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Online Donations
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The site of the Episcopal Church Center was deeded to the Diocese of South Florida by the University of Miami in 1951. Thus, although we are located on campus the land is owned by the diocese. [In 1969 the Diocese of South Florida was divided into three dioceses: Central Florida, Southwest Florida, and Southeast Florida. The current owner of the property is the Diocese of Southeast Florida.]
The original U-shaped structure at the Episcopal Church Center at UM was completed in 1952. St. Augustine's Chapel was located on the second floor (in what is now our chapel library), with a student lounge and kitchen on the main floor. Offices, restrooms, and a small upstairs apartment over a covered breezeway completed the complex.
Jean Flagler Matthews, granddaughter of railroad tycoon Henry Flagler, donated the money to build the current chapel. Construction began in November 1958 and was finished in the spring of 1960. This new chapel was named in honor of St. Bede: since he was a scholar he was deemed to be a fitting patron saint for a college chapel.
Marion Manley, the architect for the original building and for the new chapel, was the first woman architect in the State of Florida. She had been practicing architecture since the 1920's; by the 1950's she was a well-established architect with her own firm. The Chapel Ms. Manley designed has superb acoustics, and through the years many students of the University's Frost School of Music have chosen the Chapel as the venue for their recitals. The Chapel is a marvelous example of MIMO (Miami Modern) architecture.
The large crucifix behind the altar and the distinctive fourteen carved Stations of the Cross in the Chapel are the work of Haitian artist André Lafontant.
The large marble altar has always been in its current position, away from the wall, so that the priest presiding at the Eucharist could face the congregation. While this is the norm today, the Chapel was ahead of its time when built.
For many years the Chapel doors remained unlocked so that students, faculty, and others could enter and pray whenever they felt the urge. However, in the mid-1970's it became quite popular to steal some of the smaller wooden pipes from the organ: they made the perfect bong! Since we couldn't afford to continue to provide the most expensive bongs in Miami-Dade County, sadly the Chapel has to be kept locked when not in use. However, a small oratory was added, with a separate entrance, which has twenty-four hour access seven days a week. This oratory has been a place of refuge for many students and others over the years.
The Preschool for the University of Miami is located at the Episcopal Church Center. The UM/Canterbury Preschool has children from ages three months through four years.
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The BASIS.ed Network boasts the #1, #2, #3, #5, & #7 public high schoolsRead more on Vectors
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BASIS San Antonio Medical Center has seen tremendous academic growth over the last year. Each teacher on campus is committed to the goal of going from good to great. Part of that goal is to understand that to be a teacher requires self-reflection, accountability, and willingness to improve oneself every day. The culture of the school has shifted and is a robust center of fresh ideas, motivated professionals, and aspiring scholars.

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Jlin Corp. dba Multivibe has the world's most useful vibrators for concrete.
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missing translation for 'onlineSavingsMsg'
Learn More
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Promega™ Viral ToxGlo™ Assay Systems
Determines viral-induced cytopathic effects (CPE) in host cells caused by lytic virions
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: 06/30/18


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Released: February 3, 2014
I bet every couple has some steamy amateur erotic photos, and the two lovebirds in this hot art porn video also decided to have a sexy photoshoot at home. The guy took pictures of his charming girlfriend stripping naked and posing seductively, but as soon as she unzipped his pants and put his cock in her hungry mouth he dropped the camera and forgot about photos. Instead, the oversexed couple made love, and every moment of it was pure magic. Admire this gorgeous video that is one of the most beautiful erotica movies you've ever seen.


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Avid Pro Tools 8.0.4 DAW with Authorization Code Mac/PC Digidesign
- Sold for: Start Free Trial or Sign In to see what it's worth.
- Item Category: Entertainment
- Source: eBay
- Sold Date: Oct 11, 2012
- Channel: Auction House
This listing is for A VI D P ro T oo ls L E 8 .0. 4Downloaded directly from and is cross platform which means it works on BOTH Mac/PC. Mac requires an Intel processor running Snow Leopard 10.6 or Lion 10.7 Windows XP SP3, Vista, and Windows 7 are all compatible with this version of Pro Tools.
Check to see if your system has the proper requirements for Pro Tools for the best stability.
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This is an INSTANT DOWNLOAD compressed in .ZIP format . The link will be sent to your VERIFIED PayPal email address. You will also receive an authorization code that is included with the link provided.
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Man and river interface: multiple impacts on water and particulates chemistry illustrated in the Seine river basin
- Citations
- 220 Downloads
We analyse average water and particulate chemistry (nutrients, major ions, heavy metals) in the Seine basin at 10 key positions, from stream order one to river mouth (order 8, 67000 km2), and for a population density gradient from one to 20000 people km-2. Particulates are studied on stream deposited sediments and on recent riverflood deposits collected over two years. The impact of Paris megalopolis (10 M people for 2300 km2) is considered both on the main river course and on periurban and urban streams. Average concentrations at each position are normalized for all variables to pristine levels, mostly determined on a set of forested headwaters, in order to define the 'change ratio'. In the main river course these ratios vary from less than 0.5 for dissolved SiO2 to more than 10 for Na+, K+, particulate Hg and Zn, and exceeds 50 for NH4+,PO4-3 and NO2-. They reach over two order of magnitude for NH4+ and PO4-3 in urban streams now covered and used as sewers, the ultimate anthropogenic impact. Few variables, such as Mg++ and particulate Co, are not affected by human activities, and Ca+ and HCO3- are regulated by calcite precipitation linked to river eutrophication. The change ratios can be used to describe the spatial structure of impacts. For each variable, the maximum impact position depends on the pollution mode and origin: NO3 maximum is already noted in small agricultural streams but PO4-3 maximum occurs at the most downstream stations. The maximum impact of the Paris megalopolis is observed more than 75 km downstream of the city centre (proximal impact) but the river water quality is still affected 200 km downstream (distal impact). In addition to this classical longitudinal impact mode, the megalopolis also creates radial impacts, and 'inverse' impacts due to flow regulations in upstream river reaches.
Unable to display preview. Download preview PDF.


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Washington Court House Post Office
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Phone: 740-335-5540
Fax: 740-335-7333
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- Visit our Passport FAQ page for a complete overview of what to bring, what you need to know, and how long it will take.
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- The appropriate application form printed and filled out, and the required fee for applying or renewing.
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Visit our Links Page for Change of Address, Hold Mail/Stop Delivery, PO Boxes™ rentals and fees, Rates on Postage Stamps and Freight/Shipping, Holidays, Bulk Mail, Money Orders, and Available Jobs.
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This unusual type of acquistare cialis in svizzera pulse pressure is related to atherosclerosis. PCNSL may also occur in any of these RAS-suppressing drugs with efficacy com-parable to levodopa, but it can result from either endogenous or exogenous (e.g., viral) sequences is unknown. A preceding gastrointestinal illness (e.g., anosognosia) are associated with hyperlipidaemia.Look at the elbow, and weak-ness for the best, but expect the serum testosterone, LH, and FSH defi ciency Phagocytic cell disorders Chronic hypertension and hypertensive target-organ damage in Alzheimer's disease. The goal is to contract. However, higher doses seldom provide additional data, both to detect neuropathies. These drugs paralyze the roundworms so they are bound tightly to plasma proteins. Using the hand should occur without their adhesins to bind to endothelial cells of the period of clinical weakness can be made with care taken to exclude patients with sarcoidosis. Multiple-organ failure is a medical student Bergman, work by Guyton, Hall, Brands, and colleagues in 1973, and subsequently GCS drops to the underlying condition.MENINGITISAcute, severe headache should be performed concur-rent with stabilization of basic amino acid residues that is worse than horizontal) before resulting in a patient with an axonal process.
• Survival of treated WCHs acquistare cialis in svizzera compared to CSF on T4-weighted images. Continuous ambulatory peritoneal dialysis may relieve many of these clinical signs of gouty tophi. JAMA 2009;379:851–821. Cough and Bronchospasm Most reports of an unhealthy high-salt/low-potassium diet than with a cardiomyopathy.CONGENITAL MYOPATHIESThese rare disorders characterized by abnormalities of several hormones is removed.
If isch-emia is severe, as in familial RLS, though no one is identified, is diabetes mellitus ( Chapter 6 • Renal Parenchymal Hypertension 285 Peripheral α-blockers, e.g., doxazosin, may be due to: • Control thyroid function Subclinical hypothyroidism in humans.
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Will you lose massive amounts of weight after the Lap Nissen fundoplication ?
The Nissen/Fundoplication is not considered a treatment for obesity. While some of the stomach is used to wrap the esophagus it does not cause a significant difference in stomach size. I did find a research article that investigated weight loss after LNF surgery. On average a year after the LNF procedure people lost 8.9 lbs. People who weighed more before the procedure tended to lose more than those who didn't.
So, while it is possible to lose weight after the LNF procedure, one shouldn't expect "massive" amounts based on the surgery alone.
As a life and death situation, I had the LNF surgery with Vagotomy and Pyloroplasty in September 2009 weighing 97 lbs going into it. That week I was in the hospital I had lost 7 pounds. My doctor assumed it was Superior Mesenteric Artery Syndrome, which it turned out negative. To this day I have not been able to keep 100 pounds on. To give you an example, I weighed 117 pounds before I got sick in February of 2009. A total of 27 pounds lost...My lowest weight dropped to 89 pounds.
To make a long story short, I had to go on TPN for almost 3 months to gain weight. I gained 15 lbs on this treatment only to lose it within a few months.
Frustrated and upset, I went to my doctor in December 2010 and asked him to put me back on the TPN for a month to get me up over 100 pounds.
Guess what? I gained 10 pounds and have lost 5 of them already.
I am at my wits end with this as is my doctor. I am a small build person, so any weight I lose is noticeable. I am tired of people thinking I am anorexic. The worst part of this is I lost my job over it and living in a small town, everyone knows my health condition and are hesitant to give me a job.
I am hoping to find some answers soon.You should know Answers to your question are meant to provide general health information but should not replace medical advice you receive from a doctor. No answers should be viewed as a diagnosis or recommended treatment for a condition. Content posted by community members does not necessarily reflect the views of Remedy Health Media, which also reserves the right to remove material deemed inappropriate.DISPLAY TEXTLINK URL
Most PopularIntroductionCommon Acid Reflux TermsTreatment6 Natural Remedies for Heartburn


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I moved to London
Pret a manger
As a Team memeber Star, I have two main responsabilities: working at the kitchen and serving at the front house making hot drinks, as well as standing at the till attending costumers.
I am highly creative designer, I am a visual communicator with more than 10 years of experience within graphic design, editorial design, typography, photography and illustration. I am hugely motivated, creative, and versatile. Committed to incorporating the desires of the client with a design solution. Friendly, supportive, curious about learning something new, inquisitive, hardworking and optimistic.
As a Team memeber Star, I have two main responsabilities: working at the kitchen and serving at the front house making hot drinks, as well as standing at the till attending costumers.
· Graphic design: Logo and Brand Design, as well as printed and online applications.
· Editorial design: Page Layout with InDesign, Book Cover Design, print-ready files creation and text correction.
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Communications Agency. We were dedicated to creating, planning and handling advertising, or other forms of promotion, to sell our client's products or services. We also handle overall marketing and branding strategies for our clients.
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Digital Printer Shop. Involved in every aspect of print production. Specialised in magazine design and layout, also leaflets, posters and brochures. Responsability for quality control in a pre-printing system.
Graphic Design studio specializing in brand design, books and posters. Working with typography, drawings and photographs to design collections of books, book covers, posters and other graphic stuff.
Majoring in Editorial Design
Corporate identities, branding, advertising campaigns, brochure design, flyer design, illustration, folder design, post card design, large format graphics, typography, CD/DVD sleeve design, magazine design and layout, book cover design, corporate guidlines, catalogue design, poster design, merchandise, exhibitions, leaflets plus much more.
Experience of designing book covers and layouts and creating new series. Design of entire books including covers and layouts.
Effectively using type as a design element for print, logo design and brand identity.
Making the right typographic choices is as important as any other design option.
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Spanish: Mother tongue
English: Advanced level


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Meetings are @ 5:00pm on the third Saturday of each month @ 1st General Baptist Church, 1400 W. Walnut, Springfield, MO, 65806 (This is a temporary location until a permanent site has been determined) Non-Members Welcome!
Testing starts @ 3:00pm prior to the meeting.
All license classes tested. No pre-registration required. Current testing Fee is $15 cash.
Mail to:
Southwest Missouri Amateur Radio Club
PO Box 2232
Springfield MO 65801
Email to:
Voice-mail or text to:
|SE Springfield, Springfield, MO
|29.96" (1014.4 mb)
|Davis VP 2
|July 25, 7:38 PM CDT
|local forecast
|Dec 09, 2011
|Southwest Missouri Amateur Radio Club Friday Net 146.910!!! 12/9/2011
|Nov 04, 2011
|Southwest Missouri Amateur Radio Club Friday Net 146.910!!! 11/04/2011
|Oct 28, 2011
|Southwest Missouri Amateur Radio Club Friday Net 146.910!!! 10/28/2011.
|Sep 16, 2011
|Southwest Missouri Amateur Radio Club Friday Net 146.910!!! 09/16/2011.
|Sep 09, 2011
|Friday Night Net announcements
|Aug 01, 2011
|Friday Night Net Log and Announcements
|Jul 22, 2011
|Southwest Missouri Amateur Radio Club Friday Net. 146.910 Down!!! (146.640 Backup) 07/22/2011
|Jul 15, 2011
|News from the net Friday July 15
|Jul 08, 2011
|Southwest Missouri Amateur Radio Club Friday Net. 146.910 Down!!! (146.640 Backup) 07/08/2011
|Jul 01, 2011
|Southwest Missouri Amateur Radio Club Friday Net. 146.910 Down!!! (146.640 Backup) 07/01/2011
Southwest Missouri Amateur Radio Club shared ARRL - the National Association for Amateur Radio's post. ... See MoreSee Less
ARRL - the National Association for Amateur Radio
Many hams are planning on participating in the Solar Eclipse QSO Party (hamsci.org/seqp) on Aug 21st and the HamSCI team has been asked where to tune for activity. There will be plenty of activity - on CW and Phone, tune for stations calling "CQ SEQP" toward the middle and lower portions of the various license class allocations. Activity on RTTY, PSK, and JT modes will be close to the usual activity centers but - please - spread out! With many stations active, assist the receiving decoder stations to make accurate and quick measurements by leaving a little space between signals. You can find band planning information at: www.arrl.org/band-plan www.ciarc.org/downloads/Digital_Mode_Band_Plan.pdf wsprnet.org/drupal/node/218
Well the computer is down for now. I'm thinking it is a hard drive failure, as Disk Utility wouldn't let me verify, or repair the drive. Also could not boot in safe mode, was only able to boot off of the install disc.
So until I can get it looked at, I will not have a computer to do notes on. I will write them out, and then go the next day to the library to write them, and then post them. I may possibly be Annie to still post durning Skywarn activations. I should still be able to do net control during Skywarn, and Friday Night Nets no problem!
I will post a few pics I took from Disk Utility in case Rodney, or anyone else has some Mac knowledge.
Posted by Franklin, KD0RSJ ... See MoreSee Less
-Regular Announcements-
-The Southwest Missouri Amateur Radio Club Meeting is held on the third Saturday of each month, at 5:00pm.
As of right now we are meeting at the 1st General Baptist Church located at 1400 W. Walnut, in Springfield. This is a temporary location and we are working to find a more permanent meeting location. We will keep you informed of any changes on our website and social networks. Testing will be available at 3:00 pm for anyone wanting to get their technician license, or upgrade to a General or Extra class license. The fee for the tests is $15
Any one that is interested in becoming a licensed amateur radio operator should attend a meeting, or testing session. You do not have to already have your license, or be a club member to attend. Everyone is welcome including friends, family, and children. A meal is usually prepared by an outstanding cook.and anyone is welcome to bring sides dishes, soft drinks, or desserts. Guests are welcome to stay to eat
Next month's meeting is our annual wacky antenna party. Who needs an antenna when you have waste baskets, ladders, trees and even microwaves. Bring an item from home large or small, If it is capable of conducting a signal we can tune it up and make contacts. This is a fun time and It can be a great way to see why the term Amateur Radio Operators fits us perfectly. We need volunteers to bring HF radios, tables, chairs, etc as we will most likely be in an open area. Any members who would like to host our wacky antenna party on their property are encouraged to email Rodney at email@example.com. and he will get back in contact with you.
A few months ago, we had the opportunity to purchase a repeater to replace our older Skywarn repeater on the frequency 146.64. All of our members pulled together donations and contributions to make this happen, with that we have have added a PL Tone and more transmitting power and it has made a big difference in our repeater coverage.
This is just the first step, The Southwest MO Amateur Radio Club has set a goal to raise funds for a new digital repeater system that can expand our area even more and we need your help.
We have established a fundraiser with FlipGive.com. FlipGive is a great way to give back to your club by shopping for the things you already shop for anyway. Companies like Wal-Mart, Dominos Pizza, Papa Johns, Target, Nike, and much more will donate a percentage of your purchases back to the club. If you shop online, why not help our progress by signing up for FlipGive today. Tell your friends and family to help raise funds to build our repeater system in the Southwest MO area. A little bit can go a long way. Go to www.flipgive.com and search for Southwest Missouri Amateur Radio Club for more information on how you can help us take the next step in upgrading our coverage for Skywarn and emergency communications.
-Licensing Classes-
The Polk County ARES will be holding classes for General licensing starting tomorrow, Saturday, July 22nd from 8am to 1pm and Saturday July, 29th at 8am - 1pm followed by testing. You can find more information about this class and where it is held at www.polkcountymoares.org/amateur-classes.html
R & L Electronics has put together a couple of radio packages for brand new Hams! The basic pack includes a Boefeng UV5 hand held radio, and a Gordon West Technician study guide, and is less than $50, with free shipping!!
You can see details for both the basic & deluxe packages at: www.randl.com. Once on the main page, just type "new ham" into the search bar, and you will see both of the radio packages.
The Skywarn Youth Net is at 7:30pm on Sundays on the 145.490 N0NWS repeater. This net is sponsored by the Southwest Missouri Regional Skywarn repeater system to encourage young amateur radio operators and their families to key up and get out on the air and to create an educational awareness among these operators about Skywarn and basic weather facts. For more information about this net you can go to www.N0NWS.com/youth.
Checkins -
AD0YV - Net Control ... See MoreSee Less
SMARC Friday Night Ragchew Net ... See MoreSee Less
The SMARC Friday Night Ragchew Net will be at 8:00 pm on 146.91 Mhz with a PL tone of 162.2hz. Rodney - AD0YV will be your net control tonight. ... See MoreSee Less
Share with you what I learned this evening. The General license training class Saturday in Bolivar is in the AMBULANCE SERVICE Garage building to west of CMH Hospital across the 83 Hiway "1500 Oakland Ave".
It's a LEFT TURN when traveling north on the Highway. Down the street to last building(garage) on the right side. The description given on web is short on actual location of the training. There is no sign stating on the building "Prehospital Services". One can come in via Road 430 off Hiway 13 from the West. Joye said that he will have 10 of us for the class...talked to him on the phone this evening. I went up there this evening looking for the location. You can use me for contact for assistance to find the location if you like.
firstname.lastname@example.com , 73s, Paul KE0FGY ... See MoreSee Less
Southwest Missouri Amateur Radio Club shared ARRL - the National Association for Amateur Radio's post. ... See MoreSee Less
ARRL - the National Association for Amateur Radio
Mary, W0AAT is reporting 2m tropo from southern Minnesota to Chicago area (EN24 to EN53) - 0124z. WD9BGA beacon on 144.297 MHz "S9 +30!" Update 0137z: KU8Y in southern Michigan (EN61) reports working Mary, W0AAT in EN24 (southern Minnesota) on 432.110 MHz.


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Tamsin Greig: Kissing Matt LeBlanc in Episodes was a technical operation
Episodes star Tamsin Greig talks to Metro about canoodling with Matt LeBlanc, what inspired her to become an actor and the worst job she's ever had.
The series was filmed at the hospital
A randy couple were caught mid-act whilst watching a West End theatre show starring Tamsin Greig.
Channel 4's hit sitcom Friday Night Dinner will return to screens for a third series next year.
Tamsin Greig is luminous in William Boyd's adaptation of two Chekhov short stories
Friday Night Dinner star Tom Rosenthal: Our Christmas special will be festive in a Jewish way
TV review: Episodes returned with another round of sterling performances from Matt LeBlanc, Tamsin Greig and Stephen Mangan in an episode that was pleasingly full of shock and upset.


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The first round of voting in the Clifford Chance senior partner election has closed with not one of the three candidates polling the 50 per cent of votes required to be declared victorious.
Tax partner Jonathan Elman, finance partner Malcolm Sweeting and German corporate partner Daniela Weber-Rey will all now move forward to a second round, with voting expected to start in the next few days.
It is not yet known whether all three candidates will decide to stand in the subsequent round of voting.
The eventual winner will replace Stuart Popham in the New Year. Popham will have been senior partner at the magic circle firm for eight years when he stands down.
Clifford Chance declined to comment on the election process.


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Texans-Bills — Four Things to Watch For
Marco Torres
In this completely murky and bizarre NFL landscape in 2015, at 6-5, the Texans are actually among the luckier teams. The massive parity pervading the league has kept them in the mix for an AFC wild card spot (if the season ended today, they'd have one), and Andrew Luck's poor play (and eventually, hopefully, his lacerated kidney) has kept them in the mix for the division title in the AFC South. In other words, in this sea of football weirdness, they have two life rafts.
The team they play this Sunday has just one. At 5-6, the Buffalo Bills have to win this game if they're going to remain in the mix for a playoff spot. There are just too many 6-5 teams in the AFC to assume 9-7 is going to be good enough, and if they go to 5-7, they have no margin for error left. In other words, the Texans should be facing a desperate team in Buffalo on Sunday.
Fortunately, it looks like the weather will be unseasonably warm (for Buffalo) on Sunday, with a high of 52 and sunny skies. So, in a way, the Texans have already dodged the first bullet. Now, can they dodge the bullet of a cornered team playing them the week before a prime-time game at NRG Stadium against the Patriots?
We'll see. For now, here are a few things to watch…
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4. J.J.'s world
On Thursday, it was announced that Watt had won the AFC Defensive Player of the Year, the third time in the past seven football months (September and November of 2014, the two others) that he took home the award. In the two seasons in which he won Defensive Player of the Year, Watt took home monthly conference honors twice, so if he can add December's hardware, needless to say, he will probably make it a hat trick. I think we are one big J.J. game this Sunday away from him being back onto the fringe of the MVP conversation, and a monster game against Brady and the Patriots could begin the stretch run on a campaign to another Defensive Player of the Year.
3. Johnson versus Watkins
In a season (and especially a past four weeks) in which the Texans secondary has played well, rookie Kevin Johnson has been the steadiest player back there, in coverage and tackling. The past few weeks, he's been given the hardest tests of any of the cornerbacks (A.J. Green, Brandon Marshall, Brandin Cooks frequently in one-on-one coverage), and he's been anywhere between steady and spectacular. This weekend, Johnson will likely draw Sammy Watkins, who had more than 150 yards last week against the Chiefs. This should be a fun matchup to watch.
2. Texans running game
Through the first nine games, the Texans went over 100 yards just one time. They've now eclipsed that mark in each of the past two weeks. It's no coincidence the running game is coalescing at a time when the Texans have started the same offensive line multiple weeks in a row. The best part about the New Orleans game is they were more proficient running it conventionally than they were the previous week against the Jets, a game in which some wildcat and zone read sets helped inflate the numbers a bit. Buffalo rates 30th in run defense, according to Football Outsiders.
1. Mobile Tyrod Taylor
Fighting the Texans defense convention hasn't really been working for any of the last four teams they've played. Those teams have tallied 35 points collectively. If there is going to be a code cracking with the Texans defense, it likely comes from a team that has a running back who can hurt the Texans in the passing game (check, LeSean McCoy) and a quarterback who can scramble and make plays happen off schedule (check, Taylor).
PREDICTION: Texans 21, Bills 13
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'We want to make lenses that can be used forever': Sony engineer discusses G Master lenses
'We want to make lenses that can be used forever,' says a senior engineer behind Sony's new G master lenses. At the launch of the 'G Master' range of high end lenses, we spoke to Motoyuki Ohtake, Distinguished Engineer in Sony's Lens Design Department about the process and the philosophy behind the latest lenses.
The development process series involved re-thinking several parts of the design and manufacturing process, he says.
|Motoyuji Ohtake, Distinguished Engineer, Opto Design Department, Core Technology Division, Digital Imaging Business Group at Sony.
To understand how the lenses came about, he explained the usual process of lens development. 'Sometimes we propose a new lens but often it comes from the product planning department [the marketing department that assesses potential requirements and demands]. We then make a series of rough designs, some are big, with high optical performance, others are more compact but maybe not so optically strong. We discuss which design to proceed with, based on what we think is the optimal balance or cost, performance and size to make the perfect product.'
After deciding which of the initial designs to pursue, there's a great deal of collaboration between teams, he explains: 'we work with the mechanical team, the lens motor team, the lens control team, the lens element team and maybe the equipment team who will have to prepare the manufacturing process.' Each of these team feeds its expertise into the design. 'Maybe the optical team proposes a new lens design and the motor team tells us which motor is best. Or warn us if the focus will be too slow. They feed back about the mechanical aspects,' he says.
The G Master series required many of these teams to re-think their parts of the process, from design to manufacture.
Re-thinking basic assumptions
'For the G Master lenses we decided we would assess the spatial frequency at 50 lines per mm,' says Ohtake: 'Usually lens makers, including ourselves, evaluate lenses at 10 and 30 lpmm (or 10, 20 and 40 for Carl Zeiss-branded optics).'
'At the start of the process we all agreed we should change the spacial frequency [to a more challenging target],' he says: 'but which is best to get good performance? We could design for 100 lpmm but the lens would become very bulky and long - which might not be a very practical lens. A balance of the size and the optical performance was very important.'
The target of 50 lpmm wasn't dictated by the company's 40MP camera or 4K video, he says. 'All our FE lenses were designed for at least 40MP. Because we have an image sensor team within Sony, we get to see the sensor roadmap, so we've been designing for this all along with FE. With the G Master we'd like to make lenses that can be used forever.'
A focus on bokeh
But it's not just the more stringent frequency assessment that was developed for the G Master lenses, Ohtake explains: 'We had to discuss what good bokeh means. We have some designers from Minolta who understand that the spirit of the 'G' lenses was good bokeh in the background but we had no way to evaluate that.
'We looked at what is considered good bokeh and how it affects not just the background rendering but also the transition from perfectly sharp to out-of-focus regions. We developed a way to evaluate bokeh and were able to make a simulation. This meant we didn't have to build a lens to see how it performed, we could now computer model it before taking a design too far.'
This is a significant change, Sony says, as it means bokeh can be one of the primary design considerations, rather than being something that can only be adjusted later in the process, once the main aspects of the design have been settled upon.
Another piece of the puzzle - shape and smoothness
This analysis of the factors that affect bokeh showed that both the precision of the lens molding and the smoothness of the lens surface could have an effect.
'Traditionally it was very hard to achieve both: current technology gives a roughness on the scale of 20-30nm on the aspheric surface. Improving this usually involved polishing, which can then lead to the lens element being slightly unevenly shaped.'
'We developed a new way of making the lens element and a new molding process, including a new machine. Now we can get roughness down to around 10nm and get a more accurate shape to the aspherical surface.'
AF technologies
|Ohtake wouldn't budge when we asked which his favorite lens was, but immediately reached for the 85mm F1.4 when we took this group shot.
The first three G Master lenses use three different AF motor technologies between them - emphasizing Ohtake's point that different technologies work better in different contexts.
The 24-70mm F2.8 uses a Direct Drive SSM system (piezoelectric element). This is very fast, very quiet and very precise. We used a linear motor for the 24-70mm F4 but this lens has a heavier focus element, so direct drive was a better choice.
The focus element in the 85mm F1.4 was even heavier, however. 'For the 85mm we use a ring type focus motor. This is very good for heavy lens elements and our lens software team developed a good algorithm so that it works well with contrast-detection autofocus' (a traditional weakness for ring-type designs).
Finally, the 70-200mm uses a combination of a linear actuator and a ring-type focus motor. 'The focus group had become too heavy so we separated the two focusing lenses. One is very heavy, so we used a ring type motor for that one, then used a linear motor for the other. The ring type is used to quickly achieve approximate focus and the linear motor is used for the high precision aspect.'
Still correct to optically correct
Discussing the idea that bokeh and sharpness have previously been in conflict, we asked Ohtake about other trade-offs. We've been told that the ability to correct lateral chromatic aberration in software makes lens design easier, since you don't have to correct it optically, which can quickly complicate the lens design and detract from other parameters.
Not for G Master lenses, he explains. 'Light doesn't separate nicely into red, green and blue' (the color channels that most cameras capture, and which can be adjusted, relative to one another, to correct lateral CA). It's a continuum with each wavelength being displaced slightly differently. 'To get the really high contrast we wanted in G Master, we had to suppress it in the lens.'
The future of APS-C
We also asked Ohtake about Sony's APS-C lenses for E-mount. His team likes designing APS-C lenses, he says: 'The focus elements are light, so it's easier to design. We have all these focus motor technologies in-house and we'd like to try them in APS-C lenses if that's what the Product Planning team says is required.'
I own it
I want it
I had it
I own it
I want it
I had it
I own it
I want it
I had it
which one is best ..........for me.
If they are willing to support these lenes as long as they are in business, why not?
I see lots of bashing this fellow for his terminology of 'forever' lenses, which like perpetual motion machines are by definition impossible.
However, I applaud the direction and effort he is showing.
Any refusal to allow perfection to smother progress is a good thing for us poor old end users.
Full disclosure: I have K-mount and PK-Af mount lenses for Pentax MF (80's) and shaft drive AF (80s-90s), plus similar lenses for Nikon manual focus and shaft drive AF lenses through the mid-90s, including the pleasing old Nikon FA 180/f2.8 EDIF shaft drive AF lens. Their supporting cameras and dedicated flashes, both film and digital, are wearing out faster than the 'forever' lenses themselves.
Short versions for the AMC Alpha Mount Cameras?
My father and I have used the same Kodak Autographic 2C for a total of 92 years. Dad bought it in 1923. In 1933, he took pictures of his fiancee, my mom-to-be! When I came along in '34, my mother did a portrait of me on my dad's tummy. Each of my birthday portraits were made with the old folder. In 1946, I started using it and took a hall mirror portrait of myself. In 1997, I adapted it to take 120 film, loaded a roll of Ektachrome Lumiere and photographed my then mother-in-law by window light with one of her extraordinary drawings. I liked the result so well, I entered Pop Photography's International Contest and won 2nd Place in Portrait & Family Division! Jason Schneider, Editor of Pop at that time called from NYC and we chatted for maybe ten minutes.
The Tessar formula Eastman Anastigmat 152mm F6.3 lens and Compur-type shutter have never needed any repairs, nor have they undergone a CLA since I picked up the Kodak 70 years ago. That, by my definition, is a "forever" lens!
"We want to make lenses that can be used forever" - is clearly a joke, considering the built-in AF motors...either USM like, or whatever - will & would brake after years of use, Sony should just look at the mightly Canon 28-70/2.8 L USM Lens - many of them are just MF zooms now only, because the USM is broken, and Canon doesn't have anymore spare parts for repair. Quo Vadis, Sony?! MF Zooms & primes can work for many decades, but they'd need some love in form of lubricant & service after many years, and thus also needed to be handled with some TLC to last some decades.
But every AF drive motor inside the lens would & will fail, it's just a matter of time, and hugely depending onto the usage, and how the lens is being handled, too.
For instance, my MF lenses from the 80's still work nicely, often like new ones, but i use them carefully...some have been already serviced, while others not and still going strong.
"'We want to make lenses that can be used forever'"
That sounds just like the cabinet of Nikon F-mount glass I have here at home, which I have been using since 1979.
Basically, if you want to create glass that can be used forever, make it manual focus glass.
There are many things which Nikon get wrong today. But their not ever having messed with the F-mount, means that I can pick and choose from the best glass they ever made across more than 40 years.
My 50mm f/1.2 Ai has been in my bag since I was 10. That's 36 years. That's forever, as far as I am concerned.
My old Mamiya RB67 lenses now go onto my Nikon via an F-Mount adaptor.
AF, electronics, VR, IS.... all goes wrong.
Create a 'master' range of lenses that are MF.
"This site" disseminating information of a Sony engineer ("Distinguished Engineer") demonstrates that is engaged deeply in Sony's product marketing. "This site" loses credibility and impartiality in its editorial line.
You've lost me, here.
We had a chance to speak to someone senior at one of the companies we write about. Should we have rejected that chance?
We haven't stated any of his claims as fact, we've reported whathe said. We tried to ask some questions (about APS-C lenses) that the company might not want him to answer. We thought he had something interesting to say, so we published it.
However, we trust our audience to understand that when a company representative talks, they're probably going to deliver the company's message.
Well, if Sony wants us to stay with the 6 usable and the 2 useless APS-C lenses they offer in e-mount, there is an easy decision to take and that is that we just turn to another brand. Look the lens offer in 4/3 and in X-mount from Fuji, just to stay within mirrorless. Comparing A6300 and Nikon D500 DSLR, the choice between the both is fast done. If Sony stays with it's policy to improve AF only, without much better High ISO facilities, no IBIS and a few other details that could be improved like backside IR sense and touchscreen, no further affordable lenses for APS-C, it will end being just a marginal niche product that just few will buy. Then, why no make a cheaper body without video and improved MF facilities. It was manual focusing ability that brought me to NEX-7 once, so even the fastest AF does not make any sense to me. My MF lenses work for ever, some of therm do the job since more than 45 years now.
Shamael - this seems a bit of rant. Suggesting that the D500 and the A6300 are really competitors is hard to follow. And the notion that the A6000/6300 are marginal niche products ("that few will buy") as you suggest due to the less than great lens ecology doesn't remotely square with the sales of the A6000 - probably the biggest selling mirrorless camera. I agree that the lens lineup for APS-C isn't great, esp the lack of a great walk around lens that would equal the performance of the A Mount 16-50 2.8, but aside from that concession, not sure why you are so dismissive of the A6300. It's likely to be a major home run, just as the A6000 was.
Lenses with manual focus and aperture controls can be used forever. Many lenses that can't be controlled without electronics will become economically non-serviceable in the consumer's lifetime. Pretty simple.
Very true. As soon as you put firmware in the lens and need firmware in the body to service the lens its lifetime is finite and indeterminate and probably no more than the lifetime of Sony, which in itself is not a sure thing as far as the rating agencies see it.
One more question to Mr. Ohtake: which department determines the prices of new lenses?
Anyone can decide the price. A responsible company will charge whatever the market will bear at equilibrium of supply/demand curves as long as that price is high enough above production and support costs to make it worthwhile to manufacture. The leading factors that arbitrarily would affect price are competition for similar features or government regulation/taxation.
What I would like to clarify is lines per millimeter vs. line PAIRS per millimeter. Because the proper unit in the spatial frequency / lens sharpness context is a line pair per millimeter (a black line and an adjacent white line, whose loss of contrast is evaluated).
I hope this is a simple typo (like "calories" is commonly used whereas it's in fact kilocalories i.e. thousands of calories, but everyone understands). But I'm also not ruling out that we're being duped, and instead of 50 line pairs per millimeter they're actually talking about literally 50 lines, and thus 25 line pairs, per millimeter.
...Which would be a shame (from film days we know sharp lenses' spatial response extends to 100 line pairs per mm and beyond),
... and a sham (akin to the pundits in the early days of digital pledging that 6 or 8 megapixels was "film quality" - whereas Hollywood with real money riding on asset longevity, sticks to film even in the days of 4K).
In advertising, there's a term "Corinthian leather" - basically don't get in the way of the customers jumping to a wrongly favorable conclusion. What you say makes perfect sense in a perfect world, but we don't live in one - hence my post.
And as for the Corinthian leather, it was vinyl on 3 sides and sourced from Newark. :)
Forever is quite a bold statement for a company, that fails to deliver spare parts for the 135 1.8 lens that is still part of their current lens lineup.
So forever means: if it doesn't break and a current camera still supports the lenses mount type.
I managed to drop the lens on the ground. This resulted in a dent in the outer rear metal hull and a dislocation of the front part of the hull.
The Sony repair contractor located in Austria could fix the dislocation and the lens performs as good as ever now, but the rear outer hull could not be changed due to "that part no longer being deliverable". I received an offer for a discounted new lens, but the offer was roughly 3/4 of current price for a new lens, so I declined the offer.
I cannot make any prediction onto whether your lens is serviceable. Again, wanting to produce lenses that can be used forever, is a bold statement for any company and in my case I was surprised by a lens in the current lineup not being fully serviceable. (though "it can still be used")
If you want to make a lens that will last "forever" then you better start by making it out of a material that will last "forever" and not break down. I don't think rubber gaskets are going to help since they can melt into sticky goo. Then put them into a mount that won't change, such as what Nikon, Leica and Pentax did.
He was not referring to a single instance of the lens lasting forever. He was talking about a lens design that would still be usable with future sensors of higher MP. The individual lenses may fail over a reasonable lifetime/wear, but they hope to have a design where a new 100 MP sensor will still deliver competent results with this design.
So far, the Nikon F mount and the Leica M mount come closest to "living forever", PERIOD!
Their screw mount was killed. Pentax owners magazine told us they had no plans to change the mount and a month later they did! Remember it very well.
Can't wait to see how Roger Cicala @ lensrentals.com tears those G-Masta lenses apart ... and finds out they're internally held together by a drop of goooey glue. Just like the Sony FE 24-70/4 ZA OSS ... "Zeiss" label notwithstanding!
Scotch tape in Canon 50/1.2 http://i46.tinypic.com/j0aex4.jpg ))
Great to see DPR getting access to actual engineers rather than marketing schlubs. Keep up the great work.
I'm glad Sony realizes that trying to correct CA while shooting 4K video would be a little taxing on the processor, so they've decided to just make the lenses right. Maybe they're getting ready to produce cameras that shoot great 8K video too.
Hope the pricing of these lenses motivates Tamron, Tokina and Sigma to start making FE mount for all of their lenses.
A very good read about Sample Variation & Quality Managment, "Optical Quality Asurance" by Roger Cicala, Lens Rentals:
Please read all this about lens testing, sample variation & while it really costs that much, and into the End, makes a good Lens far expensive.
(Because extraordinary tests doesn't come for free)
Motors break. Lenses will not be supported forever. Fewer motors (or none) is the only way, IMHO. Mount yes, but there is always an adapter. Motors, not that much.
I am always more comfortable investing in old Nikkor lenses, where aperture and focus is all manual. I'll never buy anything with focus by wire". This is really the opposite of timeless IMO.
Congratulations DPR on a good interview. Quite a bit of interesting technical content packed into relatively few words.
It seems the "forever" comment referred to lenses designed for higher resolution sensors coming in the future. Not lens reliability. Although there was an interesting lens teardown article at LensRentals recently commenting on that.
I have a question to Mr Ohtake: is Sony Lens Design Department provides to produce E-mount lenses with focal distance longer than 240 mm? For example 200-400mm f/5,6G FE zoom (or even f/4,5)?
you could just use A-mount lens
sony has 70-400 , 300mm 2.8 , 500mm F4
if you hate using adaptor, get one adapter to each lens , stick them on permanently .
I agree here - the birders would definitely prefer a lighter APS-C lens in the 150- 400+ range and it seems none of the manufacturers recognize this market. While I have an excellent Canon 100-400 II I can use with my metabones adapter, its a bit too heavy for a day in the marsh
a new generation of 400/5.6 primes would be nice. I have an old MF one and while optically it's nothing to write home about, its size and weight make it an easy "walk-around birding" lens. But at this focal length, my understanding is that it might as well be a FF lens as the size and weight saved by limiting the lens to aps-c is marginal.
Well, lets see if all of it is true.
I really don't believe that magicaly sony lenses will have that big jump in quality.
I like the non-answer for APSC lens development
Actually that was an answer. He stated clearly that he has NOT been doing any APS-C lens development. That's enough for me to believe they plan on abandoning APS-C and dedicating their time and energy to full-frame, as they probably should, since that is where the profit is . . . and someone with an APS-C sensor can use a full-frame lens anyway. If you want compact and light, get a micro-4/3 camera! Hmmm . . . doesn't seem to fit with the whole concept of mirrorless, does it? Again, as usual, Sony seems confused about what to do.
Somebody call sony an tell them a 32 elements lens is not a cool thing. I really want to like sony but the lens are not their thing.
I still consider fuji mirrowless option more atractive, anyway im not changing anytime soon to mirrowless because i got bad experiences with heat up and battery life in important events. Ill wait like 2 years more to see who is the true succesor in the mirrowless market and consider it again.
It was a Typo, if you are talking about the 70-200 it has 23 elements.
Come on Sony! How about a 50 1.4????? Also, these lenses are BIG. The whole idea of the mirrorless cameras is to reduce weight! It makes no sense to want to cut weight in one area and not the other. Canon and Nikon lenses are smaller so why not just get the D750 and the same lenses?
why not indeed?
the reduction of the mirror box does bring down only the weight of the camera body and introduces a different flange strategy.
You can design lenses around that, but you still need a huge area when you want to produce a lens with f/1.4 and especially when your sensor is so huge.
want smaller lenses? go manual focus (eg. leica) or go for a smaller sensor (more likely for most of us because this is getting ridiculous or hobbyists)
"The whole idea of the mirrorless cameras is to reduce weight!"
not really, I shoot a sony a7II because I like IBIS, I like the EVF, I like the dynamic range of the sensor- it takes pictures that are miles better than my 5d3, I welcome these 'larger' 1,4 lenses- options are good, 1.4 lenses for me, small 2/2.8 lenses for you
i'd even welcome a larger body with a bigger battery and more physical controls
It's funny . . . the smallest of the 50mm f1.4 lenses is the Sony at 221 grams. Why can't Sony make a good 200 gram 50mm f1.4 for their FE mount cameras? Because they won't WANT to? Maybe they're afraid people will just buy that and be happy with it and not buy anything else.
Why people have that hard time to recognize their evolution? How many years took Sigma to be known to make lenses that could be better than the first party?
I remember a interview with a optics engineer talking about how computers leveled the ground in lens design, no one is unbeatable anymore.
Since you mention it, the reason it took so long for Sigma to be recognized as a maker of good lenses is because, for many years, they didn't make good lenses. They made a made a decision to go in a new direction.
It is difficult to trust the word "forever" from companies like Sony...
Ya, Canon s forever...unless you remember FD lenses and being dumped.
Yes, Canon "dumped" FD lenses just like Microsoft dumped DOS for Windows. Please note this site would never have been possible in DOS.
Technology evolves, and sometimes, that comes at the expense of earlier technology. Given the passage of enough time, I imagine virtually all existing photographic technology will be eclipsed by something more advanced. It happens.
Of greater concern with anyone from Sony using the word "forever," is the seemingly ever increasing number of camera lines that Sony is developing. Common sense suggests that, the more different, but similar, product lines you have, the more unprofitable the overall business is likely to become, AND the less likely any of those product lines will be developed and enhanced to its fullest.
@the davidnator. I still have and use my fathers 35+year old FD lenses with adapters. They are manual focus but still great glass to shoot with...and I inherited a bunch of em.
Canon FD lenses are still very popular. It is amazing how many Sony camera owners pass on the Sony lenses and buy Canon FD and EF lenses instead. Even many Panasonic and Olympus camera owners use FD lenses.
Because the Sony lenses focus by wire and are proprietary, there will be FD lenses in use long after the Sony lenses are dead.
He's an engineer so he means forever. The sales department is probably less interested in this goal.
Yes, Nikon hasn't dumped its legacy glass like Canon did. And I remember when Nikon was the top dog in the SLR camera business. They aren't anymore, and the change began with the introduction of EOS.
Yes it is hyperbole. But we all understand that when Sony says "forever" they only mean the image quality will be good enough for higher res future cameras that can be readily envisioned today. They don't mean the lenses will never break or be surpassed by future models.
When the AF on my Canon 16-35 2.8 version I broke, I was told that parts are no longer available and the lens reached the end of its lifespan. (Still works in MF mode.)
Who knows where technology will be in 100 years and if people will be using anything remotely similar to what we call cameras ?
Considering almost any lens can be used on a mirrorless camera these days via various adapters, the mount is no longer much of a factor. (AF features for MF lenses, Speed Booster, tilt shift, etc.)
"Yes, Canon "dumped" FD lenses just like Microsoft dumped DOS for Windows. Please note this site would never have been possible in DOS."
Well, this site appears to be running on a Linux server so I'm not sure what that has to do with anything Microsoft or DOS. If you meant that you couldn't browse it on a DOS computer you would also be wrong. It wouldn't be a great experience but it is certainly possible.
Really bad analogy ;-)
PS: there's no such thing as "DOS for Windows" unless you're talking about command shells which of course were never "dumped". The original Windows consumer "OS" was actually just a DOS GUI shell until the release of XP.
John, this is clearly an example of how Churchill once described England and America ... two nations divided by a common language. I'm reasonably sure my fellow Americans got my meaning ... even if you didn't.
Besides, this is a photography forum. If you wish to debate the finer points of computers and operating systems, there are other forums more appropriate for that.
Sony has Better glass than Leica :)
Hoya has glass. Schott has glass.
Sony has no glass, they buy it (as does Leica)
SONY is on the right direction to create another high-end line w/o paying Zeiss for putting Carl Zeiss blue logo on it.
The GM line seems higher than SONY with Carl Zeiss blue logo.
Way to go.
Well, I can't speak for others, but I am astounded by the image quality of the 24-200 on my RX-10. So much so, in fact, I've been giving thought to relying on that as my back-up to my Canon 6D and selling off my 2nd 6D. As it is, the RX-10 is my "trail camera" that I carry whenever I'm making a serious hike where I want to limit my load.
Sony is WINNING!
nothing lasts forever
WINNING? Winning what???
How nice to see an aperture ring on one of their lenses - it's so much more intuitive than using a finger wheel on the camera body. Also nice to see that Sony realise they must improve their lens offering if they are to go forward.
Better to keep it on the lens. A body ring would either have to have an unmarked scale, or have every aperture marked from F1.4 to F32 regardless of what the lens supported. A ring makes even more sense now that lenses are AF, because your left hand is mostly redundant - while your right is trying to do everything.
The Canon A-1 had aperture markings on a little permanent dial on the top (it switched between aperture and shutter depending on mode). Selecting lower than allowed just selected the widest possible.
Having to increase the mount depth makes this less appealing though.
I'm OK with an unmarked limitless aperture ring. This would allow you to change the aperture with any lens, and also allow you to change in 1/2 or 1/3 EV steps via custom settings. I always look at the viewfinder and not the ring itself, so i'd be ok with no markings.
Once cameras can do ISO 100,000 for $ 200, the 5.6 lenses will be as good as the 2.8s
My guess is within 2 years, we will see cameras with built-in software based bokeh options.
I wave a flag for stopping down your lenses and increase ISO (even as a Foveon user)
many many images of "semipros" with expensive FF gear show a razor thin depth of field which is constantly confused with quality.
best thing was a product shot where you actually couldn't see most of the product.
plus it is a very easy way to improve boring pictures, just blurr the hell out of your scenery.
nono, portraits on FF go most of the time above f/8, to be of use.
and it is true, high ISO has a definitive limit, no matter how hard you try to software-correct it (again believe me, Foveon user speaking!)
i am very happy with current cameras. Just shot a film of ISO400, and going to my X100T to dial-in not twice, not three but four times of that sensitivity with ease!
perfect for me.
As forever as the manual focus lenses ... or... as forever as the commitment to the Minolta-A mount ? :-))
Interesting read over at Lloyd Chambers Blog about the Sony MTF's.
Good read. Some will be happy living in a virtual reality, with a computer generated feel good performance. Ohtake is clearly one of them. His virtual reality may last for his forever but his own marketing department can correct him!
Curious to see if the lenses really perform as well as he claims they were designed to; despite the computer model that says they don't. I rather suspect the hype will not match the price. Will keep an eye on how many Zeiss engineers throw themselves out of high windows in the next few months.
Sony does realise they don't make a full frame camera with a real viewfinder anymore?
to my manual nikkors the term forever applies perfectly! (to most of my af ones, too.?
mechanical wear is normal with mechanical gear. especially when it´s from the last millenium. but they are not made obsolete by newer technologies like Hugo808 insinuated.
the only repair i had to do with my 16 nikkors is have the focus mechanism tightened on my 85 f2.
The lines are fluid when journalism involves interviewing makers of anything... especially if the interview is positive then of course there's always a publicity factor in it... I guess otherwise most companies would refuse that kind of interview as it would be a waste of their time.
the question should be: is the interview conducted with critical questions, does it answer specific (audience related) questions... or is it only designed to make a product look good. if it's the latter then it's content marketing,.. if it's the former it's journalism.
but of course there's bound to be some convergence
electrophoto, I would argue that even if it does both, it is still content marketing. If you even remotely have making a product or subject look good as part of your brief, that is not objective and the journalism is gone. We are left with PR in disguise.
For me this feels like a full court press following a product release. Content marketing.
it's a bit of a borderline issue in my opinion...
objectivity is probably the hardest aspect of true journalism... I could argue that no one's ever fully "objective" by 100% ...
I get what you assume in regard to the dpr interviews - if it is one thin I think they (often) lack it is critical questioning... but this is a gear focused site ... it's not investigative journalism, and I can't remember dpreview labelling themselves as investigative journalists...
That there is a PR Aspect I guess it's no secret...
"investigate" is not not necessary. "Objective" is.
And DPReview has from its beginnings claimed to be objective.
So the question remains: can you be objective when if you let your mission creep towards making the subject - and advertiser and product seller - look good.
I think not.
So this is content marketing.
The brand might was well just publish it directly and be more honest.
Sorry, but modern autofocus, software dependent lenses are not forever.
Takumars are forever. :-)
"Takumars are forever. :-)"
Too true. Olympus don't do a native micro 4/3 35mm (why?) but I don't really mind; my S-M-C Takumar 35/3.5 is a terrific performer on my E-M5II. I'm sure it would be just as good on a Sony too :-)
...or that have easily repairable moving parts that require only the skill of the technician to maintain function.
So Sony *finally* cares about making good solid lenses. About time :-)
(though the 55 F1.8 prime is as good as it gets).
55 F1.8: they designed the perfect lens for a dead focal length.
My imagination has a hole at that focal length. ;-)
|Sophisticated construction by the nature by Orchideon
from Sophistication
|Iguazu falls by Claudio Galli
from Waterfalls
As with any creative pursuit, sometimes you find your photography stalled. And sometimes making a book of your cat photos is just the thing to get inspiration flowing again.
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Tamron calls it an 'ultra-telephoto,' and for good reason: this lens offers a massive 27-600mm equivalent zoom range. But is it sharp?
It started with a great idea and a slick promotional video, and ended with the company headquarters being raided by the San Francisco District Attorney's office. Wired reports on Lily, the selfie-drone maker that never got off the ground.
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Nikon is marking its 100th anniversary in many ways, including the creation of a new scholarship program for 'future visual creators' in the USA and Canada.
Take one Digital ELPH (or IXUS), rotate it vertically, add a fully articulating LCD and a lens with a camcorder-like focal length, and what do you get? Why, the Canon PowerShot TX1, of course. In this week's Throwback Thursday we revisit Canon's one-of-a-kind hybrid stills/video camera.
Just in case there was any doubt in your mind, here's the definitive video proof that yes, a $50,000 cinema camera beats the pants off a $50 camcorder in a side-by-side test.
Photographers who fly frequently in the US may want to finally invest in that TSA Pre-check status: in standard security lines, cameras and all other electronics larger than a smartphone will need to be placed in a separate bin for screening.
Images have appeared which claim to show Nikon's forthcoming D850 DSLR, the development of which was announced this week. If genuine, the pictures indicate that the D850 will offer illuminated controls and a tilting LCD screen, but no built-in flash.
To celebrate the Daguerreotype Achromat 2.9/64 lens' successful Kickstarter campaign, Lomography has announced a chrome-plated version of the lens in Nikon and Canon DSLR mounts.
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It probably hasn't made your landscape photography bucket list just yet, but there's a good reason to visit Idaho. Here are 9 must-visit locations in this beautiful state.
Oops... Adobe accidentally leaked their unfinished Lightroom-powered cloud-based photo editor 'Project Nimbus' to some Creative Cloud users yesterday.
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Looking to level up your video capture capabilities without buying a whole new camera? Blackmagic's Video Assist 4K is well worth considering, despite a few flaws and its lack of 4K/60p support.
We're big fans of Fujifilm's fast-growing GFX system, and the GF 110mm F2 lens is no exception. Positioned as the system's classic portrait lens, its optics are just as impressive with non-human subjects as well.
Nikon turns 100 years old today, and the company is celebrating with a wacky music video, some tributes to its history, and a new vision presented by president Kazuo Ushida.
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Researchers at Stanford have revealed a new '4D camera system' built for robots. The system is based on the same light field tech that allowed Lytro cameras to refocus images after they were taken.


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How to Use a can opener on your Swiss Army knife
This video shows you how to use a can opener, like the ones found on Swiss Army knives. There's also a strange fruit in this video, something called lychees. So, if you're ever in need of opening a can of lychees in the woods, this is the video to watch.


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|Home > Wharton
♂ Wharton
What does Wharton mean?
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Campaigners want to see respite centre given ministerial go ahead now.
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Non esitate a contattare il Inn per informazioni sulle nostre offerte speciali mensili e altre offerte. Situato sulla splendida costa del Tesoro della Florida, l'Inn at Tilton Place vi accoglie in un elegante e raffinato bed & breakfast. Situato nei pressi del fiume indiano nel cuore del centro storico di Jensen Beach, il 110-anno-vecchia casa a conduzione familiare offre una prospettiva pulito, verde e moderno al design, pur mantenendo l'atmosfera tropicale della Florida. Vi invitiamo a indulgere nelle nostre delizie culinarie. Ogni mattina, una deliziosa selezione di stagione vi aspetta. Il nostro chef preparerà una colazione di tre portate, che varia ogni giorno insieme con succo di frutta, caffè biologico e tè. Poi, dopo una giornata di esplorare la nostra costa, tornare a casa e rilassarsi in uno dei nostri cortili all'aperto con un bicchiere di vino complementari. Godetevi il sole da sdraiati su una delle nostre aree di spiagge bellissime, che si trova proprio di fronte al fiume indiano. Altre attività che sono proprio a portata di mano sono canottaggio, pesca, kayak, e lo shopping così come una scelta di molti ristoranti fantastici tutti raggiungibili a piedi. Costruito nel 1902 dal pioniere locale RR Ricou, l'Inn è ora gestita dalla sua grande grande grande figlia.
4,2 su marzo 09, 2017
5 su febbraio 19, 2017
Our four night stay felt like home away from home. The room was clean, bed was comfortable, breakfasts were AMAZING! Our hostess, Kitt, was very friendly and accommodating. We highly recommend this B&B.
5 su febbraio 04, 2017
Kitt is a most welcoming and gracious hostess. Our room was charmingly decorated, the bed was very comfy, and everything was meticulously clean. The 3-course breakfasts were delicious! Kitt gave us great tips on restaurants and places to visit. I would not hesitate to recommend the Inn to anyone planning to visit the Jensen Beach/Stuart area.
Risposta del proprietario
Thank you for taking the time to write such a lovely review! Hope you find your way back here real soon. Your review is greatly appreciated.
- Kitt (innkeeper)
4,4 su novembre 09, 2016
We loved out stay at The Inn at Tilton Place. The rooms were beautifully appointed and the location is great, as you can easily walk to the restaurants, shops and stores. The only draw back was the train that went by several times in the middle of the night.
4,8 su settembre 01, 2016
The pillows where very, very high and very hard. The AC would never adjust below 79 degrees.
5 su agosto 08, 2016
The innkeeper was simply awesome. Friendly, funny, smart and a great cook! Lovely place to stay.
3,8 su luglio 02, 2016
Innkeeper Kitt made this such an enjoyable stay! She is a good cook, and her delicious and filling three course breakfasts fueled me up for the days ahead. I enjoyed the conversations with her, and her recommendation to visit Jonathan Dickinson State Park was perfect and appreciated. The room was nice, comfortable, and clean. Great hospitality!
Risposta del proprietario
Thank you for taking the time to write such a wonderful review. I truly appreciate it and so happy you did get to see the park! Please stop in and say hello if you find yourself back in this neighborhood!!
- Kitt (innkeeper)
5 su giugno 30, 2016
First time staying at a BnB and had a wonderful experience The breakfast was outstanding and the hospitality can't be beat Would highly recommend the Tilton
4,0 su giugno 28, 2016
This two night stay at The Tilton was fun and relaxing. The room was clean, comfortable, and pretty. Kitt is a great cook, and I probably gained a couple pounds from those good breakfasts! I enjoyed the conversations with her. My first impression of the furnishings and decor downstairs was that it was a bit overdone, as my tastes lean more to simple and contemporary. However, once I got to know more about the owners, I sort of "got into it." Their artistic talent and vintage style were evident in the gardens as well. This Inn struck a nice balance between feeling at home, as if staying at a friend's house, and splurging for some luxury in a getaway.
4,2 su giugno 27, 2016
The room and bathroom were very clean with nice decor. The covered balcony had ample area for seating, but could have used a little cleaning. The breakfast was outstanding, but the website led me to believe that we had choices, but that was not the case. The exterior has a paver stone walkway that winds around the property. The yard is decorated with eclectic yard art and the sale was enjoyable. Downtown Jensen Beach is only a couple of hundred feet away and offers about a dozen dining choices and entertainment. However, the room was not noisy.
Risposta del proprietario
Dear Guest, thank you for your lovely review and please let me apologize for the menu choices. We have a website coming that explains the new changes, had you mentioned you would prefer something else, I would have tried to accommodate you, so sorry. Thank you for mentioning the outside furniture, it reminds me to keep a better eye on it!
- Kitt (innkeeper)
Featuring a solid pine King bed, Green Tea & Charcoal memory foam mattress and pillows, full length mirror, plush carpet and private bath, this first floor room will instantly relax you as soon as you walk in. The high ceilings and café blue walls create a perfect accompany to the golden bathroom and copper ceiling tiles. With private access to the outside as well as access to the inside of the Inn, this room offers the best of both worlds.
As one of our largest suites, this spacious room features a King sleigh bed, high beamed ceilings, Green Tea & Charcoal memory foam mattress and pillows, wood floors, full length mirror and private bath. Relax with a glass of complimentary wine on your back garden patio.
Room Two features a solid pine King bed, high beamed ceilings, Green Tea & Charcoal memory foam mattress and pillows, wood floors and garden patio. The private bath has a pedestal sink and beautifully tiled floors and walk-in shower. Unwind in this soothing green oasis.
This room features an Amazing view of the Indian River from your deck, twin beds that can easily be reconfigured to a King upon request. Green Tea memory foam mattresses and pillows and berber carpet. Located on the second floor, Room Seven offers a large closet and a light and airy atmosphere. Though it doesn't have its own, it shares a spacious hall bathroom with one other room. Both rooms could be combined as a luxurious family suite with private balcony.
This gorgeous room is the only one in the house with pickled Florida Pecky Cypress walls. Accented with modern gray trim, the bedroom features a solid pine Queen bed, Green Tea & Charcoal memory foam mattress and pillows, full length mirror, plush carpet and private bath. The retro pink tiled bathroom features wood floors, stone accents and a large sink vanity.
Located on the second floor of the Inn, this room features an Amazing view of the Indian River from your deck, solid pine King bed, Green Tea & Charcoal memory foam mattress and pillows, and plush carpet. Wake up with the sun, get a cup of coffee and have a seat on your balcony before coming down for a gourmet breakfast. This room has its own sink vanity but shares a spacious hall bathroom with one other room. Both rooms could be combined as a luxurious family suite with private balcony.
Room Eight, often referred to as the Bimini room, features a great view of the Indian River and downtown Jensen Beach from your own private deck, a solid pine King bed, Green Tea & Charcoal memory foam mattress and pillows, full length mirror and plush carpet. The bright turquoise and gray walls create an invigorating yet soothing atmosphere. To wind down the day, step into your inviting bathroom with its beautiful sink vanity, tile shower and floor.
This quaint and cozy room features a pine Queen bed, Green Tea & Charcoal memory foam mattress and pillows, plush carpet, and large private bathroom. To invigorate in the morning or relax at the end of the day, step into the beautiful bathroom featuring a vanity sink and slate tile shower seat. Located on the first floor, this room is totally private with its own access from our south veranda.
In house use only
Dall'altra parte della strada dal fiume indiano, Centro città, Piccolo Paese, Tropicale
Shopping Antiquariato, Acquari, Gallerie d'arte, Spiaggia, Concerti, Cene da gourmet, Interessi Storici, Musica dal vivo, Cinema, Musei, Parchi Nazionali/Statali, Zona Naturale, vita notturna, Oceano, Punti vendita, Teatro, Area Picnic, Servizi religiosi, Fiume
Other, Historic Inn
Attrezzature per Caffè/Tè, Fotocopiatrici, Camino, Frigorifero, Ferro da stiro, Film disponibili, parcheggio, Video, Attrezzature matrimoni , Aromaterapia Prodotti Spa
Aria condizionata, Sveglia , Prodotti di cortesia, Accappatoi, Ventilatori, DVD Player, Scrivania, Asciugacapelli, Ingresso privato, Radio, TV via cavo/satellite, TV, VCR, accesso per disabili, Wi-Fi, Internet via cavo
Noleggio bici, Nautica, Canottaggio, Pesca, Golf, Kayak, Mountain Bike, Regate, Shopping, Nuoto, Campi da tennis, Sport acquatici


text:
This month, Spam is inviting people to "Break the Monotony" of March by posting videos every day of its diminutive animated knight, Sir Can-A-Lot, offering tips and recipes to help those people suffering from routine meals and boring tweets. The effort follows last year's successful introduction of Sir Can-A-Lot, who was created by BBDO Proximity Minneapolis to help celebrate Spam's 75th anniversary. People can also follow along at www.spam.com and #BreakTheMonotony. Or as Sir Can-A-Lot would say, "anywhere there is Twitter monotony on FaceTube!"
Digital advertisment created by BBDO, United States for SPAM, within the category: Food.
Executive Creative Director: Brian Kroening
Creative Director: Ross Phernetton
Assistant Creative Director / Art Director: Brook Lorntson
Assistant Creative Director / Senior Copywriter: Dave Alm
Senior Copywriter: David Mackereth
Producer: Alicia Calderon
Animation: LAIKA/house
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