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|Reviews for Captain Zaibach
| Cynical Hazard chapter 1 . 6/27/2009
LOL! BROWNIES! HAHAHAHAHA! This story really cracked me up even though I never saw Captain Planet. I love reading parodies, especially something like this. Keep up the good work Sakura! D
| FallenAngel04 chapter 1 . 1/10/2009
Truly hilarious. I love that Chesta's power is brownies. It makes me laugh every time. I used to watch Captain Planet when I was little too, and this is just perfect for the parody. Great job! Quick note though, I don't know if you meant it, but when you say Mirana, I think you mean Millerna. Keep up the good work! _
| Casa Circe chapter 1 . 1/16/2006
(Clutching sides) ahahhahahhahahahahh...absolutely hilarious...it's crazy really...really really really funny
| Mai Tenshi chapter 1 . 6/12/2005
Have you ever been sitting all alone in your room, and then burst out lauging at something you read, then feeling very stupid because you're alone...and laughing...and it's silent... ya, big sweatdrop. Well, congradulations, your story did that...lessee, i think i lost count after 12...or 13... awesome work! don't ever stop writing!
| Phyllis Nodrey chapter 1 . 4/25/2005
"Those Who Hunt Dragons"...Is that what your old Zaibach site was called? DARN! When'd you take it down? I've never ever even had the chance to see it! Do you still, like, have a copy of the pages saved on your compy? *tears overflow from big, chibi eyes* I DON'T WANT FOLKEN ON A LEASH ANYMORE! I WANT YOU TO SEND ME THE ENTIRE WEBBY! *is beaten to death by manifestation of good judgement*
| Akane Roshtaria chapter 1 . 1/23/2005
I've loved this parody for *so* long, it's just now that I've commented on it. *hugs story?*
...P.S. Whatever did happen to "Those Who Hunt Dragons?" That was an incredible site. P
| Threshie chapter 1 . 1/22/2005
*blinks* ...What an unusual fanfic... Hehe. It was amusing me until Dilandau came in in his black and red spandex. After that I was cracking up. P I've never seen Captain Planet, but this ficcy is funny anyway, so thanks for posting it!
Btw, I LOVE parodies (at least, well-written ones like this one).
-Threshie )
| squiz chapter 1 . 10/19/2004
how random
| Kendra chapter 1 . 4/5/2003
Woah, you and me both favor that show! ::High fives her:: Dang... you rock with this parody... even as I sang your version of the song, it matched perfectly! Dang I simply adore this story, I must share it with the world! ::Cape hangs from off of her back:: I'm ready to go at any time, but first I must tell you that you have true writing tallent. Hopefully someday you can make a career out of writing (though not about evil just good _). Heh, I have that theme song stuck in my head, though the original shall stay in my mind forever (at least until I die). Well, if we ever cross paths again... I hope to be able to talk with you.
Ja Ne!
| Guest chapter 1 . 9/1/2002
okay, thats just damn funny. Captain planet was one of the shows I watched as a kid too, and I I loved this fic.
| Rad chapter 1 . 8/1/2002
good lord... hahaaha...lol... this one's funny too! I have seen Captian Planet, and I used to like it allot. now, it's not on any more. but this was awesomely funny! and I have to agree with AniKaizer(aka DarkAni), use Chesta's Brownies on Allen's hair!
| Petra chapter 1 . 5/16/2002
I, one of the few people who remembers the entire captain planet theme song, Have enjoyed your parody emensly. And, may I also add, The reference to Dragonlance was awesome!
| Mikara chapter 1 . 3/16/2002
whoa...can't...stop...laughing! damn, that was good! really, really, good! (Mikara and Legato scream) BROWNIES!
| FinalError chapter 1 . 3/12/2002
Tee-hee, funni-ness! Will there be a sequel? Pwetty pwease? *kawaii sparkly eyes*
Yu: *slaps her upside the head*
Yukari: *glares at him and knocks him out with a frying pan*
| The Allmighty Piece of Flan chapter 1 . 3/2/2002
Dammit, I'm laughing so hard, it took me 10 minutes to write this!


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Great time when I was younger. Frozen sea and swans. Sincerely pug Valli Опубликовано Euro Pug 30 января 2016 г. Great time when I was younger. Frozen sea and swans. Sincerely pug Valli
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SURPRISE FOR THE PUG ▻Alfie - https://www.youtube.com/user/PointlessBlog ▻Zoe - https://www.youtube.com/user/zoella280390 ▻Get my app VidiBee: http://bit.ly/VidiBee (iPhone) http://bit.ly/...
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Well howdy, readers! This afternoon, Superstition Review is glad to announce that past contributor Darrin Doyle, who was featured in the Interviews section of our 8th issue (which can be read here) and the Fiction section of our 16th issue (which can be read here), has recently released the first album from his rock/folk/karate trio Daryl & the Beans, titled Burnin' the Eagle, which can be purchased here. The album itself is $8, and all proceeds from the sale of this record go to funding a scholarship for students in the Creative Writing program at Central Michigan University. If you're so inclined, feel free to up the proverbial ante and pitch a few extra bucks toward this wonderful cause when you purchase the album! Do yourself, and the students of Central Michigan University, a huge favor and purchase Burnin' the Eagle.
Contributor Update: Alison Hawthorne Deming
Hello everybody! Today, we here at Superstition Review are thrilled to announce that past contributor Alison Hawthorne Deming, who read for us back in April of 2011, has just been named Regents' Professor at the University of Arizona, by the Arizona Board of Regents. To be named a Regents' Professor is the highest honor that can be bestowed on a faculty member in the university system, and we can think of none more deserving than Alison Hawthorne Deming. You can read the full press release here, and if you're interested in Alison's work, check out her most recent publications: a new book of poetry titled"Stairway to Heaven," out now from Penguin (found here), and her collaboration with photographer Stephen Strom, titled "Death Valley: Painted Light" (found here). Congratulations to Alison and the University of Arizona!
Contributor Update: Ruben Quesada Brings His Talents To The UCLA Extension This Summer
Hey readers! Superstition Review is proud to announce that Ruben Quesada, a former faculty member at Eastern Illinois University who was featured in the Poetry section of Issue 13, has been named a faculty member at the UCLA Extension, and will be teaching a course on Poetry and Popular Culture alongside Rosebud Ben-Oni this summer. Do yourself a favor, and check out Ruben Quesada's poem "On Witness" here, and stay tuned to the blog for more updates on the beautiful happenings here at Superstition Review.
#ArtLitPhx: Piper Writers Studio Fall 2016 Courses
The Virginia G. Piper Center for Creative Writing at ASU is proud to offer four creative writing classes through the Piper Writers Studio. Classes are taught by acclaimed and award-winning writers from the community, and cover topics such as first-draft novel writing, novel revisions, persona poetry, and creative non-fiction.
The faculty for the Fall 2016 session of the Piper Writers Studio are:
- Michael A Stackpole, a New York Times best-selling author known for his extensive fantasy and science fiction work in the Stars Wars, Conan, and World of Warcraft universes. Stackpole will be teaching Winning NaNoWriMo Tuesdays, October 4 – 25, 2016 from 6 – 8 p.m.
- Carol Test, an award-winning short-story writer and former editor in chief of the Sonora Review who has taught workshops for the University of Arizona, Arizona State University, Phoenix College, and Mesa Community College. Test will be teaching Remodel Your Novel: Five Key Scenes for Fiction Writers Wednesdays, October 5 – 26, 2016 from 6 – 8 p.m.
- Marshall Terrill, veteran film, sports, music, history and popular culture writer with over 20 books to his credit, including bestselling biographies of Steve McQueen, Elvis Presley, and Pete Maravich. Terrill will be teaching Beyond the Facts: Writing Compelling Non-fiction Wednesdays, October 5 – 26, 2016 from 6 – 8 p.m.
- Lois Roma-Deeley, an author with three collections of poetry and numerous publications in anthologies in journals who founded the creative writing program at Paradise Valley Community College and received an Artist Research and Development Grant from the Arizona State Commission on the Arts in 2016. Roma-Deeley will be teaching Another Voice: Creating Memorable Poetic Personas Saturday, October 22, 2016 from 9 a.m. – 1 p.m.
Classes are open to individuals of all backgrounds, skill levels, and experiences, and are designed to fit around the schedules of working adults (taking place weekday evenings or weekend afternoons). Most classes are held at the Piper Writers House, the historic President's Cottage on the ASU Tempe Campus. Class sizes range between 8 and 12 students in order to ensure an intimate, individualized educational experience, and start at $75 (with discounts for individuals who are members of the Piper Circle of Friends). Classes can also qualify for professional development credit with the Arizona Department of Education. Individuals can register for classes through the Piper Center's website until Monday, October 3rd, 2016.
For more information, please visit the Piper Center's website at http://piper.asu.edu/programs/piper-writers-studio/current-courses.
Guest Post, Brad Modlin: Writing with Lettuce between Your Teeth
When I say Mrs. Dalloway is unforgettable, I don't mean that I didn't accidentally leave my copy by my bedside table on a day I was supposed to teach with it. Two days, in fact. It's the beginning of the semester, and my students keep calling me "Doctor" like we're suddenly in a hospital. I have a last name, but maybe they've forgotten it and are embarrassed about asking. For my part, I was afraid to ask them for page numbers and look like an idiot professor who forgets his book (twice); therefore I kept beginning my questions with, "Just off the top of your head…"
I think I covered fairly well, thanks to the memorable antics of Sally Seton—you know her—Mrs. Dalloway's youth-hood friend who, to my students' delight, once forgot her bath sponge and ran naked through the crowded house to fetch it. "I like Sally because she doesn't care what people think," a shy student said from the third row. Me, I like Sally because she doesn't let embarrassment get in the way, and this may be why she's reached literature stardom even though she shines for only a dozen or so pages of the twentieth century.
Sally knows something that we writers sometimes forget.
You're at your writing desk, and you have a maybe-great idea, but it's actually a horrible idea. Because mixing metaphors is always a horrible idea. Wrong, wrong, wrong—do you want people to think you've never read a good book or attended a workshop in your whole life? A horrible idea—except maybe this one risky time it could work? Hamlet, after all, does say, without apology, "…to take arms against a sea of troubles."
In my daydream, Ezra Pound sits at his desk chewing his lips and thinking, "Will anyone take a two-line poem about a metro station seriously?"
Other wrong ideas include putting on a jumpsuit and pretending to be a dancing cat. (You've seen this?) Maybe in the production days of this video, those members of Ballet Zoom didn't admit to their families exactly what they were up to. Maybe when their spouses or children asked, "How was work today?" they changed the subject. Or maybe their cheerful leaps weren't just performance, but a sincere, artistic moment. Either way, look at the joy they've given many of us viewers now.
We often hide from potential embarrassment, but everything new is embarrassing. Every poem, essay, or story draft is gangly before it outgrows adolescence. And taking a risk gives others permission to do the same. From time to time, let's all dare to eat a peach, even if we might end up with food between our teeth.
So yes, I forgot the book like an idiot, and both days turned out fine. Sally Seton forgot her soap, which led my shy student to speak up in class. And in offices, and kitchens, and empty corners, many of us heard that 1970s beat, and—even if we won't admit it—tossed up our hands as if they were feline paws and bounced them a bit, laughing like (to mix a metaphor) happy hyenas at a birthday party.
Guest Post, Doug Cornett: Shut Up and Walk
I teach 11th grade English at a high school located in downtown Portland, Oregon. I see my students every day, and as you might imagine, I have my ups and downs. Some days, when the lesson plan is solid and I'm properly caffeinated, I feel like I'm nailing it. The conversation is great, kids are forming opinions and getting passionate about the subject matter, and any minute my trophy will arrive for teacher of the year. But other times, I can't help but wonder why somebody hasn't come along and yanked me off the stage already.
I do a lot of talking to the students, and in turn the students do a lot of talking with me and with each other. Mostly, we talk about literature and writing. Stuff like tone, character, plot structure, symbolism, the works. How we feel about the characters. How we feel about the author. How we suspect the author might want us to feel about the characters. I really do love it, and I consider myself incredibly lucky that I get to have these conversations all the time with people who are engaged and informed and excited to learn.
But when it comes to writing, there's a limit to the value of talking. At a certain point, I truly believe, you have to shut up and listen, and not just to other people, but to the world itself.
So on one particular afternoon, when I saw that the conversation was dragging, the eyelids were getting heavy, and the post-lunch yawns were on the creep, I decided that it was no longer time to yap. It was time to take a walk, as a class, around the neighborhood.
Before we set out, I laid down the rules. No talking. No cell phones. Avoid forms of nonverbal communication with each other (e.g. poking, tripping, massaging, mouthing curse words, etc.). We were going to shut up and walk, taking note of anything that we might come across. This, I hoped, was going to be an important lesson on writing.
A few nightmare scenarios ran through my mind just as we set out. The sky might suddenly open up and cast down rain, hail, lightning, brimstone, etc. upon us, sending my tightly organized and mindful class into a frenzied, save-your-own-ass stampede. One of the many disenfranchised individuals camping on the street might decide it's the right time to take issue with my face. A student might get so absorbed in the present moment that she wanders into the middle of traffic. Or, more realistically, the whole thing will feel weird and just…kind of silly.
But there we were, walking out of the school building and onto the busy sidewalk. We made our way through the city streets silently, a slow-moving mass emitting no sounds except maybe the rhythmic pads and clicks of our shoes against the pavement. On the first block, we carried with us a kind of shrugging sheepishness; we'd pass by people and greet their puzzled expressions with half-smiles, all too aware of our unusual noiselessness. This was a new thing, to simply observe without the distraction of conversation or the filter of a Spotify playlist or podcast in our earbuds. It felt awkward.
Gradually, we settled into it. It's a totally bizarre and worthwhile feeling to move in a silent group. You feel calm, reflective, but also sort of badass. Based on their quizzical expressions, the people we passed by on the street were unnerved by us. How often do you see a group of 20 teenagers just walking? Not talking, not looking at their phones. Just walking. Were we some kind of cult?
As we waited for the walk signal at an intersection, a blue BMW with tinted windows boomed and rattled past us. From its slightly cracked windows blasted UB40's "Red, Red Wine." The car's presence was enormous. We resisted the immediate urges to laugh, dance, sing along, or scoff. Instead, we just watched as it trundled down the avenue, rippling its effects across the afternoon.
When you're doing nothing but observing, every movement in the world becomes a story, and every image becomes a composition: construction workers framed by the cubic bones of an unfinished apartment building; the catch and release of cars at a four-way intersection; the violent hock-hock-spit of a red-faced jogger. And, to me at least, an ineffable humor becomes apparent. From a detached eye, the disparate elements of an urban street corner can come together in a cosmic and gentle punchline.
Now, in full disclosure, I have no idea what my students felt about this exercise. I kind of lost track of time, and when we finally arrived back to the classroom the period was just ending. I dismissed the students with a thank you and a nod. Maybe some of them were wondering why we just wasted fifteen minutes of class time. Maybe some of them were just happy to get outside for a little bit. But I prefer to think that a few of them, at least, were genuinely moved by the experience. Maybe they saw the same old neighborhood with a completely new perspective. And that is as good a place as any to begin writing.
Guest Post, Svetlana Lavochkina: Rubies the Size of Peas
A writer always has a mother and a father, who very often have nothing to do with her biological manufacturers; neither does the mother have to be female or father male. A writer also has a husband/wife of whatever gender that sparks off her desire, often not the one who shares her daily bed and bread. The mother is the reason of why she writes at all. The father is the one who actually puts a pen into her hand and presses it onto the paper. The partner is aka, well, her muse.
The first piece ever that a writer produces is usually about one of this trinity. If I am ever invited to contribute to this blog again, I will tell you about the latter two. But today, it is my mother-in-letters, Maria Ivanovna Moskvina. A little vignette in her honour that I would like to share here was written ten years ago to be performed at an international teachers' conference. It was received very favorably, and I submitted it to a British literary magazine, where it was accepted at once, my very first publication, which gave me the courage to write on, on, and on.
My name is Svetlana. I learn English every day. I am learning English now. I have learnt some English already. I have been learning English for ten years. If I hadn't been so lucky I would have never had a chance to learn English. Even the gorgeous Present Perfect Progressive have I mastered, and the mysteries of the nebulous Subjunctive Mood, too, as you can well hear, without ever having visited London, which is the capital of Great Britain and stands on the river Thames.
I live in a fuming Eastern-Ukrainian town with dandelions poking through concrete in some places. Grey people swarm into trolley-buses to get to factories in the morning. In the evening they storm groceries to get some sausage for supper.
I don't mind an hour's ride to school in a bursting trolley-bus because I am fortunate to go to the only school in the town where English is taught from the first class. Maria Ivanovna, the town's premium teacher of English, reigns there. We are all in awe of her. She makes us meek and silky just with the glance of her bespectacled eyes. Maria Ivanovna takes a syringe and injects a dose of success right into our assiduous bottoms. She says, 'Don't you dare come to see me in ten years unless you are driving a black Mercedes, working in the Ministry of Foreign Affairs and own an apartment in Moscow.'
We try to detect Maria Ivanovna's mood and the degree of her irascibility by her clothes. Experience has shown that Maria Ivanovna is in the worst of her moods when she wears blue Margaret Thatcher suits. It is then that she throws objects around and bangs our heads against the blackboard at even the tiniest mistakes. On the contrary, the nicest queen-like half-smile crosses her face when she wears red. It is usually then that her ears are adorned with rubies the size of peas, and, believe it or not, it is their warm shimmer that melts my brown school uniform and my skin under the uniform and pours the mellow melody of the strange language directly into my veins.
I am jealous of Maria Ivanovna's jewels, the more so because I know that I myself could get rubies like this by right of inheritance, but I never will. They say my great-grandmother Celia was married to a rich merchant in Odessa. She was an illustrious beauty. She spoke five languages, had relatives in London and never condescended to wearing such vulgar jewels as rubies. Even at the market place, accompanied by her kitchen-maid and a drunkard hired for a kopeck to carry the heavy baskets, she chose the best vegetables and chicken for a Sabbath meal wearing no less than diamonds the size of cherries.
But then the Revolution swept the wealth of the family away together with the diamonds torn directly from her earlobes by a waif on the streets of hungry Odessa. It was only in the thirties that Celia's surviving children were able to afford to give their mother earrings albeit only rubies the size of peas, so she had to condescend to the red.
The earrings were inherited through the female line. When Celia died, my grandmother wore them, and after that, my mother. Unfortunately, my mother lost them shortly before I went to school. Not once was she reprimanded for that.
I gaze at Maria Ivanovna in scarlet glow and imagine myself not in a black Mercedes, not in the ministry of foreign affairs and not in a flat facing the Kremlin. In my dreams I go to London, step onto a boat on the river Thames and meet a whiskered young lord whose accent is the finest RP. We fall in love and marry and live in his castle with a ghost. To the ghost I also speak in my own finest RP.
I gaze at Maria Ivanovna in scarlet, she is gleaming. I think how lucky I am to be sitting here. Everybody says that it is impossible without connections or heavy bribes, customary and going without saying nowadays, but my parents are ordinary clerks, they have neither money nor connections. English equals freedom and wealth, though nobody dares to say that in our concrete town. So parents tacitly gamble all they possess on their children's future, because English is a spaceship, a password, a catapult to a different, perilous, much railed against and forbidden world, a world teeming with bright colours and ingenious people.
It is widely known that a healthy bribe is a passport into Maria Ivanovna's classroom. They say she receives several eager mothers in her flat simultaneously, and she has them all wait in different rooms and holds her audience with them separately so that they can't see each other. There is even a wild story passed on in a whisper that Maria Ivanovna once locked a mother in the bathroom because all the other rooms had been occupied.
When asked how I had obtained a place, my mother always said, 'it was your fortune, there was that one last place left.' I finished school and tried to catapult myself into the longed-for perilous world. The concrete curtain fell and the cord of fate connecting me with Maria Ivanovna was cut.
I must confess I'm neither exactly in London nor exactly married to an English lord, neither exactly living in a castle nor exactly speaking RP. I haven't fulfilled Maria Ivanovna's black Mercedes precepts either, but I am trying to teach the English I learned from her to German children, who are not in the least fascinated by London, which is the capital of Great Britain and stands on the river Thames. They are not in the least in awe of me either, and if anything, it is I who would need to bribe them to listen.
Last Sunday I was marking the exercise-books and cursing loudly when the doorbell rang. A man with a concrete-like greyness about him was standing at my doorstep. I had never seen him before. 'Is your name Svetlana?' he asked me in my hometown vernacular. 'Yes it is,' I answered, surprised. 'I was asked to hand you this,' he said, and gave me a plastic bag. Before I could open my mouth he vanished into the dusk of the hallway.
Inside the bag there was a folded letter and a small tightly cellotaped box.
'Dearest Svetlana,' the letter said, 'you forgot me, who taught you the Subjunctive Mood and told you all about London, the capital of Great Britain, and this is a shame. You were my most diligent pupil and I still remember your charmed face. It was a pity to bang it against the blackboard. So for you to remember me I bequeath to you the contents of this box.'
I undid the cellotape and opened the box. The rubies the size of peas shone up on me, unwinding a caravan of scenes and memories, jewels of the vanished world.
I learn English every day. I am learning English now. I have learnt some English already. I have been learning English for thirty years. Even the gorgeous Present Perfect Continuous have I mastered and the mysteries of the nebulous Subjunctive Mood as well. Had it not been for my mother, who had spent the spookiest hour in her life in my teacher's bathroom locked from outside to offer her the only family treasure, I wouldn't be struggling for words to tell you this story now, with rubies the size of peas in my ears.


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It looks like you're new here. If you want to get involved, click one of these buttons!
The advantages of pre used automobiles are absolutely apparent, particularly if looked at the point that these are in an outstanding condition. Just about every pre owned car or truck many times in our car dealership have already been through a detailed inspection performed with the aid of ASE certified techs in order that the car is entirely prepared for its next journeys. The catalogue of our own pre used vehicles is big! BMW to Mercedes Benz, Jeep, Lexus, Porsche, Infiniti, Land Rover and Ford - most of these could be easily within our store. It is worth bringing up that our store features greater than 250 autos, there is definitely where to choose from! Certainly, in ways that you have other used car dealerships, why use the services of our car dealership? You'll find a lot of perks you can find only here. To start with, there won't be other areas on the web in which you would be able to find better wholesale prices for the used cars. Next, we provide our popular 72 hours no questions cash return. In the event you don't like the car, then you definately don't want it and there isn't any need to make clear us the causes.


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Upcoming UART Workshops
Wish to learn more about specific pastel underpainting techniques on UART? Want to explore new techniques and learn from the masters? Then attend one of our UART workshops in your area! Our workshops are taught by some of the greatest pastel artists in the industry today. UART will provide free paper to each participant as well as offer special discounts from local and online participating retailers.
3-Day UART Workshop with Nancie King Mertz: "Pastels are Perfect for Plein Air"
Location: Chicago, IL
Date: Friday July 7- Sunday July 9 2017
Join Nancie King Mertz, Master Pastelist, at the Palette and Chisel Art Academy for a plein air workshop to capture urban street scenes, nearby cafes and Washington Square Park in the beautiful residential area of the Gold Coast. In this 3-day workshop, students will have a better understanding of composition, basic perspective, underpaintings and light and shadow to bring out their own unique style. Nancie will share her rapid plein air techniques to complete works in 2-3 hours.Click For More Info
3-Day UART Workshop with Douglas Tweddale: "Waterfalls Galore Plein Air"
Location: Benton, PA
Date: Friday July 7- Sunday July 9 2017
This three day plein air workshop will be held at beautiful Ricketts Glen State Park, which is one of the most scenic areas in Pennsylvania. It contains 22 named, free-flowing waterfalls, each cascading through rock-strewn clefts in this ancient hillside. Old growth trees and undergrowth add to the beauty. All painting will be near public areas with access to restrooms.Click For More Info
3-Day UART Workshop with Alain J. Picard: "Painterly Portrait"
Location: Newtown, CT
Date: Thursday October 26 – Saturday October 28, 2017
In this workshop, students will work from a live model as well as photographs, learning how to light, pose, and photograph the subject to create lifelike painterly portraits on UART Premium Sanded Pastel Paper.Click For More Info
3-Day UART Workshop with Jeanne Rosier Smith: "Finding the 'Wow'"
Location: South Dennis, MA
Date: Friday, November 10 – Sun, November 12, 2017
Why are some paintings so successful and others leave us flat? What creates that catch in the breath as we look at a painting, and how do we create that 'wow' factor more often in our own work? If you are looking to push your work to the next level, this workshop is for you. Take three days to go further, dig deeper. This workshop will focus on refining goals, defining strengths, and developing your personal style and a stronger connection to your own work.Click For More Info


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12 June 2015
Guest Blogger: Simon J Green
Thinking you're going to die at 20 makes you driven. Like a runaway train heading for a cliff at top speed. It can make you ambitious, a Macbeth cutting through obstacles not because of witches and Ladies, but because your destiny is an early grave.
Australians living with chronic illnesses that in all likelihood will turn into terminal illnesses are given a unique modifier to their life. In video games, there are buffs and debuffs. The Crimson Gem of Cyttorak will give you ridiculous strength, and that's a buff because it has a positive effect. A debuff has a negative impact. You may cast a spell on your enemies, such as Valkyrie's Blessing, which drains your victims over time. For those poor sods, you've placed a debuff on their health.
An early natural death sentence can act as one or both, a buff or debuff. You can figure, "What's the point?" and do very little, relax, enjoy what time you have; or, like me, you can turn it into a race against time, trying to get as much done as superhumanly possible before you shuffle off.
Stay with me on this, but as a boss, I'd love my employee to be the driven person with a chronic illness. The grim reaper whipping at their heels is a powerful motivator. They'd smash through work! Yes, it creates a mental image of a slavemaster cracking cat o' nines, the emaciated sickie dragging himself forward in fear, but stay with me a little longer!
Whether they're dying slowly or simply being sick, people with disabilities want to work, in some cases need to work. They need the money, sure, but they also need the validation, the purpose. You know that feeling you get when on vacation too long, itching to get back and be useful? Surprisingly, people with disability feel that, too. It's human nature to want to be part of society, contribute towards the greater good or just a greater home.
If you have or gain a disability, you're far less likely to be employed. However, statistically, you're a better worker. Job Access dropped this fact, "People with disability take fewer days off, take less sick leave and have a higher retention rate than other workers." Rad. In my more personal, non-government view on the subject, we wanna work because we're acutely aware of death, and finding a meaningful job can give the time we have meaning, too.
I'm a boss. I run companies, and in pointing out the above, I'm speaking to you, my fellow employers. Taking on a person with a disability, a PWD, can reap huge rewards for the loyalty, the trust, the awesomeness we bring. Normies - non-disabled folk - won't have the same attitudes we bring to work, unless they're wearing a Crimson Gem of Cyttorak. As their boss, of course you'll need to take a few measures to ensure your level 50 tank of an employee with a disability is given the tools and environment to work. That might mean a little leeway friday night to go home early after they spent all week crushing their to-do list. Maybe getting a ramp or a rail in the toilet that your power player uses only for bodily functions (rather than playing Candy Crush for half an hour like the rest of the slacker normies and two-legs in your employ). These little things, adjustments to the office, are part of a well functioning, flexible work place. It gives you access to a workforce to be reckoned with. Confront death and disability and tell me you won't come out a radder person ready to kill it in the work place? As a boss building a business, you want the Avengers (or the Suicide Squad), and any good team is a diverse mix. Add some PWDs to the roster and you've got a massive buff for your organisation, friend. We're the gems and spells and radioactive super-serums you've been missing.


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Sumatra Lintong GR1 Ulos Batak
$ 15.99
Soft and herbaceous with mild tobacco notes up front and tart, citrusy sweetness in the finish. Just wonderful.
Ulos Batak is a premium mark from the Klasik Beans Cooperative, with which one of our importers works directly. This coffee comes from the Lintong area around the southeastern end of the famous Lake Toba. The cooperative has well established relationships with the local farmers and takes pride in sourcing the finest coffees for their premium marks. Klasik Bean is committed to social and environmental sustainability. Farmers are rewarded well for quality and all cooperative employees receive full benefits.


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Damian Lewis may have played Nicholas Brody in Homeland, but he's not the toughest man in his wife's life. Helen McCrory, starring in ITV's forthcoming Tommy Cooper TV biopic, shared interview time with her father Iain in this week's Sunday Times.
Iain is a huge fan of his daughter's and son-in-law's work, but his time in the diplomatic service means Lewis's hit series leaves him cold. "I never watched Homeland. I've seen enough terrorism. I've travelled to the middle of the ocean to quash a mutiny and I have fed starving kids… I don't need to watch it on TV."
Have we unearthed a new action star?Reuse content


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MM Irrelevance Theorem- Firm Value and WACC independent of Capital Structure- Capital Structure does not matter- Pie Model. -Problem: No prescription to firms on how to finance projects. -Introduce tax relief on debt => 100% debt! -Personal Taxes. -Bankruptcy Costs. -Traditional View.
MM assumed- Unselfish Manager, acting in shareholders interests. - Symmetric Info between managers and investors (no inside info). Reasons for Optimal Capital Structure. Selfish Manager – Private Benefits, lack of effort etc. Asymmetric Information- Manager knows more about his firm than the outside investors.
Agency Costs (Selfish Manager). Jensen and Meckling (1976). If firm issues equity (reduced managerial ownership of firm value), Manager pursues private benefits (private jet, plush offices, time off to play golf), reducing firm value. -If firm issues debt, manager has incentive to take risky projects (risk-shifting). Trade-off: Optimal Capital Structure. D/E V* D/E*
Agency Costs (continued). Hart (1984)- Effort Level. Equity holders are soft- Manager can reduce effort. Debt holders can liquidate the firm=> Bankruptcy => manager losing job. This threat may lead to manager working harder => Increasing firm value. Therefore, increasing debt increases firm value.
Agency Costs- Continued. Free cashflow (Jensen 1986). -Managers may have pet negative NPV projects. Equity => free cashflow => managers can take these bad projects => firm value falling. Debt => reduces free cashflow. Managers cannot take the bad projects => Firm value rises. - Important in Mergers- See 4 th year course.
Asymmetric Information. Manager has inside information. Issuing debt or equity may reveal this information to the market. Myers-Majluf. -Firm has 50/50 chance of good or bad news. Market values this firm at an average. Then Manager observes this news – market does not. If bad news arrives, firm is currently overvalued in the market – manager will issue shares – This signals bad news, and share price falls. If Good news arrives, firm is undervalued in the market, and manager will not issue shares. Therefore, Issuing equity signals bad news, firm value falls.
Asymmetric Information (continued). Ross (1977)- Debt has bankruptcy threat. Manager has compensation based on firm value, but is penalised financially if firm goes bankrupt. Market cannot observe whether manager is good or bad. Good manager issues debt- signals that he is not too worried about bankruptcy – therefore, firm value rises. Bad Manager is worried about bankruptcy- does not issue debt. Firm Value falls. Empirical Evidence- Issuing equity causes firm value to fall- Debt causes firm value to rise- contrary to MM. Agency Costs and Signalling are explored in more detail in 4 th YR.
Practical Methods (Damadoran): -Trade-off Models. -Pecking Order Theory: Retained Earnings/ Debt/ equity. -Life-cycle model: Young firms less debt? Older firms more debt? -Benchmarking.
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If you perhaps read the comments in my blog post, Exceeding Expectations, I disclosed my weight. 173. Yep, I said that. And I said it OUT LOUD for all the world to hear.
Sometimes that number bothers me. I'd truly like it to be about 20 lbs. less. I'm 5'7" and I've got German and Czechoslovakian genes. I was a former gymnast. My job as a graphic designer has me sitting at a desk all day. I have given birth two children and I have a post-partum thyroid problem. And thus my thighs and rear-end LOVE to hold only a lot of extra weight. Don't get me wrong, those aren't excuses (even though I'd love to blame them for everything). I know I'm responsible for getting the weight on there in the first place, but it has proven to be quite a challenge at 43 years old to get it back off.
However, in that moment after my Olympic triathlon at Lake Chelan and setting a PR (personal record), that number didn't bother me at all. I put in the training and the effort over months to be able to do my best at the ChelanMan race and I was proud of the accomplishment. Other people were proud of me. The number, 173 at that moment in time seemed to really not matter.
This 173 can bike.
The number also mattered less to me when I found out a childhood friend was just starting her own journey into an active lifestyle by starting a "Couch to 5K" program. She had the courage to reach out to me and ask questions about getting started. She said I was an inspiration! She also shared that my weight was her goal weight. That changed my perspective, too. My reality was someone's "grass is greener on the other side". It is crazy how we can be perpetually hooked into wanting what we don't have instead of appreciating what we do. It know I sometimes do that myself.
In my 40's, I've tried to take on the attitude of being relentlessly positive. Probably because in my younger life, I spent a lot of time being quiet and shy and at times, pretty depressed. But at some point I realized changes weren't going to come to me sitting on a couch. So I decided to get out there and give things a try and celebrate each and every accomplishment for what it is. My new swimming, biking, running-self is not fast, but I'm overwhelmingly thankful that I have a body that CAN swim, bike, and run. I've become more of the "enjoy the journey" girl and I'm having a blast doing it. I'm also appreciating the connections that I can make with friends near and far who are like-minded in getting their fun from challenging themselves signing up for a race or a ride, putting in the training or just setting a goal of getting out there to feel better. Exercise has so many amazing benefits. Physical yes… but for many of us… the mental benefits are just as valuable.
When the number 173 bothers me is when I'm not treating my body right…. when I'm not exercising regularly, when I'm not drinking enough water, when I'm indulging in too much sugar, and when my eating habits are poor. I can also weigh 173 during those times… but it is not a FIT 173.
If you've not signed up for an event (running, biking, triathlon), you might have the perception that everyone is super-skinny-fit and super-fast. But at races, I really notice people of all shapes and sizes. If I'm going to pass someone, I make sure to cheer them on and tell them they are doing a great job. I need to pay forward the encouragement I have received getting to this point. I'm not at the front of the pack, but I've worked my way successfully to somewhere closer to the middle and I'm proud. And I remember what it was like just starting out.
This 173 can run… s-l-o-w-l-y, but run.
I distinctly remember on my first 70.3 race I was really struggling on the hills. A gal came up alongside of me and yelled at me "one pedal at a time, you got this!" And when I say she yelled, SHE YELLED IT. It fired me up and gave me something to concentrate on for the rest of the race. We ALL get there… one pedal at a time.
So let's circle back to some of the women who are inspiring me these days… my friend, Sharon who lives on the East Coast. She's conquering a summer full of "firsts". Sprint triathlons, open water swims, riding her bike in the rain and she just finished her first half-marathon. She's amazing. My other friend, Kris, who is getting out there nearly every day in the heat and humidity of the midwest summer to walk and run the "unkind hills" (as she puts it). She's well on her way to her first 5K, one step at a time… she is EARNING it. She is now a runner. My new friend, Carolynn, who I met on my San Juan bike ride who just finished a triathlon in Santa Monica and conquered her first ocean swim. And of course all the Team LUNA Chix women who are out there on a weekly basis not only conquering their own events, but spending their time and energy paying it forward to women of ALL abilities.
173, 243, 133… whatever. Let's get out there. Let's stay off the scale and put away the measuring tape. Let's cheer each other on to keep moving forward to exceed our own expectations… one step and one pedal at a time. Just keep smiling and rock what you've got!
And this 173 is going to enjoy every moment, and pay it forward!


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Om duisende beskikbare byvoegings te probeer, laai Mozilla Firefox af, 'n gratis en vinnige manier om deur die Web te blaai!Close
Welkom by Firefox Byvoegings.
Kies uit duisende ekstra funksies en style om Firefox nommerpas te maak.Close
Neicca Extension 0.0.2.1-signed.1-signed Requires Restart
deur Neicca Developers
Firefox extension for Neicca Communities (www.neicca.com) brings together the circles of families, friends, neighbors, and colleagues, through the user-controlled, automatic, and anonymous sharing of their online activities.
This add-on has been marked as experimental by its developers
This add-on is not compatible with your version of Firefox because of the following:
Aangaande dié byvoeging
The side panel of Neicca Extension displays a list of web page titles and URLs that are interesting to the selected groups of users. The content of this side panel is refreshed periodically, so the user will be kept up-to-date with the online activities of all the selected groups. At the same time, the user has the option to concentrate on the tasks at hand, working in the main window of the Firefox browser at the right side.
When the Neicca Extension is first launched, the user is prompted to register to the Neicca Community. Then the user can create and join groups, which includes completely private groups for family and friends, application-or-invitation groups for alumni and colleagues, and completely open groups for local communities and public interests.
On Neicca Community web site, the user has the option to manually submit the URL of an interesting web page to these groups. However, Neicca Extension can automate the sharing of online activities, thus allowing the user to enjoy 100% productivity on internet-related activities, while still maintaining the social connections.
Weergawe 0.0.2.1-signed.1-signed
When the extension is first installed, the toolbar button is automatically placed at the right side of search bar, or at the right-most position of menu bar. User has the freedom to place it at any position.
- Bronkode vrygestel ingevolge die Eie lisensie
- Wat is dié?
This add-on is not compatible with your version of Firefox because of the following:


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The company's Winter Sports business includes the Full Tilt and Atlas brands.
First serious down day in ages? Jim Cramer says it's as normal as rain; and he has an umbrella for you.
TheStreet's Jim Cramer said Berkshire Hathaway CEO Warren Buffett views Apple as a consumer products company,
Nvidia's successful because it's involved in all aspects of technology trends, says Jim Cramer.


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Three and a half months on from the fatal explosion on the Deepwater Horizon oil rig in the Gulf of Mexico, the end may finally be in sight. But it is only the end of the beginning. So far, BP's "static kill" of the ruptured Macondo well appears to have been successful. If nothing goes wrong in the days ahead, all that remains is to plug the reservoir with concrete, and the leak responsible for the biggest oil spill in history will be permanently sealed.
BP's success, after months of failed attempts, is not the only good news for the benighted Gulf coast. Although US government scientists now estimate that in total a horrifying 4.9 million barrels of oil have leaked into the ocean, as much as three-quarters of it has either been cleaned up, burned off or naturally broken down.
With the environmental catastrophe finally contained, it is now time to take stock. No one comes out of the episode well. BP's reputation, already tarnished by the fatal Texas City fire in 2005, is in ruins. But BP is not alone. The US regulator faces criticisms of laxity and too-close ties to industry. And America's political class, while not implicated in the spill itself, has helped feed a frenzy of heavily politicised finger-pointing.
Perhaps most disappointing has been the President. Barack Obama – with one eye on George W Bush's skewering over Hurricane Katrina, and the other on the November mid-terms – signally failed in his responsibility to help solve the problem. Instead he inflamed already fractious public opinion into a witchhunt against British business, and almost brought down a major corporation providing income to millions of people.
Now that Macondo is capped, it is not only the fragile Louisiana wetlands that must be cleaned up. BP's badly advised chief executive, Tony Hayward, has already resigned, after a string of gaffes. But it will take more than his replacement by US native Bob Dudley to convince the world that systemic safety problems have been addressed.
The conclusions of the three separate investigations into the initial explosion have much to teach BP, technically and organisationally. They also have much to teach rivals, regulators and governments. But the judgments must be met soberly. Given our thirst for energy, it is not feasible to stop drilling. Deepwater Horizon was a tragedy. The lessons to be learned from it must not be squandered in short term point-scoring or knee-jerk over-regulation.
- More about:
- Energy
- Gulf Of Mexico
- Oil Spill
- Reservoirs


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When you purchase a digital subscription to Cake Central Magazine, you will get an instant and automatic download of the most recent issue.
This is for my other daughter to her second birthday. dora and star are
fondant, and the the frosting is chocolate. shells too.
Dora 3Rd Birthday Cake


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Multitask Force
"I picked it up, sat down on my couch, and didn't put it down until I finished." A pint of Cherry Garcia? No; Random House editor Michelle Frey is referring to Evolution, Me & Other Freaks of Nature, whose high school heroine is plunged into a science-versus-faith controversy. Arizona author Robin Brande knows whereof she writes, as this freak of multitasking nature is -- or at one time has been -- a Sunday-school teacher, Wilderness First Responder, trial attorney, karate black belt, and Broadway actress. No kidding.
Tue., Aug. 28, 7 p.m.
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Bradley Cooper, Irina Shayk
Give Birth to Super Secret Baby!!!
Bradley Cooper is now a dad, which clearly makes Irina Shayk a mom ... which means they've had their kid. The baby was born 2 weeks ago, but kept it under wraps, this according to People. It's… READ MORE >


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Kelly Walsh Foundation - VisitThe Kelly Walsh Foundation was created to support athletic and performing arts programs at Kelly Walsh High School as well as the KW community as a whole. Many of the needs for these programs cannot be funded through regular budget allocations. The KW Foundation's goal is to fund not only specific, short-term projects but also to build a endowment that will support these programs for the future. The KW Foundation hopes to reduce and ultimately eliminate the amount of fundraising activities performed by students in these programs.
More Information / Make a Contribution
Class Reunion Information:
CLASS OF 1977 40th REUNION:
The Kelly Walsh High School Class of 1977 will be celebrating its 40th Reunion on July 8, 2017. Click Here for more information or call Debbie Daniels 239-963-6210 or Debbie Jelinek 307-267-0888.
CLASS OF 1967 50th REUNION:
The Kelly Walsh High School Class of 1967 will be celebrating its 50th Reunion on July 21-23, 2017. For information Click Here For a paper registration, call Barbara Cohee at 307-237-7885. Join us on Facebook, KW Class of '67 - Celebrating Our 50th Reunion!
Faculty & Staff - Current & Former
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"Architecture is situated at a unique moment in history where a convergence of global interests demand that our discipline responds in a critical and innovative manner… " (Evan Douglis, Dean)
A historic all-school publication that embodies the school's transdisciplinary approach to education, consistent theme of radical speculation, innovative pedagogical methods, and research addressing major global challenges.
Founder of the influential studio Morphosis and co-founder of the Southern California Institute of Architecture, Thom Mayne marries conceptual ideas with form, challenging the way we perceive structure, building and the environment.
Internationally renowned Chilean architect Smiljan Radić is transcending contemporary architectural labels by emphasizing heterogeneity of social context, environment, and materiality in his practice, founded in 1995.
International study is a defining aspect of Rensselaer's architectural education. The School of Architecture offers international semester long programs in Italy, India, and China.
EMPAC opened its doors in 2008 and was soon hailed as a "technological pleasure dome for the mind and senses… dedicated to the marriage of art and science as it has never been done before" (NY Times).
Theodore Spyropoulos is co-founder of experimental architecture and design studio Minimaforms, and Director of the Architectural Association's world renowned Design Research Lab (AADRL) in London.
MATERIAL INTENSITIES, the challenge of this recent conference, intended to dissolve our notion of the built environment as inert constructions enclosing physically sealed spaces. Host_Directors: Demetrios Comodromos, Jefferson Ellinger.
Final Reviews Schedule: FINAL PROJECT & MASTER THESIS_ All reviews at the School of Architecture (Greene Building), except those at Craive Lab (Rensselaer Technology Park, 250 Jordan Rd, Troy NY). Monday April-24 12-6, Greene Gallery Power / Control: Politics of Space Students: Dariga Akhmetova – James Bradley – Christopher Chitnis – Kevin Conlin – Joseph […]
Höweler + Yoon; Kunlé Adeyemi; William Horgan (Grimshaw Partners); Marcelo Spina (P-A-T-T-E-R-N-S); Pezo von Ellrichshausen; and Rick Joy. All events start 6:00pm at EMPAC. 110 8th Street / Troy, NY 12180. Admission is free.
Geofutures endeavors to convert crisis into opportunity by harnessing both the pressures of a planet at risk and the promise of emerging environmental technologies to generate a broad spectrum of possible, if not probable, urban and architectural futures for the twenty-first century. CHRIS PERRY, Director.
The practice of architecture in the 21st century is increasingly driven by heightened cultural, social and environmental issues. Our top-tier program offers a comprehensive and dynamic curriculum comprised of digital design, emerging fabrication technologies, environmental simulation software, new materials, and the opportunity to engage in a range of cross-disciplinary collaborations. LONN COMBS, Director.
"The education of the architect at Rensselaer is looking ahead. It is looking into the future to prepare students to go out to the world and do something transformative. We are preparing students not only to become future practitioners, but to become future leaders." EVAN DOUGLIS, Dean.


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Earn Man Outfitters Rewards Points with every purchase. Learn More
Product Information
With a water-ready build, the Kipi has been tested and approved by the Hawaiian Lifeguard Association. Features decorative strap stitching, a welded hook logo on the toe-post overlay, laser footbed detail and a custom jacquard webbing tag which represents the colors of the HLA.
- Features
- Non-marking rubber or gum rubber outsole with razor siped edges for grip on wet surfaces.
- Anatomical compression molded EVA midsole with a soft ICEVA drop-in footbed for both comfort and support.
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- Thermoset rubber is a compound of natural and synthetic rubber that will not leave marks or 'scuffs' on surfaces of any type. Gum rubber outsoles, as a natural material, will always naturally be non-marking.
- Lightweight, quick drying, breathable and durable materials built for in and around water.
- Style # 10324
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Trouver un exemplaire dans la bibliothèque
Recherche de bibliothèques qui possèdent cet ouvrage...
|Radio interviews
Country music radio programs
Radio commercials
Radio announcements
Radio serials
|Personne nommée:
|Rosanne Cash
|Type d'ouvrage:
|Livre audio, etc.
|Type de document:
|Enregistrement sonore
|Tous les auteurs / collaborateurs:
Ralph Emery; Rosanne Cash; Reba McEntire; Richard Petty; J David Goldin; O'Kanes (Musical group); Andrew W. Mellon Foundation.; Marr Sound Archives.
|Numéro OCLC:
|Ralph Emery Productions: 353/1761-1765 (matrix); 354/1766-1770 (matrix).
Contents from cue sheet.
Radio program featuring interviews with country music celebrities. Sponsored by Goody's Headache Powder.
Provenance: J. David Goldin collection.
Pressed and banded transcription disc.
|Ralph Emery, host and interviewer; Rosanne Cash (Side 1) and The O'Kanes (Side 2), guest interviewees; Reba McEntire and Richard Petty, advertisements.
|Notes sur l'évènement:
|For broadcast May 2-6, 1988 (Side 1) and May 9-13, 1988 (Side 2).
|1 audio disc : analog, 33 1/3 rpm ; 12 in.
|Side 1. Week 1. Monday, May 2. Rosanne talks about "Kings Record Shop" ; Tuesday, May 3. Rosanne talks about her family and "Seven year ache" ; Wednesday, May 4. Rosanne talks about "Tennessee flat top box" ; Thursday, May 5. Rosanne talks about her new single and Rodney Crowell ; Friday, May 6. Rosanne talks about her family --
Side 2. Week 2. Monday, May 9. The O'Kanes talk about how they came up with their name ; Tuesday, May 10. The O'Kanes talk about awards and Willie Nelson ; Wednesday, May 11. The O'Kanes talk about their music ; Thursday, May 12. Jamie O'Hara talks about himself ; Friday, May 13. Kieran Kane talks about his family.
|Autres titres:
|Goody's presents Ralph Emery.
May 9-13, 1988, side 2.
Ralph Emery.
May 9-13, 1988, side 2.
Ralph Emery.
Each of the five bands corresponds to a day of the week. Includes advertisements on both sides for Goody's Headache Powder by singer, Reba McEntire, race car driver, Richard Petty, and by the host, Ralph Emery.
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.Emenike, Nsofor makes a return
Super Eagles Coach Stephen Keshi has included now-fit Emmanuel Emenike in his 20-man-squad ahead of the high-profile international friendly against the Bafana Bafana of South Africa in Durban on August 14.
The annual Mandela Challenge contest at the Moses Mabhida Stadium is in honour of ailing former South African President, Dr. Nelson Mandela, one of the world's greatest statesmen.
Russia-based Emmanuel Emenike, top scorer at the 29th Africa Cup of Nations that Nigeria won in South Africa earlier in the year, returns to the squad for the first time since that feat, and there is also room for Newcastle United FC's Shola Ameobi, who recently again made himself available for Nigeria.
Nimble-footed Chelsea FC ace Victor Moses is also back and while goalkeeper and skipper Vincent Enyeama is left out, sharp-shooting Obinna Nsofor returns after nearly two years in the international wilderness.
Former junior international forward Uche Nwofor, of VVV Venlo in the Netherlands, is a surprise invitee in a list dominated by the squad that represented Nigeria at last month's FIFA Confederations Cup tournament in Brazil.
Coach Keshi has placed three home boys – defenders Benjamin Francis and Solomon Kwambe and striker Muhammad Gambo – and little known Norway-based Samuel Aaron on standby.
GOALKEEPERS: Austin Ejide (Hapoel Be'er Sheva, Israel); Chigozie Agbim (Enugu Rangers, Nigeria)
DEFENDERS: Kenneth Omeruo (Chelsea FC, England); Efe Ambrose (Celtic FC, Scotland); Godfrey Oboabona (Sunshine Stars, Nigeria); Azubuike Egwuekwe (Warri Wolves, Nigeria); Elderson Echiejile (Sporting Braga, Portugal)
MIDFIELDERS: Mikel Obi (Chelsea FC, England); Fegor Ogude (Valerenga FC, Norway); Victor Moses (Chelsea FC, England); John Ogu (Academica de Coimbra, Portugal); Ogenyi Onazi (SS Lazio, Italy); Nnamdi Oduamadi (AC Milan, Italy); Sunday Mba (Enugu Rangers, Nigeria).
FORWARDS: Ahmed Musa (CSKA Moscow, Russia); Brown Ideye (Dynamo Kyiv, Ukraine); Shola Ameobi (Newcastle United, England); Emmanuel Emenike (Spartak Moscow, Russia); Obinna Nsofor (Lokomotiv Moscow, Russia); Uche Nwofor (VVV Venlo, Netherlands)
STANDBY: Solomon Kwambe (Sunshine Stars, Nigeria); Benjamin Francis (Heartland FC, Nigeria); Muhammad Gambo (Kano Pillars, Nigeria); Samuel Aaron (Sarpsborg '08 , Norway).
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Went fishing, came back with deer. Wait, what?!
Adam Rifkin stashed this in Best of Imgur
To save this post, select a stash from drop-down menu or type in a new one:
Went fishing, come back with deer. I'm not sure whether you're REALLY good, or REALLy bad at this whole "fishing" thing.
Story here: http://juneauempire.com/stories/100810/out_717573934.shtml (from reddit)


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Meet The Cask & Larder Team
James and Julie Petrakis – Chef/Owners of The Ravenous Pig and Cask & Larder
Since opening The Ravenous Pig in 2007, James and Julie Petrakis have garnered numerous accolades for their ever-changing menus based on seasonal ingredients and made-from-scratch items. This culinary devotion has won them a coveted James Beard nomination, along with praise from Food & Wine, Saveur, Southern Living and other publications. They are also authors of The Ravenous Pig: Seasons of Florida cookbook.
Although James and Julie both grew up in Winter Park, they did not meet until they were attending the Culinary Institute of America (C.I.A.), in Hyde Park, New York. After graduation, they worked at some of the country's most notable and innovative restaurants—James at Walt Disney World's California Grill, Atelier at The Ritz Carlton/Central Park, The Ritz Carlton/Orlando, and on the launch team for Seasons 52; Julie at New York City's Tribeca Grill, Union Square Café, and Union Pacific, Atlanta's Bachannalia, Primo at Orlando's JW Marriott, and with her brother-in-law, Brian Petrakis, helped create and launch Greens & Grille. Both James and Julie worked under Chef Brandon McGlamery to open Luma on Park.
At Cask & Larder, James and Julie have succeeded in assembling another stellar team of dedicated culinarians to create a restaurant that honors foods of the region with a welcoming, neighborhood feel.


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Question about Belling XOU252 Electric Single Oven
Posted by lee1rees on
SOURCE: I have freestanding Series 8 dishwasher. Lately during the filling cycle water hammer is occurring. How can this be resolved
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Long-term trends were computed by state partners using the Seasonal Kendall non-parametric technique for annual data collected from 1999-2013. Highly significant trends are indicated with triangles and possible trends are show with colored circles. Secchi Disk Depth observations (a measure of water clarity) are increasing/improving significantly at 2 stations, possibly increasing at 2 stations, decreasing/degrading significantly at 28 stations, and possibly decreasing at 14 stations.
Author: Howard Weinberg
Date created: Apr 30 2015 / Download ( 1.44 MB )


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ABC Video on Demand
Watch the latest video programs:
Inside ABC TV
- Program Sales
- Program Ideas
- ABC Resource Hire
- Be a Contestant
- Studio Audience
- Participate
- TV Documentaries
Program Summary
The Wiggles Show
8:08am Wednesday, August 30, 2006
Let's cruise in the Big Red Boat. Jeff meets a pink cockatoo. Anthony shows us the letter "f" and does the Feathersword dance. It's hats and sunscreen for "having fun at the beach". Then, it's off to a Wiggly concert for a medley.
Kids Subtitles CC G


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from 140,6 USD – Hotel
from 144,0 USD – Hotel
from 158,6 USD – Hotel
from 168,7 USD – Guest accommodation
from 118,1 USD – Hotel
from 101,2 USD – Guest accommodation
from 102,4 USD – Hotel
from 118,1 USD – Hotel
0.08 km
Calle Hernan Cortes 6 Apartamento 1 - G 35660, Corralejo
0.12 km
Lepanto 6 35660, Corralejo
0.13 km
Victor Grau Bassas, s/n 35660, Corralejo
0.14 km
Poris, 2 35660, Corralejo
* Wszystkie odległości są mierzone w linie prostej, od Twojego punktu do celu.
All bookings are confirmed instantly. No waiting, no email exchanges, no confusion.
Avanti Hotel Boutique Fuerteventura is located opposite the beach, in the centre of Corralejo. It features a restaurant and a roof terrace with a hot tub.
This small, adults-only hotel offers room looking onto the ocean or the town of Corralejo. The chic rooms at Avanti Hotel Boutique Fuerteventura have minimalist, white décor with turquoise finishes. All rooms have free WiFi, air conditioning and a flat-screen TV.
The restaurant serves international cuisine and specialises in seafood, grilled fish and grilled meat dishes. The terrace offers ocean views.
There is a lounge on the terrace.
Corralejo Nature Reserve is within 3 km of the hotel. Puerto del Rosario and Fuerteventura Airport are less than 45 minutes' drive away.
Rooms: 15
Please inform Avanti Hotel Boutique Fuerteventura - Only Adults in advance of your expected arrival time. You can use the Special Requests box when booking, or contact the property directly with the contact details provided in your confirmation.
Dining area, Refrigerator
Free toiletries, Bathroom, Toilet, Bathrobe, Hairdryer, Shower
Mosquito net, Private entrance, Safety Deposit Box, Heating, Air Conditioning, Desk, Wardrobe/Closet
Flat-screen TV, Satellite Channels
Wake-up service
Sea view
Looking onto the ocean, this chic room has minimalist, white décor with turquoise finishes. All rooms have free Wi-Fi, air conditioning and a flat-screen TV.
Dining area, Coffee machine, Minibar, Refrigerator
Shower, Bathroom, Hairdryer, Bathrobe, Free toiletries, Toilet
Wardrobe/Closet, Air Conditioning, Mosquito net, Heating, Safety Deposit Box, Sofa, Private entrance, Desk
Radio, Flat-screen TV, Satellite Channels
Wake-up service
Patio, Balcony, Sea view, Terrace
Opening onto a terrace with ocean views, this suite has a Smart TV and a Nespresso coffee maker. It has minimalist, white décor with turquoise finishes, free Wi-Fi and air conditioning.
Refrigerator, Minibar, Coffee machine, Dining area
Bathrobe, Hairdryer, Toilet, Bathroom, Shower, Free toiletries
Safety Deposit Box, Wardrobe/Closet, Desk, Air Conditioning, Heating, Mosquito net
Satellite Channels, Flat-screen TV
Wake-up service
Sea view
Offering lateral sea views, this chic room has minimalist, white décor with turquoise finishes. All rooms have free Wi-Fi, air conditioning and a flat-screen TV.
Dining area, Coffee machine, Refrigerator
Free toiletries, Shower, Bathrobe, Toilet, Hairdryer, Bathroom
Safety Deposit Box, Heating, Mosquito net, Desk, Air Conditioning, Wardrobe/Closet
Flat-screen TV, Satellite Channels
Wake-up service
This chic suite has minimalist, white décor with turquoise finishes and features an extra bar and dining area. It comes with free Wi-Fi, air conditioning, a flat-screen TV. The bathroom includes a bathrobe and a hairdryer.
Toilet, Bathroom, Bathrobe, Free toiletries, Shower, Hairdryer
Wardrobe/Closet, Mosquito net, Safety Deposit Box
Flat-screen TV, Satellite Channels
This room is fully adapted for guests with reduced mobility. It has an extra large double bed and the width of the doors, the access to the wardrobe and the bathroom and shower are also adapted.
There is an elevator with access to all floors and the roof terrace where the sunbeds and hot tub are located. Just outside the hotel there is a small beach accessible via a ramp.
Hairdryer, Toilet, Free toiletries, Shower, Bathrobe, Bathroom
Mosquito net, Safety Deposit Box, Wardrobe/Closet
Flat-screen TV, Satellite Channels
Terrace, Sea view
This double room features a sea view, bathrobe and satellite TV.
After booking, all of the hotel's details, including telephone and email address, are provided in the online booking confirmation, confirmation email.
Bar, Restaurant (à la carte), Restaurant, Breakfast options,
Safety deposit box, Luggage storage, Tour desk, Private check-in/check-out, Tickets to attractions or shows, Express check-in/check-out, 24-hour front desk,
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Free WiFi! WiFi is available in all areas and is free of charge.
No parking available.
From 15:00 hours
Until 12:00 hours
Children older than 16 years are welcome.
Children's cots/cribs are not available.
There is no capacity for extra beds in the room.
Pets are not allowed.
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Michael Clark Company/To a simple, rock 'n' roll . . . song, dance review: An elixir for the jaded
The Michael Clark Company left the audience gasping at the Barbican Centre, writes Rosamund Urwin
No one could accuse Michael Clark of enervating his audience. The choreographer's latest work is an elixir for the jaded, an adrenaline shot that sends you away buzzing — wishing only, perhaps, that it weren't so succinct.
Clark's signatures — body-moulded costumes, Bowie and bright lights — are all here. In the first act, the dancers contort themselves into sometimes strained-looking and slightly wobbly poses, at times resembling ballerinas stretching, at others music box dolls. Everything gets sexed up in Act II, with the eight-strong cast donning PVC flares (very Vauxhall) as Patti Smith blares out. Alligator arms and pelvic thrusts are performed to a pulsating panoply of numbers.
The climax is the piece choreographed to Bowie titled "my mother, my dog and CLOWNS!" — Life On Mars lyrics. As Blackstar plays, the dancers — now in space-age silver suits — dart around the stage, shimmering like the molten metal from a soldering iron. My favourite section resembles a toddler's tantrum. It is a sensational finale, with Clark — still lithe — making a witty cameo, dragging a dancer off the stage. Of the other dancers, it is Harry Alexander whom your eyes are drawn to most. At 6ft 3in, he towers above everybody, but his movements are delicate, his posture sublime.
The night I went, there was a standing ovation. As the lights came on, the man beside me gasped: "Just wow." I think he spoke for us all.
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'I don't want to do any more explaining to white people about the horrors they're not seeing'
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Arthur said today he felt that the time was right for someone else to take over. It has been reported that Corrie van Zyl will take over in a caretaker capacity with the Proteas set to tour India next month.
CSA are holding a press conference in East London at 7am GMT tomorrow, where they are expected to officially announce Arthur's exit.
They refused to comment on Arthur's position today despite the coach making it clear he was standing down.
It has been reported that Arthur's relationship with South Africa captain Graeme Smith had deteriorated beyond repair.
Former South Africa skipper Kepler Wessels told www.iafrica.com: "There has been some speculation in the last couple of weeks, so it is not a total surprise.
"I still think it is sad, (Arthur) did a good job for South Africa."
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This article was originally published as:
Rickett, C. (2015). Bad hair days and the good of Pamela Bone's literary journalism. Australian Journalism Review, 37(2), 81-93.
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"I can't die! I haven't finished saving the world yet!" (Bone, 2007c, p. 206).
As a recipient of the United Nations media peace prize, Pamela Bone was noted for her fearless reporting on humanitarian, gender and social justice issues. While some of her thought-provoking columns invited controversy, Michael Gawenda notes, "even when people disagreed with her, they respected and understood what she wrote came from her heart and mind and her great moral clarity" (quoted in Chandler, 2008, n.p.).
Retiring from The Age at the end of 2005, Bone accepted an invitation from Melbourne University Press to write a memoir about her cancer experience. As a seasoned practitioner given to distance and objectivity in reporting, Bone's reluctance to write confessional columns was finally converted into a candid account of her terminal prognosis, using the form of literary journalism. This paper explores the therapeutic value of Bone's Bad Hair Days, and the wider contribution her autobiographical voicing of illness makes.
Used by permission: Australian Journalism Review
Staff and Students of Avondale College may access the full text of this article from library PRIMO search.
Recommended Citation
Rickett, Carolyn, "Bad Hair Days and the Good of Pamela Bone's Literary Journalism" (2015). Arts Papers and Journal Articles. 46.


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We look at the latest threats in the property market. Do you buy high and sell low? We ask whether behavioural finance can help you make investment decisions. How can you protect yourself in retirement?
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