text:
Walimex pro Beleuchtung Set Video Set UP 256
(indicatief 15 werkdagen)
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Tijdelijk niet beschikbaar
(indicatief 15 werkdagen)
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For professional video shooting with the DSLR or camcorder even in low light, this light set ensures including the powerful, infinitely dimmable walimex pro LED Video Light with 256 LEDs and a Lichstleistung of 390 lux, and the stable FT-8051 Lamp Tripod. Thanks to the power supply via battery or power cord you can use the light stationary or mobile. Likewise, the lamp stand with a small Tranportgröße and convenient carrying bag is portable and flexible. Great flexibility is provided with the diffuser plate supplied as well as the orange color filter plate, allowing you to adjust optimal lighting depending on the shooting situation.
walimex pro LED Video Light with 256 LEDs
Video with your DSLR camera are a great way to capture special events and to create memories for life. Whether in the private sector, for example, Vacation, Sunday walk with the kids or in professional photo and video section, there are many occasions. Unfortunately, lack of ambient light often leads to poor results that can tarnish the joy a. For sufficiently light this LED video light makes.
Under The light is accommodated in a high quality and extremely robust aluminum housing that ensures long life and durable so you will save costs. The lamp is equipped with 256 little LEDs flicker and thus ideal for video shooting. Due to its dimmability the output can be adjusted continuously and thus adjust the lighting to any shooting situation. With the diffuser plate you get a soft, diffuse illumination at a light intensity of 320 lux, which is ideal for portraits. With the orange color filter sheet you change the color temperature from 5000K to 3100K and get a warmer mood lighting at a light intensity of 170 lux
Thanks to the 1/4 inch threaded connection on the long side and the ball head with accessory and 1/4 inch threaded connection, the light is universal: it can be mounted directly on the camera on a tripod or with the ball head. The ball end the luminaire is tilted and rotated.
The power is supplied from the battery pack or the AC power cord, so that the LED light is flexible stationary or mobile use and is also ideal for longer sessions. The battery has a capacity of 6000mAh and ensures a long battery life without having to switch. Also, included in the package includes a 12V car cable, which allows you to save time in the car can recharge the battery.
walimex pro FT-8051 Lamp Tripod
The walimex pro FT-8051 Lamp Tripod with approximately 1780g weight and a transport size of approx 93cm portable and flexible. You can use this studio flashes or reflectors up to a weight of 4kg. The spring suspension provides when lowering the individual stand elements for the necessary security. With the standard spigot connection 5/8 inch and 1/4 inch thread the studio stand for all common studio lights and studio flashes is suitable.
Included in delivery :
1x walimex pro LED Video Light with 256 LEDs incl diffuser plate, orange color filter plate, ball head, charger, 12V car cable, power supply and NP-F970/960 battery, 1x walimex pro FT-8051 Lamp Tripod, 260cm with Carrying Case
- Opbergetui Ja
- Aantal statieven 1 stuk(s)
- Aantal lampen 1
- Kleur Zwart
- Kleurtemperatuur 5000 K
Walimex pro Beleuchtung Set Video Set UP 256
(indicatief 15 werkdagen)


text:
Cat. No. 1370
Price and AvailabilityBy clicking submit you agree to accept a cookie from Tocris Bioscience. For details, please read our privacy and cookie policy.
Chemical Name: (E)-D-erythro-2-amino-1-(dihydrogen
Biological ActivityEndogenous second messenger involved in the control of cell proliferation and motility, and Ca2+ mobilization. Acts as an agonist at sphingosine-1-phosphate receptors (S1P1-5) and as an activator of GPR3, GPR6 and GPR12. Effectors regulated include p38 MAP kinase, PLC, adenylyl cyclase, myosin light chain phosphatase and focal adhesion kinase.
Technical DataM.Wt:
The technical data provided above is for guidance only. For batch specific data refer to the Certificate of Analysis.
All Tocris products are intended for laboratory research use only.
Certificate of Analysis / Product Datasheet / Safety Datasheet
References are publications that support the products' biological activity.
Essler et al (2002) Sphingosine 1-phosphate dynamically regulates myosin light chain phosphatase activity in human endothelial cells. Cell.Signal. 14 607. PMID: 11955953.
Uhlenbrock et al (2002) Sphingosine 1-phosphate is a ligand of the human gpr3, gpr6 and gpr12 family of constitutively active G protein-coupled receptors. Cell.Signal. 14 941. PMID: 12220620.
Pyne and Pyne (2000) Sphingosine 1-phosphate signalling via the endothelial differentiation gene family of G-protein-coupled receptors. Pharmacol.Ther. 88 115. PMID: 11150592.
van Koppen et al (1996) Activation of a high affinity Gi protein-coupled plasma membrane receptor by sphingosine-1-phosphate. J.Biol.Chem. 271 2082. PMID: 8567663.
If you know of a relevant reference for Sphingosine-1-phosphate please let us know.
Citations are publications that use Tocris products. Selected citations for Sphingosine-1-phosphate include:
Kho et al (2015) Application of xCELLigence RTCA Biosensor Technology for Revealing the Profile and Window of Drug Responsiveness in Real Time. Mol Pain 5 199. PMID: 25893878.
Evseenko et al (2013) Lysophosphatidic acid mediates myeloid differentiation within the human bone marrow microenvironment. PLoS One 8 e63718. PMID: 23696850.
Hannedouche et al (2013) Identification of the C3a receptor (C3AR1) as the target of the VGF-derived peptide TLQP-21 in rodent cells. Biosensors (Basel) 288 27434. PMID: 23940034.
Pierre et al (2004) PAM mediates sustained inhibition of cAMP signaling by sphingosine-1-phosphate. EMBO J 23 3031. PMID: 15257286.
Do you know of a great paper that uses Sphingosine-1-phosphate from Tocris? If so please let us know.show all ▼show less ▲
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Keywords: Sphingosine-1-phosphate, supplier, Endogenous, agonists, S1P1, S1P2, S1P3, S1P4, S1P5, Receptors, EDG, Sphingosine-1-Phosphate, GPR3, GPR6, GPR12, Tocris Bioscience, Sphingosine-1-Phosphate Receptor Agonist products
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Save Stickly from Falling Balls - Free
By Best Free and Fun Games, LLC
Open iTunes to buy and download apps.
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See if you have what it takes to Save Stickly From Falling Balls, and come and join THOUSANDS of others in the pursuit for the highest Save Stickly Score!
Customer Reviews
I like how the graphics look
The point of the game is simple. This is a game I would play when there is nothing else to play
I started laughing when I read the description of the game lol
Stickly balls
This game is great! I like how you can change how you play the game. But it's not the best Evertap game I've played.:)
Customers Also Bought
- Free
- Category: Games
- Released: Aug 01, 2012
- Version: 1.0
- Size: 5.7 MB
- Language: English
- Seller: Best Free and Fun Games, LLC
- © 2012 evertap
Compatibility: Requires iOS 3.2 or later. Compatible with iPhone, iPad, and iPod touch.


text:
- snowbank
- noun Date: 1779 a mound or slope of snow
New Collegiate Dictionary. 2001.
New Collegiate Dictionary. 2001.
snowbank — [snō′baŋk΄] n. a large mass of snow, esp. a drift on a hillside, in a gully, etc … English World dictionary
snowbank — /snoh bangk /, n. a mound of snow, as a snowdrift or snow shoveled from a road or sidewalk. [1770 80; SNOW + BANK1] * * * … Universalium
snowbank — noun A heap of snow … Wiktionary
snowbank — Synonyms and related words: avalanche, blizzard, crystal, driven snow, flake, flurry, granular snow, igloo, mantle of snow, mogul, slosh, slush, snow, snow banner, snow bed, snow blanket, snow blast, snow fence, snow flurry, snow roller, snow… … Moby Thesaurus
snowbank — n. mound or pile of snow … English contemporary dictionary
snowbank — snow•bank [[t]ˈsnoʊˌbæŋk[/t]] n. mer a mound or heap of snow • Etymology: 1770–80 … From formal English to slang
snowbank — noun a mound or heap of snow • Syn: ↑snow bank • Hypernyms: ↑mound, ↑hill * * * ˈ ̷ ̷ˌ ̷ ̷ noun : a mound or slope of snow * * * /snoh bangk /, n. a mound of snow, as a snowdrift or snow shoveled from a road or sidewalk. [ … Useful english dictionary
Snowbank Trail — The Snowbank Trail is a hiking trail in the Boundary Waters Canoe Area Wilderness (BWCAW) in northern Minnesota. The trail runs the perimeter of Snowbank Lake and crosses the Kekekabic Trail at the south side of Snowbank Lake. The entire trail… … Wikipedia
Mycena overholtsii — Scientific classification Kingdom: Fungi Division … Wikipedia
Boundary Waters Canoe Area Wilderness — Infobox protected area | name = Boundary Waters Canoe Area Wilderness iucn category = III iucn category = Ib caption = locator x = 162 locator y = 25 location = Minnesota, USA nearest city = Ely, MN lat degrees = 47 lat minutes = 49 lat seconds … Wikipedia


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|Death row isolation cells on Nusakambangan Island, Indonesia
Indonesia, 1 of only 25 countries in the world that still impose capital punishment, has seen 35 people sentenced to death by the courts since the start of the year, according to the Commission for Missing Persons and Victims of Violence (Kontras). That number could grow in the coming years, as the country is mulling whether to widen the application of the ultimate penalty.
Marking the 14th World Day Against the Death Penalty, Kontras issued a report that shows legal flaws in the application of capital punishment and in the execution of 4 death row inmates this year. One bright spot is that some death sentences have been overturned on appeal by the Supreme Court.
"This trend is likely to continue and may even get worse, given the government's legal policies and plans to amend some laws," Kontras warned in the report presented at a news conference on Saturday.
Puri Kencana Putri, Kontras coordinator for strategy and mobilization, called the 4 executions in July "illegal" over flaws in the way they had been carried out. All 4 legal cases had still been pending, Puri said, and none of the convicts' relatives had been properly notified about the executions, as required by the law.
"We even have credible reports to suggest that their isolation cells were flooded knee-deep the night they were executed," Puri said, recalling strong rain that morning at the high-security prison island of Nusakambangan, Central Java, where the executions took place.
A separate recent report looks at how five leading newspapers in the country reported on the execution of death row inmates this year. The Alliance of Independent Journalists (AJI) Jakarta in its report criticized the media for not being critical enough in reporting these executions.
The 35 new death sentences this year add to the already long list of people on death row in Indonesia. In December 2014, President Joko "Jokowi" Widodo ordered that all 64 people on death row should be executed. 18 of them have since met their death in 3 separate rounds of executions, including the latest one in July.
In 2015, 26 people were sentenced to death at courts of first instance, according to the Institute for Criminal Justice Reform (ICJR).
Kontras said that 25 of the new death sentences this year were meted to drug traffickers. They include 24 non-Indonesians, from China (10), Malaysia (6), Nigeria (4), Taiwan (2), and 1 each from the US and Pakistan.
The execution of convicts has become something of a hallmark of the presidency of Jokowi, who has declared war on drug trafficking, an offense that carries the ultimate punishment. 14 drugtraffickers were executed in 2015, but an earlier plan to execute14 more in July was aborted at the last minute; instead only 4 were sent to the firing squad.
Until today, the government has not explained the reason for the literally 11th-hour reprieve for the 10. Attorney General Muhammad Prasetyo insisted their executions were simply being delayed.
Jokowi has publicly rebuked any attempt at intervention by foreign leaders who asked for a stay of executions for their citizens, citing Indonesia's sovereignty. This did not stop European leaders from telling him to stop the executions when he visited Germany, Britain, the Netherlands and Belgium in April.
Indonesia's appetite for the blood of criminals has not stopped there. In the current debate to reform the penal code, politicians are advocating expanding the use of capital punishment to acts of treason, terrorism and terrorism-related activities, genocide, corruption, endangering flight safety, extortion and intimidation. With reports of sexual abuse against children, some politicians have also asked to add this to the list of crimes punishable by death.
The AJI Jakarta report studied 5 Jakarta-based newspapers - Kompas, Republika, Tempo, Media Indonesia and The Jakarta Post - on how they reported the executions this year. The report said all but Republika had taken an editorial position opposing the death penalty, but the study found this to be in contradiction to the tone of their reporting, which supported the death penalty.
Source: The Jakarta Post, October 10, 2016
Watchdog Urges Govt to Cancel Death Executions
The People's Coalition for the Abolition of Death Penalty (Koalisi HATI) has urged the government to implement a moratorium on executions of drug convicts because it violates human rights and has no deterrent effect on drug offenders.
"Death penalty gives no solution for drug trafficking [issue]," said Bahrain, Director for Advocacy of Indonesian Legal Aid Institute (LBH), at his office on Sunday, October 9, 2016. The Joko Widodo administration has executed 14 drug inmates so far. However, data from the National Narcotics Agency (BNN) shows that drug trafficking continues to rise.
"Data from the BNN revealed that there were 1.7 million [drug] users in 2015. After the 2nd round of executions, it has gone up to 5.9 million people," Bahrain said. He has called on the government to change sentences given to death row inmates.
Aside from calling for a moratorium on death penalty, Koalisi HATI has also urged President Joko Widodo to establish an independent team to investigate into wrongful convictions, citing inconsistent approach and lack of transparency in implementing the death penalty.
Head of Indonesian Advocacy for Fellowship of Victims of Drugs Totok Yulianto argued that death penalty is often adopted by the government as the last resort. "In Soeharto era, [death penalty] was adopted on political crimes. In Jokowi era, it is adopted on drug crimes," he said.
According to Totok, the government will find another avenue if it is committed to evaluating the real problems. "Such evaluation has never been done," he said.
In 2014, the government pushed for the death penalty. President Joko Widodo also planned to rehabilitate 100,000 drug users. It turned out that only 21,000 had been rehabilitated, Totok said. Consequently, the government has resorted to the death penalty in 2016. "President Jokowi tries to cover up his failure by [resorting to] death execution," he said.
Source: tempo.co, October 10, 2016
⚑ | Report an error, an omission; suggest a story or a new angle to an existing story; send a submission; recommend a resource; contact the webmaster, contact us: email@example.com.
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My Party DollFavorites [+]
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Running Time: 83 minutes
Released: 11/2007
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Gallery Q celebrates the wild side of 55-plus with art show – artists are invited to submit their works
The annual 55+ Art Show at Gallery Q is on its way... and this is NOT your grandparents' senior art show. The Wild Side of 55+ Plus: Exploring the Untamed Heart will celebrate the creative talents and acquired insights of Orange County's 55-plus population.
Artists from Orange County are invited to bring their artwork to Gallery Q on Thursday, March 17 from 5 to 7 p.m. or Friday, March 18 from 1 to 3 p.m. All artwork is welcome and accepted — media/painting, mixed media, ceramics, wearable art, small sculptures, and photography.
Click on photo for a larger image
Examples of Gallery Q's artworks
There is an entry fee of $25 per piece and a special discount for those 65+ who qualify. Additional entry pieces $5 each — limit 3. Visit www.susiq.org or the Susi Q front desk (380 Third Street) for guidelines and an application form.
A free Artist's Reception with beverages and light refreshments will take place on Friday, April 8 from 4:30 – 6:00 p.m. The exhibit will be on display from March 21 through May 6 from 9 a.m. to 3 p.m. Monday through Friday.
Gallery Q is located in the Laguna Beach Community and Senior Center at 380 Third Street in downtown Laguna Beach. Many of the art pieces in the show will be available for sale, with a portion of the proceeds benefiting Laguna Beach Seniors.
James C. Leonard solo exhibition, The Language of Color, at Avran Art + Design on March 19 – 6-9 p.m.
Avran Art + Design is pleased to present a solo exhibition of artworks by critically acclaimed artist, James C. Leonard, on Saturday, Mar 19 from 6-9 p.m.
Click on photo for a larger image
"Weather's Fine", by James C. Leonard
According to Urban Tulsa Weekly, "Leonard's compositions are entirely non-representational and move the viewer's eye vertically or horizontally across the space. This basic movement is complicated by layers of dropped, speckled, and fragmented colors that infuse not only a rich language of color, but also a visual history left to be discovered by the eye as it moves across the surface. Leonard's inventive layering process results in heavy impasto, or textured, surfaces with a glossy, wet shine, making them particularly beautiful when seen in person."
Avran Art + Design distinguishes itself among the vibrant art scene in Laguna Beach by offering its clients a unique perspective on contemporary art for collectors and enthusiasts. The exquisitely edited gallery exhibits museum-quality glass sculptures, original paintings, avant-garde photography, and distinctive jewelry. Lovers of both contemporary and traditional art will revel in its exclusive collections.
The gallery is located at 540 South Coast Highway, Suite 106. For more information, visit http://www.avranart.com
Landscape painters will pair with mentors at "Mentor Paint-Out Plus" on March 14, at Heisler Park
Landscape painters seeking to improve skills are invited to Mentor Paint-Out Plus at the spectacular Heisler Park in Laguna Beach. Hours are 9 a.m. – noon on Monday, March 14. Cost is free. The event is presented by Laguna Plein Air Painters Association (LPAPA), and LOCA Arts Education.
Click on photo for a larger image
Participants, with their own easels, may paint alongside professional LPAPA artist-mentors as they paint the scenic shoreline views. As a plus, a selection of watercolors, acrylics, and oil pastels will be available to "test drive." The morning will conclude with a helpful, supportive critique of everyone's work.
The event is presented with support from The City of Laguna Beach and local lodging establishments.
Painting will be at Heisler Park, 375 Cliff Dr., in Laguna Beach. For information visit www.LPAPA.org, or www.LOCAarts.org, or call (949) 363-4700.
Sara Gazarek & Josh Nelson next Jazz Wednesdays March 16
Vocalist Sara Gazarek and pianist Josh Nelson have aligned their musical spirits in a way that would make any artistic duo envious. Gazarek's top flight interpretations of the vast and varied American songbook are buoyed by the sensitivity of Nelson's supple command and they have transfixed audiences from New York to Tokyo. More about the artists and to hear their music, visit www.lagunabeachlive.org/concerts/jazzwednesdays
Click on photo for a larger image
Submitted photo
Jazz Wednesdays Winter 2016 brings great jazz music and great food together. Concerts are at the distinctive [seven-degrees] event facility, 891 Laguna Canyon Rd., Laguna Beach, on March 16. A full bar and buffet dinner menu are available for purchase from [seven-degrees]. Cover charge is $20 in advance, $25 at the door. Buy tickets online www.lagunabeachlive.org or call 800-595-4849. Doors open at 5 p.m.; Concerts start at 6 p.m.; Reservations are accepted until 3 p.m. on day of concert or until sold out. Information line is 949-715-9713.
Crystal Cove Alliance to host "Reflections," a spring art show and sale featuring more than 25 artists
Love art? Enjoy the beauty of Crystal Cove State Park? On March 19 and 20 from 10 a.m. – 4 p.m., discover one-of-a-kind works at Crystal Cove Alliance's (CCA) Spring Art Show and Sale, "Reflections," featuring the region's most talented professionals who have captured Crystal Cove State Park with oil, acrylic and canvas.
Click on photo for a larger image
Submitted photo
April Raber
Crystal Cove Clouds
Guests will have the opportunity to meet the artists and purchase their magnificent artwork. Fifty percent of the all proceeds will benefit CCA's mission of restoration, conservation, and education at Crystal Cove State Park.
On March 18, CCA members can enjoy an exclusive preview sale and reception from 4 – 6:30 p.m.
The show will be held at the Education Commons in the Historic District at Crystal Cove State Park, 5 Crystal Cove, Newport Coast, CA 92657. Admission is free, but state park day-use fees apply.
RSVP here or visit www.crystalcovealliance.org or call (949) 376-6200 ext. 35 for more information.
LOCA Arts Education offers watercolor classes with Lydia Delgado: Workshops on both March 10 & 24
LOCA Arts Education is offering affordable watercolor workshops now through April in Laguna Beach. Workshops are on select Thursday mornings, from 9:30 – 11: 30 a.m. at Delgado Gallery, across from Surf and Sand Hotel. Beginners and all levels of artists are invited.
Instructor Lydia Delgado will introduce a plant or flower theme, then will lead everyone together in easy step-by-step painting processes. Participants may choose one, or many workshops, as a new subject and process will be featured at each class. All supplies are included, and everyone takes home finished art each time.
Click on photo for a larger image
Photo by Mike Tauber
Lydia Delgado, artist and instructor of watercolor workshops
Upcoming workshops feature hydrangeas on March 10, and succulents on March 24. Cost is $30 for an individual, or $125 for 5-workshops and advance registration is required.
LOCA is also offering plein air painting workshops, a runway fashion studio, and more. For more information call (949) 363-4700 or visit: http://www.locaarts.org/events/
Art Walk from 6 – 9 p.m. this Thursday
First Thursdays Art Walk member galleries will be open from 6-9 p.m. this Thursday. Everything is free including the trolleys that will take you from north to south.
Art Walk provides a unique opportunity to promote Laguna Beach as a leading, year-round destination and community of fine art galleries. Its mission is to increase the public's exposure to the arts by creating a friendly and entertaining environment during exhibitions, lectures, demonstrations and artist receptions.
More information can be found at www.firstthursdaysartwalk.com
Whitney Gallery
New Paintings of Morro Bay
Marc Whitney
Morro Bay #1
Oil on panel - 10" x 20"
Whitney Gallery
305 Forest Ave
(949) 463-1752
Woods Cove Fine Art
Main Beach Fine Art
The Laguna Foundation for the Arts (LFFTA), a local 501(c) 3 nonprofit organization, announced the official opening of two new art galleries in Laguna Beach. Events marking the occasion will take place during this First Thursday's Art Walk from 6 p.m. – 9 p.m.
The new Main Beach Fine Art gallery, located at 206 N. Coast Highway will exhibit original works by highly regarded fine artists Mia Tavonatti, Fitz Maurice, Victoria Moore, Casey Parlette, as well as the respected local artist Nicholas Hernandez, Ph.D. – who also serves as the gallery curator.
Guests will have the opportunity to preview the newest downtown art gallery and help celebrate with a performance by the internationally acclaimed violinist, cellist and singer, Jessy Greene, who will be introducing some of her original music.
As Art Walk-goers make their way south, they can to stop by the Woods Cove Fine Art Gallery, located at 1963 S. Coast Highway at Diamond Street. The local community is invited to enjoy another incredible gallery opening at LFFTA's second location.
The Woods Cove Fine Art Gallery is an eclectic collaboration of many different artists including painters and photographers, sculptors and musicians. A gallery with a more relaxed feel, this is the place for people from all walks of life to come and experience the arts, and share in collaboration and discussion. There will also be live music during this Thursday's Art Walk opening.
Live! at the Museum presents violin & guitar duo March 10
Laguna Beach Live! presents violinist YuEunKim and guitarist Ines Thomé on Thursday, March 10 from 7 p.m. at the Laguna Art Museum. The duo is acclaimed for offering a scholarly approach to folk music and a lively perspective on classical music.
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YuEun Kim, violin (Seoul, Korea), has won top prizes in numerous Korean competitions and was selected to be a semi-finalist in the 2012 Buenos Aries International Violin Completion. She has performed as a soloist with the Seoul National University Philharmonic Orchestra and the Incheon Philharmonic Orchestra.
YuEun holds Bachelor's and Master's degrees from Seoul National University and is presently working towards her graduate certificate at the University of Southern California on a full scholarship. YuEun actively performs in the Los Angeles area, including recitals at the Pasadena City College, Pasadena Presbyterian Church, Palos Verdes Library and has won first places in USC's Solo Bach Competition and the Strings Concerto Competition.
German-born guitarist Ines Thomé is a multifaceted musician who performs internationally as a solo and chamber musician. She studied classical guitar in Frankfurt and Stuttgart and received a Master's degree (with distinction) at Stuttgart State University of Music and Performing Arts. In August 2013 she began post-graduate work at the University of Southern California in Los Angeles where she will continue as a doctoral student in the studio of Prof. William Kanengiser (LAGQ).
Since a young age Ines won first prizes as a solo and chamber musician in national competitions. Later she received awards from numerous international competitions in Germany and Italy and received a special prize for the best interpretation of a work by Johann Sebastian Bach at the International Guitar Competition in Erwitte.
In 2014 she won the International Guitar Competition in Walnut Creek, California.
Live! at the Museum is a collaboration of Laguna Beach Live! and the Laguna Art Museum that takes place the second Thursday of each month at 307 Cliff Drive. The Museum's doors are open from 5 to 9 p.m. every Thursday. The concerts are free to museum members and to non-members with museum admission. Reservations may be made, at no cost, through the Museum's website at www.LagunaArtMuseum.org or by contacting the Museum's Membership Manager at 949.494.8971 x203. For more information about the series and other concerts, visit online at www.lagunabeachlive.org or phone 949.715.9713.
Community Art Project (CAP) announces "Portraiture" exhibit in second floor gallery at Wells Fargo Bank
"Portraiture", the current exhibit at the CAP Banking on Art Gallery, is a triple-header of figurative work. The juried show features Elizabeth McGhee, Ellen Rose and Bruce Vanderwilt, local artists with well-established backgrounds, each with a distinct style of work and take on the subject.
Elizabeth McGhee, a 2009 LCAD graduate, works in the classic realist style. Her figures have fine definitive features and a smooth texture. The feeling is that they may engage you in conversation at any time, and tell you their story. Her works are from her "Mythica" series. Using people from the Laguna area for models and current day elements along with classical ones, she creates her contemporary interpretations of tales from ancient mythology.
"Medusa", a female whose head is covered with writhing snakes instead of hair, is known for her power of turning anyone who looked at her into stone. McGhee's version shows a woman with a full head of flowing white hair, snakes slithering from behind and above her head. She holds an electrical extension cord in her hands as if handling a snake, while looking straight at the viewer, her face expressing power and confidence.
"Circe" by Elizabeth McGhee
"Circe" shows a woman in black dress, holding a wand in one hand, a drink in the other and a small dog at her side. Circe was a magician with a vast knowledge of potions and herbs. She lived on a small island with docile wild animals. In the tale of the Odyssey she invites the boorish crew of the Odysseus to a feast, serving them with food laced with one of her potions. Turning them into pigs was her way of repaying them for their bad behavior. The model displays a bit of a secretive smile as she looks out of the canvas.
Ellen Rose works in more of a drawing style using bold lines, strong shapes, bold colors and layers of textured paint, paper, fabric and "found" objects. Her works are from two different series: "Vestments" and "The Performers". The works are on large canvases, which give her the room and freedom to paint, enjoying the experience of painting with all its smears, drips and surprises.
The subjects of "Vestments" range from the conservatively dressed to the richly robed, all people of power and authority. It is what is under that public persona that interests and intrigues Rose. Are people really as strong and assertive as they seem, or is there a vulnerable and insecure side they keep to themselves?
"Left/Right" shows two judges in their severe black robes, one white, one black, sitting side by side. Both have very serious expressions. The white one is looking off to the left, with a shade of a smirk, as if something has caught his eye, his fingers are intertwined and his feet crossed at the ankles, holding something in. The black judge, on the right, stares straight ahead, deadpan yet possibly in deep thought, his hands are clasped holding each other, his feet apart. Both are charged with making decisions of import, but both have different influences they don't show the public.
"Fat Lady Sings," from "The Performers" series, is a heavy set lady dazzling in her pearls, rich cobalt-blue fabric draped shoulders and a bright smile, ready to perform and entertain the public. What is interesting is from the waist down the sparkle is absent. Her large gloved hands are clasped in her lap, as if a bit anxious, the colors are subdued green and yellow with a pink underground, the closest thing to sparkles is the gold bracelet on her wrist. What frailties and insecurities does she hide?
Bruce Vanderwilt's works are done "alla prima," all at the first sitting. Working in the representational style, with a limited palette and direct brush strokes, his placement of paint creates line and definition and form, defining the features and mood of the moment. It is all manipulation of the paint that creates the reflections of the light and darkness of the shadows. The paint and rich texture of strokes express themselves and the excitement he enjoys while painting and gives the viewer a chance to experience the feeling of working in oil in a quick and sure manner.
"Coral Necklace" is named for the jewelry piece the model wears, but it is just one element of the image. The fullness of the pink skirted dress, the highlights glancing off the model's arms and her pensive stare all captured by Vanderwilt's deft and deliberate strokes makes one wonder what it is she is thinking as she sits for the artist.
The sultry eyed model in "Lady in Red" again showcases Vanderwilt's rich paint and stroke work. Light illuminating the front of her and the dark shadows defining her back, giving the feeling she that she is there for just a short time and then will be gone.
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The exhibit runs through April 15. Gallery hours are 9 a.m. to 6 p.m. Monday through Friday, and Saturday 9 a.m. to 4 p.m. It is free to the public.
CAP's mission is to increase the visibility and appreciation of art and serve as a catalyst for art education. CAP provides ongoing exhibitions in CAP Gallery, Banking on Art in the Rotunda Gallery space located on the second floor of the Wells Fargo Building, 260 Ocean Avenue.
CAP Gallery is a unique space for juried, solo and retrospective exhibitions. Visit www.caplaguna.org for information about ongoing or upcoming exhibits, submission guidelines for juried shows, to be on our email list or to become a member and supporter of CAP.
CAP is a 501(c)(3) non-profit funded by the member supporters, the lodging establishments and the City of Laguna Beach.
Ed. Note: Artist Fitz Maurice has set out to paint live at all of the US National Parks. She will be submitting her stories from the road to StuNewsLaguna from time to time.
Stories from the Woods: Mojave Desert Animals
Story and photos by FITZ MAURICE
Did you know that wild burros are out roaming the Mojave Desert? A wrangler told me that you hardly ever see wild burros out there anymore. So I couldn't believe my eyes when I saw this one in the distance and was able to zoom in and catch it on camera before he turned tail and scrambled away.
Wild burro roaming the Mojave Desert
There are several things about burros that make us laugh – just when you get use to them standing around like they are half asleep they suddenly throw their heads up and run around madly as if they are possessed! They also "bray" (heehaw) whenever they get excited and it just makes you bust out laughing when you hear them going at it.
Desert Coyote
As hungry as this Desert Coyote looks, it is best not to feed him! Recently, I learned that humans feeding coyotes causes them to become increasingly dependent on man. Coyotes hunt day and night and will eat just about anything. Your trash and the fruit you are growing is food that they will eat. Unbelievably, coyotes will stand on their hind legs to knock down the fruit off your tree and gobble up the spoil.
If they can't find food in your living area, coyotes will return to their natural environments and hunting ways. Coyotes need to hunt for their food in the wild for their species to survive!
I enjoy having a Photo Album Collection - of all the wildlife I've captured by my camera. I encourage everyone to create a personal photo album: a collection of the wild animals you were able to catch with your camera.
You ought to experience Joshua Tree National Park now! This is the best time of year to see the desert tortoise emerging from the underground – where they spend 95 percent of their lives. This is also the best time of year to see the cactus blooming and all the magical wildflowers bursting open, carpeting the desert floor in a quilt of bright colors.
FITZ Maurice has been on a quest to paint 'live' in every National Park in America. Now totally committed to help promote and protect the Parks, the artist is traveling by truck and trailer to each park. Hiking, kayaking and horseback riding in search of the ultimate scene, and finally setting up with portable easel and oil paints, FITZ sets out to capture in paint the wonders that make each National Park a treasure to Americans and all the people of the world. To see her National Park Paintings: www.nationalparkpaintings.com
John Eagle to retire from board of First Thursdays Art Walk
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Plein Air painter John Eagle
First Thursdays Art Walk (FTAW) has announced the retirement of John Eagle, from their Board of Directors. John is one of the founding members of FTAW and has served on the board of FTAW since it's inception in 1998 and held the positions of Treasurer and Director at Large.
"John has been a huge asset to First Thursdays Art Walk. He's been an active and supportive board member and Treasurer since FTAW's earliest years as well as a stellar role model and mentor to students through the LCAD Professional Gallery/ Student Mentoring Program" said Robin Fuld, board member and LCAD Instructor of Professional Studies
"It's been an honor and a joy to work with John. He's always so enthusiastic and encouraging of FTAW - he makes sales every time! He goes all out to ensure visitors to his gallery have an educational enjoyable art experience by providing art demonstrations and discussion, " said Fuld.
"His gallery, Studio 7, is named after his favorite studio at LCAD, his alma mater!"
Eagle was born in Ashtablula, Ohio. He grew up in Hawaii and the San Francisco Bay area. His artistic career began in San Jose, California, where he completed his undergraduate degree at SJSU.
His post graduate studies were at Otis Art Institute and the Laguna College of Art and Design. He is a member of the Laguna Plein Air Painters Association, Sawdust Art Festival, Festival of Arts,Southern California Artists Association, American Impressionist Society. He is an instructor of oil painting for the City of Laguna Beach and the Sawdust Art Festival. John is also a registered artist in Who's Who in American Art.
John paints en plein air (on location) using an impressionistic style half way between French and American impressionism. He applies thick, undiluted oil paint with a flat brush in such a manner that the colorful image changes in appearance depending on the lighting and viewing distance.
John's objective is to dramatize the quality of light and stimulate a warm positive feeling of serenity and tranquility. You can visit John at his gallery, Studio 7 Gallery at 384 N. Coast Hwy where he will continue to mentor, educate and delight all who visit.
Dora Orgill, President of the FTAW Board of Directors said "On behalf of the Board of Directors of First Thursdays Art Walk, we would like to thank John for his exceptional service over the years. We will miss him."
In memory of Ken Auster/In Gratitude
A tribute By CAROLE ZAVALA
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One of the first things I see each morning is a beautifully rendered painting of the "beaches" house at Crystal Cove painted by Ken several years ago. I purchased it because it reminded me of the many years I was fortunate enough to live in the Cove, in the early 70s, and because of the "fresh" approach to a scene that has been painted many times. And… it was clearly a Ken Auster work. Lucky me!
One of Ken's many gifts was his ability to share his approach to painting with other artists. About eight years ago I asked him if he would be willing to let me bring some artists, who were part of the Art Salon I run for the City, to watch him paint and hear his perspective on how he worked. He agreed and on that special afternoon about 15 of us crowded into his studio (amidst the canvases, used gloves, paint tubes and partially finished paintings), to watch in amazement as he brought several paintings to life within a matter of minutes with swift, vigorous and lively strokes!
We were in awe of his talent, gift for humor, technique and practical suggestions for how to compose and execute a painting.
The meticulous painters among us were astonished at his "never clean a brush" philosophy and learned some significant lessons about the value of a limited palette. Whenever I mention that afternoon to some of those artists who are still part of our group, they remember, in vivid detail, the ideas and concepts he shared with us. I have his video, which is always checked out, and am grateful to be able to pop it into the DVD and have him come "alive" for all of us one more time.
He was a gracious, charming and very gifted Laguna treasure. He will be missed.
Louis & Keely: 'Live' at the Sahara opens February 27 at Laguna Playhouse – acts of musical sensation
The Laguna Playhouse Artistic Director Ann E. Wareham and Hershey Felder Presents are thrilled to announce the fourth show in the Laguna Playhouse 2015-2016 season. Tony award-winner Anthony Crivello and Vanessa Claire Stewart will star in Louis & Keely: 'Live' at the Sahara, written by Vanessa Stewart, Taylor Hackford and Jake Broder, with choreography by Vernel Bagneris, and directed by Taylor Hackford.
"Our subscribers and audiences are about the have the time of their lives as we transport them to 1950's Las Vegas and beyond – and the incomparable song-stylings of Louis Prima and Keely Smith," says Wareham.
Louis & Keely: 'Live' at the Sahara will begin previews on Wednesday, Feb 24; will open on Saturday, Feb 27 and will run through Sunday, March 27 at the Laguna Playhouse, 606 Laguna Canyon Road.
Anthony Crivello and Vanessa Claire Stewart star in
"Louis & Keely: 'Live' at the Sahara," opening at Laguna Playhouse
Louis & Keely: 'Live' at the Sahara is the compelling story of Louis Prima and Keely Smith, who were an American musical sensation in the 50s and 60s, pioneering the Lounge Act in Las Vegas. The show features many of the duo's greatest hits including "That Ol' Black Magic," "Hey Boy Hey Girl," "What is This Thing Called Love." Even "Frank Sinatra" appears in this dramatic new American musical, featuring a hot seven-piece live band that is guaranteed to bring down the house.
Performances will be Wednesdays through Saturdays at 7:30 p.m., Saturdays at 2 p.m., and Sundays at 1 p.m. There will be additional performances on Thursday, February 25, Thursday, March 10 and Thursday, March 24 at 2 p.m., and Sunday February 28, Sunday, March 6 and Sunday, March 20 at 5:30 p.m. The Sunday, March 27 performance will be at 4 p.m.
Tickets range from $53 - $66 and can be purchased by calling (949) 497-ARTS or online at http://www.lagunaplayhouse.com. Group discounts are available by calling 949-497-2787 ext. 229.
The box office is open Mondays – Saturdays: 12 p.m. to 5 p.m. (open until showtime on performance days), Sundays: 11a.m. – 4 p.m. For more information on all shows and programming visit www.lagunaplayhouse.com.
LPAPA and LOCA present workshop with landscape painter, Michael Obermeyer on Feb 27: sign up now
Noted artist Michael Obermeyer will lead a special landscape painting workshop in Laguna Beach on Feb 27, from 10 a.m. – 4 p.m. The activity is part of a new collaboration between LOCA Arts Education and Laguna Plein Air Painters Association (LPAPA). Adult oil painters of all levels are invited.
Photo courtesy LPAPA
Michael Obermeyer teaches
Obermeyer, an annual exhibitor at Festival of Arts, is a premier artist signature member of LPAPA and a recipient of LPAPA's 2015 lifetime achievement award. He will lead participants through a complete plein air painting experience, including planning the composition, mixing and laying paints, and adding details.Everyone will take home finished art.
The workshop is a unique and special offer, provided with support from the City of Laguna Beach and local lodging establishments. Cost is $125 and advance registration is required. The location and a supply list will be provided upon registration. Visit LPAPA.org, LOCAarts.org, call (949) 376-3635 or click link:
Art-A-Fair: Call For Artists 2016 show, by Feb 21
Art-A-Fair announces the call for artists to be juried for the "Art-A-Fair" summer art festival, held June 24 – August 28, 2016 in Laguna Beach. There are no residency restrictions on exhibitors; the show is open to all fine artists and master craftsmen.
Jury Day: February 21, 2016. The deadline for mail-in submissions: February 6th. Artists may jury with more than one medium. Jury fee is $40 per medium. Three original works of art are required for each medium.
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Entry Deadline: February 21
Eligibility: Art-A-Fair, one of the three premier art shows held each summer in Laguna Beach, is the only show that places no residency restrictions on exhibitors. Open to all fine artists and master craftsmen.
Medium: All media may be submitted to be juried, including oil, acrylic, watercolor, sculpture, mixed media, fiber, digital art, charcoal, pencil, ceramics, glass, jewelry, photography, and wood.
Prospectus / Website for More Info: http://art-a-fair.com/call-for-artists-2/ or call 949-494-4514.
Ed. Note: Artist Fitz Maurice has set out to paint live at all of the US National Parks. She will be submitting her stories from the road to StuNewsLaguna from time to time.
Highlining is happening at Joshua Tree National Park
By FITZ MAURICE
"Hanging out with friends" definitely takes on higher meaning when highlining! Still a very new and evolving outdoor sport, it's what's happening in Joshua Tree National Park these days.
I've been traveling to each national park in the West for many years now and I've seen rock climbers of many ages conquering their summits. What I was thrilled to see at Joshua Tree was so many 20 to 30 year olds interacting with each other and having a blast – outside in their national park.
I started my visit in this national park in my usual way; going immediately to the visitor center to check out what was happening this season. The "front door" appeal to this park is a little dusty but the deeper you delve into its many areas of intrigue, the more you discover the colorful facets of this diamond in the rough. There are vast views of open land you can meditate on, or there are gigantic rock piles from prehistoric time to be conquered.
As soon as I hit the parking lot of Hidden Valley in Joshua Tree, I was struck by the sight of a human being suspended in the sky. My eyes couldn't see the nearly invisible rope that was supporting the figure nearly 150 yards away. I stood staring in awe – till suddenly he fell off! Fortunately he was retrieved by a climbing harness that held him like a leash, and he sprung back up to the main line. Thank God for this safety device because there was no net below.
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Photo by Fitz
"Highlining" at Joshua Tree
These quiet and intensely focused individuals are called Sky Walkers. They pull themselves up to a vertical standing position then proceed to tightrope from the tip of a huge boulder to the top of a giant pinnacle – on a one-inch rope. Personally, I'm not going to do it, but I did enjoy observing and photographing the human figure suspended in up in the air.
I asked John, at Nomad Ventures (the local mountain equipment store), "Why highlining over rock climbing?" He explained that there is a real special "oneness," like there is in surfing; a relationship that takes place between the individual and the "source of all." You must unite with being suspended. You have to remain in such total concentration while balancing that you can't think about your problems – so it's a release from daily tensions. You can come of it with a huge sense of wellbeing.
I was amazed that some of our national parks were cool enough to allow rock climbing and highlining. And here's a happy 100th anniversary and a pat on the back to our National Park Service for having the mastery to set free new outdoor enthusiasts who have found new ways to enjoy their park.
I decided to ask Dan Messaros, of National Park Service Law Enforcement, "How do you feel about these activities and are there many accidents?"
Dan was glad to respond, "We haven't had very many problems. There seem to be fewer injuries with highlining than rock climbing, really. We haven't had many emergency calls in the last five years that I am aware of. We ask all highliners to wear their climbing harness leashed to the main line for their safety and that of our park."
Do you want to hang out, literally? Do you want to try highlining? Before you buy the gear, I recommend you go check it out. Watch it live in Joshua Tree National Park.
FITZ Maurice has been on a quest to paint 'live' in every National Park in America. Now totally committed to help promote and protect the Parks, the artist is traveling by truck and trailer to each park. Hiking, kayaking and horseback riding in search of the ultimate scene, and finally setting up with portable easel and oil paints, FITZ sets out to capture in paint the wonders that make each National Park a treasure to Americans and all the people of the world.To see her National Park Paintings: www.nationalparkpaintings.com
Louis & Keely: 'Live' at the Sahara opens February 27 at Laguna Playhouse – acts of musical sensation
The Laguna Playhouse Artistic Director Ann E. Wareham and Hershey Felder Presents are thrilled to announce the fourth show in the Laguna Playhouse 2015-2016 season. Tony award-winner Anthony Crivello and Vanessa Claire Stewart will star in Louis & Keely: 'Live' at the Sahara, written by Vanessa Stewart, Taylor Hackford and Jake Broder, with choreography by Vernel Bagneris, and directed by Taylor Hackford.
"Our subscribers and audiences are about the have the time of their lives as we transport them to 1950's Las Vegas and beyond – and the incomparable song-stylings of Louis Prima and Keely Smith," says Wareham.
Louis & Keely: 'Live' at the Sahara will begin previews on Wednesday, Feb 24; will open on Saturday, Feb 27 and will run through Sunday, March 27 at the Laguna Playhouse, 606 Laguna Canyon Road.
Photo by Hershey Felder Presents
Anthony Crivello and Vanessa Claire Stewart star in
"Louis & Keely: 'Live' at the Sahara," opening at Laguna Playhouse
Louis & Keely: 'Live' at the Sahara is the compelling story of Louis Prima and Keely Smith, who were an American musical sensation in the 50s and 60s, pioneering the Lounge Act in Las Vegas. The show features many of the duo's greatest hits including "That Ol' Black Magic," "Hey Boy Hey Girl," "What is This Thing Called Love." Even "Frank Sinatra" appears in this dramatic new American musical, featuring a hot seven-piece live band that is guaranteed to bring down the house.
Performances will be Wednesdays through Saturdays at 7:30 p.m., Saturdays at 2 p.m., and Sundays at 1 p.m. There will be additional performances on Thursday, February 25, Thursday, March 10 and Thursday, March 24 at 2 p.m., and Sunday February 28, Sunday, March 6 and Sunday, March 20 at 5:30 p.m. The Sunday, March 27 performance will be at 4 p.m.
Tickets range from $53 - $66 and can be purchased by calling (949) 497-ARTS or online at http://www.lagunaplayhouse.com. Group discounts are available by calling 949-497-2787 ext. 229.
The box office is open Mondays – Saturdays: 12 p.m. to 5 p.m. (open until showtime on performance days), Sundays: 11a.m. – 4 p.m. For more information on all shows and programming visit www.lagunaplayhouse.com.
JoAnne Artman Gallery presents "This is America," new evocative works by painter America Martin
From a press release
Plan to join JoAnne Artman Gallery as they celebrate Colombian American painter, America Martin showcasing her new works in both; oils and acrylics as well as mixed materials. America's artistry, in motion and content, spills over her canvases. With visually stimulating and emotionally penetrating style, America delivers her most powerful works to date.
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America Martin's "The Hold Up"
As I went walking I saw a sign there…and on the sign it said 'No Trespassing'…But on the other side it didn't say nothing...That side was made for you and me.
– Woody Guthrie.
See the signs or, rather, signposts in America Martin's new works emboldened by the unexpected...the dangerous...the pleasurable. Paper collages direct you to the open highway in Vroom...America speaks: "Feel only the boxing wind." Oil and acrylic provide sensual delight in Red Woman...Blue Woman...Red, White or Blue. Each expression and impression tells us something about ourselves textually, visually, and artistically. Open road – open America.
America Martin (b. 1980, Los Angeles, California) lives and works in Los Angeles. Her work will inspire, provoke, engage and mesmerize. The show runs until April 15 at JoAnn Artman Gallery, 326 N. Coast Hwy, Laguna Beach. Open Wednesday – Sunday, 11 a.m. – 5 p.m. www.joanneartmangallery.com
Gallery Q celebrates the Power of RED at their first show of the 2016 season through February 27
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Submitted photo
Gallery Q, located at the Laguna Beach Community and Senior Center, has announced its inaugural show for the 2016 season — "RED" The Power and the Glory. RED is energizing and exudes a strong and powerful energy.
In Eastern cultures such as China red is the color for good luck.
Over 60 pieces of art including paintings, sculptures, etchings, photography, ceramics and fiber art inspired by the color RED are currently on display through February 27, 2016. A special showing of art by children involved in the City's Artful Everyday Program will be featured, as well.
Selected pieces of art are available for sale with a percentage going to the Susi Q to support its art program. Artwork may be viewed from 9 a.m. – 3 p.m. Monday through Friday, although some rooms may be closed when classes are in session.
Meet the artists and view the exhibit at the free, public art reception on Friday, Feb 12, from 4:30-6 p.m. Limited parking is available at the Center. Refreshments reflective of the Chinese Lunar New Year and Valentine's Day will be served.
Young Artists Shine at 2016 Annual ImageMakers Photography Exhibit at Laguna's Boys & Girls Club
The Boys & Girls Club of Laguna Beach invites the community to come see this year's talented young photographers and Regional Selections as the Club holds its 2016 Annual ImageMakers Photography Exhibit at its Main Branch on Feb 12.
Everyone is welcome to join the Club on opening day to view the exhibit that will highlight over 200 photos that will be on display. During the exhibit on opening day, the Club will also host a show opening for the whole family to enjoy together between 5:30 and 7 p.m.
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Vallery, a young photographer
The Photography Exhibit is an opportunity for young minds to explore their creative sides and develop their artistic and technical skills by taking photos and much more. They get a chance to make art from the world around them and learn to look closely at what they see with a creative and imaginative eye.
Throughout the year, members have been participating in Photography Club and this annual exhibit is the selection of their best work. The first place pieces will go on to be judged at the Regional Exhibit, and then they go to National, where they have a chance to compete against over 4,000 other Boys and Girls Clubs across America.
Boys & Girls Club of Laguna Beach has won nationally six times.
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Gracie—another talented young photographer
Ed. Note: Artist Fitz Maurice has set out to paint live at all of the US National Parks. She will be submitting her stories from the road to StuNewsLaguna from time to time.
Stories From the Woods XVI: Sequoia National Park
By FITZ MAURICE
It feels fabulous to be on the Quest 2016, and here I am in the snowy Sequoias! Personally, this is my favorite National Park simply because it's easy for me to get to in the center of California and yet it feels way out there with its deep woods and high mountains.
In the summer I love swimming in the fresh water of Hume Lake in Sequoia National Park – one of the few National Parks that allows public swimming! Now, in wintertime, I find that I treasure the peace and stillness of this season more than ever. Walking in the solitude of woods newly powdered with snow renews and refreshes one's spirit. When was the last time you had rosy cheeks and caught snowflakes on your tongue?
Here in the woods I am enjoying reading and writing; two forms of communication that are disappearing from our high-tech society. I like reading about trees and the ways of nature. I want to learn the names of the trees that surround me, and how they have managed to survive hundreds or thousands of years in this weary world.
It was exhilarating to learn, for example, that snow and long periods of cold weather help destroy the tree-killing beetle that has been devouring thousands of acres trees throughout the state of California. The more I live in snowy environments and read about the benefits of cold winters, the more I happily adapt and take delight in nature's ways.
Fitz Maurice's oil painting, "QUEST, Sequoia National Park, California"
This oil painting, "QUEST, Sequoia National Park, California," is the very first piece in the National Park Paintings series. It reveals a radiant sunset reclining behind the mountains with rays of color that stretch across Hume Lake in the foreground. Hopefully, this painting invites you into its refreshing embrace!
Did you know that there are nine National Parks in California? You can easily see Sequoia and Kings Canyon National Park (right next door), and then you're just a hop, skip and a jump away from the spectacular Yosemite National Park.
Did you know that America's newest National Park is Pinnacles National Park in Northern California? It was designated on January 10, 2013.
What is your favorite National Park – and why? There is a National Park for you to enjoy each season of the year. Find the one nearest you. Get outside and have some real winter fun!
FITZ Maurice has been on a quest to paint 'live' in every National Park in America. Now totally committed to help promote and protect the National Parks, the artist is traveling by truck and trailer to each park. Hiking, kayaking and horseback riding in search of the ultimate scene, and finally setting up with portable easel and oil paints, FITZ sets out to capture in paint the wonders that make each National Park a treasure to Americans and all the people of the world.To see her National Park Paintings: www.nationalparkpaintings.com


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For all you nostalgia freaks out there, I couldn't help but post this for some afternoon downtime. Maybe these aren't the top 25 2600 games, but some real keepers in here. I remember playing these games like it was yesterday.
For anyone utterly fascinated about my emerging personality, the ones that I played endlessly here were Adventure, Breakout, Chopper Command, Combat, Defender, Frogger, Indy 500, Jungle Hunt, Missile Command, Pitfall!, River Raid, and Star Raiders. The ones I put in bold were my absolute favorites.
What about you? What were your favorite Atari 2600 games from back in the day?
This video comes courtesy via jvgsjeff.


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Edward Cullen: Confessions of a Serial Killer ~SoapyMayhem
Thanks to my beta Twimarti!
Disclaimer: Twilight, Dexter, and all publicly recognizable characters, settings, etc. are the property of their respective owners. The original characters and plot are the property of t he author. The author is in no way associated with the owners, creators, or producers of any media franchise. No copyright infringement is intended.
Warning This story contains violence, language, and non-sensational depictions of rape and sexual abuse. Rated M for a reason. ***This chapter does contain a brief description of sexual abuse.**
Chapter 9 **Heroic**
*~Bella Swan~*
Save Me by Aimee Mann
C'mon and save meWhy don't you save meIf you could save meFrom the ranks of the freaksWho suspect they could never love anyoneExcept the freaksWho suspect they could never love anyoneExcept the freaks who could never love anyone
**October 23, 2009**
Warmth, safety, silence, strong arms - cradling me.
I relaxed into the body I was pressed against, and inhaled the spicy scent swirling in the air around me.
Sandalwood, masculine, leather, soap, and musk - comforting me.
I looked up into the glaring sunlight waiting for my eyes to focus.
Emerald green, bronze, pale skin, straight perfect lines, thick brows, and dark lips speaking my name over and over.
Was I shaking? I wasn't certain.
Had I not answered him?
I blinked a few times.
I was disoriented - dizzy.
I was in Edward's arms.
Was he calling my name?
Edward was holding me.
I wasn't fighting it.
Why did it feel so natural - so right?
I was almost certain that I what I was experiencing had to have been some type of trauma induced delusion - it wouldn't have been the first time.
A large, warm hand cupped my face gently, and I could hear my name being spoken so softly that I barely heard it. Edward. It was the sound of man cursing loudly that broke through my hazy bubble of wonder, and severed my connection to Edward's green gaze.
His features, once soft and worried, turned predatory almost feral. His grasp on my arms tightened almost painfully, as he crushed my body protectively to his hard chest. In my shock, I hadn't known how long I'd been in his grasp. I hadn't answered him, because I was afraid to break the spell. I felt content in his arms, even though he was hanging on to me, shielding me as if he were a dog protecting his bone
Edward looked back into my eyes and his features seemed to relax a bit, and then opened his mouth as if to say something, but was interrupted.
"Dr. Cullen, are you alright?" I heard an older feminine voice ask him worriedly. I was both relieved and a bit affronted that she hadn't seemed concerned with me - the barely conscious woman wrapped in the handsome doctor's arms.
"I'll be fine. Let's just make sure he doesn't run off before the police arrive," Edward spoke calmly, masking the venomous anger I sensed was bubbling under the surface.
Once I began to become more aware of my surroundings, I heard several people asking if I was alright, or if I was 'that Swan girl'. I couldn't think to answer as their voices were being drowned out by the sight a few large men - truckers by the looks of them - who were physically restraining Mike Newton. He was shouting and fighting to get away.
I turned my attention to his car and couldn't help the choking sob that escaped my lips when I saw how deeply it was imbedded into the side of my own vehicle. It appeared as though half of my beautiful car had been smashed in, fucking asshole.
Why did he have to go and fuck up my car like that?
Realization struck - he wasn't trying to hit my car. It was me, and Edward must have just been in the right place at the right time. He practically swooped down and saved me as if he were my own personal guardian angel.
"Were you following me?" I asked hoarsely. Screaming had caused my throat to ache.
Edward's eyes snapped to mine. A range of emotion swept over his angelic face - relief, frustration, curiosity, confusion, and then amusement.
"I wasn't following you. I was invited, remember?" he reminded with a small smile tugging at his lips.
"Oh… yeah… hey, I waited on you for a long time," I chided meekly.
"Well, I guess it's a good thing I showed up when I did," he chuckled. His amusement was surprising, considering the events that had just occurred. Then he looked pensive suddenly, as if he'd heard my thoughts.
"Edward?" I asked quietly.
"You saved me."
"I suppose I did," he chuckled darkly.
"Umm… is Mike going to go to jail?"
"Umm - what?"
"Umm, you're umm… holding me…" I replied anxiously, as though acknowledging the miracle that was happening would make it go away. The feeling of being wrapped in his protective arms was indescribable. I didn't want it to end.
"Shit! I'm sorry… are you okay? Are you panicking or… are you… okay?" he sputtered loosening his tight grip on me.
"Fine… I'm… I'm actually fine…" I replied in amazement. His eyes widened and I felt him tighten his grasp again, pulling me harder to his chest.
He seemed to sense our surroundings and the prying eyes of the crowd we'd drawn. It was obvious that we couldn't stay in this position forever. He sighed and reluctantly began to loosen his hold on me.
"Do you think you can stand?" he asked in concerned tone that caught me off guard.
"I think so," I muttered uncertainly. My body was quite sore, and I assumed that some kind of trauma had occurred when I tensed to brace myself for the impact of the vehicle, only to be sideswiped by Edward instead.
My muscles protested from the effort it took to stand, while my body protested over the loss of Edward's warmth and comfort. I wanted to grab onto him and wrap my legs around his waist and thank him properly for what he'd done. Before I had a chance to embarrass myself by voicing my needs, Edward stood wincing in pain. I glanced down to his legs only to see that part of his pants had been shredded and were soaked in blood.
"Oh my God, you're hurt," I shouted and moved to kneel in front of him to access the damage. My hands fluttered around his injuries, never touching for fear of causing him pain. I felt helpless.
"Bella, don't, its fine - just a pair of skinned knees, nothing some Neosporin and a few bandages won't mend," he assured me with a barely masked grimace.
He sounded certain, but there was so much blood. I glanced at him skeptically, but he simply held his ground and moved to assist me back to my feet. I wrung my hands together not knowing what to do with them.
When I heard the sounds of sirens and the police cruiser pull up near us, I took a surreptitious glance toward Mike. He was injured - I could tell by the blood on his forehead, though I wasn't sure if that had been caused from fighting the truckers or the accident.
I pondered the expression on his face. I was expecting rage, but now it was only fear that marred his deceptively innocent - albeit bloody, boy-next-door baby-face.
I couldn't help the smug look I gave him as the officer read his rights.
What the fuck had he expected to happen?
A couple of ambulances arrived, one for Edward and I, and the other for Mike, who traveled with an officer. I imagined that they couldn't take him to jail yet with the gash on his head. I sincerely hoped the fucker had brain damage.
Edward sat beside me in the ambulance, and I couldn't help but notice the confused looks he kept shooting to our joined hands. I was too busy relishing the new feeling of comfort to make mention of his behavior.
Laying helpless on a gurney with a neck brace on made me regret telling the EMT about my slight neck pain. I tried to refuse it, but Edward had insisted, giving me a pointed look that said 'don't fuck with me, I'm a doctor'.
I was grateful though when the same EMT insisted on checking out Edward's injured knees as well. Though, I had to turn away when she cut the shredded fabric of his ruined pants. I didn't like the idea of Edward being in pain.
The ride to the hospital was short and by the time we had arrived, Edward informed that there were already a couple reporter's from the local press standing out front. I mean, I knew it was a small town, but I hadn't expected to have to deal with reporters over the incident.
"Edward, I don't want to talk to them. Would you mind keeping them away?" I asked nervously.
"Of course, but be prepared, because we will have to talk to the police," he reminded softly.
"Yeah… I guess I kind of figured that. I just don't understand why this is such a big deal to the freaking paparazzi though," I grumbled petulantly. I hated being seen as a victim, though there were worse things people could consider me. I had to remind myself not to think of that time. This was nothing like that.
"For one thing, you are probably the biggest celebrity to ever come to Forks…" he teased. I scoffed at his words. "…and as for Newton, he's used all his 'Get Out of Jail Free' cards."
"What's that supposed to mean?" I asked confused.
"I may have had Emmett do a little background check on Newton after last week at the diner, and thank fuck I did," he chuckled humorlessly.
"Oh… so what… has he been involved another hit and run before?" I asked appalled that he might have hurt someone else.
"Not exactly… He's been accused of sexual assault a few times, but it never stuck. It would seem that his family's wealth always got him out of it -" he clarified until I interrupted.
"He… he… he's a rapist?" I asked barely able to hold myself together from the onslaught of memories. For a split second an image of Mike putting his perverted hands on me in the grocery store parking lot flashed in my mind, but then changed and went in a direction I really didn't want it to go.
The taste of copper blood on my tongue from biting it to fight the urge to scream, the acrid stench of sweat from him that mixed with rotten fish from a nearby dumpster, the cold steel of the gun as it slid into my panties, and the mind numbing sound that it made when the shot fired into the darkness.
Not while I'm awake!
Control yourself!
"Bella…. Bella? Answer me. Are you okay?" Edward pleaded worriedly.
I could only imagine how I must have looked on the verge of panic attack.
He probably thinks you're a freak - though he was the one who was hanging around my house like a stalker in the middle of the night.
I reminded myself to ask him about that the next time we were alone.
Just because he saved my life didn't mean he wouldn't have to give me an explanation. I only hoped that when the time came, I wouldn't have to force it out of him.
"I'm sorry. I'm okay now. I…," I trailed off struggling for the right words to say, because I didn't know how to explain my reaction in any way other than telling the horrific truth.
There was no way I was ready for that.
It wasn't long after we arrived that Edward informed me that Alice and Esme had shown up and were going to give us a ride to the police station, and afterward, take me home.
I wanted to think that they only came for Edward, but I had a feeling they were there for me just as much. It warmed my cold, black heart a little bit.
"Oh, my God, Bella. I was so worried. Are you okay?" Alice shrieked with panic lacing her musical voice as Edward and I entered the waiting room.
"I'm fine now, just a bit sore. Though, I don't think I would have come out so well had Edward not been there to save me," I assured her and gave an appreciative glance in Edward's direction.
"My hero," I cooed to him jokingly, in a faux-southern accent.
I had expected him to look proud, or embarrassed, or maybe even shrug off my compliment in a humble manner. What I hadn't expected was the look of irritation that marred his lovely face. With furrowed brows, he cleared his throat and excused himself before walking off. Alice hadn't seem to notice his clipped tone and proceeded to fuss over me as I pretended to listen, giving only short, half-hearted answers.
By the time Alice, Esme, and I made it to the exit, Edward had Esme's car waiting for us at the curb and was shooing away the reporters who were trying to interrogate me. His concern for me, despite the obvious fact that something I'd said had upset him, made me confused. Though, it hadn't made me any less grateful. I was about to be interrogated enough as it was, because our next stop was the police station.
I had never been looked at with so much pity, as I had in the presence of my late father's former co-workers. They hadn't been this bad at the funeral.
It seemed like the entire police force had felt it necessary to comment on how alike my father and I looked, or what a great man he was, or the fact that had he been alive, he would have seriously murdered Newton for what he'd done to me.
The comments were a bit much and only served to bring up old memories. I pushed the thoughts aside and tried to focus on giving an accurate description of the diner incident.
I was thankful that they let me answer their questions with Edward in the room. He'd been especially helpful at putting together the parts that I missed.
When I was asked if I knew why Newton wanted to hurt me, I knew I'd have to recount that incident as well. Edward's jaw was set tight, lips in a hard line, and his knuckles turned an angry shade of white as I described - in detail - the original altercation from the parking lot. He only seemed to relax when I described how I'd 'defended' myself.
Edward and several officers cringed at the mention of my kneeing Newton in the balls.
I was ready for it all to be over with. It was difficult rehashing those details. Though, compared to the last time I'd been required to give a statement, this was a piece of cake. I couldn't think of that time though, if I let my mind wander, I'd be chucked in an asylum for acting like the disturbed individual that I was.
My fingers were restlessly tapping against the arm of the chair.
I had only had his arms wrapped around me for maybe half an hour and his hand for a few minutes in the ambulance, but I missed his touch. He was the first man in years to touch me without eliciting a panic or defensive response. It had been glorious, so I couldn't help but be disappointed that he hadn't offered me his hand again.
This was insane. I needed to talk to him.
When we were finally done giving our statements, Edward started to head toward the exit. Before Alice and Esme were in earshot, I called his name.
"Edward, wait."
He turned, eyeing me warily.
"I…" the words lodged in my throat.
Something in my expression must have gotten to him because quickly his tense demeanor melted into the same concerned face that I'd gazed upon in the diner parking lot. He moved closer towards me.
"Is there something you need?" he asked softly.
Yes, you.
"Umm… Do you think we could you know… talk. I mean it doesn't have to be tonight. I am sure your exhausted, and it doesn't even have to be tomorrow, just when you aren't busy. I know since you're an important doctor you are busy all the time and-" I rambled, but thankfully Edward cut off my word vomit.
"Bella, it's okay," he chuckled amused "is tomorrow night okay?"
I blushed and cleared my throat. "Yes, that would be great."
"Okay then, at the diner?" he asked.
"You could come over to my house. I'll make us something-" I blurted not realizing that I'd made our meeting sound like a date.
"Err the diner is fine though if you want…" I backtracked anxiously.
"Your house sounds fine, Bella. In fact it's probably best that we don't have this conversation in public anyway."
"Alright." I gave him a shy smile, though on the inside I was ecstatic. I was already planning what to make for dinner.
After the excruciatingly long day, I simply wanted to sleep.
I sighed when Jake curled up beside me.
"You're not the only boy who can touch me now, Jake." I said smiling like an idiot at the oblivious dog.
The air is humid. I can still taste the coppery blood on my tongue.
"On your knees slut,' he rasped. I hesitate too long and feel the sting of his gun against the back of my head. I oblige quickly after that.
Rocks and garbage, maybe even glass dig into my bare knees under the pressure of my weight.
Roughly he grabs me and rips my panties from my body. My face is wet with tears, but I don't make a sound.
He uses the arch of my back for balance, lays the gun at my side, as his free hand fumbles at his belt.
Seeing an opportunity, I move to reach for it, but it disappears.
I look frantically.
In front of me stands a man. His knees are bloody, they match mine. Before I can see his face, I see steel wrapped around the black hole of the gun barrel.
It fires.
"I need a ride, are you busy today?" I ask Alice then yawn over my steaming coffee. I'd slept poorly the night before.
"No, I'm not busy, and Jasper and Emmett are staying in the city most of the week working on a big case. So I have the whole day free, but are you sure you should be going out. I mean do you feel up for it?" she asked worriedly.
"I have to admit, I feel pretty sore, but that's all the more reason to keep moving. If I lay around all day, I'll only feel worse. Besides, I don't think you'll want to miss what I have planned today," I said through a grin.
I was thankful for my highly disposable income. It afforded me the luxury of buying a new car outright and having the insurance company reimburse me for the damaged vehicle. So when I mentioned car shopping, Alice squealed excitedly.
"The closest Audi dealership is in Seattle-" I began but Alice cut me off.
"Seattle! Bella we can't…" she gasped worriedly.
I'd heard about the serial killer that was on the loose, and yeah what he'd done to those woman was pretty fucking terrifying, but we were just going car shopping, and maybe even grab a bite to eat. Alice sounded pretty anxious so I came up with a plan.
"If we go, we could see if Jasper, and maybe Emmett and Rosalie would like to meet us for lunch," I suggested hopefully. I figured that since Jasper hadn't been home since Thursday and it was now Sunday, that she'd want to see him. I mean, what were the chances that we'd run into an actual serial killer?
The odds were probably even lower because of my recent run-ins with death - unless I was just some kind of danger magnet.
"Yeah… okay, but only if I get to see Jazz." I could hear her fear slowly fading to reluctance then to excitement.
Jasper was thrilled to be able to see Alice after their time apart, but was only able to get away because Emmett was covering for him.
I wasn't really interested in being the third wheel, so after we enjoyed our lunch, I walked around a nearby department store and gave them some privacy.
Jasper insisted I text them every few minutes to let them know I was okay. It seemed a bit drastic to me, but I obliged.
After about forty-five minutes Alice texted me to let me know that Jasper was about to leave. They were exchanging tearful goodbyes when I found them. I felt bad for Alice, I knew she wanted to be near Jasper, but just couldn't take the stress and danger of city life. I could easily relate.
The trip to the Audi dealership went well. They ended up having an A5 Quattro in the exact shade of blue that I'd wanted, and I could see Alice salivating over a TT model roadster in black. I knew she was itching to trade hers in but didn't citing petulantly, that big decisions like that were made with Jasper.
Overall the day had been fun. It was just what I'd needed to help me keep my mind off yesterday's events as well as my impending conversation with Edward.
I drove my new car off the lot and parted ways with Alice.
On the way home I stopped to pick up a few groceries so I could make something half-way decent for Edward and I to eat when he came over.
It was around seven when I arrived and Edward was coming over at eight. It didn't give me time to relax, but I'd had just enough time to cook. I popped a few steaks and some asparagus on the indoor grill and a couple of potatoes in the oven. It was a pretty simple meal, but I didn't want to look like I went to too much effort. This wasn't a date.
I was pulling the potatoes out of the oven when I heard the doorbell ring.
Flushed with excitement, I straightened out my clothes and fluffed my hair a bit, and then opened the door.
"Good evening Bella," Edward murmured and gave me the sexiest little half smile I'd ever seen.
Fuck, but he was delicious.
This was going to be a long night.
So what do you guys think Edward and Bella will talk about?
Next chapter is EPOV. There will be more on the SFK killer, and his conversation with Bella.
Sorry the update rook so long. I am trying to get Losing It finished then I will get back to my regular posting schedule of every other week. Next chapter to post will be an update for Losing It, then Edward Cullen: Confessions of a Love Sick Geek.
I have also posted a teaser chapter of a new fic I am working on called 'Violaine' - After a bad break-up Bella needs a temporary distraction. She finds it in a mysterious masked man at her college Halloween party. What began as a means to distraction, left Bella with more than she bargained for. No names. No faces. AH E/B There will be Lemons!
Please review and let me know what you think!


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Added on 08-Sep-2010
With Universal Music widely expected to acquire rights to the Queen catalog outside North America from early 2011, it's perhaps not a total surprise that Universal Music Group International staffers in London got into the spirit of "Freddie For A Day" Sep. 3 to help remember the late Freddie Mercury of Queen on the occasion of his birthday. The event also helped raise awareness of the Mercury Phoenix Trust charity, set up in his memory to fight HIV AIDS worldwide. Pictured after donning replicas of one of Mercury's signature stage outfits are (from left): Universal Strategic Marketing's head of digital Emma Fulford, strategic marketing director Andrew Daw, digital junior product manager Luke Armitage, licensing manager Kate Hudspeth, and TV product manager Kathryn Gilfeather. PHOTO: UNIVERSAL MUSIC GROUP INTERNATIONALhttp://www.billboard.biz/bbbiz/content_display/industry/e3i5d86cb3297fb74c551b0c85696260f30
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Let us know when your receive great advice so we can thank our lawyers and point others with similar questions in the right direction.Got it!
is marrying an illegal immigrant for money so they can get a green card s crime what are the penalties
A crime? yes. It is immigration fraud. The penalties are federal and include prison time.
Stephanie White
Simi Valley, CA
DISCLAIMER: The above is not legal advice nor does it establish an attorney-client relationship with the person posting the question or any person reading the above. There is no attorney-client relationship between any reader and this writer or her firm. These comments are not subject to any privilege protections. They are neither privileged nor confidential. The information is general only and should not be relied upon in any specific case. Accordingly these comments cannot be relied upon as the law and the facts may differ from those with which the reader of this communication may be dealing.
The following disclosure is required pursuant to IRS Circular 230: unless otherwise expressly indicated, any federal tax advice contained in this communication, including attachments and enclosures, is not intended or written to be used, and may not be used, for the purpose of (i) avoiding tax-related penalties under the Internal Revenue Code or (ii) promoting, marketing or recommending to another party any tax-related matters addressed herein.Ask a similar question
Do not even consider getting into any marriage fraud situation. Marriage fraud is an extremely serious offense which in part has potential criminal consequences equating to up to 5 years imprisonment and $250,000 in fines. You can do additional research by looking at the following regulation, 8 U.S.C. 1325(c). Again, this is not something you should even consider getting involved in.
Hendrik Pretorius, Esq.
Yes, it's a crime. You can go to Federal prison. The immigrant may also be prosecuted, and is almost guaranteeing that he'll be deported, and never be able to legalize. It's a bad idea all around.Ask a similar question
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A selection of great wide format related articles from around the globe
Six Big Mistakes That Aspiring Wide-Format Printers Can Make
By Richard Romano for WhatTheyThink magazine (USA)
Wide-format and specialty and specialty printing are where a lot of the action is today. But expanding into these new areas is not without its pitfalls. Here are some worth avoiding.
Unique and Unconventional Vinyl Wrap Applications
Digital Print Media Staff - Digital Media (USA)
We gathered several creative examples of unique and unconventional wrap applications:
Wide-format Printing: Optimizing colour management
By Bart Fret for Sign Media (Canada)
For a long time, colour management was only seldom used in large-format printing. Sign shop personnel would linearize and then send their cyan, magenta, yellow and key/black (CMYK) jobs to their digital printers. As such, they relied on these devices' printable gamut, but this led to issues with colour consistency and repeatability.
Suppliers Take Automated Wide-Format Printing to the Next Level
By Bill Schiffner for Signindustry.com
The evolution in automation and workflow integration of wide-format printing can lower labor and production costs, as well as the ability to produce more short-run jobs with a quicker turn-around time and in a more cost effective manner.
China: The Second-Largest Advertising Market
Big Picture magazine (USA)
InfoTrends recently dove into the Chinese wide-format printing market in anticipation of the 2017 Shanghai International Ad & Sign Expo. Estimates from eMarketer say the total advertising market spending in 2016 in the world's most populous nation amounted to $78 billion. Roughly 7 percent of that – $5.5 billion – was spent on print. OOH advertising, the third-largest media type in China, is predicted to grow around 4 percent in the next two years.
More for the Money
By Kiersten Wones for Big Picture magazine USA
Retailers are putting the pressure on graphics providers to offer more than just fast and flawless prints
Standing Above the Competition
By Sino Tour for Big Picture magazine USA
How to attract potential customers and what to offer them
Eco-Solvents: A Vibrant Alternative
by Mike Antoniak for Printingnews.com (USA)
"Many people are unaware of the incredible versatility of eco-solvent printers and inks and all the different types of output they can produce," says Roland DGA's Lily Hunter. Case in point: this retail store window banner printed on a Roland SOLJET Pro 4 XR-640 using Eco-Sol MAX 2 inks.
Rolling Out the New Year - Rundown of Rollfed Wide-Format Systems
By Richard Romano, WhatTheyThink magazine (USA)
As we plunge headlong into 2017, let's kick off the year, as we traditionally do, with a look at the current roll-to-roll printer landscape. Next week, we'll look at flatbed printers.
Ask the Experts
By Adrienne Palmer for Big Picture magazine USA
6 digital print specialists respond to the current state of the industry and reveal what we should expect in 2017
Material world
Andy Knaggs - Digital Printer magazine
Flatbed printers can handle an incredible range of materials, including the elements of life, food and water, finds Andy Knaggs.
Automation and Wide-Format: Where Are We?
By Richard Romano for WhatTheyThink magazine (USA)
Whether it's only a select few tasks or an entire production workflow, automation is slowly but surely coming to wide-format printing. How is that possible?
Tips for Maintaining a Clean Printing Environment
From Digital Print Media magazine
Keeping your print facility clean provides a variety of benefits. High levels of particulate matter such as air borne dust mites can damage or shorten the life of equipment and negatively affect the quality of prints. We have compiled a short list of items that can help keep air clean in your printing facility.
3D's Place in Commercial Printing
An interview with Rainer Gebhardt, by Steve Duccilli for Big Picture magazine (USA)
Visitors to drupa's Innovation Park were surprised to see a collection of realistic seashells ranging in size from a half inch to more than 5 feet tall, all 3D printed in a variety of materials from plastic to metal.
MIS: Is Your System Working For You or Against You?
By Carol Andersen, Chairman, Enterprise Print Management Solutions for SignIndustry.com (USA)
Implementing print management systems is not a democratic activity. What you need to become is a dictator to ensure proper implementation.
Understanding the basic pros and cons of dye sub printing
Magnus Mighall of RA Smart (UK) for Graphic Display World (UK)
Dye sublimation is the most versatile textile digital printing process and while it is not suitable for every textile substrate, it is certainly the best route for signage professionals to dip their toe in the world of printed textiles, and potentially other rigid materials with the same hardware. Here textile printing expert Magnus Mighall of R A Smart explains how.
Cost saving with colour management
Written by Graphic Display Community (Europe)
How many people working in large format digital printing are aware that the use of professional colour management technology can significantly reduce costs to their business? Graphic Display Community finds out more from Italian colour management expert Barbieri electronic.
Traditional Die Cutting Versus Digital Die Cutting
By Renee Simpson, Associate Editor, SGIA for SignIndustry.com (USA)
With increasing demand comes the growing need for better and faster technology in all sectors of the trade. This includes die cutting, a constantly evolving finishing technique that relies heavily on its relevance in the field.
Can Print Shops Benefit from 3D Printing
By Eileen Frtitsch for Big Picture magazine USA
Expect to see some big innovations at drupa 2016
Trade Print Economy
Rob Fletcher, Sign Link UK
With the industry proving more competitive than ever, Rob Fletcher investigates how companies can gain an advantage in business by branching out into the trade print market
Looking into the Future
By Craig Miller for Big Picture magazine
Our industry's crystal ball says to focus on value added services that put a premium on knowledge, skill and experience.
Making material gains?
Imagereports (UK)
A great deal has been written about the potential opportunities for profit from digitally printing images to textiles. Most of this is meaningless to anyone working in the display graphics business because the figures deliberately conflate the garments and home furnishings markets together with signage and confuse different geographic areas.
A Closer Look at Digital Dye-Sublimation Printing
By Richard Romano for WhatTheyThink magazine - USA
There are a number of different printing technologies used to print fabrics and textiles. One of the most common—and the one that is getting the most attention these days—is dye sublimation. What is dye sublimation printing, and what do you need to take advantage of the technology?