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Esther Goldstein, LCSW,MSW,CASAC-T
Licensed Clinical Psychotherapist
Carman Ave, Cedarhurst, New York 11516
Family issues can feel daunting. They can cause much inner stress, grief and even illness. Addressing tension in family relationships is key to living a happy, wholesome life. I see each individual as a sub-unit of family life. I have done great systems work in working with the entire family unit, in creating a space to discuss issues, allow anger, and at the same time, finding a space to develop creative solutions and better ways of working through conflict and pain. Together we create a space to process the strained dynamic and work on understanding, respecting and improving connection with one another, allowing space for harmony, compassion and love to be expressed.
Michelle Conti, Psy.D.
NYS Licensed Clinical Psychologist
2889 Davis St., Oceanside, New York 11572
Often, parents come in with their child or children presenting a particular problem behavior or emotional issue. While it is often important for the child to engage in individual psychotherapy, it may also be helpful to engage the entire family in treatment in order to discover patterns in communication, behavior, and boundaries which may be influencing the particular presenting concerns. Family therapy works to improve overall communication, and build positive, trusting, and balanced relationships.
Nicole Daisy, PhD
Clinical Psychologist
165 N. Village Avenue, Suite 200, Rockville Centre, New York 11570
Families are comprised in so many different ways. Being sensitive to the different challenges that each family has is important. Telling your child that he/she was adopted is sometimes dreaded. Therapy can help prepare you with the tools to communicate this sensitive knowledge in a safe place. Blended families have their own unique challenges and therapy can help to reduce power struggles and conflict by improving communication in the household. With a specialization in family therapy, each family member's role in the family is examined and the insight is provided in a sensitive manner with the goal of understanding and improving the family dynamics.
Marc Shulman, Psy.D.
Clinical Psychologist
721 Franklin Avenue, Garden City, New York 11530
When conflict arises within the family system it can create severe distress. My approach to family therapy begins with developing an understanding of the needs of each individual and the family unit as a whole. Based on this formulation a practical treatment plan is developed, which enables the family to create a healthy dynamic where conflicts can be resolved and a mutual understanding of the various perspectives of each family member can be recognized.
Meredith Silversmith, MA, LMFT
Licensed Marriage and Family Therapist
243 Nassau Boulevard South, Garden City, New York 11530
All families experience conflict, particularly during times of transition. How each member reacts and adjusts can impact the well-being of the family as a whole. Meredith works with families to identify ineffective patterns of communication and behavior, while offering emotional support to all members. Often, conflict within the family stems from an underlying issue within the parents' relationship. Meredith specializes in working with couples in conflict to resolve difficulties, teach new strategies, and enhance their relationship satisfaction.
Nassau Wellness, Couples Therapy
Marriage and Family Therapists
243 Nassau Boulevard South, Garden City, New York 11530
When there is chronic conflict at home, the whole family is affected. We work with families experiencing a variety of issues, including parenting challenges, teen issues, and blended family issues. By meeting with the family as a whole, we are better able to help create lasting change. Our therapists have specialized training in family therapy and relationship dynamics. We are available for a free 15 minute phone consultation to determine whether family therapy with us is right for you - to schedule, send an email to firstname.lastname@example.com or call/text (516) 387-5143.
Melissa Pennica, MA, MFT
Marriage and Family Therapist
243 Nassau Blvd S, Garden City, New York 11530
Families come in all shapes and sizes, and nobody provides you with a manual to navigate the issues that may arise as a family. I help families address the concerns that are specific to them, and aim to understand the personal issues that they are going through. I work from a therapy model that prides on creating a safe environment for all members to feel comfortable in expressing themselves and their needs. Together, we will find the tools that will help your family communicate better and reconnect! I am available for a free 15 minute phone consultation to determine whether family therapy with me is right for you - to schedule, send an email to firstname.lastname@example.com or call/text (516) 387
Marina Voron, MA, LMFT
Licensed Marriage and Family Therapist
243 Nassau Boulevard South, Garden City , New York 11530
My approach to Family Therapy focuses on joining with each member and creating a safe, respectful, open and judgement free platform for each person to express themselves. I focus on reducing conflict and uncovering the strengths that already exist within the family. I provide families with emotional support and practical tools that help them resolve conflict and improve communication in session and in day to day life. I am available for a free 15 minute phone consultation to determine whether family therapy with me is right for you - to schedule, send an email to firstname.lastname@example.com or call/text (516) 387-5143.
Kevin Fleming Ph.D.
Coach/Change Agent/Consultant
Sagaponack, New York 11550
Most family therapists inadvertently create more chaos through their well-intentioned efforts to assist a family move through a change process. Why? Brains are inherently deregulated (all of us, may I add) and most talking and dialoguing misses brain-centric problems that need more intensive help. Many times the emotional trauma created by years of solving problems ineffectively can wreak havoc on the brain's parasympathetic nervous system, not ever giving the family a break from flight or fight thinking. Contact us for an innovative neuroscience solution to family dysfunction. firstname.lastname@example.com or 877-606-6161.
Zalman Nelson, LMSW
Licensed Professional Therapist
Forest Hills, New York 11375
A family is a complex system, with a great many dynamics. Add to that how parents bring their past, history, childhood, and emotional baggage into the parenting of their own children. It can feel overwhelming: where do you start. But parenting and running a family can be amazing and healing. You can succeed in raising happy, successful children, while also working through the left over issues of your own childhood. You can be stronger as a result of your family of origin experiences, and create the family life you dream of and will be proud of. Get clear on the goals of parenting – independent and confident children, with life skills and emotional tools. Enjoy your family again.
Joel Stukalin, PHD, ABPP, FAACP, MS
135 WHITSON STREET, FOREST HILLS, New York 11375
Dr. Sara Mandelbaum and Dr. Joel Stukalin are expert consultants for short-term interventions with families, specifically related to child-rearing & blended family issues. They consult regularly with concerned parents and grandparents about family related issues that threaten the family health and integrity. Usually a few, comprehensive sessions with Dr. Joel or Dr. Sara lay the groundwork for a better understanding that leads to the resolution of family problems. Where necessary individulal counseling referrals can be made. Clients have stated that the focused, intelligent & solution-oriented approach from our sessions has often helped them derive necessary knowledge for family harmony
Elana Chasser, LCSW, CSAT, CMAT
Licensed Clinical Social Worker, Certified Sex Addiction Therapist, Certified Multiple Addiction Therapist
Merrick Avenue, Merrick, New York 11566
The parent-child relationship does not end when childhood ends. These are relationships that last for your lifetime, also as a grown adult. Sometimes conflicts with parents or children that originated when you or they were a child(ren) continue on into adulthood with recognizable themes. If you and your family member are wanting to address and work on improving your relationship, please explore therapy together. It is never too late become more peaceful if you both want to have that with each other.
Kristie Doheny, PsyD,LMHC,LMSW, RPT
Licensed Mental Health Counselor & Master Social Worker
74-05 Metropolitan Ave Suite 2F, Middle Village, New York 11379
An interactive family therapy approach is utilized to engage all the family members regardless of age. The family will explore their interactions with each other as well as how each family member reacts in their own way to family stressors. The family will then create a plan in regard to how the family can create change in the the household to enhance the family environment.
Johannes Marselis, LCSW, LCSW
26 Court St., Brooklyn, New York 11225
Each of you has a role being played out in your family - and possibly not the obvious one you imagine. I take a 'structuralist' approach to family therapy - looking at what is taking place between members rather than to individuals. We will explore these events/relationships and work on changing patterns of interaction that on one hand have developed in your family, but on the other are likely continuations of patterns played out before, perhaps for generations. These can change - and it is usually for everyone's benefit.
Priska Imberti, LCSW
Licensed Clinical Social Worker
46-10 61st. Street, Woodside, New York 11377
We are part of something larger than ourselves and that is why we tend to encounter difficulties in dealing with simple things in life such as learning how to live together, raising children or coping with adolescence. In Family Therapy, as opposed to Individual Therapy, we explore, understand and address issues family members present at their source. Emotional origins of personal conflicts get exposed throughout roles and dynamics; part of my work with families include to question and re-frame them to mobilize stagnation and create room for new experiences.
Judith Rapley Waterman, LMSW, ACC
Licensed social worker and Certified coach
10 Plaza Street East, Suite 1C , Brooklyn , New York 11238
A lot of who we are today as adults comes from our families of origins. Even when we are conscious about the not so good areas and set great intentions to not repeat patterns, we see where what we claimed we wouldn't do or be seems to pop up without our noticing. In family work, whether together or individually, we go backwards to go forward to figure out who and how you want and choose to show up moving forward. You can't change what you were given but you can work on deciding on how you show up in your future.
Walter Masterson, LCSW
Psychotherapy and Counseling
Home visits, Nassau County, NY 11023
Careers and children each place enormous stress on a couple's ability to be together in an intimate and satisfying way. Every couple has different ways of dealing with the challenges, and counseling can provide the perspective and encouragement to re-create a shared vision for the future. For something as important as this, it is surprising how little training and preparation is provided; family therapy fills in the blanks, and resolves the confusion.
Hal Brickman, LCSW, RCSW, CSW, MSW, CHT
New York State Licensed Clinical Social Worker
Manhasset, New York 11030
It wasn't always this way. There was a time you looked forward to being with each other. There was trust and you enjoyed each other's company. Now it feels like there is an invisible wall separating you. Hal's soothing wisdom offers you the opportunity to learn the vital building blocks leading to a trusting and loving relationship. Hal is an experienced and highly regarded couples counselor. He is also a published author and was invited to appear as a special guest on David Lettermans Late Night television program on 2 separate occasions. Hal's schedule is flexible and appointments are available days, evenings and Sundays. Since 1975.
Patricia Pitta, Ph.D., A.B.P.P.
Clinical and Board Certified Family Psychologist
35 Bonnie Heights Road, Manhasset, New York 11030
The journey of life is filled with joy, disappointments, loss and renewal. Integrative Healing Family Therapy@ helps a child, adolescent and adult to find the strength to review life's troubling issues and to form new perceptions and change behaviors. It is essential to view the presented problems and pain as part of a larger system (famly of origin and extended family). The therapist connects with individual issues and personality characteristics to appreciate the individuals as well as the family's contribution to dysfunction. Therapist respects individual and family contexts and works with the family members to resolve issues where new boundaries and healthier interactions are attained.
Nassau Wellness Brooklyn, Teen and Family Therapy
Licensed Marriage and Family Therapist
26 Court St, Suite 2303, Brooklyn , New York 11242
Family conflict takes a huge toll on everyone involved. Wether its is loud chaotic fights or the silent treatment, you know you and your family can do and deserve better. I teach families to communicate better, improve their relationships and function as a team so they can get back to the important stuff. I am available for a free 15 minute phone consultation to determine whether therapy with me is right for you - to schedule, send an email to firstname.lastname@example.com or call/text (347) 699-5164.
Water & Stone, a Creative Arts Therapy PLLC, MA, ATR-BC, LCAT, LCPAT
Founder & Director
155 Water Street, Brooklyn, New York 11201
People entering into family therapy can often benefit from finding new ways to communicate or exist in the same space as each other. It's a challenge that is made easier with creative arts therapy, which brings in alternative ways to express, communicate, and reflect. At Water & Stone the therapist working with the family will help focus on the specific issue that brings everyone into a session while also exploring deeper connections, patterns, and relationships that might need attention and healing as well. Since there are multiple therapists available it is also possible for individuals to see their own therapist within the same practice when that is of interest.


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"We're lost, just admit it."
"We're not lost, Lindsay, we just need to make a right here and we'll be right near the freeway."
Erin and Lindsay had been driving aimlessly around the backwoods for an hour, trying to find some sign of civilization.
"We're going to die out here, all because of your stupid photography class."
"Will you relax? I've got half a tank of gas."
Erin turned down a narrow, dirt path and saw, from the distance, the outline of a house.
"See? We're fine. We'll just get directions from whomever lives here."
"Erin, are you crazy? It's probably abandoned, or filled with junkies or lunatics. No sane person would live here."
Erin ignored her friend's concerns and knocked on the door. She was greeted by a woman who looked to be in her mid to late thirties.
"Can I help you?"
"Yes, my friend and I are lost. We wondering if you knew how to get back to Route 65."
"I might. Would you like to come in? Maybe have a cup of coffee? I don't often get visitors."
Ordinarily, Erin might not have. But the woman seemed friendly, and had a simple sense of warmness to her. She dragged the reluctant Lindsay inside, and the two of them sat at the kitchen table.
"My husband's been gone for almost 5 years. I live out here all by myself."
"Why do you live here?" Lindsay asked "It's so far away from everything."
"The land was cheap, and I need the space for my dog farm."
"Oh, you run a dog farm?" Erin asked
"Yep. I breed and raise them until they're fit to be sold. It's been tough lately though. My last brood bitch died, and it's particularly tough to get the breed I deal with."
"What breed?"
"German Woodland Retrievers. You probably haven't heard of them. They're very rare."
"Oh, I have heard about those." Lindsay said They're supposed to be the smartest, healthiest, dogs in the world."
The woman smiled
"Yeah, they're pretty great. I'm one of the few breeders."
"Where do you get them from?"
"I... breed them here. They're mutts, you see."
"What breeds do you cross?"
The smile went away from the woman's face.
"That, I'm afraid, is my secret. Would you like some more coffee?"
"We're fine, thanks. We should probably get going." Lindsay said
"Yeah, I'm starting to feel a little groggy. Thank you ma'am."
The two headed out the door towards the car.
"Hey Linds, can you drive? I feel like I'm about to fall asleep."
"I was just about to say the same thing. There's no way I can drive."
"I drove here, come on."
"Yeah, but you also got us lost. And this was for your class."
The two bickered about who would drive until they both collapsed. The woman hurried out and carried their bodies into the barn, she could barely conceal her joy.
Erin felt the cold cement press against her naked body.
"What... what happened? Where am I?"
As her vision came through, she realized she was in a small, rectangular, fenced-off pen. She tried to move around, but she was restrained by several braces on her shoulders, wrists, ankles, and legs. She tried looking around her, but found that her neck and head movement was also severely limited.
"Linds. Linds, are you there?"
"Yeah, yeah I'm here." Lindsay weakly called out from a distance. "I'm chained down or something, I can barely move."
"Me too. Where are we? What's going on?"
"I don't know. It looks like we're in kennels."
"Kennels..." Erin remembered something about dogs. Why was that so significant? What happened last night that had to do with dogs?
She figured it out when the woman from before walked in, grinning ear to ear.
"Well, how are we doing today?" the woman asked in a cheerful, playful tone
"What's going on? Where are we?"
"You're at my farm, dear. You and your friend never left. And you won't be leaving, at least not anytime soon. And especially not looking like that."
"What? Are you going to hold us here like slaves? People will come looking for us, you'll get caught. You might as well let us go now."
The woman scoffed "Oh, don't be so naive. They found your car in a lake a few days ago. You're dead as far as the rest of the world is concerned. And don't call yourself slaves. Slavery implies the ownership of another human."
"What's... what's that supposed to mean?" Lindsay stuttered, afraid to find out
"Tell me, why do you think German Woodland retrievers are so hard to find? Why do you think they live so much longer, behave so much better, think so much quicker than the average dog? Why do you think they're incapable of reproducing with any other breed? Because they're not dogs, at least not in the beginning. They start out as people, wandering people like yourselves."
"That's... that's impossible." Lindsay cried
"No it's not. We live in a wonderful age where almost anything is possible. We can alter chromosomes, we can transform bodies, we can permanently change minds. Modern technology and medicine is capable of anything. And you two are about to be living proof of that. You are going to be the mothers of my next line of woodlands."
Lindsay's eyes swelled with tears, this wasn't real. This couldn't be real. This was some bad dream, some nightmare.
"Alright, alright. Enough waterworks. We've got a lot to do, starting with getting the two of you in shape. You're going to have to get used to walking on all fours." she tethered a leash to both of the girl's neck braces, and gave a gentle tug.
"Alright, now slowly get up. And stand on your paws, not your elbows. They won't be there soon, we need to establish good habits. Come on now." Lindsay gradually pulled herself up to her hands and knees. Erin refused to budge.
"I said, get up!" the woman snapped
Erin did not move.
The woman unraveled the whip she had holstered on her side and cracked it a few inches from Lindsay's face.
"You better hope your friend moves. I'd hate to leave a couple of scars on that pretty little face of yours."
Reluctantly, Erin pulled herself up.
"Now, was that so hard? Follow me. And no talking."
The woman tugged the leashes, and pulled the two girls along. They struggled to keep up to her brisk pace, but they didn't dare fall behind.
The women lead them throughout the farm. It was a sizeable estate, the barn where the girls were kept was close to a mile away from the House and the solitary dirt road they came in on, but it felt even longer, as their bodies hadn't yet adjusted to their new positions. Muscles they never knew they had burned and ached, every step send a shot of pain up their wrists.
"I know it's uncomfortable now, but soon enough the two of you will be running around on all fours no problem." the woman said, as she lead them near the chain link fence that marked the end of her property.
The two girls came back exhausted. The woman put them back in their respective cages, and put two plastic bowls in front of each one.
"I bet y'all are thirsty. Well, since you decided not to listen in the beginning. You don't get any water."
The woman filled one of Lindsay's dishes, then walked out of the barn.
"I'll try to slide it over to you, that way we can share." Lindsay said
"Forgot it. There's no way to do it, and I don't want to get you in trouble."
"Come on, Erin. You need to drink."
"I'm not drinking from that anyway. And neither should you."
Lindsay stared at the bowl of water. Her throat was dry, and she was thirsty. However, her friend's defiance gave her a sense of strength, and she ignored it..
The woman returned to the barn about an hour later, carrying one leash.
She walked past Erin's pen, ignoring her, and opened the door to Lindsay's pen.
"Ah, here's my good little girl." the woman cooed "Why haven't you drank your water? Aren't you thirsty?"
Lindsay didn't like being talked to like a pet, but she also didn't like the idea of having a whip crack across her face, so she kept quiet.
The woman attached the leash to Lindsay's neck brace and lead her out of the barn.
Erin sat and her pen and watched as they left her field of vision, unsure whether she or Lindsay was in bigger trouble.
Lindsay was lead into the house through the back door and into the basement. It was a dimly lit room, and Lindsay could barely see anything because of her restricted head movement.
She was helped onto a table, and her limbs were strapped down. She grimaced in pain.
"Don't worry, soon you'll laying like this all the time."
Lindsay felt the sharp tinge of a needle in her buttocks. She passed out almost immediately. Her body began to be pumped with canine estrogen and progesterone, as well as chemical agents to make her bones more malleable. While all this was happening, the woman began to sterilize her surgical equipment.
After a few hours, the woman returned and found that Lindsay had been progressing along schedule. While there would be no noticeable changes right away, the hormones would make her mind and body more susceptible to future changes. Her collar bone was completely removed, and there were other, minor alterations to other parts of her body. The skeletal system was now weaker, and would bend and re-solidify in accordance with the braces, and eventually shape her body to a more canine structure.
Lindsay woke up in her pen dazed and feeling weak. Erin was not there, undergoing the same treatment Lindsay had hours earlier. She sat in the pen, staring at the untouched dish of water in front of her. She was still very thirsty, and her mouth had become dry.
"Maybe just a little bit."
She tried lowering her head to suck the water with her lips, but could not angle her head correctly. She realized that the only way to drink was to use her tongue. Unfortunately, Lindsay's human tongue was not designed for this purpose, and most of it spilled onto the floor. She was, however, able to get a little bit in.
The woman returned with Erin and a large sack of dog food. She put Erin in her pen, and filled one of her bowls. She did the same with Lindsay's and refilled her water dish as well.
"Good night, girls. Eat up and get some rest. We've got another big day ahead." the woman said as she left the barn.
Erin looked at the bowl of dry pellets that lay before her. "I'm hungry, but I'm not that desperate." she thought
"Hey Linds! What do you think we should do for food?"
But Lindsay did not respond.
"Linds? Lindsay?"
Again, there was no reply.
Erin listened closely, and realized she heard the sound of crunching.
"Lindsay, don't tell me you're eating this crap."
"I'm sorry." an upset Lindsay cried "But I'm really hungry, and I really don't want to make her mad."
"Come on, you're better than this. You're a strong, independent young woman. Not some dog. Besides what's the worst thing that happens."
"She could kill us."
"So what? Wouldn't you rather be dead than a dog?"
Lindsay said nothing, and continued eating with tears in her eyes.
Both girls cried themselves to sleep that night, although Erin made a point of not letting Lindsay hear her.
For about a week, the days were repetitive and monotonous. Much of the time was spent exercising the girls' bodies. They would go up and down the stairs and run around the farm . They'd stop only for food or sleep. While Erin refused to eat the first few days, she eventually caved in and ate and while both girls were embarrassed and ashamed to do so, both of them would use the bathroom outside, although they attempted to do so with as much privacy as possible.
Eventually, the time came when they no longer needed their braces. Their braces were screwed off and replaced with simple leather collars and an attached harness on their chest. For the first time since their capture, they were unshackled. While still very much human, their bodies had a canine outline to them. Their body fat was virtually gone, and their muscles and skin hugged tight to their newly formed bones. Standing on two legs without support was impossible, but their wrists no longer ached when they walked.
Lindsay felt a sense of relief, and ironically, freedom. For the first time in over a week, she didn't have the weight of the bulky braces on her. She could move, sit up, and lay down like a canine without pain, although her brain was still getting used to these new limitations.
Erin, on the other hand, looked at her and Lindsay's new body in disgust and horror. Not only were they being held captive, there had been a permanent change made to their bodies. A permanent reminder of their time here, and a scary sign of how powerful this woman truly was.
When they were put into their pens for bed that night, Erin had made up her mind that she would escape. She had been thinking about it since the beginning, but now seemed like the perfect time. She was no longer restricted by the bulky braces, and while she couldn't walk on two legs anymore, she still had her hands and human intellect - two valuable assets that could be taken from her at any point.
She waited for awhile after the woman had left, then called out.
"Lindsay, I'm doing it." she whispered "We're getting out of here."
"Are you crazy?"
"You're the crazy one if you're going to stay here. Who knows what she'll do to us next? Now's our chance."
"There's no way. We don't know where we are, there's no way we can climb the fence, and we can't even walk properly. It's suicide."
"I'm going, with or without you." Erin said defiantly
Erin sprang up on what could be described as her hind legs, and grasped onto the chain link door for balance. The door was not designed to contain people, and therefore had a simple latch. Erin merely shuffled closer to the latch, and used her free hand to lift it up.
She pushed the door with her body, and promptly lost her balance. She fell forward, landing on her calloused palms. She scurried out of the barn. While her body was physically capable of moving much quicker, her mind as not fully used to moving on all fours. She still had to consciously think about the right order to move her hands and feet.
Erin proceeded to move towards the house. She could barely see - given that it was nighttime and that her quadrupedalism limited her vertical range of vision. She was left to navigate from memory.
Unfortunately for Erin, her mental image of the farm was not correct, and she wound up going in circles several times. This, in conjunction with her malnutrition, lack of sleep, and rigorous exercise routines left her exhausted, and she eventually collapsed and fell asleep.
Erin awoke to a sharp smack on her head.
"Bad girl!" the woman scolded "Trying to run off. Bad! Bad dog!"
The woman dragged Erin by the collar into the house. Erin tried to resist, but the harness and her lack of experience of moving on all fours made it impossible to escape.
Erin was brought upstairs to the small, windowless attic, which contained nothing but a dimly lit light bulb.
"You think about what you did." the woman said as she shut and locked the door.
As Erin sat in the attic in isolation, Lindsay sat in her pen, and watched as the woman filled her bowl with more food than normal.
"Eat up, you've got a big day ahead of you."
Lindsay judged from the woman's annoyed tone that Erin had been caught, and made sure to eat all of her meal. She shook in terror, scared that she would be punished for Erin's actions.
She was lead into the basement of the house, and ordered on to lay on the operating table. Lindsay climbed up and was strapped in.
The woman put a pair of headphones on Lindsay's head. Lindsay heard classical music and a deep, relaxing voice. Her body and mind completely relaxed, the hypnotic suggestions began to play. Meanwhile, an IV pumped more canine hormones into her, as well as chemical agents that affected Lindsay's inhibitions and higher level reasoning.
After a few hours, the hypnosis stopped, and IV bags were empty. Lindsay was unstrapped from the table and jumped down as if she had been walking on all fours her whole life. She walked back to the barn with ease, and for the first time since the whole ordeal had started, felt slightly calm.
Meanwhile, Erin sat in the attic, alone, trying to keep her sanity. Which, as she noticed, was impossible. After all, it was insane that she was being held by a woman who wanted to turn her into a dog. It was even more insane, that her plan was actually working. Erin had, more or less, lived like a dog for the past week and a half. She slept in a small pen, ate dog food, and peed outside. How could she keep her sanity in an insane environment? Who determined sanity anyway? What if she was the insane one?
She recalled learning about the placebo effect in her psych class.
"My body never changed, my mind just thinks it did." Erin told herself
"I can stand up, no problem."
Erin pushed up and briefly stood on her heels before falling back down.
"I can stand, I know I can."
Erin tried to stand up again, and had the same result.
"I can do this, my brain's just playing a trick on me."
Erin spent the rest of the day and night trying to stand like a human.
Meanwhile, Lindsay started off the next day being lead to the basement, and again was strapped to the operating table with a pair of headphones on her head. This time, however, there was a visual component- her eyes were held open and images flickered quickly on a screen. Several IVs inserted throughout Lindsay's body. The same canine hormones and chemical agents from the previous time were present again, but in more copious quantities. She would be left like this for 24 hours.
Erin felt stomach sick.The guilt was getting to her. After all, driving out to the forest was her idea, for her class. Lindsay was apprehensive going, about staying for coffee, and now she had to suffer for Erin's choices. Even now, Lindsay was probably being punished for Erin's failed escape.
Erin felt a rising pressure in her stomach and belched. She closed her eyes, and tried not to vomit.
Lindsay stretched out her limbs and climbed off the table. Instinctively, she began to sniff around. While her nose and smelling ability was no different than before, her mind had evidently taken to the hypnotic suggestions. As she was lead out to the barn, she tongue lolled out the side of her mouth - much to the delight of her master.
Erin stared at the blank ceiling. Contemplating all she would miss out on. She'd never get her degree, never get to travel, never get married. She wondered how her family reacted. Not only was she an only child, her parents were the only ones in their families to have children. Growing up, Erin was the star, the center of attention for her parents, grandparents, aunts, and uncles. She was going to be the first one in the family to get a four year degree, and it was all gone. Even if she did somehow escape, she could never make it in society. How could she? She was a freak. Even if she was able to mentally adjust (and given the trauma she had endured that was a stretch) she'd still need someone to take care of her.
Lindsay laid in her pen, feeling almost contented. She absent-mindedly chewed on a rawhide bone the woman had left for her. She found the chewing helped put her at ease, even if the bone was a little too hard for her teeth.
"Maybe being a dog isn't so bad." she thought to herself "You lounge around all day. You're provided for your whole life, and people love you no matter what. Being human's too much work."
Lindsay spat out another tooth. Her calcium free diet and the fact that her teeth hadn't been cleaned in over two weeks made her teeth very weak, and chewing on the rawhide only accelerated her tooth loss.
Lindsay wondered how Erin was faring, or if she was even alive. She hadn't seen her since her failed escape, and her master made no mention of her. For a moment, Lindsay felt a bit worried, but she became distracted by the sound of the footsteps.
"Hello, little girl." the woman cooed as she opened the door to the pen and clipped on the leash.
"I see your teeth have started to fall out. That makes my job much, much easier."
Lindsay only partially paid attention to what the woman had to say. She found conversation to be almost useless. She just listened in and picked up a few keywords here and there to see if she personally needed to do anything.
"Don't worry about your little friend, she'll come around soon enough. I might even bring her back out tonight or tomorrow. She has a lot of catching up to do. I must say, you've really impressed me, you're moving along much quicker than I anticipated."
But, Lindsay was too preoccupied with finding a good spot to pee to care about what the woman had to say. She finally settled on a spot, and squatted.
The woman giggled "Oh, if you only knew how ridiculous you look."
When they got to the basement, Lindsay was sedated, and listened to the hypnosis messages. She was given the usual cocktail. While the woman took out her surgical equipment.
Erin, meanwhile, was at wit's end. She hadn't eaten, drank, or slept for days.
"There's no point." she sobbed. "I... I can't go on."
Unfortunately for Erin, the bare room offered no easy outs. There were no windows, no ropes, no pills. She closed her eyes.
"Kill me. If you can hear me, if you're out there, please, please kill me. This is no way to live."
She sobbed. "One mistake, one stupid, little mistake and my life is ruined." Then, an idea struck her.
"Maybe... maybe it's not real. No, it's not. It can't be." she thought aloud "I'm on one of those hidden camera shows. Everyone's on it. Mom, Dad, Linds. The woman's an actress. I even recognize her from that show! None of this is real!" she told herself excitedly
The woman finished her work just as the last of the chemicals finished entering her body. She took a good look, and marveled a little bit at her own skill. The last of Lindsay's human teeth were pulled out, and were replaced with dentures more suited for her new life. Similarly, her human tongue had been removed and replaced with one from a previous brood bitch. The woman kept all the corpses of her dogs for this purpose. Because she now had more teeth and a longer tongue, her jaw had been extended slightly, and her face now protruded a bit.
The woman also replaced Lindsay's eyes with their canine equivalent. While this was a downgrade, her canine eyes would be more aesthetically pleasing than her old ones when the transformation was complete. Plus, Lindsay would have very little use for colour in her new life, and her heightened auditory and olfactory senses would more than make up for the loss.
Lindsay came out of her sedation and let out a large, very canine yawn. She stretched her limbs in a manner similar to any other dog and stood up on all fours, seemingly unaware of any changes.
"Lindsay, how do you feel? Does anything look or seem different?"
Lindsay cocked her head to the side in confusion. She understood her name, but little else.
"Lindsay can you speak?"
Lindsay barked. The woman smiled. She had also moved Lindsay's larynx up, which gave her a more canine vocal range. Lindsay's bark was indistinguishable from that of a real dog.
"No, Lindsay, I mean can you talk. Can you say hello?"
Again, Lindsay cocked her head in confusion.
"Come on girl, follow me."
Lindsay obediently followed her master upstairs and outside. Once there, the woman picked up a stick and threw it.
Lindsay darted to it and brought it back to the woman's feet. Sitting on her heels and panting.
"Unbelievable." the woman laughed "You really think you're a real dog, don't you?" she petted Lindsay, who was wagging a tail she thought she had.
She bought Lindsay back to the barn and filled her bowl with food.
"I'm going to get Erin, you be a good girl while I'm gone."
A small, nagging part of Lindsay's mind told her to be happy that Erin was coming, but Lindsay's mind was too focused on the instant gratification of food to be concerned with the future.
The woman came to the attic to find a delusional Erin practicing her speech for when the show ended.
"Well, did you think about what you did?" the woman said as she clipped the leash onto her collar.
"I thought about a lot of things, and you know what I figured it out. All of it."
"Really, now?"
"Yep." she said as the two walked towards the barn "The joke's over. The cameramen can come out now. I know you're all faking."
"Camera? Faking? Oh, no dear. This is very much all real."
"Yeah, okay. Look, it's over. Alright, just give me the money now, bring my parents on the set. I'll try to act surprised."
"Well if you don't believe me, maybe you'll believe your friend." the woman said as she opened the door to Lindsay's pen.
Lindsay sprinted towards Erin, playfully barking, and smelling her.
"Alright, Linds. Show's over."
Lindsay licked Erin's face and barked again
"Lindsay, please. Cut it out." Erin said with a slightly fearful tone
Bored of trying to get Erin to play, Lindsay went into her pen and started chewing on the rawhide. It was then that Erin realized this was, in fact, reality. And that she - like her friend before her - would actually turn into a dog.
She felt stomach sick again, and began to cry. She was defeated.
"Alright." Erin groaned "I'll do what you want."
And so, a defeated Erin was lead into the basement and strapped onto the table. Given that she was so far behind Lindsay, the woman decided to expedite the process by doing it all at once.
And so Erin was there, strapped into the table, for nearly two days straight. Her body filling with hormones and chemicals. Her mind subjected to a constant barrage of audio and visual hypnotic messages. Like Lindsay, she had her teeth, eyes, tongue, and larnyx surgically altered to cater to her new needs.
"Alright, Erin you should be already to go."
The woman put out her hand, which Erin sniffed. She had no problems climbing off the table or moving around. And like Lindsay, her cognitive function was about equal to a dog's.
The next month and a half was dedicated to purely physical alterations. In addition to making external changes, such as changing hands to paws or adding a tail, the woman also had the difficult task of modifying and replacing the girl's organs. Even tougher, she also had the difficult task of restructuring their skulls and faces without damaging their brains.
Finally, after endless hours of labour, she was done. After a few months when their fur grew in, they would look almost like any other dog. While there were some special accommodations - both girls had four prosthetic nipples on their chest - they were otherwise visually indistinguishable from any other canine.
Eventually, after more months of hormone therapy, the girls were ready to fulfill their purpose. Because of their rare circumstances, they could only be impregnated by another German Woodland Retriever. As such, their first litters were conceived from saved sperm from previous Woodlands. Erin and Lindsay carried litters of 7 and 8 puppies respectively and were all sold.
Their second, third, and current litters were all conceived by a pair of unlucky twin brothers who also needed directions for the freeway.
As of now, there is a backorder for German Woodland Retrievers.
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Join Date: Jul 2003
Location: deep in South Texas and ready to go home
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|Momma Aimee, what is EPO?
And, on a personal note, I think I am bidding you ladies farewell and good luck!! I have had 2 betas done and my numbers are progressing nicely so I am very hopeful and optimistic that we have a sticky baby on our hands!! Best of luck everyone - hope you join the due date clubs very very soon!! thanks for all of your support, advice, etc!!
hi TTC nursing mamas! i just posted in the vegan TTC mamas too.. just excited to BE here we are 17 pp with no AF yet, and hoping to start seriously trying in another 2 weeks, actually. i tried to be good and read all the pages of this thread, but my head started swimming around 6 pages in...
do most of you nursing mamas with no ppaf just go with CM and cervix? or do you temp anyway? i haven't bothered to temp since we got a BPN with our little guy 2 years ago, although i charted for about two years before that.
er, so i guess that would put me on waiting to o??
any tips on where to start to for TTC with no PPAF would be much appreciated!!
Mama to 5 (b17,b11,b9,g6,b4)
Our Final Addition arriving in Mid June 2014
I also tested this morning and got a BFP! This is quite a lucky month for this list! Risen_joy, would you please add me to the July success stories?
Congratulations to you, iluvmybabies! I used to have thyroid issues and have had two healthy pregnancies already. What's going on with you?
Mama to 5 (b17,b11,b9,g6,b4)
Our Final Addition arriving in Mid June 2014
Holy cow! I just got a BFP!
I really wasn't expecting that! DH and I had unprotected sex 3 days before O- which I know technically isn't being very safe, but with my lack of cf, I figured there was little chance I would concieve!
But after 4 tests this morning, I think I am finally convinced.(first 3 were SUPER faint,barely there, could-be-evaporation-line, $ store test. the last, and very positive one was an Answer)
I am so happy but also a little nervous about dealing with my thyroid issues and being pregnant.
I pray all of you will soon get your BFP!:
Could I be moved to success stories please?
I also tested this morning and got a BFP! This is quite a lucky month for this list! Risen_joy, would you please add me to the July success stories?
Congratulations to you, iluvmybabies! I used to have thyroid issues and have had two healthy pregnancies already. What's going on with you?
Mama to my beautiful Ana Carolina (2/07), Isabel Cristina (6/10), and #3 on the way in August 2013!
One sleepy mama to ds #1 (5) and ds #2...my VBAC baby (2) and expecting #3 sometime in 2/2012!!
I'm confused on lube...we could use some lube help, but in general my CM is fine. Is regular lube really a problem? Is regular eggwhite helpful as lube, or is it acting as CM (sperm channels)...: I'm confused...
wife to , mama to (7/06) and (4/09), plus
DS (03/10) & DD (06/07) both were/are :
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text:
Spicy Jalapeno Rice
Be the first to review
READY IN: 40mins
Recipe by gailanng
A spicy Mexican-style rice without tomatoes.
See Discussion:
Ingredients Nutrition
- 1 tablespoon vegetable oil
- 1 small onion, chopped
- 3 garlic cloves, minced
- 1 cup uncooked long grain rice
- 2 jalapeno peppers, finely chopped seeds removed
- 2 cups chicken broth or 2 cups vegetable broth
- 3⁄4 teaspoon cumin
- salt and pepper
- 2 tablespoons fresh snipped cilantro
- shredded cheese (Mexican, queso, cheddar, etc.) (optional)
Directions See How It's Made
- In a large saucepan heat the oil on medium-high heat. Saute onions until golden brown. About a minute before completing the onions, add garlic and jalapenos; saute another minute.
- Add in uncooked rice, broth, cumin, salt and pepper; bring to a boil. Reduce the heat and cover the saucepan. Simmer on low heat for 20-25 minutes or until liquid is gone and rice is tender and fluffy. Remove from heat. The longer you leave on the lid, the fluffier the rice will become. Add minced cilantro and stir gently.
- Top each serving with cheese, if desired.


text:
Production InfoEdit
~ Stephen Colbert
April 23, 2009 The Colbert Report
- floor has been replaced with trampoline
- what he names his anatomical parts is no one's business but his own
- he will twitter it
- and not with his thumbs
- he will twitter it
- Obama's releasing interrogation techinques
- Shepard Smith angers Dr. Colbert
- Katrina
- went after Joe The Plumber
- Dr. Colbert says dropping the f-bomb on air is against everything America stands for
- Dr. Colbert's Spicy List
- this is America, we do not whack
- turd burglar
- dry hump
- boobies
- circle {beep}
- Samuel Jackson
- MOnkey Fighting Snakes on This MOnday to friday Plane!
- America does not freakin' say fucking on camera
- Monkey fighter with a conscience
- Americans are angry at lost savings
- and angry at meds for keeping
- Note to self: tewak dosage
- who to specifically be mad at
- defaulting hiome
- gun control advocates
- things that can be smashed
- Hulk Inddpendent
- Tonight's Word: Brunt Double
- tried blaming economic crisis on
- Jim Cramers
- lashing at who ever is handy
- employees at a division of AIG
- heckling car models
- 3.7 million people laid off in the last 6 month
- great business model
- supply and demand
- high demand to be angry
- high supply easy target
- hire unemployed
- nut punch them
- taser them
- whack them on knee-caps
- Win-win
- we get our anger out
- we get groceries
- Brunt doubles might get angry themselves
- pain it forward
- anger bubble may burst
- Dr. Colbert's plan doesn't fix things, but his goal is not to fix things
- until we can all agree who to angry at, tearing each other apart is the best thing we've got
- Dr. Colbert helped Bill Posey
- introduced HR 1503
- Posey's bill failed
- couldn't get a co-sponsor
- there's no reason to say that Posey is the part alligator
- Dr. Colbert quelled the rumors
- another baseless rumor is now rampant
- illegitimate son of an alligator
- his grandmother was a notorious crock-tease
- suddenly very ugly
- stop the gossip
- requiring him to submit to a DNA test
- Elizabeth Bintliff, the West Africa Program Officer for Heifer International
- tube: Heifer International
- which sends live animals to developing nations, Dr. Colbert believes the last thing these people need is a pet
- She's from Cameroon
- livestock
- cows, goats, chickens
- feed themselves, sell the surplus
- give a man a cow, you feed him for a day
- teach the man to cow, he can feed himself for a lifetime
- 50 different species of animals
- very hard to milk a worm
- produce manure for crops
- Daisy the cow
- in over 15 countries
- including the US
- also breed
- anyone who receives an animal is obligated to give the offspring to others
- promoting pre-marital cow sex
- they try to marry the cows off
- promoting pre-marital cow sex
- run the countries and cows through the terrorist network before including them in the program
- Dr. Colbert just wants to say, "Good night, Daisy!"
Official Truthy VideosEdit
- Colbert Nation Home Tube
- Number Link Title
- Number Link Title
- Number Link Title
- Number Link Title
- Number Link Title
- Number Link Title
External TubesEdit
- [URL Link Title]
- [URL Link Title]


text:
Are elephants born by live birth?
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Answer Do it the legal way and have her served. You will need to file the proper custody paperwork at the courthouse, then wait until she is served. Once she has been served, take the children leg...
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No, you can't and you will NEVER get the in state rate because there is a lot more to becoming a resident than simply living there. Because you moved to NY and enrolled in school, you will ALWAYS ...
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How long can a fly live?
they can live to be at least 6 weeks on its own


text:
|How to pronounce Vida
View + sEE + Day + mAn
Each block is a syllable. Thick black border indicates stress/emphasis. Other pronunciations are acceptable.
|Original Spelling
How to write Vida in the original language, such as Arabic or Persian
|Alternate spellings of Vida
|Veeda Vyda
All of the above spellings are acceptable for this name. You may also create your own spelling.
This is NOT a Quranic name, but Muslims can use it since it doesn't have a bad meaning.


text:
Malaysia love song?????????? MP3
Best Malaysian Shuffle Love Songs Part 2 MP3
These are now my two favorite Malaysian Shuffle Love Songs (I DO NOT OWN THESE SONGS I ONLY UPLOAD THEM FOR PEOPLE CAN LISTEN TO ALL ...
Love Feeling (Malaysia Song) MP3
Best Malaysian Shuffle Love Songs MP3
These are two of my favorite Malay Shuffle Love Songs (I DO NOT OWN ANY OF THESE SONGS THEY ARE JUST FOR ENTERTAINING OR FOR PEOPLE TO ...
Kumpulan Lagu Malaysia Terbaik #2 MP3
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Sorry for being gone for a while but i hope this makes up for it so like in my other videos I DO NOT OWN ANY OF THESE SONGS THESE ARE ONLY UP HERE ...
Best Malaysian Shuffle Love Songs Part 5 (Valentines Day Special) MP3
So this is a Valentines day special and i hope you have a wonderful valentine :)
Best Malaysian Shuffle Love Songs Part 6 (DEADMAU5 EDITON) 25,000 VIEWS AND 75 SUBS!!!! MP3
READ THE DESCRIPTION*Sorry haven't made a video in about a month i was just busy with my life catching up on school work and other things so here is part ...
Best Malaysian Shuffle Love Songs (TRACKLIST!!!!) MP3
After Almost a Month Keeping you guys guessing for the songs(some of you) i finally give you the names in this video.
Best Malaysian Shuffle Love Songs Part 4(WITH TRACKLISTS) MP3
Thanks for Watching my old videos and her is your reward.
Beyoncé - Love On Top MP3
Beyoncé's official video for 'Love On Top'. Click to listen to Beyoncé on Spotify: http://smarturl.it/BeyonceSpot?IQid=BeyLOT As featured on 4. Click to buy the ...
Love On Top
BeyoncéBa-ba-ba-da, ba-ba-ba-da, ba-ba-ba-da, ba-ba-ba-da, Ba-ba-ba-da, ba-ba-ba... ba-ba-ba... Bring the beat in! Honey, honey, I can see the stars all the way from here; Can't you see the glow on the windowpane? I can feel the sun whenever you're near; Every time you touch me, I just melt away... Now everybody asks me why I'm smiling out from ear to ear; (People say "Love hurts,") but I know (it's gonna take a little work...) Whoa-oh! Nothin's perfect[...]
IKEA Malaysia Day 4 - Love Songs with Amir Jahari MP3
Acoustic musician Amir Jahari was down at IKEA Malaysia on Day 4 of the 2013 IKEA Catalogue Countdown in IKEA Malaysia to help everyone relive that ...
Music Malaysia - Beautiful Inca Love Song MP3
Visit our new webpage at http://www.mamatreble.com.my This is based on an ancient Inca song, in a modern arrangement. Quena by Wilson Lema from ...
PETRONAS Merdeka and Malaysia Day 2013: Tanah Air Music Video MP3
Watch the music video of Tanah Air, a specially-composed love song for our nation inspired by Allahyarham Dato' Dr. Usman Awang's original poem. Discover ...
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Love Feeling Malaysia Song.
Tamil Malaysia love song MP3
Mix Malaysia love song Malaysia new song Music Video UCHAKATTAM by Dr Burn APPALAM Myanmar Burme MP3
To see More Myanmar Music Videos, Myanmar Model and Actress Photos, Myanmar Celebrity Photos, Gossips and News. myanmar, movies, shweo, myanmar, ...
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A song for Malaysian fighting for Clean & Fair Election - Bersih 3.0.
To Know Malaysia Is To Love Malaysia MP3
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Jungle Asri singing Malay Love Song in Kuala Tahan, Malaysia MP3
In Taman Negara, our new found friend sung a lovely Malay song for the birthday of our old and good friend at home =)
Malaysian fat guy singing a south africa love song in Redang Island MP3
[HD Fancam] 121027 Love Song - Big Bang ALIVE Tour in Malaysia MP3
Hate my voice silent it. Credit to Me.


text: On Tuesday 17 July 2001 3:53 pm, Chun Kit Edwin Lau wrote: > Hi everyone, > > Just wondering if there is any software under Gnome or X11 that play VCD? > I try xanim, it gives me some error saying unsupport format. I am using > unstable right now. pretty sure with a few extra bits xine will... http://xine.sourceforge.net/ adam


text:
The size of professional stain remover bottles is really kind of funny for someone like YOU! Why? They are made for a busy Stylist who uses it on 20 clients a day 5 days a week... It would take you 5 years to use 1 bottle which of course is ridiculous.
Therefore we have made some junior size kits in 2oz. jars (which will last a year minimum) we have put the 'NO STAIN' stain remover that KC likes for cleaning off hair color 'AFTER'-the-fact...but even better is the other jar which is a product called BLOCK OUT. Block out is a creamy emulsion that is made to 'prevent hair color stains in the first place. So what we encourage you to do is to use the Block-Out cream around the hair line first, follow the hairline all the way around the head of hair.... till you have completed the entire skull's hairline.
Now, you apply the hair color. trying to keep the color off the skin, but that is not always possible, which is fine because you can now rub the Block out cream iNTO the skin where you got haircolor - in circular motions. To do that makes for a very nice blended hair line that looks natural.
This also works great for coloring sideburns and facial hair.Masking off the hair you want to tint and not touching the 'skin' with the color is the key.


text:
Image Keyboard
Tired of the same old keyboard you use each day?
Sick of the dull grey keys that you press?
Want to make your keyboard more personal?
Image Keyboard is the easiest way to customize your keyboard and make it your own instead of using some random theme those other apps provide. Now you can pick your own photo and use it as another wallpaper, but on your keyboard! Pair your favorite picture with any color you want and you just created a masterpiece!
Choose any picture from your photo library, or take a new one to capture the moment! Choose any color you can think of for the actual keys. Now you are an artist!
Who wouldn't want to look at a family photo, or a photo of your college friends every time you use the keyboard? Show your keyboard to your friends, or keep a special photo that only you want to see. You are in control!
Yup, every other keyboard charges you upfront and then again when you want to customize it. Not Image Keyboard! Pay once and that is it! You are supporting an independent developer by downloading my keyboard :)


text:
Graphic Design and Animation BA(Hons) 2017-18This course also available for 2018-19 entry
Want to join us in September? You can now apply via Clearing
About the course
This innovative, industry disciplined course combines graphic design with animation, acknowledging future trend forecasts in the creative industries. The module structure emphasises you becoming a strong design practitioner, strategist and experimental creative. Typography, visual language, illustration, branding and motion are core features of this lively course. You'll be asked to examine the overlap between the two disciplines, as animated content becomes a major feature of contemporary design.
Based in our specialist studios in the flagship Creative Arts Building, you'll contribute to the vibrant culture of the course. You'll have the opportunity to become inspired by the wider community, the national and international Alumni network, and the staff's professional and industry experience. An impressive theory and guest speaker programme, with professionals from companies such as Territory Studios and the BBC, will help you to understand the agendas that shape your discipline. You'll be encouraged to participate in workshops, 'live' briefs and international design competitions, which aim to prepare you for placements, internships and future graduate employment.
This course is part of a suite of three courses which includes Animation BA(Hons), Graphic Design BA(Hons), and Graphic Design and Animation BA(Hons). Once you have enrolled on one of these courses, you can transfer onto any of the other courses within the suite should you wish. This offers you flexibility on the course and allows you to develop your own path. You therefore only need to apply for one course from the Graphic Design and Animation suite.
UCAS code:
Start date:
18 / 09 / 2017
3 years full-time
4 years inc. placement year
Course type:
Full Time inc. placement year
0300 555 4444
Course content
The course is based in a studio where the culture emphasises visual and technical innovation. You'll have the opportunity to explore and create 2D, 3D and 4D digital content for a range of platforms, environments and devices, using professional industry-standard software and hardware, as well as niche and bespoke devices. You'll also have the chance to develop content for single and multiple screen formats, and for many different commercial and avant-garde situations.
The study of processes, history and culture will underpin your creative work, and you'll be able to explore narrative, character, environments, typography, documentary, generative or performative modes of production.
Inspirational field trips to destinations of educational and cultural significance are a component of the course and will be funded by the University. Study trips may include visits to galleries, museums, and exhibitions.
Year 1
Core modules:
Foundation Studio Practice
Foundation Studio is delivered across all teaching weeks of the first year of study. You will be asked to develop a body of work in response to a studio theme. This is defined and structured by module tutors to promote an exploration of the potential of graphic design and animation, as independent and converging practices. This is through the development of experimental practice and proposals as appropriate to your contemporary art and design practice, for the exploration of: the image, image and text, visual grammar and the visual field, typographic form, multimedia materials, photography and motion graphics, animation and interactive media environments. 100% portfolio.
Process and Production 1
The module will introduce you to the key principles of contemporary practice in terms of technique and process. It will focus on the fundamental techniques of production. It will help to develop your understanding of two and three dimensional space and the importance of the image, the frame, the timeline, the loop and the digital processes to generate and capture your work. 100% portfolio.
Theory as Practice 1
This module introduces you to vital discourses and debates surrounding the history, influences, production and critical reception of graphic design and animation. The module explores and introduces contemporary theory as practice, with reference to a wide range of artefacts and texts. We will help you to recognise and understand key conventions and contexts, and create concepts useful to both your studio practice and for a series of written assignments. You'll be asked to produce assignments in a range of written formats, which will develop and then test your confidence and ability to demonstrate your understanding of and engagement with contemporary practice and visual, material and digital cultures. 100% portfolio.
Year 2
Core modules:
Intermediate Studio Practice
The intermediate studio requires you to produce works of increasing sophistication having successfully completed the foundation studio. The module encompasses diverse and interdependent areas of practice. It expands and elaborates upon the exploration and communication of ideas introduced in foundation studio. 100% portfolio.
Process and Production 2
The module encourages you to extend your knowledge of graphic design and animation, with an emphasis on exploring more advanced processes and production techniques. The frameworks and methods introduced at foundation level are refined and developed. This will support you in establishing a more specialist approach and a professionally orientated practice. 100% portfolio.
Theory as Practice 2
This module looks at theories in the development and coming-together of cultural and historical practices in graphic design and animation, in many different forms. The module aims to build upon and expand the cultures and conditions of postmodernity and the idea of the 'contemporary' introduced in year 1. Through combining theory and practice, you'll be encouraged to experiment creatively with ideas and concepts.
Year 3 - optional placement year
School of Art and Design Placement
You will normally spend a total of 48 weeks between the end of year two and the beginning of your final year in a managed work experience. You will be encouraged to obtain a placement activity relevant to your area of specialism, however a wide range of placements will be regarded as suitable. The placement will be monitored and you will be assessed on completion. (100%).
Final Year
Core modules:
Advanced Studio Practice
This module supports you in the independent production and presentation of work appropriate to final year honours degree standards. Its purpose is to help you to make concepts manifest (for graphic design, animation or graphic design and animation) in an appropriate and personal manner whilst demonstrating a level of technical resolution in accordance with pre-negotiated targets. 100% portfolio.
Research and Development
This module is designed to provide a vehicle for you to illustrate and develop concepts for original graphic design and animation appropriate to final year honours degree standards in either graphic design, animation, or the combined award of graphic design and animation. Research and production contexts for the module will be defined by your course and project needs. 100% portfolio.
Theory as Practice 3
The module is specifically designed to unfold throughout the final year, reflecting theoretical, technical and professional issues appropriate to your practice. The module is intended to be a critical and diagnostic tool with which to examine and extend your work. It can be made up of a series of outputs and will help you to determine and contextualise the direction of your practice-based modules. It concludes the undergraduate Theory as Practice programme. 70% dissertation/30% special study.
Important information
We will always try to deliver your course as described on this web page. However, sometimes we may have to make changes as set out below.
We review all optional modules each year and change them to reflect the expertise of our staff, current trends in research and as a result of student feedback. We will always ensure that you have a range of options to choose from and we will let students know in good time the options available for them to choose for the following year.
We will only change core modules for a course if it is necessary for us to do so, for example to maintain course accreditation. We will let you know about any such changes as soon as possible, usually before you begin the relevant academic year.
Sometimes we have to make changes to other aspects of a course or how it is delivered. We only make these changes if they are for reasons outside of our control, or where they are for our students' benefit. Again, we will let you know about any such changes as soon as possible, usually before the relevant academic year. Our regulations set out our procedure which we will follow when we need to make any such changes.
When you enrol as a student of the University, your study and time with us will be governed by a framework of regulations, policies and procedures, which form the basis of your agreement with us. These include regulations regarding the assessment of your course, academic integrity, your conduct (including attendance) and disciplinary procedure, fees and finance and compliance with visa requirements (where relevant). It is important that you familiarise yourself with these as you will be asked to agree to abide by them when you join us as a student. You will find a guide to the key terms here, where you will also find links to the full text of each of the regulations, policies and procedures referred to.
The Higher Education Funding Council for England is the principal regulator for the University.
The course offers an optional one-year (48 weeks) work placement after the second year, in the UK or abroad. This will give you the opportunity to gain valuable hands-on experience, insight into your chosen career and open up your graduate employment prospects. Our Placement Unit and academic staff have excellent industry links and can support you in applying for and finding your placement(s), as well as during your placement year.
Students within the area of Graphic Design and Animation have recently taken up placement opportunities with companies including: UVPhactory - New York; Studio Distract - Manchester; Disruptive Marketing - Leeds; Love Love Film - Bournemouth; Elmwood - Leeds; Media21a - Leeds; TIG Sports - Amsterdam; Zelig Sound - London; The Tetley - Leeds; and National Media Museum - Bradford.
Alternatively, if you are a student from within the UK or the EU, you could consider starting your own small business by applying for the Enterprise Placement Year in conjunction with the University's Enterprise Team. You'll have the opportunity to benefit from business advice, mentoring and networking sessions. You can find out more information on the Enterprise Placement Year here.
Career opportunities
88-90% of graduates from courses in this subject area go on to work and/or further study within six months of graduating.
This course aims to help you develop the skills needed in the growing convergence of graphic design and animation. This could enable you to take up roles in new media design, motion graphics, visual effects, brand awareness, digital strategy, user interaction and concept art, for roles such as design director, digital producer, art director, storyboard artist, social strategist, motion designer, digital designer, interaction designer, interface developer, editor or production co-ordinator.
Companies who have employed our talented students from the suite of Graphic Design and Animation courses include the The Neighbourhood, Vungle, Playstation, BBC and Google.
Professional links and accreditations
During this course you can benefit from the opportunity to gain the Adobe Certified Associate (ACA) accreditation in addition to your degree, at no extra cost. This is a globally recognised accreditation awarded by one of the leading software package providers to the creative industries, so could be valuable in your professional career. This accreditation is attractive to a number of employers and so it could give you a competitive edge in the job market. To be awarded the ACA accreditation, you'll need to pass an online test.
Teaching and assessment
32.7% of the study time on this course is spent in lectures, seminars, tutorials, workshops etc.
This is a studio-based course with supporting lectures, seminars, tutorials and technical workshops which will help you to develop a sound understanding of theory relating to animation and motion graphics.
The course focuses on practical experience and you will be taught by a team of active researchers with professional experience in the field. Assessment includes portfolio exhibition, reports, essays, presentations and case study analysis.
Your module specification/course handbook will provide full details of the assessment criteria applying to your course.
Feedback (usually written) is normally provided on all coursework submissions within three term time weeks – unless the submission was made towards the end of the session in which case feedback would be available on request after the formal publication of results.Feedback on exam performance/final coursework is available on request after the publication of results.
Huddersfield is the UK's only University where all our permanent teaching staff are Fellows of the Higher Education Academy.*
*Permanent staff, after probation: some recently appointed colleagues will only obtain recognition in the months after their arrival in Huddersfield, once they have started teaching.
Our studios are based in the iconic Creative Arts Building and house state-of-the-art Apple Mac suites, as well as a Stop-Motion Rostrum Camera for animating a still picture or object, giving you access to the range of technology you'll need to bring your ideas to life. You'll also have full access to the Digital Print Centre, our specialist facility capable of printing on a variety of media including wide formats with high-end print-finishing techniques.
In addition to having full access to the facilities during University opening hours, you'll also be able to access the specialist software licensed to the University from your own computer, whilst away from the campus out of studio opening hours. This means you won't have to invest in expensive software packages during the course.
How much will it cost me?
In 2017/18, the tuition fee for UK and EU students at the University of Huddersfield will be £9,250.
Tuition fees will cover the cost of your study at the University as well as charges for registration, tuition, supervision and examinations. For more information about funding, fees and finance for UK/EU students, including what your tuition fee covers, please see Fees and Finance.
If you are an international student coming to study at the University of Huddersfield, please visit the International Fees and Finance pages for full details of tuition fees and support available.
Please email the Student Finance Office or call 01484 472210 for more information about fees and finance.
You will need to cover the cost of printing your work during the course. You'll also need to supply your own materials, which may include sketchbooks, pens, specialist papers, sculpting materials and specialist tools. The approximate cost of these items in recent years has been £100 in the first year, £200 in the second year and £200 to £500 in the final year. We also recommend that you purchase a hard-drive in order to back up your work throughout the course.
Other information
Graduates from this subject area have been acknowledged for or have won numerous awards and accolades. These include D&AD Best of New Blood and D&AD Yellow Pencil nominations; YCN student awards, the Royal Society of Arts Student Design Awards, the Sh! Awards and Northern Design Competition Awards. Students have also been runners up and shortlisted in major competitions including Creative Review / BFI competition and the Little Big Chip Awards.
Further study
Progression to a postgraduate course is dependent on successful completion of your undergraduate studies, there may also be minimum qualification requirements such as a first class or higher second (2.1) degree. Please check the course details to confirm this.
If you're an international student (including EU) you can check if you meet our entry requirements (both academic and English language) by visiting our country pages.
If you do not meet the entry requirements you can consider completing a degree preparation programme (if you are from a country outside of the EU) at the University's International Study Centre (ISC). You can call the ISC on +44 (0) 1273 339333 to discuss your options. You can also complete the online application form or to ask a question please fill in the enquiry form and talk to one of our multi-lingual Student Enrolment Advisers.
If your English language is not at the required level (IELTS 6.0 overall), we have a range of Pre-Sessional English programmes that you can enrol on before starting your degree course. You will not need to take an IELTS test after completing one of our Pre-Sessional English programmes.
How to apply
We hope you are interested in what you have seen and want to apply to join us.
If you are a student from the UK or from a country in the European Union (EU), you can find application information here.
If you are an international student from outside the European Union (EU), you can find application information here.
Research community
Research plays an important role in informing all our teaching and learning activities. Through research our staff remain up-to-date with the latest developments in their field, which means you develop knowledge and skills that are current and highly relevant to industry. For more information, see the Research section of our website.


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Exchange 2010 — An Upgrade Worth Considering
Better Back End, Basic Archiving, And Bigger Mailboxes Lead The Benefits List
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Why Read This Report
Email is business dial tone. Whether on computers or smartphones, email is the most popular application. And Microsoft Exchange is a popular choice for business email. Microsoft's recent release of Exchange Server 2010 has material benefits that should prompt some Exchange 2007 and many Exchange 2003 customers to consider an upgrade. Look for improvements in three areas: back-end improvements largely connected to storage; benefits to information workers; and built-in basic archiving capabilities. But Exchange 2010 is not a panacea. In particular, many Exchange 2007 shops won't see enough new benefit to accelerate an immediate upgrade. Organizations with substantial archiving and legal risk mitigation needs should stick with their traditional archiving vendor or evaluate other archiving and eDiscovery partners.
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Regulatory And eDiscovery Demands Drive A Growing Message Archiving Market
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Predictions 2017: Customer-Obsessed Enterprises Launch Cloud's Second Decade
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Home > About Us > Newsroom > Safe Sitter March Classes
Published on February 12, 2015
Is your young teen ready to start earning money? Are you ready for your young teen to stay alone after school or start watching younger siblings but you aren't sure if they are ready? Register your son or daughter for our upcoming Safe Sitter® classes and have peace of mind that they are prepared.
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