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(Ed. Note: Our series "5 Reasons I Love Hockey" features puckheads from all walks of life revealing five things that either made them a fan or that keep them watching hockey. It will run every weekend. Have a suggestion for a "5 Reasons" guest blogger? Hit us on email. Enjoy!)
You could call Jeff Marek "Mr. Hockey Night in Canada". Not only does he work the iDesk every Saturday night on CBC with Scott Morrison, as well as occasionally doing some in-arena reporting, he's also the host of HNiC radio show weekdays 4-7 p.m. ET on Sirius Satellite Radio and has his own blog on CBC's website.
Marek is a huge MMA and wrestling fan, two topics he'll engage you in on Twitter at anytime. But this is about hockey and Marek is a puck historian, which explains No. 4 on his list.
Here are five reasons why Jeff Marek of CBC's Hockey Night in Canada loves hockey.
1. Hockey Night in Canada
Yes, my job.
Both the TV and radio shows.
Like many of us, I grew up on a steady diet of HNiC. Saturday nights were sacred in my household as I'm sure it was in yours as well. It took me all of two seconds to accept a position here and I'll always remember my first HNiC moment. It was December 29th, 2007, when I was rinkside for the Caps/Sens game at Scotiabank Place and Ron MacLean threw down to me for an interview with Alex Ovechkin(notes). And yes, I had that "Am I really on Hockey Night in Canada?" pause before thanking Ron and stammering through a couple of questions with Alex.
That same night Ovechkin scored four goals against the Sens and during my post-game wrap-up, as he was leaving the rink, OV quietly came up behind me and started pulling on the jacket of my suit and poking my back and head as I tried to talk over his highlights. I had no idea who was doing it, figuring it was someone from the crew playing a "welcome-to-the-show, newbie" prank. Until I went back to the truck and saw this....
Thank Alex.
As far as the HNiC Radio show goes, it's one of the great loves of my life. As much as we all associate NHL with TV, I grew up with a healthy dose of puck on the radio. You see, as a kid, Saturday nights I could stay up and watch all three periods of HNiC, but during the week I was only allowed to watch the first two periods of Leafs and Sabres games (I miss Ted Darling), then it was time for bed. Moms orders. My dad though, would always sneak a radio into my room and put it under my pillow so I could listen to the concluding period. "Shhhhh ... don't tell your mother." I never did, but I think she always kinda' knew.
2. 1987
For me the finest year for hockey. Ever. From Rendez-Vous '87, which replaced the All Star game to the Easter Epic with Kelly Hrudey's 73 save performance against the Bob Mason and the Washington Capitals (where were you?); the Oilers/Flyers thrilling and, let's not forget, violent seven game Stanley Cup final to the greatest hockey tournament ever played the 1987 Canada Cup. 1987 had it all for me. Plus, my buddy I played York Toros hockey with growing up, Keith Osborne, was drafted by the St. Louis Blues in the first round. That was pretty cool. 1987 is going to be a tough one to top for me.
3. Twitter
What do I do every night? Fire up the Centre Ice package or Game Center Live and the OHL Action Pack and talk (and/or argue) the finer and not-so-finer points of hockey on Twitter. (Ed. note: You can find Jeff on Twitter at @jeffmarek)
The Society for International Hockey Research. We are the geekiest collection of hockey geeks who ever geeked. I'm a proud member. So is Canada's Prime Minister Stephen Harper who is writing a book on hockey history in Toronto.
5. "Slap Shot"
The lines in this movie are like a secret handshake amongst hockey folks ("I know a bar here"). Every day I come to work at CBC all I'm trying to do is capture the spirit of the thing, Reg.


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Gon are a species of stickmen that reside in a small town outside of Washington D.C.. The most notable Gon, Winson, is the main hero in the Winson series
Winson the Gon
In here, a Gon appears as a playable character, along as them appearing as background characters. They help Winson out alot in this game.
Project: SCRATCH
So far, they just appear as background characters, it is unkown if they will appear as playable characters.


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|Message view
|« Date » · « Thread »
|« Date » · « Thread »
|Ross Gardler <rgard...@apache.org>
|Re: s5 output plugin for Forrest
|Fri, 28 Jan 2011 01:31:11 GMT
Forgive the terse response, I'm travelling but want to give a quick reply. I created an SF site for project for Forrest plugins that couldn't be apache licensed. Was never used significantly. May have put code there. However, consider moving it to a new project at www.apache-extras.org (discuss with Forrest community, I'm no longer active) With respect to my code, it's all open source do as you will, would be good to see someone improve it. Just make sure you respect the s5 license. Good luck Sent from my mobile device. On 27 Jan 2011, at 23:30, Sjur Moshagen <email@example.com> wrote: > Hello Ross, > > In the thread [1] the issue of moving the s5 plugin somewhere else was mentioned. The Forrest whiteboard is blocked due to licensing issues, but I could probably find a home for it at work - we have an open repository at https://victorio.uit.no/langtech/. If someone has other suggestions, that is of course all very well (our svn repository is probably not the best place since getting commit access requires manual set-up). Would moving it to a new home be ok with you? (I see that the burrokeet sf site you mentioned in an old discussion as a possible home hasn't been active for over 500 days - that site is probably not the best one either, anymore - if it is still a possibility, my sf username is 'moshagen'). > > Also, the s5 plugin as it stands does not fit my needs that well, and I would like to rewrite it from the bottom, more or less. In practice, I would probably create a new plugin, but based on your work (yes, I am aware of the w3c slides vs s5 discussions), with proper credits of course. Would that be ok as well? > > > Best regards, > Sjur N. Moshagen > Samediggi · Sametinget > Project Manager for the Divvun project > http://www.divvun.no/ > http://www.samediggi.no/ > +358-9-49 75 29 (w) > +358-505 634 319 (m) > > > [1]: http://marc.info/?l=forrest-dev&m=129591307420205&w=2 > >
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When MS Dhoni and his boys lifted the World Cup this year, the entire generation got the chance to experience and re-live the moments which were first created in 1983. For 28 years, India thrived on the victory scripted by Kapil Dev and his team against the Caribbean Giants.
Though India had started the World Cup campaign as the underdogs, they withstood all the challenges thrown on to them by the cricketing giants of the world. Kapil Dev s historical knock of 175 runs with the help of 16 fours and six sixes came against Zimbabwe at the group stage. His knock showed what Indians were capable of. He came out to bat when India were reeling at 17/5. His knock not only won that match but also infused the 'fight-till-death' attitude in the team.
As the 1983 World Cup win completes 28 years on June 25, we take you down the memory lane to revisit the defining moments of the final:
Giants versus underdogs
Before taking on Indians in the final, the defending champions West Indies had faced India in the preliminary matches and were beaten in one match by 34 runs. In the next match they avenged the defeat only to face the underdogs in the final.
In the final, West Indies put India to bat. On the seaming conditions of Lords wicket, Indian batsmen struggled against the likes of Michael Holding and Andy Roberts. India s batting maestro 'Sunny' Gavaskar perished after two overs and fell as the first wicket. Srikkanth scored 38 runs and Mohinder Amarnath, who survived for almost two hours, took 80 balls to score 26 runs. After him no other batsman except Sandip Patil could cross the 20-run mark and the Goliaths bundled India for just 183 runs.
Sandhu claimed the big one
The target wasn't a big one but it was defendable. Medium pacer Balwinder Singh Sandhu tried and tested his luck against the devastating Gordon Greenidge whom he had bowled twice in that year. He kept troubling him with his outswingers. And then he bowled an inswinger that pitched at the right spot. Greenidge, anticipating another outswinger, raised his bat to leave it but the ball came in sharply and clipped the bails. This was the first and a very crucial breakthrough.
Richards caught by Kapil
After Greenidge's departure, Sir Vivian Richards toyed with Indian bowling and smashed a quickfire 33 off 28 balls with the help of seven fours. Madan Lal, who was about to be removed from the bowling, asked his captain Kapil Dev for one more over and Richards got ready for another boundary. Richards played a pull shot and the ball sailed over square leg. Kapil sprinted back and sideways for some 15-20 yards with his eyes set on the ball. He took a sensational catch to remove the dangerous Richards. That catch is still etched in the memories of those who watched that match.
Amarnath removed Holding
The most magical moment of the match was grabbed by Mohinder Amarnath. Michael Holding and Joel Garner were the last pair standing and needed 57 runs to win. They added 14 runs. Amarnath hit Holding on his pads. The umpire raised his finger and history was made! India won the 1983 Prudential World Cup. The Indian players ran all over the park and in all directions. Cricket fans, not to be left behind, ran on to the field to hug and congratulate the winners.
The ultimate moment
And how can we forget the moment when Kapil Dev and his heroes lifted the trophy. It was a moment that made its way to the Wisden Almanack.


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1990 Ford Bronco Questions
Get answers to questions about your 1990 Ford Bronco at RepairPal. Find solutions, diagnose problems and get back on the road.Refine by vehicle
I have antifreeze coming out of the exhaust (real bad) and was told that "Thermagasket" application would solve the problem. Is that correct?
oil pressure gauge sometimes works , more or less when I step on the gas its up and down almost never moves . What should I do
the year if my truck is not available but is the same as a 90 model, this thing has been giving me a fit for more then 2 1/2+ years, when i crank it, it runs fine for about 5 seconds or so, ides up to 2500 rpms then it trys to die, feather the gas (wave the peadal) it starts to run rough, then as im giving it gas it pop's out the intake "so sever it blows the air box lid off, and i can keep it running like that for a brief time then it dies, and will strart back up and do it all over again, runs really rich, fuel pump works fine, timing seems right, it just seems like it not getting enough air, i wrecked the week before this happend, but did no visual damage to my truck, but the mini van i hit was 6 or 7 thousand dollars of damage, i have put a tune up on it, plug's, wire's ,cap etc..., checked fuel pump kicks on as usall, i replaced the tps (throttle postition senser) and fixing to clean IAC and the throttle body in best hopes, but it back fired really bad one and only one time right befor this happend and it started going down hill slowly for a bout a week after and now wont run at all, please any help is greatly apprecaiated,
so i was driving to get dinner the other night and when i let off the gas my transmission area started making a wierd clicking/grinding noise i managed to get it home with no problems other than the noise i did 55 with no problems and it was shifting perfectly but as i pulled into my driveway i went to back in and as i took it out of drive and put it into reverse i didnt feel anything engage so i tried putting it back in drive and still nothing then i tried park and it started rolling backwards. you can hear it engage but it goes no where. someone please help lol -mike
when i start the bronco i have to keep it reved up or ti wil;l stall. When i get going the car shudders until i get to about 55 mph then maybe i can'tnotice. the car is old and i'm hoping itjust needs a spark plug or tune-up. any ideas?
And does it use regular gas
hey i been having problems with my 90 bronco 5.8L about 2 weeks ago it started turning off suddenly we changed the distributer control module and it seemed to have worked but later that day it wouldnt start now it doesnt turn off while driving anymore but now sometimes it wont start just after it started with no problem 5 10 minutes befor this has been going on for 2 weeks now so i havent been driving it can someone please help me we checked the dist. cap wires coil fuel pump and lines battery spark plugs compression and still just crank and no start at times?
vehicle is actually a Bronco II, '87. (that make/model not avail in drop dwn menu).
anyway, hv had tune up, fuel filters changed, vacuum leak fixed, and idle motor replaced. after ea repair, would run well bout 7-10 days & start stalling again. been to three mechanics 5 times. Aaagh. i'm female, little no knowledge of vehicle probs/repairs. Hv this bronco out at my airline base city, SFO. commuter apt is in Burlingame, near SFO airport. very panicky situation to stall on street or at intersections here. any ideas?? thx much, marsha
ps- techs hv indicated engine is good, etc. this WAS a very reliable vehicle..MT to Denver, Denver to San Fran
what should the fuel pressure be at the fuel rails?
I have a 1979 Bronco with a 351 modified. It idles a little rough and bogs down on acceleration if I punch it too hard. The acceleration problem turns into a chug instead of a bog and pop after about 40 miles and gets worse. The engine has just been rebuilt and has a reman distributor. The plugs and wires are new as well as the coil and voltage regulator.The noise suppressor went bye bye with the old coil but I still have it When setting the timing I noticed the pulse missing and even firing at the wrong time every so often. This happens consistently on all wires and the # six wire fires three or five times each compression stroke. With the light on the coil wire and without blinking a dead spot can be seen. I know the light itself is good because the #6 spark plug is much cleaner and whiter than the others. Seems to be completely burning the fuel mixture. This is a duraspark system and the emissions label says this vehicle complies with California emissions. So I would think It is a duraspark I. Can anyone tell me why This one plug would fire multiple times and the others miss 8-10 percent of the time? Could this be caused by low compression on one cylinder?
1988 bronco xlt full size, low ratio, 2700 RPM @ 55mph. But not listed on door jam.
Rear ring gear code: 2 373 547 AF 11 41 2H8. Diff tag 354 E81 SC 610310-2.
Front diff tag: 3 54 E81 SC 610310-2
I have frnt/Rear limited slips. Just cant tell type..
OK,I took my hub ends off to see why the lock ring won't disengage and looks normal. But, what pulls the lock ring out? No spring and the grease otherwise holds the lock ring in, even when in unlock position...
Hello, got two 1988 bronco's both have 351 v8's. How Do I discern the 351W from the 351M ? Haynes/Chiltons won't break the VIN down enough to tell me...
hi, i got some codes that came up on my bronco. they are 14, 53, 63 ( i replaced the throttle position sensor), 87, 33 ( i took off the egr valve and i cleaned it and checked it for vacumm and it works just fine.)but i wanted to know more about the profile ignition pick-up signal. where it is? could it cause the truck to run bad? i am lost about it. thanks for your time. chad
My rear anti-lock brake light stays on after i have changed the sensor several times. what can be the problem?


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Opera 41.0.2353.69
User reviews
Revliun Studio On Softonic since May 2012
- Reputation
- 49% (255 out of 525 visitors liked
this user's reviews)
- 49% (255 out of 525 visitors liked
- Statistics
- 22 ratings
- 17 reviews
"Opera 12; The next Generation of fast and furious- Get the Likes of Chrome."
- 8.0
- 8.0
Opera's world fastest browser just got faster. Now Opera 12 is claimed the Worlds most fastest browser. Eliminating their old useless gadgets and ware and replacing the viewing with higher-tech gadgets, Opera 12 is a clean start to the next generation of the browser wars. Adding 3 great features ( Themes, Do Not Track and hardware acceleration ) ,Opera 12 will capture all Opera fans attention. Opera 12 for sure is Fast and furious. This for sure will leave IE9 desperate to keep up with IE10, make Firefox desperate to add features, and give Chrome some pressure that they won't hold their title for long.
- -Fastest browser i've ever used.
- -Takes moderate memory
- -Beautiful speed dial.
- -Lots of features
- - Less extensions
- -Minor incompatible sites
- Views:
- 1,403
- Date:
- 16 Jun 2012
Articles Opera
8 Best Browser Apps of 2016
More of our online time is spent on mobile devices, whether smartphones, tablets or both. With this... See more
What's the Real Difference Between Free Web Browsers?
Many internet users, whether beginners or power users, don't think twice about the browser they use.... See more
Related videos Opera
Opera Visual Bookmarks
This is the way Opera allows you to manage your bookmarks. Visually, dinamically and seamlessly across devices.
¿Which browser is the fastest with 11 tabs open?
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Top Downloads: Web browsers
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Mozilla Firefox
Mozilla sets the benchmark for web browsers
- Google Chrome
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Top Downloads
Mozilla Firefox
Mozilla sets the benchmark for web browsers
- Google Chrome
- UC Browser
- Google Chrome (64-bit)
- Baidu Browser


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From Your PC
From Webcam
From a URL
To publish photos, you should tag them.Continue
By clamming this page you will be able to upload all the latest work and collection of the brand. This request will be reviewed by the admin of Vivoit which would request a formal authorization by the brand. Please fill the following form below.
Please use this form to send us feedback about the site. Issues, spotted bugs, suggestions or whatever it may be.


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Fine Tuning & completing web site
Budjetti $20-100 USD
This project involves fine tuning my FP designed site. I need one additional page, p'word accessible for corporate clients with the ability to accept payment for package services (I'm a self-employed Massage Therapist). Other than that, it's mostly novice mistakes that require correcting.
Myönnetty käyttäjälle:
HI, we can do this in good manner regards sri
23 freelanceria on tarjonnut keskimäärin 81 $ tähän työhön
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London Luxe For Less Hen Package
Prices are based on low season rates.
The cosmopolitan city of London is a cool and sophisticated choice for the hen do. There's such a great choice of iconic landmarks and attractions to see by day and an unrivalled nightlife to experience as the darkness falls on this capital city. But if you're worried about London being a bit too expensive for the hen party, then look no further than our fantastic London Luxe for Less Package. It's the perfect solution to giving the bride to be an incredible weekend away in one of the world's most vibrant cities, without breaking the bank!
With this excellent option, we'll arrange for you and the girls to enjoy a one-night stay at the luxurious Grange Holborn hotel which features a gorgeous spa for you and the girls to relax in, as well as an indulgent afternoon tea with champagne experience at the hotel for a sophisticated catch up with the girls. We'll also arrange for your group of hens to head to Grace's Bar and Restaurant, where you'll get to tuck into a delicious two course meal, complete with bubbly and entry to Grace's nightclub, where you can really let your hair down!
1 night accommodation
Modern and sophisticated, this 5-star hotel will provide you and the girls with all the rest, relaxation and fun times you'll need together before the big day. Situated near Covent Garden and the West End, The Grange at Holborn is in the perfect spot to explore this trendy part of town. Hit the shops or catch a matinee before heading back for a glass of champagne in Hermes Lounge Bar– this is what a city-break in London is all about.
When you're ready to indulge, drift down into the fabulous Ajala spa – a true urban sanctuary in the heart of the city. The exclusive hydra-suite includes a Grecian-style pool, sauna and steam room that's perfect for detoxing and toning pre-treatment. The spa offers a range of luxury therapies that combine ancient beauty rituals with the latest in skincare advances – we recommend a Divine Body Treatment with tinted finish for that flattering sun-kissed glow.
Accommodation overview
- Free WIFI
- Health club and spa
- 24 Hour room service
- Laundry and dry cleaning service
Afternoon Tea with Champagne
Celebrate your hen party with a luxurious afternoon tea your girls are sure to love. Linger awhile in a luxury five-star hotel, the Grange Holborn Hotel, set between the City and the West End. And this British Institution gets added sparkle with a decadent glass of champagne. So raise your glasses to the bride-to-be and settle in for some serious indulgence. You'll take your afternoon tea in the light and airy Hermes lounge bar on the ground floor of the hotel. With your freshly brewed tea and coffee come a delicious selection of traditional finger sandwiches, fresh scones with clotted cream and preserves, and a choice selection of cakes. So be sure to skip lunch, you won't want to miss a morsel of this meal to remember.
Menu items may vary
- Five-star hotel
- Scones, cakes, pastries, sandwiches
- Fizz and perfectly brewed tea
Two Course Meal including Glass of Bubbly & Club Entry
With modern life getting in the way, it can be hard to actually sit down and have a meal with all the girls, so the hen party is the perfect opportunity to finally make it happen and talk about what married life will be like for the hen and if we're honest… have a good old gossip! Where better to make this happen than at Grace Bar & Restaurant, a central London eatery with a relaxed atmosphere and the kind of drinks and food menus that can suit any taste no matter what you like.
Plus it only gets better when the bubbly hits the table and once all plates are cleared, you're also provided entry to the club. No queues, no waiting around – just the memorable hen night you've all been hoping for. Grace is located right in the centre close to Piccadilly Circus and Leicester Square, so you won't have to go far in your heels to get anywhere before or after either!
- Central London location
- Great food
- A glass of bubbly each


text:
Long Term Hair Loss in Patients with Early Breast Cancer Receiving Docetaxel Chemotherapy
A small number of patients who receive docetaxel-containing regimes for early breast cancer (EBC), experience permanent alopecia. The aim of this study was to determine the incidence, the site, the extent, and duration of the hair loss.
A postal questionnaire was sent (in October 2013) to patients who had received docetaxel during 2010, in the neo/adjuvant settings for EBC at our cancer centre. This comprised questions relating to scalp hair loss, hair loss to other parts of the body, hair products used, and any comments that the respondents wished to add about their experience of hair loss. Univariate and multivariate analyses were undertaken to determine any other risk factors for persistent alopecia.
134 of 189 questionnaires were returned. Of those responding 21 (15.8%) had significant persistent scalp hair loss. 16 patients in the study were using products such as wigs and hair extensions. 5 patients reported no regrowth of eyebrows, 2 patients reported no eyelash regrowth, 6 no regrowth of nostril hair and 14 no regrowth to other parts such as legs. Univariate and multivariate analyses showed no significant associations with other patient and treatment characteristics (eg adjuvant endocrine therapy, menopausal status). Patients' observations confirmed a significant impact on quality of life.
Long term significant scalp alopecia (here lasting for up to 3.5 years following completion of chemotherapy) may affect 10-15% of patients following docetaxel for EBC. This appears to be unrelated to other patient and treatment characteristics. Long term hair loss has a significant impact on quality of survival. Further prospective study is required to confirm incidence and to identify effective preventive and management strategies. This risk should be discussed routinely (as part of the process of informed consent) with all patients embarking upon docetaxel as a component of management of EBC.
We would like to gratefully acknowledge Theo Giannopoulos and Susanne Booth at Castle Hill Hospital for their help in acquiring ovarian tissue samples, and Jane Smales for coordinating the clinical aspects of the study. This study is funded by a grant from NC3Rs (Registry File: G1100600).
References to go here


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Spotlight Article:
New and Notable: November/December 2013
NYSERDA's HPwES Program Completes 50,000 Projects The New York State Energy Research and Development Authority (NYSERDA) recently announced the achievement of a major milestone for its Home Performance with Energy Star (HPwES) program, with ...
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Figure 1. Homeowners will get a score along with recommendations for upgrades How to Score Points by Simplifying Complexity On November 9, 2010, Vice President Biden launched the Home Energy Score program and announced the release of new ... [continue reading]
Rob Solomon, on behalf of GoFundMe
Micro-housing for Veterans
That was our pledge in the military and in my time as a police officer. When you retire or move ...
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A Closer Look at Connecticut's Zero Energy Homebuilding Competition
At the Better Buildings By Design conference, Ann Edminster spoke about the growing interest in net-zero-energy buildings saying, "This [...


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Plaxo and Privacy — A Storm In A Teacup?
Plaxo, the besieged contact updating service, is pointing readers of its blog to an article that takes issue with the company's critics.
The article, written by Jim Harper of PolicyCounsel.com, takes issue with privacy concerns, especially those aired by Australian academic Roger Clarke which I've tried to summarise in an earlier post. Jim's language is quite robust, apparently a reaction to Roger's own riposte to an earlier posting by Jim on RFID tags. Still, he makes an interesting point: Why all the fuss about handing over your contact data?
For just a moment, let me go into Clarke's starting point a little further: the idea that contact information is sensitive. It's not. In fact, contact information is created precisely for the purpose of sharing. People print contact information on cards and give it out. There are entire books – called "phone books" – designed to broadcast contact information far and wide. People put their contact information on letters and in e-mails. Contact information is about as private as the nose on your face.
So who is right? It's true that contact information in itself is a more or less public commodity. I can decline to hand over my business card to someone I don't like the look of, but once the card is handed over to anyone, I can no longer assume that information is secure. But my reading (and hey, I'm no expert) of Roger's original piece is that there are two main outstanding problems:
It's less about handing over one's data about oneself, but about someone else handing over their data about you. The main objection people have about Plaxo is that, by uploading their address book to Plaxo's servers, someone else is giving away information about you. As Roger points out: "Under the doctrine of privity, a contract creates rights and responsibilities for the parties to the contract, but for no-one else. Hence there are no rights whatsoever under the contract for the individuals to whom the data relates."
The second issue is about the connections implied in such data — not just whether you're in someone's address book, and who else is there alongside you. If someone is arrested for fraud, does the fact that you're in their address book make you a suspect? Roger writes: "The threat involved in consolidations of address-books therefore has an important social dimension, and if it affects a person's employability or career advancement, then an economic dimension as well."
On the surface neither of these concerns may seem all that relevant. If you're in a criminal's address book/PDA/cellphone chances are you're going to be interviewed by police, whether they got the information from Plaxo or from riffling through his dashboard glove compartment. And, in the first case, what's the difference between someone storing your contact details in their PDA than online with Plaxo?
First off, I think Jim's taking too much of an old world view of privacy. He writes that "there isn't much difference between an online social network and the online or offline lists of club memberships, fraternities, churches, phone systems, magazine subscribers, buyers of goods, sellers of goods, transporters of goods, employees, employers: the list of lists goes on and on." True, in terms of the nature of such data. But computers and the Internet make handling — and, potentially, mining — such lists much more efficient. In its first seven months Plaxo had more than a million members: Assume, each one has a contact list of 100 people. That's 100 million names (lots of duplication, of course, but my figures are conservative.) Plaxo has promised not to do anything with this data, but Roger's point is a fair one: Existing privacy laws don't really deal with situations where users voluntarily surrender data about other people. So we're already in new territory.
Internet users are already aware of this; just a year or so ago many of us wouldn't have baulked at entering personal details into a website in return for access. Not any more. The Internet, once this great repository of information and a community of benign and helpful folk, has turned around and bit us on the collective behind. Spam is just the most visible aspect of it. We now see our lives visible online, so much so that prospective dates are 'Googled' to see whether their background is up to snuff. Privacy nowadays is not so much about keeping yourself to yourself, but in trying to reassert some sort of control over which specific data enters the public domain. A blogger is quite happy to spill their most intimate beans online, but that doesn't mean they're about to reveal their cellphone number to telemarketers, or become part of some large database that may end up being sold to SMS-Spammers-R-US.com a few years down the track. Personal contact data are, after medical and financial data, the most sensitive data one has.
Jim's right to raise questions about the heat that Plaxo has been taking (and I readily confess some of the postings here have perhaps contributed to it, although I've tried to synthesize the arguments for and against, along with Plaxo's responses). But it seems to me that if people feel uncomfortable with their data being held by a company that has not revealed how it is going to make its money (or even if it has) then their right to not have their data stored there must be respected, both in law and in the storers' privacy policy.
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16. April 2004 by jeremy
Categories: Privacy | Tags: Community websites, Ethics, Human rights, Identity management, Internet make handling, Internet users, Jim Harper, mining, Mobile phone, online social network, PDA, phone systems, Plaxo, Privacy, Roger Clarke, SMS, Social Issues | 1 comment
One Comment
Thanks as always for your comments and discussion. I believe you touch on two central themes that I'd like to follow up on:
– How is Plaxo going to make money?
– Respecting the rights of individuals, both in law and in the storer's Privacy Policy.
How is Plaxo going to make money?
As you know, Plaxo offers a line of contact management products to help you update your address book and connect with friends, family, and colleagues. Our business model is based on upselling premium features to our growing user base. We are already generating revenue from the sales of our first premium service, Plaxo VIP Support, and we expect to be cash-flow positive by the end of 2004.
In the coming months, we'll be releasing additional subscription-based features, including a Plaxo business edition. However, we will also maintain a free version of Plaxo, allowing us to raise brand awareness and continue to provide our service to current and future members.
Here's a glimpse of some features you can look forward to:
1. An address book "cleaner" that scans your address book to find duplicates and errors.
2. A meeting manager that enables users to schedule meetings with others online.
3. Opt-in directories for alumni lists and other organizations that allow consenting users to access each other's address books.
– Respecting the rights of individuals
We understand this issue remains a contentious one, and I feel it really comes down to the issue of Ownership vs. Privacy. We've tried to establish policies that respect the rights of everyone involved while adhering to the law. I recently wrote about this issue back in March on our own blog. Rather than repeat the article, I point you to our blog entry: Your Contact Information: Ownership vs. Privacy. I'd love to hear back comments and feedback on this issue.
Stacy Martin
Plaxo Privacy Officer
smartin @t plaxo.com


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Cocky Eek
Arthur Elsenaar
Kasper van der Horst
Eric Kluitenberg
Michiel Pijpe
Robert Pravda
Taconis Stolk (head of department)
Marja van der Burgh (interim coordinator)
Cocky Eek
Cocky Eek studied Fashion Design at the Utrecht School of the Arts and graduated in 1993 with a final collection 'Fashion is so ugly you have to change it every half year'. She did her Master degree European Fashion and Textiles Design in 1994 (FR/IT). After her studies she realized several experimental 'wearable' collections presented amongst Le Salon des Jeunes Stylistes in Hyeres (FR). Meanwhile she worked as a guest teacher (HKU, Rietveld Academy and Konstfack -Stockholm).
From 1999 – 2002 she collaborated with designer Maria Blaisse, investigating form and material in relation to the moving body, resulting in the Kuma Guna series (nominated by the Dutch Design Award). Together they gave a number of master-classes (MA European Fashion & Textile Design, the International Summer Academy of Fine Arts in Salzburg, and the Curtin University of Technology in Perth).
Since 2001, Cocky Eek has been an active member of FoAM [Brussels]. In close collaboration with scientists, and media-designers she did the spatial designs for responsive environments as Tgarden, TxOom and TRG (presentations include V2 and Ars Electronica 2001). Since the millennium her work has been mainly revolving around lightweight spatial compositions and her favorite media have become wind and air. This resulted in floating or flying experiments or large, voluminous forms. Her Human-Kite performances with Patrick de Koning were shown along various coastal lines, such as the Oerol Festival (NL) and the International Kite Festival in Weifang in China. She is co-founder of FoAM [Amsterdam 2005] whose main focus is the topic of human-plant inter-relations. One of their sprouts Boskoi, a project on urban foraging received an honorary mention Prix Ars Electronica 2011, was presented at ISEA and implemented in many local community's. In 2012 she created Sphaerae, an inflatable multi-dome pavilion for immersive and synaesthetic experiences (presented at Ars Elctronica, TodaysArt festival 2013). With Schweigman& she develloped two contemporary theater pieces; Frame (presented in Shanghai 2012) and Blaas (Oerol, Torino, Boulevard, Utrecht 2013).
Arthur Elsenaar
Arthur Elsenaar is an artist, electrical engineer and facial hacker. Since 1993, Elsenaar has investigated the computer-controlled human face as a site for artistic expression. He holds a Ph.D. in Art and Design from Nottingham Trent University in the UK for his thesis entitled "Facial Hacking: The Twisted Logic of Electro-Facial Choreography." Elsenaar's work has been shown at many internationally renowned conferences, festivals and institutes such as Ars Electronica, ISEA, DEAF, SIGGRAPH and MIT Media Lab. In 2008, the Stedelijk Museum in Amsterdam acquired the algorithmic facial choreography work "Face Shift" for their permanent collection. He has been a core member of the Institute of Artificial Art in Amsterdam whose work received several awards; a Prix Ars Electronica honorary mention (1997), the Leonardo Award for Excellence (2003) for a paper on the history of electric performance art. For his most recent work, Elsenaar received the Technarte Best Speaker Award (2012) in Bilbao, Spain.
Kasper van der Horst
Kasper van der Horst studied photography at the School of Photography in The Hague. During his studies he developed an interest in video, computer animation and computer graphics and started his own studio, Sparks.
In 1988 he was invited to teach video at CAM, and a year later to become a teacher at the Interfaculty Image & Sound, where he first taught analogue video and, since 1993, digital imagery. During his classes at the Interfaculty students started to develop moving digital graphics, resulting in some of the earliest VJs and visual musicians who created visuals and moving images that accompanied DJ acts, shown during the Sonic Acts Festival in 1994. During the collective research projects he often works with a small group of students on special visual effects that relate in delicate ways to the general theme of the project. In 1998 his research on dynamic video projections resulted in an astounding contribution to the closing night of the Holland Festival in Paradiso. For the ArtScience curriculum he developed many introductory courses on the subjects: Freestyle Video, Image & Sound (with Robert Pravda) and MetaMedia (with Taco Stolk). Next to these courses van der Horst organised many video workshops and collaborated on almost all of the large-scale projects at the Interfaculty. The resarch project "Structet : Building Music" in 2006 was one of the most successful performances in the Todaysart festival that year and it is the only project in the festival ́s history that was invited again, in 2011.
Since 2010 van der Horst has been directing multi screen installations for Rockheim, the museum for Norwegian pop music in Trondheim. He also designed 3d avatars for the interactive part of the museum. His work engagements range from established art institutes to broadcast and commercial media production. He directs and produces audiovisual projects. As a multidisciplinary art and technology advisor Kasper works with students, art-collectives and media-companies.
Eric Kluitenberg
Eric Kluitenberg is an independent theorist, writer, curator, and researcher on culture, media, and technology based in Amsterdam. He has been head of the media and technology program of De Balie, Centre for Culture and Politics in Amsterdam since 1999. He taught theory of interactive media and technological culture for a variety of academic institutions, including the University of Amsterdam, the University of Professional Education of Amsterdam, Academy Minerva Postgraduate Studies in Groningen, and he was a scientific staff member of the Academy of Media Arts Cologne. Recent publications include The Book of Imaginary Media (2006), Delusive Spaces (2008) and the theme issues of Open, Journal for Art and the Public Domain, "Hybrid Space" (2006), and "(Im)Mobility" (2011).
Next to an extensive series of festivals and public events he was project leader for the practice based research trajectory "The Living Archive" at De Balie (2004 – 2010) and currently is Editor in Chief of the Tactical Media Files, an on-line documentation resource for Tactical Media practices worldwide.
Michiel Pijpe
Michiel Pijpe graduated with distinction in 2005 at the Interfaculty Image and Sound, and studied narrative techniques and style procedures for film at the University of Leiden (2002-2004). Afterwards, he briefly studied at the Dutch Art Institute (MA) in Enschede. Within the context of the curriculum of the former interfaculty his athletic background led to his development as a performance artist in 2001, specializing in visual art performances in various productions and coproductions. The correlation between play and technology is an ongoing experiment and is generally applied in the theatrical works of Pijpe: the results are minimalist but visually rich solo performances that can be characterized as both formal as well as expressive.
In recent years his work within performance and theatre has come to include the development of ideas for scenography and lighting setups for theatre and opera productions.
Apart from his stage work, Michiel Pijpe has been working on an ongoing project involving liquid experiments for film wich he started in 2003. After many years of experimentation and research he is now working with methods and techniques for a higher and more detailed control of chemicals, light and optics. He is continuously refining these techniques which resemble the traditional methods of 18th century painting combined with current technologies translated into innovative printing techniques.
Robert Pravda
Robert Pravda studied engineering from 1987 through 1991 at the Technical University of Novi Sad (former Yugoslavia), after which he dedicated himself to making music in experimental underground circles. His interest in the interdisciplinary arts brought him to the Interfaculty Image & Sound, where he earned his degree in 2002. In 2001 he started WEIM, a workshop for his fellow students on electro-instrumental music. When he became a teacher at the Interfaculty, this workshop was transformed into the electronica improvisation ensemble RecPlay. During his studies he concentrated on building instruments for multimedia performances and making algorithmic compositions for spatial sound and light installations. His examination project, the sound-light installation 5x5x5, was awarded with the visitor's prize of Shell's Young Artist Award.
Recently he has been developing new musical and light instruments, performing in many formations and contexts, and he worked as composer and sound designer for several theatre productions.
Taconis Stolk
Taconis Stolk is a conceptualist and metamodernist. He is the initiator of WLFR, studio for conceptualism in Amsterdam. Since the mid-nineties WLFR has been developing metamedia projects and theory concerning the aesthetics of concepts and contextual technology, often at the intersection of art and science.
WLFR projects have been exhibited, performed and published in Europe, the Americas and Asia. They deploy a wide range of media and disciplines. Examples through the years are P.I.A (interactive audio performance for magnetic card readers, 1994), fZone (website generating audio compositions based on weather conditions in the world's time zones, 1995) PARR (research project on nano-aesthetics resulting in computer generated books and animations, 2000), BuBL Space (pocket device to disable mobile phones, 2002, with Arthur Elsenaar), Gradually Zero (experimental theatre on the beauty of numbers, 2003, with Sanne van Rijn), Genetic Design (media project on art education in genetic modification, 2004), o—o—o—o (project on intention hacking the game of chess, 2010, with ConceptsAssociated), Wf–– (nanotechnology project on creating magnetic fragrances, 2011, with Radboud University Nijmegen) and WLFRGB (video series exploring 'impossible colours' by hacking stereoscopic technologies, 2013).
Stolk earned his Bachelor's and Master's degrees at the ArtScience Interfaculty. He lectures at the Interfaculty since 1998. Current other lecturing and consulting activities include MediaTechnology MSc programme of Leiden University (since 2001), STEIM Amsterdam and the Dutch Arts Council. He is a regular speaker and writer on topics related to his practice.


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The Boxcar Children
Four orphaned and homeless siblings happen upon an abandoned boxcar, which, they furnish with all the comforts of home. Fearful that they will be sent to live with their grandfather they have never met, the children keep their new home a secret.
Rent DVDs for only $4.99 a month.
Movie Details
- Director
- Dan Chuba, Mark A.Z. Dippe
- Genres
- Children & Family
- This movie is
- Feel-good, Family-friendly
- Format
- DVD and streaming
- Ratings
GGeneral audiences. All ages admitted.
7Common Sense rating OK for kids 7+
Widescreen 1.78:1Subtitles
NoClosed captioned
YesLanguage and sound
English: Dolby Digital 5.1Other features
Color; interactive menus; scene access.
The Boxcar ChildrenClose
For Parents
Common Sense Note
Parents need to know that The Boxcar Children is a very gentle, uplifting story of four orphaned children who take responsibility for their lives and create a home in which they survive and flourish. The movie taps into the common childhood fantasy of independence and an instinctive ability to provide for oneself and other kids (often brothers and sisters). Mild suspense accompanies Henry, Jessie, Violet, and Benny as they stay hidden from an adult world they believe to be threatening (they run from adults who want to send the youngest boy to an orphanage and are fearful of an estranged grandfather whom they perceive as mean and unloving). Based on the Boxcar Children series, the first book of which was written in 1924 by first-grade teacher Gertrude Chandler Warner, it's an old-fashioned story that promotes clear values of loyalty, resourcefulness, and love. The hopeful resolution will satisfy and inspire. More than a hundred books followed the iconic original, most devoted to the Boxcar kids as mystery solvers.
- Violence
- Mild, gentle suspense: An adult couple chases the kids through the woods; the children slide down a slippery hillside; young Benny is startled by an owl. The kids occasionally worry, especially when Violet becomes ill.
- Language
- Not applicable
- Social Behavior
- Strong messages about families' dependence on one another, optimism, setting clear goals and striving to achieve them, and the power of love and selflessness. Promotes the value of small treasures and finding joy in what one has rather than wants.
- Consumerism
- Not applicable
- Drugs / Tobacco / Alcohol
- Not applicable
- Age appropriate
- Not an issue
- Depends on your kid and your family
- Not appropriate for kids of the age most likely to want to see it


text:
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We are all now familiar with Google's two latest Nexus flagships released during 2015 – Nexus 5X and Nexus 6P. And just like me, if you have grabbed the Nexus 6P, you would like to clear off its way and show it the path to its real potential. To do this, you will need to root Nexus 6P, and thereafter, have complete control over its system.
Also read: Google Assistant Tips & Tricks: 10 cool things to do with it
The process to root Nexus 6P may not be direct, but is easier than its for the devices from other manufacturers. To begin with, you will need to unlock the phone's bootloader, so that you can access it via fastboot. Next, you will need to flash TWRP recovery, which will be further used to root the Nexus 6P using Chainfire's SuperSU root.
Rooting your Nexus 6P may break your phone's official support. DroidOrigin shall not be held responsible for any kind of damage to your device.
- Unlocking will wipe everything on your device, this includes the internal storage too. So, backup your device completely.
- Charge your Nexus 6P to at least 60% battery to avoid any kind of interruption during the process.
- Enable USB debugging on your Nexus 6P. Go to Settings > Developer options, and enable USB debugging. If you still can't enable it, you can follow this guide.
- Download and setup Android SDK on your PC for adb and fastboot.
- SuperSU root package: BETA-SuperSU-SuperSU-v2.79-201612051815.zipv2.71-20160331103524.zip
- TWRP recovery image for Nexus 6P (Angler): twrp-3.1.0-0-angler.img
STEP 1: Unlock Bootloader
- Flashing TWRP via fastboot won't work until you have the phone's bootloader unlocked. To start, go to Settings > Developer options and enable OEM unlocking.
- Press and hold the power button for a few seconds, and select power off. Now wait for the phone to shut down completely.
- When it has, press and hold Volume Down and Power keys until you see the bootloader screen.
- Now that the phone has entered bootloader mode, connect your phone to the PC via USB cable.
- Open a new command-line window and enter the following command to start the unlock process:
fastboot flashing unlock
- A warning will appear on the screen, so use the volume buttons to highlight Yes, and select it by pressing the power button.
- Now that the bootloader has been unlocked, you can reboot your Nexus 6P.
fastboot reboot
- That is it. You have just unlocked Nexus 6P bootloader.
Flash TWRP & Root Nexus 6P
- Connect the 6P to the PC, and transfer SuperSU-v2.79-201612051815.zip to the phone's storage.
- Open the folder where the TWRP image file is present. On an empty space inside this folder, press SHIFT key and right-click. Now select Open command window here from the pop-up menu that appears.
- Keeping the phone connected, enter the following command to reboot the phone into bootloader mode:
adb reboot bootloader
- Then, flash the TWRP recovery using the given command:
fastboot flash recovery twrp-3.1.0-0-angler.img
- Now that TWRP is installed on your 6P, press the either of the two volume keys until Recovery mode shows up, and select it using the power button.
- Once the Nexus 6P has entered TWRP recovery mode. Go to Install and select SuperSU-v2.79-201612051815.zip.
- Now swipe the button on the bottom to start the flashing process.
- This will merely take a few seconds to complete, and when its done, you can tap on Reboot system to finally boot into your rooted Nexus 6P.
Download the Root Check app and run it to confirm whether your Nexus 6P has been successfully rooted or not.
The Root Check screen should be like this:
That was extremely an easy process to carry out. If you still have problems, you can comment below. Stay tuned until we get back with more tips & tricks for the Nexus 6P.
You might like these too:


text:
Recomended Reading:
First off, if you are an author or want to be an author, read these two books before doing anything else:
Artists, Illustrators, and Cover Art:
Tessa Sentel – http://www.tessasental.com
Custom art, illustrations, and maps. She created the map of Ferrin that you can find in Season Two of the Dragon Masters.
Adam Hall – http://www.aroundthepages.com
Adam did all the covers for the Dragon Masters series and many of the covers in the Future Chronicles Anthologies.
Yoly – Cormar Covers – http://www.cormarcovers.com
Yoly has done all of the Lost Tales of Powers, including the bundles and the audio covers. She has premades, and various levels of custom work.
Go On Write – http://www.goonwrite.com
My first stop for premade covers. The cover for The Null came from them. They also do custom work but I only ever used their premades.
Editors and Formatters:
Ellen Campbell – http://ellencampbell.thirdscribe.com/
She edited a few short works for me, and has been an editor of several of the Future Chronicles. Top notch editor.
Therin Knite – http://tknitewrites.com/author-services/
She has formatted all of my print books. She also formats ebooks, and offers services as an editor
Robert Frazier – https://www.facebook.com/robert.frazier.5437
He offers first pass proofreading.


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A drawstring waist refines the fit of a buttery-soft romper that makes a comfy post-sun cover for your swimsuit that's elegant enough for a stop at the beach bar.
- Approx. inseam: 2 1/2".
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- By Vitamin A Silver; made in the USA.
- Women's Active & Swim.
- Item #542246


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Z-Ro & Trae - Rain MP3
Favorite song by my favorite rappers, A.B.N. subscribe for more texas music everyday... LYRICS: [Verse 1 - Z-Ro] I'm a gangsta my nigga from my head to my ...
RAIN - Z-RO (LYRICS ON SCREEN).wmv MP3
Trae & Z-Ro - Rain (Chopped and Screwed) MP3
Chopped and Screwed by Dj Rico and Dj Highrolla. I did not make this song nor do i have any rights to this song.
Z-Ro feat. Trae Tha Truth (A.B.N.) - Rain (VIDEO) + Lyrics MP3
A.B.N. - Rain Album - It Is What It Is (2008) Vid made by me Rate & Comment Thanks for watchin, Enjoy [Verse 1 - Z-Ro] I'm a gangsta my nigga from my head to ...
z ro lost in the rain MP3
Z-ro coming out with 2 new albums ~Legendary~ r n b ~Look what you did to me Pt.2~
A.B.N Trae N Z-ro - Rain 2008 MP3
ABN ( 2008 ) It is what it is.
Paul Wall -Swangin in the Rain (Remix) Ft Slim Thug , J-Dawg , Lil KeKe , Z-Ro , Chamillionaire MP3
https://itunes.apple.com/us/album/swangin-in-rain-remix-feat./id1091670432 -Video Upload powered by https://www.TunesToTube.com.
It cant rain forever, lil o, Z-ro & Bleeda MP3
lil o, It Can't rain forever, Screwed up click.
Swangin In the Rain (Remix) MP3
Provided to YouTube by EMPIRE Swangin In the Rain (Remix) · Paul Wall Swangin In the Rain (Remix) (feat. Slim Thug, J-Dawg, Lil Keke, Z-Ro, ...
Paul Wall ft. Slim Thug, J Dawg, Lil Keke, Z-Ro, & Chamillionaire - Swangin In The Rain Remix MP3
Paul Wall rounds up a Houston Hall Of Fame squad for his "Swangin In The Rain" remix.
Z-RO & Trae - Rain (Slowed and Chopped By DJ LIL M ) MP3
I like this song ya heard me http://www.myspace.com/djlilm09.
Z-Ro & Trae - Rain (Unreleased Version) MP3
unreleased version..
ABN- Rain MP3
Artist- ABN Album- It Is What It Is.
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it is wat it is, my best so far in my opinion. plz rate and comment.
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ABN/ It is what it is.../ Genre Hip-hop rap/ Yr 2008.
Z-RO & Chill: Rain or Die MP3
Z-RO & Chill: "Rain or Die." [Album: The Rain]
Lil O: It Can't Rain 4 Ever feat Z-RO MP3
Lil O: "It Can't Rain 4 Ever," feat. Z-RO & Bleeda [Album: Greatest Hits]
ABN Z-Ro and Trae Rain Original Version MP3
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Z-Ro ft. Trae - One Night MP3
Amazing song by A.B.N. RIP Pimp C. if only for one night... subscribe for more texas music everyday... LYRICS: [Chorus One: Z-Ro] + [Trae] [Z-Ro] I wish I could ...
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Zro/Guerilla Maab - Lost In The Rain (S.L.A.B.-ed by Lil'C) R.I.P to the ONE & ONLY DJ Screw.


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The Missouri Department of Transportation will be working on Highway 100 in New Haven this week.
Crews planned to close a lane of the highway Monday, July 9, at night and Tuesday, July 10, during the daytime to resurface the roadway.
According to Kara Price, MoDOT customer relations specialist, work is suppose to continue west on Highway 100 to resurface a segment of the eastbound lanes during nonpeak daytime hours, followed by the same segment on the westbound lanes the following day.


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Rss feed
I am relatively new to WordPress and have been trying to no avail to add an RSS News feeder to my site. I want the following:
Feeds directly from external RSS
Scrolls or fades vertically
Is able to be added to a page (not a sidebar)
Can anyone suggest a good plugin. I have been trying to use RSS Slider on post…. but for some reason it will not show on my home page. frustrating! Thanks so much!!
- The topic 'Rss feed' is closed to new replies.


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Learn more about MANCHESTER BUILDING AND TESTING LABORATORIES LIMITED. Check the company's details for free and view the Companies House information, company documents and list of directors.
Know about every new company document that is added!
Take advantage of our watch this company feature free of charge and have notifications sent directly to your inbox. Whenever a new document appears on this website, or if their particulars change, you will be immediately informed about such changes. To monitor these changes, all you need to do is click on watch this company.
|Fixed Assets
|£ 9,226
|Tangible Fixed Assets
|£ 9,226
|Current Assets
|£ 46,154
|Tangible Fixed Assets Depreciation
|£ 50,473
|Provisions For Liabilities Charges
|£ 1,556
|£ 40
|Shareholder Funds
|£ 1,083
|Profit Loss Account Reserve
|£ 983
|Called Up Share Capital
|£ 100
|Net Assets Liabilities Including Pension Asset Liability
|£ 1,083
|Total Assets Less Current Liabilities
|£ 2,069
|Net Current Assets Liabilities
|£ 7,157
|Creditors Due Within One Year
|£ 53,311
|Cash Bank In Hand
|£ 38,614
|Stocks Inventory
|£ 7,500
|Share Capital Allotted Called Up Paid
|£ 100
|Par Value Share
|1.00 1.00
|Number Shares Allotted
|£ 100
|Tangible Fixed Assets Additions
|£ 5,103
|Tangible Fixed Assets Cost Or Valuation
|£ 61,775
|Tangible Fixed Assets Depreciation Charged In Period
|£ 3,027
Information about the Private Limited Company MANCHESTER BUILDING AND TESTING LABORATORIES LIMITED has been prepared for information purposes only. It is not intended to be nor does it constitute legal advice. This is public information provided by the official company register.


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- $17.99
FREE Shipping for Club Members
- Format: EPUB What's this?
- [-] Other Available FormatsOur PriceNew & Used MarketplaceAmelia Anne Is Dead and Gone (Paperback)
Published: 2013-07-11
Publisher: Speak$8.99
- Publisher: Dutton Books
- Publish Date: July 2012
- Page Count: 277
- Reading Level: Ages 14-UP
- Dimensions: 8.4 x 5.8 x 1.1 inches
- Shipping Weight: 0.85 pounds
Related Categories
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2012-06-04
- Reviewer: Staff
"In a small town, unexplained tragedy can only go so long before it grows teeth, sprouts sharp claws, and turns, snarling, on its own self." On the night of Becca's high school graduation, her boyfriend, James, has sex with her in the back of his truck, then dumps her. The next day, the body of an unknown girl is found on the side of the road. The brunt of Rosen-field's debut novel focuses on Becca, both in the present and in flashbacks that take readers through her romance with James, interrupted with occasional chapters that reveal Amelia's last night alive. Becca, who has always longed to leave town, feels stagnant and wounded as she and James reconcile. Before Amelia died, she had just graduated college and was driving to Cape Cod with her boyfriend, the world opening before her. This layered and exquisitely written story explores the fallout from the murder as well as the dark side of love. Actions have real consequences in Rosenfield's novel, and her suffocating smalltown setting is powerfully and chillingly evoked. Ages 14–up. Agent: Yfat Reiss Gendel, Foundry Literary + Media. (July)
An interrupted coming-of-age
"The night before Amelia Anne Richardson bled her life away on a parched dirt road outside of town, I bled out my dignity in the back of a pickup truck under a star-pricked sky." The very first sentence of Amelia Anne Is Dead and Gone tells a surprising amount about the unfolding story and its narrator Becca. Newly graduated from high school and looking to escape small-town life, Becca finds her plans change once she hears of a stranger's murder. Instead of packing for college, she gets bogged down in the flow of local gossip about Amelia's death. Vacillating between worry and a kind of internal deadness, she grows concerned that her boyfriend James may be covering for a suspect in the case. Alternating chapters reveal uncanny parallels between Amelia and Becca's lives, and we watch as one life approaches its end and another is altered forever.
This is author Kat Rosenfield's first novel, and she's to be commended for taking risks with Amelia Anne that aren't common in young adult fiction. The violence in this book is brutal and intimate, but never voyeuristic—don't be surprised if you physically recoil yet can't stop reading. Some of Becca's chapters seem almost to be observed from the air above the town, such as a lengthy meditation about how small-town legends persist and evolve. These musings are dreamy and slow as molasses on the page, yet build and add to the suspense of the mystery. By the end, two people have died as a result of passion and stupidity, and there are no easy explanations for either crime. Amelia Anne Is Dead and Gone blends elegant writing and brutal behavior into a sharp and haunting novel.


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Jaw surgery? (photo)
My jawline is very diagonal and my chin is pushed back and downwards . I also have mouth protrusion, I have a over bite. I recently got braces, my orthodontist didn't pull any teeth from up top, which I thought would need to be done to help lessen the projection of my top lip. What can I do to fix the overbite,weak jaw and chin?


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Unless indicated, documents on this Web site are Adobe Acrobat files, and require the free reader software.
FOR IMMEDIATE RELEASE: September 11, 2005
Scott VanDeman (850) 414-2974
Volunteer Florida offers practical advice for
making your donations count!
STATE EMERGENCY OPERATIONS CENTER, TALLAHASSEE – The Governor's
Commission on Volunteerism and Community Service, Volunteer Florida, once again
congratulates Floridians for their generosity and the amazing outpouring of relief supplies
collected for survivors of Hurricane Katrina. While critical human needs still are being met,
Volunteer Florida provides the following information about items that will and will not be
needed in the coming days.
Monetary Gifts – The Best Way to Help:
Please continue making monetary gifts to the relief organization of your choice. Every gift, no
matter how small, helps enable these organizations to meet the needs of hurricane survivors
quickly and with the maximum amount of flexibility. Please consider a planned giving program
to help meet the long-term needs of survivors. A small donation each payday will go a long
Donations of Used Clothing Not Needed at this Time:
At this time, donations of used clothing are not needed. Because of the characteristic
generosity of the American people, relief organizations have received all the used clothing
donations they have the capacity to manage. As a result, they no longer are accepting donations
of used clothing for hurricane relief. Links to relief-organization Web sites with more
information about used-clothing donations are available at volunteerflorida.org. If you already
have collected large amounts of used clothing, or choose to do so, please be prepared to store
these items until they can be accepted and processed.
Organized Donation Drives:
Community- and faith-based organizations that are conducting organized donation drives are
strongly encouraged to make contact with an organization in the affected area. Partnering with
an organization that has expressed a need for specific goods, and a willingness and ability to
unload and distribute them to survivors, is the most effective way to donate.
"We ask everyone to please confirm the need before collecting items. Please don't make
assumptions about what you think is needed for hurricane survivors," said Wendy Spencer,
CEO of Volunteer Florida. "Our Web site, volunteerflorida.org, has a list of needed items and
good advice about how to get those items where they are needed most."
As the Gulf States begin to move into the recovery phase of post-disaster operations, needs are
changing. Following are examples of items currently needed in the impacted areas.
Personal Hygiene/Comfort Items:
Clean-up Items:
Think Globally, Help Locally:
Individuals who want to volunteer to assist Katrina survivors may be able to volunteer locally.
Florida is host to approximately 2,000 evacuees from the impacted areas who need assistance.
Please contact a Volunteer Center in your area to find out if you can help! A list of volunteer
centers is available at volunteerflorida.org.
The Governor's Commission on Volunteerism and Community Service was established in 1994
by the Florida Legislature to administer grants under the National and Community Service Trust
Act of 1993. The Commission grants funds to Florida AmeriCorps and National Service
programs; encourages volunteerism for everyone from youths to seniors to people with
disabilities; promotes volunteerism in emergency management and preparedness; and helps to
strengthen and expand Volunteer Centers in Florida.
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text:
Meet three of BelAmi's newest guys as they take on established stars and show off their sexual skills. Blue-eyed, freckle-faced Brian Jovavich shows off his rock hard abs and round bubble butt before getting plowed every which way by his best buddy. Tall, wavy haired Rocco Alfieri beats off in the shower, and then takes a blond god deep in his derriere during his first anal experience. Totally adorable Daniel Mathis gets stuffed at both ends by BelAmi superstars Adam Archuleta & Kevin Warhol. It doesn't get much better than this!
Producer: BelAmi, 117 minutes
Director: George Duroy
Starring: Brian Jovovich, Adam Archuleta, Daniel Mathis, Rocco Alfieri, Tim Campbell, Tom Pollock


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Ok, so I know I shouldn't start another story when i can't even f...ing finish my others. Excuse the language. But I couldn't help it. My muse ran away with herself again and got carried away.
I want a sequal to this book, DAMMIT. Since there isn't one I thought I'd try and satisfy my imagination and write what could happen to Rail and Moa if they find land beyond Orokos when the book ends.
I OWN NOTHING. =) Oh and I had no idea on a title. My head is about to explode from lack of creativity. Any ideas?
The ocean was a calm and steady as the makeshift boats glided through the clear blue waters. It was hard to believe that they had gotten so far in just a few days, but the sky and water around them were proof that they had come a long way from the dark, murky waters of Orokos. Indeed, even the temperature was warmer. The wind was a soft breeze that felt cool in the heat of the sun. And sun was an extremely rare thing for the refugees that sailed. They had never been so free of gray skies and storms for so long. Everything was the same. Predictable. Not at all like the island they had left behind.
However they were not completely at ease. Not with the vast amount of blue stretched before them. They wouldn't be until they saw something else ahead. Something each man, woman and child had escaped their homes for. Perhaps they would never see it. But then, overhead were the clear high cries of birds. They came in a large pack, flying lazily in the sky, their white wings glinting in the sunlight.
Flying from a place that could not have been too far.
"Your face will stay like that if you keep squinting so hard." It was Rail, coming to stand beside Moa on the prow of the boat.
She had been standing there practically all day, hoping to catch the first glimpse of land, if any existed.
"I want to be the first to see it." She said quietly, still gazing beyond the horizon. "It's closer, I feel it."
Rail didn't tell Moa what he thought. That they had been sailing for days on end without even a glimpse of land. That their food supply was waning and that he had skipped every meal yesterday to let others take his food. He merely looked at the small girl beside him. Her dark hair was matted and wild from the sea wind, but where her face had once been pale there was now color in her cheeks and a tint of brown to her skin.
"Well, I think you may be one of the first." Rail said, inclining his head to where many others stood at the front of their boats as well, looking off into the sunset. A few spaces away from them stood Kittawake, the unofficial leader of their little rag-tag group.
She heard and smiled at them wickedly. "I'm not going to sit back while someone else takes a peek at my lands before me." She declared. "I've lived for this moment."
Moa didn't look pleased, but she smiled. "I guess we're all excited."
Rail kept silent again. He wasn't excited, but when he looked at Moa's glowing face, he didn't say anything. Her happiness was all that mattered to him. Then, as they all became lost in their own thoughts, Rail's head was filled with his own memories.
From when he first met Moa, small and weak, barely surviving. To when they had been together in the ghettos, then on their journey to Kilatas, with Vago…He didn't like Vago, not at all. But the golem who had sacrificed himself for Moa, because he knew it wasn't for him, had earned his respect and gratitude. He remembered a time when he had wanted to kill the creature, when he felt such hate and mistrust for him. But that time had passed, and Rail had felt sorrow at the loss of Vago. He could never repay him for what he had done. He had saved Moa.
The girl that Rail was thinking of was lost in her own musings. She was sleepy and hungry, but she would not let Rail see it. She knew he would make her rest and eat, but she didn't want to. She had to see the first glimpse of land.
"Come on, Moa." Rail said, gently pulling her away from the side of the boat. "I think we should get some sleep."
Moa pouted slightly, but her eyes drooped wearily. "But I'll miss it…"
"Oh, I doubt you'd be able to see anything soon." Kittawake said as she herself began to settle herself down to rest, although she was still beside the railing. "It's getting dark."
Mao looked doubtful still, her lips set in determination.
Rail sighed. "Kittawake's right, Moa. Besides we can sleep here tonight, that way you can see any glimpse of land at first light."
Rail had brought blankets with him and he lay them on the wood floor beneath them. Mao looked down at the makeshift sleeping area, then at the people around her who had begun to drift off as well. Only a few people stood awake, manning the sails.
Rail rolled his eyes and dropped to the floor. "Well, I'm getting some sleep. You can stay there all night if you wish." He nestled himself in the warm blankets, closing his heavy lids. His respirator was quiet as his breathing slowed.
Mao was torn. She wanted more than anything to stay where she was and watch as the moon painted beautiful scenes on the ocean, the light of the stars guiding their way through the darkness beneath them.
But Rail looked so peaceful where he slept, and she could already feel his warm body beneath the blankets. The thought made her blush, in spite of herself. I don't know why I feel so stupid. She thought. I used to sleep next to Rail all the time. It doesn't bother me.
But even as she slipped to the floor beside him, snuggling sleepily into his hard chest she felt warm inside. It was why she had always slept beside him before, for the warmth. They had always needed it in the cold world they lived in. But now in the blankets, Mao knew she had no reason to lie beside him except for the simple fact that she wanted to. So she closed her eyes and felt his chest rise and fall against her cheek as his heart beat in rhythm to her own. And she slept.
As she slept peacefully, Rail did not. He had been awake since he felt her wiggle her way beside him, her small body sending warmth into his own. He could hear the soft breath, feel the cool of her hair and the soft skin of her shoulders as she pressed against him. And even though he tried not to think about it, he could feel the push of her chest against his own.
He lay quietly, stiffly for a time as she finally fell asleep. He tried not to think about his thoughts, about Moa that way at all. But her body was against his and he could not stop the sensations that flowed through his body. He tried desperately to remain still, but his whole being felt strange and different. Moa was so unrestricted beside him, so perfectly free.
He opened his eyes slowly, and looked down at the girl that his arms ached to hold. Her face was serene as she slept. Like nothing in the world troubled her. Her thin brows were perfectly smooth and relaxed. Her cheeks were flushed with the warmth, and as she slept there seemed to be a small smile on her lips. Looking at her, Rail felt a sharp sudden heat flash over him, a pain almost. Would she stir if he held her, like he had so many other times? Would she think nothing of it?
He moved slowly, afraid to wake her. His arms encircled her small frame carefully, drawing her even more closely into the safety of his body. She barely stirred, instead she sighed and moved into him effortlessly, as if she knew exactly what he wanted. So they slept, huddled together as if they would never part. As if they were one and the same.
Whe morning finally arrived, Moa was the first to wake. She blinked groggily and looked up at Rail. His arms held her still, and she didn't want to wake him. She didn't have to however, because Kittawake did that for her.
"Land!" Kittawake bellowed at the top of her lungs.
Moa scrambled to her feet, despite the fogginess of her eyes. She saw it then. Just a mile away, there was the dark surface that lay atop the blue water.
It's really there. Moa thought in awe. Just like I always knew.
Kittawake and Moa were now joined by the others, including Rail, who was wiping his eyes to come and stand beside Moa. At least she was the second one to set eyes upon the first glimpse of land. Kittawake at least deserved that. She had hoped for this moment, and now she was living it.
All was quiet for a moment as all the boats registered the sight in their minds. Men and women and children of every age size and color were standing still, watching as they moved closer and closer to the strange land before them. Everything they had fought for, everything they had given up, was for this.
And then there were cheers.
Kittawake was booming with laughter as she slapped a man on the back. "I told you so!" She bellowed in victory.
Rail was even smiling behind his respirator, the edges of his eyes crinkling. "It looks like you were right." He teased Moa, eyeing the strip of land on the horizon.
Moa beamed, her heart pounding wildly. It was everything she could imagine. "I wonder what it's going to be like."
"We'll see when we get there."
There was an odd expression on Moa's face then. A sort of fear mixed with worry and wonder. She gazed at the outline of land that seemed so far and yet so close.
"Rail," she whispered. "I've dreamt of this day." The words were joyous ones and yet her voice seemed so afraid that Rail had to look at her. She didn't seem to notice his gaze.
"But…some of these dreams were not nice ones. Some were terrifying, because when we finally got there…to the land…the people there…" She looked at Rail. "They weren't nice."
Rail clenched his jaw. They had spoken of this before, but it had always been a distant imagining. Everyone was so set on just finding land they never considered the consequences of what would happen if they should.
He cupped Moa's cheek, making her smile timidly. "Don't worry so much, Moa. We'll be together."
"I'm glad you're with me, Rail." She replied, startling him by leaning up and kissing his respirator lightly. It was a quick kiss, as if she were unsure of herself but Rail felt his heart thump heavily.
She hesitated before smiling up at him, her eyes wistful. He took her hand in his, but somewhere inside he felt the burning urge to return her kiss, and the ache in knowing he couldn't.
They would stick together, no matter what. They were connected and bound to one another, but sometimes it felt as though they were separated by a glass determined to keep them apart just enough to create an almost painful longing. The island before them was hope that maybe if a belief was strong enough, it could be true. And the two gazing at the promise before them, knew of nothing more true than their interlocking fingers.
So I was rushing but whateves =P I shall do my best on the next chappie. That is if my muse stops being a beetch and sees this one through.
Please offer suggestions and ideas on a title or plotline or SOMETHING. lol. My muse needs it. =0


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Care in this country is in crisis, whether it is delivered in our hospitals, care homes or people's own homes.
'The Quality Care Campaign' is focused on showing the good side of care, and championing quality services throughout the social care sector.
The unique element of this campaign is that it is devised and led by the social care sector itself, and we are anxious to encourage everyone who works in residential or domiciliary services, to throw themselves behind the campaign and to start redrawing the views society has of the services we provide, and the impact they make.
Key Campaign Issues:
- Call on Government to work with the Independent care sector to develop a new care system model fit for purpose
- Re-define the role of the residential care sector
- Allow market forces to influence the development of care services
- Engage with and treat the care sector with the same respect as other sector small businesses
- Re-define the role of local authorities and commissioners in relation to the care sector
- Restore public faith in care homes and highlight the vital role they play
- Review Health & Social Care budgets to end unnecessary bed blocking
- Introduce sustainable funding for long term care
- Recognise 'quality providers' through independent 'quality' accreditation schemes
- Integrate Health & Social care to encourage innovation and partnerships
- Give genuine choice to vulnerable citizens about the care and services available and where they can receive them
The business model, that the care sector has been developed with over the last 20 years, has fundamental flaws, which have contributed to the 'crisis of care' currently in this country. Without radical changes, the care sector will never be able to contribute and participate in the many exciting challenges and opportunities ahead.
There are lots of opportunities for people to have their say and express their commitment to quality care. We at the Quality Care Campaign want everyone who uses, works in, or knows somebody who has been touched by good care to pledge their support and join this campaign.


text:
Need Appliance Repair Help? Ask a Technician for Answers ASAP
Hello, Thank you for using this service, I will be helping you with your problem today
when you say hold the flap open are you talking about the damper ?
Yes. The image you provided is correct. If I hold open the damper with my fingers, cold air blows in as expected. It would seem as if the control is not opening the damper as needed. But that doesn't seem to explain the icing on the milk chill control slider...
Could the frost issue be caused by evaporation from vegetables in the high humidity drawer directly behind the milk slider?
One more concern, please. If I leave the fridge door open, the damper will eventually open and somewhat cool down the fridge. Do I need to get a thermometer that will check refrigerator temp before I purchase the damper? Thanks very much for your help.
Corrrect.. I held the door open for a minute or so, and I could hear the damper motor running and then the damper opened. It has been 5 minutes or so and the damper is still open. I will get the thermometer shortly. What temp should it be? It has a digital setting from 1 to 7.
Even stranger, now the damper started working again. I wonder if it was "stuck" or something. Temp is now back in the high 30's set on 5, the frost is gone, and it seems to be working fine. So if the damper fails to open again, I should replace the damper assembly, right?


text:
We always choose Red Roofs because of the pet policy and they are always adequate to very nice. However, this one was less than that. The whole motel looked old, located in a ghetto feeling area. The grounds were not landscaped in good condition (having more muddy spots than grass.) Around the facility were areas where someone had just thrown out what was left of a chicken dinner. When walking my dog, I had to quickly grab the bones so that she would not grab them to get stuck in her throat.
Inside, the heater/airconditioner was very old with the markings almost worn off. As a result, we never could get the heat regulated and it was very hot the whole time we were there, even though there was a thermostat on the wall. The whole room had a feeling of needing to be refurbished. The bathroom door had a hole in it, patched instead of door replaced. For such a room and motel, I thought that the $60 a night for a king room, senior, was way too high. For an average type Red Roof it would have been around $45.
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Once you have made the most of your time on land, you will embark on a great cruise around the Red Sea. Take trips to the Valley of the Kings, the great Pyramids or the vibrant city of Cairo, as well as enjoying Jordan's culture.
Red Sea cruise and stay and Egypt cruise and stay holidays 2017 offer the perfect way to combine a relaxing cruise with beach strolls and the most ancient historic sites. Bringing together culture and cruising in the perfect way.
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Ship Rating:
Cruise and Stay
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Congratulations! You leveled up, but you aren't logged in so we can't save your points.
Now this is how you earn a tip! A waiter manages to bring out 20 plates all at once!
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Tags 20, extreme, funny, hold, plates, twenty, waiter
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VideoBash is your first and final stop for free funny videos, games and pictures guaranteed to brighten up your day. The funniest jokes and the most unbelievable pranks caught on tape have been collected in one spot for your viewing pleasure. This is entertainment at its best and no one does it better than VideoBash. These funny clips crackle with humor and they will definitely have you laughing till your sides hurt. Quality is our number one priority and the free funny vids here are the best of the best. There are no mediocre videos here. All the videos, jokes, pranks on VideoBash are the cream of the crop and you'll be hooked from the get go. The best part is you don't have to keep all this good stuff to yourself, you can share all the free entertainment videos with your friends.