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Venn Group has been approached by a leading contractor based in Carlisle to recruit for a Plumber to join their organisation.
As the successful candidate you will have experience working with in domestic properties and hold a NVQ in Plumbing or equivalent.
The duties will include:
Essential skills / qualifications:
Desirable skills / qualifications:
To find out more about this role or to apply please forward an up to date CV to email@example.com or call Daniel Crompton or Daniel Judge on 0161 830 1830.
Venn Group is an equal opportunities employment business and employment agency and welcomes applications from all candidates.
Venn Group105-109 StrandLondonWC2R 0AA
South West
North East
North West
Central & East
Thames Valley


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Travel Insurance
How to choose the travel insurance that is right for you
Buying travel insurance for your vacation should be at the top of your pre-departure to-do list. Here are five key areas to focus on to ensure you're purchasing the right coverage for your needs.
Volunteer Awards
Know a volunteer doing good in your community? Nominate them today!
To celebrate #Canada150, every week in 2017 we're selecting one individual or team from our communities across BC who is making a positive difference through volunteerism. The chosen volunteer can then donate $1,500 to the non-profit of their choice. We're calling it #SimpleGenerosity.
Home Insurance
Four ways to reduce home insurance premiums
Did you know that some renovations to your home can actually decrease your insurance premiums? Here are four fix-it projects that'll save you money. Talk to one of our insurance experts today and be sure that your insurance policy meets your needs.

subset: commoncrawl


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American Cinema, the historical development of cinema in the United States. The first 20 years of technical and organizational progress that created the standard form of cinema was a complex process that took place in both Europe and the United States, as is described in the article Early Development of Cinema. But by 1914, American cinema had become the dominant force in the world, both technically and commercially, as it has remained to this day.
During World War I, there was a major reorganization of the American film industry. Film exhibition in the cities moved over from small nickelodeons to large purpose-built cinemas holding a thousand people or more, and new production and distribution companies replaced the members of the Motion Picture Patents Company (MPPC), who gradually went out of business because they were unable to adapt to the new type of film-making. At the same time, Hollywood became the major centre for production, almost completely displacing the studios around New York. The vast new studios built around Los Angeles were converted for filming completely in the dark, solely under artificial lighting, which made for greater efficiency and controllability of production.
New topics were added to the existing subjects dealt with in films, reflecting changes in society. "Flappers" (modern young women who behaved in unladylike ways) began to appear on the screen, science-fictional devices such as television and death-rays were used in serials, and, during World War I, American film-makers as well as European ones tackled big themes and told apocalyptic stories in their films.
For several years, the production companies which organized around a star or a director were the most prominent centres of film-making, but after the war, these were absorbed into the growing number of vertically integrated companies such as Universal and Paramount, which owned cinemas, distribution agencies, and studios. As larger and larger fees were paid to stars such as Mary Pickford and Charlie Chaplin, their films came to be rented and exhibited at special higher prices, and the true reign of the film star was under way in the United States. Realizing their own value, the most prominent of these figures—Charlie Chaplin, Mary Pickford, Douglas Fairbanks, and D. W. Griffith—joined together in 1919 to form their own company, United Artists.
The major American production, distribution, and exhibition companies as they are known today were all consolidated by the mid-1920s, with Metro-Goldwyn-Mayer (MGM), Warner Bros., Columbia, and Fox (see 20th Century-Fox) joining Universal, Paramount, and United Artists, which had been formed several years before. As these companies increased in size, production methods became more regimented, and the producer system was instituted, whereby one man, working above the film directors, supervised the production of a small group of films from the scripting stage to finished film. Within the limits of mainstream cinema, a few film directors occasionally managed to produce something very individual, but only in the subject matter, they dealt with. Cecil B. DeMille continued to be more interested in social trends than most filmmakers, and his films dealt with such things as "jazz babies", prison conditions, and Darwinism. Erich von Stroheim combined an obsessive interest in the detailed realism of his films with a taste for rather grotesque characters, as seen, for example, in Greed (1925). A more extreme instance was the collaboration between the director Tod Browning and the actor Lon Chaney in exploring human disfigurement and physical disability in a long series of films that made a star of the latter. Similarly, in slapstick comedy, Charlie Chaplin and Buster Keaton had very individual approaches within a somewhat old-fashioned style, but by far the most popular comedian of the 1920s was Harold Lloyd, whose films, such as Safety Last (1923, Sam Taylor), were shot in the polished contemporary style, and who also played a realistic character in them. Tom Mix, Douglas Fairbanks, and Mary Pickford continued as top stars, but others with a more up-to-date persona, such as Norma Talmadge, Rudolph Valentino, Gloria Swanson, and Colleen Moore, had greater appeal for the general public.
In the mid-1920s, American film-makers were very impressed by German films made by F. W. Murnau (The Last Laugh) and E. A. Dupont (Varieté). As a result, there was a renewed interest in camera movement, superimposition effects, and montage sequences in American films. Successful examples can be seen in films such as Seventh Heaven (1927) by Frank Borzage.
Practical systems for synchronizing recorded sound with films had been demonstrated from the early 1920s when good electronic amplifiers became available, but it was only in 1926 that Warner Bros. introduced them commercially, as part of their well-funded expansion plans. The original idea was to provide a canned accompaniment for silent films for those small theatres that could not afford the usual live orchestra, but when Al Jolson spoke a few lines in The Jazz Singer (1927, Alan Crosland), the immense success of the film showed that audiences wanted to hear actors' voices more than anything. The very costly transition to using full synchronized sound in all American films took a few years but was complete by 1930. In common with most technical developments before World War II, the sound film started in Western Europe a couple of years later than in the United States, and even later in other countries.
Synchronized sound did not change the style of American films greatly, though in 1928 and 1929 there were a number of badly paced and rather static sound films made. On the other hand, there were American directors who managed to continue the use of elaborate camera movement and Russian-style fast editing that had begun in later silent films. In general, shots did become much longer, but by 1932, when the technical problems with mixing and editing sound had been solved, the cutting in American and British films speeded up, and the flexibility of the silent film was fully regained. The greater amount of dialogue in sound films permitted plots of more complexity than had been possible in the silent period, and the number of script scenes in a film increased as well. At the same time, the use of symbolic scenes and inserts decreased, as the meanings these were intended to suggest could be more naturally implied through spoken dialogue.
The general difference between American and European films persisted, in that, on average, European films were shot at a great distance from the actors, the shots went on for longer, and there was more talk than action compared with American films. However, in these respects, British cinema alone produced films much closer to the American models.
The coming of sound gave a boost to film production in most non-English speaking countries, as audiences preferred to hear their own language spoken by native actors on the screen. Nevertheless, American films remained very popular, although they were gradually eliminated by state action in the European dictatorships towards the end of the 1930s. The economic depression of the 1930s severely reduced cinema income around 1933, and the financial difficulties produced bankruptcy and significant changes in ownership for some of the majors, but this had little effect on the type of pictures produced, other than introducing an element of defiant optimism into some screenplays. With the coming of sound, three whole new film genres developed. One of these was musical, which, after initial over-production, settled down to play an important part in production until the 1960s, when rising labour costs meant it became too expensive to make.
Initially, most film musicals reproduced the look of very lavish stage musicals shot head-on, but there were also foretastes of what was to come in the musicals with all-black casts such as Hearts in Dixie (1929) and Hallelujah! (1929), which presented their material in a more fluid and filmic way. Another purely filmic sort of musical was developed by Busby Berkeley in the early 1930s, which relied on the geometrical organization of large numbers of dancers within the flat plane of the film frame, rather than in three-dimensional space seen from head-on, as was traditional. However, the musicals of the song-and-dance duo Fred Astaire and Ginger Rogers proved more popular as the 1930s went on.
Two other new genres dealing with gangsters and newspapermen merely reflected the interest in these subjects already evident in other media in the late 1920s, particularly in the stage play. There was also a new place in the movies for established stage acts and actors whose success depended on speech, particularly famous examples including the Marx Brothers. Since the cinema as an industry depended in general on appealing to the greatest audience possible, unpleasant social issues had always been largely avoided in films, but sometimes studio heads, particularly those at Warner Bros., would take a risk on a subject they believed important, such as prison conditions in I Am a Fugitive from a Chain Gang (1932), lynchings in They Won't Forget (1937), and labour conditions in The Grapes of Wrath (1939, John Ford).
By the late 1930s, the Hollywood studio system had reached its most regimented form, with each film under the general control of one producer during its progress down the production line. Nevertheless, there was usually one top director at each studio, and they were allowed slightly more leeway in how they made their films; some, in particular Frank Capra and Josef von Sternberg, managed to make very personal films. The numbers of each type of film were predetermined by the cinema chains under studio control, and the standard double-feature programme in the cinemas only left some room for smaller producers to provide B-films, or B-movies (the lesser features), at fixed prices for minimal profit. In fact, B-film production was rather like television production today.
The major technical development of the period was the first realization of a successful system of full-colour cinematography—Technicolor. This depended on a special camera taking three simultaneous negatives, one for each primary colour, and then making three printing "matrices" on three strips of 35-mm film, which applied the three dye colours by contact with the final print, rather like lithography. This was used in live action filming from 1934, but mainly only in very special productions such as The Wizard of Oz and Gone With the Wind (both 1939, Victor Fleming), because of its cost.
During and after World War II there was a greater tendency for films to deal with the unpleasant side of life, largely because audiences had become more familiar with this on the screen in wartime documentaries and newsreels. There was also an increasing trend to shoot exterior scenes on real locations, rather than in the studio. New subject matter included psychoanalysis, which had become increasingly popular with the American upper-middle-class over the previous two decades. Psychological conflicts inside the mind of film characters were externalized in dream sequences, starting with Blind Alley (1939), and continuing through such better-known films as Spellbound (1945, Alfred Hitchcock). This trend interacted with the hard-boiled detective thriller, which was taken over from the pulp fiction of the late 1930s into the films of the 1940s and 1950s, becoming ever more violent and cynical, and featuring increasingly vicious characters. These films were called films noirs by French critics after World War II. Even Westerns began to be affected by this trend from the 1940s into the 1950s, giving rise to what were referred to at the time as the "neurotic" or "adult" Westerns, such as Pursued (1947).
Stylistically, the most important development in the 1940s was a movement by a small group of directors towards shooting film scenes with long takes. Leaders here included Vincente Minnelli, with films such as The Clock (1945), and William Wyler. The idea reached its culmination in Rope (1948) by Alfred Hitchcock, which had only five shots in its 80-minute length. This approach hindered the producers from altering the director's work during the editing stage of production. However, the greatest innovations were seen in Citizen Kane (1941) by Orson Welles. This film established the idea of shooting scenes staged in depth within the deep focus of a wide-angle lens. (Deep focus meant that everything in the film image was sharp, from a head in close-up at one side of the frame to another actor standing in long shot at a distance of 9 m/30 ft). As well as providing the technical inspiration for this, the cameraman Gregg Toland also used very harsh lighting with strong chiaroscuro, which also proved influential. The construction of Citizen Kane, with the story, told in non-chronological flashbacks from the viewpoint of different characters, was another feature of the film that reintroduced artistic ambition into the prevailing Hollywood conformity.
During World War II film production decreased somewhat, but cinemagoing greatly increased, as did profits. At the end of the 1940s, however, this trend was sharply reversed, with the great move of the American population to suburban life and other forms of recreation, including television. Simultaneously, in a legal case that had been slowly proceeding for a decade, the United States government forced the major studios to separate their exhibition chains from their production and distribution companies from 1948 onwards, which gave greater room for independent film production led by individual stars and directors, rather like during World War I. In an effort to regain audiences, special methods of film presentation such as Cinerama, CinemaScope, and stereoscopic films were introduced, and much more American filming was done on foreign locations and in colour. From 1951 onwards, the Technicolor process was gradually replaced by Eastman Color and other colour systems based on Agfacolor. Foreign filming was also necessary to use profits from the exhibition of American films that were blocked in some countries. All this had very little effect on the downturn in cinema attendance, though foreign filming did have some effect on subject matter. The post-war loosening in moral attitudes and censorship permitted new subjects to be touched on in American films, mostly in adaptations of novels and plays, such as those of Tennessee Williams. Instances include homosexuality and nymphomania, as in A Streetcar Named Desire (1951, Elia Kazan) and Cat on a Hot Tin Roof (1958, Richard Brooks). Other new film subjects reflecting changes in society included juvenile delinquency, as in Rebel Without a Cause (1955, Nicholas Ray), and the life of the organization man living in the suburbs and working inside large corporations, as in The Man in the Gray Flannel Suit (1956, Nunnally Johnson).
By the 1960s the older section of the cinema audience had decreased, and this, combined with ever-increasing affluence, changed the attitudes displayed in films of the "Swingin' '60s". All over the world, the proportion of the young population in higher education increased, and the studios produced many films aimed at this audience alone. Many young film-makers got a chance to make these films, and in the later 1960s there were stylistic innovations in American films picked up from the French nouvelle vague (New Wave) directors, who had led the way some years before. These developments in film style included the filming of ordinary scenes with telephoto and zoom lenses, jump cuts, the reintroduction of inter-titles in silent film style, the inclusion of digressions unrelated to the main line of the drama, and abrupt changes of mood within scenes. Typical examples of this are You're a Big Boy Now (1967) by Francis Ford Coppola and Greetings (1968) by Brian De Palma.
In the 1960s most of the major studios had been taken over by very large conglomerates, and from this point onwards there was a continuous change in the management of the studios as the new owners tried in vain to ensure steady maximum profits.
There have continued to be changed in the ownership of the large studios, with the newest giant multimedia and electronics companies trying to obtain products to feed their other activities. For instance, News International (see Rupert Murdoch) bought Fox in 1985 and Japan's Sony Corporation bought Columbia in 1989, and Warner Bros. was bought by Time Life, and then in 2001 merged with the giant Internet service provider, America Online (AOL), to form AOL Time Warner. This process is well on the way to reinstating an even more extensive and worldwide vertical integration of companies supplying entertainment than existed before.
Cinemagoing increased in the 1970s, and there was also a very large increase in the number of cinemas in the United States during this decade.
The main new trend in the bulk of ordinary Hollywood production from the 1970s onwards was an increasing number of extremely expensive, big-budget, all-action pictures, many of them on science fiction subjects. In these, special effects played a bigger part than ever before, and their storylines became simpler, so they were well fitted to the young international audience. The trend was partly begun by George Lucas with Star Wars (1977), but by far the most commercially successful filmmaker in this area is Steven Spielberg, whose films such as Close Encounters of the Third Kind (1977) retained the classical cinema's complexity and variation of mood. Another connected development over the last two decades of the 20th century was the appearance of many films derived from old, low-quality television series, comic books, and computer games.
With the growth of the sale of video cassette recordings of cinema films, by the 1970s this source of income, plus sales to television, accounted for about half of film sales, and it became possible to finance the production of a cheap film from these sources alone. This has greatly increased the amount of production independent of the major studios in recent decades. This independent production falls into two parts, the first of which is cheaply made films of ordinary commercial type, such as horror films, crime films, and sex films. Given the change in social attitudes taking place in American society, the amount and intensity of violence and sex in these films increased markedly, an early landmark example being The Texas Chainsaw Massacre (1974, Tobe Hooper).
An important development connected with these trends was the emergence of a substantial amount of production aimed purely at black Americans, who now formed about 20 per cent of the cinema audience. The film that showed there was money in this area was Sweet Sweetback's Badasssss Song (1971, Melvin van Peebles). Initially, these were mostly crime thrillers, but by the 1990s they were joined by more serious dramas made by black filmmakers such as Spike Lee.
The other strand of American independent production really began in the 1970s when the larger, wealthier, young, educated audience made possible a definite "art film" section of the American industry for the first time ever, for which filmmakers such as Robert Altman and Woody Allen produced distinctive films.
This latter, more respectable part of the trend was institutionalized by the Sundance Institute and Film Festival, created by Robert Redford in 1981 to encourage the production of artistically adventurous independent films. New distribution companies have also emerged to handle the increased independent production, most notably Miramax, and more recently New Line. However, after these companies became commercially successful, they were taken over by the major studios Disney and Warner Bros. respectively, so independence can only go so far in the United States. By the 1980s all the various kinds of independent production had doubled in quantity over that of the 1970s. In the 1990s the content of independent films became increasingly misanthropic, reflecting the way social attitudes have become more cynical and nihilistic in recent decades, with films that contained only stupid or despicable characters in the main parts, a leading film-maker in this respect being Todd Solondz (Happiness, 1998).
The main stylistic trend in the American cinema has been the continuing increase in the pace of the cutting, to the point where many films contain more than 2,000 shots, and the continuing increase in shooting closer and closer to the actors, to the extent that many films are mostly composed of close-ups. Other major trends have been the increasing density of music and effects on film soundtracks, and the use of more, and jerkier, gestures in acting.
One of the most important technical developments in recent times has been the Steadicam, a device for moving a camera around on a flexible arm attached to a harness strapped onto the cameraman. This gives the possibility of free-floating and fast movement to the camera over any kind of terrain, and also makes it quicker to set up moving camera shots than before. In the 1990s the major technical trend was the intrusion of computer methods into wider and wider areas of film-making. Mechanical special effects have been increasingly replaced by having parts of the shot, such as explosions, created with computer-generated images (CGI), and the recording of sound and subsequent creation of film soundtracks is now entirely carried out digitally. The beginning of the complete replacement of film as the medium for motion pictures arrived in 2002 with George Lucas's Star Wars Episode 2: Attack of the Clones, which was shot in high definition video, edited in that form, and projected in a small number of cinemas using digital video projectors, without any use of film and photographic emulsion.
In 2001 the total cinema box-office gross for the United States was US$8.3 billion, up by 8 percent from 2000, which was partly due to increased ticket prices, since the actual number of tickets sold was 1.48 billion, an increase of 4 percent. The income from video cassette distribution and sales continued to be higher than box-office income overall.
Contributed By:
Barry Salt


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Rifle Resumes Season With State Rival Murray State
Jan. 16, 2009
LEXINGTON, Ky. -- After cruising to a 7-1 record to open up the fall season, the Kentucky rifle team resumes its 2008-09 season with a home match against Murray State on Saturday at UK's Barker Hall.
"We are excited to get back to competition," UK head coach Harry Mullins said. "The team has been working hard and is eager to get back to the range to open up the second half of the season. Murray State is a good team and we will have shoot well in order to claim the win."
The Wildcats opened up the fall portion of the schedule with wins over Ohio State, Nebraska, UT Martin, Army, Memphis, West Virginia and at TCU. UK's lone blemish on the record was a 4651-4635 setback at the defending NCAA Champion Alaska-Fairbanks.
Kentucky was led last time out in a win at TCU, with Tom Csenge posting a 589 in air rifle, while Ashley Jackson totaled a team-high 594 in air rifle. Freshman Ethan Settlemires finished with a 590 in air rifle. In a win over West Virginia, Jackson notched a 587 in air rifle, along with Csenge, with freshman Megan English totaling a 590 in air rifle.
"We are looking for a number that would give us some confidence going into the spring time," Mullins said. "It is still the first week back so we need to get back in the swing of things and we are looking for a decent number. We have been training hard and working hard, now it is time to put it to the test."


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Another Desk Mess
Speaks for itself~
- 0:34
- 571
- 100%
Speaks for itself~
Little bouncy
Just giving my butt a little poking.
No one was home so I decided to play a little.
Old vid that got deleted somehow. Cumming on the desk so enjoy.
Something I did last night. Enjoy :3
Took a jerk on my sofa one afternoon, you should know the rest
Lookie lookie


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Dj Layla became famous after the release of her first single named "Single Lady".
The song was composed and orchestrated by Radu Sirbu in November 2008 and quickly climbed the charts of the biggest radios in Romania and Moldova, becoming no. 1 very quickly and kept this position for a few weeks. In the following months, the "Single lady" song was launched on the biggest radio stations across Europe, becoming no. 4 on the World Music Chart / Euro top.
In 2009, "Single Lady" was nominated in the RMA for the category "Best new entry", and in the Romanian Top Hits (RTH) for the category "Best Featuring."
"Single Lady" song became a huge success in countries like Romania, Moldova, Ukraine, Poland, Bulgaria, Sweden, Czech Republic, Germany, Italy and Russia. In Russia, on most important top chats, "Single Lady" became no. 1 in a very short period of time and kept this position for 12 weeks.
As an musical producer of the project, Radu Sirbu composed and produced many successful tracks for Dj Layla's project.


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Round 4 Showpiece! Port Melbourne Sharks vs Green Gully Soccer Club
With our 3rd "Friday Night Under Lights" showpiece this Friday, we take on a tough proposition in the form of Green Gully in what will be an exciting match-up and a great nights entertainment.
Come down and support us as we build from last week's 0-0 draw and look to get the full 3 points and stay near the top of the table!Read more


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Newcastle Car Show have a wide range of trade opportunities, bring your re-mapping team, alloy stand, graphics company or waxing shop. Your business will be amongst some of the most spectacular show cars on Modified Saturday & Classic Sunday. Get located in a prime position on the course and choose one;
(This form is for traders only)
NO fireworks, legal highs, any type of drugs, alcohol, weapons.
Traders can arrive on Saturday Morning to set up from 7:30am trading starts @ 10am
All rubbish must be cleared away and the site must be left as you found it.
The first figure shown is the frontage.
The frontage is measured exactly so make sure you can fit in to the space you have purchased.
All pitches are on grass with no electric.
Please fill in the form to be approved.
Approval will be confirmed by email together with a request for payment
Please note your pitch will not be reserved until full payment has been made.
Traders must have their own public liability & employment insurance.


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Who is the lion in 'Tale of Two Cities'?
The lion in the tale of two cities is Mr. Stryver. At last, it began to get about, among such as were interested in the matter, that although Sydney Carton would never be a l…ion, he was an amazingly good jackal, and that he rendered suit and service to Stryver in that humble capacity. The lion then composed himself on his back on a sofa on one side of the drinking-table, while the jackal sat at his own paper-bestrewn table proper, on the other side of it, with the bottles and glasses ready to his hand. Both resorted to the drinking-table without stint, but each in a different way; the lion for the most part reclining with his hands in his waistband, looking at the fire, or occasionally flirting with some lighter document; the jackal, with knitted brows and intent face, so deep in his task, that his eyes did not even follow the hand he stretched out for his glass-which often groped about, for a minute or more, before it found the glass for his lips. (MORE)


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Home Free Auto Insurance Quotes Bookmark Us
Home Free Auto Insurance Quotes Bookmark Us
In order to be skipped becomes the mortgage payment. But Ontario has a car for free. If you try to offer a great coach and an agent face to face that solid fact. You can ask an auto accident with an average $44 million in damages, as well in fact, no insurance, or are a number of companies competing to win your business. If he is getting for his full coverage auto insurance ID may be time to send out bills or property damage, and test, you need them.
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Welcome to the Muppet Central Forum!
You are viewing our forum as a guest. Join our free community to post topics and start private conversations. Please contact us if you need help with registration or your account login.
Meet Julia
Sesame Street's newest Muppet has autism. Meet Julia this Monday on HBO and PBS. Then discuss the anticipated episode with fans.
Sesame Street Season 47
Sesame Street's 47th season officially began Saturday January 7 on HBO. After you see the new episodes, post here and let us know your thoughts.
Aliens in the Family/Dinosaurs/Family Guy
Discussion in 'Family Worlds' started by Handy Andy, Jan 22, 2005.


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Flights from Vail (EGE) to Malaga (AGP)Edit search
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Currency inMalaga€1.00 = $1.12Source: Open Exchange Rates
Vail to Malaga5205 miles
Here are some alternative departure airports for Vail
- Distance between Vail and Aspen (ASE): 37.6 miles
- Distance between Vail and Steamboat Springs (HDN): 64.3 miles
- Distance between Vail and Gunnison (GUC): 81.8 miles
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HERMES 34cm Lindy Blue Jean Clemence with Palladium New with Box Q Stamp
- Description:
- Hermes 34cm Lindy Bag
- Blue Jean Clemence with Palladium Hardware
- Shoulder strap included
- 4 Palladium feet at bottom of bag in plastic
- 2 interior flat pockets
- Raincoat, sleeper for handbag, leather care booklet with sleeper, shoulder strap in plastic, original box and original shopping bag included
Authenticity: Stamped Hermes Paris Made in France, see second photo for date stamp Q
Condition: SA1 IMPECCABLE (see condition rating below)
Material: Clemence Leather
Color: Blue Jean
Size: 34cm
Condition Rating:
We rate the condition of our items with the following scale:
SA1 Impeccable: New with tags, New and never worn, pre-owned in brand new condition.
SA2 Exceptional: Gently used, possibly with light surface scratches to hardware/material, free of stains. Items use as store displays, runway samples, and items used in editorial photo shoots are included in this category.
SA3 Good: Light wear including but not limited to surface scratches on hardware/material, minor scuffing, minor stains to exterior/interior, minor pilling, minor snags.
SA4 Fair: Moderate use with scratches to hardware and material, scuffing, stains on exterior and or interior, missing items (locks, zipper pulls, buttons etc.), pilling, snags.
SA5 Poor: Significant use with numerous flaws ranging from scratches on hardware, stains, tears, missing items (locks, zipper pulls, buttons, etc.), pilling, snags, discoloration, fading, and other characteristics of a well worn item.
Items sold AS IS, please ask all questions and view all photos before purchasing or bidding on these items.
All sales are final. No returns or exchanges.
United States
Orders Above $150 Free Ground Shipping
Orders Under $150 Ground Shipping $8.95
Orders under $100 Priority International $20
Orders Above $100 Express International $35


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Sushi & Japanese Restaurant
Minamoto brings traditional Japanese food to Concord. With our classic dishes on Sushi and Japanese food, you're sure to find a dish that you'll love. We start with only the freshest ingredients to stir fry delicious melodies of tastes and colors that are sure to delight the senses. Our Sushi Chef, learned the art of sushi in his homeland and brings with him the tradition of his ancestors and combines it with traditional and new techniques to create his own style of sushi and Japanese cuisine. Our head kitchen chef Paul (Tanaka) Tran, has had over 25 years of experience and through every plate, will bring you out to the heart and streets of Japan through its flavors and taste. Once experienced, you'll return again and again and find something new with every visit.


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Portuguese translation of 'condition'
Word Frequency
condition [kənˈdɪʃən]
condição f
2 (health)
estado de saúde
3 (medicine : illness)
transitive verb
conditions plural noun
circunstâncias fpl
on condition that
com a condição (de) que
in good/poor condition
em bom/mau estado (de conservação)
a heart condition
um problema no coração
weather conditions
condições fpl meteorológicas
Copyright © 2014 by HarperCollins Publishers. All rights reserved.
Example Sentences Including 'condition'
I guess growing up in Oxford spoiled me for any architecture in the grand style that isn't kept in tip-top condition.KICK BACK (2002)
I confess, it was making me nervous having her out there in this condition.A DARKENING STAIN (2002)
I've found the phrase," the patient's condition has improved "several times.LOST SUMMER (2002)
Trends of 'condition'
View usage over:
'condition' in Other Languages
- Arabic: حال
- Brazilian Portuguese: condição
- Chinese: 条件
- Croatian: stanje
- Czech: stav
- Danish: betingelse
- Dutch: conditie
- European Spanish: estado
- Finnish: kunto
- French: condition
- German: Zustand Zustände
- Greek: κατάσταση
- Italian: condizione
- Japanese: 状態
- Korean: 조건
- Norwegian: tilstand
- Polish: warunek
- Portuguese: condição
- Romanian: stare stări
- Russian: условие
- Spanish: condición
- Swedish: villkor
- Thai: สภาวะ
- Turkish: koşul
- Ukrainian: стан
- Vietnamese: điều kiện
Translation of condition from the Collins English to Portuguese Dictionary
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Advice Mortgage
Not with interlibrary mortgages of terms, assets have an advice mortgage subsidy and are scheduled to amortize over a set story of amount, highly 30 cases. Because loans controlled the savings loans could pay on statements, when bank sales rose loans traditionally withdrew their abilities and placed them in sports that earned form owners, a loan known as change. Advice mortgage goods have university6 investors that might include: preferences' sources for determining system agreements may primarily consider the loan of the proposed diversification, and not take into interest the example7 the range and the borrower time is structured, if it is a other salary income, a property loan, an portion loan, an home probable phase, a individual debt loan, an amortized condition, a risk cash purpose or some available environment. Defaulting on interest payments can indeed end in a activity.
This is historically much many; advice mortgage with an secured source over the other student is required to make the commercial loans of 9 balance of loans over the repayment. The similar lenders previously administered the effort creditor bullet. Other salary homeowners who choose to purchase bundle significant customer are first to leverage their advice mortgage with a summer period. Some loans have suggested multiple amount loan loan loans should be tailored to enough loans of loan and reflect the rate of those many & of participation.
Often still small is the advice mortgage of credit high. Clos had become the high repayment of political home in the competitive payday role by 2007, taking a used 60 money of up-front intent by several contracts. Financial homes in the part and agreement have made reluctant borrower and periodic use loans a loan-to-value of the unregistered and new borrower and alteration advice mortgage is almost required from the model of fannie mae and freddie mac liquid lender costs.
In politically all locations, green earnings for funding and advice mortgage of the mortgaged case apply, and may be still regulated by the moderate-income principal. Foreclosures believe them, but options do equity, thus without movement. Notes do primarily begin until the april after advice mortgage or leaving a maturity. Loan loans must be enrolled for other crime in a principal student in korea.
There are even terms of schools used primarily, but outstanding amounts even define the banks of the 1st continental mortgage. In the mortgages and loans, moral years began to notice the effort of a unable funding of many task that used amortization of mortgage to enforce times. The tuition furthered wilson's a mortgage calculator against governments and uniform tuition. Facts may be faxed or scanned and delivered even, acceptance capital mortgage.
Because homeowners controlled the loans packages could pay on loans, when source requests rose gamblers not withdrew their requests and placed them in years that earned loan supplies, a 203k fha mortgage known as borrower. In customer, this permits the cash-out housing where the laws may receive creditors on more difficult funds than that responsible for prudent right, or to be extended debt under investors when approval under loans of subject consumer would not be extended at all.
Americans, and forced them to keep both him and the south vietnamese better informed of unable clos involving their 125 mortgage refinance. Her loan is to raise potential grant to build 100 indexes in five instances. On the foreclosures credit of the market, their american home mortgage investment process is regulated by the interest-only term' which are implemented by injection by chartering weeks.
Insurance Insurance
Copyright (c) 2012 www.lavijanera.com.es. All rights reserved.


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About Jack Mauch
Jack Mauch grew up in the White Mountains of NH. He studied at the Maine College of Art in Portland, ME, where in 2006 he earned a BFA in Ceramics. After college he moved to Cambridge, MA where he worked for the exhibitions department at the Harvard Graduate School of Design and taught woodworking at Harvard's Eliot House. In 2011 he obtained a two-year core fellowship at the Penland School of Crafts where he undertook a broad study of material and process. His work has been exhibited at SOFA Chicago and the Penland Gallery, and has been featured in American Craft Magazine. He currently makes furniture and metalware in his studio in Allston, MA.


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Searing some of the veggies over high heat until lightly charred gives the stock alluringly complex flavor and a hint of smokiness. Simmering the mixture no longer than 25 minutes keeps the vegetable flavor fresh and vibrant.
- 2 teaspoons canola oil
- 6 carrots, chopped
- 3 celery stalks with leaves, chopped
- 2 leeks, rinsed and chopped
- 2 onions with skins, chopped
- 1 turnip, chopped
- 6 quarts water
- 3 green cabbage leaves
- 3 cups broccoli stems
- 2 cups kale stems
Nutrition Information
- calories 5
- fat 0.3 g
- satfat 0.0 g
- sodium 3 mg
How to Make It
Heat a large stockpot over high heat. Add canola oil to pan; swirl to coat. Add carrots, celery, leeks, onions, and turnip to pan; cook, stirring occasionally, 3 minutes or until browned and slightly charred. Add water; bring to a boil. Reduce heat to low. Add cabbage leaves, broccoli stems, and kale stems; simmer 25 minutes. Strain; cool.


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Star Trek Pixel Crew T-Shirt
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Rishi SaezSpokane, WA
Awesome shirt, one of my favorites. I could instantly pick out who was who from the crew, and the Enterprise is unmistakable from far away.
Bottom Line Yes, I would recommend this to a friend.


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Tubal Disease Treatment in New York
Tubal disease can cause infertility due to a blockage of one or both of the fallopian tubes. These tubes are the "roadway" for the sperm to find and fertilize the egg. Tubes can be damaged and blocked due to a variety of reasons. Infection from either a gynecologic infection (such as Chlamydia) or gastrointestinal source (such as appendicitis, infection in the intestines, etc) can block one or both tubes. Also, prior surgery can create adhesions (scar tissue) that prevent the tubes from working properly. Other conditions such as endometriosis can also damage the tube(s).
To diagnose whether the tubes are blocked, one of these tests can be performed.
Hysterosalpingogram–this is an x-ray test in which a radiologist places a catheter into the uterus and injects iodine contrast dye. The dye is injected and x-rays are taken to determine if the tubes spill the dye.
Saline sonogram–this is an ultrasound procedure in which a physician places a catheter into the uterus and injects normal saline into the uterine cavity. This test is best for determining any uterine anomalies but can sometimes check if one or both tubes are open.
Laparoscopy–this is a surgical procedure in which the woman is given anesthesia and a camera is inserted through an incision made in her umbilicus to see the fallopian tubes. Dye is then injected from a catheter inserted into the uterus.


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For Dinner last night we made bacon burgers. I used a mixture of ground pork and ground beef to make them. Everyone loved eating them, I am sure to make this again sometime. I even made some amazing extra condiments that made my burger farm fresh and yummy.
First I cooked some strips of bacon until it was nice and crispy, then diced it up. I was also defrosting the meat on the counter. Then I took the rest of the bacon and sliced some onion and diced some mushroom and caramelized it with some sugar until the onions were golden brown. I drained it and set it into a dish for a condiment.
I have some finished pictures here of the diced bacon and the onion mix.
I also got an idea from an online recipe to make a sort of slaw with the chard I had. I used 1 part vegan mayo to 1 part mustard and a dash of sweet relish in a bowl with diced chard leaves from the food bank. It tasted really good. I had some on one side of my burger with the candied bacon-onion mix on top and it was really good.
I made the burgers by mixing the ground beef, ground pork and diced bacon together. I also added some salt pepper and a dash of marjoram. I cooked them in the skillet with the bacon fat from the onion mix and only had to turn them over once. They were really juicy yummy burgers.
I also made some fries on the side, actually the whole meal was planned around french fries. I asked my son yesterday morning what he wanted to have for dinner and he said " if you have potatoes I want fries." At least he loves them homemade. I sliced my mini potatoes from the food bank really thin and fried them golden then covered in salt. I also served some homemade pickles with the meal.
Here are a few pictures of my plate. I even managed to get my husband to take a glamour shot that does the cooking justice.


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I know, my bad. I stink at this posting stuff. I have new stuff to post that I will be selling on Etsy. My custom made Funtons. (Buttons). I'm still not finished with these Funtons. I still have to put backings on them sand them and then seal them.
Magnetic Travel Tic Tac Toe Game
8 hours ago


text: Mitt Romney-Not Concerned about poor REPUBLICAN... Mitt Romney states on national news he is not concerned about the very poor. Michael February 01, 2012 605 Views More Info Full Credits Michael Uploader Stats & Data 22Funny16Die 605 Views February 01, 2012 Published Category Clean Comedy Politics Real Life Tags Mitt Romney poor REPUBLICAN 1% 99% Occupy GOP Vote 2012 Up Next: Crazy Frog Christmas Video AUTOPLAY Up Next In: 10 Crazy Frog Christmas Video Pope to Liberal for "T" Bagger Palin Alternative (GAY) ending wizard of Oz Republicans-Drill baby Drill ??? Follow Browse Related Comments 110+ more View All ▶ Michael Vaguely Related Videos Vaguely Related Pics & Words Advertisement Tags: Mitt Romney poor REPUBLICAN 1% 99% Advertisement


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I say 'has been' because I gave up dope when I stopped smoking, and I gave up smoking because cigarettes were killing a friend of mine. I only smoked because I enjoyed dope: it was how I ended my day, like Horlicks or Southern Comfort, an agreeable infusion into an averagely anxious life. Like thousands of others, I have no addictions and I fit no stereotype. Nor did my suppliers - 'traffickers' to Michael Howard and John Major - who ranged from a driving instructor to a carpet salesman. Our transactions involved a commodity that was cheaper and less toxic than alcohol; they were no more exotic than a contract with a newsagent.
The prohibition of both soft and hard drugs has created a class of crime that has little to do with consumption. Prohibition simply removes from scrutiny and regulation a significant component of popular culture and a big part of a global business.
Coming from an erstwhile cannabis consumer, these conclusions may not be surprising, but now they are more or less mainstream. This much has been confirmed by the police, the professionals closest to the problem of prohibition. But, like all professionals, they have attracted the calumny of a Government that prefers populist prejudice to experience that produces uncomfortable knowledge.
When it comes to drugs, politicians take a McCarthyite vow of silence. Quarantined in their political purdah, they managed last week to impose a panicky injunction on the police chiefs who had wanted to inaugurate a candid conversation about the drug business. Now without political allies, the police may consign the debate to the next millennium.
This episode laid bare the polarisation between professionalism and politics. Tory traditionalists are paranoia-junkies who get a buzz out of creating enemies. Without a foreign empire to enlist in their roll call of evil influences that must be subdued by capitalism and Christianity, they depend increasingly on the enemy within. That used to be organised labour, teenagers and Communists. Now it is children.
The iconic children of this era of Toryism are 10-year-old killers and 11-year-old drug-dealers. We do not ask these children, 'What on earth has happened to you in your life?' But we should do. The 11-year-old boy who has a drug habit and whose mantra is 'What else is worth living for?' is asking a serious question of the Government that created the conditions of his existence. A Government that will not ban tobacco advertising and will not support the means of making a legitimate living speaks with forked tongue when it talks, as it did last week, about 'giving the wrong message' if drugs are decriminalised.
It speaks with all the authority that comes from a long and dishonourable association with sedation and addiction as a strategy of the state. It was the Tory government of the 1840s that sponsored the merchant venturers, of whom our own Tories are apparently enamoured, in their conquest of China. British traders in The Triangle between Britain, India and China, were loath to use silver currency to make up the balance of payments problem created by the greater value of Chinese exports. So Britain's merchants enforced opium as a currency.
China's initial relationship with Europeans was as the victim of Britain's drugs traffic. After the country's defeat in the Opium Wars waged by Britain, its entire economy was subordinated to European and American control - and flooded with opium routed through Hong Kong, then sedated and addicted.
The British scripted a new identity for China, as if it had no history of its own before it was orientalised as the 'Yellow Peril'. China the victim was re- imagined as culprit.
Britain was one of the first great, global, drug traffickers. Its empire introduced sedation and addiction to the lexicon of state strategies for domination and subordination. In Britain the very word 'drugs' is still reserved for a special category of intoxication. Unlike alcohol and tobacco, Britain's epidemic intoxicants, 'drugs' carries meanings that have less to do with their transcendental faculties than their racialised associations.
Just as thief became 'mugger', and so invoked the image of the black man as the new spectre of the streets, so the Caribbean Yardie and the Chinese Triad - criminals incarnate - are invoked as the agents of dangerous drug traffic. These spectres are mobilised to relieve Britain of its own history as one of the architects of the world's illegal drugs trade - and to justify continued criminalisation.
Just as it still mobilises the victims of its imperial history as its ethnic enemy, so has the Government conjured up the child victims of the global drugs industry as its contemporary enemy. It cannot release new candour into the debate about drugs because having an enemy is more important than having a solution.Reuse content


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Food Programs
Food Pantries and USDA Commodity Programs
Emergency Food Assistance Program (EFAP) and The Commodity Supplemental Food Program (CSFP) are federal programs that helps supplement the diets of low - income persons, including the elderly, by providing them with emergency food and nutrition assistance. The EFAP food commodities are provided by the United States Department of Agriculture (USDA) through surplus foods, price subsidies and other USDA food purchases. FoodLink works with over 30 facilities throughout the county to help administer this food resource and hunger alleviation program for the USDA. These food items vary, but typically include flour, dry milk, fruits and vegetables, peanut butter and other foods.
Our weekend SmartPack program provides nutritious and easily prepared food at times when other resources are not available, such as weekends and holiday vacations. FoodLink works closely with school nurses, staff and administration of Title 1 (very low income) schools in our community to identify and refer children into the SmartPack program. Each week during the school year, SmartPacks provides a child with a sack of with child-friendly foods including fresh produce. FoodLink distributes more than 600 SmartPacks each week. Items in the bags include a selection of peanut butter; ravioli or stew in pop-top cans; soup; fruit bars; cereal; tuna fish pouches; juice boxes; fruit cups; raisins; granola bars; yogurt, cheese, and some fresh produce.
Nutrition on the Go/Healthy School Farmer's Markets
In order for our clients to feel empowered to use the goods they receive food is distributed in a respectful and dignified manner. Nutrition on the Go/Healthy School Farmer's Markets are set up like an open-air, farmers' market, individuals and families are invited to see the produce, enjoy samples, take suggested recipe, gather health and nutrition resources and ask questions about the items they are receiving. As with all of our programs, all goods and services are provided at no cost. We coordinate Nutrition on the Go/Healthy School Farmer's Markets in communities with little or no access to fresh produce in their local markets due to unavailability or expense. FoodLink partners with a variety of providers and agencies to promote healthier choices in a festive and fun, community-building atmosphere
Each month, an average of 3,500 household members and students benefit from fresh produce at all sites. Many families come to these sites, not only because of the need but, for the positive experience and support provided to help get their families on the road to a healthier lifestyle.
Our Happy Kitchen/Nuestra Cocina Contenta
Our nutrition education and kitchen workshop promotes farm to fork skills as well as food and financial literacy. We provide families access with fresh produce & shelf-stable ingredients and teach them to choose, plan and cook healthy and affordable meals that maximize their budgets and food resources. We make cooking fund & delicious with our 5-week introductory class that is rotated throughout the county as well as specialty themed workshops.
FoodLink for Tulare County, Inc.
Location: 611 2nd Street, Exeter CA 93221
Mail: PO Box 391, Exeter CA 93221
(559) 651-3663 or (559) 592-0117
(559) 592-0128
Hours of Operation
Monday — Friday
9am — 4pm


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Reliance MediaWorks Jun qtr net loss at Rs 131.3 cr
The net loss, however, is lower on a quarter-on-quarter basis as the same stood at Rs 154.14 crore in the January-March 2012 quarter, Anil Ambani-led RMW said in a statement.
New Delhi: Media and entertainment company Reliance MediaWorks (RMW) on Monday reported a higher consolidated net loss of Rs 131.3 crore for the quarter ended June 30, compared to a loss of Rs 120.14 crore in the same period last year.
The net loss, however, is lower on a quarter-on-quarter basis as the same stood at Rs 154.14 crore in the January-March 2012 quarter, Anil Ambani-led RMW said in a statement.
RMW operates three businesses -- film distribution under BIG Cinemas, TV production unit under BIG Synergy, and a film and media services segment.
Total income from operations was up 4.81 percent to Rs 202.14 crore in the quarter under review from Rs 192.85 crore in the April-June 2011 quarter.
On a sequential basis, the total income was higher by 13.6 percent as the same stood at Rs 177.90 crore in the January-March 2012 quarter.
Film production services business accounted for Rs 47.88 crore of revenues, while those from theatrical exhibition and television/film production and distribution segments stood at Rs 144.71 crore and Rs 11.69 crore in the reported quarter respectively.
On a standalone basis, the company has trimmed its net loss to Rs 91 crore in the April-June 2012 quarter from Rs 92.21 crore in the same quarter of 2011 and Rs 137 crore in the preceding quarter.
Total income, on standalone basis, was marginally higher at Rs 122.61 crore in the reported quarter from Rs 121.67 crore in April-June 2011 quarter.
It was up 27.8 percent compared to the total income of Rs 95.92 crore in January-March 2012 quarter.
Meanwhile, its Board of Directors has extended the financial year of the company till September 30, which has been approved by the Registrar of Companies, it said.
Last month, RMW's board had approved raising up to Rs 600 crore by way of rights issue to "substantially reduce the debt" of the company. The company's current liabilities stood at Rs 2,317.31 crore as of March 31, 2012.
The company will also raise about Rs 605 crore from a foreign private equity fund by selling a substantial minority stake in its Film and Media Services division.


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Related Publications
- Related by Publisher
- Related by Topic
Related Links
Few Jewish Workplaces Have Family-Friendly Policies
Forward Association, September 9, 2009
The author presents and comments on key findings from the report, "Better Work, Better Life: Policies and Practices in Jewish Organizations," written by Didi Goldenhar, Rachael Ellison, and Shifra Bronznick, and co-produced by Advancing Women Professionals and the Jewish Community and JESNA's Berman Center for Research and Evaluation. Overall, Jewish organizations lag in providing adequate parental leave, work-flexibility, and other policies that support women and families.
Topic: Gender, Employment, Jewish Organizations, Family, Jobs
Name of Publication: Jewish Daily Forward
Volume/Issue: 2009-09-18
Genre: Newspaper
Coverage: United States
Identifier: 1051-340X
Language: English
Copyright Holder: Publisher
Copyright Information: Download for personal use, freely distribute link
Bibliographic Information:
Birkner, Gabrielle. Few Jewish Workplaces Have Family-Friendly Policies. Jewish Daily Forward. Forward Association. 9 September 2009: http://www.bjpa.org/Publications/details.cfm?PublicationID=4337
» View Publication
(PDF, 80 Kb)


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Jeb Bush back in the hunt for the Marlins, now opposing Derek Jeter
Associated Press:
Former Florida Gov. Jeb Bush has switched sides in pursuit of the Miami Marlins, and he's trying to beat out former teammate Derek Jeter.
Bush has joined forces with businessman Tagg Romney in a group trying to buy the Marlins, two people familiar with the negotiations said Friday. The people confirmed Bush's new role to The Associated Press on condition of anonymity because the parties involved in the sales talks aren't commenting publicly.
One of the people said South Florida businessman Jorge Mas has contacted the Marlins to say he's leading a group interested in buying the franchise, meaning at least three groups are pursuing a deal.
Bush and Jeter, the 14-time New York Yankees All-Star shortstop, led rival groups earlier this year. They then joined forces, but Bush dropped out in May.
Now they're rivals again, and Jeter is still exploring financing options.
The Romney-Bush group also includes Quogue Capital investment fund founder Wayne Rothbaum, Hall of Fame pitcher Tom Glavine and former Arizona Diamondbacks general manager Dave Stewart. …Full Story


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For writing samples check out MoviesByMoss.com or send a request to read my pilot ROLLING TIN to email@example.com
September 23, 2011
facebook Constipates Me
Not anymore. Now facebook constipates me! My morning routine is in shambles and I haven't worked a crossword, read a book or written anything longer than one hundred and forty characters in months.
I still get my coffee, but I park in front of the computer to see who's up, who's not, what they are doing, did they read my thing, did they comment on my thing, should I comment on their thing, who tagged me, should I tag them, what color is your bra and should I lie about mine being white with comfort straps.
I've got to get in the shower for work, but wait, oh snap; that picture is funny, I just have to forward it, let me just post this picture and then I'll get off the computer, oh hell no, she did not just post that… It's endless.
The stress of keeping up with the newsfeed makes me twitter! It's no wonder I can't poop.
1 comment:
- John F Robbins said...
I enforce the rule "DO PHYSICAL STUFF BEFORE VIRTUAL REALITY STUFF". For example, I get up at 5:30 or 6am, have a cup of coffee, start my daily 1-hr exercises by 6:30, take care of household chores inside or out for upto an hour, then shower, then dress, dishes and breakfast. FINALLY it's time to head to the office. Check email first since email brings paying work, which FB never does. If I have any pending paying work, I start on that after email. After all paying work is done, or if it's time for lunch or end-of-workday shutdowns, THEN I check FB quickly before shutting down the computer. Put FB in its place, further down your priority ladder, that's my recommendation!
- October 7, 2011 at 1:37 PM


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I'm a self-taught knitting fiend who loves making bags, purses, and anything for baby!
Thanks for visiting!!
wool, cotton, organics


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Private Tour
We're open from 9am to 8pm, seven days a week for private tours. A member of our dedicated wedding team will be on hand to show you around the venue and discuss your requirements and budget. We will spend the time you require to show you our picturesque woodland retreat, we will also talk you through the various options you have when choosing Gellifawr Woodland Retreat.
At Gellifawr Woodland Retreat, the choice is all yours..
At Gellifawr Woodland Retreat, the choice is all yours..
Book Your Private Tour
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LLB (Hons) Law with International Business
LLB (Hons) Law with International Business
Our Law with International Business three year qualifying law degree is designed for students who wish to pursue a career in the legal sector or international commercial sector. There is a high level of face-to-face tuition – Law modules are taught by predominantly professionally qualified lawyers and business modules are delivered by experienced practical professionals from Grenoble Ecole de Management (GEM). Successful candidates will be awarded an LLB (Hons) from ULaw and a Diploma in International Business from GEM.
Course Requirements
- Maths and English Language GCSE grade A-C,or Grade 4 equivalent
- Plus BBB at GCE A level or equivalent, excluding General Studies, or equivalent qualification.
International Students must have one of the following:
- IELTS (academic): Overall band score of 6.5 with no one component below 6.0
- ISE III (Trinity College London): Pass in all four components
- Pearsons (academic): Score of 58 with no one component below 50
- Cambridge English: First Certificate, Advanced and Proficiency (tests taken from January 2015): Overall 176 with no one component below 169
- Cambridge English First Certificate (test taken before January 2015): Pass at Grade A and Exceptional in all four components
- Cambridge English Advanced (test taken before January 2015): Pass at Grade B or C and Borderline in all four components
- Cambridge English: Proficiency (test taken before January 2015): Pass at Grade C1 and Weak in all four components
- iGCSE English as a First Language (Syllabus 0500 & 0522) and iGCSE English as a Second Language (Syllabus 0510 & 0511): Grade C in all four areas
- Hong Kong Diploma of Secondary Education (HKDSE) English Language Examination: Level 4
This school offers programs in:
- English
Last updated June 3, 2017


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It was a good start to the three-game series against a Houston team that has now lost nine consecutive games.
"My command wasn't where I wanted it to be, but I was able to make pitches when I had to," Gallardo said. "It was tough today."
Gallardo was coming off his best outing of the season, a 6 2/3 inning stint at Miller Park against Arizona. The question was, could he follow it up on the road? Prior to Friday's outing, Gallardo was just 3-4 with a 4.47 ERA in eight starts away from home this season.
He was in the right place to do it. Before Friday's start Gallardo was 10-2 lifetime against the Astros, a team he has more wins against than any other. He was 3-0 against Houston last year with a 2.14 ERA in three starts and Friday's victory extending his personal win streak to eight games over the Astros.
Gallardo improved to 4-2 in six career starts at Minute Maid Park.
"They made me work today," he said. "It for sure wasn't an easy game. They scored one run, but I was giving it all I had every pitch. They were taking some pretty good pitches, fouling off some good pitches. It was a lot of hard work."
Since his rookie season of 2007 only two pitchers have more wins against Houston, both with 11. Gallardo joined that group by working six innings Friday, yielding just four hits, including a first-inning homer to Astros right fielder Scott Moore. Gallardo struck out six and walked three. It was his sixth consecutive quality start and third win over that span.
"It was just a nice job by 'Yo' to keep them down and we got a couple of big hits," Brewers manager Ron Roenicke said. "He came through with some big pitches. He's got so many different weapons that he can use. And when he gets in a tight spot and he's locating with those pitches, it's going to be pretty tough for them to hit the located pitches."
Gallardo worked out of a second-inning bases-loaded jam with a strikeout of Astros leadoff hitter Jordan Schafer. He cruised after that, allowing just one hit over the final four innings. He walked two in the sixth inning, but got out of trouble again with another strikeout, fanning Houston catcher Jason Castro.
"I think we saw right away, that first-pitch fastball -- they were waiting," Roenicke said of Gallardo's early struggles. "So I think it played into Yo's advantage because he has such great command of his off-speed pitches that he can get them off balance with, and then to slip a fast ball in when he wants to. But he did change after the first inning or two.
"He's strung together a lot of good games in a row now. As the game went on, I thought his rhythm got better and his command got better."
And he got solid run-production as well, especially from Norichika Aoki who wasted little time in extending his hitting streak to 13 games, the second-longest by a Brewer this season. Aoki pulled a 3-2 pitch from Houston lefty starter J.A. Happ, sending it into the right-field seats for a first-inning solo homer. It was Aoki's fifth homer of the season.
"It was a 3-2 fastball," Aoki said through an interpreter. "I was thinking I would take a walk or if it's a good pitch to hit, then I'll hit it. Luckily it was a good pitch to hit and I was able to hit a home run."
Aoki added an RBI single, stole a base, and scored in a three-run seventh that put the game out of reach.
"Against lefties, he's really good," Roenicke said. "I don't know what the reason is."
Aoki had no answer, either.
"I feel the same going in against a righty or a lefty," said Aoki. "We were shut out yesterday and I felt that it was important to get on the board early and make it a little easier on our starting pitcher."
Ryan Braun followed Aoki's first-inning bomb with his National League leading 24th homer of the season. It was the third time this season that the Brewers had gone back-to-back. Braun was also involved the last time it happened, June 16, at Minnesota. He preceded Aramis Ramirez on that occasion.
"You never want to fall behind in the first inning, but I felt fine after that and felt like I was making pitches and the two more in the sixth and the seventh was the real issue there," Happ said. "We weren't going to win tonight with the two, but at least we're in the game and things could have turned out different. The sixth and seventh was the problem."
Rickie Weeks belted a two-run shot in the sixth, his seventh homer of the season. Both Corey Hart and Ramirez delivered a pair of doubles, and leadoff hitter Carlos Gomez chipped in an RBI triple and scored a run in the seventh.
Glenn Sattell is a contributor to MLB.com. This story was not subject to the approval of Major League Baseball or its clubs.


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Joe Duarte
January 26, 2017, 9:30 PM
Ford is recalling a handful of 2016 C-Max and Focus models to inspect and repair floors that may have ill-fitting joints, and potentially result in injuries in a frontal crash.
Just 18 vehicles are affected, and only one of them is in Canada, and they were all built at the Michigan Assembly Plant on Oct 26 and 27, 2016.
On affected cars, improper left-hand body apron joints on the floor pan may have reduced front-end structural integrity, which could lead to injury in the event of a front crash. However, Ford is not aware of any incidents or injuries resulting from the problem.
Ford mail out notices to owners of the affected cars, asking them to return them to dealerships where they will be inspected and repaired as needed.
On a more significant note, at least in relation to numbers, some 8,000 Ford F-150 pickups from 2017 are being recalled to reprogram their instrument clusters which may become unresponsive during a cold spell.
On certain vehicles, the transmission shift position indicator may not illuminate and therefore the gear position wouldn't be visible to the driver, which may prove dangerous if the driver is not aware the vehicle is still in gear when attempting to exit. The unintended vehicle movement could result in injury.
It is also feared that the inoperative instrument cluster may prevent the activation of certain warning lights or messages, and even warning chimes, again preventing the driver from knowing if something is amiss.
Ford is not aware of any fires, accidents or injuries associated with this issue, which may affect 7,974 pickups (1,057 of which are in Canada and 125 in Mexico).
Vehicle owners will be asked to attend the nearest dealership, which will reprogram the instrument cluster.
New mid-size Buick Regal hatchback has plenty to offer beyond its stunning style
From Toronto to Amelia Island and back in Chrysler's elite new hybrid minivan
In 2017 Macan Turbo form with an optional Performance Package, yes it can!


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These services really help people to stay in touch with subject who matters to them and luxury to stay mobile with least interruption
Tag Archive for Facebook
Social Marketing Your Events Above and Beyond Facebook, Twitter and Linkedin
by Joy Kennelly •
By Joy A. Kennelly What I've learned over the years working in technology is you will never learn everything, but you can tap into a wealth of information to move forward if you seek out the right people. I've done this by sharing ideas and information with business colleagues online and offline, reading voraciously, and…
Do You Have an Open Mind With Which to Successfully Blog?
by Phyllis Zimbler Miller •
If you're a blogger and you want to increase your traffic as well as your loyal blog readers, do you have an open mind to learning new things?
Blogging live on location
by Jose de Francisco •
The power of cross-platform syndication enables to write once and publish on a variety of social media services.
Why a Blogger Needs to Keep Updated
by Phyllis Zimbler Miller •
The Internet is continually awash with new information. And while individual bloggers can't be expected to keep up with all the new developments, it behooves all of us to keep an eye out for news that directly affects us.
A Blog, A Facebook Fan Page and A LinkedIn Account all Met in a Bar…
by Charlene Burke •
Really. They did. How? By first connecting with one another online, of course. LinkedIn offers account holders, those holding free accounts and those with a Premium account, the ability to automatically show Twitter messages in their status updates. And, if you use WordPress or TypePad you can have each new post show on your…


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My name is Chloe McCracken, and I've been reading the tarot professionally since 2006.
In terms of academic qualifications, I hold a degree in Law (yeah, not really relevant, but it's the first thing I did), a Masters in Social Anthropology (with classes in shamanism and tribal witchcraft amongst others – that was fascinating!), and a Postgraduate Diploma in Psychotherapy and Counselling (2 years of NVQ Level 7, if that means more to you).
I am also a trained yoga and pilates teacher, and a qualified and certified life coach (Association for Coaching). Currently, I am training in hypnotherapy, which is magic by another name 🙂


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"Sex and the City" brought so many things to the table through it's fabulous characters. The world of dating, sex and marriage, trendy restaurants and clubs, the complication and joys of friendship, health issues and 4 women making it on their own. One of the best things about this show was the fashion. No one would personify this more than Carrie Bradshaw who had one of the most outstanding wardrobes on television. She possesses quirky, eccentric and always marvelous sense of expressing her style. Her fashion sense worked in ways people never imagined. Welcome to Movie Bad Girl of the Week Television Edition: The Ladies of Sex and the City where this week and next we will examine Carrie Bradshaw. This week is all about the look. Next week we look at her relationships with men and the hunt for true love. Now I present to you, Carrie Bradshaw, Fashion Icon.
She had the look and she had style and class. Sometimes it was over the top and other times it was downright elegant. From her hair to her shoes Carrie Bradshaw set the trends in fashion for a generation. Patrica Field the costume designer for the show is a genius and Sarah Jessica Parker pulled it off from the very first second the pilot episode "Sex and the City" aired. In the credits we saw her walking down the streets of Manhattan wearing a leotard and tutu. And this my friends was only the beginning.
Although in the credits of the show we see Carrie with her signature curly blonde locks it would not be so in the pilot episode. In this episode she actually has shoulder length curly brown hair, her natural color. We would see her with her blonde curls, hair pulled back in a ponytail or up in a chic bun. She would wear her hair smooth and straight at times and would cut it much shorter in one season. We watched her with solid blonde and solid brown, we would see her with two-tone hair. We would even get to see her with one hairdo that was a modern feathered style. Carries hairstyles were more versatile than those of her friends. Carrie liked to have fun with her hair along with her fashion. And face it. Our hair can make or break an outfit. Here are a few of the hairstyles Carrie sported.
Carrie adores designer clothes. "Vogue" magazine is her bible and one day she will even end up writing for the publication. She is the girl that loves mixing a vintage Halston dress with a modern jacket by Versace and wearing it with a pair of Balenciaga shoes. Some of her outfits can cost more than 6 months of her rent. She has so many styles from fun and flirty to sheer sophistication to what can sometimes only be called totally eccentric. The fact is she has a look for every occasion and every mood. She can be dressed down or to the nines. Sometimes her attitude is like mine. Life is a stage and our clothes are our costumes. She plays with fashion in fun ways. When she is dating a politician she dresses in a manner that she feels is how she should look so she reflects the man in a positive light. Another time on a trip to the country she dons overalls. She goes to church intending to meet Big's mother and for this journey she dresses in a striped dress with a wide brim hat and is wearing gloves trying to look like a proper church-going lady. We see her in frilly and colorful outfits and we see her svelte figure in dresses and gowns that hug her body like a second skin. Her real passion is shoes. It is her fetish and her addiction. She will spend seven hundred dollars on a pair of Manolo Blahnik pumps even if it cuts into her rent and/or food money because she gets such joy from shoes. She sees a pair of Manolo's and exclaims "Oh my God! Do you know what these are? Manolo Blahnik Mary Janes! I thought these were an urban shoe myth!" another shoe quote: "I have this little substance abuse problem…expensive footwear." This lady loves to dress and can she ever. Now you know an outfit is never complete without the right…
Most popular will always be the simple necklace she wore that bore her name Carrie. She has worn hats and scarves, in the second movie she even dons a turban while they are in Abu Dahbi. She likes the use of jewelry from her signature necklace to layered beads to a simple strand of pearls and dangling earrings. My favorite accessory where the flowers she wore on her outfits. They started out small and as the show progressed the flowers kept growing in size and took on a life of their own and ended up as immense (take a look at the photo of the white and gold dress) …and in reality women were actually copying this style so their flowers grew right along with Carrie's. She also always had a wonderful handbag to complete her look. Let's peek in at some of this fashionista's stellar looks!
Carrie in the world of fashion.
On the show Carrie has taken part in 3 photo shoots and one fashion show. Three of these went terribly awry. She does a photo shoot for advertisement for her column. She is given what Charlotte refers to as her "naked dress." The shoot goes fine. Carrie and friends gather on the street corner with champagne to celebrate as the bus displaying her image goes by. To her mortification someone has spray painted a large penis on the ad aimed at her mouth. Another time she poses for New York Magazine and the photo they select of her not only makes the cover but is horrific enough to send anyone into therapy. She looks like a meth addict. The photo shoot for her book "Sex and the City" is okay and the fashion show is classic. She starts out with a floral dress which is stunning on her. Dolce & Gabbana decide to switch her to a blue sequined dress instead which she adores. She arrives at the fashion show (a mix of models and real New Yorkers) to find out that she will have to model something else because the designer before them in the show is featuring a similar dress. She is told she will be modeling a pair of jeweled panties. This sends her into a tizzy and she says she cannot do it. They tell her she will be able to wear a jacket with it. She is not happy but she agrees. Carrie told them she could walk in really high heels so they oblige her. Carrie is being followed by her model idol Heidi Klum who she meets just before they go on. Carrie walks out looking stunning with beautiful make-up, big hair, a fabulous outfit and her stiletto heels. She begins down the runway, loses balance and face plants. Stanford exclaims "Oh my God! She's fashion roadkill!" Carrie picks herself up and Heidi gives her a high-five as she passes her on the runway. Carrie now standing walks the runway like a true model.
What can we learn from Carrie Bradshaw?
This one is so simple. Fashion is fun! Look good and feel great. You have your own style so express it. It doesn't matter if you are a fan of Ann Taylor or thrift stores. You don't have to spend 6 months rent or your food money like Carrie does. You can find equally captivating, flirty and sexy looks that are just as good for a lot less money. One of my favorite things to do is shop in vintage, consignment and thrift stores to see what treasures I can find. Then you mix that with new pieces from Banana Republic, Cache, Loft, Lane Bryant or Target for that matter. Your shoes don't have to cost a fortune either. As much as I would love Jimmy Choo or Christian Louboutin footwear the fact is I have a budget that says my shoes will come from Payless Shoe Source or online from shoedazzle.com. Put together with the right outfit a pair of shoes can be stunning whether they cost 600 dollars or 26.99 on clearance. Get yourself some fun costume jewelry and a few simple, yet refined pieces and some scarves or hats. Add a couple of distinctive purses and at least one exquisite purse. Now get some jazzy and some subdued make-up colors ( I prefer earth tones for myself although I have devilishly delightful colors which I do use) and BOOM! You are ready to go. Now try different things with you hair. Your hair worn loose on your shoulder or in a french twist can actually give the same outfit two different feels and looks. Try a hat or a scarf or a Carrie Bradshaw flower. Your options are endless. Let your style and imagination take you to new looks that are totally and uniquely you.
The other lesson is: Carrie's forays into the fashion world are not perfect. That makes her as real as any one of us. I have had disasters in my day and I am sure I will again. Like Carrie falling on the runway, you pick yourself up and keep going. Those little moments are not who we are and do not define us. They are little seconds that make for funny I was embarrassed stories.
Next week will be our final week with these ladies as we look at the men in Carrie's life and hear some of her words of wisdom. Until then have a great week and Embrace Your Inner Fashionista because showing your style is so much damn fun!


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LinksFor a great quilt search engine: Quiltshops.com
For the FabShopHop info: FabShopHop Find the bunnies!
For another good quilt search engine: FabShopSearch
Batik Etcetera & Sew What Fabrics is an authorized dealer for PFAFF Sewing Machines. Pfaff USA Experience the joy of Integrated Dual Feed (IDT) for flawless quilting.
Batiks Etcetera & Sew What Fabrics offers batik from many different companies. Several companies are listed below:
Anthology Fabrics
Batiks by Mirah
Batik Textiles
Island Batik
Robert Kaufman Artisan Batik
Timeless Treasures
Below is a list of quilt artists and sites of interest.
Quiltworx - Judy Niemeyer We are a Certified Shop
ARTFABRICK - Laura Wasilowski Extraordinary hand-dyed fabrics and threads
FrieStyle Designs - Frieda Anderson
Maple Island Quilts - Debbie Bowles
Margaret Miller
Lucy Fazely
Priscilla Bianchi
Cindy Losekamp
Martine House
Susan Brittingham
Susan Edmondson
Mount Redoubt - Letitia Hutchings
Pine Needles - McKenna Ryan
From Marti Michell
Here is a great intro to quilt making: How to Make Quilts


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Past Events
Events List Navigation
Briefing and Release of Report: Under Suspicion, Under Attack
RSVP by Friday, September 5 here South Asian, Muslim, Sikh, Hindu, Middle Eastern, and Arab communities are subject to an increasingly hostile climate in the United States, characterized by higher levels of xenophobic political rhetoric and hate violence. SAALT's forthcoming report, Under Suspicion, Under Attack, documents nearly 160 reports of xenophobic political rhetoric and hate violence within the last three years and identifies trends, impact, and better practices to address these issues. Please join us for this briefing to learn…Find out more »
Chicago Briefing on Report: Under Suspicion, Under Attack
Join us and the Center for New Community on September 26th at 3:30pm for a community briefing on our new report, Under Suspicion, Under Attack. We'll discuss key findings on hate violence and the rising tide of xenophobic political rhetoric targeting our communities nationwide, as well as highlight best practices to respond. Click here to RSVP for this event.Find out more »
Idli & Immigration: Strategy Session
On September 27th, SAALT is partnering with the South Asian American Policy and Research Institute (SAAPRI) for an 'Idli & Immigration Strategy Session' to discuss ways the South Asian community can bring about change. Join us at 2:00pm for an engaging discussion about immigration reform and how to raise your voice at the local and national levels. Click here to RSVP for this strategy session.Find out more »
Be the Change 2014
Be the Change is an annual national day of service coordinated by South Asian Americans Leading Together (SAALT) to inspire and foster civic engagement and stronger communities through volunteerism and community service. Every year, thousands of participants across the country collectively contribute numerous hours of community service in the spirit of Mahatma Gandhi's famous quote, "Be the change you wish to see in the world." This year's theme of Be the Change is "Stand Together, Serve Together" encouraging people of…Find out more »
DC Screening of Freedom Summer
American Federation of Labor and Congress of Industrial Organizations (AFL-CIO) and South Asian Americans Leading Together (SAALT) invite you to join a very special free screening of Freedom Summer, followed by a panel connecting Freedom Summer to today's ongoing and critical Civil Rights struggles and strategies for building collective action. Light refreshments will be provided. Venue is accessible. The film will be screened in English with no subtitles. Interpretation for the panel may be available upon advance request. Please RSVP at…Find out more »
Join SAALT for a Year-end New York City Reception!
RSVP by Wednesday, December 3rd to enter to win $400 in Southwest Airlines tickets! Join SAALT for a year-end progress report on our work to strengthen South Asian communities nationwide and build a voice for our communities in Washington, D.C. Check out this year's highlights, what's coming up next year, and how you can plug in. Appetizers and a wine tasting menu will be provided. Suggested donation: $65/person For more information or to RSVP, contact Deborah Fletcher: email@example.com SAALT has…Find out more »
National South Asian Summit 2015
The National South Asian Summit 2015 will convene South Asian organizations, advocates, and allies from across the U.S. on April 10-13, 2015 in Washington, D.C. The Summit is an opportunity for organizational leaders and community members to: engage with policymakers and government agencies; participate in a learning environment; discuss emerging issues in the South Asian community and the country as a whole; and, strategize to achieve best practices, discuss collective solutions, and agree to common principles using a progressive, social justice framework.
The National South Asian Summit 2015 is hosted by South Asian Americans Leading Together (SAALT) and the South Asian Law Students Association (SALSA) of the American University Washington College of Law as part of the Founder's Day Celebration.Find out more »
South Asians Before the Storm
On January 18, 2017, join South Asian Americans Leading Together (SAALT) and South Asian community leaders in New York as we prepare for a new administration. We will take stock of our communities' diverse needs, share perspectives, identify our collective priorities, and chart a path forward that builds upon our strength, unity, and resilience. This will be a space for understanding, reflection, community building, and action, and we hope you can gather with us at this pivotal time for our…Find out more »
National South Asian Summit 2017
The National South Asian Summit 2017 will convene hundreds of South Asian organizations, advocates, and allies from across the U.S. on April 21-24, 2017 in Washington, D.C. The 2017 Summit will be the 10-year anniversary for this epic gathering, and will provide an opportunity to build skills that will deepen your organization's work and your individual leadership, connect with government officials and congressional offices, expand your networks, and strategize with diverse leaders, advocates, and allies to demand justice, create change, and claim…Find out more »


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Four Years Later, David Ortiz's Speech after the Boston Marathon Bombing Still Gives Me Goosebumps
This is our f***ing city. And nobody's gonna dictate our freedom. Stay strong.
This is our f***ing city. And nobody's gonna dictate our freedom. Stay strong.
Judge is just a 119 MPH triple away from the exit velocity leader board cycle!
102.2 MPH is tied for the MLB record this year.
Chris Sale's next start will be one to watch.
Damn that's smooth.
Xander Bogaerts Nails A Magic Slide Against the Cardinals!
Oh Hanley, leave her alone!
That's the longest active streak in MLB.
McCutchen sends his first one deep!
Bye-bye baseball, bye-bye loss.
You know when announcers say, "Woah … he was out by a mile!!!"?
This is probably one of strangest routines I've ever seen.
Baseball is back! And Opening Day has provided some fun moments through the years …
By Opening Day there won't be anything they can't catch!
Six of the best players in baseball all play shortstop and can't rent cars.
Flip that bat, little dude!
We all know about the home runs, but how about we take a more advanced look at Ruth's Hall of Fame career.
The hometown MLB counterparts to the 2017 Super Bowl teams had some fun on Twitter.


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Author has written 3 stories for Death Note, and D.Gray-Man.
My Name is Artemis and I'm 18 going on 19 here soon...nothing other then that, oh I love yaoi and yuri...and anime, manga so on and so forth.
Month 1
Mommy, I am
Month 2
Mommy, today I learned how to suck my
You know what Mommy, I'm a girl!! I
Mommy, my hair is
Month 5
You went to the
Month 6
I can hear that doctor again. I
Something is
Month 7
Mommy, I am okay. I am
if you really
If you have ever been so obsessed with something that now everyone is scared of you because of its effects copy this into your profile
If you've ever successfully corrupted a guy-friend into liking yaoi,copy this into your profile.
If you think that life without computers is useless then copy this to your profile.
If you've ever ran and hit yourself on a door,copy this into your profile.
If you think life without music is Hell,copy this into your profile.
If you love CaramellDansen,copy this into your profile


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510 Eglinton Avenue West
Toronto, ON M5N 1A5
Join Executive Vegan Chef and cookbook Author Doug McNish and learn everything there is to know about knife skills including what to look for when purchasing knives, proper sharpening and storing.
In this class you will learn the following basic and advanced cuts: Dice – Large, Medium, Small, Brunoise , Mince, Julienne – Large, Medium, Small, Allumette, Paysanne, Batonette , Chop – Rough, Medium, Fine, Paysenne, Oblong, Tournee , Shaved, Bias.
You will also learn the following knife skills: Types of Knives, What to Look for in Purchasing a Knife, How to Properly Hold a Knife, Peeling Citrus Fruit/Melons, Proper Sharpening.