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Senior Associate, Private Equity
GLG - New York, NY 10008
This individual will be responsible for supporting GLG client relationships with Private Equity-focused investment professionals in the New York area.\xa0 As such, they will design and facilitate customized research products, creating innovative solutions on each client assignment.
Senior Associates are responsible for driving GLG's underlying business processes, fulfilling timely client research requests, including high-level project execution and management, and facilitating in-person
interactions between GLG's clients and Council Members.
Specific responsibilities include (but are not limited to):
- FACILITATING EDUCATIONAL INTERACTIONS between members of the GLG expert network and our clients, to permit our clients to make more informed and more confident investment decisions. Senior Associates are tasked with fulfilling time sensitive research requests by analyzing client requests and building and qualifying primary populations of topic experts. Most GLG client - expert interactions consist of telephone consultations but also may consist of surveys and other in-depth engagements.
- GROWING GLG CLIENT RELATIONSHIPS. Own full accountability and\xa0responsibility for a full slate of complex clients by serving as a thought partner to design and deliver on custom projects.\xa0 Innovate around products and\xa0services that will lead to growth in usage and revenue from your clients.\xa0 Deliver world-class client\xa0service marked by high levels of responsiveness, accuracy, insight,\xa0urgency, attention to detail, professionalism, follow-through, and\xa0enthusiasm, and serve as an example of excellence in client service to\xa0others within GLG.
- TEAM-WIDE COLLABORATION.\xa0As with any position in a GLG client office, Senior Associates are expected to work in conjunction with team members both in the office and across North American Financial Services, especially those colleagues in our operations offices with whom they are collaborating. They also work closely with our Business Development team and other sector-specialized research professionals to develop customized products for GLG clients.
- LEADING AND OWNING GLG COMPLIANCE STANDARDS.\xa0Clearly communicating to GLG clients and experts the integrity of the GLG platform as a key differentiator of our business and understanding the additional compliance considerations for the Private Equity segment.
Click Here to Apply
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Jul 8, 2012 - From staff reportsThe Wyoming State Historical Society has announced the release of a children's book titled "Elka," based on the Wind River Indian Reservation.
The group claims it to be a true story experienced by author Reba Teran and her family as she was growing up on the reservation.
The story's baby elk, adopted by the family, was the source of joy (and, yes, at times annoying) for the Teran kids, according to the publishers.
"Readers of all ages will delight in the exploits of Elka," according to a statement about the release. "The beautifully detailed and full color illustrations by artist Eileen Skibo add much to the text and bring a level of excitement and good cheer to the story.
"At first glance some readers may see this simply as a children's book but it is much more than that. The book draws upon the Shoshone tradition of the storyteller and every page includes some words and phrases in both the Shoshone and English languages, further enhanced by the Shoshone glossary."
"Elka" provides a window into life and childhood on the Wind River Indian Reservation in the 1960s and also is intended to represent both a contribution to the preservation of Shoshone culture and the communication of some of its elements to modern audiences beyond the reservation.
The illustrations are by Skibo, formerly of Cheyenne and now living in Greeley, Colo. Her work can be found in numerous museum exhibits around the state including murals for the children's "Hands on Room" at the Wyoming State Museum in Cheyenne, and at various historic sites.
"Elka" is available at bookstores and museum gift shops across Wyoming, or can be ordered direct from the Wyoming State Historical Society by calling (307) 322-4237 or firstname.lastname@example.com.
The book is available at Cabin Fever Books in Lander and the Meadowlark Bookstore in Riverton. Quantities are limited.
Get your copy of The Ranger online, every day! If you are a current print subscriber and want to also access dailyranger.com online (there is nothing more to purchase) including being able to download The Mining and Energy Edition, click here. Looking to start a new online subscription to dailyranger.com (even if it is for just one day)? Access our secure SSL encrypted server and start your subscription now by clicking here.


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FORT MILL, SC — The Charlotte Knights received strong pitching for the second straight game and beat the Gwinnett Braves, 2-0, in the finale of the three-game series at Knights' Stadium.
Less than 24 hours removed from a game in which they tallied only hits, the G-Braves had only four Sunday.
Charlotte scored its first run in the bottom of the fourth as Jordan Danks doubled to right-center off of Gwinnett starter Erik Cordier (0-1). Danks then scored on a single to right by Greg Golson.
The Knights added their final run in the fifth off of Cordier. Tyler Kuhn singled to left to lead off the inning and scored on a triple down the right-field line by Jim Gallagher.
Charlotte right-hander Dylan Axelrod (2-1) was sharp in picking up the win. He worked 7 2/3 innings, gave up four hits, walked one and struck out six. Former Gwinnett pitcher Deunte Heath pitched to one batter in the eighth and right-hander Brian Bruney pitched a scoreless ninth for his fourth save.
In his first loss of the season, Cordier pitched 4 1/3 innings, yielding eight hits, two earned runs, four walks and striking out two. The bullpen trio of Buddy Carlyle, Jose Lugo and Cory Gearrin combined for 3 2/3 innings of scoreless ball.
At the plate, G-Braves second baseman Drew Sutton went 1 for 4 with a single to extend his hitting streak to 11 games. Right fielder Jordan Parraz was 1 for 3 with a single to extend his hitting streak to six games.
After an off day, the Gwinnett Braves (12-6) and Charlotte Knights (10-8) continue the six game home-and-home series Tuesday night in Lawrenceville.
Right-hander Tim Hudson (1-0, 0.00) gets the start for Gwinnett in his fourth Major League rehab assignment of the season. Charlotte pitches left-hander Charlie Leesman (1-1, 5.02).


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April's episode airs this Sunday and features Carla Yoder, an account executive for 101 Mobility's Columbus Office.
Columbus, OH (PRWEB) April 03, 2014
WHAT: On the first Sunday of each month, Jeff Franklin, owner of 101 Mobility Columbus, and a scheduled guest will discuss health topics relevant to central Ohio residents. 101 Mobility is the Columbus community's most reliable provider and installer of mobility devices such as wheelchair ramps, auto lifts, patient lifts, stair lifts, wheelchair lifts, and rentals. All Things Health is an hour-long radio show on 98.9 FM The Answer. The program covers specific heath topics like aging in place, caregiver solutions, universal design, mobility product information, and accessibility solutions for local businesses.
April's episode airs this Sunday and will feature Carla Yoder, an account executive for 101 Mobility's Columbus office. 101 Mobility specializes in detailed customer product consultations to help them find the absolute best solution for their health, property, and mobility needs.
Carla plans to discuss the property evaluation process. From older residents wishing to age in place and couples building a new home to local churches and organizations hoping to improve accessibility for their patrons, Carla will offer an informative step-by-step overview of the entire process. "I like to start with a handshake and end with a hug," she said. Jeff Franklin also commented on Carla's thoughtful approach to property assessments, saying: "She is by far one of the most caring people on the staff."
To hear more about what a property evaluation entails and what 101 Mobility can do for your accessibility needs, tune into 98.9 FM The Answer this Sunday morning. Don't miss out.
To learn more about the radio program, visit: http://www.989theanswer.com/pages/wide/All_Things_Health.
For more information on 101 Mobility Columbus' available products and services, please visit: http://columbus.101mobility.com/.
STATION: 98.9 FM The Answer – News.Opinion.Passion, Columbus, Ohio
WHEN: All Things Health airs on the first Sunday of each month.
April's show airs Sunday, April 6, 2014, 8:00 AM – 9:00 AM
101 Mobility is a full-service sales, service, and installation provider of a complete line of mobility and accessibility products and equipment, including stair lifts, auto lifts, ramps, porch lifts, patient lifts, power wheelchairs, scooters and more. Short and long-term rentals are also available for home, office, and institution. By working with patients to identify which home health care devices best suit each individual's needs, 101 Mobility provides an alternative to group homes and rehabilitation centers by increasing accessibility and allowing clients to live self-sufficiently in their homes.
For more information, please visit: http://101mobility.com/.


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lonely hobby This is an Artist!! Florence sport at sunset sunny girl centuries in the sky.. detail Ancient Stars.. lost in thought listening for memories Wheat is growing oxidized colours Natale!! i need light hot&cold some poetry un petit cadeau Holy golden stones a beautiful sunset today it's too late my secret window (Christmas present for Scab) different age different art just a bit of moss same idea different eyes... unaware model different ages golden promenade frozen street reflection different point of view shots war!! taking shots.. spy on myself out of the dark another version my restaurant strength soft Siena natural jewels my pink side mistery what do you want!!??!?!?!
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It's always exciting when a bunch of celebrities gather to one-up each other, and earlier tonight (January 12) Jonah Hill looked great at the 71st Golden Globes.
Hoping to strike it rich in his love life this year, Jonah Hill is currently dating Isabelle McNally.
First spotted with the actress walking their dogs in September, the pair later engaged in some PDA while shopping at Whole Foods on December 30th.
Showing some love to their English fans, Leonardo DiCaprio, Jonah Hill and Margot Robbie dropped by the UK premiere of their new film "The Wolf of Wall Street" on Thursday (January 9).
Braving the polar vortex for a swanky affair, the stars headed to the 2014 National Board of Review Awards Gala in New York City on Tuesday (January 7).
Looking adorable in black-rimmed spectacles, Meryl Streep wore a a dark wool coat over her black and white patterned dress.
The 25th Annual Palm Springs International Film Festival is well underway, and on Sunday (January 5) a smattering of stars showed up for Variety's Creative Impact Awards brunch.
Colin Farrell looked dapper as he hammed it up with director Paul Duane at Parker Palm Springs, sporting a grey suit and black tie.
Capitalizing on its predecessor's success, "How To Train Your Dragon 2" just released the first full trailer for all to enjoy.
The much-anticipated sequel features the voices of Gerard Butler, Jonah Hill, Cate Blanchett and Jay Baruchel and is due in theaters June 13th, 2014.
His latest movie is causing quite a buzz and Jonah Hill recently sat down with Entertainment Tonight to talk about "The Wolf of Wall Street" and working with Leonardo DiCaprio.
Describing his own character as having "no impulse control" and being "very unhinged," the "21 Jump Street" star says that Leo's character, "really craves power and leadership, almost like a cult leader."
Prepping early for a blockbuster summer, Sony Pictures released a new trailer for "22 Jump Street" on Tuesday (December 17).
This time around, the boys have moved on from high school and instead will be going undercover at a local college.


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Brealey Quill Kenny
Accounting, tax and business advice in Canning Vale, Perth
Brealey Quill Kenny is an accounting practice based in Canning Vale, Perth, Western Australia.
Established in March 2000, Brealey Quill Kenny's accounting services have grown from the preparation of annual tax returns and financial statements to a multi-disciplinary practice. Taxation advice (GST, FBT, BAS, CGT), tax accounting, accounting services, superannuation funds, business development, budgets, business plans, Xero bookkeeping services and financial management are all part of the service of the qualified accountants at Brealey Quill Kenny.
"Our mission is to maintain a dynamic and rewarding environment that provides innovative and practical business solutions whilst exceeding the professional standards expected of us."
Our Perth accounting services include:
- Taxation return preparation and advice
- Financial and management accounting
- Business advice, strategic planning and development
- Financial and risk management advice
- Business appraisals and due diligence
- Bookkeeping and corporate secretarial services
- Self managed superannuation fund accounting
Based in Canning Vale, Perth, Brealey Quill Kenny is in the ideal location to provide accounting services to our clients all over Perth including: Atwell, Aubin Grove, Banjup, Beckenham, Beeliar, Bentley, Bibra Lake, Cannington, Canning Vale, East Cannington, Ferndale, Gosnells, Hamilton Hill, Hammond Park, Henderson, Huntingdale, Jandakot, Kenwick, Leeming, Maddington, Munster, North Lake, Parkwood, Queens Park, Riverton, Rossmoyne, St James, Shelley, Southern River, South Lake, Success, Thornlie, Wilson and Yangebup.
Contact Brealey Quill Kenny, certified practising accountants in Perth.


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Shares in home-mortgage aggregation business Firstfolio lost a quarter of their value in the past month after hitting a 28-month high of 6.9¢ on December 7, when the company undertook a $12.1 million rights issue at 5¢ a share.
The capital will be used to repay debt and to redeem preference shares as well as convertible notes. The remaining $1.6 million from the rights issue will be used as working capital. Management is upbeat about 2010, with the property market rebounding strongly and a number of Firstfolio's non-bank rivals going under during the financial crisis.
Firstfolio not only managed to increase its earnings before interest, tax, depreciation and amortisation to $5.4 million in the year ended June 30, 2009, from a loss of $360,000 in the previous year, but also expanded its loan book by 50 per cent to $12 billion.
The stock gained close to 83 per cent in calendar 2009 and is trading on a current price-earnings multiple of about 6.8 times, a 19 per cent discount to its peers.
Firstfolio closed unchanged on Monday at 5¢.
The Australian Financial Review


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We established a monitoring programme in spring 2012. This large scale systematic survey is repeated each year in spring. The work samples 300 woodlands and gardens across northern England, using the same methods in the same places each year. Surveys are carried out using trail cameras, by walking through woodlands and recording squirrels seen, or by observing squirrel visits to garden feeders (methods in detail can be downloaded below, as PDFs).
We have just finished the spring monitoring 2016. 293 sites were surveyed. We are delighted to be able to report that reds were detected in more sites than greys this year. Reds were found in 44% of sites (the same proportion as last year). Grey squirrels were found in 37% of sites, a considerable drop from 47% of sites the previous year. So, overall a great result, and one that provides encouragement to all those involved in red squirrel conservation across northern England. The report can be read in full by downloading the pdf below.
Huge thanks once again to over 140 people who helped us continue this monitoring effort. It is a massive achievement for all involved.
We would greatly welcome new participants in this monitoring network. If you would like to take part, please do contact Simon O'Hare to discuss further.


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What is living you? The Practice: Give over to good. Why?In every moment, you and I and everyone and everything else - from quantum foam to fleeting thoughts, intimate relationships, rainforest ecosystems, and the stars themselves - are each a kind of standing wave, like the ever-changing though persistent pattern of water rising above a boulder in a river.We are the result of multiple causes flowing through us. As Buckminster Fuller famously said, "I seem to be a verb."This fact … [Read more...]
Give Over To Good
Say Thanks
Each Thanksgiving holiday, we are reminded to be thankful. When times are tough, finding reasons to be thankful may be challenging or even seem inappropriate or impossible. This year, before we sit around the dinner table, let's think about the myriad benefits to saying thanks, and how to truly savor the opportunity, no matter what.What do others give you? The Practice: Say thanks. Why?What do you feel when someone thanks you for something? For a comment in a meeting, a task done at h … [Read more...]
Have Compassion
Do You Care? The Practice: Have compassion. Why?Compassion is essentially the wish that beings not suffer - from subtle physical and emotional discomfort to agony and anguish - combined with feelings of sympathetic concern.You could have compassion for an individual (a friend in the hospital, a co-worker passed over for a promotion), groups of people (victims of crime, those displaced by a hurricane, refugee children), animals (your pet, livestock heading for the slaughterhouse), and … [Read more...]
Relax, You've Arrived
Are we there yet? The Practice Relax, you've arrived. Why?We spend so much of our time trying to get somewhere.Part of this comes from our biological nature. To survive, animals - including us - have to be goal-directed, leaning into the future.It's certainly healthy to pursue wholesome aims, like paying the rent on time, raising children well, healing old pain, or improving education.But it's also important to see how this focus on the future - on endless striving, on … [Read more...]
Speak from the Heart
What's Your Heart Say? The Practice Speak from the heart. Why?One Christmas I hiked down into the Grand Canyon, whose bottom lay a vertical mile below the rim. Its walls were layered like a cake, and a foot-high stripe of red or gray rock indicated a million-plus years of erosion by the Colorado river. Think of water - so soft and gentle - gradually carving through the hardest stone to reveal great beauty. Sometimes what seems weakest is actually most powerful.In the same way, speaking … [Read more...]
Put No One Out of Your Heart
What is an open heart? The Practice Put no one out of your heart. Why?We all know people who are, ah, . . . challenging. It could be a critical parent, a bossy supervisor, a relative who has you walking on eggshells, a nice but flaky friend, a co-worker who just doesn't like you, a partner who won't keep his or her agreements, or a politician you dislike. Right now I'm thinking of a neighbor who refused to pay his share of a fence between us.As Jean-Paul Sartre put it: "Hell is other … [Read more...]
Tune Into Others
What Are They Feeling? The Practice Tune into others. Why?Imagine a world in which people interacted with each other like ants or fish. Imagine a day at work like this, or in your family, aware of the surface behavior of the people around you but oblivious to their inner life while they remain unmoved by your own.That's a world without empathy. To me, it sounds like a horror film.Without empathy, there can be no real love, compassion, kindness, or friendship. Empathic breakdowns shake … [Read more...]
Drop The Case
Who are you prosecuting? The Practice Drop the case. Why? Lately I've been thinking about a kind of "case" that's been running in my mind about someone in my extended family. The case is a combination of feeling hurt and mistreated, critique of the other person, irritation with others who haven't supported me, views about what should happen that hasn't, and implicit taking-things-personally. In other words, the usual mess.It's not that I have not been mistreated - actually, I have been - nor … [Read more...]


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Difference between revisions of "Hale, Lancashire Genealogy"
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Revision as of 17:56, 26 January 2012
England Lancashire Lancashire Parishes
Chapelry History
HALE, a chapelry, in the parish of Childwall, union of Prescot, hundred of West Derby, S. division of Lancashire, 11½ miles (W. S. W.) from Warrington; containing 645 inhabitants. Among the families connected with this place have been the Waltons, Hollands, Irelands, and Blackburnes: Sir John de Hibernia, ancestor of the Irelands, came over with the Conqueror, and was buried at Hale chapel in 1088. The township is beautifully situated on the northern bank of the river Mersey; it forms the most southern point of land in Lancashire, and comprises 1626 acres. The village is a delightful spot, and one of the most ancient villages in the county: it received a charter from John, of a market and a fair. The Hall, the seat of John Ireland Blackburne, Esq., who is lord of the manor, is a very ancient mansion of brick, with stone ornaments, and a great part of it is covered with ivy: the north front was built in 1674 by Sir Gilbert Ireland; the south front was rebuilt in 1809, from designs by Nash. In the garden and conservatories are numerous fine specimens of rare and exotic plants; among them are, the Corktree, the Tea-tree, and the Sabal Blackburnia, or Blackburne-Palm, considered to be the largest of the kind in Europe: it was presented to the family by Lord Petre, in 1737. On the west side of the parsonage-green is an antique vine, by tradition more than 300 years old; the stem is about a foot in diameter: although rugged, and perforated in several places by age, it still spreads its branches luxuriantly over the adjoining cottages, and produces fruit. The living is a perpetual curacy, in the gift of Mr. Blackburne. The tithes have been commuted for £140, payable to the Bishop of Chester's lessee, Sir John Gerard, Bart., £42. 2. to the vicar, and £1. 17. 9. to the incumbent of the chapel, whose glebe contains 27½ acres. The chapel, dedicated to St. Mary, was rebuilt in 1754, and has tablets to the memory of Sir Gilbert Ireland and others, the maternal ancestors of the present proprietor. A school is endowed with a house and garden valued at £12 per annum, and the interest of £150, for the education of 12 children; the other scholars pay. The interest of £100, to be distributed in cloth to the poor on the 22nd of November in each year; and the interest of another £100, to be distributed on Sundays at Hale chapel, were bequeathed by William Part, the founder of the endowed school. John Middleton, a man nine feet three inches in height, was born here in 1578. In 1617 Sir Gilbert Ireland took him to the court of James I., where he wrestled with the king's wrestler; he died in 1623, and was buried in the churchyard. A portrait of this gigantic person, who was called "the Childe of Hale," is to be seen in the library of Brasenose College, Oxford; and a likeness of him is also preserved at High Leigh.
From: A Topographical Dictionary of England by Samuel Lewis (1848), pp. 372-379. URL: http://www.british-history.ac.uk/report.aspx?compid=50998 Date accessed: 01 July 2010.
Civil Registration
Birth, marriages and deaths were kept by the government, from July 1837 to the present day. The civil registration article tells more about these records. There are several Internet sites with name lists or indexes. A popular site is FreeBMD.
Church records
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Census records
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Probate records
Records of wills, administrations, inventories, indexes, etc. were filed by the court with jurisdiction over this parish. Go to Lancashire Probate Records to find the name of the court having primary jurisdiction. Scroll down in the article to the section Court Jurisdictions by Parish.
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Some say that St. Louis in recent years has been experiencing a renaissance in theater, but I'm not entirely sure about that. While matching the second definition of 'renaissance' in my Merriam Webster's Collegiate Dictionary as 'a movement or period of vigorous artistic and intellectual activity,' it doesn't necessarily jibe with the third definition of 'rebirth, revival.'
That's because the level of theatrical performance locally, both qualitatively and quantitatively, seemingly has never been better. The Kevin Kline Awards most assuredly have played a significant part in this artistic surge, but the energy level goes beyond even that significant development. In 2009, I observed approximately 135 productions, but by my own arithmetic missed another 120 or so presentations by professional, semi-professional, community, college and cabaret performers. The latter category in particular has proliferated impressively in just a few years.
A substantial percentage of shows I viewed were handsomely crafted, demonstrating just how high the caliber of acting talent in this area has risen on many occasions. So, what are some of the more lasting memories of this past year?
If comedy is what you crave, you had the opportunity to smile at the whimsical humor of Noel Coward in Black Cat Theatre's superb production of Private Lives, directed with flair and finesse by Edie Avioli and featuring the talents of James Anthony, Aarya Sara Locker, Justin Ivan Brown, Larissa Forsythe and Sarajane Alverson.
Echo Theatre artistic director Eric Little and his troupe converted a Thom McAn shoe store into a cozy den of satire with a number of clever gems that were often hilarious with their biting wit, topped by the carefully clumsy courting dance by the manically funny duo of Charlie Barron and Colleen Backer in Nerve.
HotCity Theatre presented a truly hilarious gem titled Cockeyed, winner of its 2008 Greenhouse New Play Festival. This clever comedy by William Missouri Downs, about a philosophy major named Phil who is in love with a woman who literally doesn't know he exists, was delightful thanks to Adam Flores' endearing portrayal of the feckless Phil, and terrific supporting work by Tyler Vickers, Paul Pagano and Jennifer Nitzband under Marty Stanberry's lively direction.
Donna Northcott's Magic Smoking Monkey Theatre managed to condense J.R.R. Tolkien's Lord of the Rings trilogy into one hour of inspired mayhem, thanks to adapters John Wolbers and Liz Henning and a crazy cast led by Roger Erb in a giant diaper as the nefarious Gollum, Suki Peters as the vapid Legolas, Wolbers as Frodo the hobbit and Chris "Mr." Jones moving gamely across stage on his knees as the warrior dwarf, Gimli.
Stray Dog Theatre presented an amusing version of A.R. Gurney's charming tale, Sylvia, about a man in mid-life crisis smitten with the ways of a newfound pooch. Paris McCarthy was amusing as the high-spirited canine, Alan Knoll was the hapless master, Susie Wall his frustrated wife and Larry Dell a macho neighbor and sundry other parts. And West End Players Guild presented a whimsical little piece titled Almost, Maine about the rather eccentric denizens of a town in the not-quite Great White North, with Renee Sevier-Monsey guiding a clever cast that eased in and out of amusing skits.
Top-notch musicals were in abundant supply as well. The Muny kicked off its season with a captivating rendition of 42nd Street that featured the imposing stage presence of Muny newcomer Robert Cuccioli as producer Julian Marsh, who makes a star out of chorus girl Peggy Sawyer, played by Shannon O'Bryan. Cuccioli's commanding version of The Lullaby of Broadway was the single best moment in The Muny's season.
Scott Miller's New Line Theatre offered a trio of engaging works, from the goofy sci-fi send-up Return to the Forbidden Planet to the offbeat 25th Annual Putnam County Spelling Bee to the world premiere of Love Kills, a rock musical by Kyle Jarrow based on the infamous Starkweather murder case in 1958. The latter featured excellent singing by Taylor Pietz and Allison Helmer and fine performances by Philip Leveling as Starkweather and Zachary Allen Farmer as the sheriff who interrogates him. And Spelling Bee, led by Nick Kelly as the long-suffering but cocky nerd William Barfee, was actually better on New Line's cozy stage than when it played The Fox a year or so back.
Opera Theatre St. Louis mounted an exhilarating production of The Ghosts of Versailles, a sizzling presentation of its debut performance of Richard Strauss' Salome and a vigorous and appealing version of La Boheme. The St. Louis Black Repertory Company offered a stylish telling of Blues in the Night, a high-energy revue conceived by Sidney Epps incorporating tunes by numerous contributors to the Great American Songbook, with producing director Ron Himes blending the considerable vocal talents of J. Samuel Davis, Anita Jackson, Willena Vaughn and Leah Stewart.
Himes also contributed a superior presentation of the Tony Award-winning masterpiece, Ragtime, as director of an impressive performance by the Washington University Fine Arts Department, with stellar work by Renae Adams as Mother standing out among the four dozen cast members. Across town, the Webster University Conservatory of Theatre Arts presented a fabulous version of Cabaret. Other notable musical productions this year included a trimmed-down version of Fiddler on the Roof by Mustard Seed Theatre and a rollicking rendition of Guys & Dolls at Stages St. Louis.
Superior dramas were in abundance, whether fresh interpretations of classics or compelling new stories. New Jewish Theatre scored with the emotionally draining but powerfully packaged Conversations with My Father, with an unforgettable performance by Peter Mayer as a Jewish immigrant consumed by his own angry demons.
The Rep offered a magnificent performance by Amy Landon in the title role in a fabulous production of The Miracle Worker directed by the late Susan Gregg with one of her typically thorough and engaging efforts, while Jeffrey Hatcher's psychological adaptation of Robert Louis Stevenson's horror classic, Dr. Jekyll and Mr. Hyde, was provocative, bizarre and very entertaining.
There were solid productions of seldom-seen works, such as Stray Dog artistic director Gary Bell's excellent telling of Kafka's surreal, existential tale, The Trial, with Will Ledbetter fabulous as the nebbish bank clerk who is targeted by sinister forces. And Avalon Theatre showed us a different side of veteran comic performer Whit Reichert, who was outstanding as an emotionally repressed dad in The Subject Was Roses.
Slightly Askew Theatre Ensemble presented Caryl Churchill's taut, provocativ drama, Top Girls, with solid performances by Rachel Tibbets as a career-climbing Brit trying to distance herself from her plain sister and her own simple past, Dianna Thomas as her banal, disturbed niece and Johanna Elkana as her emotionally dead sister.
Muddy Waters Theatre celebrated the works of Edward Albee with splendid versions of the known (Who's Afraid of Virginia Woolf?), the honored (Three Tall Women) and the obscure (The Lady from Dubuque). Dubuque was particularly satisfying in its telling of two dapper characters who pay an unannounced visit to the home of a young woman in the throes of a terminal illness. Director Cameron Ulrich's fascinating presentation featured finely etched performances by Robert Mitchell, Sarah Cannon, Joshua Thomas, Emily Baker, Patty Ulrich, G.P. Hunsaker, Todd Pieper and Kirsten Wylder in the title role.
OnSite Theatre used the Craft Alliance Gallery as the backdrop for Joe Hanrahan's clever piece, Exhibit, with Margeau Baue Steinau, Andrew Neiman and Sarah Cannon as artists, wannabe artists and perceived artists hanging about a gallery amidst audience members. Dramatic License Productions made an auspicious debut with a strong presentation of John Patrick Shanley's Doubt, a battle of wits between a headstrong nun and the young priest she suspects of pedophilia, with excellent work by Kim Furlow, Jason Cannon, Sarah Cannon and Leah Stewart.
The Orange Girls offered a compelling tale of love and betrayal in Donald Margulies' two-person drama, Collected Stories, with riveting performances by Nancy Lewis as a haughty writer and Meghan Maguire as her admiring but opportunistic student under Edward Coffield's careful direction. And the rarely seen Todd Gillenardo was superior as the wronged Jewish moneylender, Shylock, in St. Louis Shakespeare's version of The Merchant of Venice.
Director Steve Callahan presented a special bouquet to audiences in the summer with Act Inc.'s endearing production of Noel Coward's Waiting in the Wings, which featured a "Who's Who" of veteran local actresses in its sterling cast, including Dorothy Davis, Liz Hopefl, Eleanor Mullin, Suzanne Greenwald, Teresa Doggett, Lynn Rathbone, Sally Eaton, Jan Meyer, Diane Peterson and Cindy Duggan.
Wayne Loui directed a moving presentation of Tina Howe's sobering drama, Painting Churches, at Insight Theatre, with Joneal Joplin in a heartrending performance as a poet sinking increasingly into dementia. And Joe Hanrahan channeled former President Harry S Truman in the triumphant one-man show, Give 'Em Hell, Harry!, for Midnight Productions.
Michelle Hand delivered a memorable turn as an emotionally troubled artist who feigns believing she is onetime baseball star Darryl Strawberry in The Sweetest Swing in Baseball, which was given a splendid interpretation by Non-Prophet Theatre Company under Robert Mitchell's steady guidance. Also, Charlie Barron was a pensive but still lonely Charlie Brown in Non-Prophet's presentation of the disturbing, adult-themed Peanuts parody, Dog Sees God: Confessions of a Teenage Blockhead.
The Black Rep presented a pair of solid dramas, a character study titled A Song for Coretta about five women waiting in line to view the casket of the late civil rights activist and widow of the Rev. Dr. Martin Luther King Jr., and a work titled In the Continuum about two women, one African and one American, dealing with AIDS, portrayed movingly by Sharisa Whatley and Marylynn Gwatiringa.
St. Louis Actors' Studio scored several triumphs in its season of shows devoted to "power and politics." Bryan Keith and Tyler Vickers, respectively, portrayed a psychologically fragile Vietnam War veteran and the sad lonely psychiatrist who is charged with unlocking the mental mysteries of his patient in Medal of Honor Rag, while Glynis Bell virtually inhabited the personality of Martha Mitchell in the clever drama, Martha Mitchell Calling, in a sparkling production directed by Lana Pepper.
The company paired with Saint Louis University's theater department for a fabulous telling by director Milton Zoth of Bertolt Brecht's The Good Person of Setzuan, which featured a tour de force performance by Kari Ely. Another spectacular effort was the chilling work, Back of the Throat, with David Wassilak expertly setting the mood and tempo for a modern-day horror story about an Arab-American student increasingly grilled by a pair of ominous CIA operatives. Expert performances by Kevin Beyer and John Pierson and solid efforts by Alan David, Julie Layton and Joseph Garner made this taut tale engrossing from its innocuous start to its scary conclusion.
Still, certain shows stood out above the others when the smoke and fire cleared away from the performance venues around town. The following list, in ascending order, represents one choice for the area's Top Ten performances of 2009. Let's also mention, though, two runners-up at the start: The touring production of the visually and musically stunning Spring Awakening that visited The Fox in February, and Upstream Theater's excellent presentation of an intense drama titled Helver's Night, with sterling performances by Linda Kennedy as the guardian of a mentally-challenged man-child, superbly etched by Christopher Harris, fighting for survival in a ruthless totalitarian state.
The Top Ten for 2009:
One Extraordinary Darkness, presented by OnSite Theatre (#10). This enchanting work by Elizabeth Birkenmeier received its world premiere at the Green Center, a reputedly haunted house in University City that is the location for an arts and environmental organization dedicated to "helping people understand the natural world." In a sense, that's what Birkenmeier's four characters do in her whimsical effort, which featured engaging performances by Joe Hanrahan, Margeau Baue Steinau, Robert Birkenmeier and Adina Talve Goodman under Bill Whitaker's crisp and clever direction. An excellent example of OnSite Theatre's mission to present works in offbeat locales.
Amadeus, presented by The Repertory Theatre of St. Louis (#9). Peter Shaffer's three-hour drama premiered in London in 1979 and on Broadway in 1980, and has lost none of its luster in the ensuing three decades. Taking artistic license with historical figures, Shaffer examines the jealousy and pettiness that consume 18th century Austrian court composer Antonio Salieri in his admiration for the music but repugnance for the personality of musical genius Wolfgang Amadeus Mozart. A treatise on how the merely competent may view the truly gifted, Amadeus received a superior presentation by The Rep under Paul Mason Barnes' precise and thorough direction, with marvelous performances by Andrew Long as Salieri, Jim Poulos as Mozart and Joe Hickey as the affable if intellectually challenged Emperor.
Wonder of the World, presented by The Orange Girls (#8). Late in the year The Orange Girls, who have offered several sizzling productions in their short time as a theater company, announced they would go on hiatus. Hopefully they'll be back, but their final presentation in 2009 was the uproarious Wonder of the World, another hilarious work from the bizarre brain of David Lindsay-Abaire. Under the deft direction of Deanna Jent, it was impeccably choreographed to extract maximum laugh potential, led by a fitfully funny turn by Kirsten Wylder as an alcoholic bent on suicide (yes, it's a comedy) after her husband leaves her. Superbly manic work as well by Brooke Edwards, Charlie Barron, Christopher Hickey, Greg Johnson, Kelley Ryan and Mary Schnitzler.
Barrymore, presented by Avalon Theatre Company (#7). One-person shows can be difficult to pull off, as there is no inherent conflict or interpersonal drama taking place. That wasn't a problem, however, for John Contini, whose bravura performance so fully embodied legendary actor John Barrymore that one quickly believed that the late alcoholic, womanizing and immeasurably talented Barrymore was performing again. Director Erin Kelley and her talented technical staff expertly created the mood that supported Contini's mesmerizing interpretation.
Mary Poppins, presented by The Fox Theatre (#6). Every day's a holiday with Mary, especially when she arrives in a touring production that exploded with energy and dazzling pyrotechnics on the vast Fox stage. The musical version of the fanciful tale of a magical Edwardian nanny, a hybrid of the popular 1964 Walt Disney movie and the original stories by P.L. Travers, was a total delight, from the superior performance of Ashley Brown in the title role to the stupefying dance moves of Gavin Lee as chimney sweep Bert, epitomized in a breathtaking turn up the wall, across the ceiling and back down to the floor of the Fox stage on the show's breakout number, Step in Time. Supercalifragilisticexpialidocious!
Woyzeck, presented by Upstream Theater (#5). Artistic director Philip Boehm specializes in translating works from their original German or Polish, and provided the adaptation for this 19th century drama by Georg Buchner about Germany's most sensational homicide case of that century. Boehm's stellar direction kept the story gripping and engaging throughout its 90 minutes, accentuated by Michael Heil's ingenious set design and a magnificent cast led by a brooding J. Samuel Davis in the title role, with superior supporting work by Lavonne Byers, Bobby Miller, Brooke Edwards, Peter Mayer, John Bratkowski, Steve Isom, Jef Awada, Emily Piro, Joshua Cook and Patrick Siler.
Brooklyn Boy, presented by New Jewish Theatre (#4). Pulitzer Prize winner Donald Margulies is the most produced playwright in the 13-year history of Kathleen Sitzer's New Jewish Theatre, which offered a superb rendition of this 2004 drama. Director Bobby Miller's cast worked seamlessly in scenes played across six different areas on Scott Neale's beautifully flowing set design. Miller's direction was compelling and focused throughout, aided immeasurably by Jason Cannon, whose powerful interpretation of tortured novelist Eric Weiss was on display for the entire show. Wonderful supporting work by Peter Mayer, Sarah Cannon, R. Travis Estes, Paris McCarthy, Kate Frisina and Justin Ivan Brown made this an unforgettable and immensely moving presentation.
Glengarry Glen Ross, presented by HotCity Theatre (#3). No playwright conjures 'provocative,' 'controversial' or 'explosive' efforts more than David Mamet, whose searing, in-your-face approach to drama has inflamed American theater for nearly three decades. Perhaps the pinnacle of his oeuvre is this raw, open wound of a play that won the Pulitzer Prize for drama in 1984 for its blistering assault on sensibilities that still carries an emotional wallop a quarter-century later. Set in a Chicago real estate office where 'survival of the fittest' is the de facto motto, Annamaria Pileggi's brisk, blunt direction showcased brilliant efforts by Bobby Miller, Jerry Russo, B. Weller, Chopper Leifheit, Peter Mayer, Christopher Lawyer and G.P. Hunsaker. Bravo!
The Drowsy Chaperone, presented by Stages St. Louis (#2). A few years back, a touring production at the Fox Theatre presented a totally enchanting, exuberant rendition of this delightfully quirky comedy about a central character titled Man in Chair, who escapes his mundane existence by immersing himself in his beloved LP (not a CD!) of The Drowsy Chaperone, a Jazz Age spoof from 1928. Amazingly, Stages' version was even better, as its more intimate venue was chockfull of charm, comedy and captivating insouciance under Michael Hamilton's engaging and delightful direction. Man in Chair was played to the absolute hilt by David Schmittou in a sweet, endearing and heartfelt portrayal, with hilarious support from Edward Juvier, Christiane Tisdale, Tari Kelly, David Elder, Brian Ogilvie, John Alban Coughlin, Kari Ely, Ben Nordstrom, Michael Baxter, Ed Romanoff, Melinda Cowan, Zoe Vonder Haar and Patrick Martin.
Blackbird, presented by The Rep (#1). Sizzling and provocative, this one-act drama by Scottish playwright David Harrower about a 55-year-old man confronted by the 27-year-old woman who was his partner in an illicit affair 15 years earlier was exactly what you hope to see in a Rep Studio production. Crackling with intensity and raising as many questions as it answers, Blackbird soars with searing, intellectual fervor and unrelenting anguish. The Rep's rendition was a rousing, outstanding artistic achievement directed by Amy Saltz in a tightly focused, brilliantly etched production. Both Christopher Oden as Ray and Carmine Goodine as Una emotionally exhausted themselves, and the audience, alternating superbly between the hunter and the prey. Reminiscent of Lolita and Mystic River as well as too many contemporary headlines, Blackbird challenges you to decipher its chilling flight plan.
Theater is thriving artistically in St. Louis these days, and hopefully doing well enough at the box office, too. Here's a toast to our abundantly talented and diverse performers for splendid efforts in 2009 and the great activity certain to follow in 2010!


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Capt. Joanie Baca remembers looking up at the picturesque, mountain terrain during her 11-month deployment in Afghanistan last year near the Pakistani border.
"The mountains were beautiful," said Baca, 34, who grew up in Ahwatukee Foothills. "But then it becomes very real that there are the Taliban in those mountains. That don't just hate you, but where you come from and what you stand for."
Amidst the paradox, stress and hostility of the environment, Baca credits an ability to adapt well and a team that worked together.
"That's another part of getting through it, is going to people who can advise you," Baca added. "It was an honor and I can't accept it on just my behalf."
Last month, Baca was given the Surgeon General's Physician Recognition Award for a Captain. In Afghanistan, Baca led and captained units that coordinated air support and medical services for soldiers out on missions.
The Mountain Pointe High School graduate, who also attended Arizona State University, said receiving the award was "humbling."
"It's like anything else in life; you go into it, put your best foot forward and don't think about awards, at least I didn't," Baca said. "The ultimate outcome is a by-product of each member and what they bring to the table."
Recently celebrating their first anniversary, Baca and her husband live in the town of Grafenwöhr where she is working as a brigade surgeon until next summer.
Before her deployment to Afghanistan in 2010, Baca attended Pepperdine University where she ran cross country, then transferred to ASU where she prepped for medical school at the University of Illinois.
Though she knew she wanted to be in medicine as a surgeon, Baca said she didn't envision herself serving in the military.
"My life turned some corners that I didn't plan on," Baca said, though she was able to share a similar experience with her father.
Twenty years earlier, her father was also stationed in Fort Lewis, Wash., and then to Germany, like his daughter.
"He definitely enjoyed that," Baca said proudly.
As deployments for the U.S. Army are gradually lessening, according to Baca, with the military reducing its forces by about 30,000 soldiers, she anticipates a new chapter of her life.
Baca plans on going back to residency as a surgeon, craving more hands-on work in the operating room. Still, she is thankful for her team and the camaraderie she experienced overseas.
"You just hope that the scope you bring is going to benefit the soldiers you're deploying with," Baca said. "I can't really think of a better way to serve an American soldier."
• Contact writer: (480) 898-4903 or firstname.lastname@example.com. Follow on Twitter: @_dianamartinez.


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