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Sarasota Music Half Marathon will feature at least 13 musical acts
John Korff speaks in anecdotes and one-liners, recreating a conversation he says led to the conception of a new music half marathon planned here for next February.
Korff's been in Sarasota less than a year, coming off a long career as a New York City sports entrepreneur and looking to start something special in his new hometown. So he takes Tony Driscoll — the promoter behind the Sarasota Open and Longboat Key Triathlon — out for a drive as the First Watch Sarasota Half Marathon commences this March.
"What do you hear?" he asks Driscoll, rolling down the window.
"Footsteps," Driscoll says.
"What else?"
"Just footsteps."
"Well, that's like a party with boxed wine," Korff replies in his own story. "Where's the fun?"
Korff points to a lifetime spent infusing sports events with entertainment. The founder of the New York City Triathlon and the A&P Tennis Classic helped bring the Ironman U.S. Championship to the Big Apple in 2012 and once prompted the New York Times to write a story about his propensity for running up stairs. (He's won his age division in the Empire State Building race and competed in several marathon and ultra marathon races throughout his life.)
Now Korff is partnering with Driscoll and David and Molly Jackson, of New Balance Sarasota and University Park/Fleet Feet Sports, to bring a new running event — "a 13.1 mile moving party" — to Sarasota. The inaugural Sarasota Music Half Marathon has been approved for Feb. 8, 2015, and also includes a four-mile "Rockin' Bridge Run."
While the race is in the vein of non-traditional athletic events that provide bling, music and a party atmosphere for "experiential" runners interested in fun as much as competition, its longer length will appeal to more ambitious athletes who are part of a thriving running community here.
"Sarasota is hungering for that as well locally because we'd rather keep our own athletes here rather than have them travel somewhere else," Driscoll said.
And this event isn't meant to just appease or entertain participants. Race organizers say the event, which will stage at least 13 musical performances throughout the course, a "beer mile," and a salute to veterans, among other things, is as much a celebration for spectators.
Every year, Bostonians line the streets, take off work and host all-day parties to celebrate the Boston Marathon, a 26.2 mile race that attracts both local athletes and super runners from across the world.
It's time for Sarasota to have its own "signature" event, Korff says.
"It's like the Olympics. Except the athletes are running by your front door."
A tentative race course would have the race begin and end at the Van Wezel Performing Arts Hall. Runners will likely run over the John Ringling Causeway and turn around at St. Armands Circle, cutting back to the mainland and continuing south on Orange Avenue, through neighborhoods such as Harbor Acres and Cherokee Park.
Korff imagines families hosting cookouts and parties in their front yards, and spectators gathering at music stations that might be made up of high school bands or local orchestras.
"I love that part of it," co-organizer Molly Jackson says. "Sarasota is such a melting pot of different kinds of music and how fun for us to be able to spotlight youth music and different types of music, everything from the orchestra to rock'n'roll."
It's not very common for local organizers to request permits for events of this size, said City of Sarasota special events coordinator Toni Welicki. Usually, large running events, including the Rock 'n' Roll Marathon Series, as well as paint runs and obstacles races, are owned by for-profit companies that helicopter into communities, host events and leave.
Korff, who calls himself a "serial entrepreneur," is candid about the music marathon being a for-profit event.
"Do I look like a non-profit guy?" he says as he talked about walking races to understand the "consumer experience" and what it was missing earlier this year.
But Korff and other race directors are working out a model that would support local music organizations and nonprofits. They want to invite local non-profits to volunteer at stations, and advertise and celebrate their causes throughout the race course. The nonprofits, as well as the music groups that perform, would receive contributions to their organizations for participating.
And though the group has hired a traffic engineer and a race promoter to help the event get off the ground, it will be mostly produced by locals.
"Tony and John and I breathe the Sarasota air all day," Molly Jackson says. "The element of having it being done by local people will just make sure its that much personal."
Registration for the event, scheduled for Feb. 8, 2015, opened Thursday. The event has been capped at 2,000 participants, and entry fees range from $65 to $95, depending on the time of purchase.
Success will mean buy-in, not just from athletes, but from the community.
Korff said he has approached the leaders of several neighborhood associations and various running clubs as he goes through a permitting process. Though the event will be held on a Sunday morning, and Korff says music will be contained to specific, pre-approved areas, the event naturally poses questions about traffic and noise.
The Sarasota Music Half Marathon has been tentatively approved by the deputy city manager and the police department, Welicki, the special events coordinator, said. But there is still paperwork and permitting procedures to work through. "This is the first time we've had a (race) that is going to have music stations," Welicki said. "So this is going to be something new."
Deciding what these stations are, and where musicians are going to play is part of the process, she said.
Harbor Acres Neighborhood Association President Drayton Saunders said due to limited summer meetings he has not been able to discuss the upcoming event at length with neighbors, but that he felt race organizers were committed to minimally impacting the community.
"In general, events are overall a good thing and it sounded like they were doing a lot of work to touch base with everybody and that was certainly a compliment to the effort," Saunders said. "On the flip side, it sounds pretty exciting."


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The app ability to read the content at any time in offline mode, make it similar to a regular print magazine.
The application differs from the UNESCO Office website, mainly by the content of the menu and the way to access and store the data. The new navigation helping in better understanding on the current projects and priorities of UNESCO.
Mobile application "UNESCO Almaty" was the first in a series of other products that are planned for a mobile digital library implemented in the framework of the joint program "Improving the welfare and quality of life in the Kyzylorda region through innovative approaches to delivering economic, social and environmental services to the local population, including those most vulnerable," implemented by the Government and the UN agencies in the Republic of Kazakhstan: UNESCO, UNDP, UNFPA, UN Women, UNICEF and WHO. Project started in July 2014 till December 2016.

subset: commoncrawl


text:
Compare Family attorneys near you. Read reviews, see Avvo Ratings, and contact them directly.
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Why do doctors prefer extended anatomical chin implants for females? How are they better than regular anatomic implants? (Photo)
Doctor Answers 4
Extended Anatomical Chin implants may not lead to a feminine chin appearance, and may not be not right for everyone..
The Implantech Extended Anatomical chin implants are mostly helpful for those with early jowling, and an indentation between the chin and jowl - "The pre-jowl sulcus".
We may prefer Anatomical (not-extended) chin implants when there is no jowling, and when we do not wish to make the chin wider on front view, but wish to add chin projection. We like to keep a heart-shaped lower 2/3 of the face on front view. Hope this helps you.
Dr Joseph
Learn more: http://www.ericmjoseph.com/chin-augmentation-implants-photos
Female Chin Augmentation
For many women extended chin implants are NOT the best choice. From the front view such longer chin implants can make the chin wider which may be an aesthetic disadvantage for some women. The front view and not just the side view should be considered when selecting a chin implant style.
Learn more: http://www.eppleyplasticsurgery.com
Why anatomical chin implants?
When we enhance the chin with implants, we want to improve the jawline balance. Placing a small implant without the extensions is easier surgically but the results are clearly inferior in 99% of patients. The profile view will look similar independent of implant style; its the confluence into the jaw that lacks harmony unless the extended style is used.
Learn more: http://www.bostonchinsurgery.com/
You might also like...
Why do doctors prefer extended anatomical chin implants for females? How are they better than regular anatomic implants?
Hi, I have performed many Chin Augmentations using chin implants for over 30 years. A weak chin creates an imbalance making the nose appear larger, the mid face top heavy and the lower face look short that de-emphasizes the lips and allows early formation of a double chin. Chin augmentation using a chin implant will add projection to the chin creating harmony and balance to the lower face.
I have found that placement of a silastic chin implant, through a small curved incision under the chin (also allows excess skin removal) to be very safe, quick, highly effective and far less invasive than a sliding genioplasty. I perform chin implant surgery in 30 minutes or less, often using a local anesthetic alone. Chin implants come in many different shapes, sizes and thickness but in a general sense: chin implants without a tapering wing = extended anatomical design will create more of an "offset" forward projection that can make the chin appear elongated (called "pharaoh's chin). This was a much older design referred to a "button" implant. These were popular in the 80's and 90 but were generally and appropriately (in my humble opinion) replaced with the more aesthetic extended anatomical design. An experienced Chin Implant Surgeon will be able to select the proper chin implant for you and equally important explain why a "certain size or style" isn't the correct one for you.
Hope this helps.
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These answers are for educational purposes and should not be relied upon as a substitute for medical advice you may receive from your physician. If you have a medical emergency, please call 911. These answers do not constitute or initiate a patient/doctor relationship.


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Bachelor and bachelorette fantasies come alive at Hard Rock Hotel Chicago. You've sorted out all of the important details of your big day and now it's time to gather your partners in crime for a party and let loose. Don't think of it as your last hurrah, though, because we all know the party doesn't stop after your big day.
Send us a few details about your dream bachelor party or bachelorette party and our staff will work with you to create the most unforgettable to-do of a lifetime, whether you want to keep it cool and low key or rowdy and raucous.
230 N Michigan Ave
Chicago, IL 60601


text:
The Timeline for Hidden Secrets series of books is based around the time of 1800s to Modern Day. The Timeline holds much fiction in it, based around the times of the Civil War and World Wars I and II.
This Timeline is established to help readers understand how and where events took place within the series of stories.
Contents Edit
18th Century: 1788 | 1791 | 1796
- April 15th: Ironwood is founded in West Virginia as a mining camp.
- April 21st: Carter Foster is named the first official Mayor of the "Ironwood Mining Camp".
- November 5th: Ironwood is declared, by the State of West Virginia, a township with the rights to a post office, a police station and a local fire department.
- December 14th: Carter Foster dies of Black Lung Disease
- December 25th: During a Christmas Party at the Town Square, Carlton Mathers is rescued from the forest after suffering from starvation. In thanks, he begins to start a church.
- June 16th: Citizens of Ironwood discover that Mathers' church group is a cult. Angered, they burn down the church causing a massive fire. This would later be known as "The Great Iron Fire of 1796".
- The Cult of the Watching Eye continues to meet outside of town near the Iron Mine.
- Carlton Mathers is presumed dead, having been killed in the church and city fire.
- March 25th: Salvatore Rose is born in Southern Italy.
- The Cult of the Watching Eye reaches over 250 People.
- Ironwood's first census is taken at 1,400 people.
- April 17th Salvatore Rose, after working for three jobs at once for a year, manages to get a boat to America. Once arriving in New York Harbor, he is entered into the US Army to fight in the Civil War. He is entered in the 66th New York Infantry.
- April 23rd: The 66th New York Infantry heads to West Virginia to strike Confederate Troops along the Union-Confederate Border.
- April 31st: The surprise attack is a success and the 66th New York Infantry sets up base in a manor near the town of Ironwood.


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The Source is believed to be the mainframe computing center for the Machines and their city. In the Matrix film trilogy, The Source is described also as a location where programs that are no longer needed to operate within the Matrix are obligated to enter.
Neo is initially mislead, as part of the Prophecy, to utilize The Keymaker to reach The Source as part of his role in ending the Machine War. However, Neo only reached The Architect, a high-level program that either represented The Source or, as part of his role in preserving the Matrix, served to block The One from actually accessing The Source.
Later, Neo is once again redirected by The Oracle to go to the actual location of the Source in the Machine City. He succeeds in reaching the highly-defended city and meets with what was presumably another effective representative of The Source, the Deus Ex Machina. There, Neo succeeds in brokering a truce with the Machines in exchange for ridding the Matrix of a rogue program, Smith, who not only threatened the integrity of the Matrix, but the Machine City itself.


text: I'm contemplating ordering an MTM shirt. To specify the sizing of the shirt, I plan to send in my best-fitting shirt and tweak the measurements slightly. Here's my predicament -- I have several shirts which have almost identical measurements, but each fits differently. In fact, I have two shirts purchased at the same time from the same manufacturer in the same size. One shirt fits much looser than the other, yet their measurements are identical. So, the only thing I can conclude is that the fabric of a shirt factors into how a shirt fits. Is this correct? If so, how can one specify measurements for an MTM shirt and expect the correct fit if the fit is dependent on the fabric?


text:
100 N Woodlawn Avenue, Battle Creek MI, 49037
Sold Price:
1 bed , 1 Full baths
2,745 sqft
Status: Closed
Last Updated: 7/27/2017 5:43 PM
Description for 100 N Woodlawn Avenue Battle Creek, MI 49037
HUD Home. Don't let this one fool you! There is plenty of space in this house. You will have to see it to believe it. One large master suite on the main level. There is both a large living room and family room. The family room has double staircases leading to a finished basement with many more useful rooms including another full bath. Buyers interested in this property may call Karen Johnson @ (269)832-9773 for more information or to schedule a showing. Agents please show anytime using your HUD keys. Price Reduced.
Sold Price:
Sold Date:08/14/2015
Battle Creek City
1 Full
2,745 (approx)
Listing Information
Battle Creek City
Public Sewer
School Information
Room Information
Eat-In Kitchen
Interior Features
Ceiling Fan(s)
Gas Heat, Forced Air
Basement, Partial
Exterior / Lot Features
50 x 132
Extra Storage, Paved Road, Public Roads, Acreage
Driving Directions
From W. Michigan Ave. and Bedford Rd. go West on W. Michigan and then North on N. Woodlawn to home on right
Financial Considerations
Listing Price History
Battle Creek Real Estate
Battle Creek is located in Michigan. Battle Creek, Michigan 49037 has a population of 51,589.
The median household income in Battle Creek, Michigan 49037 is $37,885. The median household income for the surrounding county is $43,199 compared to the national median of $53,482. The median age of people living in Battle Creek 49037 is 36.3 years.
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text:
WATCH: Still Living in the 80's?
Photo Credit: Yahoo
This Father was worried about his family growing up and living in a cyber obsessed world so for a year they all literally reverted back to 1986. Lived off the lifestyle and technology of the 80's and even the style. Yes, even the mullets.


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Heavy Metal Meltdown
After Bentley's mission brief, use the Climbing Cobra technique to ascend the nearby pole and hop to the ledge of the building. Once inside the building Bentley will hand you three transmitters that need to be placed around the room. Use your radar to find the exact locations. When all three have been placed, Bentley will take over.
EditSecret Sly Mask
This mask is hanging out in the right-hand side of the room. It's on a ledge next to a pink rope.
Bentley's objective is to throw darts at the transmitter radios without alerting Miss Decibel. Use a sticky bomb to blow up the floor immediately to the left of his starting point to drop down to where the first transmitter lies. Hit it with the dart and then blow up the cracked wall to leave that area. Wheel up the stairs and blow open another wall; get rid of the scorpions and their nests as you follow the radar to the next transmitter. Hit it with a dart and move on.
In the main chamber you will have to destroy piles of books that rest on top of fans in order to cross to reach the final transmitter. Make sure to take cover as you toss the bombs so that Miss Decibel won't see you. Wait for her to turn her back before heading to the marker.
You will regain control of Salim after the cutscene. Proceed across the room via the decorative fixture up top. Make sure that Miss Decibel has her back to the desk before dropping down and placing the bugged statue.
Top Wiki Contributors
Need assistance with editing this wiki? Check out these resources:


text:
Let WashU Sites give your work an online home.
Showcase your research, giving voice to the impact you make. Highlight a special project or event. Promote your department or team. As a member of the WashU Sites community, you will have access to tools and resources to create an online home for the important work you do.


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TIA (Mini Stroke) Symptoms: A Trip to the ER (cont.)
The symptoms
The doctor advises the woman that there is a need to rush to medical care because if the symptoms do not resolve, there is a very narrow window of time to use alteplase (Activase, TPA), a clot busting drug, to reverse the stroke. Within three hours of the onset of stroke symptoms, the patient needs to get to the hospital, have the initial diagnosis made, have blood tests drawn, a CT scan done to insure that bleeding is not the cause of the stroke, a neurologist needs to be consulted, and the drug given. The earlier the patient is given TPA for stroke, the better the potential outcome and the lower the risk of complications.
A TIA is a stroke that resolves. Most symptoms get better on their own within minutes, but by definition, it may take up to 24 hours for the neurologic deficits to resolve. Because there is no way of knowing when a stroke begins, or whether it will resolve on its own, the EMS system (Emergency Medical Services) or 911 needs to be activated at the first sign of stroke. These symptoms of stroke include:
Unfortunately, many patients do not qualify for TPA because they or their family do not recognize the symptoms of stroke and wait too long at home. The three hour window is very narrow. In some large hospitals, the window can be extended a couple of additional hours, if the hospital has the capability of injecting the drug directly into the blocked artery in the brain. This requires both a radiologist with special skills to thread a catheter or tube into the brain blood vessels and a hospital with the necessary equipment to do the procedure.
The diagnosis


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That awkward moment when you talk to someone on the phone about your game and in your head go "Oh yeah, I've not updated the site or did marketing because my life turned upside down!"
Well I better say the following: We now have a final title for the game! But that lucky person is the only one who knows it.
A lot to post today so I'm going to break it down in to sections...
Character Movement
I've had a discussion a few times since the New Year which, to save repeating, I'll go over again:
It's another update on progress today. Nothing visual to show off yet, so feel free to take this as a bit of insight with a bonus audio preview before it gets smartened up, tidied up and scored fully!
I'd like to say "Oh wow the game is moving so fast that it's nearly complete," but we all know that such an event would be unlikely. That said, the move to 3D rendering over 2D art looks quite nice to begin with and there's a lot more fun to be had. I'd like to go "Oh man, we're doing x, y and z" now but unfortunately discretion is the better... Well, you know where this is going.
One of the biggest problems with Vanity's Dawn thus far has been art assets. Art assets are the crux of first impressions in a highly competitive market, to the point that a good art direction will often (understandably) draw people in to a video game more than exceptional gameplay when they first see an image or a trailer. This is fine, after all you don't buy games based on gameplay unless you've read a review. Failing that, you want to pick your games from videos and imagery which makes it look fun (or at the very least won't make your eyes bleed).
We here at Good Value Gaming would like to wish you all the jolliest of seasons greetings! We hope over this festive period you received everything you could want and have enjoyed yourselves, whatever you chose to (or not to) celebrate!
We ourselves have some news to share with you. With regards to the studio, I will be taking on a full-time position as of January 1st! Hurrah! (Don't ask where the income is coming from, because there is none. Yay gambles!)
So for now, seasons greetings and we'll see you in the New Year!
Once again today, more work has gone into the aesthetics of the game. Today: Churches and houses. It's a pretty short diary as a result, because that means all that there is to discuss is the details of what can be found!
Example: Tables, chairs, plates, candles and wine glasses are all separately held. This means that tables are procedurally defined - Will it have seating for one, two, three or four? Will the table be laid at all? If so, how many people will it be laid for?
One of the best things a developer can do is stop and have a 3 hour coding jam to try out new ideas or do some practice with areas they've not used for a bit, so today I spent some of my "off" time doing a game jam! Specifically a 3 hour game jam!
One thing that's been neglected until now is decor, bar candles and windows. Sure they exist, but right now they're not... Well... Complete. More could be added... Which is why today was placeholder decor day! Yay placeholder decor, windows blowing open/shut and little mice running around on tables! Not that they're easy to see...
Good Value Gaming is an independent games developer based in Portsmouth, UK. Under it's new commercial enterprise, it now comprises of one full-time developer (James Timbrell, a former lecturer who likes to think he's funny. He's not).
GVG primarily develops video games, with work having commenced on Vanity's Dawn. As part of this, we also offer procedural solutions for interested parties (C#, C++ and Python offered). GVG also offers bespoke one-off tutoring with regards to mathematical and programming concepts, happy to visit schools and other local institutions.
If you have any queries, please feel free to e-mail us here.
If alternatively you want to join the public discussion, join us on Facebook here
Tweets by @GoodValueGaming


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login with
i am on the third flood ot my mom house I be moving to second floor room this weekend . So today ill try to organize everything I have and got from my babyshower and yesturday I bought pasafiers and bag . So try to organize everything today so when I move to other room it be easier. Idk if I will keep her clothes hanging or folded.
Like Christina, I learned early on that I prefer things hanging. All of our stuff gets hung except for pajamas, bathing suits and under garments.
I hate hanging things.. I mean I LOVED when they were hung up. but putting them away after laundry was a pain for me. I'm all about folding in an open drawer, shelf so I can see them..
Before Charlie came home I had his dresser so organized.. man I was proud of myself. Now I'm lucky if I can find anything, simply because he grows too fast. I have totes in the closet of stuff he's still too small for and it seems like every 2 weeks or so I have to rotate from there to the drawers to the sale pile.
Hangers bug me.
Hangers bug me.
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About Tetyana Zinyuk
Current: Raleigh, North Carolina
Birth: May 21
On Moms.com since: Jan 13, 2014


text:
Via Gawker (HT Joel Watts on Facebook) I heard a brief speech before the Springfield City Council about homosexuality and gay rights, delivered by Rev. Phil Snider of Brentwood Christian Church in Missouri. Listen to it all the way to the end. UPDATE: Others have since shared the video, including Bob Cargill, who adds some [Read More…]
Excellent Speech on Gay Rights
October 19, 2012 by 7 Comments


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EditFigaro Castle
As soon as you walk into Figaro Castle, you can descend two sets of stars on either side of the foyer. To the left is the Engine Room, where a quick chat with the guard reveals that the engines are undergoing maintenance, while the stairs to the right lead down to the prison. Both areas are dead-ends, so follow a straight path to the throne room.
In the next area you'll notice two small rooms on either side of the chamber. To the right is the Weapon Shop, where you will find a Potion and an Antidote in each of the chests in the back. Speak to the shopkeeper, whose inventory consists of three tools: the Auto Crossbow, Noiseblaster, and Bioblaster. Purchase the two blasters (don't worry about the Crossbow) and leave the room. Hit up the Item Shop to the left to pick up supplies such as Phoenix Downs and Sleeping Bags. There is also a chest behind the shopkeeper that contains a Gold Needle. Before you enter the throne room, ascend the stairs to the left or the right (they lead to the same place) to find a chest containing a Phoenix Down.
Proceed to the throne room, where you will meet Edgar. After some amusing chatter, Terra will be free to explore the castle.
Make your way back to the courtyard, speaking to any NPCs along the way. The room on the right side of the leads to the library, which, in turn, leads to a small tower. The room on the left side will take you to a chamber withs stairwell and a small room where you can rest and/or chat with the ladies walking around to learn a little more about King Edgar.
Going down the stairs will take you to Edgar's chambers. Be sure to talk to the high priestess; this will trigger a short flashback in which you will learn that the king has a twin brother by the name of Sabin.
When you've had your fill of Figaro, go back to the throne room and speak to Edgar once more. After a brief conversation, a scene will play out that will put you in control of Edgar. There's nowhere for you to go; speak to the Imperial soldiers, and then Kefka. Talk to Locke to move things forward.
Once you regain control, you'll be back in the castle courtyard; talk to the Imperial soldiers for a nice little Beavis and Butthead reference before chatting with Kefka.
|Boss Fight: Magitek Armor x2
| HP: 210 MP: 250 (each)
| Drops: Hi-Potion
Steal: Potion, Hi-Potion
As soon as the battle begins, have Locke Steal; order Edgar to use his Auto Crossbow, and have Terra groupcast Fire on the units. After the quick interruption, continue to use Fire and the Auto Crossbow, and have Locke Steal and/or Attack. Keep up the pattern until you defeat the soldiers.
After the jump, the group must head for the town of South Figaro via a nearby cave. Ride your chocobo south to reach your destination.
EditFigaro Cave
As soon as you enter the cave, the first thing you should notice is the Recovery Spring straight ahead. Use it if needed and go into the main part of the cave. Head up the stairs to the left; this path will take you to a chest containing an Ether. Go back to the main chamber and make your way down the path to the right; you'll spot a small path that has a chest containing another Ether. Continue through the cave and you'll see two sets of stairs; the taller one leads to the cave exit, while the shorter one leads to a chest holding a Phoenix Down. Leave the cave and head southeast into town.
EditSouth Figaro
South Figaro is huge; filled with items and all sorts of interconnected nooks and crannies. You will want to explore this area thoroughly, especially since you'll be coming back later. Make sure to visit the Weapons Shop so that you can upgrade your equipment as needed. You will also be able to purchase Relics, which can be equipped two at a time to add or augment your characters' skill/abilities. Also, hit up the item shop and stock up on some Antidotes and Hi-Potions -- you will encounter a lot of enemies that inflict Poison, so it's best to be prepared.
When you first enter the town, you should notice an ominous looking fellow walking just ahead of the party. Follow him into the Pub and try to chat with him. It turns out he's a cut throat mercenary by the name of Shadow, and his dog eats strangers. He's not much for conversation, so leave him be.
Check out the town, and make sure to examine every crate or barrel you see; there are a lot of items around for the taking. When you've had your fill of the area, head east toward Mt. Kolts.
One notable location is the rich man's house in the northwestern corner of the town. In the upstairs room, the lady of the house will mention a nasty draft: You can keep this in mind for later, or you can descend the hidden stairs behind the bookcase and pick up a couple of thousand gil. The treasures here won't change, so don't feel bad if you skip this area for the time being.
Another place to pay special attention to is Duncan's house, which is located at the southeastern corner of town; not only does his wife have some interesting things to say, but there's a Save Point on the lower floor.
EditSabin's House?
On the way to Mt. Kolts you'll come across a small cabin. While it's not required to visit this place, doing so, and examining the fixtures inside, will yield a Potion (it's in the bucket) and trigger some extra dialogue from Edgar.
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I competed b.com(comp) with 70% marks ,i would like to pursue masters in us ,am i eligible to do masters with 15 years of education ?if eligible which course should i prefer and please tell the details of MIS programme in usa
- March 11, 2014
- Preferred qualification: Postgraduate | Preferred study destination: United States
Replies (1)
Most U.S. universities do not accept 3-years undergraduate degrees from India, but slowly more and more are changing their outlook.
I don't have a list of universities which will take you in the Master's program, but once you have done the GRE, and attain good grades, you have a better chance.
- April 09, 2014
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|Prayers Of Armageddon maps 11-20
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In the past, Bollywood was considered a figure of fun in the West. With it's colourful costumes, over the top fight scenes and the characters' tendency of making a song and dance about everything - literally (assuming there was a nearby tree handy) - though it was looked upon fondly, it was never really considered a serious genre. To be fair, there was a time when that reputation was deserved. The 80's is considered a low point for Bollywood films, with many filmmakers inspired on the verge of plagiarism by Hollywood films in order to make a quick buck, but the tried and tested formula of Hollywood films often got lost in translation with cringeworthy results.
These days with bigger budgets and a new generation of groundbreaking and experimental film makers, Bollywood films have been catching up with Hollywood in terms of creative and technical standards and have been slowly sneaking up the box office charts (last month, the film Dilwale, starring Shah Rukh Khan and Kajol reached number two in the UK box office, coming second only to the cinematic juggernaut that was Star Wars:The Force Awakens).
With a greater focus on capturing diaspora audiences and a sophisticated domestic market, who have grown up on a diet of satellite TV and become accustomed to the standards set by Western cinema and TV, the industry has gravitated towards a more story orientated and less brash style of film making with a growing number of directors turning their sights away from Hollywood and looking towards classic English literature for inspiration.
The latest film to take on a classic novel is Fitoor, a Bollywood interpretation of Great Expectations. The film tells the story of the destructive power of love and heartbreak through the eyes of Pip Noor played by Aditya Roy Kapoor, an aspiring artist, both inspired and tormented in equal measures by his childhood muse, the haughty yet vulnerable Firdaus, played by Katrina Kaif, as both become pawns in the destructive game of her guardian and mentor, Begum Hazrat, played by veteran actress Tabu.
While at first glance, the two genres appear to be on opposite ends of the spectrum, there are many parallels between the social structures and cultural norms of the 18th and 19th century world of Dickens and Austen and Indian culture today. With the novels themselves written at a time when the history of the two nations were entwined by colonialism, there is a sense that in Fitoor, Kapoor's Pip symbolises aspirational India and Tabu's Begam Hazrat symbolises a Britain Empire with its' power waning.
Contrary to the central premise of commercial Bollywood films where love conquers all, the arranged marriage system remains a powerful force in Indian culture. In a world where love is low on the list of priorities when it comes to marriage, second to business and social advancement and family honour, the idea of a jilted bride being driven to madness at being abandoned on her wedding day is far more haunting and believable in an Indian context and the film draws on Hindu mythology most powerfully in the scene where Begam Hazrat dressed in her red and gold wedding sari is consumed by flames, playing on the image of the Goddess Sita.
Having said that, Fitoor is very much a modern Indian film. Tabu's Begam Hazrat draws more on Gillian Anderson's interpretation of the role in the BBC adaptation, of a woman in whom the traces of her beauty are still visible, as opposed to the hideous, almost pantomime crone of the Sir John Mills film (though interestingly, unlike Miss Haversham, Tabu's character takes on the monocle of a respected married woman in her name).
In fact, Great Expectations is very much a Bollywood story, according to it's star, Katrina Kaif, who hails from North London and is of British / Kashmiri descent. "I'd read Great Expectations as a child and seen previous film adaptations of the book, so when I received the script, I was incredibly excited about the opportunity of being part of a narrative I had grown up reading and seeing on screen. I think that it's one of the most romantic stories ever told in literature, which is one of the reasons why I instantly wanted to be a part of Fitoor. I absolutely love my character in the film, Firdaus. She is so complex and can be manipulative and charming in the same breath. She's been raised to have the mind of a man and is very head strong, and quite masculine in her approach . Even in today's society, she personifies the blurring of roles, ideals and aspirations of women even in modern India.
"India is renowned for its beautiful storytelling culture and Dickens was renowned for how he described everything in detail. It was not just about being meticulous and analytical, but he often described things in new and imaginative ways. Great Expectations like all of his work is enriched with sentiment and emotion and his writing sounds more like poetry than prose. So the very essence in which the story has been written can easily be adapted for the silver screen especially in the India context. But on a more meaningful level for the Indian audience, it has to do with Great Expectations' narrative, characters and themes, which is why I feel it will resonate completely with the Indian audience, not just in an Indian cultural setting, but one that is modern and reflective of today's audience.
"Great Expectations like most of Dickens' novels focuses on the friction between social classes and highlights underlying social problems. India is still plagued with huge inequality and the divide between the rich and poor continues to widen. Pip's character in the novel is also an inspiring one as it charts his rise from being a blacksmith's son to a gentleman. It is a complete rags to riches story. In the India context, particularly in Bollywood films, it's traditionally the 'poor boy becomes rich against all odds story to win over the love of his life' narrative which has always appealed to audiences. The other reason why I feel the film will work so well is because it is essentially a romantic drama, a love story, and everybody loves romance and passion. So for this reason, I would go as far as to say that the essence of Great Expectations is very much that of a Bollywood film."
"I also feel that many classic English novels depict characters and relationships in the purist of ways, which somehow through the years have become diluted and forgotten as we've become focused on tailoring characters to fit within the confines of specific genres like sci-fi, which is huge in the west. There is a yearning to revive those characters and themes and recreating them in a modern setting."
The film has been produced by Siddharth Roy Kapur and this isn't the first time that he has drawn inspiration from literature or from Kashmir. His previous work includes Haider, the third in a trilogy of films based on Shakespearean tragedies (the first two being Maqbool based on Macbeth and Omkara based on Othello).
Set in Indian administered Kashmir at the height of the insurgency of the 90's, the film tells the story of Haider, a young student who returns home to investigate the mysterious disappearance of his father, after he is accused of harbouring militants and gets drawn into the political turmoil of the region, but also emotional turmoil after his beloved mother Ghazala married her husband's brother.
With the Kashmir issue, a sensitive subject at the best of times, the film inevitably caused controversy with it's portrayal of alleged human rights abuses in the region, including graphic scenes of torture in Indian army camps sparking a massive campaign on twitter to boycott the film. Though in Fitoor, Kapur stays away from the politics of the region, the setting of Kashmir is almost a character in itself, as much as London is in Dickens novels.
Far from being odes to the past, this Bollywood interpretation of Great Expectations shows that the works of Dickens remain relevent today, whether you are in the rainy streets of London as the dusty lanes of Delhi.
- More about:
- Bollywood
- Katrina Kaif


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Japanese Culture
Ancient Japan
Ancient Japan is a very cultural place! Japan from the past influences Japan today. For example, fashion, literature, visual art, architecture, and their performing arts. This is how Japan influences Japan today.
Fashion- "The Nobles love of beauty began with their own appearances. They had magnificent wardrobes full of silk robes and gold jewelry. Nobles loved elaborated outfits. For example, women wore long gowns made of 12 layers of colored silk cleverly cut and folded to show off many layers at once. To complete their outfits, nobles often carried delicate decorative fans."
Literature-"In addition to how they looked,Japanese nobles took a lot of care to how they wrote and spoke, writing was very popular among the nobles, especially among the women, they wrote diaries and journals about life. These women carefully chose words to make their writing beautiful, unlike men who usually wrote in Chinese, nobles women would write in Japanese.
Visual Art- "Besides literature, Japan's nobles also loved their visual arts. The most popular art forms of the period were paintings, calligraphy, and architecture. In their paintings, the nobles of Heian liked bright and bold colors. They also liked illustrated stories. In fact, many of the greatest paintings from this period illustrate scenes from literature, such as 'The Tale of Genji'."
Architecture: "The nobles of Heian worked to make their city beautiful. They greatly admired Chinese architecture and modeled Heian after the Chinese capital, Chang'an. They copied Chinese building styles, especially in the temples they built. These styles featured buildings with wooden frames that curved slightly upward at the ends. The wooden frames were often left unpainted to look more natural."
Performing Arts- "The performing arts were also popular in Japan during the Heian period. The roots of later Japanese drama can be traced back to this time. People often gathered to watch performances by musicians, jugglers, and acrobats. Noh-form of drama. These plays often tell about great heroes or figures from Japan's past."
Buddhism Changes- "Religion became something of an art form in Heian. The nobles religion reflected their love of elaborate rituals most of the common people in Japan, though equally religions didn't have the time or money for these ceremonies. Zen-popular was a new form of Buddhism. Zen-Buddhists believed that neither faith nor good behavior would lead to wisdom."
All these things represent different cultures in Ancient Japan. Fashion, Literature, Visual Art, Architecture, Preforming Arts, and how Buddhism changed. The end.


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Reflections on the Golden Screen
The Silver Screen
Heading 1
This section is dedicated to films which I especially like and will watch many times. But in the main it covers movies which have either never made it in the first place or for some reason have gone off the radar - all of them are great films in their own right. The latest fashion is a pre-occupation with so-called "blockbusters" which are sometimes excellent but more often than not are all style and no substance. C.G.I. is great and has extended the parameters within which Directors can work but in many cases the graphics come at the expense of a good storyline and often become boring. The following films are
sans C.G.I
graphics and are all the better for it.
This Boy's Life
Director - Michael Caton-Jones
Very few would argue with the assertion that Robert De Niro is one of the finest actors of his generation. In a scintillating career he has played gangsters, boxers, priests, deranged killers, taxi drivers and more, but to my knowledge he has only ever played the role of a nerd on one occasion which is in
This Boy's Life.
De Niro seems to be the least likely choice to play the part of an idiotic nerd and for that reason alone it is one of his finest roles playing the moronic Dwight. The "This Boy" referred to is Toby played by a 19 year old Leonardo de Caprio in his first meaningful film role following four years of television soaps notably as Darlene's classmate in Roseanne. Set in 1957, De Caprio is outstanding playing a 15 year old Toby, who leads a nomadic existence following his feckless mother, Caroline, played by Ellen Barkin, in her numerous escapes from an endless list of worthless boyfriends. Finding herself and Toby in Seattle, Caroline's judgement once again lets her down when she allows herself to be drawn into the weird world that Dwight inhabits and desperate for some semblance of stability in her life she marries him. Both Toby and Caroline might have learnt to tolerate Dwight's eccentricities but life becomes intolerable when his bullying nature begins to assert itself and he makes Toby's life a misery with his incessant spite and juvenile tricks he plays - all designed to destroy Toby's self-worth and in some warped way to build up his own ego
All of the other character actors are excellent with Chris Cooper in there with a very young Tobey Maguire but there is one performance which stands out from the rest; Jonah Blechman is so good as the gutsy gay schoolfriend of Toby that he must be gay in real life which doesn't matter today, but in 1957 homosexuality often invited insults and sometimes violence, so that both within the film and outside the film, Blechman was courageous in expressing his sexuality. Subject to cat-calls by Tobey who should have known better considering his own situation, Blechman's "gay" bests Tobey in a fight to the great humiliation of Tobey - the pair later become great friends. Blechman was every bit as good as Di Caprio within the film but unlike his co-star he never went on to do anything notable afterwards which is a shame.
(1998) Director John Dahl
Despite the presence of Matt Damon, Edward Norton and John Malkovitch
is not a film which is widely known - the understated title doesn't help matters and there are many moviegoers who would find little interest in the film's subject matter of high-stakes poker. However, although the poker games are truly gripping, the film is as much about the nature of friendship as poker.
Worm (Edward Norton) is the grown-up edition of the kid your mother told you to keep away from - the mantra "
he will get you into trouble
!! " echoes down the years and is the language of mothers everywhere. Worm inhabits a world of high-stakes poker players in a Runyonesque scenario of loan-sharks, hoodlums, hustlers and low-lives where the deliciously dangerous Teddy KGB (John Malkovitch) rules by fear. Seemingly oblivious to the danger, Worm proceeds to cheat his way into trouble pushng the boundaries of the poker games and pushing the boundaries of his friendship with Mike (Matt Damon). Fortunes are won and lost in smoky back rooms
and so are friendships and alliances as Mike remains steadfast to the mercurial Worm. Despite the fact that any of the poker-games are as nail-biting as the obligatory car chases in most action movies these days
has become liitle more than a cult film for poker players which is a shame because it's much more than that.
The Shawshank Redemption
Director: Frank Darabont
Shawshank is now acknowledged as the classic case of a film which did nothing at the box-office but slowly, by word of mouth, has become an all-time favourite of film connoisseurs. Stephen King's books and short stories are so superlative that it takes a special Director to translate them successfully onto film but Frank Darabont has done it here and even improved on the original story. The story is now quite well-known and is an adaptation of The Count of Monte Cristo by AlexanderDumas - whether Stephen King did this consciously or sub-consciously is not known but it is one of the very few King stories which is identifiable with another story. Although Stephen King's stories are unique and gripping the real strength of his work is the characterisation of which he is a master; his novels are replete with nuances, thoughts, beliefs and acts of human behaviour which are familiar to us all and Frank Darabont has copied this formula to the letter. All of the character's in Shawshank are interesting in their own right from the prison warden (played by Bob Gunton, whose warden resembles uncannily Strother Martin's chain-gang boss in
Cool Hand Luke
to Red played by Morgan Freeman, Tommy (Gil Bellows) who couldn't face life outside the prison, Andy Dufresne (Tim Robbins) of course, but there must be special mention for the casually cruel Captain Hadley played by Clancy Brown. One of the all-time great movies.
Hearts In Atlantis
(1999) Director Scott Hicks
This film is another adaptation of a Stephen King story whose title belies the excellence of the story. However, unlike Shawshank, it has never found any great popularity and you would be hard-pressed to find anyone who has seen the film. Going by the title anyone scanning the paper for a film to go and see would think it was a rom-com or a fantasy film but it is in fact a subtle evocation of cold-war America when the F.B.I. spirited people away if they knew what a samovar was or even wore a woolly hat in the winter. Realizing there are those who walk among us with "different" powers, as someone who has supernatural powers, Ted Brautigan, played with his usual
sang froid
by Anthony Hopkins, is an object of great interest to the F.B.I. who seek him out as he roams from one hiding place to another.
Many of Stephen King's stories feature children or adolescents and he has an uncanny talent for taking us back to a time which we all knew well when the world consisted of best-friends, the fat kid, the inevitable bullies, the sensitive one, high-spirits and bewilderment at the adult world. In this film, the story is related through the eyes of 11 year old Bobby Garfield, played by Anton Yelchin and the adult Bobby by David Morse. Although there are a number of excellent child actors in the film, drawn from a seemingly never-ending production line of kids queueing up for a taste of stardom, Mika Sue Boorem stands out as Carol Gerber, who Bobby remembers as his first love and as he kisses her for the first time on the Ferris wheel states grandly that "
It will be the kiss by which all other kisses will be judged and found wanting."
Why didn't I think of that.
Stand By Me
(1986) Director Rob Reiner
Most of Stephen King's books are set in Maine, the place he knows best, but on this occasion Rob Reiner has set the film version of King's short story named
The Body
in the fictional Castle Rock
Oregon. A year after making
Stand By Me
Reiner formed a TV and film company which he named Castle Rock. Once again Stephen King has chosen to return to the world of children on the cusp of adolescence in 1959, and Rob Reiner has peppered the background with The Coasters, Jerry Lee Lewis, Buddy Holly, The Del-Vikings, and other groups of that era when rock n'roll was exciting and new and a world away from the mediocrity of boy-bands.
The story related by the adult Gordy (Richard Dreyfuss) is of a journey he took with his 3 pals to find the body of a child killed by a train. Although seemingly normal, mischievous kids, each of the 4 children have problems not of their own making with the 12 year old Gordy (Wil Wheaton) haunted by the death of his brother (played by a very young John Cusack). As the boys set out on their adventure it quickly becomes apparent that all of them have problems - Vern (Jerry O'Connell) is bullied unmercifully by other kids, Teddy (Corey Feldman) has far worse problems with a sadistic father who once held him over a hot stove badly burning his ear, while Chris (River Phoenix) makes light of his dysfunctional family and drunken father. Strangely, Teddy, who has every reason to hate his father, idolises him as having been on the beaches in the Normandy invasion. As the boys pick their way along the railroad track, intermittently singing the song from
although they all have neuroses any adult would find hard to deal with, they chatter away as small boys do about such serious subjects as the gender of Goofy - "
he can't be a dog because he wears a hat and drives a car" -
and the mystery of whether Mighty Mouse could beat Superman in a fight. - "
Superman's a real person and Might Mouse is a cartoon
." However, all of the boys underlying fears surface from time to time and they support each other, hinting along the way, at the adults they will become.
Ace Merrill is the nemesis of the four friends and Kiefer Sutherland plays the bullying thug to perfection until he gets his come-uppance at the hands of Gordy - it's a feature of all Stephen King novels featuring children that the obligatory bully always comes to a sticky end - if only life were so simple.
Stand By Me
has become a cult classic among younger moviegoers who probably appreciate the danger on the trestle bridge section more than the revealing dialogue. Such a shame that a burgeoning talent as River Phoenix should have come to such an ignominious and wasteful end just 7 years after this film and quite ironic that the other 3 boys went on to be successful in their different ways.
The Last Samurai
2003 :
Director Edward Zwick
"The old and the new are at war for the soul of Japan."
Before watching this film it was tempting to believe that it was simply a vehicle for Tom Cruise to strut around in a samurai costume but there is far more to
The Last Samurai
meets the eye. Although it undoubtedly trades greatly on the orientalism of the Samurai code with its wonderfully ornamented medieval costumes and ancient weaponry, the film is actually a compelling drama set at an unparalled time in Japanese history. Japan had for centuries been remote from the western world until Commodore Matthew Perry sailed from America in 1853, opening communications between the two countries. While America was on the cusp of the American Civil War and Japan was about to engage in a civil war of its own between the ancient Samurai and the modernising Imperial court the Director is at pains to point out throughout the film the similarities in both country's cultural evolutions. In particular, he points out how much the Native Americans and the Samurai way of life had so much in common and both cultures were extinguished at around the same time. Although Samurai warriors with their martial code and almost mythical way of life have a fascination for most western observers it comes as a surprise to find that the Native Americans have the same enchantment for both Samurai and the Imperial Japanese, and General Custer and the American Indian Chiefs were well known names. Tom Cruise's role as an alcoholic ex- Indian fighter in the U.S army ( Nathan Algren) is fundamental in emphasising the similarities in the demise of the Native American culture and that of the Samurai and as his flashbacks of shameful atrocities perpetrated by the cavalry upon the Indians he finds the life of the Samurai a salve for his guilt in the part he played in those massacres; given that the flash on his shoulder reads 7th Cavalry it would be reasonable to assume that the massacres refer to the Washita and perhaps Sand Creek. As time goes by, Algren comes to despise the Imperial court and the puppet Emperor Meiji, comparing it to the establishment in Washington which sanctioned the Indian genocide and although he knows full-well that the Samurai are bound for destruction he takes up arms on their behalf nevertheless. Although it doesn't say so the final battle is the culmination of the 1877 Satsuma Rebellion at the battle of Shiroyama which ended the Samurai culture forever; the battle is comparable to the Native American battles in which the Indians fought with bows and arrows against rifles and artillery.
One of the many stand-out scenes is an attack by Ninja warriors in the heart of the Samurai homeland; in a breath-taking display of martial arts it is with a sense of relief that the Director has resisted any attempt to have the Ninjas flying up walls and over rooftops which is prevalent in so many martial arts films and appears ludicrous in the extreme.
Amongst the sterling cast, Timothy Spall has an uncanny aptitude for stealing scenes; this ability is even more remarkable given that Spall's character of Simon Graham is hardly heroic. However, Timothy Spall's Englishman abroad has a depth which combines timidity with the kind of courage that carries on despite an overwhelming fear of the situations he is faced with.
In the huge cast of Japanese actors, Ken Watanabe as the Samurai leader plays his part with some gravitas, Hiroyuki Sanada is excellent as the volatile Uiji, Masato Harada stands out as the sly Omura and Shichinosuke Nakamura's part should not be underestimated as he plays the Emperor Meiji, struggling to comprehend the momentous happenings around him.
It's truly refreshing to see Directors such as Zwick making adventure films which can be enjoyed simply for the thrills engendered in the action scenes - and for those who wish to dig a little deeper he has set the action to a background of authentic historical material signalling the end of an era in Japan.
Inglourious Basterds
Director : Quentin Tarantino
Tarantino has never given any reason for the misspellings of the title but it is indicative of his quirky personality which shines through once again in his take on World War II. I have to say that for myself I find the extreme violence in Tarantino films rather off-putting and in many scenes it is undeniably gratuitous - but there is another side to Tarantino which is in complete apposition to never-ending search for variances of violence and it is this side of his nature which makes his films extremely enjoyable; more exciting than all your car-chases, more frightening than all your fight scenes and far more tense than a firefight are scenes such as Christoph Waltz toying with the French farmer like a cat with a mouse. Both men know that S.S. Col. Hans Landa (Waltz) is slowly but inexorably leading up to exposing the Jews hidden beneath the floorboards and the tension is palpable as the scene unfolds. The escape of Shosanna played by Mélanie Laurent is a major factor in the film.
Interspersed with such brilliant scenes as the above are the comic-book antics of Brad Pitt's Lt. Aldo Raine and his band of Jewish assassins all of which seem to have have their origins in Sgt Rock comics or possibly Nick Fury and his Howling Commandos. The scenes of scalping and branding with extraordinarily large knives are the complete antithesis of the scenes where brilliant dialogue is enough to crank up tension and once again Tarantino reveals the duality of his personality as expressed on film.
Fortunately, as the film moves along, there are several mores scenes where dialogue does the trick not least where Waltz meets up again with Shosanna who he does not recognise but still manages to instil fear into her simply by his presence and in a fine display of acting Mélanie Laurent's Shosanna breaks down as soon as he leaves.
Arguably the finest scene in the film has the superb Diane Kruger playing a Marlene Dietrich simulacrum called Bridget von Hammersmark at a table in a basement cafe with a British officer (Michael Fassbender), and two Jewish "Basterds." They are surrounded by a roisterous crowd of German soldiers and finally joined by S.S. officer Major Hellstrom played by August Diehl. This scene is enthralling as Hellstrom who is more forthright than Landa exposes the accent of the British officer and although the whole scene culminates in a firefight worthy of
its true worth lies in the tension and interplay between each and every person in the cafe.
Tarantino's versions of Churchill, Hitler and Goebbels are again comic-book characters drawn fromthe exploits of Nick Fury and Sgt Rock but serve to reveal his split personality, while the movie theatre on a Paris street is really atmospheric and to his credit he never reverts to the standard "
for you ze war is over
" dialogue.
One day, Tarantino will forget his numerous pop-art roots and the result will be a classic film acclaimed by one and all -- or perhaps not.
Out of the Furnace
2013) Director: Scott Cooper
The shocking beginning to the film is startling, repellent and captivating all at the same time, as a neanderthal Woody Harrelson stuffs a cigar down his girl-friend's throat and reduces a well-meaning man to a quivering jelly in a brutal attack. I did at first think that the movie was yet another depressing, gratuitously violent epic which are so much in vogue, thrown together to cater to the immature, and the only thing which kept me watching was a stellar cast which had not yet appeared. And sure enough, as Harrelson lumbers and mumbles his menacing and merciless way through the film as the degenerate Harlan de Groat, one by one, a superb cast appear to play their parts in a riveting movie. The film is set in a bleak, industrial landscape, reminiscent of the town in
The Deer Hunter
where Russell Baze played by Christian Bale works in the foundry which dominates the landscape - there are other similarities to
The Deer Hunter
although it can never be said that it is a copy of that film in any way. Russell's brother, Rodney, played by Casey Affleck, is a soldier returned from Iraq; his experiences in combat have left him feckless and aggressive and when he takes to bare-knuckle fighting to pay off his debts to the world-weary Willem Defoe he enters the world of Harlan de Groat to the detriment of all of them. The Appalachian stronghold of de Groat and his band of retarded hillbillies is truly scary, so much so that even the police are reluctant to go there, and when Russell and his father's brother (Sam Shepard) pose as drug buyers and enter into de Groat's degenerate slum the tension is palpable.
As always, it takes the cast of peripheral actors to make up a great film, and although Christian Bale is the central character, every single part is played to perfection and every character is fascinating in their own right. It is indicative of the excellence of the cast when a fairly minor role is played by Forest Whitaker as the police chief. This is a complex and multi-layered film which deserves to better known but has gone the way of
probably for the same reason -- its innocuous title.


text:
Location: USA
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AUSTIN, Texas -- Expert says improve on existing apps rather than creating new ones.
AUSTIN, Texas — Credit unions should provide advice to financial engaged consumers, a speaker says.
AUSTIN, Texas — A CU Water Cooler speaker says credit unions protect themselves, not the members they serve.
Read how past winners are still blazing credit union trails.
CU Times is now accepting nominations for its 2015 Trailblazer Awards.
"Those who believe that great rates and lower fees are the credit union difference, they are missing the point," she says.
Business owners often view their competitors as the enemy, but that's shortsighted. Here's how the competition can help keep you in the lead.
LAKE BUENA VISTA, Fla. — How much is it going to cost? How will it benefit members? Will it save credit unions time and money?
CU*Answers CEO says CUNA needs to change its direction and drive to be a disruptive force in the financial services community.
Read about mobile banking innovations experts say are under development for banks and credit unions.


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3 Stardust # 2 Irvine, CA 92603
Hi, Kobi Costa.
My name is
and I have a question about 3 Stardust # 2 Irvine
You can respond by either emailing me at
or call during
My Question Is:
Estimated Monthly Payment$5,051
- Photos
- Location
- Questions
- Share
- Mortgage Calculator
- Status: Active
Listing courtesy of First Team Real Estate Adrienne Oranges
View, View, View..GREAT location, location, location on the greenbelt, with a view of the pools & hills.............. This home has been redone for you!!!....... New Designer Paint, newer carpet..newer fixtures....ready to move in...........Please appreciate all the hard work and the $$ that has been put into this home.......Property is clean and ready to move in....Dramatic tri level...........Formal dining room.....Formal living room/cozy Fireplace/ Patio thru the sliding doors......Family room with the kitchen 'Great Room'............ Upstairs has master suite/ bathroom and second bathroom with bathroom.... 2 car attached garage..........Wood blinds....This is very close to the community Tennis Courts and 'Turtle Rock Park' and nature center............ The association has 2 pools and spas..........Light and bright..... ....Award winning Irvine Unified schools. PLUS Irvine Valley College, University of CA. at Irvine...UCI........................Near World Class Shopping......South Coast Plaza, Irvine Spectrum, Newport Beach Fashion Island, Laguna Beach..........Close to the #405, #73, #133, #241, #261, #5........, 1 Campus Rt on Turtle Rock Dr. Right at Sunnyhill. Left a Morningside. Stop at Sungate and the second pool. STOP its right there facing the greenbelt and the pool. Cross Streets: Turtle Rk/Sunnyhill/Morningsid
Interior Features Include:
2 Staircases, Cathedral-Vaulted Ceilings, Open Floor Plan, Unfurnished
Fireplace Living Room
Window Cov: Blinds, Custom Covering
Air Cond: Central
Heating: Central Furnace
Exterior Features Include:
Fencing Good Condition
Spa Features Association, In Ground
Acreage: 0.0200 Acres
Lot: 0-1 Unit/Acre, Park Nearby
Roof: Composition
Construction Stucco
Foundation Slab
Parking Spaces 2.00
Garage Capacity: 2
Other Features Include:
Subdivision: Ridge Townhomes Bren (RB)
Appliances Dishwasher, Electric Range, Garbage Disposal, Gas Water Heater
Amenities: Pool, Spa
Water: Public
Sewer: Sewer Paid
Pool: Association, Community Pool, In Ground
Stories 2
Pets Allowed No
Security Features Carbon Monoxide Detector(s), Smoke Detector
Property Condition Turnkey
Community Features Curbs
Utilities Underground Utilities
Accessibility Features None
View Pool
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Here is the beautiful title-track to Sufjan Stevens' forthcoming album
Tag Archives: Sisyphus
You just know it's going to be a good day when you wake up to some new music from Sufjan Stevens
Sufjan Stevens shares the first single from his forthcoming album
Sufjan Stevens announces the release of his next album for March 2015!
featuring: Parra for Cuva, Flume, George Maple, Peta & The Wolves, SOHN, Sisyphus, John Talabot and Zola Jesus
being remixed by: Tom Misch, B.R.E.E.D, JAWZ, SAFIA, Mazde, Ricoshëi, Villette and Juan MacLean
Listen to the haunting sounds of Phoria's 'Efforttobreathe'
"I want to be your friend. Take me to your room" – Sufjan Stevens
10 years on and Sufjan Stevens' Seven Swans still manages to make me laugh, and make me cry.
Sisyphus, aka Sufjan Stevens, Son Lux and Serengeti, have shared another new track from their forthcoming debut, this one titled 'Rhythm of Devotion'
'Alcohol' is the latest track to come from Sisyphus – aka Sufjan Stevens, Son Lux and Serengeti
Sufjan Stevens, Son Lux and Serengeti have teamed up for a new collaborative project they are calling Sisyphus and 'Calm It Down' is their latest jam