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BIG RED SUN is a design house offering landscape, hardscape, and interior design to residential and commercial clientele. Founded in 1994 by native Austinite Selena Souders, Big Red Sun has been designing unforgettable landscapes and interiors and making modern garden magic for more than 20 years.
Renowned for the use of restorative, native, and drought-tolerant designs, BIG RED SUN has been featured in numerous publications and established a strong reputation and following in the design world.
The BIG RED SUN name was inspired by Selena's friend and mentor, Lucinda Williams, and her song "Big Red Sun Blues" because the company has proven it's ability to do a little bit of everything under the sun.
About Selena


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|08 Feb 2011
Win 7 Ultimate 64-bit. SP1.
U.S. seeks veto powers over new domain names
The Obama administration is quietly seeking the power for it and other governments to veto future top-level domain names, a move that raises questions about free expression, national sovereignty, and the role of states in shaping the future of the Internet.
At stake is who will have authority over the next wave of suffixes to supplement the venerable .com, .org, and .net. At least 115 proposals are expected this year, including .car, .health, .nyc, .movie, and .web, and the application process could be finalized at a meeting in San Francisco next month.
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Does Windows save logs somewhere that shows folder names / file names?
Probably it doesn't and my question is a long shot - but I recently toasted a drive, and it had many folders and files which I have little memory of. I also never used one of those nice apps that makes a list. Any help appreciated. Much obliged. Tt
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Can ping ip addresses but not domain names
Greetings all, New user to the forum. I'm having a problem with internet connectivity. It is random but persistent. After restarting my computer I can sometimes reach all web pages fine. After browsing for a little bit though I get "error server not found" for all sites. Sometimes after a...
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DNS Issue - Can't use domain names for websites only the IP Address
So basically on my Toshiba laptop running Windows 7, I can't use domain names such as: google.com to go to the website. All I can use is the IP Address of the domain, such as: 126.96.36.199. That IP Address opens google.com. So, I was wondering if anyone here could be able to give me a solution to...
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Domain names
I run a public Minecraft server, so I wanted a domain name for it so players would not have to deal with an IP address. I went with Namecheap, and immediately after completing the order on a .org domain, and pointing it to the IP of the server I was able to connect to my server through the domain....
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Microsoft Office Outlook 2007 - Change middle names to last names
Hello everyone, I need a help regarding the contacts being synchronized with Outlook. All my contacts have their first names under 'First Name', but their last names under 'Middle Name'. I want to copy the middle names of everyone to the 'Last Name' box. Can anyone please help me on this. There...
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Since their debut, ceramic flat irons have been making waves in the fashion and beauty industries. They represent a new attitude towards hairstyles. You no longer have to punish your hair with a harsh metal iron just to get the look you want. Ceramic flat irons actually nurture the hair with negative ion technology which locks in moisture from the root to the tip.
Your hair is actually healthier after you style it.
Your hair care and style are no longer at odds. There is no need to sacrifice one for the other. You don't have to choose between healthy hair on one hand or a cool look on the other. Now you can have both and it is all thanks to ceramic flat irons.
Achieve Countless Styles
What's more is that the styles achieved with ceramic flat irons are even more versatile than what was available before. From silky smooth and straight to courageous and curly, ceramic flat irons can do it all in record time. Get creative and fashion the look that you have always wanted. Your hair iron will no longer hold you back.
Chi Flat Iron - Ceramic Hair Straightener
After just one use you will be able to experience the superior styling that only ceramic flat irons can provide. Your hair will be soft and manageable, not crispy and harsh. The shine and color will be undeniable. Ceramic flat irons have the ability to lock in moisture – which makes the difference between depleted and boring hair and healthy vibrant style.
What's Included:
The True Ceramic Pro
Instructional DVD of Styling Tips
The True Cool Carrying Bag
The Ionic Comb
The Anti Static Ionic Brush
6 Professional Clips
Heat Play Shine Spray
Heat Play Thermal Styler
Access to Advanced Beauty Solutions Online
Beauty Store and Tutorials
True Ceramic Pro
More Info and Availability - True Ceramic Pro
Testimonials True Ceramic Pro:
I have purchased cheap flat irons, salon grade flat irons, and nothing has ever come close to the True Ceramic Pro. I am not an infomercial kind of person, but I just couldn't stand my hair anymore. Tons of thick, wiry, curly hair with no way to tame it. I gave this a try and couldn't be more pleased. My hair is softer than it has ever been! I don't even have to put any product in my hair before or after. No more frizz - even on a windy, humid day. I love it! I would be lost without it - I finally like my hair. ----HLM (Doylestown, PA)
I recently bought the true ceramic pro straightening iron and I am very pleased with the way my hair looks and feels. I have been using the Heat Play Thermal Styler spray on my dried hair before using the true ceramic pro iron. It does an amazing job making my hair feel silky soft and very shiny. I am almost out of this wonderful spray and need to buy more. ~~Catherine Pasarich
Submit a Product Review on True Ceramic Pro
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EAST Continuing Team Support Grants
WSU's College of Engineering, Applied Science & Technology (EAST) has been fortunate to be awarded funds through the Carl D. Perkins Career and Technical Education grant to help support FTC in Utah. Using these funds, EAST will award the following team grants this season:
Continuing Team Grants: $400 for 10 continuing teams. This grant is only awarded in the form of equipment and supplies to be purchased by Utah FTC and delivered to schools or other non-profit address's. Items may be purchased in October.
Successful applicants are highly encouraged to participate in community and school events that showcase FIRST Tech Challenge (and so STEM in Utah) within the state.
If you have questions, please contact Dana Dellinger, firstname.lastname@example.com.


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Star Fox Armada is a rail shooter game rated E+10 for ages 10 and up. This game is for the JetBox. This game was developed by JetStreak, president of JS Games Inc..
- The story takes place eight years after the events of Star Fox Command. Fox and Krystal's son, Marcus McCloud, has entered a new Star Fox Team organization put together by Peppy Hare. He is sent to Team Star Fox Alpha, whose leader is none other than Falco Lombardi. More info soon.


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Maxine Harris
Joseph Campbell: Sukhavati
Travel with mythology expert Joseph Campbell as he explores shared iconic imagery that marks the human experience and influences our ability to dream and find our spiritual center. Campbell suggests that all religions share the same path to enlightenment, but it's up to us to make the actual journey. Evidence of the commonality of mythological symbols is investigated in the ruins of Ajanta in India, Delphi in Greece and Stonehenge in England.


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Quick Facts
What's New
Alternatives 4
- Encoding using H264 (x264) and AAC.
- Support for Intel Quick Sync Video (QSV) and NVENC.
- Unlimited number of scenes and sources.
- Live RTMP streaming to Twitch, YouTube, DailyMotion, Hitbox and more.
- File output to MP4 or FLV.
- GPU-based game capture for high performance game streaming.
- DirectShow capture device support (webcams, capture cards, etc).
- Windows 8 high speed monitor capture support.
- Bilinear or lanczos3 resampling.
What's New:
- Fixed a potential anti-virus false-positive with game capture that was happening with 0.62b
- Clarified some text about the anti-cheat option (basically, don't use it unless the game has anti-cheat protection because otherwise it can flag a false-positive as well, which is INCREDIBLY annoying)
- Made it so you cannot assign left/right mouse buttons as hotkeys (listen, I know that some people are going to disagree with this, but it's causing some serious problems for new users. They accidentally click the mouse in the box and then don't realize they set a hotkey to their mouse button, and then say "why is this action occuring every time I click my mouse?" ..Please, find a different key/button to use or put it in the ini file manually)
- Use safer hooks so that using other hook programs doesn't cause the target game crash with game capture (vulture)
- Add optional 'safe' game capture hooks for anti-cheat compatibility (Jim)
- Implement an 'optimize' button in publish settings (Palana)
- Fix a lot of bugs (Palana & R1CH)
- Fix invalid log generation (Palana)
- Fix audio mute threshold (R1CH)
- Fix 'defaults' button behavior in advanced (paibox)
- Fix mono audio (Jim)
- Add a fast experimental windows 7 monitor capture method in game capture (homeworld)
- Added some more important logging info, especially things like logging what game capture is trying to hook to, and logging audio sync offsets (Jim)
- Renamed 'audio time offset' to 'audio sync offset' so users actually know specifically what it is (Jim)
- Fix an issue with game capture where the mouse cursor wouldn't always show up after updating its settings (Homeworld)
- Reduce the minimum allowable reconnect timeout to 0 (Jim)
- Remove 'use input devices for desktop audio' and make it so it can only be used via ini file. If you need to use it, then enable it in your profile ini file in %appdata%\obs\profiles, under [Audio], InputDevicesForDesktopSound=1 -- we are not going to provide an option in the UI for this because people kept enabling it without know what they were doing.
Apps similar to Open Broadcaster Software 4
More than a simple screen recorder, Camtasia gives you the tools you need to truly customize and edit your videos.
- Trial
- Windows/macOS
CamStudio is able to record all screen and audio activity on your computer.
- Freeware
- Windows
Fraps is a universal Windows application that can be used with all games using DirectX or OpenGL technology.
- Demo
- Windows


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Not every DIY project is a smooth-sailing success story. I screw up—a lot. There's many stories like these to tell but I'd thought I'd share my most recent because it is so hilariously bad!
I had it in my mind that I was going to create an abstract acrylic painting for the kitchen makeover. This was my inspiration. And by inspiration I mean I wanted to copy the composition entirely.
Here is my version.
LOL. Well at least I tried, right? This looks like a contest entry for a Lisa Frank Trapper Keeper design. Aaron and I laughed hysterically about it all. I'm not ashamed to say I spent a good 24 hours trying to convince myself that it was good.
I'm missing some layers, I went too crazy with the drips and the colors are too neon… among other things!
I'm not sure I'm ready to give up the paint brush just yet. Danielle posted a great DIY abstract art tutorial on her blog a few weeks ago. I think I need step by step instructions. Better yet—a paint by number approach would be just perfect. 🙂
Has anyone tried the DIY abstract art? Any luck? I think the DIY approach is tricky because it still requires talent! A skill I have yet to develop!
Happy Monday everyone. I just got back from a weekend of camping and it was a blast! After the week of travel and events last week, I'm pumped to settle into a slower week and enjoy these last few weeks of summer!


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Back To School: Lunchbags From £2.99 @ Argos
I'm on the lookout for lunchbags for the new school term, and there's some really good offers on them at Argos. Prices start from just £2.99 and there's a great selection to choose from. Some even include free home delivery too, saving you the £3.95 charge or a trip to the shops to collect.
For younger kids I love this My Little Lunch Chimp Lunch Bag* now down to just £2.99 from £9.99, and there's an Owl* version too for just £4.99.
There's character lunchbags like this Moshi Monsters* one for £2.99, this Spider-man* one for £3.99, or this Frozen Lunchbag* is 20% off with free delivery included too.
If you have older children who don't want character lunchbags then there's also some great Polar Gear Bento Boxes in Turquoise*, Black* and Pink* all at £8.99 with free delivery. There's also some Polar Gear 2 Compartment Lunchbags in Blue* or Pink* for £8.99 delivered.
Don't forget the drinks bottles either - these Lego* ones should do the trick!
The one I think my eldest will choose is this awesome Thunderbird 2 Lunchbag* though, as it's just about the best one I think I have seen, and he'll find that really easy to spot amongst all the others in the lunchroom!
4 comments
- Karen C.
Thanks hun. X
- Alison F.
Thank you ..ordered mine x
- Emma F.
We have the monkey :)
- Charlotte W.
Ooo i saw one on here the other day that was Paw Patrol with sandwich box and bottle but cant find it now?x
What do you think?
Top deal finds
- 1 month ago
20% Off School Uniform @ Marks & Spencer
- 10 months ago
20% Off Coats, School Uniform & Shoes Plus FREE Delivery (With Code) @ Debenhams
- 11 months ago
Back To School - Tips & Hacks
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Starting School: Five Tips To Prepare Your Child
- 11 months ago
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- 11 months ago
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- 11 months ago
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- 11 months ago
Is the Cost Of School Uniform Unreasonable?
- 11 months ago
Back To School: Top 5 Lunch Boxes for Kids & Teens
- 11 months ago
School Uniform Buying Guide: Budget v Big Brand


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Overview Idi Amin wanted power People and Region Uganda Genocide Reason Local and International Reaction Hoped for the support of international governments Timeline and Facts/Figures 1972 - Amin orders Asians who were not Ugandan citizens-around 60,000 people- to leave the country Images By Christian Deguzman, Dominique Diller, and Kristian Shackman. Ms. Belier
Period 3
6/6/13 Victim group was powerless against the LRA and had no say in government. The power hungry Obote (led a group of rebels to go against Amin) and Amin (who became president of Uganda in 1971.) "Reign of Terror" Wanted to stay in power Uganda, Eastern Region of Africa, Tanzania Killed people who Idi Amin thought were a threat to his rule African leaders said they will create a military force to deal with coups, rebellions, and wars (pledged by South Africa, Uganda, and Ethiopia) 1972-73 - Uganda engages in border clashes with Tania 1976 - Idi Amin declares himself president for life and claims parts of Kenya. 1978 - Uganda invades Tanzania with view to annexing Kagera region. 1979 - Tanzania invades Uganda. 1980 - Binaisa overthrown by the army 1985 - Obote deposed in military coup and is replaced by Tito Okello 1986 - National Resistance Army rebels take Kampala Asians forced to leave in exile Lord's Resistance Army (LRA) Started the "Reign of Terror" Idi Amin in office January 25 1971 – April 11 1979 Genocide 1971 - 1979 LRA 1986-present Killed 300,000 people
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Uganda Genocide
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With First Tutors: Music you can find a Southwark piccolo teacher. Piccolo lessons are a brilliant method to start an entertaining new hobby, pick up a new talent and attain confidence with piccolo. Please use our site to find Southwark piccolo tutors and choose which best suits your needs so you can start your piccolo tuition in Southwark immediately!
First Tutors: Music is the fastest way to locate Southwark piccolo tutors in the UK, helping you find Southwark piccolo lessons in your area and Southwark tutors to assist with any instrument, for example, piano, violin or guitar. We can help you find Southwark piccolo tuition or a Southwark piccolo teacher to prepare for piccolo grades and improve your piccolo skills! Our search will order Southwark piccolo tutors local to you according to their hourly charges and distance from you.
If you are a piccolo teacher and would like to offer piccolo tuition services in Southwark or anywhere else across the UK, please register with First Tutors: Music or find out more about us here. Becoming a Southwark piccolo teacher is a great way to re-affirm your own knowledge through providing piccolo lessons while helping someone else, all in Southwark!


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Developing psychotherapists' competence through clinical supervision: protocol for a qualitative study of supervisory dyads
Social psychiatry, therapy and provision of mental health care
Mental health professionals face unique demands and stressors in their work, resulting in high rates of burnout and distress. Clinical supervision is a widely adopted and valued mechanism of professional support, development, and accountability, despite the very limited evidence of specific impacts on therapist or client outcomes. The current study aims to address this by exploring how psychotherapists develop competence through clinical supervision and what impact this has on the supervisees' practice and their clients' outcomes. This paper provides a rationale for the study and describes the protocol for an in-depth qualitative study of supervisory dyads, highlighting how it addresses gaps in the literature.
The study of 16–20 supervisor-supervisee dyads uses a qualitative mixed method design, with two phases. In phase one, supervisors who are nominated as expert by their peers are interviewed about their supervision practice. In phase two, supervisors record a supervision session with a consenting supervisee; interpersonal process recall interviews are conducted separately with supervisor and supervisee to reflect in depth on the teaching and learning processes occurring. All interviews will be transcribed, coded and analysed to identify the processes that build competence, using a modified form of Consensual Qualitative Research (CQR) strategies. Using a theory-building case study method, data from both phases of the study will be integrated to develop a model describing the processes that build competence and support wellbeing in practising psychotherapists, reflecting the accumulated wisdom of the expert supervisors.
The study addresses past study limitations by examining expert supervisors and their supervisory interactions, by reflecting on actual supervision sessions, and by using dyadic analysis of the supervisory pairs. The study findings will inform the development of future supervision training and practice and identify fruitful avenues for future research.
Mental health professionals face unique demands and stressors in their work, resulting in high rates of burnout and distress
Clinical supervision has been widely adopted as an essential part of the training experience in psychiatry
Despite widespread endorsement of clinical supervision and the development of a growing number of theoretical models of supervision
Theoretical writers agree on the importance of the quality of the supervisory relationship as a core ingredient in supporting and facilitating professional development
The mental health practice field has become increasingly complex since deinstitutionalisation
The current study responds to these calls for a stronger evidence base to underpin supervision practice by examining the clinical supervision of psychotherapy practice by highly experienced supervisors with their experienced supervisees. The focus is on how supervisor-supervisee dyads co-construct understandings of the supervisees' therapeutic challenges and how this impacts on supervisees themselves, their way of working in therapy, and on perceived client outcomes. It explores supervisor and supervisee conceptualizations, actual supervision practice, including the here-and-now supervisor-supervisee relationship, the process of learning taking place, and supervisor-supervisee reflections on the impact of supervision on client outcomes.
The study addresses past gaps in the research literature given that few studies have examined the supervision process from the perspective of highly experienced or expert supervisors, or from the supervisor-supervisee dyadic perspective, and very few studies have used recorded supervision sessions as a source of data, instead relying on retrospective report of events
The specific aims of the study are to:
1. Explore expert clinical supervisors' theories, practices and experiences of supervision, to better understand the processes that build supervisee competence.
2. Examine actual sessions of expert supervisor and experienced supervisee dyads to increase understanding of the supervision processes underpinning the development of competence in supervisees.
3. Examine expert supervisor and supervisee dyads' views on the ways that supervision can improve client outcomes.
4. Synthesize findings into a model of optimal supervisory practice that links supervision practices with supervisee performance and impact on client outcomes.
Methods and Design
Clinical supervision practice requires the application and refinement of theory to the unique contexts, stories, and presentations of supervisees, consistent with definitions of evidence-based practice
Conceptual framework
The methodological framework of the study is guided by three key influences: social constructivism
The second methodology guiding the study, phenomenology
The third influence comes from Schön's reflective practitioner model
Research that seeks to understand the meta-cognitive process of
Phase 1
In the first phase, an in-depth face-to-face interview is undertaken with the purposively selected sample of expert clinical supervisors. A semi-structured interview guide is used to elicit open-ended reflections on their approach to supervision, their experience of helpful and unhelpful supervision, good and poor supervisory relationships, their understanding of how supervision builds competence in supervisees and better outcomes for their clients, and factors that influence supervision effectiveness. Core interview questions are shown in Table
Phase 2
Following the first interview, supervisors are asked to assist with the recruitment of one of their current supervisees and record a supervision session on DVD. Separate interviews with the supervisor and their supervisee are then undertaken while reviewing the DVD recording. These interviews use social constructionist and phenomenological lenses to explore reflections on the observed supervision session. Specifically, the Interpersonal Process Recall (IPR) interview method
Sampling and recruitment
Supervisor sampling
A purposive sample of 16 to 20 highly experienced supervisors is being identified and recruited by the researchers through professional networks in Australia and the UK. Colleagues, such as senior academics, senior practitioners, departmental heads, and heads of institutes and colleges, are asked to nominate supervisors they would consider to be expert supervisors. The aim of this purposive sampling criterion is to maximise the level of supervisor competence and to yield rich data from the accumulated clinical wisdom of senior supervisors. It privileges supervisor expertise over sample size or representativeness. Eligible supervisors are then sent written information and consent forms inviting them to participate and are followed up by phone.
Supervisee sampling
Each consenting supervisor is asked to recruit one of their supervisees by providing written information about the study. Willing supervisees are asked to contact the research team directly, to avoid any pressure on the supervisory relationship. Supervisees must be willing to participate in an in-depth interview, allow a supervisory session to be DVD recorded, and engage in an IPR interview where they would reflect on the session and their overall supervision experience. Supervisees are assured that a decision not to participate will not affect their rights to supervision. While it is recognised that supervisors may recommend only supervisees with whom they have a good relationship, this is not considered a major threat to validity, since past research demonstrates discrepancies between supervisor and supervisee perceptions of the supervisory alliance
The research team
The two researchers are counselling and clinical psychologists who direct university programs and have held executive positions in relevant national professional bodies. They view supervision as a collaborative process grounded in the supervisory relationship and it is acknowledged that this may influence the approach to, and execution of, aspects of the study such as the recruitment and interview process and the analysis and interpretation of data. However, their professional positions and experience may also be a potential strength in terms of identifying potential experts in the field, gaining their trust and cooperation in the research, and in analysis and interpretation of the data. They will be mindful of this throughout.
Phase One interviews are being undertaken by either the first or second author, both experienced supervisors. Interviews are recorded on digital voice recorders and range from one to two hours. Phase 2 requires that a supervision session be DVD-recorded by the supervisor with a consenting supervisee. Then, the supervisor and supervisee are separately interviewed about the session using IPR to engage them in deeper reflections on the session
Interview method
The qualitative interview method uses open questioning to explore current understandings and experiences and make possible the development of new understandings and alternative perspectives
Phase One
The semi-structured qualitative interview of expert supervisors includes open-ended questions covering three broad domains of practice, theory, and experience of supervision (see Table
Phase 2
The second phase uses an IPR interview method
The recorded interviews are being transcribed verbatim by a professional transcriber and checked for accuracy by interviewers. There will be 3 transcripts for each supervisor-supervisee dyad (a retrospective interview and an IPR interview with the DVD-recorded session for each supervisor, and an IPR interview for supervisee). The transcripts are being analyzed in three stages.
Firstly, a modified form of the consensual qualitative research method is used to derive core themes and sub-themes within domains and to determine the more prevalent themes and sub-themes (CQR)
The second stage of analysis involves a form of qualitative dyadic analysis that treats the supervisory dyad as the unit of analysis. Analysis will focus on describing and comparing supervisor and supervisee reflections on their videotaped session, exploring the particular learning strategies evident in practice, comparing this with espoused theories and illuminating the reflection-in-action and reflection-on-action processes. Evidence of reflexive practices and deep learning strategies will be particularly sought. Comparative analysis will be used for supervisory dyads, by stage of supervisee development (time since training), and by supervisor theoretical orientation, to determine both common and specific factors within and between groups. The aim is to compare within-dyad perspectives on the impact of different types of interactions and supervisory processes. This will allow us to contextualise the analysis and develop an understanding of a wide range of factors influencing the
The third stage of analysis uses a theory building case study framework to guide the analysis of the supervisor-supervisee dyads in light of theories of supervision, following models established for analysing therapist-client dyads
Theory building will occur in relation to those aspects of supervision that produce change in supervisee conceptualisation, sense of professional competence, the supervisory alliance, and impact on practice and client outcomes. Comparative analysis will also occur to determine differences between the above groups. Of particular interest will be evidence of theory/ practice tension and processes involved in trying to resolve that tension. A final more integrative stage of analysis will involve interrogating both Phase 1 and 2 data using core study variables such as theoretical orientation, common versus specific factors, and stage of development.
Ethical issues
Ethical approval was obtained from two University Human Research Ethics Committees: La Trobe University Human Research Ethics Committee and the Curtin University Human Research Ethics Committee. Several key ethical issues are addressed in our methodology. Firstly, participants are fully informed about the study via the participant information sheet, and their written consent to participate is obtained. Secondly, supervisee participants are advised that they are free to consent and that non-consent will not affect their supervision. Thirdly, the study protects the identity of participants through use of pseudonyms and disguising any potentially identifying information. It is acknowledged that it is not possible to protect confidentiality within the supervisory dyad because participants within dyads are likely to recognise reported material provided by the other member of the dyad. However, care is taken to disguise any material that could potentially have a negative impact on the supervisory relationship. Finally, should the interviews raise any issues of concern to participants they are encouraged to raise these in their next supervision session, or alternatively to seek support through counselling.
Clinical supervision is widely regarded as an essential professional activity and quality assurance mechanism, not only for training new practitioners, but also to ameliorate or prevent some of the adverse impact of the work on experienced professionals
Our study addresses some identified gaps in the research by using a qualitative mixed method design with purposive sampling of expert or highly experienced supervisors. Given the relatively early stage of the development of research on the complex process of supervision, it is important to gain a better understanding of the clinical wisdom of identified experts in the field. It is well acknowledged that when evidence is scarce, key informants or experts are a good source of data
The study is also innovative methodologically, in its focus on the supervisory dyad and use of IPR to examine both supervisor and supervisee perceptions and experiences of actual supervision sessions. Its application of a dyadic perspective in data analysis will allow for more insightful description of actual learning processes and the broader contextual factors that influence learning. A further strength of the study is the examination of the perceived impact of supervision on supervisee practice and outcomes for clients. Overall, it will provide an integrated model of supervisory practices that lead to enhanced therapeutic effectiveness.
Supervision is broadly understood to have both an educational and a support function
Supervision also provides an important function in terms of supporting therapists and promoting wellbeing
Summary and conclusion
Although supervision is core to training, ongoing professional development, and support of experienced psychotherapists, there is little research evidence regarding its efficacy and particularly its impact on therapists and clients. This study will contribute to the fledging field of supervision research by providing evidence about effective supervision practices, their impact on therapists, and the perceived impact on clients and client work. The study has the potential to provide a detailed and rich elaboration of the supervisory processes that assist to build therapist competence and confidence.
Competing interests
The authors declare they have no competing interest.
Authors' contributions
Both chief investigators worked collaboratively on all aspects of design and implementation of the study. Prof Schofield took the lead role in drafting this protocol paper. All authors have read and approved the final manuscript.
Funding Source
This research project was funded by an Australian Research Council (ARC) Discovery Grant DP0772547 awarded to the authors: Margot Schofield and Jan Grant.
This project received approval from La Trobe University Human Research Ethics Committee. Reference ethics approval number HEC 07–087, and from the Curtin University Human Research Ethics Committee No: HR 86/2007.
Burnout among psychiatrists in Milan: a multicenter survey
Stress, burnout, coping and stress management in psychiatrists: findings from a systematic review
Job burnout
Enhancing adult learning in clinical supervision
Clinical supervisor training in Australia: a review of current problems and possible solutions
Balancing the personal and the professional: should and can we teach this?
A qualitative analysis of job burnout in eating disorder treatment providers
Contemporary visions of psychotherapy supervision: sharing perspective, identifying need, and charting possibility
Psychotherapy supervision: a conceptual review
Supervision of counsellors
Enhancing professional competence through developmental approaches to supervision
Supervision in psychiatry: terra incognita?
Defining competencies in psychology supervision: a consensus statement
Supervisor development: an exploratory study in changes in stance and emphasis
Career-long supervision: patterns and perspectives
Continuing professional development and registration standard
Becoming a psychiatrist
Training in psychiatry: an examination of trainee perceptions. Part 1
Adverse experiences in psychiatric training. Part 2
A close look at conflictual supervisory relationships: the trainee's perspective
Empirically supported therapy relationships
Lack of consensus in supervision
Heading off boundary problems: clinical supervision as risk management
Evidence-based practice in psychology
An appraisal of constructivist psychotherapies
Hermeneutics: philosophical traditions and nursing practice research
IPR: a validated model for the 1990s and beyond
Examining supervisor and supervisee agreement on alliance: is shame a factor?
Perspective divergence in the working alliance
A guide to conducting consensual qualitative research
Consensual qualitative research: an update
Successful psychotherapy for psychogenic seizures in men
Logical operations in theory-builing case studies
Reflecting on the development of interpretative phenomenological analysis and its contribution to qualitative research in psychology
From single case to database: a new method for enhancing psychotherapy practice
Clinical supervision: its influence on client-rated working alliance and client symptom reduction in the brief treatment of major depression
Exploring the contribution of supervisors to intervention outcomes
Exploring counsellor perceptions of the impact of counselling supervision on clients
Personal approaches to psychotherapy integration
Pre-publication history
The pre-publication history for this paper can be accessed here:


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Top 10 Reasons Your Workout Isn't Working
Top 10 Reasons Your Workout Isn't Working
Kayla Itsines
We've all done it... stared at ourselves in the mirror right after a workout, searching for those immediate results. No matter how much we hope, workout results will never appear overnight. But luckily there are a few things in your routine that you can change to speed up the time it takes to reach your goals. Check out these 10 tips to see why your workout hasn't been working out.
1. You Haven't Adjusted Your Diet
Exercise is necessary, but if you're not eating a healthy and nutritious diet, you could be setting yourself back. Even if you're doing all the right exercise routines, nothing can out train a poor diet. In the HELP Eating plan, you can easily learn how to create the best meal plan for fat loss. So the next time you walk out of the gym, head to the farmers market, or healthy juice shop instead of a fast food place! You can thank me later.
2. Focusing Too Much On Cardio
Cardio is great for getting the blood flowing and burning calories, but TOO MUCH cardio won't help you gain any definition. A good workout routine consists of a combination between strength, resistance, cardio, and flexibility training. Incorporating workout routines that involve weights, and using your own body weight, can help tone muscles and give definition. This is how you achieve a lean and sculpted body, which is what I promote in my Bikini Body Guide!
3. Not Doing Enough
If you are not feeling your workout still, long after it's over, it may be a sign that you should amp things up a bit. When exercises begin to feel easy, that means you are making progress! Great job. It also means, it's time to start pushing yourself a bit further. Take things up a notch by adding on 10 minutes to your cardio, or 5 more lbs to your current weight level.
4. You Have The Right Idea, But Not The Right Form
When it comes to the most effective workout, it's important to remember that form is better than speed. If you rush through a routine, you might become sloppy with your posture, or footing, which results in not working your muscles properly. Try to focus on multiple body parts within one workout routine, as this will bring attention to the importance of your form, and you will begin to see how all your muscles work together when doing any exercise. Practicing good form also prevents injury down the road!
5. Only Focusing On One Area
Every see those guys with huge upper bodies, but slim legs? It's because they are placing too much emphasis on chest and arms, while neglecting their lower body. For well-rounded results, focus on exercises that target multiple parts of your body at once, like lunges or squats! In my Bikini Body Guide, I showcase tons of exercises you can do that work multiple muscles groups at once. If you are going to focus on one area per day, that's ok, but make sure you switch it up next time.
6. Relying On Crunches To Give You Dream Abs
Crunches are a great start to working out your abdominal muscles, but you shouldn't spend all of your time on them. Studies show that planks, ab bikes, and many other core exercises are actually a better way to strengthen and tone your core region. The problem with just focusing on crunches, is that they only target a small area of your abdominal region. By incorporating other core exercises, you can ensure all around fat burning and muscle toning! If you truly love crunches, try to add some variety by doing them on an incline, and switching from side to side. Have fun with it!
7. Not Getting Enough Rest
One of the most important things to remember is your body needs rest. Even if you can't cram 8 hours of sleep into your everyday schedule, try to get as much as possible. Resting is especially important after a hard workout, to ensure your muscles have enough time to repair, and for your body to replenish energy. Recovery also speeds up your metabolism, and is absolutely essential for great results! Feel free to push snooze one more time.
8. Hydrate! Hydrate! Hydrate!
One of the most essential things you can do during your workout is hydrate! When you work out, your body is depleting nutrients while you sweat, so it is extremely important to replenish those nutrients by hydrating. Even though sports drinks may taste better, and help quench thirst during a hard workout, they are also filled with sugars. Water is always the best way to go! Also, your body will tire out faster when you aren't hydrated, which is cheating yourself out of a good workout. Drink up!
9. Miscounting Calories
We all love to watch the number under "Calories Burned" increase on the exercise machine at the gym, but you can't rely on that number too much. Fitness machines are only estimating how many calories you have burned, and even a fitness class instructor can just give a basic idea. This is because people burn calories and fat at different rates. When we think a ton of calories have just been burned off, it sometimes signals to our brain, "Hey that means I can have a treat, or maybe another helping of pasta." It is important to eat until satisfied, but don't let your mind trick you into thinking it's ok to have a naughty snack, just by looking at calories burned!
10. Doing The Same Routine
Try spicing up your workout routines! Not only does it give certain areas of your body a rest, but it also makes your work outs more fun and exciting. Try exercising with a partner or friend, so have someone to push you through your workout, and to help spot you on difficult machines. Fitness classes are always a nice challenge. Try Zumba or Yoga to work on balance and flexibility when you get tired from the weights room! My Bikini Body Guide switches up exercises for each workout, every single week! That means you are never doing the same workout twice in a row.Kayla xx
* Results may vary. Strict adherence to the nutrition and exercise guide are required for best results.


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Msltoe at Wikia
Welcome to the Msltoe mini wiki at Scratchpad!
You can use the box below to create new pages for this mini-wiki. Make sure you type
[[Category:Msltoe]] on the page before you save it to make it part of the Msltoe wiki (preload can be enabled to automate this task, by clicking this link and saving that page. Afterwards, you may need to purge this page, if you still see this message).
Everything you ever wanted to know about astral projection
This is the big thing
--188.8.131.52 01:51, 16 March 2006 (UTC)


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Let's get the edge with Eric Enge! It's down to the last keynote of the evening… so let's learn how to win in digital marketing!
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Uprising in Mobile:
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Koen De Wolf Sensitivity Instrumental.
Sensitivity (Instrumental Music) MP3
Provided to YouTube by The state51 Conspiracy Sensitivity (Instrumental Music) · Christian Grey Shades of Romance - Valentine's Day Romantic Piano Music, ...
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album:Sound Puzzle (2007) 40 Winks is an instrumental hip hop group made up of two producers - padmo' and weedy - from Antwerp, Belgium.
The Sensitivity Challenge! (BO2) MP3
Hope you guys are enjoying facecam!!! Want To Stay Connected With Me? Open The Description [Click 'Show More'] for info! Thumbail Creator: YT: Twitter: ...
I hope you guys enjoy and leave a like and comment if u did.make sure ur ready to see my #ObeyRC repsonse! love you all Taazboii twitter.com/taazart I DO ...
Cry Plays: Soma [P2] MP3
Game : http://store.steampowered.com/app/282140/ WARNING: Clipping textures abound. Don't vomit. I really love the atmosphere this game gives off. It's sick.
13 Discription x Part 2 (Instrumental) MP3
Beschrijving Lyrics: So what you're gonna say now, It doesn't matter to be wrong? 'Cause if the solution never comes, where's the direction to make your ...
Eric Benet ~ Femininity (1996) MP3
In 1994, Benét signed with Warner Bros. Records, releasing his solo debut album, True to Myself in 1996. Individual songs from the album were successful, ...
Augustus Pablo - Ital Dub [full album] MP3
Ital Dub 00:00 - 1 - the big rip off 03:14 - 2 - road block 07:08 - 3 - curly dub 11:02 - 4 - well red 13:34 - 5 - gun trade 17:09 - 6 - Shake Up 20:34 - 7 - Hillside ...
Kromatic - Sensitivity MP3
This upload is from an up and coming artist who's been under our radars for more than a year. Kromatic Sounds has been making chilled out beats, hip-hop ...


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01 Sep 2017 - 04 Sep 2017
38 days to go
Hopkinton State Fairgrounds
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Tevapedia, the real free encyclopedia at Wikia
Mark Batson is an American record producer, arranger, and songwriter. Batson has received Grammy Award nominations for his work on Anthony Hamilton's Comin' from Where I'm From. He has also worked with 50 Cent, Beyoncé, Nas, India.Arie, Busta Rhymes, The Game, Jay-Z, Young Buck, James Blunt, Alicia Keys and Dave Matthews Band.
In interviews, Alicia Keys has often credited Batson as being the only person that she can play Chopin with, and then switch to Ol' Dirty Bastard or GZA.


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The Godfathers Interview (Necro and Kool G Rap)
HIPHOP is AWOL | http://bit.ly/O8Y7JJ
Our good friends over at "HIPHOP is AWOL" have today published a brand new interview with The Godfathers (Necro and Kool G Rap). The two rap legends are asked about their upcoming collaborative album, a potential track with the Alchemist, their thoughts on illegal downloads and of course whether they are planning a tour to support the project too. HIPHOP is AWOL supports underground U.K and U.S Hip-Hop so make sure you check out their other material, however you can read the Necro and Kool G Rap Interview below.
Q.1 Could you please tell me how this collaboration came about? I heard Domingo played a part in bringing two legends together for what has to end up being one of the hardest albums ever?
Necro: Yeah "Dream Shatterer" Domingo hooked up a sit down between myself and G Rap, and I wont front, I was anxious to meet G, cuz I been a fan for years, since a little kid in the projects, I had Wanted Dead Or Alive on CD, stolen from Tower Records, (sorry G) so I had to let G know I'm thoroughly up on his catalog and that real shit in general, long story short we drank shots of Hennessy while G was enjoying me abuse the gay looking duran duran waiter in Applebees, hahahaha Kool G got a good sense of humor so we clicked from jump.
KGR: Yeah the way the collaboration came about Necro and my man Domingo linked up and they was chatting and Necro enquired about doing a project with me and it was originally supposed to be an EP,what have you and then me and Necro hooked up and kicked it,know what I'm sayin? And the energies clicked and all that and the process of doing what would of been an EP we extended it to doing a full album and that's pretty much it.
Q.2 Will the album be just the two of you over Necros production,or will there be other producers involved?
Necro: Nah I'm bogarting this production wise haha, from jump the concept was me producing the entire album and I think now that G has heard all the beats I made, he agrees that I made more than enough beats to fill an album, I made atleast 30+ Bangers to pick from, and of course I made sure G was open off them or else I would have kept cooking up krills, my concept was the beats needed to be made fresh from scratch, you want pizza, you want a fresh pie, not some shit sitting around, so being G loves Mafia/Italian Culture, I had to cook up a fresh pie with pepperoni, half plain just in case he dont fuck with the pepperoni, but the plain is Lenny & John's status off Flatbush ave in Brooklyn so you know its the motts
KGR: As far as right now its been strictly Necro production,to be honest its kind of all we needed because his production matched everything we doin',know what I'm sayin? It fit like a puzzle,the tracks are just hard hitting,they gutter,that traditional New York sound. The chemistry between the tracks and the lyrics right now is right on point,couldn't even see it no better for what we doin' and for artists like me and Necro's about the tracks are perfect,its a perfect chemistry.
Q.3 Will there be any featured artists? Personally it wouldnt bother me if it was just the two of you trading bars over the entire project. And if there is featured rappers theyre really going to have to bring their A game.
Necro: No featured artists except Mr. Hyde, cuz thats my brother, and he has been a G Rap fan with me since we met for over 15 years of friendship, and he would really hate my guts if I left him off this, and since he will murder for me, and vice versa, its a no brainer Hyde blesses this, also Hyde and G Rap both trained at the same boxing gym, 10 years apart in Queens, so you know how that go, its meant to be.
KGR: Necros pretty much in the driving seat as far as featuring any other artists because this basically started out with Necro coming to me to do a project,even though its both of us together but it was Necro's initial idea and it was his vision and I respect his vision bringing it to fruition however he see it,however he visualize it,know what I'm sayin? I'm sure if I had a idea for a feature or something Necro would be open to it and vice versa cos we both know any idea we bring to the table is gonna make sense so that's pretty much where its at,I mean as far as us both working together it was Necros idea,he had the vision of us both working together.
Q.4 There seemed to be some misconceptions online that you were going to let a fan design the cover,with the both of you youve had some of the sickest and controversial album covers in hip hop,what can we expect this time around in terms of design?
Necro: I never said the final cover would be a fan's art, I said fans can come up with some cool promo designs for free merch and I did lace 2 people who came up with cool shit, but one of the fans from Russia came up with some heat, shit I havent revealed yet, even G hasnt seen it yet, so when the time is right, G & I will analize the art and both agree on whats flavor.
Q.5 Both of you could pretty much pick who you work with,what helped you choose to work with each other?
Necro: I cant pick who I want to work with just like that, some rappers are too big and mainstream to even aknowledge the kid, but G on the other hand is the Godfather and everyone salutes G, as they should, so I am sure its easier for him to get a feature from anyone. For me to work with Kool G is a fucking honor, he is one of the dudes I always dreamed one day I would be able to produce a whole album with, its kinda surreel that its happening, at the same time it shows me and anyone grinding that dreams do come true, but dont think shit will just land in ya lap, I worked for this to happen
KGR: I was already pretty much familiarised with Necro's work and I knew he was a gunner that was it,bottomline. I can't say I knew his whole catalogue like that but as far as a lyricist cos I heard his tracks and I was hearing his name in the previous years before we linked up for a good 2 to 3 years before we actually linked up and decided to do this project I was hearing his name surface in various different places and it made me go do my homework and look for some of the tracks he did and the people I was seeing bringing his name up was for a very good reason,ya know what I mean? When I heard the tracks myself I heard what Necro was about and he lived up to all the positive things that I seen people sayin about him in like comment sections onhiphopgame.com and on Youtube. Like I would look at some of my stuff on Youtube and Necros name came up,people makin a comparison,know what I'm sayin,it was just things like that, that made me wanna go research and see what Necro was about,I heard it for myself,I also heard some of his brothers work Ill Bill and they were both nice,they both get busy,they both do their thing,know what I'm sayin? Once I seen that and Necro reached out it was gonna be a project that made a lot of sense.
Q.6 Are there any plans for a tour?
Necro: Money talks and bullshit walks, so we will see, G Rap will have final say on that depending on the situation and all the logistics at the time, but its possible at some point for us to share a stage together.
KGR: As far as a tour,me and Necro definetely talked about hittin the road with this and I'm definetely open to that,Necro's open to that so I definetely see a tour in the future. Nothings lined up as of now but its still early in the game and that's somethin' that's gonna come around regardless once we drop this project,dudes is gonna love it,the real hip hop heads gonna love it and there's gonna be a demand for us to do it live
Q.7 Necro has always been at the forefront of the digital revolution regarding promotion and prescence. Do you see illegal downloading being a problem with this project and are there any ways you plan to tackle it?
Necro: I embrace the future, I refuse to be some old fuck mad, not that I am old, just saying all the old fucks in the game are mad and want it to be like yesterday, but the fact is it wont be, ever, its the future and music is for free now, but if you package it right and offer GREAT MUSIC, your fans will buy it, its just about hustling it right to them, if crack is for free in the street you aint gonna sell no krills to fiends, but if you offer a better package than they can get for free, they will cop, like if you offer krills and pills and some white t's as extra, they gonna cop your package over the free shit, some peeps will always steal shit, so you gotta just embrace it like ok, you gonna make me more known and that will lead to more merch sales, or ticket sales, in the end, I am not giving up and I am not getting mad over free music, I am playing the game and loving my fanbase and interacting and I hope they show me the same love back, and it will all work out, its too late for me to get into the technology business, so i gotta ride out what im awesome at.
KGR: I mean yeah there is a problem as far as downloading,Necro been doing his own thing as far as putting music out for over 10 years,he's a marketing/promotion genius and anybody that dedicate 10 years,over a decade of their life to doin something they're gonna have that on smash,he knows how to promote his projects,he knows how to connect with the fans,know what I'm sayin? That's a good edge to have.
There's strategies to get around that,I mean you can't stop all downloads because its out there,the internet made it somethin easy to do,its not like back in the days when people had to go to get the blackmarket C.D.s and all of that,right now people just get behind the computer and just download,that's just a reality but there's things we can do to minimize it as much as possible,I won't put none of the strategies out there like that,its not like a top secret plan or nothin but there's strategies that I spoke to Necro about,it aint really rocket science,a lotta cats doin certain things,adding extra things with the album and all that,know what I'm sayin os one of the more common strategies so there is ways to get around it,we gonna do what we gotta do,know what I'm sayin, to rake in the paper as much as possible.
Q.8 Will The Godfathers be a one off project?
Necro: Who knows? for now its a one off cuz we havent finished it, G Rap has said he will want me to spit on his KGR/ALC album, so thats love, and his EP he works on, and G just got on my Murder Murder Kill Kill EP with a Godfathers track, so we got love for each other, we will play things out by ear and see how well this record does before anything else, which is the smart way to do things, I hope this record is loved and brings me and G checks for the next 20 years, even on a small level cuz we dont need much to live, we aint prima donnas.
KGR: As of right now The Godfathers is the only project we're workin on currently,know what I'm sayin? But there is always a possibility of being a follow-up, Godfathers 2,but right now we're just focusin on makin as much of a banger as we can,I feel real good about the project so I know the fans gon' take to it,they gonna really appreciate it so there might be a demand for a part 2.
Q.9 What can we expect from both of you after this project?
Necro: I'm working on The Sexorcist Pt. 2 which will have a name for it besides Pt. 2, not sure yet, that will be a long time coming cuz its been 7 years since The Sexorcist debut and I'm gonna go off. I also have Death Rap Pt. 2 coming, and the cover is even done which I am real excited about cuz its like the first one but different and very symbolic, brutal, that record should also have an extra name besides just part 2, then I got a whole Thug life album, talking about all the fights, and drama, and drug selling, and beef's i been in, just the mentality of me not having it, in lyrical form, thats something the fans want badly, those 3 for sure I wanna drop after Godfathers, plus I got Gruesome Twosome and the potential Damage, INC. project, so I got a full plate of hot shit coming, more like a buffet with your girl's asshole on display.
KGR: As far as projects I'm working on after this like Necro mentioned me and Alchemist have been talkin about puttin a project together,that's somethin I'm lookin at in the near future after we knock out this Godfathers project and I definetely will be having Necro appear on that on at least a track or 2,probably 2 tracks because The Godfathers project is workin out so well and the chemistry matched so good,know what I'm sayin? So its only gonna make sense so I wouldn't want to stop it at just The Godfathers,me and Necro bacame tight doing this project,that's my dude right there,we gonna keep it moving. That's what it is,he's got projects he's working on after this,he'll probably snatch me to work on one of his projects. We gonna keep it moving back and forth till The Godfathers 2 project. (Laughes) I'm goin through Necro's responses,dude is crazy.
Q.10 Anything else either of you would like to add?
Necro: Yeah, I like hot pussy, and anyone that doesnt is a fucking queer, I know G likes hot pussy without a doubt, lets keep it real, I am trying to bang more dimes in the next year, so females get ya cunts smelling nice and dont ever come to my hotel room stinking like a sanitation truck cuz I will throw you out the hotel room by ya fucking hair, I will break a bitch neck if I gotta, and Hey Mister Mister, mind ya own fucking business!!!!!!!!!!
also fans, join The Godfathers facebook page – www.facebook.com/thegodfathersnyc
KGR: I pretty much put it out there already with the mention of the G Rap and Alchemist project,that's the only thing I want people to look out fot because I'll be putting that in process right after we finish The Godfathers project then I'm gonna start tackling the collaboration with me and my boy Al,know what I'm sayin, I think the fans already know what to expect with something like that cos of the track that I did with Al for his project,the feature that I did with Mobb Deep over an Alchemist track,so the fans already know what to expect from an Alchemist and G Rap whole collaboration project.
Thanks for having me,being apart of this publication and promote this project I'm doing with my boy Necro,ya heard? Peace.
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Adam Simmons
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About Adam Simmons
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UKash at Australian Online Casinos
There is a demand on the part of online casino customers for new, convenient and different methods with which to fund a real money account. One of the most interesting ways we have come across is that of Ukash, and it is available to gaming enthusiasts in Australia right now. This brand, which first emerged in 2005, is a very popular method of depositing funds wherever it exists. It is fully licensed at the moment by the Financial Services Authority in the United Kingdom, and it carries full faith and credit in whichever jurisdiction it operates. So if you make use of Ukash as a method, you can rest assured you are not going to have any headaches. And guess what? To answer your next question, it is one of those methods in which the merchant (in this case, the online casino) never gets a look at your intimate financial details.
Ukash works on the basis of vouchers, which can be purchased in any number of retail locations throughout Australia, or (in this is unique) for a secure email or text message to your smart phone. Really, all it involves is a 19-digit code that you simply give to any merchant that is looking to get paid. What that code does is that it demonstrates you have paid a certain amount of money to buy the voucher somewhere, and therefore the code is as good as money, in effect. So you would go to the online casino you are interested in, and look up, in the "Cashier" tab or something similar, whether Ukash is accepted as a payment method. Chances are that it will be, if the online casino does business with Australian clientele. Then, as you follow these instructions, all you would do is give the 19-digit code, and that is as good as cash.
So of course, what you have to find out is where you can buy a Ukash voucher. And that is as easy as going to the website to find out a list of locations that might be near you. If you do this, you will receive a hard copy of the voucher, which you will want to hold onto, since that 19-digit code is going to be needed so that you can relate to the merchant. You can pay for these vouchers not only with cash, but also with credit card or debit cards. And if you lose this voucher, you will most likely be able to get a replacement if you can prove the amount of the voucher and details about when and where it was purchased.
Ukash vouchers are most commonly used in the United Kingdom, but they are also available in about 50 countries around the world. Australia, of course, is one of those countries. It is estimated that about a half a million places serve as outlets where a Ukash voucher can be purchased in person. So there should not be any problem whatsoever opening up an online casino account, even if you don't have a credit card, or even a bank account. The "smart voucher" from Ukash makes this happen!


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ADA Obe Wrap Belt
Signature one-size versatile belt. O"one-size, belt for everybody and tie in 10+ ways. One Size 99"/251 cm length x 3"/7.5 cm width Brand: Ada Fiber Content: Genuine leather
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ADA signature one-size versatile belt - made with Genuine Argentinean leather. We all know that a belt is a finishing touch to an outfit - but it wasn't until the "one-size, belt for everybody and tie in 10+ ways" One Size 99"/251 cm length x 3"/7.5 cm width Brand: Ada Made in: Argentina Fiber Content: 100% leather
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Potassium Effects on Regrowth of Alfalfa (Medicago sativa L.)1
- E. L. Kimbrough,
- R. E. Blaser and
- D. D. Wolf2
Field experiments were conducted to investigate the relationship of K in alfalfa (Medicago saliva L.) plant tissues on dry-matter yields and other growth characteristics at different stages of maturity.
Yield increases were highly correlated with increases in percent K in alfalfa leaves or herbage (leaves and stems). The correlations of percent K in tissue with the dry-matter yields were highest when sampling in a bud stage of growth, and declined with advancing maturities with later samplings. Sampling for K at the time of harvesting underestimated the percent K needed for high yields; herbage that had accumulated for 18 days (bud stage) averaged 143% more in K than at 39 days (full bloom).
The percent K in leaves and herbage was augmented by K fertilization, but the herbage was higher than leaves in K. The percent K in herbage declined sharply with advancing maturity; this did not occur for leaf tissue.
Yields and LAI's increased faster with liberal than with low K. The faster regrowth rates with high as compared with low K may make it possible to shorten cutting intervals, and make an additional cutting during the season. During advanced maturities after 32 days of growth, the LAI's generally stabilized or declined because of leaf losses.
Factors that influence the percent K in tissue should be considered when associating K composition with yields of alfalfa.Please view the pdf by using the Full Text (PDF) link under 'View' to the left.
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This article is about the role-playing game. For the people who are part of the Inquisition, see Inquisitor. Inquisitor is a tabletop miniatures game based in Games ...Development of the Inquisition . In early editions of Warhammer 40,000, the Inquisition was a single, undivided organization, with a single inner order, the Ordo Malleus.I'm still mad, because there are no stratagems.. The new Cities of Death is very bland.. Or what do you guys think? DeleteWarhammer 40,000: Dawn of War II – Retribution is the stand-alone second expansion to Warhammer 40,000: Dawn of War II, part of the Warhammer 40,000: Dawn of War ...Games Workshop Logo de Games Workshop Création Création 1975 Fondateurs Steve Jackson et Ian Livingstone Personnages clés Marks Wells Tom Kirby Kevin Rountree ...Кодексы Warhammer 40000 на русском и английском языке, а так же кампании и дополнения.Information about library services and programs, Lakewood City Schools, the community of Lakewood, Ohio, and local institutions and organizations.L'ultimo inquisitore (Goya's Ghosts) è un film del 2006 diretto dal regista ceco Miloš Forman.The Milky Way Galaxy. This page presents an incomplete and select list of the more notable planets in the Warhammer 40,000 universe. No full list could ever be ...Fulfilled immediately. Will be added to your My Downloads Page immediately upon purchase of PDF
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#CRC12 Paper: Chapter 4 – Rights-holders
Chapter 4 of the Copyright Review Committee's Consultation Paper considers the position of rights-holders in copyright law in general, and how such rights-holders contribute to the process of innovation in particular (update: you can download a pdf of the Paper here (via DJEI) or here (from this site)). The intersection between copyright and innovation is clear in the case of rights-holders, who benefit from the rights conferred by copyright law in two main ways: they can commercially exploit their works, and they protect the artistic integrity of their works. The central premise from which copyright law has developed is that it is the potential reward provided by copyright that encourages the art, movie, music, programming and writing. In that sense, copyright law fosters and protects innovation. Moreover, copyright provides rights-holders legal protection for the artistic integrity of their works. Nevertheless, both of these justifications look not only to the rights-holder, but also to the public benefit of the work: the State affords copyright protection to rights-holders because a diverse range of work is for the public benefit or the common good; and the appropriate reward afforded to the rights-holder is not an end in itself, but rather the means to this diversity, competition and innovation.
This is the background against which the Paper examines some of the specific submissions which touched upon the position of rights-holders. For example, it was suggested that copyrights ought to be formally registered, but this is precluded by Article 5(2) of the Berne Convention for the Protection of Literary and Artistic Works. Again, it was suggested that the understanding of "originality" in section 17 of the Copyright and Related Rights Act, 2000 (also here) ought to be amended to protect only works which are the author's own intellectual creation. However, it was not clear to the Committee how narrowing the ambit of copyright in this way would incentivise innovation. Moreover, the Paper also considers various issues relating to the definition of "author" in section 21 the Act.
Several submissions pointed out that an unintended consequence of certain aspects of the Act has the potential to provide for a perpetual copyright in certain unpublished works. The Paper therefore invites submissions on the question whether copyright in a work should expire 70 years after the death of the author, irrespective either of the date on which the work is first lawfully made available to the public or of whether the work is ever made available to the public.
It is not enough that copyright-owners hold rights; they must also be able to protect them where appropriate; as a consequence, the Paper discusses submissions relating to technological measures for the protection of copyright or for the management of copyright information. Similarly, not only must copyright-owners be able to protect their rights, they must also be able to seek remedies when they are infringed. Many issues relating to remedies are discussed in chapter 3. In this chapter, the Paper invites submissions on the question whether there is any evidence that it is necessary to modify remedies (such as by extending criminal sanctions or graduating civil sanctions) to support innovation.
Some rights-holders argued that there ought to be a system of levies upon devices or storage media that facilitate copying, but it seemed to the Committee that such levies are a blunt instrument that would amount to a tax on innovation. Various submissions argued that copyright law ought to be as technology-neutral as possible, so the Paper explores issues relating to the definition of broadcasting and web-streaming. Other submissions raised issues outside the Committee's Terms of Reference, including rental rights, lending rights, and artists' resale rights.
The position of photographers was a particular concern both in the submissions and at a public meeting hosted by the Committee. Digital photographs are now particularly easy to reproduce, and many photographers argue that this has led to widespread piracy, especially online, and they trenchantly argued against the introduction of additional exceptions which would dilute photographers' rights even further. The Paper perceives two issues of principle here. First, infringement of copyright will occur whether there any exceptions at all, let alone whether they are narrow or generous; so the real issues are how such infringements might be prevented in the first place and properly remedied if they occur. If those matters can be sorted out, the second issue relates to the appropriate exceptions to photographers' copyrights.
As always, the chapter ends with a series of questions which seem to the Committee to arise from the discussion of the Council, and it is hoped that the next round of submissions will engage some of these questions (there are 86 questions in total, set out in Appendix 3, and the Committee would be delighted to receive any responses to any of them. In particular, it is not necessary for any submission to seek to answer all of them). Any submissions should be received by close of business on
Friday 13 April 2012 Thursday 31 May 2012. There will also be a public meeting from 10:00am until 12:00 noon, on Saturday 24 March 2012, in the Robert Emmet Lecture Theatre, Room 2037 Arts Block (map here), Trinity College Dublin. Attendance is free and open to anyone interested in the work of the Committee, but registration is necessary. To make a submission, or to register for the public meeting, please email the Review.
Update: you may also make a submission via the Committee's online questionnaire, or via any of the other online submission mechanisms being made available by many interested parties.
5 Responses to "#CRC12 Paper: Chapter 4 – Rights-holders"
Arts Practice is in it's essence is based in creativity, hence the need for the artist to be aware of how copyright works , including using cc (s).
The ability to set creative commons licences is crucial to artistic activity, I discussed here : http://poethead.wordpress.com/2011/03/23/poetry-and-digitisation-how-derivatives-occur/
Derivatives in poetry include translation, adaptation (including film/theatre/music/ artistic image) Artists have been using gnu/cc *for a generation* based in their awareness that the arts seed ideas, and that the artist /originator retains the moral and intellectual rights to ownership of their work through the setting of permissions.
I appealed to DETI in my first submission (June 2011) for recognition of the arts based in conventions (including Berne) and ongoing manifesto discussions on the issue. The current base of CRC discussion is narrow and not cognisant of how artistic practice would be impinged by a top-down regime of copyright law. The parameters of discussion need be widened to look at the originators of works in how they expect and understand how their work is used by other artists.
In example, I only use cc (by-NC-ND) for original works and I only publish previously published works on my my blog, because I cannot afford remedy in law if ripped off- thus a tiny % of my material is online because of self-restriction : balance this against a corporate entity and their resources. there is a disparity inherent in legal remedy based wholly in resource at the moment. Add to that the issue of loss : if DDoS or any other denial of service occurs (incl isp-blocking) I lose three- to four years of writing – again my original work, and it is not subject to remedies that are affordable.
Artists need assurances and laws that protect their works and rights, these laws must be cognisant of their right to set permissions and to have confidence in methods of transmission. The base for copyright discussion needs to include and involve those advocacies with expertise in the area and this is not confined or should be weighted to business and corporates.
If the base of copyright discussion is not broadened to include art's practice it is a creative disservice to Irish arts, and a refusal to recognise creative practice including those mentioned above : translation, adaptation , visual art and film.
[…] Bloggers, users of GNU , Creative Commons (copyleft) and Wikimedia Commons should be aware of the ongoing call for submissions to the 2012 Copyright Review Committee 2012 detailed here . […]
[…] Committee's Consultation Paper briefly considers the position of collecting societies. Where rights-holders have established such societies to grant licences in copyrighted works and collect copyright […]
[…] Chapter 4 – Rights-holders (summary) […]
[…] Chapter 4 had earlier considered the centrality of rights-holders in copyright law, but the law recognises other interests as well, and seeks to balance the interests of rights-holders in protecting their monopoly against other legitimate interests in diversity. In particular, by protecting only "original" works, by preventing only "substantial" infringements, and by providing a range of exceptions, copyright law accommodates interests other than those of rights-holders, such as those of users. One of the main questions for the Review is whether the copyright balance between rights-holders and users now requires further amendment, in particular to incentivise innovation. […]


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10980 Woodridge Drive, Zeeland 49464
See more homes for sale in Zeeland, MI
This property has been Sold!
06/17/2016 at $176,000
Beautiful 4 Bedroom, 2 Bath home located on 1/2 lot in Zeeland neighborhood. Considered West ottawa Schools, but also Zeeland school bus picks up at neighborhood entrance. Updated laminate wood flooring & carpet throughout home. Very functional kitchen w/ center island and gas range. Dishwasher is 2 years old. Slider off the deck w/ stairs overlooking a private backyard w/ no neighbors behind. Also a gas line to deck which is perfect and convenient for grilling. Living room is open to kitchen creating an inviting space to relax or entertain. On the main floor, you'll find two beds and 1 full bath, and a Finished walkout lower level offers an additional two bedrooms, a 2nd full bath, laundry room & storage space! Step outside to your wooded backyard that leads to a well manicured lawn.
Property Information
- Status
- Sold
- Address
- 10980 Woodridge Drive
- City
- Zeeland
- Zip
- 49464
- County
- Ottawa
- Township
- Holland Twp
- Total Finished SqFt
- 1,920
- Above Grade SqFt
- 960
- Garage Desc.
- 2, Attached
- Water
- Public
- Sewer
- Public
- Year Built
- 2001
- Taxes
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Rooms and Land
- MasterBedroom
- 11X14 1st Floor
- Bedroom2
- 10X14 1st Floor
- Bedroom3
- 11X13 Lower Floor
- Bedroom4
- 12X13 Lower Floor
- Dining
- 10X10 1st Floor
- Family
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- Appliances
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- Vinyl
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- Deck(s), Patio
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IDX information is provided exclusively for consumers personal, non-commercial use and may not be used for any purpose other than to identify prospective properties consumers may be interested in purchasing.
All information deemed materially reliable but not guaranteed. Interested parties are encouraged to verify all information. Copyright© 2017 MichRIC LLC, All rights reserved.


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Mastering Macromedia Dreamweaver X with CDROM
Dreamweaver 3 is Macromedia's award-winning powerful visual tool for professional Web site design. Here is the most comprehensive book on Dreamweaver -- the only one with more than 200 bonus pages on Fireworks 3, Dreamweaver's sister software product used to create and optimize Web graphics, buttons, animated banners, and more. Written for everyone serious about top-quality Web site design, this book provides beginning to intermediate coverage and includes a companion CD with Dreamweaver 3 and Fireworks 3 trial versions, links to the most popular Dreamweaver extensions, a tutorial for building a Web site, IE 5, Acrobat Reader, Quick Time 4, and Tetran Net's LinkBot for Verifying Links.
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text: Great Christmas Songbook. The Look Inside Great Christmas Songbook. The Piano, Voice - EasyComposed by Peter Ilyich Tchaikovsky George C. Strattner. Edited by Dan Fox. Arranged by Dan Fox. Solo part. With Standard notation. Published by Carl Fischer (CF.ATF135). Usually leaves our warehouse: Within 1 to 2 weeks More info Add to Cart { "catalogRefId":"3783230", "productId":"prod3783230", "quantity":"1" }