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Need Appliance Repair Help? Ask a Technician for Answers ASAP
Hey there, Max. I have a manual that should help you out here. The schematics are at the back opf it.
Gonna be a few to upload the manual. Please stand by
Are you sayinmg that there are extra wires on the new componant that werent on the origonal?
Ok is this a single or dual element unit?
Ok click here to download the manual. Go to page 7-2 and have a look at the strip circuits there. There are two thermistors that have red wires coming off of them. The schematic shows where they connect to on the main board
On the main board locate pinout P4-3 and P4-6 for the outlet thermistor and pinouts P4-2 and P4-1 for the inlet thermistor. I think that due to the high heat the one you want to replace is the outlet thermistor
Ok Im must be missing something here. The wires that came off of the old thermistor should connect to the new one.
Is there no place to hook the wiores to on the new thermistor?
Ok I see what you mean. There is a modification to this part for some reason. Unfortunatly I dont have the information you need, Max. There is an instruction sheet that should have come with the kit. Please click here to see what Im talking about.
You might try calling APP and just tell them that you didnt get the instruction sheet and see if they can e-mail you a copy of it.


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subset: commoncrawl


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A few words from the victor: "Both of us were looking forward to a match you'd usually expect at the end of the tournament. She's won way more grand slams than me, wherever she's seeded, she's always tough to play. I really wanted this victory. You treat every single match as though it's the last one you're going to play." Sharapova certainly did. What a display of intent and purpose as she meted out one of Williams's heaviest ever grand slam defeats. Anyone for a Sharapova v Serena final come next Saturday? Thanks for reading. Bye!
Sharapova wins 6-1, 6-3
Yes, she has. 15-0, 30-0. A strange, strange point follows. Williams hits a shot which skips on the baseline, Sharapova gets it back but raises her hand to challenge, in the meantime Williams hits long. Hawk-Eye shows Williams's shot did indeed go in, so Sharapova loses the point. Had she not challenged, she'd have gone on to win it and have triple match point. But it's 30-15, make that 30-all. Nay bother, though. Sharapova sets up a match point, and finishes things off with an ace and an almighty scream. Williams shows some real class at the net with a warm handshake.
Second set: Williams 1-6, 3-5 Sharapova* (*denotes next server)
Some tête-à-tête at the net, as the pair exchange volley after volley after volley after volley. Williams prevails. And even manages a half-smile. 15-all. Sharapova again makes a rare excursion away from her baseline game on the next point with a well-executed drop shot, 15-30. Sharapova then tees it up for Williams, who dispatches the smash. 30-all. Another smash, 40-30. And Sharapova then blinks on the return. Williams is looking stronger than she has at any other stage of this match, but surely she's left it too late?
Second set: *Williams 1-6, 2-5 Sharapova (*denotes next server)
Almost ironic cheers from the crowd as Williams gets to 0-30, giving Sharapova a dose of her own medicine with a probing return. She does it again to make it 0-40. Sharapova staves off the first break point with an unreturned serve down the middle, the second with another strong serve, and then the third as Williams goes high and wide. Deuce. Advantage Williams. One of their finest exchanges then plays out, which ends when Sharapova digs out a seemingly impossible forehand, which Williams volleys into the net. Deuce. Advantage Williams. Game Williams! Sharapova is broken for the first time in the tournament. Another crisis! Some welcome resistance from Williams, but surely a brief resistance at that.
Second set: Williams 1-6, 1-5 Sharapova* (*denotes next server)
I must admit I don't care much for Sharapova's shrieking (does anyone?) and it gets even louder when she produces probably her best return of the match at 15-30, and that's saying something. She's seeing it like a beachball out there. The No2 seed then bludgeons a backhand to carve out another two break points. Both come and go, but Williams is having to do so much running to stay in these points. Deuce. Advantage Sharapova. Deuce. Advantage Williams. Deuce. Advantage Sharapova. Game Sharapova, double break secured. She will serve for the match.
Second set: *Williams 1-6, 1-4 Sharapova (*denotes next server)
@ESPNTennis reports Williams's worst loss at a grand slam to date was a 6-1, 6-1 semi-final defeat to Martina Hingis at the 2001 Australian Open. A lull from Sharapova here means the same fate could be avoided ... 15-30, Williams has a glimmer. A big chance for Williams at 30-all, but she goes for broke, and nets. 40-30. A lengthy point ensues, one of the best of the match, with both players going at each other, toing and froing, and it's Sharapova who eventually prevails. The improvement the Russian's made in her footwork/movement over the last year or so is remarkable.
Second set: Williams 1-6, 1-3 Sharapova* (*denotes next server)
You know the drill, right? 0-15, 0-30, 0-40. The depth Sharapova is getting on her shots is startling. She's absolutely battering the life out of the poor balls, as well as poor Venus. A rare slip-up on the first break point as she prods into the tramlines, another error makes it 30-40. But it's still only seven unforced errors for Sharapova so far. Remarkable considering how much she's going for it, hitting a winner every few shots. But look! Suddenly it's deuce, and then advantage Williams. Williams then sees Sharapova's forehand and raises it, with a game-winning strike down the line. She's alive, but only just.
Second set: *Williams 1-6, 0-3 Sharapova (*denotes next server)
15-0. That's 16 unforced errors from Williams now, not that I think many of them can really be termed as unforced, considering the way Sharapova is playing today. 30-0, 40-0. Game. Despite the torrent coming at her, at least Williams is still holding her poise. That, for me, is the dichotomy of Williams: the beauty of her poise and also her athleticism, and the brutality (OK, not today) of her shots.
Second set: Williams 1-6, 0-2 Sharapova* (*denotes next server)
Sharapova continues to treat Williams's second serve with disdain, swatting it away like an irritating fly. 0-15, 0-30, 0-40. Williams's mother, Oracene, winces in the crowd. This can't be pleasant viewing. Sharapova breaks to love with another return winner, jumping into the ball before unleashing a venomous forehand. Williams doesn't even bother to move.
Second set: *Williams 1-6, 0-1 Sharapova (*denotes next server)
So what can Williams do? Her game is all about doing what Sharapova is doing to her; going for the winners, hustling her opponent, taking the time away. Sharapova is just a better version of Williams right now. That said, Williams could find a little more consistency on the forehand side. Despite her healthy advantage, Sharapova is still painting the lines and holds to 30, rounding things off with an ace.
Sharapova wins the first set 6-1
Sharapova is going for the jugular out there, pouncing first, holding Williams by the throat, giving her no time to breathe in these points. ARRRGH! 0-15. ARRRRGH! 0-30. ARRRRRGGH! 0-40, as an outrageous forehand return winner brings up three set points. Williams didn't move an inch there. Williams survives the first set point, but not the second. Probably the easiest set Sharapova has ever won against Williams, this is brutal. Sharapova >>>>>>>>>>>>>>>>>>>>>>> Williams right now.
First set: *Williams 1-5 Sharapova (*denotes next server)
Crisis over. A first ace of the match brings up 15-0. One of the longest rallies so far ends with a Sharapova swat down the line, 30-15. She then successfully challenges a second serve that was called out, making the most of her reprieve as Williams nets. 40-15. A punishing serve down the T and Williams can't direct the return into play. Williams knows she must hold serve to stay in this set. The way Sharapova is playing, there are absolutely no guarantees she will.
First set: Williams 1-4 Sharapova* (*denotes next server)
A brilliant bit of improvisation on the return from Sharapova makes it 15-all. Williams then pings a cross-court forehand on the line, those are the margins Williams has to work with if she's going to get any change from her opponent. 30-15, 40-15. And Sharapova nets the return, conceding her first game of the tournament. Crisis!
First set: *Williams 0-4 Sharapova (*denotes next server)
A first double fault from Sharapova gets Williams on the board at 30-15, but that's as good as it gets for the American. 4-zip for Sharapova in 18 minutes. Wow. And this from Judy Murray on Twitter: "Loving Venus's dress.....but it kinda look like she's been paint-balling." Agreed. And this from our own Kevin Mitchell: "That's 4.5 bagels to Shazza."
First set: Williams 0-3 Sharapova* (*denotes next server)
Williams is trying to crank up the power here, hitting it harder and harder, but whatever she throws at Sharapova, the Russian is able to get back. The world No2 is timing the ball beautifully, and thwacks a second-serve return with disdain on the fourth point to get to 30-all. It's not often Williams's second serve gets that kind of treatment. Williams, now under pressure to go deep on the serve, double faults. 30-40, break point. Williams nets. What a start from Sharapova, there's not much subtlety on show here, but it's still hugely impressive to watch.
First set: *Williams 0-2 Sharapova (*denotes next server)
Never mind the habit of not treading on the lines, Sharapova's up to her usual service tics too, with that ball bouncing and extraordinarily high ball toss. A few Aussies in the crowd are also mimicking the Sharapova shriek. It doesn't put her off as she goes 30-0 ahead, but Williams comes back at her, 15-30, 30-all, 30-40, break-back point. Williams is having plenty of joy with the forehand down the line, especially off Sharapova's second serve. But Sharapova gets herself out of a bit of hole, taking the next one, two, three points, to consolidate the break. Make that 26 straight games then.
First set: Williams 0-1 Sharapova* (*denotes next server)
... which she then takes off to reveal a mish mash of colours. An inauspicious start from Williams, as she double faults. She regroups, before winning a short rally by stepping in and walloping a forehand past Sharapova. One-strike tennis already. Another forehand then goes into the net, 15-30. And then, under pressure and off balance, she goes long off the same wing. 15-40, two early break points for Sharapova. Williams takes her time before serving, it's a strong, swinging one out wide, and Sharapova can't do anything with the return. But the Russian strikes on the second break point, before screaming "C'MON," fist pumping and trotting back to her chair, superstitiously making sure not to tread on any lines. So that's 25 games in a row for Sharapova at the start of this Australian Open.
Tik, tok, tik, tok, tik, tok ...
They're warming up. This is only the second meeting between the pair, by the way, since 2009. Sharapova beat Williams in Rome last year en route to her French Open title and career grand slam, but that was on the clay, so will mean little today. Sharapova is looking resplendent in a yellow number, Williams is currently keeping her outfit concealed under a turquoise training top.
The players are weaving and winding their way through the bowels of Rod Laver (the court I should stress, not the great man himself), before stepping out on to an arena that is probably at the moment two-thirds full. The floodlights are just stirring themselves into action as the sunlight fades. Williams keeps Sharapova waiting at the net for a minute or two before the coin toss, which Williams wins. She opts to serve first.
In the meantime, here are some highlights from that 2005 encounter, along with Kevin Mitchell's match report on Heather Watson's defeat to the classy Agnieszka Radwanska earlier today, and another piece from Kevin as Andy Murray defends tennis from doping claims.
It's Wimbledon, 2005. Venus Williams, the fallen champion of 2000 and 2001, hasn't won a grand slam in four years. A succession of injuries and indifferent form following the death of her sister, Yetunde, in a shooting has prompted many to claim that her days at the top are over. In the semi-finals she meets Maria Sharapova, the 18-year-old defending champion, who Williams knows will not relinquish her title without an almighty fight. What follows is a match of breathtaking hitting and frightening intensity, two baseline bullies going for each other's throats, refusing to let up. The 7-6, 6-1 scoreline fails to fully reflect the ferocity of battle as Williams prevails. Restored to the top of her powers, she goes on to save a match point in the final before outlasting Lindsay Davenport 9-7 in the deciding set. She returns to win her fourth and fifth Wimbledon titles in 2007 and 2008.
Fast forward to 2013, and it's hard to see a similar rebirth for the 32-year-old. Williams is learning to manage the auto-immune disease she was diagnosed with in 2011, but fatigue can still strike her down at any time. While she remains more than capable of beating an opponent of Sharapova's quality in a one-off match, the question is whether she can sustain a consistent challenge over two weeks of energy-sapping grand slam play. What is clear, though, is that she's enjoying her best form for some time: she won her first title in over two years in October, her sister, Serena, talked up her chances before the start of the Australian Open, and she duly responded with two performances of intent, power and precision in rounds one and two, conceding only seven games.
Sharapova's record is flawless so far after back-to-back 6-0, 6-0 wins, the first time that's happened at a grand slam since 1985. Not that that counts for much today, and not that Sharapova cares one jot either. "It's not really the statistic I want to be known for," the Russian said in her matter-of-fact way. "I want to be known for winning grand slam titles, not that I won two matches 6-0, 6-0. Knowing what's ahead of me ... there are certainly no secrets coming into the match-up. Despite the fact she might not be seeded high or didn't play for a little bit, she's still a very experienced player and a tremendous athlete."
A rivalry will be renewed at: just after 8am GMT/7pm Melbourne time. They're the first night match on Rod Laver Arena.


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|« Wally's
|Work, Work, Work... »
Black Forest Inn
Kale G: In an effort to expand our cultural milieu, we here at DWPF decided it was time to broaden the reach of our palates, and spear something new on the ends of our fancy forks. Often we have sampled the fares of the United States, Mexico, and Asia, while one of the greatest continents for the cultural smorgasbord of culinary prowess has remained largely untouched. It seemed to us that we had done this landmass a great disservice, only turning in a paltry two reviews that would touch that venerable estate. That?s right, with the diversity and gastronomical possibilities beckoning, we decided it?s time to set our taste buds to ?European?. Specifically, German.
As my wife once said, ?Ah, German. The only language in which ?Have a nice day? sounds like ?Let?s invade Poland?.?
Too soon?
Phil B: [laughing] Nope, not too soon -- I almost choked on my food when you said that. Too funny!
KG: Good German fare is hearty, rich, and probably very, very bad for you. Full of meat, meat, and possibly more meat, the Germans like their plates heaped with herbivores, and vegetarians need not apply. A land of warm beer and fast cars, Germany is teeming with unusual and unique dishes, most of which are in the form of sausage.
In short: a carnivore?s delight.
PB: I suppose I could adjust to their lifestyle. Beer. Bratwurst. BMWs. What?s there not to like?
KG: Facist regimes?
PB: Well, there is that...
KG: Off we went again to Eat Street, to the Black Forest Inn.
We arrived to a mostly empty lunchroom and were quickly seated. We searched about us for this week?s religious icon, but the best we could was this guy:
Okay, so he?s no deity, but he?s at least a religious man, or a cut-out thereof, so we?re going to go to the ump and say he?s good, if just this side of the foul line. I?m not quite sure why there?s a cardboard cut-out of a monk in the room, but ours is not to question why, ours is just to eat!
PB: Dunno, I thought the monk was a pretty weak entry in DWPF?s Best Deity contest. Maybe we should suggest that they install something with a little more street cred, i.e. a burning bush or perhaps a pillar of fire.
KG: The waitress took our orders; I got the pork shank, and Phil got the sauerbraten. A bit of German for you here: sauerbraten means, ?Let?s invade Poland?.
No, wait, it means ?Sour Beef?. Damn, my wife?s right ? all German does sound the same. Sauerbraten is beef that?s been marinated in vinegar and seasonings, cooked kind of like a pot roast. I?m a huge fan of sauerbraten ? I love sour foods, and this is one of the best. It?s tender, and tingles as it rolls across the tongue, filling your mouth and sinuses with a vinegary tang. It?s usually served with spaetzel, which is a particular delight all its own. Spaetzel are egg noodles (really more of a mini-dumpling) that soak up whatever flavor you soak them in (default: butter). The gravy that comes on sauerbraten in particular is a perfect combo for these little treats, and well recommended.
PB: This was my first time trying sauerbraten and spaetzel. Mmmm, dies ist eine gute! Laßt uns invade Polen!
KG: Wait... what... nah...
The pork shank?s pretty good too. It?s served drowned in gravy, and is a pretty tasty treat. On the menu it comes with mashed potatoes, but I asked for spaetzel instead, but due to a little mix-up I got mashed potatoes and spaetzel! Who wants a starchy treat, huh? I do! I do! The mashed potatoes are good, for restaurant mashed potatoes. I?ve never really found a place that makes mashed potatoes anywhere near as good as the stuff we get when we make ?em at home, so the fact that these are decent isn?t bad at all. Still, I only picked at the potatoes while I downed the spaetzel double-time. What can I say? I know what I like. The pork?s good and tender, full of moist and juicy goodness, and the gravy is hearty, but the shank kind of succumbs to an American issue with gravy, and I?m not sure if it?s a German problem too. When we add gravy to a dish we seem to think the flavor of the dish should be ?gravy?, rather than the gravy being an accent to the meat. I?ve done it when cooking too, so I?m as guilty as anyone, but I still think they could have eased off a little and been fine.
PB: Yep, this was one of the rare times that I preferred what I ordered over Kale?s choice. I liked the pork shank well enough, but it seemed kinda bland compared with the savory, vinegary goodness of the sauerbraten. And the spaetzel, well, let?s just say that it?s a perfect companion for the sauerbraten. Next time I?m gonna order the same thing and wash it all down with a few mugs of Paulaner Oktoberfest-Märzen. That would definitely qualify as four-tine dining.
KG: At the end of the day, I?m torn on the Black Forest Inn. I love spaetzel, and I think they have the best in the Twin Cities. Their sauerbraten is likewise top of class, but the pork shank?s a little weak for my tastes ? don?t get me wrong, it?s good, but I like my pork a little less drowned ? unless we?re talking barbecue. So here?s how I?m calling it: sauerbraten and spaetzel, four tines. Pork shank, two and a half. We?ll look for an average and call the whole mess at three and a quarter (I think that?s our first quarter tine rating? frankly, I?m looking forward to the first sixteenth-tiner?). Black Forest Inn is a good and hearty meal, and if you go for dinner you occasionally get lucky and can hear the big German parties singing drinking songs. Recommended.
2 comments
Um, sorry...anyway, I highly recommend the schnitzel. [Insert Sheriff Bart/Lili von Schtupp joke here] It's every bit as good as the schnitzel I had in West Germany, back when there was a West Germany.
Seriously, their schnitzel is good stuff.
As for what I did order, I actually prefer the pork shank at the Glockenspiel in St. Paul, but we weren't there. Live and learn - and like I said, BFI has the best spaetzel I've had anywhere.


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EIA Report on Hurricane Impacts on U.S. Energy
U.S. Oil and Natural Gas Market Impacts
As of 12:30 pm EDT (11:30 am CDT), September 22, the Minerals Management Service was reporting that nearly 1 million barrels per day (or about 77 percent) of the federal portion of the Gulf of Mexico's crude oil production was shut-in. As of 9:00 am EDT (8:00 am CDT), September 22, the Department of Energy reported that there are 9 refineries in Texas and Louisiana that are shut down due to Hurricane Ike. These 9 refineries have a total capacity of 2.3 million barrels per day (about 13 percent of U.S. operable capacity), and represent almost 800,000 barrels per day of gasoline output (nearly 9 percent of U.S. gasoline demand in September) and about 500,000 barrels per day of distillate fuel output (just over 12 percent of U.S. demand in September), based on recent historical data. So far, since refineries first shut down before Hurricane Gustav, over 41 million barrels of products have not been produced, including over 19 million barrels of gasoline and over 13 million barrels of distillate fuel. This does not include reduced production from refineries that have reduced runs at various times during Hurricanes Gustav or Ike. As of September 22, 6 refineries were running at a reduced rate. As of September 22, the Colonial and Plantation product pipelines continue to operate at reduced rates. Both of these are major product pipelines going from the Gulf Coast to the East Coast.
It takes several days for a refinery to get back to normal operation after first getting power restored, even if there is no significant damage following a hurricane. Refined product supplies are still constrained in portions of the country because of refining capacity that is still significantly reduced from pre-hurricane levels, as noted above. As refineries return to full production, supplies will increase into pipelines, thus providing more supplies to those that have seen constraints in the supply system. But it could take several days or even a couple of weeks before the distribution system, from refineries to retail stations, is once again at pre-hurricane operation levels.
Natural Gas
As of 2:00 pm EDT (1:00 pm CDT), September 22, the Minerals Management Service reported that nearly 4.8 billion cubic feet per day (or about 65 percent) of the federal portion of the Gulf of Mexico's natural gas production was shut-in. The Department of Energy (DOE) reported that as of 10:15 am EDT September 22, eleven of the 26 major natural gas pipelines in the Gulf Coast area continue to report complete shut-in of their systems. The remaining pipelines report that portions of their systems remain at reduced levels of gas flow as a result of Hurricane Ike. Damage assessments continue to be performed both on onshore and offshore facilities. The pipelines continue to provide updates to their customers on those points along the systems that were impacted and are now approved to flow gas. Since returning to service back on September 14, the Independence Hub platform, located about 150 miles offshore Louisiana in Mississippi Canyon has averaged over 830 million cubic feet per day of gas production. This platform is the largest producing platform representing approximately 12 percent of the offshore Gulf of Mexico natural gas production. In July 2008, production from the Hub averaged over 800 million cubic feet per day. As of 10:00 am EDT September 22, the Sabine Pipe Line reported that it is rescinding the previously declared force majeure for Texas Mainline. Currently, eleven points at the Henry Hub are available for gas flows. However, only partial compression remains available at the Henry Hub complex.
As of 9:30 am EDT September 22, the Energy Information Administration (EIA) has confirmed that 8 plants remain shut down which includes those plants still impacted from Gustav, totaling an operating capacity of 5.08 billion cubic feet per day (just under 30 percent of the capacity in Hurricane Ike's path). In addition, EIA reports 22 plants have resumed operations at reduced or normal levels with a total operating capacity of 8.73 billion cubic feet per day. Eight plants are capable to restart (totaling 3.65 billion cubic feet per day of operating capacity) once power is restored and/or upstream gas flow are sufficient.
Also see:
Hurricane Situation
Reports from DOE's Office of Electricity Delivery & Energy
STEO Hurricane Analysis (pdf)
State Energy Profiles
Hurricane Gustav & Ike
September 19, 2008 Report
September 18, 2008 Report
September 17, 2008 Report
September 16, 2008 Report
September 15, 2008 Report
September 14, 2008 Report
September 13, 2008 Report
September 12, 2008 Report
September 11, 2008 Report
September 10, 2008 Report
September 9, 2008 Report
September 8, 2008 Report
September 5, 2008 Report
September 4, 2008 Report
September 3, 2008 Report
September 2, 2008 Report
September 1, 2008 Report
EIA Hurricane Reports


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Welcome to SFLACC.COM
Join our " Cars & Coffee South Florida"
communities on Facebook and Linkedin
Cars & Coffee is a gathering of like-minded car, truck and motorcycle enthusiasts where hundreds of proud drivers will congregate to kick tires, tell tall tales, and have a cup of coffee and a donut. There is something for everyone to enjoy, classics, exotics, concepts, hotrods, motorcycles, and motorsport vehicles. And it's all free, with the funds for the coffee and donuts ($1.00 each) going to local charities. Our Cars & Coffee South Florida beneficiary is a local elementary school with needy children. There are many Cars & Coffee events with the majority being hosted by new car dealers. Some of the most successful are events in the DC area where 1000s of members gather monthly. Events throughout Florida started with 20 or so enthusiast and have grown to 100s within the 1st year. This is a simple premise where one Saturday a month, between the hours of 7:30 to 10:30 AM, we all get together. This leave the remainder of the weekend free for personal use.
What sets Cars & Coffee South Florida apart from the majority, we are fortunate to have within our membership other collectors and businesses that ask to host some of our events. We call this our "Cars & Coffee Road Show". We may be one of the only organizations that encourage different venues; our members and guest have the advantage and pleasure of seeing other collector garages, restoration facilities, and private collector's facilities. We believe this fresh approach makes the hobby more interesting for everyone. Please take an opportunity to surf our website and follow us on Facebook and LinkedIn using the links below. View the many photographs of our guest hosts events, and "Our Garage" were it all started. Also please view the many member comments and our calendar for future events.
Your Cars & Coffee South Florida hosts.
Bill & Russell
Website powered by Network Solutions®


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Business Law
Ask a Business Lawyer. Get Business Law Questions Answered ASAP.
Hello and thank you for your question. This did not involve a negotiable instrument?
this was part of a loan to a business
not really
borrower is in default of a loan collaterilzed by UCC-1 on the company's receivables. we found out who the large receivables are from. we have general UCC-1 on it. how do we collect from the receivable firm so that they do not pay our borrower but pay us the lender directly since the borrower is in default?
If you have security interest in accounts receivable pursuant to a written agreement (i.e. a security agreement), and you have perfected the security interest by filing a UCC-1 financing statement, the first step would be for you to send a notice of default to the borrower and demand payment of the amount due within 10 days. If payment is not made, you may proceed to collect accounts receivable of the debtor in accordance with the terms of the security agreement. You do not need to to obtain an order of court. You must follow the provisions set forth in your security agreement. Please note that if you do not have a security agreement, but only a UCC-1 financing statement, then you do not have a perfected security interest and cannot collect on the collateral. You must have both a security agreement and a UCC-1 financing statement.
Depending on the terms of your security agreement, you would most likely send a letter to the account receivable payor notifying them that you have a perfected security interest in the accounts receivable of the debtor, and that all payments are to be made to you, and not to the debtor, until further notice. Enclose with your letter a copy of the security agreement and the UCC-1 financing statement. If and when you receive payment of the entire debt plus any costs incurred collecting, you would notify the account receivable payor to recommence paying the debtor.
After you receive payments, you must send an accounting to the debtor of all amounts received, credited to the debt plus costs, and the balance remaining due. If you receive more than the amount owed, you must remit any surplus to the debtor.


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STOP PRESS: 1-28 days insurance is now available from aged 18 upwards.
Short term (temporary) insurance - what is it?
Borrowing a car, or lending one to a friend, neighbour, visitor for a short while? You'll have to make sure that it is insured, not only to avoid a huge bill if there is an accident but also because you have to have insurance in place by law, and the penalties for driving without insurance are pretty draconian. Fortunately a short term insurance policy is not expensive and it only takes a few moments to arrange one over the Internet. You can arrange a policy for anywhere between a single day and 28 days and you can usually choose either third-party or fully comprehensive cover too. Once the cover is arranged you can usually download all the necessary documentation and print it out on your own home printer so that you can legally drive the insured vehicle straight away.
What can short-term cover be used for?
Buying a car from a dealer, a private owner or an auction? You'll need insurance to be able to drive it away afterwards and an increasing number of car dealers and car auction houses now offer wireless Internet access so that you can arrange your cover within a few moments of buying a vehicle. Prefer to test drive a car before you buy it? You can arrange fully comprehensive insurance for a day at a reasonable price so there will be no risk of a huge bill if you damage it. Need a larger car than your own for a holiday or to move some household goods? Borrowing or hiring a car from a friend and arranging your own insurance could cost a fraction of hiring one from a car rental company.
I have fully comprehensive insurance already which covers me for any vehicle that doesn't belong to me. Why should I need more insurance?
You may have fully comprehensive cover on your own car, but the majority of policies downgrade the cover to third party only if you drive another car that does not belong to you. This means that if it's stolen or damaged whilst under your control you could be liable for the full cost of it, and there are few things that could spoil a beautiful friendship more quickly than scratching someone else's car and finding you couldn't afford to repair it! With a fully comprehensive short-term policy you could avoid that risk.
How long would I be covered for?
The most popular periods are 1 day, 3 days, 7 days, 2 weeks or 1 month but you can get cover for any length of time you wish between one and 28 days. There is nothing to prevent you from applying for another policy at the end of a month if you need to do so.
At the end of the policy period, will I be entitled to any extra no claims discount?
If I have an accident during this period, will I lose my no claims discount on my annual policy?
Can I use a short term policy to tax a vehicle? (Yes if you buy cover from the right company)
It depends on where you buy your cover from, some insurers will allow this, some won't; this one will : 1-28 days insurance
Post office staff will not accept downloaded documents but some insurers, again including the ones that we link to, will send you a proper cover note through the post which the post office will accept. In the case of 1-28 days insurance this is an optional extra for which a charge of three or four pounds is made, but if you buy monthly pay-as-you-go insurance it is part of the package and you'll be sent one automatically.
How long would it take to arrange cover?
You simply visit the insurance company's website at any time of day or night, 24 hours a day, seven days a week; fill in a short form, pay by credit card and you are covered. If you need to produce documentary evidence of your cover you can download this and print it out at home.
I don't have a clean driving licence, will this matter?
Provided that you hold a full current driving licence most companies will accept you at their standard rates even if you have one or two motoring convictions.
How long can I insure for?
With month to month insurance you can get cover for from one month to eight months. With 1-28 days insurance the most popular periods are 1 day, 3 days, 7 days, 2 weeks or 1 month but you can get cover for any length of time you wish between one and 28 days.
What type of policy is available?
There are two types. The first one is a monthly policy, available for between one and six months. This is available to drivers between the ages of 17 and 90 so it has the advantages that younger drivers can get short term cover, too, either third party or fully comprehensive. Click here for more information about
The other is a more temporary policy of between 1 day and 28 days which is ideal if you want to borrow a car for a few days or lend your own to someone else. Again, both third party and fully comprehensive policies are available. The age range which is accepted is narrower, at 18 to 75. Click here for more information about


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Home > Wellness > Health Library > Stye
Browse and register for related classes.
A stye is an infection that causes a tender red lump on the eyelid.
Most styes occur along the edge of the eyelid.
ByHealthwise StaffPrimary Medical ReviewerKathleen Romito, MD - Family MedicineMartin J. Gabica, MD - Family MedicineSpecialist Medical ReviewerChristopher J. Rudnisky, MD, MPH, FRCSC - Ophthalmology
Current as ofMay 23, 2016
Current as of:
May 23, 2016
Healthwise Staff
Medical Review:
Kathleen Romito, MD - Family Medicine & Martin J. Gabica, MD - Family Medicine & Christopher J. Rudnisky, MD, MPH, FRCSC - Ophthalmology
This information does not replace the advice of a doctor. Healthwise, Incorporated, disclaims any warranty or liability for your use of this information. Your use of this information means that you agree to the Terms of Use. Learn how we develop our content.
To learn more about Healthwise, visit Healthwise.org.
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Quick Look
Property brokered by
Get more listing details on brokerage site
Presented By:
Lance Vaughn
(901) 756-8900
Email Agent
Lance Vaughn
(901) 756-8900
Email Agent
Property DetailsFor more information, contact Lance Vaughn at (901) 734-5583. Visit http://www.crye-leike.com/northms/305786 to view more pictures of this property. Incredible 4 bedroom(2down), 3 bath, 2-story home situated in the sought after Davidson Park subdivision in Olive Branch. Featuring 3 fireplaces, smooth ceilings, open & airy floor plan. Lots of windows, gleaming wood floors, spectacular kitchen w/granite & stainless steel appliances. Fantastic hearth rm for entertaining, lovely formal dining rm, spacious great rm, huge bonus rm. Large master suite with luxury bath. 3 Car garage, security system, delightful patio! Desoto Central school district!
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Additional Property InformationThis single family listing located at 5628 Drew Glazier Drive, Olive Branch, MS boasts four bedrooms and three bathrooms. The property is presently offered for $292,500.
This property is presented by Lance Vaughn of CRYE-LEIKE, Realtors based in Tennessee.


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Colleen Kollar-Kotelly
News about Colleen Kollar-Kotelly, including commentary and archival articles published in The New York Times.
Judge Clears Way for Trump's Voter Fraud Panel to Collect Data
President Trump created the White House advisory commission to find ways to strengthen the voting system. But critics have called it a sham....
July 24, 2017, Monday
Suit Calling War on ISIS Illegal Is Rejected
A federal judge said the plaintiff, an Army captain who wanted a court to clarify whether President Obama was violating the Constitution and War Powers Act, lacked standing....
November 21, 2016, Monday
Latest Release of Documents on N.S.A. Includes 2004 Ruling on Email Surveillance
The Obama administration on Monday made public a trove of documents, including a court ruling that approved a program to track Americans' emails during the Bush administration....
November 19, 2013, Tuesday
Early Date Set for U.S. Suit to Block Airlines' Merger
A federal judge set a trial date of Nov. 25 in the government's legal challenge to the merger of American Airlines and the US Airways Group....
August 31, 2013, Saturday
Federal Court Blocks Voter ID Law in South Carolina, but Only for Now
The court ruled that there was not enough time to educate voters and officials about the law, but that it might go into effect in 2013....
October 11, 2012, Thursday
Documents in Plain Sight, but Still Classified
A federal judge ruled that a batch of classified diplomatic cables posted by WikiLeaks were still considered secret....
July 24, 2012, Tuesday
Kuwaiti Ordered Released From Guantánamo Bay
A federal judge has ordered the release of a Kuwaiti man held at Guantánamo Bay and rebuked the United States government for relying on scant evidence, witnesses who were not credible and coerced confessions to hold him for more than seven years....
September 26, 2009, Saturday
Kuwaiti Ordered Released From Guantánamo Bay
A federal judge rebuked the U.S. government for relying on scant evidence and coerced confessions to hold him for more than seven years, and a general wants to close the facility....
September 26, 2009, Saturday
No Appeal of Court Ruling on Guns in Parks
The Obama administration says it will not appeal a federal court ruling that prohibits carrying loaded guns in national parks and wildlife refuges....
April 19, 2009, Sunday
'Astoundingly Flawed'
President Obama's interior secretary, Ken Salazar, should agree to retract the rule that allows park visitors to carry loaded guns....
April 3, 2009, Friday
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1994 Volvo 960 Problems
RepairPal has identified the most common problems with the 1994 Volvo 960 based on complaints from actual vehicle owners. We'll tell you what the problem is and what it'll take to fix it.
The engine will crank over but will not start. The Check Engine Light is on and/or there is a diagnostic code for the engine coolant temperature sensor (ECT). This may be caused by a faulty sensor (located at the back of the cylinder head).
The gear position sensor on the transmission may fail, resulting in illumination of the Check Engine Light and/or a no start condition.
The front control arm bushings wear out, resulting in alignment issues and squeaking and/or knocking noises from the front end. Worn bushings will require replacement.
The AC evaporator can develop leaks. If you have it replaced, it's a good idea to change the cabin air filter at the same time to help with cabin air quality.
The sway bar bushings commonly wear out, causing a knocking noise from the front of the vehicle. Replacing the worn bushings should correct this concern.
Vibration problems from the rear brake rotors are common and require replacement of the pads and rotors, and the installation of special shims. The symptoms often occur when the brakes are used heavily from repeated braking, braking from high speeds, and braking while going downhill. The entire vehicle can vibrate and shudder, like it is being driven over train tracks.
The intake manifold gasket will often be a source of vacuum leaks. This will cause a rough idle and the Check Engine Light will illuminate. Replacement of the gasket is required to resolve this issue.


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Sierra Oro Farm Trail Passport Weekend
Sierra Oro Farm Trail Passport Weekend
Date: Saturday, October 6, 2012 Time: 10:00 AM
Location: University Farm
Taste the bounty of Butte County agriculture while traveling the Sierra Oro Farm Trail.
The CSU, Chico University Farm is one of many local farms on the Sierra Oro Farm Trail that are open to the public during Passport Weekend. Hours are 10 a.m. to 5 p.m. on Saturday and Sunday, October 6-7, 2012. For more information visit the Sierra Oro Farm Trail website.
Also, join us at 5:30 p.m. on Saturday evening for a special wine, beer, and cheese tasting reception and Hall of Honor induction ceremony.


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Study and dissemination of science-based knowledge to inform development of policies to reduce problems caused by substance abuse
The Foundation's Innovators Combating Substance Abuse program was designed to highlight substance abuse as the nation's number one health problem by recognizing those who are striving to bring creative solutions to the field of substance abuse.The purpose of this project is to utilize science-based information to inform the development of policy to reduce problems caused by tobacco and other drugs. The focus of this project is the evaluation of the state of knowledge by literature based research and meeting with leaders in tobacco and other substance abuse control, and the provision of new knowledge through quarterly reports and educational meetings with policy makers.
Grant Details
Amount Awarded $300,000.00
Awarded on: 9/26/2000
Time frame: 10/1/2000 - 2/28/2003
Grant Number: 39964
Foundation of the University of Medicine and Dentistry of New Jersey
Tower II, Suite 850
120 Albany Street
New Brunswick, 08901-2126
Judith Schector
Project Director


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[Thread] Commonly Used Widgets
All around XDA you'll find people posting screenshots of their Android homescreen. The beauty of Android is that you can endlessly customize your homescreen with a third party launcher and thousands of widgets. XDA Senior Member fliparsenal has put together a detailed thread, complete with many examples of various homescreen configurations, to help guide you to find the best-looking and most useful widgets for your Android.


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Review: Serato DJ 1.0.0 Software
Serato DJ is Serato's new software for controller DJs. Serato DJ replaces the company's previous flagship controller DJ software, Serato ITCH. It is currently available in the box with the Pioneer DDJ-SX (see our Pioneer DDJ-SX review), as well as a Serato DJ upgrade for users of the Pioneer DDJ-Ergo, Numark Mixtrack Pro and Denon DJ MC2000. It will be rolled out for all current Serato ITCH and Serato DJ Intro users controllers over the coming months.
In this review, we'll start by briefly laying out the history of Serato controller software, and explaining how Serato DJ fits in with the company's other products (and the reason Serato DJ had to happen), to help you decide if Serato may be the route for you. Then, we'll make a detailed analysis of the package.
Serato and controller software
Serato has always done things a little differently when it comes to how its software works with hardware. From the company's tight partnership with Rane (which makes Serato audio interfaces and Serato-enabled mixers such as the Rane Sixty-One for Serato Scratch Live), to the relatively small number of controllers Serato has licensed to work with its current controller software ITCH, the company has strived to provide "plug and play", out of the box functionality. No set-up, no mapping, no audio configurations. This simplicity of operation has been forefront in Serato's marketing and is central to its appeal to a certain type of DJ.
Serato has also always provided the software for "free". You effectively "buy" the software when you buy Serato-licensed hardware. This is because, of course, the software just won't work if licensed hardware isn't plugged in. So the latest version of all Serato software is always available on the company's website, upgrades never costing you anything - you just go and download the new versions as they appear, and they arrive ready-tested for your controller. It all feels very Apple, doesn't it?
Appealing to the masses
To carry on the Apple analogy, the trouble was, there were lots of people who couldn't afford to buy into the expensive world of Serato ITCH. The cheapest Serato ITCH-enabled controllers cost a lot more than the cheapest basic DJ controllers.
Serato was missing these people completely, and you can therefore almost hear the marketing thinking from Serato as it decided to introduced its last major DJ controller software offering, Serato DJ Intro. (This software is the equivalent of Traktor LE or Virtual DJ LE - bundled with controllers to give a "taste" of a full-priced package.)
"We're not getting enough of these new users," Serato's execs will have concluded in their planning meetings. "We need to be on that playing field too." Serato DJ Intro successfully launched, the next issue was that there was no way to upgrade from Serato DJ Intro to Serato ITCH for DJs who outgrew it (and Serato DJ Intro, in line with all cut-down starter DJ software packages, has some clear limitations). With Virtual DJ LE there's the upgrade path to Virtual DJ Pro, and with Traktor LE there's the upgrade to Traktor Pro - but not for Serato.
Hence we all guessed that some kind of upgrade would be made available at some point. With Serato DJ, that's finally happened. Users of controllers that come bundled with Serato DJ Intro will be able to upgrade to Serato DJ for a fee, to unlock the software's full feature set. At that point, they'll have "bought in" to the full Serato ecosystem, gaining access to free updates for life just like all other Serato users.
Upgrading from ITCH
At the time of writing (Nov 2 2012), the software is only available for Pioneer's first Serato DJ controller, the DDJ-SX (read our Pioneer DDJ-SX review here). Over the coming six months or so, the software will slowly be made available for all existing Serato ITCH and Serato DJ Intro controllers. ITCH users will get it as a free upgrade; Serato DJ Intro users will pay a US$199 licence fee. If you want to be told when the software will be available for a particular controller, you can be emailed by Serato by registering here.
Where is all this leading?
Looking forward, judging by the wording of the Serato DJ press release, the next move will be to bring Serato Scratch Live into the same package - "Serato Scratch DJ", perhaps? - so that one software package covers all possible user scenarios. What is clear from all this is that Serato has undergone and is undergoing a substantial internal reorganisation, to draw on its strengths as a provider of DJ solutions that "just work". By simplifying its offerings, the company is clearly attempting to reduce consumer confusion, broaden its appeal, and strengthen its desired market position.
But how good is Serato DJ Intro? What of the much-lauded new Midi mapping functions? The juicy iZotope effects? The new layouts? Let's find out.
Serato DJ 1.0.0 software review
Installing the software and preparing your hardware
If you're on a PC you get the fun of installing a custom ASIO driver, which basically bypasses Windows audio drivers to deliver better performance. There's a small control panel for adjusting buffer size should you get jittery audio. (No need for any of this on a Mac.)
Apart from that, installation simply involves downloading the latest version of the software from Serato's website and installing it like any other program; once it's installed, you run the program to open it in "offline" mode.
When you plug your compatible controller in, the decks appear as the software switches to "online" mode. Plugging your headphones and amp/speakers into the DJ controller completes the set-up process. It's as simple as ever.
Your existing Serato information
One thing that will reassure current users is that Serato hasn't thrown the baby out with the bathwater here: This software remains compatible with your existing Serato library, and all your tunes are there as before when you open up. You can keep Serato ITCH or Serato DJ Intro on the same machine as Serato DJ if you like, and use them interchangeably.
Note that for users who buy an upgrade from Serato DJ Intro, you'll be asked for a user password during this procedure to authenticate the software on your system.
The offline player
So as mentioned, first thing you see if you open Serato DJ without a compatible controller plugged in is the Offline Player (you can go and do it now - downloads the software from serato.com and have a look!). Here you can set loops, cues, prepare crates, audition tracks, set beatgrids (that tell Serato where the first beats of bars are etc. for easier syncing later on), analyse files (determine gain etc) and so on.
In Serato DJ's offline player, the cueing and looping information is much more clearly displayed than in ITCH, but otherwise it's business as usual here.
The opening screen
As if to reinforce the likelihood of Serato Scratch Live being brought into the fold before too long, the opening view once you plug a controller in swaps ITCH's horizontal waveforms for a more Serato Scratch Live-esque vertical view. This puts a wealth of waveform information into a large square panel in the centre of the screen.
You get detailed rolling waveforms, a "bird's eye" rolling view of the current sections of the tracks against each other for easy matching of peaks to aid manual beatmatching, and also as a manual beatmatching aid in the form of a static peak (usually kick drum) readout too.
In Serato ITCH, this information is spread out in different places pretty much across the whole top half of the screen; in Serato DJ, it's unified in one place, leaving more screen real estate for other stuff. Overall, as with ITCH, waveform feedback remains streets ahead of any other DJ software - richly and usefully frequency coloured, and highly detailed. Waveriding remains lots of fun here.
The decks are now considerably bigger and contain more detail. The white circle that shows deck movement was empty in ITCH; in Serato DJ, it contains BPM, BPM variance from true, tempo fader range, and - the most useful of all - time elapsed and time gone. Yup, now there's need to click the numbers to cycle between these.
Note that BPM now shows to only one decimal place. Whereas Traktor's three decimal places seems silly, one decimal place seems equally so to me - two is right for accurate beatmixing. I'd like to see an option at least to bring back that second decimal. By the way, there's also an "original BPM" number that never changes, to the right of the track name - a nice touch.
Outside of the white circle, there is now permanent visibility of cues and loops - up to eight of each, although you can only display four of each at a time. There are also indicators of loop length, loop 1/2x and 2x controls, a save / lock button for loops / cue points, transport controls, an eject button, keylock button - all things absent from ITCH, where they were traditionally available on hardware and there was no perceived need for them to be repeated on screen. In this respect, Serato DJ is more like other DJ software than ever before.
One major addition is VU meters, both for individual channels and for master; with the VU meters come individual gain and master out controls, that - certainly on the Pioneer DDJ-SX, currently the only controller I can test this with - work independently of those on the hardware. I expect with simpler hardware that doesn't have standalone mixer functionality, such as the Denon DJ MC2000, they'll be mapped to the hardware controls.
Other views
I wasn't a fan of the alternative views to the horizontal view in Serato ITCH; they didn't really seem to offer much choice, and appeared tacked on. But here the alternative views do offer real choice; certainly enough to make up for the removal of the daytime mode, which I am sure some DJs will miss.
Switching to Horizontal offers the same feedback as Vertical, except the middle section expands from a square to a rectangle, all the waveforms flip 90 degrees, and the gaps down the far left and far right of the screen disappear. This makes better use of the available space, resulting in more of the waveforms on view.
Moving on, Extended mode might make you assume if you're familiar with Traktor that you're going to be bombarded with information, your library shuffling right to the bottom of the screen with an apologetic one or two tracks showing. But no, in Serato DJ it's something different. What it means here is "extended waveforms"; in return for losing the ability to display more than four cues or four loops at any one time, you gain full-width view of the main waveforms. This view is really very close to the current version of Serato ITCH, although you do additionally completely lose the BPM aid waveform views, which is a shame.
Library view is very similar to ITCH, with rudimentary waveform and deck information squashed to the top of the screen to show almost a full-screen view of your library section. Let's look closer at the library.
Library section
The changes here are evolutionary. Played tunes go grey instead of bright green (a sensible change); the grey/black dividing colours for rows are a little more obvious; a few of the buttons have moved around; the colour-code column for "colouring" tunes (for mood etc) now has blocks instead of little coloured dots; and the iTunes library, if enabled, can now be minimised.
Gone are the full album artwork views; you can now view the album art as tiny (and unadjustable) squares in a list view, or not at all. There's no option to view album art at the bottom of the tree section any more, either, despite the manual saying there is - unless it is, in fact, there and I've just missed it. It seems Serato has definitely decided album art isn't really important to DJs, as this is all a step backwards from ITCH.
File handling itself is unchanged; it is the best file handling system in any DJ software. I think this because of the way it plays nicely with iTunes (you can edit ID3 tags from your iTunes library, which I love, and which some others can't or don't want to do); the way you can DJ from external drives easily, and then when you plug those drives into other computers running Serato software, all the info is "just there"; the ease of copying and moving crates; and also because of its "Smart Crates".
For those uninitiated in Smart Crates, they're like Smart Playlists in iTunes - you set parameters and your music populates the crates automatically according to them. You can use this to autosort, say, all house from 1988-1992. The only change from ITCH is that the smart crates and normal crates have inexplicably become harder to differentiate from each other (now a small "S" in the graphic shows a smart crate, rather than a completely different colour).
The Files, Browse, Prepare, History and Search functions remain as they are in ITCH.
The module buttons
Now moved out of the library section and to the top of the screen are the Record, FX and SP-6 sample player buttons. While the Record panel - used simply to start a digital recording of your set - remains practically identical, there is much to talk about regarding the other two. Once you start switching in these panels, by the way, things start to look distinctly Torq 2.0-esque; the flat "2D" screen knobs are definitely reminiscent of that program. You also start to lose any semblance of a library view as the top "half" of the screen becomes more and more populated, especially in four-deck view; having that view on a button becomes increasingly important.
Effects (FX)
Like with Serato ITCH, you get one effect per effects panel, so just two in total as a minimum. I say "as a minimum" because depending on your hardware, you'll get more (for instance, the Novation Twitch has fader effects plus master effects).
As with ITCH and DJ Intro, you get a "beats" multiplier to cycle the effect against the current BPM, and control of up to three parameters of the effect, the exact controls altering depending on the effect chosen. There are also buttons to switch on and off other parameters, which is new to Serato DJ.
Much has been made of the iZotope heritage of these new effects. I have always personally found the effects in ITCH underwhelming (especially the delay effects), so I was interested to dive in deep and see how good these sound.
So here's a look at the ten supplied effects in more detail. I auditioned them all on some Ultrasone Signature DJ headphones, which I think allows me to give you a definitive view on how good they really are:
- Delay. Sounds great, amazing control level. "Reverse" lets you reverse the delayed sections, "Loop" loops the effect infinitely, "Feedback" controls the number of "delays" otherwise. I loved the "HPF cutoff" control, which is kind of a filter for the delayed frequencies; set "Mix" to 50% and HPF cutoff to full and the sound is almost as if there's no effect on; move HPF cutoff through the frequencies and the effect works from the highs down, until HPF cutoff reaches 0, at which point the effect is across the whole frequency range. Great fun. "Beats" ties the effect to a fraction or multiple of the current BPM
- Echo. Same controls as above, but a more lo-fi tape echo feel
- Reverb. Loads of space, and excellent control. "Decay time" defines the overall "size" of the reverb effect, "Contour" colours it, and "Width" adds a stereo aspect; the "Wide" button feels like you're in an aircraft hangar, "Narrow" a cave. "Reverb cut" stops the effect instantly
- Phaser. The classic "spinning speaker" or "aeroplane flying by" whooshing effect. Clear and crisp, "Q Factor" offers a kind of overall pitch range control on the effect, "Depth" modulates that range, "Filter" colours the intensity, and "Feedback" affects intensity in a different way. In short, lots of control here
- Flanger. Flanger is like a short delay fed back into itself, and is related to phaser, although with a more timestretched quality. This one again is crisp and clean, with six waveform choices, and delay and depth controls plus a positive/negative feedback switch. No idea what the latter does, but you can hear the difference when you engage it!
- LPF. Low pass filter - progressively removes high frequencies, but feeds the signal back into itself for a more musical, resonating quality than mere EQ. An LFO on/off allows you to tie the effect to the BPM or control it manually on a knob, and if you choose the former, an LFO Depth knob adjusts the intensity of the effect. Several "Waveform" options control the quality of the gradient
- HPF. The reverse of LPF, attenuating high frequencies but letting low frequencies through
- Combo HP/LP Filter. The classic one-knob filter. This one again has LFO on/off for manual or auto (beats multiplier-tied) control, plus a resonance control, but there's also a "Noise Injector" button that seems to mix some white or pink noise with the effect for a more exciting but less subtle result
- Distortion. "Smooth Overdrive" is like a guitar distortion pedal, "Nasty Boy" being more metallic and harsh. "Overdrive" and "Character" control the overall level of distortion, while Bass Bypass lets you keep the bassline clean while layering distorted mids/tops over it, similar to the high-pass filter on the Delay
- Ping Pong Delay. "Ping pongs" the delayed signal between the left and right channels. A reverse button lets you reverse the delayed section, "Loop" allows it to carry on infinitely, "Feedback" otherwise controls how many delays are created. "Width" controls how much the delayed sections are panned left and right. As usual, you can use the Beats knob to tie the effect to a fraction or multiple of the current beat length
If you'd like to listen to the effects for yourself, there's a demo page over at Serato's website, which at the time of writing is the home page of Serato.com.
The effects are "post-fader", meaning those in the case of those that involve sound that "continues forward" (ie delay, echo, reverb) continue playing even if you stop the deck or close the fader, until the effect is completely finished. The reverb effect has a panic-style "stop" button on it but the others don't; the best way to instantly stop such effects is to turn Feedback to 0.
One thing that's disappointing is that Serato hasn't taken this opportunity to provide effects more akin to those that even its DJ Intro software has. Let me explain: In Serato DJ Intro, you get three simple effects per panel - with controls for on/off and one parameter. Thus you can chain them for more unique sounding results. In Traktor you can do this too, or you can switch into a mode that's like Serato DJ now. I'd like to see this choice in Serato DJ to - and what's more I am sure it's coming, as the labelling on the Pioneer DDJ-SX suggests as much (there are three "FX select" buttons, and a single/multi FX toggle, which aren't used as labelled at the time of writing). Here's hoping.
Overall, the effects are excellent. They sound great, and they're highly controllable. A few more would have been nice (I'd like to see a gater), but top marks for what's there.
SP-6 sample player
The SP-6 sample player is basically what ITCH has, laid out a little differently and with - as far as I can make out - just one new control. However, for those who are interested in the small differences, and for those coming to Serato controller software anew, I'll go through it. You still get four banks of six samples, routable through any deck or straight to master, with a master volume control. A sample can be a fraction of a second long or a whole song long - the software doesn't care. You just drag from your library. You can instantly double a track from one of the playing decks by dragging it to a sample slot; all relevant info is carried across too (pitch, key, loops, cues etc) - this is a good way of freeing up a deck seamlessly, for instance.
You can also load up to six samples at once: Select six tracks in the library, drag them to the first slot, and all six slots load. Note that sample slots remain filled between sessions, so you can store favourites easily. There are three playback options per sample slot. Trigger plays the whole sample, with repeated pressing stuttering the sample from the start; Hold plays while the button is held; and on/off plays right through, but in this instance pressing play again stops the audio and returns to the start. Each sample slot has its own volume, waveform display, and sync button with BPM counter, plus repeat and eject buttons.
However, in addition there's an extended mode that replaces the little menu that let you choose what extra options to show from the old SP-6. You still have pitch fader, nudge, mute and keylock (weirdly, the pitch fader raises the pitch when pushed up, opposite to the deck faders), but now there's also an individual gain control per sample, the setting of this being stored with the file, not in the slot. Here's a suggestion for Serato. The SP-6 could be massively improved by allowing each bank of effects to be assigned to a deck. So bank A could be assigned to deck 1, bank B to deck 2 etc. Then, the whole bank could act as a track, just like Traktor's Sample Decks.
That would mean the jogwheel, tempo controls and transport would work on the sample bank as it if were a single music file. Currently, if you assign the output of the SP-6 to a deck (and it has to be the whole output, ie all slots), it plays over what's already playing in that slot, the controls continuing to affect the loaded track and having no effect on the aggregated samples.
Midi mapping
This is a good place to introduce another killer new feature of ITCH: Midi mapping. For the first time, you can map functions to external controllers. (Note you can't change the mapping of your primary controller; rather, you can add a second controller to control functions your main controller doesn't.)
I'm mentioning this here because if there was ever a need to add another controller, it's to control the SP-6 sample player. A well thought out SP-6 sample player controller could be an instrument in its own right. As things stand, you use the mouse pointer / keyboard for just about every control here (at least you do with the Pioneer DDJ-SX - and if a controller that size can't control more of the SP-6 than it does, don't expect any other controller to do so either, at least not soon).
To use Midi mapping, you need to attach a Midi controller and install any necessary drivers, and assign it to a free Midi channel if necessary. Press "Midi" at the top of the screen, and you enter a Midi Learn mode, like Ableton Live's. From here, hovering over any control brings up a Midi Assignment box showing its currently programmed status. So you click a control on the screen, then move a control or touch a button on your Midi device. The Midi assignment box confirms the link. For some controls, you can also choose between various Midi data types.
While you can assign control+click functions, note that you can't map jogwheels. Your current set-up is always remembered when you next load, but if you want to program multiple Midi set-ups, you can load and save them from the Midi page in the setup section.
We haven't had time to delve practically into Midi mapping yet - but if we did it would definitely be to map the SP-6. But for users of simpler Midi controllers who - thanks to Serato DJ becoming an upgrade from Serato DJ Intro - will shortly be able to use this software, Midi mapping could be used to map cue and loop points, or the effects section, or any other controls not properly represented on smaller DJ controllers.
While Serato hasn't completely given away the keys to the house by allowing you to remap the controller you already have (ie your primary controller), Midi mapping is nonetheless an important addition to the spec.
The set-up screens
No massive complex options area here like some software. It's been slightly rearranged from ITCH, and a Midi screen has been added simply to show you what you mapped over on the Midi Learn feature, but it remains simple.
"DJ Preferences" lets you control recording format and quality, virtual deck speed, some song load behaviour, and a few control preferences, as well as set a braking time plus (new for Serato DJ) a deck startup time.
"Library and display" sets various crate/column settings including text size for the library, while the "Display" section refers to a screen update control to adjust performance against your PC's spec.
"Mixer" lets you set the EQ boost amount (it always cuts to zero), plus line fader curve, crossfader curve and cue mix and cue volume knobs - note all of this stuff is Midi assignable so if your controller doesn't have these controls, you can here throw them to knobs on a second controller easily.
Finally, "Audio" is simply where you can tweak the latency to avoid jittery audio if necessary, and "plugins" is effectively where you'll add Serato Video should you wish to extend the software for VJing (Serato Video is outside the scope of this review, but note that first buyers of Serato DJ Intro get the plugin for free).
Sync and beatgrids
Beatgrids are simply markers that show where the beats are, and also where the first beat of a bar falls. You can adjust the beatgrids from the offline mode or by clicking the beatgrid button on either deck. New to this version of Serato is a bar counter, exactly like that in Virtual DJ, which shows which beat of the bar you're currently on.
The Sync button will initially lock the tracks together by BPM and by beats according to the beatgrid; as soon as you touch the jog, you "take over" manually, meaning the tracks could potentially drift unless you re-sync. This is an intuitive half-way ground between complete, regimented beatsyncing, and none at all, and there's no longer any option to adjust this behaviour in the setup as there was with ITCH. That's fine; this way works well for both the beat(grid) freaks and the semi-purists, folk who still use the sync button to "tempo match" tunes (that latter is me, by the way).
Of course, you can just turn sync off if it doesn't interest you.
If you have an ITCH controller, this is coming to you, and if you have a DJ Intro controller, you'll be able to upgrade to this for a one-off fee. But should you?
For DJ Intro users, absolutely. You'll need proper features as you get into DJing a bit more, and you'll love using all that Serato DJ has to offer. For Serato ITCH users, you may be irked by the lack of the exact view you're used to (Extended view nearly does it, minus the waveform helpers), but stick with it and you'll find much to like here. Serato hasn't completely changed everything; far from it. It is "ITCH 3.0" - revolution, not evolution. The effects are amazing sounding albeit not as extensive or flexible as Traktor's, and the sample player is good, but still not as forward-thinking as even Traktor's Sample Decks, never mind its Remix Decks. Just a bit of the simplicity has been sacrificed. You certainly need more screen real estate once you start using four decks and, for example, samples.
It's now a lot easier to use cues and loops, and some of the changes make it just easier to DJ with, full stop - I'm thinking of the clear played/elapsed info, the original BPM stuff, and so on. One of the biggest leaps is Midi Learn. Adding a small second controller can give you a wealth of additional control, and that in itself means Serato DJ is a worthy successor to Serato ITCH.
Also, what happens next is going to be interesting. How will SP-6 develop? Will The Bridge for Ableton Live finally make it across? When will (as it surely must) Serato Scratch Live merge with this software? For nearly everyone, of course, all of this is academic; you can't use the software yet. So let's hope Serato manages to beat its own targets and roll this out to all the existing controllers ASAP, because of course there are bound to be a raft of new controllers for Serato DJ that the company will have to provide compatibility for alongside bringing all the existing models into the fold.
If Serato can manage all of that, then Serato DJ can't fail to bring the company's software to a whole new audience, and there's no reason why it shouldn't be a great success. I recommend the upgrade to both Serato DJ Intro and Serato ITCH users.
Product Summary
Review Summary:
This is an essential upgrade for all Serato Itch and DJ Intro users, and while it doesn't completely revolutionize Serato for a broader market, it does introduce more professional features for those who want to take their DJing seriously without going for the full blown (and more expensive) version of Serato. We recommend this upgrade to both Serato DJ Intro and Serato ITCH users mainly because it's an important evolution of an already good piece of DJ software.
- Rating:
- From: Serato
- Price: Free to ITCH users, US$199 to DJ Intro users
- Reviewed by:
An improvement over ITCH? Are you looking forward to your controller getting this? Are you a DJ Intro user, and would you upgrade? Are you a user of some other DJ software, and might this persuade you to give Serato a go? Please share your thoughts in the comments.


text: [ Sugarland News – Yahoo! Music By Tom Jordan November 16, 2010 OMG! Can you believe this? It's been going on for the past five years! Kristen hall left Sugarland and when the band made it big, she demanded her share... Read More Category: Events, Videos Tags: awards, Bozeman, cma, country, country music, duo's, lawsuit, live music, mega, millions, money, music, nashville, settle, sugarland, tom jordan, xl country morning show Send to a friend! Share on Facebook Share on Twitter Pin it! Reddit This! Share on Tumblr!


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Auto Meter 20600 Dual Gauge Pillar Pod, Eclipse/Talon/Laser, 2-1/16
Click image to enlarge
Please note the following about this product:
- Ground Shipping Only - Can't Ship Air.
Reviews (0)
What's in the Box
InfoThese dual gauge A-pillar pods are for use with 1990-94 Mitsubishi Eclipse, Talon, and Laser applications for a professional-installed appearance. They mount easily to your windshield A-pillar and allow for quick viewing of your gauges.
- Clean OEM-like fit & finish - Gauges do not obstruct the driver's view of the road and are positioned at optimum viewing angles for at-a-glance readings
- For use with 2-1/16" Auto Meter gauges
- Paint-To-Match
- Includes required mounting hardware
- Vehicle specific


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Christmas Bird Count
December 19, 2009, marked the ninth annual Christmas Bird Count for Tirimbina, the twenty-fourth Finca La Selva count for the Sarapiquí region, which includes the Reserve in its 24km diameter. A total of 136 species with 1,556 individuals was recorded during the count. It was a lower number of species compared with last year, because the climatic conditions that prevailed throughout the day impeded extensive sighting.
Participating in the day's activity were 14 ornithologists, university students, volunteers and Tirimbina staff, who were divided into three groups to cover the reserve and its trails. In each group were birders experienced in identification and, more importantly, several who were participating for the first time. In this way the count is also a process of preparation of future bird observers which guarantees us the participation of a greater number of people for future counts.
Two of the most outstanding species in this Count worth mentioning were the White Whiskered Puffbird (Malacopila panamensis) and Sunbittern (Eurypiga helias) - species which are not easy to spot.
By: Daniel Granados y Andrea Arias
Tirimbina Biological Reserve.


text: On Tue, Dec 14, 2010 at 11:41:34AM -0700, Lloyd Brown alleged: > On 12/14/10 11:36 AM, Garrick Staples wrote: > > On Linux, it defaults to /lib(64)/security. 64bit binaries go into /lib64 and > > 32bit binaries go into /lib. > > > > Your second build must have been 32bit. > > Given the path name, I made the same assumption. Yet, I built it on the > same node as before, which is definitely an x86_64 host and kernel. What does configure say for "checking host system type..."? Have you generated configure yourself? > Additionally, despite being in that path, it's definitely a 64-bit > object file: > > # file /lib/security/pam_pbssimpleauth.so > > /lib/security/pam_pbssimpleauth.so: ELF 64-bit LSB shared object, AMD > > x86-64, version 1 (SYSV), not stripped > Possibly it's something in my configure parameters? Again, they haven't > changed, which is why I'm really confused. But here they are: > > ./configure --enable-server --enable-mom --enable-clients > > --disable-gui --with-server-home=/usr/spool/PBS --disable-sched > > --with-maildomain=users.fsl.byu.edu --disable-rpp --with-pam > > --with-default-server=fslsched.fsl.byu.edu So why do you disable rpp? -- Garrick Staples, GNU/Linux HPCC SysAdmin University of Southern California Life is Good! -------------- next part -------------- A non-text attachment was scrubbed... Name: not available Type: application/pgp-signature Size: 189 bytes Desc: not available Url : http://www.supercluster.org/pipermail/torqueusers/attachments/20101214/ce9e7639/attachment.bin


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Boiron® Sabadil® Homeopathic Medicine Allergy Relief* Quick Dissolving Tablets. World leader in homeopathic medicines. Itchy & watery eyes sneezing. Runny nose. Itchy throat & nose*. Non-drowsy. No drug interactions. Works naturally with your body
Active Ingredients** - Purpose*: Allium Cepa 5C HPUS - Relieves Runny Nose Associated with Allergies. Ambrosia Artemisiaefolia 5C HPUS - Relieves Spasmodic Cough Associated with Hay Fever. Euphrasia Officinalis 5C HPUS - Relieves Burning, Irritated Eyes. Histaminum Hydrochloricum 9C HPUS - Relieves Symptoms of Allergic Conditions. Sabadilla 5C HPUS - Relieves Sneezing and Itchy Throat Associated with Allergies. Solidago Virgaurea 5C HPUS - Relieves Abundant Nasal Discharge. Inactive Ingredients: Croscarmellose Sodium, Lactose, Magnesium Stearate.
Take Sabadil at the first sign of allergy symptoms. Adults and children 2 years of age and older: At the onset of symptoms, dissolve 2 tablets under the tongue every 15 minutes for 1 hour. Then, dissolve 2 tablets under the tongue 3 times a day until symptoms are relieved. Children 2 to 6 years of age: Dissolve 2 tablets in 1 tablespoon of water for easier intake. Follow directions above. Other information: Do not use if glued carton end flaps are open or if the blister seal is broken. Store at 68-77 degrees F (20-25 degrees C).
Always refer to the actual package for the most accurate information


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Best Of :: Food & Drink
The Sweet Tooth is ready for any holiday. Make that every holiday. The North Miami Beach institution prepares foil-wrapped hearts for Valentine's Day, of course, and chocolate clovers for St. Patrick's Day. But even lesser festivals are covered. How about a Mardi Gras mask on a stick? Or an edible football-playing figurine for a Heisman Trophy party? Hand-dipped chocolate matzo for Passover are available, as are symbolic Seder plates featuring solid-chocolate shankbones. Gift baskets are a specialty, with prices varying from more than $100 to only $5 for a Big Bird coffee mug overflowing with creamy nougats. All the chocolates are made on the premises, and in accordance with kosher law. (There's even an ultrakosher parve division.) They deliver anywhere in Miami-Dade and Broward, and ship nationwide. The Sweet Tooth thrives in a humble stripmall, next to a shuttered weight-loss clinic. The "FOR RENT" sign in the clinic window says everything: With chocolate so good and so close, even dieting takes a holiday.
Let's face it, a bowl of black bean soup can be a bounty of blasé. But the chefs at these little Mexican diners add a magical elixir to their pot: a splash of beer, Dos Equis Special Lager, to be precise. That's why they call it drunken bean soup. You won't get a beer buzz, but the effect is definitely euphoric. A dollop of sour cream and some shredded cheese (which you can ask them to hold) round out the unexpectedly flavorful recipe. Please, señor, some more. ¡Ándale!
It's Tuesday afternoon and you're craving chicken feet again. You had the little morsels just two days ago, but that didn't do the trick. At the same meal you scarfed turnip cakes, steamed shrimp dumplings, sticky rice wrapped in a lotus leaf, baked roast pork buns, spare ribs with black bean sauce, rice noodles har mon, and for dessert, steamed buns filled with lotus seed paste. Still it wasn't enough. The succulent feet remain on your brain. If you had your way, you would eat dim sum at breakfast, lunch, and dinner, seven days a week. Lucky for you, at Kon Chau you can. Open from 11:00 a.m. to 10:00 p.m. Monday to Saturday and from 10:00 a.m. to 9:30 p.m. Sunday, the restaurant offers about 50 dim sum items at any time of the day, unlike other restaurants that leave you hankering for the stuff until the weekend comes. Nothing fancy here: No steam cart being rolled around by a snooty driver who refuses to reveal what exactly is on your little plate. Kon Chau offers all dim sum prepared to order. Exceptional edibles and efficient, courteous service are just two good reasons to dine here. The third: incredibly cheap prices. Two people can eat until they burst for less than 20 bucks. Now that's a lot of chicken feet.
Contrary to popular belief, the Italians didn't invent pizza. The Greeks did, who in turn got the idea from the enterprising Etruscans, who used focaccia as plates. But the Italians certainly improved the dish. In Naples they added tomato sauce, and in the late Nineteenth Century the classic Margherita (four-cheese pizza) was invented and named for the then-queen of Italy. Elsewhere in the country, pizzaiolos, or pizza makers, vied with each other to create the most original toppings, using whatever local ingredients they could lay their flour-covered hands on, including cured meats like prosciutto and soppressata and homegrown vegetables such as olives and eggplant. You can see the fruits of this ancient labor at Spris, which offers delicate, thin-crust pizzas, similar to the ones found in Naples, for contemporary consumption. Owned by the folks who run Tiramesu, only a few doors away, Spris satisfies the pizzaiolo in all of us by offering more than 30 choices, including the tonnata (with tuna, onion, and basil), the gamberetti (with shrimp and arugula), and of course, the Margherita.
It's probably no surprise that this dynamic but industrial-looking place is noisy: Most of the mod décor is metallic. Talk about reverb. Not only that, China Grill Management owns this Asian noodle shop, and this particular restaurant group seems to excel in creating high-end eateries that are sweet to the taste but hard on the eardrum. Sitting outside at the café tables probably won't help much, given that Lincoln Road is overwhelmed with crying babies and whining tourists these days. Still you might as well get used to it if you want to slurp up some yummy duck-topped egg noodles or vibrant curry-infused rice noodles (all reasonably priced). There's no use complaining: No one will be able to hear you.
"Wait, let me get you a warm one," the counter clerk says as he hovers a hand above the trays of doughy bagels. In no time his heat-seeking fingers land on a poppy-seed bagel that's as piping hot as it is flush with flavor. At Bagels & Co. freshness is never in question. Beyond fresh, the bagels are unusually dense and chewy, with a nice flavor. There are more than a dozen varieties available, all of which, we've found after extensive research, are extremely satisfying. The bialys (a kind of puffy, holeless bagel with onions on top) are the best we've ever seen. And did we mention how fresh everything is? And warm? And chewy?


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Geoffrey Rush
Matt Sayles/Associated Press
News about Geoffrey Rush, including commentary and archival articles published in The New York Times.
Geoffrey Rush Loves to Play Rogues and Fools. A Genius, Too.
He talks about portraying historical figures like Einstein and his fresh turn as Barbossa in "Pirates of the Caribbean: Dead Men Tell No Tales."...
May 26, 2017, Friday
MORE ON GEOFFREY RUSH AND: Television , Movies , Actors and Actresses , Rush, Geoffrey , Genius (TV Program) , Pirates of the Caribbean: Dead Men Tell No Tales (Movie)
Review: 'Dead Men Tell No Tales.' Not Very Well, Anyway.
The latest in the "Pirates of the Caribbean" franchise brings back Johnny Depp's Captain Sparrow but leaves the joy an ocean away....
May 25, 2017, Thursday
MORE ON GEOFFREY RUSH AND: Movies , Pirates of the Caribbean: Dead Men Tell No Tales (Movie) , Depp, Johnny , Bardem, Javier , Rush, Geoffrey , Ronning, Joachim , Sandberg, Espen
Review: 'Genius,' a Portrait of the Man Behind the Equation
Geoffrey Rush and Johnny Flynn play two versions of Albert Einstein in National Geographic's compelling new series....
April 23, 2017, Sunday
MORE ON GEOFFREY RUSH AND: National Geographic , Television , Genius (TV Program) , Einstein, Albert , Rush, Geoffrey
On 'Genius,' Einstein's Theories of Relatives and Relativity
A new show on Nat Geo focuses on Einstein's life in physics, and his physical life, too....
April 19, 2017, Wednesday
MORE ON GEOFFREY RUSH AND: Television , National Geographic Channel , Genius (TV Program) , Rush, Geoffrey , Howard, Ron , Grazer, Brian
Review: A Long-Buried Family Secret Explodes in 'The Daughter'
This drama, set in a declining Australian logging town, centers on an estranged son who comes home, smoldering with resentment....
January 26, 2017, Thursday
MORE ON GEOFFREY RUSH AND: The Daughter (Movie) , Movies , Rush, Geoffrey , Neill, Sam , Otto, Miranda , Schneider, Paul (1976- ) , Stone, Simon (1984- )
Review: In 'Gods of Egypt,' That Doughnut Beast Is Stepping on My Sandal
Alex Proyas's special-effects extravaganza, set in antiquity, is an embarrassment of kitsch riches with intermittent moments of wit....
February 26, 2016, Friday
MORE ON GEOFFREY RUSH AND: Movies , Proyas, Alex , Coster-Waldau, Nikolaj , Butler, Gerard , Rush, Geoffrey , Gods of Egypt (Movie)
A Cold, Appraising Eye, Spying Treasure
Geoffrey Rush plays a supercilious auctioneer in Giuseppe Tornatore's art thriller "The Best Offer."...
December 31, 2013, Tuesday
MORE ON GEOFFREY RUSH AND: Movies , Rush, Geoffrey , Tornatore, Giuseppe , The Best Offer (Movie)
A Refuge Found in Pages
"The Book Thief" reveals how a girl copes during the horrors of adolescence and World War II....
November 7, 2013, Thursday
MORE ON GEOFFREY RUSH AND: Movies , Holocaust and the Nazi Era , Rush, Geoffrey , Watson, Emily , Schnetzer, Ben , The Book Thief (Movie) , Nelisse, Sophie , Percival, Brian
Anatomy of a Scene: Video of 'The Book Thief'
Brian Percival narrates a sequence from his film featuring Sophie Nélisse and Geoffrey Rush....
November 6, 2013, Wednesday
MORE ON GEOFFREY RUSH AND: Rush, Geoffrey , Zusak, Markus , Movies
Hello, Mummy! We're Here About That Inheritance
The theme of filial ingratitude looms in Fred Schepisi's dramatically unsteady, blustery if likable film "The Eye of the Storm."...
September 6, 2012, Thursday
MORE ON GEOFFREY RUSH AND: Movies , Schepisi, Fred , Rush, Geoffrey , Davis, Judy , Rampling, Charlotte , The Eye of the Storm (Movie) , Eye of the Storm, The (Movie)
Anatomy of a Scene: 'The Book Thief'
Brian Percival, the director of "The Book Thief," narrates a scene from his film.
'Diary of a Madman'
Geoffrey Rush stars in the production at the Brooklyn Academy of Music.
Excerpt: 'Diary of a Madman'
In this production of Nikolai Gogol's play, Geoffrey Rush plays a civil servant who is slowly being driven mad by bureaucracy. (Video courtesy of the Brooklyn Academy of Music)
The Party's Over
Photos from the Broadway revival of "Exit the King."
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Jens Kruger Banjo Method For Beginners DVD
Virtuoso banjo player, Jens Kruger, shares 90 minutes of fantastic banjo playing tips with you on this DVD. Jens' new approach is based on playing melody line surrounded by open drone notes. You only have to play one string at a time, finding the tune by ear as you slide up and down the fingerboard. You will learn such melodies as Will the Circle Be Unbroken, Aunt Rhody, My Grandfather's Clock, Wildwood Flower, Old Folks at Home, Shady Grove, and other favorites.
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Powerless Before Love - Arabic and Persian Poetic Traditions - Metropolitan Museum of Art
Ages: All
Fifth Ave. @ 82nd St. - 212-535-7710
Description: Iraj Anvar, cofounder and director, Tehran Theater Workshop, and Visiting Lecturer in Modern Persian, Center for Language Studies, Brown University; Ted and Andree Feghali Gorton, authors. Revel in the beauty, longing, and passion that can be expressed in the spoken word through discussion and readings of Arab and Persian love poetry. This event is presented with the opening of the New Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia. 7pm.