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Scott, Mark
He is a singer-songwriter and producer born in Flint,
Michigan, to a musical family.
He started singing in church when he was about 9 years
old began in the music business as a member of The Mark-Keys with his
brothers. They became well
known and often performed as the openers for artists such as Johnny Taylor,
Timmy Thomas, and The Ohio Players.
Wanting to go out on his own he performed the song
"I Don't Wanna Come Down" for the 1984 movie Breakin
II Electric Boogaloo. Recording in Detroit, Michigan, he
also added to his talents through the tutelage of Ron Banks, who had been
with The Dramatics, and George Clinton.
Over the course of his career he has worked with many
artists, which include Carl Carlton, The Commodores, The Contours, The Four
Tops, The Grand Rapids Symphony, The Sound of the Supremes and The
Temptations. He has released
the CD Be My Woman with another in the works.
Today he continues singing and producing his own
material for his own Tayjay Records.
He is also seen as the lead singer of The Miracles who he joined in
2005 when he replaced Sidney Justin.
Finding time to do charitable work he has worked with
the organisation Al-Kebu-Lan Village, which aids youngsters by helping them
with opportunities in and around Detroit.
© Feenotes 2006-2013


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subset: commoncrawl


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People who think they might be in a hurricane's path tend to focus on the storm's wind speed, which defines its category. But what matters in deciding whether to evacuate is the trickier calculation of storm surge.
This year, the National Hurricane Center will be using a better model on faster computers to help emergency managers update hurricane evacuation plans.
"The categories put a focus on wind; people are absorbed by wind," said Jamie Rhome of the National Hurricane Center, but "water is what kills the vast majority of people. Evacuations are done for surge."
Surge is the water a storm pushes ashore. Rhome said "surge is not just a coastal event; the tidal Potomac River up to Washington, D.C., is vulnerable."
The height and extent of a surge depends on many factors, including the storm's wind speeds, the direction the storm is coming from, how fast it's moving, its size, the depth and shape of the ocean bottom, and what the surge encounters on land, including dunes, buildings, embankments and rising land.
Only a powerful computer can make sense of all of this.
The hurricane center's storm-surge model is called SLOSH, for Sea, Lake and Overland Surges from Hurricanes. (There's also a version of SLOSH for extratropical cyclones such as our winter Nor'easters.) It uses the model to make advance calculations of potential surges for 37 "basins," which include all of the East and Gulf coasts, the Bahamas, Puerto Rico, the Virgin Islands and parts of Hawaii and Guam.
To prepare the "hazard analysis" for each basin, the hurricane center runs models for hundreds of simulated hurricanes. They are done for all five storm categories, changing various factors such as forward speeds, directions of approach and landfall locations. Each model run for a category creates a Maximum Envelope of Water (MEOW). They are combined into a Maximum of Maximums (MOM) for each category.
Faster computer speeds are enabling the hurricane center to run more scenarios than in the past, which gives a better picture of potential surges. "In the past, we did 10,000 to 15,000 scenarios for the hazard analysis," Rhome said. "We're working on one now for Louisiana and are more than doubling the number of scenarios to 50,000."
Emergency managers use the hazard analyses to create evacuation zones long before storms hit.
The hurricane center normally updates surge data for five or six basins a year after a storm changes the shape of a coastline, the high-resolution land elevation for the area has been updated, or local emergency managers need updated surge data for planning, Rhome said.
Surge data for the Lower Chesapeake Bay was updated last year, and the Upper Chesapeake Bay is now being updated.
When a hurricane threatens a particular basin, the center runs a few hundred scenarios, with slight changes in size, strength, where and when it could hit, and other factors that could affect surge. The results help emergency managers decide which zones to evacuate.
Another big change this year is that potential surge is being described in terms of depth of water above ground level, instead of "feet above normal tide levels." If you're in a potential surge area, you won't have to know how far above "normal tide levels" your house is to know how deep the water around it could be.
As with all forecasting, surge predictions are done in terms of probabilities. Rhome said there is a fine line between crying wolf and giving adequate warnings. "Under-evacuation is a terrible thing to think about. Imagine if I told an emergency manager five feet and it turned out to be 15 feet."
Still, "its an exciting time," he said. "This year's changes are the biggest ever."
Leading hurricane researchers say to expect an above average Atlantic hurricane season, but slightly less active than once thought.
Phil Klotzbach and William Gray of Colorado State University, who have issued seasonal hurricane outlooks for 30 years, are forecasting 18 named storms (including the four that have already formed), eight hurricanes and three major hurricanes (category 3 or higher).
They plan to publish updated outlooks every two weeks into October. Hurricane season spans from June 1 to Nov. 30. There have been five named storms so far, but no hurricanes.
Jason Samenow of the Capital Weather Gang contributed to this report.


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All articles tagged as 'manali ski mountaineering'
TR: The 6000ft. ChuteMarch 27th, 2010 | By: Sam
Click to read article.
Due to shady internet and a busy schedule in India, I'm a bit behind on updates (we're back in America now). This is one of our more inspirational days out in the backcountry of Himachel Padresh. Click the photo for more.
Interested in discovering more topics on F.I.S.? Check out the mystical rotating ball of topics:
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Erick Swenson
Erick Lawrence Swenson[1] (born Phoenixville, Pennsylvania, 1972 [2]) is an internationally recognized American artist and sculptor living and working in Dallas, Texas.
He earned a B.F.A. in Studio Art, Painting and Drawing, from the School of Visual Arts, University of North Texas,[3] in 1999.
Swenson has shown internationally at galleries and museums such as the Hammer Museum in Los Angeles,[3] the Villa Stuck in Munich, and was included in the 2004 Biennial Exhibition of the Whitney Museum of American Art [1] in New York. He held an exhibition in 2012 at the Nasher Sculpture Center, Dallas, running from April 14,[4] the first solo exhibition there by a Dallas artist.[1]
Known for his polyurethane resin sculptures of animals often displayed in elaborate dioramas, Swenson's scenes often involve fabricated animals like deer, sheep, and apes captured frozen in allegorical moments. Inspired by museum exhibits and model making, Swenson's tableaux conjure the Romanticism of Caspar David Friedrich and the imagery of wintry Bavarian fairy tales.
Swenson is represented by the James Cohan Gallery in New York.
Public Collections[edit]
- Nasher Sculpture Center, Dallas, Texas
- Maramotti Collection, Reggio Emilia, Italy
- Modern Art Museum of Ft. Worth, Texas
- Museum of Fine Arts, Houston, Texas
- Honolulu Museum of Art, Honolulu, Hawaii
- The Dallas Museum of Art, Dallas, Texas
- Sheldon Memorial Art Gallery, University of Nebraska
- The Saatchi Collection, London [2]
- Whitney Museum of American Art, New York
- 1999 The Arch and Anne Giles Kimbrough Fund, The Dallas Museum of Art, Dallas, TX
- 2004 The Joan Mitchell Painters and Sculptors Grant Program Award, The Joan Mitchell Foundation
- ^ a b c Brinkley, Rob (April 26, 2012). "Where Dallas artist Erick Swenson hangs his hat (and his deer heads)". Dallas News. Retrieved July 5, 2012.
- ^ a b Erick Swenson exhibited at the Saatchi Gallery, Saatchi Gallery, London. Retrieved November 5, 2006.
- ^ a b Erick Swenson January 26, 2003 - May 4, 2003, Hammer Gallery, Los Angeles. Retrieved July 5, 2012.
- ^ Sightings: Erick Swenson April 14 - September 9, 2012, Nasher Sculpture Centre. Retrieved May 5, 2012.


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The Jungle Book (2016) Hindi Dubbed PDVDRip
Rating: 8.3/10
Director: Jon Favreau
Writers: Justin Marks (screenplay), Rudyard Kipling
Stars: Neel Sethi, Bill Murray, Ben Kingsley
Genre: Adventure, Drama, Family
Language: [Hindi Dubbed ]
Quality: [PDVDRip]
Released: 15 April 2016
Story: An orphan boy is raised in the jungle with the help of a pack of wolves, a bear, and a black panther.
!! Enjoy and stay connected with us !!


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Monday, June 26, 2017
February 3
Krystian Zimerman, piano; Boston Symphony Orchestra; Seiji Ozawa Classical | 2 CDs | EAC Rip | 434 MB (3% recovery) | FLAC+LOG+Cue | Complete scans DGG 0289 477 9697 8 2 Tracklist: CD 1: Piano Concerto No.1 in E flat, S.124 Piano Concerto No.2 in A, S.125 Totentanz, S. 525 CD 2: Piano Sonata in B minor, S.178 Nuages gris, S.199 La Notte, S.602 La Lugubre Gondola, S.200 no.2 Funérailles This is playing in the grand manner... Ozawa and the orchestra are behind the soloist in all this and the deciso element is fully realized. But don't let me imply a lack of finesse; not only do lyrical sections sing with subtlety, the big passages also are shapely... In the gorgeously grisly Totentanz, both music and playing should make your hair stand on end. C.H.; Gramophone It is to be expected that an artist who has made one of the outstanding recordings of the Liszt concertos (DG, 11/88) should also give us one of the finest ever B minor Sonatas. Whether you think it is the finest ever may depend on your priorities (and on whether you think it is sensible to venture such opinions). What can surely be said is that Zimerman brings to bear a combination of ardour, forcefulness, drive and sheer technical grasp which are tremendously exciting and for which I can think of no direct rival. D.J.F. Gramophone (Solo works)
December 1
Chopiniana ended its season at the Palacio Paz with the impromptu presentation of the twenty-year-old Gastón Frydman (due to the illness of veteran Spanish pianist Guillermo González) and the Argentine debut of Szymon Nehring, a true revelation in an all-Chopin programme. Although the cancellation of González was a pity for he has a vast trajectory and would have premièred several recently discovered sonatas by Domenico Scarlatti, it was worthwhile to meet Frydman´s art at a tender age, for he should have a good career. At such short notice, the decisive factor was that he had a varied programme ready for any occasion that might appear. He is a product of the serious training provided by the Beethoven Conservatory and the Colón Institute of Art, among others. He has had some European experience and currently has formed a duo with the accomplished violinist Rafael Gíntoli. His programme was eclectic and difficult. The Busoni arrangements of Bach aren´t trendy nowadays, but they are good of its kind, such as the one on the chorale prelude "Ich ruf zu dir, Herr Jesu Christ" ("I call to you, Lord jesus Christ"); Frydman showed continuity and fine timbre in his interpretation. Beethoven followed, with the wonderful Sonata Nº5, Op.10 Nº1, in C minor, the first one that leads to his maturity. Frydman had some memory errors but understood the forward-looking elements of the style. He was completely in charge of Ginastera´s First Sonata, with its strong Bartókian influence; I only question that the "Presto misterioso" wasn´t, well, mysterious enough. He proved comfortable in Liszt´s arduous music: expressive in the Petrarch Sonnet Nº 47 (not the most popular, but very beautiful), and up to the hurdles of the heavy "Vision", Transcendental Etude Nº 6. In the contrasting world of Debussy, he chose the last of each Book of Preludes: the humoristic "Minstrels" and the virtuosic "Fireworks", both well-managed. Finally, Chopin´s Scherzo Nº1, with its violent contrast between the opening lightning-fast music and the meditative central section well realized by the pianist, notwithstanding small smudges. His encores were interesting: a charming Barcarolle by Anton Liadov (hardly ever played, his abundant piano music should be explored), and one of the splendid arrangements by Earl Wild (the great American pianist who fascinated our city decades ago) of Gershwin songs: "Embraceable you", done with much charm by our young pianist. Wild called them "virtuoso etudes", and so they are. Nehring studied in Cracovia and Bydgoszcz, and won a Krystian Zimerman scholarship; also, he has gone through a gamut of competitions, with ever higher prizes. Although he keeps perfecting his studies, I find him not only fully formed, but in his twenties he must be one of the best Chopin interpreters in the world. As time went by, it became quite clear that he has an exquisite sense of style and powerful, practically flawless technical command. I have some complaints but they aren´t about the music or the playing: almost half-an-hour delay, apparently because the Polish Ambassador and other people hadn´t arrived yet; a change of order in a programme that already was felt as short measure.; and the repetition of two scores that were already heard in the subscription series: the Fantasia and the first Ballad. But what was included satisfied even the severest judges. I will comment the pieces in the order that they were really played (it was announced by Martha Noguera, the organizer of Chopiniana). The lovely Four Mazurkas Op.33 (curiously played in different order: 1,3,2,4, with the fourth having an internal cut because it´s long) were done with the particular empathy that only Poles can have with this rhythm. Followed the meditative Nocturne Op.37 Nº2, and the inimitable tracery of the Barcarolle, executed with astonishing observance of the tiniest detail. The Second Part started with the complex Fantasia Op.49, in which the disparate elements were cunningly integrated by the pianist. Then, the Nocturne Op.32 Nº2, one of the less dreamy and more fluent. A scintillating traversal of the Waltz Op.34 Nº 1, specifically named "Brilliant". And the challenge of the First Ballad, one of the most important scores in Chopin´s life, an enormously varied "narration" that taxes even the greatest pianists, heard in an astonishingly mature reading. The encore was a magisterial rendering of Etude op.25 Nº 11, great waves of sound perfectly controlled. For Buenos Aires Herald
September 1
César Franck (1822-1890) Trois Chorals Trois Pièces: Cantabile, Pièce héroïque Offertoires from L'Organiste & L'Orgue d'eglise Daniel Roth, organ Paris/Saint-Sulpice; Saint-Brieuc, Brittany; San Sebastián, Spain Motette CD 11401 (1991) [flac, cue, log, scans] César Franck Messe solennelle, op. 12 Louis Devos, tenor Choeurs de la RTB-BRT Bruxelles Hubert Schoonbroodt, organ / Francette Bartholomée, harp Daniel van Heste, violoncello / Lucien Fafchamps, double bass directed by Pierre Bartholomée Koch 3-1044-2 (1992). Recorded 1976 [flac, cue, log, scans] César Franck Symphony in D minor Symphonic Variations Jorge Bolet, piano Concertgebouw Orchestra Riccardo Chailly Amadeus AM 028 (1992). Recorded 1986 [flac, cue, log, scans] Showing the original cover by Decca César Franck Sonata for violin and piano in A major Karol Szymanowski (1882-1937) Mythes, op. 30 Roxana's Song from "King Roger" Kurpish Song Kaja Danczowska, violin Krystian Zimerman, piano Deutsche Grammophon 431 469-2 (1991). Recorded 1980 [flac, cue, log, scans]
June 21
ABOUT CARAMOOR Our mission is to enrich the lives of audiences through innovative and diverse musical performances of the highest quality, mentor young professional musicians, and engage children through interactive, educational experiences that deepen their relationship to and understanding of music. These three prongs – music performance, musician mentoring, and music education – infuse everything we do. Located on a 90-acre campus in Katonah, New York, Caramoor Center for Music and the Arts, Inc. is a 501c3 non-profit arts center that has been in continuous operation since 1946. It presents approximately 70 live music performances throughout the year in a wide range of genres, culminating in a major summer festival starting in June through early August. Performances take place on four stages (indoors and outdoors) and throughout the gardens. Caramoor also trains the next generation of classical musicians and provides music-based arts education to local schoolchildren. Through its public programs and community events, Caramoor annually serves 50,000 people. Caramoor was the inspiring summer home of arts patrons Lucie and Walter Rosen who opened their estate in 1946 to welcome artists and audiences to be inspired by music in the context of their beautiful gardens, historic buildings, and art. They engaged Julius Rudel to mount operas, including a Benjamin Britten premiere. Subsequently, Caramoor has featured the leading artists of the 20th and 21st Century including Andre Previn, Beverly Sills, Alicia de Larrocha , Yo-Yo Ma, Kristian Zimerman, Itzhak Perlman, Roger Norrington, Orchestra of St. Luke's, Sonny Rollins, Joshua Bell, Chick Corea, Emmy Lou Harris, Audra McDonald, Emanuel Ax, Wynton Marsalis, and Alisa Weilerstein. POSITION OVERVIEW: VICE PRESIDENT, ARTISTIC PROGRAMMING AND EXECUTIVE PRODUCER Overview The VAPP is responsible for helping to develop, refine, and implement Caramoor's artistic mission into a unified vision: performances, mentoring programs, education programs, lectures, and special programming projects. The VPP ensures that all programming meets Caramoor's values of artistry, discovery, collaboration, friendliness, and integrity, as well as leverages the unique setting Caramoor offers. Reporting Relationships The VAPP reports directly to the CEO and is a key member of Caramoor's Senior Staff team. The VAPP manages all key artistic relationships including the current directors for Opera, Roots, Rising Stars, Family programs; the VPP also manages existing collaborations with Jazz at Lincoln Center, Orchestra of St. Luke's, and the Katonah Museum of Arts. In addition, the VPP manages the Education Coordinator and Rosen House Manager and works with them to develop and implement programs that support Caramoor's mission. Supporting the VPP are two full-time staff members (Manager of Artistic Planning & Opera Administrator and Artistic Coordinator), as well as a contract Executive Producer for the Jazz collaboration, along with Caramoor's Technical Director and his team. Primary Responsibilities Programming Responsible for working with the CEO and artistic team in leading the development of all of Caramoor's 70+ programs each year – Symphonic: work directly with the leadership of the Orchestra of St. Luke's and other ensembles in planning the orchestra series – Opera: work directly with the Opera Director to plan future titles and establish the scope of the program – Chamber: program the chamber music series throughout the year – Rising Stars: work with the Artistic Directors to program these various chamber music performances as well as to take the lead in selecting the Ernst Steifel Quartet-In-Residence each year – Jazz: work with the programming team at Jazz at Lincoln Center to develop each year's festival and jazz series – American Roots: work with the Artistic Director to develop each year's festival and Roots series – American Songbook: Program an appropriate artist each year and work with our cabaret advisor in programming the annual Cabaret Night – Family Programs: Work with our Artistic Director to select and develop appropriate programs to engage young children Ensure all programs are consistent with Caramoor's values of artistry, discovery, collaboration, friendliness, and integrity Oversee Caramoor's Education Coordinator and the Education Program to ensure quality, innovation, and integration with other elements of Caramoor and its mission Oversee Caramoor's Rosen House Manager and the Rosen House public programs to ensure quality, innovation, and integration with other elements of Caramoor and its mission Assist other departments in their programming needs for private events Innovate additional programming ideas by staying in touch with other area arts institutions and their programs. Artist Relationship Management Manage and develop long-term relationships with our Artistic Directors, collaborators, alumni artists, and key artists Work with Caramoor's staff to ensure that all visiting artists are well cared for during their experience Collaborate with Marketing and Development to facilitate communications with artists in order to engage our audiences and donors Foster good relationships with other related organizations and opinion leaders Maintain relationships with artists and attend area concerts Producing the Experience Experiences at Caramoor center on music, but are closely intertwined with all other facets of Caramoor including the gardens, food, social activities, lectures, the Rosen House. The goals is to ensure the integrity of the music experience but also seek opportunities to integrate the music experience into other non-performance elements of Caramoor Manage Caramoor's Technical Director to ensure that each performance is properly produced in an effective and efficient manner and work with other departments to ensure non-artistic elements are appropriately integrated Oversee the recording of any of Caramoor's performances when applicable and work closely with marketing on its production and distribution Communication Ensure that all program information is communicated effectively and timely to Caramoor staff, artists, and trustees Work closely with the artists and staff to ensure that all messaging appropriately expresses Caramoor's artistic vision Serve as an external spokesperson about Caramoor's programming to audiences, press, staff/volunteers, and with donors as needed Administration Work closely with the CEO, CFO, and artistic team on the programing budgets to ensure accurate and appropriate expenditures Maintain program development plans for three years out Attend and participate in volunteer leadership meetings as needed, including Board of Trustees, Executive Committee, and Advisory Council Oversee the management of Caramoor's artistic archives CANDIDATE QUALIFICATIONS: Professional Deep musical background acquired through study or performance Master curator with eclectic taste in music combined with experience curating programs in a wide range of musical genres including chamber music, opera, symphonic, jazz, American folk and the American Songbook Knowledge of, or relationships with, musical artists, their repertoire and accomplishments Proven experience negotiating with artists' agents Strategic, curious thinker who is inquisitive about new trends and anxious to keep up with the NY performing arts scene Understanding of production requirements and technical necessities Demonstrated effectiveness in budgeting Personal Poised, articulate and persuasive public speaker Ability to lead and inspire a talented in-house staff and outside collaborators Creative and collaborative nature with demonstrated history of inclusion of ideas from colleagues, subordinates and supporters and the ability to synthesize components into interesting projects and programs Self-starter who handles responsibilities and competing demands with tact, compassion and creativity Collaborator and excellent listener Exemplary communications skills Proven ability to work in a highly collaborative environment, be detail oriented and meet deadlines in a timely manner. For additional programming information please view the website at https://www.caramoor.org Compensation: Competitive with excellent benefits package. For consideration: Applicants and sources should call or send credentials immediately to: Our client is an equal opportunity employer.
April 15
Gravity defying dancer Haley Day channels baritone David Kravitz's animated delivery ( Josh Kastrof photo) Imagine a Vitaphone all-singing, all-dancing program of satirical sermons given in a neo-Gothic church to 500 enthusiasts on a happening Saturday night. A staged contest between pagan gods, scored by one of Western music's most devout Lutherans precedes a 1930s screed against capitalist values that takes an early Christian concept of sin as its chief metaphor. Is this a fever dream or a stroke of theatrical genius? Perhaps a little of both. The word "eclectic" doesn't seem broad enough to encompass Emmanuel Music's programming choices in its latest outing, "Bach Reinvented: Weill and Bach," given on April 9th in at Emmanuel Church in Boston. The double-bill of J.S. Bach's The Contest Between Phoebus and Pan, BWV 201 and Kurt Weill's "ballet-chanté" The Seven Deadly Sins revealed a less-known sides of both composer's personalities—"Papa" Bach as the arch, self-aware humorist engaged in cultural politics, with Weill as the would-be moralist. The addition of Urbanity Dance company, choreographed by company Director Betsi Graves, added a dimension of visual interest, resulting in a sometimes-thrilling, sometimes baffling evening of bold gestures and thought-provoking juxtapositions and sex reversals. Baritone David Kravitz stood-out comically as Pan, giving a cartoonishly gleeful rendering of the mischievous god's ode to dancing and jumping, before stalwart Frank Kelly brightly and hilariously advocated much of a case for Pan's beast pleasing strains. Baritone Dana Whiteside's somewhat covered Phoebus might not have won the contest had I been the judge, though his character more pleased the gallery gods. The chorus and orchestra opened with great delight in the Magnificat-like "Retreat ye Whirling Winds." If the overall effect was nothing like Zimerman's coffee house where the work premiered in 1729, Emmanuel Music's warm and modern approach to Bach as ever, placed its audience in a comfortable embrace which might have been equally gemütlich. In Seven Deadly Sins, mezzo-soprano Lynn Torgove made a striking figure as Anna I, clad, like her dancer counterpart and alter ego Anna II (Meghan Anderson), in a fire-engine red dress with a plunging neckline. Her dark vocals and animated facial expressions suggested a kinship with Brecht's righteously indignant worldview, although we might have gotten more from her performance had she been able to project with brighter tone. Perhaps in an attempt to convey the portentous resonance of Weill's music, she seemed to swallow her diction with the result that the sound got caught in the throat, making it all-but-impossible to understand anything her character was saying—whether in German or English. She was not alone in her unintelligibility, however—a combination of the orchestra's place in the resonant nave of the cavernous Emmanuel Church and the sheer size of the ensemble seemed to win the battle against all the vocalists' enunciations. It was only when the barbershop quartet (sung in watertight harmony by tenor Matthew Anderson, Kelley, Kravitz and Whiteside) moved to the balcony nearest my seat in the pews that I was able to consistently understand the text. This was a particular shame owing to the lack of supertitles. (In a recent interview with BMInt, Graves and Turner remarked that didn't provide supertitles because the recitatives and spoken text would be in English, and the movement would explain the story. While this may have been true of the Bach, it was less applicable to Weill. It is difficult to choreograph the subtleties of irony, and the loss of Brecht's text was deeply felt.) Urbanity Dancers on two of their several stages. (Dayla Arabella Santurri photo) The orchestra, conducted with finesse by Emmanuel Music Artistic Director Ryan Turner responded to the wildly divergent demands of Bach and Weill with ease. While their graceful, restrained interpretation did not lack variety and color, it was in the Weill that they seemed to enjoy themselves the most, though I would debate whether they developed the grittiness that more idiomatic readings convey. Only in the ghoulishly lighted male quartet with guitar accompaniment did the feeling of cabaret come across. Listen to Pabst's 1931 movie version of the Three Penny Opera for an appreciation of a more decadent approach. Despite the logistical challenges inherent to creating an immersive, 360-degree theatrical experience in a space filled with raised platforms and perpendicular pews, Emmanuel Church provided an evocative, at times thrillingly transgressive space in which to stage these none-too-holy works. Chris Fournier's lighting showcased and heightened the drama inherent to the church's high-ecclesiastic structure. Though economical, it featured a few witty touches, such as shining a blue spotlight on the bas-relief of the Last Supper during the "Gluttony" movement in Seven Deadly Sins. Red lights shining on the church's chandelier's cast eerie shadows across the church's stone walls suggesting the fire and brimstone surrounding such sanctified spaces. Kate Stringer (MM in musicology from BU) is Research and Public Information Administrator at the Howard Gotlieb Archival Research Center at Boston University. In addition to her scholarly activities, she is a veteran actress, writer and director as well as a versatile mezzo-soprano. The post Playing Against Type appeared first on The Boston Musical Intelligencer .
March 13
It is known that Chopin's musical thoughts, during his last weeks of life, were pervaded by Mozart, and that the Requiem was performed at Chopin's funeral at La Madeleine in October 1849. Personally, I've often found a special affinity, sometimes even formal, between the great Austrian master and the Polish - a natural revolutionary spirit, a wistfully tinged harmonic tension encased in elegant, soothing tempo structures. Another great Sunday morning with The Odd Couple. Wolfgang Amadeus Mozart Clarinet Concerto K. 622 in A Clarinet Quintet K. 581 in A Benny Goodman, Clarinet Budapest String Quartet Boston Symphony Orchestra Charles Munch RCA RD85275 (1956) Wolfgang Amadeus Mozart Clarinet Concerto K. 622 in A Sinfonia Concertante K. 297b in E-Flat Major Sabine Meyer, Clarinet; Diethelm Jonas, Oboe Sergio Azzolini, Bassoon; Bruno Schneider, Horn Staatskapelle Dresden Hans Vonk EMI 66949 (1990) Wolfgang Amadeus Mozart Flute and Harp Concerto K. 299 in C Flute Concerto No. 1 K. 313 in G Flute Concerto No. 2 K. 314 in D Emmanuel Pahud, Flute Marie-Pierre Langlamet, Harp Berliner Philharmoniker Claudio Abbado EMI 5 57114-2 (1996) Wolfgang Amadeus Mozart Piano Concerto No. 13 K. 415 in C Piano Concerto No. 15 K. 450 in B-Flat Arturo Benedetti Michelangeli, Piano NDR-Sinfonieorchester Hamburg Cord Garben DGG 429 353-2 (1990)Wolfgang Amadeus Mozart Piano Concerto No. 17 K. 453 in G Major Piano Concerto No. 20 K. 466 in D Minor Robert Levin, Piano The Academy of Ancient Music Christopher Hogwood L'Oiseau-Lyre455 607-2 (1996)Wolfgang Amadeus Mozart Piano Concerto No. 14 K. 449 in E-Flat Major Piano Concerto No. 26 K. 537 in D Major 'Coronation' Maria João Pires, Piano Wiener Philharmoniker Claudio Abbado DGG 437 529-2 (1992)Wolfgang Amadeus Mozart Piano Concerto No. 17 K. 453 in G Major Piano Concerto No. 21 K. 467 in C Major Maria João Pires, Piano Chamber Orchestra of Europe Claudio Abbado DGG 439 941-2 (1995)Wolfgang Amadeus Mozart Piano Concerto No. 20 K. 466 in D Minor Piano Concerto No. 21 K. 467 in C Major András Schiff, Piano Camerata Academica Salzburg Sándor Végh Decca 430 510-2 (1989)Wolfgang Amadeus Mozart Piano Concerto No. 21 K. 467 in C Major Piano Concerto No. 27 K. 595 in B-Flat Major Chamber Orchestra of EuropeMurray Perahia Sony SK 46 485 (1990)Wolfgang Amadeus Mozart The Piano Sonatas Mitsuko Uchida, PianoPhilips 468 356-2 (1983/1987)Wolfgang Amadeus Mozart Serenata K. 361 in B-Flat 'Gran Partita' Academy of St. Martin-in-the-FieldsNeville Marriner Philips 412 726-2 (1984)Wolfgang Amadeus Mozart Serenata K. 361 in B-Flat 'Gran Partita' Bläser der Berliner PhilharmonikerDGG 437 771-2 (1980)Wolfgang Amadeus Mozart Piano Sonata No. 13 K. 333 in B-Flat Major Piano Sonata No. 4 K. 282 in E-Flat Major Piano Sonata No. 16 K. 545 in C Major Piano Sonata No. 9 K. 310 in A Minor Huguette Dreyfus, FortepianoDenon CO-77616 (1990)Wolfgang Amadeus Mozart Violin Sonata K. 454 in B-Flat Major Violin Sonata K. 526 in A Major Violin Sonata K. 547 in F Major Sergiu Luca, ViolinMalcolm Bilson, FortepianoNonesuch 79112-2 (1984)Wolfgang Amadeus Mozart Violin Concerto No. 5 K. 219 in A Major Symphony No. 41 K. 551 in C Major 'Jupiter' Anne-Sophie Mutter, ViolinBerliner PhilharmonikerHerbert von KarajanDGG 429 314-2 (1976)Wolfgang Amadeus Mozart Violin Concerto No. 5 K. 219 in A Major Flute and Harp Concerto K. 299 in C Jennifer Pike, ViolinEmily Beynon, Flute; Catherine Beynon, HarpBBC National Orchestra of WalesGarry WalkerThierry Fischer (K. 299)BBC MM354 (2011)Wolfgang Amadeus Mozart Violin Concerto No. 3 K. 216 in G Major Violin Concerto No. 4 K. 218 in D Major Violin Concerto No. 5 K. 219 in A Major Camerata Academica SalzburgAugustin DumayDGG 457 645-2 (1996)Wolfgang Amadeus Mozart The Violin Concertos Frank Peter Zimmermann, ViolinWürttembergisches Kammerorchester HeilbronnJörg Faerber EMI 7 63823 2 (1987)Wolfgang Amadeus Mozart Symphony No. 36 K. 425 in C Major 'Linz' Symphony No. 40 K. 550 in G Minor Staatskapelle DresdenColin DavisPhilips 422 398-2 (1988)Wolfgang Amadeus Mozart Symphony No. 30 K. 202 in D Major Symphony No. 31 K. 297 in D Major 'Paris' Symphony No. 32 K. 318 in G Major Symphony No. 33 K. 319 in B-Flat Staatskapelle DresdenColin DavisPhilips 432 977-2 (1991)Wolfgang Amadeus Mozart Symphony No. 35 K. 385 in D Major 'Haffner' Symphony No. 38 K. 504 in D Major 'Prague' Staatskapelle DresdenColin DavisPhilips 416 155-2 (1988)Wolfgang Amadeus Mozart Symphony No. 29 K. 201 in A Major Symphony No. 33 K. 319 in B-Flat Symphony No. 34 K. 338 in C Major Wiener PhilharmonikerRiccardo MutiPhilips 462 906-2 (1998)Wolfgang Amadeus Mozart Symphony No. 31 K. 297 in D Major 'Paris' Symphony No. 41 K. 551 in C Major 'Jupiter' Wiener PhilharmonikerRiccardo MutiPhilips 442 126-2 (1993)Wolfgang Amadeus Mozart 'Coronation' Mass K. 317 in C Major Vesperae solennes de confessore K. 339 Joan Rodgers, Soprano; Elisabeth von Magnus, Mezzo-SopranoJosef Protschka, Tenor; László Polgár, BassArnold Schoenberg ChorConcentus musicus Wien Nikolaus HarnoncourtTeldec 8 43535 (1986)Wolfgang Amadeus Mozart 'Great' Mass K. 427 in C Minor Vesperae solennes de confessore K. 339 Kathleen Battle, Lella Cuberli, SopranoPeter Seiffert, Tenor; Kurt Moll, BassWiener StaatsopernchorWiener PhilharmonikerJames LevineDGG 423 664-2 (1986)Wolfgang Amadeus Mozart Requiem K. 626 in D Minor Lynne Dawson, Soprano; Jard van Nes, ContraltoKeith Lewis, Tenor; Simon Estes, BassPhilharmonia Chorus and OrchestraCarlo Maria GiuliniSony SMK60025 (1989)Wolfgang Amadeus Mozart Requiem K. 626 in D Minor Anna Tomowa-Sintow, Soprano; Helga Müller-Molinari, ContraltoVinson Cole, Tenor; Paata Burchuladze, BassWiener SingvereinWiener PhilharmonikerHerbert von KarajanDGG 419 610-2 (1986)Frédéric Chopin Piano Concerto No. 2 Op. 21 in F Minor Carl Loewe Piano Concerto No. 2 in A Major Mari Kodama, Piano Russian National Orchestra Kent Nagano Pentatone 5186026 (2004) Frédéric Chopin Piano Sonata No. 2 Op. 35 in B-Flat Minor Sergej Rachmaninov Piano Sonata No. 2 Op. 36 in B Minor Hélène Grimaud, Piano DGG 477 5325 (2005)Frédéric Chopin Ballades Scherzo No. 4 Op. 54 in E Berceuse Op. 57 in D-Flat Major Barcarolle Op. 60 in F-Sharp Major Evgeny Kissin, Piano RCA 09026 63259 2 (1998)Frédéric Chopin Ballades Fantaisie Op. 49 in F Minor Berceuse Op. 57 in D-Flat Major Michaël Levinas, PianoAdes 14.076-2 (1985)Frédéric Chopin Piano Concerto No. 1 Op. 11 in E Minor Fantaisie-Impromptu Op. 66 in C-Sharp Minor Fantaisie Op. 49 in F Minor Berceuse Op. 57 in D-Flat Major Maria João Pires, PianoChamber Orchestra of EuropeEmmanuel Krivine DGG 457 585-2 (1998)Frédéric Chopin Piano Concerto No. 2 Op. 21 in F Minor Préludes Op. 28 Maria João Pires, PianoRoyal Philharmonic OrchestraAndré PrevinDGG 437 817-2 (1992)Frédéric Chopin Piano Concerto No. 1 Op. 11 in E Minor Piano Concerto No. 2 Op. 21 in F Minor Martha Argerich, PianoOrchestre symphonique de MontréalCharles DutoitEMI 5 56798 2 (Re-issued by Musicom) (1998)Frédéric Chopin Piano Concerto No. 1 Op. 11 in E Minor Piano Concerto No. 2 Op. 21 in F Minor Lang Lang, PianoWiener PhilharmonikerZubin MehtaDGG 477 7982 (2008)Frédéric Chopin Etudes Op. 10 Etudes Op. 25 Maurizio Pollini, PianoDGG 413 794-2 (1972)Frédéric Chopin 10 Mazurkas Prélude Op. 45 in C-Sharp Minor Ballade No. 1 Op. 23 in G Minor Scherzo No. 2 Op. 31 in B-Flat Minor Arturo Benedetti Michelangeli, PianoDGG 413 449-2 (1972)Frédéric Chopin Nocturnes Maria João Pires, PianoDGG 447 096-2 (1996)Frédéric Chopin Piano Concerto No. 1 Op. 11 in E Minor Piano Concerto No. 2 Op. 21 in F Minor 14 Waltzes Maria João Pires, PianoOrchestre National de l'Opéra de Monte-CarloArmin JordanErato 3984 21089-2 (1977-1984)Frédéric Chopin Piano Concerto No. 1 Op. 11 in E Minor Piano Concerto No. 2 Op. 21 in F Minor Jorge Bolet, PianoOrchestre symphonique de MontréalCharles DutoitDecca 425 859-2 (1989) Frédéric Chopin Piano Concerto No. 1 Op. 11 in E Minor Piano Concerto No. 2 Op. 21 in F Minor Bella Davidovich, PianoLondon Symphony OrchestraNeville MarrinerDecca 468 117-2 (1980) Frédéric Chopin Piano Concerto No. 1 Op. 11 in E Minor Piano Concerto No. 2 Op. 21 in F Minor Krystian Zimerman, PianoLos Angeles PhilharmonicCarlo Maria GiuliniDGG 415 970-2 (1979) Frédéric Chopin Piano Concerto No. 1 Op. 11 in E Minor Piano Concerto No. 2 Op. 21 in F Minor Polish Festival Orchestra Krystian ZimermanDGG 459 684-2 (1999) Frédéric Chopin Préludes Op. 28 Prélude Op. 45 in C-Sharp Minor Prélude in A-Flat Major Alexander Scriabin Piano Sonata No. 2 Op. 19 in G-Sharp Minor Beatrice Rana, PianoATMA Classique 2614 (2012) Frédéric Chopin Scherzos Polonaise Op. 61 in A-Flat Major Claudio Arrau, PianoPhilips 412 610-2 (1984) Frédéric Chopin Préludes Op. 28 Piano Sonata No. 2 Op. 35 in B-Flat Minor Polonaise Op. 53 in A-Flat Evgeny Kissin, PianoRCA 09026 63535 2 (1999) Frédéric Chopin Ballades Piano Sonata No. 2 Op. 35 in B-Flat Minor Andrei Gavrilov, PianoEMI 7 47344 2 (1985) Frédéric Chopin Piano Sonata No. 2 Op. 35 in B-Flat Minor Préludes Op. 28 Nocturnes Op. Nos. 2 in E-Flat & 3 in B Anna Kravtchenko, PianoDecca 476 3120 (2005) Frédéric Chopin Piano Sonata No. 2 Op. 35 in B-Flat Minor Scherzos Simon Trpčeski, Piano EMI 3 75586 2 (2006) Frédéric Chopin Piano Sonata No. 2 Op. 35 in B-Flat Minor Selected Nocturnes, Mazurkas, Waltzes Ballade No. 3 Op. 47 in A-Flat Major Sergej Rachmaninov, Piano RCA 09026 62533 2 (1919/1935) Frédéric Chopin Piano Sonata No. 3 Op. 58 in B Minor 12 Mazurkas Evgeny Kissin, Piano RCA 09026 62542 2 (1993) Frédéric Chopin Piano Sonata No. 2 Op. 35 in B-Flat Minor Piano Sonata No. 3 Op. 58 in B Minor Mitsuko Uchida, Piano Philips 420 949-2 (1988) Frédéric Chopin 14 Waltzes 7 Mazurkas Jean-Marc Luisada, Piano RCA 88875028062 (2013) Frédéric Chopin Ballades Scherzos 14 Waltzes 4 Impromptus Samson François, Piano EMI 7 62569 2 (1963) Frédéric Chopin Cello Sonata Op. 65 in G Minor Sergej Rachmaninov Cello Sonata Op. 19 in G Minor and Cello Sonatas by Gabriel Fauré and Felix Mendelssohn-Bartholdy Paul Tortelier, Cello Aldo Ciccolini, Eric Heidsieck, Maria de la Pau, Piano EMI 5 74333 2 (1968) Frédéric Chopin 4 Mazurkas Op. 24 Joaquín Turina5 Danzas Gitanas, Series 2 Op. 84Franz SchubertFantasia D. 940 in F MinorJohannes Brahms4 Hungarian Dances Katarina & Vladimir Krpan, Piano Nemini Similis SC9605 (1995) Link to "The Odd Couple" previous post: BONUS: Wolfgang Amadeus Mozart Piano Concerto No. 22 K. 482 in E-Flat MajorJohannes BrahmsSymphony No. 4 Op. 98 in E Minor Barry Douglas, Piano Orchestra del Teatro la Fenice di VeneziaYuri TemirkanovRAI Digital Archives – Venice, 4 May 2002 MUST-HAVE (mainly for the Douglas) Wolfgang Amadeus Mozart Symphony No. 36 K. 425 in C Major 'Linz'Claude Debussy Prélude à l'après-midi d'un faune Franz Schubert Rondo D. 438 in A Major for Violin and Orchestra Thomas Zehetmair, Violin Mahler Chamber Orchestra Alan Gilbert RAI Digital Archives – Ferrara, 30 October 2002 Flac & Scans
Great performers


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Rockies hold on for 6-5 win over Marlins
Credit: The Associated Press
MIAMI — Jordan Pacheco and the Colorado Rockies finally broke out the bats.
Pacheco had three hits and drove in a run for the Rockies, who beat the Miami Marlins 6-5 on Wednesday night.
Charlie Blackmon and Michael Cuddyer each had two hits for Colorado as all eight position players in the starting lineup recorded at least one hit.
|The article you requested is no longer available on BostonHerald.com.


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Your Beaver County Lawyer for slip and fall or trip and fall injuries
Slipping or tripping and falling can result in serious injuries. Broken bones, dislocations, and other serious injuries are often caused by the negligence of store or property owners. Water or other slippery substances may be left on a supermarket floor or store employees may leave objects on the floor that may cause tripping accidents. Untreated driveways and sidewalks can be very dangerous. We have handled claims against the Beaver Valley Mall, Wal-mart, GIant Eagle, Robinson Towne Center, and other retail, business, and residential property owners. At the law offices of Palmieri & Matvey in Bridgewater, Beaver County, we believe that property owners should be held accountable for injuries caused by their carelessness.
Liability of property owners for injuries
In residential areas and at commercial sites such as malls, office buildings, and even gas stations, it is the owners"" responsibility to maintain sidewalks, parking lots, driveways, and other areas on their property. This means keeping them in good repair and free of snow and ice. Other areas of owner responsibility include:
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If you are injured on a person""s property or sidewalk, or in a store, office building, or supermarket, contact our office. Mr. Matvey will contact the property owner on your behalf and work with their insurance company to obtain the compensation you deserve. If no settlement agreement can be reached, we will file a lawsuit on your behalf to pursue your case in court. We try to settle claims amicably, but we sue when we cannot get the result you deserve. The responsibility to maintain property applies to residential home owners and business owners as well.
Property Owners responsibilities
Commercial venues have significant responsibilities when it comes to your safety. They are required to fix potholes or make repairs to their parking lots as well as keep them free of ice and snow. In addition, indoor store conditions must also be safe, including keeping floors clean and dry. Owners of office buildings and gas stations must also keep their property free of dangerous conditions to avoid a fall down injury. It is particularly important for retail stores to keep their floors and other areas safe and free from conditions that might cause a fall. Pennsylvania law recognizes that store owners set up displays to attract your attention. While you are shopping, you will be looking at the displays and if they have a dangerous condition on their floor, you may not see it and a fall down injury may occur. We""ve successfully handled cases against Wal-Mart, KMart, Giant Eagle, the Beaver Valley Mall, and other retail and office facilities for our clients.
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Contact Attorney Matvey today at 724-709-7958 to discuss your accident case.


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Mouse (Murine) Monoclonal TLR2 Primary Antibody for Func, IA - ABIN2191804
Meng, Rutz, Schiemann, Metzger, Grabiec, Schwandner, Luppa, Ebel, Busch, Bauer, Wagner, Kirschning: Antagonistic antibody prevents toll-like receptor 2-driven lethal shock-like syndromes. in The Journal of clinical investigation 2004
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Mouse (Murine) Monoclonal TLR2 Primary Antibody for Func, IA - ABIN2191805
Roura-Mir, Wang, Cheng, Matsunaga, Dascher, Peng, Fenton, Kirschning, Moody: Mycobacterium tuberculosis regulates CD1 antigen presentation pathways through TLR-2. in Journal of immunology (Baltimore, Md. : 1950) 2005
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The SNP rs3804099 of TLR2 may have significant effects on heritability of psoriasis vulgaris in Chinese population.
Based on these results, it is possible that expression of porin (show VDAC1 Antibodies) sequence variants that strongly induce TLR2 activation may be a mechanism to enhance the invasive features of pathogenic Neisseriae strains.
TLR2 polymorphisms were associated with recurrent acute otitis media.
this study shows that an increase in CD14 (show NDUFA2 Antibodies)+ TLR-2+ monocytes within the 90 days post-transplantation was associated with increased risk of kidney allograft dysfunction at 180 and 365 days post-transplantation
analysis of TLR2, TLR4 (show TLR4 Antibodies) and TLR9 (show TLR9 Antibodies) genes and their significance as biological markers in patients with B-cell chronic lymphocytic leukemia
TLR-stimulated pancreatic cancer cells were specifically investigated for activated signaling pathways of VEGF (show VEGFA Antibodies)/PDGF (show PDGFA Antibodies) and anti-apoptotic Bcl-xL (show BCL2L1 Antibodies) expression as well as tumor cell growth.
Data indicate beta-D-mannuronic acid (M2000) inhibitory effect on Toll (show TLR4 Antibodies)-like receptors TLR2 and TLR4 (show TLR4 Antibodies) signalling in HEK293 cells.
review article explores the main roles played by TLR2 in the pathogenesis of chronoinflammaging in patients suffering from AD
TLR2, Tim1 (show ARHGEF5 Antibodies), Tim3 (show HAVCR2 Antibodies), TNF-alpha (show TNF Antibodies), IgE and EOS (show IKZF4 Antibodies) play a role in Mycoplasma pneumoniae Pneumonia-related wheezing in children.
In conclusion, TLR2 plays an even more important role than TLR4 (show TLR4 Antibodies) not only in recognizing Helicobacter pylori, but also in the induction of inflammatory cytokines initiated by Helicobacter pylori.
These results point out to a role of TLR2 in gut (show GUSB Antibodies) protection against colonization and endogenous invasion by Candida albicans.
Paeoniflorin inhibits high glucose-induced macrophage activation through TLR2-dependent signal pathways.
Data, including data from studies using knockout mice, suggest that signaling via Tlr2 is involved in inflammatory response induced by Bothrops atrox snake venom.
These results suggested the importance of TRIF (show RNF138 Antibodies) in TLR2 mediated foam cell formation via inflammatory mediators, including MCP-1 (show CPT1B Antibodies).
this study shows that probiotic Lactobacillus casei Lbs2 ameliorates experimental colitis through Toll-like receptor 2-dependent immunomodulation
PHLDA1 (show PHLDA1 Antibodies) plays a critical role in the development of progressive lung contusion and subsequent inflammation.
postnatal expression of TLR2 and TLR4 (show TLR4 Antibodies) in small intestinal epithelial cells
TLR2 deletion induced activation of the renin (show REN Antibodies) angiotensin system in ureteral obstructed kidneys. Inhibition of both RAS and TLR2 had an additive ameliorative effect on UUO injury of the kidney.
this study produced a new antibody against the specific extracellular domain of TLR2 which has protective effect on TLR2 agonists-driven inflammatory and allergic response.
results suggest that HMGB1 (show HMGB1 Antibodies) mediates cell proliferation through a novel mechanism that involves TLR2, FoxO1 (show FOXO1 Antibodies) nuclear importation and PCNA (show PCNA Antibodies) overexpression
Transcription levels of TLR2, TLR4 (show TLR4 Antibodies), and CD14 (show CD14 Antibodies) in Holstein cows with retained placenta significantly decreased between the first and the seventh day postpartum.
We structurally defined with 5'-RACE experiments three promoters (P1-3) controlling TLR2 expression in udder, liver and other tissues of cows suffering from E. coli mastitis.
TLR2 and TLR4 (show TLR4 Antibodies) mediate innate response against Cryptosporidium parvum in bovine intestinal epithelial cells.
positive correlation between lower neutrophil apoptosis and higher expression of TLR2 and TLR4 (show TLR4 Antibodies) with the formation of NETs and change in surface architecture.
TLR2, TLR1 (show TLR1 Antibodies), and TLR6 (show TLR6 Antibodies) haev roles in innate immunity and initiate inflammatory responses to bacterial lipopeptides by epithelial and stromal cells of bovine endometrium
Data suggest that granulosa cells from dominant follicles express functional TLR2 and TLR4 (show TLR4 Antibodies); granulosa cells appear to participate in innate immunity by responding to bacterial lipopolysaccharides/lipopeptides via TLR2 and TLR4 (show TLR4 Antibodies) signaling pathways.
The expressions of host TLR2 and 4 genes were significantly higher in acidosis-resistant steers compared to those in acidosis-susceptible steers.
Whereas previous results regarding the TLR1 (show TLR1 Antibodies) gene were not corroborated, a risk haplotype was detected in TLR2; however, its low frequency indicates that this detected association should be interpreted with caution.
The identification of antibodies specific for bovine and ovine TLR2 will facilitate studies of the role of this important pattern recognition receptors in the initiation of immune responses to important pathogens.
ALOX5AP (show ALOX5AP Antibodies), CPNE3 (show CPNE3 Antibodies), IL1R2 (show IL1R2 Antibodies), IL6 (show IL6 Antibodies), TLR2, TLR4 (show TLR4 Antibodies), and THY1 (show THY1 Antibodies) were upregulated in blood polymorphonuclear cells in negative energy balance versus positive energy balance cows.
Lipopolysaccharide upregulates the expression of rabbit TLR2 and 4 in the uterine body and horn, and the expression of TLR4 (show TLR4 Antibodies) in the ovary.
VB-201 may counter inflammation where TLR-2 and/or CD14 (show CD14 Antibodies) complicity is essential, and is therefore beneficial for the treatment of atherosclerosis.
Toll-like receptor 2 signaling on intestinal epithelial cells may enhance intestinal barrier function and prevent deoxynivalenol-induced barrier dysfunction of epithelial cells.
These results suggest that porcine circovirus 2 induces IL-8 (show IL8 Antibodies) secretion via the TLR2/MyD88 (show MYD88 Antibodies)/NF-kappaB (show NFKB1 Antibodies) signalling pathway.
At 14 days after autotransplantation of a pig kidney, mRNA expression for TLR2 is increased.
These data demonstrated that TLR2, TLR3 (show TLR3 Antibodies) and TLR9 (show TLR9 Antibodies) contribute to NF-kappaB (show NFKB1 Antibodies) activation in response to porcine epidemic diarrhea virus infection, but not RIG-I (show DDX58 Antibodies).
Data suggest TLR2, TLR4 (show TLR4 Antibodies), and calcium signaling in enterocytes play principal roles in mucosal immunity against enterotoxigenic Escherichia coli; probiotic Lactobacillus delbrueckii and its extracellular polysaccharides appear to stimulate TLR2/TLR4 (show TLR4 Antibodies).
TLR2 is required for the suppression of TLR4 (show TLR4 Antibodies) signaling activation.
The role of TLR2, TLR4 (show TLR4 Antibodies) and RP105 (show CD180 Antibodies)/MD1 (show LY86 Antibodies) in the immunoregulatory effect of acidic exopolysaccharides from Lactobacillus plantarum N14 (show CLPTM1 Antibodies), is reported.
Single nucleotide polymorphisms in TLR2 is associated with immune response to gram-negative bacterial infections.
The dramatic reduction in p38 MAPK (show MAPK14 Antibodies) phosphorylation by TLR-2 stimulation in aortic valve interstitial cells excludes a role for this receptor type in mediating angiotensin II or peroxynitrite effects.
In total, 20, 27, and 26 SNPs were detected in TLR1 (show TLR1 Antibodies), TLR2, and TLR6 (show TLR6 Antibodies), respectively; in TLR1 (show TLR1 Antibodies) and TLR2, the numbers of SNPs detected were significantly lower (P < or = 0.05, P < or = 0.01) in the wild boars than in the domestic pigs.
expression of TLR4 (show TLR4 Antibodies) and TLR2 in normal and LPS (show IRF6 Antibodies)-treated horses
Over-expression of TLR2 decreases radical damage to host cells through low-level production of NO and MDA and promotes the clearance of invasive bacteria by up-regulating lysozyme (show LYZ Antibodies) secretion and filtration of inflammatory cells to the infected site.
TLR2 of M. fuscata has undergone purifying selection while the membrane-proximal part of the extracellular domain of M. mulatta TLR2 exhibits higher rates of non-synonymous substitutions, indicating a trace of Darwinian positive selection
The results indicate that microglia and astrocytes respond to B (show TDO2 Antibodies). burgdorferi through TLR1 (show TLR1 Antibodies)/2 and TLR5 (show TLR5 Antibodies).
The protein encoded by this gene is a member of the Toll-like receptor (TLR) family which plays a fundamental role in pathogen recognition and activation of innate immunity. TLRs are highly conserved from Drosophila to humans and share structural and functional similarities. They recognize pathogen-associated molecular patterns (PAMPs) that are expressed on infectious agents, and mediate the production of cytokines necessary for the development of effective immunity. The various TLRs exhibit different patterns of expression. This gene is expressed most abundantly in peripheral blood leukocytes, and mediates host response to Gram-positive bacteria and yeast via stimulation of NF-kappaB.
toll/interleukin 1 receptor-like 4
, toll/interleukin-1 receptor-like protein 4
, toll-like receptor 2 variant 1
, toll-like receptor 2 variant 2
, toll-like receptor 2 type-2
, toll-like receptor 2 type2
, Toll-like receptor 2-like protein


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CPS: Police chief charged with manslaughter
Former Colombian international Rene Higuita, famous for his scorpion kick save against England, has joined Atletico Nacional as a coach
LaLiga expert Andrew Gaffney takes a look at the potential transfer knock-on effects Atletico Madrid's ban will have on the Premier League.
Midway through Tuesday afternoon Fifa's sudden decision to publish the whole of the Garcia report into the conduct of the 2018 and 2022 World Cup bids felt like a momentous, possibly vital moment of outage.
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The Tibetan sound massage was inspired through the practice of Ku Nye who was born more than 3900 years ago. It is linked strongly to traditional Tibetan medicine. This massage ritual has a healing effect on both body and soul. It combines the Tibetan singing bowl, organic body butters, rare aroma oils and hot stones creating a unique, holistic experience. The treatment will eliminate stress, reduce anxienty and insomnia and promote a deep relaxation with a long lasting effect. The massage also has detoxifying and anti-aging effects, and both nourishes and hydrates the skin.
At the beginning of the ritual you will feel the vibration and balancing effects of the Tibetan bowl. The treatment progresses with a body massage using organic butters and aroma oils. It is followed by a hot stone massage to warm tired muscles with acupressure techniques to stimulate both the metabolism and detoxification of the body. The end of the Tibetan ritual resonates with the sound and vibration of the unique Tibetan bowls.
We recommend to try this Tibetan ritual in the late afternoon, to prolong and maintain the relaxation effect!
Type: Wellness Purpose: de-stress, re-energizing, detoxification
Duration of treatment: 120 minutes
Doctor's prescription: not needed Where is it available?


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» Title: life lessons learned from Candy Crush» Posted: June 21st, 2013» Author: Buffman» Filed Under: Humor.
The opinions expressed herein are my own personal opinions and do not represent anyone else's view in any way, including those of my employer.© Copyright 2013


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Rineke Dijkstra
National Gallery of Art, Washington D.C., West Concourse Gallery
10 December 2016 - 16 July 2017
Active as a photographer since the early 1990s, Rineke Dijkstra is known for her strikingly earnest, unsentimental depictions of young people in large-scale color prints. Shooting from a low vantage point with minimal background information, she endows her subjects with a monumental presence, creating portraits that are at once self-conscious but revealing, powerful but tender. This exhibition features four of Dijkstra's portraits of adolescents, as well as a 1991 self-portrait that inspired much of her later work. It is timed to coincide with the installation of I See a Woman Crying (Weeping Woman), a three-channel video of British schoolchildren talking about Picasso's painting Weeping Woman, on view in the East Building's display of Collectors Committee gifts.
National Gallery of Art, Washington DC
Rineke Dijkstra
The One And The Many (solo show)
Louisiana Museum of Modern Art, Humblebaek
21 September - 30 December 2017
In her large photographs and films, Dutch artist Rineke Dijkstra manages to capture people who have stopped somewhere – in a park, on a beach, at a party, in life – so that they are present to an astonishing degree, right there in that very moment.
Louisiana Museum of Modern Art, Humblebaek
Rineke Dijkstra
Art Lesson (group show)
Museo Thyssen Bornemisza, Madrid
7 November 2017 - 18 February 2018
The museum will be completing the exhibition programme organised to mark its 25th Anniversary by inviting visitors to reflect on the educational role of museums in society today through an innovative project curated by the Education Department. "Art Lesson" will consist of various activities that will take place during the time the exhibition is open to the public and will occupy different spaces in the museum. The project has been conceived as an organic entity which will take shape over time and will make the museum particularly dynamic while it is taking place.
An exhibition featuring the work of contemporary artists such as Antoni Muntadas, Cinthia Marcelle, Dennis Adams, Eva Kot'átková, Dora Garcia, Pavel Kogan, Erwin Wurm, Rineke Djikstra and Pipilotti Rist will look at the issues of where knowledge lies and the museum as a personal experience, aiming to transform the spectator's experience and place within the museum. For the first time, the museum will also become a space for creation through three artist's residence grants that will allow the recipients to work alongside the Education Department team during both the preparatory stage and the exhibition itself. This initiative aims to establish links between cutting-edge artistic creation and the museum and between its works and the activities of its educators.
Museo Thyssen Bornemisza, Madrid
Rineke Dijkstra
Ruth Drawing Picasso, Tate Liverpool, UK, 2009 (solo show)
Museu Picasso, Barcelona
27 April - 24 September 2017
Rineke Dijkstra's realisation of Ruth Drawing Picasso, Tate Liverpool, UK, 2009 brings us back to the surprising fact that Guernica (a kind of political manifesto) was exported to Britain by Roland Penrose and E.L.T. Mesens. That work provoked such an effect on a select British public that we can consider it the starting point of surrealism in the UK; it also deeply influenced important artists such as Henry Moore, Francis Bacon and even David Hockney.
The Museu Picasso presents the work of Dutch artist Rineke Dijkstra in its new space dedicated to contemporary art. This emblematic videowork confronts the viewer with Ruth – a girl who, during her visit together with her schoolmates to Tate Liverpool, was confronted with Picasso's painting Weeping Woman.
It's a cool observation, subjective but sensitive at the same time, analysing the young girl's reaction when viewing and copying this artwork. Picasso's piece is directly related to one of the main figures of his masterpiece Guernica (1937).
Museu Picasso, Barcelona
Rineke Dijkstra
Rineke Dijkstra: An Ode (solo show)
Stedelijk Museum, Amsterdam
20 May - 6 August 2017
In honor of Dijkstra, the Stedelijk Museum Amsterdam, who has followed her work since the 1990s and in 2005 mounted an international traveling survey, presents Rineke Dijkstra: An Ode, a snapshot of the artist's photographic and video work ranging from 1994 to the present. The exhibition both includes iconic photographic works and highlights her early video work and her return to the medium in recent years. The exhibition also premieres three works that have never been displayed in the Netherlands.
Rineke Dijkstra: An Ode totals 21 photographs and four videos. The exhibition is primarily comprised of the Stedelijk Museum's extensive holdings of Dijkstra's work, supplemented with loans from the artist. Shown for the first time in the Netherlands are Marianna [The Fairy Doll], 2014; Marianna and Sasha, Kingisepp, Russia, November 2 2014, 2014; and Odessa, Ukraine, August 6 1993, 1993.
Stedelijk Museum, Amsterdam
Rineke Dijkstra
Hasselblad Award 2017
Hasselblad Foundation Center, Gothenburg
11 October 2017 - January 2018
A symposium will be held on October 10 in honor of Rineke Dijkstra, followed by the opening of an exhibition of her work at the Hasselblad Center, as well as the launch of the book Rineke Dijkstra – Hasselblad Award 2017.
The Foundation's citation regarding the Hasselblad Award Winner 2017, Rineke Dijkstra:
»Rineke Dijkstra is one of the most significant contemporary artists working in photographic portraiture. Her large-scale photographs focus on the thema-tics of identity, typically capturing her subjects at moments of transition or vulnerability. Working in series, Rineke Dijkstra's images recall the visual acuity of seventeenth-century Dutch portraiture, offering intimate portrayals of her sitters whilst also suggesting the situated aspects of their being. Rineke Dijkstra's investigations in portraiture also include video. Her fixed-camera video studies yield images that appear to be moving photographs, revolutionizing our understanding of the fluid boundary between the still and moving image.«
Hasselblad Foundation, Gothenburg
Rineke Dijkstra
Intra-Action: Women Artists from the Harn Collection (group show)
Harn Museum of Art, Gainesville
20 September 2016 - 16 July 2017
Intra-Action celebrates 36 international women artists working from the mid-20th century to the present, including the groundbreaking, radical collective called The Guerrilla Girls. More than 70 works reveal how these women have transformed the course of art by introducing new forms, materials and processes including performance, film and art in the street. Artists in the exhibition include Eija-Liisa Ahtila, Louis Bourgeois, Rineke Dijkstra, Yayoi Kusama, Ana Mendieta, Zanele Muholi, Louise Nevelson, Catherine Opie, Cindy Sherman, Melanie Smith, Carrie Mae Weems and the Guerrilla Girls. These artists are known for challenging patriarchal domination, notions of gender, identity and the art world itself.
Harn Museum of Art, Gainesville
Rineke Dijkstra
Collection Centre Pompidou (group show)
Centre Pompidou, Malaga, from 28 March 2015 - ongoing
The world famous gallery Centre Pompidou is coming to Malaga. Without doubt the Pompidou art center in Paris is one of the greatest homes of twentieth century art. In line with the arresting appearance of the Pompidou in Paris the Malaga collection will be housed in the large glass cube, built with a cultural purpose in mind and which is situated at the corner which joins Muelle Uno and Muelle Dos of Malaga's newly renovated port. The new Malaga Pop-Up museum will house a fine selection of its French mother. The museum that is at time of writing under full construction is expected to open on March 28th, just before the touristic season takes off.
Centre Pompidou, Malaga


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Health Republic Insurance of New York Begins Open Enrollment for New Healthcare Plans in New York State
Markets close in 3 hrs 9 mins Health Republic Insurance of New York Begins Open Enrollment for New Healthcare Plans in New York State Unique Not-For-Profit CO-OP Structure is Truly Member-Oriented; Plans Will Offer Low-Cost, High-Quality Healthcare Options to New Yorkers Coverage for Individuals and Small Groups to Begin January 1, 2014 Press Release: Health Republic Insurance of New York 2 hours 51 minutes ago Print NEW YORK–(BUSINESS WIRE)– Health Republic Insurance of New York, a new not-for-profit Consumer Operated and Oriented Plan (CO-OP) offering health insurance coverage in New York State, today announced that it will start open enrollment on October 1, 2013 for coverage beginning January 1, 2014. Health Republic Insurance is offering new competitive options for individuals and small businesses both on and off the New York State of Health Benefit Exchange. In partnership with MagnaCare, its network comprises more than 70,000 providers in 32 counties, including New York City, Long Island, the Hudson Valley, the Capital District, parts of North County, Syracuse, and parts of Western New York. We are excited to be truly open for business and, as New Yorks only CO-OP, are proud to be offering a new innovative plan with health insurance rates that are among the lowest on the Exchange in nearly every category and geographic region, said Debra Friedman, President and CEO for Health Republic Insurance. At Health Republic Insurance, we want to make sure our members get the healthcare they need, when they need it, where they need it. Were also building in extra customer support systems to help our members stay healthy. We invest all profits back into our programs in the form of lower premiums and better coverage so that members continuously benefit from the lowest costs and even stronger services, allowing each member to choose from several quality plans that fit every type of need and budget, said Friedman. Health Republic Insurance is now offering three health insurance plans on the Exchange: EssentialCare (the New York State mandated standard plan), PrimarySelect (an alternative plan where members can access better outpatient benefits when they select a primary care physician), and PrimarySelect EPO (a plan similar to PrimarySelect, but members must choose their primary physician from a menu of primary care medical homes). About Health Republic Insurance of New York Health Republic Insurance of New York is a true not-for-profit program and Consumer Operated and Oriented Plan, or CO-OP, designed to give people more options for quality, affordable coverage in a consumer-friendly and focused way. Over time, the majority of the Companys Board of Directors will be members of the plan, who will be elected by their peer members and whose priority is making sure every voice is heard and that the plan delivers superior value. Health Republic Insurance utilizes the MagnaCare network throughout New York State to provide high-quality coverage at competitive low rates. For more information, please visit the Companys web site atnewyork.healthrepublic.us.
Airbnb wins legal victory in New York City
our editor recommends New York Film Festival 2013: 13 Movies to Know The intense film, which stars Tom Hanks as the titular captain of a U.S. container ship that was hijacked off the Somali coast in 2009, was introduced with great fanfare — highlighted by the attendance of not only Greengrass, Hanks and the film's principal Somali actors, but also Capt. Richard Phillips himself (before whom Hanks knelt to kiss his hand), a number of the men who worked alongside him on the MV Maersk Alabama and several uniformed U.S. Navy personnel who came to his rescue aboard the USS Bainbridge. FILM REVIEW: Captain Phillips At its conclusion, the film received a prolonged ovation — which turned into a standing ovation once a spotlight was placed on Greengrass and the Somali actors in a box above the rest of the audience (Hanks had to leave early) — from a crowd that included Sony Classics co-chiefs Michael Barker and Tom Bernard; the Oscar-winning screenwriter of Argo Chris Terrio, who's writing a script for Greengrass now; and the Oscar-nominated actress Marianne Jean-Baptiste, who starred in Greengrass' 1999 TV film The Murder of Stephen Lawrence; and writer-director James Toback. The general sentiment among New Yorkers at the screening and the Harvard Club after-party — at which Greengrass and particularly the Somali actors were the center of attention — was that the film has a strong shot at scoring a best picture Oscar nomination and an even stronger shot at bringing Hanks his first acting Oscar nom in 13 years, particular for his work during the final minutes of the film, which left much of the audience in tears. Rose Kuo, the executive director of the Film Society of Lincoln Center, noted during her pre-screening remarks that the fest seems to have a thing for movies about men experiencing problems aboard boats: last year's edition opened with the world premiere of Life of Pi and this year's, in addition to opening with Captain Phillips, will include a screening of All Is Lost, another example of the sub-genre. This was also the second New York Film Festival opening night screening in the last four years to come courtesy of Sony Pictures and producers Scott Rudin, Dana Brunetti and Michael DeLuca, whose last collaboration was the 2010 film The Social Network, which went on to be nominated for eight Oscars and won three. Other recent openers have included About Schmidt (2002), Mystic River (2003), Good Night, and Good Luck (2005) and The Queen (2006), which all went on to receive major Academy recognition, as well. This is the first New York Film Festival in 26 years that was not coordinated by Richard Pena. He was succeeded at the end of last year's fest by Kent Jones.
My New York Days
Warren's landlord had been facing a $2,400 fine following an earlier ruling . The decision is a significant one for Airbnb, which has been frustrated in New York by a law stating that residents can't rent out all or part of a property for fewer than 30 days. Airbnb has argued that the law is meant to crack down on landlords who buy residential buildings and run hotels out of them, not on individual tenants. Google+ Market indexes are shown in real time, except for the DJIA, which is delayed by two minutes. All times are ET. Disclaimer LIBOR Warning: Neither BBA Enterprises Limited, nor the BBA LIBOR Contributor Banks, nor Reuters, can be held liable for any irregularity or inaccuracy of BBA LIBOR. Disclaimer . Morningstar: 2013 Morningstar, Inc. All Rights Reserved. Disclaimer The Dow Jones IndexesSM are proprietary to and distributed by Dow Jones & Company, Inc. and have been licensed for use. All content of the Dow Jones IndexesSM 2013 is proprietary to Dow Jones & Company, Inc. Chicago Mercantile Association.
They fall in and out of love, and struggle with that eternal New York question of how to afford the rent on an apartment. Its an engaging depiction of Generation-Y life and relationships in the Big Apple, and it has me reeling in bittersweet memories… I was 17 years old, on my year out before starting at Oxford University. It was the end of 1995, Bill Clinton was in the White House and Mayor Giuliani ruled New York City. My plan was to spend a few weeks in NYC visiting my big sister Katie, before travelling around Europe. Do you remember the blizzards of winter 95-96? I landed at JFK in the snowstorms, and my sister whisked me off on an epic round of New Year parties. Despite the alcohol and the jet-lag, I have crystal-clear memories of that first night in Manhattan. I remember a lively meal at a Chinese restaurant on Broadway; I remember various cab rides, criss-crossing from the Upper East Side to the Upper West Side; I remember the taste of Jaegermeister (never again); I remember a rooftop party at midnight on Riverside, looking out over the Hudson River, and fireworks amid the falling snowflakes. There is a line in Heartburn by Nora Ephron that captures New York for me: she describes how the people are always rushing around looking for action, love, and the worlds greatest chocolate chip cookie. I had planned to stay with my sister a fortnight, and ended up staying a year. I got a job in a French advertising agency, and eventually my own tiny shoe-box apartment on the Upper East Side. I began to learn the layout of the city: how some of the buses go up and down avenues, while others go side to side across the streets. (Its a good system: British bus-routes are fairly random.) I got to grips with the subway system, I joined the locals running around the reservoir in Central Park. And of course, I ate plenty of chocolate chip cookies.
New York Mets induct former slugger Mike Piazza into team's Hall of Fame
Piazza hit 220 of his 427 home runs for the Mets from 1998-05 and led them to a pair of playoff appearances, including the 2000 World Series. His 396 homers as a catcher are the most in major league history. I cant really express how grateful I am, Piazza said at a news conference before the ceremony. Just an amazing journey, really. Acquired from the Marlins in May 1998 only eight days after the Los Angeles Dodgers traded him to Florida, Piazza made seven of his 12 All-Star games with the Mets. He owns the highest slugging percentage in franchise history (.542) and ranks third in homers and RBIs (655). You run the gauntlet here. This is not easy, Piazza said. To play here and to do well here and to win here is something really special. Perhaps his most memorable moment was a majestic home run at Shea Stadium on Sept. 21, 2001, in the first major New York City sporting event after the 9-11 terrorist attacks. Piazzas go-ahead drive in the eighth inning against Atlanta sent the crowd into a frenzy on an emotional night, with cameras capturing the poignant joy on faces of firefighters, police officers and other uniformed rescue workers throughout the stands. Whenever that game was mentioned Sunday, it drew some of the biggest cheers at Citi Field. When I think about that day, I really think for me it was just that we were all together, Piazza said. Introduced to a standing ovation, a clean-shaven Piazza waved to the crowd and stepped on a ceremonial home plate adorned with a logo that featured his old No. 31.


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Friday 23rd June 2017
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A. Harrison Barnes is a well-known attorney throughout the United States. As a member of the Malibu community, Harrison is committed to serving the needs of Malibu residents and businesses in legal matters.


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Reason, the development of critical thinking skills and dispositions is a life-long endeavor. Referencing all sources including is very important when services are rendered. Here is an excellent grammar guide to help you sharpen uvm environmental studies thesis your skills.
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The third paragraph should explore the other side of the debate. Give enough details so that your teacher will understand your ideas. Them about your experience and personality you will get a nicely written funny short story. You watch the video, as it is reasonably long and hard to remember in detail during the interview.
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text: Ticket sellers were feeling the force of the nation's 'Star Wars' fans after Disney (DIS) debuted the latest 'Star Wars' trailer on ESPN Monday night. 'Star Wars: The Force Awakens', won't hit screens until December but several ticket sites including Fandango and AMC theater chain (AMC) crashed due to the demand, with many screening locations already sold out. The seventh film in the series picks up three decades after the action of 'Return of the Jedi', which was released back in 1983. The trailer has evoked a social media frenzy with some critics now expecting the movie to challenge 'Avatar' (FOX) for record breaking box office numbers. Disney stock has seen impressive growth thanks to continued audience enthusiasm for familiar franchises.