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by Staff Writers
Xalapa, Mexico (AFP) June 29, 2011
Mexico's Gulf coast was on high alert Wednesday as the first named storm of the Atlantic hurricane season took aim at a region still recovering from the worst floods on record last year.
Tropical Storm Arlene was packing sustained winds of 60 miles (95 kilometers) per hour and heavy rains, and the Miami-based US National Hurricane Center forecast it would strengthen before making landfall early Thursday near the border of Tamaulipas and Veracruz states.
"The state of Veracruz is on red alert," the region's Civil Protection director Laura Gurza told a news conference.
The northeast state of Tamaulipas was on a slightly less urgent "orange" alert.
Gurza said however that forecasters were expecting Arlene not to strengthen to a hurricane, but instead make landfall as a tropical storm.
State-run oil firm Petroleos Mexicanos (Pemex) had also issued an "alert" for its facilities on the Gulf of Mexico, ensuring that safety measures were implemented for its platforms and that all transport and delivery ships were secured.
Arlene was some 150 miles (240 kilometers) east of the town of Tampico at 5:30 pm (2230 GMT) and churning westward at five miles (seven kilometers) per hour, the NHC said.
The storm was forecast to dump between four and eight inches (10-20 centimeters) of rain over Tamaulipas and Veracruz, with isolated maximum amounts of 15 inches (38 centimeters) over mountainous terrain.
"These rains could cause life-threatening flash floods and mudslides," the NHC warned in a bulletin, adding that the coastline could be battered by "large and destructive waves."
The northeast coast from Barra de Nautla northward to Bahia Algones was under a storm warning, and tropical storm conditions were expected to hit the coast beginning later Wednesday.
Mexico was lashed last year by what the government described as the wettest rainy season on record. Several tropical storms and hurricanes caused flooding and mudslides that left dozens of people dead and hundreds of thousands homeless.
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First named Atlantic storm forms in Gulf of Mexico
Miami (AFP) June 28, 2011
Tropical Storm Arlene formed in the southwestern Gulf of Mexico on Tuesday, US forecasters said, becoming the first named storm of the hurricane season in the Atlantic. The Mexican government issued a tropical storm warning for northeastern Mexico from Barra de Nautla north to Bahia Algodones. Expected to strengthen, Arlene was packing sustained winds of 40 miles (65 kilometers) per hour ... read more
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Angel On A Leash was created as a charitable activity for the Westminster Kennel Club in 2004, with the goal of creating and supporting therapy dog programs in health care facilities. The program began with the New York-Presbyterian Morgan Stanley Children's Hospital in New York, and quickly expanded across the country into other cities.
In 2008, Mary and Debb were Angel On A Leash guests at The Westminster Kennel Club's Annual Dog Show at Madison Square Garden in New York City. They brought a pediatric oncology patient from St. Jude Children's Research Hospital, his parents and sister, as part of the special treat provided by Angel On A Leash. Due to a generous Mid South Therapy Dogs & Friends supporter, they were able to use his private plane to fly the dogs as well as the patient and his mother from St. Jude to New York.
Walker, a German Shepherd, who is owned by Mary, was also featured along with several other special Angel On A Leash therapy dogs, not only on the floor of the Garden but also at the Empire State Building during the duration of the dog show. Mid South Therapy Dogs extended an invitation to fellow member, Jo Fusco and her dog, Kicker to accompany them on the trip. They were all in a group of Angel volunteers who were introduced on the floor of the Garden to a rousing welcome from the capacity crowd.
Today, Angel On A Leash is active in a number of health care facilities around the country, including Morgan Stanley Children's Hospital and Memorial Sloan Kettering Cancer Center in New York, Ronald McDonald Houses in New York, Memphis, and Milwaukee; Hackensack (NJ) University Medical Center; Children's Hospital of Wisconsin; Providence Health System (Portland, OR); the Fisher House at the DeBakey VA Medical Center in Houston; and others. In addition, partnerships with Mid South Therapy Dogs in Memphis, Reading Education Assistance Dogs in Salt Lake City, and Animal Medical Center in New York help Angel on a Leash Teams reach many additional people in need.

subset: commoncrawl


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Sanuk, a division of Deckers Outdoor Corporation, is previewing its Spring 2012 line at the Outdoor Retailer Summer Market show in August at Booth 10006.
Partnering with Sunbrella, Sanuk has created a line of footwear for men and women that feature Sunbrella's patented no fade, water resistant fabric! The collaboration includes bringing back the popular Overboard which will now be made with Sunbrella's textile, a sidewalk surfer footbed and a super-grippy, siped rubber outsole.
Inspired by the classic soccer style footbed, Sanuk has added the "Bubbler" to its collection. The flip-flop has a one of a kind footbed that was designed to create a soft massaging sensation with every step; it is also being used in the Alibi and Sumo.
Sanuk has created several new profiles with the addition of the Mason and the Anthem. Both inspired by the classic lace-up, the Mason has a slimmed down footbed, rubber siped outsole, and is the most comfortable Sidewalk Surfer Sanuk has ever made. The Anthem adds more diversity to Sanuk's "vulc-lite" category and is available for men, women and children.
Preview a few more of the new styles for by visiting Sanuk's Flickr account. Footwear for Spring 2012 will start to be available as early as October 2011, with later releases through the spring of 2012.
"The Spring 2012 line takes a lot of the classic looks and expands them to include more color ways, unique textile partnerships and uncommon prints" said Jeff Kelly, founder, Sanuk. "We also introduced some new profiles, I am excited to be offering a lace up Sidewalk Surfer and a Mary Jane inspired Sidewalk Surfer."
"For Spring 2012 we wanted to develop new, even more comfortable footwear, and as a result we are introducing six new footbeds" explained J.D. Burress, director of development, Sanuk. "We expanded our eco-conscious RASTA line by developing a new footbed that is a comfortable, lightweight and made from recyclable TPE, it is being utilized in all of our new RASTA Sidewalk Surfers."
Find Sanuk Online:
Facebook: www.facebook.com/sanukfootwear
Twitter: @SanukFootwear
Tumblr: sanukfootwear.tumblr.com
Website: www.sanuk.com


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Target: Fikrat Mammadov, Minister of Justice.
Goal: To obtain the release of a human rights lawyer imprisoned for exposing government corruption.
A human rights lawyer in Azerbaijan has been sentenced to eight years in prison on extortion charges. Bakhtiyar Mammadov was accused of threatening to expose documents implicating a naval officer in misappropriation unless he paid Mr. Mammadov over 20,000 U.S. dollars. He has denied all charges. It seems that his prosecution and conviction were politically motivated as he was investigating government fraud surrounding the evictions of families from homes in the way of a new arena. Mr. Mammadov should be immediately and unconditionally released until an independent investigation can be conducted into the charges.
Bakhtiyar Mammadov represented several residents who were evicted from their homes in the capital city of Baku. Their homes were demolished in order to make way for a concert hall to be used for the 2012 Eurovision Song Contest. Mr. Mammadov's clients were challenging the amount of money they were compensated for their troubles. During his investigation into the compensation given the families, Mr. Mammadov found that around two million U.S. dollars were allocated to the eviction process but only a fraction made its way into the hands of the evicted families. He was arrested shortly after his report was published in the newspapers of the political minority in Azerbaijan.
The only crime that was committed by Bakhtiyar Mammadov was that he implicated a member of the government in a legitimate crime. It seems that the payoff for hosting the Eurovision Song Contest is much more pressing than ensuring the freedom of press. By exposing those behind the corruption, Mr. Mammadov was attempting to correct an abuse of human rights. The response of the Azerbaijani government was to smash his case against them. Mr. Mammadov must be released immediately or international sanctions must be levied against the country. Sign this petition to demand action.
Dear Minister Fikrat Mammadov,
The imprisonment of human rights activist, Bakhtiyar Mammadov, on charges of extortion is ludicrous. By placing the arena for the Eurovision Song Contest ahead of the rights of your people should be a mark of shame. Mr. Mammadov must be immediately released until an independent investigation into the charges against him can be conducted.
This conviction is just one in a line of politically motivated prosecutions in your country. By releasing Mr. Mammadov you may begin to change the international perception of the government in Azerbaijan. I ask that you do so for the sake of your people.
[Your Name Here]
Photo credit: rafiqsv via Deviant Art


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Give us a call to get our secret deals 1-800-468-3578
Property Location
Located in Busan (Haeundae), SUM Guesthouse Premium is minutes from Busan Aquarium and Haeundae Beach. This hostel is within close proximity of Radium Art Center and Dongbaekseom Park.
Make yourself at home in one of the 15 air-conditioned rooms featuring minibars (stocked with some free items). Prepare your meals in the shared/communal kitchen. Complimentary wireless Internet access is available to keep you connected. Bathrooms have bathtubs or showers and hair dryers.
Make use of convenient amenities, which include complimentary wireless Internet access and concierge services.
Quench your thirst with your favorite drink at a bar/lounge. A complimentary breakfast is included.
Business, Other Amenities
Free self parking is available onsite.


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It usually seems that by the end of the semester most everyone is feeling burnt out and ready to go home for a while. Or at least just tired of current classes. Some people (myself included) prefer to cram everything they can into their noggins just before their exams, while others (perhaps smarter individuals) study gradually – building up their … Continue reading
Blogs 2011-2012
Bill Hogarth: Festival shows science can be fun
The Second Annual St. Petersburg Science Festival is Saturday and it's going to be bigger and better than the first one last year. We'll have about 100 exhibits set up along Bayboro Harbor, from Poynter Park all along the USF St. Petersburg waterfront. I got the idea of having a science festival a few years ago when I was dean … Continue reading
Clubul Avocatilor
While in Moldova on a Fulbright this summer, I interviewed the team at the American Bar Association Rule of Law Initiative. (My project studies the impact of decisions of the European Court of Human Rights on legal/political/judicial reform in Moldova — you can read more about my Moldova trips on my other blog.) I was pleased when they invited me … Continue reading
Big, slippery words: "sustainable and authentic"
My first introduction to travel writer Herb Hiller was a book that Professor Gary Mormino suggested, Highway A1A: Florida at the Edge. The second time, I met him and filmmaker Caroline McKeon in the Snell House (home to USFSP's Honors Program and Florida Studies programs). Hiller and McKeon were planning a conference, Sustainable and Authentic Florida, which is scheduled for October … Continue reading
MAPS (in all caps) Part II
I'm not saying that running from alligators is easy… A few days ago, the first map for my bicycle trip across the country arrived in the mail. The Adventure Cycling "Florida Connector" route runs from Fort Lauderdale to St. Augustine. Each map provides a "here's what to expect" summary of the route. My favorite line from the Florida Connector Map … Continue reading


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A rights management approach to securing data distribution in coalitions
Salim, Farzad, Sheppard, Nicholas P., & Safavi-Naini, Rei (2010) A rights management approach to securing data distribution in coalitions. In Proceedings of 1st Asia-Pacific Workshop on Cyber Security, IEEE Computer Society, Melbourne.
Accepted Version
(PDF 226kB)
As network capacity has increased over the past decade, individuals and organisations have found it increasingly appealing to make use of remote services in the form of service-oriented architectures and cloud computing services. Data processed by remote services, however, is no longer under the direct control of the individual or organisation that provided the data, leaving data owners at risk of data theft or misuse. This paper describes a model by which data owners can control the distribution and use of their data throughout a dynamic coalition of service providers using digital rights management technology. Our model allows a data owner to establish the trustworthiness of every member of a coalition employed to process data, and to communicate a machine-enforceable usage policy to every such member.
Impact and interest:
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These databases contain citations from different subsets of available publications and different time periods and thus the citation count from each is usually different. Some works are not in either database and no count is displayed. Scopus includes citations from articles published in 1996 onwards, and Web of Science® generally from 1980 onwards.
Citations counts from the Google Scholar™ indexing service can be viewed at the linked Google Scholar™ search.
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|ID Code:
|Item Type:
|Conference Paper
|Information Sharing, Security, Enforcement, Digital Rights Management, Rights Expression Language
|Australian and New Zealand Standard Research Classification > INFORMATION AND COMPUTING SCIENCES (080000) > COMPUTER SOFTWARE (080300) > Computer System Security (080303)
|Past > QUT Faculties & Divisions > Faculty of Science and Technology
Past > Institutes > Information Security Institute
|Copyright Owner:
|Copyright 2010 [please consult the authors]
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|11 Jul 2010 22:19
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|27 Jun 2017 14:40
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Michael Vick has been cleared to play by the NFL.
The Philadelphia Daily News reports that the league has completed its investigation into the shooting at the QB's birthday party in Virginia Beach last month, and will not suspend him.
Vick appeared at Eagles training camp Monday in Lehigh, Pa., where he answered questions from reporters for the first time since the shooting.
Among the highlights of his responses,Vick said he said he should have listened to his mother and kept the party private, rather than inviting the public.
One of Vick's co-defendants in the dogfighting ring, Quanis Phillips, was shot in the leg outside the party. Police have not made an arrest. Under Vick's probation, he is not allowed to associate with the victim. Vick's attorney Larry Woodward said the QB left the function before the shooting occurred.
Vick, 30, is expected to back up Eagles QB Kevin Kolb though he expressed a desire for a starting role with any team during the offseason.
Nate Davis is a reporter, blogger and editor who's been at USA TODAY since 2000. He has covered the NFL since 2005. No, he did not play quarterback for Ball State. Davis' succession of our esteemed colleague Sean Leahy at The Huddle is considered a Brady-for-Bledsoe swap by most "insiders."More about Nate


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Changes related to "United States Probate Records"
This is a list of changes made recently to pages linked from a specified page (or to members of a specified category). Pages on your watchlist are bold.
18 July 2017
|United States Census (diff | hist) . . (+480) . . Kahlesfamily (talk | contribs) (Noted the closure of the University of Virginia's portal and their recommendation to search Social Explorer and linked the external link.) (Tag: Visual edit)


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Looks like The Retreat at Dublin Creek is no longer available on Rent.com which means this information is likely out of date.
Contact for details
We offer one, two and three bedroom apartment homes in a quiet setting with beautifully landscaped lawns and private lake, complementing our captivating swimming pool and fitness center facilities. Our enormous apartment homes feature full size appliances, laundry connections in each unit, spacious walk-in closets, and gorgeous private balconies with stunning lake views. Whether you are enjoying a dip in our swimming pool, hitting the gym at our state of the art work out facility, or relishing a quiet stroll around our private lake; The Retreat at Dublin Creek has everything you need to enjoy your new home.
Please call below to find out about lease terms.
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text: Just finished this book by Grant Achatz (& his business partner) and I really enjoyed it. I have been following his career for a number of years, and especially since the cancer diagnosis. I used to be a speech pathologist, so I was really interested in the speech & swallowing aspects of the diagnosis and treatment, as well as taste. Most of the book was about his life & career as a chef, and the development of Alinea. I enjoyed the appearances of other familiar names (like Keller, of course, but also Blais). Personally I would have liked a bit more about the way he regained his sense of taste - I heard part of an interview on NPR about that & it was really interesting. I thought the book was a good read for anyone interested in food & restaurants. Anyone else read it?


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Published: March 18, 2010 at 12:34 PMWaterworld is a billion times better than its source material. Action packed, and has some great live stunts! A great insight to how intense stunts are in person. An explosion on screen doesn't have the same intensity as it does in person. And water stunts are a different creature on its own! And I can still hear the intro music to Miami Vice...
And something tells me I need sleep as I think I accidentally voted for Katonga.
Published: March 18, 2010 at 12:45 PMHow is Water World a 10 seed? Anyway WW is just a fantastic show that never gets old. The stunts, the action, and the characters all are fun and thats what makes it my 3rd favorite live show. Unfortunately it gets the 2 seed(and my favorite show) in the second round if it advances.
Published: March 18, 2010 at 1:00 PMCan I just say that I hope this doesn't become an East Coast/ West Coast thing, or Theme Park Loyalty voting? I'd hate to see a great attraction go down against a (relatively)mediocre one only because it was going up against a park with fan loyalty. Didn't something like that happen last year?
Published: March 18, 2010 at 2:54 PMSorry to those Busch Gardens fans who came in after the vote ended. First-round match-ups are two hours. You can find the complete schedule of future match-ups at www.themeparkinsider.com/tournament.
Or follow @themepark on Twitter for tweets when matches start, and halftime updates.


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Milwaukee Talks: Summerfest's Don Smiley, 2009
If you have hosted -- or even attended -- an enjoyable wedding, graduation party or even a family cookout in recent weeks, chances are that you noticed how important planning and execution are to ensuring the success of such events.
And, you probably have what Don Smiley is up against in the next two weeks.
In case you missed the memo, Summerfest starts tomorrow. As president and CEO of Milwaukee World Festival, Inc., Smiley and his staff on Harbor Drive are responsible for the 11-day orgy of music, food and beer on Milwaukee's Lakefront that is billed as "The World's Largest Music Festival."
We talked with Smiley last week about the latest edition of the Big Gig, which will be his sixth at the helm. Enjoy this Milwaukee Talks with Don Smiley, 2009.
OnMilwaukee.com: What is it like for you in the final days leading up to the festival? Are you checking the weather reports every five minutes?
Don Smiley: That is (vice president of entertainment) Bob Babisch's job. He started in February checking out the weather for late June and July (laughs). No, we've been at it. We've really put a lot of time and effort into this particular Summerfest, which is the 42nd Summerfest. And with the economy being the way that it is, certainly in the fourth quarter of 2008 and the first quarter this year, we've set out to do a couple things.
OMC: What types of things?
DS: Number one, we wanted to make sure the quality of the product was up to par and even better than it was last year. And number two, we wanted to create value packages for customers so that when they go to our Web site, which is Summerfest.com, it would be very difficult for a customer to say, "I can't afford to go to Summerfest because of the value packages put out this year."
It was all contemplated in a way that we wanted to make sure everyone could afford to go to Summerfest. You can either get in free or for very little money. If you go Friday night or Saturday night at 9 o'clock, the highest ticket price you'll pay is $15. We have Kapco Two-Buck Tuesday this year, so from 12 to 8 p.m., you can get in for $2. We have a "3 for $33" ticket package this year. We just completed a ticket promotion with the Milwaukee Brewers and Harley-Davidson. So, there is all kinds of ways to enjoy Summerfest for very little money.
On the other hand, we spent more money on our ground stages entertainment than we did last year, to the tune of 7.8 percent, which translates into $232,000 more than last year. So, we wanted to increase the quality of the product, and then in turn, make sure that everyone had a chance to afford a ticket to Summerfest and come down and enjoy the world's largest music festival.
OMC: You talk about the importance of keeping costs down for the customer. How hard is that to do in this climate, when the cost of everything seems to be going up? The costs of keeping a band on the road aren't going down. Neither is the cost of beer cups or mozzarella sticks. How do you avoid passing on costs to the customer?
DS: You are right, none of this is getting cheaper between the production, the bands and all the costs that are associated with pulling off a mega-event of this stature. You have to be very good at managing your expenses line by line, no matter how small you think the expense may be. I mean right down to a $500 line-item expense. After this event is over, we will start with our budget at the end of August and go into September and October and just tear the whole business apart line by line and manage those expenses. Wherever we can save, we re-invest back in to the event.
So, we really try hard to keep our ticket prices low. We try to do the best job possible with corporate sponsors, and the like with which, if we didn't have the corporate sponsors that we have, and we didn't have the volunteers that we have to help make this event what it is, there is just no way we could pull it off if we had to pay for everything that is associated with signing 700 bands over eleven days and so on. Kudos to our corporate sponsors and our volunteers.
OMC: Bashing the music lineup at Summerfest has become an unofficial local pastime. A lot of people look at the lineup and say "They just bring the same bands every year," or that "The acts are geared toward an older demographic." In past years, we've talked about the calendar, competition from Europe, tour routing and other factors that prevent you from booking every act you'd like. But, as you get ready to welcome bands like Bon Jovi, Steve Wonder and others, do you worry about a time when bands of that stripe are no longer available?
DS: Right now, it is not an issue. But that is an issue for the future as you were discussing. Classic rock bands, really good classic rock bands ... I liken it to the Senior Tour in golf. It really is the ultimate mulligan because there is really a market for those types of bands all around the United States and internationally.
Sooner or later, they are going to put their guitars and drumsticks down and they are going to be done, so it begs the question: Who's next? Who is coming along the way here? Sometimes, this event is a lot like a sports team in that you are critiqued continually about the lineup. Now this happens to be a musical lineup versus a lineup you would put between the lines. But the fact is that critique is usually all about passion and people love the event. And we are asked the question: Why not this group in the Amphitheater? Or why not that group in that Amphitheater? And, generally speaking, that group is not of the stature yet of selling enough tickets for a 23,000-seat Amphitheater than the groups that are out there touring. But the question remains: What happens when the Bon Jovis are done? What happens when the Kenny Chesneys are done, and so on and so forth. Who is next? It is a valid question.
OMC: While some may see the "repeat" headliners like that as a drawback, you could probably point to the top-selling acts keep coming back, year after year, as a positive, right?
DS: This is the 42nd year of Summerfest, so there is a credibility factor that goers a long way with the groups that are signed. Bob Babisch has been signing those groups for many, many years. They do love Milwaukee; they do love Summerfest. We do compete with all of the music festivals in Europe. It becomes a chess game to fit bands that are touring into our 11 days. Just because they are out there working, does not mean they fit into our 11 days. So if we get critiqued as to, "Why didn't you sign this band or that band?" -- chances are they did not fit into our 11 days. So, that is some of the chess playing that you have to do to make this all work.
OMC: It seems like there are a few things that are recession-proof in this market right now -- beer, bratwurst, the Brewers and Summerfest. In the last few years, you started to announce Amphitheater shows early in order to help build buzz and sell tickets. Has that helped?
DS: There is no question. The Amp shows sold and they sold early, which was a really good indicator to us because obviously a concert of that nature is a luxury and not a necessity. So, we were a little nervous in December and January as to how all of this was going to go this year, and so on. But when we put those shows up for sale and they sold, that is a pretty good indicator that there is some money out there in the market. I mean, the Brewers can attest to that. Their attendance is outstanding, and their per caps (spending per capita) have to be through the roof.
OMC: Given your background in baseball, as president of the Florida Marlins, can you go to Brewers games and relax or do you find yourself looking at concession lines and parking issues and hot dog wrappers on the concourse like a team executive. Are you able to shut that part of your brain off and enjoy the game?
DS: I can't shut it off, but I don't have to worry about it anymore. One thing I will say about Miller Park (is) how extremely clean it is. It is funny you say that, because I have noticed what a good job they do in keeping that ballpark very clean. That is not easy to do. Now, when you get in the strategy side of the game, it is really easy to just sit there just as a ticket buyer and not have to worry why this guy can't throw strikes.
OMC: Like a baseball team, you deal with big crowds in a short period of time. You just do it over 11 days and not over a whole summer.
DS: We have 11 days to make an impression. And we want to -- I think Disney World is the gold standard when it comes to customer service, and ingress and egress and cleanliness and quality. And we want to get as close to that as possible in the way that we implement our operating philosophy.
OMC: If you could wave a magic wand, what one band would you like to have headline the Amphitheater?
DS: Of course, it would be the Beatles. Now that wand is bringing people back that are not here anymore. That's a tough question.
OMC: What about bands that are still together? Would it be Bruce Springsteen?
DS: Well, Springsteen was part of the Harley Festival that was right outside of our gates last year. I think that show is so large that it probably wouldn't go in a 23,000 seat Amphitheater. I would have to think about that. I have seen so many groups come through there now. This is my sixth year here. I would have to get back to you on that on who the magic wand would produce.
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sandstorm | June 24, 2009 at 11:44 a.m. (report)
"That will provide more room and little bit more breathing space for our fans that go to the M&I Fiduciary Classic Rock Stage." lol. did he really say the entire name of that stage or did you add that yourself? i just can't see anybody saying that in conversation.
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John Poser: Marxism won on election day
Published: Thursday, November 15, 2012 at 3:23 p.m.
Last Modified: Thursday, November 15, 2012 at 3:23 p.m.
The Frenchman DeTocqueville, in the late 1800's stated America would remain great until Americans realize they can vote themselves in favors (buying votes) with the help of a complicit political party. The left's recent pyrrhic victory was cemented by demonizing Romney, a technique championed by a Marxist Columbia University professor Alinski (negative campaigning,) shot-gunned by our leftist media.
This indoctrination is exemplified by Jean Derouge (Voice 11/8) who states constitution conservatives are religious fundamentalist, ignorant, extremist, bigots, hypocrites, liars and racists if disagreeing with present policies.
Obama ideology (spread the wealth) is a paraphrased Marxist doctrine being implemented thru a Clower-Privon strategy of imploding the economy and America. They are Obama's Marxists professors at Columbia University where his records are sealed. Our country deserves the truth for our military heroes and prodigy even if the truth is not popular or politically incorrect.
John Poser,
Reader comments posted to this article may be published in our print edition. All rights reserved. This copyrighted material may not be re-published without permission. Links are encouraged.


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A unique pop-up photography exhibition will be on show at Heartwood Forest for one day only next weekend.
Woodland Trust and University of Hertfordshire is inviting residents to Unearthed, a one day exhibition of images taken by First Year Photography students from the university, inspired by the natural world.
The exhibition will be on show between 12pm and 4pm.
Louise Neicho, Woodland Trust site manager, said: "We're privileged to show off the students' fantastic work in what will be a beautiful natural setting in amongst the bluebells at Heartwood Forest.
"The natural world is hugely inspirational for many people and ancient woodland like that found at Heartwood has the ability to tell so many stories."


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David Copperfield is hiding something from the FBI
David Copperfield is being investigated by the FBI though nobody will explain why. He has a warehouse in Las Vegas called the International Museum & Library of the Conjuring Arts where he keeps tricks and memorabilia, and it was raided by FBI agents Wednesday where they seized a computer hard drive, a digital camera memory chip, and nearly two million dollars in cash.
"We understand there is an investigation, we are in touch with the investigators, and are respecting the confidentiality of the investigation," Copperfield's lawyer David Chesnoff said in a brief statement.
Everything about this is just so mysterious. I think it'd be pretty funny if the director of the FBI saw a magic special and this whole case is to figure out how David Copperfield made the Statue of Liberty disappear. I mean, it was there, and then it wasn't. Where'd it go?! How'd he do it?! I bet there was a mirror involved. I'm pretty clever when it comes to these things.


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Director: John Luessenhop
Cast: Alexandra Daddario, Dan Yeager, Tremaine "Trey Songz" Neverson, Tania Raymonde, Keram Malicki-Sánchez, Shaun Sipos, Scott Eastwood, Thom Barry, Paul Rae, Richard Riehle
MPAA Rating: (for strong grisly violence and language throughout)
Running Time: 1:32
Release Date: 1/4/13
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Review by Mark Dujsik | January 7, 2013
The heroine of Texas Chainsaw has at least three chances to stop the inevitable massacre, and, yes, despite the fact that the word is missing from the title this time around, there is a copious amount of blood and gore flowing and splattering from the business end of the titular power tool. The strangest part of this movie—the sixth to follow Tobe Hooper's iconic and still terrifying The Texas Chain Saw Massacre—is that it is very clearly rooting against its potential victims and for the chainsaw-wielding maniac known as Leatherface.
The screenplay (written by Adam Marcus, Debra Sullivan, and Kirsten Elms) poses itself as a direct sequel to the 1974 film, and do not ask how this timeline works. Texas Chainsaw is unmistakably set in the present day, given the use of live video chatting on a cell phone in one particularly forehead-slap-worthy sequence in which a disposable deputy wanders through a dark house where a killer is known to be to find out what happened to the other disposable characters (The long trail of blood, apparently, is not enough).
This, of course, would mean that the movie takes place almost four decades after the original film, but the heroine, who was a baby in the movie's prologue, is only in her 20s. We might accept that the movie pushes the events into the 1990s, except that it uses footage of the Hooper film, which is also unmistakably set in the 1970s. Director John Luessenhop's solution to this odd inconsistency is simply to ignore it. During a scene in which a character opens up a police file on the backwoods family that terrorized a group of travelers, there's a newspaper (in pristine condition for being 40 or even 20 years old), and Luessenhop simply keeps the year out of frame.
This is what some might dub nitpicking, but it's a fair encapsulation of how little—and obviously so—the people behind this movie care about it. It's as if everyone came to the collective realization that there really is nowhere else for this franchise to go after three sequels, a remake, and a prequel to the remake and a collective decision to put in as minimal effort as possible. Only the climax, which looks sympathetically at the killer in the mask made of human faces, does anything remotely different, but for it to work, one must set aside the most basic considerations of one's conscience as firmly as the screenwriters dismiss the entire plot and point of the original film.
Heather (Alexandra Daddario), her boyfriend Ryan (Tremaine "Trey Songz" Neverson), her best friend Nikki (Tania Raymonde), Nikki's boyfriend Kenny (Keram Malicki-Sánchez), and a hitchhiker named Darryl (Shaun Sipos) arrive at Heather's biological grandmother's home after a lot of exposition. Heather was "adopted" after the man she calls her father kicked her biological mother in the face and kidnapped her as a baby, and now grandma has left Heather her estate. We know there's something in the house. The characters don't, so they wander around a lot. We wait for them to get picked off one by one.
It's an old, tired formula, and the movie employs it only for increasingly gruesome demises. The screenplay makes a concerted effort to make the characters guilty of something so that—using some twisted logic—they get what they have coming to them. Darryl is a thief (The group leaves him alone in the house for some reason and is surprised to discover his dishonesty—probably for the same reason). Ryan once cheated on Heather with Nikki, and Nikki is still trying to sleep with Ryan. Kenny's crime, apparently worthy of the movie's most sickening shot (a close-up of a chainsaw tearing through a torso), is either that he cooks or that he isn't directly friends with Heather. Heather, by the way, is clumsy (After tripping over a calf-high fence, we expect her tumble over a tiny rock while racing through the woods), loud when silence is necessary, and without much forethought (She grabs a Ferris wheel—testing the limits of her ridiculously distracting midriff shirt—to escape Leatherface, and he just waits for it come down on the other end).
It's fine, though. Heather is, after all, related to the big guy (played by Dan Yeager), and there's a decades-old (Seriously, don't ask for specifics) cover-up at play as to the fate of their family. We can sense where this thread of the story is going, and when it arrives, it's only a question of whether Texas Chainsaw is worse when it's idly going through the motions or actively cheering on a remorseless killer and the legacy of his cannibalistic kin.
Copyright © 2013 by Mark Dujsik. All rights reserved.
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MultiViw is a sales creator produced by RogersDigital.com
MultiViw is a coordinated network of high traffic websites that provide consumer information to the public in Australia, U.K., U.S.A. & Asia.
NEWS Company GroupABN 59 596 763 611
10/130 Jonson St,
Byron Bay
NSW 2481, Australia
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How does it work ?
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What are the sites that MultiViw uses to promote businesses ?
What will be the outcome of a marketing campaign on the MultiViw network ?
1. Google Search boost for one year
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1. Marketing content remains alive for 1 year at least across all sites.
2. Commission on sales is not deal site rates that leave little profit.
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Multi Viw is a sales booster for SME's that integrates the reach of our in house media publications with our in house online shopping outlets.
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We assist people who are involved with all sorts of businesses and professions to promote, market, advertise and actually sell their products, services and events.
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Multi Viw is about publicity and making sales for businesses.
We do our job very well by creating advertising, marketing and website written content supported by our in house graphics team.
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Let Multi Viw be your Buzzfeed content writer and syndication.
Multi Viw combines the marketing strong points of:-
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Multi Viw boosts social media buzz with links to both the news content and the magazine content on existing group social media pages on Facebook, Twitter and Google Plus.
Multi Viw building landing pages
Multi Viw builds website landing pages for businesses that need to showcase undated products or services on their existing business websites.
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Multi Viw uses high quality content to entice people to read about the provider of a product, service or travel offer. Multi Viw publishes direct links within the content, in banners surrounding the content and often with embedded video within the content page, pointing to a " Buy Now" sales page, booking page or "Find Out More" button.
Visitors click to a location where they can buy, book or purchase products, services or travel while they are in a motivated frame of mind.
Why is Multi Viw different?
Multi Viw is a one stop product that combines in house professional content writing, news site publishing, magazine site publishing, social media channels, booking engines, deal site sales facility and online shopping carts.
Multi Viw writes, publishes, works with social media, owns online shops, travel websites and a deal site to provide all of the components that make up "online marketing"
Why is Multi Viw more effective than banner advertising, video pre rolls and advertising pop ups?
When people are using their PC, smart phone or tablet device, they are looking for entertainment, information or directions. They do want a video ad to appear when they are expecting to watch you tube. Similarly they do not want a pop up display ad to get in the way of their article. People go beyond not liking intrusive advertising, they actually resent it and in some cases take note of the brand an make a decision to pay them back by not buying their product.
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Multi Viw was created by marketers and journalists who created Businesses.com.au and developed it into a premium business news and feature publisher serving over 25,000 page reads every day.
Some of the business categories that already use a Multi Viw marketing promotion package include:
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Multi Viw is owned and controlled from one business so marketing campaigns can be online and selling a product, service or travel in 24 hours tops.
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How long will Multi Viw sell my products for?
The business providing the products set the marketing terms. It can be indefinitely, days or weeks or for a set number of sales.
If Multi Viw sells my products or services when will I get paid
Multi Viw pays before you provide the service or travel offer or deliver a product in full minus the agreed commission.
What countries does Multi Viw operate in
Multi Viw works with businesses and customers in U.S.A., U.K., Asia and Australia.
What will Multi Viw do for me?
Multi Viw will at the very least,
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Just a few years ago deal marketing spread throughout the world. Consumers bought high quality products or services at bargain prices and were largely hit and run customers. They seldom became long term customers for businesses who ran deals because price determined their buying pattern. If the business people who were in charge of enhancing a "Brand" wanted to be on deal sites they had to virtually give away their product or service just to be "Deal of the day". The result of that poor placement was that high quality businesses lost a chip or two off their public image just by heavily discounting and being on some deal sites known for little more than "trinkets and beads" made in China.
Stupidity has no place in marketing – everyone who wants to build value needs to be sensible.
Multi Viw overcomes brand damage in third party marketing by taking time and space to inform readers about the benefits, assets and features of high quality products on premium websites.
Multi Viw often presents "special offers" and "promotions" by major brands but in a public education format that builds public perception of a brand and its products or services.
Can I use Multi Viw without paying a commission?
Yes. Multi Viw has paid options with no commissions. There is a one time set up fee per product, service or travel offer to cover, writing, publishing, pushing to Google, SEO and social media coverage.
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For customers who want publicity, lead generation content, SEO articles and features with on our news or magazine websites with links to their own business website, we have the Multi Viw 9 article pack. An article pack includes 600 word articles with or without follow or no follow links written and published on our network for $900.00. That is $100.00 for research, writing, publishing and pushing on to Google.
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Multi Viw is a very popular publicity service for people, events, products, services, professions, and travel. It can be hooked into Multi Viw's sales facility or viewers can be directed with links, buttons and banners to any websites. This is a popular option for business like finance brokers who are seeking leads
Find out more about Multi Viw in a no obligation discussion.
Contact the Rogers Digital team, the founders "Multi Viw". Email. contact @ rogersdigital com or call ( +61 ) 0498 136 869
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Paz de la Huerta
Taking to the red carpet to debut their latest project, Eddie Murphy and Ben Stiller tended to press duties at the New York City premiere of "Tower Heist" on Monday night (October 24).
Joined in their efforts by co-stars Tea Leoni, Gabourey Sidibe and Matthew Broderick, who was accompanied by wife Sarah Jessica Parker, the Big Apple screening turned in to quite the well-attended affair.
Bringing an end to her courtroom doings, Paz de la Huerta has entered a guilty plea to a charge of harassment.
The "Boardwalk Empire" actress was originally facing five misdemeanors related to her attack on "The City" star Samantha Swetra, but got a sweetheart deal thanks to her willingness to plead guilty.
Ready to finalize her punishment, Paz de la Huerta was spotted upon arrival to the Manhattan Criminal Courthouse in New York City earlier today (July 14).
The "Boardwalk Empire" actress was all set to plead guilty in relation to a March scuffle with reality TV personality Samantha Swetra in the Big Apple's Meatpacking District, however the judge rejected the deal...for now.
Following a dust-up with MTV's Samantha Swetra last month, Paz de la Huerta went before a New York City judge earlier today (April 19), where she faced an array of charges.
During the March 20th brawl, the "Boardwalk Empire" star allegedly punched and threw a glass at Swetra's face, bringing harm to her nose and mouth.
Adding to the list of celebrities with legal problems, Paz de la Huerta was arrested this past Tuesday (March 22) for her involvement in a Standard Hotel fracas.
The "Boardwalk Empire" star got into a physical altercation with Samantha Swetra at the Manhattan hotel and ended up punching her in the face.
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(Revised 5/2011)
GOLDENSEAL is a quarterly magazine published by the State of West Virginia, Division of Culture and History. Founded in 1975, GOLDENSEAL documents the state's rich cultural background and recent history by means of oral accounts, research articles, and old and new photographs. Stories and photographs are submitted by freelance contributors. We welcome non-fiction manuscripts on West Virginia folklife, traditional farming practices, industry and commerce, holiday and community celebrations, immigrants, music, crafts, herbs, architecture, religion, politics, medicine, sports, railroading, women's history, and similar topics. We strongly prefer stories about living West Virginians, based on recent, direct interviews. We do not publish manuscripts that focus on the pre-20th century era (including the Civil War), out-of-state activities (including foreign military service), genealogy, poetry, or fiction.
Our circulation is approximately 15,000; roughly 70% of our readers are in-state – most of the remainder are former residents or frequent visitors. We consider our primary readership to consist of mature individuals (age 55+) who live in West Virginia, possess a personal knowledge of rural life, and have at least a high school education.
Story ideas and unsolicited manuscripts should be submitted to the editor, in writing, as far in advance as possible. Submissions or proposals should be sent to us as hard-copy print-outs, along with photocopies or laser prints of any potential illustrations; please do not send original photographs, artwork, or computer disks until requested to do so by the editor. We are happy to review typewritten or handwritten submissions, as well. Feature articles generally average 3,000 words in length, though shorter features are also accepted. The minimum story length is 500 words. Please let us know if material has already been published or is being considered by other publications – ordinarily we cannot publish material printed elsewhere. Please notify us if the story is time-sensitive. Due to the high volume of submissions, contributors should allow six to nine months for a response. Please be aware that it usually takes up to two years from initial submission to publication.
The editor seldom assigns stories. For story ideas, we recommend that potential authors review our on-line index at www.wvculture.org/goldenseal/gsindex.html.
Approved manuscripts should be typed, double spaced; please send a PC-compatible computer disk (no Mac disks, please), as well as a hard copy. Our word-processing program is Microsoft Word; we can also accept finished manuscripts in ASCII/text format.
We accept analog or high-quality digital photographs. Analog images should be submitted as 8x10 black-and-white glossy prints or as slides. Digital images should be submitted on disk as high-res tif or jpeg files only, generally at least 300 dpi for a 5x7 image. Be sure to include .tif or .jpg file extensions. We prefer to process our own scans or copy prints of historical photographs, working from original prints whenever possible. For publication purposes, we usually cannot work from photocopies, laser prints, commercially produced copy prints, copies taken from other publications, or microfilm. Scanned historical images should be submitted on disk, with the same specifications as above.
Author payment: We pay 10 cents a word for one-time use of original manuscripts. We regret that we cannot pay for travel or other reimbursements. Payment follows publication.
Photographer payment: We pay $25 for each new photo used. Photos must be of top professional quality; we usually assign photographers when the writer is unable to illustrate an article. We always welcome historical photographs. While we cannot pay for their use, we handle them very carefully and return them promptly.
Veracity - In many cases, an article in GOLDENSEAL may be the only published source for information on a particular subject, so please be careful with facts, dates, names, and spellings.
Tone and format - Manuscripts should be written in an informal narrative style, with generous use of direct quotation; we occasionally publish manuscripts in the Q&A format. We generally cannot use stories written as formal academic papers. Please keep in mind the age and background of our readers, as outlined above. It is easy to be overcome with enthusiasm when writing about a state as wonderful as West Virginia, but please refrain from exaggerating or over-romanticizing your subject. We cannot accept manuscripts that are overly promotional, self-promotional, or express partisan political views.
Verb tense - Use the past tense in narrative writing. However, since so many GOLDENSEAL stories are based on oral recollections, we prefer that references to a living interviewee be kept in the present tense. This helps distinguish between what happened in the recent past – at the interview or in your other interaction with your subject – and in the "real" past, maybe decades ago. Use the first person when referring to yourself or when writing from your personal experience.
Quotations - Be accurate. Give exact words, especially when quoting from printed sources, and be as precise as possible when quoting from the spoken word. We try to convey our story subjects' natural way of speaking, as much as possible.
West Virginia places - Our readers understand that all truly important places are in the Mountain State. Consequently, there is no need to tack "West Virginia" onto place names. Nothing extra is needed for our major cities and towns (Wheeling, Charleston, Beckley, etc.); use the county name with less-known places: Buckeye, Pocahontas County.
Publication and editorial decisions are final and rest entirely with the GOLDENSEAL editor. Decisions are based on the parameters set out in these guidelines, the short- and long-term needs of the magazine, the overall quality and style of writing, and the editor's personal and professional judgment. Please include a self-addressed, stamped envelope with your submission. All submissions are acknowledged promptly upon receipt, are read personally by the editor, and receive an individual response.
For further information or to submit a query or manuscript, write to:
Kim Johnson
e-mail: firstname.lastname@example.com
Return to Goldenseal


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If you have reason to consult Russian periodicals in your research you will find that they are extremely well covered in the literature. However, the bibliographic sources covering them are extensive and varied. Therefore, finding record of the publication of a particular title requires a familiarity with a variety of sources.
First, there are guides to periodicals. These are like other handbooks. There are some that are general sources on all periodicals. There are also specialized sources for specific subject areas. In the latter, there will be sections on periodicals with lists of titles important to the subject area.
Because these guides have not been updated in recent years, you will also find general bibliographies of periodcials important. In general, this discussion will be limited to those sources that cover all periodicals. Again, those that are limited to a specific subject area will be included in the "Handbooks" section and in the sections devoted to individual subjects.
Another type of source that is invaluable, but often overlooked, is the guide to periodical indexes. These take several forms, from a list or bibliography of all the indexes published for individual periodicals, to sources containing the contents of all periodicals for a specific period. Into this latter category fall such publications as Letopis' gazetnykh statei and Letopis' zhurnal'nykh statei. Some of the bibliographic "utilities" available online like the INION database can also function like a generalized bibliography or periodical titles and their contents for the social sciences. The advantages and limitations of both the printed sources and the online versions will be discussed in the descriptions of the resources.
Online resources include the larger union catalogs such as OCLC. There are other resources online that serve as bibliographies of current periodicals (http://www.kulichki.com/~shura/paper-k.htm) and newspapers (http://www.mediaatlas.ru) and that act as indexes of existing titles. Others will help you locate periodicals in Russian libraries (http://book.uraic.ru/internet/guide/mags.htm).
Some of these are very rich resources providing all kinds of information that is of interest to the scholar. It will be useful for you to pay close attention to the internal organization of these guides, as they frequently contain indexes of related information that can provide additional sources of information, such as foreign views on Russia, publishing statistics, etc.


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About Spill Art
Jill Fressinier, aka SPILL is a self-taught artist living in the San Francisco Bay Area with her sweet hubby and two amazing young ones. Spill is a freakishly creative force of nature, being from a wildly talented & creative family, it makes sense that she is forever making something colorful and deliciously fun. She has designed art for famous and infamous alike, like Lee Scratch Perry, Skip Marley and The Clash! She's always happy to spill some color wherever it is needed.
Spill Art joined Society6 on August 16, 2009. Verified on August 16, 2009.


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Finding Book Chapters
Some research and university library catalogs include tables of content information for books.
LocatorPlus®, NLM's catalog of holdings, has some book chapters listed.
- Go to LocatorPlus "Advanced Search."
- Next to "Search," type in the word or phrase you are searching.
- Next to "As," select "Table of Contents/Summary."
- Press "Search" near the bottom of the screen.
LocatorPlus also has a Search Limit called "Selected Book Chapter" as a Material Type.
- Go to the LocatorPlus first search screen.
- Click "Set Limits Before Searching" at the bottom right side of the screen.
- Go to "Material Type" and select "Selected Book Chapter."
- Click "Set Limits" at the screen bottom. LocatorPlus will return you to the main search screen.
- Enter your search in the search box.
NLM Catalog has the same book chapter and table of content information as LocatorPlus.
- Go to the NLM Catalog "Advanced Search."
- Type in the word or phrase you are looking for in the first "search builder" box, leaving the limit as "All Fields."
- On the next line, type "book chapters" in quotation marks and again leave the limit as "All Fields."
- Click "Search" to view your search results.
WorldCat (OCLC) is a catalog of the holdings of books, journals, and other materials held by libraries worldwide. Some of the catalog records include chapter information.
NRC-CISTI Catalogue includes information for chapters of over 23,000 books and conference proceedings.
Library of Congress Online Catalog contains book chapter information in some records.
Google Advanced Books Search contains excerpts from books and some full-text books and book chapters.
Some fee-based databases include book chapters. Check with a library to ask what subscription databases with book chapter information are available, such as:
- CINAHL Plus (nursing and allied health)
- Web of Science (sciences, social sciences, and arts and humanities)
- PsycINFO (psychology, psychiatry, psychological aspects of other disciplines including physiology, linguistics, anthropology, business, and law, and other behavioral sciences).
Publisher Web sites are another source for book chapter information.
Related Information from the NLM
NLM Subject Guide for Conference Proceedings
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Drury University Photos & Videos
Student Life at Drury
The More You Know
Drury Spice: Housing Information
Drury Spice: FAFSA Information
Drury Spice: Ashley
Why choose Drury University? Answered by students. Drury University Broadcast students film unscripted answers to the question: Why Choose Drury?
Drury University: Come to Drury. Be a Panther.
Photos and videos don't tell the full story.
Use our free tools to personalize your visits, automatically contact colleges and get turn by turn directions to guide you on your way.


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Cruising Italy and the Mediterranean with Our 6½ Year-old: Crystal Serenity Cruise Review by Alyssa's_Dad
Overall Member Rating
Cruising Italy and the Mediterranean with Our 6½ Year-old
Destination: Europe - Western Mediterranean
Embarkation: Venice
As we did all the planning for the vacation we knew that we wanted to see as much of Venice and the other ports of call (Dubrovnik, Corfu, Taormina, Sorrento/Amalfi Coast, Rome, Cinque Terra, Pisa/Florence, Monaco, St Tropez and Barcelona) as practical. But we also knew that we would have to do so within the constraints of the ship's shore time (normally 10 hours in each port - nominally from 8:00 AM to 6:00 PM) and the touring abilities of our daughter - who is a good traveler and would be taking her 4th cruise.
As we looked at the Crystal Serenity's shore excursions it More became clear that they fell into main two categories, 60-person bus tours and special activities for small groups (e.g. touring the Lamborghini factory, taking a hot air balloon ride in Padua, etc.,). Neither of these options really fit what we needed. The bus tours offered no flexibility and conjured up visions of us at the back of the group with our daughter, unable to really see the sights or hear the guide. The special activities were clearly targeted at adults - so they were out too. The other thing that we took note of was the cost of the shore excursions which averaged $220/person (after excluding the most expensive excursions which cost between $1,500/person and $8,999/person). So armed with these constraints we began to look for alternatives that were available in the cities we were visiting, could be done in 10 hours, would be fun (or at least tolerable) for a 6½ year-old, and would cost around $700/day (~500 Euros/day).
The obvious answer was to take the Crystal excursions where they made sense and to set up private tours at the other locations. But finding a reputable tour company that was not exorbitantly expensive proved to be challenging.
My first step was to contact my travel agent who had taken the time to understand what we wanted from our vacation and had done a superb job recommending and setting up the cruise, hotels and other assorted details - Nancy Yale - the President of Cruise Resort & World Travel - http://www.bookavacation.com/ . Nancy contacted the tour provider that she normally uses in Italy - and, although reputable, they were more expensive than we were willing to pay - especially since we needed to setup between 6 and 10 tours which had the potential of adding another $5,000 - $10,000 to the total cost of the vacation.
So while Nancy and Pat Raftery (her office manager who was going on a 10-day trip to Italy) checked other options I began an internet search. Of course, as many of us find on the internet, sometimes there is just too much information and it is hard to differentiate a reputable company from a fly-by-night operation. Luckily I stumbled across a post by Elizabeth Mandarino - the Senior VP of World Travel - http://corporate.worldtravelinc.com/ - that highly recommended a tour company owned by Marco Tavola named "Rome Connection". Although Nancy and Pat proposed some other alternatives that might have worked out fine, we decided to use Rome Connection based largely on Liz's strong recommendation and the details on Marco's website - http://www.romeconnection.com/. The recommendation and company turned out to be just what we were looking for, and the fact that Liz trusted Marco so much made me feel considerably better about the whole process. Especially since I knew that if the private tours flopped the entire vacation would probably be a disaster.
After examining the tour options in detail we decided to take the Crystal excursions in Dubrovnik and Corfu, a Virtuoso (http://www.virtuoso.com/) excursion in Barcelona, and to "go it alone" in Monte Carlo and St Tropez. That meant that we needed Marco to setup drivers, guides and itineraries in Venice, Taormina, Sorrento/Amalfi Coast, Rome, Cinque Terra, Pisa, and Florence.
Although Marco's company is based in Rome, he has a vetted network of other companies throughout Italy that he continually works with so he knows who they are and knows that they will meet his exacting standards. What this allowed us to do was to specify what we wanted to Marco and to then have him contact the appropriate people in each city to work the details. Using email made it all very easy. Marco drafted initial itineraries and costs for each city based on our broad guidelines and emailed them to us. We emailed back our comments and the specifics of the ship's port times. Marco then finalized the itineraries and costs (which averaged 540 Euros/day). Based on Marco's responsiveness, professionalism, and knowledge of the sights that fit within our travel constraints, I knew that we were on the right track from the initial response that I received from him.
So how did it all work out? In a word - FABULOUS!!
On 11 June we flew from Boston to Venice on Iberia. Thirteen hours after leaving Boston we were standing in Venice. Iberia was great and the only challenge of the entire trip was getting our daughter to hurry up on the long walk from the far end of the international terminal to the opposite far end of the domestic terminal in the Madrid airport.
After arriving in Venice at 1:00 PM we collected our luggage and walked 5-10 minutes to the water taxi/bus stop located near the Marco Polo airport. We then took a water taxi to our hotel - Palazzo Sant'Angelo - http://www.sinahotels.com/eng/palazzosantangelo_home.htm . The Water taxi cost 100 Euros, but since it took us, and our 9 pieces of luggage, directly to the hotel's landing the price difference (58 Euros more than the water bus) was worth it. The Palazzo Sant'Angelo was recommended by Nancy and proved to be a great choice for the hotel. It is located on the Grand Canal within a 10 minute walk from the Rialto Bridge, Saint Marks' Square, the Accademia museum and almost every other sight we were interested in seeing during our stay in Venice. Since it only has 14 rooms it is also quiet which allowed us to quickly get over our jet lag.
During our three days in Venice Marco had arranged for a guide, Elisabetta, to show us Venice for half the day on Saturday and half the day on Monday. Elisabetta met us promptly on Saturday morning and, after a brief discussion of what we wanted to see and what she recommended, Elisabetta took us on a tour of the city; to include the Basilica di San Marco, the Doge's Palace, the fish/fruit market and many other places that were off the beaten path. One of the nice things was that Elisabetta tried hard to engage our daughter and to make sure that she was involved in the tour - not just dragged along. Among other things, Elisabetta also knew just where to go to get our daughter a Venetian mask that she could actually wear instead of just use for decoration. Another souvenir crisis averted. At the last minute we were told that the ship would depart from Venice at 12:00 PM on Monday instead of 2:00 PM. This meant that we needed to adjust our plans since we had intended on touring with Elisabetta on Monday morning. As expected one of the advantages of setting up a private tour was that Elisabetta was able to adjust her schedule so that she could be with us on Sunday afternoon instead of Monday morning. So we changed plans, toured the area and Academia museum on Sunday afternoon (the fact that Elisabetta knew her Art History certainly enhanced the tour and the discussions) and then returned to the hotel, collected our luggage and took a water taxi from the Hotel's front door to the Crystal Serenity. After returning home we found out that Elisabetta was even recommended in Rick Steves' Venice 2009 book - we could see why.
Ahh - the Crystal Serenity - what can I say about Crystal and their great product. We have been on 10 cruises ranging from a 7 day Caribbean cruises to a 21 day Bangkok to Sydney cruise. We have been on Crystal, Windstar, Holland America, Royal Caribbean, Princess and NCL. Of all of them Crystal is our favorite. You get all of the large ship amenities without all of the large ship crowds. You get staff personnel that actually try to learn your names and preferences so that they can help you instead of just passing you along. You get casual elegance (you can be casual, the ship and staff are elegant). For our 14-day cruise we actually took two 7-day back-to-back cruises; the "Adriatic Adventure" and "Renaissance Rendezvous" (cruise #9312 from Venice to Rome and #9313 from Rome to Barcelona). As expected, the ship was wonderful, the staff was helpful, the ports of call were interesting, the food was ever present and delicious, the weather was perfect (during 18 days we only saw 30 minutes of rain in Rome), the entertainment was lively, the children's program was fun and we all had a great time.
Although I have heard that some people with children shy away from Crystal since they do not have all of the allegedly "required" children's amenities (e.g. water slides, rock climbing walls, ice skating rinks, cannonball contests, etc.,) my daughter loved their program since it was focused on counselors doing activities with the kids; not just parking the kids by the pool. My daughter got to make crafts, play hide and seek, have a scavenger hunt, tour the bridge, tour the backstage with the dancers, have a pajama party, play music, decorate cookies, and do all sorts of other fun things. In fact she enjoyed the program so much that when we were in Monte Carlo she was upset that we did not go back to the ship for the Animal Mask making activity. To their credit one of the counselors sat with her one-on-one later that night so that she could make her animal masks.
So what about all of the other the private tours that we had arranged? They were all perfect. In fact everything worked out better than we could have hoped. All of the driver/guides were personable, professional, flexible, interesting and knowledgeable about the area and sights. In all of the locations the driver was waiting for us with a recent-year Mercedes sedan as we came off the ship (or tender as applicable). From there they asked what we wanted to see so that we could flesh out the high-level itinerary, finalized the overall plan for the day, and then started the tour. With all of our drivers/guides as we drove we were able to talk about the area, living in Italy, Italy in general, and whatever other topics came up. This made even the travel time between the sights enjoyable and interesting.
In Taormina we were met by Alessandro. We then drove up the mountain to see Castelmola. From there you could see the entire area to include Mount Etna and the coastlines. Since we had taken a car (which was faster than a bus) we were just finishing up when a bus from the ship arrived. So we got to see the small town of Castelmola when there were literally no other tourists around while they got to see it in a crowd that they brought with them. From there we drove to the even smaller town of Forza d'Agro to see the sights and the two beautiful churches there. Unfortunately, all of the winding roads gave our daughter a headache. But once again being on a private tour paid off since we were able to sit in the town square, have some bread and gelato and color while her headache cleared. Then we drove back to Taormina where Alessandro dropped us off in the town center; a place that a bus could never have reached since they have to park in the town's single designated parking area. From there we strolled through the shops, had lunch, and toured the outdoor Greco-Roman amphitheater until it was time to return to the ship. When we compared notes with other people on the ship it was clear that not only did we get to more locations, but we also had more time (to include quality time) at each of the locations.
In Sorrento we were met by Fulvio as we got off the tender. From there we drove to Herculaneum (since my wife and I had previously been to Pompeii) and were met by Andrea - a guide set up by Marco and Fulvio who knew the details of Herculaneum. As with many cruise shore excursions the good news was that we were at Herculaneum, the bad news was that we had only allocated 2 hours and had a 6½ year old with us. But Andrea understood the situation and hit the highlights. For those who have not been to Herculaneum it is smaller, but much better preserved than Pompeii; well worth seeing. From there Fulvio drove us toward the Amalfi coast and Positano. Along the way we mentioned that our daughter was looking for a special souvenir. So Fulvio made a detour to an inlaid wood factory/showroom. There she found a musical jewelry box that did the trick. While we were at the showroom Fulvio inquired about what we would like to do for lunch and since we were looking for local fare he recommended a restaurant on the mountain overlooking Positano. It sounded good so he called ahead to set it up. Once there we had the local sampler lunch (antipasto, pasta, dessert - thank God no meat course since we would have been to full to eat it). Following lunch we drove to Positano where Fulvio dropped us off in the middle of the town. We then walked through the town until we hit the beach. The coastline view, the bougainvilleas and the houses perched on the cliffs were beautiful. Charming town - but I am not sure that I would want to live there since the only road only goes one way through the town, so if you have to drive somewhere you have to make a complete circle of the town's winding road.
In Rome Marco himself met us dockside and was our guide for the day. When we woke up it was raining fairly hard, but by 8:00 AM when we left the ship the sky had cleared and the sun was out. Since the ship docked at Civitavecchia we had a 1 hour drive to Rome (~75 km). Once again taking a private tour paid off. We left the ship and were on the road before anyone else. Then, since we were in a car we traveled faster and in Rome were allowed to drive in lanes where private cars could not go. This allowed Marco to literally drive us up to the front door of every sight we wanted to see. First we stopped at the Basilica of Saint Paul. Just stunning. Then we headed to the Colosseum. Prior to arriving at the Colosseum Marco purchased the tickets for entry so that we did not have to stand in line at the Colosseum. In fact, since we were with Marco we parked directly across the street and were allowed to bypass the lines and enter immediately. What a timesaver. As we left the Colosseum my daughter needed two things - a bathroom and a gelato. Marco knew just where to go. Once again flexibility paid off. From there we saw the Circus Maximus, Aventin Hill, Trevi Fountain (where we got rained on for the only time in 18 days - at least the rain allowed me to get good pictures of the fountain since all of the sightseers were standing in stores or under awnings), Forum, Pantheon, Spanish Steps and Saint John Lateran Cathedral (another stunning church). As we were driving we discussed various things and somehow got on the topic of Leonardo da Vinci. Marco said that there was a small Leonardo da Vinci museum with working exhibits in Rome. Our daughter thought that this would be interesting so we asked Marco to take us there. It was a nice unplanned side visit since it had mechanical devices that you could actually try out. In between all the sightseeing Marco took us to the Hostaria Antica Roma http://www.anticaroma.it/ - on the Appian Way for lunch. The chef was very interesting and accommodating, the food was great and the location was unique since the restaurant's interior holds the centuries old "Augustus' Freedman Monument" which was commissioned by the Roman Emperor to honor slaves who had earned their freedom. Finally we had to leave Rome and head back to the ship, but on the way back my daughter needed a souvenir of Rome. It was now 6:00 Sunday evening, and there were not many stores open for shopping. But once again Marco knew where to go. He took us to a street with three souvenir shops next to each other and my daughter found two beautiful "Roma" scarves. I cannot emphasize enough how much more of the city sights we saw compared to the people that took the standard bus tours or tried to see Rome on their own. The fact that Marco knew exactly where to go, could park the car literally right outside the site we were stopping to see, knew how to gauge our (and our daughter's) level of interest, and had the ability to be flexible as the day progressed was invaluable to the tour and our enjoyment.
In both Cinque Terra (Porto Venere) and Pisa/Florence (Livorno) Francesco was our guide. Francesco met us as we got off the tender in Porto Venere and off we went on the winding roads toward the five towns of Cinque Terra - http://www.lecinqueterre.org/eng/ . First we stopped at Riomaggiore. As with many European roads they got narrower as we drove away from the major cities. By the time we got to Riomaggiore it was clear that it would be hard, if not impossible, to even get there in a tour bus. In Riomaggiore Francesco parked the car that top of the town and then walked with us to the start of the Via dell'Amore, a paved walkway that hugs the coastline and connects the five towns of Cinque Terra. From there we continued walking to Manarola where we took in the sights and had some gelato. We then caught the local train, passed through Corniglia, and got off in Vernazza where Francesco was waiting with the car. As we walked through Vernazza we came across a playground which allowed our daughter to stop and play for awhile. We then drove to the last town, Monterosso. The road from Vernazza to Monterosso wound up and down the hillside and at times was barely wide enough for the Mercedes to make it through; a bus would never have made it. In Monterosso Francesco dropped us off at one end of the town then drove around to the other side to meet us after we were done strolling, sightseeing and having lunch. Having seen all the sights that time allowed we headed back to Porto Venere where we walked through the small town and climbed to Castello Doria, a 16th century castle overlooking the port. Once again the amount of sights that we had time to see, the amount of time we got to spend sightseeing instead of "working the logistics" and the trouble free nature of the day due to the private tour made everything so much more enjoyable. We had time to enjoy 4 of the 5 towns in Cinque Terra. Other people that we talked to only saw two of them and spent much more time just getting there and back.
For our last day in Italy we had scheduled to see both Pisa and Florence. Although both Nancy and Marco had said the Pisa was beautiful, the also both recommended that we spend only 1 or 2 hours there. Consequently we decided to compress both Pisa and Florence into one day and spent the prior day solely in Cinque Terra. Luckily on this day the ship was in port from 8:00 AM until 9:00 PM. As with the day before, Francesco met us as we got off the ship. However this time he met us in Livorno instead of Porto Venere. From there we drove to Pisa. As expected it is beautiful, not just the tower, but the entire square. One can only imagine how majestically impressive it would have been to a farmer from the countryside eight hundred years ago when it was first built. As we were finishing up our sightseeing and preparing to leave I noticed that the number of people in the square was significantly increasing. When we had arrived there were hardly any other people around, now, as the tour busses arrived, it began to get harder to shoot a photo that did not have people in the field of view. Needless to say, we were glad that touring with Francesco had allowed us to get there first. From Pisa we drove to Florence. Once again, being in a private tour car allowed us to enter the city faster and to drive where busses were not allowed to go. Francesco drove us to the Palazzo Vecchio where we met Simone, our guide for the Uffizi museum. As Marco had done in Rome, Simone had already purchased the tickets for the Uffizi and we entered without any waiting in line. For the next two hours we toured the museum. Of course there is so much to see that we could have spent the entire day (or days), but we only had two hours in the schedule. From there we drove to the Accademia to see Michelangelo's David. Here people were standing in line for 3-4 hours to get tickets to enter. Once again Francesco and Simone had already purchased our tickets (tied to a specific entry time), so after a 10-15 minute wait we were allowed to enter. From here we went to the Loggia del Mercato Nuovo (outdoor market area) to sightsee and have lunch. Here there were artists reproducing artistic masterpieces on the street pavement; very interesting. Following lunch we drove up to the Piazzale Michelangelo which overlooks the entire city of Florence. From here you could really get a perspective of everything; this is really a must do in Florence. Next Francesco dropped us off on the Piazza de' Pitti so that we could walk across the Ponte Vecchio (the covered bridge) to the Basilica di San Miniato al Monte. After seeing the baptistery and all of the stunning mosaics, we met Francesco and headed back to the ship. As with Rome the ability of the private tour to focus on what we wanted to see and to easily go where we wanted to go significantly increased the number of sights that we got to see and the amount of quality time that we got to spend at the sights.
On the 28th we finally left the Crystal Serenity and began our trip home. Due to the airplane schedule we flew Iberia from Barcelona to Madrid and then from Madrid to San Juan. Arriving at 7:00 PM we cleared customs and took a cab to the Ritz Carlton Hotel which had been recommended and booked by Nancy - http://www.ritzcarlton.com/en/Properties/SanJuan/ . Again this proved to be a great suggestion. The hotel was a 10 minute cab ride from the airport, so we quickly got there and began to unwind from the day of traveling. While my wife went to sleep my daughter and I went to the hotel's beautiful swimming pool to relax and unwind. Then, after a few hours of sleep, we were all up and on the hotel's beach before anyone else had even gotten out of bed.
But all good things must end - so on the 29th we boarded a American Airlines plane and flew home. Incidentally, the plane left San Juan two hours late due to weather in the Boston area. This was the only glitch on our entire 18 day trip- a fact that I ascribe to good planning, good recommendations from caring travel agents (Nancy, Liz and Marco), and good travel providers (Iberia, Crystal, Rome Connection, Palazzo Sant'Angelo, Ritz Carlton).
Bottomline: Our 18 day European vacation/cruise was great and everything worked better than we could have hoped. The cruise, hotel and other travel arrangements suggested and made by Nancy Yale were wonderful. The Italian tour company highly recommended by Liz Mandarino could not have been better. The service provided by Marco Tavola's Rome Connection and his affiliates was exemplary, very cost effective and allowed us to see far more of each city than we would have been able to if we have taken the 60-person bus tours. Along with the airline travel and cruise arrangements I viewed the private tours as one of the three "make or break" components of the vacation; they surpassed our expectations. I cannot recommend Rome Connection highly enough. If you need a driver in Italy, do yourself a favor and call Marco - http://www.romeconnection.com/. The ship and hospitality provided by Crystal proved why they are always so highly recommended when compared to their competitors. So, if you are looking for a wonderful vacation, you might want to consider these travel agents and companies as part of your plan. They certainly helped us have an unforgettable vacation.
Ciao, Less
Published 08/06/09
Cabin review: A9109
Good cabin location. Easy access to all points of the ship.
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Mumbai: Bollywood's dashing and charming and above all Hindi film industry's first superstar, Rajesh Khanna has died today at his bungalow in Mumbai today. He was 69. Khanna was suffering from cancer. The reports have it that the late superstar would be cremated by tomorrow morning at 11:30 a.m. Police have now cordoned off Rajesh Khanna's bungalow 'Aashiwad' on Carter Road in Bandra. Akshay Kumar, the late superstar's son in law had the press meet and through them asked Khanna's millions of fans in India and abroad to pray for the departed soul.
On June 23rd, Rajesh Khanna was taken to Mumbai's Lilavati Hospital for the treatment of exhaustion. He spent few days at the hospital where his tests were taken and later he got discharged. By the time the news of his stop taking the food emerged on the scene, the worried fans gathered outside his bungalow on June 21st. The superstar came out in his balcony along with son in law Akshay Kumar and estranged wife Dimple Kapadia and waved the victory sign to his worried fans.
In April this year, Rajsh Khanna was also rushed to the hospital where he stayed for few days for the treatment. Throughout Khanna's illness days, his estranged wife actress Dimple Kapadia nursed him thoroughly. Rajesh Khanna and Dimple Kapadia both have two daughters – Twinkle Khanna and Rinkie Khanna. Both are married – Twinkle to actor Akshay Kumar and Rinkie to a businessman Sameer Saran.
Rajesh Khanna is called the Bollywood's first superstar. He was the top notch actor during seventies and early eighties. His unique style of acting – the acting with eyes and his dialogue delivery made him the household name. His movies like Anand, Aaradhana, Kati Patang, Bawarchi and Namak Haram added sparkles to his career. He bagged three Filmfare Awards in his long film career.
During 1992-1996, he also held a Lok Saba seat as Congressman. In Do Dilon Ke Khail Mein (2010), he enacted for Bollywood for the last time. Entire Bollywood industry and politician expressed their grieves over superstar's death.


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2008 South Carolina Softball
Wisconsin vs South Carolina
2/22/08 at Tampa, Fla. (USF Softball Field)
Score by Innings R H E
Wisconsin........... 000 000 00 - 0 2 0
South Carolina...... 000 000 01 - 1 4 1
Note: 1 out, 1 runner LOB when the game ended.
Umpires - HP: Barry Dopson 1B: Mike Lacey 3B: David Callahan
Start: 1:45 PM Time: 1:53 Attendance:
2008 South Carolina Softball
Wisconsin vs South Carolina
2/22/08 at Tampa, Fla. (USF Softball Field)
Wisconsin starters: 3/c Daniels, J.; 8/cf Soderberg, K; 25/1b Garcia, A.; 7/rf
Robben, R.; 12/p Olivarez, L.; 15/2b Abney, L.; 14/3b Boruta, T.; 5/ss
Anderson, L.; 2/dp Hiteman, T.; 33/lf Raphael, V.;
South Carolina starters: 7/lf Payne, A.; 22/3b Martinez, B.; 3/2b Longo, L.;
35/dp Josker, J.; 10/rf Mendes, L.; 12/ss Walker, L.; 2/c Fulmer, P.; 11/1b
Schoonmaker; 1/cf Voigt, A.; 9/p Robinson, K.;
Wisconsin 1st - Daniels, J. singled, bunt (2-0).
Soderberg, K reached on a fielder's choice (0-0); Daniels, J. out at second 3b
to 2b. Garcia, A. struck out swinging (3-2). Robben, R. grounded out to ss
(1-2). 0 runs, 1 hit, 0 errors, 1 LOB.
South Carolina 1st - Payne, A. popped up to ss
(1-0). Martinez, B. struck out swinging (3-2). Longo, L. singled to left center
(0-1). Josker, J. walked (3-2); Longo, L. advanced to second. Mendes, L. walked
(3-2); Josker, J. advanced to second; Longo, L. advanced to third. Walker, L.
struck out looking (1-2). 0 runs, 1 hit, 0 errors, 3 LOB.
Wisconsin 2nd - Olivarez, L. grounded out to p
(3-2). Abney, L. popped up to 2b (2-2). Boruta, T. popped up to 3b (2-2).
0 runs, 0 hits, 0 errors, 0 LOB.
South Carolina 2nd - Fulmer, P. doubled to left
field (0-1). Davis, C. pinch ran for Fulmer, P.. Schoonmaker out at first p to
2b, SAC, bunt (1-0); Davis, C. advanced to third. Voigt, A. struck out looking
(3-2). Payne, A. flied out to lf (2-2). 0 runs, 1 hit, 0 errors, 1
Wisconsin 3rd - Fulmer, P. to c for Davis, C..
Anderson, L. grounded out to 2b (2-2). Hiteman, T. walked (3-2). Daniels, J.
hit by pitch (2-0); Hiteman, T. advanced to second. Daniels, J. advanced to
second; Hiteman, T. advanced to third on a wild pitch. Soderberg, K struck out
looking (2-2). Garcia, A. lined out to p (3-1). 0 runs, 0 hits, 0 errors,
South Carolina 3rd - Martinez, B. struck out looking
(3-2). Longo, L. grounded out to 3b (0-2). Josker, J. fouled out to c (2-2).
0 runs, 0 hits, 0 errors, 0 LOB.
Wisconsin 4th - Robben, R. struck out looking (3-2).
Olivarez, L. struck out looking (0-2). Abney, L. fouled out to 1b (0-1).
0 runs, 0 hits, 0 errors, 0 LOB.
South Carolina 4th - Mendes, L. singled up the
middle (2-1). Walker, L. out at first 1b to 2b, SAC, bunt (0-0); Mendes, L.
advanced to second. Fulmer, P. lined out to ss (2-1). Schoonmaker flied out to
lf (0-2). 0 runs, 1 hit, 0 errors, 1 LOB.
Wisconsin 5th - Wetherbee to 1b for Longo, L..
Schoonmaker to 2b. Boruta, T. out at first 1b to 2b (2-1). Anderson, L. flied
out to cf (2-2). Hiteman, T. grounded out to ss (0-0). 0 runs, 0 hits, 0
errors, 0 LOB.
South Carolina 5th - Voigt, A. struck out swinging
(1-2). Payne, A. grounded out to 2b (2-1). Martinez, B. grounded out to ss
(1-0). 0 runs, 0 hits, 0 errors, 0 LOB.
Wisconsin 6th - Daniels, J. singled up the middle
(0-1). Daniels, J. out at first 1b unassisted, runner left early. Soderberg, K
grounded out to 2b (1-1). Garcia, A. walked (3-2). Wilkoscz, C. pinch ran for
Garcia, A.. Robben, R. reached on a fielder's choice (1-0); Wilkoscz, C. out at
second ss to 2b. 0 runs, 1 hit, 0 errors, 1 LOB.
South Carolina 6th - Garcia, A. to 1b for Wilkoscz,
C.. Wetherbee struck out looking (2-2). Josker, J. grounded out to 2b (2-1).
Mendes, L. grounded out to 2b (1-2). 0 runs, 0 hits, 0 errors, 0
Wisconsin 7th - Whaley, N. pinch hit for Olivarez,
L.. Whaley, N. popped up to ss (1-0). Abney, L. flied out to cf (3-1).
Hanewich, A. pinch hit for Boruta, T.. Hanewich, A. reached on a throwing error
by 2b (2-1). Boruta, T. pinch ran for Hanewich, A.. Boruta, T. out at second c
to ss, caught stealing. 0 runs, 0 hits, 1 error, 0 LOB.
South Carolina 7th - Olivarez, L. to p for Whaley,
N.. Boruta, T. to 3b. Walker, L. flied out to lf (1-1). Fulmer, P. struck out
swinging (1-2). Schoonmaker popped up to 2b (1-1). 0 runs, 0 hits, 0
errors, 0 LOB.
Wisconsin 8th - Boruta, T. placed on second.
Anderson, L. struck out swinging (1-2). Hiteman, T. walked (3-2). Daniels, J.
struck out looking (1-2). Soderberg, K flied out to lf (1-0). 0 runs, 0
hits, 0 errors, 2 LOB.
South Carolina 8th - Schoonmaker placed on second.
Voigt, A. out at first 3b to 2b, SAC, bunt (2-0); Schoonmaker advanced to
third. Payne, A. singled up the middle, RBI (2-1); Schoonmaker scored. 1
run, 1 hit, 0 errors, 1 LOB.
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Location Reno, NV Req Department 310-Customer Service-Reno Apply Now POSITION: Operator Services Representative DEPARTMENT: Customer Service Reno (315) REPORTING SUPERVISOR: Supervisor, Customer Service DIRECT REPORTS: No FLSA: Non-Exempt EMPLOYMENT STATUS: Direct6/30/2017 Reno, NV Save This Job