of 22 colleges and a number of local LSCs. It found "very uneven" standards, and made several damning criticisms. Students were often on unsuitable courses and many were being dumped at the other end with no support to help them into the workplace.Staff often lacked training. Eighteen out of the 22 colleges were failing to assess and diagnose students' needs, while monitoring of the suitability of staff through Criminal Records Bureau (CRB) checks was weak.
Those working in the system recognise this story. Sophie (not her real name) was employed as a learning support assistant to a class of 16- to 19-year-olds with severe learning difficulties. After two months, she was asked to take over the art class, as she has a degree in history of art. She has no teacher training and, at the time, hadn't been CRB-checked. "They gave me no direction when I started," she says. "I didn't know whether I was supposed to discipline the students, or join in the classes.
"The students complain about things being too babyish. But you can't offer them anything other than the most basic classes. They've got to pass, otherwise we don't get the funding. But if we over-achieve, we don't get the funding."
The LSC admits there is a big problem with provision for people with learning disabilities. Its Learning for Living and Work strategy, published in October last year, is the first national strategy to address these criticisms. It offers £35m to improve planning and provision, and promises that learning should focus on getting people into work or preparing them for independent living. It aims to end the carousel effect of people getting on courses and never progressing.
But some fear the strategy is also leading to cuts in courses that benefit people with the most profound learning disabilities, who will probably never work or live independently. Yola Jacobsen, development officer for learning difficulties at the National Institute of Adult Continuing Education, says: "The curriculum is narrowed because of the focus on work and independent living skills. Not all people with LD will work. There should be provision to enrich people's lives, too, but it's precisely that provision that is under threat. It's costly and there are no targets that can be met and rewarded."
The thrust of government policy is leading to controversial decisions. Vicky Ackroyd is still devastated that the two drama courses she taught at Park Lane College in Leeds were cut last summer. "It was the only course with a progression route," she says. "That's what the LSC witters on about. We had it. It's because they think no one will be an actor. Everyone has to aspire to shelf stacking or dog grooming."
Beverley Burgess, 14-19 young people's partnership and infrastructure director at the LSC, says the problem of quality is being tackled. "We recognise that, in some cases, programmes may be ending, or hours may be reduced, but, in the main, that's where provision is deemed to be of poor quality or where learners are not progressing," she says. "The whole strategy is about developing provision which is appropriate to needs. Just as for everybody else, for people with learning difficulties, it is about enabling their economic participation."
Burgess is unapologetic that the message from government is that the education it funds must have a definite economic outcome. "That's the same for learners with learning disabilities. However, we're also clear that, for some people, progression for employment won't be appropriate - that's why there is the focus to give them the skills and abilities to participate in their community."
What about those for whom education is about the daily experience, rather than progression? People who might never be able to work or live independently, like Christopher Griffiths? There is now a working group of ministers responsible for social services, health and education looking at services for these people. Rammell says that group, of which he is part, will shortly present a new strategy.
The LSC survey documents struggles in several areas between FE colleges, daycare centres and social care provision. Some social services are taking over educational provision; in several areas, colleges are under pressure to take more learners because of cuts to daycare; or students are simply told to seek daycare instead of classes.
This is familiar to the Griffiths family, who have been told that Christopher's education needs will be dealt with as part of a "care package". But the problem with that is the stigma attached to provision from social and health services. The whole attraction of college for them was that it is not marginalised.
Others believe it is part of fundamental changes the government has made to educational priorities, in which pottery classes have no use unless you become a potter, even if the process of working with the clay, in a room full of your peers, is individually enriching.
Richard Rieser, director of the charity Disability Equality in Education, says: "I think this government has a very utilitarian approach to education. It's got to have some quantifiable economic outcome, otherwise don't do it.Education should be about expanding your opportunity to think and experience things. This government's approach is that they aren't interested in anything that doesn't meet targets. If we're not going to put people on the scrapheap, or in asylums, we need to provide properly."
The political pressure around education for people with learning disabilities stops when they leave school. Last week, the Conservatives claimed there were 9,000 fewer places in special schools since 1997. The schools minister Lord Adonis quickly responded that they had increased spending for special needs. But that row has not been replicated in the further education arena, which is arguably more important for this group of students than any other.
Burgess and Rammell insist the policy will lead to more appropriate provision, and bring about long-awaited improvements in quality. Colleges will not provide "daycare" for learning disabled people, the LSC says. But Burgess admits that the cuts documented in the survey will mean that some people will lose their courses before more appropriate ones are set up.
Others say it is the policy that is flawed. Griffiths says: "Christopher is happy at college. He looks forward to going, he comes home with a bounce. They are pulling the plug on him. Going to college is not just about academic studies. It shouldn't be."


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Life's Irrevocable (14 Of 17) by Clarence E. Macartney
This content is part of a series.Strange Texts but Grand Truths (14 of 17)
Life's Irrevocable
Clarence E. Macartney
Jeremiah 19:10
In the gaunt Valley of Hinnom, to the southeast of
Jerusalem, a group of men are gathered together. One
of them is speaking in tones of great earnestness,
severity, and sadness. When he finishes his speech, he
lifts his arm and, brandishing in the sunlight a
finished potter's vessel, brings it crashing down on
the rocks, where it is broken into fragments.
The speaker and actor is the prophet Jeremiah, who is
prophesying at Jerusalem toward the sunset of the
Hebrew monarchy, when the vultures of judgment and
retribution are beginning to wheel over the doomed
city. As to much of God's plan and purpose for it, the
nation of Israel, through its obduracy and perversity
and apostasy, had failed and come short. But even yet,
through repentance and reformation, there could be a
worth-while destiny. Even yet the vultures of
retribution and judgment could be driven off.
To illustrate this truth Jeremiah is commanded to go
down to the potter's house, still one of the most
interesting places in the East. Of many of the great
cities and civilizations of the past all that remains
today is relics of the potter's craft. There is the
potter seated on the ground, with the mass of clay
near him, a vessel of water by his side, and in front
of him the potter's wheel. When he has moistened and
softened the clay, he puts it upon the horizontal
wheel, and then, with the wheel revolving, with deft
touch he begins to shape the vessel. When the vessel
is near completion, he discovers that there isa
serious flaw or dislocation in it. But because the
clay is still soft and pliable, the potter is able to
break down the vessel again and place the clay once
more on the wheel, where he forms a new vessel,
perhaps not just the same as the vessel that he had in
mind when he started, but nevertheless something
useful or orname ...
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Our aim is to train investors, entrepreneurs, government officials, and academics to create a balanced community with businesses that create jobs while protecting our global environment and human health.
By doing so, we are working to create a future in which:
- Entrepreneurs with good business ideas in sustainability and health are not limited by funding or bureaucratic issues.
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- Professionals working in governments, corporations, financial institutions and non-governmental organizations will always consider health and environmental effects when making decisions about their operations.
- Whole communities will participate in creating healthy innovation and sustainability ecosystems, which will provide regional social and economic development while also solving environmental and health problems.
Photo by Wikimedia | Asgeir Eggertsson | CC-BY-SA-3.0


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The change from a vegetarian to an omnivorous diet, once made, persisted in Homo erectus , Neanderthal man and Homo sapiens . From the ancestral light Australopithecus onwards, the family of man ate some meat: small animals at first, larger ones later. Meat is a more concentrated protein than plant, and eating meat cuts down the bulk and the time spent in eating by two-thirds. The consequences for the evolution of man were far-reaching. He had more time free, and could spend it in more indirect ways, to get food from sources (such as large animals) which could not be tackled by hungry brute force. Evidently that helped to promote (by natural selection) the tendency of all primates to interpose an internal delay in the brain between stimulus and response, until it developed into the full human ability to postpone the gratification of desire. But the most marked effect of an indirect strategy to enhance the food supply is, of course, to foster social action and communication. A slow creature like man can stalk, pursue and corner a large savannah animal that is adapted for flight only by co-operation. Hunting requires conscious planning and organisation by means of language, as well as special weapons.Lo he copiado literalmente, es una de las posibilidades que permite leer los libros en Google Books. No es que Google me pague, pero me parece una opción interesante, y la reflexión que hace Bronowski también.
Y con esta entrada trataré de reinaugurar esta bitácora abandonada, que parece que vuelvo a tener algo de tiempo libre.
Un saludo.


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Frigid air is expected to give way to a slow thaw this week
As overnight temperatures again plunged below freezing, Southwest Floridians are waking this morning to another near-record cold that will keep tourists indoors, the agricultural industry on edge, homeless shelters packed and home heating bills climbing.
For more than a week, temperatures have been about 10 to 30 degrees below normal. Today is expected to be no exception.
"Although it is not unusual for us to see these temperatures each winter, it is rare that the cold weather lasts as long as it has," the National Weather Service in Ruskin stated in an updated advisory Sunday.
The service expected Manatee and DeSoto counties to remain under a hard freeze warning until mid-morning today, meaning another night of subfreezing temperatures that could threaten crops and other outdoor plants.
In Manatee, thermometers were likely to dip to 30 degrees closer to the coast and down to 23 to 24 degrees in Myakka City, Logan Johnson, a meteorologist with the weather service, said.
DeSoto County was also expected to be at about 23 or 24 degrees overnight.
Sarasota and Charlotte counties remained under a freeze warning, meaning that temperatures were expected to be between 27 and 32 degrees for three or more hours.
In Sarasota County, temperatures were expected to be at about 31 or 32 degrees closer to the coast -- with harsher weather, at 24 or 25 degrees, farther inland.
Punta Gorda and Port Charlotte were forecast for a low of 35 degrees but eastern Charlotte County was likely to drop to 26 degrees.
Overall, the Sarasota area is expected to have an average low today of 29 degrees, which matches the record low recorded in 1959. That is perilously close to the point at which citrus growers worry about extensive crop damage, four or more hours at 28 degrees or lower.
Typically, low temperatures for today's date are around 50 degrees and highs in the lower 70s.
Temperatures in the area may rise today to 55 degrees, still below normal.
Dry conditions and low humidity caused the region to remain at greater risk of wildfires.
Tonight, forecasters expect the arctic air mass that has caused the cold snap to modify slightly but say that near-record lows may persist for another day or two.
By Wednesday, the Sarasota area could experience a high of 62 -- still 10 degrees below normal.
Sunday's cold chased off many of the bocce ball players at the Ramblers Rest campground on River Road in Venice, but about a dozen stalwart practitioners pulled on coats and took to the courts a few hours prior to what could have been the coldest night of the year.
"Normally on Sunday we have three courts," said organizer Les Ward, 76, who has been coming to the Sarasota area from Canada since 1969. On Sunday only two courts were in use, as players rolled large heavy balls down the tennis court-like surface.
"The fun time comes later," Ward said. "That's when we go home to have a hot toddy."
As of Sunday, Florida's $9.3 billion citrus industry had been spared severe crop damage but another night of frigid temperatures remained cause for concern.
Farmers have been trying to harvest as much of their crops as possible and spraying the rest with water, which can form a protective coating over the fruit during a freeze.
"There are no reports of catastrophic damage at this point," Andrew Meadows, spokesman for Florida Citrus Mutual, said Sunday. The organization represents around 8,000 citrus growers across the state.
"We came through in certain areas ... I've heard some positive comments from some big growers in all of our growing regions, but again there are certainly reports of colder, lower-lying areas that sustained some damage," he said.
Some of the areas worst hit by freezing conditions during the weekend were Lake County, southern Marion County and northern Polk County.
A Lake County producer, John Arnold, owner of the Showcase of Citrus, told Orlando-based Central Florida News 13 TV he may have lost about 30 percent of his crop.
Growers in counties south of Interstate 4, where most of the industry has relocated during the past decade, fared better.
"Most of them did not turn on their irrigation systems," said Mongi Zekri, an agriculture extension agent with the University of Florida in Hendry County, the state's second largest citrus-producing county behind Polk. "None of them found ice in the fruit."
Early reports from Florida strawberry growers, centered around Plant City, indicated freezing temperatures for long periods. Strawberries can sustain damage at 32 degrees.
Like citrus growers, strawberry growers also run their irrigation systems to form ice.
Those measures apparently saved much of the strawberry crop.
Other agricultural enterprises suffered as well.
On Sunday morning, Michael Breen, owner of Breen Acres Aquatics in the small town of Loxahatchee Groves in South Florida, discovered ice on his 76 ponds. He said he lost about 100,000 tropical fish and about $535,000 in business.
Staff writer John Davis, The Ledger staff writer Kevin Bouffard, The Associated Press and Reuters contributed to this story.


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Overview Edit
Controversy over Europe's role in the U.S. Terrorist Finance Tracking Program surfaced originally in 2006, following press reports that U.S. authorities had been granted secret access to SWIFT financial data since 2001. In an attempt to assure Europeans that their personal data was being protected, U.S. officials asserted that SWIFT data was used only for counterterrorism purposes, was obtained by the U.S. Treasury Department by administrative subpoena, and that no data mining occurred as part of the TFTP. In June 2007, the United States and the EU reached a deal to allow continued U.S. access to SWIFT data for counterterrorism purposes, but it remained worrisome for some European politicians and privacy groups.[1]
In 2009, changes to SWIFT's systems architecture — including a reduction in the amount of data stored on U.S. servers and the transfer of a large portion of data critical to the TFTP to a storage location in Europe — necessitated a new U.S.-EU agreement to permit the continued sharing of SWIFT data with the U.S. Treasury Department. In November 2009, the European Commission (the EU's executive) reached a new accord with the United States on SWIFT. However, under the EU's new Lisbon Treaty, the 736-member European Parliament (EP) gained the right to approve or reject international agreements such as the SWIFT accord by majority vote. In February 2010, the EP rejected this new version of the U.S.-EU SWIFT agreement by a vote of 378 to 196 (with 31 abstentions); those MEPs who opposed the accord claimed that it did not contain sufficient protections to safeguard the personal data and privacy rights of EU citizens. Given the EP's long-standing concerns about SWIFT and the TFTP, many observers were not surprised that some MEPs took the opportunity to both assert the Parliament's new powers and to halt U.S. access to much of the SWIFT data until their views regarding the protection of data privacy and civil liberties were taken on board more fully.
In May 2010, the European Commission and U.S. authorities began negotiating a revised U.S.-EU SWIFT agreement that could garner the necessary EP support for approval. Two key EP concerns related to guaranteeing judicial remedy for European citizens in the United States in the event of possible data abuse, and the use of "bulk data" transfers. Many MEPs wanted more targeted transfers and less data included in any transfer, but U.S. and EU officials contended that such "bulk" transfers were essentially how the SWIFT system worked and had to be maintained for technical reasons. Some MEPs also called for greater supervision by an "appropriate EU-appointed authority" over U.S. access to SWIFT data.[2]
In mid-June 2010, U.S. and EU officials concluded a new draft SWIFT agreement. Among other provisions, the draft provided for the possibility of administrative and legal redress for EU citizens in the United States and gave Europol the authority to approve or reject U.S. Treasury Department requests for SWIFT data. Press reports indicated, however, that some MEPs were still unhappy with several of the draft's provisions. In order to avoid another "no" vote by the EP, EU and U.S. officials reportedly agreed to two additional changes to the draft: effectively guaranteeing that an independent observer appointed by the European Commission would be based in Washington, D.C., to oversee, along with SWIFT personnel, the extraction of SWIFT data; and requiring the European Commission to present plans for an EU equivalent to the U.S. TFTP within a year. Such a "European TFTP" would be aimed at enabling the EU to extract SWIFT data on European soil and send the targeted results onward to U.S. authorities, thereby avoiding "bulk data" transfers to the United States in the longer term.[3]
The EP approved the latest iteration of the U.S.-EU SWIFT Accord on July 8, 2010, by 484 votes to 109 (with 12 abstentions). The agreement entered into force on August 1, 2010, for a period of five years. Some MEPs, however, continue to be concerned about the EU's role in the U.S. TFTP and whether the SWIFT accord is being properly implemented. Several MEPs, for example, have recently criticized Europol for too readily approving vague U.S. requests for SWIFT data. As part of a review of the U.S.-EU SWIFT agreement released in March 2011, the European Commission has recommended certain measures to help make the TFTP more transparent, including by providing more information to Europol in writing; the United States is reportedly considering the Commission's recommendations.[4]
As part of the new SWIFT accord, the United States pledged its support and assistance in the event of an EU decision to develop its own terrorist finance tracking program and promised further consultations with the EU to determine whether the existing U.S.-EU SWIFT agreement might need to be adjusted as a result. In mid-July 2011, the European Commission issued a preliminary study with several options for establishing what it has termed a European Terrorist Finance Tracking System (European TFTS). According to a Commission press release, a European TFTS would have two main objectives: to limit the amount of personal data transferred to the United States; and to contribute significantly to stemming terrorist financing.[5] U.S. officials will likely be keen to ensure that any eventual European TFTS does not compromise the operational effectiveness of the U.S.-EU SWIFT agreement.
EU development of a European TFTS, however, may face significant challenges. A concrete legislative proposal from the Commission on the European TFTS is not expected until 2012 at the earliest, and any such proposal must ultimately be approved by both the member states and the EP. Some observers point out that member state and EP agreement on a European TFTS may be difficult given the technical complexities involved and differing views between and among the member states and the EP on its purpose and scope. Some member states and MEPs have also expressed concerns about the potential costs of such a system; in its preliminary study, the Commission estimated that creating a European TFTS would cost €33-47 million (about $47-67 million) and that annual operating costs would run €7-11 million (roughly $10-16 million), depending upon the option chosen. Others are skeptical about the implementation of an eventual European TFTS, noting that it would likely entail more intelligence-sharing among EU member states, which some members and national intelligence services have long resisted.[6]
References Edit
- ↑ "Frattini Claims Major Advance in Data Privacy Dispute," European Report (June 29, 2007); David S. Cohen, U.S. Treasury Department Assistant Secretary for Terrorism and Financial Intelligence, Remarks to the Washington Institute for Near East Policy (April 7, 2010).
- ↑ "MEPs Hail Historic Rejection of SWIFT Deal," Agence Europe (Feb. 13, 2010); "Countering Terrorist Threats—In the Air and on the Ground," EU Insight (Apr. 2010); "SWIFT: Commission To Negotiate Under Pressure from EP," Europolitics (Apr. 23, 2010).
- ↑ Toby Vogel, "SWIFT Deal on Data Sharing with U.S. Reopened," European Voice (June 24, 2010); "SWIFT: Rapporteur Announces Last-Minute Agreement," Europolitics (June 25, 2010).
- ↑ European Parliament Press Release, "Parliament Gives Green Light for SWIFT II" (July 8, 2010); James Kanter, "Europe Seeks More Openness from U.S. Anti-terror Program," Int'l Herald Tribune (March 18, 2011).
- ↑ European Commission Press Release, "Commission Presents Options for Establishing a European System for Tracking Terrorist Financing" (July 13, 2011).
- ↑ James Kanter, "Europe Tries To Curb U.S. Role in Tracking Terrorists' Funds," N.Y. Times (July 14, 2011).


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The fuel in the fuel system remains under high pressure even when the engine is not running. Before disconnecting any fuel lines, release the fuel pressure to reduce the risk of injury or fire. Relieve the fuel pressure as follows:
- Start the engine.
- Disengage the wiring connector from the circuit opening relay (beneath the instrument panel) with the engine running.
- After the engine stalls from lack of fuel, turn the ignition switch OFF .
- Reconnect the circuit opening relay.
- Position a shop rag to cover the fuel lines before loosening the fittings. Be sure to plug all fuel lines after they have been disconnected.


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Welcome To The Nahant Preservation Trust Website
The Nahant Preservation Trust is an all-volunteer, not-for-profit charitable corporation whose mission is to preserve our open spaces, historically significant properties, and our conservation lands for public and community benefit.
Our Facebook Page
Scroll below or visit our Facebook Page for all the latest news and happenings!
Contact The Trust
Nahant Preservation Trust
PO Box 30 | Nahant, MA 01908


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Taco Triangles
Be the first to review
READY IN: 40mins
Recipe by TXOLDHAM
I love puff pastry and am always looking for new ways to use it. This one comes from Pepperidge Farm a number of years ago. Posting to save.
See Discussion:
Ingredients Nutrition
- 1 sheet frozen puff pastry sheet
- 1⁄2 lb ground beef
- 1⁄2 cup salsa
- 1 (1 1/4 ounce) package taco seasoning mix
- 1⁄2 cup water
- 1 cup monterey jack cheese, shredded
- 1 egg, beaten with 1 T water
- chili powder
Directions See How It's Made
- Thaw pastry for 20 minutes. In a large skillet, brown beef. Add salsa, taco seasoning and water. Bring to a boil and then simmer for 5 minutes.
- Add cheese; remove mixture from the heat.
- Preheat oven to 400 degrees.
- On a floured surface roll pastry to a 15-inch square. Cut pastry into 25 3-in squares. Place 1 rounded tablespoon beef mixture into the center of each square. Fold pastry over to form a triangle. Seal edges and brush with egg wash. Sprinkle with chili powder.
- Place on ungreased baking sheets and bake for 10 minutes or until golden.


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The Marion County Sheriff's Office have interviewed two people of interest in the hit and run death of Landon T. Wheatley, 19, of Springfield.
Wheatley was found dead, lying in the roadway near the entrance to Maker's Mark Distillery early Sunday morning, July 16. At 2:42 a.m., the Marion County Sheriff's Office received the report of a body laying in the roadway on Bill Samuels Road in Loretto. Sheriff's deputies arrived and found the deceased body of Wheatley laying in the westbound lane of Bill Samuels Road.
Curtis Bennett, former Marion County High School teacher and band director who will be sentenced on Aug. 3 for sex offenses involving female students, is facing two civil lawsuits.
Bennett was first arrested on Jan. 6, 2016, after an investigation found evidence of inappropriate activity between Bennett and a female student.
At that time, he pled not guilty to the charges, and resigned from his position as a teacher and band director at MCHS. He had been working at MCHS since August of 2011.
Marion County water customers could soon be paying more for their water each month, which wasn't welcomed news at the Marion County Fiscal Court meeting last week.
The Lebanon City Council recently approved a rate increase for Lebanon Water Works Company, and the Marion County Water District is Lebanon Water Works' largest customer. The Marion County Water District is a distribution-only system, and has a 40-year contract with Lebanon Water Works.
Paul Terrell's father and namesake is who inspired him to become an educator. And, as fate would have it, they are both starting new jobs as principals at two Marion County schools next month.
Terrell's father is going to be principal at St. Augustine Grade School, and he was hired last week to become Calvary Elementary School's principal.
The family of Karen M. Cooley, 44, of Gravel Switch has reported her missing, according to the Marion County Sheriff's Office.
The wheels falling off and Nebraska surging, Marion County desperately needed some late-game heroics.
They got them, and survived a scare to open regional play.
The Marion County 10-12-year-old Little League Softball All-Stars defeated Nebraska 10-8 on Monday, July 24 in a comeback effort in the first pool play game of the Little League Central Region Tournament in Indianapolis, Indiana. The All-Stars secured the first-ever regional tournament win in 10-12 team history.
The Marion County Sheriff's Office continues to investigate the report of a missing Loretto man.
Gary T. Tacey, 53, was reported missing on June 23 by his girlfriend. Tacey was last seen on June 19 at his home at 60 Paul Brady Road near Loretto.
Marion County Sheriff Jimmy Clements said local law enforcement, along with search and rescue personnel and two teams of canine cadaver dogs, recently completed a two-day search of a 140-acre farm property in Loretto, but there were no results from that search.
A Lebanon man faces multiple charges after an incident in Washington County earlier this year.
Mark A. Mattingly, 38, of Eastridge Cemetery Road in Lebanon, is charged with five counts of first-degree wanton endangerment involving a police officer (Class D felony), and one count each of first-degree fleeing/evading (Class D felony), first-degree criminal mischief (Class D felony), resisting arrest (Class A misdemeanor), operating on a suspended/revoked operator's license (Class B misdemeanor) and being a first-degree persistent felony offender.
The Marion County Fiscal Court approved a proclamation at its regular monthly meeting Thursday declaring this past, Friday, July 21, Marion County Knights Baseball Day. The proclamation reads as follows:
WHEREAS, The Marion County Knights 2016-17 Baseball Team Head Coach Patrick Campbell was named Coach of the Year by the 5th Region Coaches Association, and;
Marion County students set to attend the new Marion County Middle School for sixth and seventh graders and the Marion County Knight Academy eighth and ninth can get a feel for the new school year by attending Jump Start Day on Aug. 1. Both schools will host students from 8 a.m. until noon with an opportunity to experience a modified school day.
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