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- Last login Nov 12, 14 @ 6:25 am
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Running Time: 102 Minutes
Beowulf & Grendel is a medieval adventure, part legendary fable, part horror-story. Based on the seminal 9th century Anglo-Saxon poem, Beowulf, it tells the blood-soaked tale of a Norse warrior's battle against a great and murderous troll, Grendel, who has laid seige to the kingdom of Hrothgar, the much respected king of the Danes.
Out of allegiance to Hrothgar, Beowulf leads a troop of warriors across the sea to rid a village of the marauding monster. The monster, Grendel, is not a creature of mythic powers, but one of flesh and blood – immense flesh and raging blood, driven by a vengeance from being wronged. Beowulf's willingness to kill on behalf of Hrothgar wavers when it becomes clear that the King is more responsible for the troll's rampages than was first apparent. And Beowulf's relationship with a provocative witch, Selma, creates further confusion. Swinging his sword at a stinking beast is no longer such a simple act.
The story – filmed in Iceland – plays out in a brutish Northern Europe where the reign of the many-gods is giving way to one – the southern invader, Christ. Beowulf is a man caught between sides in this great shift, his simple code transforming and falling apart before his eyes.
Building toward an inevitable and terrible battle – with many heads rolling along the way – Beowulf & Grendel is a tale where vengeance, loyalty and mercy powerfully entwine. A story of blood and beer and sweat, of sick jokes and fear of the dark, Beowulf & Grendel strips away the mask of the hero-myth, leaving a raw and tangled tale.
Beowulf & Grendel Production Notes
Beowulf & Grendel was born of a conversation between Sturla Gunnarsson and Andrew Berzins seven years ago. "I had been wanting to make a film that spoke to my tribal identity and was rooted in the primordial Icelandic landscape where I was born. Andrew suggested Beowulf. I had read it in high school but the main impression it made on me then was the similarity of the old Anglo Saxon text to Icelandic, which is my native tongue. On re-reading it I was struck by how potent a tale it is and how the sense of primal fear, of a people huddled together in the darkness conjuring monsters out there in the unknown seems to ring as true today as it did around the campfire fifteen hundred years ago."
"The desire to write Beowulf and Grendel started when I was a kid," explains Berzins. "My mom had given me a children's version of Beowulf, the book, Dragon Slayer by Rosemary Sutcliff. The drawings, such as Grendel's arm torn off and nailed up in the Mead Hall, were so powerful for me then. When I became a screenwriter, Beowulf never left me but it seemed like a big project to jump at. I met with Sturla and he said he wanted to do a movie in Iceland. So, we had the landscape and we had the base of the story, and we went from there."
Berzins began the screenplay during the massacres in Kosovo, which integrally informed his work. "This story questions the assumptions we have about the warrior and violent resolutions, the elements of vengeance and feeling compelled to rid your community of forces you don't necessarily understand."
Gunnarsson and Berzins have taken Beowulf & Grendel out of its mythological setting and placed firmly into the natural and absolutely CG free world where the story speaks of tribalism and fear of the unknown. "With the mythical component removed", says Gunnarsson. "Grendel is monstrous without being a monster. He has feelings; he has motivation; he has a personality, a sense of humour; and he has an acute sense of irony when it comes to revenge."
"The core idea in this interpretation is that the hero, Beowulf, has crossed the sea on what he thinks is a righteous quest. When he arrives, he realizes he's landed in the middle of someone else's blood feud. The closer he gets to the truth of the situation, the less he is able to believe that his quest is righteous. He begins to empathize with the creature he was sent to kill.
Producer Paul Stephens, who with partner Eric Jordan, produced the highly acclaimed feature, Such a Long Journey, also directed by Gunnarsson, says of Beowulf & Grendel:
"I'm very proud of what we achieved under especially extreme conditions. It is, by far, the most difficult film I've ever done, the biggest, most outstanding achievement both creatively and from a producer's point of view. It's a gourmet meal for the eyes. The decision to shoot in remote areas of Iceland was the right one because it sets a small, intimate story against the immense backdrop of the landscape. And Sturla is the man to pull this one off. As for Gerard Butler, he has the warmth, the charm and the talent we needed. My God, he is Beowulf."
Stepping back and looking at Beowulf & Grendel from a more objective perspective, Stephens considers how this film fits in with the wide array of other historical epics being made.
"Beowulf & Grendel sets itself apart not by being bigger and grander, but just the opposite: it is textured, personal and deeply rooted in a specific time and place. The digital domain supersizes history and over scales everything which dulls the senses to the specifics. It leaves very little to care about. History, for the most part, was writ fairly small and was made by small groups of people who cared passionately – a reflection of our cast and crew."
Creating Grendel — Nick Dudman
"Working without relying on CGI made me think about what I used to do before I was running computer systems and what I used to do working with a makeup box on the side of a mountain," says Nick Dudman, the award-winning prosthetics designer behind all the Harry Potter movies. "Anyone in my job would count Grendel in the same category as Frankenstein. It's an iconic mystery figure that you'd like to have a go at. Sturla and I had the same take on the character: it's not a monster or even some weird alien. He's a misunderstood human being, a very basic human being, but there's an aspect to him that makes him monstrous and that's what we had to find. We did a lot of work prosthestically and animatronically, all designed to augment what Ingvar could produce in his performance."
Dudman's technique was to make Grendel as big as possible which offered a good reason for him to be ostracized by society. "Once Sturla had cast Ingvar for the part, we found Spencer Wilding, a 6'6", British kick boxer and stuntman, and then life cast both of them so we could produce a version of each in fiberglass. Based on Ingvar's measurements, we scaled him up to a bigger version, putting Spencer on stilts, which took him to 7'5" and the equivalent of 350 pounds. By manufacturing a foam rubber suit, we made Spencer look exactly like Ingvar – just bigger."
Using tricks of scale, the links on the chain mail were adjusted for the two men. If Ingvar was holding a human head, it was scaled down. If Spencer was holding it, it was the actual size. When Spencer walked through a doorway, it was a certain height, and when Ingvar walked through, it was a different doorway. Spencer went through a period of rehearsal to mimic what Ingvar was going to do because Ingvar was creating the performance. Spencer was brought in for long shots and action shots.
Makeup & Hair — Daniel Parker
Complimenting the work of Nick Dudman was the brilliantly conceived effort of Daniel Parker in hair and makeup. Acknowledging that the Norsemen traveled not just to North America, but also to Russia and the Middle East, Parker took those influences as his starting point for designing the look of Beowulf and Hrothgar, shunning the cliché of horned helmets and long beards and moustaches.
"I decided to make each character an individual," says Parker. "The Geats have a very strong look with plaits and silver and jewelry in their beards. They are all quite dominant and vain, not unlike Hells Angels. These are more cultured people who wear jewelry in their hair, braiding in their hair and in fact are rather beautiful. Gerry was very simple. He is the star of the film and has a look that you don't want to cover up: long hair, with a cut beard that is shaped. It is slightly reminiscent of Ivanhoe."
"I always imagined Hrothgar being a redhead," Parker continues, "but not only did I go red – I went orange which is a very brave thing to do. Stellan is not just a wonderful actor; he's an actor who loves makeup, so he and I developed this character. His character has a 15-year timeline, so we aged him, made him look drunk. Fascinating makeup, one of the nicest I've ever done."
"You'd start every day with the grand vision, going full on, and then it became about surviving the day, surviving the scene, and by the end of the day, it was about just getting the shot. The shoot ran 47 days and Odin got drunk on quite a few of them." – Director, Sturla Gunnarsson
"It's where I grew up; it was the place of my birth. Some of the images in the film, I've had in my consciousness ever since I can remember. The landscape we've placed the film on is part of my primal memory. And I knew when we took this on that this would be a huge challenge, that we'd be dancing with the gods. Odin wasn't going to give us a free pass."
"You can shoot 360 degrees and it's the same today as when it spewed out of the ocean. There is the extraordinarily rugged south coast with primordial rock formations that lead down to a big ocean with 30-foot swells, and there's not a single landmass between Iceland and the South Pole. You also have the Vatnajökull glacier, the biggest in Europe. Under the glacier is a volcano that erupts every couple of decades creating massive underwater lakes that spill out over a vast, black floodplain. "We had an active volcano while shooting" recounts Gunnarsson. "The only thing we didn't have was a plague of locust, but we had four hurricanes that the Gulf Stream brought up from the Caribbean, horizontal rain, sandstorms, blackouts, snow. On a regular basis, there were high winds; we lost two base camps. One day we lost eight cars, either blown off the road or all the glass smashed by flying rocks. The winds were gusting at a 160 km/hr."
The landscape became a character in the film. Nothing the actors did prepared them for what they faced when they got out to set; the elements brought them solidly into the moment. To Gunnarsson, it was like having a powerful, unscripted character in every scene. He loved it and the actors embraced it because the elements threw them off balance.
Stellan Skarsgård's take on the experience confirms his director's enthusiasm for the great outdoors. "For some scenes, working in a storm with absolutely horizontal rain can add to the performance. It creates difficulties that you have to deal with; you have to scream a lot. We've had conditions here that you cannot create with wind machines and smoke machines and a rain machine. You will feel the weather in the film. It will be present as another actor."
Gerard Butler was equally impressed with the conditions Iceland presented. "Day after day we filmed in locations where I'd think, if Sturla captures even 1/10th of where we are, this film is going to be one of the most beautiful films people have ever seen. The locations have been mind-blowing and breathtaking, and then there's the weather that we've suffered and loved and endured, the colours of the sunsets and sunrises, even the clouds have different shapes here. That day with the fisherman scenes, the water was so cold and I was in mud up to my hips. For the scenes that night, the mist came in and the sky had a strange hazy light that I swear was almost turquoise. That happened so many times on this movie, and it was all in perfect harmony with the story."
The Viking Ship – Islendingur
Standing in for Beowulf's longship is the Islendingur (Translation: Icelander), a carefully crafted replica of a viking ship found in a Norwegian burial sit. The Islendingur has been in a warehouse/museum since 2000 when, as part of a celebration of the Vikings first landing in North America, it sailed to L'Anse aux Meadows National Historic Site in Newfoundland from Brattahlid, Greenland, the restored farm of Eric the Red, Greenland's founder and father of Leif Ericson, who sailed from here for Newfoundland, according to the Icelandic sagas.
The Islendingur was made seaworthy and then transported by road to the Vatnajokull iceberg lagoon where it was filmed.
The Mead Hall
In the poem, the Mead Hall is the biggest in the land, constructed to glorify Hrothgar's deeds. It is the thing that ultimately drives Grendel mad, tripping him over from being an angry troll to a murderous troll. The decision to build the 6th century Mead Hall was again based on the decision to use no CGI.
"We built it on location, so we'd never have to go into a studio. Our production designer Árni Páll Johannsson, an Icelander, gathered up gargantuan driftwood logs, trucking them in from around the country because trees do not grow there. The hall, 60 by 25 metres long and three stories high, is built entirely of found materials. It took months to build, and the team who built it was made up of local artisans who used ancient building methods. There are no nails used, all the wood is cut and notched and held with wooden pegs. The closest thing to an architect's rendering that I ever got was a sketch on a napkin. This is a real 6th century beer hall."
Sturla GUNNARSSON (Director/Producer) Icelandic born, Canadian raised director Sturla Gunnarsson's films have received international acclaim and won Genie, Gemini and Emmy Awards, and an Oscar nomination. Feature films include the comedy, Rare Birds, starring William Hurt and Molly Parker, and the adaptation of Rohinton Mistry's Such A Long Journey, starring Roshan Seth and Om Puri. His documentaries include the cinema verite classic, Final Offer and the post apartheid love story, Gerrie & Louise.
Andrew RAI BERZINS (Writer/Co-Producer) is a Toronto-based writer, whose work includes the short-story collection Cerberus, the scripts for the TV movies Scorn, Chasing Cain 1 and 2, and Cowboys & Indians, as well as the ill-fated feature screenplay Blood & Donuts.
Paul STEPHENS (Producer) and Eric JORDAN (Producer) and their company The Film Works, have produced award-winning film and television features for more than twenty-five years, winning national and international awards for drama. The company is built on a commitment to working with the best possible creative partners to tell stories that explore compelling personal and social issues. The Film Works' credits include: David Sutherland'sLove, Sex and Eating the Bones, which won Best Film at the 2004 American Black Film Festival, Best Canadian First Feature Film at the 2003 Toronto International Film Festival and Best Feature at the 2004 Los Angeles Pan African Film Festival, Cowboys & Indians: The J.J. Harper Story directed by Norma Bailey, Such A Long Journeywhich won Most Popular Canadian Film at the 1998 Vancouver International Film Festival, Julie Walking Home, directed by Agnieszka Holland, The Arrow, starring Dan Ackroyd, Christopher Plummer, and Michael Ironside,The Planet of Junior Brown and Love Come Down, both directed by Clement Virgo, Ganesh: Ordinary Magicstarring Glenne Headly and Paul Anka and Where the Spirit Lives.
Anna María KARLSDÓTTIR (Producer) produced Kaldaljós (Cold Light) directed by Hilmar Oddsson, starring Ingvar Eggert Sigurdsson, Fálkar directed by Fridrik Tjor Fridriksson which was nominated for Film of the Year at the 2002 Edda Awards in Iceland, and the Emden Film Award at the 2003 Emden International Film Festival. She also produced the multi-award winning Englar alheimsins (Angels of the Universe) also directed by Fridrik Thór Fridriksson again starring Ingvar Eggert Sigurðsson. Karlsdóttir co-produced Guy X, directed by Saul Metzstein starring Jason Biggs and Natascha McElhone, and Ikíngut, directed by Gísli Snær Erlingsson, which won the award for Best Children's Film at the 2001 Ale Kino! – International Young Audience Film Festival, as well as awards at Carrousel International du Film and the Chicago International Children's Film Festival.
Fridrik Thor FRIDRIKSSON (Producer) started his filmmaking career with a series of experimental films and documentaries in the early 1980s. In 1987, he founded The Icelandic Film Corporation, which has become Iceland's most important production company, producing Fridriksson's films as well as working with other Icelandic directors and producers. Through Fridriksson's international reputation, the company has built a network of internationally well-established co-production partner companies, including Lars von Triers Zentropa and most recently, Francis Ford Coppola's American Zoetrope. As a director, Fridriksson gained international recognition and critical acclaim with his second feature Children of Nature (1991) which was nominated for an Oscar as Best Foreign Language Film.
Fridriksson's own identity as a filmmaker is that of a storyteller within a tradition that goes back to the writers of the Icelandic Sagas, more than a thousand years ago.
Michael COWAN (Producer) and Jason PIETTE (Producer)
Since starting in 1994, producers Jason Piette and Michael Cowan have built Spice Factory into one of the UK's leading independent film production businesses.
To date, Spice Factory has actively produced, co-produced and co-financed over 43 films. While many of their films have attracted top directors and star casts, Jason and Michael have also broken out new writing, directing and acting talent. Their films span many genres and budget levels and have a combined spend of over US$400M worth of production.
Included in their list of accomplishments as producers and financiers are films such as The Merchant of Venicedirected by Michael Radford with Al Pacino, Joseph Fiennes and Jeremy Irons, Head in the Clouds starring Charlize Theron and Penelope Cruz, futuristic vampire thriller Perfect Creature with Dougray Scott and Saffron Burrows, and quirky romantic comedy Plots With A View (a.k.a. Undertaking Betty) starring Brenda Blethyn, Christopher Walken, Alfred Molina and Naomi Watts.
Other production highlights include A Different Loyalty starring Sharon Stone and Rupert Everett directed by Marek Kanievska, The Bridge of San Luis Rey featuring a stellar cast including Robert De Niro, Kathy Bates, Harvey Keitel and Gabriel Byrne, $teal by Gérard Pires (Taxi) with Stephen Dorff and Natasha Henstridge andThe Statement, directed by Norman Jewison starring Michael Caine, Tilda Swinton and Charlotte Rampling.
As well as having theatrical releases, Spice Factory productions have also featured in numerous film festivals as well as winning awards. Plots With A View was awarded a Welsh BAFTA, Bollywood Queen was selected for Sundance 2003, André Téchiné's Strayed (aka Les Égarés) was selected for competition in Cannes 2003, Mr. In-Between won best feature at Raindance 2001 and Best Actor for Andrew Howard at Tokyo Film Festival, and children's time travel drama An Angel For May has picked up 14 awards since 2001.
Spice Factory's joint ventures include, Movision (the UK tax and equity fund for film financing), Arclight Films (a film sales company with offices in Sydney and LA), Bluespice (a joint venture with Italian producer Peter Maggi and his company Bluestar Movies) and LaFabrique, a French distribution and production company co-founded with Franck Ribiere.
Peter JAMES (Executive Producer) has over 30 years of experience of international television and film production. After a film school education his career began in scriptwriting and producing in North America. In 1972 he co-founded Quadrant Films, which became one of English-speaking Canada's largest film companies during the 1970s.
Subsequently, during the 1980s and 1990s, he became an international best-selling author with fourteen novels published in 26 languages. In 1994, with Ian Steel, he co-founded Pavilion Internet plc, which was subsequently sold to EasyNet plc. In 1998, he co-founded the film and television development company, Ministry of Vision Limited ("MOV"), in partnership with James Simpson. MOV has recently produced series for ITV and Channel Four as well as developing projects with HBO and USA Network, and co-created, with Objective Television, the successful Channel 4, Bedsitcom, which was nominated for a 2004 Rose D'Or award.
In 2001 he co-founded, with James Simpson, Movision Entertainment Ltd which became one of the leading UK film companies during the past four years, responsible for the financing and/or the production of twenty-three films, on many of which he served as Executive Producer, including the recent BAFTA nominated Merchant Of Venice, starring Al Pacino, Jeremy Irons and Joseph Fiennes, Head In The Clouds, starring Charlize Theron and Penelope Cruz, The Bridge of San Luis Rey starring Robert DeNiro, Kathy Bathes, Harvey Keitel and Gabriel Byrne, A Different Loyalty, starring Sharon Stone and Rupert Everett, and The Statement starring Michael Caine.
In 2005 Peter he was appointed Chairman of the VisionInc group of companies, operating film and television financing funds in the UK and USA.
James SIMPSON (Executive Producer) has over 30 years of experience of international television and film. He is a celebrated music writer. He wrote and directed Ulysses, a children's rock opera, which had a sell-out run at the Rainbow theatre, was filmed for BBC Television and won the Italian best International Children's Film Award. He has written music for numerous television programmes including Spitting Image, Through the Keyhole, Noel's House Party, and major commercials. He co-owns Ministry of Vision Limited with Peter James and is also a director and co-founder of Movision Entertainment.
In 2005 he became Managing Director of the VisionInc. Group of companies.
Árni Páll JÓHANNSSON (Production Designer) returns to work with producer Fridrik Thor Fridriksson, having designed for him on Fálkar and Næsland, which earned a Crystal Globe Award at the 2004 Karlovy Vary International Film Festival. Jóhannsson also designed for Hal Hartley's No Such Thing, starring Sarah Polley, and Simon Staho's Wildside (Vildspor), and Jag är din krigare (Nature's Warrior), Djöflaeyjan (Devil's Island), Bíódagar(Movie Days), and Karlakórinn Hekla (The Men's Choir).
Jan KIESSER ASC, CSC (Director of Photography) packs thirty plus years of experience in the film industry with a lighthearted smile, one that does not belie his intense focus on the set. Kiesser has previously collaborated as DP with Gunnarsson on Such A Long Journey featuring Roshan Seth and Om Puri, filmed in India and Rare Birds staring William Hurt, filmed in Newfoundland. Both were nominated for Best Achievement in Cinematography for the Canadian Genie Awards. Jan has worked with director Alan Rudolph on several films including Choose Me, staring Leslie Ann Warren and Keith Carradine and Mrs. Parker and the Vicious Circlestaring Jennifer Jason Leigh, Matthew Broderick and Gwyneth Paltrow, both produced by Robert Altman. Jan also photographed Dr. T and The Women, staring Richard Geer and Helen Hunt for Robert Altman as director.
Jeff WARREN (Editor) has been a freelance film editor in Canada for 30 years. He worked for ten years on documentaries for some of Canada's most famous documentary filmmakers. In 1985 he teamed up with director Sturla Gunnarsson for the National Film Board feature documentary Final Offer, which went on to win numerous awards in Canada and around the world including the Prix Italia at the world documentary festival. This was the beginning of a twenty-year collaboration with Gunnarsson on many feature films and TV movies including the award-winning Diary of Evelyn Lau, Such A Long Journey, and Rare Birds.
Over the years Jeff has worked with many of Canada's top directors. His recent film Love, Sex & Eating the Bones, a romantic comedy written and directed by Sudz Sutherland won the Best First Feature Award at the 2003 Toronto International Film Festival and was selected one of the Top 10 Canadian Films of 2003.
In addition to editing, Jeff has lectured and given workshops at York University, Ryerson Polytechnical University, Confederation College and is a continuing mentor at The Canadian Film Centre. He is the National Representative for editors on the board of the Director's Guild of Canada. He has won two Hot Docs Awards, two Gemini Awards, a Genie Award and a Directors Guild of Canada Award, all for editing. He has been nominated many more times, including an Emmy nomination in the U.S. In the summer of 2005 Jeff will team up with Sturla Gunnarsson once more for the World War 2 mini series, Above and Beyond.
Debra HANSON (Costume Designer) received a 2004 Genie nomination for Best Costume Design for The Gospel of John, starring Christopher Plummer. Hanson's recent work includes Don McKellar's Childstar, starring Jennifer Jason Leigh; Sturla Gunnarsson's TV movie The Man Who Saved Christmas, the television docudramaStormy Weather: The Music of Harold Arlen; Steven Williams' Verdict in Blood; and A Killing Spring. Hanson designed costumes for Laurie Lynd's miniseries, I Was A Rat, the period television movie What Katy Did, based on a novel by Susan Coolidge, and for Clement Virgo's multi-award-winning contemporary love story, Love Come Down starring Larenz Tate and Deborah Cox. Hanson received a Genie nomination for Best Achievement in Costume Design for her work on the multi-award winning New Waterford Girl. Her list of film credits also includes George Mendeluk's action/drama, Men of Means, Daniel D'Or's, Falling Fire, and The Taming of the Shrew (TV) starring Henry Czerny and Colm Feore.
Nick DUDMAN (SPFX Makeup Consultant) got his start in films in 1979, working on Yoda, as a trainee to British make-up artist Stuart Freeborn on The Empire Strikes Back.
After apprenticing with Freeborn for four years on films such as Superman II, The Return of the Jedi and Top Secret!, and assisting Dick Smith on The Hunger, Dudman was asked to head up the English make-up laboratory for Ridley Scott's Legend, where among other characters he applied Tim Curry's "Darkness" make-up.
Since then, he has worked on Mona Lisa, High Spirits, Interview With the Vampire, Batman (creating Jack Nicholson's Joker make-up) and Judge Dredd. In 1995, he was asked to oversee the creature department for the Luc Besson film, The Fifth Element, for which he won a BAFTA for Visual Effects.
After supervising the Creature Departments on Star Wars: The Phantom Menace, The Mummy, and The Mummy Returns, he joined the Harry Potter series as Creature Effects Designer, producing animatronic monsters, animals, prosthetics, mannequins and organic props.
EQUINOXE FILMS, the Canadian Distributor of BEOWULF & GRENDEL, is a major, vertically integrated film and television producer and distributor of quality motion pictures for theatrical, video and television release.
Established in Montreal as France Film in 1932, and still one of the country's first and most respected independent film distributors, Equinoxe has played a leading role in importing the best films from around the world. For the past three years in succession, Equinoxe has enjoyed record-breaking years. In 2004, it released Mel Gibson's controversial The Passion of The Christ, which earned $25 million at the Canadian box office. In 2002, Equinoxe had enormous success with My Big Fat Greek Wedding, the most profitable independent film of all time, which grossed more than $30 million in Canada. In 2003, the hit Canadian comedy Mambo Italianobecame the highest grossing English Canadian film since 1981, earning $5.3 million at the box office in its Canadian theatrical release, with sales to more than 40 international territories.
As head of Equinoxe Films since 1996, film industry veteran Michael Mosca has played a pivotal role in the leadership and profitability of the company's various divisions. Under his guidance, the company acquires, produces and distributes motion pictures domestically and internationally. With a new streamlined corporate structure and vertical integration, Equinoxe Films is well positioned to maximize results in its two major sectors: Equinoxe Distribution and Equinoxe Productions.
EQUINOXE PRODUCTIONS was formed in 2004 through Equinoxe's association with the highly regarded production company, Lyla Films, which produced the Genie nominated film Les Muses orphelines, the 2001 Prix Gémeaux winning documentary Lauzon Lauzone and Camping Sauvage. This division creates, develops and produces film and television projects, from concept stage to delivery. It also provides development and production funding for independent producers and provides producing and executive producing services and supervision.
EQUINOXE Productions recently completed principal photography on the feature A Sunday in Kigali, based on Gil Courtemanche's award-winning novel, set against the backdrop of the Rwandan genocide. Directed by Robert Favreau and produced by Lyse Lafontaine and Michael Mosca, the film romantic drama will be released in 2006. Also shooting in 2005 is La Belle Bête, the big screen adaptation of the novel by Marie-Clair Blais, directed by Karim Hussain and starring Caroline Dhavernas (Wonderfalls) and Carole Laure.
Through the acquisition of rights to acquired product and through associations with several U.S. and international film distribution companies, and complemented by films from its own film productions, Equinoxe Films is assured of a constant supply of quality pictures. The 2006 release slate includes Beowulf & Grendel, La Belle Bête, A Sunday in Kigali and Little Fish, directed by Rowan Wood and starring Cate Blanchett and Hugo Weaving.


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There is a lot of hoo haa, at the moment, about the economic implications of digital books for writers. Is a lower royalty for an e-book fair?
Fair pricing is a work in progress. With a paper book the author gets a percentage of the list price. With an e-book it's a percentage of the price received by the publisher. When a paper book is remaindered, you get nothing. But there is no such thing as 'remaindered' e-books - so, how is it all going to work out? Suppose I sell 1,000 copies of a paper book and they've printed 5,000 and remainder the other 4,000: 4,000 people get the book; I get nothing; the publisher gets cost. Is that better or worse than 4,000 copies of an e-book for which I receive a smaller amount for each one sold? We simply don't know yet. It's like asking in the early days of motorcars, "Do you agree with eight-lane speedways?" Well, no one had even thought of them. They couldn't imagine them, or visualize them in any way.
Yet publishers and booksellers are allowing themselves to imagine a nightmarish world in which they are irrelevant - where technology companies which distribute e-books, such as Amazon, Sony, Google and Apple, also take over the choosing and the selling of books. Gail Rebuck, the chief executive of Random House in the U.K., recently described her "idea of hell" as a website 'with 80,000 self-published works on it' - a world where publishers and bookshops are replaced by a sort of online, super slush pile. Despite these fears, many smaller, independent publishers have had a few very profitable years, perhaps as a result of concentrating their focus on the books themselves and allowing the hyperbole of the yet-to-come iPod moment for books to simply see itself out.
Well, it's the Mad Hatter's Tea Party. Everybody moves round a place. So the Book of the Month Club disappears and something else takes its share of the market. And then big publishers get in trouble and cut back, and that creates space for other publishers to acquire books they otherwise wouldn't have been able to get.
As publishing's obsession with the digital revolution grows, do you think there is a forgetfulness that it's actually the writer who keeps this business going?
Sure, people sit there putting words on the page, and some of them make a lot of money for their publishers and others create huge losses because the publishers placed their bets wrong. When people say publishing is a business - actually it's not quite a business. It's part gambling and part arts and crafts, with a business component. It's not like any other business, and that's why when standard businessmen go into publishing and think, "Right, I'm going to clean this up, rationalize it and make it work like a real business," two years later you find they're bald because they've torn out all their hair. And then you say to them, "It's not like selling beer. It's not like selling a case of this and a case of that and doing a campaign that works for all of the beer." You're selling one book - not even one author any more. Those days are gone, when you sold, let's say, "Graham Greene" almost like a brand. You're selling one book, and each copy of that book has to be bought by one reader and each reading of that book is by one unique individual. It's very specific.
What are your thoughts on paywalls and the decision that many newspapers have taken to make their content free?
This is a big topic, but let's just say that in nature there's no free lunch so somebody's paying for it somewhere and the question is, 'Who?' If I do some writing and I put it on the Net and everybody else reads it for nothing, then I have actually paid for it, because it's my time, my crappy little lunch that I've eaten to keep myself alive, my Internet communication - I've paid for that. It's actually not free. How the primary creators are going to get remunerated - that's the issue, and music has already hit that wall. I think people are more inclined to pay for a book, though, because they're more likely to think it represents work - work by them, because it takes longer to read a book than it does to listen to an MP3.Report Typo/Error
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Vodafone has agreed a deal with mini laptop manufacturer Dell to include its mobile broadband in the new Inspiron Mini 9. Users will have instant broadband access wherever they are without the need of wires or an additional modem, providing quick and easy access to video and music downloads, web browsing and instant messaging. Sporting a slick piano finish, the Inspiron Mini 9 is impressively thin, with a weight of 1.035kg. Other features include an 8.9-inch glossy LED display (1024x600), a sealed keyboard and a built-in webcam.
The Dell Inspiron Mini 9 is expected to be available in the next few weeks, exclusively through Vodafone stores and online, as well as direct from Dell. Although details of pricing and country availability are yet to be confirmed, Dell's UK website is advertising the device from £299 (including VAT).


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Sorry about this being a bit late, but here goes:
My list of seen movies this month. Some of them are old movies I never saw, and some are movies I saw at the cinema, you'll understand which one's are which.
- Filmer:
- Princ Caspian
- The Happenening
- Breakfast at tiffanys
- Hencock
- Mamma mia
- Three men and a baby
- Three men and a young lady
- Shooter
- The Dark Knight
- Kung fu Panda
I have no choise but to say that The Dark Knight is the best movie i saw this month. It was so good i had to write a post about it 😛
Just to say a big about the other movies as well:
Mamma Mia was sweet, you went out of the cinema with a happy feeling. 🙂 Worth a watch!
Hancock, I loved it. Will Smith is cool. Kind of a "the incredibles" in a non-animation style 😉
Shooter, exciting, thrilling, twists and turns. Really cool!
The Happening, not worth watching. The only cool thing about it, is the way people die…
Kung Fu Panda, Quite funny movie, but with a small plot i though. You laugh pretty hard some places 😉
The links are to Imdb, if you are not femiliar with this site, you should click it and you will love it. Everything about every movie ever made is there. All actors and everything! Love it.
And btw, The Darkn Knight is #1 at imdb's top 250 list, it actually topped the God Father 😉 haha, thats awesome!


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text: 4. As of noon trading, Air Products & Chemicals ( APD) is down $0.92 (-0.8%) to $107.07 on light volume. Thus far, 454,451 shares of Air Products & Chemicals exchanged hands as compared to its average daily volume of 1.9 million shares. The stock has ranged in price between $106.26-$107.89 after having opened the day at $107.83 as compared to the previous trading day's close of $107.99. Air Products and Chemicals, Inc. provides atmospheric gases, process and specialty gases, performance materials, equipment, and services worldwide. Air Products & Chemicals has a market cap of $22.3 billion and is part of the basic materials sector. Shares are up 26.3% year to date as of the close of trading on Monday. Currently there are 8 analysts that rate Air Products & Chemicals a buy, 1 analyst rates it a sell, and 9 rate it a hold. TheStreet Ratings rates Air Products & Chemicals as a buy. The company's strengths can be seen in multiple areas, such as its revenue growth, solid stock price performance, expanding profit margins and reasonable valuation levels. We feel these strengths outweigh the fact that the company has had sub par growth in net income. Get the full Air Products & Chemicals Ratings Report now. STOCKS TO BUY: TheStreet Quant Ratings has identified a handful of stocks that can potentially TRIPLE in the next 12-months. Learn more.


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Khanqah-e-Shahbazia, Bhagalpur
Khangah-E-Shahbszia is one of the most sacred pilgrimage site for the Muslims from the time of...More
Maharshi Mehi Ashram, Bhagalpur
Maharshi Mehi Ashram is situated along the river side. Kuppaghat, Bhagalpur has grown into a...More
Mandar Parvat, Bhagalpur
Mandar Parvat is a small mountain of a height of about 700 ft high. The mountain is widely known...More
Mount Mandara, Bhagalpur
Mount Mandara is the name of a mountain which is an integral part of the Samudra manthan...More
Vikramshila Gangetic Dolphin Sanctuary, Bhagalpur
Vikramshila Gangetic Dolphin Sanctuary's major attraction is the Gangetic Dolphins called...More
Vikramshila University, Bhagalpur
Vikramaśīla University was one of the two most important set of Buddhist learning in ancient...More
Ajgaivinath Dham, Bhagalpur
Ajgaivinath temple commonly known as Gaibinath Mahadeo is one of the most important temple of...More
Dargah of Ghuran Sah Pir Baba, Bhagalpur
Dargah of Ghuran sah Pir Baba located near the Kutchery Chowk is extremely popular among...More
Kuppaghat, Bhagalpur
Kuppa signifies "cave or tunnel" and Ghat "a place on the river bank", which is located on the...More
Vikramshila Setu, Bhagalpur
Vikramshila Setu is a bridge built across the Ganges and is named after Vikramaśīla University,...More


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Why Get Kids Cooking? – Emma Button
May 23, 2013
Today we have a guest post from Emma Button. Emma's blog Mellow Mummy features insightful information for parents about teaching their children the fun aspects of cooking.
My daughters have been helping me out in the kitchen since they were old enough to sit upright and grasp a spoon between their tiny fingers. For me and my children, cookery is more than a daily grind to make sure there are meals on the table – cooking is a social, educational and most importantly FUN activity in which the whole family can get involved.
The educational value of getting kids cooking hasn't gone unnoticed. Pizza Express school visits have long been an opportunity for groups of school children to learn the basics about health and safety in the kitchen and to begin to understand the value of fresh ingredients and the origins of the food that might appear on their plate in a restaurant.
Cooking at home with my children is also a great place to explore basic science, maths and creative skills. When I am cooking with my girls, they enjoy it so much that they don't even realise they are learning along the way.
Take this weekend… my 3 year old daughter helped me bake her baby sister's first birthday cake. She weighed and measured all the ingredients which is a great opportunity for learning first numbers, comparing weights and measures and developing accuracy. Next she mixed them together which is not only fun AND messy but also teaches her about the transformations that take place when you add different ingredients together. Finally we created a cake masterpiece with icing and sprinkles which encourages her crafty and creative side. When the candles were blown out on I could see my daughter oozing with pride – it was very tasty too.
This year Pizza Express aim to inspire a generation of children to get into the kitchen through their partnership with The Children's Food Trust. The #GettingKidsCooking campaign features a series of online activities such as cookery competitions to encourage you and your children to start cooking at home.


text: Sorting type: Most visited Most visited Alphabetical | The following is a list of DVDs released in the "Best of Friends" series. Pages in category "Best of Friends Volumes" The Best of Friends, Vol. 2 The Best of Friends, Vol. 3 The Best of Friends, Vol. 1 The Best of Friends, Vol. 4 Retrieved from "http://friends.wikia.com/wiki/Category:Best_of_Friends_Volumes?oldid=46588" Ad blocker interference detected! Wikia is a free-to-use site that makes money from advertising. We have a modified experience for viewers using ad blockers Wikia is not accessible if you've made further modifications. Remove the custom ad blocker rule(s) and the page will load as expected. Categories: DVDs


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Old White Tow Truck
painting by artist Kay Smith
15 in X 11 in (38.1 cm X 27.9 cm)
This painting is already sold. However, I may have other paintings available.
More Paintings by Kay Smith
More in Transportation Paintings
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Keyword Tags
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The Daily Painters Art Gallery - www.dailypainters.com
© 2017 Daily Painters Gallery. All artwork is copyrighted by the individual artists.
Images may not be reproduced without the permission of the artist.


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Am I Registered To Vote In Texas
November 2, 2010 by USA Post
Am I Registered To Vote In Texas, Anyone registered to vote. To see if you are registered, visit the Texas Secretary of State at www.sos.state.tx.us. You can also check your polling station on this site.
Voters will select members of Congress, a governor, five other statewide officers, legislators, members of the Council of State Education, judges and county officials, and voting proposals, including a proposal 90 million and Austin transport link.
For more information on all the races of Central Texas, review the guide to Statesman voters www.statesman.com / virtualcapitol. You can even take it with you to the polls.
Voting locations are open 7:00 to 7:00 p.m. (Anyone in line at 19 hours will be allowed to vote.)
Contact your county elections office for information on polling places.
Bastrop (512) 581-7160
Burnet (512) 715-5288
Caldwell (512) 398-1830
Hays (512) 393-7310
Llano (325) 247-5425
Travis (512) 854-4996
Williamson (512) 943-1630
Bring your voter registration card to the polls or any other valid identification: driver's license, Department of Public Safety identification card, other photo ID, birth certificate, citizenship certificate, U.S. passport, official mail addressed to you by a public entity or a copy of a current utility bill, bank statement, check or other document that shows your name and address.
An election official verifies your identity and then gives you a ballot paper or, for an electronic voting machine, a number or an activator of voting card that lets you vote on the machine.
Please feel free to send if you have any questions regarding this post , you can contact on
Disclaimer: The views expressed on this site are that of the authors and not necessarily that of U.S.S.POST.


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Tropical Storm Andrea is expected to bring more rainfall and the potential for flooding today as it passes near the Augusta area.
The storm could drop 2 to 4 inches of rain across the area today before it moves north, said National Weather Service forecaster Mike Proud.
The rainfall should start to lighten by late morning and into the afternoon, Proud said.
Proud said flooding remains the top concern. Winds should remain at about 15 mph, with gusts up to 25 mph, he said.
"The worst of it is probably going to be on the southern side of the CSRA," Proud said. "You're probably going to get more rain and more wind as you go from Augusta to Charleston along the coast."
A flood watch remains in effect for the area through 8 p.m. today.


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- footgear
- noun Date: 1837 footwear
New Collegiate Dictionary. 2001.
New Collegiate Dictionary. 2001.
footgear — [foot′gir΄] n. covering for the feet; shoes, boots, etc … English World dictionary
footgear — /ˈfʊtgɪə/ (say footgear) noun → footwear … Australian English dictionary
footgear — /foot gear /, n. covering for the feet, as shoes, boots, etc. [1830 40; FOOT + GEAR] * * * … Universalium
footgear — noun sturdy footwear … Wiktionary
footgear — n. anything worn on the feet, covering for the feet (i.e. shoes, socks, etc.) … English contemporary dictionary
footgear — foot•gear [[t]ˈfʊtˌgɪər[/t]] n. clo footwear • Etymology: 1830–40 … From formal English to slang
footgear — noun covering for a person s feet • Syn: ↑footwear • Hypernyms: ↑covering • Hyponyms: ↑boot, ↑clog, ↑geta, ↑patten, ↑ … Useful english dictionary
Order of the Spur — For the Papal chivalric order, see Order of the Golden Spur. For the related tradition of the stetson, see Cavalry stetson. Order of the Spur Certificate for induction into the Order of the Spur for combat action in Tal Afar … Wikipedia
Platform shoe — Platform shoes are shoes, boots, or sandals with thick soles, often made of cork, plastic, rubber, or wood (wooden soled platform shoes are technically also clogs). They have been worn in various cultures since ancient times for fashion or for… … Wikipedia
Munchkin (card game) — For other uses, see Munchkin (disambiguation). Munchkin (card game) Box cover Players 3 6 Age range 12+ Setup time 5 minutes … Wikipedia


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M&T Bank North Syracuse/South Main Branch
507 South Main Street, North Syracuse, NY 13212Get Directions
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Tell us what type of account you'd like help with, and get matched with a personalized savings, checking, CD or mortgage account.
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You can set personal preferences at your bank's ATM so it won't ask you things like what language you prefer or if you need a receipt.
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text: NEW YORK ( TheStreet) -- Even before President Obama took the oath of office, health care providers were pummeled by reform speculation. As public support of health care measures has wavered, however, healthcare providers and the ETFs that track them may have a chance to rebound. The iShares Dow Jones U.S. Healthcare Providers ETF ( IHF) (IHF), which counts United Health Group ( UNH), Aetna ( AET), Quest Diagnostics ( DGX) and Cigna ( CI) as top components, and the thinly traded PowerShares Dynamic Healthcare Services ( PTJ) have been two of the worst performing healthcare ETFs in the past 18 months. During that period PTJ has lost close to 25% of its value, while IHF has lost more than 10%. While other health care ETFs like iShares Dow Jones U.S. Medical Devices ( IHI) and PowerShares Dynamic Healthcare ( PTH) have had similar returns to IHF, pharma and biotech ETFs have seen a wider range of results. iShares Dow Jones U.S. Pharmaceuticals ( IHE) and First Trust NYSE Biotech ( FBT) saw small gains. This trend for providers could reverse, as voters turn their backs on the ambitious healthcare overhaul. Most recently, Democratic candidates in New Jersey and Virginia fell to their Republican challengers, a sign of voter dissatisfaction with the Obama administration's policies. Recently, IHF and PTJ are showing signs of a rebound. For the three-month period ended Nov. 5, IHF has jumped 8.67% while PTJ climbed 5.37%. The road to positive territory for these health care provider funds has been difficult. IHF was hammered in the autumn of 2008 as Barack Obama looked increasingly likely to win the presidency, because this sector is in the crosshairs of government reform. Under a worst-case scenario, most of the companies in this ETF could be legislated out of existence under a universal health care plan. Thus, in the wake of Obama's election, shares tumbled and set a low that would not be surpassed until the following March.


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Anyone who operates a Jeep knows that when it comes to maintaining their automobile only the most superior replacement parts will do. It's not a regular occurrence that you find yourself in need of a replacement Drive & Serpentine Belt to repair your car or truck. Jeep car, truck, or SUV owners have grown accustomed to a certain level of ruggedness when driving their Universal around town. Car aficionados appreciate the a variety of optional equipment built into each Jeep, and know that only the highest quality repair Universal parts will suffice when your car or truck needs fixing.
Your engine's accessories would not function properly without the use of your serpentine or drive belts. Your Jeep Universal drive or serpentine belts are essentially siphoning power from the crank and sending it to the various accessory pulleys. Due to the pressure these belts are operating under, they run the risk of suddenly breaking or wearing down over time; potentially leaving your engine without the use of its alternator, water pump, or more. Jeep Universal engines with just one belt that joins all of the accessories to the crank pulley have a serpentine belt, while more than one would all be called drive belts.
When your Jeep requires the best replacement Drive & Serpentine Belt, there's no need to trust any store other than the authority, Car Parts Discount. Get your Universal back on the road with the highest quality replacement parts from the experts at Car Parts Discount. Don't let a Drive & Serpentine Belt repair spell the end of your car, truck, or SUV, and don't gamble with its condition by using anything but the best repair parts. Need 1967, 1966, 1965, 1964, 1963, 1962, 1961 Jeep Universal Drive & Serpentine Belt parts? We've got them right here.


text:
Butterick Pattern 2535 Vintage 60s Proportioned Sheath Dress for sizes 10, bust 31. This includes this slim skirt, with three sleeve lengths, three different necklines and those figure defining waist darts.
Links to reviews/blog posts Edit
Sources/Vendors Edit
Gallery Edit
[insert your photos of this pattern made up]
Wishlist Edit
[insert your username, and make sure your preferences allow for people to contact you via e-mail. Do not list your email address here!]


text:
Here's a preview of Louis Vuitton's upcoming book, Louis Vuitton: 100 Legendary Trunks. This new book showcases the definitive history of Louis Vuitton's famed trunks having both luxury and practicality. Featured are many incredible pieces (with more than 800 photographs) along with the equally incredible stories of their creation. Pieces included in the book are trunks made for movie stars from Douglas Fairbanks to Sharon Stone and couturiers from Jeanne Lanvin to Karl Lagerfeld, as well as cases designed for Ernest Hemingway, Leopold Stokowski, and Damien Hirst, and many more.
Curated by authors Pierre Léonforte and Éric Pujalet-Plaà, Louis Vuitton: 100 Legendary Trunks will be available on October 2010. I WANT A COPY!
UPDATE: Louis Vuitton: 100 Legendary Trunks
Video via Louis Vuitton


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Scientists, nutritionists, health and farming experts all agree that consumers should not rely on the Environmental Working Group's "Dirty Dozen" list when deciding which fruits and vegetables to purchase, says the Alliance for Food and Farming in a press release.
Instead, consumers should simply follow the advice of health experts everywhere and eat more conventionally and organically grown fruits and vegetables since both farming methods produce very safe foods.
In fact, recent consumer research has shown that EWG's Dirty Dozen list is actually causing some people to consider dismissing this "eat more" advice from health officials. Read on to see a dozen reasons NOT to use EWG's "Dirty Dozen" list.
- After hearing EWG statements about the "Dirty Dozen" list, almost 10 percent of low income consumers stated that they would reduce their consumption of fruits and vegetables. Scared Fat: Are Consumers Being Scared Away from Healthy Foods? Alliance for Food and Farming Report, June 2012
- EWG contradicts themselves. "To be on the safer side, I'd pick the organic blue berries or bell peppers that had never been doused in toxic pesticides. EWG does believe that both the organic and conventional versions of all produce on the market are safe to eat." Alex Formuzis, Vice President, EWG. Huffington Post, May 2012.
- "You don't have to eat organic to eat healthily. Eating real food, whether it's organic or not, is going to do a lot for your health. Any apple is good for you." Michael Pollan, Best Selling Author, Professor of Science and Environmental Journalism, University of California, Berkeley and Lecturer on Food, Agriculture, Health and the Environment. Boston Globe, January 2012.
- "For all of us involved in promoting better consumer health, increasing consumption of fruits and vegetables is among our main objectives. The benefits of consuming plenty of fruits and vegetables is absolutely indisputable. Consumers should eat both organic and conventionally grown produce without worrying about minute levels of pesticide residues." Dr. Carl Keen, Professor of Nutrition and Internal Medicine at University of California, Davis.
- "A focus on nutrition in general would be much more beneficial to human health than this misguided focus on extraordinarily small contamination levels of pesticides. Every chemical has toxicity, but it's all in the dose. The amount of pesticides present as residues on food is miniscule." Discovery News. Samuel Cohen, a pathologist with expertise in toxicology and carcinogenesis, University of Nebraska Medical Center. August 2011.
- "From a scientific perspective, however, the AFF (Alliance for Food and Farming) seems to be on solid ground. The EWG report cites not a single study to support a direct link between pesticide residue and health effects," James McWilliams. New York Times, October 2010.
- "A person would need to eat "so much (of the produce on the Dirty Dozen) you can't even imagine," Dr. Marion Nestle, Author and Professor of Nutrition, Food Studies and Public Health, New York University. Chicago Tribune, June 2011.
- "The methodology used to create the "Dirty Dozen" list does not appear to follow any established scientiï¬c procedures…The results from this study strongly suggest that consumer exposures to the ten most common pesticides found on the "Dirty Dozen" commodities are several orders of magnitude below levels required to cause any biological eï¬ect." Dr. Carl Winter, Professor of Toxicology, University of California, Davis. Journal of Toxicology Article: Dietary Exposure to Pesticide Residues from Commodities Alleged to Contain the Highest Contamination Levels. 2011.
- "The amount of pesticide residues that an average person ingests throughout an entire year is even less than the amount of those 'harmful' substances in one cup of coffee… Unfounded fears about the dangers of pesticide residues on fruit and vegetables may stop many consumers from buying these fresh, healthful foods. In response, some stores sell "organic" foods grown without synthetic pesticides, but these foods are much more expensive and out of reach of low-income populations. As a result people – especially those that are poor – may consume fewer fruits and vegetables." Dr. Bruce Ames, Professor Emeritus of Biochemistry and Molecular Biology, University of California, Berkeley. Member, National Academy of Sciences. Recipient , National Medal Of Science.
- "The 2010 Pesticide Data Program report confirms that food does not pose a safety concern based upon pesticide residues." United States Department of Agriculture Press Release. May 2012
- "You can reduce and often eliminate residues if they are present on fresh fruits and vegetables by following these simple tips: Wash produce with large amounts of cold or warm tap water, and scrub with a brush when appropriate; do not use soap." Federal Food and Drug Administration.
- "As long as they're eating proper portions, as long as half of their meal is fruits and vegetables alongside their lean proteins, whole grains and low-fat dairy, then we're good. It's as simple as that," First Lady Michelle Obama, ABC News, June 2011.


text:
67, rue De La Gauchetière O. (rue Clark) Send to Phone
514-866-3127 | Make Restaurant Reservations
OpenLunch & Dinner daily
- Dress code: Casual
- Kid-friendly
* Click here for rating key
Jardin De Jade Poon Kai Restaurant Restaurant Review: Jardin De Jade Poon Kai Restaurant is a traditional Chinese buffet in the heart of Chinatown. This local favorite serves standard dishes such as miso soup, barbecue pork and fried rice that are big on flavor and wallet-friendly. For the best quality and freshest dishes, look for the most recently restocked offerings. Good luck not indulging in the steamed buns, dumplings and sweet egg tarts.
Find out which restaurants and chefs top the list of GAYOT's 2016 Annual Restaurant Awards.


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- BATSMENRB4s6sSR12133092.302.4 he's got him! Fantastic comeback! Ntini hits the WACA pitch short of a length and gets the ball to rise and seam away from the left hander, Hayden pokes at it from his crease and gets an edge to Smith at first slip, easy catch for the South African captain, the change of line works immediately for Ntini, South Africa are stoked 14/1831517154.9650.5 Katich has missed a full toss and he's lbw! Morkel delivers a low full toss from round the wicket and angles it into the left-hander, Katich moves across his stumps to flick but misses, the ball thuds into the pad in front of middle, would it have missed leg? Close call, it might have clipped leg stump 164/42.5 Ponting goes first ball! Would you believe it! Ntini bowls a fuller ball on a length, he pitches it just outside off stump, Ponting goes hard at the ball off the front foot, he is looking to push on the off side but gets a thick edge to AB de Villiers who takes a low catch at gully 14/207000.005.2 Hussey's gone for a duck! He pushes forward at one that slants across him and gets a thick outside edge which flies low towards third slip, de Villiers dives forward and grabs it inches from the ground, terrific catch, what a fielder he is, Steyn's celebration is intense! 15/3621417043.9751.5 the double breakthrough! Clarke gives it away just before tea! He charges Harris and tries to go down the ground, he hits it with the inside part of the bat and lofts it straight to Smith who takes an easy catch at mid-on, he's thrilled, what a strike just before tea 166/557686083.8269.5 he's holed out this time! Harris tossed the ball up outside leg stump, Symonds tried to loft against the turn but this time he wasn't to the pitch of the ball because he hardly moved his feet, he hit the ball high in the air towards wide long-on, McKenzie ran to his right and took a well-judged catch 259/646684267.6480.4 caught in the deep! The new ball does it for South Africa! Ntini bowls a short and wide ball, Haddin goes after it and slashes, he slices it in the air towards deep backward point where Duminy holds the catch, yet another batsman gets caught in the deep after getting well set 298/729464063.0481.5 Lee is steyned. Kicks up from a length, 143 kmph delivery and the pace and the bounce off a length did the job. Lee stabbed it off the outside edge to gully. Gone. Eight down. 300 up. Runs and wickets. Lovely Test match day. 303/8not out30453066.6618241075.0088.6 Morkel strikes with the last ball of the day! Finally he bowls a yorker which smashes into Johnson's pad right in front of the stumps, that's plumb, South Africa end on a high after a frustrating few overs 341/923343067.6498.5 South Africa have finally taken the wicket! He bowls a full ball outside off stump, Siddle goes for the big drive and gets a faint edge through to Boucher who flings the ball in the air after taking an easy catch 375/10Extras15 (w 3, nb 5, lb 7)TOTAL375 all out (98.5 Overs, 435 minutes)
Bowling O M R W Econ M Ntini 19.5 1 72 4 3.63 DW Steyn 23.0 4 81 2 3.52 JH Kallis 15.0 2 65 0 4.33 M Morkel 20.0 1 80 2 4.00 PL Harris 21.0 2 70 2 3.33 Fall of wickets:1-14 (ML Hayden, 2.4 ov), 2-14 (RT Ponting, 2.5 ov), 3-15 (MEK Hussey, 5.2 ov), 4-164 (SM Katich, 50.5 ov), 5-166 (MJ Clarke, 51.5 ov), 6-259 (A Symonds, 69.5 ov), 7-298 (BJ Haddin, 80.4 ov), 8-303 (B Lee, 81.5 ov), 9-341 (MG Johnson, 88.6 ov), 10-375 (PM Siddle, 98.5 ov)
- BATSMENRB4s6sSR231006.457.6 what has McKenzie done? An unbelievable shot! Johnson bowls the ball short and wide outside off stump, McKenzie has been leaving those deliveries but this time he decides to play at it, he should have been cutting that but instead he tries to pull the ball from well outside off stump, he ends up hitting it tamely towards mid-off where Krejza runs to his right to take the simplest of catches 16/148946051.0632.3 massive wicket! The double blow! Johnson bowls a full ball outside off stump, Smith tries to drive away from his body without moving his feet and gets a thick inside edge back on to his stumps, Johnson sprints away in celebration, Australia are right back in this 110/331.1 bowled him! Lovely ball! Krejza loops the ball up outside off stump, drawing Amla forward with the flight, he beats the batsman in the air, pitches the ball outside off stump and spins it through the bat pad gap as Amla tries to whip it on the leg side, that turned a long way to hit the stumps 106/2631116156.7572.4 Johnson has another one and has brought Australia right back into the match once again! Kallis gets on to the front foot and fends at a length delivery which angles across him, the ball clips the outside edge and Haddin pouches another one to his right 237/5631307148.4670.4 got him! Johnson's been Australia's go to man today! He pitches on a good length in line with the stumps and slants it close to de Villiers' off stump, de Villiers pushes forward in defence but the ball moves across him and takes the outside edge, Haddin tumbles to his right and takes the catch 234/4111009.0974.1 He can! He sends down an awesome short ball to Duminy, it's supremely directed and has Duminy in its sights, Duminy tries to duck, he can't, he ends up fending at it awkwardly, the ball thuds into his glove and lobs up towards leg gully, Haddin runs across and takes an easy catch, Johnson has five! That might have hit him on the arm actually, it's a close call 238/626652040.0089.5 caught! Boucher tried to cut the ball through point but couldn't keep it down, the ball goes straight to Katich who takes the catch and the sprints off the field to get padded up, Australia lead by 94 runs 281/101100010.0076.3 Johnson has six! Another one falls! He follows up that superb bouncer with a slower ball, the length is full and the line is straight, Morkel closes the face of the bat too early and the ball hits the leading edge, it lobs up towards the off side and Krejza runs in from extra cover and slides to take the catch 241/703000.0076.6 gone! Amazing, simply stunning from Johnson! He fires in a length ball at Harris' pads, he turns the ball off the pads but it's in the air and there's a man at a shortish backward square leg, it goes straight to him and Krejza takes the catch 241/8891088.8880.4 Johnson's one step closer towards creating Australian history! He fires it the short ball right at Steyn's body, Steyn manages to get his head out of the way but leaves his glove sticking out, the ball hits it and lobs up towards Haddin who won't get too many catches that are easier than that 256/9not out5151033.33Extras17 (w 5, nb 7, lb 5)TOTAL281 all out (89.5 Overs, 387 minutes)
Bowling O M R W Econ B Lee 21.0 3 59 0 2.80 MG Johnson 24.0 4 61 8 2.54 JJ Krejza 25.0 2 102 1 4.08 PM Siddle 16.5 5 44 1 2.61 A Symonds 3.0 1 10 0 3.33 Fall of wickets:1-16 (ND McKenzie, 7.6 ov), 2-106 (HM Amla, 31.1 ov), 3-110 (GC Smith, 32.3 ov), 4-234 (AB de Villiers, 70.4 ov), 5-237 (JH Kallis, 72.4 ov), 6-238 (JP Duminy, 74.1 ov), 7-241 (M Morkel, 76.3 ov), 8-241 (PL Harris, 76.6 ov), 9-256 (DW Steyn, 80.4 ov), 10-281 (MV Boucher, 89.5 ov)
- BATSMENRB4s6sSR4221018.188.3 caught and bowled! Steyn gets his man, he bowls a quick and straight delivery on middle and leg stump, Hayden tries to flick but misses, the ball thuds into his pad, only his pad, and pops back to the bowler, Steyn catches it and appeals, Aleem Dar raises the finger, loud resounding boos after the replays are shown on screen, that looked like it was just off the pad 25/137553067.2716.1 caught! Kallis has forced the edge! He pitches the ball on a good length just outside off stump and seams it away from Katich who drives away from his body without moving his feet, Boucher dives to his left to take a low catch 59/232554058.1826.4 caught! Harris followed up the spinning delivery with the arm ball, Ponting moved towards the leg side to play the ball on the off, he thought the ball would turn, when it didn't he ended up prodding at it, the ball bounced a bit more as well and took the edge, Boucher threw it up in glee 88/38350022.8527.5 bowled him! Hussey's mis-timed a couple of pulls from Ntini and he tries to play the shot again, the length isn't short enough and he bottom edges it from outside off on to his stumps, he's knocked one out of the ground 88/425672037.3150.6 caught at slip! The ball was there to be hit, it was short and wide outside off stump, Clarke freed his arms and tried to cut it over point, he got a thick outside edge straight to Kallis at first slip, it flew to him quickly at chest height and he took it well 148/537972138.1458.1 gone!! flighted on leg stump, inviting the batsman to drive, Symonds steps out and looks to loft that over mid-on, fails to connect well and finds Graeme Smith who takes the simplest of catches running to his left. Australia are six down now and South Africa are well and truly back in this. 157/6941367469.1196.6 stumped! Haddin charges once again to hit the ball down the ground, he finally misses a delivery and Boucher completes an easy stumping, Haddin falls six short of a century, he's played a magnificent innings, extending the lead from 256, when Lee fell, to 413 319/10561083.3359.5 what a catch!!! an absolute stunner. short of a good length outside off, Lee gets on the back foot to guide that past point, gets the outside edge and de Villiers dives full length to his left at second slip to pluck it out of thin air with both hands. Australia seven down now. 162/732635050.7979.4 stunning catch! By who else but AB de Villiers! Kallis angles a full ball into the right-hander, Krejza tries to drive off the front foot but the bat turns in his hand and he slices the ball off the face towards point, de Villiers leaps to his right at full stretch and takes the catch with both hands inches off the ground, what a sight! Terrific effort 241/821353060.0088.3 Morkel's done it! He bowled a full ball outside off stump, Johnson lined it up and tried to play the big drive, he got a thick outside edge which flew quickly towards Kallis who took it well towards his left at second slip, South Africa's catching has been outstanding 278/9not out4180022.22Extras20 (b 4, w 2, nb 7, lb 7)TOTAL319 all out (97 Overs, 427 minutes)
Bowling O M R W Econ DW Steyn 19.0 3 81 2 4.26 M Ntini 21.0 2 76 1 3.61 PL Harris 27.0 3 85 3 3.14 JH Kallis 14.0 4 24 3 1.71 M Morkel 16.0 4 42 1 2.62 Fall of wickets:1-25 (ML Hayden, 8.3 ov), 2-59 (SM Katich, 16.1 ov), 3-88 (RT Ponting, 26.4 ov), 4-88 (MEK Hussey, 27.5 ov), 5-148 (MJ Clarke, 50.6 ov), 6-157 (A Symonds, 58.1 ov), 7-162 (B Lee, 59.5 ov), 8-241 (JJ Krejza, 79.4 ov), 9-278 (MG Johnson, 88.3 ov), 10-319 (BJ Haddin, 96.6 ov)
- BATSMENRB4s6sSR10814713073.4650.2 gone! Johnson takes his tenth wicket of the match. Slower ball bowled full on middle and leg, Smith tries to work it away on the on-side and is struck on the pads in line with the stumps. The umpire had no hesitation whatsoever. He departs for a superb 108 after giving his team a realistic chance of pulling this off 172/210521019.2314.3 Johnson has his ninth of the match! He pitches the ball on a good length in line with the stumps and cuts the ball across the right-hander, the movement is just enough to find the edge of McKenzie's forward push, Haddin dives to his right and takes a low catch, he's having a super match as well, the ball was similar to the ones that got Kallis and de Villiers in the first innings 19/1531126047.3253.2 got him! Lee gets his first wicket of the Test! He follows up the bouncer with a full ball, Amla should have played forward but he pushed at it from the crease, the pitched around off and seamed ever so slightly away from the right-hander, taking the edge through to Haddin 179/3571064253.7785.3 Australia have the wicket! The game's open again! Johnson bowls a full and wide ball outside off stump, Kallis chases it and drives, he edges it in the air towards Hussey at gully, that ball was racing towards him but Hussey caught it easily, that's Johnson's 11th wicket of the match 303/4not out1061869056.98not out501194142.010000-0000-0000-0000-0000-Extras30 (b 13, w 2, nb 6, lb 9)TOTAL414/4 (119.2 Overs, 517 minutes)
Bowling O M R W Econ B Lee 27.0 4 73 1 2.70 MG Johnson 34.2 5 98 3 2.85 PM Siddle 26.0 2 84 0 3.23 JJ Krejza 24.0 2 102 0 4.25 MJ Clarke 8.0 0 35 0 4.37 Fall of wickets:1-19 (ND McKenzie, 14.3 ov), 2-172 (GC Smith, 50.2 ov), 3-179 (HM Amla, 53.2 ov), 4-303 (JH Kallis, 85.3 ov)
Match Details
- W.A.C.A. Ground, Perth
Player of the match
Test debut
TV Umpires
Reserve Umpire
Match Referee
Sponsored Headlines
Match CoverageAll Match News
Elgar's best, Duminy's second-best
All the key numbers from the third day of the WACA Test, where Dean Elgar and JP Duminy starred at the venue where they debuted
|South Africa INNINGS
|GC Smith
|ND McKenzie
|caught wk
|HM Amla
|caught wk
|JH Kallis
|AB de Villiers
|not out
|JP Duminy
|not out
|MV Boucher
|M Morkel
|M Ntini
|DW Steyn
|PL Harris
|(b 13, lb 9, w 2, nb 6)
|414 (4 wkts; 119.2 ovs)


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Catholic Charities Diocese of Fresno Catholic Charities Diocese of Fresno
Here's a sample of our volunteer opportunities:VIEW AS
Mission Statement
"Respecting the presence of God among us, we serve, advocate for and empower those in need"
The Catholic Charities Diocese of Fresno/Senior Companion Program is seeking the following: Individuals who are at least 55 years of age or older, meet the income requirements of the program, want to volunteer in partner agencies in the community who facilitate the placement of persons in the homes of the elderly and frail to keep them in their home as long as possible, Senior Companions assist in a wide range of areas including: light meal preparation, shopping, light household tasks, respite care , and offer their friendship and companionship. Able to help clients maintain a happy healthy independent lives. Training takes place twice a year, Applications are available upon request. Senior Companion Volunteers earn a modest non-taxable stipend, transportation allowance, for an average of 20 hours of volunteer hours. Must be in good health, have valid identification, willing to undergo a background check and be fingerprinted. Please contact by phone or fax.
Ask for alan, lorraine or lena.
- alan lopes
- 559.498.6377
- Need admin access?
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text:
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CC364X #64X Premium Generic Toner (Two Pack)
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This Product is offered and supplied by Kogan Australia Pty Ltd pursuant to the Terms and Conditions.


text:
Using a form of smokeless tobacco called snuff is just as dangerous as cigarette smoking after a heart attack, according to a study published in the American Heart Association's journal, Circulation.
Snuff is a finely cut or powdered tobacco that has become increasingly popular in recent years, with the United States consuming 1.7 billion cans of snuff annually. Although the dangers of cigarette smoking are well documented, less is known about the impact of smokeless tobacco on outcomes, especially following a heart attack.
In search of answers, Swedish researchers compared outcomes of heart attack survivors who quit snuff use following a heart attack vs. those who continued snuff use following their cardiac event. Sweden has the highest snuff use worldwide, with 20% of men and 3% of women using snuff on a daily basis.
Between 2005 and 2009, researchers identified nearly 2,500 heart attack patients who used snuff. After suffering a heart attack, less than one-third of patients quit using snuff, while the majority of patients continued use. After following patients for more than two years, researchers found that snuff users had twice the mortality risk of those who quit. In other words, quitting snuff cut heart attack survivors' risk of death in half in the years following their event.
Tom has had two heart attacks triggered by familial hypercholesterolemia (FH). He has become a vocal and educated advocate for his disease and a positive example for his four children.
A heart attack during a work event changed David Wang's life. After working with his cardiologist and cardiac rehab team, David now celebrates "the gift of perspective."
Don Fick suffered a heart attack while on vacation with his family. After his heart attack, Don made cardiac rehab a priority in his recovery.
Kicking the habit is one of the best ways to improve overall health. Learn more »


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Hey Peppers,
I'm faced with an extremely odd issue that I can't quite figure out. An employee called me yesterday with a complaint that he was unable to connect to Google, Bing, Yahoo, and various other sites and search engines. The webpage would time out. I went about the normal business of figuring out why only search engines weren't loading: looking for a virus that didn't want anyone to get rid of it.
But here's the thing...his DNS settings are completely in-tact. His hosts file is completely in-tact (checked registry to make sure it wasn't looking for a rogue hosts file too). MalwareBytes, MSE, and other anti-viruses can't find a thing. I even jumped the gun on running ComboFix and it couldn't find any issues either.
But the thing is...the dns records for these sites all point to the same IP address: 220.127.116.11 . NSLookup says this is an Akamai CDN server. And that it's in France.
The workstation is configured to use Comcast DNS (22.214.171.124) primary and Google (126.96.36.199) secondary.
I cannot figure out for any reason what-so-ever why his DNS is being sketchy as it is.
Any ideas?
Edit: I haven't ruled out a rootkit infection, but so far I haven't been able to get a lock on it or anything with any type of scan. Also, the Akamai server I listed isn't in France it seems, but the UK. A tracert to it goes from Savannah, GA -> Jacksonville, FL -> Miami, FL -> New York -> Toronto, Canada -> France -> UK. I'm currently on location with my laptop and can access all these sites completely fine. As can the other workstations here. So it's not a routing issue.
Sep 23, 2011 at 11:43 UTC
Have you tried the Microsoft Standalone System Sweeper Tool
4 Replies
Sep 22, 2011 at 4:36 UTC
Have you tried Hijack this? If so, post part of the logs.
Sep 23, 2011 at 11:43 UTC
Have you tried the Microsoft Standalone System Sweeper Tool
Sep 23, 2011 at 12:59 UTC
In the end they just ended up reformatting the system...which is a shame because I really would like to know just what the hell was going on. But thank you for pointing out the system sweeper. I'll be sure to take a look at that next time something comes up.
Sep 23, 2011 at 1:02 UTC
Thanks for coming back and letting us know, good luck going forward.
This discussion has been inactive for over a year.
You may get a better answer to your question by starting a new discussion.


text:
Use this page to discuss script 5202 supersearch: source view plugin
- Add constructive comments, bug reports, or discuss improvements (see the guideline).
- Do not document the script here (the author should do that on vim.org).
- This page may be out of date: check the script's vim.org page above, and its release notes.
We just link to the script page in the heading so we don't duplicate the documentation. JohnBeckett (talk) 05:40, September 13, 2016 (UTC)