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Wordpress theme aggregator jobs
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I have a website that I would like to draw traffic to. It is a news aggregator website. I need someone who will work daily, performing SEO tricks that will be useful in pulling traffic to the site. I will be offering 20 percent of the total revenue of the website to the SEO . The SEO expert will provide his weekly goals at the start of the week. Daily
the app communicates with backend to provide personalized news for user, allows users to vote and comment on news stories
Looking to build an online fashion aggregator site based on Affiliate model, running on WooCommerce. I need a custom Wordpress plugin to import and sync ShopStyle product feed to my WooCommerce site through API integration ([url removed, login to view]). Only bid if you have experience with ShopStyle APIs integration and have examples
A simple website that will collect all news from 10 website and aggregate them on one website as they happen.
To build an Event Websites Aggregator Website
...visitors that visited 6.6 million pages. Here are the most important links : [url removed, login to view] [url removed, login to view] [in this link above you can find a example ad to see it's size.] Our frontpage: [url removed, login to view] Statistics screenshot are uploaded for
...visitors that visited 6.6 million pages. Here are the most important links : [url removed, login to view] [url removed, login to view] [in this link above you can find a example ad to see it's size.] Our frontpage: [url removed, login to view] Statistics screenshot are uploaded for
...us. The $500 ad will be on the website in 3 different places for 3 months, so it's a VERY good offer. Are you interested in helping ? See [url removed, login to view] and this : [url removed, login to view] Video ads are okey, as long as you can run them from youtube. It means the user has to press play to see
I need a mobile site. I already have a design for it, I just need it to be built. I need an aggregator phone app
...exhaustive: • member / user management (sign up, log in, password reminder, memorable word reminder) • members only area content • interactive application forms • content aggregator (from multiple websites) • links (to other websites etc.) • integration with 3rd party software (Stripe) / credit card processing • file download / upload / shari...
I want to develop one taxi aggregator app with Ola, lyft and Uber Api integrated inside. It should have passenger and driver app for both android and IOS. Following functionalities are required. [url removed, login to view] and driver app for taking own ride [url removed, login to view] api end to end integration [url removed, login to view] api end to end integration [url removed, logi...
...(I already have HTML files). Not interested in WordPress and the like, the project should be developed from scratch using a framework. The job is pretty straight-forward, there are plenty of similar projects. Some requirements worth mentioning: 1. Integration with a (to be decided) payment aggregator 2. Sending notifications to clients via websockets
Hello I wish to build a website (or PWA) that grabs deals (via classic url and/or rss) from a variety of deal publishing websites. Which means, the website shall list all deals for the user selected category. These will be sorted in chronological order from various other websites. Also, the webiste (or PWA) should be RTL compliant. IMPORTANT: If the project succeeds, I would then require the sa...
Hey I want to make a news aggregator app...similar to inshorts. I would need an android developer
I want to add one small option in plugin [url removed, login to view] I want to import posts manually instead to wait 15 minutes or 1 hours to import posts. In Settings/ Feed processing interval : add option Manuall if this option is set than in section Feed sources please add button for Manually import. when I press this
Hi multimas, I noticed your profile and would like to offer you my project. We can discuss any details over chat. Briefly, I'm creating job aggregator and currently our project is 80% done. Here is our website, [url removed, login to view] The rest 20% we are still working on it. I've a team of 2 developers - 1 frontend and 1 backend. I'll need your help
Need a program that allows you to enter Doctors names, clinic names, addresses, or phone numbers(in list format) and have it scrape all ratings from Healthgrades, Yelp, Google Business, RateMDs, Zocdoc, and WebMD, compiling them into one exported excel sheet for each entry. Scraped information should be average star-rating, total number of ratings and the all available written reviews. Also would...
I would a similar website as [url removed, login to view] (new media aggregator based on RSS). Please provide you quotes. I already have wordpress theme and a plugin that does this currently but missing lot of other fetures that [url removed, login to view] has. I prefer this to be based on Wordpress platfom.
...Extension built that involves both front-end and back-end development. The extension will use API's, will have a database to store and retrieve images and will have a news aggregator. I will provide all necessary API's. The extension will retrieve images from sources that I will specify, store them in a database under tags and will display them based


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| Iron Age
|↑ Bronze Age
Ancient Near East (1300–600 BC)
India (1200–200 BC)
Europe (1200 BC–400 AD)
China (600–200 BC)
Japan (300 BC –500 AD)
Korea (400–60 BC)
Nigeria (400 BC–200 AD)
Axial Age
The La Tène culture was a European Iron Age culture named after the archaeological site of La Tène on the north side of Lake Neuchâtel in Switzerland, where a rich trove of artifacts was discovered by Hansli Kopp in 1857.
La Tène culture developed and flourished during the late Iron Age (from 450 BC to the Roman conquest in the 1st century BCE) in eastern France, Switzerland, Austria, southwest Germany, the Czech Republic, Slovakia and Hungary. To the north extended the contemporary Jastorf culture of Northern Germany.[1] La Tène culture developed out of the early Iron Age Hallstatt culture without any definite cultural break, under the impetus of considerable Mediterranean influence from Greek, and later Etruscan civilizations. A shift of settlement centres took place in the 4th century.
La Tène cultural material appeared over a large area, including parts of Ireland and Great Britain (the lake dwellings at Glastonbury, England, are a well known example of La Tène culture), northern Spain, Burgundy, and Austria. Elaborate burials also reveal a wide network of trade. In Vix, France, an elite woman of the 6th century BCE was buried with a bronze cauldron made in Greece. Exports from La Tène cultural areas to the Mediterranean cultures were based on salt, tin and copper, amber, wool and leather, furs and gold.
A disputed La Tène "homeland"Edit
Though there is no agreement on the precise region in which La Tène culture first developed, there is a broad consensus that the center of the culture lay on the northwest edges of Hallstatt culture, north of the Alps, within the region between the valleys of the Marne and Moselle in the west and modern Bavaria and Austria in the east. In 1994 a prototypical ensemble of elite grave sites of the early 5th century BCE was excavated at Glauberg in Hesse, northeast of Frankfurt-am-Main, in a region that had formerly been considered peripheral to the La Tène sphere.[2]
From their homeland, La Tène groups expanded in the 4th century to Hispania, the Po Valley, the Balkans, and even as far as Asia Minor, in the course of several major migrations. In the 4th century, a Gallic army led by Brennus reached Rome and took the city. In the 3rd century, Gallic bands entered Greece and threatened the oracle of Delphi, while another band settled Galatia in Asia Minor.
Extensive contacts through trade are recognized in foreign objects deposited in elite burials; stylistic influences on La Tène material culture can be recognized in Etruscan, Italic, Greek and Scythian sources. Dateable Greek pottery at La Tène sites and dendrochronology and thermoluminescence help provide date ranges in an absolute chronology at some La Tène sites.
As with many archaeological periods, La Tène history was originally divided into "early" (6th century BCE), "middle" (ca 450-100 BCE), and "late" (1st century BCE) stages, with the Roman occupation effectively driving the culture underground and ending its development. A broad cultural unity was not paralleled by overarching social-political unifying structures, and the extent to which the material culture can be linguistically linked is debated.
Our knowledge of this cultural area derives from three sources: from archaeological evidence, from Greek and Latin literary evidence, and more controversially, from ethnographical evidence suggesting some La Tène artistic and cultural survivals in traditionally Celtic regions of far western Europe. Some of the societies that are archaeologically identified with La Tène material culture were identified by Greek and Roman authors from the 5th century onwards as keltoi ("Celts") and galli ("Gauls"). Herodotus placed keltoi at the source of the Danube, in the heartland of La Tène material culture. Whether this means that the whole of La Tène culture can be attributed to a unified Celtic people is difficult to assess; archaeologists have repeatedly concluded that language, material culture, and political affiliation do not necessarily run parallel. Frey notes (Frey 2004) that in the 5th century, "burial customs in the Celtic world were not uniform; rather, localised groups had their own beliefs, which, in consequence, also gave rise to distinct artistic expressions". In some cases where La Tène archaeological sites are overlain by Slavic culture, any identification of La Tène material culture with Celts may become a sensitive local issue.
Material cultureEdit
La Tène metalwork in bronze, iron and gold, developing technologically out of Halstatt culture, is stylistically characterized by inscribed and inlaid intricate spirals and interlace, on fine bronze vessels, helmets and shields, horse trappings and elite jewelry, especially the neck rings called torcs and elaborate clasps called fibulae. It is characterized by elegant, stylized curvilinear animal and vegetal forms, allied with the Hallstatt traditions of geometric patterning.
Initially La Tène folk lived in open settlements that were dominated by the chieftains' towering hill forts.[3] The development of towns— oppida— appears in mid-La Tène culture. La Tène dwellings were carpenter-built rather than of masonry. La Tène peoples also dug ritual shafts, in which votive offerings and even human sacrifices were cast. Severed heads appear to have held great power and were often represented in carvings. Burial sites included weapons, carts, and both elite and household goods, evoking a strong continuity with an afterlife.
La Tène is a village on the northern shore of Lake Neuchâtel, Switzerland. It is both an archaeological site and the eponymous site for the late Iron Age La Tène culture, also spelt "Latène" or "La-Tène".
In 1857, prolonged drought lowered the waters of the lake by about 2 m. On the northernmost tip of the lake, between the river Thièle and a point south of the village of Marin-Epagnier, Hansli Kopp, looking for antiquities for Colonel Frédéric Schwab, discovered several rows of wooden piles that still reached about 50 cm into the water. From among these, Kopp collected about forty iron swords.
The Swiss archaeologist Ferdinand Keller published his findings in 1868 in his influential first report on the Swiss pile dwellings (Pfahlbaubericht). In 1863 he interpreted the remains as a Celtic village built on piles. Eduard Desor, a geologist from Neuchâtel, started excavations on the lakeshore soon afterwards. He interpreted the site as an armory, erected on piles over the lake and later destroyed by enemy action. Another interpretation accounting for the presence of cast iron swords that had not been sharpened, was of a site of sacrifices.
With the first systematic lowering of the Swiss lakes from 1868 to 1883, the site fell completely dry. In 1880, Emile Vouga, a teacher from Marin-Epagnier, uncovered the wooden remains of two bridges (designated "Pont Desor" and "Pont Vouga") originally over 100 m long, that crossed the little Thièle River (today a nature reserve) and the remains of five houses on the shore. After Vouga had finished, F. Borel, curator of the Marin museum, began to excavate as well. In 1885 the canton asked the Société d'Histoire of Neuchâtel to continue the excavations, the results of which were published by Vouga in the same year.
All in all, over 2500 objects, mainly made from metal, have been excavated in La Tène. Weapons predominate, there being 166 swords (most without traces of wear), 270 lanceheads, and 22 shield bosses, along with 385 brooches, tools, and parts of chariots. Numerous human and animal bones were found as well.
Interpretations of the site vary. Some scholars believe the bridge was destroyed by high water, while others see it as a place of sacrifice after a successful battle (there are almost no female ornaments).
An exhibition marking the 150th anniversary of the discovery of the La Tène site was launched in June 2007 at the Musée Schwab in Bienne, Switzerland. It is scheduled to move to Zürich in 2008 and the Mont Beuvray in Burgundy in 2009.
Some sites are:
- La Tène
- Bern, Engehalbinsel: oppidum
- Jolimont
- Manching: oppidum
- Mormont
- Münsingen, burial field
- Petinesca
- Basel: oppidum
- Bibracte, oppidum of the Aedui at Mont Beuvray in Burgundy
- Erstfeld hoard
- Hochdorf Chieftain's Grave
- Bopfingen: Viereckschanze, a characteristic rectangular enclosure
- Fellbach-Schmiden, near Stuttgart: Viereckschanze; ritual objects recovered from a well
- Kleinaspergle: elite graves of La Tène I
- Waldalgesheim: an elite chariot burial, 4th century
- Glauberg, oppidum and elite graves
- Dürrnberg near Hallein: Burial field and earthworks of late Hallstatt–early La Tène
- Donnersberg: oppidum
- Vill near Innsbruck: remains of dwellings
- Sandberg Celtic city near Platt and Roseldorf in Lower Austria
- Vix/Mont Lassois: oppidum and elaborate graves
- Titelberg: oppidum in Luxembourg
- Reinheim: Tomb of a princess/priestess with burial gifts
Some outstanding La Tène artifacts are:
- "Strettweg Cart" (7th century BCE), found in southeast Austria, a four-wheeled cart with a goddess, riders with axes and shields, attendants and stags. (Landesmuseum Johanneum, Graz, Austria)
- A woman in Vix (Châtillon-sur-Seine, Burgundy) buried with a 1,100 litre (290 gallon) bronze Greek vase, the largest ever found.
- The silver "Gundestrup cauldron" (3rd or 2nd century BCE), found ritually broken in a peat bog near Gundestrup, Denmark, but probably made near the Black Sea, perhaps in Thrace. (National Museum of Denmark, Copenhagen)
- "Battersea Shield" (350-50 BCE), found in the Thames, made of bronze with red enamel. (British Museum, London)
- "Witham Shield" (4th century BCE). (British Museum, London) [1] [2]
- "Chertsey Shield (400-200 BCE). (British Museum, London) [3]
- "Turoe stone" in Galway, Ireland
- Chariot burial found at Waldalgesheim, Bad Kreuznach, Germany, late 4th century BCE. (Bonn: Rheinisches Landesmuseum)
- Chariot burial found at La Gorge Meillet (St-Germain-en-Laye: Musée des Antiquités Nationales).
- A life-sized sculpture of a warrior that accompanied the Glauberg burials.
- A gold-and-bronze model of an oak tree (3rd century BCE) found at the Oppidum of Manching.
- Noric steel
- ↑ The Jastorf culture is the southern part of the Pre-Roman Iron Age of the north.
- ↑ Mystery of the Celts.
- ↑ frankfurt,kultur,highlights,mystery of the kelts
Further readingEdit
- Cunliffe, Barry. The Ancient Celts. Oxford: Oxford University Press. 1997
- Collis, John. The Celts: Origins, Myths, Invention. London: Tempus, 2003.
- James, Simon. The Atlantic Celts. London: British Museum Press, 1999.
- James, Simon, and Valerie Rig. Britain and the Celtic Iron Age. London: British Museum Press, 1997.
See alsoEdit
External linksEdit
- Excellent and detailed summary of excavations and interpretations (in German)
- La Tène site: brief text, illustrations (in French)
- Images from World History: Iron Age Western Europe
- Charles Bergengren, Cleveland Institute of Art, 1999: illustrations of La Tène artifacts
- Otto Hermann Frey, "A new approach to early Celtic art". Setting the Glauberg finds in context of shifting iconography.
- Images from the Logan Museum of Anthropology at Beloit College
Coordinates: 47°00′25″N 7°01′25″E / 47.00694°N 7.02361°Eals:Latène-Kultur br:La Tène ca:Cultura de La Tène cs:Laténská kultura cy:Diwylliant La Tène da:La Tène-kulturen de:La-Tène-Zeit es:Cultura de La Tène eo:La-Tène-kulturo eu:La Tene kultura fr:La Tène it:Cultura di La Tène lt:Lateno kultūra li:La Tène-cultuur nl:La Tène-periode no:La Tène-kulturen oc:Cultura de La Tène pl:Kultura lateńska pt:Cultura de La Tène ru:Латенская культура simple:La Tène culture sk:Laténska kultúra sl:La Tene fi:La Tènen kulttuuri sv:La Tène-kulturen uk:Латенська культура

subset: commoncrawl


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Ancient Egypt: 3150 BC
Ancient Egypt was a civilization of ancient Northeastern Africa, concentrated along the lower reaches of the Nile River in what is now the modern country of Egypt. It is one of six civilizations globally to arise independently. Egyptian civilization coalesced around 3150 BC (according to conventional Egyptian chronology) with the political unification of Upper and Lower Egypt under the first pharaoh. The history of ancient Egypt occurred in a series of stable Kingdoms, separated by periods of relative instability known as Intermediate Periods: the Old Kingdom of the Early Bronze Age, the Middle Kingdom of the Middle Bronze Age and the New Kingdom of the Late Bronze Age.
Reconstructed Ancient Egyptian Melody
Egyptian Folk Song Played on African Harp
Sumer: at least 2500 BC
Sumer was one of the ancient civilizations and historical regions in southern Mesopotamia, modern-day southern Iraq, during the Chalcolithic and the Early Bronze ages. Although the earliest specimens of writing in the region do not go back much further than c. 2500 BC, modern historians have suggested that Sumer was first permanently settled between c. 5500 and 4000 BC by a people who spoke the Sumerian language (pointing to the names of cities, rivers, basic occupations, etc., as evidence).
The Epic Of Gilgamesh In Sumerian
Assyria c. 1250 BC to 612 BC
Assyria, a major Mesopotamian East Semitic kingdom and empire of the Ancient Near East, existed as an independent state for a period of approximately six centuries from c. 1250 BC to 612 BC, spanning the Early Bronze Age through to the late Iron Age. For a further thirteen centuries, from the end of the 7th century BC to the mid-7th century AD, it survived as a geo-political entity, for the most part ruled by foreign powers. Centered on the Upper Tigris river, in northern Mesopotamia (modern northern Iraq, northeastern Syria and southeastern Turkey) the Assyrians came to rule powerful empires at several times. There is no definite way to know how to read or perform the song below. The video shows a plausible interpretation.
One of the Oldest Known Songs in the World
Ancient Jewish Music
The earliest synagogal music was based on the same system as that used in the Temple in Jerusalem. According to the Talmud, Joshua ben Hananiah, who had served in the sanctuary Levitical choir, told how the choristers went to the synagogue from the orchestra by the altar (Talmud, Suk. 53a), and so participated in both services.
Biblical and contemporary sources mention the following instruments that were used in the ancient Temple:
the Nevel, a 12-stringed harp;
the Kinnor, a lyre with 10 strings;
the Shofar, a hollowed-out ram's horn;
the chatzutzera, or trumpet, made of silver;
the tof or small drum;
the metziltayim, or cymbal;
the paamon or bell;
the halil or big flute.
According to the Mishna, the regular Temple orchestra consisted of twelve instruments, and the choir of twelve male singers.
A number of additional instruments were known to the ancient Hebrews, though they were not included in the regular orchestra of the Temple: the uggav (small flute), the abbuv (a reed flute or oboe-like instrument).
After the destruction of the Temple and the subsequent diaspora of the Jewish people, there was a feeling of great loss among the people. At the time, a consensus developed that all music and singing would be banned; this was codified as a rule by some early Jewish rabbinic authorities. However, the ban on singing and music, although not formally lifted by any council, soon became understood as only a ban outside of religious services. Within the synagogue the custom of singing soon re-emerged. In later years, the practice became to allow singing for feasts celebrating religious life-cycle events such as weddings, and over time the formal ban against singing and performing music lost its force altogether.
Jewish Music For Biblical Lyre
Klezmer Music For Biblical Lyre
Ancient Greece 8th – 6th centuries BC
Ancient Greece was a civilization that lasted from the Archaic period of the 8th to 6th centuries BC to the end of antiquity (c. 600 AD). Immediately following this period was the beginning of the Early Middle Ages and the Byzantine era. Included in ancient Greece is the period of Classical Greece, which flourished during the 5th to 4th centuries BC. Classical Greek culture, especially philosophy, had a powerful influence on the Roman Empire, which carried a version of it to many parts of the Mediterranean Basin and Europe. For this reason Classical Greece is generally considered to be the seminal culture which provided the foundation of modern Western culture and is considered as the cradle of Western civilization.
The First Delphic Hymn To Apollo (Circa 128 BCE)
Orpheus Lyre: Lament For Solo Lyre
The Ancient Greek Tortoise Shell Lyre
Ancient Lyre Straps & Ancient Plectrums
Ancient Greek Lyre with Flowing Water & Birdsong
Celtic Music
Celtic music is a broad grouping of musical genres that evolved out of the folk musical traditions of the Celtic people of Western Europe. There is tremendous variation between Celtic regions. Ireland, Scotland, and Brittany have living traditions of language and music, and there has been a recent major revival of interest in Wales, Cornwall and the Isle of Man.
OLD CELTIC & NORDIC BALLADS – The Elfin Knight
OLD CELTIC & NORDIC BALLADS – Witchery Fate Song
Ancient Rome
Ancient Rome was a civilization that began on the Italian Peninsula as early as the 8th century BC. Located along the Mediterranean Sea and centered on the city of Rome, it expanded to become one of the largest empires in the ancient world with an estimated 50 to 90 million inhabitants (roughly 20% of the world's population and covering 6.5 million square kilometers (2.5 million sq mi) during its height between the first and second centuries AD.
Through conquest and assimilation, it came to dominate Southern and Western Europe, Asia Minor, North Africa, and parts of Northern and Eastern Europe. Rome was preponderant throughout the Mediterranean region and was one of the most powerful entities of the ancient world. It is often grouped into classical antiquity together with ancient Greece, and their similar cultures and societies are known as the Greco-Roman world.
Ghana Traditional Music
The traditional musicology of Ghana may be divided geographically between the open and vast savanna country of northern Ghana inhabited by Ghanaians of Gur and Mande speaking groups; and the fertile, forested southern coastal areas, inhabited by Ghanaians speaking Kwa languages such as Akan.
The northern musical traditions belong to the wider Sahelian musical traditions. It features a mix of melodic composition on stringed instruments such as the kologo lute and the gonjey fiddle, wind instruments such as flutes and horns, and voice; with polyrhythms clapped or played on the talking drum, gourd drums or brekete bass drums. The tradition of gyil music (balafon) is also common, especially in northwestern Ghana around Wa and Lawra. Music in the northern styles is mostly set to a minor pentatonic or chromatic scale and melisma plays an important part in melodic and vocal styles. There is a long history of either griot or praise-singing traditions.
The music of the coast is associated with social functions, and relies on complex polyrhythmic patterns played by drums and bells as well as harmonized song. Drums and dance are often linked, and the tradition of royal talking drums fontomfrom (distinct from the northern talking drum) means music is widely used for communication of both tangible and esoteric topics. The most well known of southern Ghanaian drum traditions is the kete and adowa drum and bell ensembles. Music can also be linked to traditional religions. An exception to this rule is the Akan tradition of singing with the Seperewa harp-lute which had its origins in the stringed harps of the north and west.
Mayan Culture prior to 2000 BC – 17th century
The Maya civilization was a Mesoamerican civilization noted for the Maya hieroglyphic script, the only known fully developed writing system of the pre-Columbian Americas, as well as for its art, architecture, and mathematical and astronomical systems. The Maya civilization developed in an area that encompasses southeastern Mexico, all of Guatemala and Belize, and the western portions of Honduras and El Salvador. The Archaic period, prior to 2000 BC, saw the first developments in agriculture and the earliest villages. The Preclassic period (c. 2000 BC to 250 AD) saw the establishment of the first complex societies in the Maya region, and the cultivation of the staple crops of the Maya diet, including maize, beans, squashes, and chili peppers. The first Maya cities developed around 750 BC, and by 500 BC these cities possessed monumental architecture, including large temples with elaborate stucco façades. Hieroglyphic writing was being used in the Maya region by the 3rd century BC. In the Late Preclassic a number of large cities developed in the Petén Basin, and Kaminaljuyu rose to prominence in the Guatemalan Highlands. Beginning around 250 AD, the Classic period is largely defined as when the Maya were raising sculpted monuments with Long Count dates. This period saw the Maya civilization develop a large number of city-states linked by a complex trade network. In the Maya Lowlands two great rivals, Tikal and Calakmul, became powerful. The Classic period also saw the intrusive intervention of the central Mexican city of Teotihuacan in Maya dynastic politics. In the 9th century, there was a widespread political collapse in the central Maya region, resulting in internecine warfare, the abandonment of cities, and a northward shift of population. The Postclassic period saw the rise of Chichen Itza in the north, and the expansion of the aggressive K'iche' kingdom in the Guatemalan Highlands. In the 16th century, the Spanish Empire colonised the Mesoamerican region, and a lengthy series of campaigns saw the fall of the last Maya city in 1697.
Ancient Mayan Music – Tsompantli
Native American Music
Singing and percussion are the most important aspects of traditional Native American music. Vocalization takes many forms, ranging from solo and choral song to responsorial, unison and multipart singing. Percussion, especially drums and rattles, are common accompaniment to keep the rhythm steady for the singers, who generally use their native language or non-lexical vocables (nonsense syllables). Traditional music usually begins with slow and steady beats that grow gradually faster and more emphatic, while various flourishes like drum and rattle tremolos, shouts and accented patterns add variety and signal changes in performance for singers and dancers.
Armour Hill Singers – Pow wow Music Video
Traditional Native American Pow Wow Music
Tibetan Music
The music of Tibet reflects the cultural heritage of the trans-Himalayan region, centered in Tibet but also known wherever ethnic Tibetan groups are found in Nepal, Bhutan, India and further abroad. First and foremost Tibetan music is religious music, reflecting the profound influence of Tibetan Buddhism on the culture.
Andean Music
Andean music is a group of styles of music from the Andes region in South America. Original chants and melodies come from the general area inhabited by Quechuas, Aymaras and other peoples who lived roughly in the area of the Inca Empire prior to European contact. This early music then was fused with Spanish music elements. It includes folklore music of parts of Argentina, Bolivia, Ecuador, Chile, Colombia, Peru and Venezuela. Andean music is popular to different degrees across Latin America, having its core public in rural areas and among indigenous populations. The Nueva Canción movement of the 70s revived the genre across Latin America and brought it to places where it was unknown or forgotten.
Traditional song: El Condor Pasa with arrangement
Pakarina & Ecuador Spirit "Indio Irlandes"
Ecuador folk music – Pan flute (antara), Pingullo
El Condor Pasa (Daniel Alomia Robles – Peru) – live – CantoAndino
Troubadours: High Middle Ages (1100–1350)
A troubadour was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word troubadour is etymologically masculine, a female troubadour is usually called a trobairitz. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread into Italy and Spain. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, trovadorismo in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his De vulgari eloquentia defined the troubadour lyric as fictio rethorica musicaque poita: rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and eventually died out around the time of the Black Death (1348). The texts of troubadour songs deal mainly with themes of chivalry and courtly love. Most were metaphysical, intellectual, and formulaic. Many were humorous or vulgar satires.
Music of the Troubadours: Lanquan li jorn
Medieval music – Troubadour love song by Arany Zoltán
Chant of the Templars – Honor Virtus et Potestas
Cathar Music: 12th- 13th centuries
The principal legacy of the Cathar movement is in the poems and songs of the Cathar troubadours (see troubadours above).
Cathar music – Consolament Ensemble – Caballers del calze del San Graal
Cathar songs – Consolament Ensemble
Hymn of the Cathars "Lo boièr" (Le bouvier – The cattle herder)
CATHAR'S MUSIC OF CATHARISM – "The kind of kindness" Consolament-ens – song of catharism
Middle Ages: 5th-15th centuries
Medieval music is Western music written during the Middle Ages. This era begins with the fall of the Western Roman Empire in the fifth century and ends sometime in the early fifteenth century. The motet developed from the clausula genre of medieval plainchant and would become the most popular form of medieval polyphony. While early motets were liturgical or sacred, by the end of the thirteenth century the genre had expanded to include secular topics, such as courtly love.
Gregorian Chant: 9th-10th centuries
Gregorian chant is the central tradition of Western plainchant, a form unaccompanied sacred song of the western Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope St. Gregory the Great with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of Roman chant and Gallican chant.
Benedictine Monks of Santo Domingo de Silos in Spain Gregorian Chanting
Arabic Traditional Music
Arabic music has a long history of interaction with many other regional musical styles and genres. It is an amalgam of the music of the Arab people in the Arabian Peninsula and the music of all the peoples that make up the Arab world today. As was the case in other artistic and scientific fields, Arabs translated Greek texts and works of music and developed the musical theory of the Greeks.
By the 11th century, Islamic Iberia had become a center for the manufacture of instruments. These goods spread gradually throughout France, influencing French troubadours, and eventually reaching the rest of Europe. The English words lute, rebec, and naker are derived from Arabic oud, rabab, and nagqara.
Crusades: 1091-1291
Central to crusading ethics are the military orders, particularly the Hospitallers and the Templars. To a modern sensibility it is strange that the church could reconcile monasticism with soldiering. Both the Hospitallers and the Templars became international organisations with depots located across the countries of Western Europe as well as in the East. In contrast the Teutonic knights successfully moved their attentions to the Baltic and the Spanish military orders of Santiago, Calatrava and Alcantara concentrated on the Iberian Peninsula. The Knights of the Order of the Hospital of St John of Jerusalem were founded in 1099 in the aftermath of the first crusade. The order included military, medical and pastoral brothers. The Poor Knights of Christ and the Temple of Solomon were founded in 1118 to protect pilgrims en route to Jerusalem. However, they quickly became immensely rich and powerful through banking and real estate with property throughout Christendom.
Roman Catholic Chant – Crusades
Knights Templar: Active c. 1119–1312
The Poor Fellow-Soldiers of Christ and of the Temple of Solomon (Latin: Pauperes commilitones Christi Templique Salomonici), commonly known as the Knights Templar, the Order of Solomon's Temple (French: Ordre du Temple or Templiers) or simply as Templars, were among the most wealthy and powerful of the Western Christian military orders.
Chant of the Templars – Da Pacem Domine
Chant of the Templars – Salve Regina
Crucem Sanctam Subiit Templar Chant
Le chant des templiers -Chants of The Knights Templar
Saltarello: 14th Century
The saltarello is a musical dance form originally from Italy. The first mention of it is in a fourteenth-century manuscript probably of Tuscan origin, now in the British Library. It was played in a fast triple meter and is named for its peculiar leaping step, after the Italian verb saltare ("to jump").
Dead Can Dance – Saltarello (1990)
Medieval music – Saltarello by Arany Zoltán
Basse Dance: 15th -16th Centuries
Popular court dance in the 15th and early 16th centuries. The word basse describes the nature of the dance, in which partners move quietly and gracefully in a slow gliding or walking motion without leaving the floor, while in livelier dances both feet left the floor in jumps or leaps.
Medieval Music – Three Basse Dance
Baroque 1600-1750
Baroque music is a style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance, and was followed in turn by the Classical era. The word "baroque" comes from the Portuguese word barroco, meaning misshapen pearl, a negative description of the ornate and heavily ornamented music of this period. Later, the name came to apply also to the architecture of the same period. Baroque music expanded the size, range, and complexity of instrumental performance, and also established opera, cantata, oratorio, concerto, and sonata as musical genres.
Henry Purcell 1659 – 1695
Purcell was an English composer. Although incorporating Italian and French stylistic elements into his compositions, Purcell's legacy was a uniquely English form of Baroque music. He is generally considered to be one of the greatest English composers.
Dido and Æneas – Henry Purcell (Dido's Lament)
Handel 1685 – 1759
George Frideric Handel was a German-born British Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos. Within fifteen years, Handel started three commercial opera companies to supply the English nobility with Italian opera. His funeral was given full state honours, and he was buried in Westminster Abbey in London. Handel composed more than forty operas in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown.
"Hallelujah" – "Messiah" G. F. Handel
Antonio Lucio Vivaldi 1678 – 1741
Vivaldi was an Italian Baroque composer, virtuoso violinist, teacher and cleric. Born in Venice, he is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He is known mainly for composing many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as The Four Seasons.
Johann Sebastian Bach 1685 – 1750
Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and over three hundred cantatas of which around two hundred survive. His music is revered for its technical command, artistic beauty, and intellectual depth.
Johann Sebastian Bach Violin Concertos
J.S. Bach – Toccata and Fugue in D minor
The Classical Period: 1750-1820
The dates of the Classical period in Western music are generally accepted as being between about 1750 and 1820. However, the term classical music is used in a colloquial sense as a synonym for Western art music, which describes a variety of Western musical styles from the ninth century to the present, and especially from the sixteenth or seventeenth to the nineteenth.
Wolfgang Amadeus Mozart 1756 – 1791
Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, he was engaged as a musician at the Salzburg court, but grew restless and travelled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his early death have been much mythologized. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence on subsequent Western art music is profound; Ludwig van Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote that "posterity will not see such a talent again in 100 years." Mozart was a Freemason. Mozart's The Magic Flute is noted for its prominent Masonic elements, which can be seen in the scene below.
Scene from Bro. Mozart's The Magic Flute – O Isis und Osiris
Queen of the Night Aria Scene from Amadeus
Franz Joseph Haydn 1732 – 1809
Haydn was a prominent and prolific Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the piano trio and his contributions to musical form have earned him the epithets "Father of the Symphony" and "Father of the String Quartet". Haydn spent much of his career as a court musician for the wealthy Esterházy family at their remote estate. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". At the time of his death, aged 77, he was one of the most celebrated composers in Europe. Joseph Haydn was the brother of Michael Haydn – himself a highly regarded composer – and Johann Evangelist Haydn, a tenor. He was also a friend of Mozart and a teacher of Beethoven.
Haydn Symphony No 88 G major Leonard Bernstein Wiener Philarmoniker
Ludwig van Beethoven 1770 – 1827
Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. His best-known compositions include 9 symphonies, 5 concertos for piano, 1 violin concerto, 32 piano sonatas, and 16 string quartets. He also composed other chamber music, choral works (including the celebrated Missa solemnis), and songs.His moonlight sonata below is my personal favorite.
Beethoven – Moonlight Sonata (FULL)
Franz Peter Schubert 1797 – 1828
Schubert was an Austrian composer. Schubert died at 31 but was extremely prolific during his lifetime. His output consists of over six hundred secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of chamber and piano music. Appreciation of his music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers of the late Classical era and early Romantic era and is one of the most frequently performed composers of the early nineteenth century.
Gioachino Antonio Rossini 1792 – 1868
Rosini was an Italian composer who wrote 39 operas as well as sacred music, chamber music, songs, and some instrumental and piano pieces. His best-known operas include the Italian comedies Il barbiere di Siviglia (The Barber of Seville) and La Cenerentola (Cinderella), and the French-language epics Moïse et Pharaon and Guillaume Tell (William Tell). A tendency for inspired, song-like melodies is evident throughout his scores, which led to the nickname "The Italian Mozart". Until his retirement in 1829, Rossini had been the most popular opera composer in history. He is quoted as having joked, "Give me the laundress' bill and I will set to music even that.
Rosini's Barber of Seville "Largo al factotum"
Johannes Brahms 1833 – 1897
Brahms was a German composer and pianist. Born in Hamburg into a Lutheran family, Brahms spent much of his professional life in Vienna, Austria. In his lifetime, Brahms's popularity and influence were considerable. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs", a comment originally made by the nineteenth-century conductor Hans von Bülow.
Brahms composed for piano, chamber ensembles, symphony orchestra, and for voice and chorus. A virtuoso pianist, he premiered many of his own works. He worked with some of the leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms, an uncompromising perfectionist, destroyed some of his works and left others unpublished.
Brahms is often considered both a traditionalist and an innovator. His music is firmly rooted in the structures and compositional techniques of the Baroque and Classical masters. He was a master of counterpoint, the complex and highly disciplined art for which Johann Sebastian Bach is famous, and of development, a compositional ethos pioneered by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, and other composers. Brahms aimed to honour the "purity" of these venerable "German" structures and advance them into a Romantic idiom, in the process creating bold new approaches to harmony and melody. While many contemporaries found his music too academic, his contribution and craftsmanship have been admired by subsequent figures as diverse as Arnold Schoenberg and Edward Elgar. The diligent, highly constructed nature of Brahms's works was a starting point and an inspiration for a generation of composers. Within his meticulous structures is embedded, however, a highly romantic nature.
Romantic Era late 18th or early 19th century
Romantic music is a term denoting an era of Western classical music that began in the late 18th or early 19th century. It was related to Romanticism, the European artistic and literary movement that arose in the second half of the 18th century, and Romantic music in particular dominated the Romantic movement in Germany.
Characteristics often attributed to Romanticism, including musical Romanticism, are: a new preoccupation with and surrender to Nature, a fascination with the past, particularly the Middle Ages and legends of medieval chivalry, a turn towards the mystic and supernatural, both religious and merely spooky, a longing for the infinite, mysterious connotations of remoteness, the unusual and fabulous, the strange and surprising, a focus on the nocturnal, the ghostly, the frightful, and terrifying, fantastic seeing and spiritual experiences, a new attention given to national identity, emphasis on extreme subjectivism, interest in the autobiographical, and discontent with musical formulas and conventions.
Felix Mendelssohn
Felix Mendelssohn 1809 – 1847, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent. Mendelssohn enjoyed early success in Germany, where he also revived interest in the music of Johann Sebastian Bach, and in his travels throughout Europe. He was particularly well received in Britain as a composer, conductor and soloist, and his ten visits there – during which many of his major works were premiered – form an important part of his adult career. His best-known works include his Overture and incidental music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, the overture The Hebrides, his mature Violin Concerto, and his String Octet. His Songs Without Words are his most famous solo piano compositions.
Robert Schumann 1810 – 1856
Schumann was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. Schumann's published compositions were written exclusively for the piano until 1840; he later composed works for piano and orchestra; many Lieder (songs for voice and piano); four symphonies; an opera; and other orchestral, choral, and chamber works.
Schumann Symphonic Etudes Op. 13 & Op.Posth. Valentina Lisitsa
Franz Liszt 1811 – 1886
Liszt was a 19th-century Hungarian composer, virtuoso pianist, conductor, teacher and Franciscan tertiary. Liszt gained renown in Europe during the early nineteenth century for his virtuosic skill as a pianist. He was said by his contemporaries to have been the most technically advanced pianist of his age, and in the 1840s he was considered to be the greatest pianist of all time. Liszt was also a well-known and influential composer, piano teacher and conductor. He was a benefactor to other composers, including Richard Wagner, Hector Berlioz, Camille Saint-Saëns, Edvard Grieg and Alexander Borodin. He left behind an extensive and diverse body of work in which he influenced his forward-looking contemporaries and anticipated some 20th-century ideas and trends. Some of his most notable contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form and making radical departures in harmony. He also played an important role in popularizing a wide array of music by transcribing it for piano.
Valentina Lisitsa plays Liszt's Hungarian Rhapsody No. 2
Giuseppe Verdi 1813 – 1901
Verdi was an Italian composer of operas. Verdi came to dominate the Italian opera scene after the era of Bellini, Donizetti and Rossini, whose works significantly influenced him, becoming one of the pre-eminent opera composers of the late nineteenth century. In his early operas Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera Nabucco (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals.
Pavarotti- La Traviata- Brindisi (Verdi)
Pyotr Ilyich Tchaikovsky 1840 – 1893
Tchaikovsky was a Russian composer whose works included symphonies, concertos, operas, ballets, chamber music, and a choral setting of the Russian Orthodox Divine Liturgy. Some of these are among the most popular theatrical music in the classical repertoire. He was the first Russian composer whose music made a lasting impression internationally, which he bolstered with appearances as a guest conductor later in his career in Europe and the United States. One of these appearances was at the inaugural concert of Carnegie Hall in New York City in 1891. Tchaikovsky was honored in 1884 by Emperor Alexander III, and awarded a lifetime pension.
Although musically precocious, Tchaikovsky was educated for a career as a civil servant. There was scant opportunity for a musical career in Russia at that time, and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching he received there set him apart from composers of the contemporary nationalist movement. Tchaikovsky's training set him on a path to reconcile what he had learned with the native musical practices to which he had been exposed from childhood. From this reconciliation, he forged a personal but unmistakably Russian style—a task that did not prove easy. The principles that governed melody, harmony and other fundamentals of Russian music ran completely counter to those that governed Western European music; this seemed to defeat the potential for using Russian music in large-scale Western composition or from forming a composite style, and it caused personal antipathies that dented Tchaikovsky's self-confidence. Russian culture exhibited a split personality, with its native and adopted elements having drifted apart increasingly since the time of Peter the Great. This resulted in uncertainty among the intelligentsia about the country's national identity—an ambiguity mirrored in Tchaikovsky's career.
Tchaikovsky Piano Concerto No 1 Martha Argerich, piano – Charles Dutoit, conductor
Edvard Hagerup Grieg 1843 – 1907
Grieg was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions put the music of Norway in the international spectrum, as well as helping to develop a national identity.
Grieg – In the Hall of the Mountain King


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Why Johan Cruyff's criticism of English football wasn't correct
by www.dailymail.co.uk
ROB DRAPER - CHAMPIONS LEAGUE COLUMN: Its spelt out in black and white in the new Johan Cruyff book. The English have never been that keen on tactics,' the late maestro wrote.
Read Full Article On www.dailymail.co.uk
Read Full Article On www.dailymail.co.uk


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Every Robot Has His Day 08 by j3conceptsWatch
©2008-2017 j3concepts
I rarely do fanart but I figured one of my favorite cartoons/manga growing up was Astroboy, so he deserved some kind of tribute.
yay! he was one of my favourite too
I just recently downloaded all the latest 50 episodes of this show and looove them!
i havent watched the new show yet, just the first ones from year ago. how is the new one?
Good work, ver nice!
Good work, ver nice!
great work, you're interpretations are always original but new
really nice!
really nice!
Tezuka is my God.


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1959 Ford Fairlane 500 Galaxie Skyliner
352-300HP "H" Code V8
Ford-o-matic 2-Speed Automatic Transmission
Geranium & Colonial White Two-Tone Finish
Town & Country Radio
Factory Air Conditioning
Power Windows
Power Seat
Power Steering
Power Brakes
Fender-Mounted Spot Light & Integrated Rear View Mirror
Padded Dash
Chromed Fender Skirts
Chrome Dual Exhaust Extensions
Factory Wheels / Wheel Covers & Correct Wide Whitewall Poly-Bias Tires
Texas Classic Cars of Dallas is proud to present this collector quality 1959 Ford Fairlane Galaxie 500 Skyliner Retractable Hardtop Convertible. This 12,300 original mile car underwent a frame-off restoration under the skillful hands of the retractable master, Mr. Jerry Miller. This has to be one of the finest Retractable Ford's in the world. It has been on the cover of Collectible Automobile magazine in June, 2003 & with a full feature article. This has mostly been a California car, acquired from a Farm Trust (estate purchase) with the mileage stated as correct. We cannot verify nor authenticate the actual mileage. We do know the car was completely restored and is in excellent condition. It displays its correct Geranium & Colonial White Two-Tone paint along with extensive factory options. The quality and condition of this car is excellent. Enjoy our presentation and feel free to contact Dave at 214-213-7072 or Maris at 214-616-2317 with any questions.
During 1959, Ford's Galaxie Skyliner was part of the full-sized line-up. It carried both the Fairlane 500 & Galaxie designations. The Skyliner was only produced for three years, '57, '58, and '59. The last year was the least produced of the Skyliner, with only 12,915 built. This particular '59 Galaxie Skyliner is the best you will find. It is a remarkable car, displaying excellent paint & body in the correct factory colors of Geranium & Colonial White.
The closer you get to this Skyliner, the better it looks. This is truly a collector quality car. The interior features the correct two-tone silver-leaf cloth & vinyl upholstery with protective plastic seat covers front to rear. The dash face is in beautiful condition, displaying stunning factory brigthwork along with the optional Town & Country radio. The dash is padded. This is the best of the best as far as Retractable Fords, inside, out, and underneath. The Town & Country radio is very desired, as are the factory power windows & power-operated seat.
This is a factory air conditioning car. The door panels are in excellent condition. The door undersides are excellent. The power windows all work. The retractable hardtop assembly works as it should. The hardtop is in excellent condition, displaying beautiful brightwork and paint throughout. The engine is the factory 352/300HP "H" code V8 engine. This car is also equipped with an array of rare equipment. It is a factory air conditioning car with power brakes & power steering along with power convenience features inside. The engine compartment displays factory sheetmetal throughout the firewall, inner fenders, and core support.
A true nut & bolt frame-off restoration, the underbody real tells the story. The undercarriage is a further testament to the high quality restoration work done by Mr. Jerry Miller. A low mileage original car, this car was disassembled and treated to a true nut & bolt frame-off restoration. The chassis has been rebuilt and displays excellent suspension and frame components throughout. The trunk and floor pans are excellent. The wheels of choice are the factory steel units with correct wheel covers & wide whitewall tires.


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New Behind-The-Scenes Featurette of Prometheus, The Ship05/29/2012
Here is a new behind-the-scenes featurette of Prometheus, the ship.
This is really fascinating stuff. In this video the filmmakers explain the ship from it's imaginary conception. Starting with the fact that former Lost writer of the film, Damon Lindelof wanted the name of the film to be the name of the ship.
Production designer Arthur Max goes on to explain the entire conception of the ship. Claiming it to be a state of the art expedition flagship, not an interplanetary taxi — and making it look like an insect with a wrap around wind screen. The interior set is amazing as well. Theron, Fassbender, and Rapace all agree.
Listening to him, I'm wondering why GM doesn't hire this guy. I still believe television and film has a lot to do with future technology. Creative minds dream these inventions up and men of science and engineering then build them.
All of this Prometheus talk sort of saddens me really. I hate that America has basically abandoned NASA for austerity. Space truly is the final frontier. Somewhere out there, there must be life or energy or precocious metals and compounds. Eventually the U.S. will be back in the green again, and NASA will be revived, but I'm afraid by the time we get to really exploring space, I will be long gone. And so films like Prometheus must suffice.
The film stars Noomi Rapace, Michael Fassbender, Guy Pearce, Idris Elba, Logan Marshall-Green and Charlize Theron. It opens June 1, 2012 in the UK and June 8th in the United States. The film did cost $120m so I guess the brilliant set isn't altogether surprising. It is nice to know though, that Ridley Scott has put the money to good use. But then, he always does. I watched Kingdom of Heaven again the other day and it was still a flawed film, but my god, the sets were truly spectacular. That's Spectacular with a capital S, folks. The statement is not a platitude. Since Gladiator, Ridley Scott has always hired the very best in set design.
Prometheus 3D – Featurette on the Space Ship
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Primrose, Kantha
Product Code: KT1168
Rs 6,700 Rs 7,200
Primrose is a stylish kantha-embroidered saree. The lovely, purple pure silk saree is decorated with elegant, cream kantha embroidery with intricate patterns. Light embroidery along the borders and body and gorgeous patterns on the pallav define the charm of this pretty, silk saree. Pair this saree with a matching silk blouse and colour-coordinated accessories to accentuate its beauty.


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jumps to Portland's bench
Atlanta Hawks
Big moves: Acquired Joe Johnson from Phoenix for Boris Diaw; added rookies Marvin Williams and Salim Stoudamire and free agents John Edwards (Indiana) and Zaza Pachulia (Milwaukee).
Expectations: This is a young team of super athletes. Johnson, the biggest point guard in the league at 6-7, will fill up the stat sheet and should be an All-Star playing a LeBron James-like, do-everything role.
Boston Celtics:
Big moves: Traded Antoine Walker to Miami, lost free agent Gary Payton to Miami and added free agent Brian Scalabrine (New Jersey), Curtis Borchardt in a trade (Utah) and rookie Gerald Green.
Expectations: This team belongs to Paul Pierce now, but youngsters Al Jefferson and Kendrick Perkins have to come through for the Celtics to be good.
Charlotte Bobcats
Big moves: Added rookies Raymond Felton and Sean May.
Expectations: They are building slowly and wisely and will be much improved in their second season; they move into new arena; and young front line of May, Primoz Brezec and Emeka Okafor has potential to be one of league's best in a couple of seasons.
Chicago Bulls
Big moves: Signed free agents Darius Songaila (Sacramento) and Malik Allen (Charlotte).
Expectations: No team utilized its entire roster better than the Bulls last year, and Songaila fits in perfectly with the team-oriented style. He also gives them depth in the frontcourt with Eddy Curry being traded to New York.
Cleveland Cavaliers
Big moves: New coach Mike Brown and new general manager Danny Ferry; signed free agents Donyell Marshall (Toronto), Larry Hughes (Washington), Damon Jones (Miami) and Alan Henderson (Dallas).
Expectations: Marshall and Jones will spread the floor with their three-point shooting. The pair made a combined 376 three-pointers. James could average a near triple-double playing with versatile Hughes.
Dallas Mavericks
Big moves: Added free agents DeSagana Diop (Cleveland) and Doug Christie (Orlando); waived Michael Finley (San Antonio)
Expectations: Christie provides perimeter defensive stopper and big point guard the Mavs coveted.
Denver Nuggets
Big moves: Added free agent Earl Watson (Memphis) and rookie Julius Hodge.
Expectations:Andre Miller will be used more at shooting guard instead of the point after the addition of Watson, and with a full training camp under George Karl, the Nuggets should get out of the blocks quickly.
Detroit Pistons
Big moves: New coach Flip Saunders; signed free agents Dale Davis (Indiana) and Maurice Evans (Sacramento).
Expectations: Saunders will give them more offensive freedom, and they will score more points. Darko Milicic finally will get his chance backing up both Ben and Rasheed Wallace on occasion.
Golden State Warriors
Big moves: Added rookie Ike Diogu and lost free agent Nikoloz Tskitishvili (Minnesota).
Expectations: Diogu is a sleeper pick for rookie of the year, but it's Baron Davis who holds the key. The team scored 10 more points a game after he came over in a February trade.
Houston Rockets
Big moves: Added free agents Stromile Swift (Memphis) and Derek Anderson (Portland) and rookie Luther Head.
Expectations: There are still question marks at point guard, but Swift fills a major void on the boards with shot blocking and athleticism. Look for the Rockets to run more than they did last season, and Yao Ming, who has had Chinese national team commitments that have forced him to play year round, to be better than ever after getting the summer off.
Indiana Pacers
Big moves: Signed free agent Sarunas Jasikevicius and rookie Danny Granger; Reggie Miller retired.
Expectations: NBA title contender with healthy Jermaine O'Neal and a refreshed and rededicated Ron Artest, who returns after his long suspension.
Los Angeles Clippers
Big moves: Traded Marko Jaric to Minnesota for Sam Cassell; added free agent Cuttino Mobley and rookies Yarolav Korolev and Daniel Ewing.
Expectations: Cassell and Mobley are going to be taking shots from everywhere on the court, and that's not good for Elton Brand and Corey Maggette. Shaun Livingston could beat out Cassell at the point, however, if he can stay healthy. He missed 52 games last year.
Los Angeles Lakers
Big moves: New coach Phil Jackson; traded Caron Butler and Chucky Atkins to Washington for Kwame Brown; added free agent Aaron McKie (Philadelphia) and rookie Andrew Bynum.
Expectations: Jackson is faced with a rebuilding job for the first time in his illustrious coaching career. The 6-11 Brown is the key. If he is a bust, even Kobe Bryant scoring 40 a game might not be enough to get the Lakers back to the playoffs.
Memphis Grizzlies
Big moves: Acquired Eddie Jones (Miami), Raul Lopez (Utah) and Bobby Jackson (Sacramento) in trades; added free agent Damon Stoudamire (Portland) and rookie Hakim Warrick.
Expectations: With Stoudamire and Jackson at point guard, coach Mike Fratello has the steady, clever ballhandlers he needs for his system to work. Eddie Jones will be better defensively and easier to play with than Bonzi Wells (traded to Sacramento) as team chemistry gets a major boost.
Miami Heat
Big moves: Acquired Antoine Walker (Boston), Jason Williams and James Posey (Memphis); signed free agent Gary Payton (Boston).
Expectations:Dwyane Wade will play exclusively at shooting guard, and Williams will keep tempo moving. Walker could be a sixth man of the year.
Milwaukee Bucks
Big moves: New coach Terry Stotts; added free agents Ervin Johnson (Minnesota), Bobby Simmons (L.A. Clippers) and Charlie Bell (Spain) and rookie Andrew Bogut.
Expectations: With Simmons, Desmond Mason goes to the sixth-man role where he will be one of the best. T.J. Ford's health (neck) is critical. Bogut is for real, and Bucks can run their offense through him.
Minnesota Timberwolves
Big moves: New coach Dwane Casey; added free agents Nikoloz Tskitishvili (Golden State) and Richie Frahm (Portland) and rookie Rashad McCants; Fred Hoiberg retired; Latrell Sprewell wasn't re-signed.
Expectations:Marko Jaric is bigger and a better defender than Cassell, which fits into Casey's way of doing things. Casey is big on team chemistry and is extremely organized and patient.
New Jersey Nets
Big moves: Added free agents Jeff McInnis (Cleveland), Scott Padgett (Houston) and Lamond Murray (Toronto), Marc Jackson in a trade (Philadelphia) and rookie Antoine Wright.
Expectations: They want to run, run, run but at least have a tough guy in Jackson. That will really help Nenad Krstic, who battled alone inside last year yet held his own as a rookie.
New Orleans Hornets
Big moves: Acquired Rasual Butler (Miami) and Kirk Snyder (Utah) and rookie Chris Paul.
Expectations: They have been displaced by Hurricane Katrina so most home games will be in Oklahoma City. The change could improve their league-worst home attendance (14,221), but there is no reason to think it will help them on the court. They were the worst shooting team in the league last season (41.5%) and the only team that scored fewer than 90 points a game.
New York Knicks
Big moves: New coach Larry Brown; traded Kurt Thomas to Phoenix for Quentin Richardson and rookie Nate Robinson; traded for Eddy Curry (Chicago); added free agent Jerome James (Seattle) and rookie Channing Frye.
Expectations: Robinson (5-9, 180 pounds) is a fireplug, but Brown isn't big on rookies. He wants to move Stephon Marbury to shooting guard, though. What to do with Allan Houston is still a big question.
Orlando Magic
Big moves: New coach Brian Hill; signed free agent Keyon Dooling (Miami); added rookie Travis Diener.
Expectations: The big move will be Steve Francis at shooting guard so Jameer Nelson can run the point. Magic hired Hill to bring stability and discipline, but they need an inside game to make his system work. That means Dwight Howard will get the ball a lot.
Philadelphia 76ers
Big moves: New coach Maurice Cheeks; added free agents Steven Hunter (Phoenix) and Lee Nailon (New Orleans).
Expectations: Rebounding is a big problem, and Chris Webber will have to help address it. This is still Allen Iverson's team, and under Cheeks he should be as comfortable and as good as ever.
Phoenix Suns
Big moves: Traded Joe Johnson for Boris Diaw (Atlanta) and two first-round picks; traded Quentin Richardson and rookie Nate Robinson to New York for Kurt Thomas; traded for James Jones (Indiana); signed free agents Brian Grant (L.A. Lakers), Raja Bell (Utah) and Eddie House (Sacramento).
Expectations: The defense will be better with Thomas to help Amare Stoudemire inside, and the committee of Diaw, Bell and House will make the loss of Johnson and Richardson palatable, so the Suns' high-scoring offense shouldn't slow down much.
Portland Trail Blazers
Big moves: New coach Nate McMillan; added free agents Steve Blake and Juan Dixon and rookies Martell Webster and Jarrett Jack.
Expectations: McMillan won't take any nonsense from Darius Miles or Ruben Patterson, and he'll make sure Webster gets his minutes and his shots.
Sacramento Kings
Big moves: Added free agents Shareef Abdur-Rahim (Portland) and Jamal Sampson (Charlotte) and rookie Francisco Garcia; acquired Jason Hart (Charlotte) and Bonzi Wells (Memphis).
Expectations: Abdur-Rahim, who was unable to sign with New Jersey after failing his physical, fits in perfectly with the up-tempo Kings and will have space to operate inside because Brad Miller prefers the high post. Wells should flourish with Mike Bibby getting him shots, and the Kings now have a solid bench.
San Antonio Spurs
Big moves: Signed free agents Michel Finley (Dallas), Nick Van Exel (Portland) and Fabricio Oberto (Argentina).
Expectations: The Spurs have perhaps the best bench in the league to go with everything else. Finley and Van Exel averaged a combined 26.8 points, 7.1 rebounds and 6.9 assists last season and are clutch shooters and hardened competitors hungry for a title.
Seattle SuperSonics
Big moves: New coach Bob Weiss; added free agents Mikki Moore and Rick Brunson (L.A. Clippers).
Expectations: Teenager Robert Swift is ready to take over for departed Jerome James at center, and Sonics did well in re-signing Ray Allen, Vladimir Radmanovic, Damien Wilkins and Flip Murray. Nick Collison is primed for a breakout year.
Toronto Raptors
Big moves: Added rookies Charlie Villanueva, Joey Graham and Jose Calderon.
Expectations: Point guard is still a problem, and after Jalen Rose and Chris Bosh, finding points also will be a chore. Donyell Marshall will be sorely missed. Rose could be a much-sought-after player come trading deadline and the team probably will gut things out with youngsters.
Utah Jazz
Big moves: Added free agents Devin Brown (San Antonio) and Milt Palacio (Toronto) and rookie Deron Williams; acquired Greg Ostertag (Memphis).
Expectations: The defense is still suspect, but Williams addresses the biggest need at point guard. The three-point shooting last season was horrible (29th, 3.05 a game), and it won't be any better. Jazz are still thin up front, too.
Washington Wizards
Big moves: Signed free agents Antonio Daniels (Seattle) and Calvin Booth (Milwaukee); traded Kwame Brown to Lakers for Caron Butler and Chucky Atkins; lost free agent Larry Hughes (Cleveland).
Expectations: They couldn't stop anybody lastyear, and they lose their best perimeter defender inHughes. But Atkins will allow Gilbert Arenas to playoff the ball more, and Butler is solid. Daniels'energy and versatility will make up for lossesof Steve Blake and Juan Dixon, who bothsigned with Portland. Trading Brown should also help team chemistry.


text:
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text:
Acorn Gets a Little Nutty With an Almond Milk Tiki Cocktail
Kevin Galaba
The Nationalized Tiki at Acorn
Last week's dip into near-freezing temperatures got us thinking that winter is on its way, but relax -- we're looking at a few more weeks of warm weather here in Denver. It may even hit 90 degrees on Thursday, so what better way to hang on to the last few sips of summer than downing a tiki cocktail?
See also: Acorn: Oak's Founders Branch Out at the Source
At Acorn, the Nationalized Tiki is your ticket to island flavors -- with a few unique twists to keep things interesting. The Nationalized Tiki mixes two kinds of rum, Madeira, lime juice, bitters, and Acorn's house-made almond syrup.
Almond syrup is no stranger to tiki drinks; it's one of the ingredients in a Mai Tai, for example. Almond syrup is often referred to by the name orgeat, which is simply almonds, sugar and rose water. Acorn's orgeat is made by steeping almonds in water, then straining the liquid a day or two later.
The bar at Acorn in the Source.
"We did an experiment where we milked almonds for about 36 hours," says Acorn bartender Alexandra Parks, who created this cocktail with Acorn owner and bartender Bryan Dayton. Her experiment started with heating the almond milk, as opposed to using fresh milk. "We liked the fresh better, so that's what we've been using," she says. She adds sugar syrup to the milk, then bottles it for later use.
The Nationalized Tiki contains two rums: Bacardi Heritage, and St. George California Agricole Rum. Agricoles are rums made from fresh-pressed sugar cane juice, which distinguishes them from standard rum made from fermented molasses. Agricoles are lighter, colorless rums with fresh, grassy flavors. "The St. George Agricole has a briny, green-olive flavor coming through," Parks says. "This distiller always does really off-the-wall projects, and this is definitely an interesting one."
One of the unique twists in her recipe is Madeira, a fortified red wine from Portugal -- this one aged five years in oak and made from Bual and Malmsey grapes, which add flavors of nuts and molasses.
"It's one of the more geeked-out cocktails on our list," Parks says of the Nationalized Tiki. "It's totally different."
Some advice for drinking this cocktail: don't use a straw. Sip it from the glass, so your experience starts with the float of ruby-red bitters, followed by the fruitiness of the wine and sweetness of the almond syrup.
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This category was created to contain all entries related to the various Elf Titles encountered in the Fighting Fantasy publications.
"Eldenurin is a Wood Elf title meaning "Defender-Shaman of the Tribe". This was given to a...Eldenurin
"Chief Wood Elf is the title given to the leader of one of the various tribes of Wood Elves...Chief Wood Elf
""Defender of the Tribe" is a title given to the foremost warrior of a Wood Elf tribe.Defender of the Tribe
"The Elven Prince is the title given to the greatest of the Elven warriors in the First Battle...Elven Prince
"Shaman is a title given to the magical guardian and spiritual leader of a tribe. Wood Elves have...Shaman
Pages in category "Elves-Titles"
The following 8 pages are in this category, out of 8 total.


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text:
From Stump to Ship
|From Stump to Ship
|Directed by
|Alfred K. Ames, Howard Kane
|Distributed by
|Northeast Historic Film
Release date
Running time
|30 minutes
|United States
From Stump to Ship is an amateur industrial film by Alfred K. Ames, former State Senator and owner of the Machias Lumber Company, in Machias, Maine as well as by Dr. Howard Kane of Washington, DC.[1] The half-hour 16mm film was shot over the winter of 1930 in the logging woods and shows logging in the forest with hand tools and horses, then moves to the spring log drive, with loggers using peaveys to break up log jams on icy rivers as the logs are moved from the forest to the mill. Detailed views of mill work, changing the bandsaw, and making shingles. Lumber is loaded onto schooners in Machias for transport to New York. The film was originally silent, with a typed script which Ames read aloud when he showed the film. In 1985, with funds from the Maine Humanities Council, the narration was recorded with the film.[2] The film is distributed by Northeast Historic Film, in Bucksport, Maine. Footage was included in the compilation documentary Woodsmen and River Drivers, Another Day, Another Era[3] which also interviewed the surviving woodsmen of the Machias Lumber Company.
In 2002, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[4]
- ^ Janna Jones, Ph.D. (2003). "From forgotten film to a film archive: the curious history of From Stump to Ship". Film History: An International Journal. 15 (2): 193–202. doi:10.2979/fil.2003.15.2.193.
- ^ Janna Jones, Ph.D. (Fall 2004). "Confronting the Past in the Archival Film and the Contemporary Documentary". The Moving Image. 4 (2): x–21. doi:10.1353/mov.2004.0029.
- ^ "Woodsmen and River Drivers - $19.95 : Northeast Historic Film, Online Store". Oldfilm.org. Retrieved 2016-07-20.
- ^ "Librarian of Congress Adds 25 Films to National Film Registry". Library of Congress. 2002-12-17. Retrieved 2012-09-01.
External links[edit]
- From Stump to Ship from the distributor, Northeast Historic Film in Bucksport, Maine.
- "From Stump to Ship: Forgotten Film to the Formation of a Film Archives"
- From Stump to Ship on IMDb
|This article about a documentary film is a stub. You can help Wikipedia by expanding it.