text:
Oh dear, it's the "obesity epidemic" again.
Says the Mail, the Food Standards Authority wants to "persuade" chocolate manufacturers to reduce the size of their bars "by up to a fifth". At the moment, they're talking the language of voluntary agreement, but their long term aim is presumably some form of legislation.
The Mail reports:
By 2012 the watchdog wants all confectionary to weigh no more than 50g - currently Mars bars are 58g and Bounty bars 57g.
Manufacturers have also been asked to sell bite-size bars as single items rather than as part of multibags.
They will be discouraged from promoting large supersize items - such as the Maltesers 'Big Bag' and - Mars 'Duo' - and instead encouraged to offer healthier snacks as alternatives .
...The plans, drawn up in an FSA consultation, also propose that within six years, fizzy drinks should be sold in 250 ml containers instead of standard 330ml for most brands.
Where to begin? I don't want to turn into Devil's Kitchen (that ecological niche is, after all, sufficiently filled already) but this is insulting and unworkable in equal measure. It's based on several layers of delusion, about nutrition science, about human psychology, and about the purpose of official advice. It's also an open invitation on the snack manufacturers to rip off their customers by selling them less for (presumably) the same amount of money.
Chocolate bars (and cans of fizzy drinks) are the size they are for good reasons. They are the optimum compromise between the manufacturer's desire to make the largest possible profit and the consumer's desire to have a moderately filling snack. If they are legislated smaller, or perhaps made smaller because of a voluntary agreement, then they would no longer fulfil their function. Many people would respond by buying more, rendering the whole scheme counterproductive. In any case, the notion that some quango should be setting more or less arbitrary targets for what people should consume would be scary were it not so absurd.
The alleged obesity "epidemic" is largely nonsense anyway, and not just because fatness is not a contagious disease. As reputable scientific studies show, there's almost no link between being "overweight" - as defined by the notoriously arbitrary Body Mass Index - and health problems. If anything, technically overweight people actually live longer than those whose svelte physiques meet with government approval. (As waistlines expand, after all, so does life expectancy.) Of course, there's such a thing as being morbidly obese. We all know what that looks like. Morbidly obese people are susceptible to diabetes and heart attacks, and probably get less sex, but they are and will remain in the minority.
For the taxpayer-funded obesity industry, its government sponsors/stooges and the nodding dogs of the media, there's no distinction between the morbidly obese and the overweight. There's simply a continuum of pinguidity. Hence assertions like this (in the Mail):
By 2050 up to 60 per cent of Britons will be obese and the cost to the National Health Service estimated to reach more than £8.4 billion.
Note that "and", which implies, falsely, that it is the 60 per cent projected to be obese (via a statistical process so inaccurate as to amount to conscious dishonesty) who will be costing the NHS all that money. It isn't: it's the morbidly obese. But that's the whole point. It is not the great mass of moderately overweight or even borderline obese people who concern the government calculators, it's the fact that, with the rise in average weight, there will be more people who are morbidly obese. That's why they're set on a course of bullying the whole population into losing weight, even when there's no health benefit for the great majority.
Officially, this is just a "consultation". FSA's Gill Fine denied that her quango was telling people what to eat. "We want to make it easier for people to make healthier choices — to choose foods with reduced saturated fat and sugar — or smaller portion sizes." I suppose she means that if people have the option of a large bar of chocolate or a small one, they are likely to choose the big one. Taking away that option will therefore make it easier to "choose" the smaller bar.
Nor is it just chocolate bars and fizzy drinks. The FSA's press release warns that "later in the year there will be further consultation on dairy and meat products and savoury snacks."
The FSA (not to be confused with the FSA, another quango which is supposed to have something to do with regulating the City of London) was set up in 2000 with a large budget and ambitious aims. Like some other New Labour quangos (the Equality and Human Rights Commission springs to mind) it's a bit of a pantomime horse. Some of its work is essential - investigating food contamination and other serious public health issues - but it is also supposed to pursue far vaguer goals of public health with a major part of its effort devoted, where it is not handing down edicts, to "raising awareness". If you look up "nutrition" on their website you can get a flavour of some of their rich and varied diet, including:
"Healthy catering"
"Food competences for young people"
"The Cooking Bus"
"Advice for school governors"
"Let's Cook!" campaign
"The Sheila McKechnie award"
"Using the Eatwell plate", including "How the Eatwell plate differs from 'The Balance of Good Health' plate"
"Salt reduction targets"
"Signpost labelling research"
And so much else besides. The FSA strikes me as an excellent candidate for extensive liposuction when the cuts come in.
Here's how the FSA press release puts the Mars bar reduction strategy in context:
In February 2008 the Agency published its Saturated Fat and Energy Intake Programme, which outlined the actions needed to help consumers reduce saturated fat in their diet and balance the amount of calories they consume with their needs. The Agency's programme identified four areas for action:
* improving consumer awareness and understanding of healthy eating with particular focus on the impact of saturated fat on health
* encouraging promotion and uptake of healthier options
* encouraging accessibility of smaller food portion sizes
* encouraging voluntary reformulation of mainstream products to reduce saturated fat and energy
Earlier this year the Agency ran a media campaign across the UK raising awareness of the health risks from eating too much saturated fat along with supporting advice on how to cut down.
Once the consultation is complete, comments will be taken into account and a summary of responses will be published. It is anticipated that the final recommendations will be published by the end of the year.
That's the way the money goes...


text:
Hi, I'm Craig Kendall, the author of The Asperger's Syndrome Survival Guide. In today's issue we will discuss…
Autism Safety in School
4 Tips to Keep Your Child with Autism Safe in School
School – it's the one place where you might think you don't have to worry about autism safety. You think you can drop your kids off in the morning, and leave them in good hands. Whether or not their curriculum is perfectly suited to them is one question, but you think that at least they will be physically and emotionally safe. Sadly, this is not always the case.
It is not our desire to overly alarm anyone reading this newsletter. The world is dangerous enough without having to worry about autism safety at school. But most parents have at least had the idea cross their minds once or twice, "What if something happened at school and he couldn't tell us about it?" The fact is non-verbal autistic kids are ripe for abuse. The painstaking truth is that their lack of ability to communicate makes some authority figures more likely to take advantage of them. How can you protect your kids when they're at school?
We do not want to provide an extensive list of abuses that can and do happen at schools with disabled kids, as that would only serve to inflame nightmares and ensure that no one reading this would be able to sleep tonight. However, a little information and an ounce of prevention go a long way in ensuring autism safety at school. Preventing verbal, physical or sexual abuse is the goal. These things can come in many forms.
Autism Safety at School – Ways to Keep Your Child Safe
1. Drop in Unannounced Regularly to Ensure Autism Safety
It is too easy to cover up abusive behavior if you know a parent is coming for a visit. When you drop your child off at school, hang back a bit and observe what they do. If your schedule permits, come in at lunch time and hide yourself from view to see what happens. Drop in the classroom to see what your child is up to. If the administration gives you any trouble with this – well, then you already have one possible sign that something might not be quite right in the autism safety department.
2. Watch for Changes in Behavior, Mood, etc
Has your child become more clingy lately? Do they throw tantrums when it's time to get ready for school? Have they developed phobias of certain things or places they never had any problems with before? These may be a sign that something is not right at school. If there is an increase in anxiety, in aggressive behavior, or other personality changes, it may mean a little investigation is warranted into the autism safety of the school situation. Are you getting reports that your child has all of a sudden become aggressive at school? Many times, a child is acting out because of abuse or mistreatment at school that they may not be able to tell you about.
3. Use Cameras and Audio Recorders if you Really Want to Find Out What's Going On
Audio Recorders
One father wanted to find out what was happening when his 10 year old son with autism suddenly began acting out at school. So he put a wire on his son to record what was going on around him. This can be one way to judge matters of autism safety when you cannot be in the environment and your child cannot tell you what is going on.
What transpired was a record of hours upon hours of verbal abuse that the father would not have otherwise had any way to know about.
Hidden Cameras
Another possibility for monitoring your child when you're not around is a hidden camera. It would be nice if cameras could be standard features in schools to prevent incidents of abuse and increase autism safety, but unfortunately as of yet they are not.
However… Remember the NannyCam craze? Parents would hide hidden cameras in stuffed animals, potted plants or other innocuous places to find out what was really going on when they were gone. There is no reason the same principle cannot be applied to raise the autism safety of school. If the child has a stuffed animal they like to lug around… if you can put one on a necklace or piece of jewelry… it may be possible to do a hidden camera method.
4. Make Sure You Are Aware of Your School's Policies on Discipline
Different schools use different ways to discipline kids, especially kids with behavior problems. They are not always methods that you or I would approve of. Make sure you become well acquainted with your school's policies on these issues to increase autism safety.
Some schools, it is unfortunate to say, even go so far as using electric shocks, paddling, isolation booths, or physical restraints to "deal with" kids who have behaviors that are troublesome. Kids with disabilities are usually the ones that find themselves in this situation. This is not to say that all schools do this. A great majority of schools are probably very safe and certainly not all use devices such as this. But you never know until you inquire. Do NOT be afraid to make a pest out of yourself. Do NOT stop until you know the truth. It's also a good idea to network with other parents of kids with autism or other disabilities to find out what their experiences have been regarding discipline practices at school.
Request your child's records and files and check for anything you have not been informed about. If something seems different with your child- maybe an unexplained cut or bruise, or maybe they are just acting differently, keep a detailed record of this. Involve a doctor if you are not comfortable with the given explanation of your child's condition.
In order to promote autism safety, do not allow words such as holding, restricting, pinning, isolation, limited movement, confinement or anything similar in your child's IEP (Individualized Education Program). These are often indicative of restraining or isolation practices. Instead, come up with safe ways to de-escalate your child after problematic behavior.
It does no good to worry needlessly about whether your child is safe at school, but if you take these steps, you will sleep better at night. They are good "just in case" steps to take, although it is unfortunate that we need them. Autism safety at school is dependent on good communication with your child's teachers and staff, awareness of the situation at all times, and being proactive in monitoring the situation and taking action if needed.
And for more information on helping with the symptoms of high functioning autism and Asperger's Syndrome read The Asperger's Syndrome Survival Guide, also check out Craig Kendall's latest book, New Hope for Autism

subset: commoncrawl


text:
Товарищ,знай,пройдёт она - и демократия и гласность И вот тогда госбезопасность припомнит наши имена
Добавлено (24.11.2008, 12:27)---------------------------------------------
Добавлено (24.11.2008, 12:39)---------------------------------------------
"Ok My names wullie I've been drumming in the exploited for 26 years and watties my bro As usual the internet is rife with rumors and bullshit about us We have never been and never will be Nazis. A few pictures on the net don't mean fuck all Have any of you guys seen the pictures of wattie with ice -t Or pictures when we were in s.africa outside nelson Mandela's place or when we went to Soweto and gave money to the locals there….. no!! People only look for what they want to see. we have played in many countries i.e.: israel,indonesia Japan all over europe.yeah we must be real Nazis to go there and entertain Jewish people or Muslims and go to black town ships to talk to the locals there in south Africa. as to the pictures the one with the skinhead guy was taken when we came off stage in australia.the dressing room was full of people and that guy came up and got his picture taken with wattie, we didn't have a clue who the fuck he was. Wattie has had his picture taken with thousands of people do you seriously think that when we get a picture taken with someone that we test them to see what's their political thinking first. .fuck sake we are 4 guys who like making punk music. All this left wing right wing shit is your agenda we follow neither political believes. but after what happened in Madrid where a bunch of so called left wing antifascists tried to kill my brother for no other reason than a few pictures on the internet you can all fuck off. We are fed up defending ourselves to bigoted idiots who trawl the internet looking for reasons to hurt abuse and beat up people They are the real Nazis wullie ps we also had two members in the band who were jewish. mikie jacobs singer of the gin goblins and frazier runcimun who played guitar on beat the bastards. suppose the nazis will hate us too now eh"
я думаю, что это все объясняет...
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- Shannon Doyle
- 2 years ago
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1 SWISSPEARL ARCHITECTURE 3 International Edition High Profile Buildings
2 SWISSPEARL ARCHITECTURE 3 2 Theme Colours: Competence and Delight in Innovation 6 Centro per la Ricerca e lo Sviluppo Tecnologico, Lodi, Italy Sibillassociati s.r.l., Genoa 12 The Cones Housing Estate, Jyllinge, Denmark Tegnestuen Vandkunsten Aps, Copenhagen 18 Lillgrund Multi-Family Residence, Malmö, Sweden Arkitektlaget Skåne, Arne Jönsson, Helsingborg 22 Buhres Fisk AB Fish Shop and Restaurant, Kivik, Sweden S.I.T.E Arkitektur AB, Lund 24 Cinema Complex La Gran Vía, San Salvador, El Salvador Leonel Avilés Arquitectos y Asociados, Edgar Avilés, El Salvador 26 Social Housing Development, Ljubljana-Polje, Slovenia Bevk & Perovic, Ljubljana 34 Airport Parking Garage with Business Wing, Brnik, Slovenia Eko-Art d.o.o., Ljubljana 38 Single-Family House, Ricany, Czech Republic Projektis, Petr Šulc, Dobroslav Dousˇa, Kladno 40 Student Recreation Center at the University of Cincinnati, USA Morphosis, Santa Monica/KZF Design, Cincinnati 46 Student Centre, University of Toronto, Scarborough Campus, Canada Stantec Architecture Ltd., Toronto 52 Commercial Centre Paseo San Pedro, San Pedro Garza García, Mexico Sordo Madaleno Arquitectos, Mexico City 56 Residential and Business Building, Estoril, Portugal HRA Arquitectos, Lisbon 60 Residential Building Zwinglistrasse, Winterthur, Switzerland Hans Suter, Woodarc, Winterthur 62 Economic Science Building, San Francisco, Argentina Benito, Costamagna and Ariztimuño, San Francisco 64 Interiors: Atmosphere with aesthetics
3 Editorial INNOVATION AND EXPERTISE At all times exacting architects have been in search for something new or something different to express their architectural vision, yet satisfy their clients wish in line with the function and expression of the building and its setting. The aesthetic changes and new expectations call for other solutions at an increasing pace, also in the architectural field. technology had to be developed, first in the laboratory and then in the factory. In 1997 the first big sized Carat Anthracite panels and various Reflex shades were produced in Niederurnen, Switzerland; in 1998 several pilot façades were installed for long time testing. This plays a key role in the Swiss quality management proceedings. Red, white and pale Grey followed the next year with further Research & Development activities to fulfil the requirements of each basic shade. Anticipating future needs To ensure outstanding quality, a manufacturer with a long developing process has to anticipate the future trends in order to bring the new optimal answers at the right time onto the market, and to continuously adapt to evolving wishes. Time is of the essence! Eternit Switzerland has therefore kept very close contact with architects and architectural schools since already more than thirty years. Project discussions and exploratory surveys provide early inputs about future challenges and issues. Year after year the dedicated Swiss Research & Development teams have consistently expanded their expertise regarding core and coloration technologies in order to develop exactly the innovative products and systems which architects will need for their upcoming tasks. Architects interviewed in the mid-eighties strongly expressed their desire to design their façades with authentic materials possessing a distinctive character with rather cool, discreet shades. At that time, only surface coated products with opaque colour were manufactured. The challenge was to develop a revolutionary coloration technology enabling a different aspect, while ensuring a good behaviour of the panels for decades. Three years later, in 1987, the Natura range was launched as a worldwide innovation with its unique aspect of cement structure shining through in subtle shades. Millions of m 2 delivered since then throughout Europe and further improvements are the foundation of the international reputation of reliable long time proven Swiss quality. Coloration expertise and experience Around 1995 the monolithic material trend came up. Now designers wanted to express their architectural message with through coloured material and new surface aspects. A completely different core and finishing Colour is part of the architectural language Architects immediately liked the attractive appeal of the two new products: the natural elegance and fascinating expressiveness of Carat and the exciting high-tech Reflex finish are ideally suited for contemporary architecture. That s what designers have been longing for... Initially focused on the needs of North European specifiers, the colour range has meanwhile been greatly expanded to satisfy the designers in other parts of the world. They wished to see shades which represent prevailing National colours and/or more vibrant tones. The result is an impressive palette of colours available in more than 40 nature-inspired shades. Carat and Reflex façade panels offer tremendous design potential to create contrasts and spectacular effects and to blend in harmony with the surrounding settings. To highlight the ultimate product and colour range, a partly new naming was implemented for the Carat shades. Each colour family is a gem and bears a corresponding name. Technological competence and nature conservation Eternit Switzerland is the only cement manufacturer to pioneer new technologies meeting the architects anticipated wishes. They have mastered the highly demanding production processes for integrally coloured cement composite panels in such a wide colour variety, while still ensuring high production hygiene and very low environmental impact. Before yesterday, the Research & Development experts have been working on the next Swisspearl product generation and the new technological challenges for the next innovation step. To serve your future needs and creativity. Anders Holte, CEO Eternit (Schweiz) AG
4 Colour plays a major part in the Swisspearl product family. Cement composite must be given a sensuous appearance in order to fulfil its architectural mission. For some time now, glazed and opaque shades have been added in the factory, and in recent years colour has been a part of the manufacturing process of cement composite. A great deal of competence and know-how goes into this dynamic development. At Eternit (Schweiz) AG, chemists carry out daily research into suitable pigments and mixtures in order to enlarge the spectrum. And strict standards are observed as regards durability and weather resistance. The colour series are carefully selected in terms of shade, brightness and saturation in accordance with the market demand. Generally speaking, a matt surface that complies with the mineral character of the material is the objective. Thanks to the delight in innovation of Eternit (Schweiz) AG, their products are available in a wide range of colours. Interviews: Michael Hanak COMPETENCE AND DELIGHT IN INNOVATION Stefan Cadosch, as an architect with Eternit (Schweiz) AG, you decide about the colour definition of the different products. Which colours are most in demand in modern architecture? There is no absolutely valid colour palette for a specific architectural period. Undoubtedly, great importance is attached to colour nowadays, and ingenious combinations, frequently with forbidden colours such as pale green, ochre or even ultramarine, are not unusual. It would, however, be mistaken to derive a colour assortment from this since in architecture it is not so much the colour itself that is important, but the way it is used. How are the colours selected and determined? The most important starting point for the development of new colours is direct dialogue with planners and architects. The existing collections and new developments are reviewed and gaps and surpluses exposed. Another yardstick is provided by statistical investigations into the turnover of individual colours. The demands made upon a colour collection are constantly changing, and this, once recognised, influences the product development. Can an architect determine a specific colour for Swisspearl panels? All the colours are created in close collaboration with architects. The challenge inherent in the development of the colour spectrum is the ability to assess whether a colour will be widely used or is more suitable for a specific work of architecture. The expenditure for special Stefan Cadosch, architect with Eternit (Schweiz) AG, helps to decide on the colour definition of the product range. 2
5 Presentation of the entire range of Swisspearl Carat colours colours is immense, but it is always possible to question the standard programme and, if necessary, to bring it into line. Thus every new development is based on considerations relating to market requirements, technical feasibility and architectural application. Does marketing influence the choice of colour? Every colour programme represents an attempt to come as close as possible to the basic requirements and demands of the market. Based on market surveys, the choice of colour and its refinement are determined by external committees consisting primarily of architects and colour planners. Afterwards, the innovation is publicised on the market and it is marketing s job to carry out the targeted implementation. Do you notice any colour trends in the current architectural scene? It is fundamentally difficult to speak about trends owing to the long-term orientation of serious architecture. However, architectural history shows that monochrome phases are almost certainly followed by polychrome ones. These alternations are also recognisable today, even though the changing intervals are becoming shorter. I believe that we are currently at the peak of a polychrome phase. At the moment, colour is used with caution, but also with refreshing verve, often in combination with different material aspects. And rich, full colours are becoming increasingly popular, a tendency that would have been unthinkable ten to fifteen years ago. Can the Swisspearl colours be effectively combined? The possibility of combination is a major criterion for the colour selection at the very beginning. However, the possibility of combination is not a mathematical issue, it depends essentially on the ingenuity of the user. A determining factor in combining colours is the brightness aspect: different colours with similar grey components usually harmonise better than colours with different degrees of brightness. Mass-produced coloured Swisspearl panels acquire a restrained grey look through the high proportion of cement, and this ensures a high degree of compatibility between the various colours. SWISSPEARL ARCHITECTURE 3 3
6 Klemens Bösch, you are head of the technology and testing centre with Eternit (Schweiz) AG and, together with your team, carry out research into colour options in your capacity as a chemist. How many colours are currently in production? There is currently a range of over 70 standard colours, which is periodically supplemented and enlarged. In addition, we have produced well over a thousand special colours in recent years. These comprise four colour series known as aspects : opaque, glazed, pearly and deep-dyed. Each of these families of products contains 10 to 31 standard colours. How are the special colours determined? The most frequent impulses come from the architect. He knows his building project and its ambience. The definition of the colour can do a lot to contribute to the character of the building, using the usual colour systems NCS, Pantone, RAL or RAL-Design. Sometimes, however, we are simply given a piece of natural stone, metal, fabric or paper as a specimen. In these cases we put the specimen into our colour testing system and then produce the colours according to the values thus established. How are coloured prototypes tested in terms of durability and stability? Only pigments that have proved their durability are used in Swisspearl products. We have a wide range of colour pigments at our disposal, all of which are tested for alkali stability, moisture resistance, frost and UV stability. Klemens Bösch, head of the technology and testing centre with Eternit (Schweiz) AG, defines the chemical conditions for the colours of the products. 4
7 Available Swisspearl Reflex colours Many market pigments do not satisfy our strict demands because they are not sufficiently weather resistant. Standard colours are always subjected to long-term tests. Which colours have been particularly difficult to produce up till now? Unfortunately it s not possible to produce certain pure colours with the necessary longevity. This is not a question of difficulty but of the availability of the appropriate pigments. We don t want to produce colours that do not meet our requirements. We carried out our own extensive experiments on the directional properties of reflecting colours before introducing them on the market. What support does Eternit (Schweiz) AG offer clients in the choice of their colour palettes? Usually, we colour the coating according to the client s clear definition. He then receives his colour in A4 format and can make his decision with the help of the original. Should the specimen not be so concrete, then we send already produced colour specimens for him to look at. On request, we can also make suggestions about colour combinations. What aspects require special attention in the choice of colours for façades? I believe that size is an important issue. The impression made by the colour of a small pattern is many times stronger on a 500 m 2 façade. The choice of an intensive colour is more probable if it will make a striking impact on a façade. This is largely dependent on the architect s sensitivity. Do you recognise any trends in the current development of colour? At the moment, clearly accentuated colours are the trend, such as red and blue and, more recently, green. In spite of globalisation, geographical differences play a part. In the northern countries, for example, black and brown shades are in fashion, whereas white and yellow are popular in the south. What colours are being developed for future production? With the increasing expansion of our Swisspearl Carat assortment our king s class we have reached a new dimension in design possibilities. Here we have a clear advantage over our competitors, and we shall continue to develop this sector because we want to offer our clients the opportunity of fully exploiting the possibilities of colour design. SWISSPEARL ARCHITECTURE 3 5
8 The recently completed research centre in the Parco Tecnologico Padano, a new agro- and biotech cluster near Lodi, consists of two closed volumes with a perforated façade and a glazed volume as a connecting element. Centro per la Ricerca e lo Sviluppo Tecnologico, Lodi, Italy COLOURED OPENINGS IN A GREY MANTLE 6
10 Upper floor 1:1000 Ground floor 1:1000 The Po Plateau has been an intensively exploited agricultural landscape for thousands of years. At the same time, it looks back on a rich past in terms of science and research: some of Europe s oldest universities, for example those of Padua and Bologna, are located in this region. And, last but not least, Lombardy with the metropolis of Milan is an important economic and cultural region for the whole of Italy. This association between agricultural tradition, scientific innovation and economic dynamism was the driving force for the foundation of the Parco Tecnologico Padano in Lodi. The cluster comprises facilities of the University of Milan, private research laboratories, an enterprise incubator and a business park, and it is destined to develop into the biggest agro-and biotech cluster in southern Europe. The aim is to exploit the existing potential of the re8
11 THE ARCHITECTS DECIDED ON A CEMENT COMPOSITE FAÇADE BECAUSE IT PROVIDES AN IDEAL BACKGROUND TO THE COLOURED ELEMENTS AND A CONTRAST TO THE GLASS; ALSO, IT IS EMINENTLY SUITABLE FOR A REAR-VENTILATED FAÇADE. gion and boost its development; in addition, the concentration of public and private research institutions is intended to facilitate quick reactions to the changes with which the international markets are increasingly faced. The Centro per la Ricerca e lo Sviluppo Tecnologico nel Campo Zootecnico ed Agroalimentare by the Genovese architects Sibillassociati forms the new cornerstone of the cluster. The new building, located in the centre, consists of two parts: two parallel volumes with more or less closed façades structured by single-wing windows accommodate laboratories, offices and various workrooms and auxiliary rooms; at right angles to this is a glazed wing connecting the two buildings and forming a common gallery, which is used as an encounter room. Grey, horizontal Swisspearl panels were used for the façades of the two closed building volumes. The contrast Client Parco Tecnologico Padano, Lodi Architects Sibillassociati s.r.l., Genoa Collaboration U. Arzani, Milena Barucchi, T. Bovone, E. Congiu (director), A. Fuscagni, N. Gallina, A. Gjergji, R. Lavaggi, G. Littardi, C. Pamann Project management Studio Montanari Partners s.r.l., Milan Load-bearing structure CeAS Centro di Analisi Strutturale s.r.l., Milan Technical equipment Serin Servizi tecnici per l industria s.r.l., Milan Building period General contractor Codelfa s.p.a., Tortona Façade construction Ven.Ta.Co s.p.a., Barlassina Façade material Swisspearl Natura, Grey N 204 SWISSPEARL ARCHITECTURE 3 9
12 between the matt cement composite surface and the reflecting glass enhances the impact of the ensemble. At the same time, the façades emphasise both the unity of the complex and the variety of the functions for which it is used a theme that is expressed by the window frames and roof superstructures in different colours. The Swisspearl façade contributes on the one hand to the aesthetic appeal of the building; on the other, the cement composite is an ideal background for the coloured window frames, which function as a variation within the modular façade. In addition, the cement composite facilitated the construction of a rear-ventilated façade, a technical solution that resulted in a better energy budget for the whole building, explains architect Antonio Sibilla. Judit Solt 13 1 Swisspearl cement composite panel 2 Weather resistant outer skin and walkable metal elements 3 Galvanised steel load-bearing spacers, omega shaped 4 Fibreglass resin-coated insulation 5 Sealed polythene dampproof membrane 6 Load-bearing pressed steel 7 Steel lintel 8 Weather resistant sheet-metal gutter 9 Steel girder 10 Sun screen 11 Self-bearing glass window 12 Vertical supporting structure 1 Swisspearl cement composite panel 2 Space for motorised curtain and insect grille 3 Gypsum plaster panel for fire prevention in the ceiling area 4 Windproof metal structure 5 Insulation panel 6 Vertical galvanised steel structure connections 7 Panel for fixing and regulating the cladding 8 Galvanised steel connecting bracket 9 Face masonry wall 10 Spacer 11 Metal panel 12 Aluminium window, double-glazed 13 Prefabricated reinforced concrete girders Vertical section 1: Vertical section roof gallery 1:20 10
14 The Vandkunsten firm of architects has enjoyed a reputation in housing and estate construction for many years. Their buildings are distinguished by the inclusion of the landscape in the concept and elemental design. The housing estate for disabled persons in Jyllinge is built in the tradition of Scandinavian modernity and represents a lively, unconventional solution. The Cones Housing Estate, Jyllinge, Denmark HUMANE, DIGNIFIED AND HONEST 12
16 IT IS THE OBJECTIVE OF THE FIRM TO STRIVE FOR ARCHITECTURAL QUALITY IN ORDINARY RESIDENTIAL BUILDINGS, ESPECIALLY PUBLIC RESIDENCES, WHICH HAVE TIGHT UNDERLYING ECONOMIC AND FUNCTIONAL DEMANDS. TEGNESTUE VANDKUNSTEN Section bed room/bath room 1:150 Ground plan 1:150 Section living/dining area 1:150 14
17 The Cones is the name of a lamp designed by the Dane Poul Henningsen. In this design classic, the central light bulb is surrounded by scale-like pieces of metal that reflect the light indirectly outwards. In the case of the design for a housing estate for disabled people, which was to be built within one year near the town of Roskilde on the Danish island of Seeland, the architects looked for a form appropriate to the task. They grouped six to seven apartments organically around a long common area just like the scales of a cone. The association with the form of a cone was the starting point for the competition project proposed by the Vandkunsten group of architects. These architects look back on a decade-long experience in housing construction; they have had a significant influence on the Scandinavian approach to low and dense housing estates. This principle is particularly suitable for housing for young disabled persons. All the rooms are arranged at ground level to enable wheelchair users to move freely. The whole complex is divided into three living units radiating from a central forecourt where the administrative rooms are located, a rational disposition that provides ease of access. Each of the twenty small apartments consists of a living/ dining area under a steep shed roof, and a bedroom and bathroom topped by a flat roof. The alternating up and down of the roof landscape gives the estate a distinctive appearance. Each apartment has a terrace, thus enhancing the contact with nature. With the organic arrangement into residential groups, the designers pursued the intention of combining the apartments to form a community while avoiding any hint of an institutional atmosphere. A kitchen and outdoor seating facilities with a pergola complete the common zone. The homeliness of the interior day rooms is reinforced by low ceilings and dark walls and floors. An extremely rigorous policy was adopted for the construction and materialisation using a limited number of easily manageable building materials. The buildings are constructed of prefabricated timber frames and fillings in order to keep the building process short and the cost low. A resilient, honest and unspectacular material was required for the cladding of the walls, and the architect decided on dark cement composite panels for both the interior and exterior walls. On the façades, the long reclining panels accentuate the horizontality of the buildings and harmonise with the flat surrounding landscape. The almost black colour articulates the building complex as an artefact and reflects the Vandkusten architects long- Ground floor 1:500 SWISSPEARL ARCHITECTURE 3 15
18 Vertical section 1:20 1 Swisspearl cement composite panel 2 Ventilation 25 mm 3 Exterior gypsum board 9 mm 4 Insulation 200 mm 5 Damp course 6 Gypsum board 2 13 mm 7 Joint 8 Moisture barrier 9 Base plaster 10 Light clinker concrete 11 Insulation 50 mm 12 Platisol gutter 13 Ventilation 14 Plywood 16 mm 15 Cardboard Swisspearl cement composite panel 2 Gypsum board 13 mm 3 Timber frame 45 x 95 mm 4 Insulation 95 mm 5 Gypsum board 2 13 mm Horizontal section 1:
19 cherished predilection. Yellow awnings give the exterior of the estate a characteristic touch of colour. The walls of the corridors are equipped with wooden battens over the joints between the cement composite panels, which serve the disabled tenants as handrails and buffers. All the doors and windows are constructed of the same timber, namely mahogany. The rest of the interior design is based on the reduction of materials and colour. The apartments have white plaster walls and light parquet flooring, whereas the rest of the floors are covered with black linoleum and the ceilings with light grey wood wool. The Cones housing estate reflects the specific qualities of typical Scandinavian architecture: humanity thanks to a feeling for human dimensions and a homely atmosphere, dignity by means of simple forms and restrained colours, integrity backed by the choice and use of visible, haptic materials. In this project, the architects were successful in achieving a harmony between all these aspects. Michael Hanak Location Skovbrynet 1, Jyllinge, Denmark Client OK Fonden, Frederiksberg Architects Tegnestuen Vandkunsten Aps, Copenhagen Advisory engeneers Lemming & Eriksson A/S F.R.I., Køge Building period Façade construction B. Nygaard Sørensen A/S, Lyngby Façade material Swisspearl Carat, Black Opal (Anthracite) 7020 SWISSPEARL ARCHITECTURE 3 17
20 This building is located on the coast in a newly developed former harbour area. Like the adjacent new buildings, the multi-family residence has a pronouncedly cuboid shape and a clear differentiation between the street and courtyard sides. The base and attic floors are plainly indicated on the façades, which are extensively equipped with tall aluminium windows and cement composite panels. Lillgrund Multi-Family Residence, Malmö, Sweden THE FOUNDATION STONE OF A NEW URBAN DISTRICT 18
22 For the past six years, the cities of Malmö and Copenhagen have been connected by a bridge over the Öresund Strait that lies between them. The mighty cable-stayed bridge with huge pylons ushered in a dynamic economic development in this boundary-crossing region. Malmö, Sweden s third-largest city, has been in the throes of a fundamental change from an industrial town to a residential and high school city during the past two decades. The landmark of the structural dynamism is the high-rise building Turning Torso, completed last year, whose twisted form originated from a design by Santiago Calatrava and which, with a height of 190 metres, is the highest building in Scandinavia. Surrounding it, on the site of the former Västra Hamnen industrial port, a new urban district has developed, situated in the immediate vicinity of the city centre with a coastal location. The new development began in 2001 in connection with the international housing exhibition entitled Bo01 City of Tomorrow. The emphasis of the buildings, which were designed by architects from all over the world, lay on sustainable, ecological construction. Two years after the exhibition, Arne Jönsson, who with Jan Tellving and Mario Campi contributed the entrance building of the trade exhibition site, won a competition for a building with 15 apartments. The building site is on the Scaniaplatsen, in front of the Turning Torso tower and at the end of the exhibition buildings situated along the coast. The six-storey block has assumed some of the characteristics of the surrounding buildings: the boxlike form with horizontal roof edging strips, and the differentiation between the street and courtyard sides. Analogous to the neighbouring building by Ralph Erskine, the structure of the façade was continued in a classical pattern: the base and attic areas are marked by darker façade panels, and the middle area is characterised by white or, on the garden side, red. The window openings are variously and playfully placed: storeywise displacements of one, two or three façade panels are possible. Variation and unity was also a theme of the design of the new urban district. Michael Hanak Location Scaniaplatsen 5, Malmö, Sweden Client Skanska Nya Hem, Malmö; Brt. Lillgrund, Malmö Architects Arkitektlaget Skåne, Arne Jönsson, Helsingborg Collaboration Börje Carlén, Frode Sönnergren, Sara Ek Building period 2005 General Contractor Skanska, Malmö 1 Swisspearl cement composite panel 2 Ventilation lathing 3 Insulation 4 Aluminium 5 Window 6 Damp-proof course 7 Plaster Panel Façade construction Skanska Nye Hem, Malmö Façade material Swisspearl Carat, Sapphire (Titanium) 7060, Onyx (Ivory) 7090, Coral (Ruby) 7030 and 4 Natura (entrances) 3 5 Vertical section 1:20 20
23 Attic 1:300 Ground floor 1:300 SWISSPEARL ARCHITECTURE 3 21
24 Buhres Fisk AB Fish Shop and Restaurant, Kivik, Sweden A ship in the harbour Location Hamnplan, Kivik, Sweden Client Buhres Fisk AB, Kivik Architect S.I.T.E Arkitektur AB, Lund Collaborators Kjell Adamsson, Paul Eriksson Building period Contractor Skanska Sverige AB, Ystad Façade construction Skanska Sverige AB, Ystad Façade material Swisspearl Carat, Black Opal (Antracite) 7024 Ground floor 1:400 22
25 Swisspearl cement composite panel 2 Air gap 3 Isolation 4 Plate covering for draining of water 5 Profile system (windows) 6 Plate covering 7 U-Plywood 15 mm 8 Gypsum 13 mm 9 Plywood 12 mm 10 Vapour barrier 11 Isolation Marinated salmon, sweet-and-sour herrings and smoked eel are but a few of the typical Swedish specialities offered by the Buhres Fish Company in Kivik. The town is located on the Baltic Sea in the province of Skåne in the far south of Sweden. Originally a fishing village with old halftimbered houses, Kivik is renowned for its big traditional market that is held around the harbour in July, and which attracts around people every year. The Buhres Fish Shop, which recently enlarged its premises, is situated directly adjacent to the fishing boats in the harbour. The client s intention was to extend the existing complex by the addition of two functions: a new fish shop and an enlargement of the restaurant. This project comprised approximately 700 m 2. The architects idea was to interpret the existing traditional harbour development through new buildings, and at the same time to reflect upon what was to come. The existing buildings were integrated in the new complex so that they would be sure to survive in the future. The architects from the S.I.T.E office explained that the greatest challenge of the project was finding a spatial order capable of accentuating the function of the new buildings. The fish shop faces the side access road and, with an elliptical ground plan, links up with the existing building, bearing a deliberate likeness to a ship: the architects gave this building a long, rounded form. The curved façades are planked horizontally with varnished wooden panels, and porthole windows complete the maritime impression. The restaurant was placed on the water s edge in front of the group of buildings, offering the guests a view over the harbour to the open sea from the dining room. This north-facing façade is thus extensively glazed with overhanging balconies added on the first floor. The restaurant and kitchen are accommodated in a series of identical units whose gable roofs and struts make a low-density impression. Rows of gables are common on the Swedish coast, particularly on the typical fish shops and boat sheds. The architects also chose a new interpretation of a building tradition for the materialisation. The shop section is a timber construction clad with warm-coloured oak, and the restaurant consists of steel installed in situ and complemented by wooden stands, clad with large dark grey cement composite panels with grey-painted timber battens at the side. The architecture, which was developed especially for its specific function and complies with the local surroundings, doubtlessly encourages customers and guests to return time and time again to enjoy the local fish specialities. Michael Hanak Vertical section 1:20 SWISSPEARL ARCHITECTURE 3 23
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Frozen Ovaltine Banana Pops
- Parchment or wax paper
- 3 large bananas
- 6 lollipop or wooden craft sticks
- 1 cup plain lowfat Greek yogurt
- 1/2 cup OVALTINE Rich Chocolate Mix
- 1/2 cup crushed peanuts, candy jimmies or topping of your choice
Directions, Reviews, Nutrition
PEEL the bananas; cut in half. Push one stick into each banana half, stopping before it goes all the way through.
POUR yogurt in small, shallow bowl. Add Ovaltine; stir until smooth.
PLACE your toppings in separate shallow bowls or plates.
ROLL banana halves completely in the Ovaltine yogurt; roll in your topping choice (or sprinkle the toppings over the bananas). Place coated banana pops on prepared tray; freeze for at least 2 hours.
What did you think? Share Your Review »
Be the first to review this recipe!
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Nutrition Information
Nutrition Facts
Serving Size: 1/6 of Recipe
Servings Per Recipe: 6
- Amount Per Serving
- Calories: 190
- Calories from Fat: 60
- Total Fat: 7g (11% of DV)
- Saturated Fat: 1.5g (8% of DV)
- Cholesterol: 0mg (0% of DV)
- Sodium: 65mg (3% of DV)
- Carbohydrates: 26g (9% of DV)
- Dietary Fiber: 3g (11% of DV)
- Sugars: 17g
- Protein: 8g
- Vitamin A: 4% of DV
- Vitamin C: 15% of DV
- Calcium: 6% of DV
- Iron: 10% of DV
*Percent Daily Values are based on a 2,000 calorie diet.


text:
The peace lily (Spathiphyllum) is a member of the Aroid family and is identified by its glossy green leaves and cupped white flowers. Its love of low light and warm temperatures make it a wonderful houseplant, but unfortunately for cat owners this easy-to-grow houseplant can be harmful to your pet.
The sap of the peace lily is an irritant that can cause blistering on human skin and mouth irritation for cats if chewed or swallowed. All parts of the plant are poisonous and immediate medical attention should be sought if ingestion is suspected, since the lily can cause liver or kidney damage which can be fatal.
Drooling, vomiting and difficulty in swallowing are the main symptoms. Left untreated, the cat may become lethargic or depressed. There may also be a noticeable reduction in urination as the kidneys are affected.
If you suspect your cat has recently ingested the peace lily, do not induce vomiting. The cat should be given a small amount of milk or yogurt and taken to the veterinarian immediately.
Younger cats appear to be more susceptible to lily poisoning. This may be because of their more curious nature and a desire to taste things as they explore. Unless the plant can be kept in a room that is off limits, or placed high enough where a cat cannot reach it, serious consideration should be made as to whether the peace lily is appropriate for your household.
Kittens mouthing lily leaves without actually ingesting it can become ill. Even with aggressive treatment for this toxicity, many cats do not survive.
Related Searches
- Photo Credit Image by Flickr.com, courtesy of Cliff
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Peace lilies are houseplants that are poisonous to dogs. They cause effects such as mouth pain, drooling and appetite loss.
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Symptoms a Cat Has Eaten a Lily
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Quick and Easy!
Serves: 4
- ½ cup Bella Sun Luci Sun Dried Tomato Pesto
- 1 (9 inch) unbaked pie crust
- 4 tbsp. crumbled goat cheese
- 3 eggs
- ½ cup half and half cream
- 1 tbsp. all purpose flour
- 8 Bella Sun Luci Sun Dried Tomatoes in EVOO, drained and cut into strips
- Preheat oven to 400° F
- Spread pesto evenly in the bottom of the pie crust.
- On top of pesto sprinkle pieces of sun dried tomatoes.
- Sprinkle goat cheese over tomatoes.
- In a large bowl, beat together eggs, half and half cream, and flour. Pour over goat cheese in pie crust.
- Arrange sun dried tomatoes on top.
- Bake in oven for 35 to 45 minutes or until eggs are set.
This and other recipes available at www.MooneyFarms.com
Mooney Farms 1220 Fortress Street Chico CA, 95973 Phone: 530.899.2661 Fax: 530.899.7746


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Running Time: 117 minutes
Released: 06/2014
Studio Name: Pounding Pink
Series: Deep In The Pussy
Director: Ivan
Categories: Big Dick All Sex High Definition
Description: Pounding Pink Studios is taking you even deeper into the sexual abyss with another installment of "Deep In The Pussy." Feast your eyes on these ladies who like to get it deep and hard! Seven stunning starlets in seven scenes! The action is hot like fire and features amazing starlets like Shyla Stylez, Natasha Nice, Brooke Banner, Lily Carter, Vanessa Cage, Samantha Saint, and Jayden Cole!
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Stars: Natasha Nice
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This music and or audio is not accessible due to copyright violations ."This week, we start the show with a litt ..." has been removed due to a copyright notification. Keep exploring! You can find more similar and music and audio here -
Josh Mankiewicz
This week, we start the show with a little bit of audio issues that recover eventually. But that doesn't take away from Dateline NBC's Josh Mankiewicz's appearance. Josh talks to us about his success and how a failure at his "dream job" changed his life forever.
Josh also shares stories about his dad working with Robert Kennedy and what Kennedy he is still in touch with. Also, he shares a great story about his mom's time with the NAACP. Don't miss it.
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From time to time our High School Ag students fix or make things for staff and they have been a big help to me. Every once in a while I cook for them.
I had bought a pork butt a while back and thawed it a few days ago. I had a fence I had to build this weekend, but decided to put the pork butt on the smoker. Since I was pressed for time I just rubbed it well and threw it on the pit.
I did check the temperature throughout the cooking time, but didn't spend much time with it. After about seven hours I pulled it off the pit, intending to take it in and put in the oven if it needed more time.
As I lifted it off the pit the bone just slid out, so I figured it needed no more cooking time. I pulled the meat into bite size slivers and chunks and am going to take it to the Ag shop n a while.
I did a taste test last night and almost talked myself into keeping it.
9 Replies
Oct 24, 2011 at 8:05 UTC
I do love me some good butt! This cut of meat is so easy to cook. Sounds like yours was perfect.
Oct 24, 2011 at 9:33 UTC
Oct 24, 2011 at 11:23 UTC
mmmm pig
It would have never left my house.
Oct 24, 2011 at 11:28 UTC
Can you make a detour to my house? Delish!
Oct 24, 2011 at 11:42 UTC
That would be a big detour from East Texas.
Easy enough to cook though. I'm really a brisket guy, but pork butt is just so good, and so easy.
Well worth the wait.
Alton Brown has a "Good eats" episode where he made a smoker out of an old military case of some sort (shipping box?) and two hot plates. Odd as it sounds it should work just fine.
Oct 24, 2011 at 12:03 UTC
I blame you for the crazy amount of calories I am consuming eating pulled pork nachos now..
Oct 24, 2011 at 1:07 UTC
You can smoke Boston butt on a gas grill with indirect heat and plenty of wood chips. Worth the effort, just cook away from your house, unless you want that hickory smoke smell to linger for days. Not that there's anything wrong with that...
Oct 24, 2011 at 8:19 UTC
The first thing that popped into my head when I read this. Seriously though, sounds like good stuff.
Oct 26, 2011 at 1:40 UTC
The first thing that popped into my head when I read this. Seriously though, sounds like good stuff.
HAHHAHAHA!!! YES! now they just need his cousin boneless...
This discussion has been inactive for over a year.
You may get a better answer to your question by starting a new discussion.


text:
This is a tasty and easy way to dish up a meal in one go. Fresh seafood, fresh veggies, some herbs; it's as easy as ABC.
- Print page
- Email this
- Permalink
- Degree of difficulty:Low
2 fillets fresh white fish
1 bunch pak choy
Ľ red capsicum
Ľ green capsicum
1 stick celery
1 tsp sweet thai chilli sauce
1 tsp sesame oil
1 tblsp chopped fresh coriander
1 tsp freshly ground black pepper
Cut a piece of aluminium foil about the size of two placemats.
Place a couple of pak choy leaves in the center of the alfoil. Lay the fish on top.
Spread the chilli sauce & sesame oil on top, sprinkle with pepper and coriander.
Lay some shredded capsicum and celery on the fish, then top with another couple of pak choy leaves, roll up the foil tightly and steam in the oven for 15 minutes.


text:
All change at C&R
Published: 08 February, 2017
Lawrence Hutchings recruited as chief executive
Capital & Regional has appointed Lawrence Hutchings as chief executive, replacing Hugh Scott-Barrett, who will become non-executive chairman, following the retirement of John Clare. The changes will all become effective on 13 June 2017.
Hutchings joins following four years at Blackstone in Australia, two as managing director, and has over 20 years' experience in the property industry including 11 years in senior positions operating in the UK and European retail real estate markets. Prior to Blackstone, he was at Hammerson for four years, the last three as managing director – UK retail, before which he spent almost seven years at Henderson Global Investors, latterly as director (property) European retail.
Senior independent director Tony Hales said: : "Lawrence Hutchings not only brings a deep understanding of UK retail from his senior management roles at both Hammerson and Henderson Global Investors but a real passion for the sector. His skills and expertise, together with his experience at Blackstone, will be very valuable for the future growth of Capital & Regional, building on the significant momentum achieved by the Company over the past few years."


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