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Arduino MKR FOX 1200
Want to learn more?Getting Started
EU version only - US version not available yet
MKR FOX 1200 is a powerful board that combines the functionality of the ZERO and SigFox connectivity. It is the ideal solution for makers wanting to design IoT projects with minimal previous experience in networking having a low power device.
- Overview
- Tech Specs
- Documentation
Arduino MKR FOX 1200 has been designed to offer a practical and cost effective solution for makers seeking to add SigFox connectivity to their projects with minimal previous experience in networking. It is based on the Atmel SAMD21 and a ATA8520 SigFox module.
The design includes the ability to power the board using two 1.5V AA or AAA batteries or external 5V. Switching from one source to the other is done automatically. A good 32 bit computational power similar to the Zero board, the usual rich set of I/O interfaces, low power SigFox communication and the ease of use of the Arduino Software (IDE) for code development and programming. All these features make this board the preferred choice for the emerging IoT battery-powered projects in a compact form factor. The USB port can be used to supply power (5V) to the board. The Arduino MKR FOX 1200 is able to run with or without the batteries connected and has limited power consumption.
Warning: Unlike most Arduino & Genuino boards, the MKRFOX1200 runs at 3.3V. The maximum voltage that the I/O pins can tolerate is 3.3V. Applying voltages higher than 3.3V to any I/O pin could damage the board. While output to 5V digital devices is possible, bidirectional communication with 5V devices needs proper level shifting.
EU version only - US version not available yet
You can find here your board warranty informations.
Check your area coverage on the SigFox website
Getting Started
You can find in the Getting Started section all the information you need to configure your board, use the Arduino Software (IDE), and start tinker with coding and electronics. Full details and examples on how to use the SigFox interface are available in the SigFox Library reference page.
Need Help?
- On the Software on the Arduino Forum
- On Projects on the Arduino Forum
- On the Product itself through our Customer Support
Microcontroller SAMD21 Cortex-M0+ 32bit low power ARM MCU Board Power Supply (USB/VIN) 5V Supported Batteries(*) 2x AA or AAA Circuit Operating Voltage 3.3V Digital I/O Pins 8 PWM Pins 12 (0, 1, 2, 3, 4, 5, 6, 7, 8, 10, A3 - or 18 -, A4 -or 19) UART 1 SPI 1 I2C 1 Analog Input Pins 7 (ADC 8/10/12 bit) Analog Output Pins 1 (DAC 10 bit) External Interrupts 8 (0, 1, 4, 5, 6, 7, 8, A1 -or 16-, A2 - or 17) DC Current per I/O Pin 7 mA Flash Memory 256 KB SRAM 32 KB EEPROM no Clock Speed 32.768 kHz (RTC), 48 MHz LED_BUILTIN 6 Full-Speed USB Device and embedded Host LED_BUILTIN 6 Antenna power 2dB Carrier frequency 868 MHz Working region EU Lenght 67.64 mm Width 25 mm Weight 32 gr.
OSH: Schematics
The MKR FOX 1200 is open-source hardware! You can build your own board using the following files:
Download the pinout in PNG format
Check your area coverage on the SigFox websiteData planning
The MKR FOX 1200 price includes a subscription to the SigFox network for two years. The plan will be automatically activated after the fourth message has been sent. You can send up to 120 messages per day.
The MKR FOX 1200 is shipped with a GSM antenna that can be attached to the board with the micro UFL connector. If you want to change the antenna please check that it can accept frequencies in the SigFox's range (868 Mhz).
Batteries, Pins and board LEDs
Battery capacityThe connected batteries must have a nominal voltage of 1.5V
Battery connectorIf you want to connect a battery pack (2x AA or AAA) to your MKRFOX1200 use the screw terminal block.Polarity : as reported on the silk in the bottom of the board, positive pin is the closest to the USB connector
VinThis pin can be used to power the board with a regulated 5V source. If the power is fed through this pin, the USB power source is disconnected. This is the only way you can supply 5v (range is 5V to maximum 6V) to the board not using USB. This pin is an INPUT.
5VThis pin outputs 5V from the the board when powered from the USB connector or from the VIN pin of the board. It is unregulated and the voltage is taken directly from the inputs.
VCCThis pin outputs 3.3V through the on-board voltage regulator. This voltage is 3.3V if USB or VIN is used and equal to the series of the two batteries when they are used
LED ONThis LED is connected to the 5V input from either USB or VIN. It is not connected to the battery power. This means that it lits up when power is from USB or VIN, but stays off when the board is running on battery power. This maximizes the usage of the energy stored in the battery. It is therefore normal to have the board properly running on battery power without the LED ON being lit.
Onboard LEDOn MKR FOX 1200 the onboard LED is connected to D6 and not D13 as on the other boards. Blink example or other sketcthes that uses pin 13 for onboard LED may need to be changed to work properly.
Get Inspired
Use your MKR FOX 1200 as a movement trigger to keep an eye on your belongings.
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The famous connected button to order your favorite drink using Sigfox network.
- 3332 views
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- 12 respects


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What Style Spanx Should I Buy After a Full Tummy Tuck and Breast Lift?
Doctor Answers 9
Compression After Tummy Tuck
I generally tell patents to use compression garments and binders for three weeks following surgery.When drains are used we continue the use of binders for longer periods of time.It's interesting to note that when we discontinue the use of these devices, many patients continue to wear them.In some cases we switch to Spanx at this point in time.Patients feel that the extra support makes them feel more comfortable during activity.
Tummy Tuck Garments
If the garments are not pleasant to wear then patients will inevitably discontinue their use earlier than would be ideal. Some practices ask patients to purchase their own garments (I've even heard of patients being sent to Wal-Mart for this), which is leaving an important part of the postop care regimen in inexperienced hands. If a practice advises you to purchase your own compression garment, they are probably more interested in controlling costs than your postoperative comfort.
Learn more: http://www.michaellawmd.com/gallery/ab1.html
Surgical garments after tummy tuck
If you are in the immediate post-op period, this is an excellent question for your plastic surgeon. I individualize each patient, and decide during their recovery period which patients will benefit from wearing a post-surgical compression garment.
You might also like...
Garment to wear after a tummy tuck
Each surgeon has their own preferences. I have my patients wear a more substantially supportive (but not TOO tight) garment for a few weeks after a tummy tuck...the same type of garment a patient wears after liposuction. After a few weeks, I tell my patients that they are no longer required to wear support, but that they may find it helpful to "step down" to a lighter weight and more comfortable Spanx-type garment for an additional period of mild support and to control the chronic swelling that can occur for another few weeks. How long to wear that lighter garment I leave up to them...when they feel that it is no longer beneficial in providing comfort or controlling the mild swelling, then they stop wearing it.
Learn more: http://www.seattleplasticsurgery.com/abdominoplasty-surgery.html
Post Surgical Garments For Abdominoplasty and Breast Surgery
For the first few weeks following a tummy tuck and breast lift a good supportive garment reduces bruising and swelling and reduces discomfort. There are a variety of companies that manufacture these specialty items and will even custom build them for unusual sizes or combinations of procedures. I like my patients to use Spanx or other garments of less compression around week three. Many people like this support for several months afterwards. The garments should cover the surgical areas and leave no constricting bands that might create a permanent crease.
Type of garment to wear after mommy makeover
I generally don't have my patients wear Spanx after mommy makeover, as I prefer a garment that provides even more compression. I generally have my patients wear an abdominal binder, which can be made progressively tighter as your swelling subsides, as well as either a surgical bra or a sports bra.
Hope this helps. Best of luck.
Learn more: http://drjdallasplasticsurgeon.com/body/mommy-makeover/
Spanx Type After Liposuction
Most important advise is to listen to your surgeon's advice as he best knows how much fat was removed, the elasticity that remains in your skin and amount of skin redundancy.
I recommend my patients wear their garments for a minimum of 3 weeks full time then for 12 hrs (day or night). if not a lot of redundant skin following liposuction to a maximum of 6 weeks. To be effective the garment needs to fit snug but not too tight as to cause pressure problems (inspect your skin if discomfort and when skin is exposed), or prevent you from sleeping. As the edema resolves it is common for patients to switch to a smaller garment that fits - A Spanx type garment would work rather than ordering one or paying more at your doctor;'s office.
Liposuction requires compression garments for three main reasons:
it restricts the amount of edema that forms and hastens its resolution by mechanical pressure
It decreases the amount of bruising
It assists the loose skin in retracting or shrinking
Learn more: http://drnichter.com/compression-garments-important-liposuction/
Garment to wear after Tummy Tuck
Most surgeons have their own preference as to what to wear after surgery. I provide my patients with an abdominal binder (that they will wear for 4 weeks after surgery) and then after that period of time, I have garments that are more comfortable but give extra support (such as Spanx). I have some links on my website of garments. I am sure you can find them online or in stores.
Learn more: http://www.poustiplasticsurgery.com/Procedures/procedure_tummytuck.htm
The Spanx Higher Power after tummy tuck
We like to transition into the Spanx Higher Power after tummy tuck as it will cover and support the full abdomen. You can find them on-line and it is good to go slightly smaller than you would normally wear.
Best of luck,
Learn more: http://www.peterejohnsonmd.com/tummy-tuck
These answers are for educational purposes and should not be relied upon as a substitute for medical advice you may receive from your physician. If you have a medical emergency, please call 911. These answers do not constitute or initiate a patient/doctor relationship.

subset: commoncrawl


text:
Three: Dmitri
"Get down here," Edward's voice said.
"I'm not on tonight."
"Get down here."
"Twenty minutes, maybe half an hour." Wondering what had Edward so worried, Martin closed his cell phone and got out of bed. He had planned on a light and leisurely breakfast and then back to bed. "Sorry," he said to the girl he was with. "I seem to be on call anyway, and they want me."
"Come back when you're done. We barely got started."
"No, let's reschedule this. I have no idea what's up or how long this will take. Is the night after tomorrow night OK?"
"So what's up?" Martin curbed his first impulse to complain: Edward was alone in the back room. Wherever Karelle and Galley were, it wasn't here. Clearly, Edward was in a temper.
"Jan is missing."
"We saw him yesterday. How missing is he?"
"He was due here at 7:00, and before you ask, he turned off his cell phone."
"It's 8:30, all right, almost 9:00, but still, that's late, not missing. Uh, have you talked to his parents?"
"I had Karelle call. His mother said he left Berkeley about 4:30."
"Why? Is traffic heavy?"
"Not coming in. He usually leaves about 5:45, to get here at 7:00."
"Let me talk to Karelle," Martin said. And, he thought, get some coffee and Cambells.
"So what else did Doktor Frau Doktor vanderWitt say?" Martin asked. He had found Karelle and Galley in the small kitchen, tucked away between the even smaller employees' lounge and the large dumbwaiter. He was getting a coffee tray ready as he spoke.
"Oh, a lot of stuff. Jan has been away from home a lot recently —the past three, three and a half, weeks— leaving early and coming home late. He's been riding his motorcycle, which worries her. He got admitted to some place back in the Hague, but he really wants to stay at Cal and he and his father are not speaking about it. Boy stuff, you know."
"It's been a while." Martin picked up the tray and returned to Edward.
"So what he's been doing is being away from home on his motorcycle, apparently before and after his stints here, and also at other times. That may be what he's doing now."
"But she doesn't know where? Or with whom?"
"No. Want some coffee?"
"No. Yes."
"Let me see his book."
"You've been patrolling with him," Edward said.
"I want to see what he thinks of what we saw." Martin went over to the book case, picked up Jan's incident book and, sitting at the table where his Cambells waited, began to read.
"He staked out Ann's house?"
"I told him to stop, that you were handling her."
"He's jealous of me, you know."
"What! Why?"
"He sees that you trust me enough to have me handle things on my own."
"That isn't how we work."
"Yeah, you and I know that. He may think you trust me more than you trust him. I think he's also jealous that you're even this interested in a woman." Martin poured himself a cup of coffee.
"She's a player! I'd be this interested in anyone as strong as she is."
"Which I think is a sensible and adult opinion, but one which a 17 year old can't yet appreciate. Come on, Edward, Jan still reacts on a personal and physical level. From his viewpoint, he thought he knew you, and suddenly you're paying attention to a woman; and not just an average woman, but a very beautiful one. He doesn't see her power, or the dangers she may represent, he sees her face."
"Right. The question is, did he stop when you told him to or did he just stop writing about it?" Martin opened his phone and hit the newest speed dial listing:
"Ann, I think I have a problem."
"Where are you?"
"The Lounge." His phone went dead. "I think she's coming," he told Edward.
"Dammit, Martin, I'm not sure this is a good idea."
"From what I saw last time, she's very patient with youngsters, even murderous ones. You and I might get yelled at, we're adults and we should know better, but I think she'll help us find Jan. I'm going to check the door — she may be here already."
She was. Karelle was back at her post and Ann Grove was talking to her. Martin saw Karelle notice him and a moment later, Ann turned around. She was wearing black jeans and a pale green turtleneck sweater, with her hair once more in braids around her head.
"What's the problem?" she asked directly.
"It's not immediate and it does require some explanation," he said. "I hope I didn't alarm you." He held the door to the back room open.
"You were equivocal. I tend to assume the worst. It makes playing catch-up so much easier."
"This is Edward Hopkins, who…"
"Who also was of great assistance at the fountain," Ann said helpfully as Martin hesitated. "How do you do?"
"The problem worrying us concerns the third person with us that night," Edward said.
"Ah," Ann said. "The very beautiful boy."
"Who is absent," Martin said.
"We were wondering if you knew where he was," Edward said, rushing it.
"No, he's stopped lurking around Russian Hill. I haven't seen him in almost a week."
"You noticed him," Martin said.
"Martin," Ann said. "Not only is he very beautiful, he has a BMW K1200LT, which is a very nice, not to mention uncommon, motorcycle."
"I hope you're not angry," Edward said.
"Only if you told him to watch me."
"It appears that was his own idea," Martin said.
"Ann, it's obvious that you are powerful. You claim to be not human, and I hope that's true."
"Why?" Ann interrupted to ask again.
"If you're lying about that, you may be lying about other things, including your intentions. If you're deluded, if you're human but crazy, your behavior may be irrational; and either way, you're still powerful."
"Very good," Ann said, smiling. "However, that statement is true, I am not human; further, my intentions toward you and your friends are not maleficent."
"We're glad to know that. Still, Edward and I have discussed you. We're curious about you, and how you may impact our two communities. That seems to have aroused Jan's interest."
"What is his name, anyway?"
"Jan vanderWitt."
"The son of the Crown's Poet at the Hague?"
"And the Nobel laurate," Edward said. "Them."
"Does that explain the van that showed up on Russian Hill whenever he did?"
"Who this week?" Martin asked Edward.
"I have no idea. Jan didn't mention it.
"Immaterial in any case," Ann said. "All right. How did he get my address?"
"Phone book, on his lap top."
Ann nodded approval. "Sensible and direct. Does he know anything else about me? Beyond what he saw, that is."
"Oh," Martin said. "Shit." He pulled out his own incident book and found the entry about the fountain. "Logan Powell Turner, Gillian Ferguson and that little magic shop on Grand."
"The Porsche," Edward said. "Turner's. Jan made a note of the plate. Apparently he saw the car when he went back for the lion's head."
"Clever boy," Ann said. "Clever boys are always trouble. Is he any good with his computer? Does he know how to search commercial and civic data bases?"
"He taught us."
"Figures," Ann said.
"From what he knows," Martin said, "he could discover the same data about Turner that he found out about you."
"Probably more. Logan is human, with a family and a history. Jan won't have much luck backtracking me. The only real data he has is what Martin reported and my address. Now, Gillian doesn't know anything, Logan isn't really a danger at the moment, at least not magically, but the little shop on Grand is unsavory, to say the least."
"Which Grand?" Martin asked.
"Yes. There are several Grands — streets, avenues, courts, all over the area," Edward said.
"Is Jan logical?"
"Yes and no," Martin said.
"Not always," Edward said.
"Right," Ann said. A piece of paper and a pen appeared on the table in front of her. As she wrote, she spoke: "The magic shop is in South San Francisco, 1550 Grand Street; Logan and Gillian both live in Woodside. Leave Gillian alone, she hasn't talked to Logan since they broke up in March and I don't want to alarm her parents again. If Jan's logical, he might try local shops first, and compared to Oakland or Fremont, South San Francisco is right next to Woodside, at least geographically."
She regarded the two men as she put down her pen. "Which of you is the more skilled at magic?"
Martin and Edward glanced at each other. "Well,…" Martin began.
"I thought so," Ann said. "There aren't even burn-before-capture spells on all these no doubt incredibly incriminating journals."
"Uh, no, there aren't," Edward said. "That sounds like a really good idea, though."
"And Jan?"
"He's never mentioned…" Martin's voice trailed off.
Ann regarded the two men again.
Martin and Edward had no trouble noticing that she displayed an increased level of annoyance.
"I will point out that your young student has gone off, alone and without leaving the customary trail of breadcrumbs, in a pursuit which might involve him with a murderous spoiled brat and an unknown but obviously very unsavory hustler, each of whom may be willing to employ magical tools against anyone who annoys them."
"Well, yes," Edward said. "That would seem to be the case."
"I find your instruction less than adequate," Ann Grove said, very mildly. "The only thing in your favor is that it is very difficult to keep ahead of someone as clever as Jan appears to be."
"He only fools us once," Martin said.
Ann considered him coolly for a moment, then nodded and changed the subject: "Martin, are you willing to accompany me?"
"Why?" Edward said.
"As a witness to my good, or at least neutral, intentions; and to reassure Jan, who may object to being rescued by me."
"Rescued?" Edward demanded quickly.
"Discovered," Ann said, "where he shouldn't be and told to go home. Teenagers are touchy."
"Where?" Martin asked.
"The shop first."
"It's open at this time of night?" Edward said.
"I have no idea," Ann said. "And it really doesn't matter."
"Surely," Martin said.
"Wait," Edward said, but his voice faded out along with the rest of the back room as Ann took Martin's hand.
"Did you miss?"
"We're going to look around first," Ann said.
They were on a commercial street, with many shops, both large and small. All the shops ahead of Martin were closed. He checked across the street, then turned and looked back. One shop was lit, with the steel shutters still up.
The sign said:
The shop was in the middle of the block, with closed businesses on both sides. The windows to the left of the door were hung with beveled and stained glass windows and panels, around and through which tables, chairs and a serving counter were visible, while the windows on the right showed only the backs of what Martin assumed were bookcases.
"A filthy, dimly lit, place for books?" Martin said.
Ann Grove laughed softly. "Exactly. The coffee and the pastries will be excellent, the antiques fake or stolen and the books…"
"Are not for children."
"How so?"
"They offer power without mentioning consequences. Reprehensible idea. Let's slip around the back. There seems to be an alley."
Around the end of the block, toward the entrance to the alley, they found Jan's motorcycle. Ann held out one finger. A small clear sphere appeared on the tip. Ann considered the bike then touched the tank. The ball disappeared into the metal.
Did she just bug the bike? Maybe. Am I going to tell anyone about it? Hell, no.
"I wish now I'd waylaid the boy on Russian Hill," Ann said. "I probably could find him if I'd ever touched him, even through these privacy spells."
"Privacy spells?"
"Commercial grade." She glanced around again. "I would have been interested in this place even if your friend wasn't here. I wonder…"
"Let's go in. I'm getting blurred impressions of five or six people."
"Is one of them Jan?"
"I can't tell. Of course, there could be forty vampires waiting in ambush in there, and I couldn't tell that, either."
"Why not?"
"The magic that keeps you alive and the magic I use aren't very compatible," Ann said. "My five physical senses can detect you, but I have problems sensing you otherwise."
Otherwise how? Never mind. "I haven't heard anything about this place, so I'd guess it isn't a vampire gathering spot."
"Just the same," Ann said, "put this in your pocket." She handed him another transparent sphere, like a clear marble.
"This what you put in Jan's bike?"
"Yes. It's a tag, I can find it anywhere on Earth. At this distance, I can keep track of you in a pitched battle in the dark. Come on." She headed down the alley.
"We're just going to burst in the back door?" Martin asked softly.
"Won't that annoy them?"
"Probably," Ann agreed. "And then they may try to kill us." She looked over at the vampire. "It's the company you keep."
"Nothing personal?"
"That's right."
"I just wanted to know," Martin said.
Ann grinned at him, and knocked on the back door.
The being who opened the door appeared to be composed of layers of crumbling adobe brick. Its face, from where the hair line would be on a human down to prominent ridges above the narrow slits that Martin assumed were eyes, was deeply furrowed. Its mouth was wide and straight, over a square chin. "A demon," Martin thought. There were horizontal creases in its neck, visible until it disappeared into the crew neck of a startlingly normal white cotton, short sleeved, T-shirt, a size too small. Its massive chest pulled horizontal wrinkles in the fabric.
The sides and top of the demon's head were smooth and hairless, while from the crown to the nape grew long shaggy, thick coarse hair, of an oily burnt sienna color. Martin didn't know if the rest of the head was naturally bald or if the door-opener kept it shaved, but the effect was of a mullet taken to really ugly extremes.
Ann stopped abruptly. Martin barged into her. Moving to avoid the vampire crowding her, Ann bumped her hip into the door, slamming it completely open against the rear wall. Martin stepped to his left. Ann glanced back at the door and stepped ahead and to Martin's right as she did so. They had the door-opener between them.
A single low-watt bulb on a cord directly above the door-opener cast the only light. From the door, there was an open space off to the right and ahead. To the left, Martin saw two five-drawer dressers stacked one on top of the other. About 18 inches in front of the two dressers were two pedestal tables, also stacked. Between the splayed feet of the upper table were Victorian glass domes, nearly a foot and a half high, covering a variety of displays and arrangements. Beside the tables, to Martin's left, there was a breakfront facing the back door and over it Martin saw the back of what was either a dresser in the very tall shaker style or the top dresser of yet another stack.
The open space around the door was actually quite small, about six foot square, but it was uncluttered and appeared spacious by comparison to the rest of the room.
"We've come about the motorcycle," Ann said.
"Is sold."
"Then we'll see the proprietor," Ann said.
"Is busy."
"Fetch her."
"You go. Now."
A silent movement in the dark behind Ann caught Martin's eye. "Behind you," he said.
Ann was already turning, a sword appearing in her hand as a twin of the door-opener stepped out of the darkness with a sword of its own.
Swords yet. Martin lost track of what Ann was doing because he focused on the door-opener as it drew a 9 millimeter automatic.
Right. He grabbed the weapon and the hand and twisted hard. The twist was easier than he expected. He dodged the door-opener's other fist which was coming at his face and hit its chin with his elbow.
The door-opener tried to knee him and Martin turned, blocking the knee and again twisting its hand. He kneed it in its stomach and hit its chin with his elbow again, finally taking the automatic and hitting it on the naked top of its head with the weapon. It began to sink to the floor. As Martin watched the first demon, the second demon fell past him to land on top of it. He scarcely noticed because he was watching the door-opener's right hand untwist a full turn and a half. Huh. He looked over at Ann, who was watching him with a small smile of approval. Her sword was bloody. He glanced over the second demon: it was bleeding from a slash across its sword arm and where an ear had been.
"Aaaaagh," it said.
"Oh, be quiet," Ann said. "You're a sputthe, you regenerate. Now, I want the proprietor, and I want her now."
"Eto starik!"
"Is not a her, is a him."
"Fine. Who is he?"
"Dmitri Romanov."
"Really? Dmitri Romanov! I want to talk to you!"
From the darkness behind her came the sound of a door opening. Keeping one eye on the pile of demons, Martin looked beyond Ann.
A large man, both tall and fat, and totally hairless, came forward. He was wearing a 16th century boyar's costume in figured purple velvet with cloth of gold and fur trim, which, Martin realized, looked very strange without the customary long beard and furry hat.
One surprise after another. Apparently she knows him. Since Ann seemed to be dealing with events in a satisfactory manner, Martin kept quiet and in the background.
Ofon'ka started off in Russian and Ann again insisted on English, saying: "In English, please, Ofonasii Liubinovich."
"As you say, Varvara Denisovna. This is quite like old times."
Varvara Denisovna?
"Why Dmitri Romanov?"
"Why not? The customers like it, and I use it with the help because otherwise they get confused. Why didn't you use the front door? It's more polite and it saves wear and tear on my stock and there is this tiny spell which announces who you are."
"Next time I will. At the moment, I've come looking for a young man."
"We haven't opened the bidding on that item yet," Dmitri said.
"Dmitri," Ann said, slowly. She frowned slightly.
"But there is no reason why we cannot arrange a private sale."
"You misunderstand. The boy is a friend of a friend, and I mean to return him."
"And you can't keep the motorcycle, either."
"A man must live, Varvara Denisovna!"
"I shall point out the obvious and remind you that you are not a man."
"Still!" Dmitri said with a wave his large hands.
"Where is the boy?"
"In my office." Dmitri seemed to deflate slightly.
"Show me."
Martin cleared his throat. Ann glanced back at him and the two sputthes on the floor beyond him. "Dmitri, do something about your help."
"Short of killing them, what do you suggest?"
"Whatever will keep them out of our way," Ann said.
"Begone. Go to your basement. Don't come back until you are presentable."
Ann nodded and waited while the two sputthes disappeared down one of the narrow aisles. Martin watched them go, then turned to Ann, who followed Dmitri as he returned to his office. Martin followed her; after a moment's consideration, he still carried the automatic.
Half of Dmitri's office was as old boyar as his clothes: rugs on the tables and the chairs, candles everywhere one could be put and a large fireplace, with Jan standing frozen to one side. Unlike Logan Powell Turner, Jan did not move even his eyes. He seemed not to be breathing. Ann Grove glanced at the boy, then ignored him.
Other than that strange immobility, the boy appeared unharmed. His color was normal, and the candlelight glinted off his black leather jacket and all the chains. Martin hoped Ann was right not to be worried. He felt slightly out of his depth.
Dmitri watched Ann looking at the rug on what was either a wide backless bench or a low table. "Do you still have the Ardabil?"
"Of course," Ann said, sitting down on the bench and resting her sword across her knees. Martin stood behind the bench.
Martin looked around. The other half of Dmitri's office was full of display cases, glass cabinets, and a large glass counter with stacks of velvet trays on the top and on all the inside shelves. On the wall behind the counter was a large semi-circular fan rack of display panels, with jewelry pinned on every available space. Behind the open panels on one side, Martin saw a door in the interior wall.
"Your friend is very silent."
"Perhaps he has nothing to say," Ann said. She turned to meet Martin's eyes and he saw one corner of her mouth softly pleat, as if she were controlling a smile.
"He is a vampire."
"I am aware of this." Ann turned back to Dmitri.
"And has he a name, this silent watcher?"
Ann considered for a moment: "Molchan Grigor, then."
Dmitri shrugged and changed the subject: "I am already out of pocket over this affair, you know, Vasha, what with the advertisements, the pastries, the additional security... The least you could do…"
"Is buy something at an outrageous price?" Ann asked. "Very well."
"Ah," Dmitri said again, but in a totally different tone. "I have a very nice icon…"
"No, I don't think so, Dmitri. Not today," Ann looked around, then rose and went to the counter. Martin stayed where he was. Dmitri followed her.
"What are you looking for?"
"Something for a friend, in rubies."
"For Molchan Grigor? For your son?" Dmitri asked, taking a stack of velvet trays and lifting off the top two.
Her son?
"How is the boy?" Dmitri continued.
"He's away. For a woman. I missed her birthday."
"Ah, a somewhat wider selection. Men have become so drab of recent years, there is really very little to be done with discreet rings or cufflinks and tie clasps. For a lady I have rings, pendants…"
"This tray," Ann said, tapping the second from the bottom.
"What? Are you sure?" Dmitri lifted the other trays off the one Ann wanted to see.
Ann glanced down and laughed. "Yes. I want this." She held up a heavy gold chain supporting a ruby cross. The cross was made of four five-sided stones. Each stone was basically a narrow table cut rectangle with one double mitered end that fit with the other three stones in the center. "Now, this is genuine."
Which makes it stolen?
"Of course. Eighteenth century court work, in the simple style, from Burmese rubies and Siberian alluvial gold. Commissioned by a dowager for her granddaughter on her wedding."
"How long have you had it, Dmitri?"
"Since the early twenties, last century. I bought it from the granddaughter's great-granddaughter. You weren't in Paris after the Revolution, were you? There were many such sales."
"Not that one, no. How much?" Ann smiled.
"One hundred thirty-six thousand dollars, giving you the professional discount, of course."
"I'll take it." Ann put down her sword, and handed him a plastic card. "Unless you prefer gold?"
"VISA is acceptable."
Ann slipped the cross and the credit card into her pocket. Dmitri seemed much happier and offered them wine in painted glass goblets. Ann accepted with a smile. She took up her sword, and it vanished from her hand. She returned to her bench and sat.
Martin guessed peace, or at least a truce, had been declared, but he did not put down the pistol, merely putting the safety on, and letting his hand drop.
The wine was heavy and sweet. It wasn't to Martin's taste but he sipped again anyway, not wanting to offend Dmitri in any way since it seemed as if they were going to leave without any more fighting. Ann, however, settled more comfortably on her bench as if she had all the time in the world. Apparently they weren't done yet.
"Dmitri," Ann began, "how does it happen that you acquired the boy?"
"A fit of pique, I admit. He lied to me, which annoyed me."
"Lied to you about what?"
"He said he was a friend of a very good customer of mine. He lied. I called my customer, who said he has never heard of him."
"Logan Powell Turner."
"Yes, how did you know?"
"Did the boy also mention a woman called Ann Grove?"
"Oh, Vasha, no."
"My current use name." Ann sipped her wine. "One other thing I must mention: My current position involves official oversight."
"Oh. I didn't realize…"
"And Logan came to my attention via the misuse of certain magical tools, which might have resulted in death for many mortals and a certain amount of destruction. In public."
"Oh." Dmitri didn't quite glance at the door behind the counter.
"So you can see that I meant it when I forbade him this shop."
"I do see."
"My advice to you, Dmitri Romanov, is to avoid Logan for the next five years. That means no more phone calls, no mail orders and no Internet sales; in fact, no contact in any form or by any medium."
"He is a very good customer, Varvara Denisovna."
"He lacks control," Ann said, "and, if adequately supplied, he could become a nuisance, which would annoy me considerably. If he is kept harmless, if I am not obliged to chase after him to halt massacres or to prevent noticeable disasters, I will have plenty of free time; time which could be used to shop, for example."
"Ah. Of course you would. Quarterly shopping?"
"Biannual. Don't press your luck."
Stick and the carrot. Her technique seemed to be working well enough. Dmitri Romanov was smiling and looked much happier.
"I always enjoy your company, Vasha, and I look forward to seeing you in the fall."
"November, I think. Now, just remove the stasis spell from the boy, if you would, and give me the keys to the bike, and we all will be gone."
"Certainly, certainly. After rough beginnings, it is always a pleasure to do business with you, Varvara Denisovna." Dmitri handed her a set of keys, with a little bow.
"And with you, Dmitri Romanov." Ann inclined her head to him and turned to the boy.
Jan came to himself with a start, looking wildly from Martin to Ann and back. Before he could speak, Ann flicked one pale hand at him and, catching Martin's eye, walked out the door. Jan followed her, somewhat stiffly and jerkily, and Martin followed him.
Outside, Ann said, "Quickly." She took Jan's hand and ran lightly down the alley, Jan running along after her.
"I thought we had a sort of truce," Martin said very softly, easily keeping up with her.
"We do. However, the boy and his ride are still merchandise, and the problem is hijackers and disappointed shoppers, not Dmitri or his help. They won't interfere one way or the other." They had arrived back at the motorcycle. Ann offered Martin the keys, asking: "Can you ride this?"
"We'll meet you back where we started." She watched the streets as Martin slipped the gun into his waistband, put on the helmet, started the bike and headed away. Martin glanced back once; Ann and the boy were there, but as he watched, they vanished.
Half an hour later, Martin pulled up in front of the stairs to the No Mirrors Lounge. Jan was sitting on the lowest step.
"Hi," Martin said. "Why the hell did you get such a damn big motorcycle?"
"This is America. You have wide open spaces and purple mountains. The terrain is more diverse than that of home. I wanted something that could handle everything."
"It will that, and it certainly does go like a dream."
"I'm suspended," Jan blurted.
"I'm not surprised. Is Ann still here?"
"No. She said she had to be somewhere at midnight and teleported away. I think she's a witch or a pumpkin."
"Or she could just need to get a video back to the store." Martin spoke lightly, but he was disappointed. There were a number of things he wanted to ask Ann.
"Listen, she uh, she…"
"She yelled at me."
"No, it wasn't. Listen…"
"Still listening."
"Have you ever heard the expression '16 will get you 20'?"
"Oh. OK, what do you say it means?"
"The numbers refer to years: Sex with a 16-year old will get you 20 years in prison. Haven't you seen the signs: Sex with a minor is a felony?"
"I thought that was about girls and getting them pregnant so they go on public assistance. I mean, I don't have to worry about that."
"No, it's everybody under eighteen."
"So why isn't it '17 will get you 20'?"
"I don't know, it's always been sixteen, while officially and lawfully it's 18. It's a cautionary saying, a slogan; like 'Use a gun, go to jail'. Don't try to make sense of it, just be discreet until your next birthday. Remember, the consequences are always worse for the adult."
"I thought she was making all this up."
"She told you all this?"
"And some other stuff. I'm going home. I'm not to come back for two weeks."
"Fine. Did she also touch on the stupidity of going off without leaving any indication where we might start looking for you when you ran into trouble?"
"Yes. At length. So did Edward. So did Karelle. I didn't see Galley, or he might have done, too." Jan scowled at Martin, took the helmet the vampire held out to him and rode off.
"And as we left, I'm pretty sure I saw a fantod, but I couldn't stop to get a good look," Martin said. "I came straight back and met Jan on the steps." He opened the low cupboard under the wall map of San Francisco and took out the private brandy and two glasses.
"What she said was that the two of you walked in, there was some fighting, some talk, and the three of you left." Edward accepted a glass of brandy, but did not drink.
"Basically, yes."
"She knew the proprietor?" Edward asked.
"Apparently, possibly not recently. She never commented on that, and I didn't have a chance to ask."
"You believe her."
"Every word. I don't know what she is, I don't know what she intends, but so far, she has been absolutely straight with us."
Edward nodded, and took a sip of brandy. "Oh, she said you could leave the tag with Karelle, if you didn't want to carry it around or have it at your place. What tag?"
"This," the vampire said, taking the clear marble out of his pocket. "She says she can find it, apparently in some sort of extrasensory way."
"And therefore you? I wish she'd give one to Jan."
"It would have been useful," Martin agreed and said nothing more.


text:
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Black women look so much hotter than white girls. I want some black pussy badly
This comment is bullshit but the coon does have nice tits!
The white chick is way hotter because she wants to be there
Hot vid! I'd like to fuck both their tits. And I'd love to have them bouncing on my cock and then come all over them.
Hilarious when her tits are boxing her in the face!
I love natural big bouncing tits just like mine
Please can those girls cum to my place for a sleep over ?
Something about spunk coated big titted munters that just gets my cock rock hard!
sie ist geil!
wish I could lick the cum off her tits......shes hot
Wow.. I wish they allowed this shit on Hannah Montanna!
If the black girl was on my plantation she wouldn't be in the cotton field she'd be in my bedroom. Her job would be providing me with daytime pleasure. At night she'd be the reward for the plantation worker that picked the most cotton for the day. They could be either male or female. They'd have me and the worker that picked the least cotton for the day watching and cheering them on.
Anyone else just laugh?
Lovely tits on both girls
Her name is Anja (aka Leo) and she has one of the best pair of tits in the net. How they bounce!!mmmm
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man, i wish i was him.
The white chick is so way hot.
Both of these Chicks are hot as hell. The white loves some cum. She is wild.
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text:
The Public Health Agency of Canada, in collaboration with provincial/territorial public health authorities and other relevant federal government departments, has developed this document to provide guidance to public health authorities working at the federal/provincial/territorial (F/P/T) level in the event that a case of human disease caused by Middle East Respiratory Syndrome Coronavirus (MERS-CoV) is identified within their jurisdictions.
The trigger for this guidance is a novel coronavirus causing human cases with limited human-to-human transmission detected somewhere in the world. This guidance would be used when a case of MERS-CoV infection is suspected or confirmed in Canada.
The strategy outlined in this guidance is containment (i.e. to reduce opportunities for transmission to contacts). This guidance remains relevant while the outbreak management objective is containment and the virus is not transmitting efficiently from person to person.
This guidance is based on current available scientific evidence and expert opinion and is subject to change as new information on transmissibility and epidemiology becomes available. It should be read in conjunction with relevant P/T and local legislation, regulations and policies. This document has been developed based on the Canadian situation and therefore may differ from guidance developed by other countries.
Human illness caused by MERS-CoV was first reported to the World Health Organization (WHO) by the United Kingdom on September 22, 2012. Although cases have been reported in several countries, all cases have been linked to points of origin within Middle East countries. Sustained human-to-human transmission has not been demonstrated; however, some of the infections have occurred in clusters of close contacts or in health care settings, suggesting limited human-to-human transmission. For information regarding the Agency's current public health risk assessment associated with this illness, please see the Agency's Summary of Assessment of Public Health Risk to Canada Associated with Middle East Respiratory Syndrome Coronavirus. (Footnote 1)
The Public Health Measures Working Group (PHMWG), an F/P/T working group reporting to the F/P/T Respiratory Infection Disease Outbreak Investigation Coordinating Committee, was convened to develop recommendations for the public health case and contact management of human cases of MERS-CoV infection. In developing this guidance, the PHMWG worked closely with the Influenza and other Respiratory Infectious Diseases F/P/T Working Group (for surveillance-related issues) and the Infection Prevention and Control Expert Working Group, and consulted relevant guidance (i.e. the Agency's risk assessment and the WHO (Footnote 2)). Guidance developed for previous outbreaks (e.g. the 2003 Severe Acute Respiratory Syndrome outbreak and the 2009 H1N1 influenza pandemic) was reviewed as was available relevant literature.
Case Management
The Agency has developed interim case definitions for human disease caused by MERS-CoV (Footnote 3), specifically for confirmed cases, probable cases and persons under investigation (PUI), as well as associated reporting requirements. The public health management of confirmed cases, probable cases and persons under investigation is outlined below.
Case management
Laboratory testing
Infection prevention and control
Contact Investigation and Management
Considering the identified trigger and associated objective for this guidance, it is expected that a reasonable effort will be put forth to identify close contacts of confirmed and probable cases occurring in Canada. The purpose of contact tracing for close contacts of confirmed and probable cases are:
Note: should the contact develop symptoms within 14 days following last close contact with the case, the individual should be managed as a PUI.
A close contact is defined as a person:
Contact management
Public health advice
Public Health Agency of Canada. Interim Guidance - Middle East respiratory syndrome coronavirus (MERS-CoV): Infection Prevention and Control Guidance for Acute Care Settings. [Online] 2013. [Accessed: 06 24, 2013.] www.phac-aspc.gc.ca/eri-ire/coronavirus/guidance-directives/nCoV-ig-dp-eng.php.


text:
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text:
Color Choices
Posts - 31 ProShield Choices
Clamps - 31 ProShield Choices
Components - 31 ProShield Choices
Polyethylene - 11 Choices
Permalene - 14 Choices
TenderTuff - 2 Choices
Color is an important decision, and our playgrounds are available in many color options. Use our carefully curated palettes like Color Palette AV shown above, or work with our design team to create your own color combination. Contact your local playground consultant to learn more.See more color palettes
Product Lines
Project Price Range
Age Ranges
- 2 to 5 Years
- 5 to 12 Years
Design Standards
Min Area Required
Total Area: 67' x 49' (20,42 m x 14,94 m)
2-5 Area: 35' x 26' (10,67 m x 7,92 m)
5-12 Area: 49' x 41' (14,94 m x 12,5 m)
Max Fall Height
Children staying at this resort in Orlando, Florida, are in for an extra perk—not one but two amazing playgrounds for their enjoyment only. For kids ages 5 to 12, a modern-looking Evos® playsystem invites them to play amidst the sun and palms. Here they can scramble over the loops, crawl through the hoops, swoop down the slide and do it all over again. A matching Weevos® playsystem entertains 2- to 5-year-olds with a Swiggly Stix® Bridge, Color Splash panel™ and a sized-just-right slide. Getting them to check out of this resort will be hard.
Product Lines Featured in this Playground
Ages 5 to 12 Years
Evos® attracts kids with its unique appearance and endless opportunities for unstructured fun. Its ground-to-ground arches allow kids of all abilities to join in the fun. But most importantly, Evos lets kids find their own ways to play while building muscle strength, endurance and mental agility.
U.S. Patent Nos. 8,021,240, 8,366,562, 8,485,911 and 9,089,731. Canada Patent No. 2,658,420.
Related Links
Ages 2 to 5 Years
The Weevos® playground structure is designed for growth and development in 2- to 5-year-olds in six key areas: physical, balance, cognitive, sensory/motor, emotional/social and language. Best of all, Weevos safely lets toddlers and preschoolers bee-bop and giggle with just the right amount of wiggle, and clear sight lines let supervisors keep their eyes on all the action!
U.S. Patent Nos. 8,021,240, 8,366,562, 8,485,911 and 9,089,731. Canada Patent No. 2,658,420.
Related Links
Freestanding Play
Ages 2 to 12
Freestanding Play events add fun and excitement to new and existing playgrounds! Revitalize your current playground or create a playground design that's completely unique using Freestanding Play components for kids ages 2 to 5 and 5 to 12.
Related Links
Proud to partner with our playground consultant covering Florida!
Rep Services, Inc.
Suite 1009
581 Technology Park
Lake Mary, FL 32746-7127
Phone 407-831-9658


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|Message view
|« Date » · « Thread »
|« Date » · « Thread »
|"Kurt, Oliver" <Oliver.K...@opendata.de>
|AW: Tomcat with Java 1.3 under NT
|Thu, 16 Nov 2000 14:46:35 GMT
BTW: I'm using Tomcat 3.1 on NT4.0 with Java 1.2 __or__ 1.3. It works with both version very well. I had the same problem and I changed the registry, so it shows: "CurrentVersion"="1.3". Afterwards tomcat ran without any problems. Regards Oliver Kurt -----Urspr・gliche Nachricht----- Von: Sam Joseph [mailto:email@example.com] Gesendet am: Donnerstag, 16. November 2000 12:32 An: firstname.lastname@example.com Betreff: Re: Tomcat with Java 1.3 under NT Jens Rehp?ler wrote: > Hi Sam, > > I had the same problem and could fix it by making some changes in the > registry: > > [HKEY_LOCAL_MACHINE¥SOFTWARE¥JavaSoft¥Java Runtime Environment] > "CurrentVersion"="1.3" You changed the registry key back to 1.2? Changed something else? I just uninstalled the jre and now tomcat runs again, but I may need jre 1.3 for other applications, I'm not quite sure at the moment. Thanks for taking the time to mail me, and apologies for the further questions. CHEERS> SAM
|View raw message


text:
Like the Volcano Classic, the Volcano Digital Vaporizer is one of the most renowned, well-respected and advanced forced-air desktop vaporizers available. The Volcano Digital allows for precise temperature control by way of a large LED display, and features the same high-quality construction and high-end performance as the Volcano Classic. The Volcano Digital Vaporizer, which utilizes the same smooth cone structure, through its patented technology removes toxins and other harmful byproducts (i.e., tars and other carcinogens) through a vaporizing process which intensifies the effects of the active ingredients released through the vapor by approximately 75 percent. The German hand-crafted Volcano employs technology which circulates air enriched with the active ingredients of the substance vaporized into a balloon through a valve, until the balloon is filled. After the balloon is inflated the valve can be completely detached and separated from the device. The contents of the balloon can then be safely and comfortably enjoyed completely independent from the vaporization process. The balloon allows for vapor storage for up to 8 hours.
CLICK HERE to view our complete selection of Volcano Parts & Accessories.
The new Volcano Digital Vaporizer provides a prominent fully customized digital temperature LED display which immediately and precisely informs the user of the desired and actual operating temperature. The temperature on the Volcano Digital Vaporizer ranges between 104 and 446 degrees Fahrenheit. Considering the temperature accuracy provided through the precision advanced electronic air temperature control and the built in air filtration system, the Volcano Digital Vaporizer is the premiere choice for the true connoisseur.
Solid vs. Easy Valve:
The customer's preferences and requirements were taken into consideration when developing the Easy Valve. The Easy Valve is characterized by very easy handling and minimal maintenance work. Attaching a new balloon to the valve is no longer required, as the Easy Valve comes as a ready to use valve balloon unit including mouthpiece. Once the Easy Valve can no longer be used, you simply replace the old with a new one. The Hassle-free set up benefits those looking for a low maintenance option. Eschewing the time-consuming task of cutting a bag to size and attaching it to the solid valve, the Easy valve set for the volcano classic vaporizer allows for rapid change of your vaporizer bag, ensuring optimum performance. The starter set is delivered with 5 Easy Valve balloons and the appropriate filling chamber. The Easy Valve filling chamber is cleaned and re-used.
The Solid Valve is the standard valve and sold has sold in the tens of thousands. One can choose its individual balloon size as the Solid Valve Set comes with a box of 3 meters of balloon material. Using the Solid Valve, the replacement of the balloon is kind of tricky and needs some experience, but the Solid Valve provides a less expensive long-term option, as the balloon material can be bought for a reasonable price. The solid valve also boasts an unrivaled customization experience as the user can create a bag of any size they wish. This option is perfect for all sorts of consumption, from mini bags for personal use, to room size bags for those mega share sessions. The Solid Valve is the perfect choice for the vapor enthusiast looking to add some customization to their vaping experience.
Long-Lasting Technology
Storz and Bickel have consistently gone out of their way to bring the bet technologies and materials to the world of vaporization consumption. Establishing the first vaporizer related patent, Storz & Bickel worked to perfect their forced air system, ensuring a healthier and more consistent vaporization experience. From their manufacturing factory in Germany, every Storz & Bickel Volcano vaporizer is assembled with the care and precision of a luxury automobile. Working with the finest materials, the craftsmen ensure the utmost quality for every volcano vaporizer, hand checking it at every stage of production with a final quality control check before every individual Volcano vaporizer leaves the factory.
While Storz & Bickel have been prominent figureheads in the vaporization industry, don't think that the volcano classic vaporizer can't compete with any vape currently on the market. The aluminum heating block and stainless steel chamber consistently produce pure vapor with the utmost reliability. While some may balk at the initial investment of a volcano vaporizer, the longevity of the device is unrivaled by any other vaporizer. On top of the stout construction of the Volcano Classic Vaporizer, comes the Storz & Bickel warranty which is widely regarded as one of the very best in the industry. With the combination of high quality construction, cutting edge technology and the assurance of the Storz & Bickel warranty, you can rest assured that the Volcano Classic vaporizer will be by your side for many years to come.
Frequency of Bag Replacement
The balloon should be replaced by a new balloon after cleaning the valve set in regular intervals (after 50 - 100 balloon fillings). The balloon used is the Volcano balloon. A roll with 3 meters of this product is enclosed with each Volcano, which is sufficient for 5-6 balloons. You may also use other heat-proof oven hoses or oven bags, e.g. in the U.S.A. use Reynolds oven bags Type "large". Do not use any other plastic bags or cling wraps. On the other hand, once an Easy Valve can no longer be used, you simply replace the old with a new one. By far less seldom (approx. 1x per year in everyday use) although it may be necessary to replace the filling chamber screens. Each complete set is furnished with 3 upper and 3 lower screens. That will last a long time. No other parts are subject to wear and tear.
- 1 x Herbal Grinder
- 1 x Instruction Manual
- 1 x Air Filter Set
- 1 x Balloon Set (Solid or Easy Valve) - If Selected
- 1 x Herbal Filling Chamber - If Selected
- 1 x Normal Screen Set - If Selected
- 1 x Liquid Pad - If Selected
- 1 x Cleaning Brush - If Selected
|Warranty Info:
|3 Year Warranty - Heating Element and Electronics
|8.00 x 9.75 x 9.75 in.
|4.80 lbs.
|Vaporizer Type:
|Balloon Bag (Forced-Air)
|Vaporizer Compatibility:
|Herbs, Waxes
|Delivery Method:
|Balloon Bag
|Screen Size:
|Volcano Normal Screen Set - Volcano Fine Screen Set
- im interested in buying the volcano digital but i want the xl ez-valve bag starter kit and a free travel case.. can you help me? total cost?
- How hot does the Volcano Vaporizer get?
- How long does it take for the balloon to fill up?
- Does the Volcano Vaporizer come with balloons, or do I need to purchase them separately?
Q: im interested in buying the volcano digital but i want the xl ez-valve bag starter kit and a free travel case.. can you help me? total cost?
A: Hi Proteus, The Volcano Easy Valve Starter Kit and Vape Case for Volcano are available on our Storz & Bickel parts page. Best Wishes, The VaporNation Team
Q: How hot does the Volcano Vaporizer get?
A: The Volcano Vaporizer can reach vaporizing temperatures of 446F.
Q: How long does it take for the balloon to fill up?
A: It takes approx. 1-2 minutes for the bag to fill up completely.
Q: Does the Volcano Vaporizer come with balloons, or do I need to purchase them separately?
A: Yes. Each Volcano Vaporizer comes with a set of balloon bags. However, the style of balloon bags you receive is dependent on which Valve Set you pick. The Easy Valve Set comes with balloons that are already attached to the valve, whereas the Solid Valve set includes balloons that must be attached manually.
Volcano Digital Vaporizer – Instructions
- Step 1:Turn on your Volcano, press the red button on the left to activate the heating system, and set your desired temperature (~300 degrees F). Wait until the actual temperature matches your set temperature
- Step 2:Grind your herb to a fine consistency and put it into the filling chamber.
- Step 3:Once the yellow control button in the center turns off, the temperature has been reached. Attach the filling chamber onto the exhaust vent of your Volcano.
- Step 4:Attach the valve balloon to the filling chamber. Press the green air button on the right to activate the hot air stream. Once the balloon is filled, press the green air button to turn it off.
- Step 5:Remove the valve balloon from the Volcano and attach the mouthpiece to the valve balloon.
To enjoy your vapor, apply pressure to the mouthpiece to allow vapor to be released from the balloon.


text:
I'm heading down the wrong career path. Can I reverse my decision?
I have a degree in arts and humanities specialising in media and English, a postgraduate diploma in periodical journalism, and a background in publishing. I have worked for big organisations (BBC Worldwide) as a writer and subeditor, and also in a freelance capacity.
In 2003 I had my second child and was made redundant, so I took the opportunity to be a stay-at-home mum. During this time I did the occasional freelance project. Sadly, my plan to be a full-time mum for only a short time has had to be extended – my daughter was diagnosed with special needs two years ago. This has put my career on hold.
My daughter is now six, at school full time and doing well, but still needs lots of help. I, meanwhile, am frustrated and bored.
We left London after my daughter's diagnosis to be nearer to my family, as we knew we would need a helping hand, and I now find myself working as a teaching assistant in a secondary school, heading towards the start of a PGCE in English in September.
My gut feeling is that this would be a good job and would fit in around my children but – and it's a big but – I'm not sure it is for me. On the other hand, the Midlands is hardly publishing central and any work I get is likely to be non-child friendly. I have applied for publishing jobs in the area but don't even get an interview. I realise the industry has moved on, but surely there must be a place for my skills and experience (10 years). Lastly, my first love is writing and I'm attending a novel writing course in the summer. Any advice would be appreciated.
Let's start with the fact you are frustrated and bored. It is possible that a move up from being a teaching assistant to beginning to teach might restore some satisfaction to your working life – though as I understand the situation, it will be at least a year before you're teaching on your own. Other than the stability and convenience of the job, it's clear the prospect doesn't fill you with enthusiasm. That's not a great start.
Being bored and frustrated is bad news, not only for you but also for your family. However hard you try to protect them from your state of mind it is bound to affect them. On the basis of the little you've told me, I feel reasonably certain you'll be a happy person again only when you're back writing and/or editing. Don't look upon this as a selfish objective; it's in everyone's interest, not least your daughter's.
I recognise that publishing jobs in your area may be few and far between, and the ones that do exist may not be able to offer you the flexibility you need. But I would urge you to persevere. So many readers' letters stress the absolute importance of sheer, relentless, mind-numbing persistence in looking for the right job. Do please keep at it. You've had some freelance experience in the past. Have you used the internet and your local paper, to advertise your experience and availability? It needn't cost much – and even a modest project or two would give you the confidence to keep going.
I'm delighted you're attending this novel writing course. You're certain to find it valuable. It won't solve your employment problem, but it should help lift your spirits – and give you the added determination you need to keep looking and looking. Best of luck.
Should I leave behind the banking world and go back to waitressing?
Three years ago I found work as a banking officer. I've enjoyed my role, which has provided me with office experience that was missing from a somewhat too academic CV.
However, for more than a year now I have grown frustrated, depressed and deeply demotivated by office politics and lack of career progression.
In September last year I was moved sideways to another department and received extremely poor training. This has affected my performance. I have gone from being an exemplary employee and a gregarious person to becoming aloof and withdrawn. I have been put on a performance programme plan, which may ultimately lead to dismissal if I don't "shape up".
It does not help that on a personal level I am not happy either. The issue is that I don't want to work in the banking industry and never did; I want to work in charity. I am already building up voluntary experience. I am also actively looking for work and have had two unsuccessful interviews.
Should I throw in the towel, become a waitress (again) and volunteer during the day, or should I fight them and show I am a competent individual and wait for my chance, even though my mental health is suffering?
The first point to make is this: if you decide to leave your current job, you really mustn't see it as "throwing in the towel". You're doing a job for which you are inadequately trained and that gives you no pleasure.
As a consequence you are doing it imperfectly, which has affected your health and confidence. To recognise all that, and then determine to take charge of your own destiny and do something about it – that's not to be defeated. That's to reclaim your own life. I believe the moment you make that decision will be the moment you begin to feel better about yourself.
A good reason for optimism is that you know what you want to do. Many people don't. You've already had two interviews. Though neither was successful, it means your CV looks interesting enough. If you can shake off your sense of defeatism – think of yourself as a wet dog shaking itself dry as it scrambles from a pond – you'll be seen in future interviews to be exactly what you are: qualified, experienced and utterly determined.
For Jeremy Bullmore's advice on a work issue, send a brief email to firstname.lastname@example.com. Please note that he is unable to answer questions of a legal nature or reply personally
Readers' advice
In response to the letter entitled "My assistant is no help at all" (Dear Jeremy, 20 June), I'd like to point out that when managers find their staff are not performing well enough, it is as much a shortcoming of the manager as the staff.
Does this poor assistant know she is seen not to be performing? Has she had regular performance reviews? Has the letter writer given the assistant informal feedback, and explored with her ways to improve?
Has this been done in a constructive way, rather than coming across as criticism? That will only eat away at the assistant's confidence, perhaps resulting in the lack of initiative the manager complains about.
I find it amazing how many managers don't give employees chances to improve, but are all too eager to write staff off and dispose of them.
Cara Grayling
• Did Jeremy get it right? Email us at firstname.lastname@example.com and we'll print the best reply


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My sugestion is towards the resolution thing. I mean, lately many people are using resolutions like 1280x1024 or 1600x1200, but the largest resolution that we can find here is 1024x768. Why don't you add resolutions like 1280x1024, 1280x960 and 1600x1200 to the wallpapers? That would be awsome!
Well, sugestion given.


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Floods in nearby Cockermouth, heavy rains and even a hailstorm - fitting conditions for a reunion of the school's ex-Commandos in Cumbria, although nothing could dampen the spirits of 17 Old Rugbeians reunited after more than three decades to pay tribute to two former teachers who changed a lot of lives -- Richard Smith and Brian Elvins.
Masterminded by Nigel "come and see Blackpool" Seddon (K 74-79) and inspired by Archie Stirling (B 74-79) -- almost fresh from conquering the Himalayan peak of Ama Dablam -- the former "elite" of the school CCF came from afar as New Zealand (Maurice "the lump" Maclaren M 71-76)), Calcutta (Tim "Grandad" Grandage W 71-76)), Switzerland (Jock McTeague (M 73-76) and Nick Hammond (Sh 75-79)) and Italy (your scribe, Guy Dinmore (T 71-76)). It has to be said the Midlands were well represented too, though rather apologetically by some!
Ever wondered whether you would recognise old friends after more than 34 years in some cases? A few beers in the Strickland Arms, outside Kendal, launched the weekend reunion (Nov 21-22) and helped us pass the test, although some are still recovering from the shock of a hobbit-like Mark Weeks (Sh 73-77) transformed into a barn door of a GP in Chichester. Richard, now living in Wells, and Brian, in Worcestershire, were unmistakeable however, both in fine fettle and full of memories of climbing weekends in Wales and fortnights in Skye.
As Richard noted we were in a way "the last of a generation", the lucky ones baptised with a sense of adventure before the advent of "health and safety" rules that would prevent teachers sharing a tent with teenagers, blasting primus stoves with paraffin and meths, let alone throwing youngsters abseiling off the roof of Temple Speech Room, swinging out of the back of three-tonners on the highway, hurling ourselves down scree and falling down ice slopes.
"It was great fun and we had enormous luck with some of the things that didn't quite happen!" said Richard, confessing for the first time that he was "not really a canoeist" while recalling the several crafts that snapped going over the River Dee weir near Llangollen.
A bit of history. Eric Morgan, a Mitchell tutor, is credited with setting up and "christening" the Commandos in 1967. Two years later he handed over to Richard, former artillery captain-turned German teacher, and Brian, a major then a chemistry teacher. Together they kept the section going until they stepped aside in 1977. It closed down just a few years later. The army provided financing and the transport came from a nearby Signals regiment. The boys rarely wore uniform but Brian proudly recalls winning the drill contest as well as shooting. "The cadet force was never really a recruiting ground. It enabled people to have the challenges of war without the casualties," says Brian, who would earn a major's daily wage from the army for time spent with the Commandos.
As Tim said in his toast of thanks, over a three-course Strickland lunch, "you shaped our futures and gave us a taste of adventure… and Talisker". In Tim's case this meant swapping the burden of carrying others' rucksacks up Bog Brittle to his lifelong task of rescuing and educating the street children of Calcutta in his Future Hope charity. Those experiences also helped send Chris Imray (St 72-77), now a vascular surgeon, on a medical expedition up Everest, and Jock into the Gurkas and combat in the Falklands before turning his hand to ending wars and charity work as well. The entrepreneurial spirit was also well represented around the table in various careers pursued by Mark Lavelle (T 72-76), Peter Dickson (W 75-79), Charles Norwood (M 69-74), Quentin Hayes (W 73-77), David Kydd ( K 75-80) and Thurstan Crockett (K 75-79) (the latter helping the environment around Brighton). It has been left to Paddy Craig (M 70-75) to take up the challenge of classroom teaching (maths in Manchester) while Richard "India rubber man" Townshend (W 69-74) was the only man present to follow the outdoors life, teaching mountaineering and rock climbing to next generations. Indeed his well-stocked camper van could have doubled as a mountain rescue outfit with the amount of gear inside. Thanks also to spouses and partners -- Rosie, Mary, Sylvia, Ann and Karen -- for joining in and seeing the living proof that not all those wild tales were invented.
Archie gave the rest of us armchair climbers an amusing and breathtaking account, with pictures, of his climb up the 6856-metre Ama Dablam in 2008, starting with Yeti Airlines, a blessing by a Lama and crowned by a long drop dump from Camp 3 where the ledge is so narrow you sleep roped up. That weekend being the Kendal Mountain Festival we were given an evening talk on a very different kind of climbing by Chris Sharma, a young Californian billed as the world's greatest rock climber and surely a cousin of Spiderman. But to some of us purists, all those drilled bolts and top-down plotting of routes took away the edge a little.
Our landlord at the Heaves Hotel kept the bar open to the early hours, closing just in time for him to make a superman change of jacket to serve us breakfast the next morning. Naturally it was still raining. Nigel assured us that a local couple renewing their vows at Kentmere Church would not mind a few gatecrashers, while others tramped through a hailstorm and Falkland-like bogs, wondering where all those years had gone, but vowing to do it all again. Jock is proposing a hut in Switzerland, Tim something on stilts in India.


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text: The Performance of a Reliable, Request-Response Transport ProtocolNader Salehi, Katia Obraczka, Clifford NeumanISCC1999This paper studies the behavior of ARDP, a request-response transport protocol, when operating in a shared communication infrastructure like the Internet. Our experiments demonstrate that ARDP backs oo in the presence of congestion, yet tries to take advantage of available bandwidth. We a l s o s h o w t h a t A R D P i s w ell-behaved when competing for… (More)


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What were they thinking?! As the stars descend on the red carpet for the 87th Academy Awards we take a look at the actresses (and actor) who raised eyebrows in some seriously questionable outfits. (We're looking at you Lady Gaga and Jared Leto!). Find out who gets the Oscar for WORST DRESSED.
Picture 1 of 10
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text:
3-1 Lines and Angles
By: Deon Westbrooks 3-1 lines and angles parallel lines: are coplanar and do not intersect.
perpendicular lines: intersect at 90* angles.
skew lines: are not coplanar and they are not parallel and do not intersect.
parallel planes: are planes that do not intersect angle pair formed by a transversal A transversal is a line that intersects two coplanar
lines at two different points.
Corresponding angles: lie on the same side of trasversal,
on the same sides of lines
Alternate interior angles: are nonadjacent that lie on
opposite sides of the transversal
Alternate exterior angles: lie on opposite sides of the
transversal, outside line
Same-side interior angles: lie or consecutive interior
angles lie on the same side of the transversal 3-1 lines and angles video www.google images.com
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3-1 Lines and Angles and 3-2 Angles Formed by Parallel Lines and Transversals
section 3:1 and 3:2
Deon westbrookson 8 January 2013
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AANN Advances in Stroke Care Conference
The 2017 AANN Fall Conference will focus on the topic of advances in stroke care and take place Thursday, August 10 through Saturday, August 12, 2017.
Earn CNE!
Building on the success of the sold-out inaugural stroke conference in 2015 and the sold out conference in 2016, the American Association of Neuroscience Nurses (AANN) is bringing you even more stroke education. You will not want to miss this meeting!
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About the Book
Faces of Celebration is a collection of photographs taken at festivals throughout Peru in 2008, including the annual rebuilding of the Keshwa Chaca - the last remaining Inca straw bridge, the remarkable Festival de Tinajani - which attracts dancers and musicians from Peru, Bolivia, and Chile, and the numerous traditional and religious events in the streets and plazas of Cusco.
As I attempted to document the spirit and action of these celebrations, the images also captured the determination and focus, the exhaustion and pain, the humor and mystery, and the enthusiasm and joy on the faces of the participants. But more often than not, they recorded the ubiquitous smiles of the Peruvian people.
Features & Details
- Category Travel
Small Square, 7×7 in, 18×18 cm
40 Pages
- Publish Date Dec 01, 2008
- Tags traditional dance, Douglas Klostermann, Doug Klostermann, Douglas J. Klostermann, Inti Raymi, Festival de Tinajani, Corpus Christi, Keshwa Chaca, Plaza de Armas, photo, photography, photographer, dance, dancers, costume, mask, culture, fiesta, festival, dojoklo, Peru, Cusco, Cuzco, Ayaviri, Huinchiri, Oropesa, travel
About the Creator
Doug Klostermann is a travel, culture, and humanitarian photographer dedicated to documenting the work of international aid organizations. He has photographed for numerous organizations in Latin America and the United States, been recognized by the United Nations Development Programme for his humanitarian photography, and been published in magazines and books including Conde Nast Traveler, Sherman's Travel, South American Explorer, and Viva Travel Guides. He also lectures and gives instruction on digital photography. Doug is a member of the National Press Photographers Association (NPPA). Learn more about photography techniques and equipment on his blog Picturing Change at dojoklo.wordpress.com and view his photography at dojoklo.com
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Third Hughes Ministry
From Wikipedia, the free encyclopedia
The Third Hughes Ministry was the fourteenth Australian Commonwealth ministry, and ran from 17 February 1917 to 5 May 1917.[1]
Nationalist Party of Australia
- Rt Hon Billy Hughes, KC MP: Prime Minister, Attorney-General
- Rt Hon Joseph Cook, MP: Minister for the Navy
- Rt Hon Sir John Forrest, GCMG MP: Treasurer
- Senator Hon George Pearce: Minister for Defence
- Hon William Watt, MP: Minister for Works and Railways
- Hon Paddy Glynn, KC MP: Minister for Home and Territories
- Hon Jens Jensen, MP: Minister for Trade and Customs
- Hon William Webster, MP: Postmaster-General
- Senator Hon Edward Millen: Vice-President of the Executive Council
- Hon Littleton Groom, MP: Honorary Minister
- Senator Hon Edward Russell: Honorary Minister
- ^ "Ministries and Cabinets". Parliamentary Handbook. Parliament of Australia. Retrieved 17 September 2010.


text:
Murasaki Bento by YnekochanYWatch
©2012-2017 YnekochanY
Thank you Everyone!
Tamogayaki looks sooo good!!! I haven't made any in a while... I need to.
Thank you! especially with cheese
You put cheese in it!? Why didn't I ever think of that? It's such an obvious addition! I'm making some with cheese and a little green onion when I get home. Thanks for the tip! ^_^
Very delicate and pretty. Great job on your bento!
that looks SOOO good!
So pretty!
it looks so delicate!


text:
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Most Editions | First Published | Most Recent
A brief guide to logic and critical thinking for nonvulcans1 edition - first published in 1998
A philosopher looks at the Bible1 edition - first published in 1992
Charles Hartshorne and the Existence of God1 edition - first published in 1984 DAISY
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History Created April 1, 2008 · 2 revisions
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text:
Author | exchange4media Mumbai Bureau | Thursday, Dec 10,2009 8:15 AM
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