text:
Hi guys im learning as i am going because in new to Ubuntu and linux. I would like to know where I can download mouse cursors. I would like to know how to install them in the version of Ubuntu 12.10. Thank you =)
Hi guys im learning as i am going because in new to Ubuntu and linux. I would like to know where I can download mouse cursors. I would like to know how to install them in the version of Ubuntu 12.10. Thank you =)
You can find Cursor themes at:
There may be more, use google.
To install them you have to put the cursor_theme-folder in /usr/share/icons (you should be root to be able to copy files to /usr/share/icons): To open nautilus as root-
Then run:Code:gksudo nautilus
... find your theme in the listed themes, note its number and enter.Code:sudo update-alternatives --config x-cursor-theme
Restart computer if needed.
If you see old cursor theme on some apps and new on some then;
Open 'dconf Editor' and navigate to org->gnome->desktop->interface - and look for 'cursor-theme'... and change it to 'your cursor theme'.
You can also change the 'cursor-size' likewise in dconf.
If you see that applications show different 'cursor-size' then Create a hidden file in your Home Folder and name it .Xresources ($ gedit ~/.Xresources) and put "Xcursor.size: 48" (without quotes) in the file and save it.
"Evolution is Nature's way of issuing upgrades."
Moved to Absolute Beginners.
To change between existing cursor themes you need to...change the dconf setting and the alternatives setting as fantab stated.
New themes need to be added to alternatives first.
The new theme will not show up when you run sudo update-alternatives --config x-cursor-theme
You need to add it to alternatives first.
These are the steps for a downloaded theme.
- Extract from archive.
- Check for a cursor.theme file
- Move theme to /usr/share/icons
- Add to alternatives
- Select with alternatives
- Select in dconf
For a gui to manage alternatives, install galternatives.....
1.Code:sudo apt-get install galternatives
A downloaded theme archive must be extracted to reveal the theme folder.
In this folder there must be cursor.theme file.
Create one using gedit, if necessary.
For an example , look at /usr/share/icons/DMZ-White/cursor.theme.
3.Code:[Icon Theme] Inherits=<insert your cursor name>
Move theme folder to /usr/share/icons as described earlier by fantab
Add theme to alternatives using galternatives
Run galternatives and select x-cursor-theme in the left panel.
Click on the add button >browse
Then use the top drop down to navigate to /usr/share/icons . Start with "/" then in the left column progressively choose(double click) usr/ > share/ > icons/
Select your theme in the left column and then select cursor.theme in right column and hit the ok button.
Select your theme in galternatives and close.
Now you just need to select your new theme using a tweak tool like unity-tweak-tool, gnome-tweak-tool or ubuntu-tweak.
The tweak tools change the dconf setting shown earlier by fantab.
After changing a cursor theme you need to log out/in for it to be consistent.
Last edited by stinkeye; December 5th, 2013 at 03:51 AM.


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Blogging Miles
Tyler Johnson - Seattle
Got the BMX rolling, and snagged this clip today. Maybe the 5th barspin I've thrown and really the only one where I'm moving very much hahaha.
beginner bmx from Tyler Johnson on Vimeo.
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International Commentary
Why the US Must Stay the Course in Afghanistan
The desire to "bring the boys home" after war's end is deeply engrained in the American psyche. Americans tend to get impatient with long-lasting military… Read More
International Commentary
The desire to "bring the boys home" after war's end is deeply engrained in the American psyche. Americans tend to get impatient with long-lasting military… Read More
International Commentary
President Donald Trump's visit to the Middle East and Europe is framing the parameters of his foreign policy style. That style is characterized by forcefully… Read More
The U.S. has long used international broadcasting as a tool in public diplomacy. Yet the nation's international broadcasting agency—the Broadcasting Board of Governors—has been a… Read More
Security Commentary
Coming into office, President Donald Trump declared defeating and destroying ISIS to be his top foreign policy priority. In contrast with the Obama administration, he… Read More
Appointing a new CEO to head U.S. international broadcasting is one of the many tasks on the list for the Trump White House. In part… Read More
Secretary of State Rex Tillerson's visit to Moscow Wednesday put him squarely on the map as one of the main players in the Trump administration…. Read More
Russian anti-corruption protestors and activists are feeling the brunt of the Kremlin's wrath. Unlike in the United States, where the right to protest is constitutionally… Read More
The influence of George Soros and his Open Society Foundations on U.S. foreign policy is the subject of an alert issued by members of the… Read More
Russian propaganda and influence operations have escalated over the past decade, and have especially intensified after the invasion of Ukraine. Plain and simple, the Kremlin… Read More
The need to improve and reform the Broadcasting Board of Governors, the $750 million agency that oversees all the civilian broadcasting services of the U.S…. Read More


text:
posted by Maggie R. .
how did the industrial revolution greater social inequalities (relate to laissezz faire, theom malthus, classical economists, etc)
whear does the nileriver,the murray rivver, amzone river,ganges,seinerivver flow into
Dear John:
First of all when you post underneath someone else's history post, we tend to think it is the answer to that post and many of us don't read either post! Be sure to use "new question" so we pay attention to you.
Here is a great site for some of those rivers:
1. http://www.enchantedlearning.com/geography/rivers/majorrivers.shtml
2. http://icosym-nt.cvut.cz/kifb/wordnet/_fresh_water_area.html (slide down to the rivers, past the lakes)
Whatever you don't find, look on a globe, on in an atlas or repost here.
Thank you for using the Jiskha Homework Help Forum. Here are some sites on the Industrial Revolution:
1. http://www.public.iastate.edu/~cfford/342shusky.htm
2. (Broken Link Removed)


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Quenching The Spirit: Discover the real Spirit behind the Charasmatic controversy
In recent years, several respected Christian authors and teachers have come against beliefs and practices of charismatics, the world's fastest growing Christian group. Now updated and revised, Quenching the Spirit gives the most coherent, well-documented response to date.With a brand-new chapter based on Han Hanegraaff and the CRI, and exciting new information, author Will ...more
Paperback, 360 pages
Published July 23rd 1996 by Charisma House
(first published May 1996)
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Mar 09, 2009 Ann rated it really liked it
This book is a coherent and well-documented response to the beliefs and practices of the Christian Charismatic sects. Provocative arguments in defense of Pentacostals. Interesting scrutiny & interpretation of American charismatic doctrine & practice from the Great Awakening through the 20th century. I don't agree with all of the author's positions and interpretations, but it does give the reader plenty to think about.
Feb 12, 2011 Brant rated it it was amazing
Well researched and argued defence of the charismatic movements in the pat century.
Apr 07, 2012 Joshua Duffy rated it liked it
learnt some good things, but the argumentative tone of the author wasn't a huge plus for me. Too biased.
Nov 14, 2013 Reggie Byrum rated it it was amazing
Excellent book that stops cessationists cold. Highly recommend.
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Well once a week pretty quickly turned into once every couple of weeks, then once a month, same old story. At least progress has been pretty quick, I'm four or five days in and the little bastard is a roller, hoping to find the time to put a whole week in on it soon, until then here's the updates from the last few working days.
I also realized that I'm pretty bad a remembering to actually take pictures as I work, so there'll be a few blanks that will have to get filled in later.
Anyways when we last left off the frame had been cut apart, narrowed up, and a new front crossmember installed, from there it was time to start contouring the frame to fit the t body
A series of measuring, pie cutting, bending, measuring again, cursing, more cutting, and more measuring and leveling finally got it to the point where it followed the contour of the body well
the idea on the rear kick up was to eliminate the base that the turtle deck would originally mount on and make the frame the mount instead. A 3″ kick up ended up being the perfect amount, with a little tapper at the back to thin out the rails for looks.
The kick up was made out of some 2×3 .120 wall, cut them the same, bent one over, welded it, than used that one to align the second one.
here the basic perimeter frame, it'll get tubing crossmembers at all the pie cuts as well as in the kickup to strengthen it all up
next I moved onto making some front hairpin brackets/ spring mounts the way they would have been done 70 years ago, you'll need some junk wishbones, a pair of early t rear spring hangers, and some 1/2″ or so steel plate…
this pair of model a wishbones that a hillbilly made a mess out of years ago was the perfect start, as all I'll end up using is the front forging
Just ahead of the forging I drilled a hole sized for the t spring hanger, you could do this after cutting them off but it's nice to use the tube as a handle
here's the t rear spring hanger
figure out your basic shape using the measurements from the hairpins and torch it out
clean it up
my frame is really narrow so the spring perches will have to sit a pretty good angle to keep everything in line
here's how they'll look assembled
turn the heat way up and burn them together, at this point the spring perch is able to be bolted through the mount, it'll eventually get fully welded too once the car is mocked up with the weight on it so I can set the angle
Again skipping a few steps its onto the rear, just a standard 40 banjo, starting with cutting down the torque tube
the rear radius rods are getting mounted to the outside of the frame since the thing sits a little to low to clear, to keep everything from binding the pivot point on the rods needs to be at the centerline of the u-joint
little pie cut to move them out to the frame and they're good to go
next I cleaned up a 8ba, mounted up a trans and started some inner bracing
steering will eventually get mounted off this
super simple trans mounts
little step for the seat (center steer)
and here's how it currently sits, next up is some body mounting, steering, roll bar, pedals, and a track nose. hopefully the next round goes faster…..


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Gainseville - Sweet Water Bed and Breakfast Inn
There are two parts of this Bed and Breakfast. The pink house and the blue house. It used to be an old plantation of the family. Many people claim that the old blue house attic rooms have a spirit. Many claimed to be sleeping and have a heavy feeling on their chest. Also the maids that clean the rooms experienced an old bureau having its door open and close. There is a scary feeling in those rooms. Even the owners claim to have seen an image in the window of the third floor.
Gainseville, Florida
There are 287 Haunts nearby
Source: Internet
|Location Approximate!!! Care to correct it?
27.6648274, -81.5157535


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Part Chimp
Part Chimp is an English rock band from Camberwell, London, England, that were formed by Tim Cedar, Jon Hamilton and Nick Prior in 2000. Current line-up is Tim (vocals & guitar), Jon (drums), Joe McLaughlin (bass) and Iain Hinchliffe (guitar).
They play rock music with elements of noise. Both on record and live, Part Chimp have a reputation for sounding extremely loud. Their records are released in the UK by Rock Action Records, in Europe & Japan by Play It Again Sam and in the US by Monitor records.
Tim Cedar and Jon Hamilton had previous played together in Ligament. Nick Prior (bass), formerly of Scarfo, joined Ligament for their last tour. When Ligament split, the threesome played one show as Part Chimp in late 2000, before adding Iain Hinchliffe on guitar. Nick Prior left the band in February 2004 and was replaced by Joe McLaughlin. The latter left in mid 2006, returning in 2010 to play some live shows. In 2008, Tracy Bellaries (ex-Ikara Colt) joined on bass, playing on the Thriller record before leaving in early 2010.
After splitting amicably at the end of 2011, Part Chimp have subsequently reformed, have recorded new material and played a handful of shows in 2016.
Cedar and Hamilton also play live and record as Die Munch Machine.
Apr 14, 2017
Nov 13, 2015
Sep 18, 2015
Sep 18, 2009
Jul 20, 2008


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Product Description
Balance body and mind with certified pure orange, lavender, pink grapefruit and patchouli essential oil.
Size: 0.5 fl. oz.
Ingredients: Citrus Sinensis (Orange) Oil, Citrus Paradisii (Pink Grapefruit) Oil, Lavandula Angustifolia (Lavender) Oil, Pogostemon Cablin (Patchouli) Oil.
Suggested Use:
Topical: Dilute with carrier oil prior to application (3-6 drops essential oil per fluid ounce of carrier oil).
Aromatic: Diffuse according to recommended use on diffuser. Can be used with terracotta light ring diffuser. Add four drops to ring and follow standard directions.
WARNINGS/CAUTIONS: For external use only. Discontinue if irritation occurs. Seek medical attention if irritation persists. Avoid contact with eyes and mucous membranes. Keep out of reach of children. If you are pregnant, nursing, taking medication, or have a medical condition, consult a healthcare professional prior to use. This product is not intended for use in the cure, treatment, or prevention of disease. Store away from light and heat.


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- 4 beds
- 2.5 baths
- $2,000 price
- 4721587 mls id
- Half Baths: 1
- Year Built: 1772
- Status: Active
CHARMING COLONIAL ~ Porch shaded by a Tall shade tree. Spacious rooms with beautiful plank wood floors, beamed ceiling and original dutch doors. Set back off the Road ~ Drive in a Tree lined lane ~ Farmhouse is on the right surrounded by a picturesque Horse farm. One of a Kind with Huge Country Kitchen that opens to a Sunroom with walls of Windows ~ Country Views , 2042 Sq ft on the first Level Spacious Rooms with original wood Plank floors. 920 Sq ft on the 2nd level ~ Gleaming Plank FLOORS ~ just Refinished & Freshly Painted The Separate Windowed Studio is NOT included in the Rent ~ owner will consider renting for additional rent ~ Excellent Credit & references required NO PETS
- Style Colonial,Farm House
Listing Agent: Margaret F Williams
Courtesy of: Century 21 E & M Williams Rlty
Updated: 25th June, 2017 2:53 AM.
137 Searsville Road Montgomery Town, NY


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Recent guest reviews
The property is too good and near the seawang beach. The staff is too cooperative. Room is clean but the locking system of rooms is not exact. And when I told to hotel staff that I check out at early morning at 6am, they gave me sandwich, juice and bananas.at 5.45 am, that's the very best service they gave me. And stay there is as our home.
Stayed for 3 nights, was great budget accomodation. The rooms are clean, large and airconditioned. I did eat breakfast one of the days there, however there weren't many options so decided to walk down the road to another resort for breakfast the other days. The hotel is quiet, and is located on the quiet end of Chaweng. If you want to be right in the middle of the hustle and bustle, this hotel isn't for you. I did try to walk into the main town one of the days but gave up half way. The beach is close and staff are really friendly.
We stayed here for 11 nights, the hotel itself is lovely, it's what it says "budget luxury". The rooms were clean and spacious with good wifi and much needed air conditioning! The only problem we found with the room was the state of the towels and bedding, a lot of the ones we got had holes in or were very frayed (a small detail but one that could easily be remedied). The staff were very friendly and helpful, we asked for an extra mattress topper and this was brought straight away. The private beach is picture perfect and only a five minute walk away. If you could pick the hotel up and place it closer to the strip I would have given it five stars.
the room was good but the location and the breakfast wasn't good. we have to take a taxi to everywhere we want to go and its a little far from ark bar and downtown.we stayed there for 2 nights. well if i want to go to samui again i will choose a hotel near to ark bar and downtown .
I stayed for two weeks this past February, it was excellent! Totally comfortable and safe. The AC was awesome, and the wifi was very strong. Very friendly staff. The room was clean and perfect for budget travel. I met very other guests that were super nice. I would highly recommend!
The stuff is very friendly and trying to help all the time. However, the rooms need urgent maintenance. The AC in 2 of our rooms was leaking, rust on the taps and some of the towels were torn. The pictures were probably taken at the first days of the hotel. In addition, the hotel is very far from the center and you need to take a taxi (50 bath per person) or walk about 20 min to get there. I personally rethink if to stay there again.
This is a nice hotel in a great location. The hotel pool is nice, however could do with a few more sun loungers. But great for a dip after a day out in the sun! The hotel is very clean, with the room being cleaned and fresh towels every day. Our bathroom smelt a little when the ventilation fan was on, therefore we just kept it turned off, and the problem was solved. The air conditioning can be a bit loud as well as the road outside the front, but nothing that stopped us from sleeping! Would definitely recommend this hotel to those on a budget :)
Absolutely delighted with this splendid little hotel. Suitable for all types of group. Families, even stags (we weren't on a stag do, but we might as well have been ;-) Lovely staff. Thanks for making our stay an absolute pleasure.
The hotel located on the quieter side of Chaweng Beach which suited my preference. You can find anything you need surround the hotel. Motorbike rental, laundry, restaurants, food marts, dive center and the list goes on. The staff very friendly and some of the well converse in English. The rooms is good size, very clean and well kept. Hòwever the bed is hard to my preference. That is the only negative part.
Hotel is on the end of Chaweng beach, however it is quite busy with all the restaurants and hotels in the area. Staff is very helpfull and skilled. Rooms are spacious and very clean. We stayed on the forth (top floor) and the noise from the street was not bad. Hotel has access to private beach which is excellent (about 700 meters from hotel).
Hotel highlights
- Walking distance to Phetch Buncha Thai Boxing Stadium
- Free WiFi in rooms and public areas
- Free parking
- Onsite dining
Located in Bo Put, First Residence Hotel is a leisurely stroll from sights such as Phetch Buncha Thai Boxing Stadium and Bangkok Hospital Samui. This 3-star hotel has 50 guestrooms and offers an outdoor pool, free in-room WiFi, and free self parking. It's in central Koh Samui and also close to Chaweng Thai Boxing Stadium and Central Festival Samui.
Start each morning with buffet breakfast, available for a fee from 7 AM to 10 AM. Savor a meal from the comfort of your room with room service, or grab a bite to eat at the onsite restaurant.
The 50 rooms are air-conditioned and have an array of amenities, including balconies, refrigerators, and coffee makers. 21-inch TVs come with cable channels, and guests can stay connected with free WiFi. Bathrooms offer deep soaking tubs and free toiletries. Free bottled water, phones, and desks are other standard amenities.
Property features
Guests of First Residence Hotel enjoy features like an outdoor pool, free WiFi in public areas, and laundry facilities. There's free parking, and an airport shuttle (available on request) for THB 550 per vehicle one way. The 24-hour front desk has staff standing by to help with dry cleaning/laundry, concierge services, and luggage storage. This hotel also has a porter/bellhop.
Reviews from Trip Advisor
70% of guests recommend this hotelTotal of 213 reviews


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Last weekend I took a little {2.5 hour} road trip with my favorite ladies {my mom, sister in law, niece, and my two lovely daughters} to Lexington, Kentucky to see a young lady by the name of Taylor Swift {you may have heard of her} perform at her red tour.
I was just as excited to see her concert as my daughters! And she did not disappoint, her show was amazing! Really good!
Since it was my girls first ever concert I wanted to do something special with their concert tickets. This is what I came up with for my youngest daughter.
Our concert journey began with a homemade sign.
Our concert journey began with a homemade sign.
My mom made each of the girls a little travel box filled with snacks and drinks for the drive and hotel stay.
Of course the girls all wore their Taylor Swift shirts to the concert and were very excited to see the famous squirrel pajamas on display!
My niece {in the black} and my daughters {in the red} holding their tickets!
At the concert!
I used a small shadow box from Ikea {I think it was $9.99}. I used some leftover fabric to cover the mat {the black and white looks great in her room}. I added a concert pic and the ticket along with a little scrapbooking card.
The perfect way to showcase her first concert experience!
Thanks for stopping by!
linking up this week to ...


text:
Desigual, one of the highlights of 080 Barcelona Fashion Week.
Another day of glamour came to an end as the second day of 080 Barcelona Fashion week was dominated by Desigual, which surpassed expectations by ending the day with a lively and quirky showcasing of their collection. Desigual chose to collaborate with The Others to produce the audiovisual content projected during their Menswear collection.
Client: Desigual / 080
Shooting: Los Malditos
Green Key: Barcelona Studios
Directed and Produced: Els Altres
Date: Barcelona February 2015
Art Direction, Motion


text:
"We finished up last week. Things kind of dragged on a little big for me with a lot of early morning stuff. But now it's on to the next chapter as I report a week from Sunday."
As for any nervousness, Tony says he's feeling a few things.
"I've got a little bit of everything going on inside right no w. But I'm looking forward to getting out there and just getting after it."
Since attending Notre Dame's spring game, Springmann knew it was time to get things started. Armed with Paul Longo's workout program, the Fort Wayne (IN) Bishop Dwenger product has seen results and is ready to get started.
"It was exciting to watch the spring game. I just wanted to be out there and play and got tired of watching it. As for the workout program, it's been going great as I've been getting faster, stronger and in great shape. It's been awesome as I've seen nothing but results, so I can't complain."
While some members of the class have talked about second guessing their decisions at some point in time during their recruitment, Tony stresses he knew what he wanted and it was all at Notre Dame.
"When you go and visit other schools you can see what they have to offer first hand. I knew what I wanted and it was Notre Dame."
But that did not mean there were not times of pressure or times of being blown away.
"To be honest I was actually a little overwhelmed by all the attention. But in talking with Tyler (Eifert) and Johnny (Goodman), I kind of knew what was to be expected.
"I was never a big fan of the spotlight or attention. I just like to be quiet, work hard and get the job done. It was kind of cool to have the attention, but I'm not really going to miss it.
"The spring game after I signed the attention was pretty wild as all these little kids know who you are and are wanting autographs. It was really kind of weird."
As for those in his class he's stayed in contact with since signing day, Tony looks to have built a few friendships.
"I've been staying in contact with Chase Hounshell, Nick Martin and Conor Hanratty. I'm very excited to get started and I'm excited to be around the guys and start the work to win a National Championship."
One thing Tony has learned is the span and strength of Notre Dame Nation.
"It just started to him me this year when I started to talk with various people. You know, just people you meet randomly all over the place. There are Notre Dame connections in almost every country and there is nothing else like it. I'm very excited about it."
As for his first few classes on campus, Tony is hoping to get a couple out of the way.
"My intended major is to be a US History major. So this summer I'm looking to get an English or writing class done and also a math class."
As for his family Tony says mom has already started prepping for his first season at Notre Dame.
"Their pumped and my mom is getting everything ready for the tailgates. She is planning it all out already, so the family is excited."


text:
Hunter Valley community groups have branded the latest NSW Minerals Council campaign as 'lies and spin'.
"People in the Hunter will see this desperate public relations exercise for what it is," said Hunter Central Rivers Alliance spokesperson Steve Phillips. "Stephen Gallilee is telling 'Land Use Lies' rather than being up front about the real impacts of coal mining."
The Minerals Council campaign claims that mining occupies only 0.1% of New South Wales. The Hunter Valley floor is 2,000km2. Mines account for 315km2 or 16% of this area. Mineral exploration leases account for an addition 1,280km2 or another 64%.
"Mining has lost its social licence in the Hunter and other parts of the state where communities are now saying 'enough is enough'," said Hunter Communities Network spokesperson Bev Smiles. "Restoring that social licence will take much more than a campaign built on this sort of nonsense."
The NSW Minerals Council has launched an online video and plans an 'advertising blitz' in response to growing opposition to the expansion of coal mining in the state.
On Saturday, 1,500 people participated in the 'Stop T4' rally in Newcastle, including more than 100 community groups from throughout the Hunter. The rally called on the NSW Government to reject a proposed fourth coal terminal due to unacceptable community and environmental health impacts.
Another rally was held on Sunday in Cambelltown to call on the NSW government to protect drinking water, local communities and farmland from coal seem gas development.


text:
Deploy Microsoft Server 2008 R2 Using Microsoft Deployment Toolkit 2010 [NZ 2010: SVR309]
Download this episode
Learn how to deploy a Windows Server 2008 R2 server image complete with Roles (DNS, DHCP, ADDS etc...). It's a snap when you know when how. But there are some gotchas like how to configure RAID you'll want the cheat sheet for.
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Office to rentAlbion Place, Ramsgate, CT11
1,793 sq. ft. | £38,000 pa| £3,167 pcm
Do you like this property?
Call: 01843 315033
Property Description
Commercial information
- 1,793 sq ft (166 sq m)
Letting information:
|Letting type:
Full description
The property is situated in a prominent position in the centre of Albion Place overlooking the Royal Harbour Marina in Ramsgate. The Town Centre is approximately 800m distant with shops and restaurants. The property has excellent views and overlooks the gardens and a pay and display parking area.
The property comprises ground and 1st floor offices c. 166.63 sq.m. (1,793 sq.ft.).
The offices have UPVC doubled glazed sealed window units, kitchen and cloakroom facilities (including disabled) and are available on a fully inclusive basis including- (heating, lighting, water, building insurance, business rates and maintenance etc). There is disabled access on the ground floor.
There are 3 parking spaces in a barrier controlled private car park.
NB: All measurements shown are believed to be accurate but must be taken as approximate only.
Ground Floor (Suite 1)
Entrance Area
Office 1 5.27 x 3.17
Reception 5.38 x 3.13
Office 2 3.31 x 3.16
Office 3 3.47 x 3.06
0.99 x 2.79
Office 4 3.25 x 3.71
Kitchenette 1.29 x 1.94
Ladies/Gentlemens cloakroom
Net Internal Floor Area ....................................................................73.14 sq.m. (787 sq.ft.)
First Floor (Suite 2)
Office 5 5.28 x 3.06
Office 6 5.37 x 3.15
Office 7 5.32 x 3.17
Office 8 3.71 x 2.72
Office 9 5.35 x 3.72
Office 10 3.47 x 308
1.02 x 2.25
Net Internal Floor Area .................................................................93.49 sq.m. (1,006 sq.ft.)
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text:
tag:blogger.com,1999:blog-206628602017-04-29T16:03:12.614-04:00Problems of LifeReflections on ethics & philosophical miscellaneaMatthew Pianaltohttp://firstname.lastname@example.com:blogger.com,1999:blog-20662860.post-56147208793816765572017-01-11T13:38:00.001-05:002017-01-11T13:38:27.749-05:00Ethics Beyond SentienceThis paper has been forthcoming for the three or four years, but here it is in its final version, in the first issue of the Chautauqua Journal. In it, I probe whether moral consideration should end where sentience ends. I suggest not. Corpses and mountains, among other things, are discussed.

Thanks to Minh Nguyen for inviting me to write something, and to Erik Liddell (who has taken over the lecture series and journal project) for getting this out.

Matthew Pianaltohttp://firstname.lastname@example.com:blogger.com,1999:blog-20662860.post-86717364167578042342016-07-12T21:55:00.001-04:002016-07-12T21:55:37.539-04:00On Patience: Discounts come to those who wait30% off U.S. orders.

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Matthew Pianaltohttp://email@example.com:blogger.com,1999:blog-20662860.post-48191267053699223932016-06-21T13:05:00.001-04:002016-06-21T13:05:42.977-04:00It's Out: On Patience: Reclaiming a Foundational VirtueAvailable in hardback and ebook via the Rowman & Littlefield website, Amazon, and other online sellers. A paperback edition will be released at a later date.

Matthew Pianaltohttp://firstname.lastname@example.com:blogger.com,1999:blog-20662860.post-39487328001284668922016-02-02T11:26:00.002-05:002016-02-02T11:26:41.075-05:00On Patience Blog/SiteI've sent the final manuscript off to my editor, and so now another round of (hopefully patient) waiting begins as the book finds its way into the typesetting phase. I've put together a blog/site for the book: On Patience: Reclaiming a Foundational Virtue (also the book title). I'll post updates there and in various other places, as they become available. There are links to a few other things to read on that page, too, while you wait for my book!Matthew Pianaltohttp://email@example.com:blogger.com,1999:blog-20662860.post-34252151836603066292016-01-08T12:53:00.000-05:002016-01-08T12:53:51.128-05:00Happiness, Patience, & BanjosHere's wishing all a (late) Happy New Year.

I'm currently wrapping up a multi-book review of some recent introductory books to ideas about happiness and the good life for Teaching Philosophy. I have joked that, paradoxically, this project has not been conducive to my own happiness. (But perhaps it's made my life better?)

Just as the fall semester was ending, I received a very positive report on my manuscript On Patience from the publisher's anonymous reader. I will be making a few changes, and if all goes well, the book may be published later this year! Stay tuned.

January 3 was my second banjo anniversary. I made a video of the tune "Last Chance" to commemorate the occasion and to document my progress, posted below. The general consensus is that I'm making good progress.

It's been an interesting, if obsessive, journey. (I spend a good amount of time practicing. But that's the only way to learn and improve.) I've learned a lot about the history of old-time and Appalachian music, all of which was pretty much new to me when I started learning to play. However, there's something about all of it that speaks to me--among other things, the DIY spirit of the music and the diversity of banjo styles (if all you know is Dueling Banjos, then you're missing out on the expressive range and stylistic possibilities in this peculiar drum-on-a-stick). The are also several things about folk traditions in general that contrast quite interestingly, from a philosophical point of view, with "high art" music such as the classical tradition. So it's been interesting to read my musical learning onto the reading I've been doing in the philosophy of music (where some but not all authors seem to forget about, or dismiss, folk music). Matthew Pianaltohttp://firstname.lastname@example.com:blogger.com,1999:blog-20662860.post-70182678357953780762015-10-25T19:22:00.003-04:002015-10-25T19:22:43.588-04:00Art & Banjo
I've mostly been a mole in the ground lately. Lots of reading about philosophy of music and art in general. A little writing on music and value (responding to some puzzling yet repeated claims by Alan Goldman). I'm going to try teaching philosophy of art in the spring. If you have any favorite books or articles or other tips, send them my way.

And I've been up to quite a bit more of this, which is partly why I've gotten interested of late in arts and aesthetics issues:

Matthew Pianaltohttp://email@example.com:blogger.com,1999:blog-20662860.post-17187121414022391312015-07-17T12:37:00.000-04:002015-07-17T12:37:02.784-04:00The Kreutzer SonataVladamir Jankélévitch refers to Tolstoy's The Kreutzer Sonata when discussing Tolstoy's negative views on music (in his Music and the Ineffable). I was intrigued so I found a copy. Doris Lessing is surely right in describing it as a compelling read (in her introduction to the edition I got). But in light of Tolstoy's aims in writing the book, it is truly bizarre. (A real counter-point to my big summer read last year, Anna Karenina.)

What we get is a story of sexual desire, jealousy, and self-hatred, told by a man who murders his wife on the basis of some truly paranoid suspicions that she cheating on him. In the "Sequel" to the book, Tolstoy reiterates his conservative arguments on sexual morality and marriage. But it is truly perplexing to think that he could have seen this book as a good argument for his positions (not only because many of his own ideas are put into the mouth of a murderer). For all the while, as I read the narrator's bitter views on sex and marriage, I find myself thinking that for all the bluster, this guy is just unhappy and doesn't know how to deal moderately with his own sexuality.

Furthermore, as Lessing discusses, there is the problem of not really giving any even-handed consideration to the female (heterosexual) perspective. Lessing does a nice job of trying to help us imagine sexual life in the 19th century (no birth control), and Tolstoy's (and his wife's) life in particular (she makes a lot, quite to the point, about the number of children they had). But she also rightly, I think, sums up the "philosophical" aims of the work as those of a "fanatic," locked tightly into an ideological perspective that is not only unrealistic (Tolstoy responds to that charge in the Sequel) but also paradoxically oblivious to the complexity and varieties of sexual intimacy. (Lessing speculates that perhaps Tolstoy wasn't good in bed, which would explain the frustration surrounding some of the discussions of sex.) Tolstoy's dualism--sex is "animal," "man" should transcend "animal nature"--forces sex to remain "dirty" and something to be avoided. But there's a false dichotomy here, if you think we can accept our "animal nature" and yet remain "human," where acceptance means something other than trying to get as far away from the animal as possible. As Lessing points out, Tolstoy "went at it" into his seventies, and so maybe part of the problem (as with his narrator) is that he happened to have a rather strong sexual appetites. But this is the sort of thing I despise: projecting your own personal struggles onto humanity as a whole, such that we are all assumed to have the same problem, and then giving your personal plan or cure as the norm for all.

Read as a story about sexual frustration, jealousy, and madness, it's a real page-turner. But I'm not sure I would go to Tolstoy for relationship advice.Matthew Pianaltohttp://firstname.lastname@example.com:blogger.com,1999:blog-20662860.post-414593327689794282015-07-14T15:17:00.000-04:002015-07-14T15:18:01.375-04:00Online First: Nietzschean PatienceForgot to mention this with my other big announcement: my article "Nietzschean Patience" is now available Online First in The Journal of Value Inquiry. There are also several other papers there on Nietzsche and virtue. (These are to be published as a special issue; my article just happened to get accepted around the same time. A nice coincidence!) Enjoy.Matthew Pianaltohttp://email@example.com:blogger.com,1999:blog-20662860.post-71977737033451177652015-07-13T01:04:00.001-04:002015-07-13T01:04:14.048-04:00Coming Soon: On PatienceI am pleased to announce that my book On Patience is now under contract with Lexington Books (an imprint of Rowman & Littlefield)!

I will turn the manuscript by early next month, and there will be a peer review process, presumably with some improvements to be made. (So my post title should perhaps be "Coming Sooner or Later, But It Is Coming...")

When I'm not working on that, I'm about ready to start sketching out some more reactions to the reading I've been doing on the philosophy of music. Stay tuned for that and for updates about the book!Matthew Pianaltohttp://email@example.com:blogger.com,1999:blog-20662860.post-8478467532620312242015-06-04T11:53:00.000-04:002015-06-04T11:53:03.384-04:00Music and SilenceI mentioned Jankélévitch's Music and the Ineffable in my last post, and I want to thank Jay Langguth, a philosopher at Thomas More College, for bringing the book to my attention. If I understood the book correctly, Jankélévitch adopts the view that music does not "express" emotions or ideas (in any sense of "express" that is linguistic, so to speak) but rather imitates the rhythms and "atmospheres" of "life, freedom, [and] love." He's talking about instrumental music ("pure music" in the terminology of philosophers of music). I'm not sure I agree, but it's an interesting view to consider, especially when thinking about music without words/lyrics. I would accept that some music takes that form, or is fruitfully understood in this way.

Any way, here's a nugget to ponder from the last chapter (on music and silence): "Music is a sort of silence, and one needs silence in order to hear music; the one silence is necessary to hear the other, melodious silence. As melodious, measured noise, enchanted noise, music needs to be surrounded by silence. Music imposes silence upon words and their soft purring, that is, upon the most facile and voluble noise of all, the noise of idle chatter." -- Vladamir Jankélévitch, Music and the Ineffable (139-140)

And a video of a slow, quiet tune I worked up the other day on the fretless banjo, "based on a true story" (see title). A lot of banjo playing is fast, but I also find myself interested in tunes that work at a slower tempo (and not just because I have a slow and clumsy left hand).

Matthew Pianaltohttp://email@example.com:blogger.com,1999:blog-20662860.post-28016312694076523352015-05-21T12:53:00.000-04:002015-05-21T12:55:57.718-04:00Update: Tenure, Patience, & Banjos (Among Other Things)It goes without saying that I've gotten away from the blog and from keeping up with other blogs. (I do miss the discussions I had with some folks on our blogs). You'll see what happened to "blog time" below. Here's a sort of year-in-review, since it's been almost a year since I last posted.

I received tenure this spring, starting in the fall. (That's a pic of the application.)

I continue to work on getting my patience manuscript placed with a publisher and will spend some time this summer doing some tweaking. Also, look for an article by me on "Nietzschean Patience" in The Journal of Value Inquiry some time soon. (It's in press as of now.)

For a year, I'll be the President of the Kentucky Philosophical Association. The annual meeting will be at Bellarmine University some time in late March or early April.

I'm also coordinating the summer programming at the local Unitarian Universalist Fellowship. The community minister recently gave me a bumper sticker that she said reminded her of me. (Thanks, I think!)

I taught a very interesting honors course with Christopher Jackson of EKU's Department of Art & Design called "Arguing with Images." We examined the idea of "visual arguments" and spent time looking at philosophical and visual arguments on issues like abortion, animal ethics, and in politics. The students created their own visual arguments at the end of the semester and some of them were quite impressive. This class has also continued to steer me, along with a recent thesis I mentored and a paper I commented on recently, into that other realm of "value theory" that is aesthetics.

Right now I'm reading Vladamir Jankelevitch's Music and the Ineffable, and have also been reading stuff on, roughly, "the limits of language." My position right now is still that there aren't the kinds of limits to language that the early Wittgenstein insisted; I think that those who claim that there are things within our cognitive and experiential grasp that "words can't express" forget about the power of figurative and poetic language and that those uses are part of language, too. I've been trying to write on this a bit, but it's all mostly taking the form of notes right now. I need to read more.

I shaved (left), which was a real shock to my children. (I also have a new scar on my forehead from taking an elbow to the head while playing basketball. It was a bloody mess, literally. I did make the shot, though.) I guess I'll have to finally retire the profile pic I use in various places, which was a picture taken by my friend Craig Earl Nelson (right), who passed away at the end of 2013.

Last, but hardly least, I started learning to play the 5-string banjo in January 2014. That's primarily where "blog time" went. And family life is keeping me busy, too.

Here's something I made up a few days ago that I'm pretty happy with, although the recording and the playing are rough:

And here's another song that's fun recorded a few months ago (although it turns out that I switched up some things from the version I'd been listening to. One nice thing about the Old Time scene is that variations on themes rather than lock-step imitation seems to be part of the tradition; I've heard over a dozen versions of Cumberland Gap and each one is a little different). "Ramblin' Hobo":

You can see the top of my other, fretless banjo in the background of this video. Maybe I'll post something on that soon. I'm working on something on it that's sort of a musical dialogue.Matthew Pianaltohttp://email@example.com:blogger.com,1999:blog-20662860.post-44975859582268958132014-06-17T11:31:00.000-04:002014-06-17T11:33:46.173-04:00Patience for ParentsI got asked to talk at the local UU on Father's Day. I'd originally hoped to offer some "narrative non-fiction" about being a dad, but ran into a bit of a wall. So, I went back to what I "know" (in theory if not practice), and attempted to say something about the place of patience in the life of the parent, and my sense of the need to connect my own theory and practice: "We Are Not There Yet: Patience for Parents."

I joked that perhaps one way in which my work on patience intersects with my life as a parent is when I am yelling at my children to be quiet so that I can work on my book about patience...

P.S. The Jack I refer to at the end is Jack McDowell, a UU member who practices Zen meditation (and often goes to retreats at a Zen center called Furnace Mountain in Eastern Kentucky), who did a talk and guided meditation on mindfulness the week prior to my talk.Matthew Pianaltohttp://email@example.com:blogger.com,1999:blog-20662860.post-54893078236421608092014-05-23T02:39:00.001-04:002014-05-23T02:39:16.570-04:00Two Senses of Patience in the Greek of the New TestamentUp to know, I'd been working with the assumption that the term patience had roots that come later than the ancient Greek thinkers (which is in some sense right), in part because although Aristotle, for example, discusses virtues related to patience, like mildness, there is no obvious term in his ethic that captures quite what patience came to mean in Christian thought or in its (watered down) modern sense of calm waiting. This article points out that there are two Greek terms (not commonly used by the ancients) that occur in the New Testament, both of which have been translated as patience, although their meanings differ slightly.

I found a copy of Barclay's New Testament Words (one of the sources for the article above) at Berea College Library today (just down the road), and it's an interesting little book. Barclay calls hupomonē "The Manly Virtue" and a kind of "masculine constancy," which suggests that it's a form of patience that Aristotle would have regarded as a virtue (given it's meaning of endurance and perseverance, and so its connection with courage), even as makrothumia (the patience of tolerance and forbearance, that connects with the Christian virtue of meekness) appears ultimately at odds with his conception of mildness (which allows for some justified anger and payback, even as one is slow to anger) and magnanimity (megalopsuchia). [I keep thinking about those odd commercials for the low-calorie soda Dr. Pepper 10 that exclaim, "It's not for women!" and how to turn that into a joke about hupomonē, given Barclay's gloss.]

I haven't done as much principled and chronological mapping of these various terms as I might have, and I find myself now wondering how we got from hupomonē (and to some extent, makrothumia, too)--which is close enough to courage that Aquinas classifies patience as he understood it as a form of fortitude--to patience as calm waiting. My main hunch is simply that endurance, perseverance, and tolerance/forbearance all involve, in part, waiting (for the pain to end, for the goal to be achieved, for anger and the thirst for revenge to pass, so that one can act justly and wisely). (A quick survey of the French terms patience and l'attente suggests the same thing in French, just for another point of comparison in a contemporary Western language.)Matthew Pianaltohttp://firstname.lastname@example.com:blogger.com,1999:blog-20662860.post-29864826719251200412014-05-23T01:57:00.002-04:002014-05-23T01:57:32.536-04:00Animal Ethics (Interview/Article, Part II)Here.

Thanks again to Jeannette Smith for inviting me to do the interview that resulted in this article and the previous one. Matthew Pianaltohttp://email@example.com:blogger.com,1999:blog-20662860.post-33558129023830394412014-05-06T15:07:00.000-04:002014-05-06T15:07:11.369-04:00Horn, TootingI'm in the news, sort of, and there may be a second part that gets more into theory. (Answering by email the interview questions that produced this article was hard--harder than it may appear in the article. At least, it took some time. I'm not a quick thinker.)

Also, Epictetus: His Continuing Influence and Contemporary Relevance is now out (and has one of my papers on patience in it).

Good luck to all as the semester winds down. I'll do something other than toot my horn soon.Matthew Pianaltohttp://email@example.com:blogger.com,1999:blog-20662860.post-3462835598327086862014-04-15T12:31:00.001-04:002014-04-15T12:31:29.489-04:00Eating Meat and Eating People"Every day 40,000 children die in the world for lack of food. We who overeat in the West, who are feeding grains to animals to make meat, are eating the flesh of these children." - Thich Nhat Hanh

(Found this on the ALF website while doing some research for class.)Matthew Pianaltohttp://firstname.lastname@example.com:blogger.com,1999:blog-20662860.post-11467221558512564362014-03-30T23:53:00.002-04:002014-03-30T23:53:32.652-04:00Why Patience is Always a VirtueI'll be presenting a paper thus titled this coming weekend in Bowling Green Kentucky at the KPA. These ideas will be familiar to regular visitors here. Here's the abstract:
ABSTRACT: It is sometimes suggested that traits commonly regarded as virtues are not in every instance virtuous. On such views, these traits are not univocally good: one might possess too much courage or too much patience. Such talk has a natural feel — "be patient, but not too patient!" — but it conflicts with traditional ways of thinking about the virtues. In this paper, focusing on the case of patience, I illustrate a way of resolving this conflict that accords with the spirit of the traditional approach — in particular with the thought that the virtuous traits are themselves always good. That means, for example, that patience is always a virtue, and that one cannot be "too patient," even though those claims seem to conflict with other rather ordinary ways of thinking and talking about patience. The approach illustrated herein can also be applied to similar conflicts and disputes about other virtues.
Comments welcome. I'm hard at revisions and re-writing of the book manuscript, which is a challenge in part because I'm generally trying not to copy and paste from these various papers and presentations, in an attempt to write in a way that is as non-technical as possible (for me and my aims, at least). I hope, however, to merge key ideas in many of these shorter papers into some kind of a journal article (or two) that will hopefully complement the book, and build on some forthcoming book chapters that are also about patience.Matthew Pianaltohttp://firstname.lastname@example.com:blogger.com,1999:blog-20662860.post-23523189053579748422014-03-18T10:33:00.000-04:002014-03-18T10:33:16.374-04:00Niether Duck Nor RabbitAs a follow-up to my last post and the comments: as I was reviewing my discussion with Reshef, it occurred to me that my not knowing what the "right" response is on some nights when I stare into the vast sky and can, on the one hand, be filled with thoughts of our smallness and the seeming groundlessness of things, and then, on the other hand, with thoughts about how wondrous the whole world is--perhaps this state of not knowing, of not moving decidedly into either aspect (or way of viewing the world), is itself a "position" rather than a failure to know what the "right" position is? Perhaps this is obvious to those who have considered the issue of aspect-seeing, that the real temptation is to think that the tension between seeing things one way or another must ultimately, in all cases, be resolved. That the true "resolution" is to resolve to learn to accept certain fundamental ambiguities, to accept the tension between apparently contradictory aspects. Perhaps this is why Simone Weil says, in Gravity and Grace:

The contradictions the mind comes up against—these are the only realities: they are the criterion of the real. There is no contradiction in what is imaginary. Contradiction is the test of necessity.
This might shed a different light on Wittgenstein's distinction in the Tractatus between the worlds of the happy man and the sad man, or show that there are different ways of being the happy or the sad. On the one hand, the happy man might be the one who sees the world as a wondrous miracle, and the sad man the one who sees everything as awful and pointless. But on the other hand, the happy man might be the one who has accepted the tension between the two aspects (and yet sees and feels the weight of both aspects, at different times, forcefully), and the sad man the one who cannot accept this ambiguity. Matthew Pianaltohttp://email@example.com:blogger.com,1999:blog-20662860.post-69609073561720650982014-03-12T23:34:00.001-04:002014-03-12T23:34:10.118-04:00Waxing and Waning (Gaita)I just recently learned of (and quickly obtained and read) Raimond Gaita's collection of essays After Romulus, each of which reflects on something to do with his book Romulus, My Father. I think it is all very much worth reading if (a) you've read Romulus and (b) are interested in Gaita's philosophy. The essay on the process of bring the book to film was, if nothing else, a good reminder for me to see the film (which I did, and it is beautiful and sad).

I've been meaning to post something about a couple remarks in the essays that stood out to me, but I think now I'll stick with just this one. In the final essay, "An Unassuageable Longing," Gaita writes about his mother, in part to address her seeming lack of character in comparison with his father. [Their relationship and struggles are rather too complicated to summarize here.] He suspects that she and his father did not understand each other, and that on her side, "She didn't understand the conception of morality that made me say that, like Socrates, my father would prefer to suffer evil than to do it" (186). He emphasizes that this attitude is rare and seems strange to many (my comment: recall what Socrates says about this in Crito), and so his mother's failure to understand this about his father is not the result of some special moral failure on her part. Then he says this, which is what struck me:

But even someone who takes the Socratic perspective has only occasionally a full understanding of what is revealed to him from it. His sense of the reality of good and evil waxes and wanes. (186-7)
This surprised me, and I scrawled "hm..." in the margin, but I continue to reflect on this and whether I understand this. One might first wonder how Gaita can know this--unless one assumes that he has internalized the same moral outlook as his father, which is of course plausible. But then it seems surprising that a person who had the kind of moral seriousness as his father (although informed also by what Gaita describes in this book and in Romulus, My Father as "compassionate fatalism"), would have a sense of the reality of good and evil that waxes and wanes.

Perhaps this has something to do with Socrates' thought that evil is always the result of ignorance. For if one emphasizes the ignorance, then one might be led to think that "real" evil does not exist, only ignorance that has latched onto a false sense of what is good. But then one confronts some terrible action and then evil seems again quite real and in need of serious resistance.

I have come to connect these remarks to a kind of waxing and waning that occurs in my own thought that stems from moving back and forth between taking seriously notions about the ultimate groundlessness of our values and the deep impression that there is value in the world--that life is sacred and beautiful and so forth. Between gazing at the sky on a clear night and being struck by how small and fleeting our lives are, and how silly so many of our concerns, and gazing at the same sky and, like Wittgenstein, wondering at the existence of the whole world (and in doing so, finding it good). But I am not sure that I know what a "full understanding" of all of this would amount to. That both aspects are "real" (or revelatory) and that the tension between them is not one that can ever be eliminated or dissolved?Matthew Pianaltohttp://firstname.lastname@example.com:blogger.com,1999:blog-20662860.post-44952460474349392592014-03-04T11:54:00.001-05:002014-03-04T13:32:15.238-05:00All God's Creatures?In The Philosopher's Dog, Raimond Gaita relates the following story:

[M]y daughter Katie and I were watching a nature program on television. We saw baby rodents, more ugly even than baby rats, under the desert sand of Saudi Arabia. 'Look at that,' I said to Katie. 'Aren't they awful.' With little hesitation, she replied that they were also God's creatures.

I was humbled by her response, ashamed, in fact, that such simple words should show up the grossness of my attitude. I could think of no words that could express better and at the same time so simply this wonderful acceptance of all living creatures.
Gaita goes on to explain that it is nothing about theism as a metaphysical thesis (or the "God of the philosophers") that underwrites his response to Katie's remark, for he does not himself believe in God. I think I understand the idea that "God-talk" can be appropriate and meaningful even when not, as it were, "literal," but then I wonder about what the normative force is of the figurative God.

The idea that animals are all God's creatures would seem to express at least the following two ideas: (1) that there is goodness in the life of every creature (in Genesis, everything that God makes is found by God to be good) and (2) that animals are not "ours"--they do not belong to us.

Now it might be asked whether this "goodness" is non-instrumental or only instrumental (Genesis does not tell us), and what the practical implications of human non-ownership of animals are. But it might also be asked whether we have any reason to accept the overall picture of (1) + (2) if we are only able to speak figuratively--if we are able to speak at all--about God.

Those familiar with Gaita's (Wittgensteinian) approach to questions of normative grounding will know that he will ultimately accept that fundamental values are groundless but are at the same time bound up intimately with our particular form of life. Accepting the picture--and making use of the words--above is less (if at all) a matter of reason, but instead a question of one's fundamental attitude toward the world: say, whether one accepts the world as good and (as he discusses) whether one sees life as a gift for which to feel gratitude.

But I have found myself wondering still about the normative force of figurative (or some might say, "fictionalist") expressions invoking the divine, particularly in the context of animal and environmental ethics.

One might, for example, think of the idea of God as the idea of an "ideal observer" and adopt a dispositionalist theory of moral truth (or correctness) such that it doesn't matter whether there actually is an ideal observer (or a God). Rather, what matters is what judgment an ideal observer (a God) would make if there were one. (Firth [1952] is the place to start looking into this idea.)

But before we even get to what judgments the ideal observer would make or how we could have epistemic access to this information, it seems like one might ask why we should care at all about the judgments that flow (or would flow) from an uninstantiated point of view. I suppose the response is these judgments would be the correct ones, and if we don't care about what the correct judgment is in ethical matters, then the conversation is simply over. (There are other worries about the coherence of the idea of an ideal observer, or similarly, the idea of God, but let that pass.)

The differences between the ideal observer and God the creator might matter here. For the ideal observer is not a creator (or an owner) of anything--only a judge. And if animals (and everything else) were not really created by God, then we cannot say that they (and everything else) belong to God. But this might emphasize the notion of ownership too strongly. "All God's creatures" might mean (A) that animals are all God's property, but it might instead mean (B) something roughly equivalent to the thought that we are all God's children. True, some will point out that only humans were "made in God's image," but then we would have to ask what it would take to live up to our divine lineage when it comes to our dealings with animals. And if the emphasis of "all God's creatures" should be fixed not on the notion of divine ownership, but rather of divine authorship, then we have to take into account the idea that animals (and everything else) was fashioned by divine hands. (Abusing and mistreating animals would be like defacing the ceilings of the Sistine Chapel.)

But then we run into the problem that if God is not really the author/creator of all creatures, which in fact evolved somewhat willy-nilly, there is no true divine origin that imbues the lives of animals (etc.) with the special significance that a work acquires when it is the work of a true master.

What now? Well, here's one thought: if we are so impressed that evolution led to us humans, then why should we not be as impressed by its other results, its other "innovations", etc.? (Some of them are harmful to us, but that was true on the other picture, too. Many of them are absolutely amazing and beautiful.) Those "awful" baby rodents are "also God's creatures" insofar as they sprang from the same primordial process as we did, whether that source is God or not.

(Obviously, these are all new thoughts on which I'm working, trying in part to figure out where the center is...)Matthew Pianaltohttp://firstname.lastname@example.com:blogger.com,1999:blog-20662860.post-45834913298838899842014-02-14T12:54:00.001-05:002014-02-14T12:54:36.400-05:00Mother Jones Article on "Ag Gag" LawsI mainly want to pass along the article, "Gagged by Big Ag," which certainly speaks for itself. I can understand business wanting to protect themselves from fraudulent job applicants (such as PETA investigators who plan to document animal abuse by getting hired by these operations), but there are laws, I'm guessing, against such fraud already. That these "Ag Gag" laws also make it illegal for, as it were, "genuine" workers (and even people not on the business's property) to record and report abuse and illegal activity in a way that makes the gravity of the problem clear, is absolutely appalling.

(Hat tip to my friend Ed in the EKU Department of Agriculture for passing this article along. I'd sent him an article on recent research on the psychological trauma and physical risks of slaughterhouse work, "A Slaughterhouse Nightmare," by Georgetown Professor Jennifer Dillard.)Matthew Pianaltohttp://email@example.com:blogger.com,1999:blog-20662860.post-16473372281654153052014-02-04T13:29:00.001-05:002014-02-04T13:29:14.571-05:00Ruti's The Call of CharacterFrom my inbox: This looks intriguing (link is to first chapter): The Call of Character: Living a Life Worth Living. "Self-Fashioning" of course has a seemingly inescapable ring of self-indulgence (as Ruti seems aware), but the kind of passionate if idiosyncratic living that Ruti appears interested in is probably often going to be part of a life that is much more concerned with something other than self.Matthew Pianaltohttp://email@example.com:blogger.com,1999:blog-20662860.post-39314872607754958732014-01-23T23:58:00.002-05:002014-01-23T23:58:38.946-05:00Situationist Critiques of Virtue EthicsIn her NDPR review of Mark Alfano's new book, Neera Badhwar begins as follows:

Mark Alfano's book adds to the growing literature on empirical challenges to Aristotelian notions of virtue and other character traits. In its most recent avatar, this literature argues that our innate cognitive biases and other flaws make the central moral and intellectual Aristotelian virtues, as usually understood, impossible for the vast majority.
My reason for this post is: But isn't that what Aristotle thought, too? (Isn't that what many virtue theorists think?)

Response: "But if ought implies can and these studies (or the situationists' readings of them) are correct, then it makes no sense to say, to most people, that they ought to be virtuous. Virtue ethics as a normative ethical theory (for general consumption) is thus unworkable."

But I've never thought that was the right way to make sense of virtue ethics. An ideal is to be aimed toward, if never met perfectly. Some ideals are always ever in the distance. We don't need to be able to travel to the North Star in order to navigate the world by referring to it.Matthew Pianaltohttp://email@example.com:blogger.com,1999:blog-20662860.post-58079388117069136722014-01-21T00:44:00.002-05:002014-01-21T00:45:20.637-05:00Check-In from the HillsI've gone a bit AWOL. I should have time this semester to tease out a few ideas that have been dancing around in my head, especially regarding Murdoch and my ongoing work on patience. Recently, I've been re-reading closely Seneca's On Anger while revising a chapter on Seneca and (vs.) Aristotle on anger. I noticed that Leiter has a link up to a new talk by Nussbaum on anger that I need to watch. The blurb suggests that she is quite close to Seneca's view, but given her past rejection of Stoic ideas (although very sympathetic with Seneca's ideas about anger in The Therapy of Desire), I will be interested to see whether she gets into what dividing line, if any, there is between her position now and Seneca's.

In the therapeutic part of On Anger (Book III), he mentions that, "Pythagoras used to play the lyre to settle his mind when it was upset" (III.9.2).

That's an academic lead-in to the confession that I've also been short on blogging because I bought a banjo over the holiday break. I have been learning to do what some people call "frailing" and others call "clawhammer" (so, not Earl Scruggs' style, if that means something to you), and amassing mountain banjo music albums from the EKU and Berea College libraries. (This is a nice place to be for that.) I've always liked certain old-timey kinds of music (though never actively sought out this kind of music) and the sound of the banjo (though not so much the hard-driving bluegrass stuff). I went into the local music store actually looking to replace a long-broken harmonica (I played guitar and harmonica quite a bit in high school), looked at a couple banjos while there, went home, stewed, researched, looked around some more, and got an open-back banjo. Still haven't gotten the harmonica...

(My wife thinks I've lost my mind...the banjo is so misunderstood. Perhaps I should have opted for the lyre.)

Matthew Pianaltohttp://email@example.com:blogger.com,1999:blog-20662860.post-59641154242253087262014-01-02T12:02:00.000-05:002014-01-02T12:02:43.219-05:00Some Charming Bastard[I've been sitting on this post for a few days. Need to post it, to pay some small tribute.]

My good friend Craig Nelson passed away on Saturday, December 21, 2013. He was traveling from Gainesville, Florida, to Fayetteville, Arkansas, and had stopped to visit me the Monday before he passed away (likely of a massive heart attack while traveling through Tennessee; he pulled off into a rest stop, fell asleep and never awoke). I hadn't seen him in several years, and I'm still coming to grips with the fact that it was to be the last time. Certainly the fact that I had just seen him, just broken bread with him, made it all the harder to believe the sad news. He was 46.

I must have been 18 or 19 when I first met Craig at a place called Common Grounds in Fayetteville. I was writing fiction at the time, and we hit it off as fellow writers, smokers, and skeptics. Craig was a passionate person whose mind seemed to race (more than he liked at times). I was drawn--as I think so many were--to his expansive personality. He would always say exactly what was on his mind. Brutally honest but at the same time, somehow, a gentle giant. My children were instantly drawn to him when they met him. (Carissa had "met" him before when she was an infant; he had taken pictures of our family in Fayetteville, and had been the photographer at our wedding.) I'm not sure how the moniker "Some Charming Bastard" came to be attached to Craig, but it fit.

Craig took the picture above Monday night after we had drank a couple beers and visited. He posted, along with the picture, on Facebook that it had been a good day, and we had another good one on Tuesday, too, before he headed to see a friend in Lexington and then to Asheville, NC, before turning toward Fayetteville. We had talked about the usual things. He seemed eager to return to Fayetteville; he was moving back with what he had in his car. He appeared happy with how his daughter and her family were doing, including two young (grand)children. I think he had gone back to Florida (where he was from) in part to be nearer to her, but was now ready to be back in Fayetteville, where he found a lot of artistic inspiration and had made so many friends over the years. He will be missed.

Here's a link to a series of portraits he did, and a blurb on an exhibit of a selection of them in the University of Arkansas' Mullins Library.Matthew Pianaltohttp://firstname.lastname@example.com


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